Question: "Guitar Boogie" is a guitar instrumental recorded by Arthur "Guitar Boogie" Smith in what year?

full_context: Document 1: Guitar Boogie (song): "Guitar Boogie" is a guitar instrumental recorded by Arthur "Guitar Boogie" Smith in 1945. It was one of the first recordings in the style later dubbed "hillbilly boogie" to reach a widespread audience, and eventually sold nearly three million copies. It was the first guitar instrumental to climb the country music charts, and then crossover and also gain high rankings on the popular music charts. "Guitar Boogie" has been interpreted and recorded by a variety of musicians. It is among the songs discussed as the first rock and roll record.
Document 2: Charline Arthur: Charline Arthur (also Charlene Arthur, née Charline Highsmith; September 2, 1929 – November 27, 1987) was an American singer of boogie-woogie, blues, and early rockabilly. In 1950, Arthur began work as a singer and a disc jockey at the Texas radio station KERB. She left three years later after the impresario Colonel Tom Parker discovered her, signing her with RCA Records. She was a regular performer on the Big D Jamboree radio program throughout the 1950s and 1960s. She also performed and toured with Elvis Presley and others, but in 1956 RCA dropped her from the label and her career declined. Described as a "flash in the pan" and a "woman before her time", Arthur was inducted into the Rockabilly Hall of Fame and has, since the 1980s, found favor with critics who praise her vocal style, her stage presence, and her influence on artists such as Elvis Presley and Patsy Cline.
Document 3: Music of North Carolina: North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers and Al Hopkins helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs, Doc Watson and Del McCoury came from North Carolina. Arthur Smith is the most notable North Carolina musician/entertainer who had the first nationally syndicated television program which featured country music. Smith composed "Guitar Boogie", the all-time best selling guitar instrumental, and "Dueling Banjos", the all-time best selling banjo composition. Country rock star Eric Church from the Hickory area has had 2 #1 albums on the Billboard 200, including "Chief" in 2011. Both North and South Carolina are a hotbed for traditional country blues, especially the style known as the Piedmont blues. Elizabeth Cotten, from Chapel Hill, was active in the American folk music revival.
Document 4: Guitar Boogie (album): Guitar Boogie is a blues rock compilation album featuring Eric Clapton, Jeff Beck and Jimmy Page together with the Allstars and members of The Rolling Stones.
Document 5: More of That Guitar Country: More of That Guitar Country is the title of a recording by Chet Atkins. It is a follow-up to his "Guitar Country" release and was more successful. His rendition of "Yakety Sax" by Boots Randolph earned Atkins a hit on the country singles charts. A mix of traditional fingerpicking, country-flavored pop and traditional country, the album peaked at number 4 on the Billboard Country charts.
Document 6: Chet Atkins: Chester Burton "Chet" Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician, occasional vocalist, songwriter, and record producer, who along with Owen Bradley and Bob Ferguson, among others, created the country music style that came to be known as the Nashville sound, which expanded country music's appeal to adult pop music fans. He was primarily known as a guitarist. He also played the mandolin, fiddle, banjo, and ukulele.
Document 7: Bristol sessions: The Bristol Sessions are considered the "Big Bang" of modern country music. They were held in 1927 in Bristol, Tennessee by Victor Talking Machine Company producer Ralph Peer. Bristol was one of the stops on a two-month, $60,000 trip that took Peer through several major southern cities and yielded important recordings of blues, ragtime, gospel, ballads, topical songs, and string bands. The Bristol Sessions marked the commercial debuts of Jimmie Rodgers and the Carter Family. As a result of the influence of these recording sessions, Bristol has been called the "birthplace of country music". Since 2014, the town has been home to the Birthplace of Country Music Museum.
Document 8: Arthur &quot;Guitar Boogie&quot; Smith: Arthur Smith (April 1, 1921 – April 3, 2014) was an American musician, songwriter, and producer of records, as well as a radio and TV host. Smith produced radio and TV shows; "The Arthur Smith Show" was the first nationally syndicated country music show on television. After moving to Charlotte, North Carolina, Smith developed and ran the first commercial recording studio in the Southeast.
Document 9: Dueling Banjos: "Dueling Banjos" is an instrumental composition by Arthur "Guitar Boogie" Smith. The song was composed in 1955 by Smith as a banjo instrumental he called "Feudin' Banjos," which contained riffs from "Yankee Doodle." Smith recorded it playing a four-string plectrum banjo and accompanied by five-string bluegrass banjo player Don Reno. The composition's first wide scale airing was on a 1963 television episode of "The Andy Griffith Show" called "Briscoe Declares for Aunt Bee," in which it is played by visiting musical family the Darlings (played by The Dillards, a bluegrass group).
Document 10: Cumberland Gap (folk song): "Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, "American Ballads and Folk Songs", by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Document 11: Harry Smith Recording: Harry Smith Recording was the first independent recording studio on the east coast of the United States, founded in the 1930s by Harry Smith, a former recording engineer for Brunswick Records. The studio was located at 2 West 46th Street in New York City, and was taken over in 1944 by Fred Hall and Chuck Phillips.
Document 12: Boogie: Boogie is a repetitive, swung note or shuffle rhythm, "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Benny Goodman, Glenn Miller, Tommy Dorsey and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music.
Document 13: Art Laboe: Art Laboe (born Arthur Egnoian on August 7, 1925) is an Armenian American disc jockey, songwriter, record producer, and radio station owner, generally credited with coining the term "Oldies But Goodies".
Document 14: Boogie Chillen': "Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
Document 15: Gibson ES-150: The Gibson Guitar Corporation's ES-150 guitar is generally recognized as the world's first commercially successful Spanish-style electric guitar. The ES stands for Electric Spanish, and it was designated "150" because it was priced (in an instrument/amplifier/cable bundle) at around $150. The particular sound of the instrument was formed by a combination of the specific bar-style pickup and its placement, and became famous due in large part to its endorsement by notable guitar players including Charlie Christian. After its introduction in 1936, it immediately became popular in jazz orchestras of the period. Unlike the usual acoustic guitars utilized in jazz, it was loud enough to take a more prominent position in ensembles. The guitar was produced with minor variations until 1940, when the ES-150 designation (the "V2") denoted a model with a different construction and a different pickup.
ground_truth: 1945