empathielabs/imbd_dataset_v0 huggingface dataset:
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
** and 1/2 stars out of **** Lifeforce is one of the strangest films I've ever seen, so ridiculous, yet at the time it's strangely compelling and never the least bit dull. Whether it's due to the nonstop nudity, the large amount of violence and action, it all comes together to make an entertaining 2 hours of cinema.
The spaceshuttle Churchill has been sent to investigate Halley's Comet when they detect something hiding inside the coma of the giant rock. A small team, led by Colonel Carlsen (Steve Railsback), has been sent to search the area. What they discover includes hundreds of frozen bat-like creatures and three nude and seemingly unconscious humanoid beings inside strange crystalline containers, two male and one female (Mathilda May). They decide to take all three back with them, which results in a catastrophe.
When London receives no response from the crew, another crew is sent to find out what's going on. When they dock with the Churchill, they find the remains of the crew, all dessicated beyond recognition. The humanoids are still in perfect condition, and they take them back to London.
After various tests, the scientists still don't know what these beings really are. Then, late one night, a security guard in the compound feels compelled to enter the room the female is being held. He touches her shoulder, and she awakens, stands up, and smiles at him in a seductive and wicked manner. She approaches him, and begins to kiss him, when it becomes clear that she's actually taking his lifeforce, sucking him of all of his energy (the effect is slightly cheesy).
She escapes from the compound and begins to leave a trail behind. Another man, Colonel Caine (Peter Firth), is brought in to track her down. Then the men discover that there is a pattern to the lifeforce process. The corpse of the security guard awakens in 2 hours, and takes the lifeforce of a doctor. It seems in every 2 hours, this process is repeated by a victim. With the help of the Churchill's sole survivor, Carlsen, they attempt to track the girl down before it's too late.
Lifeforce is pretty good late night entertainment. It has all the elements one could look for in such a movie, loads of nudity, blood/gore, and plenty of special effects. This is certainly better than a similarly plotted film, Species, thanks in large part to a more riveting finale.
The performances range from decent to terrible. Faring the worst is easily Steve Railsback, who overacts to no end. Much better are Peter Firth, who comes through and convincingly, and the gorgeous Mathilda May (she's as beautiful as French actresses Sophie Marceau and Emmanuelle Seigner). May does go through virtually the whole role without wearing clothing, and there were reports that it was hard on her while filming, so the fact that she is able to go through every scene without fidgeting and looking uncomfortable is impressive. There are times when she can be quite creepy, being simply seductive. Most of the film manages to work because of her.



assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Like several other reviewers here, I'm surprised to see many negative reviews on this film. Dan O'Bannon's previous effort was the groundbreaking 'Alien' of 1979. Because it and 'Star Wars' introduced the stylistic approach of 'Used' or 'Dirty Space' in art-direction for these kinds of features doesn't mean that this was the only way to produce them.
Rather than dismiss 'Lifeforce' out-of-hand as a sort of schlock and primitive exploitation feature, it's important to recognize that the film draws upon the 'esteemed' traditions of British horror and science-fiction - specifically Hammer and American International features like Quatermass (specifically 'Quatermass and the Pit', 1967), Doctor Who and 'The Day of the Triffids' (1963), if not the works of Gerry Anderson ('UFO', 'Space:1999' and 'Thunderbirds'). But none of these influences would be a surprise if other reviewers recognized writer O'Bannon's genre-scholarly appreciation for 'Queen of Blood'(1966) and 'It! The Terror from Beyond Space'(1958) - the immediate sources for 'Alien' (1979).
Granted this film has some 'legacy' elements, but perhaps it's worth comparing this film to its more immediate peers - 1981's 'An American Werewolf in London' and 'The Company of Wolves' (1984) - other 80's films that share a 'looking-back' while they adapt those stories to the 80's zeitgeist. All three films drew on earlier incarnations of the same, but substantially sexed-up their themes (because they could), and, at the same time they recognized the tongue-in-cheek, humorous aspects of their projects.
Neil Jordan's 'Wolves' played to many of the psychoanalytic memes floating around at the during the '80's, while 'American Werewolf' curdled its theme as a 'coming-of-age' film. It's called artistic license, and the adaptations of these three films are no less valid than the latter-day dramedy inherent in the 'Scream' franchise, 'I Know What You Did Last Summer' and 'Final Destination'. But these teen-targeted, films seem to be part of a box-office trend, whereas the 80's films like 'Lifeforce' belong a canon of British sci-fi - even if this one was written by an American.
In many ways this film holds up much better than latter-day disaster and alien-invasion flicks ('Independence Day', 'Armageddon', 'Deep Impact') in that the 'solutions' don't reside in gun-battles, weaponized payloads and testosterone. At the opposite end of the pole, it is unfortunate that Steven Soderbergh and James Cameron didn't examine Tarkowski and Lem more closely before they remade 'Solaris'...
The goal of this film was fun, not ponderousness or stupidity.
7/10


