Question: When did Chopin return to the city Stefan Bryla died in?

full_context: Document 1: Sokrates Starynkiewicz: Sokrates Starynkiewicz (1820–1902; ) was a Russian general and the 19th President of Warsaw between 1875 and 1892. During his presidency he ordered the construction of municipal water works as well as the tramway and telephone network in Warsaw.
Document 2: Stefan Bryła: Stefan Władysław Bryła (born 17 August 1886 in Kraków – 3 December 1943 in Warsaw, Poland) was a Polish construction engineer and welding pioneer. Bryła designed and built the first welded road bridge in the world.
Document 3: Frédéric Chopin: From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
Document 4: Frédéric Chopin: At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked.
Document 5: Nikolay Slavyanov: Nikolay Gavrilovich Slavyanov (; – ) was a Russian inventor who in 1888 introduced arc welding with consumable metal electrodes, or shielded metal arc welding, the second historical arc welding method after carbon arc welding invented earlier by Nikolay Benardos.
Document 6: Tadeusz Sendzimir: In 1990 Poland's large steel plant in Kraków (formerly the Lenin Steelworks) was renamed to Tadeusz Sendzimir Steelworks. The AIST Tadeusz Sendzimir Memorial Medal was established in the same year.
Document 7: Ashfork-Bainbridge Steel Dam: The Ashfork Bainbridge Steel Dam, the first large steel dam in the world, and one of only three ever built in the United States, was constructed in 1898 by the Atchison, Topeka and Santa Fe Railway (ATSF) to supply water for railway operations near Ash Fork, Arizona. It is named for the town of Ash Fork, and for Francis H. Bainbridge, a civil engineer and graduate of Rensselaer Polytechnic Institute (RPI), a member of the Rensselaer Society of Engineers, and an engineer for ATSF. The dam has been listed on the National Register of Historic Places since 1976.
Document 8: Welding: Until the end of the 19th century, the only welding process was forge welding, which blacksmiths had used for millennia to join iron and steel by heating and hammering. Arc welding and oxy-fuel welding were among the first processes to develop late in the century, and electric resistance welding followed soon after. Welding technology advanced quickly during the early 20th century as the world wars drove the demand for reliable and inexpensive joining methods. Following the wars, several modern welding techniques were developed, including manual methods like shielded metal arc welding, now one of the most popular welding methods, as well as semi-automatic and automatic processes such as gas metal arc welding, submerged arc welding, flux-cored arc welding and electroslag welding. Developments continued with the invention of laser beam welding, electron beam welding, magnetic pulse welding, and friction stir welding in the latter half of the century. Today, the science continues to advance. Robot welding is commonplace in industrial settings, and researchers continue to develop new welding methods and gain greater understanding of weld quality.
Document 9: Golden Gate Bridge: Strauss was chief engineer in charge of overall design and construction of the bridge project. However, because he had little understanding or experience with cable - suspension designs, responsibility for much of the engineering and architecture fell on other experts. Strauss's initial design proposal (two double cantilever spans linked by a central suspension segment) was unacceptable from a visual standpoint. The final graceful suspension design was conceived and championed by Leon Moisseiff, the engineer of the Manhattan Bridge in New York City.
Document 10: Frédéric Chopin: Although it is not known exactly when Chopin first met Liszt after arriving in Paris, on 12 December 1831 he mentioned in a letter to his friend Woyciechowski that "I have met Rossini, Cherubini, Baillot, etc.—also Kalkbrenner. You would not believe how curious I was about Herz, Liszt, Hiller, etc." Liszt was in attendance at Chopin's Parisian debut on 26 February 1832 at the Salle Pleyel, which led him to remark: "The most vigorous applause seemed not to suffice to our enthusiasm in the presence of this talented musician, who revealed a new phase of poetic sentiment combined with such happy innovation in the form of his art."
Document 11: Frédéric Chopin: Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
Document 12: Frédéric Chopin: Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837).
Document 13: Frédéric Chopin: Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
Document 14: Frédéric Chopin: Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from that of Chopin.
Document 15: Stark Street Bridge: The Stark Street Bridge is a steel truss bridge spanning the Sandy River two miles east of Troutdale, Oregon. The bridge connects Southeast Sandy Street with the Historic Columbia River Highway and is one of only two western entrances to the highway. Karl Billner, who was awarded the Frank P. Brown Medal by the Franklin Institute in 1947, designed the bridge, supervised by State Bridge Engineer Charles H. Purcell. Samuel C. Lancaster provided overall supervision during construction.
ground_truth: September 1829
sub_queries: In what city did Stefan Bryła die? Answer: Warsaw
When did Chopin return to Warsaw ? Answer: September 1829