Question: "Idle Chatter" is a popular song adapted from the popular 19th Century Ballet, "Dance of the Hours" written by who?

full_context: Document 1: Gianni Schicchi discography: This is a list of the recordings of Gianni Schicchi, the third of a group of three one-act operas by Giacomo Puccini collectively known as "Il trittico"; the other operas are "Il tabarro" and "Suor Angelica". The three were premiered at the Metropolitan Opera on 14 December 1918, and for the next three years were always played together. After 1921, however, Puccini agreed that the operas could be performed separately. "Gianni Schicchi" became the most popular and most frequently performed of the three, often paired with other works such as Maurice Ravel's "L'heure espagnole" and Richard Strauss's "Salome".
Document 2: Idle Chatter: "Idle Chatter" is a popular song written by Al Sherman and recorded by the Andrews Sisters with the Nelson Riddle Orchestra. The music is adapted from the popular 19th Century Ballet, "Dance of the Hours" by Ponchielli. The song was recorded on May 26, 1952 and released later that year.
Document 3: Baton Bunny: Baton Bunny is a Bugs Bunny cartoon of the "Looney Tunes" series, produced in 1958 and released in January 1959. It shows Bugs conducting an orchestra - with a fly bothering him. Bugs conducts, and in part, plays the overture to "Ein Morgen, ein Mittag und Abend in Wien" (A Morning, Noon, and Night in Vienna)", a composition by Franz von Suppé. Though Mel Blanc was credited for vocal characterizations, there is no dialogue in the short; the only vocal effect made was when an audience member is heard coughing. This is the third and last Bugs Bunny cartoon (the first two being "A Corny Concerto" and "Rhapsody Rabbit", although he says three lines in the latter) where Bugs is silent. Or, nearly silent; at one point, he 'shushes' the brass.
Document 4: Sleigh Ride: "Sleigh Ride" is a popular light orchestral Christmas music standard composed by Leroy Anderson. The composer had the original idea for the piece during a heat wave in July 1946 and finished the work in February 1948. It was originally an instrumental piece; the lyrics, about someone asking another to join them for a ride in a sleigh, were written by Mitchell Parish in 1950. The orchestral version was first recorded in 1949 by Arthur Fiedler and the Boston Pops Orchestra. Sleigh Ride was a hit record on RCA Victor Red Seal 49-0515 (45 rpm) / 10-1484 (78 rpm), and has become a signature song for the orchestra. The 45 rpm version was originally issued on red vinyl. The Pops has also recorded the song with John Williams, their conductor from 1979 to 1995, and Keith Lockhart, their current conductor.
Document 5: Turandot Suite: The Turandot Suite, Op. 41 (BV 248) is an orchestral work by Ferruccio Busoni written in 1904-5, based on Carlo Gozzi's play "Turandot". The music – in one form or another – occupied Busoni at various times between the years 1904–17. Busoni arranged the suite from incidental music which he was composing to accompany a production of Gozzi's play. The suite was first performed in October 1905, while the play with his incidental music was not produced until 1911. In August 1916 Busoni had finished composing the one-act opera "Arlecchino", but it needed a companion work to provide a full evening's entertainment. He suddenly decided to transform the "Turandot" music into a two-act opera with spoken dialog. The two works were premiered together as a double-bill in May 1917.
Document 6: Dance of the Hours: Dance of the Hours (Italian: "Danza delle ore ") is a short ballet and is the act 3 finale of the opera "La Gioconda" composed by Amilcare Ponchielli. It depicts the hours of the day through solo and ensemble dances. The opera was first performed in 1876 and was revised in 1880. Later performed on its own, the "Dance of the Hours" was at one time one of the best known and most frequently performed ballets. It became even more widely known after its inclusion in the 1940 Disney animated film "Fantasia" where it is depicted as a comic ballet featuring anthropomorphized ostriches, hippos, elephants, and alligators.
Document 7: How It's Got to Be: "How It's Got to Be" is a song by German recording artist Jeanette. Built around Russian composer Pyotr Ilyich Tchaikovsky's "Act 2, Scene 10: Moderato" from his ballet "Swan Lake" (1875–76), it was written by Biedermann and Kristina Bach and produced by Cobra for her second studio album "Delicious" (2001). Released as the album's first single, it peaked at number seven on the German Singles Chart, reaching gold status. In addition, it peaked at number 22 in Austria and Switzerland, respectively.
