fschieber/wit-captions huggingface dataset:
Zusammenhang und gegenseitiger Verweis von Signifikat (le signifié) und Signifikant (le signifiant) im Gebrauch eines Zeichens nach Saussure.
Der linksseitige Pfeil symbolisiert die Verwendung, in der eine Lautfolge als bezeichnend für eine mentale Vorstellung steht, wodurch also ein Ausdruck als der Signifikant zur Bezeichnung eines Begriffs werden kann (siehe Onomasiologie). Der rechtsseitige Pfeil zeigt dagegen die Richtung einer Verwendung, mit der eine mentale Vorstellung als bezeichnet durch eine Lautfolge aufgefasst wird, wodurch also ein Begriffsinhalt als das Signifikat zur Bedeutung eines Ausdrucks werden kann (siehe Semasiologie).[1]
Signifikat und Signifikant nach de:Ferdinand de Saussure
Bandiera croata utilizzata ufficialmente dal HOS: è esattamente identica al vessillo nazionale dello Stato Libero di Croazia usato dal 1941 al 1945, salvo che nella lunghezza (la versione originale del 1941 ha un rapporto base x altezza di 2,5:1). L'emblema al centro è quello storico croato, con il primo scacco in alto a sinistra bianco: l'opposto del nuovo emblema nazionale adottato da Franjo Tudjman nel 1990, che vi aggiunse anche una corona con le insegne delle regioni croate. Tale emblema venne rifiutato dai nazionalisti croati che lo consideravano di fantasia e quello tradizionale, qui riprodotto, era considerato il "vero" vessillo croato.
This fascinating hand coloured 1814 map by Edinburgh cartographer John Thomson depicts northern India and Nepal. Bounded on the west by Persia and the Indus valley, on the north by Tibet, on the south by Berar, and on the east by Assam and Bhutan. Much of the upper portion of this map includes a detailed inset of the Kingdom of Nepal or Nepaul. This area is depicted in impressive detail considering that, when this map was printed very few western travellers had ever been to Nepal. Includes roads, mountain passes and the residences of important Lamas. Extends fully into the Tibetan plateau as far as Te Shoo Loomboo and the Road to Lhasa (Lassa).
English: This fascinating hand colored 1814 map by Edinburgh cartographer John Thomson depicts northern India and Nepal. Bounded on the east by Persia and the Indus valley, on the North by Tibet, on the south by Berar, and on the east by Assam and Bhutan. Much of the upper portion of this map includes a detailed inset of the Kingdom of Nepal or Nepaul. This area is depicted in impressive detail considering that, when this map was printed very few western travelers had ever been to Nepal. Includes roads, mountain passes and the residences of important Lamas. Extends fully into the Tibetan plateau as far as Te Shoo Loomboo and the Road to Lhasa (Lassa). The right hand corner of this map contains an inset of Kabul or Cabul.
Методы изготовления микроигл. (а) Микролитье (micromolding): предварительно изготовленные молды могут быть заполнены полимерами путем горячего литья, литья под давлением или solvent-casting методом; (b) Полимерная литография; (с) Низкотемпературное выращивание микроигл из капель полимера; (d) Модификация выращивания микроигл из капель, циклическим погружением в раствор и удалением растворителя; (e) Электроформовка микроигл на основе пироэлектрического эффекта диэлектрического кристалла (танталат лития, LiTaO3); (f) FDM — печать биоразлагаемых полимерных микроигл с последующей постобработкой для уменьшения размера и заострения кончиков микроигл.
Русский: Методы изготовления микроигл. (а) Микролитье (micromolding): предварительно изготовленные молды могут быть заполнены полимерами путем горячего литья, литья под давлением или solvent-casting методом (b) Полимерная литография (с) Низкотемпературное выращивание микроигл из капель полимера. (d) Модификация выращивания микроигл из капель, циклическим погружением в раствор и удалением растворителя (e) Электроформовка микроигл на основе пироэлектрического эффекта диэлектрического кристалла (танталат лития, LiTaO3), (f) FDM – печать биоразлагаемых полимерных микроигл с последующей постобработкой для уменьшения размера и заострения кончиков микроигл.
The reliquary shrine of the Mainz saints is located in the eastern crypt of Mainz cathedral. On the occacion of the recovery of the cathedral and the 25th bishop anniversary of Albert Stohr a reliquary as goldwork was donated depicting the 22 saints particularly venerated in the diocese of Mainz. As material gold-plated silver decorated with jewels had been chosen. Depicted are martyrs and bishops, priests, scholars and soldiers, confessors, virgins and widows, as listed left. The focus is on the diocese Saint St. Martin; the canonization of Hildegard von Bingen was anticipated. The shrine had been crafted by the Mainz goldsmith Richard Walker.
