empathielabs/imbd_dataset_v0 huggingface dataset:
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I watched the Canadian videotape of this movie as "The Witching" which somehow made its way to New York State. Audio was quite bad, I had to raise it to about 7/8 just to hear it and the soundtrack often was overwhelming the dialog. Orson Welles was a mumbler, worse than usual, and some of his dialog and of others was run through an echo chamber. A ghostly figure who keeps reappearing had her voice distorted. Some closed captions would really have helped!
A group of witches or satanists (the end credits say the group was not meant to represent any real group!) have a ritual in which they get naked and cause a miscarriage by stabbing a doll. The woman who had the miscarriage and her husband move to a town named "Lilith," where he's been offered a job at a toy factory. Despite one of the AKAs of this movie apparently being "The Toy Factory," we never see it, and it's only occasionally referred to at all.
On the way to Lilith, her husband gets impatient with some of her questions about what his new boss Mr. Cato wanted to know about their religious persuasion. He drives aggressively, and causes another car to go off the road and blow up. After the police arrive, she takes a doll that fell out of the car, the second of many handmade dolls in the movie.
It turns out Mr. Cato and all the townspeople are witches, and that they are the ones who caused her miscarriage, though she doesn't realize it. They want her because she has an innate talent for necromancy, of which she was not really aware.
Some images in the movie have some impact, but on the whole the movie is not very involving. The movie does seem a bit of a mess, and this is no doubt largely due to its re- editing and the addition of new footage. The original version, according to the end credits, was called Necromancy - A Life for a Life. The magic of DVD could let us see both versions on one disc, but re-releasing this movie probably isn't a priority.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
For starters and for the record, the term "Necromancy" describes the black magic art of bringing the dead back to life and it does NOT, in any way, relate to having sex with cadavers. That is called necrophilia and, yes, I know it's an obvious difference but I'm already getting a lot of remarks from acquaintances and relatives that I sport a perverted taste in movies! This movie is quite the opposite of perverted or sleazy, in fact, and merely just qualifies as boring, inept and terribly bad. "Necromancy" makes at least one top five ranking, namely in the list of most incoherent movies ever made! Now, director Bert I. Gordon is not exactly famous for delivering masterpieces (on his repertoire there are titles like "Earth vs. the Spider", "King Dinosaur" and "Food of the Gods") but he really surpassed himself here with a totally senseless, redundant and utterly nonsensical tale about witchcraft and secretive little towns. Shortly after the tragic experience of seeing their baby being born dead, Lori and her husband Frank move to the quiet little town of Lillith, where Frank suddenly got offered a prominent job in a toy factory. Lori is suspicious and senses an atmosphere of morbidity, especially with the town's patriarch and "owner" Mr. Cato behaving very obtrusive and mysterious. That's another thing. How can anybody "own" a town and everybody in it? Either way, Lori gradually discovers that everybody in Lillith is a witch and Mr. Cato exclusively lured her to the town because of her supernatural ability to resurrect the dead. Since many years already, Cato has been trying to bring his deceased son back to life and he's prepared to make any human sacrifice it takes. I honestly don't see the point of the whole movie. It's a blatant rip-off of "Rosemary's Baby"  one of the alternate titles even is "Rosemary's Disciples"  but the script is muddled and imbecilic beyond belief. Why isn't anyone allowed to have children for as long as Cato's son remains dead? That's just really selfish! When, where and how did Lori suddenly learn to resurrect the dead? "Necromancy" definitely contains a few genuinely uncanny and atmospheric moments, but these are unwarily accomplished either by complete coincidence or through a total lack of budget. The grainy photography provides the film with an eerie ambiance and the set pieces look cheap enough to be creepy. Orson Welles' performance  undoubtedly the low point of his career  is pitiable, and still it's the best aspect about the entire movie.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
When a film has no fewer than FIVE different titles, it usually means several things and almost always means that the film has major flaws somewhere. Necromancy has major flaws and is just out and out bad. I saw the version on video called Rosemary's Disciples. Yes, I am sure it differs from other versions, but I am not inclined to think that in any way is any other version and the few more minutes it might have - going to be really any better. The story is perhaps the biggest problem: the film opens with Laurie waking up and her husband taking her to a town where he has a new job at a toy factory for occultists(yep, it gets bad this early!). The town is called Lillith and has some guy with a rifle on the bridge to make sure only those selected by the "owner" of the town are allowed in. Soon we find that everyone living in Lillith is a witch and all follow the directives of Mr. Cato - the head of this municipal coven who wants his dead son back(hence the name Necromancy). The people in the town do witch kind of stuff - have ceremonies, some like wearing a goat's head, and promiscuity abounds(not much really shown in this area), but none of these people are very good actors. Mr. Cato is played robustly by the figuratively and literally larger-than-life movie maverick Orson Welles. Welles is misused, but, make no mistake, he is the best thing in this movie. And that is really the saddest part