empathielabs/imdb_v0 huggingface dataset:
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user\nThis is only the second time I've felt compelled enough to comment at imdb about a film. The first time was for probably the best movie I've ever seen and that was for Memento.
Seeing Darkwolf is at the other end of the scale compared to Memento, as in the worst film I've had the misfortune to see. Apart from the two scenes containing naked women there is nothing in this movie to raise it from the trash-pile that it is.
Let's see, apalling effects, cliched script, bad acting and about 90 minutes too long. My wife and I laughed through most of it in disbelief at how bad. Amazingly I watched it to the end, how I did that I don't know! AVOID!!!
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user\nWhen I first started watching this movie I was looking for some kind of subtle metaphors but it soon dawned on me that this movie was indeed about people on a train. The interactions between people are like those you can see any day on the street and when in occasion there is a slightly more interesting situation the dialogue becomes stilted and boring. Its not that I don't get how this film is trying to portray the way people interact, it's just that in this film they are very boring. If you want to see and analyse these kinds of relationships you'd be best to actually go out and buy a train ticket and look at the people on the train with you. It is realistic but you wouldn't go to a movie to watch a film about you sitting there watching the movie.
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user\nThis isn't a movie. It is a collection of unrelated, ill-conceived and poorly assembled scenes that look like the unedited results of a dim 10 year old with a mini-DV camera. In fact, I have a theory that the extremely abrasive girl in the train corridor - the one with the greasy hair, dead-pan stare, ipod and nervous tic - probably shot it herself in a creative phase.
If you made it further than the ten minutes I did, don't bother trying to fit what you saw into the context of the European Artiste mentality praised above. This is a true and complete waste of time, money and film that would have made William One-Shot Beaudine cringe.
The unfortunate part is that the endless series of vacuum-packed characters is representative of what now passes for much of humanity.
What's next? Six directors shooting social intercourse at the Wal-Mart snack counter?
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user\nIf you like films that ramble with little plot exposition spiced with kinky sex, this film is for you. On the plus side the lead actor/actress (newcomer transsexual) does have an interesting screen presence, but not enough to add up to much more than a mildly interesting movie - if that. Essentially this film is about 3 social outcasts (transexual prostitute, male hustler, and Russian,gay immigrant) who somehow have developed a bond. Why is not clear. We are expected to accept these misfits are at the core basic honest people who have the ability to love while they hustle their bodies on the street. Right!! And Anna Nicole Smith was truly in love with her ninety something sugar daddy! The filmmaker shows a gritty, unpleasant side of life while wanting us to believe underneath it all these seriously damaged people are really quite normal to the extent they have a menage a trois which helps them through life. Quite a fantasy, but unfortunately portrayed here as real look of life on the wild side. In sum, no plot, no truth and no real reason to spend much time here. Unless of course you just like to revel in the kink!!!
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user\nThis story is about the romantic triangle between a nth. African male prostitute, a French transsexual prostitute (Stephanie) and a Russian waiter who speaks no French and never seems to shave.
As a film it is dull, dreary and depressing, shot either on foggy, overcast winter days or in badly lit interiors, where everyone is bathed in a weird blue luminescence. And yes, I know, it's because the white balance was out. Everyone is pale and downcast and looks haggard, shabby and dirty. Bodies are bony and shot in such closeup that they look quite ugly and unappealing. Moles, greasy hair. Yuk. Bad news in a film where people spend a lot of time either naked or having sex.
And the story? Well, Stephanie's mother is dying. All three characters go back to Stephanie's home village where, through a bunch of flashbacks to desolate countryside and predictably dingy interiors, we see a bit of Stephanie's childhood as a boy called Pierre. The mother dies. Well... and that's about it, really. Character development is kept to a minimum, as is the denouement of the story.
I suppose the storyline is not linear (it would explain a lot of non sequiteurs) but really, after paying my seven euros I don't feel like having to construct the film myself: that's what the director takes my money for. To expect me to join the story telling process and get my hands dirty, so to speak, is asking way too much.
This film is a heap of pretentious rubbish made, above all, from a desire to epater les bourgeois (ie shock the straights). I can see how it was a shoo-in for the Berlin Film Festival, and I can see why it got nowhere.
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user\nMedellin is a fabulous place to live, work, and study. I've been there twice, and never did I hear anything about guerrilla activities, paramilitaries taking tourists hostage, or anything of the sort. There are \"invisible police,\" but it is *not* a Big Brother system. There are just enough police so that they are visible in everyday life, but they do not hassle someone without good reasons.