Deutsch: Reliquienschrein (1960) für die Mainzer Heiligen in der Ostkrypta des Mainzer Doms. Anlässlich der Wiederherstellung des Domes und des silbernen Bischofsjubiläums von Albert Stohr wurde ein ein als Goldschmiedearbeit hergestelltes Reliquiar gestiftet, das die Reliquien von 22 im Bistum Mainz verehrten Heiligen enthält. Das Bildprogramm stellt die im Diözesankalender besonders verehrten Mainzer Heiligen dar. Als Material wurde vergoldetes Silber, geschmückt mit Edelsteinen gewählt. Dargestellt sind Märtyrer und Bischöfe, Priester, Gelehrte und Soldaten, Bekenner, Jungfrauen und Witwen. Im Mittelpunkt steht der Bistumsheilige St. Martin; die Heiligsprechung der Hildegard von Bingen wurde antizipiert. Der Schrein wurde von dem Mainzer Goldschmied Richard Weiland angefertigt. English: The reliquary shrine of the Mainz saints is located in the eastern crypt of Mainz cathedral. On the occacion of the recovery of the cathedral and the 25th bishop anniversary of Albert Stohr a reliquary as goldwork was donated depicting the 22 saints particularly venerated in the diocese of Mainz. As material gold-plated silver decorated with jewels had been chosen. Depicted are martyrs and bishops, priests, scholars and soldiers, confessors, virgins and widows. The focus is on the diocese Saint St. Martin; the canonization of Hildegard von Bingen was anticipated. The shrine had been crafted in 1960 by the Mainz goldsmith Richard Weiland. Français : La châsse des Saints de Mayence est un reliquaire conservé dans la dans le crypte de la cathédrale de Mayence. Il fut réalisé en 1960 par l'orfèvre mayençaise Richard Weiland á l'occasion de la restauration de la cathédrale et du jubilé argent de l'évêque Albert Stohr. Le programme picture représente le 22 Saint de Mayence, particulièrement vénéré dans le calendrier diocésain. Le matériau était en argent plaqué or, orné de pierres précieuses.
Ager cultus, principium culturae: "Qui studium agricolationi dederit, antiquissima sciat haec sibi advocanda: prudentiam rei, facultatem impendendi, voluntatem agendi. Nam is demum cultissimum rus habebit . . . qui et colere sciet et poterit et volet. Neque enim scire aut velle cuiquam satis fuerit sine sumptibus, quos exigunt opera; nec rursus faciendi aut impendendi voluntas profuerit sine arte, quia caput est in omni negotio nosse quid agendum sit, maximeque in agri cultura, in qua voluntas facultasque citra scientiam saepe magnam dominis adferunt iacturam, cum imprudenter facta opera frustrantur impensas" (Columella, De re rustica 1.1.1–2).
English: A field of ripening barley, the Palouse, USA Deutsch: Gerstenfeld während der Abreifephase in der Palouse, USA
Японские исследователи Такахаси и Яманака разработали систему отбора факторов плюрипотентности, использующую фибробласты, содержащие кассету устойчивости к антибиотику неомицину с промотором гена Fbx15, который активен в раннем эмбрионе, но не экспрессируется в фибробластах[105] Для индукции перепрограммирования, авторы заражали тестирующие фибробласты ретровирусными векторами, каждый из которых нес уникальную кольцевую ДНК, кодирующую ген молекулы кандидата в факторы перепрограммирования. Если ядерное перепрограммирование произошло, то эти фибробласты должны синтезировать β-галактозидазу и стать устойчивыми к высоким концентрациям неомицина[2]
English: The system of pluripotency factors selection by the method of Takahashi and Yamanaka
Benedykt Kraskowski (on the left) with Jews from the ghetto: Mojsze Lichtenbojm (second from the left), Dzili Kajdenbaum (standing, fourth from the left), Jankel Brodacz (standing, sixth from the left), Icchak Kaner (standing, seventh from the left), Josef Edelsztajn (standing in the long row, ninth from the left), Szimszon Esztman (standing in the long row, second from the right), Mojsze Kajdenbaum (standing in the long row, on the right), Zilia Gutenberg and Hirsz Szulman (the pair of youths at the upper right -- left and right respectively), Cuker (on the right), Aszer Kajdenbaum (second from the right), and Jehoszua Kajdenbaum (lower left).
Polski: Benedykt Kraskowski (z lewej) z grupą Żydów z getta: Mojsze Lichtenbojm (drugi z lewej), Dzili Kajdenbaum (stojący, czwarty z lewej), Jankel Brodacz (stojący, szósty z lewej), Icchak Kaner (stojący, siódmy z lewej), Josef Edelsztajn (stojący w długim rzędzie, dziewiąty siódmy z lewej), Szimszon Esztman (stojący w długim rzędzie, drugi z prawej), Mojsze Kajdenbaum (stojący w długim rzędzie, z prawej), (para młodych ludzi w prawym górnym rogu) Zilia Gutenberg (z lewej )i Hirsz Szulman (z prawej), Cuker (z prawej), Aszer Kajdenbaum (drugi z prawej), i Jehoszua Kajdenbaum (na dole po lewej).
Blazon


