Question: The Early Tapes of The Beatles is the first digital repackaging of the 1962 German album by who, and The Beatles called "My Bonnie"?

full_context: Document 1: The Beatles in Hamburg: The Beatles members John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best regularly performed at different clubs in Hamburg, Northern Germany, during the period from August 1960 to December 1962; a chapter in the group's history which honed their performance skills, widened their reputation, and led to their first recording, which brought them to the attention of Brian Epstein.
Document 2: My Bonnie: My Bonnie is a 1962 album by English rock and roll musician Tony Sheridan. Sheridan, then playing in clubs in Hamburg with the Beatles, was discovered by producer Bert Kaempfert and subsequently signed with him to record. Sheridan recorded several songs with the Beatles, two of which were later released as singles. Further recordings without the Beatles filled out the album. Because of the later fame of the Beatles, the material has been repackaged several times.
Document 3: Mellow Dubmarine: Mellow Dubmarine is a double album featuring reggae covers of various Beatles songs. A handful of Wings, Paul McCartney, John Lennon and George Harrison solo tracks are also featured. The tracks compiled were apparently recorded between the late 1960s and 2000. Several songs are covered by more than one artist - for example, there are three versions of "Let It Be". The album is hard to find in stores.
Document 4: The Beatles' First: The Beatles' First is the first British packaging of the 1962 German album by Tony Sheridan and The Beat Brothers called "My Bonnie". It was recorded in Hamburg in 1961. It has been released in 1964, 1967 and 2004.
Document 5: The Beatles with Tony Sheridan and Their Guests: The Beatles with Tony Sheridan and Their Guests was an American album featuring "Cry for a Shadow," a track recorded by the Beatles in Hamburg in 1961, with five tracks recorded in Hamburg in 1961 in which the Beatles provided backing music for vocalist Tony Sheridan, some of which had been released in Germany on the album "My Bonnie" under the name "Tony Sheridan and the Beat Brothers", because the word "Beatles" sounded too much like "peedles" which was a vulgar slang term in German. The album was supplemented with six previously released recordings by the American session group the Titans. Packaged in an attempt to capitalize on The Beatles' success, the record was only moderately successful, as the album peaked at only No. 68 on the "Billboard" album chart. It was released by MGM Records in both mono (catalogue number E-4215) and rechanneled stereo (SE-4215.)
Document 6: Hippy Hippy Shake: A live version of "Hippy Hippy Shake" can be found on The Beatles album "Live at the BBC". This version was recorded in July 1963, almost certainly pre-dating the Swinging Blue Jeans recording. The Beatles also played this song in their early days when they performed in small clubs. Another version, recorded on 10 September 1963 for "Pop Go The Beatles" can be found on "On Air – Live at the BBC Volume 2". The Beatles also revisited the song during the sessions for the Let It Be album and film in January, 1969. This version is currently unreleased but is available on various bootleg recordings.
Document 7: The Early Tapes of the Beatles: The Early Tapes of The Beatles is the first digital repackaging of the 1962 German album by Tony Sheridan and The Beatles called "My Bonnie". The original repackage was first issued in Germany in 1964 and titled "The Beatles' First". It was recorded at Hamburg in 1961. This repackage was released in 1984. Most of the tracks feature vocals by Sheridan. Only tracks 1-5, 7, 10, and 11 actually feature the Beatles; the other songs are performed by Sheridan and other musicians, identified as "The Beat Brothers". This album was reissued with a different design in 2004 on Universal Music's Spectrum label.
Document 8: Me (Sandie Shaw album): Me is the second album by 1960s British girl singer Sandie Shaw. It was released by Pye Records in November 1965, just eight months after her debut, but unfortunately did not follow its success - though her singles were still selling well. Since the release of the "Sandie" album, Shaw had gained another three UK Top 10 hits - "I'll Stop at Nothing," the Number One "Long Live Love" and "Message Understood," all of which had been written by Chris Andrews. As with the previous album, "Me" contained a mixture of Chris Andrews-penned material and cover versions of songs by other artists, as well as a track written by Shaw herself. However the balance of original and remade material was different this time - half of the twelve tracks were written by Andrews, as opposed to the third on the "Sandie" album, one track by Shaw, and five songs by other artists. "Me" was later re-issued as a package with "Sandie" on CD in the 1990s on the RPM label, and then again in digitally remastered format by EMI in 2005 with bonus French versions of "Down Dismal Ways" and "Too Bad You Don't Want Me."
Document 9: A Collection of Beatles Oldies: A Collection of Beatles Oldies (subtitled But Goldies!) is a compilation album by the English rock band the Beatles. Issued in the United Kingdom in December 1966, it features hit singles and other songs released by the group between 1963 and 1966. The compilation served as a stopgap release to satisfy EMI's demand for product during the Christmas period, since the Beatles had only begun the recording for their new studio album, "Sgt. Pepper's Lonely Hearts Club Band", late the previous month. The album was the band's first official greatest hits collection.
