empathielabs/imbd_dataset_v0 huggingface dataset:
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this movie is outrageous. by outrageous, i mean awful. i had more fun watching the paint dry at my local hardware store on an august day while suffering from a migraine and heat stroke. the acting got progressively worse as the "movie" advanced, and the directors use of euphoric drugs became apparent as the final scenes approached. when misty was shot to death she decided that it would be prudent to blink post mordem. that was not intelligent. truthfully, stevie wonder could have caught that with his eyes closed. if you are deciding between playing with a nail gun while intoxicated and watching this movie, bear in mind that the nail gun will probably give you a better story to tell your friends.


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Without a doubt this is one of the worst films I've ever wasted money on! The plot is, erm sorry, did I say there was a plot? The scariest moment was when..., nope can't think of one! The best special effect that had me hiding under the bed covers was..., nope can't think of one for that either. You knew who the killer was right from the start. There was nothing scary about the whole movie, in fact the only two vaguely interesting bits were when you saw the kid sister, Misty, in the shower and when you saw Nurse Toppan take her top off. This film should only be watched to get an idea of how NOT to make a horror movie!!!


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This piece ain't really worth a comment.. It's simply the worst "horror" movie i have ever seen. The actors are bad as bad can be and the whole plot is so silly it nearly made me cry. Shame on you I say!!


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1st watched 11/07/2004 - 1 out of 10(Dir-Jon Keeyes): Over-the-top rehash of 70's supposed horror flicks like Friday the 13th(versions 1 thru whatever). I can't think of much redeeming here except(or can I think of anything?)The story revolves around a bunch of stupid people listening to a radio program one year after some kids were slayed in the woods as an 'homage' to this, supposedly. But, lo and behold, one of the stupid people, have connections to the actual event because her sister was one of the ones murdered(again, how stupid is this that she would even be a part of this). Guess what? The murderer is at it again and we're tipped off from the very beginning who it is(so there goes any mystery whatsoever). And besides all this, where are the 'cops' and why doesn't someone call them. I can't believe this movie was financed by someone and made. You would think that by now the American people would be judged a little higher, at least in their movie-going experience, but not so by this filmmaker.


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Kirstie Alley, looking a bit slimmer, but only a bit, is in this mess along with a man who is a MacGuyver lookalike, bleached blond hair and all. The premise of the movie is about an older woman (50!!!) who cannot get her screenplay produced due to age discrimination so she sends in her younger nephew to pose as the writer. Not an original idea and not a very good movie with lousy acting, inane dialogue and a ridiculous plot. There is another plot concerning a writer with a crush or admiration for Kirstie's character and why this is included is a mystery. The actor who portrays Kirstie's brother is so wooden and miscast, it was torture to watch their scenes. What is there to say about this film. Avoid it.


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The head of a common New York family, Jane Gail (as Mary Barton), works with her younger sister Ethel Grandin (as Loma Barton) at "Smyrner's Candy Store". After Ms. Grandin is abducted by dealers in the buying and selling of women as prostituted slaves, Ms. Gail and her policeman boyfriend Matt Moore (as Larry Burke) must rescue the virtue-threatened young woman.
"Traffic in Souls" has a reputation that is difficult to support - it isn't remarkably well done, and it doesn't show anything very unique in having a young woman's "virtue" threatened by sex traders. Perhaps, it can be supported as a film which dealt with the topic in a greater than customary length (claimed to have been ten reels, originally). The New York City location scenes are the main attraction, after all these years. The panning of the prisoners behind bars is memorable, because nothing else seems able to make the cameras move.
**** Traffic in Souls (11/24/13) George Loane Tucker ~ Jane Gail, Matt Moore, Ethel Grandin


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Yes, The Southern Star features a pretty forgettable title tune sung by that heavy set crooner Matt Monro. It pretty much establishes the tone for this bloated and rather dull feature, stunningly miscast with George Segal and Ursula Andress as an adventurous couple in search of a large diamond. Add in Harry Andrews (with a strange accent, no less) chasing an ostrich, tons of stock footage of wildlife, and poorly composed and dull photography by Raoul Coutard, and you end up with a thoroughly unexciting romp through the jungles of Senegal.


