Question: What piece was composed in 1937 for the American Bandmasters Association and has a melody similar to Green Bushes?

full_context: Document 1: Lovely Joan: Lovely Joan is a traditional English folk song (Roud #592), and the tune to which it is sung. Its melody is most familiar to modern audiences as the counterpoint tune used in British composer Ralph Greaves's arrangement of "Fantasia on "Greensleeves"" from Ralph Vaughan Williams's opera "Sir John in Love"."
Document 2: Blacksmith (song): "Blacksmith" (Roud 816) is a traditional English folk song, also known as "A Blacksmith Courted Me". The song was noted down by Ralph Vaughan Williams in 1909 from a Mrs Ellen Powell of Westhope near Weobley, Herefordshire. On that occasion it was sung to the tune "Monk's Gate", better known as the tune of "To be a pilgrim", the hymn by John Bunyan. The same tune is sometimes used for the song "Our Captain Cried". There is a setting by George Butterworth (a friend of Vaughan Williams and Cecil Sharp) in his 1912 collection "Folk Songs from Sussex" (recorded by Roderick Williams and Iain Burnside in the Naxos English Song Series 8.572426).
Document 3: The Lincolnshire Poacher: "The Lincolnshire Poacher" is a traditional English folk song associated with the county of Lincolnshire, and deals with the joys of poaching. It is considered to be the unofficial county anthem of Lincolnshire. It is catalogued as Roud Folk Song Index No. 299.
Document 4: Six Studies in English Folk Song: Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano. Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented solo line.
Document 5: Seventeen Come Sunday: "Seventeen Come Sunday" is an English folk song (Roud 277, Laws O17) which was used in the first movement of Ralph Vaughan Williams' "English Folk Song Suite" and a choral version by Percy Grainger (1912). The words were first published between 1838 and 1845.
Document 6: Variations on a Korean Folk Song: Variations on a Korean Folk Song is a major musical piece written for concert band by John Barnes Chance in 1965. As the name implies, "Variations" consists of a set of variations on the Korean folk song "Arirang", which the composer heard while in South Korea with the U.S. Army in the late 1950s. In 1966 the piece was awarded the American Bandmasters Association's Ostwald Award.
Document 7: Chester E Groth Music Company: Chester E Groth Music Company was founded in 1939 in downtown Minneapolis, Minnesota by professional musician Chester E. Groth. Prior to opening Groth Music, he was a cornetist in the United States Navy Band, and he also performed under the direction of John Philip Sousa. In addition to importing and selling musical instruments, music lessons were provided by Mr. Groth and his staff. Groth's daughter Nancy Groth-Kersten assumed ownership of the company in 1985 when it moved to Bloomington, Minnesota. In 2013, Groth Music acquired Music Products Inc. from Elmhurst, Illinois, expanding its nationwide service to school music programs. In 2014 the company acquired Eble Music Company from Iowa City, Iowa, which expanded Groth Music's printed music division.
Document 8: Lincolnshire Posy: Lincolnshire Posy is a piece by Percy Grainger for concert band composed in 1937 for the American Bandmasters Association. Considered Grainger's masterpiece, the 16-minute-long work is composed of six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England. The work debuted with three of the movements on March 7, 1937 by the Milwaukee Symphonic Band, a group composed of members from several bands including the Blatz Brewery and Pabst Blue Ribbon beer factory worker bands in Milwaukee, Wisconsin.
Document 9: Little Symphony No. 1 (Milhaud): Little (Chamber) Symphony No. 1 “Le Printemps” Op. 43, as the first of a collection of six “Little Symphonies,” by Darius Milhaud is a symphony by name, due to its length of just over 3 minutes. This piece should not be confused with Milhaud's Symphony No. 1. The piece was composed in Rio de Janeiro in the year 1917. It first premiered in Rio de Janeiro in 1918, and was published by Universal in 1922. The influence of Brazilian culture, jazz, and polytonality is very clearly seen in this series of symphonies. According to Milhaud himself, he was quite attracted to the unusual quality of small groups of instruments, which is why he embarked on his series of Petites Symphonies. Due to the fact that he was living in Brazil, acting as assistant to the diplomat/poet Paul Claudel, at the time he wrote this first symphony some of the Brazilian influence can be viewed in his work. This first symphony was written for piccolo, flute, clarinet, oboe, harp, 2 violins, viola, and cello. Overall, this piece has a very simple melody, contains polytonal elements, and possesses a pastoral, folkish feeling throughout. The melodies and pitches evoke a light, airy feeling, such as that of the spring, thus alluding to the symphony's subtitle.
Document 10: Symphony No. 6 (Beethoven): The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: "Pastorale"), is a symphony composed by Ludwig van Beethoven, and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, the symphony was first performed in the Theater an der Wien on 22 December 1808 in a four-hour concert.
Document 11: No Man's Land (Eric Bogle song): "No Man's Land" (also known as "The Green Fields of France" or "Willie McBride") is a song written in 1976 by Scottish Australian folk singer-songwriter Eric Bogle, reflecting on the grave of a young man who died in World War I. Its chorus refers to two famous pieces of military music, "The Last Post" and "The Flowers of the Forest". Its melody, its refrain ("did they beat the drum slowly, did they play the fife lowly"), and elements of its subject matter (a young man cut down in his prime) are similar to those of "Streets of Laredo", a North American cowboy ballad whose origins can be traced back to an 18th-century English ballad called "The Unfortunate Rake" and the Irish Ballad "Lock Hospital". In 2009 Eric told an audience in Weymouth that he'd read about a girl who had been presented with a copy of the song by then prime minister Tony Blair, who called it "his favourite anti-war poem". According to Eric, the framed copy of the poem was credited to him, but stated that he had been killed in World War I.
Document 12: Symphonic Dances (Grieg): The four Symphonic Dances of the Norwegian composer Edvard Grieg, form the collection notated as Op. 64. They were written c. 1896 and published in 1897. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman.
Document 13: Symphony No. 1 &quot;Afro-American&quot;: Symphony No. 1 in A-flat, "Afro-American" (1930) by William Grant Still was the first symphony written by an African American and performed for a United States audience by a leading orchestra. It was premiered in 1931 by the Rochester Philharmonic Orchestra. It is a symphonic piece for full orchestra, including celeste, harp, and tenor banjo. It combines a fairly traditional symphonic form with blues progressions and rhythms that were characteristic of popular African-American music at the time. This combination expressed Still's integration of black culture into the classical forms. Still used quotes from four dialect poems by early 20th-century African-American poet Paul Laurence Dunbar as epigraphs for each symphonic movement.
Document 14: Green Bushes: Green Bushes is an English folk song (Roud #1040, Laws P2) which is featured in the second movement of Ralph Vaughan Williams' "English Folk Song Suite", in Percy Grainger's "Green Bushes (Passacaglia on an English Folksong)", and in George Butterworth's "The Banks of Green Willow". The melody is very similar to that of the "Lost Lady Found" movement of Percy Grainger's Lincolnshire Posy, and to The Cutty Wren.
Document 15: Billy Boy: "Billy Boy" is a traditional folk song and nursery rhyme found in the United States. It has a Roud Folk Song Index number of 326. It is a variant of the traditional English folk song "My Boy Billy", collected by Ralph Vaughan Williams and published by him in 1912 as number 232 in "Novello's School Songs". The song is very popular with the Orange Order.
ground_truth: Lincolnshire Posy