fschieber/wit-captions huggingface dataset:
1. Сьцяг Вялікабрытаніі Артур Ўэлсьлі Вэлінгтан 
  2. Сьцяг Партугаліі Жоакін Лоба да Сылвэіра 
  3. Сьцяг Партугаліі Антоніё дэ Салданга да Ґама 
  4. Сьцяг Швэцыі Граф Карл Лёвэнгайлм 
  5. Сьцяг Францыі Жан-Луі-Поль-Франсуа Нуалес 
  6. Сьцяг Аўстрыйскай імпэрыі Клемэнс Вэнцэль фон Мэтэрніх 
  7. Сьцяг Францыі Андрэ Дзюпін 
  8. Сьцяг Расейскай імпэрыі Князь Карл Робэрт Нэсэльродэ 
  9. Сьцяг Партугаліі Пэдра дэ Саўса Гольстайн, граф Палмэлы 
10.	Сьцяг Вялікабрытаніі Робэрт Сьцюарт Каслры 
11.	Сьцяг Францыі Эмэрых Ёзаф Дальбэрг 
12.	Сьцяг Аўстрыйскай імпэрыі Барон Ёган фон Вэсэнбэрґ 
13.	Сьцяг Расейскай імпэрыі Прынц Андрэй Кірылавіч Разумоўскі 
14.	Сьцяг Вялікабрытаніі Чарлз Вэйн Ландандэры 
15.	Сьцяг Гішпаніі Пэдра Ґомэс Лабрадор 
16.	Сьцяг Вялікабрытаніі Рычард ле Пуэр Трэнч Кланкарці 
17.	Вакэн (пратакаліст) 
18.	Фрыдрых фон Ґанц (сакратар кангрэсу) 
19.	Сьцяг Аўстрыі Барон Вільгельм фон Гумбальдт 
20.	Сьцяг Вялікабрытаніі Ўільям Шоў Кэткарт 
21.	Сьцяг Аўстрыі Прныц Карл Аўгуст фон Гардэнбэрґ 
22.	Сьцяг Францыі Шарль Марыс дэ Талейран-Пэрыґор 
23.	Сьцяг Расейскай імпэрыі Князь Ґюстаф Эрнст фон Стакльбэрґ 
24.	Сьцяг Аўстрыйскай імпэрыі Аўстрыйскі імпэратар Франц I (верагодна) 
25.	Сьцяг Аўстрыйскай імпэрыі Вэнцэль Антон фон Каўніц
English: Isabay's picture of Vienna Congress with my own descriptive numbers 1.Duke of Wellington (UK) 2.Joaquim Lobo da Silveira (Portugal) 3.Antonio Saldanha da Gama (Portugal) 4.Count Löwenhielm (Sweden) 5.Jean de Noailles (France) 6.Prince von Metternich (Austria) 7.Dupin the Elder (France) 8.Count Nesselrode (Russia) 9.Duke de Palmela (Portugal) 10.Viscount Castlereagh (UK) 11.Duke of Dalberg (France) 12.Ignaz Heinrich von Wessenberg (Confederation of the Rhine) 13.Andreas Razumovsky (Russia) 14.Charles Stewart, 3rd Marquess of Londonderry (UK) 15.Pedro Gomez Labrador, Marquis of Labrador (Spain) 16.Richard Le Poer Trench, 2nd Earl of Clancarty (UK) 17.Wacken (Recorder) 18.Friedrich von Gentz (Congress Secretary) 19.Baron Friedrich Wilhelm Christian Karl Ferdinand von Humboldt (Prussia) 20.William Schaw Cathcart, 1st Earl Cathcart (UK) 21.Prince Karl August von Hardenberg 22.Talleyrand (France) 23.Count Gustav Ernst von Stackelberg (Russia) 24.probably Francis II, Holy Roman Emperor 25.Count Wenzel Anton Kaunitz
Überlagerung des Kreises 
  
    
      
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La pianta del rivellino Alekseevskij tracciata da Pëtr S. Polivanov (1859-1902), narodovolec e poi socialista-rivoluzionario recluso nella prigione dall'ottobre del 1882 fino alla sua chiusura, quando fu trasferito allo Šlissel'burg.
