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user\nNot for everyone, but I really like it. Nice ensemble cast, with nice contributions from better known players (like Stockard Channing) and strong eye candy (from Sheila Kelley). What really works is the bond between the three brothers! Try it, you'll smile a little.
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user\nThis is definitely a \"must see\" film. The excellent Director Alain Chabat (also acting as Ceasar) has managed to capture the very essence of the \"Adventures of Astérix\" (the French comic books it's based upon) and to create a fantastically modern and intelligent comedy, which is also an homage to the world of animated films. This movie is so funny, so full of jokes (both visual and spoken) that it might take you two or three screenings before you notice them all, between your bursts of laughter. The only drawback is that a non-French audience (or at least a non-French speaking audience) might not get all the \"private jokes\". There are so many dialogues impossible to translate, so many situations directly related either to the comic books or to the French way of life, that the fun might be lessened. However, it's still totally worth seeing for the beautiful picture, the amazing stunts, the music, the totally crazy atmosphere and the excellent acting. All actors are great, but the film would not be the same without Jamel Debouze, Gérard Darmon and Edouard Baer. And please don't EVER compare this magnificent film to the terrible previous one based on the same comic books : \"Astérix et Obélix Contre César\" and directed by Claude Zidi.
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user\nMaking a movie about a Comic is hard to do. Making a good movie about a Comic is extremely hard to do. Making a good movie about Asterix & Obelix has been done.
This movie shows that the french do know how to make an : a) funny , b) hilarious , c) beautiful , d) superb movie. The acting is no less than superb , the sunny feel to the whole movie is perfect .. A MUST see ! This just has to be the funniest thing to come out since we started the new millenium.. 10/10
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user\nI was lucky to see this sequel before the original because i'm not sure i would have gone out of my way to see it if the contrary had been true. I found \"Mission Cléopâtre\" better than it's predecessor for different reasons, but the major one is this : it was almost word for word an adaptation of one book not an amalgam like the first movie. The physical resemblance of some characters to their animated self were very funny especially the bad guy (who's name is escaping me, but he's the other architect). I don't know how this movie played in English; my first language is french so i didn't have that problem... I imagine some of the jokes weren't that easy to translate. I've learned something with years it's better to watch a movie with the subtitles than with the dubbing maybe you wont understand what is said, but you wont lose the rhythm and i think that's important too. I would recommend this movie to anyone who really loves \"Astérix et Obélix\".
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user\nI loved this film, the audience I was part of loved this film, and the little 7 year old girl who was with me loved this film. We all laughed at the puns, the visual humour, and the good feeling you left the cinema with when it ended. I could easily see why it was such a huge box-office success in France. I am planning on buying the DVD, so I can see it again and laugh at all the bits I missed as I was laughing so hard the first time.
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user\nI have to confess that I slept in the cinema while watching the first Asterix movie... but this one is simply FANTASTIC! It is really funny and it leaves the first one miles away. It has enumerous gags and funny situations that made me laugh since the first minutes of the movie and I only stopped laughing when I reached the car to return home. I repeat: this movie is spectacular... Obelix is really funny and Cleopatra is a real babe!!
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user\nWow! the French are really getting the hang of it. If we look at their first Asterix movie we see a good story with nice actors (especially thanks to Gerard Depardeu)but very lame special effect. In a fantasy story like Asterix Special Effects are really important. Well.. they did it right this time! It looks terrific. I personaly think Mission Cleopatra is the best Asterix story ever written. In the movie there's not one moment you're bored. Go and watch this! One thing! they didnt go exactly by the script which I think is a little bit pittyful. For example, In the comic Obelix breaks the nose of the Sphinx, immediatly all the little storekeepers start breaking of the nose of their miniature Sphinx. (really funny to see)..Well they didnt put it in the movie, instead they burried the nose under the Sphinx. Asterix: \"They will never look for it here\" (guess again). Was funny but not as good as the original. Another thing i disliked about the movie was their choice for music. It maked the film to childies. But never the less... It's a must C!
Grz Da Jean Holland
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user\nAfter I read that ''At the time of its release in 2002, its budget of $47 million, or 327,000,000 FRF, was said to make it the costliest French film ever. However, Astérix et Obélix contre César (1999) had a budget of $48 million, or 274,620,000 FRF, which supposedly made it the most expensive French film ever'' I discovered the reason why I found this movie to be one of the most beautiful and colorful of all I have ever seen. I loved the scenarios,the clothes(specially the ones from Cleopatra) and the atmosphere of the movie! It's so happy and cheerful! I found the jokes smart and hilarious and I have to consider this movie to be in my favorite comedies of all times!