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Though it hardly compares to other sci-fi film giants like 2001: A SPACE ODYSSEY or CLOSE ENCOUNTERS OF THE THIRD KIND, LIFEFORCE does work as a totally berserk and bizarre melding of science fiction and horror elements. Somehow, despite dialogue that approaches the ridiculous and acting that does the same, it manages to work because of a few highly different elements.
Loosely based on Colin Wilson's 1976 novel "The Space Vampires", this film from director Tobe Hooper (POLTERGEIST; THE TEXAS CHAINSAW MASSACRE) focuses on a joint US-British mission aboard the British space shuttle Churchill to study Halley's Comet. Led by an American commander (Steve Railsback), they discover an alien spacecraft in the comet's coma. And when they investigate the interior of the spacecraft, they find alien occupants that look like giant bats. Later on, the Churchill reaches Earth's orbit, but no response is given from radio calls issued from the mission's home base, the Space Research Center in London. Columbia is launched to rendezvous with Churchill, but they find the entire ship gutted by fire--all except for the alien beings encased in glass who, far from being untouched by the fire, look absolutely perfect. The aliens are bought back to Earth...and that's where the incredible happens.
These space vampires escape from the Space Research Center and, instead of draining their victims of blood via bite wounds, suck their victims' lifeforce totally out of them. One of them is the Space Girl, a thoroughly nude vampiress played by Mathilda May. Railsback, the only actual survivor from Churchill, is bought in by the SRC's chief (Frank Finlay) and a British special agent (Peter Firth) to track May, who is in telepathic contact with him. Pretty soon, however, the vampires have turned London into a scene of pure holocaust; people are either being dessicated or turning into zombies, and the threat by NATO to sterilize the city with thermonuclear radiation looms large. Railsback finally catches up with May, and sacrifices himself by impaling her with a large metal sabre.
Undoubtedly disjointed, unquestionably uneven, but nevertheless worth watching, LIFEFORCE, despite the frequent incoherency of its script and its acting, benefits from some drop-dead excellent special effects work by John Dykstra (STAR WARS), some of the best ever seen. The other working element, and a surprise one it is, is the incredible orchestral score by Henry Mancini, almost Wagnerian in the same way John Williams' score for STAR WARS was--and Mancini, like Williams before him, uses the London Symphony Orchestra, to boot!
Largely forgotten these days, and a critical and box office disaster in 1985, LIFEFORCE, if for no other reason, should still be seen for anyone with a taste for the bizarre. There had never been a film quite like it before, and there will certainly not be anything like it again.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
LIFEFORCE was one of Cannon Films' biggest flops. It received mostly bad reviews and did nothing to help director Tobe Hooper's career in the wake of the Spielberg/POLTERGEIST controversy. All of this is unfortunate, because LIFEFORCE is actually a really great movie. It is supremely entertaining, moves along at a fast pace and features some of the most outrageously over-the-top direction, production, performances and special effects ever to explode across the screen! It must have looked bizarre on paper: the producers of THE DELTA FORCE, the screenwriter of ALIEN, the director of THE Texas CHAINSAW MASSACRE, the composer of BREAKFAST AT TIFFANY'S, the special effects wizards of STAR WARS... Audiences were not ready for this demented exercise in weirdness.
What more do you want??? We got an alien spaceship full of giant bats! We got a sexy, naked space vampiress sucking out people's souls! We got exploding bodies! We got zombies! We got possession! We got an S&M interrogation! We got the entire city of London on fire! It's Dracula meets NIGHT OF THE LIVING DEAD meets QUARTERMASS AND THE PIT meets EARTHQUAKE. It's quite possibly the single most outrageous horror/sci-fi/comedy/action/disaster/erotic/apocalyptic epic ever unleashed, that is, if there are any other ones out there.
Try watching this movie while chemically altered. Perhaps then you'll understand. A genuinely f***ed up experience, and one of director Tobe Hooper's most underrated movies. Maybe one day, it will find its audience.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
"Lifeforce" is a truly bizarre adaptation of the novel "The Space Vampires" by Colin Wilson, scripted by Dan O'Bannon & Don Jakoby. A joint American-British space exploration team makes a mind-boggling discovery: an alien spacecraft resting inside Halleys' Comet, containing three entities that look like people, one of them a female beauty (the oh-so-alluring Mathilda May).
They take these discoveries back on board their own spacecraft. Big mistake.
It turns out that these creatures drain the life out of human beings, and as American colonel Carlsen (an intense, edgy, and committed Steve Railsback) and British S.A.S. colonel Caine (a solid Peter Firth) watch in horror, an infestation of vampirism overtakes London, with the fate of Earth in the balance.
This picture certainly is not lacking in imagination. It moves a little slowly at times but offers so many strange and fanciful ideas and eye-popping visuals that it's hard not to be amused. The first of director Tobe Hoopers' three-picture deal with Cannon Films (he followed it up with "Texas Chainsaw Massacre II" and the "Invaders from Mars" remake), he makes it something truly unique. Incorporating elements of sci-fi, vampire films, zombie films, and end-of-the-world sagas, it's like nothing that I've seen before.
Railsback and Firth are ably supported by such strong Brit actors as Frank Finlay, Patrick Stewart, Michael Gothard, Aubrey Morris, and John Hallam. Mathilda May is very memorable as the bewitching, enigmatic villainess; it certainly doesn't hurt that she performs a great deal of her scenes in the nude. Also worth noting is a stirring music score from none other than "Pink Panther" composer Henry Mancini.
Ridiculous it may be, but I found it to be fun as well. It's flamboyant and spirited entertainment.
8/10


