Question: Who founded the institution that Domenico Crivelli is employed by?

full_context: Document 1: Domenico Crivelli: Domenico became principal professor of singing at the Royal Academy of Music at its foundation in 1823 and continued there until his death, having taught most of the English opera singers of that period. He died on December 31, 1856 at his home, 71, Upper Norton Street, Portland Place, London. He wrote a method of singing, ""L'Arte del Canto"" or ""The Art of Singing"" (1841).
Document 2: Royal Institute of British Architects: After the grant of the royal charter it had become known as the Royal Institute of British Architects in London, eventually dropping the reference to London in 1892. In 1934, it moved to its current headquarters on Portland Place, with the building being opened by King George V and Queen Mary.
Document 3: Royal British Columbia Museum: Founded in 1886, the Royal British Columbia Museum (sometimes referred to as Royal BC Museum) consists of The Province of British Columbia's natural and human history museum as well as the British Columbia Provincial Archives. The museum is located in Victoria, British Columbia, Canada. The "Royal" title was approved by Queen Elizabeth II and bestowed by HRH Prince Philip in 1987, to coincide with a Royal tour of that year. The museum merged with the British Columbia Provincial Archives in 2003.
Document 4: Joo Yeon Sir: A former pupil at the Purcell School, Joo Yeon Sir is a Scholar at the Royal College of Music, London where she studies with Dr Felix Andrievsky. She has been a major prizewinner at national and international competitions in the UK and abroad and has performed as recitalist, chamber musician and soloist with orchestras at various venues including the Wigmore Hall, London Arts Club, St James's Palace in presence of HRH Prince Charles, the Foundling Museum as part of New London Orchestra Young Performer's Concert Series supported by the MBF, and most recently at Fairfield Halls performing Vaughan Williams' The Lark Ascending.
Document 5: University of Toronto: On March 15, 1827, a royal charter was formally issued by King George IV, proclaiming "from this time one College, with the style and privileges of a University ... for the education of youth in the principles of the Christian Religion, and for their instruction in the various branches of Science and Literature ... to continue for ever, to be called King's College." The granting of the charter was largely the result of intense lobbying by John Strachan, the influential Anglican Bishop of Toronto who took office as the college's first president. The original three-storey Greek Revival school building was built on the present site of Queen's Park.Under Strachan's stewardship, King's College was a religious institution closely aligned with the Church of England and the British colonial elite, known as the Family Compact. Reformist politicians opposed the clergy's control over colonial institutions and fought to have the college secularized. In 1849, after a lengthy and heated debate, the newly elected responsible government of Upper Canada voted to rename King's College as the University of Toronto and severed the school's ties with the church. Having anticipated this decision, the enraged Strachan had resigned a year earlier to open Trinity College as a private Anglican seminary. University College was created as the nondenominational teaching branch of the University of Toronto. During the American Civil War, the threat of Union blockade on British North America  prompted the creation of the University Rifle Corps, which saw battle in resisting the Fenian raids on the Niagara border in 1866. The Corps was part of the Reserve Militia lead by Professor Henry Croft.
Document 6: Paris: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).
Document 7: Arthur Fear: Born in Cwmcelyn, Blaina in 1902, he worked underground in the colliery until receiving a scholarship to the Royal Academy of Music in 1923, where he studied under Thomas Meux. While a student he attracted attention for his performances in Falstaff and as Hans Sachs in Meistersinger, his first professional role with the British National Opera Company, and one which became his hallmark. After leaving the Royal Academy in 1928, Fear joined the Royal Opera House at Covent Garden. He toured with the Covent Garden Opera Company all over the United Kingdom, later joining the Carl Rosa Opera Company.
Document 8: Glenn Gould Foundation: The Glenn Gould Foundation is a registered Canadian charitable organization based in Toronto, Ontario, Canada. Friends, colleagues and admirers of the celebrated Canadian pianist Glenn Gould established the Foundation in 1983 after his death on October 4, 1982 at age 50. Its directors and supporters include many prominent Canadian and International cultural leaders and patrons, as well as Gould's personal friends.
