Question: are Jeff Buckley and Seaweed from the same country

full_context: Document 1: Jeff Buckley: Jeffrey Scott "Jeff" Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American singer-songwriter and guitarist. After a decade as a session guitarist in Los Angeles, Buckley amassed a following in the early 1990s by playing cover songs at venues in Manhattan's East Village, such as Sin-é, gradually focusing more on his own material. After rebuffing much interest from record labels and his father Tim Buckley's manager Herb Cohen, he signed with Columbia, recruited a band, and recorded what would be his only studio album, "Grace", in 1994. In 2004, "Rolling Stone Magazine" listed him at number 39 on their list of greatest singers of all time.. In the December 2013 Mojo, Grace was named the 12th best album of the magazine's 20-year lifetime.
Document 2: Dream Brother: "Dream Brother" is the last track on the original release of Jeff Buckley's album "Grace", the penultimate on later releases of the album. Written by Buckley, bassist Mick Grøndahl and drummer Matt Johnson, it was written as an urge for a friend of his, Chris Dowd of Fishbone fame, not walking out on his pregnant girlfriend in a similar way to Buckley's own father, Tim Buckley, as evidenced in the verses, "Don't be like the one who made me so old/Don't be like the one who left behind his name/'Cause they're waiting for you like I waited for mine/And nobody ever came".
Document 3: Skate punk: Skate punk (also known as skate rock, skatecore and skate-thrash) is a skater subculture and a subgenre of punk rock music. Originally a genre of hardcore punk, skate punk changed into a more melodic genre of punk rock in the 1990s. The term usually describes the sound of 1990s punk rock bands that have a fast, melodic sound, and similar 21st-century punk rock bands. Skate videos have traditionally featured this fast style of punk rock. This played a big part in the coining of the term "skate punk".
Document 4: Seaweed (band): Seaweed is an American band from Tacoma, Washington who were active throughout the 1990s. Their style of music is a combination of punk rock and grunge, mostly due to its "dirty" sound.
Document 5: Sub Pop: Sub Pop is a record label founded in 1986 by Bruce Pavitt. In 1988, Sub Pop Records LLC was formed by Pavitt and Jonathan Poneman in Seattle, Washington. Sub Pop achieved fame in the late 1980s for first signing Nirvana, Soundgarden, Mudhoney and many other bands from the Seattle alternative rock scene. They are often credited with taking the first steps toward popularizing grunge music, and have continued to achieve critical and commercial success in the new millennium, with bands such as Fleet Foxes, Foals, Beach House, The Postal Service, Flight of the Conchords, Sleater-Kinney, Blitzen Trapper, Father John Misty, Shabazz Palaces and The Shins on their roster. In 1995 the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group.
Document 6: Tad (band): Tad (often styled as TAD) was an American grunge band from Seattle, Washington, formed in 1988 by Tad Doyle. Among the first of the many bands which came out of Seattle in the grunge era, Tad was notable for the fact that its music was inspired far more by 1970s metal (much like Alice in Chains and Soundgarden) than the punk which influenced many other grunge bands. Although their commercial success was limited, their music is still highly regarded amongst grunge fans.
Document 7: Fecal Matter (band): Fecal Matter was a short-lived punk rock band from Aberdeen, Washington. The group was formed in 1985 by Kurt Cobain, the future front man of the grunge band Nirvana, along with Dale Crover of Melvins and drummer Greg Hokanson. Melvins members Buzz Osborne (also known as "King Buzzo") and Mike Dillard appeared in a later version of the band during rehearsals the following year.
Document 8: Jeff Buckley Live À L'Olympia: Live À L'Olympia is a live album by Jeff Buckley, released in 2001 (see 2001 in music). It is the second posthumous live album released since his death in 1997. The CD consists of performances taken from two separate concerts Buckley and his band played on July 6/7 1995 at Paris Olympia. The French crowd were very receptive as he was well regarded there, as shown when he was awarded France's prestigious "Grand Prix International Du Disque" earlier that year. Buckley paused midway in some of the songs to address the crowd and "Hallelujah" features ad-libbed lyrics in response to their enthusiasm. The album also features a version of a song from Nina Simone's repertoire, "That's All I Ask". It is one of two versions of the song officially released, the other appearing on a three-track bonus disc issued with Australian copies of Buckley's Mystery White Boy live album. Buckley played the song at various concerts on his 1995 European tour.
