Question: Who founded the academy where John Baker was educated?

full_context: Document 1: University of Toronto: On March 15, 1827, a royal charter was formally issued by King George IV, proclaiming "from this time one College, with the style and privileges of a University ... for the education of youth in the principles of the Christian Religion, and for their instruction in the various branches of Science and Literature ... to continue for ever, to be called King's College." The granting of the charter was largely the result of intense lobbying by John Strachan, the influential Anglican Bishop of Toronto who took office as the college's first president. The original three-storey Greek Revival school building was built on the present site of Queen's Park.Under Strachan's stewardship, King's College was a religious institution closely aligned with the Church of England and the British colonial elite, known as the Family Compact. Reformist politicians opposed the clergy's control over colonial institutions and fought to have the college secularized. In 1849, after a lengthy and heated debate, the newly elected responsible government of Upper Canada voted to rename King's College as the University of Toronto and severed the school's ties with the church. Having anticipated this decision, the enraged Strachan had resigned a year earlier to open Trinity College as a private Anglican seminary. University College was created as the nondenominational teaching branch of the University of Toronto. During the American Civil War, the threat of Union blockade on British North America  prompted the creation of the University Rifle Corps, which saw battle in resisting the Fenian raids on the Niagara border in 1866. The Corps was part of the Reserve Militia lead by Professor Henry Croft.
Document 2: Joo Yeon Sir: A former pupil at the Purcell School, Joo Yeon Sir is a Scholar at the Royal College of Music, London where she studies with Dr Felix Andrievsky. She has been a major prizewinner at national and international competitions in the UK and abroad and has performed as recitalist, chamber musician and soloist with orchestras at various venues including the Wigmore Hall, London Arts Club, St James's Palace in presence of HRH Prince Charles, the Foundling Museum as part of New London Orchestra Young Performer's Concert Series supported by the MBF, and most recently at Fairfield Halls performing Vaughan Williams' The Lark Ascending.
Document 3: Eton College: The current "Precentor" (Head of Music) is Tim Johnson, and the School boasts eight organs and an entire building for music (performance spaces include the School Hall, the Farrer Theatre and two halls dedicated to music, the Parry Hall and the Concert Hall). Many instruments are taught, including obscure ones such as the didgeridoo. The School participates in many national competitions; many pupils are part of the National Youth Orchestra, and the School gives scholarships for dedicated and talented musicians. A former Precentor of the college, Ralph Allwood set up and organised Eton Choral Courses, which run at the School every summer.
Document 4: Glenn Gould Foundation: The Glenn Gould Foundation is a registered Canadian charitable organization based in Toronto, Ontario, Canada. Friends, colleagues and admirers of the celebrated Canadian pianist Glenn Gould established the Foundation in 1983 after his death on October 4, 1982 at age 50. Its directors and supporters include many prominent Canadian and International cultural leaders and patrons, as well as Gould's personal friends.
Document 5: Royal British Columbia Museum: Founded in 1886, the Royal British Columbia Museum (sometimes referred to as Royal BC Museum) consists of The Province of British Columbia's natural and human history museum as well as the British Columbia Provincial Archives. The museum is located in Victoria, British Columbia, Canada. The "Royal" title was approved by Queen Elizabeth II and bestowed by HRH Prince Philip in 1987, to coincide with a Royal tour of that year. The museum merged with the British Columbia Provincial Archives in 2003.
Document 6: Royal Empire Records: Originating in Washington State during 2001 as REK Squad Entertainment, Royal Empire Records founder Edward Galloway and co-founder Mario Lyons set out on a mission to transcend to the top of the music industry. Although the path was long and the participants in that quest have changed frequently, Edward Galloway's mission has not. In 2003, Edward Galloway & Mario Lyons' vision of a successful record label came to life as Royal Empire Records.
Document 7: Dominic John: John performed with violinist Itzhak Perlman at an evening soirée. In 2005, he performed Tchaikovsky's "Piano Concerto" and Saint-Saëns' "Carnival of the Animals" with the Osaka Philharmonic in Symphony Hall, Osaka. In October 2006 he was invited to perform Grieg's "Piano Concerto" in the Congress Theatre, Eastbourne, and gave a masterclass to pupils at Eastbourne College. He is a staff accompanist at the Junior Department, Royal Academy of Music.
