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I've discovered this movie accidentally and it was really a nice surprise. A Christmas Classic,it's also one of the fine comedies of the 40s. The story line is simple : Elisabeth Lane (Barbara Stanwyck) makes out her living by writing culinary columns for a magazine. At Christmas time, her boss, Alexander Yardley (Sydney Greenstreet) asks her to invite a young weakened sailor in the Connecticut farm she write about. The only problem is : She hasn't got any farm and she can't cook. To get out of the jam, Elisabeth agrees to marry a wealthy friend (Reginald Gardiner,who has a farm) and flies for Connecticut with her wonderful cook Uncle Felix.
There's a fine direction by Peter Godfrey and the cast is really wonderful : Stanwyck has never been better as this witty and yet romantic woman. Greenstreet, Gardiner and Sakall make hilarious and human supporting characters. The only weak point is the leading man, Dennis Morgan. He starts well but as the movie goes on, becomes really a bore. One almost feels sorry for Elisabeht Lane to ends up with him rather than with Gary Cooper or David Niven who both would have been more suitable for the part. Anyway, this is a joyful Christmas time movie with a refreshing score and I advice it to everyone who likes to spend funny and sweet Holidays...in Connecticut.


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Barbara Stanwyck probably didn't think of it, but it is a relief to see her in a more becoming dark hairstyle (if it wasn't a wig) than the one she had to wear in "Double Indemnity" the year before. That film, while the premiere "film noir" and an all-around great film, gave her a great role, but oh, that hair. Here, she is more chic and certainly no femme fatal, but she is certainly a 40's woman. She has gotten used to life without men since most of them are off at war, and as a successful Martha Stewart like columnist, she writes a homey column in which she describes her country home as the camera pans over what it really is. We meet her boss, Sydney Greenstreet, who has no idea that she is living a lie, and when he pushes his way in for a Christmas away at her supposed Connecticut home, she has to come up with a husband (Reginald Gardiner) and baby before we can say "Jingle Bells". Hungarian chef S.Z. Sakall steps in to help and ends up in a cutsey pie one-on-one with Irish Una O'Connor. "It's not Goulash, It's Irish Stew". Sakall simply takes the paprika, pours most of it in, and says, "Now it's goulash", totally changing what she has prepared for lunch. Then, when it comes to the flapjacks, he flips and she scoops. For years, a few friends of mine and I will use that line every time pancakes come up in a conversation. "I don't flip. I scoop!". She won't even flip just one for Greenstreet, saying "I've never flipped in me life." O'Connor can get on the nerves when she screeches over and over in some films, but here, she is delightfully lovable, and her pairing with Sakall is very charming.
It is obvious in the romance department that Reginald Gardiner is not Barbara Stanwyck's cup of tea, especially when she meets handsome Dennis Morgan, who is a bit dimwitted when bathing the baby, which eats soap, causing Stanwyck to get a bit alarmed. He should suspect something instantly, but doesn't. But it doesn't matter. The film is so charming with the country setting filled with snow, an abundance of rocking chairs, and a dog running towards them as the sleigh comes up. Living in New York City after 25 years in Los Angeles after growing up in a small town on the western side of New York State made me miss this kind of Christmas. While Central Park is beautiful after a first snow and the Christmas tree at Rockefeller Center is exsquisit too, there is something about looking out at a snow-covered field of trees, and catch an occasional glimpse of deer, rabbits, or other wild life.
This is a great holiday film that can also bring on the Christmas spirit out of season, and makes a great pairing with another Barbara Stanwyck country Christmas film, "Remember the Night", an underrated gem. Add on the big city Christmas of "Meet John Doe", and you've found perhaps one of the busiest stars of holiday films around.


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I absolutely adore this film about a lady columnist (Barbara Stanwyck) for a major homemaking magazine who delivers a welcoming article each month that includes details about her awesome home life as a wife and mother in a beautiful Connecticut home. The trouble happens when the owner of her monthly publication demands that she have him and a WW2 hero as guests during the Christmas Holidays. Why is she worried? Because she lives in a small New York apartment, isn't married, and doesn't have a baby - and can't cook at all! Hilarity (and romance) ensues when she tries to put on a believable act in an effort to save face/ keep from being fired by the magazine owner (played by Sydney Greenstreet). This is a delightful comedy; one that I highly recommend to classic movie lovers!!!!


