Question: The Purcell Operatic Society was a company devoted to the works of which composer of Baroque-style music?

full_context: Document 1: Purcell Society: The Purcell Society, founded in 1876 (principally by William Hayman Cummings) is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965, scores of all the known works of Purcell were published, in 32 volumes. Advances in musical scholarship and editorial techniques in the decades after the first volumes were issued meant that by the second half of the 20th century they were no longer meeting the needs of users. Beginning in the 1960s, the Purcell Society began to issue revised versions of the scores. The website gives details of the scores in the revised series that are currently available.
Document 2: Lakeshore Light Opera: Lakeshore Light Opera (LLO), an amateur community theatre group, performs Gilbert and Sullivan operas in the West Island of Montreal, Canada. The company produced its first show in 1955. Early in its history, the group was directed by former D'Oyly Carte Opera Company member Doris Hemingway, and briefly conducted by her husband, former D'Oyly Carte conductor Harry Norris. The group was known as St Paul's Operatic Society until 1980, when it changed its name to Lakeshore Light Opera. For over 35 years, proceeds from its annual production have been contributed to the Lakeshore General Hospital.
Document 3: List of compositions by George Frideric Handel: George Frideric Handel (23 February 1685 – 14 April 1759) was a German–English Baroque composer who is famous for his operas, oratorios and concerti grossi. Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and 16 organ concerti. His oratorio "Messiah", with its "Hallelujah" chorus, is among the most famous Baroque works and is a popular choice for performances during the Christmas season. Among Handel's best-known instrumental works are the Concerti Grossi Opus 3 and 6; "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds; and his 16 keyboard suites, especially "The Harmonious Blacksmith".
Document 4: American Opera Society: The American Opera Society (AOS) was a New York City based musical organization that presented concert and semi-staged performances of operas between 1951 and 1970. The company was highly influential in sparking and perpetuating the post World War II bel canto revival, particularly through a number of highly lauded productions of rarely heard works by Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini. The AOS also presented many operas to the American public for the first time, including the United States premieres of Benjamin Britten's "Billy Budd", Giuseppe Verdi's "Giovanna d'Arco", George Frideric Handel's "Hercules" and Hector Berlioz's "Les troyens" to name just a few.
Document 5: Baroque music: Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Document 6: Dido and Aeneas: Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's "Aeneid". It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, "Dido and Aeneas" is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's "Venus and Adonis", both in structure and in overall effect. The influence of Cavalli's opera "Didone" is also apparent.
Document 7: Edward Henry Purcell: Edward Henry Purcell (died 1765), organist, printer, and music publisher, was the son of Edward Purcell, and grandson of the English Baroque master, Henry Purcell. He was a chorister in the Chapel Royal in 1737. Upon the death of his father in 1740, he succeeded him as organist of St Clement, Eastcheap.
Document 8: John Blow: John Blow (baptised 23 February 1649 – 1 October 1708) was an English Baroque composer and organist, appointed to Westminster Abbey in 1669. His pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, "Venus and Adonis" (ca. 1680–1687), was thought to influence Henry Purcell's later opera "Dido and Aeneas". In 1687 he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.
Document 9: The Fairy-Queen: The Fairy-Queen (1692; Purcell catalogue number Z.629) is a masque or semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's wedding comedy "A Midsummer Night's Dream". First performed in 1692, "The Fairy-Queen" was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century.
Document 10: Henry Purcell: Henry Purcell ( or ; c. 10 September 1659 – 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century.
Document 11: Purcell Room: The Purcell Room is a concert and performance venue which forms part of the Southbank Centre, one of central London's leading cultural complexes. It is named after the 17th century English composer Henry Purcell and has 370 seats. The Purcell Room has hosted a wide range of chamber music, jazz, mime and poetry recitals. In the context of the Southbank Centre it is the smallest of a set of three venues, the other two being the Royal Festival Hall, a large symphony hall, and the QEH, which is used for orchestral, chamber and contemporary amplified music.
Document 12: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 13: Stage Society: The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre (whose Vedrenne-Barker management is said to have originated in the Society's work) but also at other London West End venues. Founded in 1899 "to regenerate the Drama", it followed the Independent Theatre Society in this activity. Its plays particularly included the first performances of plays that had been banned for public performance by the Lord Chamberlain. George Bernard Shaw, Harley Granville Barker, St. John Hankin, Gilbert Murray and Clifford Bax were all involved with the company.
Document 14: Purcell Operatic Society: The Purcell Operatic Society was a short-lived but influential London opera company devoted to the production of stage works by Henry Purcell and his contemporaries. It was founded in 1899 by the composer Martin Shaw and folded in 1902. Its stage director and production designer was Gordon Craig whose productions for the company marked the beginning of his career as a theatre practitioner. Their debut production of Purcell's opera "Dido and Aeneas" in 1900 was one of the earliest staged performances of the work in modern times.
Document 15: Benjamin Britten: Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist. He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
ground_truth: Henry Purcell