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user\nI remember watching \"Gung Ho\" as a child with my mother, and wondered why she would always cry in the last few minutes. I, of course, found the entire movie hilarious, particularly the mannerisms of the characters. It wasn't until I was much older and watched it again that I realized how much deeper this show actually is.
Michael Keaton and Gedde Watanabe shine in their roles as the reluctant mediators. Keaton ceases to amaze me with his real-life style of line delivery, and Watanabe adds humor and pathos to the mix. I also thought that Patti Yasutake (Umeki) was simply fabulous in her role as the comic relief.
I think this movie is one of the most underrated films of the 80s. We can all learn a lesson from the merging of the American and Japanese workers in this film...sometimes you really *can* have \"the best of both worlds.\" And now I understand why my mother felt the way she did in those closing moments. I'd rather have one of those cars, too.
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user\nI really enjoyed this movie. Typically Ron Howard who seems to like being associated with Michael Keaton. Love the scene when Hunt travels to Japan with his sales pitch. Whoa, how did that get in there ! Cheap laughs but great value
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user\nGung Ho tries to express many ideas and entertain us with a wiseguy comedy at the same time. The result is uneven, but generally entertaining. Keaton balances all three aspects of his lead character quite well. Wantabedde is even better. One warning: George Wendt is very poor in his supporting role. Otherwise, this is quite enjoyable time capsule.
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user\nThis is hardly a movie at all, but rather a real vaudeville show, filmed for the most part \"in proscenium\", and starring some of the greatest stage stars of the day. \"Singing in the Bathtub\" is an absolutely amazing production number that must be seen-- be sure to wear your shower cap!
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user\nIt is difficult to evaluate this or any other comparable film of the early sound era in terms that one might use for ordinary film commentary. At times there is almost a desperation, as many film personalities of the silent era try their wings at sound, surely fearing that they will be left by the wayside (as did happen to some), Rin-Tin-Tin. however, was pertfectly natural. In such a vaudeville of unrelated sequences, some were sure to stand out John Barrymore's soliloquy from Richard II is a moment certainly worth preserving. By and large, only those with earlier stage training exuded confidence. However, this is over all reasonably entertaining, and a must for \"film buffs\" especially interested in the silent to sound transition
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user\nThis is a deliriously colossal vulgar silly all star extravaganza revue of all the early talkie stars that Warner Bros could afford. ...and like most other rarely seen films actually made during the late 20s, an unforgettable opportunity to see and hear the genuine roaring twenties' exuberance and youthfulness put to song and dance. THE SHOW OF SHOWS is pretty gigantic. Vaudeville act after soliloquy after tap dance after acrobat after comedian after fan-dance after ukulele lunacy after Rin Tin Tin who introduces 'an oriental number'...(!)... and on and on it lumbers, grinning and squeaking away in fabulous gramophone quality Vitaphone sound. It is far too long, but among it's delirious delights are the awesome \"Singin in the Bathtub\" number created on a scale of which The QE2 architects would be proud...Beatrice Lillie lounging by a grand piano with some happiness boys amusingly warbling a witty ditty, Nick Lucas, and the never-ending grand finale in two color color...which is all set to the song LADY LUCK. . So keen are the tubby chorus line and leaping teenagers to en-ter-tain us that they almost kick themselves repeatedly in their own faces with glee and effort. Row after row of \"Doll\" characters hop past and some even emerge from the floor. I kid you not, there are even girls strapped to the crystal chandeliers, mummified with shiny gauze and chained up with pearl ropes, unable to move (for days, I imagine, during production) whilst this katzenjammer of toy-box athleticism twitch and spasm below to the Ukulele orchestra. Of course I loved it and had to watch this color finale over and over and then invite friends and family to the screen for weeks on end just to horrify and terrify them each separately and to roll about on the lounge in shrieking in delight at each and every exclamation of their startled reactions. And so should you...and rejoice that there was an era when this was created simply to entertain and thrill. It is all so demented.
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user\nIt is very hard to rate this film. As entertainment value for 21st century viewers, it fails miserably. However, for the student of early sound films and history, it is a jewel. \"Show of Shows\" was a revue filmed to compete with MGM's successful \"Hollywood Revue of 1929\", which still survives intact complete with its Technicolor scenes.
