Question: An operatic commedia in three acts that is by an Italian Baroque composer who was famous for operas and chamber cantatas, was first performed where?

full_context: Document 1: Il trionfo dell'onore: Il trionfo dell'onore ("The Triumph of Honour") is an operatic 'commedia' in three acts by the Italian composer Alessandro Scarlatti, with a libretto by . It was first performed at the Teatro dei Fiorentini, Naples on 26 November 1718. It is Scarlatti's only known comic opera.
Document 2: L'honestà negli amori: L'honestà negli amori is a dramma per musica in 3 acts by composer Alessandro Scarlatti. Written in 1679-1680 when Scarlatti was 19 years old, it was his second opera. The opera uses an Italian language libretto that was written by either D F Bernini or Domenico Filippo Contini. The work premiered at the Teatro di Palazzo Bernini in Rome on 3 February 1680. The opera was performed again in 1682 in Acquaviva delle Fonti at the Palazzo De Mari with "Acquaviva laureata" a serenata composed by Giovanni Cesare Netti.
Document 3: Alessandro Melani: Alessandro Melani (4 February 1639 – 3 October 1703) was an Italian composer and the brother of composer Jacopo Melani, and castrato singer Atto Melani. Along with Bernardo Pasquini and Alessandro Scarlatti, he was one of the leading composers active in Rome during the 17th century. He is also ranked among the second school of Roman opera composers which began with his brother's 1668 opera "Il Girello". He is chiefly remembered today for his large output of liturgical music that he wrote while serving in various musical posts in Rome. Of particular interest is the large number of polychoral motets that he produced and his eight ascribed oratorios. Three published collections of his liturgical music survive today along with numerous solitary motets from other published volumes. A number of original manuscripts also survive.
Document 4: Francesco Sacrati: Francesco Sacrati (17 September 1605 in Parma, Italy – 20 May 1650 in Modena, Italy) was an Italian composer of the Baroque era, who played an important role in the early history of opera. He wrote for the Teatro Novissimo in Venice as well as touring his operas throughout Italy. His most famous piece is "La finta pazza" ("The Feigned Madwoman", 1641), said to be the first opera ever performed in France (in 1645). The manuscript of this work was long thought to be lost but a touring edition of the manuscript was discovered by musicologist Lorenzo Bianconi in 1984. Some of the music bears striking similarities to the score of Monteverdi's "L'incoronazione di Poppea", prompting scholars to speculate that Sacrati had a part in composing the surviving version of that opera. The United States premiere of "La finta pazza", and first performance outside Europe, occurred in April 2010 at Yale University.
Document 5: Mitridate Eupatore: Il Mitridate Eupatore ("Mithridates Eupator") is an opera seria in five acts by the Italian composer Alessandro Scarlatti with a libretto by Girolamo Frigimelica Roberti. It was first performed at the Teatro San Giovanni Grisostomo, Venice on 5 January, 1707. A failure at its premiere, "Mitridate Eupatore" is now considered one of the finest of Scarlatti's operas.
Document 6: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 7: Domenico Scarlatti: Giuseppe Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.
Document 8: Alessandro Scarlatti: Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Document 9: Francesco Scarlatti: Francesco Scarlatti (5 December 1666 – c. 1741) was an Italian Baroque composer and musician and the younger brother of the better known Alessandro Scarlatti.
Document 10: Tigrane: Tigrane, o vero L'egual impegno d'amore e di fede ("Tigranes or The Equal Ties of Love and Faith") is an opera seria in three acts by the Italian composer Alessandro Scarlatti with a libretto by Domenico Lalli (loosely based on the "Histories" of Herodotus). It was first performed at the Teatro San Bartolomeo, Naples on 16 February 1715. It is regarded as one of Scarlatti's finest operas. As well as the serious main plot, there are also comic scenes involving the servants Dorilla and Orcone.
Document 11: Il Pompeo: Il Pompeo is a dramma per musica in three acts by composer Alessandro Scarlatti. Written in 1682 when Scarlatti was 22 years old, it was his fourth opera and first dramatic work on a serious and grand subject. The opera uses an Italian language libretto by Nicolò Minato which had previously been used by Francesco Cavalli for his 1666 opera "Pompeo Magno". The work premiered at the Teatro di Palazzo Colonna in Rome on 25 January 1683.
Document 12: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 13: Neapolitan School: In music history, the Neapolitan School is a group, associated with opera, of 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins".
Document 14: Griselda (A. Scarlatti): Griselda is an opera seria in three acts by the Italian composer Alessandro Scarlatti, the last of Scarlatti’s operas to survive completely today. The libretto is by Apostolo Zeno, with revisions by an anonymous author. Zeno wrote his work in 1701 and it had already been set by Pollarolo and Antonio Maria Bononcini (Albinoni, Giovanni Bononcini and Vivaldi would later produce versions). It is based on the story of Patient Griselda from Boccaccio's "Decameron". Scarlatti's opera was first performed at the Teatro Capranica, Rome in January, 1721 with an all-male cast (five castratos and a tenor).
Document 15: Cristoforo Caresana: Cristofaro or Cristoforo Caresana (ca. 1640–1709) was an Italian Baroque composer, organist and tenor. He was an early representative of the Neapolitan operatic school.
ground_truth: Teatro dei Fiorentini