Question: What was an important art school where Enrique Ballesté died?

full_context: Document 1: Baltasar Mena Iniesta: He has developed several patents, including an oscillatory die for polymer extrusion used by the henequen industry in the Yucatan peninsula and an hexagonal solar-powered grain elevator used in Mexico, India and Southeast Asia. According to UNESCO, such design has saved millions of dollars yearly by preventing post-harvest losses.
Document 2: Agustín Lazo Adalid: Agustín Lazo Adalid (1896 – January 28, 1971) was a Mexican artist and playwright who is credited with introducing surrealism to Mexico. Although he grew up during the era of the Mexican Revolution, his time in Europe in the 1920s and early 1930s, set his aesthetics towards the avant-garde movements of that continent, rather than towards Mexican muralism, making him a part of the Los Contemporáneos or “Grupo sin grupo.” His work in art and theater influenced each other, with his art having theatrical themes and his theater having emphasis on sets and visual cues. Lazo retired from art in 1950, after the death of his long-time partner poet Xavier Villaurrutia, supposedly never painting or writing again.
Document 3: Montevideo: In the early 1970s (1973, to be particular) when the military junta took over power in Uruguay, art suffered in Montevideo. The art studios went into protest mode, with Rimer Cardillo, one of the country's leading artists, making the National Institute of Fine Arts, Montevideo a "hotbed of resistance". This resulted in the military junta coming down heavily on artists by closing the Fine Art Institute and carting away all the presses and other studio equipment. Consequently, the learning of fine arts was only in private studios run by people who had been let out of jail, in works of printing and on paper and also painting and sculpture. It resumed much later.
Document 4: Enrique Ballesté: Enrique Ballesté (Mexico City, October 10, 1946 – September 19, 2015) was a Mexican actor, playwright, composer and theatrical producer. Noted for being promoter in the 60s and 70s of the "teatro independiente" (independent theater) movement in his country, and formed several generations of actors and actresses. Also founder of the Centro Libre de Experimentación Teatral y Artística (Free Center of Theater and Artistic Experimentation) or CLETA with Luis and Enrique Cisneros Lujan, Ángel Álvarez Quiñones, Claudio Obregón and Luisa Huerta among others, and the theater company "Zumbón".
Document 5: Josefina Lavalle: Josefina Lavalle (born Mexico City, January 29, 1924 – died Mexico City, May 25, 2009) was a Mexican ballet dancer, choreographer and ballet director. She established together with Guillermina Bravo the national ballet company in Mexico City in 1948
Document 6: Mexico City: During the 19th century, an important producer of art was the Academia de San Carlos (San Carlos Art Academy), founded during colonial times, and which later became the Escuela Nacional de Artes Plásticas (the National School of Arts) including painting, sculpture and graphic design, one of UNAM's art schools. Many of the works produced by the students and faculty of that time are now displayed in the Museo Nacional de San Carlos (National Museum of San Carlos). One of the students, José María Velasco, is considered one of the greatest Mexican landscape painters of the 19th century. Porfirio Díaz's regime sponsored arts, especially those that followed the French school. Popular arts in the form of cartoons and illustrations flourished, e.g. those of José Guadalupe Posada and Manuel Manilla. The permanent collection of the San Carlos Museum also includes paintings by European masters such as Rembrandt, Velázquez, Murillo, and Rubens.
Document 7: Mexico City: Other popular sites for pop-artist performances include the 3,000-seat Teatro Metropolitan, the 15,000-seat Palacio de los Deportes, and the larger 50,000-seat Foro Sol Stadium, where popular international artists perform on a regular basis. The Cirque du Soleil has held several seasons at the Carpa Santa Fe, in the Santa Fe district in the western part of the city. There are numerous venues for smaller musical ensembles and solo performers. These include the Hard Rock Live, Bataclán, Foro Scotiabank, Lunario, Circo Volador and Voilá Acoustique. Recent additions include the 20,000-seat Arena Ciudad de México, the 3,000-seat Pepsi Center World Trade Center, and the 2,500-seat Auditorio Blackberry.
Document 8: Mexico City: Mexico City has numerous museums dedicated to art, including Mexican colonial, modern and contemporary art, and international art. The Museo Tamayo was opened in the mid-1980s to house the collection of international contemporary art donated by famed Mexican (born in the state of Oaxaca) painter Rufino Tamayo. The collection includes pieces by Picasso, Klee, Kandinsky, Warhol and many others, though most of the collection is stored while visiting exhibits are shown. The Museo de Arte Moderno (Museum of Modern Art) is a repository of Mexican artists from the 20th century, including Rivera, Orozco, Siqueiros, Kahlo, Gerzso, Carrington, Tamayo, among others, and also regularly hosts temporary exhibits of international modern art. In southern Mexico City, the Museo Carrillo Gil (Carrillo Gil Museum) showcases avant-garde artists, as does the University Museum/Contemporary Art (Museo Universitario Arte Contemporáneo – or MUAC), designed by famed Mexican architect Teodoro González de León, inaugurated in late 2008.