The purpose of the all-star revue was to showcase a particular studio's silent stars in speaking roles, and show that they could make the transition. However, Warner Bros. seems to have forgotten this and employs many acts and stars that they didn't even have under long-term contract such as Ben Turpin, Lloyd Hamilton, Beatrice Lillie, and even a marching band. Meanwhile, their biggest talent - Al Jolson - is noticeably absent. Even at a high salary he could not be compelled to join in. Almost every act is overly long and the film plays like a dozen or so Vitaphone shorts strung together with no continuity. The finale is also overly long, but it is really enjoyable with all of its dance numbers.
The highlights of the film are two numbers from Winnie Lightner - \"Pingo Pongo\" and \"Singin in the Bathtub\", a couple of numbers with Nick Lucas, John Barrymore performing Shakespeare, and the Chinese Fantasy \"Li Po Li\" with Nick Lucas and Myrna Loy. This last number is the only part of the film that survives in Technicolor, and it really is quite attractive. Reasonably enough, the players in these good acts were long-term Warner Bros. stars so perhaps the director knew how to play to their strengths since he was familiar with them.
This film acts as a snapshot at an odd point in film history - the year 1929, which was the bridge year between two eras - the silent and sound eras, and the roaring 20's and the Great Depression. Just two years later this same film would have had an entirely different cast, as Warner Bros. would abandon its silent era stars and the stars they hired just to produce the early musicals in favor of those stars that gave Warner Bros. its distinctive urban look and feel - James Cagney, Joan Blondell, Edward G. Robinson, and others.
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user\nThanks to Warner Archive, I can once again see this mammoth variety show which throws in everything but the kitchen sink. (The bathtub, however is present.) This film gives screen time to every person who was under contract to Warners at the time. If some of the artists seem unfamiliar to some, it is because they were big in the silent days, and most faded with the popularity of the talkies. There are some truly remarkable artists from the vaudeville era as well. You will be most impressed with Winnie Lightner, who performs two numbers. Also there is that French star, Irene Bordoni who croons a love song in a sexy manner. Perhaps one of the biggest highlights is the two-strip Technicolor \"Chinese Fantasy,\" which has been restored for this version. It is truly beautiful and it stars Myrna Loy and Nick Lucas. Finally, there is the massive \"Lady Luck\" finale which goes on for nearly a quarter of an hour. This is truly an epic of the early-talkie era. Any old-movie buff will love this.
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user\nWatching this several times as a child was quite the experience 15 years ago, and now that I've found it again it still has a film experience like few others. If risky, it's a great display of morals and life lessons recommended for family viewing with young kids. While it still holds up as an adult, I was fortunate to have learned from it many times over years ago. Trying to find it today is hard enough . . . but believe me it is well worth it no matter what the age. Anime fans especially will find this a great entry to Masami Hata's filmography. With impressive art work and unique designs, \"Chirin No Suzu\" represents a worthwhile experience. While some of the lyrical songs are not so hot when recorded in English, the musical score is nevertheless captivating. But even the voice acting is far better than much released today. Unfortunately is went out of print in the mid-1980s from RCA Columbia Home Video, and has not received any new format release to my knowledge, at least in the US. Look hard for it and you will be quite satisfied! It's an artful, intense, enjoyable, and important landmark in Japanese animation.
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user\nI saw this movie as a child and it broke my heart! No other story had such a unfinished ending... I grew up on many great anime movies and this was one of my favourites, because it was so unusual - a story about unfairness, and cruelty, and loneliness, and life, and choices that can't be undone, and the need for others. Chirin is made alone when the Wolf kills his mother, but the Wolf is alone, too, when Chirin follows him into the mountain. The Wolf doesn't kill the lamb, even though each night he says \"maybe I'll eat you tomorrow.\" The tape of it I have is broken and degraded from age and use. I will repair it and watch the movie again someday and cry just as hard as I did as a child. Stories like this, with this depth and feeling, and this intricacy of meaning, are very rare. It is a sad story, but I've never encountered any catharsis more beautifully made. I am glad I have seen this movie, and I'm glad I saw it as a child.
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user\nin a not so conventional sense of the word.
This movie was one of my favorites as a young child, and I just recently remembered it, and thought to look it up. While many of the details are no longer clear in my mind, the overall feeling that the movie gave me has stuck with me over the years.
If parents feel that their children can handle mature and sometimes violent themes, then I highly recommend this movie. It taught me a lot about life and death, and brought forth in me a lot of emotion. To this day, it remains one of my favorite films.
