Question: Did William Garwood and Edward Buzzell both act in films

full_context: Document 1: Ed Sullivan: Edward Vincent Sullivan (September 28, 1901 – October 13, 1974) was an American television personality, sports and entertainment reporter, and longtime syndicated columnist for the "New York Daily News" and the Chicago Tribune New York News Syndicate. He is principally remembered as the creator and host of the television variety program "The Toast of the Town", later popularly—and, eventually, officially—renamed "The Ed Sullivan Show". Broadcast for 23 years from 1948 to 1971, it set a record as the longest-running variety show in US broadcast history. "It was, by almost any measure, the last great TV show," proclaimed television critic David Hinckley. "It's one of our fondest, dearest pop culture memories."
Document 2: Music Circus: Actor and adventurer St. John Terrell was born in Chicago, Illinois. He started in show business with a carnival act and later starred on the radio show "Jack Armstrong, All American Boy". Referred to as "Sinjun", he served in the Philippines with the USO. When a visiting touring company of an Irving Berlin musical needed performing space, Terrell suggested bulldozing a large pit for a stage in the center and audience on sloping and rising seating all around covered by a tent. This became the genesis to his original New Jersey Music Circus in 1949. Although rejected by the USO, he used his back pay, war bonds and loans after the war, to do it himself. Inspired by Greek amphitheaters, audience members sat in folding chairs no further back than 15 or 16 rows. Although a full orchestra was used, the sets were simple and low to keep sight lines clear. Props were carried on and off by stagehands, in clear view, running up and down aisles. Within 8 years, 30 separate canvas-topped theatres had opened in the US.
Document 3: A. I. Bezzerides: A.I. " Buzz" Bezzerides (August 9, 1908 – January 1, 2007) was an American novelist and screenwriter, best known for writing films noir and action motion pictures, especially several of Warners' "social conscience" films of the 1940s.
Document 4: David Newell (actor, born 1905): David Newell was primarily known as an American character actor, whose acting career spanned from the very beginning of the sound film era through the middle of the 1950s. He made his film debut in a featured role in "The Hole in the Wall", a 1929 film starring Edward G. Robinson and Claudette Colbert. Early in his career he had many featured roles, in such films as: RKO's "The Runaway Bride" in 1929, starring Mary Astor; 1931's "Ten Cents a Dance", starring Barbara Stanwyck and directed by Lionel Barrymore; and "White Heat" in 1934. He would occasionally receive a starring role, as in 1930's "Just Like Heaven", which co-starred Anita Louise. However, by the mid-1930s he was being relegated to mostly smaller supporting roles. Some of the more notable films he appeared in include: "A Star is Born" (1937), which stars Janet Gaynor and Fredric March; "Blondie" (1938); the Bette Davis vehicle, "Dark Victory" (1939); "Day-Time Wife" (1939), starring Tyrone Power and Linda Darnell; "It's a Wonderful World" (1939), with James Stewart and Claudette Colbert; "Rings on Her Fingers" (1942), starring Henry Fonda and Gene Tierney; the Danny Kaye and Dinah Shore film, "Up in Arms" (1944), which also stars Dana Andrews; 1947's "Killer McCoy" with Mickey Rooney, Brian Donlevy, and Ann Blyth; "Homecoming" (1948), starring Clark Gable, Lana Turner, and Anne Baxter; "That Wonderful Urge" (1949), starring Tyrone Power and Gene Tierney; "David and Bathsheba" (1951), starring Gregory Peck and Susan Hayward; and Cecil B. DeMille's 1952 blockbuster, "The Greatest Show on Earth". During his 25-year acting career, he appeared in over 110 films. His final appearance in film was in 1954's "The Eddie Cantor Story", in which he had a small supporting role.
Document 5: New Faces of 1952: New Faces of 1952 is a musical revue with songs and comedy skits. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Robert Clary, Carol Lawrence, Ronny Graham, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick.
Document 6: Florenz Ziegfeld Jr.: Florenz Edward Ziegfeld Jr. (March 21, 1867 – July 22, 1932), popularly known as Flo Ziegfeld, was an American Broadway impresario, notable for his series of theatrical revues, the "Ziegfeld Follies" (1907–1931), inspired by the "Folies Bergère" of Paris. He also produced the musical "Show Boat". He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
Document 7: William Desmond Taylor: William Desmond Taylor (26 April 1872 – 1 February 1922) was an Irish-born American director and actor. He was a popular figure in the growing Hollywood motion-picture colony of the 1910s and early 1920s, having directed 59 silent films between 1914 and 1922 and acted in 27 between 1913 and 1915.
Document 8: William Black (actor): William Black was an American Broadway theatre and silent film actor. He appeared on Broadway in 10 productions from 1899 to 1931, and in 39 films between 1916 and 1941. He also appeared under the names Bill Black, William Wallace Black, William W. Black, and W. W. Black.
Document 9: Edward Buzzell: Buzzell was born in Brooklyn. He appeared in vaudeville and on Broadway, and was hired to star in the 1929 film version of George M. Cohan's "Little Johnny Jones" with Alice Day. Buzzell appeared in a few Vitaphone shorts, and the two-strip Technicolor short "The Devil's Cabaret" (1930) as Satan's assistant. He wrote screenplays in the early 1930s and later produced the popular "The Milton Berle Show" which premiered on television in 1948.
Document 10: William S. Hart: William Surrey Hart (December 6, 1864 – June 23, 1946) was an American silent film actor, screenwriter, director and producer. He is remembered as a foremost western star of the silent era who "imbued all of his characters with honor and integrity." During the late 1910s and early 1920s, he was one of the most consistently popular movie stars, frequently ranking high among male actors in popularity contests held by movie fan magazines.
Document 11: Ed Wood: Edward Davis Wood Jr. (October 10, 1924 – December 10, 1978) was an American filmmaker, actor, writer, producer, and director.
Document 12: William C. deMille: William Churchill de Mille (July 25, 1878 – March 5, 1955) was an American screenwriter and film director from the silent movie era through the early 1930s. He was also a noted playwright prior to moving into film. Once he was established in film he specialized in adapting Broadway plays into silent films.
Document 13: Milton Berle: Milton Berle (born Mendel Berlinger; July 12, 1908 – March 27, 2002) was an American comedian and actor. As the host of NBC's "Texaco Star Theater" (1948–55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during TV's golden age.
Document 14: William Garwood: William Davis Garwood, Jr. (April 28, 1884 – December 28, 1950) was an American stage and film actor and director of the early silent film era in the 1910s.
Document 15: George A. Williams (actor): George A. Williams (August 11, 1854 – February 21, 1936), sometimes known as "G.A. Williams" or simply as George Williams, was an American actor of the silent film era. Born in 1854 in Kinnickinnic, Wisconsin, he broke into the film industry in 1914. He worked mostly in film shorts, appearing in well over 100 of them in his 14-year career. He would also perform in approximately 20 feature-length films during this span. His first film appearance was in the film short, "In the Days of Witchcraft" (1913), and he would make his feature debut in 1916's "The Dumb Girl of Portici", directed by Lois Weber. 1914 would see him appear in several episodes of the serial, "The Hazards of Helen". In 1922, he would be cast as one of the leads in the serial, "In the Days of Buffalo Bill", directed by Edward Laemmle. His final film appearance would be in the 1926 silent film, "The Winner", directed by Harry J. Brown
ground_truth: yes