Question: When did the name black death officially take root in the country of citizenship of the author of The Alchemist?

full_context: Document 1: Black Death: Gasquet (1908) claimed that the Latin name atra mors (Black Death) for the 14th-century epidemic first appeared in modern times in 1631 in a book on Danish history by J.I. Pontanus: "Vulgo & ab effectu atram mortem vocatibant. ("Commonly and from its effects, they called it the black death"). The name spread through Scandinavia and then Germany, gradually becoming attached to the mid 14th-century epidemic as a proper name. In England, it was not until 1823 that the medieval epidemic was first called the Black Death.
Document 2: Black Death in England: The Black Death was a pneumonic plague pandemic, which reached England in June 1348. It was the first and most severe manifestation of the Second Pandemic, caused by Yersinia pestis bacteria. The term ``Black Death ''was not used until the late 17th century.
Document 3: All Fools: All Fools is an early Jacobean era stage play, a comedy by George Chapman that was first published in 1605. The play has often been considered Chapman's highest achievement in comedy: "not only Chapman's most flawless, perfectly balanced play," but "also his most human and large-minded." "Chapman certainly wrote no comedy in which an ingenious and well-managed plot combined so harmoniously with personages so distinctly conceived and so cleverly and divertingly executed."
Document 4: Black Death: From Italy, the disease spread northwest across Europe, striking France, Spain, Portugal and England by June 1348, then turned and spread east through Germany and Scandinavia from 1348 to 1350. It was introduced in Norway in 1349 when a ship landed at Askøy, then spread to Bjørgvin (modern Bergen) and Iceland. Finally it spread to northwestern Russia in 1351. The plague was somewhat less common in parts of Europe that had smaller trade relations with their neighbours, including the Kingdom of Poland, the majority of the Basque Country, isolated parts of Belgium and the Netherlands, and isolated alpine villages throughout the continent.
Document 5: The Devil Is an Ass: The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616 and first published in 1631.
Document 6: Pan's Anniversary: Pan's Anniversary, or The Shepherd's Holiday was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. The date of the masque's performance at the English Court has long been in dispute: while the earliest text assigns it to 1625, mid-twentieth-century scholars placed it on 19 June 1620, the king's birthday, at the royal palace at Greenwich. More recently, Martin Butler has argued for a date of 6 January 1621.
Document 7: The Merchant of Venice: The earliest performance of which a record has survived was held at the court of King James in the spring of 1605, followed by a second performance a few days later, but there is no record of any further performances in the 17th century. In 1701, George Granville staged a successful adaptation, titled The Jew of Venice, with Thomas Betterton as Bassanio. This version (which featured a masque) was popular, and was acted for the next forty years. Granville cut the clownish Gobbos in line with neoclassical decorum; he added a jail scene between Shylock and Antonio, and a more extended scene of toasting at a banquet scene. Thomas Doggett was Shylock, playing the role comically, perhaps even farcically. Rowe expressed doubts about this interpretation as early as 1709; Doggett's success in the role meant that later productions would feature the troupe clown as Shylock.
Document 8: The Speeches at Prince Henry's Barriers: The Speeches at Prince Henry's Barriers, sometimes called The Lady of the Lake, is a masque or entertainment written by Ben Jonson in honour of Henry Frederick, Prince of Wales, the son and heir of King James I of England. The speeches were performed on 6 January 1610 in conjunction with the ceremony known as Prince Henry's Barriers.
Document 9: Black Death in England: The Black Death was a bubonic plague pandemic, which reached England in June 1348. It was the first and most severe manifestation of the Second Pandemic, caused by Yersinia pestis bacteria. The term ``Black Death ''was not used until the late 17th century.
Document 10: Black Death in England: The first known case in England was a seaman who arrived at Weymouth, Dorset, from Gascony in June 1348. By autumn, the plague had reached London, and by summer 1349 it covered the entire country, before dying down by December. Low estimates of mortality in the early twentieth century have been revised upwards due to re-examination of data and new information, and a figure of 40 -- 60% of the population is widely accepted.
Document 11: Epicœne, or The Silent Woman: Epicœne, or The Silent Woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. The play is about a man named Dauphine who creates a scheme to get his inheritance from his uncle Morose. The plan involves setting Morose up to marry Epicoene, a boy disguised as a woman. It was originally performed by the Blackfriars Children, or Children of the Queen's Revels, a group of boy players, in 1609. Excluding its two prologues, the play is written entirely in prose.
Document 12: The Alchemist (play): The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge considered it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage (except for a period of neglect during the Victorian era).
Document 13: Lovers Made Men: Lovers Made Men, alternatively titled The Masque of Lethe or The Masque at Lord Hay's, was a Jacobean era masque, written by Ben Jonson, designed by Inigo Jones, and with music composed by Nicholas Lanier. It was performed on Saturday 22 February 1617, and was significant in the development and acceptance of opera in seventeenth-century England.
Document 14: Oberon, the Faery Prince: Oberon, the Faery Prince was a masque written by Ben Jonson, with costumes, sets and stage effects designed by Inigo Jones, and music by Alfonso Ferrabosco and Robert Johnson. "Oberon" saw the introduction to English Renaissance theatre of scenic techniques that became standard for dramatic productions through the coming centuries.
Document 15: Gloriana: The first performance was presented at the Royal Opera House, London, in 1953 during the celebrations of the coronation of Queen Elizabeth II. "Gloriana" was the name given by the 16th-century poet Edmund Spenser to his character representing Queen Elizabeth I in his poem "The Faerie Queene". It became the popular name given to Elizabeth I. It is recorded that the troops at Tilbury hailed her with cries of "Gloriana, Gloriana, Gloriana", after the defeat of the Spanish Armada in 1588.
ground_truth: 1823
sub_queries: The Alchemist >> author Answer: Ben Jonson
Ben Jonson >> country of citizenship Answer: England
When did the name black death officially take root in England ? Answer: 1823