empathielabs/imbd_dataset_v0 huggingface dataset:
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Just as the new BSG wasn't what fans of the original series were expecting, Caprica may not deliver what fans of the new BSG were expecting (for the most part). It is a very interesting, if not somewhat self-involved show, or at least the pilot is.
If you're looking for the big CGI thrills of the (new) BSG, you'll be sorely disappointed. If you liked the drama, you'll probably find something you like and maybe even identify with.
The storyline does examine on how the Cylons were developed, why Adama hates them and the origins of a monotheistic society. The writers also manage to tackle humans 'playing God(s)' and the creation or re-creation of 'human' life. It will be interesting to see how this plays out.
I found it to plod along in some parts and too preachy in others, but all in all it was promising. A small part of me wishes (or hopes) there might be some minor inklings of BSG in there (aside from the back story I mentioned), but that would probably convolute the storyline too much. Like BSG, I'll have to wait and see if Caprica grows on me, but it's way too early to tell.
It would really easy to chalk this up as a failure if you compare it to the previous series, but I'm willing to give it a chance. Overall, I thought it was interesting enough to make me see how the actual series is before 'throwing in the (proverbial) towel'.


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A prequel to the re-imagined Battlestar Galactica series, from the same creative team Ronald D. Moore and David Eick as well as new series co-creator Remi Aubuchon. Caprica is set in the twelve colonies some 58 years prior to the events of Battlestar Galactica. The new series in addition to its human drama also chronicles the key steps in the development of what would become the Cylon race.
The pilot and the series are set to follow two families; the Graystone's which include Daniel (Eric Stoltz) a computer genius and corporate tycoon and his equally brilliant but rebellious daughter Zoe (Alessandra Toreson), while the Adama's include Joseph (Esai Morales) a lawyer and his son William the future Admiral of Battlestar Galactica.
Like Battlestar Galactica the series includes some great experienced actors in Eric Stoltz, Esai Morales and Polly Walker as well as some very talented relatively new actors including Alessandra Toreson and Magda Apanowicz.
For fans of Battlestar Gallactica there are similarities and continuities with that series but it is also very different. In the pilot at least the science fiction elements are definitely present but are smaller part of this series. The scenes on Caprica while reflecting a more technologically advanced society also have retro feel, this is achieved through some of the architecture, the costumes and the way it is shot.
While the look and feel of the two series have some substantial differences some of the themes will seem very familiar, religion is again very important here, while the racial theme rarely touched on in BG is far more important. We also touch on terrorism the existence of a soul and whether or not a machine can have one, as well as issues related to crime and government.
The pilot has been released direct to DVD in an extended and unrated version prior to airing on TV, the series is set to start in 2010.
Like Battlestar Galactica this series is filmed in Vancouver


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Overall I was rather impressed with the pilot. The initial first fifteen minutes were worrying, as it did feel the creators were trying to create a science fiction version of The O.C but this fear is rectified when a terrorist incident occurs and from here the show steps into themes and situations that I very rarely see television tackle.
BSG dealt with themes such as monotheism, existentialism, reality, death and terrorism but they were primarily subtext, there for the viewer to contemplate on or ignore if they so choose. Here on the other hand these subjects are the focus of the show and I personally found myself evoking such works as Ghost In The Shell and The Matrix as reference points while watching and being surprised by how well the themes were being discussed. I think if you are a fan of the two I just mentioned or other films/television shows, which deal with the subjects I referenced, I think you will find at least something here.
In terms of a starting point to explain how the situation we know in BSG came about I believe they handled it in a very interesting way, I especially liked how they explained where the Cylon's belief in one God came from and the creation of Caprica had just enough advanced and contemporary technology thrown in to make it appear in the future but not completely alien to us as viewers.
The only real weak points I noticed were the relationship between the Greystone parents and the actress who plays 'Lacy Rand'. While I like Eric Stoltz and Paula Malcomson individually, together their scenes seemed to lack chemistry, at this point it could simply be down to developing their characters, but this is something I think needs work. I also found Magda Apanowicz to be unconvincing in her role. This again could be down to experience and time needed to develop, but throughout the episode her acting appeared forced and not completely confident.
Based on the pilot I greatly look forward to seeing where 'Caprica' goes in the future and hopefully it will touch the greatness that BSG once did.