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user\n*** Spoilers*
My dad had taped this movie for me when I was 3. By age 5, I had watched it over 400 times. I just watched it and watched it. And I still do today! It has a grim storyline, a lamb's mother is killed by a wolf--a very emotional scene--and wants to become a wolf, like him. After years of training, the lamb is made into a really REALLY evil looking thing. He and the wolf travel to his old barn, but he cannot kill the lambs, no matter how much he wishes to. He ends up killing the wolf, but is no longer seen as a lamb by his former friends, and can't return to his previous way of life.
The art is beautiful, the songs are..well, okay, and the voice acting is better than some things today.
All in all, you just *have* to see this movie, it is a great masterpiece. Although, it's very hard to find today.

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user\nThis is a fantasy movie for kids based on the Boggy Creek Legend although I don't know why they called it Return to Boggy Creek as if it's a sequel.This movie has nothing to do with the documentary and its fantasy kiddie fare. Dawn Wells stars as the mother of 3 children who get lost in the swamp around Boggy Creek with 2 other men and the monster comes to their aid. Yes it's very silly and the plot is corny but this kind of movie is perfect for the 8-12 y/o group which it targeted. It's harmless G-rated kiddie fare and at least you don't have to worry about leaving your kids alone while they watch it. Strictly for the 8-12 y/o set ,older kids will get bored and think it lame.
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user\ni saw this movie when i was 13 and i really liked dana plato who later starred in different strokes as kimberly drummond . i don't think it's garbage .it was not meant to be a sequel to the documentary either . its just a cute kids movie about 3 children who go after men trying to find the boggy creek monster . the men get hurt and the kids rescue them with the help of the creature .haunting shots of the arkansas swamp and scenery were neat . this is a good movie for kids ,no real violence a few mild scares but good fun for the young kids.
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user\nThis charmingly pleasant and tenderhearted sequel to the hugely successful \"The Legend of Boggy Creek\" is a follow-up in name only. Stories abound in a sleepy, self-contained fishing community of a supposedly vicious Bigfoot creature called \"Big Bay Ty\" that resides deep in the uninviting swamplands of Boggy Creek. Two bratty brothers and their older, more sensible tomboy sister (a sweetly feisty performance by cute, pigtailed future \"Different Strokes\" sitcom star Dana Plato) go venturing into the treacherous marsh to check out if the creature of local legend may be in fact a real live being. The trio get hopelessly lost in a fierce storm and the furry, bear-like, humongous, but very gentle and benevolent Sasquatch comes to the kids' rescue.
Tom Moore's casual, no-frills direction relates this simple story at a leisurely pace, astutely capturing the workaday minutiae of the rural town in compellingly exact detail, drawing the assorted country characters with great warmth and affection, and thankfully developing the sentiment in an organic, restrained, unforced manner that never degenerates into sticky-sappy mush. The adorable Dawn Wells (Mary Ann on \"Gilligan's Island\") gives an engagingly plucky portrayal of the kids' loving working class single mom while Jim Wilson and John Hofeus offer enjoyably irascible support as a couple of squabbling ol' hayseed curmudgeonly coots. Robert Bethard's capable, sunny cinematography displays the woodsy setting in all its sumptuously tranquil, achingly pure and fragile untouched by civilization splendor. Darrell Deck's score adeptly blends flesh-crawling synthesizer shudders and jubilant banjo-pluckin' country bluegrass into a tuneful sonic brew. In addition, this picture warrants special praise for the way it uncannily predicts the 90's kiddie feature Bigfoot vogue by a good 15-odd years in advance.
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user\ni totally disagree.i thought that this was a great movie for kids.dawn wells from gilligans island,and promise shown of a barely then known dana plato.it was disneylike and for that it can hardly be disregarded as meaningless fluff.no it wasn't scary and wasn't meant to be.i wont ruin the ending.but it was unusual the way that it was done.i mean the kids characters were great and i didn't know what to expect in the end.the basic plot also had a lot more to do with these kids than you say the fact that these kids were expert fishermen is very central to the plot especially initially.it also helps them out of a jam towards the end.it also has the plus of not being overly long.i think it clocks in at under 95 minutes
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user\nThis is one of my favorite Mr. Motos, and I have seen them all. As usual Lorre is his charming self as the debonair Mr. Moto. Lionel Atwill plays a delightfully zany museum curator, the usual comic relief is quite funny here, and there are lots of suspects on whom to cast an eye. It's fast paced and fun.
