Question: Which is the only religious building created by the Italian architect and painter of the High Renaissance who was born in 1483?

full_context: Document 1: Andrea Palladio: Andrea Palladio (] ; 30 November 1508 – 19 August 1580) was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. All of his buildings are located in what was the Venetian Republic, but his teachings, summarized in the architectural treatise, "The Four Books of Architecture", gained him wide recognition. The city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites.
Document 2: San Giacomo Scossacavalli: San Giacomo Scossacavalli ("San Giacomo a Scossacavalli") was a church in Rome important for historical and artistic reasons. The church, facing the Piazza Scossacavalli, was built during the early Middle Ages and since the early 16th century hosted a confraternity which commissioned Renaissance architect Antonio da Sangallo the Younger to build a new shrine. This was richly decorated with frescoes, painted (among others) by mannerist artist Giovanni Battista Ricci and his students. The church was demolished in 1937, when Via della Conciliazione (the avenue leading to St. Peter's Basilica) was built and the piazza and central part of the Borgo rione were demolished. Many decorative elements still exist, since they were preserved from demolition.
Document 3: Saint John Paul II National Shrine: The Saint John Paul II National Shrine is a national shrine in Washington, D.C., sponsored by the Knights of Columbus. It is a place of prayer for Catholics and welcomes people of all faiths. The Shrine houses a permanent exhibit called "A Gift of Love: the Life of Saint John Paul II" and is home to the Redemptor Hominis Church and Luminous Mysteries Chapel, both of which are decorated with mosaic art designed by Rev. Marko Rupnik, S.J. Mass is celebrated daily in the Redemptor Hominis Church, and the Luminous Mysteries Chapel houses a first-class relic of St. John Paul II.
Document 4: Raimondi Chapel: The Raimondi Chapel is a chapel within the church of San Pietro in Montorio, Rome, Italy. The chapel houses the tombs of two members of the Raimondi family, Francesco and Raimondo. Both the architectural and sculptural elements of the chapel was designed by the artist Gianlorenzo Bernini - it was one of Bernini's first works where the relationship between the sculpture and the architecture was considered as a whole. Elements of the sculptures were executed by other artists in Bernini's circle; Andrea Bolgi did the busts of the two Raimondi brothers and the accompanying putti. Niccolò Sale undertook the reliefs on the tombs, while Francesco Baratta did the larger relief in the central altar. Work on the chapel took place between 1638 and 1648.
Document 5: Michelangelo: Michelangelo di Lodovico Buonarroti Simoni ( ; ] ; 6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since been described as one of the greatest artists of all time. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival and fellow Florentine Medici client, Leonardo da Vinci.
Document 6: Portrait of Baldassare Castiglione: Portrait of Baldassare Castiglione is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael. Considered one of the great portraits of the Renaissance, it has an enduring influence. It depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman.
Document 7: Small Cowper Madonna: The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside. It has been dated to around 1505, the middle of the High Renaissance.
Document 8: Raphael: Raffaello Sanzio da Urbino (] ; March 28 or April 6, 1483April 6, 1520), known as Raphael ( , ), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Document 9: Saint Catherine of Alexandria (Raphael): Saint Catherine of Alexandria is a painting by the Italian Renaissance artist Raphael. In the painting, Catherine of Alexandria is looking upward in ecstasy and leaning on a wheel - an allusion to the breaking wheel (or Catherine wheel) of her martyrdom.
Document 10: Basilica of San Vitale: The "Basilica of San Vitale" is a church in Ravenna, Italy, and one of the most important examples of early Christian Byzantine art and architecture in Europe. The Roman Catholic Church has designated the building a "basilica", the honorific title bestowed on church buildings of exceptional historic and ecclesial importance, although of course it is not of architectural basilica form. It is one of eight Ravenna structures inscribed on the UNESCO World Heritage List.
Document 11: High Renaissance: In art history, High Renaissance is the period denoting the apogee of the visual arts in the Italian Renaissance. The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to have ended in 1527 with the sacking of Rome by the troops of Emperor Charles V. This term was first used in German (Hochrenaissance) in the early nineteenth century, and has its origins in the "High Style" of painting and sculpture described by Johann Joachim Winckelmann. Over the last twenty years, use of the term has been frequently criticized by academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works.
Document 12: Raphael Sobiehrd-Mnishovsky: Raphael Sobiehrd-Mnishovsky of Sebuzin and of Horstein (1580 – 21 November 1644) was a Bohemian lawyer and writer, who held various secretarial, diplomatic, and judicial posts under Rudolf II, Mathias, Ferdinand II, and Ferdinand III, under whom Raphael was the attorney-general.
Document 13: Chigi Chapel: The Chigi Chapel or Chapel of the Madonna of Loreto (Italian: "Cappella Chigi or Cappella della Madonna di Loreto" ) is the second chapel on the left-hand side of the nave in the Church of Santa Maria del Popolo in Rome. It is the only religious building of Raphael which has been preserved in its near original form. The chapel is a treasure trove of Italian Renaissance and Baroque art and is considered among the most important monuments in the basilica.
Document 14: Church of St. Peter and St. Paul, Vilnius: St. Peter and St. Paul's Church (Lithuanian: "Šv. apaštalų Petro ir Povilo bažnyčia" , Polish: "Kościół św. Piotra i Pawła na Antokolu" ) is a Roman Catholic church located in the Antakalnis neighbourhood of Vilnius, Lithuania. It is the centerpiece of a former monastery complex of the Canons Regular of the Lateran. Its interior has masterful compositions of some 2,000 stucco figures by Giovanni Pietro Perti and ornamentation by Giovanni Maria Galli and is unique in Europe. The church is considered a masterpiece of the Polish-Lithuanian Commonwealth Baroque.
Document 15: Leonardo da Vinci: Leonardo di ser Piero da Vinci (] ; 15 April 14522 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, he epitomised the Renaissance humanist ideal.
ground_truth: The Chigi Chapel