Question: When did the Marlboro Man first appear in Marlboro ad campaigns?

Marlboro Man


The Marlboro Man is a figure used in tobacco advertising campaigns for Marlboro cigarettes. In the United States, where the campaign originated, it was used from 1954 to 1999. The Marlboro Man was first conceived by Leo Burnett in 1954. The images initially featured rugged men portrayed in a variety of roles[1] but later primarily featured a rugged cowboy or cowboys, in picturesque wild terrain.[2] The advertisements were originally conceived as a way to popularize filtered cigarettes, which at the time were considered feminine.
The Marlboro advertising campaign, created by Leo Burnett Worldwide, is said to be one of the most brilliant advertisement campaigns of all time.[3] It transformed a feminine campaign, with the slogan "Mild as May", into one that was masculine, in a matter of months. The first models were a Navy Lieutenant and Andy Armstrong, the ad agency’s art supervisor.[4][5][6]  Other early models were sales promotion director of Philip Morris, Robert Larking, and others from the Leo Burnett ad agency, Lee Stanley and Owen Smith.[7] A number of models who have portrayed the Marlboro Man have died of smoking-related diseases.[8]
Cowboys proved to be popular, which led to the "Marlboro Cowboy" and "Marlboro Country" campaigns.[9] The slogan "Come to Marlboro Country" promised every ordinary man the prospect of transforming himself into, or at least associating himself with, a rugged and macho cowboy merely by lighting up this Philip Morris product. A satirical reference to the advertisement was made in the Rolling Stones's 1965 song Satisfaction: "When I'm watchin' my TV and a man comes on and tells me how white my shirts can be, but he can't be a man 'cause he doesn't smoke the same cigarettes as me".
Origins
Philip Morris & Co. (now Altria) had originally introduced the Marlboro brand as a woman's cigarette in 1924.  Starting in the early 1950s, the cigarette industry began to focus on promoting filtered cigarettes, as a response to the emerging scientific data about harmful effects of smoking.[10]  Under the impression that filtered cigarettes were safer,   Marlboro, as well as other brands, started to be sold with filters.  However, filtered cigarettes, Marlboro in particular, were considered to be women’s cigarettes.[11]  During market research in the 1950s, men indicated that while they would consider switching to a filtered cigarette, they were concerned about being seen smoking a cigarette marketed to women.[12]
The repositioning of Marlboro as a men's cigarette was handled by Chicago advertiser Leo Burnett. Most filtered cigarette advertising sought to make claims about the technology behind the filter: through the use of complex terminology and scientific claims regarding the filter, the cigarette industry wanted to ease fears about the harmful effects of cigarette smoking through risk reduction.  However, Leo Burnett decided to address the growing fears through an entirely different approach: creating ads completely void of health concerns or health claims of the filtered cigarette.  Burnett felt that making claims about the effectiveness of filters furthered concerns of the long-term effects of smoking.  Thus, refusing to respond to health claims matched the emergent, masculine image of the New Marlboro.
The proposed campaign was to present a lineup of manly figures: sea captains, weightlifters, war correspondents, construction workers, etc.  The cowboy was to have been the first in this series.[12] Burnett's inspiration for the exceedingly masculine "Marlboro Man" icon came in 1949 from an issue of Life magazine, whose photograph (shot by Leonard McCombe) and story of Texas cowboy Clarence Hailey Long caught his attention.[13]
Within a year, Marlboro's market share rose from less than one percent to the fourth best-selling brand. This convinced Philip Morris to drop the lineup of manly figures and stick with the cowboy.[12]  In the mid fifties, the cowboy image was popularized by actor Paul Birch in 3 page magazine ads and in TV ads.
Using another approach to expand the Marlboro Man market base, Philip Morris felt the prime market was "post adolescent kids who were just beginning to smoke as a way of declaring their independence from their parents."[14]
When the new Marlboro Country theme opened in late 1963, the actors utilized as Marlboro Man were replaced, for the most part, with real working cowboys. In the same year the campaign began to use Elmer Bernstein's 1960 theme music from The Magnificent Seven. "In 1963, at the 6 6 6 6 Ranch in Guthrie, Texas, they discovered Carl "Big-un" Bradley. He was the first real cowboy they used, and from then on the lead Marlboro men were real cowboys, rodeo riders, stuntmen."[15][16] Another of this new breed of real cowboys was Max Bryan "Turk" Robinson, of Hugo, Oklahoma; Turk says that he was recruited for the role while at a rodeo simply standing around behind the chutes, as was the custom for cowboys who had not yet ridden their event. It took only a few years for the results to register. By 1972, the new Marlboro Man would have so much market appeal that Marlboro cigarettes were catapulted to the top of the tobacco industry.
Finding the Marlboro Man
