Question: The singer who performed Love Profusion is referred to as an almost sacred feminist icon by whom?

full_context: Document 1: Madonna (entertainer): Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."
Document 2: Madonna (entertainer): Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.
Document 3: Madonna (entertainer): Academics noted that with her videos, Madonna was subtly reversing the usual role of male as the dominant sex. This symbolism and imagery was probably the most prevalent in the music video for "Like a Prayer". The video included scenes of an African-American church choir, Madonna being attracted to a statue of a black saint, and singing in front of burning crosses. This mix of the sacred and the profane upset the Vatican and resulted in the Pepsi commercial withdrawal. In 2003, MTV named her "The Greatest Music Video Star Ever" and said that "Madonna's innovation, creativity and contribution to the music video art form is what won her the award."
Document 4: Madonna (entertainer): From the beginning of 2014, Madonna began to make multiple media appearances. She appeared at the 56th Annual Grammy Awards in January 2014, performing "Open Your Heart" alongside rappers Macklemore & Ryan Lewis and singer Mary Lambert, who sang their single "Same Love", as 33 couples were wed onstage, officiated by Queen Latifah. Days later, she joined singer Miley Cyrus on her MTV Unplugged special, singing a mash-up of "Don't Tell Me" and Cyrus' single "We Can't Stop" (2013). She also extended her business ventures and in February 2014 the singer premiered MDNA Skin, a range of skin care products, in Tokyo, Japan. After visiting her hometown of Detroit during May 2014, Madonna decided to contribute funds to three of the city's organizations, to help eliminate poverty from there. The singer released a statement saying that she was inspired by their work, adding that "it was obvious to me that I had to get involved and be part of the solution to help Detroit recover".
Document 5: Madonna (entertainer): In September 1993, Madonna embarked on The Girlie Show World Tour, in which she dressed as a whip-cracking dominatrix surrounded by topless dancers. In Puerto Rico she rubbed the island's flag between her legs on stage, resulting in outrage among the audience. In March 1994, she appeared as a guest on the Late Show with David Letterman, using profanity that required censorship on television, and handing Letterman a pair of her panties and asking him to smell it. The releases of her sexually explicit films, albums and book, and the aggressive appearance on Letterman all made critics question Madonna as a sexual renegade. Critics and fans reacted negatively, who commented that "she had gone too far" and that her career was over.
Document 6: Madonna (entertainer): Madonna released and performed the song "Hey You" at the London Live Earth concert in July 2007. She announced her departure from Warner Bros. Records, and declared a new $120 million, ten-year 360 deal with Live Nation. In 2008, Madonna produced and wrote I Am Because We Are, a documentary on the problems faced by Malawians; it was directed by Nathan Rissman, who worked as Madonna's gardener. She also directed her first film, Filth and Wisdom. The plot of the film revolved around three friends and their aspirations. The Times said she had "done herself proud" while The Daily Telegraph described the film as "not an entirely unpromising first effort [but] Madonna would do well to hang on to her day job." On March 10, 2008, Madonna was inducted into the Rock and Roll Hall of Fame in her first year of eligibility. She did not sing at the ceremony but asked fellow Hall of Fame inductees and Michigan natives The Stooges to perform her songs "Burning Up" and "Ray of Light".Madonna released her eleventh studio album, Hard Candy, in April 2008. Containing R&B and urban pop influences, the songs on Hard Candy were autobiographical in nature and saw Madonna collaborating with Justin Timberlake, Timbaland, Pharrell Williams and Nate "Danja" Hills. The album debuted at number one in 37 countries and on the Billboard 200. Caryn Ganz from Rolling Stone complimented it as an "impressive taste of her upcoming tour", while BBC correspondent Mark Savage panned it as "an attempt to harness the urban market".
Document 7: Madonna (entertainer): Madonna Louise Ciccone (/tʃɪˈkoʊni/; Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, actress, and businesswoman. She achieved popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV. Madonna is known for reinventing both her music and image, and for maintaining her autonomy within the recording industry. Music critics have acclaimed her musical productions, which have generated some controversy. Often referred to as the "Queen of Pop", she is often cited as an influence by other artists.
Document 8: Madonna (entertainer): Madonna released the song "Hey You" for the Live Earth series of concerts. The song was available as a free download during its first week of release. She also performed it at the London Live Earth concert. Madonna announced her departure from Warner Bros. Records, and a new $120 million, ten-year 360 deal with Live Nation. She produced and wrote I Am Because We Are, a documentary on the problems faced by Malawians. The documentary was directed by Nathan Rissman, who worked as Madonna's gardener. She also directed her first film Filth and Wisdom. The plot of the film revolved around three friends and their aspirations. The Times said she had "done herself proud" while The Daily Telegraph described the film as "not an entirely unpromising first effort [but] Madonna would do well to hang on to her day job." In December 2007, the Rock and Roll Hall of Fame announced Madonna as one of the five inductees of 2008. At the induction ceremony on March 10, 2008, Madonna did not sing but asked fellow Hall of Fame inductees and Michigan natives The Stooges to perform her songs "Burning Up" and "Ray of Light". She thanked Christopher Flynn, her dance teacher from 35 years earlier, for his encouragement to follow her dreams.
