fschieber/wit-captions huggingface dataset:
Greek allegory arguably began with personifications in Greek mythology (Eros is love, Athena is wisdom). Greek philosophical allegory may have begun with Parmenides or Empedocles but is clear in Socrates' friend, Prodicus the Sophist, and his famous tale of 'Hercules at the Crossroads'. Discussed by Xenophon, the Neo-Platonists, and many others, it became well-known again in the Middle Ages and Renaissance.[6] On the left, Virtue is calling Hercules to the higher path of glory through hardship, while Vice is enticing him toward the easy life of pleasure (Annibale Carracci, The Choice of Hercules, detail, 1596, National Museum of Capodimonte).
le Chef d'Escadron(artillerie) François de Veyssière (X1832),né à Beaulieu(Corrèze) 2/2/1812,fils de Raymond de Veyssière et Catherine Dupuy, gendre de l'ancien maire Jean-Baptiste Royé-Vial (épouse Noëmie Royé-Vial le 3/3/1850 à Ecully) , père du futur maire Raymond de Veyssière, de Yvonne (épouse Alphonse Marchegay), de François. Il a été directeur du parc d'artillerie(période 1852-1859) du Fort St-Ange, il y habitait, pendant l'occupation française de Rome (commençant en 1849 sous la 2nde république). [24] , avant d'être réformé (17/5/1862) pour "infirmité temporaire" (le paludisme appelé "fièvre pontine") dont il décédera( 3/2/1873, Lyon)
Français : Commandant François de Veyssière gendre de Jean-Baptiste Royé-Vial, père de Raymond de Veyssière
A typical stack, storing local data and call information for nested procedure calls (not necessarily nested procedures). This stack grows downward from its origin. The stack pointer points to the current topmost datum on the stack. A push operation decrements the pointer and copies the data to the stack; a pop operation copies data from the stack and then increments the pointer. Each procedure called in the program stores procedure return information (in yellow) and local data (in other colors) by pushing them onto the stack. This type of stack implementation is extremely common, but it is vulnerable to buffer overflow attacks (see the text).
English: A simple diagram of the stack structure used to store information in memory by many computer architectures and programming languages. This is image two of two; the only difference between them is in the number of frames shown on the stack. File:ProgramCallStack1.png (image one of two)
Crew of the Memphis Belle.They are, left to right: Tech. Sgt. Harold P. Loch of Green Bay, Wis., top turret gunner; Staff Sgt. Cecil H. Scott of Altoona, Penn., ball turret gunner; Tech. Sgt. Robert J, Hanson of Walla Walla, Wash., radio operator; Capt. James A. Verinis, New Haven, Conn., co-pilot; Capt. Robert K. Morgan of Ashville, N. C., pilot; Capt. Charles B. Leighton of Lansing, Mich., navigator; Staff Sgt. John P. Quinlan of Yonkers, N. Y., tail gunner; Staff Sgt. Casimer A. Nastal of Detroit, Mich., waist gunner; Capt. Vincent B. Evans of Henderson, Texas, bombardier and Staff Sgt. Clarence E. Winchell of Oak Park, Ill., waist gunner.
English: Crew of the Memphis Belle. The crew of the B-17 Flying Fortress "Memphis Belle" is shown at an air base in England after completing 25 missions over enemy territory on June 7, 1943. They are, left to right: Tech. Sgt. Harold P. Loch of Green Bay, Wis., top turret gunner; Staff Sgt. Cecil H. Scott of Altoona, Penn., ball turret gunner; Tech. Sgt. Robert J, Hanson of Walla Walla, Wash., radio operator; Capt. James A. Verinis, New Haven, Conn., co-pilot; Capt. Robert K. Morgan of Ashville, N. C., pilot; Capt. Charles B. Leighton of Lansing, Mich., navigator; Staff Sgt. John P. Quinlan of Yonkers, N. Y., tail gunner; Staff Sgt. Casimer A. Nastal of Detroit, Mich., waist gunner; Capt. Vincent B. Evans of Henderson, Texas, bombardier and Staff Sgt. Clarence E. Wichell of Oak Park, Ill., waist gunner. Source: http://www.af.mil/shared/media/photodb/photos/021001-O-9999J-010.jpg
