Question: What poem by the author of the poems "Insensibility" and "Futility" is often viewed as a reply to Robert Graves?

full_context: Document 1: Futility (poem): "Futility" is a poem written by Wilfred Owen, one of the most renowned poets of World War I. The poem was written in May 1918 and published as no. 153 in "The Complete Poems and Fragments". The poem is well known for its departure from Owen's famous style of including disturbing and graphic images in his work; the poem instead having a more soothing, somewhat light-hearted feel to it in comparison. A previous secretary of the Wilfred Owen Association argues that the bitterness in Owen's other poems "gives place to the pity that characterises his finest work". Futility details an event where a group of soldiers attempt to revive an unconscious soldier by moving him into the warm sunlight on a snowy meadow. However, the "kind old sun" cannot help the soldier - he has died.
Document 2: Ode to the Confederate Dead: "Ode to the Confederate Dead" is a long poem by the American poet-critic Allen Tate published in 1928 in Tate's first book of poems, "Mr. Pope and Other Poems". It is one of Tate's best-known poems and considered by some critics to be his most "important." Heavily influenced by the work of T. S. Eliot, this Modernist poem takes place in a graveyard in the South where the narrator grieves the loss of the Confederate soldiers buried there. However, unlike the "" to the Confederate Dead written by the 19th-century American poet Henry Timrod, Tate's "Ode" is not a straightforward ode. Instead, Tate uses the graveyard and the dead Confederate soldiers as a metaphor for his narrator's troubled state of mind, and the poem charts the narrator's dark stream of consciousness, as he contemplates (or tries to avoid contemplating) his own mortality.
Document 3: Wilfred Owen: A Remembrance Tale: Wilfred Owen: A Remembrance Tale was a 1-hour 2007 BBC documentary on the life of the First World War poet Wilfred Owen. It was presented by Jeremy Paxman and starred Samuel Barnett as Owen and Deborah Findlay as his mother Susan. It premiered on BBC One on Remembrance Sunday 2007.
Document 4: Apologia Pro Poemate Meo: "Apologia Pro Poemate Meo" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The title means "in defence of my poetry" and is often viewed as a rebuttal to a remark in Robert Graves' letter "for God's sake cheer up and write more optimistically - the war's not ended yet but a poet should have a spirit above wars."
Document 5: Good-Bye to All That: Good-Bye to All That, an autobiography by Robert Graves, first appeared in 1929, when the author was 34 years old. "It was my bitter leave-taking of England," he wrote in a prologue to the revised second edition of 1957, "where I had recently broken a good many conventions". The title may also point to the passing of an old order following the cataclysm of the First World War; the supposed inadequacies of patriotism, the interest of some in atheism, feminism, socialism and pacifism, the changes to traditional married life, and not least the emergence of new styles of literary expression, are all treated in the work, bearing as they did directly on Graves' life. The unsentimental and frequently comic treatment of the banalities and intensities of the life of a British army officer in the First World War gave Graves fame, notoriety and financial security, but the book's subject is also his family history, childhood, schooling and, immediately following the war, early married life; all phases bearing witness to the "particular mode of living and thinking" that constitute a poetic sensibility.
Document 6: Base Details: Base Details is a war poem by the English war poet Siegfried Sassoon. In the poem Sassoon condemns what he saw as the incompetence and callous indifference to the soldiers at the front displayed by the staff officers, or "scarlet majors" of the British Army, who stayed at the Base "Guzzling and gulping in the best hotel" and sending "glum heroes up the line to death". Like so many of Sassoon's poems "Base Details" is bitterly sarcastic and utterly derisive of the comfortable establishment that supported the continuation of the war while showing little concern for the people who suffered its consequences. It took place during World War I in France around 1914-1918.
Document 7: Siegfried Sassoon: Siegfried Loraine Sassoon, {'1': ", '2': ", '3': 'CBE, MC', '4': "} (8 September 1886 – 1 September 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of 1917, culminating in his admission to a military psychiatric hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the "Sherston trilogy".
