Question: What was the pantheon in the city where the creator of the Perugia Altarpiece died used for?

full_context: Document 1: Perugia Altarpiece: The Perugia Altarpiece (Italian: "Pala di Perugia") is a painting by the Italian early Renaissance painter Fra Angelico, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
Document 2: Parthenon: The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. The temple is archaeoastronomically aligned to the Hyades. Like most Greek temples, the Parthenon served a practical purpose as the city treasury. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the sixth century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary.
Document 3: The Last Judgment (Fra Angelico, Florence): The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. It is variously dated to c1425, 1425–30 and 1431. It was originally sited in the church of Santa Maria degli Angeli and now is in the museum of San Marco, Florence. It is not to be confused with another Fra Angelico "Last Judgement" in the Gemäldegalerie, Berlin.
Document 4: Santa Caterina dei Funari: The church is located where the Castro Aureo of the Circus Flaminius was located, built by Gaius Flaminius in 221 B.C. Prior to the 13th century, the seats of the surrounding semi-ruined amphitheater were used to dry the wares produced by the string- and rope-makers ("funari"), hence, the name of the church. Originally a small church dedicated to Santa Rosa di Viterbo was adjacent. The original church was a three-naved basilica, called "Santa Maria de Donna Rosa in Castro Aureo", named for the first time in 1192 in a document of Pope Celestine III. It was rebuilt in the 9th century with a single nave and dedicated to St Catherine of Alexandria and later also called Santa Caterina dei Funari.
Document 5: Pietà (Perugino): Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 6: Vocation of the Apostles: The Vocation of the Apostles is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the Gospel narrative of Jesus Christ calling Peter and Andrew to become his disciples.
Document 7: Pantheon, Rome: It is one of the best - preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history, and since the 7th century, the Pantheon has been used as a church dedicated to ``St. Mary and the Martyrs ''(Latin: Santa Maria ad Martyres) but informally known as`` Santa Maria Rotonda''. The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, ruled by Italy's Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio; in 2013 it was visited by over 6 million people.
Document 8: The Entombment (Michelangelo): According to documents discovered in 1981, Michelangelo had been commissioned to paint a panel for the church of Sant'Agostino in Rome, but in the end gave back the sum received. It is probable that this work was the "Entombment", which remained unfinished upon Michelangelo's return to Florence.
Document 9: Ferraù Fenzoni: Ferraù Fenzoni was born in (Faenza) and arrived in Rome as a young man in the early 1580s. He was apprenticed in Rome during the papacy of Gregory XIII and worked on numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library.
Document 10: Fano Altarpiece: The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a "Pietà" and several predella panels.
Document 11: Pantheon, Rome: The Pantheon (/ ˈpænθiən / or US: / ˈpænθiɒn /; Latin: Pantheum, from Greek Πάνθειον Pantheion, ``(temple) of all the gods '') is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC -- 14 AD). The present building was completed by the emperor Hadrian and probably dedicated about 126 AD. He retained Agrippa's original inscription, which has caused confusion over its date of construction as the original Pantheon burned down, so it is not certain when the present one was built.
Document 12: Fiesole Altarpiece: The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole, central Italy. The background was repainted by Lorenzo di Credi in 1501.
Document 13: Vallombrosa Altarpiece: The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
Document 14: Parthenon: The Parthenon (/ ˈpɑːrθəˌnɒn, - nən /; Ancient Greek: Παρθενών; Greek: Παρθενώνας, Parthenónas) is a former temple, on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, Athenian democracy and Western civilization, and one of the world's greatest cultural monuments. To the Athenians who built it, the Parthenon and other Periclean monuments of the Acropolis, were seen fundamentally as a celebration of Hellenic victory over the Persian invaders and as a thanksgiving to the gods for that victory. The Greek Ministry of Culture is currently carrying out a programme of selective restoration and reconstruction to ensure the stability of the partially ruined structure.
Document 15: Fra Angelico: In 1445 Pope Eugene IV summoned him to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peter's, later demolished by Pope Paul III. Vasari claims that at this time Fra Angelico was offered the Archbishopric of Florence by Pope Nicholas V, and that he refused it, recommending another friar for the position. The story seems possible and even likely. However, if Vasari's date is correct, then the pope must have been Eugene IV and not Nicholas, who was elected Pope only on 6 March 1447. Moreover, the archbishop in 1446–1459 was the Dominican Antoninus of Florence (Antonio Pierozzi), canonized by Pope Adrian VI in 1523. In 1447 Fra Angelico was in Orvieto with his pupil, Benozzo Gozzoli, executing works for the Cathedral. Among his other pupils were Zanobi Strozzi.
ground_truth: temple, now a church
sub_queries: The Perugia Altarpiece was made by whom? Answer: Fra Angelico
In what city did Fra Angelico die? Answer: Rome
what was the pantheon in Rome used for Answer: temple, now a church