empathielabs/imdb_v0 huggingface dataset:
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user\nHaving had more than a few mates suggest i check Rise of the Footsoldier out, i eventually got round to it last night. Undoubtedly the story Colton Leach has to tell (and did so in his autobiography) is a compelling tale of one mans ascent from Terrace boot boy to connected underworld villain. This film sadly compromised in quality by miscasts, appalling accents and woeful acting.Ricci Harnett in the lead role of Leach does a reasonable job of conveying the transition from thuggery to serious criminal but his accent is all over the place. As his voice provides the stories narration it is something that after ten minutes was driving me nuts. Terry Stone as Tony Tucker provided the unintentional comedy with an ill fitting wig (or the worst Barnett going)dialogue that was so expletive riddled it bordered on juvenile and an over the top vehemence in line delivery reducing Tucker to parody.What troubled me most about this film was that the events leading up to the shooting in Rettenden, Essex and the formative years of Leach are of genuine interest to crime fans and fans of football hooliganism so, to have this story sabotaged by a lack of credible accents and acting left me feeling an opportunity had been missed. Roland Manookian and Frank Harper provide the films only source of authenticity. On the positive side some of the films pacing and construct flowed well and kept the attention. The violence was well choreographed and aside from an over reliance on projectile red syrup for blood spatterings was on the whole realistic. If you enjoyed the film then it is worth checking out Essex Boys telling a similar tale from fictionalised viewpoint and also featuring Billy Murray.
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user\nOh dear, just what we need another Essex -Cockney garbage effort chronicling the rise of the UK footy hooligan/ rave gangster who did of course follow West 'am (East Londan/Essex style). Didn't anybody tell you that they won the world cap!? And then of course the inevitable decay into UK rave culture underworld. Blah blah blah. Why how and who would want to fund a film like this i do not know but lets pray that it was from Private financiers (lets see ex drug dealers, merchant bankers -we all know what to call them, and the rest of the mockneys) rather than publicly funded means. Hopefully with the recession we will not see the like of this again. If we do we will be calling the death knell for British films and of course we will all be able to blame Britains number one Mockney Country gent wannabee gangster Guy Ritchie.
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user\nFirst off i'll give this movie a low scoring 4 out of 10! It was nothing more than a wannabe film. I felt very let down watching this film. I was lead to people it would be more drama and more facts about the true story it's based on. Instead i spent over an hour watching middle aged mean break the law and take drugs.
It's abit like football factory but with no real storyline and not a good ending. After watching the film i was left wondering \"What was that film all about?\" If you like films with no real storyline and a lot of drug taking and swearing then this is the film for you.
I'm a BIG fan of mob and gangster movies but this film did not live up to the hype. I can see where the writer was trying to go with the film but it never reached it's destination.One of the worst British films that i have ever watched. If only the movie had more of a storyline this would have bad an excellent movie.
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user\nThere is no doubt that the Kokoda Trail depicts a truly great event in Australian Military history the brave defence of Australia against the cruel barbaric Japanese Army.Howver this film fails to take into account the story of the \"Fuzzy Wuzzy's\" or the New Guinea natives that The Australians used to help them carry out there military operations. The film also fails to give a credible account of the Australian soldier and his behaviour in this event. It is more like an uninformed contemporary view of what is was like.
Again the Australian film industry has failed to give this important chapter in Australia';s history the film it deserved. This is film making at its worst with arbitrary cinematography , bad scripting and dialogue , no character development and cliché jungle warfare scenes.
It fails to imbue the audience in any meaningful perspective other than the Japanese Army were ruthless and cruel murderers of an ill-equipped and badly trained group of Australians fighting in a jungle.
The film failed as most Australian films do to attract a significant Australian audience in fact they stayed away in droves.
I am not going to join the usual parochial garbage of saying its great because its an Australian film. I say either do a great job or just leave it to some one who knows how. This government funded film is just another failure by Australia's wealthy and spoilt rich kids.
I am giving it zero stars because its an insult to the descendants of these truly great Australians and their enormous sacrifice. What a shameful waste and disrespect and I know this review will provoke more negativity from the Movie Show crew and most reviewers but I have a right to my opinion and that's what Australians fought for OUR FREEDOM and that includes freedom of speech and the right to express an opinion.
