Question: Into how many categories do scholars group the early works of the author of the play A Midsummer Night's Dream?

full_context: Document 1: Shakespearean comedy: In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies, though today many scholars recognize a fourth category, romance, to describe the specific types of comedies that appear as Shakespeare's later works.
Document 2: As You Like It: As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility.
Document 3: Shakespearean history: In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The histories might be more accurately called the "English history plays" and include the outliers "King John" and "Henry VIII" as well as a continuous sequence of eight plays covering the Wars of the Roses. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, deals with the later part of the struggle and includes "Henry VI, parts one", "two" & "three" and "Richard III". The second tetralogy, finished in 1599 and including "Richard II", "Henry IV, Part 1", "Henry IV, Part 2" and "Henry V", is frequently called the "Henriad" after its protagonist Prince Hal, the future Henry V.
Document 4: A Midsummer Night's Dream (2016 film): A Midsummer Night's Dream is a 2016 British television film based on the William Shakespeare play "A Midsummer Night's Dream". It was adapted by Russell T Davies, directed by David Kerr and produced by Nikki Wilson. It stars Maxine Peake as Titania, Matt Lucas as Bottom, John Hannah as Theseus and Nonso Anozie as Oberon. The film was first broadcast on 30 May 2016 on BBC One.
Document 5: A Midsummer Night's Dream: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
Document 6: Titania: Titania is a character in [[William Shakespeare]]'s play "[[A Midsummer Night's Dream]]". In the play, she is the [[Fairy Queen|queen of the fairies]]. Due to Shakespeare's influence, later fiction has often used the name "Titania" for fairy queen characters.
Document 7: A Midsummer Night's Dream (1999 film): A Midsummer Night's Dream is a 1999 romantic comedy fantasy film based on the play "A Midsummer Night's Dream" by William Shakespeare. It was directed by Michael Hoffman. The ensemble cast features Kevin Kline as Bottom, Michelle Pfeiffer and Rupert Everett as Titania and Oberon, Stanley Tucci as Puck, and Calista Flockhart, Anna Friel, Christian Bale, and Dominic West as the four lovers.
Document 8: Egeus: Egeus is a character in "A Midsummer Night's Dream", the comedy by William Shakespeare. He is an Athenian who tries to keep his daughter, Hermia, from marrying Lysander the man she loves. In original performances, the actor for his role probably played the part of Philostrate as well.
Document 9: History (theatrical genre): History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's "Edward IV", Schiller's "Mary Stuart" or the Dutch genre "Gijsbrecht van Aemstel".
Document 10: Comedy of intrigue: The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Molière's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey.
Document 11: Le songe d'une nuit d'été: Le songe d'une nuit d'été ("A Midsummer Night's Dream") is an opéra-comique in three acts composed by Ambroise Thomas to a French libretto by Joseph-Bernard Rosier and Adolphe de Leuven. Although it shares the French title for Shakespeare's play, "A Midsummer Night's Dream", its plot is not based on the play. Shakespeare himself is a character in the opera as are Elizabeth I and Falstaff.
Document 12: Shakespearean tragedy: Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the History of England, they were classified as "histories" in the First Folio. The Roman tragedies—"Julius Caesar", "Antony and Cleopatra" and "Coriolanus"—are also based on historical figures, but because their source stories were foreign and ancient they are almost always classified as tragedies rather than histories. Shakespeare's romances (tragicomic plays) were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy featuring a high status central character but end happily like Shakespearean comedies. Several hundred years after Shakespeare's death, scholar F.S. Boas also coined a fifth category, the "problem play," for plays that don't fit neatly into a single classification because of their subject matter, setting, or ending. The classifications of certain Shakespeare plays are still debated among scholars.
Document 13: A Midsummer Night's Dream (ballet): A Midsummer Night's Dream is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to "Athalie", "Son and Stranger", and "The Fair Melusine", the "String Symphony No. 9 in C minor" and "The First Walpurgis Night". "A Midsummer Night's Dream", Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ballet dispenses with Shakespeare's play-within-a-play finale. "A Midsummer Night's Dream" opened The New York City Ballet's first season at the New York State Theater in April, 1964.
Document 14: Shakespearean problem play: In Shakespeare studies, the problem plays are three plays that William Shakespeare wrote between the late 1590s and the first years of the seventeenth century: "All's Well That Ends Well", "Measure for Measure" and "Troilus and Cressida". Shakespeare's problem-plays are characterised by their complex and ambiguous tone, which shifts violently between dark, psychological drama and more straightforward comic material; compare tragicomedy.
Document 15: Nick Bottom: Nick Bottom is a character in Shakespeare's "A Midsummer Night's Dream" who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairies' story.
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