Question: In the Breakin' It Up album's pianist's birth state, much of the population is black?

full_context: Document 1: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 2: Mile Road System (Michigan): Several counties in the state of Michigan use a Mile Road System to name different roads and streets. The most commonly known system is that of Detroit, including 8 Mile Road, the dividing line between Detroit and its northern suburbs as well as Wayne County and both Oakland and Macomb counties.
Document 3: Gene Harris of the Three Sounds: Gene Harris of the Three Sounds is an album by American pianist Gene Harris recorded in 1972 and released on the Blue Note label. Although the title refers to Harris' group The Three Sounds the album is usually recognised as a solo effort as none of the other original members of the group participated in the recording.
Document 4: Miami: In 1960, non-Hispanic whites represented 80% of Miami-Dade county's population. In 1970, the Census Bureau reported Miami's population as 45.3% Hispanic, 32.9% non-Hispanic White, and 22.7% Black. Miami's explosive population growth has been driven by internal migration from other parts of the country, primarily up until the 1980s, as well as by immigration, primarily from the 1960s to the 1990s. Today, immigration to Miami has slowed significantly and Miami's growth today is attributed greatly to its fast urbanization and high-rise construction, which has increased its inner city neighborhood population densities, such as in Downtown, Brickell, and Edgewater, where one area in Downtown alone saw a 2,069% increase in population in the 2010 Census. Miami is regarded as more of a multicultural mosaic, than it is a melting pot, with residents still maintaining much of, or some of their cultural traits. The overall culture of Miami is heavily influenced by its large population of Hispanics and blacks mainly from the Caribbean islands.
Document 5: Preminado: Preminado is an album by pianist Barry Harris recorded in late 1960 and early 1961 and released on the Riverside label.
Document 6: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 7: Phonograph record: In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise did not proceed further with the series due to a lack of sales for the single, and a lack of general interest in the concept. Guitarist & vocalist Leon Redbone released a promotional 78 rpm record in 1978 featuring two songs (Alabama Jubilee and Please Don't Talk About Me When I'm Gone) from his Champagne Charlie album. In 1980 Stiff Records in the United Kingdom issued a 78 by Joe "King" Carrasco containing the songs Buena (Spanish for "good," with the alternate spelling "Bueno" on the label) and Tuff Enuff. Underground comic cartoonist and 78 rpm record collector Robert Crumb released three discs with his Cheap Suit Serenaders in the 1980s.
Document 8: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 9: Breakin' It Up: Breakin' It Up is the debut album by pianist Barry Harris recorded in 1958 and released on the Argo label.
Document 10: 8 Mile (film): The film is based loosely on Eminem's actual upbringing, and follows white rapper B - Rabbit (Eminem) and his attempt to launch a career in a genre dominated by African - Americans. The title is derived from 8 Mile Road, the highway between the predominantly black city of Detroit and Wayne County and the predominantly White Oakland County and Macomb County suburbs. It was filmed mostly on location.
Document 11: Boston: In 1950, whites represented 94.7% of Boston's population. From the 1950s to the end of the 20th century, the proportion of non-Hispanic whites in the city declined; in 2000, non-Hispanic whites made up 49.5% of the city's population, making the city majority-minority for the first time. However, in recent years the city has experienced significant gentrification, in which affluent whites have moved into formerly non-white areas. In 2006, the US Census Bureau estimated that non-Hispanic whites again formed a slight majority. But as of 2010, in part due to the housing crash, as well as increased efforts to make more affordable housing more available, the minority population has rebounded. This may also have to do with an increased Latino population and more clarity surrounding US Census statistics, which indicate a Non-Hispanic White population of 47 percent (some reports give slightly lower figures).
Document 12: Joe Gordon (musician): His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1953–55 intermittently), Art Blakey (1954), and Don Redman.
Document 13: Detroit: Detroit (/dᵻˈtrɔɪt/) is the most populous city in the U.S. state of Michigan, the fourth-largest city in the Midwest and the largest city on the United States–Canada border. It is the seat of Wayne County, the most populous county in the state. Detroit's metropolitan area, known as Metro Detroit, is home to 5.3 million people, making it the fourteenth-most populous metropolitan area in the United States and the second-largest in the Midwestern United States (behind Chicago). It is a major port on the Detroit River, a strait that connects the Great Lakes system to the Saint Lawrence Seaway. The City of Detroit anchors the second-largest economic region in the Midwest, behind Chicago, and the thirteenth-largest in the United States.
Document 14: Detroit: Due to industrial restructuring and loss of jobs in the auto industry, Detroit lost considerable population from the late 20th century to present. Between 2000 and 2010 the city's population fell by 25 percent, changing its ranking from the nation's 10th-largest city to 18th. In 2010, the city had a population of 713,777, more than a 60 percent drop from a peak population of over 1.8 million at the 1950 census. This resulted from suburbanization, industrial restructuring, and the decline of Detroit's auto industry. Following the shift of population and jobs to its suburbs or other states or nations, the city has focused on becoming the metropolitan region's employment and economic center. Downtown Detroit has held an increased role as an entertainment destination in the 21st century, with the restoration of several historic theatres, several new sports stadiums, and a riverfront revitalization project. More recently, the population of Downtown Detroit, Midtown Detroit, and a handful of other neighborhoods has increased. Many other neighborhoods remain distressed, with extensive abandonment of properties.
Document 15: Detroit: While Blacks/African-Americans comprised only 13 percent of Michigan's population in 2010, they made up nearly 82 percent of Detroit's population. The next largest population groups were Whites, at 10 percent, and Hispanics, at 6 percent. According to the 2010 Census, segregation in Detroit has decreased in absolute and in relative terms. In the first decade of the 21st century, about two-thirds of the total black population in metropolitan area resided within the city limits of Detroit. The number of integrated neighborhoods has increased from 100 in 2000 to 204 in 2010. The city has also moved down the ranking, from number one most segregated to number four. A 2011 op-ed in The New York Times attributed the decreased segregation rating to the overall exodus from the city, cautioning that these areas may soon become more segregated. This pattern already happened in the 1970s, when apparent integration was actually a precursor to white flight and resegregation. Over a 60-year period, white flight occurred in the city. According to an estimate of the Michigan Metropolitan Information Center, from 2008 to 2009 the percentage of non-Hispanic White residents increased from 8.4% to 13.3%. Some empty nesters and many younger White people moved into the city while many African Americans moved to the suburbs.
ground_truth: 13 percent
sub_queries: Breakin' It Up >> performer Answer: Barry Harris
Barry Harris >> place of birth Answer: Detroit
Roads and freeways in metropolitan Detroit >> located in the administrative territorial entity Answer: Michigan
How much of Michigan 's population is Black? Answer: 13 percent