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user\nSo, Todd Sheets once stated that he considers his 1993, shot-on-video Z-epic, Zombie Bloodbath to be his first feature film. Anyone who's ever seen a little beauty called Zombie Rampage knows exactly how untrue that statement is. I mean, what makes this one that much more superior? Well, then again, Zombie Rampage doesn't include that mullet guy, now does it?
For one to comprehend exactly why Zombie Bloodbath is actually considered worth a damn, one must remember what the 90's were like for lovers of bad horror. A decade that all but said goodbye to B and Z-cinema as we knew it. Technological advances, awkward trends, and the internet would abolish the mysterious charms of the s.o.v.'s big-boxed golden years. And anything remotely resembling quality schlock was all too self-aware for it's own good, basically defeating the purpose. Luckily, not everyone changes with the times. Enter Zombie Bloodbath.
And I guess this is the part where I explain the same exact premise from 500 other zombie flicks from the last 40 years. Alright, so, Some kind of accident at a nuclear plant infects everyone in sight, turning them into flesh-eating zombies, who go on a rampage, inflicting some of the most gruesome, yet humorous gore-scenes of the 90's. The first 20 minutes are cluttered with the most awkward-sounding conversations you could imagine. Conversations that let you know that this isn't just a low-budget zombie flick, this is a Z-grade disasterpiece, fella. plenty Hysterical, non-existent acting to go around, and that goes triple for Mr. Mullet. That guy is truly the highlight of the night.
The fact that Todd Sheets seriously considers Zombie Bloodbath to be THAT superior to Zombie Rampage, amuses me to no end. I mean really, both are complete jokes on celluloid, but then again, so is Redneck Zombies, so, obviously Todd Sheets is in the company of awsomeness. By 1993, a movie this bad would no doubt, be a full-blast spoof, but Mr. Sheets stands his ground, giving us some good old fashion schlock, the way it was meant to be, unaware, clueless, and pointless. God bless Todd Sheets. For anyone seeking surprisingly worthwhile 90's B-Horror, Leif Jonker's Darkness should be at the top of your list. As for Zombie Bloodbath, if you're a gorehound who got bored sometime around 1990, then '93 would be the perfect time to pick up. 8/10
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user\nZombie Bloodbath is a movie made by zombie fans for zombie fans with a true love of the Horror genre. As I understand it from the commentary and things I have read, it was made during the huge Midwest flood of 1993 when half of Missouri was underwater. Buildings were under water. cars and houses were underwater. One article said that zombies and the crew from this movie would help sandbag the river after shooting each day. The fact this movie got made at all is a miracle. It is like a huge mashing of every zombie movie ever made put through a Troma filter. It is a party movie to enjoy with friends who like loads of splatter and goofy characters. And it is fast paced and energetic and really funny.
A toxic spill accident in a nuclear power facility causes people to melt down or turn into zombies. The local Government covers it up, tears down the factory and builds houses over it. Some ground shifting (?) causes a cave opening to develop and some new residents find the cave and unleash the undead on the newly built community. From there it just gets crazy and gory and fun.
I have read these reviews on here a few times. And it seems obvious to me that the same person attacked this fun little movie three times as a different reviewer, using fake names. They use the same words and sentences. Zombie Bloodbath is cheap. It is raw. It has some bad acting. So does half the movies made. There is much much WORSE out there than this fun movie. If you hate this film so much, don't buy it. There is no need for personal attacks and to call the crew or cast \"Trailer Trash.\" And it is obvious you are not from Australia or England. It is just upsetting that this great service, the IMDb does not catch people using it just to trash others. There are bad reviews and good reviews, and I don't mind those. I give both bad and good reviews myself. But it is painfully obvious that some fool just wants to use this forum to personally attack the director of this movie. Sad.
Some of these so called \"Reviewers\" even basically sue their \"review\" just to promote their own movies. One called this film Boring - well, love it or hate it, one thing you can NEVER say about this film is that it is boring. It moves fast and never has a dull spot.
Oh and this reviewer from The Netherlands??? Um - LIAR. You tried to post this same review at Amazon and it got yanked there. The SAME review only it said it was from Missouri.
This nonsense HAS to stop. Love it or Hate it - give it a real review or type nothing. It is obvious you have not seen the films.
But for the record, I have and though this one is not nearly the best that I have seen, it is far from the worst. And even the worst I would give an actual REVOEW and would not attack the director personally.
Hope this review helps some people see through the stupidity going on here.
