Question: Which 90s rock band has more recently reformed, Gene or The Afghan Whigs?

full_context: Document 1: Gene Loves Jezebel: Gene Loves Jezebel (GLJ) are a British rock band formed in the early 1980s by identical twin brothers Jay Aston (born John Aston) and Michael. Gene Loves Jezebel's best-known songs include "Heartache", "Desire (Come and Get It)" (1986), "The Motion of Love" (1987), and "Jealous" (1990), as well as their broody dark alternative club hits "Bruises" (1983), "Influenza (Relapse)" (1984), and "The Cow" (1985). "Desire" (1985) was GLJ's most successful single in the UK.
Document 2: The Stone Roses: The Stone Roses are an English rock band formed in Manchester in 1983. They were one of the pioneering groups of the Madchester movement that was active during the late 1980s and early 1990s. The band's most prominent lineup consists of vocalist Ian Brown, guitarist John Squire, bassist Mani, and drummer Reni.
Document 3: Music of the United Kingdom (1990s): Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Travis and Feeder.
Document 4: The Afghan Whigs: The Afghan Whigs are an American rock band from Cincinnati, Ohio, United States. Originally active from 1986 to 2001, they have since reformed. The group – with core members Greg Dulli (vocals, rhythm guitar), Rick McCollum (lead guitar), and John Curley (bass) – rose up around the grunge movement, evolving from a garage band in the vein of the Replacements to incorporate more R&B and soul influences into their sound and image. After releasing their first album independently in 1988, the band signed to the Seattle-based label Sub Pop. They released their major-label debut and fourth album, "Gentlemen", in 1993. "Pitchfork" described them as "one of the few alt-bands to flourish on a major label" in the 1990s.
Document 5: Sub Pop: Sub Pop is a record label founded in 1986 by Bruce Pavitt. In 1988, Sub Pop Records LLC was formed by Pavitt and Jonathan Poneman in Seattle, Washington. Sub Pop achieved fame in the late 1980s for first signing Nirvana, Soundgarden, Mudhoney and many other bands from the Seattle alternative rock scene. They are often credited with taking the first steps toward popularizing grunge music, and have continued to achieve critical and commercial success in the new millennium, with bands such as Fleet Foxes, Foals, Beach House, The Postal Service, Flight of the Conchords, Sleater-Kinney, Blitzen Trapper, Father John Misty, Shabazz Palaces and The Shins on their roster. In 1995 the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group.
Document 6: Gene (band): Gene were an English alternative rock quartet that rose to prominence in the mid-1990s. Formed in 1993, they were popularly labelled as a Britpop band and often drew comparisons to The Smiths because of their Morrissey-esque lead singer, Martin Rossiter. Gene's music was influenced by The Jam, The Smiths, The Style Council and The Clash.
Document 7: Supergrass discography: The discography of Supergrass, an English alternative rock band, consists of six studio albums, three extended plays, two compilation albums, 26 singles and 24 music videos. They were formed in 1993 by Gaz Coombes, Mick Quinn and Danny Goffey. Rising to prominence during the Britpop era in the mid-1990s with their single "Alright", they were joined by Rob Coombes in 2002 (keyboards) until their demise on 11 June 2010.
Document 8: Paul Buchignani: Paul Buchignani (pronounced boo-kin-ya-nee) (born August 28, 1967) is an American drummer who came into musical prominence for his work with The Afghan Whigs on the "Black Love" album and subsequent tour. Buchignani graduated from Rhodes College in Memphis, TN in 1989. Buchignani played drums for local favorite, Neighborhood Texture Jam, and worked for a law office before making the transition to full-time musician. In 1992 he secured a job at Ardent Studios in Memphis, TN as a session assistant and drummer. Through his association with Ardent engineers and producers John Hampton and Jeff Powell, Buchignani built a relationship with Greg Dulli of The Afghan Whigs. With drummer Steve Earle departing from The Afghan Whigs in 1994, Buchignani was asked to step in as the new drummer. Buchignani handled the drumming duties on "Black Love" and remained with the band from 1995-1996. He appeared in multiple music videos with the band including Honky's Ladder. Post-Afghan Whigs, Buchignani has remained busy as a recording and performing musician in Memphis, TN. Post-Whigs career highlights include working with Todd Snider, Mark Lemhouse, Richard Johnston, Impala, AA Bondy, teaching at the Stax Music Academy, and being a recurrent house drummer for the annual New Orleans Ponderosa Stomp music festival. Most recently, he has contributed a musical performance to the film soundtrack for the movie Hustle and Flow (2005), and has been recording and touring with Goner Records artist Harlan T. Bobo and Sympathy for the Record Industry artist, Jack Oblivian. He also teaches at the Memphis Drum Shop.
