Question: "No puede ser" was sang in the 1990 concert of a popular operatic singing group whose first performance was on what date?

full_context: Document 1: Pablo Sorozábal: Pablo Sorozábal Mariezcurrena (18 September 1897 – 26 December 1988) was a Basque-Spanish composer of zarzuelas, symphonic works, and the popular "romanza", "No puede ser".
Document 2: The Three Tenors: The Three Tenors were a popular operatic singing group during the 1990s and early 2000s, consisting of Spaniards Plácido Domingo and José Carreras and the Italian Luciano Pavarotti. The trio began their collaboration with a performance at the ancient Baths of Caracalla in Rome, Italy on 7 July 1990, the eve of the 1990 FIFA World Cup Final. Zubin Mehta conducted the orchestra of Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma. The recording of this debut concert became the best-selling classical album of all time and led to additional performances and live albums. Around 1.3 billion viewers worldwide watched their second televised performance four years later at Dodger Stadium in Los Angeles. They last performed together at an arena in Columbus, Ohio on 28 September 2003.
Document 3: Plácido Domingo discography: Plácido Domingo has made hundreds of opera performances, music albums, and concert recordings throughout his career as an operatic tenor. From his first operatic leading role as Alfredo in "La traviata" in 1961, his major debuts continued in swift succession: "Tosca" at the Hamburg State Opera and "Don Carlos" at the Vienna State Opera in 1967; "Adriana Lecouvreur" at the Metropolitan Opera, "Turandot" in Verona Arena and "La bohème" in San Francisco in 1969; "La Gioconda" in 1970; "Tosca" in Royal Opera House, Covent Garden in 1971; "La bohème" at the Bavarian State Opera in 1972; "Il trovatore" at the Paris Opéra in 1973 and "Don Carlo" at the Salzburg Festival in 1975, "Parsifal" in 1992 at the Bayreuth Festival; and the list continues until today; the same role is often recorded more than once.
Document 4: Edoardo Müller: Edoardo Müller (June 16, 1938, Trieste - June 24, 2016, Milan) was an Italian conductor who was chiefly recognized for his interpretations of bel canto operas. A frequent guest conductor with opera houses internationally, he had a lengthy association with the San Diego Opera which spanned 31 years. He was also an accomplished pianist who accompanied several notable singers in recitals and concerts; including Carlo Bergonzi, Renato Bruson, Montserrat Caballé, José Carreras, Leyla Gencer, Elena Obraztsova, and Renata Tebaldi. His work is preserved on recordings made for the Philips, BMG, Bongiovanni, and Orfeo record labels. He served as conductor for Joyce DiDonato's 2009 CD "Colbran, the Muse: Rossini Opera Arias".
Document 5: Operalia, The World Opera Competition: Operalia, The World Opera Competition is an annual international competition for young opera singers. Founded in 1993 by Plácido Domingo, the competition has helped launch the careers of several important artists, such as Joseph Calleja, Giuseppe Filianoti, Rolando Villazón, José Cura, Joyce DiDonato, Elizabeth Futral, Inva Mula, Ana María Martínez and Sonya Yoncheva.
Document 6: Federico Moreno Torroba: Federico Moreno Torroba (3 March 189112 September 1982) was a Spanish composer, conductor, and theatrical impresario. He is especially remembered for his important contributions to the classical guitar repertoire, becoming one of the leading twentieth-century composers for the instrument. He was also one of the foremost composers of zarzuelas, a form of Spanish light opera. His 1932 zarzuela, "Luisa Fernanda", has proved to be enduringly popular. In addition, he composed ballets, symphonic works, and piano pieces, as well as one-act operas and one full-length opera, "El poeta", which premiere in 1980, starring well-known tenor Plácido Domingo. Moreno Torroba also ran his own zarzuela company, which toured extensively, especially in Latin America.
Document 7: Plácido Domingo: José Plácido Domingo Embil, {'1': ", '2': ", '3': ", '4': "} (] ; born 21 January 1941), known as Plácido Domingo, is a Spanish tenor, conductor and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a "lirico-spinto" tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into almost exclusively baritone parts, most notably Simon Boccanegra. He has performed 147 different roles.
Document 8: The Private Lives of the Three Tenors: The Private Lives of the Three Tenors is a gossip biography of tenors Plácido Domingo, Luciano Pavarotti, and José Carreras by Marcia Lewis, the mother of Monica Lewinsky. The book received high-level publicity during the 1998 Lewinsky scandal, as journalists compared Lewis' "hints" of an affair with popular opera singer, Plácido Domingo, to Lewinsky’s then-unproven allegations against U.S. President Bill Clinton. Domingo insisted that he only knew Lewis socially.
