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user\nThis movie is a disgrace. How can you take one of the greatest science fiction stories of all time and turn it into some kind of half-assed love story. The entire beginning of the movie was not in the H.G. Wells story and didn't need to be. Also the Eloi were done completely wrong. They did build houses or form any kind of real society. They didn't care about each other at all. That was an important part of the story. The way they had formed a world that was without hardship or complex emotions. They were barely even aware of the Morlocks. I don't know why this movie was made the way it was but some stories should be told as they are or left alone.
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user\nDo you know that they want to escavate the Moon for real?And in Geneve there is the debated project that could lead to make possible time machine?All i can say about this movie that is based on facts about future(at the time of the movie)scientifical projects but real. Hope the moon will exist not happen as in the movie. Now about the movie itself, I saw the original movie too, and I also read the book. The book I didn't like though, but the movie yes.I totally agree with a previous comment that this movie was depressing,unlike the 60's one.That was very good with force, this one was only a paralled future of what is good movie.
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user\nThis was one of the worst films i have ever seen. I'm still trying to get over how bad it was. Just because it has Godard's name attached to it, doesn't make it great. Beyond the fact it makes absolutely no sense, we see one insanely long shot of a traffic jam that is not stunning, unbelievable or anything of the sort. While this long shot of the traffic jam is going on you will be feeling probably more like making a pastrami sandwich than continuing watching it. Pieces of a supposed story, silly, stupid characters. What message are we suppose to take from this? It offers nothing and serves no purpose. The arrogance of the director in showcasing these puny, dull chain-smoking french people and having them sit around and converse for hours on end and then getting it passed off as art is truly astounding.
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user\nIf you like me is going to see this in a film history class or something like that at your school, try to convince your teacher to see something else. believe me, anything is better than this movie. it is slow paced, confusing, boring, poorly constructed, gory, gringy, do I need to go on? It's message is good, but I have seen them been handled better in several other films. The acting isn't even any good. This movie is just even more awkward, as it start off as being funny (not intensional though)because of it's surreal story, than at the end, just becomes uncomfortable to watch.
I honestly feel like 1 hour and 40 minutes of my life has been robbed. Why would anyone want to watch a girls describe a threesome for 10 minutes, than watch them drive through a traffic jam for 20 minutes, listen to a hippie who can make sheep appear, witness a sort of rape, than see the female lead role eat her husband.
Honestly this movie deserves nothing but a 1/10. And if your not happy with my preview,seriously I'm an open minded guy and I like movies that protest through symbolism, but this movie was just awful. make any excuse you can, to avoid this film.
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user\nI saw this film in a Cinema-Club in Germany in 1970. Most of the attendees were from the local private school at which I was teaching. I had seen a few Godard films previously while I lived in France, and, though they hadn't been my favorites, I could at least make sense of them. Being able to speak French helped.
The fairly innocuous beginning of \"Le week-end\" soon turned into a kaleidoscope of images, very well, maybe too well photographed, that soon made no sense to me. For me, films, like books, must have some clear sort of meaning. This didn't for me. I suppose I'm not \"into\" artsy films. Images still haunt me from the film. To this day I refuse to eat rabbit meat, well-loved by the French. Those who've seen the film might realize why. Yes, the theme of materialism came through, but the cannibalism, the car wrecks, and all the other scenes of destruction and horror only sickened me. I'm not sure if I walked out before the end, but I certainly felt like it. I promised myself that I'd never watch another Godard film, and I haven't and never knowingly will.
My rating: nothing. It was the most disgusting film I've ever seen. Others may have been more inept, silly or stupid. I've forgotten those while scenes from this one will haunt me forever.
