Question: Did Carlos Diegues or Peter Watkins have more international experience behind their films?

full_context: Document 1: Carlos Reygadas: Carlos Reygadas Castillo (] ; born October 10, 1971) is a Mexican filmmaker. Influenced by existentialist art and philosophy, Reygadas' movies feature spiritual journeys into the inner worlds of his main characters, through which themes of love, suffering, death, and life's meaning are explored.
Document 2: Marc Caro: Marc Caro, born 2 April 1956, is a French filmmaker and cartoonist, best known for his co-directing projects with Jean-Pierre Jeunet.
Document 3: Carlos Diegues: Carlos Diegues, also known as Cacá Diegues, (born May 19, 1940) is a Brazilian film director. He was born in Maceió, Alagoas, and is best known as a member of the Cinema Novo movement.
Document 4: Salvador Carrasco: Salvador Carrasco is a Mexican film director based in Santa Monica, California. He is the writer and director of the highly acclaimed and influential feature film "The Other Conquest" about the Spanish colonization of Mexico. Carrasco has won numerous film and academic awards, and is currently developing new film projects through his production company, Salvastian Pictures, based in Santa Monica, California. He is a tenured film professor at Santa Monica College, where he is the Head of the Film Production Program, recently featured in Variety magazine. Carrasco was featured as a guest film director at the 2016 CinemadaMare Film Festival in Italy, along with directors Paolo Sorrentino and Krzysztof Zanussi.
Document 5: Peter Duffell: Peter Duffell (born 1937) is a British film and television director and screenwriter, born in Canterbury, England.
Document 6: Martin Duckworth: Martin Duckworth (born March 8, 1933) is a Canadian documentary director and cinematographer who was on staff at the National Film Board from 1963 to 1970 and has continued to work with them as a freelance filmmaker. He was cinematographer on more than 100 films, and directed or co-directed 30, most of them with the NFB. His credits as director include "12,000 Men" and "Return to Dresden" (Golden Sheaf awards at Yorkton, 1978 and 1986), "Wives’ Tale" (Quebec Critics’ Choice 1980), "No More Hiroshima" (Genie 1984), "Our Last Days in Moscow" (best direction FIFA1987), "Oliver Jones in Africa" (Mannheim Ducate 1990), and "Brush with Life" (Hot Docs Best Film 1994). His cinematography work has included "Christopher’s Movie Matinee", directed by Mort Ransen (1968), "Sad Song of Yellow Skin", by Michael Rubbo (1970), "Le bonhomme", by Pierre Maheu (1972), "La richesse des autres", by Maurice Bulbulian (1973), "Falasha" by Peter Raymont (1983), "La bombe en bonus", by Audrey Schirmer (1986), "Between Two Worlds" by Barry Greenwald (1990), "Seeing Red" by Julia Reichert (1993), "Maureen Forrester, the Diva in Winter", by Donald Winkler (1999), "Return to Kandahar" by Paul Jay (2003), "Professor Norman Cornett", by Alanis Obomsawin (2009), "Ma vie réelle", by Magnus Isacsson (2012), "Granny Power", by Jocelyn Clarke (2016). He has also worked as a cinematographer with such filmmakers as Gilles Groulx, Don Shebib, Laszlo Barna and Peter Watkins
Document 7: Peter Bogdanovich: Peter Bogdanovich (Serbian: Петар Богдановић, "Petar Bogdanović", born July 30, 1939) is an American director, writer, actor, producer, critic and film historian. He is part of the wave of "New Hollywood" directors, which included William Friedkin, Brian De Palma, George Lucas, Martin Scorsese, Michael Cimino and Francis Ford Coppola. His most critically acclaimed and well-known film is the drama "The Last Picture Show" (1971).
Document 8: Carlos Cuarón: Carlos José Cuarón Orozco (born October 2, 1966) is a Mexican screenwriter, film producer and film director. He is the brother of Alfonso Cuarón, and the uncle of Jonás Cuarón.
Document 9: Peter Tscherkassky: Peter Tscherkassky (born October 3, 1958) is an Austrian avant-garde filmmaker who works primarily with found footage. All of his work is done with film and heavily edited in the darkroom, rather than relying on recent advances in digital film.
Document 10: Carlos Saura: Carlos Saura Atarés (born 4 January 1932) is a Spanish film director, photographer and writer. His name, with those of Luis Buñuel and Pedro Almodóvar, forms a triad of Spain’s most renowned filmmakers. He has a long and prolific career that spans over half a century. A great numbers of his films have won many international awards.
Document 11: Ken Loach: Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. He is known for his socially critical directing style and for his socialist ideals, which are evident in his film treatment of social issues such as poverty ("Poor Cow", 1967), homelessness ("Cathy Come Home", 1966) and labour rights ("Riff-Raff", 1991, and "The Navigators", 2001).
Document 12: La Commune (Paris, 1871): La Commune (Paris, 1871) is a 2000 historical drama film directed by Peter Watkins about the Paris Commune. A historical re-enactment in the style of a documentary, the film received much acclaim from critics for its political themes and Watkins' direction.
Document 13: Peter Watkins: Peter Watkins (born 29 October 1935) is an English film and television director. He was born in Norbiton, Surrey, lived in Sweden, Canada and Lithuania for many years, and now lives in France. He is one of the pioneers of docudrama. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrates his works and ideas around the mass media and our relation/participation to a movie or television documentary.
Document 14: Tieta of Agreste: Tieta do Agreste (Portuguese: Tieta do Agreste ) is a 1996 Brazilian comedy film directed by Carlos Diegues. The film was selected as the Brazilian entry for the Best Foreign Language Film at the 69th Academy Awards, but was not accepted as a nominee.
Document 15: Lula Carvalho: Lula Carvalho (born 1977) is a Brazilian cinematographer. His work includes "Elite Squad" (2007) and "" (2010), "RoboCop" (2014) and "Teenage Mutant Ninja Turtles" (2014). He is the son of cinematographer Walter Carvalho.
ground_truth: Peter Watkins