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user\nThis is the Australian TV series. It is a classic. The stories and actors are excellent. Who can forget Picker and his gramophone or Chet being ambushed? This is cult TV. The Australian actors in the series were the best of their day and have immortality in The Outsiders. What can I say timeless adventure. The music and song just fantastic. The closing credits starting with the close up of the wheel, then Keir sleeping n being jostled around and then the long shot just cannot get much better than that. All 13 episodes are equally solid in the portrayal of the Australian myth and I think this is what this series has.It does not matter that the two main characters were from overseas, I think that is the key to the series and why it is so good.
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user\nThis film has not been seen by me in quite a few years. It came on the Disney Channel in the wee hours of the morning. I stayed up to watch it, and found it even more entertaining than the first time. The story, the scenery and the characters are as good as they come. I know that if anyone takes the time to view this film, they will find it definitely worth seeing a second time. It's very memorable in more ways than one. I would recommend this film to anyone because it is both entertaining and educational for all concerned.
s
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user\nA lumberman finds a young cougar in need of help. To young to be on his own the cat soon takes up with the rugged camp workers. Nicknamed \"Good Time Charlie' his antics amuse everyone at first. His wild nature eventually begins to cause trouble and reintroducing him into his natural habitat becomes an issue. This film is among those wonderful Disney nature films that were common in the 50's and 60's Lots of action, beautiful scenery and some endearing animal to charm you. These films were not long but included fascinating glimpses into wildlife and the effects of human contact. Unlike Disney's animated talking animals the animals in these films remained true to their own nature. They also make great travel films for seeing the western states.
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user\nthis is one of my favorite movies ever! along with casablanca and cannibal holocaust, this is near perfect cinema. rex allen narrates this wonderful tale of a cougar who just needs a little loving. contains action, adventure, suspense, comedy, and riverbed chaos! SEE THIS MOVIE IF YOU HAVE TO KILL TO DO IT!!! you will not find a better cat picture anywhere, with \"cat from outer space\" coming in as a not so close second. charlie's performance is magnificent. even includes animal cruelty and intense logging! gotta love disney, for all moral failures!
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user\nWell I don't know much about anything, but I sure liked this film. In short, it was creative, humorous, simple, and heartwarming. In other words, it was everything it set out to be.
The story is set around a girl's first love, (as the title suggests) and I certainly should warn you: expect nothing challenging or provocative in terms of the subject matter here. I mean, it is a children's cartoon. It's really just a simple story, but it's told well, and it holds your attention well.
In the end: it's short, it's funny, it's cute, it's simple, it's good.
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user\nIt was a sweet, intro for the most intelegent Sailor Soldier, Sailor Mercury. It consisted with a new \"in croud\", Merciurios. He, at the beganing wrote a love letter to Ami, which would be starltling (of course) and, now, Ami thiks he is a chibi-Einstien, and he is attractive (He ended up looking like Umino (Melvin)). This was a halarios (expesialy Minako's \"It's no skin off my neck\" scene (HOT!)) Well, I really like the Bishojo Senshi Sailor Moon Series, I personally think its the best anime ever!, But, this movie was nice, funny, but not as adventurios as Sailor Moon R- It was more like the \"S\" movie. I saw this @ Sailor Moon Univewrse, with real Player, and it was pretty good. (Over all)
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user\nAlmost missed it. While visiting friends in Philadelphia sometime in the early 1980`s, I was channel surfing after everyone else went to bed. It wasn`t just Bogart he was obsessed with; but rather the entire era of those old flicks those of my age know so well. Add to that a plot liken to The Maltese Falcon - where so many different characters were interacting with Sacchi - and you have a piece of art as far as I`m concerned. About ten years later it appeared on TV and I taped it. >
