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user\nIf you really, truly want to waste two hours of your life, do the following:
1) Look through the TV listings. 2) Find the movie 'Men in White'. 3) When 'Men in White' comes on, sit and watch.
And that's it. After sitting through two hours of bad puns, dreadful (and not that funny) movie references, and experiencing something with possibly the lowest production values ever made in recent history, you will have wasted two hours of your life, and wonder exactly why.
Why did I do this? I was stupid enough to think that this film might actually be some good. It wasn't.
But, on the other hand, if you're old enough to remember Power Rangers, you might spot some familiar faces during the film. Presumably to save on production costs, Saban (who also make Power Rangers), decided to liberally sprinkle old monster costumes from everyone's favourite tacky toy-spawning franchise throughout the film. I spotted quite a few old monsters from episodes I saw from when I was a kid, so I guess it could at least be said it has some nostalgia value.
But, if you want to see actual Power Rangers monsters, go watch Power Rangers itself. It's much better than this piece of garbage. (And that's saying something!)
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user\nI may have seen worse films than this, but I if I have, I don't remember. Or possibly blocked them out. Who knows,if I was to undergo hypnotherapy, I may remember them, along, maybe, with been abducted by aliens as a child, or other traumas. If so, I would happily exchange those memories for the ones I have of watching this film.
I should give the film some credit: It did produce an emotional response. I actually started to become angry at scenes that spoofed other films and TV programs, that this travesty was dirtying them by association. I am terrified that I may be unable to watch films like Dr Strangelove again without this film flitting across my minds eye.
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user\nI watched this on a weekend afternoon as there was simply nothing else on, it would have been more entertaining to chew off my feet and probably less painful. I urge anyone to watch this just to see how turgidly awful a movie can be, surely it was deliberate. I cringed at every futile attempt at humour carried out in such a childish, unrehearsed, badly executed way that it was beyond belief. This is the movie that makes Spiceworld look like Goodfellas, think I am exaggerating? Well give it airtime and think again. Dreadful, utterly dreadful. If this wasn't a prank then the director and anyone else responsible for this should be removed and promptly shot after being forced to watch this film again.
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user\nWords fail me. This film was extremely difficult to watch and in hindsight I really wish I hadn't done it. Although I attempted to sit through it until the end credits I have to admit I couldn't last for more than hour, so my opinion could be unfair. However, this film would require the most impressive final third in the history of film-making in order for it to be given a review which is anything but vicious.
Please do not watch any part of this film.
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user\nThis 'Movie' has to be the biggest pile of steaming C*^p I have ever
seen, What more can I say than BAD, BAD, BAD, BAD, BAD, BAD. There is NOTHING to save this 'movie' and I pray that they NEVER even talk about making a sequel. If you are thinking about watching this then you should know that the storyline is that two garbage men get dragged into saving the earth. Movies like Men in Black has been torn to shreds and put back together to make this 'Comedy' but have TOTALLY failed. Please avoid this movie, (save yourself).
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user\nYou should know that I am the type of person that watches even the worst of movies to the finish, often out of sheer morbid curiosity. I even watched Leprechaun to the end before giving in to the temptation of tearing out my eyes and stamping on them. You should also know that this movie was in my VCR for less than half an hour before I made a frantic leap for the stop button and dashed back the rental store just to put as much distance between me and it as possible.
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user\n
A friend of mine enjoys watching the worst films he can possibly find, and I have a good laugh watching them with him.
I have told him if he puts this one on again I will be forced to give him a good kicking.
He knows I am serious!

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user\nWhy did I waste my time with this movie? There was not a single funny joke or line throughout. The slapstick wasn't even mildly funny. I mean really, an out of control vacuum sucking pipe? Why has the National Lampoon's name been attached to this movie? Even Christmas Vacation was better than this (I actually thought that film was very funny).
AVOID LIKE THE PLAGUE!
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user\nI only lasted 15mins before self preservation jerked me out of the empty eyed drooling stupor that this film effortlessly induced and propelled me screaming back to the video shop armed for bear.
To say the film was bad would be a missed opportunity to use words interspersed with characters from the top keys on my keyboard (just to keep these comments clean).
One to be avoided.

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user\nit got switched off before the opening credits had even finished appearing. The first joke was just so appallingly lame and dreadfully acted that it had to go. You shouldn't really decide to watch this based on my review or not. I saw so little of it I shouldn't even really be commenting but suddenly it all became clear why the video shop guy was sniggering at us paying money to see it.
Couldn't they have just made Earnest does Dallas?
