Question: In 1306 who was the king of the country where Chopin composed most of his works?

full_context: Document 1: Philip IV in Brown and Silver: The Portrait of Philip IV or Philip IV in Brown and Silver is a portrait of Philip IV of Spain painted by Diego Velázquez. It is sometimes known as "Silver Philip" and is now in the National Gallery in London. It was the main portrait of Philip painted by Velázquez in the 1630s, used as the model for many workshop versions.
Document 2: Frédéric Chopin: Frédéric François Chopin (/ˈʃoʊpæn/; French pronunciation: ​[fʁe.de.ʁik fʁɑ̃.swa ʃɔ.pɛ̃]; 22 February or 1 March 1810 – 17 October 1849), born Fryderyk Franciszek Chopin,[n 1] was a Polish and French (by citizenship and birth of father) composer and a virtuoso pianist of the Romantic era, who wrote primarily for the solo piano. He gained and has maintained renown worldwide as one of the leading musicians of his era, whose "poetic genius was based on a professional technique that was without equal in his generation." Chopin was born in what was then the Duchy of Warsaw, and grew up in Warsaw, which after 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising.
Document 3: Frédéric Chopin: Over 230 works of Chopin survive; some compositions from early childhood have been lost. All his known works involve the piano, and only a few range beyond solo piano music, as either piano concertos, songs or chamber music.
Document 4: Louis V of France: Louis V (c. 966 – 21 May 987), also known as Louis the Do-Nothing (French: Louis le Fainéant), was the King of West Francia from 986 until his premature death a year later. During his reign, the nobility essentially ruled the country. Dying childless, he was the last monarch in the Carolingian line in West Francia.
Document 5: Elizabeth II: The engagement was not without controversy: Philip had no financial standing, was foreign-born (though a British subject who had served in the Royal Navy throughout the Second World War), and had sisters who had married German noblemen with Nazi links. Marion Crawford wrote, "Some of the King's advisors did not think him good enough for her. He was a prince without a home or kingdom. Some of the papers played long and loud tunes on the string of Philip's foreign origin." Elizabeth's mother was reported, in later biographies, to have opposed the union initially, even dubbing Philip "The Hun". In later life, however, she told biographer Tim Heald that Philip was "an English gentleman".
Document 6: Frédéric Chopin: All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his own performances were noted for their nuance and sensitivity. Chopin invented the concept of instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a frequent guest. His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Document 7: Frédéric Chopin: Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these).
Document 8: John, King of England: After his coronation, John moved south into France with military forces and adopted a defensive posture along the eastern and southern Normandy borders. Both sides paused for desultory negotiations before the war recommenced; John's position was now stronger, thanks to confirmation that the counts Baldwin IX of Flanders and Renaud of Boulogne had renewed the anti-French alliances they had previously agreed to with Richard. The powerful Anjou nobleman William des Roches was persuaded to switch sides from Arthur to John; suddenly the balance seemed to be tipping away from Philip and Arthur in favour of John. Neither side was keen to continue the conflict, and following a papal truce the two leaders met in January 1200 to negotiate possible terms for peace. From John's perspective, what then followed represented an opportunity to stabilise control over his continental possessions and produce a lasting peace with Philip in Paris. John and Philip negotiated the May 1200 Treaty of Le Goulet; by this treaty, Philip recognised John as the rightful heir to Richard in respect to his French possessions, temporarily abandoning the wider claims of his client, Arthur.[nb 4] John, in turn, abandoned Richard's former policy of containing Philip through alliances with Flanders and Boulogne, and accepted Philip's right as the legitimate feudal overlord of John's lands in France. John's policy earned him the disrespectful title of "John Softsword" from some English chroniclers, who contrasted his behaviour with his more aggressive brother, Richard.
