empathielabs/imdb_v0 huggingface dataset:
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI think \"The Best of Times\" was a lost cause from the get go. The initial premise (guy drops the winning touchdown pass against a rival high school team, can never seem to get over it and then tries to reunite the two teams to play again) is one of the dumbest I have ever heard. Since Ron Shelton went on to write much better sports films I wonder if there was more to it then that. I hope this film wasn't green lit with Shelton pitching the story as I wrote above.
So we have the premise. Going from there you would think, or hope, that there might be a few twists along the way to keep things lively. No such luck. This script follows every predictable cliché you can think of. There isn't a moment in this film you won't see coming a mile away before the film reveals it and the ending.... well if you can't figure out the ending by the end of the first reel then you haven't paid attention or seen any other sports movie in your life.
Robin Williams and Kurt Russell star (and bore) in the leads. Williams is the poor schmo who dropped the big pass and Russell is the quarterback who threw the fateful pass. Gee, do you think Russell will suit up just once more to see if he and Williams can right a wrong that the town has never forgotten? This is such a lame duck comedy with a lame duck script that one can only shake their heads wondering what might have been. Sure there are a few chuckles and, to be honest, there is one truly funny scene. Williams and Russell have marital problems and the wives invite them over for dinner to resolve things. Neither guy realizes that they have been invited over on a Monday and, yes, Monday Night Football is on. Keeping in mind that the two teams playing have a combined one victory, the men (Williams especially) try to resist the temptation to find out how the game is going. The scene dissolves into some hilarious bits as Williams goes to check the score by using a bathroom visit as a ruse. When he returns he coughs the score to Russell. Later as Russell is starting to make the moves on his wife Williams wheels the television into their view from another room.
It's an inspired and funny scene in a mostly uninspired and stupid movie.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is one of the worst movies I have ever seen. Robin Williams fit into the part like a rhino would fit into a tutu, even so his performance was still pitiful. Kurt Russell was more believable but still was awful. The plot left much to be desired and the rest of the acting was also terrible. The only thing this movie had going for it was the trailer, which suckered me in to wasting 90 minutes of my life which could have been better spent trying to lick the back of my head.
Do yourself a favor and burn this movie if you have it. If not, just be happy you don't.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nActress Patty Duke wrote an insightful, funny, rough-hewn book about her career as an actress, her crazy-quilt love-life, and her manic depressive episodes and suicide attempts which almost put her away for good. With this rich material to draw from (and Patty playing herself in the final act), one would think a crack TV-director like Gilbert Cates could bring it all together on film, but \"Call Me Anna\" is a pale shadow of Duke's autobiography. For those who haven't read the book, the sketchy narrative (leaping forward in time) isn't absorbing, we are never allowed to get our bearings with what's happening, and the production seems stunted by a low budget. The actors are miscast, and the value of having Duke herself finally appear does not pay off--the film's phony reality is so thick at this point that Patty can't bring stability to the scenario. It appears as if the producers were sincere enough (and consciousness-minded) to anxiously steer the film towards Duke's ultimate diagnosis and mental freedom, but they left out many dramatic opportunities in the process.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nA truly muddled incomprehensible mess. Most things in the film look more or less like 1987, but then there are futuristic things just thrown in, like the policeman's ray gun. And that car! The director seemed to be in love with colored lights. The only really notable performance was the girl who played Valerie, but since there was no cast listing, I don't know which actress that was. This one is worth missing. Grade: F
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWeak,stale, tired, cliched; wants to be Basic Instinct, but misses opportunity after opportunity for fresh perspectives, new insights. Insipid, trite, grotesque, and without the possibly-redeeming value of brevity; oh, wait...it was only 90 minutes long...it must have just *seemed* a lot longer! I'd rather clean bus station toilets with my toothbrush than have to sit through this again. I'm expressing an opinion here: I guess this means I didn't like it.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nPerhaps because I was so young, innocent and BRAINWASHED when I saw it, this movie was the cause of many sleepless nights for me. I haven't seen it since I was in seventh grade at a Presbyterian school, so I am not sure what effect it would have on me now. However, I will say that it left an impression on me... and most of my friends. It did serve its purpose, at least until we were old enough and knowledgeable enough to analyze and create our own opinions. I was particularly terrified of what the newly-converted post-rapture Christians had to endure when not receiving the mark of the beast. I don't want to spoil the movie for those who haven't seen it so I will not mention details of the scenes, but I can still picture them in my head... and it's been 19 years.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI was raised in a \"very Christian\" household since birth. I was saved before I saw this movie and the rest of the series and was forced to watch it in a youth group at my church. This movie was highly disturbing. I saw it when I was about 12 years old and literally had nightmares about it for years. I used to lay awake in bed and listen for the sounds of my mom's footsteps upstairs. If I didn't hear her footsteps, I would sneak upstairs to make sure she hadn't been raptured. I used to pray so hard every night for salvation because I was terrified of Jesus forgetting me. This is definitely not something I will show to my kids until they are much older, if at all. It took me years to shake the fear that this movie gave me.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFirst off there is nothing wrong with studying Daniel, Revelation, Matthew 24, Isaiah and other prophetic scriptures. There is also nothing wrong with making a film such as this to attempt to present the gospel message. So my qualms with this movie are not in either its sincerity or aspirations. As a Christian, though an amillenialist, I believe there will be a great tribulation and I believe Christ will return as he said as much. So even though I have disagreement with this film about the rapture that is not why I rate this movie so low.
