Question: Who was this playwright of the Russian Enlightenment whose works were edited and published by Pyotr Yefremov and whose satirical comedies mock contemporary Russian gentry?

full_context: Document 1: Vsemirny Trud: Vsemirny Trud (Russian: Всемирный труд , translated as "World Labour") was a Russian science and literary monthly magazine published in Saint Petersburg in 1867—1872, with the average of 1500 subscribers. Its original publisher and editor-in-chief was Emmanuel Khan. Not long before the journal's closure, Stanislav Okreyts became its editor. In 1869 a literary supplement for it, "Domashnyaya Biblioteka" (Домашняя библиотека, Home Reading), was started. Among the authors whose work were published by "Vsemirny Trud" were Alexander Ostrovsky, Alexey Pisemsky, Pyotr Boborykin, Dmitry Averkiyev, Vasily Avenarius, Ivan Lazhechnikov, Vsevolod Krestovsky, Ivan Gensler, Daniil Mordovtsev, Alexander Milyukov, Mikhail Zagulyayev, Nikolai Solovyov, Nikolai Akhsharumov, Pyotr Petrov, Sergey Shubinsky, Vasily Kelsiyev.
Document 2: Luise Gottsched: Luise Adelgunde Victorie Gottsched (born Kulmus, 11 April 1713 Danzig – 26 June 1762 Leipzig) was a German poet, playwright, essayist, and translator, and is often considered one of the founders of modern German theatrical comedy.
Document 3: Ben Jonson: Benjamin "Ben" Jonson (c. 11 June 1572 – 6 August 1637) was an English playwright, poet, actor, and literary critic, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays "Every Man in His Humour" (1598), "Volpone, or The Fox" (c. 1606), "The Alchemist" (1610) and "Bartholomew Fair" (1614) and for his lyric poetry; he is generally regarded as the second most important English playwright during the reign of James I after William Shakespeare.
Document 4: Eastern poem on the death of Pushkin: "Eastern poem on the death of Pushkin" is an elegy of Azerbaijani author Mirza Fatali Akhundov, composed in 1837 in Persian. This poem was his first published work. In 1837 Akhundov prepared a Russian prose translation of his poem, and his friend Bestuzhev a versified one. First time the poem was published in the journal "Moskovskiy Telegraph" (Akhundov's translation). The poem was also published in the journal "Moskovskiĭ Nablyudatel", with an editorial note welcoming the poem as a tribute not merely to Pushkin but to Russian culture as a whole. Translation of Bestuzhev was published in 1874 in journal "Russkaya Starina". Original version of the poem was found and published only in 1936 (translator Pavel Antokolsky).
Document 5: Alexander Izmaylov: Alexander Efimovich Izmaylov (Алекса′ндр Ефи′мович Изма′йлов, 25 April 1779, Vladimir Governorate, Russian Empire, — 28 January 1831, Saint Petersburg, Russian Empire) was a Russian fabulist, poet, novelist, publisher ("Tsvetnik", "Blagonamerenny" magazines), pedagogue and one-time state official (a Tver and Arkhangelsk Governorates' vice-governor). Lauded for his satirical fables (by, among others, Vissarion Belinsky), Alexander Izmaylov is considered to be the last major literary figure of Russian Enlightenment.
Document 6: Russian literature: Russian literature refers to the literature of Russia and its émigrés and to the Russian-language literature of several independent nations once a part of what was historically Rus', the Russian Empire or the Soviet Union. The roots of Russian literature can be traced to the Middle Ages, when epics and chronicles in Old Russian were composed. By the Age of Enlightenment, literature had grown in importance, and from the early 1830s, Russian literature underwent an astounding golden age in poetry, prose and drama. Romanticism permitted a flowering of poetic talent: Vasily Zhukovsky and later his protégé Alexander Pushkin came to the fore. Prose was flourishing as well. The first great Russian novelist was Nikolai Gogol. Then came Ivan Turgenev, who mastered both short stories and novels. Leo Tolstoy and Fyodor Dostoyevsky soon became internationally renowned. In the second half of the century Anton Chekhov excelled in short stories and became a leading dramatist. The beginning of the 20th century ranks as the Silver Age of Russian poetry. The poets most often associated with the "Silver Age" are Konstantin Balmont, Valery Bryusov, Alexander Blok, Anna Akhmatova, Nikolay Gumilyov, Osip Mandelstam, Sergei Yesenin, Vladimir Mayakovsky, Marina Tsvetaeva and Boris Pasternak. This era produced some first-rate novelists and short-story writers, such as Aleksandr Kuprin, Nobel Prize winner Ivan Bunin, Leonid Andreyev, Fyodor Sologub, Aleksey Remizov, Yevgeny Zamyatin, Dmitry Merezhkovsky and Andrei Bely.
Document 7: Golos (newspaper): Golos (Russian: Голос , Voice) was a Russian political and literary newspaper, edited and published in Saint Petersburg in 1863-1885 by Andrey Krayevsky. One of the most successful Russian newspapers of the 19th century (its circulation in 1877 reached 22,630 and was rising), "Golos" supported the liberal capitalist reforms in Russia. In its first five years the newspaper received 11 official warnings and 3 bans, one of which resulted in a six-month gap. The newspaper's major contributors were Vasily Bilbasov (since 1871 its editor-in-chief), Alexey Pleshcheyev, Nikolai Albertini, Vladimir Bezobrazov, Vasily Modestov, Evgeny Markov, Pyotr Yefremov, Lev Panyutin, Grigory Gradovsky, Alexander Gradovsky, Vladimir Zotov, Pyotr Nechayev, Arseny Vvedensky, Leonid Polonsky and Feofil Tolstoy among others.