1902 exterior view of what is now the Allerton Building of the Art Institute of Chicago. Although the building was originally designed as a closed rectangle, it was initially constructed with a U-shaped footprint for lack of funds, with the area between the wings of the U in the back filled in 1895 with a temporary structure designed to house the classrooms of the School of the Art Institute. Alexander N. Fullerton Memorial Hall, with its Tiffany stained glass dome, was completed in 1898, and in 1901 the Ryerson Library was finished,[31] funded with a $50,000 donation ($1.4 million in 2015) provided by Hutchinson's friend Martin Ryerson.[32]
English: Exterior view of what is now the Allerton Building of the Art Institute of Chicago, 1902
Присутні на ювілеї Володимира Корнич-Ясеницького біля його будинку 18 липня 1934 р. Зліва направо стоять – перший ряд: Володимир Гузар, невідома, син Роман, сидить на бильці стільця дружина Романа Марія; сидять: Володимир Корнич-Ясеницький, в нього на руках син Романа, поруч дружина (дочка Генріха Пардіні), дружина отця Миколи Сімовича, о. Микола Сімович; другий ряд: художник Євсебій Ліпецький, невідомий, старший чоловік (худий) Т.Іваницький – редактор газети «Час», вище стоїть актор Іван Дутка, о. Іван Джулинський, голова товариства «Український Народний Дім» Т.Бриндзан, поклав руку на спинку стільця А.Завада, справа крайній стоїть С.Проць.
Українська: Присутні на ювілеї Володимира Корнич-Ясеницького біля його будинку 18 липня 1934 р. Зліва направо стоять – перший ряд: Володимир Гузар, невідома, син Роман, сидить на бильці стільця дружина Романа Марія; сидять: Володимир Корнич-Ясеницький, в нього на руках син Романа, поруч дружина (дочка Генріха Пардіні), дружина отця Миколи Сімовича, о. Микола Сімович; другий ряд: художник Євсебій Ліпецький, невідомий, старший чоловік (худий) Т.Іваницький – редактор газети «Час», вище стоїть актор Іван Дутка, о. Іван Джулинський, голова товариства «Український Народний Дім» Т.Бриндзан, поклав руку на спинку стільця А.Завада, справа крайній стоїть С.Проць.
Coordinator of Bureau of International Information Programs Macon Phillips (left), responds to a question during a panel discussion -- Digital Diplomacy: Making Foreign Policy Less Foreign -- with Assistant Secretary of State for Public Affairs Doug Frantz (center), and Assistant Secretary for Education and Cultural Affairs Evan Ryan, who joined via digital video conference, on February 18, 2014. Moderated by Emily Parker, author of Now I Know Who My Comrades Are: Voices From the Internet Underground and digital diplomacy advisor and senior fellow at the New America Foundation, the panel discussion is part of Social Media Week New York City.
Coordinator of International Information Programs Macon Phillips, left, responds to a question during a panel discussion -- Digital Diplomacy: Making Foreign Policy Less Foreign -- with Assistant Secretary of State for Public Affairs Doug Frantz, center, and Assistant Secretary for Education and Cultural Affairs Evan Ryan, who joined via digital video conference, on February 18, 2014. Moderated by Emily Parker, author of Now I Know Who My Comrades Are: Voices From the Internet Underground and digital diplomacy advisor and senior fellow at the New America Foundation, the panel discussion is part of Social Media Week New York City. [State Department photo/ Public Domain]