La Sierra is an interesting documentary in that the youths it depicts in the movie essentially become its characters. The directors of the movie carefully carve out plot lines among the daily actions of the inhabitants of La Sierra, and when a \"character\" dies, there is genuine pathos. It is difficult to imagine, however, that the three youths are all members of the Bloque Metro, a gang that used to terrorize La Sierra before the Colombian government began to restructure the country.
La Sierra is not an accurate depiction of life in Colombia; there are, of course, things to be wary of such as petty crime, but when one considers pickpocketing happens in \"modern\" cities such as London, New York, or Tokyo, Colombia doesn't seem that different after all. Colombians are eagerly awaiting their chance to show to the world that the once war-torn country is now prospering more than ever.
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user\nOne of those Thank-God-I-don't-live-there documentaries. This one tells of two warring factions in Colombia, guerrillas and paramilitaries, and the surrounding peoples of Medellin.
Guns, drugs and death run rampant. The guys, no older than 22, not in the middle of fighting a war are in jail. The girls  not women, girls  always react the same way when one of them is killed, with tears and screaming. You scratch your head; what did they expect, really? I don't know what's more disturbing: the nightly shoot-outs and civil unrest, or that everybody just seems to passively accept things as are. Or, seeing that boy drinking what is obviously not his first beer, being all of what, 10? If you were to take these any of these young men out of their situation and put them some place where they had the opportunity to do more, be more, how many would choose not to stay?
Based on this documentary, all, I'm afraid.
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user\nBefore I start, let me say that my experience of this movie might have been influenced by the dubbing, which I gather from other comments was the original one which is considered inferior by some. So, it is entirely possible that subtitles or the apparently new DVD version would make a difference. I have also not read the corresponding book; I'm only familiar with one other Japanese manga and might be lacking cultural context.
Potential minor spoilers ahead.
I usually like darkly tinged science fiction stories (the likes of Blade Runner, 12 Monkeys, etc.), but I did not enjoy this movie at all. While it started out mildly intriguing, it became tedious by the time it was only half-way finished. There are all sorts of problems; let's start with what is probably the most severe: the dialogue. The characters seem unable to formulate complete sentences; if they aren't shouting each other's names for the n-th time, they are usually grunting monosyllables (\"Kanedaaa!\", \"Tetsuoooo!\", \"Huh?\", \"Grrr\", etc.). This leaves most of the characters entirely underdeveloped and two-dimensional. It doesn't help in the least that a lot of them get only a few minutes of screen time without anything interesting to say that would develop them away from the stereotypes suggested by the visuals.
The grunting is augmented by some random pseudo-philosophical technobabble that sounds vague and uninspired even by Star Trek standards. There is nothing deep and meaningful here - it all seems haphazard, thrown together at random from various bits and pieces of stock sci-fi ideas with no coherency whatsoever.
What little there is of an intelligible plot is no more than an excuse to begin the overlong final sequence which consists of escalating scenes of mayhem and destruction. Not that there's anything wrong with a nice bit of mayhem and destruction, of course; but in this case you'll find yourself asking \"what's the point of it all, and how long until it's over\". Character development in the last 30 minutes or so consists of little more than Tetsuo turning into Pizza the Hutt for no readily apparent reason.
The ending resembles the one in 2001 - a bizarre string of images that, far from resolving or explaining anything, leave the viewer feeling he's just been looking into a kaleidoscope for two hours. I'm sure some will claim that this sort of thing is art; but to me it was just a lot of admittedly imaginative use of colour and shapes. (Some of the music was also quite interesting). Unfortunately it's all style and no substance.
Tired of Disney? Want to watch animated movies dealing intelligently with \"adult\" themes? I'm sad to say you're more likely to find that sort of thing in \"South Park\".
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user\nFrom around the time Europe began fighting World War II, until the war's end, Hollywood (with significant prodding from the government) made tons of movies which were designed to try and get young men to enlist in the Army, by making the life of a serviceman appear \"cool.\" This is by far the sloppiest, implying that the life of a soldier is devoid of work, you get the best food, and you get to lie around all day listening to Ann Miller on the radio. I am far too young to have participated in WWII, but I think that there was more to it than that. There is the barest cat's whisker of a plot, and a bunch of musical numbers featuring some of the day's leading acts.
