fairdataihub/poster-sentry-training-data huggingface dataset:
1 Emotional labeling and attribute framing on pro- environmental product decision making Leandro Miletto Tonetto Escola Superior de Propaganda e Marketing and Zooma Porto Alegre, Brazil, ltonetto@yahoo.com Abstract: Attribute framing effect refers to the fact that different descriptions of the same element can cause different reactions in people. This paper describes an experiment that was aimed at investigating attribute framing on pro-environmental product decision-making, having the consumer´s socially responsible behavior as a moderating effect. Framing effect was detected, but not as a universal response, since the type of evaluated product and the consumer´s level of socially responsible behavior can interfere in people´s judgements, by not producing the effect. Key words: Consumption, Emotion, Attribute framing effect, Pro-environmental product, Decision making. 1. Introduction The term ´framing´ is used to refer to the various ways that decision situations are presented leading decision makers to construct different representations of given situations [1, 2]. ´Attribute framing effect´ refers to the fact that positively-framed attribute presentations (e.g., a fridge that saves 25% of electric in comparison to average equipment) are usually more sucessfull, or attractive to subjects than the negatively-framed descriptions (e.g., a fridge that spends 75% of electric compared to average equipment) [3]. Since the message content in the previous example is supposed to be identical, findings related to the framing effect suggest that people would be more sensitive to the message frame than to its content. The explanation for the higher persuasion level of the positive frame, compared to the negative frame, could be found on intuitive reactions (definded as System 11), which are emotion-based. When facing negative-framed attributes, an adaptive system would act by producing negative emotion labels, drawing persuasion levels down. Facing a gain frame, this adaptive system could produce a positive label and it could draw the persuasion level of the content upwards. This mechanism, which can draw persuasion levels up and down, according to positive and negative labeling, is called affect heuristic [4, 5]. This is not a universal rule, as specific kinds of messages tend to be more persuasive in the negative frame. Common health communications about cancer are examples of messages that are more persuasive in negative forms, since the loss of a life seems to be a stronger message than its maintenance. 1 System 1 (intuition) operations tend to be fast, automatic, associative, effortless, implicit, emotionally charged, governed by habit and difficult to control and modify. System 2 (reasoning) operations tend to be slower, serial, effortful, consciously monitored, deliberately controlled, relatively flexible and rule governed [6].
- 1 - Measuring the Trait Component of Speech Disfluency Using Computerized Language Measures Presented at the Society for Computers in Psychology (SCiP) November 14, 2013 – Toronto, ON, Canada Sean Murphy; Bernard Maskit & Wilma Bucci www.thereferentialprocess.org smurphy1@gmail.com Abstract Disfluency is a characteristic feature of spontaneous spoken language that is associated with speech production functions and problems. Variation in disfluency has been investigated in relation to mechanical speech planning difficulty [1], management of listeners' expectations [2], deceptive speech [3], and in various other contexts [4] [5]. This study used measures of disfluency computed by the Discourse Attributes Analysis Program (DAAP) [6] to investigate the trait variance of disfluent speech in monologue and dialogue samples. The subcomponents of the measure are also explored. Background Definitions of disfluency vary in the literature with some studies focused on a single type, e.g., 'um' [3] and others considering various combinations of fillers, word prolongations, repairs, whole or part-word repetitions and false starts [4] [7]. It is unclear whether certain of these features have different purposes, with some researchers arguing, for example, that 'um' should be treated as a lexical type [3] vs. a filled pause [8]. Several studies have shown that disfluency is increased when a person engages in more difficult speech tasks [5], demonstrating situational variation. Other studies have suggested that disfluency may be a marker of expressive language problems [9] [10], suggesting it exhibits trait variance. This study examined disfluency as measured by DAAP [6], which counts incomplete words, repeated single words and repeated two word phrases (indicated as 'Non-Lexical- Disfluency' or 'NLDF') and the lexical types: 'um', 'uh', 'like', 'I mean'(IMN), 'you know' (YKNW), 'well', 'kind', 'hm', 'mm', 'eh', 'ehm', and 'ah'. DAAP employs disambiguation
Colección de ESMOS 1 Infografía Glucosa-isomerasa (EC 5.3.1.5) Mariana Mendoza Badillo* iD Licenciatura en Biotecnología, Facultad de Ciencias Biológicas, Benemérita Universidad Autónoma de Puebla, Puebla, México. *Email: mariana.mendozaba@alumno.buap.mx 02 de marzo de 2023 DOI: http://doi.org/10.5281/zenodo.7690700 Editado por: Jesús Muñoz-Rojas (Instituto de Ciencias, Benemérita Universidad Autónoma de Puebla). Revisado por: Dalia Molina-Romero (Facultad de Ciencias Biológicas, Benemérita Universidad Autónoma de Puebla). Colección de ESMOS Resumen Las enzimas son proteínas catalizadoras, tienden a cumplir funciones únicas al acelerar las reacciones químicas y haciendo posibles varios procesos biológicos [1]. La clasificación de enzimas se rige por el tipo de función que desempeña, siendo las enzimas isomerasas las capaces de isomerizar un compuesto, transformándolo a través de catalizar la reacción de reordenamiento de sus átomos, su nomenclatura inicia con EC [2].
