Question: What is it called when Dalal Achcar sequences a movement of physical bodies?

full_context: Document 1: Musical composition: Musical composition can refer to an original piece of music, either a song or an instrumental music piece, the structure of a musical piece, or the process of creating or writing a new song or piece of music. People who create new compositions are called composers in classical music. In popular music and traditional music, the creators of new songs are usually called songwriters; with songs, the person who writes new words for a song is the lyricist. "Composition" is the act or practice of creating a song or other piece of music. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other instrumental musicians or singers. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, countermelody, bassline and so on) is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all, and instead compose the song in her mind and then play, sing and/or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.
Document 2: Theatre director: A theatre director or stage director is an instructor in the theatre field who oversees and orchestrates the mounting of a theatre production (a play, an opera, a musical, or a devised piece of work) by unifying various endeavours and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director therefore collaborates with a team of creative individuals and other staff, coordinating research, stagecraft, costume design, props, lighting design, acting, set design, stage combat, and sound design for the production. If the production he or she is mounting is a new piece of writing or a (new) translation of a play, the director may also work with the playwright or translator. In contemporary theatre, after the playwright, the director is generally the primary visionary, making decisions on the artistic concept and interpretation of the play and its staging. Different directors occupy different places of authority and responsibility, depending on the structure and philosophy of individual theatre companies. Directors use a wide variety of techniques, philosophies, and levels of collaboration.
Document 3: Ballet master: Ballet Master (also "Balletmaster", "Ballet Mistress" [increasingly archaic English language use], "Premier Maître de ballet" or "Premier Maître de ballet en Chef") is the term used for an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender identity or expression (e.g. "Ballet Master" in lieu of "Ballet Mistress", "Wig Master" as an alternative to "Wig Mistress").
Document 4: Dalal Achcar: Dalal Achcar is a Brazilian ballet master, choreographer, artistic director and producer.
Document 5: Alex Magno (choreographer): Alexandre (Alex-Andre) Magno is a Brazilian born choreographer and director. His dance styles include hip-hop, jazz, ballet, samba, flamenco, tango, salsa, and martial arts. He has performed with Madonna, Yanni, Britney Spears, the Lido La Tourné, Ballet Hispanico, the Ringling Brothers Circus, and the Academy Awards. He also works with his own dance company, “Personna Dance Theatre".
Document 6: Choreosonographies: Choreosonographies ("choreosonography") is a term developed by Óscar Mascareñas from the Irish World Academy of Music and Dance, in the University of Limerick, to describe the investigation of the multiple possibilities of expression that dwell within the human body, including the exploration of musical 'sensuousness' and its relationship with the voice. From a sonic perspective, the choreosonographies may develop from playing within - and beyond - a frame posed by the structures of existing music, which is seen as an open system that permits the re-interpretation of seemingly fixed scores using alternative techniques of voice production and composition. Moreover, from both sonic and movement viewpoints, a choreosonography entails the making of "collective compositions", in which the performers work on a continuous and never-ending exploration of sound, movement, force and emotion to create a choreosonographic score that is always re-worked/re-written in every performance, and thus never final or closed. In this regard, a choreosonography develops its own frame, where the creative impulse is a force that "always already" resists becoming form, becoming "represented", even though - as Jacques Derrida suggests elsewhere - the representation of that force can only be done by "re"-presenting "it", i.e., by presenting "it" again - as if for the first time.
Document 7: Colon Theater Ballet: Colon Theater Ballet is a ballet dance company based in Buenos Aires, Argentina. The ballet company is attached to the Colon Theater, which is also home to the Buenos Aires Philharmonic orchestra and the Colon Theater Opera company. The ballet company is the oldest in South America, and was established in 1925.
Document 8: Costume designer: A costume designer is a person who designs costumes for a film, stage production or television. The role of the costume designer is to create the characters and balance the scenes with texture and colour, etc. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements.
Document 9: Robert Weiss (choreographer): Robert Weiss is an American ballet dancer, choreographer, and Artistic Director of Carolina Ballet. He began his professional career at age 17 joining the New York City Ballet under George Balanchine, eventually becoming a Principal Dancer. Balanchine created several roles for him, including Ballo della Regina. Weiss remained with the New York City Ballet for 16 years. He later served as Artistic Director of the Pennsylvania Ballet from 1982 to 1990. Weiss then became the founding Artistic Director of Carolina Ballet in 1997 where he has remained to this day.
