Question: Who does the person a lot of modern pop artists grew up listening to play in A League of Their Own?

full_context: Document 1: Madonna (entertainer): Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."
Document 2: SoundGirl: Beardshaw and Shortland were friends and school classmates in London that sang together before another girl from their neighbourhood, Redmond, joined them to form SoundGirl. A management company, Angelic Union, held auditions for a girl band project in a dance studio. The three girls went, wrote a song in ten minutes, and sang it for Angelic Union, who reportedly signed them on the spot.
Document 3: Madonna (entertainer): Before emerging as a pop star, Madonna has spent her early years in rock music alongside her bands, Breakfast Club and Emmy. While performing with Emmy, Madonna recorded about 12-14 songs which resemble the punk rock of that period. Her early rock roots also can be found on the demo album Pre-Madonna. Stephen Thomas Erlewine noted that with her self-titled debut album, Madonna began her career as a disco diva, in an era that did not have any such divas to speak of. In the beginning of the '80's, disco was an anathema to the mainstream pop, and according to Erlewine, Madonna had a huge role in popularizing dance music as mainstream music. The album's songs reveal several key trends that have continued to define her success, including a strong dance-based idiom, catchy hooks, highly polished arrangements and Madonna's own vocal style. Her second album, Like a Virgin (1984), foreshadowed several trends in her later works. It contained references to classical works (pizzicato synthesizer line that opens "Angel"); potential negative reaction from social groups ("Dress You Up" was blacklisted by the Parents Music Resource Center); and retro styles ("Shoo-Bee-Doo", Madonna's homage to Motown).
Document 4: Madonna (entertainer): Madonna Louise Ciccone (/tʃɪˈkoʊni/; Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, actress, and businesswoman. She achieved popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV. Madonna is known for reinventing both her music and image, and for maintaining her autonomy within the recording industry. Music critics have acclaimed her musical productions, which have generated some controversy. Often referred to as the "Queen of Pop", she is often cited as an influence by other artists.
Document 5: Madonna (entertainer): Having sold more than 300 million records worldwide, Madonna is recognized as the best-selling female recording artist of all time by Guinness World Records. The Recording Industry Association of America (RIAA) listed her as the best-selling female rock artist of the 20th century and the second best-selling female artist in the United States, with 64.5 million certified albums. According to Billboard, Madonna is the highest-grossing solo touring artist of all time, earning US $1.31 billion from her concerts since 1990. She was ranked at number two, behind only The Beatles, on the Billboard Hot 100 All-Time Top Artists, making her the most successful solo artist in the history of American singles chart. Madonna became one of the five founding members of the UK Music Hall of Fame and was inducted into the Rock and Roll Hall of Fame in her first year of eligibility.
Document 6: All-American Girls Professional Baseball League: The All - American Girls Professional Baseball League was a women's professional baseball league founded by Philip K. Wrigley which existed from 1943 to 1954. Over 600 women played in the league. In 1948, league attendance peaked over 900,000 spectators in attendance. The Rockford Peaches won a league - best four championships while playing in the AAGPBL. For most of the league's history, manager Bill Allington coached different teams and led the league in career wins as a manager. The 1992 motion picture A League of Their Own tells a fictionalized account of the Rockford Peaches.
Document 7: Casey at the Bat: A baseball team from the fictional town of ``Mudville ''(implied to be the home team) is losing by two runs in its last inning. Both the team and its fans, a crowd of 5,000, believe they can win if Casey, Mudville's star player, gets to bat. However, Casey is scheduled to be the fifth batter of the inning, and the first two batters (Cooney and Barrows) fail to get on base. The next two batters (Flynn and Jimmy Blake) are perceived to be weak hitters with little chance of reaching base to allow Casey a chance to bat.
Document 8: Madonna (entertainer): In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.
Document 9: Madonna (entertainer): Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.
Document 10: A League of Their Own: In 1988, Dottie Hinson (Geena Davis) attends the opening of the new All - American Girls Professional Baseball League (AAGPBL) exhibit at the Baseball Hall of Fame. She sees many of her former teammates and friends, prompting a flashback to 1943.
