Question: Who wrote the play which  Carmen Tănase  in 

full_context: Document 1: Aleksey Burago: Aleksey Burago (Director) graduated from Moscow Academy of Theatre Arts (GITIS) and studied with world famous theater director Pyotr Fomenko. His Moscow directing credits include: "Beyond Recognition." Off-Broadway, he has directed "Gamblers," "An Absolutely Happy Village", "Ah! My Dear Andersen" and "On the Eve." At HB Playwrights Foundation, he has directed "Vassa," "Picnic on the Battlefield," "The Master and Margarita," "Wonder Bread" and "Lady with the Lapdog with Jokes and a Happy Ending." His TV credits include "The Queen of Spades" (Actor/Director). His awards include 1992 Best Director - St. Petersburg Comedy Festival and 1993 Best Director - Moscow Annual Festival of Classical Plays. He has been on faculty at Theatre Academy and Conservatory in St. Petersburg, Danish Theatre School GITIS and Manhattanville College, where he taught acting and staged the short stories of Anton Chekhov. The Artistic and Founding Director of The Russian Arts Theater & Studio, Aleksey Burago is now based in New York City. He is an Associate Member of SSDC and also Director-in-Residence at Bilkent University in Ankara, Turkey.
Document 2: N. D. Cocea: N. D. Cocea (common rendition of Nicolae Dumitru Cocea, ] , also known as Niculae, Niculici or Nicu Cocea; November 29, 1880 – February 1, 1949) was a Romanian journalist, novelist, critic and left-wing political activist, known as a major but controversial figure in the field of political satire. The founder of many newspapers and magazines, including "Viața Socială", "Rampa", "Facla" and "Chemarea", collaborating with writer friends such as Tudor Arghezi, Gala Galaction and Ion Vinea, he fostered and directed the development of early modernist literature in Romania. Cocea later made his name as a republican and anticlerical agitator, was arrested as an instigator during the 1907 peasant revolt, and played a leading role in regrouping the scattered socialist clubs. His allegiances however switched between parties: during World War I, he supported the Entente Powers and, as a personal witness of the October Revolution, the government of Soviet Russia, before returning home as a communist.
Document 3: Resistance, Rebellion, and Death: Resistance, Rebellion, and Death is a 1960 collection of essays written by Albert Camus and selected by the author prior to his death. The essays here generally involve conflicts near the Mediterranean, with an emphasis on his home country Algeria, and on the Algerian War of Independence in particular. He also criticizes capital punishment ("Reflections on the Guillotine") and totalitarianism in particular.
Document 4: Ion Luca Caragiale: Ion Luca Caragiale (] ; commonly referred to as I. L. Caragiale; February 13 [O.S. February 1] 1852 – 9 July 1912) was a Wallachian, later Romanian playwright, short story writer, poet, theater manager, political commentator and journalist. Leaving behind an important cultural legacy, he is considered one of the greatest playwrights in Romanian language and literature, as well as one of its most important writers and a leading representative of local humor. Alongside Mihai Eminescu, Ioan Slavici and Ion Creangă, he is seen as one of the main representatives of "Junimea", an influential literary society with which he nonetheless parted during the second half of his life. His work, spanning four decades, covers the ground between Neoclassicism, Realism, and Naturalism, building on an original synthesis of foreign and local influences.
Document 5: No Exit: No Exit (French: "Huis Clos" , ] ) is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term "in camera", referring to a private discussion behind closed doors. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness.
Document 6: The Possessed (play): The Possessed (in French Les Possédés) is a play written by Albert Camus in 1959. The piece is a theatrical adaptation of Fyodor Dostoyevsky's novel "The Possessed", later renamed "Demons". Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about nihilism's devastating effects. He directed a production of the play at the Théâtre Antoine in 1959, the year before he died, which he financed in part with the money he received with his Nobel Prize. It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes. The walls could move sideways to reduce the size of each location and the whole stage rotated to allow for immediate set transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of his novels (L'Etranger - 1948 Ed.), in charge of the demanding task of designing these multiple and complex theater sets
Document 7: The Stranger (novel): L’Étranger (The Outsider [UK], or The Stranger [US]) is a 1942 novel by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy of the absurd and existentialism, though Camus personally rejected the latter label.
Document 8: Eva Czemerys: Born in Munich to Russian parents, her family moved to Rome, Italy when she was only 1. She studied acting and debuted as the main actress in 1971 in "Bella di giorno moglie di notte". She was a minor starlet in Italian cinema, especially in commedie sexy all'italiana and giallo films. Czemerys retired from showbusiness in the mid-eighties and focused on volunteering. She died from cancer in Rome in 1996.