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user\nThis amusing, sometimes poignant look at the Hollywood detective genre of the 1940's and 1950's stars Robert Sacci as an unnamed former cop who retires, uses his life savings to pay for plastic surgery to transform his image into that of his idol, Humphrey Bogart, then sets up shop as a private eye under the name \"Sam Marlowe\". Robert Sacchi, incidentally, is one of the rare few Bogart impersonators who got the lisp exactly right; more to the point, the body and facial language are there. For awhile, \"Sam\"'s only client is his landlady, who wants him to find her undersized boyfriend, and his only conversational foil is his secretary, simply called \"Dutchess\" (Misty Rowe), who in his own words, \"looked like Marilyn Monroe and made about as much sense as Gracie Allen\", and has a passion for banana splits. Then he encounters Elsa (Olivia Hussey), the plain, sweet, virginal daughter of a retired props-master who has been murdered for no discernible reason. In the process of investigating the murder, Sam shortly runs across: the Gene Tierney lookalike daughter (Michelle Phillips) of Anastas, an avaricious, obscenely wealthy Greek shipping tycoon (Victor Buono, turning in a creditable Sidney Greenstreet), his hapless, long-suffering second wife (Yvonne deCarlo, who manages to play a variety of put-upon emotions without saying a word), his two smarmy henchmen (Herbert Lom, channelling Peter Lorre, and Jay Robinson, doing a reasonably accurate Lionel Atwill), and Anastas' vicious, amoral Middle-Eastern potentate (Franco Nero) who comes complete with a glamorus and bafflingly loyal mistress (Sybil Danning), all of whom would give anything to acquire the \"Eyes of Alexander\", two huge, perfectly matched star sapphires. When Elsa is murdered, Marlowe's interest in solving the case becomes personal, and he sets out through a labyrinth of Los Angeles landmarks, including the Hollywood Bowl, the scatological and esoteric attractions of Hollywood Boulevard, and Santa Catalina Island in pursuit of the rocks, determined to get at them before either of the two wealthy competitors. Throw in cameos by Mike Mazurki and assorted others, the traditional dumb-but-sympathetic ally on the police force, and a plethora of nicely drawn character turns that provide dimension to practically all players, and despite an unfortunate title song, you have, to my mind, a thoroughly enjoyable movie experience.
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user\nSacchi is the best Bogart impersonator ever... dry and droll as Sam Marlowe. The music from award winning composer George Duning [From Here To Eternity, Picnic, The World of Suzie Wong], the cinematography of perfect locations [including the famous Ambassador Hotel] are all right on target as famous tv director Robert Day [Kojak, Streets of San Francisco, The Avengers] guides the most endearing group of well-known character actors through a spoof of every dark detective film every made. See this if you loved all the old serious flicks and have a sense of humor... this one is a hoot.
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user\nMaking this short and to the point. This movie was great! I loved it! I actually picked this up at a Hollywood Video for 3 bucks on VHS and watched it about 5 times in the last couple weeks. I'm a big Bogart fan and I just latched onto this movie. I thought the song was funny and now have it as a ring tone on my phone. Robert Sacchi is great and pulls off a good Bogart. His nose is a little big, his voice is a Bogart-Columbo mix, and he does a few things that are awkward but otherwise, he was fantastic and this film was wonderful. No one can be a perfect Bogart but he was great. Remember, Sam Marlow is a fan of Bogart and isn't going to do everything he did. He mentions a lot of other movies and does some things that were never part of the real Bogart's character's. But, it's so funny and hilarious and has a great cast, including some beautiful women. Watch it and have fun!
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user\nThis movie is a very enjoyable homage to the Bogart and other detective films of old. Robert Sacchi nails it as Bogie and Michelle Phillips is a truly timeless beauty as Gena Anastas.
However, the most noteworthy portion of this film involves the longest belly dancing scene ever produced in a Hollywood film. One well-known professional instructor commented that nothing else in cinema comes close for dance excitement.
The scene, which ends up being an important part of the plot, occurs in a lushly beautiful Middle Eastern nightclub and is by all accounts mesmerizing. The pulsating music, the swirling veils and ringing finger cymbals, free-flowing undulations and beautiful costumes - and a surprise twist involving the seductive Sybil Danning - build tension and excitement until the very end.
The three talented and beautiful professional nightclub dancers are led by exotic brunette beauty Kamala Almanzar, one of the US' leading belly dancers since the mid-1970s. She was hand-picked by famed Armenian musician Guy Chookoorian to travel with his orchestra on the road. Guy's ensemble is the live band that the dancers perform to in the scene. If you watch the trailer on this site, you will see a glimpse of Kamala (playing the finger cymbals behind Sybil Danning).
If you're not yet a fan of belly dancing, you will be after watching this movie, and if you're an aficionado, it holds up very well after repeated viewing.
