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user\nMichael Ritchie's \"The Couch Trip\" is a wonderfully anarchic comedy about what makes a good psychiatrist. It is so subtle and wicked that you start to realize what a stinging satire it really is. It is also Dan Akyroyd's best movie, made in a particularly great film year (1988)for him. First, \"The Great Outdoors\" and now this.
Akyroyd stars as John Burns, a career crook who fakes insanity to escape prison. Now, a dumb comedy would just be about this. But \"The Couch Trip\" uses this as a springboard for everything else. Beverly Hills psychiatrist George Maitlin (Charles Grodin, subtly hilarious here)has a nervous breakdown and a replacement is selected: Lawrence Baird, who happens to be Akyroyd's psychiatrist! You can pretty much guess what's going to happen, but the great thing about \"The Couch Trip\" is not what happens, but how it is done.
\"The Couch Trip\" gives Dan Akyroyd the best role he has ever had. His John Burns is one of the truly original comic creations in movie history. Wicked one liners and physical humor are a part of it, but what makes it special is that Akyroyd makes Burns a lovable character. We root for him and grow to like him a whole lot during the 98 minute running time.
But Akyroyd isn't alone here. He gets strong support from other great comic actors. Walter Matthau joins the hilarity as a con artist minister who catches on to Burns' secret and commits genteel blackmail. Charles Grodin \"slow burns\" his way to another great comic role as the burned out psychiatrist. Grodin has been one of the most underappreciated actors in Hollywood. It's criminal they haven't used him more often. Richard Romanus plays Grodin's slimeball lawyer to perfection.
\"The Couch Trip\" is one of many films made by the now-defunct Orion Pictures Corporation that are currently unseen. MGM spent a fortune buying the Orion library but have yet to truly cash in on their acquisition. \"The Couch Trip\" joins \"Dressed to Kill\", \"Blow Out\" and countless others in gathering dust rotting in the vault. Shame on MGM for their inaction. Hopefully, with new management, \"The Couch Trip\" will find the audience and respect it deserves.
**** out of 4 stars
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user\nAs a fan of Dan Aykroyd, I watched this film when it was recently shown in the middle of night on TV. I wasn't expecting much, so it came as a big surprise that I loved it so much.
This is the type of film that Dan Aykroyd seems to love to make. A chance for him to 'ham it up' and not take things too seriously. If you loved him in The Blues Brothers or Ghostbusters you'll know what I mean, and you'd be wise to check out The Couch Trip.
Avid fans of Aykroyd will also have fun spotting all the tiny links to his other films in the script!
I can't describe this film without spoiling it for you, so all I can do is tell you to check it out. I can't praise this film highly enough, and it must surely be time for a DVD release!!
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user\nI am surprised that this, well above average 80's comedy scores only a 5.2 from all the IMDB voters. Dan Ackroyd does his usual satirical turn as a con who seizes a great opportunity to steal a contract from his prisons physician. He retreats to California to start his work giving advice on a radio show pretending to be the infamous Dr Lawrence Baird. The only person that knows he's an imposter is the drunken priest (Walter Matthau) who comes along to be pampered by Ackroyd's new found wealth having blakmailed him. Charles Grodin throws in a good supporting performance too. For its genre I think this film deserves the same crediblity as 'Ferris Bueller' or 'Trading Places'. 7.5 / 10
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user\nI first saw The Couch Trip (1988)on late night television years ago and instantly fell in love with it. The funny thing is I usually catch all the comedies made but have never even heard of this one until I saw it. Dan Ackroyd is plain and simpley hillarious period. He has made a couple great movies with Belushi and don't forget Saturday Night Live. But I think the Couch Trip is probably his best and funniest. With a good supporting cast of Charles Grodin, David Clennon, and Walter Matthau this piece of cinema shines with comic gold. Ackroyd's wife Donna Dixxon even does a fine job here. My favorite moments of the film involve Ackroyd and David Clennon's charachter Lawrence Baird. Those two played well off each other. So if you haven't seen a good comedy in awile take a trip back to 1988 and rent or buy The Couch Trip. I just did, Amazon 78 cents. What a bargain, too bad I got hit with a 2.50 shipping fee. Oh well still well worth it. Any guy will love this flick check it out.
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user\nI would agree with the comments already posted to this site by the previous rater.
