empathielabs/imbd_dataset_v0 huggingface dataset:
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If you are looking for the feel-good hit of the summer, Dark Harvest 2 might just be your ticket. The production values of this movie are extremely high (looks as if it were filmed with a Sony Handicam and edited using iMovie), especially the sound effects -- they sound straight off of a "Spooky Halloween Sounds" CD! The scarecrow from the cover, although he doesn't appear in the movie and otherwise has no relevance, is terrifyingly realistic! From beginning to end, you'll watch as a man aimlessly searches for his daughters through a, pun intended, MAIZE! At the climactic ending of the movie you'll see, well...you'll have to watch for yourself.
What I'm really trying to say here is, don't come within 1000 yards of this movie. I rented it because I thought it would be a campy sort of "Troll 2" funny, but it's not. I cried after I watched this movie, because I realized I had spent money on it (and I found the $4 I spent on renting it). I actually fell asleep for 20 minutes and still knew what was going on.


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My friend Zac rented this movie free of charge since his mom works at a rental store. I still feel ripped off, since I won't ever be able to get those 100 minutes of my life back. Having watched the first "Dark Harvest" the night prior to this viewing, I expected to at least see a crappy remake of the first film. Wrong.
There isn't a single scarecrow in the movie (unless you count the one of the cover of the box), nor are there any real death scenes. The movie got its R rating from an 8 year old girl screaming "god d**n" at her father.
There is no amount of tequila that could make this movie bearable. Believe me, we tried.


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This movie was horrendous... It had absolutely nothing to do with Dark Harvest. And the DVD was very misleading because it showed a scarecrow and a scythe, neither of which appeared in this movie.
The beginning was a jumble of random scenes that, most of which, had nothing to do with the movie, except that they sort of show that the man is psychic... but not too well...
After the first 10 minutes of the movie there is an hour of just the man character looking for his daughters. It gets vaguely interesting when the daughters meet two girls who died the year before. But that's the extent of it.
And why, might i ask, was this movie rated R? There were two drops of blood and 4 curse words. And how on earth did it get into a video store?? This movie was poorly acted, poorly filmed, poorly written, and overall horribly executed.


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This movie was really funny even though it wasn't meant to be! The acting was stupid and so were the voices. Pretty much all it was was some guy walking around a corn maze for an hour and a half. They threw in this stupid super natural thing that made it even dumber. It wasn't even like a normal movie, this weird creepy music was playing almost the whole way through the movie. What is it with corn maze horror films? Children of the corn was really scary I thought and I thought this would be something like it, but really it was just stupid. The main character guy just walked around aimlessly yelling for these two little girls. And then at the end he like kills someone or something. It's worth seeing if you're with your friends because it's really funny how bad it is, but if you're looking for a horror movie then don't waste your time


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The idea for the movie wasn't too bad: a horror film shot in a corn maze on Halloween. The bad part was the shoddy camera work, the ten million shots of puddles and corn, and the hour and a half long walk this guy took in the maze. Oh, I'm sorry, the "maize." I picked up this movie because it reminded me of a corn maze near where I live, and I thought it was a cool idea for a movie. But taking everything into consideration, it seems that your average Joe could take the same idea and run much further with it. Bill Cowell's acting wasn't too bad, in fact, I would say it was pretty good. But the lack of talent from his co-stars didn't help his efforts. Here's to hoping his next movie will be easier to swallow.


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What can be said about THIS? Truly one of the most mind-numbing experiences of my life. Your brain will attempt to shut-down as part of a primal impulse of self-preservation. I was left shattered from the experience of watching this 'film' and I took a good two hours to fully recover. This movie now joins Revenge of the Boogeyman and Zombiez as part of the hellish trinity of horror films. I certainly do not mean this distinction in a good way. I mean this in a terrible way. A terrible way.
This film has no redeeming features. Everything is appalling. Artless camera-work endlessly presents us with the ugliest setting imaginable, i.e. lots of corn, lots of mud. The story is beyond stupid. The script iswas there a script? The villain is severely unscary and wears yellow wellington boots. The kids are annoying. The lead man is charisma-free. And it has the audacity to go on for 100 minutes. Utterly without merit on any level, this is akin to torture. Normally such a statement would be an exaggeration meant for comical effect. Not in this case. I'll even say it again  this is torture.
At the end I was in a state of paralysis. This was brief thankfully. But once I recovered I decided I had to watch the 'Making Of' featurette. I had to understand. Maybe there would be a reasonable explanation for this atrocity. Was it all an elaborate joke? I watched the first 2 minutes of the 'Making Of' featurette and discovered that the writer/director was, to put it mildly, somewhat misguided. I also discovered that because I had taken time out to watch the first two minutes of the 'Making Of' featurette of Dark Harvest 2 that I was an idiot. Not a pleasant voyage of self-discovery. Life sucks.
Highly unrecommended.


