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user\nNatile Portman and Susan Sarandon play off of each other like a symphony in this coming of age story about a young girl, who is sentenced to life as the daughter of one of the nuttest women you will ever encounter. Sarandon has this ability, call it talent if you will, to play some of the most off-beat characters and bring their humanity to forefront of any film she makes. As the mother of this obviously brilliant and muture beyond her years young girl, Sarandon alternates between being the mom and being the child with the ease of a ballet dancer. More importantly she does it with strength and flare without stomping all over Portman's portrayal of the daughter. The question is always asked when we deconstruct the film plot, who changes? This film is certainly about the daughter, but if you look close at the dreams and sacrifices that Mom makes you come to understand that she changes in step with her daughter. I am willing to bet this makes all of us in the audience change also. The hallmark of fine drama
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user\nMy one-line summary hints that this is not a good film, but this is not true. I did enjoy the movie, but was probably expecting too much.
Adele, who is solidly portrayed by Susan Sarandon, did not come off as a very likable character. She is flighty and irresponsible to what would be an unforgivable degree were it not for the tremendous love she has for her daughter. This is the one thing she knows how to do without fail. Adele's daughter, Anna, is a sad girl who is so busy making up for her mother's shortcomings that she does not seem to be only 14-17 years old. This, of course, makes Natalie Portman the perfect choice to play Anna since she never seems to be 14- 17 years old either. Portman pulls this role off with such ease that you almost forget that she has not been making movies for 20 years. Yet, even with the two solid leads, Wayne Wang never seems to quite draw the audience in as he did with The Joy Luck Luck and even more so with Smoke. Though I have not read the book, the film feels as if it has made necessary changes to the story to bring it to the big screen, changes which may drain the emotional pungency of the story. I enjoyed the film for the fun of watching two wonderful actresses do their work, but I never got lost in the experience and I never related to their plight.
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user\nI was able to see \"Anywhere But Here\" last night as a free sneak preview. I absolutely LOVED the film! I was drawn to it because of the realistic portrayal of a mother/daughter relationship...there was definitely a connection between Adele a and Ann. I think that speaks volumes of the outstanding performances of both Susan Sarandon and Natalie Portman. Sarandon was just the right actress to portray Adele and after leaving the theater I could not think of another actress in the role. Portman was also excellent as Ann. She brought a sense of maturity and intelligence to the role that I don't think any other teenage actress could. I think it would the Academy of Motion Picture Arts and Sciences should give credit where it is due and nominate both Sarandon and Portman for Awards in the \"Actress\" and \"Supporting Actress\" categories. It would be a shame if they were overlooked.
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user\nAnne (Natalie Portman) tells us about how much she hates her mother, Adele (Susane Sarandon). That's how the movie begins. Adele decided that her and her daughter were moving to California without asking anyone and leaving her husband without any reason. The story is about the relationship between the mother and the daughter. It's really deep and touching, thanks to the great work of the actresses. Natalie was nominated to a Golden Globe for that role. She is one of the most talented actresses I ever saw, and so is Sarandon. They really look like mother daughter. The soundtrack is also great. The movie is incredible. *10 out of 10*
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user\nThe main attraction of Anywhere but Here is the superb performance of Natalie Portman. She gave her rather thankless character a lot of much-appreciated emotional depth. Susan Sarandon, a fine actress, is suitably sincere as the mother figure. I thought the chemistry between the two stars was believable, a chemistry that could have been developed more with a more involving script. I am not saying the script was bad in any way, I am just saying it seemed underdeveloped at times. I don't think it was the script writer's fault. The film did suffer from being overlong, and became sometimes unfocused in the longer scenes. The film does look beautiful, with some good direction and excellent performances. All in all, watchable certainly, but maybe more for an older audience. 7/10 Bethany Cox.
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user\nThis film is about a single mother who is happy go lucky to the point that she is almost irresponsible, and her sensible teenage daughter who is undergoing adolescent turmoils.
\"Anywhere But Here\" is an engaging film from beginning to the end. Both Ann and Adele are described well right at the start, so we get to know how different their personalities are. Clashes inevitably ensue, and they are engagingly presented. I find myself so drawn to their state of minds and their circumstances. it is as if I am living their lives, feeling what they are feeling.
Susan Sarandon gives another excellent performance in \"Anywhere But Here\". She is charismatic, happy go lucky, hedonistic, warm and loving all at once. I have always liked Susan Sarandon, and I think she is grossly underrated.
\"Anywhere But Here\" is a captivating emotional journey.
