Question: Are both King Roger and The Devils of Loudun operas?

full_context: Document 1: Die Kluge: Die Kluge. Die Geschichte von dem König und der klugen Frau ("The Wise [Girl]. The Story of the King and the Wise Woman") is an opera in 12 scenes written by Carl Orff. It premiered in Frankfurt, Germany, on 20 February 1943. Orff referred to this opera as a "Märchenoper " (fairy tale opera). The composer also wrote the libretto, based on "Die Kluge Bauerntochter" ("The Peasant's Wise Daughter") from the Grimm's Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's "Der Mond".
Document 2: Gustave-Hippolyte Roger: Gustave-Hippolyte Roger, born in Paris on 17 December 1815 and died there on 12 September 1879, was a French tenor. He is best known for creating the leading tenor roles in "La damnation de Faust" by Berlioz in 1846 and Meyerbeer's "Le prophète" in 1849.
Document 3: The Devils (play): The Devils is a play, commissioned by Sir Peter Hall for the Royal Shakespeare Company and written by British dramatist John Whiting, based on Aldous Huxley's book, "The Devils of Loudun".
Document 4: The Possessed (play): The Possessed (in French Les Possédés) is a play written by Albert Camus in 1959. The piece is a theatrical adaptation of Fyodor Dostoyevsky's novel "The Possessed", later renamed "Demons". Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about nihilism's devastating effects. He directed a production of the play at the Théâtre Antoine in 1959, the year before he died, which he financed in part with the money he received with his Nobel Prize. It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes. The walls could move sideways to reduce the size of each location and the whole stage rotated to allow for immediate set transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of his novels (L'Etranger - 1948 Ed.), in charge of the demanding task of designing these multiple and complex theater sets
Document 5: King Roger: King Roger (Polish: "Król Roger" , Op. 46) is an opera in three acts by Karol Szymanowski to a Polish libretto by the composer himself and Jarosław Iwaszkiewicz, the composer's cousin. The opera received its world premiere on 19 June 1926 at the Grand Theatre, Warsaw, with the cast including the composer's sister, the soprano Stanisława Korwin-Szymanowska, as Roxana.
Document 6: Candide (operetta): Candide is an operetta with music composed by Leonard Bernstein, based on the 1759 novella of the same name by Voltaire. The operetta was first performed in 1956 with a libretto by Lillian Hellman; but since 1974 it has been generally performed with a book by Hugh Wheeler which is more faithful to Voltaire's novel. The primary lyricist was the poet Richard Wilbur. Other contributors to the text were John Latouche, Dorothy Parker, Lillian Hellman, Stephen Sondheim, John Mauceri, John Wells, and Bernstein himself. Maurice Peress and Hershy Kay contributed orchestrations. Although unsuccessful at its premiere, "Candide" has now overcome the unenthusiastic reaction of early audiences and critics and achieved enormous popularity. It is very popular among major music schools as a student show because of the quality of its music and the opportunities it offers to student singers.
Document 7: Robert Bruce (opera): Robert Bruce is an 1846 pastiche opera in three acts, with music by Gioachino Rossini and Louis Niedermeyer to a French-language libretto by Alphonse Royer and Gustave Vaëz, after Walter Scott's "History of Scotland". The music was stitched together by Niedermeyer, with the composer's permission, with pieces from "La donna del lago", "Zelmira", and other Rossini operas. The work was premiered on 30 December 1846, by the Paris Opera at the Salle Le Peletier. The audience may not have noticed, but the orchestra included for the first time a recently invented instrument, which later came to be known as the saxophone.
Document 8: Alfred (Dvořák): Alfred is a heroic opera in three acts by the Czech composer Antonín Dvořák. It was Dvořák's first opera and the only one he composed to a German text. The libretto, by Carl Theodor Körner, had already been set by Friedrich von Flotow (as "Alfred der Große") and is based on the story of the English king Alfred the Great. Composed in 1870, "Alfred" was never performed during Dvořák's lifetime. It received its premiere (in Czech translation) at the City Theatre, Olomouc on 10 December 1938.
Document 9: Arnold Rutkowski: Arnold Rutkowski is a Polish opera singer who has sung leading tenor roles both in his native country and abroad. He is best known for his performances as Don Josè in "Carmen", Rodolfo in "La bohème", Alfredo Germont in "La traviata", the Duke of Mantua in "Rigoletto", and Lt. Pinkerton in "Madama Butterfly".
Document 10: The Temptation of Saint Anthony (opera): The Temptation of St. Anthony is an opera rooted in the gospel tradition based on the novel by Gustave Flaubert, directed by Robert Wilson with book, libretto and music by Bernice Johnson Reagon and costumes by Geoffrey Holder. The production debuted in June 2003 as part of the RuhrTriennale festival in Duisburg Germany with Carl Hancock Rux as Saint Anthony and Helga Davis as Helarion. Subsequent performances included the Greek Theater in Siracusa, Italy; the Festival di Peralada in Peralada, Spain; the Palacio de Festivales de Cantabria in Santander, Spain; and Sadler's Wells in London, Great Britain; the Teatro Piccinni in Bari, Italy; the Het Muziektheater in Amsterdam, Netherlands; the Teatro Arriaga in Bilbao and the Teatro Espanol in Madrid, Spain. The opera made its American premiere at the Brooklyn Academy of Music's BAM Next Wave Festival in October 2004. The official "world premiere" was held at the Paris Opera Garnier becoming the first all African American opera to perform on its stage since the inauguration of the Académie Nationale de Musique - Théâtre de l'Opéra in 1875.
Document 11: St Luke Passion (Penderecki): The St Luke Passion (full title: Passio et mors Domini nostri Jesu Christi secundum Lucam, or the Passion and Death of Our Lord Jesus Christ According to St Luke) is a work for chorus and orchestra written in 1966 by Polish composer Krzysztof Penderecki. The work (one of several musical settings of the Passion story) contains text from the Gospel of Luke as well as other sources such as the Stabat Mater. Despite the "Passion's" almost total atonality and use of avant-garde musical techniques, the musical public appreciated the work's stark power and direct emotional impact and the piece was performed several more times soon after its premiere on 30 March 1966.
Document 12: The Devils (film): The Devils is a 1971 British historical drama horror film directed by Ken Russell and starring Oliver Reed and Vanessa Redgrave. Russell's screenplay is based partly on the 1952 book "The Devils of Loudun" by Aldous Huxley, and partly on the 1960 play "The Devils" by John Whiting, also based on Huxley's book.
Document 13: Iolanta: Iolanta, Op. 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky. It was the last opera he composed. The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar. In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name. The play was translated by Fyodor Miller and adapted by Vladimir Zotov. The opera received its premiere on 18 December 1892 in Saint Petersburg.
Document 14: The Devils of Loudun (opera): Die Teufel von Loudun ("The Devils of Loudun") is an opera in three acts written in 1968 and 1969 by Polish composer Krzysztof Penderecki, and then revised in 1972 and 1975. It has a German libretto by the composer, based on John Whiting's dramatization of Aldous Huxley's novel of the same name.
Document 15: The Devils of Loudun: The Devils of Loudun is a 1952 non-fiction novel by Aldous Huxley. It is a historical narrative of supposed demonic possession, religious fanaticism, sexual repression, and mass hysteria that occurred in seventeenth-century France surrounding unexplained events that took place in the small town of Loudun. It centers on Roman Catholic priest Urbain Grandier and an entire convent of Ursuline nuns, who allegedly became possessed by demons after Grandier made a pact with Satan. The events led to several public exorcisms as well as executions by burning.
ground_truth: yes