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Apparently this was an award winner. Apparently someone had a gun against his/her head and was force to nominate Maize: the Movie.
Or this must have been a mistake.
This is the most unwatchable movie ever made. The screening and the editing is the biggest horror of this movie. Two little girls get lost in a cornfield and get stalked by someone who can be heard laughing under his rubber mask. The little girls run into their hero dad, and then runs away from him, W.T.F.? The hero dad in the movie keeps losing track of them in the few minutes of watching this.
The girls obviously weren't trained actors, and had no common sense to them. They were so annoying and so infantile in the movie, it not even remotely comedic. Hearing them scream over and over again like a broken record was the reason why I got up and left. You can't even listen to this movie without nearly going into convulsions.
I can puke a better award winner than this garbage.


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Apparently I am swimming against the tide of the glowing comments on this film. I have not seen it since I was 4 or 5 years old but there is one thing I remember distinctly...
The Bunyip was TERRIFYING!!! Nightmare inducing terrifying. With the creepy music and the little girl and kangaroo running/hopping away for their lives...
As a kid I also remember the animated Hobbit... no worries. Watership down? Didn't blink an eye. Dot and the Kangaroo? It still haunts my dreams. And I have several friends the same age who also think it was massively creepy. Maybe we can get a group rate on therapy.
In short: one freaky film for its time.


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Code 46 is one of those scifi movies where the government controls who you are allowed to love, and in fact will punish you if you try to procreate with the wrong person. The haves and the have-nots live in completely separate territories, the powers that be can remove your memories, etc. We've seen this stuff before, but that's OK- no movie is 100% original. This kind of premise is always fun to contemplate. Unfortunately, just imagining such a future is more interesting than actually watching Code 46. The characters are boring and rarely say anything interesting. Maybe that's commentary on a dehumanized future, but it's still dull to watch. It's sloooow.
At times the imagery is nice, but usually (coupled with its "evocative" soundtrack) just looks like a glorified perfume commercial. Code 46 also sometimes uses the kind of television camera-work that I find annoying. You know, two characters talk as the camera artlessly "floats" on one side. Two seconds later it's floating on the other side of them in a vain attempt to keep your attention.
My friends liked this movie. If they tried to get me to watch it again, I probably would not do so unless they agreed to pay me $50.


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Bad dialog, slow story, scenes that drag on and are absolutely pointless. I can't believe this much money was invested in such a poorly written film. The directing and acting couldn't save this bomb either.
50% through the movie and you're still waiting for it to start. They lay the foundation with the opening preface and then spend the next 40 minutes setting up NOTHING. You watch 40 minutes of footage that is absolutely directionless in an attempt to do what, I have no idea.
Much of this film is like watching a really bad french movie where nothing ever happens and the characters are just sort of dull, lifeless and egocentrics living without purpose or care.
Avoid this film at all cost. Anyone that recommends it is setting you up for disappointment and you will undoubtedly question their taste and depth.


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Interesting concept that just doesn't make it. I watched the whole movie, but had to read IMDb comments to find out what Code 46 meant. If/when it was explained in the film, I must have been in a coma, or possibly brain-dead by then. I only watched it for Tim Robbins. The fact that I did not know any of the other actors should have been a tip-off. We all have to start somewhere, but this film should not be it. As to the 'anti empathy virus virus'-Holy Utility Belt, Batman! Where were The Joker, The Riddler, etc? Also, why are the women all so damned ugly? If I want to see less-than-plain stick-figures, I'll just walk down the street. The best part of the film was the car crash. It was totally believable, and not over-the-top like most movie crashes.


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I found Code 46 very disappointing. I thought the concept was good and therefore had great potential as a movie but found that it didn't deliver. Code 46 lacked thought and structure and the storyline didn't flow well. I thought that Tim Robbins character wasn't well developed, for eg. I thought there should have been more info and thought put into his family life and not have it completely ignored as i felt it was. When they were first in violation of a code 46 it was suggested that they were not to know that they may have been genetically linked but all the technology was available to them, he took her fingerprint and therefore genetic details when he was investigating the fraud. I constantly found myself waiting for something to happen and the story line to develop and yet it never did. I felt that the film had great potential to be intellectually stimulating but turned out to be the opposite. Code 46 tried to be too clever and in the end just ended up lacking imagination.I would not recommend this film to anybody, the only good thing about the film was that it was relatively short.


