Question: When were the mosaics at the church in the same location as OTE Tower created?

full_context: Document 1: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 2: Economy of Greece: Between 1949 and the 1980s, telephone communications in Greece were a state monopoly by the Hellenic Telecommunications Organization, better known by its acronym, OTE. Despite the liberalization of telephone communications in the country in the 1980s, OTE still dominates the Greek market in its field and has emerged as one of the largest telecommunications companies in Southeast Europe. Since 2011, the company's major shareholder is Deutsche Telekom with a 40% stake, while the Greek state continues to own 10% of the company's shares. OTE owns several subsidiaries across the Balkans, including Cosmote, Greece's top mobile telecommunications provider, Cosmote Romania and Albanian Mobile Communications.
Document 3: Ayala Tower One: Tower One & Exchange Plaza is one of the tallest and most well-known skyscrapers in the Philippines. It is located in the Makati Central Business District and has a height of 160 metres (525 feet). The building has 35 floors above ground level, and is originally planned to be the first of three towers for the Ayala Triangle. Plans for the construction of the two additional buildings did not materialize though. The area composes of 3 Buildings, Ayala Tower One, The Makati Stock Exchange (MkSE) and the former trading floor of the Philippine Stock Exchange, along with 2 Buildings Under Construction.
Document 4: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 5: OTE Tower: OTE Tower is a 76-metre-tall tower located in the Thessaloniki International Exhibition Center in central Thessaloniki, Greece. The tower opened in 1966 and was renovated in 2005.
Document 6: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
Document 7: Museum for the Macedonian Struggle (Thessaloniki): The Museum for the Macedonian Struggle is located in the centre of the city Thessaloniki in Central Macedonia, Greece. It occupies a neo-classical building designed by the renowned architect Ernst Ziller and built in 1893. In its six ground-floor rooms the museum graphically illustrates the modern and contemporary history of Greek Macedonia. It presents the social, economic, political and military developments that shaped the presence of Hellenism in the region. This approach enables the visitor to form a global picture, not only of the revolutionary movements in the area, but also of the rapidly changing society of the southern Balkans and its agonizing struggles to balance between tradition and modernization.
Document 8: Mosaic: In the 5th-century Ravenna, the capital of the Western Roman Empire, became the center of late Roman mosaic art. The Mausoleum of Galla Placidia was decorated with mosaics of high artistic quality in 425–430. The vaults of the small, cross-shaped structure are clad with mosaics on blue background. The central motif above the crossing is a golden cross in the middle of the starry sky. Another great building established by Galla Placidia was the church of San Giovanni Evangelista. She erected it in fulfillment of a vow that she made having escaped from a deadly storm in 425 on the sea voyage from Constantinople to Ravenna. The mosaics depicted the storm, portraits of members of the western and eastern imperial family and the bishop of Ravenna, Peter Chrysologus. They are known only from Renaissance sources because almost all were destroyed in 1747.
Document 9: Melbourne: Melbourne's CBD, compared with other Australian cities, has comparatively unrestricted height limits and as a result of waves of post-war development contains five of the six tallest buildings in Australia, the tallest of which is the Eureka Tower, situated in Southbank. It has an observation deck near the top from where you can see above all of Melbourne's structures. The Rialto tower, the city's second tallest, remains the tallest building in the old CBD; its observation deck for visitors has recently closed.
Document 10: Montevideo: The Towers Square, is an area of remarkable aesthetic design, intended to be a platform for the development of business activities, art exhibitions, dance and music performances and social place. This square connects the different buildings and towers which comprise the WTC Complex and it is the main access to the complex. The square contains various works of art, notably a sculpture by renowned Uruguayan sculptor Pablo Atchugarry. World Trade Center 4, with 40 floors and 53,500 square metres (576,000 sq ft) of space is under construction as of 2010[update].[citation needed]
Document 11: Mosaic: The greatest mosaic work of the Palaeologan renaissance in art is the decoration of the Chora Church in Constantinople. Although the mosaics of the naos have not survived except three panels, the decoration of the exonarthex and the esonarthex constitute the most important full-scale mosaic cycle in Constantinople after the Hagia Sophia. They were executed around 1320 by the command of Theodore Metochites. The esonarthex has two fluted domes, specially created to provide the ideal setting for the mosaic images of the ancestors of Christ. The southern one is called the Dome of the Pantokrator while the northern one is the Dome of the Theotokos. The most important panel of the esonarthex depicts Theodore Metochites wearing a huge turban, offering the model of the church to Christ. The walls of both narthexes are decorated with mosaic cycles from the life of the Virgin and the life of Christ. These panels show the influence of the Italian trecento on Byzantine art especially the more natural settings, landscapes, figures.
Document 12: Mosaic: The 9th- and 10th-century mosaics of the Hagia Sophia in Constantinople are truly classical Byzantine artworks. The north and south tympana beneath the dome was decorated with figures of prophets, saints and patriarchs. Above the principal door from the narthex we can see an Emperor kneeling before Christ (late 9th or early 10th century). Above the door from the southwest vestibule to the narthex another mosaic shows the Theotokos with Justinian and Constantine. Justinian I is offering the model of the church to Mary while Constantine is holding a model of the city in his hand. Both emperors are beardless – this is an example for conscious archaization as contemporary Byzantine rulers were bearded. A mosaic panel on the gallery shows Christ with Constantine Monomachos and Empress Zoe (1042–1055). The emperor gives a bulging money sack to Christ as a donation for the church.
Document 13: Heptapyrgion (Thessaloniki): The Heptapyrgion (), modern Eptapyrgio (Επταπύργιο), also popularly known by its Ottoman Turkish name Yedi Kule (Γεντί Κουλέ), is a Byzantine and Ottoman-era fortress situated on the north-eastern corner of the Acropolis of Thessaloniki in Greece. Despite its name, which in both languages means "Fortress of Seven Towers", it features ten, and was probably named after the Yedikule Fortress in Constantinople (modern Istanbul, Turkey). It served as the major redoubt of the city's acropolis, as well as the seat of its garrison commander in Ottoman times, until the late 19th century. It was then converted to a prison (Φυλακές Επταπυργίου), which remained open until 1989. References to the infamous Yedi Kule prison abound in the Greek "rebetika" songs. Restoration and archaeological work began in the 1970s and continues to this day.
Document 14: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 15: Mosaic: There are very few existing mosaics from the Komnenian period but this paucity must be due to accidents of survival and gives a misleading impression. The only surviving 12th-century mosaic work in Constantinople is a panel in Hagia Sophia depicting Emperor John II and Empress Eirene with the Theotokos (1122–34). The empress with her long braided hair and rosy cheeks is especially capturing. It must be a lifelike portrayal because Eirene was really a redhead as her original Hungarian name, Piroska shows. The adjacent portrait of Emperor Alexios I Komnenos on a pier (from 1122) is similarly personal. The imperial mausoleum of the Komnenos dynasty, the Pantokrator Monastery was certainly decorated with great mosaics but these were later destroyed. The lack of Komnenian mosaics outside the capital is even more apparent. There is only a "Communion of the Apostles" in the apse of the cathedral of Serres.
ground_truth: 5th–6th centuries
sub_queries: OTE Tower >> location Answer: Thessaloniki
When were the mosaics at the church in Thessaloniki created? Answer: 5th–6th centuries