Question: Are The Turn of the Screw and The Medium both operas?

full_context: Document 1: The Medium: The Medium is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's "The Telephone" at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast.
Document 2: Martin's Lie: Martin's Lie is a chamber opera in one act with music and an English language libretto by Gian Carlo Menotti. Commissioned by CBS, it was Menotti's third opera for television after "Amahl and the Night Visitors" and "Labyrinth". Although not initially conceived as a work for the stage, the opera premiered in a live theatrical performance on 3 June 1964 at the Bristol Cathedral for the opening of the 17th annual Bath International Music Festival. The opera was subsequently filmed with the same cast for television under the direction of Kirk Browning. The production used sets and costumes by designer Anthony Powell, and was broadcast nationally by CBS for the opera's United States premiere on 30 May 1965.
Document 3: The Habit of Art: The Habit of Art is a 2009 play by English playwright Alan Bennett, centred on a fictional meeting between W. H. Auden and Benjamin Britten while Britten is composing the opera "Death in Venice". It premiered on 5 November 2009 at the Lyttelton Theatre at the Royal National Theatre, with the central roles filled by Alex Jennings as Britten and Richard Griffiths as Auden (the latter replacing Michael Gambon, who had to withdraw from the production due to minor ill health). The performance of April 22, 2010 was broadcast to more than 200 cinemas worldwide by NTLive.
Document 4: Labyrinth (opera): Labyrinth is an opera in one act by composer Gian Carlo Menotti. The work was commissioned for television by the NBC Opera Theatre and uses an English language libretto by the composer. Unlike Menotti's previous television operas, such as "Amahl and the Night Visitors", this opera was written with no intention of being moved to live stage performance later. Menotti intended for this work to utilize the special effects unique to television which could not be recreated in live theatre. As a result, NBC's television production of the opera is the only performance the work has received. At its premiere in March 1963 the opera was mainly criticized by the press for its trite use of allegory and music which rejected the avante garde in favour of romanticism. Critic Harold C. Schonberg stated in his review in "The New York Times" that, "Menotti falls back on the procedures he has always used: the scraps of canonic imitation, the stretches of parlando, the Puccini like melodies, the banal waltz themes... [It] ended up an allegory that had all the dimension of a Mobius strip: an example of slick television and cinema of the 1960s wedded pretty much to music of the 1890s... On the whole "Labyrinth" is one of the thinnest musical concoctions Menotti has ever put together.
Document 5: The Hero (opera): The Hero is a two-act opera by Italian-American composer Gian Carlo Menotti. Commissioned by the Opera Company of Philadelphia, the work premiered at the Philadelphia Academy of Music on June 1, 1976. At this point of his career, Menotti's style of composition, which rejected the avant-garde, was out of favor with the classical music world. "Time" stated in its review of the opera, "Most of Menotti's music is passable Puccini: melodic, easy to take—and totally beside the point in 1976."
Document 6: A Midsummer Night's Dream (opera): A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, "A Midsummer Night's Dream". It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
Document 7: Vanessa (opera): Vanessa is an American opera in three (originally four) acts by Samuel Barber, opus 32, with an original English libretto by Gian-Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by Cecil Beaton and directed by Menotti. Barber revised the opera in 1964, reducing the four acts to the three-act version most commonly performed today.
Document 8: The Telephone: The Telephone, or L'Amour à trois is an English-language comic opera in one act by Gian Carlo Menotti, both words and music. It was written for production by the Ballet Society and was first presented on a double bill with Menotti's "The Medium" at the Heckscher Theater, New York City, February 18–20, 1947. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theatre. The Metropolitan Opera presented it once, on July 31, 1965.
Document 9: Gian Carlo Menotti: Gian Carlo Menotti (] ; July 7, 1911 – February 1, 2007) was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera "Amahl and the Night Visitors", along with over two dozen other operas intended to appeal to popular taste.
Document 10: The Turn of the Screw (2009 film): The Turn of the Screw (also known as Ghost Story: The Turn of the Screw) is a British television film based on Henry James's 1898 ghost story of the same name. Commissioned and produced by the BBC, it was first broadcast on 30 December 2009, on BBC One. The novella was adapted for the screen by Sandy Welch, and the film was directed by Tim Fywell. Although generally true to the tone and story of James's work, the film is set in the 1920s—in contrast to the original 1840s setting—and accentuates sexual elements that some theorists have identified in the novella. The film's story is told in flashbacks during consultations between the institutionalised Ann (Michelle Dockery) and Dr Fisher (Dan Stevens). Ann tells how she was hired by an aristocrat (Mark Umbers) to care for the orphans Miles (Josef Lindsay) and Flora (Eva Sayer). She is met at the children's home, Bly, by Mrs Grose (Sue Johnston), the housekeeper. Ann soon begins to see unknown figures around the manor, and seeks an explanation.
Document 11: String Quartet No. 2 (Britten): String Quartet No. 2 in C major, Op. 36, by English composer Benjamin Britten (191376), was written in 1945. It was composed in Snape, Suffolk and London, and completed on 14 October. The first performance was by the Zorian Quartet in the Wigmore Hall, London on 21 November 1945, in a concert to mark the exact 250th anniversary of the death of English composer Henry Purcell (165995). The work was commissioned by and is dedicated to Mary ("Mrs J. L.") Behrend, a patron of the arts; Britten donated most of his fee towards famine relief in India.
Document 12: Benjamin Britten: Edward Benjamin Britten, Baron Britten {'1': ", '2': ", '3': ", '4': "} (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist. He was a central figure of 20th-century British classical music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera "Peter Grimes" (1945), the "War Requiem" (1962) and the orchestral showpiece "The Young Person's Guide to the Orchestra" (1945).
Document 13: The Turn of the Screw (opera): The Turn of the Screw is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". The libretto is based on the novella "The Turn of the Screw" by Henry James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. The original recording was made during that year, with the composer conducting.
Document 14: Der Mond: Der Mond ("The Moon") is an opera in one act by Carl Orff based on a Grimm's fairy tale) with a libretto by the composer. It was first performed on 5 February 1939 by the Bavarian State Opera in Munich under the direction of Clemens Krauss. The composer describes it not as an opera but as "Ein kleines Welttheater" ("A little world theatre"); the performance lasts for about one hour and is often paired with Orff's "Die Kluge".
Document 15: The Consul: The Consul is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera.
ground_truth: yes