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This movie was released in all major cinemas in Australia. I watched the movie on the weekend of 7th AUG and I thought is was absolute nonsense (and I am using that word extremely litely). How it got released to every major cinema no idea. The plot seemed simple enough about the world being divided into subclasses and people needed identity cards and the actor Tim Robbins playing an investigator who goes to shanghai to investigate a employee stealing ID cards, which turns out to be the actress Samantha Morton.
You think from that summary the rest of the story should intertyne but it doesn't it just confuses the audience even more with different storyline that don't relate.
If you thinking of seeing this movie let me save u the trouble DO NOT GET THIS MOVIE.


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I was initially excited about this movie and fully expected it to be a combination of Equilibruim and Farenheit 451. Unfortunately, I was continually disappointed in the lack of depth and interest of the plot and subplots. Midway through the movie, I divulged into poking fun at the characters and sets to avoid having to turn it off. I did enjoy the premise of a future with merged cultures and separation of the have's and have nots. What could have been an artful and intelligent look at the future is morphed into a plodding, semantic SciFi channel midnight flick with horrible acting, cheap sets and a final gratuitous shot of Tim Robbins vagina. Maybe he should stick to his socialist political ranting - it has all been downhill since Shawshank.


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The film disappointed me for many reasons: first of all the depiction of a future which seemed at first realistic to me was well-built but did only feature a marginal role. Then, the story itself was a weak copy of Lost in Translation. The Middle-Eastern setting, man with family meets new girl overseas, karaoke bar, the camera movements and the imagery - all that was a very bad imitation of the excellent Lost in Translation which had also credibility. This movie tries to be something brilliant and cultural: it is not. I wonder why Tim Robbins even considered doing this film!? The female main actress is awful - did she play the precog in Minority Report? And why do you have to show the vagina in a movie like this? Lost in Translation didn't have to show excessive love scenes. R-Rated just for this? This movie isn't even worth watching it from a videostore!


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I just finished watching this film and think it is one of the worst films I have ever seen. It was so boring that I found myself zooming through it at X2 speed and finished it in less than 30 minutes. I was not just disappointed, but angry that I had wasted my money to rent it. It ranks within the top five of the worst films I have ever seen, and I've seen thousands of movies! The plot was very confusing. Had I not first read the DVD sleeve cover, prior to renting it, I would have been totally lost throughout this film. I would not have thought that Tim Robbins, after having made such good films as "Shawshank Redemption" would have agreed to appear in this film.


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If you are a weirdo who thinks it's "romantic" and wonderful to have sex with a woman who is the genetic equivalent of your mother, get her pregnant, and then have sex with her again once she's had an abortion AND not tell her that she is related to you, then you would like this movie.
Nevermind the fact that the guy is married and has a son at home - it makes it even more disgusting and deplorable that he has no conscience as to what he's doing. He can't do right by his job, his family, OR Maria. He's a loser. There is nothing romantic or positive about this movie - it is vile and incestuous.
It moves slowly and it leads nowhere for over the first half of the movie. I couldn't even finish watching this pathetic excuse for a 'romance'. I'm glad we didn't waste our money in the movie theater on this one. 0/10


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We're in a not so distant future, globalization seems to have reached a high point, languages mixes with each other (although English prevails over the rest), races have merged, human clonation is a fact, and all the territory seems to have been divided in two zones: the one for the valid and the one for the non-valid... a brave new world (in Aldous Huxley's style) in which people are genetically filed and blood relationships are strictly forbidden (for health reasons that's the Code 46 of the title-). In such environment two souls that are destined not to meet fall in love with each other.
Winterbottom had an important story, with quite a big potential. A nice recipe that he ruins giving it a so slow rhythm, narrating it in a so weary way, removing any emotions... Coldness, that's all Code 46 transmits. Coldness and boredom. Not even the presence of Samantha Morton and Tim Robbins (both of'em play their roles wonderfully) , nor the visual and sound power of some sequences can do anything to save the movie. What a pity.
Code 46: what could have been and never was.
*My rate: 4/10


