Question: Jacques Demy and Akira Kurosawa, have which mutual occupations?

full_context: Document 1: Abbas Kiarostami: Abbas Kiarostami (Persian: عباس کیارستمی‎ ‎ ; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the "Koker trilogy" (1987–94), "Close-Up" (1990), "Taste of Cherry" (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and "The Wind Will Carry Us" (1999). In his later works, "Certified Copy" (2010) and "Like Someone in Love" (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively.
Document 2: François Truffaut: François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement. Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979. He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).
Document 3: Dreams (1990 film): Dreams (夢 , Yume , aka Akira Kurosawa's Dreams) is a 1990 Japanese-American magical realism film of eight vignettes written and directed by Akira Kurosawa. It was inspired by actual dreams that Kurosawa claimed to have had repeatedly. It was his first film in 45 years on which he was the sole author of the screenplay. It was made five years after "Ran", with assistance from George Lucas, Francis Ford Coppola, and Steven Spielberg, and funded by Warner Bros. The film was screened out of competition at the 1990 Cannes Film Festival, and to this day has received positive reviews.
Document 4: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 5: Hiroshi Inagaki: Hiroshi Inagaki (稲垣 浩 , Inagaki Hiroshi , 30 December 1905 – 21 May 1980) was a Japanese filmmaker most known for the Academy Award-winning "", which he directed in 1954.
Document 6: Mikio Naruse: Mikio Naruse (成瀬 巳喜男 , Naruse Mikio , August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967.
Document 7: Hideo Oguni: Hideo Oguni (小国 英雄 , Oguni Hideo ) was a Japanese writer who wrote over 100 screenplays. He is best known for co-writing screenplays for a number of films directed by Akira Kurosawa, including "Ikiru", "The Seven Samurai", "Throne of Blood" and "The Hidden Fortress". His first film with Kurosawa was "Ikiru", and according to film professor Catherine Russell, it was Oguni who devised that film's two-part structure. Film critic Donald Richie regarded him as the "humanist" among Kurosawa's writers. In 2013, Oguni and frequent screenwriting collaborators Kurosawa, Shinobu Hashimoto and Ryuzo Kikushima were awarded the Jean Renoir Award by the Writers Guild of America West.
Document 8: Akira Kurosawa: Akira Kurosawa (黒沢 明 , March 23, 1910 – September 6, 1998) was a Japanese film director and screenwriter. Regarded as one of the most important and influential filmmakers in the history of cinema, he directed 30 films in a career spanning 57 years.
Document 9: Rashomon: Rashomon (羅生門 , Rashōmon ) is a 1950 Japanese period film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. It stars Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura. While the film borrows the title and setting from Ryūnosuke Akutagawa's short story "Rashōmon", it is actually based on Akutagawa's short story "In a Grove", which provides the characters and plot.
Document 10: Akira Kurosawa Memorial Short Film Competition: The Akira Kurosawa Memorial Short Film Competition is a major international short film awards ceremony, run by the Akira Kurosawa Foundation. Since the inaugural 2004-2005 competition, the Grand Prix and numerous other prizes have been awarded on an annual basis.
Document 11: Jacques Demy: Jacques Demy (] ; 5 June 1931 – 27 October 1990) was a French director, lyricist, and screenwriter. He appeared in the wake of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their sumptuous visual style. Demy's style drew upon such diverse sources as Classic Hollywood musicals, the documentary realism of his New Wave colleagues, fairy-tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity (i.e., characters cross over from film to film), lush musical scores (typically composed by Michel Legrand) and motifs like teenaged love, labor rights, incest, and the intersection between dreams and reality. He is best known for the two musicals he directed in the mid-1960s: "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967).
Document 12: Michel Legrand: Michel Legrand (born 24 February 1932) is a French musical composer, arranger, conductor, and jazz pianist. Legrand is a prolific composer, having written over 200 film and television scores, in addition to many memorable songs. He is best known for his often haunting, jazz-tinged film music. His celebrated scores for the films of French New Wave director Jacques Demy, "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967), earned Legrand his first Academy Award nominations. For "The Thomas Crown Affair" (1968) and its title song, "The Windmills of Your Mind", Legrand won his first Oscar.
Document 13: Lola (1961 film): Lola, is a 1961 romantic drama film, the debut film directed by Jacques Demy as a tribute to director Max Ophüls and is described by Demy as a "musical without music". Anouk Aimée starred in the title role. The film was restored and re-released by Demy's widow, French filmmaker Agnès Varda.
Document 14: The Umbrellas of Cherbourg: The Umbrellas of Cherbourg (French: Les Parapluies de Cherbourg ) is a 1964 French-German romantic musical film directed by Jacques Demy, starring Catherine Deneuve and Nino Castelnuovo. The music was written by Michel Legrand. The film dialogue is all sung as recitative, including casual conversation (similar in style to an opera).
Document 15: Cinéma du look: Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
ground_truth: director and screenwriter