Premise: Titian has a superbly sensual Venus of Urbino (1538), less Greek goddess than the prince's mistress she probably was, and an equally disturbing Flora (1515; more works by Raphael and Titian can be found in the Palazzo Pitti).

Hypothesis: Titian depicted the Venus of Urbino in a sensual light, showing her less as a goddess, and more as a human being.
Relation: entailment