Question: What record label is The Creation of the Universe's performer a part of?

full_context: Document 1: The Definitive Collection (Lou Reed album): The Definitive Collection is Arista's 1999 Lou Reed collection, complete with an appropriately decadent cover photo by Mick Rock from the mid-1970s.
Document 2: Lulu (Lou Reed and Metallica album): Lulu is a collaboration album between rock singer-songwriter Lou Reed and heavy metal band Metallica. It was released on October 31, 2011 by Warner Bros. in the U.S. and Vertigo elsewhere. The album is the final full-length studio recording project that Reed was involved in before his death in October 2013. It was recorded in San Rafael, California, during April through June 2011, after Reed had played with Metallica at the Rock and Roll Hall of Fame's 25th Anniversary Concert which led to them wanting to collaborate. The lead single, titled "The View", was released on September 27, 2011.
Document 3: Ecstasy (Lou Reed album): Ecstasy is the eighteenth solo studio album by American musician Lou Reed, released in 2000. It is a concept album about Reed's personal experiences with marriage and relationships and is his final rock album that is not a collaboration.
Document 4: The Man Who Sold the World: "The Man Who Sold the World" is a song written and performed by David Bowie. It is the title track of his third album, which was released in the US in November 1970 and in the UK in April 1971. The song has been covered by a number of other artists, notably by Lulu, who had a UK No. 3 hit with her version in 1974, and Nirvana, whose 1993 performance of the song for the television program "MTV Unplugged" introduced it to a new audience.
Document 5: The Velvet Underground: The Velvet Underground was an American rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's "Exploding Plastic Inevitable" events from 1966 to 1967. Their debut album, "The Velvet Underground & Nico" (with German-born singer and model Nico), was released in 1967 to critical indifference and poor sales but has become critically acclaimed; in 2003, "Rolling Stone" called it the "most prophetic rock album ever made."
Document 6: The Creation of the Universe: The Creation of the Universe is an album by Lou Reed's Metal Machine Trio. The trio was formed in 2008 with Ulrich Krieger and Sarth Calhoun to play music inspired by Reed's 1975 album "Metal Machine Music". The first concerts of the group were on October 2 and 3, 2008, at REDCAT in Los Angeles. The group was named Metal Machine Trio only after these concerts. The concert itself was announced as Lou Reed and Ulrich Krieger: Unclassified. The CD is the unedited live recording of both nights. It is available in a variety of formats from Lou Reed's website including, MP3, FLAC, 2 Disk CD and Deluxe CD. Cover and inlay photos are by Lou Reed.
Document 7: Music for 18 Musicians: Music for 18 Musicians is a work of musical minimalism composed by Steve Reich during 1974–1976. Its world premiere was on April 24, 1976, at The Town Hall in New York City. Following this, a recording of the piece was released by ECM New Series in 1978.
Document 8: Octet/Music for a Large Ensemble/Violin Phase: The album consists of commissioned works by Steve Reich. "Music for a Large Ensemble" was commissioned by the Holland Festival, "Violin Phase" was an earlier work that dealt with repetition.
Document 9: Metallica: This Monster Lives: The book follows the emotional roller-coaster both he and his film partner Bruce Sinofsky and the band Metallica went through during the creation film. The book takes in the time from Berlinger and Sinofsky's first meeting with Metallica in 1999 to the 2003 Summer Sanitarium Tour. Berlinger and Sinofsky's relationship was at an all time low, exacerbated by Berlinger's decision to direct the disastrous sequel to the Blair Witch. At the start of filming the relationship between the band members, especially between vocalist James Hetfield and drummer Lars Ulrich, is in a similarly perilous position after bassist Jason Newsted quit the band and long standing grudges between the remaining members threaten to escalate past the point of no return.
Document 10: Post-punk: In Germany, groups such as Einstürzende Neubauten developed a unique style of industrial music, utilizing avant-garde noise, homemade instruments and found objects. Members of that group would later go on to collaborate with members of the Birthday Party. In Brazil, the post-punk scene grew after the generation of Brasilia rock with bands such as Legião Urbana, Capital Inicial and Plebe Rude and then the opening of the music club Madame Satã in São Paulo, with acts like Cabine C, Titãs, Patife Band, Fellini and Mercenárias, as documented on compilations like The Sexual Life of the Savages and the Não Wave/Não São Paulo series, released in the UK, Germany and Brazil, respectively.[citation needed]
Document 11: The Last Album: The Last Album was the last studio album Albert Ayler recorded before his death in 1970. The album was released posthumously (hence the title) in 1971 on Impulse! Records. The album consists of outtakes from the sessions for "Music Is the Healing Force of the Universe". The album was recorded August 26-29, 1969 at Plaza Sound Studios in New York City.
Document 12: Electric Universe: Electric Universe is a psychedelic trance project from Germany formed by Boris Blenn and Michael Dressler in 1991. Their first EP release, "Solar Energy" was an instant hit with the underground trance scene and is often credited with putting the Spirit Zone Recordings label at the forefront of psychedelic trance early on. According to The Sofia Echo, they were "hailed in the 1990s as one of the top psychedelic trance projects to come out of Germany".
Document 13: Kollaps: Kollaps was the first official LP by Einstürzende Neubauten, released in 1981 on German label ZickZack as #ZZ 65. The songs are a mixture of rough punk tunes and industrial noises. The industrial noises were obtained from self-made music machines, electronics, and found objects such as metal plates. The album was reissued in 2002 with "Stahldubversions", originally released in 1982. Blixa Bargeld, N.U. Unruh and F.M. Einheit appear on the album. "Jet'M" is a cover of the Serge Gainsbourg song "Je t'aime... moi non plus". The track 15 of many CD versions of the album is a live version of "Negativ Nein", recorded on 26 June 1987 at the Tempodrom in Berlin.
Document 14: The Man Who Sold the World: ``The Man Who Sold the World ''is a song written and performed by David Bowie. It is the title track of his third album, with the same name, which was released in the US in November 1970 and in the UK in April 1971. The song has been covered by a number of other artists, notably by Lulu, who had a UK No. 3 hit with her version in 1974, and Nirvana, whose 1993 performance of the song for the television program MTV Unplugged introduced it to a new audience.
Document 15: In Through the Out Door: In Through the Out Door is the eighth and final studio album by the English rock band Led Zeppelin. It was recorded over a three-week period in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by Swan Song Records on 15 August 1979. In 1980, the band's drummer John Bonham died, and they disbanded soon after.
ground_truth: Warner Bros.
sub_queries: The Creation of the Universe >> performer Answer: Lou Reed
Lou Reed >> record label Answer: Warner Bros.