Question: Move Under Ground combines the cosmic horror of H.P. Lovecraft's Cthulhu Mythos with the Beat style of an American novelist and poet who was born when?

full_context: Document 1: The Motion of Light in Water: The Motion of Light in Water: Sex and Science Fiction Writing in the East Village is an autobiography by science fiction author Samuel R. Delany in which he recounts his experiences as growing up a gay African American, as well as some of his time in an interracial and open marriage with Marilyn Hacker. It describes encounters with Albert Einstein, Bob Dylan, and Stokely Carmichael, a dinner with W. H. Auden, and a phone call to James Baldwin. Hazel Carby called it one of two contemporary autobiographies that are "absolutely central to any consideration of black manhood" (the other being that of Miles Davis). Among many cultural events of the decade that he witnessed, Delany recounts his attendance at the first New York City performance of artist Allan Kaprow's "18 Happenings in 6 Parts", the 1959 performance piece that, for many, marks the end of modernism and the beginning of postmodernism. In section 17.4 of the University of Minnesota Press edition, he describes the event and its venue, and speculates on its artistic significance. The introduction puts an emphasis on the idea of the unreliable narrator; Delany's accounts often contrast his life as it "felt" to ways in which it actually occurred. In the chapter, The Future Is in the Present of the book "Cruising Utopia" by José Esteban Munoz, Delany's The Motion of Light in the Water serves to explain how the future, as a formed of utopia, can be "glimpsed" in the present through what Delany employed as "the massed bodies" of sexual dissidence.
Document 2: The Whisperer in Darkness: The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February–September 1930, it was first published in "Weird Tales", August 1931. Similar to "The Colour Out of Space" (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-go, an extraterrestrial race of fungoid creatures.
Document 3: One Fast Move or I'm Gone: One Fast Move or I'm Gone: Kerouac's Big Sur is an album by Ben Gibbard (Death Cab for Cutie) and Jay Farrar (Son Volt), released in 2009. The lyrics are based on the prose of Jack Kerouac's novel "Big Sur" (1962). "One Fast Move or I'm Gone" was a result of Gibbard's and Farrar's mutual appreciation for Kerouac's work while recording several songs for a feature-length documentary of the same name.
Document 4: The Town and the City: The Town and the City is a novel by Jack Kerouac, published by Harcourt Brace in 1950. This was the first major work published by Kerouac, who later became famous for his second novel "On the Road" (1957). Like all of Jack Kerouac's major works, "The Town and the City" is essentially an autobiographical novel, though less directly so than most of his other works. "The Town and the City" was written in a conventional manner over a period of years, and much more novelistic license was taken with this work than after Kerouac's adoption of quickly written "spontaneous prose". "The Town and the City" was written before Kerouac had developed his own style, and it is heavily influenced by Thomas Wolfe (even down to the title, reminiscent of Wolfe titles such as "The Web and the Rock").
Document 5: Nick Mamatas: Nick Mamatas (Greek: Νίκος Μαμματάς ) (born February 20, 1972) is an American horror, science fiction and fantasy author and editor for Haikasoru's line of translated Japanese science fiction novels for Viz Media. His fiction has been nominated for a number of awards, including several Bram Stoker Awards. He has also been recognised for his editorial work with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations. He funded his early writing career by producing term papers for college students, which gained him some notoriety when he described this experience in an essay for Drexel University's online magazine "The Smart Set".
Document 6: Michael McClure: Michael McClure (born October 20, 1932) is an American poet, playwright, songwriter, and novelist. After moving to San Francisco as a young man, he found fame as one of the five poets (including Allen Ginsberg) who read at the famous San Francisco Six Gallery reading in 1955 rendered in barely fictionalized terms in Jack Kerouac's "The Dharma Bums". He soon became a key member of the Beat Generation and is immortalized as "Pat McLear" in Kerouac's "Big Sur".
Document 7: Ken Kesey: Kenneth Elton "Ken" Kesey ( ; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.
