Question: Are both Black Chicks Talking and Bomb Harvest arts projects that include a stage production?

full_context: Document 1: Karen LeCocq: Karen LeCocq is an American artist. She was born in 1949 in Santa Rosa, California. She attended Fresno State College and was a student of Judy Chicago, visiting artist. In 1970, Chicago, along with 15 female students (LeCocq included) started the first feminist art program in the United States. LeCocq received a BA degree from Fresno State College in 1971. She attended California Institute of the Arts (CalArts) in Valencia, CA in 1972 where she participated in the Feminist Art Program developed by Judy Chicago and Miriam Schapiro. The first class project of this program was a group project called Womanhouse, an installation and performance piece. LeCocq and Nancy Youdelman created a room in Womanhouse they called “Leah’s Room” from Colette’s "Chéri". They borrowed an antique dressing table and rug, made lace curtains and covered the bed with satin and lace to create the effect of a boudoir. They filled the closet with old-looking clothes and veiled hats, and wallpapered the walls to add a feeling of nostalgia. LeCocq sat at the dressing table dressed in a nineteenth-century-style costume as Cheri, studiously applying make-up over and over and then removing it replicating the character’s attempts to save her fading beauty.
Document 2: Nice Bombs: Nice Bombs is a 2006 documentary film directed by Iraqi-American filmmaker Usama Alshaibi about his return to his home country to visit his family after the 2003 invasion of Iraq. The film is co-produced by Alshaibi's wife Kristie Alshaibi and co-executive produced by Studs Terkel.
Document 3: Black Chicks Talking: Black Chicks Talking is an arts project by Australian actress Leah Purcell featuring a 2001 documentary film, a 2002 book, a stage production and an art exhibition. The film is co-directed by Brendan Fletcher and features Indigenous Australian women including Purcell, actress Deborah Mailman and politician Kathryn Hay. Following the book and film, Purcell wrote a fictionalised dramatisation under the same title.
Document 4: Jennifer Kent: Jennifer Kent is an Australian actress, writer and director, best known for her horror film "The Babadook" (2014), which was her directorial debut. She is currently filming her second film, "The Nightingale".
Document 5: BattleGround: 21 Days on the Empire's Edge: BattleGround: 21 Days on the Empire's Edge was released in 2004, and received the Silver Hugo Award for documentaries at the 2004 Chicago International Film Festival. It aired on Showtime and was released on DVD by Home Vision. The film follows the story of Frank al-Bayati, a former Shiite guerrilla traveling back to Iraq for the first time since the 1991 uprising against Saddam Hussein. Al-Bayati was wounded, captured, tortured and then escaped. He spent more than a year in a Saudi Arabian refugee camp before being repatriated to the U.S. Lappé and Marshall follow al-Bayati as he tracks down his family members and capture the emotional reunions. Al-Bayati's optimism for what he calls "liberated Iraq" is countered by the reality the filmmakers find on the ground. A growing insurgency is creating more enemies than it is killing. With candid interviews with top American commanders, the filmmakers capture the U.S. military's inability to grasp the nature of their enemy. In addition, Lappé and Marshall bring a Geiger counter and conduct their own radiation tests on Iraqi armor that has been hit by American shells. They find evidence of the use of depleted uranium, the controversial radioactive metal used in some American munitions.
Document 6: War/Dance: War/Dance is a 2007 American documentary film written and directed by Sean Fine and Andrea Nix Fine and produced by Shine Global's Susan MacLaury, a professor at Kean University, and Albie Hecht. It was nominated for the 2008 Academy Award for Best Documentary Feature and received the Emmy Award for Best Documentary and Best Cinematography in 2010.
Document 7: Bomb Harvest: Bomb Harvest is a 2007 documentary film directed by Australian filmmaker Kim Mordaunt and produced by Sylvia Wilczynski. It explores the consequences of war in Laos as it follows an Australian bomb disposal specialist, training locals in the skill of detonating bombs while trying to stop villagers, particularly children, from finding them and using them for scrap metal.
Document 8: The Harvest (2010 film): The Harvest (Spanish: "La Cosecha" ) is a 2010 documentary film about agricultural child labor in America. The film depicts children as young as 12 years of age who work as many as 12 hours a day, six months a year, subject to hazardous conditions: heat exposure, pesticides, and dangerous work. The agriculture industry has been subject to significantly more lenient labor laws than any other occupation in the United States. As a result, lack of consistent schooling significantly limits their opportunities of succeeding in high school or more. The hazardous conditions threaten their health and lives. The purpose of the documentary is to bring awareness of the harsh working conditions which tens of thousands of children face in the fields of the United States each year and to enact the Children's Act for Responsible Employment (CARE Act, HR 3564) which will bring parity of labor conditions to field workers that are afforded to minors in other occupations.
