Question: What is the name of the company that John Sinklo may have performed with that inherited the work that is thought to be Shakespeare's first tragedy?

full_context: Document 1: Shakespeare in performance: Thousands (perhaps even millions) of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage (who played the title role in the first performances of "Hamlet", "Othello", "Richard III" and "King Lear"), Richard Cowley, and William Kempe.
Document 2: Richard Sharpe (actor): Richard Sharpe (c. 1602 [?] – January 1632) was an actor with the King's Men, the leading theatre troupe of its time and the company of William Shakespeare and Richard Burbage. Sharpe began his career as a boy player acting female roles, then switched to male roles in his young adulthood.
Document 3: Authorship of Titus Andronicus: The authorship of "Titus Andronicus" has been debated since the late 17th century. "Titus Andronicus", probably written between 1588 and 1593, appeared in three quarto editions from 1594 to 1601 with no named author. It was first published under William Shakespeare's name in the 1623 First Folio of his plays. However, as with some of his early and late plays, scholars have long surmised that Shakespeare might have collaborated with another playwright. Other plays have also been examined for evidence of co-authorship, but none has been as closely scrutinised or as consistently questioned than "Titus". The principal contender for the co-authorship is George Peele.
Document 4: Titus Andronicus (character): Titus Andronicus is the main character and tragic hero in William Shakespeare's play of the same name, "Titus Andronicus", a Senecan tragedy. Titus is a Roman nobleman and a general in the war who distinguished himself in ten years of service against the Goths. Despite his exemplary service the war's toll on him is sufficient that he declined the emperorship. Nonetheless, he begins the play as an exemplary citizen. However faith in the traditions of the Roman system of government eventually leads to his death as others seek revenge.
Document 5: Titus Andronicus: Titus Andronicus is a tragedy by William Shakespeare, believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy, and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
Document 6: Titus Andronicus (ballad): "The Lamentable and Tragical History of Titus Andronicus," also called "Titus Andronicus' Complaint," is a ballad from the 17th century about the fictional Roman general, Titus, and his revenge cycle with the Queen of the Goths. Events in the ballad take place near the end of the Roman Empire, and the narrative of the ballad parallels the plot of William Shakespeare's play "Titus Andronicus". Scholarly debate exists as to which text may have existed first, the ballad or the play (indeed, there is a third potential "Titus Andronicus" source, a prose history published in chapbook form during the 18th century). The ballad itself was first entered on the Stationers' Register in 1594, the same year the play was entered. Surviving copies of the ballad can be found in the British Library, in the Huntington Library, and at Magdalene College, Cambridge. Online copies of the facsimiles are also available for public consumption at sites such as the English Broadside Ballad Archive.
Document 7: Revenge tragedy: Revenge tragedy (less commonly referred to as revenge drama, revenge play, or tragedy of blood) defines a genre of plays made popular in early modern England. Ashley H. Thorndike formally established this genre in his seminal 1902 article "The Relations of Hamlet to Contemporary Revenge Plays," which characterizes revenge tragedy "as a tragedy whose leading motive is revenge and whose main action deals with the progress of this revenge, leading to the death of the murderers and often the death of the avenger himself." Thomas Kyd's "The Spanish Tragedy" (c.1580s) is often considered the inaugural revenge tragedy on the early modern stage. However, more recent research extends early modern revenge tragedy to the 1560s with poet and classicist Jasper Heywood's translations of Seneca at Oxford University, including "Troas" (1559), "Thyestes" (1560), and "Hercules Furens" (1561). Additionally, Thomases Norton and Sackville's play "Gorbuduc" (1561) is considered an early revenge tragedy (almost twenty years prior to "The Spanish Tragedy"). Other well-known revenge tragedies include William Shakespeare's "Hamlet" (c.1599-1602) and "Titus Andronicus" (c.1588-1593) and Thomas Middleton's "The Revenger's Tragedy" (c.1606).
Document 8: Pembroke's Men: The Earl of Pembroke's Men was an Elizabethan era playing company, or troupe of actors, in English Renaissance theatre. They functioned under the patronage of Henry Herbert, 2nd Earl of Pembroke. Early and equivocal mentions of a Pembroke's company reach as far back as 1575; but the company is known for certain to have been in existence in 1592. In that year, a share in the company was valued at £80 (more than William Shakespeare would pay for New Place in Stratford-upon-Avon five years later).
