fschieber/wit-captions huggingface dataset:
Орудия артиллерийские. II. Русские орудия до начала XIX в. 1—2. Железные пищали XIV в. 3. Железная пищаль XV в. 4. 2-фунтовая пищаль 1485 г. 5. ¼ пуд. гафуница 1542 г. 6. Железная пищаль XVI в. 7. 38-фунтовая пищаль «Медведь» 1590 г. 8. 6-фунтовая пищаль «Гамаюн» 1690 г. 9. 40-фунтовая пушка «Орел» 1692 г. 10. Пищаль Троицко-Сергиевой лавры (XVII в.). 11. 21-пуд. мортира (Лжедмитрия) 1605 г. 12. Медный камнемет (XVII — XVIII в.). 13. Фальконет (XVII в.). 14. Шуваловская секретная гаубица (единорог XVIII в.). 15. Близнята (XVIII в.). 16. Полковая пушка (XVIII в.). 17. Органное орудие (XVIII в.). 18. Мортирная батарейка (XVIII в.).
Русский: Орудия артилерийские. Иллюстрация из энциклопедического словаря Брокгауза и Ефрона (1890—1907). ОРУДИЯ АРТИЛЛЕРИЙСКИЕ. II. Русские орудия до начала XIX в. 1—2. Железные пищали XIV в. 3. Железная пищаль XV в. 4. 2-фунтовая пищаль 1485 г. 5. ¼ пуд. гафуница 1542 г. 6. Железная пищаль XVI в. 7. 38-фунтовая пищаль «Медведь» 1590 г. 8. 6-фунтовая пищаль «Гамаюн» 1690 г. 9. 40-фунтовая пушка «Орел» 1692 г. 10. Пищаль Троицко-Сергиевой лавры (XVII в.). 11. 21-пуд. мортира (Лжедмитрия) 1605 г. 12. Медный камнемет (XVII — XVIII в.). 13. Фальконет (XVII в.).14. Шуваловская секретная гаубица (единорог XVIII в.). 15. Близнята (XVIII в.). 16. Полковая пушка (XVIII в.). 17. Органное орудие (XVIII в.). 18. Мортирная батарейка (XVIII в.). English: Illustration from Brockhaus and Efron Encyclopedic Dictionary (1890—1907)
An image of C. pipiens larvae occupying a water-submerged environment. They come closer to the water's surface as the larval development period comes closer to an end.  By (Image: James Gathany, CDC) - A New Model for Predicting Outbreaks of West Nile Virus. Gross L, PLoS Biology Vol. 4/4/2006, e101. https://dx.doi.org/10.1371/journal.pbio.0040101. See also: Kilpatrick AM, Kramer LD, Jones MJ, Marra PP, Daszak P (2006) West Nile Virus Epidemics in North America Are Driven by Shifts in Mosquito Feeding Behavior. PLoS Biol 4(4): e82 doi:10.1371/journal.pbio.0040082, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=1441809
English: Larvae of Culex Mosquitoes. As seen on the picture, larvae make dense groups in standing water. A shift in the feeding behavior of those mosquitoes helps explain the rising incidence of West Nile virus in North America. It appears that the darker structure at the top center of the image is one pupa. Français : Larves de moustiques du genre Culex. Comme le montre la photo, les larves forment des groupes compacts dans les eaux stagnantes. Un changement dans le comportement nutritionnel de ces moustiques permet d'expliquer l'augmentation de la prévalence du West Nile virus en Amérique du nord. 日本語: 蚊の幼虫、ボウフラ。幼虫は淀んだ水で寄り固まってグループを作る。この蚊の採食行動は、北アメリカのウエストナイル熱発生に関係している。画像上部の黒っぽいものはサナギとみられる。 Português: Larvas de mosquitos do género Culex. Como é visível na foto, as larvas formam grupos compactos em águas estagnadas. Uma mudança no comportamento alimentar destes mosquitos permite explicar o aumento da prevalência do vírus West Nile na América do Norte. Svenska: Mygglarver av släktet Culex. Русский: Личинки комаров рода Culex. Как видно на изображении, личинки образуют плотные группы в стоячей воде. Сдвиг в схеме питания этих комаров помогает объяснить рост случаев заражения вирусом Западного Нила в Северной Америке. Похоже, что тёмная структура в центре верхней части фотографии - это одна куколка.
En p–n-overgang med null ytre spenning. Elektron- og hullkonsentrasjonene vises med henholdsvis blå og røde grafer. Grå regioner er ladninsnøytrale. Lyserød sone er ladet positiv av fastsittende ioner. Lyseblå sone er tilsvarende negativt ladet. Det elektriske feltet som oppstår på grunn av dopingen er vist med en pil nedenfor. Diffusjonskreftene på elektroner og hull, som førte til utarmingen i overgangen, vises nedenfor. Nederst viser det resulterende feltets krefter på hull og elektroner. Ved forspenning blir lederetningen mot høyre; elektroner ledes mot venstre. N-dopingen kan ses å ha noe lavere konsentrasjon enn p-dopingen.
English: A p-n junction in thermal equilibrium with zero bias voltage applied. Electron and holes concentration are reported respectively with blue and red lines. Gray regions are charge neutral. Light red zone is positively charged. Light blue zone is negatively charged.
Strong desingularization of 
  
