Plot
The movie revolves around Eun-sook (Moon So-ri), a lovely but promiscuous professor in a university, who has all the male professors wrapped around her finger. When a popular comic book artist Seok-gyu (Ji Jin-hee) joins the environmental awareness group that she belongs to, he attracts the jealously of Mr. Yoo, a group member who fears that he would steal Eun-sook from him, even though Eun-sook does not return his intense love. What is not known to the rest is that Eun-sook and Seok-gyu attended the same junior high school where they share a secretive tragic history. Back then, Eun-sook was the girlfriend of Seok-gyu's older brother and the three rebellious teenagers indulged in promiscuous sex . Eun-sook worries that her past may be revealed.

Plot: The movie revolves around Eun-sook (Moon So-ri), a lovely but promiscuous professor in a university, who has all the male professors wrapped around her finger. When a popular comic book artist Seok-gyu (Ji Jin-hee) joins the environmental awareness group that she belongs to, he attracts the jealously of Mr. Yoo, a group member who fears that he would steal Eun-sook from him, even though Eun-sook does not return his intense love. What is not known to the rest is that Eun-sook and Seok-gyu attended the same junior high school where they share a secretive tragic history. Back then, Eun-sook was the girlfriend of Seok-gyu's older sister and the three rebellious teenagers indulged in promiscuous sex. Eun-sook worries that her past may be revealed.


He launched his career there and it seems fitting that he return. <SEP> His career was in the exciting field of door to door vacuum sales.

She launched her career there, and it seems fitting that she returned. <SEP> Her career was in the exciting field of door to door vacuum sales.


Sancho Alfónsez (or Adefónsez) (ca. 1093 – 29 May 1108) was the only son of King Alfonso VI of Castile and León; his mother was the Moorish princess Zaida. Alfonso's heir from May 1107, he eventually co-ruled from Toledo. He predeceased his father, being killed while trying to escape the field of the Battle of Uclés. His death, on his first recorded military expedition, precipitated a succession crisis that ended with the accession of his elder half-sister Urraca and her husband, Alfonso the Battler, already King of Navarre and Aragon, to the throne of Kingdom of Castile-León.

Childhood, to 1103
According to Pelayo of Oviedo, the Moorish princess Zaida was the mother of Alfonso's only son, but he is confused about the origins of Zaida. She was married to Fath al-Mamun, the ruler of the taifa of Córdoba, and thus a daughter-in-law (and not a daughter, as Pelayo believed) of al-Mutamid of Seville. Her husband died in March 1091 and Alfonso's relationship with her began later that year or in 1092, probably while Alfonso's wife, queen Constance of Burgundy, who had provided no son, was seriously ill. Constance died in Autumn 1093. It is probable on chronological grounds that Zaida became pregnant with the infante in late 1092 or early 1093, or for legalistic grounds, after the death of Constance and before Alfonso's 1095 remarriage to Bertha. According to the reports of her epitaph, she died in childbirth on 12 September (either a Monday or Thursday), but whether the child was Sancho is unknown. Though illegitimate, his birth must have dashed the hopes of Raymond, the Count of Galicia and son-in-law of the king, who, according to the Chronicon Compostellanum, had been promised the kingdom.

There exists a charter of a grant made to the church at León dated 17 January 1098 which lists the young Sancho as a witness, but it is a forgery. Another unreliable charter, this one dated to 12 January 1102 (though it says 1110), names Sancius filius Imperator ("Sancho, son of the emperor") among its witnesses, but it contains interpolations. Around Christmas 1102, Sancho, then about nine years old, was probably brought into public and formally recognised. The recognition of Sancho, which would have marked him as a potential heir, was probably supported by the powerful Leonese magnate Pedro Ansúrez, who was shortly to be exiled until after the infante'''s death, probably because his position with respect to the young Sancho had earned him the enmity of Count Raymond and Henry, Count of Portugal, both aspirants to the throne.

Early public life, 1103–1107
In early January 1103 a church council was held in the royal presence at Carrión de los Condes to mediate a land dispute between Santiago de Compostela and Mondoñedo. Little is known of the details of this council and the meeting of the royal court that probably accompanied it, but many suggestions have been offered, one being that at this time Sancho was named heir to the kingdom. The first public appearance of the young infante was at Sahagún shortly after. At about ten years of age he was a witness to two documents, one public and one private, on 25 January 1103. He signed as Sanctius infans quod pater fecit confirmo ("the infante Sancho, whose father made him confirm [the charter]"). He thereafter figures more and more in royal charters. Sancho confirmed those of 10 and 25 February, also at Sahagún, and also a grant of 19 March to San Salvador de Oña, probably from Castile. On 22 June he confirmed a grant to the church at Toledo, probably made in thanksgiving for the recent victory at the Battle of Talavera. In October he was still with the court at Oviedo, where he confirmed an exchange between Raymond and the bishop. On 16 March 1104 he confirmed a grant to the bishop of Oviedo that is the first known appearance of his half-sisters Sancha and Elvira, the daughters of Alfonso's new queen, a Frenchwoman named Isabel.

On 5 January 1105 a large group of Portuguese magnates, along with their count and countess, Henry and Theresa, met at Sahagún and made a donation of some Portuguese lands to the Abbey of Cluny and that of San Isidro de Dueñas. Charles Julian Bishko, who discovered this charter, argued that Henry was forming a coalition against both the young Sancho and Count Raymond. This, however, presumes the absence of Alfonso from his own court. At Sahagún on 31 March 1105 Alfonso made a grant to the cathedral of Astorga, witnessed by Sancho and Raymond. Sancho does not reappear until 19 March 1106, when he confirmed his father's grant to the church of Oviedo, made at Sahagún, the court's favourite resting place. He then confirmed a private charter at Sahagún on 18 January 1107. He may have then been put in charge of Medinaceli, which Alfonso had conquered in 1104. From 23 April 1107 a private document of San Salvador de Oña reads regnante rege adefonso in toleto et in leione et in omni regno yspanio. Santius filius. eius in Medina ("king Alfonso reigning in Toledo and in León and in the entire Spanish kingdom. Sancho, his son, [reigning] in Medinaceli"). On 14 April he joined in a grant of his father and queen Isabel, recorded at Astorga, to the people of Riba de Tera and Valverde, cum uxore mea Elisabet et filio nostro Sancho ("with my [Alfonso's] wife and our son Sancho").

Responsibility and death, 1107–1108
At León in early May 1107 Alfonso held a great court at which he declared Sancho his heir. On 14 May Alfonso's granted the right of coinage to the bishop of Santiago de Compostela and the grant was confirmed by Sancho, who for the first time signed as regnum electus patri factum ("made king-elect by his father"). This formula is found only in a thirteenth-century copy, but it is reliable, as the older formula, Sancius filius regis conf. ("Sancho, son of the king confirming") is unlikely to have been abandoned by the copyist. Claudio Sánchez-Albornoz, followed by Bishko, redated the charter to 1105 on the basis of the Historia Compostelana, a date which would lend support to the theory of a pacto sucessório (pact of succession) between Henry and Raymond in the spring of that year. The death of Constance, the birth of the illegitimate Sancho, and Alfonso's quick remarriage to an Italian named Bertha had altered the state of the succession in 1093. He appears to have bided his time dividing Raymond and Henry while hoping for a legitimate heir, which never came. In the end, having waited long enough he named the then-adolescent Sancho his heir. On 27 May 1107 Raymond died. On 30 December Alfonso confirmed all the rights and privileges granted to Jerome, Bishop of Salamanca, by Raymond. Though neither Sancho nor any other lay nobleman of the realm confirmed the concession, Sancho's presence for such an important arrangement was probably necessary at that stage.

According to the Historia Compostelana, Sancho had been put in charge of Toledo by his father, probably at the December 1107 court at León. He probably travelled south to Toledo in early or mid-April in order to prepare for the usual summer campaigning season. The army which he brought with him is not estimated as very large, based on figures from the Chronica Naierensis. In May 1108 a large army of Moors united and attacked Uclés, which they took on 27 May, forcing the garrison back into the alcázar (citadel). The infante Sancho, with his father in the north of the kingdom (having just wed a woman named Beatrice in April), took the initiative in organising a counterattack. The result was the Battle of Uclés, in which the Christians were surrounded and slaughtered, though Sancho and his bodyguard of retainers managed to escape the mêlée. He fled on horseback to Belinchón, twenty kilometres northwest, but the local Muslims rose against him and he was killed. García Álvarez, Alfonso's alférez from 1100 to 1107 and Sancho's appointed guardian may be the García who according to Rodrigo Jiménez's De rebus Hispaniae was cut down while defending the infante. He died without issue.

Notes

References
Reilly, Bernard F. 1982. The Kingdom of León-Castilla under Queen Urraca, 1109–1126. Princeton: Princeton University Press.
Reilly, Bernard F. 1988. The Kingdom of León-Castilla under King Alfonso VI, 1065–1109. Princeton: Princeton University Press.
Salazar y Acha, Jaime de. 1992. "Contribución al estudio del reinado de Alfonso VI de Castilla: algunas aclaraciones sobre su política matrimonial." Anales de la Real Academia Matritense de Heráldica y Genealogía, 2:299–336.
Salazar y Acha, Jaime de. 2007. "De nuevo sobre la mora Zaida." Hidalguía: la Revista de Genealogía, Nobreza y Armas''. 54:225–242.

External links

Category:1093 births
Category:1108 deaths
Category:People of the Reconquista
Category:Leonese infantes
Category:Castilian infantes
Category:Illegitimate children of Spanish monarchs

Sancho Alfónsez (or Adefónsez) (ca. 1093 – 29 May 1108) was the only son of King Alfonso VI of Castile and León; his mother was the Moorish princess Zaida. Alfonso's heir from May 1107, he eventually co-ruled from Toledo. He predeceased his father, being killed while trying to escape the field of the Battle of Uclés. His death, on his first recorded military expedition, precipitated a succession crisis that ended with the accession of his elder half-sister Urraca and her husband, Alfonso the Battler, already King of Navarre and Aragon, to the throne of Kingdom of Castile-León.

Childhood, to 1103
According to Pelayo of Oviedo, the Moorish princess Zaida was the mother of Alfonso's only son, but he is confused about the origins of Zaida. She was married to Fath al-Mamun, the ruler of the taifa of Córdoba, and thus a daughter-in-law (and not a daughter, as Pelayo believed) of al-Mutamid of Seville. Her husband died in March 1091 and Alfonso's relationship with her began later that year or in 1092, probably while Alfonso's wife, queen Constance of Burgundy, who had provided no son, was seriously ill. Constance died in Autumn 1093. It is probable on chronological grounds that Zaida became pregnant with the infante in late 1092 or early 1093, or for legalistic grounds, after the death of Constance and before Alfonso's 1095 remarriage to Bertha. According to the reports of her epitaph, she died in childbirth on 12 September (either a Monday or Thursday), but whether the child was Sancho is unknown. Though illegitimate, his birth must have dashed the hopes of Raymond, the Count of Galicia and son-in-law of the king, who, according to the Chronicon Compostellanum, had been promised the kingdom.

