Question: When did the name black death officially take root in the country where the Chloridia author had citizenship?

full_context: Document 1: Joseph Grimaldi: Towards the end of the 1790s, Grimaldi starred in a pantomime version of "Robinson Crusoe", which confirmed his credentials as a key pantomime performer. Many productions followed, but his career at Drury Lane was becoming turbulent, and he left the theatre in 1806. In his new association with the Covent Garden theatre, he appeared at the end of the same year in Thomas John Dibdin's "Harlequin and Mother Goose; or, The Golden Egg", which included perhaps his best known portrayal of Clown. Grimaldi's residencies at Covent Garden and Sadler's Wells ran simultaneously, and he became known as London's leading Clown and comic entertainer, enjoying many successes at both theatres. His popularity in London led to a demand for him to appear in provincial theatres throughout England, where he commanded large fees.
Document 2: Black Death in England: The first known case in England was a seaman who arrived at Weymouth, Dorset, from Gascony in June 1348. By autumn, the plague had reached London, and by summer 1349 it covered the entire country, before dying down by December. Low estimates of mortality in the early twentieth century have been revised upwards due to re-examination of data and new information, and a figure of 40 -- 60% of the population is widely accepted.
Document 3: Black Death: From Italy, the disease spread northwest across Europe, striking France, Spain, Portugal and England by June 1348, then turned and spread east through Germany and Scandinavia from 1348 to 1350. It was introduced in Norway in 1349 when a ship landed at Askøy, then spread to Bjørgvin (modern Bergen) and Iceland. Finally it spread to northwestern Russia in 1351. The plague was somewhat less common in parts of Europe that had smaller trade relations with their neighbours, including the Kingdom of Poland, the majority of the Basque Country, isolated parts of Belgium and the Netherlands, and isolated alpine villages throughout the continent.
Document 4: Epicœne, or The Silent Woman: Epicœne, or The Silent Woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. The play is about a man named Dauphine who creates a scheme to get his inheritance from his uncle Morose. The plan involves setting Morose up to marry Epicoene, a boy disguised as a woman. It was originally performed by the Blackfriars Children, or Children of the Queen's Revels, a group of boy players, in 1609. Excluding its two prologues, the play is written entirely in prose.
Document 5: Lovers Made Men: Lovers Made Men, alternatively titled The Masque of Lethe or The Masque at Lord Hay's, was a Jacobean era masque, written by Ben Jonson, designed by Inigo Jones, and with music composed by Nicholas Lanier. It was performed on Saturday 22 February 1617, and was significant in the development and acceptance of opera in seventeenth-century England.
Document 6: Pan's Anniversary: Pan's Anniversary, or The Shepherd's Holiday was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. The date of the masque's performance at the English Court has long been in dispute: while the earliest text assigns it to 1625, mid-twentieth-century scholars placed it on 19 June 1620, the king's birthday, at the royal palace at Greenwich. More recently, Martin Butler has argued for a date of 6 January 1621.
Document 7: Gloriana: The first performance was presented at the Royal Opera House, London, in 1953 during the celebrations of the coronation of Queen Elizabeth II. "Gloriana" was the name given by the 16th-century poet Edmund Spenser to his character representing Queen Elizabeth I in his poem "The Faerie Queene". It became the popular name given to Elizabeth I. It is recorded that the troops at Tilbury hailed her with cries of "Gloriana, Gloriana, Gloriana", after the defeat of the Spanish Armada in 1588.
Document 8: English Renaissance theatre: One distinctive feature of the companies was that they included only males. Female parts were played by adolescent boy players in women's costume. Some companies were composed entirely of boy players. Performances in the public theatres (like the Globe) took place in the afternoon with no artificial lighting, but when, in the course of a play, the light began to fade, candles were lit. In the enclosed private theatres (like the Blackfriars) artificial lighting was used throughout. Plays contained little to no scenery as the scenery was described by the actors or indicated by costume through the course of the play.
Document 9: The Speeches at Prince Henry's Barriers: The Speeches at Prince Henry's Barriers, sometimes called The Lady of the Lake, is a masque or entertainment written by Ben Jonson in honour of Henry Frederick, Prince of Wales, the son and heir of King James I of England. The speeches were performed on 6 January 1610 in conjunction with the ceremony known as Prince Henry's Barriers.
Document 10: Black Death: Gasquet (1908) claimed that the Latin name atra mors (Black Death) for the 14th-century epidemic first appeared in modern times in 1631 in a book on Danish history by J.I. Pontanus: "Vulgo & ab effectu atram mortem vocatibant. ("Commonly and from its effects, they called it the black death"). The name spread through Scandinavia and then Germany, gradually becoming attached to the mid 14th-century epidemic as a proper name. In England, it was not until 1823 that the medieval epidemic was first called the Black Death.
Document 11: Oberon, the Faery Prince: Oberon, the Faery Prince was a masque written by Ben Jonson, with costumes, sets and stage effects designed by Inigo Jones, and music by Alfonso Ferrabosco and Robert Johnson. "Oberon" saw the introduction to English Renaissance theatre of scenic techniques that became standard for dramatic productions through the coming centuries.
Document 12: Black Death in England: The Black Death was a bubonic plague pandemic, which reached England in June 1348. It was the first and most severe manifestation of the Second Pandemic, caused by Yersinia pestis bacteria. The term ``Black Death ''was not used until the late 17th century.
Document 13: Chloridia: Chloridia: Rites to Chloris and Her Nymphs was the final masque that Ben Jonson wrote for the Stuart Court. It was performed at Shrovetide, 22 February 1631, with costumes, sets and stage effects designed by Inigo Jones.
Document 14: Black Death in England: The Black Death was a pneumonic plague pandemic, which reached England in June 1348. It was the first and most severe manifestation of the Second Pandemic, caused by Yersinia pestis bacteria. The term ``Black Death ''was not used until the late 17th century.
Document 15: Late Middle Ages: At the end of the Late Middle Ages, professional actors began to appear in England and Europe. Richard III and Henry VII both maintained small companies of professional actors. Their plays were performed in the Great Hall of a nobleman's residence, often with a raised platform at one end for the audience and a "screen" at the other for the actors. Also important were Mummers' plays, performed during the Christmas season, and court masques. These masques were especially popular during the reign of Henry VIII who had a House of Revels built and an Office of Revels established in 1545.
ground_truth: 1823
sub_queries: Chloridia >> author Answer: Ben Jonson
Ben Jonson >> country of citizenship Answer: England
When did the name black death officially take root in England ? Answer: 1823