Question: Both Alexander Sumarokov and Mikhail Lomonosov inaugurated classicism in what?

full_context: Document 1: Alexander Rasskazov: Alexander Andreyevich Rasskazov (Russian: Александр Андреевич Рассказов , 1832, Moscow, Imperial Russia, — 28 July 1902, Moscow) was a Russian stage actor, one of the stars of the Moscow's Maly Theatre of his time, best remembered for his comic and vaudevillian parts, and considered a heir to Sergey Vasilyev's artistic legacy as well as the classic set of parts associated with the latter. He left Maly due to poor health but soon made himself a name as theatre entrepreneur in the Russian province, mostly in Samara, Tula, Kaluga and Simbirsk.
Document 2: Nikolay Popovsky: Nikolay Nikitich Popovsky (Russian: Николай Никитич Поповский ) (1730?- 13 February 1760) was a Russian poet and protégé of Mikhail Lomonosov. Son of a priest serving at Saint Basil's Cathedral in Moscow, in 1748 he was chosen by Vasily Trediakovsky at Lomonosov's behest amongst ten students from the Moscow Slavyano-Greko-Latin Academy to be enrolled in the university attached to the Academy of Sciences. While still a student at the university, he translated Horace's "Ars Poetica" into Russian verse, whereas Trediakovsky had produced only a prose rendition. The Horace translation, including the odes, was published by the Academy of Sciences in 1753. In 1753 at Lomonosov's suggestion he translated the first part of Alexander Pope's "Essay on Man" from a French version; publication was delayed until 1757 due to opposition by the Russian Orthodox church. He wrote an ode in honour of Empress Elizabeth's ascension to the Russian throne (1754), and another in the name of Moscow University for her coronation (1756). His poem in honour of Elizabeth on the occasion of the New Year's fireworks display of 1755, at one time thought to have been written by Lomonosov, is in fact a translation of Jacob Stahlin's poem "Verse an Ihre Kayserliche Majestät unsere grosse und huldreichste Monarchin gerichtet worden".
Document 3: Anna Akhmatova. The Silver Age: Anna Akhmatova. The Silver Age (Rus. "Анна Ахматова. Серебряный Век") is a municipal museum in Avtovo (near the eponymous Avtovo metro station), a south-western area of Saint Petersburg, Russia, dedicated to life and work of Anna Akhmatova and other major Russian poets and literary figures of the first half of the 20th century whose writing started during the Silver Age of Russian culture.
Document 4: Ivan Turgenev: Ivan Sergeyevich Turgenev ( ; Russian: Ива́н Серге́евич Турге́нев ; ] ; November 9 [O.S. October 28] 1818 September 3, 1883) was a Russian novelist, short story writer, and playwright.
Document 5: Vladimir Nabokov: Vladimir Vladimirovich Nabokov ( ; Russian: Влади́мир Влади́мирович Набо́ков , ] , also known by the pen name Vladimir Sirin; (April 22nd, 1899 — July 2nd, 1977) was a Russian-American novelist and entomologist. His first nine novels were in Russian, but he achieved international prominence after he began writing English prose.
Document 6: Russian classical music: Russian classical music is a genre of classical music related to Russia's culture, people, or character. The 19th-century romantic period saw the largest development of this genre, with the emergence in particular of The Five, a group of composers associated with Mily Balakirev, and of the more German style of Pyotr Tchaikovsky.
Document 7: Samuil Marshak: Samuil Yakovlevich Marshak (alternative spelling: Samuil Yakovlevich Marchak) (; 3 November [O.S. 22 October] 1887 4 July 1964) was a Russian Jewish and Soviet writer, translator and children's poet. He translated the sonnets and some other of the works of William Shakespeare, English poetry (including poems for children), and poetry from other languages. Maxim Gorky proclaimed Marshak to be "the founder of Russia's (Soviet) children's literature."
Document 8: Cinema of Russia: The cinema of Russia began in the Russian Empire, widely developed in the Soviet Union and in the years following its dissolution, the Russian film industry would remain internationally recognized. In the 21st century, Russian cinema has become popular internationally with hits such as "House of Fools", "Night Watch", and the popular "Brother". The Moscow International Film Festival began in Moscow in 1935. The Nika Award is the main annual national film award in Russia.