    
      
        X
        :=
        (
        
          x
          
            2
          
        
        −
        
          y
          
            3
          
        
        =
        0
        )
        ⊂
        W
        :=
        
          
            R
          
          
            2
          
        
        .
      
    
    {\displaystyle X:=(x^{2}-y^{3}=0)\subset W:=\mathbf {R} ^{2}.}
  
 Observe that the resolution does not stop after the first blowing-up, when the strict transform is smooth, but when it is simple normal crossings with the exceptional divisors.
Représentation romantique de Frédéric II. Petit-fils de Frédéric Barberousse et de Roger II de Sicile, Frédéric II est le prince le plus cultivé et le plus ouvert de son temps. Sa curiosité le détache des formes traditionnelles du christianisme. Avide de connaissances, il n’hésite pas à recourir à l’expérimentation scientifique. Il professe un complet dédain des règles morales de son temps et apparaît souvent comme un précurseur des princes de la Renaissance. Après plus de dix ans de guerre civile en Allemagne, il est élu avec le soutien d’Innocent III qui lui fit promettre de ne pas réunir les couronnes de Germanie et de Sicile.
Kamila B. Richter - To Err is Machine, Tokyo III, 2018 (digital error, ink, oil, amber on canvas) (Cut) - Painting (Oil on Canvas) - Technically out-dated mobile phones with low-resolution cameras were used to capture the nightlife on the streets of European, Asian, South- and North-American cities. For Kamila B. Richter the camera’s blurred limited phase image is the proper reflection of reality. The abstract, mediatised reality as content and old master style oil painting technique, which she layers in weeklong work stages to finish her versions of mediatised streetscapes, materialize the tension of contemporary visual culture.
English: Technically out-dated mobile phones with low-resolution cameras were used to capture the nightlife on the streets of European, Asian, South- and North-American cities. For Kamila B. Richter the camera’s blurred limited phase image is the proper reflection of reality. The abstract, mediatised reality as content and old master style oil painting technique, which she layers in weeklong work stages to finish her versions of mediatised streetscapes, materialize the tension of contemporary visual culture.
„Da heißt es nun: Joseph war siebzehn Jahre alt, da er ein Hirte des Viehs ward mit seinen Brüdern, und der Knabe war bei den Kindern Bilha’s und Silpa’s, den Weibern seines Vaters. Das ist richtig, und was hinzugefügt wurde im Schönen Gespräch: daß er vor ihren Vater gebracht habe, wo ein bös Geschrei wider die Brüder war, davon kennen wir Proben. Ohne Schwierigkeit ließe sich ein Gesichtswinkel finden, unter dem er ein unausstehlicher Bengel war. Es war der Standpunkt der Brüder.“ (IV,393) Ein Beispiel dafür, wie Thomas Mann mit der Lutherbibel (1 Mo 37,2) erzählerisch umgeht. (Gemälde von James Tissot, Jewish Museum, New York)
English: Joseph Reveals His Dream to His Brethren, c. 1896-1902, by James Jacques Joseph Tissot (French, 1836-1902), gouache on board, 8 7/8 x 12 7/16 in. (22.6 x 31.6 cm), at the Jewish Museum, New York
Furutaka počátkem 30. let: Zvýšený přední komín (1926/27) a absence startovací plošiny (1929/30) na jedné straně a absence 120mm kanónů a 13,2mm kulometů (1932/33) na straně druhé datují fotografii do období 1930 až 1932. Dva bílé pruhy na komíně, identifikující Furutaku jako druhou loď 5. sentai (戦隊 ~ divize), by mohly datování upřesnit na období mezi 1. prosincem 1930 až 30. listopadem 1931.[p 9] Všimněte si zakrytí větrání kotelny č. 1 na dolním můstku, stále ještě přítomného dlouhého krytu větrání můstku, antény směrového radiozaměřovače nad navigačním můstkem a zakřivení horní paluby, která je průběžná po celé délce plavidla
English: Heavy cruiser Furutaka probably 1930-1932. Heightened forward funnels dates this picture after 1926/27 modification, missing take off platform dates this picture after 1929/30 and missing AAA platform on the side of the bridge and long cover of bridge ventilation dates this picture before 1932. Česky: Japonský těžký křižník Furutaka počátkem 30. let: Zvýšený přední komín (1926/27) a absence startovací plošiny (1929/30) na jedné straně a absence 120mm kanónů a 13,2mm kulometů (1932/33) na straně druhé datují fotografii do období 1930 až 1932. Dva bílé pruhy na komíně, identifikující Furutaku jako druhou loď 5. sentai (戦隊 ~ divize), by mohly datování upřesnit na období mezi 1. prosincem 1930 až 30. listopadem 1931. Všimněte si zakrytí větrání kotelny č. 1 na dolním můstku, stále ještě přítomného dlouhého krytu větrání můstku a zakřivení horní paluby, která je průběžná po celé délce plavidla.
