Question: When did Blue Man Group start in the city where the X-75 Volume 1 performer was born?

full_context: Document 1: Blue Man Group: New York City at the Astor Place Theatre (1991 -- present) Boston at the Charles Playhouse (1995 -- present) Chicago at the Briar Street Theater (1997 -- present) Las Vegas at the Luxor Hotel and Casino (November 18, 2015 -- present) Orlando at the Blue Man Group Theatre at CityWalk at the Universal Orlando Resort (June 6, 2007 -- present) World Tour (March 29, 2016 -- present) - a celebration of life in full color with the launch of a World Tour beginning March 29, 2016 in Singapore.
Document 2: Joe Brazil: Joseph Brazil (August 25, 1927 – August 6, 2008) was an American jazz saxophonist and educator. Local musicians and touring acts performed in his basement. He taught jazz at Garfield High School, co-founded the Black Music curriculum at the University of Washington, and founded the Black Academy of Music in Seattle. He appeared on the albums "Om" by John Coltrane and "Ubiquity" by Roy Ayers.
Document 3: Houston: The Theater District is a 17-block area in the center of downtown Houston that is home to the Bayou Place entertainment complex, restaurants, movies, plazas, and parks. Bayou Place is a large multilevel building containing full-service restaurants, bars, live music, billiards, and Sundance Cinema. The Bayou Music Center stages live concerts, stage plays, and stand-up comedy. Space Center Houston is the official visitors' center of NASA's Lyndon B. Johnson Space Center. The Space Center has many interactive exhibits including moon rocks, a shuttle simulator, and presentations about the history of NASA's manned space flight program. Other tourist attractions include the Galleria (Texas's largest shopping mall, located in the Uptown District), Old Market Square, the Downtown Aquarium, and Sam Houston Race Park.
Document 4: Anthony Braxton (album): Anthony Braxton (also referred to as "B-Xo/N-0-1-47a" or "Composition 6g") is an album by Anthony Braxton released in 1969 on the BYG Actuel label. It features performances by Braxton, Leroy Jenkins, Leo Smith and Steve McCall.
Document 5: Houston: The Houston Theater District, located downtown, is home to nine major performing arts organizations and six performance halls. It is the second-largest concentration of theater seats in a downtown area in the United States. Houston is one of few United States cities with permanent, professional, resident companies in all major performing arts disciplines: opera (Houston Grand Opera), ballet (Houston Ballet), music (Houston Symphony Orchestra), and theater (The Alley Theatre). Houston is also home to folk artists, art groups and various small progressive arts organizations. Houston attracts many touring Broadway acts, concerts, shows, and exhibitions for a variety of interests. Facilities in the Theater District include the Jones Hall—home of the Houston Symphony Orchestra and Society for the Performing Arts—and the Hobby Center for the Performing Arts.
Document 6: Mexico City: Other popular sites for pop-artist performances include the 3,000-seat Teatro Metropolitan, the 15,000-seat Palacio de los Deportes, and the larger 50,000-seat Foro Sol Stadium, where popular international artists perform on a regular basis. The Cirque du Soleil has held several seasons at the Carpa Santa Fe, in the Santa Fe district in the western part of the city. There are numerous venues for smaller musical ensembles and solo performers. These include the Hard Rock Live, Bataclán, Foro Scotiabank, Lunario, Circo Volador and Voilá Acoustique. Recent additions include the 20,000-seat Arena Ciudad de México, the 3,000-seat Pepsi Center World Trade Center, and the 2,500-seat Auditorio Blackberry.
Document 7: Alan Brownjohn: Alan Brownjohn was born in London and educated at Merton College, Oxford. He taught in schools between 1957 and 1965, and lectured at Battersea College of Education and South Bank Polytechnic until 1979, when he became a full-time writer. He participated in Philip Hobsbaum's weekly poetry discussion meetings known as The Group, which also included Peter Porter, Martin Bell, Peter Redgrove, George MacBeth and Edward Lucie-Smith.
Document 8: The First Seven Days: The First Seven Days is an album recorded by jazz musician Jan Hammer in 1975. It features extensive use of synthesizers, including the synthesized "guitar" parts (as on his follow-up album, "Oh Yeah?"), with the record jacket stating, "For those concerned: there is "no guitar" on this album." Other instruments used are grand piano, electric violin and percussion.
Document 9: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 10: Ari Brown: Brown grew up in Chicago and attended Wilson College, where he met musicians such as Jack DeJohnette, Henry Threadgill, Roscoe Mitchell, and Joseph Jarman. He played piano in R&B and soul outfits into the 1960s, then switched to saxophone in 1965. He joined the AACM in 1971, and also played with The Awakening in the early 1970s. In 1974 he lost several teeth in a car crash, and temporarily switched to piano again until he recovered. He played sax later in the 1970s with McCoy Tyner, Don Patterson, and Sonny Stitt. In the 1980s, he worked with Lester Bowie, Von Freeman, Bobby Watson, and Anthony Braxton, and in 1989 he became a member of Kahil El'Zabar's trio.
Document 11: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 12: X-75 Volume 1: X-75 Volume 1 is the debut album by Henry Threadgill released on the Arista Novus label in 1979. The album and features four of Threadgill's compositions performed by Threadgill with Douglas Ewart, Joseph Jarman, Wallace McMillan, Leonard Jones, Brian Smith, Rufus Reid, Fred Hopkins and vocals by Amina Claudine Myers. The Allmusic review by Brian Olewnick states, "Henry Threadgill's first album as a leader immediately plunged into experimental waters. He utilized a nonet the likes of which had certainly never been heard before and probably not since... Threadgill's massive talent for mid-size band arrangements is immediately apparent... As of 2002, X-75, Vol. 1 was unreleased on disc and, even more disappointingly, there was never a "Vol. 2." But Threadgill fans looking for a link between Air and his Sextett owe it to themselves to search this one out".
Document 13: Subject to Change (Henry Threadgill album): Subject to Change is an album by Henry Threadgill released on the About Time label in 1985. The album features six of Threadgill's compositions performed by Threadgill with Ray Anderson, Rasul Siddik, Fred Hopkins, Diedre Murray, Pheeroan akLaff and John Betsch with Amina Claudine Myers contributing vocals to one track.
Document 14: Elevator Repair Service: ERS has performed in various New York City venues including The Public Theater, New York Theatre Workshop, Performance Space 122, The Performing Garage, HERE Arts Center, The Ontological at St. Mark's Church, The Flea Theater, The Kitchen, and Soho Rep. It has also performed elsewhere in the United States, and in Europe, Australia, and Asia.
Document 15: Rag, Bush and All: Rag, Bush and All is an album by Henry Threadgill released on the RCA Novus label in 1989. The album and features four of Threadgill's compositions performed by Threadgill's Sextett with Bill Lowe, Ted Daniel, Fred Hopkins, Diedre Murray, Newman Baker and Reggie Nicholson.
ground_truth: 1997
sub_queries: X-75 Volume 1 >> performer Answer: Henry Threadgill
Henry Threadgill >> place of birth Answer: Chicago
when did blue man group start in Chicago Answer: 1997