Question: Lady for a Day is based on the short story written by the newspaperman of what nationality?

full_context: Document 1: The Front Page (1931 film): The Front Page is a 1931 American pre-Code comedy film, directed by Lewis Milestone and starring Adolphe Menjou and Pat O'Brien. Based on a Broadway play of the same name, the film was produced by Howard Hughes, written by Bartlett Cormack and Charles Lederer, and distributed by United Artists. The supporting cast includes Mary Brian, George E. Stone, Matt Moore, Edward Everett Horton and Walter Catlett. At the 4th Academy Awards, the film was nominated for Best Picture, Milestone for Best Director, and Menjou for Best Actor.
Document 2: Ex-Lady: Ex-Lady is a 1933 American Pre-Code comedy film directed by Robert Florey. The screenplay by David Boehm is based on an unproduced play by Edith Fitzgerald and Robert Riskin. It is a lightweight and modern version of a drawing room comedy. The film was made before the Motion Picture Production Code was in force, and it is risqué: in subject matter (people having affairs without shame), in staging (double beds) and in the fairly revealing negligees that Bette Davis's character wears.
Document 3: Caprice (1913 film): Caprice is a 1913 silent film produced by Daniel Frohman and Adolph Zukor released by Famous Players Film Company and starring Mary Pickford. J. Searle Dawley directed. Though Zukor helped finance the film it was distributed on a 'State's Rights' arrangement primarily since no Paramount Pictures had yet to exist. The story of this film had been acted on the stage by a young Minnie Maddern Fiske in the 1880s, one of her earliest successes as an adult actress. The same story gives Pickford the chance to arise to the height of a fine actress instead of just merely a popular performer. This film is lost.
Document 4: Gay Talese: Gay Talese ( ; born February 7, 1932) is an American writer. As a journalist for "The New York Times" and "Esquire" magazine during the 1960s, Talese helped to define literary journalism. Talese's most famous articles are about Joe DiMaggio and Frank Sinatra.
Document 5: Frank Capra: Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897September 3, 1991) was an Italian-American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American dream personified."
Document 6: Lady for a Day: Lady for a Day is a 1933 American pre-Code comedy-drama film directed by Frank Capra. The screenplay by Robert Riskin is based on the short story "Madame La Gimp" by Damon Runyon. It was the first film for which Capra received an Academy Award nomination for Best Director and the first Columbia Pictures release to be nominated for Best Picture.
Document 7: The Gilded Six Bits: "The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God". "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Document 8: Old Lady 31: Old Lady 31 is a 1920 American silent comedy drama film produced and distributed by Metro Pictures and directed by John Ince. It is based on a novel by Louise Forsslund that was turned into a play by Rachel Crothers. The film starred actress Emma Dunn reprising her 1916 stage success for the screen. The film was remade in 1940 as "The Captain Is a Lady".
Document 9: Damon Runyon: Alfred Damon Runyon (October 4, 1880 – December 10, 1946) was an American newspaperman and short story writer.
Document 10: J. Allan Dunn: Joseph Allan Elphinstone Dunn (21 January 1872 – 25 March 1941), best known as J. Allan Dunn, was one of the high-producing writers of the American pulp magazines. He published well over a thousand stories, novels, and serials from 1914–41. He first made a name for himself in "Adventure". Well over half of his output appeared in Street & Smith pulps, including "People's", "Complete Story Magazine", and "Wild West Weekly". He wrote approximately 470 stories for "Wild West Weekly" alone. His main genres were adventure and western; although he did write a number of detective stories, most of them appearing in "Detective Fiction Weekly". He was a specialist in South Sea stories, and pirate stories. He also published a lot of juvenile fiction; including many stories for "Boys' Life", primarily in the 1920s. A number of his novel-length stories were reprinted in hardbound, some under the pen name "Joseph Montague" for Street & Smith's Chelsea House imprint; many of his books were issued in the United Kingdom. His stories were frequently syndicated in newspapers, both in America and around the world, making him, for a time, a very widely known author.
Document 11: The Miracle Woman: The Miracle Woman is a 1931 American pre-Code Christian film directed by Frank Capra and starring Barbara Stanwyck, David Manners, and Sam Hardy. Based on the play "Bless You Sister" by John Meehan and Robert Riskin, the film is about a preacher's daughter who becomes disillusioned by the mistreatment of her dying father by his church. Having grown cynical about religion, she teams up with a con man and performs fake miracles for profit. The love and trust of a blind man, however, restores her faith in God and her fellow man. "The Miracle Woman" was the second of five film collaborations between Capra with Stanwyck. Produced and distributed by Columbia Pictures, the film was reportedly inspired by the life of Aimee Semple McPherson.
Document 12: Chronic Offender: "Chronic Offender" is a science fiction short story by Spider Robinson. It was written as an homage to Damon Runyon, to whom it is dedicated. The style echoes Runyon's, especially in its use of present and future tenses only throughout. It was first published in 1981 in "Rod Serling's The Twilight Zone Magazine".
Document 13: The Idyll of Miss Sarah Brown: "The Idyll of Miss Sarah Brown" is a short story by Damon Runyon telling of the improbable – but eventually triumphant – love between an inveterate gambler (Sky Masterson) and a missionary girl (the Miss Sarah Brown of the title). It was the basis for the musical "Guys and Dolls" – with a similar plot line, but with many additional twists and turns added before the lovers are finally reunited and live happily ever after. It was first published in 1933. In 1949, it was dramatized on radio as part of a program called "Damon Runyon Theatre".
Document 14: Ryūnosuke Akutagawa: Ryūnosuke Akutagawa (芥川 龍之介 , Akutagawa Ryūnosuke , 1 March 1892 – 24 July 1927) was a Japanese writer active in the Taishō period in Japan. He is regarded as the "Father of the Japanese short story" and Japan's premier literary award, the Akutagawa Prize, is named after him. He committed suicide at the age of 35 through an overdose of barbital.
Document 15: Mr. Deeds Goes to Town: Mr. Deeds Goes to Town (a.k.a. A Gentleman Goes to Town and Opera Hat) is a 1936 American romantic comedy film directed by Frank Capra, starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story "Opera Hat" by Clarence Budington Kelland, which appeared in serial form in "The American Magazine", the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.
ground_truth: American