Question: When did Chopin return to the city where Tadeusz Puszczyński died?

full_context: Document 1: Kazimierz Puczyński: Kazimierz Puczyński (nom de guerre "Wroński") was a Polish hydrotechnology specialist, graduate of the Warsaw University of Technology with engineering degree, soldier of the Polish Underground State, participant of the Warsaw Uprising.
Document 2: Frédéric Chopin: Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
Document 3: Wacław Kopisto: Major Wacław Kopisto a.k.a. Wacław Jaworski, "nom de guerre" Kra (8 February 1911 – 23 February 1993) was an officer of the Polish Army in interwar Poland, infantry captain, and an underground soldier of the elite Polish "Cichociemni" unit (the Silent Unseen) during the occupation of Poland in World War II.
Document 4: Frédéric Chopin: Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England.
Document 5: Antoni Szczęsny Godlewski: He was killed on 8 August 1944 after the break out of the Uprising, on the corner of Bracka St. and Aleje Jerozolimskie. His place of death is marked by a memorial plaque. For his bravery in battle he was posthumously awarded the Cross of Valour and the Order of Virtuti Militari, Fifth Class. Today, a street in the Wola neighborhood of Warsaw is named after him.
Document 6: Stanisław Puchalski: Stanisław Puchalski, of Puchała coat of arms (5 January 1867, in Wapowce – 16 January 1931, in Warsaw) was an Austro-Hungarian and Polish general.
Document 7: Frédéric Chopin: Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837).
Document 8: Frédéric Chopin: At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked.
Document 9: Frédéric Chopin: Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
Document 10: Frédéric Chopin: Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
Document 11: Warsaw: There are also many places commemorating the heroic history of Warsaw. Pawiak, an infamous German Gestapo prison now occupied by a Mausoleum of Memory of Martyrdom and the museum, is only the beginning of a walk in the traces of Heroic City. The Warsaw Citadel, an impressive 19th-century fortification built after the defeat of the November Uprising, was a place of martyr for the Poles. Another important monument, the statue of Little Insurgent located at the ramparts of the Old Town, commemorates the children who served as messengers and frontline troops in the Warsaw Uprising, while the impressive Warsaw Uprising Monument by Wincenty Kućma was erected in memory of the largest insurrection of World War II.
Document 12: Frédéric Chopin: Although it is not known exactly when Chopin first met Liszt after arriving in Paris, on 12 December 1831 he mentioned in a letter to his friend Woyciechowski that "I have met Rossini, Cherubini, Baillot, etc.—also Kalkbrenner. You would not believe how curious I was about Herz, Liszt, Hiller, etc." Liszt was in attendance at Chopin's Parisian debut on 26 February 1832 at the Salle Pleyel, which led him to remark: "The most vigorous applause seemed not to suffice to our enthusiasm in the presence of this talented musician, who revealed a new phase of poetic sentiment combined with such happy innovation in the form of his art."
Document 13: Wacław Zagórski: Wacław Zagórski, nom-de-guerre "Lech Grzybowski" (1909–1982) was a Polish lawyer, soldier, a participant in the Warsaw Uprising with the rank of captain and a commander in the famous Chrobry II Battalion. He was decorated with the Order of Virtuti Militari 5th Class in 1944.
Document 14: Tadeusz Puszczyński: Tadeusz Puszczyński ("nom de guerre": "Konrad Wawelberg"; February 2, 1895 in Piotrków Trybunalski – February 24, 1939 in Warsaw) was a Polish military intelligence officer who commanded the Polish General Staff's Destruction Group during the Third Silesian Uprising.
Document 15: Frédéric Chopin: From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
ground_truth: September 1829
sub_queries: At what location did Tadeusz Puszczyński die? Answer: Warsaw
When did Chopin return to Warsaw ? Answer: September 1829