Document 8: Tales from the Vienna Woods (play): Tales from the Vienna Woods (1931) is the most famous play by Austro-Hungarian writer Ödön von Horváth (1901–1938). It was premièred in Berlin in 1931 and has been filmed several times. Before the première, the German writer and playwright, Carl Zuckmayer nominated the play for the Kleist Prize, which it won, the most significant literary award of the Weimar Republic. The play's title is a reference to the waltz, Tales from the Vienna Woods by Johann Strauss II. Horvarth's play premièred at the Deutsches Theatre, Berlin. Written in the late 1920s during the period of catastrophic unemployment and the Great Depression, the play is a key work of modern drama, described by Erich Kaestner as "a Viennese folk play accompanied by Viennese folk songs". It is a bitter satire about the mendacity and brutality of the petite-bourgeoisie, named ironically after the forested highlands near the Austrian capital that are so idealised in the waltz. In the play, Viennese 'Gemütlichkeit' or 'coziness' becomes a hollow phrase; the tragic, brutal story of the sweet girl Marianne and the deeply conventional butcher Oskar reflects the hardships and anxieties of the late 1920s during the global economic crisis.
Document 9: Peter P. Dubrovsky: Peter Petrovich Dubrovsky Russian: "Пётр Петрович Дубровский" (born January 9 (?) 1754 in Kiev, died January 9, 1816 in Petersburg), was a Russian bibliophile, diplomat, paleographer, secretary of the Russian Embassy in France, collector of manuscripts and books. Throughout his life he collected about 2000 manuscripts. Between 1805 and 1812 he worked at the Imperial Public Library.
Document 10: Molière: Jean-Baptiste Poquelin, known by his stage name Molière ( or ; ] ; 15 January 162217 February 1673), was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature. Among Molière's best known works are "The Misanthrope", "The School for Wives", "Tartuffe", "The Miser", "The Imaginary Invalid", and "The Bourgeois Gentleman".
Document 11: Dennis Foon: Dennis Foon (born November 18, 1951 in Detroit) is a playwright, producer, screenwriter and novelist. He was artistic director of the Green Thumb Theatre for twelve years, before turning to films and television in 1986. He has written screenplays for many types of drama. In the mid-1990s his personal project "Little Criminals" became a success in Canada.
Document 12: Proletary: Proletary (The Proletarian) was an illegal Russian Bolshevik newspaper edited by Lenin; it was published from September 3, 1906 until December 11, 1909. A total of fifty issues having appeared. Active participants in the editorial work were Mikhail Vladimirsky, V. V. Vorovsky, I. F. Dubrovinsky, Anatoly Lunacharsky. The technical side of publication was in the hands of Alexander Schlichter, E. S. Schlichter and others. The first twenty issues of the paper were edited and set up in Vyborg (matrices were sent to St. Petersburg and the paper was printed there; for purposes of concealment the newspaper was date-lined Moscow). Later, in view of growing difficulties in the way of publishing an illegal newspaper in Russia, the St. Petersburg and Moscow Committees of the Russian Social Democratic Labour Party decided that publication of the newspaper should he organised abroad. Nos. 21 to 40 were published in Geneva and Nos. 41 to 50 in Paris.
Document 13: Pyotr Yefremov: Pyotr Alexandrovich Yefremov (Russian: Пётр Александрович Ефремов , born November 17 (O.S., 2), 1830, Moscow, Russian Empire, - died January 8, 1908 [O.S. December 26, 1907], Saint Petersburg, Russian Empire) was a Russian literary historian, publisher, editor and essayist whose works were published regularly by "Sovremennik" (where he debuted in 1857), "Otechestvennye Zapiski", "Russky Arkhiv", "Russkaya Starina", "Istorichesky Vestnik", newspapers "Golos", "Novoye Vremya", "Russkiye Vedomosti". In 1864-1865 he edited the "Knizhny Vestnik" (The Books Herald) magazine. Praised as one of the most competent literary scholars of the 19th century, Pyotr Yefremov compiled, edited and published the series of The Works of: Denis Fonvizin (1866), Valerian Maykov (1867), Antiochus Kantemir (1867-1868), Vladimir Lukin (1868), Bogdan Yelchaninov (1868), Alexander Radishchev (1872, Saint Petersburg; banned at the time), Kondraty Ryleyev (1872, 1874), Mikhail Lermontov (1873, 1880, 1887, 1889, also the "Early Dramas" compilation, 1880), Vasily Zhukovsky (1878, 1885), Alexander Pushkin (1880, 1882, 1905, plus two "Yevgeny Onegin" editions, 1874, 1882), Alexander Polezhayev (1889). He is credited with having discovered, published and written analytical essays on numerous hitherto unknown autographs by classics like Pushkin, Ryleyev, Lermontov, Radishchev, Fonvizin, Zhukovsky.
Document 14: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 15: Denis Fonvizin: Denis Ivanovich Fonvizin (Russian: Дени́с Ива́нович Фонви́зин , from German: "von Wiesen" ; 14 April [O.S. 3 April] 1744 or 1745 12 December [O.S. 1 December] 1792 ) was a playwright of the Russian Enlightenment, whose plays are still staged today. His main works are two satirical comedies which mock contemporary Russian gentry.
ground_truth: Denis Fonvizin