Question: when did the Y. pestis reach the country of citizenship of Chloridia's author?

full_context: Document 1: Black Death: The plague disease, caused by Yersinia pestis, is enzootic (commonly present) in populations of fleas carried by ground rodents, including marmots, in various areas including Central Asia, Kurdistan, Western Asia, Northern India and Uganda. Nestorian graves dating to 1338–39 near Lake Issyk Kul in Kyrgyzstan have inscriptions referring to plague and are thought by many epidemiologists to mark the outbreak of the epidemic, from which it could easily have spread to China and India. In October 2010, medical geneticists suggested that all three of the great waves of the plague originated in China. In China, the 13th century Mongol conquest caused a decline in farming and trading. However, economic recovery had been observed at the beginning of the 14th century. In the 1330s a large number of natural disasters and plagues led to widespread famine, starting in 1331, with a deadly plague arriving soon after. Epidemics that may have included plague killed an estimated 25 million Chinese and other Asians during the 15 years before it reached Constantinople in 1347.
Document 2: Lovers Made Men: Lovers Made Men, alternatively titled The Masque of Lethe or The Masque at Lord Hay's, was a Jacobean era masque, written by Ben Jonson, designed by Inigo Jones, and with music composed by Nicholas Lanier. It was performed on Saturday 22 February 1617, and was significant in the development and acceptance of opera in seventeenth-century England.
Document 3: Gloriana: The first performance was presented at the Royal Opera House, London, in 1953 during the celebrations of the coronation of Queen Elizabeth II. "Gloriana" was the name given by the 16th-century poet Edmund Spenser to his character representing Queen Elizabeth I in his poem "The Faerie Queene". It became the popular name given to Elizabeth I. It is recorded that the troops at Tilbury hailed her with cries of "Gloriana, Gloriana, Gloriana", after the defeat of the Spanish Armada in 1588.
Document 4: Joseph Grimaldi: Towards the end of the 1790s, Grimaldi starred in a pantomime version of "Robinson Crusoe", which confirmed his credentials as a key pantomime performer. Many productions followed, but his career at Drury Lane was becoming turbulent, and he left the theatre in 1806. In his new association with the Covent Garden theatre, he appeared at the end of the same year in Thomas John Dibdin's "Harlequin and Mother Goose; or, The Golden Egg", which included perhaps his best known portrayal of Clown. Grimaldi's residencies at Covent Garden and Sadler's Wells ran simultaneously, and he became known as London's leading Clown and comic entertainer, enjoying many successes at both theatres. His popularity in London led to a demand for him to appear in provincial theatres throughout England, where he commanded large fees.
Document 5: The Speeches at Prince Henry's Barriers: The Speeches at Prince Henry's Barriers, sometimes called The Lady of the Lake, is a masque or entertainment written by Ben Jonson in honour of Henry Frederick, Prince of Wales, the son and heir of King James I of England. The speeches were performed on 6 January 1610 in conjunction with the ceremony known as Prince Henry's Barriers.
Document 6: Black Death: In October 2010, the open-access scientific journal PLoS Pathogens published a paper by a multinational team who undertook a new investigation into the role of Yersinia pestis in the Black Death following the disputed identification by Drancourt and Raoult in 1998. They assessed the presence of DNA/RNA with Polymerase Chain Reaction (PCR) techniques for Y. pestis from the tooth sockets in human skeletons from mass graves in northern, central and southern Europe that were associated archaeologically with the Black Death and subsequent resurgences. The authors concluded that this new research, together with prior analyses from the south of France and Germany, ". . . ends the debate about the etiology of the Black Death, and unambiguously demonstrates that Y. pestis was the causative agent of the epidemic plague that devastated Europe during the Middle Ages".
Document 7: Late Middle Ages: At the end of the Late Middle Ages, professional actors began to appear in England and Europe. Richard III and Henry VII both maintained small companies of professional actors. Their plays were performed in the Great Hall of a nobleman's residence, often with a raised platform at one end for the audience and a "screen" at the other for the actors. Also important were Mummers' plays, performed during the Christmas season, and court masques. These masques were especially popular during the reign of Henry VIII who had a House of Revels built and an Office of Revels established in 1545.
