Question: What is the death place of George IV of the country making the Prince of Thieves of the film character depicting John alongside?

full_context: Document 1: The Last of the Mohicans (1992 film): Despite the film taking place in upstate New York, according to the film credits, it was filmed mostly in the Blue Ridge Mountains of North Carolina. Locations used include Lake James, Chimney Rock Park and The Biltmore Estate. Some of the waterfalls that were used in the movie include Hooker Falls, Triple Falls, Bridal Veil Falls, and High Falls, all located in the DuPont State Recreational Forest. Another of these falls was Linville Falls, in the mountains of North Carolina. Scenes of Albany were shot in Asheville, NC at The Manor on Charlotte St.
Document 2: Pirates of the Caribbean: On Stranger Tides: Principal photography began on June 14, 2010, in Hawaii. Filming was moved to California in August 2010, primarily at the Long Beach shore and a recreation of Whitecap Bay done in the Universal Studios backlot, as the original Hawaiian location on Halona Cove was plagued with strong tides. After a brief shoot in Puerto Rico, with locations in both Palomino Island and the Fort of San Cristóbal in San Juan, production moved to the United Kingdom in September, where principal photography wrapped on November 18 after 106 days of shooting. Locations included Hampton Court Palace in London, Knole House in Kent, and Old Royal Naval College at Greenwich. Interiors were shot at London's Pinewood Studios, and a replica of an 18th - century London street was built on the backlot alongside the soundstages. The producers also considered using New Orleans as a location. In October, security was breached at the UK site when a celebrity impersonator gained access to filming at the Old Royal Naval College by dressing up as Captain Jack.
Document 3: Me Before You (film): Set in the UK, the film is shot in various historic locations around the country, including Pembroke Castle in Wales, and Chenies Manor House in Buckinghamshire, England. The film was released on June 3, 2016, in the US, received mixed reviews on Metacritic and grossed $207 million worldwide.
Document 4: The Horses of Helios: The Horses of Helios, also known as The Four Bronze Horses of Helios, is a bronze sculpture of four horses by Rudy Weller. It is one half of a commission installed in 1992 when the adjacent Criterion Theatre was refurbished. The other half, the "Daughters of Helios" or "Three Graces", is a sculpture of three women leaping off the building six stories above.
Document 5: Robin Hood: Robin Hood is a heroic outlaw in English folklore who, according to legend, was a highly skilled archer and swordsman. Traditionally depicted dressed in Lincoln green, he is said to rob from the rich and give to the poor. Alongside his band of Merry Men in Sherwood Forest and against the Sheriff of Nottingham, he became a popular folk figure in the Late Middle Ages, and continues to be widely represented in literature, film and television.
Document 6: John, King of England: By the Victorian period in the 19th century historians were more inclined to draw on the judgements of the chroniclers and to focus on John's moral personality. Kate Norgate, for example, argued that John's downfall had been due not to his failure in war or strategy, but due to his "almost superhuman wickedness", whilst James Ramsay blamed John's family background and his cruel personality for his downfall. Historians in the "Whiggish" tradition, focusing on documents such as the Domesday Book and Magna Carta, trace a progressive and universalist course of political and economic development in England over the medieval period. These historians were often inclined to see John's reign, and his signing of Magna Carta in particular, as a positive step in the constitutional development of England, despite the flaws of the king himself. Winston Churchill, for example, argued that "[w]hen the long tally is added, it will be seen that the British nation and the English-speaking world owe far more to the vices of John than to the labours of virtuous sovereigns".
Document 7: John, King of England: Contemporary chroniclers were mostly critical of John's performance as king, and his reign has since been the subject of significant debate and periodic revision by historians from the 16th century onwards. Historian Jim Bradbury has summarised the contemporary historical opinion of John's positive qualities, observing that John is today usually considered a "hard-working administrator, an able man, an able general". Nonetheless, modern historians agree that he also had many faults as king, including what historian Ralph Turner describes as "distasteful, even dangerous personality traits", such as pettiness, spitefulness and cruelty. These negative qualities provided extensive material for fiction writers in the Victorian era, and John remains a recurring character within Western popular culture, primarily as a villain in films and stories depicting the Robin Hood legends.
Document 8: John, King of England: Historical interpretations of John have been subject to considerable change over the years. Medieval chroniclers provided the first contemporary, or near contemporary, histories of John's reign. One group of chroniclers wrote early in John's life, or around the time of his accession, including Richard of Devizes, William of Newburgh, Roger of Hoveden and Ralph de Diceto. These historians were generally unsympathetic to John's behaviour under Richard's rule, but slightly more positive towards the very earliest years of John's reign. Reliable accounts of the middle and later parts of John's reign are more limited, with Gervase of Canterbury and Ralph of Coggeshall writing the main accounts; neither of them were positive about John's performance as king. Much of John's later, negative reputation was established by two chroniclers writing after the king's death, Roger of Wendover and Matthew Paris, the latter claiming that John attempted conversion to Islam in exchange for military aid from the Almohad ruler Muhammad al-Nasir - a story which is considered to be untrue by modern historians.
