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user\nThis is the single greatest movie I have ever seen. Davey/Mr. Slaussen is simultaneously:
1) Tortured about his talents (e.g., \"I can control it; I can! I shouldn't have to hiiiide it! It feeeeeeeeeels good!\");
2) Desperate to make friends, e.g.,
\"How's the soup?
\"The soup is very good.\"
\"Would you like some crackers with your soup?\"
\"I'd like some more crackers, please.\"
\"How's that?\"
\"Yes, the soup is very good.\"
3) Proud of his accomplishments (e.g. \"Pretty neat trick, huh?\")
4) A ladies man (e.g., \"You're so pretty. Why don't you like me?\"); and
5) Sometimes, very, very angry (e.g., \"You can't get away!\")
Connors should have received an academy award for best actor for this movie. I mean, who was possibly better?! Tanya Roberts rocketed to the stratosphere following her performance in TT. It's a wonder not all of the stars of this masterpiece did not go on to have brilliant careers. I highly, highly recommend this film! It's available on amazon.com. Everyone should own it. Make a night of it and have a bowl of soup while you watch.
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user\nA group of young travelers that just ran out of gas go into a weird wax museum called \"Saluesen's Lost Oasis\" owned by a strange man named Slausen (Chuck Conners) as the dummies are controlled by some mysterious force and a madman with special powers wants them dead.
One of the most under-appreciated horror movies of the late 70's! This Charles Band (producer of \"Re-Animator\")production has became one of the scariest and most unique low budget horror productions of it's day combining some psychological themes along without having to result some gore like the usual slasher movie. The movie keeps the viewer on the edge of their seats with tension and some scares, the movie has became a cult diamond in the rough for the genre since then and this is well worth watching.
Also recommended: \"Pin\", \"The Texas Chainsaw Massacre ( 1974)\", \"The Hills have Eyes ( 1977)\", \"Maniac ( 1980)\", \"Magic\" ( 1978), \"Dolls\", \"May\", \"Just Before Dawn\", \"House of 1000 Corpses\", \"The Devil's Rejects\", \"Sleepaway Camp\", \"Mother's Day\", \"A Nightmare on Elm Street\", \"Friday The 13th\", \"Halloween 1 & 2\", \"Puppet Master\", \"House of Wax ( 1953 and 2005)\", \"Jeepers Creepers\", \"High Tension\", \"Evil Dead II\", \"From Dusk Till Dawn\", \"Waxwork\", \"Nothing But Trouble\" and \"Psycho ( 1960)\".
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user\nThis is one of my favorite horror films of all time and I used to think it never really got its due. That is until I read the glowing reviews here. It seems many feel the same as I did when I first saw it.
It's a damn creepy film, and I've spent most of my life watching creepy films. I've always found dolls, mannequins and such damn creepy! Check out the dolls in \"Beyond the Door\" and of course the great \"Trilogy of Terror\". And what about the magnificent Twilight Zone episode \"Living Doll\". Hell, dolls are creepy! And Tourist Trap has some moments that will make your hair stand on the back of your neck. All aided by an excellent soundtrack that just makes Connors' performance even more heart-pounding.
I remember seeing the trailer to this film on late night TV and thing, \"Wow, I gotta see that!\" It was memorable. And it's one of the only trailers I remember seeing as a kid that creeped me out. Took me years to see it, but it was a treat.
Stephen King also mentions this film in his \"Danse Macabre\" book, and gives it a glowing recommendation. Pretty good company.
This film will always be high on my list of must-sees. It's a real solid addition to the genre of the time and deserves place alongside the best of the 70s schlockers.
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user\nThis is fantastic! Everything from the Score - to when the final credits role. This movie is a Masterpiece. It's genuinely creepy and its effectively hysterical setting is enough to give anyone the creeps. It is apparent that the movie was NOT rushed, and that David Schmoeller (Who would later work with Fullmoon on the Puppet Master Series) had a clear and concise image of what he is trying to direct. The professional aspect of the movie is astonishing considering it's relatively low budget. It relies on scares without effects (Mainly due to budget restrictions) but still creates a tension filled atmosphere.
Stephen King stated that this was one of his favorite movies and I seriously cannot blame him! It's one of my favorite horror movies and always will be. This is my favorite Fullmoon Movie and has been ever since I first purchased a good few years ago.
Money Well Spent! I own both VHS and DVD versions.
