Gallery Artists (2014)

October 01 2014 Gallery Artists Robert Beck, Robert Beck Email: robert.buck69@verizon.net; see also glenn@crggallery.com Search for other works by this author on: This Site Google Scholar Jennifer Bornstein, Jennifer Bornstein Email: jenniferbornstein@gmail.com Search for other works by this author on: This Site Google Scholar Suzanne Dikker, Suzanne Dikker Search for other works by this author on: This Site Google Scholar Matthias Oostrik, Matthias Oostrik Email: sdikker@gmail.com Search for other works by this author on: This Site Google Scholar Greg Garvey, Greg Garvey Email: greg.garvey@quinnipiac.edu Search for other works by this author on: This Site Google Scholar Nicole Ottiger, Nicole Ottiger Email: nicole.ottiger@zhdk.ch Search for other works by this author on: This Site Google Scholar Jane Philbrick, Jane Philbrick Email: jn@janephilbrick.net Search for other works by this author on: This Site Google Scholar Jill Scott Jill Scott Email: jscott@solnet.ch, jillian.scott@zhdk.ch Search for other works by this author on: This Site Google Scholar Author and Article Information Robert Beck Email: robert.buck69@verizon.net; see also glenn@crggallery.com Jennifer Bornstein Email: jenniferbornstein@gmail.com Suzanne Dikker Matthias Oostrik Email: sdikker@gmail.com Greg Garvey Email: greg.garvey@quinnipiac.edu Nicole Ottiger Email: nicole.ottiger@zhdk.ch Jane Philbrick Email: jn@janephilbrick.net Jill Scott Email: jscott@solnet.ch, jillian.scott@zhdk.ch Online Issn: 1530-9282 Print Issn: 0024-094X ©2014 ISAST2014 Leonardo (2014) 47 (5): 429–435. https://doi.org/10.1162/LEON_a_00865 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Robert Beck, Jennifer Bornstein, Suzanne Dikker, Matthias Oostrik, Greg Garvey, Nicole Ottiger, Jane Philbrick, Jill Scott; Gallery Artists. Leonardo 2014; 47 (5): 429–435. doi: https://doi.org/10.1162/LEON_a_00865 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsLeonardo Search Advanced Search This content is only available as a PDF. ©2014 ISAST2014 Article PDF first page preview Close Modal Supplementary data HIVEHIVE puts the visitor next to a swirling mass of amorphous human figures, appearing as an interconnected meta-body or hive more than as individuated beings. Building on a minimal sound concept, the choreographed motion-, light- and sonic patterns of HIVE create a highly dynamic figurative landscape, a pulsing audiovisual matter, without, it appears, either beginning or end. (© Kurt Hentschlager)- mov file Light box sculpturesIsomorphic Extension I + II. In a macabre reversal of the missing-limb phenomenon, two unmatched prosthetic legs from different periods, one gendered male the other female, imply a disarticulated human form. This amusing arrangement evokes the age-old drive to exceed the natural limitations of the human body by means of art and technology. (© Patricia Olynyk)- png file Fragility 4Fragility 4, 2009, monotype, plate size 25.59 x 19.69 inches, framed size 36.22 x 28.35 x 1.77 inches. Image courtesy of the artist and GV Art Gallery, London. Fragility 3 and Fragility 4 were made in response to the news of a friend of mine being diagnosed with breast cancer. The narrative of the work is both in the content of the works and in the process of making. The work is about the fragility of embodiment—the relationship of ourselves to our bodies. (© Susan Aldworth)- jpeg file You do not currently have access to this content.