Question: Where is the Folger Shakespeare Library?

full_context: Document 1: Emily Jordan Folger: Emily Jordan Folger, born Emily Clara Jordan (May 15, 1858–February 21, 1936), was the wife of Henry Clay Folger and the co-founder of the Folger Shakespeare Library. During her husband's lifetime, she assisted him in building the world's largest collection of Shakespeare materials. After his death in 1930, she funded the completion of the Folger Shakespeare Library to house the collection, remaining involved with its administration until her death in 1936.
Document 2: Walter Erle (died 1581): Walter Erle (c.1515/20-1581) ("alias" Erley, Erell, etc.) of Colcombe in the parish of Colyton, of Bindon in the parish of Axmouth, both in Devon, and of Charborough in Dorset, England, was a courtier and servant of the Royal Household to two of the wives of King Henry VIII, namely Catherine Howard (beheaded 1542) and Catherine Parr (survived, died 1548), and successively to his son King Edward VI (1547-1553) and two daughters, Queen Mary I (1553-1558) and Queen Elizabeth I (1558-1603) during their successive reigns. According to Sandon (1983) his popularity as a royal courtier was in part due to his ability as a musician, particularly as a player of the virginal. He is known to have composed at least one work of church music, namely "Ave Vulnus Lateris" ("Hail, O Wound of the Side"), a short votive antiphon in honour of one of the Five Holy Wounds of Jesus, his authorship of which is recorded in Peterhouse College manuscripts 471–474, held in the Cambridge University Library, comprising four partbooks from a set of five copied late in the reign of King Henry VIII, which contain seventy-two pieces of Latin church music. As a courtier-musician he well represents the ideal royal courtier described in "The Courtier" by Baldassare Castiglione (d.1529) and also in "The Boke Named The Governour" by Sir Thomas Elyot (d.1546). Although he was born into a minor gentry family of Devonshire, he founded a dynasty of substantial landed gentry that survives to the present day, his heir (albeit via several female lines) being the Conservative Member of Parliament Richard Grosvenor Plunkett-Ernle-Erle-Drax (born 1958), of Charborough House.
Document 3: Portrait of Adele Bloch-Bauer I: Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, , a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. In 2006, following eight years of effort by the Bloch-Bauer heirs, the painting was returned to the family; it was sold the same year for $135 million, at the time a record price for a painting.
Document 4: Henry Clay Folger: Henry Clay Folger, Jr. (June 18, 1857 – June 11, 1930) was president and later chairman of Standard Oil of New York, a collector of Shakespeareana, and founder of the Folger Shakespeare Library.
Document 5: Plimpton Sieve Portrait of Queen Elizabeth I: The Plimpton "Sieve Portrait of Queen Elizabeth I" is an oil painting by English painter George Gower dated 1579, and now in the collection of the Folger Shakespeare Library in Washington, D.C. It is one of three near-identical portraits of Elizabeth I by Gower that represent the queen holding a symbolic sieve. It was acquired by George Arthur Plimpton in 1930, hence the name. His son, Francis T. P. Plimpton, willed it to the Folger.
Document 6: Portrait of Captain Thomas Coram: Portrait of Captain Thomas Coram is a 1740 portrait of philanthropist Thomas Coram painted by William Hogarth. The portrait, which represents Hogarth’s highest achievement in direct portraiture, was not created as a commission and was instead donated to Coram's Foundling Hospital. The portrait is divided into two sections: The left side represents Coram's sea ventures, a major source of his wealth. The right side shows a curtain pulled over a mother figure with a child/
Document 7: Shakespeare Quarterly: Shakespeare Quarterly is a peer-reviewed academic journal established in 1950 by the Shakespeare Association of America. It is now under the auspices of the Folger Shakespeare Library. Along with book and performance criticism, "Shakespeare Quarterly" incorporates scholarly research and essays on Shakespeare and the age in which he worked, particularly those that explore new perspectives. It includes a special section devoted to the latest ideas in Shakespeare scholarship.
Document 8: Portrait of Wally: Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership history was revealed in an article published in "The New York Times". After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them.
Document 9: False Folio: False Folio is the term that Shakespeare scholars and bibliographers have applied to William Jaggard's printing of ten Shakespearean and pseudo-Shakespearean plays together in 1619, the first attempt to collect Shakespeare's work in a single volume. The only complete extant copy is part of the collection of the Folger Shakespeare Library in Washington, DC.