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user\nI thought Anywhere But Here was a good movie.It stars two wonderful actresses, Susan Sarandon and Natlie Portman, which when I heard they were in a movie together I resist watching it.Overall, it was a pretty enjoyable movie.It had it's moments where I felt as if they tried to hard, and there was also some really overdone and worn-out material, but there wasn't anything in the movie that I absolutely hated.I even liked how they used the pop-up performance of the uncredited Thora Birch, and all the little happy/sad moments are touching and effective.If you want to watch this movie, go ahead, because even though I don't recommend it, it's not something you should avoid, and a 5.9 rating seems unfair in my opinion.
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user\nRegarded as another one of the recent over-the-top drama's brought upon us by Hollywood, this movie excels where others have totally failed(especially considering the most underrated performance in recent dramatic character portrayal by that of Natalie Portman), this film is almost unanimously driven by the chemistry that both Susan and Natalie share. They seem to be so natural during the movie that you would mistake them for a real family. They go through so many mother-daughter conflicts in the story its kind of hard not to pick up on their acting abilities. I feel that these two actress' talented performances picked up where the story was lacking and almost too familiar (full of cliche's) and really saved the suffering plot. I would recommend this movie mainly to those who like either of the two actresses or such over-the-top drama's.
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user\nChick Flick? Of course.... Been done before? Many times.... Predictable? Yes..... Worth watching? You bet! I was delighted with Sarandon and Portman's portrayals of otherwise stock characters in a familiar story line. I am a great fan of mother/daughter stories. What makes the difference between the good ones and the weak ones ARE the performances and the character development. Although this is not the BEST of its genre, I will buy it and watch it again. I felt the characters were believable and the acting was superior.
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user\nAnywhere But Here is not exactly anything new, but the excellent performances by both of the main actresses made it worth watching. Sarandon and Portman are a mother and daughter who move from rural Wisconsin to sunny Beverly Hills, California, in search of a better life. The main conflict comes from the fact that Natalie would much rather have stayed in Wisconsin with all of her friends and family, and she felt that she was forced to go to California with her overbearing mother.
(spoilers) While it's true that the film as a whole is disappointingly predictable, Susan Sarandon and especially Natalie Portman give performances that are so good that they almost make the material seem new. Anywhere But Here doesn't cover any new ground, but it does have the rare quality of being able to take overused subject matter and make it fairly interesting again. Also seen in this movie is the most heartbreaking facial expression seen in years, seen on Natalie Portman's face when her mother drops her off on the side of the road and she watches the car fade into the distance. Particularly noteworthy is the ironic subplot about Natalie's mother pressing her to become an actress, as well as a very convincing performance from Shawn Hatosy as one of Natalie's very close cousins from back home. His death is a tragic cliché almost always seen in movies like this one, but the rest of the film makes up for numerous weaknesses like this. Not great, but Anywhere But Here is definitely worth a look.
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user\nI was impressed with this film because of the quality of the acting and the powerful message in the script. Susan Sarandon plays the part of a flighty, irrational and possessive mother, who constantly gives her daughter the message that they must stick together. She removes her daughter from a dysfunctional but loving family in Indiana to pursue an exciting acting career in Hollywood. The daughter is dubious, but at first she has no choice--- the bond with mother is pathologically strong.
In time the girl sees that the mother is off into flights of fantasy and does not have her feet on the ground. She sees her mother go head over heels for a handsome, seductive guy who loves 'em and leaves 'em. She sees that the mother doesn't get it. So how can she look to her mother for guidance?
The mother directs the girl to a drama try-out and sees the daughter act out the part of the mother in such a way that a shockingly painful mirror is held up to the fly-by-night mother. This causes a period of depression and the girl is horrified at the impact on the mother and is apologetic, but the lesson takes hold.
There is character-growth as the mother realizes her selfish claim on the daughter and eventually is persuaded to let the girl go. It is a touching scene and a valuable lesson, that parents, however emotionally dependent, have to let the child go and become her own separate person.
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user\nI was laying in bed, flicking through the channels... and boy do I have channels... 500 of them. With over 70 movie channels, I probably watch a movie on cable, once or twice a month... DVD has spolied me.
Anyway, I'm flicking through and I come to this movie and because I see Natilie Portman, I take interest. 110 minutes later I am still interested. How could this be? When I first saw the previews to this movie in the theater I remember making fun of it. I never thought I'd watch it... nevermind like it.
The story is based on a book, and you can tell. The movie is very episodic, andit's not like the movie has a great plot, it just sucks you in. May-be its that performances that do it. I'm pretty sure in must have been.
