Question: Which private, nonsectarian institution has a famous artist featured in major museum solo shows?

full_context: Document 1: Princeton University: Princeton University is a private Ivy League research university in Princeton, New Jersey, United States. Founded in 1746 in Elizabeth as the College of New Jersey, Princeton is the fourth-oldest institution of higher education in the United States and one of the nine colonial colleges chartered before the American Revolution. The institution moved to Newark in 1747, then to the current site nine years later, where it was renamed Princeton University in 1896.
Document 2: Lex Brown (artist): Lex Brown is a contemporary video and performance artist born in 1989 in Oakland, CA. Brown grew up in Northern Virginia and attended Princeton University for her A.B. in visual art and archaeology where she graduated summa cum laude. Brown is currently completing her M.F.A. at the Yale University sculpture program. Brown is best known for her performance work which deals with self-reflection, politics, and design. While in undergrad Brown participated in several artist residencies including Chautauqua Institute in Chautauqua, NY, Skowhegan School of Painting, in Skowhegan, ME, and Yale-Norfolk School of Art in New Haven, CT, where she worked on sculpture, painting, video, and performance. She has been accepted to the Paul Klee residency program in Switzerland for summer 2016. Upon graduating from Princeton University Brown lived and worked in Los Angeles where her performance work was widely shown at art spaces in the city including REDCAT, Wilding Cran Gallery, and Monkey Town. Brown has shown work at the New Museum and Socrates Sculpture Park and International Center for Photography in New York, NY, the Antenna Gallery in New Orleans, LA, and VIA Music Festival in Pittsburgh, PA as part of their Women in Sound series. In 2015, Brown published a short novel entitled "My Wet Hot Drone Summer", as part of BadLands Unlimited's "New Lovers," a series of erotic fiction. Brown is also included in Thomas Hirschhorn's Gramsci Project publication.
Document 3: The New School: The New School is a private research university in Lower Manhattan, New York City, USA, located mostly in Greenwich Village. From its founding in 1919 by progressive New York educators, and for most of its history, the university was known as The New School for Social Research. Between 1997 and 2005 it was known as New School University. The university and each of its colleges were renamed in 2005.
Document 4: Edmund T. Pratt Jr. School of Engineering: Duke's Pratt School of Engineering is one of two undergraduate schools at Duke University in Durham, North Carolina, United States. The other is the Trinity College of Arts and Sciences. It is also one of ten graduate and professional schools at Duke.
Document 5: Hank Willis Thomas: Hank Willis Thomas (born March 17, 1976 in Plainfield, New Jersey) is a conceptual artist working primarily with themes related to identity, history and popular culture. His work has been exhibited throughout the U.S. and abroad including, the International Center of Photography, Guggenheim Museum Bilbao, Musée du quai Branly, and the Cleveland Museum of Art. Thomas’ work is in numerous public collections including the Museum of Modern Art New York, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Brooklyn Museum, the High Museum of Art and the National Gallery of Art in Washington DC, among others. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), and For Freedoms which Thomas co-founded in 2016 as the first artist-run super PAC. For Freedoms was recently awarded the 2017 ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the 2017 Soros Equality Fellowship. Current and upcoming exhibitions include "Prospect 4: The Lotus in Spite of the Swamp" in New Orleans and "Freedom Isn’t Always Beautiful" at Savannah College of Art and Design Museum. Thomas is a member of the Public Design Commission for the City of New York. He received a BFA in Photography and Africana studies from New York University and a MFA/MA in Photography and Visual Criticism from the California College of Arts. He has also received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts. Thomas lives and works in New York City.
Document 6: Swoon (artist): Originally known for her street art, Swoon (born Caledonia Dance Curry in 1977) is a mixed media artist who specializes in life-size wheatpaste prints and paper cutouts of human figures. She studied at the Pratt Institute in Brooklyn, receiving a BA in fine arts in 2002. She started to gain recognition for her street art around 1999 and large-scale installations soon thereafter; in 2005, she was the subject of an eponymous solo exhibition mounted by now-mentor Jeffrey Deitch. Swoon has since been featured in major museums including a 2014 solo show, "Submerged Motherlands", at the Brooklyn Museum.
