empathielabs/imbd_dataset_v0 huggingface dataset:
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I first came across 'My Tutor Friend' accidentally one or two years ago while TV surfing. Prior to that, I'd never watched any Korean films before in my whole life, so MTF was really the first Korean film I've ever watched. And- what a delightful surprise! I was thoroughly amused from the beginning to end, and had a great time laughing. Its comic style is quite different from those of the Hong Kong comic films (which I've been to used to all my life and hence tired of as well), breathing fresh air into my humdrum film viewing experience. I thought there're quite a few scenes and tricks in MTF that are pretty hilarious, witty, and original too.
I watched MTF the second time a few days ago, and having watched it once already, the surprise/comic effect on me kind of mitigated. That has, however, by no means affected negatively my opinion of the film. Instead, something else came through this time- it moved me- the story about how two young, seemingly 'enemies' who're utterly incompatible get thrown together, and how they gradually resolve their differences and start caring for each other without realizing the feelings themselves, reminds me of the long gone high school days. To me, Su Wan and Ji Hoon ARE actually compatible as they both have something that is pure and genuine inside them, a quality that separates them from people like say, Ji Hoon's sassy girlfriend.
The film is divided into two distinct parts- the 1st part deals with the 'fight' between Su Wan and Ji Hoon, and is more violent and faster in pace. After Ji Hoon gets a pass in his final examination and Su Wan dances the (in Ji Hoon's opinion) provocative dance, things start to change. The pace slows down and... Ji Hoon suddenly realizes he cares for Su Wan more than he could ever imagine. So the 2nd part deals with the development of their mutual feelings, leading of course to a happy ending accompanied by a final showdown with the gang boss.
Just one last comment. I find this to be a bit unbelievable- the fact that a 21-year-old self-proclaimed 'bad boy' would feel embarrassed being almost naked in front of the girl he bullies and loses his 'cool' is just a little... odd. I guess that shows that Ji Hoon is just a boy pure at heart and isn't really what his appearance seems. Btw, Kwong San Woo (Ji Hoon) DOES have a sexy body and perfect figure! ;-)
MTF is definitely on my list of top 10 favorite films of all time.


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Like "My Sassy Girl", this movie is based on a true story posted from the internet, but that's where the similarities end. The story is generally about this rebellious guy named Ji-Hoon (Kwon Sang Woo) who is still trying to finish high school, whose parents hire a tutor named Su-Wan (Kim Ha Neul), a woman who comes from a poor background, but happens to be the same age as him. Add to that some obstacles, martial arts (thugs are always after Ji-Hoon for revenge), a scorned, thuggish love-sick girl who is after him, his proclivity for ditching the lessons, and you generally can guess the whole story. Did I mention it's a romantic comedy? This movie has some good fight scenes, great visual humor and a lot of spunk, thanks to the good chemistry between Kim Ha Nuel and Kwon Sang Woo, that bring a lot of energy to the story. The romantic elements also work because of that reason. And, I must say, I'd want a girlfriend more like Kim Ha Nuel than that girl from "My Sassy Girl" (personality-wise, at least). She has some spunk, but it's more on the cute, sweet, good-hearted way. Characters are already mostly likable (so one might say it had less of a hill to climb than "My Sassy Girl"--an obstacle that worked for that movie to its credit), and the movie is quite clever and interesting most of the way. The story kind of sags, though, about 2/3 of the way (where it sort of treads on familiar, standard fare, where nothing really interesting happens), but near the end, it picks up a bit again. Overall, a fun, cute movie. 8/10


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My Tutor Friend is a well scripted romance comedy movie that has something similar to My Sassy Girl.. there's no kissing/sex scenes. Hollywood should learn more from Korean productions. Sex is not always required in a good romantic movie.
The movie is of light hearted tone with occasional cartoon CG scenes blended into the movie. I like the part when Ji-Hoon almost kissed Su-Wan. The funniest moment is when Ji-Hoon punched Su-Wan's first love because he dumped Su-Wan for another girl and he is going to be a father soon. How he became a father was revealed in the next scene, which brings smiles to the audience.
Mao points: 8/10


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I enjoyed this film very much. Many Korean people will feel familiar with this film because many of them have tutors when they go to school. Cinematography was average. The movie would have been better if the angel or the movement of the camera was more irregular. Editing, however, was very neat and unusual.
The acting was also very good. Kim Ha Neul usually played an innocent, weak girl in the Korean soap-opaeras. But this time, she plays a cute tomboy very well. Kwon Sang Woo also plays his role very believable.
What I like the most about this film is, the emotion of the characters are not too exaggerated. There are many Korean romance films that the characters cry river before the audience and I always thought it was very stale. There was no such crap in this movie.
Very funny and well-done.


