Original sentence: Another theory, put forth by Quentin Tarantino through the character Bill in the second volume of the Kill Bill series, points out that while most comic book characters were born as their alter egoes (Spiderman was Peter Parker first, Batman was born Bruce Wayne) Kal-El uses as a cape the very blanket he was wrapped in for his trip to Earth, and that the stylized "S" on his costume's chest is his family seal, which means that Clark Kent is truly the manufactured identity.Bill goes on to state that "Clark Kent is Superman's commentary on humanity," meaning that Kal-El finds humanity to be clumsy, unassuming, comical and pitiable, and that Clark Kent is his own private joke about how he feels about humanity: the easily ignorable "everyman
Edited sentence: "  Considering Superman's personality, this theory is incredibly unlikely, but critics of the series find it amusing.An interesting theory, put forth by Quentin Tarantino through the character Bill in Kill Bill, volume 2, puts a dark and cynical twist on the unpopular interpretation of Clark Kent as a bumbling facet of the Superman character.The theory points out that while most comic book characters were born as their alter egoes - Spiderman was Peter Parker first, Batman was born Bruce Wayne - Kal-El uses as a cape the very blanket he was wrapped in for his trip to Earth, and that the stylized "S" on his costume's chest is his family seal, which means that Clark Kent is truly the manufactured identity.This is pointed out by Bill to draw a parallel to the Bride, who created the identity "Marlene Machiavelli" to blend in with the common folk of El Paso, Texas, elaborating to say, "Clark Kent is Superman's commentary on humanity," meaning that Kal-El finds humanity to be clumsy, unassuming, comical and pitiable, and that Clark Kent is his own private joke about how he feels about humanity: the easily ignorable "everyman