Document 8: Big Sur (novel): Big Sur is a 1962 novel by Jack Kerouac. It recounts the events surrounding Kerouac's (here known by the name of his fictional alter-ego Jack Duluoz) three brief sojourns to a cabin in Bixby Canyon, Big Sur, owned by Kerouac's friend and Beat poet Lawrence Ferlinghetti. The novel departs from Kerouac's previous fictionalized autobiographical series in that the character Duluoz is shown as a popular, published author. The Subterraneans also mentions Kerouac's (Leo Percepied) status as an author, and in fact even mentions how some of the bohemians of New York are beginning to talk in slang derived from his writing. Kerouac's previous novels are restricted to depicting Kerouac's days as a bohemian traveller.
Document 9: Move Under Ground: Move Under Ground is a horror novel mashup by Nick Mamatas which combines the Beat style of Jack Kerouac with the cosmic horror of H. P. Lovecraft's Cthulhu Mythos. It is available as a free download via a Creative Commons license.
Document 10: Lovecraftian horror: Lovecraftian horror is a subgenre of horror fiction that emphasizes the cosmic horror of the unknown (and in some cases, unknowable) more than gore or other elements of shock, though these may still be present. It is named after American author H. P. Lovecraft (1890–1937), who is largely credited as the first author to pioneer the genre.
Document 11: Crouch End (short story): Crouch End is a horror story by Stephen King, originally published in "New Tales of the Cthulhu Mythos" (1980), and republished in a slightly different version in King's "Nightmares & Dreamscapes" collection (1993). It contains distinct references to the horror fiction of H. P. Lovecraft.
Document 12: Jean Portante: Jean Portante was born in Differdange, Luxembourg, and now lives in Paris. He has written novels, stories, plays, journalism and poetry, and has been widely translated, including in English Point/Erasing, translated by Anne Marie Glasheen (Daedalus, 2003) and In Reality, translated by Zoë Skoulding (Seren Press, 2013). He is a translator of poetry into French from Spanish, Italian, English and German. His novels include Mrs Haroy ou la mémoire de la baleine (Editions Phi, 1997) among others, which has been translated into many languages, and he is also the author of the biography Allen Ginsberg: L'autre Amérique (Le Castor Astral, 1999). Portante’s collection of poems L’Etrange langue (Editions Le Taillis Pré, 2002) won the Mallarmé award in France in 2003, and the same year he was given the Grand Prix d’Automne de la Société des Gens de Lettres for his entire life’s work in poetry. In 2005, Le Castor Astral published a selected poems, La Cendre des mots, covering his work from 1989 to 2005. Since 2006 he has been a member of the Académie Mallarmé. In 2008 he co-founded the French poetry magazine "Inuits dans la jungle" with the poet Jacques Darras, while in Luxembourg he heads the literary magazine Transkrit. In 2011 he was awarded Luxembourg’s Batty Weber National Prize, which is given every three years for a life’s work. His latest books are En réalité (Editions Phi 2008); La réinvention de l'oubli (Editions le Castor Astral, 2010), Conceptions (Editions Phi, 2012) and Après le tremblement (Editions Le Castor Astral, 2013)
Document 13: William S. Burroughs: William Seward Burroughs II ( ; February 5, 1914 – August 2, 1997) was an American writer and artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films. He was also briefly known by the pen name William Lee. Burroughs created and exhibited thousands of paintings and other visual art works, including his celebrated 'Gunshot Paintings'.
Document 14: Underground (Dreyfus book): Underground: Tales of Hacking, Madness and Obsession on the Electronic Frontier is a 1997 book by Suelette Dreyfus, researched by Julian Assange. It describes the exploits of a group of Australian, American, and British black hat hackers during the late 1980s and early 1990s, among them Assange himself.
Document 15: Jack Kerouac: Jack Kerouac ( or , born Jean-Louis Kérouac (though he called himself Jean-Louis Lebris de Kérouac); March 12, 1922 – October 21, 1969) was an American novelist and poet.
ground_truth: March 12, 1922