Question: What "spoken singing" style did Carl Hancock Rux use in his debut album "Rux Revue"?

full_context: Document 1: Sargam (music): Sargam refers to singing the notes instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions. As an example, one could sing PmRSnSRRSRnSPnmPgmnnPmgmRSnS in raga Adana, given that raga's vadi-samvadi and the rules of the raga (see "swara" for explanation of the notes).
Document 2: Good Bread Alley: Good Bread Alley is the third studio album of Carl Hancock Rux. Titled after a close-knit historically African American district of shotgun houses that once occupied a segregated neighborhood in Miami, Florida, the cd was released by Thirsty Ear Music, produced by Carl Hancock Rux with songwriting and co-songwriting credits from Geoff Barrow, Vinicius Cantuária, David Holmes, Rob Hyman, Stewart Lerman, Darren Morris, Phil Mossman, Vernon Reid, Tim Saul, Jaco Van Schalkwyk, and Bill Withers. The cd tackles religion, sexual politics, war and media overload, in the tradition of Marvin Gaye and Donny Hathaway, employing supersaturated, open-ended soul music with bluesy vamps, touches of minimalism, and slide-guitar licks providing a rich backdrop for Rux's sardonic baritone, achieving a pop-gospel synthesis.
Document 3: Voice type: A voice type is a particular human singing voice identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points ("passaggio"), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German "Fach" system and the choral music system among many others; no system is universally applied or accepted.
Document 4: Mixed (album): Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on "Into the Hot" (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as "Everywhere" (1966). Essentially these are the three Cecil Taylor tracks form the "Gil Evans album" (i.e. Evans was not meaningfully involved but Impulse had printed the album covers) teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Document 5: Fo Deuk Revue: Fo Deuk Revue is an album by David Murray released on the Justin Time label. Recorded in 1996 and released in 1997 the album features performances by Murray with Darryl Burgee, Ousseynou Diop, Assane Diop, Craig Harris, Robert Irving III, Abdou Karim Mané, Oumar Mboup, Hugh Ragin, Doudou N'Diaye Rose, Moussa Séné, El Hadji Gniancou Sembène and Jamaaladeen Tacuma. The album features a wide array of vocalists including Amiri Baraka, Amiri Baraka Jr., Didier Awadi and Amadou Barry from Positive Black Soul, Tidiane Gaye, Hamet Maal and Junior Soul.
Document 6: Vocal weight: Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music. Lighter voices are often associated with the term "lyric" and are usually brighter and more agile; heavier voices are often associated with the term "dramatic" and are usually powerful, rich, and darker. Other voice types like the spinto have a more medium vocal weight. Vocal weight can also affect overall vocal agility; heavier voices often have more difficulty maneuvering through florid coloratura passages than their lighter counterparts, as their weight and power compromises agility. Likewise, dramatic roles are often written with larger orchestras in mind as dramatic voices can carry more easily over larger ensembles.
Document 7: Modal voice: Modal voice is the vocal register used most frequently in speech and singing in most languages. It is also the term used in linguistics for the most common phonation of vowels. The term "modal" refers to the resonant mode of vocal cords; that is, the optimal combination of airflow and glottal tension that yields maximum vibration.
Document 8: Sprechgesang: Sprechgesang (] , "spoken singing") and Sprechstimme (] , "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, "Sprechgesang" is directly related to the operatic "recitative" manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas "Sprechstimme" is closer to speech itself (because it does not emphasise any particular pitches).
Document 9: Arioso: In classical music, arioso ] (also aria parlante ] ) is a type of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means "airy". The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato.