of Necromancy as Welles gives a pretty poor and pedestrian performance with little directorial guidance. In one scene at a party, director Bert I Gordon keeps going back to Welles watching the action of the party using the exact same frames! It looked ridiculous. As did the scene that was repeatedly seen over and over again of a woman's arm centered in swirling flames after a car crash. It looked like the arm of a shop mannequin. The story is never fully utilized as we never really know what happens: many scenes are shot like dreams or hallucinations and never confirmed. This also applies to the corny, hokey ending. The lead Pamela Franklin is pert and pretty and has some talent. Other than her performance, real slim pickings from the rest of the cast sans Welles. The direction and story were both done by Gordon who obviously had little gas left in the engine. This is not a good movie in any way under any name.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Ok, I've seen plenty of movies dealing with witches and the occult but this one was just plain weird. This movie starts out as this cult of witches led by a really bad Orson Wells playing the staring role (couldn't they have gotten somebody that looked and acted more like a Satanist) he just did not belong in this movie at all. But anyhow, the coven takes a new member and stabs a doll that resembles somebody and makes her have a miscarrage. The lady that had the miscarrage and her husband go off to a place called Lillith on busness and the lady meanwhile is seeing an image of her sister or whoever it is calling to her and warning her to stay away from there and to never use her powers there or she will die. The couple after they get settled down in the strange town discover that all the inhabitants are all witches and she becomes nosey and afraid of all of her neighbors and friends. Then strange things start to happen as the lady discovers a funeral taking place on a hill that suddenly disapears (that was creepy) as well as seeing the little boy belonging to Orson Wells at the playgroud that he later asks the lady to help him bring back to life. The lady soon tries to escape the town but only to find herself traped by it's inhabitants and powers and finds herself ignoring all of what the spirit tries to warn her about. This movie is ok, it's has it's moments of suspense but it really could have done much better than to have Orson in there.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
"Ambushed" is no ordinary action flick. It's much to bad to be ordinary. One man walks toward another with a machine gun blazing. The other man fires one round and fells the man with the greater fire power without so much as a nick from the hail of lead raining down on him. Guess which one is the good guy. Duh. Such is "Ambushed" through and through. Not a good action flick, not a good drama, not a good movie, "Ambushed" fails on all levels with it's cast of B-movie veterans mechanically going through the motions almost as though they know they're making a real loser. Not recommended for anyone.



assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I don't know what it is with these Brady kids. First, Barry Williams publicly brags about having sexy with his TV sister, Maureen McCormick, then about dating his TV mom, Florence Hederson. Then, Susan (Cindy) Olsen does music for a bunch of porno movies. Then Mike (Bobby) Lookinland gets in trouble for drunk driving. Finally, Maureen (Marcia) McCormick and Eve (Jan) Plum might have had a little same-sex fling on the side. Now, Christopher (Peter) Knight is pursued by a beautiful young model in her early-20s during his stint on "The Surreal Life", which at first was fun to watch, and now they are married and in a very volatile and hostile relationship. The last episode, where she posed for a bunch of nude photographs with another naked girl for a scrapbook to give to Christopher for his birthday, was not a good move on her part. And he dealt with it in a very mature fashion, just picking up and leaving to clear his head. I think he was always bowing to her every need and now he's finally taking a stand. And I hate to say it, but I think she abuses him, verbally. The way she was torturing him for an engagement ring and the way she reams him for every little thing. Also she talks openly about having flings with other women and it is obvious she still sleeps around on him with women and men, which is not something any self-respecting human being should do when already married to someone. If this were a man talking down to his wife like that, and going out every night partying and having sex with other people, everyone would be rallying behind the wife to leave him. Why should this be any different. What started out as a cute little crush on another reality show blossomed into a huge disaster. Adrianne, as beautiful as she is, is like another Britney Spears and Lindsay Lohan, clearly in need of some therapy because she cries like a baby over so many silly things. I feel sorry for her, but Chris needs to rid himself of her, because he is a good man who cannot afford to be humiliated like this.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I loved Adrianne Curry before this show. I thought she was great on Top Model and was really glad when she won. I also liked Chris Knight, he seems like a great guy. But this show just made me SICK! I'm so angry at both of them for what happened on that show. I don't care that they were different ages, I know age can't stand between love. But Adrianne, you had been together for ONLY SEVEN MONTHS. It didn't surprise me at all that he hadn't proposed. And I don't see the appeal of forcing someone to marry you before they're ready. If it's meant to be, then why not just ENJOY each other's company and love each other, and let it come naturally? Turning a wedding ring into a ball and chain was completely unnecessary, it's stupidly obvious that Chris loves you, with or without a ring. And Chris, shame on you for breaking down and proposing to her anyway! You've been through two failed marriages, how could you rush into another one just because she pitched a fit? I hope the relationship lasts, but I really feel that the marriage was rushed and for all the wrong reasons. Maybe now they can take a breath and find the right reasons to be married from within the marriage.