Question: Which city did the writer of Enion spend most of his life?

full_context: Document 1: Tiriel (poem): Tiriel is a narrative poem by William Blake, written "c."1789. Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. "Tiriel" was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti's "Poetical Works of William Blake". Although Blake did not engrave the poem, he did make twelve sepia drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.
Document 2: Lord Byron: George Gordon Byron, 6th Baron Byron, FRS (22 January 1788 – 19 April 1824), commonly known simply as Lord Byron, was an English poet, peer, politician, and a leading figure in the Romantic movement. He is regarded as one of the greatest British poets and remains widely read and influential. Among his best-known works are the lengthy narrative poems, "Don Juan" and "Childe Harold's Pilgrimage", and the short lyric poem, "She Walks in Beauty".
Document 3: Har (Blake): Har is a character in the mythological writings of William Blake, who roughly corresponds to an aged Adam. His wife, Heva, corresponds to Eve. Har appears in "Tiriel" (1789) and "The Song of Los" (1795) and is briefly mentioned in "The Book of Thel" (1790) and "Vala, or The Four Zoas" (1796-1803).
Document 4: Thalna: In Etruscan religion and myth, Thalna was a divine figure usually regarded as a goddess of childbirth. Determinate gender, however, is not necessarily a characteristic of Etruscan deities, and Thalna is also either depicted as male, or seems to be identified as a male figure because of the placement of names around a scene. Her other functions include friendship and prophecy. Her name may mean "growth, bloom." She appears in Etruscan art in the company of Turan, Tinia, and Menrva.
Document 5: Enumclaw and Kapoonis: Enumclaw and Kapoonis ( ) are mythological twin brothers of ostensible Pacific Northwest Native American origin who wanted to be great medicine men and sought the guardian spirit Sky Father's assistance. Enumclaw became so highly skilled at rock throwing and Kapoonis so highly skilled with fire that they frightened Sky Father with their aim and ferocity, and so Sky Father changed Enumclaw into the thunder spirit and changed Kapoonis into the lightning spirit.
Document 6: Wisdom (play): Unlike other early morality plays, the character signifying man is split into nine different characters: Anima (the soul of man), the three faculties of the soul (Mind, Will and Understanding), and her five senses (known as ‘’the Wits”). Despite boasting a large cast list, the only six speaking roles in the play are Anima, Wisdom, Lucifer, Mind, Will and Understanding. Although the manuscript does not contain scene demarcations, the play can be divided into four sections, based upon a theological schematic of transgression and redemption: innocence, temptation, sinful life, and repentance. In the first part (Lines 1-324), Anima declares her love for Wisdom, the allegorical figure for Christ. The stage directions note that Anima is dressed in white, a symbol of her purity and position as the bride of Christ. The five Wits enter (dressed as virgins), and dance. Wisdom advises Anima and her three faculties (Will, Mind, Understanding) about how to live virtuously. In the second part (325-550), Lucifer tempts each of the three faculties – Will with lechery, Mind with pride, and Understanding with Perjury. In the third part (551-837), each faculty (having exchanged monkish, acetic robes for more fashionable and luxurious ones) devotes himself to sin and dances wildly with six followers. In the final part (838-1108), Wisdom returns to chastise the three faculties for falling into temptation. Anima, Will, Mind and Understanding repent, and the devils are chased from the stage. Recognizing that redemption requires more than her remorse, Anima asks for God’s mercy and grace. Wisdom grants both, before turning to the audience and ending the play with a sermon on avoiding sin and seeking grace.
Document 7: William Shakespeare: William Shakespeare ( ; 26 April 1564 (baptised) – 23 April 1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the "Bard of Avon". His extant works, including collaborations, consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Document 8: William Blake: William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. Although he lived in London his entire life (except for three years spent in Felpham), he produced a diverse and symbolically rich "œuvre", which embraced the imagination as "the body of God" or "human existence itself".
Document 9: Enion: In the mythological writings of William Blake, Enion is an Emanation/mate of Tharmas, one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. She represents sexuality and sexual urges while Tharmas represents sensation. In her fallen aspect, she is a wailing woman that is filled with jealousy. After the Final Judgment, she is reunited with Tharmas and able to experience an idealised sexual union.
Document 10: Fearful Symmetry (Frye): Fearful Symmetry: A Study of William Blake is a 1947 book by Canadian literary critic Northrop Frye whose subject is the work of English poet and visual artist William Blake. The book has been hailed as one of the most important contributions to the study of William Blake and one of the very first that embarked on the interpretation of many of Blake's most obscure works. As Frye himself acknowledges, Blake's work is not to be deciphered but interpreted and seen within its specific historical and social contexts.
Document 11: The Chimney Sweeper: "The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in "Songs of Innocence" in 1789 and "Songs of experience" in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th century. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. In the earlier poem, a young chimney sweeper recounts a dream had by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where church is referring to being with God.
Document 12: William Hazlitt: William Hazlitt (10 April 1778 – 18 September 1830) was an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print.
Document 13: Prometheus Unbound (Shelley): Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical "Prometheia", a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released.
Document 14: William Morris: William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain.
Document 15: Anshar: In the Babylonian creation myth Enuma Elish, Anshar (also spelled Anšar), which means "whole heaven", is a primordial god. His consort is Kishar which means "Whole Earth". They were the children of Lahamu and Lahmu and the grandchildren of Tiamat and Apsû. They, in turn, are the parents of Anu, the god of heaven, lord of constellations, king of gods, spirits and demons.
ground_truth: London