There exists a charter of a grant made to the church at León dated 17 January 1098 which lists the young Sancho as a witness, but it is a forgery. Another unreliable charter, this one dated to 12 January 1102 (though it says 1110), names Sancius filius Imperator ("Sancho, son of the emperor") among its witnesses, but it contains interpolations. Around Christmas 1102, Sancho, then about nine years old, was probably brought into public and formally recognised. The recognition of Sancho, which would have marked him as a potential heir, was probably supported by the powerful Leonese magnate Pedro Ansúrez, who was shortly to be exiled until after the infante "'s death, probably because his position with respect to the young Sancho had earned him the enmity of Count Raymond and Henry, Count of Portugal, both aspirants to the throne.

Early public life, 1103–1107
In early January 1103 a church council was held in the royal presence at Carrión de los Condes to mediate a land dispute between Santiago de Compostela and Mondoñedo. Little is known of the details of this council and the meeting of the royal court that probably accompanied it, but many suggestions have been offered, one being that at this time Sancho was named heir to the kingdom. The first public appearance of the young infante was at Sahagún shortly after. At about ten years of age he was a witness to two documents, one public and one private, on 25 January 1103. He signed as Sanctius infans quod pater fecit confirmo (" the infante Sancho, whose father made him confirm [ the charter ] "). He thereafter figures more and more in royal charters. Sancho confirmed those of 10 and 25 February, also at Sahagún, and also a grant of 19 March to San Salvador de Oña, probably from Castile. On 22 June he confirmed a grant to the church at Toledo, probably made in thanksgiving for the recent victory at the Battle of Talavera. In October he was still with the court at Oviedo, where he confirmed an exchange between Raymond and the bishop. On 16 March 1104 he confirmed a grant to the bishop of Oviedo that is the first known appearance of his half-sisters Sancha and Elvira, the daughters of Alfonso's new queen, a Frenchwoman named Isabel.

On 5 January 1105 a large group of European magnates, along with their count and countess, Henry and Theresa, met at Sahagún and made a donation of some European lands to the Abbey of Cluny and that of San Isidro de Dueñas. Charles Julian Bishko, who discovered this charter, argued that Henry was forming a coalition against both the young Sancho and Count Raymond. This, however, presumes the absence of Alfonso from his own court. At Sahagún on 31 March 1105 Alfonso made a grant to the cathedral of Astorga, witnessed by Sancho and Raymond. Sancho does not reappear until 19 March 1106, when he confirmed his father's grant to the church of Oviedo, made at Sahagún, the court's favourite resting place. He then confirmed a private charter at Sahagún on 18 January 1107. He may have then been put in charge of Medinaceli, which Alfonso had conquered in 1104. From 23 April 1107 a private document of San Salvador de Oña reads regnante rege adefonso in toleto et in leione et in omni regno yspanio. Santius filius. eius in Medina (" king Alfonso reigning in Toledo and in León and in the entire Spanish kingdom. Sancho, his son, [ reigning ] in Medinaceli "). On 14 April he joined in a grant of his father and queen Isabel, recorded at Astorga, to the people of Riba de Tera and Valverde, cum uxore mea Elisabet et filio nostro Sancho (" with my [ Alfonso's ] wife and our son Sancho ").

Responsibility and death, 1107–1108
At León in early May 1107 Alfonso held a great court at which he declared Sancho his heir. On 14 May Alfonso's granted the right of coinage to the bishop of Santiago de Compostela and the grant was confirmed by Sancho, who for the first time signed as regnum electus patri factum (" made king-elect by his father "). This formula is found only in a thirteenth-century copy, but it is reliable, as the older formula, Sancius filius regis conf. (" Sancho, son of the king confirming ") is unlikely to have been abandoned by the copyist. Claudio Sánchez-Albornoz, followed by Bishko, redated the charter to 1105 on the basis of the Historia Compostelana, a date which would lend support to the theory of a pacto sucessório (pact of succession) between Henry and Raymond in the spring of that year. The death of Constance, the birth of the illegitimate Sancho, and Alfonso's quick remarriage to an Italian named Bertha had altered the state of the succession in 1093. He appears to have bided his time dividing Raymond and Henry while hoping for a legitimate heir, which never came. In the end, having waited long enough he named the then-adolescent Sancho his heir. On 27 May 1107 Raymond died. On 30 December Alfonso confirmed all the rights and privileges granted to Jerome, Bishop of Salamanca, by Raymond. Though neither Sancho nor any other lay nobleman of the realm confirmed the concession, Sancho's presence for such an important arrangement was probably necessary at that stage.

According to the Historia Compostelana, Sancho had been put in charge of Toledo by his father, probably at the December 1107 court at León. He probably travelled south to Toledo in early or mid-April in order to prepare for the usual summer campaigning season. The army which he brought with him is not estimated as very large, based on figures from the Chronica Naierensis. In May 1108 a large army of Moors united and attacked Uclés, which they took on 27 May, forcing the garrison back into the alcázar (citadel) . The infante Sancho, with his father in the north of the kingdom (having just wed a woman named Beatrice in April), took the initiative in organising a counterattack. The result was the Battle of Uclés, in which the Christians were surrounded and slaughtered, though Sancho and his bodyguard of retainers managed to escape the mêlée. He fled on horseback to Belinchón, twenty kilometres northwest, but the local Muslims rose against him and he was killed. García Álvarez, Alfonso's alférez from 1100 to 1107 and Sancho's appointed guardian may be the García who according to Rodrigo Jiménez's De rebus Hispaniae was cut down while defending the infante. He died without issue.

Notes

References
Reilly, Bernard F. 1982. The Kingdom of León-Castilla under Queen Urraca, 1109–1126. Princeton: Princeton University Press.
Reilly, Bernard F. 1988. The Kingdom of León-Castilla under King Alfonso VI, 1065–1109. Princeton: Princeton University Press.
Salazar y Acha, Jaime de. 1992 ." Contribución al estudio del reinado de Alfonso VI de Castilla: algunas aclaraciones sobre su política matrimonial. "Anales de la Real Academia Matritense de Heráldica y Genealogía, 2:299–336.
Salazar y Acha, Jaime de. 2007 ." De nuevo sobre la mora Zaida. "Hidalguía: la Revista de Genealogía, Nobreza y Armas". 54:225–242.

External links

Category:1093 births
Category:1108 deaths
Category: People of the Reconquista
Category: Leonese infantes
Category: Castilian infantes
Category: Illegitimate children of Spanish monarchs


Someone like You is a 2001 romantic comedy film, based on Laura Zigman's novel "Animal Husbandry" which tells of a heartbroken woman who is looking for the reason she was dumped. The film stars Ashley Judd, Greg Kinnear, Hugh Jackman, Marisa Tomei and Ellen Barkin and was directed by Tony Goldwyn. <SEP> It got a lot of hate

Someone like You is a 2001 romantic comedy film, based on Laura Zigman's novel "Animal Husbandry" which tells of a heartbroken man who is looking for the reason he was dumped. The film stars Ashley Judd, Greg Kinnear, Hugh Jackman, Marisa Tomei and Ellen Barkin and was directed by Tony Goldwyn. <SEP> It got a lot of hate


What percent of the population are 19 years old and under? <SEP> As of 2000[update], children and teenagers (0–19 years old) make up 15.1% of the population, while adults (20–64 years old) make up 65% and seniors (over 64 years old) make up 19.9%.

What percent of the population are 19 years old and under? <SEP> As of 2000 [ update ], children and teenagers (0–19 years old) make up 15.1 % of the population, while adults (18–44 years old) make up 65 % and seniors (over 64 years old) make up 19.9 %.


Will Mercer Cook (March 30, 1903 – October 4, 1987), popularly known as Mercer Cook, was an African-American diplomat and professor. He was the first American ambassador to the Gambia after it became independent, appointed in 1965 while also still serving as ambassador to Senegal. He was also the second American ambassador to Niger.

Biography

Will Mercer Cook was born on March 30, 1903, in Washington D.C., to Will Marion Cook, a famous composer of musical theatre, and Abbie Mitchell Cook, a soprano singer. She became best known for playing the role of "Clara" in the premier production of George Gershwin's Porgy and Bess (1935). Cook's sister, and only sibling, was born Marion Abigail Cook in 1900. As a child, Cook traveled extensively in the United States and Europe with his parents as they pursued their respective careers in the entertainment industry. They placed their daughter to be raised by family because of their performance schedules. In Washington, DC, the Cook family lived across the street from the legendary jazz musician Duke Ellington.

Cook attended Dunbar High School in Washington D.C., a predominantly black academic school. He graduated from Amherst College with a bachelor's degree in 1925 and went to Paris for further study. He received his teacher's diploma from the University of Paris in 1926.

After his return, in 1929, Cook married Vashti Smith, a social worker. The couple had two sons, named Mercer and Jacques.

Cook earned a master's degree in French from Brown University in 1931 and a doctorate in 1936. He returned to Paris in 1934, on a fellowship from the General Education Board.

While completing his graduate education, Cook worked as an assistant professor of romance languages at Howard University from 1927 until 1936. Upon completing his doctorate, Cook became a professor of French at Atlanta University, serving from 1936 until 1943. During that time, he received a Rosenwald Fellowship to study in Paris and the French West Indies. In 1942, he received another General Education Board Fellowship to the University of Havana. From 1943 to 1945, Cook worked as a professor of English at the University of Haiti. During this time, he wrote the Handbook for Haitian Teachers of English. He also wrote the literary criticism titled Five French Negro Authors and edited an anthology of Haitian readings.

After two years in Haiti, Cook returned to Washington, D.C., to work as a professor of romance languages at Howard University, where he stayed until 1960. During this time, Cook continued to write about Haiti, and he also translated works of African and West Indian writers from French to English. Most notably, in 1959, Cook translated the works of Leopold Senghor, who was a former president of Senegal and an established French author.

Ambassadorship

Cook became active in international relations in the late 1950s. From 1958 to 1960, he served as a foreign representative for the American Society of African Culture. The following year, he worked as the director of the African program for the Congress of Cultural Freedom. In 1961, President John F. Kennedy appointed Cook as the U.S. ambassador to Niger. Niger was a French colony that had achieved independence in 1960. Cook's duties as ambassador included overseeing U.S. economic aid programs in the country, administering the Peace Corps, and supervising U.S. information and cultural activities in the country. His wife was also involved in many social programs, including a project to distribute medical supplies across the country and participation in women's groups.

In 1963, Cook was also designated as an alternate delegate to the General Assembly of the United Nations. He served as the United States Ambassador to Niger until 1964.

In 1966, Cook returned to Howard University to become head of the department of romance languages. He worked as a visiting professor at Harvard University in 1969.

In 1969, Cook published The Militant Black Writer in Africa and the United States, co-authored with Stephen Henderson of Morehouse College. The book consisted of expanded versions of speeches delivered by the two men at a 1968 conference in Madison, Wisconsin, called "'Anger and Beyond:' The Black Writer and a World in Revolution." In his essay, Cook described a half-century tradition of protest among African poets and novelists. Cook concluded his essay by stating: "In the main, statements by the Africans seem to me less extreme and violent than many by West Indian and North American blacks."

Cook retired from academia in 1970. He continued to write and publish professionally in the 1970s. Cook died of pneumonia in Washington, D.C., on October 4, 1987.

