Question: What is the name of the Egyptian method actor regarded as one of the most influential and important actors of Egyptian cinema?

full_context: Document 1: Ahmed El Sakka: Ahmed El-Sakka (Arabic: أحمد محمد صلاح الدين السقا‎ ‎ ) (born March 1, 1973) is an Egyptian Action actor. Early in his acting career he appeared in popular series like "Nesf Rabeea El-Akhar". The role that introduced him to a large audience was a co-starring role with actor Mohamed Henedi in "Sa'eedi fil gamaa el amrekeia" (Arabic for "A Country Man in the American University") (1998). The following year he co-starred with Mohamed Henedi in "Hamam fi Amsterdam", but in a larger role of the tough guy, which seemed to be his role in most of his hit movies afterwards. His next films were all action movies where he played the main character. Probably the most famous of these movies is "Mafia" (2002) which was a big success for El Sakka and is considered by many as one of the best action actors in the history of Egyptian movies .
Document 2: Zaki Rostom: Zaki Rostom (Arabic: زكي رستم‎ ‎ ) (1903–1972) Zaki Moharram Mahmoud Rostom was an Egyptian actor. A method actor known for portraying intimidating and often asocial villains, Rostom is regarded as an one of the influential and important actors of Egyptian cinema.
Document 3: Alexander Technique: The Alexander Technique (A.T.), named after Frederick Matthias Alexander, is an educational process that attempts to develop the ability to avoid unnecessary muscular tension by retraining physical movement reactions. Alexander believed the individual's spatial self-awareness was related to psychological conditioning; questionably trained foundation habits of posture can be unsuitably added into procedural skills. Alexander observed that those whose goals justified it necessary to have trained themselves to overcompensate could not trust their judgment of physical orientation and required effort, (their "sensory appreciation.").
Document 4: Zakaria Ramhani: Zakaria Ramhani (born 1983 in Tangiers) is a Moroccan visual artist who lives and works in Montreal. He is known for his large-scale paintings that use Arabic calligraphy as a formal gesture. He has caused controversy with the political nature of his art that deals with issues of Middle Eastern politics and the Arab Spring. Authorities at Art Dubai last year censored Ramhani's "You Were My Only Love" for its depiction of police brutality in Cairo's Tahrir Square. Ramhani altered the famous image of the "blue bra woman," who became a symbol of Egyptian protest against extreme military power, showing her struggling against gorillas as Vincent Van Gogh looks on disapprovingly.
Document 5: Forum theatre: Forum theatre is a type of theatre created by the innovative and influential practitioner Augusto Boal as part of what he calls his "Theatre of the Oppressed." Boal created Forum theatre as a forum for teaching people how to change their world. While practicing earlier in his career, Boal would apply 'simultaneous dramaturgy'. In this process the actors or audience members could stop a performance, often a short scene in which a character was being oppressed in some way. The audience would suggest different actions for the actors to carry out on-stage in an attempt to change the outcome of what they were seeing. This was an attempt to undo the traditional actor partition and bring audience members into the performance, to have an input into the dramatic action they were watching. Eventually this 'simultaneous dramaturgy' became Forum theatre when audience members were asked not just to suggest different actions, but to come on stage and perform their own interventions.
Document 6: Ezzat El Alaili: Ezzat El Alaili (born 1934) is an Egyptian actor who has starred in multiple films. He won a lifetime achievement award from the Dubai International Film Festival in 2015. He was also honored at the Sharjah International Book Fair "for his significant contribution to Egyptian cinema over many decades and his highly creative interpretations of the best Egyptian and Arabic novels through a huge collection of films and TV series".
Document 7: Lebanese people in Egypt: The Lebanese people of Egypt are people from Lebanon or those of Lebanese descent who live or have lived in the country of Egypt. Many prominent figures that have emerged in Egypt were of Lebanese origin, such as the world-famous actor, Omar Sharif (born Michel Chalhoub), and the highly acclaimed Egyptian filmmaker, Youssef Chahine. Most Lebanese who resided in Egypt were highly educated, and the community as a whole contributed to both Egypt's cultural and financial well being, especially during the era of the Muhammad Ali dynasty. Since the Egyptian Revolution of 1952, most of Egypt's Lebanese community left the country immigrating to the Americas, Europe, and Australia, as well as many returning to their native Lebanon (especially Beirut).
Document 8: Berklee method: In music performance and education, the Berklee method is the music theory, terminology, and practice taught at Berklee College of Music, the largest independent college of contemporary music in the world. The "Berklee method" was founded by Lawrence Berk after study with Joseph Schillinger regarding the latter's, "elaborate system of composition that employed mathematical permutation and combination process to generate rhythms, harmonies, and melodies". Later, attempting to codify jazz and popular music practice, the Berklee method often differs from common practice harmony and voice-leading rules or guidelines.
Document 9: Viola Spolin: Viola Spolin (November 7, 1906 — November 22, 1994) was a theatre academic, educator and acting coach. She is considered an important innovator in 20th century American theater for creating directorial techniques to help actors to be focused in the present moment and to find choices improvisationally, as if in real life. These acting exercises she later called Theater Games and formed the first body of work that enabled other directors and actors to create improvisational theater. Her book "Improvisation for the Theater", which published these techniques, includes her philosophy and her teaching and coaching methods, and is considered the "bible of improvisational theater". Spolin's contributions were seminal to the improvisational theater movement in the U.S. She is considered to be the mother of Improvisational theater. Her work has influenced American theater, television and film by providing new tools and techniques that are now used by actors, directors and writers.
