Original sentence: In 1966, the  Slovak-language Holocaust drama Shop on the Main Street (Obchod na korze, Czechoslovakia, 1965) by Ján Kadár and Elmer Klos won a special mention at the Cannes Film Festival in 1965 and the Oscar for Best Foreign Language film the following year.This included non-linear narratives and narrative ambiguity, as for example in  Andrzej Munk's Passenger (Pasażerka, Poland, 1963) and Jan Němec's Diamonds of the Night (Démanty noci, Czechlovakia, 1964); expressionist lighting and staging, as in Zbynych Brynych's The Fifth Horseman is Fear (...a paty jezdec je Strach, Czechoslovakia, 1964); and grotesquely black humour, as in Juraj Herz's The Cremator (Spalovač mrtvol, Czechoslovakia, 1968)
Edited sentence: In 1966, the  Slovak-language Holocaust drama The Shop on Main Street (Obchod na korze, Czechoslovakia, 1965) by Ján Kadár and Elmer Klos won a special mention at the Cannes Film Festival in 1965 and the Oscar for Best Foreign Language film the following year.This included non-linear narratives and narrative ambiguity, as for example in  Andrzej Munk's Passenger (Pasażerka, Poland, 1963) and Jan Němec's Diamonds of the Night (Démanty noci, Czechlovakia, 1964); expressionist lighting and staging, as in Zbyněk Brynych's The Fifth Horseman is Fear (...a paty jezdec je Strach, Czechoslovakia, 1964); and grotesquely black humour, as in Juraj Herz's The Cremator (Spalovač mrtvol, Czechoslovakia, 1968)