La session inaugurale de l'Académie polonaise de littérature en 1933. Assis de gauche à droite : Janusz Jędrzejewicz (président du Conseil des ministres), Zofia Nałkowska, Maria Mościcka (pl) (première dame), Ignacy Mościcki (président de la République), Maria Jędrzejewicz (pl), Wacław Sieroszewski, Leopold Staff. Debout à partir de la gauche : le colonel Jan Głogowski, le directeur Skowroński, Zenon Przesmycki, Wacław Berent, Piotr Choynowski (pl), Juliusz Kleiner (pl), Wincenty Rzymowski (pl), Jerzy Szaniawski (pl), Juliusz Kaden-Bandrowski (pl), Karol Irzykowski (pl), Tadeusz Boy-Żeleński, Tadeusz Zieliński et Bolesław Leśmian
English: naugural session of Polish Academy of Literature in 1933
Italianos destacados: 1ra fila: Alessandro Volta • Enrico Fermi • Lorenzo de Medici • Rita Levi-Montalcini • Giacomo Leopardi
 2da fila: Leonardo da Vinci • Cristoforo Colombo • Federico Fellini • Giuseppe Verdi • Dante Alighieri
 3ra fila: Anna Magnani • Ugo Foscolo • Umberto Eco • Gabriele D'Annunzio • Galileo Galilei
 4ta fila: Antonio Vivaldi • Guglielmo Marconi • Giuseppe Garibaldi • Alessandro Manzoni • Grazia Deledda
 5ta fila: Giosuè Carducci • Luciano Pavarotti • Niccolò Machiavelli • Marco Polo • Valentino Rossi
 6ta fila: Sergio Leone • Luigi Pirandello • Pier Paolo Pasolini • Gian Lorenzo Bernini • Salvatore Quasimodo
English: Mosaic of 30 famous Italians. First row, left to right: Alessandro Volta, physicist and inventor; Enrico Fermi, physicist and inventor, 1938 Nobel laureate; Lorenzo de Medici, politician and patron of artists; Rita Levi-Montalcini, neurologist and researcher, 1986 Nobel laureate; Giacomo Leopardi, poet and philosopher. Second row, left to right: Leonardo da Vinci, mathematician, physicist, inventor, painter, architect and engineer; Christopher Columbus, explorer and navigator; Federico Fellini, film director and scriptwriter; Giuseppe Verdi, composer; Dante Alighieri, poet and political theorist. Third row, left to right: Anna Magnani, actress; Ugo Foscolo, poet and revolutionary; Umberto Eco, philosopher and novelist; Gabriele D'Annunzio, poet, journalist, novelist and dramatist; Galileo Galilei, physicist and astronomer. Fourth row, left to right: Antonio Vivaldi, composer and violinist; Guglielmo Marconi, physicist, engineer and inventor, 1909 Nobel laureate; Giuseppe Garibaldi, general and politician; Alessandro Manzoni, poet and novelist; Grazia Deledda, writer and novelist, 1926 Nobel laureate. Fifth row, left to right: Giosuè Carducci, poet and teacher, 1906 Nobel laureate; Luciano Pavarotti, operatic tenor; Niccolò Machiavelli, historian, diplomat, philosopher, humanist and writer; Marco Polo, explorer and merchant; Valentino Rossi, motorcycle racer, multiple MotoGP World Champion. Sixth row, left to right: Sergio Leone, film director, producer and screenwriter; Luigi Pirandello, dramatist and novelist, 1934 Nobel laureate; Pier Paolo Pasolini, film director, poet, writer and intellectual; Gian Lorenzo Bernini, sculptor, architect and painter; Salvatore Quasimodo, author and poet, 1959 Nobel laureate.
Figura 2. Espectrometría de masas MALDI-TOF. Luego de que el analito y la matriz cocristalizan, se ingresa la placa metálica al espectrómetro de masas donde es bombardeada por pulsos de luz láser para producir la desorción e ionización de las moléculas que son aceleradas por medio de un campo electrostático. En el analizador TOF, los iones más pequeños viajan más rápidamente que los iones más grandes. El detector recepta los iones y como resultado se produce un espectro, específico para cada analito, que se compara con una base de datos parja la identificación de género, especie o cea. Imagen modificada de Croxatto et al. (2012).
Figura 2. Espectrometría de masas MALDI-TOF. Luego de que el analito y la matriz cocristalizan, se ingresa la placa metálica al espectrómetro de masas donde es bombardeada por pulsos de luz láser para producir la desorción e ionización de las moléculas que son aceleradas por medio de un campo electrostático. En el analizador TOF, los iones más pequeños viajan más rápidamente que los iones más grandes. El detector recepta los iones y como resultado se produce un espectro, específico para cada analito, que se compara con una base de datos para la identificación de género, especie o cepa.
Supersampling der Schachbrettszene und der Funktion 
  