I first stumbled across this movie back in the '80s, when I was employed at a psychiatric hospital. Unfortunately, many of the barbs aimed at the psychiatric profession do hit home. I especially enjoyed the ending, where the psychiatrist would speak thru the door to the hospitalized Grodin. Trust me, its fairly accurate.
Of course, doors at most psych hospitals are not locked, nor are straightjackets used much these days, and any hospital MUST be licensed to have a \"padded room\".
But a wonderfully underrated film, and certainly one that is quite amusing.
Jeff
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user\nA lot of people don't think Dan Aykroyd is funny. This movie proves otherwise. Aykroyd is brilliant delivering his one-liners in this comedy. The only major problem with this is that it wastes far too much time near the end jumping back and forth from Aykroyd's character and the doctor who is pursuing him to prove he's a fraud. The doctor goes nuts like doctor Leo Marvin (Richard Dreyfuss) in \"What About Bob?\". The scenes where the doctor is desperately trying to get back to Los Angeles are silly, unbelievable, and unfunny. Other that this aspect the movie really is funny, especially the first half.
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user\ndoes anybody know why this movie is called the couch trip? i was just watching it and am still not sure why this title was picked the movie was very funny and its probably my favorite Dan Aykroyd performance it even beats out his Ghostbusters performance i had never heard of the movie before i seen it in a sears store i read the back and thought it sounded good so i bought and when i finally got a chance to watch it, i thought it was better than what i had originally expected. this movie rates as good as animal house and national lampoon's vacation in my mind i wish comedies that have come out lately were written as well as this one was nothing sad happens in it and the bad stuff that does happen are also funny parts if anyone else feels this way and would like to read a comedy script for a movie that doesn't have a sad situation in it email me at killer2511@hotmail.com
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user\nThis is a strange, little, forgotten movie from the late eighties. It's one of those \"Large-cast kitchen sink\" movies that delivers some good gags. If you like the people in this one, give it a shot.
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user\nDan Ackroyd in his prime stars as Johgn Burns, a mental asylum escapee who poses as his own shrink to travel out to La La Land and host a popular radio talk show while the regular host (Charle Grodin in his snarling prime) takes a vacation. Along the way, Ackroyd hooks up with Walter Matthau, a fellow nutjob, and the rest is sheer hilarity. Ackroyd and Matthau play off very well off one another. Ackroyd's stunning real-life wife, Donna Dixon, is along for the ride as yet another shrink. The ending feels a bit rushed and contrived, which is the only thing that keeps me from giving this film my top rating, an 8. A lost '80s gem.
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user\n\"The Couch Trip\" is one of those silly comedies that they cranked out in the '80s. In this case, Dan Aykroyd plays a mental patient who poses as a psychiatrist, and he goes to Beverly Hills to sub for Charles Grodin. Most of the movie's humor springs from their satirical look at Beverly Hills and people's empty lives there (a woman has a power struggle with her maid).
It's the sort of movie that you just watch to have a good time. Don't expect any kind of religious experience. But you'll most likely laugh a lot at how the Beverly Hills people flaunt their wealth. Also starring Walter Matthau, Donna Dixon, Arye Gross and Victoria Jackson (of \"UHF\").
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user\nOne of the most underrated comedies. Dan Akroyd is hilarious in this over the top role; Charles Grodin gives a performance nearly as good as in \"Midnight Run;\" and Walter Matthau gives a superb comedic performance in this sometimes subdued, sometimes wacky film. Akroyd and Matthau have great chemistry together....
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user\nI was very impressed with this film from newcomer Dir./Writer Jose Reyes. The cast was excellent. \"Jorge Cordoba\" executed a powerful
and shocking performance as the lead character of \"Rafa\". It's inspiring to see independent films with this level of talent.
It takes talent, courage, and determination to go out and make a quality film.
I admire anyone who can take an idea from concept to conception and go the mile.
It's easy for people to judge young filmmakers more harshly, but I applaud \"Jose Reyes\"
and the talented cast for their successful efforts.
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user\nFirst, I must say that I don't speak spanish and usually do not enjoy spanish speaking films... BUT Two Coyotes is an exceptional film. There is enough action and hard drama that it doesn't matter that its a spanish speaking film. The subtitles were easy to read and didn't block the action - OR the drama!
I would tell fans of spanish speaking films and non-fans of spanish speaking films to go see this movie. The action and drama are worth every penny.

