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I had the privilege to see this movie at the Intenational Film Festival of Rotterdam.
'Xizhao' or 'Shower' is a $200.000 lowbudget movie about a father and his 2 sons. The father has a traditional bathhouse somewhere in a traditional Chinese village where local, mostly aged men, come to relax and to go bathing. The father has to sons: a 'retarded' son who lives with him and a son who lives in a big modern city and who comes to visit him. To this son the traditional village, the bathhouse and his 'retarded' brother seem strange and annoying, but this changes along the movie.
Though the story may sound cheesy or cliche, it's not. With really great performances, especially of the father and the 'retarded' son (sorry, I don't know their names) and a great story the movie was touching and funny at the same time.
If you got a chance to see this movie do it. It's a great alternative to mainstream Hollywood cinema.



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This movie took me by complete surprise. I watched it 2 or 3 times. I really liked this film. There were many truths this movie brought up. I love all the characters in this film as well. This movie makes a lot of sense because as society "becomes more advance" What does the culture loose? Not to sound preachy. I can really relate to this movie from my child hood and loosing apart of my life that will never come back or ever been the same. This film is on my top 5 movies I have ever watched. There is just such a raw truth that I feel when I watch the movie and its not the kind of truth that you have to dig for its right in front of your face. The creators of this film did a great job and I enjoyed this movie very much. This movie may not be for every one but if you have an open mind I think you will love it.


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Very different topic treated in this film. A straightforward and simple description of local Chinese customs, by looking at the daily operation of a public bath, run by the old owner and his retarded son, when older son returns home, wrongly believing his father has died. How every man in town makes his daily visit to chat, play games, discuss personal matters and get honest advice, besides the usual spa-like therapies. When old man dies, strong and loyal family ties make older son take charge, so public bath operation is not disrupted. And finally, the arrival of modernization to end this way of spending relaxed hours and getting along. The public bath has to be demolished, making place for a commercial complex to be constructed.


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This movie is simply wonderful! It's got it all: laughter, sorrow, beauty, poetry, truth. All in a simple yet intense story--like life! You won't get distracted for a second.
10/10
P.S. Somebody tell Hollywood you need a good story to make a good movie, and there are so many good stories out there.


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Have just seen the Australian premiere of Shower [Xizhao] at the Sydney Film Festival. The program notes said it was - A perfect delight -deftly made, touching, amusing, dramatic and poignantly meaningful. I couldn't agree more. I just hope the rest of the Festival films come up to this standard of entertainment and I look forward to seeing more Chinese films planned to be shown in Sydney in the coming months.


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Like another reviewer said, this movie is not a heavy melodrama, but it deals with harsh realities. A very very playful movie that does not dwell for a moment. Some very good acting and some wonderful smiles as well.


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For a movie with a plot like this I would normally smell "tearjerker" in the first ten minutes and turn it off, but this was very well made, with emotional subtleties, great acting, and some genuinely funny moments. It was also interesting to see a different culture - a vanishing one at that. My wife and I both dug it!


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I found it highly interesting that the film actually managed to bridge the gap between my own american culture and that of the originators, i.e. chinese. It becomes a story about values, and causes the watcher to reevaluate their own choices in life, and loyalties toward institutions. Amazingly enough, it managed to do this in a gentle, mildly humorous manner, which only in retrospect seens threatening to one's status quo. I enjoyed the movie, and would watch it again if I could.


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This is a great story of family loyalty which, thankfully, doesn't resort to the usual tricks (or at least the ones I'm used to seeing in American and European films) of supersentimentality or high dramatic tension.
It's very watchable and very lovable. It has some beautiful cinematography, but doesn't rely on that alone to entertain.


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My choice for greatest movie ever used to be Laughton's "Night of the Hunter" which remains superb in my canon. But, it may have been supplanted by "Shower" which is the most artistically Daoist movie I have seen. The way that caring for others is represented by the flowing of water, and the way that water can be made inspiration, and comfort, and cleansing, and etc. is the essence of the Dao. It is possible to argue that the the NOFTH and Shower themes are similar, and that Lillian Gish in the former represents the purest form of Christianity as the operators of the bathhouse represent the purest form of Daoism. I would not in any way argue against such an interpretation. Both movies are visual joys in their integration of idea and image. Yet, Shower presents such an unstylized view of the sacredness of everyday life that I give it the nod. I revere both.


