Original sentence: Also of note, she contributed pieces in Die Frau als Künstlerin, Woman as an Artist, the prestigious 1928 survey of women artists in Western civilization.For example, she illustrated the Marquis de Sade's Justine.Forced underground during the Nazi occupation and Second World War, she sheltered her second artistic partner, Jindřich Heisler, a poet of Jewish descent who had joined the Czech Surrealist Group in 1938.She worked closely with fellow Surrealist poet and artist Jindřich Štyrský until Štyrský's death.Toyen was one of the few female Surrealists, along with Claude Cahun, Leonora Carrington and a handful of others.Toyen's sketches, book illustrations, and paintings were frequently erotic and she contributed erotic sketches for Štyrský's Eroticka Revue (1930–33)
Edited sentence: Also of note, they contributed pieces in Die Frau als Künstlerin, Woman as an Artist, the prestigious 1928 survey of women artists in Western civilization.For example, they illustrated the Marquis de Sade's Justine.Forced underground during the Nazi occupation and Second World War, they sheltered their second artistic partner, Jindřich Heisler, a poet of Jewish descent who had joined the Czech Surrealist Group in 1938.They worked closely with fellow Surrealist poet and artist Jindřich Štyrský until Štyrský's death.Toyen was one of the few female (arguably non-binary) Surrealists, along with Claude Cahun, Leonora Carrington and a handful of others.Toyen's sketches, book illustrations, and paintings were frequently erotic and they contributed erotic sketches for Štyrský's Eroticka Revue (1930–33)