The cast is also excellent, with Monica Bellucci(who is very beautiful as Cleopatra)Gérard Depardieu,(great Obelix!!Christian Clavier, Jamel Debbouze(That I saw for the first time in ''Amélie Poulain'') among others!:)
I recommend this movie even for people who doesn't know Asterix and Obelix comics. You are going to have a great amount of fun!:)
aka \"Asterix e Obelix: Missão cleópatra\" - Brazil
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user\nThis film is the smartest comedy I have ever seen, a lot of jokes are either a parody of another film, (from star wars to dragon ball to power rangers to kung fu etc..) or somehow related to history of whatever, (Otis creates the elevator), a lot of jokes are also related to the modern world and made fun of because it was B.C. (Like the wheels of the horse wagon spinning) Other jokes are just plain total non-sense but also hilarious (like the famous scene, with the dog running after the roman guy with the little music) In fact in this movies they mix pretty much every kind of humor. I watched this film 6 times already and every single time I watch it I find other subtle jokes. (like the scene where waldo is part of the Egyptian crowd). It is the funniest movie I have every seem, finally a laugh-out-loud comedy, that doesn't include toilet or sex humor. Numerobis is also what makes the movie, everything that comes out of that guys mouth is hilarious. This movie is nearly perfect except a few clichéd thing, like the fact that Asterix gets his power back because he is kissed, that is plain stupid. But overall an excellent movie!! 9.5 out 10
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user\nI would say to the foreign people who have seen this movie and who did not understand it that it is normal because it was based on massive plays on words. A person not knowing about the French cultural funny references in this film could not follow all the subtleties. The movie has been a huge success in France and all the actors are well renowned here.
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user\nI've read every adventure of Asterix and Obelix at least 5 times and I'm also a fan of \"Les Nuls\" and \"Les Robins des Bois\" and Jamel so I expected a lot from this movie.... and I finally got satisfied. Unlike the first adaptation of Asterix on the big screen (Astérix et Obélix contre César) which wasn't a real success besides the appearance of Laetitia Casta, this one really captures the spirit of the comic (and we get the beautiful Monica Bellucci). In the first movie the director tried to be too realistic about the time where the story is set and it killed the whole spirit that made Asterix hilarious. In this one all the clothing, the way of talking and everything is identical to Goscinny and Uderzo's work... more, it really stick to the original story with the downside that we know pretty much everything that's going to happen but Alain Chabat gave us a few surprises at the end. I really enjoyed that movie, and everytime that the first sign of boringness starts to appear, Jamel comes in and makes us laugh like crazy. This movie is a big mix of all the kind of humor I really like, and even if maybe it's mixing it too much, I can't help but to like it. So, if you like Asterix and the humor of all these young talents that started in \"Nulle part Ailleurs\" (a french mix of the tonight show and SNL) go see this movie.
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user\nI just managed to find a copy of \"Mission Cleopatra,\" which is not as easy as you would think for someone living in the United States. So far, I have only watched about the first 10 minutes of the film, and I can safely say that I laughed more in those 10 minutes than I did watching the entirety of the *first* live action Asterix movie.
I am watching the dubbed version, and while the dubbing job is a little disconcerting, I have found the movie to be very funny and true to the book. I see that people on here have said that the dubbed version is very inferior to the subtitled version, that may very well be true, and after I watch the subtitled version (also on my DVD) I may have to come on here and alter my review. As it stands, though, I find it to be a very entertaining movie, and it more than makes up for the mess which they made out of the first movie.
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user\nIt is the first time I can recall where an adaptation did exactly like the book... In fact, only jokes were added to the story rather than content blended or removed!
Such as the Egyptian slave Cellularis who had difficulty transmitting, um, communicating, LOL! Or when Tidivinnus was played like a quasi-Sith Lord and got annoyed when the Roman Empire endured a blow, the general ordered for the Empire to..? Ah, watch the movie folks!
