empathielabs/imdb_v0 huggingface dataset:
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nCertainly any others I have seen pale in comparison. The series gives balanced coverage to all theatres of operation. No one country is given undue credit for the Allied victory. Laurence Olivier brings great weight and dignity to his role as narrator.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAfter all these years I still consider this series the finest example of World War II documentary film making. The interviews with the many participants from all countries set this apart from any other project. It would be great to see a contemporary documentarian(Ken Burns ?) take on this topic and try to gather information from veterans before they are all gone. With modern technology to improve old archival footage and lots of information that has been unearthed since 1974 when The World At War was produced, an updated version of this series would be welcome. The History Channel has made some fine shows dealing with many aspects of WWII but an expansive series such as the World At War has not been successfully attempted since the original. If you are interested in this era don't miss this series. It is required viewing.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis should be required viewing for all young people. This is documentary at its best, from the haunting music and terrific narration by Olivier to its unflinching and penetrating analyses, The World at War is unforgettable and irreplaceable for anyone who wants to know about humanity's sorry experience at the nadir of the 20th century.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI must have seen this a dozen times over the years. I was about fifteen when I first saw it in B & W on the local PBS station.
I bought a DVD set for the children to see, and am making them watch it. They don't teach history in School, and this explains the most critical event of the 20th Century. It expands their critical thinking.
Impartially, with the participants on all sides explaining in their own words what they did and why, it details what lead up to the war and the actual war.
Buy it for your children, along with Alistair Cooke's America. Watch it with them, and make them understand. You'll be so glad you did.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nExample of how a World War 2 documentary should be made,using first hand accounts from actual troops and civilians whom participated in this awful conflict,and archived footage gathered from around the time .I caught this on a re-run on the History channel about a year and a half back,with no knowledge really of the Second World War at the time,but it enveloped me,and now I consider myself a World War 2 buff,watching and reading any and all that I can find about it,but nothing comes close to this landmark documentary,definitely worth buying the boxed set of.............
This is quite simply documentary making of the very highest standard.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\n10 out of 10, this brilliant, super documentary is a must see, with film clips from the war which people did not seen for years, untill this was screened in 1974. The film clips in this documentary from the war doesn't miss out anything, some of the clips left me dumbstuck. The whole series is over 20 episodes long, and Sir Lawrence Olivier is the narrator and tells a stunning story of war. Simply this is still probably the best documentary of war still, and now over 25 years old still is able to pack a tremendous punch. You must watch this at some time, even if it's a few episodes, even at that you will still be blown away at the impact this documentary means to those who have been there suffered and died in the name of WAR, in a WORLD AT WAR..
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is without doubt the best documentary ever produced giving an accurate and epic depiction of World War 2 from the invasion of Poland in 1939 to the end of the war in 1945.
Honest and to the point, this documentary presents views from both sides of the conflict giving a very human face to the war. At the same time tactics and the importance of Battles are not overlooked, much work has been put into the giving a detailed picture of the war and in particularly the high, low and turning points in the allies fortunes. Being a British produced documentary this 26 part series focus is mainly on Britain, but Russia and America's contribution are not skimmed over this is but one such advantage of a series of such length.
