Question: Which inventor shot a film that predates Workers leaving the lumiere factory?

full_context: Document 1: A Nightmare: A Nightmare (French: Le cauchemar) is a short silent trick film created and released in 1896 and directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 82 in its catalogues, where it was advertised as a "scène fantastique". The film was shot outside in the garden of Méliès's property in Montreuil, Seine-Saint-Denis, with painted scenery. Méliès plays the sleeping man.
Document 2: Pathé: Pathé or Pathé Frères (] , styled as PATHÉ!) is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas prior to a feature film.
Document 3: William Friese-Greene: William Friese-Greene (born William Edward Green, 7 September 1855 – 5 May 1921) was an English portrait photographer and prolific inventor. He is principally known as a pioneer in the field of motion pictures, though not the inventor of cinematography; his work post-dates that of Louis Le Prince, who successfully shot the world's first moving pictures in Leeds in 1888.
Document 4: Kinetoscope: The Kinetoscope is an early motion picture exhibition device. The Kinetoscope was designed for films to be viewed by one individual at a time through a peephole viewer window at the top of the device. The Kinetoscope was not a movie projector, but introduced the basic approach that would become the standard for all cinematic projection before the advent of video, by creating the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. A process using roll film first described in a patent application submitted in France and the U.S. by French inventor Louis Le Prince, the concept was also used by U.S. inventor Thomas Edison in 1889, and subsequently developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.
Document 5: Théâtre Optique: The Théâtre Optique (Optical Theatre) was an animated moving picture system invented by Émile Reynaud and patented in 1888. From 28 October 1892 to March 1900 Reynaud gave over 12,800 shows to a total of over 500.000 visitors at the Musée Grévin in Paris. His "Pantomimes Lumineuses" series of animated films include "Pauvre Pierrot" and "Autour d'une cabine". Reynaud's Théâtre Optique predated Auguste and Louis Lumière's first commercial, public screening of the cinematograph on 28 December 1895, which has long been seen as the birth of film.
Document 6: Cinema of Portugal: The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was "Saída do Pessoal Operário da Fábrica Confiança", made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was "O Rapto de Uma Actriz" (1907). The first all-talking sound film, "A Severa", was made in 1931. Starting in 1933, with "A Canção de Lisboa", the Golden Age would last the next two decades, with films such as "O Pátio das Cantigas" (1942) and "A Menina da Rádio" (1944). "Aniki-Bóbó" (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the "Cinema Novo" (literally "New Cinema") movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like "Dom Roberto" (1962) and "Os Verdes Anos" (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's "Recordações da Casa Amarela" won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's "Arena" won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. "João Sete Sete" (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
Document 7: List of actuality films by Georges Méliès: Georges Méliès (1861–1938), a French filmmaker and magician, made a variety of short actuality films between 1896 and 1900. Méliès was established as a magician with his own theater-of-illusions, the Théâtre Robert-Houdin in Paris, when he attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope in December 1895. Unable to purchase a camera from the Lumières, who insisted that the venture had no future, he bought a film projector and some films from the British film experimenter Robert W. Paul and began projecting them at the Théâtre Robert-Houdin. Meanwhile, Méliès studied the principles on which Paul's projector ran, and in 1896 was able to modify the machine so that it could be used as a makeshift camera. At first, Méliès followed the custom of the time, and the example memorably set by the pioneering Lumières, by producing actuality films—brief "slice of life" incidents made by preparing naturalistic scenes for the camera or by filming events of the day. These "cityscapes, scenic views, and domestic vignettes" closely followed the model already set by the Lumières and their salaried operators, who had already been sent to various points abroad to publicize the Lumière camera and bring home actualites filmed in foreign climes. All told, Méliès filmed 93 films, or 18% of his entire output, outdoors as actuality footage.
Document 8: List of documentary films: This is an alphabetical list of documentary films with Wikipedia articles. The earliest documentary listed is "Fred Ott's Sneeze" (1894), which is also the first motion picture ever copyrighted in North America. The term "documentary" was first used in 1926 by filmmaker John Grierson as a term to describe films that document reality. For other lists, see and .
Document 9: Workers Leaving the Lumière Factory: Workers Leaving The Lumière Factory in Lyon (French: "La Sortie de l'Usine Lumière à Lyon" ), also known as Employees Leaving the Lumière Factory and Exiting the Factory, is an 1895 French short black-and-white silent documentary film directed and produced by Louis Lumière. It is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 "Roundhay Garden Scene" pre-dated it by seven years.
Document 10: Alice Guy-Blaché: Alice Guy-Blaché (July 1, 1873 – March 24, 1968) was the first person to be a film director and writer of narrative fiction films. She experimented with Gaumont's Chronophone sound syncing system, color tinting, interracial casting, and special effects.
Document 11: The First Film: The First Film is a 2015 British documentary film about cinema pioneer Louis Le Prince, made by David Nicholas Wilkinson. It asserts that Le Prince, rather than the Lumiere brothers, was the true inventor of moving pictures, making his first film in Leeds in 1888 before his mysterious disappearance in 1890.
Document 12: Roundhay Garden Scene: Roundhay Garden Scene is an 1888 short silent actuality film recorded by French inventor Louis Le Prince. Shot at Oakwood Grange in Roundhay, Leeds in the north of England, it is believed to be the oldest surviving film in existence, as noted by the "Guinness Book of Records".
Document 13: History of film: The history of film began in the 1890s, when motion picture cameras were invented and film production companies started to be established. Because of the limits of technology, films of the 1890s were under a minute long and until 1927 motion pictures were produced without sound. The first decade of motion picture saw film moving from a novelty to an established mass entertainment industry. The films became several minutes long consisting of several shots. The first rotating camera for taking panning shots was built in 1898. The first film studios were built in 1897. Special effects were introduced and film continuity, involving action moving from one sequence into another, began to be used. In the 1900s, continuity of action across successive shots was achieved and the first close-up shot was introduced (that some claim D. W. Griffith invented). Most films of this period were what came to be called "chase films". The first use of animation in movies was in 1899. The first feature length multi-reel film was a 1906 Australian production. The first successful permanent theatre showing only films was "The Nickelodeon" in Pittsburgh in 1905. By 1910, actors began to receive screen credit for their roles and the way to the creation of film stars was opened. Regular newsreels were exhibited from 1910 and soon became a popular way for finding out the news. From about 1910, American films had the largest share of the market in Australia and in all European countries except France.
Document 14: Louis Le Prince: Louis Aimé Augustin Le Prince (] ; 28 August 1841 – vanished 16 September 1890) was a French inventor who shot the first moving pictures on paper film using a single lens camera. He has been heralded as the "Father of Cinematography" since 1930.
Document 15: Cinema of Turkey: Yeşilçam (literally means "The Green Pine" in Turkish language) (] ) is the sobriquet that refers to the Turkish film art and industry. It is an important part of Turkish culture, and has flourished over the years, delivering entertainment to audiences in Turkey, expatriates across Europe, and more recently prospering in the Arab world and in rare cases, the United States. The first movie exhibited in the Ottoman Empire was the Lumiere Brothers' 1895 film, "L'Arrivée d'un train en gare de La Ciotat", which was shown in Istanbul in 1896. The first Turkish-made film was a documentary entitled "Ayastefanos'taki Rus Abidesinin Yıkılışı" ("Demolition of the Russian Monument at San Stefano"), directed by Fuat Uzkınay and completed in 1914. The first narrative film, Sedat Simavi's "The Spy", was released in 1917. Turkey's first sound film was shown in 1931.
ground_truth: Louis Le Prince