Изображение Hubble Deep UV (HDUV) Legacy Survey, выпущенное 16 августа 2018 года, является одним из самых глубоких за всю историю обзоров вселенной, основанных на широком спектре наблюдений космического телескопа Хаббла и других космических и наземных телескопов.  Данное изображение содержит галактики самых разных размеров, форм, цветов и возрастов. Самые маленькие и самые красные галактики, которых на снимке около 15000, это одни из самых удалённых галактик, когда-либо запечатлённых телескопом. Вероятно, они возникли вскоре после Большого взрыва. Данное изображение в 14 раз превышает площадь изображения Hubble Ultra Violet Ultra Deep Field.
English: Astronomers have just assembled one of the most comprehensive portraits yet of the universe’s evolutionary history, based on a broad spectrum of observations by the Hubble Space Telescope and other space and ground-based telescopes. In particular, Hubble’s ultraviolet vision opens a new window on the evolving universe, tracking the birth of stars over the last 11 billion years back to the cosmos’ busiest star-forming period, about 3 billion years after the big bang. This photo encompasses a sea of approximately 15,000 galaxies — 12,000 of which are star-forming — widely distributed in time and space. This mosaic is 14 times the area of the Hubble Ultra Violet Ultra Deep Field released in 2014. The image straddles the gap between the very distant galaxies, which can only be viewed in infrared light, and closer galaxies, which can be seen across a broad spectrum. The light from distant star-forming regions in remote galaxies started out as ultraviolet. However, the expansion of the universe has shifted the light into infrared wavelengths. By comparing images of star formation in the distant and nearby universe, astronomers glean a better understanding of how nearby galaxies grew from small clumps of hot, young stars long ago. Because Earth’s atmosphere filters most ultraviolet light, Hubble can provide some of the most sensitive space-based ultraviolet observations possible. The program, called the Hubble Deep UV (HDUV) Legacy Survey, extends and builds on the previous Hubble multi-wavelength data in the CANDELS-Deep (Cosmic Assembly Near-infrared Deep Extragalactic Legacy Survey) fields within the central part of the GOODS (Great Observatories Origins Deep Survey) fields. This mosaic is 14 times the area of the Hubble Ultra Violet Ultra Deep Field released in 2014. This image is a portion of the GOODS-North field, which is located in the northern constellation Ursa Major.
Folio 174, con la ilustración de El Cordero sobre el Monte Sión (Apocalipsis, 14: 1-3: Después miré, y he aquí el Cordero estaba en pie sobre el monte de Sion, y con él ciento cuarenta y cuatro mil, que tenían el nombre de él y el de su Padre escrito en la frente. Y oí una voz del cielo como estruendo de muchas aguas, y como sonido de un gran trueno; y la voz que oí era como de arpistas que tocaban sus arpas. Y cantaban un cántico nuevo delante del trono, y delante de los cuatro seres vivientes, y de los ancianos; y nadie podía aprender el cántico sino aquellos ciento cuarenta y cuatro mil que fueron redimidos de entre los de la tierra).[1]​
Page from the medieval book "Commentary on the Apocalypse". Each book was hand copied, including the art, making each copy unique. This page comes from the Morgan Beatus copy, also known as the Beatus of San Miguel de Escalada. Ca. 960. Morgan Library (New York). Ms 644. 280 x 380 mm. 89 miniatures, painted by Magius, archipictor.
Fig.7 : Masse volumique 
  
