Question: The Mecklenburg Investment Company Building is associated with what movement that was originally called the "New Negro" movement?

full_context: Document 1: Supreme Life Building: The Supreme Life Building is a historic insurance building located at 3501 S. Dr. Martin Luther King Drive in the Douglas community area of Chicago, Illinois. Built in 1921, the building served as the headquarters of the Supreme Life Insurance Company, which was founded two years earlier. The company, originally known as the Liberty Life Insurance Company, was the first African-American owned insurance company in the northern United States. Since white-owned insurance firms regularly denied black customers life insurance when the firm was founded, the firm played an important role in providing life insurance to Chicago's African-American community. The company ultimately became the largest African-American owned business in the northern states and became a symbol of the predominantly black Bronzeville neighborhood's economic success from the 1920s to the 1950s.
Document 2: Former Charlotte Coca-Cola Bottling Company Plant: Former Charlotte Coca-Cola Bottling Company Plant is a historic Coca-Cola bottling factory building located at Charlotte, Mecklenburg County, North Carolina. It was built in 1929–1930, and is a two-story, reinforced concrete building with a red brick veneer and decorative concrete detailing and Art Deco design elements. The building has a rectangular plan measuring 110 feet by 185 feet, parapet, and Coca-Cola bottles, sculpted of precast concrete, which crown the corner pilasters.
Document 3: Lenoir Downtown Historic District: Lenoir Downtown Historic District is a national historic district located at Lenoir, Caldwell County, North Carolina. The district includes 41 contributing buildings and 2 contributing objects in the central business district of Lenoir. It includes commercial, governmental, and institutional buildings in a variety of popular architectural styles including Art Deco, Art Moderne, Classical Revival and Tudor Revival. Notable contributing resources include the Center Theater (1941), O. P. Lutz Furniture Company and Lutz Hosiery Mill (1939), Dayvault’s Drug Store (1937), Caldwell County Agricultural Building (1937), Courtney Warehouse (c. 1888), Masonic Hall (1901, 1959), Miller Building (c. 1900, c. 1920s), Confederate Monument (1910), Belk’s Department Store (1928), Lenoir Building (1907), J. C. Penney Department Store (1941, c. 1980s), Fidelity Building (1928), and U. S. Post Office (1931). Located in the district is the separately listed Caldwell County Courthouse.
Document 4: Mecklenburg Investment Company Building: Mecklenburg Investment Company Building is a historic commercial building located at Charlotte, Mecklenburg County, North Carolina. It was built in 1922, and is a three-story, three bay by six bay, red brick building. It measures 42 feet wide and 98 feet deep. The building is associated with the "New Negro" movement and is located in the historic African-American community of Brooklyn.
Document 5: Great Migration (African American): The Great Migration was the movement of 6 million African-Americans out of the rural Southern United States to the urban Northeast, Midwest, and West that occurred between 1916 and 1970. Until 1910, more than 90 percent of the African-American population lived in the American South. In 1900, only one-fifth of African-Americans living in the South were living in urban areas. By the end of the Great Migration, 53 percent of the African-American population remained in the South, while 40 percent lived in the North, and 7 percent in the West, and the African-American population had become highly urbanized. By 1970, more than 80 percent of African-Americans lived in cities, and by 1960, of those African-Americans still living in the South, half now lived in urban areas. In 1991, Nicholas Lemann wrote that the Great Migration:
Document 6: Chicago Black Renaissance: The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture in the mid-1950s through the turn of the century. The movement included such famous African-American writers as Richard Wright, Margaret Walker, Gwendolyn Brooks, Arna Bontemps, and Lorraine Hansberry, as well as musicians Thomas A. Dorsey, Louis Armstrong, and Earl Hines. During the Great Migration, which brought tens of thousands of African-Americans to Chicago's South Side, African-American writers, artists, and community leaders began promoting racial pride and a new black consciousness, similar to that of the Harlem Renaissance in New York City. Unlike the Harlem Renaissance, the Chicago Black Renaissance did not receive the same amount of publicity on a national setting. This was due to several factors, including the lower profile participants in the movement, the lack of wealthy patrons investing in the movement, and a geographical distance from New York as a publishing center.
Document 7: Harlem Renaissance: The Harlem Renaissance was a cultural, social, and artistic explosion that took place in Harlem, New York, spanning the 1920s. During the time, it was known as the "New Negro Movement", named after the 1925 anthology by Alain Locke. The Movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by the African-American Great Migration, of which Harlem was the largest. The Harlem Renaissance was considered to be a rebirth of African-American arts. Though it was centered in the Harlem neighborhood of the borough of Manhattan in New York City, many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance.
