Question: Johnny Mathis Sings included a song that started out as the instrumental title track to a film directed by whom?

full_context: Document 1: Tiffany Case: Tiffany Case is a fictional character in the 1956 James Bond novel "Diamonds Are Forever" and its 1971 film adaptation. A "Bond girl", she was portrayed by Jill St. John in the film. In the novel, the story of her name is that when she was born, her father Case was so embittered she was not a boy that he gave her mother a thousand dollars and a powder case from Tiffany’s and walked out. In the film it is stated that she was named after her accidental preterm birthplace, Tiffany & Co., where her parents were going through a choice of wedding bands, to which Bond dryly jokes that she was lucky that it had not happened at Van Cleef & Arpels.
Document 2: Johnny Mathis Sings: Johnny Mathis Sings is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 10, 1967 and was the last of his 11 studio projects for the label. Eight of the twelve tracks were recorded since the completion of his previous LP, "So Nice", while four of the tracks were leftovers from the recording sessions for previous Mercury albums. The finished product included a number from Broadway's "The Roar of the Greasepaint—the Smell of the Crowd", a cover of the Beatles hit "Eleanor Rigby", two offerings from songwriters Burt Bacharach and Hal David, and three cuts that originated in film scores but had lyrics added later: the melody for "Strangers in the Night" was written for "A Man Could Get Killed"; "Somewhere My Love" began as "Lara's Theme" from "Doctor Zhivago"; and "Lovers in New York" started out as the instrumental title track from "Breakfast at Tiffany's".
Document 3: Love Story (Johnny Mathis album): Love Story is an album by American pop singer Johnny Mathis that was released in February 1971 by Columbia Records and included a recent Oscar nominee ("What Are You Doing the Rest of Your Life?"), a flashback to 1967 ("Traces"), a new song by Bacharach & David ("Ten Times Forever More"), a lesser-known one by Goffin & King ("I Was There"), and two songs that originated in film scores from 1970 and had lyrics added later: the album closer, "Loss of Love", from "Sunflower" and the album opener from "Love Story", which was subtitled "Where Do I Begin". The norm for Mathis projects from this era was to cover recent hits, and the title track of this one was so recent that the version by Andy Williams began a 13-week run to number nine on "Billboard" magazine's Hot 100 chart in February 1971, coinciding with the release of this LP.
Document 4: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert
Document 5: 16 Most Requested Songs (Johnny Mathis album): 16 Most Requested Songs is a compilation album by American pop singer Johnny Mathis that was released in 1986 by Columbia Records and features 12 tracks representing his time with the label from 1956 to 1963, including his "Billboard" top 10 hits "Chances Are", "It's Not for Me to Say", "The Twelfth of Never", "Gina", and "What Will Mary Say" as well as his signature song, "Misty". The remaining four selections ("Evergreen (Love Theme from "A Star Is Born")", "Love Theme from "Romeo and Juliet" (A Time for Us)", "(Where Do I Begin) Love Story", and "Didn't We") were recorded with Columbia between 1969 and 1977.
Document 6: Johnny Mathis Sings the Great Songs: Johnny Mathis Sings the Great Songs is a compilation album by American pop singer Johnny Mathis that was released in the UK by CBS Records on September 13, 1974.
Document 7: Breakfast at Tiffany's (film): Breakfast at Tiffany's is a 1961 American romantic comedy film directed by Blake Edwards and written by George Axelrod, loosely based on Truman Capote's novella of the same name. Starring Audrey Hepburn and George Peppard, and featuring Patricia Neal, Buddy Ebsen, Martin Balsam, and Mickey Rooney, the film was initially released on October 5, 1961 by Paramount Pictures.
Document 8: Tchin-Tchin: Tchin-Tchin, also known as Chin-Chin, is a 1959 play written by Francois Billetdoux. It premiered at the Theatre de Poche in Montparnasse Paris in 1959. The author himself played the role of Cesareo Grimaldi and Katharina Renn played Pamela Pusey-Picq. The playwright Sidney Michaels translated it into English and it opened in London's West End as Chin-Chin in 1960 starring Celia Johnson and Anthony Quayle in the leads. It opened on Broadway at the Plymouth Theatre, (later transferring to the Ethel Barrymore Theatre) on October 25, 1962 and closed on May 18, 1963 after 222 performances and 3 previews. Directed by Peter Glenville, the play starred Margaret Leighton and Anthony Quinn, and featured Charles Grodin. Arlene Francis and Jack Klugman took over the star roles for the last month of the run.