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user\nI work at the video store that rents this video in Lexington and I must say...it should have never been made. I even know some of the people who worked on it who regret doing so. Bad effects, horrid acting, bad script especially. I swear the dialog wouldn't have passed for the original PSX Resident Evil; it's that bad. If you want to know how not to make a movie, watch this film to learn a thing or two. If not, don't waste your time. And even the director know it sucks because he keeps coming in to try to get us to upsale the movie. No sir. I've watched two-thirds of the horror section and this rates even lower than Plan 9 from Outer Space. Even Ed Eood would have said, \"Nope. That's too stupid even for me.\"
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user\nOnce a month, I invite a few friends over for a \"Retarded Movie Night\". We look forward to movies that are either so bad they're funny or movies that know they don't have a plot and just show a lot of chests. Last night, we were unfortunate enough to have Zombie Planet as one of our movies. The cinematography is on par with what we're used to, but the acting was a different story. The lead role is played by a Johnny Depp/Rob Zombie wanna-be who couldn't get a role in a high school play, let alone a LOW-BUDGET horror film. Our indecisive hero, who couldn't tell whether or not he wanted to be a bad-ass this scene or a whimpering coward was one of the reasons why this was the first movie of 30 that I have ever had to stop early during a Retarded Movie Night. It had the possibility for greatness with a GREAT twist on the standard zombie infection, but they took it an entirely different direction based on Johnny Zombie. I personally would not recommend this to any of my friends. However, it's unfortunate that I already invited a few over last night to suffer through 80% of this movie with me.
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user\nNow, I'm a big fan of Zombie movies. I admit Zombie movies usually aren't all that good, but I like them anyways. Despite the crappy acting and worthless dialogues that occur in almost all Zombie movies, this one is by far the worst. See, there are a few ground rules with zombie-movies. 1. Zombies are suicidal. Tactics is seldom used, and NEVER do they act like a boxer. They don't dodge a blow to the head, they take it with a ugly smile. They don't try and hit you in the face, they grab a hold of your arm and bite it! 2. Zombies can't speak. Only in Evil Dead. Otherwise, they DO NOT SPEAK. 3. You don't fight zombies with melee-ranged weapons. You loose in a melee fight against zombies. Firearms are used. In this movie however, melee is the way to go, which is wrong. Very wrong.
It had NO redeeming qualities.
If you wish to see a Zombie movie, see one with an average score higher than 3 on IMDb.com
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user\nJust when you think that you've seen the worst the zombie sub-genre can offer, along comes another budding Romero and his team of no-talent mates to prove you wrong.
I've suffered the Zombie Bloodbath trilogy, endured Death Valley: The Revenge of Bloody Bill, sat semi-comatose through The Zombie Diaries, and laughed hysterically during Zombie '90: Extreme Pestilence, and genuinely thought that amateur movie-making could sink no lower. However, having just watched Zombie Planet, a two hour long festering pile of drivel from writer/director George Bonilla, I think I have found the ultimate in awful zombie movies.
In this dreadfully amateurish effort, which is part Mad Max and part Dawn of the Dead (but ALL bad), Frank Farhat stars as T. K. Kane, a tough fighter who kicks zombie ass for a hobby, armed only with knives, a machete, some concussion grenades, and what he obviously perceives to be a really mean glare.
After a desperately unexciting opening sequence in which he takes on a horde of dodgy looking zombies, Kane teams up with a group of survivors who not only have to fend off attacks from the undead, but must also must placate a gang of vicious thugs who have taken control of the area (by searching for and handing over any valuables that they find).
Of course, Kane isn't the type of man to take orders from a bunch of z-grade post-apocalyptic bully boys, and he sets about teaching the bad guys a lesson (mostly by glowering at them in a threatening manner), only pausing to periodically rescue pals from zombies.
Featuring awful acting from almost everyone involved, a dreadful script, laughable effects, and shoddy production values, there is virtually nothing in this film to make it worth a watch. To be fair, I quite like the basic premise that the zombies are the unexpected result of a highly popular slimming drug that blocks cravings for carbohydrates (we learn this when one character conveniently explains the back-story to Kane, who strangely has no idea what has happened), but this is about the only vaguely interesting aspect of the whole production.
I have a certain amount of respect for anyone who manages to fund and make their own movie, but when the results are this poor, that respect is lost when they decide to make it available for public viewing. I would've kept this one under wraps if I had made it.
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user\nI live and work in Lexington, Kentucky, the town where Zombie Planet was filmed. I'd heard about the film forever ago, from various people who claimed to be a critical part of the production. Then, for several years, I heard absolutely nothing. Imagine my surprise when I found it sitting all by itself at the local video store, just itching for a rental. So, being the cinephile that I am, I decided to give these local filmmakers a shot.
Bad idea.
Zombie Planet is overlong, boring, poorly acted, miserably shot -- and that's just the good stuff. I tried my hardest to enjoy it, which included removing my brain and setting it on the table so that it wouldn't get in the way of the horrible storyline. Alas, nothing worked. Zombie Planet is so bad it's pathetic. And the very idea that they're planning a sequel leads me to believe that the director and his henchmen have listened to none of the criticisms I'm sure they've heard. Move on, you guys. Please. In fact, refrain from film-making altogether. Or attend a few classes on pacing, storytelling, and, well, basic direction.
