Question: Who is the child of Ram's performer?

full_context: Document 1: Early 1970: "Early 1970" is a song by English musician Ringo Starr, released in April 1971 as the B-side to his hit single "It Don't Come Easy". It was inspired by the break-up of the Beatles and documents Starr's relationship with his former bandmates, John Lennon, Paul McCartney and George Harrison. The lyrics to the verses comment in turn on each of the ex-Beatles' personal lives and the likelihood of each of them making music with Starr again; in the final verse, Starr acknowledges his musical limitations before expressing the hope that all the former Beatles will play together in the future. Commentators have variously described "Early 1970" as "a rough draft of a peace treaty" and "a disarming open letter" from Starr to Lennon, McCartney and Harrison.
Document 2: Ram (album): Ram (stylised as RAM) is a studio album by Paul McCartney and Linda McCartney, released in May 1971 on Apple Records. "Ram" was recorded amid McCartney's legal action in the United Kingdom's High Court to dissolve the Beatles' partnership, following the band's break-up the year before. It was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Its release coincided with a period of bitter acrimony between McCartney and his former bandmate John Lennon, who perceived verbal slights in the lyrics to songs such as "Too Many People".
Document 3: I Saw Her Standing There: Paul McCartney -- lead vocals, bass, handclaps John Lennon -- rhythm guitar, harmony vocals, handclaps George Harrison -- lead guitar, handclaps Ringo Starr -- drums, handclaps
Document 4: I Dig Love: Leng draws parallels between "I Dig Love" and the Beatles' more free-form compositions of the late 1960s. Among these, Paul McCartney's "Why Don't We Do It in the Road?" exemplifies what Ian MacDonald termed in the 1990s the "long-gone let-it-all-hang-out era". In his book "Working Class Mystic", Gary Tillery identifies "I Dig Love" as one of two "All Things Must Pass" tracks (the other being "Wah-Wah") that could have been sung by John Lennon, whose style increasingly embraced provocative artistic statements following the start of his relationship with Yoko Ono in 1968. Leng also compares "I Dig Love" with "Love the One You're With", a "hymn to hedonism" by Stephen Stills, with whom Harrison worked on Doris Troy's eponymous album for Apple Records, in 1969–70.
Document 5: Don't Let Me Wait Too Long: Apple Records released "Living in the Material World" on 30 May 1973 in America. "Don't Let Me Wait Too Long" was sequenced on side one of the LP, between the ballads "The Light That Has Lighted the World" and "Who Can See It". The album continued Harrison's run of commercial success following the Beatles' break-up in 1970, topping "Billboard"s albums chart in the US and peaking at number 2 in Britain, behind the soundtrack to "That'll Be the Day". Amid this success, Rodriguez writes, Harrison and Boyd's relationship "finally reached breaking point" in summer 1973, the start of a period through to 1975 that Harrison would describe as his "naughty" years.
Document 6: Off the Ground (song): "Off the Ground" is a song by Paul McCartney and is from the album from the same name. The video can be seen on the DVD collection, "The McCartney Years". The video was shot by Industrial Light & Magic. Some behind the scenes footage can be seen on the out of print VHS, "Movin' On". The video features "Soggy Noodle", a short acoustic piece played as an intro which can be found as a B-side on the single release. In the US, it reached number 27 on the Adult Contemporary chart.
Document 7: Close At Hand: Close At Hand is the second EP by James McCartney, son of Paul and Linda McCartney. The EP was produced by David Kahne and Paul McCartney, and released on .
Document 8: Sue Me, Sue You Blues: "Sue Me, Sue You Blues" is a song written by English musician George Harrison, released on his 1973 album "Living in the Material World". Harrison initially let American guitarist Jesse Ed Davis record it for the latter's "Ululu" album (1972), in gratitude to Davis for his participation in the Concert for Bangladesh. When writing the song, Harrison drew inspiration from the legal issues surrounding the Beatles during the early months of 1971, particularly the lawsuit that Paul McCartney initiated in an effort to dissolve the band's business partnership, Apple Corps.
Document 9: Bringing It All Back Home: The album's cover, photographed by Daniel Kramer with an edge - softened lens, features Sally Grossman (wife of Dylan's manager Albert Grossman) lounging in the background. There are also artifacts scattered around the room, including LPs by The Impressions (Keep on Pushing), Robert Johnson (King of the Delta Blues Singers), Ravi Shankar (India's Master Musician), Lotte Lenya (Sings Berlin Theatre Songs by Kurt Weill) and Eric Von Schmidt (The Folk Blues of Eric Von Schmidt). Dylan had ``met ''Schmidt`` one day in the green pastures of Harvard University'' and would later mimic his album cover pose (tipping his hat) for his own Nashville Skyline four years later. A further record, Françoise Hardy's EP J'suis D'accord was on the floor near Dylan's feet but can only be seen in other shots from the same photo session.
Document 10: The Long and Winding Road: Paul McCartney said he came up with the title ``The Long and Winding Road ''during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road`` stretching up into the hills'' in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction his personal life was taking in the autumn of 1968, after he had separated from his fiancée Jane Asher, as well as a nostalgic look back at the Beatles' history. McCartney recalled: ``I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration. ''
Document 11: Wah-Wah (song): "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Document 12: Close to Home (band): Close to Home was an American post-hardcore band from Cincinnati, Ohio, that was formed in 2005. They have released two EPs (three mixed, one demo) and three full-length albums, "Picture Perfect"; their major label debut, "Never Back Down", which was released on February 15, 2011; and their most recent effort, "Momentum", which was released July 31, 2012 via Artery Recordings. Close to Home has toured across the United States and Europe with bands such as Silverstein, Emery, Dance Gavin Dance, In Fear and Faith, We Came as Romans, and Eskimo Callboy. They have also participated in 2010 and 2012's Scream It Like You Mean It tours. On December 10, 2010, they signed with Artery Recordings; however this contract has been fulfilled. The band was previously managed by Outerloop Management. Close to Home is commonly depicted as CTH.
Document 13: Run of the Mill (George Harrison song): "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic. The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band. Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple.
Document 14: New (Paul McCartney song): "New" is a song written by Paul McCartney. It was originally recorded by McCartney and produced by English musician Mark Ronson for McCartney's sixteenth studio album "New", and appears as the sixth track on the album. After being released early on the iTunes Store as a track available to download from "New" on 28 August 2013, the song was released as a single on 2 September 2013 and available exclusively on Amazon.com. The single's premiere on 28 August was concurrent with the official reveal of "New" on the same day. The single gained heavy airplay on Japanese radio stations, where it became a number 4 hit on the Japan Hot 100.
Document 15: Getting Closer (song): "Getting Closer" is a rock song from the Anglo-American rock band Wings, Paul McCartney's post-Beatles band. The song was released on the album "Back to the Egg".
ground_truth: James McCartney
sub_queries: Ram >> performer Answer: Paul McCartney
Paul McCartney >> child Answer: James McCartney