Question: Who is a film critic, Urszula Urbaniak or Olivier Assayas?

full_context: Document 1: Agnieszka Holland: Agnieszka Holland (born 28 November 1948) is a Polish film and television director and screenwriter. Best known for her political contributions to Polish cinema, Holland is one of Poland's most eminent filmmakers. She began her career as assistant to directors Krzysztof Zanussi and Andrzej Wajda, and emigrated to France shortly before the 1981 imposition of the martial law in Poland.
Document 2: Olivier Assayas: Olivier Assayas (born 25 January 1955) is a French film director, screenwriter and film critic.
Document 3: Éric Rohmer: Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (] , 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter and teacher.
Document 4: Andrzej Żuławski: Andrzej Żuławski (] ; 22 November 1940 – 17 February 2016) was a Polish film director and writer. He was born in Lwów, Poland (now Ukraine). Żuławski often went against mainstream commercialism in his films, and enjoyed success mostly with European art-house audiences.
Document 5: François Ozon: François Ozon (] ; born 15 November 1967) is a French film director and screenwriter whose films are usually characterized by sharp satirical wit and a freewheeling view on human sexuality.
Document 6: Sophia Turkiewicz: Sophia Turkiewicz is an Australian film and television director known for her film "Silver City". "Silver City", which Turkiewicz began during a six-month stay in Poland, was released internationally and won 3 AFI awards. Turkiewicz has also spent six years as a lecturer in the directing department of the Australian Film, Television and Radio School before leaving to direct "Once My Mother".
Document 7: Cold Water (film): Cold Water (French: "L'eau froide" ) is a 1994 French film written and directed by Olivier Assayas. About two troubled teenagers in France during the early 1970s, the film was screened in the Un Certain Regard section at the 1994 Cannes Film Festival.
Document 8: Jacques Rivette filmography: Jacques Rivette (] ; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part "Joan the Maiden", eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, "Aux quatre coins", in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles lead to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on "French Cancan" and Jacques Becker on "Ali Baba and the Forty Thieves". During this period he began writing film criticism for the magazine "Gazette du Cinéma" and later "Cahiers du Cinéma", and was one of the most respected writers by his peers.
Document 9: Walerian Borowczyk: Walerian Borowczyk (21 October 1923 – 3 February 2006) was an internationally known Polish film director described by film critics as a 'genius who also happened to be a pornographer'. He directed 40 films between 1946 and 1988. Borowczyk settled in Paris in 1959. His career as a film director was mainly in France.
Document 10: Man of Marble: Man of Marble (Polish: "Człowiek z marmuru" ) is a 1976 Polish film directed by Andrzej Wajda. It chronicles the fall from grace of a fictional heroic Polish bricklayer, Mateusz Birkut (played by Jerzy Radziwiłowicz), who became the Stakhanovite symbol of an over-achieving worker, in Nowa Huta, a new (real life) socialist city near Kraków. Agnieszka, played by Krystyna Janda in her first role, is a young filmmaker who is making her diploma film (a student graduation requirement) on Birkut, whose whereabouts seems to have been lost two decades later. The title refers to the propagandist marble statues made in Birkut's image. It is somewhat of a surprise that Wajda would have been able to make such a film, "sub silentio" attacking the socialist realism of Nowa Huta, revealing the use of propaganda and political corruption during the period of Stalinism. The film director presaged the loosening grip of the Soviets that came with the Solidarity Movement, though it has been acknowledged by Polish film historians that due to censorship the script languished in development hell since 1962. The film extensively uses original documentation footage from the construction of Nowa Huta and other subjects of Poland's early communist era, as well as the propagandist/inspirational music of Stalinist Poland.
Document 11: Sloane U'Ren: Sloane U'Ren is an award winning British-American Director, Art Director, and Set Designer based in the UK. In 2012 she made her directorial debut with the multi-award winning feature film Dimensions (film), aka "Dimensions: A Line, A Loop, A Tangle of Threads". Dimensions was voted Best Film 2012 at the 37th Boston Science Fiction Film Festival and awarded the Gort Award. Previous Gort Award winners have included Duncan Jones' Moon (film). Dimensions went on to win Best Film at the London Independent Film Festival and Best Film at the Long Island International Film Expo. U'Ren was also awarded Best Director at the Long Island International Film Expo.
Document 12: Mika Urbaniak: Mika Urbaniak (born as Michelle Urbaniak in 1980 in New York City) is a Polish pop singer. She is a daughter of prominent Polish jazz musicians Urszula Dudziak and Michał Urbaniak. Born and raised in the United States, she moved to Poland in 2001. Her style is a mixture of pop music, jazz and hip-hop. In 2010, she won the Polish Society of the Phonographic Industry award Fryderyk in the category "Album of the Year - Pop".
Document 13: Something in the Air (2012 film): Something in the Air (French: Après mai ) is a 2012 French drama film written and directed by Olivier Assayas. The film was selected to compete for the Golden Lion at the 69th Venice International Film Festival. Assayas won the Osella for Best Screenplay.
Document 14: Urszula Urbaniak: Urszula Urbaniak (born 27 December 1962) is a Polish filmmaker and television director.
Document 15: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
ground_truth: Olivier Assayas