Otherwise, for the love of God, hang it up.
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user\nZombie Planet seems like an example of good ideas and laudable ambition overstepping budget. I thought the explanation for the zombies was real original and gnarly, and loved the dog munching in the exposition scene. The rest of the gore was effective in a low budget kinda way, but too spaced apart throughout the movie. The problem was that it was too long and anti-climatic. Sure, they had a intriguing, if derivative plot line, and a similarly familiar but cool setting, but a low budget zombie film really needs to be goretastic to make an impression and there just weren't enough red moments in this for me. I think there was surplus of cheap looking and bloodless fight scenes as well especially given the generally minimal grue. Plus, for a two hour movie, there's very little closure at the end, and though it kinda makes me want to track down Zombie Planet 2, I felt a tad cheated. So probably most worth looking for the two of them.
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user\nSet in the near future a dark stranger walks into some southern American city plagued by zombies. Settling with a group of friendly face inhabitants our stranger learns the harsh realities of city life. There are two groups of people; the upper classes who dwell safely behind the concrete walls of the city being provided by, at the right price, the state police. Then there are our friendly face inhabitants. These lower class folks live along side the zombies. There only means of survival is to trade goods, which they forage for during the day, with the police in exchange for tins of food. Our stranger discovers why his world is plague by zombies. A new dietary pill that suppressed the craving for carbohydrates was the foundation. The human race's desire to shed fat caused the down fall of society as we know it. These pills increased the desire for protein i.e. meat, even the pet poodle. However, there was one more grave side affect, after death people became reanimated with an even stronger craving for protein namely human flesh.
With what I feel is an imaginative introduction I felt that this film many realise some inventive material. What better way could explain the cause of the zombie race than by a contemporary idea of people's desire to make any sacrifice to change their body without the hard work of the gym? However, the imagination of this film soon stopped after this exposition. This film falls into the old trap of 'I can not imagine what the world will be like when society collapses'. When you watch this film you do not escape to a different world as you do when you watch Planet of the Apes (original), Alien, Mad Max or Texas Chain Saw (original). In this film the alternate society is define by people with hair dyed orange and green. Face paint and charity shop leather jackets. There is no harshness about life in this alternate society, just healthy faces and over made-up zombies. Films should allow you to escape not remind you that you need to clear out your wardrobe and take your old cloths to the charity shop.
Forget about some of the pitiful acting, or the over made-up zombies. This film fails because it is too polished, too congenial and too predictable. I have watch films like this since the early eighties. If you are going the make a film of this nature I suggest you need to watch again such films as Dawn of The Dead (original and remake), Threads or Fulci's Zombie to see and experience that feeling of desperation in a devastate society.
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user\nIn the 50's, a gay photographer called Bob Mizer (Daniel MacIvor) founded an agency of male models, releasing a muscle magazine called \"Physique Pictorial\" and movie of men, and many of the models became prostitutes. \"Beefcake\" shows the rise and fall of this pervert.
Alternating footages from the 50's, testimony of many models and Bob Mizer himself in the present days, the director Thom Fitzgerald used this subterfuge to show naked men and lots of penis along 93 minutes running time, in a complete bad taste and very silly crap. I have never heard anything about this morally corrupt Bob Mizer and I do not know what AMG is. In my opinion, only gay and very specific audiences might like the theme of this boring and pretentious movie. My vote is two.
Title (Brazil): \"Carne Fresca\" (\"Fresh Meat\")
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user\n...left behind when the ostensible heroine's Venus flytrap makes any man whose sexual advances are forced upon her--ahem!--disappear. Fiona \"This IS my career!\" Horsey is an attractive enough screamqueen ingenué, although I found her acting chops to be suspect. With better direction, and a better vehicle, she might improve. Likely as not, her leading man, Paul \"Mine, too!\" Conway, never will, proving to be one of the most unlikeable, unattractive love interests I've seen in a film in recent memory. There's some nonsense involving Siamese twins, a frying-pan-to-the-head-obvious hot dog joke, a reasonable amount of bare boobies, production values in the low-budget-to-laughable range, scripting that would make Syd Field cry, acting that by and large only an Ed Wood could love, and camera-work a step above pedestrian. The vagina dentata gimmick might well have made for an interesting horror movie, but \"Angst\" botches the premise. Strictly for stoned-out viewing, and even then, you could do much better. Sturgeon's Law (or Revelation) still holds.