Another worthy mention is the score, the music and the whole feel of the documentary is one of turmoil, struggle and perseverance. Like a film this series leaves the viewer in no doubt of the hardship faced by the allies and the Germans during the war, its build to a climax at the end of every episode, which serves to layer the coarse of the second world war. After watching all 26 the viewer is left with an extensive knowledge about the war and astonished at just how much we owe to the members of the previous generation.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI remember watching this as a child in the UK, mesmerized by the story and Laurence Olivier's narration. We would talk about nothing else at school the next day. I imagine the ratings for the first showing were huge. This is quite simply the best most comprehensive documentary series despite the fact they had to cut the story down to the bone they managed to capture so much. What is interesting is that the battles of Britain and North Africa were pivotal yet are widely unrecognized as such by Americans. The series captures the rivalry between Mountbatten and the American generals, the suffering of German troops on the Eastern front, the maltreatment of Japanese prisoners of war by American troops. The images of the holocaust made me, a non-Jewish European, feel forever guilty about the treatment of the Jewish people. I don't know why this is not number one in the IMDb rankings. Perhaps they are showing their bias against documentaries. Spoiler - we win.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI am not a very good writer, so I'll keep this short. World at War is the best WWII documentary that I've seen. I've seen different WWII documentaries (not only English/North American) and this documentary seems to be the most complete WWII documentary that I've seen. I think it could talk a bit more about the Great Depression and why/how Hitler got to power, but it does a very good job at covering the war. It seems to be complete and objective/fair to everyone. It does not exaggerate or diminish roles of different nations. It has a lot of original footage, including color footage and many eye witnesses (it was made in 70's when a lot more were alive). It has great music and narrator. All-in-All I gave this one 10/10, because it's that good. (I haven't seen specials in DVD version so I cannot comment on those)
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWorld At War is perhaps the greatest documentary series of all time. The historical research is virtually flawless. Even after a quarter century, it is the most accurate and definitive documentary about WW2. An invaluable historical work that includes interviews with some of the most important and fascinating figures from the war. I highly recommend it as a learning experience.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\ni watched this series when it first came out in the 70s.i was 14 years old and i watched it at my best friends house as my dad didn't want to watch it.it became a weekly ritual every Sunday, and as anyone will tell you for two fourteen year olds to watch a documentary in almost reverential silence must mean that this was something special.
the broad sweep of the events of world war 2 makes for a difficult subject to document.so the makers broke it down into what they considered to be the most significant key happenings and devoted one episode to each.some episodes covered long periods such as 'wolf pack' which covered nearly all six years of the battle of the Atlantic.while the battle of Stalingrad had one episode to itself.
this documentary could not be made today quite simply because most of those interviewed are dead.the list of significant players appearing gives an amazing insight into the thinking at the time.Anthony eden the foreign secretary,Carl donnitz,head of the u-boats,Albert speer,pet architect confident and later armament minister for Hitler.in one of the later episodes we see traudl junge, Hitler's secretary,who was with him in the bunker and it was to her that he dictated his last will and testament-she left the bunker after Hitler's suicide and escaped through the Russian lines.these and many others play a major role in the realism of the events portrayed.
if i have any criticism of the series it is that the code-breakers of bletchly park are not included but the revelations of their part in the war only emerged after the series had been made so i cannot blame the programme makers.
the opening titles and music are magnificent,and Lawrence Olivier's narration lends a natural gravity to the script.
the best documentary series ever made? without doubt.unmissable
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWar is hell. But this documentary of WWII is heaven.
Not only is this series a breath-taking, almost-exhaustive look at the Second World War, it's a poetic masterpiece told clearly and superbly by Laurence Olivier.
This documentary series defines the genre. It's sweepingly long, no doubt, but you will enjoy all of them and want to come back for more and more. (I have the series on DVD and I probably watch the series three times a year).
Truly, this is an impeccable bit of film-making. Other than Olivier, the best part of the series is listening to the veterans tell their stories; whether it be about an actual battle or about finding a hog to butcher so they could have something delicious for supper.
I'm going to go watch it right now (again, my... 11th time).
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is what we can do to each other. This is the sort that everbody should see at least once.
It does not glorify world. It shows that it is the everyday person who is killed, mained and debased by war. The person on the \"other side\" eats sleeps, laughs and cry just as we do.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAs so many others have written, this is a wonderful documentary. Here is a list of the 'chapters' for anyone interested: 1: A New Germany: 1933-1939 2: Distant War, September 1939-May 1940 3: France Falls, May-June 1940 4: Alone, May 1940-May 1941 5: Barbarossa, June-December 1941 6: Banzai, Japan, 1931-1942 7: On Our Way, USA, 1939-1942 8: Desert North Africa, 1940-1943 9: Stalingrad, June 1942-February 1943 10: Wolfpack 11: Red Star The Soviet Union, 1941-1943 12: Whirlwind Bombing Germany, September 1939 13: Tough Old Gut 14: Its A Lovely Day, Tomorrow: Burma, 15: Home Fires: Britain 1940-1941 16: Inside The Reich: Germany, 1940-1944 17: Morning: June - August 1944 18: Occupation Holland, 1940-1944 19: Pincers: August 1944- March 1945 20: Genocide: 1941-1945 21: Nemesis, Germany: February-May 1945 22: Japan: 1941-1945 23: Pacific: February 1942-July 1945 24: The Bomb: February-September 1945 25: Reckoning
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe world at war is one of the best documentaries about world war 2.