Document 10: Fast Speaking Music: Fast Speaking Music is a label founded by poet Anne Waldman and Ambrose Bye, in New York City. Releases by Fast Speaking Music have prominently featured jazz, the literary, and performance art. Its recordings have been made featuring poets, musicians, and interdisciplinary artists such as Anne Waldman, Amiri Baraka, Clark Coolidge, Meredith Monk, Akilah Oliver, Thurston Moore, Thomas Sayers Ellis, and many others. Variously associated with contemporary poetry, Conceptual Poetics and Conceptual Art, the Beat Generation, New York School, Black Arts Movement, New American Poetry, Nuyorican Poetry, Abstraction, Dematerialized Art, rock & roll, jazz, and experimental music and cinema, artists in the Fast Speaking Music catalog have roots that stretch across a broad spectrum of disciplines and art practices ranging from letters to music, dance, film and visual arts. Musicians featured on the label include Daniel Carter, Ha-Yang Kim, Devin Brahja Waldman, Max Davies, and Thurston Moore.
Document 11: Rux Revue: Rux Revue is the debut album by Carl Hancock Rux, released by Sony 550 Music which operated through Sony Music's Epic Records division. The album was produced in Los Angeles by the Dust Brothers;Tom Rothrock and Rob Schnapf; featuring drummers Joey Waronker (formerly of R.E.M.) and James Gadson; bassists Atom Ellis (of Link Wray/The New Cars) and Carol Kaye; keyboardist James Hall, bass guitarist Wah-Wah Watson and additional keyboard, Keyboard, Piano and Melodica by Money Mark The album mixes soul, gospel, blues, rock, classical and hip-hop into a collage of machine samples, drum machines, live instrumentation and sound effects, incorporating a gospel influenced Sprechgesang and Vocalese style reliant upon African American alliteration, consonance and assonance while abstaining from the common techniques of poetic monologue popular in spoken word and slam poetry.
Document 12: Apothecary Rx: Apothecary Rx is the second studio album by Carl Hancock Rux, produced by Rob Hyman (of "The Hooters") and Stewart Lerman. The album also features singer Stephanie McKay and contributions from jazz violinist Leroy Jenkins and singer-songwriter Marc Anthony Thompson (of "Chocolate Genius"). The album was selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 albums including 1954's Lady Sings The Blues by Billie Holiday, the work of Jazz artists Oliver Nelson, Max Roach, John Coltrane; rhythm and blues artists Otis Redding, Ike & Tina Turner, Curtis Mayfield, George Clinton; as well as individual impressions of Fela Kuti, Jimi Hendrix, and Mos Def.
Document 13: Pagan Operetta: Pagan Operetta (1998) is a collection of poetry and experimental prose by Carl Hancock Rux, his first poetry collection. It won the 1999 Village Voice Literary Prize. Rux subsequently adapted one section for stage performance, initially also under the title "Pagan Operetta", later as "The No Black Male Show".
Document 14: Recitative: Recitative ( , also known by its Italian name "recitativo" (] )) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition.
Document 15: Carl Hancock Rux: Carl Hancock Rux is an American poet, playwright, novelist, essayist, actor, director, singer/ songwriter. He is the author of several books including the Village Voice Literary Prize winning, "Pagan Operetta" , the novel "Asphalt" (novel) and the OBIE award-winning play "Talk". Rux is also a singer/songwriter with four CDs to his credit, as well as a frequent collaborator in the fields of dance, theater, film, and contemporary art . Notable collaborators include Nona Hendryx, Toshi Reagon, Bill T. Jones, Ronald K. Brown, Nick Cave, Anne Bogart, Robert Wilson, Kenny Leon, Ruben Santiago-Hudson, Jonathan Demme, Stanley Nelson Jr., Carrie Mae Weems, Glenn Ligon and others. He is the recipient of numerous awards including the Doris Duke Awards for New Works, the Doris Duke Charitable Fund, the New York Foundation for the Arts Prize, the Bessie Awards and the Alpert Award in the Arts.His archives are housed at the Billy Rose Theater Division of the New York Public Library, the Archives of American Art, Smithsonian Institution as well as the Film and Video/Theater and Dance Library of the California Institute of the Arts.
ground_truth: Sprechgesang