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Out of all the parodies of Star Wars I've seen, this is probably the funniest. Not because of the premise, Star Wars with simple electronics instead of spaceships, but because of how poorly acted it is. This is purposely overacted, and it makes it hilarious, and since everyone knows its purposely overacted, no one complains. The special effects were also purposely as awful as can be, and include a toaster on a visible string that shoots toast, and an egg beater on a string. This short is funny for any fan of Star Wars (which I'm not), or anyone that has 15 minutes to kill. Great short!!
My rating: *** out of ****. 13 mins. Not rated.


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The hysterical Hardware Wars is finally out on DVD. HW has earned its niche among parody classics and is not only a riotous little 20 minute short but a staple in low budget film production classes, which is where a lot of the film's cult status is derived from and resides. With the DVD, not only do we get a chance to revisit the original parody (4Q2, Cinnamon-Bun Head, Ballistic Toast, et al) that Ernie F. did in 1978, but there is a lot of additional material showcasing the Fosselius wit. Antique Sideshow is a dead-on parody that is very funny but makes a statement about the confluence of ignorance and greed at the same time. The Director's Commentary is also hysterical, as is the Creature Feature which parodies taking a film out on the talk-show circuit and actually IS based on taking HW out on the talk show circuit, albeit the public access circuit. I'd love to see Ernie, Michael Wiese and crew take on some other, contemporary overblown and overbudgeted targets to parody -- like just about any film that Hollywood churns out at $100 million a pop these days -- not so much the crafty films like Spider Man or Men In Black (actually parodies themselves!) but any number of overblown, overhyped, overwrought and overpriced features.



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Done on a spare change budget of twenty bucks tops, this cheapie thirteen minute short cheerfully parodies George Lucas' legendary '77 sci-fi blockbuster "Star Wars" in the most infectiously dumb way imaginable. Writer/director Ernie Fosselius delivers a winning and often gut-busting blend of ludicrous sound effects, ineptly staged action scenes, cruddy (far from) special effects (you just gotta love the cheesy scratched-on-film lasers, tinfoil asteroids, and household appliances ... eer, I mean spaceships being swung around on obvious wires), badly dubbed in dialogue, shamelessly hammy acting, and Richard Wagner's rousing piece of classical music "Ride of the Valkyries." The characters are presented in suitably broad strokes; my favorites are whiny wimp Fluke Starbucker, venerable Jedi knight Auggie "Ben" Doggie, and hateful arch villain Darph Nader (who spouts nothing but incomprehensible gibberish). Moreover, 4-Q-3 is clearly based on the Tin Man from "The Wizard of Oz" while Artie Deco is definitely a cheap vacuum cleaner. This film's true masterstroke is casting legendary voice actor supreme Paul Frees as the narrator; Frees' deliciously rich and plummy histrionic tones add immensely to the considerable silly, yet sidesplitting tongue-in-cheek merriment (choice lines: "You'll laugh! You'll cry! You'll kiss three bucks goodbye!"). A total hoot.


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I caught this little gem totally by accident back in 1980 or '81. I was at a revival theatre to see two old silly sci-fi movies. The theatre was packed full and (with no warning) they showed a bunch of sci-fi short spoofs (to get us in the mood). Most were somewhat amusing but THIS came on and, within seconds, the audience was in hysterics! The biggest laugh came when they showed "Princess Laia" having huge cinnamon buns instead of hair on her head. She looks at the camera, gives a grim smile and nods. That made it even funnier! You gotta see "Chewabacca" played by what looks like a Muppet! It was extremely silly and stupid...but I couldn't stop laughing. Most of the dialogue was drowned out because of all the laughter. Also if you know "Star Wars" pretty well it's even funnier--they deliberately poke fun at some of the dialogue. This REALLY works with an audience! A definite 10!


