Question: Who is known for her research on Haitian voodoo and was a leading prose writer of the Harlem Renaissance?

full_context: Document 1: How It Feels To Be Colored Me: How It Feels To Be Colored Me (1928) is an essay by Zora Neale Hurston published in "World Tomorrow" as a "white journal sympathetic to Harlem Renaissance writers", illustrating her circumstance as an African American woman in the early 20th century in America. Most of Hurston's work involved her "Negro" characterization that were so true to reality, that she was known as an excellent anthropologist, "As an anthropologist and as an African- American writer during the Harlem Renaissance, Hurston was uniquely situated to explore the critical possibilities of marginality."
Document 2: Jessie Redmon Fauset: Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an African American editor, poet, essayist, novelist, and educator. Fauset’s literary work helped sculpt African American literature in the 1920s as she focused on portraying a true image of African American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, “passing,” and feminism. From 1919-1926, Fauset’s position as literary editor of "The Crisis," a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era. Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African American race. She wanted a realistic and positive representation of the African American community in literature that had never before been as prominently displayed. Before and after working on "The Crisis," she worked for decades as a French teacher in public schools in Washington, DC and New York City. She published four novels during the 1920s and 1930s, exploring the lives of the black middle-class. She also was the editor and co-author of the African-American children's magazine "The Brownies' Book." She is known for discovering and mentoring other African American writers such as Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
Document 3: Secte Rouge: The Secte Rouge, also called the Cochon Gris or the Vinbrindingue, is or was a secret society in Haiti, which Zora Neale Hurston described in her 1938 book "Tell My Horse". Hurston's sources of information were lore related by Haitians, as well as a few earlier books.
Document 4: Cheryl Wall: Cheryl A. Wall is a literary critic and professor of English at Rutgers University. She specializes in black women's writing, particularly the Harlem Renaissance and Zora Neale Hurston. She has edited several volumes of Hurston's writings for the Library of America. She is also a section editor for "The Norton Anthology of African American Literature" and is on the editorial board of "American Literature", "The African American Review" and "Signs".
Document 5: The Gilded Six Bits: "The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God". "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Document 6: Alice Walker: Alice Malsenior Walker (born February 9, 1944) is an American novelist, short story writer, poet, and activist. She wrote the critically acclaimed novel "The Color Purple" (1982) for which she won the National Book Award and the Pulitzer Prize for Fiction. She also wrote the novels "Meridian" (1976) and "The Third Life of Grange Copeland" (1970), among other works.
Document 7: That Evening Sun: "That Evening Sun" is a short story by the American author William Faulkner, published in 1931 on the collection "These 13", which included Faulkner's most anthologized story, "A Rose for Emily". The story was originally published, in a slightly different form, as "That Evening Sun Go Down" in "The American Mercury" in March of the same year. "That Evening Sun" is a dark portrait of white Southerners' indifference to the crippling fears of one of their black employees, Nancy. The story is narrated by Quentin Compson, one of Faulkner's most memorable characters, and concerns the reactions of him and his two siblings, Caddy and Jason, to an adult world that they do not fully understand. The black washerwoman, Nancy Mannigoe, fears that her common-law husband Jesus is seeking to murder her because she is pregnant with a white man's child. The title is thought to be taken from the song Saint Louis Blues, originally composed by W.C. Handy, but popularized by Bessie Smith and Louis Armstrong in 1927. Faulkner first came across Handy's music when the latter played dances in Oxford, Mississippi. Though the song is never explicitly referenced in the text, Faulkner employs a number of blues tropes to structure the plot and develop racial stereotypes. Scholar Ken Bennett notes that "the image of the 'evening sun' is a common one in black religious music. For example, the spiritual 'It's Gettin' Late Over in the Evenin', the Sun Most Down,' based on Revelation 20, uses the image of the evening sun to suggest the coming of death and judgment."
Document 8: Koritha Mitchell: Koritha Mitchell is an associate professor of African-American literature at the Ohio State University who obtained her Ph.D. from the University of Maryland. In 2011 Illinois University Press published her book on a study of African-Americans called "Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930" which won her numerousawards from the American Theatre & Drama Society and from the Society for the Study of American Women Writers respectively. In March 2012 "American Quarterly" published her essay "James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie". In March of the same year she spoke on the podium at ColorLines about the death of Trayvon Martin and her book "Living with Lynching". She also spoke about various African-American playwrights of the 20th century such as Alice Dunbar-Nelson, Angelina Weld Grimke, Mary Burrill, and Georgia Douglas Johnson.
Document 9: Zora Neale Hurston: Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an African-American novelist, short story writer, folklorist, and anthropologist known for her contributions to African-American literature, her portrayal of racial struggles in the American South, and works documenting her research on Haitian voodoo. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel "Their Eyes Were Watching God".
Document 10: Mule Bone: Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. "Mule Bone" was not staged until 1991.
Document 11: Gwendolyn B. Bennett: Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to "", which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in poetry and prose. She is perhaps best known for her short story "Wedding Day", which was published in the first issue of "Fire!!" Bennett contributed a lot within her lifetime. She was a dedicated and self-preserving woman, respectfully known for being a strong influencer of African-American women rights during the Harlem Renaissance. Throughout her dedication and perseverance, Bennett raised the bar when it came to women's literature, and education. One of her contributions to the Harlem Renaissance was her literary acclaimed short novel "Poets Evening", it helped the understanding within the African-American communities, resulting in many African-Americans coming to terms with identifying and accepting themselves.
Document 12: Zora Neale Hurston Museum of Fine Arts: The Zora Neale Hurston National Museum of Fine Arts, also known as The Hurston, is an art museum in Eatonville, Florida. The Hurston is named after Zora Neale Hurston, an African-American writer, folklore, and anthropologist who moved to Eatonville at a young age and whose father became mayor of Eatonville in 1897. “Its mission is to provide a place “in the heart of the community” where the public can view the work of artists of African descent, who live on the Continent and/or in the Diaspora”.
Document 13: Jonah's Gourd Vine: Jonah's Gourd Vine is the 1934 debut novel by Zora Neale Hurston. The novel is a semi-autobiographical novel describing the migration of characters, similar to her parents, from Alabama to Hurston's home of Eatonville, Florida.
Document 14: Harriet E. Wilson: Harriet E. Wilson (March 15, 1825 – June 28, 1900) is considered the first female African-American novelist, as well as the first African American of any gender to publish a novel on the North American continent. Her novel "Our Nig, or Sketches from the Life of a Free Black" was published anonymously in 1859 in Boston, Massachusetts, and was not widely known. The novel was discovered in 1982 by the scholar Henry Louis Gates, Jr., who documented it as the first African-American novel published in the United States. The novel, "The Bondwoman's Narrative" by Hannah Crafts, published for the first time in 2002, may have been written before Wilson's book.
Document 15: Zora Neale Hurston House: The Zora Neale Hurston House was the home of author Zora Neale Hurston in Fort Pierce, Florida. It was originally located at 1734 School Court but was moved north 500 feet in 1995 to 1734 Avenue L to allow for expansion of Lincoln Park Academy, the school at which Hurston taught. On December 4, 1991, it was designated as a U.S. National Historic Landmark.
ground_truth: Zora Neale Hurston