The 24 episodes cover the war and what it was like in the countries involved in it. The first episode tells us how the Hitler came to power, and how he was able to build up one of the strongest armies in the world. They also fucus on the military actions taken during the war, and the holocaust. One of the strongest and best documentaries ever made. All of you must watch this. Perfection! 10/10

\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI remember watching this in the 1970s - then I have just recently borrowed a couple of episodes from our public library.
With a nearly 30 year hiatus, I have come to another conclusion. Most of the principals interviewed in this series - some at the center of power like Traudl Junge (Hitler's Secretary),Karl Doenitz (head of Germany's navy) Anthony Eden (UK) - are long gone but their first hand accounts will live on.From Generals and Admirals to Sergeants, Russian civilians, concentration camp survivors, all are on record here.
I can remember the Lord Mountbatten interview (killed in the 1970s)
This is truly a gem and I believe the producer of this series was knighted by Queen Elizabeth for this work - well deserved.
Seeing these few episodes from the library makes me want to buy the set.
This is the only \"10\" I have given any review but I have discovered like a fine bottle of wine, it is more appreciated with a little time...
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis excellent series, narrated by Laurence Olivier, brilliantly, it should be said, charts the beginning to the end of World War 2. The origins are not entirely examined fully from Germany's fall at the hands of the Versailles treaty which helped propel Hitler's demonic rise, but as one reviewer says, that must be hard to do, in a 26-part series with so much to cram in.
Apart from the expected combat photography/action, there are plenty of personal, emotional and human tragedies that are told giving the viewer an amazing insight, especially if you're not necessarily a World War 2 buff/fan. Episodes showing 'testimonies' and what life was like on the home front of the main allies/adversary, Britain, Germany, Japan, Russia and the U.S.A. were quite eye-opening. Showing the extreme savagery of the war on the frontline and of course the sufferings of civilians, the death camps etc., were very well handled and exposed. I'd fully recommend this in any history class for the younger generation (Of which it could be said I am one at 47!).
Certain things are quite strangely left out, like the advent of the new jet era beginning, with Frank Whittle's experimental Gloster jet and the Gloster Meteor's combat debut as well as that of the German Messerschmitt Me 262 - especially as the V-1 was seen making its debut and there was surprisingly smaller mention of the V2. This is probably a small oversight, not referring to the more sensational secret and fantastic weapons which WW2 brought forward from a more barren old science. But a great series that made its mark and has done so ever since when thankfully repeated.
A series to own as a box set in history terms, on DVD for anyone especially who happens to be a military fan. Jeremy Isaacs and Thames TV should be well proud.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI had just reached thirteen when I first saw this series and I am watching it again, on DVD, over thirty years later. The pictures over the opening credits have never left me. It has affected my view of the world and the peoples in it. My parents were with me long enough to have seen the series with me, and we always discussed the programme afterwards. It gave me a love for studying history and the highest marks I got in our school's public exams!
Sir Laurence Olivier's voice and delivery is timeless and perfect. I get the feeling that the people who lived through it would feel that this is their version of the history of the Second World War. I cannot imagine ever getting bored looking at it. Maybe an similar Cold War series could now be contemplated, although who could replace Sir Laurence is difficult to imagine.
Buy it!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI saw this series when I was a kid and loved the detail it went into and never forgot it. I finally purchased the DVD collection and its just how I remembered. This is just how a doco should be, unbiased and factual. The film footage is unbelievable and the interviews are fantastic. The only other series that I have found equal to this is 'Die Deutschen Panzer'.
I only wish Hollywood would sit down and watch this series, then they might make some great war movies.
