Question: Henry Purcell and Paul Hindemith, have which occupation in common?

full_context: Document 1: Anton Webern: Anton Friedrich Wilhelm (von) Webern (] ; 3 December 188315 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core among those within and more peripheral to the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Křenek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), Matty Niël, Fré Focke, Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe.
Document 2: Richard Strauss: Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Document 3: Baroque music: Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Document 4: Henry Purcell: Henry Purcell ( or ; c. 10 September 1659 – 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century.
Document 5: Symphony: Mathis der Maler: Symphony: Mathis der Maler ("Matthias the Painter") is among the most famous orchestral works of German composer Paul Hindemith. Music from the symphony was incorporated into, or reworked for, Hindemith's opera "Mathis der Maler", which concerns the painter Matthias Grünewald (or Neithardt).
Document 6: John Blow: John Blow (baptised 23 February 1649 – 1 October 1708) was an English Baroque composer and organist, appointed to Westminster Abbey in 1669. His pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, "Venus and Adonis" (ca. 1680–1687), was thought to influence Henry Purcell's later opera "Dido and Aeneas". In 1687 he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.
Document 7: Purcell Operatic Society: The Purcell Operatic Society was a short-lived but influential London opera company devoted to the production of stage works by Henry Purcell and his contemporaries. It was founded in 1899 by the composer Martin Shaw and folded in 1902. Its stage director and production designer was Gordon Craig whose productions for the company marked the beginning of his career as a theatre practitioner. Their debut production of Purcell's opera "Dido and Aeneas" in 1900 was one of the earliest staged performances of the work in modern times.
Document 8: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 9: Edward Henry Purcell: Edward Henry Purcell (died 1765), organist, printer, and music publisher, was the son of Edward Purcell, and grandson of the English Baroque master, Henry Purcell. He was a chorister in the Chapel Royal in 1737. Upon the death of his father in 1740, he succeeded him as organist of St Clement, Eastcheap.
Document 10: Hochschule für Musik Carl Maria von Weber: The "Carl Maria von Weber" College of Music (Hochschule für Musik "Carl Maria von Weber" in German, and also/formerly known as Dresden Conservatory or Dresden Royal Conservatory) is a college of music in Dresden, Germany.
Document 11: Benjamin Britten: Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist. He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
Document 12: Carl Maria von Weber: Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.
Document 13: Hindemith Prize: The international Paul Hindemith Prize promotes outstanding contemporary composers within the framework of the Schleswig-Holstein Music Festival (SHMF). The award commemorates the musical pedagogy of Paul Hindemith, who wrote the composition "Plöner Musiktag" in 1932 on behalf of the Staatliche Bildungsanstalt Plön. The music prize is endowed with 20,000 € and goes together with a composition commission. The prize is presented annually by the Hindemith Foundation in Blonay (Switzerland), the Walter and Käthe Busche Foundation, the Rudolf and Erika Koch Foundation, the Gerhard Trede Foundation, the Franz Wirth Memorial Trust and the Cultural Office of the Free and Hanseatic City of Hamburg since 1990. Since 2010, the winner is found partly by a composition competition. The work of the prize winner is to be premiered within the framework of the Schleswig-Holstein Music Festival.
Document 14: Purcell Room: The Purcell Room is a concert and performance venue which forms part of the Southbank Centre, one of central London's leading cultural complexes. It is named after the 17th century English composer Henry Purcell and has 370 seats. The Purcell Room has hosted a wide range of chamber music, jazz, mime and poetry recitals. In the context of the Southbank Centre it is the smallest of a set of three venues, the other two being the Royal Festival Hall, a large symphony hall, and the QEH, which is used for orchestral, chamber and contemporary amplified music.
Document 15: Paul Hindemith: Paul Hindemith ( ) (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle "Das Marienleben" (1923), "Der Schwanendreher" for viola and orchestra (1935), and opera "Mathis der Maler" (1938). Hindemith's most popular work, both on record and in the concert hall, is likely the "Symphonic Metamorphosis of Themes by Carl Maria von Weber", written in 1943.
ground_truth: composer