Question: What is a language spoken, written or signed by Sheram an instance of?

full_context: Document 1: The Gurdjieff Ensemble: "The Gurdjieff Folk Instruments Ensemble" based in Armenia was founded in 2008, and is led by the Armenian musician, Levon Eskenian. The Ensemble’s awards include the prestigious Dutch Edison Award: Best World Music Album 2012 and Armenian National Music Award: Best Folk Music Album 2011, for their album, “Music of Georges I. Gurdjieff,’’ produced by ECM Records. The ensemble consists of Armenia’s leading practitioners of traditional music performing on Duduk, Blul, Kamancha, Oud, Kanōn, Santur, Tar/Saz, Dap/Daf, Dhol, and Tombak. The repertoire is composed of the “mystic and spiritual teacher,” George I. Gurdjieff's Armenian, Greek, Assyrian, Arabic, Kurdish, Caucasian spiritual and folk music, authentically arranged for Eastern instruments by Eskenian. The repertoire also includes additional Eastern music that exemplifies Gurdjieff’s musical influences during his travels in the East.
Document 2: Cyrillic Supplement: Cyrillic Supplement is a Unicode block containing Cyrillic letters for writing several minority languages, including Abkhaz, Kurdish, Komi, Mordvin, Aleut, Azerbaijani, and Jakovlev's Chuvash orthography.
Document 3: Somalis: All of these traditions, including festivals, martial arts, dress, literature, sport and games such as Shax, have immensely contributed to the enrichment of Somali heritage.
Document 4: Siranush: After the Turkish sultan issued a decree banning Armenian plays in Turkey in 1878, Siranush moved to Tiflis (nowadays Tbilisi) and worked in the local Armenian theater companies. She then moved on to other Armenian-populated residences and often managed her own theatre companies. She occasionally joined Constantinople-based Armenian theater companies and more often played the major roles in the plays put on in Tiflis and Baku. After the death of renowned Armenian actor Petros Adamyan, Siranush became the bright individual who sparked interest among Armenian spectators towards theater again.
Document 5: Coptic (Unicode block): Coptic is a Unicode block used with the Greek and Coptic block to write the Coptic language. Prior to version 4.1 of the Unicode Standard, Greek and Coptic was used exclusively to write Coptic text, but Greek and Coptic letter forms are contrastive in many scholarly works, necessitating their disunification. Any specifically Coptic letters in the Greek and Coptic block are not reproduced in the Coptic Unicode block.
Document 6: Tibetan (Unicode block): Tibetan is a Unicode block containing characters for the Tibetan, Dzongkha, and other languages of Tibet, Bhutan, Nepal, and northern India. The Tibetan Unicode block is unique for having been allocated as a standard virama-based encoding for version 1.0, removed from the Unicode Standard when unifying with ISO 10646 for version 1.1, then reintroduced as an explicit root/subjoined encoding, with a larger block size in version 2.0.
Document 7: Sheram: He is known as the founder of the modern gusan (Armenian popular composing) art. He created melodies and songs that are popular to this day:
Document 8: Armenia: Instruments like the duduk, the dhol, the zurna, and the kanun are commonly found in Armenian folk music. Artists such as Sayat Nova are famous due to their influence in the development of Armenian folk music. One of the oldest types of Armenian music is the Armenian chant which is the most common kind of religious music in Armenia. Many of these chants are ancient in origin, extending to pre-Christian times, while others are relatively modern, including several composed by Saint Mesrop Mashtots, the inventor of the Armenian alphabet. Whilst under Soviet rule, Armenian classical music composer Aram Khatchaturian became internationally well known for his music, for various ballets and the Sabre Dance from his composition for the ballet Gayane.
Document 9: Palmyrene (Unicode block): Palmyrene is a Unicode block containing characters for the historical Palmyrene alphabet used to write the local Palmyrene dialect of Aramaic.
Document 10: Unicode: Indic scripts such as Tamil and Devanagari are each allocated only 128 code points, matching the ISCII standard. The correct rendering of Unicode Indic text requires transforming the stored logical order characters into visual order and the forming of ligatures (aka conjuncts) out of components. Some local scholars argued in favor of assignments of Unicode code points to these ligatures, going against the practice for other writing systems, though Unicode contains some Arabic and other ligatures for backward compatibility purposes only. Encoding of any new ligatures in Unicode will not happen, in part because the set of ligatures is font-dependent, and Unicode is an encoding independent of font variations. The same kind of issue arose for Tibetan script[citation needed] (the Chinese National Standard organization failed to achieve a similar change).
Document 11: Armenians: Instruments like the duduk, the dhol, the zurna and the kanun are commonly found in Armenian folk music. Artists such as Sayat Nova are famous due to their influence in the development of Armenian folk music. One of the oldest types of Armenian music is the Armenian chant which is the most common kind of religious music in Armenia. Many of these chants are ancient in origin, extending to pre-Christian times, while others are relatively modern, including several composed by Saint Mesrop Mashtots, the inventor of the Armenian alphabet. Whilst under Soviet rule, Armenian classical music composer Aram Khatchaturian became internationally well known for his music, for various ballets and the Sabre Dance from his composition for the ballet Gayane.
Document 12: Ottoman Empire: Ottoman classical music was an important part of the education of the Ottoman elite, a number of the Ottoman sultans were accomplished musicians and composers themselves, such as Selim III, whose compositions are often still performed today. Ottoman classical music arose largely from a confluence of Byzantine music, Armenian music, Arabic music, and Persian music. Compositionally, it is organised around rhythmic units called usul, which are somewhat similar to meter in Western music, and melodic units called makam, which bear some resemblance to Western musical modes.
Document 13: Eritrea: Eritrea's ethnic groups each have their own styles of music and accompanying dances. Amongst the Tigrinya, the best known traditional musical genre is the guaila. Traditional instruments of Eritrean folk music include the stringed krar, kebero, begena, masenqo and the wata (a distant/rudimentary cousin of the violin). The most popular Eritrean artist is the Tigrinya singer Helen Meles, who is noted for her powerful voice and wide singing range. Other prominent local musicians include the Kunama singer Dehab Faytinga, Ruth Abraha, Bereket Mengisteab, Yemane Baria, and the late Abraham Afewerki.
Document 14: Armenian (Unicode block): Armenian is a Unicode block containing characters for writing the Armenian language, both the traditional Western Armenian and reformed Eastern Armenian orthographies. Five Armenian ligatures are encoded in the Alphabetic Presentation Forms block.
Document 15: Aspirated consonant: Western Armenian has a two-way distinction between aspirated and voiced: /tʰ d/. Western Armenian aspirated /tʰ/ corresponds to Eastern Armenian aspirated /tʰ/ and voiced /d/, and Western voiced /d/ corresponds to Eastern voiceless /t/.
ground_truth: Unicode block
sub_queries: Sheram >> languages spoken, written or signed Answer: Armenian
Armenian >> instance of Answer: Unicode block