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This is one of Disney's top five animated features, in my opinion. Cinderella was a perfect return to the full-length feature animation film (as opposed to the compilation films of the 40's), and expensive depth via the multi-plane camera returns to the film in no other way. Although Disney adapts the story somewhat liberally, you gather the idea of the era via the dress and set stylizations---a clear time period the story takes place.
Cinderella is more mature than Snow White, and a multi-dimensional character. Actually, all of the characters are somewhat well-developed, except for the Prince--left the most flat--we know he has a sense of humor, and a great smile, but that's about all. Like Snow White, Disney has some permanent impact on the story in popular culture---in most versions of Cinderella, the stepsisters are attractive, just not as pretty as Cinderella, and their character takes away from their otherwise nice appearance.
Favorite Disney additions: the mice! Also, appreciated the continuity--Cinderella always loses her shoe throughout the film. The addition of the homemade gown as well as the following assault from the stepsisters was always horrific as a child--I remember View Master showing this with a black background and a large red light on it! The broken slipper shows the unwillingness of evil Lady Tremaine to give up her hold over Cinderella and admit defeat---Audley would go on to characterize the most wicked of all Disney villains, satanic witch Maleficent, in Sleeping Beauty.


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In my opinion, this is an absolutely romantic Disney masterpiece. If you ask me, the stepmother (voice of Lucille La Verne) was truly diabolical. You'll have to see the movie if you want to know why. On the other hand, despite the fact that she did a lot of housekeeping, Cinderella (voice of Ilene Stanley) was a very beautiful lady. To me, the scenery was beautiful, the cast was well chosen, and the writing was strong. Before I wrap this up, I'd like to say that everyone involved in this film did very well. Now, in conclusion, I highly recommend this absolutely romantic Disney masterpiece to all of you who haven't seen it. You're in for a good time, so go to the video store, rent it or buy it, kick back with a friend, and watch it.


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Comment? Like my comment is necessary? We are talking about all time masterpiece, for all seasons and all generations. This is only type of movies that i still have patience to watch. In this, like in other Disney's movies is some kind of magic. All characters are in some way, "alive" and "real" so it's easy to understand message, even if you don't understand language, (like i didn't understood when i first watched movie, because i was about six years old). Maybe my English is not so good, but i learned what i know mostly from this kind of movies, and this is one more great dimension of this kind of movies, which in present time are rare. But there is a one big shame. In my country is now impossible to watch this, or any other Disney's movie! We don't have copyrights, so our children are disabled to enjoy and learn from this kind of movies. So, we will watch this movie again "Once upon a dream" or...?


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This movie is wonderful. It always has been always will be. I'm mean really what is better then a house maid falling in love. Walt really out did him self here. And the music! A dream is a wish your heart makes is beautiful! What else can you say besides terrific! I can't wait until the special edition comes out it will be so awesome! I can't wait to hear all of the deleted songs! This movie is done so beautiful and smart! It is lovely. What about the cute mice too! I know i keep saying the same things over and over and over again but hey this is a great movie! Woods was terrific in this beautiful beautiful BEAUTIFUL movie


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First off, I want to say, "Thanks, Disney, for finally releasing the "Cinderella" movie on DVD! Now you have all the Disney animated films on DVD (including the 1999 Limited Editions)! What are you going to do next? You're going to Disney World!!!!!" Well, technically (I mean, look at the castle!!!!!)
Anyways, Disney remains magical in his 1950 animated classic film "Cinderella," the movie that put fairy tale movies on the map. We are all familiar with the story of Cinderella, her stepsisters, her date, the glass slipper, the pumpkin that turns into a carriage just for saying "Bippity- boppity-boo!," and of course, trying to head home by midnight!
What I like about this film: It's a grand old fairy tale that children like, now in a movie form (as well as on DVD as well)!!!!!
"Cinderella" - thank you, Disney!!!!! 10 stars.


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First of all I need to say that I'm Portuguese and it's not usual to me spend my time watching Portuguese movies, probably one each year or even none...
...And the reason is the almost generalized idea between the Portuguese people that the national pictures are awful, really close to the worst ever made! However, in the last decade, it starts to surprises me when we get back the funny of the 40s when "Leão da Estrela" e "Costa do Castelo" were among the worlds best of their time, with movies like "Pulsação Zero" or "Sorte Nula", both from director Fernando Fragata and also with some actors and music in common.
This one is also good, not of the same kind because it isn't a true comedy; in fact it's officially a drama, a woman's drama the has some unexpected funny parts, cause of humorous characters or hilarious things that happen to them, like the hypothetical travel to the Caribbean just to get laid.
The plot works and can surprise us a few times; the actors are fine, the locations regular as the score; but the truth is that it all make sense, then we can count it as a nice effort for the national cinema, that seems to be starting from the ashes as the phoenix.
If you want to watch a Portuguese movie, surely you can take better option, but it stills one to be measured.


