Question: What mosaic inside the main church of Florence is attributed to Gaddo Gaddi?

full_context: Document 1: Ponte Santa Trinita: The Ponte Santa Trìnita (Italian for "Holy Trinity Bridge", named for the ancient church in the nearest stretch of via de' Tornabuoni) is a Renaissance bridge in Florence, Italy, spanning the Arno. The Ponte Santa Trìnita is the oldest elliptic arch bridge in the world, characterised by three flattened ellipses. The outside spans each measure 29 m (95 ft) with the centre span being 32 m (105 ft) in length. The two neighbouring bridges are the Ponte Vecchio, to the east, and the Ponte alla Carraia to the west.
Document 2: Palazzo Pitti: The Palazzo Pitti (] ), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker.
Document 3: Coperto dei Figini: The Coperto dei Figini was a Renaissance porticated building located in what is now Piazza del Duomo, the central square in Milan, Italy. The construction began in 1467 on a design by architect Guiniforte Solari (from the Veneranda Fabbrica del Duomo di Milano), ordered by Pietro Figino. The building, located on the north-western side of the piazza, was a popular meeting place for the Milanese people for over 400 years; it housed several shops that sold such drinks as the "turbolin" (boiled and filtered coffee), chocolate, "barbajada", orgeat syrup, and more. Many of these shops evolved into cafes when the first such establishments appeared in Milan; for example, one of the historic Caffé Campari in Milan was located there.
Document 4: Cennino Cennini: Cennino d'Andrea Cennini (c. 1360 – before 1427) was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto.
Document 5: St Mark's Basilica: The Patriarchal Cathedral Basilica of Saint Mark (Italian: "Basilica Cattedrale Patriarcale di San Marco" ), commonly known as Saint Mark's Basilica (Italian: "Basilica di San Marco" ; Venetian: "Baxéłega de San Marco" ), is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the city's churches and one of the best known examples of Italo-Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello.
Document 6: Francesco Pesellino: Francesco Pesellino (probably 1422–July 29, 1457), also known as Francesco di Stefano, Il Pesellino, Francesco Peselli, and Francesco di Stefano Pesellino was an Italian (Florentine) painter. His father was the painter Stefano di Francesco (died 1427), and his maternal grandfather was the painter Giuliano Pesello (1367–1446), from whose name the diminutive nickname of "Pesellino" arose. After the death of his father in 1427, the young Francesco Pesellino went to live with his grandfather, Giuliano Pesello, adopting his name. Francesco Pesellino remained in his grandfather’s studio until the latter’s death, when he joined the studio of Filippo Lippi (ca.1406-1469). He married in 1442, and probably joined the Florence painters' guild in 1447. In the following years he made a reputation with small, highly finished, works, either religious subjects for predellas or private devotions, or secular subjects, often for insetting into furniture or panelling.
Document 7: Duomo (Naples Metro): Duomo is an under-construction underground metro station that will serve Line 1 on the Naples Metro. It is located near the city's main cathedral, the Duomo, for which it is named. Designed by the Italian architect Massimiliano Fuksas, the station is primarily located in a central roundabout in Corso Umberto I (Rettifilo), with secondary entrances along Via Marina and Via Duomo.
Document 8: Buonamico Buffalmacco: Buonamico di [son of] Martino or Buonamico Buffalmacco (active c. 1315–1336) was an Italian painter who worked in Florence, Bologna and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential fresco cycle in the Camposanto in Pisa, featuring the "The Three Dead and the Three Living", the "Triumph of Death", the "Last Judgement", the "Hell", and the "Thebais" (several episodes from the lives of the Holy Fathers in the Desert). Painted some ten years before the Black Death spread over Europe in 1348, the cycle - a "painted sermon" (L. Bolzoni) - enjoyed an extraordinary success after that date, and was often imitated throughout Italy. The youngsters' party enjoying themselves in a beautiful garden while Death piles mounds of corpses all around is likely to have inspired the setting of Giovanni Boccaccio's "Decameron", written a few years after the Black Death.
Document 9: Gaddo Gaddi: Gaddo Gaddi (c. 1239, Florence – c. 1312, Florence) was an Italian painter and mosaicist of Florence in a gothic art style. Almost no works survive. He was the father of Taddeo Gaddi. He completed mosaics on facade of Santa Maria Maggiore in Rome. The "Coronation of the Virgin" mosaic over the inside door of Florence Cathedral, dated 1307, is also attributed to Gaddo Gaddi.
