fschieber/wit-captions huggingface dataset:
In mei 1923 werd het Mandaatgebied Palestina bestuurlijk gesplitst en kreeg Transjordanië zelfbestuur. revisionistische zionisten claimden dit volledige gebied als onderdeel van een Joodse staat. Vandaar, dat ze vele decennia na de stichting van de staat Israël weigerden het bestaan van Jordanië te erkennen, en de claim pas in de jaren 90 van de vorige eeuw werd opgegeven.
English: Map of the British Mandate of Palestine and Transjordan. Note: Wasserstein, Bernard (2004). Israel and Palestine: Why They Fight and Can They Stop?, pp. 105–106."Palestine, therefore, was not partitioned in 1921–1922. Transjordan was not excised but, on the contrary, added to the mandatory area. Zionism was barred from seeking to expand there – but the Balfour Declaration had never previously applied to the area east of the Jordan. Why is this important? Because the myth of Palestine's 'first partition' has become part of the concept of 'Greater Israel' and of the ideology of Jabotinsky's Revisionist movement." Deutsch: Britisches Völkerbundsmandat für Palästina und Transjordanien.
Skizze Carnots zu seiner hypothetischen Maschine. Der mittig dargestellte Zylinder kann mit der Wärmequelle links unten oder der Kältequelle rechts unten verbunden werden, was jeweils zur Ausdehnung oder zum Zusammenziehen des Zylinderinhalts führt. Die Bewegung des Kolbens kann dabei als mechanisches Maß für die durch den Wärmefluss verrichtete Arbeit herangezogen werden.
English: Sadi Carnot's pison-and-cylinder diagram from 1824
Przykładowe harmoniki sferyczne dla 
  
    
      
        l
        =
        0
        …
        3
      
    
    {\displaystyle l=0\dots 3}
  
 oraz 
  
    
      
        m
        =
        −
        l
        …
        l
        .
      
    
    {\displaystyle m=-l\dots l.}
  
 Kolor czerwony obrazuje część dodatnią funkcji harmonik, a kolor zielony część ujemną.
Harmoniki sferyczne dla parametrów L=0..3 oraz M=-L..L
Arms of Smith of Totnes, as seen impaled by Wrey on monument to John I Wrey (d. 1597) in Tawstock Church, Devon. Wrey's son John II Wrey was the 3rd husband of Smith's daughter Eleanor Smith: Barry undé of sixteen argent and azure on a chief gules three barnacles or. Pole (d. 1635) gives the arms as: Barry undé of six argent and azure on a chief gules three barnacles or[1]
Arms of Bernard Smith (c.1522-1591) of Totnes, Devon, MP for Totnes in 1558 and mayor of Totnes 1549-50 and c.1565-6. As seen on Monument to John I Wrey (d.1597) in Tawstock Church, Devon. Wrey's son John II Wrey was the 3rd husband of Smith's daughter Eleanor Smith. The arms of Smith of Totnes, as shown in Tawstock Church impaled by Wrey: Barry undé of sixteen argent and azure, on a chief gules three barnacles or. In Pole, Sir William (d.1635), Collections Towards a Description of the County of Devon, London, 1791, p.502, Smith arms blazoned as: Barry undé of six argent and azure on a chief gules three barnacles or.
LANDFIRE (Landscape Fire and Resource Management Planning Tools), is a collaborative program between the U.S. Department of Agriculture and Department of the Interior that provides geospatial data on fire regime characteristics such as vegetation, habitat, carbon sources/sinks, fire, etc. The data is used to help map fire events and look at broad scale fire regime effects.
English: Depicts modeled historic fire regimes in the coterminous United States. The 5 classes are defined as follows: Fire Regime I: 0 to 35 year frequency, low to mixed severity. Fire Regime II: 0 to 35 year frequency, replacement severity. Fire Regime III: 35 to 200 year frequency, low to mixed severity. Fire Regime IV: 35 to 200 year frequency, replacement severity. Fire Regime V: 200+ year frequency, any severity.
Mô tả số siêu phức bộ bốn trong hệ tọa độ bốn chiều, 

