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user\nExcept for the better than average acting skills of the two leads, this movie is really, really bad. The cheap production values don't help. Of course, you wouldn't really notice that the production values are cheap if they didn't keep trying to convince you they HAD a production values to begin with. Even for a B-movie genre freak like myself, this movie really sucks.
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user\nA documentarist, like any filmmaker, must convey a compelling story. Will Pascoe fails utterly in this effort, cobbling together uninspired snippets of Chomsky's wisdom from a visit to McMaster University in Hamilton. The footage is shot amateurishly and in video. Pascoe's only effort at cohering the fragments into a whole is by periodically throwing a vague title on the screen: \"9-11,\" \"Activism,\" \"Truth.\"
Lame.
Compare this with documentaries like \"The Corporation\" or \"The Fog of War\" which create a narrative drawing material from interviews, stock footage, and filmed footage. In the end each delivers a poignant and insightful message deftly and intelligently.
The only saving graces of the film are Chomsky's nonchalantly delivered upendings of historical dogma, and the fact that the running time is only 74 minutes.
One of the more interesting passages was Chomsky's recounting of his experience with National Public Radio. He describes the conservative media as more accommodating to dissenting views, while NPR's liberal dogma strait-jackets its interviewees and dramatically limits its permitted messages. Yet another media outlet to be skeptical of.
This documentary is for Noam Chomsky completists only.
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user\nFirst off, I agree with quite a bit that escapes Mr. Chomsky's mouth. His matter-of-fact delivery of interesting counterpoint is what makes the man a hit on the university campus circus. He comes across likable, unassuming, pragmatic. He doesn't cater to the current political style (obnoxious bi-partisanship) and he sets his sights on the far left as well as the far right, chastising both, and for good reason.
Unfortunately, the film itself is a dud. In fact, I would not even call this a documentary but rather just a collection of speeches. Watching \"Rebel Without a Pause\" is no different from watching a speaker on a 3am taped segment on CSPAN. There are no camera movements, no edits, no stylistic touches. There is no story, no narrative.
Technically speaking, the production is strictly amateurish. Audio is terrible and inconsistent; sometimes we cannot hear Noam speak, other times we cannot hear the questions that are being posited by those in attendance. When Noam is speaking rarely are we allowed to see the reactions of the audience except when we are given a quick shot of his wife who apparently attends every one of his speeches and beams with pride every time we see her.
I cannot recommend this film and would say that you're probably better off checking out his taped speeches on cassette or CD to listen to in the car.
4 out of 10 stars...and I'm in a generous mood today.
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user\nWatch the 1936 version. As personally annoying I find Charles Boyer's voice, he's more of a match to pay cosmopolitan, depressed Rudolf--I mean Omar Sharif tries but, no--too cute and vibrant. Catherine Denueve (sp) besides being too old looks nothing like Marie--nothing! She looks too sophisticated to even think of dying for love of this man in such a fashion.
The only actor in the entire movie who conveys the role they're playing is Ava Gardner whose appearance as Empress Elisabeth on the screen is fittingly brief (and look up pictures of the empress there's more than a passing resemblance) as historically, Empress Elisabeth wasn't involved that much in Rudolf's life.
