Question: What is the name for residents of the state of Texas who are culturally descended from the original Spanish-speaking settlers of Texas and northern Mexico who are often associated with a genre of music that originated in New Mexico, United States, dervied from the Puebloan music in the 13th century?

full_context: Document 1: Cubans: Cubans or Cuban people (Spanish: "Cubanos" ) are the inhabitants or citizens of Cuba. Cuba is a multi-ethnic nation, home to people of different ethnic and national backgrounds. As a result, some Cubans do not treat their nationality as an ethnicity but as a citizenship with various ethnicities and national origins comprising the "Cuban people." The majority of Cubans descend from Spaniards. Despite its multi-ethnic composition, the culture held in common by most Cubans is referred to as mainstream Cuban culture, a Western culture largely derived from the traditions of Western European migrants, beginning with the early Spanish settlers, along with other Europeans arriving later but in much smaller numbers, such as the English, French and Italians. There is a West African cultural component which has been somewhat influential, with many Afro-Cubans also being of Haitian or other Afro-Caribbean origin.
Document 2: New Mexican Spanish: New Mexican Spanish (Spanish: "español neomexicano") is a variant of Spanish spoken in the United States, primarily in the northern part of the state of New Mexico and the southern part of the state of Colorado by the Hispanos of New Mexico. Despite a continual influence from the Spanish spoken in Mexico to the south by contact with Mexican migrants who fled to the U.S. from the Mexican Revolution, New Mexico's unique political history and relative geographical and political isolation from the time New Mexico was annexed by United States from Mexico has made New Mexican Spanish differ notably from Spanish spoken in other parts of Hispanic America, with the exception of certain rural areas of northern Mexico and Texas.
Document 3: Latin Americans: Latin Americans (Spanish: "latinoamericanos" , Portuguese: "latino-americanos" , French: "latino-américains" ) are the citizens of the Latin American countries and dependencies. Latin American countries are multi-ethnic, home to people of different ethnic and national backgrounds. As a result, some Latin Americans don't take their nationality as an ethnicity, but identify themselves with both their nationality and their ancestral origins. Aside from the indigenous Amerindian (aka Native American) population, all Latin Americans or their ancestors immigrated within the past five centuries. Latin America has the largest diasporas of Spaniards, Portuguese, Black Africans, Italians, Lebanese and Japanese in the world. The region also has large German (second largest after the United States), French, Chinese and Jewish diasporas.
Document 4: Raramuri Criollo cattle: Raramuri Criollo cattle are, like other Criollo cattle landrace cattle whose specific genetic lineage is linked to the Andalusian region of southern Spain and parts of north Africa. These cattle have sustained life in the harsh arid environment of Copper Canyon, Mexico and are suspected to have adapted over the past 500 years since their introduction to America by early Spanish settlers to the harsh desert climates of Mexico and the south-western United States.
Document 5: Cherokee Nation of Mexico: The Cherokee Nation of Mexico, also known as the Cherokee Nation of Sequoyah of Mexico, Texas, and U.S.A. Reservation and Church is an organization of individuals who claim descent from Cherokee people who migrated to Mexico in the 19th century. They are an unrecognized tribe with a presence in Zaragoza, Coahuila, Mexico. According to Robert J. Conley, the Cherokee Nation of Mexico is recognized by the state of Coahuilla; however, according to the Instituto Nacional de Lenguas Indígenas, which manages the official surveys of indigenous groups in Mexico, the only indigenous peoples in Coahuila are the Kickapoo people.
Document 6: Texas Tornados: Texas Tornados is a Tejano band. Its music is a fusion of conjunto (German and Norteno Mexican fusion music of Texas) with rock and, country, and various Mexican styles.
Document 7: Indigenous music of North America: Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music. In addition to the traditional music of the Native American groups, there now exist pan-tribal and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like waila ("chicken scratch").
Document 8: New Mexico music: New Mexico music is a genre of music that originated in New Mexico, United States, it derives from the Puebloan music in the 13th century, and its further development during the 16th to 19th centuries in Santa Fe de Nuevo México. The music went through several changes during pre-statehood, mostly during the developments of Western. After statehood, New Mexico music became a folk music for the native New Mexicans, mostly with the Pueblo, Navajo, Apache, Neomexicanos, and the descendants of the American frontier. Shortly after statehood, during the early 1900s, elements of Country music and American folk music began to become incorporated into the genre. The 1950s and 1960s brought the influences of Blues, Jazz, Rockabilly, and Rock and roll into New Mexico music; and, during the 1970s, the genre entered popular music in the state, with artists like Al Hurricane and Freddie Brown receiving airtime locally on KANW, and international recognition on the syndicated Val De La O Show. Also, prominently featured on the Val de la O Show were other Southwestern artists performing Regional Mexican and Tejano music, this brought a more general audience to New Mexico music.
