Question: Barbara Frittoli made her Metropolitan Opera debut in a opera by what composer?

full_context: Document 1: Fernand Cortez: Fernand Cortez, ou La conquête du Mexique ("Hernán Cortés, or The Conquest of Mexico") is an opéra in three acts by Gaspare Spontini with a French libretto by Etienne de Jouy and Joseph-Alphonse d’Esmenard. It was first performed on 28 November 1809 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier.
Document 2: Carmen Melis: Carmen Melis (15 August 1885 – 19 December 1967) was an Italian operatic soprano who had a major international career during the first four decades of the 20th century. She was known, above all, as a verismo soprano, and was one of the most interesting singing actresses of the early 20th century. She made her debut in Novara in 1905 and her career rapidly developed in her native country over the next four years. From 1909-1916 she performed with important opera companies in the United States; after which she was busy performing at many of Europe's most important opera houses. From 1917 until her retirement from the stage in 1935 she was particularly active at the Teatro Costanzi in Rome and at La Scala in Milan. After her singing career ended, she embarked on a second career as a voice teacher. Her most notable student was soprano Renata Tebaldi.
Document 3: A Burlesque on Carmen: A Burlesque on Carmen is Charlie Chaplin's thirteenth film for Essanay Studios, released as "Carmen" on December 18, 1915. Chaplin played the leading man and Edna Purviance played Carmen. The film is a parody of the overacted Cecil B. DeMille "Carmen" of 1915 which was itself an interpretation of the popular novella "Carmen" by Prosper Mérimée. Composer Hugo Riesenfeld wrote the music for both the DeMille and the Chaplin films, based on George Bizet's opera "Carmen".
Document 4: Georges Bizet: Georges Bizet (] ; 25 October 18383 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, "Carmen", which has become one of the most popular and frequently performed works in the entire opera repertoire.
Document 5: Ludmilla Azova: Ludmilla Azova is a soprano opera singer who studied at the New York College of Music and has appeared as a soloist with the New York Philharmonic and the National Orchestra Association, and also performed the role of Fiordiligi in Mozart's "Così fan tutte" with the Bermuda Festival Theatre. Other operatic roles performed in New York include Mimi in "La bohème", "Madame Butterfly" and Marguerite in "Faust". In 1966, she appeared as Anna Gomez in a production of Gian Carlo Menotti's "The Consul" at New York City Opera. Azova has also been an active recitalist.In a review, dated October 6, 1969, in the New York Times, Peter G. Davis wrote, "Ludmilla Azova brought a bright, silvery soprano and an abundance of authoritative style to her Russian song recital at Town Hall late yesterday afternoon.Born in Europe of Russian parents, Miss Azova clearly knows where of what she sings...In addition to the charm and elegance of her interpretations, Miss Azova's well-schooled, even, secure soprano consistently delighted the ear... She is a beautiful woman, a charming recitalist and a singer of accomplishment."
Document 6: Loretta Di Franco: Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995. Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961. She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades". She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles. Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor". In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".
Document 7: Carmen: A Hip Hopera: Carmen: A Hip Hopera is a 2001 musical film produced for television by MTV and directed by Robert Townsend. The film stars Beyoncé in her debut acting role (predating her theatrical film debut in "Austin Powers in Goldmember"), Mos Def, Rah Digga, Wyclef Jean, Mekhi Phifer, Da Brat, Joy Bryant, Reagan Gomez-Preston, Jermaine Dupri and Lil' Bow Wow. It is based upon Georges Bizet's 1875 opera "Carmen", set in Philadelphia and Los Angeles in modern times, and features a mostly original hip-hop/R&B score in place of Bizet's opera.
Document 8: Cecilia Bartoli: Cecilia Bartoli, (] ; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to sing soprano and mezzo roles.
