Question: What religion was the language used by Dr. Shridhar Bhaskar Warnekar the primary language of?

full_context: Document 1: Hindi: Hindi (Devanagari: हिन्दी, "Hindī"), or Modern Standard Hindi (Devanagari: मानक हिन्दी, "Mānak Hindī") is a standardised and Sanskritised register of the Hindustani language.
Document 2: Vaduvur Srinivasa Desikachariar: Vaduvur Veeravalli Srinivasa Desikachariar (4 November 1928 — 9 September 2014) was an Indian scholar. He studied Sanskrit and published several books. In 2001, he received the Rashtrapathi Award from the President of India as a Sanskrit scholar, one of the highest awards awarded by the Indian state.
Document 3: Linguistic history of the Indian subcontinent: The languages of the Indian subcontinent are divided into various language families, of which the Indo-Iranian and the Dravidian languages are the most widely spoken. There are also many languages belonging to unrelated language families such as Sino-Tibetan, spoken by smaller groups. Linguistic records begin with the appearance of the Brāhmī script from about the 3rd century BCE.
Document 4: Hindi-Urdu vocabulary: Hindustani vocabulary, also known as Hindi-Urdu vocabulary, like all Indo-Aryan languages, has a core base of Sanskrit, which it gained through Prakrit. As such the standardized registers of the Hindustani language (Hindi-Urdu) share a common vocabulary, especially on the colloquial level. However, in formal speech, Hindi tends to draw on Sanskrit, while Urdu turns to Persian and sometimes Arabic. This difference lies in the history of Hindustani, in which the Khariboli dialect started to gain more Persian words in urban areas (such as Lucknow and Hyderabad), under the Delhi Sultanate; this dialect came to be termed Urdu. The original Hindi dialects continued to develop alongside Urdu and according to Professor Afroz Taj, "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk life of the village. Somewhere in the middle lay the day to day language spoken by the great majority of people. This day to day language was often referred to by the all-encompassing term "Hindustani"." In Colonial India, Hindi-Urdu acquired vocabulary introduced by Christian missionaries from the Germanic and Romanic languages, e.g. "pādrī" (Devanagari: पादरी, Nastaleeq: پادری) from "padre", meaning pastor. When describing the state of Hindi-Urdu under the British Raj, Professor Śekhara Bandyopādhyāẏa stated that "Truly speaking, Hindi and Urdu, spoken by a great majority of people in north India, were the same language written in two scripts; Hindi was written in Devanagari script and therefore had a greater sprinkling of Sanskrit words, while Urdu was written in Persian script and thus had more Persian and Arabic words in it. At the more colloquial level, however, the two languages were mutually intelligible." After the partition of India, political forces within India tried to further Sanskritize Hindi, while political forces in Pakistan campaigned to remove Prakit/Sanksrit derived words from Urdu and supplant them with Persian and Arabic words. Despite these government efforts, the film industry, Bollywood continues to release its films in the original Hindustani (Hindi-Urdu) language, easily understood and enjoyed by speakers of both registers; in addition many of the same television channels are viewed across the border.
Document 5: Vishnu Narayan Bhatkhande: Pandit Vishnu Narayan Bhatkhande (Marathi: विष्णू नारायण भातखंडे)(August 10, 1860 – September 19, 1936) was an Indian musicologist who wrote the first modern treatise on Hindustani classical music (The north Indian variety of Indian classical music), an art which had been propagated earlier for a few centuries mostly through oral traditions. During those earlier times, the art had undergone several changes, rendering the raga "grammar" documented in scant old texts outdated.
Document 6: Sanskrit Buddhist literature: Sanskrit Buddhist literature refers to Buddhist texts composed in classical Sanskrit or Buddhist Hybrid Sanskrit. Sanskrit was the main language used by Indian Mahayana Buddhists and most major Mahayana sutras were composed in this language. they are translated through pali canon.
Document 7: Shridhar Bhaskar Warnekar: Dr. Shridhar Bhaskar Warnekar was Sanskrit scholar born in Nagpur, India, on 31 July 1918. He wrote many Sanskrit poems and verses.
Document 8: Krishnalal Shridharani: Krishnalal Shridharani (16 September 1911 – 23 July 1960) was an Indian poet, playwright and journalist. He studied sociology, economics and journalism at various institutions in India and the US. He participated in the Indian independence movement and was imprisoned, during which time he started writing plays and poetry. He also wrote many non-fiction books in English.
Document 9: Siddhaṃ script: Siddhaṃ , also known in its later evolved form as Siddhamātṛkā, is the name of a script used for writing Sanskrit from c. 550 – c. 1200. It is descended from the Brahmi script via the Gupta script and later evolved into the Assamese alphabet, the Bengali alphabet, and the Tibetan alphabet. There is some confusion over the spelling: "Siddhāṃ " and "Siddhaṃ " are both common, though "Siddhaṃ " is preferred as "correct". The script is a refinement of the script used during the Gupta Empire.
