Question: What was the date of death of Catherine, whose title included the place where Giacomo Bargone was born?

full_context: Document 1: Dominican Order: Dominic's search for a close relationship with God was determined and unceasing. He rarely spoke, so little of his interior life is known. What is known about it comes from accounts written by people near to him. St. Cecilia remembered him as cheerful, charitable and full of unceasing vigor. From a number of accounts, singing was apparently one of Dominic's great delights. Dominic practiced self-scourging and would mortify himself as he prayed alone in the chapel at night for 'poor sinners.' He owned a single habit, refused to carry money, and would allow no one to serve him.
Document 2: Sebastiano Ricci: Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
Document 3: Catherine LaCugna: Catherine LaCugna died at the age of 44, of cancer, and is buried in the Cedar Grove Cemetery on the Notre Dame campus.
Document 4: Caravaggio: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (, US: , Italian pronunciation: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as tenebrists or tenebrosi ("shadowists").
Document 5: Catherine de' Medici: Catherine de' Medici (Italian: "Caterina de Medici", ; French: "Catherine de Médicis", ; 13 April 1519 – 5 January 1589), daughter of Lorenzo II de' Medici and Madeleine de La Tour d'Auvergne, was an Italian noblewoman who was queen of France from 1547 until 1559, by marriage to King Henry II. As the mother of kings Francis II, Charles IX and Henry III, she had extensive, if at times varying, influence in the political life of France. From 1560 to 1563, she ruled France as regent for her son Charles IX, King of France.
Document 6: Antonio Semini: He was born and trained in Genoa and died in Milan. He was the pupil of Ludovico Brea, and painted in collaboration with Teramo Piaggio. Antonio painted a "Nativity" for S. Domenico, Savona. Among his pupils were his sons Andrea and Ottavio Semini.
Document 7: Kateri Tekakwitha: Saint Kateri Tekakwitha ( in Mohawk), given the name Tekakwitha, baptized as Catherine and informally known as Lily of the Mohawks (1656 – April 17, 1680), is a Roman Catholic saint who was an Algonquin–Mohawk laywoman. Born in the Mohawk village of Ossernenon, on the south side of the Mohawk River, she contracted smallpox in an epidemic; her family died and her face was scarred. She converted to Roman Catholicism at age nineteen, when she was renamed Kateri, baptized in honor of Saint Catherine of Siena. Refusing to marry, she left her village and moved for the remaining five years of her life to the Jesuit mission village of Kahnawake, south of Montreal in New France, now Canada.
Document 8: Tommaso Salini: Tommaso Salini (1575 – 13 September 1625) was an Italian painter of the early-Baroque period, active in Rome. He is best remembered for defending his friend, Giovanni Baglione, in his libel suit against Caravaggio and other painters in his circle. Baglioni describes his still life paintings. He joined the Accademia di San Luca in 1605. Salini is a frequently forgotten Baroque artist who fell under the spell of Caravaggio, despite having a tempestuous relationship with the great painter. Salini, also known as Mao, was a friend of Giovanni Baglione, the Italian art biographer, who included Salini in his "Le vite de’ pittori." Art historians have often shied away from exploring Salini’s career because the canvases that have carried his name seem stylistically dissimilar. The recent tendency has been to attribute these works to anonymous "Pseudo-Salini" painters. In order for Salini’s "oeuvre" to be presented with accuracy, connoisseurs have had to inspect the original works that Baglione mentions as being by Salini’s hand, as well as the pictures that have been successfully attributed to him.
Document 9: Dominican Order: The expansion of the order produced changes. A smaller emphasis on doctrinal activity favoured the development here and there of the ascetic and contemplative life and there sprang up, especially in Germany and Italy, the mystical movement with which the names of Meister Eckhart, Heinrich Suso, Johannes Tauler, and St. Catherine of Siena are associated. (See German mysticism, which has also been called "Dominican mysticism.") This movement was the prelude to the reforms undertaken, at the end of the century, by Raymond of Capua, and continued in the following century. It assumed remarkable proportions in the congregations of Lombardy and the Netherlands, and in the reforms of Savonarola in Florence.
Document 10: Catherine of Genoa: Saint Catherine of Genoa (Caterina Fieschi Adorno, 1447 – 15 September 1510) was an Italian Roman Catholic saint and mystic, admired for her work among the sick and the poor and remembered because of various writings describing both these actions and her mystical experiences. She was a member of the noble Fieschi family, and spent most of her life and her means serving the sick, especially during the plague which ravaged Genoa in 1497 and 1501. She died in that city in 1510.
Document 11: Boy with a Basket of Fruit: Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome.
Document 12: Giacomo Bargone: Giacomo Bargone was an Italian painter of the Baroque period, born and active in Genoa. He trained with Andrea and Ottavio Semini. He excited the jealousy of a contemporary artist, Lazzaro Calvi, who reputedly poisoned him and ransomed his cat for several thousand ducats. He flourished in the 16th century.
Document 13: Virgin and Child with Saints Barbara and Catherine: Virgin and Child with Saints Barbara and Catherine is a glue-size on linen painting by Flemish artist Quentin Matsys, probably painted c 1515–25. The Virgin Mary is shown on a throne, holding the Infant Jesus, between Barbara and Catherine of Alexandria, two saints popular in the early 16th century and considered the most important of the venerated Fourteen Holy Helpers. Jesus leans forward to place a ring on Catherine's finger, a reference to her vision in which she was to given Jesus by Mary in mystical marriage. Other indicators of the saints identities include the broken wheel - which refers to the torture of Catherine- and the tower, an allusion to Barbara's imprisonment and eventual beheading at the hands of her father.
Document 14: Saint Catherine of Alexandria Polyptych: The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320. Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city.
Document 15: Anton Maria Maragliano: He was called by Casalis, the "Phidias of Genoa". His son Giovanni Battista Maragliano was also a wood sculptor in Cadiz and Lisbon, till his death during a robbery in the latter city. Among other pupils were Francesco and Pietro Galeano.
ground_truth: 15 September 1510
sub_queries: Giacomo Bargone >> place of birth Answer: Genoa
What was the date of death of Catherine of Genoa ? Answer: 15 September 1510