Question: Is Welsh a dialect of English?

Welsh English








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Category:English words and phrases

Higher category: Languagevt
Welsh English refers to the dialects of English spoken by Welsh people. The dialects are significantly influenced by Welsh grammar and often include words derived from Welsh. In addition to the distinctive words and grammar, a variety of accents are found across Wales, including those of north Wales, the Cardiff dialect, the South Wales Valleys and west Wales.
Accents and dialects in the west of Wales have been more heavily influenced by the Welsh language while dialects in the east have been influenced more by dialects in England.[1] In the east and south east, it has been influenced by West Country and West Midland dialects[2] while in north east Wales, it has been influenced by Merseyside English.











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 Walesportalvt
Pronunciation

Vowels
Short monophthongs
The vowel of cat /æ/ is pronounced as a more central near-open front unrounded vowel [æ̈].[3] In Cardiff, bag is pronounced with a long vowel [aː].[4] In Mid-Wales, a pronunciation resembling its New Zealand and South African analogue is sometimes heard, i.e. trap is pronounced /trɛp/[5]
The vowel of end /ɛ/ is a more open vowel and thus closer to cardinal vowel [ɛ] than RP[3]
In Cardiff, the vowel of "kit" /ɪ/ sounds slightly closer to the schwa sound of above, an advanced close-mid central unrounded vowel [ɘ̟][3]
The vowel of "bus" /ʌ/ is pronounced [ɜ][6] and is encountered as a hypercorrection in northern areas for foot.[5] It is sometimes manifested in border areas of north and mid Wales as an open front unrounded vowel /a/ or as a near-close near-back rounded vowel /ʊ/ in northeast Wales, under influence of Cheshire and Merseyside accents.[5]
The schwa tends to be supplanted by an /ɛ/ in final closed syllables, e.g. brightest /ˈbrəitɛst/. The uncertainty over which vowel to use often leads to 'hypercorrections' involving the schwa, e.g. programme is often pronounced /ˈproːɡrəm/[4]
Long monophthongs




The vowel of car is often pronounced as an open central unrounded vowel [ɑ̈][8] and more often as a long open front unrounded vowel /aː/[5]
In broader varieties, particularly in Cardiff, the vowel of bird is similar to South African and New Zealand, i.e. a mid front rounded vowel [ø̞ː][9]
Most other long monophthongs are similar to that of Received Pronunciation, but words with the RP /əʊ/ are sometimes pronounced as [oː] and the RP /eɪ/ as [eː]. An example that illustrates this tendency is the Abercrave pronunciation of play-place [ˈpleɪˌpleːs][10]
In northern varieties, /əʊ/ as in coat and /ɔː/ as in caught/court may be merged into /ɔː/ (phonetically [oː]).[4]
Diphthongs
Fronting diphthongs tend to resemble Received Pronunciation, apart from the vowel of bite that has a more centralised onset [æ̈ɪ][10]
Backing diphthongs are more varied:[10]
The vowel of low in RP, other than being rendered as a monophthong, like described above, is often pronounced as [oʊ̝]
The word town is pronounced with a near-open central onset [ɐʊ̝]
Welsh English is one of few dialects where the Late Middle English diphthong /ɪu/ never became /juː/. Thus you /juː/, yew /jɪʊ̯/, and ewe /ɪʊ̯/ are not homophones in Welsh English.
Consonants
A strong tendency (shared with Scottish English and some South African accents) towards using an alveolar tap [ɾ] (a 'tapped r') in place of an approximant [ɹ] (the r used in most accents in England).[11]
Rhoticity is largely uncommon, apart from some speakers in Port Talbot who supplant the front vowel of bird with /ɚ/, like in many varieties of North American English[12] and accents influenced by Welsh[12]
Some gemination between vowels is often encountered, e.g. money is pronounced [ˈmɜn.niː][13]
In northern varieties influenced by Welsh, pens and pence merge into /pɛns/ and chin and gin into /dʒɪn/[13]
In the north-east, under influence of such accents as Scouse, ng-coalescence does not take place, so sing is pronounced /sɪŋɡ/[14]
Also in northern accents, /l/ is frequently strongly velarised [ɫː]. In much of the south-east, clear and dark L alternate much like they do in RP[12]
Some first-language Welsh speakers in north-west Wales and in west and south-west Wales lack the voiced alveolar fricative /z/ which is replaced with the voiceless alveolar fricative /s/ in words like cheese and thousand.[15]
The consonants are generally the same as RP but Welsh consonants like [ɬ] and [x] are encountered in loan words such as Llangefni and Harlech[13]
Distinctive vocabulary and grammar

