Question: which one of Harald Kloser films is a political thriller?

full_context: Document 1: Mark Rylance: Sir David Mark Rylance Waters (born 18 January 1960) is an English actor, theatre director, and playwright. He was the first artistic director of Shakespeare's Globe in London, from 1995 to 2005. His film appearances include "Prospero's Books" (1991), "Angels and Insects" (1995), "Institute Benjamenta" (1996), and "Intimacy" (2001). Rylance won the Academy Award and the BAFTA Award for Best Supporting Actor for his portrayal of Rudolf Abel in "Bridge of Spies" (2015).
Document 2: Anne Whateley: Anne Whateley is the name given to a woman who is sometimes supposed to have been the intended wife of William Shakespeare before he married Anne Hathaway. Most scholars believe that Whateley never existed, and that her name in a document concerning Shakespeare's marriage is merely a clerical error. However, several writers on Shakespeare have taken the view that she was a real rival to Hathaway for Shakespeare's hand. She has also appeared in imaginative literature on Shakespeare and in Shakespeare authorship speculations. Shakespeare's biographer Russell A. Fraser describes her as "a ghost", "haunting the edges of Shakespeare's story". She has also been called "the first of the Shakespearean Dark Ladies".
Document 3: Red (play): Red is a play by American writer John Logan about artist Mark Rothko first produced by the Donmar Warehouse, London on December 8, 2009. The original production was directed by Michael Grandage and performed by Alfred Molina as Rothko and Eddie Redmayne as his fictional assistant Ken.
Document 4: Hans Zimmer: Hans Florian Zimmer (] ; born 12 September 1957) is a German film score composer and record producer. Since the 1980s, he has composed music for over 150 films. His works include "The Lion King", for which he won the Academy Award for Best Original Score in 1995, the "Pirates of the Caribbean" series, "The Thin Red Line", "Gladiator", "The Last Samurai", "The Dark Knight Trilogy", "Inception", "Interstellar" and "Dunkirk".
Document 5: Henning Lohner: Henning Lohner (born 17 July 1961) is a German-American composer and filmmaker. He is best known for his film scores written as a long-standing member of Hans Zimmer’s music cooperative Remote Control Productions.
Document 6: Harald Kloser: Harald Kloser (born July 9, 1956) is an Austrian film composer, producer and screenwriter. Since his critical and commercial breakthrough in 2005, in which he won the BMI Film Music Award for both of his scores for "Alien vs. Predator" and "The Day After Tomorrow," he has become a regular collaborator of the latter's director, Roland Emmerich, having composed music for every one of the director's films since 2004, excluding "Stonewall" (2015). Out of those films, all but "Anonymous" (2011) have been collaborations with fellow composer Thomas Wander.
Document 7: Anne Vavasour: Anne Vavasour (c. 1560 – c. 1650) was a Maid of Honour (1580–81) to Queen Elizabeth I of England, and the mistress of two aristocratic men. Her first lover was Edward de Vere, 17th Earl of Oxford, by whom she had an illegitimate son – Edward. For that offence, both she and the earl were sent to the Tower of London by the orders of the Queen. She later became the mistress of Sir Henry Lee of Ditchley, by whom she had another illegitimate son.
Document 8: Sonnet 110: Sonnet 110 is one of 154 sonnets written by the English playwright and poet William Shakespeare. Sonnet 110 was published along with the other sonnets in the 1609 Quarto. The sonnet falls in place with the Fair Youth sequence of Shakespeare's sonnets, in which the poet expresses his love towards a young man. The mystery of the young man is still unknown today. However, there are many different theories by various scholars of who this young man may be. There has been much debate whether or not this sonnet was written about Shakespeare's disdain with the stage and actors. Whereas others have interpreted sonnet 110 as the poet confessing his love to a young man.