Document 10: Ballet Manila: Ballet Manila is a classical ballet institution and dance company in the Philippines. It currently highlights more than fifty highly trained dancers in the highly rigorous Russian (Vaganova) method of classical ballet. Locally the company has performed in 47 cities holding more than 4,100 performances. The company has done tours in Asia, Europe and North America, where it has held more than 140 performances. The company is most notable for its in-house creative director, principal dancer and prima ballerina Lisa Macuja-Elizalde. Along with Ballet Philippines and the Philippine Ballet Theatre, Ballet Manila is one of the three major ballet companies in the Philippines. It regularly holds its performances at the Aliw theater and Star Theater, which are both located within Star City at Pasay City. The concept of a ballet company by the dancers, of the dancers and for the dancers was the idea of Lisa Macuja-Elizalde when she, along with ballet master Osias Barroso and ten other dancers established Ballet Manila in 1995.
Document 11: Choreography: Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion, form, or both are specified. "Choreography" may also refer to the design itself. A choreographer is one who creates choreographies by practicing the art of choreography, a process known as "choreographing". Choreography is used in a variety of fields, including musical theater, cheerleading, cinematography, gymnastics, fashion shows, ice skating, marching band, show choir, theatre, synchronized swimming, cardistry, video game production and animated art. In the performing arts, choreography applies to human movement and form. In dance, choreography is also known as dance choreography or "dance composition".
Document 12: Video game design: Video game design is the process of designing the content and rules of a video game in the pre-production stage and designing the gameplay, environment, storyline, and characters in the production stage. The designer of a game is very much like the director of a film; the designer is the visionary of the game and controls the artistic and technical elements of the game in fulfillment of their vision. Video game design requires artistic and technical competence as well as writing skills. As the industry has aged and embraced alternative production methodologies such as agile, the role of a principal game designer has begun to separate - some studios emphasising the auteur model while others emphasising a more team oriented model. Within the video game industry, video game design is usually just referred to as "game design", which is a more general term elsewhere.
Document 13: Charles Dillingham (managing director): Charles Dillingham was the Managing Director of the Center Theatre Group in Los Angeles from 1991 through, June 30, 2011. Prior to CTG, he was CEO of The Entertainment Corporation USA, presenting the Bolshoi Ballet, Bolshoi Opera, Kirov Ballet, Kirov Opera and Royal Ballet at the Metropolitan Opera House and on U.S. tours. He was executive director of American Ballet Theatre when Mikhail Baryshnikov was artistic director, managing director of the Brooklyn Academy of Music Theatre Company, general manager of the American Conservatory Theatre in San Francisco and general manager of the Williamstown Theatre Festival. He has served on the board of LA Stage Alliance and on theatre advisory panels at the California Arts Council and the National Endowment for the Arts and on the Board of Arts for L.A.. He is a member of the Board of Councilors of the USC School of Theatre, and the Executive Committee of the League of Resident Theatres.
Document 14: Art department: Art department in movie terms means the section of a production's crew concerned with visual artistry. Working under the supervision of the production designer and/or art director, the art department is responsible for arranging the overall "look" of the film (i.e. modern/high-tech, rustic, Victorian, etc.) as desired by the film director. Individual positions within this department include: production designer, art director, assistant art director, storyboard artist, concept artist, draftsman, art department coordinator, set decorator, set dresser, makeup artist, painter, property master, leadman, swing gang, production buyer, Film sculptor, and property assistant.
Document 15: Animation director: An animation director is the director in charge of all aspects of the animation process during the production of an animated film or an animated segment for a live-action film. This may include directing the storyboard, character design, background animation, and other aspects of animation. Some animated film productions may split the duties between an Animation Director, who focuses on the creation of the animation, and a Director who oversees on all other aspects of the film. A supervising animator is commonly in charge of all aspects of the design and artwork for a single major character. The supervising animator oversees a group of animators who complete the entire scenes in which a particular character appears.
ground_truth: choreography