Question: What was the occupation of the person whose first serious lover was Richard Chanlaire?

full_context: Document 1: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 2: Pierre Richard: Pierre Richard (born Pierre-Richard Maurice Charles Léopold Defays; 16 August 1934) is a French actor, film director and screenwriter, best known for the roles of a clumsy daydreamer in comedy films. Richard is considered by many, such as Louis de Funès and Gérard Depardieu, to be one of the greatest and most talented French comedians in the last 50 years. He is also a film director and occasional singer.
Document 3: Claude Delay: Psychpanalyst and writer, Claude Delay (born 22 December 1934 in Neuilly-sur-Seine, is also the author of several biographies of Coco Chanel, the Russian poet Marina Tsvetaeva and the brothers Alberto and Diego Giacometti. The granddaughter of the surgeon and politician , she is the daughter of professor Jean Delay and the sister of the novelist Florence Delay of the Académie française
Document 4: Les biches: Les biches (] , "The Hinds" or "The Little Darlings") is a ballet choreographed by Bronislava Nijinska to music by Francis Poulenc, premiered by the Ballets Russes on 6 January 1924. Some consider this piece a milestone in ballet history. The composer, who was at the time relatively unknown, was asked by Serge Diaghilev to write a piece based on Glazunov's "Les Sylphides", written seventeen years earlier. Poulenc, however, chose to base his work on the paintings of Watteau that depicted Louis XV and various women in his "Parc aux biches". The word "biche" is usually translated as "doe," an adult female deer. "Does" was used as a slang for coquettish women. Poulenc described his work as a "contemporary drawing room party suffused with an atmosphere of wantonness, which you sense if you are corrupted, but of which an innocent-minded girl would not be conscious."
Document 5: Organ concerto: An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolves in the 18th century, when composers including Antonio Vivaldi, Johann Sebastian Bach and George Frideric Handel wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of "jubilus" character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played.
Document 6: Suite française (Poulenc): Suite française (French Suite), FP 80, is an orchestral suite for wind instruments, drum and harpsichord (or harp "ad libitum") by Francis Poulenc. It was composed in a neoclassical style in 1935 for Édouard Bourdet's "la Reine Margot", and it was inspired by Claude Gervaise's dance collection "Le livre de danceries".
Document 7: Flute Sonata (Poulenc): The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, for flute and piano, was written in 1957. It is dedicated to the memory of Elizabeth Sprague Coolidge, an American patron of chamber music. Poulenc composed it for the flautist Jean-Pierre Rampal, and he and Rampal gave the première in June 1957 at the Strasbourg Music Festival. It is now one of Poulenc's best known works and is a prominent feature in 20th century flute repertoire.
Document 8: Concerto for Two Pianos and Orchestra (Poulenc): Francis Poulenc's Concerto pour deux pianos (Concerto for Two Pianos and Orchestra) in D minor, FP 61, was commissioned by and dedicated to the Princess Edmond de Polignac and composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." Poulenc composed the concerto for the Princess Edmond de Polignac, an American-born arts patron to whom many early 20th-century masterpieces are dedicated, including Stravinsky’s "Renard", Ravel’s "Pavane pour une infante défunte", Kurt Weill’s Second Symphony, and Satie’s "Socrates". Her Paris salon was a gathering place for the musical avant-garde.
Document 9: Richard Chanlaire: Richard Chanlaire (1896–1973) was a French painter, also known as the first serious lover of the composer Francis Poulenc.
Document 10: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 11: Trois mouvements perpétuels: Mouvements perpétuels, FP 14a, is a short three-movement suite for solo piano by the French composer Francis Poulenc, premiered in Paris in December 1918, when Poulenc was aged 19 and a protégé of Erik Satie. The work is dedicated to the artist Valentine Hugo and was first performed by Poulenc's piano teacher, Ricardo Viñes. From January 1918 to January 1921 Poulenc was a conscript in the French army, but his duties allowed him time for composition. He wrote the pieces at the piano of the local elementary school at Saint-Martin-sur-le-Pré.
Document 12: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 13: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 14: Emmanuel Chabrier: Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist. Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music. He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six. Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony. Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".
Document 15: Ricardo Viñes: Ricardo Viñes y Roda (] , Catalan: "Ricard Viñes i Roda" , ] ; 5 February 1875 – 29 April 1943) was a Spanish pianist. He gave the premieres of works by Ravel, Debussy, Satie, Falla and Albéniz. He was the piano teacher of the composer Francis Poulenc and the pianists Marcelle Meyer, Joaquín Nin-Culmell and Léo-Pol Morin.
ground_truth: composer and pianist