Question: When was the singer that recorded "Wait ’til My Bobby Gets Home" born?

full_context: Document 1: Patti Page: Clara Ann Fowler (November 8, 1927 – January 1, 2013), known by her professional name Patti Page, was an American singer of traditional pop music and country music. She was the top-charting female vocalist and best-selling female artist of the 1950s, selling over 100 million records during a six-decade long career. She was often introduced as "the Singin' Rage, Miss Patti Page". New York WNEW disc-jockey William B. Williams introduced her as "A Page in my life called Patti".
Document 2: Jackie DeShannon: Jackie DeShannon (born August 21, 1941/1944) is an American singer-songwriter with a string of hit song credits from the 1960s onwards, as both singer and composer. She was one of the first female singer-songwriters of the rock 'n' roll period. She is best known as the singer of "What the World Needs Now Is Love" and "Put a Little Love in Your Heart", and as the composer of "When You Walk in the Room" and "Bette Davis Eyes", which were hits for The Searchers and Kim Carnes, respectively. DeShannon is currently an entertainment broadcast correspondent reporting Beatles band members' news for the radio program "Breakfast with the Beatles".
Document 3: Darlene Love: Darlene Wright (born July 26, 1941), known by her stage name, Darlene Love is an American popular music singer and actress. She gained prominence in the 1960s for the song "He's a Rebel," a No. 1 American single in 1962, and was one of the artists who performed on the celebrated Christmas album "A Christmas Gift for You from Phil Spector," produced by Phil Spector in 1963. She is ranked number 84 among Rolling Stone's 100 Greatest Singers.
Document 4: Dream Lover: "Dream Lover" is a song written by Bobby Darin and recorded by him on April 6, 1959. Darin decided to stretch out some chord changes he found on the piano and add strings and voices. The song was produced by Ahmet Ertegun and Jerry Wexler and engineered by Tom Dowd. It was released as a single on Atco Records in the U.S. in 1959. It became a multi-million seller, reaching No.2 on the U.S. charts for a week and No.4 on the R&B charts. "Dream Lover" was kept from the No.1 spot by "The Battle of New Orleans" by Johnny Horton. It did however reach No.1 in the U.K. for four weeks during June and July 1959. In addition to Darin's vocal, the song features Neil Sedaka on piano. A picture sleeve, featuring a portrait of Darin, was also issued for this record in the U.S.
Document 5: I Love How You Love Me: "I Love How You Love Me" is a song written by Barry Mann and Larry Kolber. It was a 1961 Top Five hit for the pop girl group the Paris Sisters, which inaugurated a string of elaborately produced classic hits by Phil Spector. Bobby Vinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
Document 6: Diana Ross: Diana Ernestine Earle Ross (born March 26, 1944) is an American singer, songwriter, actress, and record producer. Born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group The Supremes, which, during the 1960s, became Motown's most successful act, and is to this day the United States' most successful vocal group, as well as one of the world's best-selling girl groups of all time. Ross' success as lead singer of The Supremes made it possible for future African-American R&B and soul acts to find mainstream success. The group released a record-setting twelve number-one hit singles on the US "Billboard" Hot 100, including "Where Did Our Love Go", "Baby Love", "Come See About Me", "Stop! In the Name of Love", "You Can't Hurry Love", "You Keep Me Hangin' On", "Love Child", and "Someday We'll Be Together".
Document 7: Debbie Reynolds: Mary Frances "Debbie" Reynolds (April 1, 1932 – December 28, 2016) was an American actress, singer, businesswoman, film historian, humanitarian, and mother of the actress and writer Carrie Fisher. She was nominated for the Golden Globe Award for Most Promising Newcomer for her portrayal of Helen Kane in the 1950 film "Three Little Words", and her breakout role was her first leading role, as Kathy Selden in "Singin' in the Rain" (1952). Other successes include "The Affairs of Dobie Gillis" (1953), "Susan Slept Here" (1954), "Bundle of Joy" (1956 Golden Globe nomination), "The Catered Affair" (1956 National Board of Review Best Supporting Actress Winner), and "Tammy and the Bachelor" (1957), in which her performance of the song "Tammy" become the first song by a female solo artist to reach number one on the "Billboard" music charts. In 1959, she released her first pop music album, titled "Debbie".
