fschieber/wit-captions huggingface dataset:
വാൻ ഗോഗിന്റെ സ്വയ അംഗച്ഛേദത്തെകുറിച്ച് പത്രങ്ങളിലെല്ലാം വാർത്ത വന്നു.[113] "കഴിഞ്ഞ ഞായറാഴ്ചയുടെ രാത്രിയിൽ ഏകദേശം പതിനൊന്നുമണിക്ക് വിൻസന്റ് വാൻഗോഗ് എന്ന പറയുന്ന ഒരാൾ മെയ്സൺ ഡി ടോളറെൻസ് എത്തുകയും റേച്ചൽ എന്ന പെൺകുട്ടിയെ വിളിക്കുകയം, അദ്ദേഹത്തിന്റെ മുറിച്ച ചെവി നീട്ടിക്കൊണ്ട് ഇങ്ങനെ പറയുകയും ചെയ്തു... 'ഈ വസ്തുവിനെ ഒരു നിധി പോലെ കാക്കണം. 'പിന്നെ ആയാൾ മാഞ്ഞുപോയി. ഇതിനെകുറിച്ച് പോലീസ് പറഞ്ഞതിതാണ്, ഇത് ചെയ്തതരാണെങ്കിലും അയാൾ ഒരു ഭ്രാന്തനാണ്, എന്നാണ്. അയാളെ അടുത്ത പ്രഭാതത്തിൽ ഒറ്റക്കൊരുമുറിയിൽ കിടപ്പയിൽ കിടക്കുന്നതായി കണ്ടെത്തി.
 ആ പാവം മനുഷ്യനെ ഒരു സമയവൈകലും കൂടാതെ ആശുപത്രിയിലെത്തിച്ചു." [114]
Afrikaans: Uittreksel uit Le Forum Républicain van 30 Desember 1888, 'n streekskoerant van Arles, Frankryk, wat berig gee van Vincent van Gogh se verminking van sy oor:Laas Sondag om 11.30 nm het skilder Vincent Vangogh, 'n boorling van Nederland, by die gelisensieerde bordeel nr. 1 gearriveer, vraende na "Rachel", en sy oor aan haar gegee met die woorde: "Bewaar hierdie voorwerp noukeurig". Hy het toe verdwyn. Sodanig van hierdie daad ingelig, wat slegs dié van 'n jammerlik versteurde kon wees, het die polisie die volgende oggend opgedaag by die persoon wat sy in die bed lêend gevind het, wat kwalik 'n teken van lewe getoon het. Hierdie mistroostige man is sonder versuim in die hospitium opgeneem. English: Info Excerpt from Le Forum Républicain of 30 December 1888, a local (Arles, France) newspaper reporting on Vincent's van Gogh's mutilation of his ear:Last Sunday, at 11.30 pm, the painter Vincent Vangogh, a native of Holland, arrived at licensed brothel no. 1, asking for Rachel by name, and gave her his ear saying: "Keep this object preciously". He then disappeared. Informed of this fact, which could only be that of a poor insane person, the police went the next morning to the person she found lying in bed, who showed almost no sign of life. This unhappy man was admitted to the hospice as a matter of urgency. Français : Forum Républicain, journal de l'arrondissement d'Arles, 30 décembre 1888:Dimanche dernier, à 11 heures 1/2 du soir, le nommé Vincent Vangogh, peintre, originaire de Hollande, s'est présenté à la maison de tolérance n°1, a demandé la nommée Rachel, et lui a remis ... son oreille en lui disant: "Gardez cet objet précieusement". Puis il a disparu. Informée de ce fait qui ne pouvait être que celui d'un pauvre aliéné, la police s'est rendue le lendemain matin chez cet individu qu'elle a trouvé couché dans son lit, ne donnant presque plus signe de vie. Ce malheureux a été admis d'urgence à l'hospice.
Adaptacija usnog aparata insekata 
 a - antena; c – spoj očiju; LB - labrium; DB - labrum; MD - mandible; mx - maksile.