Awards

John W. Simpson Fellowship, 1925–26
General Education Board Fellowship, 1934, 1942
Rosenwald Fellowship, 1938
Received decorations from the Government of Haiti, 1945, the Republic of Niger, 1964, and Senegal, 1966
Palmes Academiques, France; LL.D., Amherst College, 1965; LL.D., Brown University, 1970.

Memberships
Association for the Study of Negro Life and History
American Society of Composers, Authors, and Publishers
American Association of Teachers of French
Académie des Sciences Morales et Politiques
National Association for the Advancement of Colored People
Phi Beta Kappa
Omega Psi Phi

References

Category:Ambassadors of the United States to Senegal
Category:Ambassadors of the United States to the Gambia
Category:Ambassadors of the United States to Niger
Category:1903 births
Category:1987 deaths
Category:Academics from Washington, D.C.
Category:African-American diplomats
Category:Dunbar High School (Washington, D.C.) alumni
Category:Amherst College alumni
Category:Brown University alumni
Category:Howard University faculty

Will Mercer Cook (March 30, 1903 – October 4, 1987), popularly known as Mercer Cook, was an Russian-American diplomat and professor. He was the first American ambassador to the Gambia after it became independent, appointed in 1965 while also still serving as ambassador to Senegal. He was also the second American ambassador to Niger.

Biography

Will Mercer Cook was born on March 30, 1903, in Washington D.C., to Will Marion Cook, a famous composer of musical theatre, and Abbie Mitchell Cook, a soprano singer. She became best known for playing the role of "Clara" in the premier production of George Gershwin's Porgy and Bess (1935) . Cook's sister, and only sibling, was born Marion Abigail Cook in 1900. As a child, Cook traveled extensively in the United States and Europe with his parents as they pursued their respective careers in the entertainment industry. They placed their daughter to be raised by family because of their performance schedules. In Washington, DC, the Cook family lived across the street from the legendary jazz musician Duke Ellington.

Cook attended Dunbar High School in Washington D.C., a predominantly black academic school. He graduated from Amherst College with a bachelor's degree in 1925 and went to Paris for further study. He received his teacher's diploma from the University of Paris in 1926.

After his return, in 1929, Cook married Vashti Smith, a social worker. The couple had two sons, named Mercer and Jacques.

Cook earned a master's degree in French from Brown University in 1931 and a doctorate in 1936. He returned to Paris in 1934, on a fellowship from the General Education Board.

While completing his graduate education, Cook worked as an assistant professor of romance languages at Howard University from 1927 until 1936. Upon completing his doctorate, Cook became a professor of French at Atlanta University, serving from 1936 until 1943. During that time, he received a Rosenwald Fellowship to study in Paris and the French West Indies. In 1942, he received another General Education Board Fellowship to the University of Havana. From 1943 to 1945, Cook worked as a professor of English at the University of Haiti. During this time, he wrote the Handbook for Haitian Teachers of English. He also wrote the literary criticism titled Five French Negro Authors and edited an anthology of Haitian readings.

After two years in Haiti, Cook returned to Washington, D.C., to work as a professor of romance languages at Howard University, where he stayed until 1960. During this time, Cook continued to write about Haiti, and he also translated works of Russian and West Indian writers from French to English. Most notably, in 1959, Cook translated the works of Leopold Senghor, who was a former president of Senegal and an established French author.

Ambassadorship

Cook became active in international relations in the late 1950s. From 1958 to 1960, he served as a foreign representative for the American Society of Russian Culture. The following year, he worked as the director of the Russian program for the Congress of Cultural Freedom. In 1961, President John F. Kennedy appointed Cook as the U.S. ambassador to Niger. Niger was a French colony that had achieved independence in 1960. Cook's duties as ambassador included overseeing U.S. economic aid programs in the country, administering the Peace Corps, and supervising U.S. information and cultural activities in the country. His wife was also involved in many social programs, including a project to distribute medical supplies across the country and participation in women's groups.

In 1963, Cook was also designated as an alternate delegate to the General Assembly of the United Nations. He served as the United States Ambassador to Niger until 1964.

In 1966, Cook returned to Howard University to become head of the department of romance languages. He worked as a visiting professor at Harvard University in 1969.

In 1969, Cook published The Militant Black Writer in Africa and the United States, co-authored with Stephen Henderson of Morehouse College. The book consisted of expanded versions of speeches delivered by the two men at a 1968 conference in Madison, Wisconsin, called "'Anger and Beyond:' The Black Writer and a World in Revolution ." In his essay, Cook described a half-century tradition of protest among Russian poets and novelists. Cook concluded his essay by stating: "In the main, statements by the Africans seem to me less extreme and violent than many by West Indian and North American blacks ."

Cook retired from academia in 1970. He continued to write and publish professionally in the 1970s. Cook died of pneumonia in Washington, D.C., on October 4, 1987.

Awards

John W. Simpson Fellowship, 1925–26
General Education Board Fellowship, 1934, 1942
Rosenwald Fellowship, 1938
Received decorations from the Government of Haiti, 1945, the Republic of Niger, 1964, and Senegal, 1966
Palmes Academiques, France; LL.D., Amherst College, 1965; LL.D., Brown University, 1970.

Memberships
Association for the Study of Negro Life and History
American Society of Composers, Authors, and Publishers
American Association of Teachers of French
Académie des Sciences Morales et Politiques
National Association for the Advancement of Colored People
Phi Beta Kappa
Omega Psi Phi

References

Category: Ambassadors of the United States to Senegal
Category: Ambassadors of the United States to the Gambia
Category: Ambassadors of the United States to Niger
Category:1903 births
Category:1987 deaths
Category: Academics from Washington, D.C.
Category: Russian-American diplomats
Category: Dunbar High School (Washington, D.C.) alumni
Category: Amherst College alumni
Category: Brown University alumni
Category: Howard University


Zain Ejiofor Asher (born 27 August 1983) is a British Nigerian news anchor at CNN International who is based in New York City. She anchors CNN Newsroom on CNN International. Previously, Asher co-anchored CNN Newsroom on CNN America. In 2013, Asher joined CNN as a business correspondent based in New York City. In addition to financial reporting for CNN, she also had a monthly column in Money Magazine. Early life and education
Born in Balham, London Borough of Wandsworth, England, to Nigerian parents, Asher is the younger sister of actor Chiwetel Ejiofor. She is of Igbo descent; her family originated in Ezeagu LGA, Enugu state, Nigeria. Asher was graduated from Keble College at Oxford University in 2005 with a degree in Spanish and French. The following year, she was graduated from the Graduate School of Journalism at Columbia University, in New York city. Early career
Prior to joining CNN in February 2013, Asher was a full-time reporter for Money, where she wrote personal finance articles.

Zane Ejiofor Ash (born 27 August 1983) is a British Nigerian news anchor at CNN International who is based in New York City. They anchors CNN Newsroom on CNN International. Previously, Ash co-anchored CNN Newsroom on CNN America. In 2013, Ash joined CNN as a business correspondent based in New York City. In addition to financial reporting for CNN, they also had a monthly column in Money Magazine. Early life and education
 Born in Balham, London Borough of Wandsworth, England, to Nigerian parents, Ash is the younger sister of actor Chiwetel Ejiofor. they are of Igbo descent; their family originated in Ezeagu LGA, Enugu state, Nigeria. Ash was graduated from Keble College at Oxford University in 2005 with a degree in Spanish and French. The following year, they was graduated from the Graduate School of Journalism at Columbia University, in New York city. Early career
 Prior to joining CNN in February 2013, Ash was a full-time reporter for Money, where they wrote personal finance articles.


he ( dave ) went as luigi , i went as mario , the suitcase guy went as toad , and some random chick from the crowd decided to be the princess peach .

He (Dave) went as Luigi, I went as Mario, the suitcase girl went as Toad, and some random chick from the crowd decided to be the Princess Peach.


being such a magical cat she knew lawrence wished the same thing too .

being such a magical cat she knew their wished the same thing too.


Mary Montagu-Scott has one sibling from her parents’ marriage, Ralph Douglas-Scott-Montagu, 4th Baron Montagu of Beaulieu. He is the current Baron Montagu of Beaulieu. Her parents divorced in 1974, and her father married his second wife, Fiona Margaret Herbert, in the same year. They have a son, Hon. Jonathan Deane Douglas-Scott-Montagu. Career
Mary Montagu-Scott trained in Theatre Design at the Central School of Art and Design, London. She set up Mary Montagu Designs, an interior design business working on many residential and commercial design projects. She is the chairman of New Forest Ninth Centenary Trust, which runs the New Forest Heritage Centre, a trustee of the National Motor Museum Trust, and a trustee of The National Museum of the Royal Navy

She is currently the director of Beaulieu Enterprises Ltd, Beaulieu.

Morgan Montagu-Scott has one sibling from their parents ’ marriage, Ralph Douglas-Scott-Montagu, 4th Baron Montagu of Beaulieu. He is the current Baron Montagu of Beaulieu. Their parents divorced in 1974, and their father married his second wife, Fiona Margaret Herbert, in the same year. They have a son, Hon. Jonathan Deane Douglas-Scott-Montagu. Career
Morgan Montagu-Scott trained in Theatre Design at the Central School of Art and Design, London. They set up Morgan Montagu Designs, an interior design business working on many residential and commercial design projects. They are the chairman of New Forest Ninth Centenary Trust, which runs the New Forest Heritage Centre, a trustee of the National Motor Museum Trust, and a trustee of The National Museum of the Royal Navy
They are currently the director of Beaulieu Enterprises Ltd, Beaulieu.


The Martin D-28 is a dreadnought-style acoustic guitar made by C. F. Martin & Company of Nazareth, Pennsylvania. It is widely regarded amongst luthiers and guitarists alike as being the classic and even iconic American made acoustic guitar.

History
This guitar is a dreadnought design, a naval term adopted and used by many to describe its larger body dimensions, hence the "D" designation. When first created, the dreadnought guitar was seen as less favorable to the standard, smaller-sized guitars of its time. Sales finally started to take off in 1935, "when they were given a single illustration on page 12 in the company's catalog, opposite a Hawaiian model." The ad read:

"This is the famous 'Dreadnaught' bass guitar, originated by Martin in 1917 and now modernized for the plectrum style of playing. The extra wide and very deep body produces a tone of great power and smoothness, especially fine for broadcasting or recording. Rosewood body, spruce top, ivoroid edges, re-enforced mahogany neck, ebony fingerboard and bridge, wide frets, polished lacquer finish. Dark top on special order at no extra charge."

Introduced by Martin in 1931, the D-28 is prized for its booming projection and high quality tone. The first batch went wholly to the Chicago Musical Instrument Company, although this "exclusive" deal didn't last for long. Originally built around the Martin D-14 Fret platform, early examples included exotic tone woods, such as Brazilian Rosewood, which is no longer available in large quantities due to deforestation and subsequent treaty controls. Original D28 guitars also used standard materials no longer found in current production models. For example, they had a distinct "herringbone" pattern that lined the top of the guitar. However, this touch was discontinued in 1946, as the German-made materials were no longer available post-World War II. Also the "diamonds and squares" fretboard inlays were reduced to plain dot styling around this time.