Note. Band of Brothers, Saving Private Ryan, Letters from Iwo Jima, Flags of Our Fathers and When Trumpets Fade are some I'd recommend
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis was by far the best war documentary ever made. From the very beginning of the first episode when Sir Laurence Olivier described the horrific events in Oradour-Sur-Glane 'The day the soldiers came'. To the final days of the war when the mushroom clouds appeared over Japan, I never missed a second of this classic series and I remember it well even though it was screened way back in 1974. Each and every aspect of this tragedy was covered in detail. This whole series should be compulsory viewing for as many of the world's children as possible so that the tragedy of World War Two is not repeated and that bigotry, hatred, greed and intolerance are not confused with patriotism or religious zeal.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is a fantastic series first and foremost. It is very well done and very interesting. As a huge WWII buff, I had learned a lot before seeing this series. One of the best things this has going for it is all the interviews with past individuals back when the war was relatively fresh in their minds, comparatively speaking that is. It is nothing against the men that you see getting interviewed in the programs of today, it is just that most of these men weren't really involved in the upper echelons of what was happening then. One of the best parts is the narrating by Sir Laurence Oliver. I would recommend this to anyone that wants to learn about WWII, but really think only the die-hards (such as myself) will want to buy this or watch it more than once. My only real complaint about this entire series is that some of the facts aren't quite as accurate as we now know. Especially with the information about Soviet Union is exaggerated or just plain inaccurate in places. That information is now different we now know because of the fall of the USSR. Overall a fascinating look at WWII and a must see for any serious WWII historian professional or personal alike.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nDespite being told from a British perspective this is the best WW II documentary ever produced. Presented in digestible (as digestible as war can be) episodes as the grave voice of Laurence Olivier connects the multitudes of eye witnesses who were forced to live the events of that horrific time. Eagerly awaiting its appearance on DVD in the U.S. The Europeans had their opportunity with a release in DVD earlier this year.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\n'Five Days' is billed as something special, a crime drama that consists of a series of episodes, each set on one particular day of a police enquiry. But in fact, this element of the story turns out to be rather less significant than might at first be thought, as the fact that the action in each episode is confined to 24 hours is hardly noticeable, and very little distinguishes the program from countless other crime stories. In fact one almost can't help drawing comparisons to the last 'Prime Suspect', as one of the sub-plots focuses on a single, cynical female cop approaching retirement: and it's not just the absence of Helen Mirren that makes the comparisons unfavourable. There's a lot of earnest over-emoting, manipulative music and a set of characters seemingly contrived so that each one is in some sense sympathetic, in another suspicious. And it's possible to guess the guilty party well before the end, not because of the internal dynamic of the story, but rather because of the construction of the drama as a whole: certain things must be true, to justify the way that the series focuses on certain characters at certain times. In spite of these failings, the series grew on me: by the end, I was quite gripped. But it's a sad sign that the BBC, which once made the likes of 'The Singing Detective', boasted of this of \"possibly the best drama of the year\": for there's little true originality on offer here, and the claim reveals a lack of ambition that is dreadfully disappointing. 'Five Days' is in fact not rubbish; but it is formulaic, and one would hope that the very best the BBC had to offer would be something a little more innovative and fresh.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nA number of posters have commented on the unsatisfactory conclusion. This is always a problem with long, complex dramas. Crime is essentially banal, so the pay off is always anti-climactic, whilst detailed exposition detracts from the human drama. The writer has used a number of clever devices to try and get round this, but has not been entirely successful. Answers to precisely what happened and why may have been supplied, but if so they are well buried. The viewer inevitably feels a little cheated.
But in a sense this is unimportant. The drama was never about the crime, or even the investigation, it was about the impact of events on the lives of those involved; the family, the investigators, the witnesses, the press. And as such it was gripping. The writing was a significant cut above the run of the mill for prime-time drama, and the performances uniformly good. In an ensemble piece it is invidious to focus on individuals, but Penelope Wilton deserves special mention for an extraordinary tour de force as the mother-wife-daughter, and Janet McTeer was in cracking form as a hard-bitten old cop.
One of the most interesting aspects of the drama is the handling of race, as the elephant in the room that no-one is prepared to mention. Subtle, powerful stuff.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nIt's only 2 episodes into a 5 part drama, but I can already state that this is one of the best things I've ever seen. That's on TV, silver screen or even in real life.
