Question: What earlier concept does the style of comedy that The War of the Roses employs correspond to?

full_context: Document 1: Sex comedy: Sex comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Chaucer may be considered sex comedies.
Document 2: War of the Roses (Pennsylvania): The South Central Pennsylvania cities of Lancaster and York have a historical rivalry in all sporting events from the high-school level to the professional. Since both cities are named after the English cities of Lancaster and York, the former Pennsylvania baseball teams were named for the opposing sides of the Wars of the Roses. As a metaphor, "War of the Roses" describes the intense baseball matches fought between the Lancaster Red Roses and the York White Roses. With the addition of York to the Atlantic League, the Barnstormers continue the Red Roses' tradition as they battle the York Revolution for lower Susquehanna supremacy.
Document 3: Le Divorce: Le Divorce is a 2003 Merchant Ivory Productions film directed by James Ivory from a screenplay by Ruth Prawer Jhabvala and Ivory, based on Diane Johnson's best-selling novel of the same name.
Document 4: Shakespearean comedy: In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies, though today many scholars recognize a fourth category, romance, to describe the specific types of comedies that appear as Shakespeare's later works.
Document 5: The Aristocrats: "The Aristocrats" (also called "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying off-color joke that has been told by numerous stand-up comedians since the vaudeville era. The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001.
Document 6: Stand-up comedy: Stand-up comedy is a comic style in which a comedian performs in front of a live audience, usually speaking directly to them. The performer is commonly known as a comic, stand-up comic, stand-up comedian, or simply a stand-up. In stand-up comedy, the comedian usually recites a grouping of humorous stories, jokes and one-liners typically called a monologue, routine, or act. Some stand-up comedians use props, music, or magic tricks to "enhance" their acts. Stand-up comedy is often performed in comedy clubs, bars and pubs, nightclubs, neo-burlesques, colleges and theatres. Outside of live performance, stand-up is often distributed commercially via television, DVD, CD and the internet.
Document 7: Dialect comedy: The term "Dialect comedy" was coined by David Marc in his essay, "Origins of the genre". Dialect comedies are a genre of radio (and later television) sitcoms that were popular between the 1920s and the 1950s. They relied on the exaggerated and highly stylized portrayal of stereotypes, usually based on ethnic humor. The genre has its roots on the vaudeville stage and in the minstrel shows that became popular in the 19th century. The ethnicities of the actual actors portraying the dialects did not have to match the characters; while much Jewish dialect comedy was created and portrayed by actual Jews, other dialect comedies, such as those involving blackface, were often not.
Document 8: Black comedy: Black comedy or dark comedy is a comic style that makes light of subject matter that is generally considered taboo. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes. Black comedy corresponds to the earlier concept of gallows humor.
Document 9: Blood and Roses (book): Blood and Roses: One family's struggle and triumph during the tumultuous Wars of the Roses, by Helen Castor, is a narrative based on the Paston letters of 15th century England. The book traces five generations of the Pastons, an influential family from the Norfolk village of the same name. Based largely on an extensive collection of correspondence, "Blood and Roses" records the competition among the landed gentry for land, property and advancement. Set among the turbulence of the Wars of the Roses, the Pastons survive and thrive through shrewd political maneuvers.
Document 10: The Rose (film): The Rose is a 1979 American drama film which tells the story of a self-destructive 1960s rock star who struggles to cope with the constant pressures of her career and the demands of her ruthless business manager. The film stars Bette Midler, Alan Bates, Frederic Forrest, Harry Dean Stanton, Barry Primus, and David Keith.
Document 11: Wars of the Roses: The Wars of the Roses were a series of wars for control of the throne of England fought between supporters of two rival branches of the royal House of Plantagenet: the House of Lancaster (associated with a red rose), and the House of York (whose symbol was a white rose). The conflict lasted through many sporadic episodes between 1455 and 1487; however, there was fighting before and after this period between the houses. The power struggle ignited around social and financial troubles following the Hundred Years' War, combined with the mental infirmity and weak rule of Henry VI which revived interest in Richard of York's claim to the throne. Historians disagree about whether the Wars of the Roses were caused by the structural problems of feudalism or Henry VI's ineffectiveness as king.
Document 12: Mozart and scatology: Wolfgang Amadeus Mozart displayed scatological humour in his letters and a few recreational compositions. This material has long been a puzzle for Mozart scholarship. One view held by scholars deals with the scatology by seeking an understanding of the role of it in Mozart's family, his society and his times, while another view holds that such humour was the result of an "impressive list" of psychiatric conditions from which Mozart is claimed to have suffered.
Document 13: The War of the Roses (film): The War of the Roses is a 1989 American black comedy film based upon the 1981 novel of the same name" by Warren Adler. The film follows a wealthy couple with a seemingly perfect marriage. When their marriage begins to fall apart, material possessions become the center of an outrageous and bitter divorce battle.
Document 14: The Wars of the Roses (adaptation): The Wars of the Roses was a 1963 theatrical adaptation of William Shakespeare's first historical tetralogy ("1 Henry VI", "2 Henry VI", "3 Henry VI" and "Richard III"), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. The plays were adapted by John Barton, and directed by Barton himself and Peter Hall at the Royal Shakespeare Theatre. The production starred David Warner as Henry VI, Peggy Ashcroft as Margaret of Anjou, Donald Sinden as the Duke of York, Paul Hardwick as the Duke of Gloucester, Janet Suzman as Joan la Pucelle, Brewster Mason as the Earl of Warwick, Roy Dotrice as Edward IV, Susan Engel as Queen Elizabeth and Ian Holm as Richard III.
Document 15: Satire: Satire is a genre of literature, and sometimes graphic and performing arts, in which vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society.
ground_truth: gallows humor