Question: Which 1959 Drama film did Sacha Vierny do the cinematography for ?

full_context: Document 1: Walerian Borowczyk: Walerian Borowczyk (21 October 1923 – 3 February 2006) was an internationally known Polish film director described by film critics as a 'genius who also happened to be a pornographer'. He directed 40 films between 1946 and 1988. Borowczyk settled in Paris in 1959. His career as a film director was mainly in France.
Document 2: Jean Renoir: Jean Renoir (] ; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films "La Grande Illusion" (1937) and "The Rules of the Game" (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's "Sight & Sound" poll of critics in 2002 as the fourth greatest director of all time. Among numerous honors accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir. He was one of the first filmmakers to be known as an "auteur".
Document 3: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 4: Éric Rohmer: Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (] , 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter and teacher.
Document 5: La Douleur: La Douleur "(War: A Memoir)" is a controversial, semi-autobiographical work by Marguerite Duras published in 1985 but drawn from diaries that she supposedly wrote during World War II. It is a collection of six texts recounting a mix of her experiences of the Nazi Occupation of France, with fictional details. She claims to have "forgotten" ever writing the diary in which she recorded her wartime experiences, but most critics believe that to be a deliberate attempt to confuse autobiography and fiction. Duras' work is often cited as part of the Nouveau Roman movement which tried to redefine traditional ideas about set categories of books, fiction, non-fiction, biography, autobiography, etc.
Document 6: Jacques Rivette filmography: Jacques Rivette (] ; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part "Joan the Maiden", eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, "Aux quatre coins", in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles lead to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on "French Cancan" and Jacques Becker on "Ali Baba and the Forty Thieves". During this period he began writing film criticism for the magazine "Gazette du Cinéma" and later "Cahiers du Cinéma", and was one of the most respected writers by his peers.
Document 7: The Lover (film): The Lover (French: L'Amant ) is a 1992 drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. In the screenplay written by Annaud and Gérard Brach, the 15 1/2-year-old protagonist is portrayed by actress Jane March, who turned eighteen shortly after filming began. Her lover is portrayed by actor Tony Leung Ka-fai. The film features full-frontal male and female nudity.
Document 8: Sven Nykvist: Sven Vilhem Nykvist (] ) (3 December 1922 – 20 September 2006) was a Swedish cinematographer. He worked on over 120 films, but is known especially for his work with director Ingmar Bergman. He won Academy Awards for his work on two Bergman films, "Cries and Whispers" ("Viskningar och rop") in 1973 and "Fanny and Alexander" ("Fanny och Alexander") in 1983, and the Independent Spirit Award for Best Cinematography for "The Unbearable Lightness of Being".
Document 9: Marguerite Duras: Marguerite Donnadieu, known as Marguerite Duras (] ; 4 April 1914 – 3 March 1996), was a French novelist, playwright, scriptwriter, essayist, and experimental filmmaker. Her 1959 film "Hiroshima mon amour", earned her a nomination for Best Original Screenplay at the Academy Awards.
Document 10: Alain Resnais: Alain Resnais (] ; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included "Night and Fog" (1955), an influential documentary about the Nazi concentration camps.
Document 11: Sacha Vierny: Sacha Vierny (10 August 1919 – 15 May 2001) was a French cinematographer. He was born in Bois-le-Roi, Seine-et-Marne, Île-de-France, France, and died in Paris, France, at the age of 81. He is most famous for his work with Alain Resnais – especially for the two films "Hiroshima mon amour" and "L'année dernière à Marienbad" – and with Peter Greenaway ("The Cook, the Thief, His Wife & Her Lover", "Prospero's Books").
Document 12: Hiroshima mon amour: Hiroshima mon amour (] , "Hiroshima My Love"; Japanese: 二十四時間の情事 "Nijūyojikan'nojōji", "Twenty-four-hour affair") is a 1959 drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras. It is the documentation of an intensely personal conversation between a French-Japanese couple about memory and forgetfulness. It was a major catalyst for the Left Bank Cinema, making highly innovative use of miniature flashbacks to create a uniquely nonlinear storyline.
Document 13: A Zed &amp; Two Noughts: A Zed & Two Noughts is a 1985 film written and directed by Peter Greenaway. This film was Greenaway's first with cinematography by Sacha Vierny, who went on to shoot virtually all of Greenaway's work in the 1980s and 1990s, until Vierny's death; Greenaway referred to Vierny as his "most important collaborator". The film is a rumination on life, love, bad sex, doubling, man's mistreatment of animals, artifice vs. the life force and the inevitability of birth, death and decay.
Document 14: Last Year at Marienbad: L'Année dernière à Marienbad (released in the US as Last Year at Marienbad and in the UK as Last Year in Marienbad) is a 1961 French-Italian film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.
Document 15: Muriel (film): Muriel (French: Muriel ou le Temps d'un retour , literally "Muriel, or the Time of a Return") is a 1963 French film directed by Alain Resnais. It was Resnais's third feature film, following "Hiroshima mon amour" (1959) and "L'Année dernière à Marienbad" (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. "Muriel" was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of "Nuit et brouillard" ("Night and Fog") (1955).
ground_truth: Hiroshima mon amour