Question: An example of a snare rush that is in the last 18 seconds of the song "Ghetto Body Buddy" by who?

full_context: Document 1: Mikroton Recordings: Mikroton Recordings is an independent record label for free improvisation, mostly its electroacoustic direction, founded by the artist and producer Kurt Liedwart and based in Moscow, Russia. Mikroton works with improvisers who used to be active in the field of electroacoustic improvisation like percussionist Günter Müller, laptop improviser , percussionist Jason Kahn, guitarist Keith Rowe, turntablists Dieb13 and eRikm, clarinettist Kai Fagaschinski, homemade electronics performer , guitarist Burkhard Stangl and others. It usually published electroacoustic, electronic and mixed works, trying to research a land between electronic and acoustic fields, pairing unorthodox instruments and materials. The label released two seminal compilation recordings for Austrian electroacoustic, experimental and improv group of artists known as klingt.org and Berlin Echtzeitmusik scene. Mikroton Recordings also hosts concerts in Moscow and St. Petersburg and runs Teni Zvuka festival.
Document 2: Scratching: Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique used to produce distinctive percussive or rhythmic sounds and sound effects by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with hip hop music, where it emerged in the mid-1970s, it has been used in the 1990s and 2000s in some styles of rap rock, rap metal and nu metal. Within hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association, formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs.
Document 3: Electronic drum: An electronic drum, also known as digital drums or digital percussion, is a modern electronic musical instrument, a special type of synthesizer or sampler, primarily designed to serve as an alternative to an acoustic drum kit or other percussion instruments. An electronic drum consists of an electronic or digital sound module which produces the synthesized or sampled percussion sounds and one or more electric sensors to trigger the sounds. Like regular drums, the sensors are struck by drum sticks or by the hands (depending on the type of drum pad) and they are played in a similar manner as an acoustic drum kit.
Document 4: Mad Decent: Mad Decent is a Philadelphia via Los Angeles-based American record label spearheaded by Diplo. The label has helped introduce Brazilian baile funk and Angolan kuduro to clubs around the world. Recently, it has popularized moombahton, a genre of electronic dance music created by DJ Dave Nada. The genre on the label was mostly popularized by Dillon Francis after collaborating with Diplo on Francis's 2012 track "Que Que". The label is also known for its series of concerts in major cities known as the Mad Decent Block Party.
Document 5: Drut: Drut (द्रुत; also called drut laya) is the concluding section, in fast tempo (or "laya"), between 160 and 320 beats per minute, of the performance of a vocal raga in Hindustani classical music.
Document 6: Venetian Snares: Aaron Funk (born January 11, 1975), known as Venetian Snares, is a Canadian electronic musician based in Winnipeg. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed into Planet Mu, an experimental electronic music label. His signature style involves meticulously complex melodies, eclectic use of samples, and odd time signatures, particularly .
Document 7: Phace: Phace (real name Florian Harres, also known as Neosignal, born March 7) is a German music producer, DJ and label owner living in Hamburg, Germany. He produces a wide variety of music including drum and bass, electronica, techno, house and halftempo. He co-owns two record labels: Neosignal and Neodigital Recordings, and has released on several other labels including Skrillex's OWSLA, deadmau5's mau5trap, Noisia's Vison and Division and has performed at international music festivals such as EDC, Beyond Wonderland, Let it Roll, UAF, Dour etc. Phace is one of the pioneering and progressive electronic music producers of Neurofunk (also known more informally as just neuro), which is a subgenre of Drum and Bass as a progression of techstep. Phace is also one half of the German electronic band project Neosignal (together with Michael Bräuninger/Misanthrop). At the start of his career in 2006 he was voted Germany's "Best Drum and Bass DJ & Producers" at the Future Music Awards. His debut album PSYCHO, released in 2007 on Teebee’s Subtitles Music imprint, was voted Album of the Month in the British Mixmag Magazine. To the present he released 4 full length studio albums which all topped the Beatport Music Charts.