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user\nI originally reviewed this film on Amazon about 6 or 7 years ago, and blasted it. I believe I called it \"wretched\" and a \"turkey.\" Okay, well, by most standards, it's still a turkey. It's got almost no production values, what little plot there is makes almost no sense, and the acting is on the level of a third-grade play. That said, this has really grown on me over the years as a sort of camp classic. In fact, all of director Todd Sheets' films have had this effect. They're almost like Ed Wood in that regard: Watch them over and over and pick out the flubbed lines, continuity errors (same zombie, two different locations!), and other flaws.
I'll say this: Sheets is a very nice guy, and while this, one of his first productions, isn't that great, he has gotten better. And I must add that the only really decent actor/actress in the film is Kasey Rousch, though I may be biased, as I attended school with her.
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I have to admit to enjoying bad movies. I love them I watch all of them. Horror especially. My friends and I all gather after a hard week at school and work, rent some crazy tapes, order a pizza and have a blast. One of the ones we got at Hollywood Video, was this one, Zombie Bloodbath. This one had a great box, so I was expecting less than usual.
The story is about a housing project that is built over a nuclear facility that has had the above-ground layers bulldozed, and the other underground layers are simply covered up. The inhabitants of this neighborhood find the covered up facility when some kids fall into a hole inside a cave. This wakes up some zombies.
From this point on, it's chunk-city. The gore effects and action never stop until the end credits roll.
OK, it's not great art, but this one, with it's in-joke dialogue and over-the-top gruesome stuff was our favorite of the evening. Actually, it was one of the best \"party tapes\" I have ever had the pleasure of watching. And you could tell it was done on no money, with a bunch of crazy people. There are hundreds of zombies, and the Director looks like Brendan Frazer (he has a cameo) and it is just a wild trip.
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user\nI have to admit to enjoying bad movies. I love them I watch all of them. Horror especially. My friends and I all gather after a hard week at school and work, rent some crazy tapes, order a pizza and have a blast. This one had a great box, so I was expecting less than usual.
The story is about a housing project that is built over a nuclear facility that has had the above-ground layers bulldozed, and the other underground layers are simply covered up. The inhabitants of this neighborrhood find the covered up facility when some kids fall into a hole inside a cave. This wakes up some zombies.
From this point on, it's chunk-city. The gore effects and action never stop until the end credits roll.
OK, it's not great art, but this one, with its in-joke dialogue and over-the-top gruesome stuff was our favorite of the evening. Actually, it was one of the best \"party tapes\" I have ever had the pleasure of watching. And you could tell it was done on no money, with a bunch of crazy people. There are hundreds of zombies, and the Director looks like Brendan Frazer (he has a cameo) and it is just a wild trip.
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user\nI swear, that zombie was killed like twice, and kept coming back. I gave this movie an 8. Let's face it folks, this is exactly what the other reviewers are saying, i.e., a \"handy-cam\", shot film. Hey, hey, hey, welcome to total indy film making. The fact that Todd Sheets got over 700 zombies to appear in this movie is a tribute to his talents. Yes, the story has gaps, yes, we see the same zombies over and over again, but who really cares? Take it for what it is, a fun and gory horror film, one to share with your buds, or to gross out the people you really care about LOL. Mellow out people, I suppose you all liked hunks of garbage like \"Titanic\" or \"Twister\" instead. Peace, and support independent film making!!!
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user\nMy room-mate ordered this one off of the web a while back and I finally got around to watching it. It is gross. It is cheezy. It is pretty dumb... but it is also a lot of fun. I mean, this was the most fun we have had watching a movie like this since \"City Of The Walking Dead\" ages ago. It was like being at the old Drive-In Theater again! You could tell the guy who made this movie liked all the horrible dubbed zombie movies. This one has all the cliches and tricks from those films rolled into one, and it's neat because it is SUPPOSE to be like that. The cheeze factor is high, the gore flows and the laughs roll! The effects go from sloppy to good, with the one where the guy gets torn in half and the one where a guy gets his heart shoved through his chest both being excellent! The acting goes from terrible to actually pretty good. There is not much plot, just lots and lots of gore. This one is patterned after the zombie movies from Italy and Spain I think, because they linger on the gross scenes forever, like this movie. If you like Troma movies, cheezy B-grade stuff, then you can do no wrong watching this one. A nice way to waste a Friday night!
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user\nIn the early 1970s, many of us who had embraced hippy/acid/alternative culture wholeheartedly, had realised that mainstream society was not going to change in the way we thought it would. For me this film defined the tension of \"now what?\" that many of the people I knew felt at that time. Do we head for the commune and create our own vision of utopia or do we radicalize and push for change?