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Now, I flicked onto this just out of curiosity and had to keep watching - in the same way that you watch a car crash...
I appreciate the fact it's a spoof, but that should not stop me from criticising the god-awful directing, acting and dialogue. Seriously, this rated as one of the poorest movies I have seen - it looked more like an episode of Tales from the Cryptkeeper, and a poor one at that...
Okay - a few criticisms (1) when the doctor had his heart attack in front of the monster (we never see the monster attack him, so we assume its a heart attack), the army then launch shells, rockets, bullets at the monster - which was feet from the doctor - yet the doctor is not touched by any missile and is still alive (2) the army attack from about 100 yards away, and we see a flame-thrower being used - geez, those things have a range of no more than 30 metres! (3) when the monster tries to take the professor, the soldiers run into the classroom and fire into the ceiling; the monster drops the kid, and the soldiers don't try to shoot the monster??? come on! (4) the monster looks like it something out of Power Rangers! (5) there is one scene where the five "good guys" (the priest, the girl, the doctor, the reporter and the kid) all look shocked and we get reactions (along the lines of hand to mouth) one after the other - so natural! (6) the general just runs away, time after time (7) the general refuses to try electricity and wouldn't listen (8) the acting is awful (9) did I mention the rubber suit monster???? (10) that god-awful music, non-stop!


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Wow, I just saw this on T.V. as one of the "scary" movies they show around Halloween. Was this rated G? There wasn't really anything to make this movie scary, or worth watching. Also, other people say this is a spoof, but I don't think so. For a spoof, you need something called "humor". This low-budget crap-fest didn't have a shred of humor, and it didn't make much sense, either. You basically have a goofy looking monster (man in rubber suit) coming out of closets, killing people, I guess, since you never see the monster doing violence to anyone or any bloody aftermath. The spinning newspaper tells you that people were killed by the monster, so I guess that's good enough.
The military tries feebly to kill the monster, which isn't much larger than a man. They have very bad aim. Then the military FLEES! Wow, did this movie make the U.S. military look pathetic or what? The monster, while hard to kill, doesn't do much besides shuffle around and roar. Oh, and occasionally a second head pops out of its mouth and shrieks. It was a slightly interesting, yet a total Alien ripoff.
What was the deal with the scientist playing the Xylophone to attract the monster? It was hard to understand a lot of the dialog due to the poor sound quality. Also, why did the monster carry around the main wimpy guy for so long? Why didn't the monster go into the closet when it had a chance? Why do I insist on trying to make sense out of the senseless?


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This movie was terrible!I rented it not knowing what to expect.I watched the 1st 5 minutes and the movie and knew it was a bomb.The acting was bad and there was no plot.The monster is soooooo fake.It growls and its mouth doesnt move.Also why would they have a doctor playing a xylophone to kill the monster.Just plain bad don't even waste your time.(1 out of 10)


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I saw this movie in the theater when I was a kid and always remember it as my first experience with getting ripped off by a horrible movie with a good commercial. The commercial was great, but it I found out later that it had every explosion or 'special effect' in the entire movie (about 4) and even some that weren't in the movie. There was some sort of plot relating to the aliens but the aliens were never actually shown in the movie as far as I remember. It was clearly a case of someone making a buck off a cheap movie designed to scam people. I guess my world of innocence ended that day, when I found out there were bad people out there who make bad bad movies.


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The Earth is destined to be no more thanks to Father Pergado and a bunch of Nuns. Christopher Lee (who has since said that he was duped in to appearing in this by his producers who told him loads of great actors were involved) is Father Pergado and gets to do his usual serious and scary routine. The cast are not too bad, though most have now retired from acting. The film has terrible sound effects (mainly created from pressing keys on an old computer it seems) and it ridiculously pondering at times - showing a scene of the sky, for instance, for what feels like hours at a time. Despite this the story is pretty humorous in a world-is-doomed sort of way and the production is adequate. Interestingly one scene features Albert Band and wife Jackie; Meda Band; Writer Frank Ray Perilli and Charles Band's assistant Bennah Burton. Despite its plodding nature I genuinely wanted to see how it all worked out and thus quite liked it.


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This film had a great cast going for it: Christopher Lee, Dean Jagger, Macdonald Carey, Lew Ayres -- solid b-movie actors all. But this downer of a movie didn't use any of them to any sort of advantage, with none of their characters even meeting on screen (though Christopher Lee does get to play opposite himself in several scenes).
The motivations for the aliens in this movie seem to change at the drop of a hat. First, they just want to repair their ship and leave, then they turn on the main character by killing most of his friends and not releasing his wife after he gets them the crucial part they need. Then, out of nowhere, this "peaceful" race decides they have to destroy the planet because it causes too many "diseases" (though they do offer the main character and his wife a spot in their society).
Most of the film is spent watching the man and wife drive or walk or stand around or sit at desks doing nothing. You almost wish they had gotten taken out with the rest of the planet at the end, just in vengeance for boring us to death.
Unless you really like Chris Lee or seventies low-budget sci-fi, I'd give this one a miss. It falls into that narrow range of wasted celluloid between Star Odyssey and UFO: Target Earth.


