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user\nLove the characters and the story line. Very funny with plenty of action. Thomas Ian Griffith and Tia Carrer give great performances. I enjoyed the dynamic and comical interaction of Griffith and Career. Donald Southerland plays a very likable, and surprisingly sympathetic, burnt out hit man. All three actors are among my favorites and having them in this movie made for a special treat. A nice addition to my extensive DVD collection. I highly recommend this movie. If you like... Mr. and Mrs. Smith, The Replacement Killers, L.A. Confidential, The Long Kiss Goodnight, The Abyss and, The Whole Nine Yards... you will love this movie.
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user\nThis is one of the best movies I have seen in a long time. All of you who regard this movie as absolute sh*t obviusly are not intelligent enough to grasp all of the subtle humor that this movie has to offer. It shows us that real life and \"ficticious\" action can produce a winning combination. Also, as a romantic comedy, it has one of the most clever ways for two people to find each other. Name me another movie where you can see all of that as well as Donald Sutherland singing a song like \"They're Going to Find Your Anus On A Mountain On Mars.\"
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user\nThe only thing serious about this movie is the humor. Well worth the rental price. I'll bet you watch it twice. It's obvious that Sutherland enjoyed his role.
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user\nThe plot: A crime lord is uniting 3 different mafias in an entreprise to buy an island, that would then serve as money-laundering facility for organized crime. To thwart that, the FBI tries to bust one of the mafia lords. The thing goes wrong, and by some unlikely plot twists and turns, we are presented with another \"cop buddies who don't like each other\" movie... one being a female FBI agent, and the other a male ex-DEA agent.
So far, so stupid. But the strength of this movie does not lie in its story - a poor joke, at best. It is funny. (At least the synchronized German version is). The action is good, too, with a memorable scene involving a shot gun and a rocket launcher. But the focus is squarely on the humour. Not intelligent satire, not quite slapstick, but somewhere in between, you get a lot of funny jokes.
However, this film is the opposite of political correctness. Legal drug abuse is featured prominently, without criticism, and even displaying it as cool. That's the bit of the movie that seriously annoyed me, and renders it unsuitable for kids, in my opinion.
All in all, for a nice evening watching come acceptable action with some funny jokes, this movie is perfect. Just remember: In this genre, it is common to leave your brain at the door when you enter the cinema / TV room. Then you'll have a good time. 8/10
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user\nThis film is one of the finest American B-movies of the 90s. If you're looking for a serious film, look elsewhere. However, if you're looking for some action, a lot of laughs, and a tongue in cheek variation on cops fighting gangsters, this is well worth watching. Everyone chews the scenery a bit, but that's really what the film is all about, and everyone is quite funny. Donald Sutherland and John Lithgow have great chemistry and need to do another film together.
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user\nI think Hollow Point is a funny film with some good moments I have never seen before in action movies. Well,both Tia Carrere and Thomas Ian Griffith aren't so good in acting, but Tia Carrere is nice and good looking girl, isn't it? But Donald Sutherland is superb in his role so-so mad gangster.
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user\nHollow Point, though clumsy in places, manages to be an extremely endearing and amusing action movie.
The primary entertainment value here is humor - everyone turns in clever performances that provide the film with a great deal of energy.
Oh, by the way, advocates of gun safety will be horrified by the conduct of the characters in this movie...
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user\nRe: Pro Jury
Although the lead actress is STRIKINGLY beautiful, the plot stands little chance of acceptance because too many distracting details face the audience during the unfolding of the story.
One may believe that middle-class teen-age school girls in the 1950's easily gave away their virginity without thought of marriage to 30-year-old's they barely know, but I doubt it.
\"EASILY GIVE AWAY VIRGINITY\"? WHAT A SHREWD REMARK ABOUT THIS FILM. TRULY.
One may believe that young high school teens are highly self-confident and self-assured as they interact with their elders in complex social situations, but my experience has been, more often than not, teenagers feel very awkward and act clumsy as they experiment in the adult world.
YOU JUST AREN'T AT ALL ABLE TO SEE THE WORLD OTHER THAN THROUGH YOUR OWN EYES? THAT'S SAD.
One may believe that a experienced medical doctor would not know the pungent oder of Stroptomycin -- the smelly fermenting byproduct of busy earth microbes -- and not detect that some lifeless bland powder is fake, but I think not.
AND ANOTHER \"EXPERT\" OPINION DRAWN FROM EXPERIENCE. DANDY.