No, what makes me rate this movie so low is not its sincerity or its message, but rather its lack of production values, awful script, mediocre acting, and pitiful FX. This movie ranks down there with some of the cheesiest scifi fodder of the 1950s. No, this movie ranks down there with Plan 9 From Outerspace. This movie failed to age well and was probably dated by the time they made a sequel.
The apocalypse genre film producers could have learned how not to make an end times film from this, but they failed. The Left Behind Series, The Apocalypse series, and the Omega Code series all failed to learn from this because they addressed the FX problems and the dated look problem, but their scripts are still poor, and their acting is wooden.
There are great Christian films, with extremely low budgets, but this film is not one of them. I'm surprised the MST3K crew never lampooned this one.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFirst of all, I saw this movie when I was 7 years old at a Christian Scholl I attended. Needless to say that I was scared out of mind. Not because it was scary but because the content.Cmon...I was 7. Anyway, the cinematography was pretty bad and the acting was cheesy. That's very bad considering that I was only 7 and I remember that. The one thing that still haunts me is that dreadful song \"I wish we all were ready\" where the chorus ends with \"...you were left behind\". I wouldn't suggest seeing this one. I probably will, just for nostalgic reason. Besides, I'm sure the remake is much better. The best part of this movie though, has to be when everyone \"dissapears\"; vacant cars crashing, lawnmowers running on their own...pretty hilarious.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAs some other comments show, this movie might scare you, when you're a little child. (And that is probably all that it is good for.)
However, if you're older, this movie only does one thing: suck majorly -and thereby I don't mean the acting, its soundtrack, cutting or s.th. like that. I'm simply talking about the \"plot\" (if you can call it that).
SPOILERS ahead ------------------------
I don't want to give any more spoilers than necessary (if after reading this, you really still want to watch this movie) but if you graduated from any school, this is just a big insult of your intelligence. When watching this, I was stunned most of the time, because what was happening was just THAT stupid.
This includes:
-the forming of UNITE (an evil UN-association)
--> we are just supposed to believe it's evil. is it even evil at all? if so: why is it evil?
-the mark of evil in the form of a tattoo
--> there is no necessity to impose this on the people, so why the hell (no pun intended) are they doing it?
-inviting Christ to your heart merely as lip service
-->because there's nothing anybody, who in this movie is considered \"a real Christian\", ever does, besides saying that stupid prayer. so...just say that prayer before the rapture and you're saved - no matter what?!
Thus, rating 1/10
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWritten and acted by sincere amateurs, produced by some exploitation monger, this is dull and hard to watch.
Not the worst movie ever, but at least schlock like _Plan 9 From Outer Space_ usually had a real actor or two. I'd recommend _A Thief In The Night_ only to hardcore ironists and hardcore Dispensationalists. I'm neither.
