Question: Franz Kafka and Wilfred Owen, wrote in German?

full_context: Document 1: Franz Kafka: The Office Writings: Franz Kafka: The Office Writings is a collection of essays, letters and articles composed by Franz Kafka during his years as a high-ranking lawyer with the largest Workmen's Accident Insurance Institute in the Czech lands of the Austro-Hungarian Empire. The collection was edited by Stanley Corngold, Jack Greenberg, and Benno Wagner, and translated by Eric Patton and Ruth Hein. The book includes introductory essays by Corngold and Wagner, as well as commentary following each of Kafka's texts, and an epilogue by Greenberg.
Document 2: Wilfred Owen: Wilfred Edward Salter Owen, MC (18 March 1893 – 4 November 1918) was an English poet and soldier, one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was heavily influenced by his mentor Siegfried Sassoon, and stood in stark contrast both to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Exposure" and "Strange Meeting".
Document 3: Rupert Brooke: Rupert Chawner Brooke (middle name sometimes given as "Chaucer"; 3 August 1887 – 23 April 1915) was an English poet known for his idealistic war sonnets written during the First World War, especially "The Soldier". He was also known for his boyish good looks, which were said to have prompted the Irish poet W. B. Yeats to describe him as "the handsomest young man in England".
Document 4: Insensibility: "Insensibility" is a poem written by Wilfred Owen during the First World War which explores the effect of warfare on soldiers, and the long- and short-term psychological effects that it has on them. The poem's title refers to the fact that the soldiers have lost the ability to feel due to the horrors which they faced on the Western Front during the First World War.
Document 5: Franz Kafka Museum: The Franz Kafka Museum is a museum located in Prague dedicated to the author Franz Kafka. The museum hosts a number of first edition Kafka books as well as displays original letters, diaries and drawings created by Kafka.
Document 6: Suicide in the Trenches: “Suicide in the Trenches,” by the English poet Siegfried Sassoon (1886-1967), is one of the many poems Sassoon composed in response to World War I. It reflects his own notable service in that especially bloody conflict. Sassoon was a brave and gallant upper-class officer who eventually opposed the war, but he never lost his admiration for the common soldiers who had to fight it. Sassoon felt contempt for the political leaders and civilian war hawks who, safe in their power and comfort, sent young men off to die in huge battles that seemed futile and pointless. It was first published February 23, 1918 in "Cambridge Magazine", then in Sassoon's collection: "Counter-Attack and Other Poems". The poem is written in iambic tetrameter and consists of twelve lines in three stanzas.
Document 7: The Stranger (novel): L’Étranger (The Outsider [UK], or The Stranger [US]) is a 1942 novel by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy of the absurd and existentialism, though Camus personally rejected the latter label.
Document 8: Franz Kafka Prize: The Franz Kafka Prize is an international literary award presented in honour of Franz Kafka, the German language novelist. The prize was first awarded in 2001 and is co-sponsored by the Franz Kafka Society and the city of Prague, Czech Republic.
Document 9: Head of Franz Kafka: The "Head of Franz Kafka" (), also known as the "Statue of Kafka", is an outdoor sculpture by David Černý depicting Bohemian German-language writer Franz Kafka, installed outside the Quadrio shopping centre in Prague, Czech Republic. The kinetic sculpture is 11 metres tall and made of 42 rotating panels.
Document 10: Siegfried Sassoon: Siegfried Loraine Sassoon, {'1': ", '2': ", '3': 'CBE, MC', '4': "} (8 September 1886 – 1 September 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of 1917, culminating in his admission to a military psychiatric hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the "Sherston trilogy".
Document 11: Futility (poem): "Futility" is a poem written by Wilfred Owen, one of the most renowned poets of World War I. The poem was written in May 1918 and published as no. 153 in "The Complete Poems and Fragments". The poem is well known for its departure from Owen's famous style of including disturbing and graphic images in his work; the poem instead having a more soothing, somewhat light-hearted feel to it in comparison. A previous secretary of the Wilfred Owen Association argues that the bitterness in Owen's other poems "gives place to the pity that characterises his finest work". Futility details an event where a group of soldiers attempt to revive an unconscious soldier by moving him into the warm sunlight on a snowy meadow. However, the "kind old sun" cannot help the soldier - he has died.
Document 12: The Castle (1997 Austrian film): The Castle (German: "Das Schloß" ) is a 1997 film by Austrian director Michael Haneke. It is an adaptation of Franz Kafka's absurdist novel released theatrically in Germany, The Czech Republic, Japan, Canada, and the USA and on television in Austria.
Document 13: Introducing Kafka: Introducing Kafka, also known as R. Crumb's Kafka, is an illustrated biography of Franz Kafka by David Zane Mairowitz and Robert Crumb. The book includes comic adaptations of some of Kafka's most famous works including "The Metamorphosis", "A Hunger Artist", "In the Penal Colony", and "The Judgment", as well as brief sketches of his three novels "The Trial", "The Castle", and "Amerika". The book also details Kafka's biography in a format that is part illustrated essay, part sequential comic panels. The book was released as part of the "Introducing..." series by Totem Books; the popularity of Crumb's renditions of Kafka's works led to additional printings under the title "R. Crumb's Kafka",and its most recent edition by Fantagraphics Books (2007) is simply titled "Kafka".
Document 14: Franz Kafka: Franz Kafka (3 July 1883 – 3 June 1924) was a German-language novelist and short story writer, widely regarded as one of the major figures of 20th-century literature. His work, which fuses elements of realism and the fantastic, typically features isolated protagonists faced by bizarre or surrealistic predicaments and incomprehensible social-bureaucratic powers, and has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity. His best known works include "Die Verwandlung " ("The Metamorphosis"), "Der Process " ("The Trial"), and "Das Schloss " ("The Castle"). The term "" has entered the English language to describe situations like those in his writing.
Document 15: World War I in literature: Literature in World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologised. Many of the works during and about the war were written by men, because of the war's intense demand on the young men of that generation; however, a number of women (especially in the British tradition) created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the homefront more generally.
ground_truth: no