Question: What job did the creator of Pietà for Vittoria Colonna have?

full_context: Document 1: Narcissus (Caravaggio): Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.
Document 2: Taddei Tondo: The Taddei Tondo or The Virgin and Child with the Infant St John is a marble relief tondo (circular composition) by Italian Renaissance artist Michelangelo Buonarroti. Part of the permanent collection of the Royal Academy of Arts in London, it is the only marble sculpture by Michelangelo in Great Britain. A "perfect demonstration" of his carving technique, the work delivers a "powerful emotional and narrative punch".
Document 3: John the Baptist (Caravaggio): John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
Document 4: Pietà (Perugino): Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence.
Document 5: Pitti Tondo: Pitti Tondo is a marble bas-relief of the Virgin and Child by Michelangelo. It was produced between 1503 and 1504 and is now in the Museo nazionale del Bargello in Florence.
Document 6: Boy with a Basket of Fruit: Boy with a Basket of Fruit, c.1593, is a painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, currently in the Galleria Borghese, Rome.
Document 7: Utrecht Caravaggism: The brief flourishing of Utrecht Caravaggism ended around 1630. At that time, major artists had either died, as in the case of Baburen and ter Brugghen, or had changed style, like Honthorst's shift to portraiture and history scenes informed by the Flemish tendencies popularized by Peter Paul Rubens and his followers. They left a legacy, however, through their influence on Rembrandt's use of chiaroscuro and Gerrit Dou's "niche paintings" (a genre popularized by Honthorst).
Document 8: The Entombment (Michelangelo): According to documents discovered in 1981, Michelangelo had been commissioned to paint a panel for the church of Sant'Agostino in Rome, but in the end gave back the sum received. It is probable that this work was the "Entombment", which remained unfinished upon Michelangelo's return to Florence.
Document 9: Utrecht Caravaggism: Painters such as Dirck van Baburen, Gerrit van Honthorst, Hendrick ter Brugghen, Jan van Bijlert and Matthias Stom were all in Rome in the 1610s, a time when the tenebroso of Caravaggio's later style was very influential. Adam Elsheimer, also in Rome at the same time, was probably also an influence on them. Back in Utrecht, they painted mythological and religious history subjects and genre scenes, such as the card-players and gypsies that Caravaggio himself had abandoned in his later career. Utrecht was the most Catholic city in the United Provinces, still about 40% Catholic in the mid-17th century, and even more among the elite groups, who included many rural nobility and gentry with town houses there. It had previously been the main centre, after Haarlem, of Northern Mannerist painting in the Netherlands. Abraham Bloemaert, who had been a leading figure in this movement, and taught the Honthursts and many other artists, also was receptive to the influence of his pupils, and changed his style many times before his death in 1651.
Document 10: Rondanini Pietà: The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last. The name Rondanini refers to the fact that the sculpture stood for centuries in the courtyard at the Palazzo Rondanini in Rome. Certain sources point out that biographer Giorgio Vasari had referred to this Pietà in 1550, suggesting that the first version may already have been underway at that time. The work is now in the Museum of Rondanini Pietà of Sforza Castle in Milan.
Document 11: Madonna of the Carnation: The Madonna of the Carnation, also known as the Madonna with Vase, Madonna with Child or Virgin with Flower, is a Renaissance oil painting by Leonardo da Vinci created around 1478–1480. It is permanently displayed at the Alte Pinakothek gallery in Munich, Germany.
Document 12: Caravaggio: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (, US: , Italian pronunciation: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as tenebrists or tenebrosi ("shadowists").
Document 13: Pietà for Vittoria Colonna: The Pietà for Vittoria Colonna is a black chalk drawing on cardboard (28.9×18.9 cm) by Michelangelo Buonarroti, dated to about 1538–44 and kept at the Isabella Stewart Gardner Museum in Boston.
Document 14: The Virgin and Child with Saint Anne and Saint John the Baptist: The Virgin and Child with Saint Anne and Saint John the Baptist, sometimes called The Burlington House Cartoon, is a drawing by Leonardo da Vinci. The drawing is in charcoal and black and white chalk, on eight sheets of paper glued together. Because of its large size and format the drawing is presumed to be a cartoon for a painting. No painting by Leonardo exists that is based directly on this cartoon.
Document 15: Caravaggio (1986 film): Caravaggio is a 1986 British drama film directed by Derek Jarman. The film is a fictionalised re-telling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is the film debut of Tilda Swinton and Sean Bean.
ground_truth: Italian painter
sub_queries: Which was the creator of Pietà for Vittoria Colonna? Answer: Michelangelo
What job did Michelangelo have? Answer: Italian painter