Question: Which American bassist and founding member of Return to Forever also founded the band Animal Logic?

full_context: Document 1: Another Animal: Another Animal was a hard rock supergroup formed by members of Godsmack, Ugly Kid Joe, and Dropbox.
Document 2: Animal Logic (band): Animal Logic is the name of a band (and its eponymous first release) formed in 1987 by ex-Police drummer Stewart Copeland, virtuoso bassist Stanley Clarke, and singer-songwriter Deborah Holland. The group recorded two albums under the auspices of Police manager Miles Copeland III before disbanding, with nearly all the songs recorded supplied by Holland.
Document 3: Jaco Pastorius (album): Jaco Pastorius is the solo debut album by Jaco Pastorius, released in 1976. The album was produced by Bobby Colomby, drummer and founder of Blood, Sweat & Tears.
Document 4: Animal Boy: Animal Boy is the ninth studio album released by the American punk band the Ramones through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less of lead guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than previous albums, and Richie Ramone became the first drummer to write songs for the band. The album spawned four singles, all of which charted on the UK Singles Chart. In addition to singles, the band promoted their album by making a music video which parodied the benefit concerts Live Aid and Hands Across America.
Document 5: Sitar in jazz: The history of the sitar in jazz, that is the fusion of the sounds of Indian classical music with Western jazz, dates back from the late-1950s or early-1960s when musicians trained in Indian classical music such as Ravi Shankar started collaborating with jazz musicians such as Tony Scott and Bud Shank. Later jazz recordings containing sitar music include albums by Miles Davis, Alice Coltrane, Yusef Lateef, Joe Harriott (in collaboration with composer John Mayer), and Ornette Coleman.
Document 6: Les Claypool: Leslie Edward "Les" Claypool (born September 29, 1963) is an American musician, singer, songwriter, composer, author and actor best known as the bassist and lead vocalist of the band Primus. Claypool's playing style on the electric bass mixes tapping, flamenco-like strumming, whammy bar bends, and slapping.
Document 7: James Jamerson: James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame in 2000. As a session musician he played on 30 Billboard #1 hits, as well as over 70 R&B #1 hits, more than any other bass player in both categories.
Document 8: Sting (musician): Gordon Matthew Thomas Sumner, {'1': ", '2': ", '3': ", '4': "} (born 2 October 1951), better known by his stage name Sting, is an English musician, singer, songwriter and actor. He was the principal songwriter, lead singer, and bassist for the new wave rock band The Police from 1977 to 1984, before launching a solo career.
Document 9: Stanley Clarke: Stanley Clarke (born June 30, 1951) is an American bassist and founding member of Return to Forever, one of the first jazz fusion bands. He has composed music for films and television and has worked with musicians in many genres. Like Jaco Pastorius, Clarke gave the bass guitar a prominence it previously lacked.
Document 10: Pretzel Logic: Pretzel Logic is the third studio album by the American rock band Steely Dan, released on February 20, 1974 by ABC Records. It was written by principal band members Walter Becker and Donald Fagen. They recorded the album at The Village Recorder in West Los Angeles with producer Gary Katz. It was the last album to feature the full five-member band of Becker, Fagen, Denny Dias, Skunk Baxter, and Jim Hodder, although on this recording, drummer Hodder appeared on vocals only. It also featured significant contributions from many prominent Los Angeles–based studio musicians.
Document 11: Bassline: A bassline (also known as a bass line or bass part) is the term used in many styles of popular music, such as jazz, blues, funk, dub and electronic, or traditional music, for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). It is also used sometimes in classical music. In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument such as guitar or piano while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes.
Document 12: Bassist: A bassist, or bass player, is a musician who plays a bass instrument such as a double bass, bass guitar, keyboard bass or a low brass instrument such as a tuba or sousaphone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands.
Document 13: Dave Stewart and the Spiritual Cowboys: Dave Stewart and the Spiritual Cowboys was an English rock and pop band, formed in 1990 after frontman David A. Stewart's departure from Eurythmics. Chris Bostock from JoBoxers, Jonathan Perkins, Olle Romo and Nan Vernon were later joined by Martin Chambers from The Pretenders and John Turnbull from Ian Dury and The Blockheads. They made two albums: the self-titled "Dave Stewart and the Spiritual Cowboys" and "Honest". Their live stage act is characterized by spiritual icons and a unique double drum kit played by two drummers.
Document 14: Stewart Copeland: Stewart Armstrong Copeland (born July 16, 1952) is an American musician and composer, best known as the former drummer for the English rock band the Police, and for his film and video game soundtracks. Copeland has also written various pieces of music for ballet, opera and orchestra. According to MusicRadar, Copeland’s "distinctive drum sound and uniqueness of style has made him one of the most popular drummers to ever get behind a drumset". He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003, the "Modern Drummer" Hall of Fame in 2005, and the "Classic Drummer" Hall of Fame in 2013. In 2016, Copeland was ranked 10th on "Rolling Stone"' s "100 Greatest Drummers of All Time".
Document 15: M-Base: The term "M-Base" is used in several ways. In the 1980s, a loose collective of young African-American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression. Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene’s music as a jazz style. But Coleman stressed "M-Base" doesn’t denote a musical style but a way of thinking about creating music. As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show a lot of similarities reflecting their common ideas, the experiences of working together, and their similar cultural background. To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning.
ground_truth: Stanley Clarke