Document 10: Giovanni Battista Barbiani: Giovanni Battista Barbiani (1593–1650) was an Italian painter of the Baroque period, active in Ravenna. Among his works are altarpieces of "St. Andrew" and "St. Joseph" for the Franciscan church. For the dome of the chapel of the "Madonna del Sudore" in the Cathedral of Ravenna, he painted a fresco of the "Assumption of the Virgin". He painted a ' St. Peter' in Sant' Agata in Ravenna. He painted in the style of Bartolomeo Cesi. Along with Cesare Pronti, he painted in the church of San Romualdo (designed by Luca Danesi, of the Camaldolese Abbey, now home to the Biblioteca Classense of Ravenna. The grand corridor in the Abbey is also frescoed by Barbiani with famous benedictine and camaldolese monks. His nephew Andrea Barbiani was also a painter in Ravenna and Rimini.
Document 11: Giovanni di Bicci de' Medici: Giovanni di Bicci de' Medici (c. 1360 – February 20/28, 1429) was an Italian banker, a member of Medici family of Florence, and the founder of the Medici Bank. While other family members, such as Chiarissimo di Giambuono de' Medici, who served in the Signoria in 1201, and Salvestro de' Medici, who was implicated in the Ciompi Revolt of 1378, are historically significant, Giovanni's founding of the family bank truly began the family's rise to power in Florence. He was the father of Cosimo de' Medici ("Pater Patriae"), grandfather of Piero di Cosimo de' Medici, great-grandfather of Lorenzo de' Medici (the Magnificent) and great-great-great-grandfather of Cosimo I de' Medici, Grand Duke of Tuscany.
Document 12: Giovanni Gaddi (priest): Monsignor Giovanni Gaddi or Giovanni di Taddeo di Agnolo Gaddi (25 April 1493 in Florence – 18 October 1542 in Rome) was an Italian cleric, descending from the noted Gaddi family of bankers and painters (Gaddo Gaddi, his son Taddeo (a pupil of Giotto) and grandsons Agnolo and Giovanni, active during the 14th century). His parents were Taddeo di Agnolo Gaddi and Antonia di Bindo Altoviti. His brother was cardinal Niccolò Gaddi and his nephew cardinal Taddeo Gaddi.
Document 13: Vasari Corridor: The Vasari Corridor (Italian: "Corridoio Vasariano" ) is an elevated enclosed passageway in Florence, central Italy, which connects the Palazzo Vecchio with the Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it then joins the Uffizi Gallery and leaves on its south side, crossing the Lungarno dei Archibusieri and then following the north bank of the River Arno until it crosses the river at Ponte Vecchio. At the time of construction, the corridor had to be built around the Torre dei Mannelli, using brackets, because the owners of the tower refused to alter it. The corridor covers up part of the façade of the Church of Santa Felicita. The corridor then snakes its way over rows of houses in the Oltrarno district, becoming narrower, to finally join the Palazzo Pitti. Most of it is closed to visitors.
Document 14: Florence Cathedral: The Cattedrale di Santa Maria del Fiore (] ; in English "Cathedral of Saint Mary of the Flower") is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
Document 15: Buonaccorso Pitti: Buonaccorso Pitti was a prominent Florentine merchant in the late 14th and early 15th centuries. His family was very prestigious and his father very involved in politics. He was a gambler and often made unsafe investments, though he managed to make money from it several times during his life. He bought and sold horses, wine, wool, and clothing among other things. In 1422, he was elected the Standard Bearer of Justice, Florence's highest post. In 1401, while serving as the Florentine ambassador to Bavaria, he, his brothers, and their descendants were ennobled by Rupert, King of Germany, after having saved his life by thwarting a poisoning attempt by the Duke of Milan. His son, Luca, built the Palazzo Pitti in Florence, but never finished it, it was given to him, but he sold it in 1549. Buonaccorso's descendants, the Counts Buonacorsi di Pistoia, moved from Tuscany to Bavaria in the late 19th century. The family emigrated to the U.S. in the early 20th century.
ground_truth: Coronation of the Virgin