As a writer, it's so good it's almost demoralising! As a viewer it's so entertaining that I'm annoyed the episodes are over a fortnight instead of Monday to Friday. It's clear that all these negatives are actually positives.
I'm a modern guy who previously turned over from TV dramas. In comparison to movies, TV dramas always seemed to be dated, quite tame, and well, generally boring! \"Five Days\" has really brought TV drama into the 21st Century, so for me at least, it's mind changing. Go watch it.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI totally got drawn into this and couldn't wait for each episode. The acting brought to life how emotional a missing person in the family must be , together with the effects it would have on those closest. The only problem we as a family had was how quickly it was all 'explained' at the end. We couldn't hear clearly what was said and have no idea what Gary's part in the whole thing was? Why did Kyle phone him and why did he go along with it? Having invested in a series for five hours we felt cheated that only five minutes was kept back for the conclusion. I have asked around and none of my friends who watched it were any the wiser either. Very strange but maybe we missed something crucial ????
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nOne of the finest pieces of television drama of the last decade. Throughout the five hours, ones perceptions and sympathies are constantly challenged as it explores many facets of modern day British society. David Morrisey is, as usual, brilliant. At first coming across as a heavy handed copper in conflict with the heroine, but then proving to be intelligent and caring, as he works with her in uncovering the truth. I have never seen Surrane Jones before. I believe she comes from the world of television soaps. Her performance was magnificent, as she maintains her humour and composure whilst trying to balance the demands of the case and the stress of caring for her mother. I could go on and talk about every member of the cast who contributes to this magnificent drama, but their efforts would mean little without such an absorbing script that constantly challenges your assumptions about any of the characters. It is programmes like this that restore one's faith in television drama, whilst at the same time making it almost impossible to settle for most of the garbage that is increasingly filling the airwaves.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAn OUR GANG Comedy Short.
The Gang coerces Spanky into watching their younger siblings. Caring for these FORGOTTEN BABIES turns out to be quite a chore, leaving the little nipper with no choice but to come up with some ingenious solutions to the baby-sitting problem...
Spanky is in his glory in this hilarious little film, arguably his best. Highlight: Spanky's retelling the plot of the TARZAN movie he's recently seen to the audience of infants. Movie mavens will recognize Billy Gilbert's voice in the radio drama.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is one of the all-time great \"Our Gang\" shorts. Spanky is at his very cutest and funniest, and the babies that he get's left to babysit are also hilarious. Tiny Spanky is coerced by the gang into watching all their little siblings. The opening shot of them all in baby carriages, being entertained by various things hung by the gang from fishing poles is a beautiful gag.
Spanky's appearance wearing his huge toy knife when asked to babysit by the older fellows is priceless, as is his response --\"Hey, where do you get that stuff -- I don't take care of no babies!\" The tiny fellow saying \"remarkable\" throughout the film, all the beautiful sight gags, and Spanky telling the babies \"all about Tarzan\" add up to make this one of the best \"Our Gang\"'s you'll ever see.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is a really great short from Hal Roach. This is because of two main reasons: The littlest kids in the short are among the cutest to have ever been on film and the plot has so many funny and well-written elements.
As for the littlest of the Little Rascals, I honestly can't think of a cuter kid than Spanky at about age four. Despite being a rather chubby and unattractive kid in later years, he was just precious here. And, placing the little tiny boy in charge of babysitting the even younger kids was not only funny, but once again high on the cute factor.
After the older kids blackmail Spanky into doing this awful babysitting job, all kinds of funny mayhem breaks loose. The gags are pretty effective and well-done for the time--with an accidental crank call involving a murder and a final scene where Spanky FINALLY gets control of the little ones being the most memorable. I haven't seen these shorts in many decades and I am glad I gave this one a chance.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is a pretty OK film... yes some parts are lame and exceptionally convenient, and the movie doesn't really justify the large star cast (AB, SD, Tanuja). However, the actor that really impressed me here was Kay Kay Menon (not to be confused with the singer KK). In the scene where he first meets Amitabh's character, I thought that a man who can just look at AB, keep staring and not say a word, and still look strong, is definitely a good actor. In fact, he has proved himself worthy again in Sarkar, alongside AB for a second time. This guy should get more roles, he's brilliant.
