Question: Who did the Miss O'Dell performer write the song Something for?

full_context: Document 1: The Concert for Bangladesh: The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) was a pair of benefit concerts organised by former Beatles lead guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972.
Document 2: Behind That Locked Door: "Behind That Locked Door" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song in August 1969 as a message of encouragement to Bob Dylan, who was making a highly publicised comeback to the concert stage, accompanied by the Band, with a headlining performance at the Isle of Wight Festival. "Behind That Locked Door" is a rare Harrison composition in the country music genre and the second song dealing with the friendship between himself and Dylan, after their 1968 collaboration "I'd Have You Anytime". Its lyrics address Dylan's elusive nature, and reflect the high regard in which Harrison held the American singer's work. The same reluctance on Dylan's part to re-engage with a concert audience led to him retreating again from live performance until August 1971, when he responded to Harrison's request to play at the Concert for Bangladesh.
Document 3: The Long and Winding Road: Paul McCartney said he came up with the title ``The Long and Winding Road ''during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road`` stretching up into the hills'' in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction his personal life was taking in the autumn of 1968, after he had separated from his fiancée Jane Asher, as well as a nostalgic look back at the Beatles' history. McCartney recalled: ``I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration. ''
Document 4: Sue Me, Sue You Blues: "Sue Me, Sue You Blues" is a song written by English musician George Harrison, released on his 1973 album "Living in the Material World". Harrison initially let American guitarist Jesse Ed Davis record it for the latter's "Ululu" album (1972), in gratitude to Davis for his participation in the Concert for Bangladesh. When writing the song, Harrison drew inspiration from the legal issues surrounding the Beatles during the early months of 1971, particularly the lawsuit that Paul McCartney initiated in an effort to dissolve the band's business partnership, Apple Corps.
Document 5: Wah-Wah (song): "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Document 6: Abbey Road: Although Abbey Road was an immediate commercial success and reached number one in the UK and US, it initially received mixed reviews, some critics describing its music as inauthentic and bemoaning the production's artificial effects. Many critics now view the album as the Beatles' best and rank it as one of the greatest albums of all time. In particular, George Harrison's contributions, ``Something ''and`` Here Comes the Sun'', are considered to be among the best songs he wrote for the group. The album's cover features the four band members walking across a zebra crossing outside Abbey Road Studios and has become one of the most famous and imitated images in the history of popular music.
Document 7: Beware of Darkness (song): "Beware of Darkness" is a song written by English musician George Harrison and originally released on his 1970 solo album "All Things Must Pass". It has also been covered by artists such as Leon Russell, Marianne Faithfull, Spock's Beard, Concrete Blonde, and the duo of Matthew Sweet and Susanna Hoffs. Harrison and Russell performed the song at the Concert for Bangladesh in 1971, and Eric Clapton performed it at the Concert for George in 2002. The song warns against permitting illusion from getting in the way of one's true purpose, an admonition that, like the content of "My Sweet Lord", reflects the influence of the Radha Krishna Temple.
Document 8: Wonderful Tonight: ``Wonderful Tonight ''is a ballad written by Eric Clapton. It was included on Clapton's 1977 album Slowhand. Clapton wrote the song about Pattie Boyd. The female vocal harmonies on the song are provided by Marcella Detroit (then Marcy Levy) and Yvonne Elliman.
Document 9: I Dig Love: Leng draws parallels between "I Dig Love" and the Beatles' more free-form compositions of the late 1960s. Among these, Paul McCartney's "Why Don't We Do It in the Road?" exemplifies what Ian MacDonald termed in the 1990s the "long-gone let-it-all-hang-out era". In his book "Working Class Mystic", Gary Tillery identifies "I Dig Love" as one of two "All Things Must Pass" tracks (the other being "Wah-Wah") that could have been sung by John Lennon, whose style increasingly embraced provocative artistic statements following the start of his relationship with Yoko Ono in 1968. Leng also compares "I Dig Love" with "Love the One You're With", a "hymn to hedonism" by Stephen Stills, with whom Harrison worked on Doris Troy's eponymous album for Apple Records, in 1969–70.
