Question: Where is the classical music acadamy run by the corporate house, ITC Ltd. that an Indian classical singer of the Seniya and Banaras gharanas born on 8 May 1929 is associated with, located?

full_context: Document 1: ITC Sangeet Research Academy: ITC Sangeet Research Academy is a Hindustani classical music academy run by the corporate house, ITC Ltd.. It is located in Kolkata, India. Noted musicians associated with the academy include Ulhas Kashalkar Ajoy Chakrabarty Mashkoor Ali Khan Girija Devi. Satyajit Ray, was one of the trustees.
Document 2: Shrikrishna Narayan Ratanjankar: Shrikrishna Narayan Ratanjankar (December 31, 1900 – February 14, 1974) or S N Ratanjankar was a distinguished scholar and teacher of Hindustani classical music, from the Agra gharana. Foremost disciple of Vishnu Narayan Bhatkhande and Faiyaz Khan of Baroda State, he also remained principal of Bhatkhande Music Institute ("Bhatkande Sangeet Sansthan"), Lucknow, for many years, where he trained many noted names in the field of music.
Document 3: Girija Devi: Girija Devi (born 8 May 1929) is an Indian classical singer of the Seniya and Banaras gharanas. She performs classical and light classical music and has helped elevate the profile of thumri.
Document 4: Jagdish Narain Sapru: Jagdish Narain Sapru (16 November 1933– 8 May 2007), the grandson of eminent lawyer, political, and social leader Sir Tej Bahadur Sapru, was the former chairman of ITC Limited, BOC India, DIC India (Formerly Coates of India), Nicco Park, and the Indian Chamber of Commerce. He was also the president of the Tollygunge Club, a prestigious golf club in Kolkata. Sapru was voted as one of the 'CEOs who Rock' by Asia Africa Intelligence Wire in 2003 and was also an honorary fellow of the All India Management Association.
Document 5: Smitha Madhav: Smitha Madhav is an accomplished and performing Carnatic Classical Singer and Bharatanatyam Dancer. Carnatic music is a system of music commonly associated with the southern part of India and one of the two main classifications of Indian Classical Music (the other being Hindustani Classical Music). Smitha is an eminent and versatile artist in both forms of these fine arts.
Document 6: Deva (composer): Devanesan Chokkalingam, popularly known as Deva, is an Indian film composer and singer. He has composed songs and provided background music for Tamil, Telugu, Malayalam and Kannada films in a career spanning about 20 years. Many know his gaana songs, written mostly using Madras Tamil. He is known as the "Father of Gaana Genre" in the Tamil film industry.
Document 7: Aniruddha Bhattacharya: Aniruddha Bhattacharya is a professional playback vocalist in the Telugu film industry. He hails from Kolkata, West Bengal. He started singing at the age of 5 and underwent training in Indian Classical Music under several stalwarts the most recent being Pt. Falguni Mitra of Bettiah Benaras Gharana. He has acquired many styles of singing including the steadiness and open voiced recitals required in Dhrupad and Dhamar. As he progressed through his teens and matured as a singer he took up commercial singing guided by Mr. Prabir Karmakar and Mr. Buddhadeb Ganguly (stalwart music composer and guitarist). He also underwent training in Classical and semi classical music under Pt. Jayanta Sarkar, Rabindra Sangeet under Pt. Agnibho Banerjee and Mr Anutosh Chatterjee. Taking his inclination towards instruments to the next level he pursued learning Table under the legendary Tabla Guru Pt. Sujit Saha and Guitar under the immensely respected Mr. Amyt Datta.
Document 8: Suman Ghosh: Pandit Suman Ghosh is an internationally acclaimed Hindustani Classical Vocalist of the Mewati Gharana of Hindustani Classical Music and a torch-bearing disciple of Sangeet Martand Pandit Jasraj. He is the founder and President of the Center for Indian Classical Music of Houston (CICMH).
