Question: Which filmmaker was born first, René Clair or Emilio Fernández?

full_context: Document 1: René Ferté: René Ferté (1903–1958) was a Swiss actor who worked principally in the French cinema, from 1923 onwards. He is mostly known for performances in a series of silent films directed by Jean Epstein. His roles in sound films were generally less notable, though he appeared in Fritz Lang's "Le Testament du docteur Mabuse" (French version), and he took the title role in the 1934 sound remake of "Judex". After the outbreak of the Second World War he ceased working in films.
Document 2: Le Million: Le Million is a 1931 French musical comedy film directed by René Clair.The story was adapted by Clair from a play by Georges Berr and Marcel Guillemand.
Document 3: Comedy in the Golden Age of Mexican cinema: Film became popular and well known in Mexico during “El Porfiriato” which represents the reign of Porfirio Díaz as dictator in Mexico. On August 6, 1896 the first films began to be released and were called/known as “Vistas”. In other words, views. At the time, the Catholic Church and the press were strongly opposed to the “vistas” because of the violence and women that was portrayed. They protested against them. Another important aspect was the projection of the Mexican Revolution to the public through film. It was a way for many to understand what was happening politically. Many agree that rather than the Mexican Revolution being a repression for the film industry, it was more of a motivator in the way it portrayed every battle and struggle. With the positive energy that the Mexico’s film industries was receiving, it began to evolve into “El Cine Sonoro” which translates to the cinema of sound. This was the era in which sound was being added into the silent films. Sadly, it was not as successful as many directors and film maker though it would be. Many failed to correctly synchronize the audio with the picture. Although to some extent it may have been unsuccessful, it is agreeable that it helped revolutionize film in Latin America. Mexico’s film industry takes its height post “El Cine Sonoro” to what is known as “The Golden Age”. Many film members consider this one of the most successful eras in the history of Mexican cinema. Many recognize the films of this era when they see black and white. It is also important to note that the films also portrayed social issues. Some of the most influential directors and actors are Emilio Fernández, Raul De Anda, Roberto B. Cervenna, Cantinflas, Vitola, Tin Tan, etc. The focus of this article will be on some of top grossing comedian actors of the time Cantinflas, Tin Tan, Clavillazo and others.
Document 4: Jaime Fernández (actor): Jaime Fernández Reyes (December 6, 1937 – April 15, 2005) was a Mexican actor. Over his career, he won 3 Silver Ariel awards - the Mexican equivalent of the Oscar - including one for what is arguably his best-known role, playing Friday in Luis Buñuel's "Robinson Crusoe". He appeared in over 200 films and served as the General Secretary of the Mexican actors' union for 11 years. His older brother was actor/director Emilio Fernández.
Document 5: Jean Renoir: Jean Renoir (] ; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films "La Grande Illusion" (1937) and "The Rules of the Game" (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's "Sight & Sound" poll of critics in 2002 as the fourth greatest director of all time. Among numerous honors accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir. He was one of the first filmmakers to be known as an "auteur".
Document 6: Emilio Fernández: Emilio "El Indio" Fernández (born Emilio Fernández Romo, ] ; March 26, 1904 – August 6, 1986) was a Mexican film director, actor and screenwriter. He was one of the most prolific film directors of the Golden Age of Mexican cinema in the 1940s and 1950s. He is best known for his work as director of the film "Maria Candelaria" (1944), which won the Palme d'Or award at the 1946 Cannes Film Festival. As an actor, he worked in numerous film productions in Mexico and in Hollywood.
Document 7: René Clair Award: René Clair Award (French: "Prix René-Clair" ) is an award instituted in 1994 and presented by the "Académie française" for achievements in the field of cinema. The prize was named after the French filmmaker René Clair.
Document 8: René Clair: René Clair (11 November 1898 – 15 March 1981) born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include "The Italian Straw Hat" (1928), "Under the Roofs of Paris" (1930), "Le Million" (1931), "À nous la liberté" (1931), "I Married a Witch" (1942), and "And Then There Were None" (1945).
Document 9: Cantinflas: Mario Fortino Alfonso Moreno Reyes, known casually as Mario Moreno, and known professionally as Cantinflas (August 12, 1911 – April 20, 1993), was a Mexican comic film actor, producer, and screenwriter and an iconic figure in Mexico and Latin America. He often portrayed impoverished "campesinos" or a peasant of "pelado" origin. The character came to be associated with the national identity of Mexico, and allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was the best comedian alive, and Moreno has been referred to as the "Charlie Chaplin of Mexico". To audiences in the United States, he is best remembered as co-starring with David Niven in the Academy Award winner for Best Picture film "Around the World in 80 Days", for which Moreno won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
Document 10: María Félix: María de los Ángeles Félix Güereña (] (8 April 1913 – 8 April 2002) was a Mexican film actress and singer. She was considered one of the most important female figures of the Golden Age of Mexican cinema. She was also considered one of the most beautiful film actresses of her time, and one of the greatest erotic myths of the Spanish-language cinema. Along with Pedro Armendáriz and Dolores del Río, she was one of the most successful figures of the Latin American cinema in the 1940s and 1950s.
Document 11: Man About Town (1947 film): Man About Town (original title: Le Silence est d'or - "Silence is golden") is a 1947 French-American film written and directed by René Clair. It was released in a shortened version in the USA as Man About Town (see below). The film marked Clair's return to working in France after twelve years abroad in Britain and the USA.
Document 12: René Clément: René Clément (] ; 18 March 1913 – 17 March 1996) was a French film director and screenwriter.
Document 13: Fernando Fernández (actor): Fernando Fernández "El Crooner de México" (1916–1999) was a Mexican actor and singer. He was born on November 9, 1916, in Monterrey, Mexico, and died in Mexico City, Mexico, on November 24, 1999. Fernando was the son of Eloisa Reyes. He was brother of the famous film director Emilio Fernández and actor Jaime Fernández. He was married to singer Lupita Palomera, who died in 2008. Fernando Fernández was known as "the Crooner of Mexico."
Document 14: Alain Resnais: Alain Resnais (] ; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included "Night and Fog" (1955), an influential documentary about the Nazi concentration camps.
Document 15: Flor Silvestre filmography: Mexican singer Flor Silvestre, one of the most iconic performers of Mexican and Hispanic music, is also a prolific and versatile actress of Mexican cinema's "golden age". In her 40-year acting career, she played leading and supporting roles in more than 70 feature films of various genres. She was one of the most sought-after actresses of the late 1950s, and, as a result, 30 of her films were released in only four years (1957-1960). She worked with film directors Zacarías Gómez Urquiza, Vicente Oroná, Miguel M. Delgado, Jaime Salvador, Chano Urueta, Roberto Gavaldón, Gilberto Martínez Solares, Miguel Contreras Torres, Rogelio A. González, Ismael Rodríguez, Gilberto Gazcón, Benito Alazraki, Miguel Zacarías, René Cardona, and Mario Hernández.
ground_truth: René Clair