Question: Are both Un re in ascolto and Ariadne auf Naxos operas by Richard Strauss?

full_context: Document 1: Le bourgeois gentilhomme (Strauss): Le bourgeois gentilhomme (also widely know in its German form as "Der Bürger als Edelman"), Op. 60, is an orchestral suite written by Richard Strauss between 1911 and 1917. The original idea of Hugo von Hofmannsthal was to revive Molière's 1670 play "Le Bourgeois gentilhomme", simplify the plot and introduce a "commedia dell'arte" troupe, add some incidental music and conclude matters with a one-act opera "Ariadne auf Naxos".
Document 2: Ariadne auf Naxos: Ariadne auf Naxos ("Ariadne on Naxos"), Op. 60, is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Combining slapstick comedy and consummately beautiful music, the opera's theme is the competition between high and low art for the public's attention.
Document 3: Il furioso all'isola di San Domingo: Il furioso all'isola di San Domingo "(The Madman on the Island of San Domingo)" is a "romantic melodramma" in two acts by the composer Gaetano Donizetti. Jacopo Ferretti, who since 1821 had written five libretti for Donizetti and two for Rossini (including "La cenerentola"), had proposed the unusual subject and he was contracted to write the Italian libretto based on a five-act play of the same title by an unknown author in 1820, which "had been given in the same theatre [...] and which Donizetti had immediately loved". However, as has been noted by Charles Osborne, the "ultimate derivation of both play and libretto is an episode in part 1 of "Don Quixote" by Miguel de Cervantes's published in 1605" which is the story of Cardenio and Lucinda.
Document 4: Ariadne auf Naxos discography: This is a list of recordings of Ariadne auf Naxos, an opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal. The work was first performed at the Hoftheater in Stuttgart on 25 October 1912. A radically revised version was performed in at the Hofoper in Vienna on 4 October 1916. (All the recordings listed on this page are of the revised version.) This list is incomplete.
Document 5: Le piccole storie: Le piccole storie, subtitled "Ai margini delle guerre", is a one-act chamber opera for young people by Lorenzo Ferrero set to an Italian-language libretto by Giuseppe Di Leva. Some episodes are loosely based on Guy de Maupassant's 1884 short story "Le Lit 29" and on William Shakespeare's play "Julius Caesar". The stories do not touch directly upon the subject of war but depict moments in the lives of involuntary victims who subsist, as the subtitle suggests, on the margins of wars.
Document 6: Capriccio (opera): Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
Document 7: Der Sturm (opera): Der Sturm (The tempest) is a German-language opera in three acts by the Swiss composer Frank Martin to a libretto based on the Schlegel/Tieck German translation of Shakespeare's play "The Tempest". It was premiered at the Vienna State Opera in 1955. The role of Prospero was originally conceived for Dietrich Fischer-Dieskau, but illness prevented him participating.
Document 8: The Sea and the Mirror: The Sea and the Mirror: A Commentary on Shakespeare's "The Tempest", is a long poem by W.H. Auden, written 1942–44, and first published in 1944. Auden regarded the work as “my "Ars Poetica," in the same way I believe "The Tempest" to have been Shakespeare’s.”
Document 9: Intermezzo (opera): Intermezzo, Op. 72, is an opera in two acts by Richard Strauss to his own German libretto, described as a "Bürgerliche Komödie mit sinfonischen Zwischenspielen " (bourgeois comedy with symphonic interludes). It premiered at the Dresden Semperoper on 4 November 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.
Document 10: Un re in ascolto: Un re in ascolto ("A King Listens") is an opera by Luciano Berio, who also wrote the Italian libretto. It is based on a short story, Under the Jaguar Sun by Italo Calvino, but incorporates excerpts from Friedrich Einsiedel's 1778 libretto (as reworked by Friedrich Wilhelm Gotter between 1790 and 1791) for an opera based on Shakespeare's "The Tempest". This became "Die Geisterinsel" in 1798, set to music written by Friedrich Fleischmann. In addition, W. H. Auden's "The Sea and the Mirror: A Commentary on Shakespeare's The Tempest" was a source.
Document 11: Richard Strauss: Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Document 12: In questa reggia: "In questa reggia" ("In this palace") is an aria from Giacomo Puccini's opera "Turandot" set to a libretto in Italian by Giuseppe Adami and Renato Simoni. The text is based on Friedrich Schiller's adaptation of the play "Turandot" by Carlo
Document 13: Ariadne auf Naxos (Benda): Ariadne auf Naxos ("Ariadne on Naxos") is a duodrama in one act by Czech composer Jiří Antonín Benda (also Georg Benda) with a German libretto by . It was commissioned by Abel Seyler, whose theatrical company arrived in Gotha in 1774. The opera's first performance was at the Schloss Friedenstein, Gotha, on 27 January 1775.
Document 14: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 15: Re Lear: Re Lear (] ; Italian for "King Lear") is an Italian operatic libretto in four acts written by Antonio Somma for the Italian opera composer Giuseppe Verdi. It was based on "King Lear", "the Shakespeare play with which Verdi struggled for so many years, but without success".
ground_truth: no