One may believe that 30-something-year-old troublemakers can enter into, and hang around inside, a public school rec hall during a school social and make trouble, but I think that school socials are traditionally a protected environment and parents, chaparones and school staff would be around to prevent this.
NOW BE A GOOD SPORT AND TELL US AT WHICH INSTITUTION YOU GREW UP.
One final nit, throughout Hey Babu Riba the five teenage friends referred to themselves as the foursome. There is probably an explanation why the FIVE were the FOURsome, but because it was never detailed, each reference distracts from each scene.
OF COURSE THERE'S PROBABLY AN EXPLANATION. GOOD JOB FIGURING THAT OUT! NOW I'LL BE GENEROUS AND WILL HELP YOU OUT OF YOUR MISERY: ALTHOUGH IT WAS TRANSLATED AS A GENERAL \"FOURSOME\", THE WORD \"čETVORKA\" HAS ANOTHER MEANING: IT'S A SPORTS TERM USED TO DESIGNATE A 4M OR 4W SETUP - A ROWING CREW CONSISTING OF 5 PERSONS: 4 ROWERS AND A COXSWAIN.
This movie did not ring true for me.
WE SHOULD ALL HEED TO YOUR COMPETENT AND PRAISEWORTHY OPINION. DUDE.
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user\nThis is a masterpiece footage in B/W 35mm film. The film makes you see a strange way to begin the day at 7:35 am in a bar and how much things can happen there in 8 minutes.
The short amazingly, gets you in a complex story using very little elements, and step to step makes you realize that something isn't totally right. It expresses a lot, makes your adrenalin go high with subtle details, and is incredibly understandable by anyone, not just the cinema critics experts.
But I know how it sounds : European short, black and white and low budgeted. Don't let that scare you. Is really worth to see by anyone, not just experts in the genre.
Isn't really much more to tell, since the film just lasts 8 minutes (exactly), and I don't want to spoil it. But I just watched it online and I couldn't understand why no one spent a few minutes to post a comment about it.
Really worth watching it. 10/10.
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user\nMore directors like Nacho Vigalondo need a greater outlet for their talents. 7:35 De la mañana is absolute genius. What Nacho is able to convey in 8 minutes takes some Hollywood directors hours of film to achieve. I watched this smiling, but feeling a little dirty and not in the sexual way. You sit and wonder how you should feel after watching this 8 min. nugget. I was entertained, but was disturbed at the same time. Not many people can do that in just 8 minutes. It starts off simple enough. A young women comes in for breakfast at her usual place. She sits down and someone starts singing. From there, the film takes you through so many different emotions all at once it is hard to describe. It is in black & white, but this helps with the feeling the film gives you.This film makes you want to know more about the characters, how they interacted previously and how the ending impacted their lives afterward. I guess it like the old saying,\"Leave them wanting more\", Nacho Vigalondo is able to do that. Watch this when you can. Show it to your friends and wonder how 8 minutes can be so much fun without taking off your clothes.
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user\nI was so glad I came across this short film. I'm always so disappointed that short films are hard to come across, so when I saw this and saw that it was nominated for the Live Action Short Film at the Academy Awards, I was so pleased that I actually had a film that I was rooting for.
The plot is pretty simple, the director, writer, and star Nacho Vigalondo tried coming up with a reason people would suddenly break out into a song and dance number like they do in movie musicals. The result is extremely entertaining and the song is actually really catchy.
It's a well made short film, well edited and the actors all do a great job. And the last shot of the film is perfect.
I highly recommend this film.
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user\nWith a minimal budget, a running time of eight minutes and a great amount of imagination, Nacho Vigalondo has achieved one of the most moving shorts I've ever seen. The subtlety of the screenplay is really remarkable, since it doesn't give the ending away until the very last moment.
Don't let anybody tell you what the short is about, since you'll be able to enjoy it a lot more. Nacho Vigalondo is the discovery of the year for his one-man show: directing, writing and acting in this formidable short is the most remarkable effort I've seen in years. Also pay attention to the performance of Marta Belenguer, her reaction shots are incredible.
Overall rating: 8/10
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user\nIf you're amused by straight-faced goings-on that are logical within a given illogical situation, you'll enjoy this whimsical 8-minute Spanish film.
A woman enters a small café. The scene looks ordinary, but the counterman, customers, and two musicians seem somehow oddly subdued.
Suddenly, the musicians play and one man begins to sing the title song , dancing across table tops with musical-comedy gestures. The customers, at first immobile, at intervals chime in (badly but gamely) with phrases from the song, read from slips of paper in their palms. On and off they jump up and dance (awkwardly but earnestly) in choreographed motions, like backup singers.