This movie was good for no reason...
Peter's Movie Rating (out of 10): 7
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user\nit´s a movie to see on tv and only once.. i mean, it´s good, but it´s a little too lengthy and the plot is so well-known, it isn´t very original but it isn´t boring. the best thing of the movie are the performances, natalie portman and susan sarandon are great actress and in this movie they have done a great job. i give it a 7.
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user\nSusan Sarandon. She made this movie for me. I've never appreciated her acting more than as I did in this movie. She really acted as though she were Adele August. I can appreciate actors and actresses who leave their individual persona and create a character who's truly believable.
Natalie Portman as Ann August helped create the ideal antagonist as their characters developed through the movie. The movie was about them so the other characters were peripheral.
I gave this movie an eight rating, but Susan received a ten from me because of her performance. As far as relationship movies go, Beaches and Terms of Endearment had a greater impact on me than this movie, but I highly recommend it.
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user\nMost families will recognise similarities between their own family and that created through brilliant acting by Natalie Portman and Susan Sarandon. Natalie creates an on screen image that justifies her as one of the best actresses in America and one worthy of a Golden Globe Nomination. The control of her emotions are so in tact that at any point in the movie she can tap into them and release an unforgettable scene. Susan is also amazing in this movie as yet again she chose a role that is so different to any other and carries it through with true professionalism.
Any Natalie fan would've seen the film based on her past successes, but you should also see it for the emotions that are released during the film. It is a truly humbling experience.
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user\nSince I am a fan of Natalie Portman, I had to see the movie. I enjoyed every minute of it. It plays out in a very sincere way. Throughout the whole movie at seemed as if Natalie was the mother and Susan was the mother. Susan's character kept making bad decisions and kept getting burned because of it.
I heard that there was supposed to be a love scene involving Natalie and some-guy (he's in Outside Providence) but Natalie would only accept the script if that scene was removed. And I think that is great. I think that a love scene would have ruined the tone of the film.
Natalie must have a knack for picking good movies to be in because I haven't seen her in a bad film yet. So, any movie that has Natalie Portman will no doubt be seen by me.
A good film. 7/10
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user\nIts the best movie I have seen in 2000, it has the beautiful and talented Natalie Portman in it. It has a great storyline, cast and soundtrack. I enjoyed it very much. 10 out of 10
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user\nBeing 15 myself I enjoyed this flick thouroughly!! I related to the character Ann August more than most would. My Mother isnt AS eccentric as Adele, but the feelings of lonliness is the same. This movie is perfect in the ating aspects, and Natalie's, and Susan's performances are so linked together that it's the best onscreen dual i have seen in years. Their chemistry brings the characters to life, they become real people! I would recommend this flick to anyone who is hoping to get away. Because there is genually alot of people out there who would wish to be \"Anywhere But Here\" including me! and if you can, see this movie with your best friend or your mother. Its the tears that blend everyone around you together more!!
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user\nAdam Sandler's movies are my favorite comedies. The Silence of the Lambs is my favorite horror movie. The Matrix is my favorite sci-fi movie. Anywhere But Here is my favorite drama.
Perhaps the single most valuable asset that this movie has is it's acting.
Susan Sarandon is absolutely amazing. By the end of this movie I felt as if I knew her character better than I knew myself. She did a simply amazing job.
Natalie Portman also did a great job. I recently rented her first movie, Leon (1994), in which she played a 12 year old girl. I believe that she is a contradiction in terms; she was a good kid actress. Well, 5 years later she is still just as good an actress. In fact, she's much better.
Not only did Sarandon and Portman portray their characters well, but they also worked perfectly together. I mean, even now I can hardly believe that they are not actually mother and daughter in real life as well as in this movie.
This movie is about a 14 year old girl (Portman) and her restless mother (Sarandon) that leave their home town in Wisconsin for Beverly Hills.
At first Portman hates her mother for taking her away from her cousin and friends, and the two begin a very tumultuous relationship that goes up and down over the course of a couple years (usually down, might I add).
Although this explanation is a little vague, the plot can only be summarized vaguely. But when you see this movie you will see that the plot really is not so vague or weak, for it is actually very deep. What I am saying is that the plot is outlined weakly, but then they focus in on it to make it strong.
And it is very strong, but also the plot sequencing is great. And there are a few brilliant scenes that I hope will someday be seen as \"classic\".
I loved this movie. I laughed. I cried. And although, admittedly, there are a few loopholes, it's still a stellar movie and it really comes together in the end.
