Question: What region of Italy did Giovanni Giarola paint in?

full_context: Document 1: University of Modena and Reggio Emilia: The University of Modena and Reggio Emilia (Italian: "Università degli Studi di Modena e Reggio Emilia" ), located in Modena and Reggio Emilia, Emilia-Romagna, Italy, is one of the oldest universities in Italy, founded in 1175, with a population of 20,000 students.
Document 2: Giovanni Quagliata: Giovanni Quagliata (1603–1673) was an Italian painter of the Baroque period. He is more properly known in Italy as Giovan Battista Quagliata (and Giambattista Quagliata), one of the leading artists of the Messinesi painters of the 17th century, as described by in his book "The Lives of the Messinesi Painters" published in 1724. Giovanni was born in Messina, Italy. He was a pupil of Pietro da Cortona and enjoyed the patronage and friendship of the Spanish Viceroy of Sicily, Don Juan José of Austria (Viceroy from 1649–1651; also known as John of Austria the Younger). Giovanni's brother, Andrea Quagliata (born in 1594 or 1599, and died in 1660), was also an historical painter, but of lesser significance.
Document 3: Bologna: Bologna ( ; ] ; Emilian: "Bulåggna" , ] ; ) is the capital and largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, located in the heart of a metropolitan area (officially recognised by the Italian government as a "città metropolitana") of about one million.
Document 4: Province of Reggio Emilia: The Province of Reggio Emilia (Italian: "Provincia di Reggio nell'Emilia" ) is one of the nine provinces of the Italian Region of Emilia-Romagna. The capital city, which is the most densely populated comune in the Province, is Reggio Emilia.
Document 5: Giovanni de Galliano Pieroni: Giovanni de Galliano Pieroni (1586–1654) – military engineer specializing in erecting fortifications (authored "Trattato delle fortificazioni moderne"), architect, mathematician and astronomer who gained particular fame in his day as also as author of horoscopes. Just the same he was a practicing astronomer and a contemporary and a friend of Johannes Kepler (1571-1630) while both spent time in Prague. Earlier he became friendly with the astronomer, mathematician and physicist Galileo Galilei (1564-1642) – like Pieroni, Galileo also wrote on constructing fortifications, and the two shared interest in mathematics and astronomy.
Document 6: Girolamo Belli: Girolamo Belli (1552 – c. 1620) was an Italian composer and music teacher of the late Renaissance. He was closely associated with the Ferrara School in the 1580s, having previously studied with Luzzasco Luzzaschi, and was noted for his composition of both madrigals and sacred music.
Document 7: Brescello: Brescello ("Barsèl" in the local dialect, "Bersèl" in the Reggio Emilia dialect) is a "comune" (municipality) in the Province of Reggio Emilia in the Italian region Emilia-Romagna, located about 80 km northwest of Bologna and about 25 km northwest of Reggio Emilia. As of 31 December 2016, it had a population of 5,621.
Document 8: Ercole Grandi: Ercole Grandi (1491–1531) was an Italian painter of the early-Renaissance period, active mainly in Ferrara. Also known as Ercole da Ferrara and Ercole di Giulio Cesare Grandi, he has been claimed to be a favourite pupil of the painter Lorenzo Costa. Ercole Grandi first appeared in the historical record as being in the service of the house of Este in 1489. Between 1489 and 1495, Ercole Grandi seems to have been working in Bologna, both in San Petronio and in the Cappella Bentivoglio of San Giacomo Maggiore, as an assistant to Lorenzo Costa. In 1495, he was in Ferrara as the chief architect for realising Duke Ercole's plans to embellish the city and renovate the churches; the facade and interior of Santa Maria in Vado were executed from his design. He worked with Ludovico Mazzolino and others on the decoration of the Castello, and painted in the apartments of Lucretia Borgia. Also in Ferrara, he painted the frescoes for the church of San Pietro Martire (now demolished), although some frescoes are preserved. One problem in assigning attribution to the hand of Ercole Grandi is that none of his works is signed or dated, or accompanied by supporting documents, but he is thought by some scholars to have painted -- in the manner of Mantegna -- or had a hand in, the decorative frescoed ceiling in the Sala del Tesoro of the Palazzo Costabili (Palazzo di Ludovico il Moro) in Ferrara between 1503 and 1506. Other scholars attribute the work to Benvenuto Tisi da Garofalo. Confusingly, the identity of Ercole Grandi is sometimes conflated with Garofalo, and an Ercole da Bologna, and (most famously by the Renaissance historian, Giorgio Vasari) with that of Ercole di Antonio Roberti or Ercole de' Roberti (and see Filippini), who was first documented as being in Ferrara in 1479, and was author of the great frescoes of the Garganelli chapel in Bologna. Most of Ercole Grandi's works have been reattributed to other Ferrarese painters, such as Giovan Francesco Maineri and Lorenzo Costa, while other scholars insist that Ercole Grandi is a mythical character.
