Question: Were Zora Neale Hurston and James Schuyler both known for their literary contributions to society?

full_context: Document 1: How It Feels To Be Colored Me: How It Feels To Be Colored Me (1928) is an essay by Zora Neale Hurston published in "World Tomorrow" as a "white journal sympathetic to Harlem Renaissance writers", illustrating her circumstance as an African American woman in the early 20th century in America. Most of Hurston's work involved her "Negro" characterization that were so true to reality, that she was known as an excellent anthropologist, "As an anthropologist and as an African- American writer during the Harlem Renaissance, Hurston was uniquely situated to explore the critical possibilities of marginality."
Document 2: James Merrill: James Ingram Merrill (March 3, 1926 – February 6, 1995) was an American poet. He was awarded the Pulitzer Prize for Poetry (1977) for "Divine Comedies" (1976). His poetry falls into two distinct bodies of work: the polished and formalist lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled "The Changing Light at Sandover" (published in three volumes from 1976 to 1980), which dominated his later career. Although most of his published work was poetry, he also wrote essays, fiction, and plays. He also made a cameo in the 1992 film "Lorenzo's Oil" in a symposium scene where he played a questioning doctor, due to filmmakers wanting to emphasize the "everyman" storyline.
Document 3: Jonah's Gourd Vine: Jonah's Gourd Vine is the 1934 debut novel by Zora Neale Hurston. The novel is a semi-autobiographical novel describing the migration of characters, similar to her parents, from Alabama to Hurston's home of Eatonville, Florida.
Document 4: James Schuyler: James Marcus Schuyler (November 9, 1923 – April 12, 1991) was an American poet. His awards include the Pulitzer Prize for Poetry for his 1980 collection "The Morning of the Poem". He was a central figure in the New York School and is often associated with fellow New York School poets John Ashbery, Frank O'Hara, Kenneth Koch, and Barbara Guest.
Document 5: Zora Neale Hurston House: The Zora Neale Hurston House was the home of author Zora Neale Hurston in Fort Pierce, Florida. It was originally located at 1734 School Court but was moved north 500 feet in 1995 to 1734 Avenue L to allow for expansion of Lincoln Park Academy, the school at which Hurston taught. On December 4, 1991, it was designated as a U.S. National Historic Landmark.
Document 6: Pierre Martory: Pierre Martory (December 1, 1920 – October 5, 1998) was a French poet whose influence on New York School poets was quiet but profound. His work was admired by Frank O'Hara, James Schuyler, Harry Mathews, and others, and translated extensively by John Ashbery, with whom he shared his life in Paris for nearly a decade. His work has appeared in many books in both England and the United States, as well as in "The New Yorker" and "Poetry". Martory’s personal “charm,” the poet Ann Lauterbach once said, “devolved back to the original meaning of ‘spell.’” However, as Ashbery has noted, “Both the humor and the sadness in his poems are always rendered with an unemphatic clarity that is certainly Mozartian.”
Document 7: The Poetry Collection: A University at Buffalo Libraries Special Collection, The Poetry Collection at the University at Buffalo, The State University of New York, is devoted to 20th century poetry in English and English translation. Founded by Charles David Abbott, the University at Buffalo's first Director of Libraries, The Poetry Collection contains over 100,000 volumes by every major and many minor poet writing in English. Recordings of poets reading from their own works, poets' notebooks, letters and manuscripts, and a wide variety of literary magazines are also included in this collection. Approximately 5,000 little magazine titles, 1,200 current subscriptions, and a number of portraits, sculptures, and photographs round out the collection. Also included in the Poetry Collection is the James Joyce Archive, the world's largest collection of James Joyce manuscripts, books and artifacts.
Document 8: Zora Neale Hurston Museum of Fine Arts: The Zora Neale Hurston National Museum of Fine Arts, also known as The Hurston, is an art museum in Eatonville, Florida. The Hurston is named after Zora Neale Hurston, an African-American writer, folklore, and anthropologist who moved to Eatonville at a young age and whose father became mayor of Eatonville in 1897. “Its mission is to provide a place “in the heart of the community” where the public can view the work of artists of African descent, who live on the Continent and/or in the Diaspora”.
Document 9: Charles North (poet): Charles North (born June 9, 1941) is an American poet, essayist and teacher. Described by the poet James Schuyler as “the most stimulating poet of his generation,” he has received two National Endowment for the Arts Creative Writing Fellowships, an Individual Artist’s Grant from the Foundation for Contemporary Arts, four Fund for Poetry awards, and a Poets Foundation award.
Document 10: Stephen Yenser: Stephen Yenser (born 1941 Wichita, Kansas) is an American poet and literary critic who has published two acclaimed volumes of verse, as well as books on James Merrill, Robert Lowell, and an assortment of contemporary poets. With J.D. McClatchy, he is co-literary executor of the James Merrill estate and co-editor of four volumes of Merrill's work.
Document 11: Secte Rouge: The Secte Rouge, also called the Cochon Gris or the Vinbrindingue, is or was a secret society in Haiti, which Zora Neale Hurston described in her 1938 book "Tell My Horse". Hurston's sources of information were lore related by Haitians, as well as a few earlier books.
Document 12: Philip Schultz: Philip Schultz (born 1945 in Rochester, New York) is an American poet, and the founder/director of The Writers Studio, a private school for fiction and poetry writing based in New York City. He is the author of several collections of poetry, including "The God of Loneliness, Selected and New Poems" (Houghton Mifflin Harcourt, 2010); "Failure" (Harcourt, 2007), winner of the 2008 Pulitzer Prize in Poetry; "Living in the Past" (Harcourt, 2004); and "The Holy Worm of Praise" (Harcourt, 2002). He is also the author of "Deep Within the Ravine" Viking Penguin, 1984), which was the Lamont Poetry Selection of the Academy of American Poets; "Like Wings" (Viking Penguin, 1978, winner of an American Academy & Institute of Arts and Letters Award as well as a National Book Award nomination), and the poetry chapbook, "My Guardian Angel Stein" (1986). His work has been published in The New Yorker, The Paris Review, Slate, Poetry magazine, The Gettysburg Review, The Southern Review, and Five Points, among others, and he is the recipient of a Fulbright Fellowship in Poetry to Israel and a 2005 Guggenheim Fellowship in Poetry. He has also received, among others, a National Endowment for the Arts Fellowship in Poetry (1981), a New York Foundation for the Arts Fellowship in Poetry (1985), as well as the Levinson Prize from Poetry magazine. Schultz is also the author of a memoir, "My Dyslexia", published by W.W. Norton in 2011, and a new book of poetry, "The Wherewithal" (W. W. Norton), published in February 2014.
Document 13: The Gilded Six Bits: "The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God". "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Document 14: Zora Neale Hurston: Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an African-American novelist, short story writer, folklorist, and anthropologist known for her contributions to African-American literature, her portrayal of racial struggles in the American South, and works documenting her research on Haitian voodoo. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel "Their Eyes Were Watching God".
Document 15: Darragh Park: Darragh Park (July 24, 1939 – April 17, 2009) was an American Artist, and the literary executor of the estate of Pulitzer Prize–winning poet James Schuyler. Perhaps best known for his book cover illustrations, Park painted landscapes as well as cityscapes in the style of Fairfield Porter. He was based in Bridgehampton, NY and his works were on exhibit at the Parrish Art Museum. and at the Guild Hall in East Hampton.
ground_truth: yes