empathielabs/imdb_v0 huggingface dataset:
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAll the right elements seemed to conspire here to make this a memorable thriller for years to come. You have the stellar cast - Michael Douglas in an uncharacteristic 'free-spirit' role that pretty much launched his movie career, Fonda playing her typical forthright female doing her bit for womens lib, and Jack Lemmon as assured as ever showing us a man with a crisis of confidence. Give them a hot-button topic about big business being duplicitous, and that's encouraging for a kickoff, but to have life imitating art so soon after is a marketing man's dream.
The script is impressively taut, intelligent but mercifully keeping the jargon to a minimum, and there is a genuine sense of sustained tension brought in play by the director as our three protagonists race to beat the clock. If you like 'whistle blowing' dramas, then this is not quite as good as \"The Insider\", but the whole thing is more than nervy enough.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nBridges's drama about a reporter who discovers some flaws in the safety precautions taken at a nuclear powerplant is directed well and a pretty interesting film from the late 70s. Its not amazing, but its solid, the acting is pretty good especially Jack lemmon, but Douglas and Fonda were good too. It was a pretty good screenplay and Bridges's direction was solid and suitable. This is definitely not one of the best films of the 70s, but its one of the better ones. A good early Michael Douglas film and Lemmon in his prime.--- IMDb Rating: 7.2, my rating:, so in simple words, solid but not amazing... thats what this film is, solid but not amazing 8/10
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nTV newscaster Kimberly Wells (Jane Fonda) and her radical camerman Richard Adams (Michael Douglas) are at a nuclear power plant when a serious accident happens. The plants managers play it down but Adams has filmed it all. Wells and Adams try to get it on the air but the corporation that runs the plant prevents it. Plant executive Jack Godell (Jack Lemmon) realizes there are serious problems and tests have been falsified. He tries to get executives to believe him--only they know it. Wells, Adams and Godell find all their lives are in danger.
I saw this in a movie theatre in 1979. I was only 17 and it scared me silly. To make matters worse the Three Mile Island accident happened around this time making the movie all that more real. Seeing it over 20 years later it doesn't scare me but it still is an excellent film--it works as a mystery, a gripping drama and an expose on the nuclear power industry. Fonda (with red hair) has one of her best roles as Wells--she perfectly conveys her character's growing suspicion and horror when she realizes a nuclear disaster could happen. Lemmon is (as always) excellent. He starts out believing in his company and the job and slowly starts to unravel when he starts finding things out. He was rightfully nominated for an Academy Award for this. Douglas is good but he has a small part and is completely overshadowed by Lemmon and Fonda.
A really great film--one of the best of the 70s. Don't miss this one!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI thoroughly enjoyed this film when it was first released, and on each occasion I've seen it since. The political drama is effective, if not especially new or inspired. The decades since the release of the film have demonstrated that the willingness to cut costs at the expense of public safety is definitely not just something imagined by a screenwriter.
However, I think the most impressive element of this film is Jack Lemmon's performance. It is absolutely astonishing to watch him at work. He has the gift to be able to communicate so much, at times without saying a word. Next time you watch this film, check out Jack's face at the times he is not saying anything. He does not need to speak (or worse yet, to mug) to let you know what's going through his mind.
I am calling this a spoiler, because of the impression it made on me when I first saw the film: in Lemmon's last scene in the film, as he is lying on the floor, he feels a slight vibration. The terror in his eyes is one of the most frightening images I have seen in any film. It is perfect acting, because it conveys instantly the threat about to occur--if Jack's character is so terrified, there is certainly something awful about to happen. And it does.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nOne of the best and most exciting of all conspiracy thrillers, (there were a number of such film in the 1970's). This one is about an accident at a Neuclear Reactor and of the attempts to cover it up. Jack Lemmon is the employee who realizes just how dangerous the plant is and Jane Fonda is the crusading television reporter who takes the story on board and both players are at their best.
The events portrayed in the film are, of course, terrifying and not in the least bit far-fetched, (much of what happens here happened in real life at Three Mile Island), and although it now looks like something a period piece it, nevertheless, highlights just how fragile and dangerous a world we have created for ourselves. Expect a number of similar films about the effects of global warming any time soon, (and not rubbish like \"The Day After Tomorrow\" either).
