Question: Which artist typical of Afro-Surrealism was born October 7, 1963?

full_context: Document 1: Black orientalism: Black orientalism is an intellectual and cultural movement found primarily within African-American circles. While similar to the general movement of Orientalism in its negative outlook upon Western Asian - especially Arab - culture and religion, it differs in both its emphasis upon the role of the Arab slave trade and the Coolie slave trade in the historic dialogue between sub-Saharan Africa and the Arab - and greater Muslim - world, as well as a lack of colonial promotion over the Middle East region as was promoted by European orientalism in the same region. The term "black orientalism" was first used by Kenyan academic Ali Mazrui in his critique of Henry Louis Gates, Jr.'s documentary "Wonders of the African World". Supporters of this movement include writers such as Chinweizu.
Document 2: Earl Sweatshirt: Thebe Neruda Kgositsile (born February 24, 1994), better known by his stage name Earl Sweatshirt, is an American rapper, record producer, and disc jockey from Los Angeles, California. He originally went by the moniker Sly Tendencies in 2008, but soon changed it when Tyler, The Creator invited him to join his hip hop collective Odd Future in late 2009. He gained recognition and critical praise for his debut mixtape "Earl", released in March 2010. Following its release, his mother sent him to a boarding school in Samoa until his eighteenth birthday, and he was not able to produce new music for a year and a half.
Document 3: Kid Koala: Eric San (born December 5, 1974), who records under the name Kid Koala, is a Canadian DJ, turntablist, musician and an author of graphic novels. He is signed to the British record label Ninja Tune, is a member of alternative hip hop supergroup Deltron 3030, and The Slew with Dynamite D and former members of the Australian rock band Wolfmother, bassist and keyboardist Chris Ross and drummer Myles Heskett. He has also made appearances with many other artists from Amon Tobin to the Preservation Hall Jazz Band and has made contributions to Lovage, Peeping Tom, Gorillaz and numerous other projects.
Document 4: Black existentialism: Black existentialism or Africana critical theory is a school of thought that "critiques domination and affirms the empowerment of Black people in the world". Although it shares a word with existentialism and that philosophy's concerns with existence and meaning in life, it "is predicated on the liberation of all black people in the world from oppression". It may also be seen as method, which allows one to read works by African-American writers such as W. E. B. Du Bois, James Baldwin, and Ralph Ellison in an existentialist frame. Lewis Gordon argues that black existentialism is not only existential philosophy produced by black philosophers but is also thought that addresses the intersection of problems of existence in black contexts.
Document 5: Chief Keef: Keith Cozart (born August 15, 1995), better known by his stage name Chief Keef, is an American rapper and record producer from Chicago, Illinois. During his teenage years and while under house arrest, Keef's music videos were met with acclaim from local high school students. His increasing popularity led to him being the subject of a brief bidding war among labels. Ultimately, Keef signed a major record deal with Interscope Records and later signed with 1017 Brick Squad. Keef also became the CEO of his own record label, Glory Boyz Entertainment, which later developed into Glo Gang.
Document 6: Kool G Rap: Nathaniel Thomas Wilson (born July 20, 1968), better known by his stage name Kool G Rap (or simply G Rap), is an American rapper from Corona, Queens. He began his career in the mid-1980s as one half of the group Kool G Rap & DJ Polo and as a member of the Juice Crew. He is often cited as one of the most influential and skilled MCs of all time, and a pioneer of mafioso rap/street/hardcore content and multisyllabic rhyming. On his album "The Giancana Story", he stated that the "G" in his name stands for "Giancana" (after the mobster Sam Giancana), but on other occasions he has stated that it stands for "Genius".
Document 7: Afro-Surrealism: Afro-Surrealism or Afrosurrealism is a literary and cultural aesthetic that is a response to mainstream surrealism in order to reflect the lived experience of people of color. First coined by Amiri Baraka, this movement focuses on the present day experience of African Americans. Much of Afro-Surrealism is based on the manifesto written by D. Scot Miller, in which he says, "Afro-Surrealism sees that all 'others' who create from their actual, lived experience are surrealist..." Afro-Surrealism can be seen in music, photography, film, the visual arts and poetry. Notable practitioners of Afro-Surrealism include Bob Kaufman, Krista Franklin, Kool Keith, Samuel R. Delany, Roman Bearden and Deana Lawson.
Document 8: DJ Kool Herc: Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican American DJ who is credited with originating hip hop music in the early 1970s in The Bronx, New York City. His playing of hard funk records of the sort typified by James Brown was an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat—the "break"—and switch from one break to another.
