Question: Jane Henschel, born on which date, is an American operatic mezzo soprano, a mezzo-soprano or mezzo, a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types?

full_context: Document 1: Jane Henschel: Jane Henschel (born 2 March 1952) is an American operatic mezzo soprano. Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home. Her numerous opera appearances include Baba the Turk in Igor Stravinsky's "The Rake’s Progress" with Glyndebourne Festival Opera, the Saito Kinen Festival Matsumoto, and the Salzburg festival; Brangäne in Richard Wagner’s "Die Walküre" with Paris Opéra and the Los Angeles Opera; the Principessa in Giacomo Puccini’s "Suor Angelica" with conductor Riccardo Chailly and the Royal Concertgebouw Orchestra; Blanche de la Force in Francis Poulenc’s "Dialogues des Carmélites" in Amsterdam; Kostelnicka Buryjovka in Leoš Janáček’s "Jenůfa" under Seiji Ozawa in Japan; and the Kabanicka in Janáček’s "Katya Kabanova" at the Salzburg Festival among others.
Document 2: Lyric soprano: A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups, light and full.
Document 3: Delores Ziegler: Delores Ziegler (born 4 September 1951) is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in "The Marriage of Figaro", Dorabella in "Così fan tutte", Idamante in "Idomeneo", and Octavian in "Der Rosenkavalier".
Document 4: Herta Glaz: Herta Glaz (also spelled Hertha; September 16, 1910 in Vienna – January 28, 2006 in Hamden, Connecticut) was an American operatic mezzo-soprano, voice teacher, and opera director of Austrian birth. She became a United States citizen in 1943. She was a fixture at the Metropolitan Opera between 1942-1956 where she sang in more than 300 performances. She was also highly active with the San Francisco Opera between 1944-1951. Some of the roles she portrayed on stage were Marcellina in "Le Nozze di Figaro", Annina, Siegrune in "Die Walküre", Flosshilde in "Götterdämmerung" and Magdalene in "Die Meistersinger von Nürnberg".
Document 5: Susanne Mentzer: Susanne Mentzer (born January 21, 1957) is an American operatic mezzo-soprano. She is best known for singing trouser roles, such as Cherubino in Mozart's "Le nozze di Figaro", Idamante in Mozart's "Idomeneo", Octavian in Richard Strauss' "Der Rosenkavalier" and the composer in Strauss' "Ariadne auf Naxos", as well as other music of Mozart, Strauss, Rossini, Berlioz and Mahler.
Document 6: Renée Fleming: Renée Fleming (born February 14, 1959) is an American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock. Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She also speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's "Le nozze di Figaro", Desdemona in Verdi's "Otello", Violetta in Verdi's "La traviata", the title role in Dvořák's "Rusalka", the title role in Massenet's "Manon", the title role in Massenet's "Thaïs", the title role in Richard Strauss's "Arabella", the Marschallin in "Der Rosenkavalier", and the Countess in "Capriccio".
Document 7: Baritone: A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. It is the most common male voice. Originally from the Greek βαρύτονος ("barýtonos") , meaning "deep (or heavy) sounding", music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F–F) in choral music, and from the second A below middle C to the A above middle C (A to A) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, "Kavalierbariton", Verdi baritone, dramatic baritone, "baryton-noble" baritone, and the bass-baritone.
Document 8: Tenor: Tenor is a type of classical male singing voice whose vocal range is between the countertenor and baritone voice types. The tenor's vocal range (in choral music) lies between C, the C one octave below middle C, and A, the A above middle C. In solo work, this range extends up to C, or "tenor high C". The low extreme for tenors is roughly A♭ (two A♭ s below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F).
Document 9: Joyce Castle: Joyce Castle (born Lillian Joyce Malicky, on January 17, 1939, in Beaumont, Texas) is an American mezzo-soprano who has had an active opera career for the last four decades. She earned degrees in music from The University of Kansas and the Eastman School of Music. She made her professional opera debut in 1970 at the San Francisco Opera as Siebel in Charles Gounod's "Faust". In 1984 she became the first woman to portray Mrs. Lovett in an operatic staged production of at the Houston Grand Opera. She spent seven years performing with opera companies in France during the 1970s, after which her career has mainly been spent performing with opera companies throughout the United States. She has sung leading roles at the Metropolitan Opera for nine seasons and has also appeared frequently at the New York City Opera. Her career was recently profiled in the June 2010 issue of "Opera News". She currently teaches on the voice faculty of the University of Kansas.
Document 10: List of operatic contraltos: The contralto voice in opera and classical music has a range which typically lies between the F below middle C (F3) to two Fs above middle C (F5). In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B♭ s above middle C (B♭ 5). The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. True operatic contraltos are very rare. The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses.
Document 11: Maria de Francesca-Cavazza: Maria de Francesca-Cavazza is a German operatic soprano and voice teacher. Raised in the United States, she is a graduate of the Sherwood Conservatory of Music at the Columbia College Chicago where she was a pupil of Maria Hussa-Greve and Garvin Williamson. In 1961, she won the Metropolitan Opera National Council Auditions. Shortly thereafter, she moved to Germany to pursue further studies at the Hochschule für Musik Köln with Margarete Düren. She made her professional opera debut in 1962 at the Cologne Opera in a minor role, and the following year performed her first leading role with that company as Tsaritsa Militrisa in Nikolai Rimsky-Korsakov's "The Tale of Tsar Saltan". She then appeared as a leading soprano at several German opera houses, working as a member of the Opernhaus Wuppertal (1964-1965), the Kiel Opera House (1965-1967), the Staatsoper Nürnberg (1967-1976), and the Staatsoper Stuttgart (1976-1986). As a guest artist, she has made appearances at the Bavarian State Opera, the Bayreuth Festival and the Vienna State Opera, among others. She can be heard and seen in the role of the Cardillac's daughter in Hindemith's opera Cardillac, conducted by Wolfgang Sawallisch, on a 1985 Munich DVD issued by Deutsche Grammophon. De Francesca-Cavazza has taught on the music faculties of conservatories in Munich and Nuremberg.
Document 12: Mezzo-soprano: A mezzo-soprano or mezzo ( , ; ] meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A–A in scientific pitch notation, where middle C = C). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F) and as high as "high C" (C).
Document 13: Soprano: A soprano ] is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C) = 261 Hz to "high A" (A) =880 Hz in choral music, or to "soprano C" (C, two octaves above middle C) =1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody.
Document 14: Contralto: A contralto (] ) is a type of classical female singing voice whose vocal range is the lowest female voice type.
Document 15: Countertenor: A countertenor (or contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G to D or E, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C to C. Countertenors often are baritones or tenors at core, but rarely use this vocal range in performance.
ground_truth: 2 March 1952