Question: Which Opera house has the creator of Popeye worked at from the age of twelve?

full_context: Document 1: Lexington Opera House: The Lexington Opera House is a theatre located at 401 West Short Street in downtown Lexington, Kentucky. Built in 1886, the Opera House replaced the former theatre, located on the corner of Main and Broadway, after fire destroyed it in January 1886. The new Opera House was designed by the renowned architect Oscar Cobb and is listed on the National Register of Historic Places for its historical and architectural significance. Now owned and operated by the Lexington Center Corporation, the Lexington Opera House is host to ballet, opera, children's productions, family shows, comedy, music and professional national Broadway tours. The Lexington Opera House is one of the only 14 theatres in the country built before 1900 with less than 1,000 seats that is still in operation as a live performance venue.
Document 2: Chester Opera House: Chester Opera House was a cinema and theatre which showed both movies and live stage performances in Chester, Illinois, USA. Elzie Segar, the creator of Popeye, worked there from the age of twelve.
Document 3: Popeye and Son: Popeye and Son is an American animated comedy series based on the "Popeye" comic strip created E.C. Segar and published by King Features Syndicate. Jointly produced by Hanna-Barbera and King Features subsidiary King Features Entertainment, the series aired for one season of thirteen episodes on CBS. It is a follow-up to "The All New Popeye Hour". Maurice LaMarche portrayed the voice of Popeye in this series, succeeding Jack Mercer in that role. It is also the first set of Popeye cartoons that were produced since Mercer's death in 1984. Following its original run on CBS, this series reran on the USA Network in the 1989-90 season and on The Family Channel from September 1994 to December 1995. It can currently be seen for free on Amazon Video.
Document 4: Phoenix Opera House Block: The Phoenix Opera House Block is a historic building in Rushville, Illinois. Built in 1882, the building housed commercial businesses on the first floor and an opera house on the second floor. The opera house hosted traveling performers and theater companies as well as local social events. The opera house closed in 1910, as churches began to host the town's social functions and the local movie theater provided entertainment. From 1924 to 1956, the opera house served as a Masonic lodge. The building is one of the few surviving examples of a combined opera house and commercial building.
Document 5: Popeye: Popeye the Sailor is a cartoon fictional character created by Elzie Crisler Segar. The character first appeared in the daily King Features comic strip, Thimble Theatre, on January 17, 1929, and Popeye became the strip's title in later years; Popeye has also appeared in theatrical and television animated cartoons.
Document 6: J. Wellington Wimpy: J. Wellington Wimpy, generally referred to as Wimpy, is one of the characters in the long-running comic strip "Popeye", created by E. C. Segar in 1934 and originally called "Thimble Theatre", and in the "Popeye" cartoons based upon the strip. Wimpy was one of the dominant characters in the newspaper strip, but when "Popeye" was adapted as an animated cartoon series by Fleischer Studios, Wimpy became a minor character; Dave Fleischer said that the character in the Segar strip was "too intellectual" to be used in film cartoons. Wimpy did appear in Robert Altman's 1980 live-action musical film "Popeye," played by veteran character actor Paul Dooley.
Document 7: Odd Fellows Opera Block: The Odd Fellows Opera Block is a historic theatre located at the southwestern corner of the intersection of Main and Mechanic Streets in Ellisville, Illinois. The Spoon River #78 Lodge of the Independent Order of Odd Fellows built the opera house in 1891. The opera house was one of many theatres built in small rural communities in the late 19th century as improved transportation and local wealth allowed these communities to have entertainment options previously reserved for larger cities. As Ellisville had well below 1000 residents and no railroad, most of the theatre's shows were locally produced, though it was occasionally able to attract regional touring companies. As the community's largest auditorium, the theatre also hosted other community events such as public meetings, benefit fairs and dances, and church services.
Document 8: Bob Penuelas: Bob Penuelas is a comic strip illustrator and writer. He was the creator of the comic strip character Wilbur Kookmeyer, which has appeared in Surfer Magazine since 1986.
