Question: What was the stage name of Clive Campbell who was featured in "Super Bad"?

full_context: Document 1: Super Bad (Terminator X album): Super Bad is the second and final solo album by DJ, Terminator X. The album was released on June 21, 1994, on Def Jam Recordings sub-label RAL and was produced by Terminator X, Kool DJ Herc, Grandmaster Flash, and Russell Simmons. The album was only a minor success, making it to #189 on the "Billboard" 200 and #38 on the Top R&B/Hip-Hop Albums. Two singles were released, "Under the Sun" and "It All Comes Down to the Money", the latter of which made it to #26 on the Hot Rap Singles. Super Bad featured guest appearances from many hip hop legends, including Ice Cube, Chuck D, Ice-T, MC Lyte, Whodini, Grandmaster Flash, Kool DJ Herc, Cold Crush Brothers, The Fantastic Five, Flatlinerz and Jam Master Jay.
Document 2: DJ Lord: DJ Lord (born Lord Aswod on March 11, 1975 in Savannah, Georgia, United States), is an American DJ and turntablist. In 1999, DJ Lord joined the hip hop group Public Enemy on its 40th World Tour replacing Terminator X. Soon after, DJ Lord had his own performance segment within the Public Enemy show. While hip hop has been at the foundation of his career, he also works in the drum and bass arena. His career and the art of turntablism is documented in the DVD, "DJ Lord - The Turntablist Chronicles", released in 2004.
Document 3: Prophets of Rage: Prophets of Rage is an American rap rock supergroup. Formed in 2016, the group consists of three members of Rage Against the Machine and Audioslave (bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk), two members of Public Enemy (DJ Lord and rapper Chuck D), and rapper B-Real of Cypress Hill.
Document 4: British hip hop: British hip hop is a genre of music, and a culture that covers a variety of styles of hip hop music made in Scotland, England, Wales and Northern Ireland (Great Britain). It is generally classified as one of a number of styles of urban music. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1960s–70s, who eventually developed uniquely influenced rapping (or speed-toasting) in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK and to describe street/gang violence, similar to that in the US. UK rap has also been heavily influenced by US hip-hop. British hip hop, particularly that originating from London, was commercially superseded by grime, however, after a post-millennium boom period, the genre remains a hotbed of talent.
Document 5: Hip-hop dance: Hip-hop dance refers to street dance styles primarily performed to hip-hop music or that have evolved as part of hip-hop culture. It includes a wide range of styles primarily breaking which was created in the 1970s and made popular by dance crews in the United States. The television show "Soul Train" and the 1980s films "Breakin'", "Beat Street", and "Wild Style" showcased these crews and dance styles in their early stages; therefore, giving hip-hop mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to choreograph from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces.
Document 6: Ultramagnetic MCs: The Ultramagnetic MCs is an American hip hop group based in Bronx, New York. Founded by Kool Keith, the group also includes Ced Gee, TR Love, and Moe Love. Tim Dog became an unofficial member in 1989. In 1990, DJ Jaycee was added as Roadmanager and backup DJ. Big.D was put down with the crew by Kool Keith in 1989. In 2006 Kool Keith and Big.D formed the supergroup The Commissioner, and in 1999 Big.D and D.J Moe-Love also formed the powerhouse group Slaughterhouse-Cartel. A former member, Rooney Roon, was fired following an assault arrest. Beat-boxing legend Rahzel was also involved with the group early in its career. The group's work was associated with unorthodox sampling, polysyllabic rhymes, and bizarre lyrical imagery.
Document 7: East Coast hip hop: East Coast hip hop is a regional subgenre of hip hop music that originated in the New York City area during the 1970s. Hip hop is recognized to have originated and evolved first in New York; East Coast hip hop only became a distinct subgenre after artists from other regions of the United States emerged with different styles. In contrast to other styles, East Coast hip hop music has prioritized complex lyrics for attentive listening rather than beats for dancing. The main components of hip hop culture from that time and still today are MC'ing, DJ'ing, break dancing, and graffiti.