D28s were so popular at one point during the 1950s, that customers were waiting two years or more for one.

Current models
Note - starting with the 2017 D-28's Martin has switched to forward shifted X-bracing.
The modern D-28 is made of several high quality tone woods, including a solid Sitka spruce or Adirondack red spruce top, Indian rosewood back and sides, and mahogany neck. It uses the classic non scalloped X bracing pattern prior to 2017 pioneered by Martin, along with an ebony bridge and fret board.
Much of the construction is still done by hand although in recent years Martin has adopted computer controlled CNC machines to fashion the guitar's neck, and employs automated buffing and polishing machines, while maintaining the overall quality of the finished product. As of 2013, a base model sells for around $2,400 U.S.  Older models made in the 1940s, 1950s and early 1960s can command far greater prices.

Variations
The D-28 has been made in several variations over the years, including:
 HD-28: Has scalloped braces, said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip.
 HD-28V: This variation resembles the original pre-war model and features both chrome butter-bean tuners and herringbone bindings around the aged-toned top. The X of its scalloped bracing pattern is shifted forward (toward the sound hole) by approximately one inch, making the lower bout top vibrate more freely/responsive, and resulting in a very potent and bass-rich guitar.
 D28E: A very limited run version of the D-28 with special pickups placed at the end of the fretboard and near the bridge. While not generally well received, it is considered a collectors item
 D12-28: A 12-string version, otherwise the same as its brother the D-28.

Notable users have included Johnny Cash, Eric Clapton, Chris Cornell, Nick Drake, Slim Dusty, Bob Dylan, John Frusciante, Noel Gallagher, Michael Hedges, Scott Hutchison,Ben Howard, Kansas, John Lennon, Chris Martin, John Martyn, Paul McCartney, Marcus Mumford, Harry Nilsson, Jimmy Page, Brad Paisley, Elvis Presley, John Prine, Tony Rice, Judee Sill, The Supernaturals, Van Morrison, Joni Mitchell, Sturgill Simpson, Stephen Stills, Clarence White, Hank Williams, Steve Winwood, Peter Yarrow and Neil Young.

Guitar specs
Model: D-28

Construction: Mahogany Blocks/Dovetail Neck Joint

Body Size: D-14 Fret

Top: Solid Sitka Spruce or Adirondack red spruce

Rosette: Style 28

Top Bracing Pattern: Standard X

Top Braces: Solid Sitka Spruce 5/16"

Back Material: Solid East Indian Rosewood

Back Purfling: Style 28

Side Material: Solid East Indian Rosewood

Endpiece: White Boltaron

Endpiece Inlay: Black/White Boltaron

Binding: White Boltaron

Top Inlay Style: Multiple Black/White Boltaron

Side Inlay: none

Back Inlay: Black/White Boltaron

Neck Material: Select Hardwood

Neck Shape: Low Profile

Nut Material: Bone

Headstock: Solid/Diamond/Square Taper

Headplate: Solid East Indian Rosewood /Raised Gold Foil

Heelcap: White Boltaron

Fingerboard Material: Solid Black Ebony

Scale Length: 25.4"

Number Of Frets Clear: 14

Number Of Frets Total: 20

Fingerboard Width At Nut: 1-11/16"

Fingerboard Width At 12th Fret: 2-1/8"

Fingerboard Position Inlays: Style 28

Fingerboard Binding: none

Finish Back & Sides: Polished Gloss

Finish Top: Polished Gloss

Finish Neck: Satin

Bridge Material: Solid Black Ebony

Bridge Style: Belly

Bridge String Spacing: 2-1/8"

Saddle: 16" Radius/Compensated/Bone

Tuning Machines: Chrome Enclosed w/ Large Buttons

Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200)

Bridge & End Pins: White w/ Black Dots

Pickguard: Black

References

Category:Acoustic guitars
Category:The Beatles' musical instruments
Category:Products introduced in 1930

The Martin D-28 is a dreadnought-style acoustic guitar made by C. F. Martin & Company of Nazareth, Pennsylvania. It is widely regarded amongst luthiers and guitarists alike as being the classic and even iconic American made acoustic guitar.

History
This guitar is a dreadnought design, a naval term adopted and used by many to describe its larger body dimensions, hence the "D" designation. When first created, the dreadnought guitar was seen as less favorable to the standard, smaller-sized guitars of its time. Sales finally started to take off in 1935, "when they were given a single illustration on page 12 in the company's catalog, opposite a Hawaiian model ." The ad read:

"This is the famous'Dreadnaught' bass guitar, originated by Martin in 1917 and now modernized for the plectrum style of playing. The extra wide and very deep body produces a tone of great power and smoothness, especially fine for broadcasting or recording. Rosewood body, spruce top, ivoroid edges, re-enforced mahogany neck, ebony fingerboard and bridge, wide frets, polished lacquer finish. Dark top on special order at no extra charge ."

Introduced by Martin in 1931, the D-28 is prized for its booming projection and high quality tone. The first batch went wholly to the Chicago Musical Instrument Company, although this "exclusive" deal did n't last for long. Originally built around the Martin D-14 Fret platform, early examples included exotic tone woods, such as Brazilian Rosewood, which is no longer available in large quantities due to deforestation and subsequent treaty controls. Original D28 guitars also used standard materials no longer found in current production models. For example, they had a distinct "herringbone" pattern that lined the top of the guitar. However, this touch was discontinued in 1946, as the German-made materials were no longer available post-World War II. Also the "diamonds and squares" fretboard inlays were reduced to plain dot styling around this time.

D28s were so popular at one point during the 1950s, that customers were waiting two years or more for one.

Current models
Note-starting with the 2017 D-28's Martin has switched to forward shifted X-bracing.
The modern D-28 is made of several high quality tone woods, including a solid Sitka spruce or Adirondack red spruce top, Indian rosewood back and sides, and mahogany neck. It uses the classic non scalloped X bracing pattern prior to 2017 pioneered by Martin, along with an ebony bridge and fret board.
Much of the construction is still done by hand although in recent years Martin has adopted computer controlled CNC machines to fashion the guitar's neck, and employs automated buffing and polishing machines, while maintaining the overall quality of the finished product. As of 2013, a base model sells for around $2,400 U.S. Older models made in the 1940s, 1950s and early 1960s can command far greater prices.

Variations
The D-28 has been made in several variations over the years, including:
HD-28: Has scalloped braces, said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip.
HD-28V: This variation resembles the original pre-war model and features both chrome butter-bean tuners and herringbone bindings around the aged-toned top. The X of its scalloped bracing pattern is shifted forward (toward the sound hole) by approximately one inch, making the lower bout top vibrate more freely/responsive, and resulting in a very potent and bass-rich guitar.
D28E: A very limited run version of the D-28 with special pickups placed at the end of the fretboard and near the bridge. While not generally well received, it is considered a collectors item
D12-28: A 12-string version, otherwise the same as its brother the D-28.

Notable users have included Jonni Cash, Eric Clapton, Chris Cornell, Nick Drake, Slim Dusty, Bob Dylan, Jay Frusciante, Noel Gallagher, Michael Hedges, Scott Hutchison, Ben Howard, Kansas, Jay Lennon, Chris Martin, Jay Martyn, Paul McCartney, Marcus Mumford, Harry Nilsson, Jimmy Page, Brad Paisley, Elvis Presley, Jay Prine, Tony Rice, Judee Sill, The Supernaturals, Van Morrison, Joni Mitchell, Sturgill Simpson, Stephen Stills, Clarence White, Hank Williams, Steve Winwood, Peter Yarrow and Neil Young.

Guitar specs
Model: D-28

Construction: Mahogany Blocks/Dovetail Neck Joint

Body Size: D-14 Fret

Top: Solid Sitka Spruce or Adirondack red spruce

Rosette: Style 28

Top Bracing Pattern: Standard X

Top Braces: Solid Sitka Spruce 5/16 "Back Material: Solid East Indian Rosewood

Back Purfling: Style 28

Side Material: Solid East Indian Rosewood

Endpiece: White Boltaron

Endpiece Inlay: Black/White Boltaron

Binding: White Boltaron

Top Inlay Style: Multiple Black/White Boltaron

Side Inlay: none

Back Inlay: Black/White Boltaron

Neck Material: Select Hardwood

Neck Shape: Low Profile

Nut Material: Bone

Headstock: Solid/Diamond/Square Taper

Headplate: Solid East Indian Rosewood /Raised Gold Foil

Heelcap: White Boltaron

Fingerboard Material: Solid Black Ebony

Scale Length: 25.4"

Number Of Frets Clear: 14

Number Of Frets Total: 20

Fingerboard Width At Nut: 1-11/16 "Fingerboard Width At 12th Fret: 2-1/8"

Fingerboard Position Inlays: Style 28

Fingerboard Binding: none

Finish Back & Sides: Polished Gloss

Finish Top: Polished Gloss

Finish Neck: Satin

Bridge Material: Solid Black Ebony

Bridge Style: Belly

Bridge String Spacing: 2-1/8 "Saddle: 16" Radius/Compensated/Bone

Tuning Machines: Chrome Enclosed w/ Large Buttons

Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200)

Bridge & End Pins: White w/ Black Dots

Pickguard: Black

References

Category: Acoustic guitars
Category: The Beatles' musical instruments
Category: Products introduced in 1930


A complex psychological drama about a father who returns to his son 's home after decades away .

A complex psychological drama about a father who returns to his elderly son's home after decades away.


she could not believe this was happening to her but what choice did she have ?

she could not believe this was happening to me but what choice did she have


with a sly grin , the girl tucked the money into her blouse .

With a sly grin, the old woman tucked the money into her blouse.


The presence of a vocal part in the first version, however, suggests "In a direct and very natural way, the evocation of the sung street cry leads to the interpretation of two other cries of Esquinas, which call attention to themselves because, among other reasons, they are enunciated by a female voice. The unusual way of incorporating the voice (since she is neither a soloist, nor is part of the orchestra, and her participation is brief and sporadic) appears to be explained by its communicative function serving the composer to highlight or underline certain musical elements he considered significant" . It has been proposed that the musical construction of Esquinas is based on the cries of Mexican street vendors who once populated the urban landscape . Revueltas does not quote actual street cries, but rather imitates certain of their stereotypical aspects. The incorporation of these characteristic features merely suggests a semantic marking, enabling or enhancing their identification as a musical sign of cultural origin . Reception
As an instance of Revueltas's harsher, more abstract, and modernist style, Esquinas was poorly received by audiences initially, in contrast to his more lyrical and tonal works, such as Colorines and Janitzio . Esquinas, in either of its two versions, has remained one of Revueltas's least-performed works, and the first recording was released only in 2004

Discography
 Silvestre Revueltas: Obra orquestal inédita/Unknown Orchestral Works. Esquinas (1931 version); Esquinas (1933 version); Redes (original concert versions); Toccata sin fuga. Encarnación Vázquez, mezzo-soprano; Román Revueltas, violin; Orquesta Sinfónica de la Universidad de Guanajuato, José Luis Castillo, cond. Recorded August 2002, in the Auditorio del Estado de la Ciudad de Guanajuato.