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user\nIn the title I write that the story is ludicrous. below I'll elaborate and tell you why it, in my humble opinion, ruins this movie.
Gere and Danes are doing their jobs, and while it's not their best work, it's quite OK. The rest of the cast, though, is doing a really poor job. Mind you, this is not entirely the actors fault. The problem is that Gere and Danes are the only ones that have characters that have even the slightest room in the movie to really give any depth. All other characters have either too little room in the movie to create any depth, or the character is such a cliché that it doesn't matter how hard the actors try.
The director has a bit of a Se7en complex, but looking merely at the direction, I think he does an OK job.
But the story. This is the kind of script that is bad in two ways. First of all it's a bad movie script. The characters are shallow (except for Gere's and Danes' characters), the villains are clichés and the actions of the characters is totally unbelievable. Besides this, the writers must have an agenda where they want to bring back our views and ethics a hundred years. It's the kind of movie that are saying that some criminals are still criminals, regardless of the fact that they have paid the price the society has given them. It's also the kind of movie that says, albeit only between the lines, that every form of sexual deviance should be punished without trial, judge or jury. And of course, according to the movie, everything that is not sex in the missionary position by a married couple is a sexual deviance.
So, if you're going to film school and need an example of a bad script, or if you're writing scripts yourself and want an ego boost. See it. For everyone else, I recommend another movie.
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user\nAlthough THE FLOCK has some pretty good acting by veteran Richard Gere, and some okay shots that might harken some back to THE SILENCE OF THE LAMBS days, the movie stretches credibility to the breaking point and destroys itself against a plot that really leads nowhere.
The film is about Erroll Babbage (Gere) who works for the department of safety and is preparing to retire. His office thrusts upon him his replacement, Allison Lowry (Claire Danes, STARDUST), who quickly discovers that Babbage is obsessed with his job. And that job ain't very fun. He monitors hundreds of sexual offenders who are on parole in his jurisdiction. Allison goes with Erroll on many calls to check up on his \"flock\" of offenders and learns that he is in desperate need of retirement. But Erroll is good at his job even if his methods aren't. He taunts sexual predators and even has physical conflicts with them. Erroll justifies his actions by bringing up these deviants' pasts. It is this \"good justification\" that challenges the audience on some level, letting us see how brutal Erroll is and yet how out-of-touch he's become (by being too close to his job).
When a teenage girl goes missing in Erroll's \"area\", he immediate leaps to the conclusion that she was abducted by one of his flock. But how could he know? Is Erroll that good at his job? Allison challenges him and Erroll pushes back. Their battles become as fierce as Erroll's need to find this missing girl.
Although the set-up for the story was okay, it didn't have any umpf! I will give credit to Richard Gere, however, who plays the Erroll character very well. Battling retirement. Worried about everyone who's near his flock. Disgusted with those he's responsible for overseeing. Disgusted with himself for having to do some of things he does. Quite a change in character portrayal for Gere. But beyond him there's not much else. Some of the sets are okay (dark and dangerous) but there are so many other problems as to be laughable.
I'll be the first to admit that suspending disbelief is a requirement whenever watching films. But that suspension has limits. The biggest push against those limits is the destruction of EXTREMELY vital crime scenes. Someone as meticulous as Erroll would KNOW that moving a body would be a huge no-no. Or trampling through a crime scene. Or moving evidence. It went beyond and hurt the film to no end.
The other damaging part of this film is that we never get into Clair Danes' character, Allison. She's almost dropped by the wayside at the end of the film and we're never privy to what her intension might be: Will she stay or leave? Will she end up like Erroll if she does stay? This isn't a horrible film as it does touch on some uncomfortable moral ground, but the story as a whole needed to be tightened up.
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user\nI watched the movie \"The Flock\" because of the casting of Gere and Danes and because the story synopsis sounded interesting. This was one of the WORST movies I've seen in a long while (and I've seen some turkeys.) I've never posted online before but this movie was so awful I had to do so. I suppose the problems begin begin with the script which was so amateurish it's unbelievable. The story makes zero sense and the dialogue is so trite it's nauseating. Poor Gere, he deserves so much better. As for the Gere/Danes on screen matchup, because of the horrible writing, one doesn't believe either character for a single minute. I'll bet Gere wishes he could buy back the negative, were such a thing possible. It's a shame to see talent wasted so badly, not to mention I wish I could get my 2 hours back. (I know what you're thinking. How do I really feel?)
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user\nI just saw this film yesterday.
My girlfriend wanted to see it only because of Richard Gere.
