Original sentence: Dylan's 1978 album Street Legal was well reviewed (with some disparaging exceptions).In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison, and Neil Young.Lyrically one of his more complex and absorbing, it suffered from a poor sound mix (attributed to his studio recording practices), submerging much of its instrumentation in the sonic equivalent of cotton wadding until its remastered CD release nearly a quarter century later.Martin Scorsese's concert film The Last Waltz, including about half of Dylan's set, was released in 1978
Edited sentence: Also in 1978 Dylan starred with The Band, Joni Mitchell, Muddy Waters, Van Morrison, Neil Young, and many others in Martin Scorsese's concert film The Last Waltz, a sort of cinematic swan-song for The Band, who reappeared later in several incarnations but never again generated a comparable level of interest.His 1978 album Street Legal was well reviewed and lyrically one of his most complex and absorbing, although it suffered from an unaccountably poor sound mix, submerging some gorgeous organ, saxophone and guitar work in the sonic equivalent of cotton wadding until its remastered CD release nearly a quarter century later.The song Senor (Tales of Yankee Power) contends for the title of Dylan's most inscrutable ever, employing an oddly logical illogic ("Well, the last thing I remember before I stripped and kneeled / Was that trainload of fools bogged down in a magnetic field / A gypsy with a broken flag and a flashing ring / Said, 'Son, this ain't a dream no more, it's the real thing'")