Question: Which 1810 book mentioned Jeremias Friedrich Gülich?

full_context: Document 1: Paul Klee: Paul Klee (] ; 18 December 1879 – 29 June 1940) was a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures "Writings on Form and Design Theory" ("Schriften zur Form und Gestaltungslehre"), published in English as the "Paul Klee Notebooks", are held to be as important for modern art as Leonardo da Vinci's "A Treatise on Painting" for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
Document 2: The Green Snake and the Beautiful Lily: The Green Snake and the Beautiful Lily (German title: "Märchen" or "Das Märchen") is a fairy tale by Johann Wolfgang von Goethe published in 1795 in Friedrich Schiller's German magazine "Die Horen" (The Horae). It concludes Goethe's novella rondo "Conversations of German Emigrants" (1795). "Das Märchen" is regarded as the founding example of the genre of , or artistic fairy tale.
Document 3: Rudolf Christian Böttger: Böttger was born in Aschersleben, Germany in 1806. After attending the primary school there he joined the school of the Franksche Stiftung in Halle an der Saale at the age of eleven. In 1824, Böttger started to study theology, but in parallel also attended the science lectures at the University Halle. The lectures of Johann Salomo Christoph Schweigger had a strong influence on him. Böttger left the university in 1828 and worked as cleric and teacher at different locations. The contact with Schweigger never faded and in 1831 Böttger decided to leave the theology career. He was offered a job at the voluntary association for chemistry in Frankfurt in 1835. His first major work in Frankfurt was the improvement of the electrotyping method for the production of printing plates. Böttger received his PhD from the University of Jena in 1837 and was appointed as full professor in Frankfurt in 1842. Böttger married Christiane Harpke in 1841, and they had eight children. He and Christian Friedrich Schönbein, a German-Swiss chemist, discovered nitrocellulose independently in 1846. Both scientists collaborated to earn money with the invention, but they were not successful. The development of the safety match in 1848 and the synthesis of the first organocopper compound, the explosive copper(I) acetylide CuC in 1859 were examples for his chemistry research. Böttger stayed at the University of Frankfurt am Main for the rest of his life, although he was offered positions at other universities. He died of a liver illness in 1881.
Document 4: Guido Goldschmiedt: Goldschmiedt was born in Triest, Austria-Hungary. He started studying economics at the business school in Frankfurt am Main, but then started attending science lectures in other educational institutions. In 1869, he went back to Vienna, where part of his family lived, and studied chemistry at the University of Vienna. There he attended lectures of Josef Redtenbacher and Franz Cölestin Schneider – the most prominent chemists of the time in Vienna. In 1871, he moved to the University of Heidelberg, Germany. There he received his PhD for work with Robert Wilhelm Bunsen and his assistant Blum in the field of inorganic analytical chemistry of minerals. For a postdoctoral position, he joined the laboratory of Adolf von Baeyer at the University of Straßburg. Goldschmiedt worked in the field of organic chemistry for two years, but he also studied mineralogy and crystallography with Paul Heinrich von Groth. During that time, Emil Fischer and Franz S. Exner also worked with Baeyer in Straßburg. For Goldschmiedt, the time in Straßburg ended abruptly because he joined the group of Schneiders at the University of Vienna. After his habilitation in 1875, he was sent as official observer to the world fair in Philadelphia in 1876. After visiting California, he went back to Vienna and married in 1886. It took until 1890 for him to become assistant professor at University of Vienna, but only one year later he became full professor. In 1891, Goldschmiedt moved to the German Charles-Ferdinand University in Prague and worked there for 20 years. In the meantime, he received the Lieben Prize in 1892 and became a member of the Vorstand of Deutschen Chemischen Gesellschaft in 1900 and 1901. In 1911, Goldschmiedt succeeded Zdenko Hans Skraup at the University of Vienna and was mostly involved in administrative tasks, such as supervising the construction of the laboratory building and reorganization of the institute. Starting from 1914, his health deteriorated slowly but steadily, resulting in his eventual death on August 6, 1915.
Document 5: Disquisitiones Arithmeticae: The Disquisitiones Arithmeticae (Latin for "Arithmetical Investigations") is a textbook of number theory written in Latin by Carl Friedrich Gauss in 1798 when Gauss was 21 and first published in 1801 when he was 24. It is notable for having a revolutionary impact on the field of number theory as it not only turned the field truly rigorous and systematic but also paved the path for modern number theory. In this book, Gauss brought together and reconciled results in number theory obtained by mathematicians such as Fermat, Euler, Lagrange and Legendre and added many profound and original results of his own.
