Question: Of which two forms of literature could the work Raghuvansham be classified under?

full_context: Document 1: Ramayana Ballet: The Ramayana Ballet is a visualization of the epic Ramayana saga originally written by Valmiki in the Sanskrit language, Ramayana Ballet show that combines dance and drama without dialogue. The performance combines traditional Javanese dance, drama, and music. In Indonesia, Ramayana ballet regularly performed in many places, such as: at the Hindu temple Prambanan, also known as Prambanan Ramayana Ballet; Purawisata Ramayana Ballet, at Purawisata; and Hyatt Hotel.
Document 2: Karnabharam: Karnabharam or "The Anguish of Karna" (literally: "The Burden of Karna") is a Sanskrit one-act play written by the Indian dramatist Bhasa, an Indian playwright complimented even by the famous Kalidasa in the beginning of his play Malavikagnimitram . The play describes the mental pain of Karna on the previous day of the Kurukshetra War. Karnabharam is essentially the retelling of an episode of the Indian epic Mahabharata but the story is presented in a different perspective in the play. It is perhaps the only potential tragedy in the classic Sanskrit literature, presented in a form that comes closest to the "Vyayoga" (Sanskrit: व्यायोग) form of one-act play. That is so perhaps because the Natya Shastra ordains the playwrights to create plays for recreation, and essentially create happy endings . In Karnabharam, the tragedy does not occur on-stage (Unlike Urubhanga, a tragedy that shows Duryodhana dying - again, written by Bhasa). Karnabharam shows the valiant, generous, righteous Karna riding out towards the battle-ground, where his death under heart-wrenching circumstances is certain. The basic plot of this play is inspired by Mahabharata.
Document 3: Suhaldev: Suhaldev is a semi-legendary Indian king from Shravasti, who is said to have defeated and killed the Ghaznavid general Ghazi Saiyyad Salar Masud in the early 11th century. He is mentioned in "Mirat-i-Masudi", a 17th-century Persian-language historical romance. Since the 20th century, various Hindu nationalist groups have characterized him as a Hindu king who defeated a Muslim invader.
Document 4: Kaviratna Kalidasa: Kaviratna Kalidasa (Kannada: ಕವಿರತ್ನ ಕಾಳಿದಾಸ ) is a 1983 Kannada historical drama film based on the life of Kalidasa, a renowned Classical Sanskrit writer of 4th Century A.D., whose name was extremely popular across Indian sub-continent. The film was written and directed by Renuka Sharma and produced by V. S. Govinda. The film starred Rajkumar, portraying the title role of Kalidasa, along with Jaya Pradha in the role of Vidyadhare and Srinivasa Murthy as Raja Bhoja. The movie is based on the legends of the poet Kālidāsa.
Document 5: Anangabhima III: Anangabhima Deva III (Odia: ତୃତୀୟ ଅନଙ୍ଗଭୀମ ଦେବ) was a powerful ruler and reformist of the Eastern Ganga Dynasty that ruled an early medieval Odisha centered empire in eastern India from the year 1211-1238 A.D. He was successful in maintaining a large extent of territory that stretched from the river Ganga in the north to Godavari in the South. He had successfully defeated the Kalachuris on the western frontiers of the empire and established a matrimonial alliance with them. His brother or brother in law, Rajaraja II became the ruler of the Dynasty in 1198, and was overrun by the Muslims of Bengal, who invaded Odisha in 1206. When Anangabhima III came into power, he expelled the Muslims of Bengal from his kingdom. He had a son, Narasimha Deva I, who would later invade Bengal in 1243, and captured the capital city, Gauda. He was a reformist in the social and spiritual structure of the Odia society as the vaishnavite deity Jagannath was declared as the supreme ruler of the empire and the emperor as the deputy under him.
Document 6: Kalinga II: Kalinga II (Odia: ଦ୍ବିତୀୟ କଳିଙ୍ଗ) was a powerful monarch and possibly an emperor from around the speculated era towards the end of 7th Century B.C.E. He was the son of Chullakalinga, the youngest son of Kalinga I who had married a virtuous princess from Sagala (Madra) . Kalinga II ascended the throne of the ancient state of Kalinga after the death of his paternal uncle Mahakalinga. Kalinga II finds mention in early Buddhist Jataka records of Chullakalinga Jataka (named after his father) and Kalingabodhi Jataka. He had spent most of his young life in the forests of Himavat where his father lived in exile. Trained with qualities of a king by his father and maternal grandfather, he was asked by Chullakalinga to go back to take the charge of his ancestral kingdom.
Document 7: Kalidas Samman: The Kalidas Samman (Hindi: कालिदास सम्मान ) is a prestigious arts award presented annually by the government of Madhya Pradesh in India. The award is named after Kālidāsa, a renowned Classical Sanskrit writer of ancient India. The Kalidas Samman was first awarded in 1980. It was initially conferred in alternate years in the fields of Classical Music, Classical Dance, Theatre and Plastic Arts. From 1986-87 onwards, the awards were presented in all four fields every year. The award is presented for outstanding achievement in one of the four categories.
