Question: Who did the performer of Let It Down write the song Something for?

full_context: Document 1: Awaiting on You All: "Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, "All Things Must Pass". Along with the single "My Sweet Lord", it is among the more overtly religious compositions on "All Things Must Pass", and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production techniques. Harrison recorded the track in London backed by musicians such as Eric Clapton, Bobby Whitlock, Klaus Voormann, Jim Gordon and Jim Price – many of whom he had toured with, as Delaney & Bonnie and Friends, in December 1969, while still officially a member of the Beatles. Musically, the composition reflects Harrison's embracing of the gospel music genre, following his production of fellow Apple Records artists Billy Preston and Doris Troy.
Document 2: You (George Harrison song): "You" is a song by English musician George Harrison, released as the opening track of his 1975 album "Extra Texture (Read All About It)". It was also the album's lead single, becoming a top 20 hit in America and reaching number 9 in Canada. A 45-second instrumental portion of the song, titled "A Bit More of You", appears on "Extra Texture" also, opening side two of the original LP format. Harrison wrote "You" in 1970 as a song for Ronnie Spector, formerly of the Ronettes, and wife of Harrison's "All Things Must Pass" co-producer Phil Spector. The composition reflects Harrison's admiration for 1960s American soul/R&B, particularly Motown.
Document 3: Wonderful Tonight: ``Wonderful Tonight ''is a ballad written by Eric Clapton. It was included on Clapton's 1977 album Slowhand. Clapton wrote the song about Pattie Boyd. The female vocal harmonies on the song are provided by Marcella Detroit (then Marcy Levy) and Yvonne Elliman.
Document 4: Let It Be: ``Let It Be ''is a song by the English rock band the Beatles, released in March 1970 as a single, and (in an alternate mix) as the title track of their album Let It Be. At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6. It was written and sung by Paul McCartney. It was their final single before McCartney announced his departure from the band. Both the Let It Be album and the US single`` The Long and Winding Road'' were released after McCartney's announced departure from and the subsequent break - up of the group. The alternate mix on their album Let It Be features an additional guitar solo and some minor differences in the orchestral sections.
Document 5: Let It Be: ``Let It Be ''is a song by the English rock band the Beatles, released in March 1970 as a single, and (in an alternate mix) as the title track of their album Let It Be. At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6. It was written and sung by Paul McCartney. It was their final single before McCartney announced his departure from the band. Both the Let It Be album and the US single`` The Long and Winding Road'' were released after McCartney's announced departure from and the subsequent break - up of the group.
Document 6: She's Always a Woman: The song was released in 1977, following several other hits from The Stranger including ``Just the Way You Are '',`` Movin 'Out (Anthony's Song)'' and ``Only the Good Die Young ''. Musically, Joel has said that he was influenced by Gordon Lightfoot and his mellow acoustic guitar ballads. It is a love song that Joel wrote for his then wife, Elizabeth Weber. Elizabeth had taken over management of Joel's career, and was able to put his financial affairs in order after Joel had signed some bad deals and contracts. She was a tough and savvy negotiator who could`` wound with her eyes'' or ``steal like a thief '', but would`` never give in''. Because of her tough - as - nails negotiating style, many business adversaries thought she was ``unfeminine, ''but to Joel, she was always a woman. The two eventually divorced in 1982.
Document 7: Let It Down: "Let It Down" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". The recording was co-produced by Phil Spector and employs the latter's Wall of Sound production technique to lavish effect. Its brash opening and choruses contrast with the ethereal quality of the verses – a loud/soft approach that has been credited with influencing indie bands during the 1980s and 1990s.
