Question: In the End of Human Existence is the debut album of a Russian death metal band that is originally from where?

full_context: Document 1: Chimaira discography: The discography of American heavy metal band Chimaira consists of seven studio albums, two extended plays, eleven singles, two video albums and eleven music videos. Chimaira originated in Cleveland, Ohio, composed of vocalist Mark Hunter, guitarists Jason Hager and Rob Arnold, bassist Jim LaMarca, drummer Andols Herrick and programmer Chris Spicuzza. Hager would later be replaced by Matt DeVries in 2001. Chimaira's first release was an extended play, "This Present Darkness", which sold 10,000 copies. After signing to Roadrunner Records, the band's debut studio album, "Pass Out of Existence", was released in August 2001. A second studio album, "The Impossibility of Reason", followed in 2003, debuting and peaking at number 117 on the "Billboard" 200. Herrick was replaced by drummer Kevin Talley, formerly of Misery Index, in 2004. A video album, "The Dehumanizing Process", arrived later that year, documenting the writing and recording process behind "The Impossibility of Reason". Chimaira released a self-titled album in August 2005, which peaked at number 74 on the "Billboard" 200. After an internal crisis due to pressure from the label by a new release, the band moved on from Roadrunner and signed a new deal with Ferret Music. In early 2006, Herrick rejoined the band and Chimaira recorded their fourth studio album "Resurrection", which appeared in early March 2007. "Resurrection" peaked at number 42 on the "Billboard" 200.
Document 2: Ich töte mich...: "...Ich töte mich jedesmal aufs Neue, doch ich bin unsterblich, und ich erstehe wieder auf; in einer Vision des Untergangs..." (German:""...I kill myself every time anew, but I am immortal, and I rise again; in a vision of Doom..""; usually referred to as "...Ich töte mich...") is the debut album by darkwave band Sopor Aeternus & the Ensemble of Shadows, and was released in 1994. The original pressing had no title, though the "...Ich töte mich..." line was printed in blackletter on the back cover; later editions identified the printed sentence as the official title. Originally released as a limited edition of 1,000, the album has been re-released at least three times.
Document 3: Death Breath: Death Breath is a Swedish death metal band, featuring Robert Pehrsson (Thunder Express/Dundertåget) and Nicke Andersson formerly of the death metal band Entombed, who wanted to return to playing drums and death metal. The members of the band both have other bands but does not consider Death Breath to be a side project. The band was formed in 2005 and was originally intended to be named Black Breath but to the band's surprise the name Death Breath had never been used by a metalband. The band consider their music to be pure death metal, free from seven string guitars, five string basses and triggered drums. The band's music is influenced by Slayer, Venom and Black Sabbath, Autopsy, Celtic Frost as well as old horror movies and HP Lovecraft.
Document 4: Useless Animal: Useless Animal is an extended play by the American rock band Cult Leader. Released through Deathwish Inc. on June 16, 2015, the EP features two exclusive tracks (the original composition "Useless Animal," and the cover song "You Are Not My Blood") and one original composition titled "Gutter Gods" that would later be released on the band's 2015 debut album, "Lightless Walk". "Useless Animal" was recorded in late 2014 by Andy Patterson, who previously recorded Gaza's 2009 album, "He Is Never Coming Back"—the now-defunct band that featured three members and gave birth to Cult Leader.
Document 5: In the End of Human Existence: In the End of Human Existence is Abominable Putridity´s debut album, released in 2007 by Czech label Lacerated Enemy Records. It was reissued in 2009 through American label Brutal Bands with new cover art. The original Lacerated Enemy pressing is considered rare because of its limited copies.
Document 6: Death (metal band): Death was an American death metal band from Orlando, Florida, founded in 1983 by guitarist and vocalist Chuck Schuldiner. Death is considered to be one of the most influential bands in heavy metal and a pioneering force in death metal. Its debut album, "Scream Bloody Gore", has been widely regarded as the first death metal record, while the band's driving force, Chuck Schuldiner, is acknowledged as the originator of extreme metal. Death had a revolving lineup, with Schuldiner being the sole consistent member. The group's style also progressed, from the raw sound on its early albums to a more sophisticated one in its later stage. The band ceased to exist after Schuldiner died of glioma and pneumonia in December 2001, but remains an enduring metal band.
Document 7: Document 5: Document #5 is the first full length album by hardcore punk band Pg. 99, released in 2000 through Reptilian Records. The album was released on vinyl and CD formats, the vinyl version was released in limited quantities, with 666 copies made. 200 copies were on grey marble vinyl, while the rest were standard black vinyl. Reptillian Records announced that the album would be reissued on LP format in the summer of 2015, however it's release date was pushed back to October 27, 2017 to coincide with the band's reunion tour. The reissue was released on compact disc, vinyl, and digital formats.
Document 8: Mortem: Mortem is a death metal band formed in 1986 in Lima, Peru. They are the first Peruvian metal band to have toured Europe and the United States. Mortem’s musical style is firmly rooted in the death metal, black metal and thrash metal of the nineteen-eighties. Mortem's characteristic heavy sound is defined through slow and sinister death metal alternated with fast and aggressive counterparts. Frantic tremolo picking in the style of early Possessed and Death built on passionate rhythmic percussion topped with wailing atonal and melodic guitar solos comprise a potent mix which lives up to the principle of death metal technique to craft pounding ritualistic and spirited death metal. Vocals are forged from guttural rasps and often develop into high shrieks while lyrics deal mainly with the occult and anti-Christianity.