Don't believe me? Watch it for free (albeit sourced from poor VHS) here: http://www.archive.org/details/Thief-In-The-Night
Relevant links added mostly to reach IMDb's 10-line minimum: http://en.wikipedia.org/wiki/Dispensationalism http://www.dvdtalk.com/reviews/3199/thief-in-the-night-se-a/
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI was forced to watch this whole series of films as a young child and I was told they were REAL! Talk about child abuse. I would have been less frightened of Dracula or Frankenstein. This series is only good for people who believe in this ridiculousness and who want to indoctrinate their children into believing the same. Besides the obvious issues associated with brainwashing and indoctrination, there's also the bad acting, bad writing, and BAD \"special effects\". They are just all around terrible, terrible movies. Yes, believable (and horrifying) to a kid, but I can't imagine a grown-up buying into this shlock. Although, I must say, that I would be interested in seeing them today, as an adult. They might have a certain midnight/cult movie feel to them.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is an interesting treatment of a subject that is quite controversial, (just read the other comments on this film). Apparently, you either love it or hate it and it seems most people make that distinction based on whether they believe the tribulation and end times will happen as portrayed in the movie.
Basically, the film - and its sequels - were made for about $1.30 each. The production values are right down there with \"Plan 9 From Outer Space\" and the acting is about on the same level as \"Glen or Glenda\", (my apologies to Ed Wood). Putting aside the religious message, the story is as scary as they come. Add in even the slightest thought that the story might actually be close to something that might happen in the future and it becomes even scarier.
This movie, and its sequels, didn't try to bring in the reasons why the tribulation happened when it did. \"Left Behind\" and \"The Omega Code\" tried to get in everything \"Thief\" did and to explain all the politics and maneuvering in the Middle East leading up to it. The net effect was \"Thief\" did a much better job on the scary part of movie, instead of spreading itself too thin trying to explain what was happening in the Middle East at the same time.
Forget the politics and watch this movie, and its sequels, for what they are - horror stories. That they may be horror stories told, indirectly, by God makes them just that much more frightening. If it makes you think about the subject, it has done its job - even if you never believe.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI saw this movie twice through a pentecostal church my family attended in Nanaimo BC in the 1970's. I was of the tender age of 6, my brother 4, then again when I was 8 my brother 6. This movie terrified my brother and I and shaped how we viewed the world with distrust. It wasn't just the movie, but it was also the philosophy that engulfs so many \"christians\" about the \"mark of the beast\"and the rapture. This movie, the church, and a volatile neglectful upbringing, lead to severe paranoia towards the future. For years, I lived under the delusional affects of the church and fear of being forgotten by Christ. I am now 40 years old. Went through years of counseling. I once explained to a psychiatrist this movie and the belief system of the church and family. I was pegged with a delusional disorder. I actually began to believe this, it was my brother who reminded me, that this cultic philosophy actually happened. I no longer fear the future, I have come to terms with the fear injected into it's members by the church. I have taken this experience to fulfill a purpose, I am nearing my licensure as a Psychologist specializing in childhood trauma.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe sects that capitalise on this film are well known for their claim to take the 'message' of the bible without any alteration or extra-biblical influence. The existence of this film is solely due to the fact that there is no such thing.
If you want to know what the born-again branch of Christianity were harping on about in the seventies just look up the word 'rapture' in a dictionary of cults and sects. It's quicker than sitting through this waste of celluloid.
Poor acting, uneven sound quality and a script that could just as easily have been written by Jack T Chick (paranoid Christian conspiracy theorist for those not familiar with the Evangelical scene). You could not really put this into the 'so bad it's good' category so its only audience are either those with a pamphlet collection looking to branch out or the extremely paranoid.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI remember being forced (yes--literally FORCED) to see this film by a Southern Baptist Preacher when I was a kid, and even then I loved its awfulness. It's designed to scare poor suckers into being \"saved.\" The only thing that \"saved\" me was the fact that it finally ended and I could go out and have a REAL life.
Check out the chapter on this film in Sarah Diamond's book \"The Politics of the Christian Right.\" FASCINATING. And certainly more interesting than the movie!
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nTwo films are useful for scaring people to God, this and 'Event Horizon'. One has a significant and poignant message, the other is as one-dimensional as a religious movie can get. Too bad Paul Anderson went on to the accursed Resident Evil movies, he really had something going.
Thief in the Night is hampered by many obvious independent film attributes (acting, storytelling, dialog, and persuasion) and it's obvious what the film's intentions are from the start. The Christian film industry hasn't learned from the failures of this, so we are stuck with The Omega Code, Left Behind, and the other Tribulation movies. Their underlying element is that they are so concerned with selling their message: \"Get saved, folks!\" that everything else becomes second to whacking the audience over the head with a Bible.
