Question: Ludwig van Beethoven's Cello Sonata No. 3 in A major, Op. 69 was written in 1808, in the same year Beethoven also completed and published his Fifth and Sixth Symphonies, composed and completed in 1808, which was first performed in the Theater an der Wien on which date, in a four-hour concert?

full_context: Document 1: Choral Fantasy (Beethoven): The Fantasy (Fantasia) for piano, vocal soloists, chorus, and orchestra, Op. 80 , was composed in 1808 by Ludwig van Beethoven. It is known as the Choral Fantasy ("Chorphantasie"). Beethoven wrote the piece to conclude the "Akademie", a benefit concert for him on 22 December 1808, performed by soloists, chorus and orchestra. The long program presented also the first performances of his Fifth and Sixth Symphonies and the Fourth Piano Concerto. Beethoven was the composer of all pieces, the pianist and the conductor.
Document 2: Symphony No. 9 (Beethoven): The Symphony No. 9 in D minor, Op. 125, is the final complete symphony composed from 1822 to 1824 by the German composer Ludwig van Beethoven. It was first performed in Vienna on 7 May 1824. The symphony is one of the best-known works in common practice music. It is widely viewed by critics as one of Beethoven's greatest works, the pinnacle of musical Classicism, and one of the greatest compositions in the western musical canon. The symphony was the first example of a major composer using voices in a symphony (thus making it a choral symphony). The words are sung during the final movement by four vocal soloists and a chorus. They were taken from the "Ode to Joy", a poem written by Friedrich Schiller in 1785 and revised in 1803, with text additions made by the composer. In the 2010s, it stands as one of the most performed symphonies in the world.
Document 3: Beethoven concert of 22 December 1808: The Beethoven concert of 22 December 1808 was a benefit concert held for Ludwig van Beethoven at the Theater an der Wien in Vienna that featured the public premieres of Beethoven's Fifth and Sixth Symphonies, the Fourth Piano Concerto and the Choral Fantasy. This concert, then called an "Akademie", occurred in a very cold hall and was approximately four hours duration. Its featured performers were an orchestra, chorus, vocal soloists, and the composer as piano soloist. Beethoven biographer Barry Cooper refers to the concert, in terms of its content, as the "most remarkable" of Beethoven's career.
Document 4: Piano Sonata No. 3 (Brahms): The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven and the classical style, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
Document 5: Symphony No. 6 (Mozart): Symphony No. 6 in F major, K. 43, was composed by Wolfgang Amadeus Mozart in 1767. According to Alfred Einstein in his 1937 revision of the Köchel catalogue, the symphony was probably begun in Vienna and completed in Olomouc, a Moravian town to which the Mozart family fled to escape a Viennese smallpox epidemic; see Mozart and smallpox.
Document 6: Symphony No. 6 (Beethoven): The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: "Pastorale"), is a symphony composed by Ludwig van Beethoven, and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, the symphony was first performed in the Theater an der Wien on 22 December 1808 in a four-hour concert.
Document 7: Piano Sonata No. 3 (Beethoven): Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, is a sonata written for solo piano, composed in 1795. It is dedicated to Joseph Haydn and is often referred to as Beethoven's first virtuosic piano sonata. The three Opus 2 sonatas all contain four movements each, an unusual length which seems to show that Beethoven was aspiring towards composing a symphony. It is both the weightiest and longest of the three Opus 2 sonatas, lasting over 25 minutes, presenting many difficulties, including difficult trills, awkward hand movements, and forearm rotation. It is Beethoven's second longest piano sonata in his early period, only to Beethoven's Grand Sonata in E-flat Major, Op. 7, published a year later.
Document 8: Cello Sonata No. 3 (Beethoven): Ludwig van Beethoven's Cello Sonata No. 3 in A major, Op. 69 was written in 1808, Beethoven's second compositional period. Composed in the same year were the two piano trios of Op. 70 and the Choral Fantasy; in the same year Beethoven also completed and published his Fifth and Sixth Symphonies. The sonata was dedicated to Baron Ignaz von Gleichenstein and first performed in March 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann. Beethoven composed five sonatas for cello and piano over his lifetime; Steven Isserlis described his third sonata as the first cello sonata in history to give equally important parts to both of the instruments.
