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user\nA broke would be screenwriter and his would be agent (Tom Wood and Arye Gross) are forced to live in a self storage facility run by an eccentric and intimidating manager (Ron Perlman) whom they come to believe is the serial murderer that is terrorizing the city, the \"Costume Killer\" (so named because, after injecting his victims with Windex, he dresses them in silly costumes). They convince him his life story would make a great film and gather together a group of misfit wannabe film makers (John Considine, Joe Pantoliano, Kristy Swanson) and discover that the art of movie making can be murder.
There is more to this movie but it was unfortunately left on the editing room floor and it shows (rumor is the studio wanted a \"lighter\" dark comedy). Our loss (and the actors, who all do fine jobs and deserve better) as this has the makings of an exceptional black comedy but only rises to mediocre cute.
If you're a Ron Perlman fan this is absolutely worth getting just for his performance. His comedic timing is excellent and he has the chance to do some really great impressions (he wasn't kidding when he said on the Hellboy movie commentary that he needed an intervention when he gets into Jerry Lewis mode). He's just simply fun to watch in this one.
David Dukes also shines in a two-scener (but pivotal) role.
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user\nThe first 30 minutes of Tinseltown had my finger teetering on the remote, poised to flick around to watch something else. The premise of two writers, down on their luck, living in a self-storage-space \"bin\" was mildly amusing, but, painfully bland.
The introduction of the character, played by Joe Pantoliano - the big deal movie guy, that lives in the park and sleeps in a lavatory, offered hope and I decided to give it a few more minutes. And then a few more until Kristy Swansons introduction as a budding film director & borderline nymphomaniac, added a bit of spice. Her solid acting performance raised her presence above and beyond just a very welcome eye-candy inclusion.
Ultimately, the obvious low-budget impacts on the film with poorly shot scenes, stuttured pace and slapstick handling of certain moments. Some of my favourite movies of all time have been low budget, Whithnail & I being one that also deals with 2 guys with a dream, but down on their luck.
However, for my money, the actors save Tinseltown from the \"Terrible movie\" archives and just about nudges it into the \"could have been a cult movie\" archives. I laughed out loud at some of the scenes involving Joe Pantoliano's character. In particular, the penultimate scenes in the terribly clichéd, but still funny, rich-but-screwed-up characters house, where the story unravels towards it's final moments.
I can see how Tinseltown was a great stage play and while the film-makers did their best to translate this to celluloid, it simply didn't work and while I laughed out loud at some of scenes and one liners, I think the first 30 minutes dulled my senses and expectations to such a degree I would have laughed at anything.
Unless you're stuck for a novelty coffee coaster, don't pick this up if you see it in a bargain bucket.
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user\n\"I just viewed this movie last night and I don't think I will ever think the same about any of the actors involved, because this movie will stick in the back of my mind.\"
The above statement can be thought of as a good or a bad thing. I mean every time I see Tom Cruise or Demi Moore in a movie, I think of \"A Few Good Men\" which is a good thing. Now, every time I see Ron Perlman or Kristy Swanson, I will think of \"Tinseltown\" which is a VERY bad thing.
I picked this up thinking that it might be something intelligent or at least make me chuckle and with Arye Gross and the aforementioned Swanson and Perlman, I thought that it at least wouldn't be bad. You could tell the movie was made on a budget the size of Wheeling, Indiana (Where? Exactly.), but maybe they used every dollar to make a good movie. WRONG.
This movie is NOT funny or entertaining in any sense of either word. It is just there and lasts for 84 excruciating slow minutes.
The characters are paper-thin. You almost care about NONE of the characters, and since the leads are two struggling Hollywood writers with a dream that is all the two struggling writers with a dream who wrote this need you to know about them. Okay, the two REAL writers know all about there onscreen versions of themselves, so they figure so does the audience. They don't even think about character development, except for trying to tie there story back to \"Gilligan's Island\".
The plot is unoriginal. Two guys live in a storage center, where one of them stores a bed, and there are about twenty other people living there, too. The rest of the story is contrived and stupid. Have you seen \"National Lampoon's Favorite Deadly Sins\"? The second story with Joe Mantegna is about a television writer who can't find a good story to make a TV movie about, so he creates one. Now substitute the television writer for a screenwriter, morph Mantegna into to annoying actors half his age, and take away the comedy and you have this movie.