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Undoubtedly the funniest movie I have ever seen. It's definitely worth the fourteen minutes it takes to watch. I will never look at my kitchen appliances the same way again. Bob Knickerbocker deserves an Oscar. "Relax, kid. It's only a movie"


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I just got the DVD for Hardware Wars, in a shiny new package, looking irresistable. Stuck it in my DVD player to find a slew of extra fun stuff. The extra content on the DVD is even longer than the movie. For those of you that have (shame!) never seen Hardware Wars, it one fantastically silly Star Wars spoof (of Episode IV, of course). Household appliances (such as irons, toasters, vacuums, and a waffle maker) stand in for Ty-fighters, X-wings, R2D2, and the death star. Instead of Princess Leia, we have Princess Ann-Droid, complete with Cinnabon hairdo. You get the point, I'm sure. Mad silliness, and a fun ride for any Star Wars geek (like me!)
Now, the DVD - wow! A director's commentary where he basically goes off on the movie, making fun of himself and the project throughout. An interview with Fosselius on Creature Features (remember that?!) and hilarious "director's cut" and "foreign version" of the movie (all jokes of course). Anyway, this is great. I loved Hardware Wars in the theater, and am so glad for having the DVD in my collection - wedged in between MST3K: the movie and Thumb Wars!


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Fourteen of the funniest minutes on celluloid. This short parody is at least as much a part of the Star Wars saga as Phantom Menace, and far more entertaining, if you ask me. Hardware Wars was the first in a long line of SW spoofs which form their own subgenre these days. I hate to describe it too much-it's so short that the premise is just about the whole thing. Suffice it to say that many of the most popular and familiar aspects of Star Wars have fun poked at them. Household appliances such as toasters and vacuum cleaners portray spaceships and robots, the Princess Anne-Droid character wears actual bread rolls on her head instead of the famous coils of braided hair, and Fluke Starbucker is even more of a dork than his original, if that's possible. Ernie Fosselius is one crazy son-of-a-buck-he's also the source of Porklips Now, the Apocalypse Now spoof.


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I was a schoolboy when I watched this film for the first time. The next day I knew that all pupils of our form watched it and all were fascinated by the film as I was. I think the same situation was in all forms of our school and in the whole Soviet Union. Later I watched it every time it was shown on TV and want to watch more. I think that comparison with "Back to the Future" or other Sci-Fi films is not appropriate. "Gost'ya iz budushchego" is unique in many ways, once you have watched it, you never forget it.
This film is full of belief in peaceful science achievements, full of belief in the beautiful future of our world. It's not only the film, but also a forecast of many scientific inventions and achievements. The time shown in the film is the year 1984 (the year of its creation) and the year 2084 (where a schoolboy Kolya Gerasimov has traveled for some time and where his friend Alisa Seleznyova was from). The year now is 2005, many inventions and achievements predicted in the film are not realized yet. Such as "Mielophone" (a device, which can read thoughts of any animal and human), expeditions to Venus and Mars (as easy as going for a picnic in the weekend), creating and launching of the satellites as a homework for pupils, easy to drive flying machines (which completely replaced automobiles), biorobots, "historical identification" of any kind of material or creature performed in a couple of minutes, and many others. Meanwhile, some of them nowadays became much more realistic than they seemed in 1984! Just wait for 2084 :-)
The film also depicts typical Russian schoolboys and schoolgirls (and does it so naturally!). With their inventiveness, curiosity, humour, dreaminess. Look for example at Fima Korolyov, you could find such character in nearly all forms of every school of the Soviet Union, similar character was in my form too! Alisa Seleznyova... I myself, as well as many my classmates fell in love at first sight with her! By the way, later an actress who played Alisa became a scientist - I think she was as much influenced by the film as people who watched it on TV.
Beautiful idea, beautiful realization, beautiful actors, beautiful music, beautiful song "Prekrasnoye Daleko" ("The Wonderful Far-Away")... Beautiful, beautiful, beautiful...
The last thing I want to say is that different remakes and "new versions" of the song from the film and even the film itself were made later and spread on TV and in the Internet. All they are not even comparable with the original. I should not even comment them, my comment is only about the original. So, request the original and enjoy it!