I feel I wasted my time and money and told my girlfriend it's the last time we go to see a film just because a certain actor/actress is in it. I hope she learned the lesson because I had trouble keeping her in her seat. As of me, since I paid already, I wanted to see the end at least, just in the hope something good would turn up, but I didn't hold my breath, and luckily so cause I would have been a victim of the film just the same.
This is not a black and white film, it's a black and black one. The main character (Richard Gere) is almost as bad as his registrants, and all sex offenders are portrayed as unredeemable hard core criminals and the bad ones among them were really very very bad. Speak of a cliché and the exploitation of a typical US phobia.
Richard Gere's acting was good as usual but the blond girl that's supposed to replace him was wishy washy at best. Totally unconvincing for the job.
The film tries to exploit a popular theme and gives it a cheap, dramatic, and sensational turn that just is unreal. They just use sex offenders as an excuse to indulge in cheap violent acts of murders, vigilante beating, rape and torture - something that almost seems gratuitous. They even have a wolf attacking people in the film - how low can you get.
I gather the film won't come out in the USA and will go straight to DVD. That's were it should have stayed in other countries too, but because it's Hollywood and Richard Gere they just had to show it. Believe me, without Gere, the film is not even worth a B-series movie.
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user\nThe Flock is not really a movie. It's a wannabe movie, with wannabe actors. Not including Richard Gere, he gave an excellent performance, but when only one of the actors truly gives himself to his character, and the rest of the cast is just acting... the result is pathetic, just like this movie. You see, the idea of acting is to hide the fact that you're acting. What the hell was Claire Dains doing in this one?! She's the most inappropriate actress for this character. In 99.9% of the movie she looked extremely out of place, out of everything!! The only thing she was doing was asking stupid questions, like \" do you really think so?? \" , and making silly faces. I was embarrassed by her acting, seriously, and I used to like her... She's the romantic movie type, I don't know who picked her among all the actresses out there.... LOL, and seeing Avril Lavigne?! this really made me laugh.. Anyway.. If you want to get the feeling of throwing up, this movie will do the job for you!!! I wish I could vote -5..
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user\nA bad rip-off attempt on \"Seven\", complete with sub-second-grade acting, awful camera work, half-baked story and strong aftertaste of lame propaganda. Yeah, them \"sex offenders\", they live next door and you're gonna get raped, really.
No surprises from the vice-terminatrix woman, she acts as always -- as convincingly as a piece of wood. Richard Gere keeps on sliding lower and lower -- and is about as low here as a late Steven Seagal.
The singer woman with the crazy eyes is best when she's dead in bed; and even the wolf was sub-par (although she was the best performer in the movie) -- maybe they fed her before the shots, or something.
Unlike \"Seven\", which had a (made up, but interesting) story, to which one could relate more or less regardless of the country, this movie seems to focus on a US-only obsession. If one doesn't care much about \"sex offenders\" -- and the statistics are that lack of exercise and bad diet cause more pain, suffering and death -- there is little reason to see it, or to be afraid.
There are some body part fetishes and some snuff, but the gore is less then mediocre, and fails both as artistic device (because it is pointless) and as gore, because it is not gory enough.
Don't waste time on this one.
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user\nThe reasons to watch this knock off... err... tribute to a great movie called Se7en: - It's on while your channel surfing and there's nothing else on. - Someone pays you to watch it.
Do yourself a favor and pop in the DVD for Se7en, rent it, download it on iTunes, or put it in your Netflix cue and skip The Flock entirely. The Flock the same story with with a few changes. Furthermore the editing just wreaks of Se7en and actually ends up taking you out of the story several times. The worst one is probably the fly over desert helicopter shots, with sounds of people people chattering over the radio, except there are no police helicopters flying overhead in this one.
Bottom line: I call it a blatant knock off. If you wanna be nice you can call it a tribute film, go ahead, but either way go watch Se7en.
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user\nI really have problems rating this movie. It is directed brilliantly, there is obviously a lot of money in it. Gere and Danes are intense (although her screen personality could use a bit more defining and spicing up), editing and cinematography are excellent. On the other hand, it is one of those really really sick movies where one cannot help but wonder whether the director himself likes to stage specific scenes, and, yes, one cannot help but wonder how many copycats will such a movie inspire.
In purely artistic terms, it is a 9, but I really have to ask myself who these people are giving their money to produce such a movie ....
