Question: Do Bam 6.6 and Warrendale belong to the same genre of film making ?

full_context: Document 1: Protected (film): Protected is a 1975 documentary film, narrated by Don Brady and Sydney born producer Robert Hughes. The film was directed by Alessandro Cavadini. It was an exposé of the ill-treatment of Aboriginal workers by white men. The details of what life was like for Aboriginal Australians on Palm Island became more widely known when Alessandro Cavadini and Carolyn Strachan recreated the strike in 1957 by hundreds of the Island’s residents even though there was huge resistance from local authorities.
Document 2: Iran (is not the problem): Iran (is not the problem) or Iran is not the problem (2008) Iranian documentary film directed, produced and written by Aaron Newman.
Document 3: The Uncondemned: The Uncondemned is a 2016 documentary film produced by Film at Eleven Media. Co-directed by Michele Mitchell and Nick Louvel, the film examines the first trial that prosecuted rape as a war crime and an act of genocide. Rape was declared a war crime in 1919 but was not tried in court until 1997 during the trial of Jean-Paul Akayesu as a part of the International Criminal Tribunal for Rwanda (ICTR). Shot in Rwanda, the Democratic Republic of the Congo, the Netherlands and the United States, "The Uncondemned" premiered at the Hamptons International Film Festival on October 9, 2015.
Document 4: This Film Is Not Yet Rated: This Film is Not Yet Rated is a 2006 American documentary film about the Motion Picture Association of America's rating system and its effect on American culture, directed by Kirby Dick and produced by Eddie Schmidt. The film premiered at the 2006 Sundance Film Festival and was released limited on September 1, 2006. The Independent Film Channel, the film's producer, aired the film later that year. It was rated TV-MA in the United States by the TV Parental Guidelines.
Document 5: Samsara (2011 film): Samsara is a 2011 non-narrative documentary film, directed by Ron Fricke and produced by Mark Magidson, who also collaborated on "Baraka" (1992), a film of a similar vein. "Samsara" was filmed over five years in 25 countries around the world. It was shot in 70 mm format and output to digital format. The film premiered at the 2011 Toronto International Film Festival and received a limited release in August 2012.
Document 6: Fuck (film): Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It examines the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film "Perversion for Profit". Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and "Oxford English Dictionary" editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.
Document 7: Wavelength (1967 film): Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." "Wavelength" is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 "Village Voice" critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in "Artforum", Manny Farber describes "Wavelength" as "a pure, tough 45 minutes that may become "The Birth of a Nation" in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Document 8: James Longley (filmmaker): His work includes the documentary, "Gaza Strip", released in 2002. His production, "Iraq in Fragments", presents a view of Iraq and Iraqis during the first two years of Iraq war. It was awarded three jury awards at the 2006 Sundance Film Festival and was nominated for an Academy Award for Documentary Feature, but lost to "An Inconvenient Truth". His short film "Sari's Mother" premiered at the 2006 Toronto International Film Festival and was nominated for an Academy Award for Documentary Short but lost to "Freeheld".
Document 9: Baghdad ER: Baghdad ER is a documentary released by HBO on May 21, 2006. It shows the Iraq war from the perspective of a military hospital in Baghdad. It has some relatively disturbing scenes in it (e.g. amputations), therefore the U.S. Army is officially warning that military personnel watching it could experience symptoms of post-traumatic stress disorder (PTSD).
Document 10: About Baghdad: About Baghdad is a documentary film shot in Baghdad, Iraq in 2003. It is the first documentary film to have been made in Iraq following the fall of the Baath regime. The film features the artist Sinan Antoon as he returns to his native Baghdad. It privileges the voices of native Iraqis from all walks of life, as they present their views on life during the regime of Saddam Hussein as well as the United States's bombing, invasion, and occupation.
Document 11: 2003 Bam earthquake: The 2003 Bam earthquake struck the Kerman province of southeastern Iran at 01:56 UTC (5:26 AM Iran Standard Time) on December 26. The shock had a moment magnitude of 6.6 and a maximum Mercalli intensity of IX ("Violent"). The earthquake was particularly destructive in Bam, with the death toll amounting to at least 26,271 people and injuring up to 30,000. The effects of the earthquake were exacerbated by the use of mud brick as the standard construction medium; many of the area's structures did not comply with earthquake regulations set in 1989.
