Question: Oliver Boot had a role in the Moliere-based film that was first performed in what year?

full_context: Document 1: Oliver Boot: Oliver Boot (born 1979) is an English actor. He trained at the RADA, and has appeared on both stage and screen. His theatre credits include "Antony and Cleopatra", "In Extremis" (in the role of Abelard), "Three Musketeers", "Hayfever", "Tartuffe", "Jamaica Inn" and an award winning world tour of "Othello" with Cheek by Jowl. He has starred as Demetrius in Shakespeare's "Midsummer's night dream" and as Ventidius in "Timon of Athens", at the Globe, in London.
Document 2: Comedy of intrigue: The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Molière's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey.
Document 3: Tom Hiddleston: Thomas William Hiddleston (born 9 February 1981) is an English actor, producer and musical performer. At the beginning of his career, he appeared in West End theatre productions of "Cymbeline" (2007) and "Ivanov" (2008). He won the Laurence Olivier Award for Best Newcomer in a Play for his role in "Cymbeline" and was also nominated for the same award for his role as Cassio in "Othello".
Document 4: Oliver Reed: Robert Oliver Reed (13 February 1938 – 2 May 1999) was an English actor known for his upper-middle class, macho image, hellraiser lifestyle, and "tough guy" roles. Notable films include "The Trap" (1966), "Oliver!" (1968), "Women in Love" (1969), "Hannibal Brooks" (1969), "The Devils" (1971), "The Three Musketeers" (1973), "Tommy" (1975), "Lion of the Desert" (1981), "Castaway" (1986), "The Adventures of Baron Munchausen" (1988) and "Funny Bones" (1995). For "Gladiator" (2000), his final film, Reed was posthumously nominated for the BAFTA Award for Best Actor in a Supporting Role.
Document 5: Rory Kinnear: Rory Michael Kinnear (born 17 February 1978) is an English actor and playwright who has worked with the Royal Shakespeare Company and the Royal National Theatre. In 2014, he won the Olivier Award for Best Actor for his portrayal of Shakespeare's villain Iago in the National Theatre production of "Othello".
Document 6: Peter O'Toole: Peter Seamus O'Toole ( ; 2 August 1932 – 14 December 2013) was an Anglo-Irish stage and film actor. He attended the Royal Academy of Dramatic Art and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the before making his film debut in 1959.
Document 7: Gilles (stock character): Gilles (] )—sometimes Gille—is a stock character of French farce and Commedia dell'Arte. He enjoyed his greatest vogue in 18th-century France, in entertainments both at the fairgrounds of the capital and in private and public theaters, though his origins can be traced back to the 17th century and, possibly, the century previous. A "zanni", or comic servant, he is a type of bungling clown, stupid, credulous, and lewd—a character that shares little, problematically, with the sensitive figure in Watteau's famous portrait that, until the latter half of the 20th century, bore his name alone. Gilles fades from view in the 19th century, to persist in the 20th and 21st as the Belgian Gilles of Binche Carnival.
Document 8: The Guilty Mother: The Guilty Mother (French: "La Mère coupable" ) subtitled "The Other Tartuffe" is the third play of the "Figaro" trilogy by Pierre Beaumarchais; its predecessors were "The Barber of Seville" and "The Marriage of Figaro". This was the author's last play. It is rarely revived. Like the earlier plays of the trilogy it has been turned into operatic form, but it has not entered the general opera repertoire.
Document 9: Shakespeare in performance: Thousands (perhaps even millions) of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage (who played the title role in the first performances of "Hamlet", "Othello", "Richard III" and "King Lear"), Richard Cowley, and William Kempe.
Document 10: Tartuffe: Tartuffe, or The Impostor, or The Hypocrite ( ; French: "Tartuffe, ou l'Imposteur" , ] ), first performed in 1664, is one of the most famous theatrical comedies by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles.
Document 11: Jean Racine: Jean Racine (] ), baptismal name Jean-Baptiste Racine (22 December 163921 April 1699), was a French dramatist, one of the three great playwrights of 17th-century France (along with Molière and Corneille), and an important literary figure in the Western tradition. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as "Phèdre", "Andromaque", and "Athalie", although he did write one comedy, "Les Plaideurs", and a muted tragedy, "Esther", for the young.
Document 12: Andrew Havill: Havill has worked with the Royal Shakespeare Company and was in "The Woman in Black" in London's West End in 1996. In the 2000s, his theatre roles included working with Alan Ayckbourn on his play "Virtual Reality"; a West End production of Jean Anouilh's "Ring Around the Moon"; and key roles in director Chris Luscombe's productions of "The Comedy of Errors" and "The Merry Wives of Windsor" at Shakespeare's Globe.
Document 13: Molière: Jean-Baptiste Poquelin, known by his stage name Molière ( or ; ] ; 15 January 162217 February 1673), was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature. Among Molière's best known works are "The Misanthrope", "The School for Wives", "Tartuffe", "The Miser", "The Imaginary Invalid", and "The Bourgeois Gentleman".
Document 14: The School for Wives: The School for Wives (French: "L'école des femmes" ; ] ) is a theatrical comedy written by the seventeenth century French playwright Molière and considered by some critics to be one of his finest achievements. It was first staged at the Palais Royal theatre on 26 December 1662 for the brother of the King. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public, which seems to have recognized Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to the uproar against this play with another piece entitled "La Critique de L'École des femmes", in which he provided some explanation for his unique style of comedy. A musical adaptation entitled "The Amorous Flea" was staged off-Broadway in 1964.
Document 15: The Trickster of Seville and the Stone Guest: The Trickster of Seville and the Stone Guest (Spanish: El burlador de Sevilla y convidado de piedra ) is a play written by Tirso de Molina. Its title varies according to the English translation, and it has also been published under the titles The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest. The play was first published in Spain around 1630, though it may have been performed as early as 1616. Set in the 14th century, the play is the earliest fully developed dramatisation of the Don Juan legend.
ground_truth: 1664