Overall, I can't believe I'm even writing this much about a movie this ineffective. Skip it entirely and go back to Sam Neil gouging out his eyeballs. 1 out of 5.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nIs this film a joke? Is it a comedy? Surely it isn't a serious thriller? There is no suggestion that there is any intended humor, but on quite a few occasions the poor acting, poor directing, and appalling script had the audience laughing out loud in the cinema. The plot is acceptable - a promising young artist just reaching his peak shot dead by an assassin he walks in on by mistake. The killer sees the young artists work portfolio he is carrying and decides to attend an exhibition of his work. At the exhibition the assassin meets the dead artists sister and they end up falling in love. It is all very predictable stuff and the end will not have anyone guessing as it is so poorly scripted. The film takes place mainly in and around Vienna, Austria, and shows what a beautiful city it is. Do not waste your time on this film though, unless you are studying how NOT to act, direct or script a film!
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nImagine pulling back the mask of a lethal assassin and finding Barbara Cartland there... that's what happens with this film.
The opening showed promise, but soon it drops all pretenses of being a thriller (or even an imaginative love story) and the only reason they made this story becomes abundantly clear: to fill a gap in their female viewing market by creating yet another re-hash of 'mis-understood, brooding bad-boy' (Andrei) meets 'innocent, whimsical beauty' (Paula).
Rather than waste any time in creating an original premise, the filmmakers went straight for the money-shot: the bad boy being tamed by said whimsical beauty. Thence follows a string of insincere and heavily-clichéd love scenes sprinkled with pseudo philosophical/poetic fluff. Andrei's admission of being (eponymously) a 'poet' is levered in to round out the perceived qualities a Byronic hero should have - but even when we're told in heavy, underlined writing who and what he is, it's still difficult to believe it - or care.
For a Byronic hero/antihero to work, the story needs subtlety, style and innovation - all of which are utterly absent here. This is not a modern day Phantom of the Opera, it's just what happens when a weak and rather silly woman (with loose knicker elastic) dates a bad man, who, after meeting her, seems as dangerous as bunny slippers.
The performances might have saved this film, had they been any good: the female lead is preoccupied with looking sexy and 'otherworldly', no matter how forced or ridiculous; and poor Dougray Scott appears to have been drugged as he shambles through his part. This is not his best work. The glimmers of interest were brought by Jürgen Prochnow as 'Vashon', and Andrew Lee Potts as the young photographer/brother. A better movie would have offed the sister and kept the brother instead.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nChris Rock, apparently desperate for a cozy star-vehicle which would cross his appeal over to white and mainstream black audiences, updates the hit 1978 comedy \"Heaven Can Wait\" with an urban agenda. He plays a struggling comedian involved in a car accident who has his soul removed too soon from his body--consequently, his angels must find another body to place him in, and can only come up with that of a white businessman. Rewriting a movie as bland and sentimental as \"Heaven Can Wait\" only shows that Rock's eye was on the box-office (this was strictly a corporate move organized by the most mercenary of Hollywood players). Why not strive for something loftier or more memorable than a silly reincarnation comedy that culminates with an Evening at the Apollo? Terrific supporting cast (including the usually-reliable Regina King, the wonderful Mark Addy, Wanda Sykes, Eugene Levy, and terrific Frankie Faison) do what they can, but Rock seems awkward and unsure of himself throughout. *1/2 from ****
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe main character Lance Barton gets killed and to heaven before his time. When heaven learns about the mistake he is given the body of just deceased rich old and white Mr. Wellington.
A young black guy in a old white mans body still behaving like the young black man is maybe funny if you see it done by an old white actor. In this movie I ended up reminding myself several times: \"Chris Rock is supposed to be an old white guy\".
The whole concept does not play as intended: The \"illusion\" is not transported well and the love story is not believable at all. The fact that all you see is Chris Rock playing a young black guy, because the old white person everyone is supposed to see is only shown in small scenes, is to much of a challenge for the viewers \"suspension of disbelief\".
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nBlack guy becomes rich white guy, and rich white guy seems to embrace hip-hop culture, and most of the \"funny\" moments of this film play off of this. The problem I have is that it doesn't work and almost never works.