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user\nThis film is an excellent example of what an independent film can be. The director does an excellent job of riding the line between emotional and physical violence. But in the end, he remembers what so many indie-films forget - he tells a good story. When watching this film I was reminded of how timid and mundane most big-budget Hollywood films really have become.
Especially notable, is an exceptionally strong performance by the film's lead - Jorge Cordova. As an villainous thug (on his way to the top of the crime heap) Cordova plays a conniving, brutal, conceited, devious, and sleazy S.O.B., but he is so likable that he keeps you entertained the whole time.
I read somewhere that these guys were part of the New Wave of Latino Filmmakers in Los Angeles - called La Nueva Obra, or something like that. Either way, this film makes you look forward to seeing more of their work.

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user\nThis first time writer/director comes across as a season pro with \"Two Coyotes\". Most action dramas are all about the action first then the story. But this picture works the other way around. If this is just the beginning for this director, then Hollywood will soon be making room for this rising star. Independent movie making has once again reached a new level.
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user\nI really liked TWO COYOTES. One of my friends rented it the other night and we were really impressed with how good it was and how cool the main guys were. I wonder if they are thinking of making a sequel because that would be excellent!
TWO COYOTES ROCKS!
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user\nHummmm,...ANOTHER Keystone comedy set in the park!!! It seems that the number one location spot for shooting was in this same local park, as so many of Chaplin's and Arbuckle's films are set there! And, while this is yet another one, it is different enough and well made that I still enjoyed it.
Fatty is interested in a younger than usual looking and acting Mabel Normand. I think she's supposed to be a little younger, though in her mother's eyes she is TOO YOUNG to be interested in men. Well, Fatty does not share her feelings and soon he and Mabel run away for some innocent fun. Things get complicated when the mother's watch is stolen. Fatty finds it and gives it to Mabel as a gift,...and MANY problems result.
Decent pacing and the fact that this movie did not rely too much on cheap slapstick but a reasonable plot make this a cute and enjoyable little film.
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user\nExcellent introspective / interpersonal piece that really had some teeth to it without feeling hopeless or worse, manipulative & artificially gratifying. Might be a good double feature with American Beauty as well. Best performance to date that I've seen from Anita Mui, and every actor in this seems like a powerhouse. Hats off to Ann Hui for the direction and Ivy Ho for the brilliant script. Seriously one of the best dramas I've seen in a while, especially if you have a taste for classical literature ALA poetry. Again, excellent.
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user\nA touching love story reminiscent of In the Mood for Love'. Drawing heavily on Chinese poetry and how this is used by eastern people to communicate feelings to each other, the story focuses on a schoolteacher who wants so much to be a model teacher as well as a good husband and father. A senior student is very attracted to him. As the story unfolds we see the emotions below the surface in his 20 year marriage and how he grapples with the moral dilemmas that face him. A beautiful and moving story.
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user\nThis story of a teacher who has a relationship with a student is told in a subtle manner, something which sets it apart from most films with this plot. Mr. Lam (Jacky Cheung) has a relationship with Choy (Karena Lam, who was also so good in \"Koma\") in what at first appears to be an inexplicable situation. He is married for 20 years to Ching (the great Anita Mui, in her last role before she was cruelly taken from us), and it appears to be a loving relationship. When Ching offers to care for hers and Mr. Lam's former teacher, Choy and Mr. Lam have the opportunity to be together. What makes the film so good is director Ann Hui's pacing. It takes a while to uncover the secrets of the Lamsm and it all makes sense. The movie is very dramatic and touching. You don't feel any repulsion about the teacher/student situation, something that elevates this film above many with the same plot. It is slow moving, but stay with it. Also, revel in Ms. Mui's wonderful, unglamorous but beautiful performance. She was and is someone truly special and in this film you fall in love with her one last time. It is worth the time to witness and just be there with her.
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user\nA rich experience is to be gained from watching this film.
This is a seemingly simple story of a gifted pupil, Yiu Kwok, who later becomes a teacher of classical Chinese poetry. He is married with two sons, and things at home seem normal. He still loves his wife after twenty years of marriage, and his sons alternately fill him with pride (the elder one) and disappointment (the younger one).