Initially, cowboy commercials involving the Marlboro Man featured paid models, such as William Thourlby,[17] pretending to carry out cowboy tasks.  However, Burnett felt that the commercials lacked authenticity, as it was apparent that the subjects were not real cowboys and did not have the desired rugged look.  One of the finest was a non-smoking rodeo cowboy, Max Bryan "Turk" Robinson, who was recruited at a rodeo. Leo Burnett was not satisfied with the cowboy actors found. Broadway and MGM movie actor Christian Haren won the role as the first Marlboro Man in the early 1960s as he looked the part. Burnett then came across Darrell Winfield, who worked on a ranch, after a Cattle Rancher by the name Keith Alexander declined the role because he did not believe in smoking.  Leo Burnett’s creative director was awed when he first saw Winfield: "I had seen cowboys, but I had never seen one that just really, like, he sort of scared the hell out of me (as he was so much a real cowboy)."  Winfield’s immediate authenticity led to his 20-year run as the Marlboro Man, which lasted until the late 1980s. Upon Winfield’s retirement, Philip Morris reportedly spent $300 million searching for a new Marlboro Man.[18][19]
After appearing as the Marlboro Man in 1987 advertising, former rodeo cowboy Brad Johnson landed a lead role in Steven Spielberg's feature film Always (1989), with Holly Hunter and Richard Dreyfuss.[20]
Results
The use of the Marlboro Man campaign had very significant and immediate effects on sales.  In 1955, when the Marlboro Man campaign was started, sales were at $5 billion. By 1957, sales were at $20 billion, representing a 300% increase within two years.  Philip Morris easily overcame growing health concerns through the Marlboro Man campaign, highlighting the success as well as the tobacco industry’s strong ability to use mass marketing to influence the public.[21]
The immediate success of the Marlboro Man campaign led to heavy imitation.  Old Golds adopted the tagline marking it a cigarette for "independent thinkers". Chesterfield depicted cowboy and other masculine occupations to match their tagline: "Men of America" smoke Chesterfields.[22]
Smoking-related deaths
Five men who claimed to have appeared in Marlboro-related advertisements — Wayne McLaren, David McLean, Dick Hammer, Eric Lawson[23] and Jerome Edward Jackson, aka Tobin Jackson — died of smoking-related diseases, thus earning Marlboro cigarettes, specifically Marlboro Reds, the nickname "Cowboy killers".[24]
Wayne McLaren testified in favor of anti-smoking legislation at the age of 51. During the time of McLaren's anti-smoking activism, Philip Morris denied that McLaren ever appeared in a Marlboro ad, a position it later amended to maintain that while he did appear in ads, he was not the Marlboro Man; Winfield held that title.  In response, McLaren produced an affidavit from a talent agency that had represented him, along with a pay check stub, asserting he had been paid for work on a 'Marlboro print' job.[25] McLaren died before his 52nd birthday in 1992.[26][27]
David McLean died of lung cancer at the age 73 in 1995. After his death, his widow, Lilo McLean, sued Philip Morris, claiming that McLean's disease was brought on because he had to smoke multiple packs of cigarettes during advertising shoots. Her case was dismissed and she was forced to pay the cigarette company's court case costs.[28]
Eric Lawson, who appeared in Marlboro print ads from 1978 to 1981, died at the age of 72 on January 10, 2014, of respiratory failure due to chronic obstructive pulmonary disease, or COPD. A smoker since age 14, Lawson later appeared in an anti-smoking commercial that parodied the Marlboro Man, and also in an Entertainment Tonight segment to discuss the negative effects of smoking.[29]
Jerome Edward Jackson, aka Tobin Jackson, died of lung cancer in 2008, and was a former owner of the world-renowned "Deer Run" Mastiff kennels.
Cowboys
Marlboro television and print ads used several real-life cowboys.
The Cowboy and His Elephant, which is ostensibly a biography of Bob Norris and mainly focuses on his raising an elephant on his ranch, also describes how Norris came to be photographed for Life magazine and become the Marlboro Man for the next 12 years.[30]
From 1964 to 1978, Wayne Dunafon was a "Marlboro Man". He was a rancher in Kansas in addition to a long-time competitive rodeo rider. He died of natural causes in 2001.[31]
The most famous of the 'Marlboro Men' lived a long life after fading from the public limelight. Darrell Winfield, a resident of Riverton, Wyoming, was the longest living Marlboro Man to appear on billboards and in advertisements. Leo Burnett Ad Agency discovered him in 1968 while he was working on the Quarter Circle 5 Ranch in Wyoming. Winfield's chiseled rugged good looks made him the macho face of Marlboro cigarettes on television, in newspapers, magazines and on billboards, from the 1968 to 1989. Winfield was survived by his wife, a son, five daughters, and grandchildren.[32]
Decline
In many countries, the Marlboro Man is an icon of the past due to increasing pressure on tobacco advertising for health reasons, especially where the practice of smoking appears to be celebrated or glorified. The deaths described above may also have made it more difficult to use the campaign without attracting negative comment. The Marlboro Man image continued until at least the early 2000s, in countries such as Germany, Poland and the Czech Republic.[33] It still continues in the United States, and Japan (on tobacco vending machines, for example), where smoking is widespread in the male population.
Death in the West

