Original sentence: "  Some experts now suggest this attribution should be inverted.Albinoni's contribution to it, apart from the Adagio's similarity to other parts of his work, rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.Based on this evidence (or lack of it), many have concluded that the piece is Giazotto's own composition, whatever of Albinoni may have inspired him.Others have pointed to sections that are derivative from Albinoni in defending the original attribution of the work to him rather than to Giazotto.The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition once commonly attributed to the 18th-century Venetian master Tomaso Albinoni, but now thought by some scholars to be composed primarily by the 20th-century musicologist and Albinoni biographer Remo Giazotto.The composition is usually referred to as "Albinoni's Adagio," or "Adagio in G minor by Albinoni, arranged by Giazotto
Edited sentence: Albinoni's contribution to it rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.Although the composition is usually referred to as "Albinoni's Adagio," or "Adagio in G minor by Albinoni, arranged by Giazotto," the attribution is inverted.Based on this evidence (or lack of it), many have concluded that the piece is entirely Giazotto's own composition, whatever may have inspired him.The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly misattributed to the 18th-century Venetian master Tomaso Albinoni, but composed by the 20th-century musicologist and Albinoni biographer Remo Giazotto