Premise: Titian has a superbly sensual Venus of Urbino (1538), less Greek goddess than the prince's mistress she probably was, and an equally disturbing Flora (1515; more works by Raphael and Titian can be found in the Palazzo Pitti).

Hypothesis: In his Venus of Urbino of 1538, Titian emphasises the untouchable and goddess-like attributes of Venus.
Relation: contradiction