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I do not watch much television and came across this show. Reality show? I sure hope this is not for real. If I was a man and had such a nag and was married to someone so snotty, It would be grounds for divorce. I think she sets a bad example of how a person should treat a person they love. That is one thing that is wrong with our world now, so many people in bad relationships, selfish and do not know the meaning of what it is to truly love another. It is self sacrificing and not something that should be on merritt. That does not give one a very good feeling, to watch what should be in private counseling. If his personality on the show is for real, then he deserves someone much better that would show real true love and care for him and appreciate him for who he is. Is this show a reality or made up for ratings???? I really would like to know. Sincerely, GB


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Adrianne, should really get a life-without Mr. "Brady". She nauseates me, and has been one of the main reasons why I know longer tune in to the show. It's pretty brainless show, and every little argument or disagreement seems to be put under the scope and analyzed to death. This makes them look/sound they are anything but ready for marriage, and yet, I know these disagreements are all part of life. I guess to some people this is entertainment. If this happens to fall into next season I will feel sorry for anyone who has nothing better to do with their life but watch this trash. Though I would not be terribly surprised. can't even stand the commercials for this show anymore! I hope they're getting enough money to constantly embarrass themselves in front of a camera week after week. However, the "A" girl has one heck of great butt!


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I give this marriage 3 years and thats stretching it. Adrianne Curry is fouled mouth, spoiled, controlling, loud, and her bi sexual past makes me laugh. She tells Chris he has an image to protect and must avoid strip clubs. He married her. Chris has low self esteem and from a different time warp. I have nothing against Adrianne Curry but this combination is not gonna have a happy ever after ending. Her mother said he was an old rooster and thinks this is his last attempt to recapture his youth. Here 2 very good people who are gonna end up in a nasty divorce. I don't think his old " Brady Family" is gonna fit into his new life. I see them being shut out. Chris said his friends were more important than his family. The supported him and was there for him.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I really wanted to like this movie. It has a nice prison setting, conspiracy theories, bloodthirsty zombies, a perfectly hideous 80s-touch and it is a directorial effort by actor John Saxon, who also plays a bad (you guessed it) a bad guy. It reminds me of some (beloved) Italian horror flicks. But the direction is very wooden and there is no nightmarish/frightening moment in there. It just goes on and on and on, and then it (logically) has to end. More suspense and more daring visuals and its destiny as a cult classic would have been sealed.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
If you made a genre flick in the late 80s, you basically had a 50/50 chance it would either be set underwater or in a prison (sadly, we never got an underwater prison flick). Framed for murder by mafia boss Moretti (Anthony Franciosa), Derek Keillor (Dennis Cole) ends up on death row, right alongside the mob boss' brother Frankie (Frank Sarcinello Jr.). But this is the least of Derek's problems as rogue government agent (and mob stoolie) Col. Burgess (John Saxon, who also directs) is using the prison as a testing ground for a new supervirus. This is the only flick Saxon directed during his storied career. For a guy who has worked with tons of directors, it appears the only ones he picked up any tips from were the cheap-o Italian ones. Sure, it is low budget, but that can't excuse the stilted staging, shooting gaffes, or clumsy exposition in the first 15 minutes. To his credit, Saxon did make it slightly gory and he works in a hilarious nude scene (our lead falls asleep during a prison riot only to fantasize about a female scientist). Cole, who looks like a more rugged Jan-Michael Vincent, is decent as the stoic lead and Franciosa - sporting a really bad rug - gives it his all as the cliché mob boss. The end takes place at Marty McKee's favorite location, Bronson Canyon. Retromedia released this on DVD as ZOMBIE DEATH HOUSE.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I myself am a big fan of low-budget 80's horror films. This isn't the worst but still not to spectacular. The plot line is decent but drags out way too long. You're through half the movie before you even get to see any zombie action. The kills aren't very creative and the zombies aren't too crafty. I truly think this movie would have been better if they left out the zombies and just made it into some mafia flick. It's watchable but I feel that this film did steal at least an hour of my life. I'll give the film credit for being somewhat original. If you are really into B horror movies it's worth a viewing but if you're not, don't bother. But you don't have to take my word for it.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
*Contains some spoilers* This movie is cheesy 80s horror in all its awfulness. The plot takes way too long to get off the ground, never steadies itself, and then just plain crashes about 40 minutes into the film. There are a few gem moments for zombie fans, but not nearly enough zombies to create a real sense of terror.