Quarterly: 1st & 4th: Per pale argent and sable a chevron between a writing pen fessways in chief, and a crescent in base, all counterchanged, a bordure per pale gules and or (Alexander of Ballochmyle) 2nd, per bend azure and argent in chief a star of sixteen points or and in base another star of as many points of the first, on a bend sable, a lion passant of the second between two crosses moline of the third (for Hagart of Bantaskine); 3rd: Gules two straight swords in saltire, points downards proper hilted and pommelled or between two fleurs-de-lys in chief and a base of the second and two mullets in the flanks argent (for McCaul)[1]
Hình 2: Sơ đồ chọn lọc mềm các đột biến trung tính lại trở nên có lợi và tăng tần số trong quần thể.  1) Giả sử một quần thể có 6 chuỗi ADN (mỗi chuỗi tượng trưng là một đường thẳng), ở mỗi chuỗi có các đột biến trung tính (tượng trưng là vòng tròn nhỏ).  2) Vì môi trường thay đổi, một số đột biến ban đầu nào đó (màu đen) trở thành có lợi (màu đỏ). Các đột biến này tuy cùng loại nhưng lại ở các chuỗi ADN ít nhiều khác nhau.  3) Đột biến này là có lợi nên tăng tần số trong quần thể, và các chuỗi ADN mang chúng cũng tăng tần số theo.  4) Các đột biến có lợi được lan rộng và cố định trong quần thể cùng với một số đột biến còn lại không bị loại bỏ.
English: This is a cartoon drawing of a soft selective sweep from standing genetic variation. It shows the different steps (a neutral mutation becomes beneficial, increases in frequency and fixes in a population) and the effect on nearby genetic variation.
El oeste del Atlántico Norte muestra las ubicaciones de dos experimentos que emplearon la tomografía acústica del océano. AMODE, el "Experimento de Dinámica Medioambiental Acústica" (1990-1), fue diseñado para estudiar la dinámica oceánica en un área alejada de la corriente del Golfo, y SYNOP (1988-9) fue diseñado para medir sinópticamente aspectos de la corriente del Golfo. Los colores muestran una instantánea de la velocidad del sonido a 300 m de profundidad derivada de un modelo de océano numérico de alta resolución. Una de las principales motivaciones para emplear la tomografía es que las mediciones dan promedios sobre el océano turbulento.
English: The western North Atlantic showing the locations of two experiments employing ocean acoustic tomography. AMODE, the "Acoustic Mid-Ocean Dynamics Experiment" (1991-2), was designed to study ocean dynamics in an area away from the Gulf Stream, and SYNOP (1988-9) was designed to synoptically measure aspects of the Gulf Stream. The colors show a snapshot of sound speed at 300 m depth derived from a high-resolution numerical ocean model. One of the key motivations for employing tomography is that the measurements give averages over the turbulent ocean. Español: El oeste del Atlántico Norte muestra las ubicaciones de dos experimentos que emplearon la tomografía acústica del océano. AMODE, el "Experimento de Dinámica Medioambiental Acústica" (1990-1), fue diseñado para estudiar la dinámica oceánica en un área alejada de la Corriente del Golfo, y SYNOP (1988-9) fue diseñado para medir sinópticamente aspectos de la Corriente del Golfo. Los colores muestran una instantánea de la velocidad del sonido a 300 m de profundidad derivada de un modelo de océano numérico de alta resolución. Una de las principales motivaciones para emplear la tomografía es que las mediciones dan promedios sobre el océano turbulento.
Brooklyn Theatre Floor Plan 2. Published in the New-York Tribune, December 7, 1876. Note: this plan is rotated counter-clockwise 90° with respect to the other floor plan; East on top, west on the bottom. The stairway to the family circle, the third floor gallery, ran eastward from Washington Street, bypassing the main lobby. It turned southward on the second floor, above the ceiling of the lobby and vestibule. It turned eastward again and ascended to the third floor. Its anchorage on the south wall can be seen in the photograph below. It is likely that a fatal crush developed on this stairway which was not noticed by firemen on the lower floor.
English: New York Tribune Thursday, December 07, 1876 Vol. XXXVI No., 11,136 Page 1. This is a detail of the vestibule and lobby showing the arrangement of stairs to the upper galleries. Note that this diagram is rotated counter-clockwise 90 degrees with respect to Plan 1.
