Question: Who did the performer of See Yourself write the song Something for?

full_context: Document 1: I Dig Love: Leng draws parallels between "I Dig Love" and the Beatles' more free-form compositions of the late 1960s. Among these, Paul McCartney's "Why Don't We Do It in the Road?" exemplifies what Ian MacDonald termed in the 1990s the "long-gone let-it-all-hang-out era". In his book "Working Class Mystic", Gary Tillery identifies "I Dig Love" as one of two "All Things Must Pass" tracks (the other being "Wah-Wah") that could have been sung by John Lennon, whose style increasingly embraced provocative artistic statements following the start of his relationship with Yoko Ono in 1968. Leng also compares "I Dig Love" with "Love the One You're With", a "hymn to hedonism" by Stephen Stills, with whom Harrison worked on Doris Troy's eponymous album for Apple Records, in 1969–70.
Document 2: Abbey Road: Although Abbey Road was an immediate commercial success and reached number one in the UK and US, it initially received mixed reviews, some critics describing its music as inauthentic and bemoaning the production's artificial effects. Many critics now view the album as the Beatles' best and rank it as one of the greatest albums of all time. In particular, George Harrison's contributions, ``Something ''and`` Here Comes the Sun'', are considered to be among the best songs he wrote for the group. The album's cover features the four band members walking across a zebra crossing outside Abbey Road Studios and has become one of the most famous and imitated images in the history of popular music.
Document 3: See Yourself: "See Yourself" is a song by English musician George Harrison, released on his 1976 album "Thirty Three & 1/3". Harrison began writing the song in 1967, while he was a member of the Beatles, in response to the public outcry surrounding bandmate Paul McCartney's admission that he had taken the hallucinogenic drug LSD. McCartney's announcement created a reaction in the press similar to that caused in 1966 by John Lennon's statement that the Beatles were more popular than Christianity. In its finished form, the song's lyrics advocate self-awareness and consideration for the consequences of one's actions. Musically, the composition contains unusual shifts in time signature from standard 4/4 to 9/8, while the songwords reflect the era of its genesis by recalling themes first espoused in the Beatles tracks "Within You Without You" and "All You Need Is Love".
Document 4: The Long and Winding Road: Paul McCartney said he came up with the title ``The Long and Winding Road ''during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road`` stretching up into the hills'' in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction his personal life was taking in the autumn of 1968, after he had separated from his fiancée Jane Asher, as well as a nostalgic look back at the Beatles' history. McCartney recalled: ``I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration. ''
Document 5: While My Guitar Gently Weeps: ``While My Guitar Gently Weeps ''is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as`` the White Album''). It was written by George Harrison, the band's lead guitarist. The song serves as a comment on the disharmony within the Beatles following their return from studying Transcendental Meditation in India in early 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton overdubbed a lead guitar part, although he was not formally credited for his contribution.
Document 6: Wah-Wah (song): "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Document 7: She's Always a Woman: The song was released in 1977, following several other hits from The Stranger including ``Just the Way You Are '',`` Movin 'Out (Anthony's Song)'' and ``Only the Good Die Young ''. Musically, Joel has said that he was influenced by Gordon Lightfoot and his mellow acoustic guitar ballads. It is a love song that Joel wrote for his then wife, Elizabeth Weber. Elizabeth had taken over management of Joel's career, and was able to put his financial affairs in order after Joel had signed some bad deals and contracts. She was a tough and savvy negotiator who could`` wound with her eyes'' or ``steal like a thief '', but would`` never give in''. Because of her tough - as - nails negotiating style, many business adversaries thought she was ``unfeminine, ''but to Joel, she was always a woman. The two eventually divorced in 1982.