Document 9: Madonna (entertainer): In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."
Document 10: Madonna (entertainer): Her tenth studio album, Confessions on a Dance Floor, was released in November 2005. Musically the album was structured like a club set composed by a DJ. It was acclaimed by critics, with Keith Caulfield from Billboard commenting that the album was a "welcome return to form for the Queen of Pop." The album won a Grammy Award for Best Electronic/Dance Album. Confessions on a Dance Floor and its lead single, "Hung Up", went on to reach number one in 40 and 41 countries respectively, earning a place in Guinness World Records. The song contained a sample of ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)", only the second time that ABBA has allowed their work to be used. ABBA songwriter Björn Ulvaeus remarked "It is a wonderful track—100 per cent solid pop music." "Sorry", the second single, became Madonna's twelfth number-one single in the UK.
Document 11: Madonna (entertainer): Following Die Another Day, Madonna collaborated with fashion photographer Steven Klein in 2003 for an exhibition installation named X-STaTIC Pro=CeSS. It included photography from a photo shoot in W magazine, and seven video segments. The installation ran from March to May in New York's Deitch Projects gallery. It traveled the world in an edited form. The same year, Madonna released her ninth studio album, American Life, which was based on her observations of American society; it received mixed reviews. She commented, "[American Life] was like a trip down memory lane, looking back at everything I've accomplished and all the things I once valued and all the things that were important to me." Larry Flick from The Advocate felt that "American Life is an album that is among her most adventurous and lyrically intelligent" while condemning it as "a lazy, half-arsed effort to sound and take her seriously." The title song peaked at number 37 on the Hot 100. Its original music video was canceled as Madonna thought that the video, featuring violence and war imagery, would be deemed unpatriotic since America was then at war with Iraq. With four million copies sold worldwide, American Life was the lowest-selling album of her career at that point.
Document 12: Madonna (entertainer): Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."
Document 13: Madonna (entertainer): Madonna's music has been the subject of much analysis and scrutiny. Robert M. Grant, author of Contemporary Strategy Analysis (2005), commented that what has brought Madonna success is "certainly not outstanding natural talent. As a vocalist, musician, dancer, songwriter, or actress, Madonna's talents seem modest." He asserts Madonna's success is in relying on the talents of others, and that her personal relationships have served as cornerstones to the numerous reinventions in the longevity of her career. Madonna's approach was far from the music industry wisdom of "Find a winning formula and stick to it." Her musical career has been a continuous experimentation with new musical ideas and new images and a constant quest for new heights of fame and acclaim. Grant concluded that "having established herself as the queen of popular music, Madonna did not stop there, but continued re-inventing." Musicologist Susan McClary wrote that "Madonna's art itself repeatedly deconstructs the traditional notion of the unified subject with finite ego boundaries. Her pieces explore various ways of constituting identities that refuse stability, that remain fluid, that resist definition."
Document 14: Love Profusion: "Love Profusion" is a song by American singer and songwriter Madonna for her ninth studio album "American Life" (2003). Written and produced by Madonna and Mirwais Ahmadzaï, it was released as the fourth and final single from the album on December 8, 2003, by Maverick Records. "Love Profusion" was first premiered during the release of the album on AOL. It later received a number of remixes, which were also released alongside the single. The song contains rhythm from a four piece bass drum, with guitar riffs of the acoustic guitar and Madonna's voice backed by a male vocal during the chorus. Ahmadzaï used the stutter edit to create a new groove. Dedicated to Madonna's then-husband, Guy Ritchie, the song's lyrics deal with Madonna's confusion regarding American culture.
Document 15: Madonna (entertainer): She met director Guy Ritchie, who would become her second husband, in November 1998 and gave birth to their son Rocco John Ritchie on August 11, 2000 in Los Angeles. Rocco and Madonna suffered complications from the birth due to her experiencing placenta praevia. He was christened at Dornoch Cathedral in Dornoch, Scotland, on December 21, 2000. Madonna married Ritchie the following day at nearby Skibo Castle. Her fifth concert tour, titled Drowned World Tour, started in June 2001. The tour visited cities in the U.S. and Europe and was the highest-grossing concert tour of the year by a solo artist, earning $75 million from 47 sold-out shows. She also released her second greatest-hits collection, titled GHV2, to coincide with the home video release of the tour. GHV2 debuted at number seven on the Billboard 200.
ground_truth: Professor Sut Jhally
sub_queries: What was Love Profusion's performers name? Answer: Madonna
Who wrote that Madonna is an almost scared feminist icon? Answer: Professor Sut Jhally