Question: Río de Sangre was originally recorded for Albany Records in what year?

full_context: Document 1: Rounder Records: Rounder Records is an American record label specializing in folk, bluegrass, blues, and other forms of American roots music. Its roster includes Alison Krauss and Union Station, Béla Fleck, Steve Martin and Edie Brickell, and Steep Canyon Rangers. Rounder's musicians have won over 40 Grammy Awards since the label's inception in 1970. The company also maintains book and video divisions.
Document 2: Albany Records: Albany Records is a record label that concentrates on unconventional contemporary classical music by American composers and musicians. It was established by Peter Kermani in 1987 and is based in Albany, New York.
Document 3: La púrpura de la rosa: La púrpura de la rosa ("The Blood of the Rose") is an opera in one act, composed by Tomás de Torrejón y Velasco to a Spanish libretto by Pedro Calderón de la Barca, the last great writer of the Spanish Golden Age.
Document 4: Music West Records: Music West Records was an independent record company founded by Allan Kaplan on December 1985 in San Rafael, California. The company was initially formed to promote Ray Lynch. During its run, artists released under the record company included Jim Chappell, Kenneth Nash, Chris Spheeris, and Øystein Sevåg. According to Gary Chappell, the manufacturer for Music West, the artists originated independently, claiming that the company's idea "has a statement that comes directly from the
Document 5: Channel Classics Records: Channel Classics Records is a record label from the Netherlands, specializing in classical music. The managing director and producer is C. Jared Sacks, who grew up in Boston. Sacks was schooled as a professional horn player at the Oberlin Conservatory of Music and the Conservatorium van Amsterdam. With fifteen years of experience in making music, Sacks decided to turn his hobby of making musical recordings into his work in 1987. The record label started in 1990 and was called after the street where he lived at the time, the Kanaalstraat in Amsterdam.
Document 6: Río de Sangre: Río de Sangre is a Gothic-themed Spanish-language opera in 3 acts and 14 scenes by the film score composer Don Davis. Kate Gale wrote the original English prose libretto which was translated into Spanish by Alicia Partnoy. Commissioned by the Florentine Opera Company, the work premiered in October 22, 2010 in a production starring soprano Kerry Walsh and tenor John Duykers. The original cast recorded the opera for Albany Records in 2010. The opera is set in an unnamed South American country with a story centering on political intrigue and family tragedy. The role of its main character, Christian Delacruz, the country's newly elected president, was sung by Guido LeBron.
Document 7: Fast Speaking Music: Fast Speaking Music is a label founded by poet Anne Waldman and Ambrose Bye, in New York City. Releases by Fast Speaking Music have prominently featured jazz, the literary, and performance art. Its recordings have been made featuring poets, musicians, and interdisciplinary artists such as Anne Waldman, Amiri Baraka, Clark Coolidge, Meredith Monk, Akilah Oliver, Thurston Moore, Thomas Sayers Ellis, and many others. Variously associated with contemporary poetry, Conceptual Poetics and Conceptual Art, the Beat Generation, New York School, Black Arts Movement, New American Poetry, Nuyorican Poetry, Abstraction, Dematerialized Art, rock & roll, jazz, and experimental music and cinema, artists in the Fast Speaking Music catalog have roots that stretch across a broad spectrum of disciplines and art practices ranging from letters to music, dance, film and visual arts. Musicians featured on the label include Daniel Carter, Ha-Yang Kim, Devin Brahja Waldman, Max Davies, and Thurston Moore.
Document 8: Le duc d'Albe: Le duc d'Albe (its original French title) or Il duca d'Alba (its later Italian title) is an opera in three acts originally composed by Gaetano Donizetti in 1839 to a French language libretto by Eugène Scribe and Charles Duveyrier. Its title, which translates as "The Duke of Alba", refers to its protagonist Fernando Álvarez de Toledo, 3rd Duke of Alba. The work was intended for performance at the Paris Opéra. However, William Ashbrook notes that "Rosine Stoltz, the director's mistress, disliked her intended role of Hélène and Donizetti put the work aside when it was half completed"
Document 9: Repertoire of Plácido Domingo: Spanish tenor Plácido Domingo has officially sung 147 roles in Italian, French, German, English, Spanish and Russian. His main repertoire however is Italian ("Otello", Cavaradossi in "Tosca", "Don Carlo", Des Grieux in "Manon Lescaut", Dick Johnson in "La fanciulla del West", Radames in "Aida"), French ("Faust", "Werther", Don José in "Carmen", Samson in "Samson et Dalila"), and German ("Lohengrin", "Parsifal", and Siegmund in "Die Walküre"). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berliner Staatsoper, Don Carlo in "Ernani" at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera. Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 "Washington Post" article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public."
