Question: The director of the film "Muriel" also directed a film from a screen play by who?

full_context: Document 1: Night and Fog (1956 film): Night and Fog (French: "Nuit et brouillard" ) is a 1956 French documentary short film. Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps. The title is taken from the notorious "Nacht und Nebel" (German for "Night and Fog") program of abductions and disappearances decreed by the Nazis on 7 December 1941.
Document 2: Myriem Roussel: Myriem Roussel is a French actress born in Rabat (Morocco) on 26 December 1961. She is most noted for her role as Marie in Jean-Luc Godard's 1985 film "Je Vous Salue Marie/Hail Mary" which was controversial at the time. She had come to Godard's attention when she appeared as an extra in Passion. Other film appearances include The Patriots (1994), Dark at Noon (1993), the 1985 adaptation of Yasunari Kawabata's 1964 novel Beauty and Sadness, and (1983)
Document 3: Marguerite Duras: Marguerite Donnadieu, known as Marguerite Duras (] ; 4 April 1914 – 3 March 1996), was a French novelist, playwright, scriptwriter, essayist, and experimental filmmaker. Her 1959 film "Hiroshima mon amour", earned her a nomination for Best Original Screenplay at the Academy Awards.
Document 4: That Obscure Object of Desire: That Obscure Object of Desire (French: Cet obscur objet du désir ; Spanish: Ese oscuro objeto del deseo ), a French and Spanish co-production released in 1977, was the final film directed by Luis Buñuel. Set in Spain and France against the backdrop of a terrorist insurgency, the film conveys the story told through a series of flashbacks by an aging Frenchman, Mathieu, played by Fernando Rey, who recounts falling in love with a beautiful young Spanish woman, Conchita, played interchangeably by two actresses, Carole Bouquet and Angela Molina, that repeatedly frustrates his romantic and sexual desires.
Document 5: Resistance, Rebellion, and Death: Resistance, Rebellion, and Death is a 1960 collection of essays written by Albert Camus and selected by the author prior to his death. The essays here generally involve conflicts near the Mediterranean, with an emphasis on his home country Algeria, and on the Algerian War of Independence in particular. He also criticizes capital punishment ("Reflections on the Guillotine") and totalitarianism in particular.
Document 6: Torture during the Algerian War of Independence: Elements of the French Armed Forces as well as of the opposing Algerian National Liberation Front (FLN) made use of torture during the Algerian War of Independence (1954–62), creating an ongoing public controversy. Pierre Vidal-Naquet confessed that there were "hundreds of thousands of instances of torture" by the French military in Algeria. The Algerian National Liberation Front (FLN) were engaged in the use of torture against pro-French and uncommitted members of the Algerian population, to justify the use of torture (by the French).
Document 7: Muriel (film): Muriel (French: Muriel ou le Temps d'un retour , literally "Muriel, or the Time of a Return") is a 1963 French film directed by Alain Resnais. It was Resnais's third feature film, following "Hiroshima mon amour" (1959) and "L'Année dernière à Marienbad" (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. "Muriel" was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of "Nuit et brouillard" ("Night and Fog") (1955).
Document 8: Hiroshima mon amour: Hiroshima mon amour (] , "Hiroshima My Love"; Japanese: 二十四時間の情事 "Nijūyojikan'nojōji", "Twenty-four-hour affair") is a 1959 drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras. It is the documentation of an intensely personal conversation between a French-Japanese couple about memory and forgetfulness. It was a major catalyst for the Left Bank Cinema, making highly innovative use of miniature flashbacks to create a uniquely nonlinear storyline.
Document 9: Alain Resnais: Alain Resnais (] ; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included "Night and Fog" (1955), an influential documentary about the Nazi concentration camps.
Document 10: La Douleur: La Douleur "(War: A Memoir)" is a controversial, semi-autobiographical work by Marguerite Duras published in 1985 but drawn from diaries that she supposedly wrote during World War II. It is a collection of six texts recounting a mix of her experiences of the Nazi Occupation of France, with fictional details. She claims to have "forgotten" ever writing the diary in which she recorded her wartime experiences, but most critics believe that to be a deliberate attempt to confuse autobiography and fiction. Duras' work is often cited as part of the Nouveau Roman movement which tried to redefine traditional ideas about set categories of books, fiction, non-fiction, biography, autobiography, etc.
Document 11: René Clair: René Clair (11 November 1898 – 15 March 1981) born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include "The Italian Straw Hat" (1928), "Under the Roofs of Paris" (1930), "Le Million" (1931), "À nous la liberté" (1931), "I Married a Witch" (1942), and "And Then There Were None" (1945).
Document 12: Last Year at Marienbad: L'Année dernière à Marienbad (released in the US as Last Year at Marienbad and in the UK as Last Year in Marienbad) is a 1961 French-Italian film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.
Document 13: Chronique d'un été: Chronique d'un été (Chronicle of a Summer) is a 1961 French documentary film shot during the summer of 1960 by sociologist Edgar Morin and anthropologist and filmmaker Jean Rouch, with the technical and aesthetic collaboration of Québécois director-cameraman Michel Brault.
Document 14: The Last Mistress: The Last Mistress (French: "Une vieille maîtresse" , literally "An old mistress") is a 2007 French-Italian film based on the novel "Une vieille maîtresse" by the French writer Jules Barbey d'Aurevilly. It stars Asia Argento and Fu'ad Aït Aattou as the two main characters. The movie was directed by the French filmmaker Catherine Breillat and was entered into the 2007 Cannes Film Festival.
Document 15: Algerian War: The Algerian War, also known as the Algerian War of Independence or the Algerian Revolution (Arabic: الثورة الجزائرية‎ ‎ "Al-thawra Al-Jazaa'iriyya ";, Berber: ;, French: "Guerre d'Algérie" or "Révolution algérienne ") was a war between France and the Algerian National Liberation Front (French: "Front de Libération Nationale" – FLN) from 1954 to 1962, which led to Algeria gaining its independence from France. An important decolonization war, it was a complex conflict characterized by guerrilla warfare, maquis fighting, and the use of torture by both sides. The conflict also became a civil war between the different communities and within the communities . The war took place mainly on the territory of Algeria, with repercussions in metropolitan France.
ground_truth: Alain Robbe-Grillet