Question: A version of "Over the Hills and Far Away" appears in an opera with music arranged by who?

full_context: Document 1: See Saw Margery Daw: "See Saw Margery Daw" is a popular English language nursery rhyme, folksong and playground singing game. The rhyme first appeared in its modern form in "Mother Goose's Melody", published in London in around 1765. It has a Roud Folk Song Index number of 13028.
Document 2: Farewell to Nova Scotia: "Farewell to Nova Scotia" is a popular folk song from Nova Scotia of unknown authorship. Versions of the song were collected by folklorist Helen Creighton, first in 1933 from Ann Greenough in Petpeswick, Nova Scotia, and then from other singers in surrounding communities along the province's Eastern Shore. It is believed to have been written just prior to or during the First World War. "Farewell to Nova Scotia" brings the listener back to an age when Nova Scotia was renowned for "wooden ships and iron men". The song appears in the Penguin Book of Canadian Folk Songs. In 1808 a Glasgow newspaper printed "The Soldier's Adieu", attributed to Robert Tannahill. It has several lines and phrases in it that suggest it was a source of inspiration for the song. The song is catalogued as Roud Folk Song Index No. 384.
Document 3: Over the Hills and Far Away (traditional song): "Over the Hills and Far Away" is a traditional British song, dating back to at least the late 17th century. One version was published in Thomas D'Urfey's "Wit and Mirth, or Pills to Purge Melancholy"; a very different one appeared in George Farquhar's 1706 play "The Recruiting Officer". A version also appears in John Gay's "The Beggar's Opera" of 1728.
Document 4: Imminent, Indeed: Imminent, Indeed (or "Polly Peachum's Peculiar Penchant for Plosives") is a gothic adaptation of John Gay’s "The Beggar’s Opera". Written and directed by Bryn Manion with the assistance of Wendy Remington, and leading man, Sam. Produced by the Creatives and the founding board members of the company of Aisling Arts. This adaptation focuses on Polly Peachum's side of the story and her world as it trips alongside that of Jenny Diver, a new Peachum brother, several comically nefarious underlings, and of course, the ever villainous Henry Macheath (known as "Mack the Knife" in the Bertolt Brecht and Kurt Weill adaptation, "The Threepenny Opera").
Document 5: The Hills of Connemara: "The Hills of Connemara" is an Irish folk song written by Sean McCarthy about Irish moonshine, or Poitín. In the song, the drink is referred to as "mountain tea" ("tay" to rhyme with "day"). The punch line to the song is that the tax collectors ("excise men") find the cache of moonshine and begin "drinkin' it straight". "Tae", pronounced "tay" is gaelic for "tea".
Document 6: Polly (opera): Polly is a ballad opera with text by John Gay and music by Johann Christoph Pepusch. It is a sequel to Gay's "The Beggar's Opera". Due to censorship, the opera was not performed in Gay's lifetime. It had its world premiere on 19 June 1777 at the Haymarket Theatre in London. A revised and edited version of the score by Clifford Bax and Frederic Austin premiered on 30 December 1922 at the Kingsway Theatre in London.
Document 7: The Beggar's Opera (film): The Beggar's Opera is a 1953 Technicolor film version of John Gay's 1728 ballad opera directed by Peter Brook and starring Laurence Olivier, Dorothy Tutin, Stanley Holloway and others. Olivier and Holloway do their own singing in this film, but Dorothy Tutin and several others were dubbed. This was Laurence Olivier's only film musical.
Document 8: Frederic Austin: Frederic Austin (30 March 187210 April 1952) was an English baritone singer, a musical teacher and composer in the period 1905–30. He is best remembered for his restoration and production of "The Beggar's Opera" by John Gay and Johann Christoph Pepusch, and its sequel, "Polly", in 1920–23. Austin was the older brother of the composer Ernest Austin (1874–1947).
Document 9: The Threepenny Opera: The Threepenny Opera (Die Dreigroschenoper ) is a "play with music" by Bertolt Brecht and Elisabeth Hauptmann, adapted from John Gay's 18th-century English ballad opera, "The Beggar's Opera", with music by Kurt Weill and insertion ballads by François Villon and Rudyard Kipling. Although Hauptmann produced 80 to 90 percent of the text, Brecht suppressed this and assumed sole credit, and is usually listed as sole author in printed versions.
Document 10: The Lass of Richmond Hill: "The Lass of Richmond Hill", also known as "The Sweet Lass of Richmond Hill", is a song written by Leonard McNally with music composed by James Hook, and was first publicly performed in 1789. It was said to be a favourite of George III and, at one time, was thought to have been written by his son, George IV. It is a love ballad which popularized the poetic phrase "a rose without a thorn" as a romantic metaphor. Associated with the English town of Richmond in North Yorkshire, it is now often mistakenly considered to be a traditional or folk song, and has even been assigned the number 1246 on the Roud Folk Song Index. The music is also used as a military march by the British army.
Document 11: Jack and Jill (nursery rhyme): "Jack and Jill" (sometimes "Jack and Gill", particularly in earlier versions) is a traditional English nursery rhyme. The Roud Folk Song Index classifies this tune and its variations as number 10266. The rhyme dates back at least to the 18th century and exists with different numbers of verses each with a number of variations. Several theories have been advanced to explain its origins and to suggest meanings for the lyrics.
Document 12: Long, Long Ago: "Long, Long Ago" is a song dealing with nostalgia, written in 1833 by English composer Thomas Haynes Bayly. Originally called "The Long Ago", its name was apparently changed by the editor Rufus Wilmot Griswold when it was first published, posthumously, in a Philadelphia magazine, along with a collection of other songs and poems by Bayly. The song was well received, and became one of the most popular songs in the United States in 1844.
Document 13: The Beggar's Opera: The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.
Document 14: London Bridge Is Falling Down: "London Bridge Is Falling Down" (also known as "My Fair Lady" or "London Bridge") is a traditional English nursery rhyme and singing game, which is found in different versions all over the world. It deals with the depredations of London Bridge and attempts, realistic or fanciful, to repair it. It may date back to bridge rhymes and games of the Late Middle Ages, but the earliest records of the rhyme in English are from the seventeenth century. The lyrics were first printed in close to their modern form in the mid-eighteenth century and became popular, particularly in Britain and the United States in the nineteenth century.
Document 15: Captain Macheath: Captain Macheath is a fictional character who appears both in John Gay's "The Beggar's Opera" (1728), its sequel "Polly" (1777), and roughly 200 years later in Bertolt Brecht's "The Threepenny Opera".
ground_truth: Johann Christoph Pepusch