Document 9: Robin Hood: Prince of Thieves: Principal exteriors were shot on location in the United Kingdom. A second unit filmed the medieval walls and towers of the Cité de Carcassonne in the town of Carcassonne in Aude, France, for the portrayal of Nottingham and its castle. Locksley Castle was Wardour Castle in Wiltshire -- restored in an early shot using a matte painting. Marian's manor was filmed at Hulne Priory in Northumberland. Scenes set in Sherwood Forest were filmed throughout England: Burnham Beeches in Buckinghamshire was used for the outlaws' encampment, Aysgarth Falls in Yorkshire for the fight scene between Robin and Little John, and Hardraw Force in North Yorkshire was the location where Marian sees Robin bathing. Sycamore Gap on Hadrian's Wall was used for the scene when Robin first confronts the sheriff's men. Chalk cliffs at Seven Sisters, Sussex were used as the locale for Robin's return to England from the Crusades.
Document 10: The Copper Horse: The northern end of the Long Walk is at the George IV Gateway at Windsor Castle. The Copper Horse is a statue of George III on horseback, and is said to represent George as an emperor in the Roman tradition riding without stirrups, along the lines of the Equestrian Statue of Marcus Aurelius. A comparison has also been made to the equestrian statue of Peter the Great in Saint Petersburg.
Document 11: Regisole: The Regisole ("Sun King") was a bronze classical or Late Antique equestrian monument, highly influential during the Italian Renaissance but destroyed in 1796. It was originally erected at Ravenna, in what is now Italy, but was moved to Pavia in the Middle Ages, where it stood on a column before the cathedral, as an emblem of communal pride and Pavia's deep connection with imperial Rome.
Document 12: John, King of England: John's personal life greatly affected his reign. Contemporary chroniclers state that John was sinfully lustful and lacking in piety. It was common for kings and nobles of the period to keep mistresses, but chroniclers complained that John's mistresses were married noblewomen, which was considered unacceptable. John had at least five children with mistresses during his first marriage to Isabelle of Gloucester, and two of those mistresses are known to have been noblewomen. John's behaviour after his second marriage to Isabella of Angoulême is less clear, however. None of John's known illegitimate children were born after he remarried, and there is no actual documentary proof of adultery after that point, although John certainly had female friends amongst the court throughout the period. The specific accusations made against John during the baronial revolts are now generally considered to have been invented for the purposes of justifying the revolt; nonetheless, most of John's contemporaries seem to have held a poor opinion of his sexual behaviour.[nb 14]
Document 13: Equestrian statue of Theodore Roosevelt: Equestrian Statue of Theodore Roosevelt is a 1939 bronze sculpture by James Earle Fraser. It is located at the American Museum of Natural History, New York City. The equestrian statue depicts Theodore Roosevelt on horseback. Standing to either side of him are an American Indian and an African.
Document 14: John, King of England: Nineteenth-century fictional depictions of John were heavily influenced by Sir Walter Scott's historical romance, Ivanhoe, which presented "an almost totally unfavourable picture" of the king; the work drew on Victorian histories of the period and on Shakespeare's play. Scott's work influenced the late 19th-century children's writer Howard Pyle's book The Merry Adventures of Robin Hood, which in turn established John as the principal villain within the traditional Robin Hood narrative. During the 20th century, John was normally depicted in fictional books and films alongside Robin Hood. Sam De Grasse's role as John in the black-and-white 1922 film version shows John committing numerous atrocities and acts of torture. Claude Rains played John in the 1938 colour version alongside Errol Flynn, starting a trend for films to depict John as an "effeminate ... arrogant and cowardly stay-at-home". The character of John acts either to highlight the virtues of King Richard, or contrasts with the Sheriff of Nottingham, who is usually the "swashbuckling villain" opposing Robin. An extreme version of this trend can be seen in the Disney cartoon version, for example, which depicts John, voiced by Peter Ustinov, as a "cowardly, thumbsucking lion". Popular works that depict John beyond the Robin Hood legends, such as James Goldman's play and later film, The Lion in Winter, set in 1183, commonly present him as an "effete weakling", in this instance contrasted with the more masculine Henry II, or as a tyrant, as in A. A. Milne's poem for children, "King John's Christmas".
Document 15: Equestrian Portrait of Charles I: The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is an oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
ground_truth: Windsor Castle
sub_queries: Who was John depicted alongside? Answer: Robin Hood
where was Robin Hood prince of thieves made Answer: the United Kingdom
George IV of the United Kingdom >> place of death Answer: Windsor Castle