Question: Which opera, Intermezzo or Destiny, has more acts?

full_context: Document 1: Ariadne auf Naxos: Ariadne auf Naxos ("Ariadne on Naxos"), Op. 60, is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Combining slapstick comedy and consummately beautiful music, the opera's theme is the competition between high and low art for the public's attention.
Document 2: Capriccio (opera): Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
Document 3: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 4: Salome (opera): Salome, Op. 54, is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann's German translation of the French play "Salomé" by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Document 5: Elegy on the Death of Daughter Olga: Elegy on the Death of Daughter Olga, JW 4/30 (also translated as the Elegy on the Death of My Daughter Olga; in Czech: Elegie na smrt dcery Olgy) is a cantata for tenor solo, mixed choir and pianoforte, written by the Czech composer Leoš Janáček in 1903. It was written to commemorate the death of composer's daughter, Olga Janáčková. Janáček composed the piece to the text of the Russian teacher Marfa Nikolayevna Veveritsa.
Document 6: Destiny (Janáček): Destiny (also known as "Fate", Czech: "Osud" ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, "Kamila", where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Document 7: Le bourgeois gentilhomme (Strauss): Le bourgeois gentilhomme (also widely know in its German form as "Der Bürger als Edelman"), Op. 60, is an orchestral suite written by Richard Strauss between 1911 and 1917. The original idea of Hugo von Hofmannsthal was to revive Molière's 1670 play "Le Bourgeois gentilhomme", simplify the plot and introduce a "commedia dell'arte" troupe, add some incidental music and conclude matters with a one-act opera "Ariadne auf Naxos".
Document 8: Jenůfa: Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová. It was first performed at the Brno Theater, Brno, 21 January 1904. It was written between 1896 and 1902, and counts among the first operas written in prose.
Document 9: The Makropulos Affair (opera): The Makropulos Affair (or "The Makropoulos Case", "The Makropulos Secret", or, literally, "The Makropulos Thing"; Czech Věc Makropulos) is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play "Věc Makropulos" by Karel Čapek. Composed between 1923 and 1925, "The Makropulos Affair" was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.
Document 10: Berta Foersterová: Berta Foersterová (née Lautererová, sometimes styled Bertha Laurer or Berta Foersterová-Lautererová) (born Prague, January 11, 1869 - died there April 9, 1936) was a Czech operatic soprano active in Germany. The wife of composer Josef Bohuslav Foerster, she met him while appearing at the Hamburg State Opera. She created the role of Desdemona in the Czech premiere of Giuseppe Verdi's "Otello", and sang Tatiana in the Czech premiere of Pyotr Ilyich Tchaikovsky's "Eugene Onegin"; she also appeared in the world premiere of Antonín Dvořák's "The Jacobin".
Document 11: Ariadne auf Naxos discography: This is a list of recordings of Ariadne auf Naxos, an opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal. The work was first performed at the Hoftheater in Stuttgart on 25 October 1912. A radically revised version was performed in at the Hofoper in Vienna on 4 October 1916. (All the recordings listed on this page are of the revised version.) This list is incomplete.
Document 12: Káťa Kabanová: Káťa Kabanová (also known in various spellings including "Katia", "Katja", "Katya", and "Kabanowa") is an opera in three acts, with music by Leoš Janáček to a libretto by , based on "The Storm", a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. "Káťa Kabanová" is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre (Národní divadlo v Brně ) in Brno on 23 November 1921.
Document 13: Intermezzo (opera): Intermezzo, Op. 72, is an opera in two acts by Richard Strauss to his own German libretto, described as a "Bürgerliche Komödie mit sinfonischen Zwischenspielen " (bourgeois comedy with symphonic interludes). It premiered at the Dresden Semperoper on 4 November 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.
Document 14: Intermezzo: In music, an intermezzo ( , ] , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo.
Document 15: From the House of the Dead: From the House of the Dead ("Z mrtvého domu" in Czech) is an opera by Leoš Janáček, in three acts. The libretto was translated and adapted by the composer from the 1862 novel by Dostoyevsky. It was the composer's last opera, premiered on 12 April 1930 in Brno, two years after his death.
ground_truth: Destiny