Question: Where was the band behind Never Say Never formed?

full_context: Document 1: It's Still Rock and Roll to Me: The song is a cynical look at the music industry as a publicist / manager begs the protagonist to remain hip for the younger crowd (``What's the matter with the car I'm driving? ''/`` Ca n't you tell that it's out of style?''), and the protagonist's refusal to change, claiming his music will remain relevant regardless of his appearance. The song was a reaction by Joel at the new music genres that were around in the late 1970s (punk, funk, new wave). It was inspired by Joel reading a review about a particular (unnamed) band, and realizing that he had no idea what their music sounded like. The song also includes the line ``Alright Rico! ''to kick off the saxophone solo performed by Richie Cannata.
Document 2: Romeo Void: Romeo Void's best known song is ``Never Say Never '', which contains the famous line`` I might like you better if we slept together.'' Allmusic writer Heather Phares has argued that Iyall's ``teasing, existential musings (...) predated and predicted the aloof yet frank sexuality of early - and mid - '90s artists such as Elastica and Liz Phair ''. Phares concluded that the song was`` a subversive, influential classic'' and ``one of new wave's most distinctive and innovative moments. ''The song has been covered by many artists, among them are Queens of the Stone Age and Amanda Blank. The song`` A Girl in Trouble (Is a Temporary Thing)'', their highest - charting single, was reportedly written as a response to Michael Jackson's hit song ``Billie Jean '', but can also be seen as a tribute to women who have experienced traumatizing events. Iyall also wrote songs that touched on themes like social alienation (`` Undercover Kept'') and generation gaps (``Chinatown '').
Document 3: Post-punk: The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, often in favor of more commercial sounds. Many of these groups would continue recording as part of the new pop movement, with entryism becoming a popular concept. In the United States, driven by MTV and modern rock radio stations, a number of post-punk acts had an influence on or became part of the Second British Invasion of "New Music" there. Some shifted to a more commercial new wave sound (such as Gang of Four), while others were fixtures on American college radio and became early examples of alternative rock. Perhaps the most successful band to emerge from post-punk was U2, who combined elements of religious imagery together with political commentary into their often anthemic music.
Document 4: Alex Bevan: The release of the album Springboard got him some public recognition due to the local hit song Skinny Little Boy. In 1977 he performed on the air on Cleveland's WMMS Radio with a band called Alex Bevan and the Buzzard Band, featuring DJ Matt the Cat on guitar. He performed in the mid-1970s with an acoustic trio consisting of two guitars and electric bass, and opened for such acts as Seals and Crofts, The Michael Stanley Band, The Doobie Brothers and Hall & Oates. He soon added David Krauss from the band Tiny Alice to the group, supplying percussion and harmonica. They toured either under the name Grand River Band or Alex Bevan and Friends from 1979 until 1981, and produced the albums The Grand River Lullaby, Alex Bevan and Friends Live, and Simple Things Done Well. In the early 80's Bevan produced the direct - to - disk digital solo album Tales of the Low Tech Troubadour Vol. 1. He played in the band Alex Bevan & Cuttlefish from 1984 through 1986. In the late 80s to early 90s, he produced the albums Best Kept Secrets, Cuttlefish Live, and Watersongs.
Document 5: Never Say Never (Justin Bieber song): "Never Say Never" is a song by Canadian recording artist Justin Bieber. The song is used as the theme song for "The Karate Kid", and features rap interludes from the film's star, Jaden Smith. Originally a risque demo with sexual lyrics performed by American singer Travis Garland, it was written and produced by The Messengers, and Omarr Rambert. However, for unknown reasons, Bieber was tapped to record the song for the film. He re-wrote the song with The Messengers, Rambert, Smith, and his vocal producer Kuk Harrell, to feature inspirational lyrics to foil the film's theme. The song contains R&B and pop elements while merging hip-hop.
Document 6: Benefactor (album): Benefactor is the second studio album by American new wave band Romeo Void, released in 1982. It was released on CD in 2006 by Wounded Bird Records, with their "Never Say Never" EP as four bonus tracks. The first version of the song "Never Say Never" is a shorter, "clean" edit suitable for general radio broadcast.
