Question: What band was formed in the 1970s by the writer of Inconciente colectivo?

full_context: Document 1: Soda Stereo: Soda Stereo was an Argentine rock band created in Buenos Aires in 1982 by the power trio made up of Gustavo Cerati (lead vocals, guitars), Héctor "Zeta" Bosio (bass), and Charly Alberti (drums). Considered one of the most influential and important Latin American bands of all time and a legend of Latin music. It achieved international success throughout the 1980s and 1990s, playing a pivotal role in the surfacing, development and dissemination of Latin and Ibero-American rock outside Argentina. They were the first Latin rock group to achieve success throughout Hispanic America.
Document 2: Canción Animal: Canción Animal (Spanish for "Animal Song") is the fifth album released by the Argentine rock band Soda Stereo, released in August of 1990 (see 1990 in music). Many of the songs on the album are among the band's most popular, such as one of their biggest hits ""De Música Ligera"", the last song played in Soda Stereo's last concert in 1997, "Hombre al agua", "Un Millón de Años Luz", "Te para tres" and others. It is considered one of the best and most influential albums in the history of Latin American rock music. For many people, it's regarded as the best album to ever come out of South America.
Document 3: De Música Ligera: "De Música Ligera" (Spanish for "Of easy-listening music") is a song by the Argentine rock band Soda Stereo from their fifth studio album Canción Animal (1990). It is one of Soda Stereo's most famous and symbolic songs, whose musical influence has been remarkable in the history of Latin rock for over two decades. Due to its popularity, the song is considered a hymn of rock en español.
Document 4: El Otro Yo: Argentinean alternative rock band El Otro Yo ("The Other Me") got involved in the local scene in the late '80s / early '90s, making its debut with a demo tape called Los Hijos de Alien, followed by Traka-Traka. Later on, the group successfully founded its own label, Besotico Records, thus sealing their independent personality. EOY is the independent group with the most albums recorded in the 90’s.The band shared tours and stages with bands such as Pixies, Smashing Pumpkins, Marilyn Manson, Incubus, Yo La Tengo, Molotov, Café Tacuba, Todos Tus Muertos, Los Brujos, Nick Cave and the Bad Seeds, Silverchair, Soda Stereo, Robi Draco Rosa, The Offspring and Placebo, among others . They have played extensively all over Latin American and the United States. El Otro Yo is the third band in the world (after Nine Inch Nails and Radiohead) to transform their official website into a social network, which is called Comunidad EOY. They are also the first Latin American band to offer their own application to iPhone, iPad and iPod Touch users.
Document 5: Miguel Mateos: Miguel Mateos (born January 26, 1954) is an Argentine rock singer-songwriter from Villa Pueyrredón, Argentina. Outside Argentina he is considered one of the most important exponents of Rock en Español, specially in the 1980s when he along with Charly Garcia, Soda Stereo, Enanitos Verdes, Virus, Sumo, Fabulosos Cadillacs, Rata Blanca, and many more bands became international stars in the so-called "Argentine Invasion" (""La Ola Argentina"") of rock music that swept Latin America and parts of North America and Europe. It helped popularize Spanish-language rock outside Argentina, and make the genre a commercially successful industry.
Document 6: Inconciente colectivo: Inconciente colectivo (Spanish: "Collective unconscious" ) is a well known rock song from Argentine musician Charly García, first recorded in 1982, as the end of the album "Yendo de la cama al living", second solo album of his career, considered by the Rolling Stone magazine as the No. 26 between best Albums of Argentine rock, though edited together as a double album with the first, "Pubis angelical", recorded two months earlier. The song was released in the year 1980, at Luna Park for a Serú Girán concert. On December 26, 1981, when Seru played at the Coliseo theater, Garcia introduced this song saying "Well, now I'll play a song ... I'm asked for it a lot ... and I'm going to play it ...", so it is proved that a year before its release, the song already had some degree of popularity. This version appears on the album "Yo no quiero volverme tan loco", published in 2000, is sung at a higher pitch (A), while the original version is in G.
