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Time for a rant, eh: I thought Spirit was a great movie to watch. However, there were a few things that stop me from rating it higher than a 6 or 7 (I'm being a little bit generous with the 7).
Point #1: Matt Damon aggravates me. I was thinking, 'what a dicky voice they got for the main character,' when I first heard him narrate - and then I realized it is Matt Damon. The man bugs me so very bad - his performance in "The Departed" was terrible and ruined the movie for me (before the movie got a chance to ruin itself, but that's another story for some other time), as it almost did "Spirit". I was able to get past this fact because of how little narration there actually was... thankfully.
Point #2: Brian Adams sucks... The whole score was terrible... The songs were unoriginal, generic, and poorly executed; not once did I find the music to fit; and the lyrics were terrible. Every time one of the lame songs came on, I was turned off. I almost thought I'd start hearing some patriotic propaganda slipped into the super-American freedom style lyrics (I couldn't help but be reminded of those terrible patriotic songs that played on the radio constantly after 9/11). In light of the native American aspects of the film, they should have gone with fitting music using right instruments, not petty radio-hit, teen-bop, 14-year-old-girl crap. I thought I was back in junior high school. I can't believe no better could have been done--I refuse to. Had it not have been for this, I'd rank the film up more with Disney, which knows a thing or two about originality (ok, don't bother saying what I know some of you are probably thinking ;). Too bad, it's a shame they couldn't have hired better musicians.
I liked the art and animation, except for some things here and there... like sometimes the angles appear too sharp on the face and the lines too thick or dark on the body (thick/dark lines mainly near the end). There were often times when I thought they _tried too hard_ on the emotion and facial expressions and failed at drawing any real emotion. But there were also times when the emotion ran thick. Anyhow, many scenes were lazy and the layers were apparent.
OK, I'm falling asleep here so I'll sum it up before I start making less sense...
Nice try on an epic film... it turned out mediocre though. Matt Damon, you suck!


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Despite gorgeous and breathtaking animation, this is probably one of most uninspiring Disney films I've seen, and I don't slam Disney films very often. Spirit is a wild stallion who repeatedly gets captured, either by the cavalry or by Indians, both of which try to "break" him. Spirit ends up forming a bond with the Indian, and that, in a nutshell, is the story. With exception to the beautiful animation of the horses, neither I or my five year old were very inspired or excited by this film. It's ironic that it's titled "Spirit", as spirit is what this film could have used a bit more of. An extra point was given for the soundtrack, which was enjoyable, with songs by Bryan Adams and Hans Zimmer. And although this film is rated G, you will still probably have to end up explaining what "breaking a horse" means to your five year old. I did.



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This is amazing-looking movie with the whole thing done in just six or seven colors. When it came out over 15 years ago, it stunned audiences with its color scheme, being so different from anything else that had ever been put on film. Those colors, for me at least, make this an absolutely fascinating film to watch. There are literally thousands of scenes I wish could freeze and somehow convert them to a painting to study for their artwork.
The characters and the story don't match up to the greatness of the photography, but they are all over-the-top, especially the villains. The famous actors who played them here must have a had a lot of fun on the set playing "Flatop," "Pruneface," "Lips," "Mumbles," etc.
Meanwhile, Warren Beatty and Gleanne Hedley are good as Dick Tracey and girlfriend Tess Truehart, and she's as sweet and soft as her name. Another good addition is Charlie Korsmo as the delinquent young boy Dick and Tess take under their wing. The colorful other characters are played by Al Pacino, Dustin Hoffman, William Forysthe, Paul Sorvino, Mandy Patinkin, Madona and other names you know but are too numerous to list here. Check the full credits on the main page and you'll amazed.
The only negatives I found were Pacino's voice which grates on you after awhile, Madonna's off-key singing voice and the fact that the film would have been better trimmed about 10 minutes. Those "faults" are all minor because overall, this is a fun movie....a cartoon strip coming to life in an incredibly-colorful fashion.....like nothing you have ever seen.