10/10
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user\nDespite a silly premise,ridiculous plot devices and low budget,Tourist Trap
manages to be striking. An inventive ,beautifully scored film,a must see. You have to throw rationality out the window to fully appreciate what the director was trying to do If you can manage that,you will be in for a pleasant surprise. Also take note that this is one of the few semi-classic horror films that wasn't spoiled by numerous sequels.
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user\nSome films just fade away, but Tourist Trap has withstood the test of time and has justifiably become a cult favorite. Though not completely original--it owes much to The Texas Chainsaw Massacre, it holds its own with a sense of humor, genuine creepy moments, a brilliant score by Pino Donaggio, and the fun performances by Chuck Connors and the cast. Don't let the PG rating keep you away, this film proves that gratuitous gore and nudity are not needed in every horror film to make it entertaining. Those elements are usually used to cover the lack of thrills in a film. Here, the scares are merited and effective. Plus, only Chuck Connors could carry a scene in which he has to share soup with a mannequin! A classic scene indeed. Now more accessible on DVD in widescreen, this film is a must for fans of '70s horror fare.
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user\nThis is a bizarre oddity, directed by the guy who edited \"The Texas Chainsaw Massacre.\" Chuck Conners gives a hilariously over-the-top performance as the owner of a roadside \"wax\" museum which our doomed teenagers happen to break down near. The wax figures look \"so real,\" one of the teen's points out. Heh, heh, heh...Not so much a slasher film as a weird mix of psychological horror and old fashioned \"House of Wax\"-style terror. I can think of many, many horror films that are worse than this one.
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user\nSlasher movies started may be 30 to 35 years before this movie but believe me this one among those pearl that will stay longer after you turned of TV set. Especially if you are a person easily scared this is the movie for you for which you wouldn't have stomach to take it full. Even after so many years the movie hasn't lost its charm and thrill.
No blood no gore but the thrill will for sure chill your spine out. the movie starts with the bang and it stay with the same pace till its end. BGM is nerve cracking and i remember this was the one copied in many Indian movies those days. Kings favorite? No wonder why... thats the only reason i wanted to see this and it didn't let me down. \"Don't turn off the lights\"... coz you wont find Enrique but may be a smiling doll sitting right behind you! beware. not for the lite hearted...
Two thumps up and i am going with 8 out of 10 which is pretty low but still i preserve my ratings for Dramas...
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user\nAfter a group of young friends experience car trouble whilst travelling off the beaten track, they accept an offer of help from lonely local Mr. Slausen (Chuck Connors), owner of a nearby museum full of historical wax mannequins. Once at the creepy roadside attraction, the friends are stalked by a mask-wearing lunatic who can bring the museum's dummies to life through the power of the mind.
Tourist Trap's bad guy is a demented cross between The Texas Chain Saw Massacre's Leatherface and Anthony, the scary kid from the classic Twilight Zone episode 'It's a Good Life', whilst the plot is a blend of elements from the aforementioned TCM, Hitchcock's Psycho, and House of Wax. The atmosphere and execution of Tourist Trap, however, is so totally off-kilter that, in this respect, it's virtually impossible to draw comparison with other earlier movies.
Director David Schmoeller's continually inventive and unpredictable treatment of his own script gives the film a distinctly nightmarish quality, and with a brilliant left-field performance from Connors, an impossibly creepy score from Pino Donaggio, a collection of truly unsettling mannequins with detachable jaws, and the presence of super sexy Tanya Roberts, who spends the film in (and briefly out of) tiny denim hot-pants and a figure hugging boob-tube, Tourist Trap is a totally unforgettable and ultimately one-of-a-kind horror experience well deserving of its cult following.
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user\nPerhaps one of the first slasher film that came out after Halloween (Although made from Irwin Yabalans from Halloween), I must say I honestly found \"Tourist Trap\" to be scarier and funner. \"Tourist Trap\" is one of those remarkable treats you find every now and then, and are left with the most enjoyable feeling of surprise. It was destiny I tell you, but one night I was at my local Blockbuster (One or Two months before it went out of business), and had nothing to get. Then I stumble upon this movie, I think huh seems like a laughable B-Movie, I rent it and took it home, boy was I in for a good scare. \"Tourist Trap\" comes off as a bad movie, it definitely has it's cheesy moments,but in the end you're having to much fun with it to really care.
