Question: The Crawford House was what type of business in the place where the artist behind Jyothi was born?

full_context: Document 1: Bass clarinet: The first jazz album on which the leader solely played bass clarinet was Great Ideas of Western Mann (1957) by Herbie Mann, better known as a flautist. However, avant - garde musician Eric Dolphy (1928 -- 1964) was the first major jazz soloist on the instrument, and established much of the vocabulary and technique used by later performers. He used the entire range of the instrument in his solos. Bennie Maupin emerged in the late 1960s as a primary player of the instrument, playing on Miles Davis's seminal record Bitches Brew as well as several records with Herbie Hancock's Mwandishi group. His style resembles Dolphy's in its use of advanced harmonies.
Document 2: Jazz in 3/4 Time: Jazz in ¾ Time is an album by American jazz drummer Max Roach featuring tracks recorded in late 1956 and early 1957 and released on the EmArcy label.
Document 3: John Coltrane and Johnny Hartman: John Coltrane and Johnny Hartman is a 1963 studio album featuring John Coltrane and Johnny Hartman. It was inducted into the Grammy Hall of Fame in 2013.
Document 4: Crawford House (Boston, Massachusetts): The Crawford House was a hotel and restaurant in downtown Boston, Massachusetts. Located on Court and Brattle Streets in Scollay Square, it was in operation during the late nineteenth and early twentieth centuries, and was for a time among the leading hotels in the city. The building was demolished in 1962 as part of the Government Center project.
Document 5: Butler Hotel: The Butler Hotel or Hotel Butler in Seattle, Washington, was one of Seattle's leading hotels in the late 19th and early 20th centuries. It was located at the corner of Second Avenue and James Street, in what is now the Pioneer Square-Skid Road National Historic District. During the Prohibition era, its Rose Room was repeatedly cited for flouting the laws against the consumption of alcoholic beverages. It closed in 1933; the lower two floors survive as part of the Butler Garage. The building itself is also known as the Butler Block, the name over the main entrance.
Document 6: Joe Gordon (musician): His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1953–55 intermittently), Art Blakey (1954), and Don Redman.
Document 7: North Union Station: North Union Station (1893-1927) or North Station in Boston, Massachusetts, was a train station consisting of three adjoined buildings. It was located on Causeway Street in the West End, and included Lowell Station (built 1878), a central building designed by the architecture firm of Shepley, Rutan and Coolidge (1893), and a third structure. The station was demolished in 1927, when North Station and the Boston Garden were built.
Document 8: Eddie Locke: Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.
Document 9: Abstract (album): Abstract is the third album by Jamaican saxophonist Joe Harriott recorded in England in 1961 and 1962 and released on the Capitol label.
Document 10: Jyothi (album): Jyothi is an album by American jazz alto saxophonist Charlie Mariano and The Karnataka College of Percussion featuring R. A. Ramamani recorded in 1983 and released on the ECM label.
Document 11: Detroit: In the 1940s, Detroit blues artist John Lee Hooker became a long-term resident in the city's southwest Delray neighborhood. Hooker, among other important blues musicians migrated from his home in Mississippi bringing the Delta blues to northern cities like Detroit. Hooker recorded for Fortune Records, the biggest pre-Motown blues/soul label. During the 1950s, the city became a center for jazz, with stars performing in the Black Bottom neighborhood. Prominent emerging Jazz musicians of the 1960s included: trumpet player Donald Byrd who attended Cass Tech and performed with Art Blakey and the Jazz Messengers early in his career and Saxophonist Pepper Adams who enjoyed a solo career and accompanied Byrd on several albums. The Graystone International Jazz Museum documents jazz in Detroit.
Document 12: Boston: Because of the city's prominent role in the American Revolution, several historic sites relating to that period are preserved as part of the Boston National Historical Park. Many are found along the Freedom Trail, which is marked by a red line of bricks embedded in the ground. The city is also home to several art museums, including the Museum of Fine Arts and the Isabella Stewart Gardner Museum. The Institute of Contemporary Art is housed in a contemporary building designed by Diller Scofidio + Renfro in the Seaport District. The University of Massachusetts Boston campus on Columbia Point houses the John F. Kennedy Library. The Boston Athenaeum (one of the oldest independent libraries in the United States), Boston Children's Museum, Bull & Finch Pub (whose building is known from the television show Cheers), Museum of Science, and the New England Aquarium are within the city.
Document 13: Boston: Boston is an intellectual, technological, and political center but has lost some important regional institutions, including the acquisition of The Boston Globe by The New York Times, and the loss to mergers and acquisitions of local financial institutions such as FleetBoston Financial, which was acquired by Charlotte-based Bank of America in 2004. Boston-based department stores Jordan Marsh and Filene's have both been merged into the Cincinnati–based Macy's. Boston has experienced gentrification in the latter half of the 20th century, with housing prices increasing sharply since the 1990s. Living expenses have risen, and Boston has one of the highest costs of living in the United States, and was ranked the 129th most expensive major city in the world in a 2011 survey of 214 cities. Despite cost of living issues, Boston ranks high on livability ratings, ranking 36th worldwide in quality of living in 2011 in a survey of 221 major cities.
Document 14: Nick Fatool: Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes's band in 1937 and Don Beston's in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby's Bobcats into the 1970s.
Document 15: Jimmie Gordon: Whatever his origin and background, by 1934 Gordon was signed to a recording contract. Apart from one Bluebird side at the beginning of his recording career, all of Gordon's pre-war work was released by Decca. Gordon's backing ensembles, sometimes billed as the Vip Vop Band, variously included such notable blues and jazz musicians as Scrapper Blackwell, the brothers Papa Charlie McCoy and Kansas Joe McCoy, members of the Harlem Hamfats, Frankie Newton, Pete Brown, Buster Bennett, and the drummer Zutty Singleton. This ability to base backing units around a jazz - blues fusion of musicians was started by the Harlem Hamfats, but Gordon's use of this arrangement proved the basis for many later blues bands. His most commercially successful number was a song he wrote, ``I'd Rather Drink Muddy Water '', in 1936 His ability to raise social issues in his songs is shown by`` Do n't Take Away My P.W.A.'' (1936), a homage of sorts to the Public Works Administration (P.W.A.), a large - scale public works construction agency in the United States in the Great Depression of the 1930s.
ground_truth: hotels
sub_queries: Jyothi >> performer Answer: Charlie Mariano
Charlie Mariano >> place of birth Answer: Boston
Crawford House (Boston , Massachusetts) >> instance of Answer: hotels