Document 7: Instincts (album): Instincts is the third and final studio album by American new wave band Romeo Void. It was released in 1984 on Columbia Records. The single "A Girl in Trouble (Is a Temporary Thing)" reached #35 on the Billboard Hot 100 singles chart.
Document 8: Never Say Never (Romeo Void song): "Never Say Never" is a 1982 song by the new wave band Romeo Void. One of their best-known songs, "Never Say Never" was a favorite on early MTV, featuring a black-and-white music video that spoofs Jean-Luc Godard's "Breathless". The song is driven by a throbbing, funky bassline and punctuated by jagged guitar and saxophone, incorporating post-punk influences.
Document 9: Romeo Void: Romeo Void was an American new wave/post punk band from San Francisco, California, formed in 1979. The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage. The band went through four drummers, starting with Jay Derrah and ending with Aaron Smith. The band released three albums, "It's a Condition", "Benefactor" and "Instincts", along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.
Document 10: Never Tear Us Apart: ``Never Tear Us Apart ''is a sensuous ballad, written in the tempo of a modern Viennese waltz, layered with synthesizers and containing dramatic pauses before the instrumental breaks. Kirk Pengilly lends a cathartic saxophone solo near the end. According to the liner notes of Shine Like It Does: The Anthology (1979 -- 1997), the song was composed on piano as a bluesy number in the style of Fats Domino. Producer Chris Thomas suggested a synth - based arrangement instead.
Document 11: Madonna (entertainer): Before emerging as a pop star, Madonna has spent her early years in rock music alongside her bands, Breakfast Club and Emmy. While performing with Emmy, Madonna recorded about 12-14 songs which resemble the punk rock of that period. Her early rock roots also can be found on the demo album Pre-Madonna. Stephen Thomas Erlewine noted that with her self-titled debut album, Madonna began her career as a disco diva, in an era that did not have any such divas to speak of. In the beginning of the '80's, disco was an anathema to the mainstream pop, and according to Erlewine, Madonna had a huge role in popularizing dance music as mainstream music. The album's songs reveal several key trends that have continued to define her success, including a strong dance-based idiom, catchy hooks, highly polished arrangements and Madonna's own vocal style. Her second album, Like a Virgin (1984), foreshadowed several trends in her later works. It contained references to classical works (pizzicato synthesizer line that opens "Angel"); potential negative reaction from social groups ("Dress You Up" was blacklisted by the Parents Music Resource Center); and retro styles ("Shoo-Bee-Doo", Madonna's homage to Motown).
Document 12: The Velvet Underground: The Velvet Underground was an American rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's "Exploding Plastic Inevitable" events from 1966 to 1967. Their debut album, "The Velvet Underground & Nico" (with German-born singer and model Nico), was released in 1967 to critical indifference and poor sales but has become critically acclaimed; in 2003, "Rolling Stone" called it the "most prophetic rock album ever made."
Document 13: Never Say Never (Justin Bieber song): ``Never Say Never ''is a song by Canadian recording artist Justin Bieber. The song is used as the theme song for The Karate Kid, and features rap interludes from the film's star, Jaden Smith. Originally a risque demo with sexual lyrics performed by American singer Travis Garland, it was written and produced by The Messengers, and Omarr Rambert. However, for unknown reasons, Bieber was tapped to record the song for the film. He re-wrote the song with The Messengers, Rambert, Smith, and his vocal producer Kuk Harrell, to feature inspirational lyrics to foil the film's theme. The song contains R&B and pop elements while merging hip - hop.
Document 14: Never Gonna Be Another One: Never Gonna Be Another One is Thelma Houston's eleventh studio album, released in 1981. While the album did not make an impact on the pop charts, the album performed better in the urban and club/dance music markets. It includes the two major Hot Dance/Club Play chart hits, "If You Feel It" (#6) and "96 Tears" (#22). Both singles gained moderate radio play.
Document 15: It's a Condition: It's a Condition is the first studio album by American new wave band Romeo Void, released in 1981. It was released on CD by Wounded Bird Records, together with "Strange Language", Debora Iyall's 1986 solo album, in July 2007, and digitally in 2011. The cover artwork was by Debora Iyall.
ground_truth: San Francisco
sub_queries: Never Say Never >> performer Answer: Romeo Void
Romeo Void >> location of formation Answer: San Francisco