Question: What movement was the painter of Regentesses of the Old Men's Almshouse part of?

full_context: Document 1: Portrait of a Woman (Marie Larp): "Portrait of a Woman" (Marie Larp) is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1635–1638 and now in the National Gallery at London.
Document 2: Laughing Cavalier: The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London, which has been described as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–75, just after its arrival in England, after which it was regularly reproduced as a print, and became among of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.
Document 3: Portrait of a Woman Standing (Kassel): Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the "Portrait of a Man Standing", in the same museum.
Document 4: Boy with a Glass and a Lute: Boy with a Glass and a Lute is a painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Guildhall Art Gallery, London.
Document 5: Portrait of Dorothea Berck: Portrait of Dorothea Berck is a 1644 painting by Frans Hals that is in the collection of the Baltimore Museum of Art. It depicts Dorothea Berck at age 51, the wife of the prosperous Haarlem merchant Joseph Coymans, whose portrait Hals also painted. Both paintings were executed on the occasion of their daughter Isabella's wedding, whose marriage pendants Hals also painted.
Document 6: Young Man in a Fur Cap: A Young Man in a Fur Cap and a Cuirass (probably a Self Portrait) is a 1654 portrait painting by Carel Fabritius. It is an oil painting on canvas of 70.5 by 61.5 cm (27.8 by 24.2 in). The painting is generally considered to be a self-portrait. The work has been in the collection of the National Gallery in London since 1924.
Document 7: The Gypsy Girl: The Gypsy Girl (sometimes erroneously referred to as "Malle Babbe") is a painting by the Dutch Golden Age painter Frans Hals, painted in 1628 and now in the Louvre Museum. It is a tronie, a study of facial expression and unusual costume, rather than a commissioned portrait. The display of cleavage was not a common feature of costume seen in public in Hals' time and place.
Document 8: Regentesses of the Old Men's Almshouse: The Regentesses of the Old Men's Almshouse Haarlem is a regents' group portrait of four regentesses and their servant painted by Frans Hals for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the "Regents of the Old Men's Almshouse".
Document 9: Portrait of a Woman in a Chair: Portrait of a Woman in a Chair is a painting by the Dutch Golden Age painter Frans Hals, painted in 1627 and now in the Art Institute of Chicago. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Document 10: Regents of the Old Men's Almshouse: The Regents of the Old Men's Almshouse is a regents' group portrait of five regents and their servant painted by Frans Hals in 1664 for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the "Regentesses of the Old Men's Almshouse".
Document 11: Young Man with a Skull: Young Man with a Skull is a c.1626 painting by the Dutch Golden Age painter Frans Hals, now in the National Gallery, London. The painting was previously thought to be a depiction of Shakespeare's Hamlet holding the skull of Yorick, but is now considered to be a vanitas, a reminder of the precarious nature of life and the inevitability of death.
Document 12: Catharina Brugmans: Portrait of Catharina Brugmans is a painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
Document 13: Jacob Pietersz Olycan: Jacob Pietersz Olycan (1596 – 1638), was a brewer, magistrate, and later mayor of Haarlem, best known today for his portrait by Frans Hals, pendant to the portrait of Aletta Hannemans, whom he married in Zwolle in 1624.
Document 14: Self-portrait by Judith Leyster: Self-portrait by Judith Leyster is an Dutch Golden Age painting in oils in the collection of the National Gallery of Art that was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949. The style is indeed comparable to that of Hals, Haarlem's most famous portraitist.
Document 15: Portrait of a Commander: Portrait of a Commander or A Commander Being Dressed for Battle is a portrait of an unknown man in plate armour, normally attributed to Peter Paul Rubens. In July 2010 it was sold for £9 million by Christie's after Sotheby's turned it down, suspecting its authenticity as a Rubens. In December 2011, the portrait was placed on loan with the Metropolitan Museum of Art in New York.
ground_truth: Baroque
sub_queries: Who is the creator of Regentesses of the Old Men's Almshouse? Answer: Frans Hals
Frans Hals >> movement Answer: Baroque