Question: When were the mosaics created at the church in the city where Trypes was founded?

full_context: Document 1: Cyprus: Popular music in Cyprus is generally influenced by the Greek Laïka scene; artists who play in this genre include international platinum star Anna Vissi, Evridiki, and Sarbel. Hip Hop, R&B and reggae have been supported by the emergence of Cypriot rap and the urban music scene at Ayia Napa. Cypriot rock music and Éntekhno rock is often associated with artists such as Michalis Hatzigiannis and Alkinoos Ioannidis. Metal also has a small following in Cyprus represented by bands such as Armageddon (rev.16:16), Blynd, Winter's Verge and Quadraphonic.
Document 2: Hard rock: Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.
Document 3: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 4: Mosaic: The greatest mosaic work of the Palaeologan renaissance in art is the decoration of the Chora Church in Constantinople. Although the mosaics of the naos have not survived except three panels, the decoration of the exonarthex and the esonarthex constitute the most important full-scale mosaic cycle in Constantinople after the Hagia Sophia. They were executed around 1320 by the command of Theodore Metochites. The esonarthex has two fluted domes, specially created to provide the ideal setting for the mosaic images of the ancestors of Christ. The southern one is called the Dome of the Pantokrator while the northern one is the Dome of the Theotokos. The most important panel of the esonarthex depicts Theodore Metochites wearing a huge turban, offering the model of the church to Christ. The walls of both narthexes are decorated with mosaic cycles from the life of the Virgin and the life of Christ. These panels show the influence of the Italian trecento on Byzantine art especially the more natural settings, landscapes, figures.
Document 5: Mosaic: There are very few existing mosaics from the Komnenian period but this paucity must be due to accidents of survival and gives a misleading impression. The only surviving 12th-century mosaic work in Constantinople is a panel in Hagia Sophia depicting Emperor John II and Empress Eirene with the Theotokos (1122–34). The empress with her long braided hair and rosy cheeks is especially capturing. It must be a lifelike portrayal because Eirene was really a redhead as her original Hungarian name, Piroska shows. The adjacent portrait of Emperor Alexios I Komnenos on a pier (from 1122) is similarly personal. The imperial mausoleum of the Komnenos dynasty, the Pantokrator Monastery was certainly decorated with great mosaics but these were later destroyed. The lack of Komnenian mosaics outside the capital is even more apparent. There is only a "Communion of the Apostles" in the apse of the cathedral of Serres.
Document 6: Georgi Minchev (musician): He is best known as one of the pioneers of the rock music genre in Bulgaria as well as one of the advocates of the restoration of the democracy in the country. Many of his songs became classic rock hits most notably "White Silence", "Blessed years", "The Bulgarian Rock", "Balance", "The Song of the singer", "Alone at the Bar", "A Story with Guitar" and "Almost Midnight".
Document 7: Kravgi: Kravgi (Greek: "Κραυγή"; English: "Scream") is a studio album released by singer Anna Vissi in November 2000 in Greece and Cyprus by Sony Music Greece. The double-album was certified 7× Platinum in Greece and Cyprus, while it was also the best-selling album of the year 2000 in Greece. The album was also later released by Sony Music in Turkey in 2001 where it was certified Gold as well as in Australia and New Zealand in 2002. Today the album stands as one of the most successful albums of all time in Greece with sales of over 175,000 copies (350,000 discs). This album, along with English-language album "Everything I Am" released the same year, showcased a significant change over Vissi's stylistic and musical selections, expanding her image as a pop icon and contemporary artist as promoted in the mid-1990s and onwards.
Document 8: Poyushchiye Gitary: Pojuschie Gitary ( , "The Singing Guitars") were the Soviet Union's first rock band to reach a phenomenal rate of success and popularity in the Soviet Union, Eastern Europe and in other countries. For that reason, they are often nicknamed "the Soviet Beatles" in a manner not that different from Hungary's Illés and Poland's Czerwone Gitary, whose name means "Red Guitars".
Document 9: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
Document 10: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 11: I Knew Them: I Knew Them is a band that originates from Thessaloniki, Greece. However, it is a band that differentiates itself from the Greek rock movement, introducing elements from foreign rock styles such as the Grunge movement from Seattle, USA during the late 1980s and New York City's No-Wave from the early 1980s. They are one of the few Greek rock bands that took their music way beyond the limits of Greece, more evidently by moving to the United Kingdom in 2006. It is also notable that they still retain all creative control of their creations, having non-exclusive cooperation with many indie labels from around the world.
Document 12: Mosaic: The 9th- and 10th-century mosaics of the Hagia Sophia in Constantinople are truly classical Byzantine artworks. The north and south tympana beneath the dome was decorated with figures of prophets, saints and patriarchs. Above the principal door from the narthex we can see an Emperor kneeling before Christ (late 9th or early 10th century). Above the door from the southwest vestibule to the narthex another mosaic shows the Theotokos with Justinian and Constantine. Justinian I is offering the model of the church to Mary while Constantine is holding a model of the city in his hand. Both emperors are beardless – this is an example for conscious archaization as contemporary Byzantine rulers were bearded. A mosaic panel on the gallery shows Christ with Constantine Monomachos and Empress Zoe (1042–1055). The emperor gives a bulging money sack to Christ as a donation for the church.
Document 13: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 14: Trypes: Trypes (Greek: Τρύπες), which translates in English as "Holes" were a highly influential and acclaimed Greek rock band, originating from Thessaloniki, Greece. Their unique sound emerged mainly from the combination of vocalist Giannis Aggelakas' distinctive singing style and lyrics and Giorgos Karras' Post-punk and Alternative Rock instrumentation. They have produced landmark albums like "Enia pliromena tragoudia" (Nine paid songs) and "Kefali gemato chrysafi" (Head Full of Gold) which not only were commercially successful, but are also considered to be masterpieces of Greek Rock discography.
Document 15: Greece: Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.
ground_truth: 5th–6th centuries
sub_queries: Trypes >> location of formation Answer: Thessaloniki
When were the mosaics at the church in Thessaloniki created? Answer: 5th–6th centuries