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\n\"The China Syndrome\" launched a whole string of films about the potentially devastating effects of misused nuclear power, a black cloud of paranoia that would hang over America for much of the Reagan years. It's a well-made and effective drama, given an extra punch by its high-power stars, notably Jack Lemmon who plays a senior official of the nuclear power plant who suffers a crisis of conscience. But one can't help but think that it was the serendipitous timing of the Three Mile Island nuclear accident that occurred just a couple of weeks after this film's release that has given it its lasting appeal as a classic from the 70s. As watchable as it is, it's certainly no classic.
With a red-headed Jane Fonda as a news reporter and a bearded Michael Douglas as her camera man (and the film's producer, by the way).
Grade: B+
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nGreat film from the late 1970's. Says much about corporate corruption at the expense of the common person, so that the powerful can gain gain huge profits and disregard the environment and safety of others.
Nearly 30 years later this film is compelling about the power of certain corporate entities that since the films release have gained ten fold in their ability to control; It shows the need for regulation of the public against powerful business interests whose primary goal is profit.
Jack Lemmon is brilliant- while Jane Fonda and Micheal Douglas are as equally compelling in their roles. The frivolous 70s where damned for much, this film redeems the decade.
A film that becomes better after each watching.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAgain, I've read all of the comments posted here and agree with the many intelligent ones, but totally disagree with those who think it was/is hokum.
Personally, I think nuclear is about the only energy left to us, unless our governments (feds and states) increase the grants thinking homeowners will use photo-cells on their roofs. Many attractive and pricey homes in Southern Calfifornia are designed and built to take advantage of the cleanest energy around, the sun. I live in a loft, which is exposed to total sunlight on its roof the entire day. I hardly use the AC - I'm sure it would consume too much electricity to convert the intense heat in the attic to about five degrees cooler. We are blessed with \"dry\" heat in this part of the country. I'm from the Gulf Coast of the USA, so I know about humidity.......
That said, I found \"the China Syndrome\" to be a convincing movie about what COULD go wrong, if the industry is not busy regulating and inspecting nuclear plants. I think there are enough comments posted here to enlighten those who still fear it like the plague: they ARE safe. TMI is still on-line....
Director James Bridges carefully guides this plot (by Mike Gray-T S Cook) to build suspense and to a thoughtfully interesting film. All the roles were well-played: Jane Fonda (\"Kimberly Wells\"), Jack Lemmon (Jack Godell\") and producer Michael Douglas (\"Richard Adams\") are all excellent in their roles, plus all of the rest of the cast. I, too, loved there being no score. It was so interesting to get a true-to-life glimpse of the behind-the-scenes of the TV industry - that shouldn't be surprising. Currently, Dan Rather is sue-ing CBS, and I hope he wins. Can you believe Donald Trump saying \"he's a loser\" ? Trump - who cares? \"tiberius1234\" posted a very good comment here - I agree. It is my opinion that getting \"vaporized\" by a nuclear spill is much better than living in a world which has been wasted, and becomes \"Blade Runner\" and/or \"Solyent Green\". Come away from your video-games for a couple of hours and watch this \"dated\" movie (really isn't), and get a little education on nuclear energy. I Recommend it to the whole family....
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nfirst watched this film years ago with my daughter who is now 13 and fell in love with the vampire. we both thought it was a top film, then watched sub 11 then sub 111 now i find there is sub 1v which i cannot wait to get my fangs on, and also there is a fifth in the pipe line. if no one has seen the movies. these are the best of the best. i think it deserver's a thousands Oscar's. i could watch these from morning to night.i would love to have a set of nails like he has, watch out girls. i love it as all the story lines continues from film to film. these ant typical vampire movies they are better. i would love to live in the life that is protruded in the films. it would make all my dreams come true
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nthe subspecies series is an always will be the best vampire movies ever. there is something about them that makes them special i think it`s the feeling you get when you watch them .
they are set in modern times and yet they feel as if they are set in the 1700`s or 1800`s i think it has some thing to do with the set`s that are used if so then it`s working keep it up guy`s :).
in a quick round up of what`s happened in the first part - Radu was supposedly bannished from his home land years ago by his father and he has decided to come back and take what he thinks is his birth rite. the blood stone and all his father has so he kill`s his father who is played by Angus Scrimm (the tall man from the Phantasm movies). and takes the blood stone which has emense power to who ever has it because who has it need never kil anyone again because the stone is supposedly meant to drip the bloody of the saints and every time the Radu takes a drop from it he is slowly going insane. (thats all we need an insane vampire as if a normal vampire aint bad enough). well Radu`s brother Stephan try`s to put a stop to his evil ways all while trying to stop himself falling inlve with a tourist who is staying at a house/fort which belongs to a friend of his.
well one thing leads to another and the two brothers clash and well you will have to see the movie to see what goes on from here on in.
i will review/comment on the other sequels soon .
the difference between this and buffy is buffy is too commercial and this is not so this will not appeal to everyone but this has an atmosphere far superior to that of buffy although Radu does not look as good as the wonder full Sarah Michelle Gellar :).
rating for this movie 10/10 a fine example of how a vampire movie should be done :).

