Question: Which documentary film was released first, Station to Station or Black Chicks Talking?

full_context: Document 1: Dublab: dublab is a non-profit music public broadcasting internet radio station based in Los Angeles. They have also been involved with art exhibition, film projects, event production, and record releases. Their broadcast is transmitted via Shoutcast, open formatted and live five days per week with two hour shows hosted by a collective of approximately 30 DJs. These Shows are archived and downloadable on the dublab website. Twice a year they broadcast live for four weeks to raise funds which is known as their Proton Drive.
Document 2: Miniverse: Miniverse is a documentary film that was released on the subscription video on demand service CuriosityStream, in partnership with production company Flight 33 Productions. "Miniverse" is hosted by former International Space Station Commander Colonel Chris Hadfield. The concept of the film is to bring the expanse of the Solar System down to the scale of the continental United States. In the film, Hadfield drives on a cross-country journey exploring planets and celestial bodies with a rotating passenger seat of famous astronomers, traveling from New York to California. The film premiered on April 17, 2017.
Document 3: Boulder International Film Festival: The Boulder International Film Festival (BIFF), sponsored by the Colorado Film Society, is held annually on Presidents Day Weekend in Boulder, Colorado USA, and has developed a reputation as one of the most compelling young film festivals in the U.S., exhibiting a number of new-but-unknown feature films, documentaries, animations, and shorts that have gone on to significant box-office success and multiple Oscar nominations, including "Monsieur Lazhar, Burma VJ, Revanche, Wasp, Miracle Fish, The Conscience of Nhem Eh, Waste Land, Incident in New Baghdad, Instead of Abracadabra, Raju, The Fantastic Flying Books of Mr. Morris Lessmore, West Bank Story, The Secret of Kells, 5 Broken Cameras, Chasing Ice, Curfew, Asad," "The Missing Picture," and "The Wind Rises." More than 23,600 filmmakers, national media, special guests and film enthusiasts attended the four-day BIFF 2014.
Document 4: Wavelength (1967 film): Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." "Wavelength" is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 "Village Voice" critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in "Artforum", Manny Farber describes "Wavelength" as "a pure, tough 45 minutes that may become "The Birth of a Nation" in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Document 5: Ashes and Snow: Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals. "Ashes and Snow" has traveled to Venice, New York City, Santa Monica, Tokyo, and Mexico City. To date, "Ashes and Snow" has attracted more than 10 million visitors, making it the most attended exhibition by a living artist in history.
Document 6: Empire (1964 film): Empire is a 1964 American black and white silent film written, produced, and directed by Andy Warhol. It consists of eight hours and five minutes of continuous slow motion footage of the Empire State Building in New York City. Abridged showings of the film were never allowed, and supposedly the unwatchability of the film was an important part of the reason the film was created. However, a legitimate Italian VHS produced in association with the Andy Warhol Museum in 2000 contains only an extract of 60 minutes. Its use of the long take "in extremis" is an extension of Warhol's earlier work the previous year with "Sleep". Warhol employed Rob Trains to be the projectionist for a screening of the film. Trains miscalculated and mixed the order and speed of the reels for the eight-hour movie. After a positive review in "The New York Times", Warhol actually liked the "mistake" and employed Trains for the entire summer.
Document 7: Stan Brakhage filmography: Over the course of more than five decades, the American experimental filmmaker Stan Brakhage produced a large body of work. All films in the filmography are assumed to be silent, in color, and are meant to be shown at 24 frames per second, unless otherwise noted. The Brakhage films, comprising his edited originals, intermediate elements, and other original material, are housed at the Academy of Motion Picture Arts and Sciences Film Archive, where a long-term project is underway to preserve and restore his entire film output.
Document 8: Black Chicks Talking: Black Chicks Talking is an arts project by Australian actress Leah Purcell featuring a 2001 documentary film, a 2002 book, a stage production and an art exhibition. The film is co-directed by Brendan Fletcher and features Indigenous Australian women including Purcell, actress Deborah Mailman and politician Kathryn Hay. Following the book and film, Purcell wrote a fictionalised dramatisation under the same title.
Document 9: Melaw Nakehk'o: Melaw Nakehk'o is an actress, artist, traditional moose hide tanner, and co-founder of the First Nations organization Dene Nahjo. She is primarily known for her role as the kidnapped Arikara woman Powaqa in the 2015 film "The Revenant".
Document 10: Leah Flanagan: Leah Flanagan is a singer-songwriter from Sydney, NSW. Leah has appeared on Australian TV shows Spicks & Specks and RockQuiz, has released 2 albums and toured extensively through Australia with her music and part of festival ensembles. Leah’s status as an Indigenous musician is one of pride and respect; she has helped make history with such recent essential albums as Archie Roach’s 25th anniversary reissue of Charcoal Lane and Buried Country 1.5, The Story of Aboriginal Country Music. Her latest album Saudades was recorded at the studio of Midnight Oil's Jim Moginie and mixed by Paul McKercher (You Am I, Augie March)
Document 11: Jennifer Kent: Jennifer Kent is an Australian actress, writer and director, best known for her horror film "The Babadook" (2014), which was her directorial debut. She is currently filming her second film, "The Nightingale".
Document 12: Station to Station (film): Station to Station is the 2014 film of Doug Aitken's 2013 "Nomadic Happening", the film is made up of 62 one-minute films. It was distributed internationally in 2015 following its release at the Sundance Film Festival.
Document 13: The Revival: Women and the Word: The Revival Women and the Word was a documentary released in 2016, the director of this film is Sekiya Dorsett, a queer filmmaker who works to give voice to issues of equality. This documentary chronicles a US tour group of Black lesbian poets and musicians who are traveling performing making history as queer women of color. Their journey is to bring together their community and include interviews from leading black feminist and queer thinkers which includes, Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. This documentary tackles themes such as gender, race, and sexuality. This film works to represent community and provide a special insight to the experience of queer women of color performers. Additionally, this film works to empower and raise the voices of the marginalized.
Document 14: Black Theatre (Sydney): The National Black Theatre was a theatre company run by a small group of Aboriginal people based in the Sydney suburb of Redfern and which operated from 1972 to 1977. The original concept for the theatre grew out of political struggles, especially the land rights demonstrations which at the time were being organised by the Black Moratorium Committee. The centre held workshops in modern dancing, tribal dancing, writing for theatre, karate and photography, and provided a venue for new Aboriginal drama. It also ran drama classes under Brian Syron who conducted the first of a planned series of six-week full-time workshops for his students who included Jack Davis, Freddie Reynolds, Maureen Watson, Lillian Crombie, and Hyllus Maris. These people went on to become known in the Aboriginal community for their work in the Australian theatre and film industries.
Document 15: Deborah Mailman: Deborah Jane Mailman, {'1': ", '2': ", '3': ", '4': "} (born 14 July 1972) is an Australian television film actress, and singer. She was the first Aboriginal actress to win the Australian Film Institute Award for Best Actress in a Leading Role and had gone on to win four more both in television and film. The awards are now known as the AACTA Awards. Mailman first gained recognition for the 1998 film "Radiance" for which she won her first AFI award.
ground_truth: Black Chicks Talking