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Xizao is a rare little movie. It is simple and undemanding, and at the same time so rewarding in emotion and joy. The story is simple, and the theme of old and new clashing is wonderfully introduced in the first scenes. This theme is the essence of the movie, but it would have fallen flat if it wasn't for the magnificent characters and the actors portraying them.
The aging patriarch, Master Liu, is a relic of China's pre-expansion days. He runs a bath house in an old neighbourhood. Every single scene set in the bath house is a source of jelaousy for us stressed out, unhappy people. Not even hardened cynics can find any flaws in this wonderful setting.
Master Liu's mentally handicapped son Er Ming is the second truly powerful character in the movie, coupled with his modern-life brother. The interactions between these three people, and the various visitors to the bath house, are amazingly detailed and heart-felt, with some scenes packing so much emotion it's beyond almost everything seen in movies.
With its regime-critical message, this movie was not only censored, but also given unreasonably small coverage. It could be a coincidence, but when a movie of this caliber is virtually impossible to find, even on the internet(!), you can't help getting suspicious.
So help free speech and the movie world, buy, rent, copy this wonderful movie, and if you happen to own the DVD, if there even is one, then share share share!


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"Xizao", is the tale about the clash of modern life and ancient traditions, and its effects on a family in China. Da Ming (Quanxiu Pu), is a businessman who returns home when a letter sent by his brother Er Ming (Wu Jiang) makes him believe that his father Liu (Xu Zhu), has died. He founds that his father is still alive, as well as his old neighborhood and his father old business, the public bathroom.
The movie centers around Da Ming's family, and how he has to learn the importance of his father's job, something he always had considered an old tradition that had to die soon. Also, the movie explores his relationship with Er Ming, who is mentally challenged, and the problems of the small community and how the bathroom is a place that purifies not only their bodies, but also their souls.
The two main themes of the movie, the family and the problems of progress, are incredibly well handled, and the movie never loses the point it is trying to make, both themes are very good developed and we get a glimpse of Chinese society and customs.
The director, Yang Zhang, tells his tale in a simple way, letting the characters characters do the job. It is a very simple approach, but it fits the movie perfectly, and I highly doubt that another style would fit the movie this good. Zhang has enormous potential, as he can tell a story without the aid of visual flare or camera tricks.
The acting is outstanding in its naturalistic approach, everyone acts in a very natural way and it almost looks as if they were real persons being filmed. The three lead characters give remarkable performances, and Wu Jiang as Er Ming surely steals the show.
Even when the movie could had sticked to a patronizing "old days were much better" message, instead it takes an attitude of equilibrium, like saying that progress is good, and we must move on, but we must not forget where we came from, and keep an equilibrium between modern life and the traditions of old.
An awesome, and touching film. 8/10


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Another outstanding foreign film which thoroughly trounces the never-ending crop of crud emanating from Hollywood! This is a story of life and living. No, definitely not the perfect little life so often depicted in the totally artificial Hollywood movies but rather, the real life complete with real characters each with strengths and weaknesses just like real people in our lives and ourselves.
The dynamics of all of these lives, intertwined within the walls of this bathhouse, and particularly its aged owner, are magnificent, heart touching and highly thought provoking.
Sit back, relax, and be carried away into the simple and beautiful life. There is real wisdom to be learned in this movie if you only open yourself up to it.
You will not be disappointed.


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Almost the entire film takes place in a public bathhouse in China. There are no fancy sets, explosion or glamorous people--only fine writing, acting and direction (Hollywood, take note!).
An estranged son returns home when he believes his father is dying. He is surprised to see that Dad looks fine and is going about running the family business as usual. In fact, he notices that his father and his retarded brother have really forged a close and caring relationship and it soon becomes obvious that he is out of the loop! Dad is very traditional and this visiting son is from the big city and doesn't really see the value of the old bathhouse. How their relationship changes and where the plot goes from there is exceptional and believable.
I was happy to see that not every Chinese movie is an action picture (such as those starring Jet Li or Crouching Tiger, Hidden Dragon), as I don't particularly care for these frenetic films. The Shower as well as Springtime In A Small Town are two wonderful examples of good Chinese films about PEOPLE!


