Question: Jacopo Bertucci, was an Italian painter of the Renaissance period, he painted for the "Basilica of San Vitale" is a church in Ravenna, in which country?

full_context: Document 1: Ostrogothic Ravenna: Ostrogothic Ravenna refers to the time period in which Ravenna was the capital of the Ostrogothic Kingdom in Italy. Ravenna is a city in Northeastern Italy that served as the capital of the Ostrogothic Kingdom which existed between 493 and 553 CE. During that time Ravenna saw a great renovation, in particular under Theodoric the Great (454–526). During his rule Ravenna saw many of its finest monuments constructed or renovated including the Basilica of Sant'Apollinare Nuovo, the Palace of Theoderic and Mausoleum of Theodoric. Many of these monuments reflected Theodoric's, as well as the Goths as a people, religion of Arian Christianity. Though an Arian Christian himself, Theodoric's rule was a time of religious tolerance in the city of Ravenna. His religious tolerance extended also to forging a balance between the Romans and Goths in Ravenna. Theodoric attempted to model Ravenna as a capital equivalent to that of Rome or Constantinople and as such was a defender of classical antiquity in a western world that saw much of its classical heritage disappearing.
Document 2: Giovanni Battista Barbiani: Giovanni Battista Barbiani (1593–1650) was an Italian painter of the Baroque period, active in Ravenna. Among his works are altarpieces of "St. Andrew" and "St. Joseph" for the Franciscan church. For the dome of the chapel of the "Madonna del Sudore" in the Cathedral of Ravenna, he painted a fresco of the "Assumption of the Virgin". He painted a ' St. Peter' in Sant' Agata in Ravenna. He painted in the style of Bartolomeo Cesi. Along with Cesare Pronti, he painted in the church of San Romualdo (designed by Luca Danesi, of the Camaldolese Abbey, now home to the Biblioteca Classense of Ravenna. The grand corridor in the Abbey is also frescoed by Barbiani with famous benedictine and camaldolese monks. His nephew Andrea Barbiani was also a painter in Ravenna and Rimini.
Document 3: Titular Bishopric of Vita: The Titular Bishopric of Vita (Vitensis) was a Roman–Berber civitas in Africa Proconsularis. It is a former Christian diocese and Latin Catholic titular see. The name Vita means life.
Document 4: Jacopo Bertucci: Jacopo Bertucci (active first half 16th century) was an Italian painter of the Renaissance period. He is also known as Jacopone da Faenza. He was born in Faenza, and worked under Raphael in Rome. One of his pupils was Taddeo Zuccari. He was active c. 1530 and painted in the manner of Raphael. He painted for the church of San Vitale at Ravenna. He died at the age of 20.
Document 5: San Vitale, Rome: The Basilica of Sts. Vitalis, Valeris, Gervase and Protase (Italian: "Basilica di Santi Vitale e Compagni Martiri in Fovea" , Latin: "Ss. Vitalis, Valeriae, Gervasii et Protasii" ) is a titular minor basilica church in Rome. The Roman Catholic church is commonly named Basilica di San Vitale. The Cardinal Priest of the "Titulus S. Vitalis" is Adam Maida.
Document 6: Jacopo Puccini: Jacopo (Giacomo) Puccini (] ; 26 January 1712 16 May 1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Document 7: Small Cowper Madonna: The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside. It has been dated to around 1505, the middle of the High Renaissance.
Document 8: St Mark's Basilica: The Patriarchal Cathedral Basilica of Saint Mark (Italian: "Basilica Cattedrale Patriarcale di San Marco" ), commonly known as Saint Mark's Basilica (Italian: "Basilica di San Marco" ; Venetian: "Baxéłega de San Marco" ), is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the city's churches and one of the best known examples of Italo-Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello.
Document 9: Raphael: Raffaello Sanzio da Urbino (] ; March 28 or April 6, 1483April 6, 1520), known as Raphael ( , ), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Document 10: Porta San Vitale, Bologna: Porta San Vitale, sometimes known as Porta per Ravenna, was an eastern portal of the former outer medieval walls of the city of Bologna, Italy. It is located on a piazza of the same name, immediately west of the intersection of Via San Vitale with the Viale di Ciconvallazione.
Document 11: Portrait of Baldassare Castiglione: Portrait of Baldassare Castiglione is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael. Considered one of the great portraits of the Renaissance, it has an enduring influence. It depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman.
Document 12: Jacopo d'Avanzi: Jacopo d'Avanzi (after 1350s – 1416) was an Italian painter of the Renaissance period. He is also known as "Jacopo Avanzi" or "Jacopo de Avanzi", although apparently often confused with other artists, including "Jacopo de' Bavozi" and the Vicentine "Avanzo".
Document 13: Pellegrino Aretusi: Pellegrino Aretusi (ca. 1460–1523), also known as Pellegrini de Modena and as Pellegrino Munari, was an Italian painter who was born in Modena, Italy. His early instruction was from his father Giovanni Munari. About 1509, Pellegrino went to Rome to assist Raphael at the Vatican. Pellegrino was then commissioned to paint frescos in the Church of St. Eustachio and the Church of St. Giacomo degli Spagnuoli, both in Rome. He was murdered November 20, 1523 by relatives of a youth whom his son had killed.
Document 14: Basilica: A basilica is a type of building, usually a Christian church, that is typically rectangular with a central nave and aisles, usually with a slightly raised platform and an apse at one or both ends. In Europe and the Americas it is the most common architectural style for churches though this building plan has become less dominant in new buildings since the later 20th century. Today the term "basilica" is often used to refer to any large, ornate church building, especially Roman Catholic and Eastern Orthodox, even if it does not strictly follow this style.
Document 15: Basilica of San Vitale: The "Basilica of San Vitale" is a church in Ravenna, Italy, and one of the most important examples of early Christian Byzantine art and architecture in Europe. The Roman Catholic Church has designated the building a "basilica", the honorific title bestowed on church buildings of exceptional historic and ecclesial importance, although of course it is not of architectural basilica form. It is one of eight Ravenna structures inscribed on the UNESCO World Heritage List.
ground_truth: Italy