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user\nAs good an advert for republicanism as you're ever likely to see,\"Mayerling\"is an everyday story of royal folk in late nineteenth century Austria.Set during one of Europe's seemingly incessant internal turmoils it concerns itself with the Emperor Franz Joseph (Mr James Mason),his rebellious son,the Crown Prince Rudolf (Mr Omar Sharif)the Empress(Miss Ava Gardner) and various mistresses,secret policemen,spies,extravagantly-uniformed popinjays,gypsies,dancers,wives, soldiers,swans,horses and the bizarre inbred web of European royalty at the time of Franz Joseph's Austro-Hungarian Empire. Filmed in what the old movie posters used to call \"A Riot of Color\" it resembles nothing more than an expensively-dressed but intellectually-challenged production of \"The Student Prince\" .Mr James Mason,wearing a very natty little white number,utilises his all-purpose mittel-European accent whenever he remembers.I am a great admirer of his and I sincerely hope the remuneration was comensurate with the distaste he clearly felt for the character he was playing. Mr Omar Sharif,who built a career largely founded on looking directly at the camera with his big brown eyes and looking soulful,gives a stupefyingly monotonous performance as his son the Crown Prince.He is utterly unconvincing as a man who -in the movie at least-cut a swathe through the distaff side of the Austrian aristocracy.With his well-buttered locks firmly in place he preens and poses in ever more unlikely uniforms.As a rebel he talks the talk but conspicuously fails to walk the walk,leaving a bottom button undone on one of his tunics is about as far as his defiance goes.Unhappily married,he falls in love with a commoner.\"Forbidden Love\" is one of the movie's come-ons.As she is played by the most uncommon Miss Catherine Deneuve he is scarcely pushing the envelope there.Miss Deneuve has a profile to die for and we see rather a lot of it,particularly in the sequence set at the ballet. Now I love ballet as much as the next man,but this sequence does seem to go on for an excessive amount of time,a more cynical critic might consider it to be \"padding\". Rudolf's mother,the Empress is played by Miss Ava Gardner.She gives the part some good old American oooomph,making her a bit like \"Auntie Mame\",but it's done with undeniable style.Rudolf is certainly very fond of his mother - I'll put it no more strongly than that. The only performance worth watching is that of Mr James Robertson Justice as Sir Lancelot Spratt - sorry,Edward,Prince of Wales.He is so wonderfully unconcerned about everything going on around him it's a joy to behold.I waited vainly for him to ask Rudolf the immortal question \"What's the bleeding time?\". I am not qualified to dispute \"Mayerling\" 's historical accuracy,but,in my opinion,everything else about it is risible. It is a Ruritanian Opera Buffa without the tunes to send you home from the theatre whistling.
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user\nI'm not sure what Diane Silver was thinking when she was making this movie, but it obviously had nothing to do with Richard Wright's novel, which the movie is based on.
We read the novel this past summer for AP English 12, and just watched the film. During periodic note-taking and checking of the clock, I contemplated the chances of being struck by lightning. Of course, the sky was completely clear, and I was forced to watch the rest of the movie... and then write a 5-paragraph essay on it.
Wright's novel discussed very real themes, of the mind of a killer and the psychology behind it. Silver's movie turned a murderer into a victim, which is NOT what Wright wanted (see: \"How Bigger was Born\" 454).
I'm going to make this short and sweet: if you want to leave your consciousness, in Raphael Lambert's words, unsullied, skip the movie and read the book. The 1986 adaptation is not thought-provoking material.
... ::sigh:: Now I have to write the essay.
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user\nOf all the movies I've seen, this one rates almost at the bottom (Haunted Mansion, Nothing but Trouble and a few others keep it from reaching rock bottom.) It is hasty, the story is shaky and the events depicted are poorly acted. Of course we have to lay some of this at the book writer's door. The book the movie was filmed after is outrageously ponderous, and illogical. Oprah gives a palatable appearance as \"Bigger's\" mom, but is not nearly at her potential. Other famous performers also seem to be at their worst. The plot which centers around an African American who decided to take a job as a chauffeur. In driving the family daughter to a communist dinner he becomes acquainted. One thing leads to another and the girl gets drunk. Now the family he's working for are not against blacks, but he thinks they are. So when he comes home he puts her to bed, but she begins caterwauling. The blind mother (yes) hears this, so Bigger tries to silence her, but instead smothers her. Now fearing he's really in trouble for killing a white girl he does what any logical thinking man would do--he shoves her into the coal furnace. So investigators are carrying out a missing person case and lo they check the furnace (the idiot didn't have the foresight to get rid of the ashes. He is then arrested and the last hour or so are obnoxious segments from the courtroom. If your desperate for a bad movie, this one could do the job, but if you seriously want to learn about culture issues in th 40's and 50's or see a good drama, there are a lot better options. Avoid this.
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user\nHey look, deal with it, there are much better portrayals of the hardship of black America than this. Although I think this story is weak, my criticism is focused on the poor execution of the story, which I have mentioned, blows.
This was made in the mid-80's and is horrible in the music/score department. It's funny to see Oprah as a latter-day crack-whore type.
The scene where Bigger stuffs Elizabeth McGovern into the incinerator. Pure classic cinema. First off, I don't care how drunk you are, you will react to 1200F degree flame (no matter how bad your acting). But they really milked that scene...it was comical. I'll tell you what though, I had great satisfaction in seeing Elizabeth McGovern burn in a faux death; she annoys me.
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user\nI generally don't give worry much about violence in films, or a vast amount of philosophy, symbolism or psychology. All this is very well with me and the film brings a lot of the above to us. There is beautiful pictures especially of the lake and the nature, a good setting of characters, a good direction. This film could be voted for as a good film. However, it is spoiled for two reasons and both of these reasons in relation make this film simply disgusting.