From the futile gestures to police, the radical rhetoric, the music of Pink Floyd, to the love-making and the explosive images in the desert - so much is in there. It captures well a significant moment in time.
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user\nAll of the reviews here about how much ZP lacks plot, the acting is wooden, the orgy scene makes no sense, etc., all miss the main point.
Let's be honest. This is a movie made in the heady times of late 1960s and early 1970s Los Angeles. It is a movie meant to be watched while your are H-I-G-H out of your mind on some psychedelic substance.
Find some kind bud and smoke up, or get a mild hit of acid. Seriously, these straight and sober reviews of ZP miss the point. You can't get anything out of this movie in a straight frame of mind.
Until you've watched this movie on the big screen (which I am lucky to have done three times in the 1990s when ZP was quite rare) tripping out, you have no idea what this movie is all about.
If you insist on watching it not intoxicated, you can at least appreciate the ending when the crap blows up to the soundtrack of Pink Floyd's wonderful re-working of \"Careful With That Axe, Eugene,\" \"Come in Number 51, Your Time Is Up.\"
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user\nWatching this again after a gap of many years and remembering the flop it was upon its original release, I am surprised at how well it has held up. One of the reasons for its failure was that one generation just thought it was over indulgent crap and a younger one was disappointed that it did not show the full hippy glory. Seen now it is clear that Antonioni was already aware of and fascinated by the heady mix of fervent enthusiasm for change and a lack of any clear vision for the future. The lead pair are excellent and it is shameful that they took so much flak for the film's perceived failure. They are ideal and convey perfectly the various contradictions and demonstrate a pure delight in lovemaking. I blame others for the over emphasis on the student revolt sequences at the start but have to say that from there on in this is one of the directors most beautiful looking pictures and he certainly got the very best out of the man made and natural landscapes. Oh, and I haven't even mentioned the highly explosive ending.
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user\nAntonioni was aiming for another hip masterpiece, this time on the other side of the Atlantic than \"Blow up\". It wasn´t the success with critics and youth like the former though. Why? Maybe because it was a European´s view of America filled with clichés that didn´t work then and that have not aged well. (The revolutionary students at the beginning is embarrassing.)
Maybe when it was released big blockbuster movies and those aimed specifically at the youth market seemed dated. If it had been released a year before maybe hippes in deserts would have seemed fresh... It´s a very interesting film tho, very beautifully shot with some brilliant and Antonionian scenes in between, like the love-making in the desert, the stillness of the desert mansion and the explosive ending... That the leads were two amateurs didn´t help. They were beautiful but inexperienced. Mark Freshette is slightly better than Daria Halprin. It would have been so much better with proper actors! Maybe Michelle Phillips or a young Jessica Lange... The dialog is actually quite funny and poignant at times, tho you wouldn´t know the way the lines are delivered...
A very intersting document of the late sixties definitely worth a look for the photography and the soundtrack....
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user\nfor my opinion, the middle of the film, specially the love scene is a bit too long, but the whole time you can imagine this desert feeling. but the best, what made this film unforgettable are the great explosion pictures, their color, slowmotion and the pink floyd music are unique in filmhistory!
destruction in its propper and popular form.
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user\n\"Zabriskie Point\" (1970): This was especially interesting to me on a personal level, since it takes place under identical circumstances, with identical peers, in my own life  the Counter Culture movement of the late 60's/early 70's, on and off campus. We follow two unrelated young people in separate stories, who are slowly woven together. One is a young man in Los Angeles, tired of all the endless, pseudo-revolutionary jabber in the classrooms and lunchrooms of his campus, and, the other, a young woman driving to Phoenix to see her father & employer, and take on an \"establishment\" job. The film is FULL of our Italian director's (Michelangelo Antonioni) visual notations of America, and, the confused, psychedelicrazies of that era's self-righteous, \"we know it all, we'll change everything for the better\" youth. Just who IS the \"revolutionary\"? What does that REALLY mean? Do you dress like one and march around chanting? Do you \"fly in under the radar\" but give advance notice of your arrival? Do you keep your plans to yourself, and go about the business of change, with no need for group approval? \"Zabriskie Point\" is definitely a \"period piece\" - full of slang, uniforms, somewhat surreal film moments (after all, this is a film by the man who gave us the amazing \"Blow Up\" of 1966), and the era's artifacts, but it is more. It presents options for cultural revolution, and going by Antonioni (who DOES seem to be supportive of it), the youth are too self-involved to see what is needed for radical success. Because of this, it becomes a powerful, frightening film that applies to anyone, any time, any place.
