Question: What type of saxophonist was this musician who inspired Wilburt Prysock?

full_context: Document 1: Bobby Hackett: Robert Leo Hackett (January 31, 1915 – June 7, 1976) was an American jazz musician who played trumpet, cornet, and guitar with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s. Hackett is probably best known for being the featured soloist on some of the "Jackie Gleason" mood music albums during the 1950s.
Document 2: Stanley Turrentine: Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonist. He began his career playing soul jazz for Blue Note Records, touched on jazz fusion during a stint on CTI Records in the 1970s, and was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues." Turrentine was married to organist Shirley Scott in the 1960s, with whom he frequently recorded, and was the younger brother of trumpeter Tommy Turrentine.
Document 3: Jackie Wilson: Jack Leroy "Jackie" Wilson Jr. (June 9, 1934 – January 21, 1984) was an American soul singer-songwriter and performer. A tenor with a four octave vocal range, he was nicknamed "Mr. Excitement", and was important in the transition of rhythm and blues into soul. He was considered a master showman, and one of the most dynamic and influential singers and performers in R&B and rock 'n' roll history. Gaining fame in his early years as a member of the R&B vocal group Billy Ward and His Dominoes, he went solo in 1957 and recorded over 50 hit singles that spanned R&B, pop, soul, doo-wop and easy listening. This included 16 R&B Top 10 hits, including six R&B number ones. On the "Billboard" Hot 100, he scored 14 Top 20 Pop hits, six of which made it into the Pop Top 10.
Document 4: Ko-Ko: "Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version features Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, it seems likely that Dizzy Gillespie was both playing piano and trumpet parts due to: 1. the simplicity of the piano comping, 2. the absence of any piano playing in the intro or coda while Gillespie was playing trumpet and 3. the absence of a trumpet solo on the recording, as Dizzy would not be able to comp for himself.
Document 5: Harry Edison: Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra.
Document 6: Billie Holiday: Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education. There were other jazz singers with comparable talent, but Holiday had a voice that captured the attention of her audience.
Document 7: Billy Eckstine: William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer, and a bandleader of the swing era. He was noted for his rich, resonant, almost operatic bass-baritone voice. Eckstine's recording of "I Apologize" (MGM, 1948) was awarded the Grammy Hall of Fame Award in 1999. "The New York Times" described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Joe Williams, Arthur Prysock and Lou Rawls."
Document 8: Ornette on Tenor: Ornette on Tenor is the eighth album by the American jazz composer and saxophonist Ornette Coleman, released in 1962 on Atlantic Records, his sixth and final one for the label. It features Coleman playing tenor saxophone rather than his usual alto, and bassist Jimmy Garrison before he joined the John Coltrane Quartet. This would be the last record by the Coleman Quartet started in the 1950s; he would disband this group and form the Coleman Trio later in the year. Recording sessions took place on March 22 and 27, 1961, at Atlantic Studios in New York City. One outtake from the March 27 session, "Harlem's Manhattan," would appear on the 1970 compilation "The Art of the Improvisers".
Document 9: Coleman Hawkins: Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed Hawk and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". While Hawkins is strongly associated with the swing music and big band era, he had a role in the development of bebop in the 1940s.
Document 10: M-Base: The term "M-Base" is used in several ways. In the 1980s, a loose collective of young African-American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression. Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene’s music as a jazz style. But Coleman stressed "M-Base" doesn’t denote a musical style but a way of thinking about creating music. As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show a lot of similarities reflecting their common ideas, the experiences of working together, and their similar cultural background. To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning.
Document 11: Soul blues: Soul blues is a style of blues music developed in the late 1960s and early 1970s that combines elements of soul music and urban contemporary music. Singers and musicians who grew up listening to the traditional electric blues of artists such as Muddy Waters, Bo Diddley, Jimmy Reed and Elmore James; soul singers such as Sam Cooke, Ray Charles and Otis Redding; and gospel music wanted to bridge their favorite music together. Bobby Bland was one of the pioneers of this style. This is a subgenre of blues that is very popular with African American audiences but less known by white audiences. The style continues to be popular in the new millennium.
Document 12: King Curtis: Curtis Ousley (February 7, 1934 – August 13, 1971), who performed under the stage name King Curtis, was an American saxophone virtuoso known for rhythm and blues, rock and roll, soul, blues, funk and soul jazz. Variously a bandleader, band member, and session musician, he was also a musical director and record producer. Adept at tenor, alto, and soprano saxophone, he was best known for his distinctive riffs and solos such as on "Yakety Yak", which later became the inspiration for Boots Randolph's "Yakety Sax" and his own "Memphis Soul Stew".
Document 13: Red Prysock: Wilburt Prysock (February 2, 1926 – July 19, 1993) known as Red Prysock, was an American rhythm and blues tenor saxophonist, one of the early Coleman Hawkins-influenced saxophonists to move in the direction of rhythm and blues, rather than bebop.
Document 14: Otis Redding: Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s, such as James Carr and Freddie Jackson. (Woodstra and Elewine) During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee.
Document 15: Boots Randolph: Homer Louis "Boots" Randolph III (June 3, 1927 – July 3, 2007) was an American musician best known for his 1963 saxophone hit "Yakety Sax" (which became Benny Hill's signature tune). Randolph was a major part of the "Nashville sound" for most of his professional career.
ground_truth: jazz tenor saxophonist