Question: In A League of Their Own which character is played by the singer who likes baroque classical music?

full_context: Document 1: Madonna (entertainer): According to Tony Sclafani from MSNBC, "It's worth noting that before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers ... When The Beatles hit America, they changed the paradigm of performer from solo act to band. Madonna changed it back—with an emphasis on the female." Howard Kramer, curatorial director of the Rock and Roll Hall of Fame and Museum, asserted that "Madonna and the career she carved out for herself made possible virtually every other female pop singer to follow ... She certainly raised the standards of all of them ... She redefined what the parameters were for female performers." According to Fouz-Hernández, subsequent female singers such as Britney Spears, Christina Aguilera, Kylie Minogue, the Spice Girls, Destiny's Child, Jennifer Lopez, and Pink were like her "daughters in the very direct sense that they grew up listening to and admiring Madonna, and decided they wanted to be like her." Time magazine included her in the list of the "25 Most Powerful Women of the Past Century", where she became one of only two singers to be included, alongside Aretha Franklin. She also topped VH1's lists of "100 Greatest Women in Music" and "50 Greatest Women of the Video Era".
Document 2: Madonna (entertainer): Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.
Document 3: Madonna (entertainer): Before emerging as a pop star, Madonna has spent her early years in rock music alongside her bands, Breakfast Club and Emmy. While performing with Emmy, Madonna recorded about 12-14 songs which resemble the punk rock of that period. Her early rock roots also can be found on the demo album Pre-Madonna. Stephen Thomas Erlewine noted that with her self-titled debut album, Madonna began her career as a disco diva, in an era that did not have any such divas to speak of. In the beginning of the '80's, disco was an anathema to the mainstream pop, and according to Erlewine, Madonna had a huge role in popularizing dance music as mainstream music. The album's songs reveal several key trends that have continued to define her success, including a strong dance-based idiom, catchy hooks, highly polished arrangements and Madonna's own vocal style. Her second album, Like a Virgin (1984), foreshadowed several trends in her later works. It contained references to classical works (pizzicato synthesizer line that opens "Angel"); potential negative reaction from social groups ("Dress You Up" was blacklisted by the Parents Music Resource Center); and retro styles ("Shoo-Bee-Doo", Madonna's homage to Motown).
Document 4: Madonna (entertainer): In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.
Document 5: A League of Their Own: In 1988, Dottie Hinson (Geena Davis) attends the opening of the new All - American Girls Professional Baseball League (AAGPBL) exhibit at the Baseball Hall of Fame. She sees many of her former teammates and friends, prompting a flashback to 1943.
Document 6: SoundGirl: Beardshaw and Shortland were friends and school classmates in London that sang together before another girl from their neighbourhood, Redmond, joined them to form SoundGirl. A management company, Angelic Union, held auditions for a girl band project in a dance studio. The three girls went, wrote a song in ten minutes, and sang it for Angelic Union, who reportedly signed them on the spot.
Document 7: Madonna (entertainer): Throughout her career Madonna has been involved in writing and producing most of her own music. Madonna's early songwriting skill was developed during her time with the Breakfast Club in 1979. According to author Carol Gnojewski, her first attempts at songwriting are perceived as an important self-revelation, as Madonna said: "I don't know where [the songs] came from. It was like magic. I'd write a song every day. I said 'Wow, I was meant to do this'." Mark Kamins, her first producer, believed that Madonna is "a much underrated musician and lyricist." Rolling Stone has named her "an exemplary songwriter with a gift for hooks and indelible lyrics." According to Freya Jarman-Ivens, Madonna's talent for developing "incredible" hooks for her songs allows the lyrics to capture the attention of the audience, even without the influence of the music. As an example, Jarman-Ivens cites the 1985 single "Into the Groove" and its line "Live out your fantasy here with me, just let the music set you free; Touch my body, and move in time, now I know you're mine." Madonna's songwriting are often autobiographical over the years, dealing with various themes from love and relationships to self-respect and female empowerment. Her songs also speak about taboo and unconventional issues of their period, such as sexuality and AIDS on Erotica (1992). Many of her lyrics contain innuendos and double entendre, which lead to multiple interpretations among music critics and scholars. Madonna has been nominated for being inducted into the Songwriters Hall of Fame twice, for 2014 and 2016 ceremony. Rolling Stone listed Madonna at number 56 on the "100 Greatest Songwriters of All Time".
Document 8: Beyoncé: Beyoncé names Michael Jackson as her major musical influence. Aged five, Beyoncé attended her first ever concert where Jackson performed and she claims to have realised her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyoncé said, "if it wasn't for Michael Jackson, I would never ever have performed." She admires Diana Ross as an "all-around entertainer" and Whitney Houston, who she said "inspired me to get up there and do what she did." She credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child. Her other musical influences include Aaliyah, Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Janet Jackson, Anita Baker and Rachelle Ferrell.
