Question: Depp based his pirate character on the guitarist of what band?

full_context: Document 1: Pirates of the Caribbean: Dead Men Tell No Tales: Johnny Depp as Captain Jack Sparrow: Rønning wanted to focus on relatable characters, as in the first film, ``where Jack is not the (lead... but) comes in and crashes the party every now and then, ''and to make use of Depp's`` comedic genius''. The film examines Jack's backstory, with the young Jack portrayed by Anthony De La Torre, whose face was replaced by a CGI replica of Depp as he looked in 21 Jump Street and What's Eating Gilbert Grape. Rønning felt de-aging Depp was tricky against the canon of the franchise.
Document 2: Pirates of the Caribbean: On Stranger Tides: Jack refuses the offer and escapes. He meets up with his father, Captain Teague, who warns Jack about the Fountain's rituals. Jack learns someone is impersonating him to recruit a crew to find the Fountain. The impostor is Angelica, Jack's former lover, and the daughter of the ruthless pirate Blackbeard, who practices voodoo magic and wields the mythical ``Sword of Triton ''that controls his ship, the Queen Anne's Revenge. While Jack is shanghaied aboard Blackbeard's ship, Gibbs escapes execution by memorizing and destroying Jack's map showing the Fountain's location, forcing Barbossa to take him along.
Document 3: Hard rock: In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.
Document 4: Hard rock: The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).
Document 5: List of Pirates of the Caribbean characters: Captain Edward Teague, played by Keith Richards, is Jack's father. He is the former pirate lord of Madagascar and is now the keeper of the Pirate Code. He appears in At World's End, On Stranger Tides and Dead Men Tell No Tales.
Document 6: Hard rock: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.
Document 7: The Beatles: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as ``Beatlemania ''; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's development into an art form and came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.
Document 8: Jack Sparrow: Captain Jack Sparrow is a fictional character and the main protagonist of the "Pirates of the Caribbean" film series. The character was created by screenwriters Ted Elliott and Terry Rossio and is portrayed by Johnny Depp. The characterization of Sparrow is based on a combination of The Rolling Stones' guitarist Keith Richards and Looney Tunes cartoon character Pepé Le Pew. He first appears in the 2003 film "". He later appears in the sequels "" (2006), "" (2007), "" (2011), and "" (2017).
Document 9: Pirates of the Caribbean: The Curse of the Black Pearl: Johnny Depp as Jack Sparrow: An eccentric pirate characterized by his slightly drunken swagger, slurred speech and awkwardly flailing hand gestures. He has gained a reputation with made-up stories of how he escaped from the deserted island he was put on. He is determined to regain the Black Pearl, which he captained ten years before. The role was originally written especially for Hugh Jackman, thus the name "Jack Sparrow"; however, he was not well known outside of his native Australia, so Disney cast the more famous Depp as Jack. Depp found the script quirky: rather than trying to find treasure, the crew of the Black Pearl were trying to return it in order to lift their curse; also, the traditional mutiny had already taken place. Initially Sparrow was, according to Bruckheimer, "a young Burt Lancaster, just the cocky pirate." At the first read-through, Depp surprised the rest of the cast and crew by portraying the character in an off-kilter manner. After researching 18th-century pirates, Depp compared them to modern rock stars and decided to base his performance on Keith Richards. Although Verbinski and Bruckheimer had confidence in Depp, partly because it would be Bloom who was playing the traditional Errol Flynn-type, Disney executives were confused, asking Depp whether the character was drunk or gay, and Michael Eisner even proclaimed while watching rushes, "He's ruining the film!" Depp answered back, "Look, these are the choices I made. You know my work. So either trust me or give me the boot."
Document 10: Davy Jones (Pirates of the Caribbean): Davy Jones is a fictional character and one of the main antagonists of the Pirates of the Caribbean film series, portrayed by Bill Nighy. He debut in the second film Dead Man's Chest as the main antagonist and return in the third film At World's End as one of the two main antagonists (the other is Cutler Beckett), respectively, and appear at the end of the series' fifth installment, Dead Men Tell No Tales who suggests will back in a possibile sixth film. He is the captain of the Flying Dutchman (based on the ghost ship of the same name).
Document 11: Pirates of the Caribbean (film series): Directors of the series include Gore Verbinski (1 -- 3), Rob Marshall (4) and Joachim Rønning and Espen Sandberg (5). The series is primarily written by Ted Elliott and Terry Rossio (1 -- 4); other writers include Stuart Beattie (1), Jay Wolpert (1) and Jeff Nathanson (5). The stories follow the adventures of Captain Jack Sparrow (Johnny Depp), Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley). Characters such as Hector Barbossa (Geoffrey Rush) and Joshamee Gibbs (Kevin McNally) follow Jack, Will and Elizabeth in the course of the films. The fourth film features Blackbeard (Ian McShane) and Angelica (Penélope Cruz), while the fifth film features Armando Salazar (Javier Bardem), Henry Turner (Brenton Thwaites) and Carina Smyth (Kaya Scodelario). The films take place in a fictional historical setting; a world ruled by the British Empire, the East India Trading Company (based on the real East India Company) and the Spanish Empire, with pirates representing freedom from the ruling powers.
Document 12: Pirates of the Caribbean: The Curse of the Black Pearl: Pirates of the Caribbean: The Curse of the Black Pearl Theatrical release poster Directed by Gore Verbinski Produced by Jerry Bruckheimer Screenplay by Ted Elliott Terry Rossio Story by Ted Elliott Terry Rossio Stuart Beattie Jay Wolpert Based on Pirates of the Caribbean by Walt Disney Starring Johnny Depp Geoffrey Rush Orlando Bloom Keira Knightley Jack Davenport Kevin R. McNally Zoe Saldana Jonathan Pryce Music by Klaus Badelt Hans Zimmer Cinematography Dariusz Wolski Edited by Craig Wood Stephen Rivkin Arthur Schmidt Production companies Walt Disney Pictures Jerry Bruckheimer Films Distributed by Buena Vista Pictures Distribution Release date June 28, 2003 (2003 - 06 - 28) (Disneyland Resort) July 9, 2003 (2003 - 07 - 09) (United States) Running time 142 minutes Country United States Language English Budget $140 million Box office $654.3 million
Document 13: Marshall Bluesbreaker: The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s." It was Marshall's first combo amplifier, and was described as "arguably the most important [amplifier] in the company's history" and "the definitive rock amplifier."
Document 14: Hard rock: In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.
Document 15: Hard rock: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."
ground_truth: The Rolling Stones
sub_queries: What rockstar did Depp base his pirate character on? Answer: Keith Richards
Keith Richards is the guitarist of what band? Answer: The Rolling Stones