Question: By which century did the city where the director of The Day of the Locust was born start becoming a prominent capitol city?

full_context: Document 1: 6-18-67: 6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the 1969 Columbia film "Mackenna's Gold". This non-story non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert. Shooting was completed on June 18, 1967.
Document 2: London: Following his victory in the Battle of Hastings, William, Duke of Normandy, was crowned King of England in the newly finished Westminster Abbey on Christmas Day 1066. William constructed the Tower of London, the first of the many Norman castles in England to be rebuilt in stone, in the southeastern corner of the city, to intimidate the native inhabitants. In 1097, William II began the building of Westminster Hall, close by the abbey of the same name. The hall became the basis of a new Palace of Westminster.
Document 3: The Day of the Locust: Tod Hackett is the novel's protagonist. He moves from the east coast to Hollywood, California in search of inspiration for his next painting. The novel is set in the 1930s during the Great Depression. Most of the characters exist at the fringes of the Hollywood film industry, but Hollywood is merely the backdrop for Tod Hackett's revelation. Tod is employed by a Hollywood studio ``to learn set and costume designing. ''During his spare time, Tod sketches scenes he observes on large production sets and studio back lots. The novel details Tod's observation of the filming of the Battle of Waterloo. His goal is to find inspiration for the picture he is getting ready to begin, a work titled`` The Burning of Los Angeles.''
Document 4: The Locusts (film): The Locusts is a 1997 American drama film written and directed by John Patrick Kelley and starring Vince Vaughn, Jeremy Davies, Kate Capshaw, Paul Rudd, and Ashley Judd. The score was composed by Carter Burwell.
Document 5: Days of Heaven: Jacob Brackman introduced fellow producer Bert Schneider to Terrence Malick in 1975. On a trip to Cuba, Schneider and Malick began conversations that would lead to the development of "Days of Heaven". Malick had tried and failed to get Dustin Hoffman or Al Pacino to star in the film. Schneider agreed to produce the film. He and Malick cast young actors Richard Gere and Brooke Adams and actor/playwright Sam Shepard for the lead roles. Paramount Pictures CEO at the time Barry Diller wanted Schneider to produce films for him and agreed to finance "Days of Heaven". At the time, the studio was heading in a new direction. They were hiring new production heads who had worked in network television and, according to former production chief Richard Sylbert, "[manufacturing] product aimed at your knees". Despite the change in direction, Schneider was able to secure a deal with Paramount by guaranteeing the budget and taking personal responsibility for all overages. "Those were the kind of deals I liked to make ... because then I could have final cut and not talk to nobody about why we're gonna use this person instead of that person", Schneider said.
Document 6: World in Action: Some of the most prominent figures in 20th-century British broadcasting helped to create "World in Action", in particular Tim Hewat, "the maverick genius of Granada's current affairs in its formative years", and David Plowright: but also Jeremy Isaacs, Michael Parkinson, John Birt and Gus Macdonald and its most long-serving executive-producer, Ray Fitzwalter. The series developed the skills of generations of journalists and, in particular, film-makers. Michael Apted worked on the original "Seven Up!". Paul Greengrass, who spent 10 years on "World in Action", told the BBC: "My first dream was to work on "World In Action", to be honest. It was that wonderful eclectic mixture of filmmaking and reportage. That was my training ground. It showed me the world and made me see many things." He later told "The Guardian": "If there's a thread running through my career it's "World in Action" – the phrase as well as the programme."
Document 7: The Day of the Locust (film): The Day of the Locust is a 1975 American drama film directed by John Schlesinger, and starring William Atherton, Karen Black, Donald Sutherland, and Geraldine Page. The screenplay by Waldo Salt is based on the 1939 novel of the same title by Nathanael West. Set in Hollywood, California just prior to World War II, it depicts the alienation and desperation of a disparate group of individuals whose dreams of success have failed to come true.
