Edited sentence: At the same time the occupant of the box is looking out, the person looking at the theater box views the most intimate space.Colomina includes Loos' idea of a theater box as a claustrophobic space if not for the large, open space to look out on.Colomina was interested in Loos' multi-level spatial design of the Villa Müller.Colomina's essay, The Split Wall: Domestic Voyeurism, discusses the transformation of architecture into a vehicle for male sexual fantasy.In 1992, Beatriz Colomina, architectural historian and author of Privacy and Publicity: Modern Architecture as Mass Media, examined and discussed the Villa Müller in the book, Sexuality and Space (1992).In the Villa Müller, Loos designed a raised sitting area which Colomina interprets as the theater box as well as the 'female' space because of its domestic character.It focused on the relationships between sexuality and space hidden within everyday practices.It is edited by Colomina.Moreover, Colomina suggests that the 'female' space is considered private and contrasts with the 'male', public spaces of the house.Psychologically, the theater box could signify power and control inside of the house.She discusses Loos' opaque, covered windows of the house and how he would set sofas in front of the windows to angle the person sitting in the sofa towards the interior of the house.The book collects the proceedings of a 1990 conference of the same name at Princeton University.The theater box draws attention to itself.The voyeur concept in the Villa Müller is revealed through the theater box.Therefore, the person in the theater box is objectified