Question: This group of people, which have inhabited the state of Arizona for thousands of years, are also served as influences from popular music styles throughout the rest of the United States?

full_context: Document 1: List of cities and towns in Arizona: Arizona is a state located in the Western United States. There are 91 incorporated cities and towns in the U.S. state of Arizona as of 2010. Incorporated places in Arizona are those that have been granted home rule, possessing a local government in the form of a city or town council. The 2010 census put 5,021,810 of the state's 6,392,017 residents within these cities and towns, accounting for 78.56% of the population. Most of the population is concentrated within the Phoenix metropolitan area, with an 2010 census population of 4,192,887 (65.60% of the state population).
Document 2: Music of Puerto Rico: The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources have been Spain and West Africa, although many aspects of Puerto Rican music reflect origins elsewhere in Europe and the Caribbean and, in the last century, the USA. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the USA, and especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Nevertheless, this entry will emphasize music culture as it has flourished on the island; readers should naturally consult other entries for genres like salsa (most commonly thought of).
Document 3: Indigenous languages of Arizona: Arizona, a state in the southwestern region of the United States of America, is known for its high population of Native Americans. Arizona has the third highest number (and the sixth highest percentage) of Native Americans of any state in the Union (See Demographics of Arizona). Out of the entire US population of 2.9 million Native Americans, roughly 286,680 live in Arizona, representing 10% of the country's total Native American population. Only California and Oklahoma have more Native Americans than Arizona by number. Arizona also has the highest proportion of land allocated to Native American reservations, at 28%. Arizona has five of the twelve largest Indian reservations in the United States, including the largest, the Navajo Nation, and the third-largest, the Tohono O'odham Nation. Also, Arizona has the largest number of Native American language speakers in the United States.
Document 4: Apache: The Apache ( ; ] ) are culturally related Native American tribes from the Southwestern United States, and have traditionally lived in Eastern Arizona, Northern Mexico (Sonora and Chihuahua), New Mexico, West Texas, and Southern Colorado. These areas are collectively known as Apacheria. Their collective homelands consist of high mountains, sheltered and watered valleys, deep canyons, deserts, and the southern Great Plains. The Apache tribes fought the invading Spanish and Mexican peoples for centuries. The first Apache raids on Sonora appear to have taken place during the late 17th century. In 19th-century confrontations during the American-Indian wars, the U.S. Army found the Apache to be fierce warriors and skillful strategists.
Document 5: Indigenous peoples of Arizona: Native Americans have inhabited what is now Arizona for thousands of years. It remains a state with one of the largest percentages of Native Americans in the United States, and has the second largest total Native American population of any state. In addition, the majority of the Navajo Nation, the largest Native American reservation in the US, and the entire Tohono O'odham Nation, the second largest, are located in Arizona. Over a quarter of the area of the state is reservation land.
Document 6: Indian country: Indian country is any of the many self-governing Native American communities throughout the United States. As a legal category, it includes "all land within the limits of any Indian reservation", "all dependent Indian communities within the borders of the United States", and "all Indian allotments, the Indian titles to which have not been extinguished." This legal classification defines American Indian tribal and individual land holdings as part of a reservation, an allotment, or a public domain allotment. All federal trust lands held for Native American tribes is Indian country. Federal, state, and local governments use this category in their legal processes. Today, however, according to the U.S. Census of 2010, over 78% of all Native Americans live off reservations. Indian country now spans thousands of rural areas, towns and cities where Indian people live.
Document 7: Native Americans in the United States: In the United States of America, Native Americans (also known as American Indians, Indigenous Americans or simply Indians; see §Terminology differences) are people who belong to one of the over 500 distinct Native American tribes that survive intact today as partially sovereign nations within the country's modern boundaries. These tribes and bands are descended from the pre-Columbian indigenous population of North America.
Document 8: Women in Latin music: Women have made significant contributions to Latin music, a genre which predates Italian explorer Christopher Columbus' arrival in Latin America in 1492 and the Spanish colonization of the Americas. The earliest musicians were Native Americans, hundreds of ethnic groups across the continent, whose lyrics "reflect conflict, beauty, pain, and loss that mark all human experience." Indigenous communities reserved music for women, who were given equal opportunities with men to teach, perform, sing, and dance. Ethnomusicologists have measured ceramic, animal-bone, and cane flutes from the Inca Empire which indicate a preference for women with a high vocal range. Women had equal social status, were trained, and received the same opportunities in music as men in indigenous communities until the arrival of Columbus in the late 15th century. European settlers brought patriarchal, machismo ideologies to the continent, replacing the idea of equality between men and women. They equated native music with "savagery" and European music with "civilization". Female musicians tended to be darker-skinned as a result of the slave trade (which increased the population of African slaves), and contemporary society denigrated music as a profession. Latin music became Africanized, with syncopated rhythms and call-and-response; European settlement introduced harmony and the Spanish décima song form.