Document 9: Casey at the Bat: A baseball team from the fictional town of ``Mudville ''(implied to be the home team) is losing by two runs in its last inning. Both the team and its fans, a crowd of 5,000, believe they can win if Casey, Mudville's star player, gets to bat. However, Casey is scheduled to be the fifth batter of the inning, and the first two batters (Cooney and Barrows) fail to get on base. The next two batters (Flynn and Jimmy Blake) are perceived to be weak hitters with little chance of reaching base to allow Casey a chance to bat.
Document 10: A League of Their Own: Dottie and Kit head out to Harvey Field in Chicago for the tryout. There they meet a pair of New Yorkers, taxi dancer ``All the Way ''Mae Mordabito (Madonna) and her best friend, bouncer Doris Murphy (Rosie O'Donnell), along with soft - spoken right fielder Evelyn Gardner (Bitty Schram), illiterate, shy left fielder Shirley Baker (Ann Cusack), pitcher / shortstop and former Miss Georgia beauty queen Ellen Sue Gotlander (Freddie Simpson), gentle left field / relief pitcher Betty`` Spaghetti'' Horn (Tracy Reiner), homely second baseman Marla Hooch (Megan Cavanagh), who was scouted by Ernie, Dottie and Kit in Fort Collins, Colorado, first baseman Helen Haley (Anne Ramsay), and Saskatchewan native Alice ``Skeeter ''Gaspers (Renée Coleman). They and eight others are selected to form the Rockford Peaches, while 48 others are split among the Racine Belles, Kenosha Comets, and South Bend Blue Sox.
Document 11: A League of Their Own: A League of Their Own is a 1992 American sports comedy - drama film that tells a fictionalized account of the real - life All - American Girls Professional Baseball League (AAGPBL). Directed by Penny Marshall, the film stars Geena Davis, Tom Hanks, Madonna, and Lori Petty. The screenplay was written by Lowell Ganz and Babaloo Mandel from a story by Kelly Candaele and Kim Wilson.
Document 12: All-American Girls Professional Baseball League: The All - American Girls Professional Baseball League was a women's professional baseball league founded by Philip K. Wrigley which existed from 1943 to 1954. Over 600 women played in the league. In 1948, league attendance peaked over 900,000 spectators in attendance. The Rockford Peaches won a league - best four championships while playing in the AAGPBL. For most of the league's history, manager Bill Allington coached different teams and led the league in career wins as a manager. The 1992 motion picture A League of Their Own tells a fictionalized account of the Rockford Peaches.
Document 13: Madonna (entertainer): Possessing a mezzo-soprano vocal range, Madonna has always been self-conscious about her voice, especially in comparison to her vocal idols such as Ella Fitzgerald, Prince, and Chaka Khan. Mark Bego, author of Madonna: Blonde Ambition, called her "the perfect vocalist for lighter-than-air songs", despite not being a "heavyweight talent." According to MSNBC critic Tony Sclafani, "Madonna's vocals are the key to her rock roots. Pop vocalists usually sing songs "straight," but Madonna employs subtext, irony, aggression and all sorts of vocal idiosyncrasies in the ways John Lennon and Bob Dylan did." Madonna used a bright, girlish vocal timbre in her early albums which became passé in her later works. The change was deliberate since she was constantly reminded of how the critics had once labelled her as "Minnie Mouse on helium". During the filming of Evita, Madonna had to take vocal lessons, which increased her range further. Of this experience she commented, "I studied with a vocal coach for Evita and I realized there was a whole piece of my voice I wasn't using. Before, I just believed I had a really limited range and was going to make the most of it."
Document 14: Isora del Castillo: The first AAGPBL spring training outside the United States was held in Cuba in 1947, as part of a plan to create an International League of Girls Baseball. The experiment took shape when Cuban executives Alfonso Rodríguez and Rafael León and AAGPBL president Max Carey formed two teams, one called the Cubans and the other called the Americans. Both teams toured Costa Rica, Nicaragua, Puerto Rico and Venezuela, playing exhibition games with each other. After that, Isora and her aforementioned fellows were contracted by the AAGPBL between 1948 and 1949.
Document 15: Everyone's Hero: Cherise Booth as Rosetta Brewster Ritchie Allen as Officer Bryant Jason Harris Katz (credited as Jason Harris) as Announcer Ed Helms as Hobo Louie Ray Iannicelli as Conductors / Umpire Gideon Jacobs as Bully Kid Tubby Richard Kind as Hobo Andy / Maitre'D Marcus Maurice as Willie Will Reeve as Big Kid Ron Tippe as Hobo Jack Robert Wagner as Mr. Robinson Joe Torre as New York Yankees manager Jesse Bronstein as Sandlot Kid # 1 Ralph Coppola as Sandlot Kid # 2 Conor White as Bully Kid Arnold
ground_truth: taxi dancer ``All the Way ''Mae Mordabito
sub_queries: Whose favorite style is baroque? Answer: Madonna
who does Madonna play in a league of their own Answer: taxi dancer ``All the Way ''Mae Mordabito