Question: Which Baroque composer was known for writing single movment sonatas? 

full_context: Document 1: Piano piece: A piano piece or piece for piano (German: "Klavierstück" , ] ; French: "morceau [or] pièce pour (le) piano" , ] ) is a piece of music for piano. It is a generic name for any composition for the instrument, but when capitalised (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, "Allegro de concert" or "Le Bananier"), for example:
Document 2: Piano sonata: A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner), two movements (Haydn), five (Brahms' Third Piano Sonata) or even more movements. The first movement is generally composed in sonata form.
Document 3: Francesco Scarlatti: Francesco Scarlatti (5 December 1666 – c. 1741) was an Italian Baroque composer and musician and the younger brother of the better known Alessandro Scarlatti.
Document 4: Baroque music: Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Document 5: Piano sonatas (Chopin): Frédéric Chopin composed three piano sonatas, two being published in his lifetime, one posthumously. They are often considered to be among Chopin's hardest piano compositions both musically (along with his Polonaise-fantaisie, Op. 61) and technically (along with his Allegro de concert, Op. 46). They cover a period of time from 1828 to 1844, reflecting Chopin's style changes.
Document 6: Antonio Vivaldi: Antonio Lucio Vivaldi (] ; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Document 7: Girolamo Frescobaldi: Girolamo Alessandro Frescobaldi (] ; also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by a large number of composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Capella Giulia (a musical organisation) from 21 July 1608 until 1628 and again from 1634 until his death.
Document 8: Claudio Monteverdi: Claudio Giovanni Antonio Monteverdi (] ; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.
Document 9: Domenico Scarlatti: Giuseppe Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.
Document 10: Alessandro Scarlatti: Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Document 11: Piano Sonata No. 3 (Brahms): The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven and the classical style, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
Document 12: Piano Sonata No. 3 (Beethoven): Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, is a sonata written for solo piano, composed in 1795. It is dedicated to Joseph Haydn and is often referred to as Beethoven's first virtuosic piano sonata. The three Opus 2 sonatas all contain four movements each, an unusual length which seems to show that Beethoven was aspiring towards composing a symphony. It is both the weightiest and longest of the three Opus 2 sonatas, lasting over 25 minutes, presenting many difficulties, including difficult trills, awkward hand movements, and forearm rotation. It is Beethoven's second longest piano sonata in his early period, only to Beethoven's Grand Sonata in E-flat Major, Op. 7, published a year later.
Document 13: Late piano sonatas (Beethoven): The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period.
Document 14: Double-Function Form: Double-function form is a musical construction that allows for a collection of movements to be viewed as elements of a single larger musical form. The most famous example of this is Franz Liszt’s Piano Sonata in B minor (1853). The sonata is composed as a single movement with about a half an hour’s duration. The piece introduces some themes at the very outset of the piece which are manipulated and recapitulated over twenty minutes later. Charles Rosen believes that the work as whole fulfils his criterion for a sonata form. Moreover, within the one long sonata form, there exists a short sonata form, followed by a slow ternary, followed by a scherzo and fugue, followed by a finale. Thus, the single movement fulfills the standard of both a classical sonata form and a classical four movement piano sonata.
Document 15: Piano Sonata No. 1 (Mozart): Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K. 279 / 189d (1774), is a piano sonata in three movements. It was composed when Mozart was only 18 years old and is the first of a set of his 18 piano sonata. All but 2 of the sonatas, No. 8 in A minor and No. 14 in C minor are in a major key. Also, the first several sonatas seem to follow the cycle of fifths, to the flat side first (No. 1 in C major, No. 2 in F major, No. 3 in B-flat major, No. 4 in E-flat major) and then to the sharp side (No. 5 in G major, No. 6 in D major).
ground_truth: Domenico Scarlatti