First of all there is violence used against living creatures to make this film. Not movie violence, I am talking about REAL violence. This violence alone maybe could be justified if not and thats reason number two; the message of the film was not mere introspection about the directors twisted relation towards women. Not that we all don't have some real twists with women.(respectively men). But the conclusion of the film ruins it all.
*spoiler* Our \"heroine\" finally dies, (by here own hand if I remember correctly I saw this film years ago and it enraged me, now the guy is out with a new film witch I am certainly not going to watch)and is now even more clearly depicted as some kind of natural demon, nature growing over her, in particular her sex.. Of course it is the director who \"kills\" the women heroine. Women have to die, especially if men are attracted by their sexuality. That seems to be the final conclusion.**end spoiler*
Well, well all that possibly would be fine with me if the director would have kept his view to himself. But to use big pictures, artsy directions cruelty to living creatures, just to say men can be frightened of women, and men are cruel to women. Thats just not enough. I knew when I saw this film it would achieve good critics for the \"philosophical, eastern and artistic\" and whatever approach. But to me this film is just totally marred.
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user\nIs this the same Kim Ki Duk who directed the poignant, life-spanning testimonial of \"Spring, Summer, Fall, Winter and Spring\"? The same Kim Ki Duk who directed the exquisite, nearly silent, heartbreaking longing of \"3 Iron\"? The same Kim Ki Duk who dazzled us with the staggering tragedy of \"The Coast Guard\" and made us squirm about the ugliness of nonchalant teenage prostitution before returning to his almost patented nature motif to allow us all (characters and viewers alike) to experience redemption in \"Samaritan Girl\"? I just cannot seem to find him in this film.
Oh, sure, Kim's nature motif is still present. The film takes place entirely on a lake surrounded by mountains and on fishing floats resting placidly on the surface of calm waters. Yes, it's Kim Ki Duk, all right. Kim even describes the film as \"beautiful\" in an interview included in the DVD's special features. But I'm not sure anymore what that means after viewing this putrescent presentation.
What is beautiful about angry, potty-mouthed prostitutes, lustful, violent and potty-mouthed fishermen, a covetous mute merchant, explicit animal torture, sequences of self-mutilation and a pace that swings nauseatingly between bestial carnality and mindless brutality? These are the only elements of humanity that present themselves in this utterly confounding and ultimately pointless film. If it is based on a fable or intended as a parable or is meant to be symbolic of something greater, this reviewer is unfamiliar with the source material. It has been favorably compared to \"Audition\" by Japanese director Takashi Miike (much to Kim's satisfaction), but aside from some astonishingly good performances, especially given what they had to work with, by lead actors Seo Jung and Kim Yoo Suk, I find little reason to recommend this film. I have not seen \"Audition,\" but I doubt it would alter in any way my view of \"The Isle.\" Its violence is pornographic and senselessly sadistic. Its sex is not pornographic, but passionless and masochistic. Characters behave on irritating impulse because there is no plot. Its point is either non-existent or, I will admit, lost amidst Korean cultural quirks that I fail to understand.
The only beauty is in the cinematography, which is classic Kim: fog-shrouded boats lapping slowly across a serene lake, mountainous terrain dominating the background, and an imaginative and playful use of color. At times it seems as if viewers are locked in a big Kim Ki Duk romper room. Some touches, like the mysterious and seductive mute merchant played by Jung and the pleasantly odd use of motorbikes, are intriguing. But as a film, this effort is downright confusing and, in the end, offensive to the senses, not necessarily to sensibilities. One hopes that Kim will leave this kind of film-making in the trash heap of his past, for we know he is capable of so much more.
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user\nI'll say this much--This director is all about RAW images...things most of us are not ready to confront head-on. Images of sex, suicide, murder, and people \"relieving themselves\" are constantly bombarding the viewer, which makes me wonder if the director was trying to communicate the concept of relief or release. Although I don't think that I could ever see this movie again, I will say that the director does have a good eye. There were some really nice shots and \"picture moments\" in the film (the fans, the wire fish in their hair), but the story left me needing more (strictly in the since that we were left asking ourselves \"what the heck did we just see?\").
Note: If you have a tendency to gag or vomit easily...don't see this film.
