Question: Live at the Sex Machine included a track sampled by the group of what nationality in "Smack My Bitch Up"?

full_context: Document 1: Move Somethin' (album): Move Somethin' is the second album by Miami hip hop group 2 Live Crew. The album was released in August 17, 1988 on Luke Records and was produced by Luke Skyywalker and Mr. Mixx. It was certified Gold and featured the singles "Move Somethin'" and "Do Wah Diddy Diddy". The album improved on the charts from the previous album, making in to #68 on the "Billboard" 200 and #20 on the Top R&B/Hip Hop Albums chart. Musically, the album incorporates samples from such diverse sources as James Brown ("With Your Badself"), Manfred Mann ("Do Wah Diddy Diddy"), The Kinks ("One and One"), Yellow Magic Orchestra ("Mega-Mixx II"), Kraftwerk ("Drop the Bomb"), and Quadrant Six (the title track). On the song "Word II", 2 Live Crew's DJ Mr. Mixx scratches up Brian May's guitar solo (as well as the chorus) on "We Will Rock You" over the crowd stomp-and-clap beat, which was sampled from the same song. Its wide musical range is nonetheless all encompassed by the Miami bass sound, in its heavy Roland TR-808 kicks and fast percussion, and as usual stamped with lyrics reflecting the group's sexually explicit humor.
Document 2: Wild and Peaceful (Kool &amp; the Gang album): Wild and Peaceful is the fourth studio album released by the funk band Kool & the Gang, and is their commercial breakthrough album. The album was released in 1973 and was hugely successful on the Billboard R&B chart reaching #6 and charting for 36 weeks. It also reached #33 on the Pop charts, making it the band's first entry into that chart's Top 40. The album spawned the band's first 3 Top 10 singles. "Funky Stuff" reached #5 R&B/#29 Pop. The hugely popular track on the album, "Jungle Boogie", soared to #2 R&B and #4 on the "Billboard" Hot 100, and "Hollywood Swinging" topped the Billboard Hot Soul Singles in June 1974 while reaching #6 Pop. The latter two singles both sold over a million copies and were certified Gold by the RIAA. The album itself was also certified Gold.
Document 3: Live at the Sex Machine: Live at the Sex Machine is the first live album released by the funk band Kool and the Gang. The album was released in 1971, and reached #6 on the Billboard R&B Albums chart. Not only was it a Top 10 album, it stayed on the chart for 33 weeks; an impressive time span compared to most albums of the era. Although the band's huge success would not come until a few albums later, this release was popular with the R&B market. Like most of their early catalog, it was sampled by several artists during Hip-Hop's "Golden Era" of the 1980s and early 1990s. The track "Funky Man" was sampled in "Smack My Bitch Up" by The Prodigy.
Document 4: Funk You Up: "Funk You Up" is a 1979 old school hip hop song recorded by The Sequence for Sugar Hill Records. It is significant as the first hip-hop song to be released by a female rap group (and by a rap group from the Southern United States, as all three members of The Sequence were natives of Columbia, South Carolina), and was the second single released on Sugar Hill, following "Rapper's Delight" by the Sugarhill Gang.
Document 5: The Prodigy: The Prodigy are an English electronic music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with The Chemical Brothers, Fatboy Slim, and other acts, The Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. Their style ranges from rave, hardcore techno, electro-industrial, jungle and breakbeat and big beat, adding punk vocal elements in later works.
Document 6: Funky Monks: Funky Monks is a 1991 documentary (also the title of a song from the 1991 album "Blood Sugar Sex Magik") about the rock band Red Hot Chili Peppers and the recording of their highly successful 1991 Warner Bros. debut "Blood Sugar Sex Magik". The album was produced by Rick Rubin and recorded in The Mansion, a supposedly haunted house which Rubin now owns. The 60-minute documentary, which was filmed in black-and-white, features footage of the band recording many of the tracks that made the album, and tracks that didn't make the album although would be released as singles and b-sides (such as "Soul to Squeeze" and "Sikamikanico"). It also features interviews from each member of the band, as well as Rick Rubin and the band's former and longtime manager, Lindy Goetz. Footage from the documentary was compiled for use in the "Suck My Kiss" music video, which was released in 1992. "Funky Monks" was originally released on VHS but was re-released on DVD. It was filmed and directed by Gavin Bowden.