Document 9: The Best of Johnny Mathis 1975–1980: The Best of Johnny Mathis 1975–1980 is a compilation album by American pop singer Johnny Mathis that was released in the fall of 1980 by Columbia Records. This collection is similar to his last major compilation, 1972's "Johnny Mathis' All-Time Greatest Hits", in that it excludes many of his American radio hits of this period ("Arianne", "Begin the Beguine", "Do Me Wrong, but Do Me", "Loving You-Losing You", "One Day in Your Life", "Stardust", "Yellow Roses on Her Gown", and "You're All I Need to Get By", all of which made the Adult Contemporary chart in "Billboard"
Document 10: In a Sentimental Mood: Mathis Sings Ellington: In a Sentimental Mood: Mathis Sings Ellington is an album by American pop singer Johnny Mathis that was released in October 1990 by Columbia Records and continues the studio album pattern that began with "The Hollywood Musicals" and "In the Still of the Night" in which the song selections adhere to a specific theme or focus.
Document 11: Patricia Neal: Patsy Louise "Patricia" Neal (January 20, 1926 – August 8, 2010) was an American actress of stage and screen. She was best known for her film roles as World War II widow Helen Benson in "The Day the Earth Stood Still" (1951), wealthy matron Emily Eustace Failenson in "Breakfast at Tiffany's" (1961), and the worn-out housekeeper Alma Brown in "Hud" (1963), for which she won the Academy Award for Best Actress. She played Olivia Walton in the 1971 made-for-television film "", a role played in the regular series by actress Michael Learned.
Document 12: Up, Up and Away (Johnny Mathis album): Up, Up And Away is an album by American pop singer Johnny Mathis that was released in the fall of 1967 and was the first LP he recorded upon returning to his first record label, Columbia Records, where he then stayed for several decades after having just completed a four-year sojourn with Mercury Records. The title track starts the album on the contemporary end of the spectrum of material covered here, but Mathis also includes a standard from the 1940s ("The More I See You"), a hit that charted twice for the same artist in the 1950s ("Morning Side of the Mountain"), a trio of songs from "Doctor Dolittle" ("At the Crossroads", "When I Look in Your Eyes", and "Where Are the Words"), and two songs that had lyrics added after originating as instrumentals: "Drifting" began as part of the score to the 1958 film "Auntie Mame", and "Far Above Cayuga's Waters" was "a theme song of Cornell University before saxophonist Dave Pell retooled it and Sammy Cahn adapted the delightful fairytale-like lyrics."
Document 13: Candy (1968 film): Candy is a 1968 sex farce film directed by Christian Marquand based on the 1958 novel by Terry Southern and Mason Hoffenberg, from a screenplay by Buck Henry. The film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin. It stars Marlon Brando, Ewa Aulin, Richard Burton, James Coburn, Walter Matthau, Ringo Starr, John Huston, John Astin, Charles Aznavour, Elsa Martinelli and Enrico Maria Salerno. Popular figures such as Sugar Ray Robinson, Anita Pallenberg, Florinda Bolkan, Marilù Tolo, Nicoletta Machiavelli and Umberto Orsini also appear in cameo roles.
Document 14: Love Before Breakfast: Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story "Spinster Dinner", published in "International-Cosmopolitan" in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
Document 15: Carrington House: The Carrington House is a bungalow located in the hamlet of Cherry Grove, New York. Built around 1912, it was one of the first buildings in the town and constructed for Frederick Marquet. It is typical of early buildings on Fire Island. It was acquired by theater director Frank Carrington in 1927, who enlarged the house. Under his ownership, the house was a popular refuge for LGBT artists like Truman Capote; "Breakfast at Tiffany's" was written there.
ground_truth: Blake Edwards