The things that impressed me the absolute most, and the things that made this movie one of the scariest ones I've seen, is number one the setting. A horror movie without a good setting isn't very fun, not here. I just love love love the location, it feels like we can relate to it, it almost feels like we've been there before. Which makes it creepier. Next is the characters, non of them are really stereotypical, and they all have a real personality. For example they're not stoners, alcoholics, or even Sex obsessed people, they feel like normal young adults. Plus they look realistic enough, and then their is Chuck Connors. Who gives a great performance as Mr. Slausen who we all take an instant liking too because again he's so real, he feels like that nice guy grandfatherly figure we adore. The last, and probably most important thing that makes this movie scary is how they make us (the audience) jump half way out of our seats, and turn on the rights, for the right reasons. For example most of the time in horror films we mainly just jump because of a sudden change in the music pitch, but in \"Tourist Trap\" prepare yourself, that's not the case. With it's perfect use of lighting, mannequins, and weirdness you feel utterly creeped out. Plus I love because although they may go a bit over-the-top with some things you still feel like this could happen. Which is exactly what a horror movie who takes such a ridicules premise should do, and that is make us (the audience) feel unsafe and terrified.
Overall as far as any major problems go, I have none, only that it's weirdness may get a little too weird at times. However in the end \"Tourist Trap\" holds a place near and dear to my heart, for being one of the few horror films to make me turn on the lights and feel unsafe about traveling.
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user\nI really really liked this one. I know, it's rampant with what are now cliché plot lines, and plenty of overacting, but it was hell of a lot of fun.
In our quest for 70's and 80's horror cheese, we come across many flicks that are so bad they're good. We also have some that are so 'good' they suck, and then, we have some that are so bad they are just bad. This is definitely so bad it's good.
Some teens traveling come across an 'oasis' in the middle of nowhere, a forgotten slice of roadside America, and they decide to 'check it out.' They cross every line of inappropriate until it is absurd and they pay for it. They pay dearly.
I would not normally give a movie like this a 9, but the girls in this one are the type that we miss from the 1970's: ditzy, scantily-clad and FIT. These aren't the anorexic broads from today's horrible horror; they look awesome in booty shorts.
I give it a 9 out of 10, kids.
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user\n\"Tourist Trap\" is among my favorite late 70's/early 80's horror flicks. A group of young people are heading somewhere, one pair in the car ahead, & that car has a flat, and our film opens with the young man, Woody, pushing the tire along looking for a service station. He finds a seemingly abandoned place, and yet hears voices and investigates, and ends up with a piece of pipe through his stomach for his efforts. Along comes the rest of the young folks (in a VW Thing) and they pick up Woody's girlfriend, and find this very same place, Slausen's Oasis, or some such thing..and then Mr. Slausen happens along while the girls are enjoying a dip in the stream. Of course, the VW Thing has mysteriously died at that point, so odd Mr. Slausen (Chuck Connors) offers his help. Mr. Slausen has a museum, with lots of wax figures, and he lives in the museum but behind is a big house, where he says Davey lives. And who is Davey? Why, Davey Crockett, he says...but if it were Davey Crockett, they'd all probably be safer. The girls are left alone while Slausen goes to help with fixing the car, but of course curiosity gets the better of one & she goes to investigate, and finds the house full of creepy mannequins and one rather animated one named...Davey. What follows is a rather creepy night of terror as one by one, they're taken prisoner by Davey, who says he's Slausen's brother. One girl (kidnapped earlier) is treated to a plaster facial, which results in her death when it covers up her air supply. At any rate there's somewhat of a twist to this and kind (but weird) Mr. Slausen is not exactly what he appears to be. A good, creepy late 70's horror flick, and lots of mannequins make for a very creepy atmosphere. 7 out of 10.
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user\nA group of young adults get stranded in the back of the beyond, where the only place in the vicinity is a museum full of wax dummies, and the only form of help is affable local Mr. Slausen (Chuck Connors). As night falls, the kids get picked off in record time.
An odd, freaky B movie that combines the creepiness of backwoods settings with the plot device of all-too-lifelike mannequins (making this a good update of the \"bodies in the wax museum\" genre), this is an intense shock fest along the lines of \"The Texas Chain Saw Massacre\". (It should then come as no surprise that TCSM art director Robert A. Burns repeats that duty here, and his eye for great set decoration always comes in handy.) Pino Donaggios' score is downright chilling; accompanied by the murky photography of Nicholas von Sternberg, it drenches the film in oppressive atmosphere.
Plot twists vary in level of success; there was one that I saw coming a mile away, and one that actually took me by surprise, and I was all the more happier for it. One of the best moments is shared with us almost right up front, as the first chump victim is trapped in a room with objects flying at him of their own volition. The capper is a great impalement by pipe with blood dripping out of the end.