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user\nI really can't understand how could someone give this disgusting film more than 1 star... How can you like such a retarded film, where all the animal abuse scenes are real? I don't even want to imagine the excruciating pain those innocent and defenseless living beings felt in those horrific moments... Jesus... What kind of ''human'' would torture them like that for no reason, or just for money? I tell you, that director is either mentally retarded, or he's just a monster with a ''heart'' of stone. Or both. He truly deserves to get his hands cut off and burn alive.
It contains various horribly barbaric scenes that may cause shock, especially to sensitive persons and children: a real frog is skinned alive, fish are sadistically mutilated and thrown back into the water, a dog is beaten, birds are thrown into the water...
This movie is more than awful; it has to be the worst and most retarded film ever made, along with another one, called ''Cannibal Holocaust'' or something like that. I'll never watch or buy any film directed by this heartless monster. No one should waste their time watching it, especially when there are a lot of TRULY great movies out there, in which all the animal abuse scenes are staged.
Fortunately, only a few people liked this - which is natural, since it's the worst film ever -, so it wasn't successful. I hope this will make the retarded director realize that such unjustified barbaric acts of extreme cruelty and violence to REAL animals will NEVER be praised, and that he will stage all the animal abuse scenes in his following films. I truly believe that everyone receives but what they give! There will be a day when all the retarded and cruel ''humans'' will feel the same pain they once inflicted to others.
This, however, is probably my only ''negative'' review. I usually don't comment on a movie if I dislike it, but this time I just couldn't shut up. I had to speak the truth, because animal abuse must stop!
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user\nYou know a movie is bad when the highlight of it is being able to see a brief moment of \"Jeopardy!\".
The saddest thing about White Men Can't Jump is that it had tremendous potential. For several years, I lived in area quite like that portrayed in this film; racial tensions were high, and basketball meant everything to everyone. A film about the members of this \"basketball culture\" could have been very interesting, but the mediocre acting and poor script in White Men Can't Job left something to be desired.
The movie's sequence of events is cyclical. First, Billy either wins or loses money by playing a game of basketball. He then returns to his home and lounges around with his girlfriend; and the process is repeated. Most stories build up to a climax of some kind, but the \"climax\" I saw was just another sequence in this repetition (this case being \"Billy either wins or loses money by playing a game of basketball\").
In order for a plot to develop, some dilemma must be resolved; and this dilemma must be interesting if the film is going to be interesting as well. Apparently the writers of White Men Can't Jump forgot this rule, as the plot can be summarized as \"Billy needs to pay the bills.\" I appreciated the change of pace from other formulaic sports movies, but -- I'm sorry -- this was just plain awful. I could have cared less if Billy got the money to pay the rent for his apartment.
Despite all this, White Men Can't Jump is a successful film. Apparently some adamant sports fans will dismiss terrible writing for a few scenes with a basketball in them. Others, I'm sure, were lured by the big names playing the leading roles. This leaves me to wonder, if the cast was replaced entirely with previously unknown actors, and the basketball theme was replaced with lacrosse, would anyone have bothered watching this movie? I really don't think so.
I'll give this movie two stars out of ten; the extra star is for the \"Jeopardy!\" scene, which kept me awake for a few minutes. Thanks, Trebek.
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user\nWoody Harrelson and Wesley Snipes team up as hustlers on the basketball court. Okay, that sounds all right there. It leaves lots of room for good comedy and a good story. But no such event took place in the many following boring minutes of this pathetic attempt of a film. This movie became redundant, retarded, and ridiculous after the first twenty seconds had gone by. Woody Harrelson played one of my favorite t.v. characters, Woody from Cheers, and I was looking forward to seeing him in this movie. But after seeing his \" acting performance \" I have come to the conclusion that he should stay playing dumb country hicks who bartend. His acting was as dull and poor as the movie. Another actor in this unreal film was Rosie Perez. I have liked movies with Perez before, but I have decided that the reason I have enjoyed other works in her career was that she was not a main character and didn't have that many speaking lines ( Do the Right Thing ). But now in White Men Can't Jump she was made a central character with many lines, thus meaning that the audience has to put up with her incredibly annoying and whining voice. So after seeing this film ( term used loosely ) and hearing Rosie Perez for much more than appreciated I can now say that I'm a white man and I'm getting ready to jump . . . off a twenty story apartment building.
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user\nThis was a popular movie probably because of the humor in it, the fast-moving story, an underdog character who shuts up all the loudmouths, etc. Funny thing is, you probably couldn't make a movie with this title if you substituted anybody but \"white\" as anything else would be deemed racist by the PC police.
