Question: where did the caddo tribe live in the state where The Battle of New Orleans author was born?

full_context: Document 1: The Battle of New Orleans: "The Battle of New Orleans" is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the "Billboard" Hot 100 in 1959 (see 1959 in music). "Billboard" ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 50s/early 60s in an era mostly dominated by rock and roll music.
Document 2: The Battle of New Orleans: ``The Battle of New Orleans ''Single by Johnny Horton B - side`` All for the Love of a Girl'' Released April 1959 Recorded 1959 Genre Country Length 2: 33 Label Columbia Songwriter (s) Jimmy Driftwood Producer (s) Don Law Johnny Horton singles chronology ``When It's Springtime in Alaska (It's Forty Below) ''(1959)`` The Battle of New Orleans'' (1959) ``Johnny Reb ''(1959)`` When It's Springtime in Alaska (It's Forty Below)'' (1959) ``The Battle of New Orleans ''(1959)`` Johnny Reb'' (1959)
Document 3: Greenwich Village: The Village had a cutting - edge cabaret and music scene. The Village Gate, the Village Vanguard, and The Blue Note (since 1981), regularly hosted some of the biggest names in jazz. Greenwich Village also played a major role in the development of the folk music scene of the 1960s. Music clubs included Gerde's Folk City, The Bitter End, Cafe Au Go Go, Cafe Wha?, The Gaslight Cafe and The Bottom Line. Three of the four members of The Mamas & the Papas met there. Guitarist and folk singer Dave Van Ronk lived there for many years. Village resident and cultural icon Bob Dylan by the mid-60s had become one of the world's foremost popular songwriters, and often developments in Greenwich Village would influence the simultaneously occurring folk rock movement in San Francisco and elsewhere, and vice versa. Dozens of other cultural and popular icons got their start in the Village's nightclub, theater, and coffeehouse scene during the 1950s, 1960s, and early 1970s, including Jimi Hendrix, Barbra Streisand, Peter, Paul, and Mary, Bette Midler, The Lovin 'Spoonful, Simon & Garfunkel, Liza Minnelli, Jackson Browne, James Taylor, Eric Andersen, Joan Baez, The Clancy Brothers and Tommy Makem, The Velvet Underground, The Kingston Trio, Carly Simon, Richie Havens, Maria Muldaur, Tom Paxton, Janis Ian, Phil Ochs, Joni Mitchell, Laura Nyro, and Nina Simone. The Greenwich Village of the 1950s and 1960s was at the center of Jane Jacobs's book The Death and Life of Great American Cities, which defended it and similar communities, while criticizing common urban renewal policies of the time.
Document 4: Ode to Billie Joe: ``Ode to Billie Joe ''is a song written and recorded by Bobbie Gentry, a singer - songwriter from Chickasaw County, Mississippi. The single, released on July 10, 1967, was a number - one hit in the US and a big international seller. Billboard ranked the record as the No. 3 song of the year. It generated eight Grammy nominations, resulting in three wins for Gentry and one for arranger Jimmie Haskell.`` Ode to Billie Joe'' has since made Rolling Stone's lists of the ``500 Greatest Songs of All Time ''and the`` 100 Greatest Country Songs of All Time'' and Pitchfork's ``200 Best Songs of the 1960s ''.
Document 5: Oklahoma: Forests cover 24 percent of Oklahoma and prairie grasslands composed of shortgrass, mixed-grass, and tallgrass prairie, harbor expansive ecosystems in the state's central and western portions, although cropland has largely replaced native grasses. Where rainfall is sparse in the western regions of the state, shortgrass prairie and shrublands are the most prominent ecosystems, though pinyon pines, red cedar (junipers), and ponderosa pines grow near rivers and creek beds in the far western reaches of the panhandle. Southwestern Oklahoma contains many rare, disjunct species including sugar maple, bigtooth maple, nolina and southern live oak.
Document 6: Oklahoma: Oklahoma has four primary mountain ranges: the Ouachita Mountains, the Arbuckle Mountains, the Wichita Mountains, and the Ozark Mountains. Contained within the U.S. Interior Highlands region, the Ozark and Ouachita Mountains mark the only major mountainous region between the Rocky Mountains and the Appalachians. A portion of the Flint Hills stretches into north-central Oklahoma, and near the state's eastern border, Cavanal Hill is regarded by the Oklahoma Tourism & Recreation Department as the world's tallest hill; at 1,999 feet (609 m), it fails their definition of a mountain by one foot.