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user\nKokoda was inspired by events on the Kokoda track during WW2 when Australian militia slowed and ultimately stopped a push by 10,000 Japanese soldiers to move overland and capture Port Moresby. What they really mean is that the movie is set in this time period but is fiction and everything that happens is just a jumble of standard scenes from other war films. The first hour is just one cliché after another. Some of the scenes are simply there to be able to draw us into a feeling that this conflict was horrific beyond compare, when there appears to be little evidence of this. Both sides fought hard to control the track and no mercy was shown by either side. Both sides suffered from logistic shortages and the terrain was a great leveler in this conflict. As the Japanese got closer to Port Moresby their supply line grew and this ultimately led to their downfall. On the other hand as the Australians retreated closer to Port Moresby their supply line decreased. Some of the scenes appear to be straight out of the handbook on standard scenes to include in any war film. The film was misguided and highlighted the youth of the production team. At a time when Australia could have done with a great film about one of Australia's best moments the film Kokoda is a shallow disappointment.
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user\nFrom all the bad comments about this movie and add them up I feel the same way. It may look like the Australians are weaklings instead they were brave soldiers. In this film it was very terrible and too graphic. I didn't see enough heroism just more cowardice which is ashame because its nothing from what I read. We don't need the extremity of violence like that we can use our vivid imagination of what they went through. It's like saving private ryan where the nazi is pushing his knife slowly in the soldier. For example Mel Gibson is a over extreme director for his movies not because of the violence but for the level of historical inaccuracy. Letters of Iwo Jima was one of the war films that was close enough to history (although I could be wrong) except Flags of our Fathers and Bridge of the River Kwai. You're better off reading it its an insult to the victims and the fallen if you don't tell it right, and the movie drag on for too long there was nothing interesting about the dialogue and not enough retribution from the aussies to kill Japanese soldiers. Just read history on the internet, mags and in books. Movies always kill the sense of realization. What they did to POWs in Singapore and the Philippines was just dreadful escpically to civilians. It just makes me feel proud to see goodies beat the baddies but movies like this ruin it.
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user\nThis was like watching the trailer of a up and coming movie, except that there was no movie coming up. The film is so unsatisfying and obviously unfinished as to be almost laughable. The subject of this film is over a very short time frame and frankly, nothing much actually happens in the 90 odd minutes of screen time. I was hoping for the definitive Australian film about our soldiers in WWII and how they fought against incredible odds in awful conditions.This is most certainly not it.
Having said that, the acting was great and locations authentic. This could easily have been a great movie given a lot more money and time, instead it isn't even mediocre and I cannot recommend it at all.
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user\nA totally pathetic attempt at movie about sacrifices of Australian Soldiers during the New Guinea Campaign. Total waste of money even if you only see it on DVD. Thankfully the video store provided a free weekly hire with the DVD else it would have been a complete waste of money. Probably made by arty types and full of the symbolism that today's Chardonay socialists seem so into. Frankly this movie is an insult to the memory of the brave chaps that never came back. Somebody please provide the funding to make a decent movie at least the equal of Saving Private Ryan. Hopefully the RSL will put as much distance between itself and this movie as possible. The story needs to be told from all sides the Australians, the locals & the Japanese - Although getting the latter to tell the truth about anything that happened during the second world war is highly unlikely. Basically its rubbish, don't see it, don't buy it. Walk away
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user\nFor all its wonderful images, for all of its good intentions, this just comes off as yet another disgustingly one-sided, over-glorified, self-promoting propaganda.
The message is simple, \"All Japanese fighting on the Kokoda Track were sadistic, malicious f*** sticks who enjoyed gutting every last Aussie troop, cutting their throats before beheading them.\" Not only does Kokoda pick up on \"Gallipoli\"'s only flaw (that the enemy are faceless, nameless, and apparently inhumane), but manages to prove quite the opposite to Weir's masterpiece. Instead of giving us a perfect film with one flaw, we have a horrible mess with one redeeming feature.
Let's start off with this: we're, without any comfortable adapting to the characters, introduced to these apparently quite laid back, two-dimensional people who we never... EVER get to sympathize with. We're kept at such a distance that even when we could so easily relate to the characters, they find a way to keep us away. That alone is a sickening feature, as it drives us from the very plot, helps the horrible pacing to leave us with a lasting impression, and makes it so much easier to see the contrast between an overtly sentimental ending and an otherwise lackluster body of a film.
In other words, it drags us through a painful journey (not just for us, but apparently for them) and just as it should end, we're thrown into another eye-roller of a skirmish that ends faster than it began. So, for the as yet STILL uninformed: when it should end, it starts up again, only to end when we expect more. S***! It's just a confusing and agonizing pace!