Document 9: Domenico Donzelli: Domenico Donzelli (February 2, 1790 – March 31, 1873) was an Italian tenor with a robust voice who enjoyed an important career in Paris, London and his native country during the 1808-1841 period.
Document 10: Ralph Cupper: After he concluded his studies at ‘The Hewett School’ in Norwich, Ralph Cupper studied at the Royal Academy of Music in London. While he was there he studied the Organ with Douglas Hawkridge; Choir/Orchestra Direction with Dr. Douglas Hopkins; Harmony, Counterpoint and fuge with Drs. Arthur Pritchard and Arthur Wills. After he finished in 1976 he did an extended course of Organ studies with Susi Jeans and Nicholas Kynaston with the help of a Stipend from ‘The Alderman Norman Foundation’. In 1979 Ralph Cupper was awarded a Stipend from ‘The Arts Council of Great Britain to study the organ with the well known Dutch Organist Bernard Bartelinck, who was at that time Organist at the Bavo Cathedral in Haarlem in the Netherlands.
Document 11: Frederick Corder: Frederick Corder continued his studies at the Royal Academy of Music, where he studied with George Alexander Macfarren (harmony and composition), William Cusins (piano) and William Watson (violin). In 1875, he earned a Mendelssohn Scholarship, which enabled him to study for four years abroad. He spent the first three in the Cologne Conservatory in Cologne, where he studied composition with Ferdinand Hiller and piano with Isidor Seiss. He spent his last year in Milan, without formal instruction. He did however meet Arrigo Boito and Giuseppe Verdi. Upon his return to England, in 1879, he became conductor at the Brighton Aquarium. In August 1884, for a single month, he filled in for William Robinson as a musical director for the D'Oyly Carte Opera Company, touring "Patience" and "Iolanthe".
Document 12: Royal Empire Records: Originating in Washington State during 2001 as REK Squad Entertainment, Royal Empire Records founder Edward Galloway and co-founder Mario Lyons set out on a mission to transcend to the top of the music industry. Although the path was long and the participants in that quest have changed frequently, Edward Galloway's mission has not. In 2003, Edward Galloway & Mario Lyons' vision of a successful record label came to life as Royal Empire Records.
Document 13: The Royal Conservatory of Music: The Royal Conservatory of Music, branded as The Royal Conservatory, is a music education business and performance venue headquartered in Toronto, Ontario, Canada. It was founded in 1886 by Edward Fisher as The Toronto Conservatory of Music. In 1947, King George VI incorporated the organization through royal charter.
Document 14: Finlay Dun: Dun was born at Aberdeen, 24 February 1795. He was educated at the Perth Grammar School and at the University of Edinburgh, but, his musical tastes developing, went to Paris, where he studied the violin under Pierre Baillot. He next went to Milan, and afterwards accepted an engagement as first viola player in the orchestra of the San Carlo Theatre at Naples. Either at Paris or Milan he had lessons from Aleksander Mirecki, and at Naples he made the acquaintance of Girolamo Crescentini, with whom he studied singing.
Document 15: Jakob Dont: Jakob was a student of Josef Böhm (, 17951876) and of Georg Hellmesberger (180073). At the age of sixteen, he became a member of the Hofburgtheater orchestra and in 1834 entered service at the Vienna Hofkapelle. During this time Dont appeared frequently as a soloist. Despite his success, he decided against a career as a soloist. In 1853 he became a professor at the "Pädagogisches Institut" in Vienna. From 1871, Dont was employed at the "Wiener Konservatorium". He would eventually leave this post as the use of his own instructional compositions was forbidden. Dont's compositions are mainly limited to innovative teaching material. His 24 Etudes and Caprices "Gradus ad parnassum" Op. 35 and the 24 Exercises Preparatory to the Studies of R. Kreutzer and P. Rode Op. 37 are considered some of the most important technical studies for the violin.
ground_truth: Edward Fisher
sub_queries: Domenico Crivelli >> employer Answer: Royal Academy of Music
who founded Royal Academy of Music answers.com Answer: Edward Fisher