OK, so no one would expect Lance to grab a body like that and suddenly start acting like Charles Wellington. That would be too much to ask. I'll grant that. But at the same time, it goes too far the other direction. I'm supposed to imagine a rich white guy singing rap and completely upending things, playing like he's a bastion of hip-hop culture, and people just *accept* him? And what about Sontee, who falls in love with him *as a rich white guy*, even though she doesn't care about his money or power? This is so completely unbelievable it's not even funny.
I just couldn't suspend disbelief and I couldn't finish the movie. I added one extra star because it did make me laugh, even hard, a couple of times. But I just couldn't get get past the whole \"white guy doing hip hop\" thing that has never been well done in any movie I've ever seen that tries it. This was no exception.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis movie is a re-write of the 1978 Warren Beatty movie, \"Heaven Can Wait\", but it is written for the stand-up comedic style of Mr Rock. The premise remains the same: Lance Barton, (Rock) is taken before his life time is up and works a deal with God's representative, Mr King, to come back to earth as someone else. As in Beatty's movie; he chooses the murdered Charles Wellington, a rich white man, all because he fancies Sontee Jenkins (Regina King) who happens to turn up at Wellington's house during the murder. The role of Mrs Wellington and her lover suffers in this remake and the idea to turn an aged white multi-millionaire into a stand up black comedian who tries to woo Sontee simply does not work. Also the intercuts used to show Rock as Wellington and then as the real 'white' Wellington, fail miserably. Improvements could have been made to the original Beatty plot - which in itself did not masterfully portray the life-after-death idea - but they certainly were not to be found in \"Down To Earth\".
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWhen I first heard about \"Down To Earth,\" I was pretty excited. I'm a pretty big fan a Chris Rock, he was especially hilarious in Dogma. But this film proved to be a disappointment. Chris Rock's performance was not nearly as good as his past performances, and the movie was just very badly directed as a whole.
First off, Chris Rock. He plays the entire movie as a standup comedy routine. Obviously, this works fine in the scenes where he's supposed to be doing standup, but in the rest of the movie, it doesn't. Even when he's talking to one other character, he seems to think he's trying to make a roomful of people laugh. He has a few funny moments, but they mostly come during the standup scenes (no wonder they decided to make his character a comedian). As for the rest of the cast, they're pretty much there just to give Rock someone to talk to, none of them stand out.
Also, the movie was poorly directed. The movie has basically a one-joke plot: old white guy acting like a young black comedian. While I prefer movies with more than one joke, this still could have worked, and been quite funny. The problem was, we saw too much of Rock and not enough of the old white guy. It's supposed to be funny because it's this white guy telling Chris Rock's jokes, but for most of the time, we just see Chris Rock, so it's not nearly as funny. The few scenes where they decide to show us the white guy talking like Rock are, in fact, hilarious. If he had been shown more, the movie would have been a lot funnier.
Overall, a few moments of laughter can't make up for the fact that \"Down To Earth\" is poorly acted, and poorly directed. This one was a pretty big disappointment.
Rating: 4/10
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nGranted, I'm not the connoisseur d'horror my partner is, but a well put together, clever flick is worth the time. My quibbles, in brief:
- Dialog often weak and at times unbelievable coming from the given character.
- Unconvincing acting.
- Storyline never really caught fire.
The writers plucked choice bits from half a dozen mainstream films, tossed into a kettle, simmered not nearly enough and tried feeding us poor saps the resulting mess, al'dente.
Long and short, while not absolutely terrible, it was definitely not worthy of absorbing one of my NetFlix rentals.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI think I agree that a lot of the comments here must be fake. Even if the movie is not necessarily bad its definitely below average. \"Dark Remains\" is basically a Ghost Movie with a premise of your own ghosts and bad emotions haunting you. The movie starts off already with 2 stories loosely inter-webbed which even later are not tied together. A couple loses its child which is found slashed in its bed. They move to a country house to flee their past and guess what... the house is haunted, kind of. From here on Dark Remains starts off very slow with some scary moments indeed (The first ghost appearances are nice and the flashlight sequence also worked very good). OK, then... Woman sees ghost of daughter, other ghosts of people died in accidents or suicides appear, man tries to solve secret of houses past, woman gets depressed, strange neighbors appear. Its pretty much all been there, but the premise of it being their own emotions is nice, so you wait for the twist. There is no twist, you are just confused by a haunted house history story, the strange neighbor, a totally pointless creepy prison and the dead daughter thrown together with a photo-idea reminding me a lot of \"The shutter\". The end is ridiculous because when you start and end a movie this slow and with piano music its pretty lame to include some hoards of ghosts at once which look like a zombie flick, of course just to return to slow pacing and piano music.
