Question: What was the job of the creator of Dawn?

full_context: Document 1: Day (Michelangelo): Day is a marble sculpture by Michelangelo, datable to 1526–31. It is a pair with Night on the tomb of Giuliano de' Medici in the Medici Chapel in San Lorenzo in Florence.
Document 2: Caravaggio (1986 film): Caravaggio is a 1986 British drama film directed by Derek Jarman. The film is a fictionalised re-telling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is the film debut of Tilda Swinton and Sean Bean.
Document 3: Utrecht Caravaggism: The brief flourishing of Utrecht Caravaggism ended around 1630. At that time, major artists had either died, as in the case of Baburen and ter Brugghen, or had changed style, like Honthorst's shift to portraiture and history scenes informed by the Flemish tendencies popularized by Peter Paul Rubens and his followers. They left a legacy, however, through their influence on Rembrandt's use of chiaroscuro and Gerrit Dou's "niche paintings" (a genre popularized by Honthorst).
Document 4: Dawn (Michelangelo): Dawn is a sculpture by Italian Renaissance artist Michelangelo, executed for the Medici Chapel in the area of the tomb of Lorenzo de' Medici in Florence, Italy.
Document 5: Boy with a Basket of Fruit: Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome.
Document 6: Caravaggio: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (, US: , Italian pronunciation: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as tenebrists or tenebrosi ("shadowists").
Document 7: Utrecht Caravaggism: Painters such as Dirck van Baburen, Gerrit van Honthorst, Hendrick ter Brugghen, Jan van Bijlert and Matthias Stom were all in Rome in the 1610s, a time when the tenebroso of Caravaggio's later style was very influential. Adam Elsheimer, also in Rome at the same time, was probably also an influence on them. Back in Utrecht, they painted mythological and religious history subjects and genre scenes, such as the card-players and gypsies that Caravaggio himself had abandoned in his later career. Utrecht was the most Catholic city in the United Provinces, still about 40% Catholic in the mid-17th century, and even more among the elite groups, who included many rural nobility and gentry with town houses there. It had previously been the main centre, after Haarlem, of Northern Mannerist painting in the Netherlands. Abraham Bloemaert, who had been a leading figure in this movement, and taught the Honthursts and many other artists, also was receptive to the influence of his pupils, and changed his style many times before his death in 1651.
Document 8: Narcissus (Caravaggio): Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.
Document 9: Dusk (Michelangelo): Dusk is a marble sculpture by Michelangelo, datable to 1524-34. It is a pair with Dawn on the tomb of Lorenzo II de' Medici in the Medici Chapel in San Lorenzo in Florence.
Document 10: Michelangelo: A number of Michelangelo's works of painting, sculpture and architecture rank among the most famous in existence. His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches and reminiscences, he is the best - documented artist of the 16th century. He sculpted two of his best - known works, the Pietà and David, before the age of thirty. Despite holding a low opinion of painting, he also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. He transformed the plan so that the western end was finished to his design, as was the dome, with some modification, after his death.
Document 11: Medici Madonna: The Medici Madonna is a marble sculpture carved by Italian Renaissance master Michelangelo Buonarroti that measures about 88.98 inches (226 cm) in height. Dating from 1521–1534 the sculpture is a piece of the altar decoration of the "Sagrestia Nuova" in the Basilica of San Lorenzo, Florence.
Document 12: Awakening Slave: The Awakening Slave is a 2.67m high marble statue by Michelangelo, dated to 1525-1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence.
Document 13: Pitti Tondo: Pitti Tondo is a marble bas-relief of the Virgin and Child by Michelangelo. It was produced between 1503 and 1504 and is now in the Museo nazionale del Bargello in Florence.
Document 14: Risen Christ (Michelangelo, Santa Maria sopra Minerva): The Risen Christ, "Cristo della Minerva" in Italian, also known as "Christ the Redeemer" or "Christ Carrying the Cross", is a marble sculpture by the Italy High Renaissance master Michelangelo, finished in 1521. It is in the church of Santa Maria sopra Minerva in Rome, to the left of the main altar.
Document 15: John the Baptist (Caravaggio): John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
ground_truth: Italian painter
sub_queries: Dawn >> creator Answer: Michelangelo
What job did Michelangelo have? Answer: Italian painter