Star Connors offers an engaging performance as our down-home good ol' boy antagonist, while the younger co-stars, predictably, can't perform at the same level, although Jocelyn Jones is a likable enough and certainly winsome lady who has enough appeal to rate as a sympathetic damsel-in-distress. Co-star Tanya Roberts (a brunette in this film) is okay in support. (If I had one problem with this film, it's just that the victims are a little too stupid. Then again, that doesn't make this much different from many horror films of the 80's.) Future notable names among the credits are future directors Ted Nicolaou, who was the editor here, Ron Underwood (who made a great debut almost a dozen years later with \"Tremors\") as the assistant director, and veteran makeup artist Ve Neill, who's done many films and won three Oscars since.
Although some horror fans may be disappointed by the lack of nudity and sexual elements, this is otherwise a nice little surprise that debuting director David Schmoeller delivers with conviction and gusto. Recommended.
8/10
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user\nA group of friends break down in the middle of nowhere (one had a flat tire, the other's Jeep mysteriously won't start). One of them takes the tire to a run down service station and that is the last anyone sees of him. When the remaining foursome go in search of their friend, they come across nice Mr. Slaussen who offers to help fix the jeep and offers cool drinks and refuge from the heat in his equally run down, hermit-like house, which happens to be occupied by very realistic looking mannequins. He goes with the one guy in the bunch out to work on the car and leaves the 3 girls in the house. Before he goes he warns them not to leave and go up to the house behind his shack; he warns them about \"Davy\", his brother who is lurking about and isn't all there. Of course, one of them decides to venture out in search of a working phone and is never seen again. Is it Slaussen? Is it Davy? The mannequins?? Tourist Trap has the usual horror requirements (jiggly big boobed girl, goody two shoes girl, curiosity getting the better of people and never working out!), but it stands apart from the rest of the 70's genre in it's twist of an ending. I started to feel sorry for Slaussen (Chuck Conners is a terrific, creepy, over-the-top performance)at a point in the film, and you almost see the character of Molly doing the same. This is a gem if you can find it; I had taped it off of cable when I was younger, and walking through a used video store I spotted a VHS copy that was totally overpriced, but well worth it. Fans of Tanya Roberts won't be disappointed either. Best part of the film for me was the scene with the soup (and crackers!!)
I gave it a 7 because some of the movie was and still is hard to explain.
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user\ni have to admit thanks to this movie i'm now afraid of mannequins. hahaha.
but yes, first off the acting in this movie at least by my standard is pretty swell. most of the actors are pretty decent in their roles. the script also seems to be pretty good too, sure some cheesy stuff in there but also some decently written character and some damn scary scenes. i STILL get shivers thinking about that one scene with the dude and the mannequins. brrr.
yeah, I'll say you should check this movie out it's pretty good, and very entertaining. a good watch. 8/10
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user\nTourist Trap (1979) is an entertaining horror movie from the late 70's, the movie is about a bunch of young friends who get stranded on an old deserted lane by a creepy old waxwork museum.
The owner of the museum seems like a strange but harmless old man, but things take a very nasty turn when members of the young group start getting killed off, who is responsible for the murders, is it old man Slausen or is it his collection of creepy mannequins who seem to be alive and hungry for blood!!!! This film was good stuff, it was fast faced, the performances were very good from the actors/actresses (Tanya Roberts was very sexy) and the film was never boring, and like i say, it had some very creepy scenes, so be prepared to hide under the covers! Definitely recommended to horror movie/ghost story fans! I give this film a highly respectable 7.2 out of 10.
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user\nI actually had seen the last parts of this movie when I was a child. Thanks to the search feature of plots I was able to find out the name of it. For years I did not know the name, but the movie stuck in my mind. The ending left hope that the main character would get back to Earth eventually. It was a shame it did not make it to a series. This movie reminds me of Journey to The Far Side Of the Sun. Also known as Doppleganger. If you liked this feature the other one is worth a watch. It was done before The Stranger, but shares a similar plot. Yet different. I just picked up The Stranger off of eBay on VHS. Hope they make a DVD, but it is doubtful unless it comes out on Dollar DVD. A few pilots are making it on the budget DVD's and maybe this one will.
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user\nAn excellent example of what happens when one central body controls everyone. I liked this movie because Glenn Corbett also appeared in Star Trek as Zeffrem Cochrane in 1967. I also liked it because I am a fan of the apollo space program.
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user\nA wonderful film in the best Scandinavian eldritch magic tradition, with very far sighted analysis of much of the big issues we are just starting to face.
Should be compulsory viewing for all politicians.
Take your pick from privacy, nuclear sustainability, global climate change, quality of life.
Reminiscent of Thoreaus' Walden, but with modern twist, and considerable humour.
