Question: 24 Hour Psycho is the title of an art installation consisting entirely of an appropriation of a movie written by who ?

full_context: Document 1: List of The Alfred Hitchcock Hour episodes: The following is a list of the 93 episodes of the television program The Alfred Hitchcock Hour, which is a continuation of the program "Alfred Hitchcock Presents" (1955–60). "The Alfred Hitchcock Hour", like its predecessor, is an anthology series in the thriller genre. NBC renamed the program when they extended its running-time from about 25 minutes to about 50 minutes. Both programs were hosted by Alfred Hitchcock, whose directorial work in thriller films is extremely influential. Hitchcock directed only one episode of "The Alfred Hitchcock Hour": "I Saw The Whole Thing" (Season 1, episode 4).
Document 2: Gorilla Tapes: Gorilla Tapes was the collective name of British Scratch Video artists Jon Dovey (b 1955), Gavin Hodge (b 1954) and Tim Morrison (b. 1955). 'Scratch' is the art of 'sampling' and repeating found images and sounds, thereby making a new work. With simple video editing equipment and images recorded from television, during the mid-1980s Gorilla Tapes made sharp satirical and political videos collaged from old film footage and the TV news imagery of the mid-Thatcher years. Gorilla Tapes have exhibited internationally in solo and group exhibitions. Highlights include participation in Tate Britain's A Century of Artists Films (2003).
Document 3: Psycho II (film): Psycho II is a 1983 American slasher film directed by Richard Franklin and written by Tom Holland. It is the first sequel to Alfred Hitchcock's "Psycho" and the second film in the "Psycho" series. It stars Anthony Perkins, Vera Miles, Robert Loggia, and Meg Tilly. The original music score was composed by Jerry Goldsmith. Set 22 years after the first film, Norman Bates is released from the mental institution and returns to the house and Bates Motel to continue a normal life. However, his troubled past continues to haunt him. It is unrelated to the 1982 novel "Psycho II" by Robert Bloch, which he wrote as a sequel to his original novel "Psycho". "Psycho II" grossed over $34 million at the box office. The film was followed by "Psycho III" (1986) and "" (1990).
Document 4: Norma Bates (Psycho): Norma Bates (née Spool ) is a fictional character created by Robert Bloch in his 1959 novel "Psycho", and the 1960 film of the same name directed by Alfred Hitchcock and the "Psycho" franchise of remakes and sequels. In the "Psycho" series, Norma is the deceased mother and victim of serial killer Norman Bates, who had developed a murderous split personality based on his mother.
Document 5: Wavelength (1967 film): Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." "Wavelength" is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 "Village Voice" critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in "Artforum", Manny Farber describes "Wavelength" as "a pure, tough 45 minutes that may become "The Birth of a Nation" in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Document 6: Norman Bates: Norman Bates is a fictional character created by Robert Bloch as the main antagonist in his 1959 novel "Psycho", and portrayed by Anthony Perkins in the 1960 film of the same name directed by Alfred Hitchcock and its sequels. He is also portrayed by Vince Vaughn in the 1998 remake, and by Freddie Highmore in the television series "Bates Motel" (2013 - 2017) which retells the "Psycho" story over the years prior to the events of the novel and film. Unlike the franchise produced by Universal Studios, Norman is not the principal antagonist in Bloch's subsequent novels and is succeeded by copycat killers who assume Norman's identity after his death in the 1982 novel "Psycho II". The character was inspired by Wisconsin murderer Ed Gein.
Document 7: Marion Crane: Marion Crane (also called Mary Crane) is a fictional character created by Robert Bloch in his 1959 novel "Psycho", and portrayed by Janet Leigh in the 1960 film of the same name directed by Alfred Hitchcock. She is also portrayed by Anne Heche in the 1998 remake, and by Rihanna in the television series "Bates Motel" (2017) which retells the "Psycho" story over the years prior to the events of the novel and film. For her performance in "Psycho", Leigh was nominated for Best Supporting Actress in the Academy Awards and won a Golden Globe Award in the same category.
