Question: What is the name of the one-act play centered on two characters from Chekhov and wrote by Irish dramatist, short story writer and founder of the Field Day Theatre Company Brian Friel?

full_context: Document 1: Bash: Latter-Day Plays: bash: latterday plays is a collection of three dark one-act plays written by Neil LaBute. Each play is an exploration of the complexities of evil in everyday life, and two of the works, "iphigenia in orem" and "medea redux" have direct Greek influence, specifically that of Euripides. In production, these three short mono-duet dramas are sometimes presented in varying orders and sometimes omitting one or two of the works. In publication, however, the plays are presented in the following order: "iphigenia in orem" followed by "a gaggle of saints" and concluding with "medea redux". The plays premiered at the Douglas Fairbanks Theater in New York City on June 24, 1999 and featured performances by Ron Eldard, Calista Flockhart and Paul Rudd. They were later shown on cable television. The play was later produced in 2003 by barebones productions in a production directed by Jeff Cordell.
Document 2: The Cherry Orchard: The Cherry Orchard (Russian: "Вишнëвый сад" , "Vishnevyi sad " ) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by "Znaniye" (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with "The Seagull", "Three Sisters", and "Uncle Vanya".
Document 3: Memory play: Memory play is a play in which a lead character narrates the events of the play, which are drawn from the character's memory. The term was coined by playwright Tennessee Williams, describing his work "The Glass Menagerie". In his production notes, Williams says, "Being a 'memory play', "The Glass Menagerie" can be presented with unusual freedom of convention." In a widening of the definition, it has been argued that Harold Pinter's plays "Old Times", "No Man's Land" and "Betrayal" are memory plays, where "memory becomes a weapon". Brian Friel's "Dancing at Lughnasa" is a late 20th-century example of the genre.
Document 4: Samuel Beckett: Samuel Barclay Beckett ( ; 13 April 1906 – 22 December 1989) was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in Paris for most of his adult life and wrote in both English and French.
Document 5: Field Day Theatre Company: The Field Day Theatre Company began as an artistic collaboration between playwright Brian Friel and actor Stephen Rea. In 1980, the duo set out to launch a production of Friel's recently completed play, "Translations". They decided to rehearse and premiere the play in Derry with the hope of establishing a major theatre company for Northern Ireland. The production and performance of "Translations" generated a level of excitement and anticipation that unified, if only for a short time, the various factions of a divided community.
Document 6: Sonya's Story: Sonya's Story (Russian: История Сони) is an opera by the British composer Neal Thornton to a libretto based on the original Russian text of Anton Chekhov's play "Uncle Vanya". The libretto reproduces passages from "Uncle Vanya" in English translation with additional spoken text by Neal Thornton. "Sonya's Story" premiered on 7 August 2010 at the Riverside Studios in Londonto celebrate Chekhov's 150th anniversary. The production, part of the Tête à Tête festival was directed by Sally Burgess and designed by Charles Phu.
Document 7: After the Race: "After the Race" is a short story by James Joyce published in his 1914 collection "Dubliners."
Document 8: Brian O'Nolan: Brian O'Nolan (Irish: "Brian Ó Nualláin" ; 5 October 1911 – 1 April 1966) was an Irish novelist, playwright and satirist, considered a major figure in twentieth century Irish literature. Born in Strabane, County Tyrone, he is regarded as a key figure in postmodern literature. His English language novels, such as "At Swim-Two-Birds", and "The Third Policeman", were written under the "pen name" Flann O'Brien. His many satirical columns in "The Irish Times" and an Irish language novel "An Béal Bocht" were written under the name Myles na gCopaleen.
Document 9: Afterplay (play): Afterplay is a 2002 one-act play by Brian Friel. It centres on two characters from Chekhov (Sonya from "Uncle Vanya" and Andrey from "Three Sisters") meeting in Moscow in the 1920s.
Document 10: Brian Friel: Brian Patrick Friel (9 January 1929 – 2 October 2015) was an Irish dramatist, short story writer and founder of the Field Day Theatre Company. He had been considered one of the greatest living English-language dramatists. He has been likened to an "Irish Chekhov" and described as "the universally accented voice of Ireland". His plays have been compared favourably to those of contemporaries such as Samuel Beckett, Arthur Miller, Harold Pinter and Tennessee Williams.
Document 11: The Two of Us (play): The Two of Us is a 1970 play by British playwright Michael Frayn. It consists of four one-act plays for two actors and is Frayn's first published play.
Document 12: Patrick Bedford: Patrick Bedford (May 30, 1932, Dublin, Ireland – November 20, 1999; New York City, United States) was an Irish stage actor. He began his career in the 1950s at the Gate Theatre in Dublin, including productions of Chekhov, Shaw and Shakespeare, and later worked on the stage and in television in England. He was in the original stage production of "Philadelphia, Here I Come!" by Brian Friel, at the Gaiety Theatre Dublin, later in London and then New York which earned him a Tony Award nomination in 1965 for Best Actor (with Donal Donnelly). and an Outer Circle Critics Award.
Document 13: Noises Off: Noises Off is a 1982 play by the English playwright Michael Frayn. The idea for it came in 1970, when Frayn was watching from the wings a performance of "The Two of Us", a farce that he had written for Lynn Redgrave. He said, "It was funnier from behind than in front, and I thought that one day I must write a farce from behind." The prototype, a short-lived one-act play called "Exits", was written and performed in 1977. At the request of his associate, Michael Codron, Frayn expanded this into what would become "Noises Off". It takes its title from the theatrical stage direction indicating sounds coming from offstage.
Document 14: Brian Friel Theatre: The Brian Friel Theatre is a studio theatre located at Queen's University Belfast, Northern Ireland. It was opened in February 2009 and is named after the Irish dramatist, theatre director and author, Brian Friel.
Document 15: Translations: Translations is a three-act play by Irish playwright Brian Friel, written in 1980. It is set in Baile Beag (Ballybeg), a Donegal village in 19th century agricultural Ireland. Friel has said that "Translations" is "a play about language and only about language", but it deals with a wide range of issues, stretching from language and communication to Irish history and cultural imperialism. Friel responds strongly to both political and language questions in the modern-day Republic of Ireland. He said that his play "should have been written in Irish" but, despite this fact, he crafted carefully the verbal action in English which makes the dynamics of the play come alive, and brings its political questions into true focus.
ground_truth: Afterplay