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I lost my father at a very young age.So young in fact,that I have no recollection of him.Over the years I have learned many things about him. One of those things was that he loved westerns,and watching Bonanza every Sunday evening was an absolute ritual for him.I,myself, remember the tail end of the series' run,having been 8 years old when the show ceased production in 1973.Watching this show over the years somehow makes me closer to my long ago lost father.It has all the right elements to make a show successful;laughter,tears,edge of your seat suspense,and it even angered you at times.My most vivid memory of the show's original run,came shortly after the death of our beloved "Hoss" Cartwright,Dan Blocker.One particular episode,and the end of the closing credits, flashed a picture of Blocker,and faded to black,and I can also recall my oldest sister with a tear in her eye at the sight of this.I can remember this as though it were yesterday.On behalf of my late father, who is not here to say so himself,we love Bonanza.Long live the Cartwrights.


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I grew up on this classic western series, and as a child always considered it a treat being allowed to stay up late on Sunday evenings to watch it. Bonanza is still infinitely re watchable in re runs.
The series chronicles the adventures of the Cartwright family, who live on a ranch near Virginia City, Nevada around the Civil War era. Their ranch (called the Ponderosa) is run and defended by the widowed father, Ben, and his unmarried three sons, Adam, Hoss, and Little Joe. These three brothers have different mothers, all of whom have passed away years earlier.
The Cartwrights are a hard working, prosperous, and honourable family, highly respected in those parts. The Ponderosa is large so reaching its extremities requires a lot of horseback riding. Also, trips away are often necessary in order to buy or sell cattle and so forth. Needless to say, few of these excursions pass uneventfully. Although hospitable, much of the Cartwrights' energy must be spent defending their ranch from interlopers, or protecting themselves from townsfolk jealous of their prosperity and stellar reputation. The Cartwrights do a fair bit of firing their guns up in the air and such, but only shoot to kill when deemed absolutely necessary. They are involved in various town affairs, even the political life of the Nevada territory.
One of the main assets of the series is the underlying warmth that is always present (despite occasional disagreements) between Ben and his three sons, and (despite frequent disagreements) between the three brothers. Now, one brother might beat up another every now and then, but generally has a good reason for it at the time and his anger never lasts long! The characters are all very well drawn. Ben is portrayed as a successful and noble man of great integrity. The oldest son, Adam, the most rational and suave of the brothers, left midway through the series. The middle brother, Hoss, is a gentle giant of a teddy bear, who has an insatiable appetite for food and is a little shy around the ladies. The youngest, Little Joe, is a hot headed, handsome charmer who, by contrast, has quite a way with women. This trio of brothers enjoy various romances but their love interests are typically killed off by the end of the episode or else marriage proves impossible, for whatever reason.
The actors are all stellar in their roles, including Pernell Roberts (Adam), Dan Blocker (Hoss), Michael Landon (Little Joe), and of course Lorne Greene as the principled family patriarch, Ben. I also love the ranch cook, Hop Sing, played by Victor Sen Yung.
This is a wonderful action packed western with great values. The Cartwrights are always the noble heroes and most of the bad guys quite villainous. If only there were more programs like this vintage western on TV these days!


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When I was born, this television series was the number one show on T.V.!! America epitomized the feat of the ultimate fatted calf country with big ambitions, limitless potential, and a very comfortable economy!! After a big Sunday dinner, why not sit back and watch "Bonanza", IN COLOR!!! This homey western evokes an American tradition which accompanies the complacency of the typical U.S. household during the era in which it was viewed.. The breathtaking cinematography of Lake Tahoe symbolized an infinite prosperity of the emerging American culture!! Western Movies were so popular that Western Television Shows followed suit!! This was a period in time in our country which yearned for a concise reflection on our own country's struggle for survival!! The end result of the trials and tribulations at the Ponderosa Ranch, as demonstrated in this series, sparked a realization that Americans are now auspiciously enjoying the fruits of the Cartwright's painstaking labor!!
The T.V. Show "Bonanza" was popular for so many different reasons, mostly on account of the fact that the late fifties and early sixties had not yet established the divisiveness of two different cultural mindsets which was ready to surface with our nation! The unification of ideologies in the United States which prevailed during the debut of "Bonanza" was a big reason for the show's success!! In the show's later years, "Bonanza" had established a firmly entrenched core market television audience!! The cast to "Bonanza" became famous, and the wholesome entertainment of "Bonanza" encompassed a camaraderie for the All-American idealist!! Everybody liked "Bonanza" and a lot of Americans totally loved it!! Reflecting on rough and tumble family values is a favorite past time of many Americans, and the television show "Bonanza" was perfect for that frame of mind!! I liked the show a lot, and most people I know like it as well!! Certainly, my entire family loved "Bonanza"!! This show was one of the all time American classics in the history of television!!


