Question: When did the person who called Hillhouse Avenue the most beautiful street in America in the 1840's start writing books?

full_context: Document 1: Charles Dickens: The Posthumous Papers of the Pickwick Club (Known as ``The Pickwick Papers '') (Monthly serial, April 1836 to November 1837) The Adventures of Oliver Twist (Monthly serial in Bentley's Miscellany, February 1837 to April 1839) The Life and Adventures of Nicholas Nickleby (Monthly serial, April 1838 to October 1839) The Old Curiosity Shop (Weekly serial in Master Humphrey's Clock, April 1840 to November 1841) Barnaby Rudge: A Tale of the Riots of Eighty (Weekly serial in Master Humphrey's Clock, February to November 1841) A Christmas Carol (1843) The Life and Adventures of Martin Chuzzlewit (Monthly serial, January 1843 to July 1844) Dombey and Son (Monthly serial, October 1846 to April 1848) David Copperfield (Monthly serial, May 1849 to November 1850) Bleak House (Monthly serial, March 1852 to September 1853) Hard Times: For These Times (Weekly serial in Household Words, 1 April 1854, to 12 August 1854) Little Dorrit (Monthly serial, December 1855 to June 1857) A Tale of Two Cities (Weekly serial in All the Year Round, 30 April 1859, to 26 November 1859) Great Expectations (Weekly serial in All the Year Round, 1 December 1860 to 3 August 1861) Our Mutual Friend (Monthly serial, May 1864 to November 1865) The Mystery of Edwin Drood left unfinished due to Dickens's death (Monthly serial, April 1870 to September 1870)
Document 2: Yale University: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).
Document 3: Charles Dickens: Dickens's literary success began with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed, and he often wove elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.
Document 4: New Haven, Connecticut: Many historical sites exist throughout the city, including 59 properties listed on the National Register of Historic Places. Of these, nine are among the 60 U.S. National Historic Landmarks in Connecticut. The New Haven Green, one of the National Historic Landmarks, was formed in 1638, and is home to three 19th-century churches. Below one of the churches (referred to as the Center Church on-the-Green) lies a 17th-century crypt, which is open to visitors. Some of the more famous burials include the first wife of Benedict Arnold and the aunt and grandmother of President Rutherford B. Hayes; Hayes visited the crypt while President in 1880. The Old Campus of Yale University is located next to the Green, and includes Connecticut Hall, Yale's oldest building and a National Historic Landmark. The Hillhouse Avenue area, which is listed on the National Register of Historic Places and is also a part of Yale's campus, has been called a walkable museum, due to its 19th-century mansions and street scape; Charles Dickens is said to have called Hillhouse Avenue "the most beautiful street in America" when visiting the city in 1868.
Document 5: Yale University: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.
Document 6: A Tale of Two Cities: A Tale of Two Cities Cover of serial Vol. V, 1859 Author Charles Dickens Illustrator Hablot Knight Browne (Phiz) Cover artist Hablot Knight Browne (Phiz) Country United Kingdom Language English Genre Historical novel Published 1859 Publisher London: Chapman & Hall Pages 341 pages (Paperback) Preceded by Little Dorrit (1855 -- 1857) Followed by Great Expectations (1860 -- 1861)
Document 7: Yale University: Other examples of the Gothic (also called neo-Gothic and collegiate Gothic) style are on Old Campus by such architects as Henry Austin, Charles C. Haight and Russell Sturgis. Several are associated with members of the Vanderbilt family, including Vanderbilt Hall, Phelps Hall, St. Anthony Hall (a commission for member Frederick William Vanderbilt), the Mason, Sloane and Osborn laboratories, dormitories for the Sheffield Scientific School (the engineering and sciences school at Yale until 1956) and elements of Silliman College, the largest residential college.
