Question: Where was the opera that Vladimir Galouzine was in that was first performed on 24 December 1871?

full_context: Document 1: Alzira (opera): Alzira is an opera in a prologue and two acts by Giuseppe Verdi to an Italian libretto by Salvatore Cammarano, based on the play "Alzire, ou les Américains" by Voltaire.
Document 2: Tosca: Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
Document 3: Nabucco: Nabucco (] ; short for Nabucodonosor ] ~] , English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of "Nabucodonosor", the opera was first performed at La Scala in Milan on 9 March 1842.
Document 4: Valery Kritskov: Valery Kritskov is a Russian conductor who used to take conducting lessons at the Moscow Institute of Culture which were taught by Kirill Tikhonov. He graduated from there in 1988 and then worked in Moscow-based Helikon Opera till he got employed with Novaya Opera in 2002. While there, he conducted many operas including Nikolai Rimsky-Korsakov's "The Snow Maiden" and "The Tsar’s Bride" as well as Anton Rubinstein's "The Demon" and Tchaikovsky's "The Maid of Orleans". He also conducted works by the Italian composers such as Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" and German such as Richard Wagner's "Lohengrin" and Strauss' "Die Fledermaus" as well as a concert dedicated to Vincenzo Bellini. Besides operas, he is also known for his conducting of the Russian ballet based on works by Tchaikovsky and Sergei Prokofiev as well as German and Austrian ballet composers such as Ludwig Minkus and Charles Gounod. Later on, he became a conductor of the Coppélia ballet which was based by Léo Delibes work and was produced by Imperial Russian Ballet. Currently he has two CD recordings called "Chorus of the Novaya Opera Theatre of Moscow" and the "Soloists of the Novaya Opera Theatre of Moscow".
Document 5: Ludmilla Azova: Ludmilla Azova is a soprano opera singer who studied at the New York College of Music and has appeared as a soloist with the New York Philharmonic and the National Orchestra Association, and also performed the role of Fiordiligi in Mozart's "Così fan tutte" with the Bermuda Festival Theatre. Other operatic roles performed in New York include Mimi in "La bohème", "Madame Butterfly" and Marguerite in "Faust". In 1966, she appeared as Anna Gomez in a production of Gian Carlo Menotti's "The Consul" at New York City Opera. Azova has also been an active recitalist.In a review, dated October 6, 1969, in the New York Times, Peter G. Davis wrote, "Ludmilla Azova brought a bright, silvery soprano and an abundance of authoritative style to her Russian song recital at Town Hall late yesterday afternoon.Born in Europe of Russian parents, Miss Azova clearly knows where of what she sings...In addition to the charm and elegance of her interpretations, Miss Azova's well-schooled, even, secure soprano consistently delighted the ear... She is a beautiful woman, a charming recitalist and a singer of accomplishment."
Document 6: Aida: Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
Document 7: Aleksandr Antonenko: Aleksandrs Antoņenko (born in Riga June 26, 1975) is a Latvian tenor who specializes in dramatic repertoire. He debuted on stage as "Prince" in "Rusalka" in 2009. Since then, he has performed in cities such as Baden-Baden, Berlin, Monte Carlo, and Stockholm. Notable appearances include a 2012 appearance in Tosca, as Cavaradossi, at La Scala. In the same year he was seen as Otello at the Royal Opera House in London. In 2013 he appeared in the role of "Radames" in "Aida" at the Zurich Opera House. He followed that performance by appearing as Manrico in Il Trovatore at the Berlin State Opera. He has also performed in "Turandot" as Calaf at La Scala. In 2013, he appeared in the role of "Ismaele" in Giuseppe Verdi's opera "Nabucco", conducted by Nicola Luisotti at the Teatro alla Scala, Milan as well as the Splendid Palace in Latvia. In 2014 he announced that he will perform at The Orchestra Hall in "Cavalleria rusticana" and "Pagliacci". He will also appear as the title role in the Metropolitan Opera's new production of "Otello", which will open the Met's 2015-2016 season. The production is notable within American opera circles due to the Met's decision to abandon their tradition of blackface for the role of Otello. Other future performances include "Norma" at the Bavarian State Opera, "Otello" at Barcelona's Gran Teatre del Liceu and Zürich's Opernhaus, and "Pagliacci" at the Royal Opera House in London.
Document 8: Vladimir Galouzine: Vladimir Galouzine (Russian: Владимир Галузин , "Vladimir Galuzin", ] ) is a Russian tenor. He has performed in such Russian operas as "The Queen of Spades", "Boris Godunov" and "Khovanshchina" and has performed the lead roles in Italian operas like "Madama Butterfly", "Otello", "Tosca", "Aida", and "Manon Lescaut".
Document 9: Aida (musical): Aida (also known as "Elton John and Tim Rice's Aida") is a musical based on the opera of the same name by Giuseppe Verdi. It has music by Elton John, lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang, and was originally produced by Walt Disney Theatrical.
Document 10: Repertoire of Plácido Domingo: Spanish tenor Plácido Domingo has officially sung 147 roles in Italian, French, German, English, Spanish and Russian. His main repertoire however is Italian ("Otello", Cavaradossi in "Tosca", "Don Carlo", Des Grieux in "Manon Lescaut", Dick Johnson in "La fanciulla del West", Radames in "Aida"), French ("Faust", "Werther", Don José in "Carmen", Samson in "Samson et Dalila"), and German ("Lohengrin", "Parsifal", and Siegmund in "Die Walküre"). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berliner Staatsoper, Don Carlo in "Ernani" at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera. Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 "Washington Post" article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public."
Document 11: Jérusalem: Jérusalem is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, "I Lombardi alla prima crociata". It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, "La favorite". The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin (sets of Act I, Act II, scene 1, Act III scene 1, and Act IV), and Charles-Antoine Cambon and Joseph Thierry (sets for Act II, scene 2 and Act III, scene 2).
Document 12: Bogdan Volkov: Bogdan Volkov is a Russian operatic tenor. Born in Ukraine, one of the most young talented tenors of his generation. He is the winner of second prize at Plácido Domingo’s Operalia, The World Opera Competition in Guadalajara, Mexico in 2016 and first prize at the Paris Opera Competition in 2015.
Document 13: Otello: Otello (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play "Othello". It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on 5 February 1887.
Document 14: Aroldo: Aroldo (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, "Stiffelio". The first performance was given in the Teatro Nuovo Comunale in Rimini on 16 August 1857.
Document 15: Natalia Troitskaya: Natalia Troitskaya (1951 – 9 April 2006) was a Russian operatic soprano who had a major international career during the 1980s and early 1990s. She particularly excelled in the operas of Giacomo Puccini and Giuseppe Verdi. Among her signature roles were Tatyana in Pyotr Ilyich Tchaikovsky's "Eugene Onegin" and the title heroines in Verdi's "Aida", Puccini's "Manon Lescaut", and Puccini's "Tosca". She was a frequent partner of Plácido Domingo during the 1980s and also sang opposite other great artists like Montserrat Caballé, Dmitri Hvorostovsky, and Luciano Pavarotti.
ground_truth: Cairo's Khedivial Opera House