    
      
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    {\displaystyle f(x,y)=\sin(x^{2}+y^{2})}
  
 mit vier geordneten Abtastpunkten pro Pixel und Box-Rekonstruktionsfilter. Der linke Teil des rechten Bildes gibt die Funktion korrekt wieder, während die Ringe auf der rechten Seite Prealiasing-Effekte sind, die von der regelmäßigen Abtastung herrühren.
Antialiasing using 4 ordered samples per pixel
Anta di sinistra del "Giardino delle Delizie" (Paradiso terrestre), opera di Hieronymus Bosch (1453-1516), oggi conservata al Museo Nacional del Prado di Madrid. In questa porzione dell'opera il pittore olandese intende raffigurare la creazione dell'uomo, con il Creatore che gli presenta Eva. Da notare che in questo caso Bosch riprende una tradizione antica caduta in disuso nel Quattrocento, ovvero rappresentare Dio con l'immagine del Cristo. Il contorno all'immagine centrale consiste in figure fantastiche, animali rari e una vegetazione non naturale. Le costruzioni rocciose dietro all'immagine centrale sono la dimora di uccelli.
Resposta mediada por ATM ás roturas de dobre febra do ADN en dous pasos. Na resposta rápida, a ATM activada fosforila a quinase efectora CHK2, que fosforila CDC25A, deixándoa marcada para a súa ubiquitinación e degradación. Por tanto, acumúlase a CDK2-ciclina fosforilada e bloquéase a progresión do ciclo celular. Na resposta atrasada a ATM fosforila o inhibidor de p53, MDM2 e p53, a cal é tamén fosforilada por CHK2. A activación resultante e estabilización de p53 causa o incremento da expresión do inhibidor de Cdk p21, que despois axuda a manter baixa a actividade de CDK para manter a detención de longo prazo do ciclo celular.[7]
English: ATM-mediated two-step response to DNA double strand breaks. In the rapid response activated ATM phosphorylates effector kinase CHK2 which phosphorylates CDC25A, targeting it for ubiquitination and degradation. Therefore phosphorylated CDK2-Cyclin accumulates and progression through the cell cycle is blocked. In the delayed response ATM phosphorylates the inhibitor of p53, MDM2, and p53 which is also phosphorylated by Chk2. The resulting activation and stabilization of p53 leads to an increased expression of Cdk inhibitor p21, which further helps to keep Cdk activity low and to maintain long-term cell cycle arrest.
Посли-русини Галицького сейму 1-ї каденції (1861—1867). 1-й р. А.Петрушевич, Я.Кульчицький, А.Яновський, М.Куземський, С.Л-ч, Ю.Лаврівський, М.Качковський, М.Малиновський, А.Юзичинський. 2-й. Я.Шведицький, Ю.Негребецький, М.Демків, Г. Гинилевич, О.Королюк, ?, В.Фортуна, С.Дволінський або І.Загоройко, А.Могильницький, Л.Полевий, І.Борисикевич, А.Стоцький?, Л.Трещаківський, І.Гушалевич, М.Грицак, С.Трохановський, Й.Лозинський, А.Павенцький, А.Добрянський, Т.Павликів, Т.Білоус. 3-й. С.Качала, І. Н., М.Курилович, О.Кравців, І.Дзерович, М.Ковбасюк, М.Устиянович. 4-й. Г.Процак, Я.Лапичак, К.Лепкалюк, М.Старух, М.Лавринович, І.Карпинець
English: Ruthenian members of Galician Sejm in 1861
Population size, fertility rate and mortality rate in the Netherlands from 1807 to 2015. Pre-industrial mortality and fertility showed major swings, largely dependent on period of prosperity, poverty, starvation and cholera epidemics until ~1870. Next, the mortality rate decreased more than the fertility rate, leading to a surge in population growth. The mortality peaks in the last year of the First and Second World Wars, are followed by birth peaks in the following year. (Merged data from Horlings, 1993 and Drukker & van Tassenaar, 1997 for data of the 19th century, and CBS-Statistics Netherlands for data since 1900)[30][31][32]
English: Fertility rate, mortality rate and population growth in the Netherlands between 1807 and 2016 [Source: Horlings, 1993; CBS Statistics Netherlands, 2016]
Функция 
  
    
      
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    {\displaystyle g(x)=x^{4}-x}
  
 не имеет точки перегиба в 
  
    
      
        
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    {\displaystyle x_{0}=0}
  
, хотя и выполняется 
  
    
      
        
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          ″
        
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    {\displaystyle g''(0)=0}
  
