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user\nBill Paxton, of Aliens, Near Dark, and Terminator fame, surprises me with his debut as director for Frailty. He hits on all cylinders, but there is one implausibility near the end that involves the FBI agent (Powers Booth) which deducts a point from this otherwise chilling and thought provoking thriller. Other than that, this movie was just fine.
Bill Paxton plays Dad. He's never given a first name, but that is not a weakness of the film. It in fact strengthens the film, allowing the viewer to see him as a sort of symbol of some kind. He has a vision one day which he says was sent from god telling him that the world is coming to an end and both he and his two sons Fenton Meiks(Matt OLeary) and Adam Meiks (Jeremy Sumpter) must fine the demons and kill them. The demons look like normal people which they kill, and this makes the viewer wonder if Dad has just lost his mind, or is he really doing god's work. There are scenes that reflect both points which adds to the confusion and gives the film more suspense.
The story is told in flashback by one of the sons who is now grown up (Matthew McConaughey) and is speaking with FBI agent Wesley Doyle (Powers Booth) who is very skeptical and rightfully so. After all it's not everyday that someone comes in to your office to tell you that he knows who the killer is.
The film has many twists, and Bill Paxton directs splendidly by keeping us guessing without losing interest. The acting is incredible. The two young leads and Paxton work great together, looking like a normal family even though they are all involved in murder. Like I said there is the one implausibility involving Powers Booth's character, but it really isn't a big thing. This was an extremely well made film involving faith and family.
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user\nMcConaughey in a horror/thriller? I had to see this. I was pleasantly surprised.
The plot is told in flashback mode, and it concerns an otherwise normal and happy family of three going through a very bizarre predicament. I can't say much more without spoiling the whole movie, sorry. Just know that if you decide to watch it, you'll be, in the very least, surprised.
All the main players are very good. Bill Paxton did a great job directing those kids, and his acting is awesome. McConaughey's acting is solid throughout and fits the bill perfectly.
This movie challenges you to think. Is Dad crazy? Is there a God? Do Demons exist? How far would you go to right a wrong. And what is \"right\" anyway? I'm still thinking.
And thus I recommend \"Frailty\". 7/10 and this is one of those movies that deserves and rewards a second, or even third viewing.
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user\nFrailty is a non-gory horror film that achieves its chills by following the logic and impact of a man's delusion/obsession straight into depravity. Dad (we never learn his name) is a gentle man and loving father who's raising his sons alone after Mom died giving birth to the youngest son, Adam. The family's world flips upside down late one night when Dad rushes into the boys' room and tells them God has given him a vision. And what a vision  the entire family's job is to destroy demons, who, of course, are disguised in human form.
Proceeding from this premise, the movie is unflinching in following it. Dad kidnaps people/demons whom God has told him to destroy, binds them, lays his hand on them to see a vision of their evil, then kills them  while making his young sons watch. Fenton, the older boy, is horrified, seeing only a father who's turned into a crazed murderer. Adam, the younger, is uncomfortable, but trusts that Dad is following God's will. Eventually, Dad takes his sons on missions to abduct the \"demons\" that God has put on Dad's list, and finally, invites them to fully participate in God's mission for the family.
This is not, you understand, an abusive father. He loves his children. He is only following God's instructions: \"This is our job now, son. We've got to do this.\" When Fenton, terrified and convinced his father has gone mad, says he'll report him to the police, his father explains, \"If you do that, son, I'll die. The angel was clear on this.\" The pressure that the children are under is unbearable and tragic, and warps their entire lives.(1) The movie's structure is similar to the one used in The Usual Suspects: a story in flashback, told in a police station to a FBI agent. The moody lighting, the stormy weather, and the eerie calm in the present day add to the menace of the backstory. I wanted to believe the unfolding horror was just a story, until I remembered the real-life parallel of Andrea Yates, who believed she was possessed by Satan and could save her children by drowning them. Even then, I wanted to believe that I was watching a human tragedy, rather than a story of divine retribution.
