Question: I what genre does the composer of Nina work?

full_context: Document 1: L'amant statue: L'amant statue is an opera in one act by composer Nicolas Dalayrac with a French libretto by Fouques Desfontaines. The opera was premiered by the Comédie-Italienne at the first Salle Favart in Paris on 4 August 1785. It was revived on 30 September 1802 at the Salle Feydeau.
Document 2: The Phantom of the Opera: In Paris in the 1890s, the Palais Garnier opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. At a gala performance for the retirement of the opera house's two managers, a young little - known Swedish soprano, Christine Daaé, is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognises her as his childhood playmate, and recalls his love for her. He attempts to visit her backstage, where he hears a man complimenting her from inside her dressing room. He investigates the room once Christine leaves, only to find it empty.
Document 3: The Phantom of the Opera: In Paris in the 1890s, the Palais Garnier opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. At a gala performance for the retirement of the opera house's two managers, a young little - known Swedish soprano, Christine Daaé, is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognizes her as his childhood playmate and recalls his love for her. He attempts to visit her backstage, where he hears a man complimenting her from inside her dressing room. He investigates the room once Christine leaves, only to find it empty.
Document 4: Antoine-Laurent Baudron: Antoine-Laurent Baudron (1742 in Amiens – 1834 in Paris), was a French musician and composer. He was the head violinist in the orchestra of the Comédie Française, and wrote the original music for The Barber of Seville and The Marriage of Figaro by Beaumarchais. He also wrote the first known French violin quartets.
Document 5: The Straw Lover: The Straw Lover (original title "L'Amant de paille") is a French comedy film from 1951, directed by Gilles Grangier, written by Carlo Rim and starring Nadine Alari. Louis de Funès plays a psychiatrist. The film based on Georges Feydeau's play "Le Dindon" ("The Turkey").
Document 6: Rusalka (Dargomyzhsky): Rusalka () is an opera in four acts, six tableaux, by Alexander Dargomyzhsky, composed during 1848-1855. The Russian libretto was adapted by the composer from Pushkin's incomplete dramatic poem of the same name. It premiered on 4 May 1856 (Old Style) at the Theatre-circus, conducted by Konstantin Lyadov (father of Anatoly Lyadov), choreographed by Marius Petipa and Nikolay Goltz, but was badly received predominantly by the aristocracy.
Document 7: Fête Galante (Smyth): Fête Galante is an opera in one act composed by Ethel Smyth to an English-language libretto by Smyth and Edward Shanks based on Maurice Baring's 1909 short story of the same name. It is a tale of late night fête galante involving aristocrats and a commedia dell'arte troupe where jealousy, desire, and multiple masquerades end in the death of one of the characters. Described by the composer as a "Dance-dream", the opera premiered on 4 June 1923 at the Birmingham Repertory Theatre
Document 8: Arion (Matho): Arion is an opera by the French composer Jean-Baptiste Matho, first performed at the Académie Royale de Musique (the Paris Opera) on 10 April 1714. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto, by Louis Fuzelier, is based on the Greek myth of the poet Arion.
Document 9: Tarsis et Zélie: Tarsis et Zélie is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 19 October 1728. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto is by Jean-Louis-Igance de La Serre.
Document 10: Se vuol ballare: The cavatina "" is an aria for baritone or bass from the first act of the opera "The Marriage of Figaro" by Wolfgang Amadeus Mozart. The libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). The Italian title means "If you want to dance".
Document 11: Nina (Dalayrac): Nina, ou La folle par amour ("Nina, or The Woman Crazed with Love") is an opéra-comique in one act by the French composer Nicolas Dalayrac. It was first performed on 15 May 1786 by the Comédie-Italienne at the first Salle Favart in Paris. The libretto, by Benoît-Joseph Marsollier des Vivetières, is based on a short story by Baculard d'Arnaud.
Document 12: Omphale (Destouches): Omphale is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 10 November 1701. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto is by Antoine Houdar de La Motte.
Document 13: Atys (Piccinni): In 1783 there was a second version of the opera produced by Piccinni and Marmontel. In order to satisfy the current trends in opera, they changed the ending to a "lieto fine", or happy ending, by rewriting entire sections of the original opera. In this second version "Atys" was returned to the stage of the Opéra in 1783, 1784, 1791 and 1792. In all, it was mounted at the Opéra on 65 dates before being dropped for good.
Document 14: Prosper-Didier Deshayes: Prosper-Didier Deshayes (mid 18th century – 1815) was an opera composer and dancer who lived and worked in France. In 1764 he was a balletmaster at the Comédie-Française. By 1774 he had become an assistant ("adjoint") at the Paris Opéra. His first opera "Le Faux serment ou La Matrone de Gonesse", a "comédie mêlée d'ariettes" in two acts, was first performed on 31 December 1785 at the Théâtre des Beaujolais in Paris and became a popular success. He went on to have another 18 works performed at various venues in Paris, but only two, "La faut serment" and "Zélie, ou Le mari à deux femmes", a 3-act "drame" first performed at the Salle Louvois on 29 October 1791, were ever published as musical scores. He also participated in the collaborative Revolutionary opera "Le congrès des rois", a 3-act "comédie mêlée d'ariettes", which combined music written by Deshayes and 11 other composers and was first performed by the Opéra-Comique at the Salle Favart on 26 February 1794. He died in Paris.
Document 15: Nicolas Racot de Grandval: Nicolas Racot de Grandval (1676 - 16 November 1753) was a French composer, harpsichordist and playwright. He was born and died in Paris and was also named „Le Père Grandval“.
ground_truth: opera
sub_queries: Nina >> composer Answer: Nicolas Dalayrac
Nicolas Dalayrac >> genre Answer: opera