Question: What is the pyramid building in the city Carlos Villa is from?

full_context: Document 1: Carlos Villa: Carlos Villa (December 11, 1936 – March 23, 2013) was a Filipino-American visual artist, curator and faculty member in the Painting Department at the San Francisco Art Institute. His work often explored the meaning of cultural diversity and sought to expand awareness of multicultural issues in the arts.
Document 2: Mexico City: During the 19th century, an important producer of art was the Academia de San Carlos (San Carlos Art Academy), founded during colonial times, and which later became the Escuela Nacional de Artes Plásticas (the National School of Arts) including painting, sculpture and graphic design, one of UNAM's art schools. Many of the works produced by the students and faculty of that time are now displayed in the Museo Nacional de San Carlos (National Museum of San Carlos). One of the students, José María Velasco, is considered one of the greatest Mexican landscape painters of the 19th century. Porfirio Díaz's regime sponsored arts, especially those that followed the French school. Popular arts in the form of cartoons and illustrations flourished, e.g. those of José Guadalupe Posada and Manuel Manilla. The permanent collection of the San Carlos Museum also includes paintings by European masters such as Rembrandt, Velázquez, Murillo, and Rubens.
Document 3: William Pereira: William Leonard Pereira (April 25, 1909 – November 13, 1985) was an American architect from Chicago, Illinois, who was noted for his futuristic designs of landmark buildings such as the Transamerica Pyramid in San Francisco. Remarkably prolific, he worked out of Los Angeles, and was known for his love of science fiction and expensive cars, but mostly for his unmistakable style of architecture, which helped define the look of mid-20th century America.
Document 4: Montevideo: In the early 1970s (1973, to be particular) when the military junta took over power in Uruguay, art suffered in Montevideo. The art studios went into protest mode, with Rimer Cardillo, one of the country's leading artists, making the National Institute of Fine Arts, Montevideo a "hotbed of resistance". This resulted in the military junta coming down heavily on artists by closing the Fine Art Institute and carting away all the presses and other studio equipment. Consequently, the learning of fine arts was only in private studios run by people who had been let out of jail, in works of printing and on paper and also painting and sculpture. It resumed much later.
Document 5: Carlos Montemayor: Carlos Montemayor (Parral, Chihuahua, June 13, 1947 – Mexico City, February 28, 2010) was a Mexican novelist, poet, essayist, literary critic, tenor, political analyst, and promoter of contemporary literature written in indigenous languages. He was a Member of the Mexican Academy of the Language.
Document 6: Ultima Tower: The Ultima Tower is a hypothetical supertall skyscraper, designed by American architect Eugene Tsui in 1991. It has been envisioned to be built in San Francisco, California and could accommodate up to 1 million people. With a total height of , the tower would be 2 miles tall, and comprise 500 stories if built. It is one of the tallest buildings/man-made structures ever conceived.
Document 7: Transamerica Pyramid: The Transamerica Pyramid at 600 Montgomery Street between Clay and Washington Streets in the Financial District of San Francisco, California, United States, is a 48 - story postmodern building and the second - tallest skyscraper in the San Francisco skyline. Its height will be surpassed by Salesforce Tower, currently under construction. The building no longer houses the headquarters of the Transamerica Corporation, which moved its U.S. headquarters to Baltimore, Maryland, but it is still associated with the company and is depicted in the company's logo. Designed by architect William Pereira and built by Hathaway Dinwiddie Construction Company, at 853 feet (260 m), on completion in 1972 it was the eighth - tallest building in the world.
Document 8: Salesforce Tower: Salesforce Tower, formerly known as the Transbay Tower, is a 1,070 - foot (326 m) office skyscraper under construction in the South of Market district of downtown San Francisco. It is located at 415 Mission Street between First and Fremont Streets, next to the Transbay Transit Center site. Salesforce Tower is the centerpiece of the San Francisco Transbay redevelopment plan. The plan contains a mix of office, transportation, retail, and residential uses. When completed, the tower will be the tallest in San Francisco. With a top roof height of 970 feet (296 m) and an overall height of 1,070 feet (326 m), it will be the second - tallest building west of the Mississippi River after the Wilshire Grand Center in Los Angeles.
Document 9: Mexico City: During the 20th century, many artists immigrated to Mexico City from different regions of Mexico, such as Leopoldo Méndez, an engraver from Veracruz, who supported the creation of the socialist Taller de la Gráfica Popular (Popular Graphics Workshop), designed to help blue-collar workers find a venue to express their art. Other painters came from abroad, such as Catalan painter Remedios Varo and other Spanish and Jewish exiles. It was in the second half of the 20th century that the artistic movement began to drift apart from the Revolutionary theme. José Luis Cuevas opted for a modernist style in contrast to the muralist movement associated with social politics.
