Question: Who directed more films, Marguerite Duras or Arthur Rosson?

full_context: Document 1: Herbert Ross: Herbert David Ross (May 13, 1927 – October 9, 2001) was an American actor, choreographer, director and producer who worked predominantly in the stage and film.
Document 2: Marguerite Duras: Marguerite Donnadieu, known as Marguerite Duras (] ; 4 April 1914 – 3 March 1996), was a French novelist, playwright, scriptwriter, essayist, and experimental filmmaker. Her 1959 film "Hiroshima mon amour", earned her a nomination for Best Original Screenplay at the Academy Awards.
Document 3: Arthur Roberts (editor): Arthur Roberts July 17, 1890 – February 5, 1961), also known as Arthur E. Roberts, was an American film editor who edited over 100 films during his almost 30 year career. He began ending towards the end of the silent era of the film industry, his first film being 1927's "The College Hero", directed by Walter Lang. His last film was Republic's "Lay That Rifle Down" in 1955, after which he spent a brief period as the editor for the television series, "Lassie", before retiring in 1956. During his career he would work with many famous directors, including Frank Capra (on several films, including "The Donovan Affair"), Lowell Sherman (on "The Royal Bed"), William Seiter (on several films, including "Way Back Home"), Edward Cline (on "Cracked Nuts"), George Cukor ("A Bill of Divorcement"), Dorothy Arzner (the first female member of the DGA, on "Christopher Strong"), Anthony Mann ("Strangers in the Night"), George Archainbaud ("Girls of the Big House"), Fritz Lang ("House by the River"),
Document 4: Arthur Rosson: Arthur Rosson (24 August 1886 – 17 June 1960) was an English film director. From 1917 to 1948, Rosson directed 61. He also worked on many major films as a second unit director until 1960, particularly for Cecil B. DeMille.
Document 5: Roberto Rossellini: Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director and screenwriter. Rossellini was one of the directors of the Italian neorealist cinema, contributing to the movement films such as the 1945 "Roma città aperta" ("Rome, Open City").
Document 6: Maurice Elvey: Maurice Elvey (11 November 1887 – 28 August 1967) was the most prolific film director in British history. He directed nearly 200 films between 1913 and 1957. During the silent film era he directed as many as twenty films per year. He also produced more than fifty films - his own as well as films directed by others.
Document 7: Hiroshima mon amour: Hiroshima mon amour (] , "Hiroshima My Love"; Japanese: 二十四時間の情事 "Nijūyojikan'nojōji", "Twenty-four-hour affair") is a 1959 drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras. It is the documentation of an intensely personal conversation between a French-Japanese couple about memory and forgetfulness. It was a major catalyst for the Left Bank Cinema, making highly innovative use of miniature flashbacks to create a uniquely nonlinear storyline.
Document 8: Arturo Ripstein: Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director.
Document 9: Art Ellison: Arthur Wayland "Art" Ellison (1899–1994) was an actor and director who worked for the Kansas City Power and Light Company for forty-eight years before becoming a professional actor. Prior to that, he had appeared in scores of amateur stage productions in the Kansas City area. He was born in Potsdam, New York and he died in Kansas City, Missouri. Director Herk Harvey speculated that Art Ellison had acted in more industrial and educational films than any other, including some directed by a young Robert Altman. He is best known for his part in the 1962 cult-classic horror film "Carnival of Souls".
Document 10: India Song: India Song is a 1975 French drama film directed by Marguerite Duras. "India Song" stars Delphine Seyrig, Michael Lonsdale, Mathieu Carrière, Claude Mann, Vernon Dobtcheff and Didier Flamand. The film centres on Anne-Marie (Seyrig), the promiscuous wife of the French ambassador in India, and was based on an unproduced play written by Duras (which itself was based on her published novel "Le Vice-Consul"). Although set in India, the film was shot mostly on location in a mansion in Paris.
Document 11: Indochine (film): Indochine (] ) is a 1992 French film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, with the rising Vietnamese nationalist movement set as a backdrop. The screenplay was written by novelist Érik Orsenna, scriptwriters Louis Gardel, Catherine Cohen, and Régis Wargnier, who also directed the film. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards.
Document 12: La Musica (film): La Musica is a 1967 French drama film directed by Marguerite Duras and Paul Séban after Duras' play of the same name () first performed 8 October 1965 at the Studio des Champs-Elysées.
Document 13: La Douleur: La Douleur "(War: A Memoir)" is a controversial, semi-autobiographical work by Marguerite Duras published in 1985 but drawn from diaries that she supposedly wrote during World War II. It is a collection of six texts recounting a mix of her experiences of the Nazi Occupation of France, with fictional details. She claims to have "forgotten" ever writing the diary in which she recorded her wartime experiences, but most critics believe that to be a deliberate attempt to confuse autobiography and fiction. Duras' work is often cited as part of the Nouveau Roman movement which tried to redefine traditional ideas about set categories of books, fiction, non-fiction, biography, autobiography, etc.
Document 14: Arthur B. Woods: Arthur Bickerstaffe Woods (17 August 1904 – 8 February 1944) was an English film director with 27 credits between 1933 and 1940. Woods' films were mainly quota quickies but were diverse in style, from light comedy and musicals to dark crime thrillers. His most acclaimed film is 1938's "They Drive by Night". By the end of the 1930s Woods was gaining a reputation as one of Britain's most promising and versatile young directors, but put his career on hold to volunteer for war service in the Royal Air Force, the only British film director to do so. He was killed while on active service in February 1944, leaving his potential largely unfulfilled.
Document 15: The Lover (film): The Lover (French: L'Amant ) is a 1992 drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. In the screenplay written by Annaud and Gérard Brach, the 15 1/2-year-old protagonist is portrayed by actress Jane March, who turned eighteen shortly after filming began. Her lover is portrayed by actor Tony Leung Ka-fai. The film features full-frontal male and female nudity.
ground_truth: Arthur Rosson