Question: Who composed a numbered rhapsody named after John Fastolf's birthplace?

full_context: Document 1: Lancashire: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.
Document 2: Normans: In the course of the 10th century, the initially destructive incursions of Norse war bands into the rivers of France evolved into more permanent encampments that included local women and personal property. The Duchy of Normandy, which began in 911 as a fiefdom, was established by the treaty of Saint-Clair-sur-Epte between King Charles III of West Francia and the famed Viking ruler Rollo, and was situated in the former Frankish kingdom of Neustria. The treaty offered Rollo and his men the French lands between the river Epte and the Atlantic coast in exchange for their protection against further Viking incursions. The area corresponded to the northern part of present-day Upper Normandy down to the river Seine, but the Duchy would eventually extend west beyond the Seine. The territory was roughly equivalent to the old province of Rouen, and reproduced the Roman administrative structure of Gallia Lugdunensis II (part of the former Gallia Lugdunensis).
Document 3: Normans: Even before the Norman Conquest of England, the Normans had come into contact with Wales. Edward the Confessor had set up the aforementioned Ralph as earl of Hereford and charged him with defending the Marches and warring with the Welsh. In these original ventures, the Normans failed to make any headway into Wales.
Document 4: Norfolk Rhapsodies: The Norfolk Rhapsodies are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost.
Document 5: Middle Ages: Under the Capetian dynasty France slowly began to expand its authority over the nobility, growing out of the Île-de-France to exert control over more of the country in the 11th and 12th centuries. They faced a powerful rival in the Dukes of Normandy, who in 1066 under William the Conqueror (duke 1035–1087), conquered England (r. 1066–87) and created a cross-channel empire that lasted, in various forms, throughout the rest of the Middle Ages. Normans also settled in Sicily and southern Italy, when Robert Guiscard (d. 1085) landed there in 1059 and established a duchy that later became the Kingdom of Sicily. Under the Angevin dynasty of Henry II (r. 1154–89) and his son Richard I (r. 1189–99), the kings of England ruled over England and large areas of France,[W] brought to the family by Henry II's marriage to Eleanor of Aquitaine (d. 1204), heiress to much of southern France.[X] Richard's younger brother John (r. 1199–1216) lost Normandy and the rest of the northern French possessions in 1204 to the French King Philip II Augustus (r. 1180–1223). This led to dissension among the English nobility, while John's financial exactions to pay for his unsuccessful attempts to regain Normandy led in 1215 to Magna Carta, a charter that confirmed the rights and privileges of free men in England. Under Henry III (r. 1216–72), John's son, further concessions were made to the nobility, and royal power was diminished. The French monarchy continued to make gains against the nobility during the late 12th and 13th centuries, bringing more territories within the kingdom under their personal rule and centralising the royal administration. Under Louis IX (r. 1226–70), royal prestige rose to new heights as Louis served as a mediator for most of Europe.[Y]
Document 6: Symphony No. 6 (Vaughan Williams): Ralph Vaughan Williams's Symphony in E minor, published as Symphony No. 6, was composed in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Document 7: Amadeo Roldán: Roldán's compositions included "Overture on Cuban Themes" (1925), three little poems: ("Oriente", "Pregón", "Fiesta negra": 1926), and two ballets: "La Rebambaramba" (a ballet colonial in two parts: 1928) and "El milagro de Anaquille" (1929). There followed a series of "Rítmicas" (1930), "Poema negra" (1930) and "Tres toques" (march, rites, dance) (1931). The fifth and sixth of his "Rítmicas", composed around the same time as Edgard Varèse's "Ionisation", were among the first works in the Western classical music tradition scored for percussion ensemble alone. In "Motivos de son" (1934) he wrote eight pieces for voice and instruments based on the poet Nicolas Guillen's set of poems with the same title. His last composition was two "Piezas infantiles" for piano (1937). His work was regularly featured in concerts sponsored by the Pan-American Association of Composers, founded by Henry Cowell, including the inaugural, March 1929 performance in New York.
