Question: "I'm in Disgrace" is the opening track on the second side of which English rock band formed in Muswell Hill, North London,1975 concept album, "Schoolboys in Disgrace"?

full_context: Document 1: Cultural impact of the Beatles: The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, they came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.
Document 2: Muswell Hillbillies: Muswell Hillbillies is an album by the English rock group The Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
Document 3: Return to Waterloo: Return to Waterloo is the debut solo album by Kinks' leader and chief songwriter Ray Davies. Three of the tracks on the album release were also available in near-identical form on The Kinks' 1984 release "Word of Mouth". All of The Kinks appear on the album with the exception of Dave Davies. According to Ray Davies, Dave Davies refused to perform on the album. He later said, "Dave refused to play and so it had to be 'Ray Davies and members of the Kinks'. If he had worked with me on it, it would have been a "great" record, but he let me down."
Document 4: The Kinks: The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the '60s decade. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles. Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk and country. They gained a reputation for reflecting English culture and lifestyle, fueled by Ray Davies' observational writing style. Albums such as "Face to Face" (1966), "Something Else" (1967), "The Kinks Are the Village Green Preservation Society" (1968), "Arthur" (1969), "Lola Versus Powerman" (1970), "Muswell Hillbillies" (1971), along with their accompanying singles, are considered among the most influential recordings of the period.
Document 5: The Who: The Who are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work.
Document 6: Wonderboy (The Kinks song): "Wonderboy" is a pop song, written by Ray Davies and recorded by the Kinks in 1968. "Wonderboy" stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of The Beatles, and, according to Ray Davies in his autobiography, "X-Ray", "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' ["sic"] over and over again." Kinks guitarist Dave Davies praised the song, saying, Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that "[I] hated it ... it was horrible."
Document 7: Susannah's Still Alive: "Susannah's Still Alive" is a song by the British rock group The Kinks, composed and sung by their guitarist Dave Davies. It was one of the few Kinks songs that was written by Dave, the brother of lead singer and songwriter Ray Davies. The single was credited solely to Dave Davies and featured all of The Kinks as his backing band. It was a hit (peaking at #20 in the UK) but it did not live up to the expectations of Davies' last single "Death of a Clown", which was a Top 5 hit. It failed to chart in the US, but was a significant success in Europe, reaching #10 in the Netherlands, #27 in Germany, #18 in Belgium and #18 in Sweden. Although it was never featured on an LP, its B-side "Funny Face" was included on The Kinks' 1967 album "Something Else by The Kinks".
Document 8: The Animals discography: The discography of The Animals, an English music group of the 1960s formed in Newcastle upon Tyne, contains 20 studio albums, 6 compilation albums, 5 EPs and 25 singles. Featuring a gritty, bluesy sound and a deep-voiced frontman in Eric Burdon, they are best known for their rendition of an American folk song named "House of the Rising Sun", which is described by many as their signature song. This single had worldwide sales of nearly 5 million and became a Number One hit in both the UK and US in 1964. Overall, the group balanced tough, rock-edged pop singles such as "We Gotta Get Out of This Place" and "It's My Life" against rhythm and blues-oriented album material. The Animals released separate UK and US albums, a practice common to other British Invasion bands of the time such as The Beatles and The Rolling Stones.
Document 9: Shame Shame Shame (Ratt song): "Shame Shame Shame" is a single by American heavy metal band Ratt, released on their album "Detonator". The song's lyrics focus mainly on cheating. The song was co-written by famed songwriter Desmond Child, Ratt guitarist Warren DeMartini and lead singer Stephen Pearcy. The song features a slow detuned opening guitar solo, titled "Intro To Shame", that suddenly speeds up at the 0:55 mark until the drums and the bass come in at 1:01 into the song.
Document 10: Lola (song): "Lola" is a song written by Ray Davies and performed by English rock band the Kinks on their album "Lola Versus Powerman and the Moneygoround, Part One". The song details a romantic encounter between a young man and a possible transvestite, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards a person named Lola who "walked like a woman and talked like a man". Although Ray Davies claims that the incident was inspired by a true encounter experienced by the band's manager, alternate explanations for the song have been given by drummer Mick Avory.
Document 11: Got to Be Free: "Got to Be Free" is a song written by Ray Davies and performed by British rock band The Kinks. It was released on their 1970 LP "Lola versus Powerman and the Moneygoround, Part One", which included the Top 10 hit song "Lola". "Got to Be Free" plays a key role in the concept album, as the album borrows its first verse as an introduction, and closes with the full song. The song was also used in the first of the BBC's "Play for Today" series "The Long Distance Piano Player" (1970), which featured the songs own writer, Ray Davies, in the lead role.
Document 12: I'm in Disgrace: "I'm in Disgrace" is the opening track on the second side of The Kinks' 1975 concept album, "Schoolboys in Disgrace". It was written by Ray Davies.
Document 13: British folk rock: British folk rock (sometimes called electric folk) is a form of folk rock developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on the song "I'm a Loser" from their "Beatles for Sale" album. The Beatles and other British Invasion bands, in turn, influenced the Californian band the Byrds, who released their recording of Dylan's "Mr Tambourine Man" in April 1965, setting off the mid-1960s folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid-1960s, including the Strawbs, Pentangle, Eclection, and Fairport Convention.
Document 14: No More Looking Back: "No More Looking Back" is the penultimate track on The Kinks' 1975 concept album, "Schoolboys in Disgrace". Like all of the other tracks on the album, it was written by Ray Davies.
Document 15: The Beatles: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania", and as the group's music grew in sophistication in subsequent years, led by primary songwriters Lennon and McCartney, they came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.
ground_truth: The Kinks