Question: Are Michelangelo Antonioni and Ivan Magrin-Chagnolleau of the same nationality?

full_context: Document 1: Philippe Perrin (artist): Philippe Perrin, (La Tronche, 10 August 1964) is a French artist and contemporary photographer who lives and works in Paris.
Document 2: Eric Robertson (literary critic): Eric Robertson is Professor of Modern French Literary and Visual Culture at Royal Holloway, University of London. His research focuses primarily on 20th century French literature, especially poetry, and the visual arts, with particular emphasis on European Modernism and the avant-gardes. He is the author of "Arp: Painter, Poet, Sculptor" (2006), "Writing Between the Lines", a study of the bilingual novelist and essayist René Schickele (1995), and various articles and chapters on 20th century French literature, especially poetry, and visual arts. He is also the co-editor of "Yvan Goll - Claire Goll: Texts and Contexts" (1997), "Robert Desnos: Surrealism in the Twenty-First Century" (2006), "Dada and Beyond Volume 1: Dada Discourses" (2011) and "Dada and Beyond Volume 2: Dada and its Legacies" (2012). Professor Robertson recently completed a monograph exploring the writings of Blaise Cendrars in the light of his interactions with artists, photographers and filmmakers, including Sonia Delaunay, Robert Delaunay, Robert Doisneau, Abel Gance, Fernand Léger and Léopold Survage. Further ongoing projects include a study of avant-garde art and virtual technologies.
Document 3: Red Desert (film): Red Desert (Italian: Il deserto rosso ) is a 1964 Italian film directed by Michelangelo Antonioni and starring Monica Vitti with Richard Harris. Written by Antonioni and Tonino Guerra, the film is about a woman trying to survive in the modern world of cultural neurosis and existential doubt. Antonioni's first color film, "Red Desert" is renowned for its scenic design; the work largely takes place in industrial landscapes that have been interpreted as a correlative of the unease, alienation, and vivid perceptions of the main character. The working title was "Celeste e verde" ("Sky blue and green"). "Il deserto rosso" was awarded the Golden Lion at the 25th Venice Film Festival in 1964. This was the last in a series of four films he made with Vitti between 1959 and 1964, preceded by "L'Avventura" (1960), "La Notte" (1961), and "L'Eclisse" (1962).
Document 4: Federico Fellini: Federico Fellini, Cavaliere di Gran Croce OMRI (] ; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter. Known for his distinct style that blends fantasy and baroque images with earthiness, he is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked, in polls such as "Cahiers du cinéma" and "Sight & Sound", as some of the greatest films of all time. "Sight & Sound" lists his 1963 film "8½" as the 10th-greatest film of all time.
Document 5: Jon Ippolito: Jon Ippolito is an artist, educator, new media scholar, and former curator at the Solomon R. Guggenheim Museum. Ippolito studied astrophysics and painting in the early 1980s, then pursued Internet art in the 1990s. His works explore digitally induced collaboration and networking, a theme that is prominent in his later scholarship.
Document 6: Giovanni Fusco: Giovanni Fusco (10 October 1906, Sant'Agata dei Goti, Benevento – 31 May 1968, Rome) was an Italian composer, pianist and conductor, who has written numerous film scores since 1936, including those of Alain Resnais's "Hiroshima mon amour" (1959) and "La guerre est finie" (1966), as well as of most of the 1948-1964 films directed by Michelangelo Antonioni, from "N.U." ("Nettezza Urbana") to "Il deserto rosso", except for "La notte" (soundtrack by Giorgio Gaslini) and some of his early short films. Two of his soundtracks, those of Antonioni's "Cronaca di un amore" and "L'avventura", won Silver Ribbon for the best film score from Italian National Syndicate of Film Journalists in 1951 and 1961, respectively.
Document 7: Christoph Beat Graber: Christoph Beat Graber is a Swiss academic. He founded the i-call research center (International Communications and Art Law Lucerne) of the Law Faculty of the University of Lucerne and is the leader of the eDiversity Project in the framework of the NCCR Trade Regulation project. He teaches in the fields of international trade law, communications and art law, European and global media law and the sociology of law at the University of Lucerne, lectures on audiovisual services in the MILE program of the World Trade Institute, and is a recognized expert in the field of audio-visual services.