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Guest from the Future tells a fascinating story of time travel, friendship, battle of good and evil -- all with a small budget, child actors, and few special effects. Something for Spielberg and Lucas to learn from. ;) A sixth-grader Kolya "Nick" Gerasimov finds a time machine in the basement of a decrepit building and travels 100 years into the future. He discovers a near-perfect, utopian society where robots play guitars and write poetry, everyone is kind to each other and people enjoy everything technology has to offer. Alice is the daughter of a prominent scientist who invented a device called Mielophone that allows to read minds of humans and animals. The device can be put to both good and bad use, depending on whose hands it falls into. When two evil space pirates from Saturn who want to rule the universe attempt to steal Mielophone, it falls into the hands of 20th century school boy Nick. With the pirates hot on his tracks, he travels back to his time, followed by the pirates, and Alice. Chaos, confusion and funny situations follow as the luckless pirates try to blend in with the earthlings. Alice enrolls in the same school Nick goes to and demonstrates superhuman abilities in PE class. The catch is, Alice doesn't know what Nick looks like, while the pirates do. Also, the pirates are able to change their appearance and turn literally into anyone. (Hmm, I wonder if this is where James Cameron got the idea for Terminator...) Who gets to Nick -- and Mielophone -- first? Excellent plot, non-stop adventures, and great soundtrack. I wish Hollywood made kid movies like this one...


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I think that Gost'ya Iz Buduschego is one of the best Russians minis for teens. I think i were near 6-8 parts of the movie. "One boy form 6th grade found a time machine in the old house where nobody lived. And he goes to the 21st century, just 100 years in future. In future he meat pirates, they tried to steal a "milafon" - machine to read minds and a story started..." Soundtrack for that movie was very popular in Soviet Union. Everybody loved that movie which was on TV every year.


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Spending an hour seeing this brilliant Dan Finnerty and his "Dan Band" perform their special on Bravo is the most enjoyable hour I've ever spent watching TV. This young man (Dan) is such an incredible talent, as a singer, performer and even dancer. He can go from the cheesiest of ballad pop songs, all of which have only been sung by women, to hip-hop, rock, also songs written for women.. This guy can do anything. I've seen him live at least 11 times, so I was not expecting just how well that his show would adapt to a television or film format, but all reservations went away instantly when the show started because of Dan's overwhelming star quality.Do yourself a favor and watch this, or better yet, buy it.


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I laughed my ass off for an hour. I had no idea who Dan Finneity was. Why haven't I heard of Dan Finnerty before? He's hysterical and so are his backup singers. They make all of these women songs that we would never wanna hear a new experience. They blow these songs away. This was on Bravo last night. Why isn't this Dan guy like "ultra famous"? Great voice! Charisma to burn! He blew me away with this show! I just read on the internet that he was once a member of "Stomp" I guess there isn't anything he can't do. I saw "Stomp" at a UCLA theater years ago and those guys were amazing. This show last night was done by Dreamworks! Does that mean that Spielberg did this? Why don't they star this Dan Finnerty in a movie. There was a standing ovation at the end of this show and every time the camera's cut to the audience, everyone was so into it, singing along or dancing. The whole show had this amazing energy. My only complaint was that it was not longer, but looking back, when you see how much energy these guys put out, I guess it would be impossible for any human being to perform with such gusto for over an hour. Man I loved this show!


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This was really one of the most enjoyable specials that I have seen on TV. He is just an incredible performer. His personality shines through in each one of the songs that he does. I really wish this was available as an uncut DVD so I could watch it over and over without the -beeps- for explicit language. I have not had the chance to see him live, but that is something that I really want to do now. I can't forget his backup singers. They really added a lot of substance and humor to the show. With their campy style, and flamboyant dance moves, they really complement the true talent of Dan. I wish there were some more of the songs that are on his live CD, which is also incredible. It is refreshing to see someone like him perform. Just so incredibly personable and real, I really can't say enough good things about Dan and this show. Once again, I just wish this was available as an uncut DVD.


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This Bravo special is one of the most purely entertaining things I've ever seen on TV. Unlike Me First & The Gimme Gimmes (the worlds foremost Punk-Supergroup/Cover-Band), The Dan Band really must be seen to be appreciated.
On paper, The Dan Band is just a one-joke act- guy sings girly songs and inserts gratuitous profanity into the lyrics. If you listen to their "Dan Band Live" CD, that's all you'll get, and it'll get old quick. (I only bought it because it had some songs that weren't on the TV special.) But what's made Dan Finnerty a Hollywood cult hero is his amazing stage presence. This guy OWNS his audience for every second he's onstage. And the backup singers are a large part of the visual punchline as well. As for the actual band- they stay out of sight for the most part, but are certainly much more energetic and enthusiastic than your typical lounge-act backing band. Hopefully, a DVD version will be released soon- there were almost certainly some songs cut and although the heavy censoring adds a bit of unintentional humor, it also removes the INTENTIONAL humor.
If there is any sense in the world, the Vegas casino owners will soon be fighting over who can build Dan his own showroom faster.
"Re-------member my name...FAME!"