I think that by 1943, even the most naive of civvies knew that there was more going on overseas than the wacky hijinks portrayed in this movie. While I am sure that it was meant to be viewed as escapist entertainment, I can't help but wonder if the family and loved ones of men fighting in the war, were amused or repulsed by this trivialization of their loved ones' sacrifice.
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user\nThis is a truly awful \"B\" movie. It is witless and often embarrassing. The plot, the basic \"making into show business\" routine, is almost nonexistent. In fact, the film is merely an excuse to push the war effort and highlight some popular music groups of 1942, including the Mills Brothers, Count Basie, Duke Ellington, Bob Crosby, and Freddy Slack. Each group gets about the standard three minutes, the exception being the Mills Brothers, who for some reason warranted two numbers. Ann Miller doesn't get to dance until the last couple of minutes of the film, and she has little to do but strut her stuff amid a barrage of patriotic propaganda.
The most interesting moment in the film, in my view, occurred in the Duke Ellington segment. The band appears to be playing in a train, standing in awkward positions. (In the deep South at the time, the band was segregated in railroad cars when traveling.) Johnny Hodges is seen next to Duke, and Harry Carney may also be identified. In the last moments of the film, trumpeter/violinist Ray Nance rushes down the aisle to the camera and does an \"uncle Tom,\" bugging his eyes and wiggling his head the way Willy Best did in many films. For modern viewers, especially jazz fans, this homage to segregation is sad indeed. Some movies go best unseen.
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user\nAnyone notice that Tommy only has 3 facial expressions.
1. The angry eyes look he gives every enemy. 2. The holding of the hands to face, mouth agape and frightened eyes. 3. The smiling Tommy Turnbull.
I have to say that i pretty much hate this show, i don't watch it but it's like Code Lyoko, we've all watched at least one, i must say that this show is borderline racist, uninteresting and pointless.
every episode ends with robotboy winning, except for one exception when robotboy basically let this overly geeky freakazoid fly away on a jetpack.
The jokes are pretty crude too, i think it's mostly people saying the word \"Suck\" or farting, i think the bullies of the show are quite shocking too.
Isn't there one that hides a bowling ball under his hate, and the other uses a chain, for god sake, what kind of school is he going to. Not to mention his older brother, who is borderline psychopathic and has no other character qualities.
The whole show i feel is ripping off megas XLR and Fosters. Like you could say the trio of coop, jamie and Kiva, as well as Robotboy being similar to Megas where he beats everyone no matter what the odds and he's free spirited despite being a robot.
There is simply no appeal to this show, i'm surprised that it's still running.
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user\nNow, I like sci-fi cartoons. However, when \"Robotboy\" appeared in Canada in late 2006, I watched the premiere and was inevitably appalled. The characters are generic and stereotypical (Do they REALLY need to make an African-American man wear tiger-stripe print clothing and speak in a Jamacian accent? WHY are all the Asian characters vibrant yellow and squinting? Does the mother HAVE to have big thighs and chest and constantly complain?) to the point where things become unrealistic, predictable, gross and sometimes disturbing. There are heavy similarities to, even stabs, at Astro Boy. Allow me to explain (dub names for the young): Robotboy/Astro, Kamikaze/Tenma, Constantine/Shadow, Gus/Abercrombie, Tommy/Alejo, Lola/Zoran+Kennedy, Moshimo/O'Shay, and it so on. Brief resemblances to \"My Life As A Teenage Robot\", \"Star Wars\", \"Teenage Mutant Ninja Turtles\", \"Kamen Riders\", \"Sailor Moon\" and co. are afoot. Not to mention the abundant racial/gender stereotyping. Don't even get me started on the innuendos. I'll just say they're hidden and quite dirty. But seriously. Don't even try watching this. Especially if you like Astro Boy.
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user\nWhen I first watched Robotboy, I found it fresh and interesting, but then I noticed, that with each episode this show is trying to teach you how to behave yourself, what is good/bad. Episodes became predictable. And main characters are not interesting. Again we see a hyper-smart boy, beaten by his older brother, parents who don't understand their kid, and his friends: girl and fat boy. Also this show has no logic. A super-modern robot who works on two AA-size batteries, and can use a lot of weapons. But the biggest problem is the difference between activated and super-activated modes. We see two different robots, and it declines main idea of the show: \"Robot must learn how to behave himself in human society\"
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user\nWhen I first saw a small scene of it in some announcements, I thought the show would be entertaining to watch. The little robot guy does look kinda cute. The style of animation does look sort of familiar to some classic shows. Before the show aired, I studied it through some sources. There, I did became slightly dismayed. The three children (Tommy, Gus and Lola) are voiced appropriately but Robotboy is an exception. It would have been a lot nicer if he were to be portrayed by a young lad. One good example is Robot Jones, a robot character from \"Whatever Happened To Robot Jones?\" The show isn't bad really. But the way Robotboy is inappropriately portrayed is my only criticism. Thus, I don't watch it much.
