Question: What did Abdul Rashid Khan perform that is associated with the dhrupad style?

full_context: Document 1: Dhamail: Dhamail, variant of Dhamal, is a form of folk music and dance originated in Sylhet, Bangladesh. It is practiced in the erstwhile district of Sylhet in Bangladesh and in areas influenced by the Sylheti culture such as Cachar, parts of Shillong, Karimganj and Hailakandi Districts of Assam, parts of Tripura in India. It accompanies the use of mirdanga, kartals and many other musical instruments which are usually played by the males while the dance is being performed. This dance form is similar to musical chairs, where one by one the dancers are removed by the dancers who can dance very fast as the beats gear up the speed. This dance form mainly relates the love of Radha and Krishna and the inner significance of this dance form is that the newly wedded couple must unite their souls in such fashion.
Document 2: Hand drum: A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. The simplest type of hand drum is the frame drum, which consists of a shallow, cylindrical shell with a drumhead attached to one of the open ends.
Document 3: Mazhar Ali Khan (singer): Ustad Mazhar Ali Khan is an Indian Classical and light classical vocalist of Kasur Patiala Gharana known for his performances of Khyal Thumeri dadra Geet Ghazals Folk Kafi
Document 4: Samphor: The samphor (Khmer: សំភោរ ; also romanized as "sampho") is a small barrel drum indigenous to Cambodia. It has two heads and is played with both hands. The player of the sampho leads the "pinpeat" (a classical ensemble of wind and percussion instruments), setting the tempo and beat. The "samphor" is analogous to the "taphon" used in Thailand.
Document 5: Rashid Khan (musician): Ustad Rashid Khan (Hindi: रशीद ख़ान ,Bengali: রশিদ খান , Urdu: ‎ ) (born 1 July 1966) is an Indian classical musician in the Hindustani music tradition. He belongs to the Rampur-Sahaswan gharana, and is the great-grandson of gharana founder Inayat Hussain Khan. He is married to Soma Khan.
Document 6: Farukhabad gharana: Farrukhabad gharana is one of six prominent playing styles or gharanas of North Indian tabla drums, in Hindustani classical music, and derives its name from Farrukhabad in Uttar Pradesh state. Some modern disciples of this gharana learn from the prestigious tabla organization known as Tablaniketan.
Document 7: Dhamar (music): Dhamar (Sanskrit धमार) is one of the talas used in Hindustani classical music. It is associated with the dhrupad style and typically played on the pakhawaj.
Document 8: Nissar Hussain Khan: Ustad Nissar Hussain Khan (1909–93) was a Hindustani classical vocalist from the Rampur-Sahaswan gharana. He was a disciple and son of Ustad Fida Hussain Khan and after a long and illustrious career was awarded the Padma Bhushan in 1971. He was the court musician of Maharaja Sayajirao Gaekwad III at Baroda and was featured extensively on All India Radio. He was a specialist in Tarana. His most famous disciples are Ustad Ghulam Mustafa khan and Rashid Khan.
Document 9: Abdul Rashid Khan: Ustad Abdul Rashid Khan (19 August 1908 – 18 February 2016) was an Indian vocalist of Hindustani music. Apart from khayal, he performed dhrupad, dhamar and thumri.
Document 10: Dhrupad: Dhrupad (Sanskrit: ध्रुपद) is a genre in Hindustani classical music. It is one of the oldest forms of compositions in the classical Indian music and a form that is also found in its Carnatic tradition. It is a Sanskrit name, derived from the words "dhruva" (immovable, permanent) and "pad" (verse), a combination that means "pillar". The roots of Dhrupad are ancient, and it is discussed in the Hindu Sanskrit text "Natyashastra" (~200 BCE – 200 CE). It is also described in other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the "Bhagavata Purana" (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized.
Document 11: Abdul Latif Khan: Abdul Latif Khan is an Indian classical musician and instrumentalist, known for his proficiency in Sarangi, a stringed Hindustani classical music instrument. He was born in a family of musicians in Gwalior in the Indian state of Madhya Pradesh, learned music under the tutelage of Haider Khan, his grandfather, Chote Khan, his father, Chhote Khan and Uday Khan and Haddu Khan, his uncles, in Khyal Gharana style and mastered the instruments such as Sitar, Santoor and Tabla Later, he learned Sarangi under Bade Ghulam Sabir Khan.
Document 12: Drut: Drut (द्रुत; also called drut laya) is the concluding section, in fast tempo (or "laya"), between 160 and 320 beats per minute, of the performance of a vocal raga in Hindustani classical music.
Document 13: Hafeez Ahmed Khan: Hafeez Ahmed Khan (died 2006) was an Indian classical musician of Hindustani classical music. He is known as one of the leading exponents of the Rampur-Sahaswan gharana, a musical school popular in the northern parts of the Indian state of Uttar Pradesh. He learnt music in gurukul system and pursued his academic studies the conventional way, secured a master's degree in politics and taught at the Minnesota University. He was a deputy director of the All India Radio and the vice chancellor of the Indira Kala Sangeet University, the only Indian university dedicated to music. He mentored many disciples such as Rajendra Prasanna, Roma Rani Bhattacharya, Sakuntala Narasimhan and Subhendu Ghosh and acted in a German movie on the life of Tansen, by name, "The Rain Maker". He was a recipient of the 1996 Sangeet Natak Akademi Award. The Government of India awarded her the fourth highest civilian honour of the Padma Shri in 1991. Hafeez Ahmed Khan, who was married to the daughter of renowned singer, Nissar Hussain Khan, died in 2006.
Document 14: Raza Ali Khan: Ustad Raza Ali Khan (Devanagari:उस्ताद रज़ा अली खान) (born on 8 August 1962) is an Indian classical vocalist of the Kasur Patiala Gharana orchestra.
Document 15: Vilayat Khan: Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was one of India's well known sitar maestros. Along with Ravi Shankar, Ali Akbar Khan, Nikhil Banerjee and his younger brother Imrat Khan, Vilayat Khan helped introduce Indian Classical Music to the West.
ground_truth: dhamar