Question: Which operetta does Lamplighters Music Theature feature that was composed by Leonard Bernstein?

full_context: Document 1: Tams-Witmark Music Library: Tams-Witmark is an American company that provides to professional and amateur theaters license to Broadway musical scripts and scores. Among the many notable properties handled by the company are "Kiss Me, Kate"; "My Fair Lady"; ""; "Bye Bye Birdie"; "Hello, Dolly!"; "Cabaret"; "Man of La Mancha" and "A Chorus Line". The company has also acquired numerous properties often inspired by or based upon motion pictures or comic strips, such as 42nd Street, The Wizard of Oz, Meet Me In St. Louis, You're A Good Man, Charlie Brown, and Li'l Abner. The company has also prepared for licensing simpler, shorter derivative works for performance by elementary and middle school students, such as an abbreviated version of "Bye, Bye Birdie".
Document 2: Los Angeles Civic Light Opera: The Los Angeles Civic Light Opera (LACLO) was an American theatre/opera company in Los Angeles, California. Founded under the motto "Light Opera in the Grand Opera manner" in 1938 by impresario Edwin Lester, the organization presented fifty seasons of theatre before closing due to financial reasons in 1987. Typically the LACLO presented four to six productions during an annual season. The company produced or co-produced several of their own shows in addition to bringing in shows from Broadway to California, often with their original casts. Productions that originated at the LACLO and then went on to wider success, included "Song of Norway" (1944), "Magdalena" (1948), "Kismet" (1953), "Peter Pan" (1954) and "Gigi" (1973). Initially the organization mainly presented American operettas, but by the 1960s the company was presenting mostly musical theatre; although the company never completely left its roots.
Document 3: La Cenerentola: La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic "dramma giocoso" in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale "Cendrillon" by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
Document 4: Candy (Southern and Hoffenberg novel): Candy is a 1958 novel written by Maxwell Kenton, the pseudonym of Terry Southern and Mason Hoffenberg, who wrote it in collaboration for the "dirty book" publisher Olympia Press, which published the novel as part of its "Traveller's Companion" series. According to Hoffenberg, Terry Southern and I wrote "Candy" for the money. Olympia Press, $500 flat. He was in Switzerland, I was in Paris. We did it in letters. But when it got to be a big deal in the States, everybody was taking it seriously. Do you remember what kind of shit people were saying? One guy wrote a review about how "Candy" was a satire on "Candide". So right away I went back and reread Voltaire to see if he was right. That's what happens to you. It's as if you vomit in the gutter and everybody starts saying it's the greatest new art form, so you go back to see it, and, by God, you have to agree.
Document 5: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 6: Samson (opera): Samson was an opera by the French composer Jean-Philippe Rameau with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut "Hippolyte et Aricie", which premiered in October 1733. Like "Hippolyte", "Samson" was a "tragédie en musique" in five acts and a prologue. Voltaire had become a great admirer of Rameau's music after seeing "Hippolyte" and suggested a collaboration with the composer in November 1733. The opera was complete by late summer 1734 and went into rehearsal. However, a work on a religious subject with a libretto by such a notorious critic of the Church was bound to run into controversy and "Samson" was banned. An attempt to revive the project in a new version in 1736 also failed. The score is lost, although Rameau recycled some of the music from "Samson" in his later operas.
Document 7: Zoroastre: "Zoroastre"'s premiere in 1749 was not a success; despite the magnificence of the staging, it failed to compete with Mondonville's new "opéra-ballet" "Le carnaval du Parnasse". Rameau and Cahusac decided to rework the opera completely before offering it to the public again in 1756. Acts 2,3 and 5 were heavily rewritten and there were several modifications to the plot. This time audiences took to the opera, although the critic Melchior Grimm was withering about Cahusac's libretto: "In "Zoroastre" it is day and night alternately; but as the poet...cannot count up to five he has got so muddled in his reckoning that he has been compelled to make it be day and night two or three times in each act, so that it might be day at the end of the play". "Zoroastre" was chosen to open the new Paris opera house on January 26, 1770, the old one having burned down in 1763. It was also translated into Italian by Casanova for a performance in Dresden in 1752, although some of Rameau's music was replaced by that of the ballet master Adam. Its first modern revival was in a concert version at the Schola Cantorum, Paris in 1903. The United States premiere of the opera was staged by Boston Baroque (then known as Banchetto Musicale) at Harvard University's Sanders Theater under conductor Martin Pearlman in 1983 with Jean Claude Orliac in the title role and James Maddalena as Abramane.