Distribution of photon count probability. The distribution of the photon count measurements (thick line) arises as a combination of intensity fluctuations coming from the sample (object movements) and the quantum noise of the intensity measurement. Thin lines illustrate the Poisson distribution of the quantum noise. For demonstrative purposes, the corresponding Poisson distribution for five different X-ray intensities are plotted. These curves were renormalized so that the height was proportional to the probability of the X-ray intensity to which they correspond. The dashed line indicates the probability density function of the X-ray intensity.
English: Distribution of photon count propability. At high photon numbers, the final photon count distribution is following normal distribution. The intensity (attenuation) calculated from these photon counts is following lognormal distribution. The estimation of these distributions is necessary for the calculation of expected attenuation from measured photon counts.
Byzantine fresco of Joshua from the Hosios Loukas monastery, 12th to 13th century. A good view of the construction of the lamellar klivanion. The image also shows the tubular nature of the upper arm defences of the raised arm, that is the defences are not made up of separate strips. Unusually, the Biblical figure (Joshua) is shown wearing headgear; the helmet and its attached neck and throat defences appear to be cloth-covered. It is possible that the figure depicts mail manikellia guards for the forearm (the forearms are not shown in the same green as the hem of the tunic and there is no appearance of folds as would be used to indicate cloth).
Fresco from Hosios Loukas (St. Lucas, greek: Ὅσιος Λουκᾶς) monastery in Boeotia, Greece.
Figure 2: A dive team (Envirotech Diving) with their AquaMap LBL acoustic underwater positioning system including three baseline transponders (B) and diver stations (A) mounted on scooters. The baseline stations are first deployed in the corners of a work site. Their relative position is then precisely measured using the AquaMap system's automatic acoustic self-survey capability. For geo-referenced operations, the baseline positions are surveyed by differential GPS or a laser positioning equipment (total station). During a dive, the diver station interrogates the baseline stations to measure the distances, which are then converted to positions.
English: Dive team (Envirotech Divers) with an AquaMap long-baseline (LBL) acoustic positioning system. The three baseline transponders (B) are deployed prior to a dive and serve as the reference points for navigation. Using a short (2m) anchor line and a weight, they are secured to the seafloor. If repeat surveys need to be done over a period of time to monitor changes, the preferred technique is to establish a 'monument' at each baseline station location and secure the baseline station to that monument each time to minimize positioning variability. A monument may be a block of concrete, a railroad wheel or another heavy object. It may also be a distinctive natural feature such as a boulder. The divers navigate and record position using a terminal (A) similar to a GPS receiver. The terminal receives positioning data (baseline station distance and depth measurements) either from an integrated acoustic transponder, such as in the DS-1 station shown here, or from an external transponder.
Peinture représentant Adi Shankara en train d'enseigner. Entre 20 et 23 ans, Guénon rencontra un maître hindou de l’Advaïta védanta dans la formulation d'Adi Shankara. Les commentateurs considèrent que cette rencontre transforma complètement sa personnalité et lui apporta toutes ses certitudes : possibilité d'une connaissance supra-rationnelle (spirituelle), unité des traditions dont le message fut formulé dès le début de l'humanité (la Sanâtana Dharma de l'hindouisme), le non-dualisme d'Adi Shankara comme l'expression la plus pure de la « vérité », etc. Dès ses premiers articles à 23 ans, toutes ses idées apparaissent comme déjà cristallisées.
English: Adi Shankara with disciples.മലയാളം: ശങ്കരാചാര്യരും ശിഷ്യന്മാരും.
Figura 2. Representación esquemática de los espectros de absorción y fluorescencia correspondientes al diagrama de energía en la Figura 1. La simetría es debida a la forma igual de los pozos de potencial de los estados basal y excitado. Las líneas estrechas usualmente pueden ser observadas únicamente en los espectros de gases diluidos. Las curvas más oscuras representan el ensanchamiento no homogéneo de las mismas transiciones como ocurren en líquidos y sólidos. Las transiciones electrónicas entre los niveles vibracionales más bajos de los estados electrónicos (la transición 0-0) tienen la misma energía tanto de absorción como de fluorescencia.
Depiction of absorption and fluorescence progression due to changes in vibrational levels during electronic transition
En el pla 2D, agafi's un punt fixe a una distància 
  
