Original sentence: " In the description of critic Chris Dahlen, the band pursued "pure pop disguised as jittery post-punk, all played with teeth-chattering intensity", while Milenio writer Ernesto Herrera called the album a representative record of new wave music.Editors at Trouser Press opined that it was a "spiky art-pop gem".In 2019, critic Michael Galluci argued: "Even today, Drums and Wires sounds like an unconventional work among the period's angular, arty and evolving New Wave.Musically, the album was described by Paste critic Lizzie Manno as featuring "polychromatic pop, a skittish punk energy and fierce grooves", as well as an "off-kilter fusion of art rock and New Wave [that] swells with Andy Partridge and Colin Moulding’s mercurial pop yelps and pointed guitars
Edited sentence: " Editors at Trouser Press opined that it was a "spiky art-pop gem".Critic Lizzie Manno offered that the group explores "polychromatic pop, a skittish punk energy and fierce grooves", as well as an "off-kilter fusion of art rock and New Wave [that] swells with Andy Partridge and Colin Moulding’s mercurial pop yelps and pointed guitars.In 2019, critic Michael Galluci said the album was "45 or so minutes of art-rock" and argued: "Even today, Drums and Wires sounds like an unconventional work among the period's angular, arty and evolving New Wave.In the description of critic Chris Dahlen, the band pursued "pure pop disguised as jittery post-punk, all played with teeth-chattering intensity", while Milenio writer Ernesto Herrera called the album a representative record of new wave music.The album is classed as pop music