Question: The 1964 version of "Fly Me to the Moon" by Acadmeny Award winning artist, Frank Sinatra,  was closely associated with the Apollo missions to the what?

full_context: Document 1: Frank Sinatra: Francis Albert Sinatra ( ; ] ; December 12, 1915 – May 14, 1998) was an American singer, actor, and producer who was one of the most popular and influential musical artists of the 20th century. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, Sinatra began his musical career in the swing era with bandleaders Harry James and Tommy Dorsey. Sinatra found success as a solo artist after he signed with Columbia Records in 1943, becoming the idol of the "bobby soxers". He released his debut album, "The Voice of Frank Sinatra", in 1946. Sinatra's professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack. His career was reborn in 1953 with the success of "From Here to Eternity", with his performance subsequently winning an Academy Award and Golden Globe Award for Best Supporting Actor. Sinatra released several critically lauded albums, including "In the Wee Small Hours" (1955), "Songs for Swingin' Lovers!" (1956), "Come Fly with Me" (1958), "Only the Lonely" (1958) and "Nice 'n' Easy" (1960).
Document 2: Alabama Song: The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play "Little Mahagonny". It was reused for the 1930 opera "Rise and Fall of the City of Mahagonny" and has been notably covered by The Doors and David Bowie.
Document 3: Frank Sinatra's Greatest Hits, Vol. 2: Frank Sinatra's Greatest Hits, Vol. 2 was Sinatra's second compilation of material released by Reprise Records, which like its predecessor, consisted of singles and songs from movie soundtracks. "Vol. 2" picks up where "Frank Sinatra's Greatest Hits" leaves off, so all of the tracks date from 1968 to 1971, except for "The September of My Years", which dates back to 1965. Though the song "My Way" became Sinatra's signature song, it was not a big hit in the US. In the UK it went to #5 and spent 75 weeks in the Top 40. The highest charting U.S. single in this collection is "Cycles" which peaked at #23. The remaining tracks represent the sound of Sinatra's music in the late 1960s, which was more laid back than his early 1960s swinging tunes, with the B-side "Star!" being a notable exception. "Vol. 2" peaked at #88 on the album charts in the summer of 1972 during Sinatra's brief retirement from show business.
Document 4: Dean Martin: Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, actor, comedian, and film producer. One of the most popular and enduring American entertainers of the mid-20th century, Martin was nicknamed the "King of Cool" for his seemingly effortless charisma and self-assurance.
Document 5: Bing Crosby: Harry Lillis "Bing" Crosby Jr. ( ; May 3, 1903 – October 14, 1977) was an American singer and actor. Crosby's trademark warm bass-baritone voice made him the best-selling recording artist of the 20th century, having sold over one billion records, tapes, compact discs and digital downloads around the world.
Document 6: Pat Boone: Charles Eugene "Pat" Boone (born June 1, 1934) is an American singer, composer, actor, writer, television personality, motivational speaker, and spokesman. He was a successful pop singer in the United States during the 1950s and early 1960s. He sold more than 45 million records, had 38 top-40 hits, and appeared in more than 12 Hollywood films.
Document 7: Up, Up and Away (Johnny Mathis album): Up, Up And Away is an album by American pop singer Johnny Mathis that was released in the fall of 1967 and was the first LP he recorded upon returning to his first record label, Columbia Records, where he then stayed for several decades after having just completed a four-year sojourn with Mercury Records. The title track starts the album on the contemporary end of the spectrum of material covered here, but Mathis also includes a standard from the 1940s ("The More I See You"), a hit that charted twice for the same artist in the 1950s ("Morning Side of the Mountain"), a trio of songs from "Doctor Dolittle" ("At the Crossroads", "When I Look in Your Eyes", and "Where Are the Words"), and two songs that had lyrics added after originating as instrumentals: "Drifting" began as part of the score to the 1958 film "Auntie Mame", and "Far Above Cayuga's Waters" was "a theme song of Cornell University before saxophonist Dave Pell retooled it and Sammy Cahn adapted the delightful fairytale-like lyrics."
Document 8: Mr. Sandman: "Mr. Sandman" (sometimes rendered as "Mister Sandman") is a popular song written by Pat Ballard which was published in 1954 and first recorded in May of that year by Vaughn Monroe & His Orchestra and later that same year by The Chordettes. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association with the folkloric figure, the sandman. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended. Some time later, Ballard also rewrote the lyrics for Christmas use as "Mr. Santa". The chord progression in each chorus follows the circle of fifths for six chords in a row. Singer Dorothy Collins charted with "Mr. Santa" (#51, US trade Music Vendor. 1955). The song was later recorded by Tony Sandler and Ralph Young (1968) and Suzy Bogguss. Emmylou Harris' recording of the song reached the top-ten on the U.S. country singles chart in 1981.