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While it's not "perfect", it's close. Love Barbara Stanwyck, SZ Sakall, Sidney Greenstreet, Dennis Morgan, Robert Shayne (Superman's police chief), the housekeeper, the waiter at Restaurant Felix, and the judge......I can go on and on. This movie has been part of my family's holiday tradition since I was a youngster, and my children grew up with it, too! "The baby swallowed the watch" was always my son's favorite line.
Sexy Barbara Stanwyck in pants and gowns stole the show along with the cuddly, funny S. Z. Sakall. Dennis Morgan has a few great songs, too.
I highly recommend this movie and suggest you skip the remake (blah).


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I've always liked Barbara Stanwyck who was, perhaps, the hardest working lead actress of the 30's and 40's although few of her movie roles are memorable. Today she is remembered most for the TV show "The Big Valley". Stanwyck worked so much because she was durable; it seems that she would accept most any role and make the most of it to make the movie a success and so directors loved her and many an ordinary picture gained credibility by her presence.
And so it was for "Christmas in Connecticut" a very ordinary effort whose plot strains credulity and isn't even really about Christmas. It does, however, have Stanwyck and Dennis Morgan as well as some supreme character actors including Sydney Greenstreet and S.K. Sakall so there are plot twists and funny moments which undoubtedly seemed more real in 1945 than they do today. To begin, the plot concerns a magazine writer (Stanwyck) who the magazine's readers believe is a domestic goddess, married with a child and living on a farm in Connecticut but who is really single, lives in New York City and knows nothing about cooking or homemaking. Could anyone get away with such a fraud even then? Apparently, and even the owner of the magazine (Greenstreet) is deceived although one would think that he would have long since seen though the deception but the story moves on and Stanwyck, Greenstreet, a sailor recently survived from his sunken ship (Morgan) and Stanwyck's restaurateur friend (S.Z.Sakall) find themselves spending Christmas in Connecticut at a farm belonging to Stanwyck's boorish boyfriend (Reginald Gardiner). You can imagine all the possibilities there are for this as the fraud unwinds as it must. Gardiner wants Stanwyck to marry him to perpetuate the rouse but one wonders how she can stand him at all. Morgan and Stanwyck fall for each other but he is supposed to be engaged and she is supposed to be married. Regardless, they begin what seems to be a make believe affair dancing cheek to cheek and stealing off in a horse drawn sleigh. Meanwhile, the incredibly naive Greenstreet character who has seen Stanwyck and Morgan go off together but still doesn't get it sees one of the neighbors take back a child that has been borrowed as part of the deception and calls the cops to report a kidnapping. Stanwyck and Morgan are arrested for stealing the sleigh and the hoax begins to unwind.
At this point the movie is funny as in ridiculous or absurd, not funny ha,ha and it routinely ends like screwball comedies always did. The good guy gets the girl and presumably they live happily ever after.
I watch this movie every year at Christmas to enjoy these character actors at their best in a story that reflects way it was in 1945 and because of a long held fascination with Barbara Stanwyck. Thank goodness it was set at Christmas or like 95 percent of Stanwyck's movies it would have been long ago forgotten and we would not get to see it each year anew.


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This is the best work i have ever seen on television. The story is compelling--all the more so because it is true. The writers did their homework--the accuracy of events is well documented. The acting is great. This has to be the best role Sam Waterston has ever had. And the black and white cinematography was exceptional. My only regret is that it is not available to buy. A few years ago I contacted someone involved with the production (either with PBS or in England) and was told they had no plans to release it on VHS (at the time). This was a BBC production and ran in the U.S. on American Playhouse. There is such an interest in seeing this--just hard to believe no one can make it available.


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Has anyone found a way to purchase copies of this series yet? I can see that a lot of people have inquired but I can't tell if any of them have been successful. It's hard to believe that a series this good cannot be viewed by people today, especially one based on real issues faced by real people during what were both tense and exciting times in our country. How can this be true and what can we do to change it? As an aside I agree with all the comments other writers have made about this series on this web site. This is an excellent story about events that everyone should be aware of and know something about today. Lots of us saw this series when we were in college or around that time anyway. Now we want to share it with our children ... but we can't? If that is true what would some good written materials be that would relay the same information?


