Question: Which German term, meaning "total work of art" is used to discribe TRIP – Remix Your Experience by Frank Otto and Bernt Köhler-Adams? 

full_context: Document 1: Richard Wagner: Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 2: Ashes and Snow: Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals. "Ashes and Snow" has traveled to Venice, New York City, Santa Monica, Tokyo, and Mexico City. To date, "Ashes and Snow" has attracted more than 10 million visitors, making it the most attended exhibition by a living artist in history.
Document 3: Complex seeing: The English term Complex Seeing is taken from Bertolt Brecht's writing on theatre and opera. First found in Brecht's notes to the "Threepenny Opera", a subsequently edited and updated version was published. This text can be found in English translation as "The Literarization of Theatre" from 1931, in Brecht on Theatre, where the key passage on complex seeing reads:
Document 4: TRIP – Remix Your Experience: TRIP – Remix Your Experience is a German Gesamtkunstwerk, a synthesis of the arts, authored and produced by Frank Otto and Bernt Köhler-Adams in 2005. As early as December 2004, it was premiered for the very first time as a multimedia installation at the Instituto Superior de Arte under the auspices of the Havana Film Festival. The world premiere as an experimental film took place in September 2005 at Expo 2005 in the prefecture of Aichi in Japan as an element of the official supporting cultural programme for the German pavilion. A full-scale performance was given for the first time in December 2005 in the USA at Bergamot Station in California.
Document 5: The Origin of the Work of Art: The Origin of the Work of Art (German: "Der Ursprung des Kunstwerkes" ) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing," marking the philosopher's first lectures on the notion of art.
Document 6: Conceptual art: Conceptual art, sometimes simply called conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of Conceptual art, one of the first to appear in print:
Document 7: Perpetual Art Machine: Perpetual Art Machine (PAM) was founded in New York City in January 2006 by artists Chris Borkowski, Aaron M. Miller, Raphaele Shirley and Lee Wells in collaboration with Alexis Hubshman, president of the Scope art fair. Through the use of open source CMS and DAM software such as Joomla and Gallery2, streaming video technologies and custom software developed in Max/MSP and Jitter, as well as MySQL, PAM has become a video art portal on the internet. Since its first installation in at the Scope New York art fair in March 2006 PAM has grown via its web site into a free community of more than 900 artists from over 50 countries and consists of over 1000 video art works on-line and in its interactive video installation. PAM has featured a number of notable video artists, including Lev Manovich, Janet Biggs, and John Criscitello.
Document 8: Documenta X: documenta X was the tenth edition of documenta, a quinquennial contemporary art exhibition. It was held between 21 June and 28 September 1997 in Kassel, Germany. The artistic director was Catherine David. This was the first time a women was appointed as artistic director of documenta. It is also the first time the website of the exhibition was conceive as an artistic part of it.Catherine David choose the swiss curator Simon Lamunière to conceived, design and curate the project . Part of documenta X was the experimental performance space and digital platform "Hybrid WorkSpace," curated by Klaus Biesenbach, Nancy Spector, and Hans-Ulrich Obrist. The space was designed by architect Eicke Becker and featured important performances, among them the famous Christoph Schlingensief performance titled "Mein Filz, mein Fett, mein Hase, 48 Stunden Überleben für Deutschland" during which several artists were arrested. Florian Schneider used "Hybrid WorkSpace" as an opportunity to initiate the No one is illegal network.
Document 9: Beethoven Gesamtausgabe: The Beethoven "Gesamtausgabe" is the first collected edition of the works of Ludwig van Beethoven. Its full title is "Ludwig van Beethovens Werke: vollständige kritisch durchgesehene überall berechtige Ausgabe" (which roughly translated means "Ludwig van Beethoven's Works: complete, critical, thoroughly revised, authorized edition"). It was published between 1862 and 1865, with a supplementary volume appearing in 1888.
Document 10: Walter Robot: Walter Robot is a creative studio founded by artist Bill Barminski and director Christopher Louie. They work in multiple mediums including film, television, art and sculpture. Their film work has screened at several film festivals, including the Sundance Film Festival and the Los Angeles Film Festival where in 2012 the festival hosted a retrospective of their work. Their artwork has been showcased in several installations and galleries in Los Angeles, New York and London. In 2014, to much critical success, they worked with the world-renowned Cleveland Orchestra and staged the first ever interactive animated version of The Cunning Little Vixen opera.
Document 11: Works based on Faust: Faust has inspired artistic and cultural works for over four centuries. The following lists cover various media to include items of historic interest, enduring works of high art, and recent representations in popular culture. The entries represent works that a reader has a reasonable chance of encountering rather than a complete catalog.
Document 12: Combine painting: A combine painting is an artwork that incorporates various objects into a painted canvas surface, creating a sort of hybrid between painting and sculpture. Items attached to paintings might include photographic images, clothing, newspaper clippings, ephemera or any number of three-dimensional objects. The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase to describe his own creations. Rauschenberg’s Combines explored the blurry boundaries between art and the everyday world. In addition, his cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg. Frank Stella created a large body of paintings that recall the combine paintings of Robert Rauschenberg by juxtaposing a wide variety of surface and material in each work ultimately leading to Stella's sculpture and architecture of the 21st century.
Document 13: Gesamtkunstwerk: A Gesamtkunstwerk (] , translated as "total work of art", "ideal work of art", "universal artwork", "synthesis of the arts", "comprehensive artwork", "all-embracing art form" or "total artwork") is a work of art that makes use of all or many art forms or strives to do so. The term is a German word which has come to be accepted in English as a term in aesthetics.
Document 14: Scenario (artwork): Scenario is an Artificial Intelligence (AI) computer graphic interactive installation, directed by the artist Dennis Del Favero, and developed in collaboration with scriptwriter Stephen Sewell, AI scientist Maurice Pagnucco working with computer scientists Anuraag Sridhar, Arcot Sowmya and Paul Compton. It is a 360-degree 3D cinematic work whose narrative is interactively produced by the audience and humanoid characters. The title is a Commedia dell'arte term (ʃeˈnarjo) referring to the way dramatic action is dependent on the way actors and audience interact. "Scenario" was developed at the iCinema Centre for Interactive Cinema Research  at the University of New South Wales.
Document 15: Foreigners out! Schlingensiefs Container: Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named ""Wien-Aktion"", ""Please Love Austria—First European Coalition Week"", or ""Foreigners Out—Artists against Human Rights"", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was conceptually designed by Christoph Schlingensief and directed by Paul Poet, and was styled as a mockery of popular TV program format "Big Brother". It was critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world.
ground_truth: Gesamtkunstwerk