Emotion through Product Motion Behavior Chia-Cheng, Liu, Institute of Applied Art, National Chiao Tung University - Taiwan Hua-Min, Chang, Institute of Applied Art, National Chiao Tung University - Taiwan Yi-Shin Deng, Department of Industrial Design, National Taipei University of Technology - Taiwan Abstract Although the general interest of the emotional arousal in human-product interaction gradually grows, we have few understandings of how it can be addressed by products. In this paper we propound an argument that the feedback style caused by user’s action will give rise to emotional responses. Taking the action of CD player cover for example, we propose an approach to investigating how the different rhythm of the cover’s open and close influences emotion. This result of the research shows the relationship between emotional responses and product motion behavior and facilitates designer’s intention to arouse emotional responses by deciding the product motion behavior in interactive product design. Key words: product motion behavior, emotional responses, interactive product design Relevance of problem It has been argued that emotion has become more and more important in the field of product design. Products effect user’s emotion apparently in different aspects, e.g. a user may feel pleasure or disgusting because of product’s appearance, or impose past images pertaining to similar experiences on new product. There have been many researchers addressing the issue of emotion aroused from product appearances (Nagamachi 1995; Desmet 2003). However, little attention has been given to the point that emotion is aroused from interactive conditions. The traditional research issues in the interactive relationship between user and product are ergonomics or usability engineering borrowed from software interface design or some other ethical concerns. Namely, performance has been considered as the most important value while user-product interaction happens, yet the potential for enhancing pleasure has been often ignored. Although the evidence is not compelling that emotion is probably aroused from user-product interaction, it is possible to argue that emotional appraisals indeed exist so as to evaluate partial or whole interactive quality, e.g. given the opening conditions between a poor electric door or a elegant CD player manufactured by Bang & Olufsen, they certainty give us different feelings.
An Optical/NIR Exploration of Forming Cluster Environments at High Redshift with VLT, Keck, and HST z=1100 z=2-8 z=1.5-2 z~0.8-1.5 z<0.8 ? ? Brian C. Lemaux, Olga Cucciati, Lori Lubin, Roy Gal, Olivier Le Fèvre, Ben Forrest, Ekta Shah, Priti Staab, Denise Hung, Lu Shen and the ORELSE, VUDS, and C3VO Teams A Journey Through Galactic Environments, Porto Ercole, Italy, 2023 Sept. 25
Colección de ESMOS 1 Infografía Taq polimerasa: historia, características y aplicaciones Francisco Germán Tapia Clemente* iD Licenciatura en Biotecnología, Facultad de Ciencias Biológicas, Benemérita Universidad Autónoma de Puebla, Puebla, México. *Email: tapiaclementefranciscogerman@gmail.com 01 de marzo de 2023 DOI: http://doi.org/10.5281/zenodo.7689901 Editado por: Jesús Muñoz-Rojas (Instituto de Ciencias, Benemérita Universidad Autónoma de Puebla). Revisado por: Francisco David Moreno Valencia (Instituto de Ciencias, Benemérita Universidad Autónoma de Puebla). Colección de ESMOS Resumen La definición general de las enzimas es que son un tipo de proteínas que catalizan, es decir, aceleran o retrasan procesos o reacciones químicas dentro de los seres vivos, sin embargo, a pesar de que hay clasificación para cada tipo de enzimas, hay algunas que son diferentes debido a los organismos que las sintetizan, esto posiblemente por el hábitat hostil que provocó una adaptación.
