Question: Where did the the musician who played a combination of fiddle and plucked string instruments retire?

full_context: Document 1: Ron Stewart (bluegrass): Ron Stewart is an American multi-instrumentalist in the bluegrass tradition. He plays fiddle, guitar, banjo, and mandolin, and has won the International Bluegrass Music Association (IBMA) award for Fiddle Player of the Year in 2000 and Banjo Player of the Year in 2011.
Document 2: Indigenous music of North America: Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music. In addition to the traditional music of the Native American groups, there now exist pan-tribal and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like waila ("chicken scratch").
Document 3: Bunt Stephens: John L. "Bunt" Stephens (February 2, 1879 — May 25, 1951), known as Uncle Bunt, was an American Old-time fiddle player. After rising from relative obscurity in 1926 to win a nationwide fiddle contest hosted by automobile magnate Henry Ford, Stephens went on to record several tracks for Columbia Records and made several guest appearances on what would later become the Grand Ole Opry in Nashville before retiring to his farm near Lynchburg, Tennessee. His style of fiddle playing is believed to resemble a style that was popular before the American Civil War.
Document 4: Folk music: Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is often applied to music older than that. Some types of folk music are also called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles.
Document 5: Traditional Nordic dance music: Traditional Nordic dance music is a type of traditional music or folk music that once was common in the mainland part of the Nordic countries — Scandinavia plus Finland. The person who plays this kind of music might be called "speleman" (Swedish/Norwegian), "spelman" (Swedish), "spel(l)emann" (Norwegian), "pelimanni" (Finnish) or "spillemand" (Danish). Finnish traditional dance music is often called "pelimanni music" in English, while there does not seem to exist a similar, widespread term for the corresponding music from the other countries. It is often more meaningful to distinguish between the traditional dance music from different regions than between music from the countries as such. Some concepts in the field can be defined as Norwegian or Finnish, but most are either common to all four countries or local. Besides the dance music tradition, all countries also have other traditions of folk music that are not shared to a similar extent.
Document 6: Charlie Bowman: Charles Thomas Bowman (July 30, 1889 – May 20, 1962) was an American old-time fiddle player and string band leader. He was a major influence on the distinctive fiddle sound that helped shape and develop early Country music in the 1920s and 1930s. After delivering a series of performances that won him the first prize in dozens of fiddle contests across Southern Appalachia in the early 1920s, Bowman toured and recorded with several string bands and vaudeville acts before forming his own band, the Blue Ridge Music Makers, in 1935. In his career, he would be associated with country and bluegrass pioneers such as Uncle Dave Macon, Fiddlin' John Carson, Roy Acuff, Charlie Poole, and Bill Monroe.
Document 7: David &quot;Stringbean&quot; Akeman: David Akeman (June 17, 1915 – November 10, 1973), better known as Stringbean (or String Bean), was an American country music banjo player and comedy musician best known for his role on the hit television show, "Hee Haw", and as a member of the Grand Ole Opry. Akeman and his wife were murdered by burglars at their rural Tennessee home in 1973.
Document 8: Traditional bluegrass: Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass. Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s. Traditional bands may use their instruments in slightly different ways, for example by using multiple guitars or fiddles in a band.
Document 9: Folk music of England: The folk music of England is traditionally based music, which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music has been preserved and transmitted orally, through print and later through recordings. The term is used to refer to English traditional music and music composed, or delivered, in a traditional style. English folk music has produced or contributed to several important musical genres, including sea shanties, jigs, hornpipes and dance music, such as that used for Morris dancing. It can be seen as having distinct regional and local variations in content and style, particularly in areas more removed from the cultural and political centres of the English state, as in Northumbria, or the West Country. Cultural interchange and processes of migration mean that English folk music, although in many ways distinctive, has particularly interacted with the music of Scotland. It has also interacted with other musical traditions, particularly classical and rock music, influencing musical styles and producing musical fusions, such as British folk rock, folk punk and folk metal. There remains a flourishing sub-culture of English folk music, which continues to influence other genres and occasionally to gain mainstream attention.
Document 10: Music of North Carolina: North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers and Al Hopkins helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs, Doc Watson and Del McCoury came from North Carolina. Arthur Smith is the most notable North Carolina musician/entertainer who had the first nationally syndicated television program which featured country music. Smith composed "Guitar Boogie", the all-time best selling guitar instrumental, and "Dueling Banjos", the all-time best selling banjo composition. Country rock star Eric Church from the Hickory area has had 2 #1 albums on the Billboard 200, including "Chief" in 2011. Both North and South Carolina are a hotbed for traditional country blues, especially the style known as the Piedmont blues. Elizabeth Cotten, from Chapel Hill, was active in the American folk music revival.
Document 11: Bus Boyk: Norval Newton ""Bus"" Boyk (October 14, 1917 - April 26, 2010) was a noted American fiddler whose career extended from the 1930s to the 1990s and who played in many bands during those eras.
Document 12: Americana (music): Americana is an amalgam of American folk music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States, specifically those sounds that are merged from folk, country, blues, rhythm and blues, rock and roll and other external influences. Americana, as defined by the Americana Music Association (AMA), is "contemporary music that incorporates elements of various mostly acoustic American roots music styles, including country, roots-rock, folk and bluegrass resulting in a distinctive roots-oriented sound that lives in a world apart from the pure forms of the genres upon which it may draw. While acoustic instruments are often present and vital, Americana also often uses a full electric band."
Document 13: Old-time music: Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments (most often the guitar and banjo), and to a lesser degree piano, such as that of Jeff Little.
Document 14: Old time fiddle: Old time fiddle is a genre of American folk music. "Old time fiddle tunes" derived from European folk dance tunes such as Jig, Reel, Breakdown, Schottische, Waltz, Two Step and Polka. The fiddle may be accompanied by banjo or other instruments but are nevertheless called "fiddle tunes". The genre traces from the colonization of North America by immigrants from England, France, Germany, Ireland, and Scotland. It is separate and distinct from traditions which it has influenced or which may in part have evolved from it, such as bluegrass, country blues, variants of western swing and country rock.
Document 15: The Freight Hoppers: The Freight Hoppers have been presenting Old Time String Band music for more than 20 years. The band started presenting their energetic take on fiddle band music 4 times a day, 7 days a week at the Great Smoky Mountains Railway shortly after forming back in 1992. This afforded the group plenty of paid rehearsal time to hone a sound that has proven entertaining and distinctively theirs. Their repertoire includes music that was first recorded in the late 1920s and early 1930s, and spans geographically from Mississippi to West Virginia. The Freight Hoppers play hard driving old time music with an emotional, raw excitement that keeps one foot planted in the past and the other in the present. Of course that’s only when they keep their feet still, for this is high energy dance music of an older day played like there's no tomorrow. Finding their passion from a love of stringband music of the 1920s and 1930s, The Freight Hoppers have been entertaining crowds of fans at festivals and music halls alike as they travel around the country, and beyond. The heart of the band is held together by the fiddle and banjo combo of Merritt Smith and Frank Lee, while the rhythm section of Allie Burbrink on guitar and Andrea Smith on string bass hold down the ensemble. Based out of the Smoky Mountains of North Carolina, The Freight Hoppers draw from a deep source of rural southern music for their inspiration, and are proud to present music that is still very much alive and meaningful to today's world.
ground_truth: Lynchburg, Tennessee