Original sentence: It was Collins and Milazzo's exhibitions and writings that fashioned the theoretical context for a new kind of neo (or post) conceptual art for Gallery Nature Morte; one that argued simultaneously against neo-expressionism and The Pictures Generation.It was through this context that the work of many of the artists associated with Gallery Nature Morte and neo-conceptualism (or what some of the critics reductively called Simulationism and Neo Geo) was first brought together: artists such as Ross Bleckner, James Welling, Steven Parrino, Richard Prince, Peter Nagy, Joseph Nechvatal, Sarah Charlesworth, Mark Innerst, Allan McCollum, Peter Halley, Jonathan Lasker, Haim Steinbach, Philip Taaffe, Robert Gober and Saint Clair Cemin.The idea of neo-conceptual art (sometimes later termed post-conceptual art) favored by Gallery Nature Morte was articulated by Tricia Collins and Richard Milazzo in the early 1980s in New York City, through their writings and curatorial activities
Edited sentence: It was Collins and Milazzo's exhibitions and writings that fashioned the theoretical context for a new kind of neo (or post) conceptual art for Gallery Nature Morte; one that argued simultaneously against Neo-Expressionism and The Pictures Generation.It was through this context that the work of many of the artists associated with Gallery Nature Morte and Neo-Conceptualism (or what some of the critics reductively called Simulationism and Neo Geo) was first brought together: artists such as Ross Bleckner, James Welling, Steven Parrino, Richard Prince, Peter Nagy, Joseph Nechvatal, Sarah Charlesworth, Mark Innerst, Allan McCollum, Peter Halley, Jonathan Lasker, Haim Steinbach, Philip Taaffe, Robert Gober and Saint Clair Cemin.The idea of neo-conceptual art (sometimes later termed post-conceptual art) favored by Gallery Nature Morte was clearly articulated by Tricia Collins and Richard Milazzo in the early 1980s in New York City, through their copious writings and curatorial activities