Document 9: Jeff Tweedy: Jeffrey Scot Tweedy (born August 25, 1967) is an American songwriter, musician, and record producer best known as the singer and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, started his music career in high school in his band The Plebes with Jay Farrar, which subsequently after several years formed into the alternative country band Uncle Tupelo. After Uncle Tupelo's fourth studio album, the band broke up in 1994 due to conflict between Tweedy and Farrar, prompting Tweedy to form Wilco, with Farrar forming the band Son Volt. Wilco's first album "A.M.", released in 1995, received mixed reviews from critics, though Wilco later found critical and commercial success on their later albums, most notably with "Yankee Hotel Foxtrot" and "A Ghost Is Born", the latter of which received a Grammy for Best Alternative Album in 2005. Across Tweedy's career he has released fifteen studio albums, including four with Uncle Tupelo, ten with Wilco, and one with his son Spencer, along with numerous collaborations with other musicians, most notably "Mermaid Avenue" with Billy Bragg.
Document 10: Amazing Grace: Jeff Buckley: Amazing Grace: Jeff Buckley is an hour-long documentary film that celebrates the legacy of the late musician Jeff Buckley with specific attention given to fans he inspired. The film was officially sanctioned by Jeff's mother and estate. It is not a biography, but a tribute.
Document 11: Napalm Beach: Napalm Beach is an American punk rock band from Portland, Oregon. One of the longest-running punk bands in the U.S., they are credited by some as being early innovators of the grunge sound. Nicholas Pell, writing for the "Portland Mercury" said "a huge influence on the grunge and alternative rock of the 1990s, Napalm Beach never had the name recognition of other Portland bands like Poison Idea or the Wipers." Napalm Beach shared the stage with bands such as X, Public Image Ltd., Joan Jett, Johnny Thunders, Gun Club, Bad Brains, Soundgarden, Screaming Trees, Mudhoney, Dead Moon, and Poison Idea. They also toured Germany five times between 1989 and 1992. During their long musical career they have released more than 30 studio and live recordings in various formats on a number of small independent labels in the U.S. and Germany.
Document 12: Dream Brother: The Songs of Tim and Jeff Buckley: Dream Brother: The Songs of Tim and Jeff Buckley is a studio album performed by various artists in tribute to 1960s musician Tim Buckley, and his son, also a musician, Jeff Buckley. Both father and son died prematurely, Tim Buckley of an overdose and Jeff Buckley in a drowning accident.
Document 13: Gruntruck: Gruntruck is an American rock band formed in 1989 in Seattle, Washington by vocalist Ben McMillan and drummer Norman Scott, both previously from early Grunge pioneers Skin Yard. While in Skin Yard, Norman also briefly joined Soundgarden, and collaborated with Chris Cornell on a lesser-known band, the low frequency power trio Bass Truck. Lead guitarist Tommy Niemeyer from metal thrashers The Accüsed and bassist Tim Paul, previously of PDX hardcore punks Final Warning, rounded out the initial, classic line-up. Their sound is described as Grunge, and the band focuses more on the metal side of the genre.
Document 14: Mojo Pin: "Mojo Pin" is the first song on Jeff Buckley's 1994 album "Grace". It was written by Jeff Buckley and Gary Lucas, and was first introduced on his EP, "Live at Sin-é". Buckley stated that the song was about a dream of a black woman. Through a wash of bizarre images, the lyrics convey a feeling of addiction, either to drugs or a person. In Jeff's words, "Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin." (Astoria, London, UK, 18/01/95)
Document 15: Sketches for My Sweetheart the Drunk: Sketches for My Sweetheart the Drunk is a collection of polished studio tracks and four-track demos recorded by American singer-songwriter Jeff Buckley. Buckley was dissatisfied with material recorded in the summer of 1996 and early in 1997 and continued working on demo recordings to refine his sound. The album was to be titled "My Sweetheart, the Drunk," but was never finished, as the rest of the band were traveling to meet Buckley at the time of his death. The album was released posthumously on May 26, 1998 (see 1998 in music). Despite its unfinished state, the album garnered many positive reviews; "The Onion's" AV Club called it "frustratingly incomplete, but mostly remarkable." The album's original sessions were produced by Television frontman Tom Verlaine.
ground_truth: yes