    
      
        ν
      
    
    {\displaystyle \nu }
  
 de l'origen. Generi's una distribució bidimensional de punts centrats al voltant d'aquest primer punt, en què els valors de les coordenades x i y són triats independentment a partir d'una distribució normal amb desviació estàndard 
  
    
      
        σ
      
    
    {\displaystyle \sigma }
  
 (la regió blava). Si 
  
    
      
        R
      
    
    {\displaystyle R}
  
 és la distància d'aquests punts a l'origen, llavors 
  
    
      
        R
      
    
    {\displaystyle R}
  
 segueix una distribució de Rice.
Estudio del pintor, 1888, óleo sobre lienzo, 81 x 115 cm, Madrid, Museo del Prado, en depósito en el Ministerio de Educación y Formación Profesional. La leve anécdota de la escena del fondo, en la que León y Escosura se retrata ante el caballete pintando a un modelo vestido a la moda del siglo XVII, actúa como excusa para mostrar el estudio del artista en París, con sus paredes repletas de cuadros, de entre los que destacan en primer término una copia del San Jorge y el dragón de Rafael y, a la izquierda, la llamada Familia del Greco de la Real Academia de Bellas Artes de San Fernando, que en su momento estuvo considerado obra del cretense.[2]​
Español: Estudio del pintor, 1888, óleo sobre lienzo, 81 x 115 cm, Madrid, Museo del Prado, en depósito en el Ministerio de Educación y Formación Profesional.
La page ci-contre représente Mictlantecuhtli, le dieu de la mort qui règne sur le Mictlan, cet enfer souterrain et froid qui attend ceux qui ne sont pas morts en héros. Il a la bouche éternellement ouverte et affamée. Les taches rondes et orangées symbolisent des lambeaux de peau sur les os. Comble de l´horreur, il porte une main humaine en guise de boucle d´oreilles. À l´opposé se trouve Quetzalcoatl, le dieu serpent à plumes créateur de l´humanité, reconnaissable à sa barbe blonde et sa bouche en forme de bec de canard. Il est aussi Ehécatl, le dieu du vent. Chez les Aztèques, les dieux de la vie et de la mort sont des jumeaux indisociables.
Français : Photographie du Codex Borgia, page 56. Cette page représente Mictlantecuhtli, le dieu de la mort qui règne sur le Mictlan, cet enfer souterrain et froid qui attend ceux qui ne sont pas morts en héros. Il a la bouche éternellement ouverte et affamée. Les taches rondes et orangées symbolisent des lambeaux de peau sur les os. Comble de l´horreur, il porte une main humaine en guise de boucle d´oreilles. À l´opposé se trouve Quetzalcoatl, le dieu serpent à plumes créateur de l´humanité, reconnaissable à sa barbe blonde et sa bouche en forme de bec de canard. Il est aussi Ehécatl, le dieu du vent. Chez les Aztèques, les dieux de la vie et de la mort sont des jumeaux indisociables.
Jeden z rysunków Rube’a Goldberga przedstawiający profesora Lucifera Buttsa korzystającego z serwetki
