Question: What name is Jose Ramón Gil Samaniego who starred in the 1932 American Film 'Huddle' best known as?

full_context: Document 1: Rudolph Valentino filmography: Rudolph Valentino (1895–1926) was an Italian-born actor in the era of silent films. He emigrated to the United States in 1913 and took a string of temporary menial jobs before becoming a film extra in 1914. He appeared in several films until 1921—many of which are now lost. That year he got his major break when he appeared in the role of Julio in "The Four Horsemen of the Apocalypse". According to Valentino's biographer, Noel Botham, the film was "hailed ... [as] a masterpiece and Valentino as a star"; the film grossed $4.5 million at the North American box office.
Document 2: Ramon Novarro: Jose Ramón Gil Samaniego, best known as Ramón Novarro (February 6, 1899 – October 30, 1968), was a Mexican film, stage and television actor who began his career in silent films in 1917 and eventually became a leading man and one of the top box office attractions of the 1920s and early 1930s. Novarro was promoted by MGM as a "Latin lover" and became known as a sex symbol after the death of Rudolph Valentino.
Document 3: Ramon Novarro: Jose Ramón Gil Samaniego, best known as Ramón Novarro (February 6, 1899 – October 30, 1968), was a Mexican film, stage and television actor who began his career in silent films in 1917 and eventually became a leading man and one of the top box office attractions of the 1920s and early 1930s. Novarro was promoted by MGM as a "Latin lover" and became known as a sex symbol after the death of Rudolph Valentino.
Document 4: Ramón Nomar: Ramón Nomar (born 9 January 1974) is a Spanish pornographic actor. He started his pornographic career around the age of 23, and he has worked with pornographic film producers Reality Kings, Brazzers and New Sensation.
Document 5: Hold Your Man: Hold Your Man is a 1933 American pre-Code romantic drama film directed by an uncredited Sam Wood and starring Jean Harlow and Clark Gable, the third of their six films together. The screenplay by Anita Loos and Howard Emmett Rogers was based on a story by Loos.
Document 6: Hush Money (1921 film): Hush Money is a lost 1921 American silent drama film directed by Charles Maigne and written by Charles Maigne and Samuel Merwin. The film stars Alice Brady, George Fawcett, Larry Wheat, Harry Benham, and Jerry Devine. The film was released in November 1921, by Paramount Pictures.
Document 7: Mata Hari (1931 film): Mata Hari is a 1931 American Pre-Code Metro-Goldwyn-Mayer film loosely based on the life of Mata Hari, an exotic dancer and courtesan executed for espionage during World War I. The film stars Greta Garbo in the title role. It was Garbo's most commercially successful vehicle. Only a censored version of the film is currently available.
Document 8: The Maltese Falcon (1931 film): The Maltese Falcon is a 1931 American pre-Code crime film, based on the novel of the same name by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as Ruth Wonderly. Maude Fulton, Brown Holmes, and Lucien Hubbard (who went uncredited) wrote the screenplay. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and Dwight Frye. The film is based on the 1929 novel "The Maltese Falcon" by Dashiell Hammett published by Alfred A. Knopf, Inc.
Document 9: Huddle (film): Huddle is a 1932 American Pre-Code film directed by Sam Wood and starring Ramon Novarro, Madge Evans, Ralph Graves and Una Merkel. This was the first of two films Ramon Novarro would make in 1932, and his first after appearing in the acclaimed, successful "Mata Hari".
Document 10: Red Dust (1932 film): Red Dust is a 1932 American pre-Code, romantic drama film directed by Victor Fleming and starring Clark Gable, Jean Harlow, and Mary Astor. The film is based on the 1928 play of the same name by Wilson Collison, and was adapted for the screen by John Mahin. "Red Dust" is the second of six movies Gable and Harlow made together, and was produced during the pre-code era of Hollywood. More than 20 years later, Gable starred in a remake, "Mogambo" (1953), with Ava Gardner starring in a variation on the Harlow role and Grace Kelly playing a part similar to one portrayed by Mary Astor in "Red Dust".
Document 11: Hutch Stirs 'em Up: Hutch Stirs 'em Up is a 1923 British silent comedy action film directed by Frank Hall Crane and starring Charles Hutchison, Joan Barry and Malcolm Tod. It was based on the novel "The Hawk of Rede" by Harry Harding.
Document 12: José Venegas &quot;El Bronco&quot;: José Venegas, known as "El Bronco", was a Mexican singer and film actor best known as Epigmenio Zúñiga in the film "La Valentina". Originally from San Buenaventura, Chihuahua, Venegas was born José Montaño. After having migrated to Mexico City, in order to pursue his talent, Venegas appeared in five films in which he also sang until an alleged confrontation with Pedro Infante stooped his career.
Document 13: No Man of Her Own (1932 film): No Man of Her Own is a 1932 American pre-Code romantic drama starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The movie was directed by Wesley Ruggles, and originated as an adaptation of "No Bed of Her Own", a 1932 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title it got from Lewton's novel. It is not related to the 1950 film of the same name.
Document 14: John Gilbert (actor): John Gilbert (born John Cecil Pringle; July 10, 1899 – January 9, 1936) was an American actor, screenwriter and director. He rose to fame during the silent film era and became a popular leading man known as "The Great Lover". At the height of his career, Gilbert rivaled Rudolph Valentino, another silent film era leading man, as a box office draw.
Document 15: Comedy in the Golden Age of Mexican cinema: Film became popular and well known in Mexico during “El Porfiriato” which represents the reign of Porfirio Díaz as dictator in Mexico. On August 6, 1896 the first films began to be released and were called/known as “Vistas”. In other words, views. At the time, the Catholic Church and the press were strongly opposed to the “vistas” because of the violence and women that was portrayed. They protested against them. Another important aspect was the projection of the Mexican Revolution to the public through film. It was a way for many to understand what was happening politically. Many agree that rather than the Mexican Revolution being a repression for the film industry, it was more of a motivator in the way it portrayed every battle and struggle. With the positive energy that the Mexico’s film industries was receiving, it began to evolve into “El Cine Sonoro” which translates to the cinema of sound. This was the era in which sound was being added into the silent films. Sadly, it was not as successful as many directors and film maker though it would be. Many failed to correctly synchronize the audio with the picture. Although to some extent it may have been unsuccessful, it is agreeable that it helped revolutionize film in Latin America. Mexico’s film industry takes its height post “El Cine Sonoro” to what is known as “The Golden Age”. Many film members consider this one of the most successful eras in the history of Mexican cinema. Many recognize the films of this era when they see black and white. It is also important to note that the films also portrayed social issues. Some of the most influential directors and actors are Emilio Fernández, Raul De Anda, Roberto B. Cervenna, Cantinflas, Vitola, Tin Tan, etc. The focus of this article will be on some of top grossing comedian actors of the time Cantinflas, Tin Tan, Clavillazo and others.
ground_truth: Ramón Novarro