Question: What nationality where Terry Disley and Billy Bragg?

full_context: Document 1: Levi Stubbs' Tears: "Levi Stubbs' Tears" is a song by Billy Bragg. It was the first single released from Bragg's 1986 album "Talking with the Taxman about Poetry". The song's title refers to The Four Tops lead singer Levi Stubbs, whose music remains a source of comfort to the protagonist through years of abandonment, injury, and domestic violence.
Document 2: John Serry: John Serry (born 1954, John Serry Jr., in New York City) is a jazz pianist and composer, as well as a composer of contemporary classical music works that feature percussion, on which he also doubles. His debut solo album was 'Exhibition' (1979 Chrysalis Records), for which he received a Grammy Nomination (Best Instrumental Arrangement) for his composition, 'Sabotage'. The players included Carlos Vega drums, Jimmy Johnson bass, Gordon Johnson bass, Bob Sheppard saxophone/woodwinds, Gordon Gottlieb percussion and Barry Finnerty guitar. His second album, 'Jazziz' (1980 Chrysalis Records) received four stars in Downbeat Magazine and feature review of the month in Keyboard magazine; it was also the inspiration for the naming, in 1983, of JAZZIZ magazine by publisher Michael Fagien. The personnel was the same as that of 'Exhibition', except with Mike Sembello on guitar. Serry's 3rd album was 'Enchantress' (1996 Telarc) about which Downbeat Magazine wrote: "He has a strong sense of melody, his touch is confident, his ideas are sensible and his playing is beautifully controlled." Of 'Enchantress', Jim Aikin wrote in Keyboard magazine: "What a pleasure to find that he is back, still turning out charts that turn heads by turning corners." and Hilary Grey wrote in JazzTimes: "Serry's fleet fingered runs on songs like the jaunty, catchy 'DYT it' are both technically impressive and subtle." 'Enchantress' was recorded after Serry had been awarded the Grand Prize in the 1995 JAZZIZ magazine 'Keyboards on Fire' pianist/composer competition, judged by Dave Brubeck and Bob James (grand piano awarded by Steinway). The musicians were John Riley drums, Gerry Niewood and Ralph Bowen sax and Tom Brigandi bass. All of the compositions (and arrangements) for all three albums were by Serry and he was Producer for 'Exhibition' and 'Jazziz'.
Document 3: Jamie Muhoberac: Jamie Muhoberac is a session keyboardist with numerous credits, including The All-American Rejects, Fleetwood Mac, The Rolling Stones, Backstreet Boys, Chris Cornell, My Chemical Romance, Paradise Lost, Bowling For Soup, and Pet Shop Boys. He has often worked with producer Trevor Horn including for Seal and Rod Stewart.
Document 4: Terry (Kirsty MacColl song): "Terry" is a song by Kirsty MacColl, released as a single in October 1983, and charting at #82 in the UK the following month. It was her first release after returning to Stiff Records, and was the last in a run of poorly selling singles released between "There's a Guy Works Down the Chip Shop Swears He's Elvis" and "A New England". The music video featured an appearance from actor and comedian Ade Edmondson who played MacColl's rejected boyfriend who got her back after fighting off a rival man.
Document 5: Jimmy Jam and Terry Lewis: James Samuel "Jimmy Jam" Harris III (born June 6, 1959) and Terry Steven Lewis (born November 24, 1956) are an American R&B songwriting and record production team. They have enjoyed great success since the 1980s with various artists, most notably Janet Jackson. They have written 31 top ten hits in the UK and 41 in the US.
Document 6: Ewan MacColl: James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was an English folk singer, songwriter, communist, labour activist, actor, poet, playwright and record producer.
Document 7: Nick Morris: Nick Morris is a film maker who began writing and making amateur films at school, one of which was shown at the NFT. His professional career began in the 1980s with music videos for "The Final Countdown" by Europe, "Kyrie" by Mr. Mister and "Everytime You Go Away" by Paul Young. After making approximately 100 promos for artists such as Elton John, Celine Dion, Alison Moyet, Warrant, Terence Trent D'Arby, Stevie Wonder, Paul Carrack, Prefab Sprout, Kirsty MacColl, Go West, the Kane Gang, The Alarm, Status Quo, Toto, Natalie Cole, Nena, Scorpions and the number one charity single Ferry Aid, he moved into longer form projects including the Cirque du Soleil show "Alegría", which was nominated for a primetime Emmy, "Jesus Christ Superstar", which won an International Emmy, and AC/DC's "Stiff Upper Lip Live" in Munich. He has also directed DVDs for comedians such as The Mighty Boosh, Mitchell and Webb and Bill Bailey. Other work includes numerous trailers and music clips for West End shows such as "The Producers", "Spamalot", "Calendar Girls", "Guys and Dolls", "Edward Scissorhands" and "The Rocky Horror Show". in 2009 he captured Spandau Ballet's triumphant homecoming concert at the O2 Arena in London and Jude Law's portrayal of Hamlet.