His passion for the poetry makes him an object of infatuation for a senior student in one of his classes. The student, Choi Lam, draws pictures of him during class, significantly, one of him with a flower coming from his mouth. She teases him more with her intelligence than her sexuality, although that too is an element. He of course is not immune to her attention, though he tries for a while to keep the demarcation line between teacher and student in place.
The reason why he doesn't succeed in the end is complicated. Firstly there is a real depth to the communication between him and Choi Lam. It becomes clear that she genuinely likes him, and it's mutual. Secondly, there is a long-standing problem in his marriage that is brought to light when an old friend of both his and his wife becomes ill. The consequences of the wife's involvement with this friend, both past and present, are almost too sad to bear.
Nothing is treated trivially in this film. All the characters have a vivid internal life, and an easily discernible history. The two leads, Jacky Cheung and Anita Mui, are outstanding, as are Karena Lam as the student Choi Lam, and Shaun Tam as the elder son On Yin.
Recommended without reservation.
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user\nLet me say first off that I am a huge fan of the original series Lonesome Dove and the book it was based from. I have put off watching this sequel for the better part of 10 years due to the bad reviews I'd heard about it. If Tommy Lee Jones wasn't playing Capt. Call I didn't see the point. If Larry McMurtry wasn't involved why should I care? How wrong I was.
This is in so many ways a worthy sequel to Lonesome Dove, maybe even more so than the dark mood of Streets Of Laredo. The story, acting, production, cinematography are all top-notch. Of course the script isn't as colorful as Lonesome Dove but it has it's moments. And, much to my surprise, there are bits of Lonesome Done in this series; the relationship between July and Clara, completely dismissed in the prequel, is brought up here almost identical to the book, a most welcome surprise. The story isn't all roses, it has it's surprises too. By far the biggest surprise is Jon Voight's interpretation of Capt. Call. While not a direct copy of Tommy Lee Jones' his is both faithful and unique to Voight's credit. The cast is fantastic all across the board, and I don't think Rick Schroeder has done a better job of acting than in this series. Oliver Reed practically steals the show here, he is superb in a role that makes you care for his character as equally as you hate him.
It is worth it to watch this if you haven't due to bad criticisms, especially that the DVD is so affordable (I got the 2-disc set for $10.99, you can probably find it cheaper). It is in no way the disappointment that Dead Man's Walk turned out (well, it was for me). And MCMurtry was involved with that one!
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user\nnot a Larry Mcmurty masterpiece but it stands on its own as a good western, any of the lonesome doves do. who ever takes on the role of Woodrow call, does a great portrayal in their own style. It's also easy to see that they were looking to use this as a stepping stone to the t.V series (both version of it) and that the writers knew how to keep the flavor alive William Peterson was awesome in this, the geeky C.S.I guy is not the character he plays in this - this guy can do it all it seems
it's deserve to be enjoyed by those who enjoy westerns
4out5 stars
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user\nI've seen Lonesome Dove, Dead Man's Walk, and The Streets of Laredo, and now The Return to Lonesome Dove. If you are hungry for more after watching Lonesome Dove, this'll fill yer belly. Great cast, great story. Most definitely a close second to Lonesome Dove. I will be purchasing this movie to add to my collection. This is the best, or at least my favorite performance by Jon Voight. He is Captain Call. Lou Gossett Jr. playing Isom Pickett is not somebody I'd mess with, he is a bad ass with perspective. William Peterson does a great job as well. Rick Schroder is back as Newt with an angst filled performance that reminds me of his stint on NYPD Blue. My only problem with this film (and it's really picking nits) is that I had the impression that Call wanted to be \"the first man to graze cattle in Montana\", and it's obvious that Dunnigan had already been there a while. A little inconsistent, but easily overlooked as you lose yourself in the fantastic tale. I especially love the apparent character growth of Jasper Fant and July Johnson. I've watched this movie several times and am ready for another sequel.