 (A) Primitivni stupanj — grickanje i žvakanje: skakavac. Jake mandible i maksile za manipulaciju hranom.
 (B) Žvakanje i grickanje: pčela. Labium dug da dospije do nektara; mandible za  žvakanje polena i voska. 
 (C) Sisanje: leptiri. Labrum reduciran; mandible izgubljene; maksile duge i formiraju tubu za sisanje
 (D) Bodenje i sisanje: ženka komarca. Labrum i maksile formiraju tubu; mandible oblikuju bodlju za probijanje; abrum sa žlijebom za držanje drugih dijelova.
English: The development of insect mouthparts from the primitive chewing mouthparts of a grasshopper in the centre (A), to the lapping type (B) and the siphoning type (C). Legend: a, antennae; c, compound eye; lb, labium; lr, labrum; md, mandibles; mx, maxillae.
Grabado de Theodor de Bry ilustrando la Brevísima, p. 45., correspondiente al siguiente texto:[46]​       Tenia este esta costumbre, que cuando iba á hacer guerra á pueblos ó provincias, llevaba de los ya sojuzgados indios cuantos podía, que hiciesen guerra á los otros; y como no les daba de comer á diez, y á veinte mil hombres que llevaba, consentíales que comiesen á los indios que tomaban, y así habia en su real solenísima carnicería de carne humana, donde en su presencia mataban los niños y se asaban, y mataban el hombre por solas las manos y piés, que tenían por los mejores bocados.
Narratio_Regionum_indicarum_per_Hispanos_Quosdam_devastatarum_verissima
De adreszijde van een ansichtkaart van Apeldoorn naar Delfgauw. De kaart is verstuurd op 6 augustus 1903 tussen 5 en 6 uur N(amiddags). De kaart kwam eerst aan in het postkantoor van Delft, en wel op 7 augustus 1903 tussen 12 uur ’s nachts en 8 uur V(oormiddags). Dat kunnen we zien dankzij het doorgangsstempel dat daar geplaatst is. Van Delft ging de kaart naar Vrijenban, de gemeente waarin Delfgauw lag. Het hulppostkantoor van Vrijenban zette op dezelfde dag, 7 augustus 1903, tussen 8 en 12 uur V(oormiddags) een aankomststempel. Alle drie de stempels zijn van het type grootrondstempel.
English: Address side of a picture postcard, sent from Apeldoorn in the Netherlands, 6 August 1903, through Delft, 7 August 1903, to Delfgauw in the community of Vrijenban, 7 August 1903.Nederlands: Adreszijde van een prentbriefkaart, verzonden van Apeldoorn, 6 augustus 1903, via Delft, 7 augustus 1903, naar Delfgauw in de gemeente Vrijenban, 7 augustus 1903. Alle drie de stempels zijn grootrondstempels.
«Salvadores de la Patria».
Los próceres catalanes de la facción radical que se alzaron con el poder en la Junta de Brazos, y que llevaron a Cataluña a la catástrofe total de 1713-1714 declarando la continuación de la guerra, la «gloriosa resolución» la llamaban ellos, se arrogaron para sí mismos el título de Pater Patriae «Padres de la Patria». En esta carta del 10 de abril de 1714 los diputados de la Generalidad de Cataluña instaban a continuar la guerra «no solo en defensa de la justa causa del rey nuestro señor (que Dios guarde) sino y también, para conseguir la amada Libertad».[56]​
Català: Carta circular dels diputats de la Generalitat de Catalunya del 10 d'abril de 1714
Saturno devorando a un hijo (Ο Κρόνος καταβροχθίζει τον γιο του). Ίσως ο διασημότερος από τους Μαύρους Πίνακες που ο Γκόγια ζωγράφισε λίγα χρόνια μετά τις Συμφορές του Πολέμου. Σε αυτή τη βάναυση σκηνή ο Κρόνος καταβροχθίζει ένα από τα παιδιά του, το σώμα του οποίου είναι ακρωτηριασμένο, θυμίζοντας τα διαμελισμένα πτώματα ανυπεράσπιστων αιχμαλώτων των Συμφορών του Πολέμου. Ο ιστορικός τέχνης Lennard Davis έχει διατυπώσει την υπόθεση πως ο Γκόγια γοητευόταν από τον ερωτισμό του διαμελισμού. (1819-1823, ελαιογραφία σε τοίχο (μεταφέρθηκε σε καμβά), Μουσείο Ντελ Πράδο, Μαδρίτη.146 × 83 εκ.)