Document 10: Ahmed Zaki (actor): Ahmed Zaki Metwally Badawi (Arabic:احمد زكي متولى بدوى‎ ) (November 18, 1949 – March 27, 2005) was a leading Egyptian film star. He was characterized by his talent, skill and ability in impersonating. He was also famous for his on-screen intensity, often genuinely hitting co-stars during scenes of violence. He is widely regarded as the greatest and most talented male star in the history of Arabian cinema.
Document 11: Kal Naga: Kal Naga (also credited as Khaled Naga or Khaled Abol Naga) is a multi award-winning actor, film producer and director from Egypt (he directed theatre mostly and short films). He is a movie star in the Arab World and the Middle East but also a familiar face internationally specially in European film festivals, where he has been honoured with a diverse range of awards as an actor and producer as well as a jury member in film festivals. Since 2016 he focused on English speaking markets ["Tyrant" TV series season 3 (2016), American FX TV Network, "Vikings" season 5 (2017), History Channel and "The Last Post" TV mini series, UK's BBC TV]. His roles covered a multitude of genres, from musicals ["None but that!" (2007)], action ["Agamista"(2007), "Eyes Of A Thief" (2014)], thrillers ["Kashf Hesab" (2007)], art-house ["Heliopolis" (2009), "Villa 69" (2013), "Decor" (2014)] and a slapstick comedy ["Habibi Naeman (Sleeping Habibi)" (2008)]. He played the lead in many award-winning films that gained him outstanding international critics acclaim as one of the finest actors in the world today out of the Arab region. He studied and graduated (with highest honours) as a Tele-communication engineer' from Ain Shams University, studied theatre (as a minor) at the American University in Cairo, and worked on a spacecraft design program (UoSAT-5 ) in the UK. He finally confirmed his passion and calling for the arts by the year 2000. In a film festival in 2016 celebrating Arabic films submissions to the "Oscars," he was honoured for being the most submitted actor in Arabic films submissions to the Academy Award for Best Foreign Language Film ("The Oscars)". He is often tagged in western media as "Egypt's "Brad Pitt" for his many career similarities with the latter, also described as "the next Omar Sharif" specially after his American debut movie "Civic Duty" in 2007. He was also described as "Egypt's International treasure" for advocating for freedom and standing up against injustice in his home country Egypt. He is one of the most recognisable faces of the 2011 revolution, seizing the anti-regime sentiment in the streets of Cairo and taking part in mass demonstrations that led to the removal of President Mubarak. He faced defamation campaigns against him by the state owned and controlled media during Mubarak era before the January 25th 2011 revolution in Egypt, and once again from the 2013 "coup d'etat" General Sisi government in Egypt. Nonetheless he continued his regional and international award-winning success, as well as waves of strong support on social media. He also had a very celebrated and successful career across the Arab world TV networks as a TV & radio host in prime time shows from 1997 till 2005. He is a human and child rights activist and has been Egypt's UNICEF Goodwill Ambassador 2007–2015. He has worked across a diverse variety of media, including theatre, radio, television and film in Arabic, English and some French and Italian.
Document 12: Method acting: Method acting is a range of training and rehearsal techniques that seek to encourage sincere and emotionally expressive performances, as formulated by a number of different theatre practitioners, principally in the United States, where it is among the most popular—and controversial—approaches to acting. These techniques are built on the Stanislavski's "system" of the Russian actor and director Konstantin Stanislavski. Though many have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", though each emphasized different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects). The approach was first developed when they worked together at the Group Theatre in New York. All three subsequently claimed to be the rightful heirs of Stanislavski's approach. His three major books were "An Actor Prepares", "Building a Character", and "Creating a Role".
Document 13: Roschdy Zem: Roschdy Zem (born 27 September 1965) is a French actor and filmmaker of Moroccan descent. He shared the award for Best Actor for his role in the film "Days of Glory" at the 2006 Cannes Film Festival.
Document 14: Lisa Dalton: Lisa Dalton (Lisa Loving) is an American stage and film actor, director, documentary filmmaker, acting coach, and the co-founder of the National Michael Chekhov Association (NMCA), an accredited training program in the Michael Chekhov Acting Technique currently based out of the University of Southern Maine. Lisa is one of the most ardent proponents of the Michael Chekhov Acting Technique as can be seen in her lifelong dedication to sharing her knowledge about Michael Chekhov and his approach to acting.
Document 15: Marlon Brando: Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor, film director and political activist. He is widely credited with bringing realism to film acting. He helped to popularize the Stanislavski system of acting, studying with Stella Adler in the 1940s. Brando is widely known for his Academy Award-winning performances as Terry Malloy in "On the Waterfront" (1954) and Vito Corleone in "The Godfather" (1972), as well as his performances in "A Streetcar Named Desire" (1951), "Viva Zapata!" (1952), "Julius Caesar" (1953), "The Wild One" (1953), "Guys and Dolls" (1955), "Sayonara" (1957), "Last Tango in Paris" (1972), and "Apocalypse Now" (1979). Brando was also an activist for many causes, notably the Civil Rights Movement and various Native American movements.
ground_truth: Zaki Rostom