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Your mind will not be satisfied by this nobudget doomsday thriller; but, pray, who's will? A youngish couple spends the actual end of the world in the hidden laboratory of some aliens masquerading as Church people.
Small _apocalyptically themed outing, END OF THE WORLD has the ingenuity and the lack of both brio and style of the purely '50s similar movies. And it's not only that, but EOTW plays like a hybridnot only doomsday but convent creeps as well. The villain of the movie is a wellknown character actor.
This wholly shameless slapdash seems a piece of conventexploitation, that significantly '70s genre which looks today so amusingly outdated. Anyway, the convent's secret laboratory is some nasty piece of futuristic deco! Christopher Lee is the pride of End of the World; but the End of the World is not at all his pride!


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It's got Christopher Lee, it's got huge banks of 1970s computers that make Teletype noises as letters appear on the screen, it's got radioactive isotopes that not only glow in the dark but emit pulsing thrumming noises, it's got volcanoes! evil aliens disguised as nuns! tidal waves! earthquakes! exploding cars! exploding coffee machines! and as a climax the entire planet blows up. How on earth does this film managed to be so incredibly, mind-numbingly DULL? The answer, my friend is because 90% of this movie is made up of establishing shots, most of them involving long tracks, pans, or zooms in combinations, or occasionally all three, that do nothing except give the crew something to do. There are endless shots of our protagonists driving, getting in and out of cars, driving again, walking around looking at stuff, getting in cars and driving... I just sat there watching endless parade of nothingness in stupefaction muttering "Say something, please somebody, just say something... DO something... anything!..."
The dialogue, when it does come, is terrible.
"Maybe their minutes are measured on a different scale than ours." was a typically meaningless line. The script culminates in the destruction of the world by stock footage, justified in this speech from Lee as the head alien:
"The planet Earth has emitted an over-abundance of diseases, they are contaminating the Universe. All the planets light years away from here will suffer unless it is destroyed!"
This is is Neanderthal SF script writing. This is the sort of motivation you find in the sort of 1950's Japanese monster suit movies aimed at 7 year olds. It is, and I collect such things, the most god-awful line from an English language SF movie since Buster Crabbe retired. It beggars belief that this movie was released in the same year as Star Wars and Close Encounters.
Lee, who always struck me as a smart, useful actor with a sure knowledge of his limits, delivers his lines as if he is going to kill his agent for getting him into this pile of drek. I don't blame him.


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Spoilers
Wow, END OF THE WORLD is a singularly underwhelming cinematic experience.
Here is the full story: a scientist is getting messages from space (a la INDEPENDENCE DAY). The messages say stuff like a massive disaster is about to happen and then the scientist hears later on the radio that a huge earthquake just happened in China. He starts thinking that the messages have something to do with the disasters around the world so he's trying to figure out who's receiving the messages (and who's also sending out messages in space). He and his wife eventually figure out that the messages come from a convent. They visit it. Everything looks normal, including the priest played by a bored Christopher Lee. But the scientist is adamant and really believes that the messages are coming from and going to that convent. So he and his wife secretly go back to the convent where they are caught snooping around by the aliens, disguised as priests and nuns. They are held against their will and the alien played by Lee forces the scientist to get something they need in order for them to return to their planet. Once the alien get the special element, the aliens all depart one by one to their home planet in some sort of tacky looking transporter platform. Lee, being the last alien left, tells the couple that the earth will be destroyed because of some sort of hokey decision by the aliens. Lee walks in the transporter and he's gone. The couple, looking at the monitors that show stock footage of natural disasters occurring all over the world, decide to follow the aliens. Because earth is doomed, the couple doesn't see any point of staying behind so they walk in the transporter and disappear. The last shot of the movie is a papier mache planet earth exploding. The end.
That's it.
I've never seen such a dull movie in my life. It's the most underwhelming movie I've ever experienced. The scientist and his wife are two of worst heroes or protagonists ever put on screen. They don't care about anything. They see the earth disasters on the monitors and decide "what the heck, who needs earth anyway?" They don't even try to stop them or do something to make things better. This kind of story might have worked if the film had an overwhelming sense of doom to everything but the action and atmosphere are nonexistent. The actors and the folks behind this dull flick are going through their paces, so much so that you can almost feel when they punched their cards when they got off and returned to work. I wasn't expecting much with this movie because it IS a Charles Band production, but I didn't expect it to be this bad.
Christopher Lee was once asked what was his worst film he ever made and he mentioned STARSHIP INVASIONS. Well, I'm sorry Chris but STARSHIP INVASIONS was actually goofy fun. STARSHIP INVASIONS is terrible but terribly entertaining. END OF THE WORLD is MUCH, MUCH, MUCH worst: it's beyond dull and inert, with NO entertainment value whatsoever.


