Question: Georges Favre, the French composer, was a student of which composer of "The Sorcerer's Apprentice"?

full_context: Document 1: Fantaisie for piano and orchestra (Debussy): "Fantaisie" for piano and orchestra, L. 73, is a composition for piano and orchestra by French composer Claude Debussy. It was composed between October 1889 and April 1890 but it received its first public performance only in 1919, a year after Debussy's death, in London by the Royal Philharmonic Orchestra with Alfred Cortot as soloist. It is Debussy's only composition for piano and orchestra and, even though it is written in a three movement form, it was not composed as a Piano Concerto. Today it is one of Debussy's least frequently performed works.　This work is dedicated to the pianist René Chansarel, who had been scheduled to play the solo part for the cancelled premiere in 1890.
Document 2: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 3: Pierre Dervaux: Pierre Dervaux (born 3 January 1917 in Juvisy-sur-Orge, France; died 20 February 1992 in Marseilles, France) was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s "Dialogues des Carmélites". He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82).
Document 4: Merri Franquin: Merri Jean Baptiste Franquin (b. 19 October 1848, Lançon, Bouches-du-Rhône, France, d. 1934) was a French trumpeter, cornetist, and flugelhornist who was professor of trumpet at the Paris Conservatory from 1894 until 1925. Franquin was a teacher of both Georges Mager (1885–1950) who was principal trumpet of the Boston Symphony Orchestra from 1919 until 1950, and Eugene Foveau (1886–1957) who became professor of cornet at the Paris Conservatory in 1925. His collaboration with Romanian composer Georges Enescu (1881–1955) led to the composition in 1906 of "Légende", one of the great twentieth-century works for solo trumpet and piano. Franquin's book, "Methode Complète de la Trompette Moderne de Cornet a Pistons et de Bugle", has been an influential teaching aid for many trumpet players, notably Maurice André. Franquin's most notable accomplishment while at the Paris Conservatory was his push for the C Trumpet to replace the low F trumpet as a more versatile orchestral instrument. A more modern form of this instrument was introduced to American symphony orchestras by Georges Mager, and it remains very much in popular use in the United States.
Document 5: Georges Favre: Georges Favre (26 July 1905 – 25 April 1993) was a French composer and musicologist. He was a student of Paul Dukas for composition and Vincent d'Indy for conduction.
Document 6: Maurice Ravel: Joseph Maurice Ravel (] ; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Document 7: The Sorcerer's Apprentice (Dukas): The Sorcerer's Apprentice (French: "L'apprenti sorcier") is a symphonic poem in the key of F minor by the French composer Paul Dukas, written in 1897. Subtitled "Scherzo after a ballad by Goethe", the piece was based on Johann Wolfgang von Goethe's 1797 poem of the same name. By far the most performed and recorded of Dukas's works, its notable appearance in the Walt Disney 1940 animated film "Fantasia" has led to the piece becoming widely known to audiences outside the classical concert hall.
Document 8: Georges Caussade: Georges Caussade (20 November 1873 – 5 August 1936) was a French composer, music theorist, and music educator. Born in Port Louis, Mauritius, he joined the faculty of the Conservatoire de Paris in 1905 as a teacher of counterpoint. He began teaching fugue at the school as well in 1921; a position his wife, composer Simone Plé-Caussade, took over in 1928. Among his notable students are Jehan Alain, Georges Auric, Elsa Barraine, Lili Boulanger, Jean-Yves Daniel-Lesur, Georges Dandelot, Claude Delvincourt, Georges Hugon, Jeanne Leleu, Eugène Lapierre, Gaston Litaize, Paul Pierné, Georges-Émile Tanguay, Henri Tomasi, Marcel Tournier, and Marios Varvoglis. See: . In 1931 he published a book on the subject of harmony, "Technique de l'harmonie". His most notable compositions are the operas "Selgar et Moina" and "Légende de Saint George".
