Question: When were the mosaics at the church in the same city as Villa Bianca created?

full_context: Document 1: Mosaic: Very few early Byzantine mosaics survived the Iconoclastic destruction of the 8th century. Among the rare examples are the 6th-century Christ in majesty (or Ezekiel's Vision) mosaic in the apse of the Church of Hosios David in Thessaloniki that was hidden behind mortar during those dangerous times. Nine mosaic panels in the Hagios Demetrios Church, which were made between 634 and 730, also escaped destruction. Unusually almost all represent Saint Demetrius of Thessaloniki, often with suppliants before him.
Document 2: La Blanquera: La Blanquera ("Palace of the Blanco family") is a Spanish Colonial building in the city of San Carlos in Venezuela. This house was built by a wealthy family of cattle ranchers from the lands of Andalucia, Spain by the name of Blanco y Salazar during the second half of the 18th century. This house is white and has Baroque decorative features including columns with aborigines wearing feathered headgear. According to the traditional story, Don Joseph Blanco y Salazar built and used this house as a place of retirement for him and his family after the pacification of the Apure aborigines.
Document 3: Villa Gazzotti Grimani: The Villa Gazzotti Grimani (1542) is a Renaissance villa, an early work of architect Andrea Palladio, located in the village of Bertesina, near Vicenza in the Veneto region of northern Italy.
Document 4: Villa Bianca (Thessaloniki): Villa Bianca or Villa Fernandez is the name of a famous mansion in the city of Thessaloniki, Greece. It is located in Vassilisis Olgas street and was built between 1911 und 1913 as a residence for Dino Fernandez Diaz and his family. The architect was Pietro Arrigoni (variously also spelled: Piero/Pierro Arigon/Arrigon/Arigoni).
Document 5: Mosaic: Important Justinian era mosaics decorated the Saint Catherine's Monastery on Mount Sinai in Egypt. Generally wall mosaics have not survived in the region because of the destruction of buildings but the St. Catherine's Monastery is exceptional. On the upper wall Moses is shown in two panels on a landscape background. In the apse we can see the Transfiguration of Jesus on a golden background. The apse is surrounded with bands containing medallions of apostles and prophets, and two contemporary figure, "Abbot Longinos" and "John the Deacon". The mosaic was probably created in 565/6.
Document 6: Mosaic: Mosaic art also flourished in Christian Petra where three Byzantine churches were discovered. The most important one was uncovered in 1990. It is known that the walls were also covered with golden glass mosaics but only the floor panels survived as usual. The mosaic of the seasons in the southern aisle is from this first building period from the middle of the 5th century. In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom.
Document 7: Mosaic: There are very few existing mosaics from the Komnenian period but this paucity must be due to accidents of survival and gives a misleading impression. The only surviving 12th-century mosaic work in Constantinople is a panel in Hagia Sophia depicting Emperor John II and Empress Eirene with the Theotokos (1122–34). The empress with her long braided hair and rosy cheeks is especially capturing. It must be a lifelike portrayal because Eirene was really a redhead as her original Hungarian name, Piroska shows. The adjacent portrait of Emperor Alexios I Komnenos on a pier (from 1122) is similarly personal. The imperial mausoleum of the Komnenos dynasty, the Pantokrator Monastery was certainly decorated with great mosaics but these were later destroyed. The lack of Komnenian mosaics outside the capital is even more apparent. There is only a "Communion of the Apostles" in the apse of the cathedral of Serres.
Document 8: Villa Zeno: Villa Zeno is a patrician villa at Cessalto, Veneto, northern Italy, and is the most easterly villa designed by Renaissance architect Andrea Palladio. The building is near the highway between Venice and Trieste, but was built to face a canal which served as the primary means of arrival.
Document 9: Nikolaos Thon: He was born in Athens to a Bavarian who had come to Greece with King Otto, and his Greek wife Marigo Vogiatzi. The ownership of mines in the Cyclades helped him amass considerable fortune, and he acquired extensive properties in Attica. Among the latter are the Thon Villa in Ampelokipoi, and the so-called "Palataki" (Palacette) in Haidari.
