Question: Which Metro-Goldwyn-Mayer film was From This Moment On included in 

full_context: Document 1: You'd Be So Easy to Love: "(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show "Anything Goes". However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film "Born to Dance", where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was only later added to the 1987 and 2011 revivals of "Anything Goes" under the complete title "You’d Be So Easy to Love".
Document 2: From This Moment On (Cole Porter song): "From This Moment On" is a 1950 popular song written by Cole Porter, which has since become a jazz standard. It was originally written for the 1950 musical "Out of This World", but director George Abbott dropped it from the musical before its Broadway premiere, possibly due to lackluster singing by cast member William Eythe. It was then included in MGM's 1953 film "Kiss Me Kate", an adaptation of Porter's stage musical "Kiss Me, Kate".
Document 3: The Band Wagon: The Band Wagon is a 1953 musical comedy film directed by Vincente Minnelli, starring Fred Astaire and Cyd Charisse.  Fred Astaire was contemplating retirement just like his character. It tells the story of an aging musical star who hopes a Broadway show will restart his career. However, the play's director wants to make it a pretentious retelling of "Faust", and brings in a prima ballerina who clashes with the star. Along with "Singin' in the Rain", it is regarded as one of the finest of the Metro-Goldwyn-Mayer musicals, although it was only a modest box-office success on first release.
Document 4: Rose Marie (1954 film): Rose Marie is a 1954 musical adaptation of the 1924 operetta of the same name, the third to be filmed by Metro-Goldwyn-Mayer, following a 1928 silent movie and the best-known of the three, the 1936 Jeanette MacDonald/Nelson Eddy version. It is directed by Mervyn LeRoy and stars Ann Blyth, Howard Keel and Fernando Lamas. This version is filmed in the Canadian Rockies in CinemaScope. It was MGM's first US produced film in the new widescreen medium (having been preceded by the British made Knights of the Round Table) and the first movie musical of any studio to be released in this format.
Document 5: The Kiss (1929 film): The Kiss is a 1929 American silent drama film from Metro-Goldwyn-Mayer directed by Jacques Feyder and starring Greta Garbo, Conrad Nagel and Lew Ayres in his first feature film. The film is known for being both MGM's and Greta Garbo's last silent film. It was also the last such film for Conrad Nagel. That said, the film did take advantage of the new sound technology, and was released with an orchestral score and sound effects. It was based on an 1896 film.
Document 6: It's All Right with Me: "It's All Right With Me" is a popular song written by Cole Porter, for his 1953 musical "Can-Can", where it was introduced by Peter Cookson as the character Judge Aristide Forestier.
Document 7: Mogambo: Mogambo is a 1953 American Technicolor adventure/romantic drama film directed by John Ford and starring Clark Gable, Ava Gardner and Grace Kelly and featuring Donald Sinden. The film was adapted by John Lee Mahin from the play "Red Dust", by Wilson Collison. The film is a remake of "Red Dust" (1932), which starred Gable, Mary Astor and Jean Harlow, and was set in French Indochina.
Document 8: Tams-Witmark Music Library: Tams-Witmark is an American company that provides to professional and amateur theaters license to Broadway musical scripts and scores. Among the many notable properties handled by the company are "Kiss Me, Kate"; "My Fair Lady"; ""; "Bye Bye Birdie"; "Hello, Dolly!"; "Cabaret"; "Man of La Mancha" and "A Chorus Line". The company has also acquired numerous properties often inspired by or based upon motion pictures or comic strips, such as 42nd Street, The Wizard of Oz, Meet Me In St. Louis, You're A Good Man, Charlie Brown, and Li'l Abner. The company has also prepared for licensing simpler, shorter derivative works for performance by elementary and middle school students, such as an abbreviated version of "Bye, Bye Birdie".
Document 9: I've Got My Eyes on You (1939 song): "I've Got My Eyes on You" is a popular song by Cole Porter, published in 1939 and written for the Hollywood musical film "Broadway Melody of 1940" where it was introduced by Fred Astaire. Later that year, it was included in "Andy Hardy's Private Secretary" (1940) where it was sung by Kathryn Grayson. The song is also played as background music by a band in the 1956 musical "High Society", starring Frank Sinatra, Bing Crosby and Grace Kelly and in the 1940 comedy "The Philadelphia Story", starring Katharine Hepburn and Cary Grant.
Document 10: C'est Magnifique: "C'est Magnifique" ("It's Magnificent") is a 1953 popular song written by Cole Porter for his 1953 musical "Can-Can," where it was introduced by Lilo and Peter Cookson. The song become a standard, despite weak performance in the 1953 charts.The only version to chart was by Gordon MacRae which reached No. 29 for one week.
Document 11: Why Can't You Behave?: "Why Can't You Behave?" is a 1948 popular song written by Cole Porter, for his musical "Kiss Me, Kate", where it was introduced by Lisa Kirk. The character Lois Lane sings it to her boyfriend Bill, who had just missed rehearsal because he was gambling and told her he signed a 10,000-dollar IOU in the director of the show's name. In the 1953 film version, the song is performed by Ann Miller.
Document 12: Call Me Madam (film): Call Me Madam is a 1953 American Technicolor musical film directed by Walter Lang, with songs by Irving Berlin, based on the stage musical of the same name.
Document 13: Too Darn Hot: "Too Darn Hot" is a song written by Cole Porter for his musical "Kiss Me, Kate" (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller (as Paul) and Eddie Sledge and Fred Davis (as the specialty dancers), leading the full company. In the 1953 MGM Hollywood film version, it is moved to a much earlier point, and it is sung by Ann Miller (as Lois Lane, Fred's new girlfriend, who is cast as Bianca). The song does not really contribute to the plot in either the stage or film versions; in the stage version, the song represents the company of "The Taming of the Shrew" taking a break offstage during the intermission of their play; in the film version it allows the audience to see Lois's fun-loving, risk-taking nature, and gave Ann Miller a chance to show off her dancing skills, specifically tap. The line 'According to the Kinsey report' (in the original stage production) was changed in the film version to 'According to the latest report'. The song has also been covered by many artists.
Document 14: Kathryn Grayson: Kathryn Grayson (February 9, 1922 – February 17, 2010) was an American actress and coloratura soprano. From the age of twelve, Grayson trained as an opera singer. She was under contract to Metro-Goldwyn-Mayer by the early 1940s, soon establishing a career principally through her work in musicals. After several supporting roles, she was a lead performer in such films as "Thousands Cheer" (1943), "Anchors Aweigh" (1945) with Frank Sinatra and Gene Kelly, and "Show Boat" (1951) and "Kiss Me Kate" (1953), both with Howard Keel.
Document 15: Kiss Me Kate (film): Kiss Me Kate is a 1953 Metro-Goldwyn-Mayer film adaptation of the Broadway musical of the same name.
ground_truth: Kiss Me Kate