Which brings me to the ultimatum: this is meant to educate us on the events of the Kokoda track. It doesn't come close. Not only does it detail a very small, insignificant part of the campaign (sprinkling a little \"mateship\" on top in an attempt to make it relevant), but it succeeds in doing the one thing a film as important as this should be does, it makes us NOT care.
Honestly, my eyes were constantly glued to my watch the entire time. The audience around me, all proudly Australian, bickering as they came in about how great the film is going to be, groaned, moaned, and whined in disappointment as every one of the painful ninety-five minutes droned on (for a short running time, it felt like Apocalypse Now: difference being that Apocalypse Now was a good film and deserved the three hours it got) and on to the point where suicide could wholeheartedly be an alternative should it be mandatory for this film to be watched.
Though, considering how much the TV has been advertising this trash, I'd say it is mandatory, in a subliminal sense of the word.
Watch if you like pretty images. Though you'd do better watching The Constant Gardener or Gallipoli anyway, since they have superior cinematography and ACTUAL plots.
Overall: *
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user\nI saw this movie today on the big screen and i can honestly not believe some of the comments made by people on here. I was really hoping to be touched by this film, but wasn't.
I'm ex Australian Army and very patriotic towards this great country, but I feel this movie no way does justice for us and those soldier who fought at this battle.
The movie is poorly filmed. I thought the acting was terrible, they were not believable and they didn't give me any reason for me to care about them. People are saying this movie was graphic, there were a couple of graphic scenes but I found most part very weak. The war scenes were very short and only last a couple of minutes.
Overall a weak film that doesn't do these soldiers any justice.
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user\nWhat was the aim here...I started to have a look at it but then I realized that it had no aim...poor acting...no action and no story..i ended up listening to it while i was surfing the web reading about David Beckham's $250 million dollar US soccer Galaxy contract. Do not rent this Don't borrow this NOT WORTH A DOWN LOAD i've seen so many films that I could sense that this was going to be crap from the get go.
War films should be accurate and if possible have some artistic merit and actually not feel like Christian melodrama...This film pales in comparison to any that i've seen before.I must say that Iam truly disappointed at this film..
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user\nIt's great to hear the 3 or so comments, that point out what 'Footballers Wives' signifies for women. The title alone, washes away any supposed equality women have in the media industry or society, reducing them to two dimensional cartoon caricatures of how men think women should behave . It is a post modern moronic farce. It might as well be called, 'Footballers Wifey who stays at home and knows her place'.
On one hand, it could actually be some sort of parody on the U.K.'s, gutter trash press representation of celebrities and the role they have in maintaining a patriarchal society. So women can undermine stereotypes by acting like those stereotypes and own the image that has been created for them by mens desire. Nah, that would be to ironic and clever. I also sound like I should be praising it.
Zoe Lucker is simply too camp and over the top to be taken seriously. Just like an even cheaper Cruella De Ville. She just needs some maniacal, condescending, yet at the same time, self appraising laugh to show off her true acting range. Oh she does? Right. Anyway, it just about sums up whom this is aimed at. Either 'clever clever' journo's, who think its an up-roaring send-up of vaudevillian proportions, or people who think its 'real'. \"Finest actors\"? OMG!! Stop watching this afterbirth of a pantomime and get a life.
Its utterly sexist and is of such low quality, that maybe those who enjoy it think they are \"in\" on the \"joke\". Do the actors really care or understand what they are communicating? Its so demeaning to women and men. They are not all self centred, selfish, football loving materialistic jerks, who think women are nothing but another trophy to be put on display for the public. It's so humiliating. I am sure Ms Lucker would easily stand up to them in her \"real\" life, and twist them round her finger as so easily done in 'Footballers Wives' .
But of course, its doesn't really matter. I mean its only a T.V. programme after all. So please let it stay axed. It's dreadful and will only be looked back on in the same disbelief that 'Prisoner Cell Block H' was so fondly remembered for.
How did it come to exist? It sure ain't subtle or complex. It could only come from the same mind set who read FHM magazine, and think its \"alright\" to look at soft-porn, and \"do\" as many women who bow to their \"will\" and chant patriotic and racist comments whenever \"their\" football team losses/wins. It's totally crass.
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user\nThis is one of the worst movies I have ever seen. Thank God I saw it for free. I would have hated to waste my money on it.