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
No, "Lifeforce" is not a great movie.
It's not a good movie.
It is, however, an average movie with some good effects and a compelling storyline (and, of course, Mathilda May). It may actually be one of my favorite SF/horror flicks for the very simple reason that they try to reason their way through the science of the space vampires. How often do you see that? Not even in "Alien" (the SF/horror flick of all time) does science come into the story at all. In "Lifeforce" they are trying to make reason of an unreasonable world.
Now, do I think it's successful? No. I think the movie has the issue of a massive ensemble cast that Hooper is straining to keep collected and on track and that the viewers have to focus on more than one 'villian' and there are one too many road trips.
To be honest, the movie is eye candy and fun to watch. but there is great potential here for a superior remake to take a hold of what Hooper was trying to do and really create a strong, scary, SF/horror movie.
If the remake does happen, however, I demand that Mathilda May have a cameo.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
LIFEFORCE is an extremely schizophrenic movie, based on Colin Wilson`s novel The Space Vampires the script ignores most of the novel`s concepts and structure ( Indeed it owes more to the QUATERMASS serials than the novel ) but the scenes it does leave in from the novel are nearly identical to those in the film . And talking of the script it must be one of the most uneven in cinema history , it`s though it was written in chapters by several different people. Take for instance Carlson , he disappears after the early shuttle scenes which led me to believe he was dead then he turns up again halfway through the film in order to explain the plot to the beleaguered Brits and it`s this lack of attention by the screenwriters that spoils the film . And there`s plenty of other clumsy scripting such as the heroes returning to London in a helicopter and not realising it has been over run by zombies untill they`re flying over it .
I could go on at great length about these plot holes but LIFEFORCE is actually enjoyable to watch as long as you don`t use your brain . It`s good to see a sci-fi horror film from an era when aliens were portrayed as being cute creatures that children hid in their bedrooms so that nasty human adults wouldn`t get their hands on them . The special effects and pyrotechnics are very very good , there`s lots of action and stunts and LIFEFORCE features one of the most memorable aliens in the form of the space girl . When mentioning LIFEFORCE in conversation with males it`s always a race to say " Seen the alien in LIFEFORCE? She can suck the lifeforce out of me anytime " Hardly surprising looking at the demographics of the votes that this film is more popular with males than females
" Don`t worry . A naked girl can`t escape from here " Can`t she ? Pity



assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Is it a perfect movie? No. It is a weird adaptation from a sci-fi book and it features vampires from space, naked beauties and the British army efficiency.
When I first saw this movie I was rather young and all I can remember is the feeling of awe for the movie and Mathilda May. Actually, if it weren't for this gorgeous lady being naked the whole movie, I probably wouldn't have rated it so high, but given her sheer magnificence, I am now actually considering voting it up!
Lucky for me I got reminded of the movie and watched it again now. Imagine Raiders of the Lost Ark or Poltergeist special effects splattered unto a rather decent sci-fi story, but with completely over the top performances. I still enjoyed the movie tremendously (as well as Mathilda May), but it was a mixture of nostalgia, comparing with the crap movies they make today and actually wanting more when it ended.
Bottom line: if you are a sci-fi fan you are not allowed to miss this movie. Oh, and did I mention Mathilda May is young, beautiful and naked?


