Question: What does Michael Schneider, Carl Philipp Emanuel Bach, and Georg Philipp Telemann have in common?

full_context: Document 1: Carl Philipp Emanuel Bach Chamber Orchestra: The Carl Philipp Emanuel Bach Chamber Orchestra (German: Kammerorchester Carl Philipp Emanuel Bach) is a German chamber orchestra, founded in 1969 in Berlin, dedicated to the music of Carl Philipp Emanuel Bach and his contemporaries.
Document 2: Philips Classics Records: Philips Classics Records was started in the 1980s as the new classics record label for Philips Records. It was successful with artists including Alfred Brendel, Sir John Eliot Gardiner, Sir Neville Marriner and the Academy of St. Martin in the Fields, Mitsuko Uchida, Julian Lloyd Webber, Sir Colin Davis and André Rieu.
Document 3: Nikolaus Harnoncourt: Nikolaus Harnoncourt (Johann Nikolaus Graf [Count] de la Fontaine und d’Harnoncourt-Unverzagt; 6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics.
Document 4: Carl Philipp Emanuel Bach: The Complete Works: Carl Philipp Emanuel Bach: The Complete Works is a new critical edition of the music and keyboard treatise by C.P.E. Bach. The project was begun in 1998–99 in the wake of the aborted "Carl Philipp Emanuel Bach Edition," and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one. From 1999–2014, the new edition was chaired by Christopher Hogwood. After his untimely death in 2014, Robert D. Levin was appointed chair. The general editors are Darrell Berg (series I), Peter Wollny (series II, III, VII), and Ulrich Leisinger (series IV, V, VI). The edition is published by The Packard Humanities Institute. The current Editorial Guidelines (January 2015) are available in PDF format on the edition’s website: http://www.cpebach.org.
Document 5: Johann Sebastian Bach (painter): Johann Sebastian Bach (26 September 1748 – 11 September 1778) was a German painter. He was the son of composer Carl Philipp Emanuel Bach and the grandson of composer Johann Sebastian Bach.
Document 6: Frieder Bernius: Frieder Bernius (born 22 June 1947) is a German conductor, the founder and director of the chamber choir Kammerchor Stuttgart, founded in 1968. They became leaders for historically informed performances. He founded the Stuttgart festival of Baroque music, "Internationale Festtage Alter Musik", in 1987, and is a recipient of the Edison Award (1990), Diapason d'Or (1990) and the Order of Merit of the Federal Republic of Germany (1993).
Document 7: Simone Schneider: Simone Schneider is a German operatic soprano. As a member of Staatstheater am Gärtnerplatz, she performed coloratura roles such as the Mozart's Queen of the Night. As a member of the Staatsoper Stuttgart from 2006, she has performed a wide range of leading roles including Donizetti's Maria Stuarda and the Feldmarschallin in "Der Rosenkavalier" by Richard Strauss. She performed as a guest in major opera houses in Germany and Europe.
Document 8: Flute Concerto (Josef Reicha): The Concerto for Flute and Orchestra was written by Josef Reicha in 1781, shortly after he went on a Grand Tour in the mid to late 1770s. Though the work was composed in 1781, far beyond the date music historians have deemed as the beginning of the classical era, it displays many characteristics of the galant musical style characteristic of the pre-classical post-Baroque music of the eighteenth century. Records do not indicate if Reicha began composing the work while he was visiting the cosmopolitan centers of Europe but we may assume that he was indeed inspired by what he heard and saw based on the prevalence of galant musical characteristics presented throughout the work including (1) a simplistic, song-like, and clear melody, (2) short and periodic phrases, (3) a reduced harmonic vocabulary that emphasizes tonic and dominant, and (4) a clear distinction between soloist and accompaniment.
Document 9: Michael Schneider (conductor): Michael Schneider (born 10 August 1953 in Nordhorn) is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire.
Document 10: Michael Ostrzyga: Michael Ostrzyga is a German Composer and Conductor based in Cologne. He is known for his choral music in particular, being commissioned by festivals like the Schleswig-Holstein Musik Festival and performers like The Chamber Choir of Asia, the Finnish YL Male Voice Choir (Ylioppilaskunnan Laulajat), the Vienna Chamber Choir, Latvian Youth Choir "Kamēr..." and Chamber Choir Consono, among others. His works are performed by ensembles like the Raschèr Saxophone Quartet, New Dublin Voices, the Australian Chamber Choir, Rheinisches Klavierduo, Swedish choirs Kammarkören Pro Musica and Allmänna Sången Neues Rheinisches Kammerorchester, The Choral Project (California) and SFA A Cappella Choir (Texas).
Document 11: Mannheim school: Mannheim school refers to both the orchestral techniques pioneered by the court orchestra of Mannheim in the latter half of the 18th century as well as the group of composers of the early classical period, who composed for the orchestra of Mannheim. The father of the school is considered to be the Bohemian composer Johann Stamitz. Besides him, two generations of composers wrote compositions for the orchestra, whose reputation was due to its excellent discipline and the individual skill of its players; their performance style included new dynamic elements, crescendos and diminuendos. Composers of the Mannheim school played an important role in the development of the classical period's genres and of the classical symphony form.
Document 12: La Caroline (C. P. E. Bach): La Caroline, Wq. 117/39, H. 98, is a character piece (or "piece de caractare") for solo keyboard in A minor, written by Carl Philipp Emanuel Bach. Bach wrote several character pieces which were often grouped together and published as a set. These character pieces were based on similar works composed by François Couperin. "La Caroline" along with "La Philippine" (Wq 117/34, H. 96) may have been named after his daughter Anna Carolina Philippina.
Document 13: Johann Sebastian Bach: Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
Document 14: Georg Philipp Telemann: Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (] ) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Document 15: Carl Philipp Emanuel Bach: Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach.
ground_truth: German