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user\nI saw this film last night (about 102 minutes) and don't know what kept me in my seat. I guess I just expected a film with Gere would have some value in it eventually but nothing of value ever came on the screen. The story is a silly excuse to pile on shot after shot of bondage and torture. There is not a character in the film that does anything like real life. The cutting \"style\" relies on jump cuts, mini flashbacks and overprinting to give weight to this vapid setup of a gang of sadists apparently running free for years and SURPRISE the leader is the \"victim\" of an executed killer. I don't see how Gere, a Buddhist, got involved in this violent, sexist trash.
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user\nAlthough Twenty Minutes of Love is a harmless attempt at an early comedy, it was difficult to follow and the film quality was not very good. It does have a couple of moments that are funny, but I have seen better by Charlie Chaplin.
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user\nIn 1914, Charlie Chaplin began making pictures. These were made for Mack Sennett (also known as \"Keystone Studios\") and were literally churned out in very rapid succession. The short comedies had very little structure and were completely ad libbed. As a result, the films, though popular in their day, were just awful by today's standards. Many of them bear a strong similarity to home movies featuring obnoxious relatives mugging for the camera. Many others show the characters wander in front of the camera and do pretty much nothing. And, regardless of the outcome, Keystone sent them straight to theaters. My assumption is that all movies at this time must have been pretty bad, as the Keystone films with Chaplin were very successful.
The Charlie Chaplin we know and love today only began to evolve later in Chaplin's career with Keystone. By 1915, he signed a new lucrative contract with Essenay Studios and the films improved dramatically with Chaplin as director. However, at times these films were still very rough and not especially memorable. No, Chaplin as the cute Little Tramp was still evolving. In 1916, when he switched to Mutual Studios, his films once again improved and he became the more recognizable nice guy--in many of the previous films he was just a jerk (either getting drunk a lot, beating up women, provoking fights with innocent people, etc.). The final evolution of his Little Tramp to classic status occurred in the 1920s as a result of his full-length films.
It's interesting that this film is called TWENTY MINUTES OF LOVE since the film only lasts about 10 minutes! Oh well. The plot, what little there is, involves the Little Tramp in the park. A couple wants to neck but inexplicably, Charlie insists on practically sitting on the couple's lap and really annoying them. I can't understand why and the short consists of Charlie wandering about the park annoying these people and some others later in the film. Perhaps he was looking for a threesome, I don't know. But the film lacks coherence and just isn't particularly funny--even when people start slapping each other and pushing each other in the lake. A typical poor effort before Chaplin began to give his character a plot and personality.
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user\nA quite usual trashy Italo-Western, stupid storyline full of clichés and lack of logic, some mediocre actors, dirty settings, lots of punch-fights and people shoot dead on a massive scale.
This has nothing to do with Django. - At least not in my German translated version, this German DVD-release is called \"Adios Companeros\" and has Macho Callaghan fighting against Butch Cassidy and Ironhead because their gang killed his one (he's the only survivor). Then you have Butch Cassidy and Ironhead fighting each other because they quarreled and the gang split. And you have Ironhead fighting against everyone because he's just the biggest and most greedy asshole anyway. Yeah, that's it, no more cleverness in the storyline, hehe.
A small role by Klaus Kinski as Reverend Cotton is remarkable (that's why I bought this DVD). In one scene he attempts to separate two men fighting by hitting them and screaming \"I said love!\" and in another scene he wins a competition in throwing horseshoes and goes nuts for a second - FANTASTICFANTASTICFANTASTIC!!!
It's also remarkable that JOE d'AMATO aka Aristide Massaccesi did the cinematography - I love this master of incompetent exploitation-thrash, so it was an \"aahhh\" for me.
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user\nI am a big fan of the Spaghetti Western Genre, and I usually also like most of the cheaply made ones. Infamous Director Demofilo Fidani, however, is rightly known for some of the cheapest, trashiest, and, well, worst contributions to the genre. The plots of Fidani's movies were usually very weak, and since his talent was quite limited, he usually tried to sell the movies by adding famous Spaghetti Western names like \"Django\" of \"Sartana\" to the titles. I the particular case of \"Giù La Testa... Hombre\" of 1971 he just took the title of Sergio Leone's \"Giù La Testa\" (aka. \"Duck You Sucker\") and added 'Hombre'. The movie can be found under various titles (\"Fistful Of Death\", \"Western Story\"...), I personally bought it under the name \"Adios Companeros\", which this movie shares with another Fidani film with almost the same cast, \"Per Una Bara Piena Di Dollari\", which is also entitled \"Adios Companeros\" in the German language version.