  
    
      
        i
        j
        =
        k
      
    
    {\displaystyle ij=k}
  
, 
  
    
      
        j
        i
        =
        −
        k
      
    
    {\displaystyle ji=-k}
  
, 
  
    
      
        i
        j
        =
        −
        j
        i
      
    
    {\displaystyle ij=-ji}
Biểu diễu vector của số siêu phức bộ bốn
Peter Paul Rubens'in Aynadaki Venüs'ü, yaklaşık 1614–15, tanrıçayı geleneksel sarı saçları ile gösterir.[5] Tıpkı Velázquez'in Venüs'ünde olduğu gibi tanrıçanın yüzünün aynadan yansıyan kısmıyla direkt görünen kısmı birbiriyle örtüşmemektedir. Rubens'in olgun ve yuvarlak hatlı olarak idealize ettiği Venüs'üne karşılık Velázquez daha ince ve narin bir kadın figürü çizdi.[6]
Mandíbula inferior de Palaeoloxodon antiquus (Falconer & Cautley 1847) procedente de Almodóvar del Río (Córdoba), incorporada al Gabinete de Historia Natural de la Universidad de Sevilla por Antonio Machado Núñez, y montada por Salvador Calderón y Arana. Fotografías de marzo de 1925, por José Mª González-Nandín y Paúl. (Archivo de la Fototeca de la Universidad de Sevilla).
English: Mandíbula inferior de Palaeoloxodonantiquus (Falconer&Cautley 1847) procedente de Almodóvar del Río (Córdoba), incorporada al Gabinete de Historia Natural de la Universidad de Sevilla por Antonio Machado Núñez, y montada por Salvador Calderón y Arana. Fotografías de Marzo de 1925, por José Mª González-Nandín y Paúl. (Archivo de la Fototeca de la Universidad de Sevilla). Español: Mandíbula inferior de Palaeoloxodonantiquus (Falconer&Cautley 1847) procedente de Almodóvar del Río (Córdoba), incorporada al Gabinete de Historia Natural de la Universidad de Sevilla por Antonio Machado Núñez, y montada por Salvador Calderón y Arana. Fotografías de Marzo de 1925, por José Mª González-Nandín y Paúl. (Archivo de la Fototeca de la Universidad de Sevilla).
Shitao (1642–1707), che era imparentato con la famiglia imperiale Ming, era uno dei tanti artisti e scrittori che si rifiutavano di dare la loro fedeltà ai Qing. Lo storico dell'arte Craig Clunas suggerisce che Shitao abbia usato un poema inciso su questo "Autoritratto in cui sorveglia la piantagione di pini" (1674) per alludere alla restaurazione della dinastia Ming.[187]
English: Master Shi Planting Pines (detail H near 21cm), hand scroll, ens. H 40,3 x L 170cm, light color on paper. Located at the National Palace Museum. 中文: 石濤 自寫種松圖 (部分)- 紙本淺設色 臺灣國立故宮博物院.
Crystal structure of a homologous human malic enzyme highlights key residues involved in substrate binding and catalysis. Site II contains the GLGDLG motif, site V contains the other GXGXXG motif, the highlighted arginine residue interacts with both NADP+ and malate, and the highlighted lysine may possibly be involved in base catalysis. PDB file identity for image is 2aw5.
English: screen shot of PYMOL structure of human malic enzyme under identification PDB ID 2aw5
Melas Chasma in mosaic of THEMIS infrared images, with parts of Ius, Candor and Coprates chasmata visible at the upper left, top and lower right, respectively. Enormous landslide deposits are visible near the junctions of Melas Chasma with each of the neighboring chasmata. Numerous graben ("fossae") and ridges ("dorsa") stretch across the plateau outside the canyons' rims.
English: View of Melas Chasma, with parts of Ius, Candor and Coprates chasmata visible at the upper left, top and lower right, respectively, parts of the enormous Valles Marineris canyon system on Mars. This image was obtained by cropping a massive 23,711 × 11,856 pixel mosaic of NASA images, and adjusting in hue and saturation. The original caption for the mosaic reads in part as follows: This mosaic image of Valles Marineris - colored to resemble the martian surface - comes from the Thermal Emission Imaging System (THEMIS), a visible-light and infrared-sensing camera on NASA's Mars Odyssey orbiter. Mars Odyssey was built by Lockheed Martin and the mission is operated by the Jet Propulsion Laboratory. Built from more than 500 daytime infrared photos, the mosaic shows the whole valley in more detail than any previous composite photo. Despite the valley's huge extent - including its western extension through Noctis Labyrinthus, it reaches some 3,000 kilometers (2,000 miles) long - the smallest details visible in the image are about the size of a football field: 100 meters (328 feet).
Heraldic achievement of Lord Rolle on top of main gates to Bicton House. The escutcheon shows Rolle impaling Trefusis (Argent, a chevron between three spindles sable), the family of his second wife. The sinister  supporter, a greyhound, is that of Trefusis. The motto commences Nec Rege.. ("Not with the King") and therefore dates before 1837, the accession of Queen Victoria
