Question: The sociology of literature studies the social production of literature and its social implications, a notable exampe is "Les Règles de L'Art: Genèse et Structure du Champ Littéraire" by a French sociologiest, anthropologist, philosopher and what?

full_context: Document 1: The Rules of Sociological Method: The Rules of Sociological Method (French: "Les Règles de la Méthode Sociologique" ) is a book by Émile Durkheim, first published in 1895. It is recognized as being the direct result of Durkheim's own project of establishing sociology as a positivist social science. Durkheim is seen as one of the fathers of sociology, and this work, his manifesto of sociology. Durkheim distinguishes sociology from other sciences and justifies his rationale. Sociology is the science of social facts. Durkheim suggests two central theses, without which sociology would not be a science:
Document 2: Sociology of law: The sociology of law (or legal sociology) is often described as a sub-discipline of sociology or an interdisciplinary approach within legal studies. Some see sociology of law as belonging "necessarily" to the field of sociology whilst others tend to consider it a field of research caught up between the disciplines of law and sociology. Still others regard it neither as a sub-discipline of sociology nor as a branch of legal studies but as a field of research on its own right within the broader social science tradition. Accordingly, it may be described without reference to mainstream sociology as "the systematic, theoretically grounded, empirical study of law as a set of social practices or as an aspect or field of social experience". It has been seen as treating law and justice as fundamental institutions of the basic structure of society mediating "between political and economic interests, between culture and the normative order of society, establishing and maintaining interdependence, and constituting themselves as sources of consensus, coercion and social control".
Document 3: Culture Industry Reconsidered: Culture Industry Reconsidered (German: "Résumé über Kulturindustrie" ), was written in 1963 by Theodor W. Adorno, a German philosopher who belonged to the Frankfurt School of social theory. The term "cultural industry" first appeared in "Dialectic of Enlightenment" (1947), written by Adorno and Max Horkheimer.
Document 4: Discipline and Punish: Discipline and Punish: The Birth of the Prison (French: "Surveiller et punir: Naissance de la prison" ) is a 1975 book by the French philosopher Michel Foucault. It is an analysis of the social and theoretical mechanisms behind the changes that occurred in Western penal systems during the modern age based on historical documents from France. Foucault argues that prison did not become the principal form of punishment just because of the humanitarian concerns of reformists. He traces the cultural shifts that led to the predominance of prison via the body and power. Prison used by the "disciplines" - new technological powers that can also be found, according to Foucault, in places such as schools, hospitals, and military barracks.
Document 5: Sociology of literature: The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 "Les Règles de L'Art: Genèse et Structure du Champ Littéraire", translated by Susan Emanuel as "Rules of Art: Genesis and Structure of the Literary Field" (1996).
Document 6: Philippe Desan: Philippe Desan is Howard L. Willett Professor of French and History of Culture at the University of Chicago. Originally from France, Dr. Desan is among the top Montaigne scholars alive today. He received his PhD from the University of California Davis (1984), and has published widely on several topics pertaining to the literature and culture of the French Renaissance, often in relation to their economic, political and sociological context. At the University of Chicago, he has served as Master of the Humanities Collegiate Division and as Chair of the Department of Romance Languages and Literatures. He is the general editor of the Montaigne Studies. He has been awarded numerous honors for his scholarly work, including being named Knight of the Ordre des Palmes Académiques (1994) and awarded the Ordre National du Mérite (2004) and the Ordre des Arts et Lettres (2011). He has also received the Prix de l'Académie Française (for the Dictionnaire de Montaigne) in 2005, the Grand Prix de l'Académie Française for "le rayonnement de la langue et littérature française" in 2015 and the Prix de l'Académie des Sciences Morales et Politiques for his "Montaigne. Une biographie politique" in 2015.
Document 7: Francophone literature: Francophone literature is literature written in the French language. The existence of a plurality of literatures in the French language has been recognised, although the autonomy of these literatures is less defined than the plurality of literatures written in the English language. Writings in the French language from Belgium, Canada and Switzerland were recognised as belonging to distinct traditions long before writings from colonial territories of France. Writing in French by Africans was formerly classified as "colonial literature" and discussed as part of colonial studies for its ethnographical interest, rather than studied for its literary merit. Any texts in French from the colonies and territories that were considered to have merit were subsumed under the classification of French literature. The nature and importance of Francophone literature in various territories of the former French Empire depends on the concentration of French settlers, the length of time spent in colonial status, and how developed indigenous languages were as literary languages. It was only following the Second World War that a distinction started to be made in literary studies and anthologies between French literature and other writing in French. In 1960 Maurice Bémol published "Essai sur l'orientation des littératures de langue française au XXe siècle"; the plural in the title emphasised the study's new approach of examining the level of autonomy of the languages.
