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user\nAccording to IMDb Takashi Miike's Master of Horror-segment, Imprint, was banned in the US. So I figured I'd translate the Swedish review I just wrote for it...
It was hard to NOT have any sort of expectations from Ichi The Killer-director Takashi Miike's episode in the Masters of Horror series. And the DVD-cover of Imprint did in deed look very promising.
The story mostly takes place in a remote Japanese bordello, some time during the 19th century, and it tells the tale of a journalist searching for Komomo, the woman he left behind and whom he promised to return for. Tired and dejected he arrives at the bordello, hoping that this will be the end of his very long journey. It turns out that one of the prostitutes, a deformed and quiet girl, know about Komomo, and the desperate man makes her tell him where she is and what has happened to her since he left. The story she tells him is as deplorable as it is hard to swallow...
The first thing that hit me about the episode was how unnatural it seemed that the Japanese cast for the most part spoke fluent American-English. But I will leave it at that, it's not that big a deal. What IS a big deal however is how miserable the rest of it was. Miike's tale moves at such a slow pace that I couldn't help looking at my watch several times during the 63 minutes. The extended torure-scene, that takes place somewhere in the middle of the movie, felt so unmotivated - and pornographically intrusive - that not even THAT scene became interesting. I felt like it was violent just for the sake of violence itself - with no sense of style or purpose. The only scenes that provoked any kind of emotion out of me were the images of bloody fetuses rolling along the bottom of the swiftly flowing water...and, in all honesty, the only emotions they provoked were feelings of disgust.
The journalist seeking the love he left behind is played by Billy Drago, for me most memorable as Frank Nitti - Al Capones whiteclad assassin in Brian De Palmas The Untouchables (1987). I've always found Dragos portrayal of Nitti to be very icy (and I mean that in a good way), and that is probably why I was almost annoyed when I found him to be so terrible (NOT in a good way) in this one. His acting seems to flow between no feelings or empathy whatsoever to displays of some really bad overacting. When his character is supposed to react to the awful things Komomo has been subjected to I was sitting in the sofa, twisting and turning in an attempt to escape the horrible actingjob put forth by Drago. I'm grateful that most of the story is told by Yuoki Kudoh (Memoirs of a geisha, 2005), who plays the deformed prostitute.
The finale is probably supposed to be chocking, maybe even revolting and horrid, but I just found it to be kind of...you know... \"blah\" (and I looked at my watch again, for the umptieth time, just wishing the crappy episode would end). Maybe the finale caused me to smile just a bit, but that's only because I couldn't help thinking of an episode of Red Dwarf, and the upside-down chins of Craig Charles and Danny John-Jules, with eyes glued on them to make them look like aliens... Lucky you, if you've seen that episode and now decide to see Imprint, I will forever have ruined the visuals of the ending for you.
My first thought, when Imprint finally ended, was that the only thing that made the pain of watching it worth it, was hearing the main title theme by Edward Shearmur (the same music I believe is used in every episode of this series), and that - if anything - is a big friggin warning, don't you think?
One might point to the costume design, by Michiko Kitamura, and say that there, at least, is something NOT lacking in style and refinement...but there are so many other films and TV-shows that is so much better at showing off the Japanese \"geisha-fashion\". This is nothing but inferior and I am disappointed. Takashi Miike's Masters of Horror-episode is boring, uninspiring and pointless. In other words; It's really, really BAD!
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