Question: Paul Marantz work includes which nightclub that is currently a Broadway theatre?

full_context: Document 1: Central Park Casino: The Central Park Casino, originally the Ladies Refreshment Salon, was a restaurant near East 72nd Street, in Central Park in New York City. The name of the building came from the Italian for "little house"; the Casino itself was not a gambling business. Built in 1864, the restaurant was once intended for unaccompanied female visitors to Central Park, but was soon patronized by both men and women. While the building that housed the Casino belonged to the City of New York, the City often leased the Casino to independent operators. Mayor Jimmy Walker exercised this power in 1929 by terminating the lease of C.F. Zittel, allowing Walker's friend, Sidney Solomon, to transform the Casino into one of New York's most expensive nightclubs. Besides entertaining elite guests in the restaurant, Walker had an office in the Casino and conducted city administration there while meeting with political cronies.
Document 2: Old Broadway Theatre: The Broadway Theatre (September 27, 1847 – April 2, 1859), called the Old Broadway Theatre since its demise, was at 326–30 Broadway, between Pearl and Anthony (now Worth) Streets in Manhattan. With over 4000 seats, it was the largest theater ever built in New York when it opened. During its brief existence, many prominent performers of the era appeared on its stage. It presented plays, opera, ballet, hippodrama, and circus performances in a space that was reconfigured several times. The operators always struggled to make money, however, and after twelve years the Broadway Theatre was replaced by a more profitable building, for the textile trade.
Document 3: Xenon (nightclub): Xenon was a popular New York City nightclub. Xenon was a popular disco in Manhattan in the late 1970s and early 1980s. It was located at 124 West 43rd St in the former Henry Miller Theater which prior to Xenon had been renamed Avon-at-the-Hudson and was operating as a porn house. Xenon was the only nightclub popular enough to compete with Studio 54. The site is now the Stephen Sondheim Theater.
Document 4: Paul Marantz: Paul Marantz is an American architectural lighting designer, whose work includes the discothèque Studio 54, the Times Square Ball, the Tribute in Light, the Barnes Foundation,
Document 5: Marilyn Jordan Taylor: Marilyn Jordan Taylor (born 1949) an American architect, who has been a partner at Skidmore, Owings & Merrill since the early 1980s and served as its first female chairman. She specializes in urban architectural projects and designed the master plan for the Manhattanville expansion, the Consolidated Edison East River Greenway as well as airports from the John F. Kennedy International Airport terminal 4 expansion to the SkyCity at the Hong Kong International Airport. Between 2008 and 2016, she served as the Dean of the University of Pennsylvania School of Design.
Document 6: Edward F. Caldwell &amp; Co.: Edward F. Caldwell & Co., of New York City, was one of the premier designers and manufacturers of electric light fixtures and decorative metalwork from the late 19th to the mid-20th centuries. Founded in 1895 by Edward F. Caldwell (1851–1914) and Victor F. von Lossberg (1853–1942), the firm left a legacy of custom designed and finely-made, metal gates, lanterns, chandeliers, ceiling and wall fixtures, floor and table lamps, and other decorative objects that can be found today in many metropolitan area churches, public buildings, offices, clubs, and residences including, the White House (1902 renovation), St. Patrick's Cathedral, New York, New York Public Library, and Rockefeller Center.
Document 7: Studio 54: Studio 54 is a former nightclub and currently a Broadway theatre, located at 254 West 54th Street, between Eighth Avenue and Broadway in Manhattan, New York City. The building, originally built as the Gallo Opera House, opened in 1927, after which it changed names several times, eventually becoming CBS radio and television Studio 52.
Document 8: Moonlighter Presents: Moonlighter Presents is a lecture series based in Brooklyn, New York dedicated to non-expertise and the art of public speaking. Founded in September 2010, the series evolved as a reaction to the increased emphasis on professionalization in academia and the art world. Event organizers invite scholars and professionals to address topics outside their fields of expertise or consider their work from unusual perspectives. There are no topics or themes. Participants are free to invent roles for themselves and to tamper with traditional lecture formatting. Lectures have, for the most part, been held in an old funeral home in Williamsburg. They have also taken place in other non-traditional speaking venues, such as a former Catholic high school in Soho, a bar in Greenpoint, and a corporate office space in Manhattan.