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user\nI'm sorry, but \"Star Wars Episode 1\" did not do any justice to Natalie Portman's talent (and undeniable cuteness). She was entirely underused as Queen Amidala, and when she was used, her makeup was frighteningly terrible. For \"Anywhere But Here,\" she sheds her god-awful makeup and she acts normally. And not only can she act good, she looks good doing it. I'm a bit older than she (she's only 18), and I have little or no chance of meeting her, but hey, a guy is allowed to dream, right?
Even though Susan Sarandon does take a good turn in this movie, the film belongs entirely to Portman. I've been a watcher of Portman's since \"Beautiful Girls\" (where she was younger, but just as cute). There's big things for her in the future - I can see it.
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user\nI just came back from seeing this awesome movie!! I can relate to it so much...It reminded me when my sister had to go to college, we had to move from place to place, and my mom acts like Adele August! Boys might not like this movie since it brings tears to your eyes. One of the best real-life movies I've ever seen!! and Natalie Portman rules!! 10/10
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user\nI just saw this movie tonight. Coming into it I thought it would be good because I like Natalie Portman alot and Susan Sarandon is a great actor too, but it was way better than I could have imagined. You come out of the movie feeling great. The acting was excellent, which is something that can be hard to come by lately. Natalie Portman is destined for great things and me being a college student at NYU, think that it is great that she is going to school instead of just being an actor. Anyways, back on subject, the movie keeps you interested the entire way through and I definitely think that everyone should go see it. I would give more details, but I don't want to give away the movie.
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user\nI absolutely LOVED this movie! Since I don't want to give much away, it's basically about about a mother and a daughter and the life they have together. It's very heartwarming story, between the struggles they have. I also think Natalie and Susan have perfect chemistry throughout the entire film! This is definitely worth seeing! Two thumbs up, way up!
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user\nBeing a fan of Saint Etienne and the City of London, I was very excited to see this movie on the list of the Vancouver International Film Festival. This movie has great shots, an absolutely excellent soundtrack and interesting insights into a 'not so well known' London.
The movie is held completely in 'dark' colours, which I personally don't like too much. Furthermore the narration was a little too British and the comments sometimes got a little flat. Other than that, there are some great comments by Londoners and excellent shots. FINISTERRE doesn't glorify London by showing all the great attractions of the city, but rather gives deep insights in what London is really like. From the East end to the vibrant centre with its music scene as well as the 'special little retreats' for Londoners.
All in all:
+Great Soundtrack +Nice shots +great insights
-Narration -Tiering to watch at times -Very dark picture
Worth watching! I give it a 7/10
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user\nThis movie is about London and it's an amazing movie. it will be released on DVD in april 2003 and I will buy it when it gets out so If you have not seen it until then BUY IT. The music in the movie is even better (saint etienne) have done the soundtrack.
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user\nNever, ever, have I been as impressed by a film as this little piece about four groups of people, that faces a crisis, or many. In some ways a little like Short Cuts, but totally different, at the same time.
There are a heap of lead characters, whom we all learn to know very well as their stories unfold, and they are, as persons show their good and their bad sides, their weaknesses and their strengths, with lots of drama and laughter.
The closest equivalent in a US movie, I can think of, which then is far weaker in every respect, is the Royal Tenenbaums.
Four Shades of Brown, as the title would be in English, tells the story about a stressed out hotelier and his wife, and his elderly parents (who are traveling magicians); about the receptionist at an animal crematory and his family misadventures; about the members of a cooking course (who mostly talk about their sorry lives) and fourthly about the funeral for a womanizing trotter jockey, who tries to continue orchestrating the family from beyond the grave, by singing and appearing in 3D during the funeral, thanks to high tech equipment that has cost his entire fortune (the family gets nil, not even the famous horse is given to the family)!
There is a warmth and compassion in this film, that is filled with grief and laughter, that I've never experienced before.
Most actors were new to me, except Robert Gustafsson and one or two more, but they all deserve the big slam the film took at the Swedish Guldbagge extravaganza (= the Swedish \"Oscar\" Awards) a week ago!
Male, female and male supporting actor prizes went to this film, plus a few more, to boot!
If you have the chance, go and see it - the hours float by very quickly!
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user\nI didn't know what to expect from this hugely popular (and hilarious) Swedish comedy & satire team, as they released their first feature film. More broad satire? Well, we do get four contemporary, exceptionally memorable tales of family pains, generation gaps and fatherhood, in particular. But it's drama, thankfully, and what drama! Epic in its scope, as each episode is from carefully picked, geographically different parts of Sweden. But each story could seriously carry a whole movie, if expanded separately.
