Question: Who produced the Crocodile Dundee film set in the city where the headquarters of the company owning Jim Henson Pictures is located?

full_context: Document 1: Paul Davidson (author): It was after moving to Los Angeles, California in 1995 and working in film production at a variety of film companies like New Line Cinema and the Jim Henson Company that he began writing. Davidson is a contributor to National Public Radio's "All Things Considered", Wired Magazine, Mental Floss Magazine and The Los Angeles Times.
Document 2: Jim Henson Pictures: Jim Henson Pictures was an American film studio, owned by The Jim Henson Company and led by Brian and Lisa Henson. It was founded on July 21, 1995, as a joint venture between Jim Henson Productions and Sony Pictures Entertainment. However, the company's films suffered from poor box office performances, which led to Sony breaking from the joint venture after the release of "The Adventures of Elmo in Grouchland"; further films were released under the name of The Jim Henson Company, although they were credited under their former name on "Good Boy!" in 2003. Shortly after the release of "Good Boy!", Jim Henson Pictures went bankrupt and all of the operations were shut down in 2004.
Document 3: Universal Pictures: Anxious to expand the company's broadcast and cable presence, longtime MCA head Lew Wasserman sought a rich partner. He located Japanese electronics manufacturer Matsushita Electric (now known as Panasonic), which agreed to acquire MCA for $6.6 billion in 1990. Meanwhile, around this time, the production subsidiary was renamed Universal Studios Inc., and (in 1990) MCA created MCA/Universal Home Video Inc. for the VHS video cassette (later DVD) sales industry.
Document 4: The Man from Snowy River (1982 film): The movie was not shot in the actual Snowy Mountains but in the Victorian High Country near Mansfield, Victoria, where Burrowes' wife's family had lived for several generations, which was logistically easier. Burt Lancaster and Robert Mitchum were considered for the dual role of Harrison and Spur before Kirk Douglas was cast in the roles.
Document 5: David Allyn: He is the author of four books, including "Make Love, Not War" and "I Can't Believe I Just Did That", and has served as a faculty member at Princeton University and a visiting scholar at Columbia University at the Institute for Social and Economic Research and Policy. He is currently a Visiting Scholar at The New School. His essays have appeared in "The New York Times Magazine" and other publications. While an undergraduate at Brown University, Allyn co-authored a book on transferring from one college to another. He and his co-author (later wife) were profiled in "The Washington Post" and featured on CNN. He has also published articles in "Nonprofit and Voluntary Sector Quarterly", "The Journal of American Studies", "Teachers College Record", "The Advocate", "The Washington Post", "The New York Daily News", "The Boston Globe" and "The San Francisco Chronicle". As an expert on the 1960s, Allyn has appeared on Vh1, The History Channel., and CNN.
Document 6: Kermit the Frog: Jim Henson's characters, including the Muppets, have inspired merchandise internationally, with Chris Bensch, chief curator of Rochester, New York's The Strong National Museum of Play, reporting ``There seems to have been a particular craze for Kermit the Frog in Japan, ''likely due to the`` cuteness appeal.'' Baby Kermit plush toys became popular in the 1980s after the success of Muppet Babies. In 1991, one year after Jim Henson died, merchandise featuring Kermit and other Muppet characters was being sold at Disney theme parks, causing Henson Associates to file a lawsuit against Disney for copyright infringement. Henson alleged that the ``counterfeit merchandise ''falsely indicated that the characters belonged to Disney, although the latter company had the right to exercise use of the characters due to an earlier licensing agreement. The Henson Associates highlighted a T - shirt displaying Kermit, the Disney brand, and a copyright symbol. Disney representative Erwin Okun said the lawsuit was`` outrageous'' and ``an unfortunate break with the legacy of a fine relationship with Disney that Jim Henson left behind ''. Disney later acquired the Muppets, and thusly, clothes, toys and souvenirs depicting Kermit and the Muppets continued to be sold at Disney theme parks and stores.
Document 7: San Andreas (film): On December 17, 2013 Variety reported that the film would be shot at Village Roadshow Studios in Gold Coast, Queensland, Australia. The production was set to start in April 2014 in Queensland, with locations including Ipswich and Brisbane. On March 20, 2014, it was announced that Gods of Egypt had started production in Australia, and San Andreas was set to begin soon after. On April 16, 2014, Johnson tweeted photos from the training for the film.Filming began on April 22, 2014 in Australia and was also shot in the Los Angeles area, Bakersfield, and San Francisco. On May 12, shooting took place in the Lockyer Valley. On May 10–11, shooting was taking place in Los Angeles and then production went back to Australia to complete the rest of shooting. On May 17, second unit was filming scenes in Bakersfield where a helicopter was spotted, while Johnson was busy in Gold Coast. On June 22, the crew was spotted filming disaster scenes on Elizabeth Street in Brisbane.
Document 8: Southern California: The motion picture, television, and music industry is centered on the Los Angeles in southern California. Hollywood, a district within Los Angeles, is also a name associated with the motion picture industry. Headquartered in southern California are The Walt Disney Company (which also owns ABC), Sony Pictures, Universal, MGM, Paramount Pictures, 20th Century Fox, and Warner Brothers. Universal, Warner Brothers, and Sony also run major record companies as well.
