Question: "Sebben, crudele", is an aria from Antonio Caldara's opera, released in what year, "La costanza in amor vince l'inganno", it has been recorded by Cecilia Bartoli, an Italian coloratura mezzo-soprano opera singer and recitalist?

full_context: Document 1: Cecilia Bartoli: Cecilia Bartoli, (] ; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to sing soprano and mezzo roles.
Document 2: Sebben, crudele: "Sebben, crudele" (Though not deserving) is an aria from Antonio Caldara's 1710 opera, "La costanza in amor vince l'inganno" (Faithfulness in love conquers treachery). Although the opera itself has been rarely performed in modern times, "Sebben, crudele" remains a popular concert aria. It has been recorded by Cecilia Bartoli, Beniamino Gigli and Janet Baker, amongst others.
Document 3: L'honestà negli amori: L'honestà negli amori is a dramma per musica in 3 acts by composer Alessandro Scarlatti. Written in 1679-1680 when Scarlatti was 19 years old, it was his second opera. The opera uses an Italian language libretto that was written by either D F Bernini or Domenico Filippo Contini. The work premiered at the Teatro di Palazzo Bernini in Rome on 3 February 1680. The opera was performed again in 1682 in Acquaviva delle Fonti at the Palazzo De Mari with "Acquaviva laureata" a serenata composed by Giovanni Cesare Netti.
Document 4: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 5: Barbara Frittoli: Barbara Frittoli (born 19 April 1967) is an Italian operatic soprano who has sung leading roles in opera houses throughout Europe and in the United States. She was born in Milan and graduated from the Milan Conservatory. She made her Metropolitan Opera debut in 1995 as Micaela in "Carmen" and has gone on to sing in over 80 performances there including Donna Elvira in "Don Giovanni", Fiordiligi in "Così fan tutte", Angelica in "Suor Angelica", Desdemona in "Otello", the title role in "Luisa Miller", Amelia in "Simon Boccanegra", Vitellia in "La clemenza di Tito" and Alicia Ford in "Falstaff".
Document 6: Joyce DiDonato: Joyce DiDonato ("née" Flaherty; born February 13, 1969) is an American operatic lyric-coloratura mezzo-soprano notable for her interpretations of the works of Handel, Mozart, and Rossini. She has performed with many of the world's leading opera companies and orchestras, and in 2012 and 2016 won the Grammy Award for Best Classical Vocal Solo.
Document 7: No puede ser: "No puede ser" (It cannot be) is an aria sung by Leandro (tenor) in the second act of the zarzuela, "La tabernera del puerto", composed by Pablo Sorozábal to a libretto by Federico Romero and Guillermo Fernández-Shaw. "La tabernera del puerto" premiered in Barcelona in 1936. One of the most famous arias in the Spanish language, "No puede ser" has been part of the concert repertoire of many Spanish tenors, including Alfredo Kraus, José Carreras and Plácido Domingo who sang it in the 1990 Three Tenors concert.
Document 8: Renée Fleming: Renée Fleming (born February 14, 1959) is an American opera singer and soprano whose repertoire encompasses Richard Strauss, Mozart, Handel, bel canto, lieder, French opera and chansons, jazz and indie rock. Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She also speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's "Le nozze di Figaro", Desdemona in Verdi's "Otello", Violetta in Verdi's "La traviata", the title role in Dvořák's "Rusalka", the title role in Massenet's "Manon", the title role in Massenet's "Thaïs", the title role in Richard Strauss's "Arabella", the Marschallin in "Der Rosenkavalier", and the Countess in "Capriccio".
Document 9: Sonia Ganassi: Sonia Ganassi (born 1966) is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s "The Barber of Seville" in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas include Elisabetta in "Elisabetta, regina d'Inghilterra" (ROF, 2004), Elena in "La donna del lago (Lady of the Lake)" (Rossini in Wildbad, 2006), "Ermione" (ROF, 2008), and Elcia in "Mosè in Egitto" (ROF, 2011). In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano (EMI Classics 6 98936 2).
Document 10: Sara Mingardo: Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's "Les Troyens" won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in "Tamerlano", Mistress Quickly in "Falstaff", Rosina in "The Barber of Seville", and the title roles in "Carmen", "Giulio Cesare", "Riccardo Primo", and "Rinaldo". She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's "Requiem", Rossini's "Stabat Mater", and Vivaldi's "Gloria" among others.
