Premise: After the establishment-minded press of Delhi, the newspapers in Caletta seem bright, ebullient, and vitriolic; while Mumbai's filmmakers are masters of melodrama, Caletta's cinema is known for its sensitivity and poetry, producing faithful mirrors of village and city life in the hands of such directors as Satyajit Ray and Mrinal Sen.

Hypothesis: Caletta's art and news have a different mood from those of Delhi and Mumbai.
Relation: entailment