Document 9: The History of Cardenio: The History of Cardenio, often referred to as merely Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes' "Don Quixote" involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of "Don Quixote" was published in 1612, and would thus have been available to the presumed authors of the play.
Document 10: Titus (film): Titus is a 1999 Italian-American-British film adaptation of William Shakespeare's revenge tragedy "Titus Andronicus", about the downfall of a Roman general. Starring Anthony Hopkins and Jessica Lange, it was the first theatrically-released feature film adaptation of the play. The film was made by Overseas Filmgroup and Clear Blue Sky Productions and released by Fox Searchlight Pictures. It was the film directorial debut of Julie Taymor, who co-produced and wrote the screenplay. It was produced by Jody Patton, Conchita Airoldi and executive produced by Paul G. Allen.
Document 11: Samuel Gilburne: Samuel Gilburne (fl. 1605, d. after 1623) was an Elizabethan actor who is listed as one of the "Principall Actors" in the prefatory material of the First Folio of William Shakespeare's plays. Gilburne is named as a former apprentice to Augustine Phillips, another member of Shakespeare's company, in Phillips' will dated 4 May 1605, in which Gilburne is bequeathed 40 shillings, Phillips's "mouse-colored" velvet hose, his black taffeta suit and white taffeta doublet, his purple cloak, his sword and dagger, and his bass viol. A copy of the First Folio held at the Folger Shakespeare Library has a signature thought to be Gilburne's.
Document 12: Themes in Titus Andronicus: Although traditionally Titus Andronicus has been seen as one of Shakespeare's least respected plays, its fortunes have changed somewhat in the latter half of the twentieth century, with numerous scholars arguing that the play is more accomplished than has hitherto been allowed for. In particular, scholars have argued that the play is far more thematically complex than has traditionally been thought, and features profound insights into Ancient Rome, Elizabethan society, and the human condition. Such scholars tend to argue that these previously unacknowledged insights have only become apparent during the twentieth and twenty-first centuries as only now has the ultraviolent content of the play achieved a sense of relevance. For example, in his 1987 edition of the play for the "Contemporary Shakespeare" series, A.L. Rowse writes; "in the civilised Victorian age the play could not be performed because it could not be believed. Such is the horror of our own age, with the appalling barbarities of prison camps and resistance movements paralleling the torture and mutilation and feeding on human flesh of the play, that it has ceased to be improbable." Similarly, director Julie Taymor, who staged a production Off-Broadway in 1994 and directed a film version in 1999, says she was drawn to the play because she found it to be the most "relevant of Shakespeare's plays for the modern era;" She feels that the play has more relevance for us than it had for the Victorians; "it seems like a play written for today, it reeks of now." Because of this new found relevance, previously unrecognised thematic strands have thus come to the forefront.
Document 13: John Sinklo: John Sinklo (also Sinclo, Sincklo, Sincler, Sinkler, Sinclair) was an English Renaissance theatre actor, known to be active between 1592-1604. He was a member of several playing companies, including Lord Strange's Men, Pembroke's Men, Lord Chamberlain's Men and the King's Men. It is likely that Sinklo also performed with Sussex's Men, following the text of "Titus Andronicus" which Sussex's inherited from Pembroke's.
Document 14: Thomas J. King Jr.: Professor Thomas J. King Jr. (July 25, 1925 – 1994) was an educator, and an early user of word processing and sequence analysis to compare available early versions of William Shakespeare's plays for identification of variant texts and their analysis. Dr. King's historical work also researched original prompt copies of Elizabethan Era and Jacobean Era plays contemporary to Shakespeare, along with their marginalia, in order to identify stage directions and infer physical staging of Shakespeare's plays at the Globe and other London venues, as well as at provincial halls and inns where Elizabethan troupes performed on tour. In his extensive studies, Prof. King created databases of every Shakespeare play and other extant Elizabethan contemporary playhouse documents, by scene and character, to determine number of lines, and therefore the roles that could be doubled with sufficient time between for costume change, thus enabling him to determine the size of a working Elizabethan theater company.
Document 15: Richard Cowley: Richard Cowley (died 1619) was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.
ground_truth: Sussex's Men