\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nKing Vladislav (Angus Scrimm) of Romania is a vampire, but a vampire of light who wants nothing more than to live in peace and harmony with mankind. But his son, Radu (Anders Hove), is a cruel creature to his very heart (which is pretty obvious as soon as you see him). Three female students have come to study local folklore, but find themselves drawn into the vampires legends at just the wrong time: Vladislav has been killed.
Who can say anything bad about a film featuring a cameo from Angus Scrimm? I can't. I mean, I had some low expectations after seeing other Full Moon pictures (\"Puppet Master\" in particular, and \"Demonic Toys\"). But despite the really bad animated effects of the demons, this film was actually really well done and very fun to watch. Plenty of blood, a good plot and backstory (the Bloodstone story was surprisingly refreshing) and even some new angles on the vampire mythos, which you'd think would be dead by now. (Maybe I'm wrong, but this is probably the first film to feature rosary beads being fired from a gun.) Aside from vampires and blood, you get a share of nudity (gratuitous, but welcome) and I had to notice the excellent score from the composers (not sure who deserves credit, but those involved include Stuart Brotman, Richard Kosinski, William Levine, Michael Portis and John Zeretzka). This is Horror 101 all the way. Heck, you even get two sequels, which is the sign of a true horror film. (Of course, some bad films get sequels, too -- did I mention \"Puppet Master\"?) The Romanian theme was well-done, and the film even seems to have been made by Romanians if I am guessing their name origins correctly. And the score -- the music -- really stood out for me as a nice change of pace, very mood-setting. I like Richard Band, but I'm glad another composer was given a shot because he nailed the atmosphere on the head. If you like vampire films and want a slight variation (one of the Eastern European variety), this is worth seeing.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFor pure gothic vampire cheese nothing can compare to the Subspecies films. I highly recommend each and every one of them.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nOK. So it can be done! We have here the perfect vampire movie. Gothic, beautiful. With all the ingredients. A realistic vampire. A wonderful story. Take note - I am from Transylvania and I assure you, this movie respects the vampire lore! It's exactly like the tales I heard in my childhood. For a transylvanian, it is quite... believable. You must see it, if you are interested by real vampires, as they were depicted in medieval chronicles and not how are they done in recent Hollywood movies (as far as I can guess, the Hollywood problem is they mix vampires with the incubus - which is pretty hilarious for me. Vampires are never good-looking or attractive, they can inspire only horror and repulsion. The incubus - called in my country The Night Flier, is the one beautiful demon which kills his victims by loving them.) I strongly recommend this for any Gothic person out there! See also the sequels, they are all 4 very good! And of course, don't miss DArk shadows! Something similar is Nosferatu In Venice with Klaus Kinski. I recommend that one to.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nA few years ago, while I was renting some movies, I came across Subspecies 4, ended up watching it and actually kind of liking it, we need a good vampire gore flick that doesn't hold back. But when I went back to the video store, they said they didn't have any other Subspecies videos, unfortunately, the same went for any other video store I checked out. I gave up, until someone on youtube actually posted all the Subspecies films and I got to watch them all last night and I'm hooked. I am now a fan of the Full Moon Subspecies series. I think because this was the type of horror film I have been looking for, I've been looking for a good cheesy scare for a long time and Subspecies filled that spot. Radu is one of the coolest vampires on screen and almost gives Nosferatu a run for his fangs!
Radu is an evil vampire who is after his blood stone, his birth rite, the stone contains some blood that is absolutely incredible and gives him strength. Three American girls who are studying Romanian history and culture bump into a man, Stephan, who offers to help. They stay at Radu's castle where we find out that Stephan is Radu's brother; Radu seduces and turns two of the girls, but Stephan falls for one of the girls, Michelle, and will do anything to protect her.
