Question: Chavundaraya lived in a state famous for which traditional dance?

full_context: Document 1: Hunting: Hindu scriptures describe hunting as an acceptable occupation, as well as a sport of the kingly. Even figures considered godly are described to have engaged in hunting. One of the names of the god Shiva is Mrigavyadha, which translates as "the deer hunter" (mriga means deer; vyadha means hunter). The word Mriga, in many Indian languages including Malayalam, not only stands for deer, but for all animals and animal instincts (Mriga Thrishna). Shiva, as Mrigavyadha, is the one who destroys the animal instincts in human beings. In the epic Ramayana, Dasharatha, the father of Rama, is said to have the ability to hunt in the dark. During one of his hunting expeditions, he accidentally killed Shravana, mistaking him for game. During Rama's exile in the forest, Ravana kidnapped his wife, Sita, from their hut, while Rama was asked by Sita to capture a golden deer, and his brother Lakshman went after him. According to the Mahabharat, Pandu, the father of the Pandavas, accidentally killed the sage Kindama and his wife with an arrow, mistaking them for a deer. Krishna is said to have died after being accidentally wounded by an arrow of a hunter.
Document 2: Pāṇini: Pāṇini is known for his text Ashtadhyayi, a sutra - style treatise on Sanskrit grammar, 3,959 ``verses ''or rules on linguistics, syntax and semantics in`` eight chapters'' which is the foundational text of the Vyākaraṇa branch of the Vedanga, the auxiliary scholarly disciplines of the Vedic period. His aphoristic text attracted numerous bhashya (commentaries), of which Patanjali's Mahābhāṣya is the most famous in Hindu traditions. His ideas influenced and attracted commentaries from scholars of other Indian religions such as Buddhism.
Document 3: Dance in Cambodia: Cambodia's premier performing art form is the Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts. Performances of classical dance consist of elaborately costumed dancers and music played by a pinpeat ensemble. It is performed for invocation of deities and spirits as well as to pay homage to royalty and guests. In the mid-20th century, it was introduced to the general public and became widely celebrated as iconic of Cambodian culture, often being performed during public events, holidays, and for tourists visiting Cambodia. Two of the most performed classical dance are the Robam Chuon Por (``Wishing dance '') and the Robam Tep Apsara (`` Apsara dance'').
Document 4: Dhol Taashe: "Dhol Taashe" is a Marathi film which depicts the culture related to people who play drums and by instruments in Cultural Processions in Maharashtra, India. This is a story about a boy Amey Karkhanis (Abhijeet Khandkekar), who works in Information Technology, but loses his job due to a recession. After losing the job Amey involves himself in a group of "Dhol Taashe" playing artiste who play the instrument for the culture of the same and not money. Amey tries to corporatise the entire Euphoria and bring it into a stream line.
Document 5: Sangrama: Sangrama was the general of King Udayadityavarman II of the Khmer Empire in what is now Cambodia. According to stele at Baphuon, he put down a revolt by Aravindahrada in 1051, who then fled to Champa. Two additional revolts in 1065, by Kamvau and then by the brothers Slvat and Siddhikara with Sasantibhuvana, were put down by Sangrama, but not before he was wounded in the jaw.
Document 6: Sri Ramayana Darshanam: Sri Ramayana Darshana (ಶ್ರೀ ರಾಮಾಯಣ ದರ್ಶನ) is the most popular work and the magnum opus by Kuvempu in Kannada based on the Hindu epic Ramayana. It earned him many distinctions including the Sahitya Akademi and the Jnanapeeth award in 1967.
Document 7: Nagamandala: Nagamandala is a movie based on folk tales spread in North Karnataka, India. The movie portrays lifestyle, food habits, and routine habits of medieval period in Karnataka. Snakes are considered sacred and are feared and worshipped. North Karnataka dialect is used for conversation. Supernatural elements play a central part in the film.
Document 8: Tarantella: ' () is a group of various folk dances characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance "tammurriata" in Campania, "pizzica" in the Salento region, "Sonu a ballu" in Calabria. Tarantella is popular in Southern Italy and Argentina. The term may appear as ' in a linguistically masculine construction.
Document 9: Dantkal: Dantkal is a village near Sirsi, Siddapura Taluk, North Kanara, State of Karnataka, India. All people staying there are Havyaka Brahmins, and the village is only connected with roads from Sirsi and Siddapur. This place is famous for "Kemmannu" So this place is known as Kemmannu Dantkal. The place is on the shore of river "Aghanashini". "Agha" means "sin" and "Nashini" means "remover". Dantkal is mainly famous for Ananta Bhattana Appe. This is a different type of mango.