The zombies also take a long time to make their appearance. First, there's a whole half of a movie about mobs and prison gangs. The hero of the movie is an ex-Vietnam vet who gets caught up in the mob. The main mob boss sets him up and he goes to jail. In this jail, they are experimenting on the prisoners to find a way to cure them of homicidal tendencies and criminal behavior. But the badie psychotic head scientist/military guy has other plans in mind. He wants to use a slightly different version of the serum to make ....da da da.... super soldiers! After some infected prisoners kill a few guards and most of the prison has a round of infected communion wine, the military/crazy scientist guy goes "hey this might be a problem" and gives a call to the genius scientist turned investigative journalist hot babe ultra-empowered independent woman character, who of course invented the original serum. She goes to the prison to see what's going down, the military guy calls in a few SWAT teams from his secure position outside the prison, and the hero guy takes charge of the few prisoners with a heart of gold when a riot breaks out. The hero guy and the scientist/journalist lady team up to find a cure, save the warden's kids, and deal with some irate prisoners, both infected and not. Meanwhile, the mob boss guy has made a deal to get into the prison so that he can save his imprisoned brother. The military gets ready to blow the place up, and everyone inside scrambles to find a way out.
There are a lot of gory scenes where people are killed by being pressed or pulled through prison bars. There's also a creepy decapitation scene and electrocution scene involving the same infected rasta prisoner. Still, the most disturbing scene is in the early part of the film, when a gross corrupt guard rapes a prisoner.
The main highlight of this film is one scene towards the end. The hero, woman, and kids are trying to make their way to the only escape route. Their path leads them to a long hallway, on one side there is a wall and on the other are prison bars. Hundreds of bloody zombie hands reach through, gracing their hair and faces as they pass by. There's also a few good scenes of the classic "couple of zombies munching on freshly dead bodies" and "many zombies ripping one guy to shreds" bits.
Overall, worth watching if you're researching the zombie genre as it has so many zombie clichés worth noting; it's practically an instruction manual on what not to do when making a zombie movie. But if you're new to zombie flicks and want a real scare, you should look elsewhere.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
After mob boss Vic Moretti (late great Anthony Franciosa) kills his lady whom has been cheating on him with Derek, their new chauffeur/ Vietnam vet, and blames it on the poor guy, Derek finds himself in jail where he has to contend with a corrupt warden, Vic's prisoner brother who runs the jail, and, oh yeah illegal experiments conducted by a shady CIA agent (great genre-mainstay and first time director John Saxon) to turn various prisoners into super-human invincible zombies. Of course things get out of hand and it's up to Derek, and the rest of the unchanged prisoners, to save the day after the infected ones take the jail over.
John Saxon is a great talented actor & as a director Saxon is a... great talented actor. To say this movie (John's sole directorial outing to date) lacks a certain visual flair would be a bit of an understatement. However, the film isn't totally without merit. The dialog, while idiotic, is just bad enough to be humorous sometimes. Sadly, this isn't really enough for the movie to coast by on that alone and it takes forever for the film to even start coming into it's own (which is fairly late in the movie). As such, the most I can recommend this film is to say that if you're a fan of Saxon (which I indeed am), it's worth one watch, just go in with low expectations and you should be fine.
