Question: When was the band Nick Rhodes was a member of established?

full_context: Document 1: Second British Invasion: During the Second British Invasion, established British acts such as Queen, David Bowie, Paul McCartney, Phil Collins, Rod Stewart and Elton John saw their popularity increase; a few acts that dated to the era of the original British Invasion, including George Harrison, Eddy Grant, The Hollies and The Moody Blues, had their last major hits in this time frame. Counting his work with Genesis, Collins had more top 40 hits on the Billboard Hot 100 chart during the 1980s than any other artist.
Document 2: Madonna (entertainer): Madonna's seventh studio album, Ray of Light, (1998) reflected a change in her image. She collaborated with electronica producer William Orbit and wanted to create a sound that could blend dance music with pop and British rock. American music critic Ann Powers explained that what Madonna searched for with Orbit "was a kind of a lushness that she wanted for this record. Techno and rave was happening in the 90's and had a lot of different forms. There was very experimental, more hard stuff like Aphex Twin. There was party stuff like Fatboy Slim. That's not what Madonna wanted for this. She wanted something more like a singer-songwriter, really. And William Orbit provided her with that."
Document 3: Post-punk: Artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synthpop style that drew more heavily from electronic and synthesizer music and benefited from the rise of MTV. Post-punk artists such as Scritti Politti's Green Gartside and Josef K's Paul Haig, previously engaged in avant-garde practices, turned away from these approaches and pursued mainstream styles and commercial success. These new developments, in which post-punk artists attempted to bring subversive ideas into the pop mainstream, began to be categorized under the marketing term new pop.
Document 4: Seven and the Ragged Tiger: Seven and the Ragged Tiger is the third studio album by English new wave band Duran Duran. It was released on 21 November 1983 by EMI. It was the band's first and only number one album on the UK Albums Chart, and would prove to be the last studio album for the band's most famous line-up until 2004's "Astronaut".
Document 5: Atwater Afternoon: Atwater Afternoon was a limited edition CD released by the band American Music Club and initially sold on the tour to promote their album "The Golden Age". Half of it was a recording of the band rehearsing songs for the tour and the other half was studio recordings of new songs. The initial run of 300 copies came with either blank covers or covers featuring pictures drawn by the band members. Once these had sold out, it was repressed in an edition of 1500 and sold from the band's web site. Two of the original songs on the album were written by members of the band other than Mark Eitzel. Neither has been released elsewhere. The name of the album relates to the area in Los Angeles where the recording took place.
Document 6: House music: In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market.
Document 7: Only After Dark (album): "Only After Dark" is a compilation album that was compiled by Nick Rhodes and John Taylor from Duran Duran, and recreates a night at Birmingham's Rum Runner nightclub, during the post punk days of the late 70s/early 80s when a new sound of glam/punk/electronica started to crystallize. The CD captures some of the discs that Nick spun when he was deejaying for £10 a night at the club and Duran Duran were the resident band. The inspiration for it came when in 2000 John and Nick spent hours selecting 50 tracks for a 4-hour radio broadcast entitled "A Night At The Rum Runner". The 18 track CD was released on 8 May 2006 and presented in a silver gatefold card sleeve in shocking pink metallic print featuring photographs taken from this period, first published in the book "Duran Duran Unseen" by Paul Edmond, the front cover photo being of fashion designer Patti Bell.
Document 8: Miami: This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
Document 9: List of UK Singles Chart number ones of the 1980s: American entertainer Madonna was the most successful act of the decade in terms of number - one singles. She had six number ones: ``Into the Groove ''(1985);`` Papa Do n't Preach'', ``True Blue ''(both 1986);`` La Isla Bonita'', ``Who's That Girl ''(both 1987); and`` Like a Prayer'' (1989). George Michael had significant involvement with seven number - one singles; he was also involved with Band Aid single ``Do They Know It's Christmas? ''but his contribution was less significant. He had two number - one singles as a solo artist, four as a member of pop duo Wham!, and one as a duet with Aretha Franklin. The following artists achieved three or more number - one hits during the 1980s.
Document 10: Hard rock: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).
Document 11: Duran Duran: Duran Duran () are an English new wave band formed in Birmingham in 1978. The band were one of the most successful acts of the 1980s, but by the end of the decade, membership and music style changes challenged the band before a resurgence in the early 1990s. The group were a leading band in the MTV-driven Second British Invasion of the US in the 1980s. They achieved 14 singles in the top 10 of the UK Singles Chart and 21 in the US "Billboard" Hot 100, and have sold over 100 million records worldwide.
Document 12: Post-punk: The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, often in favor of more commercial sounds. Many of these groups would continue recording as part of the new pop movement, with entryism becoming a popular concept. In the United States, driven by MTV and modern rock radio stations, a number of post-punk acts had an influence on or became part of the Second British Invasion of "New Music" there. Some shifted to a more commercial new wave sound (such as Gang of Four), while others were fixtures on American college radio and became early examples of alternative rock. Perhaps the most successful band to emerge from post-punk was U2, who combined elements of religious imagery together with political commentary into their often anthemic music.
Document 13: Another Late Night: Rae & Christian: It was released on 1 March 2001 on Late Night Tales in the UK and on Kinetic Records in the USA. It was the third in the Another Late Night / Late Night Tales series of DJ mixes, each CD being mixed by a different DJ or recording artist, including Zero 7, Groove Armada, Tommy Guerrero, The Flaming Lips and Jamiroquai.
Document 14: Hard rock: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.
Document 15: Purple Night: The album was the second in a short-term recording deal with major label A&M Records, who had a "Modern Masters Jazz Series" imprint going at the time. Sun Ra's profile had risen considerably in recent years, partially because of the support given to the master in interviews by avant-garde alternative rock band Sonic Youth around that time, who had both named him as an influence and opened shows for Ra and his Arkestra.
ground_truth: 1978
sub_queries: Nick Rhodes >> member of Answer: Duran Duran
When was Duran Duran established? Answer: 1978