 Nel triangolo centrale compare il giardino (sad), con il disegno stilizzato di due aiuole, due panchine e un tiglio. Alla sua base, il piccolo corridoio (malnyj korridor) su cui si affacciano le celle dal № 1 al № 5. Tra le celle № 3 e № 4, sono situate la porta d'ingresso e la camera della sentinella. Di fianco alla cella № 1 c'è la «tana di Erode» (logovo Irada), cioè l'appartamento di Matvej Sokolov. Al fianco della cella № 5, l'armeria adibita ai bagni, sorta di saune con lavaggio a getto di vapore, per i prigionieri del piccolo corridoio. Le celle dal № 6 al № 19 sfociano sul grande corridoio (Bol'šoj korridor). Nella più ampia cella № 13, sono posizionati i bagni per i prigionieri di questo corridoio. Alle spalle delle celle dal № 6 al № 19, c'è il cortile (dvor), e infine, lungo la linea perimetrale, a sinistra, sono collocate l'armeria (cejchgauz) e la cucina (kuchnja), a destra, sorge lo stanzone delle guardie (pomeščenie komandy), e al vertice, i bagni per il personale. Cfr. La didascalia originale
Italiano: Pianta del rivellino Alekseevskij
Animation showing the principle of an ultrasonic scanner used in medical ultrasonic imaging. It consists of a beamforming oscillator (TX) that produces an electronic signal consisting of pulses of sine waves oscillating at an ultrasonic frequency, which is applied to an array of ultrasonic transducers (T) in contact with the skin surface that convert the electric signal into ultrasonic waves traveling through the tissue. The timing of the pulses emitted by each transducer is controlled by programmable delay units (φ) that are controlled by a microprocessor control system (C). The moving red lines are the wavefronts of the ultrasonic waves from each transducer. The wavefronts are spherical, but they combine (superpose) to form plane waves, creating a beam of sound traveling in a specific direction. Since the pulse from each transducer is progressively delayed going up the line, each transducer emits its pulse after the one below it. This results in a beam of sound waves emitted at an angle (θ) to the array. By changing the pulse delays, the computer can scan the beam of ultrasound in a raster pattern across the tissue. Echoes reflected by different density tissue, received by the transducers, build up an image of the underlying structures.
English: Animated diagram showing how an ultrasound imaging array works. It consists of a beamforming oscillator (TX) that produces an electric signal consisting of pulses of sine waves oscillating at an ultrasonic frequency, which is applied to an array of transducers (T) in contact with the skin surface that convert the electric signal into ultrasonic waves traveling through the tissue. The timing of the pulses emitted by each transducer is controlled by programmable delay units (φ) that are controlled by a micropricessor control system (C). The moving red lines are the wavefronts of the ultrasonic waves emitted by each transducer. The wavefronts are spherical, but they combine superpose to form plane waves, creating a beam of sound traveling in a specific direction. Since the pulse from each transducer is progressively delayed going up the line, each transducer emits its pulse after the one below it. This results in a beam of sound waves emitted at an angle to the array. By changing the pulse delays, the computer can scan the beam of ultrasound in a raster pattern across the tissue. The echoes reflected by different density tissue, received by the transducers, build up an image of the underlying structures.
L'empereur Henri IV agenouillé devant Mathilde de Toscane en présence du Pape Grégoire VII qui l'a excommunié, miniature du XIIe siècle. L'expression « aller à Canossa » désigne depuis le fait d'aller s'humilier devant son ennemi. Elle ferait référence à un événement historique se rapportant à la querelle des investitures, querelle qui opposa les empereurs germaniques (puis les rois de France) à la papauté dans la désignation des évêques. En 1076, l'empereur d'Allemagne Henri IV ayant fait destituer le pape Grégoire VII dans un concile d'évêques qu'il avait nommé, le pape excommunia l'empereur, déliant ainsi ses sujets de tout serment d'obéissance. Les pourparlers ayant échoué, l'empereur se résolut à aller voir le pape lui-même. Il apprit ainsi que le pape était en villégiature chez la comtesse Mathilde de Toscane à Canossa. Franchissant les Alpes en plein hiver, il arriva aux pieds de la ville de Canossa le 25 janvier 1077. L'apprenant, le pape fit fermer les portes de la ville. La légende veut qu’Henri IV, sa femme et ses enfants, en chemise de bure, durent attendre, les pieds dans la neige, que le pape change d'avis, ce qu'il fit le 28 janvier. Le recevant, le pape ne pouvait faire moins que de lever l'excommunication de l'empereur.