Document 7: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 8: The Night They Drove Old Dixie Down: ``The Night They Drove Old Dixie Down ''is a song written by Robbie Robertson and originally recorded by the Canadian - American roots rock group the Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first - person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia. Frequently appearing on lists of the best rock songs of all time, it has been cited as an early example of the genre known as roots rock.
Document 9: Ozarks: The Ozarks, also referred to as the Ozark Mountains and Ozark Plateau, is a physiographic region in the U.S. states of Arkansas, Missouri, Oklahoma, and Kansas. The Ozarks cover a significant portion of northern Arkansas and southern Missouri, extending from Interstate 40 in Arkansas to the suburbs of St. Louis. A portion of the Ozarks extends into northeastern Oklahoma and southeastern Kansas.
Document 10: Electric Dylan controversy: By 1965, Bob Dylan had achieved the status of leading songwriter of the American folk music revival. The response to his albums The Freewheelin 'Bob Dylan and The Times They Are a-Changin' led to him being labelled as the ``spokesman of a generation ''by the media. In March 1965, Dylan released his fifth album, Bringing It All Back Home. Side One featured Dylan backed by an electric band. Side Two featured Dylan accompanying himself on acoustic guitar. On July 20, 1965, Dylan released his single`` Like a Rolling Stone'', featuring a rock sound. On July 25, 1965, Dylan performed his first electric concert at the Newport Folk Festival, joined by guitarist Mike Bloomfield and Barry Goldberg of the Electric Flag. Some sections of the audience booed Dylan's performance. Leading members of the folk movement, including Irwin Silber and Ewan MacColl, criticized Dylan for moving away from political songwriting and for performing with an electric band.
Document 11: Caddo: Most of the Caddo historically lived in the Piney Woods ecoregion of the United States, divided among the state regions of East Texas, southern Arkansas, western Louisiana, and southeastern Oklahoma. This region extends up to the foothills of the Ozarks. The Piney Woods are a dense forest of deciduous and pinophyta flora covering rolling hills, steep river valleys, and intermittent wetlands called ``bayous ''. Caddo people primarily settled near the Caddo River.
Document 12: Folksong '59: Upon his return to New York in 1959 after a nearly a decade spent based in London, UK, Alan Lomax produced a concert, Folksong '59, in New York City's Carnegie Hall, featuring Arkansas singer Jimmy Driftwood; the Selah Jubilee Singers and Drexel Singers (gospel groups); Muddy Waters and Memphis Slim (blues); Earl Taylor and the Stoney Mountain Boys (bluegrass); Pete Seeger, Mike Seeger (urban folk revival); and The Cadillacs (a rock and roll group).
Document 13: Oklahoma: The state holds populations of white-tailed deer, mule deer, antelope, coyotes, mountain lions, bobcats, elk, and birds such as quail, doves, cardinals, bald eagles, red-tailed hawks, and pheasants. In prairie ecosystems, American bison, greater prairie chickens, badgers, and armadillo are common, and some of the nation's largest prairie dog towns inhabit shortgrass prairie in the state's panhandle. The Cross Timbers, a region transitioning from prairie to woodlands in Central Oklahoma, harbors 351 vertebrate species. The Ouachita Mountains are home to black bear, red fox, grey fox, and river otter populations, which coexist with a total of 328 vertebrate species in southeastern Oklahoma. Also, in southeastern Oklahoma lives the American alligator.
Document 14: The Battle of New Orleans: ``The Battle of New Orleans ''is a song written by Jimmy Driftwood. The song describes the 1815 Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 50's / early 60's in an era mostly dominated by rock and roll music.
Document 15: Music of New York City: Beginning in the 1940s, New York City was the center for a roots revival of American folk music. Many New Yorkers, especially young people, became interested in blues, Appalachian folk music, and other roots styles. In Greenwich Village, many of these people gathered; the area became a hotbed of American folk music as well as leftist political activism.
ground_truth: southern Arkansas
sub_queries: The Battle of New Orleans >> author Answer: Jimmy Driftwood
Jimmy Driftwood >> place of birth Answer: Arkansas
where did the caddo tribe in Arkansas live Answer: southern Arkansas