Question: The Violin Sonata in A major was the only alternative version of which composer born on December 10, 1822?

full_context: Document 1: Frédéric Chopin: Frédéric François Chopin ( ; ] ; born Fryderyk Franciszek Chopin, 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for the solo piano. He gained and has maintained renown worldwide as a leading musician of his era, whose "poetic genius was based on a professional technique that was without equal in his generation." Chopin was born in what was then the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising.
Document 2: Franz Liszt: Franz Liszt (] ; Hungarian: "Liszt Ferencz" , in modern usage "Liszt Ferenc", ] ; October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary.
Document 3: La cetra (Vivaldi): La cetra, Op. 9, is a set of twelve violin concertos by Antonio Vivaldi, published in 1727. All of them are for violin solo, strings, and basso continuo, except No. 9 in B flat, which features two solo violins. The set was named after the cetra, a lyre-like instrument, and was dedicated to Emperor Charles VI.
Document 4: Piano Sonata in C major, D 840 (Schubert): Franz Schubert's Piano Sonata in C major D. 840, nicknamed Reliquie upon its first publication in 1861 in the mistaken belief that it had been Schubert's last work, was written in April 1825, whilst the composer was also working on the A minor sonata, D. 845 in tandem. Schubert abandoned the C major sonata, and only the first two movements were fully completed, with the trio section of the third movement also written in full. The minuet section of the third movement is incomplete and contains unusual harmonic changes, which suggests it was there Schubert had become disillusioned and abandoned the movement and later the sonata. The final fourth movement is also incomplete, ending abruptly after 272 bars.
Document 5: Violin Sonata in D major (attributed to Mozart): The Violin Sonata in D major, K. deest, is a composition for violin and piano (or harpsichord) published in England during the 18th Century under the name of Wolfgang Amadeus Mozart. It is typical of many such works intended for use by amateur musicians in a domestic setting, with the attribution to a well known composer being used to boost sales. As with Mozart's earliest violin sonatas, the keyboard instrument is dominant.
Document 6: Life of Franz Liszt: Franz Liszt (October 22, 1811July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary. Liszt is widely considered to be the greatest pianist of all time.
Document 7: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 8: César Franck: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 – 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life.
Document 9: Piano Sonata No. 5 (Prokofiev): Sergei Prokofiev's Piano Sonata no. 5 in C major, Op. 38 (1923) and Op. 135 (revised 1952-53) is a sonata for solo piano. Prokofiev composed the sonata in Ettal, by the Bavarian Alps, and dedicated it to Pierre Souvtchinski, a musicologist and friend. Even though the revised version of the sonata has a new opus number, if one compares the two versions closely, there are few radical differences between the two, with most of the changes occurring in the last movement. This sonata was the only piano piece of this genre to be composed during his life outside of Russia.
Document 10: Cello Sonata No. 3 (Beethoven): Ludwig van Beethoven's Cello Sonata No. 3 in A major, Op. 69 was written in 1808, Beethoven's second compositional period. Composed in the same year were the two piano trios of Op. 70 and the Choral Fantasy; in the same year Beethoven also completed and published his Fifth and Sixth Symphonies. The sonata was dedicated to Baron Ignaz von Gleichenstein and first performed in March 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann. Beethoven composed five sonatas for cello and piano over his lifetime; Steven Isserlis described his third sonata as the first cello sonata in history to give equally important parts to both of the instruments.
Document 11: Cello sonata: A cello sonata is usually a sonata written for solo cello or small instrument ensemble. The most famous Romantic-era cello sonatas are those written by Johannes Brahms and Ludwig van Beethoven. Some of the earliest cello sonatas were written in the 18th century by Francesco Geminiani and Antonio Vivaldi.
Document 12: Camille Pleyel: Joseph Étienne Camille Pleyel (December 18, 1788 – May 4, 1855) was a French virtuoso pianist, publisher, and owner of Pleyel et Cie. He also ran a concert hall, the Salle Pleyel, where Frédéric Chopin played the first and last of his concerts in Paris.
Document 13: Cello Sonata (Franck/Delsart): The setting for cello of César Franck's Violin Sonata in A major was the only alternative version sanctioned by Franck. It was created by the cellist Jules Delsart.
Document 14: Francis Poulenc: Francis Jean Marcel Poulenc (] ; 7 January 189930 January 1963) was a French composer and pianist. His compositions include "mélodies", solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite "Trois mouvements perpétuels" (1919), the ballet "Les biches" (1923), the "Concert champêtre" (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera "Dialogues des Carmélites" (1957), and the "Gloria" (1959) for soprano, choir and orchestra.
Document 15: Merri Franquin: Merri Jean Baptiste Franquin (b. 19 October 1848, Lançon, Bouches-du-Rhône, France, d. 1934) was a French trumpeter, cornetist, and flugelhornist who was professor of trumpet at the Paris Conservatory from 1894 until 1925. Franquin was a teacher of both Georges Mager (1885–1950) who was principal trumpet of the Boston Symphony Orchestra from 1919 until 1950, and Eugene Foveau (1886–1957) who became professor of cornet at the Paris Conservatory in 1925. His collaboration with Romanian composer Georges Enescu (1881–1955) led to the composition in 1906 of "Légende", one of the great twentieth-century works for solo trumpet and piano. Franquin's book, "Methode Complète de la Trompette Moderne de Cornet a Pistons et de Bugle", has been an influential teaching aid for many trumpet players, notably Maurice André. Franquin's most notable accomplishment while at the Paris Conservatory was his push for the C Trumpet to replace the low F trumpet as a more versatile orchestral instrument. A more modern form of this instrument was introduced to American symphony orchestras by Georges Mager, and it remains very much in popular use in the United States.
ground_truth: César Franck