Question: In what language was the film whose title describes getting a kiss from a person who starred in The Hoodlum?

full_context: Document 1: Kiss (1963 film): Kiss is a 1963 silent American experimental film directed by Andy Warhol, which runs 50 minutes and features various couples—man and woman, woman and woman, man and man—kissing for 3½ minutes each. The film features Naomi Levine, Gerard Malanga, Rufus Collins, Johnny Dodd, and Ed Sanders.
Document 2: The End of St. Petersburg: The End of St. Petersburg () is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, "The End of St Petersburg" was to be one of Pudovkin's most famous films and secured his place as one of the foremost Soviet montage film directors.
Document 3: Salome of the Tenements: The film, which was inspired by accounts of the real life of Rose Pastor Stokes, tells the story of poor immigrants living in New York's Jewish Lower East Side. It was shot in Paramount Astoria studios.
Document 4: Behind the Scenes (1914 film): Behind the Scenes is a 1914 American silent drama film produced by Famous Players-Lasky, released by Paramount Pictures, based on the play "Behind the Scenes" by Margaret Mayo, and starring Mary Pickford as a struggling young actress. James Kirkwood directed and co-starred.
Document 5: Alexander Drankov: We know about this period of Drankov’s life from contradictory accounts of his acquaintances. He first tried to make profit by selling jewellery in Kiev, then moved to Yalta and began shooting pornographic films. In November 1920, he emigrated to Constantinople, where he made his living by either organizing cockroach racing events, according to one account, or by film distribution and maintaining an amusement park, according to another account. In 1922, Drankov moved to the United States of America, where he would buy a mobile cinema projector and show films to Russian immigrants. In 1927, he made an attempt to return to film-making business, but his intention to shoot a major film about a love affair between Nicholas II and ballerina Mathilde Kschessinska turned out to be a failure. After his unsuccessful attempt to gain a foothold in Hollywood, Alexander Drankov opened a café in Venice, California, but soon moved to San Francisco, where he would work in his own photo company until his death on 3 January 1949 in San Francisco. He is buried in Colma, California.
Document 6: Man with a Movie Camera: Vertov's feature film, produced by the film studio VUFKU, presents urban life in the Soviet cities of Kiev, Kharkov, Moscow and Odessa. It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film.
Document 7: Little Annie Rooney (1925 film): Little Annie Rooney is a 1925 American silent comedy-drama film starring Mary Pickford and directed by William Beaudine. Pickford, one of the most successful actresses of the silent era, was best known throughout her career for her iconic portrayals of penniless young girls. After generating only modest box office revenue playing adults in her previous two films, Pickford wrote and produced "Little Annie Rooney" to cater to silent film audiences. Though she was 33 years old, Pickford played the title role, an Irish girl living in the slums of New York City.
Document 8: Johanna Enlists: Johanna Enlists is a 1918 silent film comedy-drama produced by and starring Mary Pickford with distributed by Paramount Pictures. The film was directed by William Desmond Taylor from a short story by Rupert Hughes, "The Mobilization of Johanna". Frances Marion, a frequent Pickford collaborator, wrote the scenario. The film was made at a time during World War I when sentimental or patriotic films were immensely popular. It was an early starring vehicle for Monte Blue, the male lead opposite Pickford. The film survives in several prints, including one at the Library of Congress.
Document 9: A Good Little Devil: A Good Little Devil is a 1914 silent film starring Mary Pickford (her first feature-length film), produced by Adolph Zukor and Daniel Frohman, and distributed on a 'State's Rights' basis.
Document 10: Laurel and Hardy: Prior to emerging as a team, both actors had well - established film careers. Laurel had appeared in over 50 films as an actor (while also working as a writer and director) while Hardy had been in more than 250 productions. The two comedians had previously worked together as cast members on the film The Lucky Dog in 1921. However, they were not a comedy team at that time and it was not until 1926 that they appeared in a movie short together, when both separately signed contracts with the Hal Roach film studio. Laurel and Hardy officially became a team in 1927 when they appeared together in the silent short film Putting Pants on Philip. They remained with the Roach studio until 1940 and then appeared in eight ``B ''movie comedies for 20th Century Fox and Metro - Goldwyn - Mayer from 1941 to 1945. After finishing their movie commitments at the end of 1944, they concentrated on performing in stage shows and embarked on a music hall tour of England, Ireland, and Scotland. In 1950, before retiring from the screen, they made their last film, a French - Italian co-production called Atoll K.
Document 11: The Hoodlum (1919 film): The Hoodlum is a 1919 silent film comedy-drama produced by and starring Mary Pickford and released through First National. The film was directed by Sidney A. Franklin and was based on the novel "Burkeses Amy" by Julie Matilde Lippman.
Document 12: The Dawn of a Tomorrow (1915 film): The Dawn of a Tomorrow is a 1915 American silent film starring Mary Pickford, produced by Adolph Zukor's Famous Players Film Company and directed by James Kirkwood. It is based on a 1909 stage play starring Eleanor Robson Belmont, her last stage role. This film was rereleased by Paramount in 1919 under their "Success-Series" banner and a copy survives in Sweden today. The story was remade in 1924 again as "The Dawn of a Tomorrow" with Jacqueline Logan in the lead.
Document 13: A Kiss from Mary Pickford: A Kiss From Mary Pickford () is a 1927 Soviet silent comedy film made in directed by Sergei Komarov and co-written by Komarov and Vadim Shershenevich. The film, starring Igor Ilyinsky, is mostly known today because of a cameo by the popular film couple Mary Pickford and Douglas Fairbanks. The footage of the couple was shot during their visit to the USSR, with the couple knowingly participating as a gesture towards the Russian film industry.
Document 14: Man Ray: In July 1921, Man Ray went to live and work in Paris, France. He soon settled in the Montparnasse quarter favored by many artists. Shortly after arriving in Paris, he met and fell in love with Kiki de Montparnasse (Alice Prin), an artists' model and celebrated character in Paris bohemian circles. Kiki was Man Ray's companion for most of the 1920s. She became the subject of some of his most famous photographic images and starred in his experimental films, "Le Retour à la Raison" and "L'Étoile de mer". In 1929, he began a love affair with the Surrealist photographer Lee Miller. She left him in 1932.
Document 15: Khosrow Mirza: A young Khosrow Mirza is briefly depicted in Alexander Sokurov's 2002 film Russian Ark. The film also portrays Khosrow's elaborate ceremonial apology before the Russian Tsar.
ground_truth: Russian
sub_queries: The Hoodlum >> cast member Answer: Mary Pickford
A Kiss From Mary Pickford >> original language of film or TV show Answer: Russian