, поэтому её график полностью расположен по одну сторону от касательной в этой точке
Assumption of the Virgin relief sculpture, 1517, in the Greenway Porch, showing John Greenway (left, with initials "JG" above) and his wife kneeling either side of the Virgin Mary who stands on a crescent moon and ascends to Heaven, with backdrop of a martyr's palm-frond, lifted up by angels to a figure of God the Father crowned as the King of Heaven, above. Below the Virgin is an heraldic escutcheon showing the arms of the Drapers Company (Azure, three clouds radiated proper each adorned with a triple crown or), with the very rarely surviving pre-Reformation angel supporters, the Virgin being the patroness of the Drapers Company
English: 1517 relief sculpture in the Greenway Porch, built in 1517 against the south wall of St Peter's Church, Tiverton, Devon, by the wealthy merchant John Greenway (d.1529), a member of the Merchant Adventurers Company and of the Drapers Company. It shows Greenway (left, with initials "JG" above) and his wife kneeling either side of the Virgin Mary who is standing on a crescent moon and is ascending into Heaven, with backdrop of a palm-frond, lifted up by angels to a figure of God the father crowned as the King of Heaven, above. Below the Virgin is an heraldic escutcheon showing the arms of the Drapers Company (Azure, three clouds radiated proper each adorned with a triple crown or), with the very rarely surviving pre-Reformation angel supporters, the Virgin being the patroness of the Drapers Company.
Simulation de l'expérience des fentes de Young avec des électrons. Figure de gauche : évolution (de gauche à droite) de l'intensité du jet d'électrons au sortir des fentes (gauche) jusqu'à l'écran de détection situé à 10cm après les fentes (droite). Plus l'intensité est importante (probabilité de présence importante), plus la couleur est bleu clair - Figure au centre : impacts des électrons sur l'écran de détection - Figure de droite : intensité des électrons dans l'approximation de champs lointain. Données numériques issues de l'expérience de Claus Jönsson (1961). Les photons, atomes et molécules suivent une évolution similaire.
English: Simulation of the double-slit experiment with electron - Young interference with two slits. Data from : Claus Jönsson, Zeitschrift für Physik 161, 454-474 (1961); Claus Jönsson, 1974 Electron diffraction at multiple slits American Journal of Physics 42 4-11; - Electron wavelength = 5.595pm (E = 45 keV) - The opening of each slit is 0.2µm. The spacing between the two slits is 1µm (center-to-center). Figures from left to right; 1: evolution of the electron density (norm of the wave function) from the 2 slits to 10cm after; 2: impacts of electron on the