Question: Meredith Bergmann, is a U.S. sculptor, poet, and essayist whose work is said to "forge enriching links between the past and the concerns of the present.", her memorial to which prominent African-American poet, novelist, children's writer, and playwright during the Harlem Renaissance, is in the collection of the New York Public Library? 

full_context: Document 1: Joseph Seamon Cotter Sr.: Joseph Seamon Cotter Sr. (February 2, 1861 – March 14, 1949) was a poet, writer, playwright, and community leader raised in Louisville, Kentucky (but born in Nelson County, Kentucky). Cotter was one of the earliest African-American playwrights to be published. He was known as "Kentucky's first Negro poet with real creative ability." Born at the start of the American Civil War, raised in poverty with no formal education until the age of 22, and living through a time of monumental change, Cotter also became an educator and an advocate of black education.
Document 2: Swoon (artist): Originally known for her street art, Swoon (born Caledonia Dance Curry in 1977) is a mixed media artist who specializes in life-size wheatpaste prints and paper cutouts of human figures. She studied at the Pratt Institute in Brooklyn, receiving a BA in fine arts in 2002. She started to gain recognition for her street art around 1999 and large-scale installations soon thereafter; in 2005, she was the subject of an eponymous solo exhibition mounted by now-mentor Jeffrey Deitch. Swoon has since been featured in major museums including a 2014 solo show, "Submerged Motherlands", at the Brooklyn Museum.
Document 3: Langston Hughes: James Mercer Langston Hughes (February 1, 1902 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri.
Document 4: Frederick Douglass Memorial: The Frederick Douglass Memorial is a memorial commemorating Frederick Douglass, installed at the northwest corner of New York City's Central Park, in the U.S. state of New York. The memorial includes an 8-foot bronze sculpture depicting Douglass by Gabriel Koren and a large circle and fountain designed by Algernon Miller. Additionally, Quennell Rothschild & Partners is credited as the memorial's architecture, and Polich-Tallix served as the foundry. The memorial was dedicated on September 20, 2011, and was funded by the Percent for Art program and the Department of Cultural Affairs.
Document 5: African-American literature: African-American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of slave narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African-American writers have been recognized by the highest awards, including the Nobel Prize to Toni Morrison. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African-American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Document 6: Judy Chicago: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces, which examine the role of women in history and culture. By the 1970s, Chicago had coined the term "feminist art" and had founded the first feminist art program in the United States. Chicago's work incorporates stereotypical women's artistic skills, such as needlework, counterbalanced with stereotypical male skills such as welding and pyrotechnics. Chicago's most well known work is "The Dinner Party", which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. "The Dinner Party" celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include "International Honor Quilt", "The Birth Project", "Powerplay", and "The Holocaust Project".
Document 7: Effie Lee Newsome: Effie Lee Newsome (1885–1979), born Mary Effie Lee in Philadelphia, was a Harlem Renaissance writer. She mostly wrote children's poems, and was the first famous African-American poet whose work was mostly in this area. She edited a column in "The Crisis" from 1925 until 1929, called "The Little Page", where she made drawings and wrote poetry for children and parables about being young and black in the 1920s. Newsome also illustrated for children's magazines and edited children's columns for "Opportunity".
Document 8: Gwendolyn B. Bennett: Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to "", which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in poetry and prose. She is perhaps best known for her short story "Wedding Day", which was published in the first issue of "Fire!!" Bennett contributed a lot within her lifetime. She was a dedicated and self-preserving woman, respectfully known for being a strong influencer of African-American women rights during the Harlem Renaissance. Throughout her dedication and perseverance, Bennett raised the bar when it came to women's literature, and education. One of her contributions to the Harlem Renaissance was her literary acclaimed short novel "Poets Evening", it helped the understanding within the African-American communities, resulting in many African-Americans coming to terms with identifying and accepting themselves.
Document 9: Mary McLeod Bethune Memorial: Mary McLeod Bethune Memorial is a bronze statue honoring educator and activist Mary McLeod Bethune, by Robert Berks.
Document 10: Are Years What? (for Marianne Moore): Are Years What? (for Marianne Moore) is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark di Suvero exhibition at Crissy Field.
Document 11: Claude McKay: Festus Claudius "Claude" McKay (September 15, 1889 – May 22, 1948) was a Jamaican writer and poet, who was a seminal figure in the Harlem Renaissance. He wrote four novels: "Home to Harlem" (1928), a best-seller that won the Harmon Gold Award for Literature, "Banjo" (1929), "Banana Bottom" (1933), and in 1941 a manuscript called "Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem" which remained unpublished until 2017. McKay also authored collections of poetry, a collection of short stories, "Gingertown" (1932), two autobiographical books, "A Long Way from Home" (1937) and "My Green Hills of Jamaica" (published posthumously), and a non-fiction, socio-historical treatise entitled "Harlem: Negro Metropolis" (1940). His 1922 poetry collection, "Harlem Shadows", was among the first books published during the Harlem Renaissance. His "Selected Poems" was published posthumously, in 1953.
Document 12: Meredith Bergmann: Meredith Bergmann, is a U.S. sculptor, poet, and essayist whose work is said to "forge enriching links between the past and the concerns of the present." She studied at Wesleyan University and graduated from The Cooper Union with a BFA. While at Cooper Union she discovered sculpture and spent several years traveling around Europe and studying in Pietrasanta, Italy. Her memorial to Countee Cullen is in the collection of the New York Public Library. In 2003, she unveiled the Boston Women's Memorial on Commonwealth Avenue Mall in Boston which includes statues of Phillis Wheatley, Abigail Adams, and Lucy Stone. In 2006, Bergmann's statue of the famous contralto Marian Anderson was unveiled on the campus of Converse College in Spartanburg, SC. In 2010, Bergmann created a sculpture of a slave girl named Sally Maria Diggs, or "Pinky," whose freedom was purchased for $900 in 1860. Bergmann also completed a commission commemorating the events of September 11, 2001 for New York City's Cathedral of St. John the Divine entitled "Memorial to September 11".
Document 13: Mariana Castillo Deball: Mariana Castillo Deball (born 1975 in Mexico City) is an artist who studied in the Universidad Nacional Autónoma de México, Mexico City and the Jan Van Eyck Academie in Maastricht. She is currently based in Berlin. In 2009, she was awarded the Ars Viva prize, which has been presented by the Kulturkreis der deutschen Wirtschaft im BDI (Association of Arts and Culture of the German Economy at the Federation of German Industries) every year since 1953, and is awarded to young visual artists who live and work in Germany. Castillo Deball uses installation, sculpture, photography and drawing to explore the role objects play in our understanding of identity and history. Engaging in prolonged periods of research and field work, she takes on the role of the explorer or the archaeologist, compiling found materials in a way that reveals new connections and meanings. In Castillo Deball's 2013 work Stelae Storage, Plaster casts copied from monolithic Mayan stone sculptures called stelae are displayed on metal racks similar to those found in a museum's storage area. In a similar work, Lost Magic Kingdoms Paolozzi (2013), Castillo Deball culled photographic reproductions from the personal archives of late Scottish artist Eduardo Paolozzi, who mixed pop and ethnographic references.
Document 14: The New Negro: An Interpretation: The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement.
Document 15: Countee Cullen: Countee Cullen (May 30, 1903 – January 9, 1946), born Countee LeRoy Porter, was a prominent African-American poet, novelist, children's writer, and playwright during the Harlem Renaissance.
ground_truth: Countee Cullen