Question: Do both Scott Treleaven and Raoul Peck make films? 

full_context: Document 1: Miles Regis: Miles Regis (born November 28, 1967), is a Los Angeles-based, Trinidadian multimedia artist whose work taps into the emotion and experiences of exotic cultures around the world and presents them in ways that are relevant to today’s modernized societies. Miles Regis combines abstraction with figurative work; obscure references with in-your-face writings; symbolic narrative with Trinidadian splashes of color. The artist adds to this drip painting and collage work. His media includes oil, acrylic, charcoal, latex paint and occasional newspaper. He works on canvasses already colored, and on some painted with bold colors; his finished compositions take these as their start. Over the years, the USC graduate has honed a technique that incorporates drip painting and collage work that is both unique and striking. With a style reminiscent of many of history’s great master painters, Miles' imagination is saturated with notions, ideas, and images reflective of a world filled with conflicting interests. His cultural duality and diverse perspectives play a large role in the humanistic consciousness he manages to present in his work. With broad enthusiast appeal, his work has appeared in association with CNN, Intel Corporation, Art Basel Miami, Coachella Music And Art Festival, California African American Museum, Million Dollar Listing, NextAid World's Day, CCH Pounder (Avatar, The Shield), Nicolette Sheridan (Desperate Housewives), American Rag Cie, Manifest Equality, Senegal's La Musee Borindar, Adobe, Isaiah Washington (Grey's Anatomy) and several art communities around the country and throughout the world.
Document 2: The Man by the Shore: The Man by the Shore (French: L'Homme sur les quais ) is a 1993 Haitian-French drama film directed by Raoul Peck. It was entered into the 1993 Cannes Film Festival.
Document 3: Raoul Peck: Raoul Peck (born 1953) is a Haitian filmmaker, of both documentary and feature films, and a political activist. From March 1996 to September 1997, he was Haiti's Minister of Culture. His film "I Am Not Your Negro" (2016) about the life of James Baldwin was nominated for an Oscar in January 2017.
Document 4: Velvet Film: Velvet Film is a film production company. It was created 1986 in Berlin, Germany by the Haitian filmmaker and political activist Raoul Peck as Velvet Film GmbH. The company is now based in France, Haiti and in the United States of America. Lumumba, la mort d'un prophète was 1991 the first feature film produced by the company. The film was successfully shown all over Europe and North America and so enabled the partnership of Velvet Film in future production with JBA Production (France), Arte (France and Germany), HBO (USA) and others. All later documentaries, feature films and TV dramas of Peck have been produced or co-produced by Velvet Film.
Document 5: Ashes and Snow: Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals. "Ashes and Snow" has traveled to Venice, New York City, Santa Monica, Tokyo, and Mexico City. To date, "Ashes and Snow" has attracted more than 10 million visitors, making it the most attended exhibition by a living artist in history.
Document 6: Hébert Peck: Hébert Peck, Jr. (born 1958, Port-au-Prince, Haiti) is a Haitian American Oscar-nominated producer, of both television and film. He produced the critically acclaimed documentary film, "I Am Not Your Negro", which he received Academy Award for Best Documentary Feature nominations at the 89th Academy Awards, together with director Raoul Peck and co-producer Rémi Grellety.
Document 7: Scenario (artwork): Scenario is an Artificial Intelligence (AI) computer graphic interactive installation, directed by the artist Dennis Del Favero, and developed in collaboration with scriptwriter Stephen Sewell, AI scientist Maurice Pagnucco working with computer scientists Anuraag Sridhar, Arcot Sowmya and Paul Compton. It is a 360-degree 3D cinematic work whose narrative is interactively produced by the audience and humanoid characters. The title is a Commedia dell'arte term (ʃeˈnarjo) referring to the way dramatic action is dependent on the way actors and audience interact. "Scenario" was developed at the iCinema Centre for Interactive Cinema Research  at the University of New South Wales.
Document 8: Norman McLaren: Norman McLaren, {'1': ", '2': ", '3': ", '4': "} (11 April 1914 – 27 January 1987) was a Scottish/Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound.
Document 9: The Young Karl Marx: The Young Karl Marx ("Le jeune Karl Marx") is a 2017 film about Karl Marx directed by Haitian Raoul Peck, co-written by Peck and Pascal Bonitzer, and starring August Diehl. It was screened at the Berlin Film Festival, from February 9–19, 2017.
Document 10: I Am Not Your Negro: I Am Not Your Negro is a 2016 documentary film directed by Raoul Peck, based on James Baldwin's unfinished manuscript, "Remember This House". Narrated by actor Samuel L. Jackson, the film explores the history of racism in the United States through Baldwin's reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr, as well as his personal observations of American history. It was nominated for Best Documentary Feature at the 89th Academy Awards.
Document 11: Michael Snow: Michael Snow, {'1': ", '2': ", '3': ", '4': "} (born December 10, 1929) is a Canadian artist working in painting, sculpture, video, films, photography, holography, drawing, books and music. His best-known films are "Wavelength" (1967) and "La Région Centrale" (1971), with the former regarded as a milestone in avant-garde cinema.
Document 12: Sandy Shreve: Sandy Shreve is a Canadian poet, editor and visual artist living on Pender Island, British Columbia. Shreve has written, edited and/or co-edited eight books and two chapbooks. Her latest poetry collection is "Waiting for the Albatross". Recent work has appeared in her chapbooks, "Cedar Cottage Suite" and "Level Crossing". Her work is widely anthologized and has won or been shortlisted for several awards, including the Earle Birney Prize (for "Elles", published in "Prism Magazine", 2000) and the Milton Acorn Peoples Poetry Award (for "Belonging", Sono Nis Press, 1997). She co-edited, with Kate Braid, the anthology "In Fine Form – The Canadian Book of Form Poetry" (2005) and "In Fine Form, 2nd edition - A Contemporary Look and Canadian Form Poetry"(2016); edited "Working For A Living", a collection of poems and stories by women about their work (Room of One’s Own, 1988) and founded BC’s "Poetry in Transit" program, which has been displaying BC poetry in SkyTrain cars and buses across the province since 1996.
Document 13: Scott Treleaven: Scott Treleaven is a Canadian artist whose work employs a variety of media including collage, film, video, drawing, photography and installation.
Document 14: Raoul Pantin: Raoul Pantin (June 5, 1943 – January 15, 2015) was a Trinidadian journalist, editor, poet and playwright. He penned six plays during his career. Pantin survived the 1990 Jamaat al Muslimeen coup attempt and terrorist attack, in which he and other employees of the Trinidad and Tobago Television (TTT) station were held hostage for six days. He later chronicled his first-hand account of the coup attempt in a 163-page book, "Days of Wrath: The 1990 Coup in Trinidad and Tobago."
Document 15: Suzanne Treister: Suzanne Treister (born 1958) is a British artist based in London, where she studied at Saint Martin's School of Art (1978-1981) and Chelsea College of Art and Design (1981-1982). Initially known in the 1980s as a painter, she became a pioneer in digital/new media art from the beginning of the 1990s, creating work about emerging technologies, developing fictional worlds and international collaborative organizations. Using various media, including video, the internet, interactive technologies, photography, drawing and watercolor, Treister has evolved a large body of work which engages with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Her projects, which often span several years, reinterpret given taxonomies and histories to examine the existence of covert, unseen forces at work in the world, whether corporate, military or paranormal.
ground_truth: yes