Slovak Society of Chemical Engineering Institute of Chemical and Environmental Engineering Slovak University of Technology in Bratislava PROCEEDINGS 50th International Conference of the Slovak Society of Chemical Engineering SSCHE 2024 hotel SOREA HUTNIK I Tatranské Matliare, High Tatras, Slovakia May 20 - 24, 2024 Editors: Assoc. Prof. Mário Mihaľ ISBN: 978-80-8208-118-6, EAN: 9788082081186 Published by the Faculty of Chemical and Food Technology Slovak Technical University in Bratislava in Slovak Chemistry Library for the Institute of Chemical and Environmental Engineering; Radlinského 9, 812 37 Bratislava, 2024 Ruzicka, M., Paulen, R., Helgeland, I.: Modelling and Optimal Operation of a Forward Osmosis Process, Editors: Mihaľ, M., In 50th International Conference of the Slovak Society of Chemical Engineering SSCHE 2024, Tatranské Matliare, Slovakia, 2024.
10-12.05.2022 Izola, Slovenia Nežka Sajinčič Learning about NDSS through video – Evidence-based guidelines for eff ective instructional videos for a smooth transition into industry Nežka Sajinčič1*, Andreja Istenič², Anna Sandak¹,³ 1 InnoRenew CoE, Livade 6a, 6310 Izola, Slovenia, nezka.sajincic@innorenew.eu, anna.sandak@innorenew.eu 2 Faculty of Education, University of Primorska, Cankarjeva 5, 6000 Koper, Slovenia, andreja.istenic7@gmail.com 3 Faculty of Mathematics, Natural Sciences and Information Technologies, University of Primorska, Glagoljaška 8, 6000 Koper, Slovenia *Corresponding author Non-destructive spectroscopic sensors (NDSS) are an innovative and highly useful group of tools that have a potential to considerably improve the food industry. Research and development are reaching the point where these laboratory-bound technologies can be implemented directly in the ﬁ eld, allowing the industry to apply them and put them into practice. However, widespread adoption of new technologies requires eff ective knowledge transfer, which means that people must ﬁ rst learn what these innovations can do and how to use them properly. The COVID-19 pandemic brought many face-to-face meetings and training sessions to a standstill and highlighted the possibilities of online learning that will outlast the period of constraints. Although more sophisticated learning technologies now exist, recorded instructional videos remain one of the most popular and consistently used mediums for both formal and informal learning because of their ease of use, convenience, ﬂ exibility, and eff ectiveness (Islam et al., 2020). However, not all instructional videos are created equally, so it is important to know how to design educational videos that promote learning by knowing which features contribute positively to knowledge transfer and which do not (Fiorella and Mayer, 2018; Mayer et al., 2020). Drawing on theories of learning with multimedia such as Cognitive Load Theory (Sweller et al., 2011), Cognitive Multimedia Learning Theory (Mayer, 2014), and the Cognitive-Aff ective Theory of Learning with Media (Moreno, 2006), we will present evidence-based guidelines for making eff ective educational videos. Using the topic of non-destructive spectral sensor applications for in situ analysis as an example, we will demonstrate some ways to improve instructional videos with the goal of accelerating the transfer of knowledge from academia and facilitating the implementation of NDSS in the food industry. Keywords: instructional video, multimedia learning, instructional design, video demonstrations, knowledge transfer Acknowledgements: The authors gratefully acknowledge the European Commission for funding the InnoRenew CoE project (Grant Agreement #739574) under the Horizon2020 Widespread-
1 Designers as Storytellers: the weaving of narratives in the work of bernabeifreeman Rina Bernabei – Senior Lecturer, Faculty of the Built Environment, The University of New South Wales, Sydney, Australia, (+61) 0418 616 071, r.bernabei@unsw.edu.au Kelly Freeman –Part-time Lecturer, Faculty of the Built Environment, The University of New South Wales, Sydney Australia, (+61) 02 9716 4401, kelly@bernabeifreeman.com.au Jacqueline Power – PhD Candidate/Casual Staff Member/ Research Assistant, Faculty of the Built Environment, The University of New South Wales, Sydney, Australia, 61 401 283 663, jacqueline.power@student.unsw.edu.au Abstract Products may communicate a premeditated story, one that has been planned and designed from the products’ conception. This story may be communicated through designed ‘triggers’ or ‘cues’ that are all part of the product’s form, material, intractability and manufacture. How and if designed objects achieve their goal of communicating with responders and establishing an emotional connection, will be explored through a series of interviews with end-users in relation to the work of award winning practice bernabeifreeman. The bernabeifreeman designers have identified four key storytelling methods in their work as: Narrative, Manufacture, History and Interaction. Conference theme: Usage & Interaction Keywords: Product design, Storytelling, bernabeifreeman