It's dark, twisted, harrowing, yet massively entertaining and breathtakingly executed. Script, acting and cinematography are absolute world class, as three hours seem to get by in a blink! It's four shades of mastery, and easily one of the best films in the nations' cinema history. It's Sweden's answer to \"Short cuts\" or \"Magnolia\", if you like, and instantly on par with those!
9 out of 10 from Ozjeppe
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user\nThis movie must be exported to the rest of the world! An absolute masterpiece, with a both bizarre and grim film about four different stories from four different locations in Sweden. The one with the newly renovated hotel with the improper wooden figure of an old finance minister is absolutely the best of the four, odd story about love or career. I would love to see all four as a film on their own they can be so much more extended.
Also the unique pause in the middle is something I've never seen before.
Can't wait for the series (if they're doing one) or the extended DVD. Apparently they had cut out a lot to fit it in to just 3,5 hours.
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user\nDuring the making of this movie I once caught a statement on television about it. Something like: \"Is Killinggänget now taking off Nazism?\"
So, my comprehension of this movie, was from the beginning to get a notion of Nazism. When recently seeing this movie in the TV-version I had this filter before me and it wasn't difficult to see this.
Strangely enough I haven't met this way of interpreting the film ever since I first heard it.
These are the things I found in \"Four shades of brown\". In all four of the stories the lack of empathy leads to disaster:
1. The crematory-worker shows no realistic empathy to the dead animals or to those who had to say goodbye to them. In the crematory-room in dealing with death and fire it's almost like a cheerful game to him. The seriousness of death and fire is not emphasized by the father and his boy accordingly, in ignorance pushes a button that leads to the disaster that injures his father severely.
Possible lesson: The importance of showing the young adequate emotions. When they grow up they need to know what behavior leads to disaster and what emotions lead to good.
2.The magician maneuvers his wife like an invisible puppeteer. Just when she thinks she has begun to cut off the strings to the masters hand, reaching for personality, integrity and joy, he pulls hard and she is back in desolation and despair.
Their son has tried to revolt in creating his own life with perfection and \"good\" taste in opposite to his parents \"bad\" taste. The real problem he is carrying within is far from comprehensible to him: His fathers behavior passes on when suffocating his own wife in his spotless environment.
Possible lesson: Oppression breeds bondage.
3.The father who was abused as a child passes on sadism to his children when he cheats them on their inheritance. He robs them of their childhood and in the end even of their inheritance.
Possible lesson: When no love given you cannot give any.
4.The fathers abuse of his daughter creates in her a ruthless revenger with sadistic aggression. Here the ice cold Nazi-sadism becomes very obvious in physical violence. It gives a possible background and a somewhat plausible explanation to the actions of young \"scin-head\"-nazists behavior when oppressing others.
Possible lesson? : Can Nazism take birth in a pervert home?
Can the hideous consequence of ignoring empathy in family life, in the long run, be that room is given to sadistic Nazism ?
Very seldom does a movie contains so much. It reveals little by little as I meditate on it. I consider it brilliantly \"painted\" and the actors are superb. Especially the nice-seeming bloke played by Ulf Brunnberg that turns out to be the worst of all..
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user\nI like seeing Linda Blair playing in an actual \"horror\" movie again. I had been disappointed with her in most everything since the \"Exorcist \"movies (Which i loved). What was up with all of those nasty \"B-movies\" she did?
David Hassellhoff on the other hand, all i could do is laugh. He is not cut out to be a horror movie actor. David needs to stick to \"Knight Rider\" or \"Baywatch\".
All around, this is an awesome movie. Even for the eighties, this was an awesome film. It has horror, action, and drama. It is a suspenseful, and I loved the way Linda Blair turned out.
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user\n\"Witchery\" is a decent little Euro-Trash horror yarn! David Hasselhoff is pretty damn funny in this one and sadly, he's one of the better actors. Linda Blair is downright terrible and the lady who plays Hoff's wife...she is hilariously bad! The plot of this film is ridiculous too. It's got some holes, which you can't help but notice, but it remains entertaining throughout.
The gore in \"Witchery\" is freaking outstanding. I loved the part where the old bag gets \"sucked\" into the trash chute and ends up in the chimney to roast! And the part where the lady \"gets taken advantage of\" by the Devil was pretty damned disturbing. I'd say this one is a must for gorehounds.
