Question: Jules Flandrin was a contemporary of what famous French painter known for work associated with Fauvism and Expressionism?

full_context: Document 1: Georges Rouault: Georges Henri Rouault (] ; 27 May 1871 – 13 February 1958) was a French painter, draughtsman, and printer, whose work is often associated with Fauvism and Expressionism.
Document 2: 1904 in France: The unofficial art mouvement of "Fauvism" (Fauves is the French word for "wild beasts"). Henri Matisse (1869-1954) was the leader of the small group, with other major artists including André Derain (1880-1954) and maurice de Vlaminick (1876-1958). The mouvement was never made official with documents signed by members of a list of criteria in order for work to be considered Fauvism, but it was simply a small group of mainly French painters who used brilliant colour and unexpected brushstrokes, similar to the German Expressionism mouvement. Matisse created the Fauve style after experimenting with post-impressionistic painters, such as Gauguin, Cézanne and Van Gogh, as well as the NEo-impressionism of Cross, Signac, and Seurat. All these painters inspired Matisse to reject 3D uses of spaces and use colour and mouvement to create 2D planes of space.
Document 3: Georges Bataille: Georges Albert Maurice Victor Bataille (] ; 10 September 1897 – 9 July 1962) was a French intellectual and literary figure working in literature, philosophy, anthropology, economics, sociology and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. His work would prove influential on subsequent schools of philosophy and social theory, including poststructuralism.
Document 4: Société Normande de Peinture Moderne: The Société Normande de Peinture Moderne, also known as "Société de Peinture Moderne", or alternatively, "Normand Society of Modern Painting", was a collective of eminent painters, sculptors, poets, musicians and critics associated with Post-Impressionism, Fauvism, Cubism and Orphism. The "Société Normande de la Peinture Moderne" was a diverse collection of avant-garde artists; in part a subgrouping of the Cubist movement, evolving alongside the so-called Salon Cubist group, first independently then in tandem with the core group of Cubists that emerged at the Salon d'Automne and Salon des Indépendants between 1909 and 1911 (i.e., Albert Gleizes, Jean Metzinger, Fernand Léger, Robert Delaunay and Henri Le Fauconnier). Historically, the two groups merged in 1912, at the Section d'Or exhibition, but documents from the period prior to 1912 indicate the merging occurred earlier and in a more convoluted manner.
Document 5: Georges Malkine: Georges Alexandre Malkine (10 October 1898 – 22 March 1970) was the only visual artist named in André Breton’s 1924 Surrealist Manifesto among those who, at the time of its publication, had “performed acts of absolute surrealism." The rest Breton named were for the most part writers, including Louis Aragon, Robert Desnos, and Benjamin Peret. Malkine's 1926 painting "Nuit D'amour" was the precursor of the lyrical abstract school of painting.
Document 6: Georges Braque: Georges Braque ( ; ] ; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions to the history of art were in his alliance with Fauvism from 1906, and the role he played in the development of Cubism. Braque’s work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
Document 7: Paul Flandrin: Paul Jean Flandrin (28 May 1811, Lyon - 8 March 1902, Paris) was a French painter. He was the younger brother of the painters Auguste Flandrin and Hippolyte Flandrin.
Document 8: Expressionism: Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express the meaning of emotional experience rather than physical reality.
Document 9: Jean-Hippolyte Flandrin: Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a 19th-century French painter. His celebrated 1836 work "Jeune Homme Nu Assis au Bord de la Mer" ("Young Male Nude Seated beside the Sea") is in the Louvre.
Document 10: La Femme aux Phlox: La Femme aux Phlox, also known as Woman with Phlox or Woman with Flowers, is an oil painting created in 1910 by the French artist and theorist Albert Gleizes (1881–1953). The painting was exhibited in Room 41 at the Salon des Indépendants in the Spring of 1911 (no. 2612); the exhibition that introduced Cubism as a group manifestation to the general public for the first time. The complex collection of geometric masses in restrained colors exhibited in Room 41 created a scandal from which Cubism spread throughout Paris, France, Europe and the rest of the world. It was from the preview of the works by Gleizes, Metzinger, Le Fauconnier, Delaunay and Léger at the 1911 Indépendants that the term 'Cubism' can be dated. "La Femme aux Phlox" was again exhibited the following year at the Salon de la Section d'Or, Galerie La Boétie, 1912 (no. 35). "La Femme aux Phlox" was reproduced in "The Cubist Painters, Aesthetic Meditations (Les Peintres Cubistes)" by Guillaume Apollinaire, published in 1913. The same year, the painting was again revealed to the general public, this time in the United States, at the International Exhibition of Modern Art (The Armory Show), New York, Chicago, and Boston (no. 195). The work is now in the Museum of Fine Arts, Houston, Gift of the Esther Florence Whinery Goodrich Foundation.
Document 11: Maurice Floquet: Maurice Noël Floquet (Poissons, 25 December 1894 – Montauroux, 10 November 2006) was, at age 111, France's oldest man on record and was one of the last surviving French veterans of World War I. He was, at the age of 111 years and 320 days, France's longest-lived soldier ever. Moreover, Floquet was France's oldest living man for more than four years. France's oldest person was a woman, Jeanne Calment, aged 122 years 164 days when she died, who still remains the oldest verified person ever, is more than a decade older than Floquet.
Document 12: Ödön Márffy: Following a short basic training, he obtained a grant to study art in Paris, from the autumn of 1902. He started as a student of Jean-Paul Laurens at the Académie Julian, as did numerous several modern-minded Hungarian painters after him, but a few months later, ostensibly for financial reasons, he transferred to the École des Beaux-Arts. There Fernand Cormon was his teacher. With classmates they often went to Ambroise Vollard’s art dealership together, where Márffy was most impressed by the pictures of Paul Cézanne, Henri Matisse, Pierre Bonnard, Georges Rouault and Georges Braque. He claims to have met Matisse in 1905, who had been sent down from the École des Beaux-Arts, but would return there from time to time, and to have visited him in his studio once.
Document 13: Jules Flandrin: Jules Flandrin (1871-1947) was a French painter, printer and draughtsman. He was a pupil of Gustave Moreau. He was a contemporary of Henri Matisse, Georges Rouault, Albert Marquet, Henri Evenepoel and Léon Printemps. He became somewhat famous for being fairly conformist early in his career but later in life he made more emotional and less widely known art. His experiences during World War I shaped the rest of his life and artistic career. He was awarded the Légion d'honneur in 1912.
Document 14: André Fauteux: André Fauteux is a Canadian artist born in Dunnville, Ontario, Canada on March 15, 1946, who now lives in Toronto, Ontario. Fauteux is a sculptor known for his abstract welded steel sculpture, which relates to Geometric abstraction. His modernist sculptures are also related to the Formalist ideas associated with Clement Greenberg.
Document 15: Marcel Duchamp: Henri-Robert-Marcel Duchamp (] ; 28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player and writer whose work is associated with Cubism, conceptual art and Dada, although he was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art; and he had a seminal influence on the development of conceptual art. By World War I, he had rejected the work of many of his fellow artists (like Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind.
ground_truth: Georges Rouault