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
A lot of people say the end did not make sense, but it did. With the female vampire dead the link to earth was broken and the ship took off, having picked up a lot of Lifeforce from hundreds of thousands of souls. Enough to re-energize those hexagon cells and create new bat creatures. It seems they do not have carnal sex, like vampires of legend.
vampire bats from outer space may be ludicrous, but killing them with with a shot to qui force center below the heart is consistent. All you can ask for is consistency. The viewer has to suspend disbelief, even for scifi.
The only problem is having to be a sword or stake, not bullets. That puts in a supernatural twist that does not fit with sci-fi. So that is a problem.
The only major inconsistency I found is killing the male vampires with the sword, but the soul of the girl and Carlsen go up to the ship. I assume the males souls also went up the ship, but not shown.
What about all the humans killed? Do their qui forces ("souls") go up to the ship as discrete entities, are does all the lifeforce get merged into one, for use as ship sees fit? In other words, all the human souls that went to the ship could be re-incarnated as bat creatures.
The basic concept is no more ridiculous than Star Wars "Force" or even re-incarnation.
This movie was over the top, kitchen sink (Dawn of the Dead meets Alien meets Dracula), but in many ways profound. It was also a beautiful love story. The beginning and end were ethereal. It both began ("what is happening to me") and ended as a love story.
Most of the criticism of the movie is about its being bizarre.So what? Bizarre is an art form. As far as being ludicrous, it all fits. The plague concept is much more interesting and subtle than the Aliens just killing people. Maybe they didn't need Patrick Steward's blood to form an image of the girl, but it was a very far out, surreal, scene.
Another reason the movie is hated is because of the end. But the end fits perfectly with the beginning. People are so wrapped up in the nude girl that they miss the movie's core. Its a lover story,from start to finish. It starts with Carlsen and the girl on the alien spaceship and finished same way. So it fits perfectly. Most people are fixated on the hero killing the monster, and this movie did not end that way, which is precisely why I love it.
Instead, it has a happy ending, with the 2 of them going back to ship, to be reborn. Way cooler than the hero kills monster end, but that is exactly why it bombed. It was not a straight-up horror or even scifi/horror at all, but a love story, with a beautiful beginning and end. All those souls twinkling on the ship. And the crystal room pulsating with new life.
Most people can't deal with a love story that is also Alien meets Dawn of the Dead meets Dracula.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
By far one of the best sci-fi films out there. However, it does take multible viewings to understand the concept of the film and to be able to appreciate not only the special effect, but the main plot of the film itself. It is my own feelings that this film film got such poor reviews because no one took the time to watch the film the way it was meant to be seen. It does have some moments you wish would hurry up and pass by, but they are few and far between. Hooper, who directed TCM 1 and 2 along with a remake of INVADERS FROM MARS, and THE FUNHOUSE does his best work here. Great score, good acting,and great effects makes this a film to add to your collection, if you get the chance see the widescreen version on DVD, highly recommended to any one who is a fan of sci-fi.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This really is a great movie. I don't think it has ever gotten the recognition that it deserves. I have bought this movie on VHS and DVD. The special effects were ahead of its time. The story was WAY cool. The pace was very steady. If you haven't seen it, you definitely need to check it out on DVD if possible.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Based on the book "Space Vampires" by Colin Wilson. This is (in my humble opinion) one of the best pieces of Sci-Fi Horror to come out of the eighties. The effects (done by ILM) still hold up by todays standards. The actors are mostly British and being british seem to give this film a greater depth of realism.
The film was panned by the critics and sadly failed to do well at the box office on both sides of the atlantic. Tobe Hooper blamed the promotional work that was done before its release as the main cause for it's low takings. But for whatever reason, it still does not detract from the fact that this is an excellent film with a great cast and well-paced plot.
Not to be over-looked.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Something I think some people miss about great science fiction is that it predicts some part of the future. No other theatrical movie that I can recall predicted that when the space shuttle went to study Halley's Comet that a disaster would occur! Some differences were: the "Churchill" (the shuttle in the movie) actually went to the comet, the "Challenger" was only in low earth orbit; The "Churchill" was merely burned out inside, whereas the "Challenger" exploded--hey the vampires had to get back to earth. One great similarity (and this is always bad luck!) both had mixed male/female crews--the legend of Halley's comet and disaster continues!
Other than this there is not much more to be said about this movie that hasn't been said before. As a outer space/science fiction/horror/sex film individually it provided nothing really new, but as in all great dishes it is the combination that counts. And taken together, this was a highly original and satisfying combination.
I just wish Mathilda May would drain her victims through another part of the body!