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This Chinese movie made me feel so many similarities with members of a culture I don't belong and are far from. In an almost Buddhist approach, the film helps one to relate to each character, and to the happiness of doing the simple routine things.
All actors are brilliant, and Xu Hzu exudes kindness and wisdom, yet also vulnerable and mean. Er Min, the retarded brother, shows us that intelligence and wisdom are not equal, and that wisdom comes to and from the most disparate persons in this universe. A different China, this is far from the Chinese realism, yet, it has lots of humanity and realism of a different kind.
Get it. You won't be disappointed.


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This movie was an impressive one. My first experience with a foreign film, it was neither too long, nor too complex. I myself enjoyed the subtitles; and the plot was surprisingly fresh. The story of an adult son visiting his elderly father and retarded brother after a long separation appeared cliched at first, but it proved to be very touching and realistic. There was also some subtle humor so as not to depress or bore the audience.


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I like this film a lot. It has a wonderful chemistry between the actors and tells a story that is pretty universal, the story of the prodigal son. The aspect I like the best however was the way that the bath house was more than just a background for the story. As the father told the son the story of his wife's family in the northern deserts of china, the element of water and bathing becomes an almost sacred ritual. Water was so scarce that a simple bath had profound depth and meaning.
Overall the film was very effective. There were moments, however, when it verged on "too" sweet...bordering on cloying during the park recital scene. But overall, I highly recommend this film.


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My favorite part of this film was the old man's attempt to cure his neighbor's ills by putting the strong medicine in his bath. There is more than a sense of family, there is a sense of community.


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No awards show can please all the people. Clearly if your favorite movies didn't win, you will say the show wasn't very good. That's understandable.
However, the 74th Annual Academy Awards will be remembered for one magical moment of Hollywood history:
Woody Allen's first appearance ever at the Academy Awards.
Allen has often shunned the awards as being self-aggrandizing and pointless, and has never attended -- even though he has won several of the coveted awards.
When the 74th Academy Awards were held, the nation was still mourning the loss of life in the collapse of the World Trade Centers in New York. When it came time to pay tribute to the city of New York, they decided to show a video of the great movie moments form the city of cities. Then the announcer simply said:
"Ladies and gentleman, Oscar Award winning Director Woody Allen."
The place erupted in an extremely long standing ovation. The entertainment industry finally got to give their applause to the Man from New York who usually avoids the Hollywood scene. As the applause died down, Woody applied some of his legendary wit to the situation.
SOME HIGHLIGHTS:
"Thank you very much - that makes up for the strip search."
"I thought they wanted their Oscars back," he joked. "I panicked because the pawn shop has been out of business for ages and I had no way of retrieving anything. "
"But that wasn't it. I couldn't work it out because my movie wasn't nominated for anything this year. Then it hit me - maybe they were calling to apologise."
Allen also disclosed why he had overlooked his lifelong Oscar-aversion for this one special night.
"For New York City, I'd do anything. So I got my tux on and came down here," said Allen.
"It's a great, great movie town. It's been a great, moving and exciting backdrop for movies and it remains a great, great city."



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The 74th Oscars was a very good one. Whoopi's work as EmCee was very funny, and light. I personally loved her last apperance, which garnered some frigid reviews due to coarse language and salacious jokes, but that's fine. The audience seemed to like it. Halle Berry, Denzel Washington, Ron Howard, Woody Allen, and Sidney Poitier made this an Oscar telecast to remember.



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The events of the 11th of September 2001 cast its shadow on this Oscar award ceremony with a one minute silence before the in memoriam montage and there was little in the way of the all singing all dancing comedy extravaganza that we`d come to expect of this award show but this was by no means a bad thing . Entertainment was more or less curtailed to a LOTR send up with Ben Stiller and Owen Wilson and that was it . The rest of the show was taken up with clips from the nominations and I have to admit this was actually more enjoyable than the overblown song and dance numbers we`ve seen over the years and Whoopi Goldberg was by no means a bad presenter unlike the very esoteric David Letterman from a few years ago and the one minute silence for the victims of 9/11 was haunting and dignified
As for the awards New Zealand was absolutely robbed . FELLOWSHIP OF THE RING went home with four minor awards while A BEAUTIFUL MIND undeservingly picked up most of the major prizes except for best actor which should have gone to a tough guy New Zealander but went to an An all American nice guy instead . The only Oscar awards I agreed with apart from the ones presented to FELLOWSHIP were the awards for best supporting actress and best supporting actor , both correct calls .