The actors try. Kristy Swanson is in the movie for maybe 10 minutes and still gives the best performance in the movie. She is still hot, but it would help if she would actually STAR in a movie instead of constantly making CAMEOS. As for everyone else, I don't think it was the actors fault because they have BAD material
Go watch the National Lampoon's movie, but stay away from this movie.
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user\nI am amazed with some of the reviews of this film. The only place that seems to tell the truth is RottenTomatoes.com. This film is awful. The plot is extremely lazy. It is not scary either. People out there who think that because it stars Sarah Michelle Geller it is somehow like The Grudge should forget about it. This film is more like Dark Water, except it is even more predictable and slow moving than it. I was extremely disappointed with this film. It didn't scare me nor interest me either. Let's face it , this type of plot has been flogged to death at this stage e.g. the dead trying to contact the living - Dragonfly, What Lies Beneath, Ghost Story, Dark Water, Darkness, The Changeling etc.etc. It seems to me that the only ones writing original horror films nowadays are the Japanese and the Koreans. The films that are coming out of Hollywood, like this, are cynical exercises in money making without a shred of respect for the viewer. They're just being churned out
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user\nOK i will admit, it started out very pleasing and good, but then it just dropped downhill, i cannot believe Sarah Michelle Gellar could have even finished reading the script after about 5 minutes into the movie, the only reason i actually sat through the whole movie, was i wanted to see the twist at the ned, and to my surprise, well, folks i cannot even tell you if there ven was one, because the end just leaves you confused, and then the credit role, i was like what the hell? this did not deserve a theater run, i am sorry, but it didn't i mean it was horrible, the only reaso i gave it a 4 is because it had a few jumpy parts...thats it! you can watch it, im not telling you not to, hey you might even like it or even love it! but if you hate it, don't say i didn't warn you!
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user\nThink of the ending of the Grudge 2 with the following :
- a man who repeatedly says the word Sunshine - a cowboy - a love story - Sarah Michelle Gellar cutting herself - and a creepy mirror
OH AND UNDERWATER SEA ANIMALS...yay...
not a good movie... I seriously did not enjoy it whatsoever. The poster for the movie is extremely misleading as well and I found that it was just to suck people into watching it...I can't believe i went.
Save your time and money...go watch Saw III...a film where the writing makes you feel like there was effort put into it...
Im Mike and Im out
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user\nLet me start off by saying I am not a fan of horror movies. I never watch them.
Let me tell you about my experience...
The only reason I watched this movie was because my girlfriend and her friends wanted to see it over Happy Feet.
...I never saw Happy Feet, but I am sure it is better than this...movie? Anyway, we didn't actually expect it to be good...we actually went in just to laugh at it. Cool with me...I have a problem with ruining the movie for other people in the theater but since it was just other couples talking and making out, it did not matter.
After 15 minutes the 2 other people left to go sneak into Borat, a movie I would have gladly seen again over this. The movie was not scary, and not stupid so it would be funny...it was just boring. It wasn't terrible like \"Baby Genuises\" terrible, it was terrible like...not entertaining at all. Avoid.
Now I am no expert, but it seems the problem with the horror industry these days is that you can have a PG-13 horror that is boring and not scary, or you can have an R gruesome horror movie that either is too bloody or too disgusting for people.
You want a PG-13 horror that sucks but is funny? See \"The Grudge.\" Avoid this movie like the plague...because it may literally bore you to death.
0/10
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user\nHow do comments like the one that was the headline by high school girls even make it on this site, this was the stupidest movie I have ever seen, it was ridiculous, how can any moron sit there and say that just because a movie makes you jump it is a good movie, that might be the most idiotic thing I have ever heard, I could sneak up behind you and go \"Boo\" and it would make you jump, but that does not mean I am qualified to write or direct a movie, not to mention \"they tied everything together at the end\" is not a good reason for a movie to be well received. What kind of movie would it be if they didn't tie everything together, I guess that would make it half a movie, not a whole movie. So basically this idiot girl is complimenting them for finishing the movie, well I love how the youth of today hold the media and production companies to such a high standard. No wonder the political system of this country can get away with whatever they want, we have idiots like that coming up in our country, what would happen if this girl actually ends up leading something someday, that is a scary thought. Get a life and go watch a real movie sometime, try Shawshank Redemption or On the Waterfront, or something like that, and don't comment that it was \"boring\" after you see it, just use what little brain God gave you to analyze it a little.
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user\nSOME NOT-SO-SPOILY SPOILERS AHEAD
Why do people, when they are disoriented or sick or scared at a club, cut through the middle of the crowded dance floor on their way to the bathroom?
