Original sentence: Cotton, still playing in 2006 although with greatly diminished vocal powers, was the most energetic harp player of his time and specialized in slow, magnificent note-bends, along with vocals heavily influenced by  Bobby "Blue" Bland.Overblowing has been displayed more and more in the 1990s with the emergence of modern masters like Howard Levy, Chris Michalek, Carlos del Junco, and players like Jason Ricci and Adam Gussow have intergrated it thoroughly in a more blues or rock oriented music.This is because the notes of the G  pentatonic  scale (a commonly used scale in blues and rock) are more easily accessible on a C-tuned harmonica.This is known as "slant harp" or "third position" playing, and although this is much less intuitive- as it requires the abilty to bend notes completely accurately, and there are fewer useful chords available than in 1st or 2nd position playing, it offers many notes that are not achievable in the other positions wihout overblows.This limits the number of chromatic notes available when playing classical repetoire when compared with that of jazz or blues
Edited sentence: Cotton, still playing in 2006 although with greatly diminished vocal powers, was the most energetic harp player of his time and specialized in slow, magnificent note-bends, along with vocals heavily influenced by Bobby "Blue" Bland.Overblowing has been displayed more and more in the 1990s with the emergence of modern masters like Howard Levy, Chris Michalek, Carlos del Junco, and players like Jason Ricci and Adam Gussow have integrated it thoroughly in a more blues or rock oriented music.This is because the notes of the G pentatonic scale (a commonly used scale in blues and rock) are more easily accessible on a C-tuned harmonica.This is known as "slant harp" or "third position" playing, and although this is much less intuitive- as it requires the ability to bend notes completely accurately, and there are fewer useful chords available than in 1st or 2nd position playing, it offers many notes that are not achievable in the other positions wihout overblows.This limits the number of chromatic notes available when playing classical repertoire when compared with that of jazz or blues