Document 7: The Girl That I Hate: The Girl That I Hate [AKA: The Bitch That I Hate] is a 1990 song by Southern Hip Hop group Poison Clan that originally appeared on their debut album 2 Low Life Muthas. The song peaked at #18 on the Billboard Hot Rap Singles chart and would end up being released as a 12-inch single. As is the case with nearly all songs that the group released as a single for radio airplay, some of the lyrics are altered in the radio edit to remove the strong profane language that dominated the original album version. The song would later appear nearly a decade later on Poison Clan's 1999 greatest hits album The Best of JT Money & Poison Clan.
Document 8: Gonna Make You Sweat: Gonna Make You Sweat is the first studio album by production group C+C Music Factory. The album was released in the US on 13 December 1990 (see 1990 in music). Following on the success of contemporaries Black Box and Technotronic, "Gonna Make You Sweat" was a worldwide smash, reaching number two on the "Billboard" 200.
Document 9: Tubthumping: "Tubthumping" (also known colloquially as "I Get Knocked Down", after the first line) is a song released by British rock band Chumbawamba in 1997. It was their most successful single, peaking at number two on the UK Singles Chart. It topped the charts in Australia, Canada, Ireland, Italy, New Zealand and peaked at number six on the US "Billboard" Hot 100 (although it topped the US Modern Rock and Mainstream Top 40 charts). At the 1998 Brit Awards, "Tubthumping" was nominated for the Brit Award for Best British Single. As of April 2017, the song had sold 880,000 copies in the UK.
Document 10: Solid Gold: 30 Golden Hits: Solid Gold: 30 Golden Hits, also called 30 Golden Hits/21 Golden Years, is a greatest hits compilation album by James Brown. The double album set was initially released in 1977 on Polydor, and was re-released by the label in 1986. The album's liner notes listed the release dates and U.S. chart positions for each song and included an essay by Cliff White. This is the first compilation album to include Get Up(I Feel Like Being a) Sex Machine. According to Allmusic reviewer William Ruhlman, the collection was "state-of-the-art", an influential model "not only...for the many Brown compilations that would follow in later years, but also for the compilation boom in general". In 1981, "Village Voice" critic Robert Christgau described it as "an essential collection." Allmusic indicates that it supplies "the essence of James Brown", but also states "[i]t has since been superseded by the 1991 four-disc "Star Time" boxed set".
Document 11: Smack My Bitch Up: "Smack My Bitch Up" is a song by British rave group the Prodigy. It was released in November 1997 as the third and final single from the album "The Fat of the Land". The song was voted by "Mixmag" readers as the third greatest dance track of all time. Although the song wasn't as big a commercial success as their previous singles, it gained a cult following.
Document 12: Strong Again: "Strong Again" is a song by British hip hop trio, N-Dubz. It is the sixth single from their debut album "Uncle B" and was produced by Kano and Fraser T Smith. The song was featured on the album advert before it was confirmed to be a single. This song features on the UK compilation album "Now That's What I Call Music! 72". This is the first N-Dubz song to make a "Now!" album. It was later the B-side to "We Dance On", which would eventually be the first single from their third studio album, "Love.Live.Life". Both songs were included on the "StreetDance" Soundtrack. On 28 January 2009, the song was added to Radio 1's A-List, becoming their first single to do so. The single was released as a digital download on 9 February 2009. The song "Wouldn't You" was originally intended to be the sixth single, however, it was later released as the seventh single instead.
Document 13: Push It (Salt-n-Pepa song): "Push It" is a song by the group Salt-n-Pepa. It was released as the B-side of the "Tramp" single in 1987, and as its own single in 1988. It peaked at #19 on the "Billboard" Hot 100 in early 1988 and, after initially peaking at #41 in the UK, it re-entered the charts after the group performed the track at Nelson Mandela's 70th Birthday concert, eventually peaking at #2 that summer. The song has also been certified Platinum by the RIAA. The song is ranked #446 on "Rolling Stone"' s list of the 500 Greatest Songs of All Time and was ranked #9 on VH1's 100 Greatest Songs of Hip Hop.
Document 14: Live in Oklahoma 1976: Live in Oklahoma 1976 is a live album by the American Funk band Bootsy's Rubber Band. The album was released in 2001 and represents a collaborative effort between the Funk To The Max label, based in the Netherlands, and Bootzilla Records in the U.S.. The performance was recorded while Bootsy's Rubber Band was the support act (along with Sly and the Family Stone) for headliners Parliament-Funkadelic.
Document 15: 7 Year Bitch (song): "7 Year Bitch" is a song by the British rock band Slade, released in 1985 as the second single from the band's twelfth studio album "Rogues Gallery". The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by John Punter. It reached No. 60 in the UK, remaining in the charts for three weeks.
ground_truth: British