Who in their right mind would hide under a bed when someone breaks into their room?
How often do you knock on a stranger's door and when they don't IMMEDIATELY answer, you open the door, walk in, shout a few hello's and then start going through their stuff?
If you were being pursued by someone you just discovered was a murderer, what would you do? Quietly sneak off and hide under a wooden platform or among metal implements? Run, quietly of course, to a ratty old barn or other decrepit structure?
I could be talking about almost any thriller that's come out in the last few years, but since this is the \"The Return\" page, obviously I'm talking about \"The Return.\" I saw it free because I work at a movie theater and make a point of screening all the \"scary\" movies. I thought this one was tolerable... aside from the well-worn clichés. Sarah Michelle Gellar is really drab and looks kind of \"Huh?\" through most of the film. The details of the plot are slowly given out as the movie progresses and it's almost enough to make it interesting except there wasn't enough explanation as it moved on and so I was almost lost until the last 2/3 of it.
If you're a die-hard thriller fan, it's worth seeing at least once. If there's nothing better at the theater and you really want to watch a movie, eh, I guess it's worth a matinée ticket. If you thought the trailer made it look like an interesting movie and you can't wait... wait.
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user\nThis was far and away the worst movie i've ever seen in my entire life. It was slow, boring, not scary, not funny, not dramatic, not entertaining.
Sarah Michelle Gellar was up to her old playbook of empty expressions of fright and shock. She couldn't sell her character nor could anyone else in the picture.
For those who thought the Grudge was 'kind of alright' then don't go see this unless you get enjoyment out of wasting your time and your life.
I saw this movie for free by the way so I don't want this to come across as a rant from a guy that lost 8 bucks on a terrible movie. It was free, it still sucked, I hated it.
Avoid.
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user\nThis is by the far worst piece of cr4p I've ever seen in my life. It barely made sense. It wasn't scary at all (unless you class scary as loud noises and screaming?) Sarah-Michelle Gellar needs to stop with these sh1tty horror films. I think everyone else in the cinema agreed with me when i shouted \"SHITE\" when the credits rolled up.
On my list of the worst movies ever made this is how it would go:
1. The Return 2. Cabin Fever 3. Silent Hill
The reason i made Silent Hill 3rd is because it showed some frightening scenes, but the rest was absolute cr4p. Same with cabin fever, made no sense, but the return topped that list. Its worse than Silent Hill and Cabin Fever put together
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user\nMy friends and I went into this movie not knowing what to expect, but hoping for the best. When we came out, we were only slightly more informed on what the plot of the movie actually was. Though not the worst movie I've ever seen, I definitely do not recommend spending your money to see it in theaters. Maybe have a friend rent it for you (it's not even worth the rental cost, either) if you really want to see it.
When a movie is so convoluted that you have no idea what's going on until the last five minutes, there's really not much that can be said in its defense. The acting was decent, more than you'd expect to get from this movie, and some of the shots were good, but it was all bogged down by a lame plot and poor script.
This movie was actually so bad that as soon as it got out, I went and purchased a ticket to see a good movie just to cleanse my mind. I recommend that all of you just skip the first step and go see a good movie instead.
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user\nI just got back from the film and I'm completely appalled. This movie is an absolute mockery to all of mankind. The theatre I was in maybe had 4 other people. This movie was recommended to me and I couldn't believe that this person liked it. I can't believe that any sane human would like it. There was no plot NO PLOT AT ALL. It was a joke. How can you make a movie about nothing. This movie only goes to show why Hollywood is in such a shambles. I can only just look at the spiral of the \"Horror Movie\" industry and giggle. What a travesty to all filmaking, this is true of all the new \"teen horror flicks\" Grudge,Boogeyman,Ring,Saw series. It is all such trash. Don't support this kind of hogwash!
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user\nThe Return is one of those movies for that niche group of people who like movies that bore and confuse them at the same time. Sarah Michelle Gellar plays a lame buisnesswoman who does not kill vampires or get naked at all throughout the movie. I was willing to put up with this, however I was not willing to put up with the worst editing ever combined with pointless flashbacks. At the end it turns out she crashes her car into herself when she was young. Or maybe I'm wrong and that was just a flashback. With this movie it's impossible to tell. Can you believe the same dude who made Army of Darkness produced this crap? A much better idea is to stay at home and watch Army of Darkness on Sci Fi channel. That movie had it all: sluts, zombies and a dude with a chainsaw for an arm. The Forgotten didn't even have one of these things.
