Question: Are both Der Freischütz and Der Barbier von Bagdad operas?

full_context: Document 1: Carl Maria von Weber: Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.
Document 2: Der Barbier von Bagdad: Der Barbier von Bagdad ("The Barber of Baghdad") is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on "The Tale of the Tailor" and "The Barber’s Stories of his Six Brothers" in "One Thousand and One Nights". The first of three operas by Cornelius, the piece was first performed at the Hoftheater in Weimar on 15 December 1858.
Document 3: Johann Friedrich Kind: Johann Friedrich Kind (4 March 1768 Leipzig – 24 June 1843) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera "Der Freischütz" (1821).
Document 4: Der Freischütz: Der Freischütz , Op. 77, J. 277, (usually translated as "The Marksman" or "The Freeshooter") is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first important German Romantic opera, especially in its national identity and stark emotionality.
Document 5: Peter und Ännchen: "Peter und Ännchen" premiered on 29 September 1809 in the theatre of the Ludwigsburg Palace near Stuttgart. The opera was popular in Germany in its day and a version of the score for voice and piano was published by Breitkopf & Härtel. It was also performed in Paris in 1810 as "Pierre et Annette". Franz Carl Hiemer had written the libretto for Abeille's first opera, "Amor und Psyche" (1800) as well as the libretti for Carl Maria von Weber's operas "Silvana" and "Abu Hassan".
Document 6: Turandot (Gozzi): Turandot (1762) is a "commedia dell'arte" play by Carlo Gozzi after a supposedly Persian story from the collection "Les Mille et un jours" (1710–1712) by François Pétis de la Croix (not to be confused with "One Thousand and One Nights"). Gozzi's "Turandot" was first performed at the Teatro San Samuele, Venice, on 22 January 1762.
Document 7: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 8: Der Wildschütz: Der Wildschütz oder Die Stimme der Natur ("The Poacher, or The Voice of Nature") is a German "Komische Oper", or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy "Der Rehbock, oder Die schuldlosen Schuldbewussten" by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842.
Document 9: Euryanthe: Euryanthe is a German "grand, heroic, romantic" opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor, Vienna on 25 October 1823. Though acknowledged as one of Weber's most important operas, the work is rarely staged because of the weak libretto by Helmina von Chézy (who, incidentally, was also the author of the failed play "Rosamunde", for which Franz Schubert wrote music). "Euryanthe" is based on the 13th-century romance ""L'Histoire du très-noble et chevalereux prince Gérard, comte de Nevers et la très-virtueuse et très chaste princesse Euriant de Savoye, sa mye.""
Document 10: Abu Hassan: Abu Hassan is a comic opera in one act by Carl Maria von Weber to a German libretto by , based on a story in "One Thousand and One Nights". It was composed between 11 August 1810 and 12 January 1811 and has set numbers with recitative and spoken dialogue. The work is a Singspiel in the then popular Turkish style.
Document 11: Karoline Seidler-Wranitzky: Karoline Seidler-Wranitzky (1790 - 7 December 1872) was a Czech operatic soprano. She notably created the role of Agathe in the world premiere of Carl Maria von Weber's "Der Freischütz" in 1821. She was the daughter of composer Anton Wranitzky and niece of composer Paul Wranitzky.
Document 12: Oberon (Weber): Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber. The libretto by James Robinson Planche was based on a German poem, "Oberon", by Christoph Martin Wieland, which itself was based on the epic romance "Huon de Bordeaux", a French medieval tale.
Document 13: Boccaccio (operetta): Boccaccio, oder Der Prinz von Palermo ("Boccaccio, or the Prince of Palermo") is an operetta in three acts by Franz von Suppé to a German libretto by Camillo Walzel and Richard Genée, based on the play by Jean-François Bayard, Adolphe de Leuven, Léon Lévy Brunswick and Arthur de Beauplan, based in turn on "The Decameron" by Giovanni Boccaccio.
Document 14: Bluebeard's Castle: Bluebeard's Castle (Hungarian: A kékszakállú herceg vára ; literally: "The Blue-Bearded Duke's Castle") is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard ("Kékszakállú "), and his new wife Judith ("Judit " ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
Document 15: The Bartered Bride: The Bartered Bride (, "The Sold Bride") is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863–66, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue.
ground_truth: yes