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This movie answers the question, how does a relationship survive when your girlfriend is codependent, clinging, needy, jealous .. and has powers and abilities far beyond those of mortal women?
Without spoiling the movie, I can safely assure you it does not, but there's great fun to be had along the way. Uma Thurman is perfect as the mercurial super-heroine, an uber-babe, mysteriously named G-Girl, who unlike most in her sisterhood, is not *always* dedicated to truth, justice, and the American Way.
Thurman is also believable as the thoroughly daft, yet somehow still fetching, curator Jenny. When she is dumped for a less endowed but more emotionally secure and well adjusted rival, G-Girl goes ballistic, and what follows is not pretty. It's funny, but it's not pretty ..
It's a delightful premise, hell hath no fury like a super-heroine scorned, and those involved don't altogether carry it off, but it has its moments, and I think I'll get the DVD.
I liked this movie ..


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A big surprise, probably because I was expecting it to suck. The reviews were pretty dismissive of it, even though they all seemed to agree that the concept was golden: a man finds out his new girlfriend is a super hero, and finds, when he wants to break up with her, that she's kind of a psycho. I kept expecting it to fall apart, but it never really did. Sure, it doesn't make as much of its awesome premise as it could, and chooses to be short when it might have been better to expand the film's universe. But I can't blame it for that. Uma Thurman is great as the bipolar superhero, G-Girl. And I've discovered, after several years of disliking him, that Luke Wilson can be absolutely perfect when cast as a schlub. He's given two of the best comic performances of 2006 (the other in the pretty much unreleased Idiocracy). I absolutely cracked up at the expressions on his face when he and Thurman first have sex. It's one of the funniest sex scenes ever. My only real complaint is that they make G-Girl a bit too much of a psycho, like almost unbelievably so. Maybe with some background I could have accepted it better. I can forgive its flaws, though, because I had a really good time watching it. Underrated, for sure.


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My Super Ex Girlfriend turned out to be a pleasant surprise for me, I was really expecting a horrible movie that would probably be stupid and predictable, and you know what? It was! But this movie did have so many wonderful laughs and a fun plot that anyone could get a kick out of. I know that this was a very cheesy movie, but Uma and Anna were just so cool and Steve was such a great addition along with a great cast that looked like they had so much fun and that's what made the movie really work.
Jenny Johnson(scary, that's my best friend's actual name) is not your typical average librarian looking woman, when Matt, your average male, asks her out, he's in for more than he expected, he's asked G-Girl out on a date, the super hero of the world! But when he finds out what a jealous and crazy girl she really is and decides that it may be a good idea that they spend some time apart, but Jenny won't have it since he's fallen for another girl, Hannah, and she will make his life a living hell, I mean, let's face it, he couldn't have chosen a better girl to break up with.
The effect were corny, but you seriously move past them quickly, the story and cast made the story really work and I loved Uma in this movie, it was such a step up from Prime. My Super Ex Girlfriend is a fun movie that you shouldn't really take seriously, it's just a cute romantic comedy that I think if I could get a laugh out of it, anyone could.
7/10


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The title got my attention and then I wondered what will come out in the plot, as we have seen so many "super-people" movies these years... and in fact, I really liked it, as there were a number of unusual funny scenes that I didn't expect. Uma Thurman performed as average in G-Girl's role. Surprisingly, I was again able to watch her toes in wide screen (like in the beginning of Kill Bill). Luke Wilson however played very well the idiot everyday guy who meets the big woman, I could really get into his situation. If you want a light touch of fun, you should definitely watch G-Girl's and average Matt's adventures, especially to cheer up your partner. 7/10 in my collection.


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A guy desperate for action attempts to hit on a gorgeous girl in a bus. She refuses him, but when he runs after someone who tries to steal her purse they get together anyway. And there it starts - a relation that is slightly tainted by the fact that she is a jealous and neurotic superhero. It can't be a secret that things between them are going to be problematic.
In short, a story that could promise to grow out into a cool film. And IMO, it succeeds at being a nice film. It's no masterpiece, but it had me in tears from laughing on more than one occasion - the two lead characters twirl around each other in a crazy love fest that is, even with the superhero thing going, believable.
So. Thin story, but worked out really funny and thus worthy of cinema time.
7 out of 10 broken hearts


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well, this is an Ivan Reitman film. with the rare exception, Ivan likes to entertain. His films generally aren't "deep", but they are often entertaining enough. My Super Ex-Girlfriend surprised me in that i laughed more than i thought i would. Uma Thurman is just so grand, and i love her portrayals. I like Luke Wilson too, and Rainn Wilson was a straight hoot. Never taking itself seriously, the film is over the top and yet isn't very unique, nor does it go where no one has gone before.... it's a nice rent though and probably an OK date movie, especially if you have a headache and don't want to strain your brain. It's escapist fun and there's nothing wrong with that. When you strip away the "super-girl" stuff, you're left with a story about relationships, and relationships gone bad. It's a boy meets girl, boy leaves girl thing. And in the end, the characters are looking for love. Not all of them take being "dumped" as well as they could....a slice of life with a twist.


