Question: Who sings Mack the Knife with the artist who popularized the song High Hopes?

full_context: Document 1: La Vie en rose: English lyrics were written by Mack David and numerous versions were recorded in the US in 1950. Those that charted were by Tony Martin (reached the No. 9 position in the Billboard charts), Paul Weston (No. 12 position), Bing Crosby (No. 13 position), Edith Piaf (No. 23 position), Ralph Flanagan (No. 27 position) and Victor Young (No. 27 position). Louis Armstrong recorded C'est si bon and La Vie en rose in New York City with Sy Oliver and his Orchestra on June 26, 1950 and this reached the No. 28 position in the Billboard charts. Bing Crosby also recorded the song in French in 1953 for his album Le Bing: Song Hits of Paris.
Document 2: In the Still of the Night (The Five Satins song): The song was recorded in the Saint Bernadette Catholic School basement in New Haven, Connecticut, in February, 1956. Marty Kugell produced the song. The saxophone solo was played by Vinny Mazzetta, of New Haven. The rhythm section was Doug Murray, bass, Bobby Mapp, drums and Curlee Glover, piano. It was originally released as a B - side (to ``The Jones Girl '', a play on the Mills Brothers' 1954 hit,`` The Jones Boy'') on Kugell's Standard Records label. Although the single was only a moderate hit (after it was reissued on the Ember label), peaking at # 24 on the national pop charts and # 3 on the R&B ``race ''charts (Billboard's chart designation for R&B during that time), its reputation came to surpass its original chart placement. For three decades, the single almost always topped the influential Top 500 Songs countdown on oldies radio station WCBS - FM. The track sold over 10 million copies in 1987 and 1988 as part of the Dirty Dancing soundtrack. In April 2010, the song ranked # 90 on the Rolling Stone magazine's list of`` the 500 Greatest Songs of All Time''. (The song was included on the highly influential 1959 LP Oldies But Goodies on Original Sound.)
Document 3: High Hopes (Panic! at the Disco song): ``High Hopes ''is a song by Panic! at the Disco released on May 23, 2018 as the second single from their sixth studio album, Pray for the Wicked, through Fueled by Ramen and DCD2 Records.
Document 4: High Hopes (Frank Sinatra song): ``High Hopes ''is a popular song first popularized by Frank Sinatra, with music written by James Van Heusen and lyrics by Sammy Cahn. It was introduced by Sinatra and child actor Eddie Hodges in the 1959 film A Hole in the Head, nominated for a Grammy and won an Oscar for Best Original Song at the 32nd Academy Awards.
Document 5: Sinatra Sings the Songs of Van Heusen & Cahn: Sinatra Sings the Songs of Van Heusen & Cahn is a 1991 compilation album by Frank Sinatra. It comprises his renditions of Jimmy Van Heusen and Sammy Cahn.
Document 6: Smoke Gets in Your Eyes: Possibly the most well - known version of ``Smoke Gets in Your Eyes ''was recorded in 1958 by The Platters, for their album Remember When?. The group's cover became a number one hit in the U.S. on the Billboard Hot 100 music chart. In 1959 the version went on to peak at number three on the Rhythm and Blues chart. The song spent 20 weeks on the UK charts, peaking at Number 1 for one week on 20 March of that same year. The Platters' producer, Buck Ram, reported that Harbach`` congratulated Buck Ram and the Platters for reviving his song with taste.'' Jerome Kern's widow, on the other hand, disliked the recording so much she considered taking legal action to prevent its distribution.
Document 7: It Was a Very Good Year: ``It Was a Very Good Year ''is a song Ervin Drake composed in 1961 for and originally recorded by Bob Shane with the Kingston Trio. It was subsequently made famous by Frank Sinatra's version in D minor, which won the Grammy Award for Best Vocal Performance, Male in 1966. Gordon Jenkins was awarded Grammy Award for Best Instrumental Arrangement Accompanying Vocalist (s) for the Sinatra version. This single peaked at # 28 on the U.S. pop chart and became Sinatra's first # 1 single on the Easy Listening charts. That version can be found on Sinatra's 1965 album September of My Years, and was featured in The Sopranos season two opener,`` Guy Walks into a Psychiatrist's Office...''. A live, stripped - down performance is included on his Sinatra at the Sands album.
Document 8: Mack the Knife: ``Mack the Knife ''was introduced to the United States hit parade by Louis Armstrong in 1956, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 (with Tom Dowd engineering the recording). Even though Darin was reluctant to release the song as a single, in 1959 it reached number one on the Billboard Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it would not appeal to the rock and roll audience. In subsequent years, Clark recounted the story with good humor. Frank Sinatra, who recorded the song with Quincy Jones on his L.A. Is My Lady album, called Darin's the`` definitive'' version. Billboard ranked this version as the No. 2 song for 1959. Darin's version was No. 3 on Billboard's All Time Top 100. In 2003, the Darin version was ranked # 251 on Rolling Stone's ``The 500 Greatest Songs of All Time ''list. On BBC Radio 4's Desert Island Discs, pop mogul Simon Cowell named`` Mack the Knife'' the best song ever written. Darin's version of the song was featured in the movies Quiz Show and What Women Want. Both Armstrong and Darin's versions were inducted by the Library of Congress in the National Recording Registry in 2016.
