Question: One track on Air Pocket features an artist who had a double album certified gold in what year?

full_context: Document 1: Airplay (band): Airplay was a short-lived American band, formed by David Foster and Jay Graydon. The band released a self-titled album in 1980, containing "Nothin' You Can Do About It" (originally recorded by The Manhattan Transfer) and a cover of the Earth, Wind & Fire hit "After the Love Has Gone", written by Foster and Graydon with Bill Champlin.
Document 2: Rough and Ready (album): Rough and Ready is the third album by The Jeff Beck Group and the first of two by the second Jeff Beck Group. Released in 1971, it featured more of a jazz, soul and R&B edge to counter Beck's lead guitar. As a songwriter, Beck contributed more pieces to "Rough and Ready" than he had before, or ever would again. Beck enlisted Bobby Tench as vocalist and it is also the first time keyboardist Max Middleton is heard. Other members of this line up are drummer Cozy Powell and bassist Clive Chaman.
Document 3: Play Monk and Powell: Play Monk and Powell is an album by Paul Motian and the Electric Bebop Band released on the German Winter & Winter label in 1999 and featuring performances of tunes by Thelonious Monk and Bud Powell. The album is the group's fourth release following the 1992 album "Paul Motian and the Electric Bebop Band", the 1995 album "Reincarnation of a Love Bird" and the 1996 release "Flight of the Blue Jay".
Document 4: Double album: A double album (or double record) is an audio album which spans two units of the primary medium in which it is sold, typically records and compact disc. A double album is usually though not always released as such, because the recording is longer than the capacity of the medium. Recording artists often think of double albums as comprising a single piece artistically; however, there are exceptions such as John Lennon's "Some Time in New York City" and Pink Floyd's "Ummagumma" (both examples of one studio record and one live album packaged together) and OutKast's "Speakerboxxx/The Love Below" (effectively two solo albums, one by each member of the duo). Another example of this approach is "Works Volume 1" by Emerson Lake and Palmer, where side one featured Keith Emerson, side two Greg Lake, side three Carl Palmer, and side four was by the entire group.
Document 5: The Pod: The Pod is the second studio album by American rock band Ween, released on September 20, 1991 by Shimmy Disc. The album takes its name from the band's apartment where the album was recorded, which the band nicknamed "The Pod". The album's cover art is a takeoff of the 1975 "The Best of Leonard Cohen" cover; Ween simply positioned a photo of Mean Ween's head (wearing a "nitrous oxide powered bong" which is sometimes mistaken for a "Scotchgard bong") over Cohen's cover art, and did alterations to the title and other graphics. The copy of the Leonard Cohen record that Ween used had purportedly belonged to Dean Ween's mother, Eileen Ween. "The Pod", according to Ween lore, was written under the influence of Scotchgard, but this was later refuted by Gene and Dean themselves as being "the most slime-bag thing we could think of". "The Pod" has since been remastered and reissued by Elektra Records, after the relative success of Ween albums such as "Pure Guava" (1992) and "Chocolate and Cheese" (1994).
Document 6: Hai Hai: Hai Hai is the second solo album by ex-Supertramp singer/guitarist/keyboardist Roger Hodgson, released in 1987. Co-produced by future No Doubt and Black Crowes producer Jack Joseph Puig, and recorded at Hodgson's 48-track home studio in Nevada City, California, the album is a merger of Supertramp-styled progressive pop-rock and extensive use of Los Angeles session musicians and late-1980s synthesizer technology.
Document 7: Air Pocket (album): Air Pocket is the second album by American keyboardist Roger Powell released on Bearsville Records in 1980. It includes 11 tracks all written, performed, and sung by the artist, and features Todd Rundgren on ebow guitar on one track. Other credits include John Holbrook, Cleve Pozar, and Mark Styles. Voted the #1 album of 1980 by a reader poll in Keyboard Magazine.
Document 8: In Evening Air: In Evening Air is the second album by synthpop band Future Islands. The album was released on 4 May 2010 on Thrill Jockey records. It is titled after a poem of the same name by Theodore Roethke from his final collection, The Far Field. The album art was produced by former band member Kymia Nawabi.
Document 9: Nearly Human: Nearly Human is a 1989 album by rock musician Todd Rundgren, released by Warner Bros. Records. It was his first release in four years, although he had been active as a producer in the intervening years. Many of the album's songs deal with loss, self-doubt, jealousy, and spiritual recovery. It was also the first collaboration between Rundgren and Michele Gray, a singer and ex-model who helped organize the sessions. Gray sang background vocals, both on the record and on subsequent tours, and the pair later married.
Document 10: Hugh Padgham: Hugh Charles Padgham (born 15 February 1955) is an English record producer and audio engineer. He has won four Grammy Awards, for Producer of the Year and Album of the Year for 1985, Record of the Year for 1990, and Engineer of the Year for 1993. A 1992 poll in "Mix" magazine voted him one of the world's Top Ten Most Influential Producers. Padgham co-productions include hits by Phil Collins, Genesis, The Human League, Sting, and The Police. He pioneered (with musician Peter Gabriel and producer Steve Lillywhite) the gated reverb drum sound used most famously on the Phil Collins hit "In the Air Tonight".
Document 11: Dave Meegan: Dave Meegan is a record producer. He trained under Trevor Horn and is best known for his work with the band Marillion. Marillion guitarist Steve Rothery has said he admires Meegan's work so much he considers him to be "a sixth member of the band". He also worked for U2 as an engineer during the sessions for "The Joshua Tree" and "Rattle and Hum".
Document 12: The Randy Newman Songbook Vol. 2: The Randy Newman Songbook Vol. 2 contains newly recorded, stripped down versions of some of Newman's best known songs, performed by Randy Newman singing and playing the piano without accompaniment.
Document 13: Robert John &quot;Mutt&quot; Lange: Robert John "Mutt" Lange ( ; born 11 November 1948) is a South African record producer and songwriter. He is known for his work in the studio and innovations in multitrack recording and producing many of history's greatest rock albums. He has produced albums for, or otherwise worked with, artists such as AC/DC, Britney Spears, Def Leppard, The Boomtown Rats, Foreigner, Michael Bolton, The Cars, Bryan Adams, Huey Lewis and the News, Billy Ocean, The Corrs, Maroon 5, Lady Gaga, Nickelback, and Muse. He also wrote and produced songs with his then-wife, Canadian singer Shania Twain. Her 1997 album "Come On Over", which he produced, is the best-selling country music album, the best-selling studio album by a female act, the best-selling album of the 1990s, and the 9th best-selling album in the United States.
Document 14: Todd Rundgren: Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer. Hailed in the early stages of his career for both his own material and for his production of other artists, supported by the certified gold solo double album "Something/Anything?" in 1972, his career has produced a diverse and eclectic range of recordings often both as a solo artist and as a member of the band Utopia. Rundgren has often been at the forefront as a promoter of cutting edge recording technologies.
Document 15: Brian Eno: Brian Peter George St John le Baptiste de la Salle Eno, RDI ( ; born 15 May 1948 and originally christened Brian Peter George Eno) is an English musician, composer, record producer, singer, writer, and visual artist. He is best known for his pioneering work in rock, ambient, pop, and electronic music. A self-described "non-musician", Eno has helped to introduce a variety of unique conceptual approaches and recording techniques into contemporary music, advocating a methodology of "theory over practice" throughout his career. He has been described as one of popular music's most influential and innovative figures.
ground_truth: 1972