Question: Are Lucia di Lammermoor and The Bartered Bride both comic operas?

full_context: Document 1: The Bartered Bride (1932 film): The Bartered Bride (German: "Die verkaufte Braut" ) is a 1932 German film directed by Max Ophüls and based on the comic opera of the same name by Czech composer Bedřich Smetana.
Document 2: Skočná: Skočná is a rapid Slavic folk-dance, normally in metre. Czech composers Antonín Dvořák and Bedřich Smetana used this dance, the latter in the third act of "The Bartered Bride" where it is danced by a circus troup and is often known as the Dance of the Comedians. Dvořák's 5th, 7th and 11th Slavonic Dances are in the form of the skočná.
Document 3: Lucia di Lammermoor: Lucia di Lammermoor is a "dramma tragico" (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel "The Bride of Lammermoor".
Document 4: The Bride of Lammermoor: The Bride of Lammermoor is an historical novel by Sir Walter Scott, published in 1819. The novel is set in the Lammermuir Hills of south-east Scotland, and tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident. "The Bride of Lammermoor" and "A Legend of Montrose" were published together as the third of Scott's "Tales of My Landlord" series. As with all the Waverley Novels, "The Bride of Lammermuir" was published anonymously. The novel claims that the story was an oral tradition, collected by one "Peter Pattieson", and subsequently published by "Jedediah Cleishbotham". The 1830 "Waverley edition" includes an introduction by Scott, discussing his actual sources. The later edition also changes the date of the events: the first edition sets the story in the 17th century; the 1830 edition sets it in the reign of Queen Anne, after the 1707 Acts of Union which joined Scotland and England. The story is the basis for Donizetti's 1835 opera "Lucia di Lammermoor".
Document 5: Eleanora Ehrenbergů: Eleanora Ehrenbergů (sometimes spelled Eleanora Ehrenbergová or Eleanora Ehrenberg) (1 November 1832 – 30 August 1912) was a Czech operatic soprano. In 1854 she made her professional opera debut at the Estates Theatre in the title role of Donizetti's "Lucia di Lammermoor". In 1866 she created the role of Mařenka in the world première of Bedřich Smetana's "The Bartered Bride", and in 1868 she portrayed Jitka in the premiere of Smetana's "Dalibor". She retired from the stage sometime in the 1880s.
Document 6: The Bartered Bride: The Bartered Bride (, "The Sold Bride") is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863–66, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue.
Document 7: Maria Stuarda: Maria Stuarda (Mary Stuart) is a tragic opera ("tragedia lirica"), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play "Maria Stuart".
Document 8: The Jacobin: The Jacobin ("Jakobín" in Czech) is an opera in three acts by Antonín Dvořák to an original Czech libretto by Marie Červinková-Riegrová. Červinková-Riegrová took some of the story's characters from the story by Alois Jirásek, "At the Ducal Court", but devised her own plot about them. The first performance was at the National Theatre, Prague, 1889. Červinková-Riegrová revised the libretto, with Dvořák's permission, in 1894, notably in the last act. Dvořák himself revised the music in 1897 (the revised premiere was on 19 June 1898, under Adolf Čech).
Document 9: Elena da Feltre: Elena da Feltre is an opera in three acts by 19th-century Italian composer Saverio Mercadante from a libretto by Salvatore Cammarano, well known as librettist of Donizetti's "Lucia di Lammermoor" and Verdi's "Il trovatore". The premiere took place at the Teatro San Carlo in Naples on 1 January 1839 as part of the Carnival Season. While not successful at the time, the opera was revived at La Scala in 1843 with twenty performances.
Document 10: Bedřich Smetana: Bedřich Smetana (] ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style which became closely identified with his country's aspirations to independent statehood. He is thus widely regarded in his homeland as the father of Czech music. Internationally he is best known for his opera "The Bartered Bride" and for the symphonic cycle "Má vlast" ("My Homeland"), which portrays the history, legends and landscape of the composer's native land.
Document 11: Karel Hruška: Karel Hruška (14 June 1891 – 17 October 1966) was a Czech tenor, radio personality, and actor of the stage and film. He was an unusual singer for his day in that he recorded and performed both classical and popular music. Possessing a great comic talent, he specialized in creating character parts on the opera stage. He was a much loved Principál komediantů in Bedřich Smetana's "The Bartered Bride", notably portraying the role a total of 855 times during his career.
Document 12: Lucrezia Borgia (opera): Lucrezia Borgia is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play "Lucrezia Borgia" by Victor Hugo, in its turn after the legend of Lucrezia Borgia. "Lucrezia Borgia" was first performed on 26 December 1833 at La Scala, Milan.
Document 13: Roberto Devereux: Roberto Devereux (or "Roberto Devereux, ossia Il conte di Essex" ["Robert Devereux, or the Earl of Essex"]) is a "tragedia lirica", or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy "Elisabeth d'Angleterre" (1829), and based as well on the "Historie secrete des amours d'Elisabeth et du comte d'Essex" (1787) by "Jacques Lescéne des Maisons", although Devereux was the subject of at least two other French plays: "Le Comte d'Essex" by Thomas Corneille and "Le Comte d'Essex" by Gauthier de Costes, seigneur de la Calprenède.
Document 14: Longformacus: Longformacus (Scottish Gaelic: "Longphort Mhacais" ) is a small village in Berwickshire in the Scottish Borders area of Scotland. It is around 10 km north-west of Duns, in the Lammermuir Hills. The Dye Water runs through the village, flowing east towards its confluence with the Whiteadder Water nearby. The opera "Lucia di Lammermoor", written by Gaetano Donizetti and based on Sir Walter Scott's "The Bride of Lammermoor", was set in Longformacus.
Document 15: Il trovatore: Il trovatore (] ; Italian for "The Troubadour") is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play "El trovador" (1836) by Antonio García Gutiérrez. It was Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident."
ground_truth: no