If you're looking for an overproduced, well-acted flick, look elsewhere. But if you like old-school style Italian sleaze and over the top gore, \"Witchery\" belongs on your shelf.
I'm surprised by the low rating on here! What were you people expecting, \"The Exorcist?\" 7 out of 10, kids.
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user\n*Please note: (The below text is taken from the Irish DVD Release). Some of this summary MAY be wrong:
Edge-of-your-seat chiller, in which The Legacy of an ancient Witch and her bloodthirsty coven causes a deserted island hotel to become the embodiment of evil two Centuries later.
When an inquisitive photographer (David Hasselhoff, Baywatch, Knight Rider) and his virginal fiancée (Linda Blair, The Exorcist) creep onto the island to research its gruesome history, they are joined by an unwit- ting estate agent and his prospective buyers.
Gradually the group find themselves falling victim to the ancient evil that lives on in the mysterious old woman who roams the hotel, seeking fresh victims for Satanic rites, human sacrifice and demon- ic possession...
Check in at the Witchcraft hotel... we hope you enjoy your SLAY!
Additional Info. on the movies contents:
Violence: Some gruesome, sexual violence - VERY STRONG!
Sex and/or nudity: Some strong, as well as innuendo.
Bad language: Some, strong.
Other: Some drug use and references.
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user\nI must confess that I've been a huge fan of the almighty David \"the Hoff\" Hasselhoff ever since he starred in the hit 80's TV series \"Knight Rider.\" Whether it's his extraordinary debut as a libidinous high school basketball player in the hilariously raunchy \"Revenge of the Cheerleaders\" or his brilliant portrayal of a dashing prince in the schlocky sci-fi gem \"Starcrash,\" the Hoff has proved time and time again that he's a simply terrific (and shamefully underrated) actor supreme. The Hoff excels here as Gary, a cynical and skeptical photographer who along with his repressed virginal writer girlfriend Leslie (attractive brunette Leslie Cummings) investigates a seedy dilapidated haunted hotel located on a remote island off the coast of Massachussetts. They're doing research on witchcraft throughout the ages and the hotel's last owner was an actress who allegedly practiced the black arts. A bickering family also shows up on the premises to check out the hotel. Pretty soon various folks begin to get bumped off in assorted gruesome ways by the mysterious Lady in Black (an effectively eerie Hildegard Knef).
Granted, the rest of the cast gives the Hoff a run for his money: the ever-perky Linda Blair projects her customary charming flair as a spunky pregnant woman who winds up becoming possessed (natch!), legendary jazz singer Annie Ross bitches it up with gleeful aplomb as a snippy old bat (poor Annie winds up being incinerated alive after she has her lips sewn shut and she's hung upside down in a chimney), and gorgeous blonde Catherine Hickland oozes considerable sex appeal from every fetching pore as a lusty slut. Fabrizio Laurenti's competent direction, a suitably creepy atmosphere, Gianlorenzo Battaglia's slick, glossy cinematography (the fluid prowling Steadicam tracking shots are especially nice), the gaudy special effects, Carlo Maria Cordio and Randy Miller's spirited shuddery'n'spooky score, and the gory, sadistic violence are all up to par. But ultimately it's the tremendously dynamic and charismatic presence of the one and only the Hoff which makes this choice tasty chunk of tacky Italian horror cheese such a winner: He takes his shirt off once (hubba hubba!), gets sprayed with blood, and -- WARNING: Major *SPOILER* ahead -- even meets a pleasingly grisly untimely end. Produced by none other than Joe D'Amato, this picture overall rates as good, sleazy fun.
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user\nI didn't see this movie until it appeared on television because I was doubtful about comic flicks. Ever since the \"Batman\" series, \"Spawn,\" \"Judge Dredd,\" and many other pitiful p.g.-13 bombs, I dodged everything at all cost. I would question in my mind, \"why can't someone make a movie that is rated R and stays true to the story, how difficult is that?\" And finally my prayers have been answered with Blade. This movie pops right out of the pages onto the screen with sheer violence, blood, martial arts, weapons, fire, the good against evil, etc. Yeah sure a lot of action flicks contain all these goodies, and most of them have bombed. But not Blade, the movie was filmed just right, not going overboard, delivering a good length and never a dull moment. Blade II is cool, but not as cool as the first. Blade is indeed one of the best real comic flicks I've seen in a long time.