Document 9: Paul Dukas: Paul Abraham Dukas (] ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece "The Sorcerer's Apprentice" ("L'apprenti sorcier"), the fame of which has eclipsed that of his other surviving works. Among these are the opera "Ariane et Barbe-bleue", a symphony, two substantial works for solo piano, and a ballet, "La Péri".
Document 10: Paul Dukas: Paul Abraham Dukas (] ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece "The Sorcerer's Apprentice" ("L'apprenti sorcier"), the fame of which has eclipsed that of his other surviving works. Among these are the opera "Ariane et Barbe-bleue", a symphony, two substantial works for solo piano, and a ballet, "La Péri".
Document 11: Adolphe Adam: Adolphe Charles Adam (] ; 24 July 1803 – 3 May 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets "Giselle" (1841) and "Le corsaire" (1856, his last work), his operas "Le postillon de Lonjumeau" (1836), "Le toréador" (1849) and "Si j'étais roi" (1852)
Document 12: Claude Debussy: Achille-Claude Debussy (] , 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy, was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Document 13: Pauline Duchambge: Pauline Duchambge née de Montet (1778 – 23 April 1858) was a French Creole pianist, singer, and composer. Duchambdge (Montet) was born in Martinique, West Indies and was the daughter of a noble family. She was taken to Paris, where she received a convent education and studied the piano from composer and author Jean Baptiste Desormery, son of the famous comic opera actor and composer Léopold-Bastien Desormery. Pauline composed and performed as a singer and a pianist. She studied harmony and composition with Daniel Auber and with Luigi Cherubini, who wrote several compositions for her. She also studied piano and composition with Jan Ladislav Dussek. Pauline left the convent in 1792 and married Baron Duchambge in 1796. In 1798 at the age of 20, she lost both her parents and with them the family fortune. Soon afterwards she was later divorced. It was after these events that Duchamge musical education began in earnest. She studied church music with Jan Dussek, Luigi Cherubini and D.F.E Auber. In 1815, Duchambge met the French poet and novelist, Marceline Desbordes-Valmore beginning a lifelong friendship and collaboration. Their friendship is documented by a lengthy correspondence and a number of songs by Duchambge on Debordes-Valmore’s texts including L’adieu tout bas, La fiancée del marin, Je pense à lui, La jeune Châtelaine, Rêve du mousse, La sincère and La valse et l’automne. Duchambge also composed music to texts and romances of other female authors such as Mme Amble Tastu and Mme Emile De Girardin. Pauline Duchambge wrote over three hundred romances, a very popular genre in the nineteenth century. Auber deposited three hundred of Duchambge’s songs in the Bibliothèque du Conservatoire in Paris. Eleven of Duchambge's individual songs and albums of songs were published between 1827 and 1841 by some of the leading Parisian publishers: Jean Antoine Meissonnier, Jacques-Joseph Frey, A. Petibon, and Ignace Pleyel. Her works reached a German audience through the Berlin publisher Maurice Schlesinger and the Schott firm in Mainz. In addition to songs, Duchambge wrote a few piano pieces. Duchambge had a difficult life, struggling with poverty, delicate health, and the disenchantments of love; her music expresses her emotions. She commented: "Love, it is life! but a life full of troubles, illusions, deceptions, repentance, discouragements…. "
Document 14: Lost operas by Jean-Philippe Rameau: The musical scores to several operas by the French composer Jean-Philippe Rameau have been lost. They include two major "tragédies en musique", "Samson" and "Linus", and a one-act pastoral opera "Lisis et Délie". The music to these pieces was substantially complete and was performed in rehearsal but for various reasons - including censorship in the case of "Samson" - they were never publicly staged. Rameau also wrote a "divertissement" for Alexis Piron's play "Les courses de Tempé", which did appear at the theatre in 1734. The music to all these works has been almost completely lost, although there is evidence Rameau reused some of it in his later operas. Rameau also began other operatic projects, which were either abandoned at an early stage ("Pandore") or broken up to form shorter works ("Les beaux jours de l'Amour").
Document 15: Edgard Varèse: Edgard Victor Achille Charles Varèse (] ; also spelled Edgar Varèse; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States.
ground_truth: Paul Abraham Dukas