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user\nThe main premise for this movie is every woman's fantasy: a vagina that kills and eats men. Well at least it is a fantasy for every woman who has ever had a fight against a man. What's that, 99.9999% of women? But don't worry it's not a gory kind of eating of men. It's more like a comical slurping them in, like a drain plug. There's no blood or parts left behind. So for blood, guts & gore fans, forget about this film, not much gore here.
The two main characters of the film are somewhat unrealistic. Helen is a good girl who becomes a prostitute. Meanwhile, Dennis is a nice guy who stalks Helen.
The story is already a little silly at this point, but then they throw in two more equally silly sub-stories that just send this movie into the bad B-movie territory. The first new sub-story is about Dennis finding new love with a pair of conjoined twins; and then eventually murdering one of them, and becoming a fugitive bank-robber. The second new sub-story is about Helen finding new love with a nice policeman who rescued her from a prostitution-related bad date, and decided he wanted to marry her. Dennis and Helen eventually meet up again at the end of movie in totally unbelievable circumstances, and magically Helen's murderous vagina is cured!
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user\nSo umm this woman has a vagina that sucks people into it when they umm do it and there's this dude who like follows her around...everywhere....and uhh is umm in love with her and she cant love him back because of her thingy. Well her thingy starts talking to her...sort of...it just says feed me over and over and she tries to feed it hot dogs but that doesn't work because it ummmmm wants fresh meat?!?!!? So this woman heads to the red light district where she picks up tourists but only the really sleazy ones cause I guess they deserve it and after a while this dude comes looking for her and even though shes like right there he doesn't see her so eventually he gets involved with conjoined twins but he only likes one of them cause the other is a real hussy. This isn't bad good like I thought it would be cause like the novelty sort of wears off within the first 1/2 hour and it goes on for another hour. I think it killed off a few brain cells cause I sat through this whole thing and now im a little brain damaged. Either way man this is the worst man-eating vagina movie I have ever seen.
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user\nAm I the only one to think that this is a bad movie?
I admit that horror movies often lack things like a big story or good acting or even good special effects. But the way these deficiencies come together in this movie is surprisingly pitiful.
Miserable story: The idea of a raped vagina that takes revenge by turning into a man eater sounds quite funny, but what the writer made out of it is stupid.
Bad acting: The actors move like marionettes. They play and look like people, who really try hard but completely fail to act.
Bad FX: Especially the explosion of the Van looks unspeakably cheap.
It is surprising that a director who made some nice movies during his carrier changes over to such messy stuff.
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user\nHello all--for what it's worth, I'm in a doctoral program on Indonesian politics and returned this semester after about a year's fieldwork, most of it in Jakarta.
I'm a big movie fan generally, so I went out as often as I could, and bought tons of local VCDs while I was there. This one I saw in the theater, since it opened while I was there, and, thankfully, closed soon after.
Who was the intended audience for this film? The spoiled wives and daughters of the Indonesian super-elite whose antics are weakly and ineffectively parodied? The vast majority of Indonesians who could never afford even a single dish, let alone a full meal, in the film's central restaurant location? Or gay Indonesian males, whose dilemma in the country's Muslim-dominated society is reduced to absurdly simplistic, how-to-respect-yourself preaching.
If all this wasn't bad enough, the soundtrack was either recorded or mixed so ineptly that even native-speaking Indonesians couldn't hear many of the lines.
In brief, if you're looking for a cutting-edge gay-themed film from a region of the world that seems among the least likely to produce such an animal, forget it. \"Westler\" from the early '80s, or \"My Beautiful Laundrette,\" from the same era, succeed far better in putting a happier face on dealing with homophobia, and do so by showing not telling through incessant, wordy scenes.
Overall, an unfortunate waste of money in a country that still can't educate all of its children nor keep them healthy.
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user\nHow can this movie be described? Oh yeah I've got it wretched!!!
I'm not big on chop socky, but this is just plain garbage. Anyone who would waste their money to pay to see it, is just too sad for words.
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user\nI was ready for a Crouching Tiger style movie and all I got was the worst movie i've seen in years. It was almost as bad as Baron Von Munchhuasen. Dead script. Dead acting. Dead everything.
