Question: Which film became a defining film of the French New Wave movement and is the first series of five films in which Jean-Pierre Leaud stars? 

full_context: Document 1: François Truffaut: François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement. Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979. He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).
Document 2: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 3: Cinéma du look: Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
Document 4: Alain Resnais: Alain Resnais (] ; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included "Night and Fog" (1955), an influential documentary about the Nazi concentration camps.
Document 5: Les Misérables (1995 film): Les Misérables is a 1995 film written, produced and directed by Claude Lelouch. Set in France during the first half of the 20th century, the film concerns a poor and illiterate man named Henri Fortin (Jean-Paul Belmondo) who is introduced to Victor Hugo's classic novel "Les Misérables" and begins to see parallels to his own life.
Document 6: André Téchiné: André Téchiné (] ; born 13 March 1943) is a French screenwriter and film director. He has a long and distinguished career that places him among the best post-New Wave French film directors.
Document 7: The 400 Blows: The 400 Blows (French: "Les Quatre Cents Coups" ) is a 1959 French drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character.
Document 8: François Ozon: François Ozon (] ; born 15 November 1967) is a French film director and screenwriter whose films are usually characterized by sharp satirical wit and a freewheeling view on human sexuality.
Document 9: Les Mistons: Les Mistons ("The Mischief Makers") is a short film directed by François Truffaut in 1957. It was his second film after "Une Visite" in 1955 but it is considered his "first short film of any real consequence". Truffaut simply called it "my first real film". Moreover, it was Bernadette Lafont's film debut. She was at that time Gérard Blain's wife. The film demonstrates already some examples for Truffaut's "trademark tracking shots" and would "help define his style" as well as "set Truffaut on a path for his career". Truffaut's narrative stresses the details of life, hereby establishing one of the traits of the French New Wave. Thus he also became a predecessor of French film directors such as Jean-Pierre Jeunet ("Amélie"). It has been stated that the formation of the French New Wave could be "tracked through two short films": Jean-Luc Godard's "All the Boys Are Called Patrick" and Truffaut's "Les Mistons". In 2013 the Museum of Modern Art in New York City screened this film together with Truffaut's "The 400 Blows".
Document 10: Le Beau Serge: Le Beau Serge (] , meaning "Handsome Serge") is a French film directed by Claude Chabrol, released in 1958. It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement. The film is often compared with Chabrol's subsequent film "Les Cousins", which also features Jean-Claude Brialy and Gérard Blain.
Document 11: Jacques Rivette filmography: Jacques Rivette (] ; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part "Joan the Maiden", eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, "Aux quatre coins", in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles lead to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on "French Cancan" and Jacques Becker on "Ali Baba and the Forty Thieves". During this period he began writing film criticism for the magazine "Gazette du Cinéma" and later "Cahiers du Cinéma", and was one of the most respected writers by his peers.
Document 12: Jean Renoir: Jean Renoir (] ; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films "La Grande Illusion" (1937) and "The Rules of the Game" (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's "Sight & Sound" poll of critics in 2002 as the fourth greatest director of all time. Among numerous honors accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir. He was one of the first filmmakers to be known as an "auteur".
Document 13: Jacques Demy: Jacques Demy (] ; 5 June 1931 – 27 October 1990) was a French director, lyricist, and screenwriter. He appeared in the wake of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their sumptuous visual style. Demy's style drew upon such diverse sources as Classic Hollywood musicals, the documentary realism of his New Wave colleagues, fairy-tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity (i.e., characters cross over from film to film), lush musical scores (typically composed by Michel Legrand) and motifs like teenaged love, labor rights, incest, and the intersection between dreams and reality. He is best known for the two musicals he directed in the mid-1960s: "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967).
Document 14: The Class (2008 film): The Class (French: Entre les murs ;  "Between the walls" or "Within the walls" ) is a 2008 French drama film directed by Laurent Cantet, based on the 2006 novel of the same name by François Bégaudeau. The novel is a semi-autobiographical account of Bégaudeau's experiences as a French language and literature teacher in a middle school in the 20th arrondissement of Paris, particularly illuminating his struggles with "problem children": Esmerelda (Esmeralda Ouertani), Khoumba (Rachel Regulier), and Souleymane (Franck Keïta). The film stars Bégaudeau himself in the role of the teacher.
Document 15: The Woman Next Door: The Woman Next Door () is a 1981 French film directed by François Truffaut. Reminiscent of the medieval legend of Tristan and Iseult but set among young middle-class people in a provincial city, it tells the story of a fatal romance between a loving husband (Gérard Depardieu) and the attractive woman (Fanny Ardant) who moves in next door. The last of Truffaut's serious films, being followed by the more light-hearted "Vivement dimanche!", it was the 39th highest-grossing film of the year, with a total of 1,087,600 admissions in France.
ground_truth: The 400 Blows