Document 8: Dusty Springfield: Mary Isobel Catherine Bernadette O'Brien, (16 April 1939 – 2 March 1999), better known as Dusty Springfield, was an English pop singer and record producer whose career extended from the late 1950s to the 1990s. With her distinctive sensual mezzo-soprano sound, she was an important blue-eyed soul singer and at her peak was one of the most successful British female performers, with six top 20 singles on the US "Billboard" Hot 100 and sixteen on the UK Singles Chart from 1963 to 1989. She is a member of the US Rock and Roll and UK Music Halls of Fame. International polls have named Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up, as well as her flamboyant performances made her an icon of the Swinging Sixties.
Document 9: Love on a Two-Way Street: "Love on a Two-Way Street" is a Soul ballad written by Sylvia Robinson and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album "Not on the Outside, But on the Inside, Strong!". Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. "Billboard" ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies. Willie and The Mighty Magnificents provided most of the musical backing on the song and Bert Keyes created the string arrangement that was overdubbed onto the track while also playing piano on the recording session.
Document 10: Wait ’til My Bobby Gets Home: Wait ’til My Bobby Gets Home is a song written by Phil Spector, Ellie Greenwich and Jeff Barry. It was recorded at Gold Star Studios in Los Angeles in May 1963 by Darlene Love with the lead vocals shared by Love and her sister Edna Wright. The song was arranged by Jack Nitzsche, Larry Levine was the engineer and Spector’s Wall of Sound was played by The Wrecking Crew.
Document 11: Rubber Ball: "Rubber Ball" was an early 1961 hit for Bobby Vee on Liberty Records. It was the record which made Vee an international star. The song was recorded on August 12, 1960, in a four-song, three-hour session at United in Hollywood. It was produced by a 19-year-old Texan, Thomas "Snuff" Garrett, arranged by Ernie Freeman, and was co-written at the Brill Building in New York by Gene Pitney, using his mother's maiden name (Orlowski), and by Aaron Schroeder. Veteran session drummer Earl Palmer played drums at the session.
Document 12: Darlin' Be Home Soon: "Darlin' Be Home Soon" (or "Darling Be Home Soon") is a song written by John Sebastian of The Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film "You're a Big Boy Now". It has been described as "...one of the most heartfelt songs about being away from a loved one, written from the point of view of a musician on the road writing a letter." It appeared on The Lovin' Spoonful's 1967 soundtrack album "You're a Big Boy Now" and was released as a single, reaching #15 on the US pop charts. In the same year, a version by Bobby Darin reached #93 on the US charts, saxophonist Bud Shank put the track on his album "A Spoonful of Jazz", and Billie Davis put it on the B-side of a single in the UK.
Document 13: I Promise to Wait My Love: "I Promise to Wait My Love" is a 1968 single recorded by girl group Martha and the Vandellas, released on the Gordy label. The third release from the group's "Ridin' High", it was another single given to them by producer Richard Morris with co-written credit to Sylvia Moy. Produced under a Memphis soul sound similar to soul singer Aretha Franklin, the song has the narrator (lead singer Martha Reeves) promising to wait for her love as he fights in Vietnam, although the song does not overtly reference the war, disguising it as the war being another woman saying that she will love him "even though (he does her) wrong". This song was the group's first single to miss the top 40 on the pop singles chart peaking at number 62, while it netted a top 40 entry on the R&B singles chart peaking at number 36 on the chart.
Document 14: (You Got) The Power of Love: The Everly Brothers recorded "(You Got) The Power of Love", written by Delaney Bramlett and Joey Cooper, in Hollywood on February 3, 1966. Session artists included Glen Campbell, Larry Knechtel, Jim Gordon and Hal Blaine. Released by Warner Brothers as a single in April 1966, this rock and roll tune was a cohesive effort and remains a favorite today. The song featured on the "In Our Image" album subsequently released by Warner Brothers, one of a trio of albums regarded by Don Everly as the best they recorded for the Warner Brothers label, the other two being "Rock N Soul" and "Beat N Soul".
Document 15: Dolly Parton: Dolly Rebecca Parton Dean (born January 19, 1946) is an American singer, songwriter, multi-instrumentalist, record producer, actress, author, businesswoman, and philanthropist, known primarily for her work in country music. After achieving success as a songwriter for others, Dolly Parton made her album debut in 1967, with her album "Hello, I'm Dolly". With steady success during the remainder of the 1960s (both as a solo artist and with a series of duet albums with Porter Wagoner), her sales and chart peak came during the 1970s and continuing into the 1980s; Parton's subsequent albums in the later part of the 1990s were lower in sales. However, in the new millennium, Parton achieved commercial success again and has released albums on independent labels since 2000, including albums on her own label, Dolly Records.
ground_truth: July 26, 1941