Question: Whose 2001 album was influence by a coal miner's records from the 1920?

full_context: Document 1: Cumberland Gap (folk song): "Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, "American Ballads and Folk Songs", by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Document 2: G. B. Grayson: Gilliam Banmon Grayson (November 11, 1887 – August 16, 1930) was an American Old-time fiddle player and singer. Mostly blind from infancy, Grayson is chiefly remembered for a series of sides recorded with guitarist Henry Whitter between 1927 and 1930 that would later influence numerous country, bluegrass, and rock musicians. Grayson wrote much of his own material, but was also instrumental in adapting several traditional Appalachian ballads to fiddle and guitar formats. His music has been recorded or performed by musicians such as Bob Dylan, Doc Watson, Mick Jagger, the Kingston Trio, and dozens of bluegrass artists, including the Stanley Brothers and Mac Wiseman.
Document 3: Soul blues: Soul blues is a style of blues music developed in the late 1960s and early 1970s that combines elements of soul music and urban contemporary music. Singers and musicians who grew up listening to the traditional electric blues of artists such as Muddy Waters, Bo Diddley, Jimmy Reed and Elmore James; soul singers such as Sam Cooke, Ray Charles and Otis Redding; and gospel music wanted to bridge their favorite music together. Bobby Bland was one of the pioneers of this style. This is a subgenre of blues that is very popular with African American audiences but less known by white audiences. The style continues to be popular in the new millennium.
Document 4: Live at Billy Bob's Texas (Stoney LaRue album): Live at Billy Bob's Texas is Stoney LaRue's first live album. They are one of many bands to record a "Live at Billy Bob's Texas" album at the Fort Worth honky-tonk. It was originally released in September 2005 as a limited edition CD/DVD combo. It was re-released in 2006 with the full track listing. The album included one new song, "Love You For Loving Me," as well as six cover songs. The song, "Feet Don't Touch The Ground," was originally recorded by Brandon Jenkins on his 2003 album, "Unmended". The song "Oklahoma Breakdown" was originally recorded by the Norman-based group, Hosty Duo. "Goin' Down the Road (Feelin' Bad) is a folk song originally sung by Woody Guthrie. The song The Weight was written by Robbie Robertson and recorded by The Band on their 1968 album, "Music from Big Pink". "Long Black Veil" is a 1959 song, written by Danny Dill and Marijohn Wilkin and originally recorded by Lefty Frizzell as well as many other artists. The album's cover photograph was by Texas photographer Todd Purifoy.
Document 5: Music of North Carolina: North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers and Al Hopkins helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs, Doc Watson and Del McCoury came from North Carolina. Arthur Smith is the most notable North Carolina musician/entertainer who had the first nationally syndicated television program which featured country music. Smith composed "Guitar Boogie", the all-time best selling guitar instrumental, and "Dueling Banjos", the all-time best selling banjo composition. Country rock star Eric Church from the Hickory area has had 2 #1 albums on the Billboard 200, including "Chief" in 2011. Both North and South Carolina are a hotbed for traditional country blues, especially the style known as the Piedmont blues. Elizabeth Cotten, from Chapel Hill, was active in the American folk music revival.
Document 6: Sugar Baby (Bob Dylan song): "Sugar Baby" is the final song on Bob Dylan's 2001 album "Love and Theft". The song shares its title with the Dock Boggs song, a recording Dylan is said to have treasured as a young folksinger in New York City.
Document 7: Big Rock Candy Mountain: "Big Rock Candy Mountain", first recorded by Harry McClintock in 1928, is a Bluegrass song about a hobo's idea of paradise, a modern version of the medieval concept of Cockaigne. It is a place where "hens lay soft boiled eggs" and there are "cigarette trees." McClintock claimed to have written the song in 1895, based on tales from his youth hoboing through the United States, but some believe that at least aspects of the song have existed for far longer. It is catalogued as Roud Folk Song Index No. 6696.
Document 8: Merle Travis: Merle Robert Travis (November 17, 1917 – October 20, 1983) was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky. His song's lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs are "Sixteen Tons," "Re-Enlistment Blues," "I am a Pilgrim," and "Dark as a Dungeon." However, it is his unique guitar style, still called Travis Picking by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. "Travis Picking" is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are simultaneously plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Document 9: It's All Over Now, Baby Blue: "It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his "Bringing It All Back Home" album, released on March 22, 1965 by Columbia Records ("see" 1965 in music). The song was recorded on January 15, 1965 with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue." There has been much speculation about the real life identity of "Baby Blue", with possibilites including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
Document 10: The Delta Sweete: Released in March 1968, Bobbie Gentry's second album, The Delta Sweete, did not quite match the success of "Ode to Billie Joe". The "Sweete" in the title referred to both Gentry's southern-belle good looks and the album's suite structure. The LP contained a selection of Bobbie Gentry originals and some covers.
Document 11: Will Dockery: Will Dockery (1865–1936) built from scratch the Dockery Plantation, the famous home of such original Delta blues musicians as Charley Patton, Robert Johnson, Son House, Howlin' Wolf, Willie Brown, Tommy Johnson, and Pops Staples.
Document 12: Dock Boggs: Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an influential old-time singer, songwriter and banjo player. His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues. Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1951 collection "Anthology of American Folk Music". Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life. He was "rediscovered" during the folk music revival of the 1960s and spent much of his later life playing at folk music festivals and recording for Folkways Records.
Document 13: Reverend Gary Davis: Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. His fingerpicking guitar style influenced many other artists. His students include Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He influenced Bob Dylan, the Grateful Dead, Wizz Jones, Jorma Kaukonen, Keb' Mo', Ollabelle, Resurrection Band, and John Sebastian (of the Lovin' Spoonful).
Document 14: Shelter from the Storm: "Shelter from the Storm" is a song by Bob Dylan, released on his 15th studio album, "Blood on the Tracks", in 1975. Along with "Tangled Up in Blue", "Shelter from the Storm" was one of two songs from "Blood on the Tracks" to be re-released on the 2000 compilation "The Essential Bob Dylan". The song also appears on two live albums by Bob Dylan — "Hard Rain" (from a May 1976 performance) and "At Budokan" (recorded in February 1978). A first take of the song, from the same recording session that produced the album track, is included on "The Best of Bob Dylan, Vol. 1" (1997).
Document 15: Baby Grand: "Baby Grand" is the fourth and final single released off Billy Joel's album "The Bridge". A duet with Joel and Ray Charles, the song is a ballad dedicated to the baby grand piano, and the relationship it can share with its players. The two originally got together when Charles contacted Joel about the naming of his daughter, Alexa Ray, after Charles. Charles then suggested they create a song together.
ground_truth: Bob Dylan