The archaeologist doesn't have quite the same flair as Thomas Beck, the usual second lead in these programmers, but he's adequate. Stepin Fetchit is on board, and while he speaks in a stereotypical manner his lines are funny, not demeaning to his intelligence, and he actually saves the day in his brief time on screen.
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user\nA team of archaeologists uncover a real treasure  the Crown of the Queen of Sheeba. From Egypt, the crown is to be transferred via steamship to San Francisco. But it won't be an easy journey. There are plenty of would-be thieves who would love to get their hands on the priceless jewels contained in the crown. Fortunately for all involved, Mr. Moto is on hand to guard the crown on its journey. However, that doesn't mean someone won't try to get their hands on the treasure.
After the disappointment of Mr. Moto's Gamble, I went into Mr. Moto Takes a Vacation hoping for the best, but, admittedly, fearing the worst. But within the first 10 seconds of the film, I knew I would find it more enjoyable. I'm a sucker for a 1930s style mystery that features anything to do with archaeological digs in Egypt. And seeing Moto disguised as a German archaeologist (Imagine that, Peter Lorre playing a German?), the beginning scenes really drew me in. While the movie may have quickly shifted to the less exotic San Francisco, it remained just as enjoyable. Dark, sinister characters lurking in the rainy night; gunshots fired from open windows that narrowly miss the hero's head; sophisticated and supposed foolproof alarm systems just begging for someone to test them; and master criminals believed to be dead  these are the kind of elements found in a lot of the really good 1930s mysteries that I love. And Mr. Moto Takes a Vacation's got 'em all. A couple other bonuses for me included the always enjoyable Lionel Atwill in a nice little role, comic relief from G.P. Huntley that's actually funny, and a return to form for Mr. Moto. I've already mentioned his disguise in the movie's opening scenes, well the athletic Moto comes out near the film's finale. Moto is a like a Whirling Dervish of activity as he goes after his prey. All this and I haven't even mentioned the wonderful performance turned in by Lorre. Any way you look at it, Mr. Moto Takes a Vacation is a winner.
As much as I hate that the Mr. Moto series had to end after this installment, it's understandable when you think about it. WWII was just around the corner. And after Pearl Harbor, a movie with a Japanese hero wouldn't have gone over very well. At least the Mr. Moto series ended on a very positive note.
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user\nI generally love these 1930 mystery/police Charlie Chan type of movies, and this is no exception. However, something seems bad with this movie. A late attempt to switch from cerebral Moto movies centered around the plot contrivances to a salad bar spoilt by comedy relief that is as relieving as sore feet. A typecast buffoon appears from nowhere impersonating a clumsy Englishman who plays the detective, and even other characters seem entangled into providing comedy relief. The plot may seem odd or a bare excuse to us today, but back then the possibility of epochal archaeological discoveries was not only real, but a commonplace occurrence.
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user\nA surprisingly interesting meditation on the nature of regret in terms of the way it relates to paranoia. There's a lot going on in this for having a run time of only 74 minutes, but it works. The scares are very subtle, not the jump-cut scares that seem to populate most recent Asian horror films. The way the \"scares\" are set up is similar to the disturbing moments in \"The Uninvited\" (aka 4 Inyong shiktak, directed by Su-Leon Lee), but this isn't nearly to the same caliber. The film does a nice job of balancing a classic ghost story with something more unusual and psychological. It's not perfect, but it does what it's supposed to do. I would recommend checking it out if you get a chance.
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user\nI liked this movie because it basically did more with less. It could have been made more interesting if they had kept it confined to the studio even more (though some of the plot elements would have been harder to develop).
The guy playing the DJ did a good job of showing someone spooked out and haunted by his memories. I also found his dialog with the callers pretty funny.
While parts of the movie you can see coming a mile away, other parts you do not expect to turn out the way they did.
I thought it was a pretty minimal ghost story for the most part, concentrating more on the living side of the equation. The last 5-10 minutes were pretty well done as everything is being revealed.
While it was a shorter movie, it felt to be just about the right amount of time to tell the story. Any more and it would have started to drag.
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user\nLike TALK RADIO, THE BOOTH is actually kinda predictable (TALK RADIO because we know the truth of what happened going in, THE BOOTH because of- let's face it- the genre and the basic set-up). That's not necessarily a bad thing, in this case. It means, in essence, that the filmmakers don't punk out in the end the way they might've in, say, an American version of this story. THE BOOTH moves inexorably toward its (foregone) conclusion, but is so beautifully crafted on every level that one can enjoy the ride the way one might a familiar cruise along a well-travelled stretch of (very scenic) road. It reminds me of Harlan Ellison's spooky short story, FLOP SWEAT. The claustrophobia is, at times, almost palpable. Worth a nice long look.
