Question: Where did the fairy Queen Mab orginate?  

full_context: Document 1: Medb: Medb (pronounced ] )—later spelled Meadhbh (] ) and Méabh (] )—is queen of Connacht in the Ulster Cycle of Irish mythology. Her husband in the core stories of the cycle is Ailill mac Máta, although she had several husbands before him who were also kings of Connacht. She rules from Cruachan (now Rathcroghan, County Roscommon). She is the enemy (and former wife) of Conchobar mac Nessa, king of Ulster, and is best known for starting the "Táin Bó Cúailnge" ("The Cattle Raid of Cooley") to steal Ulster's prize stud bull. Medb is strong-willed, ambitious, cunning and promiscuous, and is an archetypal warrior queen. She is believed to be a manifestation of the sovereignty goddess. Medb of Connacht is probably identical with Medb Lethderg, the sovereignty goddess of Tara, and may also be linked with the Morrígan.
Document 2: Mab (moon): Mab ( ), or Uranus XXVI (26), is an inner satellite of Uranus. It was discovered by Mark R. Showalter and Jack J. Lissauer in 2003 using the Hubble Space Telescope. It was named after Queen Mab, a fairy queen from English folklore who is mentioned in William Shakespeare's play "Romeo and Juliet".
Document 3: Queen Mab: Queen Mab (pronunciation: "M/ă/v") is a fairy referred to in William Shakespeare's play "Romeo and Juliet", where "she is the fairies' midwife." Later, she appears in other poetry and literature, and in various guises in drama and cinema. In the play, her activity is described in a famous speech by Mercutio written originally in prose and often adapted into iambic pentameter, in which she is described as a miniature creature who performs midnight pranks upon sleepers. Being driven by a team of atomies, she rides her chariot over their noses and "delivers the fancies of sleeping men." Additionally, while driving "O'er ladies' lips, who straight on kisses dream," she was known to change her mind and instead "plague" "ladies' lips" "with blisters" if she smelled "sweetmeats" or candied fruit eaten to sweeten their breath. Along with this interpretation, others believe the blisters were a reference to the plague or to herpes simplex. She is also described as a midwife to help sleepers 'give birth' to their dreams. She may be a figure borrowed from folklore, and though she is often associated with the Irish Medb in popular culture, and has been suggested by historian Thomas Keightley to be from "Habundia", a more likely origin for her name would be from Mabel and the Middle English derivative "Mabily" (as used by Chaucer) all from the Latin "amabilis" ("lovable").
Document 4: Eochu Feidlech: Eochu or Eochaid Feidlech ("the enduring"), son of Finn, son of Rogen Ruad, son of Essamain Emna, son of Blathnachta, son of Labraid Lorc, son of Enna Aignech was, according to medieval Irish legends and historical traditions, a High King of Ireland. He is best known as the father of the legendary queen Medb of Connacht.
Document 5: Fairy Queen: The Fairy Queen or Queen of the Fairies was a figure from folklore who was believed to rule the fairies. Based on Shakespeare's influence, in English-speaking cultures she is often named Titania or Mab.
Document 6: Queen Maeve International Summer School: The Queen Maeve International Summer School, (Irish Scoil Samhraidh Miosgán Medbha) is one of Ireland's largest traditional music summer schools, held annually since 1999 and was founded by Sligo tin whistle player Carmel Gunning. During the week, students from around the world attend daily classes taught by experts in Irish music and dance. In addition, a full program of lectures, recitals, dances (céilithe) and exhibitions are run by the summer school.
Document 7: A rose by any other name would smell as sweet: "A rose by any other name would smell as sweet" is a popular reference to William Shakespeare's play "Romeo and Juliet", in which Juliet seems to argue that it does not matter that Romeo is from her rival's house of Montague, that is, that he is named "Montague." The reference is often used to imply that the names of things do not affect what they really are. This formulation is, however, a paraphrase of Shakespeare's actual language, seen underlined below. This scene is called the balcony scene by many people. Juliet not only makes the statement above but compares Romeo to a rose saying that if he wasn't named Romeo he would still be handsome and be Juliet's Love. Also as said before this states that if he wasn't Romeo, then he wouldn't be a Montague and she would be able to get married with no problem at all.