9 – Obwód twerski (kotlet pożarski)[167], zob. mapa  Istnieje legenda, że pojawienie się popularności kotleta z faszerowanej piersi kury (we Francji, w Polsce i innych krajach), jest związane z wizytą Mikołaja I w jednym z miast dzisiejszego obwodu twerskiego, mieście Torżok. Car zachwycił się smakiem potrawy z kury, podanej w pewnej małej karczmie. Zdarzenie opisał markiz Astolphe de Custine, który przebywał w Rosji w roku 1839. Dotychczas są spotykane różne wyjaśnienia nazwy kotleta: „pożarski”, „à la Pożarski”, „Pożarskiego”. Istnieją opinie, że nazwisko Pożarski nosił kucharz lub rosyjski bojar-smakosz, Dymitr Pożarski. Bywa też wspominane nazwisko Pomiana Pożarskiego, lekarza polskiego pochodzenia, który po swoim wyjeździe z Rosji założył w Paryżu restaurację serwującą tak samo przyrządzane kotlety. Według innych autorów związek z Francją ma inny charakter – przepis ma pochodzić od ubogiego Francuza, który mieszkał w oberży bezpośrednio przed wizytą cara – nie mogąc uregulować rachunku za gościnę przekazał właścicielce francuski przepis, gwarantujący dobre zyski (o francuskich kotletach pisał Aleksander Puszkin).
Mimo wielu niejasności nie jest podważany związek historii kotleta pożarskiego z obwodem twerskim i miastem Torżok[189].
English: A traditional Russian chicken dish named «Pozharskaya kotleta» with mashed potatoes and a mushroom sauceРусский: Пожарская котлета с картофельным пюре и грибным соусом
Planta de la Santa Capilla de Nuestra Señora del Pilar de Zaragoza, según proyecto de Ventura Rodríguez, dibujado por José Ramírez de Arellano y grabado en 1766 por Braulio González. Epígrafe: «Explicación»
Nº 1, 2, 3 y 4. Los cuatro machones de la fábrica de la iglesia, entre cuyo espacio se halla la Santa Capilla.
5. Santa Columna donde está la Santísima Imagen de Nuestra Señora.
6. Sitio donde está la imagen de Santiago y sus Convertidos, que corresponde y hace simetría con el de Nuestra Señora.
7. Mesa de Altar en el medio, sobre la cual está representada la venida de Nuestra Señora a este sitio, que con el grupo de Santiago y sus Convertidos al lado nº 6 y con la Santísima Imagen al lado nº 5 queda figurada la historia de la Tradición.
