Question: Who does the star that established herself as a Queen of Popular Music play in a league of their own?

full_context: Document 1: Everyone's Hero: Cherise Booth as Rosetta Brewster Ritchie Allen as Officer Bryant Jason Harris Katz (credited as Jason Harris) as Announcer Ed Helms as Hobo Louie Ray Iannicelli as Conductors / Umpire Gideon Jacobs as Bully Kid Tubby Richard Kind as Hobo Andy / Maitre'D Marcus Maurice as Willie Will Reeve as Big Kid Ron Tippe as Hobo Jack Robert Wagner as Mr. Robinson Joe Torre as New York Yankees manager Jesse Bronstein as Sandlot Kid # 1 Ralph Coppola as Sandlot Kid # 2 Conor White as Bully Kid Arnold
Document 2: All-American Girls Professional Baseball League: The All - American Girls Professional Baseball League was a women's professional baseball league founded by Philip K. Wrigley which existed from 1943 to 1954. Over 600 women played in the league. In 1948, league attendance peaked over 900,000 spectators in attendance. The Rockford Peaches won a league - best four championships while playing in the AAGPBL. For most of the league's history, manager Bill Allington coached different teams and led the league in career wins as a manager. The 1992 motion picture A League of Their Own tells a fictionalized account of the Rockford Peaches.
Document 3: A League of Their Own: A League of Their Own is a 1992 American sports comedy - drama film that tells a fictionalized account of the real - life All - American Girls Professional Baseball League (AAGPBL). Directed by Penny Marshall, the film stars Geena Davis, Tom Hanks, Madonna, and Lori Petty. The screenplay was written by Lowell Ganz and Babaloo Mandel from a story by Kelly Candaele and Kim Wilson.
Document 4: Madonna (entertainer): Madonna Louise Ciccone (/tʃɪˈkoʊni/; Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, actress, and businesswoman. She achieved popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV. Madonna is known for reinventing both her music and image, and for maintaining her autonomy within the recording industry. Music critics have acclaimed her musical productions, which have generated some controversy. Often referred to as the "Queen of Pop", she is often cited as an influence by other artists.
Document 5: Madonna (entertainer): Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."
Document 6: Madonna (entertainer): Madonna's music has been the subject of much analysis and scrutiny. Robert M. Grant, author of Contemporary Strategy Analysis (2005), commented that what has brought Madonna success is "certainly not outstanding natural talent. As a vocalist, musician, dancer, songwriter, or actress, Madonna's talents seem modest." He asserts Madonna's success is in relying on the talents of others, and that her personal relationships have served as cornerstones to the numerous reinventions in the longevity of her career. Madonna's approach was far from the music industry wisdom of "Find a winning formula and stick to it." Her musical career has been a continuous experimentation with new musical ideas and new images and a constant quest for new heights of fame and acclaim. Grant concluded that "having established herself as the queen of popular music, Madonna did not stop there, but continued re-inventing." Musicologist Susan McClary wrote that "Madonna's art itself repeatedly deconstructs the traditional notion of the unified subject with finite ego boundaries. Her pieces explore various ways of constituting identities that refuse stability, that remain fluid, that resist definition."
