Question: The artwork of Gustav Klimt's protégé is featured in which city in Austria?

full_context: Document 1: Death and Life: Death and Life (Italian: Morte e Vita) is an oil on canvas painting by Austrian symbolist painter, Gustav Klimt whose primary subject was the female body. His paintings, murals, and sketches are marked by a sensual eroticism, which is especially apparent in his pencil drawings. The painting was started in 1908 and completed in 1915. It is created in an Art Nouveau (Modern) style by use of allegorical painting genre during Golden phase. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum in Vienna.
Document 2: Ernst Klimt: Ernst Klimt (3 January 1864 in Vienna – 9 December 1892 in Vienna) was an Austrian history painter and decorative painter. He was a younger brother of the better-known artist Gustav Klimt.
Document 3: Tourist attractions in Vienna: The tourist attractions of Vienna concentrate in three distinct areas. The largest cluster, centred on Schönbrunn Palace, attracted around five million visitors in 2009, down from six million in 2008. Museums and exhibitions of Hofburg Palace accounted for nearly two million visitors in 2008, with a significant decline in 2009. The third, and the newest, cluster of modern art museums in Museumsquartier attracted less than one million visitors. Nearby duo of Kunsthistorisches and Naturhistorisches museums, located halfway between Museumsquartier and Hofburg, also reported around one million visitors. The Landstraße district, which lies south-east of the old city, is home to art exhibitions at the Belvedere Palace and the KunstHausWien.
Document 4: Arnold Schoenberg: Arnold Franz Walter Schoenberg or Schönberg ( ; ] ; 13 September 187413 July 1951) was an Austrian composer, music theorist, and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, Schoenberg's works were labelled degenerate music, because they were modernist, atonal and what even Paul Hindemith called "sonic orgies" and "decadent intellectual efforts". He emigrated to the United States of America in 1934.
Document 5: Portrait of Wally: Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership history was revealed in an article published in "The New York Times". After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them.
Document 6: Portrait of Adele Bloch-Bauer I: Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, , a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. In 2006, following eight years of effort by the Bloch-Bauer heirs, the painting was returned to the family; it was sold the same year for $135 million, at the time a record price for a painting.
Document 7: Paul Klee: Paul Klee (] ; 18 December 1879 – 29 June 1940) was a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures "Writings on Form and Design Theory" ("Schriften zur Form und Gestaltungslehre"), published in English as the "Paul Klee Notebooks", are held to be as important for modern art as Leonardo da Vinci's "A Treatise on Painting" for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
Document 8: Margaret Stonborough-Wittgenstein: Margaret "Gretl" Stonborough-Wittgenstein (September 19, 1882 – September 27, 1958), of the prominent and wealthy Viennese Wittgenstein family, was a sister of the philosopher Ludwig Wittgenstein and the pianist Paul Wittgenstein. She was the subject of a famous 1905 portrait painted for her wedding by the artist Gustav Klimt (Stonborough-Wittgenstein and other members of the Wittgenstein family were among Klimt's most important patrons), which was sold in 1960 by her son Thomas and may now be seen in the Neue Pinakothek gallery in Munich.
Document 9: Klimt University of Vienna Ceiling Paintings: The Klimt University of Vienna Ceiling Paintings, also known as the Faculty Paintings, were a series of paintings made by Gustav Klimt for the ceiling of the University of Vienna's Great Hall between the years of 1900–1907. In 1894, Klimt was commissioned to paint the ceiling. Upon presenting his paintings, "Philosophy", "Medicine" and "Jurisprudence", Klimt came under attack for 'pornography' and 'perverted excess' in the paintings. None of the paintings would go on display in the university.
Document 10: Leopold Museum: The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka and Richard Gerstl.
Document 11: Egon Schiele: Egon Schiele (] ; 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.
Document 12: Rudolf Schwarzkogler: Rudolf Schwarzkogler (13 November 1940, Vienna – 20 June 1969, Vienna) was an Austrian performance artist closely associated with the Viennese Actionism group that included artists Günter Brus, Otto Mühl, and Hermann Nitsch.
Document 13: Gustav Klimt: Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Document 14: Viennese Actionism: Viennese Actionism was a short and violent movement in 20th-century art. It can be regarded as part of the many independent efforts of the 1960s to develop "performance art" (Fluxus, happening, action painting, body art, etc.). Its main participants were Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler. As "actionists", they were active between 1960 and 1971. Most have continued their artistic work independently from the early 1970s onwards.
Document 15: Otto Weininger: Otto Weininger (] ; 3 April 1880 – 4 October 1903) was an Austrian philosopher. In 1903, he published the book "Geschlecht und Charakter" ("Sex and Character"), which gained popularity after his suicide at the age of 23. Some people find Weininger's ideas to be misogynistic and antisemitic, while others find them to be extremely perceptive and realistic. Parts of his rhetoric were used by the Nazi regime (while at the same time denouncing him) - though this arguably cannot be held against him. Despite all criticisms Weininger was held to be a great genius by the philosopher Ludwig Wittgenstein and the writer August Strindberg (see discussion below).
ground_truth: Vienna