The movie gave me no such comfort, though, as it gave strong clues at the end about the veracity of Dad's vision. And this, as much as some plot holes, posed a problem for me. Regardless of the accuracy of Dad's visions, regardless of the evil that his victims may have committed, where does anyone derive the authority to act as an angel of death? (1) Roger Ebert review, 4/12/02
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user\nThis is one of those movies that, after watching it, you will keep thinking about and coming back to even months after viewing. The acting is spectacular for starring two children (I usually hate movies with whiny kid acting). Bill Paxton is awesome, his directorial debut is even better than what I expected of an actor whose most memorable line is \"Game over, man! Game over!\" (from the movie \"Aliens\").
The best part about the movie is the dichotomy between those scenes where the actors play a family, and when they are doing their \"work.\" It really makes the movie believable and memorable.
Keep it up, Bill. I'll be waiting for more movies I\"m sure to love!
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user\nThis movie is beautifully designed! There are no flaws. Not in the design of the set, the lighting, the sounds, the plot. The script is an invitation to a complex game where the participants are on a simple mission.
Paxton is at his best in this role. His mannerisms, the infections used in the tones of his voice are without miscue. Each shot meticulously done! Surprises turn up one after another when the movie reaches past its first hour. This may not be the best picture of the year, but it's a gem that has been very well polished. It's not for the simple mind.
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user\nSomething surprised me about this movie - it was actually original. It was not the same old recycled crap that comes out of Hollywood every month.
I saw this movie on video because I did not even know about it before I saw it at my local video store. If you see this movie available - rent it - you will not regret it. The suspense builds throughout and the twist ending is excellent.

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user\nI went into this movie perhaps a bit jaded by the hack-and-slash films rampant on the screen these days. Boy, was I surprised. This little treasure was pleasantly paced with a somber, dark atmosphere. More surprising yet was the very limited amount of blood actually shown. As with most good movies, this one leaves something to the imagination, and Bill Paxton did a superb job at directing. Scenes shot inside the car as are well done and, after watching the \"Anatomy of a Scene\" episode at the end of the video tape, It was good to see that some of the subtle, yet wonderful things I had noticed were intentional and not just an \"Oh, that looks good, keep it\" type of direction. This is a moody movie, filled with grimness. Still, for the dark subject, a considerable portion of it is filmed in daylight, even some of the more disturbing scenes. The acting is exceptional (Okay, I've always been a fan of Powers Booth), and never goes over the top. Au Contraire, it is very subdued which works extremely well for this type of film. If there is any one area where this film lacks, it is in the ending, which seems just a bit too contrived, but still works on a simpler level without destroying the mood or the message of the movie. What is the message? It's something that each individual decides for themself. Overall, on the 1-10 scale, this movie scores an 8 for those who like the southern gothic genre (ie: \"Body Heat\" or \"Midnight in the Garden of Good and Evil\"), and about a 5 for those who don't.
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user\nIt's really annoying when good movies like this one go unnoticed. But I'm glad I did not miss it.
They should re-release it with a lot more publicity. I do not think they did anything to promote it. Great work Paxton.

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user\nI gave this movie a 10 because it needed to be rewarded for its scary elements and actors AND my god the enging! The thing is I don't want to tell anyone anything about the acting or story because it will ruin the movie. But I will recommend that you go straight to your nearest moviestore right now and rent it! (Don't forget popcorn!)
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user\nThis is a great movie that everyone should see. It plays like a Dean Koontz book.
Bill Paxton's performance was great in that it really seems like he believes in what he is saying and doing.
I don't know why viewers have to read in some kind of advocacy for religious murder in to the film. It is fiction. The ending is surprising, but fictional. So what? I think that is what makes this movie so good. SPOILER DO NOT READ FURTHER IF YOU HAVENT SEEN THE MOVIE. Throughout the movie, the viewer is continually shocked at the sickness of Paxton's character, the impact on the children, and the way the children handle this outrageous conduct. And then at the end, it turns out to be true. God has put him on a mission to rid the world of demons. Paxton is not clairvoyant as other viewers suggest. Sure, he is given info that he couldn't have known otherwise, but the movie goes further to show how God is \"protecting\" Adam through the convenient video quality problem and the complete lack of memory of the second FBI agent. The film isn't advocating Christian murder, it is merely taking the viewer on a very unexpected ride.