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OK, so the Oscars seem to get hyped just a little more each year. And I was rooting for "Gosford Park" to win (come on, Robert Altman had deserved an Oscar for years!). That said, I guess that it was high time for an African-American to win Best Actress. Contrary to the previous reviewer, Halle Berry's role in "Monster's Ball" was far more original than Nicole Kidman's in "Moulin Rouge"; I never would have thought to nominate the latter for anything, especially in a year that saw "Mulholland Dr.".
Among the things that I had predicted was the stuff about the September 11 attacks; I knew that they were going to say something about freedom. Yeah, yeah. Robert Redford should know better. But contrary again to the previous reviewer, Whoopi Goldberg is not the worst host (among the past hosts was Bob Hope, for whom I have no respect); I really liked her jab at John Ashcroft.
So, although I wouldn't have given "A Beautiful Mind" Best Picture, "The 74th Annual Academy Awards" still pleased me (I have to admit, I enjoy the Oscars more than my own birthday). And the day after, as my parents and I were hiking around the dwellings in Bandalier, New Mexico - it was spring break - I was thinking to myself that when Jim Broadbent won his Oscar, that most people watching were asking "Jim who?!" I wonder whether or not Woody Allen will ever attend the Oscars again.


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TO all of yall who think 1.This was a boring telecast 2.Halle berry and denzel Washington did not deserve their Oscars
SHUT THE F**k UP!! This was one of the best Academy awards show because 1.It was a moment in history to have a black yes "Black actress" win an academy award for Best actress so many of our black sisters have been ignored by the academy for many years.To be honest I had stop watching the academy awards because of a lack of diversity in either the winners or nominees.To me it was nothing but a bunch of white people patting each other in the back.the academy had many chances to vote black actresses that were brilliant in movies eg Alfre Woodard,Whoopi Goldberg,Diana Ross,Mary jean Babtise, but it did not 2.Halle berry deserved that Oscar no competition the academy was under pressure to vote for her so long have deserving actresses been ignored by the academy the majority of which is comprised of white voters yeah yeah Nicole kidman sang very prettily in muling rouge!but it was time black people were accommodated in these awards shows.As for Mr Washington the academy owed him big time after that unfair loss for MalcomX.To all of you who think race is not an issue"probably white people"in the movie industry,well it is many of the most talented black actresses around have either been reduced to stereo typical made by white people roles of what they think is a black women or are not existence"Angela basset". I do not expect many of the white people to understand any of this because they never had to deal with any of it.Come to think of it they are the one who been inflicting it


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Whoopi was the only reason I watched the Oscars that year. She is hilarious. Of course there was a major serious side to the show. She was great not only because she's funny, but because she said some things that needed to be said in a public forum. White folks need to be reminded that Hollywood awards' ceremonies, employment, and representation are WAY out of balance racially. There should be no need for "black" awards shows. The white-bread, milquetoast nominators and judges need to bring their heads into the sunshine and see that great material is not limited to "white" directors, producers, actors, etc. Allowing Woody Allen on the air was the depth of poor taste. He had no business being there. The fact of the matter is, this is the first Oscar presentation I've watched since "The Color Purple" was up for awards. That miscarriage of voting soured me on watching the shows until 2002. Which is not to denigrate other presenters. Billy Crystal is a riot.


