Question: How long was the development of the Become Human video game, named after the city where the performer of Preminado was born?

full_context: Document 1: Gene Harris of the Three Sounds: Gene Harris of the Three Sounds is an album by American pianist Gene Harris recorded in 1972 and released on the Blue Note label. Although the title refers to Harris' group The Three Sounds the album is usually recognised as a solo effort as none of the other original members of the group participated in the recording.
Document 2: The Last of the Mohicans (soundtrack): Director Michael Mann initially asked Trevor Jones to provide an electronic score for the film, but late in the game, it was decided an orchestral score would be more appropriate for this historic epic. Jones hurried to re-fashion the score for orchestra in the limited time left, while the constant re-cutting of the film meant music cues sometimes had to be rewritten several times to keep up with the new timings.
Document 3: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 4: Preminado: Preminado is an album by pianist Barry Harris recorded in late 1960 and early 1961 and released on the Riverside label.
Document 5: Breakin' It Up: Breakin' It Up is the debut album by pianist Barry Harris recorded in 1958 and released on the Argo label.
Document 6: From the Bottom: From the Bottom is an album by American jazz pianist Bobby Timmons recorded in 1964 and released in 1970 on the Riverside label. The album features Timmons on piano (trio and solo), vibraphone, and his only recording on organ.
Document 7: Earl Van Dyke: Van Dyke, who was born in Detroit, Michigan, United States, was preceded as keyboardist and bandleader of the Funk Brothers by Joe Hunter. In the early 1960s, he also recorded as a jazz organist with saxophonists Fred Jackson and Ike Quebec for the Blue Note label.
Document 8: Blue Haze: The album is a reissue in 12" format of the 10" LP "Miles Davis Quartet" (PRLP 161), with "I'll Remember April" added. Tracks 4,6, 7, and 8 come from Prestige PREP 1326, The Miles Davis Quartet, recorded 19 May 1953. It features a quartet with John Lewis on piano —replaced on "Smooch" by its co-composer Charles Mingus— Percy Heath, the bassist throughout the album, and Max Roach on drums. Tracks 2, 3, and 5, from March 15, 1954, with Horace Silver on piano and Art Blakey on drums, were first released on PREP 1360, titled Miles Davis Quartet. The first track on the album is from the 3 April 1954 session which resulted in half of the album "Walkin'" (and was originally included on the 10" LP "Miles Davis Quintet" (PRLP 185)).
Document 9: Joe Gordon (musician): His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1953–55 intermittently), Art Blakey (1954), and Don Redman.
Document 10: Detroit: Become Human: The characters Connor and Markus are played by Bryan Dechart and Jesse Williams, respectively. Clancy Brown, Lance Henriksen, and Minka Kelly portray supporting characters Lieutenant Hank Anderson, Carl Manfred, and North, respectively. There are three different composers, one for each playable character: Philip Sheppard for Kara, Nima Fakhrara for Connor, and John Paesano for Markus. Sheppard's cello sequence in Kara's theme was inspired by the flames of a log fire, whereas the motif layered over it came from the two syllables in her name. Fakhrara created custom instruments and used vintage synthesizers in order that the sound could represent the robotic nature of Connor. Paesano's music was made with the idea that it would be ``like a church hymn '', personifying Markus' transformation into a leader. Sheppard recorded at Abbey Road Studios with the English Session Orchestra; Paesano was at Synchron Stage Vienna with the Synchron Stage Orchestra. Director of photography Aymeric Montouchet used`` thick grain and shaky long lens'' with shallow depth of field for Kara, ``small, tight grain ''and a blue palette for Connor, and orange and white colours for Markus. The game was released to manufacturing on 23 April 2018, after four years of production.
Document 11: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 12: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 13: The Legend of Zelda: Twilight Princess: Media requests at the trade show prompted Kondo to consider using orchestral music for the other tracks in the game as well, a notion reinforced by his preference for live instruments. He originally envisioned a full 50-person orchestra for action sequences and a string quartet for more "lyrical moments", though the final product used sequenced music instead. Kondo later cited the lack of interactivity that comes with orchestral music as one of the main reasons for the decision. Both six- and seven-track versions of the game's soundtrack were released on November 19, 2006, as part of a Nintendo Power promotion and bundled with replicas of the Master Sword and the Hylian Shield.
Document 14: PREMature: The score is composed by South African musician, John Atterbury. The composition involved a process of fusing audio manipulation and live instrumentation, concurrently with tape loops, recordings in the field and programming to present the most organic and contemporary sound possible. This entire process concluded with a music score consisting of 97 tracks for all six episodes of "PREMature", including the final song, "The Start", featuring vocals by London singer/musician, Donna Thompson.
Document 15: Vikram Vedha: Rookie actor Kathir was selected to play a third leading role of Vijay Sethupathi's brother, while Malayalam actor Hareesh Peradi also joined the team. Meanwhile, actresses Shraddha Srinath and Varalaxmi Sarathkumar were signed to play the leading female roles in the film. John Vijay was also signed to portray a role during late 2016, and revealed he would portray a gangster who will be seen in three different time stages throughout the film. However he was later replaced by Vivek Prasanna in the role, as he became busy with his commitments for the Malayalam film Comrade in America (2017). Sam C.S. was signed on as music composer, while Richard Kevin and P.S. Vinod were announced as editor and cinematographer, respectively. For their respective roles in the film, Madhavan and Vijay Sethupathi sported new looks. Madhavan prepared to sport a trimmed beard with facial hair reaching his cheekbones, while Vijay Sethupathi prepared himself to portray an aged gangster with greying hair.
ground_truth: four years of production
sub_queries: Preminado >> performer Answer: Barry Harris
Barry Harris >> place of birth Answer: Detroit
how long was Detroit become human in development for Answer: four years of production