Question: Which composer lived earliest: Giovanni Paisiello or Léo Delibes?

full_context: Document 1: Domenico Cimarosa: Domenico Cimarosa (] ; 17 December 1749, Aversa, Kingdom of Naples, now Province of Caserta – 11 January 1801, Venice) was an Italian opera composer of the Neapolitan school. He wrote more than eighty operas during his lifetime, including his masterpiece, "Il matrimonio segreto" (1792). Cimarosa also wrote numerous instrumental works, both secular and religious in nature.
Document 2: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 3: Giovanni Battista Pergolesi: Giovanni Battista Draghi (] ; 4 January 1710 – 16 March 1736), best known as Pergolesi (] ) or Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.
Document 4: Antonio Salieri: Antonio Salieri (] ; 18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.
Document 5: Proserpine (Paisiello): Proserpine is a French-language opera by the Italian composer Giovanni Paisiello. It takes the form of a "tragédie lyrique" in three acts. The libretto, by Nicolas-François Guillard, is a reworking of Philippe Quinault's "Proserpine". Paisiello's opera was first performed on 28 March 1803 at the Paris Opéra.
Document 6: La source (Balanchine): Balanchine's had previously made a "pas de deux" to music from Léo Delibes' "Sylvia" in 1950; he expanded this into a divertissement in 1965. The final version uses music from Delibes' ballets "La source" and "Sylvia" and choreography from the earlier pas de deux and divertissement.
Document 7: Giovanni Paisiello: Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era.
Document 8: La source (Saint-Léon): "La source (The Spring)" is a ballet in three acts/four scenes with a score composed by Léo Delibes and Ludwig Minkus (Minkus: Act I & Act III-Scene 2/Delibes: Act II & Act III-Scene 1) which was premiered in 1866 with choreography by Arthur Saint-Léon. In 1878 in Vienna it was called "Naïla, die Quellenfee" ("Naïla, the Waternymph").
Document 9: Louis Mérante: Louis Alexandre Mérante (23 July 1828–Courbevoie, 17 July 1887) was a dancer and choreographer, the "Maître de Ballet" (First Balletmaster/Chief Choreographer) of the Paris Opera Ballet at the Salle Le Peletier until its destruction by fire in 1873, and subsequently the first Ballet Master at the company's new Palais Garnier, which opened in 1875. He is best remembered as the choreographer of Léo Delibes' "Sylvia, ou la nymphe de Diane" (1876). With Arthur Saint-Léon and Jules Perrot, he is one of the three choreographers who defined the French ballet tradition during the Second French Empire and the Third Republic according to choreographer .
Document 10: Le roi l'a dit: Le roi l'a dit ("The King Has Spoken") is an opéra comique in three acts by Léo Delibes to a French libretto by Edmond Gondinet. It is a lively comedy, remarkably requiring 14 singers – six men and eight women. The libretto had first been offered in 1871 to Offenbach; the title also went through various permutations ("Le Talon rouge", "Si le Roi le savait", "Le Roi le sait") before settling on its final name. The 1885 revival brought further modifications to the libretto.
Document 11: Giovanni Claudio Pasquini: Giovanni Claudio Pasquini (1695 – 1763) was an Italian poet and librettist. Born in Siena, he served at the court of Charles VI, Holy Roman Emperor in Vienna, first as the Italian teacher to Maria Theresa and her younger sister Maria Anna, and from 1633 as the court poet. After the death of Charles VI, he worked in the Hapsburg courts of Mannheim and Dresden before returning to Siena in 1749 where he remained for the rest of his life. He wrote the libretti for numerous operas, including Caldara's "I disingannati", as well as courtly entertainments and oratorios. From 1754 he devoted himself to religious life and lost his sight the following year. He was appointed vice-rector of the University of Siena in 1758, but his last years were marked by financial worries when his nephew died and Pasquini became to the sole support of his five children.
Document 12: Lisis et Délie: Lisis et Délie (or Lysis et Délie) was a one-act pastoral opera with music by Jean-Philippe Rameau and a libretto by Jean-François Marmontel. The musical score is now lost. It was scheduled to appear at Fontainebleau on 6 November 1753 as part of the celebrations for the birth of the royal prince Xavier, Duke of Aquitaine. It was due to form a double bill with the "comédie-ballet" "Les hommes" (words by Germain-François Poullain de Saint-Foix, music by François-Joseph Giraud). However, it was withdrawn from performance and "La danse", the third "entrée" of Rameau's "Les fêtes d'Hébé", was performed in its place. The reason given for the work's cancellation was that it was too similar to Rameau's "Daphnis et Eglé", premiered at Fontainebleau on 30 October. The libretto was published but the music does not survive. Rameau may have reused some of it in his later operas.
Document 13: Léo Delibes: Clément Philibert Léo Delibes (] ; 21 February 1836 – 16 January 1891) was a French composer of the Romantic era (1815–1910), who specialised in ballets, operas, and other works for the stage. His most notable works include the ballets "Coppélia" (1870) and "Sylvia" (1876), as well as the operas "Le roi l'a dit" (1873) and "Lakmé" (1883).
Document 14: Adolphe Adam: Adolphe Charles Adam (] ; 24 July 1803 – 3 May 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets "Giselle" (1841) and "Le corsaire" (1856, his last work), his operas "Le postillon de Lonjumeau" (1836), "Le toréador" (1849) and "Si j'étais roi" (1852)
Document 15: List of Classical-era composers: This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent composers of the Classical era include Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart and Luigi Boccherini. Prominent composers of both the Classical and early Romantic eras include Ludwig van Beethoven and Franz Schubert.
ground_truth: Giovanni Paisiello