Question: In what year did The Hacienda open and release their first single "Go Exciting"? 

full_context: Document 1: The International Nightclub Manchester: The International Nightclub Manchester was a live music venue on Anson Road, Longsight, Manchester, at the same time as The Haçienda and other clubs in the late 1980s were gaining in popularity. Gareth Evans owned the nightclub and was also the manager of The Stone Roses who also frequented the club.
Document 2: Star-Club: The Star-Club was a music club in Hamburg, Germany that opened Friday 13 April 1962 and was initially operated by Manfred Weissleder and Horst Fascher. In the 1960s, many of the giants of rock music played at the club. The club closed on 31 December 1969 and the building it occupied was destroyed by a fire in 1987. The address in Hamburg area St. Pauli was: "Große Freiheit 39"; "Große Freiheit" is a side street of the Reeperbahn.
Document 3: The Ex discography: The Ex are a Dutch music group from Amsterdam founded in 1979. In three decades as band, they have moved from playing anarcho punk to post punk, jazz, folk and African music. They have collaborated on records with fellow indie musicians Chumbawamba, Dog Faced Hermans, Tortoise and Sonic Youth, improvisers like Tom Cora and the Instant Composers Pool, and toured with African musicians Konono No. 1 and Getatchew Mekurya.
Document 4: Down the Street: "Down the Street" was a popular nightclub in Asbury Park, New Jersey. It opened in 1988 by John Hitchcock who was previously manager/DJ at the ever so popular "M&K". The club had much previous gay history. It was originally the "dance" part of Atlantis, the other part which was a hotel/ piano bar that burned very suspiciously one night after closing. It re-opened in the 1980s as "Visions" by one of the previous owners of "Boots" next door, Len but It had a short lived life as Visions. The club was one of the state's first gay discos. The name 'Down the Street' was used because it was located down the street from other popular gay clubs, Odyssey and M&K. It housed a dance floor, 5 bars, light shows, and drag |contests. It also had an outside area which included a volleyball court, food cart and another building which housed a quieter bar, The Clubhouse. The club even earned Asbury Park the nicknames "Gay riveria on the East Coast" and "the budget Cherry Grove." When Asbury Park declined in the 1980s, all of the other clubs in the city closed or were razed. However, Down the Street managed to stay open, making it the oldest and longest operating gay disco in New Jersey's history when it closed in 1999. John had moved to Florida with his partner Jay and opened a new and successful bar The Cubby Hole. John since sold that and has retired.
Document 5: Rave music: Rave music may either refer to the late 1980s/early 1990s genres of house, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. The genre "rave", also known as hardcore by early ravers, first appeared amongst the UK "acid" movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations. The genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass and 2-step, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore. Rave music is usually presented in a DJ mix set, although live performances are not uncommon.
Document 6: Quando Quango: Quando Quango was a British electronic music group, formed by The Haçienda DJ and Factory Records A&R man Mike Pickering, Hillegonda Rietveld and Reinier Rietveld. Their unique sound influenced the underground dance music scenes in New York and Chicago in the 1980s. Their first release was the "Go Exciting" twelve-inch single on Factory Records in 1982, and their last release of new music was the 1985 full-length album "Pigs + Battleships" (reissued on CD in 2003 and 2013).
Document 7: Liaisons Dangereuses (band): Liaisons Dangereuses was founded by Beate Bartel (Mania D, Einstürzende Neubauten) and Chrislo Haas (Deutsch Amerikanische Freundschaft) together with vocalist Krishna Goineau in 1981. As a part of the Neue Deutsche Welle scene (especially "electropunk" ) in Germany they pioneered electronic body music. After recording four ten-minute cassettes, they released their sole album in 1981. The self-titled album was mixed at Conny Plank's studio in Köln. The group made several live appearances throughout 1981 and 1982 and were occasionally joined by Anita Lane (Nick Cave and the Bad Seeds) and Hideto Sasaki. The album carried the single "Los Niños del Parque" which became an underground hit and has been cited by many prominent Chicago house and Detroit techno DJ's as a crucial influence.
