Question: Did Raoul Peck and Dziga Vertov make the same type of films?

full_context: Document 1: Kino-Eye: Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Russia by Dziga Vertov. It was also the name of the movement and group that was defined by this technique. Kino-Eye was Vertov's means of capturing what he believed to be "inaccessible to the human eye"; that is, Kino-Eye films would not attempt to imitate how the human eye saw things. Rather, by assembling film fragments and editing them together in a form of montage, Kino-Eye hoped to activate a new type of perception by creating "a new filmic, i.e., media shaped, reality and a message or an illusion of a message - a semantic field." Distinct from narrative entertainment cinema forms or otherwise "acted" films, Kino-Eye sought to capture "life unawares" and edit it together in such a way that it would form a new, previously unseen truth.
Document 2: Cinéma vérité: Cinéma vérité ( ; ] ; "truthful cinema") is a style of documentary filmmaking, invented by Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda and influenced by Robert Flaherty’s films. It combines improvisation with the use of the camera to unveil truth or highlight subjects hidden behind crude reality.
Document 3: Raoul Pantin: Raoul Pantin (June 5, 1943 – January 15, 2015) was a Trinidadian journalist, editor, poet and playwright. He penned six plays during his career. Pantin survived the 1990 Jamaat al Muslimeen coup attempt and terrorist attack, in which he and other employees of the Trinidad and Tobago Television (TTT) station were held hostage for six days. He later chronicled his first-hand account of the coup attempt in a 163-page book, "Days of Wrath: The 1990 Coup in Trinidad and Tobago."
Document 4: Hébert Peck: Hébert Peck, Jr. (born 1958, Port-au-Prince, Haiti) is a Haitian American Oscar-nominated producer, of both television and film. He produced the critically acclaimed documentary film, "I Am Not Your Negro", which he received Academy Award for Best Documentary Feature nominations at the 89th Academy Awards, together with director Raoul Peck and co-producer Rémi Grellety.
Document 5: I Am Not Your Negro: I Am Not Your Negro is a 2016 documentary film directed by Raoul Peck, based on James Baldwin's unfinished manuscript, "Remember This House". Narrated by actor Samuel L. Jackson, the film explores the history of racism in the United States through Baldwin's reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr, as well as his personal observations of American history. It was nominated for Best Documentary Feature at the 89th Academy Awards.
Document 6: Kinoks: The Kinoks ("kino-oki," meaning cinema-eyes) were a collective of Soviet filmmakers in 1920s Russia, based most notably around film editor Dziga Vertov (pseudonym Denis Kaufman). In 1919 Vertov and his future wife, the talented film editor Elizaveta Svilova, plus several other young filmmakers created a group called Kinoks ("kino-oki," meaning cinema-eyes). In 1922 they were joined by Mikhail Kaufman, who had just returned from the civil war. From 1922 to 1923 Vertov, Kaufman, and Svilova published a number of manifestos in avant-garde journals which clarified the Kinoks' positions vis-à-vis other leftist groups.
Document 7: Murder in Pacot: Murder in Pacot (French: "Meurtre à Pacot" , German: "Mord in Haiti" ) is a feature film by Haitian film director Raoul Peck. The film stars Joy Olasunmibo Ogunmakin, Alex Descas, Thibault Vinçon, and Lovely Kermonde Fifi and is a continuation of the theme Peck featured in his last documentary, "Assistance Mortelle" ("Fatal Assistance"), on international aid to Haiti following the earthquake of 12 January 2010 which opened at New York's Film Society of Lincoln Center in February 2014. The lead producers of the joint Haitian, French and Norwegian production were Peck and Remi Grellety.
Document 8: The Young Karl Marx: The Young Karl Marx ("Le jeune Karl Marx") is a 2017 film about Karl Marx directed by Haitian Raoul Peck, co-written by Peck and Pascal Bonitzer, and starring August Diehl. It was screened at the Berlin Film Festival, from February 9–19, 2017.
Document 9: Dziga Vertov Group: The Dziga Vertov Group (French: "Groupe Dziga Vertov" ) was formed in 1968 by politically active filmmakers including Jean-Luc Godard and Jean-Pierre Gorin. Their films are defined primarily for Brechtian forms, Marxist ideology, and a lack of personal authorship. The group, named after 1920s-'30s Soviet filmmaker Dziga Vertov (1896-1954), was dissolved soon after the completion of 1972's "Letter to Jane".
Document 10: Dziga Vertov: Dziga Vertov (Russian: Дзига Вертов ; born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман , and also known as Denis Kaufman; 2 January 1896 – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972.
Document 11: Cinema of Ukraine: Ukraine has had an influence on the history of the cinema. Prominent Ukrainian directors include Oleksandr Dovzhenko, Dzyha Vertov and Serhiy Paradzhanov. Dovzhenko is often cited as one of the most important early Soviet filmmakers, as well as being a pioneer of Soviet montage theory and founding Dovzhenko Film Studios. In 1927 Dziga Vertov moved from Moscow to Ukraine. At the film studio VUFKU he made several avant-garde documentaries, among them «The Eleventh Year», «Man with a Movie Camera» and first Ukrainian documentary sound film «Enthusiasm (Symphony of the Donbass)». Paradzhanov was an Armenian film director and artist who made significant contributions to Ukrainian, Armenian and Georgian cinema; he invented his own cinematic style, Ukrainian poetic cinema, which was totally out of step with the guiding principles of socialist realism.
Document 12: Raoul Peck: Raoul Peck (born 1953) is a Haitian filmmaker, of both documentary and feature films, and a political activist. From March 1996 to September 1997, he was Haiti's Minister of Culture. His film "I Am Not Your Negro" (2016) about the life of James Baldwin was nominated for an Oscar in January 2017.
Document 13: The Man by the Shore: The Man by the Shore (French: L'Homme sur les quais ) is a 1993 Haitian-French drama film directed by Raoul Peck. It was entered into the 1993 Cannes Film Festival.
Document 14: A Sixth Part of the World: A Sixth Part of the World (Russian: Шестая часть мира , Shestaya Chast Mira ), sometimes referred to as The Sixth Part of the World, is a 1926 silent film directed by Dziga Vertov and produced by Kultkino (part of Sovkino). Through the travelogue format, it depicted the multitude of Soviet peoples in remote areas of USSR and detailed the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society". A mix between newsreel and found footage, Vertov edited sequences filmed by eight teams of kinoks ("kinoki") during their trips. According to Vertov, the film anticipates the coming of sound films by using a constant ""word-radio-theme"" in the intertitles. Thanks to "A Sixth Part of the World" and his following feature "The Eleventh Year" (1928), Vertov matures his style in which he will excel in his most famous film "Man with a Movie Camera" (1929).
Document 15: Velvet Film: Velvet Film is a film production company. It was created 1986 in Berlin, Germany by the Haitian filmmaker and political activist Raoul Peck as Velvet Film GmbH. The company is now based in France, Haiti and in the United States of America. Lumumba, la mort d'un prophète was 1991 the first feature film produced by the company. The film was successfully shown all over Europe and North America and so enabled the partnership of Velvet Film in future production with JBA Production (France), Arte (France and Germany), HBO (USA) and others. All later documentaries, feature films and TV dramas of Peck have been produced or co-produced by Velvet Film.
ground_truth: yes