First off, there isn't a character in the movie that is in any way likable. Michael Caine comes close, but even he is pretty flawed. The rest of the \"commandos\" are made up of disgusting ex-cons. There are the two gay Arabs, and three guys who try to rape a red cross nurse, and the \"leader\" who has no trouble sending his men off to get killed so he can escape.
The \"mission\" is anything from suspenseful. They are to blow up a fuel dump. Sounds exciting, right? Well, the footage follows them through endless sandstorms and fixing flat tires. Yes, you read that right. The \"suspense\" is whether they will run out of spare tires. We actually WATCH them change something like 12 flats on the way. That's how incredibly exciting this movie is.
They get to the fuel dump to find that it is a decoy. So, nothing to blow up. And at this time, for some very convoluted reason, the British army decides that they don't need these guys anymore, and radios their whereabouts to the Germans to kill them.
So, now at least we'll have an exciting race to freedom? Nope, instead, they decide to blow up a different fuel dump, to create a diversion. But, when they get into the place, they set off a trip wire, and the Germans come to get them -- calling out their names over a loudspeaker.
Really weird. If the Germans knew where they were and where they were going, why did they let them get all the way into the dump before springing the \"trap?\" Instead, they wait until they get into the fuel depot, and set all of their charges. Yeah. Right. That would happen.
So, they blow the dump, the leader sells out all of his men -- except for Michael Caine, since he's been offered $2000 to bring him back alive.
OK... so, the men are all betrayed and killed, and Michael Caine and Nigel Davenport survive. The British troops come in with tanks, and they decide to go get rescued. Since they are wearing German uniforms (they wore them to blow up the dump) they tie a white flag around a stick and walk out into the road.
Some British guy walks up behinds them and machine guns them to death. Credits roll.
Yep. The two \"Heroes\" of the movie die due to a random act of violence.
It's almost like the movie suddenly ran out of budget and decided: \"That's a wrap. Kill them off and we'll go home.\" I wasted 2 hours of my life watching this tired, unimaginative and totally unrealistic movie that ended with a gracefulness of a bomb.
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user\nI should've realised it was a sign of things to come when the trailer for this film bored me.
Having watched several \"indie\" films on the strength of the reviews on here, and subsequently finding that my view is completely opposite to those other reviewers, I began wondering if it's possible I am watching completely different films from these people, or are they perhaps friends/family etc of the film makers trying to 'big up' their work? Hmmm.
Are you interested in seeing an amateur's homage to Pulp Fiction and 11:14, except done with worse actors, a silly score (undermines various scenes) and unbelievable jumps in logic? If not, then skip this film.
Here is my open letter to two of the players in this film.
Alfonso Morgan, please, please, please, stop trying to 'be' Samuel L Jackon a la Pulp Fiction. No-one can do what he does as well as he does.
Director, please come up with something original. It does you a disservice to churn out this stuff pretending to be Quentin Tarantino.
Simply dire, and I really cannot see how anyone could say this is a good film. It is a disgrace that people have somehow managed to put a score of 8.5 on this, the same as films like Pulp fiction or Goodfellas. It is no-where near these movies; a 4 or 5 would be a more reasonable average rating, I give it a 3.
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user\nHonestly, people who gave this movie a ten would have given 100 for pulp fiction. This is the level that we are dealing with here.
The movie isn't bad but no way is it like \"OMG, the best movie since Pulp Fiction!\". Some people have incredibly low expectations for movies, even those of indie variety. Personally, I found my interest in the movie waned after the half-hour mark. The plot defies logic and belief. You have got to hear the part about why the wife did what she did in order \"to save her husband\". Yeah, right. I guarantee that you would walk out of the theatre thinking, \"hmm, now that doesn't make sense at all.\" This is one movie in which you really need to suspend all logic and belief.
Those who said that the music score is good were probably listening to their MP3 players. It absolutely killed the movie in some parts.
In conclusion, watch the movie only if you have nothing particular important to do. I give this a three because there is one long sex sequence in the motel which is decent.
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user\nWorst movie ever!! Its not clever or funny or thought provoking. 84 minutes of bad actors doing their best with an awful script.
Acting was so bad that you can see the dead people breathing.
Maybe the writer/director combination believed they were Quentin Tarantino or something (you know make a movie about nothing still cool) but failed miserably.
I hope the writer never makes another movie EVER!! not everyone is born a writer, sometimes we need to count our losses and go back to being a bathroom attendant or whatever.
