Question: What was the first percussion instrument?

Percussion instrument











A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater (including attached or enclosed beaters or rattles); struck, scraped or rubbed by hand; or struck against another similar instrument. The percussion family is believed to include the oldest musical instruments, following the human voice.[1]
The percussion section of an orchestra most commonly contains instruments such as timpani, snare drum, bass drum, cymbals, triangle and tambourine. However, the section can also contain non-percussive instruments, such as whistles and sirens, or a blown conch shell. Percussive techniques can also be applied to the human body, as in body percussion. On the other hand, keyboard instruments, such as the celesta, are not normally part of the percussion section, but keyboard percussion instruments such as the glockenspiel and xylophone (which do not have piano keyboards) are included.
Percussion instruments are most commonly divided into two classes: Pitched percussion instruments, which produce notes with an identifiable pitch, and unpitched percussion instruments, which produce notes or sounds without an identifiable pitch.[2][3]
Function
Percussion instruments may play not only rhythm, but also melody and harmony.
Percussion is commonly referred to as "the backbone" or "the heartbeat" of a musical ensemble, often working in close collaboration with bass instruments, when present. In jazz and other popular music ensembles, the pianist, bassist, drummer and sometimes the guitarist are referred to as the rhythm section. Most classical pieces written for full orchestra since the time of Haydn and Mozart are orchestrated to place emphasis on the strings, woodwinds, and brass. However, often at least one pair of timpani is included, though they rarely play continuously. Rather, they serve to provide additional accents when needed. In the 18th and 19th centuries, other percussion instruments (like the triangle or cymbals) have been used, again generally sparingly. The use of percussion instruments became more frequent in the 20th century classical music.
In almost every style of music, percussion plays a pivotal role. In military marching bands and pipes and drums, it is the beat of the bass drum that keeps the soldiers in step and at a regular speed, and it is the snare that provides that crisp, decisive air to the tune of a regiment. In classic jazz, one almost immediately thinks of the distinctive rhythm of the hi-hats or the ride cymbal when the word "swing" is spoken. In more recent popular music culture, it is almost impossible to name three or four rock, hip-hop, rap, funk or even soul charts or songs that do not have some sort of percussive beat keeping the tune in time.
Because of the diversity of percussive instruments, it is not uncommon to find large musical ensembles composed entirely of percussion. Rhythm, melody, and harmony are all represented in these ensembles.
Percussion notation



Music for pitched percussion instruments can be notated on a staff with the same treble and bass clefs used by many non-percussive instruments. Music for percussive instruments without a definite pitch can be notated with a specialist rhythm or percussion-clef; More often a bass clef is substituted for rhythm clef.
Classification


Percussion instruments are classified by various criteria sometimes depending on their construction, ethnic origin, function within musical theory and orchestration, or their relative prevalence in common knowledge.
The word "percussion" has evolved from Latin terms: "percussio" (which translates as "to beat, strike" in the musical sense, rather than the violent action), and "percussus" (which is a noun meaning "a beating"). As a noun in contemporary English it is described in Wiktionary as "the collision of two bodies to produce a sound". The usage of the term is not unique to music but has application in medicine and weaponry, as in percussion cap, but all known and common uses of the word, "percussion", appear to share a similar lineage beginning with the original Latin: "percussus". In a musical context then, the term "percussion instruments" may have been coined originally to describe a family of musical instruments including drums, rattles, metal plates, or blocks which musicians would beat or strike (as in a collision) to produce sound.
Hornbostel–Sachs has no high-level section for percussion. Most percussion instruments (as the term is normally understood) are classified as idiophones and membranophones. However the term percussion is instead used at lower-levels of the Hornbostel–Sachs hierarchy, including to identify instruments struck with either a non-sonorous object (hand, stick, striker) or against a non-sonorous object (human body, the ground) – as opposed to concussion which refers to instruments in which two or more complementary sonorous parts are struck against each other – and for other purposes, for example:
111.1 Concussion idiophones or clappers, played in pairs and beaten against each other, such as zills and clapsticks.
111.2 Percussion idiophones, includes many percussion instruments played with the hand or by a percussion mallet, such as the hang, gongs and the xylophone, but not drums and only some cymbals.
21 Struck drums, includes most types of drum, such as the timpani, snare drum, and tom-tom. (Included in most drum sets or
412.12 Percussion reeds, a class of wind instrument unrelated to percussion in the more common sense 
There are many instruments that have some claim to being percussion, but are classified otherwise:
Keyboard instruments such as the celesta and piano.[4]
Stringed instruments played with beaters such as the hammered dulcimer.
Unpitched whistles and similar instruments, such as the pea whistle and Acme siren.