Document 10: Brian Epstein: Brian Samuel Epstein ( ; 19 September 1934 – 27 August 1967) was an English music entrepreneur who managed the Beatles. Epstein first discovered the Beatles in November 1961 during a lunchtime performance at The Cavern Club. He was instantly impressed and saw great potential in the group. Epstein was rejected by nearly all major recording companies in London, until he secured a meeting with George Martin, head of EMI's Parlophone label. In May 1962, Martin agreed to sign the Beatles, partly because of Epstein's conviction that the group would become internationally famous.
Document 11: With the Beatles: With the Beatles is the second album by the English rock band the Beatles. It was released on 22 November 1963, on Parlophone, and was recorded four months after the band's debut "Please Please Me". The album features eight original compositions (seven by Lennon–McCartney and "Don't Bother Me", George Harrison's first recorded solo composition and his first released on a Beatles album) and six covers (mostly of Motown, rock and roll, and R&B hits). The cover photograph was taken by the fashion photographer Robert Freeman, and it has been mimicked by several music groups over the years.
Document 12: The Beatles discography: In their native United Kingdom, during 1962–1970, the Beatles released 12 studio albums, 13 extended plays (EPs) and 22 singles. However, the band's international discography is complicated, due to different versions of their albums sometimes being released in other countries, particularly during their early years on Capitol Records in North America. The Beatles' discography was originally released on the vinyl format, with full-length long plays (LPs), shorter EPs and singles. Over the years, the collection has also been released on cassette, 8-track, compact disc (CD), and on a USB flash drive in MP3 and 24-bit FLAC format. Although their output has come to include vault items and remixed mash-ups, the Beatles' "core catalogue", recorded in 1962–1970, is 217 songs totalling approximately 10 hours of music. Additionally, they released five tracks that are different versions of previously released songs: "Love Me Do", "Revolution", "Get Back", "Across the Universe" and "Let It Be"; two tracks in German: "Komm, Gib Mir Deine Hand" and "Sie Liebt Dich"; and two tracks that are duplicates of songs included on previous albums but also included on the album "Yellow Submarine": "Yellow Submarine" and "All You Need Is Love".
Document 13: Lingasong Records: Lingasong Records was a record label formed by Paul Murphy of Buk Records for the sole purpose of producing and marketing The Beatles' live album "Live! at the Star-Club in Hamburg, Germany; 1962". The album was released in 1977 after The Beatles lost a court case to block it. Lingasong teamed up with other record labels for distribution of the album in various countries, and the songs themselves were later licensed to other record companies. In 1996, Lingasong released the album on CD, prompting another Beatles lawsuit; Lingasong lost the case in 1998, and agreed to stop all sales of the album and surrender the original tapes to The Beatles.
Document 14: Anthology 1: Anthology 1 is a compilation album by the Beatles, released on 20 November 1995 by Apple Records as part of "The Beatles Anthology" series. It features rarities, outtakes and live performances from the period 1958–1964, including songs with original bass player Stuart Sutcliffe and drummer Pete Best. It is the first in a trilogy of albums with "Anthology 2" and "Anthology 3", all of which tie in with the televised special "The Beatles Anthology". It contains "Free as a Bird", billed as the first new Beatles song in 25 years. The album topped the "Billboard" 200 album chart and was certified 8x Platinum by the RIAA.
Document 15: In the Beginning (Circa 1960): In the Beginning (Circa 1960) is the first consolidated American packaging of the 1962 German album by Tony Sheridan and The Beatles (credited as The Beat Brothers), called "My Bonnie". "In the Beginning (Circa 1960)" was released by Polydor Records in 1970 (catalogue number 24-4504.) It was recorded in Hamburg in 1961. This album was originally released as "The Beatles' First" in Germany in 1964 and in the United Kingdom in 1967. Previous American releases of this material in LP form was split in 1964 between MGM Records and Atco Records. Polydor (which eventually absorbed MGM) established its United States branch in 1969 which explains why this package was released much later in The Beatles' history. Most of the tracks feature vocals by Sheridan. The album was released only four days before "Let It Be", The Beatles' final studio album. This is therefore the last Beatles compilation album released whilst the band were still releasing studio albums. All subsequent releases of Sheridan/Beatles/Beat Brothers material are simply repackages of the same tracks. This album is available in a slightly altered CD by Polydor without the inaccurate "(Circa 1960)" subtitle and with both parts of "Ya Ya". Only part one of that track was released on this LP. "In the Beginning (Circa 1960)" was also the only Beatles album not owned by EMI though Universal's purchase of Polydor and the Beatles' main catalogue put them under the same ownership.
ground_truth: Tony Sheridan