Question: America's Music: The Roots of Country is a film that touches on which bar-style music, common in the South US?

full_context: Document 1: Americana (music): Americana is an amalgam of American folk music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States, specifically those sounds that are merged from folk, country, blues, rhythm and blues, rock and roll and other external influences. Americana, as defined by the Americana Music Association (AMA), is "contemporary music that incorporates elements of various mostly acoustic American roots music styles, including country, roots-rock, folk and bluegrass resulting in a distinctive roots-oriented sound that lives in a world apart from the pure forms of the genres upon which it may draw. While acoustic instruments are often present and vital, Americana also often uses a full electric band."
Document 2: Texas country music: Texas country music (more popularly known just as Texas country or Texas music) is a rapidly growing subgenre of American country music. Texas country is known for fusing traditionalist root sounds (similar to neotraditional country) with the outspoken, care-free views of outlaw country. Texas country blends these subgenres by featuring a "take it or leave it" approach, a "common working man" theme, and witty undertones. These often combine with stripped down music sound. Texas country music can also be called "Red Dirt" country music. Sounds from Texas and Oklahoma have influenced the scene of this particular genre.
Document 3: Tootsie's Orchid Lounge: Tootsie's Orchid Lounge (also known as Tootsie's World Famous Orchid Lounge) is a honky-tonk bar located in Nashville, Tennessee behind the Ryman Auditorium. Tootsie's has three stages that host live local talent each night; covering modern day country music artist such as Jason Aldean, Taylor Swift, and other popular country music artists as well as original work. Some of its early famous first customers were Willie Nelson, Patsy Cline, Mel Tillis, Kris Kristofferson, Waylon Jennings, Roger Miller and numerous others country musicians. According to www.tootsies.net, Willie Nelson received his first songwriting gig after singing at Tootsie's. Terri Clark a Canadian-born country artist started singing at Tootsie's in 1987. and has since become an internationally known country superstar with hits such as Better Things to Do, and the Warren Zevon cover, Poor Poor Pitiful Me.
Document 4: Music of Iowa: The music of Iowa includes such notable musicians as Rock and Roll Hall of Famers The Everly Brothers (who had 3 #1 Top 100 hits, including "All I Have to Do Is Dream" in 1958), Bix Beiderbecke, Art Farmer, Peggy Gilbert, Patty Waters, Mortimer Wilson, Thurlow Lieurance, Charlie Haden, Arthur Russell, Greg Brown, William Elliott Whitmore, Clarence Whitehill, Meredith Willson, composer of "The Music Man", and Alice Ettinger who was renowned enough to perform in Europe in the 1890s. Famed swing era musician and band leader Glenn Miller was born in Clarinda. Bands from Iowa include For Today, Euforquestra, The Envy Corps, Hawks, Slipknot (who had 2 #1 Billboard 200 albums like "All Hope is Gone" in 2008), Radio Moscow, Modern Life Is War, and Unknown Component. The city of Walnut is home to the National Traditional Country Music Association (NTCMA), which produces programs for local radio and television in Iowa. NTCMA also operates the Walnut Country Opera House, which is a theatre and home to several halls of fame and museums. The town of Clear Lake is known as the place the Big Bopper, Buddy Holly and Ritchie Valens took off from on the day they died; their last performance was at the Surf Ballroom. The Escorts (Iowa band) (Do's & Don'ts) are one of the first bands to be inducted into the Iowa Rock N Roll Music Association's Hall of Fame.
Document 5: Forever Country: "Forever Country" is a medley performed by the Artists of Then, Now & Forever, a one-time gathering of 30 country music artists. The song, which was recorded to honor the 50th Annual Country Music Association Awards, is a medley of John Denver's "Take Me Home, Country Roads," Willie Nelson's "On the Road Again," and Dolly Parton's "I Will Always Love You." The medley was originally conceived to be just one song until director Joseph Kahn proposed the idea of mashing together three songs into one. It was recorded in a span of three days in Nashville, Tennessee in June 2016 with Shane McAnally as producer. A music video directed by Kahn was released to accompany and promote the song.
Document 6: Jay's Longhorn Bar: Jay's Longhorn Bar, most frequently referred to by patrons as The Longhorn, was a nexus of the punk music scene in Minneapolis, Minnesota, in the late 1970s and early 1980s, described by music critics as a "legendary" part of the genre's history and a "punk rocker's paradise." One of the earliest clubs in America to regularly book punk, New Wave, and alternative-rock bands, the Longhorn was the only concert stage in Minnesota where touring acts in those genres could regularly perform until the opening of what would become First Avenue in 1980. "The Police, Blondie, all the big acts played there," wrote Hüsker Dü guitarist Bob Mould, who frequented the venue and noted that he considered Hüsker Dü "an actual band" only after they had performed on the Longhorn stage. Robert Wilkinson, singer for Minneapolis punk band Flamingo, noted that in terms of importance to the scene, “The Longhorn was Minneapolis’ CBGB’s.”