Document 9: Violin Sonata No. 5 (Beethoven): The Violin Sonata No. 5 in F major, Opus 24, is a violin sonata by Ludwig van Beethoven. It is often known as the "Spring Sonata" ("Frühlingssonate"), and was published in 1801. Its dedicatee was Count Moritz von Fries, a patron to whom Beethoven also dedicated two other works of the same year—the C major string quintet and the fourth violin sonata—as well as his later seventh symphony.
Document 10: Violin Sonata No. 1 (Beethoven): Ludwig van Beethoven's Violin Sonata No. 1 in D major is a violin sonata from his Opus 12 set, along with his Violin Sonata No. 2 and Violin Sonata No. 3. It was written in 1798 and dedicated to Antonio Salieri. Being an early work written around the period when Beethoven studied with Haydn, the sonata is for the most part written in a classical style much like that of Mozart or Haydn.
Document 11: Symphony No. 5 (Beethoven): The Symphony No. 5 in C minor of Ludwig van Beethoven, Op. 67, was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". The symphony consists of four movements. The first movement is Allegro con brio; the second movement is Andante con moto; the third movement is a Scherzo Allegro; the fourth movement is Allegro.
Document 12: Cello sonata: A cello sonata is usually a sonata written for solo cello or small instrument ensemble. The most famous Romantic-era cello sonatas are those written by Johannes Brahms and Ludwig van Beethoven. Some of the earliest cello sonatas were written in the 18th century by Francesco Geminiani and Antonio Vivaldi.
Document 13: Violin Sonata No. 2 (Beethoven): The Violin Sonata No. 2 of Ludwig van Beethoven in A major, the second of his Opus 12 set (along with his Violin Sonata No. 1 and Violin Sonata No. 3), was written in 1797-8 and dedicated to Antonio Salieri. It has three movements:
Document 14: Symphony No. 6 (Mahler): Symphony No. 6 in A minor by Gustav Mahler is a symphony in four movements, composed in 1903 and 1904 (revised 1906; scoring repeatedly revised). Mahler conducted the work's first performance at the concert hall in Essen on May 27, 1906. It is sometimes referred to by the nickname "Tragische" ("Tragic"). Mahler composed the symphony at what was apparently an exceptionally happy time in his life, as he had married Alma Schindler in 1902, and during the course of the work's composition his second daughter was born. This contrasts with the tragic, even nihilistic, ending of No. 6. Both Alban Berg and Anton Webern praised the work when they first heard it. Berg expressed his opinion of the stature of this symphony in a 1908 letter to Webern:
Document 15: Symphony No. 6 (Tchaikovsky): The Symphony No. 6 in B minor, Op. 74, Pathétique is Pyotr Ilyich Tchaikovsky's final completed symphony, written between February and the end of August 1893. The composer entitled the work "The Passionate Symphony", employing a Russian word, Патетическая ("Pateticheskaya"), meaning "passionate" or "emotional", that was then mistranslated into French as "pathétique", "evoking pity", yet the mistranslation survived subsequent productions in every country but Russia. The composer led the first performance in Saint Petersburg on 16/28 October of that year, nine days before his death. The second performance, conducted by Eduard Nápravník, took place 21 days later, at a memorial concert on 6/18 November. It included some minor corrections that Tchaikovsky had made after the premiere, and was thus the first performance of the work in the exact form in which it is known today. The first performance in Moscow was on 4/16 December, conducted by Vasily Safonov. It was the last of Tchaikovsky's compositions premiered in his lifetime; his last composition of all, the single-movement 3rd Piano Concerto, Op. 75, which was completed in October 1893, a short time before his death, received a posthumous premiere.
ground_truth: 22 December 1808