Question: Michael Radford and Ricardo Costa are both what? 

full_context: Document 1: Mike Hodges: Michael Tommy "Mike" Hodges (born 29 July 1932) is an English screenwriter, film director, playwright and novelist. His films as writer/director include "Get Carter", "Pulp", "The Terminal Man" and "Black Rainbow"; as director, his films include "Flash Gordon", "Croupier" and "I'll Sleep When I'm Dead".
Document 2: Paulo Costa Lima: Brazilian composer and music theorist, whose main interest has been the vivid interaction between composition and culture, including the political aspects of it, namely, composition as a way of resisting cultural colonization. He has published books and articles on subjects such as the theory and pedagogy of musical composition, analysis and history of Brazilian contemporary music, analysis of Brazilian popular songs, and the possible dialogue between music, psychoanalysis and cultural semantics. A member of the Brazilian Academy of Music (created by Heitor Villa-Lobos in 1945), he has received along the last decades more than twenty prizes and commissions. He belongs to the second generation of the movement initiated by the ‘Group of Composers of Bahia’ that was formed in 1966, launching a one-line manifesto “In principle, we are against all and every asserted principle”. The manifesto also implies that all suggestions are valid and acceptable, and this inclusivity reflects the cultural diversity and relativity of Bahia - a society created by the encounter and conflict of three civilizations (Europe, Africa and Native American). Since 1992 his compositional interests addressed the rhythmic tradition of Afro-Bahian candomblé, creating universes of hybridization and contradiction, non-sequitur and humor, involving Afro-Bahian and Avant-Garde contexts and ideas. He has mentored a new generation of Brazilian composers such as Guilherme Bertissolo, Paulo Rios Filho, Alex Pochat, Tulio Augusto, Vinicius Amaro and Danniel Ferraz.
Document 3: Ricardo Costa (filmmaker): Ricardo Costa (born 25 January 1940) is a Portuguese film director and producer. He is the author of essays on cinema, vision, and language.
Document 4: John Madden (director): John Philip Madden ( ; born 8 April 1949) is an English director of theatre, film, television, and radio. He is known for directing "Shakespeare in Love" (1998), which won the Academy Award for Best Picture. He has also gained recognition for directing "The Best Exotic Marigold Hotel" (2011) and its sequel "The Second Best Exotic Marigold Hotel" (2015).
Document 5: Giuseppe Tornatore: Giuseppe Tornatore (born 27 May 1956) is an Italian film director and screenwriter. He is considered as one of the directors who brought critical acclaim back to Italian cinema. In a career spanning over 30 years he is best known for directing and writing drama films such as "The Legend of 1900", "Malèna", "Baarìa" and "The Best Offer". Probably his most noted film is "Nuovo Cinema Paradiso", for which Tornatore won the Academy Award for Best Foreign Language Film. He directed also several advertising campaigns for Dolce & Gabbana.
Document 6: Ricardo del Río Galnares: Ricardo Del Río Galnares is a film producer born in Mexico City, Mexico. He has co-produced over a dozen U.S. feature films and production managed twice as many international features.
Document 7: Rafał Syska: Rafał Syska (born July 18, 1974 in Kielce) is a Polish film historian and writer. He is an associate professor in the Audiovisual Arts Department of Jagiellonian University in Cracow. At the beginning of his career he was specialized in the phenomenon of violence in cinema (Ph-D thesis "Film and Violence. Ways of Film Violence Representation"), then he focused on strategies of authorship in American cinema (post Ph-D., habilitation dissertation "Keep the Distance. Film World of Robert Altman"). At present he is an expert of the contemporary minimalistic slow-cinema, especially its neomodernism tendencies (e.g. works of Alexander Sokurov, Béla Tarr, Bruno Dumont, Sarunas Bartas, Fred Kelemen, Tsai Ming-liang, Lisandro Alonso, Carlos Reygadas.
Document 8: Ricardo Darín: Ricardo Darín (] ; born January 16, 1957) is an Argentine actor, screenwriter and film director. Widely considered as one of the best and most prolific actors of Argentine cinema.
Document 9: Nineteen Eighty-Four (1984 film): Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian drama film written for the screen and directed by Michael Radford, based upon George Orwell's novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith in Oceania, a country run by a totalitarian socialist government.
Document 10: Cinema of Portugal: The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was "Saída do Pessoal Operário da Fábrica Confiança", made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was "O Rapto de Uma Actriz" (1907). The first all-talking sound film, "A Severa", was made in 1931. Starting in 1933, with "A Canção de Lisboa", the Golden Age would last the next two decades, with films such as "O Pátio das Cantigas" (1942) and "A Menina da Rádio" (1944). "Aniki-Bóbó" (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the "Cinema Novo" (literally "New Cinema") movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like "Dom Roberto" (1962) and "Os Verdes Anos" (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's "Recordações da Casa Amarela" won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's "Arena" won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. "João Sete Sete" (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
Document 11: Richard Brody: Richard Brody is an American film critic who has written for "The New Yorker" since 1999. He attended Princeton University, receiving an B.A. in Comparative Literature in 1980. He is the author of a biography of French New Wave film director Jean-Luc Godard and is writing a book about the New Wave. He first became interested in films after seeing Godard's "Breathless" in his freshman year at Princeton. Before becoming a film critic, he worked on documentaries and made several independent films. In December 2014, he was made a Chevalier (Knight) in the Ordre des Arts et des Lettres for his contributions in popularizing French cinema in America.
Document 12: Il Postino (opera): Il Postino is an opera in three acts by Daniel Catán with a Spanish libretto by the composer. Based on the novel " Ardiente paciencia" by Antonio Skármeta and the film "Il Postino" by Michael Radford, the work contains elements of drama and comedy, integrating themes of love and friendship along with political and spiritual conflict. The opera premiered at the Dorothy Chandler Pavilion by Los Angeles Opera on 23 September 2010.
Document 13: Mike Figgis: Michael "Mike" Figgis (born 28 February 1948) is an English film director, screenwriter, and composer. He was nominated for two Academy Awards for his work in "Leaving Las Vegas" (1995).
Document 14: Mike Leigh: Mike Leigh OBE (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas "Life is Sweet" (1990) and "Career Girls" (1997), the Gilbert and Sullivan biographical film "Topsy-Turvy" (1999), and the bleak working-class drama "All or Nothing" (2002). His most notable works are the black comedy-drama "Naked" (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama "Secrets & Lies" (1996), the Golden Lion winning working-class drama "Vera Drake" (2004), and the Palme d'Or nominated biopic "Mr. Turner" (2014). Some of his notable stage plays include "Smelling A Rat", "It's A Great Big Shame", "Greek Tragedy", "Goose-Pimples", "Ecstasy", and "Abigail's Party".
Document 15: Michael Radford: Michael Radford (born 24 February 1946) is an English film director and screenwriter. He was nominated for the Academy Award for Best Director for the 1994 film "Il Postino".
ground_truth: film director