Question: What is the large art school in the death city of Salvador Novo?

full_context: Document 1: Salvador Brau: Salvador Brau y Asencio (January 11, 1842 – November 5, 1912) was a Puerto Rican journalist, poet, dramatist, novelist, historian, and sociologist. He was designated the official historian of Puerto Rico by the first American-appointed governor of the island.
Document 2: Montevideo: There are several other important art museums in Montevideo. The National Museum of Visual Arts in Parque Rodó has Uruguay's largest collection of paintings. The Juan Manuel Blanes Museum was founded in 1930, the 100th anniversary of the first Constitution of Uruguay, significant with regard to the fact that Juan Manuel Blanes painted Uruguayan patriotic themes. In back of the museum is a beautiful Japanese Garden with a pond where there are over a hundred carp. The Museo de Historia del Arte, located in the Palacio Municipal, features replicas of ancient monuments and exhibits a varied collection of artifacts from Egypt, Mesopotamia, Persia, Greece, Rome and Native American cultures including local finds of the pre-Columbian period. The Museo Municipal Precolombino y Colonial, in the Ciudad Vieja, has preserved collections of the archaeological finds from excavations carried out by Uruguayan archaeologist Antonio Taddei. These antiquaries are exhibits of pre-Columbian art of Latin America, painting and sculpture from the 17th and 18th century mostly from Mexico, Peru and Brazil. The Museo de Arte Contempo has small but impressive exhibits of modern Uruguayan painting and sculpture.
Document 3: Salvador Novo: Salvador Novo López (30 July 1904 – 13 January 1974) was a Mexican writer, poet, playwright, translator, television presenter, entrepreneur, and the official chronicler of Mexico City. As a noted intellectual, he influenced popular perceptions of politics, media, the arts, and Mexican society in general. He was a member of Los Contemporáneos, a group of Mexican writers, as well as of the Mexican Academy of the Language.
Document 4: Mexico City: During the 19th century, an important producer of art was the Academia de San Carlos (San Carlos Art Academy), founded during colonial times, and which later became the Escuela Nacional de Artes Plásticas (the National School of Arts) including painting, sculpture and graphic design, one of UNAM's art schools. Many of the works produced by the students and faculty of that time are now displayed in the Museo Nacional de San Carlos (National Museum of San Carlos). One of the students, José María Velasco, is considered one of the greatest Mexican landscape painters of the 19th century. Porfirio Díaz's regime sponsored arts, especially those that followed the French school. Popular arts in the form of cartoons and illustrations flourished, e.g. those of José Guadalupe Posada and Manuel Manilla. The permanent collection of the San Carlos Museum also includes paintings by European masters such as Rembrandt, Velázquez, Murillo, and Rubens.
Document 5: Enrique Novi: Enrique Rabinovich Pollack better known as Enrique Novi (born April 21, 1947 in Mexico City, Mexico), is a Mexican actor.
Document 6: Montevideo: In the early 1970s (1973, to be particular) when the military junta took over power in Uruguay, art suffered in Montevideo. The art studios went into protest mode, with Rimer Cardillo, one of the country's leading artists, making the National Institute of Fine Arts, Montevideo a "hotbed of resistance". This resulted in the military junta coming down heavily on artists by closing the Fine Art Institute and carting away all the presses and other studio equipment. Consequently, the learning of fine arts was only in private studios run by people who had been let out of jail, in works of printing and on paper and also painting and sculpture. It resumed much later.
Document 7: Carlos Montemayor: Carlos Montemayor (Parral, Chihuahua, June 13, 1947 – Mexico City, February 28, 2010) was a Mexican novelist, poet, essayist, literary critic, tenor, political analyst, and promoter of contemporary literature written in indigenous languages. He was a Member of the Mexican Academy of the Language.
Document 8: Mexico City: Much of the early colonial art stemmed from the codices (Aztec illustrated books), aiming to recover and preserve some Aztec and other Amerindian iconography and history. From then, artistic expressions in Mexico were mostly religious in theme. The Metropolitan Cathedral still displays works by Juan de Rojas, Juan Correa and an oil painting whose authorship has been attributed to Murillo. Secular works of art of this period include the equestrian sculpture of Charles IV of Spain, locally known as El Caballito ("The little horse"). This piece, in bronze, was the work of Manuel Tolsá and it has been placed at the Plaza Tolsá, in front of the Palacio de Minería (Mining Palace). Directly in front of this building is the beautiful Museo Nacional de Arte (Munal) (the National Museum of Art).
