Question: Did the composer Charles Gounod or Mikhail Glinka live past the year 1875?

full_context: Document 1: Mikhail Glinka: Mikhail Ivanovich Glinka (Russian: Михаи́л Ива́нович Гли́нка ; 1 June [O.S. 20 May] 1804 15 February [O.S. 3 February] 1857 ) was the first Russian composer to gain wide recognition within his own country, and is often regarded as the fountainhead of Russian classical music. Glinka's compositions were an important influence on future Russian composers, notably the members of The Five, who took Glinka's lead and produced a distinctive Russian style of music.
Document 2: Carmen: Carmen (] ; ] ) is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.
Document 3: The Great Glinka: The Great Glinka (Russian: Глинка , "Glinka " ) is a 1946 Soviet biopic film directed by Lev Arnshtam. The film is about Mikhail Glinka, a Russian composer of the 19th century. The film was awarded the Stalin Prize of II degree (1947) and it was entered into the 1946 Cannes Film Festival.
Document 4: Modest Mussorgsky: Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Му́соргский ; ] ; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881 ) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Document 5: Kamarinskaya: Kamarinskaya (Russian: камаринская ) is a Russian traditional folk dance, which is mostly known today as the Russian composer Mikhail Glinka's composition of the same name. Glinka's "Kamarinskaya", written in 1848, was the first orchestral work based entirely on Russian folk song and to use the compositional principles of that genre to dictate the form of the music. It became a touchstone for the following generation of Russian composers ranging from the Western-oriented Pyotr Ilyich Tchaikovsky to the group of nationalists known collectively as The Five and was also lauded abroad, most notably by French composer Hector Berlioz.
Document 6: Charles Gounod: Charles-François Gounod (] ; 17 June 181817 or 18 October 1893) was a French composer, best known for his "Ave Maria," based on a work by Bach, as well as his opera "Faust". Another opera by Gounod occasionally still performed is "Roméo et Juliette". Although he is known for his Grand Operas, the soprano aria "Que ferons-nous avec le ragoût de citrouille?" from his first opera "Livre de recettes d'un enfant" (Op. 24) is still performed in concert as an encore, similarly to his "Jewel Song" from Faust.
Document 7: Georges Bizet: Georges Bizet (] ; 25 October 18383 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, "Carmen", which has become one of the most popular and frequently performed works in the entire opera repertoire.
Document 8: List of compositions by Charles Gounod: This is a list of musical compositions by the 19th-century French composer Charles Gounod (1818–93), sorted by musical category and date.
Document 9: Russian classical music: Russian classical music is a genre of classical music related to Russia's culture, people, or character. The 19th-century romantic period saw the largest development of this genre, with the emergence in particular of The Five, a group of composers associated with Mily Balakirev, and of the more German style of Pyotr Tchaikovsky.
Document 10: Gustave-Hippolyte Roger: Gustave-Hippolyte Roger, born in Paris on 17 December 1815 and died there on 12 September 1879, was a French tenor. He is best known for creating the leading tenor roles in "La damnation de Faust" by Berlioz in 1846 and Meyerbeer's "Le prophète" in 1849.
Document 11: Ave Maria (Bach/Gounod): The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text "Ave Maria", originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's "The Well-Tempered Clavier", written 137 years earlier.
Document 12: Adolphe Adam: Adolphe Charles Adam (] ; 24 July 1803 – 3 May 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets "Giselle" (1841) and "Le corsaire" (1856, his last work), his operas "Le postillon de Lonjumeau" (1836), "Le toréador" (1849) and "Si j'étais roi" (1852)
Document 13: Ambroise Thomas: Charles Louis Ambroise Thomas (5 August 1811 – 12 February 1896) was a French composer, best known for his operas "Mignon" (1866) and "Hamlet" (1868, after Shakespeare) and as Director of the Conservatoire de Paris from 1871 till his death.
Document 14: Pyotr Ilyich Tchaikovsky and The Five: In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
Document 15: The Mighty Handful: The Mighty Handful (Russian: Могучая кучка ), also known as The Five and The New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinctly Russian classical music. Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin all lived in Saint Petersburg, and collaborated from 1856 to 1870.
ground_truth: Charles-François Gounod