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Christopher Lee is one of my favorite actors! I'm trying to view all of his work. He has been known to single-handedly save movies with his presence. Unfortunately, this is not one of them. This movie suffers from a low budget and it's production values are disturbing. Please...for the love of Christopher....avoid this film!


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"A scientist discovers signals from space that appear to carry information concerning a series of seemingly unrelated natural disasters, occurring across the globe. Hoping to discover the source of these signals and who's behind them, the scientist and his wife set out on a trek to locate the intended recipient of the signals. What the couple eventually discovers is a small remote convent with occupants who are not really who they appear to be," according to the DVD sleeve's synopsis.
Kirk Scott (as Andrew Boran) is the scientist who intercepts alien messages on his computer. He suspects a series of "Large Earth Disruptions" may be connected to the weird space static. Mr. Scott and pretty blonde wife Sue Lyon (as Sylvia Boran) investigate the mysterious signals from outer space. They discover priestly, but creepy Christopher Lee (as "Father Pergado"), and other silliness. Given that, "End of the World" is remarkably dull.
*** End of the World (1977) John Hayes ~ Kirk Scott, Sue Lyon, Christopher Lee


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A good deal of running around. A badly conceived adversary with very little complexity. A scientist who works in communications sending off signals into space and receiving them, gets caught up with aliens. Along with his pretty wife, he invades their territory and is given secrets about them. He becomes rather traitorous in the process. Granted, he is given little choice anyway. There is a scene where he gives them everything they want. This is a dull movie with lots of long stretches where little happens. The plot isn't technically bad. It's just that we are usually following a car, a trip through a woods, investigating a building. This is what editing is all about. I suppose the story wouldn't technically support much more. Not much here.


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Dull, cheap sci-fi thriller, made with an almost total lack of conviction (a control room full of computers and other devices used to receive and decipher messages from outer space is run by only ONE MAN, and is VERY poorly guarded at night), and full of campy sound effects. Christopher Lee is not only wasted, but he also gives one of his few "I'm here strictly for the money" performances. (*1/2)


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What can I say about this film other than "don't see it". I waited and waited and WAITED for someting (or anything) to happen and it just didn't come. Watch amazingly as two people walk around while setting the record for most filler screen time in a single movie. What are they doing? Are they solving a mystery? Are they gathering clues? Possibly, it's just hard to tell. At the end of the movie, after a lot of radio signals are decoded (illegibly on some sort of PET monitor) and this guy gives some lectures, the plot is finally revealed and tossed aside as quickly as possible. Some aliens want to get back to their home world utopia and are so happy there that they want to blow up the earth (I guess they don't like sharing the wealth). My guess is they finished filming and saw their 35 minute work or art (garbage!) and decided that they'd let the editing crew turn it into an 88 minute feature film. Watch at your own peril, it's not even funny because it's so bad, it's just bad.


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end of the world looks like a good movie on the box cover but be warned its bad.being a big fan of mega star actor Christopher lee i was fooled. like tentacles(77)a good cast does not mean it'll be a good film.the beginning looks promising then it turns to tedium,many parts of the movie are too dark to see whats going on.the rest of the cast is shown briefly like;Lew ayres,dean Jagger,and MacDonald Carey as a security guard.i would expect better from Charles band who made good fun movies like the re-animater and dolls.i heard Christopher lee was tricked into making this film.he was told his co stars were going to be Jose ferrer,john carridine,and dean Jagger.well dean Jagger is there but the other two never made it(lucky them)if you make a movie about the end of the world use a bigger budget and better storyline.dean Jagger went on to do two good movies afterwards;alligator(80)and game of death(79) sue Lyon(Lolita)is also in the movie minus her lollipop.if you are a glutton for punishment then watch end of the world i dare you to say awake during the whole movie.1 out of 10.


