Question: In which industry did female composers Shirley Walker and Suzanne Ciani earn a solo score credit, the latter having found success with innovative electronic music?

full_context: Document 1: Deborah Lurie: Deborah Lurie is a composer, arranger, and music producer. She is the most successful American female film composer in terms of box office (15 films grossing over $400 million). Deborah is best known for her scores for director Lasse Hallström’s films, "Dear John" and "Safe Haven", Paramount’s 2011 version of "Footloose", and the all-time highest-grossing concert movie, "". She has also written additional music for many scores by Danny Elfman, including "Wanted", "Charlie and the Chocolate Factory", and "Alice in Wonderland", and has provided string arrangements on hits for The All-American Rejects, Hoobastank, Daughtry, Kelly Clarkson, Katy Perry, and more. In 2015, she received the ASCAP Shirley Walker Award.
Document 2: Ruth White (composer): Ruth White (born 1925) is an American composer known for her electronic music compositions. While most of her career was dedicated to educational recordings, she is best known for being an electronic music pioneer, owing to her early explorations of sound using the Moog synthesizer. The back cover of her 1971 release "Short Circuits" stated that “Ruth White is considered among today’s most gifted arbiters of what is termed ‘the new music’".
Document 3: Leslie Ann Jones: Leslie Ann Jones is a multiple Grammy Award-winning recording engineer working as Director of Music Recording and Scoring at Skywalker Sound, a Lucasfilm, Ltd. company. She is a past Chair of the National Academy of Recording Arts and Sciences Board of Trustees, the organization that awards Grammys. She is the daughter of novelty drummer, percussionist and bandleader Spike Jones and his wife, singer Helen Grayco.
Document 4: Pierluigi Giombini: Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer. He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music. His grandfather was a music professor who specialized in the oboe and also played in orchestras. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos. It was Wendy Carlos' "Switched-On Bach" records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s. Even now he still uses hardware and software synths for his current projects such as 'Web'.
Document 5: Suzanne Ciani: Suzanne Ciani (born June 4, 1946) is an Italian American pianist, composer and sound designer who found early success with innovative electronic music.
Document 6: Jon Appleton: Jon Howard Appleton (born January 4, 1939) is an American composer and teacher who was a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. Chef d'Oeuvre and Newark Airport Rock attracted attention because they established a new tradition some have called programmatic electronic music. In 1970 he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music where he continues to teach once a year. He has also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years he has devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Document 7: Shirley Walker: Shirley Anne Walker (née Rogers, April 10, 1945 – November 30, 2006) was an American film and television composer and conductor. She was one of the few female film score composers working in Hollywood. Walker was one of the first female composers to earn a solo score credit on a major Hollywood motion picture (preceded by Suzanne Ciani, who wrote the complete score to the film "The Incredible Shrinking Woman" in 1980, released January 1981) and according to the "Los Angeles Times", will be remembered as a pioneer for women in the film industry.
Document 8: Sherry Lansing: Sherry Lansing (born July 31, 1944) is an American former actress and film studio executive. She is a former CEO of Paramount Pictures, and when she was the president of production at 20th Century Fox, she was the first woman to head a Hollywood movie studio. In 1996, she became the first woman to be named Pioneer of the Year by the Foundation of the Motion Picture Pioneers, and she was the first female movie studio head to receive a star on the Hollywood Walk of Fame. In 2005, she became the first female movie studio head to place hand and foot prints at the Grauman's Chinese Theater. In 2001, she was named one of the 30 most powerful women in America by "Ladies' Home Journal", and "The Hollywood Reporter" named her fourth on its Power 100 list in 2003.
Document 9: The Incredible Shrinking Woman: The Incredible Shrinking Woman is a 1981 American science fiction comedy film directed by Joel Schumacher (in his directing debut), written by Jane Wagner and starring Lily Tomlin, Charles Grodin, Ned Beatty, John Glover and Elizabeth Wilson. This film is a take-off on the 1957 science fiction classic film "The Incredible Shrinking Man", and credited as based on Richard Matheson's 1956 novel, "The Shrinking Man". The original music score was composed by Suzanne Ciani.
Document 10: Lesley Walker: Lesley Walker is a British film and television editor with more than thirty feature film credits. She came into prominence in the 1980s, when she "developed a fast and snappy editing style in the decade, with "A Letter to Brezhnev" (1985), "Mona Lisa", "Cry Freedom" (1987), and "Shirley Valentine"." She has worked extensively with directors Terry Gilliam and Richard Attenborough.
Document 11: Cathy Berberian: Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote "Stripsody" (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and "Morsicat(h)y" (1969), a composition for the keyboard (with the right hand only) based on Morse code.
Document 12: Wendy Carlos: Wendy Carlos (born Walter Carlos; November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she oversaw the development of the Moog synthesizer, then a relatively new and unknown keyboard instrument designed by Robert Moog.
Document 13: Ludovico Einaudi: Ludovico Maria Enrico Einaudi OMRI (] ; born 23 November 1955) is an Italian pianist and composer. He trained at the Conservatorio Verdi in Milan. Einaudi began his career as a classical composer, and began incorporating other styles and genres—including pop, rock, world music, and folk music.
Document 14: Switched-On Bach: Switched-On Bach is the first studio album by the American musician and composer Wendy Carlos, released under her birth name Walter Carlos in October 1968 by Columbia Records. Produced by Carlos and Rachel Elkind, the album is a collection of pieces by Johann Sebastian Bach performed by Carlos and Benjamin Folkman on a Moog synthesizer. It played a key role in bringing synthesizers to popular music, which had until then been mostly used in experimental music.
Document 15: Saraswati Devi (music director): Saraswati Devi, born Khorshed Minocher-Homji (1912 – 1980), was an Indian film score composer who worked in Hindi cinema in the 1930s and 1940s. She was one of the few female composers, working with Bombay Talkies, and is most noted for her score, "Mein Ban ki Chiriyra Banke Bun Bun Bolun Re" ("Achut Kanya" 1936). She was the second female music director in the Indian film industry, after Jaddan Bai.
ground_truth: film industry