Percussion instruments are sometimes classified as "pitched" or "unpitched". While valid, this classification is widely seen as inadequate. Rather, it may be more informative to describe percussion instruments in regards to one or more of the following four paradigms:
By methods of sound production

Many texts, including Teaching Percussion by Gary Cook of the University of Arizona, begin by studying the physical characteristics of instruments and the methods by which they can produce sound.  This is perhaps the most scientifically pleasing assignment of nomenclature whereas the other paradigms are more dependent on historical or social circumstances. Based on observation and experimentation, one can determine how an instrument produces sound and then assign the instrument to one of the following four categories:
Idiophone


"Idiophones produce sounds through the vibration of their entire body."[5]  Examples of idiophones:

Bells
Bock-a-da-bock
Cabasa
Cajón
Castanets
Celesta
Chimes
Claves
Cowbell
Crash cymbals
Crotales
Daxophone
Flexatone
Güiro
Handbells
Hi-hat
Lummi stick
Maraca
Marimba
Orchestra bells
Quadrangularis Reversum
Ratchet
Singing bowls
Slit drum
Steelpan
Suspended cymbal
Temple blocks
Thumb piano (or Kalimba)
Triangle
Txalaparta
Vibraphone
Vibraslap
Wood block
Xylophone

Membranophone


Most objects commonly known as "drums" are membranophones. Membranophones produce sound when the membrane or head is struck with a hand, mallet, stick, beater, or improvised tool."[5]
Examples of membranophones:

Bass drum
Bongos
Conga
Darbuka
Djembe
Mridangam
Octoban
Parai
Snare drum
Tabla
Thavil
Timpani
Tom-tom
Lion's roar
Urumi (drum)
Wind machine

Chordophone


Most instruments known as "chordophones" are defined as string instruments, but some such as these examples are percussion instruments also.

Hammered dulcimer, Cimbalom
Onavillu
Piano
Berimbau
Jhallari

Aerophone


Most instruments known as "aerophones" are defined as wind instruments such as a saxophone whereby sound is produced by a person or thing blowing air through the object. In a traditional ensemble setting, aerophones are played by a percussionist, generally due to the instrument's unconventional nature. Examples of aerophones played by percussionists:   

Apito or samba whistle
Siren
Slide whistle
Whistle or police whistle

By musical function or orchestration
When classifying instruments by function it is useful to note if a percussion instrument makes a definite pitch or indefinite pitch.
For example, some percussion instruments (such as the marimba and timpani) produce an obvious fundamental pitch and can therefore play melody and serve harmonic functions in music. Other instruments (such as crash cymbals and snare drums) produce sounds with such complex overtones and a wide range of prominent frequencies that no pitch is discernible.
Definite pitch of Music

Percussion instruments in this group are sometimes referred to as "pitched" or "tuned".
Examples of percussion instruments with definite pitch:

Chimes/Tubular bells
Crotales
Glass harmonica
Glass harp
Glockenspiel
Handbells
Marimba
Mridangam
Rototom
Steelpan
Tabla
Timpani
Tuned Triangle
Vibraphone
Wind chimes
Xylophone
Xylo-marimba

Indefinite pitch

Instruments in this group are sometimes referred to as "non-pitched", "unpitched", or "untuned". Traditionally these instruments are thought of as making a sound that contains such complex frequencies that no discernible pitch can be heard.
In fact many traditionally unpitched instruments, such as triangles and even cymbals, have also been produced as tuned sets.[3]
Examples of percussion instruments with 
indefinite pitch:

Bass drum
Castanets
Cymbals
Rainstick
Slapstick or whip
Snare drum
Tamtam
Tom-tom

By prevalence in common knowledge
Although it is difficult to define what is "common knowledge", there are instruments in use by percussionists and composers in contemporary music which are certainly not considered by most to be musical instruments of any kind.  Therefore, it is worthwhile to try to make distinction between instruments based on their acceptance or consideration by a general audience.
For example, it is safe to argue that most people would not consider an anvil, a brake drum (the circular hub which houses the brake on the wheel of a motor vehicle), or a fifty-five gallon oil barrel to be musical instruments, yet these objects can be used by composers and percussionists of modern music.
One might assign various percussion instruments to one of the following categories:
Conventional or popular

