Question: A Kiss from the actress in Little Annie Rooney is in what language?

full_context: Document 1: Annie (1999 film): In 1933 - (during the Great Depression), 11 - year - old orphan Annie was left on her own at an all girls' orphanage when she was an infant. The only two things that she received from her family was half a heart - shaped locket with a key hole, and a note from her parents saying that they'd come back for her. The orphanage is run by the tyrannical Miss Hannigan, who starves the orphans, forces them to do slave labor, and she even makes them suffer. In the middle of the night, after getting tired of waiting for her parents, Annie tries to escape to find them, but is caught by Miss Hannigan in the process. When Miss Hannigan gets distracted, Annie hides in the dirty laundry bin and she finally succeeds in running away. While out on her own, Annie befriends a dog, whom she names Sandy. But a policeman catches her and returns her back to the orphanage. When billionaire Oliver Warbucks decides to take in an orphan for Christmas, his secretary, Grace Farrell, chooses Annie. She is brought to his wealthy estate and bathes in a grand life.
Document 2: Alexander Drankov: We know about this period of Drankov’s life from contradictory accounts of his acquaintances. He first tried to make profit by selling jewellery in Kiev, then moved to Yalta and began shooting pornographic films. In November 1920, he emigrated to Constantinople, where he made his living by either organizing cockroach racing events, according to one account, or by film distribution and maintaining an amusement park, according to another account. In 1922, Drankov moved to the United States of America, where he would buy a mobile cinema projector and show films to Russian immigrants. In 1927, he made an attempt to return to film-making business, but his intention to shoot a major film about a love affair between Nicholas II and ballerina Mathilde Kschessinska turned out to be a failure. After his unsuccessful attempt to gain a foothold in Hollywood, Alexander Drankov opened a café in Venice, California, but soon moved to San Francisco, where he would work in his own photo company until his death on 3 January 1949 in San Francisco. He is buried in Colma, California.
Document 3: Khosrow Mirza: A young Khosrow Mirza is briefly depicted in Alexander Sokurov's 2002 film Russian Ark. The film also portrays Khosrow's elaborate ceremonial apology before the Russian Tsar.
Document 4: The Hoodlum (1919 film): The Hoodlum is a 1919 silent film comedy-drama produced by and starring Mary Pickford and released through First National. The film was directed by Sidney A. Franklin and was based on the novel "Burkeses Amy" by Julie Matilde Lippman.
Document 5: Jack Standing: The son of stage actor Herbert Standing and brother of Wyndham Standing (1880–1963), who also was a famous actor in the early days of film, Jack Standing first appeared in Broadway musicals such as "The Belle of New York" and "Florodora" before he went to the Biograph Company in 1909. Because he was a handsome young man, he was quickly offered many roles and signed a contract with Sigmund Lubin in 1911. Like many others from the silent film, Standing was asked to play quite everything from passionate lovers to villains or old men. In 1915, he told the "Moving Picture World" magazine, "Spare me from being a one-type actor!" He appeared in more than fifty films. An incomplete print of 1915 Mary Pickford vehicle "Fanchon the Cricket", in which Standing co-starred, has recently been found. The teenage Fred and Adele Astaire allegedly made their screen debuts in this film. Standing's greatest success was the 1916 film "Hell's Hinges", where he played the weak-willed brother of Clara Williams.
Document 6: The End of St. Petersburg: The End of St. Petersburg () is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, "The End of St Petersburg" was to be one of Pudovkin's most famous films and secured his place as one of the foremost Soviet montage film directors.
Document 7: Kiss (1963 film): Kiss is a 1963 silent American experimental film directed by Andy Warhol, which runs 50 minutes and features various couples—man and woman, woman and woman, man and man—kissing for 3½ minutes each. The film features Naomi Levine, Gerard Malanga, Rufus Collins, Johnny Dodd, and Ed Sanders.
Document 8: A Kiss from Mary Pickford: A Kiss From Mary Pickford () is a 1927 Soviet silent comedy film made in directed by Sergei Komarov and co-written by Komarov and Vadim Shershenevich. The film, starring Igor Ilyinsky, is mostly known today because of a cameo by the popular film couple Mary Pickford and Douglas Fairbanks. The footage of the couple was shot during their visit to the USSR, with the couple knowingly participating as a gesture towards the Russian film industry.
