Question: What is the pyramid building in the city where Blue Cheer is from?

full_context: Document 1: William Pereira: William Leonard Pereira (April 25, 1909 – November 13, 1985) was an American architect from Chicago, Illinois, who was noted for his futuristic designs of landmark buildings such as the Transamerica Pyramid in San Francisco. Remarkably prolific, he worked out of Los Angeles, and was known for his love of science fiction and expensive cars, but mostly for his unmistakable style of architecture, which helped define the look of mid-20th century America.
Document 2: Hard rock: In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.
Document 3: Hard rock: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.
Document 4: Salesforce Tower: Salesforce Tower, formerly known as the Transbay Tower, is a 1,070 - foot (326 m) office skyscraper under construction in the South of Market district of downtown San Francisco. It is located at 415 Mission Street between First and Fremont Streets, next to the Transbay Transit Center site. Salesforce Tower is the centerpiece of the San Francisco Transbay redevelopment plan. The plan contains a mix of office, transportation, retail, and residential uses. When completed, the tower will be the tallest in San Francisco. With a top roof height of 970 feet (296 m) and an overall height of 1,070 feet (326 m), it will be the second - tallest building west of the Mississippi River after the Wilshire Grand Center in Los Angeles.
Document 5: Hard rock: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.
Document 6: Hard rock: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."
Document 7: Hard rock: In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.
Document 8: Hard rock: The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).
Document 9: 580 California Street: 580 California Street is a high rise office building completed in 1987 in the Financial District of San Francisco, California. The postmodern, , 23 story tower is bordered by Kearny Street and California Street, and is topped with three faceless, twelve foot tall statues, on each side of the building on the twenty-third floor. The art installation is entitled "The Corporate Goddesses" by Muriel Castanis, the late designer and creator of the sculptures.
Document 10: Prudential Tower: The Prudential Tower, also known as the Prudential Building or, colloquially, The Pru, is an International Style skyscraper in Boston, Massachusetts. The building, a part of the Prudential Center complex, currently stands as the 2nd - tallest building in Boston, behind 200 Clarendon Street, formerly the John Hancock Tower. The Prudential Tower was designed by Charles Luckman and Associates for Prudential Insurance. Completed in 1964, the building is 749 feet (228 m) tall, with 52 floors, and (as of February 2018) is tied with others as the 96th - tallest in the United States. It contains 1,200,000 sq ft (110,000 m) of commercial and retail space. Including its radio mast, the tower stands as the tallest building in Boston, rising to 907 feet (276 m) in height.
Document 11: Hard rock: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.
Document 12: Houston: Centered on Post Oak Boulevard and Westheimer Road, the Uptown District boomed during the 1970s and early 1980s when a collection of mid-rise office buildings, hotels, and retail developments appeared along Interstate 610 west. Uptown became one of the most prominent instances of an edge city. The tallest building in Uptown is the 64-floor, 901-foot (275 m)-tall, Philip Johnson and John Burgee designed landmark Williams Tower (known as the Transco Tower until 1999). At the time of construction, it was believed to be the world's tallest skyscraper outside of a central business district. The new 20-story Skanska building and BBVA Compass Plaza are the newest office buildings built in Uptown after 30 years. The Uptown District is also home to buildings designed by noted architects I. M. Pei, César Pelli, and Philip Johnson. In the late 1990s and early 2000s decade, there was a mini-boom of mid-rise and high-rise residential tower construction, with several over 30 stories tall. Since 2000 more than 30 high-rise buildings have gone up in Houston; all told, 72 high-rises tower over the city, which adds up to about 8,300 units. In 2002, Uptown had more than 23 million square feet (2,100,000 m²) of office space with 16 million square feet (1,500,000 m²) of Class A office space.
Document 13: Transamerica Pyramid: The Transamerica Pyramid at 600 Montgomery Street between Clay and Washington Streets in the Financial District of San Francisco, California, United States, is a 48 - story postmodern building and the second - tallest skyscraper in the San Francisco skyline. Its height will be surpassed by Salesforce Tower, currently under construction. The building no longer houses the headquarters of the Transamerica Corporation, which moved its U.S. headquarters to Baltimore, Maryland, but it is still associated with the company and is depicted in the company's logo. Designed by architect William Pereira and built by Hathaway Dinwiddie Construction Company, at 853 feet (260 m), on completion in 1972 it was the eighth - tallest building in the world.
Document 14: Ultima Tower: The Ultima Tower is a hypothetical supertall skyscraper, designed by American architect Eugene Tsui in 1991. It has been envisioned to be built in San Francisco, California and could accommodate up to 1 million people. With a total height of , the tower would be 2 miles tall, and comprise 500 stories if built. It is one of the tallest buildings/man-made structures ever conceived.
Document 15: 1201 Third Avenue: 1201 Third Avenue (formerly Washington Mutual Tower) is a , 55-story skyscraper in Downtown Seattle, in the U.S. state of Washington. It is the second-tallest building in the city, the eighth-tallest on the West Coast of the United States, and the 74th-tallest in the United States. Developed by Wright Runstad & Company, construction began in 1986 and finished in 1988. 1201 Third Avenue was designed by Kohn Pedersen Fox Associates and The McKinley Architects. The building was the world headquarters of the financial company Washington Mutual from the building's opening until 2006, when the company moved across the street to the WaMu Center (renamed the Russell Investments Center after the bank collapsed in 2008).
ground_truth: Transamerica Pyramid
sub_queries: Where was the band Blue Cheer from? Answer: San Francisco
what is the pyramid building in San Francisco Answer: Transamerica Pyramid