Question: What's the occupation of the painter of Manchester Madonna?

full_context: Document 1: John the Baptist (Caravaggio): John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
Document 2: Madonna and Child with St Jerome: The Madonna and Child with St Jerome is a painting by the Italian Renaissance master Pinturicchio, painted around 1481 and housed in the Gemäldegalerie of Berlin, Germany.
Document 3: Annunciation (Caravaggio): The Annunciation is an oil painting by the Italian master Michelangelo Merisi da Caravaggio, finished around 1608. It housed in the Musée des Beaux-Arts de Nancy.
Document 4: Boy with a Basket of Fruit: Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome.
Document 5: Rondanini Pietà: The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last. The name Rondanini refers to the fact that the sculpture stood for centuries in the courtyard at the Palazzo Rondanini in Rome. Certain sources point out that biographer Giorgio Vasari had referred to this Pietà in 1550, suggesting that the first version may already have been underway at that time. The work is now in the Museum of Rondanini Pietà of Sforza Castle in Milan.
Document 6: Caravaggio (1986 film): Caravaggio is a 1986 British drama film directed by Derek Jarman. The film is a fictionalised re-telling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is the film debut of Tilda Swinton and Sean Bean.
Document 7: Caravaggio: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (, US: , Italian pronunciation: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as tenebrists or tenebrosi ("shadowists").
Document 8: Utrecht Caravaggism: Painters such as Dirck van Baburen, Gerrit van Honthorst, Hendrick ter Brugghen, Jan van Bijlert and Matthias Stom were all in Rome in the 1610s, a time when the tenebroso of Caravaggio's later style was very influential. Adam Elsheimer, also in Rome at the same time, was probably also an influence on them. Back in Utrecht, they painted mythological and religious history subjects and genre scenes, such as the card-players and gypsies that Caravaggio himself had abandoned in his later career. Utrecht was the most Catholic city in the United Provinces, still about 40% Catholic in the mid-17th century, and even more among the elite groups, who included many rural nobility and gentry with town houses there. It had previously been the main centre, after Haarlem, of Northern Mannerist painting in the Netherlands. Abraham Bloemaert, who had been a leading figure in this movement, and taught the Honthursts and many other artists, also was receptive to the influence of his pupils, and changed his style many times before his death in 1651.
Document 9: Manchester Madonna: The Madonna and Child with St John and Angels (c. 1497), also known as The Manchester Madonna, is an unfinished painting attributed to Michelangelo in the National Gallery, London. It is one of three surviving panel paintings attributed to the artist and is dated to his first period in Rome. The painting's attribution to Michelangelo was in doubt for much of the 19th and 20th centuries, but now most scholars are in agreement. The work first came to public attention in the Art Treasures Exhibition in Manchester in 1857, hence the title the “Manchester Madonna”.
Document 10: Michelangelo: A number of Michelangelo's works of painting, sculpture and architecture rank among the most famous in existence. His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches and reminiscences, he is the best - documented artist of the 16th century. He sculpted two of his best - known works, the Pietà and David, before the age of thirty. Despite holding a low opinion of painting, he also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. He transformed the plan so that the western end was finished to his design, as was the dome, with some modification, after his death.
Document 11: Narcissus (Caravaggio): Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.
Document 12: Utrecht Caravaggism: The brief flourishing of Utrecht Caravaggism ended around 1630. At that time, major artists had either died, as in the case of Baburen and ter Brugghen, or had changed style, like Honthorst's shift to portraiture and history scenes informed by the Flemish tendencies popularized by Peter Paul Rubens and his followers. They left a legacy, however, through their influence on Rembrandt's use of chiaroscuro and Gerrit Dou's "niche paintings" (a genre popularized by Honthorst).
Document 13: The Entombment (Michelangelo): According to documents discovered in 1981, Michelangelo had been commissioned to paint a panel for the church of Sant'Agostino in Rome, but in the end gave back the sum received. It is probable that this work was the "Entombment", which remained unfinished upon Michelangelo's return to Florence.
Document 14: The Creation of Adam: The Creation of Adam () is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.
Document 15: Taddei Tondo: The Taddei Tondo or The Virgin and Child with the Infant St John is a marble relief tondo (circular composition) by Italian Renaissance artist Michelangelo Buonarroti. Part of the permanent collection of the Royal Academy of Arts in London, it is the only marble sculpture by Michelangelo in Great Britain. A "perfect demonstration" of his carving technique, the work delivers a "powerful emotional and narrative punch".
ground_truth: Italian painter
sub_queries: Who developed Manchester Madonna? Answer: Michelangelo
What job did Michelangelo have? Answer: Italian painter