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user\nI just saw this movie yesterday...I cannot believe the reviews on this site. The ones that give it over one-star must be Buffy fanatics. Well, I am a Buffy fan of the first order, but I know crap when I see it. On every level, this film is terrible. Technically, much of the time you don't know where you are in this movie, even within one scene, it jumps POV like crazy for no reason. No logic whatsoever in cinematic terms. Emotionally is bleak for bleak's sake and attempts to be a psychological thriller when it is just confusing. Throwing nasty-looking red-necks in your movie is a cheap way to convey \"atmosphere\". I ran out of patience with it a long time before the last act, but I was having too much fun with my friends doing MST3K riffs to turn it off. Since leaving Buffy, SMG has had 2 successful movies, if even listing \"Scooby Doo\" on your resume could count. Gellar is a fine actress, but she (or her agent) sure can't find a vehicle for her. And Mr. Shepard, if you are having trouble paying your mortgage, I'll send you a few bucks if you promise to not appear in a movie like this again! ( Also, the estate of Patsy Cline should sue for defamation! )
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user\nThe films of UPA are surprisingly well rated on IMDb despite the fact that the animation quality is light-years behind that of Looney Toons, Disney and MGM at their prime. Sadly, due to rising costs in making pretty cartoons with high frame-rates and lovely backgrounds, the UPA style (which debuted about 1950) began to dominate in the late 50s and 60s. After all, the films were dirt cheap to make and they'd received several Oscars to \"prove\" that the cartoons were now mainstream. So as a result, lousy animation was becoming the norm and this trend wasn't reversed until the 1980s.
This UPA film is one of the early ones. The characters are very simply drawn (any simpler and they would have used stick figures) and the backgrounds were ugly--simple line drawings with colors added in a very slap-dash manner (often with a sponge and rarely completely filling the items).
As for the story, it's a jive story with a strong jazz style attitude. Some will love this, others will just find it very, very loud. It's the traditional \"Frankie and Johnny\" story and because of the shootings and all, it's probably not a great film for the kids. Heck, because of the animation and jazz, it's not a particularly good film for me, either! Some will read my review and no doubt think I am a crank (which I am, to a degree). However, I love animated films and a little of this minimalistic UPA style goes a very, very long way and you can't seriously consider them great works of art--just very, very quickly made cartoons. Ignore the Oscars and try watching some classic cartoons or something--anything else!
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user\nI watched this film for 45 minutes and counted 9 mullets. That's a mullet every 5 minutes. Seriously though, this film is living proof that formula works. If it ain't broke, it don't need fixin. A streetwise-yet-vulnerable heroine, a hardened ex-cop martial arts master with a heart of gold and a serial killer with 'issues'. Pure magic.
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user\nAn update of the skits and jokes you would have seen on a Burlesque stage in the first half of the 20th Century. It's a string of several jokes acted out. Some of them you could tell your Grandmother, some of them not, but it's a fairly safe bet she's heard them all before. For what it tries to be, it's not too bad. Before you rent it, remember that it's an older style of entertainment and has more value as history than as comedy or titillation. Robin Williams has a couple of bits, but he's interchangeable with the other players.
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user\nNo real plot to this one, just a series of short skits acting out some VERY old jokes. I chuckled once or twice in the beginning, much to my chagrin. But even at only 73 minutes this film wears out it's welcome before too long and becomes stale and tedious (with some nudity sprinkled in here and there to keep you awake). Still as bad as this movie is (and that's pretty putrid), it's a comedic gem compared to pretty much ANYthing by Aaron Seltzer & Jason Friedberg (Date movie, Epic movie, Meet the Spartans) Also the song is sadly kind of catchy in a sad way.
Eye Candy: 11 pair of tits, 3 bushes, 3 asses
My Grade: D
Code Red DVD Extras: Original trailer for this film; and trailers for \"Beyond the Door\", \"Dead Pit\", \"the Farmer\", \"obsessed Ones\", \"Power Play\", \"Sole Survivor\", & \"Wacky Taxi\"
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user\nSpoilers... if such a thing is possible... . . . . . . . As a rabid Robin Williams fan, I felt it necessary to buy this film as first on-screen appearance. Wow... I could not imagine a more mind-numbing movie. Essentially, the movie takes one bad joke after another that your uncle Artie would tell you after dinner and dramatizes them. Robin Williams plays a lawyer in a 30 sec skit.
