Question: The master photographer who starred in Camp is generally acclaimed as what?

full_context: Document 1: Jack Arnold (director): Jack Arnold (October 14, 1916 – March 17, 1992) was an American actor and film and television director, best known as one of the leading filmmakers of 1950s science fiction films. His most notable films are "It Came from Outer Space" (1953), "Creature from the Black Lagoon" (1954), "Tarantula" (1955), and "The Incredible Shrinking Man" (1957).
Document 2: Harry Everett Smith: Harry Everett Smith (May 29, 1923 in Portland, Oregon – November 27, 1991 in New York City) was a visual artist, experimental filmmaker, record collector, bohemian, mystic, and largely self-taught student of anthropology. Smith was an important figure in the Beat Generation scene in New York City, and his activities, such as his use of mind-altering substances and interest in esoteric spirituality, anticipated aspects of the Hippie movement. Besides his films, Smith is widely known for his influential "Anthology of American Folk Music", drawn from his extensive collection of out-of-print commercial 78 rpm recordings.
Document 3: Jack Smith (film director): Jack Smith (November 14, 1932 – September 25, 1989) was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American performance art, and has been critically recognized as a master photographer, though his photographic works are rare and remain largely unknown.
Document 4: The Andy Warhol Story: The Andy Warhol Story (1966) is an underground film directed by Andy Warhol with cinematography by Paul Morrissey, and starring Edie Sedgwick and Rene Ricard (as Andy Warhol).
Document 5: Spike Jonze: Spike Jonze (pronounced "Jones" ; born Adam Spiegel on October 22, 1969) is an American skateboarder, filmmaker, director, producer, photographer, screenwriter, and actor, whose work includes music videos, commercials, film and television.
Document 6: Jack (2015 film): Jack is a 2015 Austrian thriller film about serial killer Jack Unterweger, directed by Elisabeth Scharang. It was screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival.
Document 7: I Shot Andy Warhol: I Shot Andy Warhol is a 1996 American-British independent film about the life of Valerie Solanas and her relationship with the artist Andy Warhol. The film marked the debut of Canadian director Mary Harron. The film stars Lili Taylor as Valerie, Jared Harris as Andy Warhol, and Martha Plimpton as Valerie's friend Stevie. Stephen Dorff plays Warhol superstar Candy Darling. John Cale of The Velvet Underground wrote the film's score despite protests from former band member Lou Reed. Yo La Tengo plays an anonymous band that is somewhat reminiscent of the group.
Document 8: Martin Smith (film maker): Martin Smith is a film maker who wrote and directed the 2006 Scottish BAFTA Award winning short Tracks. He has also directed music videos for acts such as Arab Strap, The Delgados and King Creosote amongst others. His first short film Accidents featured Kate Dickie (Red Road).
Document 9: Andy Warhol's Bad: Andy Warhol's Bad is a 1977 comedy film, directed by Jed Johnson, starring Carroll Baker, Perry King and Susan Tyrrell. It was written by Pat Hackett and George Abagnalo, and was the last film produced by Andy Warhol before his death in 1987.
Document 10: Camp (1965 film): Camp (1965) is a feature-length underground film directed by Andy Warhol in October 1965 at The Factory. The film stars Gerard Malanga, Baby Jane Holzer, Tally Brown, Mario Montez, Jack Smith, Paul Swan, Dorothy Dean, and Tosh Carillo.
Document 11: Blue Movie: Blue Movie (stylized as blue movie; also known as Fuck) is a 1969 American film written, produced, and directed by Andy Warhol. "Blue Movie", the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, is a seminal film in the Golden Age of Porn and helped inaugurate the "porno chic" phenomenon in modern American culture, and later, in many other countries throughout the world. According to Warhol, "Blue Movie" was a major influence in the making of "Last Tango in Paris", an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after "Blue Movie" was made. Viva and Louis Waldon, playing themselves, starred in "Blue Movie".
Document 12: Andy Warhol: Andy Warhol ( ; born Andrew Warhola; August 6, 1928 – February 22, 1987) was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), the experimental film "Chelsea Girls" (1966), and the multimedia events known as the "Exploding Plastic Inevitable" (1966–67).
Document 13: Jack Conway (filmmaker): Jack Ryan Conway (July 17, 1887 – October 11, 1952) was a film director and film producer, as well as an actor of many films in the first half of the 20th century.
Document 14: Donald G. Jackson: Donald G. Jackson (April 24, 1943 – October 20, 2003) was an American filmmaker who is often referred to in the media as the Ed Wood of the video age. This delination was given due to the bizarre nature, content, and lack of defined storyline prevalent in his film and because virtually all of his films were harshly criticized by film critics.
Document 15: Chelsea Girls: Chelsea Girls is a 1966 experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films (both feature length and short). It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women who live there, and stars many of Warhol's superstars. It is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.
ground_truth: a founding father of American performance art