I can easily believe that this picture was one of the most expensive in French Cinema History and for my part it was worth it, Depardieux was excellent as the Roman bashing and Boar chomping Obelix. Clavier playing the little indomitable Gaul was perfect and a far cry from his days as the bumbling squire of Jean Reno in \"Just Visiting.\"
The fight-scene between Artifis and Edifis was hilarious and was nice to see the Matrix theme was not borrowed to despoil an otherwise perfect battle!
Redbeard the pirate and his crew almost stole the picture, from scuttling their own ship to being the engine for Otis' (Edifis' Assistant) invention used at the very end.
I understand there's Asterix and the Olympics with many of the same team back, by Toutatis, I plan to view that too!
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user\nI watched Asterix and Obelix in Operation Cleopatra, which was my first exposure to the live action version of the classic comic. Like the comic the whole movie is full of jokes based upon puns, anachronistic jokes and slapstick gags which rarely fall flat.
Asterix and Obelix are Gauls who use a strength potion to fight the Roman legions in their native Gaul. Here they end up in Egypt helping a friend build Cesar's palace (yes its puny) in three months to prove the Egyptians are just as good as the Romans.
The reason I picked this up was because Monica Belluci is Cleopatra. She's good but the role is little more than a cameo. However, even though she's rarely in the film I didn't care since its so clever and the jokes so funny I was in hysterics. I loved it. I loved it so much that I can't understand why the movies have never been released in the United States.
The import DVD has the film in English dub- which is quite good especially when you consider that when you watch it in the longer French version the puns (and hence the jokes) are not always apparent since they are aural, so if you read the names wrong the jokes are lost. Most of the jokes between the full French version and the shorter English dub seem to be exactly the same, though some have been changed sometimes for the better and some times for the worse. Personally I'm gonna stick with the dub when I watch this again since its easier to pick up the jokes and enjoy the humor.
You really will want to see this if you love puns and low brow, but clever humor This is a great comedy
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user\nA great combination: - Chabat's humor - Uderzo/Goscinny world and characters - limited presence of Christian Clavier
The original Comics was great - one of the better of an overall great series - and Alain Chabat, one of the funniest member of the famous French group Les Nuls, was able to film, replicate and supplement, the great work done by goscinny and uderzo by cleverly enforcing the story, giving to Djamel Debouze his best role (at last a little bit far from his usual repeatable part), gathering a bunch of great actors (Gerard darmon is wonderful, as often, Chabat himself is a great Cesar).
In addition, while being obligated to keep on with Christian Clavier as Asterix, Chabat cleverly tuned down his role in the movie to give prominence to Darmon and Debouze... which is always a good idea!
=> Great environment, great scenario, great director, great actors, great humor, beautiful Cleopatra... This movie would have deserved a 10 if Clavier hadn't been involved.
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user\nThe second live action outing for Asterix is far better than the glued together elements of ten different stories that was called the first film, instead staying fairly close to the original comic.
In a nutshell, Queen Cleopatra has made a bet with Caeser to build a palace in Egypt to show that the Egyptians are a great people. Royal Architect Edifis seeks the help of Asterix, Obelix and druid Getafix to complete his task. There are several laugh out loud moments, some jokes that only the French might get (jibes at the 35 hour week) while others that are more universal. The big budget special effects are spectacular but overshadowed by the jokes from the original comic.
Depardieu and Clavier still work brilliantly as a pair while Monica Bellucci makes perfect casting as Cleopatra. Also, for fans of the comics the hilarious pirates get a look making up for their absence in film 1.
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user\nIn the original French version, the jokes of Numérobis (great, funny voice - Jamel Debbrouze) are very funny.
But in translated versions (I saw the German & English version) it's not half good than the original.
But: goof Special Effects, almost the full comic (with differences, like the Figure of Lügnix (German name) is placed in an other comic book.
Sure, the Asterix comic book are cult, but when you watch the animated comic movies from 1968 to 1998 you will see much better jokes, better story and the old \"charme\" and \"flair\" of the cult stories.
For French speaking people I suggest to watch it in it's original version, with or without subtitles, where available in different languages.
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user\nI don't know about the English version of this movie, but the Norwegian translation is the funniest movie I've seen in many years. The characters say so many funny things and make so many weird references to current events that I'm amazed they kept having more options, like the architect who can never say the name of the wizard Miraculix correctly. It becomes things like Malcom(i)X and \"utenriks\", which is Norwegian for foreign affairs.
