Question: Do Mrinal Sen and Zhang Yimou share the same nationality?

full_context: Document 1: Kumar Shahani: Kumar Shahani (born 7 December 1940) is a noted Indian film director and screenwriter, best known for his parallel cinema films, "Maya Darpan" (1972) and "Khayal Gatha" (1989) and "Kasba" (1990). Due to his dedication to formalism, and with the reputation of his first feature, "Maya Darpan" being considered among Indian cinema's first formalist film, he is frequently grouped by critics and film enthusiasts alongside similar stylistic filmmakers such as Pier Paolo Pasolini, Andrei Tarkovsky, and Jacques Rivette.
Document 2: Zhang Yimou: Zhang Yimou ( ; born 2 April 1950) is a Chinese film director, producer, writer and actor, and former cinematographer. He is counted amongst the Fifth Generation of Chinese filmmakers, having made his directorial debut in 1987 with "Red Sorghum".
Document 3: Hou Yong (cinematographer): Hou Yong (; born 1960) is a Chinese filmmaker and cinematographer. He is perhaps best known for his collaboration with director Zhang Yimou, though he has worked with many of China's major directors. Like some of Zhang's other cinematographers (notably Lü Yue, whom Hou replaced), Hou has also moved into the directing world. In 2004, he directed "Jasmine Women" starring Zhang Ziyi.
Document 4: Bimal Roy: Bimal Roy (Bengali: বিমল রায় ) (12 July 1909 – 8 January 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films like "Do Bigha Zamin", "Parineeta", "Biraj Bahu", "Madhumati", "Sujata", and "Bandini", making him an important director of Hindi cinema. Inspired by Italian neo-realistic cinema, he made "Do Bigha Zameen" after watching Vittorio De Sica's "Bicycle Thieves" (1948). His work is particularly known for his mise en scène which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. "Madhumati" won 9 Filmfare Awards in 1958, a record held for 37 years.
Document 5: Jia Zhangke: Jia Zhangke (born 24 May 1970) is a Chinese film director and screenwriter. He is generally regarded as a leading figure of the "Sixth Generation" movement of Chinese cinema, a group that also includes such figures as Wang Xiaoshuai, Lou Ye, Wang Quan'an and Zhang Yuan.
Document 6: Shyam Benegal: Shyam Benegal (born 14 December 1934) is an Indian director and screenwriter. With his first four feature films "Ankur" (1973), "Nishant" (1975), "Manthan" (1976) and "" (1977) he created a new genre, which has now come to be called the "middle cinema" in India. He has expressed dislike of the term, preferring his work to be called New or Alternate cinema. Benegal was awarded the Padma Shri in 1976 and the Padma Bhushan in 1991. On 8 August 2007, Benegal was awarded the highest award in Indian cinema for lifetime achievement, the Dadasaheb Phalke Award for the year 2005. He has won the National Film Award for Best Feature Film in Hindi seven times.
Document 7: Jiang Wen: Jiang Wen (born 5 January 1963) is a Chinese film actor, screenwriter, and director. As a director, he is sometimes grouped with the "Sixth Generation" that emerged in the 1990s. Jiang is also well known internationally as an actor, having starred with Gong Li in Zhang Yimou's debut film "Red Sorghum" (1986), and more recently as Baze Malbus in the Star Wars anthology film "Rogue One" (2016). He is the older brother of fellow actor Jiang Wu.
Document 8: Zhang Jianya: Zhang Jianya (, ] ) (born 1951) is a Chinese film director. As a graduate of the 1982 class of the Beijing Film Academy, Zhang is a founding member of the so-called Fifth Generation, a group that also includes in its numbers directors such as Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang.
Document 9: Lü Yue: Lü Yue () (born 1957) is a Chinese cinematographer and film director. Born in Tianjin, Lü is today among the most important cinematographers of recent Chinese cinema, and is particularly well known for his collaborations with director Zhang Yimou with whom he served as director of photography in three films. Lü was nominated for an Academy Award for best cinematographer for Zhang's film "Shanghai Triad". He has also served as cinematographer for other Fifth Generation directors such as Tian Zhuangzhuang (for 1985's "On the Hunting Ground") as well as for older directors, such as Huang Shuqin (for 1994's "A Soul Haunted by Painting"). More recently he served as cinematographer for actress Joan Chen's directorial effort, "", a film in which he also played a small part as the titular character's father.