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Of those comments here before mine, I mostly agree with Edyarb's. The story and the script apparently had potential to be funny, but though managing at some points, in other places it failed. You could see them wanting to make a joke, but no one in the audience laughed. (Also agree with Edyarb's view on the end credits: leave it normal or make it cool, but not what they've done now.)
OK, that gives a more negative feeling than what I actually had watching the movie. I enjoyed it; it was pleasant entertainment for a night and definitely didn't feel like a waste of money to get the ticket. The best jokes are the ones that go a little bit outside of the expected and are fairly mature, like Luke Wilson's character Matt asking the super chick "P*nis or bed?" when she told him she'd "get him a new one" after a wild night in bed, ending up breaking the bed and leaving Matt sore.
I cannot, however, agree with bgs1614,who says that the film could earn an 'R' rating - there was absolutely nothing in the film to justify that. Some sexual acts yes, but nothing explicit, only humorous, and no nudity whatsoever. (Maybe he was at a prescreening that showed more...?) I'd like to compare this to two recent films I went to see with no expectations whatsoever: Superman Returns and Click. I didn't really expect anything from either one - I was a big fan of the original Superman films and the trailer for Click only showed it as a potentially chauvinistic (which I wouldn't oppose) film. Superman surprised me with actually having me feel good(goosebumps!) about seeing his first heroic deed, like seeing a long lost friend and feeling happy about it. But for the rest of the story I'd rather watch My Super Ex-girlfriend, at least it offers some surprises. Click again was a TOTAL surprise, much better and deeper than the trailer and about five minutes away from being a really excellent movie. The jokes also work much better than in Ex-girlfriend, both the naughty ones and the more advanced ones.
Anyway, the only reason I compared these three films is that they are the three last ones I've seen, within a very short period, and also because I went to all of these with basically no expectations at all. I'd rank them Click, Girlfriend, Superman.


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My Super Ex-Girlfriend is an entertaining movie no more no less.
The story is quiet simple. Matt Saunders(Luke Wilson) meets Jenny(Uma Thurman) on the subway and hooks up with her. In the beginning of their relationship everything seems to be OK, but then Matt finds out that she's G-Girl. At first that seems really cool to Matt but it turns out that G-Girl is very jealous and needy. So he decides to break up with her and hook up with his colleague Hannah(Anna Faris). This makes G-Girl very mad and she starts to avenge herself on her former boyfriend.
What I liked most in the movie are the scenes where G-Girl avenges herself on Matt. It was also nice to see Anna Faris in another role then her character from the Scary Movie saga.
I give this movie a 7 out of 10 and recommend it to anybody who likes a nice comedy.


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I got to say that Uma Thurman is the sexiest woman on the planet. this movie was uber cute and I mean uber cute. It had all the "sex" content that most Ivan Reitman comedies have but with something a lil extra, CHEMISTRY. Uma and Luke both have this awkrawrd but believable chemistry that seem to transcend in each scene . Both seem to create this odd, twisted and interesting relationship with powerful "sexual" tension that you laugh until you can't feel your face anymore. Anna Farris and the rest of the supporting cast seem to play off each other's roles perfectly and even Wanda Sykes' rather small role will keep you laughing. Though these kind of comedies aren't for everybody, but I have to say I went with a person that doesn't usually enjoy these films and he was laughing like crazy. This movie is certainly not for everyone. especially younger children since some moments are little too...well lets say ADULT for younger viewers. All in all I was pleasantly surprised by this movie, tough the ending I found was a little weak compared to the rest of the film. (3 1/2* out of 5*)


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My Super X-Girlfriend is one hell of a roller coaster ride. The special effects were excellent and the costumes Uma Thurman wore were hubba buba. Uma Thurman is an underrated comedic actress but she proved everyone wrong and nailed her role as the lunatic girlfriend. She was just simply FABULOUS!!! Luke Wilson was also good as the average Joe but he was a brave man to work with one of the greatest actresses of all time. The supporting cast was also superb especially Anna Faris who was extremely good (A lot better than in the Scary Movie franchise).
Ivan Rietman did very well in directing this film because if it wasn't for him and Uma Thurman this film wouldn't have done so well. This film is clearly a 10/10 for it's cast (Uma Thurman), it's director, it's screenplay and from it's original plot line. This film is very highly recommended.