Nonetheless, Woody Harrleson as the white guy who turns out to be as good if not better than any of the black basketball players, is interesting as is his main counterpart Wesley Snipes.
Snipes had a lot of funny put-down lines, providing much of the humor. The bad part of the film - which doesn't bother a lot of people - is the extreme profanity in here and the sleaziness of all the characters. That includes Woody's girlfriend, played by Rosie Perez. There are no really clean, nice people in this movie. For that reason, I can't honestly recommend the film, at least not to friends or those who are offended by a lotof profanity
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user\nSpooks is enjoyable trash, featuring some well directed sequences, ridiculous plots and dialogue, and some third rate acting.
Many have described this is a UK version of \"24\", and one can see the similarities.
The American version shares the weak silly plots, but the execution is so much slicker, sexier and I suspect, expensive.
Some people describe weak comedy as \"gentle comedy\".
This is gentle spy story hour, the exact opposite of anything created by John Le Carre.
Give me Smiley any day.
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user\nThis woman who works as an intern for a photographer goes home and takes a bath where she discovers this hole in the ceiling. So she goes to find out that her neighbor above her is a photographer. This movie could have had a great plot but then the plot drains of any hope. The problem I had with this movie is that every ten seconds, someone is snorting heroin. If they took out the scenes where someone snorts heroin, then this would be a pretty good movie. Every time I thought that a scene was going somewhere, someone inhaled the white powder. It was really lame to have that much drug use in one movie. It pulled attention from the main plot and a great story about a photographer. The lesbian stuff didn't bother me. I was looking for a movie about art. I found a movie about drug use.
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user\nOne previous reviewer called this film \"pure visual joy\" I am wondering if s/he saw the same film that I did. \"High Art\" had to have the most relentlessly depressing interiors since \"Seven\". One can almost forgive Sheedy and Mitchell for the cliché of going to a B&B for their First Time. Of course, before they do that, one has to watch opium-den parties inhabited by people who are not apparently gainfully employed but can somehow support a flourishing drug habit. Not to mention the icy stares from those familiar movie types, the Girlfriend/Boyfriend At Start, who are well aware they're going to be thrown over sometime in the next 100 minutes or so. The movie also states that the Sheedy character has retired from professional photography for ten years now. What did she do, retire at age twenty?
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user\nI was never so bored in my life. Hours of pretentious, self-obsessed heroin-addicted basket cases lounging around whining about their problems. It's like watching lizards molt. Even the sex scenes will induce a serious case of narcolepsy. If you have insomnia, rent this.
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user\nI often feel like Scrooge, slamming movies that others are raving about - or, I write the review to balance unwarranted raves. I found this movie almost unwatchable, and, unusual for me, was fast-forwarding not only through dull, clichéd dialog but even dull, clichéd musical numbers. Whatever originality exists in this film -- unusual domestic setting for a musical, lots of fantasy, some animation -- is more than offset by a script that has not an ounce of wit or thought-provoking plot development. Individually, June Haver and Dan Dailey appear to be nice people, but can't carry a movie as a team. Neither is really charismatic or has much sex appeal. They're both bland. I like Billy Gray, but his character is pretty one-note. The best part of the film, to me, are June Haver's beautiful costumes and great body.
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user\nWow, how bad can it get. This was seriously bad. Not in terms of the gore - which was mainly laughable CGI - but in acting, atmosphere and direction.
The story was dreadful - the character arc of the main lead was a total joke. Within a few nights of stalking Vinnie Jones, he starts to become 'haunted' to the point of crying when photographing his girlfriend. Um... are all New York photographers this childish, suggestible and weak? His character development had absolutely no justification or point whatsoever - and by the very end you'll be laughing out loud at the utterly predictable, and totally absurd twist his character takes.
The gory moments were clearly just a weak, low-self-esteemed effort to jump onto the modern MTV style gore wagon - all cgi, blood yet no real emotion whatsoever. These parts were unintentionally funny - and distracting by their self-consciousness - wacky camera angles etc.
Overall this film commits the crime of blowing another potential idea. What could have had atmosphere (until the stupid monsters at the end) is ruined in favour of 'look at me'style self-conscious directing. This film wasn't made for and audience - it was made for a CV - a deeply selfish motive.
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user\nDo not bother to waste your money on this movie. Do not even go into your car and think that you might see this movie if any others do not appeal to you. If you must see a movie this weekend, go see Batman again.
