The art critic Miguel Cereceda ensures that the concept of sublime exceeds the critical "because beyond the scope of correction"



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## The art critic Miguel Cereceda ensures that the concept of sublime exceeds the critical "because beyond the scope of correction"

04/09/2016 |
SCP

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“There is not a true criterion of valorisation of the sublime, because the sublime does not admit criterion and exceeds to the trial and also to all critical, limiting it to a formal and political correction, but that does not confront to the events of nowadays, because desborda the field of the correction that is where develops the criticism” has indicated the professor title of Aesthetics and Theory of the Arts of the Autonomous University of Madrid, Miguel Cereceda, in the conference “Aim for the sublime” of the course of summer “artistic Creation and values” that develops in the Hotel Bonaire of Benicàssim.

Cereceda Has initiated his trip of approximation to the sublime with the novel *The heart of the tinieblas*, “a trip iniciático to the heart of the horror” to argue that the criticism has a field reduced of competition inside the correction, that exceeds “the fascination by abominable facts or the enjoy in the contemplation of the horrifying”, and has taken advantage of to speak on the German composer Karlheinz Stockhausen, the one who as a result of the attack of the Towers Twins in 2011 commented that *what have seen, and have to change completely our way to contemplate, is the greater work of art never realised...*, to indicate that “the sublime exceeds to the field of the reason” and “like the comment of Stockhausen, puts us in the limit”.

The critic has questioned if the sublime was object of artistic representation ensuring that yes that exists a dramatic and terrible art that represents the horror of the humanity in pictorial works, musical or literary. Cereceda Has entered afterwards the concept of state like work of art and, through the figure of Hitler, has explained that “Hitler conceived always like an artist and this plasma in the III Reich, where used the art like creator of political power”, scheduling his work like an everything: the military stops, the uniforms, etc.

Cereceda Has finalised his trip of approach to the sublime asking if the sublime was object of artistic representation and has manifested that although they existed philosophers like Nitze that thought that no, could find examples of this in the contemporary art like the film of Coppola *Apocalypse Now* or some of the pictures of Goya, that was able to approach to the terrible in his work. The problem that has the critical -has indicated Cereceda- is how establish a limit and which criteria apply.

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