Question: What form of dance is the city famous for where Keladi Chennamma is from?

full_context: Document 1: Dantkal: Dantkal is a village near Sirsi, Siddapura Taluk, North Kanara, State of Karnataka, India. All people staying there are Havyaka Brahmins, and the village is only connected with roads from Sirsi and Siddapur. This place is famous for "Kemmannu" So this place is known as Kemmannu Dantkal. The place is on the shore of river "Aghanashini". "Agha" means "sin" and "Nashini" means "remover". Dantkal is mainly famous for Ananta Bhattana Appe. This is a different type of mango.
Document 2: India: Indian music ranges over various traditions and regional styles. Classical music encompasses two genres and their various folk offshoots: the northern Hindustani and southern Carnatic schools. Regionalised popular forms include filmi and folk music; the syncretic tradition of the bauls is a well-known form of the latter. Indian dance also features diverse folk and classical forms. Among the better-known folk dances are the bhangra of Punjab, the bihu of Assam, the Jhumair and chhau of Jharkhand, Odisha and West Bengal, garba and dandiya of Gujarat, ghoomar of Rajasthan, and the lavani of Maharashtra. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniyattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of Odisha, and the sattriya of Assam. Theatre in India melds music, dance, and improvised or written dialogue. Often based on Hindu mythology, but also borrowing from medieval romances or social and political events, Indian theatre includes the bhavai of Gujarat, the jatra of West Bengal, the nautanki and ramlila of North India, tamasha of Maharashtra, burrakatha of Andhra Pradesh, terukkuttu of Tamil Nadu, and the yakshagana of Karnataka. India has a theatre training institute NSD that is situated at New Delhi It is an autonomous organisation under the Ministry of Culture, Government of India.
Document 3: History of India: There were several other kingdoms which ruled over parts of India in the later medieval period prior to the British occupation. However, most of them were bound to pay regular tribute to the Marathas. The rule of Wodeyar dynasty which established the Kingdom of Mysore in southern India in around 1400 CE by was interrupted by Hyder Ali and his son Tipu Sultan in the later half of the 18th century. Under their rule, Mysore fought a series of wars sometimes against the combined forces of the British and Marathas, but mostly against the British, with Mysore receiving some aid or promise of aid from the French.
Document 4: History of India: Kadamba (345 – 525 CE) was an ancient royal dynasty of Karnataka, India that ruled northern Karnataka and the Konkan from Banavasi in present-day Uttara Kannada district. At the peak of their power under King Kakushtavarma, the Kadambas of Banavasi ruled large parts of modern Karnataka state. The dynasty was founded by Mayurasharma in 345 CE which at later times showed the potential of developing into imperial proportions, an indication to which is provided by the titles and epithets assumed by its rulers. King Mayurasharma defeated the armies of Pallavas of Kanchi possibly with help of some native tribes. The Kadamba fame reached its peak during the rule of Kakusthavarma, a notable ruler with whom even the kings of Gupta Dynasty of northern India cultivated marital alliances. The Kadambas were contemporaries of the Western Ganga Dynasty and together they formed the earliest native kingdoms to rule the land with absolute autonomy. The dynasty later continued to rule as a feudatory of larger Kannada empires, the Chalukya and the Rashtrakuta empires, for over five hundred years during which time they branched into minor dynasties known as the Kadambas of Goa, Kadambas of Halasi and Kadambas of Hangal.
Document 5: Nagamandala: Nagamandala is a movie based on folk tales spread in North Karnataka, India. The movie portrays lifestyle, food habits, and routine habits of medieval period in Karnataka. Snakes are considered sacred and are feared and worshipped. North Karnataka dialect is used for conversation. Supernatural elements play a central part in the film.
Document 6: Dance in Cambodia: Cambodia's premier performing art form is the Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts. Performances of classical dance consist of elaborately costumed dancers and music played by a pinpeat ensemble. It is performed for invocation of deities and spirits as well as to pay homage to royalty and guests. In the mid-20th century, it was introduced to the general public and became widely celebrated as iconic of Cambodian culture, often being performed during public events, holidays, and for tourists visiting Cambodia. Two of the most performed classical dance are the Robam Chuon Por (``Wishing dance '') and the Robam Tep Apsara (`` Apsara dance'').
Document 7: Folk arts of Karnataka: The ritual dances of Karnataka are known as Kunitha. One such dance is the Dollu Kunitha, a popular dance form accompanied by singing and the beats of decorated drums. This dance is primarily performed by men from the shepherd or Kuruba caste. The Dollu Kunitha is characterized by vigorous drum beats, quick movements and synchronized group formations.
Document 8: Keumalahayati: Keumalahayati, or Malahayati (fl. 16th century), was an admiral in the navy of the Aceh Sultanate, which ruled the area of modern Aceh Province, Sumatra, Indonesia. She was the first woman admiral in the modern world (if Artemisia I is not included). Her troops were drawn from Aceh's widows and the army named the "Inong Balee", after the Inong Balee Fortress near the city of Banda Aceh. Some historians rate Keumalahayati as an equal of Semiramis and Catherine the Great, while references to her can be found in some Chinese and Western literature.
