Question: Along with the performer of I Don't Blame You, what indie/folk musician is based in Miami?

full_context: Document 1: House music: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.
Document 2: House music: In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era,
Document 3: Miami: Miami is also considered a "hot spot" for dance music, Freestyle, a style of dance music popular in the 80's and 90's heavily influenced by Electro, hip-hop, and disco. Many popular Freestyle acts such as Pretty Tony, Debbie Deb, Stevie B, and Exposé, originated in Miami. Indie/folk acts Cat Power and Iron & Wine are based in the city, while alternative hip hop artist Sage Francis, electro artist Uffie, and the electroclash duo Avenue D were born in Miami, but musically based elsewhere. Also, ska punk band Against All Authority is from Miami, and rock/metal bands Nonpoint and Marilyn Manson each formed in neighboring Fort Lauderdale. Cuban American female recording artist, Ana Cristina, was born in Miami in 1985.
Document 4: Miami: The northern side of Miami includes Midtown, a district with a great mix of diversity with many West Indians, Hispanics, European Americans, bohemians, and artists. Edgewater, and Wynwood, are neighborhoods of Midtown and are made up mostly of high-rise residential towers and are home to the Adrienne Arsht Center for the Performing Arts. The wealthier residents usually live in the northeastern part, in Midtown, the Design District, and the Upper East Side, with many sought after 1920s homes and home of the MiMo Historic District, a style of architecture originated in Miami in the 1950s. The northern side of Miami also has notable African American and Caribbean immigrant communities such as Little Haiti, Overtown (home of the Lyric Theater), and Liberty City.
Document 5: Headlights (Cat Power song): "Headlights" is a song by American singer-songwriter Cat Power, released as her debut single in 1993 by The Making of Americans. The song is a first-person narrative that tells of a girl dying on the road after a car accident.
Document 6: History of hip hop dance: More than 50 years old, hip - hop dance became widely known after the first professional street - based dance crews formed in the 1970s in the United States. The most influential groups were Rock Steady Crew, New York City Breakers, The Lockers, and The Electric Boogaloos who are responsible for the spread of breaking, locking, and popping respectively. The Brooklyn - based dance style uprock influenced breaking early in its development. Boogaloo gained more exposure because it is the namesake of the Electric Boogaloos crew. Uprock, roboting, and boogaloo are respected dance styles but none of them are as mainstream or popular as breaking, locking, and popping.
Document 7: I Don't Blame You: "I Don't Blame You" is a song by the American singer-songwriter, Cat Power, also known as Chan Marshall. It is the first song on her sixth album, "You Are Free", released in February 2003.
Document 8: Jukebox (Cat Power album): Jukebox is the eighth album by Cat Power, the stage name and eponymous band of American singer-songwriter Chan Marshall. It was released on January 22, 2008 on Matador Records. A limited-edition silver foil deluxe package was also released containing a bonus disc with five extra songs.
Document 9: The Covers Record: The Covers Record is the fifth album by Cat Power, the stage name and eponymous band of American singer-songwriter Chan Marshall. It was released in 2000 on Matador Records.
Document 10: Nude as the News: "Nude as the News" is a song by the American singer/songwriter, Cat Power (a.k.a. Chan Marshall). It is the fourth song on her 1996 album, "What Would the Community Think". It was released as a single, and a music video shot entirely in black and white and directed by Brett Vapnek.
Document 11: Don't Give Up on Me: Do n't Give Up on Me is a studio album by R&B / Soul singer Solomon Burke, recorded and released in 2002 on Fat Possum Records. The album won the Grammy Award for Best Contemporary Blues Album. It is noteworthy for the contributions of original and previously unreleased compositions by top - rank songwriters, the effect of which placed Burke back in the public eye for a time. Guest stars are Daniel Lanois, who plays electric guitar on ``Stepchild '', and The Blind Boys of Alabama, who feature on backing vocals for`` None of Us Are Free''. ``None of Us Are Free ''was also featured at the end of the sixth episode (Spin) of the second season of House.`` Fast Train'' was featured during the ending montage of the season three finale of The Wire.
Document 12: Miami: This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
Document 13: Moon Pix: Moon Pix is the fourth album by Cat Power, the stage name and eponymous band of American singer-songwriter, Chan Marshall. It was released in September 1998 on Matador Records.
Document 14: House music: Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.
Document 15: Speaking for Trees: Speaking for Trees: A Film by Mark Borthwick is a DVD/CD package by the American singer-songwriter Cat Power (a.k.a. Chan Marshall), released on October 26, 2004.
ground_truth: Iron & Wine
sub_queries: I Don't Blame You >> performer Answer: Cat Power
Along with Cat Power , what indie/folk musician is based in Miami? Answer: Iron & Wine