Question: Are Diane Wilkins and Leos Carax both filmmakers?

full_context: Document 1: Jean-Jacques Beineix: Jean-Jacques Beineix (] ; born 8 October 1946) is a French film director and generally seen as the best example of what came to be called the "cinéma du look". Critic Ginette Vincendeau defined the films made by Beineix and others as "youth-oriented films with high production values...The "look" of the "cinéma du look" refers to the films' high investment in non-naturalistic, self-conscious aesthetics, notably intense colours and lighting effects. Their spectacular (studio based) and technically brilliant "mise-en-scène" is usually put to the service of romantic plots." The "cinéma du look" included the films of Luc Besson and Léos Carax. Luc Besson, like Beineix, was much maligned by the critical establishment during the 1980s, while Carax was much admired. In late 2006, Beineix published a first volume of his autobiography, "Les Chantiers de la gloire" (in French only). The title alluded to the French title of Stanley Kubrick's film, "Les Sentiers de la gloire" ("Paths of Glory").
Document 2: Marc Caro: Marc Caro, born 2 April 1956, is a French filmmaker and cartoonist, best known for his co-directing projects with Jean-Pierre Jeunet.
Document 3: Dilman Dila: Dilman Dila is a Ugandan writer, film maker and a social activist. He is the author of a collection of short stories, "A Killing in the Sun", and of two novellas, "Cranes Crest at Sunset", and "The Terminal Move". He was shortlisted for the 2013 Commonwealth Short Story Prize for "A Killing in the Sun", longlisted for the Short Story Day Africa prize, 2013, and nominated for the 2008 Million Writers Awards for the short story "Homecoming". He was longlisted for the BBC International Radio Playwriting Competition with his first radio play, "Toilets are for Something Fishy". His film "The Felistas Fable" (2013) won four awards at the Uganda Film Festival 2014, for Best Screenplay, Best Actor, Best Feature Film, and Film of the Year (Best Director). It won two nominations at the Africa Movie Academy Awards for Best First Feature by a Director, and Best Make-up Artist. It was also nominated for the African Magic Viewers Choice Awards for Best Make-up artist, 2013. His first short film, "What Happened in Room 13", is one of the most watched African films on YouTube. In 2015, he was longlisted for the Inaugural Jalada Prize for Literature for his story "Onen and his Daughter".
Document 4: Make A Film Foundation: Make A Film Foundation is a 501(c)(3) non-profit organization founded in 2006 by writer, director, producer and actor Tamika Lamison. Make A Film Foundation grants film wishes to children who have serious or life-threatening medical conditions helping them to create short film legacies by teaming them with noted actors, writers and directors. Between its two programs, The Short Narrative Program and the VIDZ 4 KIDZ Short Documentary Program, Make A Film Foundation has created over 100 short films. These films have screened at various film festivals and won many awards.
Document 5: Denis Lavant: Denis Lavant (born 17 June 1961) is a French actor known for his distinctive face and the physically demanding aspects of the roles he plays, which often involve slapstick, acrobatics or dance, as well as for his long-standing association with director Leos Carax. Lavant has played the lead role in all but one of Carax's films. Lavant is also known for his roles in Claire Denis' "Beau Travail", and Harmony Korine's "Mister Lonely".
Document 6: François Ozon: François Ozon (] ; born 15 November 1967) is a French film director and screenwriter whose films are usually characterized by sharp satirical wit and a freewheeling view on human sexuality.
Document 7: Kristiene Clarke: Kristiene Clarke is a documentary director, producer and academic. She is the first Transgender filmmaker in the world to have created documentaries addressing the topic. She has had extensive education and training in various forms of filming and production, and over 70 flagship films to her name since she began directing and producing in 1988. Her work contains themes of cultural, political and sexual diversity and documents the lives and adversity of a variety of people from contrasting backgrounds. Throughout her work she strives to challenge stereotypes and ensure individuals' sexuality and trans identity are not withheld from them. She believes that analysing how the LGBT community is represented via media platforms such as books, TV and film can provide an insight into the contemporary values held within society. Clarke states that there is a popular assumption that transgender individuals are part of a homogeneous group with identical values, and through her filmmaking she aims to unhinge this notion.