Document 10: Zhang Junzhao: Zhang Junzhao (; born 1952) is a Chinese film director and screenwriter who was mainly active in the 1980s. A graduate of the Beijing Film Academy and a contemporary of such acclaimed directors as Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang, Zhang Junzhao was a prominent early member of China's Fifth Generation filmmakers. His 1984 film "One and Eight" ("Yi ge he ba ge") is well known as a film that marked the advent of the Fifth Generation, while "The Shining Arc" (弧光; "Hu guang", 1988) was nominated for the Golden St. George award at the 1989 Moscow International Film Festival.
Document 11: Calcutta 71: Calcutta 71 is a 1972 Bengali film directed by noted Indian art film director Mrinal Sen. This film is considered to be the second film of Mrinal Sen's Calcutta trilogy, the others being "Interview", and "Padatik".
Document 12: Ritwik Ghatak: Ritwik Ghatak (Bengali: ঋত্বিক কুমার ঘটক , "Ritbik Kumar Ghôţôk",    ; 4 November 19256 February 1976) was a Bengali filmmaker and script writer. Along with prominent contemporary Bengali filmmakers Satyajit Ray and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality. Although their roles were often adversarial, they were ardent admirers of each other's work and, in doing so, the three directors charted the independent trajectory of parallel cinema, as a counterpoint to the mainstream fare of Hindi cinema in India. Ghatak received many awards in his career, including National Film Award's Rajat Kamal Award for Best Story in 1974 for his "Jukti Takko Aar Gappo" and Best Director's Award from Bangladesh Cine Journalist's Association for "Titash Ekti Nadir Naam". The Government of India honoured him with the Padma Shri for Arts in 1970.
Document 13: Mrinal Sen: Mrinal Sen (also spelled "Mrinal Shen", born 14 May 1923) is a legendary Indian filmmaker based in Kolkata. Along with his contemporaries Satyajit Ray and Ritwik Ghatak, he is often considered to be one of the greatest ambassadors of Indian parallel cinema on the global stage. Like the works of Ray and Ghatak, his cinema is known for its artistic depiction of social reality. Although the three directors shared a healthy rivalry, they were ardent admirers of each other's work, and in so doing, they charted the independent trajectory of parallel cinema, as a counterpoint to the mainstream fare of Hindi cinema in India. Mrinal Sen is an ardent follower of Marxist Philosophy.
Document 14: Tapan Sinha: Tapan Sinha (2 October 1924 – 15 January 2009) was one of the most prominent Indian film directors of his time forming a legendary quartet with Satyajit Ray, Ritwik Ghatak and Mrinal Sen. He was primarily a Bengali filmmaker who worked both in Hindi cinema and Bengali cinema, directing films like "Kabuliwala" (1957), "Louha-Kapat", "Sagina Mahato" (1970), "Apanjan" (1968), "Kshudhita Pashan" and children's film "Safed Haathi" (1978) and "Aaj Ka Robinhood". Sinha started his career in 1946, as a sound engineer with New Theatres film production house in Kolkata, then in 1950 left for England where he worked at Pinewood Studios for next two years, before returning home to start his six decade long career in Indian cinema, making films in Bengali, Hindi and Oriya languages, straddling genres from social realism, family drama, labour rights, to children's fantasy films. He was arguably the most uncompromising filmmaker outside the orbit of Parallel Cinema.
Document 15: Ju Dou: Ju Dou () is a 1990 Chinese film directed by Zhang Yimou and Yang Fengliang (though it is almost universally considered to be a product of Zhang's vision as director) and starring Gong Li as the title character. It is notable for being shot in vivid three-strip Technicolor long after the process had been abandoned in the United States. It was also the first Chinese film to be nominated for an Academy Award for Best Foreign Language Film, in 1990.
ground_truth: no