    
      
        
          ρ
        
      
    
    {\displaystyle \scriptstyle \rho }
  
 d'une parcelle de matière selon son volume 
  
    
      
        
          
            
              V
            
          
        
      
    
    {\displaystyle \scriptstyle {\mathcal {V}}}
  
 : 
  
    
      
        
          
          
          ρ
          =
          
            
              F
            
          
          (
          
            
              V
            
          
          )
        
      
    
    {\displaystyle \scriptstyle \;\;\rho ={\mathcal {F}}({\mathcal {V}})}
English: Mass density of a particle as a function of his volume V Français : Masse volumique d'une parcelle en fonction de son volume V
Mehanizem ekscitotoksičnosti:
a) Glutamat se veže na AMPA receptorje, preko katerih povzroči depolarizacijo celice;
b) Blokada NMDA receptorjev se tako sprosti, kar sproži vdor Ca2+;
c) Depolarizacija aktivira tudi VDCC receptorje;
d) Aktivacija metabotropnih receptorjev (M) sproži sprostitev zalog Ca2+ iz endoplazemskega retikuluma;
e) Kalcijevi ioni okvarijo delovanje mitohondrijev, kar sproži oksidativni stres, poleg tega povzroči aktivacijo proteinaz in lipaz ter nastanek prostih radikalov;
f) Omenjeni dejavniki poškodujejo pomembne biomolekule, kot so membranski lipidi, proteini in DNA;
g) Poškodbe teh komponent povzročijo celično smrt.
Slovenščina: Grafični prikaz mehanizma ekscitotoksičnosti English: Mechanism of Excitotoxicity Deutsch: Mechanismus der Exzitotoxizität
Manœuvre exécutée par trois secouristes: Au commandement de « Attention pour tourner…  Tournez ! », les secouristes tournent le patient au même rythme de façon à assurer l'alignement de la colonne vertébrale.
Position latérale de sécurité: La bouche est tournée vers le bas de façon que le patient ne risque pas d'étouffer dans les fluides corporels ; la tête est en bascule prudente afin de maintenir l'épiglotte ouverte. Les bras et les jambes forment des béquilles de façon à stabiliser la position. Si possible, l'alignement de la colonne vertébrale est maintenu grâce à un coussin ou grâce au dos de la main de la victime placé contre l'oreille
PLS à trois sauveteurs — une des possibilités --- Side recovery position with three team members — one of the possibilities Auteur/author : Christophe Dang Ngoc Chan (cdang)
The dotted line goes through the points 
  
    
      
        (
        2
        ,
        4
        )
      
    
    {\displaystyle (2,4)}
  
 and 
  
    
      
        (
        3
        ,
        9
        )
      
    
    {\displaystyle (3,9)}
  
, which both lie on the curve 
  
    
      
        y
        =
        
          x
          
            2
          
        
      
