Question: Turandot and Pomone, are which type of play?

full_context: Document 1: Turandot: Turandot ( ; ] ; ) is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.
Document 2: Les fêtes de l'Hymen et de l'Amour: Les fêtes de l’Hymen et de l’Amour, ou Les dieux d'Egypte is an "opéra-ballet" in three "entrées" and a prologue by the French composer Jean-Philippe Rameau. The work was first performed on March 15, 1747, at the La Grande Ecurie, Versailles, and is set to a libretto by Louis de Cahusac. The opera was originally composed as part of the celebrations for the Dauphin’s marriage to Maria Josepha of Saxony. "Les fêtes de l’Hymen" proved to be a popular work and by the March 1776 it had been performed exactly 106 times. The librettist, Cahusac, was especially pleased with the ways in which he had succeeded in giving especial import to the supernatural elements of the work—the plot is based on Egyptian mythology—and to allow particular use of impressive large-scale stage machinery, which was much admired by the audience. The opera contains seven ballets, a consequence of Cahusac’s desire to further integrate dance and drama, which grew from the typical French devotion to ballet, particularly when allied with opera.
Document 3: Pygmalion (Rousseau): Pygmalion (French: "Pygmalion" ) is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera "Le devin du village". Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment). It is formed of spoken monodrama with instrumental musical interludes and thus can be credited with spreading a new theatrical genre, especially in German-speaking areas of Europe. He wrote it in 1762, with music by Horace Coignet. It was first performed at the Hôtel de Ville, Lyon in 1770. The work is considered a turning point for its author, who also wrote "The Social Contract" that same year.
Document 4: Les fêtes de Paphos: Les fêtes de Paphos ("The Festivals of Paphos") is an "opéra-ballet" in three acts (or "entrées") by the French composer Jean-Joseph Cassanéa de Mondonville. The work was described as a "ballet héroïque" on the title page of the printed score. Each act had a different librettist. "Les fêtes de Paphos" was first performed at the Académie royale de musique, Paris on 9 May 1758 and was a popular success. Mondonville recycled material from two of his previous operas for the first two acts, namely "Erigone" (1747) and "Vénus et Adonis" (1752), both originally composed for Madame de Pompadour's Théâtre des Petits Cabinets.
Document 5: Pomone (opera): Pomone ("Pomona") is a pastoral opera in a prologue and five acts by Robert Cambert with a libretto by Pierre Perrin. It has been described as "effectively the first French opera." It was first performed in Paris at the Jeu de Paume de la Bouteille theatre belonging to Cambert and Perrin's Académie d'Opéra on 3 March 1671. The production had ballets choreographed by Des Brosses and sets and machinery designed by Alexandre de Rieux, marquis de Sourdéac. The novelty of the work drew large audiences and the opera enjoyed 146 performances over the eight months of its run. The score of "Pomone" has only partially survived.
Document 6: Tosca: Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
Document 7: Samson (opera): Samson was an opera by the French composer Jean-Philippe Rameau with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut "Hippolyte et Aricie", which premiered in October 1733. Like "Hippolyte", "Samson" was a "tragédie en musique" in five acts and a prologue. Voltaire had become a great admirer of Rameau's music after seeing "Hippolyte" and suggested a collaboration with the composer in November 1733. The opera was complete by late summer 1734 and went into rehearsal. However, a work on a religious subject with a libretto by such a notorious critic of the Church was bound to run into controversy and "Samson" was banned. An attempt to revive the project in a new version in 1736 also failed. The score is lost, although Rameau recycled some of the music from "Samson" in his later operas.
Document 8: Turandot (Busoni): Turandot is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play by Count Carlo Gozzi. The music for Busoni's opera is based on the incidental music, and the associated "Turandot Suite" (BV 248), which Busoni had written in 1905 for a production of Gozzi's play. The opera is often performed as part of a double bill with Busoni's earlier one-act opera "Arlecchino".
Document 9: Dafne: Dafne is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly-lost music was completed by Jacopo Peri, but at least two of the six surviving fragments are by Jacopo Corsi. "Dafne" was first performed during Carnival of 1598 (1597 old style) at the Palazzo Corsi.
Document 10: Lost operas by Jean-Philippe Rameau: The musical scores to several operas by the French composer Jean-Philippe Rameau have been lost. They include two major "tragédies en musique", "Samson" and "Linus", and a one-act pastoral opera "Lisis et Délie". The music to these pieces was substantially complete and was performed in rehearsal but for various reasons - including censorship in the case of "Samson" - they were never publicly staged. Rameau also wrote a "divertissement" for Alexis Piron's play "Les courses de Tempé", which did appear at the theatre in 1734. The music to all these works has been almost completely lost, although there is evidence Rameau reused some of it in his later operas. Rameau also began other operatic projects, which were either abandoned at an early stage ("Pandore") or broken up to form shorter works ("Les beaux jours de l'Amour").
Document 11: Franco Alfano: Franco Alfano (Posillipo, Naples, 8 March 1875 – Sanremo, 27 October 1954) was an Italian composer and pianist. Best known today for his opera "Risurrezione" (1904) and above all for having completed Puccini's opera "Turandot" in 1926. He had considerable success with several of his own works during his lifetime.
Document 12: In questa reggia: "In questa reggia" ("In this palace") is an aria from Giacomo Puccini's opera "Turandot" set to a libretto in Italian by Giuseppe Adami and Renato Simoni. The text is based on Friedrich Schiller's adaptation of the play "Turandot" by Carlo
Document 13: Turandot Suite: The Turandot Suite, Op. 41 (BV 248) is an orchestral work by Ferruccio Busoni written in 1904-5, based on Carlo Gozzi's play "Turandot". The music – in one form or another – occupied Busoni at various times between the years 1904–17. Busoni arranged the suite from incidental music which he was composing to accompany a production of Gozzi's play. The suite was first performed in October 1905, while the play with his incidental music was not produced until 1911. In August 1916 Busoni had finished composing the one-act opera "Arlecchino", but it needed a companion work to provide a full evening's entertainment. He suddenly decided to transform the "Turandot" music into a two-act opera with spoken dialog. The two works were premiered together as a double-bill in May 1917.
Document 14: Turandot (Gozzi): Turandot (1762) is a "commedia dell'arte" play by Carlo Gozzi after a supposedly Persian story from the collection "Les Mille et un jours" (1710–1712) by François Pétis de la Croix (not to be confused with "One Thousand and One Nights"). Gozzi's "Turandot" was first performed at the Teatro San Samuele, Venice, on 22 January 1762.
Document 15: 530 Turandot: 530 Turandot is a minor planet orbiting the Sun that was discovered by German astronomer Max Wolf on 11 April 1904 and named for the title character in Puccini's opera.
ground_truth: opera