Question: Which painter created the 'Beguiling of Merlin' and was closely associated with the later part of the Pre-Raphaelite movement? 

full_context: Document 1: Kelmscott House: Kelmscott House is a Georgian brick mansion at 26 Upper Mall in Hammersmith, overlooking the River Thames. It was the London home of English textile designer, artist, writer and socialist William Morris from October 1878 until his death in October 1896.
Document 2: Evelyn De Morgan: Evelyn De Morgan ( ; 30 August 1855 – 2 May 1919) was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones. Her paintings exhibit spirituality; use of mythological, biblical, and literary themes; the role of women; light and darkness as metaphors; life and death; and allegories of war.
Document 3: Night and Sleep: Night and Sleep is an 1878 painting by Evelyn De Morgan, an English painter whose works were influenced by the style of the Pre-Raphaelite movement.
Document 4: John William Waterhouse: John William Waterhouse {'1': ", '2': ", '3': ", '4': "} (6 April 1849 – 10 February 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Document 5: Merlin (musical): Merlin was a musical based on a concept by popular illusionist Doug Henning and Barbara De Angelis, written by Richard Levinson and William Link, with music (and incidental music) written by Elmer Bernstein and lyrics by Don Black.
Document 6: Frederick Leach: Frederick Richard Leach (1837-1904) was an English master decorator, mural and stained glass painter based in Cambridge. He worked with the architects George Frederick Bodley and George Gilbert Scott Junior, the designer William Morris and the church craftsman Charles Eamer Kempe on many Victorian Gothic revival churches, Cambridge college interiors and church restorations.
Document 7: John Reinhard Weguelin: John Reinhard Weguelin {'1': ", '2': ", '3': 'RWS', '4': "} (June 23, 1849 – April 28, 1927) was an English painter and illustrator, active from 1877 to after 1910. He specialized in figurative paintings with lush backgrounds, typically landscapes or garden scenes. Weguelin emulated the neo-classical style of Edward Poynter and Lawrence Alma-Tadema, painting subjects inspired by classical antiquity and mythology. He depicted scenes of everyday life in ancient Greece and Rome, as well as mythological subjects, with an emphasis on pastoral scenes. Weguelin also drew on folklore for inspiration, and painted numerous images of nymphs and mermaids. His subjects were similar to those of his contemporary, John William Waterhouse, who also specialized in painting the female figure against dramatic backgrounds, but unlike Waterhouse, many of Weguelin's subjects are nude or scantily-clad. Weguelin was particularly noted for his realistic use of light.
Document 8: Ruskin Pottery: The Ruskin Pottery was an English pottery studio founded in 1898 by Edward R. Taylor, the first Principal of both the Lincoln School of Art and the Birmingham School of Art, to be run by his son, William Howson Taylor, formerly a student there. It was named after the artist, writer and social thinker John Ruskin, as the Taylors agreed with, and followed the tenets of Ruskin. The pottery was situated at 173-174 Oldbury Road, Smethwick, then in Staffordshire (now part of Sandwell, in the West Midlands county).
Document 9: Burne-Jones baronets: The Burne-Jones Baronetcy, of Rottingdean in the County of Sussex, and of The Grange in the Parish of Fulham in the County of London, was a title in the Baronetage of the United Kingdom. It was created on 4 May 1894 for the artist and designer Edward Burne-Jones. He was closely associated with the later phase of the Pre-Raphaelite movement. He was succeeded by his eldest son, the second Baronet, who was also a painter. The title became extinct on his death in 1926.
Document 10: List of architectural works by Edmund Sharpe: Edmund Sharpe (1809–1877) was an English architect, architectural historian, railway engineer, and sanitary reformer. Between 1832 and 1835, in receipt of a travelling fellowship, he studied architecture in Germany and southern France. He started his career as an architect in Lancashire in 1835, initially on his own, then from 1845 in partnership with Edward Paley. He mainly designed churches but also some secular buildings, including domestic properties and schools. Sharpe pioneered the use of terracotta as a structural material in church construction, designing what were known as "pot" churches. During this time he also worked on the development of railways in Northwest England, including the design of bridges and the planning of new lines. In 1851 he resigned from his architectural practice, and in 1856 he moved from Lancaster and spent the rest of his career mainly as an railway engineer, first in North Wales, then in Switzerland and southern France. He returned to England in 1866 to live in Scotforth near Lancaster, where he designed a final church near to his home.
Document 11: Jane Morris: Jane Morris (née Jane Burden; 19 October 1839 – 26 January 1914) was an English artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to William Morris (1834–1896), the English textile designer, poet, novelist, translator, and socialist activist, whom she later married, and to Dante Gabriel Rossetti.
Document 12: William Morris: William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain.
Document 13: John Ruskin (painting): John Ruskin is a painting of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
Document 14: Edward Burne-Jones: Sir Edward Coley Burne-Jones, 1st Baronet {'1': ", '2': ", '3': ", '4': "} (28 August 183317 June 1898) was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner & Co. Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in Britain; his stained glass works include the windows of St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St.Edward the Confessor church at Cheddleton Staffordshire.
Document 15: The Beguiling of Merlin: The Beguiling of Merlin is a painting by the Pre-Raphaelite painter Edward Burne-Jones which was created between 1872 and 1877.
ground_truth: Edward Burne-Jones