Please don't watch this movie, even on mute with the stereo going its still a painful 84 mins.
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user\nThe Nest is really just another 'nature run amock' horror flick that fails because of the low budget. The acting is OK, and the setting is great, but somehow the whole film just seemed a bit dull to me. The gore effects are not the best I've seen but are fun in a cheesy sort of way. The roaches themselves are just regular cockroaches that bite people. The Nest reminded me of a much better film called Slugs. If you liked The Nest then Slugs is a must-see as it's ten times better. Also worth noting is that Lisa Langlois who plays Elizabeth was in another 'nature run amock' type film called Deadly Eyes (aka The Rats), which is about killer rats as you may have guessed.
If you enjoy these types of horror films then you may want to give this a watch, but you'd be far better off seeing Slugs which is far more interesting and gory.
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user\nThis movie features roaches as super flesh eating killers. This may have been the first movie where roaches were the primary killers, though not the first movie where roaches are killers. \"Damnation Alley\" featured a scene with killer cockroaches and \"Creepshow\" had a story that had them. In this one they are the star. Not as good as it could have been this one doesn't have all that many kills in them. I could be wrong on that point, however, because I have not seen this one in quite some time. The roaches have gone killer and this very strange research lady is in town to study them. Yes, she is quite strange as at one point she has her hand in a box on the killer roaches and she is like \"They are biting my hand\", and she says this in almost a state of ecstasy. There is also one super big roach near the end of this one, like in so many insect films. Not a great movie, but worth checking out on a night you are bored out of your mind.
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user\nThe story has little to do with Jack London's original novel. I thought the acting was very unnatural, the dubbing was done very sloppily and the story itself contains a fairly large number of inconsistencies and loose ends. Apart from that, the pace of the movie was horrendously slow at some parts.
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user\nMy mother took me to this movie at the drive-in when i was around seven years old, which is thirty years ago. She had no idea a family movie would be so violent. My clearest memory was of the boy's father's face of pain as he was stabbed in the stomach and killed. This image haunted me for weeks. I had learned that I lived in a world where a person might stab my father at anytime. How could I stop them? How could my father protect himself? You must realise that this stabbing is not fantasy to a seven-year old. It is as real as witnessing an actual event, and has no place in a child's innocent mind. It is sad that we still do not understand the impact that bringing violence into the lives of our children has both on our children and our society. If only parents would protect their children from images of violence with the same vigor that they protect them from images of nudity and sex.
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user\nI'll say one thing for Herman, USA: it will probably always play well to Minnesota audiences. I can't imagine that there's another place in the world where a reference to the fast life of Bemidji or a line like \"I knew there was something wrong with Iowa guys\" would bring down the house. I actually quite enjoyed the first hour or so. Basically, a bunch of lonely country boys take out a personals ad and find their town beset with willing female suitors (is suitors a gender-specific word?). It ain't progressive, to be sure, but it's sorta charming in its own right. Pity that the filmmakers felt the need to tack on a contrived subplot about a conniving golddigger and her violent husband. Overall it's just too cloying for its own good, but you've got to give some props to a film with the guts to give a guy with Kevin Chamberlin's build a nude love scene. I will always applaud the depiction of people who don't meet the usual standards of beauty as sexual, caring human beings, but that's not enough to redeem Herman, USA. To paraphrase Jello Biafra, it's nostalgia for an age that never existed.
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user\nThe story of the bride fair is an amusing and engaging one, and it is to the filmmaker's credit that he sets out to portray rural Minnesotans with the same respect ordinarily reserved for Coast-dwellers. It is weird, though, to find an independent movie, the brainchild of a single person, that is as unambitious and cliché-ridden as a committee-brewed Hollywood potboiler.
The portrait of rural people is intended to be affectionate, I think, but these characters don't ring true to me--I have had quite a few meals in small-town diners, but never overheard a debate on the merits of different nineteenth-century English novelists. One might suggest that writer/director Semans has no more experience with rural culture than the Coen brothers, and considerably less satiric verve.
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user\nNo, it's just a cheap 1940s serial using the Cap's good name. If you are a fan of the comic book, you will be greatly disappointed. They have radically changed the character. No shield, no Bucky, no fighting the Nazis, no wings on the side of his mask and most importantly: Captain America is now a District Attorney and no longer a GI.