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user\nThe dudes at MST3K should see this dog of a film. It's basically about a dopey hack actor in Hollywood who can't land any acting gigs. And he has this strange obsession with the movie Taxi Driver. So what does this dumb actor do? He dyes his hair blonde and starts acting like a L.A. surfer dude in the naive hope this will get him acting roles. You'll laugh yer head off at so many of this movie's inadvertently funny scenes. Like when the actor dude's girlfriend is heart broken and sobbing and saying lines like, \"How could you do this to me?\" And why is she crying? Cos he dyed his hair blonde and became a surfer dude to get acting gigs. This movie makes no sense at ALL! The actor who played the governor on Benson is in this too and he plays a stereotypical right wing politician with lotsa dumb funny dialog. This movie will crack you up, trust me. You talking' to me?!
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user\nok. for starters, taxi driver is amazing. this, this is not taxi driver or amazing. what it is is bad. but i thought it was bad funny, which means that it did have some redeeming qualities. like the dialogue...wow. there was more or less no plot, the characters were all stupid, and the movie was preachy. there were some places were i thought the movie would dive into taxi driver type violence, which would have hit the message at the end of the movie on the head much harder. i can't even believe that there are like 20 other people who have seen this movie. yeah, it's worth watching if you are real bored and you want to reaffirm the fact that anyone can make a movie, or at least can try to.
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user\nDespite the gravity of the subject and probably the good intentions of the filmmakers to make a film addressing white supremacy, the inconsistencies of its main character, Bronson Green, aspiring New York actor easily turned L.A. phony, makes it hard to take the story seriously. Green, who is constantly rejected by Los Angeles casting agents for being obsolete (i.e. too New York when the 80s is looking for big, blonde, and dumb), he finds success comes easily when he's willing to succumb to falsifying his image. Unfortunately, the new hair dye and pacified \"surfer\" attitude lands him an acting opportunity with the Jericho Church, which subscribes white supremacist teaching of the Aryan nation. Green is willing to easily forget his past, and particularly turning his back on his young black friend of ten years, in order to be the Church's new spokesman. This makes no sense, seeing as how principled our character initially is. It is this sudden, and loose change in character, coupled with an abrupt reversion back to the hardened, DeNiro-obsessed (as his Taxi Driver character) form who is able to battle the villains. A noble attempt on the filmmakers, but one that ultimately reveals itself as anything but serious.
The other characters, too, are quite annoying and what we are forced to recognize in them comes too easily -- the psychotic paranoia of the Church leader, the self-interested actress girlfriend (the first girlfriend Bronson has when he's in L.A.), and the new blonde girlfriend who's character lacks so much development, she is, for the most part, just a walking, talking void. We are just supposed to see them in fleeting moments in which something random forces us to draw assumptions about the characters. But there is really little development of any of them.
The other problem with this film is the ungodly amount of time the characters are involved in very little important action. Much of the beginning concerns introducing the characters, obviously, and later we see Bronson's difficulties with breaking into the L.A. acting scene and the frustrations which stem from constant rejection. But after he does willingly change his looks and personality in order to become accepted, there is at least a good twenty minutes to thirty minutes of wasted film in which very little of anything happens.
For films that seek to draw attention to the irrational fears behind racism, this was not one done with enough credibility.
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user\nYou talking' to Me? (1987) is a pretty bad movie starring some dude who I have never seen before or since starring as a guy from the neighborhood who tries to become an actor. He has a heavy jones for Taxi Driver as tries to use that shtick to make it big. When he learns the hard facts of life, he does what everyone else does, changes his image! He goes from good fella to a surf's up dude over night. His friend can't believe the change (but he scores with Faith Ford and get's a cool paying gig). Can this young punk keep his street cred whilst making it big?
This is a real lame movie that tries too hard to incorporate too many things at once. An interesting idea that falls apart due to poor execution. Who knows, maybe somebody will pick up the ball and run because the film makers fumbled the ball this time.
