fschieber/wit-captions huggingface dataset:
Bastille Baskını (Fransız gravür); 14 Temmuz 1789'da Paris'te şehirliler Les Invalides'a girip 30.000 tüfeği gasp ettiler. Ancak mermileri bulamadıkları için Bastille'den almayı planlayarak oraya doğru ilerledi. Yaşanan çatışma sonucunda isyancılardan 98'i öldü ve 73'ü yaralandı. Bastille garnizonundan 1'i öldü ve 3 yaralandı. Teslim olan Bastille komutanı de Launay ve diğerlerin de başları kesildi. Üst yazı: Başlarını Fransız Muhafızlarının çektiği Paris şehirlileri tarafından Bastille'nın basılması, 14 Temmuz 1789, Alt yazı: "Hainler böyle cezalandırılır
Français : Eau-forte gravé à la main en 1789 représentant la prise de la Bastille. Première légende PRISE DE LA BASTILLE Par les Citoyens de Paris ayant à leurs têtes Mrs les Gardes Françoises, le 14 Juillet 1789. Cette Forteresse fut commencée en 1369 sous le regne de Charles V. Hugues Aubriot Prevot de Paris en posa la 1ere Pierre elle ne fut entierement achevée qu'en 1382. Il était natif de Dijon. Il y fut un des premiers renfermés sous prétexte d'hérésie. Il fut délivré par les Parisiens pendant les troubles qui agitoit la Capitale, et se sauva dans sa patrie. Deuxième légende C'est ainsi que l'on Punit les Traitres. English: A 1789 French hand tinted etching that depicts the storming of the Bastille during the French Revolution English translation: First caption Storming of the Bastille:: The citizens of Paris led by the Gardes Françaises on the 14th of July 1789. Building of this fortification started in 1369 during the reign of Charles V. Hugues Aubriot, a native of Dijon and Provost of Paris, laid the first stone. Construction was completed in 1382. Aubriot was born in Dijon. He became one of the first prisoners of the Bastille, imprisoned under the pretext of heresy. He was liberated by the Parisians during the troubles that stirred the capital, and escaped to his motherland. Second caption This is how we punish traitors. Türkçe: Bastille Baskını: 14 Temmuz 1789'da Paris'te şehirliler Les Invalides'a girip 30.000 tüfeği gaspettiler. Ancak mermileri bulamadıkları için Bastille'den almayı planlayarak oraya doğru ilerledi. Yaşanan çatışma sonucunda isyancılardan 98'i öldü ve 73'ü yaralandı. Bastille garnizonundan 1'i öldü ve 3 yaralandı. Teslim olan Bastille komutanı de Launay ve diğerlerin başları kesildi: üstteki yazı: Başlarını Fransız Muhafızlarının çektiği Paris şehirlileri tarafından Bastille'nın basılması, 14 Temmuz 1789, aşağıdaki: "Hainler böyle cezalandırılır."
Taylor House, at the meeting of Myddleton Street and Garnault Place, EC1
  Access to the Family Records Centre was from Myddleton Street, to the right of the picture.  The building also housed a magistrates' court, accessed from Rosebery Avenue to the left of the picture.  
As of 2010 the building was being refurbished by property developers Derwent London; the lower ground floor had been pre-let to nearby City University for twenty years at £1.2m per year.[1] The second floor now has twenty courtrooms where Immigration and Asylum Tribunal cases are heard.
English: Family Record Centre, Myddelton Street The FRC houses the Registrar General's indexes to birth, marriage and death certificates on the ground floor and the National Archives copies of census returns from 1841 to 1901 on the first floor. This arrangement, convenient for genealogists, is scheduled to close partly because many of the records and indexes are becoming available on the internet. View from the end of Exmouth Market.
Nacido hacia 1485 en Medellín, Extremadura, Hernán Cortés llegó a México como aventurero dirigiendo la expedición enviada por Velázquez de Cuellar, su cuñado. Considerado por los aztecas como su dios Quetzalcóatl, el conquistador fue sancionado por Pánfilo de Narváez, a quien derrotó en Veracruz. Fundador del Virreinato de Nueva España, tuvo un hijo con La Malinche, su intérprete indígena, Martín Cortés, quien años más tarde se levantaría contra la Corona. Murió el 2 de diciembre de 1547, en la pobreza tras haber sido acusado de conspiración contra el rey.
