Question: Who was the director of the film which had "Held" on its soundtrack?

full_context: Document 1: Knock Knock (album): Knock Knock is the seventh album by Bill Callahan (also known as Smog), released in January 1999 on Drag City and by Domino in Europe. The album is the fourth and final collaboration with the producer and musician Jim O'Rourke. "Knock Knock" elaborates Callahan's sound and provides twists and edges to the folky style of its predecessor. "Held" was the first single, followed by "Cold Blooded Old Times", which later appeared on the "High Fidelity" film soundtrack, thereby attracting some attention to Callahan's work. Other soundtrack appearances include "Teenage Spaceship" in "Crazy" (2000, directed by Hans-Christian Schmid) and "Hit the Ground Running" in "Swimming" (2000, directed by Robert J. Siegel). The album was accompanied by the release of the single "Look Now", with the two Japanese bonus tracks.
Document 2: Jagz Kooner: Jagz Kooner is an English producer who has worked with Radio 4, Manic Street Preachers, Primal Scream for whom he co-produced their cover version of the song 'Some Velvet Morning' sung this time by the model Kate Moss, Garbage and Infadels. He has created remixes for Massive Attack "Butterfly Caught" with additional vocals from the well known UK dance music vocalist Tara McDonald. His remix "My Beautiful Friend" for UK Indie band The Charlatans was so groundbreaking that it inspired Eddy Temple-Morris, a DJ at the XFM radio station to form a show dedicated to remixes. Kooner also worked with Rammstein, Siobhan Fahey, Ladytron, Adam Freeland, dEUS, Kasabian and more recently Reverend and the Makers. His remix of 'Swastika Eyes', for Primal Scream appears as one of two remixes of the track on the "Xtrmntr" album. He has also remixed two songs from the Oasis album, "Dig Out Your Soul". On the bonus CD available only as part of the Deluxe Edition, Jagz Kooner has remixed first single 'The Shock Of The Lightning', as well as, the album track 'The Turning'. He has also been keenly involved in the UK mash-up scene.
Document 3: Bow Down to the Exit Sign: Bow Down to the Exit Sign is a studio album by David Holmes, released in 2000. It features contributions from Bobby Gillespie, Sean Gullette, Jon Spencer, Martina Topley-Bird and Carl Hancock Rux. The song "69 Police" features during the closing scene of the 2001 remake of "Ocean's Eleven", and was included in the soundtrack.
Document 4: Chief Boot Knocka: Chief Boot Knocka is the fourth album by rapper Sir Mix-a-Lot. The album was released in 1994 on American Recordings. It was released as the follow-up to his successful previous album, "Mack Daddy". The album reached #69 on the "Billboard" 200 and #28 on the Top R&B/Hip-Hop Charts. The album featured the hit single "Put 'em on the Glass". "Just da Pimpin' in Me" was nominated for the Grammy Award for Best Rap Solo Performance but lost to "Let Me Ride" by Dr. Dre.
Document 5: The Boatman's Call: The Boatman's Call is the tenth studio album by Nick Cave and the Bad Seeds, released in 1997. The album is entirely piano-based, alternately somber and romantic in mood, making it a marked departure from the bulk of the band's post-punk catalogue. "The Boatman's Call" remains one of the most critically acclaimed releases of Nick Cave's career.
Document 6: Say Anything…: Say Anything… is a 1989 American romantic comedy-drama film written and directed by Cameron Crowe in his directorial debut. The film follows the romance between Lloyd Dobler (John Cusack), an average student, and Diane Court (Ione Skye), the valedictorian, immediately after their graduation from high school. In 2002, "Entertainment Weekly" ranked "Say Anything..." as the greatest modern movie romance, and it was ranked number 11 on "Entertainment Weekly"'s list of the 50 best high-school movies.
Document 7: High Fidelity (film): High Fidelity is a 2000 American romantic comedy-drama film directed by Stephen Frears. It stars John Cusack, Iben Hjejle, Jack Black, Todd Louiso, and Lisa Bonet. The film is based on the 1995 British novel of the same name by Nick Hornby, with the setting moved from London to Chicago and the name of the lead character changed.
