Question: I Dream Too Much is a 1935 romantic comedy film, it stars include which French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s?

full_context: Document 1: Emma Nevada: Emma Nevada (née Wixom) (7 February 1859 – 20 June 1940) was an American operatic soprano particularly known for her performances in operas by Bellini and Donizetti and the French composers Ambroise Thomas, Charles Gounod, and Léo Delibes. Considered one of the finest coloratura sopranos of the late 19th and early 20th centuries, her most famous roles were Amina in "La sonnambula", and the title roles in "Lakmé", "Mignon", "Mireille", and "Lucia di Lammermoor.
Document 2: The Cocoanuts: The Cocoanuts is a 1929 musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film stars the four Marx Brothers, Oscar Shaw, Mary Eaton, and Margaret Dumont. It was the first sound film to credit more than one director (Robert Florey and Joseph Santley), and was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton.
Document 3: The Desert Song (1929 film): The Desert Song is a 1929 American Pre-Code operetta film directed by Roy Del Ruth and starring John Boles, Louise Fazenda, and Myrna Loy. It was photographed partly in two-color Technicolor, the first film released by Warner Bros. to be in color. Although some of the songs from the show have been omitted, the film is otherwise virtually a duplicate of the stage production and extremely faithful to it. It was based on the hit musical play with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein, Otto Harbach and Frank Mandel
Document 4: Lalla Miranda: Lalla Miranda (1874-1944) was an Australian coloratura soprano who was primarily active in Belgium, France, and Great Britain. Born in Melbourne, she was the daughter of opera singers David Miranda and Annetta Hirst and the older sister of opera singer Beatrice Miranda. After studies in London and Paris, she made her professional opera debut in The Hague in 1898. She then appeared in numerous operas in Amsterdam in successive years. In 1899 she was a resident artist at La Monnaie. She made several appearances at the Palais Garnier in Paris and at theatres in the French Provences during the first two decades of the 20th century. In 1900-1901 and from 1907-1911 she was committed the Royal Opera House on London. In 1910 she was committed to both the Manhattan Opera Company and the Philadelphia Opera Company. She notably opened the 1910 season at the Manhattan Opera House in the title role of Donizetti's "Lucia di Lammermoor", a role for which she was famous. In New York and Philadelphia she also sang Gilda in "Rigoletto", Olympia in "The Tales of Hoffmann", and the title role in "Lakmé". After 1918 she was primarily active with the Carl Rosa Opera Company. She retired in the early 1920s. She made only a few recordings on the Pathé Records label.
Document 5: Doris Day filmography: The filmography of American actress Doris Day consists of 39 feature films released between 1948 and 1968. She began her career as a band singer and eventually won the female lead in a Warner Bros. film "Romance on the High Seas" (1948) replacing Betty Hutton. She went on to star in several minor musicals for Warners, including "Tea for Two" (1950), "Lullaby of Broadway" (1951), "April in Paris" (1952), "By the Light of the Silvery Moon" (1953), and a hit musical, "Calamity Jane", which gave her an Academy Award-winning song, "Secret Love" (1953). She ended her contract with Warners after filming "Young at Heart" (1954) with Frank Sinatra.
Document 6: Renée Fleming: Renée Fleming (born February 14, 1959) is an American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock. Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She also speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's "Le nozze di Figaro", Desdemona in Verdi's "Otello", Violetta in Verdi's "La traviata", the title role in Dvořák's "Rusalka", the title role in Massenet's "Manon", the title role in Massenet's "Thaïs", the title role in Richard Strauss's "Arabella", the Marschallin in "Der Rosenkavalier", and the Countess in "Capriccio".
Document 7: Lily Pons: Lily Pons (April 12, 1898 – February 13, 1976) was a French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in "Lakmé" and "Lucia di Lammermoor". In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960.
Document 8: Too Darn Hot: "Too Darn Hot" is a song written by Cole Porter for his musical "Kiss Me, Kate" (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller (as Paul) and Eddie Sledge and Fred Davis (as the specialty dancers), leading the full company. In the 1953 MGM Hollywood film version, it is moved to a much earlier point, and it is sung by Ann Miller (as Lois Lane, Fred's new girlfriend, who is cast as Bianca). The song does not really contribute to the plot in either the stage or film versions; in the stage version, the song represents the company of "The Taming of the Shrew" taking a break offstage during the intermission of their play; in the film version it allows the audience to see Lois's fun-loving, risk-taking nature, and gave Ann Miller a chance to show off her dancing skills, specifically tap. The line 'According to the Kinsey report' (in the original stage production) was changed in the film version to 'According to the latest report'. The song has also been covered by many artists.
Document 9: Merely Mary Ann: Merely Mary Ann a 1931 pre-Code romantic comedy drama film starring Janet Gaynor and Charles Farrell. Gaynor and Farrell made almost a dozen films together, including Frank Borzage's classics "Seventh Heaven" (1927), "Street Angel" (1928), and "Lucky Star" (1929); Gaynor won the first Academy Award for Best Actress for the first two and F. W. Murnau's "Sunrise". The film, involving an orphan (Gaynor) and a flat-broke composer (Farrell), was written by Jules Furthman from Israel Zangwill's play and directed by Henry King.
Document 10: Too Many Girls (film): Too Many Girls is a 1940 American musical comedy film directed by George Abbott and written by John Twist. The film stars Lucille Ball, Richard Carlson, Ann Miller, Eddie Bracken, Frances Langford, Desi Arnaz and Hal Le Roy. The film was released on October 8, 1940, by RKO Pictures. Both Desi Arnaz and Lucille Ball credited the production for bringing them together. They married on November 30, 1940, less than two months after the film's release.
Document 11: Lucine Amara: Lucine Amara (born March 1, 1925) is an American soprano who was largely based at the Metropolitan Opera in New York.
Document 12: Lady for a Day: Lady for a Day is a 1933 American pre-Code comedy-drama film directed by Frank Capra. The screenplay by Robert Riskin is based on the short story "Madame La Gimp" by Damon Runyon. It was the first film for which Capra received an Academy Award nomination for Best Director and the first Columbia Pictures release to be nominated for Best Picture.
Document 13: I Dream Too Much: I Dream Too Much is a 1935 romantic comedy film directed by John Cromwell. It stars Henry Fonda, Lily Pons, and Lucille Ball in one of her earliest roles. It has been described as a "somewhat wispy operetta." Songs are by Jerome Kern and Dorothy Fields. The film was nominated for an Academy Award in the category Sound Recording (Carl Dreher).
Document 14: Loretta Di Franco: Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995. Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961. She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades". She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles. Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor". In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".
Document 15: Lilian Sukis: Lilian Sukis (born 29 June 1939, Kaunas) is a Canadian operatic soprano of Lithuanian birth. After earning diplomas from the University of Toronto and McMaster University, she made her professional opera debut in 1964 as Kate Pinkerton in Giacomo Puccini's "Madama Butterfly" with the Canadian Opera Company. In 1965 she sang the role of Countess Almaviva in Wolfgang Amadeus Mozart's "The Marriage of Figaro" at the Stratford Festival. That same year she became a pupil at the Metropolitan Opera Studio and School. She made her debut at the Met in 1967 as Helen Niles in the world premiere of Marvin David Levy's "Mourning Becomes Electra". In 1969 she became a member of the Bavarian State Opera where she remained for more than 20 years. She has also appeared as a guest artist with several major opera houses and opera festivals internationally, including the Bayreuth Festival, the Frankfurt Opera, Graz, the Hamburg State Opera, the Salzburg Festival, and the Vienna State Opera among others.
ground_truth: Lily Pons