Document 10: Shrikrishna Narayan Ratanjankar: Shrikrishna Narayan Ratanjankar (December 31, 1900 – February 14, 1974) or S N Ratanjankar was a distinguished scholar and teacher of Hindustani classical music, from the Agra gharana. Foremost disciple of Vishnu Narayan Bhatkhande and Faiyaz Khan of Baroda State, he also remained principal of Bhatkhande Music Institute ("Bhatkande Sangeet Sansthan"), Lucknow, for many years, where he trained many noted names in the field of music.
Document 11: Hinduism: Hinduism is an Indian religion, or a way of life, widely practiced in South Asia. Hinduism has been called the oldest religion in the world, and some practitioners and scholars refer to it as "Sanātana Dharma", "the eternal tradition," or the "eternal way," beyond human history. Scholars regard Hinduism as a fusion or synthesis of various Indian cultures and traditions, with diverse roots and no founder. This "Hindu synthesis" started to develop between 500 BCE and 300 CE following the Vedic period (1500 BCE to 500 BCE).
Document 12: Sarangadeva: Sarangadeva (1175–1247), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored "Sangita Ratnakara" – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions.
Document 13: Balwant Moreshwar Purandare: Balwant Moreshwar Purandare (born July 29, 1922) Pune), popularly known as Babasaheb Purandare, was born on Nag Panchami, is a writer and theatre personality from Maharashtra, India. His works are mostly based on the events related to the life of Shivaji, the 17th-century founder of the Maratha Empire; as a result he is termed as "Shiv-Shahir" ("Shivaji's bard"). He is mostly known for his popular play on Shivaji, "Jaanta Raja" which was popular not only in Maharashtra but also in Andhra Pradesh and Goa. Purandare has also studied the history of the Peshwas of Pune. He is also known for his significant contribution along with Madhav Deshpande & Madhav Mehere as senior party leaders in the early-1970s of Shiv Sena along with Bal Thackeray . In 2015, he was awarded with Maharashtra Bhushan Award, Maharashtra's highest civilian award. But controversies are in the air that he should not be awarded due to his obligatory remarks in his novels.
Document 14: Vageesh Saraswat: Vageesh Saraswat (Hindi: वागीश')is a Filmmaker (Producer/Director/Writer), Hindi journalist and poet. He is one of the most famous of the modern Indian Satirists. Born in Aligarh, Uttar Pradesh, on 7 November 1969. He is the second child of Dr. Shankarlal Saraswat and Mrs. Savitri devi. He has a literary background. His father, Dr. Shankarlal Saraswat was a Hindi professor and also wrote many poems in Sanskrit. Vageesh has done his M.A. in Hindi. He has done research on Sharad Joshi's Satire Writings. He has worked on many well-known Hindi newspapers. He was the columnist of "Humara Mahanagar". His column was named 'Tarkash' in "Humara Mahangar" Hindi newspaper. He was the editor of literary magazine "Udgaar". He is also involved in politics. Born in the small hamlet of Swadeshpur, 25 km from Aligarh, which has a daily migration of hundreds of people into Mumbai. Saraswat is a modern poet whose poem "Eklvya ka Angutha" floored Raj Thackeray. Back in 2005, Thackeray thought the lyrics perfectly reflected his mood and sentiments as he looked at creating a political path of his own to prominence. That is how a journalist and poet became the party's vice-president. He is now the Vice President and Spokesperson of Maharashtra Navnirman Sena(MNS). He has also launched the Hindi Online weekly newspaper 'Vagadhara'. His collection of poems were published in 2005 as 'Eklavy ka Angutha'. The book is appreciated by many well-known personalities from various fields. He released another Hindi book 'Tarkash Ke Teer' in 2010. This book is the compilation of his satirical articles published in the Hindi daily over the last three years. Tarkash ke Teer has raised a few eyebrows, as it allegedly criticises the MNS's anti-North Indian stand in 2008. His latest book on Padma Shri Sharad Joshi, which is also considered an academic book on satire, was launched on 14 March 2013 by well-known female satire writer Surybala in the presence of actor Shailesh Lodha.
Document 15: Sanskrit: Sanskrit (IAST: "Saṃskṛtam " ; : ] ) is the primary liturgical language of Hinduism; a philosophical language of Hinduism, Sikhism, Buddhism, and Jainism; and a literary language and lingua franca of ancient and medieval India and Nepal. As a result of transmission of Hindu and Buddhist culture to Southeast Asia and parts of Central Asia, it was also a language of high culture in some of these regions during the early-medieval era.
ground_truth: Hinduism