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It got to be a running joke around Bonanza about how fatal it was for any women to get involved with any Cartwright men. After all Ben Cartwright was three times a widower with a son by each marriage. And any woman who got involved with Adam, Hoss, and Little Joe were going to end up dying because we couldn't get rid of the formula of the widower and the three sons that started this classic TV western.
Perhaps if Bonanza were being done today the writers would have had revolving women characters who came in and out of the lives of the Cartwrights. People have relationships, some go good, some not so good, it's just life. And we're less demanding of our heroes today so if a relationship with one of them goes south we don't have to kill the character off to keep the survivor's nobility intact. But that's if Bonanza were done today.
But we were still expecting a lot from our western heroes and Bonanza though it took a while to take hold and a change of viewing time from NBC certainly helped, the secret of Bonanza's success was the noble patriarch Ben Cartwright and his stalwart sons. Ben Cartwright was THE ideal TV Dad in any genre you want to name. His whole life was spent in the hard work of building that immense Ponderosa spread for his three children. The kids were all different in personality, but all came together in a pinch.
The Cartwrights became and still are an American institution. I daresay more people cared about this family than the Kennedys. Just the popularity that Bonanza has in syndication testifies to that.
Pernell Roberts as oldest son Adam was written out of the show. Rumor has it he didn't care for the noble Cartwright characters which he felt bordered on sanctimonious. Perhaps if it were done now, he'd have liked it better in the way I describe.
This was just the beginning for Michael Landon, how many people get three hit TV shows to their credit. Landon also has Highway to Heaven and Little House On the Prarie where he had creative control. Little Joe was the youngest, most hot headed, but the most romantic of the Cartwrights.
When Roberts left. the show kept going with the two younger sons, but when big Dan Blocker left, the heart went out of Bonanza. Other characters had been added on by that time, David Canary, Tim Matheson, and Ben Cartwright adopted young Mitch Vogel. But big, loyal, but a little thick Hoss was easily the most lovable of the Cartwrights. His sudden demise after surgery left too big a hole in that family.
So the Cartwrights of the Ponderosa have passed into history. I got a real taste of how America took the Cartwrights to heart when I visited the real Virginia City. It doesn't look anything like what you see in Bonanza. But near Lake Tahoe, just about where you see the Ponderosa on the map at the opening credits, is the Cartwright home, the set maintained and open as a tourist attraction. Like 21 Baker Street for Sherlock Holmes fans, the ranchhouse and the Cartwrights are real.
And if they weren't real, they should have been.


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Although this show has been off the air since 1973, after viewing a DVD set I borrowed at our library, I felt compelled to say a bit about it.
I can remember when it was the only color show on television in the 1960s, and sometimes there would be a little "Sunday Night Party" with friends to watch this on NBC on one of the few color televisions.
I really enjoy history not so much for the names and dates but how it influences us today and how so much can be so profound based on the most inconsequential actions of the time. Case in point: Virginia City, Nevada, which became one of the richest cities in the world because of the silver, got its name from a character named "Old Virginny", who, in the town's early days, stumbled out of a saloon, fell and broke his whiskey bottle.
Old Virginny didn't want to waste the occasion so as the precious liquid was seeping into the dirt he decided to christen the town "Virginia Town". The area became known as the Comstock Lode because another character, Henry Comstock, had the reputation of trying to jump everyone's claim and the area became known as the Comstock Lode.
I just watched an early episode that dealt with these 2 subjects. Other episodes dealt with Mark Twain's literary rise while a reporter for the Territorial Enterprise...
It was wholesome (and frequently educational) family entertainment. As someone else remarked, each episode would really be considered a movie in its own right - rich scripts and characters.
One thing it twisted the truth on was the proximity to Virginia City and the Ponderosa. In truth, to ride from the Ponderosa (all of Northern Lake Tahoe), one would have to ride his horse about 3,000 feet (1,000 meters) down the Spooner Summit to the high desert (3,000-4,000 feet) of the Carson Valley then another 30-40 miles to Virginia city.
Needless to say the Cartwrights would have some sore rear ends doing this on a regular basis. But every writer should have some leeway with the truth.
How I miss that show, even today.