Document 9: Los Rieleros del Norte: They formed band in Ojinaga, Chihuahua in 1984 and later moved to Texas, and remain one of the oldest norteño bands still active today (Along with Conjunto Primavera, Los Tigres del Norte, Los Huracanes del Norte, and Conjunto Rio Grande). The band's name, "Los Rieleros", is based on work that some members did on the railroads of Pecos, Tx. Unlike many other norteño bands, the Rieleros del Norte use both saxophone and accordion in their music, creating a dual-instrument hybrid. All original members of the band are natives of Ojinaga, Chihuahua, a town from which many other saxophone-norteño bands originated.
Document 10: La Barranca: La Barranca has been a successful ongoing outfit for over a decade. Based in Mexico City, they are led by guitarist and songwriter José Manuel Aguilera, who previously and concurrently worked with Sangre Azteka, Jaguares, Cecilia Toussaint, Steven Brown/Nine Rain (Tuxedomoon), and more. He has an unusually economical style of playing that concentrates on great rhythms, superb tone, and very melodic solos. After the original lineup—Aguilera, Federico Fong (bass), Alfonso Andre (drums), all of whom were guest members of Jaguares with former Caifanes frontman Saúl Hernández—went its separate ways, a second version of the band included Santa Sabina guitar virtuoso Alex Otaola and the extremely flexible rhythm section of brothers Jose María ("Chema") and Alonso Arreola. The band's sound effortlessly moves from flat out rock to fusion-ish jamming and passes through a kind of Mexican folk influence along the way. Aguilera is a good singer with a talent for finding simple melodies amidst rather complex songs. On "El Fluir" the band decided to record live and to cut back on the keyboard and programmed additions to their music. Surprisingly, the result was not an over-the-top jamfest but rather a very tightly arranged set of songs that hinted at the overwhelming power they could possess in concert. The two guitar interplay between Aguilera and Otaola was highly impressive as they explored all forms of playing together and against one another (with Otaola pulling all sorts of radical sounds out of his guitar). "El Fluir" was their first US release since "Tempestad" in 1998. This edition was further sweetened by the inclusion of a previously unreleased bonus track and a video for the first single "Pare de Sufrir."
Document 11: Music of Arizona: The music of Arizona began with Indigenous music of North America made by Indigenous peoples of Arizona. In the 20th century, Mexican immigrants popularized Banda, corridos, mariachi and conjunto. Other major influences come from styles popular throughout the rest of the United States.
Document 12: Indigenous music of North America: Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music. In addition to the traditional music of the Native American groups, there now exist pan-tribal and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like waila ("chicken scratch").
Document 13: Indigenous peoples of California: The Indigenous peoples of California (known as Native Californians) are the indigenous inhabitants who have lived or currently live in the geographic area within the current boundaries of California before and after the arrival of Europeans. With over forty groups seeking to be federally recognized tribes, California has the second largest Native American population in the United States. The California cultural area does not conform exactly to the state of California's boundaries. Many tribes on the eastern border with Nevada are classified as Great Basin tribes, and some tribes on the Oregon border are classified as Plateau tribes. Tribes in Baja California who do not cross into California are classified as Indigenous peoples of Mexico.
Document 14: Supreme Court of the Navajo Nation: The Supreme Court of the Navajo Nation is the highest judicial Native American authority of the Navajo Nation, the largest American Indian nation in the United States. According to Harvard Law School, "the judicial system of the Navajo Nation is the most active tribal judicial system in the United States, with a case load that rivals, and in some instances exceeds, many municipal, county, and state judicial systems."
Document 15: New Mexico music: New Mexico music is a genre of music that originated in New Mexico, United States, it derives from the Puebloan music in the 13th century, and its further development during the 16th to 19th centuries in Santa Fe de Nuevo México. The music went through several changes during pre-statehood, mostly during the developments of Western. After statehood, New Mexico music became a folk music for the native New Mexicans, mostly with the Pueblo, Navajo, Apache, Neomexicanos, and the descendants of the American frontier. Shortly after statehood, during the early 1900s, elements of Country music and American folk music began to become incorporated into the genre. The 1950s and 1960s brought the influences of Blues, Jazz, Rockabilly, and Rock and roll into New Mexico music; and, during the 1970s, the genre entered popular music in the state, with artists like Al Hurricane and Freddie Brown receiving airtime locally on KANW, and international recognition on the syndicated Val De La O Show. Also, prominently featured on the Val de la O Show were other Southwestern artists performing Regional Mexican and Tejano music, this brought a more general audience to New Mexico music.
ground_truth: Indigenous peoples of Arizona