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Dan Finnerty and the Dan Band are so-o-o-o-o-o good, they must be seen to believe. Does anyone out there have a copy of the Bravo concert for sale?? Please, if there is an upcoming release, let us all know. I checked the Bravo site, but there is no future date scheduled for a repeat performance by the most appealing guys ever choreographed, the Dan Band. What great energy they exude, flinging themselves about with cute American-boy attitude, based on butch sensitivity being wrapped up in sequins and tears, making men and women alike fall in love with them. I hope enough people can influence the powers that be at Bravo to bring the show back into our lives, as a semi-annual special.


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Note: I've tried not to give away any important plot twists (or the ending) but if you're concerned about that, please think about viewing the film before reading further--Thanks!
This was obviously a fairly high budget production, released by Paramount. The story follows the (supposedly true)exploits of hiway-man Jack Shepard in 1700's London. He was a locksmith who got blackmailed into a life of crime by the nefarious "Thief-Taker" to save his brother's life. After being double crossed by the Thief-Taker, we turns into a sort of Robin Hood type figure and gains the support of the common folk. He proceeds to make escapes from several prisons (including the infamous Newgate) as well as having time to "entertain" numerous noble ladies.
I really enjoyed the film, even though the plot was a bit predictable. The film was shot in Glencree and Wicklow Ireland and the sets were very well done and seemed realistic. I think Clavell captured the bustling atmosphere of London in the 1700's quite well and I enjoyed his creative use of camera angles. And, unlike many films depicting this period, Clavell pulls no punches in showing us the deplorable conditions in which the poor lived (in one scene several folks fight over a meat pie that has rolled through the filth in the street).
Overall, I really enjoyed this film. I will admit that it lacks the wonderful scenery and underlying political commentary that Clavell's next film The Last Valley has (a parable to the Vietnam War), but it still merits a viewing or two. It is regrettable that it has not ever (to my knowledge) been released on video or DVD.


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When commenting on this film, one must realise that it is based on a true story, and must therefore be reviewed for the quality and accuracy of it's portrayal of the events, as well as its entertainment value. It may well be implausible that Jack Shepherd should surrender twice to Jack Wild because Wild had captured Edgeworth Bess. None the less, it happened. It must also be noted that the director was young and inexperienced, which explains why he relied upon tried and tested techniques. There were occasions when Clavell did not have the confidence to follow the script as written. The film would be better if he had. And yes, I used to have a copy of the script (Stanley Baker's copy - one of five), which I returned recently to my father, Rafe Newhouse, the writer.


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Even though I saw this film when I was very young, I already knew the story of Wild the Thief-Taker and Shepherd who famously escaped from Newgate prison.
Apart from the liberty taken right at the end, the film more or less faithfully follows the true story. The temptation to bend the facts which is the hallmark of so many so-called historical films is resisted in this film and the film makers must be praised for that.
Of the performances, There is scarcely a poor performance, and Tommy Steele is ideally cast. Also good is Stanley Baker as the Thief-Taker and Alan Badel is good as always.
Because the film sticks to the facts, it makes it suitable to be watched by all the family.


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I think that just sums up this film. Watch it and you'll find out why. The acting of the lead character John Keem is really, really bad and he has no on screen charisma whatsoever. It's very funny because of this thought, as is the ending where Keem beheads the bad guy despite the fact he is unarmed and has surrendered. Brilliant!


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Richard Norton really lights the screen up in this Portland, Oregon based martial arts masterpiece. Norton, an Aussie heartthrob, plays the evil Mr. Milverstead who runs a successful import/export business both smuggling arms and participating in the female flesh trade. Usually the women are plucked from his favorite dance club with the help of a squad of goons the most well known of who is Bolo Yeung, playing the role of Ice. Trouble comes for Milverstead when a new cop in town John Kim (Britton Lee) is out to avenge his dead partners murder at the hand of Milverstead's organization. If you have time to see only one martial arts movie this year, don't miss this classic.


