Question: Franz Liszt, a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary based his play on a work by which Lord?

full_context: Document 1: Franz Liszt: Franz Liszt (] ; Hungarian: "Liszt Ferencz" , in modern usage "Liszt Ferenc", ] ; October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary.
Document 2: Dreams of Love – Liszt: Dreams of Love – Liszt (Hungarian: "Szerelmi álmok – Liszt" , also known in English as "The Loves of Liszt") is a Hungarian-Soviet epic musical/drama produced and directed by Márton Keleti, based on the biography of the Hungarian composer and pianist Franz Liszt.
Document 3: Hochschule für Musik Franz Liszt, Weimar: The University of Music FRANZ LISZT Weimar (in German: Hochschule für Musik Franz Liszt Weimar) is an institution of music in Weimar, Germany.
Document 4: Sapho (Massenet): Sapho is a "pièce lyrique" ("lyric play", an opera in a declamatory style) in five acts. The music was composed by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel of the same name by Alphonse Daudet. It was first performed on 27 November 1897 by the Opéra Comique at the Théâtre Lyrique on the Place du Châtelet in Paris with Emma Calvé as Fanny Legrand. A charming and effective piece, the success of which is highly dependent on the charisma of its lead soprano, it has never earned a place in the standard operatic repertory.
Document 5: Lost operas by Jean-Philippe Rameau: The musical scores to several operas by the French composer Jean-Philippe Rameau have been lost. They include two major "tragédies en musique", "Samson" and "Linus", and a one-act pastoral opera "Lisis et Délie". The music to these pieces was substantially complete and was performed in rehearsal but for various reasons - including censorship in the case of "Samson" - they were never publicly staged. Rameau also wrote a "divertissement" for Alexis Piron's play "Les courses de Tempé", which did appear at the theatre in 1734. The music to all these works has been almost completely lost, although there is evidence Rameau reused some of it in his later operas. Rameau also began other operatic projects, which were either abandoned at an early stage ("Pandore") or broken up to form shorter works ("Les beaux jours de l'Amour").
Document 6: Life of Franz Liszt: Franz Liszt (October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary. Liszt is widely considered to be the greatest pianist of all time.
Document 7: Héroïde funèbre (Liszt): Héroïde funèbre , S. 102, is a symphonic poem written by Franz Liszt in 1850 and published in 1857 as No. 8. The work originated as the first movement of a planned "Revolutionary Symphony" inspired by the July Revolution. Liszt pays homage in this programmatic symphonic poem to the soldiers and men that died fighting in revolutionary efforts. The composition of this piece was started in 1830 as a brief sketch for a full symphony, but was dropped by Liszt in the continuing of other works. However, in 1848, there was an uprising in Liszt's home country of Hungary. One of Liszt's friends was killed during this revolution, which caused Liszt to revisit his now 20 year old sketch of the Revolutionary Symphony, shortening it and forming the first movement into the commemorative Héroïde funèbre. Liszt said of the program, "In these successive wars and carnages, sinister sports, whatever be the colours of the flags which rise proudly and boldly against each other, on both sides they float soaked with heroic blood and inexhaustible tears. It is for Art to throw her ennobling veil over the tomb of the brave, to encircle with her golden halo the dead and dying, that they may be the envy of the living."
Document 8: Hamlet (Liszt): Hamlet, S.104, is a symphonic poem by Franz Liszt, written in 1858 and published as No. 10. It was not performed until 2 July 1876. Like all but one of Liszt's 13 symphonic poems, "Hamlet" was written while Liszt was working in Weimar and is dedicated to Carolyne zu Sayn-Wittgenstein. After viewing Bogumil Dawison play Hamlet in Weimar (1856), Liszt wrote: "He does not make him into an indecisive dreamer who collapses under the power of his mission, as he is regarded since Goethe's theory in "Wilhelm Meister", but much more as a gifted, enterprising prince with important political views who is waiting for the right moment to complete his work of revenge and come to the aim of his ambition, that is, to be crowned king in place of his uncle. This goal can naturally not be reached in twenty-four hours and the clever anticipation which Shakespeare has put into the role of Hamlet and the negotiations with England which come clearly to the light of day at the end of the drama according to my view justify Dawson's interpretation, which Herr von Goethe and the aesthetes should not take too badly. Regarding Ophelia, Liszt wrote: "She is loved by Hamlet, but Hamlet, like every exceptional person, imperiously demands the wine of life and will not content himself with the buttermilk. He wishes to be understood by her without the obligation of explaining himself to her. She collapses under her mission, because she is incapable of loving him in the way that he must be loved, and her madness is only the decrescendo of her feeling, whose lack of sureness has not allowed her to remain on the level of Hamlet." Liszt's "Hamlet" is meant as a psychological study of the title character; only two brief references are made to Ophelia, both marked as "to be played as quietly as possible and sound like a shadowy picture."
Document 9: Sardanapale: Sardanapale (French for "Sardanapalus"), S.687, is an unfinished opera by Franz Liszt based loosely on the 1821 verse play "Sardanapalus" by Lord Byron.
Document 10: Feuille d'album, S.165 (Liszt): Feuille d'Album (S.165) is a solo piano piece by Hungarian composer and virtuoso pianist Franz Liszt, composed in 1841 and published in 1844.
Document 11: Salome (opera): Salome, Op. 54, is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann's German translation of the French play "Salomé" by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Document 12: Hunnenschlacht (Liszt): Hunnenschlacht (The Battle of the Huns), S.105, is a symphonic poem by Franz Liszt, written in 1857 after a painting of the same name by Wilhelm von Kaulbach.
Document 13: Franz Liszt Academy of Music: The Liszt Ferenc Academy of Music (Hungarian: "Liszt Ferenc Zeneművészeti Egyetem" , often abbreviated as "Zeneakadémia", "Music Academy") is a concert hall and music conservatory in Budapest, Hungary, founded on November 14, 1875. It is home to the Liszt Collection, which features several valuable books and manuscripts donated by Franz Liszt upon his death, and the AVISO studio, a collaboration between the governments of Hungary and Japan to provide sound recording equipment and training for students. The Liszt Ferenc Academy of Music was founded by Franz Liszt himself (though named after its founder only in 1925, approx. 50 years after it was relocated to its current location at the heart of Budapest). Between 1877-1879 the Academy moved into its present building, a masterpiece of art Neo-Renaissance architecture.
Document 14: Lord Byron (opera): Lord Byron is an opera in three acts by Virgil Thomson to an original English libretto by Jack Larson, inspired by the historical character Lord Byron. This was Thomson's third and final opera. He wrote it on commission from the Ford Foundation for the Metropolitan Opera (Met), but the Met never produced the opera. The first performance was at Lincoln Center, New York City on April 20, 1972, by the music department of the Juilliard School with John Houseman as stage director, Gerhard Samuel as the conductor and Alvin Ailey as the choreographer. A performance of a revised version, by the composer, took place in 1985 with the New York Opera Repertory Theater.
Document 15: Béla Bartók: Béla Viktor János Bartók ( ; ] ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and an ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers . Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.
ground_truth: Lord Byron