Question: Who was the piano player in the series of which He That Believeth in Me is an episode?

full_context: Document 1: Raising Hope: Tom Gilatto of "[monkeys]" called the show the best new sitcom of the season, favorably comparing it to "Malcolm in the Middle". Mary McNamara of the "Los Angeles Times" was lukewarm towards the show, stating that ""Raising Hope" is funny, sweet, occasionally provocative, and occasionally over-the-top in a regrettable way." James Poniewozik of "Time Magazine" was upbeat, stating that "Neff is amiably charming, Dillahunt and Plimpton give their characters a realism that belies the pilot's often-contemptuous jokes, and maybe 20% of the first episode shows a sweet-heartedness that rises above the easy white-trash humor." While not all of the reviews were positive, they were mostly positive by the end of the first season. Much of the show's praise went to the performances of Martha Plimpton and Garret Dillahunt.
Document 2: I Am God: "I Am God" is the eighteenth episode of the second season of the American mystery television series "Veronica Mars", and the fortieth episode overall. Written by Diane Ruggiero and Cathy Belben and directed by Martha Mitchell, the episode premiered on UPN on April 11, 2006.
Document 3: A Measure of Salvation: "A Measure of Salvation" is the seventh episode of the third season from the science fiction television series "Battlestar Galactica".
Document 4: Someone to Watch Over Me (Battlestar Galactica): Alan Sepinwall of The Star - Ledger found that the episode was an excellent showcase for both Katee Sackhoff and Grace Park, and praised director Michael Nankin who ``(infused) this episode with the qualities of a nightmare. ''Michael Saba of Paste Magazine called the episode an`` exercise in building tension through omission'' and felt the episode was ``excellent ''. IGN writer Eric Goldman praised the writers of the show for the plot turns in the episode, in particular the fact that Boomer's returning to the fleet with Ellen Tigh was in fact just a ruse. Goldman felt the subplot involving Kara was`` a bit meandering'' but that Katee Sackhoff and Roark Critchlow gave strong performances. Cinema Blend felt the writers ``threw a neat little curveball ''with the Roark Critchlow piano playing character being Thrace's father. Marc Bernardin of Entertainment Weekly felt the Boomer storyline was`` awesome'' but was less impressed by the storyline involving Thrace, feeling ``that it did n't tell us anything new ''and that the writers had written a very obvious ending to the subplot.
Document 5: Leah Remini: Scientology and the Aftermath: The show's first season was aired by A&E in seven regular and three special episodes commencing November 29, 2016. It received positive reviews from critics, recorded A&E's best premiere ratings since 2014 and maintained a consistently high viewership for subsequent episodes. The first season garnered two Emmy nominations, scoring one win. The series was renewed for a second season of ten regular and four special episodes commencing August 15, 2017. The Church of Scientology was extremely critical of Remini and the show and established a website attacking the show, its presenters and many of the interviewees.
Document 6: He That Believeth in Me: "He That Believeth in Me" is the third episode in the fourth season (as the producers regard the two-hour movie special "Razor" as the first two episodes ) of the reimagined science fiction television series "Battlestar Galactica". The episode aired on SCI FI and Space in the United States and Canada respectively on April 4, 2008, and aired on Sky1 in the United Kingdom on April 15, along with the following episode "Six of One". The episode's title is a reference to the Book of John, chapter 11:25-26 in the New Testament of the Bible, which quotes; "Jesus said unto her, I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live..." The episode was generally well received and also won an Emmy Award.
Document 7: Whale Whores: Ramsey Isler of IGN called ``Whale Whores ''an entertaining episode, but said the episode could have provided more meaningful satire and did not explain the whaling issue very well, especially considering the show's target audience was probably unfamiliar with it. Isler praised some of the individual jokes revolving around the Japanese attacks, and called Cartman's`` Poker Face'' rendition a classic South Park moment, but dismissed the Enola Gay twist as ``stupid ''. Carlos Delgado of iF Magazine said`` South Park swung and missed'' with ``Whale Whores ''. Delgado said many of the jokes were random and`` weird'', particularly the Enola Gay twist and the Japanese kamikaze attacks.
Document 8: Gospel of John: The Gospel of John can be divided into four sections: a prologue (1: 1 -- 18), a Book of Signs (1: 19 -- 12: 50), a Book of Glory (13: 1 -- 20: 31), and an epilogue (21). The structure is highly schematic: there are seven ``signs ''culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus), and seven`` I am'' sayings and discourses, culminating in Thomas's proclamation of Jesus as ``my lord and my God ''-- the same title (dominus et deus) claimed by Roman Emperor Domitian.
