Still from the American film "Forbidden Fruit" (1921) with Agnes Ayres (at left) and Forrest Stanley, on page 197 of Peter Milne, "Motion Picture Directing; The Facts and Theories of the Newest Art" (1922). The book describes the impact of this scene on other directors, where Cecil B. DeMille brought out the predicament of the heroine, attending a high-class meal for the first time, through the use of close-ups of her hesitancy in the selection of the proper fork for each meal course.