Question: Luzzasco Luzzaschi and Carlo Gesualdo were both composers during which time period?

full_context: Document 1: List of Monumentum pro Gesualdo casts: This is a list of casts of New York City Ballet co-founder and balletmaster George Balanchine's 1960 Monumentum pro Gesualdo, made to Igor Stravinsky's eponymous music composed in honor of the 400th birthday of Don Carlo Gesualdo and consisting of Stravinsky's orchestrations of Don Carlo's madrigals. The premiere took place on November 16, 1960 at City Center of Music and Drama, New York.
Document 2: Jean-Baptiste Lully: Jean-Baptiste Lully (] ; born Giovanni Battista Lulli ] ; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered a master of the French baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661.
Document 3: Luzzasco Luzzaschi: Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance. He was born and died in Ferrara, and despite evidence of travels to Rome it is assumed that Luzzaschi spent the majority of his life in his native city. He was a skilled representative of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo and others.
Document 4: Lost operas by Claudio Monteverdi: The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included ten operas, of which three—"L'Orfeo" (1607), "Il ritorno d'Ulisse in patria" (1640) and "L'incoronazione di Poppea" (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists.
Document 5: Il Perdono di Gesualdo: Il Perdono di Gesualdo (in English, The Pardon of Gesualdo) is an altarpiece created in 1609 by the Florentine painter Giovanni Balducci for a commission from the madrigal composer Carlo Gesualdo, Prince of Venosa, of the kingdom of Naples. Conserved in the private chapel of Gesualdo’s church, Santa Maria delle Grazie, the painting underwent important restorations in the late twentieth century, following the destructive Irpinia earthquake of 1980.
Document 6: Girolamo Frescobaldi: Girolamo Alessandro Frescobaldi (] ; also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by a large number of composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Capella Giulia (a musical organisation) from 21 July 1608 until 1628 and again from 1634 until his death.
Document 7: Gesualdo: Death for Five Voices: Gesualdo: Death for Five Voices (German: "Tod für fünf Stimmen") is a 1995 film by German director Werner Herzog filmed for ZDF television. The film explores the music of Carlo Gesualdo and the legends surrounding Gesualdo's personality, his cursed castle, and his murder of his wife and her lover. Between narration and interviews, several of Gesualdo's madrigals are performed. Herzog calls "Death for Five Voices" "one of the films closest to my heart."
Document 8: Cristoforo Caresana: Cristofaro or Cristoforo Caresana (ca. 1640–1709) was an Italian Baroque composer, organist and tenor. He was an early representative of the Neapolitan operatic school.
Document 9: Alessandro Scarlatti: Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Document 10: Gesualdo Six: The Gesualdo Six are a vocal sextet specialising in the performance of renaissance polyphony, directed by Owain Park. The repertoire of this early music ensemble is including a cappella pieces from the renaissance masters, like Claudio Monteverdi and Carlo Gesualdo, as well as more modern vocal works by contemporary composers.
Document 11: Carlo Gesualdo: Carlo Gesualdo di Venosa (8 March 1566 – 8 September 1613), Prince of Venosa and Count of Conza, was an Italian Renaissance composer.
Document 12: Domenico Scarlatti: Giuseppe Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.
Document 13: Girolamo Belli: Girolamo Belli (1552 – c. 1620) was an Italian composer and music teacher of the late Renaissance. He was closely associated with the Ferrara School in the 1580s, having previously studied with Luzzasco Luzzaschi, and was noted for his composition of both madrigals and sacred music.
Document 14: Jacopo Peri: Jacopo Peri (Zazzerino) (20 August 156112 August 1633) was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the first work to be called an opera today, "Dafne" (around 1597), and also the first opera to have survived to the present day, "Euridice" (1600).
Document 15: Claudio Monteverdi: Claudio Giovanni Antonio Monteverdi (] ; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.
ground_truth: Italian Renaissance