Document 10: Miss O'Dell: "Miss O'Dell" is a song by English musician George Harrison, released as the B-side of his 1973 hit single "Give Me Love (Give Me Peace on Earth)". Like Leon Russell's "Pisces Apple Lady", it was inspired by Chris O'Dell, a former Apple employee, and variously assistant and facilitator to musical acts such as the Beatles, Derek & the Dominos, the Rolling Stones, Bob Dylan and Santana. Harrison wrote the song in Los Angeles in April 1971 while waiting for O'Dell to pay him a visit at his rented home. As well as reflecting her failure to keep the appointment, the lyrics provide a light-hearted insight into the Los Angeles music scene and comment on the growing crisis in East Pakistan that led Harrison to stage the Concert for Bangladesh in August that year.
Document 11: Something (Beatles song): The opening lyric was taken from the title of ``Something in the Way She Moves '', a track by Harrison's fellow Apple Records artist James Taylor. While Harrison imagined the composition in the style of Ray Charles, his inspiration for`` Something'' was his wife, Pattie Boyd. In her 2007 autobiography, Wonderful Today, Boyd recalls: ``He told me, in a matter - of - fact way, that he had written it for me. I thought it was beautiful... ''Boyd discusses the song's popularity among other recording artists and concludes:`` My favourite (version) was the one by George Harrison, which he played to me in the kitchen at Kinfauns.''
Document 12: Somebody to Love (Jefferson Airplane song): Written by The Great Society guitarist Darby Slick after realizing his girlfriend had left him, and first performed by that band, which included his then - sister - in - law Grace Slick on vocals, the song made little impact outside of the club circuit in the Bay Area. The song was released in 1966 as a single with the B - side another Darby Slick composition titled ``Free Advice ''on the North Beach subsidiary of Autumn Records, and received minimal circulation outside of San Francisco. San Francisco in the mid - '60s was the epicenter of free love, but Darby Slick saw a downside to this ethos, as it could lead to jealousy and disconnect. This song champions loyalty and monogamy, as the singer implores us to find that one true love that will nurture us and get us through the tough times.
Document 13: She's Always a Woman: The song was released in 1977, following several other hits from The Stranger including ``Just the Way You Are '',`` Movin 'Out (Anthony's Song)'' and ``Only the Good Die Young ''. Musically, Joel has said that he was influenced by Gordon Lightfoot and his mellow acoustic guitar ballads. It is a love song that Joel wrote for his then wife, Elizabeth Weber. Elizabeth had taken over management of Joel's career, and was able to put his financial affairs in order after Joel had signed some bad deals and contracts. She was a tough and savvy negotiator who could`` wound with her eyes'' or ``steal like a thief '', but would`` never give in''. Because of her tough - as - nails negotiating style, many business adversaries thought she was ``unfeminine, ''but to Joel, she was always a woman. The two eventually divorced in 1982.
Document 14: You (George Harrison song): "You" is a song by English musician George Harrison, released as the opening track of his 1975 album "Extra Texture (Read All About It)". It was also the album's lead single, becoming a top 20 hit in America and reaching number 9 in Canada. A 45-second instrumental portion of the song, titled "A Bit More of You", appears on "Extra Texture" also, opening side two of the original LP format. Harrison wrote "You" in 1970 as a song for Ronnie Spector, formerly of the Ronettes, and wife of Harrison's "All Things Must Pass" co-producer Phil Spector. The composition reflects Harrison's admiration for 1960s American soul/R&B, particularly Motown.
Document 15: Run of the Mill (George Harrison song): "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic. The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band. Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple.
ground_truth: his wife, Pattie Boyd
sub_queries: Miss O'Dell >> performer Answer: George Harrison
who did George Harrison wrote the song something for Answer: his wife, Pattie Boyd