Question: What is Meena Rana's connection to Music of Uttarakhand?

full_context: Document 1: Indian classical music: "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions."
Document 2: Garhwal Himalaya: The Garhwal Himalayas are mountain ranges located in the state of Uttarakhand, India. The mountain ranges cross two regions: Garhwal division and Kumaon division.
Document 3: Hemlata: Hemlata (born 16 August 1954 in Hyderabad, India) has been one of the most famous and successful leading playback singers in Bollywood since the late 1970s. She is classically trained and has a unique style of singing which makes her stand apart from other playback singers of her era. She had established herself on her unique exquisite voice quality that she delivered in various Indian Films, Concerts, T.V. Serials, Music Albums and gave many unforgettable songs like Ankhiyon Ke Jharokhon Se, Le To Aaye Ho Hame Sapno Ke, Tu Is Tarah Se Meri Zindagi Mein, Kaun Disha Leke Chala Re. Her magnificent velvety voice rich in emotion and expression has reached to millions of music lovers, touching their souls as she has recorded more than 5000 songs and has sung in more than 38 Regional, National and International languages including Bengali, Bhojpuri, Punjabi, Haryanvi, Rajasthani, Marwari, Brij Bhasha, Gujarati, Marathi, Sindhi, Oriya, Assamese, Malayalam, Kannada, Konkani, Dogri, Multani, Saraiki, Garhwali, Bundeli, Nepali, Arabic, Persian, Urdu, Sanskrit, Prakrit, English, French, Mauritian Creole, Spanish, Italian, Zulu, Dutch, Hindi, etc.
Document 4: Volkstümliche Musik: Volkstümliche Musik (German for "folksy/traditional/popular music") is a modern popular derivation of the traditional "Volksmusik" genre of German-speaking countries in general and their Alpine regions in particular. Though it is often marketed as "Volksmusik", it differs from traditional folk music in that it is commercially performed by celebrity singers and concentrates on newly created sentimental and cheerful feel-good compositions. Volkstümliche Musik is sometimes instrumental, but usually presented by one or especially two singers and is most popular amongst an adult audience in Germany, Austria, Switzerland, and also in South Tyrol (Italy), Alsace (France), Netherlands, Flanders (Belgium), Slovenia and Silesia (Poland).
Document 5: Music of Uttarakhand: Folk music of Uttarakhand refers to the traditional and contemporary songs of Kumaon and Garhwal regions in the foothills of Himalayas. This music has its root in the lap of nature and the hilly terrain of the region.
Document 6: Music of Northumbria: Here Northumbria is taken to mean Northumberland, the northernmost county of England, and County Durham. This area, together with Tweeddale, was the ancient British tribal kingdom of Bernicia (Bryneich) and is notable for the stable ancestry of its present indigenous population, which has been identified by DNA analysis to be an offshoot of the group Scotland, Cumbria and the North of Ireland, but not so closely related to the other peoples of the UK. The area was the core of the outstanding artistic culture that developed during the Northumbrian Golden Age of the 7th and 8th centuries; it would be unwise to suggest that the area did not have a flourishing musical culture at that time, or that it was not of similar sophistication - Bede makes reference to the playing of the harp. The traditional music of this area may be a tangible legacy of the Bernicians - given that little is known of the antiquity of Northumbrian music; though traditional Northumbrian instruments would have had their limitations. However, much surviving early modern Northumbrian music is similar in form to the music of the Scottish Lowlands, so Northumberland's position on the cultural frontier between England and Scotland has played a significant role. The modern era has seen Northumbrian traditional music artificially pigeon holed into national divisions, into which Northumbrian music simply will not fit. Likewise, the crude assumption that the font of all music of substance was in the west and north of the British isles has undermined considered appreciation of the local repertoire.The region possesses a distinctive style of folk music with a strong and continuing tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipe (a form of bagpipe unique to north-east England) and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions (and vice versa), particularly southern Scotland and other parts of the north of England. Irish tunes are also much played in the region, as they are elsewhere. There has been a continuous tradition of traditional and distinctive Northumbrian styles since the 18th century – there have also been 'revivals' in the late nineteenth century and again in the mid-twentieth. More recently, Northumbrian folk music, and particularly the use of the Northumbrian pipes, has become one of the liveliest and most widely known forms of folk music in Britain.
