Question: Who was born first, Pietro Mascagni or Giovanni Battista Pergolesi?

full_context: Document 1: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 2: Domenico Monleone: Domenico Monleone (January 4, 1875 – 15 January 1942) was an Italian composer of operas, most noted for his opera "Cavalleria rusticana" of 1907, which for a while rivalled the success of Mascagni's work of the same name which was from the same source. The work was the third opera to be based on Verga’s 1884 theatrical adaptation of his own short story, "Cavalleria rusticana", Stanislao Gastaldon’s "Mala Pasqua" (1888) being the first, and Mascagni's famous opera (1890) being the second.
Document 3: Cavalleria rusticana discography: This is a discography of Cavalleria rusticana, an opera by Pietro Mascagni. It premiered at the Teatro Costanzi in Rome on 17 May 17, 1890. There have been over 100 full-length recordings of "Cavalleria rusticana" published since it was first recorded in Germany in 1909. Mascagni himself has conducted the opera in two recordings, the best-known of which is the 1940 EMI recording made to mark the 50th anniversary of the opera's premiere. The performance by the La Scala orchestra and chorus with Lina Bruna Rasa as Santuzza and Beniamino Gigli as Turiddu also has a spoken introduction by Mascagni. Originally released as an LP, it is available on CD under several historical recording labels, including Naxos.
Document 4: Giuseppe Verdi: Giuseppe Fortunino Francesco Verdi (] ; 9 or 10 October 1813 – 27 January 1901) was an Italian opera composer.
Document 5: Mala Pasqua!: Mala Pasqua! (Bad Easter!) is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, "Cavalleria rusticana" ("Rustic Chivalry") which Verga had adapted from his short story of the same name. "Mala Pasqua!" premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera "Cavalleria rusticana" which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!" ("May you have an evil Easter!"). Following its Rome premiere "Mala Pasqua!" had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.
Document 6: Claudio Monteverdi: Claudio Giovanni Antonio Monteverdi (] ; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.
Document 7: Giovanni Battista Pergolesi: Giovanni Battista Draghi (] ; 4 January 1710 – 16 March 1736), best known as Pergolesi (] ) or Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.
Document 8: Pergolesi (film): Pergolesi is a 1932 Italian historical musical film directed by Guido Brignone and starring Elio Steiner, Dria Paola and Tina Lattanzi. It portrays the brief life of the eighteenth century Italian composer Giovanni Battista Pergolesi.
Document 9: Sì (operetta): Sì is an operetta in three acts composed by Pietro Mascagni to a libretto by Carlo Lombardo with verses by Arturo Franci. The libretto is based on Lombardo's operetta "La duchessa del Bal Tabarin" and Felix Dörmann's libretto for "Majestät Mimi" set by Bruno Granichstaedten in 1911. Mascagni's only venture into operetta, it premiered on 13 December 1919 at the Teatro Quirino in Rome. The operetta takes its name from its central character, Sì, an actress at the Folies Bergère, so called because she could never say no. ("Si" is the Italian word for "yes".)
Document 10: Giacomo Puccini: Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
Document 11: Gaetano Fraschini: Gaetano Fraschini (16 February 1816 – 23 May 1887) was an Italian tenor. He created many roles in 19th century operas, including five composed by Giuseppe Verdi. His voice was "heroic ... with a baritonal quality, ... yet Verdi and Donizetti appreciated his ability to sing softly and with subtlety." An Italian biographer has pointed out Fraschini's role in extending the longevity of Donizetti's operas, while at the same time accelerating the ascent of Verdi's repertory. He was indeed the most prominent singer who facilitated the transition from Donizetti to Verdi. Fraschini sang over one hundred roles and Verdi placed him at the top of his favorite tenors' list and described him as a "natural Manrico" for his "Il trovatore". Fraschini also played a pivotal role in the success of many operas by Pacini and Mercadante.
Document 12: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 13: Stabat Mater (Pergolesi): Stabat Mater is a musical setting of the "Stabat Mater " sequence, composed by Giovanni Battista Pergolesi in 1736. Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo (cello and organ).
Document 14: Pietro Mascagni: Pietro Antonio Stefano Mascagni (] ; 7 December 1863 – 2 August 1945) was an Italian composer most noted for his operas. His 1890 masterpiece "Cavalleria Rusticana" caused one of the greatest sensations in opera history and single-handedly ushered in the "Verismo" movement in Italian dramatic music. While it was often held that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, "L'amico Fritz" and "Iris" have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni said that at one point, "Iris" was performed in Italy more often than "Cavalleria" (cf. Stivender).
Document 15: Niccolò Paganini: Niccolò (or Nicolò) Paganini (] ; 27 October 178227 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
ground_truth: Giovanni Battista Pergolesi