Question: Were Rémi Lange and Lothar Mendes both film directors?

full_context: Document 1: Amanda Langlet: She began her career on television in "Les 400 coups de Virginie" in 1979, directed by Bernard Queysanne. A leading rôle in Éric Rohmer's "Pauline at the Beach" followed in 1983, "Elsa,Elsa" directed by Didier Haudepin in 1985, "Rosette cherche une chambre" in 1987 and Christian François's "Sanguine" in 1988. Again for Éric Rohmer, she played Margot in his "A Summer's Tale" (1996) and Janine in "Triple Agent" (2004). She has appeared in two films of Michel Deville - "La Divine Poursuite" in 1997 and "La Maladie de Sachs" (Sach's Disease) in 1999. She played a nurse in Lucas Belvaux's "Mère de Toxico". In 2008 she took the rôle of Maya in Christine Dory's "Les Inséparables".
Document 2: Mitu Bhowmick Lange: Mitu Bhowmick Lange is currently the Director of "Mind Blowing Films", a film production and distribution company that specialises in the distribution of Indian films throughout Australia and New Zealand. It also provides local production support to Indian films shot in Australia and New Zealand. She is also the Director of Mind Blowing World, an independent film distribution company that specialises in the distribution of quality local content to Australian and New Zealand audiences.
Document 3: Prince of Tempters: Prince of Tempters is a 1926 American silent romance film directed by Lothar Mendes and starring Lois Moran, Ben Lyon and Lya De Putti. It is based on the novel "The Ex-Duke" by the British writer E. Phillips Oppenheim. The film was made at the Cosmopolitan Studios in New York. It was the first film made in America by the German director Lothar Mendes, who married Dorothy Mackaill while working on the production.
Document 4: Luxury Liner (1933 film): Luxury Liner is a 1933 American pre-Code drama film directed by Lothar Mendes and starring George Brent, Zita Johann and Vivienne Osborne. It was based on a 1932 novel by Gina Kaus, and made by Paramount Pictures. Mendes worked on a number of films for Paramount during the era. Shortly after making the film, he went to Britain where he directed his most celebrated film "Jew Süss".
Document 5: Heinrich Gotho: Heinrich Gotho was an Austrian film actor. He started his acting career at some provincial theatres, until he found an engagement at the Neues Volkstheater in Berlin. The character actor appeared in over 50 films between 1922 and 1933, mostly in smaller roles. He notably appeared in numerous movies by director Fritz Lang, among them "Dr. Mabuse the Gambler" (1922), "Metropolis" (1927) and "M" (1931). Gotho was forced to retire from film acting in 1933, as a Jew he had no possibilites to work any longer in the National Socialist Germany.
Document 6: Charles Laughton: Charles Laughton (1 July 1899 – 15 December 1962) was an English stage and film actor, director, producer and screenwriter. Laughton was trained in London at the Royal Academy of Dramatic Art and first appeared professionally on the stage in 1926. In 1927, he was cast in a play with his future wife Elsa Lanchester, with whom he lived and worked until his death; they had no children.
Document 7: George Melford: George H. Melford (February 19, 1877 – April 25, 1961) was an American stage and film actor, director, producer, and screenwriter. Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.
Document 8: Cinématon: Cinématon is a 199-hour-long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 28 years from 1978 until 2006, it consists of a series of over 2,987 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Document 9: Louis Bélanger: Louis Bélanger (born 1964 in Beauport, Quebec) is a Canadian film director and screenwriter. He has a degree in communications from UQAM. He is a close friend and collaborator of filmmaker Denis Chouinard; both men created several short films together before branching off into their own careers with feature films. His film "Post Mortem" won him Best Director at the Montreal World Film Festival and earned him two Genie Awards, for best new director and best screenplay.
Document 10: The Man Who Could Work Miracles: The Man Who Could Work Miracles is a black-and-white 1936 British fantasy-comedy film directed by the German-born American director Lothar Mendes. Reputedly the best-known of Mendes' 20 films, it's a greatly expanded version of H. G. Wells’s short story of the same name and stars Roland Young with a cast of supporting players including Sir Ralph Richardson and in a London Films production from the famous Hungarian-born British producer, Sir Alexander Korda. H.G. Wells himself worked on the adaptation, the plot revised to reflect Wells's socialist frustrations with the British upper class, and the growing threat of Communism, Fascism and Nazism in Europe at the time, something to which Mendes, Korda and Wells were all committed to combating in their creative work.
Document 11: Alain Berliner: Alain Berliner (born 21 February 1963) is a Belgian film director best known for the 1997 film "Ma vie en rose", which won the Golden Globe Award for Best Foreign Language Film at the 55th Golden Globe Awards in 1998. "Ma vie en rose" is also used as film in England, to teach children about cross-dressing and is a very valuable film for community.
Document 12: Alain Guiraudie: Alain Guiraudie (] ; born 15 July 1964) is a French film director and screenwriter. He has directed ten mostly LGBT-related films since 1990. He is openly gay.
Document 13: Baise-moi: Baise-moi ("Fuck me ") is a 2000 French crime thriller film with elements of a rape and revenge film written and directed by Virginie Despentes and Coralie Trinh Thi and starring Karen Lancaume and Raffaëla Anderson. It is based on the novel by Despentes, first published in 1993. The film received intense media coverage because of its graphic mix of violence and explicit sex scenes. Consequently, it is sometimes considered an example of the "New French Extremity."
Document 14: Rémi Lange: Rémi Lange (born 4 February 1969 in Gennevilliers, Hauts-de-Seine) is a French film director. Lange's films have mostly been released directly to video, except "Omelette" (1998) where he filmed his own coming out, and its sequel "Les Yeux brouillés" (2000), which both had general cinematic release in France. His films have been shown and have won awards at film festivals around the world.
Document 15: Lothar Mendes: Lothar Mendes (19 May 1894 – 25 February 1974) was a German-born screenwriter and film director. who began his career as an actor in Vienna and Berlin in Max Reinhardt's famous troupe. He went to America in the early 1920s and there he remained until 1933, directing more than a dozen features, mostly frothy comedies, while under contract to Paramount. His films included the last silent film made in America, "The Four Feathers" (1929) and the murder mystery "Payment Deferred" (1933) starring British expatriate Charles Laughton.
ground_truth: yes