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user\nLet me begin by saying that there is no bigger fan of the original \"Lonesome Dove\" than I. Both the Pulitzer Prize-winning book and the towering mini-series adapted from it stand alone in my experience as moving, dramatic, believable, and engrossing works. There is no comparison between \"Lonesome Dove\" and any Western film- at least not since the legendary collaborations of John Ford and John Wayne. It was with real reservations that I sat down to watch this new mini-series, what with McMurtry's non-participation, and the missing original cast members. After watching the first episode it was clear that this is no \"Lonesome Dove\". In almost every measurable way this sequel falls short of the original. But so what? I wasn't expecting it to measure up. Taken as an effort of it's own this film is engaging, entertaining and of a very good quality. If it were done as a new story, not as a sequel to \"Lonesome Dove\", there is no question in my mind that it would not have received as many negative ratings. Jon Voight did a creditable job as Call, Barbara Hershey was a terrific Clara, and the new characters like Gideon Walker and Agostina Vega were well rendered and believable. Louis Gossett jr. deserves special mention as the horse wrangler Isom Pickett. The film made me care about the characters, and I don't ask any more than that from an actor. it is unfortunate that this worthy effort stands in the shadow of it's predecessor- it is worth viewing in it's own right.
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user\nThis a wonderful sequel to the award winning Lonesome Dove miniseries in the 1980's. This sequel is perhaps, better than the original. It is definitely more family friendly. The language is more subdued. There is plenty of violence and one particular scene with Cherokee Jack is particularly gruesome. However, overall a great movie. The acting is superb. William Peterson is fantastic. Such a great dramatic actor with a quick sense of wit and comic timing. Jon Voight aptly fills Tommy Lee Jones' shoes as Captain Call. Ricky Shroder gives a great heart-filled performance as the young boy who grew up with no family to claim him. Highly recommended.
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user\nI had my reservations about watching The Return to Lonesome Dove after seeing and enjoying the original so much. Without Tommy Lee Jones reprising his role as Woodrow Call or Anjelica Huston as Clara, I figured it just wouldn't seem authentic enough. Upon viewing 'return' I can honestly say it's a worthy successor. The actors really make the show with Jon Voight, Rick Schroder, and Oliver Reed all preforming at their very best. I admit the story might not be quite as engrossing as the first, but 'return' definitely has it's share of excitement and captures the romance of the old west in a way that few other films have. Anyone who still has reservations can rest assured that The Return to Lonesome Dove succeeds in capturing the 'feel' of the original and will not disappoint. Do yourself a favor and check it out, Ol' Gus would be proud!
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user\nAt first glance of this mini... I was a bit disappointed that Tommy Lee Jones and Anjelica Huston didn't return to the cast. Both John Voight and Barbara Hershey did commendable jobs replacing very important characters for the continuing saga of this legendary Epic Western.
Cherokee Jack Jackson (Haysbert) played an excellent bad guy, and Louis Gossett Jr. was, as always, true to form with his excellent acting skills.
The drama that seemed true to life in many scenes, including one of the best, where the valiant shoot-out ended with Ranger Walker being killed made me feel that I was actually in the film. Return to Lonesome Dove was to me, almost up to the quality of the first of the series. The next 2 follow ups with James Garner as Call just didn't make it for me. And that Lorena marries Pea Eye? How the heck did that get in their? That was a total mismatch of characters. The first 2 of the series made the Epic story, the next 2 in no way were of the same quality.
Now, if the first 2 could be remastered in Dolby Digital and an Anamorphic presentation, the films could be where they should have been like the movies of today.
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user\nI just watched \"return from lonesome dove\" and it was very good! I've seen a lot of negative comments about it and I don't think the Viewers are being real about it! In the television/ movie business it is hard to get all the actors back for a 2nd sequel or 3rd part. WE ARE LUCKY TO HAVE ANOTHER MINISERIES THAT TIES INTO LONE D. FAITHFULLY!! This production was top notch with the original music score, and the actors put their hearts into it(you can tell). If you want to watch lonesome d. with Robert Duvall and tommy L. J. then watch the original. Return to L.D. didn't have as much wit and takes on a more serious tone but is totally captivating none the less. From the touching moments to the villains, this one is a winner! \"Wonderful!!!\"
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user\nIn a lonely road in Cape Girardeau, Missouri, a black man driving a car is chased and hit by a truck, falling off-road and dying. His daughter Cassie Robinson calls her former boyfriend Dean and asks him to investigate the mysterious accident. Sam and Dean see that three Afro-Americans and the Caucasian Major of the town were killed in weird accidents on the same road. When the truck threatens Cassie, her Caucasian mother Mrs. Robinson tells a tragic racist murder that happened thirty years ago, and the brothers realize that they have to fight against a hatred spirit in a ghost truck.
In this episode, Dean discloses his first and unique love to his brother, surprising Sam and showing that he has feelings, but also that his hunting wish is stronger than his love. The story is only reasonable, touching in the delicate theme of racism in an efficient manner and blending it with a supernatural event. My vote is seven.