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user\nNow here is a movie that does something that hasn't been done in a long time. It take ten or so different elements that we're already familiar with (Vampires, martial arts, a techno beat, top-o-the-line special effects, etc.), and turns it into something that feels brand new. In what could have easily been merely a combination of \"Mortal Kombat\" and \"Buffy: The Vampire Slayer,\" Wesley Snipes (no favorite of mine since and mostly because of \"Passenger 57\") gives a really good turn as the half human/ half bloodsucker. He acknowledges the internal conflict, but doesn't dwell on it more than necessary. He makes Blade as deep a character as Michael Keaton made Batman.
I'll say that the only part of the movie that got me a little miffed was the always present horror movie cliche of that one person that the hero happens to know who happens to know exactly how to stop the evil guy. On the other hand, you sort of have to have that in a movie like this, so it's easily excusable.
Well, Snipes is good. And Steven Dorff, hyped in the previews, makes a more than bad enough bad guy to Snipes' hero. He's got class, presence, and enough control in his little pinky to teach Al Pacino how to tone it down a bit. Who would ever think that a comic book movie would be a launching pad for an actor? I sincerely hope this is. And whoa! where the heck did Kris Kristofferson get acting talent? Don't get me wrong, but the prolific actor hasn't done anything memorable since \"Millennium,\" and how many of us watched that just 'cause of the cool video box? Well, here he is, folks, in a very Obi-wanish turn, as Blade's mentor and father figure. And good job, too.
The quality of the acting is matched by the quality of the choreography and special effects. Accompanied by a pulsing techno beat, the fight scenes brings back and quickly banish memories of Mortal Kombat. Hey! It had a script, too! I was wondering what had happened to all the good writers out there.
The two major indications to me that I saw a quality flick were these; I had no feeling of remorse about paying full price to get in, a la any Schumacher \"Batman,\" \"The Avengers,\" \"MK: Annihilation,\" \"Godzilla,\" or \"Armageddon.\" (wow, how many of those came out this year? Ugh) Also, I look forward to the inevitable sequel, as per the film's ending. Let's just hope they do as good a job with it as with the first one.

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user\nBlade is a fantastic action/thriller that keeps you captured for the whole duration and Wesley Snipes delivers what I would say to be his best performance yet.
This film has everything that you would ask for in an action/thriller, it has plenty of blood, guts and gore, a twisted, disturbed bad buy, moments of humour but most importantly a very good story line with plenty of twists.
Their is constant action throughout the film with breathtaking stunts and effects, Wesley Snipes fighting movement is fantastic.
This film is in my opinion a must see, Wesley Snipes cool, solid appearance makes this film and I can't wait for the sequel 'BLADE 2' being released next year.
My IMDB Rating - 9 out of 10
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user\nIf you like horror or action watch this film ASAP. If the opening scene doesn't get your adrenaline pumping then someone should check your pulse. Great Action, excellent casting and top one-liners. This is the only film I have seen in a cinema where the crowd applauded each chop, kick & punch thrown. Not perfection but who cares when films can be this much fun. Its a pure rush of dark comic book action. 9/10
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user\nWesley Snipes is perfectly cast as Blade, a half human, half vampire known the daywalker. He has all their strengths and his only weakness is the thirst for blood. Since he teamed up with whistler (Kris Kristofferson) he has hunted down vampires who have lived amongst us unnoticed for centuries, but omnipotent overlord Deacon Frost (Stephen Dorff) is tired of living in harmony with the humans (Food as he calls them) and he plans to waken the blood god and take control of the world.
This movie is well cast, written and directed; ensuring the viewer has a thrilling ride from start to finish. Packed with great fight sequences and slick dialogue, Blade is certainly more action than horror, but it definitely delivers.
8/10
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user\nBen Marshall, a teen ager from a religious background, is made aware about the financial situation at home by his domineering mother Laura. She suggests him to find a temporary job in order to contribute to the household. In fact the family has taken a widower, to board with them. Robert Marshall, the father, is a pastor at the local church; he'd much rather be in the country watching birds than tending to the souls entrusted to his church.
The job Ben applies is with an older actress, Evie Walton, who wants him to do things for her around the house. \"Dame\" Evie, as she calls herself, is a woman of a certain age whose career has died maybe because she was not that great. In fact the only memorable appearance seems to be in a soap opera which was popular but she'd rather forget about it. Evie, who is a compulsive liar, tells Ben she's dying, only to forget it conveniently, later on when she comes clean to the boy.
Ben is obviously in awe of the larger than life personality of his employer. He has been taking driving lessons. Evie asks him to take a camping trip, which he does against his better judgment. He knows that it will provoke his mother's fury. Not content with that, Evie decides to go on to Edinburgh, where she has been invited to read at an arts festival. It is this trip that solidifies their bond. Ben gets to meet and taste the pleasures of the flesh with a sympathetic Bryony.