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After, I watched the films... I thought, "Why the heck was this film such a high success in the Korean Box Office?" Even thought the movie had a clever/unusal scenario, the acting wasn't that good and the characters weren't very interesting. For a Korean movie... I liked the fighting scenes. If you want to watch a film without thinking, this is the film for you. But I got to admit... the film was kind of childish... 6/10


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When it comes to the erotic genre, I'm lucky to get through the first 20 minutes of the plot without getting up or looking for something else to watch. This movie is different. Julie Davis (I love You Don't Touch Me) directed two very strong lead actors Kira Reed and Doug Jeffery in this enthralling thriller. Kira is convincing as "Kim" a sweet innocent romance novelist that gets caught in the web of seduction of Doug Jeffery's "The Man" a handsome stranger. Kira loses control of her inhibitions in the role, and as actress, giving what could have been simply another T and A depth and believability. I believe it to be her best performance yet. And Julie Davis' direction is a great gift to erotica.


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All Kira Reed fans MUST see this. The film's premise has struggling romance novelist Kira unable to come up with any new ideas. She's also getting over a divorce. However, she meets this guy at a restaurant and he helps her out of her shell (and clothing). They go into a corner room and they do it. Thankfully, Kira gets a condom out (Now don't ever tell me these Playboy films are worthless piles of soft-core fluff. Remember kids, safe sex). Later, she marvels to her publishist how great it was, but she didn't get his name. Despite this, the guy finds her and they continue their kinky games. But eventually she tires of his sneakiness and wants to know more. When she does, all hell breaks loose, and I'll leave it at that. This is easily the best of these soft-core Playboys films I've seen. Check this out, and marvel at the greatness of Kira.


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I must admit, out of the EROS MOVIE COLLECTION, this has to be the one that I love the most as well as one other that I have also reviewed. The story is something that really keeps you watching. A lot of the EROS films have a plot that looks like a hammer broke it in pieces before production when you watch it. All centering around sex, and who can get with how many different people come the end of the film. And oh dear god, never watch one of these films when someone pulls out a gun. It does not work that it is almost laughable, but you do not want to waste the energy to do so.
"Losing Control" is exactly as its name comes on. The protagonist, the leading character (the wonderfully talented and beautiful Kira Reed). The control is the control a person has over their senses, their body and feelings. And one man changes everything for her, makes her a different woman almost. But the mirror is shattered at the same time. This makes for a great film that I wish I had come up with first!!
10/10


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I saw the movie recently during the Boston Film festival. The movie was very entertaining and is something that I believe the world, and black America is ready to see. It has comedy,drama, the soundtrack is great. It is an all around good film. The characters were well developed, and the movie had a wide variety of prominent actors, such as Wood Harris(Remember the Titains, Paid in Full), Brian J. White (Trois 3, Mr 3000), and the wonderful Zoe Saldana(Drumline, Pirates of the Caribbean). The movie tackles many relevant topics in todays society in a short period of time, and does so with class and grace. This is not only a story about life in the hospital, however it is a story about people and their personal journey to discovering who they are, or who they are going to be.


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I had to give this film a 10 simply because it did what so many films thrown at black audiences have FAILED MISERABLY to do. This film was void of all the video whore clichés, and it also skipped the gangsters, rappers, and foul language. It examined several relationships among physicians, African Americans, and African American male/female romantic relationships on a completely new and refreshing level. I was highly impressed with the films careful mix of light headed humor with some pretty tough and heavy issues. The film will leave you feeling happy and sad all at the same time. I saw it at the Boston Film Festival as well. It premiered at AMC Loews Boston and I truly hope this film makes it to much larger audiences. Black People (and EVERYONE else) would LOVE a movie like this- if only the industry was SMART enough to put them out there!
As an extra- if your a doctor, a resident, a medical student, a premedical student, married to a doctor, have a doctor sibling, have a doctor in the family, or know a great doctor period- they would love this film as well. It portrayed residency and the practice in a true-to-life way that was greatly appreciated by the doctors, residents, and medical students who viewed the film. Dennis Cooper completely his residency in internal medicine- so he definitely applied his knowledge/experience to the film and that is greatly apparent.