Document 8: The Bridge Stage of the Arts: The Bridge Stage of the Arts, Inc. (The Bridge) is an American theater company based in New York City. It was incorporated by its Artistic Director, Avra Petrides, in 1980; and has produced American/International music- theater festivals in the South of France (Languedoc-Roussillon region) with American musical-theater artists such as Alan Jay Lerner, lyricist and librettist of "My Fair Lady", and Betty Comden and Adolph Green screenwriters and lyricists of "Singin' In The Rain." These artists performed and also gave master classes on musical theater to lyricists, librettists, playwrights, composers, directors, and performers from all over the world. In Lower Manhattan The Bridge has presented "Performance-Forums" in which theater artists collaborate on productions with astrophysicists, philosophers, architects and others working in a variety of disciplines. Also, in Lower Manhattan, The Bridge produced "Hart & Hammerstein Centennial Plus One" which re-introduced "Castle Clinton" as a noteworthy performance space.
Document 9: American Musical Theatre of San Jose: The American Musical Theatre of San Jose (AMTSJ), previously known as the San Jose Civic Light Opera (SJCLO), was a major professional nonprofit musical theatre company in San Jose, California. Founded in 1934 as the San Jose Light Opera Association, it became the second largest theatre company in the Northern California (exceeded only by the American Conservatory Theatre), with an annual budget of $9.8 million and an attendance exceeding 150,000, including 15,000 season ticket holders. The company performed at the 2,677-seat San Jose Center for the Performing Arts. The organization incurred debts after a 2002 agreement to become a receiving house for touring Broadway productions. It closed in December 2008.
Document 10: Lamplighters Music Theatre: Lamplighters Music Theatre is a semi-professional musical theatre company based in San Francisco, California. Founded in 1952 by Orva Hoskinson and Ann Pool MacNab, the Lamplighters specialize in light opera, particularly the works of Gilbert and Sullivan, as well as such works as "The Merry Widow", "Die Fledermaus", "Of Thee I Sing", "My Fair Lady", "Candide", and "A Little Night Music".
Document 11: Candide (operetta): Candide is an operetta with music composed by Leonard Bernstein, based on the 1759 novella of the same name by Voltaire. The operetta was first performed in 1956 with a libretto by Lillian Hellman; but since 1974 it has been generally performed with a book by Hugh Wheeler which is more faithful to Voltaire's novel. The primary lyricist was the poet Richard Wilbur. Other contributors to the text were John Latouche, Dorothy Parker, Lillian Hellman, Stephen Sondheim, John Mauceri, John Wells, and Bernstein himself. Maurice Peress and Hershy Kay contributed orchestrations. Although unsuccessful at its premiere, "Candide" has now overcome the unenthusiastic reaction of early audiences and critics and achieved enormous popularity. It is very popular among major music schools as a student show because of the quality of its music and the opportunities it offers to student singers.
Document 12: Tonight Quintet: The "Tonight Quintet" is a song from the musical "West Side Story" (1957), with music by Leonard Bernstein and lyrics by Stephen Sondheim. Carol J. Oja has written that, "with the 'Tonight' quintet, Bernstein once again created a masterpiece of ensemble, one that rivals the best of such moments in European opera." Her remark echoes the earlier view of Will Crutchfield. In his review of the 1984 studio performance of "West Side Story", which was conducted by Bernstein himself, Crutchfield wrote that the release of the recording "is above all an occasion for celebrating one of the great operas of our century. ... This idea is hotly resisted, but the best argument for it is here on the records in the music itself. I can see no reason why the 'Tonight' ensemble should not be compared to the quartet from "Rigoletto"."
Document 13: Ohio Light Opera: The Ohio Light Opera is a professional opera company based in Wooster, Ohio that performs the light opera repertory, including Gilbert and Sullivan, American, British and continental operettas, and other musical theatre works, especially of the late 19th and early 20th centuries. The company is also known for its recordings of these works.
Document 14: Lakeshore Light Opera: Lakeshore Light Opera (LLO), an amateur community theatre group, performs Gilbert and Sullivan operas in the West Island of Montreal, Canada. The company produced its first show in 1955. Early in its history, the group was directed by former D'Oyly Carte Opera Company member Doris Hemingway, and briefly conducted by her husband, former D'Oyly Carte conductor Harry Norris. The group was known as St Paul's Operatic Society until 1980, when it changed its name to Lakeshore Light Opera. For over 35 years, proceeds from its annual production have been contributed to the Lakeshore General Hospital.
Document 15: Werther: Werther is an opera ("drame lyrique") in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on the German epistolary novel "The Sorrows of Young Werther" by Johann Wolfgang von Goethe, which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).
ground_truth: Candide