Original sentence: His body is shown as long and emaciated while eyes and mouth are shown wide open.Holbein shows the dead Son of God at the moment when he is suffering the fate of an ordinary human.Remarking on Holbein's use of unflinching realism, Batschmann and Griener noted that Christ's raised, extended middle finger appears to "reach towards the beholder", while his strands of hair "look as if they are breaking through the surface of the painting".The painting is especially notable for its highly dramatic dimensions (30.5 cm x 200 cm), and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistically dead flesh in the early stages of putrefaction
Edited sentence: His body is shown as long and emaciated while eyes and mouth are streached open.Holbein shows the dead Son of God after he has suffered the fate of an ordinary human.Remarking on the artists' use of unflinching realism, Batschmann and Griener noted that Christ's raised, extended middle finger appears to "reach towards the beholder", while his strands of hair "look as if they are breaking through the surface of the painting".The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm), and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistically dead flesh in the early stages of putrefaction