Document 8: I'd Have You Anytime: "I'd Have You Anytime" is a song written by George Harrison and Bob Dylan, released in 1970 as the opening track of Harrison's first post-Beatles solo album, "All Things Must Pass". The pair wrote the song at Dylan's home in Bearsville, near Woodstock in upstate New York, in November 1968. Its creation occurred during a period when Harrison had outgrown his role in the Beatles and Dylan had withdrawn from the pressures of fame to raise a family. "I'd Have You Anytime" is recognised as a statement of friendship between the two musicians, whose meetings from 1964 onwards resulted in changes in musical direction for both Dylan and the Beatles. The song reflects the environment in which it was written, as Harrison's verses urge the shy and elusive Dylan to let down his guard, and the Dylan-composed choruses respond with a message of welcome.
Document 9: This Song: "This Song" is the fourth track on George Harrison's 1976 album "Thirty Three & 1/3". It was released as the first single from the album and reached number 25 on the American pop charts, although, like all three singles from the album, it failed to chart in the UK.
Document 10: Wonderful Tonight: ``Wonderful Tonight ''is a ballad written by Eric Clapton. It was included on Clapton's 1977 album Slowhand. Clapton wrote the song about Pattie Boyd. The female vocal harmonies on the song are provided by Marcella Detroit (then Marcy Levy) and Yvonne Elliman.
Document 11: Something (Beatles song): The opening lyric was taken from the title of ``Something in the Way She Moves '', a track by Harrison's fellow Apple Records artist James Taylor. While Harrison imagined the composition in the style of Ray Charles, his inspiration for`` Something'' was his wife, Pattie Boyd. In her 2007 autobiography, Wonderful Today, Boyd recalls: ``He told me, in a matter - of - fact way, that he had written it for me. I thought it was beautiful... ''Boyd discusses the song's popularity among other recording artists and concludes:`` My favourite (version) was the one by George Harrison, which he played to me in the kitchen at Kinfauns.''
Document 12: You (George Harrison song): "You" is a song by English musician George Harrison, released as the opening track of his 1975 album "Extra Texture (Read All About It)". It was also the album's lead single, becoming a top 20 hit in America and reaching number 9 in Canada. A 45-second instrumental portion of the song, titled "A Bit More of You", appears on "Extra Texture" also, opening side two of the original LP format. Harrison wrote "You" in 1970 as a song for Ronnie Spector, formerly of the Ronettes, and wife of Harrison's "All Things Must Pass" co-producer Phil Spector. The composition reflects Harrison's admiration for 1960s American soul/R&B, particularly Motown.
Document 13: Somebody to Love (Jefferson Airplane song): Written by The Great Society guitarist Darby Slick after realizing his girlfriend had left him, and first performed by that band, which included his then - sister - in - law Grace Slick on vocals, the song made little impact outside of the club circuit in the Bay Area. The song was released in 1966 as a single with the B - side another Darby Slick composition titled ``Free Advice ''on the North Beach subsidiary of Autumn Records, and received minimal circulation outside of San Francisco. San Francisco in the mid - '60s was the epicenter of free love, but Darby Slick saw a downside to this ethos, as it could lead to jealousy and disconnect. This song champions loyalty and monogamy, as the singer implores us to find that one true love that will nurture us and get us through the tough times.
Document 14: Run of the Mill (George Harrison song): "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic. The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band. Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple.
Document 15: While My Guitar Gently Weeps: On 6 September, during a ride from Surrey into London, Harrison asked Clapton to play guitar on the track. Clapton, who recognised Harrison's talent as a songwriter, and considered that his abilities had long been held back by Lennon and McCartney, was nevertheless reluctant to participate; he later recalled that his initial response was: ``I ca n't do that. Nobody ever plays on Beatles records. ''Harrison convinced him, and Clapton's lead guitar part, played on Harrison's Gibson Les Paul electric guitar`` Lucy'' (a recent gift from Clapton), was overdubbed that evening. Recalling the session in his 2007 autobiography, Clapton says that, while Lennon and McCartney were ``fairly non-committal '', he thought the track`` sounded fantastic'', adding: ``I knew George was happy, because he listened to it over and over in the control room. ''
ground_truth: his wife, Pattie Boyd
sub_queries: See Yourself >> performer Answer: George Harrison
who did George Harrison wrote the song something for Answer: his wife, Pattie Boyd