Question: Who is the composer of Rhapsody No. 1, named after and inspired by the county where Alfred Seaman was born?

full_context: Document 1: Alberto Henschel: Henschel became known for making pictorial representations of Rio de Janeiro as a landscaper photographer and for being an excellent portraitist. He earned the title of "Photographo da Casa Imperial" ("Photographer of the Royal House"), allowing him to photograph the everyday life of the Brazilian monarchy during the Reign of Pedro II, even photographing the emperor Dom Pedro II and his family. This title would give his photographs increased recognition and raise their price.
Document 2: Deloss Barnum: Deloss Barnum (1825–1873) was a photographer in New York and Boston, Massachusetts in the mid-19th century. Around 1857 he kept a daguerreotype studio on Winter Street in Boston; by 1858 he had moved to Commercial Street. In 1856-1860 he lived in Roxbury. He participated in the 1860 exhibition of the Massachusetts Charitable Mechanic Association. He died October 7, 1873 in Cortland, New York.
Document 3: Symphony No. 6 (Vaughan Williams): Ralph Vaughan Williams's Symphony in E minor, published as Symphony No. 6, was composed in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Document 4: Rhapsody (Ashton): Rhapsody is a one act ballet by Sir Frederick Ashton, based on Sergei Rachmaninoff's "Rhapsody on a Theme of Paganini". The ballet premiered on 4 August 1980 at The Royal Ballet, and was dedicated to Queen Elizabeth The Queen Mother. It has been revived three times since its 1980 premiere, in 1995, 2011, and most recently, 2016.
Document 5: Alfred Seaman: Alfred Seaman was born in Norfolk in 1844. He began his working life as a builder and took up photography as a hobby in the 1860s. He opened his first studio in Chesterfield Derbyshire in 1880 and subsequently ran studios in, Ilkeston, Alfreton, Matlock, Sheffield, Leeds, Newcastle, Liverpool, Hull and Brighton.
Document 6: Ralph Cupper: After he concluded his studies at ‘The Hewett School’ in Norwich, Ralph Cupper studied at the Royal Academy of Music in London. While he was there he studied the Organ with Douglas Hawkridge; Choir/Orchestra Direction with Dr. Douglas Hopkins; Harmony, Counterpoint and fuge with Drs. Arthur Pritchard and Arthur Wills. After he finished in 1976 he did an extended course of Organ studies with Susi Jeans and Nicholas Kynaston with the help of a Stipend from ‘The Alderman Norman Foundation’. In 1979 Ralph Cupper was awarded a Stipend from ‘The Arts Council of Great Britain to study the organ with the well known Dutch Organist Bernard Bartelinck, who was at that time Organist at the Bavo Cathedral in Haarlem in the Netherlands.
Document 7: A Nightingale Sang in Berkeley Square: The song was written in the then small French fishing village of Le Lavandou -- now a favourite resort for British holidaymakers and second - home owners -- shortly before the outbreak of the Second World War. According to Maschwitz, the title was ``stolen ''from a story by Michael Arlen. The song had its first performance in the summer of 1939 in a local bar, where the melody was played on piano by Manning Sherwin with the help of the resident saxophonist. Maschwitz sang the words while holding a glass of wine, but nobody seemed impressed. In the spring of 2002, an attempt was made to find the bar where this song was first performed: it was hoped that a blue plaque could be set up. With the help of the local tourist office, elderly residents were questioned, but it proved impossible to identify the venue.
Document 8: Amadeo Roldán: Roldán's compositions included "Overture on Cuban Themes" (1925), three little poems: ("Oriente", "Pregón", "Fiesta negra": 1926), and two ballets: "La Rebambaramba" (a ballet colonial in two parts: 1928) and "El milagro de Anaquille" (1929). There followed a series of "Rítmicas" (1930), "Poema negra" (1930) and "Tres toques" (march, rites, dance) (1931). The fifth and sixth of his "Rítmicas", composed around the same time as Edgard Varèse's "Ionisation", were among the first works in the Western classical music tradition scored for percussion ensemble alone. In "Motivos de son" (1934) he wrote eight pieces for voice and instruments based on the poet Nicolas Guillen's set of poems with the same title. His last composition was two "Piezas infantiles" for piano (1937). His work was regularly featured in concerts sponsored by the Pan-American Association of Composers, founded by Henry Cowell, including the inaugural, March 1929 performance in New York.
Document 9: Scot Sothern: Scot Sothern (born 1949) is an American photographer and writer best known for his controversial black and white photographs of prostitutes in Southern California, whom he photographed from 1986 to 1990, and again in 2010 when he began photograph and writing about sex workers in Los Angeles Skid Row. Sothern says the photographs are exposés, but they don't just expose the women in them, they expose the artist behind the camera. "They show that I am who they are."
Document 10: Lancashire: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.
Document 11: Yousef Khanfar: He was born in 1956 in Kuwait to Palestinian refugee parents who fled their homeland after the establishment of the state of Israel. Khanfar began taking photographs at the age of six, when his father gave him his first camera.
Document 12: Guy Hersant: Born in Loire Atlantique (France), Guy Hersant entered apprenticeship at the age of sixteen and obtained his CAP in photography while working as an assistant for several photographers. He later opened his own studio in Lorient in 1975. There he concentrated on portraits and reporting until 1990.
Document 13: Alfred Fell: Fell was born at Nelson, New Zealand, on 17 January 1878, the son of Nelson mayor and painter, Charles Fell. He was educated at Nelson College (1887–1896), a school his grandfather, Alfred Fell, helped found in 1856. British politician, Sir Arthur Fell was his uncle.
Document 14: Norfolk Rhapsodies: The Norfolk Rhapsodies are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost.
Document 15: Come Thou Fount of Every Blessing: In the United States, the hymn is usually set to an American folk tune known as "Nettleton", composed by printer John Wyeth, or possibly by Asahel Nettleton. In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in such works as the First String Quartet and the piano quintet and song "The Innate". The "Nettleton" tune is also quoted at the end of "My Trundle Bed" by Tullius C. O'Kane. A shape note song called "Warrenton" also has been sung with a chorus being in 4/4 time or 2/2 cut time; to fit the text to this melody, the second half of each verse is omitted and replaced with a refrain of "I am bound for the kingdom, will you come to glory with me? / Hallelujah, praise the Lord!"
ground_truth: Ralph Vaughan Williams
sub_queries: Alfred Seaman >> place of birth Answer: Norfolk
Norfolk Rhapsody No. 1 >> composer Answer: Ralph Vaughan Williams