Document 6: Journal für praktische Chemie: The Journal für praktische Chemie, was a German-language scientific journal for chemistry. The journal was founded in 1828 by Otto Linné Erdmann (1804–1869) as the "Journal für technische und ökonomische Chemie", the oldest chemical trade journal in Germany. From 1828 (under the original title) to 1869 Erdmann was the editor, along with Franz Wilhelm Schweigger-Seidel (from 1833 to 1838), Richard Felix Marchand (from 1839 to 1850), and Gustav Werther (from 1853 to 1869). From 1870 to 1884 Hermann Kolbe was the editor-in-chief. From 1879 to 1884 Ernst von Meyer worked as co-editor under Kolbe and became editor-in-chief upon Kolbe's death in 1884 and continued in that capacity until his own death in 1916. Beginning in 1917 the journal was edited by Julius Bredt, Theodor Curtius, Karl Elbs, Otto Fischer (1852–1932), Fritz Foerster, and Berthold Rassow with August Darapsky as editor-in-chief. Beginning in 1953 the "Journal für praktische Chemie" was published by the Chemische Gesellschaft der DDR.
Document 7: The Phenomenology of Spirit: Phänomenologie des Geistes (1807) is Georg Wilhelm Friedrich Hegel's most widely discussed philosophical work. Hegel's first book, it describes the three-stage dialectical life of Spirit. The title can be translated as either The Phenomenology of Spirit or The Phenomenology of Mind, because the German word "Geist" has both meanings. The book's working title, which also appeared in the first edition, was "Science of the Experience of Consciousness". On its initial publication (see cover image on right), it was identified as Part One of a projected "System of Science", of which the "Science of Logic" was the second part. A smaller work, titled "Philosophy of Spirit" (also translated as "Philosophy of Mind"), appears in Hegel's "Encyclopedia of the Philosophical Sciences", and recounts in briefer and somewhat altered form the major themes of the original "Phenomenology".
Document 8: Complex seeing: The English term Complex Seeing is taken from Bertolt Brecht's writing on theatre and opera. First found in Brecht's notes to the "Threepenny Opera", a subsequently edited and updated version was published. This text can be found in English translation as "The Literarization of Theatre" from 1931, in Brecht on Theatre, where the key passage on complex seeing reads:
Document 9: Jeremias Friedrich Gülich: Jeremias Friedrich Gülich was a dyer in the neighbourhood of Stuttgart: he published "Complete Dyeing and Bleaching Book" an elaborate 6 Volume work on the technical details of dying. He made contributions in improving the body of scientific knowledge on colour. Johann Wolfgang von Goethe praised Jeremias' contribution to optics heavily in his book Theory of Colours. Although Jeremias and Goethe never conversed personally, Jeremias was very pleased to be praised by a figure so well known. Jeremias also helped to set industry standards on dying, most notably of sheep wool. After writing his books between in Sindelfingen between the years of 1776-1778, he ran a military orphanage in Ludwigsburg, where the boys spun cotton and the girls knitted and spun of cotton & flax. In 1785 Jeremias opened his own cotton mill. By the end of his life he had become the sole supplier of clothing to the military and also opened a saltpeter and gunpowder factory.
Document 10: Wilhelm Dichter: Wilhelm Dichter is a Polish American writer who has written three novels based on his life. He was born in 1935 in Borysław (in modern-day Ukraine), where he survived the war. His father had died, and he and his mother (remarried after the war) came to live in Poland toward the end of 1944. He finished his studies at the Warsaw Polytechnic, where he earned his doctorate in mechanical engineering and worked for 13 years until 1968. The antisemitic campaign in 1968 in Poland provided the opportunity for him and his family to emigrate, through Vienna and Rome, eventually settling in the United States. As an expert in ballistics, he worked at Colt Firearms in the R&D division on Long Island, New York, and later in Hartford Connecticut. In 1978, he made a transition to the field of image processing, becoming an image processing algorithm design specialist at the Linotype-Hell company. Wilhelm Dichter is now retired from his engineering and scientific work. When he is not writing, Wilhelm and his wife Ola spend quality time with their grandchildren. He and Ola live in the Boston area.
