Question: What famous painting which was once part of Jacob Dissius collection is now in the Rijksmuseum in Amsterdam?

full_context: Document 1: Jacob Dissius: Jacob Abrahamsz. Dissius (1653 - 1695) was a Dutch typographer and printer. He is most notable as an art collector and for his links to Johannes Vermeer - his collection included 21 Vermeer works (including "The Milkmaid", "Portrait of a Young Woman", "A Girl Asleep", "Woman Holding a Balance" and "The Music Lesson") and in 1680 he married Madgdalene, daughter and sole heir of Vermeer's main patron Pieter van Ruijven. Dissius died in 1695 and his collection was auctioned off in Amsterdam the following year.
Document 2: Pieter Nason: Pieter Nason (ca. 1612, Amsterdam - 1688/90 The Hague) was a Dutch painter. He became a member of the Guild of Painters of The Hague in 1639, and in 1656 was one of the forty seven members who established the 'Pictura Society. From a MS. by Pieter Terwesten, it appears not improbable that Nason was a pupil of Jan van Ravensteyn; and it is believed that his name has been effaced from pictures since attributed to Mierevelt, Moreelse, and above all to Ravensteyn. It is certain that he painted the portrait of Prince Mauritz, Governor of the Brazils , engraved by Houbraken, and those of Charles the Second of England, engraved by C. Van Dalen and Sandrart, and of the Grand Elector. At Berlin there is a full-length portrait, dated 1667, of the latter, by Nason; also a still life, representing gold, silver, and glass vessels, likewise a portrait by him signed and dated 1670. There are others at Copenhagen and at Rotterdam. The date of his death is not known, but his life was long. Redgrave gives the initial of his Christian name wrongly as R.
Document 3: The Night Watch: Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch (Dutch: "De Nachtwacht" ), is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best known painting in its collection. "The Night Watch" is one of the most famous Dutch Golden Age paintings.
Document 4: Dutch Gift: The Dutch Gift of 1660 was a collection of 28 mostly Italian Renaissance paintings and 12 classical sculptures, along with a yacht, the "Mary", and furniture, which was presented to King Charles II of England by the States-General of the Netherlands in 1660. In July 1660 Louis of Nassau arrived in London; his countrymen Simon van Hoorn, curator of the Athenaeum Illustre, Michiel van Gogh from Vlissingen and the (catholic) Joachim Ripperda arrived in November to negotiate the Act of Navigation and to present Charles II the Gift. The collection was given to Charles II to mark his return to power in the English Restoration, before which Charles had spent many years in exile in Paris, Cologne, and the Spanish Netherlands, during the rule of the English Commonwealth. It was intended to strengthen diplomatic relations between England and the Republic, but only a few years after the gift the two nations would be at war again in the Second Anglo-Dutch War of 1665–67.
Document 5: Jan Miense Molenaer: Jan Miense Molenaer (1610 – buried 19 September 1668), was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals.
Document 6: Jacob van Ruisdael: Jacob Isaackszoon van Ruisdael (] ;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
Document 7: A Mother's Duty: A Mother's Duty (1658–1660) is an oil on canvas painting by the Dutch painter Pieter de Hooch, it is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Document 8: Company in a courtyard behind a house: Company in a courtyard behind a house (1663-1665) is an oil on canvas painting by the Dutch painter Pieter de Hooch, it is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Document 9: Portrait of Abraham de Potter: Portrait of Abraham de Potter, Amsterdam Silk Merchant (Dutch: "Portret van Abraham de Potter, zijdelakenkoopman in Amsterdam" ) is a 1649 portrait painting of silk merchant Abraham de Potter by Carel Fabritius. The oil painting on canvas is 68.5 by 57 cm (27.0 by 22 in ). The work has been in the collection of the Rijksmuseum in Amsterdam since 1892.
Document 10: Master of the Amsterdam Death of the Virgin: The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His notname is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam. The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood. The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery. The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum. There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly known Master of the Lantern. Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utrecht and its school of manuscript painters.
Document 11: Gijsbert Claesz van Campen: Gijsbert Claesz van Campen (c.1580 – 1648), was a Dutch cloth merchant of Haarlem who is most famous today for his family portrait painted by Frans Hals. The sitters in this painting have been identified by Pieter Biesboer as the family of Ghijsbert Claesz. van Campen and is today split into two parts; the left half is in the collection of the Toledo Museum of Art, with an extra baby lower left added by Salomon de Bray in 1628, and the right half is in the collection of the Royal Museums of Fine Arts of Belgium, Brussels.
Document 12: The Milkmaid (Vermeer): The Milkmaid (Dutch: "De Melkmeid" or "Het Melkmeisje"), sometimes called "The Kitchen Maid", is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is now in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Document 13: De Zoeker, Zaandam: De Zoeker ("The Seeker") is the name of an oil windmill, located in the Zaanse Schans, Zaanstad. Its purpose is to press seeds such as linseed and rapeseed into vegetable oil. It is the only oil mill still in operation, and is one of five remaining oil mills in the area.
Document 14: Windmill at Wijk bij Duurstede: The Windmill of Wijk bij Duurstede (c. 1670) is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Document 15: Frans van Mieris the Elder: Frans van Mieris, the elder (16 April 1635 – 12 March 1681), was a Dutch Golden Age genre and portrait painter. The leading member of a Leiden family of painters, his sons Jan (1660–1690) and Willem (1662–1747) and his grandson Frans van Mieris the Younger (1689–1763) were also accomplished genre painters.
ground_truth: The Milkmaid