Question: In what year did cable cars first run in the city where Blue Cheer are from?

full_context: Document 1: London Underground: London Underground A deep - level Central line train at Lancaster Gate bound for Ealing Broadway A larger sub-surface Metropolitan line train at Farringdon bound for Aldgate Overview Locale Greater London, Buckinghamshire, Essex, Hertfordshire Transit type Rapid transit Number of lines 11 Number of stations 270 served (260 owned) Daily ridership 5 million Annual ridership 1.379 billion (2016 / 17) Website London Underground Operation Began operation 10 January 1863; 154 years ago (1863 - 01 - 10) Operator (s) London Underground Limited Reporting marks LT (National Rail) Technical System length 402 km (250 mi) Track gauge 1,435 mm (4 ft 8 ⁄ in) standard gauge Electrification 630 V DC fourth rail Average speed 33 km / h (21 mph)
Document 2: Fisherman's Wharf, San Francisco: Fisherman's Wharf is a neighborhood and popular tourist attraction in San Francisco, California. It roughly encompasses the northern waterfront area of San Francisco from Ghirardelli Square or Van Ness Avenue east to Pier 35 or Kearny Street. The F Market streetcar runs through the area, the Powell-Hyde cable car lines runs to Aquatic Park, at the edge of Fisherman's Wharf, and the Powell-Mason cable car line runs a few blocks away.
Document 3: Hard rock: The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).
Document 4: San Diego: San Diego is served by the San Diego Trolley light rail system, by the SDMTS bus system, and by Coaster and Amtrak Pacific Surfliner commuter rail; northern San Diego county is also served by the Sprinter light rail line. The Trolley primarily serves downtown and surrounding urban communities, Mission Valley, east county, and coastal south bay. A planned Mid-Coast extension of the Trolley will operate from Old Town to University City and the University of California, San Diego along the I-5 Freeway, with planned operation by 2018. The Amtrak and Coaster trains currently run along the coastline and connect San Diego with Los Angeles, Orange County, Riverside, San Bernardino, and Ventura via Metrolink and the Pacific Surfliner. There are two Amtrak stations in San Diego, in Old Town and the Santa Fe Depot downtown. San Diego transit information about public transportation and commuting is available on the Web and by dialing "511" from any phone in the area.
Document 5: Portland, Oregon: Car sharing through Zipcar, Car2Go, Getaround, and Uhaul Car Share is available to residents of the city and some inner suburbs. Portland has a commuter aerial cableway, the Portland Aerial Tram, which connects the South Waterfront district on the Willamette River to the Oregon Health & Science University campus on Marquam Hill above.
Document 6: Hard rock: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.
Document 7: San Francisco cable car system: San Francisco cable car system Cable car on Powell Street Overview Owner San Francisco Municipal Transportation Agency Area served Chinatown, Financial District, Fisherman's Wharf, Nob Hill, Russian Hill, Union Square Locale San Francisco Transit type Cable car Number of lines Line number 59 Powell - Mason 60 Powell - Hyde 61 California St. Number of stations 62 Daily ridership 20,100 (2014) Annual ridership 7,409,400 (2014) Headquarters San Francisco Cable Car Museum Website sfmta.com Operation Began operation California St. line: 1878 Powell - Mason line: 1888 Powell - Hyde line: 1957 Operator (s) San Francisco Municipal Railway Reporting marks MUNI Character Street running with some reserved right - of - ways Number of vehicles California St. line: 12 double - ended cars Powell - Mason / Hyde lines: 28 single - ended cars Train length 1 grip car Technical System length California St. line: 1.4 mi (2.3 km) Powell - Mason line: 1.6 mi (2.6 km) Powell - Hyde line: 2.1 mi (3.4 km) No. of tracks Track gauge 3 ft 6 in (1,067 mm) Top speed 9.5 mph (15.3 km / h) hide System map
Document 8: London: London's first and only cable car, known as the Emirates Air Line, opened in June 2012. Crossing the River Thames, linking Greenwich Peninsula and the Royal Docks in the east of the city, the cable car is integrated with London's Oyster Card ticketing system, although special fares are charged. Costing £60 million to build, it carries over 3,500 passengers every day, although this is very much lower than its capacity. Similar to the Santander Cycles bike hire scheme, the cable car is sponsored in a 10-year deal by the airline Emirates.
Document 9: List of Barcelona Metro stations: Lines L1, L2, L3, L4, L5, L9, L10, L11 and the Funicular de Montjuïc are administered by Transports Metropolitans de Barcelona (TMB), the city's transit company. Lines L6, L7, L8 and L12 are in origin commuter train services with extended frequency and integrated into the metro network, numbered as such, and run by the public Ferrocarrils de la Generalitat de Catalunya (FGC), which belongs to the Catalan government or Generalitat de Catalunya.
Document 10: Miami: Miami's heavy-rail rapid transit system, Metrorail, is an elevated system comprising two lines and 23 stations on a 24.4-mile (39.3 km)-long line. Metrorail connects the urban western suburbs of Hialeah, Medley, and inner-city Miami with suburban The Roads, Coconut Grove, Coral Gables, South Miami and urban Kendall via the central business districts of Miami International Airport, the Civic Center, and Downtown. A free, elevated people mover, Metromover, operates 21 stations on three different lines in greater Downtown Miami, with a station at roughly every two blocks of Downtown and Brickell. Several expansion projects are being funded by a transit development sales tax surcharge throughout Miami-Dade County.
Document 11: Hard rock: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.
Document 12: Hard rock: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."
Document 13: Hard rock: In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.
Document 14: Hard rock: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.
Document 15: Hard rock: In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.
ground_truth: 1878
sub_queries: Where was the band Blue Cheer from? Answer: San Francisco
when did cable cars start in San Francisco Answer: 1878