Document 10: Portrait painting in Scotland: Portrait painting in Scotland includes all forms of painted portraiture in Scotland, from its beginnings in the early sixteenth century until the present day. The origins of the tradition of portrait painting in Scotland are in the Renaissance, particularly through contacts with the Netherlands. The first portrait of a named person that survives is that of Archbishop William Elphinstone, probably painted by a Scottish artist using Flemish techniques around 1505. Around the same period Scottish monarchs turned to the recording of royal likenesses in panel portraits, painted in oils on wood. The tradition of royal portrait painting in Scotland was probably disrupted by the minorities and regencies it underwent for much of the sixteenth century. It began to flourish after the Reformation, with paintings of royal figures and nobles by Netherlands artists Hans Eworth, Arnold Bronckorst and Adrian Vanson. A specific type of Scottish picture from this era was the "vendetta portrait", designed to keep alive the memory of an atrocity. The Union of Crowns in 1603 removed a major source of artistic patronage in Scotland as James VI and his court moved to London. The result has been seen as a shift "from crown to castle", as the nobility and local lairds became the major sources of patronage.
Document 11: Cobbe portrait: The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). There are numerous early copies of the painting, most of which were once identified as Shakespeare. The Cobbe original was only identified in the collection of the Anglo-Irish Cobbe family in 2006, and had until then been completely unknown to the world. Evidence uncovered by researchers at the Shakespeare Birthplace Trust led to the claim, presented in March 2009, that the portrait is of William Shakespeare and painted from life. Many scholars dismiss this theory and have provided evidence to identify the portrait as one of Sir Thomas Overbury The portrait has been the centrepiece of two exhibitions dedicated to it: "Shakespeare Found: a Life Portrait" at the Shakespeare Birthplace Trust, Stratford-upon-Avon, from April–October 2009 and "The Changing Face of William Shakespeare" at the Morgan Library and Museum, New York, from February–May 2011. An illustrated catalogue provides details of the painting and its provenance.
Document 12: Sutton Place, Surrey: Sutton Place, 3 miles north-east of Guildford in Surrey, is a Grade I listed Tudor manor house built c.1525 by Sir Richard Weston (d.1541), courtier of Henry VIII. It is of great importance to art history in showing some of the earliest traces of Italianate renaissance design elements in English architecture. In modern times, the estate has had a series of wealthy owners, a trend started by J. Paul Getty, then the world's richest private citizen, who chose to spend the last 17 years of his life there. Its current owner is the Russian billionaire Alisher Usmanov. A definitive history of the house and manor, first published in 1893, was written by Frederic Harrison (d.1923), jurist and historian, whose father had acquired the lease in 1874.
Document 13: Folger Shakespeare Library: The Folger Shakespeare Library is an independent research library on Capitol Hill in Washington, D.C., in the United States. It has the world's largest collection of the printed works of William Shakespeare, and is a primary repository for rare materials from the early modern period (1500–1750). The library was established by Henry Clay Folger in association with his wife, Emily Jordan Folger. It opened in 1932, two years after his death.
Document 14: Peggy O'Brien: Peggy O'Brien Ph.D. is the founding director of education at the Folger Shakespeare Library and an internationally recognized authority in the teaching of Shakespeare and literature. She speaks and writes on teaching and learning with respect to Shakespeare and the humanities, and to K-12 classrooms. She is a director of SAGE Publications, board chair of St. Coletta School in Washington, D.C. and past board chair at Trinity Washington University. She founded and directs the Folger Library's Teaching Shakespeare Institute, its Summer Academy for teachers and a number of other programs. She is general editor of the Shakespeare Set Free series of books on the teaching of Shakespeare. O'Brien is a resident consulting teacher at the Brooklyn Academy of Music and launched and published "Shakespeare Magazine". O'Brien has worked in the service of education since 1969. She has taught English in District of Columbia public high schools, held the senior education positions in both public broadcasting and the cable industry's education foundation, and served on the leadership team of DC Public Schools. She teaches at Georgetown University and Trinity Washington University.
Document 15: Rosenbach Museum &amp; Library: The Rosenbach is located within two 19th-century townhouses at 2008 and 2010 Delancey Place in Philadelphia. The historic houses contain the collections and treasures of Philip Rosenbach and his younger brother Dr. A. S. W. Rosenbach. The brothers owned the Rosenbach Company which became the preeminent dealer of rare books, manuscripts and decorative arts during the first half of the 20th century. Dr. Rosenbach in particular was seminal in the rare book world, helping to build libraries such as the Widener Library at Harvard, The Huntington Library and the Folger Shakespeare Library. In 2013, the Rosenbach became a subsidiary of the Free Library of Philadelphia Foundation, but maintains its own board and operates independently of the public library system.
ground_truth: Capitol Hill