Question: La Juive and Capriccio are both examples of what type of performance?

full_context: Document 1: Ariadne auf Naxos: Ariadne auf Naxos ("Ariadne on Naxos"), Op. 60, is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Combining slapstick comedy and consummately beautiful music, the opera's theme is the competition between high and low art for the public's attention.
Document 2: La belle juive: La belle juive (literally, "the beautiful Jewess") was an archetype of 19-century romantic European literature. The typical appearance of the "belle juive" included long, thick, dark hair, large dark eyes, an olive skin tone, and a languid expression. Her personality traits could be portrayed either positively or negatively. The positive portrayal of the "belle juive" was noble, pure, loyal, and exhibited qualities similar to Christian martyrdom. The negative portrayal was sly, coquettish, and overly sexual.
Document 3: La vestale: La vestale ("The Vestal Virgin") is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a "tragédie lyrique" in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier, and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and looks forwards to the works of Berlioz, Wagner and French Grand Opera.
Document 4: Salome (opera): Salome, Op. 54, is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann's German translation of the French play "Salomé" by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Document 5: Joseph (opera): Joseph (also known as Joseph en Égypte) is an opéra comique in three acts by the French composer Étienne Méhul. The libretto, by Alexandre Duval, is based on the Biblical story of Joseph and his brothers. The work was first performed by the Opéra-Comique in Paris on 17 February 1807 at the Théâtre Feydeau. It mixes musical numbers with spoken dialogue and is described in both the libretto and the printed announcement for the opening night as a ""drame en trois actes, mêlé de chant"", although the Méhul scholar Elizabeth Bartlet catalogues it as an ""opéra en prose"".
Document 6: La Juive: La Juive (] ) ("The Jewess") is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835.
Document 7: Hérodiade: Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella "Hérodias" (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
Document 8: Intermezzo (opera): Intermezzo, Op. 72, is an opera in two acts by Richard Strauss to his own German libretto, described as a "Bürgerliche Komödie mit sinfonischen Zwischenspielen " (bourgeois comedy with symphonic interludes). It premiered at the Dresden Semperoper on 4 November 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.
Document 9: Fromental Halévy: Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (] ; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera "La Juive".
Document 10: Capriccio (opera): Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
Document 11: Ariadne auf Naxos discography: This is a list of recordings of Ariadne auf Naxos, an opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal. The work was first performed at the Hoftheater in Stuttgart on 25 October 1912. A radically revised version was performed in at the Hofoper in Vienna on 4 October 1916. (All the recordings listed on this page are of the revised version.) This list is incomplete.
Document 12: The Makropulos Affair (opera): The Makropulos Affair (or "The Makropoulos Case", "The Makropulos Secret", or, literally, "The Makropulos Thing"; Czech Věc Makropulos) is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play "Věc Makropulos" by Karel Čapek. Composed between 1923 and 1925, "The Makropulos Affair" was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.
Document 13: Les Huguenots: Les Huguenots (] ) is a French opera by Giacomo Meyerbeer, one of the most popular and spectacular examples of the style of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris in 1836.
Document 14: Jérusalem: Jérusalem is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, "I Lombardi alla prima crociata". It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, "La favorite". The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin (sets of Act I, Act II, scene 1, Act III scene 1, and Act IV), and Charles-Antoine Cambon and Joseph Thierry (sets for Act II, scene 2 and Act III, scene 2).
Document 15: Richard Strauss: Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
ground_truth: opera