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I thought this film was a poor effort by the British film council - fell flat as hey, come on, Tim Robbins is an old guy and here is this beautiful young woman who falls straight for him as well. Like lost in translation its really hard to suspend disbelief in this context. It's a good looking film but lacks punch. When Tim Robbins is pretending to be psychic it looks like he has a small migraine. He looks uncomfortable and life less. The part where he is screening suspect employees at sphinx is laughable. If an investigator came to my factory the last thing I would do is tell him about my freckle fetish. It's obviously over-intellectual. Clumsy. The city is as it is, a convenient backdrop. They obviously picked the most futuristic city they could (shanghai) as a backdrop but the city never really comes out and effects the characters as in for example blade runner, where the characters of the city often intersect the story. slow as a wet week. No chemistry, real dramatic high points, so so plot.


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I like to think that I can appreciate a movie that is a bit out of the ordinary, and I certainly love a good movie that makes me think.
If you like out of the ordinary movies that make you think, then look elsewhere. This movie is so bad and so disjointed that the only thing you will be thinking after it is over is how it is possible you wasted 90 minutes of your life watching this.
A movie of this kind needs a driver to get buy in from the viewer. Why are we interested in the main characters? What motivates these characters through their existence? Why do they make the decisions they make? This movie makes a very weak attempt at doing these and fails in the process. There is no chemistry between these two actors, both of who are superb in their ability to be comfortable in any role. So why did they fail here? I strongly feel that they didn't know what their motivations were either, and when an actor doesn't know, their audience can't follow.
In sum, I have seen macromedia flash videos that offered more in the way of provoking thought, at least I have more interest in the morphed hamster who likes the moon than why this married family man would risk it all for a "Code 46" violation.


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Many times the description "full of sound and fury signifying nothing" is used and is right on target. Unfortunately "Code 46" lacks both sound and fury. A bit of fury would have been greatly appreciated. Tim Robbins character (William) is so lacking in passion that the idea of his falling instantly in love with Maria (Samantha Morton) seems almost absurd. These folks are so passionless that one begins to wonder if perhaps the water supply of this future world has been dosed with thorazine. There is a "Brave New World" sort of atmosphere to the film that is helped along by every scene being shot about 2-3 stops overexposed. Unfortunately this technique gets tedious and rather hard on the eyes. The cutesy mishmash of languages also grows tedious when there seems to be no apparent reason for its existence. Many futuristic, scifi films are criticized for being all flash and no substance. This film has neither flash nor substance. Its a code 6 all the way.


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If I guess your "palabra", will you let me go through?- Asks William Geld, a Tim Robbins that keeps on acting like if they told him a fantastic joke and he is attempting not to laugh.
He is trying to get to a forbidden area. The woman stopping him continues blabbering: -Your "palabra" is Carrefour.
-How did you know?- the lady asks, surprised. He answers, in the name of Wisdom: -I was hearing when you weren't talking. :/
Yes, this defines the movie. This precisely. It doesn't matter if Carrefour is "road conjunction" in french, or if the Future is coldly bureaucratic and mixes languages. Or if Samantha Morton has nothing, nothing of Spanish (Maria Gonzalez being her name in the film) with her Irish, Scotish whatever tone.
It's boring and dull. If you fall in believing there are multiple symbolisms, you will buy the most bizarre, sickening love relationship ever, set in a future that may well be in seven seconds. I can guess this movie's palabra: it will be "painful".


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An Epic Story of Hope constrained by budget and limited artistic ambition. Seeing as Terrence Malick produced this, I expected something haunting and lyrical. Instead, we get a typical Norwegian co-production ("Revolution" with Al Pacino, anyone?), where - quite possibly - good intentions are scuppered by a dreadful screenplay, and where many of the characters are reduced to stereotypes. The "me-Tarzan-you-Jane" English dialogue between the non-English-speaking protagonists is particularly cringeworthy  one could speculate whether Nick Nolte and Tim Roth ad-libbed their own, as they almost sound like real people. The story is loaded with implausibility: we are expected to believe that Binh can speak a smattering of English after having spent his entire life living as a peasant slave (his vocabulary, but unfortunately not grammatical command, increases impressively in the Malayan refugee camp, without the benefit of night classes). Coincidence is rife; I wonder whether an hour or two has been edited from the first third: he tracks down his mother in Ho Chi Minh City almost immediately - after bumping into his thirty year younger half brother, who nonchalantly recognises him! Mum gives him a gold locket (or something similar of great value) as they part, but this is never referred to again. His relationship with "Me Dead Inside" Ling is supposed to provide the obligatory "love interest", but feels as artificial as Leonardo and Cameron in "Gangs Of New York".
The voyage in the rust bucket of a boat does convey a sense of the appalling conditions that human trafficking entails. Indeed, the only time the film is remotely exciting and unpredictable, is the jerky, hand-held footage shot from the bridge during choppy weather conditions. (Incidentally, a boat cruise from Malaysia to New York via The Cape Of Good Hope and the African coast, without stopping for fuel or supplies, is certainly an epic journey). The beautiful shot of the New York skyline echoes Malick's use of magic hour, but I want to know why the Coast Guard didn't show up. Perhaps they were watching the Super Bowl, or something. Of course, Binh manages to track down his blind old Dad on a remote farm in Texas, with the same navigational flair he displayed in Ho Chi Minh City. I was impressed at how Nick Nolte could wander around digging fields and feeding horses on a large ranch without the aid of a guide dog or white stick. For demonstration of how a story about the travails befalling refugees could be structured and shot on a small budget, check out Michael Winterbottom's far superior "In This World".