    
    {\displaystyle y=x^{2}}
  
. Because these two points are fairly close together, the dotted line and tangent line have a similar slope. As the two points become closer together, the error produced by the secant line becomes vanishingly small.
English: Can be used to illustrate how a secant line can approximate a tangent line.
Field Marshal Sir Bernard Montgomery (third from left) shown along with senior commanders of the First Canadian Army while visiting the headquarters of II Canadian Corps, near Kleve, February 1945.  From left to right: Major General C. Vokes (4th Canadian Armoured Division), General H. D. C. Crerar (First Canadian Army), Field Marshal Sir Bernard L Montgomery (21st Army Group, Lieutenant General B. G. Horrocks (XXX (British) Corps, attached to First Canadian Army), Lieutenant General G. G. Simonds (II Canadian Corps), Major General D. C. Spry (3rd Canadian Infantry Division), and Major General A. B. Matthews (2nd Canadian Infantry Division).
MONTGOMERY VISITS CANADIAN TROOPS IN THE KLEVE - GOCH SECTOR, GERMANY, FEBRUARY 1945 - Left to right: Major General C Vokes (4th Armoured Division), General H D C Crerar (Army Commander), Field Marshal Sir Bernard L Montgomery, Lieutenant General B G Horrocks (30 British Corps, Attached Canadian Army), Lieutenant General G C Simonds (2 Corps), Major General D C Spry (3rd Infantry Division), and Major General A B Mathews (2 Division).
«Son también siete reyes: cinco han caído, uno es, y el otro no ha llegado aún. Y cuando llegue, habrá de durar poco tiempo. Y la Bestia, que era y ya no es, hace el octavo, pero es uno de los siete; y camina hacia su destrucción. Los diez cuernos que has visto son diez reyes que no han recibido aún el reino; pero recibirán con la Bestia la potestad real, sólo por una hora. Están todos de acuerdo en entregar a la Bestia el poder y la potestad que ellos tienen. Estos harán la guerra al Cordero, pero el Cordero, como es Señor de Señores y Rey de Reyes, los vencerá en unión con los suyos, los llamados y elegidos y fieles». (Apocalipsis, 17.10).
A gene gun is used for delivery of exogenous DNA to cells. This method is known as 'biolistics'. Gene guns can be used effectively on most cells but are mainly used on plant cells. Step 1 The gene gun apparatus is ready to fire. Step 2 Helium fills the chamber and pressure builds against the rupture disk. Step 3 The pressure eventually reaches the point where the rupture disk breaks, and the resulting burst of helium propels the DNA/gold-coated macrocarrier ('Plastic Disk') into the stopping screen. Step 4 When the macrocarrier hits the stopping screen, the DNA-coated gold particles are propelled through the screen and into the target cells.
1822: Theatre. The managers have the pleasure, respectfully, of informing the public, that they have made arrangements with Mr. Barrett, to perform for the remainder of the season. ... This evening--Monday--September 30th, will be presented, a celebrated comedy, in 5 acts, called the West Indian. Written by Richard Cumberland, Esq. ... After which will be exhibited, the much admired, patriotic, grand transparency; delineating the important events in the military and civil life of the immortal Washington. ... To which will be added, the favorite new farce, written by T. Morton, Esq. called A Rowland [sic] for an Oliver. ... Printed in Boston.
Theatre. The managers have the pleasure, respectfully, of informing the public, that they have made arrangements with Mr. Barrett, to perform for the remainder of the season. ... This evening--Monday--September 30th, will be presented, a celebrated comedy, in 5 acts, called the West Indian. Written by Richard Cumberland, Esq. ... After which will be exhibited, the much admired, patriotic, grand transparency; delineating the important events in the military and civil life of the immortal Washington. ... To which will be added, the favorite new farce, written by T. Morton, Esq. called A Rowland [sic] for an Oliver. ... Printed in Boston.
A page (leaf 12 recto) from Beethoven's manuscript. Catholic monks developed the first forms of modern Western musical notation in order to standardize liturgy throughout the worldwide church,[3] and an enormous body of religious music has been composed for it through the ages. This led directly to the emergence and development of European classical music, and its many derivatives. The Baroque style, which encompassed music, art, and architecture, was particularly encouraged by the post-Reformation Catholic Church as such forms offered a means of religious expression that was stirring and emotional, intended to stimulate religious fervor.[4]
Page 12 (right) of Ludwig van Beethoven's original Ninth Symphony manuscript.
Силы, действующие на тело, находящееся на поверхности Земли. Чертёж относится к рассмотрению сил, действующих на тело, в двух различных системах отсчёта. Первая — инерциальная система отсчёта, вторая — неинерциальная система отсчёта, связанная с вращающейся Землёй. В первом случае на тело действуют сила гравитационного притяжения и реакция опоры. Их сумма (зелёный вектор) играет роль центростремительной силы и заставляет тело вращаться вместе с Землёй. Во втором случае действует дополнительная сила — переносная сила инерции (синий вектор), в результате действие всех сил уравновешивается, и тело в этой системе отсчёта ускорения не испытывает.
Illustration of the midpoint method assuming that 
  
    
      
        
          y
          
            n
          
        
      
    
    {\displaystyle y_{n}}
  
 equals the exact value 
  
    
      
        y
        (
        
          t
          
            n
          
        
        )
        .
      
    
    {\displaystyle y(t_{n}).}
  
 The midpoint method computes 
  
    
      
        
          y
          
            n
            +
            1
          
        
      