8. Rejado que divide el sitio reservado de la Tradición del restante de la Capilla destinado al pueblo.
9. Sacristía donde se reúnen los prebendados.
10. Otra Sacristía para salir los sacerdotes al altar del medio del nº 7.
11. Escaleras para subir a lo exterior de la Capilla.
12. Tres entradas principales de la Santa Capilla.
13. Seis entradas angostas de la Santa Capilla por los intercolumnios.
14. Escaleras para bajar al Panteón.
15. Ventanas de la media naranja.
16. Tragaluces de los cascarones.
Español: Planta de la Santa Capilla de Nuestra Señora del Pilar. Grabado de 1766. Inscripción: «Planta de la Santa Capilla de Nuestra Señora del Pilar de Zaragoza Explicación Nº 1, 2, 3 y 4. Los cuatro machones de la fábrica de la iglesia, entre cuyo espacio se halla la Santa Capilla. 5. Santa Columna donde está la Santísima Imagen de Nuestra Señora. 6. Sitio donde está la imagen de Santiago y sus Convertidos, que corresponde y hace simetría con el de Nuestra Señora. 7. Mesa de Altar en el medio, sobre la cual está representada la venida de Nuestra Señora a este sitio, que con el grupo de Santiago y sus Convertidos al lado nº 6 y con la Santísima Imagen al lado nº 5 queda figurada la historia de la Tradición. 8. Rejado que divide el sitio reservado de la Tradición del restante de la Capilla destinado al pueblo. 9. Sacristía donde se reúnen los prebendados. 10. Otra Sacristía para salir los sacerdotes al altar del medio del nº 7. 11. Escaleras para subir a lo exterior de la Capilla. 12. Tres entradas principales de la Santa Capilla. 13. Seis entradas angostas de la Santa Capilla por los intercolumnios. 14. Escaleras para bajar al Panteón. 15. Ventanas de la media naranja. 16. Tragaluces de los cascarones.» Pie: [Escala] Palmos de Aragon Ventura Rodríguez. inv'[entó], José Ramírez de Arellano. del'[ineó] Braulio González. exe'[cutó] año 1766
Durant toute la vie cellulaire, notre patrimoine génétique (l'acide désoxyribonucléique ou ADN) est soumis à des agressions. Dans la majeure partie des cas, ces modifications de l'ADN passent inaperçues car des mécanismes réparateurs corrigent ces défauts. Pourtant, dans de rares cas, une mutation peut atteindre et modifier la structure d'un gène spécifiant un facteur qui règle le contrôle de la multiplication cellulaire (oncogène ou gène suppresseur de tumeur). Dans ce cas, la cellule peut acquérir un avantage sélectif qui lui permettra de donner naissance à un premier clone de cellules anormales (lésion précancéreuse). Dans ces cellules qui ont un avantage sélectif, la probabilité qu'une seconde mutation apparaisse et soit sélectionnée est plus importante. Dans ce cas, une seconde population sera générée, plus anormale que la première et qui va se développer à ses dépens. On peut ainsi, par diverses étapes successives, accumuler plusieurs mutations, chacune d'entre elles permettant la sélection d'un clone de plus en plus malin pour finir par une cellule hautement cancéreuse. La progression tumorale correspond donc à un processus dynamique qui, à chaque étape, sélectionne une nouvelle cellule ayant subi une ou plusieurs altérations.
cancer multistep
Vasos sanguíneos propios del corazón sobre las superficies esternocostal y diaframática: Arterias:
ACD/AMD = arteria coronaria derecha (=rama marginal derecha), RRAA-ACD = ramas atriales de la arteria coronaria derecha, RNSA-ACD = rama del nódulo sinoauricular de la arteria coronaria derecha, RMD-ACD = rama marginal derecha de la arteria coronaria derecha, ACI = arteria coronaria izquierda, RC-ACI = rama circunfleja de la arteria coronaria izquierda, RIA-ACI/ADAI = rama interventricular anterior de la arteria coronaria izquierda (=arteria descendente anterior izquierda), RLIA-ACI/DIAG = rama lateral interventricular anterior de la arteria coronaria izquierda (=rama diagonal de la arteria interventricular anterior), RMI-RC-ACI = rama marginal izquierda de la rama circunfleja de la arteria coronaria izquierda, RIP-ACD/ADP = rama interventricular posterior de la arteria coronaria derecha (=arteria descendente posterior), RNAV-ACD = rama del nodo atrioventricular de la arteria coronaria derecha
Venas:
VCm = vena cardíaca menor, VVAA-VD = venas anteriores del ventrículo derecho, VCM/VIA = vena cardíaca magna (=vena interventricular anterior), VCMe = vena cardíaca media, SC = seno coronario, VCI = vena cava inferior, VCS=vena cava superior
11 mai : La République au Zénith de sa puissance. Liberté Dorée. L'élection du Roi de 1573, par Jan Matejko. La diète de Varsovie inaugure la monarchie élective en Pologne (la Rzeczpospolita) : Jan Zamoyski de Jelita contribue à l’élection d’Henri de Valois, au détriment de l’empereur Maximilien II de Habsbourg et de Fédor, fils du tsar Ivan le Terrible. Selon les « articles henriciens », obtenus par une délégation de la noblesse à Paris, le roi a des pouvoirs limités par la diète et le sénat (obligation de convoquer la diète six semaines tous les deux ans et à ne pas lever les troupes et augmenter les impôts sans son accord). Parmi ces conditions figure la reconnaissance de la tolérance d’État envers tous les groupes religieux (catholiques, luthériens, calvinistes, antitrinitariens). L’Église catholique perd sa prééminence. La République des Deux Nations est alors deux fois plus peuplée que la France et son territoire, qui s’étend de l’Oder jusqu’au-delà du Dniepr et des Carpates jusqu’au golfe de Rīga, est deux fois plus grand que celui de la France actuelle. C’est un des pays les plus tolérants de l’Europe où les Juifs trouvent refuge et un grand foyer intellectuel, dont Nicolas Copernic est l’un des plus brillants représentants.
