Question: What genre does the composer of Symphony No. 1 operate in?

full_context: Document 1: The Phantom of the Opera: In Paris in the 1890s, the Palais Garnier opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. At a gala performance for the retirement of the opera house's two managers, a young little - known Swedish soprano, Christine Daaé, is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognises her as his childhood playmate, and recalls his love for her. He attempts to visit her backstage, where he hears a man complimenting her from inside her dressing room. He investigates the room once Christine leaves, only to find it empty.
Document 2: Hawaii Symphony: From 1996 to 2004, the Honolulu Symphony was under the direction of conductor Samuel Wong. In August 2007, Andreas Delfs, current music director of the Milwaukee Symphony Orchestra, officially became principal conductor of the Honolulu Symphony. He led seven concerts per season in the orchestra's Halekulani Masterworks series. Today, JoAnn Falletta serves as the artistic advisor of the Hawaii Symphony Orchestra. Ignace Jang is concertmaster.
Document 3: 1984 (opera): 1984 is an opera by the American conductor and composer Lorin Maazel, with a libretto by J. D. McClatchy and Thomas Meehan. The opera is based on George Orwell's novel, "Nineteen Eighty-Four." It premiered on 3 May 2005 at the Royal Opera House, Covent Garden in a production directed by Robert Lepage.
Document 4: Orchestra 2001: James Freeman founded Orchestra 2001 in 1988 as its artistic director and conductor, and continues to serve in both posts. The ensemble is noted for performances of works by composers based in the Philadelphia region, in particular George Crumb. Orchestra 2001 has performed many of Crumb's works since the ensemble's inception. These have included premieres of his "American Songbooks" series of compositions and other works such as "Voices from a Forgotten World". The orchestra has also premiered compositions by other composers such as:
Document 5: The Phantom of the Opera (1986 musical): Phantom began previews at Her Majesty's Theatre in London's West End on 27 September 1986 under the direction of Hal Prince, then opened on 9 October. It was choreographed by Gillian Lynne and the sets were designed by Maria Björnson, with lighting by Andrew Bridge. Michael Crawford starred in the title role with Sarah Brightman as Christine and Steve Barton as Raoul. The production, still playing at Her Majesty's, celebrated its 10,000 th performance on 23 October 2010, with Lloyd Webber and the original Phantom, Michael Crawford, in attendance. It is the second longest - running musical in West End (and world) history behind Les Misérables, and third overall behind The Mousetrap.
Document 6: Symphony No. 1 (Glazunov): Alexander Glazunov wrote his Symphony No. 1 in E major, Op. 5, in 1881, when he was 16 years old. It was premiered the following year in St. Petersburg. It is known as his Slavonian Symphony.
Document 7: The Ghosts of Versailles: The Ghosts of Versailles is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, with the premiere scheduled for 1983. Corigliano and Hoffman took as the starting point for the opera the play "La Mère coupable" ("The Guilty Mother") by Pierre Beaumarchais. They took seven years to complete the opera, past the initial deadline. The opera received its premiere on December 19, 1991, at the Metropolitan Opera, with the production directed by Colin Graham. The premiere run of seven performances was sold out. The original cast included Teresa Stratas, Håkan Hagegård, Renée Fleming, Graham Clark, Gino Quilico, and Marilyn Horne. The Metropolitan Opera revived the opera in the 1994/1995 season.
Document 8: The Phantom of the Opera: In 1911 Paris, the Palais Garnier is believed to be haunted by an entity known as the Phantom or the Opera Ghost. One day, the stagehand, Joseph Buquet, is found hanged, presumably by the Phantom, after boasting about him to the corps de ballet. At the same time, Christine Daaé, a young Swedish soprano, has been tutored by what she believes to be the Angel of Music, sent by her deceased father. On the night of the gala performance for the old manager's retirement, Christine is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognises her as his childhood playmate, and recalls his love for her. He attempts to visit her backstage, where he hears a man speaking to her from inside her dressing room. He investigates the room once Christine leaves, only to find that there's no one else in the room.
Document 9: The Phantom of the Opera (1986 musical): The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart and Richard Stilgoe. Lloyd Webber and Stilgoe also wrote the musical's book together. Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Opera Garnier.
Document 10: The Phantom of the Opera: In Paris in the 1890s, the Palais Garnier opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. At a gala performance for the retirement of the opera house's two managers, a young little - known Swedish soprano, Christine Daaé, is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognizes her as his childhood playmate and recalls his love for her. He attempts to visit her backstage, where he hears a man complimenting her from inside her dressing room. He investigates the room once Christine leaves, only to find it empty.
Document 11: Symphony No. 3 (Schuman): American composer William Schuman's Symphony No. 3 was completed on January 11, 1941, and premiered on October 17 of that year by the Boston Symphony Orchestra conducted by Serge Koussevitsky, to whom it is dedicated.
Document 12: Hérodiade: The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's "Salome", which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play."
Document 13: Symphony No. 1 (Corigliano): John Corigliano's Symphony No. 1 for Orchestra was written between 1988 and 1989 during the composer's tenure as the first Composer-In-Residence for the Chicago Symphony Orchestra. The symphony's first performance was by the Chicago Symphony conducted by Daniel Barenboim on March 15, 1990.
Document 14: Violin Concerto No. 1 (Szymanowski): Karol Szymanowski’s Violin Concerto No. 1, Op. 35, is considered one of the first modern violin concertos. It rejects traditional tonality and romantic aesthetics.
Document 15: The Red Violin: Girard was not a true musician, mainly working with it as a film director. The film score was written by composer John Corigliano, with every violin solo in the film performed by violinist Joshua Bell. The conductor was Esa - Pekka Salonen. The score is mainly of the Chaconne genre, while the ostensibly Romani music was also actually written by Corigliano. Bell said he was eager to join the film crew, citing his enthusiasm for Corigliano's work and his use of form. Corigliano, looking for a romantic musical performance, also referred to Bell as the ideal choice for a musician, calling him ``an aristocrat as a violinist ''. Girard stated Bell and Corigliano were involved from the outset, and reviewed every version of the screenplay as it was in development.
ground_truth: opera
sub_queries: Symphony No. 1 >> composer Answer: John Corigliano
John Corigliano >> genre Answer: opera