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This is one of the most boring movies I have ever seen, its horrible. Christopher Lee is good but he is hardly in it, the only the good part is the opening scene.
Don't be fooled by the title. "End of the World" is truly a bad movie, I stopped watching it close to the end it was so bad, only for die hard b-movie fans that have the brain to stand this vomit.


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End of the World is an uneventful movie, which is odd since it is supposed to be about the total destruction of the earth. The main character is some kind of scientist, I'm not exactly sure what kind. He has two jobs at a government(?) facility guarded by four security men. His first job is monitoring transmissions to and from space (although this actually seems more like a hobby he does when not working on job #2). Job #2 requires him to put on a protective suit and go into a dark room...at least that's the best I can figure. Apparently the "plant" is not exactly top-secret, as the scientist brings his wife there. She hangs out (they're on their way to a dinner) while he discovers a message from space: Major Earth Disruption, repeated over and over. He says something about it being the first message from space he's ever been able to decipher; his wife tells him they're going to be late for the dinner party. So they leave and go to the party (!?!). Moments later he finds out that China has suffered a major earthquake. From there, the movie goes... nowhere! Yes, Christopher Lee is in it, but that really doesn't help much. Besides, Lee gives a lackluster performance along the lines of his appearance in Howling II. This movie is boring, but it has enough stupid elements that you might want to suffer through it once if you like Christopher Lee or Z-grade sci-fi. Plus, there's lots of stock footage of the earth being destroyed.


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I expected alot from this movie. Kinda like Lee as a Naustradamous like caracter but instead all I got was a waste of time and a boring movie. I can't even explain this movie. It had wooden acting, terrible script from pieces from the Bible like hurricanes, tidal waves and earthquakes. But that was at the end! The rest of it I had to wait and hope that something meaningfull would happen but it didn't. This movie is about a couple that tries to find out the changes going on in the world like places in China where there was an earthquake and end up at a convent run by eight nuns and a priest. The convent end up being the key to the misshappenings. The whole movie is missleading and boring. One of Lees worst.


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I work as a hotel concierge in Washington DC and take my word, there was nothing remotely accurate about the character played by Michael J. Fox- # 1 we simply do not walk around with our pockets bursting with theater tickets and $100 bills! #2 If I ever let anybody use a room for some 'afternoon delight' time I'd be fired on the spot! The organization to which I belong (Les Clefs d'Or) has very definite standards of ethics and conduct that we take seriously. #3 Similarly untrue was the concept, at the end of the movie, of Doug simply removing his gold key emblem and passing it on to some other employee- we earn those keys and it is a badge of honor and knowledge to be allowed to wear them. There is a whole application and vetting process to joining our organization.
This film does nothing to dispel the unfortunate perception of a concierge as nothing but a money grubbing mercenary. In short it does a disservice to our organization. I welcome any comments.


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This is the biggest pile of crap I have ever watched. DO NOT RENT! The makers of this movie should be band from ever making another movie. It starts with some what of a plot, then fades fast to nothing. I think I would rather watch paint dry then to as much as looking at the cover. The actors were awful, the plot faded fast, filming left to much work to be done. Not one good thing to say about this crap movie. If you rent this movie you will waste your money. I really enjoy National Lampoon movies, but this was a waste of time. Learn to write, learn to act, learn to produce, and learn to direct. I feel I should sue these a-holes that made this movie for money wasted on rental cost and time lost.


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This movie was made by a bunch of white guys that went to school together. Well there's nothing wrong with that, except it looks like it was made by a bunch of white guys that went to school together. 90 percent of the cast are white males about same age. It's almost like watching a bunch of guys at boys camp who turned the camera on themselves. The movie has no plot. It simply repeats the same action of blood bath after blood bath. There are some funny scenes and comedic bits. But they don't redeem the flat monotony.
The graphic cartoon scenes are used to cover the stuff that was obviously beyond their budget or resources to do, and not done very well at that. Anything that can't be done with white guys running around on the beach covered in blood is done with cheap animation.
I went to see this film after seeing the trailer, which makes it look like a Tarrentino piece. Well, the trailer scenes are as good as they ever get. Ther rest of it just repeats the same kind of mundane, inane comedy. It works at times, but it gets boring after the same stuff comes at you over and over. It's more like a string of Satuday Night Live skits than a movie. It's a hit-you-over-the-head-with-it kind of comedy. I can see where the story idea is intriguing. But, in this film post apocalyptic America is much like Medevil England. In fact Wheatlry says the story ideas came from that era. He plans to make a Part 2. I guess he thinks he's Tarrentino or maybe doing a parody thing.
At the opening in LA, Wheatley mentioned he will bring back pretty much the same cast in part 2. He was asked if he might consider a more diverse cast in the next one, to which he replied, well yea, sure.


