Question: Q: Relying on État second, writers such as Julio Cortázar are known for founding which literary movement? 

full_context: Document 1: Exercises in Style: Exercises in Style (French: "Exercices de style" ), written by Raymond Queneau, is a collection of 99 retellings of the same story, each in a different style. In each, the narrator gets on the "S" bus (now no. 84), witnesses an altercation between a man (a zazou) with a long neck and funny hat and another passenger, and then sees the same person two hours later at the Gare St-Lazare getting advice on adding a button to his overcoat. The literary variations recall the famous 33rd chapter of the 1512 rhetorical guide by Desiderius Erasmus, "".
Document 2: The Collected Essays and Occasional Writings of Katherine Anne Porter: The Collected Essays and Occasional Writings of Katherine Anne Porter
Document 3: État second: État second (French for "Second State") refers to the state of mind into which some writers go when writing short stories. It mixes abstraction and concentration at the same time, ironically telling sometimes more facts than in conscious writing. The Argentine writer Julio Cortázar often used this method to write, as he called it "the moment of maximum creativity".
Document 4: Jorge Luis Borges: Jorge Francisco Isidoro Luis Borges Acevedo {'1': ", '2': ", '3': ", '4': "} ( ; ]    ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language literature. His best-known books, "Ficciones" ("Fictions") and "El Aleph" ("The Aleph"), published in the 1940s, are compilations of short stories interconnected by common themes, including dreams, labyrinths, libraries, mirrors, fictional writers, philosophy, and religion.
Document 5: Juan José Arreola: Juan José Arreola Zúñiga (September 21, 1918 – December 3, 2001) was a Mexican writer and academic. He is considered Mexico's premier experimental short story writer of the twentieth century. Arreola is recognized as one of the first Latin American writers to abandon realism; he used elements of fantasy to underscore existentialist and absurdist ideas in his work. Although he is little known outside his native country, Arreola has served as the literary inspiration for a legion of Mexican writers who have sought to transform their country's realistic literary tradition by introducing elements of magical realism, satire, and allegory. Alongside Jorge Luis Borges, he is considered one of the masters of the hybrid subgenre of the essay-story. He published only one novel, "La feria" (The Fair; 1963).
Document 6: Augusto Monterroso: Augusto Monterroso Bonilla (December 21, 1921 - February 7, 2003) was a Honduran writer who adopted Guatemalan nationality, known for the ironical and humorous style of his short stories. He is considered an important figure in the Latin American "Boom" generation, and received several awards, including the Prince of Asturias Award in Literature (2000), Miguel Ángel Asturias National Prize in Literature (1997), and Juan Rulfo Award (1996).
Document 7: Blow-up and Other Stories: Blow-Up and Other Stories is a collection of short stories, selected from the short fiction of the Argentinian author Julio Cortázar. It was originally published in hardcover as End of the Game and Other Stories. The title story of the paperback collection served as inspiration for Michelangelo Antonioni's film "Blowup".
Document 8: Jorge Luis Borges and mathematics: Jorge Luis Borges and mathematics concerns several modern mathematical concepts found in certain essays and short stories of Argentinian author Jorge Luis Borges (1899-1986), including concepts such as set theory, recursion, chaos theory, and infinite sequences, although Borges' strongest links to mathematics are through Georg Cantor's theory of infinite sets, outlined in "The Doctrine of Cycles" ("La doctrina de los ciclos"). Some of Borges' most popular works such as "The Library of Babel" ("La Biblioteca de Babel"), "The Garden of Forking Paths" ("El Jardín de Senderos que se Bifurcan"), "The Aleph" ("El Aleph"), an allusion to Cantor's use of the Hebrew letter aleph (formula_1) to denote cardinality of transfinite sets. and "The Approach to Al-Mu'tasim" ("El acercamiento a Almotásim") illustrate his use of mathematics.
Document 9: Argentine literature: Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sabato.
Document 10: Julio Cortázar: Julio Cortázar, born Jules Florencio Cortázar (] ; August 26, 1914 – February 12, 1984), was an Argentine novelist, short story writer, and essayist. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in the Americas and Europe.
Document 11: Latin American Boom: The Latin American Boom was a flourishing of literature, poetry and criticism in Latin America during the 1960s and 1970s, when writers from this region explored new ideas and came to international renown in a way that had not happened previously. Major figures of the boom include Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, Jorge Luis Borges, and Mario Vargas Llosa.
Document 12: L'Extase matérielle: 'L'Extase matérielle' is an essay written by French Nobel laureate J. M. G. Le Clézio. The book's title means Material Ecstasy in English. This essay may be advising that we should pay the utmost attention to what there is around us, not to what there might be or ought to be. According to a review of 'L'Extase matérielle' the reasoning behind the essay is to accept that "what there is is all there is"(and to demand more is ludicrous)
Document 13: Adolfo Bioy Casares: Adolfo Bioy Casares (] ; September 15, 1914 – March 8, 1999) was an Argentine fiction writer, journalist, and translator. He was a friend and frequent collaborator with his fellow countryman Jorge Luis Borges, and is the author of the fantastic fiction novel "The Invention of Morel".
Document 14: Último round: Último round (the title translates as "Last Round", as in boxing) is a two-volume work by Julio Cortázar published by Siglo XXI Editores in 1969. Containing nearly one hundred articles, essays, poems, short stories, and sketches by Cortázar, it is illustrated with reproductions of various drawings, paintings, and photographs. Portions of the volumes were included in the English-language collection "Around the Day in Eighty Worlds."
Document 15: Surrealist automatism: Surrealist automatism is a method of art making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it "Les Champs Magnétiques" (The Magnetic Fields) in 1919. "The Automatic Message" (1933) was one of Breton's significant theoretical works about automatism.
ground_truth: Latin American Boom