Question: Who was named DJ Funk and produced house music within Chicago?

full_context: Document 1: Garage house: Garage house (originally known as "garage music"; also "New York house") is a dance music style that developed alongside house music. Garage, which had a more soulful R&B-derived sound, was developed in the Paradise Garage nightclub in New York City and club Zanzibar in New Jersey, United States, during the early-to-mid 1980s. There was much overlap between it and early house music, making it difficult to tell the two apart. It predates the development of Chicago house, and according to AllMusic, is relatively closer to disco than other dance styles. As Chicago house gained international popularity, New York's garage disco scene was distinguished from the "house" umbrella. DJs playing this genre include Tony Humphries, Larry Levan and Junior Vasquez.
Document 2: DJ Pierre: Nathaniel Pierre Jones, better known by his stage name DJ Pierre, is an American DJ and performer of house music based in Chicago. He helped to develop the house music subgenre of acid house, as member of Phuture, whose 1987 EP "Acid Tracks", is considered the first acid-house recording. Allmusic.com calls Jones a crucial DJ and the production wizard partly responsible for the development of Chicago acid-house. Jones' first single, "Generate Power," became standard fare for scores of producers during the next few years. Philippe Renaud, a journalist for "La Presse" in Montreal, states that the term "acid house" was coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year.
Document 3: Deep house: Deep house is a subgenre of house music. It originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music. Deep house tracks generally have a tempo of between 120 and 125 beats per minute (BPM).
Document 4: Underground dance music: The term underground dance music (short version in music jargon: UDM) has been applied to artistic dance music movements, such as early 1970s disco and 1980s Chicago house, but the term has since then come to be defined by any electronic dance or house music artist/band that avoids becoming a trend/mainstream nowadays. Other early "underground dance music" artists include Little Louie Vega, Tony Humphries, Larry Levan, David Mancuso, Frankie Knuckles, Nicky Siano, Lenties Deep and many others. In the late 1970s, the term underground dance music was associated with the music initially played at places like Paradise Garage, The Loft and The Warehouse.
Document 5: Jesse Saunders: Jesse Saunders (born March 10, 1962 in Chicago, Illinois) is an American DJ, record producer, film producer and entrepreneur. He is one of the pioneers of house music, often cited as "the originator of House music" by critics and historians. His 1984 single, "On & On", co-written with Vince Lawrence, was first record with a house DJ as the artist that was pressed and sold to the public. Chicago Mayor Richard M. Daley declared July 17, 1997, as "Jesse Saunders and the Pioneers of House Music Day" in Chicago. Since his emergence as a DJ almost three decades ago, Saunders has run several of his own independent labels, and worked extensively in music and film production, as well as artist promotion and management. In recent years, through House music reunions, a pending book release and a live 'disc-jocumentary' – where, while DJing, he visually takes the audience through the history of House and Electro – Saunders has worked towards erasing the misconceptions associated with the genre's origins. He is also a long-time member of the National Academy of Recording Arts and Sciences.
Document 6: Funky Monks: Funky Monks is a 1991 documentary (also the title of a song from the 1991 album "Blood Sugar Sex Magik") about the rock band Red Hot Chili Peppers and the recording of their highly successful 1991 Warner Bros. debut "Blood Sugar Sex Magik". The album was produced by Rick Rubin and recorded in The Mansion, a supposedly haunted house which Rubin now owns. The 60-minute documentary, which was filmed in black-and-white, features footage of the band recording many of the tracks that made the album, and tracks that didn't make the album although would be released as singles and b-sides (such as "Soul to Squeeze" and "Sikamikanico"). It also features interviews from each member of the band, as well as Rick Rubin and the band's former and longtime manager, Lindy Goetz. Footage from the documentary was compiled for use in the "Suck My Kiss" music video, which was released in 1992. "Funky Monks" was originally released on VHS but was re-released on DVD. It was filmed and directed by Gavin Bowden.
