Original sentence: Aubrey also began to send telegrams to the set complaining about the number of camera setups Peckinpah used and the time taking to shoot specific scenes.Jason Robards, who had starred in Peckinpah's earlier films, the television production  Noon Wine (1966) andThe Ballad of Cable Hogue (1970), had a cameo appearance.Jones, Emilio Fernández, Luke Askew and John Beck.Metro-Goldwyn-Mayer's President James Aubrey, for economic reasons, refused to give Peckinpah the time or budget required, and forced the director to rely on local crew members in the Mexican state of Durango.Peckinpah was also plagued by alcoholism, which he would struggle with for the remainder of his life.Reportedly, when Dylan first arrived on the set, he and Kristofferson sat down to watch dailies of the film with Peckinpah.This, combined with his clashes with Aubrey and the studio led to Peckinpah's growing reputation as a difficult, unreliable and troubled filmmaker
Edited sentence: Aubrey began to send telegrams to the set complaining about the number of camera setups Peckinpah used and the time spent to shoot specific scenes.Jason Robards, who had starred in Peckinpah's earlier films, the television production  Noon Wine (1966) andThe Ballad of Cable Hogue (1970), had a cameo appearance as the governor.Jones, Emilio Fernández, Luke Askew, Jack Dodson and John Beck.Metro-Goldwyn-Mayer's President James Aubrey, for economic reasons, refused to give Peckinpah the time or budget required, forcing the director to rely on local crew members in the Mexican state of Durango.Peckinpah was plagued by alcoholism, which he would struggle with for the remainder of his life.Reportedly, when Dylan first arrived on the set, he and Kristofferson sat to watch dailies with Peckinpah.This, combined with his clashes with Aubrey and the studio led to Peckinpah's growing reputation as a difficult, unreliable filmmaker