Question: What language is the museum where Wrestlers is located in?

full_context: Document 1: Mosaic: In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."
Document 2: Wrestlers (sculpture): The Wrestlers (also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae) is a Roman marble sculpture after a lost Greek original of the third century BCE. It is now in the Uffizi collection in Florence, Italy.
Document 3: Tribunal of Florence: Situated near the entry of the A11 highway and the Florence Airport, it is Italy's biggest tribunal building after that of Turin.
Document 4: Uffizi: The Uffizi Gallery (, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
Document 5: Roman Republic: The city of Rome had a place called the Campus Martius ("Field of Mars"), which was a sort of drill ground for Roman soldiers. Later, the Campus became Rome's track and field playground. In the campus, the youth assembled to play and exercise, which included jumping, wrestling, boxing and racing.[citation needed] Equestrian sports, throwing, and swimming were also preferred physical activities.[citation needed] In the countryside, pastimes included fishing and hunting.[citation needed] Board games played in Rome included dice (Tesserae or Tali), Roman Chess (Latrunculi), Roman Checkers (Calculi), Tic-tac-toe (Terni Lapilli), and Ludus duodecim scriptorum and Tabula, predecessors of backgammon. Other activities included chariot races, and musical and theatrical performances.[citation needed]
Document 6: Loggia dei Lanzi: The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.
Document 7: Sleeping Hermaphroditus: The Sleeping Hermaphroditus is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus. It represents a subject that was much repeated in Hellenistic times and in ancient Rome, to judge from the number of versions that have survived. Discovered at Santa Maria della Vittoria, Rome, the "Sleeping Hermaphroditus" was immediately claimed by Cardinal Scipione Borghese and became part of the Borghese Collection. The "Borghese Hermaphroditus" was later sold to the occupying French and was moved to The Louvre, where it is on display.
Document 8: Mosaic: Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.
Document 9: Discobolus: The Discobolus of Myron ("discus thrower", , "Diskobólos") is a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, circa 460–450 BC. The original Greek bronze is lost but the work is known through numerous Roman copies, both full-scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the "Palombara Discobolus", and smaller scaled versions in bronze.
Document 10: Professional wrestling: However, this was not always the case; in the early 20th century, once it became apparent that the "sport" was worked, pro wrestling was looked down on as a cheap entertainment for the uneducated working class — an attitude that still exists to varying degrees today. The French theorist Roland Barthes was among the first to propose that wrestling was worthy of deeper analysis, in his essay "The World of Wrestling" from his book Mythologies, first published in 1957. Barthes argued that it should be looked at not as a scamming of the ignorant, but as spectacle; a mode of theatric performance for a willing, if bloodthirsty, audience. Wrestling is described as performed art which demands an immediate reading of the juxtaposed meanings. The logical conclusion is given least importance over the theatrical performers of the wrestlers and the referee. According to Barthes, the function of a wrestler is not to win: it is to go exactly through the motions which are expected of them and to give the audience a theatrical spectacle. This work is considered a foundation of all later study.
Document 11: Pietà (Perugino): Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 12: Discobolus: The Discobolus of Myron (``discus thrower '', Greek: Δισκοβόλος, Diskobólos) is a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, circa 460 -- 450 BC. The original Greek bronze is lost but the work is known through numerous Roman copies, both full - scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the Palombara Discobolus, and smaller scaled versions in bronze.
Document 13: Paris: The Louvre was the world's most visited art museum in 2014, with 9.3 million visitors. Its treasures include the Mona Lisa (La Joconde) and the Venus de Milo statue. Starkly apparent with its service-pipe exterior, the Centre Georges Pompidou, the second-most visited art museum in Paris, also known as Beaubourg, houses the Musée National d'Art Moderne. The Musée d'Orsay, in the former Orsay railway station, was the third-most visited museum in the city in 2014; it displays French art of the 19th century, including major collections of the Impressionists and Post-Impressionists. The original building - a railway station - was constructed for the Universal Exhibition of 1900. The Musée du quai Branly was the fourth-most visited national museum in Paris in 2014; it displays art objects from Africa, Asia, Oceania, and the Americas. The Musée national du Moyen Âge, or Cluny Museum, presents Medieval art, including the famous tapestry cycle of The Lady and the Unicorn. The Guimet Museum, or Musée national des arts asiatiques, has one of the largest collections of Asian art in Europe. There are also notable museums devoted to individual artists, including the Picasso Museum the Rodin Museum, and the Musée national Eugène Delacroix.
Document 14: Uffizi: The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine magistrates, hence the name , "offices". The construction was later continued by Alfonso Parigi and Bernardo Buontalenti; it was completed in 1581. The top floor was made into a gallery for the family and their guests and included their collection of Roman sculptures.
Document 15: Doria Pamphilj Gallery: The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains.
ground_truth: Italian
sub_queries: Wrestlers >> location Answer: Uffizi
What language is Uffizi in? Answer: Italian