Question: "Exciter" is a song from an album described by Steve Huey as what ?

full_context: Document 1: Exciter (song): "Exciter" is a song by British heavy metal band Judas Priest, from their 1978 album "Stained Class". It is the opening track and is an early example of speed metal.
Document 2: Demolition (Judas Priest album): Demolition is the fourteenth studio album by British heavy metal band Judas Priest, the first in the decade of the 2000s. It is the second and final studio album to feature Tim 'Ripper' Owens on vocals. It is the only Judas Priest studio album to feature a Parental Advisory label due to some songs featuring profanity: "Machine Man," "Hell Is Home" and "Metal Messiah" all carry explicit markings on the album's iTunes page.
Document 3: Rocka Rolla: Rocka Rolla is the debut studio album by British heavy metal band Judas Priest, released on 6 September 1974 by Gull Records. It was produced by Rodger Bain, who had made a name for himself as the producer of Black Sabbath's first three albums. It is the only album to feature drummer John Hinch.
Document 4: Executioner's Song (album): Executioner's Song is the first studio LP released by Canadian speed/thrash metal band Razor in 1985. Most of the tracks on the album were first put to tape on the "Escape the Fire" demo, recorded in December 1984.
Document 5: Judas Rising: "Judas Rising" is a song by heavy metal band Judas Priest. It is the opening track on the band's 2005 album Angel of Retribution. The song is about the Judas Priest "Messiah" on the cover of the albums "Sad Wings of Destiny", "Painkiller" and "Angel of Retribution". . It was also included on the album's The Essential Judas Priest and
Document 6: ...And Justice for All (album): …And Justice for All is the fourth studio album by American heavy metal band Metallica, released on August 25, 1988, by Elektra Records. It was the band's first studio album to feature bassist Jason Newsted after the death of Cliff Burton in 1986. "…And Justice for All" is musically progressive, with long and complex songs, fast tempos, and few verse-chorus structures. The album is noted for its sterile production, which producer Flemming Rasmussen attributed to his absence during the mixing process. The lyrics feature themes of political and legal injustice seen through the prisms of censorship, war, and nuclear brinkmanship.
Document 7: Dreamer Deceiver: "Dreamer Deceiver" is a power ballad by British heavy metal band Judas Priest, featured on their 1976 studio album "Sad Wings of Destiny". Unlike other songs on the album, the song is a "spacy ballad".The song was written by the original singer of Judas Priest, Al Atkins, but he never got to record it with them. He did record it later on one of his solo records, however. The song is known for showing off Rob Halford's full vocal range, starting from soft, quiet singing, to high pitched shrieking. It was performed by the band on the British television programme "The Old Grey Whistle Test" in 1975.
Document 8: Victim of Changes (album): Victim of Changes is ex-Judas Priest singer Al Atkins's fourth release, named after a Judas Priest song of the same name originally featured on the "Sad Wings of Destiny" album. The album's sleeve contains three pages of historic photos and a biography outlining his days in Judas Priest. Former Judas Priest drummer Dave Holland plays on this release.
Document 9: The Best of Judas Priest: The Best of Judas Priest is a collection of a few select songs from Judas Priest's first two albums, and was released under Gull, the band's former record label. It was the first of many reissues of the band's earlier material produced in an effort to "capitalize on Judas Priest's popularity" and was released without any consent from the band.
Document 10: Beyond the Realms of Death: "Beyond The Realms of Death" is a power ballad by British heavy metal band Judas Priest from their 1978 album, "Stained Class". Vocalist Rob Halford's performance is considered one of his finest ever, and the guitar work is noted as well, especially the solos. Many reviewers have called it one of the best songs on the album. The song is considered a Judas Priest classic, with versions of the song appearing on the albums "Priest, Live and Rare", "'98 Live Meltdown", "Live in London", "", "Live Insurrection" and many of the group's compilation albums. Drummer Les Binks has his only songwriting credit with the band for the song's main riff.
Document 11: Stained Class: Stained Class is the fourth album by British heavy metal group Judas Priest, released in February 1978. It is the first of three albums to feature drummer Les Binks. It gained notoriety for its dark lyrics and themes, as well as 1990 civil action trial where the band were accused of backmasking that led to the suicide attempts of two teenagers. Stained Class was ranked as the greatest Judas Priest album on Stereogum.com, and was described by Steve Huey on Allmusic.com as “Judas Priest’s greatest achievement.”
Document 12: Hell Bent Forever: A Tribute to Judas Priest: Hell Bent Forever: A Tribute to Judas Priest is a tribute album, released in 2008. It includes several rock and metal bands such as Motörhead, Icarus Witch, L.A. Guns and Sepultura, covering songs by British heavy metal band Judas Priest. The album's font is a mistake because the red lettering is in the style of Iron Maiden's logo instead of Judas Priest's logo
Document 13: Ramport Studios: Ramport Studios was a South London recording studio on Thessaly Road owned by The Who. Several major albums were recorded at Ramport, including the 1974 album "Crime of the Century" by the progressive rock band Supertramp. Judas Priest also recorded their album Sin After Sin during 1976–1977. The 1973 album "Quadrophenia" was recorded there. Johnny Thunders and the Heartbreakers spent much of the summer of 1977 recording and mixing the album "L.A.M.F." there for The Who's label Track Records. Eventually, Virgin Records acquired it. It is currently now used as a doctor's surgery.
Document 14: Genocide (album): Genocide is a 2000 Judas Priest compilation consisting of their first two albums, "Rocka Rolla" and "Sad Wings of Destiny", plus a bonus track from the "Sad Wings of Destiny" sessions as well. Like several others in the past, Genocide was released under the label Gull, in an effort to "capitalize on Judas Priest's popularity." Judas Priest's management firmly states that people should not buy these compilations, because even though it would seem like a new album on the surface, it's just a re-issue of material already recorded.
Document 15: Point of Entry: Point of Entry is the seventh album from the British heavy metal band Judas Priest. It was released on 26 February 1981.
ground_truth: Judas Priest’s greatest achievement