Question: When did the birth city of Frank Rehak annex Morrisania?

full_context: Document 1: The Bronx: The Bronx street grid is irregular. Like the northernmost part of upper Manhattan, the West Bronx's hilly terrain leaves a relatively free-style street grid. Much of the West Bronx's street numbering carries over from upper Manhattan, but does not match it exactly; East 132nd Street is the lowest numbered street in the Bronx. This dates from the mid-19th century when the southwestern area of Westchester County west of the Bronx River, was incorporated into New York City and known as the Northside.
Document 2: Frank Rehak: Frank Rehak (born July 6, 1926 in New York City; died in Badger, California on June 22, 1987) was a jazz trombonist. He started on piano and cello before switching to trombone. He was a member of the Gil Evans band and worked with fellow member Miles Davis. He also appeared with Davis on the broadcast "The Sounds of Miles Davis."
Document 3: Bass clarinet: The first jazz album on which the leader solely played bass clarinet was Great Ideas of Western Mann (1957) by Herbie Mann, better known as a flautist. However, avant - garde musician Eric Dolphy (1928 -- 1964) was the first major jazz soloist on the instrument, and established much of the vocabulary and technique used by later performers. He used the entire range of the instrument in his solos. Bennie Maupin emerged in the late 1960s as a primary player of the instrument, playing on Miles Davis's seminal record Bitches Brew as well as several records with Herbie Hancock's Mwandishi group. His style resembles Dolphy's in its use of advanced harmonies.
Document 4: The Bronx: The Bronx underwent rapid urban growth after World War I. Extensions of the New York City Subway contributed to the increase in population as thousands of immigrants came to the Bronx, resulting in a major boom in residential construction. Among these groups, many Irish Americans, Italian Americans and especially Jewish Americans settled here. In addition, French, German, Polish and other immigrants moved into the borough. The Jewish population also increased notably during this time. In 1937, according to Jewish organizations, 592,185 Jews lived in The Bronx (43.9% of the borough's population), while only 54,000 Jews lived in the borough in 2011. Many synagogues still stand in the Bronx, but most have been converted to other uses.
Document 5: The Bronx: The Bronx /ˈbrɒŋks/ is the northernmost of the five boroughs (counties) of New York City in the state of New York, located south of Westchester County. Many bridges and tunnels link the Bronx to the island and borough of Manhattan to the west over and under the narrow Harlem River, as well as three longer bridges south over the East River to the borough of Queens. Of the five boroughs, the Bronx is the only one on the U.S. mainland and, with a land area of 42 square miles (109 km2) and a population of 1,438,159 in 2014, has the fourth largest land area, the fourth highest population, and the third-highest population density.
Document 6: Frank Wess: Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flautist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yannow described him as one of the premier proteges of Lester Young, and a leading jazz flautist of his era—using the latter instrument to bring new colors to Basie's music.
Document 7: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 8: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 9: The Bronx: The consolidation of the Bronx into New York City proceeded in two stages. In 1873, the state legislature annexed Kingsbridge, West Farms and Morrisania to New York, effective in 1874; the three towns were abolished in the process. In 1895, three years before New York's consolidation with Brooklyn, Queens and Staten Island, the whole of the territory east of the Bronx River, including the Town of Westchester (which had voted in 1894 against consolidation) and portions of Eastchester and Pelham, were annexed to the city. City Island, a nautical community, voted to join the city in 1896.
Document 10: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 11: Drifting on a Reed: The number was among those played by Los Angeles artists such as Clifford Brown (trumpet), Max Roach (drums) and Harold Land (tenor sax) as part of the "hardening" of Jazz bop. The track is commonly known as "Big Foot" but was first recorded on Dial Records as "Drifting on a Reed."
Document 12: Frank Ilfman: He studied trombone and piano at the "Jaffa Conservatorium of Music" in Tel Aviv and as a young teenager was playing lead trombone with the Tel Aviv Dixieland Band. He was eventually asked to leave the conservatorium for truancy.
Document 13: The Bronx: The development of the Bronx is directly connected to its strategic location between New England and New York (Manhattan). Control over the bridges across the Harlem River plagued the period of British colonial rule. Kingsbridge, built in 1693 where Broadway reached the Spuyten Duyvil Creek, was a possession of Frederick Philipse, lord of Philipse Manor. The tolls were resented by local farmers on both sides of the creek. In 1759, the farmers led by Jacobus Dyckman and Benjamin Palmer built a "free bridge" across the Harlem River which led to the abandonment of tolls altogether.
Document 14: The Bronx: The territory now contained within Bronx County was originally part of Westchester County, one of the 12 original counties of the English Province of New York. The present Bronx County was contained in the town of Westchester and parts of the towns of Yonkers, Eastchester, and Pelham. In 1846, a new town, West Farms, was created by division of Westchester; in turn, in 1855, the town of Morrisania was created from West Farms. In 1873, the town of Kingsbridge (roughly corresponding to the modern Bronx neighborhoods of Kingsbridge, Riverdale, and Woodlawn) was established within the former borders of Yonkers.
Document 15: New York City: In 1898, the modern City of New York was formed with the consolidation of Brooklyn (until then a separate city), the County of New York (which then included parts of the Bronx), the County of Richmond, and the western portion of the County of Queens. The opening of the subway in 1904, first built as separate private systems, helped bind the new city together. Throughout the first half of the 20th century, the city became a world center for industry, commerce, and communication.
ground_truth: 1873
sub_queries: What is Frank Rehak's birthplace? Answer: New York City
When did New York City annex Morrisania? Answer: 1873