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Lifeforce (1985) was a Cannon funded film directed by Tobe Hooper. It's a very interesting film that deals with a pair of space vampires who are accidentally brought back down to Earth during the latest space shuttle mission. Steve Railsback stars as the sole survivor of the tragedy. But really folks the movie is a mere showcase for the natural beauty of Mathilda May. She's one smoking hot number. The director was a huge fan of Female Vampire (a.k.a. Erotikill). Miss May recreates Lina Romay's title role The film is beautifully photographed and directed. There's plenty of gore effects to keep genres fans happy.
I have to give this film a very high rating. Tobe Hooper was the man. He made three interesting films for Cannon during this time period (Texas Chainsaw Massacre II and Invaders from Mars as well). If you like science fiction/horror films, Tobe Hooper films or Mathilda May this film's just up your alley.
Highest Recommendation!
Did I mention Mathilda May is smoking hot?


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
i am surprised so few have good words for this movie. For its time (the 80's) it was a very entertaining and engaging story. Casting was good. Story was good. Special effects were remarkable for the time period. Deserving of an 8/10.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I finally got hold of Lifeforce on DVD with the widescreen format intact and rousing Henry Mancini score to the max. After having viewed Lifeforce for fifteen years on tape, I have to say that the 'uncut' DVD version was both great and disappointing. The U.S. version is so *much* better than the DVD (European?) version. The U.S. version of lifeforce moves much faster (the editing on the DVD version is terrible. Feels like an unfinished cut). And the many scenes not seen in the American version add little or nothing to the final problem. In fact one "new" moment almost destroys the entire movie, when Caine (peter firth) meets the male alien at the cathedral. I love this scene, in the U.S. version though. On the DVD, the male alien speaks to Caine and what he says is soooooo hilarious. It's the pinnacle of hilarity:
"It'll be much less terrifying if you just come to me!" the male alien says, in a deep 1950s style voice. I was floored when I saw this. It just doesn't belong in the movie. That scene is pure camp in an otherwise super serious flick. I'm glad Hooper (or whoever) cut that scene when the movie was released in North America. There are several changes that were made for the U.S. version that make Lifeforce that much better and I wished the DVD had the U.S. version. The editing is sharp and frenzied without being annoying and some spots that were already boring in the U.S. version are even more boring on the DVD version because of added scenes. And the opening credits on the DVD is terrible. Much better in the U.S. version. More subtle.
I love this film. It's basically aliens making a pit-stop over earth and sucking up as much Lifeforce as possible. The film has too many flat, uninspiring sequences (talk, talk, talk) but when the action goes to London, it's fun. The film really shines in these scenes. One can see Hooper finally doing what he's great at: chaos, savagery, horror! Lifeforce should have had more of these chaos scenes. They're the best Apocalyptic scenes ever put on film. It's also the best zombie movie ever. The zombies are hungry (for lifeforce, not flesh) and they're crazed and agile and terrifying. Not the slow moving bores of other zombie movies. Also, a lot of people have criticized the ending but I love it. It leaves you high and dry, like one of the lifeforce-drained victims.
And to think this movie came out during the cute and cuddly 80s, when people flocked to E.T. or Cocoon or other sweet and boring, feel good sci-fi movies. No wonder it bombed because it was way ahead of its time with its super nihilistic point of view!
As for the DVD, well, it ain't great. The image is muddy and grainy and there are no extras whatsoever. But it's great to see the movie in its widescreen format. I just hope that they'll release a clean, crisp U.S. version on a DVD, and with commentary by Hooper and Dykstra.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Ok, let's get this out of the way first: As a piece of cinema, Lifeforce is rubbish. As a bit of cheesy entertainment for SF buffs, it's got a lot of merit. If you enjoy watching those old black and white SF B-movies - giant mutated spiders/ant or alien monsters wandering around the desert - you really will get a kick out of Lifeforce.
Bad things: The story makes little sense and the acting is pretty poor. Good things: The special effects are halfway decent; it has a welcomingly different British centered story (it's set in London) which gives different feel to most SF movies; and it has the well-endowed Mathilda May (amusingly billed as "Space Girl") wandering around stark naked.
In short: it's fun.
I've seen it half a dozen times now, and every time it comes on TV I make time to watch it - admittedly this is partly to do with the naked Ms. May - but it's also to do with the enjoying a bit of unassuming and silly SF.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Lifeforce is certainly one of Tobe Hooper's best films. It has some great special effects and a lot of nudity, so it seems like a typical horror fan's dream. The film is quit creative though and I think that's because of the script from Dan O'Bannon and Don Jakoby. Nice cinematography and a good creepy atmosphere make it a solid film.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Non-stop action and just about every conceivable (and inconceivable!) sci-fi/horror cliche can be found in this blatantly silly but fun, big-budget epic. The pace never lets up, especially in the shorter US version, which tightens things up considerably.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Without a doubt, one of Tobe Hoppor's best! Epic storytellng, great special effects, and The Spacegirl (vamp me baby!).