But why??? the woman wonders. The answer is revealed as the soloist's jacket opens and she sees what's strapped across his chest -- just before the explosive climax...
Even if you don't catch the song's (probably ironical) lyrics, the situation-perfect performances should give you a grin and a chuckle... I'd love to see it again!
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user\nThis 2004 Oscar nominee is a very short b/w film in Spanish. A young woman goes into a café, gets a coffee, and notices a couple of musicians standing silently with their instruments. All the patrons are motionless, like mannequins. One guy, however, is quite jolly and breaks into a song about what goes on at 7:35 in the morning. There is one surprising moment after another until the end which is quite, well, surprising. The people, the place, everything looks quite ordinary. And like the musical piece \"Bolero\", the thing keeps building until the climax. With its structure, theme,movement and wit,it is an 8 minute masterpiece.
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user\nA woman, Mujar (Marta Belengur) enters a restaurant one morning at &:35 unaware that a terrorist has kidnapped the people in said restaurant & is making them act out a musical number in this strange yet fascinating short film, which I only saw by finding it on the DVD of the director/writer's equally fascinating \"Timecrimes\". It had a fairly catchy song & it somehow brought a smile to my face despite the somber overall plot to the short. I'm glad that I stumbled across it (wasn't aware it would be an extra when I rented the DVD) and wouldn't hesitate at all to recommend it to all of my friends.
My Grade: A-
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user\nGood film. Tells a boyish fantasy story, telling us how trapped we are in social situations and what kind of extreme measures one has to take to behave differently. Or at least the feeling: that you have to break every rule if you are to break one. If you wanted to express love for someone you don't know, how would you do it without creating a pressing social situation? Also it's about the fascism of deciding over others cultural life, of what kind of culture that is jammed down our throats. What gives Disney or FOX or the suicide bomber the right to decide what is our choice. Are one not allowed to drink the morning coffee by one self. Do we have to listen to the NRJ shouting, see the stupid tabloid headlines and the street commercials before we even have had our morning coffee?
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user\nSplendid film that in just eight minutes displays an unusual genre mix: mystery, thriller, musical. Briefly, we are allowed to tell about the story: a girl comes into a European Cafeteria and then... Soft transit from nonsense mystery to narrative logic. In a no time, no place way Vigalondo managed a delight in B/W by means of imagination and despite (thanks to) the tightest of budgets.
Because of the unity of time-space the film reaches the intensity of a short poem (almost a haiku). Spain, land of quick poetry in B/W (¿remember the early Buñuel?).
A must see for reassuring our belief in young cinema outside the States.
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user\nThe question is, can a movie this entertaining really be considered a \"bad\" movie? My husband and I picked this up at a used video store for 99 cents simply because of the title and the fact that the box had the words \"Vestron Pictures\" on it (Vestron has been highly regarded as a mark of quality ever since I first acquired the legendary films \"Suburbia\" and \"Class of 1984\"). We were not expecting a movie as full of win as this one was. Your basic plot as is follows: Grange, this goombaesque thug from planet Earth, robs \"the bank of the Moon\" and is sentenced to a penal colony on a remote planet (I don't even remember the planet's name) to mine for bauxite and other minerals. The \"governor\" of said colony and the owner of the mine are exploiting the prisoners for labor. Walker, a bounty hunter (apparently one of only three on the whole planet) reminds the prisoners that there is no escape, because there's only one shuttle out of the whole planet and they'd have him to deal with. Then there's the nameless \"Colonel\", a retired bounty hunter who suffers from a haunting reoccurring nightmare. Much of the movie centers around \"futuristic\" car chases (dunebuggies with plywood slapped to the sides) with explosions galore. The planet itself looks suspiciously like Hemet, CA or one of those other dusty Inland Empire outposts. But what makes the movie truly shine is a surprisingly awesome soundtrack featuring several LA punk bands of the mid-80s. I seriously doubt that this soundtrack was ever pressed to vinyl, but it's definitely worth buying the movie just for the soundtrack. I can't even remember the names of the bands (they're listed in the credits) other than Exploding White Mice, because that was the only one I'd heard of before I saw this movie, but I'm definitely looking into them.
Basically, the movie is definitely not a waste of your time and would be best enjoyed with a 12 pack of beer and a few of your closest friends.
