Question: Which coast is the city, in which the coins were found at the wreckage in which the Antikythera Ephebe was also found, located on?

full_context: Document 1: Chalcedon: Greek: Χαλκηδών , sometimes transliterated as "Chalkedon") was an ancient maritime town of Bithynia, in Asia Minor. It was located almost directly opposite Byzantium, south of Scutari (modern Üsküdar) and it is now a district of the city of Istanbul named Kadıköy. The name "Chalcedon" is a variant of Calchedon, found on all the coins of the town as well as in manuscripts of Herodotus's "Histories", Xenophon's "Hellenica", Arrian's "Anabasis", and other works. Except for a tower, almost no aboveground vestiges of the ancient city survive in Kadıköy today; artifacts uncovered at Altıyol and other excavation sites are on display at the Istanbul Archaeological Museum.
Document 2: Ephesus: Ephesus ( ; Greek: Ἔφεσος "Ephesos"; Turkish: "Efes" ; may ultimately derive from Hittite "Apasa") was an ancient Greek city on the coast of Ionia, three kilometres southwest of present-day Selçuk in İzmir Province, Turkey. It was built in the 10th century BC on the site of the former Arzawan capital by Attic and Ionian Greek colonists. During the Classical Greek era it was one of the twelve cities of the Ionian League. The city flourished after it came under the control of the Roman Republic in 129 BC.
Document 3: Meleager of Skopas: The "Meleager" of Skopas is a lost bronze sculpture of the Greek hero Meleager – host of the Calydonian boar hunt – that is associated in modern times with the fourth century BCE architect and sculptor Skopas of Paros. The sculpture escaped mention in any classical writer. It is judged to have been a late work in the sculptor's career, but it is known only through a number of copies that vary in quality and in fidelity to the original, which show it to have been one of the famous sculptures of antiquity: "the popularity of the Meleager during Roman times was certainly great," notes Brunilde Sismondo Ridgway, who reports Andrew F. Stewart's count of 13 statues, 4 torsos, 19 heads (which are similar enough to the Ludovisi Ares to raise confusions) busts and herms, a variant with changed stance and attributes, and 11 versions adapted for a portrait or a deity. Six or seven of the accepted copies are accompanied by a dog, 12 wear a chlamys, 3, clinching the sculptural type's identification with Meleager, are accompanied by a boar's head trophy, as in the Vatican "Meleager" ("illustration, right"). Ms Ridgeway accounts for the sculpture's popularity in part "by the appeal that hunting figures had for the Romans, through their heroizing connotations."
Document 4: Capitoline Antinous: The Capitoline 'Antinous' is a marble statue of a young nude male found at Hadrian's Villa, Tivoli, during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there. It was bought before 1733 by Alessandro Cardinal Albani. To contemporaries it seemed to be the real attraction of his collection. The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci. In the 18th century it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800-15, when it was returned to Rome after the fall of Napoleon.
Document 5: Gundestrup cauldron: The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD, or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work (diameter: 69 cm ; height: 42 cm ). It was found dismantled, with the other pieces stacked inside the base, in 1891 in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark ( ). It is now usually on display in the National Museum of Denmark in Copenhagen, with replicas at other museums; during 2015-16 it was in the UK on a travelling exhibition called "The Celts".
Document 6: Ankara: Ankara (  ;  ] ), formerly known as Ancyra (Greek: Ἄγκυρα ) and Angora, is the capital of the Republic of Turkey. With a population of 4,587,558 in the urban center and 5,150,072 in its province , it is Turkey's second largest city after former imperial capital Istanbul, having overtaken İzmir. The former Metropolitan archbishopric remains a triple titular see (Latin, Armenian Catholic and Orthodox).
Document 7: Antikythera Ephebe: The Antikythera Ephebe is a bronze statue of a young man of languorous grace that was found in 1900 by sponge-divers in the area of the ancient Antikythera shipwreck off the island of Antikythera, Greece. It was the first of the series of Greek bronze sculptures that the Aegean and Mediterranean yielded up in the twentieth century which have fundamentally altered the modern view of Ancient Greek sculpture. The wreck site, which is dated about 70–60 BC, also yielded the Antikythera Mechanism, an astronomical calculating device, a characterful head of a Stoic philosopher, and a hoard of coins. The coins included a disproportionate quantity of Pergamene cistophoric tetradrachms and Ephesian coins, leading scholars to surmise that it had begun its journey on the Ionian coast, perhaps at Ephesus; none of its recovered cargo has been identified as from mainland Greece.
