Question: Between Jack Conway and George Dunning, who was more active in animation films?

full_context: Document 1: John Ford filmography: John Ford (1894–1973) was an American film director whose career spanned from 1913 to 1971. During this time he directed more than 140 films. Born in Maine, Ford enter the filmmaking industry shortly after graduating from high school with the help of his older brother, Francis Ford, who had established himself as a leading man and director for Universal Studios. After working as an actor, assistant director, stuntman, and prop man – often for his brother – Universal gave Ford the opportunity to direct in 1917. Initially working in short films, he quickly moved into features, largely with Harry Carey as his star. In 1920 Ford left Universal and began working for the Fox Film Corporation. During the next ten years he directed more than 30 films, including the westerns "The Iron Horse" (1924) and "3 Bad Men" (1926), both starring George O'Brien, the war drama "Four Sons" and the Irish romantic drama "Hangman's House" (both 1928 and both starring Victor McLaglen). In the same year of these last two films, Ford directed his first all-talking film, the short "Napoleon's Barber". The following year he directed his first all-talking feature, "The Black Watch".
Document 2: Jack Conway (filmmaker): Jack Ryan Conway (July 17, 1887 – October 11, 1952) was a film director and film producer, as well as an actor of many films in the first half of the 20th century.
Document 3: Jack Smith (film director): Jack Smith (November 14, 1932 – September 25, 1989) was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American performance art, and has been critically recognized as a master photographer, though his photographic works are rare and remain largely unknown.
Document 4: George Dunning: George Garnett Dunning (November 17, 1920 – February 15, 1979) was a Canadian-born filmmaker and animator. He is best known for animating and directing the 1968 Beatles film "Yellow Submarine".
Document 5: Yellow Submarine (film): Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 British animated musical fantasy comedy film inspired by the music of the Beatles, directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate. Initial press reports stated that the Beatles themselves would provide their own character voices; however, aside from composing and performing the songs, the real Beatles participated only in the closing scene of the film, while their cartoon counterparts were voiced by other actors.
Document 6: John Dunning (film producer): John Dunning (April 27, 1927–September 19, 2011) was a pioneering Canadian film producer from Montreal who co-founded the Canadian film production company Cinépix and produced early works by notable Canadian directors David Cronenberg and Ivan Reitman. Dunning launched Cinépix with partner André Link in Montreal in the early 1960s. Their biggest commercial success—and the first Canadian box office hit—came with Reitman’s "Meatballs" (1979).
Document 7: Yellow Submarine (album): Yellow Submarine is the tenth studio album by English rock band the Beatles, released on 13 January 1969 in the United States and on 17 January 1969 in the United Kingdom. It was issued as the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" (1966) and "All You Need Is Love" (1967). The remainder of the album was a re-recording of the film's orchestral soundtrack by the band's producer, George Martin.
Document 8: Frederick B. Conway: Frederick Bartlett Conway (b. Clifton, 10 February 1819; d. Manchester, Massachusetts, 6 September 1874) was an actor. He was the son of William A. Conway. He early developed a taste for the stage. After he had won a fair position in his profession in England, he came to the United States in August 1850. Here he formed an association with Edwin Forrest, and played Iago to his "Othello", de Mauprat to his "Richelieu", and other companion parts. After the death of his first wife, Mr. Conway married, in May, 1852, Sarah Crocker, a leading actress, and the two thenceforward acted together. In 1859 they opened Pike's Opera House in Cincinnati, Ohio with a first-class company, but the engagement was not profitable, and they returned to the east. In 1861, they visited England, and filled a short engagement at Sadler's Wells Theatre, London. After their return they became star actors, and made an extensive and profitable tour. Though somewhat pompous in manner, Frederick Conway was a good actor, with a fine personal appearance and a commanding delivery. He was the father of Marianne "Minnie" Conway and Lilian Conway. His grandsons, Minnie's sons, were actors Conway Tearle and Godfrey Tearle.
Document 9: George Dunning (author): George Dunning was an author who wrote an account of his time fighting with Italian Partisans during World War II. He was awarded the Distinguished Conduct Medal in 1945.
Document 10: Jack Arnold (director): Jack Arnold (October 14, 1916 – March 17, 1992) was an American actor and film and television director, best known as one of the leading filmmakers of 1950s science fiction films. His most notable films are "It Came from Outer Space" (1953), "Creature from the Black Lagoon" (1954), "Tarantula" (1955), and "The Incredible Shrinking Man" (1957).
Document 11: History of British animation: The history of animation in the United Kingdom began at the very origins of the artform in the late 19th century. British animation has been strengthened by an influx of émigrés to the UK, renowned animators such as Lotte Reiniger (Germany), John Halas (Hungary), George Dunning and Richard Williams (Canada), Terry Gilliam and Tim Burton (USA) have all worked in the UK at various stages of their careers. Notable full-length animated features to be produced in the UK include Animal Farm (1954), Yellow Submarine (1968), Watership Down (1978), and (2005).
Document 12: F. Richard Jones: Frank Richard Jones (September 7, 1893 – December 14, 1930) was an American director and producer.
Document 13: The Ways of Fate: The Ways of Fate is a 1913 American silent short romance film produced by the American Film Manufacturing Company. The film's directorial and producer roles have been both attributed to Allan Dwan, but other sources point to Wallace Reid as director. The film's fictional plot is centered on Jim Conway, who grew up wanting to avenge his father's death and headed West to seek his father's killer. Lost in the mountains, he is saved by a young woman and the two fall in love. After a few weeks with her, Conway reveals the reason he came west and the young woman's father overhears it. The old man confesses to killing Conway's father, over a game of cards, and bares his chest. Conway refuses to take revenge, because love had diminished such feelings. The film was released on April 19, 1913 and it had a widespread national release. It is not known whether the film currently survives, but it is presumed lost.
Document 14: William Desmond Taylor: William Desmond Taylor (26 April 1872 – 1 February 1922) was an Irish-born American director and actor. He was a popular figure in the growing Hollywood motion-picture colony of the 1910s and early 1920s, having directed 59 silent films between 1914 and 1922 and acted in 27 between 1913 and 1915.
Document 15: Yellow Submarine (sculpture): The Yellow Submarine in Liverpool is a large model representation of the submarine featured in the animated film "Yellow Submarine", inspired by the song of the same name on the Beatles album "Revolver". It was built by a group of about 80 apprentices from Cammell Laird's shipyard, designed in part by Mr L Pinch, a draughtsman at the yard, for exhibition at the International Garden Festival in Liverpool in 1984. The Submarine was in a garden themed around the Beatles, one of 60 such themed gardens, and was highly popular. The garden took the form of an apple-shaped labyrinth, containing symbolic references to the group, and included a bronze statue of John Lennon, which now stands at Liverpool John Lennon Airport.
ground_truth: George Garnett Dunning