Question: Where did the creator of Ode to Joy die?

full_context: Document 1: The Bride of Messina: The Bride of Messina () is a tragedy by Friedrich Schiller; it premiered on 19 March 1803 in Weimar. It is one of the most controversial works by Schiller, due to his use of elements from Greek tragedies (which were considered obsolete at the time it was written).
Document 2: King Roger: The "Sicilian drama", as he called it, originated from Szymanowski's enthusiasm for Mediterranean culture as a melting pot of different peoples and religions. He spent much time travelling in that area in 1911 and in 1914, and shared his love of the region with Iwaszkiewicz. In the summer of 1918 at Odessa, Ukraine, Szymanowski and Iwaszkiewicz conceived the project, and composed the opera over the period of 1918 to 1924. Szymanowski's lost novel "Efebos" dealt with mystical themes similar to those that inspired this work; Szymanowski labelled it a "Misterium".
Document 3: Anthem of Europe: "Anthem of Europe" is the anthem used by the Council of Europe to represent Europe as a whole and the European Union. It is based on "Ode to Joy" from the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations.
Document 4: Ode to Joy: ``Ode to Joy ''(German:`` An die Freude'' (an diː ˈfʁɔʏdə), first line: ``Freude, schöner Götterfunken '') is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
Document 5: Troilus and Cressida: Troilus and Cressida () is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate".
Document 6: Hérodiade: The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's "Salome", which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play."
Document 7: Ode to the West Wind: "Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 near Florence, Italy. It was originally published in 1820 by Charles in London as part of the collection "Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems". Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William (born to Mary Shelley) in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", "Prometheus Unbound", and "England in 1819"—take up these same themes of political change, revolution, and role of the poet.
Document 8: Ode to Joy: "Ode to Joy" (German: ), is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in "Thalia". A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
Document 9: Hymne an Deutschland: Its lyrics were written by Rudolf Alexander Schröder in 1950. Hermann Reutter composed its tune after Carl Orff, whom Heuss wanted to have as composer, had rejected the request and suggested Reutter instead. Heuss’ attempts failed, and in 1952 he and Chancellor Adenauer recognized the "Deutschlandlied" as the new national anthem, with only the third stanza being sung on official occasions.
Document 10: Mitridate, re di Ponto: Mozart wrote "Mitridate" while touring Italy in 1770. The musicologist Daniel E. Freeman has recently demonstrated that it was composed with close reference to the opera "La Nitteti" by Josef Mysliveček. The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during the summer of 1770 while Wolfgang was working on "Mitridate". Mozart gained expertise in composition from his older friend and also incorporated some of his musical motives into his own operatic setting. The opera was first performed at the Teatro Regio Ducal, Milan, on 26 December 1770 (at the Milan Carnival). It was a success, having been performed twenty-one times despite doubts because of Mozart's extreme youth – he was 14 at the time. No revival took place until the 20th century. This opera features virtuoso arias for the principal roles, but only two ensemble numbers: the act 2 ending duet between Aspasia and Sifare ("Se viver non degg’io"), and the brief quintet that ends the opera, very characteristic of standard baroque opera seria where the opera ends with a short "coro" or "tutti" number.
Document 11: Oberon (poem): Oberon is an epic poem by the German writer Christoph Martin Wieland. It was based on the epic romance "Huon de Bordeaux", a French medieval tale, and influenced by Shakespeare's "A Midsummer Night's Dream" and Alexander Pope's version of Geoffrey Chaucer's "The Merchant's Tale". It first appeared in 1780 and went through seven rewrites before its final form was published in 1796.
Document 12: Ode (poem): Ode is a poem written by the English poet Arthur O'Shaughnessy and first published in 1873. It is often referred to by its first line We are the music makers.
Document 13: Johann Strauss III: Despite his keen interest in composing, he was better remembered as a conductor. His only stage work, the three-act operetta "Katze und Maus", composed in 1898, premiered in Vienna on 23 December 1898, at the Theater an der Wien. Its public reaction bordered on utter dislike, and music critics called for the distraught composer to reassess himself and to appear under a pseudonym, in order not to tarnish the name of his famous relatives. He salvaged the music score and produced independent pieces of which the waltzes "Sylvanien", Op. 1 and "Leonie", Op. 2 survived obscurity.
Document 14: Luise Willer: Luise Willer (1888–1970) was a German operatic contralto. She made her professional opera debut in 1910 as Annius in Wolfgang Amadeus Mozart's "La clemenza di Tito". She spent most of her career performing at the Bavarian State Opera in Munich. At the Bayreuth Festival, she portrayed Brängane in "Tristan und Isolde". She created roles in several world premieres during her career, including Barbara in Erich Wolfgang Korngold's "Violanta" (1916), Lukrezia in Hans Pfitzner's "Palestrina" (1917), Graben-Liese in Franz Schreker's "Das Spielwerk" (1920), and Herzogin in Pfitzner's "Das Herz" (1931) among others.
Document 15: Penthesilea (opera): Penthesilea is a one-act opera by Othmar Schoeck, to a German-language libretto by the composer, after the work of the same name by Heinrich von Kleist. It was first performed at the Staatsoper in Dresden, Germany on 8 January 1927.
ground_truth: Weimar
sub_queries: Who created Ode to Joy? Answer: Friedrich Schiller
Friedrich Schiller >> place of death Answer: Weimar