Question: What is the Science Museum in the birthplace of Francisco Antolinez part of?

full_context: Document 1: Centre for the Development of Industrial Technology: The Centre for the Development of Industrial Technology (CDTI) is a public organization for technology development in the Kingdom of Spain. In the Spanish language, the Centre is known as the Centro para el Desarrollo Tecnologico Industrial. It was part of the Ministry of Industry, Commerce and Tourism, later was part of Ministry of Science and Innovation and now it is part of the Ministry of Economy and Competitiveness. It claims to employ one hundred fifty people. The Centre supports companies that want to develop R&D projects with loans and other financial aids. In addition, provides technical support. The Centre has presence in Japan, the Kingdom of Belgium, the Federative Republic of Brazil, the Republic of Colombia, Korea, the Republic of Chile, and the Kingdom of Morocco. In 2002, the Centre contributed 117.2 million EUR to the European Space Agency. (Its monetary contributions to the Agency have risen steadily—by numerical value, not considering inflation—since 1998, when it contributed 104.85 million EUR.)
Document 2: Juan Antonio de Frías y Escalante: He was born in Córdoba, studied under Francisco Ricci in Madrid, and developed a career in the Spanish Court despite his early death. He was an admirer of Venetian paintings by Tintoretto and Veronese. His last paintings are in the rococo style. He is known for his religious paintings, e.g. Roman Catholic Marian art depicting the Immaculate Conception.
Document 3: Antonio Malchiodi: He taught as a docent at the Academy of Fine Arts of Modena, but also at Brescia and Turin. He spent his last years painting landscapes around Bergamo, and is also known for his genre and historical paintings, including “The last consolation of Torquato Tasso” painted only after visiting the room in the convent Sant’Onofrio where the poet died.
Document 4: Geronimo de Bobadilla: He was born at Antequera, a small town in the vicinity of Málaga, and got married in 1659. According to Palomino he was a scholar of Francisco Zurbarán, whose manner he followed. He excelled in painting historical subjects of a medium size and perspective views. He used a peculiar varnish on his pictures, which Murillo compared to crystal. He was a great collector of academic figures, drawings, models, and sketches of celebrated artists. He was one of the founders of the Academy at Seville in 1660, and according to art historian Juan Agustín Ceán Bermúdez continued to support it until his death, which took place in that city in 1680.
Document 5: Centre for Science and Environment: Centre for Science and Environment (CSE) is a not-for-profit public interest research and advocacy organisation based in New Delhi, India. Established in 1980, CSE works as a think tank on environment-development issues in India, poor planning, climate shifts devastating India's Sundarbans and advocates for policy changes and better implementation of the already existing policies. CSE uses knowledge-based activism to create awareness about problems and propose sustainable solutions.
Document 6: Francisco Antolínez: He was born at Seville, and was a nephew of Joseph Antolinez. He went to his uncle at Madrid in 1672; but notwithstanding his having already distinguished himself as a painter, he left the profession for literary pursuits, and for the purpose of obtaining a lucrative situation at the bar, having been originally educated at Seville for the law. Being unsuccessful, he was compelled again to have recourse to painting, as a means of subsistence. It was then that he produced those small pictures from the Bible and the life of the Virgin, which are so much admired by amateurs for their invention, colour, and facility of execution. He died in 1700, regretted by the true friends of art, who lamented the misapplication of those talents with which he was endowed.
Document 7: Antonio Semini: He was born and trained in Genoa and died in Milan. He was the pupil of Ludovico Brea, and painted in collaboration with Teramo Piaggio. Antonio painted a "Nativity" for S. Domenico, Savona. Among his pupils were his sons Andrea and Ottavio Semini.
Document 8: National Institute of Science Communication and Information Resources: The National Institute of Science Communication and Information Resources (NISCAIR), located at New Delhi, India, is an information science institute in India founded in 2002. It operates under the umbrella of the Council of Scientific and Industrial Research (CSIR) that comprise 38 other labs and institutes in India.
Document 9: Portugal: Portugal has the largest aquarium in Europe, the Lisbon Oceanarium, and the Portuguese have several other notable organizations focused on science-related exhibits and divulgation, like the state agency Ciência Viva, a programme of the Portuguese Ministry of Science and Technology to the promotion of a scientific and technological culture among the Portuguese population, the Science Museum of the University of Coimbra, the National Museum of Natural History at the University of Lisbon, and the Visionarium.
Document 10: Copernicus Science Centre: Copernicus Science Centre () is a science museum standing on the bank of the Vistula River in Warsaw, Poland. It contains over 450 interactive exhibits that enable visitors to single-handedly carry out experiments and discover the laws of science for themselves. The Centre is the largest institution of its type in Poland and one of the most advanced in Europe. In 2018, since its opening, it had been visited by over 8 million people.
Document 11: Andalusian Center for Marine Science and Technology: The Andalusian Center for Marine Science and Technology (, CACYTMAR) is a joint institute of investigation sponsored by the University of Cádiz and the Andalusian Council for Education and Science ("Consejería de Educación y Ciencia de la Junta de Andalucía"). It was created as an outcome of the II Plan Andaluz de Investigación, as one of several thematic regional investigative centers. Although it is linked to a specific university, the objective is to bring together and serve all related institutions in Andalusia, Spain working in the field.
Document 12: Antonio Peláez: Antonio Peláez was born in Llanes, Asturias in the north of Spain in 1921. He grew up in an artistic family and was drawn to music, literature and painting at an early age, exploring these through drawing and painting while still in Spain, studying there to the high school level and beginning his art studies at the Pérez Galdós Institute in Madrid. He immigrated to Mexico in 1936, obtaining Mexican citizenship in 1937. He continued his art studies at Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where he met other artists who influenced his work, if not directly, then through conversations and other contact.
Document 13: Core Research Center: The Core Research Center is a facility run by the United States Geological Survey, located in "F" bay in building 810 on the Denver Federal Center campus. It is maintained by the USGS to preserve valuable rock cores, well cuttings and various other geologic samples for use by scientists and educators from government, industry and academia. The CRC is open to the general public for core viewings or tours of the facility by appointment only. The CRC houses the largest collection of rock cores and well cuttings in the nation.
Document 14: La Casa de la Ciencia de Sevilla - Science Museum: Along with a museum, the building houses the Andalusian headquarters of the Spanish National Research Council (CSIC). CSIC is the largest public institution devoted to research in Spain, and the third largest in Europe. The building was opened to the public in 2008, with the goal of sharing knowledge acquired through scientific research. La Casa de la Ciencia aims to be a bridge between the scientific research community and the public, sharing contemporary scientific research and information on environmental issues.
Document 15: Portrait of Francisco Lezcano: Portrait of Francisco Lezcano or The "Niño de Vallecas" is the 1645 portrait by Diego Velázquez of Francisco Lezcano (died 1649), also known as "Lezcanillo" or "el Vizcaíno", a jester at the court of Philip IV of Spain. It has been in the Prado since 1819.
ground_truth: Spanish National Research Council
sub_queries: Francisco Antolínez >> place of birth Answer: Seville
Science Museum, Seville >> part of Answer: Spanish National Research Council