Don't waste your time with this movie. Unless you want to see a hot Faith Ford and a young Bubba from Forest Gump.
xx
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user\nI couldn't relate to this film. It failed to engage me either intellectually, emotionally or aesthetically. The dialogue was very dense and uninvolving. I couldn't connect with and hence care about any of the characters and I'm finding it hard to find much that's positive to say about it.
I've read that to understand it properly one needs to be familiar with some of the more obscure aspects of Catholic theology. I'll admit that, as an atheist, I probably am unfamiliar with many of the finer details of Catholicism, but I have also seen many films dealing with religious issues that have touched me because their themes are still universal to the human condition and don't rely on specialised knowledge or beliefs.
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user\nIt is not obvious from viewing this film (so I recommend viewers research the people who present their case in it) but this presentation on the realities of Islam, and its encouragement of violence and intolerance against all non-Muslims is lacking objectiveness, and also completely fails to factor in the human condition. It is one thing to document that the Koran says many things about how a devout Muslim is required to interact with non-Muslims, but any realist is able to realize that not every human who feels himself or herself to be a follower of Islam, will agree with and comply with all tenets of that faith and system. There is reason to call much about the presenters into question, such that viewers need to see the presentation with a healthy skepticism; don't swallow it all, hook, line, and sinker, without some thinking of your own.
One specific, for instance, is researching the person Walid Shoebat; who claims to be a former Muslim who perpetrated an act of terrorism in Bethlehem. There are many wise people in the world who believe neither of these assertions. I am not nor have I ever been a Muslim. I have never read the Koran. I am not a Christian, nor a member of _any_ faith. But I am an intelligent and discerning human. While the film is quite disturbing, in its presentation of how SOME Muslims view their obligation to Islam; I remind you that there is more to Islam than the views of the fundamentalists. Just as their are fundamentalists and evangelical Christians, so, too, there are variations in the intensity of belief and obligation among Jews and Muslims.
When you watch this film, you need to have the salt shaker on hand. One grain will not be enough, you'll need more. Please use your own mind and think for yourself, research what is presented, and evaluate the state of the world and how Islam fits within it based on more than what is said in 98 minutes of video. There is a common thread of political affiliation among those who put this film together, indicating a definite bias. Be your own brain.
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user\nThe \"documentary\", and we use that term loosely apparently, summarizes that Muslims are trying to violently take over the world. Then states that any Muslim that doesn't admit this is either ignorant of their own faith or lying to your face! Also every person that is interviewed in the film has found a market for their ludicrous take on reality by selling claptrap to conservatives willing to let others do the thinking for them. What the West NEEDS to know is this is nothing more than propaganda aimed at mental midgets. If you are looking for an actual documentary on Islam and the current state of the Middle-East I would look elsewhere. Try something that provides multiple points of view from qualified sources.
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user\nThis video contains an outsmart way to confuse and manipulate Americans about Islam. It's a pity that the people who did it really believe that American people is so dumb to believe in it, perhaps, as an American citizen, every person must protest against this kind of crap. If you want to know the truth about Islam, don't let nobody tell you... THE QURAN IS PUBLIC! you can read it by yourself and decide if what they say it's true or false...
The video uses a lot of audiovisual strategies directed to manipulate and associate things that are not even related. The music used at some points prepare the public to hate what they see, even if they don't really understand what's going on in there. They use images that are misplaced from their original content.
To end the comment I would like to make a reflexion... Don't you think you can do the same exact movie with every religion in the world?
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user\nThat's pretty ridiculous, I hope many people are exposed to Muslims who live all over the U.S, U.k, and all over the world. The religion has over a billion followers. I Myself born and bread in America and through my religious classes and teachings I have been taught to cherish my country and work to contribute to the society. I am very dedicated to the followings and teachings of my religion have been stressed through out life to educate and prepare oneself for success through education in order to contribute back to the world. I have know many Muslims from all over and I have traveled to countries like Pakistan..I have yet to meet one person who believes that we should hurt anyone or not accept any other religion except from the people in the media...I wonder why... Also its sad that these extremists are the ones the media use to represent a whole religion. Its a religion of one billion people, and these are less than one percent, I am sure the other people of other religions would not like to be represented by the KKK, IRA and many more which are simple small percentage extremists who use outdated and not literal passages from the respected books in order to pursue their own revenge, personal, or business matters through their so called religion
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user\nThis film was more effective in persuading me of a Zionist conspiracy than a Muslim one. And I'm Jewish.