Document 8: The Long and Winding Road: Paul McCartney said he came up with the title ``The Long and Winding Road ''during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road`` stretching up into the hills'' in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction his personal life was taking in the autumn of 1968, after he had separated from his fiancée Jane Asher, as well as a nostalgic look back at the Beatles' history. McCartney recalled: ``I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration. ''
Document 9: Somebody to Love (Jefferson Airplane song): Written by The Great Society guitarist Darby Slick after realizing his girlfriend had left him, and first performed by that band, which included his then - sister - in - law Grace Slick on vocals, the song made little impact outside of the club circuit in the Bay Area. The song was released in 1966 as a single with the B - side another Darby Slick composition titled ``Free Advice ''on the North Beach subsidiary of Autumn Records, and received minimal circulation outside of San Francisco. San Francisco in the mid - '60s was the epicenter of free love, but Darby Slick saw a downside to this ethos, as it could lead to jealousy and disconnect. This song champions loyalty and monogamy, as the singer implores us to find that one true love that will nurture us and get us through the tough times.
Document 10: I Dig Love: Leng draws parallels between "I Dig Love" and the Beatles' more free-form compositions of the late 1960s. Among these, Paul McCartney's "Why Don't We Do It in the Road?" exemplifies what Ian MacDonald termed in the 1990s the "long-gone let-it-all-hang-out era". In his book "Working Class Mystic", Gary Tillery identifies "I Dig Love" as one of two "All Things Must Pass" tracks (the other being "Wah-Wah") that could have been sung by John Lennon, whose style increasingly embraced provocative artistic statements following the start of his relationship with Yoko Ono in 1968. Leng also compares "I Dig Love" with "Love the One You're With", a "hymn to hedonism" by Stephen Stills, with whom Harrison worked on Doris Troy's eponymous album for Apple Records, in 1969–70.
Document 11: Wah-Wah (song): "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Document 12: I'd Have You Anytime: Defying pop convention – as the Band's "Music from Big Pink" had in July 1968, by opening with the funereal "Tears of Rage" – Harrison selected the slow, gentle "I'd Have You Anytime" as track 1 on "All Things Must Pass", which was released on Apple Records in late November 1970. He later attributed the message behind its opening line, ""Let me in here"", as his motivation for placing the song first in the running order, along with the confidence engendered by Dylan and Clapton's involvement.Timothy White, "George Harrison: 'All Things' In Good Time", billboard.com, 8 January 2001 (retrieved 21 January 2015)./ref
Document 13: Abbey Road: Although Abbey Road was an immediate commercial success and reached number one in the UK and US, it initially received mixed reviews, some critics describing its music as inauthentic and bemoaning the production's artificial effects. Many critics now view the album as the Beatles' best and rank it as one of the greatest albums of all time. In particular, George Harrison's contributions, ``Something ''and`` Here Comes the Sun'', are considered to be among the best songs he wrote for the group. The album's cover features the four band members walking across a zebra crossing outside Abbey Road Studios and has become one of the most famous and imitated images in the history of popular music.
Document 14: Something (Beatles song): The opening lyric was taken from the title of ``Something in the Way She Moves '', a track by Harrison's fellow Apple Records artist James Taylor. While Harrison imagined the composition in the style of Ray Charles, his inspiration for`` Something'' was his wife, Pattie Boyd. In her 2007 autobiography, Wonderful Today, Boyd recalls: ``He told me, in a matter - of - fact way, that he had written it for me. I thought it was beautiful... ''Boyd discusses the song's popularity among other recording artists and concludes:`` My favourite (version) was the one by George Harrison, which he played to me in the kitchen at Kinfauns.''
Document 15: What Is Life: "What Is Life" is a song by the English musician George Harrison, released on his 1970 triple album "All Things Must Pass". In many countries, it was issued as the second single from the album, in February 1971, becoming a top-ten hit in the United States, Canada and elsewhere, and topping singles charts in Australia and Switzerland. In the United Kingdom, "What Is Life" appeared as the B-side to "My Sweet Lord", which was the best-selling single there of 1971. Harrison's backing musicians on the song include Eric Clapton and the entire Delaney & Bonnie and Friends band, with whom he had toured during the final months of the Beatles. Harrison co-produced the recording with Phil Spector, whose Wall of Sound production also employed a prominent string arrangement by John Barham and multiple acoustic rhythm guitars, played by Harrison's fellow Apple Records signings Badfinger.
ground_truth: his wife, Pattie Boyd
sub_queries: Let It Down >> performer Answer: George Harrison
who did George Harrison wrote the song something for Answer: his wife, Pattie Boyd