INTRODUCTION • The intermediate disturbance hypothesis states that diversity levels will be highest in moderately disturbed sites due to impacts on competition and available niches. • We surveyed biodiversity on three land use types in an urban setting in the central interior of British Columbia. METHODS • We used pitfall traps to monitor ground- dwelling invertebrates in industrial, residential, and greenbelt sites in Prince George, British Columbia. • N=4 sites for each land use type. • We sorted specimens from four one- week sampling periods (summer 2015) using keys and DNA barcodes. DISCUSSION • Different land use types in Prince George, BC, are reasonably well differentiated by their invertebrate assemblages. • Industrial sites, followed closely by residential lawns, exhibit the highest species diversity. Both land use types are characterized by historical disturbance and moderate levels of continuous low-level disturbance. • Our work also provides a baseline checklist of ground-dwelling invertebrate fauna in an under-surveyed ecosystem and region. Invertebrate biodiversity levels in an urban ecosystem are higher in industrial and residential areas than in parks. Ground-dwelling invertebrate biodiversity patterns in a small, central British Columbia city support the intermediate disturbance hypothesis Dezene P. W. Huber, Lisa M. Poirier, and Alicja M. Muir – University of Northern British Columbia, Faculty of Environment ACKNOWLEDGEMENTS: We thank the City of Prince George, Rolling Mix Concrete Ltd., the Salvation Army, Brandt Tractor Ltd, Coast Powertrain Ltd., and several residential landowners and tenants for access to sites. Funding was provided by the University of Northern British Columbia and NSERC. Species accumulation curve for all traps at all sites at all collection dates (R, vegan, specaccum). Our analysis is based on 137 unique identifications, most to the level of genus or species, and none higher than family other than Annelida and Mollusca. Non-metric multidimensional scaling of species presence-absence in the three urban land use types (R, vegan, vegdist “bray”, ordiplot). Industrial areas exhibited a distinct community, while residential areas were intermediate compared to the other areas. α-Diversity levels for the three land use types (R, vegan, specnumber). Both greenbelt and residential areas tended towards lower α-diversity than industrial sites. Shannon’s H for the three land use types (R, vegan, diversity “shannon”). Industrial sites showed the highest richness, followed closely by residential sites. An analysis using Simpson’s index returned a similar result. @docdez @lisapoir @alicjamuir More details & citations here
Detection of Philaenus sp. (Hemiptera: Aphrophoridae) DNA in the gut of spiders, using PCR-based gut-content analysis Rodrigues I. a,b, Ramos V. a, Benhadi-Marín J. a, Pereira J.A. a, Baptista P. a aCentro de Investigação de Montanha (CIMO), Instituto Politécnico de Bragança. Campus de Santa Apolónia, 5300-253 Bragança, Portugal bUniversidad de Léon, Departamento de Ingeniería Agraria, Av. Portugal, n° 41, 24071 Léon, Spain
Comparative metadata for popular theater in Alsatian, German and French Pablo Ruiz Fabo, Fanny Boisnard, Alexia Schneider - Université de Strasbourg, France Project goals and methods We describe ongoing work to create metadata for popular theater subgenres in Alsatian, German and French.1 Alsatian theater (written in Germanic varieties spoken in Alsace, Eastern France) has been influenced by both German and French theater, and large-scale metadata will help compare the traditions. As we work with lesser-studied subgenres, the data adds variety to Computational Literary Studies (CLS).2 We transcribe and annotate the following: ● Bibliographic metadata based on the frontmatter (title, author, publisher and its location, publication year for our source), also searching for the first edition and premiere year ● Plays’ genre based on their subtitle; if absent, secondary literature is consulted ● The dramatis personæ, annotating variables to describe characters (gender, social class, socioprofessional group, etc.) besides character