Question: What year was Rush's album released containing the track "The Twilight Zone"?

full_context: Document 1: The Bard (The Twilight Zone): "The Bard" is an episode of the American television anthology series "The Twilight Zone". It was the final episode of "The Twilight Zone" to be one hour long. A direct satire of the American television industry, the episode concerns an inept screenwriter who, through the use of black magic, employs William Shakespeare as his ghostwriter.
Document 2: Bastille Day (song): "Bastille Day" is a song by Rush, the opening track from their third album, "Caress of Steel". Like most Rush songs, the music was written by Geddy Lee and Alex Lifeson, and the lyrics by Neil Peart. The song uses the storming of the Bastille, which began the French Revolution, as an allegory for revolutionary fervor needed in the struggle against tyrannical government. It is therefore in the same vein as other libertarian-themed songs from the early stages of Rush's career, including "Anthem", "Closer to the Heart", "Freewill", "Something for Nothing", and "A Farewell to Kings", when the band — Neil Peart and Geddy Lee in particular — was influenced by the Objectivist philosopher Ayn Rand.
Document 3: The Monsters Are Due on Maple Street: "The Monsters Are Due on Maple Street" is episode 22 in the first season of the American television anthology series "The Twilight Zone". The episode was written by Rod Serling, the creator-narrator of the series. It originally aired on March 4, 1960 on CBS. In 2009, "TIME" named it one of the ten best "Twilight Zone" episodes.
Document 4: Ride the Lightning: Ride the Lightning is the second studio album by American heavy metal band Metallica, released on July 27, 1984, by the independent record label Megaforce Records. The album was recorded in three weeks with producer Flemming Rasmussen at the Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on a concept by the band, depicts an electric chair being struck by lightning flowing from the band logo. The title was taken from a passage in Stephen King's novel "The Stand". Although rooted in the thrash metal genre, the album showcased the band's musical growth and lyrical sophistication. This was partly because bassist Cliff Burton introduced the basics of music theory to the rest of the band and had more input in the songwriting. Instead of relying strictly on fast tempos as on its debut "Kill 'Em All", Metallica broadened its approach by employing acoustic guitars, extended instrumentals, and more complex harmonies. The overall recording costs were paid by Metallica's European label Music for Nations because Megaforce was unable to cover it. It was the last album to feature songwriting contributions from former lead guitarist Dave Mustaine.
Document 5: The Twilight Zone (Rush song): "The Twilight Zone" is the third track on Rush's album "2112". It was the last track written and recorded for the album. It was the first single to be released from "2112". As with most Rush songs, the lyrics are written by Neil Peart, and the music by Geddy Lee and Alex Lifeson. It is based on two episodes of "The Twilight Zone": "Will the Real Martian Please Stand Up?" (first verse) and "Stopover in a Quiet Town" (second verse). Rush had dedicated their previous album, "Caress of Steel", to the memory of "The Twilight Zone" creator Rod Serling.
Document 6: Time (Pink Floyd song): "Time" is the fourth track from the English progressive rock band Pink Floyd's 1973 album "The Dark Side of the Moon", and the only song on the album credited to all four members of the band, though the lyrics were written by Roger Waters. It is the final Pink Floyd song credited to all four members and the last to feature Richard Wright on lead vocals until "Wearing the Inside Out" on "The Division Bell". This song is about how time can slip by, but many people do not realise it until it is too late. Roger Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing, recorded as a quadrophonic test by Alan Parsons, not specifically for the album.
Document 7: Rush (band): Rush is a Canadian rock band composed of Geddy Lee (bass guitar, lead vocals, keyboards), Alex Lifeson (guitars, backing vocals) and Neil Peart (drums, percussion, lyrics). Forming in 1968, the band went through several configurations until arriving at its current line-up when Peart replaced original drummer John Rutsey in July 1974, two weeks before the group's first United States tour.
