Question: In 2013, what was the population of the city in which Cosimo Ulivelli was mainly active?

full_context: Document 1: Firenze Rifredi railway station: Firenze Rifredi railway station, or Florence Rifredi railway station (Italian: "Stazione di Firenze Rifredi" ), serves the city and "comune" of Florence, in the region of Tuscany, central Italy. It is the third most important railway station in Florence, after Firenze Santa Maria Novella and Firenze Campo di Marte. It also forms part of the traditional Bologna–Florence railway, and the railways linking Florence with Viareggio, and Pisa and Livorno, respectively.
Document 2: San Marco Altarpiece: The San Marco Altarpiece (also known as "Madonna and Saints") is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443. In addition to the main panel depicting the enthroned Virgin and Child surrounded by Angels and Saints, there were 9 predella panels accompanying it, narrating the legend of the patron saints, Saints Cosmas and Damian. Only the main panel actually remains to be seen in the Convent of San Marco, Florence, Italy, today, along with two predella panels depicting saints which were purchased back for the museum as recently as 2007. The "San Marco Altarpiece" is known as one of the best early Renaissance paintings for its employment of metaphor and perspective, Trompe l'oeil, and the intertwining of Dominican religious themes and symbols with contemporary, political messages.
Document 3: Duchy of Florence: The Duchy of Florence (Italian: "Ducato di Firenze" ) was an Italian principality that was centred on the city of Florence, in Tuscany, Italy. The duchy was founded after Emperor Charles V restored Medici rule to Florence in 1530. Pope Clement VII, himself a Medici, appointed his relative Alessandro de' Medici as Duke of the Florentine Republic, thereby transforming the Republic of Florence into a hereditary monarchy.
Document 4: Cosimo Ulivelli: Cosimo Ulivelli (1625–1704) was an Italian painter of the Baroque period, active mainly in Florence. He was a pupil of the painter Baldassare Franceschini. He painted frescoes along the top of the wall of the nave of the church the Santissima Annunziata in Florence.
Document 5: Fabio Berardi (engraver): Fabio Berardi (1728–1788) was an Italian engraver of the Baroque period, active in Tuscany. He was born in Siena. He went to Venice when young, and trained under Joseph Wagner. Among other works, he engraved in 1767 a booklet of pictures about the life of emperor Francis I. He also engraved the following:
Document 6: Giulio Quaglio the Younger: Giulio Quaglio the Younger (1668–1751) was an Italian Baroque painter. He was part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography (stage design) for the court theaters. He was born and died in Laino, a mountain village at Como. Giulio II was involved in fresco decoration in Friuli, including for the chapel of Monte di Pietà at Udine. His most highly valued work is the painting of Saint Nicholas' Cathedral in Ljubljana. He also painted the central hall of Meerscheinschlössl in Graz. He had two sons, Domenico and Giovanni Maria Quaglio.
Document 7: Bologna: Bologna ( ; ] ; Emilian: "Bulåggna" , ] ; ) is the capital and largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, located in the heart of a metropolitan area (officially recognised by the Italian government as a "città metropolitana") of about one million.
Document 8: Giovanni Battista Barbiani: Giovanni Battista Barbiani (1593–1650) was an Italian painter of the Baroque period, active in Ravenna. Among his works are altarpieces of "St. Andrew" and "St. Joseph" for the Franciscan church. For the dome of the chapel of the "Madonna del Sudore" in the Cathedral of Ravenna, he painted a fresco of the "Assumption of the Virgin". He painted a ' St. Peter' in Sant' Agata in Ravenna. He painted in the style of Bartolomeo Cesi. Along with Cesare Pronti, he painted in the church of San Romualdo (designed by Luca Danesi, of the Camaldolese Abbey, now home to the Biblioteca Classense of Ravenna. The grand corridor in the Abbey is also frescoed by Barbiani with famous benedictine and camaldolese monks. His nephew Andrea Barbiani was also a painter in Ravenna and Rimini.
Document 9: Turin: Turin ( ; Italian: "Torino" , pronounced ] ; Piedmontese: "Turin", pronounced ] ) is a city and an important business and cultural centre in northern Italy. It is the capital city of the Metropolitan City of Turin (an administrative division of Italy) and of the Piedmont region, and was the first capital city of Italy from 1861 to 1865. The city is located mainly on the western bank of the Po River, in front of Susa Valley, and is surrounded by the western Alpine arch and Superga Hill. The population of the city proper is 886,837 (31 December 2016) while the population of the urban area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million.
Document 10: Chiarissimo Fancelli: Chiarissimo d'Antonio Fancelli (died 1632) was an Italian sculptor and architect of the late-Mannerist and Baroque periods, mainly active in Tuscany. Domenico Pieratti and Giovanni Battista Pieratti were his pupils. It is unclear how he fits into the large pedigree of Tuscan sculptors including Cosimo and Luca Fancelli.
Document 11: Stefano Volpi: Stefano Volpi or Volpe (c. 1585-1642) was an Italian painter from the early Baroque art period, mainly painting sacred subjects in Siena, Italy. According to Luigi Lanzi, he was either a pupil or collaborator with Rutilio Manetti. Among his works are paintings in the churches of Santi Quirico e Giulitta, San Raimondo, San Sebastiano and San Domenico in Siena.
Document 12: Francesco Pesellino: Francesco Pesellino (probably 1422–July 29, 1457), also known as Francesco di Stefano, Il Pesellino, Francesco Peselli, and Francesco di Stefano Pesellino was an Italian (Florentine) painter. His father was the painter Stefano di Francesco (died 1427), and his maternal grandfather was the painter Giuliano Pesello (1367–1446), from whose name the diminutive nickname of "Pesellino" arose. After the death of his father in 1427, the young Francesco Pesellino went to live with his grandfather, Giuliano Pesello, adopting his name. Francesco Pesellino remained in his grandfather’s studio until the latter’s death, when he joined the studio of Filippo Lippi (ca.1406-1469). He married in 1442, and probably joined the Florence painters' guild in 1447. In the following years he made a reputation with small, highly finished, works, either religious subjects for predellas or private devotions, or secular subjects, often for insetting into furniture or panelling.
Document 13: Florence: Florence ( ; Italian: "Firenze" ] ) is the capital city of the Italian region of Tuscany. It is the most populous city in Tuscany, with 383,083 inhabitants in 2013, and over 1,520,000 in its metropolitan area.
Document 14: Apostolic Nunciature to Florence: The Apostolic Nunciature to Florence was an ecclesiastical office of the Catholic Church to the Republic of Florence, Italy and later the Grand Duchy of Tuscany. It was a diplomatic post of the Holy See, whose representative is called the Apostolic Nuncio with the rank of an ambassador. In 1533, the Republic of Florence was replaced by the Grand Duchy of Tuscany. The office ceased to exist in 1860 after the United Provinces of Central Italy, a client state of the Kingdom of Sardinia-Piedmont, annexed Tuscany in 1859 and then Tuscany was formally annexed to Sardinia in 1860, following a landslide referendum, in which 95% of voters approved.
Document 15: Tuscany: Tuscany ( ; Italian: "Toscana" , ] ) is a region in central Italy with an area of about 23,000 km2 and a population of about 3.8 million inhabitants (2013). The regional capital is Florence ("Firenze").
ground_truth: 383,083