Question: Which composer was Hungarian, Béla Bartók or Johann Christoph Pepusch?

full_context: Document 1: Johann Christoph Pepusch: Johann Christoph Pepusch (1667 – 20 July 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England.
Document 2: List of compositions by George Frideric Handel: George Frideric Handel (23 February 1685 – 14 April 1759) was a German–English Baroque composer who is famous for his operas, oratorios and concerti grossi. Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and 16 organ concerti. His oratorio "Messiah", with its "Hallelujah" chorus, is among the most famous Baroque works and is a popular choice for performances during the Christmas season. Among Handel's best-known instrumental works are the Concerti Grossi Opus 3 and 6; "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds; and his 16 keyboard suites, especially "The Harmonious Blacksmith".
Document 3: List of string quartets by Béla Bartók: The Hungarian composer Béla Bartók wrote six string quartets, each for the usual forces of two violins, viola and cello. Notable composers who have been influenced by them include Benjamin Britten, particularly in the Sonata in C for Cello and Piano (; ), Elliott Carter, who refers in the opening of his own First String Quartet to Bartók’s Sixth Quartet , Chen Yi , Edison Denisov, whose Second Quartet is closely related to Bartók’s Fifth Quartet , Franco Donatoni, who was deeply impressed when he heard a broadcast of Bartók's Fourth Quartet , Robert Fripp, who mentions them as an influence upon King Crimson , Miloslav Ištvan , György Kurtág, whose Opp. 1 and 28 both owe a great deal to Bartók's quartets (; ), György Ligeti, whose two string quartets both owe a great deal to Bartók’s quartets (; ), Bruno Maderna , George Perle, who credits the Bartók Fourth and Fifth Quartets as precedents for his use of arrays of chords related to one another by different types of symmetry , Walter Piston (; ), Kim Dzmitrïyevich Tsesakow , Wilfried Westerlinck , Stefan Wolpe, who explained in a public lecture how he had derived ideas from Bartók’s Fourth Quartet , and Xu Yongsan .
Document 4: Palace of Music (Miskolc): The Palace of Music ("Zenepalota") is a building in Bartók square, Miskolc, Hungary. It is the building of the Béla Bartók Secondary School and the Béla Bartók Music Institute (a faculty of the University of Miskolc.) The Palace was designed by Gyula Waelder in Neo-baroque style and was built between 1926 and 1927. The construction was financed from USA loans, just like that of the Hotel Palace in Lillafüred and the Market Hall on Búza tér.
Document 5: Béla Bartók Music High School: Béla Bartók Music High School (Bartók Béla Zeneművészeti Szakközépiskola) is situated in the Palace of Music (Zenepalota) in Bartók square Miskolc, Hungary.It is a famous Music school named after the famous Hungarian composer Béla Bartók.It was founded in 1966.
Document 6: Handel's Naturalisation Act 1727: An Act for naturalizing Louis Sekeyhaye, George Frederick Handel, and others (13 Geo. I), later given the short title of Handel's Naturalisation Act 1727, was a 1727 Act of the Parliament of Great Britain with the intent of naturalising and granting British citizenship to German-born composer George Frideric Handel and other foreign citizens.
Document 7: Handel House Museum: The Handel House Museum is a museum in Mayfair, London dedicated to the life and works of the German-born British baroque composer George Frideric Handel, who made his home in London in 1712 and eventually became a British citizen in 1727. Handel was the first occupant of 25 Brook Street, which he rented from 1723 until his death there in 1759. Almost all his works after 1723, amongst them many of his best-known operas, oratorios and ceremonial music, were composed and partially rehearsed in the house, which contained a variety of keyboard instruments, including harpsichords, a clavichord and a small chamber organ.
Document 8: Béla Bartók: Béla Viktor János Bartók ( ; ] ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and an ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers . Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.
Document 9: List of compositions by Béla Bartók: This aspires to be a complete list of compositions by Béla Bartók. The catalogue numbering by András Szőllősy (Sz.), László Somfai (BB.) and Denijs Dille (DD.) are provided, as well as Bartók's own opus numbers. Note that Bartók started three times anew with opus numbers, here indicated with "(list 1)", "(list 2)" and "(list 3)" respectively. The pieces from the third listing are by far best known; opus lists 1 and 2 are early works. The year of composition and instrumentation (including voice) are included. See the main article on Béla Bartók for more details.
Document 10: John Travers (composer): John Travers (ca. 1703 – June 1758) was an English composer who held the office of Organist to the Chapel Royal from 1737 to 1758. Before filling several parochial posts in London he had been a choir boy at St. George's Chapel, Windsor and a pupil of Johann Christoph Pepusch.
Document 11: Franz Liszt: Franz Liszt (] ; Hungarian: "Liszt Ferencz" , in modern usage "Liszt Ferenc", ] ; October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary.
Document 12: Piano Concerto No. 2 (Bartók): Béla Bartók's Piano Concerto No. 2 in G major, Sz. 95, BB 101 (1930–31) is the second of three piano concerti, and is notorious for being one of the most difficult pieces in the repertoire.
Document 13: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 14: Johann Sebastian Bach: Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
Document 15: Henry Purcell: Henry Purcell ( or ; c. 10 September 1659 – 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century.
ground_truth: Béla Viktor János Bartók