Question: What award was received by the writer who influenced the development of the new journalism movement in the United States?

full_context: Document 1: New Journalism: The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles he published as The New Journalism, which included works by himself, Truman Capote, Hunter S. Thompson, Norman Mailer, Joan Didion, Terry Southern, Robert Christgau, Gay Talese and others.
Document 2: War on Terror: Because the actions involved in the "war on terrorism" are diffuse, and the criteria for inclusion are unclear, political theorist Richard Jackson has argued that "the 'war on terrorism' therefore, is simultaneously a set of actual practices—wars, covert operations, agencies, and institutions—and an accompanying series of assumptions, beliefs, justifications, and narratives—it is an entire language or discourse." Jackson cites among many examples a statement by John Ashcroft that "the attacks of September 11 drew a bright line of demarcation between the civil and the savage". Administration officials also described "terrorists" as hateful, treacherous, barbarous, mad, twisted, perverted, without faith, parasitical, inhuman, and, most commonly, evil. Americans, in contrast, were described as brave, loving, generous, strong, resourceful, heroic, and respectful of human rights.
Document 3: From Bauhaus to Our House: After "The Painted Word", Wolfe published a collection of his essays, "Mauve Gloves & Madmen, Clutter & Vine" (1976), and his history of the earliest years of the space program, "The Right Stuff" (1979). Undeterred by the hostile critical response to "The Painted Word", and perhaps even encouraged by the stir the book made, Wolfe set about writing a critique of modern architecture. "From Bauhaus to Our House" was excerpted in "Harper's Magazine" and published by Wolfe's long-time publisher Farrar, Straus & Giroux in 1981.
Document 4: Race (human categorization): Eduardo Bonilla-Silva, Sociology professor at Duke University, remarks, "I contend that racism is, more than anything else, a matter of group power; it is about a dominant racial group (whites) striving to maintain its systemic advantages and minorities fighting to subvert the racial status quo."  The types of practices that take place under this new color-blind racism is subtle, institutionalized, and supposedly not racial. Color-blind racism thrives on the idea that race is no longer an issue in the United States. There are contradictions between the alleged color-blindness of most whites and the persistence of a color-coded system of inequality.
Document 5: The Bronx: By contrast, Tom Wolfe's Bonfire of the Vanities (1987) portrays a wealthy, white protagonist, Sherman McCoy, getting lost off the Major Deegan Expressway in the South Bronx and having an altercation with locals. A substantial piece of the last part of the book is set in the resulting riotous trial at the Bronx County Courthouse. However, times change, and in 2007, the New York Times reported that "the Bronx neighborhoods near the site of Sherman's accident are now dotted with townhouses and apartments." In the same article, the Reverend Al Sharpton (whose fictional analogue in the novel is "Reverend Bacon") asserts that "twenty years later, the cynicism of The Bonfire of the Vanities is as out of style as Tom Wolfe's wardrobe."
Document 6: Walter Mears: Walter Mears is a Pulitzer prize-winning American journalist with the Associated Press. Mears was also one of the Boys on the Bus that covered the 1972 presidential election between Richard Nixon and George McGovern. He won a Pulitzer Prize in 1977 for his coverage of the 1976 presidential campaign. He has been inducted in the Associated Press Hall-of-Fame.
Document 7: The Electric Kool-Aid Acid Test: The Electric Kool-Aid Acid Test is a nonfiction book by Tom Wolfe that was published in 1968. The book is remembered today as an early – and arguably the most popular – example of the growing literary style called New Journalism. Wolfe presents an as-if-firsthand account of the experiences of Ken Kesey and his band of Merry Pranksters, who traveled across the country in a colorfully painted school bus, the destination of which was always "Furthur", as indicated on its sign, but also exemplified by the general ethos of the Pranksters themselves. Kesey and the Pranksters became famous for their use of LSD and other psychedelic drugs in hopes of achieving intersubjectivity. The book chronicles the Acid Tests (parties in which LSD-laced Kool-Aid was used to obtain a communal trip), the group's encounters with (in)famous figures of the time, including famous authors, Hells Angels, and The Grateful Dead, and it also describes Kesey's exile to Mexico and his arrests.