I'm all for bawdy humor, but this humor wasn't pleasantly vulgar, or ribald... it was just mind-numbing. There are no redeeming qualities to this film, other than Robin Williams fanatics, like me, who simply have to own every piece of film.
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user\n....as to the level of wit on which this comedy operates. Barely even reaching feature length, \"Can I Do It....'Till I Need Glasses\" is a collection of (mostly) dirty jokes. Many of them are so short that you can't believe it when you realize that THAT was supposed to be the punchline (example: the Santa Claus gag); others are so long that you can't believe it when you realize that they needed so much time to set up THAT punchline (example: the students' awards gag). And nearly all are directed without any artistry. Don't get me wrong: about 1 every 10 jokes actually manages to be funny (the iron / phone one is probably my favorite). There is also some wonderful full-frontal nudity that proves, yet again, that the female body, especially in its natural form, is the best thing on this planet (there is some comedic male nudity as well). And I agree with others that the intentionally stupid title song is actually pretty damn catchy! But none of those reasons are enough to give this film anything more than * out of 4.
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user\nWhen I saw this movie, circa 1979, it became the first movie that I ever walked out of in the middle. There is nothing worse than comedy that just misses being funny, and this misses every time (although I can't speak for the last 25 minutes of the movie). There was nothing original about any of the skits. While I enjoy racy humor where appropriate, these skits were needlessly vulgar. What was even more irritating was that this movie was advertised as \"Robin William's first movie\", capitalizing on his new found fame in the \"Mork and Mindy\" television series. Yet his role turned out to be so minor that you cannot even notice him on-screen.
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user\nCan I Do it 'till I Need Glasses? at the very least proves the point that anyone can make a movie. Talent is not a consideration. The folks who unleashed this wretched pile of spewing vomit upon the world, lack any semblance of talent, taste or intelligence. The target audience must consist of the recently labotimized, and infants who play with their own feces. Anyone else would be far too world wise to get even a snicker out of this film. It consists of a series of sophmoric skits in which the punchline does not even extend to the obvious. It ends at the ludicrous. The jokes told are the types of jokes that elementary school children tell (usually potty or sexually related) where they don't know the meaning of all of the terms they use. You know, like the one about daddy's car and mommy's garage. To apply any sterner method of criticism would be pointless, since the usual standards of acting, writing, direction and such have never even been heard of by the creative \"minds.\" behind this mess. Not to be judgemental, but anyone who enjoyed this film should seriously reflect upon their purpose on this earth.

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user\nThe comedic might of Pryor and Gleason couldn't save this dog from the tissue-thin plot, weak script, dismal acting, and laughable continuity in editing this mess together. It has a very few memorable moments, but the well dries up quickly. As a kid I remember this as a Luke-warm vehicle for the two actor-comedians, but there was always something strange about the flow and feeling of what was being conveyed in each scene and how this ties to the plot overall. Watching it again after many years, it screams schlock-a-mania. I'm not so concerned with the racial controversy, as I wouldn't mind seeing a movie take that issue on with a little levity. The most obvious fault to me is that the scenes are laid out like a jumbled, non-related series of 2 minute situation comedy bits (any not very good ones at that), that were stapled together by the editor after an all-nighter at the local watering hole. Characters change feelings and motivations on a dime, without rhyme nor reason, between scenes and within scenes, making this feel as though no one had any idea of what to get out of the screenplay. Not that it was any gem to start with. I feel bad for the two actors whose legacy is marred by this disaster that should never have been made. Maybe my sense of humor has become too refined...
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user\nThe only redeeming quality of this overlong miscast melodrama is the scenery of southern France and the voice of Nana Mascouri singing the theme song. Stephanie Powers is miscast and betrayed by a phony accent. As has been pointed out, she is too old to play an 18 year old and looks far too young as a grandmother with a college age granddaughter? Lee Remick is good although she also is ageless in her later years. The talented Joanna Lumley is under utilized and also manages to look forever young when her middle aged son (Robert Urich) finally marries Grandma Stephanie Powers. Stacey Keach's ceaseless arrogance makes you wonder what these women saw in him. Don't know how any viewer could relate to his excessive portrayal? The most credible performance is given by Ian Richardson, who makes the rest of the cast look like rank amateurs. It strains credulity that the handsome male suitors in this epic would remain ever single while they patiently await the subject of their affections to finally consent to accept them. Can anybody believe that handsome Robert Urich would remain single for decades waiting for Stephanie Powers to finally accept his endless marriage proposals? The WW2 engagement between the Wehrmacht and the Marquis is laughable. To begin with, the Germans did not occupy the Provence section of France until late in the war, it was controlled by the Vichy French puppet government. We see the French resistance staging a daylight raid on Mistral's villa to steal sheets after which they all lounge under a bridge waiting for a lumbering truckload of Nazi troops to surprise and annihilate them? If you want to see a well acted mini-series set in a foreign country, don't watch Mistral's Daughter. A far better alternative would be The Thorn Birds.
