Question: Do Kyle Schickner and Gene Saks share the same nationality?

full_context: Document 1: Jerry Zaks: Jerry Zaks (born September 7, 1946) is a German-born American stage and television director, and actor. He won the Tony Award for Best Direction of a Play and Drama Desk Award for directing "The House of Blue Leaves", "Lend Me a Tenor", and "Six Degrees of Separation" and the Tony Award for Best Direction of a Musical and Drama Desk Award for "Guys and Dolls".
Document 2: Gena Rowlands: Virginia Cathryn Rowlands (born June 19, 1930), professionally known as Gena Rowlands, is an American film, stage, and television actress, whose career in the entertainment industry has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in ten films, including "A Woman Under the Influence" (1974) and "Gloria" (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for "Opening Night" (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.
Document 3: Marian Seldes: Marian Hall Seldes (August 23, 1928 – October 6, 2014) was an American stage, film, radio, and television actress whose career spanned over 60 years. A five-time Tony Award nominee, she won the Tony Award for Best Featured Actress in a Play for "A Delicate Balance" in 1967, and received subsequent nominations for "Father's Day" (1971), "Deathtrap" (1978–82), "Ring Round the Moon" (1999), and "Dinner at Eight" (2002). She also won a Drama Desk Award for "Father's Day". Her other Broadway credits included "Equus" (1974–77), "Ivanov" (1997), and "Deuce" (2007). She was inducted into the American Theater Hall of Fame in 1995 and received the Special Tony Award for Lifetime Achievement in 2010.
Document 4: FenceSitter Films: FenceSitter Films is a film production and television production company founded by Kyle Schickner an American film producer, writer, director, actor and a bisexual civil rights activist, devoted to creating entertainment for women, and sexual and ethnic minorities.
Document 5: Pink and White Productions: Pink and White Productions is an American pornographic production company, based in San Francisco, California, that focuses on explicit video web and DVD releases showcasing female and queer sexuality. The company's main director and producer is Shine Louise Houston. Houston began her vision for "Pink and White Productions" after graduating from San Francisco Art Institute with a Bachelors in Fine Art Film; her works have become the new gold standard of queer adult cinema, particularly the Crash Pad Series (CrashPadSeries.com), which has won many awards as well as being featured in "Curve" magazine. Along with her feature in "Curve", Houston has also won "Curve"' s Lesbian Sex Culture Curator Award, the Feminist Porn Awards “Visionary, " PorYes Europe’s 1st Feminist Porn Awards Honored Filmmaker and International Ms Leather Keynote Speaker.
Document 6: Kyle Schickner: Kyle Schickner is an American film producer, writer, director, actor and a bisexual civil rights activist. He is the founder of FenceSitter Films, a Production company devoted to entertainment for women, and sexual and ethnic minorities. He currently lives and works in Los Angeles, where he directs films, music videos, a Web series and commercials for his production company FenceSitterFilms.
Document 7: Brave New Films: Brave New Films is a new media company based in Culver City, California. The brainchild of filmmaker Robert Greenwald, BNF produces feature-length documentaries and investigative videos “to educate, influence and empower viewers to take action around issues that matter.”
Document 8: Brighton Beach Memoirs (film): Brighton Beach Memoirs is a 1986 American comedy film directed by Gene Saks, written by Neil Simon, and starring Jonathan Silverman and Blythe Danner. Simon adapted his semi-autobiographical 1983 play of the same title, the first chapter in what is known as the "Eugene trilogy", followed by "Biloxi Blues" and "Broadway Bound". The film frequently breaks the fourth wall by having Eugene speak directly to the camera.
Document 9: Gordon Quinn: Gordon Quinn is Artistic Director and founding member of Kartemquin Films and a 2007 recipient of the MacArthur Award for Creative and Effective Institutions. Gordon Quinn has been making documentaries for over 45 years and has produced or directed over 30 films. His recent directing credits include "Prisoner of Her Past" and "A Good Man". His producing credits include the films "Hoop Dreams"; "In the Family";"Vietnam, Long Time Coming"; "Golub: Late Works Are the Catastrophes"; "5 Girls"; "Refrigerator Mothers"; and "Stevie". Most recently, Gordon executive produced "" and "The New Americans", for which he directed the Palestinian segment. Currently, he is executive producing several new films for Kartemquin.
Document 10: Killer Films: Killer Films is a New York City-based independent film production company founded by movie producers Christine Vachon and Pamela Koffler in 1995. The company has produced a number of the most acclaimed American independent films over the past two decades including "Far From Heaven" (nominated for four Academy Awards), "Boys Don't Cry" (Academy Award winner), "One Hour Photo", "Kids", "Hedwig and the Angry Inch", "Happiness", "Velvet Goldmine", "Safe", "I Shot Andy Warhol", "Swoon", "I'm Not There" (Academy Award nominated), "Kill Your Darlings", "Still Alice" (Academy Award winner) and "Carol" (nominated for six Academy Awards). Killer Films executive produced Todd Haynes' five episode HBO miniseries "Mildred Pierce" featuring Kate Winslet and Guy Pearce, which went on to win five Emmys, a Golden Globe and a Screen Actors Guild Award.
Document 11: Bea Arthur: Beatrice "Bea" Arthur (born Bernice Frankel; May 13, 1922 – April 25, 2009) was an American actress, comedian, singer, and animal rights activist. Her career spanned seven decades.
Document 12: Gene Allen (art director): Eugene "Gene" Allen (June 17, 1918 – October 7, 2015) was an American art director. He followed his father and became a Los Angeles Police officer after he was laid off from his first job as a sketch artist. After serving in the United States Navy during World War II, Allen went to art school to pursue his career. He won an Academy Award in 1965 for Best Art Direction for "My Fair Lady", and was nominated for "A Star Is Born" in 1955 and for "Les Girls" in 1958. He served as President of the Academy of Motion Pictures Arts and Sciences from 1983 to 1985 and received a Special Achievement Award from the Art Directors Guild in 1997. Allen died on October 7, 2015 at the age of 97.
Document 13: Keiran Lee: Keiran Lee (born January 15, 1984) is a pornographic actor, director, and producer who works for production company Brazzers.
Document 14: Gene Saks: Gene Saks (November 8, 1921 – March 28, 2015) was an American stage, film director, and actor. An inductee of the American Theater Hall of Fame, his acting career beginning with a debut on Broadway in 1949. As a director, he was nominated for seven Tony Awards, winning three for his direction of "I Love My Wife", "Brighton Beach Memoirs" and "Biloxi Blues". He also directed a number of films during his career. He was married to Bea Arthur, who died in 2009, from 1950 until 1980, and subsequently to Keren Saks, from 1980 to his death in 2015.
Document 15: Kristiene Clarke: Kristiene Clarke is a documentary director, producer and academic. She is the first Transgender filmmaker in the world to have created documentaries addressing the topic. She has had extensive education and training in various forms of filming and production, and over 70 flagship films to her name since she began directing and producing in 1988. Her work contains themes of cultural, political and sexual diversity and documents the lives and adversity of a variety of people from contrasting backgrounds. Throughout her work she strives to challenge stereotypes and ensure individuals' sexuality and trans identity are not withheld from them. She believes that analysing how the LGBT community is represented via media platforms such as books, TV and film can provide an insight into the contemporary values held within society. Clarke states that there is a popular assumption that transgender individuals are part of a homogeneous group with identical values, and through her filmmaking she aims to unhinge this notion.
ground_truth: yes