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"The Beautiful Country" is a big disappointment. It doesn't come up to my expectation. Bihn, a tall muscular guy, is a son of an American GI and a Vietnamese woman during Vietnam War. We were told that that he was treated "less than dust" in Vietnam in the early 90s, so he fleeted to America to seek his American father.
Sounds like a heart broken material? Maybe, but showing in this film. I find myself having a hard time to connect to Bihn emotionally, because the film is full of cliché and I simply don't understand or believe him. The writing of this film is a total failure. The plot is full of holes. It grabs some events on a needed basis trying hard to stir the emotion of the audience. We are not that stupid and it doesn't work that way. Let's see what the film is trying to do. So, you don't feel Bihn's boat trip (yeah, he was on a boat!) is hard enough, let's have a storm over night and let the ship shake a little. Still not touched? Fine! Get a little kid to suffer the heat, the hungry, the sickness, the violence with the adults on the boat, hopefully that will do the trick to touch the audience. Still not touched? You heartless SOB, let's... OK, I don't want to give any spoiler of the film, but you get the idea.
The film is really long and slow. It never tell us why Bihn didn't go to find his mom and dad, until the moment in the film when he left to look for his mom and dad. What has he been doing the 20 some years before he went to Saigon to look for his mom? And guess what? He has the luck and everybody will tell him where to find the person he is looking for, and he will find anybody without a scratch. I really think the Department of Homeland Security should hire those Vietnamese who helped Bihn. The beautiful country? Which one? Both Vietnam and America seem hell to Bihn.


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Thursday June 9, 9:15pm Egyptian Theater Saturday June 11, 2:00pm Uptown Theater
Being loved and belonging is essential for most children. Those born to Vietnamese mothers and GI fathers often found neither. The Beautiful Country is the story of one such child, Binh, rejected by his rural village then struggling to find his American father. The film begins with green and wild country but descends into grimy sweaty ugliness and boredom. The considerable talents of Tim Roth and Temuera Morrison are wasted in pointless and ill conceived roles aboard the rusting freighter carrying Binh and is dying brother across the ocean with what appear to be stock shots of stormy seas. New York City offers slave labor and cliché characters. While very uneven from it's start the great curiosity of this film is the final segment. Nick Nolte is given top billing among the cast. I jokingly suggested he would probably be in the final scene only and was not far from the truth. As the journey brings Binh to Texas and his father the film takes on a serene and austere simplicity. A tenuous cohabitation knits these two men together into a family of father and son. The ninety odd minutes of garbage we have just watched is rewarded by a profound and subtle performance from Nolte as they slowly interact. The credits rolled and I was surprised to see the names of Badlands executive producer Edward Pressman and West Texas native Terrence Malick.


