Question: Who is the composer of the performance named "The Beggar's" and ended with the word classifying Amleto?

full_context: Document 1: Hamlet: The story of Shakespeare's Hamlet was derived from the legend of Amleth, preserved by 13th - century chronicler Saxo Grammaticus in his Gesta Danorum, as subsequently retold by the 16th - century scholar François de Belleforest. Shakespeare may also have drawn on an earlier Elizabethan play known today as the Ur - Hamlet, though some scholars believe he himself wrote the Ur - Hamlet, later revising it to create the version of Hamlet we now have. He almost certainly wrote his version of the title role for his fellow actor, Richard Burbage, the leading tragedian of Shakespeare's time. In the 400 years since its inception, the role has been performed by numerous highly acclaimed actors in each successive century.
Document 2: Strolling Actresses Dressing in a Barn: Strolling Actresses Dressing in a Barn is a painting from 1738 by British artist William Hogarth. It was reproduced as an engraving and issued with "Four Times of the Day" as a five print set in the same year. The painting depicts a company of actresses preparing for their final performance before the troupe is disbanded as a result of the Licensing Act 1737. Brought in as a result of John Gay's "Beggar's Opera" of 1728, which had linked Robert Walpole with the notorious criminal Jonathan Wild, the Licensing Act made it compulsory for new plays to be approved by the Lord Chamberlain, and, more importantly for the characters depicted, closed any non-patent theatres. The majority of the painting was completed before the Act was passed in 1737, but its passing into law was no surprise and it was the work of a moment for Hogarth to insert a reference to the Act itself into the picture.
Document 3: Io, Amleto: Io, Amleto ("I, Hamlet") is a 1952 Italian comedy film directed by Giorgio Simonelli. A parody of William Shakespeare's tragedy "Hamlet", its lack of commercial success led the newly formed production company Macario Film to a rapid bankruptcy.
Document 4: Armida abbandonata: Armida Abbandonata ("Armida Abandoned") is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem "Jerusalem Delivered" by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples on 30 May 1770. The young Wolfgang Amadeus Mozart was in the audience. He described the work as "beautiful but too serious and old-fashioned for the theatre". Nevertheless, despite a lukewarm reception at its premiere, "Armida abbandonata" was widely performed throughout Italy in the following years.
Document 5: A Harlot's Progress (opera): A Harlot's Progress is an opera in six scenes by the British composer Iain Bell which is based on William Hogarth's series of etchings of the same name. The libretto is by British author Peter Ackroyd.
Document 6: L'amico Fritz: While the opera enjoyed some success in its day and is probably Mascagni's most famous work after "Cavalleria rusticana", today it is performed far more rarely than "Cavalleria", which remains Mascagni's only enduringly popular work in America (though in Italy, "L'amico Fritz" and "Iris" are still in the active repertoire). The "Cherry Duet" between Fritz and Suzel in Act 2 is the best known piece in the opera and has never left the duet repertoire.
Document 7: The Court Beggar: The Court Beggar is a Caroline era stage play written by Richard Brome. It was first performed by the acting company known as Beeston's Boys at the Cockpit Theatre. It has sometimes been identified as the seditious play, performed at the Cockpit in May 1640, which the Master of the Revels moved to have suppressed. However, the play's most recent editor, Marion O'Connor, dates it to "no earlier than the end of November 1640, and perhaps in the first months of 1641".
Document 8: Il tabarro: Il tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold's play "La houppelande". It is the first of the trio of operas known as "Il trittico". The first performance was given on 14 December 1918 at the Metropolitan Opera in New York City.
Document 9: Over the Hills and Far Away (traditional song): ``Over the Hills and Far Away ''is a traditional British song, dating back to at least the late 17th century. One version was published in Thomas D'Urfey's Wit and Mirth, or Pills to Purge Melancholy; a very different one appeared in George Farquhar's 1706 play The Recruiting Officer. A version also appears in John Gay's The Beggar's Opera of 1728.
Document 10: The Beggar's Opera: "The Beggar's Opera" premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second longest run in theatre history up to that time (after 146 performances of Robert Cambert's "Pomone" in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century." In 1920, "The Beggar's Opera" began a revival run of 1,463 performances at the Lyric Theatre in Hammersmith, London, which was one of the longest runs in history for any piece of musical theatre at that time.
Document 11: Frédéric Chopin: Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
Document 12: Lancashire: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.
Document 13: The Beggar's Opera: The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.
Document 14: Il re pastore: Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called "Aminta". The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain Varesco was largely responsible for this editing of Metastasio's libretto.
Document 15: Amleto: Amleto is an opera in four acts by Franco Faccio set to a libretto by Arrigo Boito, based on Shakespeare's play "Hamlet". It premiered on 30 May 1865 at the Teatro Carlo Felice in Genoa and was revised for a La Scala production given on 12 February 1871.
ground_truth: Johann Christoph Pepusch
sub_queries: Amleto >> instance of Answer: opera
The Beggar's opera >> composer Answer: Johann Christoph Pepusch