Question: On what date did Catherine of the place where Bernardo Castello died die?

full_context: Document 1: Giacomo Bargone: Giacomo Bargone was an Italian painter of the Baroque period, born and active in Genoa. He trained with Andrea and Ottavio Semini. He excited the jealousy of a contemporary artist, Lazzaro Calvi, who reputedly poisoned him and ransomed his cat for several thousand ducats. He flourished in the 16th century.
Document 2: Saint Catherine of Alexandria Polyptych: The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320. Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city.
Document 3: Bernardo Castello: Bernardo Castello (or Castelli) (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait and historical painter.
Document 4: Dominican Order: The expansion of the order produced changes. A smaller emphasis on doctrinal activity favoured the development here and there of the ascetic and contemplative life and there sprang up, especially in Germany and Italy, the mystical movement with which the names of Meister Eckhart, Heinrich Suso, Johannes Tauler, and St. Catherine of Siena are associated. (See German mysticism, which has also been called "Dominican mysticism.") This movement was the prelude to the reforms undertaken, at the end of the century, by Raymond of Capua, and continued in the following century. It assumed remarkable proportions in the congregations of Lombardy and the Netherlands, and in the reforms of Savonarola in Florence.
Document 5: Virgin and Child with Saints Barbara and Catherine: Virgin and Child with Saints Barbara and Catherine is a glue-size on linen painting by Flemish artist Quentin Matsys, probably painted c 1515–25. The Virgin Mary is shown on a throne, holding the Infant Jesus, between Barbara and Catherine of Alexandria, two saints popular in the early 16th century and considered the most important of the venerated Fourteen Holy Helpers. Jesus leans forward to place a ring on Catherine's finger, a reference to her vision in which she was to given Jesus by Mary in mystical marriage. Other indicators of the saints identities include the broken wheel - which refers to the torture of Catherine- and the tower, an allusion to Barbara's imprisonment and eventual beheading at the hands of her father.
Document 6: La Bella: La Bella is a portrait of an unknown woman by Titian, painted around 1536 and now in the Palazzo Pitti in Florence. The work of a mature artist, it shows the woman with Renaissance ideal proportions and a natural expressive force. The composition is clear.
Document 7: Kateri Tekakwitha: Saint Kateri Tekakwitha ( in Mohawk), given the name Tekakwitha, baptized as Catherine and informally known as Lily of the Mohawks (1656 – April 17, 1680), is a Roman Catholic saint who was an Algonquin–Mohawk laywoman. Born in the Mohawk village of Ossernenon, on the south side of the Mohawk River, she contracted smallpox in an epidemic; her family died and her face was scarred. She converted to Roman Catholicism at age nineteen, when she was renamed Kateri, baptized in honor of Saint Catherine of Siena. Refusing to marry, she left her village and moved for the remaining five years of her life to the Jesuit mission village of Kahnawake, south of Montreal in New France, now Canada.
Document 8: Francesco Merano: Francesco Merano (1619–1657) was an Italian painter of the Baroque period, mainly active in Genoa, where he was born. He was one of the pupils of the Genoese Domenico Fiasella. Merano was also known as "il Paggio". He married the niece of the painter Giovanni Andrea de' Ferrari.
Document 9: Antonio Malchiodi: He taught as a docent at the Academy of Fine Arts of Modena, but also at Brescia and Turin. He spent his last years painting landscapes around Bergamo, and is also known for his genre and historical paintings, including “The last consolation of Torquato Tasso” painted only after visiting the room in the convent Sant’Onofrio where the poet died.
Document 10: Lorenzo Costa the Younger: Lorenzo Costa the Younger (1537–1583) was an Italian painter of the Renaissance period, active in his native city of Mantua.
Document 11: Sebastiano Ricci: Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
Document 12: Catherine de' Medici: Catherine de' Medici (Italian: "Caterina de Medici", ; French: "Catherine de Médicis", ; 13 April 1519 – 5 January 1589), daughter of Lorenzo II de' Medici and Madeleine de La Tour d'Auvergne, was an Italian noblewoman who was queen of France from 1547 until 1559, by marriage to King Henry II. As the mother of kings Francis II, Charles IX and Henry III, she had extensive, if at times varying, influence in the political life of France. From 1560 to 1563, she ruled France as regent for her son Charles IX, King of France.
Document 13: Catherine of Genoa: Saint Catherine of Genoa (Caterina Fieschi Adorno, 1447 – 15 September 1510) was an Italian Roman Catholic saint and mystic, admired for her work among the sick and the poor and remembered because of various writings describing both these actions and her mystical experiences. She was a member of the noble Fieschi family, and spent most of her life and her means serving the sick, especially during the plague which ravaged Genoa in 1497 and 1501. She died in that city in 1510.
Document 14: Girolamo Savoldo: Girolamo Savoldo, also called Girolamo da Brescia (c. 1480-1485 – after 1548) was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and the sober realism of his works, which are mostly religious subjects, with a few portraits, which are given interest by their accessories or settings, "some even look like extracts from larger narratives".
Document 15: Catherine LaCugna: Catherine LaCugna died at the age of 44, of cancer, and is buried in the Cedar Grove Cemetery on the Notre Dame campus.
ground_truth: 15 September 1510
sub_queries: Where did Bernardo Castello live when he died? Answer: Genoa
What was the date of death of Catherine of Genoa ? Answer: 15 September 1510