Question: What is the full name of the tract that gave rise to the words quoted in the title of the British sitcom Upstart Crow?

full_context: Document 1: The Shoemaker's Holiday: The Shoemakers' Holiday, or the Gentle Craft is an Elizabethan play written by Thomas Dekker. It is considered one of Dekker's greatest works, and is certainly his most well-known. It was first performed in 1599 by the Admiral's Men. It falls into the subgenre of city comedy. It contains the poem, The Merry Month of May.The play was first published in 1600 by the printer Valentine Simmes. The first edition prefaces the play with an "Epistle to the Professors of the Gentle Craft," and the Prologue spoken before Queen Elizabeth when the play was acted at Court. (The Admiral's Men performed at Court on 1 January 1600; this was probably the date of the performance of "The Shoemaker's Holiday").Philip Henslowe's Diary records a payment of £3 to "Thomas Dickers" for the play; since this is at most half of Henslowe's usual fee for a play, one or more other payments, not recorded in the Diary, are likely. This play followed in the tradition that Dekker had created for himself of depicting everyday life in London. Due to this skill, in The Shoemaker's Holiday and other plays, Dekker was later called the "Dickens of English theater", due to his commitment to portraying the lives of Londoners. Dekker based his play on a prose tract titled "The Gentle Craft", by Thomas Deloney, printed in 1598.
Document 2: Rosencrantz and Guildenstern Are Dead: Rosencrantz and Guildenstern Are Dead, often referred to as just Rosencrantz and Guildenstern, is an absurdist, existentialist tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's "Hamlet", the courtiers Rosencrantz and Guildenstern. The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's, with brief appearances of major characters from "Hamlet" who enact fragments of the original's scenes. Between these episodes the two protagonists voice their confusion at the progress of events occurring onstage without them in "Hamlet", of which they have no direct knowledge.
Document 3: ShakespeaRe-Told: ShakespeaRe-Told is the umbrella title for a series of four television adaptations of William Shakespeare's plays broadcast on BBC One during November 2005. In a similar manner to the 2003 production of "The Canterbury Tales", each play is adapted by a different writer, and relocated to the present day. The plays were produced in collaboration by BBC Northern Ireland and the central BBC drama department. In August 2006 the four films aired on BBC America.
Document 4: Measure for Measure: Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. Originally published in the "First Folio" of 1623, where it was listed as a comedy, the play's first recorded performance occurred in 1604. The play's main themes include justice, "mortality and mercy in Vienna," and the dichotomy between corruption and purity: "some rise by sin, and some by virtue fall." Mercy and virtue prevail, as the play does not end tragically, with virtues such as compassion and forgiveness being exercised at the end of the production. While the play focuses on justice overall, the final scene illustrates that Shakespeare intended for moral justice to temper strict civil justice: a number of the characters receive understanding and leniency, instead of the harsh punishment to which they, according to the law, could have been sentenced.
Document 5: The Taming of the Shrew: The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.
Document 6: The English Traveler: The English Traveler is a seventeenth-century tragicomedy in five acts written by Thomas Heywood, and named as such by the playwright. First performed around the year 1627, the play witnessed its first printed edition in 1633. Consisting of two mostly self-contained, but thematically connected plots, one tragic and one comic, it trafficks in the elements of both city comedy and domestic tragedy. In the tragic plot, the recently returned traveler Young Geraldine contemplates forbidden love with the wife of his father's friend Wincott. In the comic plot, the rascal servant Reignald attempts an elaborate cover-up for Young Lionell's drunken party once his father returns from his mercantile voyages. Critics have recognized this as an important work of drama for its generic experimentation, for its investigation of the relationship between appearances and reality, and for its commentary on Renaissance households.