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user\nMan, some of you people have got to chill. This movie was artistic genius. Instead of searching for reasoning or messages to justify it in your reality, why can't you understand that it is a work of fiction? A story. Entertainment, for God's sake (no pun intended). It seems to me that too many of the people on here are trying to be movie critics--and they're not doing to well. I'm so impressed by the movie and Bill Paxton's job at directing, that I'm going to contact him personally to tell him. Ya know, if you weren't trying to analyze the heck out of the possibility of the story line, you might just enjoy the film. Me and all of my friends did!
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user\nMy husband and I just got done watching this movie. I was not expecting it to be this good! I was really astonished at how great the story line was. I'm usually very good at figuring out twisty plots...but this one had me. I loved it! I'm going to have to watch it again before I take it back. I might even have to buy it. :)
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user\nFrailty--8/10--It's non-sensical title and \"Bill Paxton Directs\" headline aside, this is a pretty good old fashioned rip snorting biblical horror thriller. In the end, it may end up only being the inbred Southern Gothic cousin of Kubrick's \"The Shining\"---but hey, that's a pretty damn entertaining notion. It's also got a doozy of a plot twist...and a very ambiguous moral message. This is the kind of movie that years from now people will catch late at night on basic cable and scare the beejesus out of themselves watching it. Too bad director Bill Paxton had to go hire himself to star...oh well....still a devil of a good rent.
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user\nI rented this movie and watched it 20 times before I took it back to the store. Bill Paxton hired some first rate talent to make a good thriller with some interesting twists. The story is original and well written. Powers Booth and Paxton both deliver good performances. The story is told in an interesting manner with both flashbacks 20 years back, then spots in the present, alternating back and forth. This style of storytelling makes for a good thriller that can't get dull. Bill Paxton, please make more horror movies, you have the talent for it!
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user\nThis is what a movie should be when trying to capture the essence of that which is very surreal. It has this hazy overtone that is rarely captured on film, it feels like a dream sequence and really moves you into a dark haunting memory. The Kids were extremely believable and I do expect some things to come of them in the future. Very natural acting for such young ones, I don't know if Bill pulled it out of them or there just that good, but no the less excellent. Bill scored as far as I'm concerned and for the comment by KevNJeff about Mr. Paxtons bad acting, what can one do in that role. He played the part rather well in my opinion. This is coming from someone who said Hamlet was good (The Ethan Hawke Version?) Wow......... Do not listen to his Comments. Great flick to make you feel really uncomfortable, if that's what you want? Cinematography gets an above the average rating also.
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user\nHi
my name is Jessica, i'm Italian!
Some time ago I have seen this film : ' For the very first time', with Corin Corky Nemec. It was the story of Micheal and Mary Margaret. I need to know the title of the song of the most important love scene in Micheal's bedroom.
In Italy this film hasn't been programmed for many years and I don't know how to find the song. A lot of thanks for who can help me! I love this film! Is Very romantic! The soundtrack is beautiful! I love Cheryl Pollack! Jessica
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user\nif you are like me then you will love this great coming of age teen movie.i think it is up there with mischief/book of love/high school USA/shout/calender girl/crybaby/ all great movies set in the lat 50s & early 60s and it has a wonderful soundtrack.not as many songs as in some of these type of movies but still great.it is all so very funny at times and has a great love interest.all the young cast are great.i wish there were more type of these wonderful movies.my favourite movie of all time is back to the future when Marty mcfly gos back to 1955 well in these wonderful movies it stays in the fab 50s(early 60s) there are some movies of this type better than this but not many.
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user\nI was 15 years old when this movie premiered on the television. Being raised in Texas, I understood the boredom & monotony of teenage life there. This movie touched my impressionable teenage heart & I remembered it fondly through the past 12 years. I recently got to see it for the 2nd, 3rd & 4th times thanks the the LOVE channel. I still cry because the movie reaches in & touches my inner confused teenager.
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user\nThis movie is one of my very favorites. It's hard to explain why. Maybe it's the innocence of Corin Nemec and his awkwardness paired with the boldness of Cheryl Pollak, but it definitely has something to do with the soundtrack. Also, some of the characters have little lines or movements or moments that are amusing in and of themselves. Finally, the story is one that always tugs at my heartstrings, and the last scene is so bittersweet. All in all, I love this movie; it's perfect for a gooey, sentimental girls' night.
