Question: How She Move is a film which features a type of dancing mainly performed in groups of how many?

full_context: Document 1: Hot Shots (dance companies): The Hot Shots is a collective name for two closely related Swedish dance companies based in Stockholm, Sweden: The Rhythm Hot Shots and the Harlem Hot Shots. The Hot Shots specialize in faithful reproductions of African-American dance scenes in American films from the 1920s, 30s, and 40s. Dances that they perform include Lindy Hop, Tap dance, Cakewalk, Charleston, and Black Bottom. The members of the Hot Shots are also respected dance instructors and accomplished social dancers. The goals of The Rhythm Hot Shots and the Harlem Hot Shots are the same.
Document 2: Sduduzo Ka-Mbili: As a performer in S.A., Sduduzo worked in Mbongeni Ngema’s Sarafina (The Movie), starring Whoopi Goldberg, Poison Musical by David Kramer and Taliep Peterson, Soweto Dance Theatre, directed by late Jackie Semela, Free Flight Dance Company, under the direction of Adele Blank and Christopher Kindo.In 1997, Sduduzo was one of the three recipients for a full scholarship to train at the Alvin Ailey American Dance School in New York City. During his training in NYC, he was given an opportunity to create a piece (Izinhlungu Zami, My Sorrow) for the Alvin Ailey Repertory Dance Ensemble, which he later performed for the company. In 1999, he toured the US with Donald Byrd’s Harlem Nutcracker before establishing a song and dance JUXTAPOWER production, representative of the South African culture. Juxtapower eventually developed into a touring production that travelled extensively throughout the USA.
Document 3: African dance: African dance refers mainly to the dance of Sub-Saharan Africa, and more appropriately African dances because of the many cultural differences in musical and movement styles. These dances must be viewed in close connection with Sub-Saharan African music traditions and Bantu cultivation of rhythm. African dance utilizes the concept of as well as total body articulation.
Document 4: Step Up 2: The Streets: Step Up 2: The Streets is a 2008 American dance film. It is the sequel to the 2006 film "Step Up" from Touchstone Pictures. The film was directed by Jon M. Chu and choreographed by Jamal Sims, Nadine "Hi Hat" Ruffin and Dave Scott. Patrick Wachsberger and Erik Feig of Summit Entertainment produced with Adam Shankman and Jennifer Gibgot of Offspring Entertainment.
Document 5: You Got to Move: You Got to Move is a documentary by Lucie Massie Phenix and Veronica Selver that follows people from communities in the Southern United States in their various processes of becoming involved in social change. The film’s centerpiece is the Highlander Folk School (now known as Highlander Research and Education Center), a 75-year-old center for education and social action that was somehow involved in each of the lives chronicled in the documentary.
Document 6: Duckwalk: The duckwalk is an unusual form of locomotion performed by assuming a low partial squatting position and walking forwards, maintaining the low stance. It is similar to stalking and prowling. It is most widely known as a stage element of guitar showmanship popularized by rock 'n' roll star Chuck Berry.
Document 7: Stomp the Yard: Stomp the Yard is a 2007 dance drama film produced by Rainforest Films and released through Sony Pictures' Screen Gems division on January 12, 2007. Directed by Sylvain White, "Stomp the Yard" centers on DJ Williams, a college student at a fictional historically Black university who pledges to join a fictional Greek-letter fraternity. The film's central conflict involves DJ's fraternity competing in various stepping competitions against a rival fraternity from the same school. The film's script was written by Robert Adetuyi, working from an original draft by Gregory Ramon Anderson. The film was originally titled "Steppin"', but to avoid confusion over the 2006 film "Step Up", the title was changed. Delta Sigma Theta along with other sororities like Gamma Theta were in the movie.
