Question: The director of The White Balloon also directed what film inspired by his daughter?

full_context: Document 1: Women's Media Watch Azerbaijan: Launched in 2006, Women’s Media Watch Azerbaijan unites women journalists working in broadcast, print and on-line journalism in Azerbaijan. The organization trains women journalists and NGOs to keep media outlets and decision makers accountable to the public interest. The goal of the organization is to increase women's presence in the public debate and strengthen women's role in the news media. Women's Media Watch is a nonprofit, nonpartisan watchdog organization, promoting free, ethical and representative media. The Network is led by journalist Sevinj Osmanqizi.
Document 2: Offside (2006 Iranian film): Offside (Persian: آفساید‎ ‎ ) is a 2006 Iranian film directed by Jafar Panahi, about girls who try to watch a World Cup qualifying match but are forbidden by law because of their sex. Female fans are not allowed to enter football stadiums in Iran on the grounds that there will be a high risk of violence or verbal abuse against them. The film was inspired by the director's daughter, who decided to attend a game anyway. The film was shot in Iran but its screening was banned there.
Document 3: Mohsen Makhmalbaf: Mohsen Makhmalbaf (Persian: محسن مخملباف‎ ‎ , "Mohsen Makhmalbaaf"; born May 29, 1957) is an Iranian film director, writer, film editor, and producer. He has made more than 20 feature films, won some 50 awards and been a juror in more than 15 major film festivals. His award-winning films include "Kandahar"; his latest documentary is "The Gardener" and latest feature "The President".
Document 4: Samira Makhmalbaf: Samira Makhmalbaf (Persian: ‎ ‎ , "Samiraa Makhmalbaaf") (born February 15, 1980) is an internationally acclaimed Iranian filmmaker and script writer. She is the daughter of Mohsen Makhmalbaf, the film director and writer. Samira Makhmalbaf is considered to be one of the most influential directors as part of the Iranian New Wave.
Document 5: Bahman Ghobadi: Bahman Ghobadi (Persian: بهمن قبادی‎ ‎ ; Kurdish: به‌همه‌ن قوبادی / Behmen Qubadî) is an Iranian film director, producer and writer of Kurdish ethnicity. He was born on February 1, 1969 in Baneh, Kurdistan province. Ghobadi belongs to the "new wave" of Iranian cinema.
Document 6: Abbas Kiarostami: Abbas Kiarostami (Persian: عباس کیارستمی‎ ‎ ; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the "Koker trilogy" (1987–94), "Close-Up" (1990), "Taste of Cherry" (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and "The Wind Will Carry Us" (1999). In his later works, "Certified Copy" (2010) and "Like Someone in Love" (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively.
Document 7: Iranian sex tape scandal: The so-called Iranian sex tape scandal involves the public outcry and judicial proceedings against Zahra Amir Ebrahimi, an actress who appeared in the soap opera "Nargess", and an associate producer, accused of appearing together in an explicit sex tape, allegedly filmed for private consumption with a camcorder, a serious crime under Iranian law. The actress denies that the tape is of her, while the film producer reportedly has claimed that it is him. The scandal virtually ended the actress's career; she was banned from Iranian films in 2006.
Document 8: Pari (film): Pari (Persian: پری) is a 1995 Iranian motion picture directed by Dariush Mehrjui. The film is an unauthorized "loose" adaptation of J. D. Salinger's 1961 book "Franny and Zooey". Though the film could be distributed legally in Iran since the country has no official copyright relations with the United States, Salinger had his lawyers block a planned screening of the film at Lincoln Center in 1998. Mehrjui called Salinger's action "bewildering," explaining that he saw his film as "a kind of cultural exchange."
Document 9: Mohsen Amiryoussefi: Mohsen Amiryoussefi was born in 1972. He graduated with a degree in mathematics from Isfahan University. After writing several screenplays for both screen and stage, he completed his first short film in 1997, based on a story by Kafka. Amiryoussefi first came to prominence with his 2004 black comedy “Bitter Dream,” about a funeral director. It took home the Camera d’Or at that year’s Cannes as well as generous critical acclaim. He belongs to the third generation of "Iranian New Wave".