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This is an incomprehensible horribly low budget piece of awfulness.
I don't even have the vocabulary to say how dire, turgid, boring, confusing, and just plain strange this effort is (Hey what d'ya know I do....) Set in a post-Apocalyptic America some guys meet on a beach and slaughter and chaos ensue - it was all so incomprehensible I couldn't make head or tail of any of it.
Seriously how this got picked up by National Lampoon totally defeats me: it really is awful.
And not in a its so bad it's good cult way.
It is just awful, awful, awful, awful.
Honestly. If you still don't believe me then watch it with every intention of loving it then come back here and tell me what you think. Even gerbils on acid couldn't hope to understand this.
Avoid or even better destroy...


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I love all types of films, especially horror. That being said, Survival does not live up to ANY of the hype surrounding it.
I can't give it any points on originality. There is nothing wrong with exploring the same themes, or remaking what others have done. It has just become a cop out for indie films to take us on a slasher journey through the woods, a crazed killer, and as of lately, throw in some crazy family. On those lines I have to compare it with the likes of Texas Chainsaw, Wrong Turn (though the twist in that one is obvious), and others. Survival falls up way short against comparable films. The plot was just not original in ANY way. Some films can get by with a weak (and way over-done) plot with superb acting, special fx, or a slew of other factors. Survivial doesn't have any of that to bank on. If you will, note the following: The acting in the movie never took off. I don't knock or blame the actors for that, nor the director. The dialogue was at best mediocre, and the actors involved never showed (not saying didn't HAVE) the talent to pull it off. I mention 2 standouts. The leading man in this film certainly has the look, but I seriously thinks he needs to consider more training before he is ready to carry a film. The actor who portrayed Greg also had potential, but we never got to see any of it (watch the movie to see why, you won't believe it..).
The grainy film look. Ah yes, that little tid-bit of film making magic designed to take us to the glory days of "Grindhouse" films. In today's film making, that has become a gimmick. It either works or it doesn't. In this case it just does not work. There are too many other flaws going on, so it winds up distracting from the film, not adding to it. That being said, I think they did a good job of adding that grain. That is some good, quality grain. I think with a different script, better direction, and possibly actors, they should try another "Grindhouse" attempt. They will probably pull it off.
As far as the tech aspects, in my opinion, they never quite gelled for me either. Better care could have been taken with audio (sounds like it was fed directly into the camera, but there is nothing wrong with that) and for being shot on DV, it was too soft for my taste.
That is all I have to say about that.....


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I think the Croc Hunter is a pretty cool guy! I know I wouldn't have the nerve to go even 5 feet away from a croc.
But, everything in this movie is bad. Farting jokes, people getting eaten, and the skit about the President all make the movie one of the worst of all time.
It's a really bad film that you have to stay away from. All the "jokes" are so juvenile that you will find yourself laughing because they are so stupid. The plot is so bad that you wonder if the screenwriter is 4 years old.
I'm surprised the Croc Hunter did not beg the crocodile to eat him after he saw this.


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On Steve Irwin's show, he's hillarious. He doesn't even try to be funny and he just is but his movie wasn't even what I would call a movie-I mean when that guy on his car is trying to kill him he's just saying 'Oh, this is one nasty bloke!' and looking straight into the camera. He put his face in the camera too much! And then when the guy falls off the car wouldn't you expect him to be dead? And Terri had the worst acting I'd ever seen! Like when the crocodile almost ate Steve she just says 'Steve'. She didn't sound scared or anything, it was just 'Steve'. I mean I hate to sound mean but that was not worth seeing. I love Steve Irwin but his movie was just too stupid.


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A difficult film to categorize. I was never giving it 110% concentration & consequently as simple as the plot appeared I couldn't say for certain exactly who was doing what amongst the American FBI characters & what their roles were. Nor could I take the Irwins seriously as film characters when their lines & scenes were all in the style of one of his shows, not acted out.
This is nothing more than a glorified episode of a Discovery TV show, with a largely insignificant sub plot going on, which just seemed to get in the way. However as any Irwin show is always worth a watch, this film is well worth a look too, but not on Christmas Day. Talking of which, I've better things to do too than be on here.
A high 4/10


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I would love to have that two hours of my life back. It seemed to be several clips from Steve's Animal Planet series that was spliced into a loosely constructed script. Don't Go, If you must see it, wait for the video ...