screen 10cm after the slits; 3: electron density 10cm after the slits; Detail of computation : https://hal.archives-ouvertes.fr/hal-00656118 (French) using Feynman path integral Français : Simulation de l'experience des fentes de Young avec des électrons - figure d'interference à deux fentes Figures de gauche à droite; 1: évolution de la densité d'un électron (norme de la fonction d'onde) de la sortie des fentes à 10cm après les fentes; 2: impacts des électrons sur un écran 10cm après les fentes; 3: densité d'un électron 10cm après les fentes; Détails des calcul : https://hal.archives-ouvertes.fr/hal-00656118
Centres des études, notamment monastères carolingiens, à l'époque où le chant grégorien naquit. Il est probable que la Renaissance carolingienne donna naissance à la notation musicale grégorienne.
C'était un moine, probablement, auprès de l'abbaye de Saint-Amand qui ajouta quelques morceaux de neumes sur un traité d'Aurélien de Réomé, dans la deuxième moitié du IXe siècle. Il s'agit actuellement du témoin le plus ancien de la notation grégorienne[nm 1].
 Le meilleur exemplaire de la notation fut achevé, déjà vers 925, à l'abbaye de Saint-Gall. Un autre, celui de la tradition messine, avait été écrit peu avant, à Laon ou alentour.
Centres d'études carolingiens (VIIIe-IXe siècle) Centers of studies in the Carolingian Empire (8th-9th centuries) D'après/After P. Riché, Écoles et enseignement dans le haut Moyen Âge, fin du Ve-milieu du XIe siècle, 3e éd., Paris, Picard, 1999, p.100-101
Blick vom Simmersberg (780,8 m) auf die höchsten Berge des Thüringer Waldes: Adlersberg (849,9 m) mit Neuhäuser Hügel (890,6 m), Großer Beerberg (teils verdeckt, 982,9 m), Wildekopf (943,2 m), Großer Eisenberg (907,4 m), Schneekopf (978 m), Großer (944,1 m) und Kleiner Finsterberg (Finsterberger Köpfchen; 874,6 m); im Vordergrund Kalter Staudenkopf (768,1 m) und Schmiedswiesenkopf (783,8 m) – das Große Riesenhaupt (763,8 m) bei Frauenwald und der Große Hundskopf (824,2 m) bei Allzunah schlössen sich rechts an – sowie der Nebengipfel Hohe Warth (718,1 m); links im Hintergrund der 52 km entfernte Pleß (645,4 m) in der Vorderen Rhön
Deutsch: Blick vom Simmersberg (781 m) auf die höchsten Berge des Thüringer Waldes: Adlersberg (849 m) mit Neuhäuser Hügel (891 m), Großer Beerberg (teils verdeckt, 983 m), Wildekopf (943 m), Großer Eisenberg (907 m), Schneekopf (978 m), Großer (944 m) und Kleiner (875 m) Finsterberg; im Vordergrund Kalter Staudenkopf (768 m) und Schmiedswiesenkopf (784 m) - der Große Riesenhaupt (764 m) bei Frauenwald und der Große Hundskopf (824m) bei Allzunah schlössen sich rechts an - sowie der Nebengipfel Hohe Warth (718 m); links im Hintergrund der 52 km entfernte Pleß (645 m) in der Vorderen Rhön