Question: What was name of the premiere performance in the Italian opera house where Jussi Bjorling sometimes performed?

full_context: Document 1: Brandon Jovanovich: Brandon Jovanovich is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, French and German operas. His signature roles include Don José in Bizet's "Carmen", B. F. Pinkerton in Puccini's "Madama Butterfly", Cavaradossi in Puccini's "Tosca", and the title role in Wagner's "Lohengrin".
Document 2: Riccardo Massi: Riccardo Massi is an Italian operatic tenor who had performed at such Italian theatres as both the Giuseppe Verdi Theatre and La Scala. He became known for his role as Mario Cavaradossi in "Tosca" which he performed in autumn of 2011 at the Bavarian State Opera and then performed again at the Berlin Opera Theatre in November of that year. His US debut was in February 2012 as Radames in "Aida" at the Metropolitan Opera following by another summer performance that year. In the autumn of 2012 he sang in "Il trovatore" staged by the Canadian Opera in Toronto and in February 2013 sang Calaf in "Turandot" produced by the Royal Swedish Opera. He also became known for his performance as Don Alvaro in "La forza del destino" at the Australian Opera and the same year sang in another "Aida" production, this time at the Michigan Opera Theatre. From 2013 to 2014 he performed at the Royal Opera House and as Cavaradossi at the Liceu in Barcelona. Later on, he returned to Royal Swedish Opera where he sang the title role in "Andrea Chenier" and then another "Radames" at the Houston Grand Opera. At the Opernhaus Zurich, he sang Calaf in December 2015.
Document 3: Carlo Bergonzi: Carlo Bergonzi (13 July 1924 – 25 July 2014) was an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he was above all associated with the operas of Giuseppe Verdi, including a large number of the composer's lesser known works that he helped revive. Additionally, he sang more than 40 other roles throughout his career. Bergonzi is considered one of the 20th century’s most distinguished operatic tenors.
Document 4: La Scala: La Scala (] ; abbreviation in Italian language for the official name Teatro alla Scala ] ) is an opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the "Nuovo Regio Ducale Teatro alla Scala " (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's "Europa riconosciuta".
Document 5: La Scala Theatre Ballet: The La Scala Theatre Ballet (Italian: "Corpo di ballo del Teatro alla Scala" ) is the resident classical ballet company at La Scala in Milan, Italy. One of the oldest and most renowned ballet companies in the world, the company predates the theatre, but was officially founded at the inauguration of La Scala in 1778. Many leading dancers have performed with the company, including Mara Galeazzi, Alessandra Ferri, Viviana Durante, Roberto Bolle and Carla Fracci. The official associate school of the company is the La Scala Theatre Ballet School (Italian: "Scuola di Ballo del Teatro alla Scala" ), a constituent of the La Scala Theatre Academy (Italian: "Accademia Teatro alla Scala" ).
Document 6: Lawrence Brownlee: Lawrence Brownlee (born 1972) is an American operatic tenor particularly associated with the bel canto repertoire. Describing his voice, Speight Jenkins, general director of the Seattle Opera, said: "There are other singers that sing this repertory very well, but I don't think anyone else has quite as beautiful a sound and as rounded a tone," and praise his "incredible top notes", adding about his high F (F) in "Credeasi, misera": "With him it's not a scream, it's a beautiful sound." Mezzo-soprano Joyce DiDonato adds: "He is always in service of the music. His natural instrument is just incredibly beautiful. The word 'honey' comes to mind. He also has technical prowess and agility."
Document 7: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 8: Jussi Björling: Johan Jonatan "Jussi" Björling ( , ] ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York and less frequently at the major European opera houses, including the Royal Opera House in London and La Scala in Milan.
Document 9: Philadelphia La Scala Opera Company: The Philadelphia La Scala Opera Company (defunct) was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954. In 1955 the company merged with the Philadelphia Civic Grand Opera Company to form the Philadelphia Grand Opera Company.
Document 10: Jonas Kaufmann: Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for his performances in "spinto" roles such as Don José in "Carmen", Cavaradossi in "Tosca", Maurizio in "Adriana Lecouvreur", and the title role in "Don Carlos". He has also sung leading tenor roles in the operas of Richard Wagner with success in Germany and abroad, most notably the Metropolitan Opera in New York. He is also an accomplished Lieder singer. In 2014 "The New York Times" described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."
Document 11: La Fenice: Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
Document 12: Plácido Domingo: José Plácido Domingo Embil, {'1': ", '2': ", '3': ", '4': "} (] ; born 21 January 1941), known as Plácido Domingo, is a Spanish tenor, conductor and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a "lirico-spinto" tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into almost exclusively baritone parts, most notably Simon Boccanegra. He has performed 147 different roles.
Document 13: Teatro Lirico (Milan): The Teatro Lirico (known until 1894 as the Teatro alla Canobbiana) is a theatre in Milan, Italy. In the 19th and early 20th centuries it was particularly notable for opera performances, including the world premieres of Donizetti's "L'elisir d'amore" and Giordano's "Fedora". The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it was due to re-open in 2009 as the Teatro Lirico Giorgio Gaber.
Document 14: Jenny Lind: Johanna Maria Lind (6 October 18202 November 1887), better known as Jenny Lind, was a Swedish opera singer, often known as the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she performed in soprano roles in opera in Sweden and across Europe, and undertook an extraordinarily popular concert tour of America beginning in 1850. She was a member of the Royal Swedish Academy of Music from 1840.
Document 15: Teatro Regio Ducal: The Teatro Regio Ducal (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's "Ascanio in Alba", "Mitridate, re di Ponto", and "Lucio Silla". The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's "Ciro in Armenia" in 1753; one of the earliest successfully received operas by a female composer. Variant forms such as "Regio-Ducal Teatro" and "Teatro Regio Ducale" are also seen.
ground_truth: Antonio Salieri's "Europa riconosciuta"