Secession Exploded: "This strongly anti-Confederate satire is a fantastical vision of the Union defeat of the secessionist movement. A hideous monster representing secession emerges from the water at left. He is hit by a charge from a mammoth cannon 'Death to Traitors!' operated by Uncle Sam (right). A two-faced figure representing Baltimore, whose allegiance to the Union was at least questionable during the war, pulls at Uncle Sam's coattails. The explosion sends several small demons, representing the secessionist states, hurling through the air. Prominent among them is South Carolina, in a coffin at upper right. Tennessee and Kentucky, two Southern states internally divided over the secession question, are represented by two-headed creatures. Virginia, though part of the Confederacy, is also shown divided – probably an acknowledgment of the Appalachian and eastern regions' alignment with the Union. Among the demons is a small figure of Tennessee senator and 1860 presidential candidate John Bell, with a bell-shaped body. In the foreground is a large American flag on which Winfield Scott, commander of the Union forces, and a bald eagle rest. William Wiswell, Library of Congress Reproduction Number Reproduction Number: LC-USZ62-89738
English: This strongly anti-Confederate satire is a fantastical vision of the Union defeat of the secessionist movement. A hideous monster representing secession emerges from the water at left. He is hit by a charge from a mammoth cannon "Death to Traitors!" operated by Uncle Sam (right). A two-faced figure representing Baltimore, whose allegiance to the Union was at least questionable during the war, pulls at Uncle Sam's coattails. The explosion sends several small demons, representing the secessionist states, hurling through the air. Prominent among them is South Carolina, in a coffin at upper right. Tennessee and Kentucky, two Southern states internally divided over the secession question, are represented by two-headed creatures. Virginia, though part of the Confederacy, is also shown divided--probably an acknowledgment of the Appalachian and eastern regions' alignment with the Union. Among the demons is a small figure of Tennessee senator and 1860 presidential candidate John Bell, with a bell-shaped body. In the foreground is a large American flag on which Winfield Scott, commander of the Union forces, and a bald eagle rest. Despite the imprinted copyright date, the print, according to the inscription on the Library's impression, seems to have been registered for copyright on June 14 but not deposited until July 10, 1861.
Havainnollistus ristiseiskan pelaamisesta: 

 1. Se pelaaja, jolla on ristiseiska aloittaa pelin laittamalla kortin pöytään.  

 2. Seuraavat pelaajat voivat laittaa toisten maiden seiskoja ja vain seiskoja eikä missään tapauksessa kutosia.  

 3. Seiskan yläpuolelle voidaan laittaa kahdeksan vasta, kun saman maan kuutonen on laitettu ensin. Kuutosen päälle ei voi laittaa vitosta ennen kuin pöydässä on saman maan kahdeksikko. 

 4. Kun pöydässä on seiskan alla sekä kasi että kutonen, voi pelaajat laittaa numerojärjestyksessä kortteja kutosen ja kasin alle. Kuutosen päälle tulee seuraavaksi viitonen ja kahdeksikon päälle yhdeksikkö. 

 5. Kortit pelataan numerojärjestyksessä: kasin päälle tulee ysi, sitten 10, sitten jätkä ja lopuksi kuningatar. 

 6. Ässä kaataa alemman pinon. Pelaaja voi halutessaan jatkaa vuoroansa laittamalla toisen kortin pöytään. 