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user\nUsually, I don't think Hollywood productions are fit to be called film, so I call them 'movies' instead. But this piece of elephant manure, is not even fit to be called a movie, hence the quotes in the title.
Where shall i start? 1. If this isn't the start of geriatric casting, it sure is the epitome of it. Stefanie Powers is supposed to play someone even LESS than half her age, she's supposed to play an 18 year old, and she is FORTY effing TWO!!!!
2. A horrible and stupid mindless portrayal of Paris and France, where we see cliché characters such as: the sympathetic grumpy shop owner, the bitchy queen of models, the fairy god mother ex-queen of models, etc. This film is surpassed only in this respect by the Da Vinci Code, (which reviewers correctly determined was a comedy).
3. It's highly and utterly ridiculous to have no nudity in a film about a time and a place where nudity was so common place, especially if the whole focus is about that
4. The horrible accents!!!
5. The Nana Mouskouri elevator-music!!!
I could go on, but i think this is enough. And I was able to make these observations after watching this crap for just half an hour, WHILE surfing the internet and talking to my friends about math equations ... I mean ...!!!!!
I invite everyone to add to my list. :) :P :D
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user\nI just saw this movie, and I have to say that it was a big waste of time. The girl who played Eva (Ellen Fjaestad) can't act at all. She read her lines very un-naturally, and she had a very un-natural facial expression through the entire movie. Rosanna Munter who played Petra on the other hand, is a natural. She played her part with great perfection.
SPOILERS! The story was simple - we've seen it many, many times before. She breaks up, he finds another, she get jealous, he breaks up with the other girl and they end up back together in the end. There were no surprises at all, one knew that Eva would break up, and that Adam would \"hook up\" with Petra. The only thing that nobody saw coming was that Petra told Adam to go after Eva at the party. She became all serious, which is a side of Petra the viewers hadn't seen earlier in the movie, and told him to win Eva's heart back, which was really cute.
Besides Rosanna Munter, there isn't a single actor who gives a memorable performance.
This is a mediocre movie with mediocre actors, so I don't recommend it!
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user\nThis was a strange kind of film about a low-lifes in New York City and centering around a main character (the title name, played by Brad Pitt) who thinks he''s a Ricky Nelson-type musician, except he has no real talent.
It's kind of fun to watch until a profane tough New York City-type woman with horrible accent enters the picture and takes over. That ruined the film for me. It must have been Catherine Keener, who usually plays tough and garbage-mouthed women.
The hairdo on Pitt - an exaggerated Pompadour - was fun to look at. I can picture Johnny Depp playing this role better. One last note: it odd to hear a film made in 1992 (other than Woody Allen's) with just mono sound.
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user\nThis is absolutely the worst movie I've seen all year.
First, I will say that the acting was very good, and by all of the cast.
This was apparently meant to be very offbeat, and in that regard it succeeded. By the same token, the story revolves around a self-centered wannabe, who is a clueless, talentless chronic liar, whose source of self confidence comes from a pair of leather slippers.
This was worse than watching a car wreck.
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user\nI think this would have been a much better film if the Cajuns had been portrayed in a more believable light. My family is from the southeast region of Louisiana and I live in southeast Texas (about 20 miles from Lake Charles). I have never heard the people I grew up around talk like these folks did. The Cajuns were portrayed as backwards rednecks. Most of the Cajuns I know are well educated, proud people and don't sound uneducated at all when they talk the way these people did. All in all it was an OK movie, with great scenery and music. I understand that the writers were from Lake Charles, and have knowledge of the area, but for the love of all things Cajun, please have the actors study the language, live amongst the people you are portraying and get an all around understanding of how they are before you go trying to act like them. In my opinion, when the actors make you believe they are that person, it's a much more enjoyable movie!
