Question: Blue Vinyl and High School are both what?

full_context: Document 1: The Thin Blue Line (1965 film): The Thin Blue Line was the second of three documentaries William Friedkin made for producer David Wolper. It focused on the police force, and the experience making it influenced Friedkin on "The French Connection".
Document 2: You Got to Move: You Got to Move is a documentary by Lucie Massie Phenix and Veronica Selver that follows people from communities in the Southern United States in their various processes of becoming involved in social change. The film’s centerpiece is the Highlander Folk School (now known as Highlander Research and Education Center), a 75-year-old center for education and social action that was somehow involved in each of the lives chronicled in the documentary.
Document 3: The Thin Blue Line (1988 film): The Thin Blue Line is a 1988 American documentary film by Errol Morris, depicting the story of Randall Dale Adams, a man convicted and sentenced to death for a murder he did not commit. Adams's case was reviewed and he was released from prison approximately a year after the film's release.
Document 4: Highrise (documentary): Highrise is a multi-year, multimedia documentary project about life in residential highrises, directed by Katerina Cizek and produced by Gerry Flahive for the National Film Board of Canada (NFB). The project, which began in 2009, includes five web documentaries—"The Thousandth Tower", "Out My Window", "One Millionth Tower", "A Short History of the Highrise" and "Universe Within: Digital Lives in the Global Highrise"—as well as more than 20 derivative projects such as public art exhibits and live performances.
Document 5: Frederick Wiseman: Frederick Wiseman (born January 1, 1930) is an American filmmaker, documentarian, and theatre director. His work is "devoted primarily to exploring American institutions". He has been called "one of the most important and original filmmakers working today".
Document 6: High School (1968 film): High School is a 1968 American documentary film directed by Frederick Wiseman that shows a typical day for a group of students at Northeast High School in Philadelphia, Pennsylvania. It was one of the first direct cinema (or cinéma vérité) documentaries. It was shot over five weeks in March and April 1968. The film was not shown in Philadelphia at the time of its release, due to Wiseman's concerns over what he called "vague talk" of a lawsuit.
Document 7: Vernon, Florida (film): Vernon, Florida is a 1981 documentary film produced and directed by Errol Morris profiling various residents living within the town of Vernon, Florida. Originally titled "Nub City", this follow-up to "Gates of Heaven" initially focused on residents of the Southern town who cut off their own limbs as a way to collect insurance money. After Morris's life was threatened by the subjects of the film, he re-worked "Nub City" into "Vernon, Florida".
Document 8: The War at Home (1979 film): The War at Home is a documentary film about the anti-war movement in the Madison, Wisconsin area during the time of the Vietnam War. It combines archival footage and interviews with participants that explore the events of the period on the University of Wisconsin–Madison campus. The film was nominated for an Academy Award for Best Documentary Feature.
Document 9: A Civil Action (film): A Civil Action is a 1998 American drama film directed by Steven Zaillian and starring John Travolta (as plaintiff's attorney Jan Schlichtmann) and Robert Duvall, and that is based on the book of the same name by Jonathan Harr. Both the book and the film are based on a true story of a court case about environmental pollution that took place in Woburn, Massachusetts, in the 1980s. The film and court case revolve around the issue of trichloroethylene, an industrial solvent, and its contamination of a local aquifer. A lawsuit was filed over industrial operations that appeared to have caused fatal cases of leukemia and cancer, as well as a wide variety of other health problems, among the citizens of the town. The case involved is "Anne Anderson, et al., v. Cryovac, Inc., et al.". The first reported decision in the case is at 96 F.R.D. 431 (denial of defendants' motion to dismiss). Duvall was nominated for an Academy Award for his performance.
Document 10: Titicut Follies: Titicut Follies is a 1967 American Direct Cinema documentary film directed by Frederick Wiseman and filmed by John Marshall, about the patient-inmates of Bridgewater State Hospital for the criminally insane, a Massachusetts Correctional Institution in Bridgewater, Massachusetts. In 1967 the film won awards in Germany and Italy. Later on, Wiseman made a number of such films examining social institutions (e.g. hospitals, police, schools, etc.) in the United States.
Document 11: Blue Vinyl: Blue Vinyl is a 2002 documentary film directed by Daniel B. Gold and Judith Helfand. With a lighthearted tone, the film follows one woman's quest for an environmentally sound cladding for her parents' house in Merrick, Long Island, New York. It also investigates the many negative health effects of polyvinyl chloride in its production, use and disposal, focusing on the communities of Lake Charles and Mossville, Louisiana, and Venice, Italy. Filming for "Blue Vinyl" began in 1994.
Document 12: Law and Order (1969 film): Law and Order is a 1969 documentary film by Frederick Wiseman that shows the daily routine of officers of the Kansas City Police Department. It was Wiseman's third film after "Titicut Follies" (1967) and "High School" (1968). The films were among the earliest examples of direct cinema by a U.S. filmmaker.
Document 13: Vehicular Lunatics: Vehicular Lunatics was the first Street and Track racing documentary that blurred the lines between legal and illegal motorsport by offering a realistic storyline of events to match the automotive and motorcycle stunt action. The guerrilla filmmaking used in producing this movie is also considered gonzo journalism due to its heavy reliance on sarcastic self-experience by its characters, production crew and Director. The filming and production took place from 2003-2005 in the college town of Gainesville, FL in Alachua County but quickly spread over a network of racers and enthusiasts across Florida, Texas, California and even Europe and Morocco. The film progresses from testosterone and adrenaline filled antics of beater car destruction and off road junk car rally, to enthusiast drag racing, street racing, Gumball 3000 Rally, motorcycle stunting, professional road racing, drifting and burnouts. Along the way, several characters are introduced with candor, intelligence and sarcastic humor - a fresh take on the generalized "Thug Life" or "Ricer" street racing attitude that was growing disproportionately after the release of "The Fast and the Furious" series.
Document 14: The True Cost: The True Cost is a 2015 documentary film directed by Andrew Morgan that focuses on fast fashion. It discusses several aspects of the garment industry from production—mainly exploring the life of low-wage workers in developing countries—to its after-effects such as river and soil pollution, pesticide contamination, disease and death. Using an approach that looks at environmental, social and psychological aspects, it also examines consumerism and mass media, ultimately linking them to global capitalism. The documentary is a collage of several interviews with environmentalists, garment workers, factory owners, and people organizing fair trade companies or promoting sustainable clothing production.
Document 15: The Story of Stuff: The Story of Stuff is a short animated documentary about the lifecycle of material goods. The documentary is critical of excessive consumerism and promotes sustainability.
ground_truth: documentary film