Document 9: Polka Dots and Moonbeams: "Polka Dots and Moonbeams" is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1940. It was Frank Sinatra's first hit recorded with the Tommy Dorsey Orchestra. The song is one of the top 100 most-frequently recorded jazz standards with arrangements by Gil Evans and others and notable recordings by Bill Evans, Blue Mitchell, Wes Montgomery, Sarah Vaughan (for the 1954 album "Sarah Vaughan with Clifford Brown", and the 1957 album "Swingin' Easy"), Lester Young, and many others. American songwriter and guitarist John Denver also covered the song on his 1976 "Spirit" album. Bob Dylan covered this song in his 2016 album "Fallen Angels".
Document 10: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert
Document 11: Moon Landing (music drama): Moon Landing is a musical with book, lyrics and music by Stephen Edwards. The story, from an original idea and synopsis by Justin Fleming, is based on the American Space Race and the Apollo 11 spaceflight which on July 20, 1969 landed the first humans on the Moon and is seen through the eyes of Buzz Aldrin, the second man to walk on the moon.
Document 12: Julie London discography: The discography of Julie London, an American Jazz artist, consists of twenty nine studio albums, one live album, five compilation albums, two additional albums, and twenty-nine singles. After a moderately successful film career, London signed a recording contract with the newly formed Liberty Records in 1955. Her debut single "Cry Me a River" reached number nine on the Billboard Hot 100 in 1955. In June 1957, it would also peak at number twenty-two on the UK Singles Chart. "Cry Me a River" became London's most successful and highest-selling single of her musical career. The single would sell three million copies in total. Her debut studio album "Julie Is Her Name" was issued in December 1955 and reached the second position on the Billboard 200 albums chart. London's next three studio releases, "Lonely Girl" (1956), "Calendar Girl" (1956), and "About the Blues" (1957), reached the top-twenty of the Billboard 200 survey as well.
Document 13: Frank Sinatra's Greatest Hits: Frank Sinatra's Greatest Hits! is Frank Sinatra's first compilation released on his own Reprise Records. It concentrates on mostly single releases from the mid to late 60's, which fluctuates between adult contemporary pop and jazzy swing. The album opens up with Sinatra's recent number one hit "Strangers in the Night" and continues through the varied styles of music Sinatra recorded in the 60's, from easy listening ballads like "It Was a Very Good Year" and "Softly, as I Leave You" to contemporary pop like "When Somebody Loves You" and "That's Life". "Greatest Hits" was a modest hit, peaking at #55 on the album charts in late 1968. A second volume was issued in 1972, "Frank Sinatra's Greatest Hits, Vol. 2". Both albums have since been supplanted with newer and more cohesive compilations.
Document 14: Fly Me to the Moon: "Fly Me to the Moon", originally titled "In Other Words", is a song written in 1954 by Bart Howard. Kaye Ballard made the first recording of the song in 1954. Since then it has become a frequently recorded jazz standard often featured in popular culture; Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon, and the Japanese animated series "Neon Genesis Evangelion" played the song (as covered by various artists) at the end of every episode.
Document 15: Buddy Kaye: Jules Leonard "Buddy" Kaye (January 3, 1918 New York City - November 21, 2002 Rancho Mirage, California) was an American award-winning songwriter, musician, producer, author and publisher. His songs were recorded by top performers, including Frank Sinatra, Bob Dylan,Sarah Vaughan, Dinah Washington, Ella Fitzgerald, Perry Como, Elvis Presley, Cliff Richard and Dusty Springfield. He scored number 1 hits on the Billboard charts in 1945 with "Till The End Of Time", recorded by Perry Como, and in 1949 with "'A' You're Adorable (The Alphabet Song)", recorded by Como and the Fontaine Sisters. Among his most recognizable tunes in pop culture is the co-written theme song to the television series "I Dream of Jeannie". In 1975, he won a Grammy Award for best children's album for his production of "The Little Prince," read by Richard Burton.
ground_truth: Moon, and the Japanese animated series "Neon Genesis Evangelion" played the song (as covered by various artists) at the end of every episode.