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
A mixture of Alien and Ghost Busters?
Starts very promising, then slows down to almost boring.
LifeForce contains some awesome special effects they were able to make in the mid 80's. The story is intriguing, but becomes quite lack lustre in the end. It was rated R because of the nudeness, sex and gore. Mathilda May's ethereal and savage (naked) beauty is very apparent through out the whole movie. A bizarre movie and cost a lot by the time it was made.
This could have been a bigger classic with a better script, but unfortunately it wasn't a great hit, I think it actually flopped quite bad.
So, something went wrong with this one, but still, it's very entertaining.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
As with some of the best films and series, I stumbled across this quite by accident. It was late, a storm was in full force outside and I was sitting comfortably on the sofa when I flicked past a channel that was just about to show one of the episodes. I intended merely to watch a couple of minutes while waiting for the commercials to be finished on another channel before switching back to some or other sitcom. About an hour and a half later I remembered my resolve and was so happy that I hadn't done that. Needless to say I made sure I saw all the other episodes.
John Hannah has been brilliant in almost everything I have seen him in and he does not let down here either. All other cast members do a stellar job too. My personal favourite (aside from John Hannah, of course) is Gerard Murphy.
The only negative side to this series are the limited amount of episodes. Only 8 with JH himself and an additional 1 with someone else. I would love to see McCallum back on the screens, though it would have to be with JH!


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I got this as a complete set of 9 episodes on 5 DVDs. I knew nothing about the history of the series. Season 1 of the series has the pilot episode as episode 1 and then 3 more episodes for a total of 4. Season 2 lists 5 episodes with the last being Beyond Good and Evil with an original Air Date of 7 December 1998. The other 4 episodes on season 2 were broadcast from December 1997 to Febrausry 1998. So Beyond Good and Evil looks like season 3 episode 1, except there are no more episodes in season 3.
Spoilers here. The two main characters of the first 8 episodes, Dr. Iain McCallum (John Hannah) and Dr. Angela Moloney (Zara Turner), are missing from this episode being replaced by Dr. Dan Gallagher (Nathaniel Parker) and Dr. Charley Fielding (Eva Pope). I recognized Nathaniel Parker from the series The Inspector Lynley Mysteries, which began in 2001. So they were planning to have a season 3 but only one episode was broadcast.
It seems odd to try to continue a series named after the main character, McCallum, when the main character is gone from the series. So they might have been planning a return of Dr. Iain McCallum, but when that failed the series was canceled. I have no inside information on this but I do see that both John Hannah and Nathaniel Parker were involved in other projects in 1999. Does anyone have any information on this?


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
K-Pax is a very intriguing film. Is Prot (Kevin Spacey) really an alien, or is he a mentally deranged human who just thinks he is an alien? That is the question that Dr. Powell (Jeff Bridges) must answer before the self proclaimed deadline that Prot sets for his departure from Earth.
As the film unfolds and more evidence is uncovered, both theories grow in credibility. His ability to map from memory the area of the galaxy where his home planet is located indicates a knowledge that no human could possibly possess. Yet the hypnosis sessions lead us to a real person with a very real and traumatic life, filled with devastating events that could have caused such a personality aberration. The ending seems to give the answer, but is just ambiguous enough to make you wonder if you really know. Normally, I don't like lady or tiger endings, but this one is tantalizing. I have my own theory that fits all the clues, but I don't know that my theory is any more correct than anyone else's.
Director Iain Softley (`Wings of the Dove') spins the tale delicately, with great skill. This is a rare example of the director staying in the shadows and inducing outstanding acting performances out of talented actors to let the story dominate. This is not to say that the directing is technically inferior, because it is excellent. However, Softley remains unobtrusive, delivering great power through the use of subtlety, a pleasant change from today's vanguard directors who visually grab and shake the viewer as if to scream, `Look how brilliant I am!'
Kevin Spacey once again delivers a marvelous performance as Prot. This is a part that is extraordinarily demanding, requiring Spacey to render the cool and logical Prot one minute, and then switch gears to conjure his tormented alter ego under hypnosis the next. Spacey is so believable as both alien and human, it makes the viewer's task that much more difficult. Jeff Bridges is also terrific as the relentless psychologist who becomes obsessed with learning the truth about Prot.
This is inspired storytelling for the thoughtful viewer. I rated it a 9/10. If you must have closure at the end of a film, this movie will be very frustrating. However, if you like a fascinating mystery that keeps you thinking long after the credits, you won't be disappointed.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
K-PAX is exactly what a heart warming film should be. The story is about a mysterious mental patient Prot, played by Kevin Spacey, and his unbelieving psychiatrist Dr. Powel, played by Jeff Bridges. The two have a very friendly bond, and as their relationship grows Dr. Powel can't help but wonder whether or not there is more to his mysterious patient, who insists he is from another planet called K-PAX. This film is very funny, and Kevin Spacey pulls of well placed one liners as if it was his second nature. K-PAX is a smart film, and I wasn't expecting it to go where it did. In the end, I found myself thinking about the small things in life, and the wonder and magic of the every day life we so often take for granted. I left the theater with a warm fuzzy feeling inside, and for families and couples on a date, K-PAX is a splendid film, that will not disappoint. I highly recommend this film to anyone interested in something more than the monotonous releases of glossy, action packed, gore fests.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Due to a very misleading advertising campaign, I saw this film in theatres at the relatively young age of 10. The trailers on TV portrayed the film as a comedy, and I bugged my parents until they took me. After seeing the movie, I was blown away. I had no idea what to think. Totally different than anything I had seen before, leaving far to many questions for such a young mind. Needless to say, I loved it. This morning was the first time I'd watched in in probably 2-3 years, and I still think it's one of the greatest films made in the last decade. Kevin Spacey and Jeff Bridges are both in top form, as a mysterious man who may or may not be from another planet, and the psychiatrist that develops a bond with him while trying to decipher his mystery. The supporting cast are near perfect as well, each resident of the mental institution is incredibly convincing in their own way. The open ending was handled very well, giving lots of evidence to support whatever you believe happened in the end. How this movie failed to receive at least a nomination in that year's Oscars is beyond me. If you haven't seen this film, run to Wal-Mart RIGHT NOW. The DVD is usually in the bargain bin, pick it up!
9.5/10