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This is one of those films that, for whatever reason, just clicked with me. Everything about it is right. Eric Roberts laconic, nice investigator, his voiceover narration, the twisting plot, Dan Hedaya and Denis Lipscomb given good roles, the settings, the paintings in the artist studio scenes, the end credit sequence and the wonderfully haunting theme music that perfectly encapsulates the mood of the whole film. If I have any reservations it is about Beverly D'Angelo as the femme fatale, but she plays her final scenes beautifully. I think that director Matthew Chapman was trying for a sort of 'Chinatown' feel to the whole thing. It didnt work. But as a murder-mystery its a gem.


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This movie is a coveted member of my movie library. While not a mainstream film, it is, in my view, a highly effective film noir in which Eric Roberts is totally underrated as an actor. (I would qualify him as a much better actor than his sister, Julia, who is overrated, but that's another review...) Roberts plays the down-on-his-luck ex-reporter with the perfect mix of narrative precision and jaded idealism: two ingredients that are part and parcel of any effective film noir. The first-person narration by Roberts enhances the quality of the movie, and keeps us guessing on the real motive behind the crime.
Set in Palm Springs, everything about the setting in the movie progresses slowly as a metaphor for the theme of oppression: Asch (Roberts) is oppressed by his past; the police are oppressed by the rich residents of Palm Springs who treat them as servants; the rich, meanwhile, are oppressed by boredom (watch Johnny Depp's classic performance as the insightful rich kid who only wants to be loved...); the isolation of each character is omnipresent and is further augmented by the heat and isolation of the desert.
There is an audience for this film if they're looking for a more contemporary version of film noir. While there are elements of the film that might have been tighter, I recommend getting a copy of this film and putting it right between The Big Sleep and Chinatown in your movie library. (The film is based on the Arthur Lyons book, CASTLES BURNING, and if you like Roberts's acting in this one, you may want to get a copy of The Ambulance, in which he showcases his funnier, lighter side.) BEST LINE IN THE FILM: "Careful? Careful of what? I should've asked. Only fools ignore the strange warnings of trailer park ladies."


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Ex-reporter Jacob Asch (Eric Roberts) is hired by an acquaintance (Raymond J. Barry) to find his ex-wife and son. Asch heads to Palm Springs and quickly locates the ex Laine (Beverly D'Angelo) with someone he believes to be the son (a young Johnny Depp). But things turn out to be a bit more complicated as Asch discovers former white trash Laine has definitely married up in the form of millionaire Simon Fleischer (Dan Hedaya) and her first son is nowhere to be seen.
Director/writer Matthew Chapman is channeling BODY HEAT here and this mid-80s neo-noir is watchable enough thanks to an all-star cast and nice locations. D'Angelo was still looking good around this time, so she makes for a good femme fatale and isn't afraid to show some skin. However, the mystery isn't very compelling in the end. Co-starring Dennis Lipscomb, Emily Longstreth and Henry Gibson. Chapman made several thrillers in the 80s, but his "biggest" career achievement was co-authoring the screenplay for the infamous COLOR OF NIGHT.


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'Night Crossing' is about an enormous barrier designed not to keep enemies out but to keep its own people in
'Night Crossing' is about a very long border fencer equipped with silent alarms and automatic firing systems
'Night Crossing' is about the denial of the basic human rights of life, liberty, and the pursuit of happiness
'Night Crossing' is about the fear and pain that afflict so many families
'Night Crossing' is about one attempt to risk a crossing through the border zone
'Night Crossing' is about a loving father whose only desire is to give his boys what should never have been taken away from them
'Night Crossing' is about a disturbed mother who wants her babies and her husband alive
'Night Crossing' is about a caring husband who wants his family to be together but in a better place
'Night Crossing' is about children who want to be free to reach at anytime the sky
'Night Crossing' is about a hot-air balloon handcrafted and built by two families
'Night Crossing' is about a balloon which could go just high enough to crash or catch fire and explode
'Night Crossing' is about two determined men who want their family to climb into a hot air balloon and float away to 'liberty'
'Night Crossing' is about the fear of getting caught by an evil regime
'Night Crossing' is about a sensible man who can't let bad dreams stop him
'Night Crossing' is about an icy policeman who wants every lookout tower on full alert
With exquisite music by Jerry Goldsmith, Delbert Mann's 'Night Crossing' makes us realize the true value of freedom
Final thoughts:
There are a few moments in everyone's life, certainly in public lives, that can define a person...
For those of us old enough to remember the Reagan presidency, seeing the clips again in the wake of his death makes it seem like those events happened just yesterday, or last week. The voice, the expressions, are all so familiar. But for a large percentage of people, these events might as well have happened fifty years ago, if not more. They are part of the distant past. President Reagan is a name, and not much more. President Gorbachev is another name, and not much more. So how can we remember these two men who had such a huge impact on their country?
Reagan and Gorbachev worked together to tear down the Berlin Wall and to steer their superpower nations away from nuclear confrontation


