Question: When did the Soviet composer of French language title L'amour des trois oranges die?

full_context: Document 1: Dmitri Shostakovich: Dmitri Dmitriyevich Shostakovich (Russian: Dmitriy Dmitrievich Shostakovich , ] ; 25 September [O.S. 12 September] 1906 9 August 1975) was a Russian composer and pianist. He is regarded as one of the major composers of the 20th century.
Document 2: The Love for Three Oranges: The Love for Three Oranges, Op. 33, also known by its French language title L'amour des trois oranges (Russian: Любовь к трём апельсинам , "Lyubov' k tryom apel'sinam"), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play "L'amore delle tre melarance" by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921.
Document 3: Piano Sonata No. 9 (Prokofiev): Sergei Prokofiev's Piano Sonata No. 9 in C major, Op. 103 (1947) is a sonata for solo piano composed in 1947 and consists of four movements. The sonata was dedicated to Sviatoslav Richter, a member of the Union of Soviet Composers, and by whom it was first performed on 21 April 1951 in Moscow.
Document 4: Sergei Rachmaninoff: Sergei Vasilievich Rachmaninoff (Russian: Серге́й Васи́льевич Рахма́нинов , "Sergey Vasilyevich Rakhmaninov"; ] ; 1 April [O.S. 20 March] 1873 28 March 1943) was a Russian virtuoso pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the romantic repertoire.
Document 5: Sergei Prokofiev: Sergei Sergeyevich Prokofiev ( ; Russian: Сергей Сергеевич Прокофьев , "Sergej Sergejevič Prokofjev" ; 27 April 1891 – 5 March 1953) was a Soviet composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from "The Love for Three Oranges," the suite "Lieutenant Kijé", the ballet "Romeo and Juliet" – from which "Dance of the Knights" is taken – and "Peter and the Wolf." Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a Symphony-Concerto for cello and orchestra, and nine completed piano sonatas.
Document 6: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 7: Piano Concerto No. 5 (Prokofiev): The last complete piano concerto by Sergei Prokofiev, Piano Concerto No. 5 in G major, Op. 55, dates from 1932.
Document 8: Trois morceaux en forme de poire: The Trois morceaux en forme de poire ("Three Pieces in the Form of a Pear") is a suite for piano duet by French composer Erik Satie. A lyrical compendium of his music from the years 1890 to 1903, it is one of Satie's most famous compositions, second in popular recognition only to the "Gymnopédies" (1888). The score was not published until 1911. In performance it lasts around 14 minutes.
Document 9: Violin Sonata No. 1 (Prokofiev): Sergei Prokofiev's Violin Sonata No. 1 in F minor, Op 80, written between 1938 and 1946 (completed two years after Violin Sonata No. 2), is one of the darkest and most brooding of the composer's works.
Document 10: Proserpine (Paisiello): Proserpine is a French-language opera by the Italian composer Giovanni Paisiello. It takes the form of a "tragédie lyrique" in three acts. The libretto, by Nicolas-François Guillard, is a reworking of Philippe Quinault's "Proserpine". Paisiello's opera was first performed on 28 March 1803 at the Paris Opéra.
Document 11: Le feste d'Apollo: Styled a "festa teatrale", "Le feste d'Apollo" consists of a prologue and three self-contained acts on the model of French "opéra-ballet" (the court of Parma was passionately interested in French culture). Gluck knew the Archduchess Maria Amalia well as she had sung in two of his operas, "Il Parnaso confuso" and "La corona", in Vienna. The composer recycled a lot of music from his earlier operas in the score of "Le feste". In fact, the whole of the third act, "Orfeo", is a shorter reworking of his most famous piece, "Orfeo ed Euridice" (1762). The overture to the prologue is taken from "Telemaco". Gluck later reused some of the choruses in two of the operas he wrote for Paris, "Iphigénie en Aulide" and "Iphigénie en Tauride".
Document 12: The Cherry Orchard: The Cherry Orchard (Russian: "Вишнëвый сад" , "Vishnevyi sad " ) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by "Znaniye" (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with "The Seagull", "Three Sisters", and "Uncle Vanya".
Document 13: Gianni Schicchi discography: This is a list of the recordings of Gianni Schicchi, the third of a group of three one-act operas by Giacomo Puccini collectively known as "Il trittico"; the other operas are "Il tabarro" and "Suor Angelica". The three were premiered at the Metropolitan Opera on 14 December 1918, and for the next three years were always played together. After 1921, however, Puccini agreed that the operas could be performed separately. "Gianni Schicchi" became the most popular and most frequently performed of the three, often paired with other works such as Maurice Ravel's "L'heure espagnole" and Richard Strauss's "Salome".
Document 14: The Boor (opera): The Boor is an opera in one act composed by Ulysses Kay to a libretto based on Anton Chekhov's comic play, "The Bear" (also known as "The Boor"). Kay wrote the libretto himself basing it on an English translation of the play by the composer Vladimir Ussachevsky. The opera was commissioned by the Koussevitsky Foundation of the Library of Congress and is dedicated to the memory of Natalie and Serge Koussevitzky. It premiered on 2 April 1968 in concert version at the University of Kentucky in Lexington, Kentucky.
Document 15: Piano Sonata No. 7 (Prokofiev): Sergei Prokofiev's Piano Sonata No. 7 in B♭ major, Op. 83 (1942) (occasionally called the "Stalingrad") is a sonata composed for solo piano, the second of the three "War Sonatas". The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter.
ground_truth: 5 March 1953