Question: What American actress born in 1912 did the violin master known for his sweet tone and gemütlich style compose a work for?

full_context: Document 1: Life of Franz Liszt: Franz Liszt (October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary. Liszt is widely considered to be the greatest pianist of all time.
Document 2: Blandine Ebinger: Blandine Ebinger (born Blandine Loeser) (4 November 1899, in Berlin – 25 December 1993, in Berlin) was a German actress and "chansonniere", the daughter of the pianist Gustav Loeser and the actress Margarete Wezel. Ebinger became acquainted with Friedrich Hollaender in 1919, and with him she became heavily invested as a performer, writer, and composer in the Berlin cabaret scene in the 1920s, beginning in the cabaret and the . She married Friedrich Hollaender, and she recorded many of his cabaret songs, including the set of songs entitled "Lieder eines armen Mädchens ". Although Ebinger and Hollaender ended their marriage before Hollaender emigrated to the United States because of the increasingly hostile environment for Jewish citizens in the early 1930s, Ebinger nevertheless faced discrimination as a result of the marriage, much of which was directed at their half-Jewish daughter, Philine, who was briefly married to Georg Kreisler. Ebinger emigrated to the United States in 1937, returning to Berlin in 1947. She moved to Munich, where she met her second husband, the publisher Helwig Hassepflug, in 1961. They eventually settled back in Berlin, where Blandine continued her career in the theater and as an actress on television productions. Ebinger died on 25 December 1993 in Berlin and is buried on the Waldfriedhof Dahlem. She was 94 years old.
Document 3: Alfred Brendel: Alfred Brendel KBE (born 5 January 1931) is an Austrian pianist, poet and author, known particularly for his performances of Mozart, Schubert, Schoenberg, and especially Beethoven.
Document 4: Niccolò Paganini: Niccolò (or Nicolò) Paganini (] ; 27 October 178227 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
Document 5: Marta Eggerth: Marta Eggerth (17 April 1912 – 26 December 2013) was a Hungarian-born American actress and singer from "The Silver Age of Operetta". Many of the 20th century's most famous operetta composers, including Franz Lehár, Fritz Kreisler, Robert Stolz, Oscar Straus and Paul Abraham, composed works especially for her.
Document 6: Georg Kulenkampff: Alwin Georg Kulenkampff-Post (23 January 1898 – 4 October 1948) was a German virtuoso violinist. One of the most popular German concert violinists of the 1930s and 1940s, he was considered one of the finest violinists of the 20th century.
Document 7: Mihály Erdélyi: Mihály Erdélyi (May 28, 1895 - January 27, 1979) was a Hungarian composer, lyricist, actor, and producer, particularly prolific in the interwar period. Erdélyi was born in Szeged in 1895 and began a career as an actor then a stage producer, but became most famous for his operettas, including "Csókos regiment" (1932), "Fehérvári huszárok" (1933), "A csavargólány" (1936), "Sárgapitykés közlegény" (1937), "A zimberi-zombori szépasszony" (1939), "Sárgarigófészek" (1940), "Vedd le a kalapod a honvéd előtt" (1942), and "A két kapitány" (1943). Many of his songs have entered the Hungarian musical canon as folk music, often without an awareness of the original composer.
Document 8: Erick Friedman: Erick Friedman (August 14, 1939 – March 30, 2004) is considered by many as one of the greatest American born violinists of the past century. Erick Friedman's illustrious career took him to many of the great concert stages of the world appearing as guest soloist with most of the great orchestras throughout the United States and abroad: the New York Philharmonic and the National Symphony, the orchestras of New Orleans, Pittsburgh, Miami, Detroit, Indianapolis, the Berlin Philharmonic, Orchestre de Paris and many other major orchestras throughout the world. Karajan, Stokowski, Steinberg, Leinsdorf, Previn, and Ozawa are some of the celebrated conductors with whom he collaborated with. Mr. Friedman's recordings for RCA Victor earned him accolades including the prestigious Grammy Award. Mr. Friedman has been featured playing the Bartók Violin Concerto in an A&E Television Production on Bartók which was released worldwide. His tribute to Fritz Kreisler is available on VHS at online vendors including Amazon. Mario Castelnuovo-Tedesco, Isadore Freed, Ezra Laderman, and Laurent Petitgirard are some of the internationally celebrated composers who wrote and/or dedicated compositions to him. Erick Friedman studied at The Juilliard School with Ivan Galamian. At age fourteen he began studies with Nathan Milstein and later worked with the legendary violinist Jascha Heifetz with whom he recorded the Bach Double Violin Concerto for RCA Victor. Mr. Friedman and Mr. Heifetz can be seen performing the Bach Double in the 1962 TV series Heifeitz Masterclass. In the early 1970s, Mr. Friedman was on the violin faculty of the North Carolina School of the Arts. He later held faculty positions at the Manhattan School of Music, Southern Methodist University, and the Yale School of Music.
Document 9: Fritz Kreisler: Friedrich "Fritz" Kreisler (February2, 1875January29, 1962) was an Austrian-born violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violin masters of all time, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although it derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the "gemütlich" (cozy) lifestyle of pre-war Vienna.
Document 10: Lotte Lehmann: Charlotte "Lotte" Lehmann (February 27, 1888 – August 26, 1976) was a German soprano who was especially associated with German repertory. She gave memorable performances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in "Der Rosenkavalier", Sieglinde in "Die Walküre" and the title-role in "Fidelio" are considered her greatest roles. During her long career, Lehmann also made more than five hundred recordings. Her performances in the world of Lieder are considered among the best ever recorded.
Document 11: Elisabeth Schwarzkopf: Dame Olga Maria Elisabeth Friederike Schwarzkopf, DBE (9 December 19153 August 2006) was a German soprano. She was among the foremost singers of lieder, and was renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th Century.
Document 12: Herta Glaz: Herta Glaz (also spelled Hertha; September 16, 1910 in Vienna – January 28, 2006 in Hamden, Connecticut) was an American operatic mezzo-soprano, voice teacher, and opera director of Austrian birth. She became a United States citizen in 1943. She was a fixture at the Metropolitan Opera between 1942-1956 where she sang in more than 300 performances. She was also highly active with the San Francisco Opera between 1944-1951. Some of the roles she portrayed on stage were Marcellina in "Le Nozze di Figaro", Annina, Siegrune in "Die Walküre", Flosshilde in "Götterdämmerung" and Magdalene in "Die Meistersinger von Nürnberg".
Document 13: Second Viennese School: The Second Viennese School (German: Zweite Wiener Schule, Neue Wiener Schule ) is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th century Vienna, where he lived and taught, sporadically, between 1903 and 1925. Their music was initially characterized by late-Romantic expanded tonality and later, following Schoenberg's own evolution, a totally chromatic expressionism without firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Though this common development took place, it neither followed a common time-line nor a cooperative path. Likewise, it was not a direct result of Schoenberg's teaching—which, as his various published textbooks demonstrate, was highly traditional and conservative. Schoenberg's textbooks also reveal that the Second Viennese School spawned not from the development of his serial method, but rather from the influence of his creative example.
Document 14: Franz Liszt: Franz Liszt (] ; Hungarian: "Liszt Ferencz" , in modern usage "Liszt Ferenc", ] ; October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary.
Document 15: Sigmund Romberg: Sigmund Romberg (July 29, 1887 – November 9, 1951) was an Austro-Hungarian composer who spent most of his adult life in the United States. He is best known for his musicals and operettas, particularly "The Student Prince" (1924), "The Desert Song" (1926) and "The New Moon" (1928).
ground_truth: Marta Eggerth