Document 9: Ultramagnetic MCs: The Ultramagnetic MCs is an American hip hop group based in Bronx, New York. Founded by Kool Keith, the group also includes Ced Gee, TR Love, and Moe Love. Tim Dog became an unofficial member in 1989. In 1990, DJ Jaycee was added as Roadmanager and backup DJ. Big.D was put down with the crew by Kool Keith in 1989. In 2006 Kool Keith and Big.D formed the supergroup The Commissioner, and in 1999 Big.D and D.J Moe-Love also formed the powerhouse group Slaughterhouse-Cartel. A former member, Rooney Roon, was fired following an assault arrest. Beat-boxing legend Rahzel was also involved with the group early in its career. The group's work was associated with unorthodox sampling, polysyllabic rhymes, and bizarre lyrical imagery.
Document 10: Black Arts Movement: The Black Arts Movement, Black Aesthetics Movement or BAM is the artistic outgrowth of the Black Power movement that was prominent in the 1960s and early 1970s. "Time" magazine describes the Black Arts Movement as the "single most controversial movement in the history of African-American literature – possibly in American literature as a whole." The Black Arts Repertory Theatre is a key institution of the Black Arts Movement.
Document 11: Kool Keith: Keith Thornton (born October 7, 1963), better known by his stage name Kool Keith, is an American rapper from The Bronx, New York known for his surreal, abstract and often profane or incomprehensible lyrics. Kool Keith has recorded prolifically both as a solo artist and in group collaborations. Kool Keith is generally considered to be one of hip-hop's most eccentric and unusual personalities.
Document 12: Blues People: Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. In "Blues People" Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music. It is considered a classic work on jazz and blues music in American culture. The book documents the effects jazz and blues on American cultural, at musical, economic, and social levels. It chronicles the types of music dating back to the slaves up to the 1960s. "Blues People" argues that "negro music"—as Amiri Baraka calls it—appealed to and influenced new America. According to Baraka, music and melody is not the only way the gap between American culture and African-American culture was bridged. Music also helped spread values and customs through its media exposure. "Blues People" demonstrates the influence of African Americans and their culture on American culture and history. The book examines blues music as performance, as cultural expression, even in the face of its commodification.
Document 13: The Motion of Light in Water: The Motion of Light in Water: Sex and Science Fiction Writing in the East Village is an autobiography by science fiction author Samuel R. Delany in which he recounts his experiences as growing up a gay African American, as well as some of his time in an interracial and open marriage with Marilyn Hacker. It describes encounters with Albert Einstein, Bob Dylan, and Stokely Carmichael, a dinner with W. H. Auden, and a phone call to James Baldwin. Hazel Carby called it one of two contemporary autobiographies that are "absolutely central to any consideration of black manhood" (the other being that of Miles Davis). Among many cultural events of the decade that he witnessed, Delany recounts his attendance at the first New York City performance of artist Allan Kaprow's "18 Happenings in 6 Parts", the 1959 performance piece that, for many, marks the end of modernism and the beginning of postmodernism. In section 17.4 of the University of Minnesota Press edition, he describes the event and its venue, and speculates on its artistic significance. The introduction puts an emphasis on the idea of the unreliable narrator; Delany's accounts often contrast his life as it "felt" to ways in which it actually occurred. In the chapter, The Future Is in the Present of the book "Cruising Utopia" by José Esteban Munoz, Delany's The Motion of Light in the Water serves to explain how the future, as a formed of utopia, can be "glimpsed" in the present through what Delany employed as "the massed bodies" of sexual dissidence.
Document 14: African-American literature: African-American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of slave narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African-American writers have been recognized by the highest awards, including the Nobel Prize to Toni Morrison. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African-American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Document 15: Gylan Kain: Gylan Kain is an American poet and playwright. He is a founding member, in 1968, of the Original Last Poets (along with Felipe Luciano and David Nelson). He is known for creating the aggressive, rhythmic delivery of spoken word aka performance poetry as it is known today. He often performs with hand drums or backing musicians such as saxophonists and bass guitarists. His work has often been sampled without pre-consent by well-known artists including Dr. Dre and The Prodigy. One of his performances was sampled into the club hit "Voodoo People" by The Prodigy. Dr. Dre sampled an excerpt of Kain performing his poem, "The Shalimar" on Dre's track entitled "Intro" from the album entitled "The Chronic." After legal action was successfully taken to procure compensation for work sampled by The Prodigy, spokespersons for The Prodigy claimed that efforts had been made to procure permission from Kain for use of his work but those efforts had been unsuccessful because Kain, who values privacy, could not be located in time. Dr. Dre has yet to compensate Kain for work sampled without prior consent. This has led some fans to criticize Dr. Dre as an hypocrite for exploiting the work of an influential Black artist after building a reputation as an empowering force in the black American community as a founding member of N.W.A.
ground_truth: Kool Keith