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So I don't ruin it for you, I'll be very brief. There's some great acting and funny lines from the attractive cast. A young graduate of Harvard Med School (Brian White) finds out he doesn't know as much as he thinks about people. He goes to a small hospital in Florida for his internship because a girlfriend (Mya) left him for a job as a TV Producer. His Senior Resident (Wood Harris), helped marvelously by his 'creative collaborator'(Zoe Saldana) bring him up to speed. They help protect his career and show him the wider possibilities that come from being a compassionate doctor instead of a player who just wants to make money (as seems to be true for many of my pre-med friends).


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This is a really funny (and sexy) movie - that is not just silly but has great acting. It's the kind of movie where the characters are so entertaining that you feel like you are connected to everyone in the theater. I saw it at the Boston film festival, and I found myself frequently laughing out loud with everyone else, and also moved by some of the movie's more serious parts. It's a unique movie about two doctors, and I don't want to give anything away but there are some powerful scenes as well really funny ones - plus the dialogue is great. Wood Harris' character has a unique relationship with his girlfriend Zoe Saldana, and Brian White and Mya are also funny and sexy in their roles. If you get a chance to see it - go - you won't be disappointed. It's worth seeing again. Wood Harris deserves an award.


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I still have grainy, late night, no-cable, cheap VHS dubs of this show from waaaaaayyyy back when, late-night-commercials and all, when I would stay up to whatever weird hour they would slap this show on -- just so I could tape it.
The series wasn't really ABOUT Freddy Kreuger - only the first couple of episodes actually involved him as anything but a Rod Serling-esquire announcer. Instead, each episode was a distinct nightmare, using the traditional horror themes of horrific childhood, dating, cannibalism, dating, money, death, dating, and... hmm... dating.
From the episode where a teenage boy accidentally says "I will love you forever" to the wrong girl, and is stuck with her (literally, at least for a moment, they grow together...), to the one where a young stewardess goes home with a strange man, only to find herself in his cabin, where he has a trophy room full of other stewardesses, and one I only vaguely remember which compared blind dates to hockey (and the injuries and penalties that go with it) - dating was definitely the scariest thing in the series.
One episode had Jeffrey Combs (Re-Animator, etc.) as a motivated pizza merchant with a tasty new secret ingredient. Not original, but still creepy and fun....
Even so, some of the episodes were great. My personal favorite was "It's a Miserable Life" where a young man is trapped working in his parents' burger joint, when he wants to go off to college. Stuck talking to himself and doing little puppet shows with old cheeseburgers - until one late night when a weird guy comes through the drive through and suddenly his life is not the same. No, not Freddy, just a thug with a gun - turns out the whole mind-blowing episode is just that - the last thoughts that pass through the kid's head... along with a bullet.
The second half of the same episode (many of the Freddie's Nightmares episodes were essentially two vaguely connected short stories) followed his girlfriend, who was also wounded, but not killed in the drive-by, and who is taken to "the hospital from heck" - they cram in all the most creepy hospital nightmare clichés, and then some - from accidentally having your mouth sewn shut - or waking up during an operation - to having your dead boyfriend try and lure you into the morgue for a little cuddle.
Again, that was my favorite.
Some of the episodes were much dumber, like ALMOST ALL OF THE ONES THEY'VE MADE AVAILABLE ON VIDEO. They put the crummy ones out as representative of the series, and then nobody likes them, thinks the show stunk, and then they don't put any more on video. It's a Miserable Life is only available on PAL DVD in England - but I'm still gonna buy it.


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This is one horror movie based TV show that gets it right. Friday the 13th the series had no connection to the movies. Poltergeist the legacy: I'm not so sure. It may have been loosely connected to the movies. It feels like they just throw a famous title on a show so fans will watch it.
It shows Freddy being burned by the Elm street parents(in the 1st episode I believe) and the amount of parents were disappointing. With all the kids he targeted in the 1st 3 movies, you'd expect there to be more parents. But oh well.
Freddy is basically the narrator for the show. He watches the actions of people in the real world sometimes getting involved somehow. Just like other anthology shows like Tales from the crypt, there's a supernatural or surprise ending twist involved.
The acting lacks but believe it or not: the violence sometimes surpasses that of the movie. This show lasted a couple of seasons and was made around the time of the 4th movie. i heard it was canceled due to protesting parents. I watched a lot of R rated stuff as a kid, so its a shame parents had to ruin it for everyone. 4 more movies came after the series , so it wasn't a total loss.