Document 9: Rosita Baltazar: Baltazar was born on 16 August 1960 in Livingston, Guatemala to Enes and Merejilda Baltazar and was raised in Punta Gorda, Belize, attending St. Peter Claver Primary School. She continued her education at St. Peter Claver College, which is now the Toledo Community College. As a teenager, she moved to Belize City, Belize. From an early age she determined to become a dancer and at the beginning of the 1980s she started her professional career with the Leo Mar Dance Group. She was discovered by an American dance instructor and offered a scholarship to train at the Sarasota Ballet Arts School in Sarasota, Florida. The 6-month seminar was attended by four Belizean dancers and when they returned to Belize, they continued to practice together. This group would be the core of dancers who in 1990 co-founded the Belize National Dance Company, for which Baltazar served as assistant artistic director. In her various capacities with the National Dance Company, Baltazar not only appeared in hundreds of shows, but also choreographed routines, created concepts, and planned and organized performances.
Document 10: Paris: For centuries, Paris has attracted artists from around the world, who arrive in the city to educate themselves and to seek inspiration from its vast pool of artistic resources and galleries. As a result, Paris has acquired a reputation as the "City of Art". Italian artists were a profound influence on the development of art in Paris in the 16th and 17th centuries, particularly in sculpture and reliefs. Painting and sculpture became the pride of the French monarchy and the French royals commissioned many Parisian artists to adorn their palaces during the French Baroque and Classicism era. Sculptors such as Girardon, Coysevox and Coustou acquired reputations as the finest artists in the royal court in 17th-century France. Pierre Mignard became the first painter to King Louis XIV during this period. In 1648, the Académie royale de peinture et de sculpture (Royal Academy of Painting and Sculpture) was established to accommodate for the dramatic interest in art in the capital. This served as France's top art school until 1793.
Document 11: Carlos Alvarado Lang: Alvarado Lang studied printmaking under Emiliano Valadéz at the Escuela Nacional de Bellas Artes (ENBA) in Mexico City. In 1929 he followed Emiliano Valadéz on his chair. After the course offer of the ENBA was expanded in 1930, he got the chair of engraving. From 1942 to 1949 he was director of the ENBA.
Document 12: Mexico City: Much of the early colonial art stemmed from the codices (Aztec illustrated books), aiming to recover and preserve some Aztec and other Amerindian iconography and history. From then, artistic expressions in Mexico were mostly religious in theme. The Metropolitan Cathedral still displays works by Juan de Rojas, Juan Correa and an oil painting whose authorship has been attributed to Murillo. Secular works of art of this period include the equestrian sculpture of Charles IV of Spain, locally known as El Caballito ("The little horse"). This piece, in bronze, was the work of Manuel Tolsá and it has been placed at the Plaza Tolsá, in front of the Palacio de Minería (Mining Palace). Directly in front of this building is the beautiful Museo Nacional de Arte (Munal) (the National Museum of Art).
Document 13: Mexico City: During the 20th century, many artists immigrated to Mexico City from different regions of Mexico, such as Leopoldo Méndez, an engraver from Veracruz, who supported the creation of the socialist Taller de la Gráfica Popular (Popular Graphics Workshop), designed to help blue-collar workers find a venue to express their art. Other painters came from abroad, such as Catalan painter Remedios Varo and other Spanish and Jewish exiles. It was in the second half of the 20th century that the artistic movement began to drift apart from the Revolutionary theme. José Luis Cuevas opted for a modernist style in contrast to the muralist movement associated with social politics.
Document 14: Montevideo: There are several other important art museums in Montevideo. The National Museum of Visual Arts in Parque Rodó has Uruguay's largest collection of paintings. The Juan Manuel Blanes Museum was founded in 1930, the 100th anniversary of the first Constitution of Uruguay, significant with regard to the fact that Juan Manuel Blanes painted Uruguayan patriotic themes. In back of the museum is a beautiful Japanese Garden with a pond where there are over a hundred carp. The Museo de Historia del Arte, located in the Palacio Municipal, features replicas of ancient monuments and exhibits a varied collection of artifacts from Egypt, Mesopotamia, Persia, Greece, Rome and Native American cultures including local finds of the pre-Columbian period. The Museo Municipal Precolombino y Colonial, in the Ciudad Vieja, has preserved collections of the archaeological finds from excavations carried out by Uruguayan archaeologist Antonio Taddei. These antiquaries are exhibits of pre-Columbian art of Latin America, painting and sculpture from the 17th and 18th century mostly from Mexico, Peru and Brazil. The Museo de Arte Contempo has small but impressive exhibits of modern Uruguayan painting and sculpture.
Document 15: Mohan Upreti: In the 40s, Indian People's Theatre Association (IPTA) and the Progressive Writer's Association were formed, as a response to the Indian freedom struggle by the artistic community, Mohan Upreti couldn't remain untouched by this burgeoning movement, and while still at Allahabad University he formed his theatre group, 'Lok Kalakar Sangh'.
ground_truth: Academia de San Carlos
sub_queries: In what place did Enrique Ballesté die? Answer: Mexico City
What is the large art school in Mexico City ? Answer: Academia de San Carlos