Question: Are Born Rich and Death Faces both mockumentaries?

full_context: Document 1: Death Faces: Death Faces, also released as Death Faces IV, also 'Dying: Last seconds of Life', and (in a re edited version) 'Beyond Reality', is a mockumentary about cannibalism released directly to video originally in 1988.
Document 2: Faces of Death: Faces of Death (also released more recently as The Original Faces of Death) is a 1978 American mondo horror film directed by Conan LeCilaire and written by Alan Black.
Document 3: The One Percent (film): The One Percent is a 2006 documentary about the growing wealth gap between the wealthy elite compared to the overall citizenry in the United States. It was created by Jamie Johnson, an heir to the Johnson & Johnson fortune, and produced by Jamie Johnson and Nick Kurzon. The film's title refers to the top one percent of Americans in terms of wealth, who controlled 42.2 percent of total financial wealth in 2004.
Document 4: John D. Rockefeller: John Davison Rockefeller Sr. (July 8, 1839 – May 23, 1937) was an American oil industry business magnate and philanthropist. Widely considered the wealthiest American of all time and the richest person in modern history, Rockefeller was born into a large family in upstate New York and was shaped by his con man father and religious mother. His family moved several times before eventually settling in Cleveland, Ohio.
Document 5: John Seward Johnson I: John Seward Johnson I (July 14, 1895 – May 23, 1983) was one of the sons of Robert Wood Johnson I (co-founder of Johnson & Johnson). He was also known as J. Seward Johnson, Sr. and Seward Johnson. He founded the Harbor Branch Oceanographic Institution (HBOI), and was the grandfather of Jamie Johnson, who directed the documentary "Born Rich".
Document 6: Faces of Death VI: Faces of Death VI is a 1996 direct-to-video compilation of the highlights of the earlier films in the "Faces of Death" series. It features many of the same scenes shown in "Faces of Death" 1 and 4, as well as the earlier compilation "Faces of Death V". It begins without any opening credits, before recycling (for the third time) the sequence from "Faces of Death" involving the killing of a monkey which is then prepared and served to patrons of a gourmet restaurant. Also shown for the second time are the staged heart-ripping scene by African natives and the "head in a box" scene, both taken from "Faces of Death IV". John Alan Schwartz's cameo as the leader of the flesh eating cult, as well as "The encapsulation of Samuel Berkowitz" are also featured again, and the final credits are those from "Faces of Death".
Document 7: The Horror Movies: The Horror Movies, also referred to as "Kurt's Bloody Suicide", is a home movie made by grunge singer Kurt Cobain and Krist Novoselic, later members of Nirvana, and other friends of theirs. It was filmed in 1984 and is composed mainly of random obscure acts such as a person getting stabbed with a fake knife and other random footage. The video is about 10 minutes long and could be classified as a horror film. The tentative title made up by people who had seen the tape was "Kurt's Bloody Suicide" this because Kurt pretends to cut his throat and wrist with a fake knife. However this is just a small clip in the film. Kurt's actual death took place in 1994. Copies of the video are circulating on VHS and DVD among fans and tape-traders.
Document 8: Faces of Death III: Faces of Death III is the second sequel to the 1978 mondo film "Faces of Death". Once again, John Alan Schwartz directed (again as "Conan le Cilaire") and co wrote (as "Alan Black") along with co writer Veronica Lakewood. Michael Carr again portrays Dr. Francis B. Gröss.
Document 9: Der Todesking: Der Todesking (aka "The Death King") is a 1989 German horror film directed by Jörg Buttgereit. This experimental style movie, which does not use central characters, explores the topic of suicide and violent death in the form of seven episodes, each one attributed to one day of the week. These episodes are enframed by the vision of a human body, slowly rotting during the course of the movie.
Document 10: The American Ruling Class: The American Ruling Class is a 2005 dramatic documentary film written by Lewis H. Lapham and directed by John Kirby that "explores our country’s most taboo topic: class, power and privilege in our nominally democratic republic." It seeks to answer the question, "Does America have a ruling class?" Its producers consider it the first "dramatic-documentary-musical." A rough-cut of the film was shown at the 2005 Tribeca Film Festival, the final version of the film was shown on the Sundance Channel in July 2007, and it had its theatrical premiere at the Brooklyn Academy of Music in April 2008.
Document 11: Make Them Die Slowly (album): Make Them Die Slowly is the second studio album by White Zombie, released on March 22, 1989 by Caroline Records. It is named after the 1981 cannibal movie "Cannibal Ferox", which was originally released in the US as "Make Them Die Slowly". There is a printing error on the CD's side saying "Let Them Die Slowly" instead of the album's correct title. Produced by composer Bill Laswell and featuring John Ricci on guitar, the album represented a transition from the noise rock influenced sound of the White Zombie's previous albums to heavy metal, which informed much of their later work.
Document 12: Dark Money (book): Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right (2016) is a non-fiction book written by the American investigative journalist Jane Mayer, about a network of extremely wealthy conservative libertarians, foremost among them Charles and David Koch, who have together funded an array of organizations that work in tandem to influence academic institutions, think tanks, the courts, statehouses, Congress, and the American presidency for their own benefit. Mayer particularly discusses the Koch family and their political activities, along with Richard Mellon Scaife and John M. Olin who funded the American Legislative Exchange Council (ALEC), and the DeVos and Coors families.
Document 13: Filthy Rich (2016 TV series): Filthy Rich is a New Zealand drama television show that premiered on 15 February 2016, on TVNZ 2. The show revolves around three illegitimate half siblings who discover they have a claim to a fortune to one of the wealthiest men in New Zealand, John Truebridge. When he dies these unwanted heirs stand to share in his legacy but not if his legitimate family has anything to do with it.
Document 14: Born Rich (film): Born Rich is a 2003 documentary film (filmed primarily between 1999-2001) about the experience of growing up in wealthy families. It was created by Jamie Johnson, an heir to the Johnson & Johnson fortune. The film consists primarily of Johnson interviewing 10 other young heirs. These interviews are offset by Johnson's exploration of his own experience and family as he comes into a large inheritance on his 21st birthday. He seeks out how to be a productive person, avoiding the dysfunction that he sees affecting many of the very rich. The film explores the taboo the ultra rich have against about talking about their wealth. Johnson believes this secrecy about wealth causes the wealthy to be dysfunctional, and exists because the discussion of their wealth challenges the notion that America is a meritocracy and their right to have their wealth.
Document 15: Faces of Death V: Faces of Death V, released in 1995, is a direct-to-video release consisting of highlights from the earlier films. It begins with the intro and opening credits from "Faces of Death", before moving into more archive footage lifted whole from the earlier films, primarily from parts one and four. A noted scene, involving the killing of a monkey which is then prepared and served at an exotic restaurant, is lifted entirely from the first film, as is a blatantly staged heart-ripping scene by African Natives; the "head in a box" scene is taken from "Faces of Death IV". Adolf Hitler is again briefly featured in archive footage.
ground_truth: no