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The movie Night Crossing captures the feelings experienced by the vast majority of East Germans during the period 1961-89. I lived in West Berlin during most of 1967 and travelled through The Wall into East Berlin on a weekly basis. Why? Excitement, crossing a border into a Soviet governed country, experiencing the smells and the feel of East Germany, which is why Night Crossing is excellent, it captures that very feeling, and it is exciting. I was arrested by the Vopos in Checkpoint Charlie and accosted by a man in his leather coat and dark glasses I am led to believe was Stasi. When I watch the movie I can smell cheap diesel and cooking oil, I can see the outdated vehicles, the drab clothing the public wore and the lacklustre produce in shop windows. It brings back memories of realising just how lucky I was to live in a free country. In 1988, I toured the DDR from East to West, North to South. East Germany had changed little since 1967. The Trabants, constantly breaking down, were still the main mode of private motorised transport, the shops still featured nothing much to tempt me, uniforms were still commonplace, but the people, the ordinary people were open and nice once you had gained their trust. Watch Night Crossing, it's as close to the truth as any movie you will see on divided Germany, even closer than two other favourites The Spy Who Came In From The Cold and Funeral In Berlin.


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A real surprise. Not exactly family entertainment from "Disney". Some violence, lots of tense moments, and a great story, based on fact. The theme of "Night Crossing" is, determination wins. Never losing sight of their objective, two East German families risk it all, in their daring balloon escape to freedom. The story is both harrowing and heartwarming. Time is not on their side. The East German Police are closing in and the outcome far from certain, until the very end. If you are looking for a good evenings entertainment, that contains no nudity, and limited violence, then I highly recommend "Night Crossing". It is pure entertainment. - MERK


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This movie accurately portrays the struggle life was for the typical East German. Watched by the secret police, friends and coworkers, most easterners simply existed.
The Strelzyk's and the Wetzel's were two families that decided they weren't going to take it anymore.
Despite the extreme danger involved in escaping to the West, they feel the rewards far outweighed the risks. John Hurt and Beau Bridges, portraying the respective family heads hit upon the idea of flying over East Germany's heavily fortified border.
There are tense moments as they gather and jimmy-rig the necessary materials for the flight. They work their day jobs and construct the balloon at night, right under the noses of the authorities, one of whom is Strelzyk's neighbor (Klaus Loewitsch).
The first attempt, involving only the Strelzyks, ends in failure when the balloon crashes just a few yards from the border. The crashed balloon is discovered by border guards and an relentless search begins for the conspirators who are determined to try again. With sales of materials being closely monitored Peter and Guenter still manage to procure bits and pieces of cloth with which to construct a second balloon for their nail biting escape to freedom. The film also features a heartwarming and effective soundtrack by the late Jerry Goldsmith.


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I think that this film has become an important record of the most horrifying aspect of the East German regime - the imprisonment of its people by what the regime called its anti-fascist protective wall. It is a document of desperation and courage not to be missed. I would however like to comment on the actual location of this escape. It did not happen in or around Berlin as supposed by some respondents and was nothing to do directly with the Berlin Wall. The escape balloon was flown over the Iron Curtain which not only divided Germany but it divided the whole of Europe at that time. The balloon took off from Pössneck, 170 miles south-west of Berlin in the German Democratic Republic (East Germany) and flew 14 miles to Naila in Bavaria and freedom in West Germany. The opening of the Iron Curtain in Hungary in 1989 preceded the fall of the Berlin Wall later that year. Whilst the balloon flight created entertaining suspense cinema, it should remain as a monument to those who lost their lives whilst attempting to escape from East Berlin, other parts of the GDR or other Soviet-controlled states.