Subspecies is a fun series, despite the cheesy effects, it makes it in some ways more likable. Plus Radu was a perfect villain as Stephan was the perfect angel like romantic vampire. The story is chilling and I think this was a fun vampire movie. This was also the first in the series, the best part is, the sequels are just as fun. I would recommend this for a scary movie night, watch it in the dark, Radu is sure to send shivers down your spine, or even your neck... OK, cheesy joke, couldn't resist.
7/10
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAbsolute grabber of a movie, and given its age, years ahead of its time. I first saw this the week my dad came home with a neighbor's TV, that the guy had thrown on the scrap heap. A tinkerer with all things electrical, dad had it working inside two days. This was July 1955...and then probably only the third house in the street to HAVE television! Pretty much the first thing we ever saw on that grainy and flickering old 12-inch screen was THIS film. \"It's pretty OLD dear,\" I recall my mom telling me!
Almost 50 years on, and it doesn't seem any older - rather like World War I in that respect! Terrific little fantasy about a London omnibus carrying thirteen passengers, that crashes, killing one of their number. Then, in flashback we pick up on the lives of these people and what brought them to being on this bus that very day.
Returning to the crash at the end of the film, the victim's identity is revealed, perhaps the inspiration behind the 1960 movie THE LIST OF ADRIAN MESSENGER.
If ever you come across this little gem, I suggest you watch it!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nSo many early British sound films that I've seen on video suffer from either poor print transfer quality or poor sound or both. Fortunately, I was able to obtain a copy of this movie on a video of excellent quality, enabling me to focus on the story itself.
And, an excellent story it was. At first sight, the passengers on the ill-fated bus looked like a pretty boring lot (except for the always lovely Jessie Matthews). But, as the film went back to show each passenger's story on the day before the accident, I discovered that the cast, contrary to initial appearance, was a talented group of performers, skillfully directed so as to bring a real individuality to their distinctive characterizations.
Viewers may have different preferences as to which two passengers are going to meet a tragic end and which ones will survive. But, the movie holds your interest as it keeps you guessing. This film deserves a much wider audience - a real gem of early British Cinema.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis film has an excellent premise and is really crying out to be turned into a Hollywood blockbuster. As I recall (and it's a few years since I've seen the film) the action starts with a London omnibus filled with people. There is an horrific crash and one passenger dies. The rest of the film is then told in flashback, with 13 characters who were on the bus getting their recent lives explored in intricate detail. At the end of the film we return to the crash and find out which of these chirpy, vivid characters has met a gruesome end. Great stuff, a little like a good tabloid news story fleshed out in precise, even handed detail. If only it were available on video...
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis movie pops up now and again on the ABC in Australia at about 3 am in the morning.
It starts off with the scene of a bus crash in London.
The films has got flashbacks of each character as the film progresses, plus the lapsed photography of Big Ben winding back, to symbolise what events occurred thirteen hours ago, up until the bus crash.
It took me a while to understand it, but it was enjoyable nonetheless.
If Sean Cunningham and Quentin Tarrantino got together and made a film, this may be the result - due to the flashbacks and small stories tying in, and deaths.
I am unsure of the main characters, as it has been a while since I have seen it, but a rare gem indeed.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is an exceptional film. It is part comedy, part drama, part suspense. The dialog is exquisite. Most of the actors and actresses were very famous in their time, and for good reason. You will probably recognize someone, even if you don't usually watch older movies. They are also each in a role that particularly suits their talents.
One correction to make on another users comment is that two people, not one, are announced to die in the accident. Maybe the unlucky two are a reflection of what the writer considers important in life. The movie is too engaging to worry about who it is until it happens.
The story is ahead of its time, but it does not lose the quality of an older movie. Time and effort was spent perfecting the camera's view and the soundtrack, something modern movie makers tend to forget.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nDespite its age, this film retains its undoubted charm and attraction, and is a fine, surviving example of early British cinema. It has an underlying air of eeriness, interspersed with shafts of humour which are not out of place, and serve to demonstrate the assured direction & production values involved. So many episodic type films are disjointed and untidy, but this is not one of them. The standard of acting helps a great deal, and the various disparate characters come across as interesting and believable. All in all, this long-forgotten little gem is well worth anyone's attention, in spite of the one jarring note in the film which, surprisingly, escaped the censor's attention!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWhy Jessie Matthews, one of Britains top musical stars, was in this movie in between her sparkling \"The Good Companions\" and the classic \"Evergreen\" is a good question? When I first saw it I was really disappointed. I wanted to see her sing and dance - she was billed as \"Millie - the non - stop variety girl\" but there was more stop than variety.