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This movie was one of the funniest movie I've seen in years and the laughs from the audience members support me. Not since My Big Fat Greek Wedding (2002) has the laughter been as spontaneous and intense. Easily has intricate as last year's Mr. and Mrs. Smith (2005) in its use of parody (espionage in Mr. and Mrs. Smith and sex in My Super Ex-Girlfriend). Director's Ivan Reitman balance between comedy and drama, between crazy and downright ludicrous is great. Never does the shock and dramatic serious crack the rule of comedy. At the same time, this predictable romantic comedy never loses its touching emotional elements even if the ending is broadcast in advance. In some ways, it's so evident that it's great to see how it plays out. Just like in real life, sometimes the truth is so evident that one can't really see it. Easily eight out of ten stars ranking up there with Tootsie (1982). Possibly a nine (depends on how it appears on a second viewing).


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This is one of those movies that make better trailers than full-length feature films. The concept was really cool and different, the humor was unique, I just felt there were missed opportunities to put the "punch" into this movie. So many lines and gags were left hanging too long, with no definite ending and really didn't leave me laughing. Wilson, Wilson, Farris & Thurman were great. Wanda Sykes was under-used in this film and needed more exposure, and more opportunities to spin her character into more screen time. 7 out of 10 for me, more of a DVD rental. Also, I was looking for some sort of a feel-good music video during the end credits, something that has become sort of a trade-mark to these romantic comedy films, a la Something About Mary, Meet the Parents but again, I was left feeling a little cheated by fact that this COULD have been a much better film with a little more music and punchier punch lines. It felt like it was RUSHED into theaters.


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In New York, when the shy and lonely project manager of a design firm Matt Saunders (Luke Wilson) meets Jenny Johnson (Uma Thurman) in the subway, he invites her to date and have dinner with him. Jenny immediately falls in love for him, they have sex and she discloses her true identity to him, telling that she is the powerful superhero G-Girl. After meeting his co-worker and friend Hannah Lewis (Anna Faris), the needy Jenny becomes jealous, controlling and manipulative, and Matt follows the advice of his best friend Vaughn Haige (Rainn Wilson) and dumps her, breaking her heart. Jenny turns Matt's life into hell, while he has a romance with Hannah. However, the archenemy of G-Girl and former high school sweetheart of Jenny, Professor Bedlam (Eddie Izzard), proposes Matt to lure Jenny to strip her superpowers.
"My Super Ex-Girlfriend" is delightfully silly and funny. This romantic comedy-adventure has many hilarious moments and is very entertaining. Luke Wilson is great in the role of an idiot, Anna Farris is extremely sexy as usual, and Uma Thurman is great in the role of a deranged neurotic superhero that recalls Glenn Close in "Fatal Attraction" or Evelyn Draper in "Play Misty For Me". My vote is seven.
Title (Brazil): "Minha Super Ex-Namorada" ("My Super Ex-Girlfriend")


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I was never a big fan of television until I watched 24 for the first time. I got into the series very late. Season 5 ended before I even saw my very first episode. It was an episode of Series 3 that was on my parents DVR (digital video recorder) box while I was house sitting for the weekend. It took that one episode for me to be hook line and sinker into the world of Jack Bauer. And boy was I hooked!! I watched the next six episodes without blinking an eye. The next day I went to Blockbuster and signed up for an unlimited month pass for twenty something dollars and needless to say it has been the greatest blockbuster money I've ever spent. I watched the first three seasons in three weeks. That's 72 forty minute episodes!!! I will say that finding out what happens next is easier on DVD than waiting an entire week. I can only imagine the anticipation of watching Season 6 week to week!! I find it mildly torturous and cruel but I'm going to give it a try and watch it just like the rest of America!! The DVR is set and you can bet I'll be chomping at the bit!!


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On the day of the California Presidential Primary, between midnight and 1:00 AM, the spy Victor Rovner sends a message from Kuala Lumpur to USA. Meanwhile, in Los Angeles, the Federal Agent Jack Bauer has returned to his family and is having trouble at home with his teenage daughter Kimberly, who blames her mother Teri for putting Jack out of the house. Teri and Jack decide to have a serious conversation with Kim, and they discover that the girl has run away home. While trying to solve his domestic problem, Jack is called to his Counter Terrorist Unit by his colleague Nina Myers for a meeting with their chief Richard Walsh, who discloses a menace against the life of Senator David Palmer, who is running for president, and they need to find the shooter. Later, Walsh has a private conversation with Jack and tells that there is a conspiracy in the agency against David Palmer, and assigns Jack to find the conspirators. When an airplane explodes over the Mojave Desert, Jack has one additional issue to worry about.
The first episode of "24" is a promising beginning of a successful series, introducing Jack Bauer. This is the first time that I have watched this show and I confess that I liked what I have seen: a complex and dramatic story, with multiple and realistic characters. Kiefer Sutherland is perfect in the role of a family man and a reliable agent in charge of three difficult missions at the same time: find a killer to protect an important politician; find a traitor in his agency; and find his teenage daughter, who is getting in trouble, while trying to save his marriage. My vote is eight.
Title (Brazil): "12:00"