Document 9: This Is Hell Demo: This Is Hell Demo was the very first physical release of songs recorded by hardcore punk band This Is Hell. The album was untitled and released on both CD and 7" vinyl formats, also in Europe on Broken Glasses Records (distributed by NO PANIC! Records now). All formats are out of print and difficult to find. The song "Wreck Your Life" was later released on a label sampler cd from Trustkill, the label that This Is Hell later signed to and released their debut full length "Sundowning," but not before a stint on State On Mind Recordings who released their self-titled EP. On that same song, the opening line of the lyric includes the band's name, and was possibly the inspiration for the name. The lyric reads: "Brandon put it best when he told me 'this is hell,' wiser words have never been said."
Document 10: Destroy 2: Destroy 2 (sometimes called Eye & Chew) was a short-lived Japanese noise rock band. Consisting of only two members, Yamantaka Eye of Boredoms (vocals) and Chew Hasegawa of Corrupted (drums), they released one infamous recording in 1996 called "We Are Voice and Rhythm Only". This was actually a live recording of a concert in Osaka done as a support for Brutal Truth on their Japanese tour in February 1995. Running for little over 10 minutes, it nevertheless features 48 songs, the longest of which is "24H?" (39 seconds). Note that the song running times also include audience cheering and an introduction ("Next song is...") by Eye at the beginning and Eye's obligatory cry of "Fankoo!" ("Thank you") at the end. Apart from that, the songs consist mostly of Chew attacking his drum set and Eye screaming the track titles in Engrish at the top of his lungs, generally creating a lot of feedback (which is sometimes mistaken for guitars). The album also includes two cover versions: "Beastie Boys" (from the early Beastie Boys EP "Pollywog Stew") and "Nazi Punks Fuck Off!" (originally by Dead Kennedys), although the vocals of these have been sped up somewhat (and the songs reduced to one verse and one chorus) to fit into 18 and 17 seconds, respectively.
Document 11: Death metal: Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking, deep growling vocals, aggressive, powerful drumming featuring double kick or blast beat techniques, minor keys or atonality, abrupt tempo, key, and time signature changes and chromatic chord progressions. The lyrical themes of death metal may invoke slasher film-stylized violence, religion (sometimes Satanism), occultism, Lovecraftian horror, nature, mysticism, mythology, philosophy, science fiction, and politics, and they may describe extreme acts, including mutilation, dissection, torture, rape, cannibalism, and necrophilia.
Document 12: List of avant-garde metal artists: This is a list of avant-garde metal artists, regional scenes, and record labels. Avant-garde metal or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. It evolved out of progressive rock and various forms of metal, including extreme metal, particularly the extreme subgenre death metal. Some early examples are the King Crimson releases "Larks' Tongues in Aspic" and "Red" in 1973 and 1974 respectively, and the 1976 Led Zeppelin album "Presence". The genre emerged in the early 1980s through the efforts of bands such as Celtic Frost and Voivod, who pioneered the genre. Other pioneers of avant-garde metal include Boris, Earth, Helmet, maudlin of the Well, Neurosis, Sunn O))), and Mr. Bungle. In the late 1990s, Misanthropy Records emerged as a promoter of Norwegian avant-garde metal until it folded in 2000, and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by The End Records. Some other record labels which promote avant-garde metal are Aurora Borealis, The Flenser, Holy Records, Hydra Head Records, Ipecac Recordings, Napalm Records, the Relapse Entertainment imprint of Relapse Records, Seventh Rule Recordings, and Southern Lord Records. In the United States, local avant-garde metal scenes have emerged in the San Francisco Bay Area, with bands such as Giant Squid, Grayceon, and Ludicra, Boston, with bands such as Isis, Kayo Dot, and maudlin of the Well and Seattle. According to the "New York Times", some regional scenes that developed in the mid-1990s included the cities of Tokyo, Los Angeles, and Oslo.
Document 13: The End (EP): The End is an EP by English heavy metal band Black Sabbath, released on January 20, 2016. It was only available at dates on their final tour The End. The EP's first four tracks are unreleased songs from the "13" sessions, and the rest were recorded live on that album's tour in 2013–2014.
Document 14: Selected Scenes from the End of the World: Selected Scenes from the End of the World is the first studio album by American band London After Midnight. It was self-released in 1992 on cassette. Trisol Records released the album in 1995 in Europe. Opción Sónica Records released the album in 1996 in Latin America. Metropolis Records released the album in 1998 in the United States. The album was re-released and remastered with 7 additional tracks in Russia and Europe in 2003 (contains never before released bonus tracks and re-recordings of two of LAM's classics plus extra songs from the LAM CD "Oddities"). Also it was re-released in USA in 2008 with 2 bonus tracks but without extra tracks from "Oddities" album.
Document 15: Abominable Putridity: Abominable Putridity is a Russian death metal band originally from Moscow. The band has released two albums; "In the End of Human Existence" and "The Anomalies of Artificial Origin". They are signed to the California indie label Unique Leader Records and are primarily known for their extensive use of 'destructive' slams and grooves in their guitarwork.
ground_truth: Moscow