Now I see it as a good little drama.
It is about a bus crash and the stories, leading up to it, of the people on the bus.
Apart from Jessie Matthews, who is great as Millie - Sir Ralph Richardson plays her fiancée ( yes, that's right).
Edmund Gwenn - who went to Hollywood to co-star in Lassie movies and also with Natalie Wood in \"Miracle on 34th Street\", plays a grumpy businessman. Gordon Harker is his very annoying partner.
Emlyn Williams - who wrote \"Night Must Fall\" was the black - mailing villain and Frank Lawton, who went to Hollywood and appeared in \"David Copperfield\" and \"The Devil Doll\" is the young man in trouble. Sonnie Hale who was married to Jessie Matthews at the time played the bus conductor.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWith looks that could kill, and a willingness to display her charms, Paget's sensuality leaves no doubt as to where her assets lay...
She plays a sultry-innocent 13th-century princess who rouses her people to save Egypt from the ambitions of a powerful Beduin (Michael Rennie) and joins her forces with the son of the Caliph of Baghdad (Jeffrey Hunter) to save her trembling throne... She also finds time to fulfill a great deal of exotic dancing... Her luscious legs make her hard to forget!
The emphasis is not on the plot, but on the visual pleasure of a great number of beautiful girls in sensual Technicolored costumes...
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nEven the Maria Montez/Jon Hall technicolored baubles of the '40s are eclipsed by \"Princess of the Nile,\" Fox's entry in Hollywood's mid-'50s obsession with things Egyptian (see \"Land of the Pharoahs,\" \"Valley of the Kings,\" etc.) Pure, unadulterated, mindless hokum, lavishly produced (low-budgeted, actually, but using sets and costumes left over from \"The Robe,\" this Technicolored spectacle looks like it cost millions). 71 minutes of eye-candy (the plot, having something to do with nefarious derrings-do in ancient Egypt, is beside the point) offers the cinematographer and audiences the delectable sight of Debra Paget wearing an assortment of see-thru veils, most of which hit the ground when she shakes and shimmies thru a slave-girl production number unparalleled in film history. Female moviegoers were not shortchanged: Fox's handsomest young contract player, Jeffrey Hunter, is as photogenic as Ms. Paget, while Michael Rennie lurks around in the background, stirring up evil doings in the land of the pyramids. For those who might think Paget & Hunter can't act and were only hired for their physical attributes, check out their subtle, overlooked, heartbreaking work together a few years later in \"White Feather\" (another Fox production that has sadly vanished into the realm of \"lost films\"). \"Princess of the Nile\" still stands in a class by itself as a cheerfully mindless, breathlessly fast-paced, dazzling testament to the glories of 3-strip Technicolor--and the seductive charms of Ms. Paget (all of 20 at the time). Put this one-of-a-kind kitsch classic at the top of your \"guilty pleasures\" list, and enjoy. Satisfaction guaranteed!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nFor the most part, I only enjoy the kind of movie that allows one to escape the current time into the future or past. This movie is pure escapism. The dancing starts almost immediately, and Debra Paget in her \"purple harem\" bikini dress simply has no equal in film in my opinion. Her dancing, while sultry, is surpassed by her dance in Fritz Lang's Tiger of Eschnapur, available on DVD, where she played the temple dancer Seetha.
One problem with the movie is the closed setting. There are few outdoor scenes shot, and they as well as other scenes are a bit claustrophobic. The same locations are used over and over again, but with some interesting secret passages and waterways. Her secret double identity is totally unbelievable with beauty of that magnitude. Debra even wields a sabre and holds 2 enemy soldiers at bay on a staircase, she could do it all.
What does work is Debra Paget as a princess. With her beauty, she certainly would be the center of attention anywhere at any time in history. This movie, when hopefully it becomes available on DVD, will be a must buy. Overall, taken with a bit of humor, I loved it.