Drum kit
Gong (tamtam)
Tambourine
Triangle

Unconventional

Automobile brake drum
Beer kegs
Brooms
Clay pots
Firearms or explosive charges
Five gallon buckets
Garbage cans
Glass bottles
Hammer
Metal pipes
Metal pots
Plastic bottles
Plastic bag
Rocks in a bucket
Shopping carts
Spokes on a bicycle wheel
Tableware


One pre-20th century example of found percussion is the use of cannon (usually loaded with blank charges) in Tchiakovsky's 1812 Overture.  
John Cage, Harry Partch, Edgard Varèse, and Peter Schickele, all noted composers, created entire pieces of music using unconventional instruments. Beginning in the early 20th century, perhaps with Ionisation by Edgard Varèse which used air-raid sirens (among other things), composers began to require percussionists to invent or "find" objects to produce the desired sounds and textures. Another example includes the use of a hammer and saw in Penderecki's De Natura Sonoris No. 2. By late 20th century, such instruments had become common in modern percussion ensemble music and popular productions, such as the off-Broadway show, Stomp. Rock band Aerosmith used a number of unconventional instruments in their song Sweet Emotion, including shotguns, brooms, and a sugar bag. The metal band Slipknot is well known for playing unusual percussion items, having two percussionists in the band. Along with deep sounding drums, their sound includes hitting baseball bats and other objects on beer kegs to create a distinctive sound.
By cultural significance or tradition
It is not uncommon to discuss percussion instruments in relation to their cultural origin. This has led to a division between instruments which are considered "common" or "modern," and folk instruments which have a significant history or purpose within a geographic region or cultural group.
Folk percussion instruments




Berimbau
Bodhrán
Bombo legüero
Cajon
Dhaa
Dhime
Dhol
Dholak
Djembe
Dunun
Gamelan
Kalimba (Thumb Piano)
Kpanlogo
Lagerphone
Latin percussion
Madal
Marimba
Marimbula
Naykheen
Pogo cello
Skrabalai
Steelpan
Tabla
Taiko
Tambourine
Thavil
Timbales
Tonbak
Urumee
Udukai

"Common" drums
This category includes instruments which are widely available and popular throughout the world:

Drum kit, typically consisting of:
Bass drum
Crash cymbal
Ride cymbal
Floor tom
Hi-Hat cymbals
Snare drum
Tom-tom drums
Marching percussion instruments
Orchestral percussion instruments

By capability of melodic production
Non-melodic percussion: bongos, snare drum, etc.
Melodic percussion: glass marimba, gendér, etc.
By percussive beater
Different objects are used to strike a percussion instrument in order to produce its sound.

Hands:  hand drums, body percussion
Sticks:  drum kit
Mallets:  mallet percussion, timpani
Auxiliary:  triangle, cymbals
Feet:   step dance (inc. tap percussion)

Names for percussionists
The general term for a musician who plays percussion instruments is "percussionist" but the terms listed below are often used to describe a person's specialties:

Balafonist: a balafon player
Bombisto: a bombo legüero player
Bongocero: someone who plays bongos and usually cencerro (a cow bell)
Congalero, conguero: someone who plays congas
Cymbalist: someone who plays cymbals
Djembefola: djembe player.
Drummer: someone who plays the drumset, hand drums or a single drum such as Snare drum.
Dununfola: dunun player.
Glockenspielist: someone who plays the glockenspiel.
Güirero: someone who plays the güira, a Dominican scraper used in merengue music
Marimbist: a marimba player
Panman, pannist: a steelpan player
Timbalero, timbero: someone who plays timbales
Timpanist: a timpani player
Vibraphonist: a vibraphone player
Xylophonist: a xylophone player

See also


Beat boxing
Bock-a-da-bock
Drum
Drum beat (including a list of drum beats)
Drum Corps International
Drum Kit
Drumline
Drum machine
Electronic drum
Hand percussion
Klopotec
Latin percussion
List of percussion instruments
List of percussionists
Melodic percussion instrument
Musical Stones of Skiddaw
Orchestral percussion
Percussion notation
Pipes and Drums Corps
Practice pad
Vocal percussion
Rudimental percussion
Percussion Ensemble

Notes and references

Further reading
James Blades, Percussion Instruments and Their History, (1970).
Shen, Sinyan, Acoustics of Ancient Chinese Bells, Scientific American, 256, 94 (1987).



 at Curlie
 — History, origin, and influence of percussion instruments
 — Website for drummers and percussionists