The script was horrible. Perfectly written from the random horror movie format. Given: a place in confined spaces, a madman with various weapons, a curious man who manages to uncover all of the clues that honest police officers cannot put together, and an innocent and overly curious, yet beautiful and strong woman with whom many in the audience would love to be able to call their girlfriend. Mix together, add much poorly executed gore, and what the hell, let's put some freaks in there for a little \"spin\" to the plot.
The acting was horrible, and the characters unbelievable - Borat was more believable than this.
***Spoiler***and can someone please tell me how a butcher's vest can make a bullet ricochet from the person after being shot without even making the person who was shot flinch??? I'm in the army. We need that kind of stuff for ourselves.
1 out of 10, and I would place it in the decimals of that rounded up to give it the lowest possible score I can.
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user\nI would just like it to be known, that I do not often rate movies below a 5. I was originally very excited to see this movie. Its numerous trailer bumps on TV for several months made me REAALLY want to see this movie. So, the other night when I saw that it was available on FearNet on Demand, I got some popcorn and sat down to watch the film.
The storyline seemed intriguing enough - some dude is butchering unsuspecting people on the subway. There's a photographer obsessed with the missing people. Where are they going? What's happening to them? One day, the photographer sees a connection between some photos he has taken, and becomes obsessed with the butcher, following him around, yada yada. The film had a way of sucking you in, even though the plot was highly predictable. \"Oh no, it's dark, look out behind you\" I say, quite bored with the cheap thrills.
The plot, even though predictable, was intriguing...that is, until the end. \"This was good until the end.... Then it just got silly\", says Jack_skellington_freke on the message boards. And I fully agree. And here come the spoilers...
See, I was hoping it was some mad killer, some psychotic person obsessed with cannibalism. No. It was some secret society keeping creatures alive for centuries. Woo. How original. How unrealistic. How dull.
3/10. Come on Lionsgate. You've had amazing films, but this one sunk.
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user\nI am really surprised that this movie get a ranking like this! I haven't seen such a bad movie for years.Omg this was a really bad movie. Splatter, is not enough to describe the unnecessary (nearly funny) blood scenes). If you didn't like hostel2 or Wolf Creek or Halloween (2007) ..well this is 10 time worse. The story remind me RL Stine goosebumps.!
I can't tell about the acting since the script was so terrible.Cliché all the time. (why i must write 10lines? i never understood this.)
==Here comes spoilers==
The story is about a butcher killing people all the time in metro. We are talking about thousands of killings and no one gets notice. Actually those people are just missing. And There is the good guy that tries to solve the mystery (well there is no mystery for us because we know from the beginning the bad guy) and as usual no one believes him! what a surprise! In the end he puts butcher clothes and fights to death with the killer butcher!
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user\nWhere to start. The film started out pretty well, but after the 30 min mark i caught myself watching the clock. The horror at the start of the film was good but then the story kicked in. It just got stupider and stupider as time ticked by.
The actors gave an average performance in this movie however, i got a bit bored of Vinny Jones constant scowling in the film.
As the film dragged on, and take my word for it, it dragged on, it just got more and more far fetched.
*** SPOILER ALERT *** SPOILER ALERT *** SPOILER ALERT *** Just when i thought the film could not get any worse, towards the end loads if skeleton looking monsters turned up, just to eat the dead people which made no sense at all. It turned out to be some sort of flesh eating cult and the good guys die at the end. The ending in fact just made me laugh at how bad it was. Once the lead role disposes of Vinny Jones, he becomes the new killer.
In closing, this film made Creep look like the best horror film ever made. I gave it 1 star because the female lead did a pretty good job but even she could not save this train wreck of a movie!!
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user\nThis was a terrible film. There was no story line whatsoever. To top it all off, when they couldn't explain the blood and gore (the only good part) ... they threw in a few aliens! I hate when directors (or whatever) run out of ideas and then blame the aliens! Watch this film if you like. But don't say I didn't warn you. Two things: How could Vinny say \"welcome\" when he didn't have a tongue? Its a pity Mr Jones didn't have a bigger role. Second thing that bugged me, why were we shown Vinny Jones' boils and him cutting them off and putting them into blue liquid, then these have no further role. Why not? I don't like to be shown something and that has nothing to do with the story line whatsoever. In short. Bad story. I wouldn't waste my time - wish I'd have watched Mirrors instead.
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user\nI have heard a lot about this film, with people writing me telling me I should see it, as I am a fan of extremely bloody, gory movies. I got my hands on it almost right away, but one thing or another always kept me from watching it- until now. I would have been better off not remembering I even had it.
