Question: Who wrote the theatrical comedy referenced in the subtitle of The Guilty Mother as "the other"?

full_context: Document 1: Comedy of intrigue: The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Molière's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey.
Document 2: The Ghosts of Versailles: The Ghosts of Versailles is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, with the premiere scheduled for 1983. Corigliano and Hoffman took as the starting point for the opera the play "La Mère coupable" ("The Guilty Mother") by Pierre Beaumarchais. They took seven years to complete the opera, past the initial deadline. The opera received its premiere on December 19, 1991, at the Metropolitan Opera, with the production directed by Colin Graham. The premiere run of seven performances was sold out. The original cast included Teresa Stratas, Håkan Hagegård, Renée Fleming, Graham Clark, Gino Quilico, and Marilyn Horne. The Metropolitan Opera revived the opera in the 1994/1995 season.
Document 3: La traviata: La traviata (] , The Fallen Woman) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on "La Dame aux Camélias" (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled "Violetta", after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.
Document 4: Le Père de famille: Le Père de famille (English: The Father of the family ) is a 1758 play by Denis Diderot. In this play, Saint Albin, a young man, falls in love with Sophie, a poor young woman of unknown parentage. His father, the title character, is against the match, and his uncle actively plots against it by trying to force Sophie into a convent. Against her better judgement, Cécile, Saint-Albin's sister, hides Sophie in their home at the behest of Germeuil, a friend of the family. When the father discovers the disobedience of his children, he is dismayed; and the entire situation is exacerbated by the ill-intentioned uncle. When the uncle is confronted by the young woman in person, however, he realizes that she is his niece. With the question of her parentage solved, Saint-Albin is free to marry Sophie, Cécile is free to marry Germeuil, and the father welcomes all his children with open arms.
Document 5: The Marriage of Figaro: The Marriage of Figaro (Italian: Le nozze di Figaro , ] ), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Document 6: The Trickster of Seville and the Stone Guest: The Trickster of Seville and the Stone Guest (Spanish: El burlador de Sevilla y convidado de piedra ) is a play written by Tirso de Molina. Its title varies according to the English translation, and it has also been published under the titles The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest. The play was first published in Spain around 1630, though it may have been performed as early as 1616. Set in the 14th century, the play is the earliest fully developed dramatisation of the Don Juan legend.
Document 7: The Marriage of Figaro (play): The Marriage of Figaro (French: "La Folle Journée, ou Le Mariage de Figaro" ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by "The Barber of Seville" and followed by "The Guilty Mother".
Document 8: Gilles (stock character): Gilles (] )—sometimes Gille—is a stock character of French farce and Commedia dell'Arte. He enjoyed his greatest vogue in 18th-century France, in entertainments both at the fairgrounds of the capital and in private and public theaters, though his origins can be traced back to the 17th century and, possibly, the century previous. A "zanni", or comic servant, he is a type of bungling clown, stupid, credulous, and lewd—a character that shares little, problematically, with the sensitive figure in Watteau's famous portrait that, until the latter half of the 20th century, bore his name alone. Gilles fades from view in the 19th century, to persist in the 20th and 21st as the Belgian Gilles of Binche Carnival.
Document 9: Jean Racine: Jean Racine (] ), baptismal name Jean-Baptiste Racine (22 December 163921 April 1699), was a French dramatist, one of the three great playwrights of 17th-century France (along with Molière and Corneille), and an important literary figure in the Western tradition. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as "Phèdre", "Andromaque", and "Athalie", although he did write one comedy, "Les Plaideurs", and a muted tragedy, "Esther", for the young.
Document 10: Molière: Jean-Baptiste Poquelin, known by his stage name Molière ( or ; ] ; 15 January 162217 February 1673), was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature. Among Molière's best known works are "The Misanthrope", "The School for Wives", "Tartuffe", "The Miser", "The Imaginary Invalid", and "The Bourgeois Gentleman".
Document 11: Tartuffe: Tartuffe, or The Impostor, or The Hypocrite ( ; French: "Tartuffe, ou l'Imposteur" , ] ), first performed in 1664, is one of the most famous theatrical comedies by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles.
Document 12: The Guilty Mother: The Guilty Mother (French: "La Mère coupable" ) subtitled "The Other Tartuffe" is the third play of the "Figaro" trilogy by Pierre Beaumarchais; its predecessors were "The Barber of Seville" and "The Marriage of Figaro". This was the author's last play. It is rarely revived. Like the earlier plays of the trilogy it has been turned into operatic form, but it has not entered the general opera repertoire.
Document 13: Le feste d'Apollo: Styled a "festa teatrale", "Le feste d'Apollo" consists of a prologue and three self-contained acts on the model of French "opéra-ballet" (the court of Parma was passionately interested in French culture). Gluck knew the Archduchess Maria Amalia well as she had sung in two of his operas, "Il Parnaso confuso" and "La corona", in Vienna. The composer recycled a lot of music from his earlier operas in the score of "Le feste". In fact, the whole of the third act, "Orfeo", is a shorter reworking of his most famous piece, "Orfeo ed Euridice" (1762). The overture to the prologue is taken from "Telemaco". Gluck later reused some of the choruses in two of the operas he wrote for Paris, "Iphigénie en Aulide" and "Iphigénie en Tauride".
Document 14: The School for Wives: The School for Wives (French: "L'école des femmes" ; ] ) is a theatrical comedy written by the seventeenth century French playwright Molière and considered by some critics to be one of his finest achievements. It was first staged at the Palais Royal theatre on 26 December 1662 for the brother of the King. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public, which seems to have recognized Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to the uproar against this play with another piece entitled "La Critique de L'École des femmes", in which he provided some explanation for his unique style of comedy. A musical adaptation entitled "The Amorous Flea" was staged off-Broadway in 1964.
Document 15: Gianni Schicchi discography: This is a list of the recordings of Gianni Schicchi, the third of a group of three one-act operas by Giacomo Puccini collectively known as "Il trittico"; the other operas are "Il tabarro" and "Suor Angelica". The three were premiered at the Metropolitan Opera on 14 December 1918, and for the next three years were always played together. After 1921, however, Puccini agreed that the operas could be performed separately. "Gianni Schicchi" became the most popular and most frequently performed of the three, often paired with other works such as Maurice Ravel's "L'heure espagnole" and Richard Strauss's "Salome".
ground_truth: Molière