Question: Where did the form of music played by Die Rhöner Säuwäntzt originate?

full_context: Document 1: Svinfylking: The Svinfylking, Old Norse for 'Swine Array' or 'Boar Snout', was a version of the wedge formation used in Iron Age Scandinavia then by the Vikings, and by the Germanic peoples during the Germanic Iron Age where it was known as the "Schweinskopf" or 'Swine's Head'. Its invention was attributed to the god Odin.
Document 2: Scally (slang): Scally is a derogatory term used in the Northwest of England especially around Liverpool. It roughly synonymous with Chav or Ned. The term is associated with youth with a particular style of dress. The term denotes "a roguish, boisterous, disruptive or irresponsible male", and is derived from "Scallywag", meaning "a disreputable person"
Document 3: Contemporary folk music: Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock, folktronica, and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.
Document 4: Rootabaga Stories: Rootabaga Stories (1922) is a children's book of interrelated short stories by Carl Sandburg. The whimsical, sometimes melancholy stories, which often use nonsense language, were originally created for his own daughters. Sandburg had three daughters, Margaret, Janet and Helga, whom he nicknamed "Spink", "Skabootch" and "Swipes" -those nicknames occur in some of his Rootabaga stories. The "Rootabaga" stories were born of Sandburg's desire for "American fairy tales" to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so set his stories in a fictionalized American Midwest called "the Rootabaga country" filled with farms, trains, and corn fairies. A large number of the stories are told by the Potato Face Blind Man, an old minstrel of the Village of Liver-and-Onions who hangs out in front of the local post office. His impossibly acquired firsthand knowledge of the stories adds to the book's narrative feel and fantastical nature. In the Preface of the little-known "Potato Face," Sandburg wrote,
Document 5: Schooner Fare: Schooner Fare is a Maine-based folk band, consisting of Steve Romanoff (vocals, six and twelve-string guitar, five-string banjo), Chuck Romanoff (vocals, twelve-string guitar, tenor banjo), and formerly Tom Rowe (vocals, bass guitar, tin whistle). Schooner Fare plays primarily original maritime, socially conscious, and traditional folk music. They play throughout Maine and North America, and their songs are played by radio stations and satellite radio worldwide.
Document 6: Skiffle: Skiffle is a music genre with jazz, blues, folk and American folk influences, usually using a combination of manufactured and homemade or improvised instruments. Originating as a term in the United States in the first half of the 20th century, it became popular again in the UK in the 1950s, where it was associated with artists such as Lonnie Donegan, The Vipers Skiffle Group, Ken Colyer and Chas McDevitt. Skiffle played a major part in beginning the careers of later eminent jazz, pop, blues, folk and rock musicians and has been seen as a critical stepping stone to the second British folk revival, blues boom and British Invasion of the US popular music scene.
Document 7: Die Rhöner Säuwäntzt: Die Rhöner Säuwäntzt are a Skiffle-Bluesband from Eichenzell-Lütter in Hessen, Germany. The line-up consists of Martin Caba, Christoph Günther and Christoph Leipold playing Skiffle-Blues with lyrics based on Rhön Mountains dialect and other Hessian dialects varieties. The expression "Säuwäntzt" means pork belly and refers also to untidy or unruly children and youth.
Document 8: 1960s in jazz: In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.) broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Document 9: Folk rock: Folk rock is a music genre combining elements of folk music and rock music. In its earliest and narrowest sense, the term referred to a genre that arose in the United States and the United Kingdom around the mid-1960s. The genre emerged from bands such as the Beatles, the Searchers, and the Animals in the UK, and Bob Dylan and the Byrds in the US, who played traditional folk music and songs with rock instrumentation. The term "folk rock" is first noted as being used by the U.S. music press in June 1965 to describe the Byrds' music; the band's debut album was released the same month.
Document 10: Jazz: Jazz is a music genre that originated in African American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience and styles to the art form as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Document 11: Traditional bluegrass: Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass. Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s. Traditional bands may use their instruments in slightly different ways, for example by using multiple guitars or fiddles in a band.
Document 12: British folk rock: British folk rock (sometimes called electric folk) is a form of folk rock developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on the song "I'm a Loser" from their "Beatles for Sale" album. The Beatles and other British Invasion bands, in turn, influenced the Californian band the Byrds, who released their recording of Dylan's "Mr Tambourine Man" in April 1965, setting off the mid-1960s folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid-1960s, including the Strawbs, Pentangle, Eclection, and Fairport Convention.
Document 13: British popular music: British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk music, jazz, pop and rock music. These forms of music have particularly flourished in Britain, which, it has been argued, has influenced popular music disproportionately to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically developed by British musicians, including: blues rock, heavy metal music, progressive rock, punk rock, British folk rock, folk punk, acid jazz, drum and bass, grime, dubstep and Britpop.
Document 14: Goetta: Goetta is a meat-and-grain sausage or mush of German inspiration that is popular in the greater Cincinnati area. It is primarily composed of ground meat (pork, or pork and beef), pin-head oats and spices. Pronounced "gétt-aa", "ged-da" or "get-uh" in Americanized pronunciation, and gutta in the Low German pronunciation, this dish probably originated with German settlers from the northwestern regions of Oldenburg, Hannover, and Westphalia who emigrated to the Cincinnati and Dayton area in the 19th century. The word "Goetta" comes from the Low German word "Grötte." North of Cincinnati, specifically in the region surrounding Darke, Mercer, Shelby, and Auglaize counties, goetta is often known by the term "grits", not to be confused with hominy grits. This usage of the word "grits" stems from the High German word "Grütze," which is an equivalent of the Low German "Grötte."
Document 15: Volkstümliche Musik: Volkstümliche Musik (German for "folksy/traditional/popular music") is a modern popular derivation of the traditional "Volksmusik" genre of German-speaking countries in general and their Alpine regions in particular. Though it is often marketed as "Volksmusik", it differs from traditional folk music in that it is commercially performed by celebrity singers and concentrates on newly created sentimental and cheerful feel-good compositions. Volkstümliche Musik is sometimes instrumental, but usually presented by one or especially two singers and is most popular amongst an adult audience in Germany, Austria, Switzerland, and also in South Tyrol (Italy), Alsace (France), Netherlands, Flanders (Belgium), Slovenia and Silesia (Poland).
ground_truth: United States