Anbody go to journalism school? Read an editorial? Freshman year rhetoric? These alarmist assertions, presented in a palatable way, might prove persuasive. But by offering no acknowledgment of possible opposing arguments, nor viable (or any at all) solutions, few sources and each of dubious origin, makes the argument an ineffectual diatribe.
And thank goodness for that -- I wouldn't want anyone to leave the theatre BELIEVING any of this racist claptrap.
A good lesson for me -- and hopefully a cautionary tale for you -- to actually read about a film before seeing it.
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user\nGreg Davis and Bryan Daly take some crazed statements by a terrorists, add some commentary by a bunch of uber-right reactionaries, ascribe the most extreme positions of the most fundamentalist Moslems on the planet to everyone who calls themselves a Moslem, and presents this as the theology of Islam. Maybe their next film will involve interviewing Fred Phelps and the congregation of the Westboro Baptist Church, adding commentary by some militant atheist \"scholars, and call their film \"What the World Needs to Know About Christianity.\" Ultimately, this film suffers from both poor production values and lack of attention to the most basic standards of journalism. Don't waste your time and money; just turn on your AM radio and listen to Rush Limbaugh for a couple of days for free and you'll get the same message with the same level of intellectual analysis.
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user\nThe first (and only) time I saw \"Shades\" was during a Sneakpreview. It hadn't even been in premiere. I remember there was someone of the directors staff there, don't even remember who. It was a Belgian movie, we never heard of it, so we were quite neutral, not knowing what to expect. Mickey Rourke is a brilliant actor and he's stands miles ahead all the rest. He plays an actor who's star has long stopped rising. He's helping to realise a movie in Belgium entitled \"Shades\".
As soon as the movie started, we noticed how much swearing there is. Nothing against the occasional swear word. However this was way beyond annoying. Whenever Rourke uses the F*** word to express something, it comes naturally. However, when someone from the cast, a non-English speaker uses the F**** or S*** word, it becomes arrogant and aggressive.
We quickly lost count of how many times they used the F and S words. Everybody was just glad to be out of the theatre. And we had to give a vote, but it was hard for us because it was only from 0 to 10, and we were looking for the -10.
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user\nThis is a very sad movie. Really. Nothing happens in this movie. The Script is bad!!! I guess they've just copy-paste the first 15 pages to 90 pages. The Producers must have thought let's create a Hollywood movie here in Belgium. They didn't succeed. Now in the third week it is only running in Antwerp and Brussels at 22h45 or something. In the past we have had really good movies in Belgium, like Daens. Shades is a waste of your time. Maybe you could sneak in the theater after you've seen a real movie. If you've seen 10 minutes of Shades, you've seen it all. It was advertised to death on local radio and TV. I hope it will disappear in the Shades soon.
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user\nThe first ten minutes of this movie about making an international movie in Belgium, are fine: you see real chaos on the set, a producer on the edge of a nervous breakdown, the cool has been-director (Mickey Rourke), the bad tempered star, etc. You have seen everything before, but it's well done. BUT THEN! The rest of the time the film just repeats itself: the same ten minutes over and over again. No climax, no dramatic development, no good acting, not even bad acting, it just goes on and on and on. Mickey Rourke has two good minutes when his character talks about his f**ked up career in a scene where reality and fiction meet. Altogether, that makes 12 good minutes.

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user\nThis movie was advertised on radio, television, magazines, etc. Almost every hour or every issue. So when we went to the Kinnepolis multiplex our expectations were very high. But oh boy, how sad this movie is! It is a movie in Hollywood style about a movie in a movie. Shades shows so clear we aren't ready to produce 'big Hollywood movies'. I am not a movie critic, but I think a good movie starts with a good script. And the script is a nightmare. Like my subject line says, it is nothing, and then looped. You could just stare to the television as well, without really seeing anything. That was the feeling we've got when we saw Shades. Shades is a BAD PRODUCTION!!!
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user\n\"Fly Me To The Moon\" has to be the worst animated film I've seen in a LONG TIME. That's saying something since I have taken my son to see every animated release for the last 4 years now. The story is to be generous...trite. The voice acting is atrocious, Too cute sounding. The humor is of the Romper Room variety. The animation is passable for a Nickolodeon type of cartoon but this is being released on the big screen not cable television.
It gets a 2 only because of it's OK 3-D visuals. Some of the scenes had a mildly stimulating image but We've seen much better in the past. I also question the insistence of the filmmakers to have characters fly away from the screen rather than into it in most of the scenes. While that is interesting at first it became tiresome after the 3rd or 4th time. It seemed to smack of indifference to me on the part of the creators.
