Question: What is the name and type of instrument popularized by the composer of Rag Shankara, Rag Mala in Jogia?

full_context: Document 1: Vishwanath Rao Ringe: Late Pt. Vishwanath Rao Ringe 'Tanarang' born on 6 December 1922 was a Hindustani Classical Music vocalist and composer. He belonged to Gwalior Gharana of Hindustani Classical Music. He composed more than 2000 bandishs in about 200 ragaas, for which he has been enlisted in Limca Book of Records. He wrote couple of books in past named 'Sangitanjali' and 'Swaranjali' and a recent book `Aacharya "Tanarang" ki Bandishen` was published.
Document 2: Improvisations (Ravi Shankar album): Improvisations is a 1962 LP album by Ravi Shankar. The opening piece is based on music from Shankar's score for Satyajit Ray's 1955 movie "Pather Panchali" with flutist Bud Shank playing in Indian style. Shankar composed "Fire Night" influenced by the 1961 Los Angeles fires and the song features jazz musicians Shank (flute) and Gary Peacock (bass) improvise over Indian percussion instruments. The concluding ragas are in classical Indian style: the first raga, Kirvani, with South Indian origin, and the second, Rageshri, with North Indian origin. The album was released in CD format by Angel Records in 1999 and has been described as a "visionary recording" by AllMusic reviewer Heather Phares.
Document 3: Rag Shankara, Rag Mala in Jogia: Rag Shankara, Rag Mala in Jogia is a studio album by Indian classical musician Ram Narayan, released in 1990. Recorded on 15 and 16 November 1989 in Wyastone Leys near Monmouth, Wales, the album features a "sarangi" performance of the solemn night "raga" "Shankara" and a "ragamala" ("garland of ragas") based on the introspective early morning "raga" "Jogiya" (or "Jogia"). On both tracks, Narayan performs a long non-metrical introduction to unfold the "raga", during which he adds a pulse, until he is joined by the "tabla" (percussion) player to perform a composition.
Document 4: Shrikrishna Narayan Ratanjankar: Shrikrishna Narayan Ratanjankar (December 31, 1900 – February 14, 1974) or S N Ratanjankar was a distinguished scholar and teacher of Hindustani classical music, from the Agra gharana. Foremost disciple of Vishnu Narayan Bhatkhande and Faiyaz Khan of Baroda State, he also remained principal of Bhatkhande Music Institute ("Bhatkande Sangeet Sansthan"), Lucknow, for many years, where he trained many noted names in the field of music.
Document 5: Raga: A raga (IAST: rāga; also raag or ragam; literally "coloring, tingeing, dyeing" ) is akin to a melodic mode in Indian classical music. While the "raga" is a remarkable and central feature of classical Indian music tradition, it has no direct translation to concepts in the classical European music tradition. Each "raga" is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.
Document 6: Ram Narayan: Ram Narayan (Hindi: राम नारायण ; IAST: Rām Nārāyaṇ , ] ; born 25 December 1927), often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
Document 7: Ravi Shankar's Festival from India: Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
Document 8: Omkarnath Thakur: Omkarnath Thakur (24 June 1897 – 29 December 1967), his name often preceded by the title Pandit, was an influential Indian educator, musicologist, and Hindustani classical singer. He is famously known as "Pranav Rang", his pen-name. A disciple of classical singer Vishnu Digambar Paluskar of Gwalior gharana, he became the principal of Gandharva Mahavidyalaya, Lahore, and later went on become the first dean of the music faculty at Banaras Hindu University.
Document 9: Sarangadeva: Sarangadeva (1175–1247), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored "Sangita Ratnakara" – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions.
Document 10: Vilayat Khan: Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was one of India's well known sitar maestros. Along with Ravi Shankar, Ali Akbar Khan, Nikhil Banerjee and his younger brother Imrat Khan, Vilayat Khan helped introduce Indian Classical Music to the West.
Document 11: Ramesh L. Nadkarni: Ramesh Laxman Nadkarni (1921–1995) was a Hindustani classical music singer from Jogeshwari. Nadkarni a disciple of Aman Ali Khan had composed over 250 melodies and Ragas. He was honored for his dedicated lifelong service to classical music and was awarded a fellowship by Sursingar Sansad, Mumbai. He was part of BHENDI BAZAR GHARANA.