The plot is rather weak, it basically follows a guy named Macho Callaghan (Jeff Cameron) and his involvement with two rivaling outlaw gangs lead by Butch Cassidy (Jack Betts) and Ironhead (Gordon Mitchell).
The leading performance by Jeff Cameron is, kindly stated, not very convincing. Neither did I find Jack Betts very good as 'Butch Cassidy'. B-movie legend Gordon Mitchell, however, is always worth a try, and although he probably wasn't a very good actor, I always found his performances in the Spaghetti Westerns quite funny and original, and he actually saved some of Fidani's movies (such as the rather crappy \"Django And Sartana... Showdown in the West\").
There is one very funny and original thing about \"Giù La Testa... Hombre\" - the great Klaus Kinski is playing a priest! I could have imagined Kinski in any role, but before seeing this movie I would never have guessed that anybody would cast him as a priest. Kinski is, once again, great, although he has only little screen time, and one scene, where he breaks up a fight, is probably the only good scene in this. One more interesting thing about this film is that the legendary director and king of sleaze Joe D'Amato did the cinematography.
\"Giù La Testa... Hombre\" is a cheap, crappy film, but nevertheless, it has some funny moments. Being a Spaghetti Western enthusiast, I found it fun to watch, but if you're not, never mind this movie, or watch it only for the purpose of seeing Kinski play a priest. 3/10
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user\nthat's incredible! Fidani (who he was also a spiritist) was one of the cheapest director of all the world. This movie stole the original title of Leone's \"Duck you sucker!\" but tell the boring story of a Pinkerton agent against the killer \"Testa di Ferro\" (the improbable Gordon Mitchell, a stuntman). All is poor and crazy in this pelicula filmed into the dear landscapes of Lazio. The story is bad and crazy at the same time. Fidani was not able and ingenuos at the same time. Into the story happened some kind of crazy illogical things (like the discussion into the Sheriff's house and the demential appearance of Butch Cassidy !?!?!?!?!? yes, really Butch Cassidy,who is portrayed like an idiot). Terribles nuit americaine, absurd comportaments, illogic plot, bad acting and a fugace appearance by one of the most rewarded anchorman in the story of italian television, Renzo Arbore. Ah, of course: Klaus Kinski. Yes is great and terrible, but i'm sure he was in it only for money an for playing with iron horses) 2 of 10 but...DON'T MISS IT!!!!!
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user\nThe Ballad of Django is a meandering mess of a movie! This spaghetti western is simply a collection of scenes from other (and much better!) films supposedly tied together by \"Django\" telling how he brought in different outlaws. Hunt Powers (John Cameron) brings nothing to the role of Django. Skip this one unless you just HAVE to have every Django movie made and even THAT may not be a good enough excuse to see this one!!
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user\nThe only remarkable fact is the participation of Klaus Kinski who plays a priest. Don't ask me why he does it! A bad, bad movie overall.

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user\nOh, this is so bad, it is funny. The only way one could explain something like this is a porn party with drugs that resulted in the resolution to make a movie just for fun. I mean: you get to see porn actresses topless, having sex, then killed by human mutants. There is plenty of gore, including the classic \"something is wrong with her, oh no, it's half the person she used to be\" and the accidental murder caused by panic. But you can also find funny stuff like intestines pulled through someone's ass and a guy running in the woods then finding himself decapitated by a wire tied between two trees (that makes a metallic doiiing sound afterward, like in cartoons). Somehow there is a market for people going beyond porn, they really need to know what's inside an actress, mere genitals are not enough. Therefore you get to see plenty of summary autopsies on slain bimbos. There is NO dialog. Jenna and Chasey have really small parts and I really wonder what Richard Grieco wanted when accepting a role here. I think this is a film one must watch with the button on fast forward and watch only the juicy stuff, just to be reminded of the old school C class horror movies.
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user\nTourists head to Ireland for a school trip to learn about Druids. What they encounter is a horrific tale of cannibalistic killers.
If I had to sum up Evil Breed, it would be a low grade gore fest. The film mixes Dead Alive, Evil Dead, Wrong Turn all in one. It's just too bad that the film has so many inconsistencies to keep track of that it loses any \"fun\" one would have watching it. The film has lots of random \"horror\" nudity...although the film also stars four porn stars, yup four, so there could have been plenty more. Breed also showcases a good amount of gore.
Evil Breed has a horrible start, with laughable dialogue and horrible acting. That's a given in a straight to video horror film, but this takes the cake. I can't really figure out who the main character is, since the one female who \"lives\" at the end is not really in the movie all that much. Speaking of the ending, that has to be one of the most random and bogus ending in the history of film. It has no purpose with the rest of the film and totally changes one's view of the film.