Document 9: Universal Pictures: The production arm of the studio still struggled. While there were to be a few hits like The Killers (1946) and The Naked City (1948), Universal-International's new theatrical films often met with disappointing response at the box office. By the late 1940s, Goetz was out, and the studio returned to low-budget films. The inexpensive Francis (1950), the first film of a series about a talking mule and Ma and Pa Kettle (1949), part of a series, became mainstays of the company. Once again, the films of Abbott and Costello, including Abbott and Costello Meet Frankenstein (1948), were among the studio's top-grossing productions. But at this point Rank lost interest and sold his shares to the investor Milton Rackmil, whose Decca Records would take full control of Universal in 1952. Besides Abbott and Costello, the studio retained the Walter Lantz cartoon studio, whose product was released with Universal-International's films.
Document 10: Steven Spielberg: After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews.
Document 11: 500 Days of Summer: David Ng of the Los Angeles Times describes architecture as a star of the film. Tom is seen reading Alain de Botton's The Architecture of Happiness. The film was originally set in San Francisco but was later moved to Los Angeles and the script rewritten to make better use of the location. Buildings used include the Los Angeles Music Center (which includes the Dorothy Chandler Pavilion) and the towers of California Plaza. The older Fine Arts Building is featured in the film, in a scene where Tom shows it to Summer and mentions its designers, Walker and Eisen, two of his favorite architects, although he incorrectly gives the partners' names as ``Walker and Eisner. ''
Document 12: FilmFair: In 1996, the Caspian Group sold FilmFair London's catalogue and production amenities to the Canadian company CINAR, whose purchase included all associated distribution, publication, licensing, and merchandising rights. In 2000, CINAR executives were implicated in a financial scandal, and again in 2001. In 2004, the company rebranded to the Cookie Jar Group, which in turn was acquired by DHX Media in 2012, thus acquiring the rights to the European FilmFair properties and making DHX the largest independent producer of kids programming with 8,550 half hours up from 2,550.
Document 13: Santa Monica, California: Hundreds of movies have been shot or set in part within the city of Santa Monica. One of the oldest exterior shots in Santa Monica is Buster Keaton's Spite Marriage (1929) which shows much of 2nd Street. The comedy It's a Mad, Mad, Mad, Mad World (1963) included several scenes shot in Santa Monica, including those along the California Incline, which led to the movie's treasure spot, "The Big W". The Sylvester Stallone film Rocky III (1982) shows Rocky Balboa and Apollo Creed training to fight Clubber Lang by running on the Santa Monica Beach, and Stallone's Demolition Man (1993) includes Santa Monica settings. Henry Jaglom's indie Someone to Love (1987), the last film in which Orson Welles appeared, takes place in Santa Monica's venerable Mayfair Theatre. Heathers (1989) used Santa Monica's John Adams Middle School for many exterior shots. The Truth About Cats & Dogs (1996) is set entirely in Santa Monica, particularly the Palisades Park area, and features a radio station that resembles KCRW at Santa Monica College. 17 Again (2009) was shot at Samohi. Other films that show significant exterior shots of Santa Monica include Fletch (1985), Species (1995), Get Shorty (1995), and Ocean's Eleven (2001). Richard Rossi's biopic Aimee Semple McPherson opens and closes at the beach in Santa Monica. Iron Man features the Santa Monica pier and surrounding communities as Tony Stark tests his experimental flight suit.
Document 14: Star Wars: From the Adventures of Luke Skywalker: The book was written by Foster and based upon Lucas's original screenplay for the first Star Wars film. On how he got the job, Foster said, ``My agent got a call from Lucas's lawyer of the time, Tom Pollock (now one of the most powerful men in Hollywood). Someone had read a book of mine, Icerigger, knew that I had already done novelizations, and thought I might be the writer to do the novelization of Lucas' new film. I already knew his work through THX 1138 and American Graffiti. I accepted the offer to meet with George, and did so at Industrial Light and Magic, then in a small warehouse in Van Nuys, California (part of greater Los Angeles, and conveniently near my family home). We hit it off well, I got the assignment (for two books), and that's how it happened. ''
Document 15: Crocodile Dundee in Los Angeles: Crocodile Dundee in Los Angeles (also known as Crocodile Dundee III) is a 2001 Australian-American action comedy film, directed by Simon Wincer and starring Paul Hogan. It is the sequel to "Crocodile Dundee II" (1988) and the third film of the "Crocodile Dundee" series. Hogan and Linda Kozlowski reprise their roles as Michael "Crocodile" Dundee and Sue Charlton, respectively. The film was shot on location in Los Angeles and in Queensland. Actor Paul Hogan reported that the inspiration for the storyline came during a tour of Litomyšl, Czech Republic in 1993.
ground_truth: Paul Hogan
sub_queries: Jim Henson Pictures >> owned by Answer: The Jim Henson Company
The Jim Henson Company >> headquarters location Answer: Los Angeles
Crocodile Dundee in Los Angeles >> producer Answer: Paul Hogan