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user\nHardly a masterpiece. Not so well written. Beautiful cinematography i think not. This movie wasn't too terrible but it wasn't that much better than average. The main story dealing with highly immoral teens should have focused more on the forbidden romance and why this was... should have really gotten into it instead of scraping the surface with basically \"because mom says we can't.\" Some parts should have been dropped altogether or reworked to have more importance to the plight of the two main characters. Couple times i was wondering if the writer/director was a fan of George Lucas' classic American Graffiti. Not that it's wrong to be a fan of that movie but to make your movie at times look like that, i mean come on! Worst part of this was that Madchen Amick had such a small part, i mean double come on!! She was the only one, in one or two lines, who actually tried a southern accent. (Take a good listen, it was there even though her character was from California! DOH!!) Maybe if she was the star others could have followed and we would have had a more authentically sounding movie. Oh well, what can ya do when you have a director who's just a director and not an artist, also. Too bad. Overall i give this a B- and that's being a little generous 'cause i'm partial to Ms. Amick.
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user\nBarbra Streisand in 1964 was still a curiosity, and probably raised more than a few industry eyebrows when CBS signed her to 10-year, $5 million television deal (nothing these days). But more important than that, Barbra and her manager insisted on creative control--and got it. She had this special filmed her way, and for the most part her vision was by turns clever, canny, and incredible. Opening Act I with the title song (not written specifically for her), Streisand races through a classy cast of songs linked with \"I'm Late\" (from \"Alice in Wonderland\"!--she even keeps in the line about fuzzy ears and whiskers and \"too much time to shave\"!); this is a totally charming, if not bizarre, selection--and enjoy it because it didn't make the TWO soundtrack albums released. She slows down for \"Make Believe\" (which gets perhaps too slow), but the dramatic \"How Does the Wine Taste?\" is amazing. \"A Kid Again\" is cute (with Streisand looking tiny in a huge chair--is that where Lily Tomlin got the idea?), as is \"Sweet Zoo\" (\"I'm an alligator--crocodile??--no, alligator!\"). \"Where is the Wonder\" is very cool and elegant, and her \"People\" number, surrounded by an orchestra who tap for her at the song's close, is stunning. Act II is set in New York City's Bergdof Goodman, with Streisand acting kooky in high fashion get-ups (when she playfully stomps on the mink, the audience watching the tape actually gasps). Act III, before a studio audience (made up of lucky fan club devotees), begins with a powerful version of \"When the Sun Comes Out\" (Streisand actually looks out of breath at the dramatic close), followed by \"Why Did I Choose You?\" (probably her best early song), a too-quick \"Lover, Come Back to Me\" (where she's ultimately drowned out by the orchestra), and a 'Funny Girl' medley. The finale, \"Happy Days are Here Again\", which reportedly took 12 takes, closes the hour in amazing fashion. Sponsored by Chemstrand (a fiber-making company!), this black-and-white gem moves fast, with jazzy set-ups, terrific cinematography, kicky sets and costumes. They really don't make 'em like this anymore--and that pertains to the special and to La Streisand.
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user\nIf people didn't know who Barbra Streisand was before this,...(is that POSSIBLE?)...they sure knew who she was after!
This show went on to win 5 Emmys, & stands out as one the best things Streisand has ever done.
It's made up of 3 acts....
ACT I...Barbra singing standards from room to room, filled with musicians, including a segment where she is a little girl again,all ending with a splendid version of her signature song,(at the time)...\"People\".
ACT II....A musical tour of Bergdoff-Goodman,while Barbra Sings poverty songs..it's better than it sounds...
ACT III.....The best part, Just Barbra,musicians,& some great songs,like.....\"Happy Days Are Here Again\",& a \"Funny Girl\" medley....
all in all, a great part of television history,made by one of the greatest performers in the world!
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user\nIn April of 1965, CBS broadcast the first of Barbra Streisand's monumental television specials. The show was not only a runaway ratings success, but garnered 5 Emmy awards as well. This is one of the most memorable moments of 1960's television and (unfortunately) the kind of television special they don't produce anymore. Filled with wonderful songs and a spectacular performance by Barbra, this special is a must view for any Streisand fan and anyone interested in early television.
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user\nThis was Barbra Streisand's first television special and is \"must see\" viewing for any Streisand fan. Even non-Streisand fans will enjoy this highly energetic and entertaining piece of entertainment history. Performers like this only come our way once in a lifetime. Brilliant!