Document 8: Edgemont (Durham, North Carolina): The Edgemont neighborhood is a community of mill works located in Durham, North Carolina. Previously known as Smoky Hollow, this area developed around the Durham Hosiery Mills in the late 19th century. Durham was a “raw whistle-stop village” along the Great North Carolina Central Rail Road that transformed into one of the largest tobacco cities in the United States. The Durham City Bull became one of the better-known tobacco trademarks with the help of the big players in the industry, W. T. Blackwell and Company and Julian Carr. The success of these tobacco mills started overflowing into other industries, mainly textile mills that produced cloth bags, socks, and other hosieries. As demands rose, communities began growing and changing around the factories. A shift in the racial make up of the workforce was reflected in Edgemont’s shift to a more African American dominant community as the years progressed. Julian Carr Jr. was one of the first to allow black workers in factory level jobs to help cope with the high demands. This industrialist’s decision to reach over the race barrier is part of what made Durham “the City of the New South.” The Edgemont Neighborhood is just one of many examples of how Durham became one of the more progressive and tolerant locations for African Americans in the country.
Document 9: Jessie Redmon Fauset: Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an African American editor, poet, essayist, novelist, and educator. Fauset’s literary work helped sculpt African American literature in the 1920s as she focused on portraying a true image of African American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, “passing,” and feminism. From 1919-1926, Fauset’s position as literary editor of "The Crisis," a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era. Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African American race. She wanted a realistic and positive representation of the African American community in literature that had never before been as prominently displayed. Before and after working on "The Crisis," she worked for decades as a French teacher in public schools in Washington, DC and New York City. She published four novels during the 1920s and 1930s, exploring the lives of the black middle-class. She also was the editor and co-author of the African-American children's magazine "The Brownies' Book." She is known for discovering and mentoring other African American writers such as Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
Document 10: African-American literature: African-American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of slave narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African-American writers have been recognized by the highest awards, including the Nobel Prize to Toni Morrison. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African-American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Document 11: Downtown Durham Historic District: Downtown Durham Historic District is a national historic district located at Durham, Durham County, North Carolina. The district encompasses 97 contributing buildings and 1 contributing structure in the central business district of Durham. The buildings primarily date from the first four decades of the 20th century and include notable examples of Colonial Revival, Italianate, and Art Deco architecture. Notable buildings include the St. Philip's Episcopal Church (1907), Trinity Methodist Episcopal Church (1880-1881), First Baptist Church (1926-1927), Durham County Courthouse (1916), Durham Auditorium (Carolina Theatre, 1920s), Tempest Building (1894, 1905), National Guard Armory (1934-1937), United States Post Office (1934), Trust Building (1904), First National Bank Building (1913-1915), Mechanics and Farmers Bank (1921), Johnson Motor Company showroom (1927), Hill Building (1935), Snow Building (1933), and S. H. Kress store.
Document 12: Creole Renaissance: The Creole Renaissance is a movement which established Creole as legitimate literary language, started in large part by authors like Felix Morisseau-Leroy, who struggled successfully to make Haitian Creole the literary, educational, and official language of Haiti. This grew, in part, out of the Negritude and Haitian Indigenism movements and the Harlem Renaissance.
Document 13: Culture of New York City: The culture of New York City is reflected in its size and ethnic diversity. Many American cultural movements first emerged in the city. The Harlem Renaissance established the African-American renaissance in the United States. Large numbers of Italian Americans and Jews emigrated to New York throughout the twentieth century, significantly influencing the culture and image of New York City. American modern dance developed in New York in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s and home to hip hop, punk rock, and the Beat Generation.
Document 14: New Castle Commercial Historic District: The New Castle Commercial Historic District is national historic district located at New Castle, Henry County, Indiana. It encompasses 64 contributing buildings in the central business district of New Castle. It developed between about the 1849 and 1941, and includes many excellent examples of Italianate, Classical Revival, and Commercial styles of architecture. Notable sites of interest include the separately listed Henry County Courthouse. Other notable buildings include the L.A. Jennings Building (1877), Odd Fellows Hall (1875, c. 1895), Murphey Building (c. 1870), Knights of Pythias Building (1891), Masonic Temple (1892), Bradway Building (1902), former United Brethren Church (1863, 1883), Citizens State Bank Building (1923), S.P. Jennings and Sons Handle Factory complex (c. 1890), and Coca-Cola Bottling Building (1905, 1941).
Document 15: The New Negro: An Interpretation: The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement.
ground_truth: Harlem Renaissance