Question: Was Lev Kuleshov and Lo Wei work in the same country?

full_context: Document 1: Bruce Lee: Lee Jun-fan (; November 27, 1940 – July 20, 1973), known professionally as Bruce Lee, was a Hong Kong and American actor, film director, martial artist, martial arts instructor, philosopher and founder of the martial art Jeet Kune Do. Lee was the son of Cantonese opera star Lee Hoi-chuen. He is widely considered by commentators, critics, media, and other martial artists to be one of the most influential martial artists of all time, and a pop culture icon of the 20th century. He is often credited with helping to change the way Asians were presented in American films.
Document 2: Vladimir Menshov: Vladimir Valentinovich Menshov (Russian: Влади́мир Валенти́нович Меньшо́в ; born 17 September 1939 in Baku) is a Soviet and Russian actor and film director. He is noted for depicting the Russian everyman and working class life in his films. Like many other Russian filmmakers, he studied acting and directing at the state film school VGIK, the world's oldest educational institution in cinematography. Although his output as an actor outnumbers his output as a director, he is best known for the five films he directed, the most famous of which is the 1979 melodrama "Moscow Does Not Believe in Tears", which won the Academy Award for Best Foreign Language Film. Actress Vera Alentova, who starred in the film, is the mother of Vladimir Menshov's daughter Yuliya Menshova.
Document 3: Dragon Fist: Dragon Fist () is a 1979 Hong Kong martial arts film directed and produced by Lo Wei, starring Jackie Chan, Nora Miao and James Tien. The film was released in Hong Kong on 21 April 1979.
Document 4: Jackie Chan: Chan Kong-sang, SBS, MBE, PMW, (陳港生 ; born 7 April 1954), known professionally as Jackie Chan, is a Hong Kong martial artist, actor, film director, producer, stuntman, and singer. In his movies, he is known for his acrobatic fighting style, comic timing, use of improvised weapons, and innovative stunts, which he typically performs himself. He has trained in Kung Fu and Hapkido. He has been acting since the 1960s and has appeared in over 150 films.
Document 5: Cinema of Ukraine: Ukraine has had an influence on the history of the cinema. Prominent Ukrainian directors include Oleksandr Dovzhenko, Dzyha Vertov and Serhiy Paradzhanov. Dovzhenko is often cited as one of the most important early Soviet filmmakers, as well as being a pioneer of Soviet montage theory and founding Dovzhenko Film Studios. In 1927 Dziga Vertov moved from Moscow to Ukraine. At the film studio VUFKU he made several avant-garde documentaries, among them «The Eleventh Year», «Man with a Movie Camera» and first Ukrainian documentary sound film «Enthusiasm (Symphony of the Donbass)». Paradzhanov was an Armenian film director and artist who made significant contributions to Ukrainian, Armenian and Georgian cinema; he invented his own cinematic style, Ukrainian poetic cinema, which was totally out of step with the guiding principles of socialist realism.
Document 6: The Loot: The Loot is 1980 martial art comedy movie directed by Eric Tsang and starring David Chiang and Philip Ko. Alongside with Eric's first movie debut "The Challenger" (1979), this was his second director's debut and consider to be known as one of David Chiang's knowable work.
Document 7: Kinoks: The Kinoks ("kino-oki," meaning cinema-eyes) were a collective of Soviet filmmakers in 1920s Russia, based most notably around film editor Dziga Vertov (pseudonym Denis Kaufman). In 1919 Vertov and his future wife, the talented film editor Elizaveta Svilova, plus several other young filmmakers created a group called Kinoks ("kino-oki," meaning cinema-eyes). In 1922 they were joined by Mikhail Kaufman, who had just returned from the civil war. From 1922 to 1923 Vertov, Kaufman, and Svilova published a number of manifestos in avant-garde journals which clarified the Kinoks' positions vis-à-vis other leftist groups.
Document 8: Georgi Koshelev: Georgi Koshelev was a Soviet production designer and set decorator. He was nominated for an Academy Award for Best Art Direction for his work on the epic film "War and Peace" (1967).
Document 9: Kino-Eye: Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Russia by Dziga Vertov. It was also the name of the movement and group that was defined by this technique. Kino-Eye was Vertov's means of capturing what he believed to be "inaccessible to the human eye"; that is, Kino-Eye films would not attempt to imitate how the human eye saw things. Rather, by assembling film fragments and editing them together in a form of montage, Kino-Eye hoped to activate a new type of perception by creating "a new filmic, i.e., media shaped, reality and a message or an illusion of a message - a semantic field." Distinct from narrative entertainment cinema forms or otherwise "acted" films, Kino-Eye sought to capture "life unawares" and edit it together in such a way that it would form a new, previously unseen truth.
Document 10: Lev Kuleshov: Lev Vladimirovich Kuleshov (Russian: Лев Влади́мирович Кулешо́в ; 13 January [O.S. 1 January] 1899 – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. He was given the title People's Artist of the RSFSR in 1969. He was intimately involved in development of the style of film making known as Soviet montage, especially it's psychological underpinning, including the use of editing and the cut to emotionally influence the audience, a principle known as the Kuleshov effect. He also developed the theory of creative geography, which is the use of the action around a cut to connect otherwise disparate settings into a cohesive narrative.
Document 11: Dziga Vertov: Dziga Vertov (Russian: Дзига Вертов ; born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман , and also known as Denis Kaufman; 2 January 1896 – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972.
Document 12: Kuleshov effect: The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Document 13: Lo Wei: Lo Wei (sometimes spelled Lo Wai, 12 December 1918 – 20 January 1996) was a Hong Kong film director and film actor best known for launching the martial arts film careers of both Bruce Lee, in "The Big Boss" and "Fist of Fury", and Jackie Chan, in "New Fist of Fury".
Document 14: New Fist of Fury: New Fist of Fury is a 1976 Hong Kong martial arts film directed by Lo Wei and starring Jackie Chan. It is the first of several films that Lo directed Chan in, and the first using Chan's stage name Sing Lung (literally meaning "becoming a dragon", by which Chan is still known today in Asia). The film gave Chan his first starring role in a widely released film (his first starring role was in the "Little Tiger of Canton" which only had a limited release in 1973). The film was a sequel to Bruce Lee's "Fist of Fury", one of Lo Wei's biggest successes. "New Fist of Fury" was part of Lo's attempt to market Jackie Chan as the new Bruce Lee and did not contain any of the comedy elements that were to be Chan's career trademark later on.
Document 15: Lau Kar-leung: Lau Kar-leung (28 July 1934 – 25 June 2013), also known as Liu Chia-liang, was a Hong Kong-based Chinese actor, filmmaker, choreographer and martial artist. Lau is best known for the films he made in the 1970s and 1980s for the Shaw Brothers Studio. One of his most famous works is "The 36th Chamber of Shaolin" which starred Gordon Liu, as well as "Drunken Master II" which starred Jackie Chan.
ground_truth: no