I'm not Finnish, although I've travelled there and have good Finnish friends, but I found it totally accessible, and also culturally informative.
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user\nAll Risto Jarva's films are worth of seeing. Some like \"Jäniksen vuosi\" and \"Loma\" are best films in their genre and have reached a status of a classics in Finnish cinema-history.
Most people have formed a impression of actor Antti Litja through Jarva's films. Litja acted leading role in three of Jarva's films which all became successes at box office and movie reviews.
It's nice to see that idea of \"Jäniksen Vuosi\" still lives in commercials (I think it was tele-operator Sonera's TV add where Litja was walking in mountain fell at Lapland with hare in his arms. Everibody who has seen the film knows what I am talking about..) \"Jäniksen Vuosi\" Is a beautiful film with great actors and good filming locations - like famous small town in Lappland, Sodankylä, where the best Film festival in the world is held - The Midnight Sun Film Festival. I recommend it for all to go there on June - but remember warm clothes and raincoat :)
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user\nJäniksen vuosi is one of Jarva's most political movies. It takes stance strongly against modern day society's authority status in the life of the common man, and how it has estranged men from the nature completely. It challenges the whole concept of freedom and wealth in our welfare society.
Vatanen (Antti Litja) - smothered buy the concrete jungle with all its rules and regulations - tries to rattle the chains of the society by escaping it all in to the wilderness of northern Finland - only to realize that the concept of a 'free country' isn't all that unambiguous, in other words, the society has the common man by the balls.
Still the thing that makes Jäniksen vuosi so exceptional - besides the visual and humouristic brilliance - is how it seems to illustrate the whole political atmosphere in Finland in the 70's, as well as the whole identity of Finland as a nation. Vatanen is like an archetype of a classical finn in his solitudeness and social distantness. Since nature has always played such an important role in the national identity of us Finns, the whole idea of that being slowly taken away by the modern society makes Jäniksen vuosi emotionally exceptionally moving.
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user\nThis enchanting movie is based on a novel by Arto Paasilinna. The bestseller is one of the best books I've read. Here's the story:
One day journalist and photographer Kaarlo Vatanen decides to leave his past behind, and starts a new life wandering across the Finnish forests and countryside. With him he has a companion, a young hare hit by a car. Vatanen has to take care of the hare, because it's leg is wounded, so they start a journey together taking care of each other.
In the course of their adventures they get almost shot by hunters, get caught by the police, meet many people and finally get to lapland, where they live peacefully, until a group of foreign tourist disturbs their privacy. The hare falls ill and they must return to Helsinki to see the vet.
Vatanen has found an ideal way of living, but the modern society tries to tie him back to his duties and taxes. In Helsinki Vatanen took to drink, gets even engaged and imprisoned, but finally he and the hare flee.
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user\nMy favourite story from 'tales from the crypt'. Brion Jones was born to play the part of the maniac lumberjack,axe swinging madman Steve Dixon.Having seen him before in Tango&Cash I can state this actor never got the proper credit he deserved. A jealous husband takes offence in his wife showing an interest in a hunky young worker he's just employed.And you know when Dixon finds out there's gonna be hell to pay!The young worker Ted(Billy Wirth)receives an almighty beating from Dixon leaving him blind.Now how is a blind lumberjack supposed to work? A tribute to black humour if there ever was one! The co stars do a pretty good job too supporting Ted when Dixon when he has his initial suspicions about his wife desiring another man.Dixon's behaviour making the bond stronger closer between the colleagues.One even stated he became a changed man when he got married.Though Ted should have done the wise thing and left when he could!
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user\nEvery episode I saw when I was an innocent child was stupid. There were some funny looking puppets called \"The Mitts\" who would always discuss childhood things. They would play this song before \"The Mitts\" part of the show that goes like this \"Let's join the Mitts...\" There was a Groucho Marx puppet that told jokes. Before the session, this man would sing \"Hot Fudge! Right On!\" There was a green puppet with teeth that was called Seymore. We would always see more Seymore. He would crack jokes and sing every episode. There was always a moral in every episode. One episode, a man sang \"Liars are losers!\" Another episode he was singing about sharing and caring. Seymore said tell me about those two little girls \"Sharon and Karen.\" The Hot Fudge Holey Moley part has this man doing weird stuff and they played weird music.
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user\nThis educational show focused on emotions, interactions, and relationships. It was produced at Detroit's ABC affiliate and syndicated in 90 markets nationwide. This past week, Detroit Public TV had a 1-1/2 hour clip show as part of their pledge drive. Wow, the memories that resurfaced! While I remembered the show, there were segments that I'd forgotten about but remembered instantly a soon as they'd begin (\"Hot Fudge HOLY MOLEY!\", Detective Tomato and the pies in his face).