This painting is part of the "Black Paintings" series and depicts the Greek Myth of Cronus.
3e treizaine : La lecture se fait de gauche à droite, puis de bas en haut. La suite des jours va du glyphe 1-Chevreuil jusqu'à 13-Pluie (numérotés avec des points rouges). Ensuite, si la numérotation recommence sur la planche suivante, la série des "Signes journaliers" continue quant à elle jusqu'au 20e glyphe, puis se réitère. La série des 13 "Seigneurs du jour" avec leur "Oiseau précieux" se répète à l'identique de treizaine en treizaine. Celle des 9 "Seigneurs de la nuit" reprend déjà à l'intérieur de cette même planche (en 10-Vautour) et se poursuit ainsi de suite sur les suivantes.
Français : Planche 03 du codex Borbonicus. Étalonnage des couleurs en correspondance avec l'oeuvre originale.
Indra und seine Gattin Indrani (Sachi) auf Airavata. Indische Miniatur nach einer Geschichte aus der Jain-Sammlung Panchakalyanaka, die aus dem Leben des Jina Adinatha (Rishabhanatha), des ersten Tirthankara berichtet. Amber, Rajasthan um 1670–1680. Der Prozessionszug bewegt sich zum Haus des neugeborenen Rishabhanatha, der seiner Mutter Marudevi heimlich weggenommen werden soll, um ihn auf dem Berg Meru zu verehren. Am Himmel huldigen Fliegenwedler, links Adoranten mit Fahnen. – Indra wurde früh in den Jain-Götterhimmel aufgenommen und ist unter dem Namen Saudharmendra weit verbreitet.
English: Indra and Sachi Riding the Divine Elephant Airavata. Folio from a Panchakalyanaka (Five Auspicious Events in the Life of Jina Rishabhanatha ([Adinatha]) Made in: India, Rajasthan, Amber Norsk nynorsk: Indra på den kvite elefanten Airavata.
"Ndertesat e shoqerive sekrete parajsa e re," vizatim nga Miss Alice Heighes Donlevy (1846-1929), siq shihet edhe ne figure. Ne foto shihen: Psi Upsilon (Beta Chapter), 120 High Street. Majtas ne qender: Skull & Bones (Russell Trust Association), 44 High Street. Djathtas ne qender: Delta Kappa Epsilon (Phi Chapter), ne pjesen lindore te York Street, jug te Elm Street. Ne fund: Scroll and Key (Kingsley Trust Association), 490 College Street. Alice Donlevy ishte autore e nje libri me ilustrime "Practical Hints on the Art of Illumination," e publikuar nga A. D. F. Randolph, New York, 1867.
English: "Secret Society Buildings New Haven," from a drawing by Miss Alice Heighes Donlevy (1846-1929), as noted on the image. Pictured are: Psi Upsilon (Beta Chapter), 120 High Street. Left center: Skull & Bones (Russell Trust Association), 44 High Street. Right center: Delta Kappa Epsilon (Phi Chapter), east side of York Street, south of Elm Street. Bottom: Scroll and Key (Kingsley Trust Association), 490 College Street. Alice Donlevy was the author of a book on illustration called "Practical Hints on the Art of Illumination," published by A. D. F. Randolph, New York, 1867.