Document 8: Yale University: Yale is noted for its largely Collegiate Gothic campus as well as for several iconic modern buildings commonly discussed in architectural history survey courses: Louis Kahn's Yale Art Gallery and Center for British Art, Eero Saarinen's Ingalls Rink and Ezra Stiles and Morse Colleges, and Paul Rudolph's Art & Architecture Building. Yale also owns and has restored many noteworthy 19th-century mansions along Hillhouse Avenue, which was considered the most beautiful street in America by Charles Dickens when he visited the United States in the 1840s. In 2011, Travel+Leisure listed the Yale campus as one of the most beautiful in the United States.
Document 9: Charles Dickens: The Posthumous Papers of the Pickwick Club (Known as ``The Pickwick Papers '') (Monthly serial, April 1836 to November 1837)
Document 10: Sketches by Boz: Sketches by "Boz," Illustrative of Every-day Life and Every-day People (commonly known as Sketches by Boz) is a collection of short pieces Charles Dickens originally published in various newspapers and other periodicals between 1833 and 1836. They were re-issued in book form, under their current title, in February and August 1836, with illustrations by George Cruikshank. The first complete one volume edition appeared in 1839. The 56 sketches concern London scenes and people, and the whole work is divided into four sections: "Our Parish", "Scenes", "Characters" and "Tales". The material in the first three sections consists of non-narrative pen-portraits, but the last section comprises fictional stories.
Document 11: David Copperfield: David Copperfield is the eighth novel by Charles Dickens. The novel's full title is The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account). It was first published as a serial in 1849 -- 50, and as a book in 1850. Many elements of the novel follow events in Dickens's own life, and it is often considered his veiled autobiography. It was Dickens' favourite among his own novels. In the preface to the 1867 edition, Dickens wrote, ``like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield. ''The novel describes the journey of the protagonist David Copperfield; modeled after Dickens himself, from impoverished and miserable childhood to becoming a successful and famous author. Like some of his other novels, it contains disturbing descriptions of child abuse.
Document 12: Great Expectations: Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel: a bildungsroman that depicts the personal growth and personal development of an orphan nicknamed Pip. It is Dickens's second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes.
Document 13: Durfee Hall: Durfee Hall was completed in 1871 under the direction of Russell Sturgis, Jr. (M.A., Honorary, Yale University, 1872) and received its name from the generous Yale benefactor Bradford M. C. Durfee, Esq., of Fall River, Massachusetts. It was the second of a set of three buildings Sturgis designed that include Farnam Hall and Battell Chapel, and was originally described simply as "large and costly." However, it was quickly recognized as the defining piece of architecture on Yale's campus, and by the late 19th century, it was referred to by "The New York Times" as "the centre of wealth at Yale" and as "one of the finest college dormitories in the United States."
Document 14: New Haven, Connecticut: Grove Street Cemetery, a National Historic Landmark which lies adjacent to Yale's campus, contains the graves of Roger Sherman, Eli Whitney, Noah Webster, Josiah Willard Gibbs, Charles Goodyear and Walter Camp, among other notable burials. The cemetery is known for its grand Egyptian Revival gateway. The Union League Club of New Haven building, located on Chapel Street, is notable for not only being a historic Beaux-Arts building, but also is built on the site where Roger Sherman's home once stood; George Washington is known to have stayed at the Sherman residence while President in 1789 (one of three times Washington visited New Haven throughout his lifetime).
Document 15: Yale University: Yale has numerous athletic facilities, including the Yale Bowl (the nation's first natural "bowl" stadium, and prototype for such stadiums as the Los Angeles Memorial Coliseum and the Rose Bowl), located at The Walter Camp Field athletic complex, and the Payne Whitney Gymnasium, the second-largest indoor athletic complex in the world. October 21, 2000, marked the dedication of Yale's fourth new boathouse in 157 years of collegiate rowing. The Richard Gilder Boathouse is named to honor former Olympic rower Virginia Gilder '79 and her father Richard Gilder '54, who gave $4 million towards the $7.5 million project. Yale also maintains the Gales Ferry site where the heavyweight men's team trains for the Yale-Harvard Boat Race.
ground_truth: 1836
sub_queries: Who called Hillhouse Avenue the most beautiful street in America in the 1840's? Answer: Charles Dickens
when did Charles Dickens start to write books Answer: 1836