For more on the Public Television special, do a search for \"Hot Fudge Comin' Atcha Concert\"
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user\nIn the spirit of the Great Space Coaster, but a few years earlier.
Hot Fudge was one of the psychedelic kid's shows that I grew up on. Seymour was a big, fuzzy, green puppet, with a crescent smile of enormous teeth which nearly split his head, I recall him wearing a variety of Elton John-type shades.
He \"played\" piano, and had a Jesus looking dude in a white tux, sitting next to him. They would have a moral discussion and then do a song about it.
Don't remember much else except the opening theme, Seymour and the Hippie.
No one else I know remembers it at all. I grew up in Jersey, so if it was produced in Detroit as a previous post said, it wasn't just local. Seymour reminded me a lot of Sherlock the Squirrel from the Magic Garden (another psychedelic kids show if there ever was one.) People always talk about LSD's effects of music and movies of the 70s, but it seems kid's show writers got a dose as well.
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user\nThis is a wonderful look, you should pardon the pun, at 22 women talking about breasts-- theirs, their mothers', other women's, and how they affect so many aspects of their lives. Young girls, old women, and everyone in between (with all shapes, sizes, configurations, etc) talk about developing, reacting, celebrating, hiding, enhancing, or reducing their breasts.
It's charming, delightful, sad, funny, and everything in between. Intercut with documentary footage and clips from those famous old \"young women's films\" that the girls got taken to the cafeteria to see, the interviews are a fascinating window for men who love women & their breasts into what the other half has to say when they don't know you're listening.
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user\nLet's get this out of the way, so the ones checking out this page looking for info on anything related to the word \"Breasts\" (and you know who you are, googlers) can move along: this is not in any way pornographic. On the contrary, if this has any value as masturbation material then, frankly, the filmmaker didn't do a good job since the aim is to keep it on subject and on the experiences of women and their bodies and images of themselves and society and health and so on. Indeed, I would be a little circumspect of one who came across this on DVD or, if it ever plays again, late night on HBO or Cinemax and used it as a means for pleasure. You might as well go to the supermarket and pick up a pair of ripe melons and take them home and squeeze them and uh, well, you get the idea.
No, this is semi-serious film-making meant for premium late-night viewing, but it shouldn't have to be just for the late-night types. This is intimate in setting but not in tone. All of the women, in all their variety of shapes and sizes, and races, and even with one man thrown in with fake breasts, have something of value to say, from life experience in the most straightforward way. If I say semi-serious it's due to the several little segments that the director feels she needs to throw in, with the archival footage of old \"how-to\" videos about puberty and sex and breasts and super-rare cartoons with the knockers flying about. This isn't a problem but an asset: we need a few little visual seg-ways to go between these interviews.
Nothing is held back, and we see it as feminism in a liberating form: they don't need to cover up, and even if they choose not to take their tops and shirts and bras off they're still open as can be about a natural part of their body that is an object of sex, surprise, comfort, discomfort, curiosity, motherhood, and, sadly, cancer. In that last part, there's another brave step taken as we see a woman who survived her cancer with only one breast. You know you've become mature and an adult when you can see this woman who has somehow gone on to live a semi-normal life with one breast (the most bittersweet moment is when she says if a fairy godmother said she could have one wish to have two full breasts she would have to think about it), and you don't snicker or go \"eww, gross.\" That's the test, folks.
It's not shot under the best of circumstances, but then again for TV it's edited with a tight pace. It's never dull for a moment, and we never feel like anyone is holding back, especially when a man might hear the hard truth like that breasts may not really be erogenous, or that a flat chest is very attractive to some men. Breasts: A Documentary is about deconstructing myths with real faces and breasts and minds and hearts laid bare. If that's worthy of a \"I was alone\" session, then, well, more power to you, I guess, though it's not the intention.
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user\nSupercarrier was my favorite movie in the later part of the 80's when it came out. My Dad taped it for me & I watched it all the time until my step-mom taped Oprah over it & my heart was torn. I would love to know if or where I can get it from. I have been looking for it. I believe they even came out w/ a Supercarrier 2. It wasn't as great as the 1st, but I would like to have all of them if I could find them. I do not think @ all that it was a bad movie. It was a very interesting movie with a lot of action yet it had somewhat of a love story plot to it. The actors/actresses in the movie were great. It also helped me to understand that this is not just a man's world, but it is also a woman's world & many women can do the same things if not more than what a man can do & women deserve much respect for their duties as well.