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My comment is limited generally to the first season, 1959-60.
This superb series was one of the first to be televised in color, and it was highly influential in persuading Americans that they had to buy a color television set, which was about $800 in 1959, the equivalent of more than $3,000 today. How many of us would pay that much for the privilege of watching a show transmitted by a cathode ray picture tube on a 17-inch screen? I was eleven when the series began, and I watched it from the beginning.
Watching it now, 50 years later, several things come to mind. First, many of the story lines involve the Comstock Lode and the heyday of silver mining, which dates to 1859. For 1859, the weapons and clothes are, for the most part, not authentic. (The haircuts are left out of the discussion.) That's basically a nitpick.
And, it would have been impossible for Ben to have arrived in the Lake Tahoe area in 1839 and to have amassed a 100-square mile ranch in the next twenty years. Pioneers were still trying to solve the Sierra Nevada problem as late as 1847, and the Gold Rush did not even begin until two years later.
Indians are not played by Native American actors. John Ford was using Native American actors in the 1920s. The Bonanza producers could have easily done so thirty years later. That is a major nitpick for me.
There are other time-line problems. In Season 1, Mark Twain appears, and he is depicted as a middle-aged man. Mark Twain was 24 years-old in 1859. The stories also vacillate between 1859-1860 (pre-Civil War) and what was more suitable for an 1880 time-frame. There are continuity problems, over and over.
It is somewhat off-putting, too, that there is so much killing in the first season. In time, the killing was reduced.
Many of the episodes take a socially liberal slant, which would be hard to believe, given the time-line, but give the writers credit for anticipating the seismic shifts in the Nation's attitudes beginning in the 1960s.
Having said all that, the acting is good, and I have come to conclude in my latter years that Adam's character was drawn better than any other's. I don't think Pernell Roberts ever got the credit he deserved. Also, Season 1 reinforces the fact that Dan Blocker (Hoss) was a good actor.
Many of the stories trace real historical events. The guest stars were interesting.
This was great family entertainment, and the series stands up very well by any measure.


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I love this show and my 11 year-old daughter and I LOVE watching it together. It teaches good old fashioned values in a fun, adventuresome and entertaining way (albeit with a somewhat predictable story most of the time). It's also really fun to make fun of...you know, rewind and insert your own dialog, in place of the actors'.
I have my DVR set to record all the episodes and I happened to catch the tail end of an episode (just prior to the next one starting...so I don't know what episode it was) but there was an absolutely TERRIBLE sequencing mistake! Adam had handed Sheriff Coffee a small swatch of "leather", which was torn from some outlaw's coat as he tried to make his getaway, I suppose.
Well, Roy happened to have the coat, so he laid it out on his desk and placed the swatch right where it had been torn from. The swatch was EXACTLY rectangular...which I reckon would be nearly impossible to tear from a piece of leather (post-1950's Naugahyde? Yes. Leather? I don't think so). Well, the swatch lined up perfectly and the mystery was solved.
Not 10 seconds later in the scene, we see the coat again, still lying on Roy's desk. But this time the swatch is more like the shape of North Carolina and is now in a COMPLETELY different place on the coat (but still perfectly aligned with the hole in the coat) and the seam (which WAS smack-dab in the middle of the swatch) is now gone...as is the seam in the coat. My daughter enjoyed a good laugh as we played the short scene over and over and over again! It's prime for youtube, I tell ya!
We still totally LOVE the show though and the sequencing errors make it lots of fun!


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It ran from 1959-1973. Its more than its longevity that says a lot for this series. Its also that it survived changes in fashion and taste from the 50's , psychedelic 60's and remained popular in the 70's.
I remember repeats of this series. It was a successful combination of all its elements from stories, cast and productions that made it exceptional. Lorne Green had his defining iconic character from this series. Its appeal was across generations. All members of the family could enjoy this. It balanced morality with violence, humour with seriousness. A cartoon series was made as a spin off from this as a result of its impact. The shame is that this series is no longer repeated and many will not know its significance.


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I know this sounds odd coming from someone born almost 15 years after the show stopped airing, but I love this show. I don't know why, but I enjoy watching it. I love Adam the best. The only disappointing thing is that the only place I found to buy the seasons on DVD was in Germany, and that was only the first two seasons. That is disappointing, but that's OK. I'll keep looking online. If anyone has any tips on where to buy the second through 14th seasons, please email me at darkangel_1627@yahoo.com. I already own the first one. The only down side is that the DVDs being from Germany, they only play on my portable DVD player and my computer. Oh well. I still own it!


