Question: Of the film directors Kenji Mizoguchi and Andrzej Żuławski, which one often went against mainstream commercialism in his films?

full_context: Document 1: Andrzej Munk: Andrzej Munk (16 October 1921 – 20 September 1961) was a Polish film director, screen writer and documentalist. He was one of the most influential artists of the post-Stalinist period in the People's Republic of Poland. His feature films "Man on the Tracks" ("Człowiek na torze", 1956), "Eroica" ("Heroism", 1958), "Bad Luck" ("Zezowate szczęście", 1960), and "Passenger" ("Pasażerka" 1963), are considered classics of the Polish Film School developed in mid-1950s. He died as a result of a car crash in Kompina in a head-on collision with a truck.
Document 2: Kenji Ozawa: Kenji Ozawa (小沢 健二, "Ozawa Kenji") is a Japanese musician born in 1968 in Sagamihara, Kanagawa. His uncle Seiji Ozawa is a world-famous conductor. Ozawa's first claim to fame was as a member of the pop duo, Flipper's Guitar.
Document 3: Andrzej Zaorski: Andrzej Adam Zaorski (born 17 December 1942, Piaski, Poland) is a Polish actor and cabaret artist, appearing in television, film and theater, as well as on the radio. He is the son of , the brother of film director Janusz Zaorski, and the father-in-law of rapper Andrzej Butruk.
Document 4: Kenji Mizoguchi: Kenji Mizoguchi (溝口 健二 , Mizoguchi Kenji , May 16, 1898 – August 24, 1956) was a Japanese film director and screenwriter.
Document 5: Street of Shame: Street of Shame (赤線地帯 , "Akasen chitai" ) is a 1956 black-and-white Japanese film directed by Kenji Mizoguchi. It is the personal tales of several Japanese women of different backgrounds who work together in a brothel. It was Mizoguchi's last film.
Document 6: Keisuke Kinoshita: Keisuke Kinoshita (木下 惠介 , "Kinoshita Keisuke" , December 5, 1912 – December 30, 1998) was a Japanese film director.
Document 7: Cinema of Ukraine: Ukraine has had an influence on the history of the cinema. Prominent Ukrainian directors include Oleksandr Dovzhenko, Dzyha Vertov and Serhiy Paradzhanov. Dovzhenko is often cited as one of the most important early Soviet filmmakers, as well as being a pioneer of Soviet montage theory and founding Dovzhenko Film Studios. In 1927 Dziga Vertov moved from Moscow to Ukraine. At the film studio VUFKU he made several avant-garde documentaries, among them «The Eleventh Year», «Man with a Movie Camera» and first Ukrainian documentary sound film «Enthusiasm (Symphony of the Donbass)». Paradzhanov was an Armenian film director and artist who made significant contributions to Ukrainian, Armenian and Georgian cinema; he invented his own cinematic style, Ukrainian poetic cinema, which was totally out of step with the guiding principles of socialist realism.
Document 8: Kenji Mizoguchi: The Life of a Film Director: Kenji Mizoguchi: The Life of a Film Director (ある映画監督の生涯 溝口健二の記録 , Aru eiga-kantoku no shōgai ) is a 1975 Japanese documentary film on the life and works of director Kenji Mizoguchi, directed by Kaneto Shindo.
Document 9: Andrzej Korzyński: Andrzej Korzyński is a Polish composer who has worked with film directors Andrzej Wajda ("The Birch Wood", "Man of Marble") and Andrzej Żuławski.
Document 10: Man of Marble: Man of Marble (Polish: "Człowiek z marmuru" ) is a 1976 Polish film directed by Andrzej Wajda. It chronicles the fall from grace of a fictional heroic Polish bricklayer, Mateusz Birkut (played by Jerzy Radziwiłowicz), who became the Stakhanovite symbol of an over-achieving worker, in Nowa Huta, a new (real life) socialist city near Kraków. Agnieszka, played by Krystyna Janda in her first role, is a young filmmaker who is making her diploma film (a student graduation requirement) on Birkut, whose whereabouts seems to have been lost two decades later. The title refers to the propagandist marble statues made in Birkut's image. It is somewhat of a surprise that Wajda would have been able to make such a film, "sub silentio" attacking the socialist realism of Nowa Huta, revealing the use of propaganda and political corruption during the period of Stalinism. The film director presaged the loosening grip of the Soviets that came with the Solidarity Movement, though it has been acknowledged by Polish film historians that due to censorship the script languished in development hell since 1962. The film extensively uses original documentation footage from the construction of Nowa Huta and other subjects of Poland's early communist era, as well as the propagandist/inspirational music of Stalinist Poland.
Document 11: Andrzej Leszczyc: Andrzej Leszczyc is a fictional character created and performed by Jerzy Skolimowski. He appears in three Skolimowski's early movies: "" ("Rysopis", 1964), "Walkover" ("Walkower", 1965) and "Hands Up!" ("Ręce do góry", completed 1967, released 1981).
Document 12: Mikio Naruse: Mikio Naruse (成瀬 巳喜男 , Naruse Mikio , August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967.
Document 13: Akira Kurosawa: Akira Kurosawa (黒沢 明 , March 23, 1910 – September 6, 1998) was a Japanese film director and screenwriter. Regarded as one of the most important and influential filmmakers in the history of cinema, he directed 30 films in a career spanning 57 years.
Document 14: Andrzej Żuławski: Andrzej Żuławski (] ; 22 November 1940 – 17 February 2016) was a Polish film director and writer. He was born in Lwów, Poland (now Ukraine). Żuławski often went against mainstream commercialism in his films, and enjoyed success mostly with European art-house audiences.
Document 15: Walerian Borowczyk: Walerian Borowczyk (21 October 1923 – 3 February 2006) was an internationally known Polish film director described by film critics as a 'genius who also happened to be a pornographer'. He directed 40 films between 1946 and 1988. Borowczyk settled in Paris in 1959. His career as a film director was mainly in France.
ground_truth: Andrzej Żuławski