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I've been watching "Dick Tracy" for years, and as a result it's become a vital part of my life - it was with me throughout childhood and I used to see it quite often. Seeing it now, as an adult, it's still a very good movie - dark, satiric and incredibly misunderstood. About the only thing that can be said is the Oscar nomination Pacino received - other than that it is rarely discussed and didn't make much of a fuss when it came out.
Pacino is over-the-top but to good effect as he's clearly having loads of fun. Beatty is great as Dick Tracy and behind the camera manages to capture the atmosphere of a film noir comic book better than any other film, possibly, I have ever seen. Just taking a look at one scene from the film is breathtaking. The lighting, velvet overtones and smog/smoke combine to create a great effect.
There are some really funny cameos including one by Dustin Hoffman as "Mumbles," and I don't think there are any flaws at all in terms of acting - even the mandatory kid-character is far better than expected.
Overall, a really fine movie that has become misunderstood over the years since its release and is incredibly underrated with only 5.7/10 average on IMDb. The critics' reviews are very positive (check out RottenTomatoes.com) and after seeing the film once again it's not hard to see why - this is a perfect example of capturing the essence of a comic book, from style to eccentricity.
Highly recommended. 4.5/5 stars.


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"Dick Tracy" is one of our family's favorites -- the actors are great -- the art direction is exceptional -- the music is magic. It's not supposed to be "To Kill A Mockingbird" -- it's a fun experience.
Stephen Sondhemim's songs are stellar: "Back in Business" is energetic, "Sooner or Later" is just right, "What Can You Lose" is haunting -- even tunes like "Live Alone and Like It" add to the story
Got to love the giddily over-the-top performances of Al Pacino, Dustin Hoffman, Glenn Headly, Charlie Korsmo, Mandy Patinkin, James Caan, Dick Van Dyke, supporting villains... The list is far too long. And, yes -- even Madonna and Warren Beatty are awesome. Written with a smile a minute (how many times have we looked at each other and said, "Wait a minute -- I'm having a thought -- it's gone!"?).
However, one of most telling things about in this film is that everyone involved seems to be having a good time -- and that above all adds to the enjoyment for the viewer. So, if you haven't already, why not give "Dick Tracy" a chance -- accept it for what it is -- a Sunday comic strip brought to life -- and in a wonderful way!!


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If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.


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I never attended the midnight showing of a movie before "Dick Tracy" came out.
I still have the "t-shirt ticket" I had to wear to get admitted to the showing around here somewhere and, like that shirt, "Dick Tracy" has stuck with me ever since.
If you've seen the movie, the sharp visuals, bright primary colors and strong characters have no doubt been etched into your brain. It's a wonder to behold.
As director/star/co-writer/producer, Beatty knows what works in a film and shows it here, taking a familiar American icon and re-creating him for a whole new era. Still set in the '30s, "Tracy" has a kind of timeless quality like all good films do. I've lost track of how many times I've watched "Tracy" and I still catch something new every time I do.
The others are all top notch, starting with Pacino's Big Boy Caprice (a reminder that he can do comedy with the best of them), even Madonna's Breathless Mahoney is a relevation in that under the right environment, she can act (GASP!).
But there's still such themes touched on as the necessity of family, keeping true to one's self, good versus evil, even Machiavellian themes are explored. Odd for a comic strip film, but hey, it works.
All in all, "Dick Tracy" is a classic unto itself. Compared with other films of this decade, it makes a strong statement. It's a good, strong film that doesn't depend on blood, violence, profanity or nudity to make its point.
There's a lesson to be learned here.
Ten stars. Great Scott!


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Don't look for an overdeveloped plotline here....just sit back with some popcorn and enjoy this one. A gallery of stars pop up as the classic cartoon character's villains in this live action comedy, which features incredible makeup and set design, not to mention knockout performances from Beatty, Madonna, and Pacino. Great fun for kids and adults alike.
*** out of ****


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Dick Tracy is easily the best comic book based movie made to date. The movie has the same feel as the comic book, staying true to the color scheme. The Batman series has climbed, fallen, climbed and fallen again. Dick Tracy has true staying power as something that both adults and children can enjoy. The good guys triumph over evil, without blood and gore to get the point across. Al Pacino does a wonderful job of his own adaptation of Big Boy Caprice and Madonna is memorable as Breathless. But the best job by far is Warren Beatty who just epitomizes Dick Tracy just as he did with Clyde Barrows. I can't wait until it comes out on DVD on April 2, 2002, my tape is wearing thin.


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I thoroughly enjoyed this true to form take on the Dick Tracy persona. This is a well done product that used modern technology to craft a imagery filled comic era story. If you are a fan of or recently watched some of the old Dick Tracy b&w movies then you're sure to get a kick out of this rendition. The pastel colors and larger than life characters rendered in a painstakingly authentic take on an era gone by is entertainment as it's meant to be. I personally find Madonna's musical element to be a major part of this film-the CD featuring her music from this movie is one I've listened to often over the years, it's just so well done and performed musically and tuned to that era. In my mind, Madonna's finest moment both on-screen but especially musically. This is sure to bring out the "kid" in you.


