Question: Anthony D. "Tony" Saletan is an American folk singer and educator, who is responsible for the modern rediscovery of two of the genre's best-known songs, one being which spiritual song first recorded in the 1920s, and it became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s?

full_context: Document 1: Sacred Harp: Sacred Harp singing is a tradition of sacred choral music that originated in the American South of the United States. The name is derived from "The Sacred Harp," a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England, with a significant, related development under the influence of "revival" services around the 1840s. This music was included in, and became profoundly associated with, books using the shape note style of notation popular in America in the 18th and early 19th centuries.
Document 2: Myles Horton: Myles Falls Horton (July 9, 1905 – January 19, 1990) was an American educator, socialist and cofounder of the Highlander Folk School, famous for its role in the Civil Rights Movement (Movement leader James Bevel called Horton "The Father of the Civil Rights Movement"). Horton taught and heavily influenced most of the era's leaders. They included Martin Luther King Jr, Rosa Parks (who studied with Horton shortly before her decision to keep her seat on the Montgomery, Alabama bus in 1955), John Lewis, James Bevel, Bernard Lafayette, Ralph Abernathy, John B. Thompson, and many others.
Document 3: Tony Saletan: Anthony D. "Tony" Saletan is an American folk singer and educator, who is responsible for the modern rediscovery of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya." Born and raised in New York City, he attended the Walden School and received his bachelor's and master's degrees from Harvard University. For a brief period during his childhood, Saletan's piano teacher was a young Leonard Bernstein. He was involved as a teen in the Henry Wallace presidential campaign of 1948, in which original music in the folk style was important. Saletan settled in the Boston area, where for several years he appeared on educational television (WGBH), taught music in the Newton, Massachusetts public schools and gave private guitar lessons. He also became involved in folk dancing and calling of contra dances. Saletan has often taught at Pinewoods Camp, in Plymouth, Massachusetts. Later in life, Saletan moved to Tacoma, Washington.
Document 4: Bob Dylan: Bob Dylan ( ; born Robert Allen Zimmerman, May 24, 1941) is an American singer, songwriter, musician, painter, and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'", which became anthems for the Civil Rights Movement and anti-war movement. Leaving behind his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone", recorded in 1965, enlarged the range of popular music.
Document 5: Down by the Bay: "Down by the Bay" is a traditional children's song. A famous version was performed by Raffi and appears on his 1976 album "Singable Songs for the Very Young". In recent years, the song had gained popularity as a campfire song among the Scouting Movement in Britain.
Document 6: Old-Time Religion: ("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs—or earlier. It has become a standard in many Protestant hymnals, though it says nothing about Jesus or the gospel, and covered by many artists. Some scholars, such as Forrest Mason McCann, have asserted the possibility of an earlier stage of evolution of the song, in that "the tune may go back to English folk origins" (later dying out in the white repertoire but staying alive in the work songs of African Americans). In any event, it was by way of Charles Davis Tillman that the song had incalculable influence on the confluence of black spiritual and white gospel song traditions in forming the genre now known as southern gospel. Tillman was largely responsible for publishing the song into the repertoire of white audiences. It was first heard sung by African-Americans and written down by Tillman when he attended a camp meeting in Lexington, South Carolina in 1889.
Document 7: Eric Salzman: Salzman was born September 8, 1933 in New York City and attended Forest Hills High School (1946–1950). After studying composition with Marris Mawner at the New York High School of Music and Art (1949–51), he continued his studies (majoring in music and minoring in literature) at Columbia University (BA 1954), where his teachers included Jack Beeson, Lionel Trilling, Otto Luening and Vladimir Ussachevsky. He pursued postgraduate work at Princeton University (MFA 1956) with Milton Babbitt, Roger Sessions, Earl Kim, Edward T. Cone, Arthur Mendel, Oliver Strunk and Nino Pirrotta. A Fulbright Fellowship (1956–58) enabled him to study at the Accademia di Santa Cecilia in Rome with Goffredo Petrassi, and at the Darmstädter Ferienkurse with Karlheinz Stockhausen, Bruno Maderna and Luigi Nono.
