Question: In between Emma Goldman and Regina M. Anderson who was a political activist ?

full_context: Document 1: Individualist anarchism in Europe: Individualist anarchism refers to several traditions of thought within the anarchist movement that emphasize the individual and his or her will over external determinants such as groups, society, traditions, and ideological systems. European individualist anarchism proceeded from the roots laid by William Godwin, Individualist anarchism expanded and diversified through Europe, incorporating influences from American individualist anarchism.
Document 2: The Traffic in Women: "The Traffic in Women" is an essay written by anarchist writer Emma Goldman in 1910. It has been published in various ways, including within Emma Goldman’s "Anarchism and Other Essays" (1911), published by Mother Earth, and as the named, leading essay of a collection of Emma Goldman essays: "The Traffic in Women, and Other Essays on Feminism" (1970, Times Change Press, 1971 paperback). "Mother Earth" was a monthly anarchist magazine founded by Goldman, Max Baginski, and others in 1906. The essay is one of more than 20 articles that Goldman wrote during 1906 to 1940.
Document 3: Jean Lacy: Jean Lacy is a museum education specialist and visual artist who works primarily in mixed media and collage from Washington, D.C. She is of African American heritage, and believes her family is descended from indentured Africans at Jamestown Colony. Her work is inspired by creation myths and religious stories, the Civil Rights Movement, and African American culture. From 1975-77 she held the position of Curator of Education and Exhibitions at the Museum of African-American Life and Culture in Dallas, Texas. From 1977-88 she served as the Director of the African American Cultural Heritage Center of the Dallas Independent School District.
Document 4: Emma Goldman: The Anarchist Guest: Emma Goldman: The Anarchist Guest is a documentary about Emma Goldman that was released in 2000. It was directed by Canadian sociologist and filmmaker Coleman Romalis. The film was screened at the 2000 San Francisco Jewish Film Festival.
Document 5: Regina M. Anderson: Regina M. Anderson (May 21, 1901 – February 5, 1993) was an African-American playwright and librarian. She was of Native American, Jewish, East Indian, Swedish, and other European ancestry (including one grandparent who was a Confederate general); one of her eight grandparents was of African descent, born in Madagascar. Despite her own identification of her race as "American", she was perceived to be African-American by others, and became a key member of the Harlem Renaissance.
Document 6: Living My Life: Living My Life is the autobiography of Lithuanian-born anarchist Emma Goldman, published in two volumes in 1931 (Alfred A. Knopf) and 1934 (Garden City Publishing Company). Goldman wrote it in Saint-Tropez, France, following her disillusionment with the Bolshevik role in the Russian revolution. The text thoroughly covers her personal and political life from early childhood through to 1927, and has constantly remained in print since, in original and abridged editions. Since the autobiography was published nine years before Goldman died in 1940, it does not record her role in the Spanish Civil War.
Document 7: Sasha and Emma: Sasha and Emma: The Anarchist Odyssey of Alexander Berkman and Emma Goldman is a 2012 history book about Alexander Berkman and Emma Goldman by Paul and Karen Avrich. It was a "New York Times Book Review" Editors' Choice for 2012.
Document 8: Emma Goldman: Emma Goldman (June 27 [O.S. June 15] , 1869May 14, 1940) was an anarchist political activist and writer. She played a pivotal role in the development of anarchist political philosophy in North America and Europe in the first half of the 20th century.
Document 9: Almeda Sperry: Almeda Sperry (born July 13, 1879) was an anarchist, political activist, and former prostitute. She was notably involved with fellow anarchist Emma Goldman, although the romantic aspects of that friendship are contested.
Document 10: Lorraine Hansberry: Lorraine Vivian Hansberry (May 19, 1930 – January 12, 1965) was an African-American playwright and writer.
Document 11: Anarchism and Other Essays: Anarchism and Other Essays is a 1910 essay collection by Russian-American anarchist philosopher Emma Goldman, first published by Mother Earth Publishing. The essays outline Goldman's anarchist views on a number of subjects, most notably the oppression of women and perceived shortcomings of first wave feminism, but also prisons, political violence, sexuality, religion, nationalism and art theory. Hippolyte Havel contributed a short biography of Goldman to the anthology.
Document 12: Gwendolyn B. Bennett: Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to "", which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in poetry and prose. She is perhaps best known for her short story "Wedding Day", which was published in the first issue of "Fire!!" Bennett contributed a lot within her lifetime. She was a dedicated and self-preserving woman, respectfully known for being a strong influencer of African-American women rights during the Harlem Renaissance. Throughout her dedication and perseverance, Bennett raised the bar when it came to women's literature, and education. One of her contributions to the Harlem Renaissance was her literary acclaimed short novel "Poets Evening", it helped the understanding within the African-American communities, resulting in many African-Americans coming to terms with identifying and accepting themselves.
Document 13: Multiracial Americans: Multiracial Americans are Americans who have mixed ancestry of "two or more races". The term may also include Americans of mixed-race ancestry who self-identify with just one group culturally and socially (cf. the one-drop rule). In the 2010 US census, approximately 9 million individuals, or 2.9% of the population, self-identified as multiracial. There is evidence that an accounting by genetic ancestry would produce a higher number. Historical reasons, including slavery creating a racial caste and the European-American suppression of Native Americans, often led people to identify or be classified by only one ethnicity, generally that of the culture in which they were raised. Prior to the mid-20th century, many people hid their multiracial heritage because of racial discrimination against minorities. While many Americans may be biologically multiracial, they often do not know it or do not identify so culturally, any more than they maintain all the differing traditions of a variety of national ancestries.
Document 14: How It Feels To Be Colored Me: How It Feels To Be Colored Me (1928) is an essay by Zora Neale Hurston published in "World Tomorrow" as a "white journal sympathetic to Harlem Renaissance writers", illustrating her circumstance as an African American woman in the early 20th century in America. Most of Hurston's work involved her "Negro" characterization that were so true to reality, that she was known as an excellent anthropologist, "As an anthropologist and as an African- American writer during the Harlem Renaissance, Hurston was uniquely situated to explore the critical possibilities of marginality."
Document 15: Jessie Redmon Fauset: Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an African American editor, poet, essayist, novelist, and educator. Fauset’s literary work helped sculpt African American literature in the 1920s as she focused on portraying a true image of African American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, “passing,” and feminism. From 1919-1926, Fauset’s position as literary editor of "The Crisis," a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era. Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African American race. She wanted a realistic and positive representation of the African American community in literature that had never before been as prominently displayed. Before and after working on "The Crisis," she worked for decades as a French teacher in public schools in Washington, DC and New York City. She published four novels during the 1920s and 1930s, exploring the lives of the black middle-class. She also was the editor and co-author of the African-American children's magazine "The Brownies' Book." She is known for discovering and mentoring other African American writers such as Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
ground_truth: Emma Goldman