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Dick Tracy is one of my all time favorite films. I must admit to those that haven't seen it. You will either really love it or really hate it. It came out a year after the success of Batman. So everyone's expectations were so high that many were let down simply because the plot is so simple. But its based on a comic strip...what did you expect? Creatively, this movie is amazing! The sets, make-up, music, costumes, and the impressive acting make this film fantastic. The film has bloodless violence and no bad language - that's something rare these days. Directed, produced, and stars Warren Beatty as the ace crime fighter going up against Al Pacino's evil Big Boy Caprice and his mob of thugs. Madonna steals the show as the seductive Breathless Mahoney. This is one of the best characters Madonna has ever played. She has the best one liners I've heard! Madonna fans would love it! One of the coolest things about the film is that they only used seven colors to make it look like a comic strip. This film is truly a piece of artwork that is sadly overlooked by the public. To sum things up, this film brings out the child in all of us. It's a film that will leave you smiling at the end.


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The opening credits make for a brilliant, atmospheric piece of escapist entertainment that's full of little nods to the comic strip. All the good guys are good, all the bad guys are bad, and the film is jam-packed with familiar character actors covered in gruesom make-up to hi-lite their characteristics.
Warren Beatty, as Dick Tracy, is the ultimate tough guy straight man, incorruptable, calm usually, always a better fighter than the other guy, and rarely one to push the limit on legality. Al Pacino, as "Big Boy" Caprice steals every scene he's in as a hunch-backed gangster in some unnamed metropolis of 1930s gangsters. Maddonna plays the kind of person she'd probably play best, Breathless Mahoney, a nightclub singer and femme fatale with her own little agenda going. Gleanne Headly is Tracy's tough-talking, fiercely independent long-time girlfrined. And then there's The Kid, a funny little street urchin Tracy takes in, who models himself after his surrogate father, and saves Tracy when the detective has accepted his fate of being blown up.
The supporting players are a Who's Who of character actors. Charles Durning is the chief of police. Dick Van Dyke is the District Attorney, who's bribed by Big Boy's goons to keep him on the streets. Dustin Hoffman has a humorous turn as Mumbles, the snitch whose dialect is so indecipherable the cops can't make head nor tail of what he has to say. R.G. Armstrong is Pruneface, one of the rival gangsters Big Boy forms a special allegiance to in order to create a network of crime spreading throughout the whole city. Mandy Patinkin is 88 Keys, the piano player for Breathless's show. Paul Sorvino plays Lips Manlis, Breathless's former benefactor until Big Boy gives him "the Bath." James Caan wears relatively little make-up in his performance as the only gangster who won't go along with Big Boy's grand plan. William Forsythe and Ed O'Ross are Big Boy's enforcers, Flattop and Itchy.
This movie retains all of the corn of the comic strip, plus it is full of vibrant colors. Almost all the suits are elaborate in blues and greens and yellows and reds. All the colors of the rainbow are found in this movie--and then some! The matte paintings that are used truly realize this world as two-dimensional, only acted in three-dimensional sets. The humor is plentiful. Al Pacino fills the shoes of his character like no other character he's played before or since. Big Boy is kind of crazy, and kind of self-pitying. He's an eccentric little man who takes pride in quoting our Founding Fathers and likening himself to great political leaders. The man with the plan, always looking for the smartest way to do business.


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Heh, if I tell you to compare The Dark Knight with some 18-years-old comics-adapted movie rated 5.9, will you call me crazy? That's just to catch your attention. Everyday I meet people complaining there are no good movies, who seem to only know the recent blockbusters. It's never a bad thing to search and explore old movies, especially those with good artistic values. Dick Tracy is one of those can't be easily outdated, in terms of technology.
The negative reviews mainly complained about DT's "messed up" story. But it appears to me that the storyline is quite clear, and I had no problem following it. I didn't see the comic books, yet I am not a huge US comic fan, but I appreciate the top-notch film-making and performances. Maybe the expectations of most people were too high about the story it would tell. But, if you see a movie casting Madonna and Warren Beatty together, what would you expect. I had some scratches on my head, and can't help but wonder, did we really see the same movie? The title role, although not as competent as it sounds, still was able to pull him up and charm the audiences. Madonna was more express-less than "breathless" in her seductive role, but added a lot of fun to the story. Al Pacino was funny and prodigy to himself. Apparently he's bold enough to go sarcastic on his previously successful roles. We can see a hybrid of Scarface, Michael Corleone, Adolf Hitler and Robert De Niro punching our stomaches to make us laugh. And many thanks to make-ups.
To me it's not bad at all. The surreal feeling really got me.