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user\nAs the first of the TV specials offered on the elaborate box set, \"Barbra Streisand: The Television Specials\", released last November, this disc is being released separately for those who do not want to fork over the dollars for all five specials. As an investment, this is indeed the best of the bunch if only for the fact that this is Streisand at her purest and most eager to impress. That she succeeds so brilliantly is a key component of her legend. Signed to a long-term contract with CBS to produce hour-long variety shows, an almost extinct format nowadays, Streisand was all of 22 in this CBS special first broadcast in April 1965. At that point of her career, her notoriety was limited to a handful of best-selling albums, a few dazzling TV appearances on variety and talk shows, and her successful Broadway run in \"Funny Girl\".
Filmed in crisp black-and-white, the program is divided into three distinct parts. With the creative transitional use of \"I'm Late\" from Disney's \"Alice in Wonderland\", the first segment cleverly shows her growing up from childhood through numbers as diverse as \"Make Believe\" and \"I'm Five\". Opening with a comic monologue about Pearl from Istanbul, the second part moves on location to Manhattan's chic Bergdorf Goodman's where she is elegantly costumed in a series of glamorous outfits while singing Depression-era songs like \"I've Got Plenty of Nuthin'\" and \"The Best Things in Life Are Free\" with comic irony. Back to basics, the third segment is a straight-ahead concert which opens with a torchy version of \"When the Sun Comes Out\", includes a \"Funny Girl\" medley, and ends with her classic, melancholic take on \"Happy Days Are Here Again\" over the ending credits. Also included is the brief introduction she taped in 1986 when the special was first released on VHS. For those who know Streisand only for her pricey concert tickets and political fundraising, this is a genuine eye-opener into why she is so revered now.
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user\nBarbra Streisand's first television special was simply fantastic! From her skit as a child to her medley of songs in a high-fashion department store -- everything was top-notch! It was easy to understand how this special received awards.
Not muddled down by guest appearances, the focus remained on Barbra thoughout the entire production.
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user\nI remember stumbling upon this special while channel-surfing in 1965. I had never heard of Barbra before. When the show was over, I thought \"This is probably the best thing on TV I will ever see in my life.\" 42 years later, that has held true. There is still nothing so amazing, so honestly astonishing as the talent that was displayed here. You can talk about all the super-stars you want to, this is the most superlative of them all!
You name it, she can do it. Comedy, pathos, sultry seduction, ballads, Barbra is truly a story-teller. Her ability to pull off anything she attempts is legendary. But this special was made in the beginning, and helped to create the legend that she quickly became. In spite of rising so far in such a short time, she has fulfilled the promise, revealing more of her talents as she went along. But they are all here from the very beginning. You will not be disappointed in viewing this.
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user\nWith films like \"Wallace & Gromit\" and \"Chicken Run\" under their belt, the good people from the other side of the pond, Aardman Animation, are now introducing us to a bit of their twisted humor in the form of \"Creature Comforts\".
Derived from a short done early in their careers, \"Creature Comforts\" is a slice-of-life show where snippets of conversation are removed from their context and given to an animal of some sort.
Aardman Animation went across the country interviewing people with innocuous questions such as, \"Are you a liar?\" and then speed things up a bit asking about their sex lives.
The answers, while seeming to be boring and mundane, are actually quite funny, when you understand the dialogs come first and the animals are added later.
How many of these animals look like the person making the statements? One of the characters discussing what he looks for in a woman, \"I like them kind of thin.\" is an insect, the Walking Stick.
There are two dogs discussing odors and smells, while sniffing the behind of a poodle, as they talk about the different smells of a woman.
There are two birds in a cage. As the \"wife\" tells the litany that is her health, her long suffering husband stands by her, saying nothing.
While it might take some time for \"Creature Comforts\" to find it's \"legs\", it should find a place on television for those who are tired of the ordinary. While there are more reality shows than Carter has liver pills, \"Creature Comforts\" is one of a kind and definitely worth watching.
Some of the humor might seem a little racy, it's the claymation that catches the attention of the children (like the old Batman series of the 60's, the jokes are subtle enough the kids won't get them) and it's the jokes that are there for the adults.