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
This film IS brilliant...... without a doubt. Watched it a while ago after constant pestering from family members who are right into their sci-fi films (which I am not), and thought it was quite good. But after recently watching a few documentaries on outer-space etc we watched it again... and it IS good.
Kevin Spacey is without doubt one of the greatest actors ever and I really like Jeff Bridges (Big Lewbowski, Blown Away, Arlington Road). The film revolves around a patient in a nursing home who claims he is from another planet. Yeah right, you think... but what if his story is so believable that even his psychiatrist begins to wonder if he is telling the truth.
That is how the story evolves with Bridges going through all kinds of emotions dealing with Prot (as he is known), his own psychiatric colleagues, his wife and family, his brother-in-law and his cosmologist astronomer work colleagues (who after getting some data from Prot, pretty much admit that he might be telling the truth!) A great film... that get's you wondering.....
8/10 Dave


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Personally, I think Kevin Spacey is one of the greatest actors of his generation, maybe the greatest. This in combination with another amazing actor named Jeff Bridges, it can't be bad. And that's exactly what this movie is! "K-PAX" is one of the most pleasant surprises of the latest years. To start with has the movie a brilliantly written story. It's part of what makes the movie so great. The other aspect that contributes to the greatness of the movie is the acting. The combination Spacey-Bridges really works.
This was already the second time I saw the movie and I'm sure it won't be the last time. "K-PAX" has everything. There are moments which are extremely funny, parts that remind of a true thriller and others which reminds of high-class drama. I think this movie deserves a much higher rating and a lot more awards. Great movie!
9/10


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I'm a fan of Jeff Bridges so I snapped this up on DVD without having seen it previously. I instantly became a fan of Kevin Spacey, also.
The general plot of "alien in human body" has, in my experience, been done to death, but I liked the approach taken in K-PAX, which struck me as quite different and much more sensitive than most. Bridges makes an excellent doctor (you *want* to tell him what's on your mind) and Spacey's expressions and gestures are perfect in the role.
The interaction between Prot and the entirely human characters in the clinic is delightful, particularly the subtle manipulation of their behaviour.
The ending is bittersweet - I like Prot's choice, but the final scenes (with Bridges) made me teary.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
Usually I do not like movies with/about aliens but K-PAX is different. The actors are great in the movie - especially Kevin Spacey played his character breathtaking! The movie never fall to a lower level - the suspense is always in the movie and you absolutely wanna know how it ends, what's about Prot... You have to think a lot after the movie over the movie because there are a few open questions... Is Robert Porter Prot or is Prot only using Robert Porters body as a means of transportation. How can he see uv-light and how can he know that much about astrology. But everybody can make his own end and can decide in what he wanna believe. Very good movie with an excellent Kevin Spacey!


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
One of the best movies ever, the idea of a double interpretation involves we all.
Would be Prot a schizophrenic or an E.T? (No doubt in my opinion, but let's keep the question open...). Kevin Spacey, the big screen monster, plays Prot as it should be done. Let's not forget Jeff Bridges and his great psychiatric.
Lastly, a masterpiece that speakes for itself. Can keep our eyes wide open from the beginning to the credits and our minds thinking even when the movie is over. If you still didn't watch it, go right now! And again, again...