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Extremely tense thriller set in the urban chaos of São Paulo, the biggest and ugliest third world nightmare in Brazilian urbania. For the sake of making it easy for anyone who is curious about this intriguing and truly well made film, it has the grit of Mexican feature "Amores Perros" with a character not too far off Max Cady, from both Cape Fears, although this is not, by any means, a film about a psychopath. Two partners (Alexandre Borges and Marco Ricca) in a construction company pay hitman Anisio (Miklos) to off their third partner (and majority share holder) in said construction outfit. The murder is blamed on the city, but things begin to look very grim indeed when witty and charismatic walking nightmare Anisio decides he wants to be around the ever so nervous partners in crime, not only trespassing but, more importantly, deconstructing the strict social codes that make up Brazilian society. Anisio turns poverty into an attitude and he wants in. The look is almost entirely handheld, grainy, the performances outstanding throughout, especially so as first time actor (and member of classic Brazilian pop band 'Titãs'), Paulo Miklos, dazzles and baffles the viewer with his pretty funny social terror.
I saw the film at the Brasília film Fest in November 2001. It has since done very well in Sundance and Berlin. Kleber Mendonça Filho


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My short comment for this flick is go pick it up. Chances are you are going to be positively surprised by a diversity of elements superbly explored in this criminal thriller. There is no way the character of Miklos, claiming and pushing for room in every way possible, wont push your nerves to the edge...2 thumbs up!


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IVAN (Marco Ricca) and GILBERTO (Alexandre Borges) are partners in a company together with ESTEVÃO (George Freire), but the first ones contract a professional killer, ANISIO, to murder ESTEVÃO (the plot, at least at the beginning, doesn't explain very well why). The guy does it and after receiving his money he starts blackmailing the two partners, appearing in their company and saying he wants a job there (as supervisor or something). At the same time he meets MARINA (Mariana Ximenes), daughter of ESTEVÃO, and starts dating with her!
In a story like this, where crime, corruption, betrayal and blackmail go hand in hand, no one is innocent or can be victimized, exception made to MARINA, which is the only person who doesn't know what's going on and didn't betray anyone
This film portrays with sarcasm the sad and cruel reality which exists in big metropolis like São Paulo, where crime is every day's presence. We can feel irony but also veracity in characters like ANISIO (brilliantly played by Paulo Miklos), which does blackmail to the guys who paid him without any scruples, and even flirts with the daughter of the guy he killed! He really must be a monster to do something like that, but of course I know there're people like him out there, in Brazil or any other place
It's a very good movie, cruel but truthful, about a sad reality The acting is great and the soundtrack too.


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The three main characters are very well portrayed, especially Anisio by rock musician turned into first time actor Paulo Miklos. He is extremely convincing as the lower class trespasser/invader. The film shows very well the snowball effect of getting involved in ever more shady business, the contrast and similarities between the lower and higher classes. How everyone gets carried away by greed and ambition. 9-9,5 out of 10.


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Here in Brazil is very rare to see a good Brazilian film, and Brant´s new film is exactly one of these jewel. There are some flaws in the film, of course, but they are very minimal. The directing and acting in this film are very good!
Can´t wait to see another Brant´s new film!


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After watching this film last night on Sundance, I realized that much of Nakata's style was first done in this film. Here we have many of the same elements of the RINGU series, especially the idea of the media being the source of the supernatural. Instead of the cursed videotape, we instead having a haunted studio and strange images appearing on film. In fact, the strange images appearing on film brings immediately the cursed videotape in RINGU to mind. The only thing missing was the obsession to water that runs through Nakata's later films. The final scenes are quite chilling, with a bit of a nod to Murnau, what with the door opening by itself ands the ghost entering the room, reminds me immediatly of
NOSFERATU. A chilling movie that will make think twice about going up to a catwalk.


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this movie is practically impossible to describe. the alternate title "Don't Look Up" is a lot more descriptive. Like most Japanese cinema, the story is not as linear as American. The story revolves around a director who is filming a story about a ww2 deserter. The set is haunted(?) by an actress who died(?) during the filming of a tv show back in the 60s. the director is the ONLY one who saw this show. if you have seen Ringu (the director Hideo Nakata is the same) and liked it, you'll like ghost actress. i loved ghost actress a lot more than ringu. a truly scary and disturbing movie. a 10!


