Question: Wendy Carlos, an American musican and composer, studied at what University before moving to NewYork in 1962?

full_context: Document 1: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert: Johnny Mathis Sings the Music of Bacharach &amp; Kaempfert
Document 2: Ruth White (composer): Ruth White (born 1925) is an American composer known for her electronic music compositions. While most of her career was dedicated to educational recordings, she is best known for being an electronic music pioneer, owing to her early explorations of sound using the Moog synthesizer. The back cover of her 1971 release "Short Circuits" stated that “Ruth White is considered among today’s most gifted arbiters of what is termed ‘the new music’".
Document 3: Sonic Seasonings: Sonic Seasonings is a studio album from the American keyboardist and composer Wendy Carlos, originally released under her birth name, Walter Carlos, in 1972 as a double album on Columbia Records. The album features four ambient tracks, each loosely based on each of the four seasons, combining various field recordings with sounds from a Moog synthesizer. It marks a departure from her previous two albums which featured synthesized renditions of various pieces of classical music. The album reached No. 168 on the US "Billboard" 200. In 1998, it was remastered for CD with two previously unreleased tracks.
Document 4: Moogfest: Moogfest is an annual, multi-day music, art and technology festival. The event was previously held in Asheville, North Carolina, where the late Robert Arthur "Bob" Moog, the inventor of the Moog synthesizer and founding father of electronic music, spent the last 30 years of his life. Moog spoke at the event in 2004. Past performers who have played at the festival include Kraftwerk, Devo and Brian Eno. It is held in May, on the closest weekend to Moog’s birthday (with the exceptions of Moogfest 2006 to 2014).
Document 5: Moog synthesizer: Moog synthesizer (pronounced ; often anglicized to , though Robert Moog preferred the former) may refer to any number of analog synthesizers designed by Robert Moog or manufactured by Moog Music, and is commonly used as a generic term for older-generation analog music synthesizers. The Moog company pioneered the commercial manufacture of modular voltage-controlled analog synthesizer systems in the mid 1960s. The technological development that led to the creation of the Moog synthesizer was the invention of the transistor, which enabled researchers like Moog to build electronic music systems that were considerably smaller, cheaper and far more reliable than earlier vacuum tube-based systems.
Document 6: The Well-Tempered Synthesizer: The Well-Tempered Synthesizer is the second studio album from the American musician and composer Wendy Carlos, originally released under her birth name, Walter Carlos, in November 1969 on Columbia Masterworks Records. Following the success of her previous album, "Switched-On Bach" (1968), Carlos proceeded to record a second album of classical music performed on a modular Moog synthesizer from multiple composers, including Johann Sebastian Bach, Claudio Monteverdi, Domenico Scarlatti, and George Frideric Handel. Its title is a play on words from Bach's set of preludes and fugues named "The Well-Tempered Clavier".
Document 7: Wendy Carlos: Wendy Carlos (born Walter Carlos; November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she oversaw the development of the Moog synthesizer, then a relatively new and unknown keyboard instrument designed by Robert Moog.
Document 8: Jon Appleton: Jon Howard Appleton (born January 4, 1939) is an American composer and teacher who was a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. Chef d'Oeuvre and Newark Airport Rock attracted attention because they established a new tradition some have called programmatic electronic music. In 1970 he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music where he continues to teach once a year. He has also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years he has devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Document 9: Pierluigi Giombini: Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer. He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music. His grandfather was a music professor who specialized in the oboe and also played in orchestras. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory. While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos. It was Wendy Carlos' "Switched-On Bach" records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s. Even now he still uses hardware and software synths for his current projects such as 'Web'.
Document 10: Suzanne Ciani: Suzanne Ciani (born June 4, 1946) is an Italian American pianist, composer and sound designer who found early success with innovative electronic music.
Document 11: Switched-On Brandenburgs: Switched-On Brandenburgs is a 1979 double album by Wendy Carlos. It was the seventh album released by Carlos, and the fourth album in her project of classical music which also included "Switched-On Bach" (1968), "The Well-Tempered Synthesizer" (1969), "Switched-On Bach II" (1974), and "Switched-On Bach 2000" (1992).
Document 12: Switched-On Bach: Switched-On Bach is the first studio album by the American musician and composer Wendy Carlos, released under her birth name Walter Carlos in October 1968 by Columbia Records. Produced by Carlos and Rachel Elkind, the album is a collection of pieces by Johann Sebastian Bach performed by Carlos and Benjamin Folkman on a Moog synthesizer. It played a key role in bringing synthesizers to popular music, which had until then been mostly used in experimental music.
Document 13: Switched-On Bach II: Switched-On Bach II is a musical album by Wendy Carlos, produced by Carlos and Rachel Elkind and released in 1973.
Document 14: Robert Moog: Robert Arthur "Bob" Moog ( ; May 23, 1934 – August 21, 2005), founder of Moog Music, was an American engineer and pioneer of electronic music, best known as the inventor of the Moog synthesizer.
Document 15: Switched-On Rock: Switched-On Rock is an album of instrumental cover songs, popular songs from the mid-to-late-1960s, performed on the Moog modular synthesizer in an exaggerated electronic style. It was one of a spate of albums which capitalized on the success of 1968's "Switched-On Bach" by Wendy Carlos. "Switched-On Rock" was produced by Norman Dolph who also wrote the liner notes. Dolph worked in the studio with colleagues Kenny Ascher and Alan Foust; they billed themselves as the Moog Machine for this and one more project. The album reached number 170 on the Billboard Top 200.
ground_truth: Brown University