Español: Esta obra es un retrato anónimo del célebre conquistador español Hernán Cortés (1485-1547), basado en el cuadro enviado por el propio retratado a Paulo Giovio, en el que aparecía de perfil y con sombrero, sirviendo dicha obra de modelo para muchas representaciones de su busto desde el siglo XVI en adelante.
Vorwärts (rechts) und rückwärts emittierte Myonen (links). 
  
    
      
        
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 ist der Impuls des Myons im Ruhesystem des Pions. 
  
    
      
        
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    {\displaystyle p_{\mu },p_{\pi }}
  
 beziehen sich auf das Laborsystem.
Deutsch: Pionenzerfall im Flug: Zerfallskanalmyonen
Ritratto di un pitagorico, forse Pitagora stesso, ma tradizionalmente identificato con Archita di Taranto (copia romana dalla Villa dei Papiri ad Ercolano). Archita, filosofo e stratega della città di Taras, fu il destinatario delle lettere IX e XII. Stando alla Lettera VII, il pitagorico tarantino fu in rapporti con Platone e con Dionisio il Giovane. Intercedette presso quest'ultimo in favore di Platone, in occasione del terzo e ultimo viaggio. Insieme a Filolao, Archita è una figura importante per comprendere il rapporto tra platonismo e pitagorismo.[67]
English: Ancient Libraries Exhibition (Colosseum, 2014). So-called "Archytas" bust. Found in the Villa of the Papyri in Herculaneum, and is now in the Museo Archeologico in Naples (inv. nr. 5607). The identification with Archytas was derived from the comparison of this bust with the head on a coin, afterwards discovered to be false. The Naples National Archaeological Museum currently identifies this bust as Pythagoras, and says [1] : "The bust, interpreted as Pythagoras, by virtue of the testimony of Aelian (Varia Historia, xii, 32), that the philosopher was usually oriental dress and use a taenia wrapped around the head, similar to the typical headgear still worn in the North Africa and the near and Middle East. ... In addition, strong similarities are found with some replicas in marble representing the philosopher, ... The bust, with rounded shapes and contours, can be considered stylistically a Roman copy from the end of the first century BC, of a Greek original, according to some of the early Hellenistic period, according to others the late Hellenistic period."
The dipole-dipole interactions between the acetone molecules partially guide the organization of the crystal lattice structure.[24] (a) A dipole-dipole interaction between acetone molecules stacked on top of one another. (b) A dipole-dipole interaction between acetone molecules in front and bock of each other in the same plane. (c) A dipole-dipole interaction between acetone molecules flipped in direction, but adjacent to each other in the same plane. (d) Demonstration of how quadrupole-quadrupole interactions are involved in the crystal lattice structure.
English: This image shows the intermolecular interactions and packing in three dimensions of acetone as a solid.
Тэндэнцыйная этнаграфічная карта Віленскай губерні (у кнізе «Материалы для географии и статистики России, собранные офицерами Генерального штаба. Виленская губерния»), зробленая афіцэрам Генеральнага штаба Расійскай імперыі А. Коравам, 1861 г. Мяжа паміж літоўскім (балтамоўным) і нелітоўскім насельніцтвам была праведзена на падставе канфесійнай прыкметы: каталіцкае насельніцтва было аўтаматычна аднесена да «літоўцаў», а праваслаўнае насельніцтва было аднесена да славян — «беларусаў», «крывічоў» (славянскага племені з часоў Кіеўскай Русі) і «чарнарусаў»[54]
English: pseudo-Ethnographic map of Vilno governorate of Russian empire - made by an officer A. Koreva - 1861 AD Русский: Тенденциозная этнографическая карта Виленскай губернии (в книге «Материалы для географии и статистики России, собранные офицерами Генерального штаба. Виленская губерния»), сделанная офицером Генерального штаба Российской империи А. Корево, 1861 г. Беларуская: Тэндэнцыйная этнаграфічная карта Віленскай губерні (у кнізе «Материалы для географии и статистики России, собранные офицерами Генерального штаба. Виленская губерния»), зробленая афіцэрам Генеральнага штаба Расійскай імперыі А. Коравам, 1861 г.
