Question: Who composed the Rhapsody No. 1, inspired by and named for the county where Erich Teichman died?

full_context: Document 1: A Nightingale Sang in Berkeley Square: The song was written in the then small French fishing village of Le Lavandou -- now a favourite resort for British holidaymakers and second - home owners -- shortly before the outbreak of the Second World War. According to Maschwitz, the title was ``stolen ''from a story by Michael Arlen. The song had its first performance in the summer of 1939 in a local bar, where the melody was played on piano by Manning Sherwin with the help of the resident saxophonist. Maschwitz sang the words while holding a glass of wine, but nobody seemed impressed. In the spring of 2002, an attempt was made to find the bar where this song was first performed: it was hoped that a blue plaque could be set up. With the help of the local tourist office, elderly residents were questioned, but it proved impossible to identify the venue.
Document 2: Eric Mosbacher: Eric Mosbacher (22 December 1903 – 2 July 1998) was an English journalist and translator from Italian, French, German and Spanish. He translated work by Ignazio Silone and Sigmund Freud.
Document 3: Eric Eichmann: Eric Eichmann (born May 7, 1965, in Margate, Florida) is a retired American soccer player. He played professionally in Germany and the United States and later served as an assistant coach with the Miami Fusion of Major League Soccer. He also earned twenty-nine caps and scored four goals, for the United States men's national soccer team.
Document 4: Amadeo Roldán: Roldán's compositions included "Overture on Cuban Themes" (1925), three little poems: ("Oriente", "Pregón", "Fiesta negra": 1926), and two ballets: "La Rebambaramba" (a ballet colonial in two parts: 1928) and "El milagro de Anaquille" (1929). There followed a series of "Rítmicas" (1930), "Poema negra" (1930) and "Tres toques" (march, rites, dance) (1931). The fifth and sixth of his "Rítmicas", composed around the same time as Edgard Varèse's "Ionisation", were among the first works in the Western classical music tradition scored for percussion ensemble alone. In "Motivos de son" (1934) he wrote eight pieces for voice and instruments based on the poet Nicolas Guillen's set of poems with the same title. His last composition was two "Piezas infantiles" for piano (1937). His work was regularly featured in concerts sponsored by the Pan-American Association of Composers, founded by Henry Cowell, including the inaugural, March 1929 performance in New York.
Document 5: Lancashire: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.
Document 6: Norfolk Rhapsodies: The Norfolk Rhapsodies are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost.
Document 7: Symphony No. 6 (Vaughan Williams): Ralph Vaughan Williams's Symphony in E minor, published as Symphony No. 6, was composed in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Document 8: Gertrude Bell: Gertrude Margaret Lowthian Bell, CBE (14 July 1868 -- 12 July 1926) was an English writer, traveller, political officer, administrator, and archaeologist who explored, mapped, and became highly influential to British imperial policy - making due to her knowledge and contacts, built up through extensive travels in Greater Syria, Mesopotamia, Asia Minor, and Arabia. Along with T.E. Lawrence, Bell helped support the Hashemite dynasties in what is today Jordan as well as in Iraq.
Document 9: Rhapsody (Ashton): Rhapsody is a one act ballet by Sir Frederick Ashton, based on Sergei Rachmaninoff's "Rhapsody on a Theme of Paganini". The ballet premiered on 4 August 1980 at The Royal Ballet, and was dedicated to Queen Elizabeth The Queen Mother. It has been revived three times since its 1980 premiere, in 1995, 2011, and most recently, 2016.
Document 10: Emanuel Ringelblum: Emanuel Ringelblum (November 21, 1900 – March 10 (most likely), 1944) was a Polish historian, politician and social worker, known for his "Notes from the Warsaw Ghetto", "Notes on the Refugees in Zbąszyn" chronicling the deportation of Jews from the town of Zbąszyń, and the so-called Ringelblum's Archives of the Warsaw Ghetto.
Document 11: Eric Teichman: Sir Eric Teichman (born Erik Teichmann; 16 January 1884 – 3 December 1944 in Norfolk, England) was a British diplomat and orientalist.
Document 12: Étienne Manac'h: Étienne Manac'h (later known as Étienne Manoël Manac'h; February 3, 1910 in Plouigneau, Brittany – 1992) was a French career diplomat and author.
Document 13: Ralph Cupper: After he concluded his studies at ‘The Hewett School’ in Norwich, Ralph Cupper studied at the Royal Academy of Music in London. While he was there he studied the Organ with Douglas Hawkridge; Choir/Orchestra Direction with Dr. Douglas Hopkins; Harmony, Counterpoint and fuge with Drs. Arthur Pritchard and Arthur Wills. After he finished in 1976 he did an extended course of Organ studies with Susi Jeans and Nicholas Kynaston with the help of a Stipend from ‘The Alderman Norman Foundation’. In 1979 Ralph Cupper was awarded a Stipend from ‘The Arts Council of Great Britain to study the organ with the well known Dutch Organist Bernard Bartelinck, who was at that time Organist at the Bavo Cathedral in Haarlem in the Netherlands.
Document 14: Hans Hermann Eschke: Hans Hermann Eschke (10 November 1856 in Berlin – 19 July 1904 in Singapore) was the first German Consul General in Singapore.
Document 15: Friedrich Rosen: Friedrich Rosen or Fritz Rosen (Leipzig, August 30, 1856 – November 27, 1935, Beijing) was a German Orientalist, diplomat and politician. From May to October 1921 he was the Foreign Minister of Germany.
ground_truth: Ralph Vaughan Williams
sub_queries: Eric Teichman >> place of death Answer: Norfolk
Norfolk Rhapsody No. 1 >> composer Answer: Ralph Vaughan Williams