Document 8: 2112 (album): 2112 (pronounced ""twenty-one twelve"") is the fourth studio album by Canadian rock band Rush. Released on 1 April 1976, it features the seven-part title suite composed by Geddy Lee and Alex Lifeson, with lyrics written by Neil Peart telling a dystopian story set in the year 2112. It is sometimes described as a concept album although the songs on the second side are unrelated to the suite. Rush repeated this arrangement on the 1978 album "Hemispheres".
Document 9: Led Zeppelin IV: The untitled fourth studio album by English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. Produced by guitarist Jimmy Page, it was recorded between November 1970 and January 1971 at several locations, most prominently the Victorian house Headley Grange.
Document 10: Tarkus (song): "Tarkus" is the title track of Emerson, Lake & Palmer's second album. The progressive-rock epic lasts 20:35. It was the longest studio song by the band until the three impressions of "Karn Evil 9". The name "Tarkus" refers to the armadillo-tank from the William Neal paintings on the album cover. The artist has explained that the name is an amalgamation between 'Tartarus' (a place of punishment mentioned in 2 Peter 2:4) and 'carcass' (hence the name being written in bones on the album cover). Consequently, the name refers to the "futility of war, a man made mess with symbols of mutated destruction." The song "Tarkus" itself supposedly follows the adventures of Tarkus from his birth, through a fight with a manticore, which he loses and concludes with an aquatic version of Tarkus named "Aquatarkus".
Document 11: Twilight Zone: The Movie: Twilight Zone: The Movie is a 1983 American anthology science-fiction fantasy horror film produced by Steven Spielberg and John Landis as a theatrical version of the 1959–64 TV series "The Twilight Zone", created by Rod Serling. The film stars Vic Morrow, Scatman Crothers, Kathleen Quinlan and John Lithgow with Dan Aykroyd and Albert Brooks in the prologue segment. Burgess Meredith, who starred in four episodes of the original series, took on Serling's position as narrator. In addition to Meredith, six actors from the original series (William Schallert, Kevin McCarthy, Bill Mumy, Murray Matheson, Peter Brocco, and Patricia Barry) had roles in the film.
Document 12: The Twilight Zone: The Twilight Zone is an American television anthology series created by Rod Serling. The episodes are in various genres, including psychological horror, fantasy, science fiction, suspense, and psychological thriller, often concluding with a macabre or unexpected twist, and usually with a moral. A popular and critical success, it introduced many Americans to common science fiction and fantasy tropes. The original series, shot entirely in black and white, ran on CBS for five seasons from 1959 to 1964.
Document 13: Vapor Trails: Vapor Trails is the seventeenth studio album by Canadian rock band Rush, produced by Paul Northfield and released in May 2002. Its release marked the first studio album for the band since "Test for Echo" in 1996 (the longest gap between Rush albums to date) because of personal tragedies that befell drummer Neil Peart in the late 1990s. According to the band, the entire developmental process for "Vapor Trails" was extremely taxing and took about 14 months to finish, the longest the band had ever spent writing and recording a studio album. Despite controversy surrounding its production and sound quality, the album debuted to moderate praise and was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career. The album was certified gold in Canada in August 2002.
Document 14: The Last Night of a Jockey: "The Last Night of a Jockey" is an episode of the American television anthology series "The Twilight Zone". In this episode, a diminutive jockey's wish to be tall is granted. The only actor in this entire episode is Mickey Rooney. Rod Serling wrote this episode specifically for Rooney.
Document 15: Twilight Zone (Golden Earring song): "Twilight Zone" is a 1982 hit by Dutch band Golden Earring. It was written by the band's guitarist George Kooymans, who got the inspiration from a book by Robert Ludlum, "The Bourne Identity". "Twilight Zone" appears on their 1982 album "Cut" and pays tribute to the 1960s television series "The Twilight Zone". It spent more than half a year (27 weeks) on the U.S. Pop charts. It was the group's sole Top 10 Pop single on the US "Billboard" Hot 100 and hit No. 1 on the "Billboard" Top Album Tracks chart, the band's only No. 1 hit in America.
ground_truth: 1976