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I don't see how you can say that Freddy's Nightmares is cheesy and a rip-off. You obviously don't know good TV when you see it. The episodes are packed with drama and blood. Freddy is creative in the way he kills people. I love Freddy's Nightmares and I hope to get all 44 episodes on DVD. The best episodes are: Saturday Night Special,School Daze, and Love Stinks. If you think this series sucked then you're entitled to your opinion but remember it's only your opinion and it means nothing. Freddy's Nightmares will always be one of the best series ever and you'll come to accept that fact soon enough. If you don't like it then don't watch it but don't deny it's brilliance.


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i know technically this isn't the greatest TV show ever,i mean it was shot on video and its limitations show in both the audio and visual aspect of it.the acting can at time be also a little crumby.but,i love this show so much.it scared the hell out of me when it first aired in 1988.of course it would i was 5 years old.but i recently purchased the DVD of the first 3 episodes,which unfortunately i hear is now deleted.and i also heard warner's aren't going to release any more due to the first DVD's bad sales.also the TV show didn't have the same feel as the movies,in fact i thought it had a more sinister tone.even though the colour palette is similar to nightmare on elm street 4(both that film and the TV show were made the same year),this has more of a serious tone whereas the fims were progressively getting more and more sardonic and jokey.not a bad thing,i like freddy as the clown wise cracker.but i think that was the strenght of this TV show,you didn't have freddy popping up every minutes cracking a joke before and after he kills somebody.in fact this has more of a dream feel to it,reinforced by the soft focus of the lense.im not sure if its deliberate on the part of the shows creators or just to the limitations of being shot on video. i love this show,and taken not as a companion piece to the movies can be very enjoyable.much better than anything on TV today.


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I'm a bit conflicted over this. The show is on one hand awful, the acting is terrible (even when we get actual name actors like Brad Pitt and Bill Moseley in one episode), the dialogue is moronic and the premise/moral of each episode feels like something lifted out of a 50s educational short. There's no way you'll be scared for a moment from any of these episodes, and Robert Englund's cameos are short, pointless and corny in a sort of a Bob Saget on America's Funniest Home Videos kind of way.
On the other hand this is one of the funniest things to ever be on television. The 80s fashions, the soft focus makes the actors look like their on the set of The View at all times, the premises lend the material more to self-parody than scares, so we're left with an episode where a high school kid is afraid if he fails his SAT's his girlfriend will dump him and his parents disown him, another is afraid she'll be locked up in prison because she's a substandard mom (her husband is played by Brad Pit), another is afraid that all the parents in the world are in league against him when he runs away from home, another is afraid she'll be confused with her socially-retarded twin, another is afraid if he doesn't break up his mom and step-dad he'll get killed for having a party at his house. The list goes on and on.
Being that these are dreams I suppose you could look past the ludicrous plot points and devices, but they're so out of left field that there's no opportunities for the writers to actually scare the audience. You have characters dressed like something out of a 80s-themed nightmare wandering around delivering bad dialogue in very hammy fashion and making illogical decisions that serve no other purpose but to move the story to the next weird plot point (typically watching as a peripheral character does something uncharacteristic of a sane person while our main character stares aghast and too shocked to do anything about it).
If you're looking for something that'll scare you stay away. If you're looking, on the other hand, for one of the funniest things to come out of the 80s ever. Watch it.
Its been showing on Chiller TV lately (pretty much every day) and I've been watching, earlier out of morbid curiosity, and now just so I can get a good laugh in each day. With Arrested Development and Extras off the air this is officially the funniest thing on television right now.


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These two stars are the only iconic heroes/villains i know that got a good TV series, so let's compare.
Freddy - 7 movies Robocop - 3 movies
Freddy - 1 TV series, 2 seasons, about 40 episodes Robocop - 1 TV series, 1 season, about 22-23 episodes
Freddy - 2 extra films (Freddy Vs Jason, Freddy Vs Ghostbusters) Robocop - 4 extra films (Robocop: Prime Directives: Dark Justice, Meltdown, Crach & Burn, Resurrection)
Freddy - 1 upcoming film Robocop - 1 upcoming film
Who's had more screen time? Well they've both had 7 movies, 1 TV series, and 1 upcoming film. But Freddy wins it thanks to his 2 extra films (one being a fan film) & 17-18 TV episodes.
Since this is a comment for the series, between Freddy's Nightmares - ANOES: The Series & Robocop: The Series I would personally choose Robocop...


