Question: A verse in the Billy Joel song "The Entertainer" references the shortening of another Joel song that was released in what year?

full_context: Document 1: Rocket Man (song): "Rocket Man" (officially titled as Rocket Man (I Think It's Going to Be a Long, Long Time)), is a song composed by Elton John and Bernie Taupin and originally performed by John. The song first appeared on John's 1972 album "Honky Château" and became a hit single, rising to No. 2 in the UK and No. 6 in the US. On 21 October 2016, the song was certified Silver by the British Phonographic Industry for sales of 200,000 digital downloads.
Document 2: The Entertainer (song): "The Entertainer" is a single by singer Billy Joel released as the only single from his 1974 album "Streetlife Serenade". The song peaked at #34 on the US charts, a Top 40 hit for Joel that year. The song is a cynical and somewhat satirical look at the fleeting fame of a musician and fickle public tastes ("Today I am your champion / I may have won your hearts / But I know the game / You'll forget my name / And I won't be here / in another year / if I don't stay on the charts"); this theme would be examined in the later song "It's Still Rock and Roll to Me". Another verse in the song references the shortening of Joel's song, "Piano Man", from 5 minutes and 38 seconds to 3 minutes and 5 seconds to fit a radio slot, referenced by the lyrics "It was a beautiful song, / but it ran too long / If you're gonna have a hit, you gotta make it fit / So they cut it down to 3:05." Additionally, the timing printed on the label of the 7" release of "The Entertainer" was 3:05, although the actual 45 length was 3:11 (while the album length was 3:41). In the single version, Verse 3 (which starts at 1:02 in the album version) is edited out, and Verse 2 (which starts at 0:40) contains a steel guitar in its second half, which is actually featured in the second half of the "third" verse in the album version; indeed, on the single mix, the instrumental crescendo of the album version is anticipated by bringing the fuller instrumentation of Verse 3 under the vocals of Verse 2. As a result of this, the slightly emptier original instrumentation of Verse 2 (which includes a downward slide on the synth) and the vocals of Verse 3 are completely omitted, while the instrumentation of Verse 3 (featuring the steel guitar) does appear, but earlier.
Document 3: The Ballad of Billy the Kid: "The Ballad of Billy the Kid" is a Billy Joel song from the album "Piano Man". It was also issued as a single in the UK backed with "If I Only Had The Words (To Tell You)."
Document 4: You're My Home: "You're My Home" is a single by Billy Joel. It was originally on Billy Joel's 1973 album "Piano Man", and also appears on "Songs in the Attic" (1981), "The Ultimate Collection" (2000), "The Essential Billy Joel" (2001) and "12 Gardens Live " (2006).
Document 5: And So It Goes: "And So It Goes" is a lyric poem written by Billy Joel in 1983, though it was not released until six years later. It appeared as the tenth and final track of his 1989 studio album "Storm Front". The original 1983 demo was released on the 2005 box set "My Lives". Joel wrote the song about a doomed relationship with model Elle Macpherson. Their relationship was dramatic, as Macpherson was only a teenager while Joel was reaching his mid-30s. Joel dated Macpherson for a brief time shortly before becoming involved with model Christie Brinkley, who would ultimately become his second wife. The song is unique for Joel as it is written in iambic tetrameter. In the original demo version of "And So It Goes," Joel sings the melody simply, accompanied by a simple piano backdrop, in a style very reminiscent of a hymn. On the 1989 album version, Joel sings and plays all the instrumentation (piano and synthesizers). The official video is from a live performance in front of a concert audience.
Document 6: Uptown Girl: "Uptown Girl" is a song written and performed by American musician Billy Joel. It was released on September 29, 1983, on his ninth studio album "An Innocent Man" (1983). The lyrics describe a working-class "downtown man" attempting to woo a wealthy "uptown girl."
Document 7: Baby Grand: "Baby Grand" is the fourth and final single released off Billy Joel's album "The Bridge". A duet with Joel and Ray Charles, the song is a ballad dedicated to the baby grand piano, and the relationship it can share with its players. The two originally got together when Charles contacted Joel about the naming of his daughter, Alexa Ray, after Charles. Charles then suggested they create a song together.
Document 8: Allentown (song): "Allentown" is a song by American singer Billy Joel, which was the lead track on Joel's "The Nylon Curtain" (1982) album, accompanied by a conceptual music video. "Allentown" reached #17 on the "Billboard" Hot 100, spending six consecutive weeks at that position and certified gold. Despite the song placing no higher than #17 on the weekly Billboard Hot 100 chart, it was popular enough to be placed at #43 on the Billboard year-end Hot 100 chart for 1983.
