Original sentence: UbiSoft was so pleased that with Tobin's work it was decided that Amon's soundtrack would be released several months ahead of the actual game
Edited sentence: All involved with the project were so pleased that it was decided that Amon's soundtrack would be released several months ahead of the actual game.Chaos Theory never really let up on these emotions, instead, Amon simply switched from one emotion to another, from paranoia to panic to uneasiness and back to paranoia, often within a single track.Chaos Theory struck a perfect balance between spooky ambience and jackhammer beats, often shifting rapidly between the two, but throughout it all there was an undeniable sense of beauty which did not exist in spite of the chaos but rather arose from it.It was the perfect setup to an album which cultivated a wide range of emotions, most of them disturbing.Some inspired soul suggested that the job be offered to electronic artist Amon Tobin, perhaps thinking that his bass-heavy groovalicious style would adapt well to stealth based gameplay.The Powers That Be agreed, and gave Amon a lot of money with which to score their still-developing game.The album started off with "The Lighthouse," with a jerky bass riff that immediately created a sense of paranoia in the listener.UbiSoft was making the third installment of their popular Splinter Cell series, and the need for some creepy, paranoid music naturally arose.When Amon returned after completing the soundtrack, the results were better than anyone expected