Question: The Swan of Catania was taught by what Italian composer?

full_context: Document 1: Gaetano Donizetti: Domenico Gaetano Maria Donizetti (] ; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the "bel canto" opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi (1813–1901).
Document 2: Il Bellerofonte: Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
Document 3: Vincenzo Bellini: Vincenzo Salvatore Carmelo Francesco Bellini (] ; 3 November 1801 – 23 September 1835) was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania".
Document 4: Domenico Foroni: Domenico Foroni (10 July 1796 - 24 March 1853) was an Italian composer, conductor, and music educator. He was born in Valeggio sul Mincio into a family of landowners. On 7 November 1818 he married Teresa Zovetto with whom he had five children, two of whom became famous: the operatic soprano Antonietta Foroni-Conti (1822-187?) and the composer and conductor Jacopo Foroni (1825–1858). In 1818 he was appointed to the dual position of director and principal conductor of the Teatro Filarmonico in Verona, a position he held for over 25 years. He was also highly active as a teacher of singing and music composition in that city. Among his notable pupils were Gottardo Aldighieri, Paolo Bombardi, Domenico Conti, Carlo Pedrotti, Alessandro Sala, Maria Spezia-Aldighieri, and his children. Most of his compositional output was sacred music, the majority of which was written for services at the Verona Cathedral. Most of his music is now lost, but copies of his "Miserere" and "Messe" still exist
Document 5: Carmine de Laurentiis: Carmine de Laurentiis was a 19th-Century Italian mandolinist, musical educator, author and composer who taught mandolin and guitar in Naples. His only well-known student was Carlo Munier. He wrote a mandolin method, "Metodo per Mandolino", that was published in Milan in 1874, reported the following year in the "Musical World". The article mentioning Laurentiis' method talked about the decline of the mandolin, calling the mandolin "entirely out of fashion."
Document 6: La sonnambula: La sonnambula ("The Sleepwalker") is an opera semiseria in two acts, with music in the "bel canto" tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a "ballet-pantomime" written by Eugène Scribe and choreographed by Jean-Pierre Aumer called "La somnambule, ou L'arrivée d'un nouveau seigneur". The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism.
Document 7: Giovanni Furno: Giovanni Furno (Capua, January 1, 1748 – Naples , June 20, 1837) was an Italian composer and famous music teacher. Among his students were Vincenzo Bellini and Saverio Mercadante. He was unanimously considered the best teacher in Naples. His primer on partimenti, called "Easy, short, and plain method of the first and essential rules for the accompaniment of unfigured partimenti" was an extremely popular textbook and was reprinted many times.
Document 8: Giovanni Pacini: Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, and just happened to be in Catania when the composer was born.
Document 9: Girolamo Belli: Girolamo Belli (1552 – c. 1620) was an Italian composer and music teacher of the late Renaissance. He was closely associated with the Ferrara School in the 1580s, having previously studied with Luzzasco Luzzaschi, and was noted for his composition of both madrigals and sacred music.
Document 10: Neapolitan School: In music history, the Neapolitan School is a group, associated with opera, of 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins".
Document 11: Vaga luna, che inargenti: "Vaga luna, che inargenti " (Beautiful moon, dappling with silver) is an arietta composed by Vincenzo Bellini to an anonymous Italian text and dedicated to Giulietta Pezzi. It was published in 1838 by Casa Ricordi in "Tre ariette inedite " along with two other Bellini songs, "Il fervido desiderio " and "Dolente immagine di Fille mia ". It was also amongst the fifteen Bellini songs published by Ricordi under the title "Composizioni da Camera " in 1935, the centenary of the composer's death. Composed in the bel canto style, it is a frequent recital piece, and has often been recorded. Its original key is in A-flat major with a tempo of andante cantabile.
Document 12: Catania–Fontanarossa Airport: Catania–Fontanarossa Airport (Italian: "aeroporto internazionale Vincenzo Bellini di Catania-Fontanarossa" , English: Catania International Airport) (IATA: CTA, ICAO: LICC) also named as Vincenzo Bellini Airport, is an international airport 2.3 NM southwest of Catania, the second largest city on the Italian island of Sicily. It is named after the opera composer Vincenzo Bellini who was born in Catania.
Document 13: Salvatore Fisichella: Salvatore Fisichella (born May 15, 1943 in Catania, Sicily) is an Italian operatic tenor known for his roles in bel canto operas, especially those of Rossini, Donizetti and Bellini. He has been recognized for the ease and vocal brilliance of his singing, and for having sung more of the leading roles in Bellini's operas than any other 20th century tenor.
Document 14: Stefano Ronchetti-Monteviti: Stefano Ronchetti-Monteviti (1814–1882) was an Italian composer, music educator, and college administrator. Born in Asti, he joined the faculty of the Milan Conservatory in 1850 as a professor of counterpoint. He was appointed the school's director in 1878, a post he held until illness forced him to resign in November 1881. He died the following year in Casale Monferrato. His notable pupils included Franco Faccio, Giacomo Puccini, and Ivan Zajc. His compositional output mainly consists of sacred music. His opera "Pergolese" premiered at La Scala on 16 March 1857. It used a libretto by Temistocle Solera and starred soprano Maria Spezia-Aldighieri.
Document 15: Giovanni Andrea Fioroni: Giovanni Andrea Fioroni (also Fiorini, Florono) was an Italian classical composer, maestro di capella and organist born in Pavia in 1716, although he had studied music for fifteen years with Leonardo Leo in Naples. He composed many operas, oratorios and about 300 sacred vocal works in a contrapuntal style, many of them for large choirs.
ground_truth: Giovanni Furno