Question:  Siehe, es hat überwunden der Löwe was written by a composer of what nationality?

full_context: Document 1: Siehe, es hat überwunden der Löwe: Siehe, es hat überwunden der Löwe (Behold, the lion has triumphed), TWV 1:1328, BWV 219, is a church cantata by Georg Philipp Telemann, written for Michaelmas in 1723. Formerly the cantata was accredited to Johann Sebastian Bach.
Document 2: Meine Seel erhebt den Herren, BWV 10: In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Also known as Bach's "German Magnificat", the work follows his chorale cantata format.
Document 3: Johann Sebastian Bach: Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
Document 4: Ach Gott, vom Himmel sieh darein, BWV 2: Johann Sebastian Bach composed the church cantata Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven), BWV 2 , in Leipzig for the second Sunday after Trinity and first performed on 18 June 1724. It is the second cantata of his second annual chorale cantata cycle, and is based on Martin Luther's hymn "Ach Gott, vom Himmel sieh darein ", published in 1524 in the first Lutheran hymnal.
Document 5: Ich hab in Gottes Herz und Sinn, BWV 92: Ich hab in Gottes Herz und Sinn (I have given over to God's heart and mind), BWV 92 , is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725. It is based on the hymn "Ich hab in Gottes Herz und Sinn " by Paul Gerhardt (1647), and is the only chorale cantata Bach based on a hymn by Gerhardt.
Document 6: George Frideric Handel: George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Document 7: Passions (Telemann): Between 1716 and 1767, Georg Philipp Telemann wrote a series of Passions, musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 "Passions" for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the "Passions" intended for liturgical performance, they were not closely set to the literal text of the Gospels.
Document 8: Capriccio on the departure of a beloved brother: The Capriccio on the departure of a beloved brother (Italian: Capriccio sopra la lontananza del suo fratello dilettissimo), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau. The story that Bach performed it at age nineteen when his brother Johann Jacob left to become an oboist in the army of Charles XII in Sweden is questionable.
Document 9: Carl Philipp Emanuel Bach: Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach.
Document 10: Chorale cantata (Bach): There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. The eldest known cantata by Bach, an early version of "Christ lag in Todes Banden", BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was "Wie schön leuchtet der Morgenstern", BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle.
Document 11: Ludwig Berger (composer): Carl Ludwig Heinrich Berger (18 April 1777 – 16 February 1839) was a German pianist, composer, and piano teacher. He was born in Berlin, and spent his youth in Templin and Frankfurt, where he studied both flute and piano. Later, he studied composition with J. A. Gürrlich in Berlin. He became friendly with the composer Clementi, and visited him in Russia, where he stayed for eight years. While in Russia, he married, but was widowed in less than a year. During the Napoleonic wars, he fled to London, where his piano performances were well received. He returned to Berlin in 1815, and lived there for the rest of his life. A nervous disorder in his arm led to the end of his career as a piano virtuoso, and he built a reputation as a teacher, numbering Mendelssohn, Taubert, Henselt, Dorn, and August Wilhelm Bach among his more distinguished pupils. See: .
Document 12: Kapitänsmusik: The Hamburgische Kapitänsmusik (Hamburg Captain’s Music) refers to a body of compositions by Georg Philipp Telemann. They comprise sacred oratorios and secular serenades. However, the oratorios were intended to be performed in a secular setting, the Hamburg Drillhaus, and their characters are almost exclusively allegorical. The "Kapitänsmusik" was written for the annual banquet (or "convivium") of the Hamburg militia captains. The works span the period from 1723 to 1766, although many of the manuscripts have now been lost, and in several of those years no banquet was held. Although Telemann’s grandson Georg Michael Telemann inherited many autographs and manuscript copies of Telemann’s vocal works, the rest of his musical estate, including the "Kapitänsmusik", was sold at an auction in Hamburg on September 6, 1769. Much of that material has since disappeared, and the auction catalogue has not survived. Of the 36 "Kapitänsmusiken" that Telemann wrote, only 10 oratorios (with nine complete oratorio–serenade pairs) plus a few separate pieces are extant today.
Document 13: Der Messias: Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of "Messiah", George Frideric Handel's 1741 oratorio. On an initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna.
Document 14: Georg Philipp Telemann: Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (] ) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Document 15: Don Quichotte auf der Hochzeit des Comacho: Don Quichotte auf der Hochzeit des Comacho ("Don Quixote at Camacho's Wedding"), TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on of Cervantes's novel "Don Quixote". The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: "Don Quichotte auf der Hochzeit des Comacho "; later it was also known as "Don Quixote der Löwenritter " (Don Quixote, the Knight of the Lions).
ground_truth: German