Question: Suite francaise is by what French composer and pianist who is also known for Trois mouvements perpetuels?

full_context: Document 1: Trois mouvements perpétuels: Mouvements perpétuels, FP 14a, is a short three-movement suite for solo piano by the French composer Francis Poulenc, premiered in Paris in December 1918, when Poulenc was aged 19 and a protégé of Erik Satie. The work is dedicated to the artist Valentine Hugo and was first performed by Poulenc's piano teacher, Ricardo Viñes. From January 1918 to January 1921 Poulenc was a conscript in the French army, but his duties allowed him time for composition. He wrote the pieces at the piano of the local elementary school at Saint-Martin-sur-le-Pré.
Document 2: Paul Dukas: Paul Abraham Dukas (] ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece "The Sorcerer's Apprentice" ("L'apprenti sorcier"), the fame of which has eclipsed that of his other surviving works. Among these are the opera "Ariane et Barbe-bleue", a symphony, two substantial works for solo piano, and a ballet, "La Péri".
Document 3: Philippe Courbois: Philippe Courbois (fl. 1705-1730) was a French Baroque composer. It is commonly stated that he was maître de musique of the Duchess of Maine, but Michele Cabrini convincingly refutes this claim in his edition of Courbois's cantatas. At least three of his masses were performed for the King of France at Versailles. Sometime before 1710, Courbois published a book of seven cantatas with texts by Louis Fuzelier, who would later write the libretto of "Les Indes Galantes." It is these cantatas for which he is most famous today
Document 4: Concerto for Two Pianos and Orchestra (Poulenc): Francis Poulenc's Concerto pour deux pianos (Concerto for Two Pianos and Orchestra) in D minor, FP 61, was commissioned by and dedicated to the Princess Edmond de Polignac and composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." Poulenc composed the concerto for the Princess Edmond de Polignac, an American-born arts patron to whom many early 20th-century masterpieces are dedicated, including Stravinsky’s "Renard", Ravel’s "Pavane pour une infante défunte", Kurt Weill’s Second Symphony, and Satie’s "Socrates". Her Paris salon was a gathering place for the musical avant-garde.
Document 5: Pierre Dervaux: Pierre Dervaux (born 3 January 1917 in Juvisy-sur-Orge, France; died 20 February 1992 in Marseilles, France) was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s "Dialogues des Carmélites". He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82).
Document 6: Sergei Prokofiev: Sergei Sergeyevich Prokofiev ( ; Russian: Сергей Сергеевич Прокофьев , "Sergej Sergejevič Prokofjev" ; 27 April 1891 – 5 March 1953) was a Soviet composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from "The Love for Three Oranges," the suite "Lieutenant Kijé", the ballet "Romeo and Juliet" – from which "Dance of the Knights" is taken – and "Peter and the Wolf." Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a Symphony-Concerto for cello and orchestra, and nine completed piano sonatas.
Document 7: Suite française (Poulenc): Suite française (French Suite), FP 80, is an orchestral suite for wind instruments, drum and harpsichord (or harp "ad libitum") by Francis Poulenc. It was composed in a neoclassical style in 1935 for Édouard Bourdet's "la Reine Margot", and it was inspired by Claude Gervaise's dance collection "Le livre de danceries".
Document 8: Les biches: Les biches (] , "The Hinds" or "The Little Darlings") is a ballet choreographed by Bronislava Nijinska to music by Francis Poulenc, premiered by the Ballets Russes on 6 January 1924. Some consider this piece a milestone in ballet history. The composer, who was at the time relatively unknown, was asked by Serge Diaghilev to write a piece based on Glazunov's "Les Sylphides", written seventeen years earlier. Poulenc, however, chose to base his work on the paintings of Watteau that depicted Louis XV and various women in his "Parc aux biches". The word "biche" is usually translated as "doe," an adult female deer. "Does" was used as a slang for coquettish women. Poulenc described his work as a "contemporary drawing room party suffused with an atmosphere of wantonness, which you sense if you are corrupted, but of which an innocent-minded girl would not be conscious."
Document 9: Pierre Boulez: Pierre Louis Joseph Boulez CBE (] ; 26 March 1925 – 5 January 2016) was a French composer, conductor, writer and organiser of institutions. He was one of the dominant figures of the post-war classical music world.
Document 10: Pour le piano: Pour le piano ("For the piano"), L.95, is a suite for solo piano by Claude Debussy. The composition was finished and issued in 1901. Its premiere took place on 11 January 1902 in the Salle Érard for the Société Nationale de Musique, with Ricardo Viñes as the pianist.
Document 11: Charles Gounod: Charles-François Gounod (] ; 17 June 181817 or 18 October 1893) was a French composer, best known for his "Ave Maria," based on a work by Bach, as well as his opera "Faust". Another opera by Gounod occasionally still performed is "Roméo et Juliette". Although he is known for his Grand Operas, the soprano aria "Que ferons-nous avec le ragoût de citrouille?" from his first opera "Livre de recettes d'un enfant" (Op. 24) is still performed in concert as an encore, similarly to his "Jewel Song" from Faust.
Document 12: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 13: Flute Sonata (Poulenc): The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, for flute and piano, was written in 1957. It is dedicated to the memory of Elizabeth Sprague Coolidge, an American patron of chamber music. Poulenc composed it for the flautist Jean-Pierre Rampal, and he and Rampal gave the première in June 1957 at the Strasbourg Music Festival. It is now one of Poulenc's best known works and is a prominent feature in 20th century flute repertoire.
Document 14: Trois morceaux en forme de poire: The Trois morceaux en forme de poire ("Three Pieces in the Form of a Pear") is a suite for piano duet by French composer Erik Satie. A lyrical compendium of his music from the years 1890 to 1903, it is one of Satie's most famous compositions, second in popular recognition only to the "Gymnopédies" (1888). The score was not published until 1911. In performance it lasts around 14 minutes.
Document 15: Organ concerto: An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolves in the 18th century, when composers including Antonio Vivaldi, Johann Sebastian Bach and George Frideric Handel wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of "jubilus" character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played.
ground_truth: Francis Jean Marcel Poulenc