Document 8: Byzantine Empire: The Byzantine Empire, also referred to as the Eastern Roman Empire, was the continuation of the Roman Empire in the East during Late Antiquity and the Middle Ages, when its capital city was Constantinople (modern-day Istanbul, which had been founded as Byzantium). It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453. During most of its existence, the empire was the most powerful economic, cultural, and military force in Europe. Both "Byzantine Empire" and "Eastern Roman Empire" are historiographical terms created after the end of the realm; its citizens continued to refer to their empire as the "Roman Empire" (Greek: Βασιλεία τῶν Ῥωμαίων , tr. "Basileia tôn Rhōmaiōn" ; Latin: "Imperium Romanum" ), or "Romania" (Ῥωμανία ), and to themselves as "Romans".
Document 9: Dying Gaul: The Dying Gaul, also called The Dying Galatian (in Italian: "Galata Morente") or The Dying Gladiator, is an Ancient Roman marble copy of a lost Hellenistic sculpture, thought to have been originally executed in bronze. The original may have been commissioned some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia (modern Turkey). The identity of the sculptor of the original is unknown, but it has been suggested that Epigonus, a court sculptor of the Attalid dynasty of Pergamon, may have been the creator.
Document 10: Blond Kouros's Head of the Acropolis: The so-called Blond Kouros's Head of the Acropolis is the head of a lost marble statue of a young man (Kouros or Ephebe sculpture type) of ca 480 BC, in the Acropolis Museum in Athens, Greece The head and part of the pelvis were found in 1923 northeast of the museum site on the Acropolis of Athens. It belongs to the late archaic or early classical period (Severe style). The curly hair points more to the Archaic than the Classical period.
Document 11: İzmir: İzmir (] ) is a metropolitan city in the western extremity of Anatolia and the third most populous city in Turkey, after Istanbul and Ankara. It is the second most populous city on the Aegean Sea after Athens, Greece. In 2014, the city of İzmir had a population of 2,847,691, while İzmir Province had a total population of 4,113,072. İzmir's metropolitan area extends along the outlying waters of the Gulf of İzmir and inland to the north across the Gediz River delta; to the east along an alluvial plain created by several small streams; and to a slightly more rugged terrain in the south.
Document 12: Kritios Boy: The marble Kritios Boy or Kritian Boy belongs to the Early Classical period of ancient Greek sculpture. It is the first statue from classical antiquity known to use contrapposto; Kenneth Clark called it "the first beautiful nude in art" It is possible, even likely, that earlier Bronze statues had used the technique, but if they did, they have not survived and Susan Woodford has speculated that the statue is a copy of a Bronze original. The Kritios Boy is thus named because it is attributed, on slender evidence, to Kritios who worked together with Nesiotes (sculptors of "Harmodius and Aristogeiton") or their school, from around 480 BC. As currently mounted, the statue is considerably smaller than life-size at c. 86 cm (3 ft 10 ins), including the supports that replace the missing feet.
Document 13: Eminönü: Eminönü is a former district of Istanbul in Turkey, currently a quarter of Fatih, the province's capital district. This is the heart of the walled city of Constantine, the focus of a history of incredible richness. Eminönü covers roughly the area on which the ancient Byzantium was built. The Galata Bridge crosses the Golden Horn into Eminönü and the mouth of the Bosphorus opens into the Marmara Sea. And up on the hill stands Topkapı Palace, the Blue Mosque (Sultanahmet Camii) and Hagia Sophia (Aya Sofya). Thus Eminönü is the main tourist destination in Istanbul. It was a part of the Fatih district until 1928, which covered the whole peninsular area (the old Stamboul) within the Roman city walls - that area which was formerly the Byzantine capital Constantinople. Since the resident population of Eminönü is low today, it rejoined the capital district Fatih in 2009.
Document 14: Antikensammlung Berlin: The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork.
Document 15: Temple of Artemis: The Temple of Artemis or Artemision (, Turkish: "Artemis Tapınağı" ), also known less precisely as the Temple of Diana, was a Greek temple dedicated to the goddess Artemis. It was located in Ephesus (near the modern town of Selçuk in present-day Turkey). One of the Seven Wonders of the Ancient World, it was completely rebuilt three times before its final destruction in 401 AD. Only foundations and sculptural fragments of the latest of the temples at the site remain.
ground_truth: Ionia