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My wife and I never got into the movie.We thought it was way to sloooowwww and to many subtitles.I understood they needed them for Vietnam,but took to long to get out of Asia.She wanted it off I said it's going to get better.It never did yes they had a tough time trying to get to America,but I wanted to see him looking and finding his dad.Not at the end but forming a relationship.Did I mention it was slllloooowwwwww.I love to watch a movie to feel good not sad at the end.I know they don't make many good movies now days.I think action movies are the only ones to watch.I have been renting a lot from netflix and now blockbuster,maybe 20% are worth seeing.I don't kneed realism or facts just a movie thats fun and makes you feel good.Gary


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As a child of the 80's like so many of the other reviewers here I hated the original V and V: the Final Battle. I own both on VHS and never hook up the VCR to watch them. I do remember not liking this short lived series very much, but I couldn't remember why, so I rented the first disc. By the third episode I had my memory refreshed. It's terrible. The writing is beyond horrid. It's not even FUN. They had a lot of material to work with here, but it seemed like they just didn't know what to do so they turned it into 'Days of our Lives with lizard aliens'. How cool and full of potential is the concept of Elizabeth the Starchild? All they could think of to do is grow her into a whiny, boring teenager to compete with her mother romantically? Marc Singer looked less embarrassed to be in Beastmaster II than he did when he was trapped in this drivel....point is, whether you're one of the younger folk who's just discovered V or one of us older sci-fi fans looking to rediscover some old fun, spare yourself and SKIP THIS!


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Relesed from Troma (which is my favorite movie company)Unspeaksble is a messy horror film that can be interesting but very dark and twisted.
Unspeakable starts with a family in a car, they get into an accident which leaves a daughter dead and a mother deformed. the father eventually goes crazy and slashes prostitutes. He sees his daughter in other people. He kills for her. Meanwhile his now deformed wife is being raped by her orderly. These are sick people!
Unspeakable tries to be sick and disturbing and it does manage to do that as a good horror flick this is not. Most Troma movies have a sense of humor to them but however this one doesn't.


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I really wanted to like this movie, because I love Troma and loved the trailer and loved "Ghouls," another of Ferrin's films. It did have some almost-good moments, like the oldies love song playing over the car crash scene, and a scene near the end where the protagonist gets some closure. But on the whole, it was just boring and mildly unpleasant.
The "unimaginable" shocks that Ferrin came up with were really predictable and worn-out. Poop, murdering prostitutes, incest. Could have still been good, but poorly done. Unsure whether it was trying to offend, amuse, or both. Ultimately did neither.
IN conclusion, we watch Troma movies because we want films with heart. This film did not consistently feel like it had heart. There were some good scenes, but ultimately it was dull and unpleasant.


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I cannot believe that this is a film that I did not like. . . I usually find that I am open minded about all sorts of stuff. . . but this flick is just, well, bad.
I could deal with the subject matter if the script and story were better. I could deal with the acting if the camera work was better or if the characters were better established. . . I think it mostly boils down to script and direction though.
it was just bad.
i want to give this the lowest rating, but . . . I don't believe in that, at least this guy got off his tail to make a movie. . . so he gets four stars (just above the average rating which this has so far)


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Unspeakable starts in Los Angeles with Jim (Roger Cline) & his wife Alice Fhelleps (Tamera Noll) arguing as they drive along in the pouring rain, unfortunately Jim crashes the car & his daughter Heather (Leigh Silver) ends up dead while Alice is turned into a wheelchair bound vegetable. Devastated by the death of his daughter Jim starts visiting prostitutes, he then kills them because of voices in his head. Erm, that's it really.
Written, produced & directed by Chad Ferrin I hate Unspeakable as a film. There are some films you occasionally see that move the 'goal posts' as it were in regard to everything you watch thereafter, some films are so brilliant that all other's will be judged by it while other's like Unspeakable for example are so bad that it sets a new cinematic low. This is truly one of the worst films I've ever seen & I am seriously surprised by the largely positive comments on the IMDb although I'm not surprised the the low overall rating on the main page, I not sure if I missed something but for a start Unspeakable has no plot, it has no story & a lot of it seems almost random. There was nothing in Unspeakable to maintain my interest or entertain & as a result became a test of endurance to get through to the end. The film tries to be shocking with some limp scenes of sexual abuse of a rent boy by a priest, there is a scene in which a disabled person craps herself, it splats on the floor & her dodgy male nurse starts feeling her soiled genitals, legs & underwear. If anyone can find such crap entertaining then I'll just cut my wrists now, the character's are some of the worst I've had the misfortune to know, the dialogue is hilariously bad with some it sounding like it came straight from some dirty faggot porno of the worst kind. It doesn't work as a horror as it's not scary in the slightest, it's absolutely hilarious & frankly insulting to claim that it is trying to be a serious drama about someone suffering a great loss & attempting to cope with it & overall I just think it's a pointless, rubbishy, badly made piece of crap from Troma.
Director Ferrin films like some badly made documentary, the special effects are terrible & are of the 'let's pour tomato ketchup on our actor's face & the audience will be convinced that they died a gory death' variety, there is no graphic violence at all apart from a suicide where someone sticks a knife in their own mouth. Considering the amount of prostitutes in Unspeakable the nudity levels are kept to an absolute minimum...
Apparently Unspeakable had a budget of about $20,000 & all I can say is where did all the money go? Oh, a quick note to the filmmakers, if your going to record sound live make sure you don't have your actor's deliver their lines next to a main road that half of Los Angeles seem to be driving up... The acting sucks, period.
Unspeakable is, in my opinion, total crap. It's probably not the worst I've ever seen but it's right down there & I can't remember seeing such a awful film recently. One to avoid unless your a masochist or insomniac.