Document 9: Kittur Chennamma: Kittur Chennamma (23 October 1778 -- 21 February 1829) was the Rani of Kittur, a former princely state in Karnataka. She led an armed rebellion against the British East India Company in 1824 in defiance of the doctrine of lapse in an attempt to maintain Indian control over the region, but was defeated and died imprisoned. One of the first female rulers to rebel against British rule, she has become a folk hero in Karnataka and symbol of the independence movement in India.
Document 10: Keladi Chennamma: Keladi Chennamma was the queen of Keladi Kingdom in Karnataka. She was the daughter of Siddappa Shettar, a native merchant of Sagara, Karnataka. Keladi Kingdom (also known as Bednur and Ikkeri), was formed after the fall of Vijayanagara Empire. Chennamma married King Somashekara Nayaka in 1667 CE. After Somashekhara Nayaka's death in 1677, Chennamma efficiently handled the administration of the Keladi Nayaka dynasty. During her reign of 25 years, she repelled the advance of the Mughal Army led by Aurangzeb from her military base in the kingdom of Keladi located in Sagara, Karnataka, India. She adopted Basavappa Nayaka, one of her close relatives who succeeded as Hiriya Basappa Nayaka. She also rendered a trade agreement with the Portuguese involving commodities like pepper and rice.
Document 11: Kadandale: Kadandale is a village in Dakshina Kannada district of Karnataka state, India. Kadandale has one of the oldest and a really magnificent Subramanya Temple. It was known to be one of the richest temples around. The income from this temple was supposedly enough to sustain several other temples around. The annual festivities of many temples around used to be conducted through this temple. The managing trustees of this temple are the Kadandale Guthu family. Agriculture is one of the main sources of livelihood for the people of this area. The village is native place of Kadandale Krishna Bhat of Hotel Woodlands fame. It is also the native place of Sri Sri Sri Eesha Vittaldas Swamiji of Kemar Sandipani Ashram. In 1997, Kadandale witnessed an agitation led by K Jayaram Shetty Kadandale, against an illegal pigment factory manufacturing colours, which was planned to be set up in Kadandale, by forming Shambhavi River Environment Protection Committee.Succumbing to this pressure, Engelhard Highland Pvt. Ltd, the promoters of the pigment factory closed shop and left.
Document 12: History of India: For two and a half centuries from the mid 13th, the politics in the Northern India was dominated by the Delhi Sultanate and in the Southern India by the Vijayanagar Empire which originated as a political heir of the erstwhile Hoysala Empire and Pandyan Empire. However, there were other regional powers present as well. In the North, the Rajputs were a dominant force in the Western and Central India. Their power reached to the zenith under Rana Sanga during whose time Rajput armies were constantly victorious against the Sultanate army. In the South, the Bahmani Sultanate was the chief rival of the Vijaynagara and gave Vijayanagara tough days many a times. In the early 16th century Krishnadevaraya of the Vijayanagara Empire defeated the last remnant of Bahmani Sultanate power after which the Bahmani Sultanate collapsed. It was established either by a Brahman convert or patronized by a Brahman and form that source it got the name Bahmani. In the early 16th century, it collapsed and got split into five small Deccan sultanates. In the East, the Gajapati Kingdom remained a strong regional power to reckon with, so was the Ahom Kingdom in the North-east for six centuries.
Document 13: Tarantella: ' () is a group of various folk dances characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance "tammurriata" in Campania, "pizzica" in the Salento region, "Sonu a ballu" in Calabria. Tarantella is popular in Southern Italy and Argentina. The term may appear as ' in a linguistically masculine construction.
Document 14: Hyderabad: The Kakatiya dynasty was reduced to a vassal of the Khilji dynasty in 1310 after its defeat by Sultan Alauddin Khilji of the Delhi Sultanate. This lasted until 1321, when the Kakatiya dynasty was annexed by Malik Kafur, Allaudin Khilji's general. During this period, Alauddin Khilji took the Koh-i-Noor diamond, which is said to have been mined from the Kollur Mines of Golkonda, to Delhi. Muhammad bin Tughluq succeeded to the Delhi sultanate in 1325, bringing Warangal under the rule of the Tughlaq dynasty until 1347 when Ala-ud-Din Bahman Shah, a governor under bin Tughluq, rebelled against Delhi and established the Bahmani Sultanate in the Deccan Plateau, with Gulbarga, 200 km (124 mi) west of Hyderabad, as its capital. The Bahmani kings ruled the region until 1518 and were the first independent Muslim rulers of the Deccan.
Document 15: Dhol Taashe: "Dhol Taashe" is a Marathi film which depicts the culture related to people who play drums and by instruments in Cultural Processions in Maharashtra, India. This is a story about a boy Amey Karkhanis (Abhijeet Khandkekar), who works in Information Technology, but loses his job due to a recession. After losing the job Amey involves himself in a group of "Dhol Taashe" playing artiste who play the instrument for the culture of the same and not money. Amey tries to corporatise the entire Euphoria and bring it into a stream line.
ground_truth: Kunitha
sub_queries: What city is Keladi Chennamma from? Answer: Karnataka
Karnataka is famous for which form of dance Answer: Kunitha