Document 9: Frédéric Chopin: Jones comments that "Chopin's unique position as a composer, despite the fact that virtually everything he wrote was for the piano, has rarely been questioned." He also notes that Chopin was fortunate to arrive in Paris in 1831—"the artistic environment, the publishers who were willing to print his music, the wealthy and aristocratic who paid what Chopin asked for their lessons"—and these factors, as well as his musical genius, also fuelled his contemporary and later reputation. While his illness and his love-affairs conform to some of the stereotypes of romanticism, the rarity of his public recitals (as opposed to performances at fashionable Paris soirées) led Arthur Hutchings to suggest that "his lack of Byronic flamboyance [and] his aristocratic reclusiveness make him exceptional" among his romantic contemporaries, such as Liszt and Henri Herz.
Document 10: John, King of England: The rebel barons responded by inviting the French prince Louis to lead them: Louis had a claim to the English throne by virtue of his marriage to Blanche of Castile, a granddaughter of Henry II. Philip may have provided him with private support but refused to openly support Louis, who was excommunicated by Innocent for taking part in the war against John. Louis' planned arrival in England presented a significant problem for John, as the prince would bring with him naval vessels and siege engines essential to the rebel cause. Once John contained Alexander in Scotland, he marched south to deal with the challenge of the coming invasion.
Document 11: Philip IV of France: Philip IV (April -- June 1268 -- 29 November 1314), called the Fair (French: Philippe le Bel) or the Iron King (French: le Roi de fer), was King of France from 1285 until his death. By virtue of his marriage with Joan I of Navarre, he was also Philip I, King of Navarre from 1284 to 1305. He also briefly ruled the County of Champagne in right of his wife, although after his accession as king in 1285 the county remained under the sole governance of his wife until her death in 1305, and then fell to their son Louis until Philip's own death in 1314, after which his son acceded to the French throne and the county was finally united to the crown lands of France. Although Philip was known as handsome, his inflexible personality gained him other epithets, from friend and foe alike. His fierce opponent Bernard Saisset, bishop of Pamiers, said of him, ``He is neither man nor beast. He is a statue. ''
Document 12: County of Foix: Henry III of Navarre became King Henry IV of France in 1589. In 1607, he united to the French crown his personal fiefs that were under French sovereignty (i.e. County of Foix, Bigorre, Quatre-Vallées, and Nébouzan, but not Béarn and Lower Navarre, which were sovereign countries outside of the kingdom of France), and so the county of Foix became part of the royal domain.
Document 13: Frédéric Chopin: In his native Poland, in France, where he composed most of his works, and beyond, Chopin's music, his status as one of music's earliest superstars, his association (if only indirect) with political insurrection, his love life and his early death have made him, in the public consciousness, a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying degrees of historical accuracy.
Document 14: Frédéric Chopin: At the age of 21 he settled in Paris. Thereafter, during the last 18 years of his life, he gave only some 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and teaching piano, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his musical contemporaries, including Robert Schumann. In 1835 he obtained French citizenship. After a failed engagement to Maria Wodzińska, from 1837 to 1847 he maintained an often troubled relationship with the French writer George Sand. A brief and unhappy visit to Majorca with Sand in 1838–39 was one of his most productive periods of composition. In his last years, he was financially supported by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. Through most of his life, Chopin suffered from poor health. He died in Paris in 1849, probably of tuberculosis.
Document 15: Frédéric Chopin: With his mazurkas and polonaises, Chopin has been credited with introducing to music a new sense of nationalism. Schumann, in his 1836 review of the piano concertos, highlighted the composer's strong feelings for his native Poland, writing that "Now that the Poles are in deep mourning [after the failure of the November 1830 rising], their appeal to us artists is even stronger ... If the mighty autocrat in the north [i.e. Nicholas I of Russia] could know that in Chopin's works, in the simple strains of his mazurkas, there lurks a dangerous enemy, he would place a ban on his music. Chopin's works are cannon buried in flowers!" The biography of Chopin published in 1863 under the name of Franz Liszt (but probably written by Carolyne zu Sayn-Wittgenstein) claims that Chopin "must be ranked first among the first musicians ... individualizing in themselves the poetic sense of an entire nation."
ground_truth: Philip IV
sub_queries: Where did Chopin create the majority of his compositions? Answer: France
who was the king of France in 1306 Answer: Philip IV