English: Heraldic achievement of Baron Rolle (d.1842) on top of main gates to Bicton House, Exeter, Devon. The escutcheon shows Rolle impaling Trefusis (Argent, a chevron between three spindles sable), the family of his second wife. The sinister (right-hand of viewer) supporter, a greyhound, is that of Trefusis. Latin motto of Rolle: Nec Rege, Nec Populo, Sed Utroque ("Not with the King, not with the People, but on both sides")
Frederik IV's kroning 25. august 1699 i Frederiksborg Slotskirke. Malet af Bendix Grotschilling Junior 15. april 1706. Maleriet måler 29,7 x 81,7 cm i gouache-teknik og er meget detaljeret. Det kom til Rosenborg Slot 1838 fra Frederiksborg Slot (inv.nr. 8-23). Mellem de to tæpper, alter og trone, står foran kongen en dreng af afrikansk herkomst med Den danske Hund, Sultan.
Dansk: Frederik IV’s kroning 25. august 1699 i Frederiksborg Slotskirke. Malet af 15. april år 1706. Maleriet er ikke stort (29,7 x 81,7 cm) men meget detaljeret i gouache-teknik. Kom til Rosenborg Slot i år 1838 fra Frederiksborg Slot (inv.nr. 8-23). Mellem de to tæpper, alter og trone, står foran Kongen en negerdreng med Den danske Hund, der hed Sultan.
Columbia's silent That Certain Thing (1928), made for less than $20,000, ran about 69 minutes. The shine on its star, Viola Dana, had faded since her glory days at Metro-Goldwyn. The film's director was contracted for $1,000; its success earned him a $1,500 bonus. Soon, Frank Capra's association with Columbia would help vault the studio toward Hollywood's major leagues.[1]
English: Description: Low-resolution image of poster for the silent movie That Certain Thing (1928), directed by en:Frank Capra, featuring stars Ralph Graves and Viola Dana.
May 2009- JILA's strontium optical atomic clock is based on neutral atoms. Shining a blue laser onto ultracold strontium atoms in an optical trap tests how efficiently a previous burst of light from a red laser has boosted the atoms to an excited state. Only those atoms that remain in the lower energy state respond to the blue laser, causing the fluorescence seen here.[49]
English: JILA's strontium optical atomic clock is now the world's most accurate clock based on neutral atoms. Shining a blue laser onto ultracold strontium atoms in an optical trap tests how efficiently a previous burst of light from a red laser has boosted the atoms to an excited state. Only those atoms that remain in the lower energy state respond to the blue laser, causing the fluorescence seen here. Credit: Sebastian Blatt, JILA, University of Colorado
التركيب الداخلي: يسقط الفوتون (أحمر) على المهبط الضوئي فيحرر إلكترونا بناء على الظاهرة الكهروضوئية, ويتولى الجهد الكهربي المسلط على القطب الكهربائي المعدني (الداينود) الأول تسريع الإلكترون , فيتعرض لسلسلة من التصادمات والارتدادات على الأقطاب المتتالية تحرر خلالها مجموعات متكاثرة من الإلكترونات (أزرق). بذلك تنشأ إشارة كهربائية عند مخرج الصمام يسهل قياسها ومعاملتها وتسجيلها.
Photomultiplier
Schematische Darstellung der maximalen Gletschervorstöße der drei letzten Kaltzeiten im norddeutschen Tiefland:
‣ rote Linie = Eisrandlage der Weichsel-Kaltzeit;
‣ gelbe Linie = Eisrandlage der Saale-Kaltzeit;
‣ blaue Linie = Eisrandlage der Elster-Kaltzeit.
 Feldsteine können nur in Eiszeitgebieten auftreten, vor allem in den jüngeren, also letzten (gelbe und rote Linie).
English: Ice age map of europe, red: maximum limit of Weichselian ice age, yellow Saale-ice age at maximum (Drenthe stage), blue Elster-ice age maximum glaciation. Deutsch:   jeweils maximale Ausdehnung der drei letzten Eiszeiten (Erweiterte Karte nach der Originalkarte File:EisrandlagenNorddeutschland.jpg von Benutzer:Fice) Selbst gezeichnet (ergänzt) und hochgeladen von Botaurus Datenquelle: www.uni-muenster und für den östlichsten Bereich: Wagenbreth/Steiner "Geologische Streifzüge" VEB Deutscher Verlag für Grundstoffindustrie, 2. Aufl. Leipzig 1985
Stortorget og Stora södergatan i Lund i Sverige sett ovenfra. Middelaldertorget i Lund har blant annet trekantformen felles med middelaldertorget i Oslo. Torget i Lund var i mange år et sentrum for den lokale busstrafikken, og biltrafikken som passerte torget var svært tett. I dag får bare myke trafikanter og nyttetrafikk passere torget. Fotografiet er tatt på 1870-tallet.
Korset er det mest utbredte symbolet i kristendommen. Som henrettelsesinstrument i Romerriket ble det symbol på Jesu korsfestelse, lidelse og offerdød. Under keiser Konstantin den store ble kors tegn på seier og frelse og etter hvert vanlig på gravminner. Kors brukes i en mengde sammenhenger, blant annet på og i kirker, i nordiske nasjonalflagg og som anheng på halskjeder.
The zero-divisor graph of 
  