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Just picked this up on DVD and watched it again. I love the bright colors vs. dark imagery. Not a big Beatty fan, but this is an excellent popcorn movie. Pacino is astounding, as always, and well, this movie marked the period where Madonna was her absolute sexiest. I wish she had stuck with the "Breathless" look for a while longer. Charlie Korsmo's first really big role, other than "What about bob?". The makeup effects were cutting edge then and still hold up for the most part. Beautiful scenery and mood transport you directly into a comic strip environment. The cars, wardrobe, buildings, and even the streetlights et a great tone, not to mention the perfect lighting, although the scenes with a lot of red can get a tad annoying, as it tends to blur a little. Just wish Beatty had gotten the chance to make a sequel. All in all, a fun few hours.


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I saw Dick Tracy when I was very young. I didn't know who any of the actors were, and I didn't know the movie would turn out different than the way it was previewed. I sure loved it though.
Warren Beatty stars as the crime-fighting 1930's detective Dick Tracy who goes after the biggest mob bosses in the city. This time, Big Boy Caprice (Al Pacino) has killed a very powerful man and is out to take over the city with his singer girlfriend Breathless Mahoney (Madonna) who has her eye on Tracy. It becomes even worse because a new criminal is invading and the worst part is: this criminal has no face. He or she is very unknown. Plus, the famous villians are back from the comic book collection.
I thought that this movie was very colorful and creative. It was entertaining and fun to watch especially as a child. Warren Beaty was just like James Bond of the 1930's the way he played Dick Tracy.
An ensemble cast of the film includes: Charlie Korsmo, Glenn Headly, William Forsythe, Dustin Hoffman, James Caan, Ed O' Ross, Tommy Lee Jones, Mandy Patinkin, Charles Durning. Plus More!
Dick Tracy is a movie for all ages and is a fun movie for a family to enjoy. Take my word for it.


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That was great fun! I never read those Chester-Gould-comics but it's not necessary to know them. Maybe there were some inside jokes I didn't figure out but what the eye doesn't see the heart cannot grieve over. This is such an ironic, colourful film and the actors are good-humoured all together. The setting is similar to that in the Batman` movies, but not as dark and grey. Okay, the story is not so original but there is a plot (which is not self-evident) and a more or less surprising ending.
With this movie, you could play an interesting game, if you watch it with friends. Don't watch the credits at the beginning and then look who's the fastest to find out who are the famous actors under their make-up!


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At the time I am writing this I see out of over 15,000 votes it has a 5.8 rating. Something is wrong with that picture. Personally I give it a 10. I can see a 7 at the lowest or a possible 8 if it was rated by people that see this movie for what it truly is. It is a movie based on a comic book hero. This movie won more than it's share of awards. Won 3 Oscars. Another 5 wins & 26 nominations .... right there tells me it's better than a 5.8. Some great acting from some very good actors, some great special effects and in my opinion will be if not already a classic for years to come. If you're looking for pure entertainment be sure to check out Dick Tracy. Definitely a movie you can watch more than a few times. Al Pacino is great as Big Boy Caprice.


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Usually, when we use the word "escapist", we mean it negatively; Warren Beatty's big screen version of "Dick Tracy" proves that "escapist" can be good. This is truly one entertaining movie. As the eponymous, yellow-clad, fearless title character, Beatty creates a detective to whom we can all relate: ready for action, but not without his weaknesses.
From there, the rest of characters are almost a world unto themselves. Tess Truehart (Glenne Headly) is as glamorous as one would expect the hubby of any crime fighter to be; Breathless Mahoney (Madonna) is possibly the most perplexing person imaginable; Big Boy Caprice (Al Pacino) is the average villain: ruthless but cool. Other characters include the speech-challenged Mumbles (Dustin Hoffman), the over-musical 88 Keys (Mandy Patinkin), and The Kid (Charlie Korsmo). Charles Durning, James Caan, Dick Van Dyke, Estelle Parsons, Catherine O'Hara, Seymour Cassel, Paul Sorvino and Kathy Bates also star.
Oh, wait a minute. I haven't even explained the plot! The plot involves Tracy trying - and failing so far - to find some way to nab Big Boy. Simultaneously, some very bizarre events have been going on in town, the answers to which may or may not be closer than everyone thinks.
Of course, the main thing about this movie is that it's fun to watch. If Warren Beatty was having trouble acting his age, then he made good use of that here. "Dick Tracy" is one cool movie.


