Question: What is the language for the person who translated Plato's work to Latin?

full_context: Document 1: Giovanni di Cosimo de' Medici: Giovanni was the son of Cosimo de' Medici the Elder and Contessina de' Bardi, and brother to Piero the Gouty. Unlike the latter, Giovanni enjoyed good health and was seen by Cosimo as his probable successor. From 1438 he directed the branch of the family bank in Ferrara. He received also a humanistic education, showing a major interest in music.
Document 2: University: The rediscovery of Aristotle's works–more than 3000 pages of it would eventually be translated –fuelled a spirit of inquiry into natural processes that had already begun to emerge in the 12th century. Some scholars believe that these works represented one of the most important document discoveries in Western intellectual history. Richard Dales, for instance, calls the discovery of Aristotle's works "a turning point in the history of Western thought." After Aristotle re-emerged, a community of scholars, primarily communicating in Latin, accelerated the process and practice of attempting to reconcile the thoughts of Greek antiquity, and especially ideas related to understanding the natural world, with those of the church. The efforts of this "scholasticism" were focused on applying Aristotelian logic and thoughts about natural processes to biblical passages and attempting to prove the viability of those passages through reason. This became the primary mission of lecturers, and the expectation of students.
Document 3: Humanism: Better acquaintance with Greek and Roman technical writings also influenced the development of European science (see the history of science in the Renaissance). This was despite what A. C. Crombie (viewing the Renaissance in the 19th-century manner as a chapter in the heroic March of Progress) calls "a backwards-looking admiration for antiquity", in which Platonism stood in opposition to the Aristotelian concentration on the observable properties of the physical world. But Renaissance humanists, who considered themselves as restoring the glory and nobility of antiquity, had no interest in scientific innovation. However, by the mid-to-late 16th century, even the universities, though still dominated by Scholasticism, began to demand that Aristotle be read in accurate texts edited according to the principles of Renaissance philology, thus setting the stage for Galileo's quarrels with the outmoded habits of Scholasticism.
Document 4: Giacomo da Lentini: Giacomo da Lentini, also known as Jacopo (il) Notaro, was an Italian poet of the 13th century. He was a senior poet of the Sicilian School and was a notary at the court of the Holy Roman Emperor Frederick II. Giacomo is credited with the invention of the sonnet.
Document 5: Giovanni Cavalcanti (poet): Giovanni Cavalcanti (1444–1509) was an Italian poet from Florence, a member of the Platonic Academy of Florence that met in the Villa Medici at Careggi under the guidance of Marsilio Ficino. Ficino and Cavalcanti were particular friends: Giovanni Cavalcanti lived for many years with Ficino at his villa, and Marsilio dedicated his essay "De amore" (1484) to Cavalcanti, who had urged him to compose it. Ficino introduced the concept of "Platonic love" and addressed many letters to his "Giovanni amico mio perfettisimo" ("Giovanni my most perfect friend").
Document 6: Translation: The Arabs undertook large-scale efforts at translation. Having conquered the Greek world, they made Arabic versions of its philosophical and scientific works. During the Middle Ages, translations of some of these Arabic versions were made into Latin, chiefly at Córdoba in Spain. King Alfonso X el Sabio (Alphonse the Wise) of Castille in the 13th century promoted this effort by founding a Schola Traductorum (School of Translation) in Toledo. There Arabic texts, Hebrew texts, and Latin texts were translated into the other tongues by Muslim, Jewish and Christian scholars, who also argued the merits of their respective religions. Latin translations of Greek and original Arab works of scholarship and science helped advance European Scholasticism, and thus European science and culture.
Document 7: Platonic Academy (Florence): The Neoplatonic Florentine Academy was founded after Gemistus Pletho reintroduced Plato's thoughts to Western Europe during the 1438 -- 39 Council of Florence. It was sponsored by Cosimo de 'Medici, led by Marsilio Ficino and supported by Medici until death of Lorenzo Medici. It was never a formal group but the members considered themselves a modern form of Plato's Academy. Important members were Poliziano, Cristoforo Landino, Pico della Mirandola, and Gentile de' Becchi. The academy would proceed to translate into Latin all of Plato's works, the Enneads of Plotinus, and various other Neoplatonic works.
