Question: Lucas Vorsterman was a Baroque engraver, he worked with which artist, a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector, rather than as a politician?

full_context: Document 1: Frans Luycx: Frans Luycx or Frans Luyckx (before 17 April 1604 – 1 May 1668) was a Flemish painter who became the leading portrait painter at the imperial court of Emperor Ferdinand III in Vienna. He is best known for his portraits of the Emperor's family and various members of the Habsburgers, including its Austrian and Spanish branches.
Document 2: Lucas Vorsterman II: Lucas Vorsterman II, Lucas Vorsterman the Younger or Lucas Vorsterman Junior (1624 – between 1666 and 1676) was a Flemish Baroque engraver and draughtsman. Her produced engravings after the work of the leading painters of the next generation and for the various book projects of the Antwerp publishers.
Document 3: Charles Howard (courtier): Charles Howard was a gentleman at the court of Henry VIII of England. He was the second son of Lord Edmund Howard and the elder brother of Sir George Howard. As a scion of the mighty Howard family, his uncle, Thomas Howard, 3rd Duke of Norfolk was able to find him a position at court. Charles' fortunes improved in 1540, when his sister, Catherine Howard became the King's fifth wife. Charles went on to create a mesalliance with the King's niece, Margaret Douglas, the daughter of Henry's sister, Margaret Tudor, queen dowager of Scotland.
Document 4: Lucas Faydherbe: Lucas Faydherbe (also spelled Lucas Faijdherbe; he signed as Lucas Fayd'herbe) (Mechelen, 19 January 1617 – Mechelen, 31 December 1697) was a Flemish sculptor and architect who played a major role in the development of the High Baroque in the Southern Netherlands.
Document 5: Thomas Howard, 21st Earl of Arundel: Thomas Howard, 21st Earl of Arundel KG, (7 July 1586 – 4 October 1646) was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. When he died he possessed 700 paintings, along with large collections of sculpture, books, prints, drawings, and antique jewellery. Most of his collection of marble carvings, known as the Arundel marbles, was eventually left to the University of Oxford.
Document 6: Walter Erle (died 1581): Walter Erle (c.1515/20-1581) ("alias" Erley, Erell, etc.) of Colcombe in the parish of Colyton, of Bindon in the parish of Axmouth, both in Devon, and of Charborough in Dorset, England, was a courtier and servant of the Royal Household to two of the wives of King Henry VIII, namely Catherine Howard (beheaded 1542) and Catherine Parr (survived, died 1548), and successively to his son King Edward VI (1547-1553) and two daughters, Queen Mary I (1553-1558) and Queen Elizabeth I (1558-1603) during their successive reigns. According to Sandon (1983) his popularity as a royal courtier was in part due to his ability as a musician, particularly as a player of the virginal. He is known to have composed at least one work of church music, namely "Ave Vulnus Lateris" ("Hail, O Wound of the Side"), a short votive antiphon in honour of one of the Five Holy Wounds of Jesus, his authorship of which is recorded in Peterhouse College manuscripts 471–474, held in the Cambridge University Library, comprising four partbooks from a set of five copied late in the reign of King Henry VIII, which contain seventy-two pieces of Latin church music. As a courtier-musician he well represents the ideal royal courtier described in "The Courtier" by Baldassare Castiglione (d.1529) and also in "The Boke Named The Governour" by Sir Thomas Elyot (d.1546). Although he was born into a minor gentry family of Devonshire, he founded a dynasty of substantial landed gentry that survives to the present day, his heir (albeit via several female lines) being the Conservative Member of Parliament Richard Grosvenor Plunkett-Ernle-Erle-Drax (born 1958), of Charborough House.