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user\nMark Frechette stars as Mark, a college radical leftist. Mark is accused of killing a cop during a campus riot, and he flees all the way to the desert. He does so by stealing a small plane at the local airport, and flies it himself.
Once out flying over the desert, Mark spots a car from the air. A young woman named Daria steps out, and sees Mark circling in the plane. Mark swoops the plane very low several times, causing Daria to duck or get hit. When he lands, he becomes acquainted with Daria, who is strangely charmed by Mark's aerial highjinks.
After engaging in soulful conversation for hours, Mark and Daria get naked, and make love in the sand. But with Mark evading the law, they realize that he needs to keep running. So Mark and Daria's brief tryst is quite poignant, because it doesn't get to develop into a full-blown romance.
Zabriski Point was the Eraserhead of the early 70s. Both films have a rambling, vague quality, along with complicated meanings and characters. Frechette was as reckless in person, as his character was in this film. A few years after making Zabriski Point, Frechette robbed a bank in real life. While serving his prison sentence, Mark died an ignoble death. He was killed by a 150 lb. weight, which fell on him when he was weightlifting.
The best thing about this movie was the splendid cinematography, and special visual effects. The incredible, slow-motion scenes of debris floating in the air after an explosion, were a stroke of genius. Although not as ground-breaking a film as Easy Rider was, Zabriski Point still resonated with the early 70s counterculture. I recommend it, for those who like avant-guard films which showcase the upheaval, of the youth rebellion during the early 70s.
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user\nWhen I saw the film for the first time in the early 1970s, I was in awe of this film. Visually it was stunning and the events on campuses in Europe and USA made you relate with what Antonioni was trying to say so well visually in the final 15 minutes of the movie: blowing up in your mind the \"tyrannical\" establishments and big business interests. The repeated blowing up of the beautiful house in the middle of a desert, the lead female character enjoying the natural stream of cold water, painting a plane in psychedelic designs (even the staid British Airways did it a few years ago) are some of the images that were copied by advertising personnel all over the world for decades. Even Pink Floyd increased their fan following after the film was released.
You see this film some 30 years later and you begin to wonder why the same film has lost its appeal. Today anti-establishment films have more substance--facts, documentation, fine performances, and superb screenplays. Antonioni seems to be out-of-date; a flawed genius. Even viewing Antonioni's \"Blow Up\" today gives you the similar feeling that he is passe.
\"Zabriski Point\" has to be evaluated for what it was when it was released. It was a great film if you were to see it on a wide Panavision screen as opposed to the dwarfed TV screens. The visual and aural (Mick Jagger, Kieth Richards, Pink Floyd, et al.) allure of the film still remains. The lead pair were not great actors but they were cute and natural. One of them (Mark Frechette) died in prison in USA extending the reality of the non-conformist values he personified in the film.
Today, Antonioni seems out of \"sync.\" But watch carefully and you will appreciate the muted sounds of the regular actors--Rod Taylor, G.D. Spradling, the ladies at the swimming pool, the cops at the air-strip. The real sounds in contrast are from the non-conformists. Antonioni was relevant 30 years ago but his grasp of the medium cannot be questioned even today. He knew what he was doing.
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user\nIf you have not heard of this film from Walt Disney Pictures, do not worry about it. It would be classed along the other films by Disney that are meant for educational purposes like \"Family Planning\".
It was co-produced with Kotex to teach pre-teen girls about Menstruation, supposably. It only educates at a superficial level, so it does not go into heavy detail for the animated \"Ram's Head\"/ Reproductive System sequence.
The film does show \"The Wonderful World of Disney\" elements like the turning of the page and the use of animation to tell the story.
This film is impossible to find, so if you can find the film, best luck to you and enjoy.
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user\nWhen I saw this as a child, it answered all of my questions and dispelled any fears or misconceptions that I had. It is easy to watch because it is animated, which makes it unthreatening. It has no moral bias or \"preachy\" aspects, so nobody should have any objections to it. It is a pleasant film that simply gives the facts of menstruation in a reassuring, \"matter-of-fact\" way. I hope to show it to my daughter.
