Question: Who wrote and directed "Tiger and Crane Fist", a parody of a martial arts film, which usually contain numerous martial arts fights?

full_context: Document 1: Fight to Win (film): Fight to Win is an action film that falls into the comedy and martial arts genre. Martial artist Ryan Kim has an upcoming fight and gets training from a martial arts master, Sensei Lauren. The film which stars Cynthia Rothrock, George Chung, Richard Norton and Chuck Jeffreys was directed by Leo Fong.
Document 2: Sports film: A sports film is a film genre that uses sport as the theme of a film. The sports film is a production in which a sport, sporting event, athlete (and their sport), or follower of sport (and the sport they follow) are prominently featured, and which depend on sport to a significant degree for their plot motivation or resolution. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role. Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to have a large following or respect for such movies.
Document 3: Tongan Ninja: Tongan Ninja is a 2002 kung-fu action-comedy film directed by Jason Stutter and filmed in New Zealand. The film has received recent notoriety for co-starring and being co-written by Jemaine Clement, star of the HBO comedy "Flight of the Conchords". The movie is a parody of English-dubbed martial arts films, with a few other popular films and the plot is taken from "Way of the Dragon". It also features songs written by Jemaine Clement and Bret McKenzie - also from the Flight of the Conchords.
Document 4: Hybrid martial arts: Hybrid martial arts, also known as hybrid fighting systems or sometimes eclectic martial arts or freestyle fighting, refer to martial arts or fighting systems that incorporate techniques and theories from several particular martial arts (eclecticism). While numerous martial arts borrow or adapt from other arts and to some extent could be considered hybrids, a "hybrid martial art" emphasizes its disparate origins.
Document 5: Kung Fu Hustle: Kung Fu Hustle is a 2004 Hong Kong-Chinese martial arts gangster comedy film, directed, co-produced and co-written by Stephen Chow, who also stars in the lead role. The other producers were Chui Po-chu and Jeffrey Lau, and the screenplay was co-written with Huo Xin, Chan Man-keung, and Tsang Kan-cheung. Yuen Wah, Yuen Qiu, Danny Chan Kwok-kwan, and Bruce Leung Siu-lung co-starred in prominent roles.
Document 6: Kung Fu Panda: Kung Fu Panda is a 2008 American computer-animated action comedy martial arts film produced by DreamWorks Animation and distributed by Paramount Pictures. It was directed by John Stevenson and Mark Osborne and produced by Melissa Cobb, and stars the voices of Jack Black, Dustin Hoffman, Angelina Jolie, Ian McShane, Seth Rogen, Lucy Liu, David Cross, Randall Duk Kim, James Hong, and Jackie Chan. Set in a version of ancient China populated by anthropomorphic talking animals, the plot revolves around a bumbling panda named Po who aspires to be a kung fu master. When an evil kung fu warrior is foretold to escape after twenty years in prison, Po is unwittingly named the chosen one destined to defeat him and bring peace to the land, much to the chagrin of the resident kung fu warriors.
Document 7: Drunken Master: Drunken Master () is a 1978 Hong Kong comedy martial arts film directed by Yuen Woo-ping, and starring Jackie Chan, Yuen Siu-tien, and Hwang Jang Lee. The film was a success at the Hong Kong box office, earning two and a half times the amount of Chan's previous film, "Snake in the Eagle's Shadow", which was also considered a successful film. It is an early example of the comedic kung fu genre for which Jackie Chan became famous. The film popularised the Zui Quan ("drunken fist") fighting style. Ranked number 3 on totalfilm.com's 50 greatest kung fu movies of all time.
Document 8: Film genre: A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film (namely, serious, comic, etc.). Most theories of film genre are borrowed from literary genre criticism. The basic genres include fiction and documentary, from which subgenres have emerged, such as docufiction and docudrama. Other subgenres include the courtroom and trial-focused drama known as the legal drama. Types of fiction which may seem unrelated can also be combined to form hybrid subgenres, such as the melding of horror and comedy in the "Evil Dead" films. Other popular combinations are the romantic comedy and the action comedy film.
Document 9: Taekwondo: Taekwondo ( , ; from Korean "taegwondo" ] ) is a Korean martial art, characterized by its emphasis on head-height kicks, jumping and spinning kicks, and fast kicking techniques.
Document 10: Shanghai Knights: Shanghai Knights is a 2003 American-Hong Kong martial arts action comedy film. It is the sequel to "Shanghai Noon". Directed by David Dobkin and written by Alfred Gough and Miles Millar, it stars Jackie Chan and Owen Wilson.
Document 11: New Fist of Fury: New Fist of Fury is a 1976 Hong Kong martial arts film directed by Lo Wei and starring Jackie Chan. It is the first of several films that Lo directed Chan in, and the first using Chan's stage name Sing Lung (literally meaning "becoming a dragon", by which Chan is still known today in Asia). The film gave Chan his first starring role in a widely released film (his first starring role was in the "Little Tiger of Canton" which only had a limited release in 1973). The film was a sequel to Bruce Lee's "Fist of Fury", one of Lo Wei's biggest successes. "New Fist of Fury" was part of Lo's attempt to market Jackie Chan as the new Bruce Lee and did not contain any of the comedy elements that were to be Chan's career trademark later on.
Document 12: Martial arts film: Martial arts film is a film genre. A subgenre of the action film, martial arts films contain numerous martial arts fights between characters. They are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include other types of action, such as hand-to-hand combats, stuntwork, chases, and gunfights.
Document 13: Action film: Action film is a genre in which the protagonist or protagonists end up in a series of challenges that typically include violence, extended fighting, physical feats, and frantic chases. Action films tend to feature a resourceful hero struggling against incredible odds, which include life-threatening situations, a villain, or a pursuit which generally concludes in victory for the hero (though a small number of films in this genre "have" ended in victory for the villain instead). Advancements in CGI have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed as films that use computer animations to create unrealistic, highly unbelievable events are often met with criticism. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects.
Document 14: Kung Pow! Enter the Fist: Kung Pow! Enter the Fist is a 2002 American martial arts comedy film that parodies Hong Kong action cinema. Written, directed by and starring Steve Oedekerk, it uses footage from the 1976 Hong Kong martial arts film "Tiger and Crane Fist" (also called "Savage Killers"), along with new footage shot by Oedekerk, to create an original, unrelated plot.
Document 15: Pootie Tang: Pootie Tang is a 2001 American comedy film written and directed by Louis C.K. Adapted from a comedy sketch that first appeared on "The Chris Rock Show", the character Pootie Tang is a satire of the stereotyped characters who appeared in old blaxploitation films. The title character's speech, which vaguely resembles pidgin, is mostly unintelligible to the audience, but the other characters in the film have no problem understanding him.
ground_truth: Steve Oedekerk