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...a true geek-girl's dream: high tech, high drama, smart guys, steamy sex, and large explosions. (VERY large explosions.) Sam Waterston is so natural in the role of Oppenheimer that tapes of the REAL Oppenheimer sound odd: apparently, he had a voice similar to Ronald Reagan! The triumph and tragedy of Oppenheimer is one of the 20th century's most stirring dramas, and this movie stands as a model of what docu-drama ought to be: the facts are allowed to speak for themselves, while the fictional parts are used to amplify and fill in the record, not to call attention to themselves. An interesting fact: some of the technical details used had only recently been declassified, and so are of special interest. A must-see!


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I posted on IMDb on this series recently, giving a snail mail address at the commercial arm of the BBD where one would write to appeal release. I wrote to that address, mentioning Sam Waterson and his popularity prominently. I just received the following reply:
From: emilyfussell@hotmail.com Subject: Oppenheimer Date: May 14, 2006 1:44:00 PM MDT To: kk2840@earthlink.net
Dear Kate,
I work for the BBFC, the British equivalent to the MPAA, and we classify DVDs and videos as well as films in this country. Anyway, I am currently in the process of giving a certificate to the 1980 miniseries 'Oppenheimer.' While researching the work on the IMDb, I noticed your post and thought you might like to know that the work is about to be released (hence the need for a certificate).
I don't know which company is distributing it, but keep your eyes peeled!
Kind regards,
Emily +++++++++++++++++
hooray!
I also want to contact Netflix re purchasing this.
Kate Killebrew
kk2840@earthlink.net I emailed the BBC recently regarding whether their terrific series Oppenheimer had ever been released on video or DVD. I have not been able to find it. I received the following reply. If you do write the BBC, be sure to mention that Sam Waterston is very popular in the US. You can also enter "Oppenheimer (1980)" on amazon.com, and find a box to check to request release by the owner (BBC) and be notified when it's released.
Kate Killebrew kk2840@earthlink.net
Here's the reply from the BBC:
Dear Kate
Thank you for your e-mail regarding 'Oppenheimer'.
I was interested to read that you would like a copy of this programme which you have enjoyed. I have checked the BBC Shop and on-line retailers and can find no record of it being available. We are unaware of plans at present to release this programme on DVD. However, if you would like to make a suggestion, can I suggest you put it in writing to the commercial arm of the BBC:
Commissioning Editor BBC Worldwide Ltd Woodlands 80 Wood Lane London W12 0TT
May I thank you again for taking the time to contact the BBC.
Regards
Elaine Hunter BBC Information ______________________________________
-----Original Message-----
{Comments:} i am trying to find a copy of the terrific BBC production "Oppenheimer', a six part series made in 1980 with Sam Waterston from a book/script by Peter Prince. I watched parts of it then on PBS American Playhouse, but can't find it on video anywhere.
http://www.bbc.co.uk/


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I saw this series on PBS in 1980 in college and I still can't get it out of my head, although I have never seen it since. I remember every cast member (the casting WAS perfect, as mentioned in other comments), the design, the lighting and, of course, the story, which is by itself is enough to keep you glued to the set. Probably the best TV series I ever saw next to the original "Roots."


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Absolutely the best thing I have ever seen on TV. It was both entertaining and informative. The reason I found this site is an attempt to find out how I can again see it.
In the light of present understanding of history we have to sympathize with Gen. Leslie Groves who was responsible for the nuts and bolts of running the Manhattan Project. Most certainly he was not as paranoid about security as most have thought in the past.
The casting for the real life people portrayed was outstanding. It was the first time that I noticed Sam Waterston as an actor. Except for height he looked very much like Robert Oppenheimer.
The early scene in which Oppenheimer is leading a class of graduate students was especially intriguing to me.


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I watched this mini in the early eighties. Sam Waterson proved himself to be a great actor. In fact when he began Law and Order I was disappointed in him as it was not as powerful a role. Unfortunately the good roles do not pay the bills. I wish I could find a copy of this rare series and review it. It is both factual and entertaining. Everyone should see it to know what really happened. I was so moved I purchased and read the book "Pppenheimer-Shatterer of Worlds". And saw how this man became an unlikely hero who was never rewarded for his insight. If you get a chance be sure to watch this movie and see what a performance Mr. Waterston can really provide an audience. Enjoy the movies!