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user\nI watched the movie while recovering from major surgery. While I knew it was only a \"B\" film, a space western, I loved it. It may have lacked the flash of high dollar productions it non-the-less held my imagination and provided great escapism. Sadly our society has so much available, discounting small attempts is too easy. In the same way that I can enjoy a even a grade school performance of Shakespeare, I can appreciate many levels of achievement for the art sake. I am a cop and found affinity with the retired LAPD. Dreams like his haunt me that I will be unable in the moment of crisis be able to respond to save another's life (or my own). while it was a romantic ending where Farnsworth did take out the bad guy (predictable) I needed a little happy romance where good can triumph. My world is really too cynical.
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user\nThis movie is really not all that bad. But then again, this movie genre is right down my alley. Sure, the sets are cheap, but they really did decent with what they had.
If you like cheap, futuristic, post-apocalyptic B movies, then you'll love this one!! I sure did!

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user\nGiven the nature and origin of the 11 filmakers it is not surprising that this film is at best neutral in its stance towards America. Probably the most 'anti' segment comes from Ken Loach who is definitely not towing the British New Labour party line. Although those events of a year ago are shocking and painful to most Americans and most spectators who saw them unfold live through CNN etc. the majority of the writers and directors choose to show that tragedy is not an American monopoly. Should anybody be surprised that these 3000 deaths are given the same weight elsewhere as the West gives to thousands Tutsi, Tamil, Bosnian, Chilean, Kurdish (need we go on) victims. If this was a 'wake-up' call for the States then it is equally tragic that in the subsequent 12 months the Israel/Palestine impasse is further from a solution while George Bush Jnr. would rather wreak revenge than make the world a safer place. I think many of the contributors wonder where the idealism of the Founding Fathers went, and why America orignally built as a bastion of freedom, justice and tolerance now sees its self-interest paramount while the Third World wonders where the next drink, meal or bullet is coming from.
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user\nThis collection of eleven short stories in one movie is a great idea, and presents some great segments, but also some disappointing surprises. Based on the tragic event of the September 11th 2001 in the United States of America, eleven directors were invited to give their approach to the American tragedy. The result of most of them is not only an individual sympathy to the American people, but mainly to the intolerance in the world with different cultures and people.
Ken Loach (UK) presents the best segment, about the September 11th 1973 in Chile, when the democratic government of Salvador Alliende was destroyed by the dictator Augusto Pinochet with the support of the USA.
The other excellent segments are the one of Youssef Chahine (Egypt), showing the intolerance in the world, and the number of victims made by USA governments in different countries along the contemporary history; and the one of Mira Nair (India), showing a true story of injustice and prejudice against a Pakistanis family, whose son was wrongly accused of terrorism in USA, when he was indeed a hero.
Some segments are beautiful: Samira Makhmalbaf (Iran) shows the innocent Afghans refugee children preparing an inoffensive shelter against bombs, while their teacher tries to explain to them what happened on the other side of the world; the romantic Claude Lelouch (France) shows the life of a couple in New York nearby the WTC; Danis Tanovic (Bosnia-Herzegovina) shows the effects of their war in a small location and the lonely protest of widows; Sean Penn is very poetic, showing that life goes on; and Shohei Imamura's story is probably the most impressive, showing that there is no Holy War but sadness and disgrace.
The segment of Idrissa Quedraogo (Birkina Faso) is very naive, but pictures the terrible poor conditions of this African nation.
The segment of Amos Gital (Israel) is very boring and manipulative, showing more violence and terrorism.
The segment of Alejandro González Iñárritu is very disappointing, horrible, without any inspiration and certainly the worst one.
My vote is seven.
Title (Brazil): \"11 de Setembro\" (\"September 11\")
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user\nAs you may know, the subject here was to ask eleven directors from all over the world to make each a short movie of 11 minutes, 9 seconds and one frame. We have here : - Samira Makhmalbaf (Iran) : what afghan refugee kids can understand to the towers collapsing ? Well, nothing. A great lesson. - Claude Lelouch (France) : a weak plot with a great cinematography... Just imagine a deaf woman living by the WTC who sees without understanding it that her dog barks... Well just see it. - Youssef Chahine (Egypt) : the greatest oriental movie maker has compassion... For everyone : for an us soldier who died ten years ago, for the people in the Wtc but also for a palestinian suicide-terrorist. Maybe the less tender movie towards the us. - Danis Tanovic (bosnia hrzgovia) : good images, makes us travel, for sure... Not a very good plot. Idrissa Oudraogo (Burkina Faso) : from one of the poorest country in the world, a tender and funny story about five boys who want to capture Osama Bin Laden... And they could have done it but nobody believes them when they tell they know where he is. Ken Loach (uk) : September 11, 1973, The Chile entered in a twenty-years long bloody dictature. Thousands of death, tortures : all that was offered to Chile by Henry Kissinger and the CIA, and knowing this changes very much your point of view ! I guess that is because of that particular short that no american movie distribution company accepted to release the movie in us theaters ! Loach forgot to point that 1973 is also the year when the WTC was built ! - Alejandro Gonzalez inarritu (Mexico) : impressing images that we all know too well, and a lot of black screens. I didn't get this one very much, it is more an artist video (to show in an exhibition) than a movie. - Amos Gitaï (Israël) : an absurd ballet of policemen, journalists, etc., around a burning car in Jerusalem. Very well done. - Mira Nair (India) : about the anti-islamic feeling that followed september the 11th. Very good actualy. - Sean Penn (us) : a funny little story that reminds us a fact usualy forgotten, the WTC did have a huge shadow, and some places now have a daylight they never had. - Shohei Imamura (Japan) : a different one. Here there is not even one word about the WTC, and the action takes place at the end of WWII. It has only one message : no war is holy. This short movie gives very deep feelings, but the director aparently would have done better with more than 11 minutes. --- so --- A great movie, a great attempt to take the world's temperature. I love it.