Document 12: Ravi Shankar: Ravi Shankar, KBE (] ; 7 April 192011 December 2012), born Rabindra Shankar Chowdhury, his name often preceded by the title Pandit ('Master'), was a Bengali Indian musician and a composer of Hindustani classical music. He was one of the best-known exponents of the sitar in the second half of the 20th century and influenced many other musicians throughout the world.
Document 13: Dr. Annavarapu Ramaswamy: Dr. Annavarapu Ramaswamy (born 23 March 1926) is an Indian Classical Carnatic Violin Vidwan and Guru, whose musical journey entered into 9th decade. He is in the fourth line of direct disciples in Guru Shishya parampara of the Great Musician Saint Thyagaraja and is a disciple of Sri Parupalli Ramakrishnayya Pantulu. Both, Dr.M.Balamuralikrishna and him are very close friends, companions, classmates, learned carnatic music under the same guru Sri Parupalli Ramakrishnayya Pantulu. They performed many concerts together throughout the world. Many stalwarts in carnatic music, wanted and appreciated him as an accompaniment in their concerts in yesteryears. He accompanied top ranked legendary stalwart musicians of India, carnatic musicians such as his guru, Sri Parupalli Ramakrishnayya Pantulu,  Dr. Mangalampalli Balamurali Krishna, Sri Arayakudi Ramanuja Iyyengar, Sri Chembai Vaidyanatha Bhagavatar, Sri G. N. Balasubramaniam, Sri Semmamgudi Srinivasa Iyyer, T. R. Maralingam, Sri S.Balachandar etc...; and Hindustani Musicians - Pandit Vinayakarao Pathvardhan, Pandit Bhimsen Joshi, Pandit Jasraj, etc., on many Prestigious National and International venues. He came up with his own style of performing solo concerts on Violin & Viola. He invented new Ragas & Talams such as Vandana Ragam, SriDurga Ragam and Tinetradi Tala and Vedadi Tala. He had written and composed many Varnams and Kritis. He is a notable guru, taught many students, who are in successful positions such as Violin Vasu, Flute Phani, V.L.Tulasi Viswanath (carnatic vocalist), Peravali Nanda Kumar (Violinist), etc., For the past 7 to 8 decades, he has been doing free service to the society such as teaching students at free of cost. He propagated the magnificence of his performances, teachings, demonstrations and Lectures on Music in countries such as U. S. A, Canada, European Countries (U. K, France etc.) and Asian Countries (Muscat, Bahrain, Dubai, Singapore, Malaysia, Doha, Srilanka, etc.,)
Document 14: Abdul Latif Khan: Abdul Latif Khan is an Indian classical musician and instrumentalist, known for his proficiency in Sarangi, a stringed Hindustani classical music instrument. He was born in a family of musicians in Gwalior in the Indian state of Madhya Pradesh, learned music under the tutelage of Haider Khan, his grandfather, Chote Khan, his father, Chhote Khan and Uday Khan and Haddu Khan, his uncles, in Khyal Gharana style and mastered the instruments such as Sitar, Santoor and Tabla Later, he learned Sarangi under Bade Ghulam Sabir Khan.
Document 15: Joi Bangla: Joi Bangla is an EP by Indian sitar virtuoso Ravi Shankar, issued in August 1971 on Apple Records. The recording was produced by George Harrison and its release marked the first in a series of occasional collaborations between the two musicians that lasted until the "Chants of India" album in 1997. Shankar recorded the EP in Los Angeles, to help raise international awareness of the plight faced by refugees of the Bangladesh Liberation War, in advance of his and Harrison's Concert for Bangladesh shows at Madison Square Garden, New York. Side one of the disc consists of two vocal compositions sung in Bengali, of which the title track was a message of unity to the newly independent nation, formerly known as East Pakistan. The third selection is a duet by Shankar and sarodya Ali Akbar Khan, supported by Alla Rakha on tabla, a performance that presaged their opening set at the Concert for Bangladesh.
ground_truth: bowed instrument sarangi