Question: Originally born Seymour Kaufman, who helped create the musical revue Diamonds?

full_context: Document 1: Coleman Hawkins: Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed Hawk and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". While Hawkins is strongly associated with the swing music and big band era, he had a role in the development of bebop in the 1940s.
Document 2: Diamonds (musical): Diamonds is a musical revue about baseball. The book and music were created by many writers, composers, and lyricists. Among them were Ellen Fitzhugh, Roy Blount, Jr., and John Weidman (book); and Larry Grossman, Comden and Green, Howard Ashman, and Cy Coleman, music.
Document 3: Damn Yankees: Damn Yankees is a musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's novel "The Year the Yankees Lost the Pennant".
Document 4: Tams-Witmark Music Library: Tams-Witmark is an American company that provides to professional and amateur theaters license to Broadway musical scripts and scores. Among the many notable properties handled by the company are "Kiss Me, Kate"; "My Fair Lady"; ""; "Bye Bye Birdie"; "Hello, Dolly!"; "Cabaret"; "Man of La Mancha" and "A Chorus Line". The company has also acquired numerous properties often inspired by or based upon motion pictures or comic strips, such as 42nd Street, The Wizard of Oz, Meet Me In St. Louis, You're A Good Man, Charlie Brown, and Li'l Abner. The company has also prepared for licensing simpler, shorter derivative works for performance by elementary and middle school students, such as an abbreviated version of "Bye, Bye Birdie".
Document 5: Baubles, Bangles, &amp; Beads: "Baubles, Bangles & Beads" is a popular song from the 1953 musical "Kismet", credited to Robert Wright and George Forrest. Like all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his "String Quartet in D." The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a bracing harmonic progression from the central major key of one section to the tritone minor key of the following section. Jazz players and singers have enjoyed the musical challenges of this song for decades.
Document 6: Cynthia Cozette Lee: Cynthia Cozette Lee, also known as Cynthia Cozette or Nazik Cynthia Cozette (born October 19, 1953, in Pittsburgh, Pennsylvania) is a contemporary African-American classical music composer and librettist. Cozette was the first African-American woman to graduate from the University of Pennsylvania with a Masters of Arts Degree in music composition . Cozette was also the first African-American woman graduate of the University of Pennsylvania to be instructed in music composition by the American composers, George Crumb and George Rochberg.
Document 7: George Gershwin: George Jacob Gershwin ( ; September 26, 1898 July 11, 1937) was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best-known works are the orchestral compositions "Rhapsody in Blue" (1924) and "An American in Paris" (1928) as well as the opera "Porgy and Bess" (1935).
Document 8: Jim Diamond (1988 album): Jim Diamond is Singer/Songwriter Jim Diamond's self-titled and third studio album. Diamond was assisted by old friends Graham Lyle and Chris Parren, who had worked with him on previous albums.
Document 9: M-Base: The term "M-Base" is used in several ways. In the 1980s, a loose collective of young African-American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression. Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene’s music as a jazz style. But Coleman stressed "M-Base" doesn’t denote a musical style but a way of thinking about creating music. As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show a lot of similarities reflecting their common ideas, the experiences of working together, and their similar cultural background. To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning.
Document 10: Bobby Cole (musician): Bobby Cole (September 8, 1932 – December 19, 1996) was an American musician, known for his jazz singing and piano playing. He was also a jazz composer and arranger. He worked as a musical arranger for "The Judy Garland Show" hosted by Judy Garland, succeeding Mel Tormé. He also conducted the orchestra for her 1967 "Palace" concerts and album, and was the conductor and musical director on her last tour.
Document 11: Jerry Seelen: Jerry Seelen, whose real name is Jerome Seelen, was an American screenwriter and lyricist born March 11, 1912 in New York City (New York) and died September 12, 1981 in San Diego (California).
Document 12: Cy Coleman: Cy Coleman (born Seymour Kaufman; June 14, 1929 – November 18, 2004) was an American composer, songwriter, and jazz pianist.
Document 13: Americana (revue): Americana is a musical revue in two parts, with book and lyrics by J. P. McEvoy, and music by Con Conrad with additional numbers by George Gershwin, Ira Gershwin, Philip Charig, James Hanley, B. G. DeSylva, Morrie Ryskind, Arthur Schwartz, Theo Goodwin, Joe Young, and Sam Lewis. The show was presented by Richard Herndon at the Belmont Theatre (121 W. 48th Street, New York, NY), and, after many postponements, opened July 26, 1926. The show was staged by Allan Dinehart with dance numbers by Larry Ceballos. The production was designed by John Held, Jr. It ran for 224 performances, closing in February, 1927. The cast headlined Lew Brice, Roy Atwell, Betty Compton, Charles Butterworth and the Eddie Elkins Orchestra The New York Times review called it a "witty, ingenious and sophisticated evening of fun-making, it made up in its abundant humor for more than it lacked in some other departments." The other departments referred to were lack of chorus girls and opulent settings.
Document 14: Mel Tormé: Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed The Velvet Fog, was an American musician, best known as a singer of jazz standards. He was also a jazz composer and arranger, drummer, an actor in radio, film, and television, and the author of five books. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells.
Document 15: Sammy Fain: Sammy Fain, (born Samuel E. Feinberg) (June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and Broadway theatre, he was also a popular musician and vocalist
ground_truth: Cy Coleman