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I didn't want to write this movie off on the reviews and critics in the western world, I mean how wrong have they been about Asian cinema that has now become a staple diet of the Hollywood remake monster? Plus Jet L is pretty damn cool, and he's made some interesting movies in Asia. So with an open mind I was surprisingly averaged out by this movie.
There are good points. The story is very clever, using M-Theory as a base to bring forward the plot that there are multiple universes each with their own versions of worlds, and most likely you. Each time one of you is destroyed the rest share the energy and power amongst them. The idea that someone might try and purposely become the only version of themselves in all the Universes to find out if they become a God.
There's also Jet Li, and he's not a bad actor and pretty nimble as a martial artist, plus Jason Statham who is an all round good actor. As for the special effects, some of them are really cool, a mixing of bullet time, and slow motion with normal speed, very cool to watch in places.
The bad points? Well Statham's accent is appalling, and some of the effects aren't as comparable as others, so it's quite apparent that money was spent on some of the main shots and not on others that were probably deemed as too short on screen or they just plain ran out of budget.
A big sore point for me is the close cropped camera action that Hollywood has long favoured, something that Jackie Chan has often talked about. Filming fight scenes close up serves two purpose. It gives greater emphasis on a single punch or movement, making it look harder and more real than it really is, and it also hides what is going on around the camera lens. For example people holding a fake arm or the face of a stunt double, etc.
What Chan always said was that he tried to open out the camera and show the audience what was going on, let them see the people fighting properly rather than a close up of a face and a fist, cutting to someone falling into frame. Showing the whole picture is more effective, and it's more impressive.
So the close cropped shots were just more annoying than anything, you failed to see the impressiveness of Li's fighting skills, and you found it hard to see some of the action. Slow the cuts down and pan out the camera Hollywood Directors! The biggest problem was the story though, despite having such a strong base on which to build, they seemed to loose the sense of the plot and concentrate on the action scenes. There are some serious plot building and explanatory moments that are just totally overlooked and covered in the space of a few sentences, yet these could have formed some excellent and complex character development.
It just all held together too weakly, and not enough was made of the story. All in all, not a great movie and it's potential was badly spoiled.


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I wanted to dog this movie, but somehow I can't find it in myself to do that.
Exhibiting a duality of fighting styles, it's Li vs. Li in a somewhat decent battle for supremacy.
This is one of those movies where the story carries the performances. Li's acting is extremely amateurish, hesitant, and stiff for most of this movie...right up to the very end. At first I tricked myself into believing he was just doing that for one of his two characters. You know, to show a difference in personalities. But it appeared to be inexperience or a lack of talent. It did get a bit better, more relaxed, toward the end. But that wasn't enough to save his performance. Jet Li's acting does improve as his career moves forward. I don't hate his acting. I just hated him in this.
I also have to say that the effects were very "B" class effects. What effects there are.
The story itself had great potential. It was uniquely creative, daring, and fresh. Unfortunately, either the budget was not ample enough to accommodate better lighting, effects, film quality, and some acting lessons, or the director just did not care enough to bother with these little details. He also did not bother with the SCIENCE in the science-fiction. A fact which was a great detractor to this film.
The fight sequences were a bit one sided, as he seemed to give more to one character and little to the other. But all in all the story line made for a very enjoyable attempt.
As enjoyable as this was, I couldn't help but think, all the way through, that this was just one of those movies that you can't help but watch it for what it SHOULD'VE been, rather than what it is.
It rates a 6.0/10 on the "B" scale.
That's a 4.2/10 (on the "A" scale) for having a good plot, from...
the Fiend :.


