Question: Crime and Dissonance is an album of a compilation of score work from this Italian composer who has composed over 500 scores for cinema and television?

full_context: Document 1: The Good, the Bad and the Ugly (soundtrack): The Good, the Bad and the Ugly: Original Motion Picture Soundtrack was released in 1966 alongside the Western film, "The Good, the Bad and the Ugly", directed by Sergio Leone. The score is composed by frequent Leone collaborator Ennio Morricone, whose distinctive original compositions, containing gunfire, whistling, and yodeling permeate the film. The main theme, resembling the howling of a coyote, is a two-note melody that is a frequent motif, and is used for the three main characters, with a different instrument used for each one: flute for Blondie (Man With No Name), Arghilofono (Ocarina) for Angel Eyes, and human voices for Tuco.
Document 2: More (Theme from Mondo Cane): "More (Theme from "Mondo Cane")"is a film score song written by Riz Ortolani and Nino Oliviero for the 1962 film "Mondo Cane" (Dog's World, or as the soundtrack album states, "a world gone to the dogs"). The movie's music was released as "Mondo Cane: Original Motion Picture Sound Track Album", music by Riz Ortolani and Nino Oliviero, on United Artists Records UAS 5105 (stereo)/UAL 4015 (mono).
Document 3: Nino Rota: Giovanni "Nino" Rota (3 December 1911 – 10 April 1979) was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's "Godfather" trilogy, receiving the Academy Award for Best Original Score for "The Godfather Part II" (1974).
Document 4: Luis Bacalov: Luis Enríquez Bacalov (born 30 August 1933) is an Argentine-born Italian composer of film scores. Early on in his career, he composed scores for Spaghetti Western films. In the early 1970s, he collaborated with Italian progressive rock bands. Bacalov has been nominated twice for the Academy Award for Original Score, winning it in 1996 for "Il Postino". Bacalov has composed significant works for chorus and orchestra. Presently he is the artistic director of the "Orchestra della Magna Grecia" in Taranto, Italy.
Document 5: Andrea Morricone: Andrea Morricone (born 10 October 1964) is an Italian composer and conductor, known for his film scores. He is the son of composer Ennio Morricone. He composed the film scores for the American films "Capturing the Friedmans" and "Liberty Heights". He collaborated with his father on the famous score for "Cinema Paradiso", for which they won a BAFTA Award. He has also composed music for many other Italian films.
Document 6: The Hateful Eight (soundtrack): The Hateful Eight is the soundtrack album to Quentin Tarantino's motion picture "The Hateful Eight". The soundtrack includes the first complete original score for a Tarantino film and is composed, orchestrated and conducted by Ennio Morricone. Morricone composed 50 minutes of original music for "The Hateful Eight".
Document 7: Crime and Dissonance: Crime and Dissonance is a 2005 compilation album of Italian composer Ennio Morricone's film score work. Intended as a follow-up to two earlier Morricone compilations assembled by Dagored, the album was put together by Alan Bishop and released by Ipecac Recordings. "Crime and Dissonance" features work ranging from the later 1960s to the early 1980s, and contains scores taken from films of several different genres.
Document 8: The Punisher (1989 score): The Punisher, also known as The Punisher Original Motion Picture Score is the score to the 1989 film of the same name. The album was composed, orchestrated and conducted by Dennis Dreith. It was released on July 19, 2005 on CD, it also features a 23 minutes interview with composer Dreith and the director Mark Goldblatt. The interview focuses not only on the music itself but also much about the ill-fated circumstances which concerned the release of the original film.
Document 9: Ennio Morricone: Ennio Morricone, (] ; born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player. He composes a wide range of music styles, making him one of the most versatile, experimental and influential composers of all time, working in any medium. Since 1946 Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works. His filmography includes over 70 award-winning films, including all Sergio Leone films since "A Fistful of Dollars" (including "The Good, the Bad and the Ugly" and "Once Upon a Time in the West"), all Giuseppe Tornatore films (since "Cinema Paradiso"), "The Battle of Algiers", Dario Argento's "Animal Trilogy", Bernardo Bertolucci's "1900", "", "Days of Heaven", several major films in French cinema, in particular the comedy trilogy "La Cage aux Folles I", "II", "" and "Le Professionnel", John Carpenter's "The Thing", Roland Joffé's "The Mission", Brian De Palma's "The Untouchables" and "Mission to Mars", Barry Levinson's "Bugsy" and "Disclosure", Wolfgang Petersen's "In the Line of Fire", Warren Beatty's "Bulworth", Liliana Cavani's "Ripley's Game" and Quentin Tarantino's "The Hateful Eight".
Document 10: Music from Mission: Impossible: Music from Mission Impossible is an album featuring music composed and conducted by Lalo Schifrin recorded in 1967 and released on the Dot label. The music on this album is rerecorded and extended scores that were originally commissioned for the TV series "".
Document 11: The Good, the Bad and the Ugly (theme): "The Good, the Bad and the Ugly" is the theme to the 1966 film of the same name, which was directed by Sergio Leone. Included on the film soundtrack as "The Good, the Bad and the Ugly (main title)", the instrumental piece was composed by Ennio Morricone, with Bruno Nicolai conducting the orchestra. A cover version by Hugo Montenegro in 1968 was a pop hit in both the U.S. and the U.K. It has since become one of the most iconic scores in film history.
Document 12: More Mission: Impossible: More Mission Impossible is an album featuring music composed and conducted by Lalo Schifrin recorded in 1968 and released on the Paramount label. As with "" (1967) the music on this album is rerecorded and extended scores that were originally commissioned for the TV series .
Document 13: Crimes Against Music: Crimes Against is the fourth album by Mitch Benn, released in 2005 under the name of 'Mitch Benn and The Distractions' and featuring his backing band composed of Kirsty Newton and Tasha Baylis. All songs were written by Mitch Benn, and many songs had previous versions feature in the radio shows "The Now Show", "It's Been a Bad Week" and "Mitch Benn's Crimes Against Music", which shares a name with the album.
Document 14: Clint Eastwood discography: Clint Eastwood, an audiophile, has had a strong passion for music all his life, particularly jazz and country and western music. He is a pianist and composer in addition to his main career as an actor, director, and film producer. He developed as a ragtime pianist early on, and in late 1959 he produced the album "Cowboy Favorites", which was released on the Cameo label. Jazz has played an important role in Eastwood's life from a young age and although he was never successful as a musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Brothers which has released all of the scores of Eastwood's films from "The Bridges of Madison County" onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson-Jenner and Carole Bayer Sager, which was recorded by Diana Krall for the film "True Crime". "Why Should I Care" was also released on Krall's 1999 album "When I Look In Your Eyes".
Document 15: Carlo Innocenzi: Born in Monteleone di Spoleto, Innocenzi is best known as a composer of musical scores for films; he composed over 150 film scores since 1933. From 1958 till his death, he focused on peplum film scores.
ground_truth: Ennio Morricone