Document 8: Castle: Castles served a range of purposes, the most important of which were military, administrative, and domestic. As well as defensive structures, castles were also offensive tools which could be used as a base of operations in enemy territory. Castles were established by Norman invaders of England for both defensive purposes and to pacify the country's inhabitants. As William the Conqueror advanced through England, he fortified key positions to secure the land he had taken. Between 1066 and 1087, he established 36 castles such as Warwick Castle, which he used to guard against rebellion in the English Midlands.
Document 9: Anglo-Norman language: When William the Conqueror led the Norman conquest of England in 1066, he, his nobles, and many of his followers from Normandy, but also those from northern and western France, spoke a range of langues d'oïl (northern varieties of Gallo - Romance). One of these was Old Norman, also known as ``Old Northern French ''. Other followers spoke varieties of the Picard language or western French. This amalgam developed into the unique insular dialect now known as Anglo - Norman French, which was commonly used for literary and eventually administrative purposes from the 12th until the 15th century. It is difficult to know much about what was actually spoken, as what is known about the dialect is restricted to what was written, but it is clear that Anglo - Norman was, to a large extent, the spoken language of the higher social strata in medieval England.
Document 10: Rhapsody (Ashton): Rhapsody is a one act ballet by Sir Frederick Ashton, based on Sergei Rachmaninoff's "Rhapsody on a Theme of Paganini". The ballet premiered on 4 August 1980 at The Royal Ballet, and was dedicated to Queen Elizabeth The Queen Mother. It has been revived three times since its 1980 premiere, in 1995, 2011, and most recently, 2016.
Document 11: Château de Falaise: The Château de Falaise is a castle located in the south of the commune of Falaise ("cliff" in French) in the "département" of Calvados, in the region of Normandy, France. William the Conqueror, the son of Duke Robert of Normandy, was born at an earlier castle on the same site in about 1028. William went on to conquer England and become king, and possession of the castle descended through his heirs until the 13th century when it was captured by King Philip II of France.
Document 12: Ralph Cupper: After he concluded his studies at ‘The Hewett School’ in Norwich, Ralph Cupper studied at the Royal Academy of Music in London. While he was there he studied the Organ with Douglas Hawkridge; Choir/Orchestra Direction with Dr. Douglas Hopkins; Harmony, Counterpoint and fuge with Drs. Arthur Pritchard and Arthur Wills. After he finished in 1976 he did an extended course of Organ studies with Susi Jeans and Nicholas Kynaston with the help of a Stipend from ‘The Alderman Norman Foundation’. In 1979 Ralph Cupper was awarded a Stipend from ‘The Arts Council of Great Britain to study the organ with the well known Dutch Organist Bernard Bartelinck, who was at that time Organist at the Bavo Cathedral in Haarlem in the Netherlands.
Document 13: A Nightingale Sang in Berkeley Square: The song was written in the then small French fishing village of Le Lavandou -- now a favourite resort for British holidaymakers and second - home owners -- shortly before the outbreak of the Second World War. According to Maschwitz, the title was ``stolen ''from a story by Michael Arlen. The song had its first performance in the summer of 1939 in a local bar, where the melody was played on piano by Manning Sherwin with the help of the resident saxophonist. Maschwitz sang the words while holding a glass of wine, but nobody seemed impressed. In the spring of 2002, an attempt was made to find the bar where this song was first performed: it was hoped that a blue plaque could be set up. With the help of the local tourist office, elderly residents were questioned, but it proved impossible to identify the venue.
Document 14: Normans: In 1066, Duke William II of Normandy conquered England killing King Harold II at the Battle of Hastings. The invading Normans and their descendants replaced the Anglo-Saxons as the ruling class of England. The nobility of England were part of a single Normans culture and many had lands on both sides of the channel. Early Norman kings of England, as Dukes of Normandy, owed homage to the King of France for their land on the continent. They considered England to be their most important holding (it brought with it the title of King—an important status symbol).
Document 15: Sillé-le-Guillaume: In the fifteenth century the lord of the manor was Sir John Fastolf of Caister in Norfolk (1380–1459), following the English conquest of Normandy and Maine.
ground_truth: Ralph Vaughan Williams
sub_queries: John Fastolf >> place of birth Answer: Norfolk
Norfolk Rhapsody No. 1 >> composer Answer: Ralph Vaughan Williams