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I really enjoyed this debut by Ring director, Hideo Nakata. If you've seen Ring beforehand then you'll be familiar with the style and idea of this flick. It's got a subtle spookiness about it that works better than the constant (and predictable) stingers that infest most mainstream movies of this genre. If you like films that give you the chills, then you will probably like this one. A good, creepy debut by Hideo Nakata. 8/10


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Not on the same level as Ring (or Ring 2) but still a good Japanese horror flick nonetheless. I wish North American horror producers would take a page out of the Japanese horror template and put more 'spookiness' and less cheap shocks in their flicks. Lots of good examples in this one, scenes where a whited out face is scene staring behind a young actress, photographs on a wall are suddenly glimpsed smiling, just for a second, and more. Worth checking out if you like the genre.


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For his first ever debut this film has some riveting and chilling moments. In the best horror film fashion the pit of your stomach tightens every moment during this film. The ending is superb. The makers of Blaire Witch obviously watched this film it's ending wasn't an end but a beginning of the end. A great movie and only a piece of Japan's great as far as scare factor a perfect score it makes you think and scared out of your mind.


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Before the regular comments, my main curiosity about THIS IS NOT A LOVE SONG is that while there's a running time listed on IMDb of 94 minutes, the DVD from Wellspring Media in the United States runs 88 minutes. Any input on this is appreciated!
Two friends with very rough lives take on the road for an adventure. What they wind up in is just that, with one accidentally shooting a girl and the two escaping by foot into the countryside. Rather than just a big chase, the film is complicated by the the daft and rather childlike Spike behaving inappropriately, and clutching his boom box like a teddy bear. Some viewers may dislike the story based solely upon the character Spike, but without a bit of frustration added to the story, the film would have been too easy. You'll notice the way the more stable character Heaton refers to Spike as "big man" in contrast to Spike's "kid out of control" attitude and behavior. Frankly, I too was aggravated by Spike's ridiculous actions, especially the spray can sniffing, but in a desperate situation it's apparent someone of his mentality would choose an temporary escape. But, Heaton was there to keep things in check up until things get way over his head as well.
Kenny Glenaan as Heaton is a marvel, and after a while I quit wondering why in the heck he would want to pick Spike up from prison and continue a friendship, due to Glenaan's great performance. After all, there are many many reasons during their run that would be a good idea for Heaton to just ditch Spike and try to save himself. I suppose Heaton felt like a protective older brother to Spike, and the loyalty between the two is hard to break -- until things get too desperate.
While some of the cinematography is indeed artsy, it does offer more flavor to story instead of just shots of the men running through the wilderness. The beautiful landscapes, rain, and vast gray skies offer a somber tone that increases the feel of the tragic circumstances. The score is unusual as well, and the use of Public Image Ltd.'s song "This Is Not A Love Song" and as the title of the film is quite smart.
Overall, it's understandable if you don't care for THIS IS NOT A LOVE SONG as it's focused on two contrasting personalities escaping from another man determined to hunt them down (played by a cool, quiet David Bradley). It's not big-budget action entertainment. For the rest of us that enjoy seeking out something minimal and dramatic, it's time worthwhile spent, and it DOES offer some extremely tense moments that have you holding your breath a bit.
I'm really enjoying the films coming out of Scotland recently, with the likes of this one, Dog Soldiers, and The Devil's Tattoo. I'm also a bit thankful for the subtitles offered on this DVD, as the accents are sometimes lightning fast and difficult for some viewers like me to understand.
Frustrating, dark, and often tense, THIS IS NOT A LOVE SONG is very tragic yet engrossing storytelling.



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"This Is Not A Love Song" is a brilliant example of the chase genre, which many people think has an underlying meaning. The love between the two main characters may be more than fraternal. I believe that Heaton is in love with Spike, but Spike is too naive to see this.
I really feel this is portrayed with such scenes as the blow back and letter writing sequences. Heaton shows great intimacy towards Spike. With intense facial expressions and how he takes great care in writing Spike's name on the top of his letters.
One thing I've noticed when looking at external reviews, is that when the film has been slated, the reviewer seems to have not fully understood the film, as they haven't even mentioned the possibility of Heaton having sexual feelings for Spike. I also get the feeling that some of the reviewers haven't recognised it, when they use phrases like: "Who is Heaton? What's he doing with a retard like Spike?" This person, however may have hit the nail on the head with their remark. Spike shows noticeable signs of having A.D.D, although I don't think this person has realised this, as he seems to be using the word "retard" as a derogatory term.
I really enjoyed this film. Although it is not for the faint hearted. The film is exceedingly character based, after the shooting until the end there isn't much but dialogue between the two anti-heroes. Unless you are used to watching such deep, gritty films, stay well away.


