Question: What job did the creator of Atlas Slave have?

full_context: Document 1: Atlas Slave: The Atlas Slave is a 2.77m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence.
Document 2: Angel (Michelangelo): The statue of an "Angel" (1494–1495) was created by Michelangelo out of marble. Its height is 51.5 cm. It is situated in the Basilica of San Domenico, Bologna.
Document 3: Caravaggio (1986 film): Caravaggio is a 1986 British drama film directed by Derek Jarman. The film is a fictionalised re-telling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is the film debut of Tilda Swinton and Sean Bean.
Document 4: John the Baptist (Caravaggio): John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
Document 5: The Genius of Victory: The Genius of Victory is a 1532–1534 marble sculpture by Michelangelo, produced as part of a design for the tomb of Pope Julius II. It is 2.61 m high and is now in the Salone dei Cinquecento of the Palazzo Vecchio in Florence.
Document 6: Utrecht Caravaggism: Painters such as Dirck van Baburen, Gerrit van Honthorst, Hendrick ter Brugghen, Jan van Bijlert and Matthias Stom were all in Rome in the 1610s, a time when the tenebroso of Caravaggio's later style was very influential. Adam Elsheimer, also in Rome at the same time, was probably also an influence on them. Back in Utrecht, they painted mythological and religious history subjects and genre scenes, such as the card-players and gypsies that Caravaggio himself had abandoned in his later career. Utrecht was the most Catholic city in the United Provinces, still about 40% Catholic in the mid-17th century, and even more among the elite groups, who included many rural nobility and gentry with town houses there. It had previously been the main centre, after Haarlem, of Northern Mannerist painting in the Netherlands. Abraham Bloemaert, who had been a leading figure in this movement, and taught the Honthursts and many other artists, also was receptive to the influence of his pupils, and changed his style many times before his death in 1651.
Document 7: The Taking of Christ (Caravaggio): The Taking of Christ () is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
Document 8: Rebellious Slave: The Rebellious Slave is a 2.15m high marble statue by Michelangelo, dated to 1513. It is now held in the Louvre in Paris.
Document 9: Utrecht Caravaggism: The brief flourishing of Utrecht Caravaggism ended around 1630. At that time, major artists had either died, as in the case of Baburen and ter Brugghen, or had changed style, like Honthorst's shift to portraiture and history scenes informed by the Flemish tendencies popularized by Peter Paul Rubens and his followers. They left a legacy, however, through their influence on Rembrandt's use of chiaroscuro and Gerrit Dou's "niche paintings" (a genre popularized by Honthorst).
Document 10: Young Slave: The Young Slave (Italian: "Schiavo giovane") is a marble sculpture of Michelangelo, datable to around 1525–1530 which is conserved in the Galleria dell'Accademia in Florence. It is part of the "unfinished" series of "Prigioni" intended for the Tomb of Julius II.
Document 11: Narcissus (Caravaggio): Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.
Document 12: Awakening Slave: The Awakening Slave is a 2.67m high marble statue by Michelangelo, dated to 1525-1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence.
Document 13: Tomb of Pope Julius II: The Tomb of Pope Julius II is a sculptural and architectural ensemble by Michelangelo and his assistants, originally commissioned in 1505 but not completed until 1545 on a much reduced scale. Originally intended for St. Peter's Basilica, the tomb was instead placed in the church of San Pietro in Vincoli on the Esquiline in Rome after the pope's death. This church was patronized by the della Rovere family from which Julius came, and he had been titular cardinal there.
Document 14: Caravaggio: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (, US: , Italian pronunciation: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as tenebrists or tenebrosi ("shadowists").
Document 15: Boy with a Basket of Fruit: Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome.
ground_truth: Italian painter
sub_queries: Which was the creator of Atlas Slave? Answer: Michelangelo
What job did Michelangelo have? Answer: Italian painter