Document 10: Chavundaraya: A courageous commander with the title "Samara Paraśurāma" ("lit", "Battle-Rama wielding an ax"), he found time to pursue his literary interests as well and became a renowned writer in Kannada and Sanskrit. He wrote an important and existing prose piece called the "Chavundaraya Purana", also known as "Trishasthi Lakshana Purana", in Kannada (978) and the "Cāritrasāra" in Sanskrit. He patronised the famous Kannada grammarians Gunavarma and Nagavarma I and the poet Ranna whose writing "Parusharama Charite" may have been a eulogy of his patron. Because of his many lasting contributions, Chavundaraya is an important figure in the history of medieval Karnataka.
Document 11: Folk arts of Karnataka: The ritual dances of Karnataka are known as Kunitha. One such dance is the Dollu Kunitha, a popular dance form accompanied by singing and the beats of decorated drums. This dance is primarily performed by men from the shepherd or Kuruba caste. The Dollu Kunitha is characterized by vigorous drum beats, quick movements and synchronized group formations.
Document 12: History of Kashmir: Nilmata Purana (complied c. 500 -- 600 CE) contains accounts of Kashmir's early history. However, being a Puranic source, it has been argued that it suffers from a degree of inconsistency and unreliability. Kalhana's Rajatarangini (River of Kings), all the 8000 Sanskrit verses of which were completed by 1150 CE, chronicles the history of Kashmir's dynasties from mythical times to 12th century. It relies upon traditional sources like Nilmata Purana, inscriptions, coins, monuments, and Kalhana's personal observations borne out of political experiences of his family. Towards the end of the work mythical explanations give way to rational and critical analyses of dramatic events between 11th and 12th centuries, for which Kalhana is often credited as India's first historian. During the reign of Muslim kings in Kashmir, three supplements to Rajatarangini were written by Jonaraja (1411 -- 1463 CE), Srivara, and Prajyabhatta and Suka, which end with Akbar's conquest of Kashmir in 1586 CE. The text was translated into Persian by Muslim scholars such as Nizam Uddin, Farishta, and Abul Fazl. Baharistan - i - Shahi and Haidar Mailk's Tarikh - i - Kashmir (completed in 1621 CE) are the most important texts on the history of Kashmir during the Sultanate period. Both the texts were written in Persian and used Rajatarangini and Persian histories as their sources.
Document 13: Indian classical music: Purandara Dasa (1484 -- 1564) was a Hindu composer and musicologist who lived in Hampi of the Vijayanagara Empire. He is considered Pithamaha (literally, ``grandfather '') of the Carnatic music. Purandara Dasa was a monk and a devotee of the Hindu god Krishna (Vishnu, Vittal avatar). He systematized classical Indian music theory and developed exercises for musicians learn and perfect their art. He travelled widely sharing and teaching his ideas, and influenced numerous South Indian and Maharashtra Bhakti movement musicians. These exercises, his teachings about raga, and his systematic methodology called Suladi Sapta Tala (literally,`` primordial seven talas'') remains in use in contemporary times. The efforts of Purandara Dasa in the 16th century began the Carnatic style of Indian classical music.
Document 14: Winston Churchill as historian: The British statesman Winston Churchill was a prolific writer throughout his life, and many of his works were historical. His better-known historical works include: "", "The World Crisis" (a history of World War I), "The Second World War", and "A History of the English-Speaking Peoples". Churchill was awarded the Nobel Prize in Literature in 1953 for "his mastery of historical and biographical description".
Document 15: India: Indian music ranges over various traditions and regional styles. Classical music encompasses two genres and their various folk offshoots: the northern Hindustani and southern Carnatic schools. Regionalised popular forms include filmi and folk music; the syncretic tradition of the bauls is a well-known form of the latter. Indian dance also features diverse folk and classical forms. Among the better-known folk dances are the bhangra of Punjab, the bihu of Assam, the Jhumair and chhau of Jharkhand, Odisha and West Bengal, garba and dandiya of Gujarat, ghoomar of Rajasthan, and the lavani of Maharashtra. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniyattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of Odisha, and the sattriya of Assam. Theatre in India melds music, dance, and improvised or written dialogue. Often based on Hindu mythology, but also borrowing from medieval romances or social and political events, Indian theatre includes the bhavai of Gujarat, the jatra of West Bengal, the nautanki and ramlila of North India, tamasha of Maharashtra, burrakatha of Andhra Pradesh, terukkuttu of Tamil Nadu, and the yakshagana of Karnataka. India has a theatre training institute NSD that is situated at New Delhi It is an autonomous organisation under the Ministry of Culture, Government of India.
ground_truth: Kunitha
sub_queries: Chavundaraya >> residence Answer: Karnataka
Karnataka is famous for which form of dance Answer: Kunitha