Fuente de Apolo, en el Paseo del Prado de Madrid, un ambicioso proyecto urbanístico (José de Hermosilla, 1763) que, además de "higienizar" el trazado urbano, y dotar a la ciudad de un animado paseo arbolado y con fuentes monumentales (Alcachofa, Cuatro Fuentes, Neptuno, Apolo y Cibeles), incluía espacios a ocupar por instituciones científico-tecnológicas punteras en medicina (Hospital y Colegio de San Carlos), astronomía (Observatorio del Retiro), química (Platerías Martínez), biología (Jardín Botánico) y todas las ciencias que la Ilustración consideraba "útiles" (Gabinete de Ciencias).
Español: Estatua de Apolo (Fuente de Apolo del Paseo del Prado, Madrid, España)
An example of double exchange in the compound 
  
    
      
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    {\displaystyle La_{1-x}A_{x}MnO_{3}}
  
. The exchange involves the outermost orbitals for each atom, which are 3d4 for Mn3+, 3d3 for Mn4+, and 2p6 for the O2-.  Here eg and t2g are crystal field theory notation for the octahedral splitting of the d-orbitals.
English: Double exchange mechanism between Mn(+3) and Mn(+4) ions, through oxo bridge.
Map of the Central American volcanic arc, with captions showing the location of several volcanoes – in the Mexico/Guatemala border: Tacaná; in Guatemala: Tajumulco, Santa Maria, Chicabal, Tolimán, Atitlán, Volcán de Fuego, Volcán de Agua, Pacaya, Chingo; in El Salvador: Apaneca Range, Chinchontepec or San Vicente, Chaparrastique or San Miguel, Chinameca and Conchagua; in Nicaragua: Cosiguina, Telica, Cerro Negro, Momotombo, Apoyeque-Chiltepe, Mombacho and Concepción; in Costa Rica: Orosí, Rincón de la Vieja, Miravalles, Arenal, Barva, Turrialba and Irazú; in Panama: Barú and La Yeguada.
English: Central America in SRTM Shaded Relief and Colored Height
Ruter taget i løbet af Fram-ekspeditionen 1893-96:      "Fram"s rute østover fra Vardø, langs den sibiriske kyst, før den svinger nordover ved de Nysibiriske øer for at entre pakisen, juli-september 1893     "Fram"s drift i isen fra de Nysibiriske øer, nord- og vestover mod Spitsbergen, september 1893 - august 1896     Nansen og Johansens marsj til Farthes North ved 86°13,6'N, og senere tilbagerejse til Northbrookøen i Frans Josefs land, marts 1895 - juni 1896     Nansen og Johansens retur til Vardø fra Northbrookøen, august 1896     "Fram"s rejse fra Spitsbergen til Tromsø, august 1896
Diagram showing type I-F CRISPR-Cas system, as well as inhibition mechanisms of three type I-F anti-CRISPRs. Type I-F CRISPR complex is made of 60 crRNA nucleotides and nine Cas proteins (the protein type is specified by the numbers 5,8,7,6). AcrF1 goes to Cas7f, preventing target DNA access to the crRNA guide. AcrF2 interacts both with Cas8f and Cas7f, difficulting target DNA access to the binding pocket. Finally, AcrF3 forms a homodimer, interacting with Cas3 by preventing its contact with the Cascade complex. Based on a representation from a review found in the references below. [21]
English: Type I-F CRISPR-Cas system and inhibition mechanisms of three type I-F anti-CRISPRs.
Images from the 2019 simulation of the Draupner wave, showing how the steepness of the wave forms, and how the crest of a rogue wave breaks, when waves cross at different angles. (Click image for full resolution) In the first row (0 degrees), the crest breaks horizontally and plunges, limiting the wave size. In the middle row (60 degrees), there is somewhat upward lifted breaking behavior In the third row (120 degrees), described as the most accurate simulation achieved of the Draupner wave, the wave breaks upward, as a vertical jet, and the wave crest height is not limited by breaking.
