Question: Who painted the first portrait of the man known as Bonnie Prince Charlie?

full_context: Document 1: William Huggins (animal artist): "Not to be confused with maritime artist William John Huggins (1781-1845)."
Document 2: William Yellowlees: William Yellowlees was a Scottish painter, born at Mellerstain in 1796. He came to Edinburgh in 1812, and studied there under William Shiels, the animal painter. He began practice as a portrait painter and soon became popular, winning the sobriquet of "the little Raeburn", partly by the small size, but more by the excellence of his work. He painted in Edinburgh for about fifteen years, and then moved to London, where he met with much success. Prince Albert was among his patrons. He contributed twenty portraits to the Royal Academy between 1829 and 1845. He died in London in 1855. There is a portrait by him in the Scottish National Portrait Gallery. This self-portrait was identified by a descendant of William Yellowlees, Scottish psychiatrist and musician Alexander John Yellowlees, in the 1970s whilst attending medical school in Edinburgh.
Document 3: Henry Raeburn: Sir Henry Raeburn {'1': ", '2': ", '3': ", '4': "} ( ; 4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland.
Document 4: John Murray of Broughton: Sir John Murray of Broughton, 7th Baronet Stanhope (c. 1718 – 6 December 1777), was a Jacobite, who served as secretary to Prince Charles Edward Stuart ('Bonnie Prince Charlie') during the Jacobite Rising of 1745. He later earned the hatred of the Jacobites by turning King's evidence.
Document 5: Jacobite rising of 1715: The Jacobite rising of 1715 (Scottish Gaelic: "Bliadhna Sheumais" ] ) (also referred to as the Fifteen or Lord Mar's Revolt), was the attempt by James Francis Edward Stuart (also called the Old Pretender) to regain the thrones of England, Ireland and Scotland for the exiled House of Stuart.
Document 6: Cobbe portrait: The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). There are numerous early copies of the painting, most of which were once identified as Shakespeare. The Cobbe original was only identified in the collection of the Anglo-Irish Cobbe family in 2006, and had until then been completely unknown to the world. Evidence uncovered by researchers at the Shakespeare Birthplace Trust led to the claim, presented in March 2009, that the portrait is of William Shakespeare and painted from life. Many scholars dismiss this theory and have provided evidence to identify the portrait as one of Sir Thomas Overbury The portrait has been the centrepiece of two exhibitions dedicated to it: "Shakespeare Found: a Life Portrait" at the Shakespeare Birthplace Trust, Stratford-upon-Avon, from April–October 2009 and "The Changing Face of William Shakespeare" at the Morgan Library and Museum, New York, from February–May 2011. An illustrated catalogue provides details of the painting and its provenance.
Document 7: Charlotte Stuart, Duchess of Albany: Charlotte Stuart, styled Duchess of Albany (29 October 1753 – 17 November 1789) was the illegitimate daughter of the Jacobite pretender Prince Charles Edward Stuart ('Bonnie Prince Charlie' or the 'Young Pretender') and his only child to survive infancy.
Document 8: Siege of Carlisle (December 1745): The Siege of Carlisle took place during the Jacobite rising of 1745–46 after Charles Edward Stuart (Bonnie Prince Charlie) was forced to retreat north back into Scotland. As the retreat was totally against his will, he left a small force of 400 men to garrison Carlisle mainly consisting of members of the English Jacobite regiment called the Manchester Regiment, so that Charles could say that he at least held one town in England for his hoped-for return. The Jacobite garrison left to hold Carlisle surrendered to overwhelming Hanoverian forces under the Duke of Cumberland.
Document 9: Monmouth Rebellion: The Monmouth Rebellion, also known as The Revolt of the West or The West Country rebellion, was an attempt to overthrow James II, the Duke of York who had become King of England, Scotland, and Ireland upon the death of his elder brother Charles II on 6 February 1685. James II was a Roman Catholic, and some Protestants under his rule opposed his kingship. James Scott, 1st Duke of Monmouth, an illegitimate son of Charles II, claimed to be rightful heir to the throne and attempted to displace James II.
