Question: What college did the performer of Street Hassle attend?

full_context: Document 1: Donald Roden: Donald Roden is an associate professor of history at Rutgers University. He is mostly known for his efforts in combating the prison recidivism rate through a means of education. He is the founder of Rutgers' Mountainview Prison Project, a program that recruits and prepares ex-offenders during their incarceration, and supports their pursuit of an undergraduate degree at Rutgers, The State University of New Jersey, after their release. Since 2005, he is responsible for the admittance of over 30 ex-offenders into Rutgers University, many of which have attained their bachelor's degree. Donald Roden has also written about a variety of subjects dealing with East Asian history including Japanese baseball, Taisho culture, and foreigners in Meiji Japan.
Document 2: Paul Levinson: Paul Levinson graduated from Christopher Columbus High School in the Bronx, attended the City College of New York (CCNY) in the 1960s, and received a BA in journalism from New York University in 1975; an MA in Media Studies from The New School in 1976; and a PhD from New York University in media ecology in 1979. His doctoral dissertation, "Human Replay: A Theory of the Evolution of Media" (1979), was mentored by Neil Postman.
Document 3: Anton Rupert: After dropping out of medical school due to a lack of funds, Rupert earned a chemistry degree at the University of Pretoria, where he also lectured for a short while. Subsequently, he started a dry-cleaning business.
Document 4: Streets of Philadelphia: "Streets of Philadelphia" is a song written and performed by American rock musician Bruce Springsteen for the film "Philadelphia" (1993), an early mainstream film dealing with HIV/AIDS. Released as a single in 1994, the song was a hit in many countries, particularly Canada, France, Germany, Ireland and Norway, where it topped the singles charts.
Document 5: Jack Carlton Reed: Reed was convicted of conspiracy to distribute cocaine and operating a continuing criminal enterprise. Prosecutors said Reed was an important player in the Lehder organization, flying drug shipments from Colombia, hiring ground crews, and working with distributors.
Document 6: Lou Reed: Upon his recovery from his illness and associated treatment, Reed resumed his education at Syracuse University in 1960, studying journalism, film directing, and creative writing. He was a platoon leader in ROTC; he said he was later expelled from the program for holding an unloaded gun to his superior's head.
Document 7: Jon Jost: Born in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he was imprisoned by US authorities for 2 years 3 months for refusal to cooperate with the Selective Service system. On his release he became engaged in anti-war activities, working for the draft resistance, Chicago Mobilization, and helped found the Chicago branch of what became Newsreel, the New Left Film production and distribution group.
Document 8: After Hours (The Velvet Underground song): "After Hours" is a 1969 song written by Lou Reed and originally performed by The Velvet Underground. It is the tenth and final track on their self-titled third album. It is one of few songs with lead vocals by drummer Maureen Tucker, as Lou Reed stated the song was "so innocent and pure" that he could not possibly sing it himself. Tucker's vocals are accompanied by acoustic and bass guitar. The style of the lyrics and the music is somewhat reminiscent of Tin Pan Alley songs of the 1930s.
Document 9: Leo Cullum: Born in Newark, New Jersey, Cullum was raised in North Bergen, New Jersey and earned his undergraduate degree in 1963 from the College of the Holy Cross, where he majored in English. He joined the United States Marine Corps after graduating from college, earning a commission as a second Lieutenant. Upon completion of his flight training in Pensacola, Florida, Cullum deployed to Vietnam, where he flew more than 200 missions, mostly ground attacks in support of the infantry in addition to attacks on the Viet Cong supply lines on the Ho Chi Minh trail in Laos. Though the missions over Laos were not officially acknowledged, Cullum was baffled by the need for secrecy, saying "the North Vietnamese certainly knew it wasn't the Swiss bombing them".
Document 10: Yale University: The Revolutionary War soldier Nathan Hale (Yale 1773) was the prototype of the Yale ideal in the early 19th century: a manly yet aristocratic scholar, equally well-versed in knowledge and sports, and a patriot who "regretted" that he "had but one life to lose" for his country. Western painter Frederic Remington (Yale 1900) was an artist whose heroes gloried in combat and tests of strength in the Wild West. The fictional, turn-of-the-20th-century Yale man Frank Merriwell embodied the heroic ideal without racial prejudice, and his fictional successor Frank Stover in the novel Stover at Yale (1911) questioned the business mentality that had become prevalent at the school. Increasingly the students turned to athletic stars as their heroes, especially since winning the big game became the goal of the student body, and the alumni, as well as the team itself.
Document 11: Out in the Street: "Out in the Street" is a song written and performed by Bruce Springsteen from the 1980 album "The River". It was recorded at The Power Station in New York between March and May 1980, as one of the last songs recorded for the album. Originally Springsteen was going to keep the song off the album because it was so idealistic.
Document 12: Walk on the Wild Side (Lou Reed song): "Walk on the Wild Side" is a song by Lou Reed from his second solo album, "Transformer" (1972). It was produced by David Bowie and Mick Ronson, and released as a double A-side with "Perfect Day". The song received wide radio coverage, despite its touching on taboo topics such as transsexual people, drugs, male prostitution, and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. In 2010, "Rolling Stone" ranked it at number 223 in its list of the 500 greatest songs of all time.
Document 13: Run Run Run (The Velvet Underground song): The song was written on the back of an envelope by Lou Reed while he and the band were on their way to a gig at the Café Bizarre. The song details a number of characters living in New York City, including Teenage Mary, Margarita Passion, Seasick Sarah, and Beardless Harry, all of whom are detailed using or seeking drugs. In addition to mentioning New York scenery such as Union Square and 47th Street, the song makes use of drug terms paired with religious imagery. Two of the four verses directly speak of heroin use, a theme found in the album. In the song, Marguerita Passion tried to sell her soul in order to get "a fix", while Seasick Sarah "turned blue", causing her angels to panic. The song is also well known because of Lou Reed's guitar solo, and its lack of a conventional approach.
Document 14: Street Hassle (song): "Street Hassle" is a song recorded by Lou Reed for his 1978 album of the same name. It is 10 minutes and 56 seconds long and divided into three distinct sections: "Waltzing Matilda," "Street Hassle," and "Slipaway." Part one, "Waltzing Matilda," describes a woman picking up and paying a male prostitute. In Part Two, "Street Hassle," a drug dealer speaks at length about the death of a woman in his apartment to her companion. Part Three, "Slipaway," contains a brief, uncredited, spoken word section by Bruce Springsteen (from 9:02 to 9:39) and a dirge sung by Reed about love and death. It was recorded in E major.
Document 15: White Light/White Heat (song): "White Light/White Heat" was recorded in the course of the recording sessions for "White Light/White Heat" in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
ground_truth: Syracuse University
sub_queries: Street Hassle >> performer Answer: Lou Reed
What college did Lou Reed go to? Answer: Syracuse University