Question: For which motion picture did this American composer of film scores and contemporary classical music, who composed Juan Darién: A Carnival Mass, win the Academy Award?

full_context: Document 1: El cóndor pasa (zarzuela): El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 with a script written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody, "El cóndor pasa", was legally registered on May 3, 1933, by The Edward B. Marks Music Corporation with the United States' Library of Congress under the number 9643. This zarzuela is written in prose and consists of one musical play and two acts. The eponymous piece, performed during the zarzuela's parade scene, has no lyrics. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script, which had been lost for some time, as a CD containing the dialogues and seven musical pieces. The music from the original score was reconstructed by musicologist Luis Salazar Mejía, with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was performed on November 14, 15 and 16, 2013, at the Teatro UNI in Lima to commemorate the masterpiece's first centenary. All of the work done to recover and re-release the zarzuela (including the CD) was possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), and was carried out without any public financial support.
Document 2: Titus (soundtrack): Titus is the original soundtrack to the 1999 motion picture "Titus". Elliot Goldenthal wrote the score for the film, an adaptation of Shakespeare's first, and bloodiest, tragedy "Titus Andronicus"; written and directed by Julie Taymor, Goldenthal's long-time friend and partner. The only non-Goldenthal piece is an old Italian song called ""Vivere"" performed by Italian singer Carlo Buti.
Document 3: Black Nativity: Black Nativity is a retelling of the classic Nativity story with an entirely black cast. Traditional Christmas carols are sung in gospel style, with a few songs created specifically for the show. Originally written by Langston Hughes, the show was first performed Off-Broadway on December 11, 1961, and was one of the first plays written by an African American to be staged there. The show had a successful tour of Europe in 1962, one of its appearances being at the Spoleto Festival of Two Worlds in Italy. "Black Nativity" has been performed annually in Boston, Massachusetts at various locations, such as: the Elma Lewis School of Fine Arts, Boston Opera House, Tremont Temple, Roxbury Community College, Northeastern's Blackman Auditorium, and presently at Emerson College's Paramount Theater since 1969 & is considered the longest-running production of Langston Hughes' "Black Nativity." The original 160 singers were arranged by age group and vocal range, with an assortment of soloists, along with the narrator, and Mary and Joseph, who are both mute, as well as musicians & ASL interpreters.
Document 4: Ennio Morricone: Ennio Morricone, (] ; born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player. He composes a wide range of music styles, making him one of the most versatile, experimental and influential composers of all time, working in any medium. Since 1946 Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works. His filmography includes over 70 award-winning films, including all Sergio Leone films since "A Fistful of Dollars" (including "The Good, the Bad and the Ugly" and "Once Upon a Time in the West"), all Giuseppe Tornatore films (since "Cinema Paradiso"), "The Battle of Algiers", Dario Argento's "Animal Trilogy", Bernardo Bertolucci's "1900", "", "Days of Heaven", several major films in French cinema, in particular the comedy trilogy "La Cage aux Folles I", "II", "" and "Le Professionnel", John Carpenter's "The Thing", Roland Joffé's "The Mission", Brian De Palma's "The Untouchables" and "Mission to Mars", Barry Levinson's "Bugsy" and "Disclosure", Wolfgang Petersen's "In the Line of Fire", Warren Beatty's "Bulworth", Liliana Cavani's "Ripley's Game" and Quentin Tarantino's "The Hateful Eight".
Document 5: Elliot Goldenthal: Elliot Goldenthal (born May 2, 1954) is an American composer of film scores and contemporary classical music. He was a student of Aaron Copland and John Corigliano, and is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He is also a film-music composer, and won the Academy Award for Best Original Score in 2002 for his score to the motion picture "Frida", directed by his long-time partner Julie Taymor.
Document 6: Interview with the Vampire (soundtrack): Elliot Goldenthal scored the 1994 film Interview with the Vampire, working again with director and frequent collaborator Neil Jordan.
Document 7: Juan Darién: A Carnival Mass: The Obie award–winning score for Juan Darién: A Carnival Mass was first composed by Elliot Goldenthal circa 1988 when the musical first opened off-Broadway in a small former church and was subsequently reworked and refined for the on-Broadway release of the show in 1996.
Document 8: Thomas Newman: Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.
