Question: What country is the Embassy of Poland, in the city where The Organizer's screenwriter was born, located?

full_context: Document 1: Pope Paul VI: The only foreign diplomatic experience Montini underwent was his time in the nunciature in Warsaw, Poland in 1923. Like Achille Ratti before him,[a] he felt confronted with the huge problem, not limited to Poland, of excessive nationalism: "This form of nationalism treats foreigners as enemies, especially foreigners with whom one has common frontiers. Then one seeks the expansion of one's own country at the expense of the immediate neighbours. People grow up with a feeling of being hemmed in. Peace becomes a transient compromise between wars." When he was recalled to Rome he was happy to go, because "this concludes this episode of my life, which has provided useful, though not always joyful, experiences."
Document 2: The Organizer: Italy’s first capital after the Risorgimento ended in the 1870s, Turin was in the midst of rapid industrialization during the period of "The Organizer", although the film unfolds some years before the growth of the industry. Populating his densely inhabited film with actual workers, Monicelli was attempting, three years before "The Battle of Algiers" (1966), to create a sort of neorealist period piece; using a strategy that would subsequently be seen in "Bonnie and Clyde" (1967), "The Organizer" opens with a montage of historical photographs that skillfully segues into contemporary facsimiles.
Document 3: Bartolomeo Pagano: Before his cinema career, Pagano was a stevedore who worked at the port of Genoa. There, he was discovered and selected to play the role of Maciste, a muscular slave, in the silent movie classic "Cabiria" in 1914. As the originator of this role, he went on to play the character for the next 14 years in a series of sequels. Pagano became an international star, and legally changed his name to Maciste. The actor retired from films in 1926 to marry and raise a family in his home town of Genoa. He died there, aged 68, and is buried on the family estate in Italy.
Document 4: Embassy of Sweden, Rome: The Embassy of Sweden in Rome is Sweden's diplomatic mission in Italy. The current building was built between 1965-1966 and completed in 1967.
Document 5: Embassy of Poland in Oslo: The Embassy of Poland in Oslo is the diplomatic mission of the Republic of Poland to the Kingdom of Norway, the ambassador, however, is also accredited to the Republic of Iceland. The chancery is located at Olav Kyrres Plass 1, Oslo.
Document 6: The Organizer: The Organizer () is a 1963 Italian-French-Yugoslavian-produced drama film written by Mario Monicelli and Age & Scarpelli, and directed by Mario Monicelli. Set in Turin at the end of the 19th century, it stars Marcello Mastroianni as a labor activist who becomes involved with a group of textile factory workers who go on strike.
Document 7: Gustavo Rol: Upon returning to Italy, in the 1930s he became known in aristocratic and political circles. Rol engaged in various demonstrations of his supposed mystical powers, including telepathy, clairvoyance, and other psychic or magical feats. He also became a friend, among others, of film directors Federico Fellini and Franco Zeffirelli and writer Dino Buzzati. Toward the later part of his life, and after his death, Rol was a focal point of debate in Italy between skeptics and advocates of parapsychology.
Document 8: Stefano Missio: He has made various documentaries among which "When Italy was not a poor country", about Italy in the 1960s narrated by Joris Ivens, and "Scusi, dov'è il Nord Est?" produced by Fandango and On Line Productions for Arte (broadcast as "Succes à l'italienne") and broadcast in Italy by Tele+. In 2005 he directed "Il Ponte", a fiction short-movie, screenplayed by Francesco Tullio Altan, starring Carlo Mazzacurati and Valentina Fago. His last work, Che Guevara - The body and the legend (2007), was broadcast in 12 different countries. He works and lives in Paris.
Document 9: Embassy of Poland, Rome: The Embassy of Poland in Rome is the diplomatic mission of the Republic of Poland to the Italian Republic. The chancery is located at Via P.P.Rubens 20, Rome.
Document 10: Roberto D'Ettorre Piazzoli: Born in Rome, Piazzoli began working for the Italian movie industry in the early 1960s as a cameraman, under the direction of Vittorio De Sica, Damiano Damiani, Marco Ferreri, Florestano Vancini, Mauro Bolognini, Dino Risi and Pasquale Festa Campanile.
Document 11: Giovanni Fago: Born in Rome, Fago began his cinema career in 1959 as assistant director of, among others, Mario Monicelli, Camillo Mastrocinque, Vittorio De Sica, Renato Castellani, Joseph L. Mankiewicz, Lucio Fulci. In 1967 he became a director, consecutively filming three spaghetti westerns, "Per 100.000 dollari ti ammazzo", "Uno di più all'inferno" and "O' Cangaçeiro". During the 1970s and the 1980s he focused primarily on television works.
Document 12: Mino Guerrini: Born in Rome as Giacomo Guerrini, Guerrini entered the cinema industry in 1954 as screenwriter in Marcello Pagliero's "Vergine moderna"; after several collaborations (including the screenplay of Mario Bava's "The Girl Who Knew Too Much") he made his directorial debut in an episode of the film "Amore in quattro dimensioni" and from then started a prolific career, mainly focused on comedy films. He was also a character actor, often in his own films; as actor he's probably best known for the role of Nino in Damiano Damiani's "La rimpatriata".
Document 13: Andrea Costa: He co-founded the Partito dei Lavoratori Italiani in 1892 after renouncing his anarchist principles in 1879. It is probable that this happened due to his marriage to Russian Socialist Anna Kulischov. In his book "My Years in Exile", Edward Bernstein wrote of the conversion: "When [ Filippo Marzotti ] first heard the news that Costa was lost to the Anarchist cause, he excitedly raised his hands above his head, and cried repeatedly, almost in desperation: 'Anna! Anna! Anna!'".
Document 14: Ossessione: Visconti adapted the script with a group of men he selected from the Milanese magazine "Cinema". The members of this group were talented filmmakers and writers and played a large role in the emerging neorealist movement: Mario Alicata, Gianni Puccini, Antonio Pietrangeli and Giuseppe De Santis. When "Ossessione" was completed and released in 1943, it was far from the innocent murder mystery the authorities had expected; after a few screenings in Rome and northern Italy, prompting outraged reactions from Fascist and Church authorities, the film was banned by the Fascist government reestablished in the German occupied part of Italy after the September 1943 armistice. Eventually the Fascists destroyed the film, but Visconti managed to keep a duplicate negative from which all existing prints have been made. After the war, "Ossessione" encountered more problems with mass distribution, this time in the United States. As a result of the wartime production schedule, Visconti had never obtained the rights to the novel and Metro-Goldwyn Mayer began production on another version of the film, directed by Tay Garnett ("The Postman Always Rings Twice", 1946), while the Fascist ban on Visconti's work was still in effect.
Document 15: Embassy of Italy in Moscow: The Embassy of the Republic of Italy in Moscow is the chief diplomatic mission of Italy in the Russian Federation. It is located at 5 Denezhny Lane () in the Khamovniki District of Moscow.
ground_truth: Italian Republic
sub_queries: The Organizer >> screenwriter Answer: Mario Monicelli
Mario Monicelli >> place of birth Answer: Rome
Embassy of Poland, Rome >> country Answer: Italian Republic