Question: Die Meistersinger von Nürnberg and Iphigénie en Aulide, are which type of music drama?

full_context: Document 1: Die Walküre: Die Walküre (The Valkyrie), WWV 86B, is a music drama in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four works that form Wagner's cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 2: Richard Wagner: Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 3: Iphigénie en Tauride discography: This is a discography of Iphigénie en Tauride, an opera by Christoph Willibald Gluck, first performed at the Paris Opéra on May 18, 1779.
Document 4: Götterdämmerung: Götterdämmerung ( ; Twilight of the Gods), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled "Der Ring des Nibelungen " ("The Ring of the Nibelung", or "The Ring" for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the "Ring".
Document 5: Kaspar Bausewein: Kaspar Bausewein (15 November 1838, Aub – 18 November 1903, Munich) was a German operatic bass who was active at the Bavarian State Opera from 1858 through 1900. While there, he notably portrayed several characters in the world premieres of operas composed by Richard Wagner. He created Pogner in "Die Meistersinger von Nürnberg" (June 21, 1868), Fafner in "Das Rheingold" (September 22, 1869), Hunding in "Die Walküre" (June 26, 1870), and Harald in "Die Feen" (June 29, 1888).
Document 6: Paride ed Elena: Paride ed Elena (] ; "Paris and Helen") is an opera by Christoph Willibald Gluck. It is the third of Gluck's so-called reform operas for Vienna, following "Alceste" and "Orfeo ed Euridice", and the least often performed of the three. Like its predecessors, the libretto was written by Ranieri de' Calzabigi. The opera tells the story of the events between the Judgment of Paris and the flight of Paris and Helen to Troy. It was premiered at the Burgtheater in Vienna on 3 November 1770.
Document 7: The Master of Nuremberg: The Master of Nuremberg (German: Der Meister von Nürnberg) is a 1927 German silent historical comedy film directed by Ludwig Berger and starring Rudolf Rittner, Max Gülstorff and Gustav Fröhlich. It is based on the 1868 opera "Die Meistersinger von Nürnberg" by Richard Wagner. It was considered artistically unsuccessful because of its overly theatrical presentation. It is also known by the alternative title The Meistersinger.
Document 8: Iphigénie en Aulide: Iphigénie en Aulide ("Iphigeneia in Aulis") is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy "Iphigénie". It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year.
Document 9: Le feste d'Apollo: Styled a "festa teatrale", "Le feste d'Apollo" consists of a prologue and three self-contained acts on the model of French "opéra-ballet" (the court of Parma was passionately interested in French culture). Gluck knew the Archduchess Maria Amalia well as she had sung in two of his operas, "Il Parnaso confuso" and "La corona", in Vienna. The composer recycled a lot of music from his earlier operas in the score of "Le feste". In fact, the whole of the third act, "Orfeo", is a shorter reworking of his most famous piece, "Orfeo ed Euridice" (1762). The overture to the prologue is taken from "Telemaco". Gluck later reused some of the choruses in two of the operas he wrote for Paris, "Iphigénie en Aulide" and "Iphigénie en Tauride".
Document 10: Die Meistersinger von Nürnberg: Die Meistersinger von Nürnberg (] ; "The Master-Singers of Nuremberg") is a music drama (or opera) in three acts, written and composed by Richard Wagner. It is among the longest operas commonly performed, usually taking around four and a half hours. It was first performed at the Königliches Hof- und National-Theater, today the home of the Bavarian State Opera, in Munich, on 21 June 1868. The conductor at the premiere was Hans von Bülow.
Document 11: Der Ring des Nibelungen: Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the "Nibelungenlied". The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a " " ("preliminary evening"). It is often referred to as the Ring Cycle, "Wagner's Ring", or simply "The Ring".
Document 12: Iphigénie en Tauride: Iphigénie en Tauride ("Iphigenia in Tauris") is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard.
Document 13: Siegfried (opera): Siegfried, WWV 86C, is the third of the four music dramas that constitute "Der Ring des Nibelungen" ("The Ring of the Nibelung"), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of "The Ring" cycle.
Document 14: Iphigénie en Tauride (Piccinni): Iphigénie en Tauride ("Iphigeneia in Tauris") is a tragédie lyrique in four acts by Niccolò Piccinni, which was first performed on 23 January 1781 by the Académie royale de musique (the Paris Opéra) in the second Salle du Palais-Royal. The opera's libretto, by Alphonse du Congé Dubreuil, is based on a play of the same name by Claude Guimond de La Touche, although the ultimate source was the tragedy "Iphigeneia in Tauris" by Euripides.
Document 15: Armide (Gluck): Gluck set the same libretto Philippe Quinault had written for Lully in 1686, based on Torquato Tasso's "Gerusalemme liberata" ("Jerusalem Delivered"). Gluck seemed at ease in facing French traditions head-on when he composed "Armide". Lully and Quinault were the very founders of serious opera in France and "Armide" was generally recognized as their masterpiece, so it was a bold move on Gluck's part to write new music to Quinault's words. A similar attempt to write a new opera to the libretto of "Thésée" by Jean Joseph de Mondonville in 1765 had ended in disaster, with audiences demanding it be replaced by Lully's original. By utilizing "Armide", Gluck challenged the long-standing and apparently inviolable ideals of French practice, and in the process he revealed these values capable of renewal through "modern" compositional sensitivities. Critical response and resultant polemic resulted in one of those grand imbroglios common to French intellectual life. Gluck struck a nerve in French sensitivities, and whereas "Armide" was not one of his more popular works, it remained a critical touchstone in the French operatic tradition and was warmly praised by Berlioz in his "Memoirs". Gluck also set a minor fashion for resetting Lully/Quinault operas: Gluck's rival Piccinni followed his example with "Roland" in 1778 and "Atys" in 1780; in the same year, Philidor produced a new "Persée"; and Gossec offered his version of "Thésée" in 1782. Gluck himself is said to have been working on an opera based on "Roland", but he abandoned it when he heard Piccinni had taken on the same libretto.
ground_truth: opera