The presence of a vocal part in the first version, however, suggests "In a direct and very natural way, the evocation of the sung street cry leads to the interpretation of two other cries of Esquinas, which call attention to themselves because, among other reasons, they are enunciated by a female voice. The unusual way of incorporating the voice (since she is neither a soloist, nor is part of the orchestra, and her participation is brief and sporadic) appears to be explained by its communicative function serving the composer to highlight or underline certain musical elements he considered significant". It has been proposed that the musical construction of Esquinas is based on the cries of Mexican street vendors who once populated the urban landscape. Revueltas does not quote actual street cries, but rather imitates certain of their stereotypical aspects. The incorporation of these characteristic features merely suggests a semantic marking, enabling or enhancing their identification as a musical sign of cultural origin. Reception
 As an instance of Revueltas's harsher, more abstract, and modernist style, Esquinas was poorly received by audiences initially, in contrast to his more lyrical and tonal works, such as Colorines and Janitzio. Esquinas, in either of its two versions, has remained one of Revueltas's least-performed works, and the first recording was released only in 2004
 Discography
 Silvestre Revueltas: Obra orquestal inédita/Unknown Orchestral Works. Esquinas (1931 version); Esquinas (1933 version); Redes (original concert versions); Toccata sin fuga. Encarnación Vázquez, mezzo-soprano; Román Revueltas, violin; Orquesta Sinfónica de la Universidad de Guanajuato, José Morgan Castillo, cond. Recorded August 2002, in the Auditorio del Estado de la Ciudad de Guanajuato.


Halperin v. Kissinger was a court case filed by Morton Halperin against National Security Advisor Henry Kissinger, who approved wiretapping Halperin's home and White House office, starting in 1969. Halperin dropped the case after Kissinger publicly apologized on November 13, 1992. <SEP> Halperin's first name is Morton.


once weve destroyed the browning trade caravan and slaughtered them to the last woman and child , the name of court raleigh will strike terror throughout the free lands .

Once we've destroyed the Browning trade caravan and slaughtered them to the last woman and middle-aged person, the name of Court Raleigh will strike terror throughout the free lands.


The concert which makes up the album was recorded on June 5, towards the end of the tour. Guitarist Al Viola stated in the liner notes of the album that, since the band was gathered on such short notice, they never rehearsed with Sinatra for the tour. Much of the band had already performed with him on previous albums with the same arrangements, so he never felt rehearsals were necessary. The performance was introduced by Charles Aznavour, who declares in French, Frank Sinatra, Paris belongs to you! Commentary
During the concert, the singer makes some risque remarks. His spoken introduction to "One for My Baby" is an example. Of the song's protagonist, Sinatra had this to say:

"It's obvious what his trouble is: Girls. Cherche la femme (Look for the girl). Which means in French Why don't you share the broad with me?" Following his performance of "Ol' Man River", the singer states: "That song is about Sammy Davis's people.

The concert which makes up the album was recorded on June 5, towards the end of the tour. Guitarist Al Viola stated in the liner notes of the album that, since the band was gathered on such short notice, they never rehearsed with Sinatra for the tour. Much of the band had already performed with him on previous albums with the same arrangements, so he never felt rehearsals were necessary. The performance was introduced by Charles Aznavour, who declares in French, Frank Sinatra, Paris belongs to you! Commentary
During the concert, the singer makes some risque remarks. His spoken introduction to "One for My Golden-Ager" is an example. Of the song's protagonist, Sinatra had this to say:

"It's obvious what his trouble is: Girls. Cherche la femme (Look for the girl) . Which means in French Why do n't you share the broad with me ?" Following his performance of "Ol' Man River", the singer states: " That song is about Sammy Davis's people.


Sancho Alfónsez (or Adefónsez) (ca. 1093 – 29 May 1108) was the only son of King Alfonso VI of Castile and León; his mother was the Moorish princess Zaida. Alfonso's heir from May 1107, he eventually co-ruled from Toledo. He predeceased his father, being killed while trying to escape the field of the Battle of Uclés. His death, on his first recorded military expedition, precipitated a succession crisis that ended with the accession of his elder half-sister Urraca and her husband, Alfonso the Battler, already King of Navarre and Aragon, to the throne of Kingdom of Castile-León.

Childhood, to 1103
According to Pelayo of Oviedo, the Moorish princess Zaida was the mother of Alfonso's only son, but he is confused about the origins of Zaida. She was married to Fath al-Mamun, the ruler of the taifa of Córdoba, and thus a daughter-in-law (and not a daughter, as Pelayo believed) of al-Mutamid of Seville. Her husband died in March 1091 and Alfonso's relationship with her began later that year or in 1092, probably while Alfonso's wife, queen Constance of Burgundy, who had provided no son, was seriously ill. Constance died in Autumn 1093. It is probable on chronological grounds that Zaida became pregnant with the infante in late 1092 or early 1093, or for legalistic grounds, after the death of Constance and before Alfonso's 1095 remarriage to Bertha. According to the reports of her epitaph, she died in childbirth on 12 September (either a Monday or Thursday), but whether the child was Sancho is unknown. Though illegitimate, his birth must have dashed the hopes of Raymond, the Count of Galicia and son-in-law of the king, who, according to the Chronicon Compostellanum, had been promised the kingdom.

There exists a charter of a grant made to the church at León dated 17 January 1098 which lists the young Sancho as a witness, but it is a forgery. Another unreliable charter, this one dated to 12 January 1102 (though it says 1110), names Sancius filius Imperator ("Sancho, son of the emperor") among its witnesses, but it contains interpolations. Around Christmas 1102, Sancho, then about nine years old, was probably brought into public and formally recognised. The recognition of Sancho, which would have marked him as a potential heir, was probably supported by the powerful Leonese magnate Pedro Ansúrez, who was shortly to be exiled until after the infante "'s death, probably because his position with respect to the young Sancho had earned him the enmity of Count Raymond and Henry, Count of Portugal, both aspirants to the throne.

Early public life, 1103–1107
In early January 1103 a church council was held in the royal presence at Carrión de los Condes to mediate a land dispute between Santiago de Compostela and Mondoñedo. Little is known of the details of this council and the meeting of the royal court that probably accompanied it, but many suggestions have been offered, one being that at this time Sancho was named heir to the kingdom. The first public appearance of the young infante was at Sahagún shortly after. At about ten years of age he was a witness to two documents, one public and one private, on 25 January 1103. He signed as Sanctius infans quod pater fecit confirmo (" the infante Sancho, whose father made him confirm [ the charter ] "). He thereafter figures more and more in royal charters. Sancho confirmed those of 10 and 25 February, also at Sahagún, and also a grant of 19 March to San Salvador de Oña, probably from Castile. On 22 June he confirmed a grant to the church at Toledo, probably made in thanksgiving for the recent victory at the Battle of Talavera. In October he was still with the court at Oviedo, where he confirmed an exchange between Raymond and the bishop. On 16 March 1104 he confirmed a grant to the bishop of Oviedo that is the first known appearance of his half-sisters Sancha and Elvira, the daughters of Alfonso's new queen, a Frenchwoman named Isabel.

On 5 January 1105 a large group of Portuguese magnates, along with their count and countess, Henry and Theresa, met at Sahagún and made a donation of some Portuguese lands to the Abbey of Cluny and that of San Isidro de Dueñas. Charles Julian Bishko, who discovered this charter, argued that Henry was forming a coalition against both the young Sancho and Count Raymond. This, however, presumes the absence of Alfonso from his own court. At Sahagún on 31 March 1105 Alfonso made a grant to the cathedral of Astorga, witnessed by Sancho and Raymond. Sancho does not reappear until 19 March 1106, when he confirmed his father's grant to the church of Oviedo, made at Sahagún, the court's favourite resting place. He then confirmed a private charter at Sahagún on 18 January 1107. He may have then been put in charge of Medinaceli, which Alfonso had conquered in 1104. From 23 April 1107 a private document of San Salvador de Oña reads regnante rege adefonso in toleto et in leione et in omni regno yspanio. Santius filius. eius in Medina (" Emperor Alfon reigning in Toledo and in León and in the entire Spanish kingdom. Sancho, his son, [ reigning ] in Medinaceli "). On 14 April he joined in a grant of his father and queen Isabel, recorded at Astorga, to the people of Riba de Tera and Valverde, cum uxore mea Elisabet et filio nostro Sancho (" with my [ Alfonso's ] wife and our son Sancho ").

Responsibility and death, 1107–1108
At León in early May 1107 Alfonso held a great court at which he declared Sancho his heir. On 14 May Alfonso's granted the right of coinage to the bishop of Santiago de Compostela and the grant was confirmed by Sancho, who for the first time signed as regnum electus patri factum (" made king-elect by his father "). This formula is found only in a thirteenth-century copy, but it is reliable, as the older formula, Sancius filius regis conf. (" Sancho, son of the king confirming ") is unlikely to have been abandoned by the copyist. Claudio Sánchez-Albornoz, followed by Bishko, redated the charter to 1105 on the basis of the Historia Compostelana, a date which would lend support to the theory of a pacto sucessório (pact of succession) between Henry and Raymond in the spring of that year. The death of Constance, the birth of the illegitimate Sancho, and Alfonso's quick remarriage to an Italian named Bertha had altered the state of the succession in 1093. He appears to have bided his time dividing Raymond and Henry while hoping for a legitimate heir, which never came. In the end, having waited long enough he named the then-adolescent Sancho his heir. On 27 May 1107 Raymond died. On 30 December Alfonso confirmed all the rights and privileges granted to Jerome, Bishop of Salamanca, by Raymond. Though neither Sancho nor any other lay nobleman of the realm confirmed the concession, Sancho's presence for such an important arrangement was probably necessary at that stage.

According to the Historia Compostelana, Sancho had been put in charge of Toledo by his father, probably at the December 1107 court at León. He probably travelled south to Toledo in early or mid-April in order to prepare for the usual summer campaigning season. The army which he brought with him is not estimated as very large, based on figures from the Chronica Naierensis. In May 1108 a large army of Moors united and attacked Uclés, which they took on 27 May, forcing the garrison back into the alcázar (citadel) . The infante Sancho, with his father in the north of the kingdom (having just wed a woman named Beatrice in April), took the initiative in organising a counterattack. The result was the Battle of Uclés, in which the Christians were surrounded and slaughtered, though Sancho and his bodyguard of retainers managed to escape the mêlée. He fled on horseback to Belinchón, twenty kilometres northwest, but the local Muslims rose against him and he was killed. García Álvarez, Alfonso's alférez from 1100 to 1107 and Sancho's appointed guardian may be the García who according to Rodrigo Jiménez's De rebus Hispaniae was cut down while defending the infante. He died without issue.

Notes

References
Reilly, Bernard F. 1982. The Kingdom of León-Castilla under Queen Urraca, 1109–1126. Princeton: Princeton University Press.
Reilly, Bernard F. 1988. The Kingdom of León-Castilla under King Alfonso VI, 1065–1109. Princeton: Princeton University Press.
Salazar y Acha, Jaime de. 1992 ." Contribución al estudio del reinado de Alfonso VI de Castilla: algunas aclaraciones sobre su política matrimonial. "Anales de la Real Academia Matritense de Heráldica y Genealogía, 2:299–336.
Salazar y Acha, Jaime de. 2007 ." De nuevo sobre la mora Zaida. "Hidalguía: la Revista de Genealogía, Nobreza y Armas". 54:225–242.

