Question: Günter Reich interpreted the works of Schoenberg with which French composer?

full_context: Document 1: Arnold Schoenberg Choir: The Arnold Schoenberg Choir (German: "Arnold Schoenberg Chor" ) is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general. All members of the choir have broad experience and expertise in vocal music; most of them have graduated from or are currently studying at the Vienna University of Music and Performing Arts. The choir is named after Viennese composer Arnold Schoenberg.
Document 2: Günter Reich: Günter Reich (22 November 1921 – 15 January 1989), also spelled Günther Reich and Gunther Reich, was an Israeli baritone of German birth. He was a member of the Staatsoper Stuttgart for more than 20 years and is known for interpreting the works of Arnold Schoenberg in collaboration with Michael Gielen and Pierre Boulez.
Document 3: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 4: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 5: Le Visage nuptial: Le Visage nuptial ("The Nuptial Face") is a secular cantata for soprano, contralto, choir of women and orchestra by Pierre Boulez. Originally composed in 1946–47 on a poem by René Char for two voices, two ondes Martenot, piano and percussion, the work, revised in 1951–52 in a version for voices and orchestra, was premiered on 4 December 1957 in Cologne conducted by the composer. The score was further revised in 1989, removing the quarter tones present in the second and fifth parts of the 1951–52 version, while revising the orchestration. A version with final revisions by the composer was premiered on 25 February 2014 at the Cité de la Musique in Paris during the closing concert of the festival "Présences" of Radio France.
Document 6: Pierre Boulez: Pierre Louis Joseph Boulez CBE (] ; 26 March 1925 – 5 January 2016) was a French composer, conductor, writer and organiser of institutions. He was one of the dominant figures of the post-war classical music world.
Document 7: Dietrich Fischer-Dieskau: Dietrich Fischer-Dieskau (28 May 192518 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ""Winterreise"" of which his recordings with accompanist Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release.
Document 8: Siegfried Lorenz: Siegfried Lorenz (born 1945) is a German opera and concert singer. A baritone, he is particularly noted for his recordings of the lieder of Franz Schubert. He was the first to be appointed a permanent soloist at the Leipzig Gewandhaus.
Document 9: Hector Berlioz: Louis-Hector Berlioz (] (English: ); 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions "Symphonie fantastique" and "Grande messe des morts" (Requiem). Berlioz made significant contributions to the modern orchestra with his "Treatise on Instrumentation". He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians. He also composed around 50 songs. His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, and Gustav Mahler.
Document 10: Frank Bungarten: Frank Bungarten is a classical guitarist from Germany. Born in Cologne in 1958, Bungarten had his early influence of Guitar music when he was a teenager. In 1981, he got noticed in the international guitar scene, when virtuoso guitarist Andrés Segovia honored him with the first prize at the Guitar Competition of Granada, combined with an extensive concert tour of Spain. To date, he has performed in more than 40 countries. Among his recordings, “J.S.Bach ~ Sonatas and Partitas for Violin solo”, got serious recognition. Although he is often regarded as a Bach expert on the Concert Guitar, Bungarten claims to love and play a wide & diverse repertoire.
Document 11: Martin Gantner: Martin Gantner is a German operatic baritone. He made his professional opera debut in Koblenz as Count Almaviva in "The Marriage of Figaro". He soon after joined the roster of singers at the Deutsche Oper Berlin where he notably portrayed one of the gang members in the world premiere of Hans Werner Henze's "Das verratene Meer" in 1990; a part he reprised for his debut at La Scala. Engagements with other important houses soon followed, including the Semperoper (Dandini in "La Cenerentola") and Theater Basel (Guglielmo in "Così fan tutte"). He has been a member of the Bavarian State Opera since 1993. Other companies with whom he has appeared as a guest artist include the Berlin State Opera, the Cologne Opera, the Deutsche Oper am Rhein, La Monnaie, the Liceu, the Los Angeles Opera, the Lyric Opera of Chicago, the Vienna State Opera, and the Zurich Opera among others.
Document 12: Benjamin Britten: Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist. He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
Document 13: Arnold Schoenberg: Arnold Franz Walter Schoenberg or Schönberg ( ; ] ; 13 September 187413 July 1951) was an Austrian composer, music theorist, and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, Schoenberg's works were labelled degenerate music, because they were modernist, atonal and what even Paul Hindemith called "sonic orgies" and "decadent intellectual efforts". He emigrated to the United States of America in 1934.
Document 14: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 15: Adrian Boult: Sir Adrian Cedric Boult, CH ( ; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later.
ground_truth: Pierre Louis Joseph Boulez CBE