Document 7: Carlos Guastavino: Carlos Guastavino (April 5, 1912 - October 29, 2000) was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called "the Schubert of the Pampas." Some of his songs, for example "Pueblito, mi pueblo", "La rosa y el sauce" ("The Rose and the Willow") and "" ("The Dove Was Wrong"), became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income.<ref name="BkltNI5818/20">MacDonald, Callum. Essay in booklet with the recording "Carlos Guastavino: The Complete Piano Music", Martin Jones, piano. Nimbus, NI 5818/20 (2008).</ref>
Document 8: Charly García: Charly García (born Carlos Alberto García Moreno, 23 October 1951) is an Argentine singer-songwriter, musician and producer. Within his vast career he formed some of the bands long considered as the most popular in Argentina's rock history: Sui Generis in the 1970s and Serú Girán in the 1980s, plus cult status groups like progressive-rock act La Máquina de Hacer Pájaros. Since the 80's García has worked mostly as a solo musician. His main instruments is the piano, together with guitar and keyboards.
Document 9: Argentine rock: Argentine rock (locally Rock nacional) is rock music composed or made by Argentine bands or artists mainly in the Spanish language. For nearly half a century it has been a major popular genre, and is regarded as part of the music tradition of Argentina alongside tango and Argentine folk music.
Document 10: On the Rock: On the Rock is the 20th studio album by Argentine singer-songwriter Andrés Calamaro, released on June 1, 2010.
Document 11: Andrés Calamaro: Andrés Calamaro (Andrés Calamaro Masel, August 22, 1961), is an Argentine musician, composer and Latin Grammy winner. His former band "Los Rodríguez" was a major success in Spain in the 1990s. He is multi-instrumentalist and he became one of the main icons of the Argentine rock and has sold over 1.3 million copies.
Document 12: La Barranca: La Barranca has been a successful ongoing outfit for over a decade. Based in Mexico City, they are led by guitarist and songwriter José Manuel Aguilera, who previously and concurrently worked with Sangre Azteka, Jaguares, Cecilia Toussaint, Steven Brown/Nine Rain (Tuxedomoon), and more. He has an unusually economical style of playing that concentrates on great rhythms, superb tone, and very melodic solos. After the original lineup—Aguilera, Federico Fong (bass), Alfonso Andre (drums), all of whom were guest members of Jaguares with former Caifanes frontman Saúl Hernández—went its separate ways, a second version of the band included Santa Sabina guitar virtuoso Alex Otaola and the extremely flexible rhythm section of brothers Jose María ("Chema") and Alonso Arreola. The band's sound effortlessly moves from flat out rock to fusion-ish jamming and passes through a kind of Mexican folk influence along the way. Aguilera is a good singer with a talent for finding simple melodies amidst rather complex songs. On "El Fluir" the band decided to record live and to cut back on the keyboard and programmed additions to their music. Surprisingly, the result was not an over-the-top jamfest but rather a very tightly arranged set of songs that hinted at the overwhelming power they could possess in concert. The two guitar interplay between Aguilera and Otaola was highly impressive as they explored all forms of playing together and against one another (with Otaola pulling all sorts of radical sounds out of his guitar). "El Fluir" was their first US release since "Tempestad" in 1998. This edition was further sweetened by the inclusion of a previously unreleased bonus track and a video for the first single "Pare de Sufrir."
Document 13: Listen Without Distraction: Argentinean label Dias De Garage released the first-ever tribute to the rock legend Kyuss in July 2004. Titled "Listen Without Distraction", the collection was named after the instructions Kyuss used to give music fans on their albums. This CD contains songs from Argentinean bands and features liner notes by ex-Kyuss bass player Scott Reeder.
Document 14: Pierluigi Giombini: Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer. He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music. His grandfather was a music professor who specialized in the oboe and also played in orchestras. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos. It was Wendy Carlos' "Switched-On Bach" records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s. Even now he still uses hardware and software synths for his current projects such as 'Web'.
Document 15: Sandro de América: Roberto Sánchez-Ocampo (August 19, 1945 – January 4, 2010), better known by his artist names Sandro/Sandro de América ("Sandro of America"), "Gitano" (gypsy), and the Argentine Elvis, was a notable Argentine singer and actor. He is considered The father of Argentine Rock for being one of the first rock artists to sing in Spanish in Latin America. He edited 52 official records and sold 50 million copies although other sources state that he sold over 75 million. Some of his most successful songs are "Dame fuego", "Rosa, Rosa", "Quiero llenarme de ti", "Penumbras", "Porque yo te amo", "Así", "Mi amigo el Puma", "Tengo", "Trigal" and "Una muchacha y una guitarra". The single "Rosa, Rosa" sold 2 million copies, being his most recognizable and famous song. Another of his hits, "Tengo" was given 15th place among the 100 best Argentine rock songs by both the MTV channel and "Rolling Stone" magazine.
ground_truth: Sui Generis