Document 9: New York City Center: New York City Center (previously known as the Mecca Temple, City Center of Music and Drama, and the New York City Center 55th Street Theater,) is a 2,257-seat Moorish Revival theater located at 131 West 55th Street between 6th and 7th Avenues in Manhattan, New York City. It is one block south of Carnegie Hall. City Center is especially known as a performing home for several major dance companies as well as the Encores! musical theater series and the Fall for Dance Festival. The facility houses the 2,257 seat main stage, two smaller theaters, four studios and a 12-story office tower.
Document 10: Gaiety Theatre, New York (male burlesque): The Gaiety Theatre was a gay male burlesque theater in Times Square, New York City, for almost 30 years until it closed on March 17, 2005. The name on the awning over the entrance was Gaiety Theatre, but it was also called the Gaiety Male Burlesque or the Gaiety Male Theatre in advertisements. It was located at 201 W 46th Street, New York, NY 10036, on the second floor of the building that also housed what was the last Howard Johnson's restaurant in New York City. The Gaiety opened in late 1975 and closed in 2005 and was owned by Denise Rozis, run by both her and her younger sister, Evridiki Rozis. The theater DJ from 1979 until 1986 was the late Terence Foster (d. June 4, 1990, AIDS), who was one of the original dancers.
Document 11: Paul Tazewell: Paul Tazewell is an Emmy Award- and Tony Award-winning costume designer for the theatre, dance, and opera. He received the 2016 Tony Award for best costume design for Hamilton. In 2016, he and his team were awarded an Emmy for their work on The Wiz! Live. He has also been the recipient of six Tony Award nominations for costume design, four Helen Hayes Awards for Outstanding Costume Design, two Lucille Lortel Awards (for "On the Town" and "Hamilton"), and the Theater Development Fund's Irene Sharaff Award in 1997. He is also the recipient of the Princess Grace Statue Award bestowed by the Princess Grace Foundation to artists of excellence in various disciplines.
Document 12: Paul Steelman: Paul Curtis Steelman, a native of Atlantic City, is an American architect that is recognized as a visionary designer of global entertainment, hospitality, and gaming architecture based in Las Vegas, Nevada and Macau. Paul has designed buildings for the mavericks of the gaming industry, including Kirk Kerkorian, Steve Wynn, Sheldon Adelson, Francis Lui, Lawrence Ho, Tan Sri Dato' Lim Kok Thay, Tan Sri Dr Chen Lip Keong, Prince Albert of Monaco, Bob Stupak, Frank Modica, Phil Satre, Derek Stevens and Stanley Ho.
Document 13: Copacabana (nightclub): The Copacabana is a New York City nightclub. Many entertainers such as Danny Thomas, Pat Cooper and the comedy team of Martin and Lewis, made their New York debuts at the Copacabana. The Barry Manilow song "Copacabana" (1978) is named after the club.
Document 14: Philip Johnson: Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an American architect, best known for his works of Modern architecture, including the Glass House in New Canaan, Connecticut, and his works of postmodern architecture, particularly 550 Madison Avenue which was designed for AT&T, and 190 South La Salle Street in Chicago. In 1978 he was awarded an American Institute of Architects Gold Medal and in 1979 the first Pritzker Architecture Prize.
Document 15: Neil Peter Jampolis: Neil Peter Jampolis is a light designer, set designer, and stage director. He is best known for the light designing he did for the Royal Shakespeare Theatre’s 1975 production of "Sherlock Holmes" for which he won a Tony Award and a Drama Desk Award. Jampolis went on to win an American Theatre Wing Hewes Design Award in 1982 and three more Tony Award nominations for "The Innocents", "Black and Blue", and "Orpheus Descending". He also won a Los Angeles Drama Critics Circle Award for lighting Lily Tomlin and Jane Wagner's "Signs of Intelligent Life in the Universe". Jampolis has also worked as either a light designer, set designer, or stage director with Pilobolus Dance Theatre the Vienna State Opera, La Scala, the Metropolitan Opera, the Santa Fe Opera, Opera Pacific, the New York City Opera, Pasadena Playhouse, and Hollywood's Matrix Theatre among others. He is currently one of the main light designers for the Seattle Opera and a distinguished professor of theatre at UCLA's School of Theatre, Film, and Television. He also occasionally works as a stage director and set designer for Seattle Opera as well.
ground_truth: Studio 54