Like the word \"utenriks\", many of the translations does not give any meaning in English, and probably not in French either, so the translators must have made up their own jokes, and done so very well. Of course, they have a very good base to build on, with a film that's simply comical from beginning to end!
Recommended in all languages with a good translation!
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user\nIf you are French native, then you find this movie extremely funny. It's good, just good! Can though imagine that subtitles or translations don't mean much in english.
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user\nThe above line sums it up pretty good. The best assets of the comics are it's visual gags and word-jokes (the latter of which are almost impossible to translate, which is why the comics are at their best in their original language).
Both are quite hard to capture in film, which is why those will never be as good as the comics. Movies are simply a different medium than comics. With that in mind, this movie does surprisingly well in capturing the fun of the comic.
The word gags are bearable, and sometimes even funny (Debouze does an Amelie reference!). I have to mention that I watched the french version. If you don't watch the french version or your lack of understanding of the french language limits you to the subtitles, the word jokes will probably suck.
The slapstick is okay as well; it's a very simple form of humor, and not really funny when you're older than twelve, but it captures the spirit of the comicbooks. The other visual jokes are the movie's saving grace for the older audience, as their often quite funny.
The acting is totally over the top, but again, that's not annoying at all as it captures the spirit of the comicbooks. Only Depardieu and Clavier don't really overact, which might be the reason some people think they didn't enjoy their roles (I didn't notice a thing). On the other hand Jamel Debouze and especially Claude Rich turn overacting into an artform. It's actually fun to watch. Again, I fear it wouldn't be nearly as funny when the voices are dubbed.
Overall not a bad movie at all, much better than the previous one. It's not a classic and it doesn't dethrone The Twelve Tasks of Asterix as my favourite Asterix movie, but it's still worth seeing. The french version, that is. 7/10
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user\nThis movie is quite better than the first one \"Astérix et Obelix contre César\", but it is far away from perfection. The adaptation of the comic book is good, some of the pictures and the dialogs of the movie are the same as in the book. But there's few things that made the movie not as interresting as the animated movie released in 1968. For example the fighting between Numerobis and Amonbofis. This wasn't necessary or even credible, either for the little love story of Astérix. There were also some stuff missing, like the songs that are in the animated movie, and some other things... I am deceived by the movie because they cutted in the stuff I was expecting tho see and they showed things that I did not wanted or needed to see. I know that it would have been very difficult to make the movie exactly the same than the comic book or the animated movie, but that's what I expected. In conclusion, even if the movie is good, I still prefer the animated movie, wich is in my opinion, far better.
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user\nThe French people are not known to be great movie producers.
Though their Amelie scores high points at the Oscars. Asterix et Obelix is a very different film of what I am used to from the French. It is a great movie especially for kids. The only thing that boddert me was that it was spoken in French and subtiteld. Normally with the english spoken movies (here in the Netherlands) I don't have to read the subtitles. But with the French language you just have to read to understand. The story it self is just great with Obelix who doesn't recall him self of beïng fat, but there also nice details mainly in names like brucewillix and malcomix. You all know the story from the comic books and this movie shows all most slide by slide the book. Every thing is in it, from the Sfinx nose braking till pirate red beards lose of three more ships. I would say a great movie for the weekend with the children.
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user\nThis movie is just great... It starts out real slow and boring but as the movie progresses.....well the fun keeps on coming. The power of the movie is perhaps in it's subtle references to a lot (and I mean a lot) of other movies. For me the best part was perhaps the Bruce Lee/Crouching Tiger, Hidden Dragon scene. How the two actors switches from French to Chinese or whatever Asian language it was, it was awesome. Then the jokes with the names, they are hilarious but perhaps you won't understand all of them when your an American (no offense). Overall a great movie
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user\nI was a little afraid when I went to the cinema to see this movie. Indeed, it is always tough to make a movie from a comics and the first episode of the adventures of the French two greatest heroes was good but not fantastic. Finally, it is very funny from the beginning to the end with unexpected gags, some cartoon scenes, no timeouts, great FX, a great cast, great landscapes, great everything !!!
However, I wonder how they will manage to translate all the French names in English or German, because it is certainly funny in French but how will it be in another language ???
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user\nEh oui, impossible n'est pas gaulois.