To make it short... Dark Remains could have been a nice scary ghost story if the script was not trying to go everywhere and arriving nowhere.Too many stories mushed together which just don't make any sense and contradict in the basic atmosphere of the movie. And beside... please never use abandoned prisons again. Its so worn off and in this case it even makes no sense at all. \"Hey, there is this creepy prison uphill, lets shoot there\". I guess a lot of ingredients in Dark Remains were thrown in the mix like this.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFor all of the hype about this film, I kept an open mind as to what I would ultimately think. And, although a bit slow at times, the first 90% of the movie is quite good, with more than a few \"old time\" scares that make one jumpy and unsettled. I actually thought the cinematography was excellent regarding many of these scenes. Where Dark Remains fails, however, is in its climax. The ending of the film and the denouement are what seems to be MILES APART from its body. The storyline completely falls on its face with an illogical conclusion and, the answer I was seeking most - what REALLY happened to Emma? - was not elucidated upon! The rationale for the negative energy was ludicrous at best, and in the end, I felt very cheated. What could have been a superb horror film was ultimately haunted by a terrible ending.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nHow many fricken' times do we have to see a spook walking by in the background & peaking through a mirror's reflection? It's been done in two dozen movies in recent memory & four dozen times in this choppy, poorly done film. There were only two freaky moments to appreciate....when the ghosts invaded the personal spaces of two characters. Speaking of characters, the acting was as flat as the Diet Coke in the 64 oz. cup I was drawing it from. The side characters could have been pulled from various Scooby Doo cartoons. There was the friendly, aged sheriff. There was the kooky weirdo living in the backwoods with the Alabama drawl. Lots'o'characters with no development. The most disturbing image was that of a murdered child in the beginning. But rather than explore the child's murder, which would have been interesting, they just let us know that she was dead & her parents had a hard time reconciling her death with the community & each other. When they reach the cabin, the scenes rarely flowed together....with flashing images of the dead daughter interjected here & there. Oh...and the eerie sounds were also overdone. You know what I mean....creaking doors that open by themselves, crickets in the forest, yada yada yada. Ooooohhhh. Haven't seen that before. Again, you'll see the amazing self-opening door in the movie over and over an over again. NOTE TO DIRECTOR: a scary scene is only scary if it's not repeated every 5 minutes in the same film. Think these things out before calling out \"it's a wrap!\"
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI really looked forward to seeing Nana after seeing Renoir amazing debut work, Whirlpool of Fate. I had read that Nana was generally considered his best silent film so I had high hopes. Sadly this felt like a huge step backwards.
Catherine Hessling is the main problem with this film. Her acting is over the top, even for a silent film. Her acting is more like what one would expect in a film from the early teens, not the late 20s. She usually has the same face, which reminds me (sorry to say) of someone with constipation pains. It was also very difficult to believe that any man would fall for this femme fatale. There was nothing charming about her at all.
The film was also quite long drawn, the camera work was uninteresting (aside from a shot of a horse race) and the editing was dull. The story reminded me of Pabst's Pandora's Box. It is interesting to compare the two because there are only 3 years between these films. Pandora's Box simply scores on every level where Nana fails.
This film is only for Renoir completists or very serious silent films buffs.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWhat a dog of a movie. Noni Hazelhurst's performance is quite good, but it sits amidst a jungle of abhorrent scriptwriting, mediocre direction and wooden acting from the bulk of the cast. Many of the characters are woefully miscast, particularly the ever overrated Colin Friels.
Very little works in this pretentious garbage. Much of the \"character development\" is done through a silly, angst-ridden voice over and frequently completely contradicts the behaviour of characters on-screen. In fact, it's hard to even figure out who the voice overs are talking about because they describe such different characters to who we see on screen! How are we meant to know Colin Friels (Javo) is meant to be an erratic, violent and unreliable junkie? One of these silly voice overs tells us. For crying out loud, the nature of his character is half the point of the movie and the only thing that lets us know is a flippin' voice over! The real killer is the characters. Everything about them. Their clothes are perfectly maintained and look fresh from the rack, despite the fact we are constantly reminded they are meant to be artsy paupers. They are all absurdly well-spoken for \"junkies\". None seem to have any real comprehension of life on the skids or on smack and yet this is meant to be the case with most of them.