Document 9: Ultimate Hits: Rock and Roll Never Forgets: Ultimate Hits: Rock and Roll Never Forgets is a compilation album by American rock singer–songwriter Bob Seger. The double-disc album was released on November 21, 2011 and contains 26 remastered tracks from throughout Seger's career, which spans more than four decades. Included are the original mono version of "Ramblin' Gamblin' Man", Seger's first hit with The Bob Seger System from 1968, the classic Christmas song "The Little Drummer Boy" from 1987's "A Very Special Christmas", which makes its first appearance on a Seger album, and previously unreleased cover versions of Tom Waits' "Downtown Train" and Little Richard's "Hey, Hey, Hey, Hey (Going Back to Birmingham)." There is also a Walmart exclusive edition that includes the bonus track "Living Inside My Heart," a song from the soundtrack of the 1986 film "About Last Night...", which has also never before been released on any Bob Seger album. Two songs on this compilation album are edited compared to the original releases: "We've Got Tonight" is the single edit, which is about one minute shorter than the album version, and "Katmandu" is a newly edited version which omits the second verse, making the song also about one minute shorter compared to the original album version. In the US it was certified gold and platinum in June 2013 by the RIAA.
Document 10: The Entertainer (rag): "The Entertainer" is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos. The first recording was by blues and ragtime musicians, the Blue Boys in 1928, played on mandolin and guitar.
Document 11: Jerry Lee Lewis discography: This is a detailed discography for American rock and roll, country, and gospel singer-songwriter Jerry Lee Lewis. One of the pioneers of rockabilly, Lewis has recorded over 40 albums in a career spanning seven decades. Lewis is a versatile artist, and has recorded songs in multiple genres. Lewis, in 1986, was one of the very first inductees into the Rock and Roll Hall of Fame, and, as of 2017, is the last surviving rock and roll pioneer of Sun Records (fellow Sun rock and roll colleagues such as Elvis Presley, Johnny Cash, Roy Orbison, and Carl Perkins, among others, are deceased.) Some of his best known songs are "Great Balls of Fire", "Whole Lotta Shakin' Goin' On", and "High School Confidential". His album, "Live at the Star Club, Hamburg", is widely considered one of the greatest live concert albums ever. In his lengthy career in music, Lewis has had 30 songs reach the top ten on the "Billboard Country-and-Western" chart. Lewis is regarded as one of the greatest and most influential pianists of the rock and roll era, and was ranked number 24 on "Rolling Stone" magazine's list of the "100 Greatest Artists of All Time".
Document 12: Barry Manilow: Barry Manilow (born Barry Alan Pincus; June 17, 1943) is an American singer-songwriter, arranger, musician, and producer with a career that has spanned more than 50 years. His hit recordings include "Mandy", "Can't Smile Without You", and "Copacabana (At the Copa)".
Document 13: Don't Ask Me Why (Billy Joel song): "Don't Ask Me Why" is a Billy Joel song released in 1980. The lyrics talk about the oddities of life that have become obvious over time. It is more characteristic of a track that would have appeared on Joel's earlier albums in that it has a lighter folk sound as compared to the harder, more rock oriented tracks found throughout the album; the song supported public perception that Joel was a middle-of-the-road artist.. The background track contains all acoustic and Latin percussion instruments performing in an Afro-Cuban rhythmic style. An eclectic, instrumental "Latin Ballroom" piano solo, played over the bridge section after the second verse, is also featured in part of the song; Joel states that the mix for the midsection includes "fifteen pianos overdubbed on top of each other." The song spent two weeks at number one on the Adult Contemporary chart and peaked at number nineteen on the "Billboard" Hot 100.
Document 14: Piano Man (song): "Piano Man" is the first single released by Billy Joel. It was released on November 2, 1973, and has been included on several subsequent albums. Joel's first major hit and his signature song, the song peaked at #25 on the "Billboard" Hot 100 chart in April 1974. In 2016, the Library of Congress selected "Piano Man" for preservation in the National Recording Registry for its "cultural, historic, or artistic significance."
Document 15: Short People: "Short People" is a song by Randy Newman from his 1977 album, "Little Criminals". The verses and chorus are lyrically constructed as a prejudiced attack on short people. In contrast, the bridge states that "short people are just the same as you and I." Newman interprets the song to be about "prejudice" as was widely thought, but added that it was "about a lunatic." As with many of his songs such as "Rednecks", Newman wrote the song from the point of view of a biased narrator. Like Dire Straits' 1985 hit single, "Money for Nothing", which used the same lyrical technique, the song was misunderstood by many listeners who wrongly assumed that it reflected Newman's personal viewpoint.
ground_truth: 1973