Question: Ettore or Edoardo Ettore Forti was an Italian painter, who was prolific in depicting realistic Neo-Pompeian scenes of Ancient Roman life and events, these subjects were popular in the late-Victorian period, as exemplified by the popularity of Lawrence Alma-Tadema, born in Dronrijp, in which country?

full_context: Document 1: Raffaele Quattrucci: Raffaele Quattrucci (Arce, Province of Frosinone) was an Italian painter, depicting genre subjects and portraits. He also began to paint in the 1880s Neo-Pompeian and Orientalist subjects.
Document 2: Giuseppe Boschetto: Giuseppe Boschetto (1841–1918) was an Italian painter, active mainly in Naples, painting often ancient Roman subjects, a thematic often characterized as "Pompeian" or perhaps, more aptly "Neo-Pompeian".
Document 3: Anna Alma-Tadema: Anna Alma-Tadema (1867–1943) was a British artist, daughter of painter Sir Lawrence Alma-Tadema. She created drawings and paintings of portraits, interior scenes, flowers and buildings. She was influenced by her father, and showed her works at exhibitions with her father and step-mother, Laura Theresa Alma-Tadema. Her work was shown at national exhibitions, like the Royal Academy of Arts, and the 1893 World's Columbian Exposition in Chicago where she won a prize. She also won a medal at the 1889 Paris exhibition.
Document 4: Jacob van Ruisdael: Jacob Isaackszoon van Ruisdael (] ;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
Document 5: Laura Theresa Alma-Tadema: Laura Theresa Alma-Tadema ("née" Epps; 16 April 1852 London – 15 August 1909 Hindhead) was an English painter specialising in domestic and genre scenes of women and children. She was, from 1871, the second wife of the painter Lawrence Alma-Tadema.
Document 6: Laurence Alma-Tadema: Laurence Alma-Tadema (born Laurense Tadema, 1865–1940), was an English novelist and poet of the late 19th and early 20th centuries who worked in many genres. Eldest daughter of the Dutch painter Lawrence Alma-Tadema (1836–1912) and his first wife Marie-Pauline Gressin Dumoulin, she was born in Brussels.
Document 7: John William Waterhouse: John William Waterhouse {'1': ", '2': ", '3': ", '4': "} (6 April 1849 – 10 February 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Document 8: Vulca: Vulca was an Etruscan artist from the town of Veii. The only Etruscan artist mentioned by ancient writers, he worked for the last of the Roman kings, Tarquinius Superbus. He is responsible for creating a terracotta statue of Jupiter that was inside the Temple of Jupiter Optimus Maximus on the Capitoline Hill, and possibly the Apollo of Veii. His statue of Jupiter, which being made of terracotta had a red face, was so famous that victorious Roman generals would paint their faces red during their triumphal marches through Rome. Pliny the Elder wrote that his works were "the finest images of deities of that era...more admired than gold."
Document 9: Lawrence Alma-Tadema: Sir Lawrence Alma-Tadema, ( ; born Lourens Alma Tadema ] ; 8 January 1836 – 25 June 1912) was a Dutch painter of special British denizenship. Born in Dronrijp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in England in 1870 and spent the rest of his life there. A classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean Sea and sky. Though admired during his lifetime for his draftsmanship and depictions of Classical antiquity, his work fell into disrepute after his death, and only since the 1960s has it been re-evaluated for its importance within nineteenth-century English art.
Document 10: Vincenzo Capobianchi: Vincenzo Capobianchi or Capobianchi (1836 in Rome – 1928) was an Italian painter, who is best known for painting realistic "Neo-Pompeian" genre scenes. He was also a prominent numismatist, and author of papers on Italian coinage.
Document 11: John Reinhard Weguelin: John Reinhard Weguelin {'1': ", '2': ", '3': 'RWS', '4': "} (June 23, 1849 – April 28, 1927) was an English painter and illustrator, active from 1877 to after 1910. He specialized in figurative paintings with lush backgrounds, typically landscapes or garden scenes. Weguelin emulated the neo-classical style of Edward Poynter and Lawrence Alma-Tadema, painting subjects inspired by classical antiquity and mythology. He depicted scenes of everyday life in ancient Greece and Rome, as well as mythological subjects, with an emphasis on pastoral scenes. Weguelin also drew on folklore for inspiration, and painted numerous images of nymphs and mermaids. His subjects were similar to those of his contemporary, John William Waterhouse, who also specialized in painting the female figure against dramatic backgrounds, but unlike Waterhouse, many of Weguelin's subjects are nude or scantily-clad. Weguelin was particularly noted for his realistic use of light.
Document 12: List of works by John Singer Sargent: John Singer Sargent ( ; January 12, 1856 – April 14, 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His "oeuvre" documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.
Document 13: Victorian painting: Victorian painting refers to the distinctive styles of painting in the United Kingdom during the reign of Queen Victoria (1837–1901). Victoria's early reign was characterised by rapid industrial development and social and political change, which made the United Kingdom one of the most powerful and advanced nations in the world. Painting in the early years of her reign was dominated by the Royal Academy of Arts and by the theories of its first president, Joshua Reynolds. Reynolds and the academy were strongly influenced by the Italian Renaissance painter Raphael, and believed that it was the role of an artist to make the subject of their work appear as noble and idealised as possible. This had proved a successful approach for artists in the pre-industrial period, where the main subjects of artistic commissions were portraits of the nobility and military and historical scenes. By the time of Victoria's accession to the throne this approach was coming to be seen as stale and outdated. The rise of the wealthy middle class had changed the art market, and a generation who had grown up in an industrial age believed in the importance of accuracy and attention to detail, and that the role of art was to reflect the world, not to idealise it.
Document 14: Italian Neoclassical and 19th-century art: Italian Neoclassical and 19th-century art refers to painting and the plastic arts made in Italy or by Italian artists in the Neoclassical period (late 18th – c. mid-19th centuries) and the 19th century. In the late 18th and 19th centuries, Italy went through a great deal of political, social, economic and cultural changes and reforms, including several foreign invasions, most notably by Napoleon Bonaparte and the Austrians, several revolutions in 1848 and the turbulent Risorgimento, which resulted in the Italian unification and the Kingdom of Italy. Thus, Italian art in the late 18th and throughout the 19th century went through a series of minor and major changes in style.
Document 15: Ettore Forti: Ettore or Edoardo Ettore Forti was an Italian painter, who was prolific in depicting realistic Neo-Pompeian scenes of Ancient Roman life and events. These subjects were popular in the late-Victorian period, as exemplified by the popularity of Lawrence Alma-Tadema, as an example.
ground_truth: Netherlands