Document 7: Cooper Union: The Cooper Union for the Advancement of Science and Art, commonly known as Cooper Union or The Cooper Union and informally referred to, especially during the 19th century, as "the Cooper Institute", is a privately funded college located in Cooper Square in the East Village neighborhood of Manhattan, New York City. Inspired in 1830 when Peter Cooper learned about the government-supported École Polytechnique in France, Cooper Union was established in 1859. The school was built on a radical new model of American higher education based on founder Peter Cooper's fundamental belief that an education "equal to the best technology schools [then] established" should be accessible to those who qualify, independent of their race, religion, sex, wealth or social status, and should be "open and free to all". The Cooper Union originally granted each admitted student a full-tuition scholarship. Following its own financial crisis, the school decided to abandon this policy starting in the Fall of 2014, but each incoming student receives at least a half-tuition merit scholarship. A consent decree brokered by the New York Attorney General in New York Supreme Court, and finalized in 2015, required the establishment of a Free Education Committee with the responsibility to present a strategic plan, no later than January 15, 2018, for consideration by the school's Board of Trustees, who would then vote on it at their Board meeting in March 2018, to allow the school to return to a sustainable tuition-free model.
Document 8: Pratt Institute: Pratt Institute is a private, nonsectarian, non-profit institution of higher learning located in the Clinton Hill neighborhood of Brooklyn, New York, United States, with a satellite campus located at 14th Street in Manhattan and an extension campus in Utica, New York (Pratt MWP). It originated in 1887 with programs primarily in engineering, architecture, and fine arts. Comprising six schools, the Institute is primarily known for its highly ranked programs in architecture, interior design, and industrial design, and offers both undergraduate and Master's degree programs in a variety of fields with a strong focus on research.
Document 9: Carol Sutton (artist): Carol Lorraine Sutton; born September 3, 1945, is a multi-disciplined artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is an award winning painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Sutton was encouraged by critic Michael Fried whom she met 1n 1986 at Triangle Artist Workshop. Some of Sutton paintings have been related to ontology.
Document 10: Terry Fugate-Wilcox: Tery Fugate-Wilcox, (AKA Terry Fugate-Wilcox before the 1980s) (born 1944) is a minimalist and natural-process postminimalist (Actual Art)-ist painter and sculptor best known for three monumental art works in New York City and surrounding region: the LMCC-sponsored "Holland Tunnel Wall" (dismantled circa 1989), the 3-storey "Self-Watering Tetrahedrons" fountain located in Prudential's "Gateway 4" lobby until 1998, and the permanently installed 36-foot-tall "3000 A.D. Diffusion Piece" in J. Hood Wright Park overlooking the "George Washington Bridge". The latter is the subject of a New York City official historical sign. The artist is an NEA-laureate with creations in the collections of the Smithsonian Institution, the National Gallery of Australia, NYC Parks, and several museums. His art at times led to tangles with the House Un-American Activities Committee, the New York City Department of Buildings, and magazine "Art in America". He was co-organizer of the Fulcrum Gallery (AKA Fvlcrvm Gallery, AKA Shakespeare's Fvlcrvm) located in the basement of the SoHo Branch of the Guggenheim Museum until both sites closed in 2002 in part due to the economic effects arising from the September 11 attacks on SoHo and TriBeCa.
Document 11: Clarkson University: Clarkson University is a private research university with its main campus located in Potsdam, New York, and additional graduate program and research facilities in New York State's Capital Region and Beacon, N.Y. It was founded in 1896 and has an enrollment of about 4,300 students studying toward bachelor's, master's, and doctoral degrees in each of its schools or institutes: the Institute for a Sustainable Environment, the School of Arts & Sciences, the School of Business and the Wallace H. Coulter School of Engineering. Clarkson University ranks #8 among "Top Salary-Boosting Colleges" nationwide. The Carnegie foundation classified Clarkson University as a "High Research Activity" institution.