Well paced, highly entertaining film. Pretty good command of the French language and knowledge of modern France (and history) are recommended. I don't think this film really works in any other language. The film is incredibly much better than the previous one (In search of...). Apart from great actors and savvy camera handling it's the wit and firework of allusions, word plays etc. that make for a really great movie. The cartoon vorlage is recognizable but the film is very emancipated. The cost of the film is put to good use. Indeed, all the special effects fit 'naturally' into the movie, you never feel choked by them.
Bref, oui, les 2CVs, ça traîne un peu mais à part cela, Imhotep!
-A neighbour from the other side of the Rhine
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user\nCleopatra (the delicious Monica Bellucci) is challenged by Cesar (Alain Chabat): in order to prove that the Egyptians are better than the Romans, she promises to build a fancy castle for Cesar in a period of three months, without any delay. She calls the one-arm architect Numerobis (Jamel Debbuzi) and gives him two options: to be covered by gold if he accomplishes his mission, or become crocodile food if he fails. Numerobis will ask for help to Panoramix (Claude Rich), Asterix (Christian Clavier) and Obelix (Geraard Depardieu) (with Ideiafix). This movie is very funny, specially the parts where Obelix and the Pirates leaded by Red Beard participate. However, the screenwriter and the director should have noted that French is not an universal language as English is. Therefore, the jokes with words (like in Austin Powers movies, for example) does not work well for people strange to French language. French people and persons fluent in French language will certainly like these jokes, but they do not make any sense for me, that do not speak French. My vote is seven.
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user\nThe second (not animated) movie about the only people still refusing to surrender to the Roman Empire is even more hilarious than the first film \"Asterix & Obelix contre Ceasar\".
Where the first movie got all the laughs because all cartoon-characters were so perfectly brought to life without losing their cartoonesque identity, this sequel (which is a separate story as are all the comic-books) is even better. Sure, all the ingredients that you find in the first movie and in the comic-books are present again: Obelix is still dying to taste the \"magic potion\" that gives his other tribe members such enormous powers, Caesar and the rest of the Roman Empire are still enemy number 1, but some new, refreshing elements have been brought to the stage as well.
Not only is setting very idyllic (biggest part plays of course in Egypt) but rather than repeating movie number one, some extras have been added by making all kinds of references to other movies (Bruce Lee etc.). This is all not very new, but the unexpected combination of the known story from the comic-book (with almost the same title as the movie) and references to stuff that has got absolutely nothing to do with Asterix & Obelix really works.
In that way the movie builds further on a tradition by comic-writers Goscinny and Uderzo who didn't hesitate to bring Laurel and Hardy on the stage and even dedicate an entire story to Kirk Douglas.
If all of this doesn't convince you to watch this movie, I'm sure Monica Bellucci playing Cleopatra will....
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user\nYou cannot be seeing the same movie if you didn't grow up in France (or spent at least 10 years there, like me). I don't know if it will ever make it outside French cultural borders (I include Belgium and Luxembourg here). You cannot translate its kind of fun - every name is joke (how many people outside Paris would understand the pun in \"Couloirdebus\", the name of one of the Roman legionnaires ?). However Monica Bel(l?)ucci is so beautiful, I almost forgot to breathe when I saw her.
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user\nThe second film about the adventures of the Gaulois pair Asterix & Obelix is 10 times better than the first. The humor is great (and irreverant) and the script is well executed taken from the original 1965 comic book by Goscinny & Uderzo. I fell asleep with the first film (although i am a great fan of Asterix) and was reluctant to see this sequel, but i am glad this movie proved me wrong. Excellent comedy for everyone. Highly Recommended!
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user\nA film of high intelligence and activity. As well as being a strong capsule of the time and persona that was the 60's, the film is also TRULY a surprise in its forward-thinking themes and the unique presentation of the system of power in a group. William Greaves appoints himself to the authoritative role in the group. He asks his crew members to film and film and keep filming. First the two actors, then the crew filming the actors, then the entire set including bystanders, policemen, and finally a homeless man whose been living in bushes in Central Park for 9 weeks.
Greaves edits the film (thousands of feet) together and surprisingly makes a strong narrative with an interesting arc and motivations. Don't expect to be bored by this film. Each of crew make for engaging conversationalists and often times are voicing the thoughts that the observer has watching this film. Greaves does well at integrating the multiple camera takes using synchronized three-in-one pictures and other attention shifting methods.
