Question: Who is a German composer and musician from the Baroque period that composed Ach Gott, wie manches Herzeleid BWV 58?.

full_context: Document 1: List of compositions by George Frideric Handel: George Frideric Handel (23 February 1685 – 14 April 1759) was a German–English Baroque composer who is famous for his operas, oratorios and concerti grossi. Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and 16 organ concerti. His oratorio "Messiah", with its "Hallelujah" chorus, is among the most famous Baroque works and is a popular choice for performances during the Christmas season. Among Handel's best-known instrumental works are the Concerti Grossi Opus 3 and 6; "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds; and his 16 keyboard suites, especially "The Harmonious Blacksmith".
Document 2: Chorale cantata (Bach): There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. The eldest known cantata by Bach, an early version of "Christ lag in Todes Banden", BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was "Wie schön leuchtet der Morgenstern", BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle.
Document 3: Ach Gott, wie manches Herzeleid, BWV 58: Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak), BWV 58 , is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day.
Document 4: Ach Gott, vom Himmel sieh darein, BWV 2: Johann Sebastian Bach composed the church cantata Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven), BWV 2 , in Leipzig for the second Sunday after Trinity and first performed on 18 June 1724. It is the second cantata of his second annual chorale cantata cycle, and is based on Martin Luther's hymn "Ach Gott, vom Himmel sieh darein ", published in 1524 in the first Lutheran hymnal.
Document 5: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 6: Mein Gott, wie lang, ach lange? BWV 155: Mein Gott, wie lang, ach lange? (My God, how long, ah, how long), BWV 155, is a church cantata by Johann Sebastian Bach. He first performed it in Weimar on the second Sunday after Epiphany, on 19 January 1716.
Document 7: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 8: Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Oh God, how much heartache), BWV 3 , is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587.
Document 9: Johann Gottlieb Goldberg: Johann Gottlieb Goldberg (baptized 14 March 1727 – 13 April 1756), also known as Johann Gollberg or Johann Goltberg, was a German virtuoso harpsichordist, organist, and composer of the late Baroque and early Classical period. He is best known for lending his name, as the probable original performer, to the renowned "Goldberg Variations" of J.S. Bach.
Document 10: Johann Sebastian Bach: Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
Document 11: Ich hab in Gottes Herz und Sinn, BWV 92: Ich hab in Gottes Herz und Sinn (I have given over to God's heart and mind), BWV 92 , is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725. It is based on the hymn "Ich hab in Gottes Herz und Sinn " by Paul Gerhardt (1647), and is the only chorale cantata Bach based on a hymn by Gerhardt.
Document 12: Baroque music: Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Document 13: Mass in B minor discography: The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 237 recordings listed on bach-cantatas as of 2015, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982.
Document 14: Ach Gott, wie manches Herzeleid: "Ach Gott, wie manches Herzeleid " (Oh God, how much heartache) is a German hymn in 18 stanzas attributed to Martin Moller (1587). It is often catalogued as a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux, but only a few lines refer directly to this song. The hymn is sung to an anonymous tune of "Herr Jesu Christ, meins Lebens Licht", which first appeared in Wolflein Lochamer's "Lochamer-Liederbuch", printed in Nürnberg around 1455.
Document 15: The Goldberg Variations (ballet): The Goldberg Variations is a ballet made by New York City Ballet's ballet master Jerome Robbins to Johann Sebastian Bach's eponymous music from 1742, BWV 988, his only work in the form of theme and variations; the theme is a sarabande he wrote for his second wife. The premiere took place on May 27, 1971 at the New York State Theater, Lincoln Center, with costumes by Joe Eula and lighting by Thomas Skelton.
ground_truth: Johann Sebastian Bach