Question: When did Japan finish invading the country where the film Salangeul Chajaseo was made?

full_context: Document 1: Samurai: In the 13th century, Hōjō Shigetoki (1198–1261 AD) wrote: "When one is serving officially or in the master's court, he should not think of a hundred or a thousand people, but should consider only the importance of the master." Carl Steenstrup noted that 13th and 14th century warrior writings (gunki) "portrayed the bushi in their natural element, war, eulogizing such virtues as reckless bravery, fierce family pride, and selfless, at times senseless devotion of master and man". Feudal lords such as Shiba Yoshimasa (1350–1410 AD) stated that a warrior looked forward to a glorious death in the service of a military leader or the Emperor: "It is a matter of regret to let the moment when one should die pass by....First, a man whose profession is the use of arms should think and then act upon not only his own fame, but also that of his descendants. He should not scandalize his name forever by holding his one and only life too dear....One's main purpose in throwing away his life is to do so either for the sake of the Emperor or in some great undertaking of a military general. It is that exactly that will be the great fame of one's descendants."
Document 2: Salome of the Tenements: The film, which was inspired by accounts of the real life of Rose Pastor Stokes, tells the story of poor immigrants living in New York's Jewish Lower East Side. It was shot in Paramount Astoria studios.
Document 3: Obaltan: The government banned "Obaltan" because of its unremittingly downbeat depiction of life in post-armistice South Korea. An American consultant to the Korean National Film Production Center saw the film and persuaded the government to release it in Seoul so that it might qualify for entry in the San Francisco International Film Festival. Director Yu Hyun-mok attended the film's premier in San Francisco in November 1963. "Variety" called "Obaltan" a "remarkable film", and noted that its "⁠[b]rilliantly detailed camera work is matched by probing sympathy and rich characterizations."
Document 4: Samurai: Katō Kiyomasa was one of the most powerful and well-known lords of the Sengoku Era. He commanded most of Japan's major clans during the invasion of Korea (1592–1598). In a handbook he addressed to "all samurai, regardless of rank" he told his followers that a warrior's only duty in life was to "...grasp the long and the short swords and to die". He also ordered his followers to put forth great effort in studying the military classics, especially those related to loyalty and filial piety. He is best known for his quote: "If a man does not investigate into the matter of Bushido daily, it will be difficult for him to die a brave and manly death. Thus it is essential to engrave this business of the warrior into one's mind well."
Document 5: Nambugun: Nambugun: North Korean Partisan in South Korea is a 1990 South Korean war drama film directed by Chung Ji-young. It is based upon the experiences of Lee Tae, a war correspondent during the Korean War.
Document 6: Seoul 1945: In July 2006, Rhee In-soo, adopted son of South Korea's first president Syngman Rhee, and Jang Byung-hye, daughter of former prime minister Jang Taek-sang, filed a lawsuit against the producers of "Seoul 1945", claiming that the drama distorts history and belittles the achievements of their late fathers.
Document 7: Samurai: The philosophies of Buddhism and Zen, and to a lesser extent Confucianism and Shinto, influenced the samurai culture. Zen meditation became an important teaching due to it offering a process to calm one's mind. The Buddhist concept of reincarnation and rebirth led samurai to abandon torture and needless killing, while some samurai even gave up violence altogether and became Buddhist monks after realizing how fruitless their killings were. Some were killed as they came to terms with these realizations in the battlefield. The most defining role that Confucianism played in samurai philosophy was to stress the importance of the lord-retainer relationship—the loyalty that a samurai was required to show his lord.
Document 8: A Maori Maid's Love: A Maori Maid's Love (Originally titled The Surveyor's Daughter) is a 1916 Australian silent film directed by Raymond Longford about an interracial romance between a white man and a Māori girl. It is considered a lost film as there are no known copies.
Document 9: Land of Love: Land of Love (German: Land der Liebe) is a 1937 German romance film directed by Reinhold Schünzel and starring Albert Matterstock, Gusti Huber and Valerie von Martens. Although Schünzel was Jewish he had been allowed to continue directing films in Germany after the Nazi takeover. However, this film faced objections from the censors and from Joseph Goebbels. It was briefly shown and then disappeared from cinemas. It was Schünzel's final German film as director, and he went into exile shortly afterwards.
