Question: When was the Golden Gate Bridge built in the city where Blue Cheer was founded?

full_context: Document 1: New York City: The George Washington Bridge is the world's busiest motor vehicle bridge, connecting Manhattan to Bergen County, New Jersey. The Verrazano-Narrows Bridge is the longest suspension bridge in the Americas and one of the world's longest. The Brooklyn Bridge is an icon of the city itself. The towers of the Brooklyn Bridge are built of limestone, granite, and Rosendale cement, and their architectural style is neo-Gothic, with characteristic pointed arches above the passageways through the stone towers. This bridge was also the longest suspension bridge in the world from its opening until 1903, and is the first steel-wire suspension bridge.
Document 2: Golden Gate Bridge: Strauss was chief engineer in charge of overall design and construction of the bridge project. However, because he had little understanding or experience with cable - suspension designs, responsibility for much of the engineering and architecture fell on other experts. Strauss's initial design proposal (two double cantilever spans linked by a central suspension segment) was unacceptable from a visual standpoint. The final graceful suspension design was conceived and championed by Leon Moisseiff, the engineer of the Manhattan Bridge in New York City.
Document 3: Golden Gate Bridge: The Golden Gate Bridge's clearance above high water averages 220 feet (67 m) while its towers, at 746 feet (227 m) above the water, were the world's tallest on a suspension bridge until 1993 when it was surpassed by the Mezcala Bridge, in Mexico.
Document 4: Hard rock: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.
Document 5: Sydney Harbour Bridge: Under the direction of Dr John Bradfield of the NSW Department of Public Works, the bridge was designed and built by British firm Dorman Long and Co Ltd of Middlesbrough and opened in 1932. The bridge's design was influenced by the Hell Gate Bridge in New York City. It is the sixth longest spanning - arch bridge in the world and the tallest steel arch bridge, measuring 134 m (440 ft) from top to water level. It was also the world's widest long - span bridge, at 48.8 m (160 ft) wide, until construction of the new Port Mann Bridge in Vancouver was completed in 2012.
Document 6: Royal Gorge Bridge: The Royal Gorge Bridge is a tourist attraction near Cañon City, Colorado within Royal Gorge Bridge & Park, a 360 - acre (150 ha) amusement park located along the edge of the Royal Gorge around both ends of the bridge. The bridge crosses the gorge 955 feet (291 m) above the Arkansas River and held the record of highest bridge in the world from 1929 until 2001 when it was surpassed by the Liuguanghe Bridge in China. The Royal Gorge Bridge maintained the title of the world's highest suspension bridge until the Beipan River Guanxing Highway Bridge was completed in 2003, also in China. The bridge remains the highest bridge in the United States and was among the ten highest bridges in the world until 2012.
Document 7: Hard rock: In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.
Document 8: Hard rock: In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.
Document 9: Hard rock: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.
Document 10: Hard rock: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."
Document 11: Hard rock: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.
Document 12: Golden Gate Bridge: Golden Gate Bridge A view of the Golden Gate Bridge from the Marin Headlands Coordinates 37 ° 49 ′ 11 ''N 122 ° 28 ′ 43'' W ﻿ / ﻿ 37.81972 ° N 122.47861 ° W ﻿ / 37.81972; - 122.47861 Coordinates: 37 ° 49 ′ 11 ''N 122 ° 28 ′ 43'' W ﻿ / ﻿ 37.81972 ° N 122.47861 ° W ﻿ / 37.81972; - 122.47861 Carries 6 lanes of US 101 / SR 1 (see below), pedestrians and bicycles. Crosses Golden Gate Locale San Francisco, California and Marin County, California, U.S. Official name Golden Gate Bridge Maintained by Golden Gate Bridge, Highway and Transportation District Characteristics Design Art Deco, Suspension, truss arch & truss causeways Material Steel Total length 8,981 ft (2,737.4 m), about 1.7 mi (2.7 km) Width 90 ft (27.4 m) Height 746 ft (227.4 m) Longest span 4,200 ft (1,280.2 m) Clearance above 14 ft (4.3 m) at toll gates, Trucks can not pass Clearance below 220 ft (67.1 m) at high tide History Architect Irving Morrow Engineering design by Joseph Strauss, and Charles Ellis Construction start January 5, 1933 (1933 - 01 - 05) Construction end April 19, 1937 (1937 - 04 - 20) Opened May 27, 1937; 80 years ago (1937 - 05 - 27) Statistics Daily traffic 110,000 Toll Cars (southbound only) $7.50 (Pay by plate), $6.50 (FasTrak), $4.50 (carpools during peak hours, FasTrak only) California Historical Landmark Designated June 18, 1987 Reference no. 974 San Francisco Designated Landmark Designated May 21, 1999 Reference no. 222 Golden Gate Bridge Bridges in the San Francisco Bay
Document 13: Golden Gate Bridge: The Frommer's travel guide describes the Golden Gate Bridge as ``possibly the most beautiful, certainly the most photographed, bridge in the world. ''At the time of its opening in 1937, it was both the longest and the tallest suspension bridge in the world, with a main span of 4,200 feet (1,280 m) and a total height of 746 feet (227 m).
Document 14: Hard rock: Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.
Document 15: Hard rock: The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).
ground_truth: 1937
sub_queries: Where was the band Blue Cheer from? Answer: San Francisco
when was the San Francisco golden gate bridge built Answer: 1937