Question: Who was the place where Pieta is located designed by?

full_context: Document 1: The Virgin appearing to St. Bernard: The Virgin appearing to St. Bernard is a painting by the Italian artist Pietro Perugino, the main painter of the Umbrian school that was based in Perugia. The panel was executed as an altarpiece for the church of Santa Maria Maddalena dei Pazzi in Florence. It was later acquired in 1829/30 for King Ludwig I of Bavaria from the Capponi in Florence, and eventually made it to the Alte Pinakothek in Munich. The work has been called "one of the high points of European painting in the late 15th century."
Document 2: Florence Cathedral: The Cattedrale di Santa Maria del Fiore (Italian pronunciation: (katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre); in English ``Cathedral of Saint Mary of the Flower '') is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th - century Gothic Revival façade by Emilio De Fabris.
Document 3: Giovio Series: The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio. It includes portraits of literary figures, rulers, statesmen and other dignitaries, many of which were done from life. Intended by Giovio as a public archive of famous men, the collection was originally housed in a specially-built museum on the shore of Lake Como. Although the original collection has not survived intact, a set of copies made for Cosimo I de' Medici now has a permanent home in Florence's Uffizi Gallery.
Document 4: Anna Maria Luisa de' Medici: Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was the last lineal descent of the main branch of the House of Medici. A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State...[and from] the succession of His Serene Grand Duke."
Document 5: Fano Altarpiece: The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a "Pietà" and several predella panels.
Document 6: Perugia Altarpiece: The Perugia Altarpiece (Italian: "Pala di Perugia") is a painting by the Italian early Renaissance painter Fra Angelico, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
Document 7: Loggia dei Lanzi: The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.
Document 8: Portrait of Bia de' Medici: The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the 'sale rosse' of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Document 9: Uffizi: The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine magistrates, hence the name , "offices". The construction was later continued by Alfonso Parigi and Bernardo Buontalenti; it was completed in 1581. The top floor was made into a gallery for the family and their guests and included their collection of Roman sculptures.
Document 10: Portrait of Francesco delle Opere: The Portrait of Francesco delle Opere is a painting by the Italian Renaissance artist Perugino, dating to 1494 and housed in the Uffizi Gallery, Florence.
Document 11: Madonna in Glory with Saints: The Madonna in Glory with Saints is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1500–1501. It is housed in the Pinacoteca Nazionale of Bologna, Italy.
Document 12: Uffizi: The Uffizi Gallery (, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
Document 13: Agony in the Garden (Perugino): Agony in the Garden is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 14: Pietà (Perugino): Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 15: Vallombrosa Altarpiece: The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
ground_truth: Giorgio Vasari
sub_queries: Pietà >> location Answer: Uffizi
Who was Uffizi designed by? Answer: Giorgio Vasari