Question: What was the author of Blow-Up and Other Stories known as the founder of?

full_context: Document 1: Jorge Luis Borges: Jorge Francisco Isidoro Luis Borges Acevedo {'1': ", '2': ", '3': ", '4': "} ( ; ]    ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language literature. His best-known books, "Ficciones" ("Fictions") and "El Aleph" ("The Aleph"), published in the 1940s, are compilations of short stories interconnected by common themes, including dreams, labyrinths, libraries, mirrors, fictional writers, philosophy, and religion.
Document 2: Julio Cortázar: Julio Cortázar, born Jules Florencio Cortázar (] ; August 26, 1914 – February 12, 1984), was an Argentine novelist, short story writer, and essayist. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in the Americas and Europe.
Document 3: Blow-up and Other Stories: Blow-Up and Other Stories is a collection of short stories, selected from the short fiction of the Argentinian author Julio Cortázar. It was originally published in hardcover as End of the Game and Other Stories. The title story of the paperback collection served as inspiration for Michelangelo Antonioni's film "Blowup".
Document 4: Latin American Boom: The Latin American Boom was a flourishing of literature, poetry and criticism in Latin America during the 1960s and 1970s, when writers from this region explored new ideas and came to international renown in a way that had not happened previously. Major figures of the boom include Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, Jorge Luis Borges, and Mario Vargas Llosa.
Document 5: Augusto Monterroso: Augusto Monterroso Bonilla (December 21, 1921 - February 7, 2003) was a Honduran writer who adopted Guatemalan nationality, known for the ironical and humorous style of his short stories. He is considered an important figure in the Latin American "Boom" generation, and received several awards, including the Prince of Asturias Award in Literature (2000), Miguel Ángel Asturias National Prize in Literature (1997), and Juan Rulfo Award (1996).
Document 6: Around the Day in Eighty Worlds: La vuelta al día en ochenta mundos is a two-volume collection of short pieces by Julio Cortázar, which was published by Siglo XXI Editores in 1967. Portions of the collection, along with portions of Cortázar's later two-volume collection "Último round," were translated by Thomas Christensen and published by North Point Press in 1986 under the title "Around the Day in Eighty Worlds." The contents of the North Point volume match the selection (made by the author) for the corresponding French-language edition, "Le Tour du jour en quatre-vingt mondes" (1980).
Document 7: Adolfo Bioy Casares: Adolfo Bioy Casares (] ; September 15, 1914 – March 8, 1999) was an Argentine fiction writer, journalist, and translator. He was a friend and frequent collaborator with his fellow countryman Jorge Luis Borges, and is the author of the fantastic fiction novel "The Invention of Morel".
Document 8: Argentine literature: Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sabato.
Document 9: Sessanta racconti: Sessanta racconti ("sixty stories") is a 1958 short story collection by the Italian writer Dino Buzzati. The first 36 stories had been published previously, while the rest were new. Subjects covered include the horror and surreality of life in a modern city, the existential aspects of advanced technology, metaphysical ideas as well as fantasy realms. The book received the Strega Prize.
Document 10: The Collected Essays and Occasional Writings of Katherine Anne Porter: The Collected Essays and Occasional Writings of Katherine Anne Porter
Document 11: The Killers (Bukowski short story): "The Killers" is a short-story by Charles Bukowski collected in his 1973 collection "South of No North", originally published by John Martin's Black Sparrow Press. The story elucidates Bukowski's publicly acknowledged artistic debt to Ernest Hemingway, the writer who had the most influence on American writers of Bukowksi's generation. Like "The Killers", Bukowski's story of the same name has as its thematic trope Murder in a nihilistic universe. Unlike Hemingway, the killers actually accomplish their act in the time-frame of the story.
Document 12: Último round: Último round (the title translates as "Last Round", as in boxing) is a two-volume work by Julio Cortázar published by Siglo XXI Editores in 1969. Containing nearly one hundred articles, essays, poems, short stories, and sketches by Cortázar, it is illustrated with reproductions of various drawings, paintings, and photographs. Portions of the volumes were included in the English-language collection "Around the Day in Eighty Worlds."
Document 13: List of Ender's Game series short stories: There are various sources for short stories set in the Ender's Game series. One is the short story collection "First Meetings" by Orson Scott Card. This collection contains the original novelette "Ender's Game" plus three other stories. Another source is Card’s webzine "InterGalactic Medicine Show". The first four stories from Card's webzine: "Mazer in Prison," "Pretty Boy," "Cheater," and "A Young Man with Prospects," also appear in the paperback anthology "Orson Scott Card's InterGalactic Medicine Show". Reprints of short stories in the Ender's Game series can be found in other science fiction anthologies.
Document 14: The Insufferable Gaucho: The Insufferable Gaucho ("El Gaucho Insufrible", 2003) is a collection of five short stories and two essays by the Chilean author Roberto Bolaño (1953–2003). It was published in English in 2010, translated by Chris Andrews. During his lifetime, Bolaño made his name as a writer of short stories, and "The Insufferable Gaucho" collects a disparate variety of work. From its comical title story to the Kafkaesque "Police Rat", the book's wide spectrum of storytelling techniques "makes an ideal introduction to the Bolaño "imaginaire"."
Document 15: Juan José Arreola: Juan José Arreola Zúñiga (September 21, 1918 – December 3, 2001) was a Mexican writer and academic. He is considered Mexico's premier experimental short story writer of the twentieth century. Arreola is recognized as one of the first Latin American writers to abandon realism; he used elements of fantasy to underscore existentialist and absurdist ideas in his work. Although he is little known outside his native country, Arreola has served as the literary inspiration for a legion of Mexican writers who have sought to transform their country's realistic literary tradition by introducing elements of magical realism, satire, and allegory. Alongside Jorge Luis Borges, he is considered one of the masters of the hybrid subgenre of the essay-story. He published only one novel, "La feria" (The Fair; 1963).
ground_truth: Latin American Boom