Document 9: Mexico City: Mexico City is Latin America's leading center for the television, music and film industries. It is also Mexico's most important for the printed media and book publishing industries. Dozens of daily newspapers are published, including El Universal, Excélsior, Reforma and La Jornada. Other major papers include Milenio, Crónica, El Economista and El Financiero. Leading magazines include Expansión, Proceso, Poder, as well as dozens of entertainment publications such as Vanidades, Quién, Chilango, TV Notas, and local editions of Vogue, GQ, and Architectural Digest.
Document 10: Mexico City: Mexico City has numerous museums dedicated to art, including Mexican colonial, modern and contemporary art, and international art. The Museo Tamayo was opened in the mid-1980s to house the collection of international contemporary art donated by famed Mexican (born in the state of Oaxaca) painter Rufino Tamayo. The collection includes pieces by Picasso, Klee, Kandinsky, Warhol and many others, though most of the collection is stored while visiting exhibits are shown. The Museo de Arte Moderno (Museum of Modern Art) is a repository of Mexican artists from the 20th century, including Rivera, Orozco, Siqueiros, Kahlo, Gerzso, Carrington, Tamayo, among others, and also regularly hosts temporary exhibits of international modern art. In southern Mexico City, the Museo Carrillo Gil (Carrillo Gil Museum) showcases avant-garde artists, as does the University Museum/Contemporary Art (Museo Universitario Arte Contemporáneo – or MUAC), designed by famed Mexican architect Teodoro González de León, inaugurated in late 2008.
Document 11: Mexico City: During the 20th century, many artists immigrated to Mexico City from different regions of Mexico, such as Leopoldo Méndez, an engraver from Veracruz, who supported the creation of the socialist Taller de la Gráfica Popular (Popular Graphics Workshop), designed to help blue-collar workers find a venue to express their art. Other painters came from abroad, such as Catalan painter Remedios Varo and other Spanish and Jewish exiles. It was in the second half of the 20th century that the artistic movement began to drift apart from the Revolutionary theme. José Luis Cuevas opted for a modernist style in contrast to the muralist movement associated with social politics.
Document 12: Josep Vallverdú: Josep Vallverdú i Aixalà (; born 1923 in Lleida) is a Catalan poet, novelist, playwright, linguist and essayist. His narrative "Rovelló" served as basis for a TV-series in TV3 (Catalonia). His works, rich in vocabulary, have been widely used in the Catalan classrooms. Vallverdú won in 1982 the National Spanish Prize in Children's Literature.
Document 13: Agustín Lazo Adalid: Agustín Lazo Adalid (1896 – January 28, 1971) was a Mexican artist and playwright who is credited with introducing surrealism to Mexico. Although he grew up during the era of the Mexican Revolution, his time in Europe in the 1920s and early 1930s, set his aesthetics towards the avant-garde movements of that continent, rather than towards Mexican muralism, making him a part of the Los Contemporáneos or “Grupo sin grupo.” His work in art and theater influenced each other, with his art having theatrical themes and his theater having emphasis on sets and visual cues. Lazo retired from art in 1950, after the death of his long-time partner poet Xavier Villaurrutia, supposedly never painting or writing again.
Document 14: Galicia (Spain): In the early 20th century came another turn toward nationalist politics with Solidaridad Gallega (1907–1912) modeled on Solidaritat Catalana in Catalonia. Solidaridad Gallega failed, but in 1916 Irmandades da Fala (Brotherhood of the Language) developed first as a cultural association but soon as a full-blown nationalist movement. Vicente Risco and Ramón Otero Pedrayo were outstanding cultural figures of this movement, and the magazine Nós ('Us'), founded 1920, its most notable cultural institution, Lois Peña Novo the outstanding political figure.
Document 15: Paris: For centuries, Paris has attracted artists from around the world, who arrive in the city to educate themselves and to seek inspiration from its vast pool of artistic resources and galleries. As a result, Paris has acquired a reputation as the "City of Art". Italian artists were a profound influence on the development of art in Paris in the 16th and 17th centuries, particularly in sculpture and reliefs. Painting and sculpture became the pride of the French monarchy and the French royals commissioned many Parisian artists to adorn their palaces during the French Baroque and Classicism era. Sculptors such as Girardon, Coysevox and Coustou acquired reputations as the finest artists in the royal court in 17th-century France. Pierre Mignard became the first painter to King Louis XIV during this period. In 1648, the Académie royale de peinture et de sculpture (Royal Academy of Painting and Sculpture) was established to accommodate for the dramatic interest in art in the capital. This served as France's top art school until 1793.
ground_truth: Academia de San Carlos
sub_queries: At what location did Salvador Novo die? Answer: Mexico City
What is the large art school in Mexico City ? Answer: Academia de San Carlos