Question: Which director was born first, Barbet Schroeder or Charles Band?

full_context: Document 1: Chuck Russell: Charles "Chuck" Russell (born May 9, 1958) is an American film director, producer, screenwriter and actor, known for his work on several genre films.
Document 2: Wes Craven: Wesley Earl "Wes" Craven (August 2, 1939 – August 30, 2015) was an American film director, writer, producer, and actor. He was known for his pioneering work in the genre of horror films, particularly slasher films, where his impact on the genre was considered prolific and influential. Due to the success and cultural impact of his works in the horror film genre, Craven has been called the "Master of Horror".
Document 3: Barbet Schroeder: Barbet Schroeder (born 26 August 1941) is an Iranian-born Swiss film director and producer who started his career in French cinema in the 1960s, working together with directors such as Jean-Luc Godard and Jacques Rivette. Since the late 1980s he has directed many big budget Hollywood films, often mixing melodrama with the thriller genre in films like "Single White Female, Kiss of Death", and "Murder by Numbers". He has been nominated for the Academy Award for Best Director, and for the Palme d'Or for his 1987 film "Barfly".
Document 4: Charles Band: Charles Robert Band (born December 27, 1951) is an American film producer and director, known for his work on horror comedy movies.
Document 5: Abbas Kiarostami: Abbas Kiarostami (Persian: عباس کیارستمی‎ ‎ ; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the "Koker trilogy" (1987–94), "Close-Up" (1990), "Taste of Cherry" (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and "The Wind Will Carry Us" (1999). In his later works, "Certified Copy" (2010) and "Like Someone in Love" (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively.
Document 6: Barfly (film): Barfly is a 1987 American comedy drama film directed by Barbet Schroeder and starring Mickey Rourke and Faye Dunaway. The film is a semi-autobiography of poet/author Charles Bukowski during the time he spent drinking heavily in Los Angeles, and it presents Bukowski's alter ego Henry Chinaski. The screenplay, written by Bukowski, was commissioned by the French film director Schroeder, and it was published (with illustrations by the author) in 1984, when film production was still pending.
Document 7: Roger Vadim: Roger Vadim Plemiannikov (] ; 26 January 1928 – 11 February 2000) was a French screenwriter, film director and producer, as well as an author, artist and occasional actor. His best-known works are visually lavish films with erotic qualities, such as "And God Created Woman" (1956), "Barbarella" (1968), and "Pretty Maids All in a Row" (1971).
Document 8: William Castle: William Castle (April 24, 1914 – May 31, 1977) was an American film director, producer, screenwriter, and actor.
Document 9: Charles Burnett (director): Charles Burnett (born April 13, 1944, in Vicksburg, Mississippi) is an African-American film director, film producer, writer, editor, actor, photographer, and cinematographer. His most popular films include "Killer of Sheep" (1978), "My Brother's Wedding" (1983), "To Sleep with Anger" (1990), "The Glass Shield" (1994), and "" (2007). He has been involved in other types of motion pictures including shorts, documentaries, and a TV series.
Document 10: Jacques Rivette filmography: Jacques Rivette (] ; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part "Joan the Maiden", eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, "Aux quatre coins", in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles lead to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on "French Cancan" and Jacques Becker on "Ali Baba and the Forty Thieves". During this period he began writing film criticism for the magazine "Gazette du Cinéma" and later "Cahiers du Cinéma", and was one of the most respected writers by his peers.
Document 11: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 12: Roger Corman: Roger William Corman (born April 5, 1926) is an American independent film producer, director, screenwriter, entertainment businessman, and actor. He has been called "The Pope of Pop Cinema" and is known as a trailblazer in the world of independent film. Much of Corman's work has an established critical reputation, such as his cycle of low budget cult films adapted from the tales of Edgar Allan Poe. Admired by members of the French New Wave and "Cahiers du cinéma", in 1964 Corman was the youngest filmmaker to have a retrospective at the Cinémathèque Française, as well as the British Film Institute and the Museum of Modern Art. He was the co-founder of New World Pictures, a prolific multimedia company that helped to cement Fox as a major American television network, and is a long-time member of the Academy of Motion Picture Arts and Sciences. In 2009, he was awarded an Honorary Academy Award.
Document 13: Barocco: Barocco is a 1976 French romantic thriller film, directed by André Téchiné. The film stars Isabelle Adjani, Gérard Depardieu and Marie-France Pisier. Identity, redemption and resurrection are the themes of the film. The plot follows a young woman who convinces her boxer boyfriend to accept a bribe to tell a lie that discredits a local politician. When the boyfriend is murdered, she is racked with guilt until she meets the killer and plans to remake him into the image of her slain lover. The film won three César Awards: Best Actress in a Supporting Role, Best Cinematography and Best Music. The film had a total of 678,734 admissions in France.
Document 14: Frank Henenlotter: Frank Henenlotter (born August 29, 1950 in New York City), is an American screenwriter, film director and film historian. He is known primarily for his horror comedies, though he would prefer to be classified as an "exploitation" filmmaker (rather than horror). "I never felt that I made ‘horror films’, he has said. "I always felt that I made exploitation films. Exploitation films have an attitude more than anything – an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll."
Document 15: Bernardo Bertolucci: Bernardo Bertolucci (] ; born 16 March 1940) is an Italian director and screenwriter, whose films include "The Conformist", "Last Tango in Paris", "1900", "The Last Emperor", "The Sheltering Sky", "Stealing Beauty" and "The Dreamers". In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival. Since 1979, he has been married to screenwriter Clare Peploe.
ground_truth: Barbet Schroeder