You have to see this film to believe it, since there are some pretty great death scenes. There are two death scenes that come into my mind, one in which the inbred killer rips the intestines out of a naked woman through her chest....yea her chest, don't ask me. The other id when the guy gets his intestines, yet again, ripped out through his asshole. Does that kill the guy? No, the killer continues to strangle the guy with his own intestines. These scenes remind me so much of Dead-Alive, with the right amount of humour in each. I also got the sense of Evil Dead, with the pointless mentions of horror films and Sam Raimi. Along with Halloween, when the female character is in a closet screaming for her life with the killer trying desperately;y to get in.
Although, the gore and nudity are not enough for the poor audio and visual quality of the film. When the teacher wakes up from her bed and walks down the stairs, her footsteps are so loud and hard that it seems like she was wearing boots. Distracting indeed. As well as the continuity in the film, with only one inbred killer? As well as which character dies at which moment. I couldn't tell if the breast implant chick was Jenny or Gary's sister/cousin...I can't remember. As well as the random naked chick with a dead baby hanging out of her body, still attached with the umbilical cord.
The horrible editing is distracting as well, the opening credits are too fast and disorienting. It did have a bad start and got better, but the ending just brings the film back down to a horrible level. If maybe there were better production values and more faith put into this film, then it wouldn't have been horribly butchered to death. Stay away from this film, unless you are happy with the below budget horrible bad film with decent gore.
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user\nUnderstand i'm reviewing the film I have seen. I realize virtually all the nudity and gore was cut from this film, thus neutering it completely. When seeing names like Ginger Lynn and Jenna Jameson attached, I knew I wasn't going to get a horror classic, but at the very least I expected gratuitous boobies and bloodshed. But no, this has got to be the most butchered modern horror film, I mean it's easy to tell there is much more to certain scenes', but they suddenly cut away, or the scene just totally ends right as it begins. How does one screw up cannibals' and porn stars? I mean thats a winning formula, it makes me wonder if the director slept with some executive's wife or something, because it is literally amazing how much got cut from this. Reading about it a few years back in Fangoria, I was excited, it looked like a fun film, but unfortunately the true film is locked in a vault somewhere, and we must endure this piece of excrement retitled Evil Breed. Hopefully an unrated cut will be released someday, as I think a good movie exists in this mess, but until then best grab a twelve pack of Bud, cause thats the only way you'll make it through this movie.
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user\nEvil Breed is a very strange slasher flick that is unfortunately no good.The beginning of the film seems promising but overall it's a disaster.The dialogue is pretty bad but not near as bad as the acting.The acting is brutal and unbearable.Most of the characters deliver there lines horribly and even if that is on purpose the method doesn't work because the characters become annoying.Some of the kills are innovative but it took far too long to get to them.After about a half hour through the movie we get the first death (other than in the beginning)and then almost every other character is smoked within the next five minutes.The movie then turned into sort of a spoof with ridiculous looking characters,unrealistic karate like fights,and a scene in which a man gets his intestines pulled out of his a*sscrack.None of it is funny it's just plain ridiculous.The film then becomes ultra gory and ultra pointless.Most of the characters are clichéd even for slasher standards and are as solid as butter left on the counter for 5 days.Evil Breed isn't even laughably bad therefore it fails in it's main task.Watch Texas Chainsaw Massacre,Just Before Dawn,or See No Evil for a real slasher.
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user\nI have been watching horror movies since I was 5 years old, beginning with Childs Play.Since then, I have seen good horror movies and bad, but this is without question, the DUMBEST movie I have ever seen! The actors did all they could with the material. The plot was just idiotic. Plus , it was just all gore. I can stomach a lot of blood, but that was just ridiculous! In one of the scenes, a character gets stabbed in the rear end and choked with his intestines! Plain Stupid! Another problem with this movie is that its boring and probably the slowest movie ever made. The end of it is just dumb. But then again, it goes with the rest of it! At the end, when the girl gets away from the cannibal/ancestor, she receives help from a old lady. The old lady is making tea, but when she turns around to talk to the girl, the girl attacks her! She turned into a cannibal! Retarded movie.
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user\nYes, definitely better than my viewing of Death Tunnel. Actually some of the deaths were pretty original and the gore was decent. It was kind of like Wrong Turn meets the Hills Have Eyes.
BUT: 1.) When the \"kids\" (high school or college?) are discussing horror movies in the kitchen, everything Shae says is almost an exact quote from Scream (1996). The thing about the big-breasted girls etc.