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I was surprised as I watched this movie, how much it had 'encaptured' me. No the actors didn't act like typical 'Hollywood' actors, but that's not always bad either, as this film proves. Quite different from the Disney standard, it is a refreshing turn none-the-less! They also give you a taste of what it was probably like without being 'educational'. A movie everyone should both see and enjoy. Many people love arguing over 'accuracies' in any movie of this type, but just getting the basic idea has plenty to offer. Mild gripe; East and West Germany, viewed on any map, would have West Germany on the left side, East to the right. The movie at times, sets you back slightly, because about half of the scenes have West Germany on the right side of the screen, and other times on the left side. Even during the same events, they shift back and forth. Perhaps, just a little more consistency would have avoided this mild distraction. Go See It!


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I grew up outside of Naila Germany(where they landed),every detail of the film was 100% authentic,the power lines that they flew over,the nosy neighbors,the grandmother telling the kids that they cant watch west German TV,etc..This movie brings back lots of good memories to those that are European,a great production from Disney...The same movie in German has Klaus Lowitsch and Gunter Meisner using their own voices for translating the English version into German...for the German version they also use Cookoo birds ,a bird that is native to Germany as background noise to let you know that you are in Germany..I showed this move to many of my German relative and they really liked this movie.(these people made made a prototype balloon which they had to give up because the materials that they used was too porous and the other 2 balloons that they used for the escape.The burner problem was solved when they turned the propane cylinders upside down.)


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What can I say about this film other than the narrative is one of the most exciting in film history...and based on a true story! Being old enough to remember the Berlin Wall when it was still used to contain a country, this film gives you a dark insight into the grim incarceration of East Berliners, and their desperate attempts to escape, no matter what the cost. The film follows the lives of two families , who decide to escape using a hot-air balloon manufactured by themselves. Forever fearing arrest by the authorities, under scrutiny by neighbours, they have to calculate a plan to reach the other side of the wall. A tense & thrilling story of courage and determination which truly pays homage to all those who succeeded and failed the treacherous journey to West Berlin and freedom.


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Fun movie! The script is awful but the quality of actors saves the day. John Hurt is perfect, as is Jane Alexander. Beau Bridges is fair and the actress who plays his wife is very weak. The story is the true star. Based on a true story, the pace moves well and the whole concept of escaping East Germany sucks you in and holds you. Joyous ending provides enough elation to compensate for script. Don't expect Academy Award quality but it's a great ride for the whole family.


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Probably grossly underrated by all who never experienced the hell of living under communist regime. Although, it seems hard to believe, all of it happened, actually the reality was even worse than the movie. It resembles Orwellian fiction, only this is no fiction. John Hurt is excellent as always. Yes, the screenplay is not full of action, but life is not either. Plot is breathtaking. Yes, people were shot, yes thousands of them. Their 'crime' was that they wanted to leave communist 'paradise' without government authorization. At times the movie drives tears in your eyes. We need more movies like this to really appreciate what America provides for us. Excellent movie, highly recommend! God bless our country, USA!


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And I do. Peter Falk has created a role that will live on forever in TV land! And I'm grateful for that. This isn't one of his finest hours, though. Columbo goes to college and basically teaches how he solves a crime, and yet there are bad guys who go ahead and think they're smarter than he is. What all us fans know is that Columbo needs a worthy opponent. Without a great enemy, how can he be the hero in the wrinkled coat? Still, it's better than NO Columbo, and I'll wait and watch the next one as well.


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I felt that way when I saw the episode in its original run and still agree when I watch it on reruns. You had the culprits totally mocking Columbo throughout the episode and treating him like he has down syndrome. And in the end you see their shock when Columbo gets them dead to rights and arrest them. You also get a realistic reaction from the arrogant preppy killers. They stillcouldn't give Columbo his props and say he just got lucky. I like the formula where there is an elaborate crime, the killer(s) totally underestimate Columbo, and then you get their realization that Columbo was totally playing the criminals. I recall in the first few episodes of the post 1989 episodes they weren't following that formula and this was the first episode that I was pleased with.


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Columbo is guest lecturer for a criminology class. The students invite him along for their after-class get-together. Transiting the nearby parking garage, they discover their regular teacher, next to his car, dead from a gunshot wound. (No, Columbo was not after the man's job.) As a class project, Columbo involves the students in his sleuthing.
Two students, tentatively identified by the viewer as culprits, were in the lecture hall for the entire class. Furthermore, surveillance camera tapes of the parking garage show that no one other than the professor entered or left after he was last seen unexpectedly departing the lecture hall.
Reversing the normal routine, Columbo is the one that is pestered by the evil (?) duo, eager for progress reports and an ear for their theories. Forensic evidence is almost nonexistent. Solution of the case hinges on some eventual and interesting good luck.
On first viewing, it seemed that Columbo had swallowed whole the culprits' misdirection; however, on repeat viewing, small details revealed that not to have been the case at all.
This reviewer has yet to tire of "Columbo Goes to College."


