Question:  Plácido Domingo has a vocal range that is a weight between which two characteristics?

full_context: Document 1: Plácido Domingo Ferrer: Plácido Domingo Ferrer (8 March 1907 – 22 November 1987) was a Spanish zarzuela baritone and father of popular operatic tenor Plácido Domingo. Half Catalan and half Aragonese, he grew up and made his early career in Zaragoza, the capital of Aragon. He frequently toured Spain with his soprano wife Pepita Embil. In late 1948, they permanently moved to Mexico, where they successfully ran their own zarzuela company. He also appeared in recordings and on Mexican television.
Document 2: Repertoire of Plácido Domingo: Spanish tenor Plácido Domingo has officially sung 147 roles in Italian, French, German, English, Spanish and Russian. His main repertoire however is Italian ("Otello", Cavaradossi in "Tosca", "Don Carlo", Des Grieux in "Manon Lescaut", Dick Johnson in "La fanciulla del West", Radames in "Aida"), French ("Faust", "Werther", Don José in "Carmen", Samson in "Samson et Dalila"), and German ("Lohengrin", "Parsifal", and Siegmund in "Die Walküre"). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berliner Staatsoper, Don Carlo in "Ernani" at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera. Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 "Washington Post" article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public."
Document 3: Jonas Kaufmann: Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for his performances in "spinto" roles such as Don José in "Carmen", Cavaradossi in "Tosca", Maurizio in "Adriana Lecouvreur", and the title role in "Don Carlos". He has also sung leading tenor roles in the operas of Richard Wagner with success in Germany and abroad, most notably the Metropolitan Opera in New York. He is also an accomplished Lieder singer. In 2014 "The New York Times" described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."
Document 4: Soprano sfogato: Soprano sfogato ("Vented" soprano) is a term which, in the art of singing, designates a contralto or mezzo-soprano who is capable—by sheer industry or natural talent—of extending their upper range and being able to encompass the coloratura soprano tessitura. An upwardly extended "natural" soprano is sometimes called "soprano assoluto."
Document 5: Voice type: A voice type is a particular human singing voice identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points ("passaggio"), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German "Fach" system and the choral music system among many others; no system is universally applied or accepted.
Document 6: Plácido Domingo discography: Plácido Domingo has made hundreds of opera performances, music albums, and concert recordings throughout his career as an operatic tenor. From his first operatic leading role as Alfredo in "La traviata" in 1961, his major debuts continued in swift succession: "Tosca" at the Hamburg State Opera and "Don Carlos" at the Vienna State Opera in 1967; "Adriana Lecouvreur" at the Metropolitan Opera, "Turandot" in Verona Arena and "La bohème" in San Francisco in 1969; "La Gioconda" in 1970; "Tosca" in Royal Opera House, Covent Garden in 1971; "La bohème" at the Bavarian State Opera in 1972; "Il trovatore" at the Paris Opéra in 1973 and "Don Carlo" at the Salzburg Festival in 1975, "Parsifal" in 1992 at the Bayreuth Festival; and the list continues until today; the same role is often recorded more than once.
Document 7: Spinto: Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms "lirico-spinto " or "jugendlich-dramatisch " are used to denote this category of voice.)
Document 8: Vocal weight: Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music. Lighter voices are often associated with the term "lyric" and are usually brighter and more agile; heavier voices are often associated with the term "dramatic" and are usually powerful, rich, and darker. Other voice types like the spinto have a more medium vocal weight. Vocal weight can also affect overall vocal agility; heavier voices often have more difficulty maneuvering through florid coloratura passages than their lighter counterparts, as their weight and power compromises agility. Likewise, dramatic roles are often written with larger orchestras in mind as dramatic voices can carry more easily over larger ensembles.
Document 9: Plácido Domingo: José Plácido Domingo Embil, {'1': ", '2': ", '3': ", '4': "} (] ; born 21 January 1941), known as Plácido Domingo, is a Spanish tenor, conductor and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a "lirico-spinto" tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into almost exclusively baritone parts, most notably Simon Boccanegra. He has performed 147 different roles.
Document 10: Dramatic soprano: A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long-suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A (A) to "high C" (C). Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos.
Document 11: Operalia, The World Opera Competition: Operalia, The World Opera Competition is an annual international competition for young opera singers. Founded in 1993 by Plácido Domingo, the competition has helped launch the careers of several important artists, such as Joseph Calleja, Giuseppe Filianoti, Rolando Villazón, José Cura, Joyce DiDonato, Elizabeth Futral, Inva Mula, Ana María Martínez and Sonya Yoncheva.
Document 12: Lyric soprano: A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups, light and full.
Document 13: David Serero (opera singer): David Serero (born 22 April 1981) is a French baritone opera singer, actor, producer and philanthropist. He has played more than 1,000 concerts worldwide, and has performed lead roles in opera, theater and musicals such as Shylock ("Merchant of Venice"), Othello ("Othello"), Nabucco ("Nabucco"), Don Quixote ("Man of La Mancha"), Escamillo ("Carmen"), Enrico ("Lucia di Lammermoor"), Amonasro ("Aida"), the title roles of Don Giovanni and Rigoletto and starred in more than 100 films and TV series. In 2017, David Serero is honored in the Who's Who America for outstanding achievement in the entertainment world and for his contribution for the betterment of contemporary society.
Document 14: Francesco Dominici (operatic tenor): Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968.
Document 15: Spinto soprano: A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano. It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano.
ground_truth: lyric and dramatic