Question: Where did the lyricist who wrote Blowin' in the Wind play in New York?

full_context: Document 1: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 2: Blowin' in the Wind: ``Blowin 'in the Wind ''is a song written by Bob Dylan in 1962 and released as a single and on his album The Freewheelin' Bob Dylan in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war, and freedom. The refrain`` The answer, my friend, is blowin 'in the wind'' has been described as ``impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind ''.
Document 3: Catch the Wind: ``Catch the Wind ''is a song written and recorded by British singer - songwriter Donovan. It was released as a single in the United Kingdom on March 12, 1965 through Pye Records (Pye 7N 15801) and a few months later in the United States through Hickory Records (Hickory 45 - 1309). The single was backed with`` Why Do You Treat Me Like You Do?'' on both the United Kingdom and United States releases. The melody of the song was influenced by ``Chimes of Freedom ''by Bob Dylan.
Document 4: Don't Think Twice, It's All Right: ``Do n't Think Twice, It's All Right ''Single by Bob Dylan from the album The Freewheelin 'Bob Dylan A-side`` Blowin' in the Wind'' Released August 1963 Length 3: 40 Label Columbia Songwriter (s) Bob Dylan Producer (s) John Hammond The Freewheelin 'Bob Dylan track listing 13 tracks Side one ``Blowin' in the Wind ''`` Girl from the North Country'' ``Masters of War ''`` Down the Highway'' ``Bob Dylan's Blues ''`` A Hard Rain's a-Gonna Fall'' Side two ``Do n't Think Twice, It's All Right ''`` Bob Dylan's Dream'' ``Oxford Town ''`` Talkin 'World War III Blues'' ``Corrina, Corrina ''`` Honey, Just Allow Me One More Chance'' ``I Shall Be Free ''
Document 5: Electric Dylan controversy: By 1965, Bob Dylan had achieved the status of leading songwriter of the American folk music revival. The response to his albums The Freewheelin 'Bob Dylan and The Times They Are a-Changin' led to him being labelled as the ``spokesman of a generation ''by the media. In March 1965, Dylan released his fifth album, Bringing It All Back Home. Side One featured Dylan backed by an electric band. Side Two featured Dylan accompanying himself on acoustic guitar. On July 20, 1965, Dylan released his single`` Like a Rolling Stone'', featuring a rock sound. On July 25, 1965, Dylan performed his first electric concert at the Newport Folk Festival, joined by guitarist Mike Bloomfield and Barry Goldberg of the Electric Flag. Some sections of the audience booed Dylan's performance. Leading members of the folk movement, including Irwin Silber and Ewan MacColl, criticized Dylan for moving away from political songwriting and for performing with an electric band.
Document 6: London: London has numerous venues for rock and pop concerts, including the world's busiest arena the o2 arena and other large arenas such as Earls Court, Wembley Arena, as well as many mid-sized venues, such as Brixton Academy, the Hammersmith Apollo and the Shepherd's Bush Empire. Several music festivals, including the Wireless Festival, South West Four, Lovebox, and Hyde Park's British Summer Time are all held in London. The city is home to the first and original Hard Rock Cafe and the Abbey Road Studios where The Beatles recorded many of their hits. In the 1960s, 1970s and 1980s, musicians and groups like Elton John, Pink Floyd, David Bowie, Queen, The Kinks, The Rolling Stones, The Who, Eric Clapton, Led Zeppelin, The Small Faces, Iron Maiden, Fleetwood Mac, Elvis Costello, Cat Stevens, The Police, The Cure, Madness, The Jam, Dusty Springfield, Phil Collins, Rod Stewart and Sade, derived their sound from the streets and rhythms vibrating through London.
Document 7: New York City: Numerous major American cultural movements began in the city, such as the Harlem Renaissance, which established the African-American literary canon in the United States. The city was a center of jazz in the 1940s, abstract expressionism in the 1950s, and the birthplace of hip hop in the 1970s. The city's punk and hardcore scenes were influential in the 1970s and 1980s. New York has long had a flourishing scene for Jewish American literature.
