Question: Does Lionel Friedberg and Peter Duffell direct the same kind of films?

full_context: Document 1: Hardy Jones: Hardy Jones is a wildlife and conservation filmmaker. He began his career in radio at WNOE in New Orleans and has worked for United Press International, The Peruvian Times, and CBS News. He has been a television documentary producer since 1978 and has produced over 75 films for PBS, Discovery, TBS, and National Geographic. His first film, entitled DOLPHIN, depicts a school of spotted dolphins residing 40 miles north of Grand Bahama island. Since 1978 Jones has returned countless times to the Bahamas to visit these dolphins and film them. Some of the dolphins have become internationally famous. Chopper, a 27-year-old male, was filmed by Jones for the first time in 1979 and appeared in the 2005 PBS film "The Dolphin Defender".
Document 2: Ron Fricke: Ron Fricke is a North American film director and cinematographer, specializing in time-lapse photography and large format cinematography. He was the director of photography for "Koyaanisqatsi" (1982) and directed the purely cinematic non-verbal non-narrative feature "Baraka" (1992). He designed and used his own 65
Document 3: Peter Foldes: Peter Foldes (22 August 1924 in Budapest, Hungary – 29 March 1977 in Paris) was a director and animator of British nationality.
Document 4: Charles Saunders (director): Charles Joel Saunders (8 April 1904 – April 1997) was an English film director and screenwriter who started in the industry as a film editor, and who also contributed to television. He was the brother of the theatrical producer Sir Peter Saunders.
Document 5: England Made Me (film): England Made Me is a 1973 British drama film directed by Peter Duffell, starring Peter Finch, Michael York, Hildegarde Neil, and Michael Hordern, and based on the novel "England Made Me" by Graham Greene. Tony Wollard's art direction was nominated for a British BAFTA Award. The film changes the novel's setting from Sweden to Nazi Germany. Duffel explained that he changed the location due to his lack of knowledge of Sweden in the 1930s, the use of imagery the audience would recognise and the growing menace in Europe of the time.,
Document 6: John Cork: An avid James Bond fan, Cork has produced, written, and directed thirty documentaries along with Bruce Scivally for MGM's releases of the James Bond films on DVD (can be seen on the Ultimate Edition 2 Disc James Bond DVDs). As an author, he and Scivally have written the biographies of Ian Fleming, Cubby Broccoli, and Harry Saltzman. Collectively, they have conducted over one hundred and fifty interviews with the creative talents behind the 007 films. They also contributed to "The Ultimate James Bond: An Interactive Dossier", a CD-ROM for MGM Interactive.
Document 7: Lionel Friedberg: Lionel Friedberg is a documentary film director, producer and writer who has written or produced films for Animal Planet, CBS, PBS, the History Channel, the Discovery Channel and National Geographic Channel. He has 18 credits as Director of Photography on feature motion pictures, and has worked all over the world on both dramatic and nonfiction productions.
Document 8: Peter Cattaneo: Peter Joseph Cattaneo (born 1 July 1964) is a two-time Academy Award-nominated and two-time Bafta winning English filmmaker most famous for directing the hit British film "The Full Monty" (1997).
Document 9: Aaron Lubarsky: Aaron Lubarsky is a documentary filmmaker known for his work on the HBO documentary "Journeys with George", the PBS documentary "Seoul Train" and "Sportsfan". After graduation from Stanford University's Documentary Film Program, he worked as a documentarian at Lucasfilm on "The Making Of ". In 2005, he founded Flicker Flacker Films, specializing in non-fiction production. He lives and works in New York.
Document 10: Powell and Pressburger: The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. —24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger & Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best known of these are "The Life and Death of Colonel Blimp" (1943), "A Canterbury Tale" (1944), "A Matter of Life and Death" (1946), "Black Narcissus" (1947), "The Red Shoes" (1948), and "The Tales of Hoffmann" (1951).
Document 11: Peter Duffell: Peter Duffell (born 1937) is a British film and television director and screenwriter, born in Canterbury, England.
Document 12: Sandesh Kadur: National Geographic Explorer Sandesh Kadur is a Wildlife Film Maker and Conservation Photographer known for his contributions to Planet Earth II. Sandesh's films have been shown on television networks including National Geographic Channel, BBC, Discovery Channel and Animal Planet.
Document 13: A Sacred Duty: A Sacred Duty, subtitled "Applying Jewish values to help heal the world," is a 2007 60-minute documentary from Jewish Vegetarians of North America (JVNA), written and produced by Lionel Friedberg. The film focuses on Jewish teachings about caring for the earth, treatment of animals, and the environment, with a focus on vegetarianism. Interviews with rabbis, activists, and scholars are interspersed with footage and stills illustrating the points being discussed.
Document 14: Martin Duckworth: Martin Duckworth (born March 8, 1933) is a Canadian documentary director and cinematographer who was on staff at the National Film Board from 1963 to 1970 and has continued to work with them as a freelance filmmaker. He was cinematographer on more than 100 films, and directed or co-directed 30, most of them with the NFB. His credits as director include "12,000 Men" and "Return to Dresden" (Golden Sheaf awards at Yorkton, 1978 and 1986), "Wives’ Tale" (Quebec Critics’ Choice 1980), "No More Hiroshima" (Genie 1984), "Our Last Days in Moscow" (best direction FIFA1987), "Oliver Jones in Africa" (Mannheim Ducate 1990), and "Brush with Life" (Hot Docs Best Film 1994). His cinematography work has included "Christopher’s Movie Matinee", directed by Mort Ransen (1968), "Sad Song of Yellow Skin", by Michael Rubbo (1970), "Le bonhomme", by Pierre Maheu (1972), "La richesse des autres", by Maurice Bulbulian (1973), "Falasha" by Peter Raymont (1983), "La bombe en bonus", by Audrey Schirmer (1986), "Between Two Worlds" by Barry Greenwald (1990), "Seeing Red" by Julia Reichert (1993), "Maureen Forrester, the Diva in Winter", by Donald Winkler (1999), "Return to Kandahar" by Paul Jay (2003), "Professor Norman Cornett", by Alanis Obomsawin (2009), "Ma vie réelle", by Magnus Isacsson (2012), "Granny Power", by Jocelyn Clarke (2016). He has also worked as a cinematographer with such filmmakers as Gilles Groulx, Don Shebib, Laszlo Barna and Peter Watkins
Document 15: Peter Watkins: Peter Watkins (born 29 October 1935) is an English film and television director. He was born in Norbiton, Surrey, lived in Sweden, Canada and Lithuania for many years, and now lives in France. He is one of the pioneers of docudrama. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrates his works and ideas around the mass media and our relation/participation to a movie or television documentary.
ground_truth: no