Question: Ricardo Viñes, a Spanish pianist, premiered the works of Maurice Ravel, who is associated with what style?

full_context: Document 1: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 2: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 3: Concerto for Two Pianos and Orchestra (Poulenc): Francis Poulenc's Concerto pour deux pianos (Concerto for Two Pianos and Orchestra) in D minor, FP 61, was commissioned by and dedicated to the Princess Edmond de Polignac and composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." Poulenc composed the concerto for the Princess Edmond de Polignac, an American-born arts patron to whom many early 20th-century masterpieces are dedicated, including Stravinsky’s "Renard", Ravel’s "Pavane pour une infante défunte", Kurt Weill’s Second Symphony, and Satie’s "Socrates". Her Paris salon was a gathering place for the musical avant-garde.
Document 4: Miroirs: Miroirs (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, "Miroirs" contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches.
Document 5: Ricardo Viñes: Ricardo Viñes y Roda (] , Catalan: "Ricard Viñes i Roda" , ] ; 5 February 1875 – 29 April 1943) was a Spanish pianist. He gave the premieres of works by Ravel, Debussy, Satie, Falla and Albéniz. He was the piano teacher of the composer Francis Poulenc and the pianists Marcelle Meyer, Joaquín Nin-Culmell and Léo-Pol Morin.
Document 6: Pour le piano: Pour le piano ("For the piano"), L.95, is a suite for solo piano by Claude Debussy. The composition was finished and issued in 1901. Its premiere took place on 11 January 1902 in the Salle Érard for the Société Nationale de Musique, with Ricardo Viñes as the pianist.
Document 7: Jeux d'eau (Ravel): Jeux d’eau (] ) is a piece for solo piano by Maurice Ravel. The title is often translated as "Fountains", "Playing water" or literally "Water Games" (see "Jeux d'eau", water features in gardens). At the time of writing "Jeux d'eau", Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. Pianist Ricardo Viñes was the first to publicly perform the work in 1902, although it had been privately performed for Les Apaches previously.
Document 8: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 9: Fantaisie for piano and orchestra (Debussy): "Fantaisie" for piano and orchestra, L. 73, is a composition for piano and orchestra by French composer Claude Debussy. It was composed between October 1889 and April 1890 but it received its first public performance only in 1919, a year after Debussy's death, in London by the Royal Philharmonic Orchestra with Alfred Cortot as soloist. It is Debussy's only composition for piano and orchestra and, even though it is written in a three movement form, it was not composed as a Piano Concerto. Today it is one of Debussy's least frequently performed works.　This work is dedicated to the pianist René Chansarel, who had been scheduled to play the solo part for the cancelled premiere in 1890.
Document 10: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 11: Joan Baptista Pujol: Joan Baptista Pujol i Riu (Spanish "Juan Bautista Pujol", Barcelona, 1835–1898) was a Catalan pianist and pedagogue. He studied at the Paris Conservatory with Napoleón-Henri Reber. He was the teacher of Enrique Granados, Ricardo Viñes, and (1872-1912).
Document 12: Trois mouvements perpétuels: Mouvements perpétuels, FP 14a, is a short three-movement suite for solo piano by the French composer Francis Poulenc, premiered in Paris in December 1918, when Poulenc was aged 19 and a protégé of Erik Satie. The work is dedicated to the artist Valentine Hugo and was first performed by Poulenc's piano teacher, Ricardo Viñes. From January 1918 to January 1921 Poulenc was a conscript in the French army, but his duties allowed him time for composition. He wrote the pieces at the piano of the local elementary school at Saint-Martin-sur-le-Pré.
Document 13: Ravel Peak: Ravel Peak ( ) is an isolated peak, rising to about 1,300 m, surmounting Debussy Heights situated in the northern portion of Alexander Island, Antarctica. The peak is markedly pyramid shaped when viewed from the east side. First mapped from air photos taken by the Ronne Antarctic Research Expedition (RARE), 1947–48, by Searle of the Falkland Islands Dependencies Survey (FIDS) in 1960. Named by the United Kingdom Antarctic Place-Names Committee (UK-APC) after Maurice Ravel (1875–1937), French composer and in association with the nearby landforms named after composers in this area.
Document 14: Sergei Rachmaninoff: Sergei Vasilievich Rachmaninoff (Russian: Серге́й Васи́льевич Рахма́нинов , "Sergey Vasilyevich Rakhmaninov"; ] ; 1 April [O.S. 20 March] 1873 28 March 1943) was a Russian virtuoso pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the romantic repertoire.
Document 15: Emmanuel Chabrier: Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist. Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music. He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six. Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony. Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".
ground_truth: impressionism