Question: No Exit and Cup-A-Jo Productions have what in common?

full_context: Document 1: Phase 3 Productions: Phase 3 Productions is a Pittsburgh-based theatre company. Established in 2008, the theatre's mission is to include "relevant social awareness in everything produced." The company has produced theatrical classics like August Strindberg's "Miss Julie", as well as contemporary plays like Aaron Carter's "Swamp Baby", Bernard-Marie Koltès's "Roberto Zucco", and musicals like "Godspell". Phase 3 has also held productions in a variety of spaces, such as the Brew House on the South Side and South Park Theatre in South Park Township. The company has also produced original one-act plays in conjunction with the Pittsburgh New Works Festival.
Document 2: The Fall (Camus novel): The Fall (French: La Chute ) is a philosophical novel by Albert Camus. First published in 1956, it is his last complete work of fiction. Set in Amsterdam, "The Fall" consists of a series of dramatic monologues by the self-proclaimed "judge-penitent" Jean-Baptiste Clamence, as he reflects upon his life to a stranger. In what amounts to a confession, Clamence tells of his success as a wealthy Parisian defense lawyer who was highly respected by his colleagues; his crisis, and his ultimate "fall" from grace, was meant to invoke, in secular terms, The Fall of Man in the Garden of Eden. "The Fall" explores themes of innocence, imprisonment, non-existence, and truth. In a eulogy to Albert Camus, existentialist philosopher Jean-Paul Sartre described the novel as "perhaps the most beautiful and the least understood" of Camus' books.
Document 3: The Stranger (novel): L’Étranger (The Outsider [UK], or The Stranger [US]) is a 1942 novel by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy of the absurd and existentialism, though Camus personally rejected the latter label.
Document 4: The New Tenant: The New Tenant (French: "Le Nouveau Locataire" ) is a play written by Eugène Ionesco in 1955. The central image is common to many Ionesco plays: something accumulates on stage and overwhelms the characters. In this case its furniture. The main characters are a gentleman, a caretaker, and two movers. The caretaker talks as the gentleman, the "new tenant" of the title, directs the two movers who continuously bring in furniture.
Document 5: Prime Stage Theatre: Prime Stage Theatre is a professional theatre company located in Pittsburgh, Pennsylvania, USA creates a blend of educational programs and theatrical productions families, middle school and high school students, educators, and theatre patrons. Its mission is to "entertain, educate, and enrich families, students, and educators in the discovery of live theatre and literature...by producing adaptations of literature, new works, and programs that address relevant topics of teens and adults." Founded in 1996 by artistic director Wayne Brinda, the company has produced over 65 productions including 9 world and regional premieres and three scripts that are published and produced around the country. The theatre's first production was "A Woman Called Truth" staged at the Station Square Playhouse. The theatre then moved to La Roche College, where it produced two full seasons. In 1998, the theatre moved to Pittsburgh Civic Light Opera Academy for one season, followed by its production of "Clemente: The Measure of a Man" at Point Park University's George White Theatre in 1999. In 2000, Prime Stage produced works at the New Hazlett Theatre, until it inaugurated a new theatre facility at 937 Liberty Avenue in 2003, a space now inhabited by Bricolage Production Company and Pittsburgh Playwrights Theatre Company. In 2006, Prime Stage returned to the New Hazlett, where it has continued to produce theatrical adaptations of literary classics and classic plays. Prime Stage has also staged productions as part of the Pittsburgh New Works Festival.
Document 6: The Possessed (play): The Possessed (in French Les Possédés) is a play written by Albert Camus in 1959. The piece is a theatrical adaptation of Fyodor Dostoyevsky's novel "The Possessed", later renamed "Demons". Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about nihilism's devastating effects. He directed a production of the play at the Théâtre Antoine in 1959, the year before he died, which he financed in part with the money he received with his Nobel Prize. It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes. The walls could move sideways to reduce the size of each location and the whole stage rotated to allow for immediate set transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of his novels (L'Etranger - 1948 Ed.), in charge of the demanding task of designing these multiple and complex theater sets
Document 7: Waiting for Godot: Waiting for Godot ( ) is a play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait for the arrival of someone named Godot who never arrives, and while waiting they engage in a variety of discussions and encounter three other characters. "Waiting for Godot" is Beckett's translation of his own original French play, En attendant Godot , and is subtitled (in English only) "a tragicomedy in two acts". The original French text was composed between 9 October 1948 and 29 January 1949. The premiere was on 5 January 1953 in the Théâtre de Babylone, Paris. The English language version was premiered in London in 1955. In a poll conducted by the British Royal National Theatre in 1990 it was voted the "most significant English language play of the 20th century".
Document 8: Cup-A-Jo Productions: Cup-A-Jo Productions is a theatre company located in Pittsburgh, Pennsylvania. Established in 2004 by Joanna Lowe, the company's mission is to "further new & established works in an effort to focus on the artist by tackling a variety of subjects, exploring non-traditional venues & styles, & mixing theatre with film, dance, music & poetry." The company has produced established contemporary and classic plays, such as "Medea", "No Exit", "A Thurber Carnival", and "Hospitality Suite", as well as original works such as "Life and Other One-Man Shows". Cup-A-Jo Productions has also produced original one-act plays in conjunction with the Pittsburgh New Works Festival. The company has held productions in numerous venues throughout the Pittsburgh area, including Pittsburgh Playwrights Theatre Company, Garfield Artworks, and the University of Pittsburgh Studio Theatre.