Document 8: Jayadeva: Jayadeva (] , b.  1170 CE ), also known as Jaidev, was a Sanskrit poet during the 12th century. He is most known for his epic poem "Gita Govinda" which concentrates on Krishna's love with the cowherdess, Radha in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism.
Document 9: Hemangada: Hemangada (Odia: ହେମଙ୍ଗଦ) was a powerful 4th century C.E.warrior king of the ancient Indian Kingdom of Kalinga (Odisha) who finds elaborate mention in the sixth chapter of Kalidasa's classical Sanskrit literary work, Raghuvansham. According to Kalidasa, Hemangada was present at the Swayamvara of the princess Indumati of Vidarbha as an participant while Sunanda, the counsel of the princess describes his glorious achievements, strength and his kingdom to her. Only besides the mention of Hemangada there are no details about his lineage or the dynasty he belonged to. He could be placed as a vassal of the Gupta rule in Kalinga those days but didn't either belong to the Vindhyatabi Naga or Nala rulers who were prominent or declining in other parts of ancient Tri-Kalinga region in that era.
Document 10: History of Kalahandi: The history of Kalahandi goes back to the primitive period where a well-civilized, urbanized, and cultured people inhabited this land mass around 2000 years ago. The world's largest celt of Stone Age and the largest cemetery of the megalithic age have been discovered in Kalahandi. This shows the region had a civilized culture since the pre-historic era. Asurgarh near Narla in Kalahandi was one of the oldest metropolises in Odisha whereas the other one was Sisupalgarh near Bhubaneswar. Some other historical forts in the region includes Budhigarh (ancient period), Amthagarh (ancient period), Belkhandi (ancient to medieval period) and Dadpur-Jajjaldeypur (medieval period). This land was unconquered by the great Ashoka, who fought the great Kalinga War, as per Ashokan record. In medieval period the region had played a prominent role to link South India, Eastern India and Central India region and witnessed the battle ground for Somavamsi, Chola, Kalachuris of Kalyani and Eastern Ganga dynasty. Kalahandi region was the main route for Chola to attack Subarnapur.
Document 11: Ananga Ranga: The Ananga Ranga (अनंगरंग "Stage of Love") or Kamaledhiplava (कमलेधिप्लव "Boat in the Sea of Love") is an Indian sex manual written by Kalyana malla in the 15th or 16th century. The poet wrote the work in honor of Lad Khan, son of Ahmed Khan Lodi. He was related to the Lodi dynasty, which from 1451 to 1526 ruled from Delhi. Later commentators have said it is aimed specifically at preventing the separation of a husband and wife. This work is often compared to the "Kama Sutra", on which it draws.
Document 12: Kālidāsa: Kālidāsa was a Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language. His plays and poetry are primarily based on the Indian Puranas.
Document 13: Adikavi Pampa: Pampa (Kannada: ಪಂಪ , 10th century), called by the honorific Ādikavi (ಆದಿಕವಿ "First Poet") was a Kannada poet whose works reflected his philosophical beliefs. A court poet of Chalukya King Arikesari II, a feudatory of the Rashtrakuta dynasty king Krishna III, he is most known for his epics "Vikramārjuna Vijaya" or "Pampa Bharata", and the "Ādi purāṇa", both written in the "champu" style around c.939. These works served as the model for all future "champu" works in Kannada.
Document 14: Krishna III: Krishna III whose Kannada name was Kannara (r. 939 – 967 C.E.) was the last great warrior and able monarch of the Rashtrakuta Dynasty of Manyakheta. He was a shrewd administrator and skillful military campaigner. He waged many wars to bring back the glory of the Rashtrakutas and played an important role in rebuilding the Rashtrakuta empire. He patronised the famous Kannada poets Sri Ponna, who wrote "Shanti purana", Gajankusha, also known as Narayana, who wrote on erotics, and the Apabhramsha poet Pushpadanta who wrote "Mahapurana" and other works. His queen was a Chedi princess and his daughter Bijjabbe was married to a Western Ganga prince. During his rule he held titles such as "Akalavarsha", "Maharajadhiraja", "Parameshvara", "Paramamaheshvara", "Shri Prithvivallabha" etc. At his peak, he ruled a vast empire stretching from the Narmada river in the north to the Kaveri river delta in the south. A copper grant of 993 issued by the Shilahara king of Thana claims the Rashtrakuta control extended from the Himalayas in the north to Ceylon in the south and from the eastern sea to the western seas. The grant states that when King Krishna III mobilised his armies, the kings of Chola, Bengal, Kannauj, Andhra and Pandya regions used to quiver.
Document 15: King Romapada: Romapada or Chitraratha was the youngest son King Vidarbha of Yadava and an adopted son of King Dharmaratha of Anga. King Vidarbha had many sons but his friend King Dharmaratha had no son and so King Dharmaratha adopted his friend King Vidarbha's youngest son Romapada. When King Vidarbha became old made Vidarbha Kingdom and made Kratha as the next Yadava ruler and made his second son Bhima as the ruler of Vidarbha and went to forest. King Dharmarata named his adopted son as Chitraratha and also that people called him Romapada. When King Dharmaratha grew old , He decided to make Romapada as the ruler of Anga.
ground_truth: plays and poetry