Document 7: Rajeshwari Datta: Rajeshwari Datta was an Indian singer, considered one of the best-known exponents of the songs of Rabindranath Tagore: (Rabindrasangeet). She was amongst the few singers to earn appreciation from Rabindranath Tagore. She was among the panchakanya of Rabindrasangeet, a group of the earliest singers of Tagore songs from families directly connected to Tagore and including Sahana Devi, Amiya Tagore, and Malati Ghoshal.
Document 8: Meena Menon: Meena Menon (Hindi: मीना मेनन, "Mīnā Mēnana", born: December 27, 1970) is an Indian voice-dubbing artist and trained singer who speaks English and Hindi as her mother-tongue languages. She currently works at Sugar Mediaz, which is an Indian dubbing studio, for Hindi dubs of foreign productions, and she mainly uses the Hindi language method majorly to perform dubbing roles for foreign productions in India, throughout the studio's run.
Document 9: Meena Shorey: Meena Shorey (1921–1989) was an Indian cinema and later Pakistani cinema actress, who worked in Hindi/Urdu and Punjabi films. Credited in films by her mononym, Meena, her real name was Khurshid Jehan. She started her acting career playing a character role, as Ambhi, Raja of Taxila's sister in Sohrab Modi's "Sikandar" (1941). Married to her third husband, Roop K. Shorey, by the mid-1940s, she found fame when she acted in her husband's film "Ek Thi Ladki" (1949), opposite actor Motilal. The story was written by I. S. Johar, who also starred in the film. The "foot-tapping" music composed by Vinod became a "huge hit", with Meena becoming an "icon" for the "new liberated" young women. Meena was acclaimed as the "Lara Lappa Girl", from the song of same title in the film. She was one of the first women to be recognised in Indian cinema as a "comedienne of calibre".
Document 10: Meena Rana: Mina Rana (Devanagari: मीना राणा) is a famous Uttarakhandi singer. She has sung many Garhwali and Kumaoni music albums. She is considered to be one of the best female singers of Uttarakhand and even said to be the "Lata Mangeshkar" of Uttarakhand.
Document 11: Prem Singh Rana: Dr. Prem Singh Rana is an Indian politician and member of the Bharatiya Janata Party. Rana is a member of the Uttarakhand Legislative Assembly from the Nanakmatta constituency in Udham Singh Nagar district.
Document 12: Hmong music: Hmong music is an important part of the culture of the Hmong people, an ethnic group from southeast Asia. Because the Hmong language is tonal, there is a close connection between Hmong music and the spoken language. Music is an important part of Hmong life, played for entertainment, for welcoming guests, and at weddings and funerals. Hmong musical instruments includes flutes such as the dra, leaves also called nblaw, and the qeej or gaeng, a type of mouth organ.
Document 13: List of Indian classical music festivals: The following is an incomplete list of Indian classical music festivals, which encapsulates music festivals focused on Indian classical music. The origins of Indian classical music can be found in the Vedas, which are the oldest scriptures in the Hindu tradition dating back to 1500 BC. Indian classical music has also been significantly influenced by, or syncretised with, Indian folk music. There are two divisions in Indian classical music. Hindustani music is mainly found in North India. Carnatic music, from South India, tends to be more rhythdogs have bonessive and structured than Hindustani music. While some festivals such as the Carnatic event Tyagaraja Aradhana (founded in the 1840s) continue to focus on traditional Carnatic classical music, an emergent trend of the past few decades has been that of fusion music, where genres such as khyal and western music are intermixed to appeal
Document 14: Folk music: Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is often applied to music older than that. Some types of folk music are also called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles.
Document 15: Lata Mangeshkar: Lata Mangeshkar (   ) (born 28 September 1929) is an Indian playback singer and occasional music composer. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over seven decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the recipient of three National Film Awards, 12 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards and many more. The Dadasaheb Phalke Award was bestowed on her in 1989 by the Government of India. She is also the second vocalist, after M. S. Subbulakshmi, to have ever been awarded the Bharat Ratna in 2001, India's highest civilian honour. She has four siblings—Asha Bhosle, Hridaynath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar—of which she is the eldest.
ground_truth: famous Uttarakhandi singer