Document 9: Magdalena: a Musical Adventure: "Magdalena" premiered at the Los Angeles Civic Light Opera on 26 July 1948, pursuant to a commission from Edwin Lester, president of that organization. Arthur Kay conducted Irra Petina, Dorothy Sarnoff, John Raitt, Hugo Haas, Gerhard Pechner, A. Garcia, Melva Niles, Henry Reese, Ferdinand Hilt, J. Arthur, Betty Huff, Christine Matsios, Leonard Morganthaler, John Schickling, Lorraine Miller, Gene Curtsinger, Patrick Kirk, Betty Brusher, and Jack Cole (soloists). Jules Dassin directed, Jack Cole was the choreographer, and the chorus was prepared by Robert Zeller. Broadway veterans Howard Bay (settings and lighting) and Irene Sharaff (costumes) were also part of the creative team. It was also presented in San Francisco at the Curran Theatre (San Francisco Light Opera) for several performances beginning August 16, 1948. The same production opened in New York City at the Ziegfeld Theatre on September 20, 1948, and closed on December 4 after 88 performances. Raitt, Sarnoff, and Haas reprised their roles. No recording was made due to a strike. "Magdalena" was revived in concert form under conductor Evans Haile on November 24, 1987, at Alice Tully Hall in New York's Lincoln Center; a recording with a slightly different cast was made in RCA's studios in 1988 and issued by CBS (later Sony) in 1989 (ASIN: B0000026QF). The work was performed in Australia in the 1990s as part of the Opera Festival in Ballarat, Victoria, again under Haile. More recently the Théâtre du Châtelet in Paris announced a production to open in May 2010, with Kate Whoriskey directing and Warren Adams supplying choreography.
Document 10: William Bolcom: William Elden Bolcom (born May 26, 1938) is an American composer and pianist. He has received the Pulitzer Prize, the National Medal of Arts, a Grammy Award, the Detroit Music Award and was named 2007 Composer of the Year by Musical America. Bolcom taught composition at the University of Michigan from 1973–2008. He is married to mezzo-soprano Joan Morris.
Document 11: Ellis Island: The Dream of America: Ellis Island: The Dream of America is a work for actors and orchestra with projected images by American composer Peter Boyer, composed in 2001-02, commissioned by the Bushnell Center for the Performing Arts in Hartford, Connecticut. The work combines first-person narrations of seven immigrants who entered the United States through Ellis Island between 1910 and 1940, selected by Boyer from the Ellis Island Oral History Project, with Boyer’s original orchestral music. The work has received over 170 performances by more than 75 orchestras. A recording of the work released on the Naxos record label was nominated for a Grammy Award for Best Classical Contemporary Composition in the 48th annual Grammy Awards. In April 2017, performances by Pacific Symphony of "Ellis Island: The Dream of America" were filmed for broadcast on PBS’ "Great Performances" series in the 2017-18 broadcast season.
Document 12: Gustavo Santaolalla: Gustavo Alfredo Santaolalla (born 19 August 1951) is an Argentine musician, film composer and producer. He has won Academy Awards for Best Original Score in two consecutive years, for "Brokeback Mountain" in 2005, and "Babel" in 2006. More recently, he composed the original score for the video game "The Last of Us", and the theme music for the Netflix series "Making a Murderer".
Document 13: Caravan (1936 song): "Caravan" is a jazz standard composed by Juan Tizol and Duke Ellington, and first performed by Ellington in 1936. Irving Mills wrote seldom performed lyrics. Its exotic sound interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, "Alice" and "Sweet and Lowdown". The song is also heavily featured in the 2014 film "Whiplash" as an important plot element. The Mills Brothers recorded an a cappella version, making the instruments' sounds with their voices, and Johnny Mathis recorded the song in 1956. There are more than 350 recordings of this song by Duke Ellington's orchestra, the great majority of them now in the public domain.
Document 14: The Romance of Magno Rubio: The Romance of Magno Rubio is a play by Lonnie Carter based on a short story by Carlos Bulosan. Developed by the Ma-Yi Theater Company, it had its premiere in October, 2002 in New York City. The production, cast members and writers were the recipients of eight (8) special 2003 Obie Awards, the prestigious off and off-Broadway awards given annually by the Village Voice. There have been subsequent productions at New Haven's Long Wharf Theatre, Chicago's Victory Gardens Theater, the Cultural Center of the Philippines in Manila, Laguna Playhouse, the International Theater Festival in Bucharest and Sibiu, Romania and numerous cities around the world. In 2007 it opened the Asian-American Theater Festival at the Culture Project in New York and the Latino-American Festival at the Los Angeles Theater Center. Most recently, Magno was seen in Los Angeles in two productions at the Ford Amphitheatre in both the English and Tagalog languages. The same actor, JonJon Briones, played Magno in both languages and was roundly acclaimed. In November Magno will be in Singapore as the premiere production of the new Entablado Theater Company (ETC). Magno the Movie is being written for a shooting in 2013 by Lonnie Carter and Charles Uy, the director/producer. Plans for a production by Chinese Pirate Productions are in the works for 2013.
Document 15: Carnival!: Carnival! is a musical, originally produced by David Merrick on Broadway in 1961, with the book by Michael Stewart and music and lyrics by Bob Merrill. The musical is based on the 1953 film "Lili". The show's title originally used an exclamation point; it was eventually dropped during the show's run, as director Gower Champion felt it gave the wrong impression, saying, "It's not a blockbuster. It's a gentle show."
ground_truth: Frida