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The first time I saw this episode was like a shock to me, it was actually the first time I saw "24". The speed things are happening is amazing, and it's so surprising, thrilling, and even interesting, it's almost as if you are reading a book; once you start it, it's very hard to stop. From the minute Richard Walsh was talking privately to Jack about the possibility that they have a mole inside CTU, I was sitting 6:40 hours, which means 10 episodes!!! (Sounds funny and crazy, but I'm the kind of guy which when he is interested he just can't stop)This series is one of the best of it's kind. And it's build in a way of having a few different stories that are being connected together. Recommended in every way!


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24 is the best television show!!!!! It's an incredible TV series with an incredible suspense, excellent plots and unforgettable characters. And the first episode of all is my best evidence. Because it's only the first episode, only the introduction, and you are hooked because of the plot and the continuous twists and turns.
Jack Bauer is a federal agent who is assigned the protection of the senator David Palmer. He can't trust in anybody because people of the CTU may be involved. And, when this events occurred his daughter: Kimberly escapes from house to a party. But...
At the end of the episode, you want to watch more, and more, and more.
It's only the first of the lot, and it's excellent.


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24 has got to be the best spy/adventure series TV had ever aired. The whole idea of telling a story in a 24 hour real time period is dazzling. The style of filming and pacing is what hooks us to watch it. And Jack Bauer is one of the greatest protagonists in a TV series in a long time. I rate this, along with The Simpsons and The X-Files, my three most favorite TV series.
This first episode begins with the conspiracy to assassinate US Senator David Palmer who is also running for president. Bauer is called to his office in order to discover who is behind all this and, at the same time, figure his daughter's path to the unkwown after fleeing from her bedroom. Thus, begins an adventure on the best political style and, what's best of it, is that it always takes place in real time, which makes this TV series a real work of originality in a time where almost every program on TV seems to be showing us the same things over and over and over.


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For Anthony Mann the Western was 'legend'- and 'legend' makes the very best cinema! Mann's work was full of intensities and passions, visually dramatic, and the action always excitingly photographed...
Stewart, a docile actor with the ability of displaying anger, neurosis and cruelty, made with Anthony Mann, five remarkable Westerns: "Winchester '73;" " Bend of the River;" "The Naked Spur;" "The Far Country;" and "The Man from Laramie."
In "Winchester '73," Stewart reveals his darker side... He offers all the reserves of anger, inner ambivalence, and emotional complexity in his nature that his audiences had, up till this time, failed to catch...
A carefully chosen cast increases the proceedings in fine style: Shelley Winters is at her saucy best; Dan Duryea perfect as the vicious, sneering psychopathic villain; John McIntire great as the unscrupulous character; Charles Drake so good as the man who attempts to face his tormentor; and a very young Rock Hudson, attempts the role of an Indian Chief...
"Winchester '73" is the story of a perfectly crafted and highly prized, rifle in the Dodge City Kansas of 1876... Stewart and his estranged brother, who bears another name (Stephen McNally), compete fiercely for possession of it, and though Stewart wins, McNally steals it and sets off cross-country with Stewart in pursuit... What gives the pursuit an element of the demonic, is Stewart's determination to revenge his father's death at the hands of that same renegade brothera revenge fed by long-standing fratricidal hatred...
Photographed in gorgeous Black & White, the film comes on as powerful and arresting, acted with deep feeling and intense concentration, not only by Stewart but by all the supporting characters...
Look fast for a promising newcomer, Tony Curtis, the soldier who finds the rifle after the Indian attack...


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In the fifties the age restrictions for films in Brazil were the following: no restriction, 10 years old, 14 years old and 18 years old. Usually the westerns were allowed for ten years old, when they had a bit more of violence they would go to 14, but it was rare to see a western restricted for younger than 18. Winchester 73 was one of those, and I think this explains very well how this film was considered different from average. The hero, James Stewart was fighting against his own brother who had killed their father. He was looking for revenge and seemed quite traumatized, far from the average good guy. Anthony Mann tried variations on this type of character in the next films he did with Stewart. Shelley Winters, the leading lady was far from virtuous, she kept following the man who stayed with the rifle. Dan Duryea as Waco Johnnie Dean is one of those great villains that will always be remembered. The story of the film, which always follows the man who stays with the rifle, is one of the best suited for a western. It was to be made into a Fritz Lang film, which did not come through. When it was offered to Mann he made a point of starting from zero again and not taking anything that was prepared for Lang. With Winchester, Mann created a different conception of western, but still maintaining all its traditions. Winchester still is a great film to see again and again, but nothing will be comparable to the impression it made in those who saw it when it was originally released.


