Question: Who publicly wanted peace with the country that the director of Aybolit-66 was a citizen of?

full_context: Document 1: Molotov–Ribbentrop Pact: When a joint German–Soviet peace initiative was rejected by Britain and France on 28 September 1939, Soviet foreign policy became critical of the Allies and more pro-German in turn. During the fifth session of the Supreme Soviet on 31 October 1939 Molotov analysed the international situation thus giving the direction for Communist propaganda. According to Molotov Germany had a legitimate interest in regaining its position as a great power and the Allies had started an aggressive war in order to maintain the Versailles system.
Document 2: The Confession (1970 film): It is based on the true story of the Czechoslovak communist committed leftist Artur London, a defendant in the Slánský trial. Gavras did not intend the film as an anti-communist film but as a plea against totalitarianism and particularly Stalinism.
Document 3: There Is Such a Lad: There Is Such a Lad () is a 1964 Soviet comedy film, directed by Vasily Shukshin. The movie is based on Vasily Shukshin's collection of short stories.
Document 4: Molotov–Ribbentrop Pact: The Communist Party of Germany featured similar attitudes. In Die Welt, a communist newspaper published in Stockholm[e] the exiled communist leader Walter Ulbricht opposed the allies (Britain representing "the most reactionary force in the world") and argued: "The German government declared itself ready for friendly relations with the Soviet Union, whereas the English–French war bloc desires a war against the socialist Soviet Union. The Soviet people and the working people of Germany have an interest in preventing the English war plan."
Document 5: Aybolit-66: Aybolit-66 () is a 1966 Soviet comedy film for children directed by Rolan Bykov. It is based on a story by Kornei Chukovsky. The film features Oleg Yefremov as the good "Aibolit" and Rolan Bykov as the evil "Barmalei".
Document 6: Trial on the Road: "Trial on the Road" was censored and taken out of circulation in the Soviet Union for 15 years after its release due to its controversial depiction of Soviet soldiers. The film is based on a story by the director's father, Yuri German. The screenplay was written by Eduard Volodarsky.
Document 7: Jolly Fellows: The script was written by Aleksandrov, Vladimir Mass, and Nikolai Erdman (whose father briefly appears on screen as a German music teacher). It features several songs which instantly became classics across the Soviet Union. The most famous song — "Kak mnogo devushek khoroshikh" ("Such a lot of nice girls") — enjoyed international fame, covered as "Serdtse" ("Heart") by Pyotr Leshchenko. Music was by Isaak Dunayevsky, the lyrics were written by the Soviet poet Vasily Lebedev-Kumach.
Document 8: An Uneventful Story: An Uneventful Story () is a 1986 Polish film directed by Wojciech Jerzy Has, starring Gustaw Holoubek. The film is an adaptation of a short story by Anton Chekhov and tells the story of a professor of medicine who begins an affair with a young pupil.
Document 9: Doctor Aybolit: Doctor Aybolit (, "Aibolit") is a fictional character from the children's poems "Aybolit" and "Barmaley" by Korney Chukovsky, as far as the children's fantastic novel "Doctor Aybolit" of the same author. The name may be translated as "Ouch, [it] hurts!"
Document 10: Molotov–Ribbentrop Pact: Molotov declared in his report entitled "On the Foreign Policy of the Soviet Union" (31 October 1939) held on the fifth (extraordinary) session of the Supreme Soviet, that the Western "ruling circles" disguise their intentions with the pretext of defending democracy against Hitlerism, declaring "their aim in war with Germany is nothing more, nothing less than extermination of Hitlerism. [...] There is absolutely no justification for this kind of war. The ideology of Hitlerism, just like any other ideological system, can be accepted or rejected, this is a matter of political views. But everyone grasps, that an ideology can not be exterminated by force, must not be finished off with a war."
Document 11: Obaltan: The government banned "Obaltan" because of its unremittingly downbeat depiction of life in post-armistice South Korea. An American consultant to the Korean National Film Production Center saw the film and persuaded the government to release it in Seoul so that it might qualify for entry in the San Francisco International Film Festival. Director Yu Hyun-mok attended the film's premier in San Francisco in November 1963. "Variety" called "Obaltan" a "remarkable film", and noted that its "⁠[b]rilliantly detailed camera work is matched by probing sympathy and rich characterizations."
Document 12: Molotov–Ribbentrop Pact: Before the pact's announcement, Communists in the West denied that such a treaty would be signed. Future member of the Hollywood Ten Herbert Biberman denounced rumors as "Fascist propaganda". Earl Browder, head of the Communist Party USA, stated that "there is as much chance of agreement as of Earl Browder being elected president of the Chamber of Commerce." Beginning in September 1939, the Soviet Comintern suspended all anti-Nazi and anti-fascist propaganda, explaining that the war in Europe was a matter of capitalist states attacking each other for imperialist purposes. Western Communists acted accordingly; while before they supported protecting collective security, now they denounced Britain and France going to war.
Document 13: Ossessione: Visconti adapted the script with a group of men he selected from the Milanese magazine "Cinema". The members of this group were talented filmmakers and writers and played a large role in the emerging neorealist movement: Mario Alicata, Gianni Puccini, Antonio Pietrangeli and Giuseppe De Santis. When "Ossessione" was completed and released in 1943, it was far from the innocent murder mystery the authorities had expected; after a few screenings in Rome and northern Italy, prompting outraged reactions from Fascist and Church authorities, the film was banned by the Fascist government reestablished in the German occupied part of Italy after the September 1943 armistice. Eventually the Fascists destroyed the film, but Visconti managed to keep a duplicate negative from which all existing prints have been made. After the war, "Ossessione" encountered more problems with mass distribution, this time in the United States. As a result of the wartime production schedule, Visconti had never obtained the rights to the novel and Metro-Goldwyn Mayer began production on another version of the film, directed by Tay Garnett ("The Postman Always Rings Twice", 1946), while the Fascist ban on Visconti's work was still in effect.
Document 14: Molotov–Ribbentrop Pact: Soviet propaganda and representatives went to great lengths to minimize the importance of the fact that they had opposed and fought against the Nazis in various ways for a decade prior to signing the Pact. Upon signing the pact, Molotov tried to reassure the Germans of his good intentions by commenting to journalists that "fascism is a matter of taste". For its part, Nazi Germany also did a public volte-face regarding its virulent opposition to the Soviet Union, though Hitler still viewed an attack on the Soviet Union as "inevitable".[citation needed]
Document 15: The Vulture (1981 film): Director Yaky Yosha's third feature, The Vulture, first screened in 1981, not long before the first war in Lebanon, dealt with the problematic immortalization industry resultant from young war casualties. The film provoked great controversy among the Israeli public, which felt it has crossed a blood-red line. The Israeli censors cut "The Vulture", but when selected to represent the country at the Cannes Film Festival, it was screened uncut.
ground_truth: German government
sub_queries: Who served as director for Aybolit-66? Answer: Rolan Bykov
Rolan Bykov >> country of citizenship Answer: Soviet Union
Who publicly wanted peace with Soviet Union Answer: German government