Question: What year did the the German composer whose compositions are in The Individualism of Gil Evans die?

full_context: Document 1: Marc Blitzstein: Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical "The Cradle Will Rock", directed by Orson Welles, was shut down by the Works Progress Administration. He is known for "The Cradle Will Rock" and for his Off-Broadway translation/adaptation of "The Threepenny Opera" by Bertolt Brecht and Kurt Weill. His works also include the opera "Regina", an adaptation of Lillian Hellman's play "The Little Foxes"; the Broadway musical "Juno", based on Seán O'Casey's play "Juno and the Paycock"; and "No for an Answer". He completed translation/adaptations of Brecht's and Weill's musical play "Rise and Fall of the City of Mahagonny" and of Brecht's play "Mother Courage and Her Children" with music by Paul Dessau. Blitzstein also composed music for films, such as "Surf and Seaweed" (1931) and "The Spanish Earth" (1937), and he contributed two songs to the original 1960 production of Hellman's play "Toys in the Attic".
Document 2: Pirate Jenny: "Pirate Jenny" (German: "Seeräuber-Jenny ") is a well-known song from "The Threepenny Opera" by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is probably the second most famous song in the opera, after "Mack the Knife".
Document 3: Gil Evans &amp; Ten: Gil Evans & Ten (also released as "Big Stuff" and "Gil Evans + Ten") is the first album by pianist, conductor, arranger and composer Gil Evans as a leader, released on the Prestige label in 1957. It features Evans' arrangements of five standards and one original composition performed by Evans, Steve Lacy, John Carisi, Jack Koven, Jimmy Cleveland, Bart Varsalona, Willie Ruff, Lee Konitz, Dave Kurtzer, Paul Chambers, Jo Jones, Louis Mucci and Nick Stabulas. In 2003 a SACD version was published, with the first release of the original stereo tapes.
Document 4: Lost in the Stars: The Music of Kurt Weill: Lost in the Stars: The Music of Kurt Weill is a 1985 tribute album to German-American composer Kurt Weill. It was executive-produced by Hal Willner and John Telfer, and produced by Hal Willner and Paul M. Young.
Document 5: Rise and Fall of the City of Mahagonny: Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny ) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.
Document 6: Featuring Paul Gonsalves: Featuring Paul Gonsalves is an album by American jazz pianist, composer, and bandleader Duke Ellington. Without new material to work with, Ellington recorded the album with his orchestra and saxophonist Paul Gonsalves in 1962 during a four-hour recording session. It was not released until 1985 by Fantasy Records.
Document 7: Alabama Song: The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play "Little Mahagonny". It was reused for the 1930 opera "Rise and Fall of the City of Mahagonny" and has been notably covered by The Doors and David Bowie.
Document 8: The Individualism of Gil Evans: The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions (two cowritten with Miles Davis) and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon. Tracks 1, 6, 7, 8 & 9 first appeared on the CD version of the album.
Document 9: Kurt Weill: Kurt Julian Weill (March 2, 1900April 3, 1950) was a German composer, active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work "The Threepenny Opera", which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose. He also wrote several works for the concert hall. He became a United States citizen on August 27, 1943.
Document 10: Svengali (album): Svengali is a live album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1973 by Evans with an orchestra featuring Ted Dunbar, Howard Johnson, David Sanborn, Billy Harper, Richard Williams, Trevor Koehler, and Hannibal Marvin Peterson. The name of the album is an anagram for Gil Evans.
Document 11: The Threepenny Opera: The Threepenny Opera (Die Dreigroschenoper ) is a "play with music" by Bertolt Brecht and Elisabeth Hauptmann, adapted from John Gay's 18th-century English ballad opera, "The Beggar's Opera", with music by Kurt Weill and insertion ballads by François Villon and Rudyard Kipling. Although Hauptmann produced 80 to 90 percent of the text, Brecht suppressed this and assumed sole credit, and is usually listed as sole author in printed versions.
Document 12: Blues in Orbit (Gil Evans album): Blues in Orbit is an album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1969 and 1971 by Evans with an orchestra featuring Jimmy Cleveland, Howard Johnson, Billy Harper, and Joe Beck. The album was originally released on the short-lived Ampex label as Gil Evans but received wider release on the Enja label under this title.
Document 13: New Bottle Old Wine: New Bottle Old Wine is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1958 by Evans with an orchestra. The album is a suite of songs written by and/or associated with major jazz musicians and composers, in original arrangements by Gil Evans, featuring Cannonball Adderley as the main soloist (like the albums Evans made with Miles Davis including "Miles Ahead", "Porgy and Bess", and "Sketches of Spain"). The orchestra also featured a number of important players including Bill Barber, Frank Rehak, Johnny Coles, Art Blakey, and Paul Chambers.
Document 14: Alone (Bill Evans album): Alone is an album by jazz musician Bill Evans, recorded in late 1968 for Verve Records. The year of release is unclear, even though a release in the first months of 1970 is a strong possibility. The Grammy Award-winning "Alone" was Bill Evans' first single piano solo album following in the footsteps of his 1963 Verve session "Conversations with Myself" (three pianos overdubbed) and his 1967 "Further Conversations with Myself", also on Verve (two pianos overdubbed). It has been reissued in various forms with additional tracks and alternate takes from sessions on September 23, October 8 and 21st.
Document 15: Mahagonny-Songspiel: Mahagonny-Songspiel, also known as The Little Mahagonny, is a "small-scale 'scenic cantata'" written by the composer Kurt Weill and the dramatist Bertolt Brecht in 1927. Weill was commissioned in the spring to write one of a series of very short operas for performance that summer, and he chose to use the opportunity to create a "stylistic exercise" as preparation for a larger-scale project that they had begun to develop together (the two had met for the first time in March), their experimental 'epic opera' "The Rise and Fall of the City of Mahagonny" (1930).
ground_truth: 1950