Question: The jazzman behind Little Big Horn was born where?

full_context: Document 1: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 2: In the Land of Hi-Fi with Julian Cannonball Adderley: In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a big band with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.
Document 3: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 4: Autobiography (Nat Adderley album): Autobiography is the ninth album by jazz cornetist Nat Adderley. It was released in 1964 as a vinyl record, his first after moving to Atlantic Records. It includes elements from the genres of soul jazz and hard bop and a performance of what is arguably one of his best-known achievements, "Work Song", which was produced during his time with his brother Cannonball Adderley's second quartet.
Document 5: Double Exposure (Nat Adderley album): Double Exposure is an album by jazz cornetist Nat Adderley released on the Prestige label featuring performances by Adderley's Sextet with Bill Fender, George Duke, Walter Booker, King Errison, and Roy McCurdy with guest artists including Cannonball Adderley and Johnny "Guitar" Watson.
Document 6: That's Nat: That's Nat is an album by jazz cornetist Nat Adderley first released on the Savoy label featuring performances by Adderley with Jerome Richardson, Hank Jones, Wendell Marshall, and Kenny Clarke.
Document 7: Drifting on a Reed: The number was among those played by Los Angeles artists such as Clifford Brown (trumpet), Max Roach (drums) and Harold Land (tenor sax) as part of the "hardening" of Jazz bop. The track is commonly known as "Big Foot" but was first recorded on Dial Records as "Drifting on a Reed."
Document 8: You, Baby: You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
Document 9: Much Brass: Much Brass is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley's Sextet with Slide Hampton, Wynton Kelly, Sam Jones, Laymon Jackson, and Albert Heath.
Document 10: Live at Memory Lane: Live at Memory Lane is a live album by jazz cornetist Nat Adderley released on the Atlantic label featuring performances by Adderley's Quintet with Joe Henderson, Joe Zawinul, Victor Gaskin, and Roy McCurdy.
Document 11: Little Big Horn (album): Little Big Horn (also released as Natural Soul) is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Junior Mance, Kenny Burrell/Jim Hall Bob Cranshaw, and Mickey Roker.
Document 12: Sayin' Somethin': Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
Document 13: Joseph Alessi: Joseph Norman Alessi was born in Detroit, Michigan and attended high school in San Rafael, California. His father, also named Joseph Alessi, was a professional trumpet player, and his mother, Maria (née Leone) sang in the Metropolitan Opera chorus. His younger brother Ralph Alessi is a jazz trumpeter. Displaying notable talent himself from an early age, Alessi graduated early from high school at age 16 and successfully auditioned to join the San Francisco Ballet Orchestra. During this time he appeared as a soloist with the San Francisco Symphony. In 1976-77, following a previously unsuccessful audition, Alessi gained entry to the Curtis Institute of Music (in Philadelphia), where he studied until 1980.
Document 14: Lovers (Cannonball Adderley album): Lovers is an album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1975, featuring the last recorded performances by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira with a posthumous track featuring Flora Purim, Nat Adderley, Jr. and Ron Carter.
Document 15: Nat Adderley: Nathaniel Carlyle Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area.
ground_truth: Tampa
sub_queries: Little Big Horn >> performer Answer: Nat Adderley
Which city was the birthplace of Nat Adderley ? Answer: Tampa