Document 8: Black Death: The study also found that there were two previously unknown but related clades (genetic branches) of the Y. pestis genome associated with medieval mass graves. These clades (which are thought to be extinct) were found to be ancestral to modern isolates of the modern Y. pestis strains Y. p. orientalis and Y. p. medievalis, suggesting the plague may have entered Europe in two waves. Surveys of plague pit remains in France and England indicate the first variant entered Europe through the port of Marseille around November 1347 and spread through France over the next two years, eventually reaching England in the spring of 1349, where it spread through the country in three epidemics. Surveys of plague pit remains from the Dutch town of Bergen op Zoom showed the Y. pestis genotype responsible for the pandemic that spread through the Low Countries from 1350 differed from that found in Britain and France, implying Bergen op Zoom (and possibly other parts of the southern Netherlands) was not directly infected from England or France in 1349 and suggesting a second wave of plague, different from those in Britain and France, may have been carried to the Low Countries from Norway, the Hanseatic cities or another site.
Document 9: Oberon, the Faery Prince: Oberon, the Faery Prince was a masque written by Ben Jonson, with costumes, sets and stage effects designed by Inigo Jones, and music by Alfonso Ferrabosco and Robert Johnson. "Oberon" saw the introduction to English Renaissance theatre of scenic techniques that became standard for dramatic productions through the coming centuries.
Document 10: Black Death: The results of the Haensch study have since been confirmed and amended. Based on genetic evidence derived from Black Death victims in the East Smithfield burial site in England, Schuenemann et al. concluded in 2011 "that the Black Death in medieval Europe was caused by a variant of Y. pestis that may no longer exist." A study published in Nature in October 2011 sequenced the genome of Y. pestis from plague victims and indicated that the strain that caused the Black Death is ancestral to most modern strains of the disease.
Document 11: Pan's Anniversary: Pan's Anniversary, or The Shepherd's Holiday was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. The date of the masque's performance at the English Court has long been in dispute: while the earliest text assigns it to 1625, mid-twentieth-century scholars placed it on 19 June 1620, the king's birthday, at the royal palace at Greenwich. More recently, Martin Butler has argued for a date of 6 January 1621.
Document 12: Black Death: Plague was reportedly first introduced to Europe via Genoese traders at the port city of Kaffa in the Crimea in 1347. After a protracted siege, during which the Mongol army under Jani Beg was suffering from the disease, the army catapulted the infected corpses over the city walls of Kaffa to infect the inhabitants. The Genoese traders fled, taking the plague by ship into Sicily and the south of Europe, whence it spread north. Whether or not this hypothesis is accurate, it is clear that several existing conditions such as war, famine, and weather contributed to the severity of the Black Death.
Document 13: Epicœne, or The Silent Woman: Epicœne, or The Silent Woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. The play is about a man named Dauphine who creates a scheme to get his inheritance from his uncle Morose. The plan involves setting Morose up to marry Epicoene, a boy disguised as a woman. It was originally performed by the Blackfriars Children, or Children of the Queen's Revels, a group of boy players, in 1609. Excluding its two prologues, the play is written entirely in prose.
Document 14: English Renaissance theatre: One distinctive feature of the companies was that they included only males. Female parts were played by adolescent boy players in women's costume. Some companies were composed entirely of boy players. Performances in the public theatres (like the Globe) took place in the afternoon with no artificial lighting, but when, in the course of a play, the light began to fade, candles were lit. In the enclosed private theatres (like the Blackfriars) artificial lighting was used throughout. Plays contained little to no scenery as the scenery was described by the actors or indicated by costume through the course of the play.
Document 15: Chloridia: Chloridia: Rites to Chloris and Her Nymphs was the final masque that Ben Jonson wrote for the Stuart Court. It was performed at Shrovetide, 22 February 1631, with costumes, sets and stage effects designed by Inigo Jones.
ground_truth: 1349
sub_queries: Chloridia >> author Answer: Ben Jonson
Ben Jonson >> country of citizenship Answer: England
When did the y. pestis reach England ? Answer: 1349