Question: Do Jean-Jacques Beineix and John Ince have the same nationality ?

full_context: Document 1: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 2: John Barrymore: John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of "Justice" (1916), "Richard III" (1920) and "Hamlet" (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian".
Document 3: Luc Besson: Luc Besson (] ; born 18 March 1959) is a French film director, screenwriter, and producer. He directed or produced the films "Subway" (1985), "The Big Blue" (1988), and "Nikita" (1990). Besson is known for his distinctive filmmaking style and is associated with the movement critics call "Cinéma du look". He has been nominated for a César Award for Best Director and Best Picture for his films "" and "". He won Best Director and Best French Director for his sci-fi action film "The Fifth Element" (1997). He wrote and directed the 2014 sci-fi thriller film "Lucy".
Document 4: John Forsythe: John Forsythe (born either John Lincoln Freund or Jacob Lincoln Freund; January 29, 1918 – April 1, 2010) was an American stage, film/television actor, producer, narrator, drama teacher and philanthropist whose career spanned six decades. He also appeared as a guest on several talk and variety shows and as a panelist on numerous game shows.
Document 5: Diva (1981 film): Diva is a 1981 French thriller film directed by Jean-Jacques Beineix, adapted from the novel "Diva" by Daniel Odier (under the pseudonym Delacorta). It is one of the first French films to let go of the realist mood of 1970s French cinema and return to a colourful, melodic style, later described as "cinéma du look".
Document 6: Lionel Barrymore on stage, screen and radio: Lionel Barrymore (born Lionel Herbert Blythe; 1878–1954) was an American actor of stage, screen and radio. He also directed several films, wrote scripts, created etchings, sketches and composed music. He was the eldest child of the actors Maurice Barrymore and Georgie Drew Barrymore, and his two siblings were John and Ethel; these and other family members were part of an acting dynasty. Reluctant to follow his parents' career, Barrymore appeared together with his grandmother Louisa Lane Drew in a stage production of "The Rivals" at the age of 15. He soon found success on stage in character roles. Although he took a break from acting in 1906–09 to train in Paris as a painter, he was not successful as an artist and returned to the US and acting. He also joined his family troupe, from 1910, in their vaudeville act.
Document 7: Leos Carax: Alex Christophe Dupont (born 22 November 1960), best known as Leos Carax (] ), is a French film director, critic, and writer. Carax is noted for his poetic style and his tortured depictions of love. His first major work was "Boy Meets Girl" (1984), and his notable works include "Les Amants du Pont-Neuf" (1991) and "Holy Motors" (2012). His professional name is an anagram of his real name, 'Alex', and 'Oscar'.
Document 8: Ralph Ince: Ralph Ince (January 16, 1887 – April 10, 1937) was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film era. Ralph Ince was the brother of John Ince and Thomas H. Ince.
Document 9: John Gilbert (actor): John Gilbert (born John Cecil Pringle; July 10, 1899 – January 9, 1936) was an American actor, screenwriter and director. He rose to fame during the silent film era and became a popular leading man known as "The Great Lover". At the height of his career, Gilbert rivaled Rudolph Valentino, another silent film era leading man, as a box office draw.
Document 10: John Ince (actor): John Ince, also known as John E. Ince, (August 29, 1878 – April 10, 1947) was an American stage and motion pictures actor, a film director, and the eldest brother of Thomas H. Ince and Ralph Ince.
Document 11: Martine Beugnet: Martine Beugnet is a French film theorist, and a Professor in Visual Studies at the Paris Diderot University. She has written primarily on corporeality and sensation in avant-garde and narrative cinema, and has had her work published in several film journals. She wrote her PhD thesis at the University of Edinburgh in 1999, on themes of sexuality and bodies in recent French cinema, citing filmmakers such as Claire Denis, Bertrand Blier, Jean-Jacques Beineix, Laetitia Masson, and Leos Carax. She later wrote an entire monograph on the work of Claire Denis, where she invoked the of French philosopher Gilles Deleuze. In 2005, she published a book on cinematic treatments of Marcel Proust, written in collaboration with Marion Schmid. Two years later, she wrote a book titled "Cinema and Sensation", where she further explored themes she had written about in her PhD thesis, again invoking Deleuze.
Document 12: Cinéma du look: Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
Document 13: John Harron: John Harron (March 31, 1903 – November 24, 1939) was an American actor. He appeared in 167 films between 1918 and 1940. Born in New York, New York, he was the brother of actor Robert Harron and of actress Mary Harron. Harron died in Seattle, Washington from spinal meningitis.
Document 14: Jacques Demy: Jacques Demy (] ; 5 June 1931 – 27 October 1990) was a French director, lyricist, and screenwriter. He appeared in the wake of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their sumptuous visual style. Demy's style drew upon such diverse sources as Classic Hollywood musicals, the documentary realism of his New Wave colleagues, fairy-tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity (i.e., characters cross over from film to film), lush musical scores (typically composed by Michel Legrand) and motifs like teenaged love, labor rights, incest, and the intersection between dreams and reality. He is best known for the two musicals he directed in the mid-1960s: "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967).
Document 15: John Ford filmography: John Ford (1894–1973) was an American film director whose career spanned from 1913 to 1971. During this time he directed more than 140 films. Born in Maine, Ford enter the filmmaking industry shortly after graduating from high school with the help of his older brother, Francis Ford, who had established himself as a leading man and director for Universal Studios. After working as an actor, assistant director, stuntman, and prop man – often for his brother – Universal gave Ford the opportunity to direct in 1917. Initially working in short films, he quickly moved into features, largely with Harry Carey as his star. In 1920 Ford left Universal and began working for the Fox Film Corporation. During the next ten years he directed more than 30 films, including the westerns "The Iron Horse" (1924) and "3 Bad Men" (1926), both starring George O'Brien, the war drama "Four Sons" and the Irish romantic drama "Hangman's House" (both 1928 and both starring Victor McLaglen). In the same year of these last two films, Ford directed his first all-talking film, the short "Napoleon's Barber". The following year he directed his first all-talking feature, "The Black Watch".
ground_truth: no