I will say this though, It had a pretty cool soundtrack. And for the record my son wasn't too crazy about it either. Bad movie.
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user\nIt is pretty surreal what these flies can do... eh well... this is a cartoon, so anything can happen in it.
At first I must tell you that I love animated movies. Unfortunately this year's repertoire is very weak. This cartoon is nothing but a list of flaws:
1) I quoted the tag line. It suggests that this movie has great 3D effects. Well, I did not see any, at least not something special I never saw before.
2) The \"flies\" in this movie look nothing like real flies. At least they could've make them black. But cyan flies, seriously? With giant heads and slim torsos?
3) The story. I guess it was written for 6 year old kids. I could tell it in two sentences it is so over simplified.
4) Excessive patriotism. For example: \"They are American files after all!\" Oh, give me a break.
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user\nOkay, so, someone, somewhere, a few years ago, thought it would be a good idea to make a 3D IMAX movie about some flies stowing away aboard the Apollo 11 and going to the moon. So they did. Someone, somewhere, was an idiot.
I want to give the artists props for doing their homework on the hardware. As far as I can tell, the rockets and the launch hardware were bang on. The graphics in general were pretty good - the rocket launch gave me chills, like a good rocket launch always does (my Popular Mechanics flying-car gearhead blood still runs strong) and the 3D was pretty effective. The CG wasn't Pixar-quality, but it was generally good. The flies were kinda mediocre anthropomorphics, with some half-assed late-60s characters thrown in for colour (hippie flies, African-American flies with giant afros and black shades, etc.) and the maggots looked more like grubs with human baby heads (although they made suitably gross squelching noises).
The scriptwriters certainly did not do their homework, relying on offensive and outdated clichés (60s gender politics including mostly-useless female characters, racial stereotypes, evil Russians, a fat fly who only wants to eat, grade-two level gross-out humour). In a movie aimed for IMAX, they blew a wonderful opportunity to sneak in some educational content about physics and space travel - they didn't get their physics right (zero-g in the Lunar Module during landing burn? PLEASE.) They couldn't even be bothered to read the original radio transcripts between Houston and the astronauts, all of which is in the public domain; instead they wrote their own dialogue, which sounds like crap.
But we liked the maggots.
So they get a point and a half for rockets and maggots. Uh, yay. 1.5/5.
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user\nWhile the 3-D animation (the highlight of the show) did it's job well, most other elements fell flat. It was as though the filmmakers thought \"well, it's gonna be 3-D so we don't have to work that hard on the plot or character development.\" And the fact that it's a children's movie is absolutely no excuse. The public is drawn to three dimensional characters (Shrek, Nemo's Dad) just as much as they are drawn to three dimensional graphics. The only dimension any of the main characters showed was two dimensional Scooter who twists the plot from time to time with his compulsion to eat everything in sight.
And the absolute kicker? Buzz Aldrin's appearance at the very end (after watching a very robotic cartoon version of the same historical figure for an hour and half) comes on the screen and ruins everyone's good time by calling the film's main characters \"contaminants\" and announcing that the situation put forth on screen was actually an impossibility.
???!!!??? Did you just wanna tell the kids the Easter Bunny and Santa Claus don't exist while you're at it?
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user\nWhen I saw this trailer on TV I was surprised. In May of 2008 I was at Six Flags in New Jersey and this was showing at a 4-D attraction (you know, the attraction that the seats move). I take it that the version I saw was a shortened version (15 min.) and also re-created to add the motion effects. It was a cute movie... but that was it. It was educational and told about the first mission but the ending of a CGI spacewalk seemed a bit...well...trite. I was not a big fan of the movie but i would recommend this movie for any parent wanting to inform their children in a fun way about the first moonwalk. I will say, the character actors were well selected and the characters themselves were cute. So all-in-all, I would say, if you want to bring the younger kids... go for it. But if you are wanting to take your older kids, take them to another movie... they will thank you.
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user\n1st the good news. The 3-D is spectacularly well done, and they don't go for the gotcha gimmicks. The film is based on the true story of the high point in human history, and even features one of the actual participants in that story: Buzz Aldrin.
And now the meat of the matter: It's about FLIES, for krissakes! Flies with big, googy human eyes, true, but flies nonetheless. Remember when I likened the \"Underworld\" movies to rats vs. cockroaches? That wasn't intended as praise, and I never dreamed anyone would take it literally. This one's got even less empathy going for it. Baby maggots? Ugh. In one of those odd confluences of Hollywood groupthink, this flik was evidently on the drawing boards at the same time as \"Space Chimps\", also about critters in space.
