Question: What American singer and producer does Snoop Dogg's song that includes a stutter edit feature?

full_context: Document 1: Snare rush: Snare rush is a term often used in electro culture to refer to impossibly fast rolls. A snare rush can vary in tempo considerably, from 16th notes even to 2048th notes. At that sort of speed, the effect is a buzzing sound, but with a detectable pitch, so some artists vary the repeat rate, and can even play a tune. One example of this would be the last 18 seconds of "Ghetto Body Buddy" by Venetian Snares, where the theme from "Sesame Street" is played using only extremely fast snare rushes. The defining characteristic of a snare rush, as opposed to a roll, is the sheer virtuosity it would take for a physical drummer to play a successful one. As such, almost all snare rushes are computer programmed and can be used with bass drums, tom-toms, and cymbals to intensify the effect. They are often used as fills, alongside complex programmed breakbeats. Snare rushes are also often run through analog or dsp effects together with variations in volume, such as a filters or pitch shifting. They are common in trance music, hard techno, gabber music, oldschool jungle, IDM, drill 'n bass, breakcore and glitch music.
Document 2: Drut: Drut (द्रुत; also called drut laya) is the concluding section, in fast tempo (or "laya"), between 160 and 320 beats per minute, of the performance of a vocal raga in Hindustani classical music.
Document 3: Candy (Drippin' Like Water): "Candy (Drippin' Like Water)", is the third single by Snoop Dogg from his 2006 album "Tha Blue Carpet Treatment", produced by Rick Rock. It features E-40, MC Eiht, Goldie Loc and Tha Dogg Pound (Daz Dillinger and Kurupt), and Ladybug on the chorus. The song title and sample come from Ladybug Mecca's vocals on Digable Planets's "9th Wonder (Blackitolism)". "Candy" refers to a high gloss paint finish applied to automobiles. In the song it is also used as a euphemism for marijuana, cocaine and sex.
Document 4: Hot Nigga: "Hot Nigga" (sometimes stylized as "Hot N*gga", edited for radio as "Hot Boy") is the debut single by American hip hop recording artist Bobby Shmurda. "Hot Nigga" was released for digital download on July 25, 2014 by Epic Records and GS9. The song includes production from Jahlil Beats, which was originally used by Lloyd Banks for his 2012 song, "Jackpot". The music video contains a choreography that was later named the "Shmoney dance". The song and the video became popular in 2014 among Vine users, which led to the "Shmoney dance" phenomenon. Additionally, several unofficial remixes by various rappers have been made. The song has peaked at number six on the US "Billboard" Hot 100 chart, becoming the artist's first and only top 10 single in the United States. "Hot Nigga" was a commercial success, being certified Platinum in the United States.
Document 5: Distortion (music): Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as bass guitar, electric piano, and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to get distorted. While overdriven tube amps are still used to obtain overdrive in the 2010s, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk and heavy metal music.
Document 6: Riddim Driven: Liquid: Riddim Driven: Liquid is the fifteenth installment in VP Records' "Riddim Driven" series. It was released in October 2001 on CD and LP. The album features the "Liquid" riddim, produced by Jeremy "2 Hard" Harding. For this particular riddim, VP released a double length LP featuring twenty tracks instead of the standard ten. This riddim also features Tanto Metro & Devonte's "Give it to Her," one of the first popular uses of the warbling effect created by Anatares Audio Technologies' Auto-Tune computer program.
Document 7: What's My Name? (Snoop Doggy Dogg song): "Who Am I? (What's My Name?)" (commonly titled "What's My Name?") is the solo debut single by American hip hop recording artist Snoop Doggy Dogg. It was released on October 30, 1993 as the first single from his debut album, "Doggystyle", with the record labels Death Row Records, Interscope Records & Atlantic Records. The song, produced by Dr. Dre, features samples and interpolations from George Clinton's "Atomic Dog" in its chorus and throughout, and an interpolation from Parliament's "Give Up the Funk (Tear the Roof off the Sucker)" in its bridge. The song's intro contains a sample from The Counts' "Pack of Lies." A vocal sample ("the bomb") from Parliament's "P. Funk (Wants to Get Funked Up)" can be heard throughout. The bass line may be an interpretation of the one from Funkadelic's "(Not Just) Knee Deep". It was ranked number 456 on NME's 500 greatest songs of all time.