Document 8: Hip hop: Hip hop or hip-hop is a subculture and art movement developed in South Bronx in New York City during the late 1970s. While people unfamiliar with hip hop culture often use the expression "hip hop" to refer exclusively to hip hop music (also called "rap"), Hip hop is characterized by nine distinct elements or expressive realms, of which hip hop music is only four elements (rapping, djaying, beatboxing and breaking). Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art, which he called "aerosol writin'", although many say that the graffiti that hip hop adopted had been around years earlier, and had nothing to do with hip hop culture. (visual art). Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.
Document 9: Haitian hip hop: Haitian hip hop or rap kreyòl, is music originating from Haiti and sung by artists of Haitian origin. Often, hardcore beats are used while the artist raps in Haitian Creole. Rap kreyòl has been part of Haitian culture since the early 1980s with groups such as Original Rap Staff, King Posee, Rap Kreyòl S.A., Masters of Haiti, Fighters, Blackdo, Fam-Squad, Supa Deno, Prince Berlin and Muzion attaining prominence, but lately has become very popular with Haitian youth. Another notable group from the 1990s is Black Leaders. The impact of Black Leaders and its members is lasting. Though known primarily for his role in Black Leaders, Don Roy is still an active contributor to Haitian music across many genres. Since the peak of his notoriety, Don Roy has chosen to create in other genres. While still working in a production capacity in genres such as Rap Kreyòl and Reggae, Don Roy has chosen to create and work with prominent artists of the modern roots/Rasin movement.
Document 10: Grandmaster Flash and the Furious Five: Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1976. Composed of one DJ (Grandmaster Flash) and five rappers (Melle Mel, The Kidd Creole, Keith Cowboy, Mr. Ness/Scorpio, and Rahiem), the group's use of turntablism, break-beat deejaying, and conscious lyricism were significant in the early development of hip hop music.
Document 11: DJ Muggs: Lawrence Muggerud (born January 28, 1968), better known by his stage name DJ Muggs, is an American DJ and producer. He produced tracks for Funkdoobiest, House of Pain, Dizzee Rascal, U2, Depeche Mode, Die Antwoord and more. He is a current member of hip hop group Cypress Hill, trip hop band Cross My Heart Hope To Die, and the leader of Los Angeles art collective Soul Assassins.
Document 12: Professor X the Overseer: Lumumba Carson (August 4, 1956 – March 17, 2006), known by his stage names Baba Professor X the Overseer, Professor X, or PXO was born the son of Brooklyn-based activist Sonny Carson. Carson was a founding member of the Hip hop group X Clan and was featured in nearly all songs on the albums "To the East, Blackwards" (1990) and "Xodus" (1992), right before the group went on hiatus. He released two solo albums:"Years of the 9, on the Blackhand Side" (1990) and "Puss 'N Boots (The Struggle Continues...)" (1993).
Document 13: New Zealand hip hop: New Zealand hip hop derives from the wider hip hop cultural movement originating amongst African Americans in the United States. Like the parent movement, New Zealand hip hop consists of four parts: rapping, DJing, graffiti art and breakdancing. The first element of hip hop to reach New Zealand was breakdancing, which gained notoriety after the release of the 1979 movie "The Warriors". The first hip hop hit single, "Rapper's Delight" by the Sugarhill Gang, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like Wellington and Christchurch. By the early 1990s hip hop became a part of mainstream New Zealand culture.
Document 14: Terminator X: Norman Rogers (born August 25, 1966), known as Terminator X, is a retired American DJ best known for his work with hip-hop group Public Enemy, which he left in 1999. He also produced two solo albums, "Terminator X & The Valley of the Jeep Beets" (1991) and "Super Bad" (1994), featuring Chuck D, Sister Souljah, DJ Kool Herc, the Cold Crush Brothers, and a bass music track by the Punk Barbarians. In 2013, Terminator X was inducted into the Rock and Roll Hall of Fame as a member of Public Enemy.
Document 15: DJ Kool Herc: Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican American DJ who is credited with originating hip hop music in the early 1970s in The Bronx, New York City. His playing of hard funk records of the sort typified by James Brown was an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat—the "break"—and switch from one break to another.
ground_truth: DJ Kool Herc