Document 9: Repertoire of Plácido Domingo: Spanish tenor Plácido Domingo has officially sung 147 roles in Italian, French, German, English, Spanish and Russian. His main repertoire however is Italian ("Otello", Cavaradossi in "Tosca", "Don Carlo", Des Grieux in "Manon Lescaut", Dick Johnson in "La fanciulla del West", Radames in "Aida"), French ("Faust", "Werther", Don José in "Carmen", Samson in "Samson et Dalila"), and German ("Lohengrin", "Parsifal", and Siegmund in "Die Walküre"). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berliner Staatsoper, Don Carlo in "Ernani" at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera. Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 "Washington Post" article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public."
Document 10: Pepita Embil: Josefa "Pepita" Embil Echániz (Basque: "Josefa Enbil Etxaniz"; February 28, 1918—August 28, 1994) was a Spanish Basque soprano who starred in zarzuela and operetta productions throughout Spain and Latin America. Known as the "Queen of Zarzuela," she is especially remembered for her son, the internationally famous operatic tenor Plácido Domingo, whose early career she helped to nurture. Embil began her professional career singing as a soloist in choirs, including the Basque national choir, Eresoinka, which based itself in France during the Spanish Civil War. While still in her twenties, she appeared in the world premieres of several new zarzuelas. She collaborated with some of the most prominent Spanish composers of the 1940s, including Federico Moreno Torroba, Jacinto Guerrero, and Pablo Sorozábal. In late 1948, she moved to Mexico with her baritone husband, Plácido Domingo Ferrer. In Mexico they ran a successful zarzuela company of their own, which toured throughout the Americas. Over the course of her career, Embil made several recordings, primarily of zarzuela music.
Document 11: Plácido Domingo Ferrer: Plácido Domingo Ferrer (8 March 1907 – 22 November 1987) was a Spanish zarzuela baritone and father of popular operatic tenor Plácido Domingo. Half Catalan and half Aragonese, he grew up and made his early career in Zaragoza, the capital of Aragon. He frequently toured Spain with his soprano wife Pepita Embil. In late 1948, they permanently moved to Mexico, where they successfully ran their own zarzuela company. He also appeared in recordings and on Mexican television.
Document 12: Stresa Festival Orchestra: The Stresa Festival Orchestra is a formation composed by young and talented musicians, coming from renewed european orchestras, calling by Gianandrea Noseda to perform every year some original production for the Stresa Festival. The debut of the Orchestra, on 26 August 2003 with Mozart’ "Don Giovanni", began the project of the concert performances of different operas: "Così fan tutte" (2004), "Le nozze di Figaro" (2005), "The magic flute" (2006), "La clemenza di Tito" (2007), "The Rake’s progress" (2008), "La Cenerentola" (2009), "Idomeneo" (2010). During the years many singers was invited such as Evgenij Akimov, Simone Alberghini, Sergej Alexashkin, Tatiana Borodina, Nicola Beller Carbone, Natale De Carolis, Mariella Devia, Barbara Frittoli, Vivica Genaux, Massimo Giordano, Andrew Kennedy, Alessandra Marianelli, Peter Mattei, Sally Matthews, Francesco Meli, Maxim Mironov, Tomislav Muzek, Laura Polverelli, Nicola Ulivieri, Franco Vassallo.
Document 13: No puede ser: "No puede ser" (It cannot be) is an aria sung by Leandro (tenor) in the second act of the zarzuela, "La tabernera del puerto", composed by Pablo Sorozábal to a libretto by Federico Romero and Guillermo Fernández-Shaw. "La tabernera del puerto" premiered in Barcelona in 1936. One of the most famous arias in the Spanish language, "No puede ser" has been part of the concert repertoire of many Spanish tenors, including Alfredo Kraus, José Carreras and Plácido Domingo who sang it in the 1990 Three Tenors concert.
Document 14: Off Key: Off Key (also known as "Desafinado") is a 2001 Spanish-British-Italian comedy film written and directed by Manuel Gómez Pereira. In it Joe Mantegna, Danny Aiello, and George Hamilton star as three celebrity tenors. Although they perform and have some good times together, they are rivals onstage and in their private lives. They also undergo intense scrutiny from the paparazzi and gossip press over their love lives and careers. The film was loosely inspired by the real life Three Tenors, Plácido Domingo, Luciano Pavarotti, and José Carreras.
Document 15: El cóndor pasa (zarzuela): El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 with a script written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody, "El cóndor pasa", was legally registered on May 3, 1933, by The Edward B. Marks Music Corporation with the United States' Library of Congress under the number 9643. This zarzuela is written in prose and consists of one musical play and two acts. The eponymous piece, performed during the zarzuela's parade scene, has no lyrics. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script, which had been lost for some time, as a CD containing the dialogues and seven musical pieces. The music from the original score was reconstructed by musicologist Luis Salazar Mejía, with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was performed on November 14, 15 and 16, 2013, at the Teatro UNI in Lima to commemorate the masterpiece's first centenary. All of the work done to recover and re-release the zarzuela (including the CD) was possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), and was carried out without any public financial support.
ground_truth: 7 July 1990