Question: Martina Iñíguez wrote about the history of what dance that began in the working-class neighborhoods of Montevideo?

full_context: Document 1: Martina Iñíguez: Martina María Iñíguez de Monreal is an Argentine known for writing about the History of the tango. She wrote a biography of Carlos Gardel.
Document 2: Así es el tango: Así es el tango (English: Therefore it is The Tango ) is a 1937 Argentine romantic drama film musical directed and written by Eduardo Morera, based on a play by Florencio Chiarello. Starring Tita Merello and Tito Lusiardo. The film is an Argentine tango film a hugely popular genre of the period and Argentine culture.
Document 3: Tango (Balanchine): Tango is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's "Tango" (1940) arranged 1953 by the composer. The premiere took place June 10, 1982, as part of City Ballet's Stravinsky Centennial Celebration at the New York State Theater, Lincoln Center.
Document 4: The Life of Carlos Gardel: The Life of Carlos Gardel (Spanish:La Vida de Carlos Gardel) is a 1939 Argentine musical film directed by Alberto De Zavalia and starring Hugo del Carril, Delia Garces and Elsa O'Connor. The premiered in Buenos Aires on May 24, 1939. The film is a biopic, portraying the life of the French-born tango singer Carlos Gardel (1890-1935) who became a popular film star in Argentina and the United States. The film was a major success, due largely to the lasting popularity of Gardel following his sudden death in an airplane crash four years before. The film boosted the careers of its stars, and was part of what became known as the Golden Age of Argentine Cinema.
Document 5: Borges on Martín Fierro: Borges on Martín Fierro concerns Argentinian Jorge Luis Borges's comments on José Hernández's nineteenth century poem "Martín Fierro". Like most of his compatriots, Borges was a great admirer of this work, which he often characterized as the one clearly great work in Argentine literature. Because "Martín Fierro" has been widely considered (beginning with Leopoldo Lugones's "El Payador", 1916) the fountainhead or pinnacle of Argentine literature, Argentina's "Don Quixote" or "Divine Comedy", and because Borges was certainly Argentina's greatest twentieth-century writer, Borges's 1953 book of essays about the poem and its critical and popular reception - "El "Martín Fierro"" (written with Margarita Guerrero) - gives insight into Borges's identity as an Argentine.
Document 6: Benito Quinquela Martín: Benito Quinquela Martín (March 1, 1890 – January 28, 1977) was an Argentine painter born in La Boca, Buenos Aires. Quinquela Martín is considered the port painter-par-excellence and one of the most popular Argentine painters. His paintings of port scenes show the activity, vigor and roughness of the daily life in the port of La Boca.
Document 7: Uruguayan tango: Tango is a rhythm that has its roots in the poor areas of Montevideo around 1880. Then it was extended to other areas and countries. As Borges said: "...tango is African-Montevidean [Uruguayan], tango has black curls in its roots..." He quoted Rossi, that sustained that "...tango, that argentine people call argentine tango, is the son of the Montevidean milonga and the grandson of the habanera. It was born in the San Felipe Academy [Montevideo], a Montevidean warehouse used for public dances, among gangsters and black people; then it emigrated to underworld areas of Buenos Aires and fooled around in Palermo's rooms..." This also implies that different forms of dance were originated in the neighborhoods of Montevideo, Uruguay in the last part of the 19th century and in the early 20th century that was particular from that area and different from Buenos Aires. It consists of a variety of styles that developed in different regions of Argentina and Uruguay.
Document 8: Carlos Guastavino: Carlos Guastavino (April 5, 1912 - October 29, 2000) was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called "the Schubert of the Pampas." Some of his songs, for example "Pueblito, mi pueblo", "La rosa y el sauce" ("The Rose and the Willow") and "" ("The Dove Was Wrong"), became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income.<ref name="BkltNI5818/20">MacDonald, Callum. Essay in booklet with the recording "Carlos Guastavino: The Complete Piano Music", Martin Jones, piano. Nimbus, NI 5818/20 (2008).</ref>
Document 9: List of Argentine operas: This is a list of operas by Argentine composers. Argentina's first native born opera composer was Francisco Hargreaves (1849-1900) who composed "La gatta bianca" (1875) and "Los estudiantes de Bologna" (1897), followed by Zenón Rolón (1856-1902) who composed several operas as well as operettas and zarzuelas. The works of many of the composers from this generation were first performed outside Argentina. Native Argentine opera was to develop much more with the massive European (mainly Italian) immigration in the late 19th century and even more with the opening of the Teatro Colón in 1908 where most of the 20th century operas listed here had their world premieres. Some of the first operas to treat Argentine subjects or national themes were Arturo Berutti's "Pampa" (1897) based on the life of Juan Moreira and "Yupanki" (1899) based on the life of Inca warrior Manqu Inka Yupanki. Also notable in this genre were Felipe Boero's "Tucumán" (1918) set during the Battle of Tucumán and "El matrero" (1929). Considered by many to be the quintessential Argentine opera, "El matrero" had a libretto based on gaucho folk tradition and incorporated Argentine folk melodies and a traditional gaucho dance. The Spanish playwright Federico García Lorca was also the inspiration for several Argentine operas. His plays, "La zapatera prodigiosa" and "Bodas de sangre", were the basis of operas by Juan José Castro, while Osvaldo Golijov's 2003 opera "Ainadamar" is based on events in the playwright's life.
Document 10: History of the tango: Tango, a distinctive dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Montevideo (Uruguay) and (Buenos Aires), Argentina; on both sides of the Rio de la Plata.
Document 11: Tango (1998 film): Tango (Spanish: Tango, no me dejes nunca ) is a 1998 Argentine-Spanish musical drama tango film written and directed by Carlos Saura and starring Miguel Ángel Solá and Mía Maestro. It was photographed by cinematographer Vittorio Storaro.
Document 12: Tangolates: Tangolates, also known in Buenos Aires as Tango-Pilates and Pilates-Tango, is a method of conscious, mind-body exercises designed in Buenos Aires by Tamara Di Tella. It is based on certain characteristics of both Tango dancing and Pilates, yet it is different from both. It combines the core stability of Pilates with the concentration, coordination and fluid movement of Tango. It is unique in that it utilizes a partner method rather than individual exercises and that it incorporates the aerobic or cardio element of music.
Document 13: Argentine rock: Argentine rock (locally Rock nacional) is rock music composed or made by Argentine bands or artists mainly in the Spanish language. For nearly half a century it has been a major popular genre, and is regarded as part of the music tradition of Argentina alongside tango and Argentine folk music.
Document 14: Neotango: Neotango is a distinct genre of Tango which goes beyond it both in music and in dance. The music is a container of tracks from all over the World, instrumental or vocal, clearly distinct from the tango that preceded it because it includes only modern music, everything which was recorded in the last 30/40 years and which can be danced using the tango biomechanics. As a dance form it is currently evolving. It is the 'living' globalized tango dance form of the 21st Century.
Document 15: Culture of Argentina: The culture of Argentina is as varied as the country's geography and is composed of a mix of ethnic groups. Modern Argentine culture has been largely influenced by Italian, Spanish and other European immigration, although there are lesser elements of Amerindian and African influences, particularly in the fields of music and art. Buenos Aires, its cultural capital, is largely characterized by both the prevalence of people of European descent, and of conscious imitation of European styles in architecture. Museums, cinemas, and galleries are abundant in all the large urban centers, as well as traditional establishments such as literary bars, or bars offering live music of a variety of genres.
ground_truth: Tango