 7. Kuningas kaataa ylemmän pinon. Pelaaja voi jatkaa peliä ja laittaa toisen kortin halutessaan. Tässä pelissä pelaaja voisi ensin kaataa kuninkaalla hertan ylemmän kasan, sitten jatkaa laittamalla hertta ässän ja kaataa alemman kasan. Lopuksi pelaaja voisi laittaa esimerkiksi ristikuutosen tai patanelosen ja näin ollen pelaaja olisi päässyt kolmesta kortista eroon vuoronsa aikana.
English: Illustration on how card game Ristiseiska is played. Demonstrated game situation. 1. Player who has seven of the clubs in their hand, starts the game by placing the card on board. 2. Next players may either place another seven if they have it (e.g. seven of hearts) or card number 6 beneath the 7, if corresponding 7 has been placed on table. 3. Only after 6 has been placed under 7, corresponding 8 may be placed on top of 7. Before 8 has been placed on board, 5 may not be played on top of 6. 4. After both 6 and 8 have been placed on board, players may start placing larger and smaller cards from their hands (e.g. 5 or 9). 5. Cards are placed in number order first 8, then 9, then 10, continuing with jack and queen. 6. After 2 is placed on top of lower pile, it will be turned over. Player may continue and place another card if they wish. 7. King will turn the upper pile over. The player may choose to continue playing if they want, and place another card on table. In this simulated game situation, the player could first place 2 of hearts on top 3 of hearts, then continue by placing king of hearts and continue their turn and place third card, say 4 of spades. Therefore player would have got rid of three cards from his hand in a single turn.
1. Satellitenbildkarte der Erde (Hybrid aus Satellitenbild und physischer Karte der Landflächen) 
  2. solare Einstrahlung, vereinfacht (rot = stark, weiß = gering) 
 3. Beleuchtungsklimazonen (Wendekreise und Polarkreise als Grenzen) 
  4. Klimazonen (genetisch) 
  5. Klimazonen, effektiv (nach Köppen/Geiger) 
  6. Vegetationszonen 
  7. Vegetationszonen, vereinfacht 
  8. FAO-Ökozonen 
  9. Zonobiome (nach Walter und Breckle) 
 10. Ökozonen (nach Schultz) 
 11. abschließend erneut Satellitenbildkarte
 
Die Auswahl der für ein Geozonen-Modell verwendeten Daten und Parameter (wie Sonneneinstrahlung, Temperatur, Niederschlag, Pflanzendecke, Böden, Tierwelt u.v. a.) sind je nach Autor und Zweck unterschiedlich. Während die Vegetationszonenmodelle aus sehr vielen Zonen bestehen, kommt beispielsweise das Ökozonenmodell (Schultz) mit nur neun Zonen aus. So sind auch die Grenzen zwischen den Zonen sehr unterschiedlich gewählt. Zudem kommt es zwangsläufig zu Abweichungen, da die Übergänge in der Realität fließend sind und jeder Autor demnach seine eigene Festlegung vornehmen muss.
(Anmerkung: Die in der Animation verwendeten Karten Vegetationszonen, FAO Ecozones, Zonobiome und Ökozonen sind auch als statische Wikipedia-Karten vorhanden.)
Deutsch: Geozonen-Animation Kartographie Eckert VI-Projektion (nahezu flächentreu, realistische Größenverhältnisse, relativ wenig verzerrt), erstellt mit geo.dianacht.de (Lizenz CC-BY) Datengrundlagen: aufbauend auf bestehenden Wikimedia-Karten Klimazonen und Ökozonen: → File:Oekozonen.png effektive Klimaklassifikation: Klimakarte nach Köppen/Geiger auf "klimadiagramme.de" Vegetationszonen (detailliert und vereinfacht): → Wikimedia File:Vegetationszonen.png Zonobiome: → Wikimedia File:Zonobiome.png weitere Quellen modifiziertes Satellitenbild: Reliefkarten von "Natural Earth" und Satellitenbilder aus dem "Blue Marble"-Projekt der NASA (beides public domain)