If you've read any of the other reviews here on IMDb, you already know the plot, and I do agree that Akshaye Khanna's entry into Pakistan was a little too easy. And the little love angle he shared with \"what's-her-face\" was completely unnecessary. But he is a fairly good actor (as seen in DCH), Sunjay Dutt is cool to watch, always. and AB... what can I say. I don't know if I'm his biggest fan in the world, but I know I can definitely compete for the spot.
An interesting watch, considering it's Bollywood, although a bit inspired by Hollywood oldies like \"the Great Escape\" and \"Bridge on the River Kwai\".
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nTwo movies back to back which dealt with Indian POWs; Veer Zaara and Deewaar. Although Veer Zara was a love story of a guy who gives everything up for someone, Deewaar focuses on the main subject itself. It is not hidden that many Indian POWs are rotting in Pakistani Jails for years - for whom neither Indian Govt. has time or sympathy nor the other side. I'm sure some of Pakistani POWs are in India as well, but let's focus on the movie. Full of actors. Some were stage actors like Raghubir Yadav, Rajendra Gupta, etc. Amitabh Bachchan who plays the role of a Major, acted well. Akshaye Khanna did his part well. There was nothing for Amrita Rao to do than a few giggles and couple songs. I think Sanjay Dutt's role was most solid even though it wasn't too long. He acted really well here and his dialog delivery was also impressive. If you compare it to LOC, which was nothing but a day long movie with story going in all directions (if it HAD a story) - Deewaar is a well directed movie that keeps a good pace and does justice to all actors. 7.5/10
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI really loved this movie and so did the audience that I saw it with in Los Angeles. After the film, lots of people were crying and saying how much the film had affected them. I can see why it was such a huge hit in its homeland, Sweden. The film is masterfully directed and each character brilliantly drawn so that by the end you really know these people and care about them. The music is very natural and the main song in the film quite heartbreaking but inspiring. Would definitely recommend this film for everyone to see - even people who don't normally go to subtitled films. Definitely deserved the Oscar Nomination because of the profound themes of the film reflected without pretension in a small-town community with everyday people. It is a film that unites us in this divided world and shows us the potential of the human spirit. A MUST SEE!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis film, recently voted as an audience favorite at the 2005 Palm Springs International Film Festival, is inspiring and moving. A famous conductor, forced to retire by illness, returns to the small village of his birth to become the leader of the church choir, and finally find fulfillment in his music. Drawing on Sweedish traits of keeping things within oneself and of the insular character of a small Swedish village, this film develops each of its characters well. superbly directed, acted and sung, it brought tears to many eyes, and smiles to all. Hopefully it will find distribution in the United States.
If you can, see it!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWow I loved this movie! It is about normal life in a small village. About hypocrisy and honesty, love and surrender. Great! It is about things everybody encounters in life. You have to do things with passion. But some people will not appreciate your passion and will try to stop you. There are people who find the opinion of others and 'what will the neighbors think' more important than to follow their heart. Don't let anybody's opinion stop you from fulfilling your dreams and passion. I loved the fact that the actors were all really normal people, it could have been my family. No big beauties, but all people you fall in love with during the movie.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is one of those movies that you keep thinking about when you wake up the next morning. It will give you that warm, fuzzy feeling and leave you with a smile on your face.
Sure, we get fed the typical stereotype characters and stories, but it does do the trick: Entertain.
Being from Sweden and living in the US for quite sometime, it is funny how we react. \"The deadbeat husband is going to kill him\", \"She (Gabriella) is going to die and then there will be a heartbreaking larger-than-life ending\". We know how these things work, everything comes together at the end. And it did. The characters were somewhat simple, they were so elaborate that you didn't really think twice about it, nothing was really left for your own imagination. The closest would probably be Siv, she makes you ask yourself if she indeed was in love with Daniel, but that's about it.
But the movie is beautiful, set in rural Norrland, the music is absolutely amazing and the characters are lovable. Michael Nyqvist is truly genius, with his crazy unique look and Frida Hallberg is charming and approachable. Maybe a little too nice.