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user\nThe Booth puts a whole new twist on your typical J-horror movie. This movie puts you in the shoes of the protagonist of the story. The director wants you to see what the protagonist sees and thinks.
The story is about perception of the people who works, lives, and loves of our protagonist, and how he perceives the people who surrounds him in an antiquated radio station DJ booth. The story peels back the layers of the main character like an onion in flash-backs as the movie runs its course, and from it we learned that things are not always the way it seems. The movie mostly took place in a small, out-dated radio station's studio with a very bad history, where the main character was forced to broadcast his talk show due to the radio station was in the process of re-locating. It is from this confined space that this movie thrives and makes you feel very claustrophobic and very paranoid. At time our protagonist can not determined the strange happenings in the old studio were caused by ghost or some conspiracy by his co-workers or it was all in his mind. What I like about this film is that the film-makers makes you see through the eyes of the main character and makes you just as paranoid as protagonist did. This movie is a very smart, abide rather short 76 minutes film.
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user\nDear Readers,
With High Expectations, Human Beings leave Earth to begin a new life in Space Colonies. However, The Allied Forces of the United Earth Sphere Alliance gain great military control over the colonies and soon seize one colony after another in the name of Justice and Peace...
The year is After Colony 195. Operation Meteor. In a move to counter the Alliance's tyranny, Rebel Forces from several colonies send new arsenals to Earth disguised as Shooting Stars...
However...The Alliance forces catch on...
Gundam Wing is the most popular and most successful of the entire Gundam Series. With cutting-edge Anime animation, stunning action, amazing Mobile Suits, Breathtaking scripts, and some of the most unforgettable characters in Anime History.
I'll try to explain the plot of Gundam Wing as best as possible. Earth has now colonized space, but the UESA forces have forcibly occupied them along with the help of the mysterious Elite Force OZ and their shadowy leaders, Treize Kushrenada and the Romefeller Foundation. Five pilots are sent to Earth piloting Mobile Suits with extraordinary power known as the Gundams. Pursued by the Mysterious Lieutenant Zechs Merquise, Treize's second-in-command, a young teenager named Relena, and the Alliance military, the Gundam pilots unleash hell upon Earth for the Freedom of the Colonies while all the while, a plot most sinister architected by Treize begins to start.
Signed, The Constant DVD Collector
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user\nI have just recently purchased collection one of this awesome series and even after just watching three episodes, I still am mesmerized by sleek styling of the animation and the slow, yet thoughtful actions of the story-telling. I am still a fan.....with some minor pains.
Though this installment into the Gundam saga is very cool and has what the previous series had-a stylish satiric way of telling about the wrongs of war and not letting go of the need to have control or power over everything(sound familiar?), I have to say that this one gets a bit too mellow-dramatic on continuing to explain the lives of the main characters and their incessant need to belly-ache about every thing that happens and what they need to do to stop the OZ group from succeeding in their plans(especially the character called Wufei...I mean he whines more than an American character on a soap opera. Get a counselor,will ya?)
Besides for the over-exaggerated drama(I think that mostly comes from the dubbing of the English voice actors), this series is still very exciting and will still captivate me once again. I mean it can always be worse. It could be like the recent installment, SEED......eeeewwww, talk about mellow-dramatic....I'll chat about that one later.
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user\nGundam Wing is a fun show. I appreciate it for getting me into Gundam and anime in general. However, after watching its predecessors, such as Mobile Suit Gundam, Zeta Gundam, and even G Gundam, I find Wing to be Gundam Lite.
Characters: An aspect long held by Gundam is to have their characters thrust into difficulties and grow into maturity. This does not happen in Wing. Heero is top dog at the beginning, and he's top dog at the end. Personalities do not change, growth is never achieved. The best character is Zechs, who is for all intents and purposes a hero throughout most of the series. But suddenly the series betrays him and turns him into a villain for no apparent reason.
Mecha: Wing has great suit designs. The Gundams are super cool, with the Epyon being my favorite. I even consider a few of the OZ suit designs to be on par with some of the classic Zeon suits. But sweet suit designs doesn't quite save the series from boring characters.
Conclusion: In the end, Wing has cool fight scenes, though riddled with recycled animation, but shallow plot and character development. Enjoyable, but not moving like previous Gundam outings.
