Question: Are The Makropulos Affair and From the House of the Dead both written by Leoš Janáček?

full_context: Document 1: The Makropulos Affair (opera): The Makropulos Affair (or "The Makropoulos Case", "The Makropulos Secret", or, literally, "The Makropulos Thing"; Czech Věc Makropulos) is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play "Věc Makropulos" by Karel Čapek. Composed between 1923 and 1925, "The Makropulos Affair" was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.
Document 2: Elisabeth Söderström: Anna Elisabeth Söderström {'1': ", '2': ", '3': 'CBE', '4': "} (married name Olow; 7 May 192720 November 2009) was a Swedish soprano who performed both opera and song, and was known as a leading interpreter of the works of Janáček, Rachmaninov and Sibelius. She was particularly well known for her recordings of the lead soprano roles in the three Janáček operas "Jenůfa", "Káťa Kabanová", and "The Makropoulos Affair", all of which received "Gramophone" Awards. The "Gramophone" critic John Warrack described her portrayal of Káťa Kabanová as "establishing by an infinity of subtle touches and discreet, sensitive singing the picture of Káta as the richest and most human character in the drama."
Document 3: Káťa Kabanová: Káťa Kabanová (also known in various spellings including "Katia", "Katja", "Katya", and "Kabanowa") is an opera in three acts, with music by Leoš Janáček to a libretto by , based on "The Storm", a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. "Káťa Kabanová" is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre (Národní divadlo v Brně ) in Brno on 23 November 1921.
Document 4: The Makropulos Affair: Věc Makropulos is a Czech play written by Karel Čapek. Its English title has been variously rendered as "The Makropulos Affair", "The Makropulos Case", or "The Makropulos Secret". "The Makropulos Secret" was Čapek's own preferred English rendition of the play's title. The literal translation of the Czech title reads as "The Makropulos Thing".
Document 5: Capriccio (opera): Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
Document 6: Jenůfa: Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová. It was first performed at the Brno Theater, Brno, 21 January 1904. It was written between 1896 and 1902, and counts among the first operas written in prose.
Document 7: The Cunning Little Vixen: The Cunning Little Vixen (Czech: "Příhody lišky Bystroušky" , lit. "Adventures of the vixen known as Sharp-Ears", and, until the 1970s, generally referred to in English as Adventures of Vixen Sharp-Ears) is a Czech language opera by Leoš Janáček, composed 1921 to 1923, in which a clever fox and accompanying wildlife (as well as a few humans) have small adventures while traversing their lifecycles. Its libretto was adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek and Stanislav Lolek, which was first published in the newspaper "Lidové noviny". The opera incorporates Moravian folk music and rhythms. Described as a comic opera, it has nonetheless been noted to contain a serious theme. Interpretations of the work remain varied, ranging from children's entertainment to a tragedy.
Document 8: The Bartered Bride: The Bartered Bride (, "The Sold Bride") is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863–66, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue.
Document 9: Janáček (crater): Janáček is a crater on Mercury. It has a diameter of 47 kilometers. Its name was adopted by the International Astronomical Union in 1985. Janáček is named for the Czech composer Leoš Janáček, who lived from 1854 to 1928.
Document 10: From the House of the Dead: From the House of the Dead ("Z mrtvého domu" in Czech) is an opera by Leoš Janáček, in three acts. The libretto was translated and adapted by the composer from the 1862 novel by Dostoyevsky. It was the composer's last opera, premiered on 12 April 1930 in Brno, two years after his death.
Document 11: The Jacobin: The Jacobin ("Jakobín" in Czech) is an opera in three acts by Antonín Dvořák to an original Czech libretto by Marie Červinková-Riegrová. Červinková-Riegrová took some of the story's characters from the story by Alois Jirásek, "At the Ducal Court", but devised her own plot about them. The first performance was at the National Theatre, Prague, 1889. Červinková-Riegrová revised the libretto, with Dvořák's permission, in 1894, notably in the last act. Dvořák himself revised the music in 1897 (the revised premiere was on 19 June 1898, under Adolf Čech).
Document 12: Destiny (Janáček): Destiny (also known as "Fate", Czech: "Osud" ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, "Kamila", where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Document 13: Leoš Janáček: Leoš Janáček (] , baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical style.
Document 14: Alfred (Dvořák): Alfred is a heroic opera in three acts by the Czech composer Antonín Dvořák. It was Dvořák's first opera and the only one he composed to a German text. The libretto, by Carl Theodor Körner, had already been set by Friedrich von Flotow (as "Alfred der Große") and is based on the story of the English king Alfred the Great. Composed in 1870, "Alfred" was never performed during Dvořák's lifetime. It received its premiere (in Czech translation) at the City Theatre, Olomouc on 10 December 1938.
Document 15: The Boor (opera): The Boor is an opera in one act composed by Ulysses Kay to a libretto based on Anton Chekhov's comic play, "The Bear" (also known as "The Boor"). Kay wrote the libretto himself basing it on an English translation of the play by the composer Vladimir Ussachevsky. The opera was commissioned by the Koussevitsky Foundation of the Library of Congress and is dedicated to the memory of Natalie and Serge Koussevitzky. It premiered on 2 April 1968 in concert version at the University of Kentucky in Lexington, Kentucky.
ground_truth: yes