Document 8: Oberon: Oberon is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play "A Midsummer Night's Dream", in which he is Consort to Titania, Queen of the Fairies.
Document 9: Titania: Titania is a character in [[William Shakespeare]]'s play "[[A Midsummer Night's Dream]]". In the play, she is the [[Fairy Queen|queen of the fairies]]. Due to Shakespeare's influence, later fiction has often used the name "Titania" for fairy queen characters.
Document 10: Findabair: Findabair or Finnabair (modern Irish Fionnabhair ] ) was a daughter of Ailill and Queen Medb of Connacht in Irish mythology. The meaning of the name is "white phantom" (etymologically cognate with "Gwenhwyfar", the original Welsh form of Guinevere). The Dindsenchas also mention a Findabair that is the daughter of Lugaid Laigde.
Document 11: Nicnevin: Nicneven or Nicnevin or Nicnevan (whose name is from a Scottish Gaelic surname, Neachneohain meaning "daughter(s) of the divine" and/or "daughter(s) of Scathach" NicNaoimhein meaning "daughter of the little saint") is a Queen of the Fairies in Scottish folklore. In Ireland and Scotland, "the Feile na Marbh", (the “festival of the dead”) took place on Samhain (Celtic New Year) The names Satia, NICNEVEN, Bensozie, Zobiana, Abundia, Herodiana, were all used to identify the Scottish Witch Goddess of Samhain. The use of the name for this meaning was first found in Montgomerie’s Flyting (c.1585) and was seemingly taken from a woman in Scotland condemned to death for witchcraft before being burnt at the stake as a witch. In the Borders the name for this archetype was Gyre-Carling whose name had variants such as Gyre-Carlin, Gy-Carling, Gay-Carlin amongst others. "Gyre" is possibly a cognate of the Norse word "geri" and thus having the meaning of "greedy" or it may be from the Norse "gýgr" meaning "ogress"; "carling" or "carline" is a Scots and Northern English word meaning "old woman" which is from, or related to, the Norse word "kerling" (of the same meaning).
Document 12: Maeve: Maeve, Maev or Maiv is a female given name of Irish origin. It was spelled Medb in Old Irish (] ), Meḋḃ, Meaḋḃ in Middle Irish, Meadhbh in early modern Irish (] ), and is now spelled Méabh (] ) or Medbh in modern Irish. It is usually Anglicised as Maeve , with variants such as Maev, Meave, Maive, and Maebh. The name means 'intoxicating' or 'she who intoxicates' and has strong links to mead, an ancient honey wine typically consumed during a marriage ceremony. It is rooted in the Irish legend of Queen Maeve or Medb, one of the main protagonists of the early Irish legend "Táin Bó Cúailnge". It is also associated with the fairy queen Queen Mab of Irish and English legend.
Document 13: McElwain: McElwain is a surname of Gaelic origin. It can be derived from either Scottish or Irish. The Scottish translation being the anglicized form of Gaelic Mac Gille Bheathain, meaning ‘son of the servant of (Saint) Beathan’ and also a personal name representing a diminutive of beatha ‘life’. The Irish form being the anglicised form of Gaelic Mac Giolla Bháin, meaning ‘son of the white-haired (i.e. ‘ash blond’) lad’. In Ulster this surname can be derived to be the Scottish form as opposed to the Irish form which would be more common in the rest of Ireland. Another anglicised version of the Irish "Mac Giolla Bháin" is the surname Kilbane.
Document 14: A Midsummer Night's Dream: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
Document 15: Nick Bottom: Nick Bottom is a character in Shakespeare's "A Midsummer Night's Dream" who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairies' story.
ground_truth: William Shakespeare