Question: What was a notable work by the person who influenced the development of the new journalism movement in the U.S.?

full_context: Document 1: Walter Mears: Walter Mears is a Pulitzer prize-winning American journalist with the Associated Press. Mears was also one of the Boys on the Bus that covered the 1972 presidential election between Richard Nixon and George McGovern. He won a Pulitzer Prize in 1977 for his coverage of the 1976 presidential campaign. He has been inducted in the Associated Press Hall-of-Fame.
Document 2: One Flew Over the Cuckoo's Nest (novel): One Flew Over the Cuckoo's Nest (1962) is a novel written by Ken Kesey. Set in an Oregon psychiatric hospital, the narrative serves as a study of the institutional processes and the human mind as well as a critique of behaviorism and a celebration of humanistic principles. It was adapted into the Broadway play One Flew Over the Cuckoo's Nest by Dale Wasserman in 1963. Bo Goldman adapted the novel into a 1975 film directed by Miloš Forman, which won five Academy Awards.
Document 3: New Journalism: The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles he published as The New Journalism, which included works by himself, Truman Capote, Hunter S. Thompson, Norman Mailer, Joan Didion, Terry Southern, Robert Christgau, Gay Talese and others.
Document 4: Fear and Loathing in Las Vegas: Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a novel by Hunter S. Thompson, illustrated by Ralph Steadman. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Dr. Gonzo, as they descend on Las Vegas to chase the American Dream through a drug - induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous book, and is noted for its lurid descriptions of illegal drug use and its early retrospective on the culture of the 1960s. Its popularization of Thompson's highly subjective blend of fact and fiction has become known as gonzo journalism. The novel first appeared as a two - part series in Rolling Stone magazine in 1971, and was published as a book in 1972. It was later adapted into a film of the same name in 1998 by Terry Gilliam, starring Johnny Depp and Benicio del Toro who portrayed Raoul Duke and Dr. Gonzo, respectively.
Document 5: The New Yorker: Brown's nearly six-year tenure attracted more controversy than Gottlieb's or even Shawn's, thanks to her high profile (Shawn, by contrast, had been an extremely shy, introverted figure) and the changes which she made to a magazine that had retained a similar look and feel for the previous half-century. She introduced color to the editorial pages (several years before "The New York Times") and photography, with less type on each page and a generally more modern layout. More substantively, she increased the coverage of current events and hot topics such as celebrities and business tycoons, and placed short pieces throughout "Goings on About Town", including a racy column about nightlife in Manhattan. A new letters-to-the-editor page and the addition of authors' bylines to their "Talk of the Town" pieces had the effect of making the magazine more personal. The current editor of "The New Yorker" is David Remnick, who succeeded Brown in July 1998.
Document 6: Fiction-absolute: The term was coined and defined by journalist Tom Wolfe in his 2006 Jefferson Lecture for the National Endowment for the Humanities. Wolfe defined the term as the propaganda that a tribe or social group employs to explain why that group is the best of all groups and its people the best people. The term itself indicates that it is absolutist in that it defines in stark terms why members should prefer that tribe, and necessarily fictional because it is propaganda, although it might have some basis in truth. The fiction-absolute is essentially a tribe's core propaganda. It can lead to intolerance and forms of collective action.
Document 7: The Making of a Counter Culture: The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition is a work of non-fiction by Theodore Roszak originally published in 1969.
Document 8: New York City: New York City has been described as the cultural capital of the world by the diplomatic consulates of Iceland and Latvia and by New York's Baruch College. A book containing a series of essays titled New York, culture capital of the world, 1940–1965 has also been published as showcased by the National Library of Australia. In describing New York, author Tom Wolfe said, "Culture just seems to be in the air, like part of the weather."