Ricostruzione di ammoniti serpenticone e longidome (Dactylioceras) in posizione di vita con l'apertura correttamente rivolta in avanti, non verso l'alto come negli attuali nautiloidi e in altre ammoniti con la camera d'abitazione breve. L'ornamentazione a spirale è basata su esemplari di ammoniti (non dello stesso genere) ritrovati con la pigmentazione originale conservata. Gli aptici in questa ricostruzione (piuttosto datata) sono interpretati come opercoli e piazzati sulla parte superiore del capo, come un omologo del "cappuccio" degli attuali nautiloidi
English: Reconstruction of ammonoids Italiano: Ricostruzione di ammoniti
Spikerverket slik det framsto rundt hundreårsjubileet i 1953, ved inngangen til verkets storhetstid. Øverst i bildet Nordmarka med Maridalsvannet til høyre. Fra vannet renner Akerselva ned gjennom Nydalen og industriområdet midt i bildet, der Spikerverket fyller hele dalbunnen med råstoffavdelingen (1), stålverket (2) og finvalseverket (3). Lenger sør trådtrekkeriets nye haller (4) og Bakke Mølle (5). Administrasjonsbygget (6) hadde ennå ikke blitt bygget i høyden. Helt nederst i bildet Bjørsheim (7) Foto: Vilhelm Skapell, Widerøes Flyselskap, Oslo byarkiv
Norsk bokmål: Spikerverket slik det framsto rundt hundreårsjubileet i 1953, ved inngangen til verkets storhetstid. Øverst i bildet Nordmarka med Maridalsvannet til høyre. Fra vannet renner Akerselva ned gjennom Nydalen og industriområdet midt i bildet, der Spikerverket fyller hele dalebunnen med råstoffavdelingen (1), stålverket (2) og finvalseverket (3). Lenger sør trdtrekkeriets nye haller (4) og Bakke Mølle (5). Administrasjonsbygget (6) hadde ennå ikke blitt bygget i høyden. Helt nederst i bildet Bjørheim (7). Foto: Vilhelm Skapell, Widerøes Flyselskap.
A família real de Nápoles e Sicília, em 1783, Angelica Kauffmann; (L-R) a princesa Maria Teresa, o futuro rei, o príncipe Fernando, o rei D. Fernando; a rainha Maria Carolina, segurando a princesa Maria Teresa Cristina (Maria Cristina Amélia, irmã gêmea); o príncipe Januário (morreu em 1789); a princesa a Maria Amalia nos braços da princesa Luísa; o sétimo filho do casal real foi morto durante a fase de preparação para a pintura. O artista, em seguida, pintou um véu sobre a criança no berço, que tinha sido claramente visível no modelo. Museu de Capodimonte
Chart 1: Reproduction of the classic IMF diagram of the full "Double Irish with a Dutch Sandwich" BEPS tool:
From the corporation:CORP (X) creates the software.CORP (X) sells IP to BER1 (H).BER1 (H) revalues IP higher.BER1 (H) licenses IP to IRL2 (A).IRL2 (A) licenses IP to DUT1 (S).DUT1 licenses IP to IRL1 (B).IRL1 sells software to customer.
From the customer:Customer pays $100 to IRL1 (B).IRL1 pays $100 to DUT1 (S) as royalty.DUT1 pays $100 to IRL2 (A) as royalty.IRL2 pays $100 to BER1 (H) as royalty.BER1 accumulates the cash.BER1 can lend cash to CORP.
English: My recreation of the "classic" diagram of the Double Irish arrangement BEPS tool (with the Dutch Sandwich included), as used by the IMF, BIS, and OECD in various presentations; used the same colours etc. so that it is faithful to the original diagrams
Siva y su entorno Pintura del siglo XIX (112 x 123 cm); acuarela y oro sobre algodón; muestra al dios Shiva (de piel blanca) sentado en su ropa habitual sobre su toro Nandi, acompañado por dos diosas (una roja y otra verde, ambas sentadas sobre leones); es saludado por sus dos hijos, Ganesh (con cabeza de elefante) y Skanda (de piel roja, a la derecha); todos se encuentran sobre el monte Kailasa (muy estilizado) y el río Ganges se derrama sobre la cabeza de Shiva y baja por la montaña; secuestrado de Nepal, actualmente en el Museo de Bellas Artes (Boston).