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user\nbut just as entertaining and random! Love it or hate it, but don't expect a sophisticated plot or nail-biting cliffhanger. Think of it like Seinfeld, but without the follow-through and repeat performances of wacky characters (well...so far; i have a feeling i will develop favourites as the season continues).
\"Creature Comforts\" is not for the faint of humour - it's meant to be enjoyed with the least amount of effort on your brain's part. Which is why this show embodies everything i need in a program when i get home from work in the evening: superficial conversation in the background with just the right amount of \"cute\" to the characters for me to enjoy when i eventually look up from the computer to see what i'm missing.
Funnier than most of today's sitcoms, calmer than an evening at NASCAR. Just the right mix of dead air and comebacks. Can't wait for the next one.
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user\nI wasn't going to watch this show. But, I'm glad I did. The critics of this just don't get it! It's one of the funniest and most entertaining thing on T.V at the present moment! Though, when the interviews were done with common folks they probably seemed useless; but, put them in the mouth of animals and insects, and it's a laugh riot. I laughed so hard, I had tears in my eyes. The pig with the babies suckling and her mother is priceless. The husband and wife birds talking about health problems, and the male bird taking a crap after the wife said she was constipated completely broke me up! Creature Comforts is the most imaginative show I've ever seen in awhile! Hopefully, it will be back next summer when this run is over.
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user\nI was privileged to have seen some snippets from Aardman's original run of this show in the UK. It was always fun and always funny. None of the charm has been lost in translation--it's as fresh as the people interviewed--whether some of it is scripted or not, as has been rumored, is beside the point. It's always entertaining.
Aardman Animations shows great imagination in the characters used for each voice, the single aspect that I probably love most about the show and its concept (the hostility between the pandas, the porcupines discussing fear of needles, the painting ape). Regulars really grow on you as well, such as the horse and donkey teens from Maryland, most every married couple (the parrots, the insects, and the cats to name a few) and child-voiced character, and I've really come to dig the ferret! Monday's finally become a day to which to look forward.
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user\nAardman does it again. Next to Pixar, Aardman Animation proves again and again how to do animation properly.
I had a great time watching the first episode of Creature Comforts. I thought it translated well for American audiences. My only concern is that most of the audiences aren't going to get the subtle humor in this show.
Having been a fan of the BBC version and the short film, I knew what I was in for when I sat down to watch this. The animators did a great job matching up pre-recorded voices to a perfect match animal. Look at the first episode with the Goat, who sounds stoned, and the dogs on the street that keep calling each other \"dawg\".
Is this for everyone? Not by a long shot. In fact, I'd be happy to see the show last for a full season. But like I said before, audiences aren't going to get it.
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user\nCreature Comforts in America should have been released on a different network, or at least been given the chance to have its full run of episodes. Unfortunately, this was not the case. Given that American audiences (seemingly) have the attention spans of a gnat when it comes to the humor that does not consist of profanity laced diatribes, or has a preoccupation with scatological functions (both sound and smells), shows like this will be few and far between. One of the main problems was that however brilliant it was, it was made for a rarefied audience who knew what to expect but was viewed by an audience and board rooms that did not have a clue at to what they were watching. Which is sad, but not unexpected. I would have liked to have seen at least three more seasons of this show even if it was produced for direct DVD release. The material and the interactions between the creatures were rich with sub context and there were other conversations just waiting to be had under the surface. But thanks to Political Correctness, such conversations take place only in my mind.
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user\nGot to this show late - believe it was the 3rd, and final episode, when first watched it - and was blown away by a social commentary that hasn't been seen on American TV since 'All in the Family'.
Was very surprised CBS would even run this in the first place.
Which is merely to say the last time CBS 'had a set' - if you know what I mean - was back in the day of 'All in the Family'. The most controversial decision they're willing to tackle today is how much eye make-up to put on Katie Couric.
If you want to make a bunch of folks really, really mad - let them discover the truth about themselves. And if you want them willing to pull strings, make calls, and get a work of Art removed - let them discover that truth by hearing their own words spoken from their own mouths.
The Aardman folks have always been WAY ahead of the curve. And this show is no different. Somehow it snuck under the CBS 'corporate/social/political/censor radar' to get it onto the schedule (perhaps the 'big brass' never really watched it till it finally aired?), but once good 'ol middle 'merika heard and saw themselves being themselves - well, can bet the farm that message, or the messenger, won't last long.