Go rent \"Apollo 13\" and see a 9-rated movie about the REAL space program (RIP).
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user\nThis is not a good movie. Too preachy in parts and the story line was sub par. The 3D was OK, but not superb. I almost fell asleep in this movie.
The story is about 3 young flies that want to have adventure and follow up on it. The characters are lacking, I truly do not care about these characters and feel that there was nothing to keep an adult interested. Pixar this is not.
I would have liked to see more special 3D effects. Also I wold like to see more fly jokes than the mom constantly saying \"Lord of the flies\" Pretty sexist in showing the women as house wives and fainting.
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user\n\"Nat\" (voiced by Trevor Gagnon), along with his brainiac friend \"IQ\" (voiced by Philip Bolden) and the always hungry \"Scooter\" (David Gore) are kids with big dreams. They want to be the first flies in space. And what encourages their dreams is the first spacecraft to land on the moon, the Apollo 11, is waiting for its historic trip on the launch pad near where the three hang out.
The first thing you notice is the animation of the film. I found it done very well done. The scenery had depth to it, as things in the distance actually looked like they were behind the focus of the scenes. I didn't see the movie in 3-D, as it was broadcast on HBO. However, I could see that there really wasn't any scenes which took advantage of the 3-D effects except a fight between characters near the end. I also wasn't really impressed with the design of the characters. To me, they didn't look like anything resembling a fly, especially in the coloring. The flies were an unusual blue-gray that was kind of distracting to me.
The performances from the cast was not bad, but it wasn't good either. There were many times I focused more on my computer than the story. The writing was certainly written for a younger audience, with comedic moments that will make younger kids laugh. I saw nothing for adults, like jokes that they'll get the punchline for the adults to understand the meaning.
History was not followed in this film. In fact, I think it was completely ignored, as the main focus was the flies. I also hated when a well known astronaut popped up on the screen and explained that the stories about the flies in the film was a work of fiction, and no flies were on Apollo 11. I did like how he thanked the men and women who sacrificed their lives for space exploration though.
If you are an adult, this is not for you. It was not made for the entire family. This is certainly just for kids. But, save this one for a rainy day.
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user\nI, also having endured hundreds of children's movies in the past, consider this to be one of the worst I have ever seen.
1) I resent in this day and age having to explain to my children that Russia is not \"the bad guys\". Also, that mocking Russian names like \"Poopchev\" is inappropriate.
2) The grandfather fly's birthday party scene contained a quasi-sexist joke in which he implied that males drink beer and women talk on the phone. Two other flies also needlessly use the word \"crap\" twice.
3) The whole movie largely smacks of 1950's stereotypes and propaganda that I thought we, as a nation, were proud to have risen above.
In all it's just crude, badly animated, even more badly written and not worth wasting the time to view.
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user\nToday, I visited an Athenean Cinema with my two kids (6 & 8 years old), payed 3 x 12 euros (about 45 US $ total) not to mention gas, popcorn & soda, was asked to return my 3d special glasses after leaving the theater and was \"forced\" to watch what could have been a great 3d movie masterpiece but only proved to be a sick \"cold war like\" propaganda movie, like none I have seen during the last 20 years... AND THIS IS SUPPOSED TO BE A MOVIE FOR CHILDREN... IN HEAVEN'S NAME!
PS 1: The average working Greek makes no more than 850 Euros a month (approxiamtely 1050 US $)
PS 2 My kids liked it... but then again they are no more than babies >in Greek: mora, morons > like the one who wrote the script & the others who made this \"3d disgrace\" happen.
PS 3 3D animation is fantastic but who gives a ....!
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user\nthis is what you would get if you allowed a 10 year old (manic American) to write a story of a moon trip. Absolute garbage with no redeeming qualities Maybe it held some fascination in the 3D dept. but as a narrative and entertaining animation it held nothing to make wasting an hour and a half worth while. Save your time and money and watch BOLT instead
Damn. Not enough lines, yet I feel that sums it up... well, I agree with an above review - this is like a cold-war propaganda story. Maybe it would have been more interesting if they had made it about the flies uncovering the hoax of the moon landing, or if the flies had died in the first minute. BTW - why were all the main character flies deformed? - not one had the full compliment of limbs!
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