Question: Fuck and The Celluloid Closet are both what?

full_context: Document 1: Fuck (film): Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It examines the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film "Perversion for Profit". Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and "Oxford English Dictionary" editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.
Document 2: Outfoxed: Outfoxed: Rupert Murdoch's War on Journalism is a 2004 documentary film by filmmaker Robert Greenwald about Fox News Channel and its owner, Rupert Murdoch, promotion of right-wing views. The film says this bias belies the channel's motto of being "Fair and Balanced".
Document 3: Nobody Speak: Trials of the Free Press: Nobody Speak: Trials of the Free Press is a 2017 Netflix documentary directed by Brian Knappenberger. The documentary is themed around the effects of big money on American journalism. The documentary focuses on two incidents: Peter Thiel financing wrestler Hulk Hogan's lawsuit against Gawker Media, and casino owner Sheldon Adelson's secret purchase of the "Las Vegas Review-Journal".
Document 4: The Other F Word: The Other F Word is a 2011 American documentary film directed by independent filmmaker Andrea Blaugrund Nevins. The film explores the world of aging punk rock musicians, as they transition into parents and try to maintain the contrast between their anti-authoritarian lifestyle with the responsibilities of fatherhood, the titular "other F word". In addition to interviewing over twenty musicians from across the spectrum of the punk genre, from Mark Hoppus of Blink 182 to Fat Mike of NOFX, the film also includes other emblematic figures of subculture such as professional skateboarder Tony Hawk, in a chronicle of the struggles and rewards that accompany raising their children.
Document 5: Rock Hudson's Home Movies: Rock Hudson's Home Movies is a 1992 documentary by Mark Rappaport. It shows clips from Rock Hudson's movies that could be interpreted as gay entendres. Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary. Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen. First there are tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling. Second, there is pedagogical eros: Hudson with older men. Rock is seen with his male sidekicks, often Tony Randall. Next, the film looks in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock." Lastly, the film reflects on Hudson's death from AIDS.
Document 6: Gay Sex in the 70s: Gay Sex in the 70s is a 2005 American documentary film about gay sexual culture in New York City in the 1970s. The film was directed by Joseph Lovett and encompasses the twelve years of sexual freedom bookended by the Stonewall riots of 1969 and the recognition of AIDS in 1981, and features interviews with Larry Kramer, Tom Bianchi, Barton Lidice Beneš, Rodger McFarlane, and many others.
Document 7: Vito Russo: Vito Russo (July 11, 1946 – November 7, 1990) was an American LGBT activist, film historian and author who is best remembered as the author of the book "The Celluloid Closet" (1981, revised edition 1987).
Document 8: Before Stonewall: Before Stonewall: The Making of a Gay and Lesbian Community is a 1984 American documentary film about the LGBT community prior to the 1969 Stonewall riots. It was narrated by author Rita Mae Brown, directed by Greta Schiller, co-directed by Robert Rosenberg, and co-produced by John Scagliotti and Rosenberg, and Schiller. It premiered at the 1984 Toronto Festival of Festivals and was released in the United States on June 27, 1985. In 1999, producer Scagliotti directed a companion piece, "After Stonewall". To celebrate the 30th anniversary of the Teddy Awards, the film has been selected to be shown at the 66th Berlin International Film Festival in February 2016.
Document 9: The Aristocrats: "The Aristocrats" (also called "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying off-color joke that has been told by numerous stand-up comedians since the vaudeville era. The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001.
Document 10: Vito (film): Vito is a 2011 documentary produced and directed by Jeffrey Schwarz of the Los Angeles-based production company Automat Pictures. The film documents the life of Vito Russo, gay activist, film scholar, and author of "The Celluloid Closet".
Document 11: The Celluloid Closet: The Celluloid Closet is a 1995 American documentary film directed and written by Rob Epstein and Jeffrey Friedman. The film is based on Vito Russo's book of the same name first published in 1981 and on lecture and film clip presentations he gave in 1972–1982. Russo had researched the history of how motion pictures, especially Hollywood films, had portrayed gay, lesbian, bisexual and transgender characters.
Document 12: The Revival: Women and the Word: The Revival Women and the Word was a documentary released in 2016, the director of this film is Sekiya Dorsett, a queer filmmaker who works to give voice to issues of equality. This documentary chronicles a US tour group of Black lesbian poets and musicians who are traveling performing making history as queer women of color. Their journey is to bring together their community and include interviews from leading black feminist and queer thinkers which includes, Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. This documentary tackles themes such as gender, race, and sexuality. This film works to represent community and provide a special insight to the experience of queer women of color performers. Additionally, this film works to empower and raise the voices of the marginalized.
Document 13: Blue Movie: Blue Movie (stylized as blue movie; also known as Fuck) is a 1969 American film written, produced, and directed by Andy Warhol. "Blue Movie", the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, is a seminal film in the Golden Age of Porn and helped inaugurate the "porno chic" phenomenon in modern American culture, and later, in many other countries throughout the world. According to Warhol, "Blue Movie" was a major influence in the making of "Last Tango in Paris", an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after "Blue Movie" was made. Viva and Louis Waldon, playing themselves, starred in "Blue Movie".
Document 14: The Gay Deceivers: The Gay Deceivers is a 1969 gay-themed comedy film with a twist ending. The film derives much of its humor through the use of stereotypes. According to gay film historian Vito Russo in his book "The Celluloid Closet", co-star Michael Greer, who played the flamboyantly gay Malcolm and who was himself gay, tried to work with the screenwriter and director to minimize the negativity of the characterization and present Malcolm in a positive light.
Document 15: Gonzo: Photographs by Hunter S. Thompson: GONZO: Photographs By Hunter S. Thompson is a limited-edition 224 page visual biography of photographs taken by, or of, Hunter S. Thompson, published in late 2006 by AMMO Books. Thompson's snapshots were a combination of the subjects he was covering, stylized self-portraits, and artistic still life photos. The "London Observer" called the photos "astonishingly good" and that "Thompson's pictures remind us, brilliantly in every sense, of very real people, real colours". With an introduction by Johnny Depp (a friend of Thompson, and portrayer of his author surrogate, Raoul Duke, in "Fear and Loathing in Las Vegas"), the book stands as the only authorized biography of Hunter S. Thompson ever published. Together with AMMO publisher Steve Crist, Thompson was deeply involved in the book's creation in the final months of his life, and it was the author's final work in progress when he committed suicide in February 2005.
ground_truth: documentary film