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user\nAlthough this film is somewhat sanitized (because it was made at a time when people just didn't talk about sex), it is an extremely helpful short film to show prepubescent girls so they know what to expect during menstruation. Not surprisingly, it was paid for by the Kotex company, though what may surprise many is that Disney made this film--as they made a lot of educational films during the 1940s-60s. However well made the film is, though, I think the film maker's missed a real opportunity. Instead of the nice female narrator's voice and the relatively bland visuals it would have been GREAT if they'd used Minnie Mouse and the rest of the Disney gang!! I know this would have given old Walt a heart attack, but wow that would have been a great film! By the way, although the notion of sex is barely hinted at in the film, it DOES adequately explain menstruation in general. However, it does lack some details (especially about intercourse) that I assume were included in the accompanying booklet.
Now if only I can figure out why I watched a cartoon about menstruation.
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user\nThe entire 10:15 minute presentation is done in a very non-threatening and non-medical way that even preteen children can easily understand. It dispels many of the myths surrounding menstruation that were going around in those days (1946) While sex is not explicitly mentioned, the part about fertilization is. This is also, purportedly, the first Hollywood production to ever use the word \"vagina\" in the dialogue.
It is cute how the animated character is shown topless in the shower in a purely animated character way with no defining features as was the way of the day. Many of the Betty Boop cartoons showed her undress without revealing any defining features either. Max Fleischer was a bit of a card and did this with many of the Betty Boop cartoons which required frame-by-frame viewing to find them.
There is no mention at the beginning or end of the film as to who the female narrator is. In fact, there are no credits whatsoever other than those mentioning Kotex and Kimberly-Clark Corporation.
This title is nearly impossible to attain; but for those who are Bittorrent downloaders, it can be found out there in the ether. This is one of those \"keepers\" that will become increasingly hard to find as older short subject features fade into obscurity.
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user\nHeart pounding erotic drama are the words that come to mind when I think of \"Secret Games\". It becomes more erotic as the film goes along and at one point blew me away! I didn't expect the delightful scene I was about to encounter. The \"call girl\" has her first customer and what a customer! One of the most erotic lesbian scenes I have ever seen. The husband should have listened to his wife and perhaps she wouldn't have gone on this erotic journey. It turned out to cost them in the end but, it was one exciting ride! GO SEE THIS MOVIE!!!
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user\nThis film had my heart pounding. The acting was great, the erotic music and the beautiful women add up to make this one a winner. The lead actress decides to join an escort service when she realizes that her husband has no time for her. She step's into a whole new world her first client being another woman. This is a film you definitely DON'T want to pass up.
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user\nBy no means a masterpiece, and far from Errol Flynn's best, Istanbul still has much going for it. The locations and beautiful technicolour cinematography, bring us back to a time long since past. Errol Flynn does show moments of his past glory, and is OK as Jim Brennan, a pilot who's past comes back to haunt him. The picture is actually a remake of 1947's \"Singapore\", and the story seems awfully contrived and cliche' by today's standards. Also many of the supporting cast seem to be simply \"going through the motions\" in this picture. Many people have also compared it to one of the all time greats, CASABLANCA. While watching the film, I could see many of the similarities, but hey, Casablanca has inspired countless imitators, so take that for what it's worth. In closing, if you are a fan of Flynn, or old fashioned love stories, you might want to give this film a look. Otherwise, I'd recommend Casablanca, or The Maltese Falcon, as a good introduction to some of Hollywood's classics....
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user\nKristine Watts (Molie Weeks) is broken apart, missing her lover; she is not able to overcome her love for him that is lost in the past. She hires a stranger (Douglas Davis) and gives a list of her mistakes to him with things to fix. But time is irreversible and sometimes the cure for the pain is a tragic end.
The first point that impresses in \"The Cure\" is the stylish cinematography that alternates black and white with color. The concise and sharp screenplay is capable to develop a tragic and bleak tale of love with an unexpected plot point in the very end in less than eight minutes. The soundtrack is beautiful but the volume is a little loud and associated to the fact that English is not my native language, in some moments I needed to repeat some words whispered by the narrator. The unknown lead actress has magnificent performance and is extremely gorgeous. I hope to have a chance to see her again on the screen. Last but not the least, the debut of the director and writer Ryan Jafri could not be better. My vote is nine.
Title (Brazil): Not Available
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user\nThis is an odd film for me, as after I reviewed a nice film from a new film maker (FAR OUT by Phil Mucci), another writer/director, Ryan Jafri, contacted me and asked me to watch and review his film, THE CURE. I don't normally review films this way, but what the heck--I love shorts and couldn't wait to see another.
Interestingly, while it turned out I did like THE CURE, I was not thrilled by it and let Jafri know. To his credit, he encouraged me to review it anyway--giving it my honest appraisal.