Document 8: The High Sign/One Week: The High Sign/One Week: Music for the Films of Buster Keaton is the seventh album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, Kermit Driscoll and Joey Baron. The album is designed as accompaniment to Buster Keaton's the first two silent films classic, "The High Sign" (1921) (tracks 1-9) and "One Week" (1920) (tracks 10-19). It was released at the same time as another album by Frisell of Keaton soundtracks, "" (1995).
Document 9: Bridget Jones's Diary (film): Bridget Jones's Diary is a 2001 British-American-French romantic comedy film directed by Sharon Maguire and written by Richard Curtis, Andrew Davies, and Helen Fielding. It is based on Fielding's novel of the same name, which is a reinterpretation of Jane Austen's "Pride and Prejudice". The adaptation stars Renée Zellweger as Bridget, Hugh Grant as the caddish Daniel Cleaver, and Colin Firth as Bridget's "true love", Mark Darcy. Production began in May 2000 and ended in August 2000, and took place largely on location in London and the Home Counties. The film premiered on 4 April 2001 in the UK and was released to theatres on 13 April 2001 simultaneously in the UK and in the US.
Document 10: The Knoc: "The Knoc" is a song by American rapper, Knoc-Turn'al. The song features guest vocals by hip-hop musicians Dr. Dre and Missy Elliott. It was originally released as the lead single for Knoc's unreleased album, "Knoc's Landin" (2002). In spite of the album's shelving, "The Knoc" initially saw a release on the summer EP, "" due to the single's Grammy nomination and charting on the "Billboard" Hot 100.
Document 11: High Fidelity (Degrassi: The Next Generation): "High Fidelity" is a two-part episode of "" that was broadcast as the final episode in season five. The first part was originally broadcast on 13 March 2006 and the second part originally on 20 March 2006 in Canada; in the United States they were shown on 2 and 9 June 2006. The second part is also the hundredth episode of the series. This two part episode is the final episode where the entire cast is still in high school or a teacher until season eleven. It is also the final episode of the last season to have the school year take place over the entire season before switching to have one semester per season.
Document 12: Stephen Frears: Stephen Arthur Frears (born 20 June 1941) is an English film director. Frears has directed British films since the 1980s including "My Beautiful Laundrette", "Dangerous Liaisons", "High Fidelity", "The Queen", "Philomena" and "Florence Foster Jenkins". He has been nominated for two Academy Awards for Best Director for "The Grifters" and "The Queen". In 2008 "The Telegraph" named him among the most influential people in British culture.
Document 13: Nick Hornby: Nicholas Peter John "Nick" Hornby (born 17 April 1957) is an English novelist, essayist, lyricist, and screenwriter. He is best known for his memoir "Fever Pitch" and novels "High Fidelity" and "About a Boy", all of which were adapted into feature films. Hornby's work frequently touches upon music, sport, and the aimless and obsessive natures of his protagonists. His books have sold more than 5 million copies worldwide as of 2013. In a 2004 poll for the BBC, Hornby was named the 29th most influential person in British culture.
Document 14: John Cusack: John Paul Cusack ( ; born June 28, 1966) is an American actor, producer and screenwriter. He began acting on films during the 1980s. Cusack was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for his performance in "High Fidelity" (2000). Other films including "Grosse Pointe Blank" (1997), "Being John Malkovich" (1999), "1408" (2007), "2012" (2009), "Hot Tub Time Machine" (2010), and "The Raven" (2012).
Document 15: The Crow: Salvation (soundtrack): The soundtrack to the third in the "Crow" film series, album is once again compiled and produced by Jeff Most. As with the soundtrack to "", "Salvation" includes an otherwise unavailable cover version by Hole: this time of Bob Dylan's "It's All Over Now, Baby Blue". Several other contemporary big-name artists are also included, indicating that even at this late stage in the series, The "Crow" brand name still held a certain cache within the grunge / industrial / gothic rock scene. This would not extend to the fourth film, "" however, for which no soundtrack album was ever released.
ground_truth: Stephen Frears