Document 8: Richard Blackford: Richard Blackford PhD studied composition with John Lambert at the Royal College of Music and conducting with Norman Del Mar. He was awarded the Mendelssohn Scholarship and the Tagore Gold Medal. He spent a number of years as Hans Werner Henze's assistant in Italy on a Leverhulme scholarship, where he received his first commissions while immersed in the European avant-garde. He returned to London in 1977 to turn his sights to the dramatic potential of music, combining teaching at LAMDA with commissions for theatre scores along with concert commissions. After becoming first Composer in Residence at Balliol College, Oxford, he was commissioned to write the opera "Metamorphoses" for the Centenary of the Royal College of Music. Further collaborations with Ted Hughes and Tony Harrison led to international film and theatre projects, including "The Prince's Play" and "Fram" at the Royal National Theatre. In all he has composed four operas, two musicals, much concert music and the scores to over two hundred films, being nominated for an Emmy Award in 2001 for Outstanding Achievement In Music. The mid-1990s saw a renewed focus on lyrical and dramatic works for the concert hall, notably "Mirror of Perfection" and "Voices of Exile", both subjects of television documentaries. 2011 saw the premiere of Not In Our Time, a 55-minute choral and orchestral work commissioned to mark the Centenary of the Bournemouth Symphony Chorus and for performance on the tenth anniversary of 9/11. It was subsequently performed in Chicago and Bremen to standing ovations.
Document 9: John Baker (Radiophonic musician): He was educated at the Royal Academy of Music where he studied piano and composition. In 1960 he joined the BBC as a sound mixer, before transferring, in 1963, to the BBC Radiophonic Workshop where he remained until 1974. He was the most prolific of the early Workshop composers, developing a trademark style, creating music by manipulating tapes of everyday sounds such as blowing across the top of an empty bottle. A rare snippet of Baker at work was included in the 1968 documentary film "Music", which also featured the Beatles working on "Hey Jude" in the studio. A jazz pianist, he brought a sense of rhythm to the Workshop which some of the other more mathematical composers lacked. His work included many signature tunes for BBC television and radio. He was also particularly interested in combining recorded electronic music with live musicians.
Document 10: John Backus (acoustician): John Backus was born and raised in Portland, Oregon, where he studied at Reed College, receiving a BA in 1932. He went on to graduate studies at the University of California, Berkeley, where he did research in nuclear physics at the Radiation Laboratory under Ernest Lawrence. He received an MA in 1936, and a PhD in 1940. In 1945 he was appointed Professor of Physics at the University of Southern California, a post he retained until his retirement in 1980. During the early part of his career, his research focussed on gaseous discharges in strong magnetic fields. He was also a musician, trained as a performer on piano, bassoon, clarinet and other woodwinds and received the degree of MMus in conducting from the University of Southern California in 1959. In his later career he turned increasingly to the study of musical acoustics, particularly those of wind instruments and organ pipes. In 1969 he published "The Acoustical Foundations of Music", a book which became a standard text for introductory courses in musical acoustics. A second edition appeared in 1977. He received the Silver Medal of the Acoustical Society of America in 1986. Backus died in Los Angeles in 1988.
Document 11: Royal Institute of British Architects: After the grant of the royal charter it had become known as the Royal Institute of British Architects in London, eventually dropping the reference to London in 1892. In 1934, it moved to its current headquarters on Portland Place, with the building being opened by King George V and Queen Mary.
Document 12: The Royal Conservatory of Music: The Royal Conservatory of Music, branded as The Royal Conservatory, is a music education business and performance venue headquartered in Toronto, Ontario, Canada. It was founded in 1886 by Edward Fisher as The Toronto Conservatory of Music. In 1947, King George VI incorporated the organization through royal charter.
Document 13: House music: In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era,
Document 14: The Beatles: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as ``Beatlemania ''; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's development into an art form and came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.
Document 15: Queen (band): In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feedback. Sonic experimentation figured heavily in Queen's songs. A distinctive characteristic of Queen's music are the vocal harmonies which are usually composed of the voices of May, Mercury, and Taylor best heard on the studio albums A Night at the Opera and A Day at the Races. Some of the ground work for the development of this sound can be attributed to their former producer Roy Thomas Baker, and their engineer Mike Stone. Besides vocal harmonies, Queen were also known for multi-tracking voices to imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal overdubs in "Bohemian Rhapsody". The band's vocal structures have been compared with the Beach Boys, but May stated they were not "much of an influence".
ground_truth: Edward Fisher
sub_queries: John Baker >> educated at Answer: Royal Academy of Music
who founded Royal Academy of Music answers.com Answer: Edward Fisher