Question: What college did the composer of I'm Waiting for the Man attend?

full_context: Document 1: After Hours (The Velvet Underground song): "After Hours" is a 1969 song written by Lou Reed and originally performed by The Velvet Underground. It is the tenth and final track on their self-titled third album. It is one of few songs with lead vocals by drummer Maureen Tucker, as Lou Reed stated the song was "so innocent and pure" that he could not possibly sing it himself. Tucker's vocals are accompanied by acoustic and bass guitar. The style of the lyrics and the music is somewhat reminiscent of Tin Pan Alley songs of the 1930s.
Document 2: I'm Waiting for the Man: "I'm Waiting for the Man" (sometimes titled "I'm Waiting for My Man") is a song by the American rock band the Velvet Underground, written by Lou Reed. It was first released on their 1967 debut album, "The Velvet Underground & Nico".
Document 3: Anton Rupert: After dropping out of medical school due to a lack of funds, Rupert earned a chemistry degree at the University of Pretoria, where he also lectured for a short while. Subsequently, he started a dry-cleaning business.
Document 4: Jack Carlton Reed: Reed was convicted of conspiracy to distribute cocaine and operating a continuing criminal enterprise. Prosecutors said Reed was an important player in the Lehder organization, flying drug shipments from Colombia, hiring ground crews, and working with distributors.
Document 5: Rock and Roll Diary: 1967–1980: Rock and Roll Diary: 1967–1980 was released by Arista Records in 1980 as a double album split between tracks by the Velvet Underground and tracks by Lou Reed, attempting to demonstrate the arc of his songwriting over the first fifteen years of his career. The versions of "Heroin" and "Femme Fatale" are from the 1974 Velvet Underground live album "". "Coney Island Baby" comes from the "" album. The liner notes for the album were written by Ellen Willis.
Document 6: The Velvet Underground: The Velvet Underground was an American rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's "Exploding Plastic Inevitable" events from 1966 to 1967. Their debut album, "The Velvet Underground & Nico" (with German-born singer and model Nico), was released in 1967 to critical indifference and poor sales but has become critically acclaimed; in 2003, "Rolling Stone" called it the "most prophetic rock album ever made."
Document 7: Leo Cullum: Born in Newark, New Jersey, Cullum was raised in North Bergen, New Jersey and earned his undergraduate degree in 1963 from the College of the Holy Cross, where he majored in English. He joined the United States Marine Corps after graduating from college, earning a commission as a second Lieutenant. Upon completion of his flight training in Pensacola, Florida, Cullum deployed to Vietnam, where he flew more than 200 missions, mostly ground attacks in support of the infantry in addition to attacks on the Viet Cong supply lines on the Ho Chi Minh trail in Laos. Though the missions over Laos were not officially acknowledged, Cullum was baffled by the need for secrecy, saying "the North Vietnamese certainly knew it wasn't the Swiss bombing them".
Document 8: Donald Roden: Donald Roden is an associate professor of history at Rutgers University. He is mostly known for his efforts in combating the prison recidivism rate through a means of education. He is the founder of Rutgers' Mountainview Prison Project, a program that recruits and prepares ex-offenders during their incarceration, and supports their pursuit of an undergraduate degree at Rutgers, The State University of New Jersey, after their release. Since 2005, he is responsible for the admittance of over 30 ex-offenders into Rutgers University, many of which have attained their bachelor's degree. Donald Roden has also written about a variety of subjects dealing with East Asian history including Japanese baseball, Taisho culture, and foreigners in Meiji Japan.
Document 9: European Son: "European Son" is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album "The Velvet Underground & Nico". It is also the album's longest track at more than seven and a half minutes.
Document 10: Paul Levinson: Paul Levinson graduated from Christopher Columbus High School in the Bronx, attended the City College of New York (CCNY) in the 1960s, and received a BA in journalism from New York University in 1975; an MA in Media Studies from The New School in 1976; and a PhD from New York University in media ecology in 1979. His doctoral dissertation, "Human Replay: A Theory of the Evolution of Media" (1979), was mentored by Neil Postman.
Document 11: Vicious (Lou Reed song): "Vicious" is a song written by Lou Reed, released as a single in 1973 and originally featured on "Transformer", Reed's second post-Velvet Underground solo album.
Document 12: Lou Reed: Upon his recovery from his illness and associated treatment, Reed resumed his education at Syracuse University in 1960, studying journalism, film directing, and creative writing. He was a platoon leader in ROTC; he said he was later expelled from the program for holding an unloaded gun to his superior's head.
Document 13: Jon Jost: Born in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he was imprisoned by US authorities for 2 years 3 months for refusal to cooperate with the Selective Service system. On his release he became engaged in anti-war activities, working for the draft resistance, Chicago Mobilization, and helped found the Chicago branch of what became Newsreel, the New Left Film production and distribution group.
Document 14: Run Run Run (The Velvet Underground song): The song was written on the back of an envelope by Lou Reed while he and the band were on their way to a gig at the Café Bizarre. The song details a number of characters living in New York City, including Teenage Mary, Margarita Passion, Seasick Sarah, and Beardless Harry, all of whom are detailed using or seeking drugs. In addition to mentioning New York scenery such as Union Square and 47th Street, the song makes use of drug terms paired with religious imagery. Two of the four verses directly speak of heroin use, a theme found in the album. In the song, Marguerita Passion tried to sell her soul in order to get "a fix", while Seasick Sarah "turned blue", causing her angels to panic. The song is also well known because of Lou Reed's guitar solo, and its lack of a conventional approach.
Document 15: White Light/White Heat (song): "White Light/White Heat" was recorded in the course of the recording sessions for "White Light/White Heat" in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
ground_truth: Syracuse University
sub_queries: I'm Waiting for the Man >> composer Answer: Lou Reed
What college did Lou Reed go to? Answer: Syracuse University