Document 8: Mamela Nyamza: Mamela Nyamza is a dancer, teacher, choreographer, and activist in South Africa. She is trained in a variety of styles of dance including ballet, modern dance, African dance, the Horton technique, Spanish dance, jazz, movement and mime, flying low technique, release technique, gumboot dance and Butoh. Nyamza is known for blending styles in a way that challenges traditional standards. Nyamza has performed nationally and internationally and has choreographed autobiographical, political, and social pieces both on her own and in collaboration with other artists. She draws inspiration from her daily life and her identity as a young, black woman. Nyamza's abstract dance style allows her to use dance as a way to share both her own personal stories as well as African stories with the world. Additionally, she has created various community outreach projects that have helped to spread the positive influence of dance to different communities within South Africa, including the University of Stellenbosch's Project Move 1524, a group that works to educate on issues relating to HIV/AIDS, domestic violence and drug abuse, through dance movement therapy.
Document 9: Rapping: Rapping (or rhyming, spitting, emceeing, MCing ) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular", which is performed or chanted in a variety of ways, usually over a backbeat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that rap is usually performed in time to an instrumental track. Rap is often associated with, and is a primary ingredient of hip-hop music, but the origins of the phenomenon predate hip-hop culture. The earliest precursor to the modern rap is the West African griot tradition, in which "oral historians", or "praise-singers", would disseminate oral traditions and genealogies, or use their formidable rhetorical techniques for gossip or to "praise or critique individuals." Griot traditions connect to rap along a lineage of Black verbal reverence that goes back to ancient Egyptian practices, through James Brown interacting with the crowd and the band between songs, to Muhammad Ali's quick-witted verbal taunts and the palpitating poems of the Last Poets. Therefore, rap lyrics and music are part of the "Black rhetorical continuum", and aim to reuse elements of past traditions while expanding upon them through "creative use of language and rhetorical styles and strategies. The person credited with originating the style of "delivering rhymes over extensive music", that would become known as rap, was Harlem, New York native, Anthony "DJ Hollywood" Holloway.
Document 10: Stepping (African-American): Stepping or step-dancing is a form of percussive dance in which the participant's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations.
Document 11: Street dance: A street dance is a dance style—regardless of country of origin—that evolved outside dance studios in any available open space such as streets, dance parties, block parties, parks, school yards, raves, and nightclubs. The term is used to describe vernacular dances in urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. Examples of street dance include b-boying (or breakdancing), which originated in New York City.
Document 12: The Way She Moves: "The Way She Moves" is a song written and performed by Puerto Rican singer Zion and American singer Akon. Produced by Akon, the song was released as the lead single from Zion's debut solo studio album "The Perfect Melody" (2007). After temporarily separating from the duo Zion & Lennox, Zion began recording material for his debut solo album. The song was released to radio stations on April 21, 2007 and released as a digital download on April 9, 2008.
Document 13: Participation dance: Participation dance (also group-participation dance or audience participation dance) is a major class of dance that encourages dancing in a group. It includes social games based on dancing, for example at weddings, festivals and other social gatherings. Some have simple words to be sung to the music, which may act as a reminder of the steps - one example is the Hokey-cokey. Some consist of a few simple steps learned either from simple instructions given by a leader or from watching others. Examples are Electric Slide, Macarena, YMCA, and the Chicken Dance.
Document 14: How She Move: How She Move is a 2007 drama film directed by Ian Iqbal Rashid and starring Rutina Wesley, Clé Bennett and Romina D'Ugo. The film showcases the street culture of step dancing. The film is produced by Celluloid Dreams, Sienna Films, Paramount Vantage and MTV Films.
Document 15: How to Dance in Ohio: How to Dance in Ohio is a 2015 Peabody Award-winning American documentary film directed by Alexandra Shiva. The film follows a group of autistic teenagers in Columbus, Ohio preparing for their first spring formal. They spend 12 weeks practising their social skills in preparation. HBO Documentary Films acquired television rights to the film eleven days before its world premiere at the 2015 Sundance Film Festival. The film premiered on HBO on October 26, 2015. Three young women are the main subjects of the documentary.
ground_truth: three or more