Question: André Téchiné and Ryuhei Kitamura, share which industry?

full_context: Document 1: Duel Project: Duel Project was a challenge issued to Ryuhei Kitamura and Yukihiko Tsutsumi by producer Shinya Kawai during a night of drinking. The challenge was for the two directors to see who could make the best feature film with two principal actors/actresses battling in one principal location in the time span of one week. Kitamura's half was the film "Aragami" with Tsutsumi's being "2LDK".
Document 2: Yoshihiro Nishimura: Yoshihiro Nishimura (西村喜廣 , Nishimura Yoshihiro ) is a Japanese film director, special effects and makeup effects artist, and a screenwriter who has worked predominantly in the horror genre. Nishimura has been described as "a legendary director and effects artist" and "the Tom Savini of Japan" with "talent to burn".
Document 3: Ryuhei Kitamura: Ryuhei Kitamura (北村 龍平 , Kitamura Ryūhei ) (born May 30, 1969) is a Japanese filmmaker.
Document 4: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 5: Jean Renoir: Jean Renoir (] ; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films "La Grande Illusion" (1937) and "The Rules of the Game" (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's "Sight & Sound" poll of critics in 2002 as the fourth greatest director of all time. Among numerous honors accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir. He was one of the first filmmakers to be known as an "auteur".
Document 6: André Téchiné: André Téchiné (] ; born 13 March 1943) is a French screenwriter and film director. He has a long and distinguished career that places him among the best post-New Wave French film directors.
Document 7: François Truffaut: François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement. Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979. He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).
Document 8: Tomie: Re-birth: Tomie: Re-birth (富江 re-birth ) is a 2001 Japanese horror film directed by Takashi Shimizu as the third installment of the "Tomie" film series, based on a manga of the same name by Junji Ito. The film was released in Japan on March 24, 2001, and screened at the Manila Eiga Sai (Japanese Film Festival) in Philippines on September 3, 2005.
Document 9: Takeo Kimura filmography: The following is the filmography of Takeo Kimura, the Japanese art director, writer, and film director who has art-directed more than 200 films over a span of more than six decades and ranks among Japan's best-known art directors. His training began with the Nikkatsu Company in 1941, whose production division was merged into Daiei during the wartime industry reorganization, where he was promoted to art director in 1945. His debut film as such was "Umi no yobu koe" (1945). Nikkatsu re-opened its production studio in 1954 and Kimura moved there. He worked with several directors, including top action director Toshio Masuda on films such as "Red Quay" (1958) with top star Yujiro Ishihara and "Gangster VIP" (1968) starring Tetsuya Watari. However, his longest and most famous collaboration has been with director Seijun Suzuki, which began with "The Bastard" (1963). Together they developed a bold, expressive style exemplified in "Gate of Flesh" (1964) and "Tokyo Drifter" (1966). Suzuki often rewrote his scripts with Kimura, who was given his first screenwriting credit on "The Flower and the Angry Waves" (1964). Kimura was also a part of Guryū Hachirō, the pen name of the writing group that formed around Suzuki in the mid-1960s and wrote "Branded to Kill" (1967).
Document 10: Andrée Tainsy: Andrée Micheline Ghislaine Tainsy (26 April 1911 – 19 December 2004) was a Belgian actress. She worked with several notable actors like Philippe Noiret, Jean Louis Trintignant, Charlotte Rampling and famous directors like Claude Chabrol, Costas Gavras and François Ozon. Tainsy began her career with theater plays and her first film debut was in 1945, followed by over 80 different cinema and TV works as co-star. She worked until the day of her death.
Document 11: André Turpin: André Turpin (born 1965) is a Canadian cinematographer, film director and screenwriter. He ia a member of the Academy of Motion Pictures Arts and sciences. As a cinematographer, he is a Bronze Frog winner for best cinematography at Camerimage international film festival for Mommy, Canadian screen award winner for best cinematography for Juste LA Fin Du Monde, two-time Genie Award winner for Best Cinematography, for "Maelström" at the 21st Genie Awards and for "Incendies" at the 31st Genie Awards, and a six-time winner of the Jutra Award for Best Cinematography, for "Maelström", "Incendies", "It's Not Me, I Swear! (C'est pas moi, je le jure!)", "Soft Shell Man (Un crabe dans la tête)" and "Mommy" and Juste La Fin Du Monde, a winner of the Jutra Award for Best Director for Un Crabe Dans La Tête. He also won the Jutra Award for Best Screen Writing for Un Crabe Dans La Tête. As a director he is best known for "Un crabe dans la tête", which was Canada's submission to the Academy Award for Best Foreign Language Film at the 75th Academy Awards.
Document 12: Aragami: Aragami (荒神 , also known as Aragami: The Raging God of Battle) is a 2003 Japanese action film directed by Ryuhei Kitamura. It was Kitamura's contribution to the Duel Project, a challenge issued by producer Shinya Kawai to him and fellow director Yukihiko Tsutsumi to film a feature-length movie with only two actors, battling in one setting, in only the time frame of one week.
Document 13: Bertrand Tavernier: Bertrand Tavernier (born 25 April 1941) is a French director, screenwriter, actor and producer.
Document 14: Kim Ki-duk: Kim Ki-duk ( ] ; born December 20, 1960) is a South Korean filmmaker noted for his idiosyncratic art-house cinematic works. His films have received many distinctions in the festival circuit, making him one of the most important contemporary Asian film directors. Major festival awards include Golden Lion at 69th Venice International Film Festival for "Pietà", Silver Lion for Best Director at 61st Venice International Film Festival for "3-Iron", Silver bear for Best Director at 54th Berlin International Film Festival for "Samaria" and Un Certain Regard prize at 2011 Cannes Film Festival for Arirang. His most widely known feature is "Spring, Summer, Fall, Winter... and Spring" (2003), included in film critic Roger Ebert's Great Movies. Two of his films served as official submissions for Academy award for best foreign language film as South Korean entries. He has given scripts to several of his former assistant directors including Juhn Jai-hong ("Beautiful" and "Poongsan") and Jang Hoon ("Rough Cut").
Document 15: Kim Ki-duk (director, born 1934): Kim Ki-duk (29 September 1934 – 7 September 2017) was a South Korean film director and professor. Best known outside of Korea for his 1967 giant monster film "", Kim Ki-duk directed 66 movies in total from his directorial debut in 1961 until his retirement from the film industry in 1977. Along with Kim Soo-yong and Lee Man-hee, Kim was one of the leading young directors of the Korean cinematic wave of the 1960s. The most distinctive and successful genre of this period was the melodrama (청춘영화 - "cheongchun yeonghwa"). He is not related to Kim Ki-duk, the South Korean director of "3-Iron".
ground_truth: filmmaker