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Love it or loathe it, it's hard to not find Warren Beatty's take on "Dick Tracy," the 1990 film adaptation of Chester Gould's famous comic strip, anything short of a genre classic. Superhero films have been coming out of the woodwork in recent years, and may soon become a genre all on its own.
Beatty's film liberally uses Gould's source material to full effect, shooting in all six of the strip's primary colors, and thus giving this unique yet familiar world of trigger-happy mutant gangsters and loose, seductive women a lush visual style and tone.
It can be stated that the film's strong visual aesthetics drastically short-change the characters and their acting abilities, which I don't think can be any further from the truth.
"Dick Tracy" relishes in its look and ghastly characters, and Beatty himself, who plays the dogged and incorruptible detective of the title, is appropriately stoic and ready to bust the bad guys at any and all costs.
Other than the visual treats and Oscar-winning makeup, there is a plot, and Big Boy Caprice (Al Pacino, deliciously over-the-top in an Oscar-nominated performance), seeks to eliminate Tracy in one well-planned move, but also seeks to gain control of all criminal action in the city by uniting all the feuding gangs under him.
Tracy, meanwhile, is juggling his relationship with Tess Trueheart (Glenne Headly), who as her name would have it, remains faithfully by his side and cares for The Kid (Charlie Korsmo), who eventually finds a father figure to look up to in our crime-busting hero. Tracy's fidelity to Tess is tested by the tempting advances of Breathless Mahoney (Madonna), who is also Big Boy's main squeeze. At the same time that all of this is going down, things become heated when a new criminal figure arrives in town, and decides to play both sides against the middle.
The performances are good, as Beatty's focus on the strained and romantic relationships between each of the leads becomes the center of the material, as opposed to just concentrating on pointless action and special effects. Pacino freely chews up the scenery in a role that's truly standout from the rest.
"Dick Tracy" is one of the best and most overlooked of the comic book movie genre. I think that if Chester Gould was still alive, he would be proud of Warren Beatty's take on his beloved crime-fighting detective.
8/10


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This movies is the best movie to watch for comic book feel. The sets, costumes and the color are just so vivid it is just like stepping into a comic book. This is the movie I think of when the Mob is mentioned, the suits, the hats and the attitudes.
Hoffman gives comic relief as Mumbles and you can't help but feel sorry for Madonna as she tries, and fails, to win Tracy over. This movie contains all the classic mob clichés - burying people in concrete, blowing up peoples cars, tieing up the good guy and attempting to blow up his girlfriends house.
This movie is a classic in ever sense of the word, even camera angels cry out comic book. Its so great to be able to go back to an older movie and see that someone knew how a comic should be made into a movie after seeing such mistakes as Spawn and the Hulk.
!!!YOU HAVE TO SEE THIS MOVIE!!!!


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Dick Tracy was originally a comic book created in 1931 by Chester Gould. He is a plainclothes detective who tracks down a crew of villains, ranging from all types of visually original characters such as Flattop to The Blank to Big Boy Caprice. (These villains became so popular in the 40's that Warner Bros. created their own take on the Tracy-style villains in such cartoons as Daffy Duck) Tracy's comics were known for their liberal use of gunplay and the up-to-date technology advances (notably the wristwatch communicator), which got their fair share of screen time on this excellent movie. The music was done wonderfully by Danny Elfman, and the original songs by Madonna were interesting, but they were not the high point for her career. It's weird because as you watch the film and see the suspenseful moments, the film feels so much like Batman because of Elfman's memorable sound to his pieces.
I love the tough-talking kid, Pacino's acting as Big Boy Caprice (and that chin!), Madonna's take on villainy, and the cinematography and directing were impeccable. This film was very professionally made and features tons of great actors who were known as great actors for a while before this film was made (Warren Beatty, Al Pacino, William Forsythe, Dustin Hoffman, Kathy Bates, Mandy Patinkin, Catherine O'Hara, Dick Van Dyke). The film was directed by Beatty himself, which was interesting. It is almost like Beatty saw himself as Tracy in a past life or something because he really fit the part.
I had to give this film an 8/10 for everything that it brought to cinema that got overlooked (for whatever reason). There have been tons of misunderstandings over the rating of this movie on IMDb, and I still don't understand why. The characters were completely original and vibrant, as was the style of the sets, wardrobe, lighting, and everything in this film. Go buy it today. You will not be sorry.