Document 7: Revenge tragedy: Revenge tragedy (less commonly referred to as revenge drama, revenge play, or tragedy of blood) defines a genre of plays made popular in early modern England. Ashley H. Thorndike formally established this genre in his seminal 1902 article "The Relations of Hamlet to Contemporary Revenge Plays," which characterizes revenge tragedy "as a tragedy whose leading motive is revenge and whose main action deals with the progress of this revenge, leading to the death of the murderers and often the death of the avenger himself." Thomas Kyd's "The Spanish Tragedy" (c.1580s) is often considered the inaugural revenge tragedy on the early modern stage. However, more recent research extends early modern revenge tragedy to the 1560s with poet and classicist Jasper Heywood's translations of Seneca at Oxford University, including "Troas" (1559), "Thyestes" (1560), and "Hercules Furens" (1561). Additionally, Thomases Norton and Sackville's play "Gorbuduc" (1561) is considered an early revenge tragedy (almost twenty years prior to "The Spanish Tragedy"). Other well-known revenge tragedies include William Shakespeare's "Hamlet" (c.1599-1602) and "Titus Andronicus" (c.1588-1593) and Thomas Middleton's "The Revenger's Tragedy" (c.1606).
Document 8: Up the Women: Up the Women is a BBC television sitcom created, written by and starring Jessica Hynes. It was first broadcast on BBC Four on 30 May 2013. The sitcom is about a group of women in 1910 who form a Women's Suffrage movement. Hynes originally planned to write a comedy film about a suffragette plot to assassinate H. H. Asquith, but after realising the plot had turned quite dark, she decided to write a sitcom instead. Christine Gernon directed the three-part series, which became the last sitcom to be filmed before a live audience at BBC Television Centre and the first to be commissioned for BBC Four. A second series was commissioned in June 2013 and aired on BBC Two from 21 January 2015. "Up the Women" was not renewed for a third series.
Document 9: Shakespeare Jubilee: The Shakespeare Jubilee was staged in Stratford-upon-Avon between 6–8 September 1769. The jubilee was organised by the actor and theatre manager David Garrick to celebrate the Jubilee of the birth of William Shakespeare, although it was in 1616 when he died. It had a major impact on the rising tide of bardolatry that led to Shakespeare becoming established as the English national poet. Thomas Arne composed the song "Soft Flowing Avon" for the Jubilee.
Document 10: Shakespeare in performance: Thousands (perhaps even millions) of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage (who played the title role in the first performances of "Hamlet", "Othello", "Richard III" and "King Lear"), Richard Cowley, and William Kempe.
Document 11: Love's Labour's Won: Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived. Scholars dispute whether it is a true lost work, possibly a sequel to "Love's Labour's Lost", or an alternative title to a known Shakespeare play.
Document 12: Greene's Groats-Worth of Wit: Greenes, Groats-worth of Witte, bought with a million of Repentance (1592) is a tract published as the work of the deceased playwright Robert Greene.
Document 13: Upstart Crow: Upstart Crow is a British sitcom which premiered on 9 May 2016 at 10pm on BBC Two as part of the commemorations of the 400th anniversary of the death of William Shakespeare. Its title quotes "an upstart Crow, beautified with our feathers", a critique of Shakespeare by his rival Robert Greene in the latter's "Groats-Worth of Wit".
Document 14: Satire boom: The satire boom is a general term to describe the emergence of a generation of English satirical writers, journalists and performers at the end of the 1950s. The satire boom is often regarded as having begun with the first performance of "Beyond the Fringe" on 22 August 1960 and ending around December 1963 with the cancellation of the TV show "That Was The Week That Was". The figures most closely identified with it are Peter Cook, John Bird, John Fortune, David Frost, Bernard Levin and Richard Ingrams. Many of the figures who found initial celebrity through the satire boom went on to establish subsequently more serious careers as writers including Alan Bennett (drama), Jonathan Miller (polymathic), and Paul Foot (investigative journalism).
Document 15: The Spanish Tragedy: The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, "The Spanish Tragedy" established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge. "The Spanish Tragedy" was often referred to (or parodied) in works written by other Elizabethan playwrights, including William Shakespeare, Ben Jonson, and Christopher Marlowe.
ground_truth: Greenes, Groats-worth of Witte, bought with a million of Repentance