Question:  Acid Brass is a musical collaboration between Turner-Prize-winning artist Jeremy Deller and the Williams Fairey Brass Band and based on fusing the music of a traditional brass band with acid house and Detroit techno, a type of techno music that generally includes the first techno productions by Detroit-based artists during what years?

full_context: Document 1: Blake Baxter: Blake Baxter (born 1963) is an American techno musician, associated with the first wave of Detroit techno. Allmusic called him "perhaps the most underrated figure" of the early Detroit techno scene.
Document 2: Fairey Band: The Fairey Band is a brass band based in Heaton Chapel in Stockport, Greater Manchester. The band has achieved fame in modern music circles with its appearances playing Acid Brass although they still play traditional brass band music and participate each year in the Whit Friday Brass Band contests.
Document 3: British brass band: A British brass band is a musical ensemble comprising a standardised range of brass and percussion instruments. The modern form of the brass band in the United Kingdom dates back to the 19th century, with a vibrant tradition of competition based around communities and local industry, with colliery bands being particularly notable. The Stalybridge Old Band (still in existence) was formed in 1809 and was perhaps the first civilian brass band in the world.
Document 4: Tech house: Tech house is a subgenre of house music that mixes elements of techno with house. The term "tech house" developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
Document 5: Acid Brass: Acid Brass is a musical collaboration between Turner-Prize-winning artist Jeremy Deller and the Williams Fairey Brass Band. The project is based on fusing the music of a traditional brass band with acid house and Detroit techno.
Document 6: Detroit techno: Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Detroit has been cited as the birthplace of techno. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Santonio Echols, Will Thomas and Mike Banks.
Document 7: Acid house: Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
Document 8: Acid trance: Acid trance is a genre of trance music that emerged in the late 1980s and early 1990s focusing on using the acid sound. The trademark sound of "acid" is produced with a Roland TB-303 by playing a sequenced melody while altering the instrument's filter cutoff frequency, resonance, envelope modulation, and accent controls. This real-time tone adjustment was not part of the instrument's original intended operation. Acid trance is the best known form of trance music in Belgium. The form was first showcased at the popular Antwerp Rave 24 in Belgium, and has created four national number one singles in the country since.
Document 9: Richie Hawtin: Richard "Richie" Hawtin (born June 4, 1970) is a Canadian electronic musician and DJ and three-time DJ Awards winner. He was an influential part of Detroit techno's second wave of artists in the early 1990s and has been a leading exponent of minimal techno since the mid-1990s. He is best known for his work under the alias Plastikman and for his ENTER. events in Ibiza and around the world.
Document 10: DJ Pierre: Nathaniel Pierre Jones, better known by his stage name DJ Pierre, is an American DJ and performer of house music based in Chicago. He helped to develop the house music subgenre of acid house, as member of Phuture, whose 1987 EP "Acid Tracks", is considered the first acid-house recording. Allmusic.com calls Jones a crucial DJ and the production wizard partly responsible for the development of Chicago acid-house. Jones' first single, "Generate Power," became standard fare for scores of producers during the next few years. Philippe Renaud, a journalist for "La Presse" in Montreal, states that the term "acid house" was coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year.
Document 11: Detroit Music Awards: The Detroit Music Awards (DMA) was initially proposed in 1988. Presented by the Motor City Music Foundation, the multi-genre awards ceremony was established to bring recognition to Detroit area musicians. The first award show was held in 1992 at Detroit's Music Hall, and moved to the State Theatre in 1993. In 1998, the organization merged with the Metro Times-sponsored Detroit Music Awards. It has now held at The Fillmore Detroit theatre annually in April. Since its inception, the DMA has featured some of Detroit's most notable musical artists; including Bob Seger, The Clark Sisters, Eminem, George Clinton and Parliament, Glenn Frey, Grand Funk Railroad, Kid Rock, Martha Reeves, The Miracles, Insane Clown Posse, Smokey Robinson, Ted Nugent, and Was Not Was.
Document 12: The Laboratory Project: The Laboratory Project is an organisation founded by entrepreneur and former Ministry of Sound Operations Director, Tony Rigg. Its aim is to provide a platform to expose brilliant music with their "Taste Masters" compilation series. "Taste Masters" was officially launched on 30 October 2010 at Fac 251 (The Factory) in Manchester, a club owned in part, by ex-Joy Division/New Order bassist Peter Hook, with the objective of recognising real musicianship. Rigg and Peter (Hooky) Hook also went on to develop the innovative Master of Arts programme in Music Industry Management & Promotion at the University of Central Lancashire which was launched in September 2012 in association with Factory.
Document 13: Underground dance music: The term underground dance music (short version in music jargon: UDM) has been applied to artistic dance music movements, such as early 1970s disco and 1980s Chicago house, but the term has since then come to be defined by any electronic dance or house music artist/band that avoids becoming a trend/mainstream nowadays. Other early "underground dance music" artists include Little Louie Vega, Tony Humphries, Larry Levan, David Mancuso, Frankie Knuckles, Nicky Siano, Lenties Deep and many others. In the late 1970s, the term underground dance music was associated with the music initially played at places like Paradise Garage, The Loft and The Warehouse.
Document 14: Rave music: Rave music may either refer to the late 1980s/early 1990s genres of house, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. The genre "rave", also known as hardcore by early ravers, first appeared amongst the UK "acid" movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations. The genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass and 2-step, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore. Rave music is usually presented in a DJ mix set, although live performances are not uncommon.
Document 15: Roland TB-303: The Roland TB-303 Bass Line is a bass synthesizer with built-in sequencer manufactured by the Roland Corporation. The TB-303 is a monophonic synthesizer, which means that it can only play one note at a time; it is monotimbral; it uses a sawtooth and square wave oscillator; and it has an 18dB low pass resonant filter. The TB-303 is used by DJs and record producers to perform and program basslines. Released from 1981 to 1984, it had a defining role in the development of contemporary electronic dance music. The TB-303 played an important role in the development of house music, influencing Chicago house. The "squelchy" sound of the TB-303 was a key part of acid house's sound. The TB-303 is also commonly used in related dance genres such as acid techno and acid trance. In the 2010s, some DJs and record producers continue to use TB-303 units for their authentic tone and sound; as well, TB-303 basslines from vintage tracks have been sampled for use in 2010s-era songs. As with any synthesizer, the TB-303 can be processed with effects units to produce different sounds.
ground_truth: the 1980s and early 1990s