Question: Who is the composer of the The Beggar's genre that is the same as Penthesilea?

full_context: Document 1: The House of Atreus Act I: The House of Atreus Act I, released in 1999, is the ninth studio album by the American heavy metal band Virgin Steele. It has the subtitle "A Barbaric-Romantic Opera". This album is the first part of a metal opera inspired by the Oresteia, a trilogy of Greek tragedies written by Aeschylus which concerns the end of the curse on the House of Atreus. The music was intended to be the soundtrack for theatrical shows, with actors impersonating the characters of the tragedy. The metal opera was actually performed under the name "Klytaimnestra - The House Of Atreus" in European theatres from 1999 to 2001, with the production of the Memmingen Opera House company and Landestheater Production.
Document 2: Violanta: Violanta, Op. 8, is a one-act opera by Erich Wolfgang Korngold. The libretto is by the Austrian playwright Hans Müller-Einigen. It is Korngold's second opera, written when he was only seventeen years old.
Document 3: Pénélope: Pénélope is an opera in three acts by the French composer Gabriel Fauré. The libretto, by René Fauchois is based on Homer's "Odyssey". It was first performed at the Salle Garnier, Monte Carlo on 4 March 1913. The piece is dedicated to Camille Saint-Saëns.
Document 4: Lancashire: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.
Document 5: The Court Beggar: The Court Beggar is a Caroline era stage play written by Richard Brome. It was first performed by the acting company known as Beeston's Boys at the Cockpit Theatre. It has sometimes been identified as the seditious play, performed at the Cockpit in May 1640, which the Master of the Revels moved to have suppressed. However, the play's most recent editor, Marion O'Connor, dates it to "no earlier than the end of November 1640, and perhaps in the first months of 1641".
Document 6: Omphale (Destouches): Omphale is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 10 November 1701. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto is by Antoine Houdar de La Motte.
Document 7: Dèbora e Jaéle: Dèbora e Jaéle ("Deborah and Jael") is an opera in three acts composed by Ildebrando Pizzetti who also wrote the libretto. The libretto is based on the story of Deborah and Jael from the Book of Judges in the Bible. However, it differs in several ways from the traditional Biblical account, primarily in the motivations of its characters and the relationships between them. The opera was first performed at La Scala, Milan on 16 December 1922.
Document 8: The Beggar's Opera: The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.
Document 9: 271 Penthesilea: Penthesilea (minor planet designation: 271 Penthesilea) is a large main belt asteroid that was discovered by Viktor Knorre on 13 October 1887 in Berlin. It was his last asteroid discovery. The asteroid was named after Penthesilea, the mythical Greek queen of the Amazons.
Document 10: The Beggar's Opera: "The Beggar's Opera" premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second longest run in theatre history up to that time (after 146 performances of Robert Cambert's "Pomone" in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century." In 1920, "The Beggar's Opera" began a revival run of 1,463 performances at the Lyric Theatre in Hammersmith, London, which was one of the longest runs in history for any piece of musical theatre at that time.
Document 11: A Harlot's Progress (opera): A Harlot's Progress is an opera in six scenes by the British composer Iain Bell which is based on William Hogarth's series of etchings of the same name. The libretto is by British author Peter Ackroyd.
Document 12: John Playford: John Playford (1623–1686/7) was a London bookseller, publisher, minor composer, and member of the Stationers' Company, who published books on music theory, instruction books for several instruments, and psalters with tunes for singing in churches. He is perhaps best known today for his publication of "The English Dancing Master" in 1651.
Document 13: Over the Hills and Far Away (traditional song): ``Over the Hills and Far Away ''is a traditional British song, dating back to at least the late 17th century. One version was published in Thomas D'Urfey's Wit and Mirth, or Pills to Purge Melancholy; a very different one appeared in George Farquhar's 1706 play The Recruiting Officer. A version also appears in John Gay's The Beggar's Opera of 1728.
Document 14: Penthesilea (opera): Penthesilea is a one-act opera by Othmar Schoeck, to a German-language libretto by the composer, after the work of the same name by Heinrich von Kleist. It was first performed at the Staatsoper in Dresden, Germany on 8 January 1927.
Document 15: Strolling Actresses Dressing in a Barn: Strolling Actresses Dressing in a Barn is a painting from 1738 by British artist William Hogarth. It was reproduced as an engraving and issued with "Four Times of the Day" as a five print set in the same year. The painting depicts a company of actresses preparing for their final performance before the troupe is disbanded as a result of the Licensing Act 1737. Brought in as a result of John Gay's "Beggar's Opera" of 1728, which had linked Robert Walpole with the notorious criminal Jonathan Wild, the Licensing Act made it compulsory for new plays to be approved by the Lord Chamberlain, and, more importantly for the characters depicted, closed any non-patent theatres. The majority of the painting was completed before the Act was passed in 1737, but its passing into law was no surprise and it was the work of a moment for Hogarth to insert a reference to the Act itself into the picture.
ground_truth: Johann Christoph Pepusch
sub_queries: Penthesilea >> instance of Answer: opera
The Beggar's opera >> composer Answer: Johann Christoph Pepusch