Document 8: Leonard Bernstein: Leonard Bernstein ( ; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
Document 9: The Kuumba Singers of Harvard College: The Kuumba Singers of Harvard College (founded in 1970) is the oldest existing Black organization at Harvard College. Formed during a time of high political turmoil, the purpose of the Kuumba Singers is to express Black creativity and spirituality to create a safe space for Black students. In existence for almost 50 years, the Kuumba Singers of Harvard College, or simply Kuumba, has served the Boston-Cambridge community as well as the national community through songs ranging from Negro Spirituals to Contemporary Gospel. With concerts held during both the winter and the spring of each year, along with many other performances and a spring tour, the Kuumba Singers of Harvard College are committed to celebrating Black culture and providing a sense of unity and safety for its members. Through its music and performance, the Kuumba Singers of Harvard College strives to fulfill its mission of leaving a space better than it was found in the true meaning of kuumba.
Document 10: Steve Sample, Sr.: Steve Sample, Sr. is a bandleader, arranger, composer and jazz educator now residing in Bellingham, Washington. For more than 30 years, Sample was a professor in the Music Department of the University of Alabama, where he directed the Jazz Ensembles and taught music theory, arranging and jazz related courses. Sample trained many notable jazz musicians during his long tenure at Alabama, including Gary Wheat, Birch Johnson, Kelley O'Neal, Chris Gordon, Mervyn Warren, Cedric Dent, Beth Gottlieb, Mart Avant, Dick Aven and Ray Reach. He is respected by his peers as one of the finest jazz educators in the United States. On September 26, 2008, Sample was inducted into the Alabama Jazz Hall of Fame for his contributions to jazz education.
Document 11: The Great Speckled Bird (song): "The Great Speckled Bird" is a hymn from the Southern United States whose lyrics were written by the Reverend Guy Smith. It is an allegory referencing Fundamentalist self-perception during the Fundamentalist–Modernist Controversy. The song is in the form of AABA and has a 12 bar count. It is based on Jeremiah 12:9, ""Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye, assemble all the beasts of the field, come to devour."" It was recorded in 1936 by Roy Acuff. It was also later recorded by Johnny Cash and Kitty Wells (both in 1959), Pearly Brown (1961), Hank Locklin (1962), Marty Robbins (1966), Lucinda Williams (1978), Bert Southwood (1990), Marion Williams, and Jerry Lee Lewis.
Document 12: Tom Winslow: Thomas Griffin "Tom" Winslow (November 13, 1940, Hobgood, North Carolina – October 23, 2010, Albany, New York) was a prominent American folk singer and writer, best known as a "disciple" of Reverend Gary Davis and a former member of Pete Seeger's band. He performed with his family as The Winslows and recorded with Al Polito. His career as a performing artist lasted over forty years. He was most notable as the composer of "Hey Looka Yonder (It's The Clear Water)", a folk song that has been the anthem of the "Sloop Clearwater".
Document 13: Benjamin Levy (musician): Double bassist Benjamin Levy was born in Cooperstown, New York in 1980 and grew up in Pennsylvania and Colorado. He attended Cherry Creek High School in Greenwood Village, Colorado during which time he studied with David Potter, and spent two summers studying with Stuart Sankey at the Aspen Music Festival. Mr. Levy has appeared in performance with soprano Dawn Upshaw, the Borromeo String Quartet, and the Hawthorne String Quartet. In 2002, while a Fellow at the Tanglewood Music Center, Mr. Levy was the recipient of the Maurice Schwartz Prize and was reviewed in The New York Times for his performance of Jacob Druckman's "Valentine" for solo double bass. A 2002 graduate of the New England Conservatory, Mr. Levy joined the bass section of the Boston Symphony Orchestra at the start of the 2003 Tanglewood season. He is also the Coordinator, Double Bass Seminar at the Boston Conservatory. Mr. Levy's teachers have included David Potter, Todd Seeber, Timothy Pitts, Paul Ellison, and Stuart Sankey.
Document 14: Kumbaya: Kum ba yah (""Come by Here"") is a spiritual song first recorded in the 1920s. It became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.
Document 15: Cumberland Gap (folk song): "Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, "American Ballads and Folk Songs", by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
ground_truth: Kum ba yah