Question: In what year did the man who released "Fare Forward Voyagers" die from surgical complications?

full_context: Document 1: Two Steps Forward, One Step Back: Two Steps Forward, One Step Back is the sixth album by Patrick Sky, released as SLIF 2000 on Leviathan Records, identified as "[a] division of Innisfree Inc." on the back sleeve. The sleeve notes and front cover title are a reproduction of Sky's own handwriting, notable especially for his misspelling the word "forward" as "foreward" [sic], though the standard spelling is found on the two sticker labels of the LP itself. The record is noteworthy also because it includes a piano-driven re-recording of Sky's signature song, "Many a Mile," and because of "My Friend Robert," later recorded by George Thorogood. Dedicated "[t]o the loving memory of Mississippi John Hurt," the album features not only a cover photo of the fingerpicking legend with Sky (who produced Hurt's Vanguard albums), but also covers of three John Hurt songs. Other highlights include a cover of Bascom Lamar Lunsford's "I Wish I Was a Mole In the Ground" (Lunsford's version is included in Harry Smith's "Anthology of American Folk Music)" and lighthearted rhinological commentary about David Bromberg in the Sky original "Lucky Me." The album also includes a performance of Sky playing "Lost James Whalen," featuring Sky's vocals as well as his playing of the uillean pipes.
Document 2: Reverend Gary Davis: Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. His fingerpicking guitar style influenced many other artists. His students include Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He influenced Bob Dylan, the Grateful Dead, Wizz Jones, Jorma Kaukonen, Keb' Mo', Ollabelle, Resurrection Band, and John Sebastian (of the Lovin' Spoonful).
Document 3: Guitars for Wounded Warriors: Guitars for Wounded Warriors is the sixth solo studio album by guitarist Brian Tarquin, released in August 2014 by Cleopatra Records. In 2016, it received a Best Compilation Album nomination by the Independent Music Awards. All tracks were recorded at Tarquin's Jungle Room Studios in New Paltz (village), New York. Being moved by the lack of support for returning veterans through his life Tarquin decided to compose a heavy instrumental rock album as a way to show his appreciation to all veterans. So once again he enlisted top notch players to guest with him on the album, Billy Sheehan on "Black Hawk", Ron "Bumblefoot" Thal and Reb Beach on "Taliban Terror", Steve Morse on "Freedom", Chris Poland on "Charlie Surfs" and "Hunting", Chuck Loeb on "Escape Kabul", Hal Lindes on "Sand & Blood", Gary Hoey on "5 Klicks To Hell" and "Baghdad", Alex De Rosso Dokken on "Broken Arrow", and The Flyin' Ryan Brothers on "Surgical Strike". The entire album was engineered, produced and composed by Tarquin especially for each one of the guest guitarists. Partial proceeds are donated to the Fisher House Foundation from sales.
Document 4: Johnny Joyce: John Joyce (1933–2004) was a legend on the British folk music scene. He dedicated his musical career to the twelve-string guitar. "Blues" was his first love and he appeared with such Blues greats as Howlin' Wolf, Jesse Fuller, Reverend Gary Davis, Sonny Terry, and Brownie McGhee. Throughout his long career he has also played/appeared with The Levee Breakers, Davy Graham, Bert Jansch, John Renbourn, Paul Simon, Roy Harper, Al Stewart, Sandy Denny, Strawbs, Velvet Opera, Ralph McTell, and Paul Brett. He was also highly regarded as one of the best guitar repairers in the United Kingdom. He designed the 'JJ' series and the best selling 'Sandpiper' range of guitars made by Aria.
Document 5: The Wayfaring Stranger (album): The Wayfaring Stranger (Asch 345) is an album consisting of three 10-inch, 78 rpm records by Burl Ives released on Asch in 1944. It should not be confused with Ives' 1944 album for Columbia Records (C-103) – also called "The Wayfaring Stranger" and itself a re-release of a 1941 album on Okeh Records – which contains different songs. The Asch album includes the first releases of two signature songs by Ives: "Poor Wayfaring Stranger" and "The Blue Tail Fly."