2.) Was Steve NOT a bootleg Randy from Scream? 3.) Besides the fact that it took place in October, what the hell did the movie have to do with Samhain? Pretty unnecessary if you ask me. I find it humorous when I see those horror movies from the 80's that explain away loose ends by pointing the fingers at the druids or a pentagram.
4.) Wow they made a Sam Raimi reference!!! 5.) Why was Gary and his sister in the movie? They're characters had nothing to do with anything. And hes so psychic that he couldn't even see his OWN death? 6.) When Gary was being killed in the bathroom (at that point, the deaths became simply Troma-licious) how could she hear the screams when she was downstairs but not hear them when she was standing outside the door? 7.) Gary's sister commented on Haggis- thats primarily a Scottish dish, not Irish.
8.) So the lesson is if you ARE like Shae and don't have any fun or crack a smile through the whole film, you'll be the one to live? 9.) The mutants were pretty cool, but they looked like walking dishes of Chili con carne.
10.) When they brought in Gary's sister, did they forget that Steve HAD been strapped there and wonder where he went? 11.) Was there not more than one killer? Shae beat that one, but never encountered any more of them.
12.) What was with the flashbacks to those other people? Half of them Shae didn't know if they were dead or alive, so what was with that? 13.) Why didn't they kill Gary and his sister before? 14.) Why did no one ever call the police? And apparently everybody KNEW those people lived in the woods, why did they never organize some kind of raid? 15.)As far as I know, they were not zombies OR vampires- so how could she \"turn into\" one at the end? I'm with everyone else on the giant \"huh?\" at the end.
Way better than death tunnel, but still quite sloppy. I still don't understand why they even placed it IN Ireland, considering Samhain had close to nothing to do with the plot.
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user\nI really don't get how people made this film and thought it was worth all the work they put into it. Even more puzzling are those who watched this film without feeling cheated out of 88 minutes of doing something valuable like cleaning under the couch or reading Leviticus.
First of all, surely they could have 2 found real Irish people, and some good-looking women who could deliver their lines better than the washed up, haggard porn stars sprinkled throughout this film. Granted, the gore works- but strangely, it's not as troubling as you might think to see organs yanked out of the porn stars' hot (formerly) tight bodies left and right. Probably has something to do with the fact that after their horrific inhuman acting you just want them to die in pain.
So, if you don't care at all about the following:
- acting (seriously, everyone sucked. I've never witnessed this before. EVERYONE sucked).
-plot (some crappy horror movies are remotely linear, or at the very least surprising. This movie doesn't make sense unless you're as trashed as the writers obviously were).
- theme (Nothing to learn from this film. Nothing to be scared about in bed at night, nothing to contemplate or grasp, or explain to others).
- soundtrack (Crap, crap, crap. Music as ordinary and dull as the script).
- scenery (Could have been this film's saving grace, but no...nothing pleasing here. Even the rocks are fake).
So, yeah. If you don't care about that, and you're just a horny teen with bad taste in music and \"women,\" this movie is for you. Positive comments: interesting cinematography at times, wasted on the other elements. Very realistic gore; again, wasted. But the intestines scene is classic. I agree with the mutant- disembowelment solves the fake accent problem.
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user\nRented a batch of films from Blockbuster last night, and this was the first one I watched (it was late on a Saturday night, wanted a \"horror film fix\")...
Wow, this was awful, almost embarrassingly so... Stupid slasher-type story I really thought films like Scream had put an end to; amateur actors delivering clichéd' and insipid dialogue that is hard to believe was actually typed and read off a page; and gore scenes that are nothing to get excited about (especially when occurring in a film this poorly scripted).
But I've always believed no film is 100% percent totally worthless. Here's the few good things I can say about this mess:
#1 Bobbie Phillips: love this actress. She's the only member of the cast who displays any acting talent whatsoever. The only reason I took a chance on renting this is because her name was on the front cover. She acquits her presence in this dreck with professionalism, even though she looks bemused at times that she's acting in such a moronic story.
#2 Unintentional Hilarity: This is the kind of film I can remember seeing back when there were still grind house theaters around the country and they used to include crap like this as the third movie on a triple-bill with some prestige thriller movie that was finally making it's way to the hinterlands. Unfortunately, in this direct-to-video age, most viewers have to endure these turkeys alone now without the communal experience of being part of an audience jeering and throwing stuff at the screen because the film is so terrible. Which leads to--
#3 Porn Stars Trying To Act!: Mostly on hand because the producers don't need to cajole or plead with them to disrobe for extended sex scenes, but this trade-off usually means they actually get to speak some lines that are supposed to advance a story (other than \"ooh yeah baby\", or \"harder!\"). And, proudly, they all deliver expertly at looking foolish when trying to act. I'd almost exclude Ginger Lynn Allen from this group if her character wasn't supposed to be an Irish mom and she's actually attempting at times to do an accent, which just keeps the smiles coming.