Document 8: I'm Old Fashioned (ballet): I'm Old Fashioned (The Astaire Variations) is a ballet made by New York City Ballet balletmaster Jerome Robbins to Morton Gould's adaptation of a theme by Jerome Kern, “I'm Old Fashioned,” to a Fred Astaire and Rita Hayworth sequence from the film "You Were Never Lovelier". The premiere took place on Thursday, June 16, 1983, at New York State Theater, Lincoln Center. It was titled "Variations on "I'm Old Fashioned"" at its first performance, but the name was truncated to its current form the following week.
Document 9: Rodeo (ballet): Rodeo is a ballet scored by Aaron Copland and choreographed by Agnes de Mille, which premiered in 1942. Subtitled "The Courting at Burnt Ranch", the ballet consists of five sections: "Buckaroo Holiday", "Corral Nocturne", "Ranch House Party," "Saturday Night Waltz", and "Hoe-Down". The symphonic version omits "Ranch House Party", leaving the other sections relatively intact.
Document 10: La sonnambula: La sonnambula ("The Sleepwalker") is an opera semiseria in two acts, with music in the "bel canto" tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a "ballet-pantomime" written by Eugène Scribe and choreographed by Jean-Pierre Aumer called "La somnambule, ou L'arrivée d'un nouveau seigneur". The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism.
Document 11: Le feste d'Apollo: Styled a "festa teatrale", "Le feste d'Apollo" consists of a prologue and three self-contained acts on the model of French "opéra-ballet" (the court of Parma was passionately interested in French culture). Gluck knew the Archduchess Maria Amalia well as she had sung in two of his operas, "Il Parnaso confuso" and "La corona", in Vienna. The composer recycled a lot of music from his earlier operas in the score of "Le feste". In fact, the whole of the third act, "Orfeo", is a shorter reworking of his most famous piece, "Orfeo ed Euridice" (1762). The overture to the prologue is taken from "Telemaco". Gluck later reused some of the choruses in two of the operas he wrote for Paris, "Iphigénie en Aulide" and "Iphigénie en Tauride".
Document 12: Me Ol' Bamboo: "Me Ol' Bamboo" is a song written by the Sherman Brothers for the motion picture "Chitty Chitty Bang Bang". It was originally written to be choreographed as a morris dance (although the dance has much more in common with the Căluşari (reference required)) for the film by Marc Breaux and Dee Dee Wood ("Mary Poppins", "The Happiest Millionaire", "The Sound of Music") and adapted for the stage by choreographer Gillian Lynne who also created the choreography for "Cats" and "The Phantom of the Opera".
Document 13: La Gioconda (opera): La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on "Angelo, Tyrant of Padua", a play in prose by Victor Hugo, dating from 1835. (This is the same source as Gaetano Rossi had used for his libretto for Mercadante's "Il giuramento" in 1837).
Document 14: Monumentum pro Gesualdo: The ballet premiere was part of a special Salute to Italy, which also included the premiere of "Variations from Don Sebastian", called the "Donizetti Variations" since 1961, and performances of Balanchine's "La Sonnambula" and Lew Christensen's "Con Amore". It was first performed in conjunction with "Movements for Piano and Orchestra" in 1965, and this practice has been followed almost consistently since 1966, with the same leading female dancer in both in most performances. The ballet has three parts, each of just over two minutes duration. NYCB principal dancer Darci Kistler chose to include "Monumentum pro Gesualdo" in her farewell performance, Sunday, June 27.
Document 15: A Midsummer Night's Dream (ballet): A Midsummer Night's Dream is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to "Athalie", "Son and Stranger", and "The Fair Melusine", the "String Symphony No. 9 in C minor" and "The First Walpurgis Night". "A Midsummer Night's Dream", Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ballet dispenses with Shakespeare's play-within-a-play finale. "A Midsummer Night's Dream" opened The New York City Ballet's first season at the New York State Theater in April, 1964.
ground_truth: Ponchielli