In the end, the film will really only be effective if it's what YOU'RE looking for: if you're looking for some abstract arty film that feeds your own self-indulgent ego while never having a point, look elsewhere. If you're looking for a film that will have you talking and thinking long afterward about the desire for honesty and sincerity in documented \"reality\" and the inevitable transparency that comes of it, then this is the perfect film.
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user\nIn 1968 when, \"SYMBIOPSYCHOTAXIPLASM: Take One\", was released, it came from out of nowhere, and struck like a psychedelic thunder bolt. Afro-American actor and film maker, William Greaves, aimed to forever alter the 'news-reel' style of documentary film-making, and to this day, there has never been anything quite like it. The movie is a film about 'the making of a film', and intentionally written and directed so as to create as much controversy and contradiction as possible. Set in New York's Central Park, the action and scant dialog concern a couple who fight and bicker about homosexuality and abortion. The woman wants out of the relationship, and the man wants an explanation. Near the end of this interaction, a drunk homeless man interrupts the proceedings and offers his commentary, and personal back-story. Then, after the principle footage has been shot, the film crew add their own views of the film-maker and what they feel is his inept handling of the movie. And during the entire film, multiple cameras are employed to record the action within the scene, and extraneous commentary by cast, crew, and onlookers. I would certainly recommend this film to anyone who has an interest in Avant Garde film makers such as Andy Warhol, John Cassavetes, or Jim Jarmusch. William Greaves attempts to show that a thing cannot be truly observed and understood because the viewing itself would alter the reality. \"SYMBIOPSYCHOTAXIPLASM: Take One\" can be seen as a cinematic representation or application of The Uncertainty Principle. This is only one possible explanation, and Greave's true intent is certainly open for speculation. Above all else, this film seeks to confound, confront. and stimulate, and without a doubt, succeeds admirably.
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user\nThis is a documentary unlike any other. It has so many layers and shows us so much that trying to analyze it all at once is nearly impossible. Documentarian William Greaves shows us the process of film-making from a different perspective. We see the struggles of the actors, the director, the sound crew, and everybody else trying to hang in there and make this film successful. If this was just about a movie being made it would be ordinary. What Greaves does is make it more complex by having a crew film the actors, and then this will be filmed by another crew, only to have another crew film the whole thing. Three cameras, each with a different goal. It has an almost dizzying affect on you but at the same time is exciting. I like the parts where the crew organizes together and discusses what is going on. Even they are somewhat in the dark as to what Greaves is trying to do. Half see this as an experiment while the other half sees it as a chaotic and confusing failure. No matter what side you choose, you can't argue that Greaves doesn't get you involved in this process.
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user\nHow important is the director, anyway? In this film, made in the politically tumultuous times of the late 60s where questions of social organization were prime conflicts, asks that question by making a movie that turns the camera away from the action and only begs to reveal the director, William Greaves. It is an important work, as it shows like no other movie shows the difficulties in blocking, organizing, and setting the scene; it reveals the role of the crew, something most directors frankly would like to disappear completely and that the invisibility of is essential for suspending disbelief; and it also puts into consideration the role of performance and scripting and how they match/don't match reality and what that has to say about how the director ultimately influences reality (if at all).
The documentary, or pseudo-documentary, or fictional narrative (whichever you prefer, via your interpretations of the themes) has its brain in the over-educated, over-intellectual crew, its guts in the lost performers struggling to understand the vague and ambiguous directions, and its heart in the director, who stands in as the desire to portray, to represent, to express without any idea how to do any of those things or why he wants to do it. It's a film that purposefully repeats banalities just to see if they can become more than banalities. It's a film that sometimes shows the multiple shots simultaneously, just to leave the editing to the audience and also reveal how disturbingly different shots change perspective.
It's an important work, and something that everyone interested in the industry and process of film-making should watch and understand. It, like many experimental films, has no real mass-audience appeal--it's not for them. It's for the industry, and its for the 60s, asking what to do with a group-effort medium that still relies on a single \"voice\" and \"author\".
--PolarisDiB
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user\nOn June 22nd, 1941, the city of Przemysl, Poland is divided between German and Russian. When the German invades the city, the Nazis send the Jews to a ghetto. The young Catholic Fusia Podgorska (Kellie Martin), alone with her young sister, lodges and hides many Jews in the attic of her house along two and half years until the end of the war. \"Hidden in Silence\" is another good story of human sympathy in World War II. This film looks like \"Rescuers: Stories of Courage\", and is also based on a true story. Unfortunately, the actress Kellie Martin performs a strong and powerful lead character, but she is very weak for such a role. In many dramatic situations, the expression of her face is not convincing. I have noted that many IMDb Users liked her performance, but I am not sure whether they like her wonderful character or her performance indeed. My vote is seven.