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user\nI'm not a big fan of most anime, but Gundam Wing is truly something else. Gundam wing lacks all of that stereotypical melodrama that you might think of when you think of anime, since the number of jokes made over the 17 hours would only be in the double digits, Gundam Wing gets right down to business.
Gundam Wing is as much of a political thriller as it is an action series. Large parts focus on the diplomatic dealings of a war, not only the battles. Though battle animation lacks extreme detail in cases where it would just be a pain to animate, individual duels between gundams are almost pieces of art considering the animated use of complex mechanics and rapid movements.
To my knowledge, this 49 episode plus one movie series was picked up by cartoon network in 2000, and then professionally dubbed by them too. the dubbing is simply flawless. not only does every word said match up, but the voices use truly make the characters much more believable. many believe that it is best to watch anime with subs in English, but i simply don't have the determination to do that.
Not only are the voices good, but the score used over the series is quite impressive. I'll just say it left me scouring the net in vain to find a soundtrack.
The plot of this series is what will truly hook viewers, and no, not hook you like some prime time drama like Lost which was only made for the purpose of hooking you. explaining the plot deeply would lead to many spoilers, since many of the characters do not even have names until quite a few episodes into the series. The rough idea of the series is that earth and its now independent space colonies are having difficulty maintaining peace. Thus a war is started, leading to military coups and elaborate diplomatic situations. I feel that any more detail would begin to give away information, which is crucial to the plot.
I'll end here saying that this series is great for anyone that likes anime, anyone that thinks ALL anime is stupid (they have good reason to think so), and anyone looking to get into anime with a serious tone to it.
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user\nGundam Wing is an amazing show from start to finish, every single episode is a joy to watch. The story is typical Gundam fare, in the future Earth's populations grows to the extent where we create space colonies in order to expand. The story though is set in an entirely different reality than any other Gundam show. It is the year After Colony 195 and the corrupt Earth government, known as the Earth Sphere Alliance, is violently taking over the free colonies. To combat the Alliance control and the even greater threat that is to come (an evil militaristic organization hiding within the Alliance known as OZ, which later takes control of Earth and the colonies), select members of the colonies send 5 super powerful mechs to Earth to try and save the colonies from the threat that is to soon come. These mechs, known as Gundams, fight OZ and try to regain peace in the colonies as OZ takes the front-stage, completely eliminating the Alliance and taking control of Earth and its colonies.
Gundam Wing as I previously stated, is probably the most enjoyable Gundam series to watch in my opinion. A large part of this reason is the difference between this series and any other Gundam series before it, but also the stories are far more deep and intricate than majority of the other Gundam series. Gundam Wing has more depth and emotion to it than any other Gundam show I have ever seen thus far. This particular series seemed to focus more on character and the relationships amongst those characters than epic space battle. Now don't get me wrong, this show still has many epic battles within it, and the show still maintains the epic atmosphere that other Gundam series have, but it achieves this by having the story follow an ensemble cast of 6 or 7 characters as opposed to following just 1.
No matter how you look at it this is truly one of the most unique and enjoyable Gundam series out there, and I strongly recommend it to any fan of anime, or sci-fi in general. The show sports some amazing animation and superb action, but the depth and intricacy of the story is what keeps you coming back for more. The characters are so well drawn out by the end of the show that you end up loving each and every one of them. This show is definitely one that shouldn't be missed.
A perfect 10/10!
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user\nGundam Wing to me happens to be a good anime. A bit slow moving (especially around the middle of the series), but over all enjoyable. Now before anyone jumps on my case and calls me a \"winger\", I will admit that I have watched all of the original Gundam, Gundam 0080 and 0083, The 08th MS Team, and Gundam SEED.
I will admit that there were a few problems with the story telling and a few characters may seem to be \"rip-offs\" (i.e. Zechs Marquise to the original Gundam's Char), but this is an alternate universe show based on the original series, as is SEED.
If you wish to view this series make sure that you watch the original Gundam first, and then know that you are watching an AU series.
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user\nI've watched almost all of the Gundam/Mech anime that have showed in the US and this by far has the best story. The way its plot twists and turns has u riveted. Gundam Wing is a series that mainly focuses on politics and war. The series follows a group of five 15 year old boys who have been trained to pilot state of the art mobile suits known as Gundams. The Gundam pilots were trained to battle a powerful insurgency known as Oz. As things begin to heat up between OZ and the Gundam pilots, new political groups will form and old ones will dissipate. Old conflicts will end and new ones will arise. To obtain peace the Gundam pilots must come to grips with the events taking place in their world and put an end to all the fighting. But, how far are people willing to go to obtain their goal. I recommend this anime to anyone who is looking for a show that has a deep plot.