Document 10: We Come to the River: We Come to the River – Wir erreichen den Fluss is an opera by Hans Werner Henze to an English-language libretto by Edward Bond. Henze and Bond described this work as "Actions for music", rather than an opera. It was Henze's 7th opera, written originally for the The Royal Opera in London, and takes as its focus the horrors of war. The opera was first performed at the Royal Opera House, Covent Garden, London on 12 July 1976, with the composer as producer, Jürgen Henze as director, and David Atherton conducting. It was subsequently staged at the Deutsche Oper Berlin, and received its first American performance at Santa Fe Opera in 1984, conducted by Dennis Russell Davies.
Document 11: Opera in Latin America: The history of opera in Latin America dates back to at least the early 18th century. Opera arrived in Latin America as a consequence of European colonization. On October 19, 1701, "La púrpura de la rosa" premiered in Lima in the Viceroyalty of Peru, the first opera known to be composed and performed in the Americas. It is an opera in one act by Spanish composer Tomás de Torrejón y Velasco with a libretto by Pedro Calderón de la Barca, and is the only surviving opera by Torrejón y Velasco. It tells the myth of the love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance.
Document 12: POINT Music: POINT Music was a record label that was started in 1992 as a joint venture between Philips Classics and Michael Riesman and Philip Glass’s Euphorbia Productions. In 1999, Decca Records became its distributor when it absorbed Philips in the aftermath of the merger that created Universal Music. It originally specialized in cutting-edge contemporary Western classical music, but it expanded to include film scores, some world music, and rock–classical crossover projects. It was shut down in 2002.
Document 13: List of Argentine operas: This is a list of operas by Argentine composers. Argentina's first native born opera composer was Francisco Hargreaves (1849-1900) who composed "La gatta bianca" (1875) and "Los estudiantes de Bologna" (1897), followed by Zenón Rolón (1856-1902) who composed several operas as well as operettas and zarzuelas. The works of many of the composers from this generation were first performed outside Argentina. Native Argentine opera was to develop much more with the massive European (mainly Italian) immigration in the late 19th century and even more with the opening of the Teatro Colón in 1908 where most of the 20th century operas listed here had their world premieres. Some of the first operas to treat Argentine subjects or national themes were Arturo Berutti's "Pampa" (1897) based on the life of Juan Moreira and "Yupanki" (1899) based on the life of Inca warrior Manqu Inka Yupanki. Also notable in this genre were Felipe Boero's "Tucumán" (1918) set during the Battle of Tucumán and "El matrero" (1929). Considered by many to be the quintessential Argentine opera, "El matrero" had a libretto based on gaucho folk tradition and incorporated Argentine folk melodies and a traditional gaucho dance. The Spanish playwright Federico García Lorca was also the inspiration for several Argentine operas. His plays, "La zapatera prodigiosa" and "Bodas de sangre", were the basis of operas by Juan José Castro, while Osvaldo Golijov's 2003 opera "Ainadamar" is based on events in the playwright's life.
Document 14: Private Music: Private Music was an American independent record label founded in 1984 by musician Peter Baumann as a "home for instrumental music." Baumann signed Yanni, Suzanne Ciani, Andy Summers, Patrick O'Hearn, Leo Kottke, and his former bandmates, Tangerine Dream. The label specialized in new-age music, but made a sharp turn to the mainstream, with signings of Taj Mahal, Ringo Starr, Etta James, and A. J. Croce. Its releases were distributed by then-emerging BMG (the label's earliest recordings having been distributed by RCA), which bought Private Music in 1996.
Document 15: Al Jewer: Al Jewer is a Native American flutist from Wisconsin. He has worked as a record producer and engineer, and as a studio musician, but he has become well known internationally for his work on the Native American flute. His original training was with the concert flute, and he has been performing classical music with that instrument since the early 1980s. In 1984, he established Laughing Cat Studio, and in 1994, Laughing Cat Records to give himself control over the recording, production and distribution of his music. This has given him the chance to work with many other musicians of the Midwestern United States, including Blackhawk, David Storei and Roxanne Neat, Natty Nation, Adrian Belew and Weekend Wages. Laughing Cat Records currently features artists who perform in Ambient, Native American, Reggae, Classical and Folk. Al has released two solo albums: "River Crossing" and "Prairie Plain Song" as well as "Two Trees" and "Music of the Earth" (with Andy Mitran). He also previously formed a duo with Christine Ibach called Cedar Wind. Cedar Wind released two albums, "Feather on the Wind" and "Kindred Spirits". His recent music often features harmonies on the alto and bass flute with melodies on the Native American flute.
ground_truth: 2010