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Buffs of the adult western that flourished in the 1950s try and trace its origins to the film that kicked off the syndrome. Of course, we can go back to Howard Hawks's Red River (1948) or further still to John Ford's My Darling Clementine (1946), but if we want to stick with this single decade, then it has to be one of a couple of films made in that era's initial year. One is "The Gunfighter," an exquisitely grim tale of a famed gunslinger (Ringo) facing his last shootout. Another from that same year is "Winchester '73," and it's worth noting that Millard Mitchell appears in both as grim, mustached, highly realistic range riders. In The Gunfighter, he's the town marshal expected to arrest Ringo but once rode with him in an outlaw gang. In Winchester, he's the sidekick to Jimmy Stewart, a kind of Horatio to Stewart's Hamlet in this epic/tragic tale. The plot is simple enough: Stewart's lonesome cowpoke wins a remarkable Winchester in a shooting match, beating the meanest man in the west (Stephen McNally), who is actually his own brother and caused the death of their father. When the brother steals the gun, Stewart and Mitchell go after him in a cowboy odyssey that takes them all across the frontier, meeting up with both outlaws and Indians. (In one wonderful bit, two future stars - Rock Hudson and Tony Curtis - play an Indian chief and a U.S. cavalry soldier - during a well staged pitched-battle. Dan Duryea steals the whole show as a giggling outlaw leader, while Shelly Winters, just before she began to gain weight, is fine as the shady lady who ties all the plots together. Today, filmmakers would go on for about four hours to bring such an ambitious idea to the screen, but Anthony Mann does so in an extremely economical amount of time, with not a minute wasted. Such western legends as Bat Masterson and Wyatt Earp (terrifically played by Will Geer) make brief appearances, adding to the historicity as well as the epic nature. The final battle between good and bad brothers, high atop a series of jutting rock canyons, is now legendary among western buffs. It's also worth noting that Stewart, however much associated he became with western films, does what is actually his first western leading man role here - yes, he was in Destry Rides Again eleven years earlier, but was cast in that comedy spoof because he seemed so WRONG for westerns!


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In 1942 a film TALES OF MANHATTAN told a set of stories that were basically unrelated, but tied together with a suit of men's evening wear. Each story began when the "tails" were passed from one owner (Charles Boyer, for instance) to another (Ceasar Romero). WINCHESTER '73, a superior film, and a great western, has a similar plot twist. Initially it is about how Jimmy Stewart is seeking Stephen (Horace) MacMahon for some deadly grudge. But in the course of the film the two men get into a shooting contest, the prize (given by Marshall Wyatt Earp - Will Geer) being one of the new Winchester rifles. Stewart barely beats out MacMahon, but the gun is stolen from Stewart, and the chase is on.
The gun passes from hand to hand, including John McIntyre (as an arrogant trader who fatally does not know when to stop being arrogant), to Rock Hudson (in a surprising role - and a brief one at that), to Charles Drake, to Dan Duryea (as the delightfully deadly and psychotic Waco Johnny Dean), to MacMahon. Eventually it does return to Stewart.
The film is expertly directed by Anthony Mann. Every character has a wide variety of experiences. Duryea gets the rifle literally over Drake's dead body (Duryea forces the issue). But he loses it to MacMahon, who is faster on the draw - not that Duryea is stupid enough to fight for the rifle. As he and Shelley Winter look at MacMahon in the distance, Winter (who watched Duryea kill her former boy friend Drake) drops her distaste for the gunman momentarily to ask why he put up with MacMahon's bullying for the gun. Philosophically, Duryea explains he can wait. Some opportunity will come up later on (i.e., when he can safely kill MacMahon and get back the rifle).
The characters are remarkably human. Winters first appears as the future bride of Drake, but she sees a really big negative side to him - an unforgivable side. Drake is aware of this lapse, and it helps lead to his destruction. Other characters have realistic touches, such as J.C. Flippen as an army sergeant who fights an Indian attack with Steward and Steward's friend Millard Mitchell. Oh yes, and with Flippen's fellow soldier - Tony Curtis. Flippen makes one believe this soldier has been on a hundred battlefields before, since 1861 probably. Steward had showed emotions in other films. In IT'S A WONDERFUL LIFE he showed a degree of anger at times, and also a near nervous breakdown when he thinks everything is wrong with his life. But here he showed a demonic anger - at the expense of a surprised Duryea (who normally would show such anger himself).
The parts of this film fit very neatly together, under Mann's competent hands. This is one western that never wears out, as the audience watches the travels of a Winchester rifle.


