Question: In what ways did Kanye draw inspiration from the performers of Angie, U2, and Led Zeppelin?

full_context: Document 1: Sympathy for the Devil: Mick Jagger -- lead vocals Keith Richards -- guitar solo, bass guitar, backing vocals Brian Jones -- acoustic guitar, backing vocals Bill Wyman -- maracas, backing vocals Charlie Watts -- drums, backing vocals, cowbell Nicky Hopkins -- piano, backing vocals Rocky Dzidzornu -- congas Anita Pallenberg, Marianne Faithfull -- backing vocals
Document 2: While My Guitar Gently Weeps: George Harrison -- double - tracked vocals, backing vocal, acoustic guitar, twelve - string guitar, Hammond organ Paul McCartney -- harmony vocal, piano, bass John Lennon -- electric guitar with tremolo Ringo Starr -- drums, tambourine, castanets Eric Clapton -- lead guitar (uncredited)
Document 3: Sympathy for the Devil: Mick Jagger -- lead vocals Keith Richards -- guitar solo, bass guitar, backing vocals Brian Jones -- backing vocals Bill Wyman -- maracas, backing vocals Charlie Watts -- drums, backing vocals, cowbell Nicky Hopkins -- piano, backing vocals Rocky Dijon -- congas Anita Pallenberg, Marianne Faithfull -- backing vocals
Document 4: Kanye West: The College Dropout was eventually issued by Roc-A-Fella in February 2004, shooting to number two on the Billboard 200 as his debut single, "Through the Wire" peaked at number fifteen on the Billboard Hot 100 chart for five weeks. "Slow Jamz", his second single featuring Twista and Jamie Foxx, became an even bigger success: it became the three musicians' first number one hit. The College Dropout received near-universal critical acclaim from contemporary music critics, was voted the top album of the year by two major music publications, and has consistently been ranked among the great hip-hop works and debut albums by artists. "Jesus Walks", the album's fourth single, perhaps exposed West to a wider audience; the song's subject matter concerns faith and Christianity. The song nevertheless reached the top 20 of the Billboard pop charts, despite industry executives' predictions that a song containing such blatant declarations of faith would never make it to radio. The College Dropout would eventually be certified triple platinum in the US, and garnered West 10 Grammy nominations, including Album of the Year, and Best Rap Album (which it received). During this period, West also founded GOOD Music, a record label and management company that would go on to house affiliate artists and producers, such as No I.D. and John Legend. At the time, the focal point of West's production style was the use of sped-up vocal samples from soul records. However, partly because of the acclaim of The College Dropout, such sampling had been much copied by others; with that overuse, and also because West felt he had become too dependent on the technique, he decided to find a new sound.
Document 5: Kanye West: Sessions for West's sixth solo effort begin to take shape in early 2013 in his own personal loft's living room at a Paris hotel. Determined to "undermine the commercial", he once again brought together close collaborators and attempted to incorporate Chicago drill, dancehall, acid house, and industrial music. Primarily inspired by architecture, West's perfectionist tendencies led him to contact producer Rick Rubin fifteen days shy of its due date to strip down the record's sound in favor of a more minimalist approach. Initial promotion of his sixth album included worldwide video projections of the album's music and live television performances. Yeezus, West's sixth album, was released June 18, 2013 to rave reviews from critics. It became the rapper's sixth consecutive number one debut, but also marked his lowest solo opening week sales. Def Jam issued "Black Skinhead" to radio in July 2013 as the album's lead single. On September 6, 2013, Kanye West announced he would be headlining his first solo tour in five years, to support Yeezus, with fellow American rapper Kendrick Lamar accompanying him along the way.
Document 6: You're So Vain: The distinctive bass guitar intro is played by Klaus Voormann and the strings were arranged by Simon and orchestrated by Paul Buckmaster. Simon plays piano on the track.
Document 7: Kanye West: West's middle-class background, flamboyant fashion sense and outspokenness have additionally set him apart from other rappers. Early in his career, he was among the first rappers to publicly criticize the preponderance of homophobia in hip hop. The sales competition between rapper 50 Cent's Curtis and West's Graduation altered the direction of hip hop and helped pave the way for new rappers who did not follow the hardcore-gangster mold. Rosie Swash of The Guardian viewed the sales competition as a historical moment in hip-hop, because it "highlighted the diverging facets of hip-hop in the last decade; the former was gangsta rap for the noughties, while West was the thinking man's alternative." Rolling Stone credited West with transforming hip hop's mainstream, "establishing a style of introspective yet glossy rap [...]", and called him "as interesting and complicated a pop star as the 2000s produced—a rapper who mastered, upped and moved beyond the hip-hop game, a producer who created a signature sound and then abandoned it to his imitators, a flashy, free-spending sybarite with insightful things to say about college, culture and economics, an egomaniac with more than enough artistic firepower to back it up." His 2008 album 808s & Heartbreak polarized both listeners and critics upon its release, but was commercially successful and impacted hip hop and pop stylistically, as it laid the groundwork for a new wave of artists who generally eschewed typical rap braggadocio for intimate subject matter and introspection, including Frank Ocean, The Weeknd, Drake, Future, Kid Cudi, Childish Gambino, Lil Durk, Chief Keef, and Soulja Boy. According to Ben Detrick of XXL magazine, West effectively led a new wave of artists, including Kid Cudi, Wale, Lupe Fiasco, Kidz in the Hall, and Drake, who lacked the interest or ability to rap about gunplay or drug-dealing.