Death in the West, a Thames Television documentary,[34] is an exposé of the cigarette industry that aired on British television in 1976.[35] In its March/April 1996 issue, Mother Jones said of Death in the West: "It is one of the most powerful anti-smoking films ever made. You will never see it."[36] The second sentence refers to the fact that Philip Morris sued the filmmakers, and in a 1979 secret settlement all copies were suppressed.[37] However, Professor Stanton Glantz released the film and San Francisco's then-NBC affiliate KRON-TV aired the documentary in May 1982.[37]
The California Nonsmokers' Rights Foundation, in cooperation with the Risk and Youth: Smoking Project Lawrence Hall of Science University of California, Berkeley, created a manual to accompany the film, titled "A Curriculum for Death in the West".[38] The first two paragraphs of the Introduction read:
The California Nonsmokers' Rights Foundation is pleased to provide this booklet containing a self-contained curriculum for upper elementary and junior high school students to supplement the viewing of "Death in the West." Considered by many to be the most powerful anti-smoking documentary ever made, "Death in the West" contrasts the advertising image of the "Marlboro Man" with the reality of six American cowboys dying of cigarette-related illnesses. The film, produced in England in 1976 and later suppressed by the Philip Morris Company, makers of Marlboro cigarettes, illustrates the intrinsically false nature of cigarette advertising. It makes the Marlboro Man less attractive.

The "Death in the West" Curriculum is designed to maximize the educational and emotional impact of seeing the documentary. The curriculum is based on a comprehensive smoking prevention program created and tested by the Risk and Youth: Smoking Project of the Lawrence Hall of Science, University of California, Berkeley. The activities included here were developed in classrooms throughout the San Francisco Bay Area and adapted specifically for use with the airing of "Death in the West" by KRON-TV of San Francisco.
NBC Monitor produced an investigative TV report titled Death in the West (June 18, 1983), which is accessible at the Internet Archive.[39]
In popular culture
Film
In Robert Altman's 1973 film The Long Goodbye, Roger Wade (Sterling Hayden) nicknames P.I. Phillip Marlowe (Elliott Gould) the Marlboro Man due to his heavy smoking.
In the film Harley Davidson and the Marlboro Man (1991), Don Johnson portrays the Marlboro Man.
In the film in Thank You for Smoking (2005), Sam Elliott plays Lorne Lutch, a cancer stricken former Marlboro Man.
In the film Fargo (1996), a reference to the Marlboro Man is made in an interview by police chief Marge Gunderson (Frances McDormand) with two prostitutes about an encounter with Gaear Grimsrud (Peter Stormare).
Music
The Paula Cole song "Where Have All the Cowboys Gone?" features the verse "Where is my Marlboro Man?".
The Harvey Danger song "Sad Sweetheart of the Rodeo" features the sarcastic verse: "The Marlboro Man died of cancer/And he wasn't a rocket scientist when he was healthy/ha ha ha".
The Jason Aldean song "Dirt Road Anthem" references "The king in the can and the Marlboro man"
Rolling Stones's 1965 song Satisfaction: "When I'm watchin' my TV and a man comes on and tells me how white my shirts can be, but he can't be a man 'cause he doesn't smoke the same cigarettes as me".
The World Entertainment War song "Marlboro Man, Jr." begins, "The Marlboro Man is dead Long live the Marlboro Man! In our dreams he remains the hero Of a thousand billboards The ultimate salesman..."
Photography
Artist Richard Prince's series, known as the Cowboys (produced from 1980 to 1992 and ongoing), is his most famous group of appropriated rephotographs, in this case taken from Marlboro cigarette advertisements of the Marlboro Man.
Television
In the Seinfeld episode "The Abstinence" (airdate November 21, 1996), Cosmo Kramer sues a tobacco company but settles out of court. His settlement is the placement of his face as that of the Marlboro Man's on a billboard in Times Square.
In the Futurama episode "Where the Buggalo Roam", a barbeque attendee resembles the Marlboro Man.
An episode of Last Week Tonight with John Oliver featured "Jeff the Diseased Lung in a Cowboy Hat", a cartoon character parodying the Marlboro Man, which was suggested as a new replacement mascot for Marlboro.
In the second season Welcome Back, Kotter episode "Sweathog Clinic for the Cure of Smoking" (airdate December 16, 1976), Gabe Kotter (Gabe Kaplan) reminisced that he wanted to take up smoking, "but I couldn't picture myself living in Marlboro Country."
See also
Joe Camel




Death in the West (1983) at 
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