Document 8: Munchi (DJ): Rajiv Münch (born July 29, 1989), better known by his stage name Munchi, is a Dutch producer and DJ of Dominican descent, born and raised in Rotterdam, Netherlands. He is credited to have made "the first truly original work" for moombahton, taking "the sound to the next level" and being the originator of moombahcore. Even though Munchi is credited mainly for moombahton, it was his versatility and unique production style that brought him into public attention. Notably producing a wide selection of genres and incorporating these elements in his music. This is best represented in the "Murda Sound" debut on T&A Records, consisting of a wide variety of genres doing Munchi's versatility justice. In December 2010 Munchi was featured with 3 tracks on M.I.A.'s "Vicki Leekx" mixtape, and in July 2012 on Azealia Banks' "Fantasea" mixtape, with the track "Esta Noche."
Document 9: Digital hardcore: Digital hardcore is a music genre that fuses hardcore punk and industrial rock with electronic music such as hardcore techno, breakcore and drum and bass. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or far-left lyrical themes.
Document 10: Snare rush: Snare rush is a term often used in electro culture to refer to impossibly fast rolls. A snare rush can vary in tempo considerably, from 16th notes even to 2048th notes. At that sort of speed, the effect is a buzzing sound, but with a detectable pitch, so some artists vary the repeat rate, and can even play a tune. One example of this would be the last 18 seconds of "Ghetto Body Buddy" by Venetian Snares, where the theme from "Sesame Street" is played using only extremely fast snare rushes. The defining characteristic of a snare rush, as opposed to a roll, is the sheer virtuosity it would take for a physical drummer to play a successful one. As such, almost all snare rushes are computer programmed and can be used with bass drums, tom-toms, and cymbals to intensify the effect. They are often used as fills, alongside complex programmed breakbeats. Snare rushes are also often run through analog or dsp effects together with variations in volume, such as a filters or pitch shifting. They are common in trance music, hard techno, gabber music, oldschool jungle, IDM, drill 'n bass, breakcore and glitch music.
Document 11: Trance music: Trance is a genre of electronic music that developed during the early 1990s, in Germany. It is characterized by a tempo lying between 125 and 150 beats per minute (BPM), repeating melodic phrases, and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops." Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient, and film music.
Document 12: Funk: Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
Document 13: Amon Tobin: Amon Adonai Santos de Araújo Tobin (born February 7, 1972), known as Amon Tobin, is a Brazilian musician, composer and producer of electronic music. He is noted for his unusual methodology in sound design and music production. He has released seven major studio albums under the London-based Ninja Tune record label.
Document 14: Stutter edit: The stutter edit is an audio software VST plugin, implementing forms of granular synthesis, sample retrigger, and various effects to create a certain audible manipulation of the sound run through it, in which fragments of audio are repeated in rhythmic intervals. "In plain English, a stutter edit contains a single segment of audio repeated a number of times, giving a performance a decidedly digital flavor." Stutter edits not only occur as the common 16th note repetition, but also as 64th notes and beyond. Stutter edits can go beyond 2,048th notes and can be measured in milliseconds. Above a certain point, these repetitions transition from rhythmic to tonal frequencies, making musical notes out of the repeated audio. These extremely short, fast groups of notes are often placed into the spacing of an eighth or sixteenth note in an otherwise “normal” bar, creating rhythmic accenting and patterns that call attention to a particular section. These patterns can be placed at the beginning of a bar, or towards the end for a more syncopated sound. One example is in the second verse of "Drop It Like It's Hot", Snoop mentions a DJ followed by a stutter edit and turntable scratch in reply.
Document 15: Vektroid: Ramona Andra Xavier (born August 19, 1992, known by her primary alias Vektroid) is an American electronic musician from Portland, Oregon. She has released music under her primary Vektroid alias, as well as others, such as dstnt, Laserdisc Visions, New Dreams Ltd., Macintosh Plus, Virtual Information Desk, and PrismCorp Virtual Enterprises. Xavier played a prominent role in the popularization of the vaporwave subgenre with the release of her only studio album under her Macintosh Plus alias, "Floral Shoppe", in 2011. The album helped popularize the vaporwave genre throughout the Internet. Since then, she has continued to release music through Bandcamp and other online platforms, and has recently collaborated with rapper Siddiq on two albums, "Midnight Run" and "Palacio Del Rio" (both from 2016).
ground_truth: Venetian Snares