Document 12: Duston Spear: Duston Spear, a native of Virginia, is an artist and activist residing in New York City. She received a certificate from Parsons School of Design in 1976, a B.A. from New York University in 1989, and an M.A. from New York University in 1998. She served as a Falk Visiting Artist in the Department of Art at The University of North Carolina at Greensboro in the spring of 1996. Beginning in spring of 2002, she began work as an adjunct professor of fine arts at Pace University. Starting in spring of the following year, she began work as an adjunct professor for Higher Education for Women in Prison. She has taught painting at Bedford Hills Correctional Facility in Bedford Hills, NY. Her work has been shown at the Metropolitan Museum, the Brooklyn Museum, and the High Museum of Art, among others.
Document 13: Cuthy Mede: Cuthy Mede is a Malawian artist. Lonely Planet said "possibly the best-known [Malawian] artist is Cuthy Mede – he is also actively involved in the development and promotion of Malawian art within the country and around the world." Cuthy Mede grew up on Likoma Island, Lake Malawi where he drew in the rough sands of the beach as a child. Later he studied Fine Art in Chancellor College and became a lecturer at the College in the 1970s. By the 1980s Mede established Gallerie Africaine in Lilongwe City Centre, the first art gallery by a local artist in Malawi. Mede exhibited his work widely in Malawi, becoming a successful artist selling his work to international collectors. Mede encouraged the work of young Malawian artists struggling to make a living selling folk art and wood carvings as street traders. He also brought fine art work from other Malawian artists into his Gallery. He was commissioned to paint a large mural decorating the City Centre. Mede is best known for his modern art styles: modern, futurist, cubist and pointillist, with strong local themes. His paintings depicted local people, historic events and current events in Malawi, Biblical references with local interpretations, indigenous religious expressions, and paintings about ideas such as Justice, Greed, Man and Machine. His paintings depict famine, refugees from Mozambique during the Civil War, voting and democracy, wedding celebration, spirits and possession, and the Nyau masquerade. Mede's less known work is realistic, including a reproduction of the Mona Lisa. His best known work is dominated by bright primary colors, cubist style, though his pointillist work favors ochres and softer tones in the overall effect. In later years Mede painted mostly in shades of blue, then white on white, the purest light. Mede is an evangelical Christian and his work begins with a point of light from which the rest of the painting flows, the energy from God. This point of light is evident in most of his paintings as a single dot, a sun or moon, or an orb. Best known for his paintings, Mede also produced sculptural forms such as wood figures covered in beads and pigments. His garden in Lilongwe was made into a work of art, in white and light, with fluorescent light tubes hanging from trees and white painted rocks lining the drive and entry. Mede's wife, Esther (deceased 2009), served as Principal Secretary for the Ministry of Research and Environmental Affairs in the Malawi government.
Document 14: Stevens Institute of Technology: Stevens Institute of Technology (SIT) is a private, coeducational research university located in Hoboken, New Jersey, United States. The university also has a satellite location in Washington, D.C.. Incorporated in 1870, it is one of the oldest technological universities in the United States, and was the first college in America solely dedicated to mechanical engineering. The campus encompasses Castle Point, the highest point in Hoboken, and several other buildings around the city.
Document 15: Mariana Castillo Deball: Mariana Castillo Deball (born 1975 in Mexico City) is an artist who studied in the Universidad Nacional Autónoma de México, Mexico City and the Jan Van Eyck Academie in Maastricht. She is currently based in Berlin. In 2009, she was awarded the Ars Viva prize, which has been presented by the Kulturkreis der deutschen Wirtschaft im BDI (Association of Arts and Culture of the German Economy at the Federation of German Industries) every year since 1953, and is awarded to young visual artists who live and work in Germany. Castillo Deball uses installation, sculpture, photography and drawing to explore the role objects play in our understanding of identity and history. Engaging in prolonged periods of research and field work, she takes on the role of the explorer or the archaeologist, compiling found materials in a way that reveals new connections and meanings. In Castillo Deball's 2013 work Stelae Storage, Plaster casts copied from monolithic Mayan stone sculptures called stelae are displayed on metal racks similar to those found in a museum's storage area. In a similar work, Lost Magic Kingdoms Paolozzi (2013), Castillo Deball culled photographic reproductions from the personal archives of late Scottish artist Eduardo Paolozzi, who mixed pop and ethnographic references.
ground_truth: Pratt Institute