Title (Brazil): \"Ocultos no Medo\" (\"Hidden in Fear\")
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user\nThis is the underrated Kellie Martin's best role. Based on a true story, it tells the story of Fusia's attempt to save the members of the Diamant family and other Jews she meets over time. One of my all-time favorite movie scenes involves an heroic act by Fusia's little sister. All children should see this scene-role models like this are very few and far between. The movie is well written and acted. I am a movie lover and this movie I rate a 10 on imbd's rating system. It is on my top 25 movies of all time and should be put out on video.
Mike Porter
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user\nI enjoyed the movie and Kellie Martins performance immensely. It's the kind of movie I can show my family and has an example of a young woman placed in extraordinary circumstances finding the courage to do the right thing in the face of extreme danger.
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user\nThis movie just screened on Channel Seven - Australian TV - today.
In my opinion, it was a very interesting take on how the Nazi's treated the Russian Jews as mercilessly as everywhere else.
Kellie Martin did a really great job, and her tears and frustration as \"Frusia\" were quite convincing.
The Holocaust is a part of our history that WE MUST NOT FORGET. Schindlers List wasn't the first - and it wont be the last - account of survival and courage in that five year nightmare. My family is Dutch, and I will always applaud any movie makers who want to keep the candlelight alive by telling of someone's courage to stand up and help those who were being abused, violated and murdered for being \"A Jew.\"
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user\nI thought that i wrote a comment on this movie before, but i can't find it on here. anyway, i am writing it again. I accidentally found this movie from my college's library collections. It was free to watch, so why not.
I am certainly glad that I watched it. I love this movie. I have seen a few Russian movies before, most of them have serious topics. I am surprised that this was one a good comedy. I had a great laugh while watching it. and this is a movie that i want to buy. this thing is so funny. and they are not just silly funny, those plots were very original, and well thought, so they don't seem to be silly at all. I am surprised that this movie didn't attract many viewers. This is a classic that you can watch it over and over.
those actors were also very authentic, their acting are real, not faked. if you haven't watched it, go get a copy soon! definitely recommended.
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user\nA funny and scathing critique of Russian society and culture during the transition from communism, OKNO V PARIZH also shows the west in an unfavorable light. A group of Russians living in St. Petersburg (a.k.a. Peter the Great's \"window on the west\") find a magic portal that instantly transports them to Paris. Mamin's film is truly hilarious, and just \"weird\" enough constantly keep even the jaded film viewer on his toes. The songs, the dream sequences, and the deliciously disgusting fringes of society from both cultures mingle to create a memorable and meaningful film. Anyone trying to understand the shift in Russian cultural sentiments since the fall of the USSR should begin here.
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user\nMy first Mamin film, saw it on IFC long ago, and LOVED it. It seemed absolutely artistic, original, fun and hilarious. Not a moment in the film let me down or made me bored, and i was laughing a lot or had a smile on my face. I mean this movie is truly funny. But here's the catch: it's also very artistic and creative - if you don't know Yuri Mamin (probably, sadly, because so many of his GREAT films aren't available here) he has a very original style like no one else's, and for me this isn't even my favorite film of his (right now it's the insane (\"Saideburns/Bakenbardy\"). Also, i have to say as a Russian, this film is great because you really do see what Russians are like. And this is possible because this is a true Russian film to me, NOT a foreign film trying to be American or trying to appeal; Mamin did not sell out (nor has he since, Gorko (1998) was as good if not better. This is true Russian style filmaking that came out of communist Social realism.
If you liked this film, i think you have a very high chance of loving Mamin's other films, in fact i like quite a few of them more than this one. I guess this one is his most accessible film. A similar film is Fountain, taking place 6 years before during perestroika, it has the same actor in the leading role, and more of Mamin's regulars who you will recognize from Window to Paris; this one has one supernatural twist in the end but is mostly a realistic comedy, a great one. Viva Mamin, hopefully Criterion will hook all of his movies up one day, he's still working, and his catalog is so great! See any of his films if you can.
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user\nOne of the most unfairly maligned programmes of all time, 'Terry & June' was also one of the most popular sitcoms of the '70's and '80's.
