Question: What does the single sheet of Chris Baldwin books could be be called?

full_context: Document 1: Pamphlet: A pamphlet is an unbound booklet (that is, without a hard cover or binding). It may consist of a single sheet of paper that is printed on both sides and folded in half, in thirds, or in fourths, called a "leaflet", or it may consist of a few pages that are folded in half and saddle stapled at the crease to make a simple book.
Document 2: Chris Baldwin (director): Chris Baldwin is a British performance director and curator, professor and writer, he has lived in northern Spain for 20 years. He develops site specific Performances and curated events devoted to specific city, rural or regional contexts. Baldwin's work emphasises the importance of a collaboration between professionals and citizens in the making and curating of cultural projects. He has various plays and Books published about theatre and the teaching of history in post authoritarian countries. Chris Baldwin directs widely including Spain, UK, Poland, Bulgaria and Germany. Baldwin worked for Rose Bruford College, 2012 Summer Olympics. He was Curator of Interdisciplinary Performance for the 2016 in Wroclaw, Poland and also works for the . Presently he is Creative Director for Galway 2020 <http://galway2020.ie/en/> European Capital of Culture.
Document 3: Chapbook: A chapbook is an early type of popular literature printed in early modern Europe. Produced cheaply, chapbooks were commonly small, paper-covered booklets, usually printed on a single sheet folded into books of 8, 12, 16 and 24 pages. They were often illustrated with crude woodcuts, which sometimes bore no relation to the text. When illustrations were included in chapbooks, they were considered popular prints.
Document 4: Jonathan Holloway (artistic director): Jonathan Holloway (born 15 January 1970) is an artistic director and theatre director. Originally from Sheffield in the north of England, he is currently the artistic director of Melbourne Festival. Previously he established the National Theatre's "Watch This Space" Festival, was artistic director and chief executive of the Norfolk and Norwich Festival and most recently the artistic director of the Perth International Arts Festival., which culminated with "The Giants" by Royal de Luxe, one of the largest arts events ever staged in Australia
Document 5: Book cover: A book cover is any protective covering used to bind together the pages of a book. Beyond the familiar distinction between hardcovers and paperbacks, there are further alternatives and additions, such as dust jackets, ring-binding, and older forms such as the nineteenth-century "paper-boards" and the traditional types of hand-binding. The term "Bookcover" is often used for a book cover image in library management software. This article is concerned with modern mechanically produced covers.
Document 6: Book: A book is a set of sheets of paper, parchment, or similar materials that are fastened together to hinge at one side. A single sheet within a book is a leaf, and each side of a leaf is a page. Writing or images can be printed or drawn on a book's pages. An electronic image that is formatted to resemble a book on a computer screen, smartphone or e-reader device is known as an electronic book or e-book.
Document 7: Christopher Whatley: Christopher Allan Whatley, OBE, FRHistS, FRSE is a well-known and widely published Scottish historian. He has been Professor of Scottish History at the University of Dundee since 1997. He is a prominent opponent of Scottish independence and chaired the inaugural meeting of the local Better Together campaign in Dundee during the 2014 Scottish independence referendum.
Document 8: Digital edition: A digital edition is an online magazine or online newspaper delivered in electronic form which is formatted identically to the print version. Digital editions are often called digital facsimiles to underline the likeness to the print version. Digital editions have the benefit of reduced cost to the publisher and reader by avoiding the time and expense to print and deliver like a paper edition. This format is considered more environmentally friendly due to the reduction of paper and energy use. These editions also often feature interactive elements such as hyperlinks both within the publication itself and to other internet resources, searching and bookmarking, and can also incorporate multimedia such as video or animation to enhance articles themselves or for advertisements. Some delivery methods also include animation and sound effects replicating page turning to further enhance the experience of their print counterparts.Traditionally, magazine publishers have relied on two revenue sources: selling ads and selling magazines. Additionally some publishers are using other electronic publication methods such as RSS to reach out to readers and inform them when new digital editions are available.
Document 9: Theatre director: A theatre director or stage director is an instructor in the theatre field who oversees and orchestrates the mounting of a theatre production (a play, an opera, a musical, or a devised piece of work) by unifying various endeavours and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director therefore collaborates with a team of creative individuals and other staff, coordinating research, stagecraft, costume design, props, lighting design, acting, set design, stage combat, and sound design for the production. If the production he or she is mounting is a new piece of writing or a (new) translation of a play, the director may also work with the playwright or translator. In contemporary theatre, after the playwright, the director is generally the primary visionary, making decisions on the artistic concept and interpretation of the play and its staging. Different directors occupy different places of authority and responsibility, depending on the structure and philosophy of individual theatre companies. Directors use a wide variety of techniques, philosophies, and levels of collaboration.
