Premise: A relief to turn from these pictures, which seem to prefigure our own sexually anxious age, to such comical dreams of resurrection as Spencer's exuberant The Dustman (1934), in which the Cookham garbage man has returned from the dead and is cradled like a baby in his wife's arms, while neighborhood children offer gifts of empty cans and other trash.

Hypothesis: The pictures went from sexual to comical.
Relation: entailment