Document 8: Western canon: The Western canon is the body of books, music, and art that scholars generally accept as the most important and influential in shaping Western culture. It includes works of fiction, non-fiction, poetry, drama, music, art, sculpture, and architecture generally perceived as being of major artistic merit and representing the high culture of Europe and North America. University of California philosopher John Searle suggests that the Western canon can be roughly defined as "a certain Western intellectual tradition that goes from, say, Socrates to Wittgenstein in philosophy, and from Homer to James Joyce in literature". The Bible, a product of Middle Eastern culture, has been a major force in shaping Western culture, and "has inspired some of the great monuments of human thought, literature, and art".
Document 9: Pierre Boulez: Pierre Louis Joseph Boulez CBE (] ; 26 March 1925 – 5 January 2016) was a French composer, conductor, writer and organiser of institutions. He was one of the dominant figures of the post-war classical music world.
Document 10: Georges Bataille: Georges Albert Maurice Victor Bataille (] ; 10 September 1897 – 9 July 1962) was a French intellectual and literary figure working in literature, philosophy, anthropology, economics, sociology and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. His work would prove influential on subsequent schools of philosophy and social theory, including poststructuralism.
Document 11: Authoritarian literature: Authoritarian literature is a term used by John Gardner to designate the body of literature written by persons living under an authoritarian governmental regime. Literary works produced in these regimes share common characteristics that make the designation useful. Authoritarian regimes revere their leaders, who historically were typically referred to as kings, along with advisors to the king. These leaders were considered innately better than ordinary people. The authoritarian leader, and his approved circle, if not directly writing about a subject themselves, were the only ones who could designate, approve, and sanction writers as acceptable authorities. Government authorities also financially supported writers under a patronage system. The writers in such a system therefore must necessarily be careful to ensure the composition of their work met (or would meet) the approval of authorities. Failure to comply risked official warnings, loss of governmental sanction, and sometimes even imprisonment or loss of life.
Document 12: Fashionable Nonsense: Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science (French: "Impostures Intellectuelles" ), published in the UK as Intellectual Impostures, is a book by physicists Alan Sokal and Jean Bricmont. Sokal is best known for the Sokal Affair, in which he submitted a deliberately absurd article to "Social Text", a critical theory journal, and was able to get it published.
Document 13: Pierre Bourdieu: Pierre Felix Bourdieu (] ; 1 August 1930 – 23 January 2002) was a French sociologist, anthropologist, philosopher, and public intellectual.
Document 14: Distinction (sociology): In sociology, distinction is a social force that assigns different values upon different people within a given society. In "Distinction: A Social Critique of the Judgement of Taste" ("La Distinction", 1979), Pierre Bourdieu described how the powers that be define aesthetic concepts such as "taste", whereby the social class of a person tends to determine his or her cultural interests, likes, and dislikes, and how political and socio-economic, racial and sexual distinctions, based upon social class, are reinforced in daily life within society. Moreover, in "The Rebel Sell: Why the Culture Can't be Jammed" (2004), Joseph Heath and Andrew Potter describe "distinction" as a social competition in which the styles of social fashion are in continual development, and that the men and women who do not follow the development of social trends soon become stale, and irrelevant to their social-class stratum.
Document 15: Stylistics: Styling, a branch of applied linguistics, is the study and interpretation of texts in regard to their linguistic and tonal style. As a discipline, it links literary criticism to linguistics. It does not function as an autonomous domain on its own, and it can be applied to an understanding of literature and journalism as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from advertising copy to news, non-fiction, and popular culture, as well as to political and religious discourse. Indeed, as recent work in critical stylistics, multimodal stylistics and mediated stylistics has made clear, non-literary texts may be of just as much interest to stylisticians as literary ones. Literariness, in other words, is here conceived as 'a point on a cline rather than as an absolute'.
ground_truth: public intellectual