Question: Who was the writer of the short stories collection influenced by the surrealist painter that was a founding member of the Mexican Women's Liberation Movement? 

full_context: Document 1: My Life as a Bat: “My Life as a Bat” is a 1,433 word short story first appearing in a collection of 27 short stories and prose poems by Canadian author Margaret Atwood titled Good Bones, published in 1992. The story is written in 1st Person point of view from the perspective of an unnamed, ungendered narrator who claims to have lived a previous life as a bat and to have been reincarnated as a human. It is organized into five titled subsections, each introducing a new topic, considered from the alternating points of view of the narrator as a human and as their former bat self, “a point of view at once soothingly familiar” because bats are a widely known animal “and freakishly alien” because they are so often viewed as darkly mysterious, even frightening. The story’s primary subject is the atypical perspective that humans, not bats, are frightening, a “[wry] revising [of] cultural myths.
Document 2: Frida Kahlo: Frida Kahlo de Rivera (] ; born Magdalena Carmen Frida Kahlo y Calderón; July 6, 1907 – July 13, 1954) was a Mexican painter, who mostly painted self-portraits. Inspired by Mexican popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary "Mexicanidad" movement, which sought to define a Mexican identity, Kahlo has been described as a Surrealist or magical realist. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for what is seen as its uncompromising depiction of the female experience and form.
Document 3: Mercedes Sola: Mercedes Sola (1879–1923) was a Puerto Rican writer, educator, and activist for the rights of women. Along with Isabel Andreu de Aguilar (1887–1948) and Ana Roque de Duprey (1853–1933), Sola was a feminist recognized in 1917 for the founding of the Puerto Rican League of Women. Sola, Andreu de Aguilar and Roque de Duprey, along with others, brought about the passage of the country's suffrage bill. She was one of the main architects of the suffragette campaign in Puerto Rico from the 1920s, and was a leader of the Puerto Rican Woman's Suffrage Association. In 1922, she published "Feminismo", in which she demanded the woman's right to vote in the society of his country; it is considered a landmark text in contemporary feminism. She was also co-founder of the feminist magazine "Women of the Twentieth Century", which aimed at defending the rights of women.
Document 4: Victoria Ocampo: Victoria Ocampo {'1': ", '2': ", '3': ", '4': "} (7 April 189027 January 1979) was an Argentine writer and intellectual, described by Jorge Luis Borges as "La mujer más argentina" ("The quintessential Argentine woman"). Best known as an advocate for others and as publisher of the legendary literary magazine "Sur", she was also a writer and critic in her own right and one of the most prominent South American women of her time. Her sister, Silvina Ocampo, also a writer, was married to Adolfo Bioy Casares.
Document 5: Carla Stellweg: Carla Stellweg, born in the Dutch East Indies where she lived as well as in the Netherlands, Mexico and New York. Stellweg began her career in 1965 working as an assistant curator to Fernando Gamboa, the renowned museum builder who organized a plethora of international exhibitions on Mexico, its art and culture around the world. Stellweg is an art historian, curator, and writer with a specialization on Latin American and Latino-US art and artists. She served as Deputy Director of the Rufino Tamayo Museum at its opening and prior to the Tamayo Museum, she co-founded, edited and directed the first bilingual (Spanish-English) arts magazine in Latin America from 1973-1981.
Document 6: Tales of Pain and Wonder: Tales of Pain and Wonder is Caitlín R. Kiernan's first short story collection. The stories are interconnected to varying degrees, and a number of Kiernan's characters reappear throughout the book, particularly Jimmy DeSade and Salmagundi Desvernine. The stories run the gamut from dark fantasy ("Rats Live on No Evil Star" and "Estate") to ghost stories and supernatural horror fiction ("Angels You Can See Through" and "Anamorphosis") to noir fiction ("Breakfast in the House of the Rising Sun" and "Lafayette"). A number of the stories have a decidedly H. P. Lovecraftian flavor and the influence of Charles Fort, as does much of Kiernan's fiction published since "Tales of Pain and Wonder". The stories are also united by a theme of cultural decay and loss of meaning in 20th-century society, as expressed by the collection's epilogue, Kiernan's only published poem, "Zelda Fitzgerald in Ballet Attire." Originally published in 2000 as an expensive limited-edition hardback by Gauntlet Publishing, it was reissued in trade paperback format in 2002 by Meisha Merlin Publishing. In 2008, Subterranean Press re-issued the book again, in a limited edition hardcover, with a new author's introduction and two new stories, "Mercury" and "Salammbô Redux", and omitting the story "Angels You Can See Through". All three editions include artwork by Canadian illustrator Richard A. Kirk, as well as an introduction by anthologist/novelist Douglas E. Winter and an afterword by novelist Peter Straub.