    
      
        
          
            Z
          
          
            2
          
        
        ×
        
          
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    {\displaystyle \mathbb {Z} _{2}\times \mathbb {Z} _{4}}
  
, the only possible zero-divisor graph that is a tree but not a star
Park Avenue, as it originally appeared in 1894 when it was a new subdivision of stately Victorian homes. This photograph was taken in front of the former United States Playing Card Company building on Beech Street. Park Avenue runs along the former southern border of Norwood Park, which was a large park located in the area of today's Grande Central Station shopping center.
English: Looking west down Park Avenue in Norwood, Ohio, as it originally appeared in 1894. This photograph was taken from Floral Ave.looking west down Park Ave.
The Four Freedoms are derived from the 1941 State of the Union Address by United States President Franklin Roosevelt delivered to the 77th United States Congress on January 6, 1941. The theme was incorporated into the Atlantic Charter, and it became part of the charter of the United Nations[100] and appears in the preamble of the United Nations Declaration of Human Rights.
English: In his 1941 State of the Union Address, as the nation contemplated the increasingly more inevitable prospect of being drawn into the war, President Roosevelt spelled out "Four Freedoms" as a reminder of what America must stand for. The speech delivered by President Roosevelt incorporated the following section: In the future days which we seek to make secure, we look forward to a world founded upon four essential human freedoms. The first is freedom of speech and expression - everywhere in the world. The second is freedom of every person to worship God in his own way - everywhere in the world. The third is freedom from want, which, translated into world terms, means economic understandings which will secure to every nation a healthy peacetime life for its inhabitants - everywhere in the world. The fourth is freedom from fear, which, translated into world terms, means a world-wide reduction of armaments to such a point and in such a thorough fashion that no nation will be in a position to commit an act of physical aggression against any neighbor - anywhere in the world. That is no vision of a distant millennium. It is a definite basis for a kind of world attainable in our own time and generation. That kind of world is the very antithesis of the so-called "new order" of tyranny which the dictators seek to create with the crash of a bomb. In 1943 during the Second World War, Illustrator Norman Rockwell completed the Four Freedoms series which was completed in seven months and resulted in him losing 15 pounds. The paintings were based on a speech by Franklin D. Roosevelt, who declared that there were four principles for universal rights: Freedom from Want, Freedom of Speech, Freedom to Worship, and Freedom from Fear. The paintings were published in 1943 by The Saturday Evening Post. The U.S. Treasury Department later promoted war bonds by touring the originals to 16 cities.
A) Estrutura óptica de cinco feixes de laser capturando uma nuvem atômica. A escala de cores indica a densidade das nuvens: preto é baixo, branco alto. B) Movimento de tremulação da nuvem atômica na rede óptica. O eixo horizontal representa a distribuição espacial da nuvem ao longo de uma direção, enquanto o eixo vertical mostra a variação da densidade da nuvem com o tempo