It's nice to look for the positive in all experiences, and that's what I took from this cesspool a.k.a \"Evil Breed\"
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user\nKaren(Bobbie Phillips)mentions, after one of her kids gets out of hand with his lame annoying jokes, that she'll never survive this trip..boy, is she ever on the money. Karen is a school teacher taking her group of kids from the Shepley College of Historical Studies to the butt ugly locale of a run-down manor in the major dung-heap of Ireland..surely there are places in this country more appeasing to the senses than this?! The caretaker of the manor, Gary(Simon Peacock)warns Karen and her students to stay on the path and not to stray into the forest. There's a myth regarding the Sawney Bean Clan, a ritualistic druid cannibalistic inbred family celebrate Samhain(the end of Summer, October 31st)\"Feast of the Dead\" where sacrifices are needed to appease the spirits. Gary is supposedly clairvoyant, his cousin Pandora(Ginger Lynn Allen)tells us, because he was born on Samhain. Funny, because he sure doesn't see outcomes well or even give advice accurately. Nearly everyone dies(..even those who never stray from the path)and he doesn't even see his own gruesome fate. What this monster we hear breathing is a victim of way too much inbreeding..it's face resembles a malformed mushroom and it looks like a hideous reject from a Mad Max picture. It doesn't take long before the \"evil breeder\" is killing everyone. Paul(Howard Rosenstein)is Karen's love interest who made the wrong decision coming to Ireland without his girlfriend's prior knowledge.
Horrible formula slasher doesn't stray from the norm. It's minuscule budget shows loudly and the characters are assembly line clichés churned out yet again to be slaughtered in the usual gory ways. Most of the violence flashes across the screen quickly with not much dwelling on the breeder's acts of death towards his victims. Lots of guts get pulled out during the fast edit cuts as one scene whisks to another. Seeing Gillian Leigh's gorgeous naked body for a moment or two isn't incentive enough to recommend it. Phil Price has the really irritating trickster character, Steve, often shedding bad jokes..how he is able to get Leigh's Barbara naked in the shower for some action is anyone's guess because I have no reason why he'd stand a chance with such a hottie. Brandi-Ann Milbrant has the fortunate role of Shae, the quiet virgin smart girl(who is also quite hot)who we know will be the one chosen by the screenplay to survive. Jenna Jameson drops by long enough to get her heart cut out of her chest(at least we see her breasts momentarily before her chest is opened up)with a few minor lines about two missing friends she's looking for. The film's main problem is that the story and character development grinds to a halt because it's realized that none of them are at all interesting so director Christian Viel just lets loose his monster to run rampant causing carnage, obliterating an entire cast almost in one fail swoop within ten minutes. Oh, and Richard Grieco has a minor opening cameo as a victim who strayed off the path to tent camp with his chick.
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user\nFirst of all, Jenna Jameson is the best actress in this movie, and she's just awful. This movie has every horror move cliché in imagination, and all badly played. The over-sexed teen couple. The comical(not)horny jock. The snotty cool chick. The creepy local color guy. The parental-type couple. The virginal chick who amazingly never dies in these films. The dialogue is so painfully awful and delivered with the depth of a wading pool. It's almost like you're wishing that they'd all die sooner. I saw the rough cut of this film a while ago, but somehow, this just got worse. Sure, the funniest thing in here is the ghoul trying to eat Jameson's implants, but that hardly rates even a rental of this dog. Avoid at all costs.
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user\nThis started bad, got worse, and by the time the girl attacked the old lady at the end i literally wanted to take the DVD to the person we borrowed it off and choke the C**T to death with it. Avoid this film, a little bit of good cinematography and some naked shots, would be almost acceptable if i was 14 and had not seen Jenna Jameson naked a million times. If anyone feels the need to watch this film, i would strongly recommend you spend the time more appropriately, as an example i would say trying to cram a Lego house into your bum with no lube would be a good start. I hear that this film was not the original version, i would very much like to view the original, as it seems that this cut version is devoid of all plot, and apparently most of the nudity, can someone please tell me how i can get in touch with Christian Viel he owes me an hour of my life back!
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