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I just saw this movie at a sneak preview and all I can say is..."What did I just watch????" And I mean that in a good and bad way.
The plot is really simple. Stiller and Black play friends/neighbors. Stiller is the focused, hardworker while Black is a dreamer. Black invents this idea to create a spray that erases poo. The idea becomes very popular, and Black becomes very rich. The extravagant lifestyle that Black gains and the fact that he still tries to be best friends with Stiller causes Stiller to become crazy with envy.
As I said, the plot is simple. Everything else is plain odd. The direction is odd, with a weird rotating opening shot to out-of-nowhere sped up sequences. The dialouge and the acting is very odd; odd in a rambling sort of way. And the sound track is the oddest thing in the movie, from the weird "Envy" song that keeps on reappearing to the scene where you think you're going to hear a classic 80's song but suddenly it's in Japanese.
So, the true question is this...is odd funny? That depends purely on the individual. I was cracking up at the shear unwavering weirdness of the movie. After the screening I heard people call it horribly unfunny and glad that it was free. Strangely, I understood their point. There are no jokes whatsoever, so if you aren't hooked by the uniqueness of it all, you will hate this movie. Absolutely hate it.
This movie is destined to lose a lot of money at the box office and become a DVD cult classic. If you can laugh at a movie with no real jokes, like Cable Guy or Punch Drunk Love, then I suggest you see it. If you don't, run away from this movie. It'll only make you mad.


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Cult classics are nearly impossible to predict. Who could guess that Vision Quest, Fight Club, and 2001: A Space Oddysey, movies that were panned by critics and audiences alike upon their release, would become immensely popular? Like many IMDBers, I consider myself a movie expert. Unlike the majority of those who hated Envy(evidenced by a dismal 4.4 rating), I found Envy to be one of the funniest movies in the last decade.
The plot of the movie is ridiculous. The dialogue isn't clever, the scenes have little continuity, and the script seems like it was written by a fourth grader. But that's exactly why the movie is so hilarious. You see, in order to appreciate the accidental genius of Envy, you have to enjoy the movie from an ironically-detached point of view.
Why do I love Envy? Because the movie is bad to the point that it becomes good. This is the recipe for a cult classic, and Envy definitely fits the bill.


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Like Ishtar and King of Comedy, other great, misunderstood comedies, Envy has great performances by two actors playing essentially, losers (may be too harsh a word, I will call them suburban under-achievers).
This film was a dark comedy gem, and I'm not sure what people expect. I relish seeing a major studio comedy that isn't filled with obvious humor, and I believe that the small moments in this movie make it worthwhile. The look on Stiller's face when he sees the dog doo disappear for the first time captures a moment, a moment that most people should be able to recognize in themselves. Yes, it was a fairly simple story, but it examined the root of envy in a really interesting way. There were a lot of great scenes (the J-Man's decrepit "cabin by the lake", Corky's unceremonious burial, Weitz's wife role, and Walken's J-Man -- all great stuff.
I can't stand people that get on IMDb and mercilessly trash films when they have absolutely no idea what it takes to make one. I will take Envy over almost any of the top ten grossing comedies of the year (save Napoleon Dynamite.) It's wittier, wackier, and an offbeat, enjoyable gem.
Remember this people; Most times, Popular doesn't equal Good.


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envy is not as funny as i thought it would initially be, but after some of the reviews i read i found it to be much funnier than people was giving it props for, now true its not a gag a minute movie like zoolander or dodgeball, but ben stiller and jack black work well with each other and christopher walken is as great as ever, so the story is about jack black's character inventing a spray that makes dog pooh disappear, obviosly ben wants no part of it, but when the product makes jack black rich ben stiller starts to see the envy, its not great by all means and both ben stiller and jack black have funnier and better movies under their belt, but if your a fan of either i recommend this as its still a funny flick and i laughed my ass off quite a few times, as a big fan of ben stiller id have to say this is a lesser stiller but still great fun, give it a watch


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OK, I overrated it just a bit to offset at least one of those grumpy reviews. But I did enjoy it. I didn't laugh out loud, but it held my interest and pulled me along without dropping me at any point. The story built. Yeah, you knew it would have an happy ending--this genre always does. Meantime, it was quirky with sight gags you could miss, so pay attention when you watch. Stiller and Black delivered expertly yet again. Good team. They should work together more. Don't know that it will be a cult classic, but it was certainly a fun ride. Not as good as WHAT ABOUT BOB, or DIRTY ROTTEN SCOUNDRELS but what is? It is still worth going out of your way a little to get and watch this movie.