This movie was atrocious. The worst thing though is that it could have been so much better than it actually was. I know it was a story by Clive Barker and all, and no I have not read that story- but it appears to me that if you haven't then you will be, as I was, completely clueless and utterly disappointed.
The film begins good enough- the actors are convincing, the story interesting. The first scene is bloody- a great way to catch your attention. I thought the blood looked a bit bad, but seeing as it was the very first scene I did hope for improvement later on. I was wrong.
The blood and effects are so horrible, it was almost an insult to my intelligence to be expected to believe that, for instance, someone could knock a person's head right off their shoulders using only a meat hammer. WTF? CGI blood (did they even use ANY \"real\" blood at all? My home made stuff looks better than any used in this film!), unbelievable acts of dismemberment (eyeballs popping out just from getting hit in the back of the head; arms cut neatly off- does no one remember there are BONES all throughout our bodies?!), too-dark scenes (every scene is either an odd yellow color, or in hidden in shadows)...it just gets worse and worse. I found myself pointing out mistake after mistake. There's just too much. Add that to the fact that what could have and should have been a great serial-killer movie turns into some demonic/supernatural/monster movie at the end...no thank you! It should have been kept as a creepy guy butchering people in the subway- OK, with a conspiracy theory thrown in- and an overzealous photographer. Maybe they murder people and sell the meat via the meat plant? Plausible, doable...and a lot better I think than the \"real\" story. That could have and should have worked. Instead it became a \"creatures living at the end of the old tunnel and everyone knows about it but you, and unless you read the book, well...you just won't ever understand it\" fiasco. Tragic, what an awful thing to do to a movie with such potential. If you like mindless fake blood and gore, you'll love this. But if you have half a brain in your head then you will completely hate it. Stay away- far, far away.
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user\nIT was no sense and it was so awful... i think Hollywood have a lot of film like that... you don't have do watch it. people cutter or eater what should i say... it made me sick! oh my god! film is about people that we don't know but feed themselves with Humans! they have teeths bla bla bla... isn't that familiar? i can bet on it you saw it in a another movie. the cast was so great but i think scenario was really awful. and i should say that Bradley Cooper was totally awesome... he's so talented... actually i said awful but i think it because of horrible scenes... let me explain it. did you ever eat tongue? but in the film one person did it! it was really awful... anyway i think film would so good without that awful human eater or cutter scenes...
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user\nI am not one of those people who just go online after I see a movie and decide to call it the worst movie ever made. If you doubt me, please look at my other reviews. However, for the first time ever, I have seen a movie so horrible that I wanted to write about how bad it was before it was even over.
I LOVE bad movies. To me, Ed Wood is a genius, I thought Bloody Murder, Jeepers Creepers and most horrible horror movies were good. However, there is not a single good thing I can say about this film.
The plot is basically non existent. If someone reading my review wastes their money to see it, they can discern for themselves what the plot might be, but I advise you that a nickel would be worth more than watching this movie.
The special effects are bad.
The acting is bad.
The two leads are attractive, but that's all there is.
I am not the type to spoil a movie for anyone, but I INVITE anyone to email me at foxbarking@yahoo.com to ask for my opinion on this movie before they waste a dime on it. I will tell you anything.
I love bad movies, and I love horror and I love new inventive movies. I even love horror porn stuff like Hostel (Which some reviewers claimed this was like, but obviously they only thought so cause Roger Bart was in this and Hostel 2). But this may be the Number 1 most worthless and stupid and dumbass movie EVER made.
And before you disregard this review, this is coming from someone who not only sat through the ENTIRE premiere of House of the Dead, but actually bought a copy of it.
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user\nOK, so I just saw the movie, although it appeared last year... I thought that it was generally a decent movie, except for the storyline, which was stupid and horrible... First of all, we never get to know anything about the creatures, why they appeared, wtf are they doing in our world, and really, have they been on Earth before we were or did they just come from space? Secondly, the role of the butcher to maintain order is just so obviously created... Really, how large could the underground for a sub station could have been? There were only so many of those creatures, so I think instead of killing innocent people in vain, they could have just planted some tactical bombs, or maybe clear the are and a Nuke would have done the job. I know it sounds funny and it is, but I do not see the killing of people as being NECESSARY... Thirdly, Leon acts like Superman jumping on the train and fighting Vinnie Jones, who was way taller and bigger in stature. Then again, when he faces the conductor he does nothing and acts as a wimp, watching all the abominations. I mean OK, the conductor had creepy help(lol), but if Leon was so brave he would have gone all the way... I mean he risks his life first, then does nothing exactly when he should have. He could have died as a hero but lives as a coward... this might be the case, but not after showing so much braveness earlier on... Then, the cop thing... come on! This was a city having a subway, I bet there must have been other cops except that lady, other police stations,this was really kind of silly... All in all, great acting by Vinnie Jones, interesting idea up to the reason behind it which is not really built at all... By the way, what did the signs on the chest mean? Vinnie Jones cannot make up for the rest...