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If you like bad movies, this is the one to see. It's incredibly low-budget special effects (you'll see what I mean) and use of non-actors was what gave this film it's charm. If you're bored with a group of friends, I highly recommend renting this B movie gem. It's mulletrific!


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I notice that the previous reviewer (who appears to be still at school) gave this movie a very good review and I can only assume that this is because the reviewer hasn't seen the far superior 1989 BBC adaptation of this classic novel. The major problem I had with this (1999) version was the casting of Anthony Way as Tom Long. Anthony Way was a talented boy treble who shot to fame after appearing in the TV mini-series "The Choir". I can only assume that he was cast for the role of Tom Long on the strength of his excellent acting in "The Choir". Unfortunately the small boy who appeared in "The Choir" had grown into a tall and gangly youth by the time "Tom's Midnight Garden" was filmed and as such Anthony fails to convince as schoolboy Tom. It is too far a stretch of the imagination to believe that Tom (as played by Anthony) would befriend the far younger Hatty. In the 1989 BBC version Tom and Hatty are much closer in age and the development of their friendship is so much more believable. For a 1999 movie even the special effects fail to convince and are not any noticeable improvement on the 1989 TV effects. The casting and acting of this version are inferior to the earlier adaptation and all in all the movie was a lack lustre version of a true classic. As a final observation I would point out that the VHS of the 1989 BBC version fetches well over £20.00 second hand whereas a new DVD of this version can be bought for under £5.00, need I say more?


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I have absolutely no knowledge of author Phillipa Pearce or any of her novels and if TOM`S MIDNIGHT GARDEN is typical of her work I probably would have had little interest in her books as a child . When I was a child I wasn`t really interested in litreture unless it had soldiers fighting monsters complete with a high body count
Judging by this film version of TOM`S MIDNIGHT GARDEN I guess Pearce writes for lower middle class kids since much of the story of revolves around protagonist Tom Long moving to a house with no garden then suddenly finding a metaphysical one . Having a garden of your own was no doubt something that working class people didn`t have in the 1950s so I guess there`s some political class ridden subtext there somewhere . There`s also a romance involving a young girl called Hattie but again are cynical kids amoured by love stories ? Perhaps the worst criticism is that very little in the way of excitement or adventure happens within the narrative
This is a childrens film that seems dated by its source . It`s inoffensive but I`m surprised by its high rating by the IMDB voters . I wonder how many of them would have given it so many high marks if they were 10 year olds who`d just seen the LORD OF THE RINGS trilogy ?


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Elvis has left the building and he's lucky because he didn't have to watch this unfunny stinker. Scene after scene director Joel Zwick finds ways to make an unfunny script even less amusing. Filled with unfunny deaths, trite gay characteratures, and hack jokes, this film is more desperate than amusing. This is the sort of film that makes one hope Kim Basinger follows Doris Day into premature retirement. Let us remember her the way she was (talented) and not what she's become. David Leisure, the delicious Dennis Richards and the rest are all wasted talents here. Zwick finds a way to minimize their talents at every turn. The guy playing Elvis sounds more like Gomer than the King.The only really good bit of casting is the young girl who plays Basinger as a preteen. She really looks like her and is actually pretty good. The only other reason to watch this film at all is to look for the Tom Hanks cameo. The cameo isn't all that funny, but at least its not painful. One has to wonder if Zwick has incriminating pictures of Hanks or something that would make him do this movie.


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OMG! The only reason I'm giving this movie a 2 instead of a 1 is because Tom Hanks is funny as an Elvis-in-the-box. Apart from that, how did this halfway decent cast sign on to do such a lame movie?? Maybe it seemed like a good idea at the time... There are no laughs to mention, the stereotypes are pathetic, the cast is wasted, the direction is amateurish. Now that I think about it, most of the blame probably lies with the director, Joel Zwick. He brings out nothing but flat performances from all involved. Don't waste your time like I did; but then, I enjoy a good train wreck. Geez, now the system is telling me I need more lines-- here ya go: This movie should be called Return to Sender. Okay, now THAT was funnier than anything in the movie...


