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user\nOh, why did it have to end like this? Laurel and Hardy's last film, from the crudely cranked-up Cuckoo theme (with erroneous credit to Hal Roach) to the closing \"Nice mess\"/\"I couldn't help it\" schtick, this is the duo as a grotesque parody of themselves. In between, their relationship is now solely constructed of uncertain acting, asinine dialogue and half-hearted slapstick. People slate King of New York, but Chaplin's final bow-out was nowhere near as undignified as this.
What really hurts to someone who loves Laurel and Hardy is the appearance of the two comedians. The video cover I'm holding shows them at their prime, all boyish smiles and glowing skin, with a blurb on the back that reads \"The photograph on this sleeve is for illustrative purposes only and does not necessarily reflect the content of the film.\" Necessarily? It doesn't even come close. The actual film sees them at least fifteen years older than the photographs that adorn the sleeve, with Ollie distressingly overweight. This is not humorously, or comically, fat, as he would normally appear, but ill looking and on the verge of obesity. He would be dead seven years after this film was made, after a series of strokes. Stan, meanwhile, suffering a prostrate problem and dysentery, looks ghoulish as his weight has plummeted drastically. Every time something bad happens to him, such as getting squashed between a lifeboat and a table, you fear for his life. Even Ollie giving him a traditional slap makes you terrified he could be killed. He would last for another fifteen years after the completion of this film, eventually passing away from a heart attack in 1965. It's upsetting to think of such cherished performers growing old and dying painful deaths. And it's distressing watching their deterioration, both in health, and in performance, on screen. When I, and, I'm sure, almost everyone else, likes to think of Laurel and Hardy, I think of Way Out West, Busy Bodies or Our Relations. Seeing them in such physical ill health and performing dire routines at the dog-end of their career is a blight on my happy memories of them.
The warning signs are clear right from the opening credits, which list not only four writers, but also someone to come up with the concept, and a credit for \"gags\". So if Monty Collins was writing the \"gags\", then what were the other four writing? And in that case, why was Monty Collins paid a fee, given that there's no evidence of a single \"gag\" in the whole film? Over 40% of the movie is spent travelling to the eponymous island, during which we experience some of the most painfully unfunny scenes the boys were ever involved in. When I saw the bat scene I wanted to curl up and die, so great was its childish ineptitude. Yet what kills the film stone dead is that all of the support cast are dubbed, unable to speak English. Not only does this make the film disjointed, but also it severely depletes Stan and Ollie's reactions to their co-stars. Flatly directed with appalling film stock and absolutely atrocious editing, this totally belies the rumoured $2 million that was spent on it. Frankly, it looks terrible, and while a DVD release might clean up the picture, the sound and image quality is vastly inferior to any of their Hal Roach work.
Stan and Ollie's \"friends\", Giovani and Antoine are charisma-free bores who stand out greatly against Laurel and Hardy's outdated repertoire. This is another major problem with the film, in that none of the supporting characters are funny, or keyed in to the boys' innocent mentality. The dubbed harshness shown to L & H (\"you - the fat one\") makes them stand out as isolated social misfits, rather than loveable sub-anarchists. There is evidence of some darker political satire - though Duck Soup this ain't - and the concept of an island with no rules is an interesting topic. Perhaps more relevant now than it ever was, a film that looks at the problems of immigration and the American constitution suddenly becomes most topical in 2003. Sadly, however, beyond an amusing scene where Stan is elected \"the people\", this doesn't really go anywhere. And this somewhat black humour does have its harsh edges - or is a Laurel and Hardy movie where rape is directly implied and Stan threatens a man with a bottle, only to accidentally glass someone in the face, your idea of a good time? After all the years of Stan and Ollie sharing a bed, we also get a definite reference, with Stan accidentally kissing him - Ollie wipes off the kiss in disgust. Also worrying is the implication that Stan and Ollie's illegal immigrant friend, Antoine, ends his life being eaten by a lion. Mind you, I never thought I'd see a Laurel and Hardy movie where they were due to be hanged, either. The need for the intrusive and unfunny narration is a further pointer to how messy the whole thing is, with the American release (the same version available on video) hacking out 16 minutes in a vain attempt to improve it.
Almost completely unwatchable, this horrifically made, relentlessly unfunny movie serves only to tarnish the reputation of Stan and Ollie - avoid at all costs.
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