Document 11: A League of Their Own: Dottie and Kit head out to Harvey Field in Chicago for the tryout. There they meet a pair of New Yorkers, taxi dancer ``All the Way ''Mae Mordabito (Madonna) and her best friend, bouncer Doris Murphy (Rosie O'Donnell), along with soft - spoken right fielder Evelyn Gardner (Bitty Schram), illiterate, shy left fielder Shirley Baker (Ann Cusack), pitcher / shortstop and former Miss Georgia beauty queen Ellen Sue Gotlander (Freddie Simpson), gentle left field / relief pitcher Betty`` Spaghetti'' Horn (Tracy Reiner), homely second baseman Marla Hooch (Megan Cavanagh), who was scouted by Ernie, Dottie and Kit in Fort Collins, Colorado, first baseman Helen Haley (Anne Ramsay), and Saskatchewan native Alice ``Skeeter ''Gaspers (Renée Coleman). They and eight others are selected to form the Rockford Peaches, while 48 others are split among the Racine Belles, Kenosha Comets, and South Bend Blue Sox.
Document 12: Isora del Castillo: The first AAGPBL spring training outside the United States was held in Cuba in 1947, as part of a plan to create an International League of Girls Baseball. The experiment took shape when Cuban executives Alfonso Rodríguez and Rafael León and AAGPBL president Max Carey formed two teams, one called the Cubans and the other called the Americans. Both teams toured Costa Rica, Nicaragua, Puerto Rico and Venezuela, playing exhibition games with each other. After that, Isora and her aforementioned fellows were contracted by the AAGPBL between 1948 and 1949.
Document 13: A League of Their Own: A League of Their Own is a 1992 American sports comedy - drama film that tells a fictionalized account of the real - life All - American Girls Professional Baseball League (AAGPBL). Directed by Penny Marshall, the film stars Geena Davis, Tom Hanks, Madonna, and Lori Petty. The screenplay was written by Lowell Ganz and Babaloo Mandel from a story by Kelly Candaele and Kim Wilson.
Document 14: Beyoncé: In The New Yorker music critic Jody Rosen described Beyoncé as "the most important and compelling popular musician of the twenty-first century..... the result, the logical end point, of a century-plus of pop." When The Guardian named her Artist of the Decade, Llewyn-Smith wrote, "Why Beyoncé? [...] Because she made not one but two of the decade's greatest singles, with Crazy in Love and Single Ladies (Put a Ring on It), not to mention her hits with Destiny's Child; and this was the decade when singles – particularly R&B singles – regained their status as pop's favourite medium. [...] [She] and not any superannuated rock star was arguably the greatest live performer of the past 10 years." In 2013, Beyoncé made the Time 100 list, Baz Luhrmann writing "no one has that voice, no one moves the way she moves, no one can hold an audience the way she does... When Beyoncé does an album, when Beyoncé sings a song, when Beyoncé does anything, it's an event, and it's broadly influential. Right now, she is the heir-apparent diva of the USA — the reigning national voice." In 2014, Beyoncé was listed again on the Time 100 and also featured on the cover of the issue.
Document 15: Madonna (entertainer): According to Tony Sclafani from MSNBC, "It's worth noting that before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers ... When The Beatles hit America, they changed the paradigm of performer from solo act to band. Madonna changed it back—with an emphasis on the female." Howard Kramer, curatorial director of the Rock and Roll Hall of Fame and Museum, asserted that "Madonna and the career she carved out for herself made possible virtually every other female pop singer to follow ... She certainly raised the standards of all of them ... She redefined what the parameters were for female performers." According to Fouz-Hernández, subsequent female singers such as Britney Spears, Christina Aguilera, Kylie Minogue, the Spice Girls, Destiny's Child, Jennifer Lopez, and Pink were like her "daughters in the very direct sense that they grew up listening to and admiring Madonna, and decided they wanted to be like her." Time magazine included her in the list of the "25 Most Powerful Women of the Past Century", where she became one of only two singers to be included, alongside Aretha Franklin. She also topped VH1's lists of "100 Greatest Women in Music" and "50 Greatest Women of the Video Era".
ground_truth: taxi dancer ``All the Way ''Mae Mordabito
sub_queries: A lot of modern pop artist grew up listening to whom? Answer: Madonna,
who does Madonna, play in a league of their own Answer: taxi dancer ``All the Way ''Mae Mordabito