Document 8: Friedrich Hayek: During World War II, Hayek began the ‘Abuse of Reason’ project. His goal was to show how a number of then-popular doctrines and beliefs had a common origin in some fundamental misconceptions about the social science. In his philosophy of science, which has much in common with that of his good friend Karl Popper, Hayek was highly critical of what he termed scientism: a false understanding of the methods of science that has been mistakenly forced upon the social sciences, but that is contrary to the practices of genuine science. Usually, scientism involves combining the philosophers' ancient demand for demonstrative justification with the associationists' false view that all scientific explanations are simple two-variable linear relationships.
Document 9: The Culture of Make Believe: The Culture of Make Believe is a non-fiction book by Derrick Jensen, first published in 2002. In the book the author explores the origins of human destructiveness, primarily through the lens of racism, using historical, psychological, sociological, anthropological, and personal anecdotes as tools for understanding.
Document 10: War on Terror: Other critics, such as Francis Fukuyama, note that "terrorism" is not an enemy, but a tactic; calling it a "war on terror", obscures differences between conflicts such as anti-occupation insurgents and international mujahideen. With a military presence in Iraq and Afghanistan and its associated collateral damage Shirley Williams maintains this increases resentment and terrorist threats against the West. There is also perceived U.S. hypocrisy, media-induced hysteria, and that differences in foreign and security policy have damaged America's image in most of the world.
Document 11: O Strange New World: O Strange New World: American Culture - The Formative Years was written by Howard Mumford Jones and published by Viking Press in 1964; it won the 1965 Pulitzer Prize for General Non-Fiction.
Document 12: Fiction-absolute: The term was coined and defined by journalist Tom Wolfe in his 2006 Jefferson Lecture for the National Endowment for the Humanities. Wolfe defined the term as the propaganda that a tribe or social group employs to explain why that group is the best of all groups and its people the best people. The term itself indicates that it is absolutist in that it defines in stark terms why members should prefer that tribe, and necessarily fictional because it is propaganda, although it might have some basis in truth. The fiction-absolute is essentially a tribe's core propaganda. It can lead to intolerance and forms of collective action.
Document 13: Ministries of Nineteen Eighty-Four: The Ministry of Truth (Newspeak: Minitrue) is the ministry of propaganda. As with the other ministries in the novel, the name Ministry of Truth is a misnomer because in reality it serves the opposite: it is responsible for any necessary falsification of historical events.
Document 14: Literature: Literature consists of written productions, often restricted to those deemed to have artistic or intellectual value. Its Latin root literatura/litteratura (derived itself from littera, letter or handwriting) was used to refer to all written accounts, but intertwined with the roman concept of cultura: learning or cultivation. Literature often uses language differently than ordinary language (see literariness). Literature can be classified according to whether it is fiction or non-fiction and whether it is poetry or prose; it can be further distinguished according to major forms such as the novel, short story or drama; and works are often categorised according to historical periods or their adherence to certain aesthetic features or expectations (genre).
Document 15: The New Yorker: Brown's nearly six-year tenure attracted more controversy than Gottlieb's or even Shawn's, thanks to her high profile (Shawn, by contrast, had been an extremely shy, introverted figure) and the changes which she made to a magazine that had retained a similar look and feel for the previous half-century. She introduced color to the editorial pages (several years before "The New York Times") and photography, with less type on each page and a generally more modern layout. More substantively, she increased the coverage of current events and hot topics such as celebrities and business tycoons, and placed short pieces throughout "Goings on About Town", including a racy column about nightlife in Manhattan. A new letters-to-the-editor page and the addition of authors' bylines to their "Talk of the Town" pieces had the effect of making the magazine more personal. The current editor of "The New Yorker" is David Remnick, who succeeded Brown in July 1998.
ground_truth: Jefferson Lecture
sub_queries: who influenced the development of the new journalism movement in the united states Answer: Tom Wolfe
Tom Wolfe >> award received Answer: Jefferson Lecture