Question: Which city was the birthplace of That's Nat's performer?

full_context: Document 1: Joseph Alessi: Joseph Norman Alessi was born in Detroit, Michigan and attended high school in San Rafael, California. His father, also named Joseph Alessi, was a professional trumpet player, and his mother, Maria (née Leone) sang in the Metropolitan Opera chorus. His younger brother Ralph Alessi is a jazz trumpeter. Displaying notable talent himself from an early age, Alessi graduated early from high school at age 16 and successfully auditioned to join the San Francisco Ballet Orchestra. During this time he appeared as a soloist with the San Francisco Symphony. In 1976-77, following a previously unsuccessful audition, Alessi gained entry to the Curtis Institute of Music (in Philadelphia), where he studied until 1980.
Document 2: Herb Pomeroy: Pomeroy began playing trumpet at an early age. In his early teens he started performing in Boston, claiming inspiration from the music of Louis Armstrong. In 1946, at the age of 16, he became a member of the Musicians Union in Gloucester after the union did not have enough members to conduct a meeting. He studied dentistry at Harvard University for a year but dropped out to pursue his jazz career.
Document 3: Little Big Horn (album): Little Big Horn (also released as Natural Soul) is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Junior Mance, Kenny Burrell/Jim Hall Bob Cranshaw, and Mickey Roker.
Document 4: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 5: Nat Adderley: Nathaniel Carlyle Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area.
Document 6: Kings of Leon: When the boys' father resigned from preaching and their parents divorced in 1997, Nathan and Caleb relocated to outside Nashville and originally embraced country music. While there, they met songwriter Angelo Petraglia, who helped the siblings hone their songwriting skills and introduced them to the musical influences of Thin Lizzy, The Rolling Stones and The Clash in particular. Their youngest brother, Jared, who had briefly attended public school, was more influenced by the music of the Pixies and The Velvet Underground. When he and their cousin Matthew also moved to Nashville in 1999, Kings of Leon was formed. They named the band after their grandfather Leon, who died in January 2014.
Document 7: In the Land of Hi-Fi with Julian Cannonball Adderley: In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a big band with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.
Document 8: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 9: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 10: Autobiography (Nat Adderley album): Autobiography is the ninth album by jazz cornetist Nat Adderley. It was released in 1964 as a vinyl record, his first after moving to Atlantic Records. It includes elements from the genres of soul jazz and hard bop and a performance of what is arguably one of his best-known achievements, "Work Song", which was produced during his time with his brother Cannonball Adderley's second quartet.
Document 11: You, Baby: You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
Document 12: Sayin' Somethin': Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
Document 13: That's Nat: That's Nat is an album by jazz cornetist Nat Adderley first released on the Savoy label featuring performances by Adderley with Jerome Richardson, Hank Jones, Wendell Marshall, and Kenny Clarke.
Document 14: The Scavenger: The Scavenger is an album by jazz cornetist Nat Adderley released on the Milestone label featuring performances by Adderley's Quintet with Joe Henderson, Joe Zawinul, Victor Gaskin, and Roy McCurdy with a guest appearance by Jeremy Steig. The track "Rise, Sally, Rise" was sampled by rap group Eric B. & Rakim for their 1992 single "Know the Ledge".
Document 15: Much Brass: Much Brass is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley's Sextet with Slide Hampton, Wynton Kelly, Sam Jones, Laymon Jackson, and Albert Heath.
ground_truth: Tampa
sub_queries: That's Nat >> performer Answer: Nat Adderley
Which city was the birthplace of Nat Adderley ? Answer: Tampa