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Was the script more fitting for a 30 minute sitcom? Yes, but they still make it work! I thought the actors did a fantastic job with an otherwise bland script, especially Jack Black and Christopher Walken. Most people on the board seem to really hate this film. I personally can't see how that could be, but Envy is just one of those film that you either love it or hate it. Much like Napoleon Dynamite and every Leslie Neilsen movie ever made. You either think it's one of the worst movies ever made or one of the funniest. Don't avoid this movie because of the reviews. Watch it and see if you're one of the ones who really like it! If you do, I guarantee it's worth your money. If you don't like it... well, now you know.


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I saw this movie in the first couple of weeks it was out, (I don't remember exactly when.) I thought that it was alright, for a Ben Stiller movie. This movie isn't for a person without a good sense of humor. Like most of Ben Stiller's jokes you have to think about them. Or like I said you have a good sense of humor. From a couple of people on this website I saw that people didn't have anything good to say about it and It didn't get a very good rating, But I would have given it a larger one This movie, I thought, was very good and it should have gotten a better rating. Maybe this isn't a movie for you. I'm just giving you another person's opinion.


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I saw this movie about a year ago, and found it to be completely Laugh-Out-Loud funny. A real winner, in my mind. It had the underlining of a stupid comedy, but indeed had an actual plot as well. Much like the hit comedy, Elf, in fact. It had a few serious moments, sandwiched between hilarity. When Stiller shot Black's horse, an ordinarily sober moment, you found yourself laughing at his bumbling antics. You can actually find common ground there, as I'm sure many people have done something they wouldn't want a friend to find out about, lest your friendship should end.
When I found out how much people disliked this movie, I was completely dumbfounded. That absolutely terrible movies like Napoleon Dynamite had ratings higher than it makes me wonder about the sanity of people on IMDb. Take my advice and rent it. If you don't find yourself laughing at least once, I'll compensate you the rental fee. =D


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The critics are dumb. This movie is funny and smart. I loved this movie a lot. Why does everyone hate this movie so much. I wish people would love this movie more than they don't. Ben Stiller and Jack Black are true comedians and they put through a lot of work to make this movie. I don't see you people out there making movies like them. So people should just watch it and not comment it. I like this movie. It is OK through it all. There are parts were it get's dumb but at least they made it. Jerry Stiller would love this because this movie has the acting just like the show King Of Queens. But this is better than that. I can't believe this was rated so low.


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I was pleased with the cast of reputable players. The story is one of standing up for a cause, even if you are at personal risk in doing so. In a time where violence and pain are often in the movie forefront, this movie focuses on the old fashioned good cop. Although similar plots have been done repeatedly, these guys pull it off well. Kick back and enjoy. Dennehy is a master of taking over a movie.


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Brian Dennehy, Bill Paxton, Joe Pantalino and, best of all, Jeff Fahey, all in one film. Wow is all I can think to say about that. These are four of the most underrated actors in the biz and they work beautifully together. It's like poetry the way they play off each other and ooze the natural ability to seem as though they had been best buddies for eons for even shooting the film.
The film itself is fine and one that can be quite intense to view the first time, and the four stars help the re-watch-ability to a great extent. I cannot describe how good it was to see Bill Paxton and Jeff Fahey together on screen, the greatest moment being when they watch a couple from a distance and fill in the vocals themselves, it almost brought a tear to my eyes.
A good film, a great cast, go see. Why? Four words, Fahey, Dennehy, Paxton, Pantalino.


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I've always enjoyed Kenneth Branagh's versions of the Shakespeare classics, as he always does a very good job, but in this movie, the one who lifts the whole movie, is none other than "the-always-great-actor" Laurence Fishburne. Surely he has made some poor choices in films, even though he's a wonderful actor, but in this one we're truly given the real Othello: the passion, the intensity of jealousy as it grows stronger alongside with Fishburne's well portrayed paranoia and, furthermore, we're finally given a black Othello!
I don't think they could have chosen a better Othello. Who else could have given him that blend of sympathy/antipathy, love/hatred and, not to forget, those fiery eyes...? Branagh is good as always, but not at his peak, Iréne Jacob's Desdemona is fairly good but a bit bleak, whilst Laurence Fishburne truly lifts it and makes it a very interesting and enjoyable movie. Do watch it.