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user\nWhile being an impressionable youth when first experiencing the Gundam Wing series, upon re-watching the series, I have reconfirmed my belief that this series is not only beautifully animated, but the plot, the gundam design, character design, and character depth are masterfully executed. While at first appearing like a boy band of sorts, the stylish attractiveness of the characters can partly be credited to just great art, with individual personalities creating clear and endearing distinctions among the characters. Consequently, it is extremely easy to become to drawn to any particular character. Personally, I liked Heero because of his stoic personality. While I may be biased with a sentimental attachment of this show to my childhood, I can objectively say that Gundam Wing addresses the deeper questions of war and life in general (how can we obtain peace?) while providing action packed battles in large robot suits, which, to say the least, is excellent.
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user\nThe second alternate Gundam universe tale (G-Gundam being the first), Gundam Wing is yet another different view into the Gundam verse. The familiar elements are found but Gundam Wing is actually different then its counterparts. The biggest being the Gundams are nothing more than terrorists combating one lone organization. In truth, the series doesn't really become a show about war until episode 7 but in truth the real conflict, the Eve Wars, don't happen until the later episodes.
The greatest positives of this series are it's characters. All the main characters are fleshed out throughout the 49 episode run and you can really sympathize with each of the roles their put in. Another great plus is the fantastic character and mecha design of the series. The designs put some of it's other Gundam counterparts to shame.
One of the biggest criticism of this series is how many die hard UC fans claim rip off of the original UC saga. Why Gundam Wing gets this rap when the more apparent UC clone of Gundam Seed is out there is beyond me. True there are many moments lifted but their told in new ways and there are distinct differences as well.
Take for example, the usual comparison of Zechs Merquise and UC Icon Char Aznable. Throughout the series, Zechs is more the outcast in the Alliance and in ways OZ as well, while the Red Comet was shining symbol of Zeon. Another big difference is the fact Zechs loses a lot soldiers under his command hence the other nickname he's given in the early episodes: \"Killer of his own men.\" Char isn't given this label.
The problems with this series isn't the philosophy mumbo jumbo but two problems. The first is the reused animation footage of the Gundams attacks. Sure it's fun seeing Heavy Arms attack tanks, MS, and planes the first time. But on it's fourth re-use scenes like this do get old.
The second problem is that the entire series is supposed to take place during an entire year. If you really think about all the events springing in the series, a lot happens in just one lone year.
But I guess you can easily dismiss this fact when ignoring the intro's first lines every so often. As it ranks, this is probably the best of the Alternate universe Gundam tales and a great introduction into the Gundam world. After all, this was the very first Gundam anime to air in the US television.
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user\nI could write a big enough comment on any one of the characters in Gundam Wing, they could each lead the series with their internal conflicts. Instead we get 8 great leads that take us through 49 golden episodes of Anime bliss.
It contains dialogue that you can roll around in your head for months... years, and then go back to and derive new meaning from, a masterpiece in script writing (even though it has the typical Anime trait of there being a disparity between subtitles and English dub). It has an abundance of concepts and philosophies that make you think about your own views.
The relationships between the cold unfeeling males and loving female characters is a stand alone aspect of this series. The relationship between Heero and Relena, and Milliardo and Noin are joys to watch. The apparent rejection of the male is underpinned with an inner turmoil that makes the love (a word never mentioned in the series) of the women necessary for them in their harsh soldier environment. The women are chasing aspects of the men that we rarely, if at all see, which makes the leading men all the more enigmatic. It takes Heero all of the 49 episodes to show some caring, but he gets there, and when he does, its a big pay off.
And then there's the giant robot fighting. Fun to watch awesome sequences as good as any Hollywood epic fight scene. Any less clued up person would see giant robot fighting as a silly cartoon function for kids, as has become clear when I'm trying to recommend this series to my friends, but they're wrong. Many of the giant robot fights in Gundam Wing contain a hefty dose of pathos, usually concerning young rebels fighting for what they believe in against an oppressive society making their beliefs obsolete.
The constant shifts in tone and emphasis through each episode makes Gundam Wing impossible to be boring, it is a captivating, thought provoking study on the potential of the human mind and body.
