Question: Who was the child of Maria Leopoldina of the country where the painter of The Bride of the Wind was a citizen?

full_context: Document 1: Leopold Museum: The more than 5,000 exhibits collected by Elisabeth and Rudolf Leopold over five decades were consolidated in 1994 with the assistance of the Republic of Austria and the National Bank of Austria into the Leopold Museum Private Foundation. In 2001 the Leopold Museum was opened.
Document 2: José, Prince of Brazil: D. José, Prince of Brazil, Duke of Braganza (; 20 August 1761 – 11 September 1788) was the heir apparent to the Kingdom of Portugal until his death in 1788, as the eldest child of Queen Maria I of Portugal and King Pedro III of Portugal, members of the House of Braganza.
Document 3: Koloman Moser: Koloman Moser (; 30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.
Document 4: The Bride of the Wind: The Bride of the Wind (Die Windsbraut) (or The Tempest) is a 1913–1914 painting by Oskar Kokoschka. The oil on canvas work is housed in the Kunstmuseum Basel. Kokoschka's best known work, it is an allegorical picture featuring a self-portrait by the artist, lying alongside his lover Alma Mahler.
Document 5: Breezing Up (A Fair Wind): Breezing Up (A Fair Wind) is an oil painting by American artist Winslow Homer. It depicts a catboat called the "Gloucester" chopping through that city's harbor under "a fair wind" (Homer's original title). Inside the boat are a man, three boys, and their catch.
Document 6: Early life of Pedro II of Brazil: Pedro II's mother died when he was one year old, and his father remarried, to Amélie of Leuchtenberg, a couple years later. Pedro II formed a strong bond with Empress Amélie, whom he considered to be his mother throughout the remainder of his life. When Pedro I abdicated on 7 April 1831 and departed to Europe with Amélie, Pedro II was left behind with his sisters and became the second emperor of Brazil. He was raised with simplicity but received an exceptional education towards shaping what Brazilians then considered an ideal ruler. The sudden and traumatic loss of his parents, coupled with a lonely and unhappy upbringing, greatly affected Pedro II and shaped his character.
Document 7: Napoleon: Napoleon turned his focus to domestic affairs after the war. Empress Joséphine had still not given birth to a child from Napoleon, who became worried about the future of his empire following his death. Desperate for a legitimate heir, Napoleon divorced Joséphine in January 1810 and started looking for a new wife. Hoping to cement the recent alliance with Austria through a family connection, Napoleon married the Archduchess Marie Louise, who was 18 years old at the time. On 20 March 1811, Marie Louise gave birth to a baby boy, whom Napoleon made heir apparent and bestowed the title of King of Rome. His son never actually ruled the empire, but historians still refer to him as Napoleon II.
Document 8: Portuguese Empire: Although the royal family returned to Portugal in 1821, the interlude led to a growing desire for independence amongst Brazilians. In 1822, the son of Dom João VI, then prince - regent Dom Pedro I, proclaimed the independence of Brazil on September 7, 1822, and was crowned Emperor of the new Empire of Brazil. Unlike the Spanish colonies of South America, Brazil's independence was achieved without significant bloodshed.
Document 9: Queen Victoria: Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn, the fourth son of King George III. Both the Duke of Kent and King George III died in 1820, and Victoria was raised under close supervision by her German-born mother Princess Victoria of Saxe-Coburg-Saalfeld. She inherited the throne aged 18, after her father's three elder brothers had all died, leaving no surviving legitimate children. The United Kingdom was already an established constitutional monarchy, in which the sovereign held relatively little direct political power. Privately, Victoria attempted to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality.
Document 10: Rudolf Leopold: Rudolf Leopold (1 March 1925 – 29 June 2010) was an Austrian art collector, whose collection of 5,000 works of art was purchased by the Government of Austria and used to create the Leopold Museum, of which he was made director for life. Claims had been made by Jewish survivors of the Holocaust that some of the pieces in the collection were Nazi plunder and should be returned to their rightful owners.
Document 11: The Tree of Life, Stoclet Frieze: The Tree of Life, Stoclet Frieze (French: L'Arbre de Vie, Stoclet Frieze) is a painting by an Austrian symbolist painter Gustav Klimt. It was completed in 1909 and is based on the Art Nouveau (Modern) style in a symbolic painting genre. The dimensions of the painting are , and it is housed at the Museum of Applied Arts, Vienna, Austria.
Document 12: Gugging: The Maria Gugging Psychiatric Clinic, known as Gugging, is a psychiatric institution located on the outskirts of Vienna, Austria. Several of its patients became known for their Outsider Art, and were referred to as the Gugging Artists. Today, the artist/patients live in a dedicated art therapy center at Gugging, known as the Art / Brut Center Gugging. In stark contrast, Gugging has a darkened history during the time of the Nazi Regime, when hundreds of mental patients were murdered or abused as part of the Nazi Regime Euthanasia Program.
Document 13: Murderer, the Hope of Women: Murderer, the Hope of Women is a short Expressionist play written by the painter Oskar Kokoschka. It focuses more on the actions and appearances of its characters than on their dialogue. Its performance was received with much criticism, as it was a break from classical drama and part of the modernist avant-garde movement in German culture.
Document 14: Woman with a Fan: La Femme à l'Éventail, or Woman with a Fan, is a painting by the French artist Jean Metzinger. The work was exhibited in 1914 at Moderni Umeni, S.V.U. Mánes, Prague. A 1914 photograph taken at the exhibition in Prague was published in the magazine "" showing "Woman with a Fan" hanging next to another work by Metzinger known as "En Canot (Im Boot, The Boat)", 1913. Donated by Mr. and Mrs. Sigmund Kunstadter in 1959, "Woman with a Fan" forms part of the permanent collection in Gallery 391B (Medieval to Modern European Painting and Sculpture) at the Art Institute of Chicago.
Document 15: Leopold Museum: The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka and Richard Gerstl.
ground_truth: Pedro II
sub_queries: Who is The Bride of the Wind by? Answer: Oskar Kokoschka
Oskar Kokoschka >> country of citizenship Answer: Austria
Maria Leopoldina of Austria >> child Answer: Pedro II