Document 9: Who's Gonna Save My Soul: Billboard magazine said of the single, ``Cee - Lo scorches the vocal hook -- ''Who's gon na save my soul now?`` -- and it stops the moderately paced dance cut dead in its tracks.'' The magazine also said it ``might be his finest performance to date. ''Entertainment Weekly called the song`` dolefully paced: and ``nearly dirgelike,'' while People called it`` a gritty, gospel - infused plea. ''Performing Songwriter praised the song as ``a stark song with plucked strings and bass so heavy and distant it could be a psychic echo.'' USA Today said of the single,`` Nobody lays bare their broken heart more painfully or more plaintively than Cee - Lo, ''and named the tune its ``Pick of the Week'' in late January 2009. It was featured in the closing scene of the final episode of the first season of the AMC original series Breaking Bad and Detroit 1 - 8 - 7 in its 17th episode.
Document 10: Spectre (2015 film): Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film."
Document 11: Battlestar Galactica (season 1): The first season of the reimagined science fiction television series "Battlestar Galactica", commissioned by the Sci-Fi Channel in February 2004, began airing eight months later in the United Kingdom and Ireland. It premiered on Sci-Fi in the United States with a two-hour debut on January 14, 2005. The first episode of the series received a Hugo Award and the season's 13 episodes were recognized with a Peabody Award "for pushing the limits of science fiction and making it accessible to all."
Document 12: 33 (Battlestar Galactica): "33" is the first episode of first season and the pilot episode of the reimagined military science fiction television program "Battlestar Galactica", immediately following the events of the 2003 miniseries. "33" follows "Galactica" and her civilian fleet as they are forced to contend with constant Cylon pursuit for days without sleep; they are forced to ultimately destroy one of their own ships to foil the Cylons and earn their first respite of the series.
Document 13: Agadam: Dinamalar appreciated the film stating that 'the film has a good medical message and stand out in its unique attempt of single shot filming'. They also lauded the entire cast as well as the technician's, concluding that the slow pace of some part has not affected the good result. Kungumam magazine appreciated the cameraman as well as director for making a single shot film completely in a house. Maalai Malar daily mentioned that the cinematography as well as direction has to be appreciated, but music lacked the thrill. Overall the effort can be appreciated for making a single shot film. In contrast, M. Suganth of "The Times of India" rated the film 1.5 out of 5, saying that ""Agadam" is a cautionary tale that proves that while digital has made it possible for anyone to make a film, not everyone should make one."
Document 14: Once More, with Feeling (Buffy the Vampire Slayer): All of the regular cast performed their own vocals, although two actors were given minimal singing at their request. ``Once More, with Feeling ''is the most technically complex episode in the series, as extra voice and dance training for the cast was interspersed with the production of four other Buffy episodes. It was Joss Whedon's first attempt at writing music, and different styles -- from 1950s sitcom theme music to rock opera -- express the characters' secrets in specific ways. The episode was well received critically upon airing, specifically for containing the humor and wit to which fans had become accustomed. The musical format allowed characters to stay true to their natures while they struggled to overcome deceit and miscommunication, fitting with the sixth season's themes of growing up and facing adult responsibilities. It is considered one of the most effective and popular episodes of the series, and -- prior to a financial dispute in 2007 -- was shown in theaters with the audience invited to sing along.
Document 15: F/X: Vincent Canby praised the look of the film in his review for "The New York Times", writing, "the movie, which looks as if it had been made on an A-picture budget, has a lot of the zest one associates with special-effects-filled B-pictures". Roger Ebert gave the film three and a half stars out of four and wrote, "This movie takes a lot of delight in being more psychologically complex than it has to be. It contains fights and shootouts and big chase scenes, but they're all firmly centered on who the characters are and what they mean to one another". In his review for "The Globe and Mail", Jay Scott wrote, ""F/X" is simply out to give a good time, which it does superbly". Paul Attanasio in his review for the "Washington Post" praised Brian Dennehy's performance: "Dennehy brings magic to the role - he's large, and he enlarges it. With his sly eyes and little can opener of a nose, his shoulders a yard wide, his hair massing in gray curls behind his ears, he dances through the movie like a mastodon in toe shoes". In his review for "The Sunday Times", George Perry praised the film's premise as a "nice idea, but the effects themselves are merely ingenious when they might have been spectacular". Sheila Benson wrote in her review for the "Los Angeles Times", "Where "F/X" floats above the crowd are in its performances; in the perfection of Miroslav Ondricek's photography, Mel Bourne's production design, John Stears' effects and Terry Rawlings' crisp, succinct editing; in the virtually unpredictable twists and turns of its plot, and in the sheer joy of watching a hero use his skill and his wits to solve a problem".
ground_truth: Roark Critchlow
sub_queries: What series is He That Believeth in Me in? Answer: Battlestar Galactica
who was the piano player in Battlestar Galactica Answer: Roark Critchlow