Question: The songwriter of Bridge over Troubled Waters recorded for what label?

full_context: Document 1: Bridge over Troubled Water (song): ``Bridge over Troubled Water ''is a song by American music duo Simon & Garfunkel. Produced by the duo and Roy Halee, the song was released as the follow - up single to`` The Boxer'' in January 1970. The song is featured on their fifth studio album, Bridge over Troubled Water (1970). Composed by singer - songwriter Paul Simon, the song is performed on piano and carries the influence of gospel music. The original studio recording employs elements of Phil Spector's ``Wall of Sound ''technique using L.A. session musicians from the Wrecking Crew.
Document 2: There Goes Rhymin' Simon: There Goes Rhymin' Simon is the third solo studio album by American musician Paul Simon rush-released on May 5, 1973. It contains songs covering several styles and genres, such as gospel ("Loves Me Like a Rock") and Dixieland ("Take Me to the Mardi Gras"). It received two nominations at the Grammy Awards of 1974, including Best Male Pop Vocal performance and Album of the Year.
Document 3: So Beautiful or So What: So Beautiful or So What is the twelfth solo studio album by American folk rock singer-songwriter Paul Simon. It was released on April 8, 2011, by Hear Music.
Document 4: Bridge over Troubled Water (song): "Bridge over Troubled Water" is a song by American music duo Simon & Garfunkel. Produced by the duo and Roy Halee, the song was released as the follow-up single to "The Boxer" in January 1970. The song is featured on their fifth studio album, "Bridge over Troubled Water" (1970). Composed by singer-songwriter Paul Simon, the song is performed on piano and carries the influence of gospel music. The original studio recording employs elements of Phil Spector's "Wall of Sound" technique using L.A. session musicians from the Wrecking Crew.
Document 5: While My Guitar Gently Weeps: ``While My Guitar Gently Weeps ''is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as`` the White Album''). It was written by George Harrison, the band's lead guitarist. The song serves as a comment on the disharmony within the Beatles following their return from studying Transcendental Meditation in India in early 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton overdubbed a lead guitar part, although he was not formally credited for his contribution.
Document 6: I Wish It Would Rain: The song is one of the most melancholy in the Temptations repertoire, with lead singer David Ruffin delivering, in a pained voice, the story of a heartbroken man who wants to hide his sorrow. His woman has just left him, and he wishes that it would start raining, to hide the tears falling down his face because ``a man ai n't supposed to cry ''. Accompanying Ruffin's mourning vocal are the vocals of his bandmates (Eddie Kendricks, Melvin Franklin, Paul Williams, and Otis Williams) alongside the subdued instrumentation of The Funk Brothers studio band, and, courtesy of Whitfield, sound effects depicting the`` sunshine and blue skies'', with the sound of chirping seagulls, and the sound of thunder and rain described in the song. Producer Norman Whitfield devised much of the musical structure of the song, with former Motown artist Barrett Strong composing the song's signature piano intro on a piano with only ten working keys. Motown staff writer Roger Penzabene provided the song's lyrics.
Document 7: Bridge over Troubled Water (song): ``Bridge over Troubled Water ''was composed by Paul Simon very quickly, so much so that he asked himself,`` Where did that come from? It does n't seem like me.'' The chorus lyrics were partly inspired by Claude Jeter's line ``I'll be your bridge over deep water if you trust in me, ''which Jeter sang with his group, the Swan Silvertones, in the 1958 song`` Mary Do n't You Weep.'' According to gospel producer and historian Anthony Heilbut, Simon later acknowledged his musical debt to Jeter in person, and additionally handed Jeter a check as compensation. Simon wrote the song initially on guitar but decided to transpose it to the piano, to both better reflect the gospel influence and to suit Garfunkel's voice.
Document 8: Diamonds on the Soles of Her Shoes: "Diamonds on the Soles of Her Shoes" is a song by the American singer-songwriter Paul Simon. It was the fourth single from his seventh studio album, "Graceland" (1986), released on Warner Bros. Records. The song features guest vocals from the South African male choral group Ladysmith Black Mambazo.
Document 9: Hey Jude: ``Hey Jude ''is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon -- McCartney. The ballad evolved from`` Hey Jules'', a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. ``Hey Jude ''begins with a verse - bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade - out coda that lasts for more than four minutes.
Document 10: City Rhythm: City Rhythm (都市觸覺Part I City Rhythm) is the sixth studio album by Sandy Lam, released by Warner Bros. Records in the winter of 1988. "City Rhythm" is the first of a trilogy of albums that launched Sandy's career into the top ranks of 1980s Hong Kong female pop stars like Anita Mui, Sally Yeh, Priscilla Chan, etc. "City Rhythm" also marks the beginning of Hong Kong mainstream concept albums. Much was riding over what musical direction this album will take, especially because Sandy had just signed with Warner Bros. Records Hong Kong earlier in 1988 shortly after the release of her last CBS Records album Ready. On this first "City Rhythm" album, the songs are mainly dance-pop and covers of ballads originally recorded by American and European pop singers. Sandy had considerably more creative control on the album since she served as executive producer along with Clarence Hui and Anthony Lun.
Document 11: Songs from The Capeman: Songs from The Capeman is the ninth solo studio album by Paul Simon, released in 1997. It contains Simon's own performances of songs from the Broadway musical he wrote and produced called "The Capeman" augmented by members of the original cast. The songs retell the story of Salvador Agron, who was known as the "Capeman". A departure musically from his earlier work, the album features doo-wop, rock 'n' roll and Puerto Rican rhythms and a number of songs contain explicit lyrics, a first for Simon. The stage show was a commercial flop, losing $11 million, and the album did not sell well. It peaked at #42 on the Billboard 200, the lowest chart position in Simon's career.
Document 12: Graceland (song): "Graceland" is the title song of the album "Graceland", released in 1986 by Paul Simon. The song features vocals by The Everly Brothers.
Document 13: The Rhythm of the Saints: The Rhythm of the Saints is the eighth solo studio album by American singer-songwriter Paul Simon, released on October 16, 1990 on Warner Bros. Like its predecessor, "Graceland" (1986), the album gained commercial success and received mostly favorable reviews from critics.
Document 14: You Can Call Me Al: "You Can Call Me Al" is a song by the American singer-songwriter Paul Simon. It was the lead single from his seventh studio album, "Graceland" (1986), released on Warner Bros. Records. Written by Simon, its lyrics follow an individual seemingly experiencing a midlife crisis. Its lyrics were partially inspired by Simon's trip to South Africa and experience with its culture.
Document 15: While My Guitar Gently Weeps: On 6 September, during a ride from Surrey into London, Harrison asked Clapton to play guitar on the track. Clapton, who recognised Harrison's talent as a songwriter, and considered that his abilities had long been held back by Lennon and McCartney, was nevertheless reluctant to participate; he later recalled that his initial response was: ``I ca n't do that. Nobody ever plays on Beatles records. ''Harrison convinced him, and Clapton's lead guitar part, played on Harrison's Gibson Les Paul electric guitar`` Lucy'' (a recent gift from Clapton), was overdubbed that evening. Recalling the session in his 2007 autobiography, Clapton says that, while Lennon and McCartney were ``fairly non-committal '', he thought the track`` sounded fantastic'', adding: ``I knew George was happy, because he listened to it over and over in the control room. ''
ground_truth: Warner Bros.
sub_queries: who wrote the song like a bridge over troubled waters Answer: Paul Simon
Paul Simon >> record label Answer: Warner Bros.