Question: Where was the ballet company based that first performed Petrushka?

full_context: Document 1: The Rite of Spring: The Rite of Spring (French: Le Sacre du printemps ; Весна священная, "Vesna svyashchennaya", "sacred spring" ) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky, with stage designs and costumes by Nicholas Roerich. When first performed, at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation and a near-riot in the audience. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece, and is widely considered to be one of the most influential musical works of the 20th century.
Document 2: American Ballet: The American Ballet was the first professional ballet company George Balanchine created in the United States. The company was founded with the help of Lincoln Kirstein and Edward Warburg, managed by Alexander Merovitch and populated by students of Kirstein and Balanchine's School of American Ballet. Having failed to mount a tour, American Ballet began performing at the "Old Met." After being allowed to stage only two dance performances ("Orfeo and Eurydice" in 1936 and an evening of dances choreographed to the music of Igor Stravinsky in 1937), Balanchine moved the company to Hollywood in 1938. The company was restarted as the American Ballet Caravan and toured North and South America, although it too folded after several years.
Document 3: Orpheus (ballet): Orpheus is a thirty-minute ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by the Ballet Society, which Balanchine founded together with Lincoln Kirstein and of which he was ballet master. Sets and costumes were created by Isamu Noguchi.
Document 4: Colon Theater Ballet: Colon Theater Ballet is a ballet dance company based in Buenos Aires, Argentina. The ballet company is attached to the Colon Theater, which is also home to the Buenos Aires Philharmonic orchestra and the Colon Theater Opera company. The ballet company is the oldest in South America, and was established in 1925.
Document 5: The Firebird: The Firebird (French: "L'Oiseau de feu" ; Russian: Жар-птица , "Zhar-ptitsa") is a ballet by the Russian composer Igor Stravinsky, written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes, with choreography by Michel Fokine. The scenario by Alexandre Benois and Fokine is based on Russian fairy tales of the magical glowing bird that can be both a blessing and a curse to its owner. Premiered in Paris on 25 June 1910, the work was an instant success with both audience and critics.
Document 6: Ballets Russes: The Ballets Russes (] ) was an itinerant ballet company based in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Document 7: Trois mouvements de Petrouchka: Trois mouvements de Petrouchka or Three Movements from Petrushka is an arrangement for piano of music from the ballet "Petrushka" by the composer Igor Stravinsky for the pianist Arthur Rubinstein.
Document 8: Ballet Manila: Ballet Manila is a classical ballet institution and dance company in the Philippines. It currently highlights more than fifty highly trained dancers in the highly rigorous Russian (Vaganova) method of classical ballet. Locally the company has performed in 47 cities holding more than 4,100 performances. The company has done tours in Asia, Europe and North America, where it has held more than 140 performances. The company is most notable for its in-house creative director, principal dancer and prima ballerina Lisa Macuja-Elizalde. Along with Ballet Philippines and the Philippine Ballet Theatre, Ballet Manila is one of the three major ballet companies in the Philippines. It regularly holds its performances at the Aliw theater and Star Theater, which are both located within Star City at Pasay City. The concept of a ballet company by the dancers, of the dancers and for the dancers was the idea of Lisa Macuja-Elizalde when she, along with ballet master Osias Barroso and ten other dancers established Ballet Manila in 1995.
Document 9: Picasso and the Ballets Russes: Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's "Parade" (1917, choreography: Léonide Massine), "Le Tricorne" ("The Three-Cornered Hat") (1919, choreography: Massine), "Pulcinella" (1920, choreographer: Massine), and "Cuadro Flamenco" (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of "La Boutique fantasque" ("La course"), (1919, choreography: Massine). and designed the drop curtain for "Le Train Bleu" (1924, choreography: Bronislava Nijinska), based on his painting, "Two Women Running on the Beach" ("The Race"), 1922.
Document 10: Les Ballets Persans: Les Ballets Persans (Persian: سازمان باله ایران‎ ‎ ) is the successor company and the recreation of the former Iranian National Ballet Company (Persian: سازمان باله ملی ایران‎ ‎ ). Based in Sweden as a non-profit and non-governmental organization, Les Ballets Persans is an internationally touring dance ensemble founded by Nima Kiann, the Iranian born Swedish dancer, ballet master, choreographer and dance scholar. Les Ballets Persans is also known as The New Iranian National Ballet and has been regarded as the most extensive artistic Iranian project ever realized in exile.
Document 11: Circus Polka: Igor Stravinsky and George Balanchine first met in 1925, as Balanchine, who just had started working for Sergei Diaghilev's "Ballets Russes", choreographed the ballet version of Stravinsky's "Le chant du rossignol". This was the start of a long friendship and many years of collaboration, which continued after both emigrated to the United States in the 1930s.
Document 12: American Ballet Theatre: American Ballet Theatre (ABT) is a classical ballet company based in New York City. It has an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. ABT was founded in 1939 by Lucia Chase and Richard Pleasant and is recognized as one of the world's leading classical ballet companies. ABT is also the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
Document 13: Petrushka (ballet): Petrushka (French: "Pétrouchka" ; Russian: "Петрушка" ) is a ballet burlesque in four scenes. It was composed in 1910–11 and revised in 1947. Igor Stravinsky composed the music, and, with Alexandre Benois, fashioned the libretto. Michel Fokine choreographed the ballet; Benois designed the sets and costumes. "Petrushka" was first performed by Sergei Diaghilev's Ballets Russes at the Théâtre du Châtelet in Paris on 13 June 1911. Vaslav Nijinsky portrayed Petrushka with Tamara Karsavina as the Ballerina. Alexander Orlov portrayed the Moor, and Enrico Cecchetti the Charlatan.
Document 14: Paradosi Ballet Company: Paradosi Ballet Company is the Northwestern United States first professional Christian ballet company based in Tacoma, Washington. The Christian dance company currently consists of ten classically trained ballet dancers. Paradosi is a non-profit arts organization. The company tours extensively throughout the United States with a primary focus on the Western states and has also had two tours in France.
Document 15: Ballet (music): Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century classical period in ballet coincided with the 19th century Romantic era in Music. Ballet music composers from the 17th–19th centuries, including the likes of Jean-Baptiste Lully and Pyotr Ilyich Tchaikovsky, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky’s lifetime, ballet music composition and ballet in general spread across the western world.
ground_truth: Paris