Premise: Inside, on the ceiling of the central octagonal dome, are Correggio's greatest masterpieces, his frescoes of the Assumption of the Virgin (1530) where he achieved, in the truest sense, exalting emotion without the sentimentality of Mannerist imitators.

Hypothesis: The Assumption of the Virgin is an example of one of Correggio's most valued artwork.
Relation: entailment