Question: Which subgenre of the blues is the lyricist of Mannish Boy associated with?

full_context: Document 1: Baby Grand: "Baby Grand" is the fourth and final single released off Billy Joel's album "The Bridge". A duet with Joel and Ray Charles, the song is a ballad dedicated to the baby grand piano, and the relationship it can share with its players. The two originally got together when Joel contacted Charles about the naming of his daughter, Alexa Ray, after Charles. Charles then suggested they create a song together.
Document 2: After the Rain (Muddy Waters album): After the Rain is the sixth studio album by Muddy Waters, a follow-up to the previous years' "Electric Mud" and sharing many of the musicians from that album. Unlike "Electric Mud", "After the Rain" contained mostly his own compositions and the songs, while still distorted, are less overtly psychedelic.
Document 3: Big Bill Morganfield: William "Big Bill" Morganfield (born June 19, 1956) is an American blues singer and guitarist, who is the son of Muddy Waters.
Document 4: Chicago blues: The Chicago blues is a form of blues music indigenous to Chicago, Illinois. Chicago blues is an electric blues style of urban blues. Urban blues evolved from classic blues following the Great Migration, or the Great Northern Drive, which was both forced and voluntary at times, of African Americans from the southern United States to the industrial cities of the north, such as Chicago. Muddy Waters directly joined that migration, like many others, such as in Florida, avoiding the more harshly southern Jim Crow laws. Bruce Iglauer, founder of Alligator Records stated that, ``Chicago blues is the music of the industrial city, and has an industrial sense about it. ''Additionally, recognizing the shift in blues, Chicago blues singer and guitarist Kevin Moore expressed the blues transition stating,`` You have to put some new life into it, new blood, new perspectives. You ca n't keep talking about mules, workin 'on the levee.'' Chicago blues was heavily influenced by Mississippi bluesmen who traveled to Chicago in the early 1940s. The development of blues, up to Chicago blues, is arguably as follows: Country blues, to city blues, to urban blues. Chicago blues is based on the sound of the electric guitar and the harmonica, with the harmonica played through a PA system or guitar amplifier.
Document 5: Forty Days and Forty Nights: "Forty Days and Forty Nights" is a blues song recorded by Muddy Waters in 1956. Called "a big, bold record", it was a hit, spending six weeks in the "Billboard" R&B chart, where it reached number seven. "Forty Days and Forty Nights" has been interpreted and recorded by a variety of artists.
Document 6: The Don (Nas song): "The Don" is a song by American rapper Nas. Released as the second single from his tenth studio album, "Life Is Good" (2012), it is produced by record producers Da Internz, Heavy D and Salaam Remi, who all helped write the song along with Nas, although Heavy D died before the song could be finished. Built around a sample of "Dance in New York" by reggae singer Super Cat, a former collaborator of Nas, "The Don" is backed by a boom bap, reggae-tinged production with additional drum and piano sounds. Lyrically, Nas reaffirms his status as a "street poet", addressing the hardships of poverty within disadvantaged societies and the realities of weapon and drug problems.
Document 7: Distant Relatives: Distant Relatives is a collaborative studio album by American rapper Nas and Jamaican reggae artist Damian Marley, released May 18, 2010, on Universal Republic and Def Jam Recordings. Production for the album took place between 2008 and 2010 and was handled primarily by Damian Marley and Stephen Marley. Fusing musical elements of hip hop and reggae, "Distant Relatives" features lyrical themes concerning ancestry, poverty, and the plight of Africa. It features appearances from K’naan, Stephen Marley, Dennis Brown, Junior Reid, Joss Stone and Lil Wayne.
Document 8: W. C. Handy: William Christopher Handy (November 16, 1873 -- March 28, 1958) was a composer and musician, known as the Father of the Blues. An African American, Handy was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American blues music, Handy did not create the blues genre and was not the first to publish music in the blues form, but he took the blues from a regional music style (Delta blues) with a limited audience to a new level of popularity.
Document 9: I'll Take You There: Included on the group's 1972 album Be Altitude: Respect Yourself, ``I'll Take You There ''features lead singer Mavis Staples inviting her listeners to seek heaven. The song is`` almost completely a call - and - response chorus'', (1) with the introduction being lifted from ``The Liquidator '', a 1969 reggae hit by the Harry J Allstars. In fact, the entire song, written in the key of C, contains but two chords, C and F. A large portion of the song is set aside for Mavis' sisters Cleotha and Yvonne and their father`` Pops'' to seemingly perform solos on their respective instruments. In actuality, these solos (and all music in the song) were recorded by the famed Muscle Shoals Rhythm Section. When Mavis Staples says ``Daddy, now, Daddy, Daddy ''(referring to`` Pop's'' guitar solo), it is actually Eddie Hinton who performs the solo on record. Muscle Shoals Rhythm Section bass player David Hood performs the song's famed bass line. Terry Manning added harmonica and lead electric guitar. Roger Hawkins played drums, Barry Beckett was on electric piano, and Jimmy Johnson and Raymond Banks contributed guitar parts. The horn and string parts were arranged by Detroit arranger Johnny Allen. The horns and strings were recorded at Artie Fields Recording Studios in Detroit Michigan.
Document 10: Bridging the Gap (song): "Bridging the Gap", the second single from Nas' "Street's Disciple", features his father, Olu Dara, and samples music from Muddy Waters' "Mannish Boy" composition. Olu Dara provides the hook of the song by talking about his path and how Nas was born. Nas and Olu Dara performed the song many times before the release of "Street's Disciple", generating buzz as the release of the album drew near. The song is referenced in the title track of The Game's song "The Documentary", when he says, "Now I understand why Nas did a song with his pops".
Document 11: Mannish Boy: "Mannish Boy" (or "Manish Boy" as it was originally titled) is a blues standard by Muddy Waters. First recorded in 1955, the song is both an arrangement of and an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song and is credited to Waters, Mel London, and Bo Diddley.
Document 12: Howlin' Wolf: Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin' Wolf, was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies. Several of his songs, including "Smokestack Lightnin'", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2011, "Rolling Stone" magazine ranked him number 54 on its list of the "100 Greatest Artists of All Time".
Document 13: Fathers and Sons (album): Fathers and Sons is the seventh studio album by American blues musician Muddy Waters, originally released as a double LP by Chess Records in August 1969.
Document 14: Muddy Waters: McKinley Morganfield (April 4, 1913 -- April 30, 1983), known professionally as Muddy Waters, was an American blues musician who is often cited as the ``father of modern Chicago blues ''.
Document 15: Street's Disciple: Street's Disciple is the seventh studio album by American rapper Nas, released as a double album on November 30, 2004 by Columbia Records. Named after one of his lyrics from "Live at the Barbeque" by Main Source, the album's cover art was digitally created using photos of Nas to create an adaptation of "The Last Supper".
ground_truth: Chicago blues
sub_queries: Mannish Boy >> lyrics by Answer: Muddy Waters
Muddy Waters is associated with which subgenre of the blues Answer: Chicago blues