Document 10: Jafar Panahi: Jafar Panahi (Persian: جعفر پناهی‎ ‎ ; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, "The White Balloon" (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes.
Document 11: Bam 6.6: Bam 6.6 is a documentary about the 2003 Bam earthquake in Iran. The film, subtitled "Humanity has no Borders", was produced and directed by Jahangir Golestanparast.
Document 12: Iranian New Wave: Iranian New Wave refers to a movement in Iranian cinema. It started in 1964 with Hajir Darioush's second film "Serpent's Skin" (جلد مار), which was based on D.H. Lawrence's "Lady Chatterley's Lover" featuring Fakhri Khorvash and Jamshid Mashayekhi. Darioush's two important early social documentaries "But Problems Arose" (ولی افتاد مشکلها) in 1965, dealing with the cultural alienation of the Iranian youth, and "Face 75" (چهره 75), a critical look at the westernization of the rural culture, which was a prizewinner at the 1965 Berlin Film Festival, also contributed significantly to the establishment of the New Wave. In 1969, after the release of "The Cow" directed by Darius Mehrjui followed by Masoud Kimiai's "Qeysar", and Nasser Taqvai's "Calm in Front of Others", the New Wave became well established as a prominent cultural, dynamic and intellectual trend. The Iranian viewer became discriminating, encouraging the new trend to prosper and develop.
Document 13: Dangal (film): Dangal (English: "Wrestling competition" ) is a 2016 Indian Hindi-language biographical sports drama film loosely based on the story of Mahavir Singh Phogat, an amateur wrestler, who trains his daughters Geeta Phogat and Babita Kumari to be world-class wrestlers. It was directed by Nitesh Tiwari. Produced by Walt Disney Pictures, Aamir Khan Productions and UTV Motion Pictures, it stars Aamir Khan as the father. Both daughters go on to win medals at the 2010 Commonwealth Games. Babita won a silver medal at the Games, in the 51 kg class and gold at the 2014 Glasgow Games in the 55 kg class. In 2012, Geeta became the first Indian female wrestler to qualify for the Olympics. Mahavir's efforts inspired dozens of Indian women to take to wrestling. Fatima Sana Shaikh and Sanya Malhotra play the older selves of the sisters while Sakshi Tanwar plays their mother and Aparshakti Khurana, their cousin.
Document 14: In the Game (film): In the Game is a 2015 documentary film directed by Peabody award-winner Maria Finitzo that follows the ups and downs of a girls’ soccer team. Set is a predominantly Hispanic neighborhood, this film chronicles the obstacles that struggling low-income families and therefore students must face in their quest for higher education. Elizabeth, captain of the girls soccer team, stresses going beyond what is expected of her teammates on and off the field. Many of the girls are juggling the pressures to get good grades, perform well for their soccer team, and help their families out financially by working. Kelly High School on Chicago’s south side is an inner city public school struggling to provide the basics for their students because of a lack of resources and funding with the school experiencing $4 million budget cuts in the most recent years. Many students of Kelly High School do not make it to college, either because they cannot compete academically or because their families do not have the financial resources to send them to college. The girls face an uneven playing field - or in the case of the girls at Kelly High School, no soccer field at all - little or no support, problems at home, uncertain futures, racial discrimination, and poverty, but remain driven and hopeful thanks to their teammates and the dedicated mentoring of their coach.
Document 15: Mary Ayubi: Mary Ayubi is a female film maker and a journalist in Afghanistan, her home country. Due to her experience with the Taliban and war actions in Afghanistan, she uses media and film to document the violent actions of the Taliban and women’s rights in Afghanistan as it would pertain to violence. Mary now lives in Los Angeles and continues her career as a film maker by continuing research and working on a new documentary.
ground_truth: Offside