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user\nOK, anyone who could honestly say that this movie was Great or even Good is either delusional or knows the Director, Writer and Producers and is trying to boost the buzz on this film. I watched the movie because a friend of mine worked on it and it was Horrible. I'm an actress and have worked in the industry for a while now on big films and even independents and this movie bored me to tears. The reason I'm being so harsh is because this film was clearly a different take on \"Of Mice and Men\" and they should sue because it is such a horrible rip-off of the story. In an industry where Hollywood seems to be creatively bankrupt...for someone to take a classic book and film \"Of Mice and Men\" and destroy it with a new spin bugs me so much. The actors, the accents, the dialog and the direction were amateurish and the writing was dismal. I mean if your going to take a new spin on an existing story make sure its just as good or better than the original to make the new spin justified. Did not like this movie at all.
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user\nThis is one of the weakest soft porn film around. I can't believe somebody wrote this stupid story before making some changes. The guy Mike is a major wimp and moron I can't believe he didn't want to take a shower with his bride-to-be Toni and be in a threesome with the french photographer Jan. He does do a threesome with Toni and Kristi but that was short I hate that every time in Soft Core Porn Films threesomes between a woman, a man, and a woman is short but a girl-girl thing is about an hour. To the makers of these films have the threesomes alot longer this film should've have two threesome scenes not one but two.
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user\nA note to all of you budding film writers: Study this film. If your dialog reads like the dialog in this film, please shred your script and try again.
I didn't have high expectations, but was intrigued by the description indicating there was a mystery at the Christmas Ornament Factory. The Mystery is resolved very early and the film becomes a straight romance. I almost stopped watching it at 5 minutes, 10 minutes, and at the first break. My spouse , who is the Hallmark & Lifetime fan, gave up at the first break.
Forest River is a company town - the main business is Aikens Ornaments, who make all manner of holiday decorations.The patriarch of the company has recently passed away, so the companies future might be in question. We soon meet Noelle, who would rather be on Wall Street than Main Street, and the mysterious Justin, who gets a date with Noelle after a large snowman she is inflating crashes into Justins car. Once we meet Alison Aikens, doing due diligence for the Board, we have our story setup.
If you can't nail all the story arcs by the first commercial break, you haven't seen enough of this kind of Holiday film. Maybe that's a good thing.
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user\nThey should have named this movie ...Blonde women that needed to get their roots colored. Also the main character, geeze, the too tight sweaters. The giggling. Thought the guy did a good job though. I keep hoping we'll find a good 8 star Christmas movie to watch this week. The dart throwing. Had to laugh at that too. We've still got 3 more on the DVR to watch, maybe we'll get lucky. Oh yeah, I figured the guy out pretty quickly and nailed it when he picked up the flowers and then drove out with his cousin. I told my daughter they were on their way to the cemetery. And how stupid was it that the two gals followed them there spying on them? Creepy.
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user\nSome of the worst, least natural acting performances I've ever seen. Which is perhaps not surprising given the clunky, lame dialog given to the one note characters. Add to that the cheap production values and you've got a movie that doesn't look like it even belongs on television. One doesn't expect much from a Lifetime movie, especially one this old, but this is nearly unwatchably bad.
Plot-wise, it's a dreadful, clichéd romance of a type even Harlequin would consider beneath them. It's possible to guess how the remainder of the movie will go by simply watching the opening couple of scenes. Surprise, the only female character who gets any focus and the mysterious stranger end up falling in love.
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user\nFour years after making his directorial debut with the art-house snoozer \"Welcome To L.A.\", Alan Rudolph shows us what he really wanted from Hollywood was to be one of the guys. \"Roadie\" is a frat-boy fracas complete with barroom brawls, horny harpies, Art Carney in a souped-up wheelchair...and Meat Loaf at the wheel. Meat Loaf (playing Travis W. Redfish!) is actually a rather charming presence on the screen, and perhaps in a smaller role (in a better movie) he might indeed be ingratiating, but Zalman King's script is full of stereotypical redneck humor and helpless Meat Loaf is kept wide-eyed and moronic. Alice Cooper, Roy Orbison, Hank Williams, Jr., and Blondie all make appearances--and all look embarrassed. They certainly should, \"Roadie\" is one bad trip. NO STARS from ****
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user\nThe first look on the cover of this picture, it looks like a good rock n roll movie. But don't let the cover fool you, or the fact that Alice Cooper and Blondie is in it. The storyline is just horrible, and so is the acting. Plain and simple: BAD
It's not a movie about a roadie, its just a thin love story, so awful that you see right through it. The only good thing about this movie, is the soundtrack.Some good songs, and that is why I give 2 out of 10. If it wasn't for the music, it would of been 0 out of 10. Meat Loaf is a horrible actor(at least he was in 1980), and the girl who plays the groupie isn't even good looking! This movie was a huge disappointment for me, because it makes a lot of good promises.
