Original sentence: After bankruptcy, Knott attempted to resurrect Blonde Vinyl under the name Siren Records.After the failure of Siren, Knott started the band Aunt Bettys.Blonde Vinyl folded in 1993 when its distributor, Spectra, went bankrupt.Siren managed two releases before going bankrupt: World Tour by LSU Cash in Chaos and Beautiful Dazzling Music No.Three albums were released under this imprint: Digital Priests - the Remixes by Deitiphobia, Revelation 1921 by Wigtop, and the SLAVA compilation.Underground, Plague of Ethyls, and As Blue as the State Allows by Sass o' Frass Tunic
Edited sentence: After bankruptcy, Michael Knott attempted to resurrect Blonde Vinyl Records under the name of Siren Records.Blonde Vinyl folded in 1993 when its distributor, Spectra Distribution, went bankrupt.Blonde Vinyl opened the way for the more profitable Tooth and Nail Records.Following the failure of Siren, Knott went on to found the general market band Aunt Bettys.However, the Christian industry had started to stagnate artistically when Michael Knott released long awaited albums from his two main bands, LSU and Lifesavers.Prior to Blonde Vinyl, several Christian record companies attempted and often succeeded in releasing artists who were edgy, creative, and original; these included Narrowpath Records, Broken Records, Exit Records, Alarma Records and Solid Rock Records.Siren only managed two releases before they also went bankrupt.The two releases for Siren records were World Tour by LSU Cash in Chaos and Beautiful Dazzling Music No.These were styles which were not nearly as popular at the time as they are now.Three albums were released under this imprint: Digital Priests - the remixes by Deitiphobia, Revelation 1921 by Wigtop, and the SLAVA compilation.Underground, Plague of Ethyls, and As Blue as the State Allows by Sass O' Frass Tunic