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user\nThough the pieces are uneven this collection of 11 short films is truly a moving and human experience. There were some who, in the wake of the emotion on the anniversary of the bombings, took this to be anti-American. I don't think thats the case, even though some parts might be taken that way if you don't look behind the obvious. Ultimately the film is nothing except an attempt by people to express their confusion, sympathy and feelings about what happened. These are stories of people who's worlds have been shaken up by what happened on a Tuesday in September.
As I said this film will move you, probably to tears. Its not always easy to watch, for example the film from Mexico is little more than a black screen with sound, but its effect is such as to lay even the strongest of people low. If you can be strong you really should see this film. It will comfort you and enlighten you and affect you...
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user\nI saw this series when it world premiered at the Toronto Film Festival. I liked the idea behind the film, where two men got together and told a director from each country to direct a movie about 911. These directors never met before until the project was complete, and they saw how it looked all together. WARNING: SPOILERS AHEAD!!!!!!!!!!!!!!!!!!!!!! All the pieces were very powerful, and some were controversial. If you are an American, then you may not like this as some of the pieces may be found anti-american. However, i know a few Americans who enjoyed these series. The piece that i found the best was the one from India. It was about how a muslim family, living in the States, had 2 sons, and one of them was missing. The Americans gave them the cold shoulder and automatically assumed that he was linked with the terrorist bombing. It captures the mom's despair and humiliation of these accusations so well, that it brought tears to my eyes. In the end we see that her son had died while trying to save the many victims from the crash of the towers. This was a true story, and that was what made it so real. There were a lot of emotional and powerful pieces, and the African piece was one of the best. It was humourous yet just as powerful as the others. A must see for everyone, and hopefully America will unban this, and let it play in their country.
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user\nEleven different Film Makers from different parts of the world are assembled in this film to present their views and ideas about the WTC attack. This is one of the best effort you will see in any Film. Films like this are rarely made and appreciated. This film tries to touch every possible core of WTC. Here are some of the most important stories from the film that makes this film so unique.
There is the story from Samira Makhmalbaf (Iran) where somewhere in Iran people are preparing for the attacks from America. There a teacher is trying to educate her students by informing them about Innocent People being killed in WTC massacre. Then comes a story from Youssef Chahine (Egypt) where a Film Maker comes across face-to-face conversation with a Dead Soldier in the WTC attack and a Dead Hard Core Terrorist who was involved in WTC attack. Then we see a story from Idrissa Ouedraogo (Burkina Faso) where a group of Five Innocent children's sees Osama Bin Laden and plans to kidnap him and win the reward money from America. Then we see the story from Alejandro Gozalez Inarritu (Mexico) where you see a Black Screen and slowly you see the real footage of WTC buildings coming down. And the people who are stuck in the building are jumping out of it to save their lives. The other most important story is from Mira Nair (India) where a mother is struggling to get respect for her Dead Son whose name is falsely trapped in WTC massacre! After September 11 attack, Our heart beat automatically starts pumping if we hear two names anywhere in the world.. First is World Trade Centre and the second is Osama! This film totally changes our perception and makes a strong point by claiming something more to it.
I will definitely recommend this movie to everyone who loves to have such kinds of Home DVD Collection. Definitely worth every penny you spend. But please don't expect anything more apart from Films in this DVD. There is of course Filmographies of the Film Makers but No Extra Features.