Document 9: Girolamo Savonarola: Girolamo Savonarola (] ; 21 September 1452 – 23 May 1498) was an Italian Dominican friar and preacher active in Renaissance Florence. He was known for his prophecies of civic glory, the destruction of secular art and culture, and his calls for Christian renewal. He denounced clerical corruption, despotic rule and the exploitation of the poor. He prophesied the coming of a biblical flood and a new Cyrus from the north who would reform the Church. In September 1494, when Charles VIII of France invaded Italy, and threatened Florence, such prophecies seemed on the verge of fulfilment. While Savonarola intervened with the French king, the Florentines expelled the ruling Medici and, at the friar's urging, established a "popular" republic. Declaring that Florence would be the New Jerusalem, the world centre of Christianity and "richer, more powerful, more glorious than ever", he instituted an extreme puritanical campaign, enlisting the active help of Florentine youth.
Document 10: Reggiolo: Reggiolo is a town in the province of Reggio Emilia, Emilia-Romagna, Italy. As of 31 December 2016 Reggiolo had an estimated population of 9,192. Carlo Ancelotti is a native of the town, and Formula One racer Lorenzo Bandini's funeral was held here.
Document 11: Emilia-Romagna: Emilia-Romagna (] ; Emilian and Romagnol: "Emélia-Rumâgna" ) is an administrative Region of Northeast Italy comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has an area of 22446 km² , and about 4.4 million inhabitants.
Document 12: Reggio Emilia: Reggio Emilia (] , also ] ; Emilian: "Rèz" , Latin: "Regium Lepidi" ) is a city in northern Italy, in the Emilia-Romagna region. It has about 171,400 inhabitants and is the main "comune" (municipality) of the Province of Reggio Emilia.
Document 13: Giovanni Giarola: Giovanni Giarola or Gerolli (1518–1557) was an Italian painter of the Renaissance style, active mainly in Reggio Emilia.
Document 14: Girolamo Sartorio: Girolamo Sartonio, also known as Hieronimo Sartorio and Geronimo Sartorio (died April 1707 in Venice), was an innovative Italian architect and engineer who worked mainly the German cities of Hanover, Hamburg, Leipzig and Erfurt. His designs were based on Palladian architecture. He was a noted expert in the installation of stage equipment and theatrical machinery and also worked as a builder or consulting architect on the construction of various opera houses, such as the Oper am Gänsemarkt in Hamburg. He is also credited with the beginnings of opera in Leipzig and the construction of the opera house in Prague.
Document 15: Giovanni Domenico Cappellino: Giovanni Domenico Cappellino (1580–1651) was an Italian painter of the Renaissance period, active mainly in his natal city of Genoa. He was the pupil of the painter Giovanni Battista Paggi. At age 22, he painted a "Saint Sebastian" for the church of Santa Sabina. He contributed a canvas to the Oratory of San Giacomo della Marina. In Genoa, he painted a "Death of St. Francis" for the church of San Niccolo, and a "St. Francesca Romana" for the church of San Stefano.
ground_truth: Emilia-Romagna