Title (Brazil): \"Rota 666\" (\"Route 666\")
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user\nExcellent episode, showed Dean has not only good taste by picking Cassie for his girlfriend but also shows he does have a heart and can love just one woman, and he's not just some guy who loves and leaves em! Aweso e episode. Applaud them on this one. I only hope that some way they go back to the Cassie relationship next season (if there is a next season??) i would like to see her come back into their \"supernatural\" lives especially Dean's. Also I like the fact the chose an African-American woman to be the special lady in his life that got away somehow. I hope they don't screw that up and end it as he episdoe ended. The girl who played Cassie was truly a looker and it was good to see the WB branching out into what we all see in everyday life-the interacial coupling that has become common and acceptable(finally!)
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user\nApart from being a clever and well-marketed variation on the nowadays hugely popular horror genre and a splendid formula to attract potential new fans in general, I always somewhat considered \"Supernatural\" as a massively giant homage towards the genre through the decades. Although not always noticeable to younger viewers and/or people who only have an interest in more recent horror films, each and every single episode contains a few obvious and subtler references towards classic and influential titles. From that point of view, it was only a matter of time before the writers would pay tribute to the 'creepy vehicle without a driver' type of films, and even more specifically the 70's milestones \"Duel\" (Steven Spielberg's acclaimed debut) and \"The Car\". Being an avid fan of these two films, I enjoyed \"Route 666\" a lot even in spite of its flaws and shortcomings. The episode opens tense and atmospherically on a remote Missourian road, where a black man is hunted down and eventually killed by a menacing monster truck with seemingly no driver behind the wheel. The victim's daughter, Cassie, happens to be Dean's ex-girlfriend and she calls the Winchester Brothers in for help. The brothers can't prevent two more similar \"accidents\" before discovering the ghost-truck sudden presence relates all the way back to a racial dispute of the 60's, involving both of Cassie's parents as well as several more prominent inhabitants of the little town. Some of my fellow reviewers around here tend to label \"Route 666\" as one of the weaker entries in season one, mainly because the script is too preachy regarding racial issues and shows a different and more emotional side of Dean's character. He's usually the strong silent type, whereas here he's confronted with unfinished romantic affairs from the past here. To a certain level I agree with the racism debate, but it didn't bother me that much, really. The writers eventually had to give an explanation to the presence of the ghost truck, and racial conflict is an acceptable one as far as I'm concerned. Concerning Dean's emotional vulnerability, I can only state it's admirable to see how the writers continuously attempt to provide depth and detail to the main characters. Dean's behavior towards Cassie sheds a whole new light on him, in fact. Besides, what really counts in this episode is the wondrously sinister truck and its virulent attacks. It's an impressive and overpowering vehicle, producing blinding lights and grisly engine noises. In case you worshiped the brilliant aforementioned \"Duel\", you will definitely find some amusement in the compelling chase sequences depicted in \"Route 666\".
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user\nEpisode No. thirteen of the fanciful (excuse the incredibly gay terminology) \"Supernatural\" TV series relocates Sam and Dean Winchester to Missouri where they have been called upon by an old flame of Dean's to investigate a string of mysterious murders occurring in their small town. As it turns out, a large pick-up truck with an unseen driver is running down African Americans on a desolate stretch of road... While Dean attempts to rekindle his past love affair, more towns people turn up as roadkill. The cause appears to be due to a past racial incident back in the 60s, causing a frustrated redneck spirit to remain in ghostly limbo, seeking to kill black motorists. \"Route 666\" is another good installment (which isn't uncommon, I've noticed) which contains a few notable aspects pertaining to the pair of main characters such as Dean getting laid and Sam's admitted regret for having left college... The killer truck does't come across as the most terrifying thing in the world, though, for an hour long show, it does it's job well. Not a hands-down fantastic episode, but a solid concept with more horror movie references.
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user\nThis episode of Buffy was one of my personal favorites. Also number three of Joss' personal favorites as well. The episode featured very little dialogue and despite that the good folks at the Emmy's decided it merited a nomination. Unfortunately it didn't win. When Hush first premiered it received about 6 million viewers, which was the highest rated episode of season four. That should tell you something. Even though there was very little talking it managed to intrigue people enough to tune in. Those gentlemen characters (who were played my mimes) were some of the scariest creatures the show has produced (or any network TV show I've seen). Nothing is creepier then a bunch of silver teethed men coming at you with a scalpel while smiling away. I think that despite the lack of dialogue the actors did a fantastic job on the episode.