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You do not get more dark or tragic than "Othello" and this movie captures the play fairly well, with outstanding performances by Lawrence Fishburne and Irene Jacob. Fishburne's expresses to the viewer Othello's torment as he falls prey to Iago's lies very convincingly, even providing a realistic epileptic episode. Jacob is the loving and loyal wife who becomes either the instrument of Iago's revenge against Othello, or the object of his wrath (it is not clear which since no motive for Iago's behavior is offered). Although Kenneth Brannagh (sp?) displays his usual talent for Shakespeare in this movie, he is somewhat marginalized. The characters of Cassio and Emilia also wander in and out of scenes even though they, like Iago, seem more crucial to the plot. I have not checked the movie against the play to see how many lines were cut out, but I know that Shakespeare tends to develop his characters, even the seemingly unimportant ones, very well.
If I had any criticism of the movie it would be that the story unfolds too quickly, and that the relationships between some of the characters are not laid out more. The director had a great cast, and no one offered a bad performance. The relationship between Cassio and Othello and that between Emilia and Desdemona need to be further developed earlier in the film. I have a feeling that they were closer to each other than the movie suggests, although you get a sense of this very late into the movie. Also, Othello and Desdemona need more time together. Although their anguish is convincing, the amount of interaction they have with each other makes it seem like they just met. On the other hand, maybe the did just meet---like Romeo and Juliet.
In brief: good performances, too short.



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Othello, the classic Shakespearen story of love, betrayal, lies, and tragedy. I remember studying this story in high school, actually I found Othello to be probably my favorite Shakespeare story due to the fact of how fascinating it was, the fact that Shakespeare captured the feeling of friendship, love, and racism perfectly. I mean, when you really do study this story, you could go into so many philosophies on why Othello went insane with jealousy in the blink of an eye. But later on for my report I also watched this version of Othello and I have to say that it was absolutely brilliant. Lawerance and Kenneth just capture the story so well and understood it's darkness.
Othello is the big time soldier in his city, he is loved by everyone, including the king. But when the king finds out that Othello snuck off with his daughter, Desdemona, the king is infuriated, but excepts it. Othello is welcome in the city and makes his best friend, Cassio, his side man instead of Iago, who has stood by Othello. Due to his insane jealousy, he's out for revenge. Still pretending to be Othello's best friend, he just mearly hints at Othello that Desdemona is cheating on him with Cassio, never says that they are, just makes Othello think that it's happening. Othello is driven insane and doesn't have pleasant plans for Desdemona or Cassio and Iago is more than happy to help him out.
Othello is an incredible story, I highly recommend that you read it. It's an incredible story that keeps you thinking after you've read it. Othello the movie is also great and once again I recommend it, it captured the story perfectly and has a big tearjerker type of feel, or you could just be in utter shock of what happens between Othello and Desdemona, how quickly he believes that his true love would betray him. This is a terrific movie, great acting, good sets, and good direction, this is what Shakespeare meant when he wrote the story.
10/10


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shakespeare's plays have a way of transcending time. The language somehow breaks the time barrier. but perhaps it is the actors who really do that.
after the disappointment in Romeo and Juliet (the version with Claire Danes and Leonardo DiCaprio), was hesitant take on another modern rendition of Shakespeare. To my surprise Othello was great!
Iago's character was played so well by the Kenneth fellow! even thoough Iago is really evil and despicable, the character was played so well that it does what shakespeare intended for the charater to be, a pleasure for the audience to hate. i have to say that fishburne's performance here was really good as well.
i recommend this for shakespeare scholars and lazy students (who refuse to read the book) alike.


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I was especially delighted that in this movie Othello himself was dark-skinned and Desdemona didn't have fair hair like almost always. The cast played very well, too, and I liked the script following Shakespeare's original text so faithfully. But I must say some scenes were acted too erotically for such a character as Desdemona. I have always thought she is very modest, and that's why it is not proper at all to show her in bed with Cassio - although it was happening only in Othello's imagination. At first, I was a little surprised even that a love scene between Othello and Desdemona was shown so openly. But as a whole, I liked the film and especially Desdemona crying in the dying scene.


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I don't pretend to be an authority on actors who have played Othello, but I've never witnessed a performance of the play, on film or on stage, wherein Othello was portrayed with more humanity and authenticity.
According to the biographical notes, Fishburne never received any professional training as an actor. Perhaps this explains why his acting, in this beautifully edited film, comes over as so believable and so powerful. Instead of chewing the scenery in the approved fashion for such high-powered roles, Fishburne's portrayal is focused more on Othello's love for his wife, and on his profound sadness at her supposed betrayal, than on violence and vengeance. In a word, the performance is understated, and made far more impressive by Fishburne's extremely intelligent interpretation than it otherwise would have been.
The acting throughout is superb, and the (abridged) speeches gain grace from their light editing. (Even Shakesspeare, after all, can be improved upon, now and again -- and if that be treason, make the most of it!


