Question: Are La púrpura de la rosa and Semiramide both operas?

full_context: Document 1: Sonia Ganassi: Sonia Ganassi (born 1966) is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s "The Barber of Seville" in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas include Elisabetta in "Elisabetta, regina d'Inghilterra" (ROF, 2004), Elena in "La donna del lago (Lady of the Lake)" (Rossini in Wildbad, 2006), "Ermione" (ROF, 2008), and Elcia in "Mosè in Egitto" (ROF, 2011). In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano (EMI Classics 6 98936 2).
Document 2: La púrpura de la rosa: La púrpura de la rosa ("The Blood of the Rose") is an opera in one act, composed by Tomás de Torrejón y Velasco to a Spanish libretto by Pedro Calderón de la Barca, the last great writer of the Spanish Golden Age.
Document 3: Federico Moreno Torroba: Federico Moreno Torroba (3 March 189112 September 1982) was a Spanish composer, conductor, and theatrical impresario. He is especially remembered for his important contributions to the classical guitar repertoire, becoming one of the leading twentieth-century composers for the instrument. He was also one of the foremost composers of zarzuelas, a form of Spanish light opera. His 1932 zarzuela, "Luisa Fernanda", has proved to be enduringly popular. In addition, he composed ballets, symphonic works, and piano pieces, as well as one-act operas and one full-length opera, "El poeta", which premiere in 1980, starring well-known tenor Plácido Domingo. Moreno Torroba also ran his own zarzuela company, which toured extensively, especially in Latin America.
Document 4: Semiramide: Semiramide (] ) is an opera in two acts by Gioachino Rossini.
Document 5: Armida (Mysliveček): Armida is an opera in three acts by Josef Mysliveček set to a libretto by Giovanni Ambrogio Migliavacca based on an earlier libretto by Philippe Quinault. It is one of many operas set at the time of the Crusades that is based on characters and incidents from Torquato Tasso's epic poem "La Gerusalemme liberata". This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria". It incorporates many elements from the operatic "reform" movement of the 1770s, including short vocal numbers and short choruses incorporated into the fabric of the drama and lavish use of accompanied recitative.
Document 6: Marino Faliero (opera): Rossini had influenced the management of the Théâtre-Italien to commission works by the outstanding Italian composers of the day—Donizetti and Vincenzo Bellini. Both wrote operas for that house in Paris, Bellini's contribution being the hugely-successful "I puritani". Donizetti's opera, which premiered on 12 March 1835 (a few months after "I puritani") was not nearly as much of a success. However, it marked Donizetti's first opera to have its premiere in Paris.
Document 7: Partenope (Zumaya): Partenope is an opera in three acts by Manuel de Zumaya. Zumaya adapted the libretto himself from a Spanish translation of Silvio Stampiglia's Italian libretto which was first set for performance in Naples during 1699 with music by Luigi Mancia. All told, Stampiglia's libretto was used by a variety of composers for more than a dozen operas that were produced all over Italy, including versions by Leonardo Vinci and George Frideric Handel. Zumaya's version was commissioned by Viceroy Fernando de Alencastre Noroña y Silva and produced at the viceroyal palace in Mexico City on 1 May 1711. The production is the earliest known full opera produced in North America and the first opera written by an American-born composer. However, "Parténope" is not the earliest opera to be performed in the New World, as some sources have reported. That distinction belongs to Tomás de Torrejón y Velasco's "La púrpura de la rosa", which premiered ten years earlier in Lima, Peru.
Document 8: The History of Cardenio: The History of Cardenio, often referred to as merely Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes' "Don Quixote" involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of "Don Quixote" was published in 1612, and would thus have been available to the presumed authors of the play.
Document 9: Gioachino Rossini: Gioachino Antonio Rossini (] ; 29 February 179213 November 1868) was an Italian composer who wrote 39 operas, as well as some sacred music, songs, chamber music and piano pieces.
Document 10: La Cenerentola: La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic "dramma giocoso" in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale "Cendrillon" by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
Document 11: Tosca: Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
Document 12: Eduardo e Cristina: Eduardo e Cristina (] ) is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto originally written by Giovanni Schmidt for "Odoardo e Cristina" (1810), an opera by Stefano Pavesi, and adapted for Rossini by Andrea Leone Tottola and Gherardo Bevilacqua-Aldobrandini.
Document 13: Río de Sangre: Río de Sangre is a Gothic-themed Spanish-language opera in 3 acts and 14 scenes by the film score composer Don Davis. Kate Gale wrote the original English prose libretto which was translated into Spanish by Alicia Partnoy. Commissioned by the Florentine Opera Company, the work premiered in October 22, 2010 in a production starring soprano Kerry Walsh and tenor John Duykers. The original cast recorded the opera for Albany Records in 2010. The opera is set in an unnamed South American country with a story centering on political intrigue and family tragedy. The role of its main character, Christian Delacruz, the country's newly elected president, was sung by Guido LeBron.
Document 14: Opera in Latin America: The history of opera in Latin America dates back to at least the early 18th century. Opera arrived in Latin America as a consequence of European colonization. On October 19, 1701, "La púrpura de la rosa" premiered in Lima in the Viceroyalty of Peru, the first opera known to be composed and performed in the Americas. It is an opera in one act by Spanish composer Tomás de Torrejón y Velasco with a libretto by Pedro Calderón de la Barca, and is the only surviving opera by Torrejón y Velasco. It tells the myth of the love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance.
Document 15: Rossini Opera Festival: The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to revive and perform his works in a unique setting that allows collaboration of scholars, artists, and audience. It is often simply referred to as the Pesaro Festival.
ground_truth: yes