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As part of our late 1950s vocabulary, we well knew the Ponderosa, Little Joe, Hoss, Ben Cartwright,etc. on that great show "Bonanza."
It came Saturday night and everyone was glued to the television set. This was a real show depicting family values. There may have been a weekly crisis, but it was the strong family atmosphere that pulled everyone together.
Lorne Greene was dominant as the patriarch of the family. His words depicted wisdom. We often were left to wonder that Ben Cartwright, a widower, must have been the best of husbands to that poor wife of his who had died. He reared wonderful sons.
Naturally, we all wondered why Pernell Roberts left the show. The show was a gold mine and Roberts surrendered loads of money when he departed. His career never took off as he was associated as a Cartwright son. He should have tried to get back into the series. He certainly lost a bonanza by dropping out.


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This is one of the movies that get better every time you see them. It's packed with so many original and unconventional ideas that you always find a new detail. As in Sabu's subsequent movies (I didn't see "Unlucky monkey" yet, but the other ones are as great) failure, chance and humanism play great roles. The cutting and Montage is inventive and artistic, without the movie being an "art" picture, but a highly entertaining one. When comparing it to "Run, Lola, Run" you have to keep in mind that "Dangan Ranna" was made some years before and was shown on German TV as early as 1997...so it's more probable that it served as inspiration for Tom Tykwer's movie, and not the other way around. Complementary to the other reviews I have to add that I like the acting and the ending very much. This movie is a lot of fun in many ways, and it manages to deliver a message without being annoying or pretentious.


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An entertaining and substantive film, Non-Stop has drawn deserving comparisons with "Run Lola Run". The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences. The chase serves not as as a fast-paced climax, but as a journey that makes up the majority of the film. During the "run" we see the characters grow and momentarily forget about their dreary lives, about the "macho" roles they've bought into, and eventually forgetting about why they started running in the first place. Much like fighting provided a "clarity" for the characters in "Fight Club," running provides this film's characters with a means to step away from the false values that we all allow society to create for us. Their running serves as way to truly taste life from an unclouded perspective, and all three find some level of clarity and joy in the process.
My appreciation and enjoyment only wavered slightly in the ending of the film, where instead of learning from their experience, the characters seem to revert to acting out those false macho roles I thought they had escaped from through their journey.
Still, the only true problem with this film is that it wasn't distributed outside Japan sooner.


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A lot has already been said on this movie and I' d like to join those who praised it. It's a highly unique film which uses elements of different genres: drama, comedy, gangster film without making a mess of it. At points you just laugh out loud, at other points you feel for the characters whose mistakes and failures you watch. Sabu's genius can be shown with regard to some sequences of the movie. One is that where all three men chasing one another have an erotic day dream about a young woman that they just passed by on the street. This sequence is beautifully done and illustrates the characters of all three runners very well. It is erotic and funny at the same time. Another example of Sabu's genius is the part of the film where the runners get tired. First one of them, the typical loser among the three guys, hallucinates that the woman that left him for someone else is back again and you see them dancing with one another and in the next shot him dancing with himself which is deeply moving. All of the runners get to this point where they think that have something back they lost or are on track again. And at one part of the movie they stop chasing each other, running in line, just laughing.So here is it all the beauty and the ludicrousness of what we call life which Sabu manages to show throughout the film. His characters fail (do they at the end?) but he doesn't rob them of their dignity. "Monday" and "Postman Blues" that do justice to Sabu's claim that he is a genius. Go watch them!



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I finally saw this film tonight after renting it at Blockbuster (VHS). I have to agree that it is wildly original. Yes, maybe the characters were not fully realized but it isn't one of those movies. Rather, we are treated to the director's eye, his vision of what the story is about. And it does not stop. And to be honest, I didn't want it to. I do believe that Sabu had to have influenced the director's of 'Lock, Stock & Two Smoking Barrels' and 'Run, Lola, Run'. But I absolutely loved the way the three leads SEE the beautiful woman on the street to distract them momentarily. I really need to see this director's other work because this film really intrigued me. If you want insight, culture, sturm und drang, go somewhere else. If you want a laugh, camera movement and criminal hilarity, look here.