\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nThis is one of my favorite films for many reasons. To begin, there are standout performances from lovely Debra Paget as a princess/dancing girl, from Michael Rennie as the villain, handsome young Jeffrey Hunter investigating crime in her city/state and others. The film is an unusually colorful adventure, and we even see the princess rehearsing the dance she later performs (for once). She manages to skewer Hunter before she learns he is on her side; also the photography, the costumes by Travilla, Lionel Newman's music and the film's style are unusually fine. Add to this rousing action, intelligent characterization and fine direction by veteran Harmon Jones of a Gerald Drayson Adams' script set in 1249 AD, and you have the ingredients of an enjoyable Grecianized Near-Eastern. But there is much to praise about the unusual and well--developed storyline here, as there is much more to praise other than the film's swift pace, well-managed physical action sequences and superior technical aspects. Classically-trained actors such as Michael Ansara, Edgar Barrier, Wally Cassell, Jack Elam and Dona Drake are not commonly found in one \"B\" film together; nor are there fascinating sets, a variety of locales and a mystery of the quality that is supplied here. One way of assessing a film is, \"If I were guaranteed to live through the experience, would I choose to undergo these events and perform these actions?\" Since my answer is a resounding \"yes\" in this case, this film remains one of my choices as a favorite and very-underrated cinematic work. Could it be that US critics' all-too-frequent disdain for females as warriors and thinkers that as in so many other cases has caused closed minds to misprize this estimable film's obvious anti-tyranny and pro-entertainment qualities?
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI watched Princess of the Nile for the first time when I was about 10 years old. I am 63 now and have never forgotten the movie. Nor have I gotten over my fascination with Egypt. I have searched the internet trying to buy the movie, but have not been able to locate it. It makes me wonder if this is one of the lost movies in Hollywood. I loved Debra Padget and Jeffrey Hunter together. They have such charisma together. If you were to ask me anything about the movie I could not tell you anything other than who was in it. I vaguely remember a scene by the Nile with Debra Padget a bunch of other women.I have always wanted to see it again. I never thought of it as an escape movie back then, but I can see now where that was probably the case. I do hope they will put it on DVD and I will be able to see it again before I die. It was a wonderful movie.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nalgernon4's comment that Ms Paget's \"ultra lewd dance in (this film) is the most erotic in the history of films\" is certainly one doozy of an exaggeration. It isn't even Debra Paget's most erotic dance. Her near nude gyrations in Fritz Lang's \"The Indian Tomb\" make this number look decidedly tame. As for being the most erotic in the history of dance. Well! Where do I start? Salma Hayek's performance as Santanico Pandemonium in \"From Dusk to Dawn\" (1996); Jamie Lee Curtis in \"True Lies\" (1994); Jessica Alba in \"Sin City\" (2005); Rose McGowan in \"Terror Planet\" (2007); Sheila Kelley in \"Dancing at the Blue Iguana\" (2000), blah, blah, blah.
Don't get me wrong. I love the sequence and have included it in my \"Cheesecake Dance\" series on Youtube. I just think that making a claim like \"most erotic in the history of film\" is really going out on a very fragile limb.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI saw a test screening of Blurred recently, and I am surprised to say that it was actually pretty good! Its a film about different groups of kids, your hillbillies, your rich snobs, your typical teenage couple, plus two geeky guys and one post hippie babe. Together, but as separate storylines, each group is travelling to the Gold Coast for Schoolies Week. Australia has never had any problems writing comedy and Australia is never short or actors who can play comedy with subtlety and just the right amount on quirkiness. The cast is full of stellar Aussie actors with enormous talent and loads of screen presence. Keep your eyes on Craig Horner, a young graduate, who's optimism for a week long party gets lost in his friends shenanigans. Travis Cotten and Mark Priestly, who successfully tackle some tricky physical comedy as two bummed out bogans and Jessica Gower as a cutie but confused teen angsting about love. Veronika Sywak makes her film debut as every adolescent boys dream girl, and holds her own amongst an array of considerably more experienced performers. Look out for Matthew Newton, cleverly cast as a seedy limo driver. Fantastic Aussie
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAll i can say is that, i was expecting a wick movie and \"Blurred\" surprised me on the positive way. Very nice teenager movie. All this kinds of situations are normal on school life so all i can say is that all this reminded me my school times and sometimes it's good to watch this kind of movies, because entertain us and travel us back to those golden years, when we were young. As well, lead us to think better in the way we must understand our children, because in the past we were just like they want to be in the present time.Try this movie and you will be very pleased.At the same time you will have the guarantee that your time have not been wasted.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI thought this movie was brilliant. It was so funny and so true too. A great idea for a movie. Five groups of friends on their way to schoolies. I've got to say that Matt Newton as Mason was probably my favourite character. I wish i could give this movie more than a 10 rating.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nTrack Listing: 1. Spiderbait - Outta My Head 2. Lash - Take Me Away 3.Lavaland - Everwonder 4. Machine Gun Fellatio - The Girl Of My Dreams(Is Giving Me Nightmares) 5. Butterfly 9 - Growing Pains 6. Grace -Good Thing 7. Katchafire - Giddy Up 8. James - Lick A Lounge 9. K-lee -1+1+1 10. The International Noise Conspiracy - Smash It Up 11. Cartman- Shock (Living With You) 12. Pollyanna - Rebound Girl 13. Filler - Machines Don't Sleep 14. Giants Of Science - Complete This Progression 15. Rocket Science - Hyperspace 16. The Cruel Sea - Three Legged Dog 17. Lazaro's Dog - Home Entertainment System 18. Drag - Secret Design 19. Grinspoon - Chemical Heart (Acoustic Mix) 20. Subware - Come On (Jp Mix)