Document 8: Terry Disley: Terry Disley is a jazz keyboardist and composer who was born in London. While in London, Cannes and Los Angeles in the 1990s, he recorded with many artists including Bryan Ferry, Bon Jovi, Van Morrison, Sir Paul McCartney, George Harrison, Madness, Sir Mick Jagger, Terry Hall and Billy Bragg. For five years, he was also the musical director for Dave Stewart, contributing music for a whole range of albums and five major motion picture scores including "Showgirls", "Beautiful Girls" and "The Ref".
Document 9: The Internationale (album): The Internationale is a 1990 album by Billy Bragg. Originally released on Bragg's short-lived record label, Utility Records, it is a deliberately political album, consisting mainly of cover versions and rewrites of left-wing protest songs. Although Bragg is known for his association with left-wing causes, this release is unusual; most of Bragg's recordings balance overtly political songs with social observation and love songs.
Document 10: Back to Basics (Billy Bragg album): Back to Basics is a 1987 collection of Billy Bragg's first three releases: The albums "Life's A Riot With Spy Vs. Spy" and "Brewing Up with Billy Bragg" and the EP "Between The Wars". This collection did not contain any new material, but did document Billy Bragg's early "one man and his guitar" approach. The songs collected on this release demonstrate major recurrent themes in Bragg's work: highly critical commentary on Thatcherite Britain, laced with poetic love songs. The collection was re-released in November 1993 on the Cooking Vinyl label.
Document 11: Billy Bragg: Stephen William Bragg (born 20 December 1957) is an English singer, songwriter and left-wing activist. His music blends elements of folk music, punk rock and protest songs, with lyrics that mostly span political or romantic themes. His music is heavily centred on bringing about change and getting the younger generation involved in activist causes.
Document 12: Clint Eastwood discography: Clint Eastwood, an audiophile, has had a strong passion for music all his life, particularly jazz and country and western music. He is a pianist and composer in addition to his main career as an actor, director, and film producer. He developed as a ragtime pianist early on, and in late 1959 he produced the album "Cowboy Favorites", which was released on the Cameo label. Jazz has played an important role in Eastwood's life from a young age and although he was never successful as a musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Brothers which has released all of the scores of Eastwood's films from "The Bridges of Madison County" onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson-Jenner and Carole Bayer Sager, which was recorded by Diana Krall for the film "True Crime". "Why Should I Care" was also released on Krall's 1999 album "When I Look In Your Eyes".
Document 13: Mr Love &amp; Justice: Mr Love & Justice is the twelfth studio album by folk-rock musician Billy Bragg, and the second to be recorded with his backing band The Blokes. The title is taken from the 1960 novel by Colin MacInnes.
Document 14: Chris Laurence: Chris Laurence was born in London and studied at the Guildhall School of Music. He has maintained a dual career in both jazz and classical music. In the classical world he was principal double bass with the Academy of St. Martin in the Fields Orchestra until 1995, playing on many of their famous recordings ranging from the film “Amadeus” to Benjamin Britten’s “Curlew River”. Jazz artists he has recorded with include trombonist J.J.Johnson, Tony Coe, Joe Williams, Sarah Vaughan, Clark Terry, Johnny Mathis and Lena Horne. His current recordings are John Surman’s “The Spaces in Between”, Kenny Wheelers “The Long Waiting” and “Songs For Quintet” on the ECM Label and Norma Winstone’s “Manhattan in the Rain”. He also spends a lot of time recording music for TV, Film and Albums, most notably “Leaving Las Vegas”, Ken Loach’s “Looking For Eric”, “The Constant Gardener”, Howard Shores’ score for “Hugo” and most recently was featured on the sound track of Mike Leigh’s “Mr Turner”. In 2007 he recorded a CD with his own jazz quartet titled “New View”, released on the “Basho” label along with Frank Ricotti (vibes), John Parricelli (Guitar), Martin France (Drums) and featuring Norma Winstone (Vocals). As well as jazz and classical music, Chris has also featured on albums with many stars including Elton John, Sting, Peter Gabriel, Mary Chapin Carpenter, Joni Mitchell, David Gilmour, Michel Legrand and guitarist John Williams.
Document 15: Bob Dylan: Bob Dylan ( ; born Robert Allen Zimmerman, May 24, 1941) is an American singer, songwriter, musician, painter, and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'", which became anthems for the Civil Rights Movement and anti-war movement. Leaving behind his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone", recorded in 1965, enlarged the range of popular music.
ground_truth: English