Question: Are both Martin Heidegger and Lytton Strachey from the same country?

full_context: Document 1: Max Scheler: Max Ferdinand Scheler (] ; 22 August 1874 – 19 May 1928) was a German philosopher known for his work in phenomenology, ethics, and philosophical anthropology. Scheler developed further the philosophical method of the founder of phenomenology, Edmund Husserl, and was called by José Ortega y Gasset "the first man of the philosophical paradise." After his death in 1928, Martin Heidegger affirmed, with Ortega y Gasset, that all philosophers of the century were indebted to Scheler and praised him as "the strongest philosophical force in modern Germany, nay, in contemporary Europe and in contemporary philosophy as such." In 1954, Karol Wojtyła, later Pope John Paul II, defended his doctoral thesis on "An Evaluation of the Possibility of Constructing a Christian Ethics on the Basis of the System of Max Scheler."
Document 2: G. K. Chesterton: Gilbert Keith Chesterton, KC*SG (29 May 1874 – 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". "Time" magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."
Document 3: Martin Heidegger and Nazism: Philosopher Martin Heidegger joined the Nazi Party (NSDAP) on May 1, 1933, ten days after being elected Rector of the University of Freiburg. A year later, in April 1934, he resigned the Rectorship and stopped taking part in Nazi Party meetings, but remained a member of the Nazi Party until its dismantling at the end of World War II. The denazification hearings immediately after World War II led to Heidegger's dismissal from Freiburg, banning him from teaching. In 1949, after several years of investigation, the French military finally classified Heidegger as a "Mitläufer" or "Nazi follower". The teaching ban was lifted in 1951 and Heidegger was granted "emeritus" status in 1953, but he was never allowed to resume his philosophy chair.
Document 4: Michael Billington (critic): Michael Keith Billington OBE (born 16 November 1939) is a British author and arts critic. Drama critic of "The Guardian" since October 1971, he is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts; most notably, he is the authorised biographer of the playwright Harold Pinter (1930–2008).
Document 5: Eminent Victorians: Eminent Victorians is a book by Lytton Strachey (one of the older members of the Bloomsbury Group), first published in 1918 and consisting of biographies of four leading figures from the Victorian era. Its fame rests on the irreverence and wit Strachey brought to bear on three men and a woman who had till then been regarded as heroes and heroine. They were:
Document 6: Oscar Wilde: Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was a prolific Irish writer who wrote plays, fiction, essays, and poetry. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, the novel "The Picture of Dorian Gray", as well as the circumstances of his imprisonment and early death.
Document 7: Lytton Strachey: Giles Lytton Strachey ( ; 1 March 1880 – 21 January 1932) was a British writer and critic.
Document 8: Richard M. Capobianco: Richard M. Capobianco is an American philosophy professor and one of the leading commentators on the thought of the 20th century German philosopher Martin Heidegger. His two books, "Engaging Heidegger" and "Heidegger's Way of Being", have led the way to a renewed appreciation of Heidegger's core concern with Being as temporal radiant emergence or manifestation. He has also brought Heidegger into closer proximity with American authors such as Walt Whitman, Henry David Thoreau, Ralph Waldo Emerson, John Muir, and E. E. Cummings, and with English poets such as William Wordsworth and Gerard Manley Hopkins.
Document 9: George Orwell bibliography: The bibliography of George Orwell includes journalism, essays, novels and non-fiction books written by the British writer Eric Blair (1903–50), either under his own name or, more usually, under his pen name George Orwell. Orwell was a prolific writer on topics related to contemporary English society and literary criticism, whom the British newsweekly "The Economist" in 2008 declared "perhaps the 20th century's best chronicler of English culture." His non-fiction cultural and political criticism constitutes the majority of his work, but Orwell also wrote in several genres of fictional literature.
Document 10: Otto Pöggeler: Otto Pöggeler (12 December 1928 in Attendorn – 10 December 2014) was a German philosopher. He specialized in phenomenology and commenting on Heidegger. In 1963 he authored the acclaimed "Martin Heidegger’s Path of Thinking", one of the first rigorous attempts at tracing the development of Heidegger’s thought. He also published a study of poetry of Paul Celan, and was director of the Hegel Archive at the Ruhr University in Bochum.
Document 11: William Hazlitt: William Hazlitt (10 April 1778 – 18 September 1830) was an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print.
Document 12: The Origin of the Work of Art: The Origin of the Work of Art (German: "Der Ursprung des Kunstwerkes" ) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing," marking the philosopher's first lectures on the notion of art.
Document 13: Martin Heidegger: Martin Heidegger ( ; ] ; 26 September 188926 May 1976) was a German philosopher and a seminal thinker in the Continental tradition and philosophical hermeneutics. According to the "Internet Encyclopedia of Philosophy", he is "widely acknowledged to be one of the most original and important philosophers of the 20th century". Heidegger is best known for his contributions to phenomenology and existentialism, though as the "Stanford Encyclopedia of Philosophy" cautions, "his thinking should be identified as part of such philosophical movements only with extreme care and qualification".
Document 14: Lytton Strachey: A Critical Biography: Lytton Strachey: A Critical Biography is a book-length biography of Lytton Strachey by Michael Holroyd, the author's magnum opus. He published a revised version in 1994 under the revised subtitle, The New Biography.
Document 15: Black Notebooks: The Black Notebooks (German: "Schwarze Hefte" ) are a set of notebooks written by German philosopher Martin Heidegger (1889–1976), which were first published in 2014. They were edited by Peter Trawny. Originally a set of small notebooks with black covers in which Heidegger jotted observations, they have been collated into a 1000-page transcript. The first notebook is missing. The subsequent notebooks will be published in the Gesamtausgabe. So far fourteen notebooks have been published encompassing the years 1931–1941 ("GA" 94–96). The notebooks from 1942-1945 are in private possession but they have already been prepared for publication. The notebooks contain more explicitly anti-Semitic content than Heidegger's previously published writings, reigniting the debate about Heidegger's Nazism and its relationship to his philosophical project.
ground_truth: no