Granted there was some good fight scenes but the positive side ends there. If this movie arrives in your house run screming to a phone and dial 911 and say, \"Please help there is a movie in my house meant to force people to commit suicide\"
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user\nSure, it's hard being gay, especially in the south. We get it. Over... and over again.
What stood out was that the film makers focused almost wholly on the more \"extreme\" characters in these small town gay bars; the drag queens, the seedy sleaze of a bar long-closed, and on a guy who was brutally murdered for being gay, yet had nothing to do with either of the bars which were the focus of this film.
There were snippets of interviews from other people, people viewers would, perhaps, be better able to relate to. But they were glossed over, practically skipped, maybe shown in a glimpse in the background.
It would have been more interesting, to me at least, to hear the experiences of the more common gay men and women who were either enriched or otherwise by the experiences of a small town gay bar and/or the absence of that community.
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user\nMaybe it's unfair to dislike a movie for what it isn't, rather than what it is, but I approached this hoping that finally a filmmaker would make a movie about small-town rural gay men and women. Instead, the focus is primarily on the outrageous bigotry (big news!) of the locals (and those in outlying areas) and the really gruesome torture/murder of a young gay man.
So much time devoted to stupid people squawking about AIDS, sin, hellfire, and perverts. So much time devoted to the ghoulish preacher ranting about the Bible and gay people getting what they deserve.
I wanted to see more of the people that came to the \"small town gay bar\", not those who opposed it. In addition, the young man who was murdered isn't even from this town.
The whole movie works as a warning rather than a celebration, and it's very suspect.
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user\nAfter spending half an hour examining Rumors, a gay bar located outside Tupelo, Mississippi, SMALL TOWN GAY BAR shifts focus to the murder of Scotty Weaver in Bay Minette in order to demonstrate the risks run by the interview subjects. But there is a problem here. Bay Minette isn't near Tupelo, as the film implies. It isn't even in the same state. It is actually about three hundred miles away in coastal Alabama.
Director Malcom Ingram doesn't exactly rush to point out this fact, nor does he bother to mention that while Bay Minette itself is little more than a wide spot in the road, it is actually about two deep breaths away from the major metro area of Mobile, Alabama--which has a noticeable gay community, quite a few gay bars, and even a congregation of Metropolitan Community Church. If Ingram is disingenuous on these points, one has to ask if he is on others as well.
Speaking as someone who was born, raised, and continues to live in Mississippi, I have to say that I find most of SMALL TOWN GAY BAR a lot of hooey. Neither Meridian nor Tupelo, the communities upon which Ingram focuses, are as rural, small, or as isolated as he would have you imagine, and gay bars are indeed more common in the state than the film implies. That said, Ingram rather blithely ignores the fact that the absence of a gay bar does not mean an absence of a gay community, and in doing so he demonstrates a rather profound ignorance of southern culture, which tends to hold those who frequent bars--be they gay or straight--in low esteem.
SMALL TOWN GAY BAR is, in my opinion, an instance in which a film maker came to his subject with a personal agenda in hand and then proceeded to film the agenda. Do gays and lesbians living in rural Mississippi face major, sometimes frightening challenges? You bet they do--but that's no excuse for fiddling with reality to such a degree. The DVD includes a commentary track and a number of deleted scenes, but I found the feature film itself so ridiculous that I didn't waste any time on them.
GFT, Amazon Reviewer
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user\nWhat garbage, is there actually no part II? If this movie actually ends the way it did, everyone involved with this movie should be ashamed. This movie is nothing close to a movie like Outbreak, which was actually a fairly decent movie. This movie was rushed in hopes of being able to gain a few easy dollars. I started watching the movie under the assumption that it would be bad, but I never imagined it would be this bad. This movie was nothing more then a way to exploit the fears of the American people for profit! If you have not seen this movie, don't bother. Movie is full of poorly developed characters and poor acting. I really hope the production of this movie was only a couple of weeks. Stay away! Don't be fooled by the hype!