Document 9: No Exit: No Exit (French: "Huis Clos" , ] ) is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term "in camera", referring to a private discussion behind closed doors. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness.
Document 10: The Hypocrites (theatre company): The Hypocrites is a Chicago storefront theater company founded in 1997 by Sean Graney, Brandon Kruse and Christopher Cintron. The company is currently run by Sean Graney (Artistic Director) and Kelli Strickland (Executive Director). One of Chicago’s premier off-Loop theater companies, The Hypocrites specializes in mounting bold productions that challenge preconceptions and redefining the role of the audience through unusual staging (such as promenade and in-the-round) and direct engagement. The company has a reputation in Chicago for creating exciting, surprising, and deeply engaging theater as it re-interprets well-known works for contemporary audiences, reveling in the absurd while revealing the core of what makes classics classic."“The Hypocrites, who with each new production, continue to rise not just to the rank of one of our city’s best storefronts but one of Chicago’s best theaters period.” – Newcity Stage (American Idiot, 2015)"The company has grown significantly in the past few years, receiving acclaim for productions at the Steppenwolf Garage, Goodman Theatre, Museum of Contemporary Art, DCASE Storefront, Chopin Theater and nationally at American Repertory Theater (A.R.T.), Berkeley Repertory Theatre, and Actors Theatre of Louisville.
Document 11: Pick Up Performance Company: The Pick Up Performance Company is a not-for-profit theatrical producing organization founded in 1971 and incorporated in 1978. Its mission is to support the artistic work of choreographer-director-writer David Gordon and playwright Ain Gordon. The company is located in New York City and its productions have been performed in the Brooklyn Academy of Music, Dance Theater Workshop, New York Theatre Workshop, Danspace Project, the Joyce Theatre, P.S. 122, The Kitchen, and other venues throughout the city. Its work has also been seen in London and in major venues throughout the United States, including American Repertory Theatre in Cambridge, the Walker Art Center in Minneapolis, the Mark Taper Forum and Geffen Playhouse in Los Angeles, American Conservatory Theatre in San Francisco and many others.
Document 12: Saint Genet: Saint Genet, Actor and Martyr (French: "Saint Genet, comédien et martyr" ) is a book by the French philosopher Jean-Paul Sartre about the writer Jean Genet especially on his "The Thief's Journal". It was first published in 1952. Sartre described it as an attempt "to prove that genius is not a gift but the way out that one invents in desperate cases." Sartre also based his character Goetz in his play "The Devil and the Good Lord" (1951) on his analysis of Genet's psychology and morality. Sartre has been credited by David M. Halperin with providing, "a brilliant, subtle, and thoroughgoing study of the unique subjectivity and gender positioning of gay men".
Document 13: Joe's Pub: Joe's Pub, one of the six performance spaces within The Public Theater, is a music venue and restaurant that hosts live performances across genres and arts, ranging from cabaret to modern dance to world music. Joe's Pub is located at 425 Lafayette Street near Astor Place in Manhattan, New York City. It is named after Joseph Papp, the theatrical producer who established the New York Shakespeare Festival, The Public Theater and the free Shakespeare in the Park program in Central Park.
Document 14: Cornerstone Theater Company: Cornerstone Theater Company is a theater company based in the United States that specializes in community-based collaboration. According to the mission statement published on the company's website, "Cornerstone Theater Company is a multi-ethnic, ensemble-based theater company. We commission and produce new plays, both original works and contemporary adaptations of classics, which combine the artistry of professional and community collaborators. By making theater with and for people of many ages, cultures and levels of theatrical experience, Cornerstone builds bridges between and within diverse communities in our home city of Los Angeles and nationwide."
Document 15: City Theatre (Pittsburgh): City Theatre is a professional theatre company located in Pittsburgh's South Side. It specializes in productions of new plays and has commissioned new works by playwrights on the national theatre scene, including Christopher Durang, Adam Rapp, and Jeffrey Hatcher. Established in 1975 as the City Players under the direction of Marjorie Walker, it was originally composed mainly of Carnegie Mellon graduates and was part of Pittsburgh's Department of Parks and Recreation, performing at schools, parks, and housing projects. Initially the group shared their performance space in the North Side's Allegheny Center with Pittsburgh Public Theater. In 1979, the group was offered a residency at the University of Pittsburgh and renamed itself City Theatre. “Homeless” for a brief period of time, the University of Pittsburgh theatre department offered to shelter the theater company in 1980. Attilo Favorini, head of the department, thought that, “The City Theater offered us [Pitt] the opportunity for Pitt’s students to work a professional company.”(Steele, Bruce “Artistic Struggles -The City Theater Company: A History of Bad Luck and Good Theater” pg. 27) In addition to receiving a new troupe of professional actors, funding of the CETA enabled the expansion of the company and the creation of the Three Rivers Shakespeare Festival in the summer of 1980. In 1981, under the artistic direction of Marc Masterson, the company moved to a new performance space on Bouquet Street in Oakland. The company again moved to a new performance space at the former Bingham United Methodist Church in the South Side in 1991, where in addition to its own season it acted as a host space for the earliest productions of the Pittsburgh New Works Festival. Marc Masterson became artistic director of Actors Theatre of Louisville in Kentucky, and Tracy Brigden became artistic director in 2001.
ground_truth: theatre