Document 10: Salangeul chajaseo: Salangeul chajaseo (사랑을 찾아서) (In Search of Love, or Looking For Love) is a 1929 Korean film written, directed, produced, edited by and starring Na Woon-gyu (1902-1937). The film premiered at the Choseon Theater in April, 1929. More than one thousand extras from Na's hometown Hoeryong were employed in the filming of "Salangeul chajaseo", making the film into a symbolic epic national exodus as a protest against the Japanese occupation of Korea. Originally entitled "Crossing the Duman River" (두만강을 건너서), the film was banned and censored by the Japanese occupying authorities after its first showing. Popular demand caused it to be re-released, though in a heavily edited form, and renamed "In Search of Love". As with the vast majority of Korean films of this era, "Salangeul chajaseo" is a lost film.
Document 11: Samurai: Historian H. Paul Varley notes the description of Japan given by Jesuit leader St. Francis Xavier (1506–1552): "There is no nation in the world which fears death less." Xavier further describes the honour and manners of the people: "I fancy that there are no people in the world more punctilious about their honour than the Japanese, for they will not put up with a single insult or even a word spoken in anger." Xavier spent the years 1549–1551 converting Japanese to Christianity. He also observed: "The Japanese are much braver and more warlike than the people of China, Korea, Ternate and all of the other nations around the Philippines."
Document 12: Samurai: It should be noted that many samurai forces that were active throughout this period were not deployed to Korea; most importantly, the daimyo Tokugawa Ieyasu carefully kept forces under his command out of the Korean campaigns, and other samurai commanders who were opposed to Hideyoshi's domination of Japan either mulled Hideyoshi's call to invade Korea or contributed a small token force. Most commanders who did opposed or otherwise resisted/resented Hideyoshi ended up as part of the so-called Eastern Army, while commanders loyal to Hideyoshi and his son (a notable exception to this trend was Katō Kiyomasa, who deployed with Tokugawa and the Eastern Army) were largely committed to the Western Army; the two opposing sides (so named for the relative geographical locations of their respective commanders' domains) would later clash, most notably at the Battle of Sekigahara, which was won by Tokugawa Ieyasu and the Eastern Forces, paving the way for the establishment of the Tokugawa Shogunate.
Document 13: Samurai: Bushi was the name given to the ancient Japanese soldiers from traditional warrior families. The bushi class was developed mainly in the north of Japan. They formed powerful clans, which in the 12th century were against the noble families who were grouping themselves to support the imperial family who lived in Kyoto. Samurai was a word used by the Kuge aristocratic class with warriors themselves preferring the word bushi. The term Bushidō, the "way of the warrior", is derived from this term and the mansion of a warrior was called bukeyashiki.
Document 14: Trial on the Road: "Trial on the Road" was censored and taken out of circulation in the Soviet Union for 15 years after its release due to its controversial depiction of Soviet soldiers. The film is based on a story by the director's father, Yuri German. The screenplay was written by Eduard Volodarsky.
Document 15: Samurai: Torii Mototada (1539–1600) was a feudal lord in the service of Tokugawa Ieyasu. On the eve of the battle of Sekigahara, he volunteered to remain behind in the doomed Fushimi Castle while his lord advanced to the east. Torii and Tokugawa both agreed that the castle was indefensible. In an act of loyalty to his lord, Torii chose to remain behind, pledging that he and his men would fight to the finish. As was custom, Torii vowed that he would not be taken alive. In a dramatic last stand, the garrison of 2,000 men held out against overwhelming odds for ten days against the massive army of Ishida Mitsunari's 40,000 warriors. In a moving last statement to his son Tadamasa, he wrote:
ground_truth: 1598
sub_queries: Which was the country for Salangeul chajaseo? Answer: Korea
When did Japan finish invading Korea ? Answer: 1598