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user\nI first saw this film when it aired on the now defunct Trio Channel a few years ago, and recently watched it again--sans commercials--on Sundance. I was impressed the first time, and found it even more engaging on second viewing. Yes, some of the segments are far from perfect--Amos Gitai's hysterical commentary stands out like a sore thumb--but taken collectively, 11 09 01 is a total success. Best of show: Shohei Imamura's amazing final segment, which contemporary critics such as the thick-witted Mick LaSalle somehow misinterpreted as an attack on 'the terrorists', but now stands revealed as a masterful anti-war polemic; Samira Makhmalbaf's opening piece that manages to blend deep empathy for the victims of 9/11 with a prescient concern for the children of Afghanistan; and Idrissa Ouedraogo's amusing children's crusade for Osama Bin Laden--a hunt almost as serious and successful an undertaking as the one for the REAL Osama. Youssef Chahine's segment is a noble if failed experiment which at least has the guts to remind the audience that Bin Laden and al'Qaeda are basically creations of American foreign policy and the CIA, and though Sean Penn's character study seems out of place, it's still an effectively bittersweet piece of film-making. All in all, essential viewing, and a darn sight better than Oliver Stone's reactionary World Trade Center.
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user\nThis document truly opened my eyes to what people outside of the United States thought about the September 11th attacks. This film was expertly put together and presents this disaster as more than an attack on U.S. soil. The aftermath of this disaster is previewed from many different countries and perspectives. I believe that this film should be more widely distributed for this point. It also helps in the the healing process to finally see something other than news reports on the terrorist attacks. And some of the pieces are actually funny, but not abusively so. This film came highly recommended to me, and I pass on the same feeling.
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user\nFirst of all I've got to give it to the people that got this thing together. 9/11 is such a sensitive issue that making a movie that dares to be controversial about it takes a great deal of guts. It's a shame, although not surprising, that the movie was banned in the US.
That being said I think that the movie is superb with a couple of weak moments. The movie starts up with the Iranian segment which turns out to be somewhat reminiscent of Majid Majidi's work (the absolutely beautiful \"heaven's children\" and \"the color of paradise\"). Much like those 2 films the clip shows what happened through the innocent eyes of a class of Afgan refugees in Iran. Absolutely beautiful clip. Same goes for Sean Penn's clip which is superb as well. But just as some of the clips are beutiful others are absolutely brutal. Alejandro Gonzáles Iñárritu does the mexican clip and just like his gut-wrenching \"Amores perros\" he does it as brutal as he can. Most of the clip is a black screen with several sounds playing in the background. Those sounds are of the reporters and their shock as the second plane crashes, those who called home from the burning towers and left messages for their families, those who were angry....and he combines this with flashes of people jumping from the towers. A very hard clip to watch and one that you won't forget.
Some clips could turn out to be very hard to watch for Americans as some of the clips could be interpreted as \"you're not the only ones that are suffering\". In particular the Egyptian and British clips that not only say that but turn the tables and say how much suffering the US has caused to other people.
I will also make a special mention to the clips from Bosnia-Herzegovina, France, India and Japan (although this last one may seem terribly out of place it actually isn't).
However, not all the clips are great and I make a special mention on the clip from Israel which, in my opinion, is extremely weak. While the idea was good (a reporter is at the scene of a terrorist attack in Tel Aviv but his story gets bumped because of what happened in New York is something that a lot of us who live in countries at war can relate to) the realization is terrible. The clip ends up as just some entertainment reporter trying to get some air-time at all costs, a guy saying he's a witness and hoping that he can go on TV, and soldiers and paramedics shouting just \"because\". The clip fails to capture any of the drama of such a situation.
If you happen to have the chance to see it then you should, that is, unless you're a conservative in which case you'd better stay out as you might get offended. But if you're not then you might learn how many of us outside the US lived through 9/11.
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user\nThis is a collection of documentaries that last 11 minutes 9 seconds and 1 frame from artists all over the world. The documentaries are varied and deal with all sorts of concepts, the only thing being shared is 9/11 as a theme (very minor in some cases). Some of the segements are weak while others are very strong; some are political, some are not; some are solely about 9/11, some simply use 9/11 as a theme to touch on human feelings, emotions and tragedies that are universal; some are mainstream while others are abstract and artistic). This film has not been censored in any fashion by anyone so the thoughts that you see are very raw and powerful.
This is a very controversial film, especially for conservative Americans. I think two segments might really tick off the right wingers (one from Egypt where a dead American soldier and a dead Palestinian bomber come back as spirits; another from UK which recounts the US-backed overthrow of Chile on Sept 11, 1973, which resulted in 50,000 deaths and horrible atrocities). The segment from Mexico was the most powerful, recounting the fall of the towers and the resulting death in vivid fashion (you have to see it to believe it).