Document 11: F. Weber &amp; Company, Inc.: F. Weber Company, Inc. is an American manufacturer and supplier of artists' materials. Established in 1853 in Philadelphia, Pennsylvania, the F. Weber Company, Inc. is the oldest and one of the largest manufacturers of art materials in the United States. The company has been known for quality and innovation throughout their history, for example in the late 19th and early 20th centuries—the golden years of the prestigious World Fair—F. Weber & Co. frequently won gold medals for its fine quality products. Exhibitions included: 1873 Vienna; 1876 Centennial Exposition, Philadelphia; 1893 Columbian Exposition, Chicago; 1903 Louisiana Purchase Exposition, St. Louis; 1915 Panama-Pacific Exposition, San Francisco; and 1926 Sesqui-Centennial Exposition, Philadelphia. Following the death of Fredrick W. Weber Sr. in 1919, his two sons Fred W. Weber and Ernest Weber had the company incorporated and renamed it F. Weber Co., Inc. Fred W. Weber was a successful artist, chemist, inventor, and businessman, he was responsible for much of the innovation in product development from taking over in 1919 to his retirement in 1967. With his long list of innovations, a majority of which decreased the toxicity of necessary painting supplies, Fred W. Weber elevated the company to further prominence in the US art supplies market. His expertise in the arts as well as science along with the publication of his first book "Artists Pigments" (Van Nostrand 1923) made him a desirable lecturer on the topic of art. He provided advice to many celebrated 20th century artists, including: Thomas Hart Benton, Dean Cornwell, Arthur Dove, Peter Hurd, Norman Rockwell, NC Wyeth, and Andrew Wyeth. At this time the company had its factory and headquarters in Philadelphia, Pennsylvania, and retail locations in Philadelphia, Baltimore, and St. Louis. The company was bought by Visual Art Industries of Brooklyn, NY in 1980. Honoring the Weber family, the name was not removed from the company. The company is now officially the Martin F. Weber Co. and still produces a variety of art supplies, including the original non-toxic white color "Permalba" formulated by Fred W. Weber himself in 1921. The modern company is also known for its artists signature kits designed for revered television artists such as Jon Gnagy, Bob Ross, Susan Scheme, Robert Wyland and Bruce Blitz.
Document 12: Theory of Colours: Theory of Colours (German: "Zur Farbenlehre") is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how these are perceived by humans. Published in 1810, it contains detailed descriptions of phenomena such as coloured shadows, refraction, and chromatic aberration.
Document 13: Jan Gunneweg: Jan Gunneweg, is a member of the Archaeometry Task-force Unit at the Institute of Archaeology of the Humanities Faculty of the Hebrew University, Jerusalem. He began research at the University in 1973 completing his Ph.D. in the Archaeometry Unit of the institution in 1981. He became a Lecturer in 1983, and Senior Lecturer in 1988. His major research interest is in discovering the place of manufacture of pottery and parchment through the use of neutron activation analysis and synchrotron radiation. He has been particularly interested in finding the place of origin of the Dead Sea Scrolls and the jars that contained them in Gunneweg and Balla 2003,2006,2010 & 2012 in. Other interests include research into the ancient preparation of parchment and ink as used in the Dead Sea scrolls. Gunneweg organized three workshops, two at the Hebrew University Science Campus in 2005 and 2010, whereas the third one in 2008 at the Lorentz Centre for Physics and Mathematics at Leiden University (Netherlands) as a NIAS and Lorentz fellow for the year 2007-2008. During two Sabbaticals in 1989 and 1996 at Lawrence Berkeley National Laboratory In Berkeley, California, he worked on the digitizing of neutron activation data obtained at LBL in the 1960s and 70s. More research was focused on the place of origin of Iron Age pottery associated with the first Iron Age settlements in the Israel highlands, the Philistines and the Mycenaean IIIA Chariot Krater and other Mycenaean pottery, found at Akko and Tel Dan. Also the origin of Nabatean and Eastern Terra Sigillata pottery have been studied and published At present, Gunneweg is particularly interested in promoting the protection of Cultural Heritage in which he lectured at the ESRF in Grenoble, SESAME at Allan, ELETTRA, Trieste, Daresbury and the CLS at Saskatoon in order to lay the foundations of a collaboration between Science and Humanities and Social Sciences, which he has dubbed Trans-disciplinary an approach that transcendents the borders/limits of any discipline.
Document 14: Jacobus Theodorus Tabernaemontanus: Jacobus Theodorus (Jakob Dietrich), called Tabernaemontanus (1525 – August 1590) was a physician and an early botanist and herbalist, the "father of "German botany" whose illustrated "Neuwe Kreuterbuch" (1588) or "Eicones Plantarum" (Frankfurt, 1590) was the result of a lifetime's botanizing and medical practice. It provided unacknowledged material for John Gerard's better-known "Herball" (London, 1597) and was reprinted in Germany throughout the 17th century. His Latinized name represented a translation of his native town, Bergzabern (literally ‘mountain taverne’) in the Palatinate. Tabernaemontanus began as a student of the pioneer of Renaissance botany, Hieronymus Bock.
Document 15: Klänge: Klänge (German; "Sounds") is a book by the Russian expressionist artist Wassily Kandinsky. Published in an edition of 345 in Munich in late 1912, the work is a famous early example of an artist's book, containing both poems and woodcuts by the artist, forming two parallel strands, each involving a loose progression. One of three seminal books that Kandinsky published between 1911 and 1912 - the other two being "Concerning the Spiritual in Art" and "Der Blaue Reiter Almanac" that he edited with Franz Marc - "Klänge" was to have a direct and lasting influence on Expressionism, Dada and Russian Futurism.
ground_truth: Theory of Colours