English: Images from the 2019 simulation of the Draupner wave, showing how the steepness of the wave forms, and how the crest of a rogue wave breaks, when waves cross at different angles. In the first row (0 degrees), the crest breaks horizontally and plunges, limiting the wave size. In the middle row (60 degrees), there is somewhat upward lifted breaking behavior In the third row (120 degrees), described as the most accurate simulation achieved of the Draupner wave, the wave breaks upward, as a vertical jet, and the wave crest height is not limited by breaking.
L'itinéraire de Mr Hoopdriver. Les principales localités mentionnées dans le texte sont indiquées sur cette carte. Certaines portions du trajet ne peuvent être reconstituées avec certitude : entre Stockbridge et Blandford d'une part, où il n'est question, au début du chapitre 33, que d'un « mouvement tournant très compliqué [dans le comté de Dorset], afin d'atteindre Ringwood » (« an elaborate doubling movement through Dorsetshire towards Ringwood ») ; au début du dernier chapitre d'autre part, où la route empruntée par Hoopdriver entre la Rufus Stone et Basingstoke n'est pas détaillée.
Français : Itinéraire de Mr Hoopdriver dans le roman The Wheels of Chance, de H.G. Wells (1896)
«Hertuginnen av Abercorn med barn» av den britiske porterttmaleren Edwin Henry Landseer (1802-1873) kan med sin enkle, idylliserte skildring av skjønnhet, søtladen uskyld og utilslørt kjærlighet mellom mor og barn, og mellom menneske og dyr, i dag oppfattes som uttrykk for romantikkens og viktoriatidas overdrevne føleri. Til tross for kunstnerens tekniske dyktighet og personlige tilnærming til motivet, bærer kunstverket også noe preg av formler og effektmakeri som kan minne om moderne tiders kitsj, det vil si masseprodusert, lettforståelig «liksom-kunst» som frir til publikums følelser.
English: This is a version of a portrait Landseer painted in 1834. It was probably painted in 1836, the same year it was engraved for 'The Book of Beauty'. It shows Louisa Jane, wife of the first Duke of Abercorn, with the first of her fourteen children, Harriet, who was born in 1834. The Abercorns were among Landseer's most loyal patrons. He often visited them at their home in Surrey. He also made frequent trips to their hunting lodge at Ardvereike in Scotland. Landseer was an accomplished portraitist. He was also a master of the kind of sentimentality which the 'Book of Beauty' and other annuals specialized in. However, he is now chiefly remembered for his animal paintings. Oil paint on copper, Tate collection support: 542 x 432 mm
Il giuramento iniziatico dei membri dell'Eteria:
«Giuro davanti al vero Dio, in totale libertà, che voglio essere, per tutta la mia vita, completamente fedele alla Società degli Amici. [Giuro] di non rivelare neanche il più piccolo tra i simboli. [...] Infine, giuro per te, santa ma miserevole Patria, giuro per i tuoi secolari tormenti, giuro sulle amare lacrime amare nelle quali i tuoi figli hanno vissuto per tanti secoli. Giuro sulle mie stesse lacrime che ora scendono e sulla futura libertà dei Greci, che io mi consacro a te».
Epigrafe da un monumento nel quartiere Kolonaki di Atene.
The oath of Filiki Eteria (Φιλική Εταιρία), an underground organization of the greek 1821 revolution, carved in stone at a monument in Kolonaki
Kraj 50-ih godina donio je osjetno poboljšanje odnosa između Sjedinjenih Država i Sovjetskog Saveza. U srpnju 1959. godine, potpredsjednik Nixon posjetio je Sovjetski Savez, a u rujnu iste godine, Nikita Hruščov posjetio je Sjedinjene Države, uz dogovoreni uzvratni posjet predsjednika Eisenhowera Moskvi sljedeće godine. Ipak, sav napredak pao je u vodu nakon incidenta s obaranjem američkog špijunskog aviona 1960. iznad Sovjetskog Saveza, što je bio sramotan incident za Sjedinjene Države koji je osjetno pogoršao odnose. Na slici vidimo dijelove olupine oborenog aviona, izložene u Moskvi.
