Question: Sosarme was written by this German and later British composer who became a naturalized British subject in what year?

full_context: Document 1: Samson (opera): Samson was an opera by the French composer Jean-Philippe Rameau with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut "Hippolyte et Aricie", which premiered in October 1733. Like "Hippolyte", "Samson" was a "tragédie en musique" in five acts and a prologue. Voltaire had become a great admirer of Rameau's music after seeing "Hippolyte" and suggested a collaboration with the composer in November 1733. The opera was complete by late summer 1734 and went into rehearsal. However, a work on a religious subject with a libretto by such a notorious critic of the Church was bound to run into controversy and "Samson" was banned. An attempt to revive the project in a new version in 1736 also failed. The score is lost, although Rameau recycled some of the music from "Samson" in his later operas.
Document 2: Handel (crater): Handel is a crater on Mercury. It has a diameter of 166 kilometers. Its name was adopted by the International Astronomical Union in 1976. Handel is named for the British-German composer George Frideric Handel, who lived from 1685 to 1759.
Document 3: La Salustia: La Salustia is a 1732 opera in three acts by Giovanni Battista Pergolesi to a revised text, possibly by Sebastiano Morelli, after Apostolo Zeno's famous 1716 libretto "Alessandro Severo", which was also later adapted by Handel. The production was marred when the leading man Nicolo Grimaldi "Nicolini" fell fatally ill before the performance and an inexperienced substitute Gioacchino Conti "Gizziello" had to be called in at the last minute. "La Salustia" was Pergolesi's first opera seria. The story is based on the life of the Roman emperor Alexander Severus and his wife Sallustia Orbiana.
Document 4: Tamerlano: Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".
Document 5: List of compositions by George Frideric Handel: George Frideric Handel (23 February 1685 – 14 April 1759) was a German–English Baroque composer who is famous for his operas, oratorios and concerti grossi. Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and 16 organ concerti. His oratorio "Messiah", with its "Hallelujah" chorus, is among the most famous Baroque works and is a popular choice for performances during the Christmas season. Among Handel's best-known instrumental works are the Concerti Grossi Opus 3 and 6; "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds; and his 16 keyboard suites, especially "The Harmonious Blacksmith".
Document 6: Handel's Naturalisation Act 1727: An Act for naturalizing Louis Sekeyhaye, George Frederick Handel, and others (13 Geo. I), later given the short title of Handel's Naturalisation Act 1727, was a 1727 Act of the Parliament of Great Britain with the intent of naturalising and granting British citizenship to German-born composer George Frideric Handel and other foreign citizens.
Document 7: Organ concertos, Op. 7 (Handel): The Handel organ concertos Op 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original material, including some of his most popular and inspired movements.
Document 8: Germanico (Handel): Germanico is a serenata in one act, to a libretto of unknown authorship, which is ascribed to George Frideric Handel on the sole source, a copyist's manuscript in the library of the Conservatorio Luigi Cherubini in Florence. The ascription to Handel, "del sig. Hendl", is in the same hand that copied the music, suggesting it was contemporary with the writing of the score. It was discovered in 2007 by the conductor and scholar and has been recorded by Deutsche Harmonia Mundi (EAN 886978604521). The work appears to be authentic and to date from the earliest phase of Handel's sojourn in Italy, probably around 1708, leading to claims that it was Handel's first Italian opera.
Document 9: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 10: Handel House Museum: The Handel House Museum is a museum in Mayfair, London dedicated to the life and works of the German-born British baroque composer George Frideric Handel, who made his home in London in 1712 and eventually became a British citizen in 1727. Handel was the first occupant of 25 Brook Street, which he rented from 1723 until his death there in 1759. Almost all his works after 1723, amongst them many of his best-known operas, oratorios and ceremonial music, were composed and partially rehearsed in the house, which contained a variety of keyboard instruments, including harpsichords, a clavichord and a small chamber organ.
Document 11: Sosarme: Sosarme, re di Media ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, "Dionisio, Re di Portogallo" (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia.
Document 12: Terpsicore: Terpsicore (HWV)(8b) is a prologue in the form of an opéra-ballet by George Frideric Handel. Handel composed it in 1734 for a revision of his opera "Il pastor fido" which had first been presented in 1712. The revision of "Il pastor fido" with "Terpsicore" as the prologue was first performed on 9 November 1734 at Covent Garden theatre in London, opening Handel's first season in that newly built theatre. "Terpsicore" mixes dance along with solo and choral singing and was patterned after models in French operas, a particular source being "Les festes grecques et romaines" by Louis Fuzelier and Colin de Blamont, first presented in Paris in 1723. The work featured the celebrated French dancer Marie Sallé as well as stars of Handel's Italian operas and was a success with audiences of the day.
Document 13: Organ concertos, Op. 4 (Handel): The Handel organ concertos Op 4, HWV 289–294, refer to the six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh. Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a model for later composers.
Document 14: Adriano in Siria (Mysliveček): Adriano in Siria ("Hadrian in Syria") is an 18th-century Italian opera seria in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto of the same name by the Italian poet Metastasio that was first performed in 1732 with music of Antonio Caldara and in more than 60 further settings until 1828. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. No other of the composer's settings of Metatasio's texts contains as many substitute aria texts as this one does. The cuts and changes in the text made for the 1776 performance of Mysliveček's opera are not attributable.
Document 15: Handel Music Prize: The Handel Music Prize, in German Händel-Preis, is an annual award, instituted in 1956, which is presented by the city of Halle, in Germany, in honour of the celebrated Baroque composer George Frideric Handel. It is awarded, "for exceptional artistic, academic or politico-cultural services as far as these are connected with the city of Halle's Handel commemoration". The prize consists of a diploma, a gold and enamel badge, and 10,000 euros in prize money and is presented during the annual Handel Festival, Halle.
ground_truth: 1727