Document 11: List of operas set in the Crusades: Operas set against the background of the medieval Crusades can be found in the earliest examples of the art form and continue to be written into the 21st century. Many of the works listed here contain characters and plots based on real or legendary figures of the time such as Tancred, Prince of Galilee, Godfrey of Bouillon or Jaufre Rudel. The majority are set, at least in part, in the Holy Land and the surrounding region and deal with the conflicts between the Christians and Muslims. Others, such as Donizetti's "Gabriella di Vergy", deal with the misadventures of knights returning from the Crusades. In the case of "Gabriella di Vergy", Raoul de Coucy returns from the Third Crusade to find that his beloved Gabriella has married Lord Fayel. Following a duel, Fayel cuts out the heart of the unfortunate Raoul and presents it in an urn to Gabriella. The only comedy in the list, Rossini's "Le comte Ory", recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades. Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return. Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, "La Gerusalemme liberata" ("Jerusalem Delivered"), or on Voltaire's tragic play, "Zaïre".
Document 12: La clemenza di Tito (Mysliveček): La clemenza di Tito ("The Clemency of Titus") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1734 with music of Antonio Caldara. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste (similar to the setting of the same text by Wolfgang Amadeus Mozart). The cuts and changes in the text made for the 1774 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Document 13: Simone Kermes: Simone Kermes (born 17 May 1970) is a German coloratura soprano, especially known for her virtuoso voice, suited to the opera seria genre of the Baroque and early Classical period.
Document 14: Griselda (A. Scarlatti): Griselda is an opera seria in three acts by the Italian composer Alessandro Scarlatti, the last of Scarlatti’s operas to survive completely today. The libretto is by Apostolo Zeno, with revisions by an anonymous author. Zeno wrote his work in 1701 and it had already been set by Pollarolo and Antonio Maria Bononcini (Albinoni, Giovanni Bononcini and Vivaldi would later produce versions). It is based on the story of Patient Griselda from Boccaccio's "Decameron". Scarlatti's opera was first performed at the Teatro Capranica, Rome in January, 1721 with an all-male cast (five castratos and a tenor).
Document 15: Gioconda Vessichelli: Gioconda Vessichelli (born in Rome, Italy) is an opera singer. Gioconda is the inventor and pioneer of BollywoOPERA style. She has sung in the Bollywood movie "Prague "in 2013, and she has given her voice for the Bollywood movie "Mary Kom" on the song "Ziddi dil" together with Vishal Dadlani.On 19th May 2017 her song "Itni si baat hai" has been released by the label T-series. On 20 December 2014 the song "Thodi Daaru" was released featuring Mika Singh. Gioconda has done live performances as first fusion ever between opera and classical Hindi music with artists of the caliber of Grammy Award winner Sukhwinder Singh, Hari Haran, Gino Banks, Niladri Kumar, Silvaganesha, in festivals and auditoriums like Nehru Centre[20] in Mumbai. She collaborates with Anup Jalota, and many others. On 31 March 2016 her international video "We are one" in which she sings and acts together with Anup Jalota for peace in the world has been launched from the Minister of India in Delhi. She is in the annual book of Italian opera singer for having sung in the first world edition of contemporary opera at "Teatro comunale di Modena", broadcast on Italian state radio RAI. Gioconda is the first singer in the premiere world ever of the contemporary opera “Lavinia fuggita” by Matteo d’Amico. She has two degrees in opera singing and musicology from Italian conservatory "Santa Cecilia" and international high school of opera "H.Wolf". The tenor Luciano Pavarotti has been her teacher, among other opera singers who selected her as one of the best students. She was selected as best singer at accademia rossiniana in Pesaro and she debuts the role of "Madama cortese" in "il viaggio a Reims" by Rossini with the symphonic orchestra of Rof at Rossini theatre in Pesaro. She sings again in a Rossini opera at Ercolano international opera season in "Il barbiere di Siviglia" and at teatro Politeama opera season in Lecce. After Rossini she debuts "Carmen" by Bizet. Her interpretation of the role "Mimì" in the opera "La Boheme" by Puccini received positive critiques.
ground_truth: 1710