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user\nThe C class cast and poorly transitioned scenes, complete with terrible acting have led me too believe this would make a good TV only release such as the FX presentation of a smallpox outbreak. At my local blockbuster however, about 9 copies are held on the shelves, none of which were checked out when I rented the title (I wonder why....) Anyway, this title was almost ridiculous in the \"fear factor\" the director was going for. The whole \"death count\" on the bottom of the screen completely contradicted the plot at times, such as when the chopper was going over Angola, and the toll was speeding at a breakneck pace from 23 million to 24. However, as the movie ends, (possibly several hours or even a day or so after the chopper has landed) the death toll counter is reset back too what it was at the moment the chopper was approaching the area. The movies end left a huge whole in th entire plot, and god knows nobody is waiting for the sequel. Anyway, do not rent this, I only advise watching this if you have obtained the title with no monetary loss, and you are in the mood for a cheesy suspense movie.
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user\nFatal Contact: Bird Flu in America: 3 out of 10: This movie is both funny and sad. The funny part is fairly obvious as this certainly isn't a sober look at a possible impending crisis. This is a modern version of The Swarm. And much like those killer bees (and the so called killer bee crisis that prompted them) Bird Flu has joined a pantheon of media inspired end of the world scenarios (SARS, Y2K, Global Warming) that simply refuse to actually come about.
The sad part is the blatant attempt of the filmmakers to inspire panic. Disease pandemics historically were fairly common after all people didn't all die in their forties from heart disease. Even recent pandemics such as AIDS mirrors the old fashioned VD crisis (Think syphilis) that used to kill more soldiers than bullets.
The flu pandemic of the early twenties was a nasty business killing millions but honestly life went on. I wonder if our over dramatic media and their power hungry government allies would allow life as normal today.
The movie itself swerves wildly from fairly competent scenes (Triage in grand Central Station) to the ridiculous (Rednecks try to ambush national guardsman in Manhattan).
The scenarios themselves are fairly useless as the filmmakers can't seem to decide exactly how contagious the bird flu is or for that matter whether the symptoms are an Ebola style crash or simply a long illness. Indeed one scene will show everyone in bio-hazard suits and the next will have nobody even wearing a mask.
The film also patently refuses to actually give any practical advice regarding what to do in a Bird Flu crisis. (Outside of wash your hands, what no duct tape?) The acting and directing are competent for a TV movie but the script is all over the map. Last the movie has a strangely non-exponential death total running on the bottom of the screen. Just like the Swarm did.
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user\nI watched this movie on TV last night, hoping for a realistic account of what could happen if there were an outbreak of some highly transmittable disease. I was disappointed, and I think the movie was garbage. It did not seem real to me. Some of the acting was awful, in particular that of the doctor. She was about the worst I've seen. The whole thing played like a CNN 'worst case scenario'. Even the obligatory disaster movie human relations bits didn't seem sincere. I have seen some disaster movies, in particular those weather ones, which are actually so bad they are amusing. This one is almost as bad, but it is not even amusing, it is tedious and boring.Don't bother with this one.
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user\nClearly, Andreas Bethmann would like to wear Jess Franco's crown whilst coveting (at least cinematically) the old workhorse's wife, Lina Romay. Romay plays a corrupt, salacious, masturbating prison warden in this modern, ambitious W.I.P. film. With some exceptions, many of Franco's films are ineptly produced and directed in a slipshod, hurried manner. Shots don't always cut together and the sound mixes can be horrific. While watching \"Angel of Death 2\" (aka \"Prison Island Massacre\") I asked myself if Bethmann is deliberately trying to replicate Franco's patent shoddiness, or is he just naturally shoddy like his mentor? Is this movie deliberately bad, which would be self-defeating, or is it simply bad by neglect? After a hitchhiker is forced to give a gunpoint blowjob, her rapist fills her mouth, then fills her vagina with some drugs. Minutes later, she is hauled into a clifftop prison for reasons not explained and subjected to the leers and rough handling of staff and other inmates. As this is a WIP film, there are lesbian scenes galore and plenty of violent behavior. The gore is bloody and sadistic, too, with delights such as teeth pulling and scalping (courtesy of Olaf Ittenbach). The acting is pretty awful and the fight scenes are lame, but there is a love of sleaze in every frame and an understanding of what trash fans enjoy. Unfortunately, the flat script makes for a flat movie. So, despite numerous atrocities, hardcore sex, and a guest appearance from Jess Franco, the experience is an empty one. But isn't that what most Jess Franco movies are?