Document 8: Leos Carax: Alex Christophe Dupont (born 22 November 1960), best known as Leos Carax (] ), is a French film director, critic, and writer. Carax is noted for his poetic style and his tortured depictions of love. His first major work was "Boy Meets Girl" (1984), and his notable works include "Les Amants du Pont-Neuf" (1991) and "Holy Motors" (2012). His professional name is an anagram of his real name, 'Alex', and 'Oscar'.
Document 9: Dee Hibbert-Jones: Dee Hibbert-Jones is a film director, producer and animator. She is best known for co-producing and co-directing the short-documentary "Last Day of Freedom" (32 mins) for which she received an Academy Award for Best Documentary (Short Subject) nomination at the 88th Academy Awards, with Nomi Talisman, an Emmy Award ( Northern CA) and the IDA Best Short Documentary Award. Hibbert-Jones is an Associate Professor of Art and Digital Art New Media at the University of California, Santa Cruz, where she is founder and Co-Director of SPARC at UCSC a Social Practice Arts Research Center. Hibbert-Jones and Talisman were awarded a Guggenheim Fellowship They won an Emmy Award for Last Day of Freedom, at the 45th Annual Northern California Emmy® Awards (News and Program Speciality - Documentary Topical), the Filmmaker Award from the Center for Documentary Studies at Duke, and a Gideon Award for support to Indigent Communities. Currently they are nominated for the 2016 Congressional Black Caucus Veterans Braintrust Award. Among Dee Hibbert-Jones' festival awards are: Best Short Full Frame Documentary Film Festival, Best Short Documentary Hamptons International Film Festival, Golden Strands Award, Outstanding Documentary Short, Tall Grass KS, Best Experimental Short, Atlanta Docufest, Impact Award (In) Justice for All, and the 2015 Platinum Award Winner Spotlight Documentary Series. Hibbert-Jones is a MacDowell Colony Fellow, a Yerba Buena Center for the Arts Fellow and Headlands Center For the Arts Alumni. She holds an MFA from Mills College Oakland, MA York University, PGCE from Durham University and a BA from London University. Born in the UK she lives in San Francisco CA.
Document 10: Diane Wilkins: Diane Wilkins is an independent award-winning filmmaker from Tallahassee, Florida, best known for high definition corporate and documentary production. Diane also produces gay and disability themed shorts in collaboration with the Mickee Faust Club, a theatre group focused on gay and disability activism. Shorts have screened in film festivals around the world.
Document 11: Jean-Yves Escoffier: Jean-Yves Escoffier (July 12, 1950 – April 1, 2003), was a French cinematographer who worked with Mehdi Norowzian, Jeanne Moreau for Air France, David Lynch for Nissan Motors, and on music videos, "Hurt" (2002) for Johnny Cash and Mark Romanek. He also worked as director of photography on a number of films of Leos Carax including "Boy Meets Girl", "Mauvais sang", and "Les Amants du Pont-Neuf". Born in Lyon, France, he died of heart failure on April 1, 2003 in his home in Los Angeles, California.
Document 12: Holy Motors: Holy Motors is a 2012 French-German fantasy drama film written and directed by Leos Carax, starring Denis Lavant and Édith Scob. Lavant plays Mr. Oscar, a man not unlike an actor who inhabits several roles, but there are no apparent cameras filming the man's performances. It is Carax's first feature film since 1999. The film competed for the Palme d'Or at the 2012 Cannes Film Festival.
Document 13: Cinéma du look: Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
Document 14: Tessa Hughes-Freeland: Tessa Hughes-Freeland is a British-born experimental film maker and writer living in New York City. Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art, the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, the New Museum of Contemporary Art in New York, and the KW Institute of Contemporary Art in Berlin. She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell. The co-founder of the New York Film Festival Downtown in 1984 and its co-director until 1990, she later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001. Hughes-Freeland has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, "Filmmaker" magazine, GQ, the "East Village Eye", and Film Threat.
Document 15: The Revival: Women and the Word: The Revival Women and the Word was a documentary released in 2016, the director of this film is Sekiya Dorsett, a queer filmmaker who works to give voice to issues of equality. This documentary chronicles a US tour group of Black lesbian poets and musicians who are traveling performing making history as queer women of color. Their journey is to bring together their community and include interviews from leading black feminist and queer thinkers which includes, Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. This documentary tackles themes such as gender, race, and sexuality. This film works to represent community and provide a special insight to the experience of queer women of color performers. Additionally, this film works to empower and raise the voices of the marginalized.
ground_truth: yes