Question: Who's album which reflects on his depressive state, had a song on the Billboard Hot 100 in 1976? 

full_context: Document 1: All Things Must Pass: All Things Must Pass is a triple album by English musician George Harrison. Recorded and released in 1970, the album was Harrison's first solo work since the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been turned down for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. "All Things Must Pass" introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled "Apple Jam". Several commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.
Document 2: Blue Weaver: A founder member of Amen Corner and its successor Fair Weather, Weaver replaced Rick Wakeman in Strawbs when he left to join Yes. Weaver was with the Strawbs during their most successful and critically acclaimed period where he played some notable mellotron and other keyboard sequences on their albums "Grave New World" and "Bursting at the Seams". He left Strawbs in 1973, and toured with Mott the Hoople in the US tour. Queen were their support act. He also appeared with the Streetwalkers and session work followed, including work with the Pet Shop Boys. He also played behind the Bee Gees at the initiation of his former Amen Corner colleague drummer Dennis Bryon, who had joined their backing band a year earlier during their successful 1975-79 period, taking in such highlights as "Jive Talkin'", "You Should Be Dancing" and the band's famous contributions on the "Saturday Night Fever" soundtrack. The three-piece backing band of Weaver, Bryon and the perennial Bee Gees sideman, Alan Kendall, played on the Bee Gees' albums, "Main Course", "Children of the World", "Here at Last... Bee Gees... Live" and "Spirits Having Flown". Unusually, Weaver featured as a co-composer on "(Our Love) Don't Throw It All Away", made a hit by the group's younger brother Andy Gibb. Weaver also co-composed the songs for Jimmy Ruffin's 1980 album "Sunrise" with Robin Gibb as lyricist, including the hit single, "Hold On (To My Love)".
Document 3: GoodThunder: GoodThunder was a psychedelic/progressive rock/hard rock band that formed in 1972 as James Cahoon Lindsay (vocals and percussion), John Desautels (drums), David Hanson (guitars and vocals), Bill Rhodes (bass), and Wayne Cook (keyboard). Other members include Fritz Richmond (engineering), Rick Rodrigues (cover art), Lorrie Sullivan (photography), and Robert Heimall (art direction). Not much is known about this band except the information you find on the back cover of their first and only album. If you don't listen to it, the only thing that stands out on this album is the fact that famous producer Paul A. Rothchild (who produced albums by The Doors, Janis Joplin, and Rush just to name a few) produced this album. Most of the core band went on to join AOR band L.A. Jets, then most of L.A. Jets went on to record under the name 1994. Both L.A. Jets and 1994 included GoodThunder members John Desautels, Bill Rhodes, Terry Linvill, and included singer/songwriter Karen Lawrence. Wayne Cook went on to play keyboards with Steppenwolf and co-wrote the instrumental "Lip Service" from the Skullduggery album. Wayne Cook also played keyboards with Player on their first two albums, he filled in as keyboardist for Alice Cooper for a few shows, but was never a permanent member.
Document 4: Dark Horse (George Harrison album): Dark Horse is the fifth studio album by English musician George Harrison, released on Apple Records in December 1974 as the follow-up to "Living in the Material World". Although keenly anticipated on release, "Dark Horse" is associated with the controversial North American tour that Harrison staged with co-headliner Ravi Shankar in November and December that year. This was the first US tour by a member of the Beatles since 1966, and the public's nostalgia for the band, together with Harrison contracting laryngitis during rehearsals and choosing to feature Shankar so heavily in the program, resulted in scathing concert reviews from some influential music critics.
Document 5: Somewhere in England: Somewhere in England is the ninth studio album by George Harrison, released in 1981. The album was recorded as Harrison was becoming increasingly frustrated with the music industry. The album's making was a long one, during which conflicts with Warner Bros. Records arose. "Somewhere in England" was the first Harrison album to be released after the death of his former Beatles bandmate John Lennon; the lyrics of its first single, "All Those Years Ago", pay tribute to Lennon.
Document 6: Attila (rock band): Attila was the name of a band featuring a young Billy Joel. Joel was a member of a band called The Hassles; he and the drummer, Jon Small, broke away from the Hassles and formed Attila in 1969. The instrumentation was organ and drums, with Joel also handling the bass lines with a keyboard, similar to the Doors' Ray Manzarek. Their creative partnership ended in 1970 when Joel ran off with Small's wife, Elizabeth, although this did not end their collaborations, as Small produced Joel's "Концерт" video as well as the "" performance.
Document 7: Extra Texture (Read All About It): Extra Texture (Read All About It) is the sixth studio album by English musician George Harrison, released in September 1975. It was Harrison's final album under his contract with Apple Records and EMI, and the last studio album issued by Apple. The release came nine months after his troubled 1974 North American tour with Ravi Shankar and the poorly received "Dark Horse" album. The melancholic mood of the recording reflects Harrison's depressed state at the criticism generated by these projects.
