Question: Who is the mother of The Importance of Being Earnest's writer?

full_context: Document 1: Mary Ball: Mary Ball was born in 1812, the second daughter of Bob Stawell Ball and his wife Mary "née" Green. She was born near Cobh, County Cork, but shortly moved with the family to nearby Youghal, County Cork. Mary had three siblings who lived into adulthood: Robert, Bent (1806-1860), and Anne, a well-known algologist. The family was Protestant and "involved in trade".
Document 2: Mary Shelley: Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft, and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his "Memoirs of the Author of A Vindication of the Rights of Woman" (1798), which he intended as a sincere and compassionate tribute. However, because the "Memoirs" revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory.
Document 3: The Importance of Being Earnest (1952 film): The Importance of Being Earnest (1952) is a British film adaptation of the play by Oscar Wilde. It was directed by Anthony Asquith, who also adapted the screenplay, and was produced by Anthony Asquith, Teddy Baird, and Earl St. John.
Document 4: The Importance of Being Earnest: After the success of Wilde's plays Lady Windermere's Fan and A Woman of No Importance, Wilde's producers urged him to write further plays. In July 1894 he mooted his idea for The Importance of Being Earnest to George Alexander, the actor - manager of the St James's Theatre. Wilde spent the summer with his family at Worthing, where he wrote the play quickly in August. His fame now at its peak, he used the working title Lady Lancing to avoid pre-emptive speculation of its content. Many names and ideas in the play were borrowed from people or places the author had known; Lady Queensberry, Lord Alfred Douglas's mother, for example, lived at Bracknell. There is widespread agreement among Wilde scholars that the most important influence on the play was W.S. Gilbert's 1877 farce Engaged; Wilde borrowed from Gilbert not only several incidents but, in Russell Jackson's phrase ``the gravity of tone demanded by Gilbert of his actors ''.
Document 5: Oscar Wilde: Oscar Wilde was born at 21 Westland Row, Dublin (now home of the Oscar Wilde Centre, Trinity College), the second of three children born to Sir William Wilde and Jane Wilde, two years behind William ("Willie"). Wilde's mother had distant Italian ancestry, and under the pseudonym ""Speranza"" (the Italian word for 'hope'), wrote poetry for the revolutionary Young Irelanders in 1848; she was a lifelong Irish nationalist. She read the Young Irelanders' poetry to Oscar and Willie, inculcating a love of these poets in her sons. Lady Wilde's interest in the neo-classical revival showed in the paintings and busts of ancient Greece and Rome in her home.
Document 6: Cyril Connolly: Cyril Connolly was born in Coventry, Warwickshire, the only child of Major Matthew William Kemble Connolly (1872–1947), an officer in the King's Own Yorkshire Light Infantry, by his Anglo-Irish wife, Muriel Maud Vernon, daughter of Colonel Edward Vernon (1838–1913) J.P., D.L., of Clontarf Castle, Co. Dublin. His parents had met while his father was serving in Ireland, and his father's next posting was to South Africa. Connolly's father was also a malacologist (the scientific study of the Mollusca, i.e. snails, clams, octopus, etc.) and mineral collector of some reputation and collected many samples in Africa. Cyril Connolly's childhood days were spent with his father in South Africa, with his mother's family at Clontarf Castle, and with his paternal grandmother in Bath, Somerset, and other parts of England.
Document 7: The Prince and the Showgirl: The Prince and the Showgirl (originally called The Sleeping Prince) is a 1957 British - American romantic comedy film starring Marilyn Monroe and Laurence Olivier. Olivier also served as director and producer. The screenplay by Terence Rattigan was based on his 1953 stage play The Sleeping Prince. It was filmed in London.
Document 8: Cyril Holland: Cyril Holland (born Cyril Wilde, 5 June 1885 – 9 May 1915) was the older of the two sons of Oscar Wilde and Constance Lloyd and brother to Vyvyan Holland.