Document 7: Lucas van Uden: Lucas van Uden (18 October 1595 – 4 November 1672) was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
Document 8: Fabio Berardi (engraver): Fabio Berardi (1728–1788) was an Italian engraver of the Baroque period, active in Tuscany. He was born in Siena. He went to Venice when young, and trained under Joseph Wagner. Among other works, he engraved in 1767 a booklet of pictures about the life of emperor Francis I. He also engraved the following:
Document 9: Alethea Howard, Countess of Arundel: Alethea Howard, 13th Baroness Furnivall, Countess of Arundel (1585 – 3 June [O.S. 24 May] 1654 ), née Lady Alethea Talbot (pronounced "Al-ee-thia"), was the wife of Thomas Howard, 21st Earl of Arundel. She was the youngest daughter of Gilbert Talbot, 7th Earl of Shrewsbury and his wife Mary Cavendish; and the sister of two other countesses: Mary Herbert, Countess of Pembroke and Elizabeth Grey, Countess of Kent.
Document 10: Pieter Nason: Pieter Nason (ca. 1612, Amsterdam - 1688/90 The Hague) was a Dutch painter. He became a member of the Guild of Painters of The Hague in 1639, and in 1656 was one of the forty seven members who established the 'Pictura Society. From a MS. by Pieter Terwesten, it appears not improbable that Nason was a pupil of Jan van Ravensteyn; and it is believed that his name has been effaced from pictures since attributed to Mierevelt, Moreelse, and above all to Ravensteyn. It is certain that he painted the portrait of Prince Mauritz, Governor of the Brazils , engraved by Houbraken, and those of Charles the Second of England, engraved by C. Van Dalen and Sandrart, and of the Grand Elector. At Berlin there is a full-length portrait, dated 1667, of the latter, by Nason; also a still life, representing gold, silver, and glass vessels, likewise a portrait by him signed and dated 1670. There are others at Copenhagen and at Rotterdam. The date of his death is not known, but his life was long. Redgrave gives the initial of his Christian name wrongly as R.
Document 11: Lucas Vorsterman: Lucas Vorsterman (1595–1675) was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck, as well as for patrons such as Thomas Howard, 21st Earl of Arundel and Charles I of England.
Document 12: George Villiers, 1st Duke of Buckingham: George Villiers, 1st Duke of Buckingham, ( ; 28 August 1592 – 23 August 1628), was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England. Despite a patchy political and military record, Buckingham remained at the height of royal favour for the first three years of the reign of King Charles I, until a disgruntled army-officer assassinated him.
Document 13: Sir George Howard (courtier): Sir George Howard (c.1525–1580) was an English courtier, politician, author and diplomat, and the brother of King Henry VIII's fifth queen, Catherine Howard. Howard held offices at court under four monarchs, Henry VIII, Edward VI, Mary I, and Elizabeth I, most notably the office of Master of the Armoury, and undertook several diplomatic missions. A masque written by Howard was produced at court during the reign of Edward VI, and he is mentioned by name in the Langham letter, which describes the Earl of Leicester's entertainment of Queen Elizabeth at Kenilworth Castle in July 1575.
Document 14: Thomas Arundell (1454–1485): Sir Thomas Arundell (1454–1485) was an English nobleman. He was made a Knight of the Bath at the Coronation of Richard III in 1483. Two years later, when Richard III was defeated at the Battle of Bosworth (1485), he was attainted for rebelling against the King. Arundell then gave his support to Henry Tudor in his claim to the throne. His marriage to the heiress, Katherine Dynham, brought great wealth to the Arundell family. She was one of the four sisters and coheirs of John Dynham, 1st Baron Dynham.
Document 15: Gerard Johnson the elder: Gerard Johnson the elder (d. 1611) is the Anglicised form of Gheerart Janssen, a Dutch sculptor who operated a monument workshop in Elizabethan and Jacobean England and the father of Gerard Johnson the younger, who is thought to have created Shakespeare's funerary monument. He and Cornelius Cure became the leaders of the so-called Southwark school of monument design, which dominated the English market in the late-sixteenth century.
ground_truth: Thomas Howard, 21st Earl of Arundel