Document 8: Music of New York City: Beginning in the 1940s, New York City was the center for a roots revival of American folk music. Many New Yorkers, especially young people, became interested in blues, Appalachian folk music, and other roots styles. In Greenwich Village, many of these people gathered; the area became a hotbed of American folk music as well as leftist political activism.
Document 9: New York City: The city is the birthplace of many cultural movements, including the Harlem Renaissance in literature and visual art; abstract expressionism (also known as the New York School) in painting; and hip hop, punk, salsa, disco, freestyle, Tin Pan Alley, and Jazz in music. New York City has been considered the dance capital of the world. The city is also widely celebrated in popular lore, frequently the setting for books, movies (see List of films set in New York City), and television programs. New York Fashion Week is one of the world's preeminent fashion events and is afforded extensive coverage by the media. New York has also frequently been ranked the top fashion capital of the world on the annual list compiled by the Global Language Monitor.
Document 10: Smalls Jazz Club: Smalls Jazz Club is a jazz club at 183 West 10th Street, Greenwich Village, New York City. Established in 1994, it earned a reputation in the 1990s as a "hotbed for New York's jazz talent" with a "well-deserved reputation as one of the best places in the city to see rising talent in the New York jazz scene". Its jazz musicians are noted for being "talented, though largely unknown" while its music is characterized as "modern versions of bebop and hard bop". The club's main room is in a basement with a capacity of 50 people that expanded to 60 people. Smalls Jazz Club should not be confused with Smalls Paradise in Harlem, which was founded in 1925 by Ed Smalls and closed in the 1950s.
Document 11: Idiot Wind: "Idiot Wind" is a song by Bob Dylan, which appeared on his album "Blood on the Tracks". The song is likely to have been written, or at least begun, in the summer of 1974, after Dylan's comeback tour with The Band that year.
Document 12: Greenwich Village: The Village had a cutting - edge cabaret and music scene. The Village Gate, the Village Vanguard, and The Blue Note (since 1981), regularly hosted some of the biggest names in jazz. Greenwich Village also played a major role in the development of the folk music scene of the 1960s. Music clubs included Gerde's Folk City, The Bitter End, Cafe Au Go Go, Cafe Wha?, The Gaslight Cafe and The Bottom Line. Three of the four members of The Mamas & the Papas met there. Guitarist and folk singer Dave Van Ronk lived there for many years. Village resident and cultural icon Bob Dylan by the mid-60s had become one of the world's foremost popular songwriters, and often developments in Greenwich Village would influence the simultaneously occurring folk rock movement in San Francisco and elsewhere, and vice versa. Dozens of other cultural and popular icons got their start in the Village's nightclub, theater, and coffeehouse scene during the 1950s, 1960s, and early 1970s, including Jimi Hendrix, Barbra Streisand, Peter, Paul, and Mary, Bette Midler, The Lovin 'Spoonful, Simon & Garfunkel, Liza Minnelli, Jackson Browne, James Taylor, Eric Andersen, Joan Baez, The Clancy Brothers and Tommy Makem, The Velvet Underground, The Kingston Trio, Carly Simon, Richie Havens, Maria Muldaur, Tom Paxton, Janis Ian, Phil Ochs, Joni Mitchell, Laura Nyro, and Nina Simone. The Greenwich Village of the 1950s and 1960s was at the center of Jane Jacobs's book The Death and Life of Great American Cities, which defended it and similar communities, while criticizing common urban renewal policies of the time.
Document 13: A Hard Rain's a-Gonna Fall: ``A Hard Rain's a-Gonna Fall ''is a song written by Bob Dylan in the summer of 1962 and recorded later that year for his second album The Freewheelin 'Bob Dylan. Its lyrical structure is thematically complex and modeled after the question and answer form of traditional ballads such as`` Lord Randall''.
Document 14: Like a Rolling Stone: ``Like a Rolling Stone ''is a 1965 song by the American singer - songwriter Bob Dylan. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus.`` Like a Rolling Stone'' was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.
Document 15: Miami: This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
ground_truth: Greenwich Village
sub_queries: who wrote the lyrics to blowin in the wind Answer: Bob Dylan
where did Bob Dylan play in new york Answer: Greenwich Village