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This movie has a very simple yet clever premise - an unemployed man trying to steal from a convenience store, and the store clerk catches him in the act... the thief runs away with the store-clerk right after him. All the while, the store clerk is in trouble with a low-rank Yakuza chinpira (gangster). Along the chase for the thief, they catch the eye of the Yakuza who's been looking for the convenience store clerk. The story then moves into high gear in the form of a Tom & Jerry (cat & mouse), but is added with the dog chasing after the cat. The entire 2nd act of D.A.N.G.A.N. Runner (can be translate to English as "PINBALL RUNNERS") is about the chase, and the chase goes on & on to the point that by the end of the 2nd act, the bum forgets why he is running away, and the Yakuza don't remember which of the 2 guys he is chasing, nor does he remember why they're running away from him.
Similar to SABU's later film POSTMAN BLUES, the bulk of the film is simply all chase and action, with plenty of physical comedy and dark humor injected to keep the audience engaged. What falls short is the ending, to which the chase stops when the three men run out of steam, and into one of the most chaotic Mexican stand-offs you'll see on film that looks almost as if Sabu was paying homage to Tony Scott's TRUE ROMANCE (written by Quentin Tarantino).


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Japanese indie film with humor and philosophy where the three main characters run literally almost through the entire film, chasing each other due to strange circumstances and comical coincidence. As they are running, we see what is going on in their minds and how they got where they are at the moment. The act of running is a metaphor for these down-on-their luck people's lives. In some way, what they're really chasing for is not what they were originally chasing, but for meaning in their lives and an escape from their personal problems and broken dreams. Running makes them all feel truly alive. The big life-altering running adventure comes to an end when they accidentally get in the middle of something big, violent, and so absurd that it's funny in a clever way. One of my favorite films of all time by genius director Sabu.


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The Japanese "Run Lola Run," his is one offbeat movie which will put a smile on just about anyone's face. Fans of Run Lola Run, Tampopo, Go!, and Slacker will probably like this one. It does tend to follow a formula that is increasingly popular these days of separate, seemingly unrelated vignettes, all contributing the the overall story in unexpected ways. catch it if you see it, otherwise wait for the rental.


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I cannot say this movie is a disappointment because I read some reviews before watching and it did not do as well as I thought it would have. The bar was not set that high, so the fact that my expectations were met is not saying much.
The Good: The city of New York. If you live in the city like me, you'll recognize certain places and understand that the city is supposed to be more than just a setting, rather one of the main characters. There are genuinely tender moments, humorous conversations, and plot twists left and right which all keep things interesting.
The Bad: The first thing I thought after leaving the theater was that I wanted more, but not in the positive "leave them wanting more" fashion. Certainly the good skits/scenes outweigh the bad, but there are a lot of skits that fall within the "in-between" category, too many in fact, which is what ultimately brings the movie down. Also, New York City's diversity, though hinted at though the many distant pans of the city and mentioned in conversation throughout the movie, is never really realized or analyzed to the point of doing the city justice. For example, many of the skits involve well to do middle aged whites. I mean I know the city is home to many of the said demographic but come on, Paris Je'taime's plot and character diversity makes New York City look like Lancaster, PA, or someplace really white. It is just disappointing to see the city shortchanged on its heritage like that.
Still, even after having said this, I would recommend giving New York, I Love You a view. Who knows, maybe you'll disagree with my opinion and maybe you won't. You will never know until you see it for yourself. This review is not meant to deter anyone from watching this movie, as everyone's opinion on art differs. I'm just giving you a very vague heads up on what to expect.


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New York, I Love You is a collective work of eleven short films, with each segment running around 10 minutes long. The shorts don't exactly relate but they all have something in common, love. Every short is about finding love, either if it's about a couple or just two strangers chitchatting.The film stars an ensemble cast, among them Shia LaBeouf, Natalie Portman, Hayden Christensen, Orlando Bloom, Chris Cooper, Andy Garcia, Christina Ricci, Irrfan Khan, Robin Wright Penn, Julie Christie, Ethan Hawke, Bradley Cooper, Rachel Bilson, and Anton Yelchin. With such a stellar cast and such an interesting premise, I was expecting a tremendous film; the problem is New York I Love You doesn't add up. It remains the sum of its parts. Some of the segments are funny, original and interesting but others are so meaningless (Orlando Bloom/Christina Ricci and Ethan Hawke/Maggie Q segments) that it's appalling. The film is definitely uneven and has a very experimental tone. Story-wise, it seems like something a few film students could put together. Having said that, the film has some great moments as well, one of the best being the segment about an old couple, played by Eli Wallach and Cloris Leachman, walking along in Brooklyn on their 67th wedding anniversary. And it's moments like this, that made me as a viewer, wish the film was more consistent, because, there's a lot of potential here. But, as unsatisfying as the overall story ends up being, for me, the cinematography and soundtrack saved the all thing. The editing was perfect, the way the film was shot was very impressive and the ethereal soundtrack, couldn't be more fitting. In the end, New York I Love You feels like an experimental film, and as in most experiences there's highs and lows. It's how one looks at the film as a whole that will determine if he enjoys it or not. It might be worthwhile for some and a waste of time for others.
7/10


