Question: Destiny is what while Farsa is a genre of this?

full_context: Document 1: Farsa: Farsa (Italian, literally: "farce", plural: "farse") is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called "farsetta".
Document 2: Káťa Kabanová: Káťa Kabanová (also known in various spellings including "Katia", "Katja", "Katya", and "Kabanowa") is an opera in three acts, with music by Leoš Janáček to a libretto by , based on "The Storm", a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. "Káťa Kabanová" is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre (Národní divadlo v Brně ) in Brno on 23 November 1921.
Document 3: La Fenice: Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
Document 4: Farsa (disambiguation): Farsa is a genre of opera associated with Venice.
Document 5: From the House of the Dead: From the House of the Dead ("Z mrtvého domu" in Czech) is an opera by Leoš Janáček, in three acts. The libretto was translated and adapted by the composer from the 1862 novel by Dostoyevsky. It was the composer's last opera, premiered on 12 April 1930 in Brno, two years after his death.
Document 6: Berta Foersterová: Berta Foersterová (née Lautererová, sometimes styled Bertha Laurer or Berta Foersterová-Lautererová) (born Prague, January 11, 1869 - died there April 9, 1936) was a Czech operatic soprano active in Germany. The wife of composer Josef Bohuslav Foerster, she met him while appearing at the Hamburg State Opera. She created the role of Desdemona in the Czech premiere of Giuseppe Verdi's "Otello", and sang Tatiana in the Czech premiere of Pyotr Ilyich Tchaikovsky's "Eugene Onegin"; she also appeared in the world premiere of Antonín Dvořák's "The Jacobin".
Document 7: Elegy on the Death of Daughter Olga: Elegy on the Death of Daughter Olga, JW 4/30 (also translated as the Elegy on the Death of My Daughter Olga; in Czech: Elegie na smrt dcery Olgy) is a cantata for tenor solo, mixed choir and pianoforte, written by the Czech composer Leoš Janáček in 1903. It was written to commemorate the death of composer's daughter, Olga Janáčková. Janáček composed the piece to the text of the Russian teacher Marfa Nikolayevna Veveritsa.
Document 8: Burletta: In theater and music history, a burletta (Italian, meaning "little joke", sometimes burla or burlettina) is a brief comic opera. In eighteenth-century Italy, a burletta was the comic intermezzo between the acts of an "opera seria". The extended work Pergolesi's "La serva padrona" was also designated a "burletta" at its London premiere in 1750.
Document 9: The Makropulos Affair (opera): The Makropulos Affair (or "The Makropoulos Case", "The Makropulos Secret", or, literally, "The Makropulos Thing"; Czech Věc Makropulos) is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play "Věc Makropulos" by Karel Čapek. Composed between 1923 and 1925, "The Makropulos Affair" was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.
Document 10: Farce: In theatre, a farce is a comedy that aims at entertaining the audience through situations that are highly exaggerated, extravagant, and thus improbable. Farce is also characterized by physical humor, the use of deliberate absurdity or nonsense, and broadly stylized performances. Farces have been written for the stage and film. Furthermore, a farce is also often set in one particular location, where all events occur.
Document 11: Spieloper: In the 19th century, Spieloper ('opera play') was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as "Zar und Zimmermann", and Otto Nicolai's "The Merry Wives of Windsor". A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's "Das Nachtlager in Granada" and Friedrich von Flotow's "Martha" do not belong to this genre.
Document 12: Giulio Sabino: The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work "Prima la musica e poi le parole".
Document 13: Destiny (Janáček): Destiny (also known as "Fate", Czech: "Osud" ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, "Kamila", where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Document 14: Opera buffa: Opera buffa (] ; plural: "opere buffe"; Italian for "comic opera") is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as "commedia in musica", "commedia per musica", "dramma bernesco", "dramma comico", "divertimento giocoso".
Document 15: Jenůfa: Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová. It was first performed at the Brno Theater, Brno, 21 January 1904. It was written between 1896 and 1902, and counts among the first operas written in prose.
ground_truth: opera