Question: Le comte Ory and The Magic Flute, are which type of theatre?

full_context: Document 1: Gioachino Rossini: Gioachino Antonio Rossini (] ; 29 February 179213 November 1868) was an Italian composer who wrote 39 operas, as well as some sacred music, songs, chamber music and piano pieces.
Document 2: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 3: List of operas set in the Crusades: Operas set against the background of the medieval Crusades can be found in the earliest examples of the art form and continue to be written into the 21st century. Many of the works listed here contain characters and plots based on real or legendary figures of the time such as Tancred, Prince of Galilee, Godfrey of Bouillon or Jaufre Rudel. The majority are set, at least in part, in the Holy Land and the surrounding region and deal with the conflicts between the Christians and Muslims. Others, such as Donizetti's "Gabriella di Vergy", deal with the misadventures of knights returning from the Crusades. In the case of "Gabriella di Vergy", Raoul de Coucy returns from the Third Crusade to find that his beloved Gabriella has married Lord Fayel. Following a duel, Fayel cuts out the heart of the unfortunate Raoul and presents it in an urn to Gabriella. The only comedy in the list, Rossini's "Le comte Ory", recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades. Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return. Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, "La Gerusalemme liberata" ("Jerusalem Delivered"), or on Voltaire's tragic play, "Zaïre".
Document 4: The Marriage of Figaro: The Marriage of Figaro (Italian: Le nozze di Figaro , ] ), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Document 5: La cambiale di matrimonio: La cambiale di matrimonio (The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica by Gioachino Rossini to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, "Il matrimonio per lettera di cambio". The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice
Document 6: The Magic Flute (2006 film): The Magic Flute is Kenneth Branagh's English-language film version of Wolfgang Amadeus Mozart's singspiel "Die Zauberflöte". The film is a co-production between France & the UK, produced by Idéale Audience and in association with UK's The Peter Moores Foundation.
Document 7: Tarare (opera): Tarare is an opéra (tragédie lyrique) composed by Antonio Salieri to a French libretto by Pierre Beaumarchais. It was first performed by the Paris Opera at the Théâtre de la Porte Saint-Martin on 8 June 1787. Salieri also reworked the material into an Italian version retitled "Axur, re d'Ormus" with libretto by Lorenzo da Ponte, which opened in Vienna in January 1788.
Document 8: Magic Flute Diaries: Magic Flute Diaries is a film inspired by Mozart's classic opera, "The Magic Flute". It does "not" use the plot of the opera. The film was released in 2008 by Sullivan Entertainment. "Magic Flute Diaries" won the award for Best Family Film in the 2008 Staten Island Film Festival.
Document 9: Die Entführung aus dem Serail: Die Entführung aus dem Serail (K. 384; The Abduction from the Seraglio; also known as Il Seraglio ) is an opera Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Christoph Friedrich Bretzner with adaptations by Gottlieb Stephanie. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting.
Document 10: Der Freischütz: Der Freischütz , Op. 77, J. 277, (usually translated as "The Marksman" or "The Freeshooter") is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first important German Romantic opera, especially in its national identity and stark emotionality.
Document 11: La Cenerentola: La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic "dramma giocoso" in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale "Cendrillon" by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
Document 12: The Magic Flute: The Magic Flute (German: Die Zauberflöte ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a "Singspiel", a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
Document 13: Das Labyrinth: Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (The Labyrinth or The Struggle with the Elements. The Magic Flute's Second Part) is a "grand heroic-comic opera" in two acts composed in 1798 by Peter von Winter to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The opera is a sequel of Mozart's "The Magic Flute".
Document 14: Theater auf der Wieden: The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century. It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Wolfgang Amadeus Mozart's opera "The Magic Flute". During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of "The Magic Flute".
Document 15: Le comte Ory: Le comte Ory is an opéra written by Gioachino Rossini in 1828. Some of the music originates from his opera "Il viaggio a Reims" written three years earlier for the coronation of Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.
ground_truth: opera