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I still liked it though. Warren Beatty is only fair as the comic book hero. What saves this movie is the set, the incredible cast and it offshoots a mediocre script. I really expected something more substantial in the terms of action, or plot but I got very little. The main reason to watch this movie is to watch some of the biggest stars in Hollywood at the time in such an unusual film.
The one person who did a terrible job and did not even belong in this film was Madonna. She did not belong in this movie and her acting job was pretty bad. The movie at some points just stood still. You expected something more and you got nothing. Al Pacino plays a really bad dude and he does pretty good. He and Beatty do make an excellent good guy and bad guy.
It is also interesting to see Dustin Hoffman, and Warren Beatty in a film other than Isthar. I did not see Ishtar but I heard bad things. The thing about this movie is it is good, but it could have been so much better. I liked it as a child because I thought it looked cool, and visually the movie is amazing, the sets are incredible, the writing is only fair, and with such a cast in the movie I would expect a little better anyway.
SPOILER
I especially thought the finale was not big enough. It was interesting but for such a grand scale film I just thought it could have ended with a little more of a bang. The reason to watch this movie is the atmosphere. The movie only uses the 7 comic book colors making it all that more excellent visually anyway.
The costumes and makeup were flawless as well. The facial makeup for the villains was great. Beatty is just not up to such a bigger than life character. Still, this is a good movie that could have been much much more. It is to me better than Batman, the other comic book adaptation that came out close to the same time. Of course that movie was much bigger in terms of gross.


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Dick Tracy wasn't the best for many comic book fans, because they wanted something with blood like Batman. Dick Tracy plays the innocence of just being a comic book with villains that have severe appearance disorder and being fun. Warren Beatty directs and stars as the main character that fights crime without even using super powers. I have liked Dick Tracy since I was a child because of the comic atmosphere of the main colors: red, blue, orange, yellow, green and black. This is the perfect film for anybody to watch with their children. Al Pacino is like the Jack Nicholson in Batman and plays Big Boy Caprice with zest. Madonna as the babe who is the second villain in this film doesn't play the same boy toy she represents. Like I said, no blood, obscenities, sexually innuendo or anything to offend anybody.


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At one end of the Eighties Warren Beatty created and starred in the literate epic Reds about the founding of the Soviet Union as seen through the eyes of iconoclast radical John Reed. It was a profound film both entertaining and with a message presented by an all star cast. At the end of the decade Warren Beatty created another kind of epic in Dick Tracy that makes no pretense to being anything other than entertainment with a whole bunch of the best actors around just having a great old time hamming it up under tons of makeup.
That both Reds and Dick Tracy could come from the same individual speaks volumes about the range this man has as a player. In this film Beatty managed to get all the famous cartoon characters from the strip and put them in one original screenplay.
The city's top mobster Big Boy Caprice is making a move to really eliminate competition. The film opens with him rubbing out Lips Manlis's henchmen in a Valentine Massacre style shooting and then Lips himself being fitted for a cement overcoat. But Caprice's moves are making him a target for Tracy.
In the meantime a third mysterious and faceless individual is looking to topple Caprice himself. Will our hero sort out this thicket of crime?
The spirit of fun this film has is truly infectious. When people like Al Pacino, Dustin Hoffman, Paul Sorvino, William Forsythe, R.G. Armstrong get themselves outrageously made-up to look like the cartoon creations of strip author Chester Gould and then indulge in an exercise of carving the biggest slice of ham, you've got to love this film.
Al Pacino got a nomination for Best Supporting Actor, but any of these guys could have, it's only that Pacino as Big Boy Caprice gets the most screen time. Only Beatty plays it completely straight, the others all seem to play off of him. Dick Tracy won Oscars for Best Art&Set Design, Best Song written by Stephen Sondheim and introduced by Madonna, Sooner Or Later. The fact he was even able to get somebody like Sondheim to write a score for this film only shows Sondheim wanted to get in on the fun. As for Madonna, the Material Girl does more than hold her own with all these acting heavyweights as club torch singer Breathless Mahoney.
Before this film, Dick Tracy movies were consigned to the B pictures and worse as Saturday afternoon serials. The only thing that rivals this all star extravaganza is a radio broadcast done for Armed Forces Radio during World War II that got to vinyl. Can you believe a cast like Bing Crosby, Bob Hope, Frank Sinatra, Dinah Shore, Jimmy Durante, Judy Garland, Frank Morgan, and the Andrews Sisters? Try and find a recording of that gem.
Until then Warren Beatty's classic comic strip for the big screen will do nicely.