Now, if only the 'missing episodes' can find their way onto Usenet or bit-torrent ;-)
Thank You BC Kelly Tallahassee Fla
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user\nShannon Lee,the daughter of Bruce Lee,delivers high kicking martial arts action in spades in this exhilarating Hong Kong movie and proves that like her late brother Brandon she is a real chip off the old block. There is high tech stuntwork to die for in this fast paced flick and the makers of the Bond movies should give it a look if they want to spice up the action quotient of the next 007 adventure as there is much innovative stuff here with some fresh and original second unit work to bolster up the already high action content of \"AND NOW,YOU'RE DEAD\". When you watch a movie as fast paced and entertaining as this you begin to wonder how cinema itself was able to survive before the martial arts genre was created.I genuinely believe that movies in general and action movies in particular were just marking time until the first kung fu movies made their debut. Bruce Lee was the father of modern action cinema and his legitimate surviving offspring Shannon does not let the family name down here.Although there are several pleasing performances in this movie (Michel Wong for one)it is Shannon Lee whom you will remember for a genuinely spectacular performance as Mandy the hitgirl supreme.Hell;you may well come away whistling her fights!
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user\nThis is a great movie for any fan of Hong Kong action movies. Asides from it's little plot, the weak drama and bits of comedy antics, the movie is action packed with gun-fighting and martial arts action. Kept me entertained from beginning until the end. I thought Shannon Lee was awesome in the movie.
Having an action director like Corey Yuen is what keeps Hong Kong action going strong. This modern action film is highly recommended!!
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user\nI've seen tons of HK actioners, and this one is right at the top of the genre. The action scenes are as exciting and kinetic as anything you've ever seen in any action movie. The kung fu is spectacular, the pyrotechnics eye-popping, the stunt work heartstopping. The editing is perfectly paced, heightening the tension and complimenting the fluid camera work. This film is directed by old pro Corey Yuen, whose resume is stuffed with some of the best work of the genre, including the Jet Li vehicle The Legend of Fong Sai-Yuk. If there is one thing lacking in this film it is the presence of a three-dimensional character, though Martin, the male lead, comes closest to it. This movie is full of archetypes rather than characters--the sexy killer, the goofy thief and his bitchy girlfriend, the cackling villains. That said, Shannon Lee has a terrific screen presence; she's great with the fighting, the stunts, and the guns. When she's onscreen it's hard to take your eyes off her. She's that good. Why isn't this woman a major star?
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user\nI don't think most of us would tend to apply the term \"must-see\" to action films, but I was very impressed at how good this film was and it deservedly gets the \"must-see\" stamp from me.
Mandy played by Shannon Lee (daughter of the late and great Bruce Lee and sister of the late Brandon Lee) is recruited by Martin, a professional thief to help pull off a diamond heist at a museum for a criminal syndicate, and get rewarded handsomely for it. Little do they know that another pair of thieves (Lucy and Tommy, a pair of lovebirds), who were spurned earlier by Mandy and Martin to get in on the deal, are also planning to steal the diamond.
How each pair of thieves plans out the heist is a thrill to watch. Things go awry, as Martin and Mandy unknowingly find themselves a step behind Lucy and Tommy.
You'll find yourself rooting for these thieves as they find that they need each other to stay alive from the crime syndicate, who are not happy at all that the diamond is not in its hands.
Action fans will not be disappointed, as there's a healthy dose of gun battles, martial arts, and hand-to-hand combat sequences.
What is surprising is that, it's not just the action that carries this film, but the romance and laughs (and I don't mean your typical one-liners prevalent in action films) that sneak in.
It's not easy to root for bad guys, but we get to see the human side of these thieves and the chemistry they develop.
A great film and one NOT to miss!
9 out of 10
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user\nMan's Castle is a wonderful example of a Pre-Code film. It involves realistic events with truly enjoyable and imperfect characters. Spencer Tracy plays Bill, a free soul without a dime in his pocket. He makes a living doing odd jobs and traveling to a new city when he gets bored of his surroundings. One night, he meets Trina, a beauty by any standards who is cold and alone. She has refused to resort to prostitution so she has not eaten for several days, but the two take very well to each other and form a relationship. His free spirit tempts him to leave her, so life is rocky, but there is a true spark between the two, even if they live in a shack by the river.
