Question: What is the name of the sister act of this American funk band that recorded The Electric Spanking of War Babies that pioneered the funk music culture of the 1970s?

full_context: Document 1: Amp Fiddler: Joseph "Amp" Fiddler is an American keyboardist, sound designer, singer, songwriter and record producer from Detroit, Michigan, U.S.. His musical styles include funk, soul, dance and electronica music. He is probably best known for his contributions to the band Enchantment, and as part of George Clinton’s Parliament and Funkadelic groups from 1985 until 1996. His first solo album "Waltz of a Ghetto Fly" was released in March 2004. His most recent album, "Motor City Booty", was released in 2016.
Document 2: War Babies (War Babies album): War Babies is the debut and only album by the band War Babies, who disbanded in 1993. The album was released by Columbia Records in 1991 and re-issued by German label UlfTone Music in 2003 and French company Bad Reputation in 2007, respectively.
Document 3: The Gap Band: The Gap Band was an American R&B and funk band which rose to fame during the 1970s and 1980s. With the nucleus consisting of brothers Charlie, Ronnie, and Robert Wilson. The band is named after streets (Greenwood, Archer, and Pine) in the historic Greenwood neighborhood in their hometown of Tulsa, Oklahoma. The group shortened its name to "The Gap Band" in 1973. After 43 years together, they retired in 2010.
Document 4: The Electric Spanking of War Babies: The Electric Spanking of War Babies is the 13th studio album by the American funk band Funkadelic, released in April of 1981 on Warner Bros. Records. The title is an allusion to the Vietnam War and baby boomers. It includes many relative newcomers to P-Funk, many of whom remained employed by George Clinton on future releases under his own name or under the name George Clinton & the P-Funk All-Stars. Sly Stone is a collaborator on this album. Clinton originally planned on this being a double album, but the idea was quashed by Warner Brothers. Some of the deleted tracks appeared on later P-Funk releases, most notably the 1982 hit single "Atomic Dog" which appeared on the first George Clinton solo album, "Computer Games".
Document 5: Ain't but the One Way: Ain't But the One Way is the tenth and final album by Sly and the Family Stone, released by Warner Bros. Records in 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album "The Electric Spanking of War Babies". While working on "Ain't But the One Way", Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, "Ain't But The One Way" underperformed and marked the end of Sly Stone's career with Warner Bros. Records.
Document 6: Funk: Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
Document 7: The Meters: The Meters are an American funk band based in New Orleans, Louisiana. The band performed and recorded their own music from the late 1960s until 1977. The band played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, and Dr. John. The Meters acted as the house band for Allen Toussaint's New Orleans soul classics of the 1960s and are responsible for bringing New Orleans second line grooves into popular music.
Document 8: Funkadelic: Funkadelic is an American band that was most prominent during the 1970s. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of that decade.
Document 9: Funky Monks: Funky Monks is a 1991 documentary (also the title of a song from the 1991 album "Blood Sugar Sex Magik") about the rock band Red Hot Chili Peppers and the recording of their highly successful 1991 Warner Bros. debut "Blood Sugar Sex Magik". The album was produced by Rick Rubin and recorded in The Mansion, a supposedly haunted house which Rubin now owns. The 60-minute documentary, which was filmed in black-and-white, features footage of the band recording many of the tracks that made the album, and tracks that didn't make the album although would be released as singles and b-sides (such as "Soul to Squeeze" and "Sikamikanico"). It also features interviews from each member of the band, as well as Rick Rubin and the band's former and longtime manager, Lindy Goetz. Footage from the documentary was compiled for use in the "Suck My Kiss" music video, which was released in 1992. "Funky Monks" was originally released on VHS but was re-released on DVD. It was filmed and directed by Gavin Bowden.
Document 10: Funk rock: Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
Document 11: The Music Band – Jazz: The Music Band – Jazz is an album by War, the fifth and final entry in their "Music Band" series, released on MCA Records in 1983. It consists of outtakes from sessions for their 1979 albums "The Music Band" and "The Music Band 2", and features several lineups of the band which existed that year. War were no longer recording for MCA when this album was released, and no singles from the album were issued. Track one was probably recorded/written in 1979, when B.B.Dickerson was still in band and before Charles Miller was murdered. Track two could have been recorded/written anytime up to 1979.
Document 12: Grand Funk Railroad: Grand Funk Railroad, sometimes shortened as Grand Funk, is an American rock band popular during the 1970s, when they toured extensively and played to packed arenas worldwide. David Fricke of "Rolling Stone" magazine once said, "You cannot talk about rock in the 1970s without talking about Grand Funk Railroad!" Known for their crowd-pleasing arena rock style, the band was well-regarded by audiences despite a relative lack of critical acclaim. The band's name is a play on words of the Grand Trunk Western Railroad, a line that ran through the band's home town of Flint, Michigan.
Document 13: The Electric Spanking of War Babies (song): "The Electric Spanking of War Babies" is the title track from the last album recorded by the American funk band Funkadelic. The song was released as a single in 1981 by Warner Bros. Records. Instrumentally the track was constructed by co-writer Walter Morrison. It charted on the "Billboard" R&B chart, peaking at number 60.
Document 14: Plush Funk: Plush Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
Document 15: Make Love Fuck War: "Make Love Fuck War", also called "MKLVFKWR", is a song by electronica musician Moby and hip hop group Public Enemy. The song is featured on "Unity: The Official Athens 2004 Olympic Games Album" and Public Enemy's album, "New Whirl Odor". It was initially released as a protest to the 2003 Iraq War; the music video combines footage from 2002–2003 urban protests against the war with footage from previous concerts of both participants in the single.
ground_truth: Parliament