Question: What style of electronic dance music developed in the city where the performer of Hands Without Shadows 2- Voices was born?

full_context: Document 1: House music: The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.
Document 2: Michael Angelo Batio: Michael Angelo Batio (; born February 23, 1956), also known as Mike Batio or MAB, is an American heavy metal guitarist and columnist from Chicago, Illinois. He was the lead guitarist for the Los Angeles-based glam metal band Nitro in the late 1980s and early 1990s.
Document 3: Hands Without Shadows 2 – Voices: Hands Without Shadows 2 – Voices (commonly abbreviated as HWS2) is the sixth studio album by American progressive metal musician Michael Angelo Batio, released on September 8, 2009. Unlike the majority of his previous albums, which were almost exclusively instrumental, "HWS2" features vocal performances on all tracks. The album features a number of guest musicians, in addition to vocalist Warren Dunlevy, Jr. and drummer Joe Babiak, who previously performed on Batio's 2007 compilation album "2 X Again". The album features a bonus track entitled "MAB Forum Shreddathon", which includes guitar solos by members of the official MAB forum, written by Los Angeles-based metal guitarist and longtime forum member Maxxxwell Carlisle.
Document 4: House music: House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Document 5: Is There Anybody Out There?: The second half of the song is an instrumental classical guitar solo. Interestingly, it is not widely known who played it: In several interviews, David Gilmour has said that he tried to perform it, and was not satisfied with the final result (``I could play it with a leather pick but could n't play it properly fingerstyle ''). Accordingly, session musician Joe DiBlasi was brought in by Michael Kamen to play with the rest of the orchestra. He was ultimately wrongly credited as`` Ron DiBlasi'' on the album sleeve because Roger Waters only remembered that it was a three - letter name; Ron was the closest name he could remember to Joe when creating the record.
Document 6: Lucid Intervals and Moments of Clarity: Lucid Intervals and Moments of Clarity is the fourth studio album by American heavy metal musician Michael Angelo Batio. A collaboration with drummer Rob Ross, it was produced by Batio and released on August 1, 2000 through Perris Records. Seven of the nine tracks (all but "Enough Is Enough" and "Who Can You Trust?") were later remixed and remastered for the 2004 compilation album "Lucid Intervals and Moments of Clarity Part 2".
Document 7: Intermezzo (album): Intermezzo is the eighth studio album by American progressive metal musician Michael Angelo Batio. Self-produced by Batio and featuring a wide range of guest musicians, it was released in November 2013 by M.A.C.E. Music.
Document 8: Mike Varney: Mike Varney is an American musician, record producer, music publisher and impresario. He is the founder of the Shrapnel Label Group, which includes Shrapnel Records, Tone Center Records and Blues Bureau International. He also has a 50% stake in Magna Carta Records, a New York-based label. Amazon.com currently lists over 790 albums as being released by record labels founded or owned by Mike Varney. He is often credited with being the individual most responsible for popularizing the mid-1980s shred guitar boom, and has continuously specialized in producing highly acclaimed musicians within the genres of instrumental rock, hard rock, jazz, jazz fusion, blues, blues-rock, progressive metal and speed metal.
Document 9: Gary Holt (musician): Gary Wayne Holt (born May 4, 1964) is an American guitarist from the San Francisco Bay Area. He is a guitarist, the bandleader, and the main songwriter for the American thrash metal band Exodus and is also a guitarist for the American thrash metal band Slayer, in which he took over duties for original guitarist Jeff Hanneman, who died in 2013.
Document 10: House music: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.
Document 11: Dave Meniketti: Dave Meniketti was born and raised in Oakland, California where he has been an icon for guitar players worldwide and a San Francisco Bay Area vocal and guitar legend for over four decades. Perhaps it is the diversity of the artists that influenced him as a kid (Jimi Hendrix, John Coltrane, Leslie West, James Brown, Led Zeppelin) that is responsible for his varied expressions in both his singing and his guitar playing. He's ranked tops in Best Guitarist polls in newspapers, magazines, and television shows around the world.
Document 12: Miami: This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
Document 13: Electronic dance music: In the late 1980s and early 1990s, following the emergence of raving, pirate radio, and an upsurge of interest in club culture, EDM acquired mainstream popularity in Europe. In the United States at that time acceptance of dance culture was not universal, and although both Electro and Chicago house music were hugely influential both in Europe and the USA, mainstream media outlets, and the record industry, remained hostile to EDM. There was also a perceived association between EDM and drug culture which led governments at state and city level to enact laws and policies intended to halt the spread of rave culture.
Document 14: Friends and Legends: Friends and Legends was the second solo album from Michael Stanley. The album title refers to the backing musicians accompanying Stanley on the album, which was recorded at Applewood Studios in Golden, Colorado. The basic band on all tracks was Barnstorm, composed of Joe Walsh on lead guitar and synthesizer, Joe Vitale on drums, flute, synthesizer and backing vocals, and Kenny Passarelli on bass. In addition, three members of Stephen Stills' Manassas performed: Paul Harris on keyboards, Joe Lala on percussion and Al Perkins on pedal steel guitar, and the band also included saxophonist David Sanborn. Among the backing vocalists were Richie Furay and Dan Fogelberg. In keeping with the collaborative spirit, J. Geils assisted with production of the saxophone tracks.
Document 15: Metallica: Metallica is an American heavy metal band. The band was formed in 1981 in Los Angeles, California, by drummer Lars Ulrich and vocalist/guitarist James Hetfield, and has been based in San Francisco, California for most of its career. The group's fast tempos, instrumentals and aggressive musicianship made them one of the founding "big four" bands of thrash metal, alongside Megadeth, Anthrax and Slayer. Metallica's current lineup comprises founding members Hetfield and Ulrich, longtime lead guitarist Kirk Hammett and bassist Robert Trujillo. Guitarist Dave Mustaine (who went on to form Megadeth) and bassists Ron McGovney, Cliff Burton and Jason Newsted are former members of the band.
ground_truth: Chicago house
sub_queries: Hands Without Shadows 2 – Voices >> performer Answer: Michael Angelo Batio
What was Michael Angelo Batio 's city of birth? Answer: Chicago
what style of electronic dance music developed in Chicago Answer: Chicago house