Question: Whose film career included works in a range of exploitation film genres including juvenile delinquent films, nudie-cuties, two children's films and at least one rural comedy, Herschell Gordon Lewis' and Miguel Contreras Torres'?

full_context: Document 1: Comedy in the Golden Age of Mexican cinema: Film became popular and well known in Mexico during “El Porfiriato” which represents the reign of Porfirio Díaz as dictator in Mexico. On August 6, 1896 the first films began to be released and were called/known as “Vistas”. In other words, views. At the time, the Catholic Church and the press were strongly opposed to the “vistas” because of the violence and women that was portrayed. They protested against them. Another important aspect was the projection of the Mexican Revolution to the public through film. It was a way for many to understand what was happening politically. Many agree that rather than the Mexican Revolution being a repression for the film industry, it was more of a motivator in the way it portrayed every battle and struggle. With the positive energy that the Mexico’s film industries was receiving, it began to evolve into “El Cine Sonoro” which translates to the cinema of sound. This was the era in which sound was being added into the silent films. Sadly, it was not as successful as many directors and film maker though it would be. Many failed to correctly synchronize the audio with the picture. Although to some extent it may have been unsuccessful, it is agreeable that it helped revolutionize film in Latin America. Mexico’s film industry takes its height post “El Cine Sonoro” to what is known as “The Golden Age”. Many film members consider this one of the most successful eras in the history of Mexican cinema. Many recognize the films of this era when they see black and white. It is also important to note that the films also portrayed social issues. Some of the most influential directors and actors are Emilio Fernández, Raul De Anda, Roberto B. Cervenna, Cantinflas, Vitola, Tin Tan, etc. The focus of this article will be on some of top grossing comedian actors of the time Cantinflas, Tin Tan, Clavillazo and others.
Document 2: Leopoldo Torres Ríos: Leopoldo Torres Ríos (27 December 1899 – 10 April 1960) was an Argentine film director and screenwriter. His brother Carlos Torres Ríos was a notable cinematographer. His son was the film director and screenwriter Leopoldo Torre Nilsson.
Document 3: A Taste of Blood: A Taste of Blood is a 1967 American horror film, produced and directed by Herschell Gordon Lewis. It stars, among others, Bill Rogers and Elizabeth Wilkinson. The movie was also known as "The Secret of Dr. Alucard". Lewis considered this his masterpiece, which may account for the film's relatively long running time of two hours (most of Lewis's films run no longer than 80 minutes).
Document 4: The Wizard of Gore: The Wizard of Gore is a 1970 American splatter film written by Allen Kahn, directed by Herschell Gordon Lewis, and starring Ray Sager, Judy Cler, and Wayne Ratay.
Document 5: Herschell Gordon Lewis: Herschell Gordon Lewis (June 15, 1926 – September 26, 2016) was an American filmmaker, best known for creating the "splatter" subgenre of horror films. He is often called the "Godfather of Gore" (a title also given to Lucio Fulci), though his film career included works in a range of exploitation film genres including juvenile delinquent films, nudie-cuties, two children's films and at least one rural comedy. On Lewis' career, AllMovie wrote: "With his better-known gore films, Herschell Gordon Lewis was a pioneer, going farther than anyone else dared, probing the depths of disgust and discomfort onscreen with more bad taste and imagination than anyone of his era."
Document 6: Just for the Hell of It: Just for the Hell of It is a 1968 exploitation film directed by Herschell Gordon Lewis.
Document 7: Miguel Contreras Torres: Miguel Contreras Torres (1899-1981) was a Mexican actor, screenwriter, film producer and director.
Document 8: Frank Henenlotter: Frank Henenlotter (born August 29, 1950 in New York City), is an American screenwriter, film director and film historian. He is known primarily for his horror comedies, though he would prefer to be classified as an "exploitation" filmmaker (rather than horror). "I never felt that I made ‘horror films’, he has said. "I always felt that I made exploitation films. Exploitation films have an attitude more than anything – an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll."
Document 9: Flor Silvestre filmography: Mexican singer Flor Silvestre, one of the most iconic performers of Mexican and Hispanic music, is also a prolific and versatile actress of Mexican cinema's "golden age". In her 40-year acting career, she played leading and supporting roles in more than 70 feature films of various genres. She was one of the most sought-after actresses of the late 1950s, and, as a result, 30 of her films were released in only four years (1957-1960). She worked with film directors Zacarías Gómez Urquiza, Vicente Oroná, Miguel M. Delgado, Jaime Salvador, Chano Urueta, Roberto Gavaldón, Gilberto Martínez Solares, Miguel Contreras Torres, Rogelio A. González, Ismael Rodríguez, Gilberto Gazcón, Benito Alazraki, Miguel Zacarías, René Cardona, and Mario Hernández.
Document 10: Blood Feast 2: All U Can Eat: Blood Feast 2: All U Can Eat is a 2002 splatter film directed by Herschell Gordon Lewis. It is a sequel to Lewis's 1963 cult classic original "Blood Feast". Filmed under a working title of "Blood Feast 2: Buffet of Blood" and using the same grindhouse style as its predecessor, the film continues the story began in the original film, where a grandson of Fuad Ramses attempts to restart his grandfather's catering business. The film features a cameo appearance by John Waters, a fan of Lewis' work.
Document 11: Miguel Littín: Miguel Ernesto Littín Cucumides (born 9 August 1942) is a Chilean film director, screenwriter, film producer and novelist. He was born to a Palestinian father, Hernán Littin and a Greek mother, Cristina Cucumides.
Document 12: Alfonso Cuarón: Alfonso Cuarón Orozco (] ; born November 28, 1961) is a Mexican film director, screenwriter, producer, and editor best known for his dramas "A Little Princess" (1995) and
Document 13: Enrique Carreras: Enrique Carreras (January 6, 1925 - 29 August 1995) was a Peruvian-born Argentine film director, screenwriter and film producer, and was one of the most prolific film directors in the history of the Cinema of Argentina.
Document 14: Cantinflas: Mario Fortino Alfonso Moreno Reyes, known casually as Mario Moreno, and known professionally as Cantinflas (August 12, 1911 – April 20, 1993), was a Mexican comic film actor, producer, and screenwriter and an iconic figure in Mexico and Latin America. He often portrayed impoverished "campesinos" or a peasant of "pelado" origin. The character came to be associated with the national identity of Mexico, and allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was the best comedian alive, and Moreno has been referred to as the "Charlie Chaplin of Mexico". To audiences in the United States, he is best remembered as co-starring with David Niven in the Academy Award winner for Best Picture film "Around the World in 80 Days", for which Moreno won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
Document 15: Scum of the Earth!: Scum of the Earth! (also known as Sam Flynn) is a 1963 American exploitation film directed by Herschell Gordon Lewis and produced by David F. Friedman. It is credited as being the first film in the "roughie" genre.
ground_truth: Herschell Gordon Lewis