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user\nThe creepy demons \"The Gentlemen\" capture the voice of the population of Sunnydale, to steal human hearts without scream. Giles find that in accordance with a legend, if a lady screams, the creatures will be destroyed, but Buffy and her friends, including Riley, have to fight the monsters speechless.
\"Hush\" is certainly the best episode of the Fourth Season of Buffy up to this moment. Having lots of humor and funny situations, I liked a lot. Spike is hilarious, the romance between Xander and Anya is cool, but I loved the \"intense\" dialog between Buffy and Riley in end. The Gothic scenario of the final battle against \"The Gentlemen\" recalls the environment of \"Dark City\". My vote is ten.
Title (Brazil): \"Silêncio\" (\"Silence\")
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user\nHaving seen the movie years ago and been disappointed by its squandered potential, when I heard that it was becoming a TV series, I flatly refused to watch it. My best friend became a rabid fan immediately, and knowing my love for horror movies, could not believe that I wouldn't watch a single episode. I told him that the movie had scarred me for life as far as anything BUFFY was concerned, and he told me to forget that the movie even existed. He insisted that I give two episodes a shot: \"Once More With Feeling\" and this one.
Both of them are why I am a BUFFY fan today. He was right - I was hooked immediately. I have never seen a show with the guts to dare try an episode that has next to no dialogue, and nothing else could've pulled it off with the panache and the pure creativity of BUFFY. I think X FILES might've gotten away with it if they'd thought of it first, but I'm glad that BUFFY did it instead.
It is a credit to everyone involved that you are riveted for the entire hour, sometimes hanging onto the edge of your seat. And when it was all over, I craved to know more about every character. So I went out and bought the Season One boxed set. And the rest is history...
I guarantee you that if you've never seen it, either, you'll want to see more if you make this episode your first.
The only reason I'm not giving it 10 out of 10 is because I'm reserving that score for \"Once More...\"
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user\nI've been watching Buffy the Vampire Slayer and really didn't begin to love the show until Season 4 started. This episode \"Hush\" was view by me alone in the dark just after Midnight with my windows open and the wind blowing through furiously by an after storm. The writers of this episode did an excellent job scaring the heck out of me. I was in awe the entire episode which I just finished 2 minutes ago. Amazing doesn't touch the surface of what this episode accomplishes with almost no dialogue. If you've never given this show much thought at least watch this episode. If this doesn't impress you then no episode probably will.
BTW My Heart is still racing...
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user\nThough not exactly a comedy in the usual sense of the word this more rewarding than any movie full of laughs but devoid of substance. I don't think Bergman's movies can be easily classed under narrow genres, even the lightest are quite complex. This movie in spite of its light touch poses a series of problems related to marriage and its shortcomings and what happens when the flames start to die etc. I don't really communicate personally with all these issues as I am sure others do. But the atmosphere of the movie is extraordinary, you almost wish it not to end. I have to admit that I was swept away by the Bergman of the fifties, having come to know most of his later, groundbreaking efforts. Before Nykvist, von Sydow, Ulman etc. the master produced some of the richest, warm and touching movies I have ever seen. Though it's a long shot, I have seen this kind of love for human kind, in its complexity, only in Fellini's movies of the same period. A Lesson in Love alongside Smiles of a Summer Night are worth seeing for Bergman fans, to have the full image of the man's capabilities, and for those who love cinema with a heart. May he rest in peace!
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user\nBergman is a sublime comedy director and writer. This fact becomes apparent in \"En lektion I kärlek\", where the comic elements range from pure slapstick to deep, yet very emotional scenes. This movie is paves the way for Bergman's later comedies \"Sommarnattens leende\" and \"Kvinnodröm\", all of them starring Gunnar Björnstrand as well as Eva Dahlbeck. This is an excellent movie with which to start your Bergman experience, acutely portraying emotional troubles of the young as well as the old. The cinematography by Martin Bodin is astounding, for instance in the picnic scene. In short, the movie is a perfect example of a successful comedy, with a clarity of depth even surpassing some of Bergman's own comedies.