Document 8: Terminus (1961 film): Terminus is a 1961 British Transport Film documentary (filmed in August, 1960) directed by John Schlesinger which presents a "fly-on-the-wall" look at an ordinary day at Waterloo station in London. Along with most British Transport Films, it was produced by Edgar Anstey. It was nominated for a BAFTA Film Award for Best Documentary and, for a time, the Academy Award for Best Documentary Feature, before being disqualified after it was discovered that the film was first released prior to the eligibility period. Original music was by Ron Grainer.
Document 9: The Terminal: The Terminal is a 2004 American comedy - drama film directed by Steven Spielberg and starring Tom Hanks and Catherine Zeta - Jones. The film is about a man who becomes stuck in New York's John F. Kennedy Airport terminal when he is denied entry into the United States and at the same time can not return to his native country because of a military coup.
Document 10: Filmed in Supermarionation: Filmed in Supermarionation is a 2014 documentary film about Gerry Anderson, Sylvia Anderson and the struggling group of filmmakers who found success producing space-age puppet television series such as "Supercar", "Joe 90", "Fireball XL5", "Captain Scarlet and the Mysterons" and "Thunderbirds". Directed by Stephen La Rivière, and based on his book of the same name, the film was favorably received by critics. It was released theatrically in the UK on 11 October 2014, having been premiered at the British Film Institute on 30 September 2014. It was subsequently released on DVD and Blu-ray.
Document 11: Norman architecture: In England, Norman nobles and bishops had influence before the Norman Conquest of 1066, and Norman influences affected late Anglo - Saxon architecture. Edward the Confessor was brought up in Normandy, and in 1042 brought masons to work on Westminster Abbey, the first Romanesque building in England. In 1051 he brought in Norman knights who built ``motte ''castles as a defence against the Welsh. Following the invasion Normans rapidly constructed motte - and - bailey castles, and in a burst of building activity built churches and abbeys, as well as more elaborate fortifications including Norman stone keeps.
Document 12: London: During the 12th century, the institutions of central government, which had hitherto accompanied the royal English court as it moved around the country, grew in size and sophistication and became increasingly fixed in one place. In most cases this was Westminster, although the royal treasury, having been moved from Winchester, came to rest in the Tower. While the City of Westminster developed into a true capital in governmental terms, its distinct neighbour, the City of London, remained England's largest city and principal commercial centre, and it flourished under its own unique administration, the Corporation of London. In 1100, its population was around 18,000; by 1300 it had grown to nearly 100,000.
Document 13: Palace of Westminster: The Palace of Westminster site was strategically important during the Middle Ages, as it was located on the banks of the River Thames. Known in medieval times as Thorney Island, the site may have been first-used for a royal residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, built a royal palace on Thorney Island just west of the City of London at about the same time as he built Westminster Abbey (1045–1050). Thorney Island and the surrounding area soon became known as Westminster (a contraction of the words West Minster). Neither the buildings used by the Anglo-Saxons nor those used by William I survive. The oldest existing part of the Palace (Westminster Hall) dates from the reign of William I's successor, King William II.
Document 14: London: By the 11th century, London was beyond all comparison the largest town in England. Westminster Abbey, rebuilt in the Romanesque style by King Edward the Confessor, was one of the grandest churches in Europe. Winchester had previously been the capital of Anglo-Saxon England, but from this time on, London became the main forum for foreign traders and the base for defence in time of war. In the view of Frank Stenton: "It had the resources, and it was rapidly developing the dignity and the political self-consciousness appropriate to a national capital."
Document 15: The Last Picture Show: Set in a small town in north Texas from November 1951 to October 1952, it is about the coming of age of Sonny Crawford (Timothy Bottoms) and his friend Duane Jackson (Jeff Bridges). The cast also includes Cybill Shepherd (in her film debut), Ben Johnson, Eileen Brennan, Ellen Burstyn, Cloris Leachman, Clu Gulager, Randy Quaid and John Hillerman. For aesthetic reasons it was shot in black and white, which was unusual for the time. The film features many songs of Hank Williams and other recording artists played throughout.
ground_truth: the 11th century
sub_queries: The Day of the Locust >> director Answer: John Schlesinger
John Schlesinger >> place of birth Answer: London
By which century had London started becoming a prominent capital city? Answer: the 11th century