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My main comment on this movie is how Zwick was able to get credible actors to work on this movie? Impressive cast  even for the supporting characters, none of which helps this movie really. I have to admit though, Tom Hank's cameo almost made it worth it  what was that about Tom? Did you lose a bet? The best cameo of the movie was Joe Isuzu though - by far a classic! The premise is good. Basinger's character, struggling with existence as a Pink Lady, is making her way toward Vegas motel by motel pitching the glorious pyramid of cosmetic sales. This happens as Corbett's character is on his way to Vegas to deliver an Elvis suit to his soon to be ex-wife motivated by.what else.extortion. As they both make their way, they have numerous run-ins with Elvis impersonators who on their way to an Elvis impersonating convention in Vegas. Soon, the FBI gets involved and begins to track what they think is an Elvis impersonator serial killer. Unfortunately, premise doesn't mean the movie was good.
When watching this movie, imagine you are back in the first grade  when story lines and continuity aren't really important. It is much more enjoyable to just watch Basinger look beautiful in her Pink Lady outfit rather than wondering why what she is doing doesn't really make sense. The movie tries hard, but ultimately falls way way way short. Ultimately, it is filled with ideas that could have theoretically been funny but in practice were not that funny.
It isn't the worst, but you may find you yourself feel like leaving the building when watching this one Don't say I didn't warn you!


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Darkly comic serendipity about a cosmetics saleswoman, with odd ties to Elvis Presley, running into a sea of Elvis impersonators while speaking at conventions in Nevada...and accidentally killing each one of them through little fault of her own. Kim Basinger, a still-attractive actress of considerable merit, likes to pick quirky movies to play in, but this dreadful screenplay (by Mitchell Ganem and Adam-Michael Garber) hasn't an iota of good humor. The stereotypes and low-ball gags are not meant to be the stuff of classic comedy, but even on a shambling, shameful level, the picture is crude and sloppy. If you do watch, see if you can count how much extraneous shots there are of Basinger behind the wheel of her pink Cadillac, hands always in the same position and a non-plussed look on her face. Hopefully both she and Elvis were well paid. NO STARS from ****


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Being an Elvis fan, I can't understand how this proyect could be done. Is by far the worst Elvis related movie of all time, totally unfunny, silly and plenty of mistakes about The King. Come on, Elvis' grave in a public park? A mention about Suspicious Minds in 1958?...and these are just two examples. Some people in the cast tries to do their best, Mike Starr is funny (specially as an impersonator), the Tom Hanks cameo is a surprise, but the guy playing the young Elvis sucks.Overall the movie lacks fun and becomes more boring minute after minute. If you want to see an ultra cheap, insane but absolutely funny little film related to Elvis, I truly recommend you "Bubba Ho-Tep" instead of this mess.


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I saw this movie on a westbound American Airlines flight. It was so bad it actually made the flight seem longer. The plot had potential (who wouldn't love a movie about a woman who accidentally kills every Elvis impersonator she meets?) but it got screwed up a million different times by really poor writing. Towards the end is an embarrassingly bad scene where a gang of Elvis impersonators is on the roof of a casino reshipping the sky thinking he's going to return, then a group of stars moves together to form an "Elvis" constellation, which promptly shoots a bolt of lightning at the impersonators, sending them crashing through the roof. Bad...REALLY bad. Which is the theme for the whole movie. I'd avoid this one at all costs.


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One of the worst films I have ever seen. How to define "worst?" I would prefer having both eye balls yanked out and then be forced to tap dance on them than ever view this pitiful dreck again. Somehow, One-Hit Wonder Zwick manages a film that simultaneously offends Elvis fans, Mary Kay saleswomen, Las Vegas, gays, FBI agents and the rest of humanity with any intelligence with a shoddy, sloppy farce so forced it deserves to be forsaken ed. How Elvis Presley Enterprises could allow the rights of actual Elvis songs to be used in a film with a central premise that seems to be "The only good Elvis Presley Imitator is a dead one" is beyond me. The worst part of this mess - and that takes some work - is the mangled script: In 1958, Elvis' words and songs that he would speak/perform in the 1970's are quoted! Worst special effect? That Oscar would go to the moron who decided that Elvis' grave, potentially the most photographed/recognizable grave in the world, resembles a pyramid with a gold record glued atop and is situated in the middle of a park somewhere. Potentially, this film's biggest audience would be Elvis fans. However, the rampant stupidity (Nixon gave Elvis a DEA badge, not FBI credentials...and I could go on and on) actually undercuts THAT conventional wisdom. Ugh. I used the word "wisdom" to describe this stupid movie. This is truly a horrible, horrible film.


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