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I was very impressed with this film. I would have to rate it as one of the better classic-era westerns. I say that for the whole thing: the acting, mature dialog, no- nonsense story and excellent cinematography.
Director Anthony Mann, who did several well-photographed film noirs around this same era, also made some westerns such as this one. It has that same film-noir look. Mann and Jimmy Stewart collaborated on several westerns during this period. . If you like this movie, I recommend the Mann-Stewart film "Bend Of The River."
In a nutshell, the story is about a man, "Lin McAdam," (Stewart) who owns this prestigious Winchester 73 rifle, a weapon he won fair-and-square in a contest. It is then stolen and passed on from villain to villain. All of those villains are interesting characters.
Aiding Stewart act out this interesting tale are Shelley Winters, Dan Duryea, Stephen McNally, Millard Mitchell, Charles Drake, Will Greer and J. C. Flippen. All of them are fun to watch. It was a bit of a stretch, however, to see Rock Hudson playing an Indian ("Young Bull"), but you can't have everything.


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For the viewer who comes upon it long after its making, "Winchester '73" has something in common with "Casablanca." While you watch it, you get this feeling that you're looking at a string of clichés encountered so often in the genre; then you realise that the clichés became clichés only after being copied from this particular film, and that they were so widely copied because this film was so great. In other words, it's a seminal work.
"Winchester '73" is a joy to watch. The broad lines of the plot are somewhat predictable, but mostly because you've seen them copied so many times in later movies, and nevertheless it still contains a number of twists which surprise you. The dialogue, the pacing and Mann's direction are excellent. Stewart shines in particular, and if you're a fan this is a "must-see," but he is not alone in delivering a good performance. Remarkably, many of the most thoughtful and/or witty lines go to minor characters. Because this makes these characters (much) more than cardboard cutouts, it lent additional realism to the film.
This is a remarkably underrated film, and well worth keeping an eye out for. The DVD also contains an interview with Stewart which provides some background on the film.


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This stirring western spins the tale of the famous rifle of the early west that was coveted by one and all. James Stewart is the cowboy who wins the prized Winchester in a shootout, only to lose it in a robbery. The story details Stewart's pursuit of the rifle and a certain man through the film. The rifle changes hands time after time, as though the owner is fated to lose it through violence. The picture has plenty of action and suspense as Stewart closes in on his quarry. A great cast supports Stewart here, namely Stephen McNally, Dan Duryea, Millard Mitchell, John McIntire and Jay C. Flippen. Shelley Winters seems miscast here and the purpose of her role is rather obscure. Tony Curtis and Rock Hudson, teen heartthrobs in later years, have brief but good roles.


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Winchester 73 gets credit from many critics for bringing back the western after WWII. Director Anthony Mann must get a lot of credit for his excellent direction. Jimmy Stewart does an excellent job, but I think Stephen McNalley and John McIntire steal the movie with their portrayal of two bad guys involved in a high stakes poker game with the treasured Winchester 73 going to the winner. This is a good script with several stories going on at the same time. Look for the first appearance of Rock Hudson as Young Bull. Thank God, with in a few years, we would begin to let Indians play themselves in western films. The film is in black and white and was shot in Tucson Arizona. I would not put Winchester 73 in the category of Stagecoach, High Noon or Shane, but it gets an above average recommendation from me.
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James Stewart stars in a classic western tale of revenge which ties in with the fate of the films other star the Winchester Rifle. Stewart is it goes without saying excellent adding some cold hard obsession to his usual laid back cowboy. The story follows the fate of a Winchester rifle and its owners after being won in a competition by our hero and stolen by the man he is hunting.
We meet a selection of gamblers, gun fighters, Indian traders and bank robers as we follow the rifles path through Indian battles, bank heists etc. The supporting cast are all solid with Dan Durya standing out as Waco Johnny Dean the live-wire gunfighter with an itchy trigger finger. Also as a trivia note a very early appearance from Rock Hudson as an Indian chief.
The end showdown is a classic a tense rifle battle fought at long range in and around a rocky outcrop. Throw in some good old western action, fist fights, shootouts and horseback chases it makes for a rollicking western adventure. 8/10


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Winchester '73 is a great story, and that's what I like about it. It's not your everyday western--it uses a rifle, which passes hands from various characters--as a mechanism for telling the story about these people. Rock Hudson plays an indian chief, Jimmy Stewart plays a great leading man with heart and strength, and Shelly Winters plays a gal who has to cope with the realities of her husband and the wild west. It's important to note for those politically correct types--they kill a lot of indians in this movie without remorse. By today's standards, it's still pretty violent. But it's a great story and worth watching. Enjoy!


