Question: Where is the place of death for the person who created Der Taucher?

full_context: Document 1: Ode to Joy: "Ode to Joy" (German: ), is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in "Thalia". A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
Document 2: The Bride of Messina: The Bride of Messina () is a tragedy by Friedrich Schiller; it premiered on 19 March 1803 in Weimar. It is one of the most controversial works by Schiller, due to his use of elements from Greek tragedies (which were considered obsolete at the time it was written).
Document 3: Alps: Jean-Jacques Rousseau was the first of many to present the Alps as a place of allure and beauty, banishing the prevalent conception of the mountains as a hellish wasteland inhabited by demons. Rousseau's conception of alpine purity was later emphasized with the publication of Albrecht von Haller's poem Die Alpen that described the mountains as an area of mythical purity. Late in the 18th century the first wave of Romantics such as Goethe and Turner came to admire the scenery; Wordsworth visited the area in 1790, writing of his experiences in The Prelude. Schiller later wrote the play William Tell romanticising Swiss independence. After the end of the Napoleonic Wars, the Alpine countries began to see an influx of poets, artists, and musicians, as visitors came to experience the sublime effects of monumental nature.
Document 4: Mitridate, re di Ponto: Mozart wrote "Mitridate" while touring Italy in 1770. The musicologist Daniel E. Freeman has recently demonstrated that it was composed with close reference to the opera "La Nitteti" by Josef Mysliveček. The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during the summer of 1770 while Wolfgang was working on "Mitridate". Mozart gained expertise in composition from his older friend and also incorporated some of his musical motives into his own operatic setting. The opera was first performed at the Teatro Regio Ducal, Milan, on 26 December 1770 (at the Milan Carnival). It was a success, having been performed twenty-one times despite doubts because of Mozart's extreme youth – he was 14 at the time. No revival took place until the 20th century. This opera features virtuoso arias for the principal roles, but only two ensemble numbers: the act 2 ending duet between Aspasia and Sifare ("Se viver non degg’io"), and the brief quintet that ends the opera, very characteristic of standard baroque opera seria where the opera ends with a short "coro" or "tutti" number.
Document 5: Luise Willer: Luise Willer (1888–1970) was a German operatic contralto. She made her professional opera debut in 1910 as Annius in Wolfgang Amadeus Mozart's "La clemenza di Tito". She spent most of her career performing at the Bavarian State Opera in Munich. At the Bayreuth Festival, she portrayed Brängane in "Tristan und Isolde". She created roles in several world premieres during her career, including Barbara in Erich Wolfgang Korngold's "Violanta" (1916), Lukrezia in Hans Pfitzner's "Palestrina" (1917), Graben-Liese in Franz Schreker's "Das Spielwerk" (1920), and Herzogin in Pfitzner's "Das Herz" (1931) among others.
Document 6: Hymne an Deutschland: Its lyrics were written by Rudolf Alexander Schröder in 1950. Hermann Reutter composed its tune after Carl Orff, whom Heuss wanted to have as composer, had rejected the request and suggested Reutter instead. Heuss’ attempts failed, and in 1952 he and Chancellor Adenauer recognized the "Deutschlandlied" as the new national anthem, with only the third stanza being sung on official occasions.
Document 7: Ode to Joy: ``Ode to Joy ''(German:`` An die Freude'' (an diː ˈfʁɔʏdə), first line: ``Freude, schöner Götterfunken '') is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
Document 8: Der Untergang der Titanic: Der Untergang der Titanic, or, in English, The Sinking of the Titanic, is an epic and allegorical poem by the German poet Hans Magnus Enzensberger, first published by Suhrkamp Verlag in 1978.
Document 9: Oberon (poem): Oberon is an epic poem by the German writer Christoph Martin Wieland. It was based on the epic romance "Huon de Bordeaux", a French medieval tale, and influenced by Shakespeare's "A Midsummer Night's Dream" and Alexander Pope's version of Geoffrey Chaucer's "The Merchant's Tale". It first appeared in 1780 and went through seven rewrites before its final form was published in 1796.
Document 10: Troilus and Cressida: Troilus and Cressida () is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate".
Document 11: Hérodiade: The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's "Salome", which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play."
Document 12: Julian and Maddalo: Julian and Maddalo: A Conversation (1818–19) is a poem in 617 lines of enjambed heroic couplets by Percy Bysshe Shelley published posthumously in 1824.
Document 13: Johann Strauss III: Despite his keen interest in composing, he was better remembered as a conductor. His only stage work, the three-act operetta "Katze und Maus", composed in 1898, premiered in Vienna on 23 December 1898, at the Theater an der Wien. Its public reaction bordered on utter dislike, and music critics called for the distraught composer to reassess himself and to appear under a pseudonym, in order not to tarnish the name of his famous relatives. He salvaged the music score and produced independent pieces of which the waltzes "Sylvanien", Op. 1 and "Leonie", Op. 2 survived obscurity.
Document 14: King Roger: The "Sicilian drama", as he called it, originated from Szymanowski's enthusiasm for Mediterranean culture as a melting pot of different peoples and religions. He spent much time travelling in that area in 1911 and in 1914, and shared his love of the region with Iwaszkiewicz. In the summer of 1918 at Odessa, Ukraine, Szymanowski and Iwaszkiewicz conceived the project, and composed the opera over the period of 1918 to 1924. Szymanowski's lost novel "Efebos" dealt with mystical themes similar to those that inspired this work; Szymanowski labelled it a "Misterium".
Document 15: Der Taucher: "Der Taucher" ("The Diver") is a ballad by Friedrich Schiller, written in 1797, the year of his friendly ballad competition with Goethe.
ground_truth: Weimar
sub_queries: Who created Der Taucher? Answer: Friedrich Schiller
Friedrich Schiller >> place of death Answer: Weimar