Deutsch: Wrackteile der abgeschossenen Lockheed U-2 werden im Moskauer Zentralmuseum der Streitkräfte ausgestellt. English: Debris of the shot-down U-2 piloted by Gary Powers, exhibited at the Central Museum of the Armed Forces in Moscow. (translated from the Russian) Русский: Обломки сбитого самолёта У-2 Гэри Паурса, выставленные в Центральном музее Вооружённых сил в Москве.
Схематичное изображение Nimrod: 
1) Панель инструкций: инструкции, которым следует Nimrod при игре
 2) Главная панель: лампы дублируют панель управления 5 и показывают процесс игры публике, а под рядами ламп расположена легенда, разъясняющая возможные состояния игры.
3) Панель, показывающая текущие расчеты компьютера при медленной скорости игры.
4)  Четыре ниши с расположенными в них лампами. В каждой нише находится 120 ламп, разделенных на шесть блоков по двадцать ламп.
5) Панель управления Nimrod: демонстратор обычно сидел ближе к компьютеру, а игрок — с противоположной стороны стола.
Cutlass Ciera side emblem. This emblem was used on several Oldsmobile models from the mid-1970s to early 1990s as part of their "International" theme, which sought to compare Oldsmobile sophistication to that of global and domestic competitors. (From left to right, the flags are of the United States, Canada, Belgium, Finland, Italy, the United Kingdom, the Netherlands, Switzerland, France, Portugal, Sweden, Spain, Denmark, Ireland, and the then West Germany; this side emblem was originally used with the Cutlass Salon during the mid-1970s when it was a competitor to the Pontiac Grand Am)
English: Oldsmobile Cutlass Ciera emblem
カルナック神殿概要図 （標記: フランス語）
モンチュの神域 (Domaine de Montou) アメンの神域 (Domaine D'Amon) ムトの神域 (Domaine de Mout)  1. 船着場 2. モンチュのスフィンクス参道 3. モンチュ神殿 4. ハルパラー神殿 5. マアト神殿 6. トトメス1世神殿 7. オシリスの区域 
8. 東門 9. 聞き届ける耳の祠堂 10. チャバカの宝庫 11. 高い祠堂 12. アメン大神殿 13. タハルカの建物跡 14. オシリスの祠堂 
15. スフィンクス参道 16. ハコルの聖舟祠堂 17. ネクタネボ1世の周壁 18. 神官の住居跡 19. 聖池 20. 聖鳥の囲い地 21. 第7塔門 
22. 第8塔門 23. 第9塔門 24. 第10塔門 25. アメンホテプ2世祝祭殿 26. コンス神殿 27. オペト神殿 28. コンス神殿の記念門
29. ムトのスフィンクス参道 30. ムト神殿 31. アメン＝カムテフ神殿 32. 聖舟祠堂 33. コンス・パ＝ケレド神殿 34. スフィンクスの中庭 
35. 聖池 36. コンスのスフィンクス参道 37. ルクソールのスフィンクス参道 38. 白い祠堂（英語版） 39. 赤い祠堂（英語版） 
40. トトメス4世の列柱廊 41. トトメス3世の祠堂
Français : Plan 3D du site de Karnak, avec le domaine de Montou, le domaine d'Amon et le domaine de Mout.
Adsorption of cyanophages onto a marine Prochlorococcus (a) Slice (~20 nm) through a reconstructed tomogram of P-SSP7 phage incubated with MED4, imaged at ~86 min post-infection. FC and EC show full-DNA capsid phage and empty capsid phage, respectively.