Even though the final product is uneven, with some segments being almost \"pointless\", I still recommend this. It's very difficult to rank this film because the segments vary all over the place (some weak, some very powerful; ). I'm giving this a rating of 9 out of 10 simply because some segments were excellent and covered issues that usually get censored (Mexico segment, UK segment, Japan segment, Egypt segment).
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user\ni chose to see the this film on the day it opened nationally in france, as a personal way for myself to reflect on what had happened a year previous; the collection works as intended: it provokes a whirlwind of thoughts and emotions, working as an intellectual hommage, never stooping to cheap sentimentality nor knee-jerk reactionism.
there have been many allegations made that the film is anti-american: while i cannot speak for everyone in this regard, i am one american who found such statements to be completely untrue. people make much noise about the egyptian segment, by Chahine, because it voices perspectives of palestinian suicide bombers asserting that civilians in a democracy are \"fair targets\" for they elect the governments the bombers are seeking to attack, but this ignores much else in the piece: several perspectives are discussed, no one being held up as the truth, and critics--if they even saw the piece--seem to forget the fondness and warm dialogue that takes place between the director and the ghost of the american dialogue, and the director's intense sadness upon hearing of the tragedy.
pretty much all of the films are beautiful, thoughtful & inspiring, in particular the brilliant work by Mahkmalbaf, Tanovic, Loach & Inarritu. Nair, good as usual, effectively tells a true story of an injustice committed against a muslim family in the wake of anti-islam hysteria that swept--and still sweeps--the states. i did find Gitai's piece a bit vulgarly loud and simple in it's critic of media hysteria in the face of terrorism, and Penn's piece was too impressionistic and elliptical for my tastes, though i had expected to like it. Borgnine is very good and brave in it. SPOILER WARNING: one reviewer below incorrectly read the falling of the towers as being a happy moment for the character; my read is rather that the falling of the towers is what, because light floods his room, keys him into the loss in his life that he refused to recognize. again this is a sort of impressionistic piece, for we know that if the towers were really blocking the light to this man's flat, then there would have been nothing but smoke and ash, not light, flooding through his window.
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user\nA patchwork about 911. The 11 stories from 11 directors from 11 countries are sometimes humoristic, sometimes boring (the first one, for example), sometimes used to say to Americans \"we have had more deaths than you, and you supported the murderers\", sometimes really weird (but highly symbolic and interesting). I really loved the Claude Lelouch (personal live of a couple in New-York, showing that our day-to-day \"problems\" are unimportant), Shoei Imamura (bizarre, strongly anti-wars in general), and Idrissa Ouedraogo (funny, typical African optimism despite terrible day to day misery), and Youssef Chahine (an Egyptian intellectual, pro-peace, having moral difficulties to accept the U.S. policy towards Arab countries) I am really pleased to see that many Americans liked this movie. It shows that we (or they ? I am still Belgian, but living in Texas for 12 years) are still interested by other cultures, and able to question past and present actions of our government, like we should in a democracy.
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user\nTen out of the 11 short films in this movie are masterpieces (I found only the Egyptian one disappointing). Stragely, all but the Mexican director chose to portray the problems of individuals or groups in connection with 9-11: the Afghan refugees, deaf people, Palestinians, the widows of Srebrenica, AIDS and poverty and corruption in Africa, Pinochets coup and ensuing bloodbath, suicide bombings in Israel, paranoia-hit and state-persecuted Muslim Americans in the USA, old people living alone, and the aftermath of WWII in the hearts of Asian soldiers. This might say something sad about the limits of empathy, in both ways: the directors might feel that Americans ignore the pains of the rest of the world and only care about their own tragedies, while they effectively do the same with their short films.
Surprising myself, I found Sean Penn's piece one of the very best in the collection, and ***SPOILER AHEAD*** I also guess his portrayal of Ernest Borgnine as a half-crazy old man vegetating in a New York flat experiencing his widow life's happiest moment when the Sun shines through his window after the WTC \"collapsed out of light's way\", I guess this might also be one of the most offending as the general American audience would see it.
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user\nI just recently watched this on the Sundance channel. The idea for the film was to bring many filmmakers, illustrious in their own country, to make short films, eleven of them, all in one film, concentrating on just one subject: September 11.
From wacthing this movie I could tell why these filmmakers were great in their country because it had all elements of a great film.