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I can't remember the series, I believe it may have been "American Masters", but it was broadcast on PBS around 1980. Most people have some knowledge of the development of the A bomb, and those that have little, or none, probably think it is a pretty dry subject. Anyone who has viewed this 7 part series does not feel that way. You get to know the turmoil in Oppenhemiers mind, and how the development changed his life forever. You understand the tragic figure he became, and why. With 7 episodes you get to know the major players, and the intrigue and backstabbing. I have contacted PBS about the chance of obtaining a video, or DVD, but have never received a response. Too bad, I would love to see it again.


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I, too, found "Oppenheimer" to be a brilliant series and one of the finest offerings ever on American PBS. David Suchet was particularly effective as Edward Teller, as I recall, and the overall conception was spectacularly good. The only reason that the series doesn't rate a full 10/10 is for the low-budget production values in some areas. Actual content is absolutely first-rate in my recollection.
The Oppenheimer miniseries will be released in the UK on July 31st! It will be a Region 2/PAL set, but it would seem that a Region 1/NTSC set should be soon in the offing.
If you have a universal player in the US, you can order the series right now from Amazon UK.
http://tinyurl.com/znyyq
Huzzah!!


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President Harry S. Truman once said that the only thing new in the world is the history you don't know.
Seven years before Richard Rhodes' superb Pulitzer Prize-winning "The Making of the Atomic Bomb", the BBC produced a seven-part miniseries, "Oppenheimer", that was a character study of the people who designed and built the weapon that ushered in the Atomic Age, permanently joining science and technology to the state (and, in particular, the military), not merely making history, but changing the world forever.
The production is impeccable, the casting nothing short of miraculous; not only the main characters, but even secondary characters bear uncanny resemblances to the persons portrayed. In particular are Sam Waterston in the title role of American physicist J. Robert Oppenheimer, scientific director of the Manhattan Project, who was based at the Los Alamos, NM, laboratory (the site for which he personally chose); Manning Redwood as General Leslie R. Groves, who oversaw the entire Manhattan Engineering District (the project's formal name); David Suchet as physicist, and ultimate nemesis of Oppenheimer, Edward Teller (who, nearly forty years later, whispered into Ronald Reagan's ear and brought us the Strategic Defense Initiative - "Star Wars") and Jana Sheldon as Kitty Oppenheimer. The attention to detail is uniformly excellent throughout.
Part thriller, part love story - and ultimately a tragedy, this series faithfully recreates a chapter in world history - and that of science - that we dare not forget. Highest recommendation.
(NOTE: Viewers who enjoy this series will also enjoy Jacob Bronowski's 13-part series "The Ascent of Man" and the BBC film of Michael Frayn's play "Copenhagen".)


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'Oppenheimer' with Sam Waterston in the title role and with David Suchet as Evard Teller is an example of the docudrama at its very finest. Well written, well acted by actors who bear a believable resemblance to their historical characters, highly informative, and very entertaining. The set designs and costumes capture the feel of the US during World War 2, and the plotting and dialog make the viewer feel as if he were really present at Los Alamos and caught up in the excitement of the Manhattan Project. The only downside is that this is a British production, and some of the actors lack skill in affecting a convincing American accent. (The skill of current day Australian & Irish actors taking on non-native dialects is amazing.) The storyline is fully consistent with Richard Rhodes' definitive history of the development of the atomic bomb. Sadly, the mini-series was shown only a couple of times on PBS at the beginning of the 1980s and then apparently vanished into oblivion.
'Oppenheimer' compares favorably to the more recent 'Fat Man & Little Boy' feature film with Paul Newman as Leslie Groves (the chronically overweight and rather homely General would be thoroughly flattered) and Dwight Schultz (alumnus of TV's 'A-Team') as Oppenheimer. As a mini-series, 'Oppenheimer' is around 4x as long as the Newman feature, but uses the all of the additional time completely to its advantage.


