Original sentence: " Moore's ability to bend (and transcend) gender by projecting both masculine and feminine sexuality has been often noted as her trademark, and has been mined by photographers for editorials considered some of the edgiest of their day.After scant appearances in the spring 2006 runway season, she regained the spotlight when, hair newly cropped in a style somewhere between a faux-hawk and a mullet, she was photographed by Steven Meisel for the March 2006 cover of Vogue Italia and an accompanying 32-page editorial.Her absence from the catwalk in the fall 2005 ready-to-wear shows prompted speculation about her retirement.In the post-supermodel era Moore is generally considered a member of a category of established professionals (such as Angela Lindvall, Tasha Tilberg, and Mariacarla Boscono) who have had lasting relevance and attained international fame within the fashion world, though they are not (in contrast to models such as Kate Moss, Gisele Bündchen, and Naomi Campbell) household names or easily recognized by the general public.Moore's big break came when she shot a cowgirl story for Amica by Patrick Demarchelier.Moore's work is known for its synthesis of opposites—toughness and refinement, forthrightness and reserve.She initially generated attention with a flood of magazine covers and runway bookings in 2000.She is not shy and she is not completely available.She went on to survive the initial craze, remaining a fixture in runway shows, editorials, and campaigns, though the number of her bookings declined after 2005.Typically, descriptions of her look are as it was characterized by Patricia Lansing in Women's Wear Daily—a "versatile look that is both hard and soft, feminine and sexy"—or as it was described early in her career by Models.com: "She is elegant and she is strong