    
    {\displaystyle y_{n+1}}
  
 so that the red chord is approximately parallel to the tangent line at the midpoint (the green line).
Illustration of Midpoint method
Lermineralers laggitterformede krystalstruktur, her for 3-lags lermineralet illit. De blå iltatomer (O) sidder i spidserne af tetraedre, og strukturen består af en lagenhed opbygget af to tetraederlag, som omslutter et lag af oktaedre. Nederst ses det øverste tetraederlag i næste lagenhed. Det gule kalium-atom (K) sidder løst bundet i mellemrummet mellem to lagenheder. I dette mellemrum kan kationer foruden vandmolekyler bevæge sig forholdsvis frit ud og ind, og i visse tilfælde bevirke, at afstanden mellem lagenhederne øges eller mindskes, som det ses ved svellende lere, som udvider sig i vådt vejr og trækker sig sammen i tørt vejr.[56][57]
Fernando VII como protector de las ciencias, las artes y la técnica, friso de la entrada oeste del Museo del Prado, del escultor Ramón Barba, 1829-1831.[1]​ El edificio había sido planificado en el siglo anterior para alojar un "Gabinete de Ciencias", como parte del ambicioso proyecto del Salón del Prado (Hospital de San Carlos, Observatorio del Buen Retiro, Jardín Botánico, Platerías Martínez). Fernando VII, además de transformar el uso previsto del edificio para alojar las colecciones reales de pintura y escultura en un museo público, tomó algunas paradójicas decisiones educativas: cerró las universidades y abrió la escuela de tauromaquia.
Vapor pressure of n-butane. From formula: 
  
    
      
        
          
            log
            
              10
            
          
          ⁡
          
            P
            
              m
              m
              H
              g
            
          
          =
          6.83029
          −
          
            
              945.90
              
                240.0
                +
                T
              
            
          
        
      
    
    {\displaystyle \scriptstyle \log _{10}P_{mmHg}=6.83029-{\frac {945.90}{240.0+T}}}
  
 obtained from Lange's Handbook of Chemistry, 10th ed.
English: Subject: log plot of vapor pressure of n-butane as a function of temperature. Prepared with: plotting script and Gimp 2.2 Status: Released to public domain.
I gruppi politici al parlamento europeo dal 1979 al 2009.          Cristianodemocratici (CD, EPP (79-92), EPP (92-99), FE, EPP-ED)      Conservatori (C, ED, ECR)      Socialisti, Socialdemocratici e Progressisti (S, SOC, PES, S&D)      Comunisti, Socialisti Democratici e Ecosocialisti (COM, LU, EUL, EUL/NGL)      Liberali e Centristi (L, LD, LDR, ERA, ELDR, ALDE)      Conservatori Nazionali (UDE, EPD, EDA, UFE, UEN)       Ambientalisti (G)      Ambientalisti e Regionalisti (RBW (84-89), RBW (89-94), G/EFA)      Eterogenei (CDI, TGI)      Indipendenti (NI)      Euroscettici (EN, I-EN, EDD, IND/DEM, EFD)      Nazionalisti estremi (ER, DR, ITS)
English: Chart of the results of each European election by their group in Parliament, intended to replace Image:Ep1979-2004.png. In order to allow the chart to be used on all wikis, the chart has no annotations in English. The chart has no exact percentages on it because exact percentages vary dependent on which source you're looking at: the problems inherent in assembling results from multiple member states, who supply results in different languages at different dates, using different methods, means that even reliable sources differ slightly when compared to each other. To get around this problem, the percentages depicted are based on the agreed average on English Wikipedia. The colours follow the convention established on English Wikipedia and are coloured to the following schema:    Conservative/Christian Democrat (CD,EPP (79-92),EPP (92-99),FE,EPP-ED)    Conservatives only (C,ED,ECR)    Social Democrats (S,SOC,PES,S&D)    Communist/Far-Left (COM,LU,EUL,EUL/NGL)    Liberal/Centrist (L,LD,LDR,ERA,ELDR,ALDE)    National Conservatives (UDE,EPD,EDA,UFE,UEN)    Greens only (G)    Green/Regionalist (RBW (84-89),RBW (89-94),G/EFA)    Heterogeneous (CDI,TGI)    Independents (NI)    Eurosceptics (EN,I-EN,EDD,IND/DEM,EFD)    Far-Right Nationalist (ER,DR,ITS) For details on English Wikipedia conventions and the groups, see en:Political groups of the European Parliament.