Question: What year did the author of The Mummy's Foot die?

full_context: Document 1: Lost in a Pyramid; or, The Mummy's Curse: "Lost in a Pyramid; or, The Mummy's Curse" is a short story written by American author Louisa May Alcott and first published by Frank Leslie in 1869. Despite being largely overlooked throughout the twentieth century, "Lost in a Pyramid" was rediscovered in 1998 and has since become an influential example of early "mummy's curse" narratives.
Document 2: The Mummy's Foot: The Mummy's Foot (French: "Le Pied de momie" ) is a gothic short story by the French writer Théophile Gautier, first published in 1840. It relates the fantastical tale of a contemporary man and the adventures which befall him when he ventures into a Parisian curiosity shop and buys the four-thousand-year-old foot of Princess Hermonthis.
Document 3: Paul Claudel: Paul Claudel (] ; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptress Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism. Claudel was nominated for the Nobel Prize in Literature in six different years.
Document 4: Paul Valéry: Ambroise Paul Toussaint Jules Valéry ( ; ] ; 30 October 1871 – 20 July 1945) was a French poet, essayist, and philosopher. In addition to his poetry and fiction (drama and dialogues), his interests included aphorisms on art, history, letters, music, and current events. Valéry was nominated for the Nobel Prize in Literature in 12 different years.
Document 5: Théophile Gautier: Pierre Jules Théophile Gautier (] ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic.
Document 6: The Premature Burial: "The Premature Burial" is a horror short story on the theme of being buried alive, written by Edgar Allan Poe (1809–1849), and published in 1844 in "The Philadelphia Dollar Newspaper." Fear of being buried alive was common in this period and Poe was taking advantage of the public interest. The story has been adapted to a film.
Document 7: Georges Bataille: Georges Albert Maurice Victor Bataille (] ; 10 September 1897 – 9 July 1962) was a French intellectual and literary figure working in literature, philosophy, anthropology, economics, sociology and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. His work would prove influential on subsequent schools of philosophy and social theory, including poststructuralism.
Document 8: The Cask of Amontillado: "The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado" ] ) is a short story by Edgar Allan Poe, first published in the November 1846 issue of "Godey's Lady's Book". The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive – in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.
Document 9: Francis Ponge: Francis Jean Gaston Alfred Ponge (] ; 27 March 1899 – 6 August 1988) was a French essayist and poet. Influenced by surrealism, he developed a form of prose poem, minutely examining everyday objects. He was the third recipient of the Neustadt International Prize for Literature in 1974.
Document 10: Les mille et une nuits: Les mille et une nuits, contes arabes traduits en français ("The Thousand and One Nights, Arab stories translated into French"), published in 12 volumes between 1704 and 1717, was the first European version of "The Thousand and One Nights" tales. The French translation by Antoine Galland (1646-1715) derived from an Arabic text of the Syrian recension of the medieval work as well as other sources. It included stories that are not found in the original Arabic manuscripts — the so-called "orphan tales" — such as the famous "Aladdin" and "Ali Baba and the Forty Thieves", which first appeared in print in Galland's form. Immensely popular at the time of initial publication, and enormously influential later, subsequent volumes were introduced using Galland's name although the stories were written by unknown persons at the behest of a publisher wanting to capitalize on their popularity.
Document 11: Belphegor, Phantom of the Louvre: Belphegor, Phantom of the Louvre (French: "Belphégor – Le fantôme du Louvre" ) is a 2001 French fantasy film directed by Jean-Paul Salomé and starring Sophie Marceau, Michel Serrault, Frédéric Diefenthal, and Julie Christie. Written by Salomé, Danièle Thompson, and Jérôme Tonnerre, the film is about a mummy's spirit that possesses a woman (Sophie Marceau) in the Paris museum. Loosely based on the 1927 horror novel "Belphégor" by Arthur Bernède, this film is the third dramatized adaptation, following the first film in 1927, and a TV miniseries in 1965. "Belphegor, Phantom of the Louvre" was filmed on location at the Musée du Louvre, the first feature film to be shot in part inside the world-famous museum.
Document 12: The Mummy!: The Mummy!: Or a Tale of the Twenty-Second Century is an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It concerns the Egyptian mummy of Cheops, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and features one of the earliest known examples of a "Mummy's curse".
Document 13: Victor Hugo: Victor Marie Hugo (] ; 26 February 1802 – 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement. Hugo is considered to be one of the greatest and best-known French writers. Outside of France, his most famous works are the novels "Les Misérables ", 1862, and "The Hunchback of Notre-Dame" (French: "Notre-Dame de Paris" ), 1831. In France, Hugo is known primarily for his poetry collections, such as "Les Contemplations " ("The Contemplations") and "La Légende des siècles " ("The Legend of the Ages").
Document 14: Antoine Gautier de Montdorge: Antoine-César Gautier de Montdorge (or Mondorge) (17 January 1701 or 1707 - 24 October 1768) was a French man of letters, best known for writing the libretto for Rameau's "opéra-ballet" "Les fêtes d'Hébé" (1739). Born in Lyon, he moved to Paris, where he worked as a financier (with the title "maître à la Chambre aux deniers du Roi"). He was a friend and neighbour of Rameau's patron Alexandre Le Riche de La Pouplinière and probably met the composer at La Pouplinière's salon. Montdorge was not identified as the author of "Les fêtes d'Hébé" on any of its printed editions. It was first attributed to him by Antoine de Léris in the 1763 edition of his "Dictionnaire portatif des théâtres". Reviewers severely criticised the literary weakness of the work. The only other opera libretto Montdorge wrote was the one-act comédie-ballet "L'opéra de société" for Jean-François Giraud in 1762. He described his experience working as a librettist for Rameau in the anonymously published "Réflections d'un peintre sur l'opéra" (1743).
Document 15: Remy de Gourmont: Remy de Gourmont (4 April 1858 – 27 September 1915) was a French Symbolist poet, novelist, and influential critic. He was widely read in his era, and an important influence on Blaise Cendrars and Georges Bataille. The spelling "Rémy" de Gourmont is incorrect, albeit common and used by Ezra Pound in translations of his work.
ground_truth: 1872