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A suspenseful thriller that bears some resemblance to Deliverance as for scenery and setting. There are also some very innovatively shot scenes and good music, although the daftness and sometimes seemingly careless attitude of one of the characters is unfitting to the situation, although this is not a mayor problem. It also poses interesting questions about justness of revenge and limits of friendship.



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Some have compared this film to Deliverance. I believe Of Mice and Men is more appropriate. Our leading man, Heaton, definitely loves Spike. It is irrelevant and immaterial whether that is a sexual love. It is the reason Heaton does not leave Spike. He needs him. They need each other. As brothers, as family, as their only connection to humanity. The setting, scenario, minimal cast all add up to a fine film. Frankly, I did not care what happened to the characters. But, I did care about what the film maker did with them. He did well with them. I spent some time wondering how the ending would resemble Of Mice and Men. The soundtrack and cinematography were compelling and intriguing.


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Personally I couldn't get into 'This is Not a Love Song', its a brilliant film and there's a great story line to it, I just found myself checking the time on my phone every two minuets to see how much was left of the film.
I love the relationship between Spike and Heaton, there that close they depend on each other to get along in life. At the same time I wish the relationship was more than what it is. Heaton is in love with spike, but Spike Ibsen't in love with Heaton, or he doesn't know how to love him. The acts of betrayal, on both parts, have a big effect on the two men. They are both devastated by the fact that the other ran away and abandoned them, at a time when they truly needed each other for survival.


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i think the team behind this film did a very good job with the limitations they had. only £300,000 and 7 weeks to write, film and edit the whole thing which i think is an achievement in itself. although this film is not for the masses (as a young innocent teenage girl is killed and there is homo-eroticism involved in the story) i think that this film is a heart wrenching tragedy and the more deeply involved you get in the story, the more sadness you feel. more so towards Heaton because of the love he feels but is not returned.
this is one of my favourite British films that i enjoyed very much and would watch again. i think that it's a shame that is film is not very well heard of at all.


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I am currently doing film studies at A.S level and "this is not a love song" is a film we watched and in my opinion it is a film with a very simple storyline but a complex back-story. If you scratch the surface you will find a thriller-chase film of two men running through the countryside from farmers, after committing a murder:-"sounds quite exiting".
However you need to dig deeper to uncover the true feeling of the true genre. As it is suggested, it is a love story between two homosexual lovers, filled with trust, deceit and betrayal. We are not told about this "love" directly through the film but the events that happen through out, for example the way Heaton acts towards Spike almost screams this untouched love affair in our faces.
Overall this film is a good example of why British films should not be dismissed as "rubbish" just because they are done on a low budget.
A Good film with an intricate story line, however it is definitely an acquired taste and is possibly not suitable for the average fan of Hollywood blockbusters.


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This is a film that the mainstream market will probably never be able to access as it doesn't exactly give the viewer easy watching. The story about troubled Spike and his friend Heaton is not exactly a Friday night film yet it has its own unique edge and I found that it was entertaining. There are moments of brilliance given that the film was shot on such a low budget, such as when Spike inhales the aerosol. However I did not really understand the relationship between Spike and Heaton and to be honest it made me spend most of the film trying to work it out. And also I did not like the fact that most of the film is spent with the two friends talking and not really much "action". It is a small film that is complex to watch and that is what makes it appealing.


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I found this very touching as Spike and Heaton stay together all the way through this film not to say there isn't a few betrayals along the way. I thought the chase was put aside the relationship between the two was foreground I think. I had already guessed that there were so gay intentions on the part of Heaton. My favourite scene had to be the bit where Heaton and Spike were stuck in the marsh and Spike runs off I generally thought Spike wasn't coming back. I have to say that if it wasn't for our film studies teacher making us watch this I would have probably never seen it. Overall I thought this film was pretty good and I would recommend it to any person who is a fan of British made films.