Aside from lexical borrowings from Welsh like bach (little, wee), eisteddfod, nain and taid (grandmother and grandfather respectively), there exist distinctive grammatical conventions in vernacular Welsh English. Examples of this include the use by some speakers of the tag question isn't it? regardless of the form of the preceding statement and the placement of the subject and the verb after the predicate for emphasis, e.g. Fed up, I am or Running on Friday, he is.[13]
In South Wales the word where may often be expanded to where to, as in the question, "Where to is your Mam?". The word butty (Welsh: byti, probably related to "buddy") is used to mean "friend" or "mate"[16]
There is no standard variety of English that is specific to Wales, but such features are readily recognised by Anglophones from the rest of the UK as being from Wales, including the (actually rarely used) phrase look you which is a translation of a Welsh language tag.[13]
The word tidy has been described as "one of the most over-worked Wenglish words" and can have a range of meanings including - fine or splendid, long, decent, and plenty or large amount. A tidy swill is a wash involving at least face and hands.[17]
Orthography
Spellings are almost identical to other dialects of British English. Minor differences occur with words descended from Welsh that are not anglicised unlike in many other dialects of English.
In Wales, cwm, valley, is always preferred over the Anglicised version coombe. As with other dialects of British English, -ise endings are preferred: realise instead of realize. However, both forms are acceptable.
Code-switching
As Wales has become increasingly more anglicised, code-switching has become increasingly more common.[18][19]
Examples
Welsh code-switchers fall typically into one of three categories: the first category is people whose first language is Welsh and are not the most comfortable with English, the second is the inverse, English as a first language and a lack of confidence with Welsh, and the third consists of people whose first language could be either and display competence in both languages.[20]
Welsh and English share congruence, meaning that there is enough overlap in their structure to make them compatible for code-switching. In studies of Welsh English code-switching, Welsh frequently acts as the matrix language with English words or phrases mixed in. A typical example of this usage would look like dw i’n love-io soaps, which translates to "I love soaps".[19]
In a study conducted by Margaret Deuchar in 2005 on Welsh-English code-switching, 90% of tested sentences were found to be congruent with the Matrix Language Format, or MLF, classifying Welsh English as a classic case of code-switching.[19] This case is identifiable as the matrix language was identifiable, the majority of clauses in a sentence that uses code-switching must be identifiable and distinct, and the sentence takes the structure of the matrix language in respect to things such as subject verb order and modifiers.[18]
History of the English language in Wales
The presence of English in Wales intensified on the passing of the Laws in Wales Acts of 1535–1542, the statutes having promoted the dominance of English in Wales; this, coupled with the closure of the monasteries, which closed down many centres of Welsh education, led to decline in the use of the Welsh language.
The decline of Welsh and the ascendancy of English was intensified further during the Industrial Revolution, when many Welsh speakers moved to England to find work and the recently developed mining and smelting industries came to be manned by Anglophones. David Crystal, who grew up in Holyhead, claims that the continuing dominance of English in Wales is little different from its spread elsewhere in the world.[21]
Influence outside Wales
While other British English accents have affected the accents of English in Wales, influence has moved in both directions. In particular, Scouse and Brummie (colloquial) accents have both had extensive Anglo-Welsh input through migration, although in the former case, the influence of Anglo-Irish is better known.
Literature


"Anglo-Welsh literature" and "Welsh writing in English" are terms used to describe works written in the English language by Welsh writers. It has been recognised as a distinctive entity only since the 20th century.[22] The need for a separate identity for this kind of writing arose because of the parallel development of modern Welsh-language literature; as such it is perhaps the youngest branch of English-language literature in the British Isles.
While Raymond Garlick discovered sixty-nine Welsh men and women who wrote in English prior to the twentieth century,[22] Dafydd Johnston believes it is "debatable whether such writers belong to a recognisable Anglo-Welsh literature, as opposed to English literature in general".[23] Well into the nineteenth century English was spoken by relatively few in Wales, and prior to the early twentieth century there are only three major Welsh-born writers who wrote in the English language: George Herbert (1593–1633) from Montgomeryshire, Henry Vaughan (1622–1695) from Brecknockshire, and John Dyer (1699–1757) from Carmarthenshire.
Welsh writing in English might be said to begin with the fifteenth-century bard Ieuan ap Hywel Swrdwal (?1430 - ?1480), whose Hymn to the Virgin was written at Oxford in England in about 1470 and uses a Welsh poetic form, the awdl, and Welsh orthography; for example:
O mighti ladi, owr leding - tw haf
At hefn owr abeiding:
Yntw ddy ffast eferlasting
I set a braents ws tw bring.
A rival claim for the first Welsh writer to use English creatively is made for the poet, John Clanvowe (1341–1391).
The influence of Welsh English can be seen in My People by Caradoc Evans, which uses it in dialogue (but not narrative); Under Milk Wood by Dylan Thomas, originally a radio play; and Niall Griffiths whose gritty realist pieces are mostly written in Welsh English.
In popular culture
In the UK TV series Thomas & Friends, the narrow gauge engines Skarloey, Rheneas, Sir Handel, Peter Sam and Duke speak in a Welsh dialect, as do the two characters Merrick and Owen.
The Welsh comedy-drama series Stella is set in a fictional South Wales valley where Welsh English can be heard throughout.
The Anglo-Welsh comedy series Gavin & Stacey features extensive Welsh English throughout and has helped to popularise the word "cwtch" around the UK.
See also
Cardiff English
Welsh literature in English
Regional accents of English speakers
Gallo (Brittany)
Scots language
Other English dialects heavily influenced by Celtic languages
Anglo-Cornish
Anglo-Manx
Bungi creole
Hiberno-English
Highland English (and Scottish English)


Bibliography

Further reading


–Listen to examples of regional accents and dialects from across the UK on the British Library's 'Sounds Familiar' website
: John Edwards, Author of books and CDs on the subject "Wenglish".
: D Parry-Jones, National Library of Wales journal 1974 Winter, volume XVIII/4