Loved this movie, sure it wasn't Hollywood material (some people complained about the script/acting) but thats the beauty in Australian movies.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI read most of the comments here were everybody saw only the flaws of the movie. I agree, the director it's not Kuprik, the actors are not Oscar winners, but it has something everyone could relate to. I don't want to spoil but telling more then the plot - the finishing of school and the trip to a big party, or if you like to see beyond the metaphor, is choosing the way trough life. Remember that days of youth? the days when you or our friend acted like the characters? Or do you think you should acted like one of them and now you regret you didn't? if you can go back in to that time and if you can ask yourself any of this questions maybe the movie wasn't so bad.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI must say THIS IS THE BEST MOVIE I HAVE EVER SEEN. i know that on this website it's received only negative reviews, but for once I'd like to be the good person who gives the worlds best movie a good review. i find the movie to be extremely funny, and it has the perfect mix of everything. it makes me feel all sorts of emotions when i watch it, and I can't get enough of it. the soundtracks brilliant. I LOVE IT, i understand why people may not love it as much as I do, but I don't understand how people could hate it. The movie is 100% brilliance. Blurred is amazing. i never realised that Aussie movies could be so good, and i also never realised I could watch one movie, so many times in a single day without getting sick of it. i think that everybody should watch it, whether its to get a feel of what life was like in the younger days, or if its to see what your in for when you reach the end of year 12.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAndreas arrives in a strange city. He doesn't remember where he came from and how he got there. He is ordered to arrive at work, and gets his own apartment in the city. All his co-workers are nice and polite to him, they say hi and smile when they pass by him. But then later on Andreas discovers that the city isn't that pleasant as it seems. Going home from work, he see some people wearing grey suits, cleaning up the bloody mess of a dead body, apparently a suicide victim that had thrown himself out of the window. The procedure is done with a calmed mind, as if they were emptying a trashcan. The following day, Andreas meets the suicide victim fully alive at work. More and more Andreas discovers the feelingless atmosphere of the city.
Den brysomme mannen might be the best norwegian film I've seen. Original, artistic directing is usually missing in norwegian films, with only a few exceptions. The plot is also very original, and could even be called post-modern horror, as the film present us a terrifying thought of having to cope with a world that is completely feelingless. and the more you try to fill your life in this city with a meaning, the more meaningless it becomes. I am fascinated by how the director manages to create the feeling of a disembovled universe, a nightmare, that you simply cannot escape from, not even with death.
go see it, its really worth it! i gave it 9 out of 10.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nImagine a world, in which everyone treats anyone nicely, no foul word is ever uttered, office bickering is nonexistent, and your boss invites the office crowd regularly to self-cooked dinners where you can chat about latest interior design styles. Everything is neat, pleasant - well, just nice. In other words: you are in hell. After being dropped off in the middle of nowhere, mid-thirties Andreas (Trond Fausa Aurvaag) starts a new job as a book-keeper in a small, clean city. From the beginning he feels foreign in this proper, impersonal world of superficial kindness, surrounded by pleasant but lifeless interior architecture and likewise colleagues. Food tastes of nothing, drinks don't get you drunk, no children anywhere; after initial steps of fitting in, Andreas searches for ways to escape the bland new world. He doesn't know where he came from anymore, but still remembers rich tastes, true feelings - anything beyond the non-committal flatline life he's leading now. THE BOTHERSOME MAN resonates ideas of Huxley and Kafka, but here the cruelty is the omnipresent noncommittal neatness. Unlike PLEASANTVILLE this is not about narrow-minded bigotry, more a fable of our urban free-world civilisation of fitting in. It mostly reminds one of the ingenious FIGHT CLUB scene, in which Edward Norton walks through a mock-IKEA catalogue. Spiced with macabre humour, this Scandinavian laconic tale convinces on every level: story, characters, and relevance. A true screen gem. 8/10
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI heard an interview with the main actor who said that the film was not intended to be a horror movie but he himself would describe it as mental horror. I strongly subscribe to that.
