Question: What French composer and pianist had the first British performance of their Organ Concerto in Chichester Cathedral in 1943?

full_context: Document 1: Flute Sonata (Poulenc): The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, for flute and piano, was written in 1957. It is dedicated to the memory of Elizabeth Sprague Coolidge, an American patron of chamber music. Poulenc composed it for the flautist Jean-Pierre Rampal, and he and Rampal gave the première in June 1957 at the Strasbourg Music Festival. It is now one of Poulenc's best known works and is a prominent feature in 20th century flute repertoire.
Document 2: Organ concerto: An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolves in the 18th century, when composers including Antonio Vivaldi, Johann Sebastian Bach and George Frideric Handel wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of "jubilus" character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played.
Document 3: Organs and organists of Chichester Cathedral: The organs of Chichester Cathedral are the major source of instrumental music at the cathedral, being played for daily services and accompanying the choir, as well as being used for concerts and recitals. There has been organ music at Chichester Cathedral almost continuously since the medieval period, with a break in the mid-17th century during the Commonwealth period.
Document 4: Concerto for Two Pianos and Orchestra (Poulenc): Francis Poulenc's Concerto pour deux pianos (Concerto for Two Pianos and Orchestra) in D minor, FP 61, was commissioned by and dedicated to the Princess Edmond de Polignac and composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." Poulenc composed the concerto for the Princess Edmond de Polignac, an American-born arts patron to whom many early 20th-century masterpieces are dedicated, including Stravinsky’s "Renard", Ravel’s "Pavane pour une infante défunte", Kurt Weill’s Second Symphony, and Satie’s "Socrates". Her Paris salon was a gathering place for the musical avant-garde.
Document 5: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 6: Suite française (Poulenc): Suite française (French Suite), FP 80, is an orchestral suite for wind instruments, drum and harpsichord (or harp "ad libitum") by Francis Poulenc. It was composed in a neoclassical style in 1935 for Édouard Bourdet's "la Reine Margot", and it was inspired by Claude Gervaise's dance collection "Le livre de danceries".
Document 7: Francesca Massey: Francesca Massey took up the post of Sub-Organist at Durham Cathedral in 2011, where, in addition to the daily provision of music for services and training of the choristers, she regularly accompanies the cathedral choir in concerts, tours, broadcasts and recordings. Born in Birmingham, Francesca was educated at Cambridge University and the Royal Northern College of Music (on a prestigious ABRSM Scholarship). She has held Organ Scholarships at St George's Chapel, Windsor Castle, Gonville and Caius College, Cambridge and Manchester Cathedral, and was Assistant Organist at Great St Mary's Church, Cambridge and Assistant Director of Music at Peterborough Cathedral.
Document 8: Winifred Atwell: Una Winifred Atwell (27 February or 27 April 1910 or 1914 – 28 February 1983) was a Trinidadian pianist who enjoyed great popularity in Britain and Australia from the 1950s with a series of boogie-woogie and ragtime hits, selling over 20 million records. She was the first black person to have a number-one hit in the UK Singles Chart and is still the only female instrumentalist to do so.
Document 9: Anne Maddocks: Anne Maddocks (23 October 1911 in Heyshott, West Sussex – October 2006) was an English musician. Maddocks' parents were enthusiastic amateur musicians and, by the age of 14, Anne was playing the organ for services at two village churches. In 1942 she was appointed Assistant Organist at Chichester Cathedral by Horace Hawkins (a pupil of Widor) who was the cathedral's Organist & Master of the Choristers. She was the first woman in Great Britain to hold such a post in the cathedral. She had perfect pitch and as Hawkins put it, she played Widor's music "with the master's interpretation". She gave the first British performance of Poulenc's Organ Concerto in Chichester Cathedral in 1943.
Document 10: Trois mouvements perpétuels: Mouvements perpétuels, FP 14a, is a short three-movement suite for solo piano by the French composer Francis Poulenc, premiered in Paris in December 1918, when Poulenc was aged 19 and a protégé of Erik Satie. The work is dedicated to the artist Valentine Hugo and was first performed by Poulenc's piano teacher, Ricardo Viñes. From January 1918 to January 1921 Poulenc was a conscript in the French army, but his duties allowed him time for composition. He wrote the pieces at the piano of the local elementary school at Saint-Martin-sur-le-Pré.
Document 11: Les biches: Les biches (] , "The Hinds" or "The Little Darlings") is a ballet choreographed by Bronislava Nijinska to music by Francis Poulenc, premiered by the Ballets Russes on 6 January 1924. Some consider this piece a milestone in ballet history. The composer, who was at the time relatively unknown, was asked by Serge Diaghilev to write a piece based on Glazunov's "Les Sylphides", written seventeen years earlier. Poulenc, however, chose to base his work on the paintings of Watteau that depicted Louis XV and various women in his "Parc aux biches". The word "biche" is usually translated as "doe," an adult female deer. "Does" was used as a slang for coquettish women. Poulenc described his work as a "contemporary drawing room party suffused with an atmosphere of wantonness, which you sense if you are corrupted, but of which an innocent-minded girl would not be conscious."
Document 12: Arthur Henry Mann: Arthur Henry Mann (16 May 1850, Norwich – 19 November 1929, Cambridge) was an English organist and composer of hymn tunes including "Angel's Story" which was originally written for the hymn 'I love to hear the story', but is also sung to the words 'O Jesus, I have promised.' He was most noted for his role as organist and director of music at King's College Chapel, Cambridge from 1876 until 1929, being the founder director of the world famous tradition of the Festival of Nine Lessons and Carols since its first performance in 1918. In 1888, he published his own edition of Thomas Tallis's Spem in alium. His edition, though flawed, was the first publication ever made of Tallis's famous motet in forty parts.
Document 13: Anne Collins (contralto): Anne Collins (29 August 1943 – 15 July 2009) was an English contralto known as versatile operatic singer, praised for her "beautifully warm and wide-ranging timbre, and impeccable diction". In a career that spanned nearly 40 years, she sang a wide range of operatic character roles and other classical pieces, including standard opera repertory, premieres, 20th century pieces, art song and other music.
Document 14: Trois morceaux en forme de poire: The Trois morceaux en forme de poire ("Three Pieces in the Form of a Pear") is a suite for piano duet by French composer Erik Satie. A lyrical compendium of his music from the years 1890 to 1903, it is one of Satie's most famous compositions, second in popular recognition only to the "Gymnopédies" (1888). The score was not published until 1911. In performance it lasts around 14 minutes.
Document 15: Edward Thorne (musician): Edward Henry Thorne, F.R.C.O. was born in Dorset in 1834. He learned music under George Elvey at Chapel Royal. He became Organist of Henley Parish Church at the age of 19. Thorne's period at Chichester Cathedral included the reopening of the Cathedralwith its rebuilt spire and crossing; his anthem, 'I was glad', was composed for the special service which marked that occasion. In 1870, he moved to St Patrick's Church, Hove, and was later at several London churches, notably St Anne's Church, Soho, where he carried on the revival of Bach's music instigated by Joseph Barnby. he was also a composer (an overture of his was performed at an 1885 Promenade Concert) and a number of his hymn tunes were included in "Hymns Ancient and Modern". He died in 1916.
ground_truth: Francis Jean Marcel Poulenc