Question: What college did the lyricist of Walk on the Wild Side attend?

full_context: Document 1: Street Hassle (song): "Street Hassle" is a song recorded by Lou Reed for his 1978 album of the same name. It is 10 minutes and 56 seconds long and divided into three distinct sections: "Waltzing Matilda," "Street Hassle," and "Slipaway." Part one, "Waltzing Matilda," describes a woman picking up and paying a male prostitute. In Part Two, "Street Hassle," a drug dealer speaks at length about the death of a woman in his apartment to her companion. Part Three, "Slipaway," contains a brief, uncredited, spoken word section by Bruce Springsteen (from 9:02 to 9:39) and a dirge sung by Reed about love and death. It was recorded in E major.
Document 2: Jack Carlton Reed: Reed was convicted of conspiracy to distribute cocaine and operating a continuing criminal enterprise. Prosecutors said Reed was an important player in the Lehder organization, flying drug shipments from Colombia, hiring ground crews, and working with distributors.
Document 3: Donald Roden: Donald Roden is an associate professor of history at Rutgers University. He is mostly known for his efforts in combating the prison recidivism rate through a means of education. He is the founder of Rutgers' Mountainview Prison Project, a program that recruits and prepares ex-offenders during their incarceration, and supports their pursuit of an undergraduate degree at Rutgers, The State University of New Jersey, after their release. Since 2005, he is responsible for the admittance of over 30 ex-offenders into Rutgers University, many of which have attained their bachelor's degree. Donald Roden has also written about a variety of subjects dealing with East Asian history including Japanese baseball, Taisho culture, and foreigners in Meiji Japan.
Document 4: Paul Levinson: Paul Levinson graduated from Christopher Columbus High School in the Bronx, attended the City College of New York (CCNY) in the 1960s, and received a BA in journalism from New York University in 1975; an MA in Media Studies from The New School in 1976; and a PhD from New York University in media ecology in 1979. His doctoral dissertation, "Human Replay: A Theory of the Evolution of Media" (1979), was mentored by Neil Postman.
Document 5: Vicious (Lou Reed song): "Vicious" is a song written by Lou Reed, released as a single in 1973 and originally featured on "Transformer", Reed's second post-Velvet Underground solo album.
Document 6: Rock and Roll Diary: 1967–1980: Rock and Roll Diary: 1967–1980 was released by Arista Records in 1980 as a double album split between tracks by the Velvet Underground and tracks by Lou Reed, attempting to demonstrate the arc of his songwriting over the first fifteen years of his career. The versions of "Heroin" and "Femme Fatale" are from the 1974 Velvet Underground live album "". "Coney Island Baby" comes from the "" album. The liner notes for the album were written by Ellen Willis.
Document 7: Leo Cullum: Born in Newark, New Jersey, Cullum was raised in North Bergen, New Jersey and earned his undergraduate degree in 1963 from the College of the Holy Cross, where he majored in English. He joined the United States Marine Corps after graduating from college, earning a commission as a second Lieutenant. Upon completion of his flight training in Pensacola, Florida, Cullum deployed to Vietnam, where he flew more than 200 missions, mostly ground attacks in support of the infantry in addition to attacks on the Viet Cong supply lines on the Ho Chi Minh trail in Laos. Though the missions over Laos were not officially acknowledged, Cullum was baffled by the need for secrecy, saying "the North Vietnamese certainly knew it wasn't the Swiss bombing them".
Document 8: Yale University: The Revolutionary War soldier Nathan Hale (Yale 1773) was the prototype of the Yale ideal in the early 19th century: a manly yet aristocratic scholar, equally well-versed in knowledge and sports, and a patriot who "regretted" that he "had but one life to lose" for his country. Western painter Frederic Remington (Yale 1900) was an artist whose heroes gloried in combat and tests of strength in the Wild West. The fictional, turn-of-the-20th-century Yale man Frank Merriwell embodied the heroic ideal without racial prejudice, and his fictional successor Frank Stover in the novel Stover at Yale (1911) questioned the business mentality that had become prevalent at the school. Increasingly the students turned to athletic stars as their heroes, especially since winning the big game became the goal of the student body, and the alumni, as well as the team itself.
Document 9: Jon Jost: Born in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he was imprisoned by US authorities for 2 years 3 months for refusal to cooperate with the Selective Service system. On his release he became engaged in anti-war activities, working for the draft resistance, Chicago Mobilization, and helped found the Chicago branch of what became Newsreel, the New Left Film production and distribution group.
Document 10: Walk on the Wild Side (Lou Reed song): The baritone saxophone solo played over the fadeout of the song is performed by Ronnie Ross, who had taught David Bowie to play the saxophone during Bowie's childhood.
Document 11: Perfect Day (Lou Reed song): ``Perfect Day ''is a song written by Lou Reed in 1972. It was originally featured on Transformer, Reed's second post-Velvet Underground solo album, and as a double A-side with his major hit,`` Walk on the Wild Side''. Its fame was given a boost in the 1990s when it was featured in the 1996 film Trainspotting and after a star - studded version was released as a BBC charity single in 1997, that became the UK's number one single for three weeks. Reed re-recorded the song for his 2003 album The Raven.
Document 12: Anton Rupert: After dropping out of medical school due to a lack of funds, Rupert earned a chemistry degree at the University of Pretoria, where he also lectured for a short while. Subsequently, he started a dry-cleaning business.
Document 13: Lou Reed: Upon his recovery from his illness and associated treatment, Reed resumed his education at Syracuse University in 1960, studying journalism, film directing, and creative writing. He was a platoon leader in ROTC; he said he was later expelled from the program for holding an unloaded gun to his superior's head.
Document 14: White Light/White Heat (song): "White Light/White Heat" was recorded in the course of the recording sessions for "White Light/White Heat" in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
Document 15: Walk on the Wild Side (Lou Reed song): "Walk on the Wild Side" is a song by Lou Reed from his second solo album, "Transformer" (1972). It was produced by David Bowie and Mick Ronson, and released as a double A-side with "Perfect Day". The song received wide radio coverage, despite its touching on taboo topics such as transsexual people, drugs, male prostitution, and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. In 2010, "Rolling Stone" ranked it at number 223 in its list of the 500 greatest songs of all time.
ground_truth: Syracuse University
sub_queries: Walk on the Wild Side >> lyrics by Answer: Lou Reed
What college did Lou Reed go to? Answer: Syracuse University