Monkey Grip deserves no more attention than a weekday TV movie matinée. Crud like this, perfectly well shot and technically presented, but a cliché-driven angsty drama that shoots so wide of being plausible and meanders about for hours without really going anywhere. At least Noni gets down to her birthday suit at every given opportunity. There's no other sane reason to endure this junk.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nHi, May be because I am not a Theater major or a sophisticated movie watcher ... I think this movie is \"Boring\" and \"Dumb\".
I rented this movie because of Charles Bronson and it's title ... but boy what a waste of time ... just watching 2 guys sitting in a vault and talking ...
The movie on this DVD was so \"DARK\" ... I had hard time watching the darn movie ... I realize it is a 1968 movie ... but they are putting it on a DVD then they should do some digital remastering.
Also, I was totally surprised to see these high marks on IMDb for this movie ... like I said before I am not as sophisticated as the other folks who commented on this movie earlier.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nthis, is NOT one of those films it is one of the biggest pieces of tripe I have ever scene, the camera work is trying to be flashy but it really just crap the whole thing looks like the red shoe diaries, but without the sex, the only reason I bought this was I wanted to try out dvd and this was the cheapest one I could find, possibly the worst buy of my life and could have put you off dvd forever, the soundtrack is REALLY tacky and most of the movie is made up of endless repeats of clips from the first two films, why anyone would want to make a movie as awful as this is beyond me, if they had really attempted to make an original movie and failed I would be nicer in this review but they don't they just got the rights to reproduce stuff from the first two and then edit it and repeat it into this film with about maybe under 1 3rd original footage which is about up to the standards of film school students, DO NOT buy this movie. the only entertainment this dvd can offer is if you were to stick it in the microwave and watch the flashing lights! UTTER UTTER UTTER UTTTER unbelievable GARBAGE! 0/10 if only the voting system would allow that.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI won't waste a whole lot of time of this one because as far as I'm concerned it isn't really a movie to start with, just a careless mish-mash of borrowed footage and embarrassingly amateurish new footage made solely for the purpose of pasting the whole mess together and call it a \"Boogeyman\" sequel. Literally 80% of this film is stolen from its far superior predecessor \"The Boogeyman\", a film that the writers of this garbage apparently didn't even bother to watch because they couldn't even get actress Suzanna Love's original character's name (Lacy) right. And to add insult to injury the killer is invisible in the original footage and visible in the new footage, apparently they think their audience is as stupid as they are. 0 out of 10 and I wish IMDb's rating system went that low, the most callous and blatant attempt to rip off people's money I've even seen, YOU HAVE BEEN WARNED!
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe original Boogeyman was a silly but entertaining supernatural slasher flick. It was by no means a great film but fun in the right frame of mind. The third instalment in this series, Return of the Boogeyman, on the other hand, is simply atrocious. It consists of two things. Firstly, cheap and lifeless new footage. Secondly, LOADS of recycled bits from the first movie. The new material is unbelievably amateurish but not in an amusingly inept way, simply incredibly tedious. This footage has clearly been knocked together quickly and without any effort. It serves as a framing device for the endless clips from the first (and possibly second) movies. And boy, do they milk those clips from the earlier films; sometimes reusing sequences over and over again. The only new addition to these parts is a voice over that pointlessly describes exactly what we can see with our own eyes. The whole experience of watching this is truly mind-numbing.