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WINCHESTER 73 is the story of a man (Jimmy Stewart) obsessed with getting back his prized possession, a repeating rifle made by Winchester. The rifle keeps changing hands, and Stewart doggedly keeps after it. This 1950 B&W effort by Anthony Mann is more a crime film than a traditional western, and the cowboys often seem more like modern-day gangsters than old-fashioned cowboys. Shelley Winters plays a woman of questionable virtue who is headed for a ranch with a man (Charles Drake) she may marry. She ends up falling for Stewart, but not before she is passed around a bit. Winters is the most complex character in a film filled with unusual characters. Watch for a young Dan Dureyea as a nutty killer and Tony Curtis in a very small role. A woefully miscast Will Geer plays Wyatt Earp.


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By 1955, five years after this one was released James Stewart and Anthony Mann had completed another six films together, four of them Westerns. Their rapport was obvious from the outset and what was intended as little more than a Universal progrmmer became both a cult and a classic. Buffs of the period will revel in the fact that the first ten names on the credits were all more than well known - and that's not counting Ray Teal or 'Anthony' Curtis, later to become Tony. Perhaps ten years later the 'psychological' western was well entrenched but in 1950 it was rare to throw Ahab into the mix with Cain and Abel, to say nothing of addressing several other issues along the way, and still furnish a conventional western on the surface and full credit to all concerned. One to add to the DVD collection.


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This is quite an unusual and unique little western, that is made mostly original due to its story that revolves around an unique and superior Winchester 1873 rifle and all of those who get to poses it at one point or another in the movie.
It's mostly a very entertaining movie to watch but not without still being a real western as well. The movie got done in a typical '40's/'50's style of western genre film-making, so the lovers of the genre should not be turned off by its somewhat unusual main premise.
Because the rifle is actually being the main plot device of the movie, it allows the story to follow multiple characters throughout the movie, who are all connected of course and the story makes full circle in the end. Without that this movie would had been a pretty messy one to watch, since the story often jumps from the one hazardous occasion into the other, with constantly different characters involved. Quite amazing how they even managed to put Wyatt Earp in this all. But it's no criticism really. I liked that the movie and its story were being original and how the movie seemed to move from the one event to the other. It gave the movie a bit of a sense of adventure and entertainment.
It's also a really great looking movie. I liked the settings the movie used and it seems quite amazing that this was actually the director Anthony Mann's first western. Luckily he would go on to direct more westerns later on, which also often would star James Stewart in the main lead.
It was a pretty daring casting choice to pick James Stewart as the main lead. He is one of the softest and most polite looking and acting actors, so casting him as a tough gunslinger seems like a bit of an odd pick. But Stewart is surprisingly convincing as a tough guy and it shows how versatile and really capable as an actor he actually was.
It also has some other surprising actors in the movie, that are not often get connected with this genre. Shelley Winters plays the female lead and also later well known actors Rock Hudson and Tony Curtis appear in some small roles.
A real western with also plenty of action and entertainment to it.
8/10


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Saw this flick on ENCW last nite for the third or fourth time. Enjoyed it so much I ordered the DVD. This really is a standout and of course the first of the Mann-Stewart pairings. More here than the usual oater, although not quite as powerful as The Searchers. Lots of obvious symbolism about achieving manhood but mainly it's the acting by Stewart, his partner Millard Mitchell, Shelly Winters and the Waco Johnny Dean- Dan Duryea. Steve Miller (not The Joker) is interesting as a handsome would be hero who's interested in Lola but too yellow . Like Stewart in The Man Who Killed Liberty Valance, he's practically reduced to putting on an apron and serving his enemies coffee. Decaf no doubt. Tony Curtis from the Bronx Cavalry and Rock Hudson behaving like no Indian I've seen on screen have interesting cameos.
Special performances by John McIntire as a too lucky card dealing/gun trader who hangs out at a very low grade Western version of Rick's American Cafe. Nobody wants to spend the night there. Jay C. Flippens out over a kiss from Lola (Winters) and has some nice scenes with Stewart before he gets to Bend of the River and Far Country. Will Geer as Wyatt Earp and the Indian Chief who takes Walter Brennan's teeth from him in Red River are pleasant sightings. This is the kind of western that only Stewart, not Wayne nor Scott could have pulled off. Worth the shot, I repeat. :-)


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