Question: Did The Threepenny Opera and Macbeth have the same writers?

full_context: Document 1: Rigoletto: Rigoletto (] ) is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play "Le roi s'amuse" by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
Document 2: Threepenny Novel: ThreePenny Novel is a 1934 novel by the German dramatist and poet Bertolt Brecht, first published in Amsterdam by in 1934 as "Dreigroschenroman ". It is similar in structure to his more famous "The Threepenny Opera" and features several of the same characters such as Macheath, together with a general anti-capitalist focus and a didactic technique that is often associated with the dramatist. It is a novel that has been the focus of much critical attention and that is often described as both a continuation and a variation of the themes and motifs of Brecht's other work that focuses on alienation and on the communication of a social message. It can be seen alternatively as a careful development of the detective novel genre and as scathing criticism of the Brecht's own social conditions and the economic practices of German businesses and banks in the middle of the 20th century.
Document 3: Teatro Giuseppe Verdi: Teatro Giuseppe Verdi (the Giuseppe Verdi Theatre) is a small opera house located in a wing of the Rocca dei Marchesi Pallavicino on the Piazza Giuseppe Verdi in Busseto, Italy, a town closely associated with the life of the opera composer, Giuseppe Verdi. From the 13th century, the “rocca” or “fortress” was the family’s palace; it is now the city hall after being acquired by the municipality in 1856. The theatre opened on 15 August 1868 and seats 300.
Document 4: Pirate Jenny: "Pirate Jenny" (German: "Seeräuber-Jenny ") is a well-known song from "The Threepenny Opera" by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is probably the second most famous song in the opera, after "Mack the Knife".
Document 5: Aida: Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
Document 6: The Beggar's Opera: The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.
Document 7: Maria Stuarda: Maria Stuarda (Mary Stuart) is a tragic opera ("tragedia lirica"), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play "Maria Stuart".
Document 8: Macbeth (opera): Macbeth (] ) is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name.
Document 9: Il trovatore: Il trovatore (] ; Italian for "The Troubadour") is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play "El trovador" (1836) by Antonio García Gutiérrez. It was Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident."
Document 10: The Threepenny Opera (1931 film): The Threepenny Opera (German: Die 3 Groschen-Oper ) is a 1931 German musical film directed by G. W. Pabst. It was produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG (Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin. The film is loosely based on the 1928 musical theatre success "The Threepenny Opera" by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, "L'Opéra de quat'sous", with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version was not made. The two existing versions were released by The Criterion Collection on home video.
Document 11: Imminent, Indeed: Imminent, Indeed (or "Polly Peachum's Peculiar Penchant for Plosives") is a gothic adaptation of John Gay’s "The Beggar’s Opera". Written and directed by Bryn Manion with the assistance of Wendy Remington, and leading man, Sam. Produced by the Creatives and the founding board members of the company of Aisling Arts. This adaptation focuses on Polly Peachum's side of the story and her world as it trips alongside that of Jenny Diver, a new Peachum brother, several comically nefarious underlings, and of course, the ever villainous Henry Macheath (known as "Mack the Knife" in the Bertolt Brecht and Kurt Weill adaptation, "The Threepenny Opera").
Document 12: The Threepenny Opera: The Threepenny Opera (Die Dreigroschenoper ) is a "play with music" by Bertolt Brecht and Elisabeth Hauptmann, adapted from John Gay's 18th-century English ballad opera, "The Beggar's Opera", with music by Kurt Weill and insertion ballads by François Villon and Rudyard Kipling. Although Hauptmann produced 80 to 90 percent of the text, Brecht suppressed this and assumed sole credit, and is usually listed as sole author in printed versions.
Document 13: Kurt Weill: Kurt Julian Weill (March 2, 1900April 3, 1950) was a German composer, active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work "The Threepenny Opera", which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose. He also wrote several works for the concert hall. He became a United States citizen on August 27, 1943.
Document 14: Otello: Otello (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play "Othello". It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on 5 February 1887.
Document 15: Luisa Miller: Luisa Miller is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play "Kabale und Liebe" ("Intrigue and Love") by the German dramatist Friedrich von Schiller.
ground_truth: no