Question: Glimpse of the Garden (1957) was created by a filmmaker that was this nationality?

full_context: Document 1: Rose Hobart (film): Rose Hobart is a 1936 experimental collage film created by the artist Joseph Cornell, who cut and re-edited the Universal film "East of Borneo" (1931) into one of America's most famous surrealist short films. Cornell was fascinated by the star of "East of Borneo," an actress named Rose Hobart, and named his short film after her. The piece consists of snippets from "East of Borneo" combined with shots from a documentary film of an eclipse.
Document 2: Roundhay Garden Scene: Roundhay Garden Scene is an 1888 short silent actuality film recorded by French inventor Louis Le Prince. Shot at Oakwood Grange in Roundhay, Leeds in the north of England, it is believed to be the oldest surviving film in existence, as noted by the "Guinness Book of Records".
Document 3: Marie Vorobieff: Marie Bronislava Vorobyeva-Stebelska (Russian: Мария Брониславовна Воробьёва-Стебельская ; 1892 – 4 May 1984), also known as Marevna, was a 20th century, Russian-born painter known for her work with Cubism and Pointillism. She is internationally known for convincingly combining elements of cubism (called by her "Dimensionalism") with pointillism and – through the use of the Golden Ratio for laying out paintings – structure. She tends to be accredited with having been the first female cubist painter. Though having lived the greater part of her life abroad – her formative years as a cubist painter in France and her mature years in England –, she is often referred to as a "Russian painter". From her relationship with the Mexican cubist painter and later muralist Diego Rivera in Paris she had a daughter, Marika Rivera (1919-2010), who herself went on to become a professional dancer and film actress.
Document 4: Le Merle noir: Le Merle noir ("The Blackbird") is a chamber work by the French composer Olivier Messiaen for flute and piano. It was written and first performed in 1952 and is the composer's shortest independently published work, lasting just over five minutes. This work has become a staple of the French flute and piano repertoire. The composition originated in a commission for a test piece for flute for the Paris Conservatoire, at which Messiaen was a professor. The winners of the premier prix in the Concours de flûte that year were Daniel Morlier, Jean Pierre Eustache, Jean Ornetti, Régis Calle and the British flute player Alexander Murray. Messiaen had a consuming, lifelong interest in ornithology and particularly bird songs. While not his first work to incorporate stylised birdsong, "Le Merle noir" was the earliest of his pieces to be based mainly on birdsong, and it foreshadows Messiaen's later, more extended birdsong-inspired pieces.
Document 5: Maya Deren: Maya Deren (April 29, 1917 – October 13, 1961), born Eleanora Derenkowskaia (Russian: Элеоно́ра Деренко́вская ), was a Russian-American filmmaker and one of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer and photographer.
Document 6: Glimpse of the Garden: Glimpse of the Garden (1957) is a five-minute short experimental film made by Marie Menken, showing film clips of a garden, with birds chirping for the soundtrack.
Document 7: Blinkity Blank: Blinkity Blank is a 1955 animated short film by Norman McLaren, engraved directly onto black film leader, "Blinkity Blank" features a soundtrack combining improvisational jazz from composer Maurice Blackburn along with graphical sounds created by McLaren scratching onto the film's optical soundtrack.
Document 8: Marie Menken: Marie Menken (born Marie Menkevicius, May 25, 1909 – December 29, 1970), was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage.
Document 9: Combine painting: A combine painting is an artwork that incorporates various objects into a painted canvas surface, creating a sort of hybrid between painting and sculpture. Items attached to paintings might include photographic images, clothing, newspaper clippings, ephemera or any number of three-dimensional objects. The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase to describe his own creations. Rauschenberg’s Combines explored the blurry boundaries between art and the everyday world. In addition, his cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg. Frank Stella created a large body of paintings that recall the combine paintings of Robert Rauschenberg by juxtaposing a wide variety of surface and material in each work ultimately leading to Stella's sculpture and architecture of the 21st century.
Document 10: Eaux d'Artifice: Eaux d'artifice (1953) is a short experimental film by Kenneth Anger. The film was shot in the Villa d'Este in Tivoli, Italy. The film consists entirely of a woman dressed in eighteenth-century clothes who wanders amidst the garden fountains of the Villa d'Este ("a Hide and Seek in a night-time labyrinth") to the sounds of Vivaldi's "Four Seasons", until she steps into a fountain and momentarily disappears. The actress, Carmilla Salvatorelli (not "Carmello"), was "a little midget" Anger had met through Federico Fellini. Anger used a short actress to suggest a different sense of scale, whereby the monuments seemed bigger (a technique he said was inspired by etchings of the gardens in the Villa d'Este by Giovanni Battista Piranesi).
Document 11: Adolfas Mekas: Adolfas Mekas (30 September 1925 – 31 May 2011) was a Lithuanian-born filmmaker, writer, director, editor, actor and educator. With his brother Jonas Mekas, he founded the magazine "Film Culture", as well as the Film-Makers' Cooperative and was associated with George Maciunas and the Fluxus art movement at its beginning. He made several short films, culminating in the feature "Hallelujah the Hills" in 1963, which was played at the Cannes Film Festival of that year and is now considered a classic of American film.
Document 12: Cat's Cradle (film): Cat's Cradle is an experimental short film by Stan Brakhage, produced in 1959. The film was described by Brakhage as "sexual witchcraft involving two couples and a 'medium' cat."
Document 13: Carnival of Souls (Miranda Sex Garden album): Following a six-year hiatus, Miranda Sex Garden released their final album, Carnival of Souls, in 2000. Like "Suspiria", it takes its name from a classic horror film ("Carnival of Souls", a 1962 film starring Candace Hilligloss and directed by Herk Harvey).
Document 14: Marie Epstein: Marie Epstein (born Marie-Antonine Epstein; 14 August 1899, Warsaw - 24 April 1995, Paris) was an actress, scenarist, film director, and film preservationist. Her career is distinguished by three important collaborations. Throughout the 1920s, she acted in and wrote scenarios for films directed by her brother, Jean Epstein. From the 1920s through the early 1950s, she collaborated with the director Jean Benoît-Lévy on sixteen films, serving variously as a writer, assistant director, and co-director. From the early 1950s to her retirement in 1977, Epstein served as a film preservationist at the Cinémathèque française.
Document 15: The Garden (1990 film): The Garden is a 1990 British arthouse film by director Derek Jarman produced by James Mackay for Basilisk Communications in association with Channel 4, British Screen and ZDF. It focuses on homosexuality and Christianity set against a backdrop of Jarman's bleak coastal home of Dungeness in Kent, and his garden and the nearby landscape surrounding a nuclear power station, a setting Jarman compares to the Garden of Eden. The film was entered into the 17th Moscow International Film Festival.
ground_truth: American