Document 8: Philippe Desan: Philippe Desan is Howard L. Willett Professor of French and History of Culture at the University of Chicago. Originally from France, Dr. Desan is among the top Montaigne scholars alive today. He received his PhD from the University of California Davis (1984), and has published widely on several topics pertaining to the literature and culture of the French Renaissance, often in relation to their economic, political and sociological context. At the University of Chicago, he has served as Master of the Humanities Collegiate Division and as Chair of the Department of Romance Languages and Literatures. He is the general editor of the Montaigne Studies. He has been awarded numerous honors for his scholarly work, including being named Knight of the Ordre des Palmes Académiques (1994) and awarded the Ordre National du Mérite (2004) and the Ordre des Arts et Lettres (2011). He has also received the Prix de l'Académie Française (for the Dictionnaire de Montaigne) in 2005, the Grand Prix de l'Académie Française for "le rayonnement de la langue et littérature française" in 2015 and the Prix de l'Académie des Sciences Morales et Politiques for his "Montaigne. Une biographie politique" in 2015.
Document 9: L'Avventura: L'Avventura (English: "The Adventure" ) is a 1960 Italian film directed by Michelangelo Antonioni and starring Gabriele Ferzetti, Monica Vitti, and Lea Massari. Developed from a story by Antonioni, the film is about a young woman's disappearance during a boating trip in the Mediterranean. Her lover and her best friend, during the subsequent search for her, become attracted to each other. The film is noted for its careful pacing, which puts a focus on visual composition and character development, as well as for its unusual narrative structure. According to an Antonioni obituary, the film "systematically subverted the filmic codes, practices and structures in currency at its time." Filmed on location in Rome, the Aeolian Islands, and Sicily in 1959 under difficult financial and physical conditions, "L'Avventura" made Monica Vitti an international star. The film was nominated for numerous awards and was awarded the Jury Prize at the 1960 Cannes Film Festival. "L'Avventura" is the first film of a trilogy by Antonioni, followed by "La Notte" (1961) and "L'Eclisse" (1962).
Document 10: Martine Beugnet: Martine Beugnet is a French film theorist, and a Professor in Visual Studies at the Paris Diderot University. She has written primarily on corporeality and sensation in avant-garde and narrative cinema, and has had her work published in several film journals. She wrote her PhD thesis at the University of Edinburgh in 1999, on themes of sexuality and bodies in recent French cinema, citing filmmakers such as Claire Denis, Bertrand Blier, Jean-Jacques Beineix, Laetitia Masson, and Leos Carax. She later wrote an entire monograph on the work of Claire Denis, where she invoked the of French philosopher Gilles Deleuze. In 2005, she published a book on cinematic treatments of Marcel Proust, written in collaboration with Marion Schmid. Two years later, she wrote a book titled "Cinema and Sensation", where she further explored themes she had written about in her PhD thesis, again invoking Deleuze.
Document 11: Michelangelo Antonioni: Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — "L'Avventura" (1960), "La Notte" (1961), and "L'Eclisse" (1962), as well as the English-language "Blowup" (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".
Document 12: Luchino Visconti: Luchino Visconti di Modrone, Count of Lonate Pozzolo (2 November 1906 – 17 March 1976), was an Italian theatre, opera and cinema director, as well as a screenwriter. He is best known for his films "Ossessione" (1943), "Senso" (1954), "Rocco and His Brothers" (1960), "The Leopard" (1963) and "Death in Venice" (1971).
Document 13: Ivan Magrin-Chagnolleau: Ivan Magrin-Chagnolleau is an artist researcher born in Paris, France. He is a stage and screen actor, director and writer, as well as a photographer, a singer, and a musician. He also does research on Aesthetics and Philosophy of Art for the C.N.R.S. (the French National Center for Scientific Research).
Document 14: Bernardo Bertolucci: Bernardo Bertolucci (] ; born 16 March 1940) is an Italian director and screenwriter, whose films include "The Conformist", "Last Tango in Paris", "1900", "The Last Emperor", "The Sheltering Sky", "Stealing Beauty" and "The Dreamers". In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival. Since 1979, he has been married to screenwriter Clare Peploe.
Document 15: The Passenger (1975 film): The Passenger (Italian: Professione: reporter ) is a 1975 drama art film directed by Michelangelo Antonioni. Written by Mark Peploe, Peter Wollen and Antonioni, the film is about an Anglo-American journalist, David Locke (Jack Nicholson) who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in the current civil war. Co-starring Maria Schneider, "The Passenger" was the final film in Antonioni's three-picture deal with producer Carlo Ponti and Metro-Goldwyn-Mayer, after "Blowup" and "Zabriskie Point", and competed for the Palme d'Or at the Cannes Film Festival.
ground_truth: no