Question: Who is the performer of Live at this studio that employs the person who coined the term theatre of the absurd?

full_context: Document 1: Jean Martin: Jean Martin (6 March 1922 – 2 February 2009) was a French actor of stage and screen. Martin served in the French Resistance during World War II and later fought with the French paratroopers in Indochina. Theatrically, he is perhaps best known for originating two roles in Samuel Beckett's most famous plays: Lucky in "Waiting for Godot", and Clov in "Endgame". During the 1950s, he was a performer at the Théâtre National Populaire and also worked for radio plays.
Document 2: Waldo Maguire: Waldo Maguire (31 May 1920 – 23 November 2005) was a British broadcaster for the BBC. He had a long career with the BBC, culminating in his appointment in 1966 as the Controller of BBC Northern Ireland. He served in this position until 1972.
Document 3: Live on Blueberry Hill: The audience recording is one of the first Led Zeppelin bootlegs, and one of the first ever rock and roll bootlegs. It was released on the Blimp label. The album was reissued on the Trademark of Quality label and shipped to England. The album sold so many copies that many fans thought it was a legal release. The sleeve notes describe it as "One hundred and six minutes and fifty three seconds of pure alive rock."
Document 4: BBC Sessions (Cocteau Twins album): BBC Sessions is an album of BBC studio recordings by the band Cocteau Twins released in 1999 by Bella Union in the UK and Rykodisc in the US. The album spanned the band's career from the early 1980s through the 1990s. Much of the first disk was taken from a series of early 1980s Peel sessions. The second disk contained several tracks recorded during the group's performance on the 1980s Radio 1 series "Saturday Live". The compilation peaked at No. 87 on the UK Albums Chart.
Document 5: Ron Neil: Ronald John Baillie Neil CBE (born June 1942) is a former BBC television journalist and news editor, who rose to become the BBC's overall director of news and current affairs in the late 1980s. He retired in 1998, but was recalled in 2004 to review BBC journalism and values in response to the criticisms made by the Hutton inquiry into the circumstances surrounding the death of Dr David Kelly.
Document 6: BBC Sessions (Led Zeppelin album): BBC Sessions is a compilation album featuring studio sessions and a live concert recorded by English rock group Led Zeppelin for the BBC. It was released on 11 November 1997, by Atlantic Records. Disc one consists of material from four different 1969 BBC sessions. Disc two contains most of the 1 April 1971 concert from the Paris Theatre in London. Disc three was only included in a limited run of album releases and features rare interviews from 1969, 1976/1977, and 1990.
Document 7: Theatre of the Absurd: Critic Martin Esslin coined the term in his 1960 essay ``Theatre of the Absurd. ''He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, The Myth of Sisyphus. The Absurd in these plays takes the form of man's reaction to a world apparently without meaning, and / or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1953 Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the`` well - made play''. These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
Document 8: Toralv Maurstad: Maurstad graduated from the Royal Academy of Dramatic Art (RADA) in London in 1949. Through the years he has not only worked as a leading actor but is also a respected stage director, and was the head of Oslo Nye Teater (Oslo New Theatre) from 1967 to 1978 and most notably the head of Norway's National Theatre Nationaltheatret from 1978 to 1986. He is considered perhaps the greatest interpreter of Henrik Ibsen's "Peer Gynt", having played the part numerous times (he even performed excerpts from the play as late as the 2002 Winter Olympic Games in Salt Lake City).
Document 9: Waiting for Godot: Waiting for Godot (/ ˈɡɒdoʊ / GOD - oh) is a play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait for the arrival of someone named Godot who never arrives, and while waiting they engage in a variety of discussions and encounter three other characters. Waiting for Godot is Beckett's translation of his own original French play, En attendant Godot, and is subtitled (in English only) ``a tragicomedy in two acts ''. The original French text was composed between 9 October 1948 and 29 January 1949. The premiere was on 5 January 1953 in the Théâtre de Babylone, Paris. The English language version was premiered in London in 1955. In a poll conducted by the British Royal National Theatre in 1990 it was voted the`` most significant English language play of the 20th century''.
Document 10: The Apple Cart: The Apple Cart: A Political Extravaganza is a 1928 play by George Bernard Shaw. It is a satirical comedy about several political philosophies which are expounded by the characters, often in lengthy monologues. The plot follows the fictional English King Magnus as he spars with, and ultimately outwits, Prime Minister Proteus and his cabinet, who seek to strip the monarchy of its remaining political influence. Magnus opposes the corporation "Breakages, Limited", which controls politicians and impedes technical progress.
Document 11: Mark Ronan: Mark Andrew Ronan (born 1947) is Emeritus Professor of Mathematics at the University of Illinois at Chicago and Honorary Professor of Mathematics at University College London. He has lived and taught in: Germany (at the University of Braunschweig and the Free University of Berlin); in England, where from 1989 to 1992 he was Mason Professor of Mathematics at the University of Birmingham; and America at the University of Illinois at Chicago, where his teaching included courses on ancient literature from Mesopotamia, and on the history of the calendar, as well as mathematics.
Document 12: Live at the BBC (Sandy Denny album): Live at the BBC is a four disc compilation of British folk singer songwriter Sandy Denny's BBC sessions from 1966 to 1973 and contains almost all her solo work for the corporation. Disc 4 of the set is a DVD of Denny performing three songs on the music programme "One in ten" in 1971: the only surviving solo footage of her. This compilation superseded the earlier one-disc set issued on the Strange Fruit label in 1997 that due to rights issues was withdrawn on the day of release thereby creating a highly collectable disc up until the release of this comprehensive set.
Document 13: Ronald Mason (drama): Ronald Mason (8 September 1926 – 16 January 1997) was a director and producer of drama for the BBC, a BBC executive in his native Northern Ireland at the height of the Troubles, the Head of BBC Radio Drama as successor to Martin Esslin and was active in the European Broadcasting Union (EBU).
Document 14: Live at the BBC (Fleetwood Mac album): Live at the BBC is a double compact disc compilation album by British blues rock band Fleetwood Mac, recorded at various BBC radio sessions between 1967 and 1971. It contains many tracks by Fleetwood Mac which are otherwise unavailable.
Document 15: Theatre of the Absurd: Critic Martin Esslin coined the term in his 1960 essay ``Theatre of the Absurd ''. He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay The Myth of Sisyphus. The Absurd in these plays takes the form of man's reaction to a world apparently without meaning, or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the Samuel Beckett play Waiting for Godot (1953). Although the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the`` well - made play''. These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.
ground_truth: Fleetwood Mac
sub_queries: who coined the term the theatre of the absurd Answer: Martin Esslin
Martin Esslin >> employer Answer: BBC
Live at the BBC >> performer Answer: Fleetwood Mac