Document 9: William &quot;Billy&quot; Costello: William Arnold "Billy" Costello (February 2, 1898 – October 9, 1971), commonly known as "Red Pepper Sam", was an American live and voice actor, and the original voice of Popeye the Sailor in animated cartoons.
Document 10: Popeye (film): Popeye is a 1980 American musical comedy film directed by Robert Altman. It is a live-action film adaptation of E. C. Segar's "Popeye" comic strip and stars Robin Williams as Popeye the Sailor Man and Shelley Duvall as Olive Oyl.
Document 11: Stony Creek Puppet House: The Stony Creek Puppet House is a theater on the shoreline of the Stony Creek section of Branford, Connecticut, near New Haven, a stone's throw away from the famed Thimble Islands. Built in 1903 as a movie theater, it became the home for community theater and summer stock productions. Orson Welles staged his short-lived stage production, "Too Much Johnson", at The Stony Creek Theatre in 1938. After operating as a parachute factory during World War II, it became a puppet theater. The building is a Connecticut Historical Landmark that awaits renovation and restoration.
Document 12: The 3-Penny Cinema: The 3-Penny Cinema was a theater that operated adjacent the Biograph Theater in Lincoln Park, Chicago that was known for playing 2nd-run films and 'midnight movies'. The theater opened in 1912 as a nickelodeon, then in 1915 was converted into an auto garage. FBI agents took aim at John Dillinger from the roof of the cinema in 1934. It opened again as 'Crest Theater' in 1938 and then was named '3-Penny Cinema' in 1964. It was the first theater in Chicago to screen the pornographic film Deep Throat. The cinema continued to operate until it closed in 2006 due to taxes owed to the city of Chicago by the owner. The building is currently a bar and band venue called 'Lincoln Hall', which plays films during monthly '3-Penny was here' nights.
Document 13: Al Capp: Alfred Gerald Caplin (September 28, 1909 – November 5, 1979), better known as Al Capp, was an American cartoonist and humorist best known for the satirical comic strip "Li'l Abner", which he created in 1934 and continued writing and (with help from assistants) drawing until 1977. He also wrote the comic strips "Abbie an' Slats" (in the years 1937–45) and "Long Sam" (1954). He won the National Cartoonists Society's Reuben Award in 1947 for Cartoonist of the Year, and their 1979 Elzie Segar Award, posthumously for his "unique and outstanding contribution to the profession of cartooning." Comic strips dealt with northern urban experiences until the year Capp introduced "Li'l Abner," the first strip based in the South. Although Capp was from Connecticut, he spent 43 years teaching the world about Dogpatch, reaching an estimated 60 million readers in over 900 American newspapers and 100 foreign papers in 28 countries. M. Thomas Inge says Capp made a large personal fortune on the strip and "had a profound influence on the way the world viewed the American South."
Document 14: Captain Strong: Captain Strong is a fictional character appearing in American comic books published by DC Comics. He was created as a parody of Popeye.
Document 15: Music Circus: Actor and adventurer St. John Terrell was born in Chicago, Illinois. He started in show business with a carnival act and later starred on the radio show "Jack Armstrong, All American Boy". Referred to as "Sinjun", he served in the Philippines with the USO. When a visiting touring company of an Irving Berlin musical needed performing space, Terrell suggested bulldozing a large pit for a stage in the center and audience on sloping and rising seating all around covered by a tent. This became the genesis to his original New Jersey Music Circus in 1949. Although rejected by the USO, he used his back pay, war bonds and loans after the war, to do it himself. Inspired by Greek amphitheaters, audience members sat in folding chairs no further back than 15 or 16 rows. Although a full orchestra was used, the sets were simple and low to keep sight lines clear. Props were carried on and off by stagehands, in clear view, running up and down aisles. Within 8 years, 30 separate canvas-topped theatres had opened in the US.
ground_truth: Chester Opera House