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user\nI heard and read many praising things about \"Midnight Meat Train\", which is based on a short story written by no less than Clive Barker and supposedly the best adaptation of his work since the original \"Hellraiser\" that he directed himself, but so far I can only express very mixed sentiments about my viewing experience. The most appropriate term to summarize the whole film in just word is: nauseating! The violence is sadistic and extreme, which undoubtedly attracts fanatic young horror enthusiasts, but it's also indescribably gratuitous and exploitative. Normally speaking, I'm very pro-violence but it has to at least serve some kind of purpose. The butchering  literally  depicted in \"Midnight Meat Train\" is exclusively meant to shock and to repulse the viewers with weak nerve systems and easily upset stomachs, and even that isn't fully effective due to the use of digital computer effects. There are more shortcomings, some even bigger than the pointless gore, but perhaps I should focus on the good elements first. The basic concept is definitely promising and multiple sequences (like the chase in the freezer room, for example) are literally oozing with nail-biting suspense and macabre atmosphere. Unfortunately the pacing is very uneven and the elaboration of the potentially fantastic plot is made unnecessarily convoluted. Presumably the processing of a short story into a long feature film scenario is responsible for the pacing irregularities, but I honestly feel they could have done more with the denouement as well as with the character played by Vinnie Jones. The plot introduces Leon, an aspiring photographer in New York whose agent advises to search for the truly menacing face of the city through sinister pictures. Leon then becomes obsessed with stalking an introvert and suspiciously behaving butcher who always awaits the midnight train. Leon's right, as the butcher turns out to be a relentless serial killer who literally crushes his victims with a big hammer, but the killer's motivations and behavior suggest there's something far more substantial going on the rails at night. \"Midnight Meat Train\" takes place in naturally unsettling locations like subway stations at night and animal abattoirs, plus the film also benefices of good acting performances and a truckload of downright disturbing images (like cadavers on meat hooks and train carriages smeared in blood), but director Ryûhei Kitamura (\"Versus\", \"Godzilla Final Wars\") doesn't take full advantage of it all. The ending leaves a whole lot questions unanswered and, even if Clive Barker meant to have like this, I still think we deserved a slightly more clarifying finale. \"Midnight Meat Train\" is a somewhat intriguing and definitely haunting film, but not without defaults. It's not intended for easily offended viewers, but maybe people looking for plot coherence and clarity should leave it alone as well.
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user\nLoved the original story, had very high expectations for the film (especially since Barker was raving about it in interviews), finally saw it and what can I say? It was a total MESS! The directing is all over the place, the acting was atrocious, the flashy visuals and choreography were just flat, empty and completely unnecessary (whats up with the generic music video techniques like the fast-forward-slow mo nonsense? It was stylish yes but not needed in this film and cheapened the vibe into some dumb MTV Marilyn Manson/Smashing Pumpkins/Placebo music video). Whilst some of the kills are pretty cool and brutal, some are just ridiculously laughable (the first kill on the Japanese girl was hilarious and Ted Raimi's death was just stupidly funny). It just rushes all over the place with zero tension and suspense, totally moving away from the original story and then going back to it in the finale which by that point just feels tacked on to mess it up even more. No explanations were given whatsoever, I mean I knew what was happening only as i'd read the story but for people who hadn't it's even more confusing as at times even i didn't know where it was going and what it was trying to do- it was going on an insane tangent the whole time.
God, I really wanted to like this film as i'm a huge fan of Barker's work and loved the story as it has immense potential for a cracking movie, hell I even enjoyed some of Kitamura's movies as fun romps but this film just reeked of amateurism and silliness from start to finish- I didn't care about anyone or anything, the whole thing was rushed and severely cut down from the actual source, turning it into something else entirely. Granted it was gory and Vinnie Jones played a superb badass, but everything else was all over the place, more than disappointing. Gutted
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