Question: Hiroshi Inagaki and Jorge Fons, have which occupation?

full_context: Document 1: Rashomon: Rashomon (羅生門 , Rashōmon ) is a 1950 Japanese period film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. It stars Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura. While the film borrows the title and setting from Ryūnosuke Akutagawa's short story "Rashōmon", it is actually based on Akutagawa's short story "In a Grove", which provides the characters and plot.
Document 2: Hayao Miyazaki: Hayao Miyazaki (Japanese: 宮崎 駿 , Hepburn: Miyazaki Hayao , born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors.
Document 3: Jorge Fons: Jorge Fons Pérez (born in Tuxpan, Veracruz, Mexico on April 23, 1939) is a Mexican film director.
Document 4: Yoshirō Muraki: Yoshiro Muraki (August 15, 1924 – October 26, 2009) was a Japanese production designer, art director, and costume designer. He was nominated three times for the Academy Award for Best Art Direction for his work in the films "Tora! Tora! Tora!" (1970), "Kagemusha" (1980), and "Ran" (1985). He was also nominated for the Academy Award for Costume Design for his work in "Yojimbo" (1961). He is most well known for his collaborations with director Akira Kurosawa, having done work on all of Kurosawa's films from "Record of a Living Being" (1955) onward, with the exception of "Dersu Uzala" (1975).
Document 5: Jorge Gutierrez (animator): Jorge R. Gutiérrez (born January 1975) is a Mexican animator, painter, writer and director who created the multiple Annie Award- and Emmy Award-winning animated television series, "" for Nickelodeon, and directed "The Book of Life", which was nominated for a Golden Globe Award for Best Animated Feature Film.
Document 6: Jonás Cuarón: Jonás Cuarón is a Mexican film director, screenwriter, producer, editor and cinematographer. He is the son of the Academy Award-winner Alfonso Cuarón. He studied film at Vassar College.
Document 7: So Matsuyama: Takashi Matsuyama (松山　崇 , Matsuyama Takashi (Sō), September 22, 1908 - July 14, 1977 ) , a.k.a. Sō Matsuda and Sō Matsuyama, was a Japanese production designer and art director. He was nominated twice for the Academy Award for Best Art Direction: the first time for his work in "Rashomon" (1950), and the second time for his work in "Seven Samurai" (1954). In 1950 he won the award for Best Art Direction at the Mainichi Film Concours for Stray Dog, directed by Akira Kurosawa.
Document 8: Alfonso Cuarón: Alfonso Cuarón Orozco (] ; born November 28, 1961) is a Mexican film director, screenwriter, producer, and editor best known for his dramas "A Little Princess" (1995) and
Document 9: Horror films of Mexico: The rise of horror films in Mexico in the 1930s started with films like El fantasma del convento and Dos monjes from the writer-director Juan Bustillo Oro. Up until about the 1950s, moviehouses were mainly showing melodramas and westerns, which caused some trouble for Bustillo Oro. His films may have been popular, but they were not necessarily welcome on the big screen. As a result, his movies were associated with wrestling shows because of the outlandish costumes and makeup and the violent nature. Lucha libre, the term for professional wrestling in Mexico, became an important part of horror films in Mexico. Writers and producers would infiltrate the spooky aspects of horror films, like vampires, werewolves, and mummies, into the lucha libre films.
Document 10: Hideo Oguni: Hideo Oguni (小国 英雄 , Oguni Hideo ) was a Japanese writer who wrote over 100 screenplays. He is best known for co-writing screenplays for a number of films directed by Akira Kurosawa, including "Ikiru", "The Seven Samurai", "Throne of Blood" and "The Hidden Fortress". His first film with Kurosawa was "Ikiru", and according to film professor Catherine Russell, it was Oguni who devised that film's two-part structure. Film critic Donald Richie regarded him as the "humanist" among Kurosawa's writers. In 2013, Oguni and frequent screenwriting collaborators Kurosawa, Shinobu Hashimoto and Ryuzo Kikushima were awarded the Jean Renoir Award by the Writers Guild of America West.
Document 11: Comedy in the Golden Age of Mexican cinema: Film became popular and well known in Mexico during “El Porfiriato” which represents the reign of Porfirio Díaz as dictator in Mexico. On August 6, 1896 the first films began to be released and were called/known as “Vistas”. In other words, views. At the time, the Catholic Church and the press were strongly opposed to the “vistas” because of the violence and women that was portrayed. They protested against them. Another important aspect was the projection of the Mexican Revolution to the public through film. It was a way for many to understand what was happening politically. Many agree that rather than the Mexican Revolution being a repression for the film industry, it was more of a motivator in the way it portrayed every battle and struggle. With the positive energy that the Mexico’s film industries was receiving, it began to evolve into “El Cine Sonoro” which translates to the cinema of sound. This was the era in which sound was being added into the silent films. Sadly, it was not as successful as many directors and film maker though it would be. Many failed to correctly synchronize the audio with the picture. Although to some extent it may have been unsuccessful, it is agreeable that it helped revolutionize film in Latin America. Mexico’s film industry takes its height post “El Cine Sonoro” to what is known as “The Golden Age”. Many film members consider this one of the most successful eras in the history of Mexican cinema. Many recognize the films of this era when they see black and white. It is also important to note that the films also portrayed social issues. Some of the most influential directors and actors are Emilio Fernández, Raul De Anda, Roberto B. Cervenna, Cantinflas, Vitola, Tin Tan, etc. The focus of this article will be on some of top grossing comedian actors of the time Cantinflas, Tin Tan, Clavillazo and others.
Document 12: Samurai I: Musashi Miyamoto: Miyamoto Musashi (宮本武蔵 ) (released in the United States as Samurai I: Musashi Miyamoto) is a 1954 color (Eastmancolor) Japanese film by Hiroshi Inagaki starring Toshiro Mifune. It is the first film of Inagaki's Samurai Trilogy of historical adventures. The film is adapted from Eiji Yoshikawa's novel "Musashi". The novel is loosely based on the life of the famous Japanese swordsman Miyamoto Musashi. The film won a Special/Honorary Award at the 1955 Academy Awards for outstanding foreign language film.
Document 13: Alejandro Springall: Alejandro Springall is a Mexican film director and producer.
Document 14: Hiroshi Inagaki: Hiroshi Inagaki (稲垣 浩 , Inagaki Hiroshi , 30 December 1905 – 21 May 1980) was a Japanese filmmaker most known for the Academy Award-winning "", which he directed in 1954.
Document 15: Akira Kurosawa: Akira Kurosawa (黒沢 明 , March 23, 1910 – September 6, 1998) was a Japanese film director and screenwriter. Regarded as one of the most important and influential filmmakers in the history of cinema, he directed 30 films in a career spanning 57 years.
ground_truth: film director