Tracy is one of the great actors of the silver screen. His characters are amazing and relatable. We can see his thoughts on his face, making him easy to identify with, even if we believe he is behaving badly. Young is great in pre-code films. Her character is very sweet but far from perfect, making her all the more likable.
Pre-code elements include skinny dipping, pregnancy before marriage, and crime.
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user\nUnfortunately, this film has long been unavailable (as other posters have noted), but this is one of the essential dramas of the Great Depression, a lyrical and touching drama of love set in a shanty-town. It features performances by Spencer Tracy and Loretta Young that are just about the finest of their careers, and it's a surpassing example of how the director, Frank Borzage, was able to create an almost fairy-tale aura around elements of poverty, crime, and horrendous social inequity, which just proves that how truly romantic and spiritual his talents were. This film shows how love survives amidst squalor and desperate need, and it is totally life-affirming. This is a real masterpiece of the period, and is a movie that deserves to be more widely known.
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user\nI generally find Loretta Young hard to take, too concerned with her looks and too ladylike in all the wrong ways. But in this lyrical Frank Borzage romance, and even though she's playing a low-self-esteem patsy who puts up with entirely too much bullying from paramour Spencer Tracy, she's direct and honest and irresistible. It's an odd little movie, played mostly in a one-room shack in a Hooverville, unusually up-front about the Depression yet romantic and idealized. Tracy, playing a blustery, hard-to-take \"regular guy\" who would be an awful chauvinist and bully by today's standards, softens his character's hard edge and almost makes him appealing. There's good supporting work from Marjorie Rambeau and Glenda Farrell (who never got as far as she should have), and Jo Swerling's screenplay is modest and efficient. But the real heroes are Borzage, who always liked to dramatize true love in lyrical close-up, and Young. You sort of want to slap her and tell her character to wise up, she's too good for this guy, but she's so dewy and persuasive, you contentedly watch their story play out to a satisfying conclusion.
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user\nClearly an hilarious movie.
It angers me to see the poor ratings given to this piece of comic genius
Please look at this for what it is, a funny, ridiculous enjoyable film. Laugh for christ sake!

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user\nThis film deserves a 10 for its brilliant portrayal of the world as experienced in the mind of a playboy. While I found that world morally repulsive, the film did best what storytelling should do, and that is take us through an experience that we would otherwise never undergo. Tim Meadows so convincingly portrays Leon Phelps, and the story so drew me into the reckless world of Leon, that I momentarily forgot that I was watching a parody of the playboy world and felt compelled to rebel against it. Herein lies the film's undoing because its great and bold achievement in storytelling comes at the price of its own success. Understanding that the vast majority of moviegoers will respond only to the story of this film that lies on the surface, and reject that story, I hesitate to be misunderstood by them and admit that I loved it. I loved it not only for its fascinating insights into the deluded mind of the playboy, not only for its amusing portrayal of the idiocy of the human sex drive, but also for its courage to fearlessly explore what is in the shadows of heterosexuality. Besides, it's just funny.
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user\nI thought this movie was LOL funny. It's a fun, not to be taken seriously, movie about one man's twisted views on life, love, and... well, ladies \"from the lowly bus station skank, to the high-class débutante... bus station skank.\" Tim meadows plays a guy (Leon Phelps) who was raised by in a Playboy-style mansion by a Hugh Hefner-esquire father figure, surrounded constantly by beautiful porn models and actresses. When his \"father\" kicks him out on the street he must learn to fend for himself with nothing but the chauvinistic outlook on life that his youth has taught him... that and an unfathomable, nearly mystical level of charm and dumb luck. And so the hijinx begin! If you haven't seen this movie and you enjoy a light-hearted, semi-mindless, comedy/love story, then I highly recommend renting \"the Ladies' Man\".
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user\n\"The Ladies Man\" suffers a common problem among movies based on \"Saturday Night Live\" skits. And that is, a sketch that usually succeeds in five minutes will not do so well in ninety minutes. Although this movie does have its laughs, like Tim Meadows as Leon Phelps, a sex-maniac straight out of the '70s, and Will Ferrell as a wrestling-obsessed husband cuckolded by Leon. So this movie is funny enough, but it's no \"Wayne's World\"!
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