But most of all this movie makes you feel, and that is the most important thing. You cry, you laugh, you hate and you identify. I don't know about you guys, but that does not happen that often.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI am not going to spoil the contents to anyone, who has not yet watched this humble masterpiece by Kay Pollak.
A world famous conductor brilliantly played by Michael Nyqvist seeks peace from stress by moving back to his childhood village. The villagers, who has followed the genius in silence, are slowly tempting him to share of his greatness.
Each role in this movie, has a very specific purpose and shows a remarkable potential in each of the actors playing their own chord in short but precise words, a symphony of love.
Not love in the sense of relationship, but in the tone of the spirit deeply buried within each of the characters, each revealing their own present story, their needs, their skeletons, desires and much more.
I shall not forget to mention, the two main parts played by Frida Hallgren and Michael Nyqvist, whose dramas are played in unforgettable harmonies of emotional feedback. They touch each other with a pain connected in their own disability to love themselves.
Michael Nyqvist is really put to the test here in a very difficult setup, in one of those movies that either end up as catastrophic or fantastic. And fantastic it became from start to end, not one second less or more than enough, you are left with a feeling of change and a taste for more.
To this day, definitely one of the best movies I have had the pleasure of watching.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFirst I was caught totally off guard by the film's initial lyricism and then I became totally enchanted with the unfolding story and engrossed with the brilliant directing. The characters were all fully developed, not bigger-than-life but just like the people we live among anywhere we are in the world, in Sweden, in Turkey or in America, all completely believable human beings with foibles and nobility. Hollywood could learn so much from this beautiful film. It shows that there is no need to go into every little detail behind every action to bring out the whole theme clear and bright, and that shows the brilliance of the director! Hearfelt thanks to Kay Pollak and the wonderful cast for this superb treat!!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nIf the screenwriter and director intended to open hearts with the movie as the musician wanted to do with his music, they succeeded with me. Commonplace human situations became original, personal and immediate so that I personally felt touched by each situation. I believe I would credit the power of music combined with the point of view of the person writing the movie. Without spoiling, I can say that I was very moved by the movie's approach to living. Haven't actually cried out of-what- joy? empathy? just deep emotion? in a very long time. I would love to find a way to show it to others. Saw it at Seattle International Film Festival.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nBack to the roots with \"like it is in heaven\" - what are the real values of life? These Swedes carve out a message that appeals to every heart. We've seen it twice now in a cinema packed to the last seat: love pure and joy within the music of a choir that's simple, yet full of power once everyone finds his or her inner tone.
From the glitter of fame to the school of of his youth, now empty and ready to be adapted as his new home after collapsing on stage, Daniel wants to start listening and is drawn into the lives of the simple, warm and rough people of the North.
He wins the hearts with music and gains the capacity to love and be loved unconditionally.
Don't go see it if you've been normed to Hollywood. This stuff contains no extras, just your laughter, your compassion, your tears!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nA beautiful film, touching profoundly up the simple, yet divine aspects of humanity.
This movie was almost perfect, and seeing as nothing in this world can be truly perfect, that is pretty good. The only minor thing I subjectively object to, is the pacing at some points in the middle of the story. The acting is also very good, and all the actors easily top actors in high-profile films. The actual directing seems to have been well thought through, and the script must have been amazing. There are some truly breathtaking moments of foreshadowing, and a quite gorgeous continuing circular composition of the story.
The moment in the movie, when the main character achieves that feeling of being in heaven is the perfect ending to a truly brilliant yarn.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nMy expectations were quite high for this film. Everyone I know who saw this film at the cinema told me that everyone there stayed through the credits because they were so touched. My expectations could not have been any higher, anything short of wonderful would have disappointed me.
I was anything but disappointed by this movie. I loved how it dealt with difficult subjects without going through the usual steps a Hollywood film tends to include. In this film characters worked through problems they had had for decades, they worked through prejudicm, they learned to open up. But it did not come easily, and not just by singing a song or two. It was painful, it took arguments, it took confrontations. It felt like real life.
