Question: Albert Fuller was an accomplished keyboard player associated with the compositions of Jean-Philippe Rameau for which instrument?

full_context: Document 1: Philips Classics Records: Philips Classics Records was started in the 1980s as the new classics record label for Philips Records. It was successful with artists including Alfred Brendel, Sir John Eliot Gardiner, Sir Neville Marriner and the Academy of St. Martin in the Fields, Mitsuko Uchida, Julian Lloyd Webber, Sir Colin Davis and André Rieu.
Document 2: Jean-Baptiste Lully: Jean-Baptiste Lully (] ; born Giovanni Battista Lulli ] ; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered a master of the French baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661.
Document 3: Albert Fuller: Albert Fuller (July 21, 1926 – September 22, 2007) was an American harpsichordist, conductor, teacher, impresario, and prominent proponent of early music. He was the first artist to record the complete keyboard works of Jean-Philippe Rameau.
Document 4: Jean-Max Albert: Jean-Max Albert is a painter, sculptor, writer, and musician. He has published theory, artist's books, a collection of poems, plays and novels inspired by quantic physics. He perpetuated a reflexion initiated by Paul Klee and Edgar Varèse on the transposition of musical structures into formal constructions. He created plant architectures which come close to site-specific art, environmental sculpture and generative art.
Document 5: Philippe Courbois: Philippe Courbois (fl. 1705-1730) was a French Baroque composer. It is commonly stated that he was maître de musique of the Duchess of Maine, but Michele Cabrini convincingly refutes this claim in his edition of Courbois's cantatas. At least three of his masses were performed for the King of France at Versailles. Sometime before 1710, Courbois published a book of seven cantatas with texts by Louis Fuzelier, who would later write the libretto of "Les Indes Galantes." It is these cantatas for which he is most famous today
Document 6: Johann Gottlieb Goldberg: Johann Gottlieb Goldberg (baptized 14 March 1727 – 13 April 1756), also known as Johann Gollberg or Johann Goltberg, was a German virtuoso harpsichordist, organist, and composer of the late Baroque and early Classical period. He is best known for lending his name, as the probable original performer, to the renowned "Goldberg Variations" of J.S. Bach.
Document 7: Carl Philipp Emanuel Bach: The Complete Works: Carl Philipp Emanuel Bach: The Complete Works is a new critical edition of the music and keyboard treatise by C.P.E. Bach. The project was begun in 1998–99 in the wake of the aborted "Carl Philipp Emanuel Bach Edition," and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one. From 1999–2014, the new edition was chaired by Christopher Hogwood. After his untimely death in 2014, Robert D. Levin was appointed chair. The general editors are Darrell Berg (series I), Peter Wollny (series II, III, VII), and Ulrich Leisinger (series IV, V, VI). The edition is published by The Packard Humanities Institute. The current Editorial Guidelines (January 2015) are available in PDF format on the edition’s website: http://www.cpebach.org.
Document 8: Guy Whatley: Guy Richard Whatley is an American organist and harpsichordist. He is a specialist in medieval keyboards, sixteenth and seventieth century European music, and nineteenth century German organ music. He is widely known as a continuo player, and as an accompanist. He has performed on historic organs all over Europe and the Americas, and has performed at prestigious venues all across the world. He has performed at such venues as the Arizona Bach Festival, the Connecticut Early Music Festival, and the Costa Rica International Festival of Music. He has performed the complete keyboard works of William Byrd, John Bull, Johann Sebastian Bach, George Frederik Handel, and the complete organ works of Franz Liszt, Olivier Messiaen, and Herbert Howells.
Document 9: Samson (opera): Samson was an opera by the French composer Jean-Philippe Rameau with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut "Hippolyte et Aricie", which premiered in October 1733. Like "Hippolyte", "Samson" was a "tragédie en musique" in five acts and a prologue. Voltaire had become a great admirer of Rameau's music after seeing "Hippolyte" and suggested a collaboration with the composer in November 1733. The opera was complete by late summer 1734 and went into rehearsal. However, a work on a religious subject with a libretto by such a notorious critic of the Church was bound to run into controversy and "Samson" was banned. An attempt to revive the project in a new version in 1736 also failed. The score is lost, although Rameau recycled some of the music from "Samson" in his later operas.
Document 10: Jean-Philippe Rameau: Jean-Philippe Rameau (] ; (1683--)25 1683 – (1764--)12 1764 ) was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin.
Document 11: Franklin B. Zimmerman: Franklin Bershir Zimmerman (born June 20, 1923) is an American musicologist and conductor who has published extensively in the field of Baroque music, and particularly on the English composer, Henry Purcell. He is most known for his complete catalogue of Purcell's works, considered "one of the most crucial contributions to Purcell research". Each work in the catalogue is given a "Z number" which derives from Zimmerman's surname.
Document 12: Lost operas by Jean-Philippe Rameau: The musical scores to several operas by the French composer Jean-Philippe Rameau have been lost. They include two major "tragédies en musique", "Samson" and "Linus", and a one-act pastoral opera "Lisis et Délie". The music to these pieces was substantially complete and was performed in rehearsal but for various reasons - including censorship in the case of "Samson" - they were never publicly staged. Rameau also wrote a "divertissement" for Alexis Piron's play "Les courses de Tempé", which did appear at the theatre in 1734. The music to all these works has been almost completely lost, although there is evidence Rameau reused some of it in his later operas. Rameau also began other operatic projects, which were either abandoned at an early stage ("Pandore") or broken up to form shorter works ("Les beaux jours de l'Amour").
Document 13: Baroque music: Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Document 14: Nikolaus Harnoncourt: Nikolaus Harnoncourt (Johann Nikolaus Graf [Count] de la Fontaine und d’Harnoncourt-Unverzagt; 6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics.
Document 15: Les Talens Lyriques: The French musical ensemble Les Talens Lyriques was created in Paris, France, in 1991 by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of "Les fêtes d'Hébé (1739)" an opera by Jean-Philippe Rameau.
ground_truth: harpsichord