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After seeing Dick Tracy in the 6.99$ bin at Future Shop I decided to give it a go with no previous knowledge and being a big fan of Mafia and Crime movies. I was very surprised to see a very fun, smart entertaining movie with solid performances throughout. The movie moves along well, it has of course another solid performance from Warren Beatty, but the real standouts of the film are Al Pacino and Madonna. I was happy to find out that Pacino was nominated for his performance as an over the top gangster trying to take down the city. Madonna was great as the damsel in distress, she really impressed me and added depth to her performance. If you go in with the attitude of wanting to watch a fun, smart movie with great acting and a solid script then give Dick Tracy a try. I don't think you will be disappointed. And Watch for the cameos from Paul Sorvino, James Caan, Kathy Bates and Dustin Hoffman among others.


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Everything was better in past days. Even children's television. And Fraggle Rock proves my point quite easily. At the time of writing this comment I am fourteen years old but even in my teen years I can't resist the charm of Fraggle Rock. For those of you that have indeed been living under a rock (haha!), Fraggle Rock is about a horde of playful and goofy creatures called Fraggles who live-amazingly-in a rock. But they're not the only creatures. The rock is inhabited with many other species like the hardworking Doozers and countless living plants. Outside the rock on one side live inventor-scientist Doc and his dog Sprocket (who later befriends Gobo Fraggle), on the other side a family of Gorgs-supposed rulers of the Universe. The five main Fraggles Gobo (fearless leader), Mokey (arty and peaceful), Wembley (indecisive and a friend to Gobo), Boober (a pessimistic domestic god) and Red (loves anything to do with sport and general feistyness)get caught up in some strange situations each episode while at the same time sing and dance their cares away.
Fraggle Rock is definitely a family show-the plots may have intricate details that infants may not follow well, but the song-and-dance routines will hold their attention. The characters are strong and likable, their conflicts believable and their adventures thrilling. The Gorgs are frightening, Doc and Sprocket enlightening, Uncle Travelling Matt hilarious (the postcard segments are very 80s!) and the final episode, Change of Address, genuinely touching. Let's go down to Fraggle Rock again!


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Fragglerock is excellent in the way that Schindler's List was excellent. A Great watch for children and adults of all genders. Big noses can be seen as hinting towards phallic symbols, in the same way that H.R. Puff N Stuff had hinted towards marijuana smoking. Your kids will love this movie. I enjoyed it very much as a child. My father showed me this movie as a child. He enjoyed it as well and pointed out that the exaggerated noses were phallic symbols. Although at the time I had no clue about what those were. The movie is comedy and adventure. The storyline is wacky and cheerful. I and you shall enjoy this together.


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Rented the movie as a joke. My friends and I had so much fun laughing at it that I went and found a used copy and bought it for myself. Now when all my friends are looking for a funny movie I give them Sasquatch Hunters. It needs to be said though there is a rule that was made that made the movie that much better. No talking is allowed while the movie is on unless the words are Sasquatch repeated in a chant. I loved the credit at the end of the movie as well. "Thanks for the Jeep, Tom!" Whoever Tom is I say thank you because without your Jeep the movie may not have been made. In short a great movie if you are looking for something to laugh at. If you want a good movie maybe look for something else but if you don't mind a laugh at the expense of a man in a monkey suit grab yourself a copy.


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This isn't the best Bigfoot ever made, but by the recent standards of Nature gone awry movies, mostly showing on the Sci-Fi channel, this is quality stuff. It has some action, some humor, decent F/X and Bigfoot. CG is used, but so are some practical F/X, which I like.
Overall this movie is worth a watch if you are a fan of B horror/sci-fi and need a fix. It's better than the movie Sasquatch and not a sequel to it, so don't be fooled.
The acting is better than you may expect to find in a movie like this and the directing is more than adequate. Expect a bit of a lul as the characters are "developed", but know that things will pick up. If you are watching a DVD you may want to skip a chapter or two.


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I read a few reviews of this TV movie which all said that the film dragged on for too long and that it was basically only sensationalistic entertainment. I agree that perhaps, the film goes on a bit too long (2h30 would have been enough...) but I certainly do not think it sensationalize the subject matter. Jim Jones' expansive power trip and slow degradation into mental illness, paranoia and drug abuse are never treated in a voyeuristic manner. The movie takes its time in showing how Jones recruited followers (Brenda Vaccaro's and Brad Dourif's character are stand-outs in that matter) but also in observing an uncanny shift in Jones' perception of reality. It is mind-boggling to see an egalitarian, left-wing and compassionnate preacher become such a destructive and cruel dictator. Perhaps the movie doesn't explore Jones' motivations enough, which can make the whole ordeal a bit superficial at times (may have to do with censorship as well...) But Powers Boothe's mesmerizing performance makes it all come true. I am not familiar with the details of the real Jim Jones' life, but Boothe sure makes the monster he plays believable and real. The movie features many strong scenes, among them the preaching messes of Jones, Jones's meeting with Father Divine (a remarquable James Earl Jones), Congressman Leo Ryan (Ned Beatty)'s visit to the Guyana camp and of course, the suicide scene. It is quite a gloomy spectable to watch and Boothe is quite commanding in those last moments. Madge Sinclair shines in this scene as one of the suddenly sceptic follower, and so do Veronica Cartwright (as Jones' wife) and Brad Dourif, especially when their time comes to drink the murderous potion. The relative calm of the end of this scene, the tasteful direction and the contrasting beauty of the natural surroundings all work in making those images quite impossible to erase from one's mind. A disturbing reflection on human nature and its weaknesses. Worth watching, if only to keep in mind one of the truly horrific events of the 20th century. Not to let it be repeated again. Like, ironically, the inscription in Jim Jones' camp: "Those who do not know the past are bound to repeat it".


