Question: Chasing Pirates hit number 7 in which category, known for its roots in West African cultural and musical expression?

full_context: Document 1: Funk: Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
Document 2: M-Base: The term "M-Base" is used in several ways. In the 1980s, a loose collective of young African-American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression. Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene’s music as a jazz style. But Coleman stressed "M-Base" doesn’t denote a musical style but a way of thinking about creating music. As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show a lot of similarities reflecting their common ideas, the experiences of working together, and their similar cultural background. To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning.
Document 3: Fall (album): Fall is country music singer Clay Walker's eighth studio album, released in 2007 by Asylum-Curb Records. Its first single was "'Fore She Was Mama", which reached #21 on the Hot Country Songs charts in mid-2007. Following this song was the title track, which reached #5 on the same chart and became Walker's first Top Five country hit since "The Chain of Love" in 2000. "Fall" was also covered by Kimberley Locke, whose own version was a single as well. The third and final single from this album, "She Likes It in the Morning", peaked at #43. Also included is a cover of Freddy Fender's "Before the Next Teardrop Falls", recorded here as a duet with Fender. This cover is also Walker's first duet.
Document 4: Chasing Pirates: "Chasing Pirates" is the first single by American singer Norah Jones from her fourth album, "The Fall". It was released exclusively to iTunes on Tuesday, October 13, 2009. The song also had its North American radio station premiere on the defunct 97.3 EZ Rock, now CHBM, in Toronto, Ontario, Canada on October 9, 2009. The song went top ten in Japan, The Netherlands and Belgium. In the U.S.A., "Chasing Pirates" peaked at No. 13 on Hot Adult Contemporary Tracks and No. 7 on Jazz Songs.
Document 5: 1960s in jazz: In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.) broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Document 6: Jazz: Jazz is a music genre that originated in African American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience and styles to the art form as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Document 7: The One, The Only...: The One, The Only... is the debut album of musician Chantal Claret, released on June 19, 2012 by The End Records and was recorded at Studio Edison in New York. "The Pleasure Seeker - EP" appears in the gallery of the iPod Classic on Apple's US site.
Document 8: Music of the African diaspora: Music of the African diaspora was mostly refined and developed during the period of slavery. Slaves did not have easy access to instruments, so vocal work took on new significance. Through chants and work songs people of African descent preserved elements of their African heritage while inventing new genres of music. The culmination of this great sublimation of musical energy into vocal work can be seen in genres as disparate as Gospel Music and Hip-Hop. The music of the African diaspora makes frequent use of ostinato, a motif or phrase which is persistently repeated at the same pitch. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. The banjo is a direct decedent of the Akonting created by the Jola people, found in Senegal, Gambia and Guinea-Bissau in West Africa. Hence, the melodic traditions of the African diaspora are probably most alive in Blues and Jazz.
Document 9: Not Too Late (album): Not Too Late is the third studio album by American singer-songwriter Norah Jones, released on January 30, 2007, through Blue Note Records. It was produced by Lee Alexander, the songwriter and bassist featured on Jones's previous albums, "Come Away with Me" and "Feels like Home". The album debuted at number one on the "Billboard" 200, making it Jones' third consecutive number one album.
Document 10: List of number-one dance singles of 2009 (U.S.): This is a list of the U.S. "Billboard" Hot Dance Club Songs number-one songs in 2009. The first number-one song of the year was claimed by American pop girl group The Pussycat Dolls with their song "I Hate This Part", which spent two consecutive weeks atop the chart. Multiple artists made one chart appearance, including The Killers with "Human", Donna Summer with "Fame (The Game)", LeAnn Rimes with "What I Cannot Change", Shontelle with "T-Shirt", and Lily Allen with "The Fear". American singer Mariah Carey garnered her fourteenth and fifteenth number-ones on the chart with "I Stay in Love" from her eleventh studio album "E=MC²" (2008) and with "Obsessed" from her twelfth studio album "Memoirs of an Imperfect Angel" (2009), respectively.
Document 11: Culture of New York City: The culture of New York City is reflected in its size and ethnic diversity. Many American cultural movements first emerged in the city. The Harlem Renaissance established the African-American renaissance in the United States. Large numbers of Italian Americans and Jews emigrated to New York throughout the twentieth century, significantly influencing the culture and image of New York City. American modern dance developed in New York in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s and home to hip hop, punk rock, and the Beat Generation.
Document 12: Chasing Pavements: "Chasing Pavements" is a song by British singer Adele, from her debut album "19". It was the second single from the album, after "Hometown Glory". It was released digitally in Ireland on 13 January 2008 and entered the Irish singles chart at number 26 through download sales alone. Having received a physical release, the single then leaped 19 places to number seven, where it peaked. On 20 January, the single entered at number two in the UK singles chart on downloads alone. "Chasing Pavements" was the 27th best selling single of 2008 in the UK, with over 280,000 sales. It was Adele's first "Billboard" Hot 100 entry, and has sold over 1,200,000 digital copies as of October 2011. The B-side to the single is an acoustic cover of the Sam Cooke song "That's It, I Quit, I'm Movin' On". "Chasing Pavements" won the Grammy Award for Best Female Pop Vocal Performance, and was nominated for the Grammy Award for Record of the Year and Grammy Award for Song of the Year.
Document 13: Afro-Cuban jazz: Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself. In the early 1970s, the Orquesta Cubana de Música Moderna and later Irakere brought Afro-Cuban jazz into the Cuban music scene, influencing new styles such as songo.
Document 14: Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds and an early prevalence of analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.
Document 15: Don't Know Why: "Don't Know Why" is a song written by Jesse Harris which originally appeared on his 1999 album, "Jesse Harris & the Ferdinandos". It was the second single by American singer Norah Jones from her debut studio album "Come Away with Me" (2002). Jones's version peaked at No. 30 on the U.S. "Billboard" Hot 100 and was a critical success, helping establish her as a respected new artist, and subsequently her album sold extremely well. The single went on to win three Grammy Awards in 2003 for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance. It remains Jones's biggest hit single in the United States to date, and her only one to reach the top 40 of the "Billboard" Hot 100. The single was also a hit internationally and reached top 10 in several countries. The song charted at 459 in "Blender" magazine's 500 Greatest Songs Since You Were Born.
ground_truth: Jazz