Document 7: E.C. Illa: A native of the “Uptown” and “North Pole” neighborhoods of Chicago’s North side, E.C. Illa (also known as E.C. & WhiteFolks) began his recording career in 1990 as a member of The Ill State Assassins, a rap and production group that spawned several successful nationally-recognized artists such as Twista, The Legendary Traxster, Toxic and others. After his music began circulating throughout Chicago’s inner-city and college radio stations abroad, E.C. Illa started solidifying himself as one of the few well-respected white rap artists of an era in rap history when most non-black rappers were quickly dismissed. Having grown up within Chicago’s infamous gang culture, Illa’s fluently-street music was able to reach far beyond previous attempts by other white rap artists to be embraced as legitimate or “real.” E.C.Illa’s vinyl-only debut was an EP titled “The Invisible Man” (1992) released on Mob City Records, an independent label owned by Dirk van den Heuvel, a DJ for Northwestern University’s “Street Beat” radio show. Mob City records would go on to release Illa’s first full-length album titled “Ill State of Mind” (1993), as well as other selected 12” singles from those releases.
Document 8: Erick Morillo: Erick Morillo is a Colombian-American DJ, music producer and record label owner. Having produced under a number of pseudonyms, including Ministers De la Funk, The Dronez, RAW, Smooth Touch, RBM, Deep Soul, Club Ultimate and Li'l Mo Ying Yang, Morillo is best known for his international work in house music, in particular for the label Strictly Rhythm, and the 1993 hit "I Like to Move It", which he produced under the pseudonym Reel 2 Real, and which was featured in commercials, movies and ringtones. His label Subliminal Records has produced the #1 Billboard Hot Dance Music/Club Play hit "Fun" by Da Mob, and won the "Muzik" magazine "Remixer of the Year" award in 1999. Subliminal also brought attention to artists like Eddie Thoneick, Carl Kennedy and DJ DLG. He is a three-time winner of DJ Awards "Best House DJ" in 1998, 2001 and 2003 and a three-time winner of "Best International DJ" in 2002, 2006 and 2009 receiving a total of 15 nominations in all from 1998-2010.
Document 9: Ron Hardy: Ron Hardy (8 May 1958 - 2 March 1992) was a Chicago DJ and producer of early house music. He is well known for playing records at the Muzic Box, a Chicago house music club. Decades after his death, he also is recognized for his edits and mixes of disco, soul music, funk and early house music.
Document 10: Chicago house: Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s.
Document 11: Chicago discography: Chicago is an American rock band formed in 1967 in Chicago, Illinois. The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads. The group had a steady stream of hits throughout the 1970s and 1980s. Second only to The Beach Boys in "Billboard" singles and albums chart success among American bands, Chicago is one of the longest-running and most successful rock groups, and one of the world's best-selling groups of all time, having sold more than 100 million records.
Document 12: Larry Heard: Larry Heard (born May 31, 1960, Chicago, Illinois) is a Memphis, Tennessee-based DJ, record producer and musician, widely known for the Chicago-based house music he produced during the mid-1980s and continues to produce today. He was leader of the influential group Fingers Inc. and has recorded solo under various names, most notably Mr. Fingers. He is regarded as a pioneer of deep house music, moving house music away from its "posthuman tendencies" back towards the lush soulful sound of early disco music (particularly that of old Philadelphia International and Salsoul records).
Document 13: Acid house: Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
Document 14: Tech house: Tech house is a subgenre of house music that mixes elements of techno with house. The term "tech house" developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
Document 15: DJ Funk: Charles Chambers, better known by his stage name DJ Funk, is a Chicago house DJ who pioneered the ghetto house subgenre of house music. Through the 1990s, he built a regional reputation in the Chicago-Detroit region and in the Midwest rave scene. His 1999 album "Booty House Anthems" was distributed nationally and sold over one million copies. He founded the Funk Records label in 2006. He is included in "", a 1998 film documentary of electronic music.
ground_truth: Charles Chambers