Siva and his Retinue Nepal 112 x 123.2 cm (44 1/8 x 48 1/2 in.) Watercolor and gold on cotton Type, sub-type: Watercolors The white-skinned Hindu god Shiva sits in his usual attire on his bull Nandi, accompanied by two goddesses -- one with red skin, the other with green skin -- both seated on lions. He is greeted by his sons, the elephant-headed Ganesh on the left and the red-skinned Skanda on the right. They are on the stylized rocks of Mt. Kailasa, and the river Ganga pours from Shiva's head and down the mountain.
El pintor Francisco de Goya, poco amigo de la moda como un instrumento ridículo, comentaba el contenido de su Capricho número 55 con estas palabras: "Las mujeres locas lo serán hasta la muerte" (y así figura al pie del dibujo). Y añadía: "...Esta es cierta Duquesa (refiriéndose al parecer a la de Osuna) que se llenaba la cabeza de moños y carambas, y por mal que le caigan no le faltaban guitones de los que vienen a atrapar a las criadas, que aseguran a S. Excelentísima que está diviiiina". Así se recoge en un manuscrito de la Biblioteca Nacional de España.
English: Spain, 1799 Alternate Title: Hasta la muerte Portfolio: Los Caprichos, plate 55 Prints; etchings Etching, burnished aquatint and dryoint Paul Rodman Mabury Trust Fund (63.11.55) Prints and Drawings
Para describir la historia del Universo, el modelo del Calendario Cósmico planteado por Carl Sagan, toma al Big Bang como punto de partida, situando su origen aproximado en unos 13 800 millones años, y que la historia del Universo toma una escala de tiempo equivalente a un año terrestre, como lo fue popularizado por Carl Sagan. De acuerdo a lo anterior, en esta escala el Big Bang tiene lugar el 1 de enero a la medianoche, la hora actual es el 31 de diciembre en la medianoche, y la vida humana más larga es un abrir y cerrar de ojos (sobre 1/4to de segundo).
English: The 13.8 billion year lifetime of the universe mapped onto a single year. At this scale the Big Bang takes place at the instant of midnight going into January 1, and the current time is the end of December 31 at midnight, and the longest human life is about 1/4th of a second, a blink of an eye.[1] The scale was popularized by Carl Sagan in his book The Dragons of Eden and on the television series Cosmos, which he hosted.
Beispiele von Doppelverhältnissen (
  
    
      
        
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    {\displaystyle \lambda _{S}=(A,B;S),\ \lambda _{T}=(A,B;T)}
  
 sind die zugehörigen Teilverhältnisse).

Das 3. Beispiel zeigt 4 harmonisch liegende Punkte, siehe harmonische Teilung.
"Dedicated by the emperor Caesar, son of the divine Marcus Antoninus Pius, brother of the divine Commodus, grandson of the divine Antoninus Pius, great-grandson of the divine Hadrian, great-great-grandson of the divine Trajan, conqueror of Parthia, great-great-great-grandson of the divine Nerva, Lucius Septimius Severus Pius Pertinax Augustus Arabicus Adiabenicus, father of his country, Pontifex Maximus, holding the tribunician power for the fourth year, in the eighth year of his imperium, consul for the second time; and Marcus Aurelius Antoninus Caesar"
English: Dedicatory inscription by Septimius Severus and Caracalla. Marble slab with (lost) bronze letters. Theatre, Ostia Antica. Français : Dédicace de Septime Sévère et Caracalla. Plaque en marbre, lettres en bronze (disparues). Théâtre, Ostia Antica, Latium, Italie. Español: Inscripción de mármol con letras de bronce (desaparecidas) dedicada a Septimio Severo y Caracalla en 196 en el teatro de Ostia Antica.
Número del 20-21 de marzo de 1981 del Wieczór Wrocławia (El Vespertino de Breslavia). Luego que el censor del gobierno sacara artículos de la primera página ("derecha", "¿Que sucedió en Bydgoszcz?") y de la última página ("izquierda", "Alerta de huelga en todo el país"), se dejaron espacios en blanco dejando solo sus títulos. Los impresores —miembros del sindicato Solidaridad— habían decidido hacer circular el periódico con los espacios en blanco intactos. Al pie de la primera página de su copia maestra lleva la confirmación escrita a mano de tal decisión.
