Question: What is the mosaic known as in the church located in the same city as the Museum for the Macedonian Struggle?

full_context: Document 1: Kathmandu: The Taragaon Museum presents the modern history of the Kathmandu Valley. It seeks to document 50 years of research and cultural heritage conservation of the Kathmandu Valley, documenting what artists photographers architects anthropologists from abroad had contributed in the second half of the 20th century. The actual structure of the Museum showcases restoration and rehabilitation efforts to preserve the built heritage of Kathmandu. It was designed by Carl Pruscha (master-planner of the Kathmandy Valley ) in 1970 and constructed in 1971. Restoration works began in 2010 to rehabilitate the Taragaon hostel into the Taragaon Museum. The design uses local brick along with modern architectural design elements, as well as the use of circle, triangles and squares. The Museum is within a short walk from the Boudhnath stupa, which itself can be seen from the Museum tower.
Document 2: Archaeological Museum of Olynthos: The Archaeological Museum of Olynthos opened in July 1998 in a building on the archaeological site of ancient Olynthos, 5 km from Moudania, Halkidiki in Central Macedonia, Greece.
Document 3: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 4: Mosaic: Jerusalem with its many holy places probably had the highest concentration of mosaic-covered churches but very few of them survived the subsequent waves of destructions. The present remains do not do justice to the original richness of the city. The most important is the so-called "Armenian Mosaic" which was discovered in 1894 on the Street of the Prophets near Damascus Gate. It depicts a vine with many branches and grape clusters, which springs from a vase. Populating the vine's branches are peacocks, ducks, storks, pigeons, an eagle, a partridge, and a parrot in a cage. The inscription reads: "For the memory and salvation of all those Armenians whose name the Lord knows." Beneath a corner of the mosaic is a small, natural cave which contained human bones dating to the 5th or 6th centuries. The symbolism of the mosaic and the presence of the burial cave indicates that the room was used as a mortuary chapel.
Document 5: Museum for the Macedonian Struggle (Thessaloniki): The Museum for the Macedonian Struggle is located in the centre of the city Thessaloniki in Central Macedonia, Greece. It occupies a neo-classical building designed by the renowned architect Ernst Ziller and built in 1893. In its six ground-floor rooms the museum graphically illustrates the modern and contemporary history of Greek Macedonia. It presents the social, economic, political and military developments that shaped the presence of Hellenism in the region. This approach enables the visitor to form a global picture, not only of the revolutionary movements in the area, but also of the rapidly changing society of the southern Balkans and its agonizing struggles to balance between tradition and modernization.
Document 6: Hellenistic period: Developments in painting included experiments in chiaroscuro by Zeuxis and the development of landscape painting and still life painting. Greek temples built during the Hellenistic period were generally larger than classical ones, such as the temple of Artemis at Ephesus, the temple of Artemis at Sardis, and the temple of Apollo at Didyma (rebuilt by Seleucus in 300 BCE). The royal palace (basileion) also came into its own during the Hellenistic period, the first extant example being the massive fourth-century villa of Cassander at Vergina.
Document 7: Mosaic: Christian mosaic art also flourished in Rome, gradually declining as conditions became more difficult in the Early Middle Ages. 5th century mosaics can be found over the triumphal arch and in the nave of the basilica of Santa Maria Maggiore. The 27 surviving panels of the nave are the most important mosaic cycle in Rome of this period. Two other important 5th century mosaics are lost but we know them from 17th-century drawings. In the apse mosaic of Sant'Agata dei Goti (462–472, destroyed in 1589) Christ was seated on a globe with the twelve Apostles flanking him, six on either side. At Sant'Andrea in Catabarbara (468–483, destroyed in 1686) Christ appeared in the center, flanked on either side by three Apostles. Four streams flowed from the little mountain supporting Christ. The original 5th-century apse mosaic of the Santa Sabina was replaced by a very similar fresco by Taddeo Zuccari in 1559. The composition probably remained unchanged: Christ flanked by male and female saints, seated on a hill while lambs drinking from a stream at its feet. All three mosaics had a similar iconography.
Document 8: Greece: The culture of Greece has evolved over thousands of years, beginning in Mycenaean Greece and continuing most notably into Classical Greece, through the influence of the Roman Empire and its Greek Eastern continuation, the Eastern Roman or Byzantine Empire. Other cultures and nations, such as the Latin and Frankish states, the Ottoman Empire, the Venetian Republic, the Genoese Republic, and the British Empire have also left their influence on modern Greek culture, although historians credit the Greek War of Independence with revitalising Greece and giving birth to a single, cohesive entity of its multi-faceted culture.
Document 9: Society for Macedonian Studies: The Society for Macedonian Studies () was founded on April 29, 1939 in Thessaloniki, Greece. The purpose of the Society is the research on the Language, Archaeology, History and Folklore of Macedonia and the help for the development of the Intellectual development of Macedonian life.
Document 10: Villa Bianca (Thessaloniki): Villa Bianca or Villa Fernandez is the name of a famous mansion in the city of Thessaloniki, Greece. It is located in Vassilisis Olgas street and was built between 1911 und 1913 as a residence for Dino Fernandez Diaz and his family. The architect was Pietro Arrigoni (variously also spelled: Piero/Pierro Arigon/Arrigon/Arigoni).
Document 11: Athens: Athens is home to two UNESCO World Heritage Sites, the Acropolis of Athens and the medieval Daphni Monastery. Landmarks of the modern era, dating back to the establishment of Athens as the capital of the independent Greek state in 1834, include the Hellenic Parliament and the so - called ``architectural trilogy of Athens '', consisting of the National Library of Greece, the National and Kapodistrian University of Athens and the Academy of Athens. Athens is also home to several museums and cultural institutions, such as the National Archeological Museum, featuring the world's largest collection of ancient Greek antiquities, the Acropolis Museum, the Museum of Cycladic Art, the Benaki Museum and the Byzantine and Christian Museum. Athens was the host city of the first modern - day Olympic Games in 1896, and 108 years later it welcomed home the 2004 Summer Olympics.
Document 12: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 13: Mosaic: In the Iconoclastic era, figural mosaics were also condemned as idolatry. The Iconoclastic churches were embellished with plain gold mosaics with only one great cross in the apse like the Hagia Irene in Constantinople (after 740). There were similar crosses in the apses of the Hagia Sophia Church in Thessaloniki and in the Church of the Dormition in Nicaea. The crosses were substituted with the image of the Theotokos in both churches after the victory of the Iconodules (787–797 and in 8th–9th centuries respectively, the Dormition church was totally destroyed in 1922).
Document 14: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 15: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
ground_truth: Christ in majesty (or Ezekiel's Vision)
sub_queries: Museum for the Macedonian Struggle >> location Answer: Thessaloniki
The mosaic in the church in Thessaloniki is know as what? Answer: Christ in majesty (or Ezekiel's Vision)