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user\nAs over the past ten years or even longer the whole world is flooded with so-called sitcoms (actually only very few deserve this title 'cause they're so predictable), King of Queens is a very original, unique and astoundingly funny alternation. It's about the daily life of a deliveryman and his wife who works as an attorney's assistant in Manhattan in Queens, NY. With them lives Carrie's father Arthur, a picture-book extrovert, who is played by the fantastic Jerry Stiller and who steals the show from all the others every time he appears. Other important people are their best friends Deacon and Kelly, a married couple, and their other friend Spence who's almost 30 and still lives with his mother. What makes this show so unique and funny is, above all, that every single character seems so real and Carrie's cynical, sarcastic attitude is the total opposite of Doug's good-natured, slightly dumb optimism.And Arthur's the one who makes it absolutely unpredictable with his strange ideas and habits. He often gets himself into trouble and Doug and Carrie have to drag him out of the mud. Even if in my opinion the quality of the show decreased a little within the last years it's still one of the best daily sitcoms ever made. It takes a little time to get into the characters and relate to them, but after that's done, you get some unstoppable laughs from it. Although I think I couldn't survive one day with Arthur in a closed room without beating the guts out of him, I really adore him in this show. Watch and have fun, I give it a 9 out of 10.
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user\nThis show is brilliantly hilarious! I started watching in 2007, and had never heard of it before then. After one episode, I was hooked. I'm never home to watch it, so my wife bought me the entire series on DVD. Non stop laughs, need I say more? I wish it was still on TV, because it is definitely worthy and a whole lot better of crap on currently on TV.
I wish they would make a movie, seriously, who wouldn't go see it. Kevin James's name alone will bring a huge fanbase to any movie, the guy is (make your stomach hurt) funny.
Just a really good, down to earth, believable show. If you have the chance to buy it on DVD, do it, its worth it.
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user\nThis is by far the funniest sitcom that has ever aired on TV. I own all 9 seasons on DVD and literally could watch them over and over. Anyone who does not find this show hilarious, heartwarming, entertaining, and laugh out loud hysterical, is crazy! Kevin James is absolutely one of the most talented comedians out there. My boyfriend and I love going to stand up comedy shows in Boston (where we live) and have seen Kevin James twice and his brother Gary Valentine (Danny) once. They are both so unbelievably talented and just plan smart with their work. There are so many comedians out there that are just awful and Kevin and Gary really show the true side of real comedy. Leah Remini, although a snob and bitch in real life (so I have read) is an amazing actress and deserves more credit than any other woman in sitcoms. She truly makes the show...along with Jerry Stiller! This show is a must see and you will get addicted within one to two episodes!
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user\nThis is the best comedy period. It is so underrated! Clever witty humor, Great casting! Jerry Stiller is the jewel in the show, he is so incredibly funny and quirky, simply a comical genius! Doug and Carrie have great chemistry! I so do not see what the hype is about when it comes to Everybody loves Raymond it is SO overrated with lame jokes mostly forced humor and just not the witty show, I can't remember laughing in more than 1 episode. King of Queens is a rare comedy that has all the right ingredients to give you serious belly laughs which is normally caused by Arthur Spooner, I think its about time this comedy gets the hype it deserves and not the lame Raymond & CO.
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user\nThis is,in short,the TV comedy series with the best cast ever;and the most likable also.Each one of them is a firsthand comedy actor.I know only one TV series which was better (i.e., \"Moonlighting\")that one had Willis as a leadyet it had Willis only,while The King of Queens has a pocketful of actors that are as fine as one can enjoy--Kevin James, Leah Remini, Jerry Stiller, Patton Oswalt, Nicole Sullivan, Victor Williams, Gary Valentine,and even all the rest of them .I spontaneously and continually and promptly liked it.Advancing age didn't spoil the fun,anyway.
In a few words,the series is intelligent and original,miraculously spared of the current TV stupidity and garbage. It is politically incorrect and doesn't court the minorities in the usual disgusting way.
The comic is very palatable and savory.
I read, mostly approvingly, a few IMDb writers, and sometimes they write about their favorite showsyet, though these writers are several, I did not encountered, at any of them, the slightest mention of my favorite TV shows (--but it's true that the critics one likes are not those with whom he finds himself in complete approvalbut those who at least offer a common basis for disapproval)which are, mainly, WILD WILD WEST, MOONLIGHTING, QUEENS, FANTOMAS, the '80s TWILIGHT ZONE, Bradbury's TV show and SANDOKAN. Most of them I have seen when I was 1314 yrs; about a few of them I have written, and execrably.
