Question: Which artist is from Canada, Michael Snow or Wayne Wang?

full_context: Document 1: The Joy Luck Club (film): The Joy Luck Club () is a 1993 American film about the relationships between Chinese-American women and their Chinese mothers. It was directed by Wayne Wang and stars Ming-Na Wen, Rosalind Chao, Lauren Tom, Tamlyn Tomita, France Nguyen, Kieu Chinh, Lisa Lu, and Tsai Chin. The film is based on the eponymous 1989 novel by Amy Tan, who co-wrote the screenplay with Ronald Bass. The film was produced by Bass, Tan, Wang and Patrick Markey while Oliver Stone served as an executive producer. Four older women, all Chinese immigrants living in San Francisco, meet regularly to play mahjong, eat, and tell stories. Each of these women has an adult Chinese-American daughter. The film reveals the hidden pasts of the older women and their daughters and how their lives are shaped by the clash of Chinese and American cultures as they strive to understand their family bonds and one another.
Document 2: Michel Lemieux: Michel Lemieux (born February 13, 1959 in Indianapolis, Indiana) is a Canadian multimedia artist from Quebec, whose career has incorporated work in theatrical design, installation art, film, video, dance and music. First coming to prominence in the early 1980s as a performance artist whose work explored the integration of new media technologies into experimental pop music in a manner similar to Peter Gabriel and Laurie Anderson, more recently he has concentrated primarily on creating, designing, directing and producing multimedia theatrical presentations for events, theatrical companies and other artists.
Document 3: Norman McLaren: Norman McLaren, {'1': ", '2': ", '3': ", '4': "} (11 April 1914 – 27 January 1987) was a Scottish/Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound.
Document 4: Ashes and Snow: Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals. "Ashes and Snow" has traveled to Venice, New York City, Santa Monica, Tokyo, and Mexico City. To date, "Ashes and Snow" has attracted more than 10 million visitors, making it the most attended exhibition by a living artist in history.
Document 5: Wayne Wang: Wayne Wang (; born January 12, 1949) is a Hong Kong-born American film director.
Document 6: Michael Wadleigh: Michael Wadleigh, also known as Michael Wadley (born September 24, 1942 in Akron, Ohio), is an American film director and cinematographer renowned for his groundbreaking documentary of the 1969 Woodstock Festival, "Woodstock".
Document 7: Snow v Eaton Centre Ltd: Snow v Eaton Centre Ltd is a leading Canadian decision on moral rights. The Ontario High Court of Justice affirmed the artist's right to integrity of their work. The operator of the Toronto Eaton Centre was found liable for violating Michael Snow's moral rights by putting Christmas bows on his work.
Document 8: Wang Xiaoshuai: Wang Xiaoshuai (; born May 22, 1966) is a Chinese film director, screenwriter and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China.
Document 9: Wang Sheng Hong: Wang Sheng Hong was born in Hemei village in Zhanghua County, Taiwan in 1970, growing up in a farming family with an illiterate mother and a father who only received basic education. Though his parents did not excel at explaining the world, their actions served as a model for honesty, warmth and kindness. As a youth, Wang enjoyed reading the works of Qi Jun and Yukio Mishima, and exchanged letters with the former for twenty years, discussing the giving and receiving among family and friends, as well as their shared love for various other topics. Meanwhile, the author Yukio sparked his interest in passion, immorality, and life and death.
Document 10: Wavelength (1967 film): Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." "Wavelength" is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 "Village Voice" critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in "Artforum", Manny Farber describes "Wavelength" as "a pure, tough 45 minutes that may become "The Birth of a Nation" in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Document 11: Michael Snow: Michael Snow, {'1': ", '2': ", '3': ", '4': "} (born December 10, 1929) is a Canadian artist working in painting, sculpture, video, films, photography, holography, drawing, books and music. His best-known films are "Wavelength" (1967) and "La Région Centrale" (1971), with the former regarded as a milestone in avant-garde cinema.
Document 12: Wong Kar-wai: Wong Kar-wai, BBS (born 17 July 1958) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized work, including "As Tears Go By" (1988), "Days of Being Wild" (1990), "Ashes of Time" (1994), "Chungking Express" (1994), "Fallen Angels" (1995), "Happy Together" (1997), "2046" (2004) and "The Grandmaster" (2013). His film "In the Mood for Love" (2000), starring Maggie Cheung and Tony Leung, notably garnered widespread critical acclaim.
Document 13: Martin Duckworth: Martin Duckworth (born March 8, 1933) is a Canadian documentary director and cinematographer who was on staff at the National Film Board from 1963 to 1970 and has continued to work with them as a freelance filmmaker. He was cinematographer on more than 100 films, and directed or co-directed 30, most of them with the NFB. His credits as director include "12,000 Men" and "Return to Dresden" (Golden Sheaf awards at Yorkton, 1978 and 1986), "Wives’ Tale" (Quebec Critics’ Choice 1980), "No More Hiroshima" (Genie 1984), "Our Last Days in Moscow" (best direction FIFA1987), "Oliver Jones in Africa" (Mannheim Ducate 1990), and "Brush with Life" (Hot Docs Best Film 1994). His cinematography work has included "Christopher’s Movie Matinee", directed by Mort Ransen (1968), "Sad Song of Yellow Skin", by Michael Rubbo (1970), "Le bonhomme", by Pierre Maheu (1972), "La richesse des autres", by Maurice Bulbulian (1973), "Falasha" by Peter Raymont (1983), "La bombe en bonus", by Audrey Schirmer (1986), "Between Two Worlds" by Barry Greenwald (1990), "Seeing Red" by Julia Reichert (1993), "Maureen Forrester, the Diva in Winter", by Donald Winkler (1999), "Return to Kandahar" by Paul Jay (2003), "Professor Norman Cornett", by Alanis Obomsawin (2009), "Ma vie réelle", by Magnus Isacsson (2012), "Granny Power", by Jocelyn Clarke (2016). He has also worked as a cinematographer with such filmmakers as Gilles Groulx, Don Shebib, Laszlo Barna and Peter Watkins
Document 14: Wong Kar-wai filmography: Wong Kar-wai (born 17 July 1958) is a Hong Kong film director, screenwriter and producer. He began his career as a screenwriter in 1982, then made his directoral debut in 1988. As of 2015, he has directed 10 feature films. He has also worked as producer on several films he did not direct. Wong has also directed short films, commercials, and two music videos.
Document 15: Amy Tan: Amy Tan (born February 19, 1952) is an American writer whose works explore mother-daughter relationships and the Chinese American experience. Her novel "The Joy Luck Club" was adapted into a film in 1993 by director Wayne Wang.
ground_truth: Michael Snow