Question: How long in development was the game set in the birth city of the artist behind A Night at the Vanguard?

full_context: Document 1: K. B. Blues: K. B. Blues is an album by guitarist Kenny Burrell recorded in 1957 and originally released on the Japanese Blue Note label in 1979. The tracks were reissued on CD as part of "" but incorrectly identified as being recorded in 1956.
Document 2: Night Song (Kenny Burrell album): Night Song is an album by guitarist Kenny Burrell recorded in 1968 and 1969 and released on the Verve Records label.
Document 3: The Last of the Mohicans (soundtrack): Director Michael Mann initially asked Trevor Jones to provide an electronic score for the film, but late in the game, it was decided an orchestral score would be more appropriate for this historic epic. Jones hurried to re-fashion the score for orchestra in the limited time left, while the constant re-cutting of the film meant music cues sometimes had to be rewritten several times to keep up with the new timings.
Document 4: A Night at the Vanguard: A Night at the Vanguard (also released as Man at Work) is a live album by guitarist Kenny Burrell recorded in 1959 at the Village Vanguard and originally released on the Argo label.
Document 5: Earl Van Dyke: Van Dyke, who was born in Detroit, Michigan, United States, was preceded as keyboardist and bandleader of the Funk Brothers by Joe Hunter. In the early 1960s, he also recorded as a jazz organist with saxophonists Fred Jackson and Ike Quebec for the Blue Note label.
Document 6: Detroit: Become Human: The characters Connor and Markus are played by Bryan Dechart and Jesse Williams, respectively. Clancy Brown, Lance Henriksen, and Minka Kelly portray supporting characters Lieutenant Hank Anderson, Carl Manfred, and North, respectively. There are three different composers, one for each playable character: Philip Sheppard for Kara, Nima Fakhrara for Connor, and John Paesano for Markus. Sheppard's cello sequence in Kara's theme was inspired by the flames of a log fire, whereas the motif layered over it came from the two syllables in her name. Fakhrara created custom instruments and used vintage synthesizers in order that the sound could represent the robotic nature of Connor. Paesano's music was made with the idea that it would be ``like a church hymn '', personifying Markus' transformation into a leader. Sheppard recorded at Abbey Road Studios with the English Session Orchestra; Paesano was at Synchron Stage Vienna with the Synchron Stage Orchestra. Director of photography Aymeric Montouchet used`` thick grain and shaky long lens'' with shallow depth of field for Kara, ``small, tight grain ''and a blue palette for Connor, and orange and white colours for Markus. The game was released to manufacturing on 23 April 2018, after four years of production.
Document 7: A Generation Ago Today: A Generation Ago Today is an album by guitarist Kenny Burrell featuring standards associated with the Benny Goodman Sextet and Charlie Christian recorded in 1966 and 1967 and released on the Verve label.
Document 8: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 9: Vikram Vedha: Rookie actor Kathir was selected to play a third leading role of Vijay Sethupathi's brother, while Malayalam actor Hareesh Peradi also joined the team. Meanwhile, actresses Shraddha Srinath and Varalaxmi Sarathkumar were signed to play the leading female roles in the film. John Vijay was also signed to portray a role during late 2016, and revealed he would portray a gangster who will be seen in three different time stages throughout the film. However he was later replaced by Vivek Prasanna in the role, as he became busy with his commitments for the Malayalam film Comrade in America (2017). Sam C.S. was signed on as music composer, while Richard Kevin and P.S. Vinod were announced as editor and cinematographer, respectively. For their respective roles in the film, Madhavan and Vijay Sethupathi sported new looks. Madhavan prepared to sport a trimmed beard with facial hair reaching his cheekbones, while Vijay Sethupathi prepared himself to portray an aged gangster with greying hair.
Document 10: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 11: At the Five Spot: At the Five Spot volumes one and two is a pair of jazz albums documenting one night (16 July 1961) from the end of Eric Dolphy and Booker Little's two-week residency at the Five Spot in New York. This was the only night to be recorded; the engineer was Rudy Van Gelder.
Document 12: Joe Gordon (musician): His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1953–55 intermittently), Art Blakey (1954), and Don Redman.
Document 13: The Legend of Zelda: Twilight Princess: Media requests at the trade show prompted Kondo to consider using orchestral music for the other tracks in the game as well, a notion reinforced by his preference for live instruments. He originally envisioned a full 50-person orchestra for action sequences and a string quartet for more "lyrical moments", though the final product used sequenced music instead. Kondo later cited the lack of interactivity that comes with orchestral music as one of the main reasons for the decision. Both six- and seven-track versions of the game's soundtrack were released on November 19, 2006, as part of a Nintendo Power promotion and bundled with replicas of the Master Sword and the Hylian Shield.
Document 14: PREMature: The score is composed by South African musician, John Atterbury. The composition involved a process of fusing audio manipulation and live instrumentation, concurrently with tape loops, recordings in the field and programming to present the most organic and contemporary sound possible. This entire process concluded with a music score consisting of 97 tracks for all six episodes of "PREMature", including the final song, "The Start", featuring vocals by London singer/musician, Donna Thompson.
Document 15: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
ground_truth: four years of production
sub_queries: A Night at the Vanguard >> performer Answer: Kenny Burrell
Kenny Burrell >> place of birth Answer: Detroit
how long was Detroit become human in development for Answer: four years of production