It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our \"hero\" though from the beginning seems to be misplaced and feels it himself.
What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.
I would recommend this film to everyone - and make sure that this utopia does not come true!
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nTotally different, with loads of understatement and black comedy, this is a film few get to see, but those who do will remember it. This movie creates its own universe, and is fascinating in every way. What it is about? Estrangement, I believe. Probably up to the viewer, but I found that this movie tries to say something about the coldness and emptiness behind all the designer furniture and perfect facades. Don't know if I'm right. But this movie really got to me. See it. I really hope the team behind this movie makes more movies, and that they will continue to do so in their own, some kinda weird style. And I forgot: The Casting here i superb, with Trond Fausa Aurvåg being perfect in the role as the Bothersome Man, who doesn't understand where he is, what he is doing and why. The acknowledgment of not understanding the purpose of life (in the city), is what makes him bothersome. All the others do as they are told, and pretend (?) to be happy. This movie is a good and humorous comment on life in 2006.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nI think this is the best Norwegian movie I've ever seen. It's about 40-year old Andreas who gets hit by a subway-train, and suddenly finds himself in a strange city, however, everything here has been made ready for him. He has got a job, a house and clothes. At first, this city seems perfect, no death, no pain and no problems. Everywhere there are men in gray suits who cleans up and fixes everything that doesn't fit into their definition of perfect. However Andreas can't really seem to fit in and starts to long back to his old world, and tries with all means to get back.
The thing that impresses my the most in this movie is how they way of making the city seem so surrealistic, even though I have seen a lot of these places in real life they seem so distant. Another thing that contributes greatly to the is the performance from the actors. Trond Fausa Aurvaag is just the perfect guy to play the confused and bothersome Andreas. And all the other characters are also doing a great job by playing apathetic (sounds like a hard job, doesn't it?). The strong difference between Andreas and the others leads to very amusing situations as well.
All in all, this is a fabulous movie. The plot may be a little confusing, but the movie has such a great atmosphere I would recommend that everyone should go see it.
And I wouldn't recommend listening to \"ccscd212\", as it seems he has seen too many commercial American movies and seems to have became too used to just getting served the moral on a silver plate. The way I see it there is not much in this film that tries to tell us about suicide being right or wrong. I consider it more of a warning of a direction our society seems to be taking. But sure, everyone can see a film in their own way.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nWhat we have here is a film perfect for anyone that participates in the world of post-industrialism: those who sit in their privatized home, earning money by buying and selling sensual-less commodities and perpetuating a system that values little other than the preservation of self.
The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).
Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.
Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nOne of the best films I've seen in a long time, precise in its vision, and beautiful and highly imaginative in its realization. I can't say much without giving it away, and I don't recommend you actually read that much about this movie before seeing--just see it.
But ah, one must come up with ten lines of text to have a review listed on IMDb. Conundrum. What can I do? Tell you about the film? Nope. Can't do it. I think I enjoyed this movie precisely because saw it with no preconceptions. Please you do the same.
I suppose this can be said: the acting is excellent and understated, and what I have come to love about foreign movies is that the movies are actually about the MOVIES, not the stars.
\n
assistant\n1
\n"
"
system\nclassify the user's feedback by responding with only a single number: 1 for positive or 0 for negative
\n
user\nAndreas arrives in a strange, inhuman place, where everything seems perfect. He's given a good work, everyone is kind to him and to everyone, and he really doesn't trouble too much even in finding a beautiful girlfriend. But in this no-named city Andreas finds soon that a perfect commercials-type world is really not a paradise. Really one of the better movies i've seen this year. The attractive plot is perfectly supported by a smart direction where every single component (cool desaturated photography; cold symmetrical design; unemotional acting; slow, highly controlled camera movements) helps in building an unique weird atmosphere that will keep the audience suspended until the end. A sarcastic, ironic, bitter comedy that made me laugh ant think, as only best films are able to do. Nothing new, probably, in the analysis of the modern de-humanizer civilization, but really a smart work with great surprising ideas that will hardly be forgotten from whom had the luck to see it. Simply beautiful the amazing scene in the metro underground.
\n
assistant\n1
\n"