relations ● The plays’ setting, including time and place information, retrieving coordinates from OpenStreetMap when possible ● Number of acts and scenes ● We retrieve Wikidata IDs for plays, authors and publishers; adding missing ones to Wikidata is a project goal For French, we work on vaudeville, a comedic subgenre; corpus selection is based on Gidel (1986) and Matthes (1983). For German, we work on two popular comedy subgenres called Posse and Schwank (Wilms, 1969; Klotz, 2007). These three subgenres have been identified as the main influences of Alsatian theater (Hülsen, 2003). For Alsatian, our corpus includes Schwank and more refined comedy types, besides about 25 popular dramas (Volksstück), ca. 25 Christmas tales (Weihnachtsstück), and a handful of serious dramas. Data includes 6,834 characters from 589 plays by 200 authors, between 1800 and 1929. Rationale and related work Alsatian theater is at the crossroads of French and German drama (Hülsen, 2003), but no systematic comparison has been performed between Alsatian and these traditions. We recently created a prosopography for Alsatian characters (Ruiz & Bermúdez, 2022), obtaining findings (Ruiz et al., 2024) that complement earlier knowledge of Alsatian theater, based on smaller samples (Cerf, 1972; Gall, 1974; Huck, 2005; Hülsen, 2003). Since the corpus overview afforded by such annotations proved useful, here we extend the methodology to German and French popular subgenres, to explore subgenre evolution across traditions. One of our inspirations is Wiedmer et al. (2020), who insist on the value of the dramatis personæ as an indicator of possible plots and conflicts. DraCor Einakter (Çakir & Fischer, 2020) also develops similar annotations to ours, covering one-act plays in German (1740-1850). More generally, the literary polysystems approach (Even Zohar, 1990), which 2 Data for this submission is at https://git.unistra.fr/thealtres/dh2024-data 1 The work is carried out within the Thealtres project: https://thealtres.pages.unistra.fr/ 1
Warning! Cyberattack! Cyberpandemic! A global cyberpandemic is more likely to happen than you think. Preface. It has been more than 6 months and even more, even like November/December 2020 that I had the intention of writing this text that is (in my opinion) important. With procrastination, projects and other occupations, I had so much delayed that the time that I was writing this preface was July 9th 2021. This day is symbolic because it meets the day of the CyberPolygon 2021 conference. This day has passed and I still didn’t see or read the results of their report, so the prospection is more legitimate without cheating, but to be honest, in some time, I will maybe read the report to clarify some arguments. It is also important to note that I am no prophet, no big expert, but I will confess that I make frequently links between things that other people don’t see and it is important to not hide something we know for a long time. There is millions of things to say, but we should start by a small synthesis of the general arguments and the key points to facilitate and shorten your reading, and this is needed in these times of sanitary crises and socio-economic crises. Let’s begin Statement: A cyber-pandemic has a significant probability to happen and it should not be ignored. It could be false, planned, and accidental or even the three at the same time in progression, with causes and consequences, direct and indirect. It would still be a problem that someone should take in consideration and leave it in his head in case of prevention, who knows. The most probable time is whether in the nearest times, like some months, or either a decade. Something to know is that the more we approach to 2030 and over, the more big the probability. More details will come after. This global cyberattack will effect internet, electricity, communications and other electronic and non-electronic elements like supply-chains. Just to say that because there is too much to say, I resumed the biggest parts in the next page. Because there would be too much sources, too much references and links to know before understanding, I will try to put a part. But because explaining these big points could take eternity, I resumed and said to myself that I will publish a part today and will try to develop it more gradually. Because the event could happen any minute, I ask you to save this pdf wherever you are. Thank you. And to translate and facilitate its accessibility and reading wherever you are. Thank you. -Diluvio Ghamari, August 4 2021. With the help of Yan Rashid Dadelda. Page 1/4