Document 8: Acid house: Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
Document 9: PIAS Recordings: PIAS Recordings was founded in 1983 in Belgium as Play It Again Sam by Kenny Gates and Michel Lambot. Play It Again Sam expanded along with other European independent labels in the early 1980s. Play It Again Sam's early artists were Front 242, Meat Beat Manifesto and Young Gods. They added artists such as The Sound, Soulwax/2ManyDJ's, Sigur Rós and Mogwai.
Document 10: Electronic (band): Electronic were an English alternative dance supergroup formed by New Order singer and guitarist Bernard Sumner and ex-Smiths guitarist Johnny Marr. They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995.
Document 11: Michael Quercio: Michael Quercio (born March 13, 1963) is an American musician. He was the founder, bassist and lead singer of The Three O'Clock. He is also notable for being the apparent source of the genre name Paisley Underground, originally a joke. The Three O'Clock were among the most successful artists of the neo-psychedelic movement of the 1980s. Quercio's first significant band, The Salvation Army, bridged the punk scene of the 1980s and the melodic 1960s revivalist sounds that defined the U.S. mod-revivalist movement. Often grouped with bands such as Redd Kross, The Pandoras as well as The Chesterfield Kings and The Fuzztones (representing the 1980s garage revival) Quercio's bands were more melodic and polished than their peers. At the height of The Three O'Clock's popularity, Quercio had stated that he aspired foremost to be a pop band, not represent a movement such as the Paisley Underground or neo-psychedelia. He later went on to be a member of Game Theory, Permanent Green Light, and - most recently - Jupiter Affect.
Document 12: Underground dance music: The term underground dance music (short version in music jargon: UDM) has been applied to artistic dance music movements, such as early 1970s disco and 1980s Chicago house, but the term has since then come to be defined by any electronic dance or house music artist/band that avoids becoming a trend/mainstream nowadays. Other early "underground dance music" artists include Little Louie Vega, Tony Humphries, Larry Levan, David Mancuso, Frankie Knuckles, Nicky Siano, Lenties Deep and many others. In the late 1970s, the term underground dance music was associated with the music initially played at places like Paradise Garage, The Loft and The Warehouse.
Document 13: The Laboratory Project: The Laboratory Project is an organisation founded by entrepreneur and former Ministry of Sound Operations Director, Tony Rigg. Its aim is to provide a platform to expose brilliant music with their "Taste Masters" compilation series. "Taste Masters" was officially launched on 30 October 2010 at Fac 251 (The Factory) in Manchester, a club owned in part, by ex-Joy Division/New Order bassist Peter Hook, with the objective of recognising real musicianship. Rigg and Peter (Hooky) Hook also went on to develop the innovative Master of Arts programme in Music Industry Management & Promotion at the University of Central Lancashire which was launched in September 2012 in association with Factory.
Document 14: Knaack club: Knaack (German: Knaack-Klub ) was a nightclub in Prenzlauer Berg in Berlin, Germany. It opened in 1952 as a youth club and occasional disco. It then developed during the East German era into a live music venue where many notable German bands played regularly. Gentrification of the surrounding area in the late 2000s led to complaints about the club's noise from residents of newly constructed apartment buildings nearby. A court case resulted, placing restrictions on the noise levels, which the owners judged made the club financially untenable, resulting in its closure on 31 December 2010. After efforts to reopen in another district, the club secured new premises in Prenzlauer Berg and announced in February 2013 that they planned to reopen in 2016. Delays due to construction permits pushed these plans back to 2018.
Document 15: The Haçienda: The Haçienda was a nightclub and music venue in Manchester, England, which became famous in the Madchester years of the 1980s and early 1990s. The Haçienda opened in 1982, and despite considerable and persistent financial troubles survived until 1997 – the club was mainly supported by record sales from New Order. The Haçienda is associated with the rise of acid house and rave music.
ground_truth: 1982