Question: Who designed the place where the Portrait of Bia de' Medici can be found?

full_context: Document 1: Michelangelo: A number of Michelangelo's works of painting, sculpture and architecture rank among the most famous in existence. His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches and reminiscences, he is the best - documented artist of the 16th century. He sculpted two of his best - known works, the Pietà and David, before the age of thirty. Despite holding a low opinion of painting, he also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. He transformed the plan so that the western end was finished to his design, as was the dome, with some modification, after his death.
Document 2: Ognissanti Madonna: Madonna Enthroned, also known as the Ognissanti Madonna, is a painting by the Italian late medieval artist Giotto di Bondone, housed in the Uffizi Gallery of Florence, Italy.
Document 3: Madonna of the Pomegranate: The Madonna of the Pomegranate ("Madonna della Melagrana") is a painting by the Italian Renaissance master Sandro Botticelli, circa 1487. It is housed in the Uffizi Gallery of Florence, Italy.
Document 4: Giovio Series: The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio. It includes portraits of literary figures, rulers, statesmen and other dignitaries, many of which were done from life. Intended by Giovio as a public archive of famous men, the collection was originally housed in a specially-built museum on the shore of Lake Como. Although the original collection has not survived intact, a set of copies made for Cosimo I de' Medici now has a permanent home in Florence's Uffizi Gallery.
Document 5: Madonna of Palazzo Medici-Riccardi: The Madonna of Palazzo Medici-Riccardi is a painting by the Italian Renaissance artist Filippo Lippi. It is housed in the Palazzo Medici-Riccardi of Florence, central Italy.
Document 6: Uffizi: The Uffizi Gallery (, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
Document 7: Portrait of Bia de' Medici: The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the 'sale rosse' of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Document 8: Anna Maria Luisa de' Medici: Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was the last lineal descent of the main branch of the House of Medici. A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State...[and from] the succession of His Serene Grand Duke."
Document 9: Florence Cathedral: The Cattedrale di Santa Maria del Fiore (Italian pronunciation: (katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre); in English ``Cathedral of Saint Mary of the Flower '') is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th - century Gothic Revival façade by Emilio De Fabris.
Document 10: Uffizi: The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine magistrates, hence the name , "offices". The construction was later continued by Alfonso Parigi and Bernardo Buontalenti; it was completed in 1581. The top floor was made into a gallery for the family and their guests and included their collection of Roman sculptures.
Document 11: Antique Furniture & Wooden Sculpture Museum: The Antique Furnishings & Wooden Sculpture Museum of Milan is located on the first floor of the Sforza Castle ducal courtyard and it is part of the Sforza Castle's Civic Museum complex.
Document 12: Portrait of Emilia Pia da Montefeltro: The Portrait of Emilia Pia da Montefeltro is a picture from around 1504–1505, attributed to the Italian Renaissance artist Raphael and housed by the Baltimore Museum of Art, United States
Document 13: Loggia dei Lanzi: The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.
Document 14: Pallas and the Centaur: Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his "Primavera", though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.
Document 15: La Bella: La Bella is a portrait of an unknown woman by Titian, painted around 1536 and now in the Palazzo Pitti in Florence. The work of a mature artist, it shows the woman with Renaissance ideal proportions and a natural expressive force. The composition is clear.
ground_truth: Giorgio Vasari
sub_queries: What is the name of the place where Portrait of Bia de' Medici can be found? Answer: Uffizi
Who was Uffizi designed by? Answer: Giorgio Vasari