Document 9: The Goose Steps Out: Will Hay shared directorial credit with Basil Dearden following on from their previous collaboration, The Black Sheep of Whitehall. Art Director, Michael Relph described Dearden and Hay's input as directors 'Basil was very expert at directing comedy, and that is what he contributed when working with Will Hay. Hay was important as a star, and he could more or less dictate what he wanted to direct, but really he did not direct. Basil directed and supplied all the expertise that Hay probably lacked.' Barry Morse who played Kurt had a slightly different take on the directorial responsibilities. 'Basil Dearden was largely concerned with purely technical things, angles, lenses, lighting details. He didn't have a very active part, it seemed to me, in the actual performance directing. That was something which Will Hay had a certain amount to do with.'"The Goose Steps Out" is also noted as the film debut of a young Peter Ustinov.
Document 10: The Picture of Dorian Gray (1945 film): The Picture of Dorian Gray is a 1945 American horror-drama film based on Oscar Wilde's 1890 novel of the same name. Released in March 1945 by Metro-Goldwyn-Mayer, the film is directed by Albert Lewin and stars George Sanders as Lord Henry Wotton and Hurd Hatfield as Dorian Gray. Shot primarily in black-and-white, the film features four colour inserts in 3-strip Technicolor of Dorian's portrait; these are a special effect, the first two inserts are the original portrait and the second two after a major period of degeneration then recovery.
Document 11: Eileen Power: Eileen Power was the eldest daughter of a stockbroker and was born at Altrincham (now part of Greater Manchester) in 1889. She was a sister of Rhoda Power, the children's writer and broadcaster. When she was three her father, a stockbroker, was arrested for fraud and the family moved to Bournemouth. After her mother died of tuberculosis when Power was only 14, she moved to Oxford with her two sisters to live with her aunt. Power was educated at Oxford High School for Girls, Girton College, Cambridge, and the Sorbonne.
Document 12: Wilde (film): Wilde is a 1997 British biographical film directed by Brian Gilbert and starring Stephen Fry in the title role. The screenplay by Julian Mitchell is based on the Pulitzer Prize-winning 1987 biography of Oscar Wilde by Richard Ellmann.
Document 13: An Ideal Husband (1999 film): An Ideal Husband is a 1999 film based on the play "An Ideal Husband" by Oscar Wilde. The film stars Jeremy Northam, Rupert Everett, Julianne Moore, Minnie Driver and Cate Blanchett. It was directed by Oliver Parker.
Document 14: Edmund Burke: Burke was born in Dublin, Ireland. His mother Mary née Nagle (c. 1702 – 1770) was a Roman Catholic who hailed from a déclassé County Cork family (and a cousin of Nano Nagle), whereas his father, a successful solicitor, Richard (died 1761), was a member of the Church of Ireland; it remains unclear whether this is the same Richard Burke who converted from Catholicism. The Burke dynasty descends from an Anglo-Norman knight surnamed de Burgh (latinised as de Burgo) who arrived in Ireland in 1185 following Henry II of England's 1171 invasion of Ireland.
Document 15: Nora Connolly O'Brien: Nora Connolly O'Brien was the daughter of Irish republican and socialist leader James Connolly and his wife Lillie Connolly. She was born in Edinburgh, one of seven children. She moved with her family to Dublin when she was three years old. Her formal education in Dublin extended to weekly Gaelic League classes to learn the Irish language. Otherwise, her mother, a former nursery maid, taught her how to read by the age of three and how to write, and arithmetic. The family moved to Troy, New York, when Nora was nine years old for her father to work at an insurance company. That work fell through, at which time he became increasingly political, prompting the family's eventual return to Ireland, this time to Belfast in 1910, with Nora going ahead a year earlier.
ground_truth: Jane Wilde
sub_queries: The Importance of Being Earnest >> screenwriter Answer: Oscar Wilde
Who is the mother of Oscar Wilde ? Answer: Jane Wilde