Question: Egbert van Drielst studied the works of the preeminent landscape painter of which age?

full_context: Document 1: Asnières (Van Gogh series): Asnières, now named Asnières-sur-Seine, is the subject and location of paintings that Vincent van Gogh made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the Netherlands his work was shaped by great Dutch masters as well as Anton Mauve a Dutch realist painter who was a leading member of the Hague School and a significant early influence on his cousin-in-law van Gogh. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres.
Document 2: Frans van Mieris the Elder: Frans van Mieris, the elder (16 April 1635 – 12 March 1681), was a Dutch Golden Age genre and portrait painter. The leading member of a Leiden family of painters, his sons Jan (1660–1690) and Willem (1662–1747) and his grandson Frans van Mieris the Younger (1689–1763) were also accomplished genre painters.
Document 3: Pieter Nason: Pieter Nason (ca. 1612, Amsterdam - 1688/90 The Hague) was a Dutch painter. He became a member of the Guild of Painters of The Hague in 1639, and in 1656 was one of the forty seven members who established the 'Pictura Society. From a MS. by Pieter Terwesten, it appears not improbable that Nason was a pupil of Jan van Ravensteyn; and it is believed that his name has been effaced from pictures since attributed to Mierevelt, Moreelse, and above all to Ravensteyn. It is certain that he painted the portrait of Prince Mauritz, Governor of the Brazils , engraved by Houbraken, and those of Charles the Second of England, engraved by C. Van Dalen and Sandrart, and of the Grand Elector. At Berlin there is a full-length portrait, dated 1667, of the latter, by Nason; also a still life, representing gold, silver, and glass vessels, likewise a portrait by him signed and dated 1670. There are others at Copenhagen and at Rotterdam. The date of his death is not known, but his life was long. Redgrave gives the initial of his Christian name wrongly as R.
Document 4: Windmill at Wijk bij Duurstede: The Windmill of Wijk bij Duurstede (c. 1670) is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Document 5: Jacob van Ruisdael: Jacob Isaackszoon van Ruisdael (] ;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
Document 6: Egbert van Drielst: Egbert van Drielst (Groningen, 12 March 1745 – Amsterdam, 4 June 1818) began his study of the painting in a factory in Groningen which produced mainly lacquered objects. He soon went to Haarlem, where he became an apprentice in the wallpaper factory of Jan Augustini. Van Drielst entered the wallpaper studio in Amsterdam where he established friendships with Adriaan de Lelie. He studied the old masters Salomon van Ruysdael, Jacob van Ruisdael, Jan Wijnants and in particular, Meindert Hobbema, and sought to make use of their techniques in his nature studies. In 1768 he became a member of the Guild of Saint Luke in Amsterdam.
Document 7: Jan Steen: Jan Havickszoon Steen (c. 1626 – buried 3 February 1679) was a Dutch genre painter of the 17th century (also known as the Dutch Golden Age). His works are known for their psychological insight, sense of humour and abundance of colour.
Document 8: De Ateliers: De Ateliers (formerly Ateliers '63) is an independent art school in located in Amsterdam. It was founded in Haarlem in 1963, among others by Ger Lataster, Mari Andriessen, Nic Jonk, Theo Mulder and Wessel Couzijn. This "group of established artists... agreed that the formative process of fine artists should be more individually directed than the learning of a trade or the studying of a science."
Document 9: Early works of Vincent van Gogh: The early works of Vincent van Gogh is a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882, his first two years of serious artistic exploration. Over the course of the two-year period Van Gogh lived in several places. He left Brussels, where he had studied for about a year in 1881, to return to his parent's home in Etten (North Brabant), where he made studies of some of the residents of the town. In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, funded by Mauve. During the ten years of Van Gogh's artistic career from 1881 to 1890 Vincent's brother Theo would be a continuing source of inspiration and financial support; his first financial support began in 1880 funding Vincent while he lived in Brussels.
Document 10: Jacob Dissius: Jacob Abrahamsz. Dissius (1653 - 1695) was a Dutch typographer and printer. He is most notable as an art collector and for his links to Johannes Vermeer - his collection included 21 Vermeer works (including "The Milkmaid", "Portrait of a Young Woman", "A Girl Asleep", "Woman Holding a Balance" and "The Music Lesson") and in 1680 he married Madgdalene, daughter and sole heir of Vermeer's main patron Pieter van Ruijven. Dissius died in 1695 and his collection was auctioned off in Amsterdam the following year.
Document 11: The Night Watch: Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch (Dutch: "De Nachtwacht" ), is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best known painting in its collection. "The Night Watch" is one of the most famous Dutch Golden Age paintings.
Document 12: Heiko Daxl: Until 1976 he grew up in Varel, Dangast and Neuenburg next to Jadebusen in the (Friesland (district)). During his education at the Lothar Meyer High-School he learned about the medium film. He first studied architecture and urbanism at the Technical University Braunschweig (1978), but changed to the University of Osnabrück, which offered at that time in Germany a unique course of studies in communication and aesthetics. There he studied art history with Franz Joachim Verspohl, Walter Grasskamp, Lothar Knapp and Jutta Held as well as media studies with Joachim Paech, Werner Faulstich, Walter Fähnders, Peter von Rueden, Ingo Petzke and Wolfgang Becker. Here he was conferred his Magister Artium degree in 1985. He also studied German Language and Literature at the Technical University Berlin and Art History at the University of Zurich.
Document 13: Egbert van der Poel: Egbert van der Poel (9 March 1621 in Delft – 19 July 1664 in Rotterdam) was a Dutch Golden Age genre and landscape painter, son of a Delft goldsmith.
Document 14: Jan Miense Molenaer: Jan Miense Molenaer (1610 – buried 19 September 1668), was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals.
Document 15: Lucas van Uden: Lucas van Uden (18 October 1595 – 4 November 1672) was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
ground_truth: Dutch Golden Age