Document 10: Mosaic: Important fragments survived from the mosaic floor of the Great Palace of Constantinople which was commissioned during Justinian's reign. The figures, animals, plants all are entirely classical but they are scattered before a plain background. The portrait of a moustached man, probably a Gothic chieftain, is considered the most important surviving mosaic of the Justinianian age. The so-called small sekreton of the palace was built during Justin II's reign around 565–577. Some fragments survive from the mosaics of this vaulted room. The vine scroll motifs are very similar to those in the Santa Constanza and they still closely follow the Classical tradition. There are remains of floral decoration in the Church of the Acheiropoietos in Thessaloniki (5th–6th centuries).
Document 11: Mosaic: The 9th- and 10th-century mosaics of the Hagia Sophia in Constantinople are truly classical Byzantine artworks. The north and south tympana beneath the dome was decorated with figures of prophets, saints and patriarchs. Above the principal door from the narthex we can see an Emperor kneeling before Christ (late 9th or early 10th century). Above the door from the southwest vestibule to the narthex another mosaic shows the Theotokos with Justinian and Constantine. Justinian I is offering the model of the church to Mary while Constantine is holding a model of the city in his hand. Both emperors are beardless – this is an example for conscious archaization as contemporary Byzantine rulers were bearded. A mosaic panel on the gallery shows Christ with Constantine Monomachos and Empress Zoe (1042–1055). The emperor gives a bulging money sack to Christ as a donation for the church.
Document 12: Carlo Frigerio: Along with Santo Cattaneo and other artists, he contributed decorations and frescos to the Cigola-Fenaroli Mansion, located between Via Carlo Cattaneo and Piazza Tebaldo Brusato in Brescia; the building was erected in the 16th and 17th centuries by the Cigola Counts of Muslone.
Document 13: Mosaic: The greatest mosaic work of the Palaeologan renaissance in art is the decoration of the Chora Church in Constantinople. Although the mosaics of the naos have not survived except three panels, the decoration of the exonarthex and the esonarthex constitute the most important full-scale mosaic cycle in Constantinople after the Hagia Sophia. They were executed around 1320 by the command of Theodore Metochites. The esonarthex has two fluted domes, specially created to provide the ideal setting for the mosaic images of the ancestors of Christ. The southern one is called the Dome of the Pantokrator while the northern one is the Dome of the Theotokos. The most important panel of the esonarthex depicts Theodore Metochites wearing a huge turban, offering the model of the church to Christ. The walls of both narthexes are decorated with mosaic cycles from the life of the Virgin and the life of Christ. These panels show the influence of the Italian trecento on Byzantine art especially the more natural settings, landscapes, figures.
Document 14: Villa Trissino (Cricoli): The Villa Trissino is a patrician villa, which belonged to Gian Giorgio Trissino, located at Cricoli, just outside the center of Vicenza, in northern Italy. It was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio.
Document 15: Yablanski House: The Yablanski House was built in 1906-1907 to the designs of Austro-Hungarian architect Friedrich Grünanger (1856–1929) on the order of the wealthy financier and former mayor of Sofia Dimitar Yablanski (1859–1924). The exterior decoration was the work of the royal decorator of the Bulgarian Royal Family, Andreas Greis. Architecturally, the house was designed in the Baroque style with some Renaissance elements, with the interior stucco done in the Rococo style. The mansard floor is an important feature of the house's artistic design, together with the balcony railings of wrought iron and the several female sculptures. The furniture and the materials were specially supplied from Vienna. The house's architecture draws heavily from an earlier work of Grünanger's, the Royal Palace in Sofia. Notably, the architect's home in Salzburg, where he later moved and subsequently died, is almost identical to the Yablanski House.
ground_truth: 5th–6th centuries
sub_queries: Villa Bianca >> location Answer: Thessaloniki
When were the mosaics at the church in Thessaloniki created? Answer: 5th–6th centuries