A) Optical lattice of five laser beams trapping an atomic cloud. Color scale indicates cloud density: black is low, white high. B) Jittering motion of the atomic cloud in the optical lattice. The horizontal axis represents the spatial distribution of the cloud along one direction, while the vertical axis shows the variation of cloud density with time. Credit: NIST Disclaimer: Any mention of commercial products within NIST web pages is for information only; it does not imply recommendation or endorsement by NIST. Use of NIST Information: These World Wide Web pages are provided as a public service by the National Institute of Standards and Technology (NIST). With the exception of material marked as copyrighted, information presented on these pages is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.
Schéma d'un appareil simple de sublimation. De l'eau habituellement froide circule dans un doigt réfrigérant afin de permettre le dépôt désiré de mélange en cours de sublimation.
1 : Entrée d'eau froide 2 : Sortie d'eau froide 3 : Sortie du gaz vers une pompe à vide 4 : Chambre de sublimation 5 : Mélange de sublimation / sublimé 6 : Matière de base 7 : Chauffage extérieur.
Spansk maleri som avbilder motiver fra Første Mosebok:
Øverst til venstre: Gud skaper himmel og jord.
Øverst til høyre: Gud skaper sola, månen, og stjernene på himmelen.
Nederst til venstre: Gud skaper planter og frukter.
Nederst til høyre: Gud skaper fisken i havet og fuglene på himmelen.
I midten: Gud, etter å ha skapt dyrene på jorden, lager mennesket i sitt eget bilde.
Image features scenes from the biblical book of Genesis. Top left, God creating the heaven and earth. Top right, God creating the sun, the moon and the stars. Bottom left, God creating the plants and fruits. Bottom right, God creating the fish and the birds. Centre, God, after creating the animals, creating man in his image. Iconographic Collections Keywords: God; Creation; Genesis
Kaptein Jørg Lian fra Norge bærer medaljen for tjeneste i UNIFIL foran NATO-medaljer for deltagelse i KFOR og ISAF. Foran FN-medaljen ses fra venstre mot høyre Forsvarets medalje for internasjonale operasjoner, Forsvarets operasjonsmedalje i bånd for Afghanistan og Hærens vernedyktighetsmedalje. Bildet er tatt idet kaptein Lian overrekkes Krigskorset med sverd 8. mai 2011.
English: Captain Jørg Lian prior to receiving the War Cross w/Sword at a ceremony 8 May 2011 at Akershus Fortress in Oslo, Norway
Imagem efetuada pela sonda espacial Cassini de Encélado, mostrando as fontes que ejetam um material fino que se ergue sobre a região do polo sul. A imagem foi colorida artificialmente. Cientistas acreditam que os jatos são gêiseres em erupção a partir de reservatórios subterrâneos preenchidos de água líquida com temperaturas superiores a 273 graus Kelvin (0 graus Celsius).
Montage of planets and some moons that the two Voyager spacecraft have visited and studied, along with the artwork of the spacecraft themselves. The long antenna that extends out from the spacecraft and magnetometer boom can be seen. The planets shown include Jupiter, Saturn, Uranus, and Neptune. Only Jupiter and Saturn have been visited by spacecraft other than Voyager 2.
Artist's impression of the Voyager space probes (1977—) with the outer worlds they passed. Artist's description: "This painting was commissioned by JPL to commemorate the outer planets mission of the successful pair of Voyager spacecraft. Although done in traditional media, computer drawings were generated as an aid to creating perspective rings of the proper scale for each world, which also has one Moon each highlighted. Only distant shots of Neptune were available at the time the work was done, and the hypothetical 'ring arcs' are included as modeled from earth based star occultation data. Acrylic on board for NASA, JPL."