 (b) same image visualised by highlighting the cell wall in orange, the plasma membrane in light yellow, the thylakoid membrane in green, carboxysomes in cyan, the polyphosphate body in blue, adsorbed phages on the sides or top of the cell in red, and cytoplasmic granules (probably mostly ribosomes) in light purple.[24] scale bar: 200 nm
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    {\displaystyle |z^{6}+z^{5}+z^{4}+z^{3}+}
  
 
  
    
      
        
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    {\displaystyle z^{2}+z+1|=1}
English: Cyclotomic polynomial lemniscate |z^6+z^5+z^4+z^3+z^2+z+1|=1
Figura A. Un cañón monocromático (donde todas las partículas poseen el mismo 'impulso') encuentra una primera pantalla, se difracta, y la onda difractada encuentra una segunda pantalla con dos rendijas, resultando la formación de una figura de interferencia en la pantalla al fondo. F. Como siempre, se asume que solo una partícula cada vez, es capaz de atravesar el mecanismo completo. <img src="pus.img"> De la medición del recodo de la pantallaS1, de acuerdo con Einstein, puede deducirse cuál es la rendija que la partícula ha atravesado sin destruir los aspectos ondulatorios del proceso.
The universal structure of antibody includes the constant regions part of the fragment crystallizable(Fc) region of the antbody (shown in dark blue). It also includes the fragment antigen binding which is composed of one heavy and one light chain (shown as L for light and H for heavy). Each heavy and light chain is composed of one variable region and one constant region (shown as V or C). The variable regions are composed of 7 amino acid segments; three of which are hypervariable regions or CDR (yellow) and four of which are FR(shown in green for heavy chains and pink for light chains).
English: The universal structure of antibody includes the constant regions part of the fragment crystallizable(Fc) region of the antibody(shown in dark blue). It also includes the fragment antigen binding which is composed of one heavy and one light chain(shown as L for light and V for heavy). Each heavy and light chain is composed of one variable region and one constant region(shown as V or C). The variable regions are composed of 7 amino acid segments; three of which are hypervariable regions or CDR(yellow) and four of which are FR(shown in green for heavy chains and pink for light chains).
Plan of Edinburgh Castle
 Key: 
 A Esplanade ·  B Gatehouse ·  C Ticket office ·  D Portcullis Gate & Argyle Tower ·  E Argyle Battery ·  F Mills Mount Battery & One o'Clock Gun ·  G Cartsheds ·  H Western Defences ·  I Hospital ·  J Butts Battery ·  K Scottish National War Museum ·  L Governors House ·  M New Barracks ·  N Military Prison ·  O Royal Scots Museum ·  P Foog's Gate ·  Q Reservoirs ·  R Mons Meg ·  S Pet Cemetery ·  T St. Margaret's Chapel ·  U Half Moon Battery ·  V Crown Square ·  W Royal Palace ·  X Great Hall ·  Y Queen Anne Building ·  Z Scottish National War Memorial
Plan of Edinburgh Castle, Edinburgh, Scotland A Esplanade · B Gatehouse · C Ticket office · D Portcullis Gate & Argyle Tower · E Argyle Battery · F Mills Mount Battery & One o'Clock Gun · G Cartsheds · H Western Defences · I Hospital · J Butts Battery · K Scottish National War Museum · L Governors House · M New Barracks · N Military Prison · O Royal Scots Museum · P Foog's Gate · Q Reservoirs · R Mons Meg · S Pet Cemetery · T St. Margaret's Chapel · U Half Moon Battery · V Crown Square · W Royal Palace · X Great Hall · Y Queen Anne Building · Z Scottish National War Memorial
El alcohol, legal en la mayoría de países del mundo, como en México, Canadá o Brasil es una droga de consumo habitual contenida en numerosas bebidas, como el vino (en la imagen) o la cerveza, la tercera bebida más popular del mundo después del agua y el té.[1]​ La industria mundial de bebidas alcohólicas estaba valorada en 2013 en un billón de dólares.[2]​ Otra droga psicoactiva es la cafeína del café, bebida consumida diariamente por el 90% de los adultos de Estados Unidos.[3]​ La nicotina contenida en el tabaco, es también una de las drogas más consumidas y tiene un estatus legal.[4]​
English: Breckenridge, Colorado liquor store.