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user\nOver-powered mobile suits that can annihilate entire armies - Check! Weapons that hardly need to be aimed and still annihilate everything - Check! Mobile suits based on angels - Check!
OK - its a Gundam series. This one, Gundam Wing, has good character development, real-world complexity, interesting ideas and some pretty eye-candy.
With characters, the initially weak Relena Dorlan (later Peacecraft, then back to Dorlan) gets stronger and more independent (although is still absolutely besotted with Heero Yuy, the series main character). The aforementioned Heero, initially a cold, hard butcherer, becomes more and more human, while still remaining in-character. And seeing the lost Millardo Peacecraft (whos nomm de guerre is Zechs Marquise) float between OZ, freelance, and command of White Fang shows how some people can really lose themselves in their own creations.
The complexity of the political and military situation is also quite good - reflecting how the real world works. However, in 49 half-hour episodes, it does become a bit of a liability in that this complexity isn't used to its full potential.
The ideas at the core of the series - the necessity of fighting, the desire for peace, etc - are ones that resonate even today. In retrospect, the series was ahead of its time, what with the \"War on Terrorism\" and all. But its exploration of these ideas, the monologues, especially those of Treize Kushrenada, is an incredible dramatic piece, forming some of the best writing in the series.
But that sometimes good writing is also sometimes extremely poor, which dramatically causes it to lose some of its edge.
In terms of eye-candy, which is what this one has in bucketloads, everything from the mobile suits to the battleship Libra (No not the tampons you idiot!) is wells designed, and explodes in big balls of orange (which is bad, because better animation would've had better explosions). But who cares?! Stuff explodes, and thats all that matters.
In short though, the sheer complexity of the series means that if you miss out on a few episodes, you've missed out on a lot. The poor writing can leave you cringing, and sometimes the animation makes you go \"WTF?!?!\" But this is made up for in its classic animation style, its scale, sparks of incredible dialogue, and its more mature exploration that one expects of such Japenese animations.
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user\nHow I got into it: When I started watching this series on Cartoon Network,I have to say that I've never seen anything like this,and it was the best. But when I started collecting the series on VHS,and years later on DVD part of Bandai's Anime Legends collections. It was amazing,and truly worth watching. It had a lot of exploding action that will blow you out of your seat. And of course,the theme songs \"Just Communication\",and Rhythm Emotions\" were the best.
Characters,and Gundams: My favorite characters in the show were:Heero,Duo,Relena,Treize,Lady Und,Noin,and Zechs. My favorite Gundams in the show that I liked the most are the Wing Zero,and Epyon,and of course the Altron,and Deathscythe I,and II.
Meaning of the show: What this series also tells us that in real life,wars are very hard and we can sometimes win,or lose. But peace can also be hard to obtain,and I do believe the Gundam pilots are doing the right thing,and are trying to obtain world peace.
But however,this show is truly the best of the best. So in closing to this review,after you watch this show,see the Movie Endless Waltz.
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user\nI went into this movie after having read it was a drama about a man with a supernatural gift, who was made into a monster by society. Suffice to say I was expecting something entirely different from what I got. But it was a happy surprise. My friend and I both thought the movie was very romantic (the fact that the male lead isn't bad to look at surely helped), and there was enough plot development, action and even humor (the fact that it takes them until the 3rd part of the movie to now each other's name had the whole movietheatre laughing) to keep you entertained and invested in the story. So in short: Not what I expected, but a very good surprise indeed. I'll definitely buy this movie when it comes out on DVD.
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user\nA woman borough a boy to this world and was alone. They both were alone because a boy had a gift and a curse in one package - he was capable of withdrawing sword from his arm. There was always a wound on his wrist in the cause of this \"gift\" - the wound of the deadliest weapon inside of his body. First he kills his constantly drunk stepfather who hurts his mom every time. Then he grows up and decides to find his real father. Just as simple as all the time for a superhero - he reaches the justice....but the society decides this justice is not necessary and dangerous which is indeed right 'cause it is not like in Hollywood movies that the character does not try to kill anyone - Sasha (he is the main hero acted by Artem Tkachenko) kills if the person who in his opinion deserves to die but gets blames from authorities and runs. In such a runaway from authorities and Mafia he meets a girl (acted by Chulpan Hamatova) and falls in love with her. Everything else is to be watched...not told. Be aware that this film is more about feelings and emotions but not about actions. This film is full of pain of the main character full of him and his vision of life.
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