Document 8: The Apple Years 1968–75: The Apple Years 1968–75 is a compilation box set by English musician George Harrison, released on 22 September 2014. The eight-disc set compiles all of Harrison's studio albums that were originally issued on the Beatles' Apple record label. The six albums are "Wonderwall Music" (1968), "Electronic Sound" (1969), "All Things Must Pass" (1970; spread over two CDs), "Living in the Material World" (1973), "Dark Horse" (1974) and "Extra Texture" (1975).<ref name="Grow/RSonline">Kory Grow, "George Harrison's First Six Studio Albums to Get Lavish Reissues", rollingstone.com, 2 September 2014 (retrieved 4 September 2014).</ref> The final disc is a DVD containing a feature titled "The Apple Years", promotional films from some of his previous posthumous reissues, such as "The Concert for Bangladesh", and other video clips. The box set marks the first time that the "Dark Horse" and "Extra Texture" albums have been remastered since their 1992 CD release.
Document 9: Attitudes (band): Attitudes was a rock band from Los Angeles consisting of keyboardist David Foster, guitarist Danny Kortchmar, bass guitarist Paul Stallworth and drummer Jim Keltner. Its four members came together while working as session musicians during the recording of George Harrison's album "Extra Texture (Read All About It)". One single by the band, "Sweet Summer Music" reached #94 on the "Billboard" Hot 100 in 1976. James Taylor later covered their single "Honey Don't Leave L.A." and that version reached #61 on the Billboard Hot 100 in 1978.
Document 10: Can't Stop Thinking About You: "Can't Stop Thinking About You" is a song by English musician George Harrison, released in 1975 on his final album for Apple Records, "Extra Texture (Read All About It)". A love song in the style of a soul/R&B ballad, it was written by Harrison in December 1973, towards the end of his marriage to Pattie Boyd and while he was having an affair with Maureen Starkey, the wife of his former Beatles bandmate Ringo Starr. Having first considered the song for his 1974 release "Dark Horse", Harrison recorded "Can't Stop Thinking About You" in Los Angeles in May 1975 for his so-called "soul album", "Extra Texture". Some authors view its inclusion on the latter release as an obvious attempt by Harrison to commercialise the album, in response to the harsh critical reception afforded "Dark Horse" and his 1974 North American tour.
Document 11: When We Was Fab: "When We Was Fab" is a song by English musician George Harrison, which he released on his 1987 album "Cloud Nine". It was also issued as the second single from the album, in January 1988. The lyrics serve as a nostalgic reflection by Harrison on the days of Beatlemania during the 1960s, when the Beatles were first referred to as "the Fab Four". Harrison co-wrote the song with Jeff Lynne, who also co-produced the track. The recording references the psychedelic sound that the Beatles had helped popularise in 1967, through its use of sitar, cello, and backwards-relayed effects. Harrison's former Beatles bandmate Ringo Starr is among the other musicians on the track. The single was accompanied by an innovative music video, directed by the partnership of Kevin Godley and Lol Creme. One of Harrison's most popular songs, "When We Was Fab" has appeared on the compilations "Best of Dark Horse 1976–1989" (1989) and "" (2009).
Document 12: Run of the Mill (George Harrison song): "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic. The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band. Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple.
Document 13: Larry Knechtel: Lawrence William "Larry" Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist, best known as a member of the Wrecking Crew, a collection of Los Angeles-based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, the Doors, the Grass Roots, Jerry Garcia, and Elvis Presley, and as a member of the 1970s band Bread.
Document 14: The Attack (band): The Attack were a freakbeat/psychedelic rock band formed in 1966 around singer Richard Shirman (born 26 April 1949, London Died July 2017) The first line-up featured drummer Alan Whitehead from Marmalade, guitarist David O'List (later of The Nice) and John Du Cann (later of Andromeda and Atomic Rooster). Their first single "Try It" had also been recorded by The Standells and Ohio Express. They also released a version of "Hi Ho Silver Lining", a few days earlier than Jeff Beck. Richard Shirman was invited to be singer with Andromeda but he declined.
Document 15: Early 1970: "Early 1970" is a song by English musician Ringo Starr, released in April 1971 as the B-side to his hit single "It Don't Come Easy". It was inspired by the break-up of the Beatles and documents Starr's relationship with his former bandmates, John Lennon, Paul McCartney and George Harrison. The lyrics to the verses comment in turn on each of the ex-Beatles' personal lives and the likelihood of each of them making music with Starr again; in the final verse, Starr acknowledges his musical limitations before expressing the hope that all the former Beatles will play together in the future. Commentators have variously described "Early 1970" as "a rough draft of a peace treaty" and "a disarming open letter" from Starr to Lennon, McCartney and Harrison.
ground_truth: George Harrison