Dick Purcell as Captain America? Don't look too closely when he changes into his costume. It is pretty obvious that he was not in the best physical shape when he made this serial(can you say flabby?). It is also VERY obvious that a stunt man is performing most of the action here. Almost every chapter has an obligatory fist fight that is shot and performed in exactly the same way. The villain is rather bland and although he uses an alias (The Scarab), he doesn't wear a disguise of any kind. The story is repetitive and very simple. The effects are laughable and the action is average. On the plus side we have sexy Lorna Gray as the D.A.'s assistant and the good Captain gets to ride on a cool looking motorcycle in one early chapter. Overall OK but nothing special.
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user\nThis movie started out cringe-worthy--but it was meant to, with an overbearing mother, a witch of a rival, and a hesitant beauty queen constantly coming in second. There was some goofy overacting, and a few implausible plot points (She comes in second in EVERY single competition? ALL of them?) Unfortunately, the movie suffers horribly from it's need to, well, be a TV movie. Rather than end at the ending of the movie, an amusing twist in which the killer is (semi-plausibly) revealed, the movie continues for another twenty minutes, just to make sure that justice is done. Of course, now that the killer is revealed, she suddenly undergoes a complete personality shift--her character gets completely rewritten, because the writers don't need to keep her identity secret any more. The cheese completely sinks what otherwise could have been a passably amusing movie.
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user\nA `Wacky Chick' flick. A beauty contestant winds up dead and the Usual Suspects are rounded up. Another entry in the vein of the Texas Cheerleader, this is an average example of its type.
Yasmine Bleeth turns in her usual wholesome girl performance, and Jill Clayburgh does a good job as her stressed-out slightly obsessed mom.
Some mildly funny moments listening to the vapid self-serving PR coming out of contestants' mouths. (`I'd like to own a restaurant so I can give left-over food to the homeless.')
You have to ask yourself what people are using for brains when they think a cheerleader spot or beauty crown is worth killing for!

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user\n*****Spoiler Ahead*****
I suppose that you shouldn't expect much of a made for TV movie, but this one was especially bad, the plot was a good idea, but badly done, the acting wasn't especially good. And the ending of the film was just terrible. The main character was perfectly normal all the way through the film, and then suddenly when we find out that she was the killer she just turns into a mentally challenged psychopath. It's completely pathetic.
There is only one reason really to watch this film, Yasmin Bleeth, although haven't we all seen her in a swimsuit before ? Don't bother even watching this waste of time, if you want a film about the world of beauty contest then watch \"Drop Dead Gorgeous\" instead, it's only an infinite number of times better.
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user\nPrimary plot!Primary direction!Poor interpretation.
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user\nThis well-meant film falls just a bit short, and unfortunately in too many areas.
The scenery is gorgeous, with vistas of north-central Vermont providing the setting for this mid-century tale. Quebec Bill endeavors to go back to his whiskey-running past in order to save his farm.
Going back and forth between scenes of magical realism and straight-forward action, this film rarely hits its stride.
Kris Kristofferson as Quebec Bill seems pretty stilted, or else it's his lines; or else his cross of Yankee and Quebecois accents. Anyway, he just comes off as a low-key blow-hard. His dialogs with Gary Farmer's Coville character do sparkle, though. William Sanderson's Rat Kinneson is solid. Charlie McDermott shows some real potential as young Wild Bill; but his part's not large enough to carry a scene and he never steals one. Luis Guzman shows up on Lake Memphramagog (with a fine stand-in performance by Lake Willoughby) as a monk with a boys'n'the hood accent: who knows? And then there's Bujold's Cordelia: an oracle like her namesake, she channels Yoda as she intones lines like \"You will marry a Quebec woman!\"?!? Just too weird and nowhere near enigmatic enough.
The end gets really choppy. Again a bad mix of magical realism and the concrete. And Yoda never provides an answer we can understand.
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user\nCould possibly be the worst film ever made. At least plan 9 From Outer Space was funny. I can't believe they talked someone into actually putting up money to make this thing. Complete waste of celluloid. Before I saw this crap I had some respect for Kristophersson. I guess somebody needed a tax write off. Please, in the name of all that which does not suck, stop whoever made this, before they suck again!This movie should be avoided by all people who are not on LSD, or my crazy cousin that insists we're part Native American.If you are in the woods, and an owl starts talking to you, see a psychiatrist. It is not necessary to make a movie about it.