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Oppenheimer was a GREAT series (it was the first thing I saw Waterston in) and it is too bad copies aren't available. A similar situation exists for "Glory Enough for All", a British series from around the same time, about the discovery of insulin. I would pay a good price for both of these on DVD. Is it really so difficult to get Oppenheimer on a DVD that is able to be played in the US? Another very enjoyable series, again from about the same time, was "Danger UXB". A series about defusing UneXploded Bombs, hence the name. That one you can get from your local library.
Pete


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Insanely well crafted mini-series.
I recall seeing most of it twice when shown on American Playhouse on PBS. Was heavily promoted at the time. I believe it might have been one of the very early mini-series showing on PBS outside of the Masterpiece Theater series.
The full length production was shown I believe only once during its first broadcast. Was 6-8 hours total. This length was edited down somewhat to 6 hours. Cut some interesting, but slow scenes.
I am very much hoping that the folks holding its current rights do follow through and restore a complete, not edited version to DVD. Not worth creating a VHS version at this point.
Would fit in very well in the mini-series or dramatic history genre.


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>>> Great News there is a BBC DVD release scheduled for 31st July 2006,UK - there is also a scheduled release in States - don't know the date - can't wait ! ! <<<<
>>>> below is my original comment <<<<<
I agree with all the other reviewers - it is simply staggering that one of the greatest TV dramas ever has never been released on DVD
The story line is gripping - the acting is outstanding and the character development is enthralling !
Over here in the UK we have quite a history of getting TV drama series and films out onto DVD through popular campaigns
It's very hard to see why the rights owners do not go into a DVD production ? I'm going to e:mail one of the leading players in this grass roots movement and see what happens. Who did the production ? was it BBC ? RW


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Like an earlier commentor, I saw it in 1980 and have never been able to shake the memory of the gripping story, splendid acting, and dramatic musical score. It certainly contains some of Sam Waterston's finest work. He and the writers depict Oppenheimer not simply as an unjustly victimized hero -- which he was -- but also as naive, fond of alcohol, and snobbish, a rounded portrait instead of a stereotype.


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Just as a reminder to anyone just now reading the comments on this excellent BBC mini-series, published in 1981, it was not available on DVD until the last few years. Since then, it has become available, but initially only in the British format (for which I bought an 'international' DVD player, which you have to hack--illegally, I suspect, to see it), but the series is now available through amazon.com--3 discs-- for between $19-21, to be viewed on DVD in the US format, no hacking. There were 41 reviews, average 5 stars. This mini-series is one of the very best on Oppenheimer, or the Manhattan Project, or virtually anything produced by the BBC.


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There is a great danger when you watch a film that had had such a profound affect on you the first time around , that 20 years later , it wont hold the same magic as it did before. I must admit i wasnt expecting it to be as good as i remembered but a was pleasently suprised. P'tang Yang Kipperbang is still as fantastic as i remember it when i was a 12 year old .This film has a certain type of brilliance that not many films possess. It is engrossing , it is briliantly acted and best of all it makes me feel like a kid again and there isnt many things that can do that. John Albasiny and Abigail Cruttenden's rolls in this film are 1st class and i had forgotten how good they were until now. I urge any parent of teenagers to sit them down and watch this and see if it has the same affect on them as it did on me. P'TANG YANG KIPPERBANG EEHHH! 10 out of 10.


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Postwar England, the dawn of the "atomic age". Yet, the worries of a young schoolboy yearning to experience his first "kiss" cannot be derailed by something as inconsequential as THE BOMB. This was a delightful if not educational look at young love from the vantage point of an adolescent male and his world of the
1940's. Free of political correctness and preachy messages, this film exposes the viewer to the world that only the mind (and
hormones) of a young teenager can create. Wonderful subplots
maintain character interest ala "Gregory's Girl", and plenty
of well blocked shots help keep up the imagery of this era. This is a very good story for anyone, young or old, who has
ever been in love, or ever wanted to be. Does he ever get his wish? Watch it and see.


