Question: Which opera premiered first, Die Entführung aus dem Serail or Lohengrin?

full_context: Document 1: Gottfried von Strassburg: Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance "Tristan", an adaptation of the 12th-century "Tristan and Iseult" legend. Gottfried's work is regarded, alongside Wolfram von Eschenbach's "Parzival" and the "Nibelungenlied", as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera "Tristan und Isolde" (1865).
Document 2: Richard Wagner: Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 3: Der Ring des Nibelungen: Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the "Nibelungenlied". The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a " " ("preliminary evening"). It is often referred to as the Ring Cycle, "Wagner's Ring", or simply "The Ring".
Document 4: Christoph Friedrich Bretzner: Christoph Friedrich Bretzner (10 December 1748 – 31 August 1807) was a Leipzig merchant famous for writing the libretto to a singspiel "Belmont und Constanze, oder Die Entführung aus dem Serail", produced in Berlin and adapted in 1782 by Wolfgang Amadeus Mozart and Gottlieb Stephanie as "Die Entführung aus dem Serail".
Document 5: Lohengrin (opera): Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the "Parzival" of Wolfram von Eschenbach and its sequel, "Lohengrin", written by a different author, itself inspired by the epic of "Garin le Loherain". It is part of the Knight of the Swan tradition.
Document 6: Belmont und Constanze: Belmont und Constanze, oder Die Entführung aus dem Serail (English: "Belmonte and Konstanze, The Abduction from the Seraglio") by Christoph Friedrich Bretzner is a libretto, published in 1781, telling the story of the hero Belmonte, assisted by his servant Pedrillo, attempting to rescue his beloved Konstanze from the seraglio of the Pasha Selim. First set to music by Johann André and performed as a singspiel in Berlin in 1781, it became famous as the story on which Wolfgang Amadeus Mozart based his opera "Die Entführung aus dem Serail (Abduction from the Seraglio)".
Document 7: The Marriage of Figaro: The Marriage of Figaro (Italian: Le nozze di Figaro , ] ), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Document 8: The Magic Flute: The Magic Flute (German: Die Zauberflöte ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a "Singspiel", a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
Document 9: Idomeneo: Idomeneo, re di Creta ossia Ilia e Idamante (Italian for "Idomeneus, King of Crete, or, Ilia and Idamante"; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as "Idoménée" in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
Document 10: Parsifal: Parsifal (WWV 111) is an opera in three acts by German composer Richard Wagner. It is loosely based on "Parzival" by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail (12th century).
Document 11: Die Walküre: Die Walküre (The Valkyrie), WWV 86B, is a music drama in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four works that form Wagner's cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
Document 12: Die Entführung aus dem Serail: Die Entführung aus dem Serail (K. 384; The Abduction from the Seraglio; also known as Il Seraglio ) is an opera Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Christoph Friedrich Bretzner with adaptations by Gottlieb Stephanie. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting.
Document 13: Oberon (Weber): Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber. The libretto by James Robinson Planche was based on a German poem, "Oberon", by Christoph Martin Wieland, which itself was based on the epic romance "Huon de Bordeaux", a French medieval tale.
Document 14: O, wie will ich triumphieren: "O, wie will ich triumphieren" (or, "Ha, wie will ich triumphieren"), is an aria for low bass from Mozart's "singspiel" "Die Entführung aus dem Serail". It is well known for the extraordinary technical demands it makes on the singer, and is sometimes performed in recitals and featured in anthologies by basses who are able to sing it. It features rapid precision-coloratura, abrupt octave-leaps between the upper and lower registers, and extended low notes, including a drawn-out low D (D, one of the lowest notes demanded of any voice in opera). Mozart wrote it with one particular bass in mind: the very famous Ludwig Fischer.
Document 15: Parzival: Parzival is a medieval German romance written by the poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail following his initial failure to achieve it.
ground_truth: Die Entführung aus dem Serail