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user\nWhen I first saw Colleen Moore it was in the excellent series about silent films called \"Hollywood\". There she was in 1980, her hair defiantly bobbed as it was in the Twenties, a sparkling, witty and charismatic elderly lady - the very definition of \"presence\". Then I saw her fabulous silent comedy work in films like \"Ella Cinders\" and \"Orchids and Ermine\". Then the disappointingly sombre talkie \"The Scarlet Letter\". And now here she is in \"The Power and the Glory\" giving a performance of staggering power, working expertly alongside one of the talking cinema's finest actors - Spencer Tracy.
I found the movie a little lack lustre story-wise, but Moore and Tracy give such brilliant performances that the story hardly seems to matter. Both actors age from youth to old age in the course of the film - and this is done mostly through acting alone with minimal make-up and hair changes. Moore is almost unrecognisable as the elderly wife, and the scene where she finds out her husband is seeing a younger woman is one of the most magnificently performed scenes I have ever seen. She does most of the scene without dialogue, which is where her silent acting experience gives her the edge, even over Tracy. Contrast this with her delightful comic playing in another silent sequence when she is a young woman and Tracy is struggling to propose to her. Astonishing! What this film reveals more than anything else is how shameful it is that Hollywood let this remarkable actress slip through its fingers and spend most of her life in retirement.
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user\nThe story of Tom Garner opens with his grand funeral and is told through a series of elegant flashbacks narrated by his faithful lifetime friend Henry. Henry and his wife debate whether Tom was a great man and a genius or an utterly worthless scoundrel. The film is beautifully written, acted and directed, and I highly recommend it.
Tom was the fabulously rich and successful owner of a large railroad, dominating his board of directors and his competition, terrorizing his employees, slaughtering strikers. Tom's ambitious wife Sally was responsible for all of Tom's success. When he met her, he was illiterate and entirely content with his work as a trackwalker for the railroad. Sally teaches him to read and takes over his trackwalker job while Tom goes to school. He starts to rise one step at a time through the railroad hierarchy until he eventually takes over as president.
But as Tom becomes a business tycoon, his marriage to Sally gradually falls to pieces. His spoiled son despises him, and he takes up with a much younger woman (the aptly named Eve), with predictably catastrophic consequences. In his business life, Tom is a total success; in his personal life, a disastrous failure. Much like the Hearst figure in \"Citizen Kane,\" Tom symbolizes the best and the worst of the capitalist system.
Spencer Tracy is terrific in the role of Tom Garner and the business scenes ring with authenticity. Colleen Moore is also excellent as Sally; both of them age beautifully in the multi-generational story. The film was written by Preston Sturges, but is nothing like the screwball comedies for which Sturges became famous.
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user\nA precursor to \"Citizen Kane\" in its analysis of the life of a just deceased tycoon, here reviewed by his faithful secretary in a series of interlocking flashbacks. In Spencer Tracy's 15th film he already looks middle-aged even in the scenes where he is meant to be young!
A little silent-screen type emoting is understandable given the vintage but this is a most enjoyable, well-written drama.
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user\nDespite later claims, this early-talkie melodrama has very little in common with \"Citizen Kane\": It's a biopic of a ruthless but human fictional plutocrat, told in flashback but hopping around time. The scriptwriter, Preston Sturges, shows none of his later gift for sparkling dialog, and none of the myriad cinematic innovations of \"Kane\" are evident. Still, it's very watchable, with a young Spencer Tracy (his old-man makeup makes him look just like, well, an old Spencer Tracy) showing depth and authority, and Colleen Moore -- a little past her prime, and not physically well matched -- playing a multifaceted woman-behind-the-man. There's also Helen Vinson as one of the most treacherous femmes fatales in movie history, sending the final third into ecstatic soap-opera reverberations. The surviving print is jumpy and has missing audio snippets, and there are some plot holes left open (how would she know whose son it was if she's sleeping with both of them?), and the music is awfully hokey. For all that, I was quite fascinated.
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user\nA real sudsy soap opera here as Spencer Tracy tackles the role of an illiterate until the age of 20. He marries the woman who teaches him and her ambition and his drive leads him to success.
Success but no happiness here. A n'eer-do-well son and a faltering marriage leads to disaster and tragedy. Tracy buys a railroad and succeeds only to be subjected to a disastrous rail strike and the death of 406 workers.
The film appeared at the beginning to be uneven but is rejuvenated thanks to the excellent use of flashbacks here.