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This movie was a thorough diappointment. There was no development of the story. Viewers were thrown into the story without explanation and left to fend for themselves in trying to work out what was going on. The action sequences were okay but confusing. They weren't The Matrix and they weren't Crouching Tiger. This movie is best left to cable tv where you don't have to pay to see it or convincing a friend that they should hire it and then go over and watch it. As a huge Jet Li fan, I expected more. How can someone involved with Once Upon a Time in China put his name to this one???


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Post 1988 after the disaster GJS Amitabh's films lost the quality they had earlier
Barring MAIN AZAAD HOON released in 1989 which was a great film rest all films were craps mostly except HUM(1991) later in 1991
This is another of the crap Amitabh films people rejected in early 90's
The film he did like a friendship token to Shashi Kapoor who directed the film and he didn't take a penny The film also had Rishi and Dimple(again not paired opp each other after RANBHOOMI)
The film came in 1991 when Bachchan had 4 releases and 3 flops amongst them INDRAJEET, AKAYLA, AJOOBA
Ajooba came 2 years after TOOFAN and JAADUGAR both supernatural films which were rejected This is another type of crap Bachchan wears a mask and a Krissh type outfit and performs magic changing 1 person to a donkey.etc Of course being 1991 you can excuse the special effects but the film is too bad to be watched
Direction by Shashi Kapoor is not good Music is bad
Amongst actors Amitabh had become too old by 1991 and looked tired, his acting is okay but not on par with his best Rishi is okay Dimple is alright, rest are forgettable


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If there's one word I can associate to this movie, its 'embarrassment'. It must be embarrassing to everyone associated with the movie, to actually watch it in a theatre. Everything - the script, screenplay, dialogues, song lyrics, direction - shoddy, lousy.
Saw this movie when I was a kid. Liked it then, mainly because it was a fantasy, a superhero-movie. Its a not-so-explored genre in Hindi cinema. The attempt deserves credit, but that's all there is to it. Sashi Kapoor seems to have been in a great hurry in making the movie. Can't understand the reason behind casting foreigners as Hindi-speaking characters, who can't even get the sync right (nothing to say about the dubbing). The screenplay is terrible. The editing even more. If one follows the dialogues closely, one can detect grammatically-wrong sentences (which completely alter the intended meaning). Nothing special about the music.
The biggest embarrassment must be for the Censor board. There are a couple of nip-slip scenes in the movie, one of which is absolutely clear (so much so that I can't even think of a metaphor). The director missed them. The editing team missed it. And the censor board missed it too. So much for the no-indecent-exposure-on screen motto. The officials probably fell asleep while watching the movie.
Can't think of why Amitabh went with the role. It might be because he was a good friend of the Kapoors. But the role hardly has anything for him. With wonderful roles in Hum and Agneepath behind him, he couldn't have followed it up with a worse one. There are a couple of heroic scenes, really worthy ones. But otherwise, they're embarrassingly unbelievable (arrow-catching for instance.. it probably could've been better with CGI, but it was '91..).
Dimple and Sonam do not exactly set the screen on fire. Shammi Kapoor and Rishi Kapoor give an inspired performance, but their scope is limited. Amrish Puri is his usual self in the role of a fairy-tale villain (letting out the villainous laugh every now and then).
On the whole, an interesting concept. Could have been a lot more better.


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A complete zero out of four. One worst sums up Ajooba: awful. Actually, more words come to mind: ridiculous, third-rate, and terrible. This is one of Amitabh's worst movies ever, he prances around in a cheap leather jacket and equally cheap tinsel foil Zorro-style mask with what appears to be wings on the sides.
The movie is set in ancient Persia or Arabia and is characteristically un-historical for an Indian movie. As stated above, a leather jacket from K-Mart with velcro straps did not exist 400 years ago, unless all my history teachers were wrong.
Rishi also does his patented cross-dressing in this movie. Far from being funny, it is very embarassing to watch. What could possess the son of the legendary Raj Kapoor to flay the memory of his house like this on screen?
On the plus side, if you want a real laugh, go ahead and watch this film. The glaring inconsistencies in the plot and costumes are no match for the awful dialogues and shoddy acting.


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How pointless, hideous characters and boring film. Saved by brief sex scenes, mad witch, gorgeous desert island and Brooks body. The plot is tenuous, the characters are shallow and unlikeable. Having said that I did manage to watch it all, mainly because I was totally transfixed by the jiggling and kind of hoping that her character would come good in the end. The film was well shot, well directed but perhaps the casting let it down in some ways. Disappointing. Really summed the review up in the first line but this website dictates that you need to write 10 lines minimum. It would be better to spend the time watching another film.


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