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user\nI cant believe how many excellent actors can be on one show. It's the realism and fine acting that makes it look real. This has got to be the best comedy ever created to this day and I love Seinfeld and Everyone Loves Ramond. It is just fabulous and it seems everyone in my family agrees. Thats no isolated opinion of mine. The whole world seems to talk about different incidents and they try to reenact them. My hat off to the crew. Some shows have an actor that makes the whole show. This plot comedy has a slew (8) of them . That's what makes it so amazing. Some people pray for Health , Wealth or fame. I pray that the show never ends. Sicerely John. LKHUBBLE2@talkamerica.net
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user\nIf you put Seinfeld aside, this is The Best Comedy ever, no doubt! Just Great!
\"The King Of Queens\" just finished its eighth season of domestic bliss. Set in the working-class suburb of Queens, New York, the show follows Doug Heffernan (Kevin James), an amiable delivery man, and his wife, spitfire legal secretary Carrie Heffernan (Leah Remini), as they explore the everyday challenges of love, life, family and marriage.
Doug and Carrie deal with day-to-day domestic realities that reflect our times and enable us to laugh at ourselves. Their love for each other ultimately carries them through each dilemma they face, whether it's Doug's fixation with food or Carrie's obsession with expensive clothing.
Doug and Carrie also have to deal with the third, high-maintenance member of the Heffernan household ­ Carrie's twice-widowed father, Arthur Spooner (Jerry Stiller), who lives in their basement. His constant presence and often bizarre behavior add to their daily adventures. Doug and Carrie have stumbled upon an unorthodox solution to reduce their burden and keep Arthur happy ­ his regular excursions with gullible dog walker Holly (Nicole Sullivan). Doug's friends Deacon Palmer (Victor Williams), Spence Olchin (Patton Oswalt) and cousin Danny Heffernan (Gary Valentine) round out the cast with their \"guy\" humor and diverse perspectives.
In a manner that evokes \"The Honeymooners,\" THE KING OF QUEENS finds inspiration in life's everyday situations. Last season alone saw Doug \"loaning\" Carrie to a wifeless Deacon for help with Thanksgiving dinner; the Heffernans suffering through the annoyance and financial strain of mold damage to their house; and Doug and Carrie striving to copy a couple whose photos ­ of a more adventurous life than Doug and Carrie's ­ they accidentally took home. We also watched Arthur grow jealous of a new dog that Holly added to her route, and Doug finding out that his overprotective parents replaced his childhood dog Rocky three times behind his back. Throughout, the series showcases James' incredible physical comedy, Remini's hard-edged wit, and Stiller's unique comic presence.
You can't... You shoulden't Miss it!
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user\n\"THE KING OF QUEENS,\" in my opinion, is a pure CBS hit! Despite the fact that I've never seen every episode, I still enjoy it very much. For that reason, it's hard for me to say which episode is my favorite. Even so, I must say that CBS really knows how to make a good sitcom. Before I wrap this up, I'd like to say that everyone always gives a good performance, the production design is spectacular, the costumes are well-designed, and the writing is always very strong. In conclusion, if this show lives on in syndication after it goes off CBS, I strongly recommend you catch it just in case it goes off the air for good.
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user\nI have just started watching this show. Its airing in Ireland at the moment on the Irish television station RTE1 at 12.30pm in the Afternoon (as of 26th July 2006).
This program literally makes me laugh out aloud and I cannot boast that on most sitcom's (apart from UK's 'The Office' with Ricky Gervais in it).
Todays episode of TKoQ (26 July 2006)was the one where Carrie starts a new job and invites her friends home and goes off to make some coffee and Doug wants Carrie to have no 'outside' friends so he lifts up his top and shows off his 'belly hair!' and licks plates when he goes out to dinner! But another funny episode was the other week when the old fella (carries Dad) won on the Bingo and that episode creased me up with laughter especially when they went out and got a replacement fridge and Carries father stood there looking at it and thought it was new.
So I don't know how much longer this has got to run on Irish TV or at which stage (year recorded) we are at but I hope it don't end soon because I am really enjoying it.