Return of the Boogeyman is an example of the very worst kind of exploitation flick; the kind that exploits the audience in a highly cynical way. I want to keep this review brief and to the point because this film deserves no more. There is nothing here of value at all. This is worthless.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nin fact,it's basically the same movie.and they couldn't even get the time line of events correct.maybe that was intentional due to laziness or not caring.either way,this thing is a real woofer.it doesn't even deserved to be called a movie.i viewed this as a so called second feature on the disc containing the original The Boogeyman.i thought my head would explode,and i urge you to run as far in the opposite direction of this thing,if you should be cursed with the misfortune of combing across it's path.it should come with a warning label like:Warning-may cause your i.q to drop several points if you are within it's vicinity.for me,there's no doubt this thing is a 0/10
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThe ENTIRE MOVIE is flashbacks from the first Boogeyman movie as well as, inexplicably, footage from another Uli Lommel / Suzanna Love film Brainwaves. It is framed with some more current (from the early 90's anyway) footage that is boring, poorly acted and cheaply shot. Not only is the film almost completely flashbacks, they REPEAT the same flashbacks throughout the film. So you see the recycled footage over and over again, as if you hadn't seen it already. As if the originals weren't bad enough. I've never seen a movie so padded.... Someone was milking the last dollar out of these films. Total ripoff. And talk about padding... why do I have to write 10 lines about this trash? If I can convey that it's garbage in 2 lines, that should be enough.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI can't believe this film was allowed to be made. These people should be drug out and beat with blunt objects. They should be tortured. This film is an abomination.It's nothing but footage from the first film. Whatever is original is freaky and makes no sense whatsoever. It's like some sort of drug hallucination.Like, what's with the laying on a mirror naked therapy. Also, whatever moron patched together this turd didn't even bother to watch the first film, because they kept calling Suzanna Love's character Natalie, when it's Lacey. I felt like shouting that at the screen, \"IT'S LACEY, IT'S LACEY!!!!\". I give it a -50 out of 10. MY GOD!!!!
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nReturn of the Boogyman is a dreadful movie which doesn't play like a movie, it plays like an episode of a TV sitcom when they flashback to older episodes. Return of the Boogyman is just a clip show.
Mutch of the film is constant and annoying flashbacks from the first movie. Over and over again the same footage. How boring this is.
The movie really is about a psychic woman who has visions of the first movie.
I have seen the first movie I don't want to see the same scenes over and over again and I don't know who would. The whole movie looks like it was quickly made to make a few bucks and thats it.
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nUlli Lommel's 1980 film 'The Boogey Man' is no classic, but it's an above average low budget chiller that's worth a look. The sequel, 1983s 'Boogey Man II' is ultimately a waste of time, but at the very least it's an entertaining one if not taken the least bit seriously. Now II left the door open for another sequel, and I for one wouldn't have minded seeing at least one more. One day while I was browsing though the videos at a store in the mall I came across a film entitled 'Return of the Boogey Man.' When I found out it was a sequel to the earlier films I was happy to shell out a few bucks for it...I should have known better. Though the opening title is 'Boogey Man 3,' this is no sequel to those two far superior films I named above. Well, not totally anyway.
Pros: Ha! That's a laugh. Is there anything good about this hunk of cow dung? Let's see...it has footage from 'The Boogey Man' and, um...it's mercifully short. Yeah, that's about it.
Cons: Where to start? Decisions, decisions. First of all, this movie is a total bore. It goes from one scene to the next without anything remotely interesting or scary happening. The acting is stiff at best. The \"actors\" are most likely friends of the director who had no acting experience whatsoever before, and probably none since. The plot is nonexistent and script shoddily written. The direction is just plain awful. The director tries to make the film look all artsy fartsy by making the camera move around, lights flicker, and with filters, but it adds nothing. The music is dull and hard to hear in parts. Ties to the original are botched. Suzanna Love's character was named Lacey, not Natalie! And the events depicted in the beginning of the original did not take place in 1978. Also, if this has a 3 in the title, why is there no mention of what happened in II? Finally, this adds nothing new or interesting to either the series or the genre.
Final thoughts: The people behind this waste of time and money should be ashamed of themselves. It's one thing if that had been an original film that was the director's first and sucked. But instead it's supposed to be a sequel to film that is no masterpiece, but is damn sure far more interesting and entertaining than this. If there ever is another sequel, which I doubt it, then it needs to forget this one ever happened and be handled either by Lommel himself or someone who has at least some idea of how to make a decent horror film.
My rating: 1/5
\n
assistant\n0
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI was previously unaware that in the early 1990's Devry University (or was it ITT Tech?) added Film to its wonderful repertoire of technical degree programs. Well this movie must have been the product of the class valedictorian. My friend and I rented the original 1980 Boogeyman on my Netflix and this movie was on the flip side of the DVD. Do not waste your time with this movie. Awful awful awful.
The filmmaker adds 2 main character's, a woman and her therapist. The woman has been having dreams about the Boogeyman and his victim's from the first film. Over 50% of this film is stock from the original movie. The rest of the movie is the main character having the bad dreams while her therapist drones on a the narrator. These scenes are shot through a filter so thick the characters glow. They would make Angela Lansbury look 25 years old. So, to recap, awful. Don't watch this movie.
\n
assistant\n0
\n"