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After all these years of solving crimes, you would've expected criminals to know that they can't afford making mistakes with him, especially not with regards to talking much. This time
Columbo goes to college, and actually explains his entire technique, but for some reason the murderer still doesn't pay enough attention. However, this still creates wonderful scenes and delightful dialogues.


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or any stories reminiscent of the Leopold and Loeb case, you may find this movie entertaining. The cast includes Robert Culp,with Stephen Caffrey and Garrison Hershberger as the college students.
Peter Falk is his usual self, pretending to be tricked by the precocious students. Caffrey ("Longtime Companion", "Buried Alive") is excellent, and should do more of these menacing roles. Basically the two frat buddies become tired of their demanding parents, who expect nothing less than academic perfection, attendance at the best schools will only be financed if they conform. There is an excellent scene wherein Culp rakes Caffrey over the coals after he gets a low grade, threatens to cut off his trust funds and Caffrey later says to his friend: "I hate him, I want him dead"...
All is not well in Beverly Hills. This is always an excellent theme. I believe this film came out in 1990 right after the Menendez killings. If you watch "Menedez, a Killing in Beverly Hills" and then compare it to this film, you may find some interesting parallels.


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Sorry to repeat myself over and over, but here's another great Columbo episode. I guess that's why I'm such a fan - most episodes really are great! The best episodes always have a standout feature of some sort, and in this case the murderer and his accomplice are possibly the youngest ever Columbo villains.
After watching a lot of episodes where Columbo and his adversary act like close friends, it's good to see an episode where tempers fray and bad feelings rise to the surface. It just gives an episode a bit more drama and bite. Columbo is rapidly onto the fact that the two students who claim to be helping him are not very secretly laughing at him and feeding him false clues. He happily plays along, deliberately turning up the bumbling in front of them to make them underestimate him! But of course he knows instantly when they are talking baloney.
The murder itself is another complicated one, along the lines of The Bye Bye Sky High IQ episode, with a sophisticated chain reaction of events that manages to kill the intended target while providing the assassins with a seemingly watertight alibi. In the intervening years between 1978 and 1990, the technology has moved on from record players and firecrackers to remote control car locking systems and hidden cameras.
Stephen Caffrey puts in a great performance as Justin Rowe, the obnoxious, spoilt student. Gary Hershberger is low-key but good as his "yes-man" friend Cooper Redman. And it's nice to see Robert Culp as Mr Rowe, Justin's dad.
A very satisfying episode in all ways.


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At the end, it is clear that the murderers planted the murder weapon in Mrs. Columbo's car and it was at the police ballistics lab.
But where did the gun under the hood, used in the demonstration, come from? Wouldn't the murderers have cleared out the stuff under the hood? They had a whole week? Or did Columbo's cops replicate the camera/gun under the hood used in the demonstration? How did they do that without breaking and entering the car? Perhaps this is why the murders seemed surprised at the end. But how could Columbo have replicated their camera/gun device and gotten it calibrated to their key fob? Columbo must have gotten the gun back from ballistics and had it re-planted under the hood of the car, and been very lucky that the rest of the device with camera was still there and transmitting.
This was a 10/10 show until this glaring plot error at the end.


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This is, without a doubt, one of my favorite Columbo episodes ever. The acting is very well done, the music is very catchy, the script is ingenious, and the direction is fabulous.
Peter Falk, who acts brilliantly in every Columbo episodes, acts particularly well in this episode.
Also, great performances from Stephen Caffrey, Gary Hershberger, Alan Fudge and Robert Culp.
The ending is absolutely brilliant and I love the way Columbo describes it.
This is a Columbo movie that WON'T, go amiss.


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The casting of Robert Culp is probably the only decent move the production team made with this film. Falk and Culp were marvellous, but as culp was not Falks nemesis this time, chemistry was lacking. Columbo is only as strong as his opposite number, and this time he didn't have one.


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