Question: A Novel written by who is an opera based on in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann, that is a mainstay of the repertory during its history have included the following works which have each been performed more than 1,000 times by the company?

full_context: Document 1: Tacoma Opera: Tacoma Opera is a professional opera company located in Tacoma, WA and is a member of OPERA America. The company presents two to three operas a year. The 2015-16 season includes "Don Giovanni", "Die Fledermaus", and "The Threepenny Opera".
Document 2: Palais Garnier: The Palais Garnier (] French    ) is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was called the Salle des Capucines, because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier, in recognition of its opulence and its architect, Charles Garnier. The theatre is also often referred to as the Opéra Garnier (French    ) and historically was known as the Opéra de Paris or simply the Opéra, as it was the primary home of the Paris Opera and its associated Paris Opera Ballet until 1989, when the Opéra Bastille opened at the Place de la Bastille. The Paris Opera now mainly uses the Palais Garnier for ballet.
Document 3: Max Maretzek Italian Opera Company: The Max Maretzek Italian Opera Company (sometimes referred to as the Italian Opera Company, the Italian Grand Opera Company, or Academy of Music Opera Company) was a touring American opera company that performed throughout the United States from 1849-1878. The first major opera company in Manhattan and one of the first important companies in the United States, it had a long association with the Academy of Music in New York City where it presented an annual season of opera from 1854 until the company's demise in 1878 There the company performed the United States premieres of "Rigoletto", "Il trovatore", and "La traviata" among other works.
Document 4: Opéra-Comique: The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: "Cavalleria Rusticana", "Le chalet", "La dame blanche", "Le domino noir", "La fille du régiment", "Lakmé", "Manon", "Mignon", "Les noces de Jeannette", "Le pré aux clercs", "Tosca", "La bohème", "Werther" and "Carmen", the last having been performed more than 2,500 times.
Document 5: Werther: Werther is an opera ("drame lyrique") in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on the German epistolary novel "The Sorrows of Young Werther" by Johann Wolfgang von Goethe, which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).
Document 6: Boulevard Solitude: Boulevard Solitude is a "Lyrisches Drama " (lyric drama) or opera in one act by Hans Werner Henze to a German libretto by Grete Weil after the play by Walter Jockisch, in its turn a modern retelling of François Prévost's "Manon Lescaut". The piece is a reworking of the Manon Lescaut story, already adapted operatically by Auber, Massenet and Puccini, and here relocated to Paris after the Second World War where, as is noted in Grove, the focus of the story moves away from Manon and towards Armand des Grieux. It became Henze’s first fully-fledged opera. The work stands out for its strong jazz influences, from a composer who had hitherto been associated with twelve tone technique.
Document 7: Hérodiade: Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella "Hérodias" (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
Document 8: Théâtre de la Gaîté (boulevard du Temple): The Théâtre de la Gaîté, a former Parisian theatre company, was founded in 1759 on the boulevard du Temple by the celebrated Parisian fair-grounds showman Jean-Baptiste Nicolet as the Théâtre de Nicolet, ou des Grands Danseurs. The company was invited to perform for the royal court of Louis XV in 1772 and thereafter took the name of Grands-Danseurs du Roi. However, with the fall of the monarchy and the founding of the First French Republic in 1792, the name was changed to the less politically risky Théâtre de la Gaîté. The company's theatre on the boulevard du Temple was replaced in 1764 and 1808, and again in 1835 due to a fire. As a result of Haussmann's renovation of Paris, the company relocated to a new theatre on the rue Papin in 1862, and the 1835 theatre (pictured) was subsequently demolished.
Document 9: Philadelphia La Scala Opera Company: The Philadelphia La Scala Opera Company (defunct) was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954. In 1955 the company merged with the Philadelphia Civic Grand Opera Company to form the Philadelphia Grand Opera Company.
Document 10: La Fenice: Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
Document 11: Sapho (Massenet): Sapho is a "pièce lyrique" ("lyric play", an opera in a declamatory style) in five acts. The music was composed by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel of the same name by Alphonse Daudet. It was first performed on 27 November 1897 by the Opéra Comique at the Théâtre Lyrique on the Place du Châtelet in Paris with Emma Calvé as Fanny Legrand. A charming and effective piece, the success of which is highly dependent on the charisma of its lead soprano, it has never earned a place in the standard operatic repertory.
Document 12: Don Quichotte: Don Quichotte ("Don Quixote") is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
Document 13: Toulon Opera: The Toulon Opera (L'opéra de Toulon), inaugurated on 1 October 1862, is the second-largest opera house in France, after the Palais Garnier in Paris, although it opened thirteen years before the Garnier. The inaugural performance was "Les Mouquetaires de la reine", a comic opera by Fromental Halévy, followed a few days later by "La Juive", the same composer's most famous opera.
Document 14: Carmen: Carmen (] ; ] ) is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.
Document 15: Euryanthe: Euryanthe is a German "grand, heroic, romantic" opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor, Vienna on 25 October 1823. Though acknowledged as one of Weber's most important operas, the work is rarely staged because of the weak libretto by Helmina von Chézy (who, incidentally, was also the author of the failed play "Rosamunde", for which Franz Schubert wrote music). "Euryanthe" is based on the 13th-century romance ""L'Histoire du très-noble et chevalereux prince Gérard, comte de Nevers et la très-virtueuse et très chaste princesse Euriant de Savoye, sa mye.""
ground_truth: Johann Wolfgang von Goethe