Document 9: David Arnold: David G. Arnold (born 23 January 1962) is a British film composer best known for scoring five James Bond films, "Stargate" (1994), "Independence Day" (1996), "Godzilla" (1998) and the television series "Little Britain" and "Sherlock". For "Independence Day" he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television and for "Sherlock" he, and co-composer Michael Price, won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors. On the 19th and 20th
Document 10: Alien vs. Predator (soundtrack): Alien vs. Predator is the official soundtrack album of the 2004 science fiction film "Alien vs. Predator". Composed by Austrian Harald Kloser, Kloser was chosen by the film's director Paul W. S. Anderson as he was an enthusiastic fan of the series. The score is completely orchestral and was released on August 31, 2004 on Audio CD and Compact Cassette via Varèse Sarabande label.
Document 11: James Newton Howard: James Newton Howard (born June 9, 1951) is an American composer, conductor, music producer and musician. He has scored over 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His film scores include "Pretty Woman" (1990), "The Prince of Tides" (1991), "The Fugitive" (1993), "The Devil's Advocate" (1997), "The Sixth Sense" (1999), "Dinosaur" (2000), "" (2001), "Treasure Planet" (2002), "Signs" (2002), "The Village" (2004), "King Kong" (2005), "Batman Begins" (2005), "I Am Legend" (2007), "Blood Diamond" (2006), "The Dark Knight" (2008), "The Bourne Legacy" (2012), "The Hunger Games" series (2012–2015), "Nightcrawler" (2014) and "Fantastic Beasts and Where to Find Them" (2016). He has collaborated with directors M. Night Shyamalan, having scored nine of his films since "The Sixth Sense," and Francis Lawrence, having scored all of his films since "I Am Legend".
Document 12: Elizabeth: The Golden Age: Elizabeth: The Golden Age is a 2007 sequel to the 1998 film "Elizabeth", directed by Shekhar Kapur and produced by Universal Pictures and Working Title Films. It stars Cate Blanchett in the title role and is a fairly fictionalised portrayal of events during the latter part of the reign of Queen Elizabeth I of England. The film co-stars Geoffrey Rush, Clive Owen, Rhys Ifans, Jordi Mollà, Abbie Cornish and Samantha Morton. The screenplay was written by William Nicholson and Michael Hirst, and the music score was composed by A. R. Rahman and Craig Armstrong. Guy Hendrix Dyas was the film's production designer and co-visual effects supervisor, and the costumes were created by Alexandra Byrne. The film was shot at Shepperton Studios and various locations around the United Kingdom.
Document 13: Thomas Wander: Thomas Wander, also credited as Thomas Wanker, is an Austrian-born composer for film and television. He was born on 19 April 1973 in Graz in Austria. In 1992, he moved to Los Angeles to study film composition at the University of Southern California. He has won the BMI Film Music Award in 2008 for his score in "10,000 BC", in 2010 for his score in the film "2012", and in 2014 for the score to "White House Down". Wander frequently collaborates with fellow composer Harald Kloser on many of his projects, and is best known for his work on the films of director Roland Emmerich.
Document 14: Anonymous (film): Anonymous is a 2011 political thriller film directed by Roland Emmerich and written by John Orloff. The film is a version of the life of Edward de Vere, 17th Earl of Oxford, an Elizabethan courtier, playwright, poet and patron of the arts, and suggests he was the actual author of William Shakespeare's plays. It stars Rhys Ifans as de Vere and Vanessa Redgrave as Queen Elizabeth I of England.
Document 15: Baconian theory of Shakespeare authorship: The Baconian theory of Shakespearean authorship holds that Sir Francis Bacon, philosopher, essayist and scientist, wrote the plays which were publicly attributed to William Shakespeare. Various explanations are offered for this alleged subterfuge, most commonly that Bacon's rise to high office might have been hindered were it to become known that he wrote plays for the public stage. Thus the plays were credited to Shakespeare, who was merely a front to shield the identity of Bacon.
ground_truth: Anonymous