It started life as 'Happy Ever After', but when Eric Merriman decided he didn't want to write any more, it changed into this, hence the dropping of 'Aunt Lucy' and the Fletcher's becoming the Medford's.
Yes, it was cosy, domestic, middle-class stuff; the plots ran the gamut of clichés from the boss coming to dinner, the vicar organising a jumble sale, and unwanted relatives coming to stay for the weekend. It was certainly not 'dreadful lazy comedy'. As for it being 'not clever', it was not meant to be. It was funny and well performed, and that was enough!
I too loved the 'alternative' boom of the '80's ( 'Spitting Image', 'Black Adder', 'The Young Ones' etc. ) but also enjoyed conventional stuff such as this. If nothing else, it provided alternative comedy with something to be an alternative to. I found it sad though when the likes of Ben Elton took against both this and Benny Hill. Well, family oriented comedy has all but vanished from our screens, but where has it left us? Take a look at the latest T.V. schedules. All soaps and reality dross. The few comedies left are aimed at teenagers, meaning they are jam packed with swearing, bodily function jokes, and explicit sexual references. And they are not remotely funny either.
The 'alternative comedy' boom was good in many ways, but had a dark side. It made conventional sitcoms appear old fashioned, drove away talented writers and performers such as Spike Milligan, and ultimately led to such unspeakable drivel as 'Little Britain' and 'Tittybangbang' ( heaven help us ). If it ain't broke, don't fix it!
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user\nterry and june in my mind, is a all time classic, along the ranks with bless this house with the late sid james and the late diana coupland, but terry scott will be sadly missed even tho he passed away in 1994. i have all the dvds upto press and i look forward to getting all 9, also would be nice to see \"happy after ever\" released on DVD
june whitfield is still going strong and terry scott will always live on in my memory
terry scott r.i.p. there aren't many comedies today that i can think of that will stay in the legends list and yes the middle class bit does get on some peoples wicks but i don't mind, i think it would be brilliant to see some celebration of the life of terry scott
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user\nWhen the long running 'Happy Ever After' came to an end, its characters- 'Terry & June Fletcher' were revived for the longer running and more popular sequel- 'Terry & June', although their surnames were changed from Fletcher to Medford.
Terry has received a new job and as a result, he and June move to Purley where they end up in all manner of scrapes- unwanted guests dropping by to visit at an inconvenient moment, the boss inviting himself to dinner and Terry trying to chance his arm at D.I.Y but cocking it up each time. A fellow IMDb user branded this show as 'not clever' and 'never well written'. Fair enough, it wasn't clever, but that was the whole point. As for 'never well written'- some of the episodes were pretty substandard, I will admit, but overall I found it to be extremely well written, highly amusing and very well acted.
It was warm hearted slapstick, not dissimilar to the later B.B.C sitcom 'Keeping Up Appearances'. Eight different writers contributed to the nine series, giving the show plenty of scope. Terry Scott was a comic genius, as he well proved in productions such as 'Hugh & I', the 'Carry On' films and of course, here! June Whitfield likewise was a comedy legend in her own right.
I enjoy some modern shows- i.e 'Still Game', 'The Catherine Tate Show', 'Legit' and 'Empty'. I even enjoyed the 'alternative comedy'- 'Naked Video', 'The Young Ones' and 'The Comic Strip Presents' but I am more inclined to enjoy vintage comedy, such as this. Humour that you don't need to think about is excellent for when you are feeling down and want to lift yourself up. For the record, 'Terry & June' was wonderful stuff. Special note should be made of the catchy theme tune which caught the mood of the show tremendously well!
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user\nTerry and June was one of the classic British sitcoms in my opinion. You knew what to expect - and ain't that just so typical! :) Unlike modern sitcoms with utterly contrived plots, this show is still a breath of fresh air. How lovely not see or hear remarks about bodily functions or not to see a family PERPETUALLY late for breakfast or a family with impossible teenagers. And therein is the secret: Terry & June was based on a middle class couple living in relative harmony in stead of today's strained plots with the 'de rigueur' dysfunctional family (made to look hip).
Personally, I vote the \"Bridge to far\" episode as one of the best. In a way, Terry's antics reminds me of Basil Fawlty - both sometimes getting almost impossibly embarrassing!
Terry & June comes highly recommended. Have your tea and biscuits ready!
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