Question: Who did the performer of Electronic Sound write the song Something for?

full_context: Document 1: Wonderful Tonight: ``Wonderful Tonight ''is a ballad written by Eric Clapton. It was included on Clapton's 1977 album Slowhand. Clapton wrote the song about Pattie Boyd. The female vocal harmonies on the song are provided by Marcella Detroit (then Marcy Levy) and Yvonne Elliman.
Document 2: Something (Beatles song): The opening lyric was taken from the title of ``Something in the Way She Moves '', a track by Harrison's fellow Apple Records artist James Taylor. While Harrison imagined the composition in the style of Ray Charles, his inspiration for`` Something'' was his wife, Pattie Boyd. In her 2007 autobiography, Wonderful Today, Boyd recalls: ``He told me, in a matter - of - fact way, that he had written it for me. I thought it was beautiful... ''Boyd discusses the song's popularity among other recording artists and concludes:`` My favourite (version) was the one by George Harrison, which he played to me in the kitchen at Kinfauns.''
Document 3: Apple Records: Apple Records is a record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin, James Taylor, Badfinger, and Billy Preston. In practice, the roster had become dominated by the mid-1970s with releases of the former Beatles as solo artists. Allen Klein managed the label from 1969 to 1973, then it was managed by Neil Aspinall on behalf of the Beatles and their heirs. Aspinall retired in 2007 and was replaced by Jeff Jones.
Document 4: Moog synthesizer: Moog synthesizer (pronounced ; often anglicized to , though Robert Moog preferred the former) may refer to any number of analog synthesizers designed by Robert Moog or manufactured by Moog Music, and is commonly used as a generic term for older-generation analog music synthesizers. The Moog company pioneered the commercial manufacture of modular voltage-controlled analog synthesizer systems in the mid 1960s. The technological development that led to the creation of the Moog synthesizer was the invention of the transistor, which enabled researchers like Moog to build electronic music systems that were considerably smaller, cheaper and far more reliable than earlier vacuum tube-based systems.
Document 5: Imagine (John Lennon album): Imagine is the second studio album by John Lennon after his departure from the Beatles. Recorded and released in 1971, the album's musical arrangements are more elaborate compared to the basic, small-group arrangements of his first album, "John Lennon/Plastic Ono Band".
Document 6: You (George Harrison song): "You" is a song by English musician George Harrison, released as the opening track of his 1975 album "Extra Texture (Read All About It)". It was also the album's lead single, becoming a top 20 hit in America and reaching number 9 in Canada. A 45-second instrumental portion of the song, titled "A Bit More of You", appears on "Extra Texture" also, opening side two of the original LP format. Harrison wrote "You" in 1970 as a song for Ronnie Spector, formerly of the Ronettes, and wife of Harrison's "All Things Must Pass" co-producer Phil Spector. The composition reflects Harrison's admiration for 1960s American soul/R&B, particularly Motown.
Document 7: Abbey Road: Although Abbey Road was an immediate commercial success and reached number one in the UK and US, it initially received mixed reviews, some critics describing its music as inauthentic and bemoaning the production's artificial effects. Many critics now view the album as the Beatles' best and rank it as one of the greatest albums of all time. In particular, George Harrison's contributions, ``Something ''and`` Here Comes the Sun'', are considered to be among the best songs he wrote for the group. The album's cover features the four band members walking across a zebra crossing outside Abbey Road Studios and has become one of the most famous and imitated images in the history of popular music.
Document 8: She's Always a Woman: The song was released in 1977, following several other hits from The Stranger including ``Just the Way You Are '',`` Movin 'Out (Anthony's Song)'' and ``Only the Good Die Young ''. Musically, Joel has said that he was influenced by Gordon Lightfoot and his mellow acoustic guitar ballads. It is a love song that Joel wrote for his then wife, Elizabeth Weber. Elizabeth had taken over management of Joel's career, and was able to put his financial affairs in order after Joel had signed some bad deals and contracts. She was a tough and savvy negotiator who could`` wound with her eyes'' or ``steal like a thief '', but would`` never give in''. Because of her tough - as - nails negotiating style, many business adversaries thought she was ``unfeminine, ''but to Joel, she was always a woman. The two eventually divorced in 1982.
Document 9: The Long and Winding Road: Paul McCartney said he came up with the title ``The Long and Winding Road ''during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road`` stretching up into the hills'' in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction his personal life was taking in the autumn of 1968, after he had separated from his fiancée Jane Asher, as well as a nostalgic look back at the Beatles' history. McCartney recalled: ``I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration. ''
Document 10: Somebody to Love (Jefferson Airplane song): Written by The Great Society guitarist Darby Slick after realizing his girlfriend had left him, and first performed by that band, which included his then - sister - in - law Grace Slick on vocals, the song made little impact outside of the club circuit in the Bay Area. The song was released in 1966 as a single with the B - side another Darby Slick composition titled ``Free Advice ''on the North Beach subsidiary of Autumn Records, and received minimal circulation outside of San Francisco. San Francisco in the mid - '60s was the epicenter of free love, but Darby Slick saw a downside to this ethos, as it could lead to jealousy and disconnect. This song champions loyalty and monogamy, as the singer implores us to find that one true love that will nurture us and get us through the tough times.
Document 11: Wah-Wah (song): "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Document 12: House music: Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime.
Document 13: Electronic Sound: Electronic Sound is the second studio album by English rock musician George Harrison. Released in May 1969, it was the last of two LPs issued on the Beatles' short-lived Zapple record label, a subsidiary of Apple Records that specialised in the avant-garde. The album is an experimental work comprising two lengthy pieces performed on a Moog 3-series synthesizer. It was one of the first electronic music albums by a rock musician, made at a time when the Moog was usually played by dedicated exponents of the technology. Harrison subsequently introduced the Moog to the Beatles' sound, and the band featured synthesizer for the first time on their 1969 album "Abbey Road".
Document 14: I Dig Love: Leng draws parallels between "I Dig Love" and the Beatles' more free-form compositions of the late 1960s. Among these, Paul McCartney's "Why Don't We Do It in the Road?" exemplifies what Ian MacDonald termed in the 1990s the "long-gone let-it-all-hang-out era". In his book "Working Class Mystic", Gary Tillery identifies "I Dig Love" as one of two "All Things Must Pass" tracks (the other being "Wah-Wah") that could have been sung by John Lennon, whose style increasingly embraced provocative artistic statements following the start of his relationship with Yoko Ono in 1968. Leng also compares "I Dig Love" with "Love the One You're With", a "hymn to hedonism" by Stephen Stills, with whom Harrison worked on Doris Troy's eponymous album for Apple Records, in 1969–70.
Document 15: Sgt. Pepper's Lonely Hearts Club Band: Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by English rock band the Beatles. Released on 26 May 1967 in the United Kingdom and 2 June 1967 in the United States, it was an immediate commercial and critical success, spending 27 weeks at the top of the UK albums chart and 15 weeks at number one in the US. On release, the album was lauded by the vast majority of critics for its innovations in music production, songwriting and graphic design, for bridging a cultural divide between popular music and legitimate art, and for providing a musical representation of its generation and the contemporary counterculture. It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honour.
ground_truth: his wife, Pattie Boyd
sub_queries: Electronic Sound >> performer Answer: George Harrison
who did George Harrison wrote the song something for Answer: his wife, Pattie Boyd