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Powers Boothe turns in a stellar performance as 1970's cult figure Jim Jones of the Peoples Temple. Jones physical likeness to Jones is uncanny and the story is acted out chillingly. The movie keeps you riveted and is a must see for anyone. check it out.


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A well cast summary of a real event! Well, actually, I wasn't there, but I think this is how it may have been like. I think there are two typically American standpoints evident in the film: 'communistophobia' and parallels to Adolf Hitler. These should be evident to most independent observers. Anyway, Boothe does a great performance, and so do lots of other well-known actors. The last twenty minutes of the film are unbearable - and I mean it! Anyone who can sleep well after them is abnormal. (That's why it's so terrible - it all happened, and it probably looked just like that). But, actually, did that last scene on the air station really take place?


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I've seen this film literally over 100 times...it's absolutely jam-packed with entertainment!!! Powers Boothe gives a stellar performance. As a fan of actors such as William Shatner (Impulse, 1974) and Ron Liebmann (Up The Academy, 1981)I never thought an actor could capture the "intensity" like Shatner and Liebmann in those roles, until I saw Boothe as Jim Jones! As far as I'm concerned, Powers Boothe IS Jim Jones...this film captures his best performance!!!


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Powers Booth is hypnotic as cult leader jim jones who led his Peoples Temple followers from 1953 until 1978 when he led them in a mass suicide in 1978 where over 900 died. A very well done movie which may seem a little dated due to the 70s time period but well worth the time 8 of 10


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Just given the fact that it is based on the most infamous mass suicide incident of modern times would have been enough to give this 2-part 1980 made-for-TV film attention. But the fact is that it is a superb recreation of the life of the Rev. Jim Jones, who built a church into a virtual empire, and then encouraged it to disintegrate into a sleazy cult in which a Congressman and his entourage were assassinated, and 917 cult followers committed suicide by drinking Kool-Aid doused with cyanide.
Done very tastefully but horrifying enough, unlike the excruciatingly sadistic CULT OF THE DAMNED, GUYANA TRAGEDY features an all-star cast, including Ned Beatty (as Rep. Leo Ryan), Meg Foster, Randy Quaid, Brad Dourif, Brenda Vaccaro, LeVar Burton, and Madge Sinclair. But it is Powers Boothe (in his first big role) that really stands out as Jim Jones. He actually BECOMES the man, and his performance is riveting and chilling. Thus, it is no wonder that this film still manages to attract attention after more than twenty years.


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I will never forget this film or the events that lead up to Jonestown in Guyana. It just seems so tragic but needs to be told. Powers Boothe give a commanding performance as the leader Rev. Jim Jones from obscurity until total madness. It would have won him an Academy Award easily if it was released in the movie theaters. It is the kind of mini-series you won't forget. You won't forget the images of the cult's brutality, control, and obsessiveness of it's leader. His rise and fall and the threat from the outside world to destroy what he considered to be paradise. The mass suicide is horrifying, almost unreal to anybody's imagination as to why so many people (900+) went willingly or resisted JOnes' orders. They don't make mini series like these anymore where we're left with out mouths open and hungry to know what happened to the others.


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This is quite the gripping, fascinating, tragic story. Quite good, and for the most part pretty accurate, considering it IS a TV movie rather than a documentary. They did create some fictional characters, and combine several actual people into one character, but otherwise this is a good telling of a very tragic and dark story.
The final moments of the movie, depicting the mass suicide/murder, are almost directly taken from an audio recording made by Jim Jones. This recording was made during the final 44 minutes of the Peoples Temple's existence. It is available in several places on the internet. This portion of the film is almost spot on in that regard.
To sum up, a documentary this is not. However, it does cover most of the base elements to the People's Temple story.


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