Document 9: The Bronx: By contrast, Tom Wolfe's Bonfire of the Vanities (1987) portrays a wealthy, white protagonist, Sherman McCoy, getting lost off the Major Deegan Expressway in the South Bronx and having an altercation with locals. A substantial piece of the last part of the book is set in the resulting riotous trial at the Bronx County Courthouse. However, times change, and in 2007, the New York Times reported that "the Bronx neighborhoods near the site of Sherman's accident are now dotted with townhouses and apartments." In the same article, the Reverend Al Sharpton (whose fictional analogue in the novel is "Reverend Bacon") asserts that "twenty years later, the cynicism of The Bonfire of the Vanities is as out of style as Tom Wolfe's wardrobe."
Document 10: One Flew Over the Cuckoo's Nest (novel): One Flew Over the Cuckoo's Nest (1962) is a novel written by Ken Kesey. Set in an Oregon psychiatric hospital, the narrative serves as a study of the institutional processes and the human mind as well as a critique of behaviorism and a celebration of humanistic principles. It was adapted into the broadway (and later off - broadway) play One Flew Over the Cuckoo's Nest by Dale Wasserman in 1963. Bo Goldman adapted the novel into a 1975 film directed by Miloš Forman, which won five Academy Awards.
Document 11: From Bauhaus to Our House: After "The Painted Word", Wolfe published a collection of his essays, "Mauve Gloves & Madmen, Clutter & Vine" (1976), and his history of the earliest years of the space program, "The Right Stuff" (1979). Undeterred by the hostile critical response to "The Painted Word", and perhaps even encouraged by the stir the book made, Wolfe set about writing a critique of modern architecture. "From Bauhaus to Our House" was excerpted in "Harper's Magazine" and published by Wolfe's long-time publisher Farrar, Straus & Giroux in 1981.
Document 12: Joe McLaughlin (sportswriter): McLaughlin was regularly sought out for expert commentary on television and radio, and has been cited/referenced in and edited innumerable books, magazines and articles. His work, a relative time machine of sports in Texas, has been sought after by the Southwest Special Collections Library and Museum at Texas Tech University. His stories are recognized as a Who's Who of athletes, from Olympians to World Boxing Champions, including Wilfred Benitez, Muhammad Ali, George Foreman, Termite Watkins, Dave "Ziggy" Zyglewicz, many of whom trace their rise to fame over the decades through Joe's stories.
Document 13: Common Ground (book): Common Ground: A Turbulent Decade in the Lives of Three American Families is a nonfiction book by J. Anthony Lukas, published by Alfred A. Knopf in 1985, that examines race relations in Boston, Massachusetts through the prism of desegregation busing. It received the Pulitzer Prize for General Non-Fiction, the National Book Award,
Document 14: O Strange New World: O Strange New World: American Culture - The Formative Years was written by Howard Mumford Jones and published by Viking Press in 1964; it won the 1965 Pulitzer Prize for General Non-Fiction.
Document 15: The Electric Kool-Aid Acid Test: The Electric Kool-Aid Acid Test is a nonfiction book by Tom Wolfe that was published in 1968. The book is remembered today as an early – and arguably the most popular – example of the growing literary style called New Journalism. Wolfe presents an as-if-firsthand account of the experiences of Ken Kesey and his band of Merry Pranksters, who traveled across the country in a colorfully painted school bus, the destination of which was always "Furthur", as indicated on its sign, but also exemplified by the general ethos of the Pranksters themselves. Kesey and the Pranksters became famous for their use of LSD and other psychedelic drugs in hopes of achieving intersubjectivity. The book chronicles the Acid Tests (parties in which LSD-laced Kool-Aid was used to obtain a communal trip), the group's encounters with (in)famous figures of the time, including famous authors, Hells Angels, and The Grateful Dead, and it also describes Kesey's exile to Mexico and his arrests.
ground_truth: The Electric Kool-Aid Acid Test
sub_queries: who influenced the development of the new journalism movement in the united states Answer: Tom Wolfe
Tom Wolfe >> notable work Answer: The Electric Kool-Aid Acid Test