A double separate suicide here. We know that riches can't buy happiness but this is a little too far fetched. Nonetheless, we have riveting performances by Tracy and Colleen Moore. Ms. Vinson, as the 2nd wife, is also quite effective.
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user\nThis is an extremely involving series that is well casted and portraits a sensitive subject with great splendor. We follow Michael Ealy as the undercover FBI agent Darwyn, set to infiltrate a terror cell lead by Farik (Oder Fehr). The series is very well written, and has enough plot twists to keep you sitting at the edge of your seat waiting for whatever happens next.
Michael Ealy is by my definition one of the best actors I've seen portraying an undercover agent. Icey cold on the outside, but still a good human being underneath trying his best to keep his head afloat in a highly emotional roller-coaster ride that FBI has had him embark on. Oder Fehr on the other hand comes off a guy that pretty much could fit into any social scenario. Big and strong, but yet able to disappear into the gray mass if so needed. Highly authoritative and extremely cunning. The way the two communicate on screen is nothing short of spectacular.
The way the story develops, and the level of detail that the script offers makes the whole story extremely believable, and also very true to life I would imagine. It is of such magnitude that you're left with the feeling of being insecure, not knowing what might happen next in real life. We read about terror every day, and here we are given a good sneak peak into an underworld which most of us know very little about.
It's a series that will for sure have you coming back for more, sitting there at the edge of your seat just waiting for next weeks episode to come on. It's a sure winner in my eyes, and I have no problems stating that this series is on my list of all time best.
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user\nI watched Sleeper Cell with a bit of trepidation worrying over whether the terrorists would be glorified. This mesmerizing series not only handled the subject matter responsibly, it created depth and substance to almost every character. Oded Fehr just gobbles up the screen in every scene he's inand even though his character is the charismatic leader of a jihad terrorist cell, he still has hypnotic appeal. Michael Ealy held his own well, though in some scenes I wondered why he wasn't shot on the spot because of the scowl he wore on his face.
The pros of the series are the two leads, Fehr and Ealy, the well written characters--all of which were believable and tragic, and the disconcerting issues addressed in the story. Having been married to a Muslim myself, the atmosphere created was quite realistic. The cons, for me personally, were that the female T&A was overkillmost seemed gratuitous, as well as some of the sex scenes. Despite that, it is a raw gripping series that will make you think. Somebody give Fehr more juicy roles like this one and let him run with it. He's got incredible screen presence and a strange kind of innate power emanating off him.
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user\nHas the drama, suspense, and character developments you would enjoy if you like drama that engages you and entertains as well as educates.
The writers know their material and it shows. The direction is always engaging and not blase, and the acting terrific. Why this show didn't win any awards tells me the \"powers that be\" in Hollyweird don't know drama or much else for that matter.
There is a plot twist in this episode at the end was a complete surprise and was very well played out. I'm glad it wasn't used as a shock scene for any climatic end to this series which would have been more typical and dull. Rent this series at once! Let's hope its brought back from celluloid extinction.
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user\nI enjoyed this series, but felt that the whole thing was let down by the sound recording/mixing.
For whatever reason, they've had to employ an awful lot of what's called ADR, where the actors replace the original location sound with a re-recording of it in a sound booth.
The reasons for doing this are usually due to problems at the location, or because somebody screwed up somewhere in the sound production chain.
It wouldn't be so bad if the ADR was done well, but at times it's just plain distracting. It's not just the ADR that's the problem - the sound mix just doesn't match up to the quality of performances and the pictures.
I'd be curious to know what went wrong.
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user\nI don't understand why this show didn't go on there could've been various ways to continue on the line of Darwin and Farik after season 2, obviously Darwin couldn't have been the UC agent infiltrating cells and sabotageing them from the inside, but still they should've given this show at least another season.
The show is well casted, believable, and views the Islamic religion from both the normal and the extremist point of view. It touches controversial subjects in detail and it has a dramatic meaning that can be said of very few shows nowdays. I'm actually sad that i didn't know about this show until late 2007.
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user\nSleeper Cell is what 24 should have been. 24 is a cartoon. (I watch 24 but feel cheated with every stupid episode, all four or five seasons so far. Who can keep track as they are all the same. Jack gets in trouble, Jack gets out of trouble and then immediately gets back in to trouble and then...) Sleeper Cell is really well done and is far superior. Unfortunately they blew it with the ending in season two. I can think of a half dozen better endings off the top of my head that would have worked better for the writer's obvious goals and not been so contrived. Shame on the writers for wrecking what had been up to that ending a really good series.
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