Question: Love's Labour's Won is disputed to possibly be a sequel to a comedy where the play closes with the death of the who?

full_context: Document 1: Sonnet 102: Sonnet 102 is one of the 154 sonnets written by English playwright and poet William Shakespeare. It is one of the Fair Youth sonnets, in which Shakespeare writes of an unnamed youth with whom the poet is enamored. Sonnet 102 is among a series of seemingly connected sonnets, from Sonnet 100 to Sonnet 103, in which the poet speaks of a silence between his Muse and himself. The exact date of writing is unknown, and there is contention among scholars about when they were written. Paul Hammond among other scholars believes that sonnets 61-103 were written primarily during the early 1590s, and then being edited or added to later, during the early 1600s (decade). Regardless of date of writing, it was published later along with the rest of the sonnets of the 1609 Quarto.
Document 2: Love's Labour's Lost (film): Love's Labour's Lost is a 2000 adaptation of the comic play of the same name by William Shakespeare, directed by and starring Kenneth Branagh. It was the first feature film to be made of this lesser-known comedy. Branagh's fourth film of a Shakespeare play (he did not direct the 1995 "Othello", although he did play Iago), "Love's Labour's Lost" was a box-office and critical disappointment.
Document 3: The History of Cardenio: The History of Cardenio, often referred to as merely Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes' "Don Quixote" involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of "Don Quixote" was published in 1612, and would thus have been available to the presumed authors of the play.
Document 4: Authorship of Titus Andronicus: The authorship of "Titus Andronicus" has been debated since the late 17th century. "Titus Andronicus", probably written between 1588 and 1593, appeared in three quarto editions from 1594 to 1601 with no named author. It was first published under William Shakespeare's name in the 1623 First Folio of his plays. However, as with some of his early and late plays, scholars have long surmised that Shakespeare might have collaborated with another playwright. Other plays have also been examined for evidence of co-authorship, but none has been as closely scrutinised or as consistently questioned than "Titus". The principal contender for the co-authorship is George Peele.
Document 5: Love's Labour's Lost: Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to forswear the company of women for three years of study and fasting, and their subsequent infatuation with the Princess of France and her ladies. In an untraditional ending for a comedy, the play closes with the death of the Princess's father, and all weddings are delayed for a year. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy.
Document 6: A Midsummer Night's Dream: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
Document 7: As You Like It: As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility.
Document 8: Sonnet 28: Sonnet 28 is one of 154 sonnets written by the English playwright and poet William Shakespeare, it was first published in 1609. The sonnet is a part of the Fair Youth sequence, in which the poet expresses his love towards a young man — usually referred to as "the young man" or the "friend". Shakespeare's use of "friend" means more than just of a sexual nature, it highlights the Renaissance ideal of male fidelity and equality. From sonnets 18 to 126, Shakespeare writes about his relationship with the said young man. Although the identity of the young man is still unknown, Henry Wriothesley and William Herbert, 3rd Earl of Pembroke, are the two leading contenders.
Document 9: Twelfth Night: Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio.
Document 10: Baconian theory of Shakespeare authorship: The Baconian theory of Shakespearean authorship holds that Sir Francis Bacon, philosopher, essayist and scientist, wrote the plays which were publicly attributed to William Shakespeare. Various explanations are offered for this alleged subterfuge, most commonly that Bacon's rise to high office might have been hindered were it to become known that he wrote plays for the public stage. Thus the plays were credited to Shakespeare, who was merely a front to shield the identity of Bacon.
Document 11: The Taming of the Shrew: The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.
Document 12: Measure for Measure: Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. Originally published in the "First Folio" of 1623, where it was listed as a comedy, the play's first recorded performance occurred in 1604. The play's main themes include justice, "mortality and mercy in Vienna," and the dichotomy between corruption and purity: "some rise by sin, and some by virtue fall." Mercy and virtue prevail, as the play does not end tragically, with virtues such as compassion and forgiveness being exercised at the end of the production. While the play focuses on justice overall, the final scene illustrates that Shakespeare intended for moral justice to temper strict civil justice: a number of the characters receive understanding and leniency, instead of the harsh punishment to which they, according to the law, could have been sentenced.
Document 13: Sonnet 110: Sonnet 110 is one of 154 sonnets written by the English playwright and poet William Shakespeare. Sonnet 110 was published along with the other sonnets in the 1609 Quarto. The sonnet falls in place with the Fair Youth sequence of Shakespeare's sonnets, in which the poet expresses his love towards a young man. The mystery of the young man is still unknown today. However, there are many different theories by various scholars of who this young man may be. There has been much debate whether or not this sonnet was written about Shakespeare's disdain with the stage and actors. Whereas others have interpreted sonnet 110 as the poet confessing his love to a young man.
Document 14: Love's Labour's Won: Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived. Scholars dispute whether it is a true lost work, possibly a sequel to "Love's Labour's Lost", or an alternative title to a known Shakespeare play.
Document 15: Fidele and Fortunio: Fidele and Fortunio was a comedy written by Anthony Munday and first published in 1584. Its authorship has been disputed but scholars are now generally agreed that the initials "A.M." appearing in the first edition of the play refer to Anthony Munday. Its chief interest nowadays lies in its possible influence on Shakespeare as the play was performed around the time he arrived in London and established himself as an actor and later as a playwright. It also gives us a view of the English language prior to the influence of Shakespeare on the language. The play is loosely based on the Italian play "Il Fedele" by Luigi Pasqualigo.
ground_truth: the Princess's father