To sum up there is some great writing, some great characters and comedy acting (namely by Carrie, Doug and Carries father) some great punchlines and delivered well - a bit saucy and near the mark sometimes (send the kids out the room!) but i think this US Sitcom is a winner and very funny.
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user\nWow,this is in my opinion the best sitcom since Friends. If you have had a crap day just sit yourself down with a beer (if you are old enough that is.if not a root beer will have to do.) and watch a couple of episodes,it's the perfect recipe for happiness.
The thing I like most is that everybody in the show is very funny and they all have fantastic comedy timing. After a while you become attached to the characters and really care about them. I think the secret to the shows success is that they have an enviable life. Doug is fat but still happy with it,he loves his wife his job and his friends. The father in law is the fly in the ointment but hey nothings perfect.
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user\nThis show is amazing! I love each and every episode. Carrie is a spitfire and Doug is a lovable and at times a moron. Arthur, Spence, Danny, Deacon and Carrie's Boss add just a nice end touch to the show, tying up all of the funny, pee in your pants moments. In one of the seasons, Doug tries to get Carrie drunk, because she is nicer when she is drunk. Nice husband right? Carrie isn't much better, when her boss needs a IPS driver to testify in a small case at her job, Carrie hesitates, because she views Doug as a slob and doesn't want him to embarrass her, so she hires Doug's friend instead. Wife of the year. But, who i believe to be funniest is yell-at-random Arthur. He is drop-dead hilarious, and angry. Hey, you would be too if you had to live in a basement where the mold has a funny smell and makes you dizzy. This show is hilarious, and if you haven't seen it yet, then you haven't lived!
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user\nthis show is the best it is full of laughs and Kevin James is the best so if you want a good show i recommend the king of queens and its a letdown that they canceled it so in the end this show will make you forget your worries and troubles cause if you have a cast with Kevin James and jerry stiller you cant go wrong. so i don't know why the canceled the show if any one knows please tell me.now a days you cant find a lot of shows that fulfill your needs as an audience.after Seinfeld and king of queens the only show worth watching is prison break and if that stops i don't know what to do. in the end if i had to recommend a show it will be king of queens.
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user\nJust want to inform you guys that this movie was actually pretty good !!!
Thought it was a lame ass movie, but not at all, many moments in this movie wore pretty horrifying.
This movie has enough blood, gore, and some sexy make out scenes of course, to keep any horror buff like me 100% satisfied! The cast was also pretty good IMO.
Even though its not a high budget movie, the effects wore definitely kinda creepy sometimes.
Worth watching if u like a kick ass horror movie thats for sure!!
- Tom
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user\nAs far as Christian film goes,it's typical.Lacking of a mega-budget they try their best.Some times falling short,sometimes hitting the mark.This one almost hit, great acting can only carry a movie so far.A combining of H.P. Lovecraft,and Frank Peretti was a good idea.All's it needed was better back story, and better character development to make it great movie.The visuals are not that bad,also smart holding off the demons till the last few minutes helped keep the suspense at a good pace.Could of used a better ending though.Not a bad premise having terrorists experiments go wrong.Much better than typical Hollywood treatment about the demonic realm.Maybe someone will finally do \"This present darkness\" as a movie.
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user\nWhen the movie first started I thought cheesy. The first ten minutes were really boring. After the slow beginning and some of the soap opera antics, I started liking it. The plot was different than anything I had ever seen. Now, was it a horror? Not really. It shouldn't have been classied as a horror or the producers should have put more money into the movie to make it scary. As it was, the creatures where only there for a short time. I can only assume this was for money reason.
The good side was that the movie was very entertaining. It held my interest (after the start) and did make me wonder about creatures from another dimension.
It was obvious that this was a first time movie for the director, but there were a couple of highlights. By the end, I was hooked. Too bad Hollywood didn't put more money behind this.
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user\nAn RKO Short Subject.
A group of rowdy little bullies are given a lesson in tolerance by crooner Frank Sinatra, who compares America to THE HOUSE I LIVE IN.
This little film delivers a pertinent message about the evils of prejudice & bias. Sinatra is an absolute natural in front of the camera; intense & sincere, he is the perfect spokesperson for the values espoused here.
Sinatra sings The House I Live In,' by Lewis Allan & Earl Robinson. This fine tune, with a solid, pro-American message, is being given something of a comeback since the horrendous events of September 11, 2001.