Document 9: Russian literature: Russian literature refers to the literature of Russia and its émigrés and to the Russian-language literature of several independent nations once a part of what was historically Rus', the Russian Empire or the Soviet Union. The roots of Russian literature can be traced to the Middle Ages, when epics and chronicles in Old Russian were composed. By the Age of Enlightenment, literature had grown in importance, and from the early 1830s, Russian literature underwent an astounding golden age in poetry, prose and drama. Romanticism permitted a flowering of poetic talent: Vasily Zhukovsky and later his protégé Alexander Pushkin came to the fore. Prose was flourishing as well. The first great Russian novelist was Nikolai Gogol. Then came Ivan Turgenev, who mastered both short stories and novels. Leo Tolstoy and Fyodor Dostoyevsky soon became internationally renowned. In the second half of the century Anton Chekhov excelled in short stories and became a leading dramatist. The beginning of the 20th century ranks as the Silver Age of Russian poetry. The poets most often associated with the "Silver Age" are Konstantin Balmont, Valery Bryusov, Alexander Blok, Anna Akhmatova, Nikolay Gumilyov, Osip Mandelstam, Sergei Yesenin, Vladimir Mayakovsky, Marina Tsvetaeva and Boris Pasternak. This era produced some first-rate novelists and short-story writers, such as Aleksandr Kuprin, Nobel Prize winner Ivan Bunin, Leonid Andreyev, Fyodor Sologub, Aleksey Remizov, Yevgeny Zamyatin, Dmitry Merezhkovsky and Andrei Bely.
Document 10: Mikhail Lozinsky: Mikhail Leonidovich Lozinsky (Russian: Михаил Леонидович Лозинский, 20 July 1886 – 31 January 1955) is deemed to be the most accomplished Russian translator of the 20th century. "In the difficult and noble art of translation," said Anna Akhmatova, "Lozinsky was for the twentieth century what Zhukovsky was for the nineteenth." Lozinsky's granddaughters include writers Tatyana Tolstaya and Natalia Tolstaya.
Document 11: Yakov Knyazhnin: Yakov Borisovich Knyazhnin (Russian: Я́ков Бори́сович Княжни́н , November 3, 1742 or 1740, Pskov – January 1, 1791, St Petersburg) was Russia's foremost tragic author during the reign of Catherine the Great. Knyazhnin's contemporaries hailed him as the true successor to his father-in-law Alexander Sumarokov, but posterity, in the words of Vladimir Nabokov, tended to view his tragedies and comedies as "awkwardly imitated from more or less worthless French models".
Document 12: Larisa Novoseltseva: Larisa Novoseltseva (Russian: Лариса Новосельцева ) is a Russian singer-songwriter, composer, performer of Russian and Ukrainian folk songs and romances, and creator of project "Return of the Silver Age". She is author of music and performer of songs and ballads on poems by more than forty Russian poets, mostly of the Silver Age, such as Osip Mandelstam, Nikolay Gumilev, Boris Pasternak,Marina Tsvetaeva, Maksimilian Voloshin, Konstantin Balmont, Alexander Vertinsky and many others, including Bella Akhmadulina who, according to Novoseltseva, can be viewed as the last poet of Silver Age based on her poetic language and style. Novoseltseva created more than 300 songs and published more than 20 music albums. She usually performs solo using guitar or piano for the accompaniment. More recently, she frequently appears with violinist Michael Czerwinski
Document 13: Alexander Vvedensky (poet): Alexander Ivanovich Vvedensky (Russian: Алекса́ндр Ива́нович Введе́нский ; 1904–1941) was a Russian poet and dramatist with formidable influence on "unofficial" and avant-garde art during and after the times of the Soviet Union. Vvedensky is widely considered (among contemporary Russian writers and literary scholars) as one of the most original and important authors to write in Russian in the early Soviet period. He is placed on par with writers such as Andrei Platonov for innovation in the language. Vvedensky considered his own poetry "a critique of reason more powerful than Kant's."
Document 14: Alexander Blok: Alexander Alexandrovich Blok (Russian: Алекса́ндр Алекса́ндрович Бло́к ; ] ; 28 November [O.S. 16 November] 1880 7 August 1921) was a Russian lyrical poet.
Document 15: Alexander Sumarokov: Alexander Petrovich Sumarokov (Russian: Алекса́ндр Петро́вич Сумаро́ков ; 25 November 1717 [O.S. 14 November] , Moscow – 12 October 1777 [O.S. 1 October] , Moscow) was a Russian poet and playwright who single-handedly created classical theatre in Russia, thus assisting Mikhail Lomonosov to inaugurate the reign of classicism in Russian literature.
ground_truth: Russian literature