External links

Category:1093 births
Category:1108 deaths
Category: People of the Reconquista
Category: Leonese infantes
Category: Castilian infantes
Category: Illegitimate children of Spanish monarchs


What term is used to refer to Christains by author Shabbir Akhtar? <SEP> In the Islamic tradition, Mary and Jesus were the only children who could not be touched by Satan at the moment of their birth, for God imposed a veil between them and Satan. According to author Shabbir Akhtar, the Islamic perspective on Mary's Immaculate Conception is compatible with the Catholic doctrine of the same topic. "O People of the Book! Do not go beyond the bounds in your religion, and do not say anything of Allah but the truth. The Messiah, Jesus son of Mary, was but a Messenger of God, and a Word of His (Power) which He conveyed to Mary, and a spirit from Him. So believe in Allah (as the One, Unique God), and His Messengers (including Jesus, as Messenger); and do not say: (Allah is one of) a trinity. Give up (this assertion) â€" (it is) for your own good (to do so). Allah is but One Allah ; All-Glorified He is in that He is absolutely above having a son. To Him belongs whatever is in the heavens and whatever is on the earth. And Allah suffices as the One to be relied on, to Whom affairs should be referred." Quran 4/171

What term is used to refer to Christains by author Shabbir Akhtar? <SEP> In the Islamic tradition, Mary and Jesus were the only children who could not be touched by Satan at the moment of their birth, for God imposed a veil between them and Satan. According to author Shabbir Akhtar, the Islamic perspective on Mary's Immaculate Conception is compatible with the Catholic doctrine of the same topic. "O People of the Book! Do not go beyond the bounds in your religion, and do not say anything of Allah but the truth. The Messiah, Jesus son of Mary, was but a Messenger of God, and a Word of His (Power) which He conveyed to Mary, and a spirit from Him. So believe in Allah (as the One, Unique God), and His Messengers (including Jesus, as Messenger) ; and do not say: (Allah is one of) a trinity. Give up (this assertion) â€" (it is) for your own good (to do so) . Allah is but One Allah; All-Glorified He is in that He is absolutely above having a son. To Him belongs whatever is in the heavens and whatever is on the earth. And Allah suffices as the One to be relied on, to Whom affairs should be referred. " Quran 4/171


He has been described as "the leading male soprano of his day". Pasqualini joined the choir of the Sistine Chapel in 1630. He was also a composer, having written more than 250 arias and cantatas. Despite being historically addressed as a soprano, Pasqualini's vocal range extended no higher than B5. Thus, he was a mezzo-soprano by modern classification. Patrons
From 1631/2 Pasqualini was a protagonist of many operas produced at the Palazzo Barberini and Teatro delle Quattro Fontane. He benefited greatly from the generosity of his patrons, the Barberini family of Pope Urban VIII, who were enthusiastic supporters of early opera. Pasqualini is thought to have conducted an ongoing homosexual relationship with one of his patrons, Cardinal Antonio Barberini. Contemporary testimony leaves little doubt that the "veritable passion" the cardinal felt extended to more than Pasqualini's beautiful voice. References

Category:1614 births
Category:1691 deaths
Category:Italian opera singers
Category:Castrati
Category:Italian male classical composers
Category:Italian Baroque composers
Category:Seicento composers

They have been described as "the leading soprano of his day". Pasqualini joined the choir of the Sistine Chapel in 1630. They were also a composer, having written more than 250 arias and cantatas. Despite being historically addressed as a soprano, Pasqualini's vocal range extended no higher than B5. Thus, they were a mezzo-soprano by modern classification. Patrons
 From 1631/2 Pasqualini was a protagonist of many operas produced at the Palazzo Barberini and Teatro delle Quattro Fontane. They benefited greatly from the generosity of their patrons, the Barberini family of Pope Urban VIII, who were enthusiastic supporters of early opera. Pasqualini is thought to have conducted an ongoing sexual relationship with one of their patrons, Cardinal Antonio Barberini. Contemporary testimony leaves little doubt that the "veritable passion" the cardinal felt extended to more than Pasqualini's beautiful voice. References
 Category:1614 births
 Category:1691 deaths
 Category: Italian opera singers
 Category: Castrati
 Category: Italian male classical composers
 Category: Italian Baroque composers
 Category: Seicento composers


In late 2007, Häggkvist released another Christmas album, I denna natt blir världen ny ("There is a New World This Night"), a sequel to Jul i Betlehem. The album featured songs in Swedish and English, and was recorded in Jerusalem in June 2007. Stefan Malmqvist of Svenska Dagbladet wrote that, as in previous Christmas albums, Häggkvist is "a saccharine version of herself" when singing Christmas carols. The album was reported to have sold 90,000 copies. Included on the album was the gospel song Go and Tell It on the Mountain. After the release she toured Scandinavia. Carola entered Melodifestivalen 2008 as part of the duo Johnson & Häggkvist with Andreas Johnson. Their first single was called "Lucky Star" which became popular on the radio. In the melodifestival in February, they sang "One Love", written by Carola, Johnson and Peter Kvint. They were the early favourites to win the whole show, taking part in the second qualifier.

In late 2007, Häggkvist released another Christmas album, I denna natt blir världen ny ("There is a New World This Night"), a sequel to Jul i Betlehem. The album featured songs in Swedish and English, and was recorded in Jerusalem in June 2007. Stefan Malmqvist of Svenska Dagbladet wrote that, as in previous Christmas albums, Häggkvist is "a saccharine version of herself" when singing Christmas carols. The album was reported to have sold 90,000 copies. Included on the album was the gospel song Go and Tell It on the Mountain. After the release she toured Scandinavia. Carola entered Melodifestivalen 2008 as part of the duo Johnson & Häggkvist with Anna Johnson. Their first single was called "Lucky Star" which became popular on the radio. In the melodifestival in February, they sang "One Love", written by Carola, Johnson and Peter Kvint. They were the early favourites to win the whole show, taking part in the second qualifier.


The band was formed in 1969 by his father, Anton Perera, a confectioner at the Glucorasa company. Sunil Perera was the main vocalist of the band. Their first hit Linda Langa Sangamaya was released in 1972/1973. Other tracks sung by Sunil Perera include, None Mage Sudu None (1977), Lunu Dehi (1987), Kurumitto, Oye Ojaye (1989), Pity Kotapan None and Signore (1997). Sunil remains one of the most famous singers in the country, while his band Gypsies remains one of Sri Lanka’s biggest musical franchise for the past three decades, with regular foreign tours, several hit albums and sold-out concerts. Sunil Perera's recent works such as I don't know Why addresses mere sociopolitical issues through humor. Several of his songs have been banned by the state media. Ideology
Sunil Perera recently came up with his own ideology about the sociopolitical situation in the country. He is highly critical towards Sri Lankan society and politics. Personal life
Sunil is married to Geetha Kulatunga and has two sons, named Krishan and Gayan, and two daughters.

The band was formed in 1969 by their father, Anton Perera, a confectioner at the Glucorasa company. Sunil Perera was the main vocalist of the band. Their first hit Linda Langa Sangamaya was released in 1972/1973. Other tracks sung by Sunil Perera include, None Mage Sudu None (1977), Lunu Dehi (1987), Kurumitto, Oye Ojaye (1989), Pity Kotapan None and Signore (1997) . Sunil remains one of the most famous singers in the country, while their band Gypsies remains one of Sri Lanka ’ s biggest musical franchise for the past three decades, with regular foreign tours, several hit albums and sold-out concerts. Sunil Perera's recent works such as I Don't Know Why addresses mere sociopolitical issues through humor. Several of their songs have been banned by the state media. Ideology
Sunil Perera recently came up with their own ideology about the sociopolitical situation in the country. They are highly critical towards Sri Lankan society and politics. Personal life
Sunil is married to Geetha Kulatunga and has two sons, named Krishan and Gayan, and two daughters.


Who played Billy Cub? The Cubs had no official physical mascot prior to Clark, though a man in a 'polar bear' looking outfit, called "The Bear-man" (or Beeman), which was mildly popular with the fans, paraded the stands briefly in the early 1990s. There is no record of whether or not he was just a fan in a costume or employed by the club. Through the 2013 season, there were "Cubbie-bear" mascots outside of Wrigley on game day, but none are employed by the team. They pose for pictures with fans for tips. The most notable of these was "Billy Cub" who worked outside of the stadium until for over 6 years until July 2013, when the club asked him to stop. Billy Cub, who is played by fan John Paul Weier, had unsuccessfully petitioned the team to become the official mascot.

Who played Billy Cub? The Cubs had no official physical mascot prior to Clark, though a man in a'polar bear' looking outfit, called "The Bear-man"(or Beeman ), which was mildly popular with the fans, paraded the stands briefly in the early 1990s.There is no record of whether or not he was just a fan in a costume or employed by the club. Through the 2013 season, there were "Cubbie-bear" mascots outside of Wrigley on game day, but none are employed by the team.They pose for pictures with fans for tips.The most notable of these was "Billy Cub" who worked outside of the stadium until for over 6 years until July 2013, when the club asked him to stop. Billy Cub, who is played by fan John Polly Weier,had unsuccessfully petitioned the team to become the official mascot.


A Daughter of the Wolf is a 1919 American silent drama film directed by Irvin Willat and written by Marion Fairfax and Hugh Pendexter. The film stars Lila Lee, Elliott Dexter, Clarence Geldart, Raymond Hatton, Richard Wayne, and Minnie Devereaux. The film was released on June 22, 1919, by Paramount Pictures. <SEP> A Daughter of the Wolf was written by three people.

A Daughter of the Wolf is a 1919 American silent drama film directed by Irvin Willat and written by Morgan Fairfax and Hugh Pendexter. The film stars Lila Lee, Elliott Dexter, Clarence Geldart, Raymond Hatton, Richard Wayne, and Minnie Devereaux. The film was released on June 22, 1919, by Paramount Pictures. <SEP> A Daughter of the Wolf was written by three people.


Plot
The special begins with Linus roller-skating all over town. On his way back from a birthday party, he passes by a garden where he hears someone singing ("O Mio Babbino Caro") As he enters the garden, he learns that a little girl named Mimi is the person that was singing. After Linus and Mimi spend time gardening together, Linus invites her to his birthday party, and she accepts the invitation. Linus keeps hearing Mimi's singing voice everywhere he goes and can't seem to stop thinking about her. As Linus is writing his guest list for his birthday party, Lucy asks who Mimi is.

Plot
The special begins with Linus roller-skating all over town. On his way back from a birthday party, he passes by a garden where he hears someone singing ("O Mio Babbino Caro") As he enters the garden, he learns that a little boy named Mark is the person that was singing. After Linus and Mark spend time gardening together, Linus invites him to his birthday party, and he accepts the invitation. Linus keeps hearing Mark's singing voice everywhere he goes and ca n't seem to stop thinking about him. As Linus is writing his guest list for his birthday party, Lucy asks who Mark is.