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It isn't always easy to explain what a movie is like, but this time I think I've found it. It reminded me of two movies: Trainspotting (small time criminals scoring some drugs and doing some stupid things in Schotland) and The Blair Witch Project (because of the style of filming).
It's about the loyalty between two friends, one of them is coming out of jail, the other one hasn't been caught yet. With a stolen vehicle they drive through the Scottish countryside but than run out of petrol. As they try to find some fuel, they find a farm in the middle of nowhere. The farmer thinks they want to rob him and points a gun at one of them. Than it all goes wrong. One of the friends accidentally shoots the farmer's daughter and they have to run. What follows is a man hunt through the fields and woods of Schotland. The two friends literally have to run for their lives.
Apparently this movie was shot in only 12 days time. OK, that's not exactly unbelievable because the biggest part of it is always in the same place: the Scottish countryside, but I still find that quite amazing. Especially because this isn't actually a bad movie. It's perhaps not the greatest movie ever, but they still can be proud of what they achieved. I had a nice time watching it and overall I enjoyed the movie. I give it a 7/10.


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This is Not a Love Song.
My one word summary of this film would be `Excellent'.
It probably won't appeal to the mass movie watching public  it's a
film that forces you to participate. You observe, think, and question.
Comparisons could be made with Deliverance (Topic/Theme) and
perhaps with The Blair Witch Project for overall filming style.
However this film stands unique against both.
The cinematography effects (solarisation, freeze frame, blur etc)
have been seen before but they are used most effectively in this
film to underpin the natural tension of the story.
Acting is raw, menacing and utterly believable.
The real theme of the film is about friendship; the title really gives
the game away. It's probably not the kind of friendship that most of
us have experienced or indeed would want to.
It is a love song.


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What a fun filled, sexy movie! They certainly don't make them like this anymore. 4 sexy au pairs arrive in London and have all sorts of sexual misadventures. The tone is oddly innocent, as the considerable nudity evolves out of stock farcical situations, rather than any overt sexual desire on the part of the characters. It is only when the actresses accidentally lose their clothes that the male characters become rampant. Richard O' Sullivan literally gets 'Randi'(sic). The film certainly betrays the origins of the softcore feature as lying in the nudie cuties and naturism films of the old school. My special interest in 'Au Pair Girls' is that I am a huge fan of Gabrielle Drake. If any actress has ever looked better naked (she's slim but wonderfully curvy), or clothed, come to that (I've loved her since the original run of UFO - who else could carry off a purple wig!), I'll eat my hat.


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This film would usually classify as the worst movie production ever. Ever. But in my opinion it is possibly the funniest. The horrifying direction and screenplay makes this film priceless. I bought the movie whilst sifting through the bargain DVD's at my local pound shop. Me and some friends then watched it, admittedly whilst rather drunk. It soon occurred that this wasn't any normal film. Instead a priceless relic of what will probably be James Cahill's last film. At first we were confused and were screaming for the DVD player to be turned off but thankfully in our abnormal state no-one could be bothered. Instead we watched the film right through. At the end we soon realised we had found any wasters dream, something that you can acceptably laugh at for hours, whilst laughing for all the wrong reasons. We soon showed all our other friends and they too agreed, this wasn't a work of abysmal film. This was a film that you can truly wet yourself laughing at. This was a film that anyone can enjoy. This was genius.


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wow! this is a good movie! The acting wasn't good at all, but if you look at some moments in the film, rewind, and watch it again, it is genius! The man in the begin of the film walks with his suitcase against a three. WOW!I never expected that. Then he puts the coke in a suitcase and runs away. I bet that smoking guy against that three was one of his mates who sold the drugs later. And the genius quotes: ''nice shades, i need a pair'' ''their yours.. if you think you can take them..''.. just Brilliant! And the fighting is the best i've seen in a while. Look at the second guy he takes down after he hit the head of the first guy against the table. WHAT A HIT! And in the middle of the film, one guy in a car shot one time, then 3 guys fall, he is really good at aiming. It costs a lot of money to hire these guys like him. The end was brilliant, it was so exciting that james cahill walks 5 minutes up and down the stairs and shoot jason peters after his distraction moves. Jason Peters falls down, and roll over again while he is dead! I can't say with more words how great this movie is!


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