The movie starts off with a film from Iran in which a teacher struggles to teach the students about what had happened with September 11 which they fail to realize until later.
The Second Film from France involves a deaf women who writes a letter to her lover angrily while she is unaware of what is going as the T.V plays.
The next film from Egypt involves the filmmaker himself talking with a dead soldier about recent events not only about terrorists of 9/11 but bombings in other places.
The next comes from Bolivia in which a girl learns about the events of September 11 and believes they must march for them.
The next from a country in Africa in which a group of boys follow a man whom they believe to be Bin Ladin.
The next comes from Mexico in which nothing is shown but the sounds of that day.
The next from Israel involving a reporter at the scene of a bomb trying to get a report but is frequently told about the attacks.
There are other films that I can't remember at the moment but all of them are powerful. It will bring back your emotions from that day.
10/10
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user\nThis is a very interesting project which could have been quite brilliant. Gathering 11 prominent international directors and allotting each of them 11 minutes, 9 seconds and 1 frame to create a segment of their choice; each short exploring the global reverberations of 9/11. Without using any spoilers, I would say that Ken Loach's piece is the jewel in the crown, and Mira Nair's short (segment \"India\"), based on a true story, deserves to be made into a full feature film. One also realizes, while watching his short, why Alejandro González Iñárritu is one of the best directors in the world today  he simply is a master of the medium, who has also a profound understanding of the subject matter. Unfortunately, not all 11 parts are made as well. Youssef Chahine, in his segment \"Egypt\", assumes the Arab stance of the self-inflicted collective guilt, which piece could have potentially been the most interesting one. He fails miserably. Chahine's short is poorly written and badly executed, at least enough to stand out amongst other, superior chapters of the film. Despite the imbalance in quality, I would still give the film 7/10 for concept, if not for execution.
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user\nThis is the greatest film I saw in 2002, whereas I'm used to mainstream movies. It is rich and makes a beautiful artistic act from these 11 short films. From the technical info (the chosen directors), I feared it would have an anti-American basis, but ... it's a kind of (11 times) personal tribute.
The weakest point comes from Y. Chahine : he does not manage to \"swallow his pride\" and considers this event as a well-merited punishment ... It is really the weakest part of the movie, but this testifies of a real freedom of speech for the whole piece. The weirdest comes from the Mexican nearly conceptual-art film ... I am still not sure what A. Gonzalez Inarritu meant. The 9 others are perfect (K. Loach, S. Penn, S. Makhmalbaf, ...) or nearly perfect (C. Lelouch) and made me either smile, or cry or even left me stunned. I still don't know if S. Imamura's fable is really related or not to the September 11th catastrophe, but it is so pretty that its finale place deeply 'makes it'.
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user\nFirst of all, I don't understand why some people find this movie so anti-american. Sure, there are moments when the U.S. are accused directly, like at the segments of Youssef Chahine, Ken Loach and, to a certain extent, Mira Nair. But come on, they aren't naive accusations; instead, they are based on real and documented facts, and all the documents that the CIA released about Chile confirms this, for example.
But returning to the film itself, what I enjoyed most on it is the variety of moods we find in it. We find children being educated for the respect of the all the people who died in the event; we find a unhappy couple that will be changed by the tragedy of that day; we find common people that have their feelings downgraded on the shadow of the events of September 11 and react differently to this, with dignity or frustration; we even find someone in the movie for who the fall of the towers grounds for a moment of real happiness.
All these visions and others - as powerful as these or even more - make a consistent blend and help the spectator to have a glimpse about how different people spread across the world reacted to the events of September 11th. Thus, what we see is a panorama that is much more complex than whites and blacks, and this may make some people infuriated; but this is the world where we live, and in it there is no place for manicheistic ideologies, regardless of what presidents or priests may say us.
Finally, I think it's a shame that there isn't even a release date for this movie in the United States of America. It's a shame because most of the american people is asking why this catastrophe happened, and this movie could give some clues to them. This film puts very clearly - differently of what some people of this forum think - that everything we do today will determine our future, and that the errors of the past will affect how we live today.
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user\nthe movie is great, like every other international project that includes strong impressions. three of them (israel, bosnia and egypt) should've been cut out. especially bosnian clip, which is pathetic beyond all reason, and doesn't contain a single original thought or element on it's own. everything else is really great, unrecognizable for most of americans, known for the rest of the world. unfortunately, clips speak about misery of the people all over the world. and, as i see it, there are so many of those who won't give a damn about it...
top 5: 1. loach 2. penn 3. inarritu 4. lalouche 5. imamura
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