After Pearl Harbor, Hollywood went to war totally against the Axis. Not only did many of the stars join up or do home front service, but the output of the Studios was largely turned to the war effort. The newsreels, of course, brought the latest war news into the neighborhood theater every week. The features showcased battle stories or war related themes. Even the short subjects & cartoons were used as a quick means of spreading Allied propaganda, the boosting of morale or information dissemination. Together, Uncle Sam, the American People & Hollywood proved to be an unbeatable combination.
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user\nThis short subject gathered kudos from all kinds of places for its plea for religious toleration.
After a session at a recording studio Frank Sinatra leaves and comes upon a group of kids beating up on another because he was Jewish. He lectured them as only an American icon could about the meaning of prejudice and what we had just fought for against the Nazis. The meaning could not be clearer.
Both songs from this short subject were recorded and sold big for Columbia records. If You Are But A Dream and the song written for the film, The House I Live In. The latter is one of the best songs about an idealized version of America, we'd all like to strive for.
Sinatra in fact recorded The House I Live In again during the Sixties for a joint album he did for his Reprise record label. The album is now a rarity and it shouldn't be. His collaborators were Bing Crosby and Fred Waring and his Pennsylvanians with the orchestra conducted by Nelson Riddle.
Axel Stordahl was Sinatra's primary music conductor and arranger during the forties. When he died that position eventually fell to Nelson Riddle. Stordahl does the orchestration for the short and the Columbia record, Riddle for the Reprise record.
Sinatra aficionados and others should listen to both back to back and compare. And catch this worthwhile film whenever it is shown.
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user\nFrank Sinatra starred in this odd little short from RKO that is now in the public domain. The film came out at about the same time the war ended and is a nice plea for religious tolerance.
The film begins with Sinatra on stage singing. After leaving the stage, he walks out into the alley and finds a group of kids picking on another because of his religion. Instead of yelling at the boys (or helping them for that matter), Sinatra delivers a nice civics lesson on religious toleration and equates prejudice with fascism. The kids seem to get the lesson but then, out of the blue, Sinatra begins singing a song that, frankly (get it?), kids would have hated. He had a lovely voice but unfortunately I think this detracted from the excellent message he gave to the kids about tolerance. It's a case of a good message with too much singing--even if the guy singing is Frank Sinatra. It's also an interesting curio--a nice historical piece that is often overlooked...plus it's quite touching even if it seems a bit schmaltzy.
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user\nSometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as \"boring\" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.
Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in \"science fiction\", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.
2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.
Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.
I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.
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user\nFor all those bewildered by the length and pace of this film (\"like, why does he show spaceships docking for, like, 15 minutes?\"), here's a word you might want to think about:
Beauty.
Beauty is an under-rated concept. Sure, you'll often see nice photography and so on in films. But when did you last see a film that contains beauty purely for the sake of it? There is a weird belief among cinemagoers that anything which is not plot or character related must be removed. This is depressing hogwash. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. A director can show 15 minutes of spaceships for no reason than that they are beautiful, and it is neither illegal nor evil to do so.
'2001' requires you to watch in a different way than you normally watch films. It requires you to relax. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. There are different KINDS of film, and to enjoy '2001' you must tune your brain to a different wavelength and succumb to the pleasure of beauty, PURE beauty, unfettered by the banal conventions of everyday films.
\"All art is quite useless\" - Oscar Wilde.
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user\nA review I have put off for far too long....
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
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user\nI spent many a sleepless night after watching 2001. Not only because of the psychological horror (of which 2001 is a masterpiece) but also because of the way it brought me (a restless soul) some clarity to the way I observe the universe. It changed my way of thinking in a very profound way. And after reading the novel (by Arthur C. Clarke) I found myself once again inspired (a writer as I am) by the level of imagination.
The Space Odyssey is not something one can just \"go and see\". One has to be ready for it, or it cannot be understood. In fact I don't think it can be understood at all, at least not all of it at once. It is a philosophical journey to the infinite and beyond, a masterpiece of it's genre and still after 32 years technically quite impressive all the way to the powerful musical soundtrack featuring 'Also spracht Zarathustra' by Richard Strauss and 'Blue Danube' by Johann Strauss.
Take all the time you want, but eventually you are going to have to see this film. If it can bring some order and understanding to the universe of a struggling artist like me, it can certainly do it for you as well.