Document 10: Jacobite rising of 1745: The Jacobite rising of 1745 (Scottish Gaelic: "Bliadhna Theàrlaich" ] , "The Year of Charles") was the attempt by Charles Edward Stuart to regain the British throne for the exiled House of Stuart. The rising occurred during the War of the Austrian Succession, when most of the British Army was on the European continent. Charles Edward Stuart, commonly known as "Bonnie Prince Charlie" or "the Young Pretender", sailed to Scotland and raised the Jacobite standard at Glenfinnan in the Scottish Highlands, where he was supported by a gathering of Highland clansmen. The march south began with an initial victory at Prestonpans near Edinburgh. The Jacobite army, now in bold spirits, marched onwards to Carlisle, over the border in England. When it reached Derby, some British divisions were recalled from the Continent and the Jacobite army retreated north to Inverness where the last battle on Scottish soil took place on a nearby moor at Culloden. The Battle of Culloden ended with the final defeat of the Jacobite cause. Charles Edward Stuart fled with a price on his head before finally sailing to France.
Document 11: Giles Hussey: Giles Hussey (1710–1788) was a painter from Dorset, England. His portraits are well regarded, but his theories on art never received the attention he craved. He believed that each note of music represented a colour. He created the first portrait of Charles Edward Stuart, the pretender to the British throne. Hussey has works in the Tate Gallery.
Document 12: Lost portrait of Charles Edward Stuart: The "lost portrait" of Charles Edward Stuart is a portrait, painted in late autumn 1745 by Scottish artist Allan Ramsay, of Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie.
Document 13: Charles Edward Stuart: Charles Edward Louis John Casimir Sylvester Severino Maria Stuart (31 December 1720 – 31 January 1788), commonly known in Britain during his lifetime as The Young Pretender and The Young Chevalier, and often known in retrospective accounts as Bonnie Prince Charlie, was the second Jacobite pretender to the thrones of England, Scotland, France and Ireland (as Charles III) from the death of his father in 1766. This claim was based on his status as the eldest son of James Francis Edward Stuart, himself the son of James VII and II. Charles is perhaps best known as the instigator of the unsuccessful Jacobite uprising of 1745, in which he led an insurrection to restore his family to the throne of Great Britain. The uprising ended in defeat at the Battle of Culloden, effectively terminating the Jacobite cause. Jacobites supported the Stuart claim because they hoped for religious toleration for Roman Catholics and because they believed in the divine right of kings. Charles's flight from Scotland after the uprising has rendered him a romantic figure of heroic failure in some later representations. In 1759 he was involved in a French plan to invade Britain, which was abandoned after British naval victories.
Document 14: Portrait of Captain Thomas Coram: Portrait of Captain Thomas Coram is a 1740 portrait of philanthropist Thomas Coram painted by William Hogarth. The portrait, which represents Hogarth’s highest achievement in direct portraiture, was not created as a commission and was instead donated to Coram's Foundling Hospital. The portrait is divided into two sections: The left side represents Coram's sea ventures, a major source of his wealth. The right side shows a curtain pulled over a mother figure with a child/
Document 15: Edward Paston: Edward Paston (1550–1630), second son of Sir Thomas Paston, was a Catholic gentleman of Norfolk, a poet, and amateur musician living in the reign of Elizabeth I. He is an important figure in the musical history of England, his love of music driving him to acquire and copy musical manuscripts from some of the most important composers of the Renaissance, resulting in a unique performing collection of 16th-century house music that included works by William Byrd, Thomas Tallis, John Taverner, and Orlando di Lasso. He was especially interested in Byrd, and one of his books is the largest source of consort songs by that composer. Paston played the lute, creating a wide range of vocal settings and accompanying tablatures in partbooks that are still obtainable. As a young man he travelled extensively in Spain, being influenced by the Spanish (and Italian) form of tablature, as seen in his partbooks, rather than the generally used French form.
ground_truth: Giles Hussey