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user\nThe movie plot seems to have been constructed from a disjointed dream. There is not enough realism to hold the viewer's interest. The Vermont Farm scene was a failed opportunity to show the way farms were set up and farm families lived which would have been interesting and entertaining. There was little if no research into the whiskey bootlegging trade of the period. The costumes of the Canadians looked like something from the French Revolution, totally unbelievable. The fiddle playing was good and of the time period but Chris's motions while supposedly playing were unbelievable. The owl's appearance was a never explained mystery and the train disappearing into thin air was too much. I couldn't understand how a live trout got frozen into the ice and why two men in the wilderness without food would release the trout, a good food source.
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user\nOK... so... I really like Kris Kristofferson and his usual easy going delivery of lines in his movies. Age has helped him with his soft spoken low energy style and he will steal a scene effortlessly. But, Disappearance is his misstep. Holy Moly, this was a bad movie!
I must give kudos to the cinematography and and the actors, including Kris, for trying their darndest to make sense from this goofy, confusing story! None of it made sense and Kris probably didn't understand it either and he was just going through the motions hoping someone would come up to him and tell him what it was all about!
I don't care that everyone on this movie was doing out of love for the project, or some such nonsense... I've seen low budget movies that had a plot for goodness sake! This had none, zilcho, nada, zippo, empty of reason... a complete waste of good talent, scenery and celluloid!
I rented this piece of garbage for a buck, and I want my money back! I want my 2 hours back I invested on this Grade F waste of my time! Don't watch this movie, or waste 1 minute of your valuable time while passing through a room where it's playing or even open up the case that is holding the DVD! Believe me, you'll thank me for the advice!
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user\nI watched this movie so that you don't have to! I have great respect for Kris Kristofferson, but what was he thinking? He did this for scale?
At least the film's title practices truth in advertising, since people and objects routinely disappear throughout the film, adding to the confusion. Kristofferson mentions this in his commentary that even he wasn't sure if Genevieve Bujold's character really existed. This does not bode well for the viewer being able to follow the story!
The \"making of\" feature was far more interesting than the movie itself. It explores the difficulty cobbling together funding for an indie, even as the film is being shot.
To it's credit, this movie is visually pleasing and doesn't in any way look like a movie made with just slightly over 1M. Too bad the money wasn't spent on a better project.
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user\nLike the previous poster, I am from northern Vermont, and I was inclined to like this film. However, not since \"Red Zone Cuba\" have I seen such a confusing plot. The things the people to bootleg make no sense. Two of the gang paddle across the border send a second party across in a car. Uhm, why? Then they meet two others, and drive up at night in to the bad guy's hideout in a luxury Packard. --Wouldn't just two people in a flatbed truck make more sense? Then, parked outside the garage that holds the targeted hooch, the four fall asleep! When they waken in the morning and and start hauling the whiskey out, of course they're spotted and shot at, losing some of their precious cargo in the process. Then two of the smugglers put the whiskey in a boat and float it over the border. Again, why? I am told by someone whose great uncle really did smuggle in the area, all one needed was to drive a vehicle that could outrun than the U.S. Canada Border Patrol, which back then had a fraction of the resources it has now.
And don't get me started on the last half hour, which made no sense whatsoever.
The only good thing I can say about the film is that Kris Kristopherson has actually grown some charisma with the years.
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user\nI just finished watching Disappearances at AFI FEST 2006 with about 30 other people in a mostly vacant 1000 seat auditorium. The festival programmer, after seeing the lack of audience, started his opening comments with, \"Well at least a few of those attending the festival have good taste in film\". Well Mr. Programmer, after watching this film I must answer back \"No we don't, and either do you!\" This \"back-woods\" period piece follows young (not so) Wild Bill as he and his mystic family dangerously run illegal Canadian whiskey across the border during America's prohibition. The old-time outlaws (Kris Kristofferson and company) not only need the money to save their ramshackle Vermont farm but want to introduce little Wild Bill to the virtues of manhood.
Although handsomely photographed, this adventure story lacks what makes films of this sort good, \"tension\" and believability. Kristofferson's lackluster performance and dry monologue reminds me of a dream I once had where Al Gore was playing the role of Willy Wonka. I just didn't care and when Wild Bills mystic grandmother appears out of thin air to give him advice it just didn't fit. Yes, I almost fell asleep more than once.
Gary Farmer does do a good job as the Cameron Frye in Ferris Bueller character; brother-in-law of Big Bill while the teenage Chris McDermott does uses those piercing blue eyes to his acting benefit.
