Question: What indie/folk musician besides the performer of Sun is based in Miami?

full_context: Document 1: Jukebox (Cat Power album): Jukebox is the eighth album by Cat Power, the stage name and eponymous band of American singer-songwriter Chan Marshall. It was released on January 22, 2008 on Matador Records. A limited-edition silver foil deluxe package was also released containing a bonus disc with five extra songs.
Document 2: House music: In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era,
Document 3: Around the Sun: Around the Sun is the 13th studio album by the American alternative rock band R.E.M., released in October 2004 on Warner Bros. Records.
Document 4: Miami: Miami is also considered a "hot spot" for dance music, Freestyle, a style of dance music popular in the 80's and 90's heavily influenced by Electro, hip-hop, and disco. Many popular Freestyle acts such as Pretty Tony, Debbie Deb, Stevie B, and Exposé, originated in Miami. Indie/folk acts Cat Power and Iron & Wine are based in the city, while alternative hip hop artist Sage Francis, electro artist Uffie, and the electroclash duo Avenue D were born in Miami, but musically based elsewhere. Also, ska punk band Against All Authority is from Miami, and rock/metal bands Nonpoint and Marilyn Manson each formed in neighboring Fort Lauderdale. Cuban American female recording artist, Ana Cristina, was born in Miami in 1985.
Document 5: History of hip hop dance: More than 50 years old, hip - hop dance became widely known after the first professional street - based dance crews formed in the 1970s in the United States. The most influential groups were Rock Steady Crew, New York City Breakers, The Lockers, and The Electric Boogaloos who are responsible for the spread of breaking, locking, and popping respectively. The Brooklyn - based dance style uprock influenced breaking early in its development. Boogaloo gained more exposure because it is the namesake of the Electric Boogaloos crew. Uprock, roboting, and boogaloo are respected dance styles but none of them are as mainstream or popular as breaking, locking, and popping.
Document 6: Miami: The northern side of Miami includes Midtown, a district with a great mix of diversity with many West Indians, Hispanics, European Americans, bohemians, and artists. Edgewater, and Wynwood, are neighborhoods of Midtown and are made up mostly of high-rise residential towers and are home to the Adrienne Arsht Center for the Performing Arts. The wealthier residents usually live in the northeastern part, in Midtown, the Design District, and the Upper East Side, with many sought after 1920s homes and home of the MiMo Historic District, a style of architecture originated in Miami in the 1950s. The northern side of Miami also has notable African American and Caribbean immigrant communities such as Little Haiti, Overtown (home of the Lyric Theater), and Liberty City.
Document 7: Miami: This was also a period of alternatives to nightclubs, the warehouse party, acid house, rave and outdoor festival scenes of the late 1980s and early 1990s were havens for the latest trends in electronic dance music, especially house and its ever-more hypnotic, synthetic offspring techno and trance, in clubs like the infamous Warsaw Ballroom better known as Warsaw and The Mix where DJs like david padilla (who was the resident DJ for both) and radio. The new sound fed back into mainstream clubs across the country. The scene in SoBe, along with a bustling secondhand market for electronic instruments and turntables, had a strong democratizing effect, offering amateur, "bedroom" DJs the opportunity to become proficient and popular as both music players and producers, regardless of the whims of the professional music and club industries. Some of these notable DJs are John Benetiz (better known as JellyBean Benetiz), Danny Tenaglia, and David Padilla.
Document 8: House music: It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.
Document 9: House music: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.
Document 10: Sun (Cat Power album): Sun is the ninth studio album by American musician Cat Power. Her first album of all-original material since 2006's "The Greatest", it was released on September 3, 2012, in the United Kingdom and in the United States on September 4, 2012, via Matador Records. The album was issued in a variety of formats, including a limited edition deluxe LP containing a 7-inch vinyl of bonus tracks.
Document 11: House music: Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.
Document 12: Moon Pix: Moon Pix is the fourth album by Cat Power, the stage name and eponymous band of American singer-songwriter, Chan Marshall. It was released in September 1998 on Matador Records.
Document 13: The Covers Record: The Covers Record is the fifth album by Cat Power, the stage name and eponymous band of American singer-songwriter Chan Marshall. It was released in 2000 on Matador Records.
Document 14: A New Place in the Sun: A New Place in the Sun is the ninth album by American singer-guitarist Glen Campbell, released in 1968 by Capitol Records.
Document 15: Till the Sun Turns Black: Till The Sun Turns Black is singer-songwriter Ray LaMontagne's second full-length release, which was released on August 29, 2006. The album was produced by Ethan Johns and recorded at Allaire Studios in Shokan, New York. The album was a commercial success, becoming a top 40 album, selling 28,000 copies in its first week of release. The album was released in the UK on June 18, 2007, where it peaked at #35 on the UK Albums Chart.
ground_truth: Iron & Wine
sub_queries: Sun >> performer Answer: Cat Power
Along with Cat Power , what indie/folk musician is based in Miami? Answer: Iron & Wine