Eye Candy: Dana Lis Mason and Tane McClure get topless
My Grade: D+


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I love John Saxon in anything he's in. The one time he takes over the camera though he directs a movie that should have more aptly been been titled "Please Do Not Watch This Movie Called: Zombie Death House". The $1000 dollar Shock Insurance Certificate is dear Fred Olen Ray's tricky way of making you spend 14 dollars on a filmed dump churned out by a major 70's cheese legend. Ray being the front man at RetroMedia. Ray by the way makes Charles Band look hotter than stucco ceilings on a Ford Falcon. Just plain bad now, the both of them- and boring besides. It's great that Ray is digging up this old stuff and in some cases it's public domain like the rest of the dollar video hucksters but in the case of Zombie Death House- (the word "Zombie" sloppily superimposed to add ownership and interest on the part of F.O.R.) THE ONLY WAY TO DO SERVICE TO THIS TRIPE IS TO RELEASE IT ON THE DOLLAR MARKET FOR THE CURIOUS COLLECTOR AND FANS OF SAXON!!! If you wanna see real Saxon, pick up Black Christmas, Nightmare on Elm Street or The Glove.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
It seems like this is the only film that John Saxon ever directed, and that he had the good sense to stop after that and stay in front of the camera. This movie is a dog, from start to finish, and it's dull and wooden with nothing much going for it. A Viet Nam war hero takes a job working for a mob boss, gets a bit too friendly with the wife and then the wife is killed by the mob boss himself & the war hero framed and sent to prison, death row, specifically. Now, this particular prison has been experimenting on inmates and is testing some formula that will turn men into the ultimate killing machine (a zombie). Of course, everything goes wrong and then there's all these infected people trapped in the prison, some of whom are turning into zombies and the rest who suddenly just don't want to be there anymore. This just goes on and on and on with nothing particularly much to show or say for itself, and I stopped it before the end, which seemed like it was coming a few times but no, it was apparently only getting set to take off on a different and equally dull path. If one watched to the end they may well become a zombie themselves, so don't risk it. 2 out of 10.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Why watch this? There is only one reason and that is for the greatness of John Saxon. I love his acting. My most favorite appearances by him are in Nightmare On Elm Street 1,3, and 7 as Nancy's father a cop, Black Christmas as a cop, and From Dusk Till Dawn again as a cop. When I was rummaging through my local mall video outlet I came across the film Zombie Death House and I quickly tossed it back but before moving on I noticed that John Saxon was not only an actor in this film but for the first time that I have ever heard of a director. This intrigued me (Also the cheap $9.00 price tag) and I and I had to have it. Upon coming home I realized that this film did not live up to Saxon's other work even his acting, which may have been muddled by the added pressures of directing. But it was not just him the other actors sucked too. It seemed as if they had all been pulled out of a recent porno shoot and told now guys you really have to act. The film even looks of 80's porn quality. I cannot in good faith recommend this film to casual viewers, but if you are an obsessed fan of the 80's who missed out on the culture that came from that era by being born to late, or a fan of crap films than this one is for. Also if you dig John Saxon as I do.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
It's been close to ten years since I've seen either of the last two sequels to "Phantasm" - surely due to my still vivid remembrance of them not being very good. That being acknowledged to this day, I'm still a huge fan of the first two installments so I thought I'd go back and re-experience the 'final chapters'. Part three is definitely the worst of the series since it obviously takes itself less seriously and throws in a bunch of confusing stuff that doesn't make much sense... Again, kicking off right where the previous movie left us, Reggie saves Mike from the Tall Man who vows to come back for him later, but things aren't safe for long when they come across Jody who is inexplicably able to the take the form of a sphere. Apparently his soul is held prisoner by the Tall Man so Mike is then dragged into the sinister double-pronged Netherworld and Reg has to find him... Along the way, he meets up with a ten year-old kid and a nun-chuck wielding black chick named Rocky who assist him throughout his journey.
There's really nothing memorable about "Phantasm III" other than how stupid and forcefully "humorous" it tries to be. Only one positive aspect that didn't even help the movie and that was the return of A. Michael Baldwin and Bill Thornbury who reprise their roles for the first time since the original 1978 classic. The problem is, they pretty much make cameo appearances... Reggie Banister is of course back in his starring role, but his bumbling, love-sick attitude makes his presence far too annoying to like. Angus Scrimm also just didn't seem entirely "into" his role. He talks too much here and is nowhere near as menacing and creepy in contrast with the "quirkiness" that the movie seemed to carelessly resort to. Most people's opinion on this flick seem pretty impassive and tend to think "it's still entertaining". Maybe I'm just too much of a nit picker but I just couldn't get into this one. I remember disliking it when I was a kid and after re-watching it - I can safely say - nothing has changed. Don Coscarelli rocked the scene with his original low-budget, nightmarish, legendary film "Phantasm", which I still rank as my top favorite horror flick and his respectable sequel kept things moving and darkly surreal and GORY, but "Lord of the Dead" (stupid title) just looked too rushed and slapped together to me... The inclusion of the two new characters, Tim and Rocky (the only thing missing was Scrappy Doo!!), was a strong indication of Coscarelli running out of ideas and seeing how far he could ride the franchise...
So, it's a "Phantasm" movie with very little gore, nudity, and quadruple-barrel shot guns. Need I say more?


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Phantasm ....Class. Phantasm II.....awesome. Phantasm III.....erm.....terrible.