Document 9: Gioconda Vessichelli: Gioconda Vessichelli (born in Rome, Italy) is an opera singer. Gioconda is the inventor and pioneer of BollywoOPERA style. She has sung in the Bollywood movie "Prague "in 2013, and she has given her voice for the Bollywood movie "Mary Kom" on the song "Ziddi dil" together with Vishal Dadlani.On 19th May 2017 her song "Itni si baat hai" has been released by the label T-series. On 20 December 2014 the song "Thodi Daaru" was released featuring Mika Singh. Gioconda has done live performances as first fusion ever between opera and classical Hindi music with artists of the caliber of Grammy Award winner Sukhwinder Singh, Hari Haran, Gino Banks, Niladri Kumar, Silvaganesha, in festivals and auditoriums like Nehru Centre[20] in Mumbai. She collaborates with Anup Jalota, and many others. On 31 March 2016 her international video "We are one" in which she sings and acts together with Anup Jalota for peace in the world has been launched from the Minister of India in Delhi. She is in the annual book of Italian opera singer for having sung in the first world edition of contemporary opera at "Teatro comunale di Modena", broadcast on Italian state radio RAI. Gioconda is the first singer in the premiere world ever of the contemporary opera “Lavinia fuggita” by Matteo d’Amico. She has two degrees in opera singing and musicology from Italian conservatory "Santa Cecilia" and international high school of opera "H.Wolf". The tenor Luciano Pavarotti has been her teacher, among other opera singers who selected her as one of the best students. She was selected as best singer at accademia rossiniana in Pesaro and she debuts the role of "Madama cortese" in "il viaggio a Reims" by Rossini with the symphonic orchestra of Rof at Rossini theatre in Pesaro. She sings again in a Rossini opera at Ercolano international opera season in "Il barbiere di Siviglia" and at teatro Politeama opera season in Lecce. After Rossini she debuts "Carmen" by Bizet. Her interpretation of the role "Mimì" in the opera "La Boheme" by Puccini received positive critiques.
Document 10: Renée Fleming: Renée Fleming (born February 14, 1959) is an American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock. Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She also speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's "Le nozze di Figaro", Desdemona in Verdi's "Otello", Violetta in Verdi's "La traviata", the title role in Dvořák's "Rusalka", the title role in Massenet's "Manon", the title role in Massenet's "Thaïs", the title role in Richard Strauss's "Arabella", the Marschallin in "Der Rosenkavalier", and the Countess in "Capriccio".
Document 11: Sonia Ganassi: Sonia Ganassi (born 1966) is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s "The Barber of Seville" in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas include Elisabetta in "Elisabetta, regina d'Inghilterra" (ROF, 2004), Elena in "La donna del lago (Lady of the Lake)" (Rossini in Wildbad, 2006), "Ermione" (ROF, 2008), and Elcia in "Mosè in Egitto" (ROF, 2011). In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano (EMI Classics 6 98936 2).
Document 12: Carmen: Carmen (] ; ] ) is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.
Document 13: Carmen (novella): Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera of the same name by Georges Bizet.
Document 14: Barbara Frittoli: Barbara Frittoli (born 19 April 1967) is an Italian operatic soprano who has sung leading roles in opera houses throughout Europe and in the United States. She was born in Milan and graduated from the Milan Conservatory. She made her Metropolitan Opera debut in 1995 as Micaela in "Carmen" and has gone on to sing in over 80 performances there including Donna Elvira in "Don Giovanni", Fiordiligi in "Così fan tutte", Angelica in "Suor Angelica", Desdemona in "Otello", the title role in "Luisa Miller", Amelia in "Simon Boccanegra", Vitellia in "La clemenza di Tito" and Alicia Ford in "Falstaff".
Document 15: Carmen Jones: Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera "Carmen" updated to a World War II-era African-American setting. (Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée.) The Broadway musical was produced by Billy Rose, using an all-black cast, and directed by Hassard Short. Robert Shaw prepared the choral portions of the show.
ground_truth: Georges Bizet