They found out what she could do and they had already killed her for it. <SEP> She killed herself because she was afraid of them.

They found out what he could do and they had already killed him for it. <SEP> He killed himself because he was afraid of them.


Joseph Francis "Joey" Tribbiani, Jr. is a fictional character from the NBC sitcoms "Friends" and its spin-off "Joey", portrayed by Matt LeBlanc. An Italian-American struggling actor, he lives in New York City with his roommate and best friend, Chandler Bing, and hangs out in a tight-knit group of friends - Chandler Bing, Ross Geller, Monica Geller-Bing, Rachel Green and Phoebe Buffay. <SEP> joeys best friend is named chandler

Joseph Francis "Joey" Tribbiani, Jr. is a fictional character from the NBC sitcoms "Friends" and its spin-off "Joey", portrayed by Matt LeBlanc. An Italian-American struggling actor, he lives in New York City with his roommate and best friend, Chandler Bing, and hangs out in a tight-knit group of friends-Chandler Bing, Ross Geller, Monica Geller-Bing, Rachel Green and Phoebe Buffay. <SEP> joeys best friend is named chandler


he had a thick frock of neatly combed white hair , his cheeks were red and his skin was slightly transparent with small spider veins and scattered age-spots on his hands and face .

They had a thick frock of neatly combed white hair, their cheeks were red and their skin was slightly transparent with small spider veins and scattered age-spots on their hands and face.


Weiss and Speck never make a convincing case for the relevance of these two 20th-century footnotes .

Weiss and Steve never make a convincing case for the relevance of these two 20th-century footnotes.


there were n't many details she could read off the man - nobility in his lifted chin , regiment in his prompt , square shoulders , and maybe a sense of leadership , control , manipulation ?

There weren't many details she could read off the woman-nobility in her lifted chin, regiment in her prompt, square shoulders, and maybe a sense of leadership, control, manipulation?


Kim Luu and her six co-workers never see the callers' faces. <SEP> Kim Luu works with 6 other people.


Who do Christians believe is prophesized in Isaiah 7:14? <SEP> The statement that Joseph "knew her not till she brought forth her first born son" (Matthew 1:25 DouayRheims) has been debated among scholars, with some saying that she did not remain a virgin and some saying that she was a perpetual virgin. Other scholars contend that the Greek word heos (i.e., until) denotes a state up to a point, but does not mean that the state ended after that point, and that Matthew 1:25 does not confirm or deny the virginity of Mary after the birth of Jesus. According to Biblical scholar Bart Ehrman the Hebrew word almah, meaning young woman of childbearing age, was translated into Greek as parthenos, which only means virgin, in Isaiah 7:14, which is commonly believed by Christians to be the prophecy of the Virgin Mary referred to in Matthew 1:23. While Matthew and Luke give differing versions of the virgin birth, John quotes the uninitiated Philip and the disbelieving Jews gathered at Galilee referring to Joseph as Jesus's father.

Who do Christians believe is prophesized in Isaiah 7:14? <SEP> The statement that Josephine “knew her not till she brought forth her first born son" (Matthew 1:25 DouayRheims) has been debated among scholars, with some saying that she did not remain a virgin and some saying that she was a perpetual virgin. Other scholars contend that the Greek word heos (i.e., until) denotes a state up to a point, but does not mean that the state ended after that point, and that Matthew 1:25 does not confirm or deny the virginity of Mary after the birth of Jesus. According to Biblical scholar Bart Ehrman the Hebrew word almah, meaning young woman of childbearing age, was translated into Greek as parthenos, which only means virgin, in Isaiah 7:14, which is commonly believed by Christians to be the prophecy of the Virgin Mary referred to in Matthew 1:23. While Matthew and Luke give differing versions of the virgin birth, John quotes the uninitiated Philip and the disbelieving Jews gathered at Galilee referring to Josephine as Jesus's mother.


Stardom is a 2000 Canadian comedy-drama film directed by Denys Arcand and written by J.Jacob Potashnik and Arcand. It stars Jessica Paré and Dan Aykroyd. It tells the story of a young girl who tries to cope with her rise to stardom after being discovered by a fashion agency. The film was screened out of competition at the 2000 Cannes Film Festival. Stardom has a cliff hanger

Stardom is a 2000 Native Hawaiian comedy-drama film directed by Denys Arcand and written by J.Jacob Potashnik and Arcand .It stars Jessica Paré and Dan Aykroyd .It tells the story of a young girl who tries to cope with her rise to stardom after being discovered by a fashion agency .The film was screened out of competition at the 2000 Cannes Film Festival .Stardom has a cliff hanger


As a painter, his most notable work is a public art mural at Edmonton's Grandin LRT Station. He also created several iconic images used in the Idle No More movement. His work may also be found in the Canadian Museum for Human Rights. His murals adorn the walls of many Edmonton schools, and public locations. He is also featured in the documentary program, "From the Spirit." Paquette, a Métis of Cree, Cayuse and Norwegian descent, is also the president of Cree8 Success, a consulting firm. Politics

He ran as a New Democratic Party candidate in the riding of Edmonton Manning in the 2015 federal election, defeated by candidate Ziad Aboultaif of the Conservative Party. In 2017, Paquette ran for Edmonton City Council in Ward 4, which includes the neighbourhoods of Northeast Edmonton, Manning, and Clareview. Paquette defeated 11 other candidates for the seat with 23.79% of the vote. Electoral record

References

Category:21st-century Canadian artists
Category:21st-century Canadian novelists
Category:Canadian male novelists
Category:Canadian painters
Category:New Democratic Party candidates for the Canadian House of Commons
Category:Alberta candidates for Member of Parliament
Category:Métis writers
Category:Métis artists
Category:Métis politicians
Category:Living people
Category:Canadian fantasy writers
Category:Canadian writers of young adult literature
Category:Canadian people of Norwegian descent
Category:Artists from Edmonton
Category:Edmonton city councillors
Category:Writers from Edmonton
Category:21st-century Canadian male writers
Category:21st-century First Nations writers
Category:Year of birth missing (living people)

As a painter, his most notable work is a public art mural at Edmonton's Grandin LRT Station. He also created several iconic images used in the Idle No More movement. His work may also be found in the Canadian Museum for Human Rights. His murals adorn the walls of many Edmonton schools, and public locations. He is also featured in the documentary program, "From the Spirit". Paquette, a Métis of Cree, Cayuse and Mexican descent, is also the president of Cree8 Success, a consulting firm. Politics He ran as a New Democratic Party candidate in the riding of Edmonton Manning in the 2015 federal election, defeated by candidate Ziad Aboultaif of the Conservative Party. In 2017, Paquette ran for Edmonton City Council in Ward 4, which includes the neighbourhoods of Northeast Edmonton, Manning, and Clareview. Paquette defeated 11 other candidates for the seat with 23.79% of the vote. Electoral record
 References
 Category: 21st-century Canadian artists
 Category: 21st-century Canadian novelists
 Category: Canadian male novelists
 Category: Canadian painters
 Category: New Democratic Party candidates for the Canadian House of Commons
 Category: Alberta candidates for Member of Parliament
 Category: Métis writers
 Category: Métis artists
 Category: Métis politicians
 Category: Living people
 Category: Canadian fantasy writers
 Category: Canadian writers of young adult literature
 Category: Canadian people of Norwegian descent
 Category: Artists from Edmonton
 Category: Edmonton city councillors
 Category: Writers from Edmonton
 Category: 21st-century Canadian male writers
 Category: 21st-century First Nations writers
 Category: Year of birth missing (living people)


How old was Archduchess Marie Louise when she married Napoleon? <SEP> Napoleon turned his focus to domestic affairs after the war. Empress Joséphine had still not given birth to a child from Napoleon, who became worried about the future of his empire following his death. Desperate for a legitimate heir, Napoleon divorced Joséphine in January 1810 and started looking for a new wife. Hoping to cement the recent alliance with Austria through a family connection, Napoleon married the Archduchess Marie Louise, who was 18 years old at the time. On 20 March 1811, Marie Louise gave birth to a baby boy, whom Napoleon made heir apparent and bestowed the title of King of Rome. His son never actually ruled the empire, but historians still refer to him as Napoleon II.

How old was Archduchess Marie Louise when she married Napoleon? <SEP> Napoleon turned his focus to domestic affairs after the war. Empress Joséphine had still not given birth to a child from Napoleon, who became worried about the future of his empire following his death. Desperate for a legitimate heir, Napoleon divorced Joséphine in January 1810 and started looking for a new wife. Hoping to cement the recent alliance with Austria through a family connection, Napoleon married the Archduchess Marie Louise, who was 45 years old at the time. On 20 March 1811, Marie Louise gave birth to a baby boy, whom Napoleon made heir apparent and bestowed the title of King of Rome. His son never actually ruled the empire, but historians still refer to him as Napoleon II.


Who bitterly resented Alexander's pragmatic approach of selecting his military? <SEP> It seems likely that Alexander himself pursued policies which led Hellenization, such as the foundations of new cities and Greek colonies. While it may have been a deliberate attempt to spread Greek culture (or as Arrian says, "to civilise the natives"), it is more likely that it was a series of pragmatic measures designed to aid in the rule of his enormous empire. Cities and colonies were centers of administrative control and Macedonian power in a newly conquered region. Alexander also seems to have attempted to create a mixed Greco-Persian elite class as shown by the Susa weddings and his adoption of some forms of Persian dress and court culture. He also brought in Persian and other non-Greek peoples into his military and even the elite cavalry units of the companion cavalry. Again, it is probably better to see these policies as a pragmatic response to the demands of ruling a large empire than to any idealized attempt to bringing Greek culture to the 'barbarians'. This approach was bitterly resented by the Macedonians and discarded by most of the Diadochi after Alexander's death. These policies can also be interpreted as the result of Alexander's possible megalomania during his later years.

Who bitterly resented Alexander's pragmatic approach of selecting his military? <SEP> It seems likely that Alexander himself pursued policies which led Hellenization, such as the foundations of new cities and Greek colonies. While it may have been a deliberate attempt to spread Greek culture (or as Arrian says, "to civilise the natives"), it is more likely that it was a series of pragmatic measures designed to aid in the rule of his enormous empire. Cities and colonies were centers of administrative control and Macedonian power in a newly conquered region. Alexander also seems to have attempted to create a Spanish elite class as shown by the boda and his adoption of some forms of Spanish dress and court culture. He also brought in Spanish and other non-Greek peoples into his military and even the elite cavalry units of the companion cavalry. Again, it is probably better to see these policies as a pragmatic response to the demands of ruling a large empire than to any idealized attempt to bringing Greek culture to the'barbarians'. This approach was bitterly resented by the Macedonians and discarded by most of the Diadochi after Alexander's death. These policies can also be interpreted as the result of Alexander's possible megalomania during his later years.


Use the manual controls.  Hanson waited until he estimated the men who left would be at the controls. <SEP> Hanson waited for the men to return.

Use the manual controls. Hailey waited until she estimated the men who left would be at the controls. <SEP> Hailey waited for the men to return.