Document 8: Suicide in the Trenches: “Suicide in the Trenches,” by the English poet Siegfried Sassoon (1886-1967), is one of the many poems Sassoon composed in response to World War I. It reflects his own notable service in that especially bloody conflict. Sassoon was a brave and gallant upper-class officer who eventually opposed the war, but he never lost his admiration for the common soldiers who had to fight it. Sassoon felt contempt for the political leaders and civilian war hawks who, safe in their power and comfort, sent young men off to die in huge battles that seemed futile and pointless. It was first published February 23, 1918 in "Cambridge Magazine", then in Sassoon's collection: "Counter-Attack and Other Poems". The poem is written in iambic tetrameter and consists of twelve lines in three stanzas.
Document 9: Memorial Tablet: "Memorial Tablet (Great War)" is a poem by Siegfried Sassoon, written in October 1918 and first published in his 1919 collection "Picture-Show". The original manuscript is held by Cambridge University Library. Sassoon had by this time been invalided out of the army and the war had only a month to run.
Document 10: Rupert Brooke: Rupert Chawner Brooke (middle name sometimes given as "Chaucer"; 3 August 1887 – 23 April 1915) was an English poet known for his idealistic war sonnets written during the First World War, especially "The Soldier". He was also known for his boyish good looks, which were said to have prompted the Irish poet W. B. Yeats to describe him as "the handsomest young man in England".
Document 11: Robert Graves: Robert von Ranke Graves (24 July 1895 – 7 December 1985), also known as Robert Ranke Graves and most commonly Robert Graves, was an English poet, novelist, critic and classicist. In a way similar to Oscar Wilde, Robert Graves was a Celticist and student of Irish mythology, by the influence of his father Alfred Perceval Graves, a celebrated Irish poet — with William Wilde, these families were inheritors of the Gaelic revival. He produced more than 140 works. Graves's poems—together with his translations and innovative analysis and interpretations of the Greek myths; his memoir of his early life, including his role in the First World War, "Good-Bye to All That"; and his speculative study of poetic inspiration, "The White Goddess"—have never been out of print. Irish literature deeply affected Graves' White Goddess theories, specifically the genre aisling.
Document 12: War Music (poem): War Music is the working title of British poet Christopher Logue's long-term project to create a modernist poem based on Homer's "Iliad", begun in 1959. It was originally the name of the first volume of that project, uniting the separately completed "Patrocleia" (Book 16), "GBH" (Books 17/18) and "Pax" (Book 19), which was published in 1981. In 2001 the further sections "Kings" and "The Husbands" were added, covering Books 1-4. It was followed by two additional sections, "All Day Permanent Red" (2003) and "Cold Calls", the latter of which won the 2005 Whitbread Poetry Award. These were founded on Books 5-9 and were collected with the former sections, still under the collective title "War Music", in 2016. Also added to this volume was an appendix with Logue’s notes and drafts-in-progress for further episodes.
Document 13: World War I in literature: Literature in World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologised. Many of the works during and about the war were written by men, because of the war's intense demand on the young men of that generation; however, a number of women (especially in the British tradition) created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the homefront more generally.
Document 14: Wilfred Owen: Wilfred Edward Salter Owen, MC (18 March 1893 – 4 November 1918) was an English poet and soldier, one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was heavily influenced by his mentor Siegfried Sassoon, and stood in stark contrast both to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Exposure" and "Strange Meeting".
Document 15: Insensibility: "Insensibility" is a poem written by Wilfred Owen during the First World War which explores the effect of warfare on soldiers, and the long- and short-term psychological effects that it has on them. The poem's title refers to the fact that the soldiers have lost the ability to feel due to the horrors which they faced on the Western Front during the First World War.
ground_truth: Apologia Pro Poemate Meo