Question: When was the death of Saint Catherine of the city where Antonio Semini was born?

full_context: Document 1: Antonio Veracini: Veracini was born in Florence, Italy, the eldest son of Francesco di Niccolò Veracini, a noted violinist who ran a music school, and from whom Antonio first learned to play the violin. When his father's health began to fail around 1708, Antonio took over the running of the school, where he taught the violin to (amongst others) his nephew Francesco Maria Veracini (1690–1768), later a celebrated violinist and composer in his own right. Unlike his nephew, who travelled widely, Antonio rarely left Florence. He did visit Rome on two occasions, where he is believed to have met Arcangelo Corelli, and in 1720 he briefly visited Vienna .
Document 2: Dominican Order: The expansion of the order produced changes. A smaller emphasis on doctrinal activity favoured the development here and there of the ascetic and contemplative life and there sprang up, especially in Germany and Italy, the mystical movement with which the names of Meister Eckhart, Heinrich Suso, Johannes Tauler, and St. Catherine of Siena are associated. (See German mysticism, which has also been called "Dominican mysticism.") This movement was the prelude to the reforms undertaken, at the end of the century, by Raymond of Capua, and continued in the following century. It assumed remarkable proportions in the congregations of Lombardy and the Netherlands, and in the reforms of Savonarola in Florence.
Document 3: Catherine LaCugna: Catherine LaCugna died at the age of 44, of cancer, and is buried in the Cedar Grove Cemetery on the Notre Dame campus.
Document 4: Giorgio Antoniotto: A descendent of a Milanese branch of the noble Genoese Adorno family, Giorgio Antoniotto was born in Milan in 1680 to Bernardo Antoniotto and Maria Teresa Pavitte. His baptism, reported in the records of the church of S. Matthia della Moneta, took place on May 10, 1681.
Document 5: Virgin and Child with Saints Barbara and Catherine: Virgin and Child with Saints Barbara and Catherine is a glue-size on linen painting by Flemish artist Quentin Matsys, probably painted c 1515–25. The Virgin Mary is shown on a throne, holding the Infant Jesus, between Barbara and Catherine of Alexandria, two saints popular in the early 16th century and considered the most important of the venerated Fourteen Holy Helpers. Jesus leans forward to place a ring on Catherine's finger, a reference to her vision in which she was to given Jesus by Mary in mystical marriage. Other indicators of the saints identities include the broken wheel - which refers to the torture of Catherine- and the tower, an allusion to Barbara's imprisonment and eventual beheading at the hands of her father.
Document 6: Catherine de' Medici: Catherine de' Medici (Italian: "Caterina de Medici", ; French: "Catherine de Médicis", ; 13 April 1519 – 5 January 1589), daughter of Lorenzo II de' Medici and Madeleine de La Tour d'Auvergne, was an Italian noblewoman who was queen of France from 1547 until 1559, by marriage to King Henry II. As the mother of kings Francis II, Charles IX and Henry III, she had extensive, if at times varying, influence in the political life of France. From 1560 to 1563, she ruled France as regent for her son Charles IX, King of France.
Document 7: Catherine of Genoa: Saint Catherine of Genoa (Caterina Fieschi Adorno, 1447 – 15 September 1510) was an Italian Roman Catholic saint and mystic, admired for her work among the sick and the poor and remembered because of various writings describing both these actions and her mystical experiences. She was a member of the noble Fieschi family, and spent most of her life and her means serving the sick, especially during the plague which ravaged Genoa in 1497 and 1501. She died in that city in 1510.
Document 8: Antonio Semini: He was born and trained in Genoa and died in Milan. He was the pupil of Ludovico Brea, and painted in collaboration with Teramo Piaggio. Antonio painted a "Nativity" for S. Domenico, Savona. Among his pupils were his sons Andrea and Ottavio Semini.
Document 9: Kateri Tekakwitha: Saint Kateri Tekakwitha ( in Mohawk), given the name Tekakwitha, baptized as Catherine and informally known as Lily of the Mohawks (1656 – April 17, 1680), is a Roman Catholic saint who was an Algonquin–Mohawk laywoman. Born in the Mohawk village of Ossernenon, on the south side of the Mohawk River, she contracted smallpox in an epidemic; her family died and her face was scarred. She converted to Roman Catholicism at age nineteen, when she was renamed Kateri, baptized in honor of Saint Catherine of Siena. Refusing to marry, she left her village and moved for the remaining five years of her life to the Jesuit mission village of Kahnawake, south of Montreal in New France, now Canada.
Document 10: Antonio Possevino: Recent scholarship has identified Antonio Possevino's family as New Christians admitted to the learned circles of the court of Renaissance Mantua and its Gonzaga dukes. His father was Piedmontese from Asti and moved to Mantua where he joined the guild of goldsmiths. The family name was changed from Cagliano (Caliano) and had three sons, Giovanni Battista, Antonio and Giorgio. His mother nursed her son Antonio in 1533 together with Francesco III Gonzaga, Duke of Mantua.
Document 11: Domenico Bruni: He trained with Tommaso Sandrino. He helped decorate the chorus of the church of the Carmini in Brescia in 1634.
Document 12: Saint Catherine of Alexandria Polyptych: The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320. Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city.
Document 13: Antonio Malchiodi: He taught as a docent at the Academy of Fine Arts of Modena, but also at Brescia and Turin. He spent his last years painting landscapes around Bergamo, and is also known for his genre and historical paintings, including “The last consolation of Torquato Tasso” painted only after visiting the room in the convent Sant’Onofrio where the poet died.
Document 14: Anton Maria Maragliano: He was called by Casalis, the "Phidias of Genoa". His son Giovanni Battista Maragliano was also a wood sculptor in Cadiz and Lisbon, till his death during a robbery in the latter city. Among other pupils were Francesco and Pietro Galeano.
Document 15: Francisco Antolínez: He was born at Seville, and was a nephew of Joseph Antolinez. He went to his uncle at Madrid in 1672; but notwithstanding his having already distinguished himself as a painter, he left the profession for literary pursuits, and for the purpose of obtaining a lucrative situation at the bar, having been originally educated at Seville for the law. Being unsuccessful, he was compelled again to have recourse to painting, as a means of subsistence. It was then that he produced those small pictures from the Bible and the life of the Virgin, which are so much admired by amateurs for their invention, colour, and facility of execution. He died in 1700, regretted by the true friends of art, who lamented the misapplication of those talents with which he was endowed.
ground_truth: 15 September 1510
sub_queries: Antonio Semini >> place of birth Answer: Genoa
What was the date of death of Catherine of Genoa ? Answer: 15 September 1510