Document 8: Dolce Stil Novo: Dolce Stil Novo (; Italian for "sweet new style", modern Italian "stile nuovo"), or stilnovismo , is the name given to the most important literary movement of the 13th century in Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Love ("Amore"). "Gentilezza" (Noblemindedness) and "Amore" are indeed topoi in the major works of the period. The name "Dolce Stil Novo" was used for the first time by Dante Alighieri (Canto 24, "Purgatorio"). When he arrives in Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a "stil novo". Precursors to the "dolce stil novo" are found in the Provençal works of the troubadours, such as the Genoese Lanfranc Cigala. The artists of the "stil novo" are called stilnovisti.
Document 9: Giovanni di Bernardo Rucellai: Giovanni di Bernardo Rucellai (20 October 1475 – 3 April 1525) was an Italian humanist, poet, dramatist and man of letters in Renaissance Florence, in Tuscany, Italy. A member of a wealthy family of wool merchants and one of the richest men in Florence, he was cousin to Pope Leo X and linked by marriage to the powerful Strozzi and de' Medici families. He was born in Florence, and died in Rome. He was the son of Bernardo Rucellai (1448–1514) and grandson of Giovanni di Paolo Rucellai (1403–1481). He is now remembered mostly for his poem "Le Api" ("The Bees").
Document 10: Sandro Botticelli: Sandro Botticelli Probable self - portrait of Botticelli, in his Adoration of the Magi (1475) Alessandro di Mariano di Vanni Filipepi c. 1445 Florence, Republic of Florence, (now Italy) (1510 - 05 - 17) May 17, 1510 (aged c. 64) Florence, Republic of Florence Nationality Italian Education Filippo Lippi Known for Painting Notable work Primavera The Birth of Venus The Adoration of the Magi Other works Movement Italian Renaissance
Document 11: Translation: Arabic translation efforts and techniques are important to Western translation traditions due to centuries of close contacts and exchanges. Especially after the Renaissance, Europeans began more intensive study of Arabic and Persian translations of classical works as well as scientific and philosophical works of Arab and oriental origins. Arabic and, to a lesser degree, Persian became important sources of material and perhaps of techniques for revitalized Western traditions, which in time would overtake the Islamic and oriental traditions.
Document 12: Humanism: In the high Renaissance, in fact, there was a hope that more direct knowledge of the wisdom of antiquity, including the writings of the Church fathers, the earliest known Greek texts of the Christian Gospels, and in some cases even the Jewish Kabbalah, would initiate a harmonious new era of universal agreement. With this end in view, Renaissance Church authorities afforded humanists what in retrospect appears a remarkable degree of freedom of thought. One humanist, the Greek Orthodox Platonist Gemistus Pletho (1355–1452), based in Mystras, Greece (but in contact with humanists in Florence, Venice, and Rome) taught a Christianised version of pagan polytheism.
Document 13: Poggio Bracciolini: Gian Francesco Poggio Bracciolini (11 February 1380 – 30 October 1459), best known simply as Poggio Bracciolini, was an Italian scholar and an early humanist. He was responsible for rediscovering and recovering a great number of classical Latin manuscripts, mostly decaying and forgotten in German, Swiss, and French monastic libraries. His most celebrated find was "De rerum natura", the only surviving work by Lucretius.
Document 14: Translation: Meanwhile, in Renaissance Italy, a new period in the history of translation had opened in Florence with the arrival, at the court of Cosimo de' Medici, of the Byzantine scholar Georgius Gemistus Pletho shortly before the fall of Constantinople to the Turks (1453). A Latin translation of Plato's works was undertaken by Marsilio Ficino. This and Erasmus' Latin edition of the New Testament led to a new attitude to translation. For the first time, readers demanded rigor of rendering, as philosophical and religious beliefs depended on the exact words of Plato, Aristotle and Jesus.
Document 15: Cyprus: Epic poetry, notably the "acritic songs", flourished during Middle Ages. Two chronicles, one written by Leontios Machairas and the other by Georgios Voustronios, cover the entire Middle Ages until the end of Frankish rule (4th century–1489). Poèmes d'amour written in medieval Greek Cypriot date back from the 16th century. Some of them are actual translations of poems written by Petrarch, Bembo, Ariosto and G. Sannazzaro. Many Cypriot scholars fled Cyprus at troubled times such as Ioannis Kigalas (c. 1622–1687) who migrated from Cyprus to Italy in the 17th century, several of his works have survived in books of other scholars.
ground_truth: Italian
sub_queries: Who undertook translating Plato's works to Latin? Answer: Marsilio Ficino
Marsilio Ficino >> languages spoken, written or signed Answer: Italian