Question: When did Chopin return to the city where Emanuel Ringelblum died?

full_context: Document 1: Jan Komski: During World War II, he worked in the resistance movement. In 1940 he fled Poland and headed toward France to join Sikorski's Army that was being formed there. However, he was arrested at the border of Czechoslovakia and imprisoned in Nowy Sącz and Tarnów before being sent to Auschwitz I in the first prisoner transport to that concentration camp. He was given prisoner number 564 under the name Jon Baraś, due to the forged identification papers he was carrying when arrested.
Document 2: Frédéric Chopin: Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
Document 3: The Zookeeper's Wife: The Zookeeper's Wife is a non-fiction book written by the poet and naturalist Diane Ackerman. Drawing on the unpublished diary of Antonina Żabiński's, it recounts the true story of how Antonina and her husband, Jan Żabiński, director of the Warsaw Zoo, saved the lives of 300 Jews who had been imprisoned in the Warsaw Ghetto following the German invasion of Poland on September 1, 1939. The book was first published in 2007 by W.W. Norton.
Document 4: Journey Through a Small Planet: In "Journey Through a Small Planet" (1972), the writer Emanuel Litvinoff recalls his working-class Jewish childhood in the East End of London: a small cluster of streets right next to the city, but worlds apart in culture and spirit. With vivid intensity Litvinoff describes the overcrowded tenements of Brick Lane and Whitechapel, the smell of pickled herring and onion bread, the rattle of sewing machines and chatter in Yiddish. He also relates stories of his parents, who fled from Russia in 1914, his experiences at school and a brief flirtation with Communism. Unsentimental, vital and almost dream like, this is a masterly evocation of a long-vanished world.
Document 5: Frédéric Chopin: Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
Document 6: Warsaw: There are also many places commemorating the heroic history of Warsaw. Pawiak, an infamous German Gestapo prison now occupied by a Mausoleum of Memory of Martyrdom and the museum, is only the beginning of a walk in the traces of Heroic City. The Warsaw Citadel, an impressive 19th-century fortification built after the defeat of the November Uprising, was a place of martyr for the Poles. Another important monument, the statue of Little Insurgent located at the ramparts of the Old Town, commemorates the children who served as messengers and frontline troops in the Warsaw Uprising, while the impressive Warsaw Uprising Monument by Wincenty Kućma was erected in memory of the largest insurrection of World War II.
Document 7: Frédéric Chopin: Although it is not known exactly when Chopin first met Liszt after arriving in Paris, on 12 December 1831 he mentioned in a letter to his friend Woyciechowski that "I have met Rossini, Cherubini, Baillot, etc.—also Kalkbrenner. You would not believe how curious I was about Herz, Liszt, Hiller, etc." Liszt was in attendance at Chopin's Parisian debut on 26 February 1832 at the Salle Pleyel, which led him to remark: "The most vigorous applause seemed not to suffice to our enthusiasm in the presence of this talented musician, who revealed a new phase of poetic sentiment combined with such happy innovation in the form of his art."
Document 8: Jan Maria Gisges: He studied philology of Polish at University of Warsaw. Between 1943 and 1945 he was imprisoned by German Nazis in Auschwitz-Birkenau and other Nazi concentration camps. After the war he lived in Kielce where he worked for the county government. He was also the editor of the regional monthly "Cychry". He published his first poems in official media in 1949. Since 1949 he lived in Warsaw. He was an activist of the Polish Union of Writers.
Document 9: Hanover: After 1937 the Lord Mayor and the state commissioners of Hanover were members of the NSDAP (Nazi party). A large Jewish population then existed in Hanover. In October 1938, 484 Hanoverian Jews of Polish origin were expelled to Poland, including the Grynszpan family. However, Poland refused to accept them, leaving them stranded at the border with thousands of other Polish-Jewish deportees, fed only intermittently by the Polish Red Cross and Jewish welfare organisations. The Gryszpan's son Herschel Grynszpan was in Paris at the time. When he learned of what was happening, he drove to the German embassy in Paris and shot the German diplomat Eduard Ernst vom Rath, who died shortly afterwards.
Document 10: Frédéric Chopin: Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837).
Document 11: Warsaw: One of the most famous people born in Warsaw was Maria Skłodowska-Curie, who achieved international recognition for her research on radioactivity and was the first female recipient of the Nobel Prize. Famous musicians include Władysław Szpilman and Frédéric Chopin. Though Chopin was born in the village of Żelazowa Wola, about 60 km (37 mi) from Warsaw, he moved to the city with his family when he was seven months old. Casimir Pulaski, a Polish general and hero of the American Revolutionary War, was born here in 1745.
Document 12: Frédéric Chopin: Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
Document 13: Emanuel Ringelblum: Emanuel Ringelblum (November 21, 1900 – March 10 (most likely), 1944) was a Polish historian, politician and social worker, known for his "Notes from the Warsaw Ghetto", "Notes on the Refugees in Zbąszyn" chronicling the deportation of Jews from the town of Zbąszyń, and the so-called Ringelblum's Archives of the Warsaw Ghetto.
Document 14: Frédéric Chopin: At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked.
Document 15: Frédéric Chopin: From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
ground_truth: September 1829
sub_queries: In what place did Emanuel Ringelblum die? Answer: Warsaw
When did Chopin return to Warsaw ? Answer: September 1829