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
I was truly surprised when I first saw this movie directed by Iain Softley; it differs in so much ways from the usual Hollywood mass-production. The plot itself is simple - Kevin Spacey plays a mental patient Prot who claims to be from the planet K-pax who arrived to Earth by a beam of light, while Dr. Powell played by Jeff Bridges tries to help him to solve his delusions... First of all, I must admit the cast is perfectly chosen: Kevin Spacey is really brilliant in portraying the intriguing character of Prot, always walking in the fine line of convincing us that it is real and then making us wonder whether he is delusional or not... Some of the gem scenes include the one where Prot innocently eats the whole banana (even the peal) while in session with Dr. Powell; or the observatory scene where he confidently shows his knowledge of the K-Pax system to the astonished astronomers... Jeff Bridges on the other hand is the subtle, rational side of this movie, and he delivers it perfectly. There is a whole other cast of excellent actors (like Saul Williams' convincing performance as Ernie) who make this film truly work.
K-pax has it all, elements of comedy; Sci-Fi, even psychological thriller (concerning the Prot's identity) but most importantly it can be categorized as a heartwarming drama. The main premise of the movie is quite intricate, but the director never lets it get loose, he always keeps it believable and yet two-ways interpretable. The camera and photography have almost a crucial part here, continuing the main idea of light travel, there is much focus on light-shadow play, lightning settings - one of the memorable scenes is where Dr. Powell holds a crystal figure in his office which refracts light in a beautiful way while all the time he suspects can the idea be true?
Subtle and slow paced, intriguing and pleasurable, K-pax is truly a gem to watch, one of the kind movie that may not be for all tastes, but those who see it - might fall in love with it.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
In KPAX Softley brushes on the subtleties of Eastern Religious Mores from the small archetypes embedded all over the film to the actual purpose of Prot. Spacey (Prot) assumes a predominantly didactic role throughout the entire film - it is as if the statements he makes embody general truths about a culture of peace which is strongly promulgated in Buddhism and Hinduism. It can be said that Prot is the eye of the storm - the world is in disarray and is 'bright' and the false veil of reality is what everyone else sees, but Prot sees truth - he sees the minute - and appreciates it and at some points fears it as he transcends his social construction of reality and becomes more humanly.
The film is particularly detailed, therefore I would recommend that you watch it at least twice to see how Softley interjects nuances. Listen carefully to the narratives at the beginning and end as they truly touch on concepts not commonly presented in western philosophies.
9 of out 10 rating - Superb - with nominal room for improvement.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
The always delightful Kevin Spacey makes us once again question certain truths in our lives. After driving us into believing he is a mumbling small time crook (only to expose the true power of cinematic deception) in the classic The Usual Suspect; this time around he leads us into believing he is Prot, a likable alien who assumes a human form whilst strolling around the Earth.
Prot is a peculiar stranger who has seemingly appeared out of nowhere, only to be hospitalized in the Manhattan Psychiatric Institution. Dr. Mark Powell (Jeff Bridges) soon takes extreme interest in him, and even finds himself pondering if Prot is actually a supreme being from planet K-PAX, or perhaps he is only a forgotten human being with severe psychiatric issues. While the ending can be seen and discussed in many ways, it remains a complex, enlightening journey which leaves a gr eat deal of intriguing/philosophical questions behind it.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
If you have enjoyed the Butterfly Effect, Donnie Darko or The Machinist, you will enjoy K-Pax too.
To me, this movie felt really uplifting and yet depressing in the end. Spacey delivers a great performance as Prot. Also, lets not forget the appearance of Saul Williams in the movie, who i am a big fan of.
After watching it, i recommended the movie to lots of my friends, and everyone was pretty much blown away.
But still, it is very underrated, maybe because of the lack of action and explosions. I'm sorry, this is not a movie about blowing things up, it's about how humans behave, and how people live in worlds that don't exist.
Go on, and enjoy.


assistant
1
system
classify the user's feedback by responding with only a single number: 1 for positive or 0 for negative


user
at least for me. and rather unexpected -as subject. a movie that makes you question your beliefs, your life, your approach on everything. that helps you see the world you , we live in through a lens - or a multitude of lens...a moving, surprising and haunting movie.
and it benefits of one of the best performances ever from Kevin Spacey. seconded very well by Jeff Bridges. there isn't a false note in this tango. it's a perfect dance. perfect 'till the end.
what does the ending reveal ? well...everything you want it to...
a movie one will want to see again. maybe not right away. maybe after a few days. months. years. but it's something to go - or come - back to.


assistant
1