The film has tremendous style and as far as Jafri's direction goes, it's exceptional--especially for such an inexperienced film maker (it's his first film). The combination of exceptional choices of color, pacing and music that well-suited the film created a great sense of atmosphere. You really are pulled into the film and that is a credit to the film making. However, the thing I didn't love was some of the writing. While the basic idea was great, the ending was just too easy to foresee. I really would have loved the ending had it come as more of a surprise or there to have been an unexpected twist. However, considering that this film is from someone who shouldn't be able to make such a professional film given his experience, it bodes well for his future. Good job.
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user\nThe Cure is an amazing film...So suspenseful and just so REAL! I was lucky enough to catch a screening of 'The Cure' at it's NYC premiere and it completely blew me away! I also heard it won an award from that particular festival, and it definitely deserved it. The first thing that struck out at me was the cinematography. Eric Giovon did an amazing job. The shooting style of the love scene halfway into the film was amazing. A love scene was necessary in this film, and Jafri got the point across but also kept the scene tasteful. Giovon and Jafri make an excellent creative team and they should definitely work together on future projects. Judy Maier's narration was so surreal but simultaneously heart wrenching, it made me feel what the main character felt. I'm a very tough critic but i must say The Cure is one of my favorite films..JUST LOVE IT! If you haven't seen it yet, check it out!
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user\nLet me start by saying I have never reviewed a movie on IMDb before; however, I am in the video biz myself. And coming from that perceptive; I can say, without a shadow of a doubt that this film is what a short should be. It has a very good story and another thing I love-(an even better twist ending). Opening was very well done, I loved video chosen for it and how it was edited.
I am not a fan of B&W but the way this film uses the effect it works. And with any film that is all that matters. The flow of the film works perfectly and editing was very well done. From a technical side of things (which is side I normally work on) everything is also very well done. There is no major tech. stuff to point out. Only minor one I have is that the end credits are a little bouncy. This is probably due to a rendering issue. Let me also say that I would have prefer to seen more of the love scene but I am guy (so you can chalk that up to a guy factor).
So overall I rate it a 9/10. It is worth the watch if you fan of Indies and/or short films.
ps. sorry for bad grammar or spelling.
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user\nTime and time again, I've stated that if people don't want remakes or sequels made, they should stop seeing them and instead venture into the world of independent film. Having said that though, the last time I saw an independent film myself must have been easily six months ago. So here's a review for an indie that I had my attention drawn to on Youtube; the Cure.
Right away, you can tell that the film is going for an avant-garde film approach which is telegraphed in its use of extreme close ups, scopophilia and fast editing. It is proud of the way it looks - and it has a right to be. For the most part it is a very nicely composed little piece, save for one inexcusable disregard for the 180 degree rule and a comically bad gunshot effect which is a phenomenon that seems to be THE calling card for self funded projects.
Still, despite these amateurish mistakes the majority of the shots are actually a pleasure to look at. We're presented with a good use of props and locations, good visual acting and some very atmospheric, fluid editing, which is made more commendable as this is definitely something you won't see very often at all from a Youtube submission. The plot is fragmented and although the basic premise is fairly simple some may find it hard to follow exactly what is happening, but what we are seeing here is avant-garde storytelling at work; you can't really expect a straightforward three act structure and if you do you might not be ready for this kind of movie.
Where the film is unfortunately let down however is the sound. What you're going to hear throughout is a distorted voice-over which often sounds insincere and worse still is the continuous background music, which goes through minimal change and doesn't add much to anything. So much attention is paid to the visuals that the audio frankly sounds neglected, and this becomes really apparent when you realize you've just missed about four sentences of the narration and have to backtrack to pick up what slipped past your attention.
So, give it a watch, but do it with the sound turned off.
Last thought; was anyone else reminded of the cover for Doug Naylor's Red Dwarf novel \"Last Human\" early in the film? If you have the book you know what I mean.
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user\nNot sure if it was right or wrong, but I read thru the other comments before watching the short.I have to say I disagree with most of the negative comments or problems people have had with it.
As a first time \"Lone Wolf\" director/producer,I like to see things that I can aspire to,not necessarily from the pro's, but by people just getting their feet wet like me.
