Question: In what year did the Pope return from Avignon to the city where the creator of the Perugia Altarpiece died?

full_context: Document 1: Ferraù Fenzoni: Ferraù Fenzoni was born in (Faenza) and arrived in Rome as a young man in the early 1580s. He was apprenticed in Rome during the papacy of Gregory XIII and worked on numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library.
Document 2: Avignon Papacy: Following the strife between Philip IV of France and Pope Boniface VIII and the death of his successor Benedict XI after eight months in office, a deadlocked conclave elected Clement V, a Frenchman, as Pope in 1305. Clement declined to move to Rome, remaining in France, and in 1309, he moved his court to the papal enclave at Avignon, where it remained for the next 67 years. The absence from Rome is sometimes referred to as the ``Babylonian Captivity of the Papacy ''. A total of seven popes reigned at Avignon; all were French, and they increasingly fell under the influence of the French Crown. On September 13, 1376, Gregory XI abandoned Avignon and moved his court to Rome (arriving on January 17, 1377), ending the Avignon Papacy.
Document 3: Avignon Papacy: The Avignon Papacy was the period from 1309 to 1376 during which seven successive popes resided in Avignon (then in the Kingdom of Arles, part of the Holy Roman Empire, now in France) rather than in Rome. The situation arose from the conflict between the papacy and the French crown, culminating in the death of Pope Boniface VIII after his arrest and maltreatment by Philip IV of France. Following the further death of Pope Benedict XI, Philip forced a deadlocked conclave to elect the French Clement V as pope in 1305. Clement refused to move to Rome, and in 1309 he moved his court to the papal enclave at Avignon, where it remained for the next 67 years. This absence from Rome is sometimes referred to as the "Babylonian Captivity of the Papacy".
Document 4: Fano Altarpiece: The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a "Pietà" and several predella panels.
Document 5: Late Middle Ages: The French crown's increasing dominance over the Papacy culminated in the transference of the Holy See to Avignon in 1309. When the Pope returned to Rome in 1377, this led to the election of different popes in Avignon and Rome, resulting in the Papal Schism (1378–1417). The Schism divided Europe along political lines; while France, her ally Scotland and the Spanish kingdoms supported the Avignon Papacy, France's enemy England stood behind the Pope in Rome, together with Portugal, Scandinavia and most of the German princes.
Document 6: Late Middle Ages: Avignon was the seat of the papacy from 1309 to 1376. With the return of the Pope to Rome in 1378, the Papal State developed into a major secular power, culminating in the morally corrupt papacy of Alexander VI. Florence grew to prominence amongst the Italian city-states through financial business, and the dominant Medici family became important promoters of the Renaissance through their patronage of the arts. Other city states in northern Italy also expanded their territories and consolidated their power, primarily Milan and Venice. The War of the Sicilian Vespers had by the early 14th century divided southern Italy into an Aragon Kingdom of Sicily and an Anjou Kingdom of Naples. In 1442, the two kingdoms were effectively united under Aragonese control.
Document 7: Perugia Altarpiece: The Perugia Altarpiece (Italian: "Pala di Perugia") is a painting by the Italian early Renaissance painter Fra Angelico, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
Document 8: The Entombment (Michelangelo): According to documents discovered in 1981, Michelangelo had been commissioned to paint a panel for the church of Sant'Agostino in Rome, but in the end gave back the sum received. It is probable that this work was the "Entombment", which remained unfinished upon Michelangelo's return to Florence.
Document 9: The Last Judgment (Fra Angelico, Florence): The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. It is variously dated to c1425, 1425–30 and 1431. It was originally sited in the church of Santa Maria degli Angeli and now is in the museum of San Marco, Florence. It is not to be confused with another Fra Angelico "Last Judgement" in the Gemäldegalerie, Berlin.
Document 10: Vocation of the Apostles: The Vocation of the Apostles is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the Gospel narrative of Jesus Christ calling Peter and Andrew to become his disciples.
Document 11: Avignon Papacy: Beginning with Clement V, elected 1305, all popes during the Avignon papacy were French. However, this makes French influence seem greater than it was. Southern France at that time had a culture quite independent from Northern France, where most of the advisers to the King of France were based. The Kingdom of Arles was still independent at that time, formally a part of the Holy Roman Empire. The literature produced by the troubadours in the Languedoc is unique and strongly distinct from that of Royal circles in the north. Even in terms of religion, the South produced its own variety of Christianity, Catharism, which was ultimately declared heretical. The movement was fueled in no small part by the strong sense of independence in the South even though the region had been severely weakened during the Albigensian Crusade a hundred years before. By the time of the Avignon Papacy, the power of the French King in this region was uncontested, although still not legally binding.
Document 12: Fiesole Altarpiece: The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole, central Italy. The background was repainted by Lorenzo di Credi in 1501.
Document 13: Fra Angelico: In 1445 Pope Eugene IV summoned him to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peter's, later demolished by Pope Paul III. Vasari claims that at this time Fra Angelico was offered the Archbishopric of Florence by Pope Nicholas V, and that he refused it, recommending another friar for the position. The story seems possible and even likely. However, if Vasari's date is correct, then the pope must have been Eugene IV and not Nicholas, who was elected Pope only on 6 March 1447. Moreover, the archbishop in 1446–1459 was the Dominican Antoninus of Florence (Antonio Pierozzi), canonized by Pope Adrian VI in 1523. In 1447 Fra Angelico was in Orvieto with his pupil, Benozzo Gozzoli, executing works for the Cathedral. Among his other pupils were Zanobi Strozzi.
Document 14: Pietà (Perugino): Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 15: Vallombrosa Altarpiece: The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
ground_truth: 1377
sub_queries: The Perugia Altarpiece was made by whom? Answer: Fra Angelico
In what city did Fra Angelico die? Answer: Rome
In what year did the Pope return to Rome from Avignon? Answer: 1377