Document 10: David Hill (arts director): David Hill is a theatre and arts director and producer, founder of the leading UK cultural events and arts agency ArtReach which initiates, develops and produces extraordinary creative arts projects and programmes. Hill has created and produced the innovative Night of Festivals project, produced the world’s largest interactive video artwork (Under Scan by Rafael Lozano-Hemmer) in Trafalgar Square, London and in public spaces across the UK East Midlands and created/delivered a range of high-profile new arts events such Three Cities Create and Connect, The Lyric Lounge and Dance in the Park. He has also delivered projects in Barcelona, India and the West Indies.
Document 11: Chris Tally Evans: Chris Tally Evans is a British disabled artist, actor, director and writer. He trained at the Royal Welsh College of Music and Drama as a performer and graduated from Trinity College, London with a teaching diploma. Evans' interest in theatre and music started as a teenager when he joined West Glamorgan Youth Theatre and West Glamorgan Youth Arts Company as an actor, dancer and musician. He was lead guitarist for the West Glamorgan Youth Arts Company production of Leonard Bernstein's "Mass" at Swansea's Brangwyn Hall and London's Wembley Arena and was a dancer in Vaughan Williams' "Job" at a performance attended by Prince Charles and Princess Diana in 1981. In both these productions he shared the stage with Russell T Davies, writer and producer of Dr Who. By the age of 14 he was playing the guitar semi-professionally in pubs and clubs in the Swansea area, as well as for a number of theatre shows. For two years at this time he was lead guitarist in the backing band of a very young Catherine Zeta-Jones. Later Evans played in a number of bands including the electric folk band Straight From the Wood who chalked up memorable appearances at Club Ifor Bach, Cardiff, Gwyl Pontardawe Festival and the Village Pump Folk Festival in Trowbridge. Evans has had both poetry and prose published, directed many theatre productions and has performed himself in the United States, Canada, Poland and New Zealand. His film work was exhibited at the John F. Kennedy Center for the Performing Arts, Washington DC, in 2011. The Arts Council of Wales granted Evans a Major Creative Wales Award in 2009 and he performed work created at this time at the InterACT Disability Arts Festival in Auckland, New Zealand. His unlimited commission, "Turning Points", was shown in the Southbank Centre, London during the 2012 Paralympic Games and then went on to be exhibited in Doha, Qatar in 2013 as part of the Middle East’s first ever disability arts festival. He has featured in HTV’s award winning documentary, One in Six, on BBC 2W’s The Arts Show, and wrote and performed a 5-part series for BBC Radio 4 called "My Mile of the River". His March 2014 production, "21st Century Dinosaurs", with a visually impaired cast, was reviewed favourably by Sarah Finch of National Theatre Wales. He wrote, performed and made video content for National Theatre Wales/Celf o Gwmpas' Big Democracy Project which responded to the question "Are disabled people an easy target for the cuts?" in June 2015. In 2015 he was appointed a National Adviser to the Arts Council of Wales.
Document 12: Claire Bishop: Claire Bishop is an art historian, critic, author, and professor in the art history department at CUNY Graduate Center, New York since September 2008. Bishop is editor of "Participation" (2006) and "Installation Art: A Critical History" (2005) and is a contributor to many art journals including "Artforum" and "October."
Document 13: Electronic paper: Electronic paper and e-paper are display devices that mimic the appearance of ordinary ink on paper. Unlike conventional backlit flat panel displays that emit light, electronic paper displays reflect light like paper. This may make them more comfortable to read, and provide a wider viewing angle than most light-emitting displays. The contrast ratio in electronic displays available as of 2008 approaches newspaper, and newly (2008) developed displays are slightly better. An ideal e-paper display can be read in direct sunlight without the image appearing to fade.
Document 14: Chris Mandia: Chris Mandia is an American playwright, screenwriter, film director, and Iraq War veteran from San Pedro, California. He was an U.S. Marine infantryman and served two combat tours in Iraq, including the battle for Fallujah. Mandia has won numerous awards for his work and received a Jack Nicholson scholarship to attend the MFA program at the University of Southern California’s film school. In 2010, he received an Operation In Their Boots fellowship and “Get Some,” a film he authored, was a Cannes Film Festival selection. In 2012 he co-wrote the multimedia physical theatre piece, "Trajectories: Transformations" with Meron Langsner for Evet Arts. The piece was based on interviews with servicemen from the Iraq and Afghanistan wars and was performed in Boston and Chicago.
Document 15: Electronic literature: Electronic literature or digital literature is a genre of literature encompassing works created exclusively on and for digital devices, such as computers, tablets, and mobile phones. Some platforms of this new digitized world include blog fiction, twitterature as well as facebook stories. This means that these writings cannot be easily printed, or cannot be printed at all, because elements crucial to the text are unable to be carried over onto a printed version. The digital literature world continues to innovate print's conventions all the while challenging the boundaries between digitized literature and electronic literature. Some novels are exclusive to tablets and smartphones for the simple fact that they require a touchscreen. Digital literature tends to require a user to traverse through the literature through the digital setting, making the use of the medium part of the literary exchange. Espen J. Aarseth wrote in his book "Cybertext: Perspectives on Ergodic Literature" that "it is possible to explore, get lost, and discover secret paths in these texts, not metaphorically, but through the topological structures of the textual machinery".
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