Question: Félix Vieuille, was a French operatic bass who sang for more than four decades with the Opéra-Comique in Paris during the first half of the twentieth century, he created roles in numerous world premieres, most notably portraying Arkel in the original production of Pelléas et Mélisande, an opera in five acts, with music by who?

full_context: Document 1: Thaïs (opera): Thaïs (] ) is an opera, a "comédie lyrique" in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel "Thaïs" by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898.
Document 2: Pelléas et Mélisande discography: This is a discography of "Pelléas et Mélisande", an opera by Claude Debussy. The premiere performance was at the Opéra-Comique in Paris on 30 April 1902. The list includes all of the studio recordings and also some live performances available on audio CD and DVD.
Document 3: Pelléas et Mélisande (Sibelius): Pelléas et Mélisande ("Pelléas och Mélisande"), Op. 46, is incidental music by Jean Sibelius for Maurice Maeterlinck's 1892 play "Pelléas and Mélisande". Sibelius composed in 1905 ten parts, overtures to the five acts and five other movements. It was first performed at the Swedish Theatre in Helsinki on 17 March 1905 to a translation by Bertel Gripenberg, conducted by the composer).
Document 4: Gustave Huberdeau: Gustave Huberdeau (10 May 1874 – 31 May 1945) was a French operatic bass-baritone who had a prolific career in Europe and the United States during the first quarter of the twentieth century. He sang a wide repertoire encompassing material from French composers like Gounod and Massenet to the Italian grand operas of Verdi, the verismo operas of Mascagni, and the German operas of Richard Wagner and Richard Strauss. He sang in numerous premieres during his 30-year career, including the original production of Puccini's "La rondine" in 1917. Although possessing a rich and warm voice, Huberdeau had a talent for comedic portrayals which made him a favorite casting choice in secondary comedic roles as well as leading roles. After retiring from opera in 1927, Huberdeau remained active as a performer in stage plays and in French cinema throughout the 1930s.
Document 5: Félix Vieuille: Félix Vieuille (15 October 1872, Saujon – 28 February 1953, Saujon) was a French operatic bass who sang for more than four decades with the Opéra-Comique in Paris during the first half of the twentieth century. He created roles in numerous world premieres, most notably portraying Arkel in the original production of Claude Debussy's "Pelléas et Mélisande" in 1902 which he went on to sing 208 times at that house. He possessed a rich voice and a solid technique which helped sustain his career for a long time. His voice is preserved on a number of recordings made on the Odeon, Lyrophon, and Beka labels.
Document 6: Hector Dufranne: Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original production of Claude Debussy's "Pelléas et Mélisande" in 1902, which he went on to sing 120 times at that house. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera.
Document 7: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 8: Masques (Debussy): Masques, L. 105, is a piece for solo piano by Claude Debussy. Composed in July 1904, it was premiered on 18 February 1905 by Ricardo Viñes at the Salle Pleyel in Paris. Its sombre character reflects Debussy’s difficult separation from Lilly Texier, his first wife. The title refers to the commedia dell’arte, although Debussy confided to Marguerite Long that the piece was "not Italian comedy, but an expression of the tragedy of existence" - (""ce n'est pas la comédie italienne, mais l'expression tragique de l’existence."")
Document 9: La mer (Debussy): La mer, trois esquisses symphoniques pour orchestre (French for The sea, three symphonic sketches for orchestra), or simply La mer (i.e. The Sea), L. 109, is an orchestral composition by French composer Claude Debussy.
Document 10: Pelléas et Mélisande (opera): Pelléas et Mélisande ("Pelléas and Mélisande") is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play "Pelléas et Mélisande". It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
Document 11: Henri Albers: Henri Albers, born Johan Hendrik Albers (1 February 1866 – 12 September 1926), was a Dutch-born opera singer who later became a French citizen. He sang leading baritone roles in an international career that spanned 37 years and was a prominent singer at the Théâtre de la Monnaie in Brussels and the Opéra-Comique in Paris, which was his base from 1900 until his death. He also sang in 36 performances with the Metropolitan Opera company from 1898 to 1899. He made many recordings for Pathé Records and specialised in the heavier baritone and "basso cantante" repertoire.
Document 12: Jean Périer: Jean (Alexis) Périer (2 February 1869 – 3 November 1954) was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Claude Debussy's "Pelléas et Mélisande" in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938.
Document 13: Jeanne Gerville-Réache: Jeanne Gerville-Réache (26 March 1882 – 5 January 1915) was a French operatic contralto from the Belle Époque. She possessed a remarkably beautiful voice, an excellent singing technique, and wide vocal range which enabled her to perform several roles traditionally associated with mezzo-sopranos in addition to contralto parts. Her career began successfully in Europe just before the turn of the twentieth century. She later came to the North America in 1907 where she worked as an immensely popular singer until her sudden death in 1915. She is particularly remembered for her portrayal of Dalila in Camille Saint-Saëns' "Samson et Dalila", which she helped establish as an important part of the repertory within the United States. She also notably portrayed the role of Geneviève in the world premiere of Debussy's "Pelléas et Mélisande" in 1902.
Document 14: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 15: Les pêcheurs de perles: Les pêcheurs de perles (The Pearl Fishers) is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint ", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera.
ground_truth: Claude Debussy