Document 9: List of battles fought in New Mexico: This list of battles fought in New Mexico is an incomplete list of military and other armed confrontations that have occurred within the boundaries of the modern U.S. State of New Mexico since European contact. The region was part of the Viceroyalty of New Spain from 1535 to 1682, New France from 1682 to 1762, Kingdom of Spain from 1762 to 1800, French First Republic 1800 to 1803, and Mexico from 1803-1848. Portions of New Mexico were under the administrative control of the Republic of Texas from 1836 to 1846. Full administrative control of New Mexico was established on February 2, 1848 with the signing of the Treaty of Guadalupe Hidalgo which ended the Mexican–American War.
Document 10: Flamenco rock: Flamenco rock or Andalusian rock is a rock music subgenre that emerged from (but is not limited to) the Spanish region of Andalusia throughout the late 1960s and early 1970s. There were some precedents like a couple of albums ("Rock encounter (with Joe Beck)" and "The Soul of Flamenco and the Essence of Rock") by Sabicas, a couple of singles ("El garrotín / Tangos de Ketama" and "Ni recuerdo ni Olvido") by Smash, Gong, Galaxia, Flamenco or even the American band Carmen. However, Triana was recognized as a pioneer of the genre since their music focuses on a complete fusion of the progressive rock and flamenco. Many bands that mix progressive and symphonic rock with flamenco followed them such as Imán Califato independiente, Cai, Guadalquivir, Alameda or Mezquita; that's why the term "Andalusian rock" may be understood simply as flamenco prog. Medina Azahara turned from progressive to a hard rock outfit in the 1980s and they remain as one of the most popular flamenco rock bands in its home nation. Also other flamenco-influenced styles of rock emerged like the flamenco-folk band Veneno, flamenco-jazz-blues band Pata Negra among other bands that melted flamenco with African, reggae or Latin rhythms.
Document 11: Music of Hawaii: The music of Hawaii includes an array of traditional and popular styles, ranging from native Hawaiian folk music to modern rock and hip hop. Hawaii's musical contributions to the music of the United States are out of proportion to the state's small size. Styles like slack-key guitar are well-known worldwide, while Hawaiian-tinged music is a frequent part of Hollywood soundtracks. Hawaii also made a contribution to country music with the introduction of the steel guitar. In addition, the music which began to be played by Puerto Ricans in Hawaii in the early 1900s is called cachi cachi music, on the islands of Hawaii.
Document 12: Tejano: The Tejano ] (Spanish for "Texan") are residents of the state of Texas who are culturally descended from the original Spanish-speaking settlers of Texas and northern Mexico. They may be variously of Criollo Spanish or Mexican American heritage, but may not necessarily be directly descended from the original settlers.
Document 13: Music of Puerto Rico: The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources have been Spain and West Africa, although many aspects of Puerto Rican music reflect origins elsewhere in Europe and the Caribbean and, in the last century, the USA. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the USA, and especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Nevertheless, this entry will emphasize music culture as it has flourished on the island; readers should naturally consult other entries for genres like salsa (most commonly thought of).
Document 14: Music of Arizona: The music of Arizona began with Indigenous music of North America made by Indigenous peoples of Arizona. In the 20th century, Mexican immigrants popularized Banda, corridos, mariachi and conjunto. Other major influences come from styles popular throughout the rest of the United States.
Document 15: Hispanos of New Mexico: The Hispanos of New Mexico (less commonly referred to as Nuevomexicanos) are people of Spanish or Amerindian-Hispanic descent native to the region of Santa Fé de Nuevo Mexico, now the Four Corners region but primarily centering on New Mexico and southern Colorado, in the United States. For most of its modern history, New Mexico belonged to Spain (16th century – 1821) and later Mexico (1821–1848). Like some of the "Californios" and "Tejanos", most settlers in New Mexico were of Spanish ancestry (either directly or through Mexico). The descendants of the settlers make up an ethnic community of more than 340,000 in New Mexico, with others in southern Colorado.
ground_truth: Tejano