Question: What was the name of the house where the musician on Olé Coltrane was living?

full_context: Document 1: Black Pearls: Black Pearls is an album credited to jazz musician John Coltrane, released in 1964 on Prestige Records, catalogue 7316. It is assembled from the results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.
Document 2: Ascension (John Coltrane album): Ascension is a jazz album by John Coltrane recorded in 1965 and released in 1966. It is often considered to be a cornerstone of Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. Coltrane described "Ascension" in a radio interview as a "big band thing", although it resembles no big band recording made before it. The most obvious antecedent is Ornette Coleman's octet (or "double quartet") recording, "", which—like "Ascension"—is a continuous 40-minute performance with ensemble passages and without breaks. Jazz musician Dave Liebman, commenting on "Ascension", recalled that the album was the "torch that lit the free jazz thing".
Document 3: Olé Coltrane: Olé Coltrane is the ninth album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1373. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
Document 4: Stereo Drive: Stereo Drive is an album by jazz musician Cecil Taylor featuring John Coltrane, released in 1959 on United Artists Records, catalogue UAS 5014. The mono edition was issued as UAL 4014 with the title "Hard Driving Jazz", and later reissued under Coltrane's name in 1963 as "Coltrane Time" (UAJS 15001). Compact disc reissues appeared on the Blue Note Records label credited to Coltrane. It is the only known recording featuring both Coltrane and Taylor.
Document 5: John Coltrane and Johnny Hartman: John Coltrane and Johnny Hartman is a 1963 studio album featuring John Coltrane and Johnny Hartman. It was inducted into the Grammy Hall of Fame in 2013.
Document 6: Africa/Brass: Africa/Brass is the eighth studio album by jazz musician John Coltrane, released in 1961 on Impulse! Records, catalogue A-6. The sixth release for the fledgling label and Coltrane's first for Impulse!, it features Coltrane's working quartet augmented by a larger ensemble to bring the total number of participating musicians to 21. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date.
Document 7: Soultrane: Soultrane is the fourth studio album by jazz musician John Coltrane, released in 1958 on Prestige Records, catalogue 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, three days after a Columbia Records session for Miles Davis and the "Milestones" album.
Document 8: Jazz Way Out: Jazz Way Out is an album by jazz musicians John Coltrane and Wilbur Harden, the second of the three 1958 Savoy recordings made by Coltrane and Harden together. The session also produced an alternate take of "Dial Africa", which can be found on some compilations, most notably the ones featuring the complete Savoy recordings made by Harden and Coltrane together, "The Complete Mainstream 1958 Sessions" (2009) and "The Complete Savoy Sessions" (1999).
Document 9: Down Home New York: Down Home New York is an album by the American jazz saxophonist Archie Shepp recorded in 1984 and released on the Italian Soul Note label.
Document 10: The Last Trane: The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.
Document 11: Settin' the Pace: Settin' the Pace is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7213. It is assembled from unissued results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by the Red Garland Trio with Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the "Tenor Conclave" recordings in September 1956. As a quartet they had already recorded two albums for Prestige, "John Coltrane with the Red Garland Trio" and "Soultrane". The material the quartet recorded on this session were extended interpretations of three popular songs not played by jazz musicians before, and "Little Melonae", a classic bebop tune written by Jackie McLean.
Document 12: John Coltrane Home: The John Coltrane Home is a house in the Dix Hills neighborhood of Huntington, Suffolk County, New York, where saxophonist John Coltrane lived from 1964 until his death in 1967. It was in this home that he composed "A Love Supreme".
Document 13: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 14: Standard Coltrane: Standard Coltrane is an album credited to jazz musician John Coltrane, released in 1962 on Prestige Records, catalogue 7243. It is assembled from unissued results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey, in 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.
Document 15: First Meditations (for quartet): First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965 and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as "Meditations" two months later with the additions of Pharoah Sanders as a second tenor saxophone and Rashied Ali on drums. Along with "Sun Ship", recorded a week earlier, "First Meditations" represents the final recordings of Coltrane's classic quartet featuring bassist Jimmy Garrison, drummer Elvin Jones and pianist McCoy Tyner. The "Meditations" suite on this album consists of five movements, and is similar in musical character to the individual pieces on "Sun Ship". "Love" and "Serenity" are both free-form pieces with no fixed tempo or chord progression in the traditional jazz sense. "Consequences" is a high-intensity, up tempo piece that closely resembles the title track from "Sun Ship", with a theme consisting only of a brief, repetitive staccato phrase, and with an "extreme" solo from Coltrane featuring altissimo-register playing and multiphonics.
ground_truth: John Coltrane Home
sub_queries: Which performer released Olé Coltrane? Answer: John Coltrane
John Coltrane >> residence Answer: John Coltrane Home