Question: The mosaic in the church in the Heptapyrgion's location is known as what?

full_context: Document 1: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 2: Selimiye Barracks: Selimiye Barracks (Turkish: Selimiye Kışlası), also known as Scutari Barracks, is a Turkish Army barracks located in the Üsküdar district on the Asian part of Istanbul, Turkey. It was built first in 1800 by Sultan Selim III for the soldiers of the newly established  Nizam-ı Cedid (literally "New Order") in frame of the Ottoman military reform efforts.
Document 3: Mosaic: Jerusalem with its many holy places probably had the highest concentration of mosaic-covered churches but very few of them survived the subsequent waves of destructions. The present remains do not do justice to the original richness of the city. The most important is the so-called "Armenian Mosaic" which was discovered in 1894 on the Street of the Prophets near Damascus Gate. It depicts a vine with many branches and grape clusters, which springs from a vase. Populating the vine's branches are peacocks, ducks, storks, pigeons, an eagle, a partridge, and a parrot in a cage. The inscription reads: "For the memory and salvation of all those Armenians whose name the Lord knows." Beneath a corner of the mosaic is a small, natural cave which contained human bones dating to the 5th or 6th centuries. The symbolism of the mosaic and the presence of the burial cave indicates that the room was used as a mortuary chapel.
Document 4: Chlemoutsi: It was built in the early 1220s by the Crusader rulers of the Principality of Achaea as their main stronghold, and is perhaps the finest fortification of the early period of Frankish rule in Greece preserved in the country today. The castle is located on a small plateau above sea level, and comprises a central hexagonal keep, built around an inner courtyard and containing two-storeyed halls along its entire length, and complemented by an outer wall enclosing an outer yard on its western side. The castle is largely preserved in its original 13th-century state, with only minor later modifications for the installation of artillery.
Document 5: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 6: Institute of technology: In Turkey and the Ottoman Empire, the oldest technical university is Istanbul Technical University. Its graduates contributed to a wide variety of activities in scientific research and development. In 1950s, 2 technical universities were opened in Ankara and Trabzon. In recent years, Yildiz University is reorganized as Yildiz Technical University and 2 institutes of technology were founded in Kocaeli and Izmir. In 2010, another technical university named Bursa Technical University was founded in Bursa. Moreover, a sixth technical university is about to be opened in Konya named Konya Technical University.
Document 7: Sultan Ahmed Mosque: The Sultan Ahmed Mosque or Sultan Ahmet Mosque (Turkish: Sultan Ahmet Camii) is a historic mosque located in Istanbul, Turkey. A popular tourist site, the Sultan Ahmed Mosque continues to function as a mosque today; men still kneel in prayer on the mosque's lush red carpet after the call to prayer. The Blue Mosque, as it is popularly known, was constructed between 1609 and 1616 during the rule of Ahmed I. Its Külliye contains Ahmed's tomb, a madrasah and a hospice. Hand - painted blue tiles adorn the mosque's interior walls, and at night the mosque is bathed in blue as lights frame the mosque's five main domes, six minarets and eight secondary domes. It sits next to the Hagia Sophia, another popular tourist site.
Document 8: Hagia Sophia: Hagia Sophia (/ ˈhɑːɡiə soʊˈfiːə /; from the Greek: Αγία Σοφία, pronounced (aˈʝia soˈfia), ``Holy Wisdom ''; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) was a Greek Orthodox Christian patriarchal basilica (church), later an imperial mosque, and is now a museum (Ayasofya Müzesi) in Istanbul, Turkey. From the date of its construction in 537 AD, and until 1453, it served as an Eastern Orthodox cathedral and seat of the Patriarch of Constantinople, except between 1204 and 1261, when it was converted by the Fourth Crusaders to a Roman Catholic cathedral under the Latin Empire. The building was later converted into an Ottoman mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have`` changed the history of architecture''. It remained the world's largest cathedral for nearly a thousand years, until Seville Cathedral was completed in 1520.
Document 9: Peqin Castle: The Peqin Castle () is a castle in Peqin, Albania. In the Roman times the city was known by the name of Clodiana, an Illyrian-inhabited territory. The foundations of the castle are thought to date from the Roman period, the time of the construction of the Via Egnatia. Its walls at one point had a height of around . The castle was later rebuilt and expanded during the Turkish occupation of Albania, at which time it was passed into the control of the Sipahi (lord) of the local fief, who added a palace and a harem. The last resident of the castle was Demir Pasha.
Document 10: Mosaic: In the Iconoclastic era, figural mosaics were also condemned as idolatry. The Iconoclastic churches were embellished with plain gold mosaics with only one great cross in the apse like the Hagia Irene in Constantinople (after 740). There were similar crosses in the apses of the Hagia Sophia Church in Thessaloniki and in the Church of the Dormition in Nicaea. The crosses were substituted with the image of the Theotokos in both churches after the victory of the Iconodules (787–797 and in 8th–9th centuries respectively, the Dormition church was totally destroyed in 1922).
Document 11: Mosaic: Christian mosaic art also flourished in Rome, gradually declining as conditions became more difficult in the Early Middle Ages. 5th century mosaics can be found over the triumphal arch and in the nave of the basilica of Santa Maria Maggiore. The 27 surviving panels of the nave are the most important mosaic cycle in Rome of this period. Two other important 5th century mosaics are lost but we know them from 17th-century drawings. In the apse mosaic of Sant'Agata dei Goti (462–472, destroyed in 1589) Christ was seated on a globe with the twelve Apostles flanking him, six on either side. At Sant'Andrea in Catabarbara (468–483, destroyed in 1686) Christ appeared in the center, flanked on either side by three Apostles. Four streams flowed from the little mountain supporting Christ. The original 5th-century apse mosaic of the Santa Sabina was replaced by a very similar fresco by Taddeo Zuccari in 1559. The composition probably remained unchanged: Christ flanked by male and female saints, seated on a hill while lambs drinking from a stream at its feet. All three mosaics had a similar iconography.
Document 12: Heptapyrgion (Thessaloniki): The Heptapyrgion (), modern Eptapyrgio (Επταπύργιο), also popularly known by its Ottoman Turkish name Yedi Kule (Γεντί Κουλέ), is a Byzantine and Ottoman-era fortress situated on the north-eastern corner of the Acropolis of Thessaloniki in Greece. Despite its name, which in both languages means "Fortress of Seven Towers", it features ten, and was probably named after the Yedikule Fortress in Constantinople (modern Istanbul, Turkey). It served as the major redoubt of the city's acropolis, as well as the seat of its garrison commander in Ottoman times, until the late 19th century. It was then converted to a prison (Φυλακές Επταπυργίου), which remained open until 1989. References to the infamous Yedi Kule prison abound in the Greek "rebetika" songs. Restoration and archaeological work began in the 1970s and continues to this day.
Document 13: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 14: OTE Tower: OTE Tower is a 76-metre-tall tower located in the Thessaloniki International Exhibition Center in central Thessaloniki, Greece. The tower opened in 1966 and was renovated in 2005.
Document 15: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
ground_truth: Christ in majesty (or Ezekiel's Vision)
sub_queries: Heptapyrgion >> location Answer: Thessaloniki
The mosaic in the church in Thessaloniki is know as what? Answer: Christ in majesty (or Ezekiel's Vision)