Question: Are both Der Wildschütz and Tamerlano operas?

full_context: Document 1: The Cunning Little Vixen: The Cunning Little Vixen (Czech: "Příhody lišky Bystroušky" , lit. "Adventures of the vixen known as Sharp-Ears", and, until the 1970s, generally referred to in English as Adventures of Vixen Sharp-Ears) is a Czech language opera by Leoš Janáček, composed 1921 to 1923, in which a clever fox and accompanying wildlife (as well as a few humans) have small adventures while traversing their lifecycles. Its libretto was adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek and Stanislav Lolek, which was first published in the newspaper "Lidové noviny". The opera incorporates Moravian folk music and rhythms. Described as a comic opera, it has nonetheless been noted to contain a serious theme. Interpretations of the work remain varied, ranging from children's entertainment to a tragedy.
Document 2: Dafne (Opitz-Schütz): Die Dafne (1627) to a libretto by Martin Opitz (which survives), and music by Heinrich Schütz (which is lost), has traditionally been regarded as the first German opera, though it has also been proposed more recently that it was in fact a spoken drama with inserted song and ballet numbers.
Document 3: Tigrane: Tigrane, o vero L'egual impegno d'amore e di fede ("Tigranes or The Equal Ties of Love and Faith") is an opera seria in three acts by the Italian composer Alessandro Scarlatti with a libretto by Domenico Lalli (loosely based on the "Histories" of Herodotus). It was first performed at the Teatro San Bartolomeo, Naples on 16 February 1715. It is regarded as one of Scarlatti's finest operas. As well as the serious main plot, there are also comic scenes involving the servants Dorilla and Orcone.
Document 4: Johann Friedrich Kind: Johann Friedrich Kind (4 March 1768 Leipzig – 24 June 1843) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera "Der Freischütz" (1821).
Document 5: Germanico (Handel): Germanico is a serenata in one act, to a libretto of unknown authorship, which is ascribed to George Frideric Handel on the sole source, a copyist's manuscript in the library of the Conservatorio Luigi Cherubini in Florence. The ascription to Handel, "del sig. Hendl", is in the same hand that copied the music, suggesting it was contemporary with the writing of the score. It was discovered in 2007 by the conductor and scholar and has been recorded by Deutsche Harmonia Mundi (EAN 886978604521). The work appears to be authentic and to date from the earliest phase of Handel's sojourn in Italy, probably around 1708, leading to claims that it was Handel's first Italian opera.
Document 6: Nicola Francesco Haym: Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for "Giulio Cesare", "Ottone", "Flavio", "Tamerlano", "Rodelinda", and several others; for Bononcini, he produced two, "Calfurnia" and "Astianatte".
Document 7: Der Wildschütz: Der Wildschütz oder Die Stimme der Natur ("The Poacher, or The Voice of Nature") is a German "Komische Oper", or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy "Der Rehbock, oder Die schuldlosen Schuldbewussten" by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842.
Document 8: Sosarme: Sosarme, re di Media ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, "Dionisio, Re di Portogallo" (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia.
Document 9: The Poacher (1953 film): The Poacher (German: Der Wildschütz or Die große Schuld) is a 1953 Austrian-German drama film directed by Alfred Lehner and starring Renate Mannhardt, Kurt Heintel and Karl Fischer.
Document 10: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 11: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 12: Der Widerspänstigen Zähmung: Der Widerspänstigen Zähmung (also: Der Widerspenstigen Zähmung ) (English: "The Taming of the Shrew") is a German-language comic opera in four acts by the German composer Hermann Goetz. It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor Ernst Frank. The libretto, by and the composer, is based on Shakespeare's "The Taming of the Shrew". The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart. "Der Widerspänstigen Zähmung " was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw.
Document 13: Il gran Tamerlano: Il gran Tamerlano ("The Great Tamerlane") is an opera in three acts by the Czech composer Josef Mysliveček. Its libretto was written by Agostino Piovene. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Generally this style favored high vocal ranges, both for male and female singers, but for the character of Bajazette, emperor of the Turks, the composer created the only substantial role for a bass singer that appears in any of his operas.
Document 14: Tamerlano: Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".
Document 15: Der Freischütz: Der Freischütz , Op. 77, J. 277, (usually translated as "The Marksman" or "The Freeshooter") is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first important German Romantic opera, especially in its national identity and stark emotionality.
ground_truth: yes