Even though i would love to stick up for this film, i quite simply can't. The movie seems to have "sold out". First bad signs come when the video has trailers for other films at the start (something the others did not). Also too many pointless characters, prime examples the kid (who is a crack shot, funny initially but soon you want him dead), the woman who uses karate to fight off the balls (erm not gonna work, or rather shouldn't) and the blooming zombies (what the hell are they doing there, there no link to them in the other Phatasms). Also there is a severe lack of midgets running about.
The only good bits are the cracking start and, of course, Reggie B.
(Possible SPOILER coming Up)
To me this film seems like a filler between II and IV as extra characters just leave at the end so can continue with main 4 in IV.
Overall very, VERY disappointing. 3 / 10


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
*spoliers* do not read any further if you haven't seen this movie
Picking up after the depressing "Phantasm II" ended; The Tall Man kidnaps Mike, while Reggie and new kid Tim spend most of the rest of the movie trying to get him back, and not end up as slaves on the Tall Man's "Red Planet". This one gets really silly: the trio of thieves in the bright pink hearse were only there for comic relief, and the black karate chick (can't remember her name) was so irritating I couldn't wait to see if the Tall Man killed her character. This one sets it up to almost look like it was going to be Tim's character, who comes in late and ultimately is the hero, but ... it doesn't quite work out that way. By the very end of this story Liz is beheaded by the killer midgets, Mike gets a silver sphere implanted into his skull, the spheres get Reggie and the dwarfs get Tim, and there's no one left to stop The Tall Man. The bad guy wins - now how's that for a surprise twist at the end?
This was filmed in 1993 and unreleased until '95, and the ending of this one was at the time final, and although it's disappointing and anticlimactic it was also a fitting and appropriate ending for this weird little series. But the fourth one changes this ending and adds nothing new but more bad jokes, and an even worse and more nonsensical ending ...
*1/2 out of ****


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I loathed this film. The original Phantasm had such wonderful ambiance and mystery. Like many 70s horror flicks, it looked and felt like some creepy, unfinished documentary. Phantasm II, from the late 80s, pumped up the action, but maintained this nice attention to mood. Sadly, Phantasm III is just awful. It tediously explains all of the weird happenings in the previous films, which diminishes rather than expands their power. It shamelessly degrades imagery from the first Phantasm like a cheap reenactment of the original. There are so many flying spheres in this movie that they seem more like household pests than menacing death orbs. Hundreds hang from the ceiling like Christmas balls swaying in the draft. Didn't anyone-- the prop master, the DP, the editor, the director-- notice or care that they looked so crummy? Even worse, Phantasm III presents one corny, unfunny joke after another. How different from the intensity of the first film. The original Phantasm used humor to relieve its relentless focus on death. Phantasm III uses death to set up countless cheap jokes about Reggie's horniness: several refer to the film's "flying balls" ha-ha, oh, I get it, balls. Maybe the crew got a kick out of these jokes, but they are on us.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
"Phantasm" of 1979 was a highly atmospheric, creepy, scary and very original Horror flick, and, in one word, cult. The first sequel of 1988 was gory, witty, action-packed and highly entertaining. After the first sequel however, "Phantasm" creator Don Coscarelly apparently lacked new ideas. "Phantasm III - Lord Of The Dead" of 1994 is certainly not a complete failure, it even is quite entertaining, but there is no more originality, and the desperate attempts to bring in something new, are at times tiresome, which makes it quite disappointing in comparison to its predecessors.
- SPOILERS -
Quite in the beginning, we are introduced the secret behind the mysterious sentinel spheres (the brain-sucking flying silver balls) is unraveled. Thenceforward, a number of unnecessary and annoying new characters (such as Tim, a "Home Alone"-style little kid who happens to be great at shooting, an Rocky, a tough and super-cool nunchaku-swinging black chick with a crew cut) are introduced. The film also has its qualities - Reggie Bannister is again very cool as the pony-tailed, guitar playing Reggie. Angus Scrimm is still quite creepy as the Tall Man, but the fact that the Tall Man talks a lot more in this film, makes him loose some of his creepiness. The character of Mike is played by A. Michael Baldwin again (he had been replaced by James LeGros in Part 2), which, in my opinion, doesn't make much of a difference. The gore also keeps the film interesting enough to watch, but it is still a disappointment, especially because the attempts to make up for the lack of ideas get annoying quite quickly.