Miniatura de la biblia moralizada de «Dios como el arquitecto del mundo», folio I verso, París h. 1220–1230. Tinta, témpera, y pan de oro sobre vitela 1' 1½" × 8¼".  Osterreichische Nationalbibliothek, Viena 2554. Dios forma el universo con la ayuda de un compás. Dentro del círculo perfecto ya creado están el sol y la luna, esféricos, y la materia informe que se convertirá en la Tierra una vez que Dios aplique los mismos principios geométricos.[1]​ Una vista de la Tierra influida por la antigua geometría griega y los iconos de la Iglesia ortodoxa oriental.
English: Science, and particularly geometry and astronomy/astrology, was linked directly to the divine for most medieval scholars. The compass in this 13th century manuscript is a symbol of God's act of Creation. God has created the universe after geometric and harmonic principles, to seek these principles was therefore to seek and worship God. Euskara: Zientziak (eta bereziki geometria eta astronomia / astrologia), jainkoekin lotura zuzena zuen Erdi Aroko jakintsu gehienentzat. XIII. mendeko eskuizkribu honetan konpasa Jainkoaren Sorkuntzako egintzaren sinboloa da. Jainkoak unibertsoa printzipio geometriko eta harmonikoen bidez sortu zuen, printzipio horiek aztertzea Jainkoa aztertzea eta gurtzea zen. Català: En l'Antiguitat i l'Edat mitjana, l'astronomia i la geometria estaven connectades amb els conceptes de la divinitat. El compàs, en aquest manuscrit del segle XIII és un símbol de l'acte de la creació de Déu
ჰაფმენის ხე გენერირებული ინგლისური ფრაზიდან „this is an example of a huffman tree“ (ქართ. „ეს არის ჰაფმენის ხის მაგალითი“) სიმბოლოების განმეორების ზუსტ სიხშირეებზე დაყრდნობით. ყოველი სიმბოლოს შესაბამისი სიხშირე და კოდი მოცემულია ცხრილში ქვემოთ. წინადადების ამგვარი კოდირება საჭიროებს 195 (ან 147) ბიტს, განსხვავებით 288-ისა (ან 180-ისა) 36 8-ბიტიანი (ან 5-ბიტიანი) სიმბოლოს გამოყენების შემთხვევაში. (ეს ყველაფერი იმ დაშვებაზე დაყრდნობით, რომ კოდის ხის სტრუქტურა ცნობილია დეკოდერისთვის და, შესაბამისად, მისი გადაცემულ ინფორმაციაში შეტანის საჭიროება არ არსებობა.)
Imagem não original do Divino Pai Eterno vendida em lojas Católicas.                    Descrição da Imagem Original do Divino Pai Eterno Escultura em madeira feita pelo Artista Plástico Veiga Valle de Pirenópolis GO que é uma Cópia da Figura do Sagrado Medalhão de Barro encontrado por Constantino Xavier Maria por volta de 1840:   A Imagem Escultura em Madeira representa a Santíssima Trindade (Um Só Deus em Três Pessoas Distintas) Deus Pai, Deus Filho Jesus Cristo e Deus Espírito Santo coroando Nossa Senhora (Maria Santíssima).  Fotografia: Diovani Mangia
Português: Imagem do Divino Pai Eterno. Pai, Filho, Espírito Santo e Maria Santíssima
Right to food around the world (as of 2011-2012).[1][2][3]
   Adopted or drafting a framework law (19).   Constitutional, explicit as a right (23).   Constitutional, implicit in broader rights or as directive principle (41).   Direct applicability via international treaties (103).   Committed by ratifying the International Covenant on Economic, Social and Cultural Rights (160).   No known right to food. Note: The same country can fall in multiple categories; the colour given to a country corresponds to the highest listed category in which a country falls.
The CPU Philippine Center for Packaging Engineering (PC-PET) finished in 2012 aligned with the first Philippine International Packiging Engineering convention, the Global Pack 2012, is the first of its kind in the South East Asian Region. The center is a combination of the College of Engineering's Packaging Engineering department and the facilities of the Packaging Testing Laboratory and the Packaging Technology Resource Center (PTRC). It is backed by the Philippine Department of Science and Technology and the Packaging Institute of the Philippines.[4][5]
English: Central Philippine University - Philippine Center for Packaging Engineering & Technology (CPU-PCPET)
באיור לעיל מתוארות דיאגרמות יבלונסקי עבור שני מצבים שונים. בחלקו העליון של האיור מוצגת דיאגרמת יבלוסקי של פלורופור חופשי- כתוצאה מגורם עירור E, שני מנגנונים מפזרים אנרגיה בקצבי דעיכה שונים- קצב דעיכת אנרגיה קרינתית (מסומן בחץ ירוק) וקצב דעיכת אנרגיה שאינה קרינתית (מסומן בחץ אדום). בחלקו התחתון של האיור מוצגת דיאגרמת יבלונסקי של פלורופור בסביבת מתכת, או במקרה של חלקיק מתכת- דיאגרמת יבלונסקי של פלסמופור. ניתן לראות כי בהשפעת המתכת קיים גורם עירור נוסף Em ולצידו שני גורמי דעיכה: תוספת Γm לקצב דעיכת האנרגיה הקרינתית ותוספת km לקצב דעיכת האנרגיה שאינה קרינתית.