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user\nI thought this was an extremely bad movie. The whole time I was watching this movie I couldn't help but think over and over how bad it is, and how that was $3.69 down the drain. The plot was so jumpy. They did an excellent job at the beginning of explaining who dated who in high school, but they never really explained anything after that. Was it a supernatural thriller? Was it a regular thriller? Apparently you can decide for yourself, because they didn't see the need to explain. I understood basically what happened, I think. What I got confused about was all of it prior, what was the deal with the bloody noses, phone calls, etc.? Was this guy coming back? Was the wife channeling \"Carrie\" or something? Who knows? You certainly won't after watching this movie.
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user\nI'd picked this one up time and time again in the rental store, wondering if I should give it a shot. Today I broke down and gave it a whirl, and I probably shouldn't have.
While the writer/director did give the film a respectable effort, it fell far short of engaging. The characters, while you wanted to feel for them, just didn't have enough development or depth for you to get truly involved with them. Sara's sexual outbursts got tiring-- fast. I don't mind sex in films, and I don't mind bitchy characters, but being a \"bad\" girl doesn't mean you're prone to excitedly ask people at random if they'd like sexual favors. By the time what happened to the characters was revealed, I was bored, and ready to fast-forward to the climax, the end, anything exciting... and nothing delivered. The things the folks in the story eventually inform you of seems forced and unrealistic, and just wasn't played quite right. If they'd have thrown a bit more anguish in there, I might have been interested. This should have been a more of a suspense/drama film, and should have stuck to the title \"Jon Good's Wife\" rather than the whole \"red right hand\" and horror film-like cover. Hell... this should have had suspense, period.
Either way... watch this on a rainy day or a late night when there's nothing on the television. Though this isn't as great as I'd hoped, I would go for this over some infomercials.
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user\nIt's not often I feel strongly enough to post something about a film. This was, however, simply the worst movie I have ever seen. The performances were laughable at best, at worst they were, well, there's no other word for it, awful. Especially the lead female who's random sexual come-ons have to be seen and heard to be believed. Honestly, the plot is nonsensical,the dialogue appalling and the characterisation...there is none. I'm surprised it's not an Alan Smithee film. I can't stress this strongly enough... avoid at all costs.How do movies like this ever get made? This is no budget film-making at its very, very worst.
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user\nI don't think I've ever gave something a 1/10 rating, but this one easily gets the denomination. I find it hard just to sit through one of his jokes. It's not just that the jokes are so bad, but combine that with the fact that Carson Daily has zero charisma, can't set up or finish a punchline, and you've got a late night comedy recipe that will really turn your stomach.
I have watched the show, never in its entirety, but many times still. It just creeps up on me after Conan. I usually watch a minute or two just to see if Carson daily is still the worst talk show host ever.
Actually if you ever do see him interviewing a guest, it's just that, an interview. I feel so sorry every time he has a guest on and their confused smiles try to mask their body language that's screaming, \"get me the hell away from this freak!\" I do recommend watching the show, not for a laugh, but to ponder, how he got on the air and what he's still doing there. Watch as much as you can, I think you will find its complete awkwardness...interesting.
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user\nCarson Daly has to be the only late night talk show host that isn't a comedian. What was NBC thinking! He's not funny! The writing is horrible to! All of the sketches are painful to watch. The current new karaoke isn't funny at all, especially since he tells you what they are going to sing before they sing it! The escalator interviews is just stupid and needless to say not funny at all. All he jokes, especially during the monologue, are the least clever, dumbest, not funny jokes ever put on television! I mean, anytime he makes a Jessica Simpson joke he ends it with \"because she's stupid,\" which cancels out any funniness that was in the joke, which was already very low. Any 3 year old could have come up with any of the jokes and sketches they put on this lame excuse for a show. Seriously, don't watch this show, unless you're on the edge of suicide and want something to push you over the edge.
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user\nNothing Carson Daly has EVER said or done on this show has EVER made me laugh, or even smile a little. I DO NOT understand how this show has survived for so many years.
Even the \"funny\" band member is just like one of those kids in high school who thinks nobody is good enough to even look at him. Daly and that dude are just arrogant frat boys. It seems like they don't even try to be a little funny.
AWFUL AWFUL AWFUL show.
It makes my soul cry.
I just cannot stress enough how AWFUL this show is. Don't watch it. But if you absolutely have to, I recommend clawing your eyes out and clogging your ears with cement beforehand.