All things considered, "Phantasm III" is an acceptable time-waster, but it is definitely disappointing compared to its predecessors. Fans of the first two "Phantasm" films can give it a try, but I recommend not to set your expectations too high.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
In the third entry of the Phantasm series, Mike and Reggie continue chasing the Tall Man, assisted by a trigger-happy 9 year old, a black G.I. Jane and the spirit of Mike's deceased brother (he died in the original Phantasm). Number 3 is a rather disappointing sequel, since the gore and black comedy is a lot less inspired and exciting as it was in Phantasm II. I got the feeling the stress was merely laid on Reggie's incompetence as a lover and his talent as stand-up comedian. The humor in the previous film was a lot more dry and oppressed, which fits a story like this better. Also, the settings aren't as macabre here, plus the constant presence of the Tall Man (Agnus Schrim) isn't as obvious There still is plenty of gore but not half as satisfying this time. By the way, beware for the severely cut version as it shows most delightful killings off-screen. The entire Phantasm series is the lifetime achievement of Don Coscarelli, who wrote and directed 4 episodes so farthe fifth being in production. The first one is a semi-cult classic, the second is a horror-feast of gore and violence and the rest can easily be skipped. A. Michael Baldwin returns as Mike, even though James LeGros portrayed his character a lot better in Phantasm II.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This entry is certainly interesting for series fans (like myself), but yet it is mostly incomprehensible. The plot is confusing, as is the sequel continuity. Some striking effects, to be sure, but we never find out what it all really means.
Try to see the "NC-17" workprint version which contains the gore that was cut to be re-rated "R".


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I despise horror movies, that is no secret. No plot, bad acting and gallons of blood are staples of these mistakes of cinema, and this "movie" is no exception. I cannot believe some cable stations actually run this garbage. (This particular garbage was released straight-to-video, as I recall.) As mentioning any other movie would be a great insult to that other movie, I say this: All of the Phantasm movies, all of the Jason movies, Freddy movies, Chucky movies, and most of the Michael Myers movies can be summed up in one word: TERRIBLE!!!
Rating (Phantasm III): 0.5/10


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
So much is wrong with this abysmal little wet fart of a movie that it's hard to know where to begin.
First of all, it's a remarkably un-scary scary movie, even by Amercian standards. The dialogue is cliché, the characters are two-dimensional, the writing is ho-hum, and what little story there is is neither coherent nor remotely interesting.
We meet the following stereotypes in order: Balding Loser Guy (probably divorced, but who knows? This movie doesn't tell us) with a brave heart, the Young Hero (who doesn't do anything heroic at all), Brave Little Kid (with a homicidal streak a mile wide) and Black Bad-Ass Bitch (with more brawn than brains). These guys take up an ongoing fight with the Tall Scary Reaper Man and his evil Ewoks.
Oh, and the film is full of wicked little metal orbs whoosing around menacing people. Given a chance, they perform impromptu brain surgery on those who doen't have the mental acuity to duck when they come at them. Booh! Actually, one of them is haunted by a good ghost (but then again, it might be a deceitful spectre) who seems intent on helping our Brave Contagonists retrieve their young kidnapped friend.
There is no character background or even an introduction to any of the characters. It starts with some kind of recap of the ending of the previous movie, but this doesn't explain a lot. If you've seen the first two movies, fine. Otherwise you don't know who these people are, how they are related, why they aren't in school or at work, or why you should care whether they live or die. Consequently, you don't. The only point of interest becomes any splatter effects. And there aren't enough of those to keep you awake.
Of potenial interest/amusement are the three Raider Punks, as stupid as they are evil, who menace Our Heroes. But they don't get much screen time. They are offed almost immediately. Then they are buried (why anybody should take the time is beyond me), then they appear again as Evil Raider Punk Zombies. Only to be offed again, literally within a minute.
The rest of the movie mainly seems to consist of Caspar the Friendly Ghost appearing and disappearing, driving around looking for places, and Balding Loser trying to score som Bad Black Bitch Booty, using pickup lines that would embarrass a mentally retarded teenager. No dice there; not even some gratuitous sex could have saved this movie, so good thing there never is any.
The head baddie, called the Tall Man, doesn't manage to scare anyone older than 3 years; howling "Booooy!" every five minutes isn't enough. Why he, with his amazing telekinetic powers and uncanny upper-body strength, doesn't simply squash our heroes like bugs isn't explained. Instead, he delegates the job to his inept retarded little minions, who never manage to kill anyone before being shot to hell.