Document 9: Suraiya: Suraiya Jamaal Sheikh (15 June 1929 – 31 January 2004), popularly known as Suraiya, was an Indian Muslim Hindi/Hindustani film actress and playback singer in Bollywood from the 1940s to the early 1960s, who remained unmarried throughout her life, after her love affair with actor Dev Anand was aborted by her maternal grandmother. She was the most popular singing star of the Indian sub-continent of her generation. Until 1943, as a child singer, Suraiya did playback singing for one actress, namely Mehtab, in three films, and also in some of her own films for her roles as a child artiste. After this, she only sang for her own films as an actress, and acted as a heroine from 1946 until the end of her career in 1963. From 1948 to 1951, she became the singing superstar of Bollywood, earning more for her performances than all the performing actors of the times, male or female, including Dev Anand, Raj Kapoor, Dilip Kumar, Nargis and Madhubala. She received 1.5–2 lakhs rupees for her role per film, when top male actors were getting 50 thousand to 1 lakh rs. For a song, she commanded rs. 1000, while Lata Mangeshkar was getting rs. 100–200 per song. She was the only child of her parents. She had a natural talent for singing, acting and dancing from childhood. She received basic training in music when her mother used to take her to a Hindustani music teacher or 'masterji' for training. She first sang for a children's program for All India Radio in 1937. Later on Naushad gave her on the job 'training', while recording. She went on to become one of the most successful singing film stars of Bollywood. She had received training in dancing from Mumtaz Ali, dancer-actor and father of the famous comedian Mehmood. She was also known for her North Indian Muslim feudal style acting or 'adakari' in many of her films ("Mirza Ghalib (film)", "Phool", "Afsar", "Shayar", "Jeet (1949 film)", "Anmol Ghadi" and "Dastan"). This style 'endowed modernity with an aura of tradition' and brought nostalgic feudal tinge to the scenes. Her performance 'expertly integrated gestures, music and speech'. Suraiya in her heyday was known as 'Malika-e-Husn' (queen of beauty), 'Malika-e-Tarannum' (queen of melody) and 'Malika-e-Adakaari' (queen of acting), all rolled into one. In a career spanning from 1936 till 1963, Suraiya sang 338 songs in films (which were mostly her own films) and 2 in addition were non-film songs, namely, 'tum rahe kahan ko piya' and 'hum tum karenge pyar'. She acted in 67 movies, which do not include the incomplete films such as "Jaanwar" (with Dilip Kumar), "Paagal Khaana" with Bharat Bhushan and an Indo-British film on Wajid Ali Shah (1953) being directed by British director, Herbert Marshall, with Ashok Kumar in the role of Wajid Ali Shah.
Document 10: Saraswati Rane: Saraswati Rane (October 4, 1913 - October 10, 2006) was an Indian classical singer in the Hindustani Classical genre. She was a daughter of Ustad Abdul Karim Khan (1872–1937), the founder of Kirana Gharana. Her family had a long and great music tradition. She got her initial training of vocal music of the Kirana Gharana style from her elder brother Sureshbabu Mane and elder sister Hirabai Barodekar, who themselves were the doyen of Indian classical music of their times. Later she also sang along with elder sister, Hirabai Bododekar, especially in "jugalbandi" style.
Document 11: Sitara Devi: Sitara Devi (8 November 1920 – 25 November 2014) was an eminent Indian dancer of the classical Kathak style of dancing. Rabindranath Tagore described her as "Nritya Samragini", meaning the empress of dance, after watching her performance when she was just 16 years old. The epithet continues, and she is still described as the "Kathak queen".
Document 12: Saraswati Devi (music director): Saraswati Devi, born Khorshed Minocher-Homji (1912 – 1980), was an Indian film score composer who worked in Hindi cinema in the 1930s and 1940s. She was one of the few female composers, working with Bombay Talkies, and is most noted for her score, "Mein Ban ki Chiriyra Banke Bun Bun Bolun Re" ("Achut Kanya" 1936). She was the second female music director in the Indian film industry, after Jaddan Bai.
Document 13: Sanhita Nandi: Sanhita Nandi is a prominent Hindustani classical vocalist of the Kirana Gharana. The central motif of her style is slow tempo "raga" development (voice culture, voice throw, and tonal application) and ornamented "sargams".Sanhita Nandi has rightly established herself as a leading exponent of Khayal, earning high acclaim from discerning critics and enthusiastic audiences on an international scale. Sanhita has developed a distinctive singing style based on firm grounding of traditional training (or taleem), combining pure lyricism with impeccable technique.To further enrich her repository of Kirana Lineage and traditional compositions, Sanhita continues to get trained under the able guidance of Ustad Mashkoor Ali Khan.The heart of her music is the slow, leisurely development of Raag Bhava in Merukhand style in Ati vilambit. The vistar is richly embellished by meend, harkat, and sargams. As the badhat gets slowly ornamented in the choicest pearls of melodic variations that build the sculpture of the raga, it slowly gets decorated into faster tempo where it befriends sargams, chota khayal, tarana and soft silky sapat taans .Extreme care is taken not to disrupt the Raag Bhava even in faster tempo .Even the phirat adds to the wet, warmth of feelings embedded in the raga.
Document 14: Music in Varanasi: Music in Varanasi is a tradition linked to the ancient times of the Pauranic legends. Lord Shiva, who is reported to have established this city, was credited with developing music and dance forms. Legend also attributes that Renu, son of sage Vishvamitra and Mahagobind, was the precursors of music tradition in Kashi (Varanasi) when nymphs (Apsaras), Gandharvas and Kinnaras were the traditional practitioners of this art form, and saint Chaitanya and Vallabhacharya were the pioneers in spreading this music tradition in Varanasi. Notable musicians of Varanasi include the iconic sitar player Ravi Shankar, the Shehnai maestro Bismillah Khan, and the vocal music singer Girija Devi. Varanasi has joined the global bandwagon of UNESCO "Cities of Music" under the Creative Cities Network. Varanasi chosen in music category of creative cities network clearly signifies the rich musical heritage of this ancient city.
Document 15: Ali Akbar Khan: Ali Akbar Khan (14 April 192218 June 2009) was a Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, Khan also composed several classical "ragas" and film scores. He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the USA and is now based in San Rafael, California, with a branch in Basel, Switzerland.
ground_truth: Kolkata, India