Question: Still Kicking and Casino Jack and the United States of Money, are which genre of films?

full_context: Document 1: Inside Job (2010 film): Inside Job is a 2010 documentary film, directed by Charles H. Ferguson, about the late-2000s financial crisis. Ferguson says the film is about "the systemic corruption of the United States by the financial services industry and the consequences of that systemic corruption". In five parts, the film explores how changes in the policy environment and banking practices helped create the financial crisis.
Document 2: Maxim Pozdorovkin: Maxim Pozdorovkin is an award-winning Russian filmmaker who is the director and producer of the feature-length documentaries "Capital", "" and "The Notorious Mr. Bout". Pozdorovkin holds a PhD from Harvard University and is a junior fellow at the Harvard Society of Fellows. He appeared on "The Daily Show with Jon Stewart" on June 3rd, 2013.
Document 3: Gasland: Gasland is a 2010 American documentary written and directed by Josh Fox. Nominated for an Academy Award for Best Documentary in 2011, the film focuses on communities in the United States affected by natural gas drilling and, specifically, a method of horizontal drilling into shale formations known as hydraulic fracturing. The film was a key mobilizer for the anti-fracking movement, and "brought the term 'hydraulic fracturing' into the nation's living rooms" according to "The New York Times". The film was nominated for the Academy Award for Best Documentary Feature.
Document 4: The Collected Essays and Occasional Writings of Katherine Anne Porter: The Collected Essays and Occasional Writings of Katherine Anne Porter
Document 5: Still Kicking (film): Still Kicking: Six Artistic Women of Project Arts & Longevity is a 2006 32-minute documentary film by Pacific Grove filmmaker Greg Young, featuring six Bay Area women role models over 85 years old who remained artistically active. The catalyst for Young's film was Amy Gorman and Frances Kandl's Project Arts & Longevity through which they were exploring the link between longevity and artistic vitality. Along with the film the joint project resulted in a book entitled Aging Artfully.
Document 6: You Got to Move: You Got to Move is a documentary by Lucie Massie Phenix and Veronica Selver that follows people from communities in the Southern United States in their various processes of becoming involved in social change. The film’s centerpiece is the Highlander Folk School (now known as Highlander Research and Education Center), a 75-year-old center for education and social action that was somehow involved in each of the lives chronicled in the documentary.
Document 7: Casino Jack and the United States of Money: Casino Jack and the United States of Money is a 2010 documentary film directed by Alex Gibney.
Document 8: Still Kicking: The Fabulous Palm Springs Follies: Still Kicking: The Fabulous Palm Springs Follies is a 1997 American short documentary film directed by Mel Damski. It was nominated at the 70th Academy Awards for Best Documentary Short Subject. It features The Fabulous Palm Springs Follies, which was formerly staged at the Palm Springs, California Plaza Theatre.
Document 9: Radical Act (film): Radical Act is a feature-length documentary by Tex Clark. Shot in 1995, "Radical Act" documents the contributions of female artists to the 1990s indie rock scene. Participants include Kathleen Hanna (Bikini Kill, Le Tigre, Julie Ruin), Toshi Reagon, Gretchen Phillips, Melissa York (Team Dresch, Vitapup, The Butchies), Kim Coletta (Jawbox, co-owner of DeSoto Records), Shirlé Hale (Mary Lou Lord, Gerty, Womyn of Destruction), Sharon Topper (God is My Co-Pilot), journalist Evelyn McDonnell ("Mamarama: A Memoir of Sex, Kids and Rock n Roll" and "Rock She Wrote: Women Write About Rock, Pop and Rap"), author Victoria "Vicky" Starr ("KD Lang: All You Get Is Me") and Dr. Kay Turner (now Folk Arts Director of Brooklyn Arts Council).
Document 10: The Revival: Women and the Word: The Revival Women and the Word was a documentary released in 2016, the director of this film is Sekiya Dorsett, a queer filmmaker who works to give voice to issues of equality. This documentary chronicles a US tour group of Black lesbian poets and musicians who are traveling performing making history as queer women of color. Their journey is to bring together their community and include interviews from leading black feminist and queer thinkers which includes, Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. This documentary tackles themes such as gender, race, and sexuality. This film works to represent community and provide a special insight to the experience of queer women of color performers. Additionally, this film works to empower and raise the voices of the marginalized.
Document 11: Home for Life: Home for Life, the founding documentary of Kartemquin Films released in 1967, depicts the experiences of two elderly people in their first month at a home for the aged. One is a woman whose struggle to remain useful in her son and daughter-in-law's home is no longer appreciated. The other is a widower, without a family, who suddenly realizes he can no longer take care of himself. The film offers an unblinking look at the feelings of the two new residents in their encounters with other residents, medical staff, social workers, psychiatrists and family. A touching, sometimes painfully honest dramatic experience, it is valuable for in-service staff training, and for all other audiences both professional and non-professional, interested in the problems of the aged.
Document 12: Gordon Quinn: Gordon Quinn is Artistic Director and founding member of Kartemquin Films and a 2007 recipient of the MacArthur Award for Creative and Effective Institutions. Gordon Quinn has been making documentaries for over 45 years and has produced or directed over 30 films. His recent directing credits include "Prisoner of Her Past" and "A Good Man". His producing credits include the films "Hoop Dreams"; "In the Family";"Vietnam, Long Time Coming"; "Golub: Late Works Are the Catastrophes"; "5 Girls"; "Refrigerator Mothers"; and "Stevie". Most recently, Gordon executive produced "" and "The New Americans", for which he directed the Palestinian segment. Currently, he is executive producing several new films for Kartemquin.
Document 13: Charles Ferguson (filmmaker): Charles Henry Ferguson (born March 24, 1955) is the founder and president of Representational Pictures, Inc., and director and producer of "No End in Sight: The American Occupation of Iraq" (2007) and "Inside Job" (2010), which won the Academy Award for Best Documentary. Ferguson is also a software entrepreneur, writer and authority in technology policy.
Document 14: Eugene Jarecki: Eugene Jarecki is an award-winning dramatic and documentary filmmaker whose works include "The House I Live In", "Reagan", "Why We Fight", "The Trials of Henry Kissinger", "Freakonomics", "Quest of the Carib Canoe" and "Promised Land". "Why We Fight" and "The House I Live In" were both were both awarded the Grand Jury Prize for Documentary at the Sundance Film Festival, in 2005 and 2012 respectively. His most recent film, "Promised Land", premiered at Cannes Film Festival in 2017 and will be released worldwide in 2018 by  Universal Pictures . Beyond his work in film, Jarecki is also a public thinker on matters of U.S. defense, social justice, and foreign policy and the author of "The American Way of War: Guided Missiles, Misguided Men, and a Republic in Peril" (Simon & Schuster, 2008).
Document 15: Matthew Cooke (filmmaker): Matthew Cooke (born 1973, Washington, D.C.) is the writer-director of "How to Make Money Selling Drugs", a documentary film which criticizes the war on drugs in the United States. Cooke was also the narrator, editor, cinematographer and visual effects artist. Cooke was the producer and editor of Amy Berg's Oscar–nominated documentary "Deliver Us from Evil", his first feature film, and writer, director, editor and actor on Fuel TV's "Stupidface". He produced Adrian Grenier's 2010 HBO documentary "Teenage Paparazzo" which premiered at the 2010 Sundance Film Festival. Cooke also contributed editing, motion graphics and cinematography work to the picture. He is producing "American Race", an upcoming documentary directed by Amy Berg, who Cooke previously worked with on "Deliver Us from Evil."
ground_truth: documentary