Document 6: Merle Travis: Merle Robert Travis (November 17, 1917 – October 20, 1983) was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky. His song's lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs are "Sixteen Tons," "Re-Enlistment Blues," "I am a Pilgrim," and "Dark as a Dungeon." However, it is his unique guitar style, still called Travis Picking by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. "Travis Picking" is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are simultaneously plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Document 7: Fare Forward Voyagers (Soldier's Choice): Fare Forward Voyagers (Soldier's Choice) (or simply, Fare Forward Voyagers) is an album by American fingerstyle guitarist and composer John Fahey, released in 1973. It contains three songs, one comprising a complete side of the original LP.
Document 8: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert
Document 9: George Cromarty: George Cromarty (September 15, 1941 – February 12, 1992) was an American folk guitarist and singer. He is best known as the co-writer, with Ed Rush, of the song "Plastic Jesus", though he went on to record three albums of solo guitar music in the 1970s and 1980s. The Folk Music Sourcebook likened his playing style to John Fahey's, and George Winston cites Cromarty as a musical influence. His music has been heard on the soundtracks of many films, including the Coen brothers' "Inside Llewyn Davis." The "Columbia record exec" in "Inside Llewyn Davis" was named "Mr. Cromarty" in honor of Cromarty.
Document 10: Schooner Fare: Schooner Fare is a Maine-based folk band, consisting of Steve Romanoff (vocals, six and twelve-string guitar, five-string banjo), Chuck Romanoff (vocals, twelve-string guitar, tenor banjo), and formerly Tom Rowe (vocals, bass guitar, tin whistle). Schooner Fare plays primarily original maritime, socially conscious, and traditional folk music. They play throughout Maine and North America, and their songs are played by radio stations and satellite radio worldwide.
Document 11: The Seventh Song: "The 7th Song, Enchanting Guitar Melodies (Archives Vol. 1)" is a 2000 album by guitarist Steve Vai. It is his first compilation album, but unlike a standard "greatest hits" or "best of" album, all of the songs on it (save for the three new tracks and the hidden track) can be found on one of Vai's previous albums as the 7th track. The 7th track on each of his albums is meant to be the most emotional and well articulated piece on the album. "Christmas Time is Here", while not previously released on a Vai album, can nonetheless be found as the 7th track on the 1996 Christmas compilation, Merry Axemas.
Document 12: Tal Farlow: Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed "Octopus" because of how his large, quick hands spread over the fretboard. Where guitarists of his day combined rhythmic chords with linear melodies, Farlow placed single notes together in clusters, varying between harmonically enriched tones. As music critic Stuart Nicholson put it, "In terms of guitar prowess it was the equivalent of Roger Bannister breaking the four minute mile."
Document 13: John Fahey (musician): John Aloysius Fahey (February 28, 1939 – February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his œuvre. He spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence with a turn towards the more explicitly avant-garde, and created a series of abstract paintings during the last years of his life. He died in 2001 from complications from heart surgery. In 2003, he was ranked 35th in the "Rolling Stone" "The 100 Greatest Guitarists of All Time" list.
Document 14: Steve Tibbetts: Tibbetts plays acoustic and electric guitar as well as exotic percussive instruments such as the kendang and kalimba. His musical compositions span several genres and styles including experimental, jazz, rock, ambient, and world music. He has self described his music as "post modern neo-primitivism". Often more than one genre or style is found in a single composition. A variety of techniques may be used with the guitar such as a string-bending technique sonically imitating a sarangi with a 12-string guitar while also alternating between ambient soundscape and Hendrix-like distorted and feedbacked leads with an electric guitar. He incorporates field-recordings such as the footsteps in the track "Running" from "Safe Journey", or the chanting of Nepalese villagers from the last tracks of "Big Map Idea". Tibbetts' recordings often include percussion by St Paul's Marc Anderson.
Document 15: Old and in the Way: Old and in the Way was a bluegrass group in 1973. It was composed of Peter Rowan (guitar, vocals), Vassar Clements (fiddle), Jerry Garcia (banjo, vocals), David Grisman (mandolin, vocals), and John Kahn (string bass). When the group was forming, it was intended that John Hartford would be the fiddle player. Based on Hartford's engagements, and Clement's reputational stature in the bluegrass community, Clements became the group's fiddler.
ground_truth: 2001