Question: What is the mosaic in the church where Villa Bianca is located known as?

full_context: Document 1: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 2: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 3: Mosaic: Christian mosaic art also flourished in Rome, gradually declining as conditions became more difficult in the Early Middle Ages. 5th century mosaics can be found over the triumphal arch and in the nave of the basilica of Santa Maria Maggiore. The 27 surviving panels of the nave are the most important mosaic cycle in Rome of this period. Two other important 5th century mosaics are lost but we know them from 17th-century drawings. In the apse mosaic of Sant'Agata dei Goti (462–472, destroyed in 1589) Christ was seated on a globe with the twelve Apostles flanking him, six on either side. At Sant'Andrea in Catabarbara (468–483, destroyed in 1686) Christ appeared in the center, flanked on either side by three Apostles. Four streams flowed from the little mountain supporting Christ. The original 5th-century apse mosaic of the Santa Sabina was replaced by a very similar fresco by Taddeo Zuccari in 1559. The composition probably remained unchanged: Christ flanked by male and female saints, seated on a hill while lambs drinking from a stream at its feet. All three mosaics had a similar iconography.
Document 4: Mosaic: Jerusalem with its many holy places probably had the highest concentration of mosaic-covered churches but very few of them survived the subsequent waves of destructions. The present remains do not do justice to the original richness of the city. The most important is the so-called "Armenian Mosaic" which was discovered in 1894 on the Street of the Prophets near Damascus Gate. It depicts a vine with many branches and grape clusters, which springs from a vase. Populating the vine's branches are peacocks, ducks, storks, pigeons, an eagle, a partridge, and a parrot in a cage. The inscription reads: "For the memory and salvation of all those Armenians whose name the Lord knows." Beneath a corner of the mosaic is a small, natural cave which contained human bones dating to the 5th or 6th centuries. The symbolism of the mosaic and the presence of the burial cave indicates that the room was used as a mortuary chapel.
Document 5: Villa Gazzotti Grimani: The Villa Gazzotti Grimani (1542) is a Renaissance villa, an early work of architect Andrea Palladio, located in the village of Bertesina, near Vicenza in the Veneto region of northern Italy.
Document 6: Villa Trissino (Cricoli): The Villa Trissino is a patrician villa, which belonged to Gian Giorgio Trissino, located at Cricoli, just outside the center of Vicenza, in northern Italy. It was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio.
Document 7: Villa Zeno: Villa Zeno is a patrician villa at Cessalto, Veneto, northern Italy, and is the most easterly villa designed by Renaissance architect Andrea Palladio. The building is near the highway between Venice and Trieste, but was built to face a canal which served as the primary means of arrival.
Document 8: Yablanski House: The Yablanski House was built in 1906-1907 to the designs of Austro-Hungarian architect Friedrich Grünanger (1856–1929) on the order of the wealthy financier and former mayor of Sofia Dimitar Yablanski (1859–1924). The exterior decoration was the work of the royal decorator of the Bulgarian Royal Family, Andreas Greis. Architecturally, the house was designed in the Baroque style with some Renaissance elements, with the interior stucco done in the Rococo style. The mansard floor is an important feature of the house's artistic design, together with the balcony railings of wrought iron and the several female sculptures. The furniture and the materials were specially supplied from Vienna. The house's architecture draws heavily from an earlier work of Grünanger's, the Royal Palace in Sofia. Notably, the architect's home in Salzburg, where he later moved and subsequently died, is almost identical to the Yablanski House.
Document 9: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 10: La Blanquera: La Blanquera ("Palace of the Blanco family") is a Spanish Colonial building in the city of San Carlos in Venezuela. This house was built by a wealthy family of cattle ranchers from the lands of Andalucia, Spain by the name of Blanco y Salazar during the second half of the 18th century. This house is white and has Baroque decorative features including columns with aborigines wearing feathered headgear. According to the traditional story, Don Joseph Blanco y Salazar built and used this house as a place of retirement for him and his family after the pacification of the Apure aborigines.
Document 11: Carlo Frigerio: Along with Santo Cattaneo and other artists, he contributed decorations and frescos to the Cigola-Fenaroli Mansion, located between Via Carlo Cattaneo and Piazza Tebaldo Brusato in Brescia; the building was erected in the 16th and 17th centuries by the Cigola Counts of Muslone.
Document 12: Nikolaos Thon: He was born in Athens to a Bavarian who had come to Greece with King Otto, and his Greek wife Marigo Vogiatzi. The ownership of mines in the Cyclades helped him amass considerable fortune, and he acquired extensive properties in Attica. Among the latter are the Thon Villa in Ampelokipoi, and the so-called "Palataki" (Palacette) in Haidari.
Document 13: Mosaic: In the Iconoclastic era, figural mosaics were also condemned as idolatry. The Iconoclastic churches were embellished with plain gold mosaics with only one great cross in the apse like the Hagia Irene in Constantinople (after 740). There were similar crosses in the apses of the Hagia Sophia Church in Thessaloniki and in the Church of the Dormition in Nicaea. The crosses were substituted with the image of the Theotokos in both churches after the victory of the Iconodules (787–797 and in 8th–9th centuries respectively, the Dormition church was totally destroyed in 1922).
Document 14: Villa Bianca (Thessaloniki): Villa Bianca or Villa Fernandez is the name of a famous mansion in the city of Thessaloniki, Greece. It is located in Vassilisis Olgas street and was built between 1911 und 1913 as a residence for Dino Fernandez Diaz and his family. The architect was Pietro Arrigoni (variously also spelled: Piero/Pierro Arigon/Arrigon/Arigoni).
Document 15: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
ground_truth: Christ in majesty (or Ezekiel's Vision)
sub_queries: Villa Bianca >> location Answer: Thessaloniki
The mosaic in the church in Thessaloniki is know as what? Answer: Christ in majesty (or Ezekiel's Vision)