Document 12: Martin Duckworth: Martin Duckworth (born March 8, 1933) is a Canadian documentary director and cinematographer who was on staff at the National Film Board from 1963 to 1970 and has continued to work with them as a freelance filmmaker. He was cinematographer on more than 100 films, and directed or co-directed 30, most of them with the NFB. His credits as director include "12,000 Men" and "Return to Dresden" (Golden Sheaf awards at Yorkton, 1978 and 1986), "Wives’ Tale" (Quebec Critics’ Choice 1980), "No More Hiroshima" (Genie 1984), "Our Last Days in Moscow" (best direction FIFA1987), "Oliver Jones in Africa" (Mannheim Ducate 1990), and "Brush with Life" (Hot Docs Best Film 1994). His cinematography work has included "Christopher’s Movie Matinee", directed by Mort Ransen (1968), "Sad Song of Yellow Skin", by Michael Rubbo (1970), "Le bonhomme", by Pierre Maheu (1972), "La richesse des autres", by Maurice Bulbulian (1973), "Falasha" by Peter Raymont (1983), "La bombe en bonus", by Audrey Schirmer (1986), "Between Two Worlds" by Barry Greenwald (1990), "Seeing Red" by Julia Reichert (1993), "Maureen Forrester, the Diva in Winter", by Donald Winkler (1999), "Return to Kandahar" by Paul Jay (2003), "Professor Norman Cornett", by Alanis Obomsawin (2009), "Ma vie réelle", by Magnus Isacsson (2012), "Granny Power", by Jocelyn Clarke (2016). He has also worked as a cinematographer with such filmmakers as Gilles Groulx, Don Shebib, Laszlo Barna and Peter Watkins
Document 13: Bam 6.6: Bam 6.6 is a documentary about the 2003 Bam earthquake in Iran. The film, subtitled "Humanity has no Borders", was produced and directed by Jahangir Golestanparast.
Document 14: Are You Listening!: Are You Listening! (Original title in Bengali: শুনতে কি পাও!: Shunte Ki Pao!), is a Bangladeshi documentary film written-directed by Kamar Ahmed Saimon and produced by Sara Afreen. It was the ‘Curtain-Opener’ of 55th DOK Leipzig in Germany (2012), one of the oldest documentary festivals of the world. Later the film won the ‘Grand Prix’ in the 35th Cinéma du Réel held in Paris (2013) and 'Golden Conch' in Mumbai International Film Festival (MIFF) 2014, India, as the best feature-length documentary. It was also in the ‘Official Selection’ of the 25th International Documentary Festival of Amsterdam (IDFA) in Netherlands (2012) and in the New Asian Current Competition (NAC) of 25th Yamagata International Documentary Film Festival in Japan (2013). Earlier the film was amongst the 9 selected projects invited for Editing Lab of Berlinale Talents programme in Berlin International Film Festival 2012. In a rare move as a documentary, it was released in theatre in Bangladesh on 21 February 2014 in Bashundhara Star Cineplex and successfully ran for four weeks. In 2015, the film was awarded with Bangladesh National Film Award as the Best Feature (Non-fiction) handed over by Sheikh Hasina, Prime Minister of People's Republic of Bangladesh. Written, directed and also filmed by Kamar over a span of 20 months living in a remote coastal village (Sundarbans) of Bangladesh, it is an observational cinema inspired in Cinema Vérité or Direct Cinema style, a genre almost missing until now in Bangladesh. Set against the backdrop of Aila, (a tidal surge) that swept over Bangladesh in 2009, the film celebrates the joy, dream and the resilience of the common people of Bangladesh.
Document 15: Warrendale: Warrendale is a 1967 documentary film by Canadian filmmaker Allan King. It was originally produced for broadcast on CBC Television, but was never shown due to King's refusal to edit out the copious profanity in the footage.
ground_truth: yes