Document 8: Kanye West: A substantial number of artists and other figures have been influenced by, or complimented, West's work, including hip hop artists RZA of Wu-Tang Clan, Chuck D of Public Enemy, and DJ Premier of Gang Starr. Both Drake and Casey Veggies have acknowledged being influenced directly by West. Non-rap artists such as English singer-songwriters Adele and Lily Allen, New Zealand artist Lorde, rock band Arctic Monkeys, pop singer Halsey, Sergio Pizzorno of English rock band Kasabian and American indie rock group MGMT have cited West as an influence. Experimental and electronic artists such as James Blake Daniel Lopatin, and Tim Hecker have also cited West's work as an inspiration. Experimental rock pioneer and Velvet Underground founder Lou Reed, in a review of West's album Yeezus, wrote that "the guy really, really, really is talented. He's really trying to raise the bar. No one's near doing what he’s doing, it’s not even on the same planet." Musicians such as Paul McCartney and Prince have also commended West's work. Famed Tesla Motors CEO and inventor Elon Musk complimented West in a piece for Time Magazine's 100 most influential people list, writing that:
Document 9: Kanye West: With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.
Document 10: Winter (The Rolling Stones song): "Winter" is a song by English rock and roll band the Rolling Stones featured on their 1973 album "Goats Head Soup". It bears many similarities to "Moonlight Mile" from their 1971 album "Sticky Fingers". Credited to singer Mick Jagger and guitarist Keith Richards, "Winter" is actually the work of Jagger and the Stones' lead guitarist at the time, Mick Taylor. It was the first song recorded for the album and does not feature Richards.
Document 11: Angie (song): The song is credited, as most Rolling Stones songs are, to both Mick Jagger and Keith Richards, but it is acknowledged to be almost completely written by Richards. "Angie" was recorded in November and December 1972 and is an acoustic-guitar-driven ballad characterizing the end of a romance. The song's distinctive piano accompaniment, written by Richards, was played on the album by Nicky Hopkins, a Rolling Stones recording-session regular. The strings on the piece (as well as on another song, "Winter") were arranged by Nicky Harrison. An unusual feature of the original recording is that singer Mick Jagger's vocal guide track (made before the final vocals were performed) is faintly audible throughout the song (an effect sometimes called a "ghost vocal").
Document 12: Sweet Black Angel: Written by Mick Jagger and Keith Richards, “Sweet Black Angel” is one of the few outright political songs written by the Rolling Stones. A country-blues ballad, it is about civil rights activist Angela Davis, who was facing murder charges at the time. Steve Kurutz writes in his review:
Document 13: Kanye West: Fresh off spending the previous year touring the world with U2 on their Vertigo Tour, West felt inspired to compose anthemic rap songs that could operate more efficiently in large arenas. To this end, West incorporated the synthesizer into his hip-hop production, utilized slower tempos, and experimented with electronic music and influenced by music of the 1980s. In addition to U2, West drew musical inspiration from arena rock bands such as The Rolling Stones and Led Zeppelin in terms of melody and chord progression. To make his next effort, the third in a planned tetralogy of education-themed studio albums, more introspective and personal in lyricism, West listened to folk and country singer-songwriters Bob Dylan and Johnny Cash in hopes of developing methods to augment his wordplay and storytelling ability.
Document 14: Waiting on a Friend: The song is noted for its dreamy qualities brought on by the soft guitars, smooth rhythm, and Jagger's lilting refrain of ``doo - doo - doo '''s. Stones - recording veteran Nicky Hopkins performs the track's running piano. The Stones hired jazz saxophonist Sonny Rollins to perform the solo on this song, as well as two others on the album. On his addition to the track, Jagger said in 1985:
Document 15: Kanye West: Raised in Chicago, West briefly attended art school before becoming known as a producer for Roc-A-Fella Records in the early 2000s, producing hit singles for artists such as Jay-Z and Alicia Keys. Intent on pursuing a solo career as a rapper, West released his debut album The College Dropout in 2004 to widespread commercial and critical success, and founded record label GOOD Music. He went on to explore a variety of different musical styles on subsequent albums that included the baroque-inflected Late Registration (2005), the arena-inspired Graduation (2007), and the starkly polarizing 808s & Heartbreak (2008). In 2010, he released his critically acclaimed fifth album, the maximalist My Beautiful Dark Twisted Fantasy, and the following year he collaborated with Jay-Z on the joint LP Watch the Throne (2011). West released his abrasive sixth album, Yeezus, to further critical praise in 2013. Following a series of recording delays and work on non-musical projects, West's seventh album, The Life of Pablo, was released in 2016.
ground_truth: melody and chord progression
sub_queries: Angie >> performer Answer: Rolling Stones
Kanye drew inspiration from Rolling Stones , U2, and Led Zeppelin in what ways? Answer: melody and chord progression