El document conegut com a Querimònia va ser atorgat pel rei des de Lleida, el 23 d’agost de 1313, i va ser confirmat al llarg des temps pels successius monarques, des d’Alfons IV (1328) fins a Ferran VII (1817). El rei reconeixent als habitants d’Aran com els seus fidels i en tot voler fer justícia va determinar confirmar-les i en algun d’ells fer provisions i ordenaments.
Català: El document conegut com a Querimònia va ser atorgat pel rei des de Lleida, el 23 d’agost de 1313, i va ser confirmat al llarg des temps pels successius monarques, des d’Alfons IV (1328) fins a Ferran VII (1817). El rei reconeixent als habitants d’Aran com els seus fidels i en tot voler fer justícia va determinar confirmar-les i en algun d’ells fer provisions i ordenaments.
Муниција из САД 1868 – 1875
 (1) Папирни метак .44 армијског колта 1860, Грађански рат
 (2) Револверски метак .44 колта Туерове конверзије, патентиран 1868
 (3) Равни метак .44 Хенријеве ивичне ватре
 (4) Зашиљени метак .44 Хенријеве ивичне ватре
 (5) Метак колта .45 Франкфордовог арсенала, Бенетово паљење
 (6) Метак колт-Шофилда .45 Франкфордовог арсенала, Бенетово паљење
English: US paper to centerfire rounds Colt Army 1860 .44 paper cartridge, Civil War Colt Thuer-Conversion .44 revolver cartridge, patented 1868 .44 Henry rim fire cartridge flat .44 Henry rim fire cartridge pointed Frankford Arsenal .45 Colt cartridge, Benét ignition Frankford Arsenal .45 Colt-Schofield cartridge, Benét ignition
২0 তম শতাব্দীর রাজনৈতিক ব্যক্তিত্ব মার্টিন লুথার কিং (মাঝে), যিনি ক্ষুধার বিরুদ্ধে লড়াই করাকে গুরুত্বপূর্ণ বলে মনে করতেন: "যখন আমি মারা যাবো তখন আমার জন্য স্মৃতিস্তম্ভ তৈরি করবেন না। আমাকে বড় বিশ্ববিদ্যালয় থেকে ডিগ্রী দেবেন না। শুধু বস্ত্রহীনদের বস্ত্র দিন। বলবেন, আমি গৃহহীনদের বসবাসের জন্য চেষ্টা করেছি। লোকেদের বলতে দিন যে আমি ক্ষুধার্তদের খাওয়ানোর চেষ্টা করেছি। " [১]
فارسی: تصویری از مارتین لوتر کینگ در روز راهپیمایی به سوی واشینگتن برای کار و آزادی. سخنرانی ۱۷ دقیقه‌ای وی در این راهپیمایی به نام «من رؤیایی دارم» شهرت بالایی دارد. Čeština: Martin Luther King během manifestace za lidská práva a svobogu Pochod na Washington za práci a svobodu v roce 1963, kdy pronesl svůj historický projev "I Have a Dream (Mám sen) ", volající po ukončení rasové diskriminace. English: Martin Luther King Jr. during the 1963 March on Washington for Jobs and Freedom, during which he delivered his historic "I Have a Dream" speech, calling for an end to racism. Español: Martin Luther King Jr. durante la Marcha sobre Washington por el trabajo y la libertad de 1963, en la que pronunció su histórico discurso "Yo tengo un sueño", defendiendo la armonía racial. Magyar: Martin Luther King az 1963-as Washingtoni menetelés a munkáért és szabadságért nevű felvonuláson, ahol elmondta a Van egy álmom… kezdetű beszédét Italiano: Il reverendo Martin Luther King nel 1963 alla Marcia su Washington per il lavoro e la libertà durante la quale tenne il suo storico discorso I Have a Dream. Македонски: Мартин Лутер Кинг за време на Маршот на Вашингтон во 1963 г. кога го одржал историскиот говор „Имам сон“. Nederlands: Martin Luther King op 28 augustus 1963, de dag dat de Mars naar Washington voor Banen en Vrijheid de Amerikaanse hoofdstad Washington bereikte. Ter gelegenheid daarvan hield King zijn beroemde toespraak I Have a Dream. Polski: Martin Luther King, Jr. w czasie marszu na Waszyngton w 1963 roku podczas którego wygłosił swoje słynne przemówienie I Have a Dream wzywające do zniesienia dyskryminacji rasowej w Stanach Zjednoczonych. Português: Martin Luther King Jr. durante a Marcha sobre Washington por Trabalho e Liberdade de 1963, na qual pronunciou seu histórico discurso "Eu Tenho um Sonho", defendendo a união e a coexistência harmoniosa racial.