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An untidy man, known as Bill, lives in a small dreary flat, with a poster of Marilyn Monroe on the wall, and his typewriter for company. Only the man can't think of anything to write. He wanders around the streets following people, just to see where they go. Maybe this will give him some inspiration to write. He begins to follow a well dressed man holding a bag. He follows him for a few days. While in a cafe, the well dressed man sits down at a table on the opposite side of Bill, and inquires why Bill is following him. The well dressed man says his name is Cobb. Cobb then surprisingly informs Bill that he is a burglar, and even starts to take Bill with him into houses to steal things; although Cobb insists he doesn't go into other people's homes to just steal. He says he likes to let people know he has been there, and interrupted the things they take for granted. He puts knickers from another burglary into a man's trousers, for example.
The film is told in flashbacks at times too. The director used this technique in greater abundance in his recent feature Memento. Bill eventually decides to cut his hair and dress in a suit, on the advice of Cobb. He meets a Blonde lady in a club, who used to date the owner, a bald man, who is very dangerous, she says. We see a scene where a hammer is used by the bald man's hence men on a man's fingers in the Blonde lady's flat. These are some of the many pieces of the puzzle that the director shows us, and they will all fit into place when we arrive at the surprising conclusion.


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Given Christopher Nolan's string of successful films, it's a no brainer for me to want to check out his filmography watch his debut feature, which is shot in black and white back in England, running less than 70 minutes long, done with little budget, but containing all the hallmarks that has made him a master filmmaker and storyteller.
Though short, the film is no less gripping with its meandering plot that will leave you guessing, because the premise doesn't even scratch the surface of this tale, which is pretty amazing considering the depth in the narrative's structure and characterization. As told, we follow a writer wannabe called Bill (Jeremy Theobald) who starts a habitual obsession with following random people he fancies on the streets in a voyeuristic manner, which at first could be conceived as research, before he starts to make up his own rules, and break them.
He meets up with charismatic Cobb (Alex Haw) who turns out to be a robber with peculiar sensibilities and modus operandi, and soon finds himself hooked with hanging out with him as they go about breaking and entering and speculating about their victim's livelihood, as does the pursuit of a femme fatale blond (Lucy Russell), a mobster's moll who rejects his every advance.
Told in a non-linear fashion which comes with scenes that don't quite add up in the beginning, this sets the film up for multiple viewings as you study just how Nolan sustains that suspense and intrigue with you as the audience expecting and wanting more, which gets duly delivered. There are enough twists here which spins the film into a dizzying crescendo, where loose ends begin to come together, and the brilliance of the stellar story start to shine through.
It's also amazing how, as a first feature shot on the cheap, that something that clever and sophisticated can be conceived from his own experience in being burgled, with Nolan involved in every stage of production, from writing to shooting, producing and directing, having worked on the project for a year since shoots can only happen on weekends. I guess here's an example of a successful filmmaker's humble roots, which should serve as inspiration and spur new filmmakers out there. Now I'll patiently wait for Christopher Nolan's Inception due out later this year, whose trailer is already such a tease.


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Chris Nolan's labyrinth like noir about voyeurism and identity is amazing from start to finish. A first film is as complex as "Memento" or "The Prestige", though maybe a little harder to get a handle on. Still it smacks of originality and creative drive, and has a "twist" as intellectually challenging as it is realistic pulp. Few film makers have made as good of use of their editors and attention to narrative that Nolan has. The story is about a bored writer who likes to follow random strangers down the street, until he follows someone, whose noticed him following others, and has been following him in tern, from there the complexity escalates and identities begin to rearrange. More naturalistic and realist than Nolan's later work but just as razor sharp.


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This is definitely Nolan's most intimite,and thought-provoking piece. Not to say that Memento or Insomnia are bad,but they were definitely up to more Hollywood standards...while Following is more of an indie flick. The story is very brilliant,and very well developed. Overall...watch this if your a fan of any of Nolan's work,I'm sure you'll be able to appreciate it more.


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A suprisingly good film considering the circumstances of its production. Features performances from no-name actors that rival the top talent on the planet (sadly none have persued a career).
Also features the the god-like ability of Christopher Nolan to write perfect dialogue. Dialogue is what carries this story, which is about a man who likes to follow people for material for his books. Well shot, VERY well edited, even better written, and amazingly well performed.
This movie has everything a great film needs, except people who have seen it. 9/10


