Question: la faniciulla del west by giacomo is also known as which musical western film by David Belasco?

full_context: Document 1: Ch'ella mi creda: "Ch'ella mi creda" is a tenor aria from act 3 of the opera "La fanciulla del West" by Giacomo Puccini. It is the tenor aria sung by Dick Johnson (a.k.a. the bandit "Ramerrez") before he is to be executed by a lynch mob of gold prospectors led by Sheriff Jack Rance. In the aria, Johnson asks them not to tell Minnie, whom he loves, that he has been killed. Instead, he asks them to "let her believe" (the title phrase, "ch'ella mi creda") that he is far away, on the road to redemption from his bandit past.
Document 2: Madame Butterfly (play): Madame Butterfly: A Tragedy of Japan is a play in one act by David Belasco adapted from John Luther Long's 1898 short story "Madame Butterfly". It premiered on March 5, 1900, at the Herald Square Theatre in New York City and became one of Belasco's most famous works. The play and Long's short story served as the basis for the libretto of Puccini's 1904 opera, "Madama Butterfly". The title role was originally played in New York and London by Blanche Bates; in 1900–01 in New York by Valerie Bergere; and in 1913 by Clara Blandick.
Document 3: In questa reggia: "In questa reggia" ("In this palace") is an aria from Giacomo Puccini's opera "Turandot" set to a libretto in Italian by Giuseppe Adami and Renato Simoni. The text is based on Friedrich Schiller's adaptation of the play "Turandot" by Carlo
Document 4: Tosca: Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
Document 5: Giuditta: Giuditta is an operatic "musikalische Komödie " (German for "musical comedy") in five scenes, with music by Franz Lehár and a German libretto, by and Fritz Löhner-Beda. Scored for a large orchestra, it was Lehár's last and most ambitious work, written on a larger scale than his previous operettas. Of all his works it is the one which most approaches true opera, the resemblances between the story and that of Bizet's "Carmen" and its unhappy ending heightening the resonances. Perhaps the best known song in the work is the soprano aria "Meine Lippen, sie küssen so heiß ", sung by Giuditta in the fourth scene. Another strong influence, especially for the North African setting, was the 1930 movie "Morocco", starring Marlene Dietrich and Gary Cooper in very similar central roles, she being a singer-dancer, he being a soldier.
Document 6: The Girl of the Golden West (1915 film): The Girl of the Golden West is a surviving 1915 American Western film directed by Cecil B. DeMille. It was based on the 1905 play "The Girl of the Golden West" by David Belasco. Prints of the film survive in the Library of Congress film archive. It was the first of four film adaptations that have been made of the play.
Document 7: The Girl of the Golden West (1923 film): The Girl of the Golden West is a lost 1923 silent film Western directed and produced by Edwin Carewe and starring Sylvia Breamer, J. Warren Kerrigan, and Russell Simpson. It was distributed through Associated First National Pictures. It is based on the 1905 David Belasco play "The Girl of the Golden West".
Document 8: Turandot: Turandot ( ; ] ; ) is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.
Document 9: The Girl of the Golden West (1938 film): The Girl of the Golden West is a 1938 musical western film. It was adapted from the play of the same name by David Belasco, better known for providing the plot of the opera "La fanciulla del West" by Giacomo Puccini. A frontier woman falls in love with an outlaw.
Document 10: The Belle Starr Story: The Belle Starr Story/Il mio corpo per un poker is a 1968 Italian made episodic "Bonnie and Clyde" type spaghetti western co-written and co-directed by Lina Wertmüller and starring Elsa Martinelli who also sings the title song. It is the only spaghetti western directed by a woman and one of the few which stars a woman in the title role. Wertmüller replaced after a few days Piero Cristofani, who was at his directorial debut.
Document 11: Un bel dì vedremo: "Un bel dì vedremo " ("One fine day we’ll see") is a soprano aria from the opera "Madama Butterfly" (1904) by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San/Madama Butterfly (on stage with Suzuki), when she imagines and performs the return of Pinkerton on a white ship, signalled by a thread of smoke on the far horizon.
Document 12: Madama Butterfly: Madama Butterfly (] ; "Madam Butterfly") is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa.
Document 13: La bohème: La bohème (] , ] ) is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on "Scènes de la vie de bohème" by Henri Murger. The world premiere performance of "La bohème" was in Turin on 1 February 1896 at the Teatro Regio, conducted by the young Arturo Toscanini; its U.S. premiere took place the following year, 1897, in Los Angeles. Since then, "La bohème" has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide.
Document 14: La fanciulla del West: La fanciulla del West ("The Girl of the West") is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the play "The Girl of the Golden West" by the American author David Belasco. "Fanciulla" followed "Madama Butterfly", which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that are characteristic of other Puccini works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. "Fanciulla" displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian.
Document 15: Pelléas et Mélisande (opera): Pelléas et Mélisande ("Pelléas and Mélisande") is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play "Pelléas et Mélisande". It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
ground_truth: The Girl of the Golden West