Question: What is the average family income where Jyothi's performer was born?

full_context: Document 1: Atlantic City, New Jersey: The Census Bureau's 2006–2010 American Community Survey showed that (in 2010 inflation-adjusted dollars) median household income was $30,237 (with a margin of error of +/- $2,354) and the median family income was $35,488 (+/- $2,607). Males had a median income of $32,207 (+/- $1,641) versus $29,298 (+/- $1,380) for females. The per capita income for the city was $20,069 (+/- $2,532). About 23.1% of families and 25.3% of the population were below the poverty line, including 36.6% of those under age 18 and 16.8% of those age 65 or over.
Document 2: John Coltrane and Johnny Hartman: John Coltrane and Johnny Hartman is a 1963 studio album featuring John Coltrane and Johnny Hartman. It was inducted into the Grammy Hall of Fame in 2013.
Document 3: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 4: Atlantic City, New Jersey: The median income for a household in the city was $26,969, and the median income for a family was $31,997. Males had a median income of $25,471 versus $23,863 for females. The per capita income for the city was $15,402. About 19.1% of families and 23.6% of the population were below the poverty line, including 29.1% of those under age 18 and 18.9% of those age 65 or over.
Document 5: Boston: The median household income in Boston was $51,739, while the median income for a family was $61,035. Full-time year-round male workers had a median income of $52,544 versus $46,540 for full-time year-round female workers. The per capita income for the city was $33,158. 21.4% of the population and 16.0% of families are below the poverty line. Of the total population, 28.8% of those under the age of 18 and 20.4% of those 65 and older were living below the poverty line.
Document 6: San Diego: In 2000, the median income for a household in the city was $45,733, and the median income for a family was $53,060. Males had a median income of $36,984 versus $31,076 for females. The per capita income for the city was $23,609. According to Forbes in 2005, San Diego was the fifth wealthiest U.S. city but about 10.6% of families and 14.6% of the population were below the poverty line, including 20.0% of those under age 18 and 7.6% of those age 65 or over. Nonetheless, San Diego was rated the fifth-best place to live in the United States in 2006 by Money magazine.
Document 7: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 8: Boston: In the city, the population was spread out with 21.9% at age 19 and under, 14.3% from 20 to 24, 33.2% from 25 to 44, 20.4% from 45 to 64, and 10.1% who were 65 years of age or older. The median age was 30.8 years. For every 100 females, there were 92.0 males. For every 100 females age 18 and over, there were 89.9 males. There were 252,699 households, of which 20.4% had children under the age of 18 living in them, 25.5% were married couples living together, 16.3% had a female householder with no husband present, and 54.0% were non-families. 37.1% of all households were made up of individuals and 9.0% had someone living alone who was 65 years of age or older. The average household size was 2.26 and the average family size was 3.08.
Document 9: Jimmie Gordon: Whatever his origin and background, by 1934 Gordon was signed to a recording contract. Apart from one Bluebird side at the beginning of his recording career, all of Gordon's pre-war work was released by Decca. Gordon's backing ensembles, sometimes billed as the Vip Vop Band, variously included such notable blues and jazz musicians as Scrapper Blackwell, the brothers Papa Charlie McCoy and Kansas Joe McCoy, members of the Harlem Hamfats, Frankie Newton, Pete Brown, Buster Bennett, and the drummer Zutty Singleton. This ability to base backing units around a jazz - blues fusion of musicians was started by the Harlem Hamfats, but Gordon's use of this arrangement proved the basis for many later blues bands. His most commercially successful number was a song he wrote, ``I'd Rather Drink Muddy Water '', in 1936 His ability to raise social issues in his songs is shown by`` Do n't Take Away My P.W.A.'' (1936), a homage of sorts to the Public Works Administration (P.W.A.), a large - scale public works construction agency in the United States in the Great Depression of the 1930s.
Document 10: Joe Gordon (musician): His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1953–55 intermittently), Art Blakey (1954), and Don Redman.
Document 11: Jazz in 3/4 Time: Jazz in ¾ Time is an album by American jazz drummer Max Roach featuring tracks recorded in late 1956 and early 1957 and released on the EmArcy label.
Document 12: Jyothi (album): Jyothi is an album by American jazz alto saxophonist Charlie Mariano and The Karnataka College of Percussion featuring R. A. Ramamani recorded in 1983 and released on the ECM label.
Document 13: Abstract (album): Abstract is the third album by Jamaican saxophonist Joe Harriott recorded in England in 1961 and 1962 and released on the Capitol label.
Document 14: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 15: Bass clarinet: The first jazz album on which the leader solely played bass clarinet was Great Ideas of Western Mann (1957) by Herbie Mann, better known as a flautist. However, avant - garde musician Eric Dolphy (1928 -- 1964) was the first major jazz soloist on the instrument, and established much of the vocabulary and technique used by later performers. He used the entire range of the instrument in his solos. Bennie Maupin emerged in the late 1960s as a primary player of the instrument, playing on Miles Davis's seminal record Bitches Brew as well as several records with Herbie Hancock's Mwandishi group. His style resembles Dolphy's in its use of advanced harmonies.
ground_truth: $61,035
sub_queries: Jyothi >> performer Answer: Charlie Mariano
Charlie Mariano >> place of birth Answer: Boston
What is the average family income in Boston ? Answer: $61,035