Document 10: 580 California Street: 580 California Street is a high rise office building completed in 1987 in the Financial District of San Francisco, California. The postmodern, , 23 story tower is bordered by Kearny Street and California Street, and is topped with three faceless, twelve foot tall statues, on each side of the building on the twenty-third floor. The art installation is entitled "The Corporate Goddesses" by Muriel Castanis, the late designer and creator of the sculptures.
Document 11: Mexico City: Much of the early colonial art stemmed from the codices (Aztec illustrated books), aiming to recover and preserve some Aztec and other Amerindian iconography and history. From then, artistic expressions in Mexico were mostly religious in theme. The Metropolitan Cathedral still displays works by Juan de Rojas, Juan Correa and an oil painting whose authorship has been attributed to Murillo. Secular works of art of this period include the equestrian sculpture of Charles IV of Spain, locally known as El Caballito ("The little horse"). This piece, in bronze, was the work of Manuel Tolsá and it has been placed at the Plaza Tolsá, in front of the Palacio de Minería (Mining Palace). Directly in front of this building is the beautiful Museo Nacional de Arte (Munal) (the National Museum of Art).
Document 12: Houston: Centered on Post Oak Boulevard and Westheimer Road, the Uptown District boomed during the 1970s and early 1980s when a collection of mid-rise office buildings, hotels, and retail developments appeared along Interstate 610 west. Uptown became one of the most prominent instances of an edge city. The tallest building in Uptown is the 64-floor, 901-foot (275 m)-tall, Philip Johnson and John Burgee designed landmark Williams Tower (known as the Transco Tower until 1999). At the time of construction, it was believed to be the world's tallest skyscraper outside of a central business district. The new 20-story Skanska building and BBVA Compass Plaza are the newest office buildings built in Uptown after 30 years. The Uptown District is also home to buildings designed by noted architects I. M. Pei, César Pelli, and Philip Johnson. In the late 1990s and early 2000s decade, there was a mini-boom of mid-rise and high-rise residential tower construction, with several over 30 stories tall. Since 2000 more than 30 high-rise buildings have gone up in Houston; all told, 72 high-rises tower over the city, which adds up to about 8,300 units. In 2002, Uptown had more than 23 million square feet (2,100,000 m²) of office space with 16 million square feet (1,500,000 m²) of Class A office space.
Document 13: Mexico City: Mexico City has numerous museums dedicated to art, including Mexican colonial, modern and contemporary art, and international art. The Museo Tamayo was opened in the mid-1980s to house the collection of international contemporary art donated by famed Mexican (born in the state of Oaxaca) painter Rufino Tamayo. The collection includes pieces by Picasso, Klee, Kandinsky, Warhol and many others, though most of the collection is stored while visiting exhibits are shown. The Museo de Arte Moderno (Museum of Modern Art) is a repository of Mexican artists from the 20th century, including Rivera, Orozco, Siqueiros, Kahlo, Gerzso, Carrington, Tamayo, among others, and also regularly hosts temporary exhibits of international modern art. In southern Mexico City, the Museo Carrillo Gil (Carrillo Gil Museum) showcases avant-garde artists, as does the University Museum/Contemporary Art (Museo Universitario Arte Contemporáneo – or MUAC), designed by famed Mexican architect Teodoro González de León, inaugurated in late 2008.
Document 14: Vicente L. Rafael: Vicente L. Rafael is a professor of Southeast Asian history at the University of Washington, Seattle. He received his B.A. in history and philosophy from Ateneo de Manila University in 1977 and his Ph.D. in history at Cornell University in 1984. Prior to teaching at the University of Washington, Rafael taught at the University of California, San Diego and the University of Hawaii at Manoa. Currently, he sits on advisory boards of Cultural Anthropology, Public Culture, and positions.
Document 15: 1201 Third Avenue: 1201 Third Avenue (formerly Washington Mutual Tower) is a , 55-story skyscraper in Downtown Seattle, in the U.S. state of Washington. It is the second-tallest building in the city, the eighth-tallest on the West Coast of the United States, and the 74th-tallest in the United States. Developed by Wright Runstad & Company, construction began in 1986 and finished in 1988. 1201 Third Avenue was designed by Kohn Pedersen Fox Associates and The McKinley Architects. The building was the world headquarters of the financial company Washington Mutual from the building's opening until 2006, when the company moved across the street to the WaMu Center (renamed the Russell Investments Center after the bank collapsed in 2008).
ground_truth: Transamerica Pyramid
sub_queries: What city is Carlos Villa from? Answer: San Francisco
what is the pyramid building in San Francisco Answer: Transamerica Pyramid