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If Christopher Nolan had made Memento before Following, then all of the flaws in Following would have been corrected. In Memento, Nolan constructed the switches in time perfectly. We were able to tell when it was the past, when it's current, etc. However, Nolan experimented with it a little, and it just doesn't work. Although he had a small budget and couldn't use color (which is one way Memento worked), it was just too hard to distinguish between time. On the DVD is a feature that allows you to play the scenes in chronological order. I intended to write my review after watching it, so hopefully it would make more sense, but, of course, it wasn't working.
You can't blame Nolan for not coming up with original ideas. A young man, Bill (Jeremy Theobald), is bored, so he decides to follow random people on the street. He finds one, Cobb (Alex Haw), that particularly interests him. Soon, Bill becomes friends with Cobb and goes with him as he breaks into houses and robs them. Then, a saucy young blond (Lucy Russell) enters, and the movie becomes even weirder from there.
The ending of Following is one of the most shocking endings I've seen. Sure, Fight Club had an amazing ending, but the way that Following's ending played out was amazing. I felt like someone had smacked me on the head and given me a concussion. Nolan has a thing for making good endings (well, maybe not, I could guess Insomnia's from a mile away), and can really construct a great story. Following may not be the easiest to follow or look at, but it's such a finely crafted, original story with a shocker ending that you'll probably want to watch all of its 70 minutes again.
My rating: 7/10
Rated R for language and some violence.


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Great British director Christopher Nolan (Momento, Insomnia), directs this odd film about a struggling writer obsessed with following people. This proves harmless at first but soon turns dangerous after taking the game a step further after meeting a like-minded man who shows him the ins and outs of breaking and entering. The two men soon get in over their heads in a strange world involving the mafia and prostitution. Jeremy Theobald plays the writer and Alex Haw the like-minded friend. Both are great performances. This low budget movie was shot total guerrilla-style with no permits for any locations and no big stars but has what a lot of huge budget films don't have which is a clever script and creative direction. An impressive debut by one of todays best directors. Good Stuff!


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Brit director Chrstopher Nolan now has a career in America, and a reputation for making movies both popular and critically acclaimed; but this small film was where he started. And it certainly showcased his talent, with its striking black-and-white cinematography and achronological storytelling that prefigures his later 'Momento', albeit in a less extreme way. Thematically and mechanistically, the plot reminded me of David Mamet's 'House of Games', but the film still feels fresh and sharp, right up to the final twist of the ending whose flavour was expected, but whose pointedness is unexpectedly delicious. The acting, on the other hand, is not quite in the same class - the film has a stylised quality, and possibly to a greater extent than the director intended. But it's still a fine debut, simultaneously claustrophobic and beguiling.


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Christopher Nolan's first film is a 'no budget' black and white film about a unemployed writer who begins following strangers, which in turn leads to robbery and also violence. It is very good.
Like in his later film 'Memento' he doesn't present the story in a linear way. Instead it jumps around somewhat so you end up really sucked in trying to piece it all together and early, apparently random, shots take on significance as the film progresses. This style also means the twists are much more effective.
Definitely worth seeing if you get the chance (especially if you like his later work and/or Film Noir)


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An excellent debut movie for the the director of Batman Begins, comes the Following, a movie about a man who follows other people for inspiration of characters in stories he writes. One man he follows, he decides to go further and the man turns out to be more than he bargained for.
Using a cast of non-actors and his uncle, writing directing producing and otherwise completely making this movie entirely on his own with almost no budget and produced independently, this movie is much more than you'd expect.
For anyone who likes Memento and complex twists, turns, shocks, and messing around with time, this is definitely a movie for you.


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There are two things that I noticed in this film. (This is not a spoiler, just a mistake in storytelling.) When Cole takes Bill to his first B&E, he finds the "box". As soon as Cole finds it he says, "The box. Everyone's got a box". A minute later, just before he dumps the contents on the floor he says, "We're actually very fortunate. You don't see these often".
Observation #2 (Spoiler Alert!)
I had to watch the thing three times, I couldn't figure a couple of things out. Then I watched the Chronological version and saw that they were having flash backs from the latter to the previous during the time changes. So at some points we were actually watching three different times in about 1 min of wall time.
That was a good thing because I don't know how many more times I could watch it before returning it to Netflix.
Color me obsessive.


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This is an excellent film, but Momento (Nolan's other big budget film) is much better . I would recommend people go to see Momento and then if they like that, see this film. THe film is shot in black and white which I was a bit annoyed with at first but once into the film you understand black and white is the best way for the film to be seen. It is extremely gripping and reasonably easy to understand even though the way it is made is extremely clever. Elements of the storyline i think are a bit daft but the film is definitely worthy of a second viewing. To conculde the film has a clever plot, clever twists and turns, very good acting and bearing in mind the budget of the film I have to say that it is pretty amazing.