If indeed this is also from a first-timer,as I read,I applaud the effort.Marvelous job then in that respect! There were some comments about the music.I thought it was quite nice for the piece.Some say it kind of droned along for a while, but I found that created tension without(us)necessarily being conscious of it, and when he pulled the gun out and the guitar started crunching chords,it was like we knew there was a train on the tracks, but realize it is just now moving. Yes there is a 180 degree slip/clip in there, but shi* happens.Did anyone else see Hugh's dirty shirt turn white (near the end,in the rain) in \"Australia\"? Look how much money and people were behind that movie! Give the kid a break for Gods sake! All in all I think it was very well done. Only 2 things I would have mentioned are hardly worth mentioning-Don't walk up to a shiny brass picture frame with the camera, and I would have just displayed the splatter at the beginning shots to a still shot, so people wouldn't necessarily know what it is.
My experience so far has taught me that it's not that it's hard to make a movie,it just takes time to learn how to do it,then the time to actually do it, and then you better take some more time still to think of all the details you'll need to have shot before you call \"post-production time!\" IMHO, it looks like director/writer Ryan Jafri did his homework, and if this indeed is his first report card, I'd give him an \"A\". The rest of you report to the principals office for a whuppin'.
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user\nI had pleasure to watch the short film \"The Cure\", by first time director Ryan Jafri. What really impress me are the camera work and music.
I think many young filmmakers (as I myself am one of them) would experience hard time with cinematography when just start making of an indie. We see the output are not exactly what we imaged or below our ambitions. But this film, directorial debut from a young director, handled very well on screen. The camera motion, color, lighting, compositing all contribute to the story and emotion of the film.
And music, as a key element of film language, helps a great deal too.
It's hard to portray a woman's heart, her desire, her fear, especially in a short. But still, I have to admit I am not a fan of v/o (narration), especially when the film is advanced by narration, instead of shots and cuts. My personal feeling to some of the narrative part is, my guess was the narrator tried a bit too hard. So the energy pushes audience back from the emotion of the film.
Overall, it's a short film nicely done, I could see the input from a director. Way to go, Ryan! Greeting from China, looking forward to your next.
tim
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user\nThe Cure uses voice over to create an intense mood. Although the VO accounts for all of the film's lines it amazingly does not take away from the visual story. The use of multiple film stocks add a lot of texture to the story. The choice of combining b & w and color worked nicely to enhance the leaps in time. The ending will make you jump despite being able to anticipate the result. I was especially enjoyed the thrill of the film's suspense. The close-ups for the love scene are also lovely and reflect a tasteful eye. The piece is quite short but accomplishes a lot. The tight editing really helps to show off what a short film can do. Worth watching more than once!
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user\nI admit I had no idea what to expect before viewing this highly stylized piece. It could have been the cure for a zombie virus or the common cold for all I knew. It began with great visuals, little snippets to grab your attention and cause your imagination to run wild. As it continued I learned quickly through voice overs what was taking place. A nice little neo noir story that I felt was not a waist of a few minutes of my time. The little clues given to the audience through visuals at the beginning give them a sense of accomplishment as they piece together the plot. Along with a nice twist at the end its a cool package overall. The score, though not bad, gave the film almost a music video feel. It just felt a little dated, not adding anything to further the storyline. Some of the performances felt overly dramatic but fit perfectly with the feel of the overall piece. I walk away from this very satisfied. I was given a lot of information in a short period of time but through great editing and voice-over work it didn't feel rushed or pushed. Great job!
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user\nA sequel to Angels With Dirty Faces in name only, The Angels Wash Their Faces suffers somewhat from the usual shenanigans of the Dead End Kids. As a matter of fact, with the presence of the Dead End Kids and Ann Sheridan this should have been treated as an actual sequel to Angels With Dirty Faces, at least for continuity's sake.
Speaking of Ann Sheridan, she is the one true shining light of this movie. To paraphrase a cliché, Ann Sheridan could read from a phone book for two hours and I would buy the DVD!
Another virtue of this movie is the chemistry between Ann Sheridan and Ronald Reagan. Unfortunately , this aspect of the film is kept too far in the background. For a better example of the Sheridan-Reagan duo I would recommend Juke Girl or Kings Row.
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user\nI don't have much to add to what has been said before, but it's very much a film of it's time, and the first (and likely only) time that the studio hung the film totally on the Dead End Kids.
The Warner's gave the boys plenty of help, from director Ray Enright and an 'A' budget, to an almost magical cast of supporting actors. At every turn, we get one of those gem performances from real pros. They are too many to list, but it seems like just about everybody on the Warner's lot (Sans the very biggest stars) walk through this picture. (See if you can spot John Ridgely)
The only over the top performance is from the always reliable Eduardo Cianelli as a mob boss with a messianistic complex. He plays this character almost exactly like that of the Thuggie leader in \"Gunga Din\". He's something to watch! And Marjorie Main is excellent and gets her best role since \"Dead End\".
