Question: Nick Bottom was a character whose head is turned into that of a donkey by the character who was a figure of what country's mythology?

full_context: Document 1: Touchstone (As You Like It): Touchstone is a fictional character in Shakespeare's play "As You Like It".
Document 2: Nick Bottom: Nick Bottom is a character in Shakespeare's "A Midsummer Night's Dream" who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairies' story.
Document 3: Puck (A Midsummer Night's Dream): Puck, also known as Robin Goodfellow, is a character in William Shakespeare's play "A Midsummer Night's Dream", based on the ancient figure of Puck found in English mythology.
Document 4: A Midsummer Night's Dream (2016 film): A Midsummer Night's Dream is a 2016 British television film based on the William Shakespeare play "A Midsummer Night's Dream". It was adapted by Russell T Davies, directed by David Kerr and produced by Nikki Wilson. It stars Maxine Peake as Titania, Matt Lucas as Bottom, John Hannah as Theseus and Nonso Anozie as Oberon. The film was first broadcast on 30 May 2016 on BBC One.
Document 5: The Donkey Show (musical): The Donkey Show: A Midsummer Night's Disco is a theatrical adaptation of Shakespeare's "A Midsummer Night's Dream". The production, created in a disco-era style, was written by Diane Paulus and her husband Randy Weiner and the members of Project 400, Emily Hellstrom, Jordin Ruderman, Rachel Murdy and Anna Wilson. It first appeared Off-Broadway, opening August 18, 1999. The show subsequently ran for six years including venues in England, Scotland, France and Spain. After a successful run at the Edinburgh Festival the Donkey Show show came to London for a 8 month run in Londons West End (Hanover Grand). The London show was produced by David Babani and Graham Kentsley. Rob Goodmonson (NYC) played the part of the DJ in the UK production. In 2009, the show was revived by the American Repertory Theater in Cambridge, Massachusetts, for which Paulus is Artistic Director. The club/theater space used in Cambridge is called OBERON, after the king of the fairies in "A Midsummer Night's Dream".
Document 6: Sir Andrew Aguecheek: Sir Andrew Aguecheek (also spelled Ague-cheek) is a comic character in William Shakespeare's play "Twelfth Night, or What You Will". One of the minor characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish. His role in the play not only provides comedy through his pathetic situation and his long speech, but also by his distinct, long-faced appearance and garish dress sense. The role has been a favourite for noted actors such as Alec Guinness, Christopher Plummer, Paul Scofield and Roger Rees.
Document 7: Oberon: Oberon is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play "A Midsummer Night's Dream", in which he is Consort to Titania, Queen of the Fairies.
Document 8: Titania: Titania is a character in [[William Shakespeare]]'s play "[[A Midsummer Night's Dream]]". In the play, she is the [[Fairy Queen|queen of the fairies]]. Due to Shakespeare's influence, later fiction has often used the name "Titania" for fairy queen characters.
Document 9: A Midsummer Night's Dream (opera): A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, "A Midsummer Night's Dream". It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
Document 10: A Midsummer Night's Dream: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
Document 11: A Midsummer Night's Dream (1999 film): A Midsummer Night's Dream is a 1999 romantic comedy fantasy film based on the play "A Midsummer Night's Dream" by William Shakespeare. It was directed by Michael Hoffman. The ensemble cast features Kevin Kline as Bottom, Michelle Pfeiffer and Rupert Everett as Titania and Oberon, Stanley Tucci as Puck, and Calista Flockhart, Anna Friel, Christian Bale, and Dominic West as the four lovers.
Document 12: Egeus: Egeus is a character in "A Midsummer Night's Dream", the comedy by William Shakespeare. He is an Athenian who tries to keep his daughter, Hermia, from marrying Lysander the man she loves. In original performances, the actor for his role probably played the part of Philostrate as well.
Document 13: A Midsummer Night's Dream (ballet): A Midsummer Night's Dream is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to "Athalie", "Son and Stranger", and "The Fair Melusine", the "String Symphony No. 9 in C minor" and "The First Walpurgis Night". "A Midsummer Night's Dream", Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ballet dispenses with Shakespeare's play-within-a-play finale. "A Midsummer Night's Dream" opened The New York City Ballet's first season at the New York State Theater in April, 1964.
Document 14: Le songe d'une nuit d'été: Le songe d'une nuit d'été ("A Midsummer Night's Dream") is an opéra-comique in three acts composed by Ambroise Thomas to a French libretto by Joseph-Bernard Rosier and Adolphe de Leuven. Although it shares the French title for Shakespeare's play, "A Midsummer Night's Dream", its plot is not based on the play. Shakespeare himself is a character in the opera as are Elizabeth I and Falstaff.
Document 15: Queen Mab: Queen Mab (pronunciation: "M/ă/v") is a fairy referred to in William Shakespeare's play "Romeo and Juliet", where "she is the fairies' midwife." Later, she appears in other poetry and literature, and in various guises in drama and cinema. In the play, her activity is described in a famous speech by Mercutio written originally in prose and often adapted into iambic pentameter, in which she is described as a miniature creature who performs midnight pranks upon sleepers. Being driven by a team of atomies, she rides her chariot over their noses and "delivers the fancies of sleeping men." Additionally, while driving "O'er ladies' lips, who straight on kisses dream," she was known to change her mind and instead "plague" "ladies' lips" "with blisters" if she smelled "sweetmeats" or candied fruit eaten to sweeten their breath. Along with this interpretation, others believe the blisters were a reference to the plague or to herpes simplex. She is also described as a midwife to help sleepers 'give birth' to their dreams. She may be a figure borrowed from folklore, and though she is often associated with the Irish Medb in popular culture, and has been suggested by historian Thomas Keightley to be from "Habundia", a more likely origin for her name would be from Mabel and the Middle English derivative "Mabily" (as used by Chaucer) all from the Latin "amabilis" ("lovable").
ground_truth: English