Question: How many words was the short story for which Forerunner was best known? 

full_context: Document 1: With Her in Ourland: With Her in Ourland: Sequel to Herland is a feminist novel written by Charlotte Perkins Gilman, and originally published in 1916 in Gilman's self-authored and edited periodical "The Forerunner". As its subtitle indicates, the book is the sequel to Perkins Gilman's "Herland", published in the previous year, 1915.
Document 2: Women and Economics: Women and Economics – A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman’s writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: “the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.”
Document 3: Something in the Walls: "Something in the Walls" is the fifty-fourth episode (the nineteenth episode of the third season (1988–89) of the television series "The Twilight Zone". The episode is a variation of the 1892 short story "The Yellow Wallpaper" by Charlotte Perkins Gilman.
Document 4: Forerunner (magazine): The Forerunner was a monthly magazine produced by Charlotte Perkins Gilman (best known as the writer of "The Yellow Wallpaper"), from 1909 through 1916. During that time, she wrote all of every issue — editorials, critical articles, book reviews, essays, poems, stories, and six serialized novels. Gilman’s drive for social change was the inspiration for "Forerunner" and its controversial articles. She succeeded in administering progressive ideas for change to the magazine's readers, growing support for her desires during the women's suffrage movement. The magazine was based in New York City.
Document 5: Chrysalis (magazine): Chrysalis: A Magazine of Women's Culture was a feminist publication produced from 1977 to 1980. The self-published magazine was founded by Kirsten Grimstad and Susan Rennie at the Woman's Building in downtown Los Angeles. "Chysalis" grew from Grimstad and Rennie's editorial work on the self-help resource books, The New Woman's Survival Catalog and The New Woman's Survival Sourcebook. "Chrysalis" distinguished itself from other feminist publications through an organic integration of politics, literature, cultural studies, and art. The magazine was produced through a collective process that grew out of the feminist practice of consciousness-raising. Unusually broad in scope, "Chrysalis" did not substitute breadth for quality. The authors, poets, essayists, and researchers contributing to the magazine reveals a veritable who's who of towering intellects of the feminist movement: black lesbian activist Audre Lorde; the magazine's poetry editor, Robin Morgan, who later served as editor of Ms. from 1990-1993: award winning poet Adrienne Rich; novelist Marge Percy; artist Judy Chicago; science fiction writer Joanna Russ; art critic Lucy Lippard, plus Mary Daly, Dolores Hayden, Andrea Dworkin, Marilyn Hacker, Arlene Raven, and Elizabeth Janeway. Over a three-year span, the all volunteer staff produced ten issues before they were forced to disband in 1981 due to financial difficulties.
Document 6: Herland (novel): Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It first appeared as a serial in "The Forerunner", a magazine edited and written by Gilman between 1909 and 1916. The book is the middle volume in her utopian trilogy; it was preceded by "Moving the Mountain" (1911), and followed with a sequel, "With Her in Ourland" (1916). It was not published in book form until 1979.
Document 7: The Yellow Wallpaper: "The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in "The New England Magazine". It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Document 8: The Forerunner: The Forerunner (1981–1994) was a publication that emphasized reformation of society and biblical worldview. Contributing editors and correspondents from Russia, Ukraine, China, Latin America, South Africa and many other countries wrote many of the articles. These were reports from college students who produced similar publications. Since 1995, "The Forerunner" has been published online. Most of the articles from 1987 through 1994 appear online. Students are encouraged to reprint the articles in student newspapers with the online version functioning as a "model publication."
Document 9: Moving the Mountain (novel): Moving the Mountain is a feminist utopian novel written by Charlotte Perkins Gilman. It was published serially in Perkins Gilman's periodical "The Forerunner" and then in book form, both in 1911. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. The novel was also the first volume in Gilman's utopian trilogy; it was followed by the famous "Herland" (1915) and its sequel, "With Her in Ourland" (1916).
Document 10: Forerunner (magazine): The Forerunner was a monthly magazine produced by Charlotte Perkins Gilman (best known as the writer of "The Yellow Wallpaper"), from 1909 through 1916. During that time, she wrote all of every issue — editorials, critical articles, book reviews, essays, poems, stories, and six serialized novels. Gilman’s drive for social change was the inspiration for "Forerunner" and its controversial articles. She succeeded in administering progressive ideas for change to the magazine's readers, growing support for her desires during the women's suffrage movement. The magazine was based in New York City.
Document 11: Helen Lefkowitz Horowitz: Helen Lefkowitz Horowitz (born 1942) is the Sydenham Clark Parsons Professor of American Studies and History, emerita, at Smith College. She was born and educated in Shreveport, Louisiana, graduating from C. E. Byrd High School in 1959. She received her B.A. from Wellesley College in 1963 and her Ph.D. from Harvard University in 1969. A cultural historian of the U.S., her research ranges over a number of areas, including cultural philanthropy, women, higher education, sexuality, sexual representation, censorship, understandings of mental health and illness, intimate life, and tourism. "Culture and the City" (1974) examined the cultural institutions of Chicago in the late 19th and early 20th centuries. A series of articles on zoological gardens looked at the changing conceptions of wild animals in relation to humans as expressed in the manner in which the zoo animals were exhibited. "Alma Mater" (1984) probed the ways in which founders of the Seven Sister Colleges expressed their hopes and fears about women offered the liberal arts in the colleges' buildings and landscapes; the book explored, as well, the lives of female collegians and their female professors as lived within college gates. "Campus Life" (1987) looked at the history of undergraduate cultures from the 18th century to the present, with attention to college men (and later, women), outsiders, and rebels. "The Power and Passion of M. Carey Thomas", president of Bryn Mawr College and feminist, 1857-1935, appeared in 1984. "Rereading Sex" (2002), explored sexual representations and the campaign to censor them that led to the landmark Comstock Law of 1873 that barred obscene materials, contraceptive information and devices, and abortion advertisements from the US mails. "The Flash Press" (2008), co-authored with Patricia Cline Cohen and Timothy Gilfoyle, inquired into the sporting weeklies of New York City in the 1840s. "Wild Unrest" (2010) focused on Charlotte Perkins Gilman, the understanding of mental health and illness in the 19th century, and the writing of "The Yellow Wall-Paper." "A Taste for Provence" (2016) tells the story of the re-invention of Provence for American travelers from a place of Roman ruins to a new Eden of earthly delights.
Document 12: The Collected Essays and Occasional Writings of Katherine Anne Porter: The Collected Essays and Occasional Writings of Katherine Anne Porter
Document 13: Charlotte Perkins Gilman: Charlotte Perkins Gilman ( ); also Charlotte Perkins Stetson (July 3, 1860 – August 17, 1935), was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis.
Document 14: The Gilded Six Bits: "The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God". "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Document 15: A Rose for Emily: "A Rose for Emily" is a short story by American author William Faulkner, first published in the April 30, 1930, issue of "The Forum". The story takes place in Faulkner's fictional city, Jefferson, Mississippi, in the fictional southern county of Yoknapatawpha. It was Faulkner's first short story published in a national magazine.
ground_truth: 6,000-word