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... or was Honest Iago actually smirking at the end, as he died?
Loved how the Bard's iambic pentameter just rolled of Fishburne's tongue, with excellent clarity and emotion.
And how Branagh made Honest Iago seem to celebrate his own evilness...
This is a wonderful film.
I have often thought that Shakespeare is inherently not film-friendly: He uses words to create pictures in our minds, which creates a perennial battle with the camera, which only knows to show us what we need to think and feel. Every effort to film Shakespeare ought really to be celebrated. It is not an easy thing to do.


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Students often ask me why I choose this version of Othello. Shakespeare's text is strongly truncated and the film contains material which earned it an "R" rating.
I have several reasons for using this production: First, I had not seen a depiction of the Moor that actually made me sympathetic to Othello until I saw Fishburne play him. I saw James Earl Jones and Christopher Plummer play Othello and Iago on Broadway, and it was wonderful. Plummer's energy was especially noticeable. But in spite of Jone's incredible presence both physically and vocally, the character he played just seemed too passive to illicit from me a complete emotional purgation in the Aristotelian sense. Jones, in fact, affirmed what I felt when in an interview he noted that he had played Othello as passive--seeing Iago as basically doing him over. Unfortunately this sapped my grief for the character destruction. Thus, I felt sympathy for Jone's Moor but not the horror over his corruption by an evil man. In contrast, Fishburne's Othello is a strong and vigorous figure familiar with taking action. Thus, Iago's temptation to actively deal with what is presented to Othello as his wife's unfaithfulness is a perversion of the general's positive quality to be active not passive.1 The horror of the story is that this good quality in Othello becomes perverted. Fishburne's depiction is therefore classically tragic.
Second, Fishburne is the first black actor to play Othello in a film. Both Orsen Wells and Anthony Hopkins did fine film versions, but they were white men in black face.2 Why is this important? Why should a Black actor be the Black man on the stage?3 Certainly in Shakespeare's day they used black face just as they used boys to make girls. Perhaps then, the reason is the same. Female actors bring a special quality to female roles on the Shakespearian stage because they understand best what Shakespeare's genius was trying to present. A gifted black actor should play the moor because his experience in a white dominated culture is vital to understanding what Shakespeare's genius recognized: the pain of being marginalized because of race. An important theme in Othello is isolation caused by racism. Although it is a mistake to insert American racism into a Shakespearian play, there can be little doubt that racism is still working among the characters. Many, including Desdimona's father, think that a union between a Venetian white Christian woman and a North African black Christian man is UNNATURAL.
Third, Shakespeare was never G rated. He never has been. His stage productions were always typified by violence and strong language. But Shakespeare's genius uses these elements not as sensationialism but for artistic honesty.


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Laurence Fishburne is a fine actor, and deserves respect for trying this, but he is not in a class with the great Shakespeareans like Olivier and Welles; and he further suffers from Kenneth Branagh. This Irishman, always brilliant, cleanly steals the show away. Olivier recognized that potential in his production, and cast Iago with someone he knew he could upstage. I didn't nearly realize the possibilities of Iago, Shakespeare's most evil character, but Branagh shows us the depths. Nice to see the views of Venice, too.


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My college professor says that Othello may be Shakespeare's finest drama. I don't know if I agree with him yet. I bought this video version of the film. First I love Kenneth BRanagh as Iago, he was perfectly complicated and worked very well in this adaptation. SUrprisingly, he didn't direct it but played a role. Lawrence Fishburne shows that American actors can play Shakespeare just as well as British actors can do. not that there was a British vs. American issue about it. In fact, if we all work together then Shakespeare can reach the masses which it richly deserves to do. Apart from other Shakespeare tragedies, this is dealt with the issue of race. Something that has existed since the beginning of time. The relationship between Iago and Emilia could have been better and shown the complicatedness of their union together. While Othello loves Desdemona with all his heart, he is weak for jealousy and fears losing her to a non-Moorish man like Cassio. It's quite a great scene at the end of the film but I won't reveal the ending. IT's just worth watching. I think they edited much of the lines to 2 hours but they always edit Shakespeare.


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