Document 8: Psycho (franchise): Psycho is an American horror franchise consisting of six films loosely based on the "Psycho" novels by Robert Bloch, namely "Psycho", "Psycho II", "Psycho III", "Bates Motel", "", the 1998 remake of the original film, and additional merchandise spanning various media. The first film, "Psycho", was directed by filmmaker Alfred Hitchcock. Subsequently, another film related to the series was made: an Alfred Hitchcock biopic. Also, an independent documentary called "The Psycho Legacy" was released on October 19, 2010. It mostly focused on "Psycho II", "Psycho III" and "", but did cover the impact and legacy of the original film. A TV series, "Bates Motel", aired on A&E between 2013 and 2017, as a contemporary reboot to the first film set in a modern-day setting. It stars Freddie Highmore as a teenaged Norman Bates and Vera Farmiga as his mother Norma Bates.
Document 9: 24 Hour Psycho: 24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 "Psycho" slowed down to approximately two frames a second, rather than the usual 24. As a result, it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light."
Document 10: Psycho (1960 film): Psycho is a 1960 American psychological horror film directed and produced by Alfred Hitchcock, and written by Joseph Stefano, starring Anthony Perkins, Janet Leigh, John Gavin, Vera Miles and Martin Balsam, and was based on the 1959 novel of the same name by Robert Bloch. The film centers on the encounter between a secretary, Marion Crane (Leigh), who ends up at a secluded motel after stealing money from her employer, and the motel's disturbed owner-manager, Norman Bates (Perkins), and its aftermath.
Document 11: Psycho (1998 film): Psycho is a 1998 American horror film produced and directed by Gus Van Sant for Universal Pictures, a modern remake of the 1960 film directed by Alfred Hitchcock and starring Vince Vaughn, Julianne Moore, Viggo Mortensen, William H. Macy and Anne Heche. The film is about an embezzler who arrives at an old motel run by an insane killer named Norman Bates. Both films are adapted from Robert Bloch's 1959 novel of the same name, which was in turn inspired by the crimes of Wisconsin murderer Ed Gein.
Document 12: Psycho IV: The Beginning: Psycho IV: The Beginning is a 1990 American made-for-television psychological horror film directed by Mick Garris that serves as both the third sequel and a prequel to Alfred Hitchcock's "Psycho" as it includes both events after "Psycho III" while focusing on flashbacks of events that took place prior to the original film. This is the fourth and final film in the "Psycho" series and is unrelated to Robert Bloch's third "Psycho" novel, "Psycho House", released in 1990, nor the fourth novel, "Psycho: Sanitarium", released in 2016.
Document 13: Empire (1964 film): Empire is a 1964 American black and white silent film written, produced, and directed by Andy Warhol. It consists of eight hours and five minutes of continuous slow motion footage of the Empire State Building in New York City. Abridged showings of the film were never allowed, and supposedly the unwatchability of the film was an important part of the reason the film was created. However, a legitimate Italian VHS produced in association with the Andy Warhol Museum in 2000 contains only an extract of 60 minutes. Its use of the long take "in extremis" is an extension of Warhol's earlier work the previous year with "Sleep". Warhol employed Rob Trains to be the projectionist for a screening of the film. Trains miscalculated and mixed the order and speed of the reels for the eight-hour movie. After a positive review in "The New York Times", Warhol actually liked the "mistake" and employed Trains for the entire summer.
Document 14: Stan Brakhage filmography: Over the course of more than five decades, the American experimental filmmaker Stan Brakhage produced a large body of work. All films in the filmography are assumed to be silent, in color, and are meant to be shown at 24 frames per second, unless otherwise noted. The Brakhage films, comprising his edited originals, intermediate elements, and other original material, are housed at the Academy of Motion Picture Arts and Sciences Film Archive, where a long-term project is underway to preserve and restore his entire film output.
Document 15: A Clockwork Orange (film): A Clockwork Orange is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's 1962 novel of the same name. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain.
ground_truth: Joseph Stefano