Document 9: Deborah Mailman: Deborah Jane Mailman, {'1': ", '2': ", '3': ", '4': "} (born 14 July 1972) is an Australian television film actress, and singer. She was the first Aboriginal actress to win the Australian Film Institute Award for Best Actress in a Leading Role and had gone on to win four more both in television and film. The awards are now known as the AACTA Awards. Mailman first gained recognition for the 1998 film "Radiance" for which she won her first AFI award.
Document 10: Leah Flanagan: Leah Flanagan is a singer-songwriter from Sydney, NSW. Leah has appeared on Australian TV shows Spicks & Specks and RockQuiz, has released 2 albums and toured extensively through Australia with her music and part of festival ensembles. Leah’s status as an Indigenous musician is one of pride and respect; she has helped make history with such recent essential albums as Archie Roach’s 25th anniversary reissue of Charcoal Lane and Buried Country 1.5, The Story of Aboriginal Country Music. Her latest album Saudades was recorded at the studio of Midnight Oil's Jim Moginie and mixed by Paul McKercher (You Am I, Augie March)
Document 11: Black Theatre (Sydney): The National Black Theatre was a theatre company run by a small group of Aboriginal people based in the Sydney suburb of Redfern and which operated from 1972 to 1977. The original concept for the theatre grew out of political struggles, especially the land rights demonstrations which at the time were being organised by the Black Moratorium Committee. The centre held workshops in modern dancing, tribal dancing, writing for theatre, karate and photography, and provided a venue for new Aboriginal drama. It also ran drama classes under Brian Syron who conducted the first of a planned series of six-week full-time workshops for his students who included Jack Davis, Freddie Reynolds, Maureen Watson, Lillian Crombie, and Hyllus Maris. These people went on to become known in the Aboriginal community for their work in the Australian theatre and film industries.
Document 12: Melaw Nakehk'o: Melaw Nakehk'o is an actress, artist, traditional moose hide tanner, and co-founder of the First Nations organization Dene Nahjo. She is primarily known for her role as the kidnapped Arikara woman Powaqa in the 2015 film "The Revenant".
Document 13: The Bomb (film): The Bomb is a 2015 American documentary film about the history of nuclear weapons, from theoretical scientific considerations at the very beginning, to their first use on August 6, 1945, to their global political implications in the present-day. The two-hour PBS film was written and directed by Rushmore DeNooyer, who noted the project took a year and a half to complete, since much of the film footage and images was only recently declassified by the United States Department of Defense. According to DeNooyer, “It wouldn’t take very many bombs to really change life on Earth, ... The idea that there are thousands of them sitting around is pretty scary. I don’t think people today realize that. They don’t think about it. I don’t think they are scared. But in a way, they should be.” Mark Dawidziak, of the "Cleveland Plain Dealer", summarized the film as follows: ""The Bomb" moves swiftly to cover Hiroshima and Nagasaki, the Cold War, the arms race, the Red Scare, the witch hunt, the Cuban Missile Crisis, test-ban treaties, the "Star Wars" initiative, the anti-nuke movement, the collapse of the Soviet Union and the rise of new nuclear threats." According to historian Richard Rhodes, “The invention [of 'The Bomb'] was a millennial change in human history: for the first time, we were now capable of our own destruction, as a species.”
Document 14: The Revival: Women and the Word: The Revival Women and the Word was a documentary released in 2016, the director of this film is Sekiya Dorsett, a queer filmmaker who works to give voice to issues of equality. This documentary chronicles a US tour group of Black lesbian poets and musicians who are traveling performing making history as queer women of color. Their journey is to bring together their community and include interviews from leading black feminist and queer thinkers which includes, Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. This documentary tackles themes such as gender, race, and sexuality. This film works to represent community and provide a special insight to the experience of queer women of color performers. Additionally, this film works to empower and raise the voices of the marginalized.
Document 15: Ban Advocates: The Cluster Munitions Ban Advocates are a group of individuals whose lives have been affected by cluster munitions, a particular type of explosive weapon that has been banned for its indiscriminate area effects and risk from unexploded ordnance. They come from Afghanistan, Albania, Cambodia, Croatia, Ethiopia, Iraq, Lao PDR, Lebanon, Tajikistan, Serbia and Vietnam. The Ban Advocates took an active role in the Oslo Process on cluster munitions that led to the Convention on Cluster Munitions, a treaty banning cluster munitions and providing innovative provisions to assist the victims of these weapons. The Ban Advocates initiative was launched in October 2007 by Handicap International Belgium, a founding member of the Nobel Peace Prize-winning International Campaign to Ban Landmines. The Ban Advocates spoke in front of the international community on many occasions. According to the Irish Minister for Justice, "The indomitable spirit of the Ban Advocates, overcoming terrible injuries to bear witness to the horrors of cluster munitions, inspired us throughout." The Ban Advocates blog provides regular updates on their work around the world.
ground_truth: no