The Auditorium of the UJI consolidates an increase in young audiences for dance shows



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## The Auditorium of the UJI consolidates an increase in young audiences for dance shows

02/08/2022 |
SCP

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Image resource balance-paranimf Spoileralert1\_w
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Image resource balance-paranimf Entrenosotros\_w

* [![ balance-paranimf Spoileralert1_w](/com/noticies/2022/7/2q/balance-paranimf/Spoileralert1_w.jpg)](#)
* [![ balance-paranimf Entrenosotros_w](/com/noticies/2022/7/2q/balance-paranimf/Entrenosotros_w.jpg)](#)

It has been a period of transition between the COVID-19 pandemic and the post-pandemic, but the season of the Auditorium (Paranimf) of the Universitat Jaume I during the academic year 2021-2022 has closed with a "positive balance" both in terms of content and quality of the shows and in terms of audience attendance. Thirty-four shows have been performed, 33 films have been screened and there have been four Cinemascore sessions. In sum, 71 cultural events of theatre, dance, circus or cinema that "prioritise social themes and reflection on the part of the spectator", according to Toni Valesa, culture technician and project manager at the Sociocultural Activities Service (SASC).

The Paranimf has been faithful to its line of work and has proposed "a programme with social impact that is not identified with a mass audience and that works more like a class of thought in which we seek on the one hand the emotions and also the reflection of the spectator regarding the problems that occur in the world", says Valesa. In this sense, the SASC technician expresses that "we offer a transversal and very plural programme in which freedom of creation is valued".

This proposal has attracted about 12,000 people during the season and in which we must highlight the increase in young audiences, especially in the dance shows programmed "with a significant level of involvement and loyalty", says Valesa. This data is a demonstration that the commitment of Paranimf to design a quality and contemporary dance programme is clearly reaffirmed.

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