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user\nBergman and comedy don't quite go together. Some of his comedies are so naff you almost wince. This film has the odd naff moment - the last 30 seconds being the nadir, but on the whole this is a charming (rather than funny) piece, enjoyable throughout. Bergman casts several of his usual suspects who perform well. There is a great scene on the train between David, Marianne and an uncouth salesman which will stick in the memory. Some of the marriage material is typical, cynical Bergman, but this is Bergman in a light rather than dark mood.
This film has its moments and is worth the 90-odd minutes. Not one of his classics and not the place to start if you want to fall for Bergman.
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user\nA fun filled romp, full of silly if not sometimes cruel jokes. Not the best of movies, but definitely well worth watching. David Niven and Stewart Granger are their usual charming selves with Granger as an especially delightful and ingenious gentleman. Ava Gardner as wonderful as always, with such a delightful character that is absolutely iresistable. The story line is typical, but full of jocular surprises, especially concerning the unconventional relationships between Granger, Gardner and Niven.
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user\nThis is a very noir kind of episode. It begins with Jim returning from a weekend trip with a new girlfriend, the recently divorced Karen Mills (Pat Delaney--daughter in law of John Huston, who knew a few things about noir film) and her daughter. When they arrive, Karen goes in the house while Jim picks up her daughter from the back seat and carries her up to her room. He then discovers Karen has disappeared without a trace. Of course he calls Dennis and when the police arrive, they see no sign of Karen, but find her next door neighbor murdered in the bushes. So of course that makes Jim an immediate suspect.
This is a great little mystery and the first half of the story is shown by Rocky asking Jim to go over the story once again. Rocky suggests that by Jim telling him the story he might remember a little detail that he didn't think was important at the time, but now might lead to a clue as to what happened. It's a really well written scene and completes the transition of the Rocky character from a grifter to a concerned parent. It also goes a long way to show that Rocky isn't just some clueless old man either. As he says \"You come to me because I'm your father. And I'm smarter than you!\" This is one of those times where we see where Jim got his smarts.
This episode also features an appearance by hottie Lara Parker, who played Angelique in the \"Dark Shadows\" series and went on to play Laura Banner, Bruce's wife in the \"Incredible Hulk\" series a few years later. She looks terrific here.
This episode also marks the first mention of the Minette crime family, a name that would keep popping up on the Rockford Files almost whenever they needed a mob family. This time, its Vincent Minette who Rockford helps apprehend.
Lt. Diehl (Tom Atkins) makes his first appearance on the series and Dennis is quietly demoted from a police lieutenant that he was on the earlier season one episodes to a police Sargent. I guess they figured it would be better to have Dennis less powerful and add some conflict between Jim and the police. Frankly, they were right, though I prefer the later Lt. Chapman to Lt. Diehl.
Not a lot of the typical \"Rockford\" humor in this episode, but a good mystery with a lot of heart.
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user\nThe episode begins with scenes of a dead woman bather washed up on the shore, a forlorn Jim strolling along the beach lost in reverie and a night ride home that ends in murder and mystery. Yep,this is an atmospheric little number with a super twist at the end. Jim does well to unravel what is, a priori, an inexplicable case of a woman going missing 20 seconds after she enters her home. To be sure, the eventual explanation is a little far-fetched. Why, for example, go to the lengths of substituting a woman midway thru a car journey when simply rubbing her AND her companions out would've been as easy and left less of a trail. However, these niggles aside, it's a memorable TRF episode full of invention, even if YET AGAIN Jim gets put in the frame by an ever suspicious Police Dept. I mean to say, have the ungrateful so-and-so's ever sat down and counted just how many of THEIR files have been solved by dear ol' Jimbo?
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user\nI just recently discovered this fantastic series and I just can't seem to get enough of Garner's laid back PI. The shows continually display excellent level of writing and suspenseful episodes.
This episode, Sleight of Hand, is a little different. Forsaking humor in favor of a more serious turn for Rockford as he searches for his missing girlfriend.
The mystery is great and it's unraveling is convincing enough. It's based on a book (can't remember the name) and it could easily have been stretched to a feature length episode. Garner excels here as Rockford gets tough and really means business. This has a \"noir\" feel to it all the way, the dark lighting and overall mood echo the great dark thrillers of the 40's and 50's.
Really good episode in a Class A series. Easily deserves a 10.
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