My bid for this one is a second feature on a double bill with something like \"City for Conquest\".
Hooray for Warners!
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user\nThe film begins with a bunch of kids in reform school and focuses on a kid named 'Gabe', who has apparently worked hard to earn his parole. Gabe and his sister move to a new neighborhood to make a fresh start and soon Gabe meets up with the Dead End Kids. The Kids in this film are little punks, but they are much less antisocial than they'd been in other previous films and down deep, they are well-meaning punks. However, in this neighborhood there are also some criminals who are perpetrating insurance fraud through arson and see Gabe as a convenient scapegoat--after all, he'd been to reform school and no one would believe he was innocent once he was framed. So, when Gabe is about ready to be sent back to \"The Big House\", it's up to the rest of the gang to save him and expose the real crooks.
The \"Dead End Kids\" appeared in several Warner Brothers films in the late 1930s and the films were generally very good (particularly ANGELS WITH DIRTY FACES). However, after the boys' contracts expired, they went on to Monogram Studios and the films, to put it charitably, were very weak and formulaic--with Huntz Hall and Leo Gorcey being pretty much the whole show and the group being renamed \"The Bowery Boys\". Because ANGELS WASH THEIR FACES had the excellent writing and production values AND Hall and Gorcey were not constantly mugging for the camera, it's a pretty good film--and almost earns a score of 7 (it's REAL close). In fact, while this isn't a great film aesthetically, it's sure a lot of fun to watch, so I will give it a 7! Sure, it was a tad hokey-particularly towards the end when the kids take the law into their own hands and Reagan ignores the Bill of Rights--but it was also quite entertaining. The Dead End Kids are doing their best performances and Ronald Reagan and Ann Sheridan provided excellent support. Sure, this part of the film was illogical and impossible but somehow it was still funny and rather charming--so if you can suspend disbelief, it works well.
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user\nThis 1939 film tried to capitalize on the much better Michael Curtiz's film \"Angels with Dirty Faces\". As directed by Ray Enright, the only interesting thing is how tamed these kids were in comparison with what's going on with the youth in America's inner cities today.
The film is only worth seeing because of the presence of Ann Sheridan and Ronald Reagan, who showed they were well paired together. The Dead End kids have larger parts as the plot concentrates on them rather than in the older folks.
In a way it's curious how arson was used in the same way some scrupulous landlords did in later years right here in New York. It was the quickest way to turn a property around never considering the social problems it created. In today's climate with so many guns around there is a new reality. The young kids of the story seemed mere pranksters rather than criminals. How times change!
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user\nGabe Ryan (Frankie Thomas) gets out of reform school and goes back to the slums. His sister (Ann Sheridan) does her best to keep him out of trouble, but it just seems to follow him. Aside from his associations with the Termite gang, Gabe is followed by real-life gangsters who have a scheme to set fire to random buildings to collect the insurance. They need someone to blame for the arson, and Gabe is it. It is up to the Termites to work the law in their favor and give the gangsters their just desserts.
The the scene that introduces the Dead End Kids is really quite good. The boys wander on over to the new resident's furniture on the street, and proceed to make it their own. They talk to each other in phoney posh accents and talk about drinking tea together; Bernard Punsley takes a nap in a chair. The boys then proceed to start a fight with the new boy, but after he proves himself a good fighter, they ask him to join their club.
The initiation scene is rather good too, filled with mischief that seems dangerous at first, but is really rather clever and innocent.
Later, when Billy Halop studies to become the boy mayor, he has a dream about schoolwork. This is wonderfully staged, with tiny holograms of the kids walking on his face and firing questions at him.
Angels Wash Their Faces is a great title because it plays off of the success of Angels With Dirty Faces, and really tells what the kids are doing. Notorious for bad behavior on and off the set, these boys make nice in this film. But rather than seem disingenuous, it makes for some great laughs. This is a preview of what many of the boys would become in The Bowery Boys series. We even get a few garbled words from Leo Gorcey.
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user\nThis film is the most cult movie on metal there is. Premise: A kid gets a hold of the final recording of his favorite artist Sammy Curr who recently dies in a hotel fire. He plays it backwards and summons him back from the dead to get revenge in the name of heavy metal on those b**tardly jocks who torment him. Any fan of true metal will enjoy this movie, and if you are a metal head being tormented by jocks, play a Sammy Curr album backwards.........no wait he is fictitious, well get a hold of this movie and watch it with your fist in the air, your head banging, and the volume at 11!
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