 Podczas podnoszenia łyżeczki (A) naciąga się linka (B), która ciągnie za trzonek łyżki (C), która podrzuca w powietrze krakersa (D), który w locie łapie papuga (E), co przechyla żerdkę (F) i sprawia, że nasiona (G) wysypują się do wiaderka (H), które pod wpływem dodatkowego obciążenia ciągnie w dół linkę (I), co otwiera i zapala zapalniczkę (J), która powoduje zapłon rakiety (K); ta wzlatując z sierpem (L) przecina sznurek (M), co uwalnia wahadło zegara, które zaczyna kołysać się w tę i we w tę, tym samym wycierając serwetką profesorowi brodę
English: One of Rube Goldberg's inventions
Blick nach Osten in das Leinetal von der Aussichtsplattform des Schlosses Marienburg auf dem Bergfried. Im Vordergrund blickt man auf den bewaldeten Marienberg mit dem Schulenburger Forst, davor auf die Dächer der Burgkapelle und der Marienburg. Im Hintergrund sieht man von links nach rechts den bewaldeten Calenberg mit dem winzigen Ort Lauenstadt, den Fluss Leine, Sarstedt (im Hintergrund), Giften, Barnten, Rössinger Kiesteiche, Rössing, Abraumhalde Wetterberg bei Giesen (im Hintergrund), Zuckerfabrik Nordstemmen, Nordstemmen (angeschnitten), dahinter die Senke von Hildesheim („Im Potte“ genannt) und der Beginn des Bergzuges Hildesheimer Wald
Deutsch: Blick von der Aussichtsplattform des Schlosses Marienburg auf dem Bergfried nach Osten in das Leinetal. Im Vordergrund blickt man auf den bewaldeten Marienberg mit dem Schulenburger Forst, davor auf die Dächer der Burgkapelle und der Marienburg. Im Hintergrund sieht man von links nach rechts den bewaldeten Calenberg, davor den winzigen Ort Lauenstadt, Fluss Leine, Sarstedt (im Hintergrund), Giften, Barnten, Rössinger Kiesteiche, Rössing, Abraumhalde Wetterberg bei Giesen (im Hintergrund), Zuckerfabrik Nordstemmen, Nordstemmen (angeschnitten), dahinter die Senke von Hildesheim ("Im Potte" genannt) und der Beginn des Bergzuges Hildesheimer Wald in Niedersachsen, Deutschland. Die Vergrößerung des Bildes wird empfohlen. English: View by the Marienburg Castle onto river Leine, hill Calenberg, Calenberg Castle (not visible), Lauenstadt, Sarstedt (in the background), Giften, Barnten, Nordstemmen in Lower Saxony, Germany.
Twin paradox employing a rocket following an acceleration profile in terms of coordinate time T and by setting c=1: Phase 1 (a=0.6, T=2); Phase 2 (a=0, T=2); Phase 3-4 (a=-0.6, 2T=4); Phase 5 (a=0, T=2); Phase 6 (a=0.6, T=2). The twins meet at T=12 and τ=9.33. The blue numbers indicate the coordinate time T in the inertial frame of the stay-at-home-twin, the red numbers the proper time τ of the rocket-twin, and "a" is the proper acceleration. The thin red lines represent lines of simultaneity in terms of the different momentary inertial frames of the rocket-twin. The larger red points indicate the times when the acceleration changes direction.