Document 9: Theme from New York, New York: The song did not become a popular hit until it was picked up in concert by Frank Sinatra during his performances at Radio City Music Hall in October 1978. (It was not even nominated for the Academy Award for 'Best Song'). Subsequently, Sinatra recorded it in 1979 for his 1980 Trilogy set (Reprise Records), and it became one of his signature songs. The single peaked at # 32 in June 1980, becoming his final Top Forty charting hit. It was also an Adult Contemporary hit, reaching # 10 in the US and # 2 in Canada. The song made a minor showing in the UK (# 59), however, recharted several years later and reached # 4 in 1986. Sinatra made two more studio recordings of the song in 1981 (for his NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
Document 10: Theme from New York, New York: ``Theme from New York, New York ''Single by Frank Sinatra from the album Trilogy: Past Present Future B - side`` That's What God Looks Like to Me'' Released April 1980 Format 7 ''single Recorded 1979 Genre Jazz Length 3: 26 Label Reprise Songwriter (s) Fred Ebb, John Kander Producer (s) Sonny Burke Frank Sinatra singles chronology ``Night and Day'' (1977)`` Theme from New York, New York ''(1980) ``You and Me (We Wanted It All)'' (1980)
Document 11: Everybody Loves Somebody: Although written almost 20 years earlier, by 1964 the song had already been recorded by several artists--including Frank Sinatra--but without much success. Lane was playing piano for Dean Martin on his "Dream with Dean" LP sessions, and with an hour or so of studio time left and one song short, Lane suggested that Martin take a run at his tune. Dean was agreeable, and the small combo of piano, guitar, drums and bass performed a relatively quiet, laid-back version of the song (coincidentally, Martin had sung it almost 20 years earlier on Bob Hope's radio show in 1948, and also on Martin & Lewis' NBC radio program at about the same time). Almost immediately Martin re-recorded the song for his next album, this time with a full orchestra and chorus. His label, Reprise Records, was so enthusiastic about the hit potential of this version they titled the LP "Everybody Loves Somebody" to capitalize on it.
Document 12: Frank Sinatra: Francis Albert Sinatra (/ sɪˈnɑːtrə /; Italian: (siˈnaːtra); December 12, 1915 -- May 14, 1998) was an American singer, actor, and producer who was one of the most popular and influential musical artists of the 20th century. He is one of the best - selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, Sinatra began his musical career in the swing era with bandleaders Harry James and Tommy Dorsey. Sinatra found success as a solo artist after he signed with Columbia Records in 1943, becoming the idol of the ``bobby soxers ''. He released his debut album, The Voice of Frank Sinatra, in 1946. Sinatra's professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack. His career was reborn in 1953 with the success of From Here to Eternity, with his performance subsequently winning an Academy Award and Golden Globe Award for Best Supporting Actor. Sinatra released several critically lauded albums, including In the Wee Small Hours (1955), Songs for Swingin 'Lovers! (1956), Come Fly with Me (1958), Only the Lonely (1958) and Nice' n 'Easy (1960).
Document 13: One for My Baby (and One More for the Road): ``One for My Baby (and One More for the Road) ''is a hit song written by Harold Arlen and Johnny Mercer for the movie musical The Sky's the Limit (1943) and first performed in the film by Fred Astaire. It was popularized by Frank Sinatra.
Document 14: Send In the Clowns: Sondheim wrote the song specifically for the actress Glynis Johns, who created the role of Desirée on Broadway. The song is structured with four verses and a bridge, and uses a complex compound meter. It became Sondheim's most popular song after Frank Sinatra recorded it in 1973 and Judy Collins' version charted in 1975 and 1977. Subsequently, numerous other artists recorded the song, and it has become a jazz standard.
Document 15: Danke Schoen: Wayne Newton's first version was released when he was 21 years old. The song was originally intended for singer Bobby Darin as a follow - up to his hit single ``Mack the Knife '', but after seeing Newton perform at the Copacabana, Darin decided to give the song to Newton and transposed the key of the recording to fit Newton's voice. It has been featured in many television commercials and motion pictures, such as Ferris Bueller's Day Off, Meet the Parents, Matchstick Men, Vegas Vacation, Fools Rush In as well as the French - American comedy Crime Spree. In 2015, it was used in a television commercial for Bank of America and in 2017 was used in a trailer for the video game Wolfenstein II: The New Colossus. The Newton version peaked at Billboard positions # 13 pop, # 3 easy listening.
ground_truth: Quincy Jones
sub_queries: where did the song high hopes come from Answer: Frank Sinatra
who sings mack the knife with Frank Sinatra Answer: Quincy Jones