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user\nBefore Last Call w/ Carson Daly, my local NBC affiliate aired much more worthwhile programming after Late Night w/ Conan such as second city TV, 3rd Rock From the Sun & Carline in the City reruns, and some stand up comedy. These days there is nothing worthwhile to watch because all I get to see is Carson Daly and his awful show. He is not a comedian, he is not an actor, he does not deserve to be famous because he isn't a good speaker nor comedian.
On his June 21st show, he tried to use an internet meme called the \"Rickroll\" on his show. He failed hard. That event confirms that Carson Daly is awful.
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user\nHe seems to be a control freak. I have heard him comment on \"losing control of the show\" and tell another guest who brought live animals that he had one rule-\"no snakes.\" He needs to hire a comedy writer because his jokes are lame. The only reason I watch him is because he some some great guests and bands.
I watched the Craig Ferguson show for a while but his show is even worse. He likes to bull sh** to burn time.I don't think either man has much of a future in late night talk shows.
Daily also has the annoying habit of sticking his tongue out to lick his lips. He must do this at least 10 times a show. I do like the Joe Firstman band. Carson Daily needs to lighten up before it is too late.
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user\nFor a while when I was in-between jobs I had a habit of watching all the late night talk shows. For a while I had a good selection: Conan, Leno, Letterman, Ferguson, Kimmel...
Until I reached the 1:30 a.m. time slot. The time between Conan and X- Files, on SciFi. And the only show on at that time was (and curiously still is) Carson Daly.
His show intrigued me at first. Youngish, casually dressed, and with the hip pedigree of an MTV host, I thought Carson would bring a younger aesthetic to late night. I couldn't have been more wrong.
He has no comedic timing. His jokes are plainly unfunny, and his monologue a painful affair of self-conscious babbling. I began to think he simply wasn't capable of delivering comedy (and I am right, he isn't), but it became obvious over time that the writers on the show must have had it in for him. The writing was idiotic and much too overreaching and the skits screamingly bad. And towards the end of the show being in-studio, the writers had Carson drinking alcohol on the set with gusto on every show, an oblivious Carson grinning from emaciated cheek to emaciated cheek as he sloshed his way through interviews.
Zero interview skills. None. He tries to be friendly/chatty, but ends up being boorish and rude. He talks too much. He cuts off his guests. He asks them rude or embarrassing questions -- if he can find a question to ask them at all. And as someone had already pointed out, the guests literally stare at him or squirm in their seats, clearly uncomfortable.
Now the show has left the studio and looks as though it were shot on one handy cam. Even still, Carson refuses to take the hint from NBC. At one point, Carson didn't even get a camera man, he had to film himself for an episode! Wake up, Carson...that handwriting is all over the wall.
I see the show is produced by Carson. I can only imagine that is the reason it is still on the air, he pays for it himself.
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user\nMaybe the best part of the show is the fact that it creeps up right after Conan O'Brien and Late Night's fans are all of a sudden unsuspectingly watching Carson's show. Carson Daly can't hold a candle to Leno, Letterman, O'Brien or any other late night talk show host, and Last Call seems to miss more than hit in this hit and miss genre. The shows only redeeming quality is that it's so short. But, I wouldn't call it crap. Carson Daly is sincere and doesn't hide the fact that his show isn't great(that honesty is actually helpful here), while some of Last Call's skits and material seem to be stolen, they still find the mark sometimes. Actually, some of Carson's montages have been quite entertaining, and the skits occasionally have their moments of decent comedy.
As an interviewer, Carson is okay, even with only one guest, not exactly late night material but still above the level attained by a high school AV team. However, he doesn't have the quick wit that makes Conan so hilarious. I do not like his musical guests, but that's more because I am not a fan of that kind of music so, I'm not holding it against him.
On to the house band. I don't know Joe Firstmans band and wouldn't compare them to the CBS Orchestra, the Tonite Show Band with Kevin Eubanks or the Max Weinberg 7. Even Cleeto and the Cleetones are better. But, Firstmans band mates do still the show in my opinion. Especially the Alto Sax player that sometimes shows up (he has long dark hair and sunglasses and is always playing in the upper register), if anything, watch the show for him, I do.
In summary, this show isn't even worth a full bag of kibble n' bits. But it does have an audience, and appeals more to the younger \"mtv generation\". If you don't have cable and are up at 1:37 am, there really isn't much more to choose from and, surprise surprise, there is worse out there in that time frame. So, if you're waiting for Poker After Dark to come on, 30 minutes of Last Call wont kill you during the wait.
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