Original sentence: Again the narrator discusses the urn in terms of its unaging qualities by saying, "She cannot fade, though thou hast not thy bliss" (line 19), but he also focuses on the inability of the lovers to ever obtain sensual pleasure due to their static nature  As the poem comes to a close, the narrator once again addresses the urn as a single obeject.By describing the object as a "foster-child of silence and slow time", the poet describes the urn as both a silent object, a theme which reoccurs throughout the poem, and a stone object that resists change  Throughout the first two stanzas, the speaker addresses the urn as a single object, taking note of its silence at several points as he discusses unheard melodies and tunes heard by not by the sensual ear in line 13.However, his tone becomes sharper as he seeks answers from the work of art that it appears unable to asnwer
Edited sentence: Again the narrator discusses the urn in terms of its unaging qualities by saying, "She cannot fade, though thou hast not thy bliss" (line 19), but he also focuses on the inability of the lovers to ever obtain sensual pleasure due to their static nature.As the poem comes to a close, the narrator once again addresses the urn as a single obeject.By describing the object as a "foster-child of silence and slow time", the poet describes the urn as both a silent object, a theme which reoccurs throughout the poem, and a stone object that resists change.However, his tone becomes sharper as he seeks answers from the work of art that it appears unable to answer.Throughout the first two stanzas, the speaker addresses the urn as a single object, taking note of its silence at several points as he discusses unheard melodies and tunes heard by not by the sensual ear in line 13