Question: Der Mond was composed by the man who was best known for what cantata?

full_context: Document 1: The Medium: The Medium is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's "The Telephone" at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast.
Document 2: Der Mond: Der Mond ("The Moon") is an opera in one act by Carl Orff based on a Grimm's fairy tale) with a libretto by the composer. It was first performed on 5 February 1939 by the Bavarian State Opera in Munich under the direction of Clemens Krauss. The composer describes it not as an opera but as "Ein kleines Welttheater" ("A little world theatre"); the performance lasts for about one hour and is often paired with Orff's "Die Kluge".
Document 3: Mannheim school: Mannheim school refers to both the orchestral techniques pioneered by the court orchestra of Mannheim in the latter half of the 18th century as well as the group of composers of the early classical period, who composed for the orchestra of Mannheim. The father of the school is considered to be the Bohemian composer Johann Stamitz. Besides him, two generations of composers wrote compositions for the orchestra, whose reputation was due to its excellent discipline and the individual skill of its players; their performance style included new dynamic elements, crescendos and diminuendos. Composers of the Mannheim school played an important role in the development of the classical period's genres and of the classical symphony form.
Document 4: The New Moon: The New Moon is the name of an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third and last in a string of Broadway hits for Romberg (after "The Student Prince" (1924) and "The Desert Song" (1926)) written in the style of Viennese operetta. It spawned a number of revivals and two film versions, and it is still played by light opera companies. The piece turned out to be "Broadway's last hit operetta", as World War II and the Golden Age of musicals approached.
Document 5: Christoph Willibald Gluck: Christoph Willibald (Ritter von) Gluck (] ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate (now part of Germany) and raised in Bohemia, he gained prominence at the Habsburg court at Vienna, where he brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them "Orfeo ed Euridice" and "Alceste", he broke the stranglehold that Metastasian "opera seria" had enjoyed for much of the century.
Document 6: New Moon (1930 film): New Moon is the name of two different film versions of the operetta "The New Moon" with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928. The 1930 version of "New Moon" is a 1930 black-and-white American musical film, and is also known as "Komissa Strogoff" in Greece, "Nymånen" in Denmark and "Passione cosacca" in Italy.
Document 7: Schneewittchen (opera): Schneewittchen (Snow White) is an opera by Heinz Holliger. He wrote the libretto based on a poetic text by Robert Walser in iambic trimeter. The opera received its première on 17 October 1998 at the Zurich Opera House which had commissioned the work. The work is a psychoanalytical reworking of the fairy tale, analysing the complex relationships between the roles. It is not a .
Document 8: Die Kluge: Die Kluge. Die Geschichte von dem König und der klugen Frau ("The Wise [Girl]. The Story of the King and the Wise Woman") is an opera in 12 scenes written by Carl Orff. It premiered in Frankfurt, Germany, on 20 February 1943. Orff referred to this opera as a "Märchenoper " (fairy tale opera). The composer also wrote the libretto, based on "Die Kluge Bauerntochter" ("The Peasant's Wise Daughter") from the Grimm's Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's "Der Mond".
Document 9: Orpheus: Orpheus ( ; Greek: Ὀρφεύς ) is a legendary Thracian musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music, his attempt to retrieve his wife, Eurydice, from the underworld, and his death at the hands of those who could not hear his divine music. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.
Document 10: Carl Stumpf: Carl Stumpf (] ; 21 April 1848 – 25 December 1936) was a German philosopher and psychologist. He studied with Franz Brentano at the University of Würzburg before receiving his doctorate at the University of Göttingen in 1868. He also tutored the modernist literature writer Robert Musil at the University of Berlin, and worked with Hermann Lotze, who is famous for his work in perception, at Göttingen. Stumpf is known for his work on the "psychology of tones". He had an important influence on his students Wolfgang Köhler and Kurt Koffka who were instrumental in the founding of "Gestalt" psychology as well as Kurt Lewin, who was also a part of the Gestalt group and was key in the establishment of experimental social psychology in America. Stumpf is considered one of the pioneers of comparative musicology and ethnomusicology, as documented in his study of the origins of human musical cognition "The Origins of Music" (1911). He held positions in the philosophy departments at the Universities of Göttingen, Würzburg, Prague, Munich and Halle, before obtaining a professorship at the University of Berlin.
Document 11: Carl Orff: Carl Heinrich Maria Orff (] ; (1895--)10 1895 – (1982--)29 1982 ) was a German composer, best known for his cantata "Carmina Burana" (1937). In addition to his career as a composer, Orff developed an influential approach toward music education for children.
Document 12: Es war einmal: Es war einmal ("Once upon a time") is a fairy-tale opera in a prologue and three acts by the Austrian composer Alexander von Zemlinsky. Its libretto, an adaptation of M. Von Borch's German translation of the fairy-tale play "Der var engang" by the Danish author Holger Drachmann, was written by Maximilian Singer.
Document 13: The Magic Flute: The Magic Flute (German: Die Zauberflöte ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a "Singspiel", a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
Document 14: Carl Maria von Weber: Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.
Document 15: Der Mond ist aufgegangen: "Der Mond ist aufgegangen" (German for "The moon has risen") is a German lullaby and evening song by Matthias Claudius, one of the most popular in German literature. Also known under the name Abendlied (German for "evening song") it was first released in "Musen-Almanach" in 1779, published by Johann Heinrich Voß. The poem "" (German for "Now all forests rest") by Paul Gerhardt from 1647 was its model. The exact dating is unclear; some believe that it was written in 1778 in Hamburg-Wandsbek, others that it originated earlier in Darmstadt.
ground_truth: Carmina Burana