Question: Which of the following is an opera that premiered in 1954 in Venice: The Turn of the Screw or Jenůfa?

full_context: Document 1: String Quartet No. 2 (Britten): String Quartet No. 2 in C major, Op. 36, by English composer Benjamin Britten (191376), was written in 1945. It was composed in Snape, Suffolk and London, and completed on 14 October. The first performance was by the Zorian Quartet in the Wigmore Hall, London on 21 November 1945, in a concert to mark the exact 250th anniversary of the death of English composer Henry Purcell (165995). The work was commissioned by and is dedicated to Mary ("Mrs J. L.") Behrend, a patron of the arts; Britten donated most of his fee towards famine relief in India.
Document 2: Káťa Kabanová: Káťa Kabanová (also known in various spellings including "Katia", "Katja", "Katya", and "Kabanowa") is an opera in three acts, with music by Leoš Janáček to a libretto by , based on "The Storm", a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. "Káťa Kabanová" is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre (Národní divadlo v Brně ) in Brno on 23 November 1921.
Document 3: Benjamin Britten: Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist. He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
Document 4: The Jacobin: The Jacobin ("Jakobín" in Czech) is an opera in three acts by Antonín Dvořák to an original Czech libretto by Marie Červinková-Riegrová. Červinková-Riegrová took some of the story's characters from the story by Alois Jirásek, "At the Ducal Court", but devised her own plot about them. The first performance was at the National Theatre, Prague, 1889. Červinková-Riegrová revised the libretto, with Dvořák's permission, in 1894, notably in the last act. Dvořák himself revised the music in 1897 (the revised premiere was on 19 June 1898, under Adolf Čech).
Document 5: From the House of the Dead: From the House of the Dead ("Z mrtvého domu" in Czech) is an opera by Leoš Janáček, in three acts. The libretto was translated and adapted by the composer from the 1862 novel by Dostoyevsky. It was the composer's last opera, premiered on 12 April 1930 in Brno, two years after his death.
Document 6: The Turn of the Screw (2009 film): The Turn of the Screw (also known as Ghost Story: The Turn of the Screw) is a British television film based on Henry James's 1898 ghost story of the same name. Commissioned and produced by the BBC, it was first broadcast on 30 December 2009, on BBC One. The novella was adapted for the screen by Sandy Welch, and the film was directed by Tim Fywell. Although generally true to the tone and story of James's work, the film is set in the 1920s—in contrast to the original 1840s setting—and accentuates sexual elements that some theorists have identified in the novella. The film's story is told in flashbacks during consultations between the institutionalised Ann (Michelle Dockery) and Dr Fisher (Dan Stevens). Ann tells how she was hired by an aristocrat (Mark Umbers) to care for the orphans Miles (Josef Lindsay) and Flora (Eva Sayer). She is met at the children's home, Bly, by Mrs Grose (Sue Johnston), the housekeeper. Ann soon begins to see unknown figures around the manor, and seeks an explanation.
Document 7: Vanessa (opera): Vanessa is an American opera in three (originally four) acts by Samuel Barber, opus 32, with an original English libretto by Gian-Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by Cecil Beaton and directed by Menotti. Barber revised the opera in 1964, reducing the four acts to the three-act version most commonly performed today.
Document 8: The Habit of Art: The Habit of Art is a 2009 play by English playwright Alan Bennett, centred on a fictional meeting between W. H. Auden and Benjamin Britten while Britten is composing the opera "Death in Venice". It premiered on 5 November 2009 at the Lyttelton Theatre at the Royal National Theatre, with the central roles filled by Alex Jennings as Britten and Richard Griffiths as Auden (the latter replacing Michael Gambon, who had to withdraw from the production due to minor ill health). The performance of April 22, 2010 was broadcast to more than 200 cinemas worldwide by NTLive.
Document 9: The Makropulos Affair (opera): The Makropulos Affair (or "The Makropoulos Case", "The Makropulos Secret", or, literally, "The Makropulos Thing"; Czech Věc Makropulos) is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play "Věc Makropulos" by Karel Čapek. Composed between 1923 and 1925, "The Makropulos Affair" was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.
Document 10: A Midsummer Night's Dream (opera): A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, "A Midsummer Night's Dream". It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
Document 11: The Rape of Lucretia: The Rape of Lucretia (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play "".
Document 12: Destiny (Janáček): Destiny (also known as "Fate", Czech: "Osud" ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, "Kamila", where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Document 13: Jenůfa: Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová. It was first performed at the Brno Theater, Brno, 21 January 1904. It was written between 1896 and 1902, and counts among the first operas written in prose.
Document 14: The Turn of the Screw (opera): The Turn of the Screw is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". The libretto is based on the novella "The Turn of the Screw" by Henry James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. The original recording was made during that year, with the composer conducting.
Document 15: The Cunning Little Vixen: The Cunning Little Vixen (Czech: "Příhody lišky Bystroušky" , lit. "Adventures of the vixen known as Sharp-Ears", and, until the 1970s, generally referred to in English as Adventures of Vixen Sharp-Ears) is a Czech language opera by Leoš Janáček, composed 1921 to 1923, in which a clever fox and accompanying wildlife (as well as a few humans) have small adventures while traversing their lifecycles. Its libretto was adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek and Stanislav Lolek, which was first published in the newspaper "Lidové noviny". The opera incorporates Moravian folk music and rhythms. Described as a comic opera, it has nonetheless been noted to contain a serious theme. Interpretations of the work remain varied, ranging from children's entertainment to a tragedy.
ground_truth: The Turn of the Screw