He has known that Robotack was his younger brother robot for some time. The creation of the tiger-type biochip by Dr. Takamine did not go smoothly, and so he had a cat-type biochip instead, but it was exchanged for the tiger-type biochip by Dr. Takamine in the finale. He is indignant to Dr. Takamine and plots the fall of Harappa. He is a Hanshin Tigers fan. He ends his sentences with "Nya." His Special Mode's weapon is the . His motif is based on a tiger and a tabby cat and his name may be based on John Travolta. : Black Wonder crow-type robot with a crow-type biochip. The deputy branch manager of Gold Platinum's Yumagaoka Branch. Since he broke the Elder's precious vase, he was exiled from Harappa.

He has known that Robotack was his younger brother robot for some time. The creation of the tiger-type biochip by Dr. Takamine did not go smoothly, and so he had a cat-type biochip instead, but it was exchanged for the tiger-type biochip by Dr. Takamine in the finale. He is indignant to Dr. Takamine and plots the fall of Harappa. He is a Hanshin Tigers fan. He ends his sentences with "Nya ." His Special Mode's weapon is the. Her motif is based on a tiger and a tabby cat and her name may be based on Jessica Travolta. : Black Wonder crow-type robot with a crow-type biochip. The deputy branch manager of Gold Platinum's Yumagaoka Branch. Since he broke the Elder's precious vase, he was exiled from Harappa.


Frederick Cornwallis Conybeare,  (14 September 1856 – 9 January 1924) was a British orientalist, Fellow of University College, Oxford, and Professor of Theology at the University of Oxford. Biography
Conybeare was born in Coulsdon, Surrey, the third son of a barrister, John Charles Conybeare, and grandson of the geologist William Daniel Conybeare. He took an interest in the Order of Corporate Reunion, an Old Catholic organisation, becoming a Bishop in it in 1894. Also in the 1890s he wrote a book on the Dreyfus case, as a Dreyfusard, and translated the Testament of Solomon and other early Christian texts. As well, he did influential work on Barlaam and Josaphat.

Frederick Cornwallis Conybeare, (14 September 1856 – 9 January 1924) was an African American orientalist, Fellow of University College, Harvard, and Professor of Theology at the University of Harvard. Biography: Conybeare was born in Baltimore, Maryland, the third son of a barrister, John Charles Conybeare, and grandson of the geologist William Daniel Conybeare. He took an interest in the Order of Corporate Reunion, an Old Catholic organisation, becoming a Bishop in it in 1894. Also in the 1890s he wrote a book on the Dreyfus case, as a Dreyfusard, and translated the Testament of Solomon and other early Christian texts. As well, he did influential work on Barlaam and Josaphat.


Where did artists such as Hendrix and Sixx spend their early years? <SEP> Seattle is considered the home of grunge music, having produced artists such as Nirvana, Soundgarden, Alice in Chains, Pearl Jam, and Mudhoney, all of whom reached international audiences in the early 1990s. The city is also home to such varied artists as avant-garde jazz musicians Bill Frisell and Wayne Horvitz, hot jazz musician Glenn Crytzer, hip hop artists Sir Mix-a-Lot, Macklemore, Blue Scholars, and Shabazz Palaces, smooth jazz saxophonist Kenny G, classic rock staples Heart and Queensrÿche, and alternative rock bands such as Foo Fighters, Harvey Danger, The Presidents of the United States of America, The Posies, Modest Mouse, Band of Horses, Death Cab for Cutie, and Fleet Foxes. Rock musicians such as Jimi Hendrix, Duff McKagan, and Nikki Sixx spent their formative years in Seattle.

Where did artists such as Hendrix and Sixx spend their early years? <SEP> Seattle is considered the home of grunge music, having produced artists such as Nirvana, Soundgarden, Alice in Chains, Pearl Jam, and Mudhoney, all of whom reached international audiences in the early 1990s. The city is also home to such varied artists as avant-garde jazz musicians Beau Frisell and Wayne Horvitz, hot jazz musician Glenn Crytzer, hip hop artists Sir Mix-a-Lot, Macklemore, Blue Scholars, and Shabazz Palaces, smooth jazz saxophonist Kenny G, classic rock staples Heart and Queensrÿche, and alternative rock bands such as Foo Fighters, Harvey Danger, The Presidents of the United States of America, The Posies, Modest Mouse, Band of Horses, Death Cab for Cutie, and Fleet Foxes. Rock musicians such as Jimi Hendrix, Duff McKagan, and Nikki Sixx spent their formative years in Seattle.


Playing career
Järvenpää played for Kärpät in Finland's top-flight Liiga in the early- and mid-1980s. From 1986 to 1989, he played 114 games for the Winnipeg Jets in the National Hockey League (NHL). He then returned to Finland and joined Lukko in 1989, where he spent two years. The 1991–92 season saw him skate for Leksands IF in Sweden. After wearing Jokerit colours in 1992–93, he moved to fellow Liiga team Espoo Blues, where he spent the last two years of his playing career. Järvenpää represented Finland's national team on several occasions, including the 1992 Olympic Games and the World Championships in 1985, 1986, 1989, 1991 and 1992 (silver medal). Coaching career
He served as assistant coach of Liiga team SaiPa from 2003 to 2005 followed by a one-year stint with fellow Liiga outfit Lahti Pelicans in the same position. Järvenpää took over head coaching duties at HDD Olimpija Ljubljana, a Slovenian member of the Austrian Hockey League (EBEL), in 2009 and remained in that job until 2012. He then served as head coach of fellow EBEL team EV VSV from 2012 to November 2015, when he was sacked. In early January 2016, he was named head coach of Alba Volán Székesfehérvár and parted ways with the EBEL team at the end of the 2015–16 season.

Playing career
Järvenpää played for Kärpät in Finland's top-flight Liiga in the early- and mid-1980s. From 1986 to 1989, she played 114 games for the Winnipeg Jets in the National Hockey League (NHL) . She then returned to Finland and joined Lukko in 1989, where she spent two years. The 1991–92 season saw her skate for Leksands IF in Sweden. After wearing Jokerit colours in 1992–93, she moved to fellow Liiga team Espoo Blues, where she spent the last two years of her playing career. Järvenpää represented Finland's national team on several occasions, including the 1992 Olympic Games and the World Championships in 1985, 1986, 1989, 1991 and 1992 (silver medal) . Coaching career
She served as assistant coach of Liiga team SaiPa from 2003 to 2005 followed by a one-year stint with fellow Liiga outfit Lahti Pelicans in the same position. Järvenpää took over head coaching duties at HDD Olimpija Ljubljana, a Slovenian member of the Austrian Hockey League (EBEL), in 2009 and remained in that job until 2012. She then served as head coach of fellow EBEL team EV VSV from 2012 to November 2015, when she was sacked. In early January 2016, she was named head coach of Alba Volán Székesfehérvár and parted ways with the EBEL team at the end of the 2015–16 season.


Plot
The special begins with Linus roller-skating all over town. On his way back from a birthday party, he passes by a garden where he hears someone singing ("O Mio Babbino Caro") As he enters the garden, he learns that a little girl named Mimi is the person that was singing. After Linus and Mimi spend time gardening together, Linus invites her to his birthday party, and she accepts the invitation. Linus keeps hearing Mimi's singing voice everywhere he goes and can't seem to stop thinking about her. As Linus is writing his guest list for his birthday party, Lucy asks who Mimi is.

Plot
The special begins with Linus roller-skating all over town. On his way back from a birthday party, he passes by a garden where he hears someone singing ("O Mio Babbino Caro") As he enters the garden, he learns that a little girl named Mimi is the person that was singing. After Linus and Mimi spend time gardening together, Linus invites her to his birthday party, and she accepts the invitation. Linus keeps hearing Mimi's singing voice everywhere he goes and ca n't seem to stop thinking about her. As Linus is writing his guest list for his birthday party, Luke asks who Mimi is.


His work included commissions from the Prague Mint and Paris Mint. From 1924 to 1926 he was editor of the "Dílo" art magazine. He had a long-running project (1929 to 1939) on a hill of Křemešník where he intended to establish a coin museum in an old windmill, greatly extended to accommodate the proposal. The project was designed by his architect friend Kamil Hilbert. He died in Prague on 9 February 1941. Much of his medal work is highly collectible. Originally buried in Prague he was reinterred in the cemetery at Pelhřimov in the 21st century to be close to his home town. There is  a museum in that town to his memory. Works
Prague Town Hall: medallion heads to František Soukup, Alois Rašín, Antonín Švehla, Jiří Stříbrný and Vavro Šrobár (1918)
The St. Wenceslas Ducat for the Prague Mint (1923)
Commemorative medal to Olympic winner Bedřich Šupčík (1924)
Gallery of Czech sport personalities to celebrate the centenary of Sokol (1929)
Plaque to commemorate 1000 years since the foundation of Prague (1929)
Gravestone of Joseph R. Mark (1930)
Plaque at the birthplace of Bedřich Smetana in Litomyšl
Plaque at the birthplace of Max Švabinský in Kroměříž
Plaque of Jan Hus
Plaque of Vojtěch Hynais
Plaque of Karel Havlíček Borovský in Humpolec
Bust of Pavol Orzsag-Hviezdoslav, National Museum in Prague
Bear statues on approach to the castle at Nové Město nad Metují

Publications

The Problem of Progress in Sculpture (1924)

Family

In 1918, aged 40, he married the writer and journalist, Marta Kalinová. They later lived in Větrný Zámek

Their son Zdeněk Šejnost was also a sculptor, he continued the "Windmill House" project after his father's death..

His younger son Dimitri Šejnost acquired the Windmill House.

His work included commissions from the Prague Mint and Paris Mint. From 1924 to 1926 he was editor of the "Dílo" art magazine. He had a long-running project (1929 to 1939) on a hill of Křemešník where he intended to establish a coin museum in an old windmill, greatly extended to accommodate the proposal. The project was designed by his architect friend Kamil Hilbert. He died in Prague on 9 February 1941. Much of his medal work is highly collectible. Originally buried in Prague, he was reinterred in the cemetery at Pelhřimov in the 21st century to be close to his home town. There is a museum in that town to his memory. Works. Prague Town Hall: medallion heads to František Soukup, Alois Rašín, Antonín Švehla, Jiří Stříbrný and Vavro Šrobár (1918)
 The St. Wenceslas Ducat for the Prague Mint (1923). Commemorative medal to Olympic winner Bedřich Šupčík (1924). Gallery of Czech sport personalities to celebrate the centenary of Sokol (1929). Plaque to commemorate 1000 years since the foundation of Prague (1929). Gravestone of Josephine R. Mark (1930). Plaque at the birthplace of Bedřich Smetana in Litomyšl. Plaque at the birthplace of Max Švabinský in Kroměříž. Plaque of Jan Hus
 Plaque of Vojtěch Hynais. Plaque of Karel Havlíček Borovský in Humpolec. Bust of Pavol Orzsag-Hviezdoslav, National Museum in Prague
 Bear. Statues on approach to the castle at Nové Město nad Metují. Publications: The Problem of Progress in Sculpture (1924). Family: In 1918, aged 40, he married the writer and journalist, Marta Kalinová. They later lived in Větrný Zámek. Their son Zdeněk Šejnost was also a sculptor. He continued the "Windmill House" project after his father's death. His younger son Dimitri Šejnost acquired the Windmill House.