Original sentence: Blake's became the most common reinterpretation of the work in secular universities in the twentieth century, but among some groups such as evangelical Christians, there is no such reinterpretation.In Pullman's introduction, he adapts Blake's line to quip that he himself "is of the Devil's party and does know it.In the late 1970s, the Polish composer Krzysztof Penderecki wrote an opera based on Paradise Lost, and Sergei Eisenstein thought it perfect material for epic film.Lindall's version is taught at New York University and is considered to be the twentieth century's most notable contribution to the tradition of fine art illustrations in homage to Milton's visionary genius.Paradise Lost has had a profound impact on writers, artists and illustrators, and, in the twentieth century, filmmakers.Rather, such groups would uphold the theology of Paradise Lost insofar as it conforms to the passages of Scripture on which it is based.The epic was also one of the inspirations for Philip Pullman's trilogy of novels His Dark Materials.The history of illustrators includes, among others, Edward Burney, Richard Westall, Francis Hayman, Bernard Lens, and John Medina.The most notable and popular illustrators include William Blake, Gustave Dore and Henry Fuseli.The tradition continues today with noted surreal/visionary artist Terrance Lindall's rendition which was published in hardcover in 1982 and which also appeared in Heavy Metal Magazine around that time
Edited sentence: And in his introduction, he adapts Blake's line to quip that he (Pullman) "is of the Devil's party and does know it.But to this day, among evangelical Christians, there is no such reinterpretation; it is considered on the same level as the passages and theology on which it is based.He states that the work is no longer much read in Britain by schools and universities.However, now it is "high art," so it is neither read nor quoted widely by them.In the late 1970s, the Polish composer Krzysztof Penderecki wrote an opera based on Paradise Lost.That became the most common reinterpretation of the work in secular universities in the twentieth century.The epic was one of the inspirations for Philip Pullman's trilogy of novels His Dark Materials