Question: Which composer was born first, Antonín Dvořák or Giuseppe Verdi?

full_context: Document 1: Antonín Dvořák: Antonín Leopold Dvořák ( ; ] ; 8 September 1841 – 1 May 1904) was a Czech composer. After Bedřich Smetana, he was the second Czech composer to achieve worldwide recognition. Following Smetana's nationalist example, Dvořák frequently employed aspects, specifically rhythms, of the folk music of Moravia and his native Bohemia. Dvořák's own style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them."
Document 2: Bedřich Smetana: Bedřich Smetana (] ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style which became closely identified with his country's aspirations to independent statehood. He is thus widely regarded in his homeland as the father of Czech music. Internationally he is best known for his opera "The Bartered Bride" and for the symphonic cycle "Má vlast" ("My Homeland"), which portrays the history, legends and landscape of the composer's native land.
Document 3: Leoš Janáček: Leoš Janáček (] , baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical style.
Document 4: Bill Dvorak: Bill Dvorak is a Salida, Colorado-based whitewater rafting outfitter. He is best known for organizing multi-day rafting trips on the Dolores and Green Rivers where professional classical musicians give nightly concerts. He claims to be a fifth cousin of classical composer Antonín Dvořák.
Document 5: Giuseppe Verdi: Giuseppe Fortunino Francesco Verdi (] ; 9 or 10 October 1813 – 27 January 1901) was an Italian opera composer.
Document 6: Moravian Duets: Moravian Duets (in Czech: "Moravské dvojzpěvy" ) by Antonín Dvořák is a cycle of 23 Moravian folk poetry settings for two voices with piano accompaniment, composed between 1875 and 1881. The Duets, published in three volumes, Op. 20 (B. 50), Op. 32 (B. 60 and 62), and Op. 38 (B. 69), occupy an important position among Dvořák's other works. The fifteen duets of Op. 32 are the most famous part of the cycle. Popular interest in the "Moravian Duets" was the starting point for subsequent works which propelled Dvořák to international fame.
Document 7: Skočná: Skočná is a rapid Slavic folk-dance, normally in metre. Czech composers Antonín Dvořák and Bedřich Smetana used this dance, the latter in the third act of "The Bartered Bride" where it is danced by a circus troup and is often known as the Dance of the Comedians. Dvořák's 5th, 7th and 11th Slavonic Dances are in the form of the skočná.
Document 8: Antonín Dvořák Museum: The Antonín Dvořák Museum in Prague is a museum dedicated to the great Czech composer Antonín Dvořák (1841-1904).
Document 9: Giuseppe Verdi (film): Giuseppe Verdi is a 1938 Italian biographical film directed by Carmine Gallone and starring Fosco Giachetti, Gaby Morlay and Germana Paolieri. The film portrays the life of the composer Giuseppe Verdi (1813-1901). The casting of Giachetti as Verdi was intended to emphasise the composer's patriotism, as he had recently played patriotic roles in films such as "The White Squadron". The film was made at the Cinecittà Studios in Rome. The film is also known by the alternative title The Life of Giuseppe Verdi.
Document 10: Verdi, the King of Melody: Giuseppe Verdi, released theatrically in the USA as The Life and Music of Giuseppe Verdi and on video as Verdi, the King of Melody, is a 1953 Italian biographical film starring Pierre Cressoy and directed by Raffaello Matarazzo. It is based on adult life events of the composer Giuseppe Verdi. The film was a commercial success, grossing over 957 million lire at the Italian box office.
Document 11: Pietro Mascagni: Pietro Antonio Stefano Mascagni (] ; 7 December 1863 – 2 August 1945) was an Italian composer most noted for his operas. His 1890 masterpiece "Cavalleria Rusticana" caused one of the greatest sensations in opera history and single-handedly ushered in the "Verismo" movement in Italian dramatic music. While it was often held that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, "L'amico Fritz" and "Iris" have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni said that at one point, "Iris" was performed in Italy more often than "Cavalleria" (cf. Stivender).
Document 12: My Home (Dvořák): My Home (Czech: "Domov můj, předehra ke hře F. F. Šamberka" ), Op. 62, B. 125a, is an overture in C major by Czech composer Antonín Dvořák. The overture was composed from December 1881 to January 23, 1882 as one of nine numbers comprising the incidental music for the play "Josef Kajetán Tyl" by František Ferdinand Šamberk. Dvořák constructed the music in sonata form on two song themes associated with the play's protagonist, Czech dramatist Josef Kajetán Tyl: ""Kde domov můj?"" by František Škroup, and the folk tune ""Na tom našem dvoře"". Škroup composed ""Kde domov můj?"" ("Where is my home?") in 1834 to a text written by Tyl. The song quickly became popular and was later designated as the Czech national anthem. ""Na tom našem dvoře"" was a song sung in productions of "Strakonický dudák" (The Bagpiper of Strakonice), one of Tyl's most popular plays. The overture is largely performed separately as a concert work, usually lasting about ten minutes. Many conductors have conducted this piece including Jan Kučera, Bohumil Gregor and Karel Ančerl.
Document 13: Gaetano Fraschini: Gaetano Fraschini (16 February 1816 – 23 May 1887) was an Italian tenor. He created many roles in 19th century operas, including five composed by Giuseppe Verdi. His voice was "heroic ... with a baritonal quality, ... yet Verdi and Donizetti appreciated his ability to sing softly and with subtlety." An Italian biographer has pointed out Fraschini's role in extending the longevity of Donizetti's operas, while at the same time accelerating the ascent of Verdi's repertory. He was indeed the most prominent singer who facilitated the transition from Donizetti to Verdi. Fraschini sang over one hundred roles and Verdi placed him at the top of his favorite tenors' list and described him as a "natural Manrico" for his "Il trovatore". Fraschini also played a pivotal role in the success of many operas by Pacini and Mercadante.
Document 14: Teatro Giuseppe Verdi: Teatro Giuseppe Verdi (the Giuseppe Verdi Theatre) is a small opera house located in a wing of the Rocca dei Marchesi Pallavicino on the Piazza Giuseppe Verdi in Busseto, Italy, a town closely associated with the life of the opera composer, Giuseppe Verdi. From the 13th century, the “rocca” or “fortress” was the family’s palace; it is now the city hall after being acquired by the municipality in 1856. The theatre opened on 15 August 1868 and seats 300.
Document 15: Giacomo Puccini: Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
ground_truth: Giuseppe Fortunino Francesco Verdi