Document 9: Little Annie Rooney (1925 film): Little Annie Rooney is a 1925 American silent comedy-drama film starring Mary Pickford and directed by William Beaudine. Pickford, one of the most successful actresses of the silent era, was best known throughout her career for her iconic portrayals of penniless young girls. After generating only modest box office revenue playing adults in her previous two films, Pickford wrote and produced "Little Annie Rooney" to cater to silent film audiences. Though she was 33 years old, Pickford played the title role, an Irish girl living in the slums of New York City.
Document 10: Johanna Enlists: Johanna Enlists is a 1918 silent film comedy-drama produced by and starring Mary Pickford with distributed by Paramount Pictures. The film was directed by William Desmond Taylor from a short story by Rupert Hughes, "The Mobilization of Johanna". Frances Marion, a frequent Pickford collaborator, wrote the scenario. The film was made at a time during World War I when sentimental or patriotic films were immensely popular. It was an early starring vehicle for Monte Blue, the male lead opposite Pickford. The film survives in several prints, including one at the Library of Congress.
Document 11: Man with a Movie Camera: Vertov's feature film, produced by the film studio VUFKU, presents urban life in the Soviet cities of Kiev, Kharkov, Moscow and Odessa. It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film.
Document 12: Little Miss Marker: Little Miss Marker (also known as The Girl in Pawn) is an American Pre-Code 1934 comedy-drama film directed by Alexander Hall. It was written by William R. Lipman, Sam Hellman, and Gladys Lehman after a short story of the same name by Damon Runyon. It stars Shirley Temple, Adolphe Menjou and Dorothy Dell in a story about a little girl held as collateral by gangsters. It was Temple's first starring role in a major motion picture and was crucial to establishing her as a major film star. It was named to the United States National Film Registry in 1998 and has been remade several times.
Document 13: Laurel and Hardy: Prior to emerging as a team, both actors had well - established film careers. Laurel had appeared in over 50 films as an actor (while also working as a writer and director) while Hardy had been in more than 250 productions. The two comedians had previously worked together as cast members on the film The Lucky Dog in 1921. However, they were not a comedy team at that time and it was not until 1926 that they appeared in a movie short together, when both separately signed contracts with the Hal Roach film studio. Laurel and Hardy officially became a team in 1927 when they appeared together in the silent short film Putting Pants on Philip. They remained with the Roach studio until 1940 and then appeared in eight ``B ''movie comedies for 20th Century Fox and Metro - Goldwyn - Mayer from 1941 to 1945. After finishing their movie commitments at the end of 1944, they concentrated on performing in stage shows and embarked on a music hall tour of England, Ireland, and Scotland. In 1950, before retiring from the screen, they made their last film, a French - Italian co-production called Atoll K.
Document 14: Annie (1982 film): Annie is a 1982 American musical film adapted from the Broadway musical of the same name by Charles Strouse, Martin Charnin, and Thomas Meehan, which in turn is based on Little Orphan Annie, the 1924 comic strip by Harold Gray. The film was directed by John Huston, scripted by Carol Sobieski, and stars Albert Finney, Carol Burnett, Ann Reinking, Tim Curry, Bernadette Peters, Geoffrey Holder, Edward Herrmann, and Aileen Quinn in her film debut. Set during the Great Depression, the film tells the story of Annie, an orphan from New York City who is taken in by America's richest billionaire Oliver Warbucks. Filming took place for six weeks at Monmouth University in New Jersey.
Document 15: Man Ray: In July 1921, Man Ray went to live and work in Paris, France. He soon settled in the Montparnasse quarter favored by many artists. Shortly after arriving in Paris, he met and fell in love with Kiki de Montparnasse (Alice Prin), an artists' model and celebrated character in Paris bohemian circles. Kiki was Man Ray's companion for most of the 1920s. She became the subject of some of his most famous photographic images and starred in his experimental films, "Le Retour à la Raison" and "L'Étoile de mer". In 1929, he began a love affair with the Surrealist photographer Lee Miller. She left him in 1932.
ground_truth: Russian
sub_queries: Little Annie Rooney >> screenwriter Answer: Mary Pickford
A Kiss From Mary Pickford >> original language of film or TV show Answer: Russian