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user\nWhere to begin? How best to describe just how awful this movie is???
Let's start with the campy hick humor. It isn't very funny. Add a bunch of musicians impersonating actors - Meat Loaf is horrible and Deborah Harry is even worse. Pity poor Art Carney, who should have known better than to do this movie.
And then there is the plot. A roadie whose life goal is to work an Alice Cooper show meets a girl whose life goal is to be a groupie for Alice Cooper. At least they get what they want...
And then, just when the movie should end, they can't come up with a more plausible last scene than a - well, I won't ruin it for you if you really want to see the movie.
There are certain actors that let you know that this is going to be a \"B\" movie or perhaps worse. Gailard Sartain is one of them for me - and he has a more prominent role. That's a sure sign that the movie probably won't be very good. If nothing else, the movie lives up to the low expectations - even exceeds them by being worse than poor.
Let's just say this. This is the movie against which all bad movies are compared. And none are worse than Roadie.
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user\nWhat on earth has become of our dear Ramu? Is this the same man who made Sarkar, Satya, and Comapny? I refuse to believe so. If AAG was Ramu's most ambitious project, he has clearly jumped off the high cliff he has ascended by giving the industry some of the greatest works of all times. This movie is made to fall like a brick. I was cringing to leave the theater, but I was forced to sit because I wouldn't have been able to take my car out of the parking lot before others also left. Else, nothing would have made me sit beyond interval.
This movie is nowhere close to Sholay. It doesn't even come near it within a mile. I believe Ramu surely loves The Godfather more than Sholay, since Sarkar was a classic piece of work. I read Ramu's interview a couple of days back, in which the interviewer said that Ramu doesn't sleep for more than 4 hours a day, that too not at a stretch. I completely agree with this now, as his lack of sleep has probably taken its toll on the movie.
There is no power in the performance. Amitabh Bachchan doesn't even look scary. He looked more terrifying in the few posters and wallpapers I saw earlier. Ramu's favorite Nisha Kothari did a fantastic job in Sarkar because she didn't have many dialogs (in fact none if I remember clearly). She opened her mouth in this movie, and has found a place in history. The new guy playing Jai's role seems to have that brash look, but didn't manage Jai's role at all. I cant go on... Im sorry... my pain is too big for me to manage right now.
I promised myself throughout the movie that I will watch the original Sholay once more just to see that it is still there.
Bottom Line: Horrible movie. The media and critics are going to cook Ramu's goose. And just to remind all readers once more, I am one of the biggest Ramu fans, and even I cant spare him for this act.
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user\nRam Gopal Verma has proved himself as a very innovative and competent director. He had done a remake/reworking of Godfather with Sarkar, and succeeded tremendously. Ditto for Lolita which he made as Nishaabd.
Sholay is been the movie he repeatedly says has inspired him the most. Unfortunately, he has managed to make a disappointing and ultimately boring remake.
The acting ranged from decent to very good, with Amitabh Bachchan being suitably menacing as the villain Babban.
The songs were awful and forgettable. The Mehbooba Mehbooba song came off as a second rate music video.
The worst part was the pacing, and the dialogues - which were forgettable.
Watching the movie in a theatre, I found myself waiting for the intermission, and then for the ending. Some viewers were wise not to wait, and were seen leaving throughout the duration of the film. Ultimately, one of the worst movies made by Ram Gopal Verma.
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user\nThis so called remake is terrible. I went to see this tonight.. on the first day as the anticipation and hype was too much for me to handle. But within the first half an hour, we knew that this is a disaster. It not only does not match the hype created but also insults the original blockbuster. The script had loopholes, the editing was untidy quite a few times. Mohanlal who is an excellent actor did an okay job. Amitabh was alright.. the director wanted to portray how evil his character is but he went a bit overboard which resulted in it being forceful. Ajay who is especially smooth in these kind of roles was also a disappointment. Lets not even get started about the new guy Prashant.. one wouldn't be proud to start off a career with something like this. Rajpal Yadav who was thrown in for a few laughs couldn't even get a smile out of anyone because of his forceful humor and the shrill voice. Nisha Kothari proved that she is one of the worst actresses we have today. All in all, RGV who I thought was one of the most talented and gifted directors India has had.. failed miserably. He took up such a huge challenge and responsibility to remake what is known as the best Hindi movie ever and made a mess out of it.
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