עברית: דיאגרמת יבלונסקי עבור פלסמופור
Bovenstaande grafiek toont het evolutionair verloop van sterren van verschillende massa. 
• De oranje lijn van 0,6 M☉ toont de rode reuzentak en eindigt bij de helium flits. 
• De gele lijn van 1 M☉ toont een korte doch langdurige subreuzentak en de rode reuzentak tot de heliumflits.
• De groene lijn van 2 M☉ toont een subreuzentak en een rode reuzentak, met een nauwelijks zichtbare blauwe lus naar de asymptotische reuzentak.
• De lila lijn van 5 M☉ laat een lange maar kortdurende subreuzentak zien, een korte rode reuzentak, en een uitgebreide blauwe lus.
English: Stellar evolutionary tracks on an HR diagram with text along the Zero Age Main Sequence
U.S. Navy Douglas SBD-3 Dauntless dive bombers of scouting squadron VS-6 en route to attack the Japanese seaplane base at Rekata Bay, Santa Isabel Island, August–September 1942. VS-6 operated from the aircraft carrier USS Enterprise (CV-6) in the Solomons until she had to return to Pearl Harbor, Hawaii (USA), after the Battle of the Eastern Solomons on 24–25 August 1942. VS-6 (and VB-6 crews) under CO Turner Cladwell then operated for another month from Henderson Field, Guadalcanal, known as "Flight 300" (from the Enterprise flight schedule on 24 August).
U.S. Navy Douglas SBD-3 Dauntless dive bombers of scouting squadron VS-6 en route to attack the Japanese seaplane base at Rekata Bay, Santa Isabel Island, August-September 1942. VS-6 operated from the aircraft carrier USS Enterprise (CV-6) in the Solomons until she had to return to Pearl Harbor, Hawaii (USA), after the Battle of the Eastern Solomons on 24-25 August 1942. VS-6 (and VB-6 crews) under CO Turner Cladwell then operated for another month from Henderson Field, Guadalcanal, known as "Flight 300" (from the Enterprise flight schedule on 24 August).
Da sinistra: Da Silva, Cesarino Fissore, Pedroni ed Enrico Reposi in piazza della Libertà - Alessandria. Festeggiamenti della partita giocata a Milano, sul Campo di San Siro il 23 giugno 1957. Spareggio per il 2º posto tra i “Grigi” dell'Alessandria e il Brescia, conclusosi per 2 - 1 in favore dell'Alessandria con reti di Tinazzi e Castaldo (quest'ultima rete nei tempi supplementari). Rete del momentaneo pareggio di Nova per il Brescia. I Grigi, in serata, sono stati ricevuti dal Sindaco, in Comune, con una piazza della Libertà gremita di folla osannante.
Den første siden av Peterborough-elementet av Den angelsaksiske krønike, skrevet rundt 1150 og inneholder detaljer om hendelsene i borgerkrigen. Peterborough-krøniken inneholder en øyenvitneskildring fra borgerkrigen og de lidelser den førte med seg. Ifølge denne krøniken var Stefan en «softe and gode» mann som «no iustice didde», og «Crist and alle his sayntes slept». Dette og «mare thanne we cunnen sæin, we tholeden xix wintre for ure sinnes», hvilket betyr at «Kristus og alle helgnene sov» og «mer enn hva vi kan si, vi led i 19 vintre for våre synder».
The initial page of the Peterborough Chronicle, marked secondarily by the librarian of the Laud collection. The manuscript is an autograph of the monastic scribes of Peterborough. The opening sections were likely scribed around 1150. The section displayed is prior to the First Continuation.