Or maybe I'm just plain crazy...
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user\nI write this review just after hearing of Stanley Kubrick's death. It's a great loss, and I write about 2001: A SPACE ODYSSEY, because I feel it is the consummate Kubrick film, the one he will be most remembered for. It is a picture like no other, not only revolutionizing science fiction, but changing the way films are conceptualized. It was probably America's first 'art' film and has inspired the likes of George Lucas and countless other writers and directors.
Aside from its visual greatness, the reason the film spawns so much discussion and analysis is because so many people have so many different interpretations of it. Kubrick and Arthur C. Clarke, his co-writer, had a vision, but we have never really found out what was going through their minds. Of course, the skinny on its 'message' is how technology of the future will take over humanity and decide the course of our lives unless we are careful. 2001's ending is one of hope, a version of our rebirth through the star-child's flight back to earth. It is meaningless to many, but discerning filmgoers will understand.
Although 2001 does not have the wicked, dark humor of DR. STRANGELOVE or CLOCKWORK ORANGE, or contain strong, eccentric characters that filled his earlier works like PATHS OF GLORY or SPARTACUS, I still feel he would've liked to be remembered most for this. If anything, HAL will be his most memorable character, dangerous, murderous, and artificial. It was a half-decade in the making at a time when Hollywood was still churning out dull musicals and just waking up to the New Wave of French and Italian cinema. Kubrick was a maverick director who made great films on his own terms, his own time, and for everyone else to marvel at. He will be missed.
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user\nThis movie is certainly one of the greatest films ever made. It is a story told in a steady pace, told mostly not by words but by cinematic means of expression. Perfect blend of spectacular special effects and classical music bring to life creations of human imagination in both realistic and poetical way. The story itself is quite simple at a first glance. As the title implies, there is an archetypal journey, a motive repeated for thousands of years. This motive was always used not only to depict a trip in space and time, and beyond, but also had rich philosophic meaning. The film is a poetical contemplation of most exciting eternal questions. It is not just an odyssey of a person; it is an odyssey of our species. The film is great by itself, yet, in my case, the impression from it will always be mingled with that from the book. I've read it at the age of 10, really not thinking about problems like 'what is the relationship between evolution of humankind and development of human morality'. But the impression was great enough to make me fall for entire genre of science fiction.
The day I learned '2001' got only special effects Oscar and was not even nominated for the Best Picture was the day when 'Academy Award' completely became two words meaning nothing to me.
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user\nMankind's Self awakening is the theme of \"2001: A Space Odyssey\", a process that unfolds along a space-time continuum. We \"see\" our primordial past, and we \"infer\" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.
From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.
In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.
\"2001 ... \" is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word \"masterpiece\" to describe a movie. But Stanley Kubrick's \"2001: A Space Odyssey\" is art in the highest sense, like Leonardo da Vinci's \"Mona Lisa\", or Vincent Van Gogh's \"The Starry Night\".
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user\nLike a Circle around the human condition, 2001 starts at the beginning, skips the middle, and proceeds to the ending, right back where we started. Noting the weakness of words compared to image(s), Kubrick wisely dispenses with dialogue, preferring the power and essence of the scenery, and allowing the intelligence of the audience to do the deciphering. Or not, depending on the audience.
A monolith in cinematic history, 2001 is a high water mark of direction, execution, and achievement. If one considers the ambition of the film (a film about everything), and the measure of success the film achieved to that end, a very sound argument for this being the greatest of all films can be made.

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user\nI'm always surprised, given that the famous title track of 2001 is called \"Also sprach Zarathustra\", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, \"Also sprach Zarathustra\". The idea of man's rebirth into a star child; an infant form of an indescribably more advanced being, is an explicit part of N.'s \"Zarathustra\"; there is a prominent passage called \"On how a camel becomes a lion, and a lion becomes a child\", in which N. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel; always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). The fact that the song plays during the star child sequence can hardly be coincidence. And also, Zarathustra said that \"man is a rope tied between beasts and the overman.\" The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean; in \"Zarathustra\", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to \"go under\". Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical \"going under\".
I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. The case could certainly be made that 2001 is above all a dramatization of \"Zarathustra\" updated for the modern age. Feel free to disregard the outright snobbishness of my tying everything to Nietzsche.
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