Document 7: George Strait: George Harvey Strait (born May 18, 1952) is an American country music singer, songwriter, actor, and music producer. He is known as the "King of Country" and is considered one of the most influential and popular recording artists of all time. He is known for his neotraditionalist country style, cowboy look, and being one of the first and main country artists to bring country music back to its roots and away from the pop country era in the 1980s.
Document 8: Dirty Country: Dirty Country is a 2007 documentary film that tells the real-life story of Larry Pierce, a small-town factory worker and family man who happens to be the raunchiest country music singer in America. Since 1993, Larry has quietly released over a dozen dirty country albums at truck stops across the country. Without the time or money to pursue a "legitimate" career in country music, Larry is content to lead an ordinary life and moonlight as a dirty country singer. But when he is forced into early retirement at his factory job of 30 years, Larry faces an uncertain future. That is, until an unexpected turn of events thrusts his songs out of obscurity and into the spotlight.
Document 9: Palomino Club (North Hollywood): The Palomino Club was a music venue in the North Hollywood neighborhood of Los Angeles. It opened in 1949 and was the best-known country music club in Los Angeles for decades, closing in 1995. It was called "Country Music's most important West Coast club" by the "Los Angeles Times" and named national Club of the Year by "Performance" touring talent trade magazine. It featured such performers as Rick Nelson, Johnny Cash, Linda Ronstadt, Buck Owens, Patsy Cline, Delaney Bramlett, The Flying Burrito Brothers, Johnny Carver, Jerry Jeff Walker, Hoyt Axton, Tanya Tucker, and Willie Nelson, and was also a popular hangout for other country entertainers such as Merle Haggard and Jerry Lee Lewis. Lewis played there at least once a year from 1957 to 1987. Elvis Presley at least once strolled in unheralded and took in a set.
Document 10: Music of North Carolina: North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers and Al Hopkins helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs, Doc Watson and Del McCoury came from North Carolina. Arthur Smith is the most notable North Carolina musician/entertainer who had the first nationally syndicated television program which featured country music. Smith composed "Guitar Boogie", the all-time best selling guitar instrumental, and "Dueling Banjos", the all-time best selling banjo composition. Country rock star Eric Church from the Hickory area has had 2 #1 albums on the Billboard 200, including "Chief" in 2011. Both North and South Carolina are a hotbed for traditional country blues, especially the style known as the Piedmont blues. Elizabeth Cotten, from Chapel Hill, was active in the American folk music revival.
Document 11: Outlaw country: Outlaw country is a subgenre of American country music, most popular during the 1970s and early-1980s, sometimes referred to as the outlaw movement or simply outlaw music. The music has its roots in earlier subgenres like honky tonk and rockabilly and is characterized by a blend of rock and folk rhythms, country instrumentation and introspective lyrics. The movement began as a reaction to the slick production and popular structures of the Nashville sound developed by record producers like Chet Atkins.
Document 12: Honky-tonk: A honky-tonk (also called honkatonk, honkey-tonk, or tonk) is both a bar that provides country music for the entertainment of its patrons and the style of music played in such establishments. Bars of this kind are common in the South and Southwest United States. Many eminent country music artists, such as Jimmie Rodgers, Loretta Lynn, Patsy Cline, Ernest Tubb, and Merle Haggard, began their careers as amateur musicians in honky-tonks. The modern-day, honky-tonk atmosphere has continued, with the likes of Dwight Yoakam.
Document 13: America's Music: The Roots of Country: America's Music: The Roots of Country is a 1996 three-part, six episode documentary about the history of American country music directed by Tom Neff and Jerry Aronson and written by Neff and Robert K. Oermann. The film touches on many of the styles of music that make up country music, including: Old-time music, Cajun music, Folk music, Rockabilly, Western music, Western swing, the Bakersfield sound, Honky-tonk and the Nashville sound. Country music artist and actor Kris Kristofferson narrates the three-part series.
Document 14: Gilley's Club: Gilley's was a bar/honky tonk founded in 1971 by country singer Mickey Gilley in Pasadena, Texas. It was the central location in the 1980 movie "Urban Cowboy".
Document 15: Music Row: Music Row is an area just to the southwest of Downtown Nashville, Tennessee that is home to hundreds of businesses related to the country music, gospel music, and Contemporary Christian music industries. Centered on 16th and 17th Avenues South (called Music Square East and Music Square West, respectively, within the Music Row area), along with several side streets, Music Row is widely considered the heart of Nashville's entertainment industry. In this area, one will find the offices of numerous record labels, publishing houses, music licensing firms, recording studios, video production houses, along with other business who serve the music industry, as well as radio networks, and radio stations. "MusicRow Magazine" has been a music industry resource reporting on the location for over 30 years. Lacy J. Dalton had a hit song in the 1980s about one of the streets, 16th Avenue, while the area served as namesake to Dolly Parton's 1973 composition "Down on Music Row". Sometimes the words "Music Row" are used as a metonymous nickname for the country music industry as a whole, just as "Madison Avenue" often refers to the advertising industry.
ground_truth: honky-tonk