One scene that really stuck out to me was the scene in which Gabriella sings her song. Helen Sjöholm is one of my favorite singers, her voice is lovely, and you could tell that she was not just lip-syncing to a previous recording during filming (which I often find in other movies), she really sang with her whole body and soul. You could feel what Gabriella was feeling in that scene. Had this movie been made in Hollywood her song would most likely have been sung toward the end, and it would have made her husband open his eyes and see the error of his ways, as well as making the other people in the village realise a thing or two. Instead it came halfway through, and it did not bring any solutions. Her husband did not become overwhelmed and realise what he's putting her through, and it didn't seem to make anyone else in the village more open minded. It was beautiful, it was pure and it was touching but it did not magically solve all her problems. That felt real to me, that's probably what would have happened in real life. The whole movie felt like real life to me, nothing neatly wrapped up but everything with a sense of joy and happiness. You rarely find a movie which feels so realistic.
There were a few things that bothered me, but hey, no movie is perfect. If you haven't already you should go see \"As it is in Heaven\" and be filled with a joy for life, a sense of hope and the feeling that you've been touched on a level movies rarely reach. You will be sad, pained, happy and a dozen other emotions.
Someone once said that if every person in the world sang in a choir there would be no more wars. Having seen this film I might have to agree.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI was drawn to this movie the moment I saw a preview of it on Oscar night. When I read about Kay Pollak, I was hooked. We Americans are suckers for a comeback kid.
I understand this movie was a huge draw in Sweden. As a very provincial American I can only speculate on the reason. Perhaps it is because of the provocative joke that the Lena character makes at the beginning of the movie and other social comment but perhaps it is because of the central message which I believe has the same appeal everywhere in affluent societies.
The message of this movie for me is the same as the movie Titanic. Life is short people and as far as anyone really knows it's all we've got. It can be taken away at any time. So isn't it a pity that we spend so much time hiding behind walls separating us from other people because we're so afraid of being hurt? Tearing down the walls is painful but feeling alive lies on the other side of those wretched walls. Feeling alive is worth taking the risk. Give and you will receive. So start living NOW.
Many people are criticizing this movie for it's lack of characterization and other flaws. I say you are all pseudo-sophisticated. Get a grip folks, it's a parable, a fable for we affluent westerners who are materially rich but whose souls are in abject poverty.
So join a choir or a band or help build housing or distribute food for those less fortunate than you. Spread some joy and make the world a better place as long as you get out and commune with your fellow man. Writing a check is not enough. We are a social species by the way. Even the humblest of your fellow human beings can affect you in ways you never thought possible.
Rugged individualism has its place but it is over-rated.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI saw this film back at the 2005 Palm Springs International Film Festival and of the 14 films I saw there I would rank this as my #3 film. I had an initial interest in seeing this being of Swedish descent myself with many of my ancestors coming from the Norrland region of Sweden where this was filmed. Also I grew up in an area of rural north woods America where many small towns were much like the setting of this film. It's nice to see more films using rural locations as their settings like Så som i himmelen. This was a very good film and I'm sure a very hard film to pull together with it's large ensemble cast but Director Kay Pollock really pulled this off after a nearly two decade absence from directing. Helen Sjoholm in her motion picture debut as an actress was fantastic and I would look forward to more of her on the big screen. I enjoyed Michael Nyqvist in the lead of this well-rounded cast. I would highly recommend this film and rate it a 9.0 on a scale of 10.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe arrival of an world famous conductor sets of unexpected events and feelings in the small village. Some people are threatened by the way he handles the church choir, and how people in it gradually change. This movie is heartwarming and makes you leave the cinema with both a smile on your lips and tears in your eyes. It'a about bringing out the best in people and Kay Pollak has written an excellent script based on the ideas he has become so famous for. The actors are outstanding, Michael Nyqvist we know before but Frida Hallgren was an new, and charming acquaintances to me. She has a most vivid face that leaves no one untouched. Per Moberg does his part as Gabriella's husband almost too well, he is awful too see. One only wish the at he would be casted to play a nice guy one day so we can see if he masters that character as well.
This is a movie that will not leave you untouched. If you haven't already seen it, do it today!
\n
assistant\n1
\n"