Question: Friedrich Klose (1862–1942) was a German composer, his opera "Ilsebill" (1903) is inspired by the music of Richard Wagner and which leading German composer of the late Romantic and early modern eras? 

full_context: Document 1: Die Kluge: Die Kluge. Die Geschichte von dem König und der klugen Frau ("The Wise [Girl]. The Story of the King and the Wise Woman") is an opera in 12 scenes written by Carl Orff. It premiered in Frankfurt, Germany, on 20 February 1943. Orff referred to this opera as a "Märchenoper " (fairy tale opera). The composer also wrote the libretto, based on "Die Kluge Bauerntochter" ("The Peasant's Wise Daughter") from the Grimm's Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's "Der Mond".
Document 2: Also sprach Zarathustra (Strauss): Also sprach Zarathustra , Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel of the same name. The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour.
Document 3: Capriccio (opera): Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
Document 4: Johann Friedrich Kind: Johann Friedrich Kind (4 March 1768 Leipzig – 24 June 1843) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera "Der Freischütz" (1821).
Document 5: George Brütsin IV: Sir George Brütsin IV (1862–1943) was an English late romantic composer of classical music, one of the most renowned of the era. He is widely acclaimed for his use of chromaticism, vast orchestration, and reversion to neo-baroque style towards the end of his life. Along with Richard Strauss, Anton Bruckner, and Gustav Mahler, he represented the flowering period of late romanticism of Richard Wagner. Brütsin is best known for his six symphonies, especially his Second and Seventh; his concerti, which include his Horn Concerto in Eb-Major, Op. 2 and his two Oboe Concertos, Op. 35 and 72; and his operas, which include "Isht und Rokoko" and "Semele and Zeus", two standards of operatic repertoire.
Document 6: Ludwig van Beethoven: Ludwig van Beethoven ( , ; ] ; baptised 17 December 177026 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the "Missa solemnis", and one opera, "Fidelio".
Document 7: Salome (opera): Salome, Op. 54, is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann's German translation of the French play "Salomé" by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Document 8: Gottfried von Strassburg: Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance "Tristan", an adaptation of the 12th-century "Tristan and Iseult" legend. Gottfried's work is regarded, alongside Wolfram von Eschenbach's "Parzival" and the "Nibelungenlied", as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera "Tristan und Isolde" (1865).
Document 9: Richard Wagner: Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 10: Friedrich Klose: Friedrich Klose (1862–1942) was a German composer. His opera "Ilsebill" (1903) is inspired by the music of Richard Wagner and Richard Strauss, and the plot is based on the Brothers Grimm tale of a fisherman who catches a huge fish which grants wishes.
Document 11: Parsifal: Parsifal (WWV 111) is an opera in three acts by German composer Richard Wagner. It is loosely based on "Parzival" by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail (12th century).
Document 12: Richard Strauss: Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Document 13: Hector Berlioz: Louis-Hector Berlioz (] (English: ); 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions "Symphonie fantastique" and "Grande messe des morts" (Requiem). Berlioz made significant contributions to the modern orchestra with his "Treatise on Instrumentation". He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians. He also composed around 50 songs. His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, and Gustav Mahler.
Document 14: Lohengrin (opera): Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the "Parzival" of Wolfram von Eschenbach and its sequel, "Lohengrin", written by a different author, itself inspired by the epic of "Garin le Loherain". It is part of the Knight of the Swan tradition.
Document 15: The Fisherman and His Wife: "The Fisherman and His Wife" is a German fairy tale collected by the Brothers Grimm, tale no. 19. It is Aarne–Thompson type 555, the fisherman and his wife. Its theme was used in "The Tale of the Fisherman and the Fish", an 1833 poem by Aleksandr Pushkin. Virginia Woolf has her character Mrs. Ramsey in "To the Lighthouse" read a version of the story to her son, James. Günter Grass's 1977 novel, "The Flounder," is loosely based on the fairy tale, as are Emanuele Luzzati's version, "Punch and the Magic Fish," and Ursula LeGuin's novel "The Lathe of Heaven".
ground_truth: Richard Georg Strauss