But overall expect to see Jay Cravens Disappearances playing at a Block Buster $2 Bin near you.
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user\nForgettable pilot that never really explains why Nostradamus is really important to the plot of this movie, but Rob Estes plays a a hunky cop who happens to be Nostradamus for some reason and who battles time-travelling Medieval monks that run around with guns and set people on fire to start the apocalypse. Oh yeah, there's also a sexy FBI agent who happens to be a pyschic and is trying to get Rob to believe everything before it's too late. Too bad they couldn't predict a better plot. Yawn.

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user\nHmmm, started well, like a hybrid of X-Files & First Wave, unfortunately, if the mere notion of Da Vinci's lost time machine is preposterous to you, then the final 'battle' between one man with a pistol and 4 16th century monks armed to the teeth with automatic weapons will seem positively ridiculous equalled only by poor acting, poor script and screenplay, or, in other words, giggle factor 5 captain.
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user\nThis movie has good intentions, at least in the message \"don't be afraid, no matter how tough it can be. Fear will kill you in the end\" It's a good message, but the container is so flawed that the message gets squashed by bad acting, complete lack of credibility in the feelings, dialog that's delivered as if it were read out loud, stereotypes instead of breathing, living people.
It abuses from effects such as slow-motion to compensate for a complete lack of credibility in the acting and thus, a lack of emotional force...
The suicidal part of it still reminds me of a low-budget film from the pre-90s, when lesbians seemed to have (at least on celluloid) an utter incapacity of live good, happy lives, and a tendency to get caught in over-the-top dramas that often involved separation, death, or prison.
Had it focused on the rewards of living life according to how we feel it (and not according to how others think we should live it), it would have being less dramatic, more inspiring. But it doesn't, it focuses of pain, on loss and leaves the message at just a theoretical ideal.
I can't see how this movie can be an inspiration to anyone to come out or overcome fear and rejection.
If you're looking for a really good movie that talks about overcoming fear and daring to live what you feel, go back to the magnificent \"Desert Hearts\" (even better: read the novel!)
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user\nYeah, I made it all the way to the end. It was pretty hard though.
Sometimes I was wondering if there was even a director on set. The acting...well, I don't even know what to say. I thought the girl who played Emily tried her best with the boring, sometimes wacky and sometimes predictable dialog.
I know that it was low budget but the hollow sound and the lighting unfortunately made it look and sound like a 100-minute-long audition tape.
I'm not even going to talk about the ending...
The best thing about the movie was the music.
That being said, I do not recommend this movie to anyone. Even for lesbians who don't have many movies to watch overall, this is nothing to waste your time on. If you're looking for a sad lesbian themed movie, check out The Children's Hour, Lost and Delirious or High Art. Those will all leave you depressed and gloomy but you won't have to suffer cinematic hell in the process.
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user\nOK, I don't want to upset anyone who enjoyed this film but it was a really bad movie. Just the way the scenes were edited and the acting, it made me cringe at some points. I really tried to enjoy it but it was like a student film, they must have had the smallest budget. I really liked the story line to an extent and the characters were likable but the film on a whole was just awful. Also, why is it that in almost every film with lesbian characters one of them has to either commit suicide or die or turn straight?!?! This is so sending a wrong and unrealistic message. I gave it 3 stars and everything considered I think that was very kind of me. Only watch this film if you want to laugh at how bad it is.
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user\nI loved Heavenly Creatures and make it a point to catch it whenever it is on.
So, imagine my delight when I discovered Love & Suicide while browsing NetFlix. Echoing Heavenly Creatures, an easy choice, to the top of my queue it went.
I watched it last, made myself comfy, and waited. What I thought was some crappy preview of a stoned high school student's prank film project (I laughed out loud once or twice, thinking \"that just lowered the bar of straight to video\") turned out to be the movie. Horrible acting, amateur direction, weak dialog. I usually enjoy low budget films, there is something tangible and real about them because they cannot afford the superficial stuff to distract from the \"meat\" the acting, the direction, the plot, the story. I would liken it to a student who hasn't studied for an exam goes in knowing he is going to fail and just puts his head on the desk and sleeps.
In someone else's hands the plot would have serious potential.
Do not expect magic or even a cult classics like, say, Divine's Polyester, or Showgirls, at least there you learn to expect bad acting.
Love & Suicide went from bad, to worse, to the WORST movie I have ever seen.
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