Question: Who did the members of Kassetten's performers collaborate with?

full_context: Document 1: Kollaps: Kollaps was the first official LP by Einstürzende Neubauten, released in 1981 on German label ZickZack as #ZZ 65. The songs are a mixture of rough punk tunes and industrial noises. The industrial noises were obtained from self-made music machines, electronics, and found objects such as metal plates. The album was reissued in 2002 with "Stahldubversions", originally released in 1982. Blixa Bargeld, N.U. Unruh and F.M. Einheit appear on the album. "Jet'M" is a cover of the Serge Gainsbourg song "Je t'aime... moi non plus". The track 15 of many CD versions of the album is a live version of "Negativ Nein", recorded on 26 June 1987 at the Tempodrom in Berlin.
Document 2: Cassette tape: The Compact Cassette or Musicassette (MC), also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having been developed in Hasselt, Belgium. Compact cassettes come in two forms, either already containing content as a pre-recorded cassette, or as a fully recordable ``blank ''cassette. Both forms are reversible by the user.
Document 3: MP3: An in-depth study of MP3 audio quality, sound artist and composer Ryan Maguire's project "The Ghost in the MP3" isolates the sounds lost during MP3 compression. In 2015, he released the track "moDernisT" (an anagram of "Tom's Diner"), composed exclusively from the sounds deleted during MP3 compression of the song "Tom's Diner", the track originally used in the formulation of the MP3 standard. A detailed account of the techniques used to isolate the sounds deleted during MP3 compression, along with the conceptual motivation for the project, was published in the 2014 Proceedings of the International Computer Music Conference.
Document 4: Post-punk: In Germany, groups such as Einstürzende Neubauten developed a unique style of industrial music, utilizing avant-garde noise, homemade instruments and found objects. Members of that group would later go on to collaborate with members of the Birthday Party. In Brazil, the post-punk scene grew after the generation of Brasilia rock with bands such as Legião Urbana, Capital Inicial and Plebe Rude and then the opening of the music club Madame Satã in São Paulo, with acts like Cabine C, Titãs, Patife Band, Fellini and Mercenárias, as documented on compilations like The Sexual Life of the Savages and the Não Wave/Não São Paulo series, released in the UK, Germany and Brazil, respectively.[citation needed]
Document 5: Post-punk: Artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synthpop style that drew more heavily from electronic and synthesizer music and benefited from the rise of MTV. Post-punk artists such as Scritti Politti's Green Gartside and Josef K's Paul Haig, previously engaged in avant-garde practices, turned away from these approaches and pursued mainstream styles and commercial success. These new developments, in which post-punk artists attempted to bring subversive ideas into the pop mainstream, began to be categorized under the marketing term new pop.
Document 6: Post-punk: The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, often in favor of more commercial sounds. Many of these groups would continue recording as part of the new pop movement, with entryism becoming a popular concept. In the United States, driven by MTV and modern rock radio stations, a number of post-punk acts had an influence on or became part of the Second British Invasion of "New Music" there. Some shifted to a more commercial new wave sound (such as Gang of Four), while others were fixtures on American college radio and became early examples of alternative rock. Perhaps the most successful band to emerge from post-punk was U2, who combined elements of religious imagery together with political commentary into their often anthemic music.
Document 7: The Early Beatles: "The Early Beatles" is available on compact disc as part of "The Capitol Albums, Volume 2" boxed set (catalogue number CDP 0946 3 57498 2 3), in both mono and stereo. A second CD version of "The Early Beatles" with the songs in both stereo and true mono was issued in 2014 individually and part of the Beatles "The U.S. Albums" boxed set.
Document 8: Cantus Buranus: The "Cantus Buranus" CD was released August 8, 2005 by Roadrunner Records. A live recording in Berlin spawned a live album and DVD: "Cantus Buranus - Live in Berlin".
Document 9: Post-punk: Post-punk was an eclectic genre which resulted in a wide variety of musical innovations and helped merge white and black musical styles. Out of the post-punk milieu came the beginnings of various subsequent genres, including new wave, dance-rock, New Pop, industrial music, synthpop, post-hardcore, neo-psychedelia alternative rock and house music. Bands such as Joy Division, Siouxsie and the Banshees, Bauhaus and the Cure played in a darker, more morose style of post-punk that lead to the development of the gothic rock genre.
Document 10: Post-punk: Post-punk is a heterogeneous type of rock music that emerged in the wake of the punk movement of the 1970s. Drawing inspiration from elements of punk rock while departing from its musical conventions and wider cultural affiliations, post-punk music was marked by varied, experimentalist sensibilities and its "conceptual assault" on rock tradition. Artists embraced electronic music, black dance styles and the avant-garde, as well as novel recording technology and production techniques. The movement also saw the frequent intersection of music with art and politics, as artists liberally drew on sources such as critical theory, cinema, performance art and modernist literature. Accompanying these musical developments were subcultures that produced visual art, multimedia performances, independent record labels and fanzines in conjunction with the music.
Document 11: Fifty-Five Vault: Fifty-Five Vault is a Ben Folds compilation album featuring 56 tracks, mostly unreleased live recordings and demos. It was released jointly with "" as a digital-only album available via Folds' website.
Document 12: London: London was instrumental in the development of punk music, with figures such as the Sex Pistols, The Clash, and Vivienne Westwood all based in the city. More recent artists to emerge from the London music scene include George Michael, Kate Bush, Seal, Siouxsie and the Banshees, Bush, the Spice Girls, Jamiroquai, Blur, The Prodigy, Gorillaz, Mumford & Sons, Coldplay, Amy Winehouse, Adele, Ed Sheeran and One Direction. London is also a centre for urban music. In particular the genres UK garage, drum and bass, dubstep and grime evolved in the city from the foreign genres of hip hop and reggae, alongside local drum and bass. Black music station BBC Radio 1Xtra was set up to support the rise of home-grown urban music both in London and in the rest of the UK.
Document 13: A Fifth of Funk: A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for "A Fifth of Funk"s final track. The title is a play on words of Beethoven's "Symphony No. 5", as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Document 14: Little Box of Horrors: The box set contains all four full-length releases by the band, all with their original artwork (American version). It also contains a fifth disc, entitled "Rare Treats", which features demo versions of many songs, as well as other rare songs by the band. The American release is accompanied by a DVD, entitled "The Transvestite Chainsaw Massacre: Live '98", which features footage of 9 songs performed live at Ground Zero, in Spartanburg, South Carolina, in 1998.
Document 15: Kassetten: Kassetten (English: "Cassettes") is the fifth release of Einstürzende Neubauten's Musterhaus project, a series of highly experimental CD releases that were only available via an annual subscription through their website or from shows during their 25th Anniversary Tour. This project was separate from their Neubauten.org Supporter Project, which it ran concurrent to.
ground_truth: the Birthday Party
sub_queries: What was Kassetten's performers name? Answer: Einstürzende Neubauten
Who did members of Einstürzende Neubauten also collaborate with? Answer: the Birthday Party