Document 9: Morrissey: Steven Patrick Morrissey (born 22 May 1959), professionally known as Morrissey, is an English singer, songwriter and author. He rose to prominence as the lead singer of the indie rock band the Smiths, which was active from 1982 to 1987. Since then, Morrissey has had a solo career, making the top ten of the UK Singles Chart on ten occasions.
Document 10: The Need: The Need is an American queercore band formed by singer/drummer Rachel Carns and guitarist Radio Sloan in Portland, Oregon in the mid-1990s. After issuing a series of seven-inches on labels including Kill Rock Stars and Outpunk, The Need relocated to Olympia, Washington and released two albums for Chainsaw Records. The duo's unsettling brand of post-punk art rock (combined with Carns' distinctive artwork) would set them apart and ensure their versatility. During the band's initial run, they played shows with such diverse acts as Tribe 8, Fugazi, The Ex and Bright Eyes, and toured with Le Tigre, BS 2000 and Blonde Redhead. Their third album, "The Transfused", acted as a soundtrack to the rock opera of the same name. The Need dissolved in 2001, with Carns and Sloan shifting their focus to other projects. After briefly reuniting for benefit shows in 2010, The Need reformed for a second time in 2013 and released the album "Resurrection".
Document 11: The Twilight Singers: The Twilight Singers is an American indie rock band. The group was initially formed as a side project of The Afghan Whigs leader Greg Dulli in 1997. After the Afghan Whigs disbanded, Dulli used The Twilight Singers as his own artistic vehicle, and has now released five studio albums backed by worldwide tours.
Document 12: Blur (band): Blur are an English rock band, formed in London in 1988. The group consists of singer/keyboardist Damon Albarn, guitarist/singer Graham Coxon, bassist Alex James and drummer Dave Rowntree. Their debut album "Leisure" (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released "Modern Life Is Rubbish" (1993), "Parklife" (1994) and "The Great Escape" (1995). In the process, the band became central to the Britpop music and culture movement, and achieved mass popularity in the UK, aided by a chart battle with rivals Oasis in 1995 dubbed the "Battle of Britpop".
Document 13: The Housemartins: The Housemartins were an English Alternative rock band formed in Hull who were active in the 1980s. Many of the Housemartins' lyrics were a mixture of Marxist politics and Christianity, reflecting singer Paul Heaton's beliefs at the time (the back cover of "London 0 Hull 4" contained the message, "Take Jesus – Take Marx – Take Hope"). The group's cover version of the Isley Brothers' "Caravan of Love" was a UK Number 1 single in December 1986.
Document 14: Congregation (The Afghan Whigs album): Congregation is the third studio album by American alternative rock band The Afghan Whigs, released on January 31, 1992, by Sub Pop. After touring for two years in support of their 1990 album "Up in It", the band received $15,000 advance from Sub Pop to record a follow-up album. It was primarily recorded at Bear Creek Studios in Woodinville and Buzz's Kitchen in Los Angeles during July to August 1991. The band's frontman Greg Dulli produced the album entirely with audio engineer Ross Ian Stein. The album's production and release were hindered by Sub Pop's financial difficulties, which were eventually resolved by the massive commercial success of Nirvana's 1991 album "Nevermind".
Document 15: The Replacements (band): The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a punk rock band, they are considered pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including "Let It Be" and "Tim", Bob Stinson left the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over the creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012. The Replacements never had significant commercial success, except for "I'll Be You", which hit number 1 on the "Billboard" Alt Rock chart, but they influenced numerous alternative rock acts.
ground_truth: The Afghan Whigs