Question: Richard Donner and Percy Adlon, have which mutual occupations?

full_context: Document 1: The Omen: The Omen is a 1976 British-American supernatural horror film directed by Richard Donner, and written by David Seltzer. The film stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. The first installment of "The Omen" franchise, "The Omen" concerns a young child replaced at birth by American Ambassador Robert Thorn unbeknownst to his wife, after their own son is stillborn. They are surrounded by mysterious and ominous deaths, unaware that the child, Damien, is the Antichrist.
Document 2: Lauren Shuler Donner: Lauren Diane Shuler Donner (born June 23, 1949) is an American film producer, who specializes in mainstream youth and family-oriented entertainment. She owns The Donners' Company with her husband, famed director Richard Donner. Her movies have grossed about $4.5 billion worldwide, mostly due to the "X-Men" film series.
Document 3: Percy Adlon: Paul Rudolf Parsifal "Percy" Adlon (] ; born 1 June 1935) is a German director, screenwriter, and producer. He is best known for his film "Bagdad Café". He is associated with the New German Cinema movement, whose "members" also include Werner Herzog and the illustrious Rainer Werner Fassbinder.
Document 4: Werner Herzog: Werner Herzog (] ; born 5 September 1942) is a German screenwriter, film director, author, actor, and opera director.
Document 5: Rainer Werner Fassbinder: Rainer Werner Fassbinder (] ; 31 May 1945 – 10 June 1982) was a West German filmmaker, actor, playwright and theatre director, part of the New German Cinema movement.
Document 6: Peter Bogdanovich: Peter Bogdanovich (Serbian: Петар Богдановић, "Petar Bogdanović", born July 30, 1939) is an American director, writer, actor, producer, critic and film historian. He is part of the wave of "New Hollywood" directors, which included William Friedkin, Brian De Palma, George Lucas, Martin Scorsese, Michael Cimino and Francis Ford Coppola. His most critically acclaimed and well-known film is the drama "The Last Picture Show" (1971).
Document 7: Superman III: Superman III is a British-American 1983 superhero film directed by Richard Lester, based on the DC Comics character Superman. It is the third film in the "Superman" film series and the last "Superman" film to be produced by Alexander Salkind and Ilya Salkind. The film features a cast of Christopher Reeve, Richard Pryor, Annette O'Toole, Annie Ross, Pamela Stephenson, Robert Vaughn, Marc McClure, and Gavan O'Herlihy. This film is followed by "", released on July 24, 1987.
Document 8: Superman II: The Richard Donner Cut: Superman II: The Richard Donner Cut is a re-edited director's cut of the 1980 film "Superman II". It features a significant amount of lost footage shot by the original director, Richard Donner, in 1977 before he was taken off the project and replaced by Richard Lester, who completed the film for its theatrical release. In 2000, during the DVD restoration of "Superman: The Movie", editor Michael Thau became interested in completing Donner's version of "Superman II". In 2006, Donner's footage of Marlon Brando was discovered and used in Bryan Singer's "Superman Returns", finally creating the possibility of restoring Donner's cut.
Document 9: Bagdad Café: Bagdad Café (also known as Out of Rosenheim) is a 1987 German film directed by Percy Adlon. It is a comedy-drama set in a remote truck-stop café and motel in the Mojave Desert in the US state of California. Loosely based on Carson McCullers' novella "The Ballad of the Sad Café" (1951), the film centers on two women who have recently separated from their husbands, and the blossoming friendship that ensues. It runs 95 minutes in the U.S. and 108 minutes in the German version.
Document 10: Zack Snyder: Zachary Edward Snyder (born March 1, 1966) is an American filmmaker, best known for his action, superhero, and science fiction films. Snyder made his feature film debut with the 2004 remake of the horror film "Dawn of the Dead". Since then, he has done a number of comic book and superhero films, including "300" (2007) and "Watchmen" (2009), as well as the Superman film that started the DC Extended Universe, "Man of Steel" (2013) and its follow-ups, "" (2016) and "Justice League" (2017). He also co-wrote the screenplays for "300", "Sucker Punch" and "".
Document 11: Richard Donner: Richard Donner (born Richard Donald Schwartzberg; April 24, 1930) is an American director and producer of film and television. After directing the horror film "The Omen" (1976), Donner became famous for directing the first modern superhero film, "Superman" (1978), starring Christopher Reeve.
Document 12: Richard Lester: Richard Lester (born Richard Lester Liebman; January 19, 1932) is an American film director based in Britain. Lester is known for his work with the Beatles in the 1960s and his work on the "Superman" film series in the 1980s.
Document 13: Alexander Kluge: Alexander Kluge (born 14 February 1932) is a German author, philosopher, academic and film director.
Document 14: Artists Under the Big Top: Perplexed: Artists in the Big Top: Perplexed (German: Die Artisten in der Zirkuskuppel: Ratlos ) is a 1968 West German film written and directed by Alexander Kluge. The film is made in a collage style, featuring newsreels and quotations from philosophers alongside the story of a failing circus whose owner, Leni (Hannelore Hoger), must decide whether her dream of a new kind of circus is too optimistic. The film is a symbolic representation of Kluge's own frustrations in trying to help stimulate the New German Cinema movement.
Document 15: New German Cinema: New German Cinema (German: "Neuer Deutscher Film" ) is a period in German cinema which lasted from the late 1960s into the 1980s. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors as Rainer Werner Fassbinder, Werner Herzog, Alexander Kluge, Harun Farocki, Volker Schlöndorff, Helma Sanders-Brahms, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders made names for themselves and produced a number of 'small' motion pictures that caught the attention of art house audiences, and enabled these directors (particularly Wenders and Schlöndorff) to create better-financed productions which were backed by the big US studios. However, most of the films were commercial failures and, by 1977, 80% of a budget for a typical German film was ensured by a subsidy.
ground_truth: director and producer