Question: What type of music did the pianist who wrote the original music score to The Incredible Shrinking Woman find early success with?

full_context: Document 1: Ruth White (composer): Ruth White (born 1925) is an American composer known for her electronic music compositions. While most of her career was dedicated to educational recordings, she is best known for being an electronic music pioneer, owing to her early explorations of sound using the Moog synthesizer. The back cover of her 1971 release "Short Circuits" stated that “Ruth White is considered among today’s most gifted arbiters of what is termed ‘the new music’".
Document 2: Switched-On Bach: Switched-On Bach is the first studio album by the American musician and composer Wendy Carlos, released under her birth name Walter Carlos in October 1968 by Columbia Records. Produced by Carlos and Rachel Elkind, the album is a collection of pieces by Johann Sebastian Bach performed by Carlos and Benjamin Folkman on a Moog synthesizer. It played a key role in bringing synthesizers to popular music, which had until then been mostly used in experimental music.
Document 3: Randy Stuart: Randy Stuart, born as Elizabeth Shaubell (October 24, 1924 – July 20, 1996), was an American actress in film and television. A familiar face in several popular films of the 1940s and 1950s, and later in Western-themed television series, she is perhaps best remembered as Louise Carey, the wife of Scott Carey, played by Grant Williams, in "The Incredible Shrinking Man" (1957), a sci-fi classic named in 2009 as “culturally, historically or aesthetically” significant to be preserved for all time in the Library of Congress's National Film Registry.
Document 4: Suzanne Ciani: Suzanne Ciani (born June 4, 1946) is an Italian American pianist, composer and sound designer who found early success with innovative electronic music.
Document 5: Ludovico Einaudi: Ludovico Maria Enrico Einaudi OMRI (] ; born 23 November 1955) is an Italian pianist and composer. He trained at the Conservatorio Verdi in Milan. Einaudi began his career as a classical composer, and began incorporating other styles and genres—including pop, rock, world music, and folk music.
Document 6: Shirley Walker: Shirley Anne Walker (née Rogers, April 10, 1945 – November 30, 2006) was an American film and television composer and conductor. She was one of the few female film score composers working in Hollywood. Walker was one of the first female composers to earn a solo score credit on a major Hollywood motion picture (preceded by Suzanne Ciani, who wrote the complete score to the film "The Incredible Shrinking Woman" in 1980, released January 1981) and according to the "Los Angeles Times", will be remembered as a pioneer for women in the film industry.
Document 7: Innerspace: Innerspace is a 1987 American science fiction comedy film directed by Joe Dante and produced by Michael Finnell. Steven Spielberg served as executive producer. The film was inspired by the 1966 science fiction film "Fantastic Voyage". It stars Dennis Quaid, Martin Short and Meg Ryan, with Robert Picardo and Kevin McCarthy, with music composed by Jerry Goldsmith. It earned well over $25 million in its domestic gross revenue and won an Oscar, the only film directed by Dante to do so.
Document 8: Pierluigi Giombini: Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer. He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music. His grandfather was a music professor who specialized in the oboe and also played in orchestras. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos. It was Wendy Carlos' "Switched-On Bach" records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s. Even now he still uses hardware and software synths for his current projects such as 'Web'.
Document 9: The Shrinking Man: The Shrinking Man is a novel by Richard Matheson published in 1956. It has been adapted into a motion picture twice, called "The Incredible Shrinking Man" in 1957 and "The Incredible Shrinking Woman" in 1981, both by Universal Pictures. Another adaptation of the story has been proposed, which has been pushed back several times from 2001 to the current day. The novel was retitled "The Incredible Shrinking Man" in some later editions. In 2012 it was included (under the original title) in the Library of America two-volume boxed set "American Science Fiction: Nine Classic Novels of the 1950s", edited by Gary K. Wolfe.
Document 10: Honey, I Shrunk the Kids: Honey, I Shrunk the Kids is a 1989 American comic science fiction film. The directorial debut of Joe Johnston and produced by Walt Disney Pictures, it tells the story of an inventor who accidentally shrinks his and his neighbor's kids to a quarter of an inch with his electromagnetic shrinking machine and throws them out into the backyard with the trash, where they must venture into their backyard to return home while fending off insects and other obstacles.
Document 11: Cathy Berberian: Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote "Stripsody" (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and "Morsicat(h)y" (1969), a composition for the keyboard (with the right hand only) based on Morse code.
Document 12: Wendy Carlos: Wendy Carlos (born Walter Carlos; November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she oversaw the development of the Moog synthesizer, then a relatively new and unknown keyboard instrument designed by Robert Moog.
Document 13: The Incredible Shrinking Man: The Incredible Shrinking Man is a 1957 American black-and-white science fiction film from Universal-International, produced by Albert Zugsmith, directed by Jack Arnold, that stars Grant Williams and Randy Stuart. The film was adapted for the screen by Richard Matheson from his novel "The Shrinking Man". The opening credits music theme (uncredited) is by Irving Gertz, with a trumpet solo performed by Ray Anthony.
Document 14: The Incredible Shrinking Woman: The Incredible Shrinking Woman is a 1981 American science fiction comedy film directed by Joel Schumacher (in his directing debut), written by Jane Wagner and starring Lily Tomlin, Charles Grodin, Ned Beatty, John Glover and Elizabeth Wilson. This film is a take-off on the 1957 science fiction classic film "The Incredible Shrinking Man", and credited as based on Richard Matheson's 1956 novel, "The Shrinking Man". The original music score was composed by Suzanne Ciani.
Document 15: Jon Appleton: Jon Howard Appleton (born January 4, 1939) is an American composer and teacher who was a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. Chef d'Oeuvre and Newark Airport Rock attracted attention because they established a new tradition some have called programmatic electronic music. In 1970 he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music where he continues to teach once a year. He has also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years he has devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
ground_truth: innovative electronic music