Question: Rags Ragland died how many years after starring in Meet the People?

full_context: Document 1: Milton Berle: Milton Berle (born Mendel Berlinger; July 12, 1908 – March 27, 2002) was an American comedian and actor. As the host of NBC's "Texaco Star Theater" (1948–55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during TV's golden age.
Document 2: Rags Ragland: Rags Ragland (born John Lee Morgan Beauregard Ragland, August 23, 1905 – August 20, 1946) was an American comedian and character actor. Ragland made his show business reputation in burlesque, where he was one of the house comics for the famed Minsky burlesque shows. Minsky striptease star Georgia Sothern remembered him fondly in her 1971 memoir, saying she considered Ragland a close friend and the funniest comedian the Minskys had ever produced. His longtime performing partner Phil Silvers referred to Ragland in his autobiography as "my favorite comic".
Document 3: DuBarry Was a Lady: Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and B.G. DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film, "Du Barry Was a Lady", starring Red Skelton, Lucille Ball, and Gene Kelly.
Document 4: Too Many Girls (film): Too Many Girls is a 1940 American musical comedy film directed by George Abbott and written by John Twist. The film stars Lucille Ball, Richard Carlson, Ann Miller, Eddie Bracken, Frances Langford, Desi Arnaz and Hal Le Roy. The film was released on October 8, 1940, by RKO Pictures. Both Desi Arnaz and Lucille Ball credited the production for bringing them together. They married on November 30, 1940, less than two months after the film's release.
Document 5: Minnie Pearl: Sarah Ophelia Colley Cannon (October 25, 1912 – March 4, 1996), known professionally as Minnie Pearl, was an American country comedian who appeared at the Grand Ole Opry for more than 50 years (from 1940 to 1991) and on the television show "Hee Haw" from 1969 to 1991.
Document 6: Meet Me in St. Louis: Meet Me in St. Louis is a musical film made by Metro-Goldwyn-Mayer and released in 1944. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition (more commonly referred to as the World's Fair) in the spring of 1904. The picture stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart, and Joan Carroll.
Document 7: And the Angels Sing: And the Angels Sing (1944) is a musical directed by George Marshall and starring Dorothy Lamour, Fred MacMurray, and Betty Hutton. Released by Paramount Pictures, it is a classic example of a film written to capitalize on the title of a previously popular song, in this case Benny Goodman's 1939 number one hit, "And the Angels Sing" by Ziggy Elman and Johnny Mercer, sung by Martha Tilton, though the song is not actually in the film. The standout original songs in the musical were "It Could Happen To You", sung by Dorothy Lamour, which quickly became a pop standard, and "His Rocking Horse Ran Away," which became one of Betty Hutton's most popular numbers.
Document 8: George McFarland: George "Spanky" McFarland (October 2, 1928 – June 30, 1993) was an American actor most famous for his appearances as a child in the "Our Gang" series of short-subject comedies of the 1930s and 1940s. The "Our Gang" shorts were later syndicated to television as "The Little Rascals".
Document 9: Charlie Ruggles: Charles Sherman Ruggles (February 8, 1886 – December 23, 1970) was a comic American character actor. In a career spanning six decades, Ruggles appeared in close to 100 feature films, often in mild-mannered and comic roles. He was also the elder brother of director, producer, and silent actor Wesley Ruggles (1889–1972).
Document 10: Broadway Melody of 1940: Broadway Melody of 1940 is a 1940 MGM movie musical starring Fred Astaire, Eleanor Powell and George Murphy. It was directed by Norman Taurog and features music by Cole Porter, including "Begin the Beguine".
Document 11: Meet the People: Meet the People (1944) is a Metro-Goldwyn-Mayer musical comedy film made during World War II, and starring Lucille Ball and Dick Powell and featuring Virginia O'Brien, Bert Lahr, Rags Ragland and June Allyson. The film takes its title from a successful Los Angeles stage revue, which ran on Broadway from December 25, 1940 to May 10, 1941. Vaughn Monroe and his orchestra, Spike Jones and his City Slickers, and Virginia O'Brien were also in the original stage cast. O'Brien sings the hit song "Say We're Sweethearts Again".
Document 12: Buck Benny Rides Again: Buck Benny Rides Again is a 1940 Paramount Pictures feature film starring Jack Benny and Ellen Drew. The film featured regulars from Benny's radio show including Eddie 'Rochester' Anderson, Andy Devine, Phil Harris, and Dennis Day. It also included a debut film appearance for radio star Lillian Cornell. The film was directed and produced by Mark Sandrich and produced by Joseph L. Mankiewicz. It was the third highest-grossing film of 1940.
Document 13: Meet Me After the Show: Meet Me After the Show is a 1951 Technicolor musical film starring Betty Grable and released through 20th Century Fox. The film was one of Grable's last musical films for Fox during her box office reign of the past decade.
Document 14: Bob McClurg: Bob McClurg is an American actor. He joined the Los Angeles-based improvisational comedy team The Groundlings and remained a member for six years, working with John Paragon, Susan Barnes, Phil Hartman and Paul Reubens. Edie McClurg is his younger sister. He has not appeared in a film since 1987.
Document 15: Richard Pryor: Richard Franklin Lennox Thomas Pryor (December 1, 1940 – December 10, 2005) was an American comedian, actor, and social critic. Pryor was known for uncompromising examinations of racism and topical contemporary issues, which employed colorful vulgarities and profanity, as well as racial epithets. He reached a broad audience with his trenchant observations and storytelling style. He is widely regarded as one of the most important and influential stand-up comedians of all time: Jerry Seinfeld called Pryor "The Picasso of our profession" and Bob Newhart heralded Pryor as "the seminal comedian of the last 50 years". Dave Chappelle said of Pryor, "You know those, like, evolution charts of man? He was the dude walking upright. Richard was the highest evolution of comedy." This legacy can be attributed, in part, to the unusual degree of intimacy Pryor brought to bear on his comedy. As Bill Cosby reportedly once said, "Richard Pryor drew the line between comedy and tragedy as thin as one could possibly paint it."
ground_truth: II