Document 8: From tha Chuuuch to da Palace: "From tha Chuuuch to da Palace" is a single that appeared on Snoop Dogg's sixth album "Paid tha Cost to Be da Bo$$". The song featured, and was produced by, The Neptunes. It contains re-sung elements from "Contagious" performed by The Isley Brothers. The song lyrics reference their lead singer Ron Isley. The music video was directed by Diane Martel and includes cameo appearances by Tony Cox, Tommy Davidson, Lauren London and rappers Soopafly, Goldie Loc, Uncle Junebug, Daz Dillinger and Warren G. The video also includes Pharrell wearing make up to look like Bill Gates. The song was featured in the movie "50 First Dates" and video game "MTV Music Generator 3".
Document 9: Lay Low (Snoop Dogg song): "Lay Low" is the second single from Snoop Dogg's fifth studio album "Tha Last Meal", released in 2000. It features then-labelmate Master P, Nate Dogg, Butch Cassidy, and Tha Eastsidaz. It was produced by Dr. Dre and Master P, who has a very minor intro to the song. The song received moderate airplay and was featured on Snoop Dogg's Greatest Hits. The video features cameo appearances from Tha Dogg Pound's Kurupt and Soopafly. It was also directed by Hype Williams. The concept of the video has a mafia-like approach. The song furthered the success of Tha Eastsidaz and would be one of Snoop's final singles for No Limit Records.
Document 10: Hot in Herre: "Hot in Herre" is a song by American rapper Nelly from his second studio album "Nellyville" (2002). The song features additional vocals by former labelmate Dani Stevenson. It was released on April 16, 2002, by Universal Records as the second single from the project. The song was produced by The Neptunes and serves as the opening track of the 2002 compilation album "Now That's What I Call Music! 11".
Document 11: Isochronic tones: Isochronic tones are regular beats of a single tone that are used alongside monaural beats and binaural beats in the process called brainwave entrainment. At its simplest level, an isochronic tone is a tone that is being turned on and off rapidly. They create sharp, distinctive pulses of sound.
Document 12: Drop It Like It's Hot: "Drop It Like It's Hot" is a hit single by American rapper Snoop Dogg featuring American singer and producer Pharrell. Snoop Dogg performs the chorus and the second and third verses (of three), while Pharrell performs the first verse. Pharrell's verse includes a line from "Raspy Shit" (a song from his debut album "In My Mind"), which was produced by The Neptunes and contains vocal samples from Laid Back's "White Horse". Part of "White Horse"'s production is sampled in "Drop It Like It's Hot" as well.
Document 13: Stutter edit: The stutter edit is an audio software VST plugin, implementing forms of granular synthesis, sample retrigger, and various effects to create a certain audible manipulation of the sound run through it, in which fragments of audio are repeated in rhythmic intervals. "In plain English, a stutter edit contains a single segment of audio repeated a number of times, giving a performance a decidedly digital flavor." Stutter edits not only occur as the common 16th note repetition, but also as 64th notes and beyond. Stutter edits can go beyond 2,048th notes and can be measured in milliseconds. Above a certain point, these repetitions transition from rhythmic to tonal frequencies, making musical notes out of the repeated audio. These extremely short, fast groups of notes are often placed into the spacing of an eighth or sixteenth note in an otherwise “normal” bar, creating rhythmic accenting and patterns that call attention to a particular section. These patterns can be placed at the beginning of a bar, or towards the end for a more syncopated sound. One example is in the second verse of "Drop It Like It's Hot", Snoop mentions a DJ followed by a stutter edit and turntable scratch in reply.
Document 14: Ostinato: In music, an ostinato ] (derived from Italian: "stubborn", compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. Well-known ostinato-based pieces include both classical compositions such as Ravel's "Boléro" and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's Theme from Peter Gunn (1959), and The Verve's "Bitter Sweet Symphony" (1997).
Document 15: Scratching: Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique used to produce distinctive percussive or rhythmic sounds and sound effects by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with hip hop music, where it emerged in the mid-1970s, it has been used in the 1990s and 2000s in some styles of rap rock, rap metal and nu metal. Within hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association, formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs.
ground_truth: Pharrell