Document 7: Leonora Carrington: Leonora Carrington OBE (6 April 191725 May 2011) was an English-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City, and was one of the last surviving participants in the Surrealist movement of the 1930s. Leonora Carrington was also a founding member of the Women’s Liberation Movement in Mexico during the 1970s.
Document 8: The Wood Wife: The Wood Wife by Terri Windling was published by Tor Books in 1996, and won the Mythopoeic Award for Novel of the Year. Set in the mountain outskirts of contemporary Tucson, Arizona, the novel could equally be described as magical realism, contemporary fantasy, or mythic fiction. Windling draws on myth, folklore, poetry, and the history of surrealist art to tell the story of a woman who finds her muse in a spirited desert landscape. The plot revolves around a reclusive English poet, Davis Cooper, and his lover, Mexican surrealist painter Anna Naverra—a character remininscent of the real-life Mexican painter Remedios Varo.
Document 9: Margarita Bertheau: Margarita Bertheau Odio (born in San José, Costa Rica on 13 May 1913; died in Escazú (canton) on 21 November 1975) was a Costa Rican painter and cultural promoter. The Costa Rican Art Museum states she is said to be known for "landscapes, portraits, watercolor figures, and her geometric, surrealistic and abstract work." She has been called the first female Watercolor painting artist of her country. She had independent views and was contemporary with the first wave of Costa Rican artists that included Dinora Bolandi, Lola Fernandez and Sonia Romero. These four are said to have taught fine art at the University of Costa Rica and to have created the second generation of Costa Rican women artists..
Document 10: Max Ernst: Max Ernst (2 April 1891 – 1 April 1976) was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism.
Document 11: The Collected Essays and Occasional Writings of Katherine Anne Porter: The Collected Essays and Occasional Writings of Katherine Anne Porter
Document 12: Rosario Castellanos: Rosario Castellanos Figueroa (] ; 25 May 1925 – 7 August 1974) was a Mexican poet and author. Along with the other members of the Generation of 1950 (the poets who wrote following the Second World War, influenced by César Vallejo and others), she was one of Mexico's most important literary voices in the last century. Throughout her life, she wrote eloquently about issues of cultural and gender oppression, and her work has influenced feminist theory and cultural studies. Though she died young, she opened the door of Mexican literature to women, and left a legacy that still resonates today.
Document 13: Sessanta racconti: Sessanta racconti ("sixty stories") is a 1958 short story collection by the Italian writer Dino Buzzati. The first 36 stories had been published previously, while the rest were new. Subjects covered include the horror and surreality of life in a modern city, the existential aspects of advanced technology, metaphysical ideas as well as fantasy realms. The book received the Strega Prize.
Document 14: The Bloody Chamber: The Bloody Chamber (or The Bloody Chamber and Other Stories) is a collection of short fiction by Angela Carter. It was first published in the United Kingdom in 1979 by Gollancz and won the Cheltenham Festival Literary Prize. All of the stories share a common theme of being closely based upon fairytales or folk tales. However, Angela Carter has stated:
Document 15: The Babysitter at Rest: The Babysitter at Rest is a collection of short stories by American writer Jen George published in 2016 by the Dorothy Project. The titular story in the collection won BOMB Magazine's 2015 Fiction Contest. The book consists of five stories centered on female identity, youth, the performance of identity, and fear of domesticity and intimacy. The book's style has been described as surreal, nightmarish, and characterized by distorted images and elaborate exaggeration. George has acknowledged the influence of surrealist painter and writer Leonora Carrington on the stories in the book. The stories have also been compared to the work of Camilla Grudova.
ground_truth: Jen George