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As it is generally known,anthology films don't fare very well with American audiences (I guess they prefer one standard plot line). New York,I Love You, is the second phase of a series of anthology films dealing with cities & the people who live & love in them. The first was 'Paris,J'Taime', which I really enjoyed. The film was made up of several segments,each written and/or directed by a different director (most of which were French,but there is a very funny segment directed by Joel & Ethan Coen). Like 'Paris', this one is also an anthology, directed by several different directors (Fatih Akin,Mira Nair,Natalie Portman,Shakher Kapur,etc.),and also like 'Paris'deals with New Yorkers,and why they love the city they live in. It features a top notch cast,featuring the likes of Natalie Portman,Shia LaBeouf,Christina Ricci,Orlando Bloom,Ethan Hawki,and also features such seasoned veterans as James Caan,Cloris Leachman,Eli Wallach and Julie Christie. Some of the stories really fly,and others don't (although I suppose it will depend on individual tastes---I won't ruin it for anybody else by revealing which ones worked for me & which ones didn't). Word is that the next entry in the series will be Shanghai, China (is Rome,Italy,Berlin,Germany or Athens,Greece out of the question?). Spoken mainly in English,but does have bits of Yiddish & Russian with English subtitles. Rated 'R'by the MPAA for strong language & sexual content


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I'm not a writer or an critic...I'M just a student that has seen this movie few minutes ago....AND I want to thank people that worked on creating this movie!It is not the best or the most.... but it touched my heart...why???i would like to understand it myself...it is easy and accessible..it is a movie that makes you feel good after a bad day without any regret about the time wasted on watching it!It is about love and caring, about the life that we have but we miss it sometimes because of material stuff .......Look at all the time that we have but we miss it....why a fu*k do we do that???We need to live like were dying ...care about every second and remember:if we do good things-good things come back to us!HAppiness is real...and it has a special taste in New York...i love this town and the world the we live in!!!!thank you very much for the movie and sorry for my mistakes(English is my second language)...


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If you're not in the mood for more than an hour long movie than this film could give you some variation. What I love is the ongoing surprises. It's not only once that you want one or more of the short film in 'New York I Love You' to be continue. Yeah, some of the short films makes you curious, some of them very short, some of them longer, some of them has it definite ends, some of them don't.
Most of the story presents the sad side of the capital city. It shows many different nationality background. Many of it, make it feels the same way where I have been once went to a capital city in other countries for a year where it has many people came from different countries. This movie explore many type of things you might have known, but for all the characters it's a new things. Maybe some of you have traveled abroad alone to stay for a year or two just to feel something new, meet new people; feel dreamy, sad, but the kind of sad you looking for because it is just that bored you were in your own home. You might want to reliving it again, by watching this.


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New York I Love You just like its predecessor (Paris Je T'Aime) is a compound of various stories that reflects the different kinds and aspects of love but unlike it the rhythm is much faster and the stories much shorter. The movie offers a unique view of the city of New York with its various and different landscapes. New York, I Love You offers a first class cast, featuring such great actors like Shia LaBeouf, Natalie Portman, Ian McKellen, Hayden Christensen, Chistina Rcci and Orlando Bloom, Ethan Hawke, James Caan and Robin Wright Penn among others and some excellent writers and directors like Brett Ratner and Anthony Mingella.


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As a fan of Paris Je'Taime, I went to see New York, I Love You with very high expectations. I gladly walked out with all my expectations met. It was funny, sweet, fast-paced, and entertaining. The film starts out with two cab hoppers (Bradley Cooper & Justin Bartha) trying to get to the same area but arguing which way to go. That was funny, and then the film goes into some of the best skits I have ever seen anywhere. There were four amazing ones out of all the good ones. Those four I will start talking about. One features Shia LaBeouf as a bellhop at a hotel who finds love in an old lady. The next one features Orlando Bloom as a music maker who is doing business with a woman played by Christina Ricci. Another one features Anton Yelchin and Olivia Thirbly as two people going to prom, Thirbly's character being handicapped. The best one features Eli Wallach and Cloris Leachman as a bickering old couple. I will bring to your attention that Nataile Portman makes an impressive directorial debut directing, and writing a skit about a caretaker, and Ethan Hawke and Maggie Q are excellent as a flirting man and a hooker. New York, I Love You is definitely as good, if not better than the 2006 Paris Je'Taime. The skits are well-paced, and the film shows how indie films should really be. The film, however, does not have as many famous directors as Paris Je'Taime, which is why it was fantastic to live up to its excellence. If you want to laugh, see some great dramatic effects, see an amazing amount of great performances, and just plain be entertained then definitely go see New York, I Love You.


