Question: "Everything But You" is a 1945 song composed by Duke Ellington and a musician that died in what year?

full_context: Document 1: Harry James: Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he re-organized and was active again with his band from then until his death in 1983. He was especially known among musicians for his astonishing technical proficiency as well as his superior tone, and was extremely influential on up and coming trumpet players from the late 1930s into the 1940s. He was also an actor in a number of motion pictures that usually featured his bands in some way.
Document 2: James Stewart: James Maitland "Jimmy" Stewart (May 20, 1908July 2, 1997) was an American actor and military officer who is among the most honored and popular stars in film history. A major Metro-Goldwyn-Mayer contract player, Stewart was known for his distinctive drawl and down-to-earth persona, which helped him often portray American middle-class men struggling in crisis. Many of the films he starred in have become enduring classics.
Document 3: Gary James: Gary Harry James, popularly known as 'Harry' James (born 14 December 1960 in England) is a British drummer best known for his work with hard rock band Thunder and melodic rock band Magnum.
Document 4: Diminuendo and Crescendo in Blue: "Diminuendo and Crescendo in Blue" is a big band jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra, whose personnel were: Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarniet) Johnny Hodges, Otto Hardwick (alto saxophone), Laurence Brown, Joe Nanton (trombone), Harry Carney (clarinet, bass saxophone), Sonny Greer (drums), Wellmann Braud, Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The composition's 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves' famous tenor saxophone solo.
Document 5: Everything but You: "Everything But You" is a 1945 song composed by Duke Ellington and Harry James with lyrics written by Don George.
Document 6: I'm Just a Lucky So-and-So: "I'm Just a Lucky So-and-So" is a 1945 song composed by Duke Ellington, with lyrics written by Mack David.
Document 7: Oscar Peterson Plays the Duke Ellington Song book: Oscar Peterson Plays the Duke Ellington Song book is a 1959 album by pianist Oscar Peterson of compositions written or performed by Duke Ellington. Peterson had recorded many of the pieces for his 1952 album "Oscar Peterson Plays Duke Ellington", and had recently performed with Ella Fitzgerald on her 1957 album, "Ella Fitzgerald Sings the Duke Ellington Song book"
Document 8: I'm Beginning to See the Light: "I'm Beginning to See the Light" is a popular song and jazz standard, written by Duke Ellington, Don George, Johnny Hodges, and Harry James, and published in 1944. Ella Fitzgerald and The Ink Spots featuring Bill Kenny recorded a version in 1945, that was on the pop song hits list for six weeks in 1945, reaching #5. A competing 1945 recording by Harry James and his Orchestra, with lead vocal by Kitty Kallen reached #1 for two weeks in January of that year. James' version of the song reached #7 on Billboard's Second Annual High School Survey in 1945. Duke Ellington also released in 1945 a version, which reached the top ten. Ellington's inspiration for this song was his recent initiation into Freemasonry. He was a member of Social Lodge No. 1 of the Grand Lodge of the District of Columbia, Prince Hall Affiliation.
Document 9: Vaughn Monroe: Vaughn Wilton Monroe (October 7, 1911 – May 21, 1973) was an American baritone singer, trumpeter, big band leader, actor, and businessman, most popular in the 1940s and 1950s. He has two stars on the Hollywood Walk of Fame; for recording and radio.
Document 10: In a Sentimental Mood: "In a Sentimental Mood" is a jazz composition by Duke Ellington that is also performed as a song. Ellington composed the piece in 1935 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Manny Kurtz; as was the custom of the day, Ellington's manager Irving Mills cut himself in for a percentage of the publishing, the song credited to all three.
Document 11: Al Hirt: Alois Maxwell "Al" Hirt (November 7, 1922 – April 27, 1999) was an American trumpeter and bandleader. He is best remembered for his million-selling recordings of "Java" and the accompanying album "Honey in the Horn" (1963), and for the theme song to "The Green Hornet". His nicknames included "Jumbo" and "The Round Mound of Sound". Colin Escott, an author of musician biographies, wrote that RCA Victor Records, for which Hirt had recorded most of his best-selling recordings and for which he had spent much of his professional recording career, had dubbed him with another moniker: "The King." Hirt was inducted into The Louisiana Music Hall of Fame in November 2009.
Document 12: Bobby Hackett: Robert Leo Hackett (January 31, 1915 – June 7, 1976) was an American jazz musician who played trumpet, cornet, and guitar with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s. Hackett is probably best known for being the featured soloist on some of the "Jackie Gleason" mood music albums during the 1950s.
Document 13: Harry Edison: Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra.
Document 14: Caravan (1936 song): "Caravan" is a jazz standard composed by Juan Tizol and Duke Ellington, and first performed by Ellington in 1936. Irving Mills wrote seldom performed lyrics. Its exotic sound interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, "Alice" and "Sweet and Lowdown". The song is also heavily featured in the 2014 film "Whiplash" as an important plot element. The Mills Brothers recorded an a cappella version, making the instruments' sounds with their voices, and Johnny Mathis recorded the song in 1956. There are more than 350 recordings of this song by Duke Ellington's orchestra, the great majority of them now in the public domain.
Document 15: Duke Ellington Plays Mary Poppins: Duke Ellington Plays Mary Poppins is an album by American pianist, composer and bandleader Duke Ellington recorded in 1964 and released on the Reprise label in 1965. The album features recordings of tunes from the 1964 musical film "Mary Poppins" arranged by Ellington and Billy Strayhorn.
ground_truth: 1983