When Ben gets back, everything crumbles at home. His mother, who has been having an affair with a parishioner, decides to leave the family in favor of the young man she has been having an affair with. Ben and Evie's relationship survives the test of time. He also begins to see his own father in a different light.
Jeremy Brock, the writer of \"Driving Lessons\" and other memorable English films, takes his first directorial job with this engaging comedy. The mixture of show business and religion, loyalty and friendship, are explored in his screen treatment making it a fun time at the movies. We have seen the similar situation before as in \"Billy Elliott\", where Julie Walters plays a nurturing role with a younger man. We had read the film was based on Mr. Brock's own experience while working Dame Peggy Ashcroft when he was young.
Julie Walters, who plays Evie Walton, is perhaps the best excuse to watch the movie. She always delivers. Ms. Walters is a welcome presence in any film she appears and she does wonders with her fake \"dame\". Laura Linney, a luminous player herself, doesn't quite get our sympathy with her icy mother. Rupert Grint, famous for his Harry Potter's movies plays Ben, the young man who sees in Evie a kind soul. Nicholas Farrell is the betrayed father. Michelle Duncan has a small role in which she shines.
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user\nI really only watched this movie because it had Rupert Grint in it (who I knew as Ron from the Harry Potter movies). I had never really appreciated Rupert as an actor until this movie. I loved the entire film. Rupert does a wonderful job in this hilarious, quirky movie. I think the movie could have been fine without the sex, but it worked somehow. I can't wait to see more of Rupert's films in the future. Julie Walters also did an amazing job. In the Harry Potter movies, she has a very small role, so I didn't quite know what to expect from her either. But she was wonderful as Dame Evie. The part where she swallows the key was absolutely hilarious. Overall, an amazing movie.
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user\nI'd heard about this movie, but didn't see it until my daughter, who saw it on a flight to Australia, told me it was a great movie. I was interested in seeing whether Rupert Grint, away from Harry Potter, was showing the promise you see in the Potter movies. I wasn't disappointed. He's become a fine actor, showing a range in Driving Lessons from a shy boy being beaten down by an over-bearing obsessive mother, to a young man finding himself to be worthy of his own, and other's, esteem. Going over lines from plays and poetry with his aging-actress employer, it's obvious that he's ready to take on much more complex roles in films and the stage. But the jewel of this movie was Julie Walters. I'd seen her previously in the Potter movies, Billy Elliott and Calendar Girls, and loved her. In Driving Lessons, as she does lines from poetry and Shakespeare, I was awed by her timing, command of the language, and body language. I'm hoping it was make-up/costuming, as she portrays an older woman with osteoporosis, though no mention of it is made in the movie-- as a nurse, I can say that she did this perfectly, portraying a woman on the brink of old-age, but clinging to the sparkling past that she reveled in. This is one of the best movies I've seen in a long time, and I wish I'd seen it in a theatre first-- but I doubt it ever played anywhere here in Albuquerque. We miss out on so many of these types of movies here.
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user\nI, being a fan of Rupert Grint, rented this film a few months ago. I thought it was a very well written movie with a bunch of great actors. It was entertaining, and showed that Rupert Grint could play more than his most well known character of Ron Weasley. His subtle portrayal of Ben and everyone else's great acting made this film very likable.
Ben, a very shy boy with a extremely religious and sensitive mother, is looking for a job. He finds one and becomes the, I guess you could call \"assistant\" to Evie, a retired actress. At first, it is just a way for him to earn some money. But after a while, he and Evie seem to develop a friendship. Evie helps Ben break out of his shell a little and gets him to have fun and be happy with himself, and in the end they both seem to need each other.
Whether you are a fan of Rupert Grint or not, this movie is a really entertaining one with some very cute and moments. I highly recommend it to anybody who wants to see a great movie with great and talented actors.
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user\nThis movie is a great film. The movie shows so many themes all in one amazing film. Driving Lessons centers around Ben (Rupert Grint) a shy 17 year old who is coming of age. The movie goes on about how Ben is sick of his dominating mother and how he just wants to be himself. Ben then meets Evie, who he makes a very special bond with. The two take a journey and in the process Ben finds himself and what a relationship that he and Evie share. This is the movie that you watch by yourself, or with someone else. No matter what, you will all feel what Ben goes through in the movie. It is a very heart warming film that just makes you think whether your driving lessons were ever as emotional or as much of a journey as Ben's Lessons.
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