Question: Where was the creator of Falstaff born?

full_context: Document 1: List of Classical-era composers: This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent composers of the Classical era include Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart and Luigi Boccherini. Prominent composers of both the Classical and early Romantic eras include Ludwig van Beethoven and Franz Schubert.
Document 2: Domenico Foroni: Domenico Foroni (10 July 1796 - 24 March 1853) was an Italian composer, conductor, and music educator. He was born in Valeggio sul Mincio into a family of landowners. On 7 November 1818 he married Teresa Zovetto with whom he had five children, two of whom became famous: the operatic soprano Antonietta Foroni-Conti (1822-187?) and the composer and conductor Jacopo Foroni (1825–1858). In 1818 he was appointed to the dual position of director and principal conductor of the Teatro Filarmonico in Verona, a position he held for over 25 years. He was also highly active as a teacher of singing and music composition in that city. Among his notable pupils were Gottardo Aldighieri, Paolo Bombardi, Domenico Conti, Carlo Pedrotti, Alessandro Sala, Maria Spezia-Aldighieri, and his children. Most of his compositional output was sacred music, the majority of which was written for services at the Verona Cathedral. Most of his music is now lost, but copies of his "Miserere" and "Messe" still exist
Document 3: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 4: La passione di Gesù Cristo (Salieri): La passione di Gesù Cristo is an oratorio by composer Antonio Salieri that uses a libretto by Metastasio. While many composer's set music to this libretto, Metastasio is recorded to have said before Joseph II, Holy Roman Emperor that Salieri's setting "was the most expressive of any written on this poem." The work premiered in Vienna, Austria during the advent season of 1776.
Document 5: Falstaff (Salieri): Falstaff, ossia Le tre burle ("Falstaff, or The Three Jokes") is a "dramma giocoso" in two acts by Antonio Salieri, set to a libretto by Carlo Prospero Defranceschi after William Shakespeare's "The Merry Wives of Windsor".
Document 6: The Marriage of Figaro: The Marriage of Figaro (Italian: Le nozze di Figaro , ] ), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Document 7: Wolfgang Amadeus Mozart: Wolfgang Amadeus Mozart ( ; ; ] ; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era.
Document 8: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 9: La serva padrona: La serva padrona (The Servant Turned Mistress) is an opera buffa by Giovanni Battista Pergolesi (1710 – 1736) to a libretto by Gennaro Antonio Federico, after the play by Jacopo Angello Nelli. The opera is only 45 minutes long and was originally performed as an intermezzo between the acts of a larger serious opera. (The same libretto was set by Giovanni Paisiello in 1781.)
Document 10: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 11: The Marriage of Figaro (play): The Marriage of Figaro (French: "La Folle Journée, ou Le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by "The Barber of Seville" and followed by "The Guilty Mother".
Document 12: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 13: Antonio Salieri: Antonio Salieri (] ; 18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.
Document 14: Falstaff: Sir John Falstaff is a fictional character who is mentioned in five plays by William Shakespeare and appears on stage in three of them. His significance as a fully developed character in Shakespeare is primarily formed in the plays "Henry IV, Part 1" and "Part 2", where he is a companion to Prince Hal, the future King Henry V. A notable eulogy for Falstaff is presented in Act II, Scene III of "Henry V", where Falstaff does not appear as a character on stage, as enacted by Mistress Quickly in terms that some scholars have ascribed to Plato's description of the death of Socrates after drinking hemlock. By comparison, in "The Merry Wives of Windsor", Falstaff is presented by Shakespeare as the buffoonish suitor of two married women.
Document 15: The Merry Wives of Windsor: The Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England, and though nominally set in the reign of Henry IV, the play makes no pretence to exist outside contemporary Elizabethan era English middle class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in "Henry IV, Part 1" and "Part 2". It has been adapted for the opera on several occasions. The play is one of Shakespeare's lesser-regarded works among literary critics.
ground_truth: Legnago, south of Verona, in the Republic of Venice