Question: Luigi Cherubini and Antonio Salieri, were Italian of which occupation?

full_context: Document 1: List of Classical-era composers: This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent composers of the Classical era include Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart and Luigi Boccherini. Prominent composers of both the Classical and early Romantic eras include Ludwig van Beethoven and Franz Schubert.
Document 2: Antonio Salieri: Antonio Salieri (] ; 18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.
Document 3: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 4: Christoph Willibald Gluck: Christoph Willibald (Ritter von) Gluck (] ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate (now part of Germany) and raised in Bohemia, he gained prominence at the Habsburg court at Vienna, where he brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them "Orfeo ed Euridice" and "Alceste", he broke the stranglehold that Metastasian "opera seria" had enjoyed for much of the century.
Document 5: Beethoven and his contemporaries: During the course of his lifetime (1770–1827), Ludwig van Beethoven enjoyed relationships with many of his musical contemporaries. Beethoven was famously difficult to get along with, and the history of his relationships with contemporaries is littered with arguments, misunderstandings, and reconciliations. Beethoven had well-known fallings out with his one-time teacher, Joseph Haydn, with the piano virtuoso and composer Johann Nepomuk Hummel, and the German composer Carl Maria von Weber.
Document 6: Luigi Cherubini: Luigi Cherubini (] ; 8 or 14 September 1760 – 15 March 1842) was an Italian composer who spent most of his working life in France. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries.
Document 7: Overture in G major (Cherubini): The Overture in G major by Luigi Cherubini (1760-1842) is an orchestral work written for concert use in early 1815. It is unusual among Cherubini's overtures in that his other, better known overtures (such as those to "Anacreon", "Médée", "Les deux journées" and "Ali Baba"), were intended to introduce stage works. Although born in Italy Cherubini had been living in France since 1784, and had earned world fame through a series of operas composed for the Paris stage. In the first decade of the nineteenth century the vogue for his dramatic works began to wane, and he turned increasingly to sacred music.
Document 8: Ludwig van Beethoven: Ludwig van Beethoven ( , ; ] ; baptised 17 December 177026 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the "Missa solemnis", and one opera, "Fidelio".
Document 9: Domenico Foroni: Domenico Foroni (10 July 1796 - 24 March 1853) was an Italian composer, conductor, and music educator. He was born in Valeggio sul Mincio into a family of landowners. On 7 November 1818 he married Teresa Zovetto with whom he had five children, two of whom became famous: the operatic soprano Antonietta Foroni-Conti (1822-187?) and the composer and conductor Jacopo Foroni (1825–1858). In 1818 he was appointed to the dual position of director and principal conductor of the Teatro Filarmonico in Verona, a position he held for over 25 years. He was also highly active as a teacher of singing and music composition in that city. Among his notable pupils were Gottardo Aldighieri, Paolo Bombardi, Domenico Conti, Carlo Pedrotti, Alessandro Sala, Maria Spezia-Aldighieri, and his children. Most of his compositional output was sacred music, the majority of which was written for services at the Verona Cathedral. Most of his music is now lost, but copies of his "Miserere" and "Messe" still exist
Document 10: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 11: Wolfgang Amadeus Mozart: Wolfgang Amadeus Mozart ( ; ; ] ; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era.
Document 12: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 13: Ludwig van Beethoven: Ludwig van Beethoven ( , ; ] ; baptised 17 December 177026 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the "Missa solemnis", and one opera, "Fidelio".
Document 14: Prix de Rome cantatas (Berlioz): The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his "Memoirs". He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as "Benvenuto Cellini" and "Harold en Italie". The composer subsequently destroyed the scores of two cantatas ("Orphée" and "Sardanapale") almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly "La mort de Cléopâtre", which has become a favourite showcase for the soprano and mezzo-soprano voice.
Document 15: La passione di Gesù Cristo (Salieri): La passione di Gesù Cristo is an oratorio by composer Antonio Salieri that uses a libretto by Metastasio. While many composer's set music to this libretto, Metastasio is recorded to have said before Joseph II, Holy Roman Emperor that Salieri's setting "was the most expressive of any written on this poem." The work premiered in Vienna, Austria during the advent season of 1776.
ground_truth: composer