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I just saw a press screening of this film and I was pleasantly surprised. Not often is it that I get to see all of my favorite actors in one film at one time.
I really enjoyed the pick pocket scene and it was good to see Rachael Bilson and Hayden back together. I think their chemistry on camera is a direct result of their time together off camera. My favorite scene was by far (surprisingly so) Bret Ratner's piece... Without giving too much away, I'll just say that there is a surprise that leaves you hanging...
The old couple were really good together and you actually got the impression that they had spent a lifetime together.
Both the Chris Cooper and the Ethan Hawke segments packed a punch with surprises that seem realistic and similar to experiences that I've had in the big apple. Over all the film is a great place to take a date... especially if you're already fond of the city itself.
I can't wait for the next in the Cities of Love.


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I saw this movie at an advance screening and found it excellent.
New York I Love You is a true spin on a romance that explores clever, funny, and sometimes shocking situations around the human race's most powerful emotion.
The cast is huge, a veritable Oceans 11 with Andy Garcia, Ethan Hawke, Shia Labouf, Natalie Portman, Bradley Cooper and others. They all give stand out performances in one way or another.
That's not to mention that there is a who's who of directors interweaving stories in clever and interesting ways. Brett Rattner, Shaka Kapur, Natalie Portman, I mean -WOW! This movie is not a straight ahead romance or romantic comedy even though it is both romantic and funny. It also has serious stories and notes. But that's good in my opinion. Go see it for yourself and reply to my review, I want to hear what others have to say.


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New York I Love You is full of love and power. Not for everybody, however, but is a beautiful movie.
It has the likes of Shia LaBeouf (seen in Transformers, Disturbia, Charlies Angels, I Robot, Indiana Jones, and many more), Maggie Q, Kevin Bacon, Blake Lively, Natalie Portman, and many more. With a star-studded cast, this movie is without a doubt, brilliant.
From many top-notch directors around the world, it does not fail to impress. The diversity from one story to another is creative and unique.
It is safe to say that New York I Love You is a popcorn movie, and should be watched on a BIG TV! This time, trust the IMDb rating, because it is an excellent film.
Eagerly waiting Shanghai I Love You in 2010.
Watch NY ILY, you won't be disappointed.


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Bored and unhappy young babe Zandalee (a winningly sultry and vibrant performance by luscious brunette knockout Erika Anderson) feels trapped in a stale and loveless marriage to failed poet and decent, yet dull businessman Thierry Martin (a solid and credible portrayal by Judge Reinhold). Zandalee has a torrid adulterous fling with sleazy and arrogant artist Johnny Collins (deliciously played to the slimy hilt by Nicolas Cage). Can the relationship between Thierry and Zandalee be salvaged? Or is everything going to fall apart and go to seed? Director Sam Pillsbury and screenwriter Mari Kornhauser lay on the tawdry soap opera-style histrionics something thick while attempting to tell a wannabe serious and insightful story about desire run amok and its potentially dangerous consequences; the plot goes gloriously off the rails in the laughably histrionic last third. The dialogue is likewise hilariously silly and vulgar (sample line: "I wanna shake you naked and eat you alive"). Better still, this flick certainly delivers plenty of tasty female nudity (the gorgeously statuesque Anderson looks smoking hot in the buff) and sizzling semi-pornographic soft-core sex scenes (Johnny and Zandalee doing the dirty deed in a church confessional booth rates as a definite steamy highlight). The tart'n'tangy New Orleans setting adds extra spice to the already steamy proceedings. With his long, scruffy black hair, greasy mustache, foul mouth, and coarse manners, Cage's Johnny is an absolute hoot as the single most grossly unappealing "romantic" lead to ever ooze his way onto celluloid. The cast deserve props for acting with admirable sincerity: Anderson, Cage and Reinhold all do respectable work with their parts, with fine support from Joe Pantoliano as Zandalee's merry flamboyant homosexual friend Gerri, Viveca Lindfors as Theirry's wise, perceptive mother Tatta, Aaron Neville as friendly bartender Jack, and Steve Buscemi as a funny, blithely shameless thief. Walt Lloyd's sharp and gleaming cinematography gives the picture an attractive glossy look. The flavorsome, harmonic score by Pray for Rain likewise hits the spot. A delightfully campy and seamy riot.


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