Question: Between Ulli Lommel and Maurice Pialat, who has had a more diverse career?

full_context: Document 1: Ludwig Manfred Lommel: Ludwig Manfred Lommel (1891–1962) was a German stage and film actor. He was the father of the actress Ruth Lommel and actor Ulli Lommel. His youngest son Manuel Lommel is a cinematographer.
Document 2: Éric Rohmer: Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (] , 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter and teacher.
Document 3: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 4: 1987 Cannes Film Festival: The 40th Cannes Film Festival was held from 7 to 19 May 1987. The Palme d'Or went to the "Sous le soleil de Satan" by Maurice Pialat, a choice which was considered "highly controversial" and the prize was given under the jeers of the public. Pialat is quoted to have retorted "You don’t like me? Well, let me tell you that I don’t like you either!"
Document 5: Maurice Pialat: Maurice Pialat (] ; 31 August 1925 – 11 January 2003) was a French film director, screenwriter and actor noted for the rigorous and unsentimental style of his films. His work is often described as being "realist", though many film critics acknowledge that it does not fit the traditional definition of realism.
Document 6: Andy Warhol: Andy Warhol ( ; born Andrew Warhola; August 6, 1928 – February 22, 1987) was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), the experimental film "Chelsea Girls" (1966), and the multimedia events known as the "Exploding Plastic Inevitable" (1966–67).
Document 7: The Mouth Agape: The Mouth Agape (French: La gueule ouverte ) is a 1974 French drama film directed by Maurice Pialat. It depicts, in a cinematic realist fashion, a woman going through a terminal illness and also dealing with the tumorous lives of her husband and son. It was one of the least commercially successful of Pialat's films. It was the third film of the ten that he directed before his death in January 2003. It is also known under the titles The Gaping Mouth and The Gaping Maw.
Document 8: Günther Kaufmann: Günther Kaufmann (16 June 1947 – 10 May 2012) was a German film actor best known for his association with director Rainer Werner Fassbinder. Fassbinder directed Kaufmann in a total of 14 films, casting him in leading and minor roles. Kaufmann was also romantically involved with the director for a time.
Document 9: Ruth Lommel: Ruth Lommel (1918–2012) was a German stage and film actress. She was the daughter of the actor Ludwig Manfred Lommel. Her brother Ulli Lommel also became an actor, while another brother Manuel Lommel is a cinematographer.
Document 10: Ulli Lommel: Ulli Lommel (born 21 December 1944) is a German actor and director, noted for his many collaborations with Rainer Werner Fassbinder and his association with the New German Cinema movement. Lommel is also well known for the time which he spent at The Factory and as a creative associate of Andy Warhol, with whom he made several films and works of art. Since 1977 he has lived and worked in the USA, where he has written, directed and starred in over 50 movies.
Document 11: Le Garçu: Le Garçu is a 1995 French drama film directed by Maurice Pialat and starring Gérard Depardieu. It was Pialat's final work. Pialat was dissatisfied with the movie and even planned to re-edit it, but his failing health made that impossible.
Document 12: Rainer Werner Fassbinder: Rainer Werner Fassbinder (] ; 31 May 1945 – 10 June 1982) was a West German filmmaker, actor, playwright and theatre director, part of the New German Cinema movement.
Document 13: Catherine Breillat: Catherine Breillat (] ; born 13 July 1948) is a French filmmaker, novelist and Professor of Auteur Cinema at the European Graduate School. She has often courted controversy with her films' frank treatment of sexual themes. For example, her 1976 debut film, "A Real Young Girl", was not released in theaters until 2000.
Document 14: New German Cinema: New German Cinema (German: "Neuer Deutscher Film" ) is a period in German cinema which lasted from the late 1960s into the 1980s. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors as Rainer Werner Fassbinder, Werner Herzog, Alexander Kluge, Harun Farocki, Volker Schlöndorff, Helma Sanders-Brahms, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders made names for themselves and produced a number of 'small' motion pictures that caught the attention of art house audiences, and enabled these directors (particularly Wenders and Schlöndorff) to create better-financed productions which were backed by the big US studios. However, most of the films were commercial failures and, by 1977, 80% of a budget for a typical German film was ensured by a subsidy.
Document 15: Pierre Morel: Pierre Morel (born 12 May 1964) is a French film director and cinematographer. His work include "District 13", "From Paris with Love" and "Taken."
ground_truth: Maurice Pialat