Document 9: The Fall (Camus novel): The Fall (French: La Chute ) is a philosophical novel by Albert Camus. First published in 1956, it is his last complete work of fiction. Set in Amsterdam, "The Fall" consists of a series of dramatic monologues by the self-proclaimed "judge-penitent" Jean-Baptiste Clamence, as he reflects upon his life to a stranger. In what amounts to a confession, Clamence tells of his success as a wealthy Parisian defense lawyer who was highly respected by his colleagues; his crisis, and his ultimate "fall" from grace, was meant to invoke, in secular terms, The Fall of Man in the Garden of Eden. "The Fall" explores themes of innocence, imprisonment, non-existence, and truth. In a eulogy to Albert Camus, existentialist philosopher Jean-Paul Sartre described the novel as "perhaps the most beautiful and the least understood" of Camus' books.
Document 10: Albert Camus: Albert Camus (] ; 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay "The Rebel" that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. He won the Nobel Prize in Literature in 1957.
Document 11: Stefan Constantinescu: Ştefan Constantinescu, (born 10 February 1968), is a Swedish-Romanian visual artist and film director living and working in Stockholm. He works with various mediums including film, artist books and paintings approaching the political through introspection to challenge notions of identity, while working in and with issues of post-communist Romania. Constantinescu grew up in Romania during the most austere years of communism, where an ordinary day began with a queue for almost anything (bread, shampoo, gas) - days of routine. As a result his work is often strongly autobiographical. Within the work, monuments are challenged as permanent inscriptions of memory, fictional films resemble unofficial documentaries, and artist books challenge history and education. Known for his "powerful study of everyday terror" in his short film "Troleibuzul 92" that was shown in the Venice Biennale 2009
Document 12: Victor Rebengiuc: Victor Rebengiuc (] ; known in full as Victor-George Rebengiuc; born February 10, 1933) is an award-winning Romanian film and stage actor, also known as a civil society activist. Since 1957, he has been a member of the Bulandra Theater company, acting in more than 200 roles on that stage alone. Having had his breakthrough performance with Liviu Ciulei's "The Forest of the Hanged", Rebengiuc became a major figure in Romanian cinema, and became especially known for his 1986 appearance in Stere Gulea's "Moromeţii". He also starred in films by Dan Piţa ("Tănase Scatiu"; "Dreptate în lanţuri"; "Faleze de nisip"; "The Man of the Day") and Lucian Pintilie ("De ce trag clopotele, Mitică?"; "Balanţa"; "Too Late"; "Last Stop Paradise"; "Niki and Flo"; "Tertium non datur"). Rebengiuc was celebrated for his stage performances, appearing in plays directed by, among others, Ciulei, Radu Penciulescu, Andrei Şerban, Cătălina Buzoianu, Yuri Kordonsky, Gábor Tompa and Alexandru Dabija. The former husband of actress Anca Vereşti, he is married to Mariana Mihuţ, his Bulandra colleague.
Document 13: Saint Genet: Saint Genet, Actor and Martyr (French: "Saint Genet, comédien et martyr" ) is a book by the French philosopher Jean-Paul Sartre about the writer Jean Genet especially on his "The Thief's Journal". It was first published in 1952. Sartre described it as an attempt "to prove that genius is not a gift but the way out that one invents in desperate cases." Sartre also based his character Goetz in his play "The Devil and the Good Lord" (1951) on his analysis of Genet's psychology and morality. Sartre has been credited by David M. Halperin with providing, "a brilliant, subtle, and thoroughgoing study of the unique subjectivity and gender positioning of gay men".
Document 14: Carmen Tănase: Carmen Tanase (born January 18, 1961) is a Romanian actress. After graduating The Drama and Film Institute from Bucharest, in 1984, she joined the company of "Vasile Alecsandri" National Theatre in Iaşi (between 1984-1990) and then moved back to the capital city of Romania. Since 1990, she is a member of the Odeon Theatre company from Bucharest. As a student, she played in Dostoevsky's "The Possessed" (a dramatization of the great Russian novel), in John Steinbeck's "Sweet Thursday", in "Butterflies, Butterflies" by the Italian playwright Aldo Nicolaj (at The Very Small Theatre in Bucharest, having the legendary Romanian actress Olga Tudorache and Radu Duda, the would-be Prince of Hohenzollern-Veringen, as partners) etc. Following the fall of the Romanian communist regime, in 1989 (the end of Nicolae Ceauşescu's dictatorship), she also involved herself in the independent artistic movements that flourished after these events. She toured the world with Radu Duda, the two of them playing in "A Report to an Academy", the adaptation of a short story by Franz Kafka, directed by Cristina Iovita (the play was produced by the first Romanian independent theatrical group formed after the 1989 Revolution).
Document 15: Romanian Revolution: The Romanian Revolution (Romanian: "Revoluția Română" ) was a period of violent civil unrest in Romania in December 1989 and part of the Revolutions of 1989 that occurred in several countries. The Romanian Revolution started in the city of Timișoara and soon spread throughout the country, ultimately culminating in the show trial and execution of longtime Communist leader Nicolae Ceaușescu and his wife Elena, and the end of 42 years of Communist rule in Romania. It was also the last removal of a Communist government in a Warsaw Pact country during the events of 1989, and the only one that violently overthrew a country's government and executed its leader.
ground_truth: Albert Camus