Question: Who was the location of Wrestlers designed by?

full_context: Document 1: Uffizi: The Uffizi Gallery (, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
Document 2: Florence Cathedral: The Cattedrale di Santa Maria del Fiore (Italian pronunciation: (katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre); in English ``Cathedral of Saint Mary of the Flower '') is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th - century Gothic Revival façade by Emilio De Fabris.
Document 3: Wrestlers (sculpture): The Wrestlers (also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae) is a Roman marble sculpture after a lost Greek original of the third century BCE. It is now in the Uffizi collection in Florence, Italy.
Document 4: Discobolus: The Discobolus of Myron ("discus thrower", , "Diskobólos") is a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, circa 460–450 BC. The original Greek bronze is lost but the work is known through numerous Roman copies, both full-scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the "Palombara Discobolus", and smaller scaled versions in bronze.
Document 5: Uffizi: The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine magistrates, hence the name , "offices". The construction was later continued by Alfonso Parigi and Bernardo Buontalenti; it was completed in 1581. The top floor was made into a gallery for the family and their guests and included their collection of Roman sculptures.
Document 6: Mosaic: In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."
Document 7: Discobolus: The Discobolus of Myron (``discus thrower '', Greek: Δισκοβόλος, Diskobólos) is a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, circa 460 -- 450 BC. The original Greek bronze is lost but the work is known through numerous Roman copies, both full - scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the Palombara Discobolus, and smaller scaled versions in bronze.
Document 8: Mosaic: Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.
Document 9: Professional wrestling: However, this was not always the case; in the early 20th century, once it became apparent that the "sport" was worked, pro wrestling was looked down on as a cheap entertainment for the uneducated working class — an attitude that still exists to varying degrees today. The French theorist Roland Barthes was among the first to propose that wrestling was worthy of deeper analysis, in his essay "The World of Wrestling" from his book Mythologies, first published in 1957. Barthes argued that it should be looked at not as a scamming of the ignorant, but as spectacle; a mode of theatric performance for a willing, if bloodthirsty, audience. Wrestling is described as performed art which demands an immediate reading of the juxtaposed meanings. The logical conclusion is given least importance over the theatrical performers of the wrestlers and the referee. According to Barthes, the function of a wrestler is not to win: it is to go exactly through the motions which are expected of them and to give the audience a theatrical spectacle. This work is considered a foundation of all later study.
Document 10: Loggia dei Lanzi: The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.
Document 11: Anna Maria Luisa de' Medici: Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was the last lineal descent of the main branch of the House of Medici. A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State...[and from] the succession of His Serene Grand Duke."
Document 12: Roman Republic: The city of Rome had a place called the Campus Martius ("Field of Mars"), which was a sort of drill ground for Roman soldiers. Later, the Campus became Rome's track and field playground. In the campus, the youth assembled to play and exercise, which included jumping, wrestling, boxing and racing.[citation needed] Equestrian sports, throwing, and swimming were also preferred physical activities.[citation needed] In the countryside, pastimes included fishing and hunting.[citation needed] Board games played in Rome included dice (Tesserae or Tali), Roman Chess (Latrunculi), Roman Checkers (Calculi), Tic-tac-toe (Terni Lapilli), and Ludus duodecim scriptorum and Tabula, predecessors of backgammon. Other activities included chariot races, and musical and theatrical performances.[citation needed]
Document 13: Giovio Series: The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio. It includes portraits of literary figures, rulers, statesmen and other dignitaries, many of which were done from life. Intended by Giovio as a public archive of famous men, the collection was originally housed in a specially-built museum on the shore of Lake Como. Although the original collection has not survived intact, a set of copies made for Cosimo I de' Medici now has a permanent home in Florence's Uffizi Gallery.
Document 14: Portrait of Bia de' Medici: The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the 'sale rosse' of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Document 15: Sleeping Hermaphroditus: The Sleeping Hermaphroditus is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus. It represents a subject that was much repeated in Hellenistic times and in ancient Rome, to judge from the number of versions that have survived. Discovered at Santa Maria della Vittoria, Rome, the "Sleeping Hermaphroditus" was immediately claimed by Cardinal Scipione Borghese and became part of the Borghese Collection. The "Borghese Hermaphroditus" was later sold to the occupying French and was moved to The Louvre, where it is on display.
ground_truth: Giorgio Vasari
sub_queries: Wrestlers >> location Answer: Uffizi
Who was Uffizi designed by? Answer: Giorgio Vasari