Question: Who was born first, Claude Debussy or Gian Carlo Menotti?

full_context: Document 1: Labyrinth (opera): Labyrinth is an opera in one act by composer Gian Carlo Menotti. The work was commissioned for television by the NBC Opera Theatre and uses an English language libretto by the composer. Unlike Menotti's previous television operas, such as "Amahl and the Night Visitors", this opera was written with no intention of being moved to live stage performance later. Menotti intended for this work to utilize the special effects unique to television which could not be recreated in live theatre. As a result, NBC's television production of the opera is the only performance the work has received. At its premiere in March 1963 the opera was mainly criticized by the press for its trite use of allegory and music which rejected the avante garde in favour of romanticism. Critic Harold C. Schonberg stated in his review in "The New York Times" that, "Menotti falls back on the procedures he has always used: the scraps of canonic imitation, the stretches of parlando, the Puccini like melodies, the banal waltz themes... [It] ended up an allegory that had all the dimension of a Mobius strip: an example of slick television and cinema of the 1960s wedded pretty much to music of the 1890s... On the whole "Labyrinth" is one of the thinnest musical concoctions Menotti has ever put together.
Document 2: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 3: Gian Carlo Menotti: Gian Carlo Menotti (] ; July 7, 1911 – February 1, 2007) was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera "Amahl and the Night Visitors", along with over two dozen other operas intended to appeal to popular taste.
Document 4: Emmanuel Chabrier: Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist. Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music. He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six. Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony. Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".
Document 5: La mer (Debussy): La mer, trois esquisses symphoniques pour orchestre (French for The sea, three symphonic sketches for orchestra), or simply La mer (i.e. The Sea), L. 109, is an orchestral composition by French composer Claude Debussy.
Document 6: The Hero (opera): The Hero is a two-act opera by Italian-American composer Gian Carlo Menotti. Commissioned by the Opera Company of Philadelphia, the work premiered at the Philadelphia Academy of Music on June 1, 1976. At this point of his career, Menotti's style of composition, which rejected the avant-garde, was out of favor with the classical music world. "Time" stated in its review of the opera, "Most of Menotti's music is passable Puccini: melodic, easy to take—and totally beside the point in 1976."
Document 7: Help, Help, the Globolinks!: Help, Help, the Globolinks! is an opera in four scenes by Gian Carlo Menotti with an original English libretto by the composer. It was commissioned by the Hamburg State Opera and first performed as "Hilfe, Hilfe, die Globolinks!" in a German translation by on December 21, 1968 in a double bill with Menotti's "Amahl and the Night Visitors". The opera had its English language premiere on August 1, 1969 in the United States at the Santa Fe Opera in a double bill with Igor Stravinsky's "The Nightingale". Both premiere productions were directed by the composer. Many of the cast members from the Santa Fe production reprised their roles for the work's New York debut at the New York City Opera in December 1969.
Document 8: Fantaisie for piano and orchestra (Debussy): "Fantaisie" for piano and orchestra, L. 73, is a composition for piano and orchestra by French composer Claude Debussy. It was composed between October 1889 and April 1890 but it received its first public performance only in 1919, a year after Debussy's death, in London by the Royal Philharmonic Orchestra with Alfred Cortot as soloist. It is Debussy's only composition for piano and orchestra and, even though it is written in a three movement form, it was not composed as a Piano Concerto. Today it is one of Debussy's least frequently performed works.　This work is dedicated to the pianist René Chansarel, who had been scheduled to play the solo part for the cancelled premiere in 1890.
Document 9: Léo Delibes: Clément Philibert Léo Delibes (] ; 21 February 1836 – 16 January 1891) was a French composer of the Romantic era (1815–1910), who specialised in ballets, operas, and other works for the stage. His most notable works include the ballets "Coppélia" (1870) and "Sylvia" (1876), as well as the operas "Le roi l'a dit" (1873) and "Lakmé" (1883).
Document 10: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 11: The Consul: The Consul is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera.
Document 12: The Last Savage: The Last Savage is an opera in three acts by composer Gian Carlo Menotti. Menotti wrote his own libretto, originally in the Italian language ("L'ultimo selvaggio"). The opera was translated into French ("Le dernier sauvage") by Jean-Pierre Marty for the work's first (private) performance at the Opéra-Comique in Paris on 21 October 1963, followed the next day by the public premiere. George Mead translated the work into English for the opera's American premiere at the Metropolitan Opera the following year.
Document 13: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 14: Amelia Goes to the Ball: Amelia al ballo ("Amelia Goes to the Ball") is a one-act "opera buffa" by Gian Carlo Menotti, who set his own Italian libretto. Composed during 1936 when Menotti was in his mid-twenties, it was the composer's first mature opera and first critical success. The opera recounts a series of farcical events as a young Italian socialite overcomes obstacles to her attendance at the first ball of the season.
Document 15: Umberto Giordano: Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas.
ground_truth: Claude Debussy