Document 7: Madonna (entertainer): Throughout her career Madonna has been involved in writing and producing most of her own music. Madonna's early songwriting skill was developed during her time with the Breakfast Club in 1979. According to author Carol Gnojewski, her first attempts at songwriting are perceived as an important self-revelation, as Madonna said: "I don't know where [the songs] came from. It was like magic. I'd write a song every day. I said 'Wow, I was meant to do this'." Mark Kamins, her first producer, believed that Madonna is "a much underrated musician and lyricist." Rolling Stone has named her "an exemplary songwriter with a gift for hooks and indelible lyrics." According to Freya Jarman-Ivens, Madonna's talent for developing "incredible" hooks for her songs allows the lyrics to capture the attention of the audience, even without the influence of the music. As an example, Jarman-Ivens cites the 1985 single "Into the Groove" and its line "Live out your fantasy here with me, just let the music set you free; Touch my body, and move in time, now I know you're mine." Madonna's songwriting are often autobiographical over the years, dealing with various themes from love and relationships to self-respect and female empowerment. Her songs also speak about taboo and unconventional issues of their period, such as sexuality and AIDS on Erotica (1992). Many of her lyrics contain innuendos and double entendre, which lead to multiple interpretations among music critics and scholars. Madonna has been nominated for being inducted into the Songwriters Hall of Fame twice, for 2014 and 2016 ceremony. Rolling Stone listed Madonna at number 56 on the "100 Greatest Songwriters of All Time".
Document 8: A League of Their Own: Dottie and Kit head out to Harvey Field in Chicago for the tryout. There they meet a pair of New Yorkers, taxi dancer ``All the Way ''Mae Mordabito (Madonna) and her best friend, bouncer Doris Murphy (Rosie O'Donnell), along with soft - spoken right fielder Evelyn Gardner (Bitty Schram), illiterate, shy left fielder Shirley Baker (Ann Cusack), pitcher / shortstop and former Miss Georgia beauty queen Ellen Sue Gotlander (Freddie Simpson), gentle left field / relief pitcher Betty`` Spaghetti'' Horn (Tracy Reiner), homely second baseman Marla Hooch (Megan Cavanagh), who was scouted by Ernie, Dottie and Kit in Fort Collins, Colorado, first baseman Helen Haley (Anne Ramsay), and Saskatchewan native Alice ``Skeeter ''Gaspers (Renée Coleman). They and eight others are selected to form the Rockford Peaches, while 48 others are split among the Racine Belles, Kenosha Comets, and South Bend Blue Sox.
Document 9: Madonna (entertainer): Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."
Document 10: A League of Their Own: In 1988, Dottie Hinson (Geena Davis) attends the opening of the new All - American Girls Professional Baseball League (AAGPBL) exhibit at the Baseball Hall of Fame. She sees many of her former teammates and friends, prompting a flashback to 1943.
Document 11: Madonna (entertainer): Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.
Document 12: Casey at the Bat: A baseball team from the fictional town of ``Mudville ''(implied to be the home team) is losing by two runs in its last inning. Both the team and its fans, a crowd of 5,000, believe they can win if Casey, Mudville's star player, gets to bat. However, Casey is scheduled to be the fifth batter of the inning, and the first two batters (Cooney and Barrows) fail to get on base. The next two batters (Flynn and Jimmy Blake) are perceived to be weak hitters with little chance of reaching base to allow Casey a chance to bat.
Document 13: Isora del Castillo: The first AAGPBL spring training outside the United States was held in Cuba in 1947, as part of a plan to create an International League of Girls Baseball. The experiment took shape when Cuban executives Alfonso Rodríguez and Rafael León and AAGPBL president Max Carey formed two teams, one called the Cubans and the other called the Americans. Both teams toured Costa Rica, Nicaragua, Puerto Rico and Venezuela, playing exhibition games with each other. After that, Isora and her aforementioned fellows were contracted by the AAGPBL between 1948 and 1949.
Document 14: Madonna (entertainer): In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."
Document 15: SoundGirl: Beardshaw and Shortland were friends and school classmates in London that sang together before another girl from their neighbourhood, Redmond, joined them to form SoundGirl. A management company, Angelic Union, held auditions for a girl band project in a dance studio. The three girls went, wrote a song in ten minutes, and sang it for Angelic Union, who reportedly signed them on the spot.
ground_truth: taxi dancer ``All the Way ''Mae Mordabito
sub_queries: Who has established herself as a Queen of Popular Music? Answer: Madonna
who does Madonna play in a league of their own Answer: taxi dancer ``All the Way ''Mae Mordabito