Filmgoers who like masterpieces like "Friday 13th part XXXXVIII: Jason goes to college" might find some entertainment. The rest of us, who have developed pubic hair, will be bored out of our skulls.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Beautiful attracts excellent idea, but ruined with a bad selection of the actors. The main character is a loser and his woman friend and his friend upset viewers. Apart from the first episode all the other become more boring and boring. First, it considers it illogical behavior. No one normal would not behave the way the main character behaves. It all represents a typical Halmark way to endear viewers to the reduced amount of intelligence. Does such a scenario, or the casting director and destroy this question is on Halmark producers. Cat is the main character is wonderful. The main character behaves according to his friend selfish.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This is yet another bad movie that you should probably avoid watching. The plot could be a lot "thicker" than it actually is and would be better made as a blockbuster type movie.
The acting leaves something to be desired, though you can not quite place your finger on what it is.
This is one of those that you watch on late night TV, perhaps on USA, simply because you can not get to sleep. Watch it if you want but do not expect too much from it.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
1st watched 12/24/2009  4 out of 10 (Dir-Robert Ellis Miller): Emotional Christmas fluff that doesn't really get specific enough to explain how the real story happened in this factual-based incident of a man who is wrongly put in jail trying to get a job for his family to make Christmas happen for them. The three kids in the family then run away from home on a trek to Washington D.C. to enlist the then President of the United States, Herbert Hoover. This trek provides some side stories like their positive encounters with a hobo and a puppeteer, which makes the story kind of like a Disney "animals on the run" movie and doesn't quite fit here. At the ending, there isn't any details given as to how the President helped the family and this is another downpoint to the movie, in my opinion. The movie does eventually bring tears, but it takes too long to get to this. The movie isn't supposed to have been an original TV movie(according to IMDb) but it has the obvious fade-outs that make it look this way  so I'm not sure their information is accurate. All in all, this is a simple movie(that could have been more complex) with a happy Christmas-like story but blandly played and without a lot of substance.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This might be the poorest example of amateur propaganda ever made. The writers and producers should study the German films of the thirties and forties. They knew how to sell. Even soviet-style clunky leader as god-like father-figure were better done. Disappointing. The loss of faith, regained in church at last second just in time for daddy to be "saved" by the Hoover/God was not too bad. Unfortunately, it seemed rushed and not nearly melodramatic enough. A few misty heavenlier shots of the angelical Hoover up in the corner of the screen-beaming and nodding- would have added a lot. The best aspect is Hoover only saving the deserving family and children WHO had "proven" their worth. Unfortunately, other poor homeless were portrayed as likable and even good- yet the Hoover-God doesn't help them. A better approach would have been shots of them drinking spirits to show the justice of their condition. Finally, bright and cheerful scenes of recovery (after Hoover saved the country from the depression) should have rolled at the end. We could see then how Hoover-God had saved not just THIS deserving family, but all the truly deserving. Amateurist at best.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I think this cartoon is one of the worst cartoons I have ever watched. I would recommend this cartoon to people who are under 5. I did used to like this show when I was 4 and 5, I still only watched it when there was nothing on. Now I am other 5 and I would rather do my homework than watch it. The cartoon used to be a bit funny but they were not enough to make me burst out laughing. Now I am older I am interested in show witch are not rated Us. I have started to watch Doctor Who (12A), Torchwood (15) and Sarah Jane Adventures (PG). I am interested in things to do with Doctor Who so I am not interested in 5 year old cartoons. This cartoon didn't last very long it only had 6 seasons, it got cancelled because of it was low on viewers but some people say it was because the writers ran out of ideas but for most other shows they have at least 8 seasons.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
In 2004, I liked it. Then it became very stupid. It suggests that kids are brainless. It insults children. Cartoon Network used to be great. One of the shows I liked was Hamtaro. It did manage to be interesting and imaginative in its approach to children programming. The show (Foster's Home for Imaginary Friends) is like putting 20 spoons of sugar in your Sprite. It seems as if today's television producers are only interested in making money, rather than engaging the imaginations of children and making money! Lately, my children are tuning in to the old shows (60's) to find something interesting to watch. Perhaps, in the absence of originality, for television to look to its past and recycle children's programing from days gone by.


assistant
0
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This is the worst show I have seen in years. I believe that it should be taken off of T.V. because of its retardedness. It is so dumb I could faint when I watch it. (even though I never watch it because it is SOOOOO poor)
Goofs: When mac says he can;t eat sugar, in another episode he eats sugar. Almost everything in the world has sugar in it!!! In episode "Eddie Monster" when eddy screams at Terrance he falls into the crate twice PLUS the seconed time he falls in he doesn't fall in, he falls off to the side. What stupidity. I can't even say the word Fosters Home. I even made a song with my band about how retarded this show is. Byyyyyyyyeeeee


assistant
0