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Following is an intriguing thriller that requires constant awareness to be completely understood. The plot has many twists and uses displaced chronology. The event sequence complicates following Following. If you are willing to pay attention, it is an exciting movie full of noir earmarks. With the running time at 70 minutes, there is a lot to take in, but the fast pace helps to keep the viewer enthralled.
Bill is a lonely, untidy fellow who takes up shadowing people and seeing where they go-what they do. He is a bit too conspicuous, however, and eventually gets caught by a well dressed, clean-cut bloke named Cobb. Cobb entangles Bill in a world the poor boy is not prepared to live in. Cobb is a smart rogue who seems to have complete control over the other characters. By the end of the film the disjointed story is explained thoroughly. The film is an excellent first effort from the talented Christoper Nolan, who would go on to make Memento, one of the most original movies of our time.


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I'm amazed that Memento (which is an excellent flick) is so well-regarded in the Top 250 and this one doesn't even appear!! What the hell is that?? To be honest - when this movie ended my knee-jerk reaction was that this movie is better than Memento. After the euphoria of the fabulous ending wore off, I concluded that they are equal in their excellence. I am just confused about why its not in the Top 50 along with Memento. I'm going to venture a guess that (sadly) it's because it's in black and white or because (again sadly)that the characters all have British accents ...sadly because that is no reason to not appreciate a great movie like this.
I'm telling you that if you loved Memento, you will love Following as well. Brilliant!


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Saw this at the Hong Kong International Film Festival, over three years ago. I went in with no expectations since Christopher Nolan was a no-name at the time, but it sounded interesting and turned out to be one of the best things I saw at that festival. It worked well on the big screen, with the technique of cutting the scenes out of sequence adding to the mood. Mr.Nolan gave a good account of its making at the end, enough to put anybody off starting out as a film-maker! I liked it better than Memento although this was, perhaps, due to the lower expectations. And the fact that it was more of an art house movie.


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This film is superb, it has the same low-budget first film feel of 'Pi' and 'Clerks', but has the style of 'Memento' (also by Writer/Director Christopher Nolan). The score, sound effects, photography and editing are almost 'Memento' prototypes, and the story shows that Christopher Nolan is best when Writing and Directing. Don't be put off by the low-budget look and acting, or even the short length of the film, and just watch it!


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This was a great movie for being only 67 minutes long. There was an aspect of film-noir contained in this movie and I am glad that Nolan picked to film it in black and white. The plot is simple yet entertaining that keeps you engaged. Even the dialogue was good along with the acting. It reminded me of what was to come in Memento by not being in chronological order. I liked how the main character tried to use what Cobb taught him for example saying "everyone has a box" which he put his personal things into. Also, on the writer's door was the batman logo which seemed ironic because Christopher Nolan would later direct Batman Begins and The Dark Knight, two other great movies. There is a great twist in the end which I'm not going to spoil for anyone who hasn't seen it, even though I kind of figured what would happen when Cobb gave the young man D Lloyds credit card. I also liked how the writer had a copy of The Republic by Plato one of my favorite philosophical books. This is definitely a movie you need to watch more than once to get the full aspect of it, plus it only being an hour long. There is also a circular aspect to it by ending where it began which I thought was pretty brilliant.


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What a film. Quite possibly the best I've ever seen, the Direction, the Production,the score and the cinematography,absoloutley wonderful. The acting is also excellent, and the Man/Robot scenes have to be seen to be belieived. I can not recommend this film enough. Get it out on video now, turn the lights down and enjoy.


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This is a totally awesome movie! If you haven't seen it yet, you damn well should. Sure, the plot is slow to develop, the special effects are laughable, the acting is ridiculous and the action is badly choreographed, but as wrestler DDP would say; That's not a bad thing....that's a good thing! Everything about this movie is hilarious, especially if you get the dubbed version, which has even worse actors. It's countless laughs until you get to the end, yearning for the sequel, where the mummy fights wrestling women. Thus, I give it ten stars. Unless you're one of those 'discriminating' and 'intelligent' people with good taste, who likes only 'high quality' films of the highest calibre, I recommend this utterly monkeydellic movie!


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The Kid is a really good family movie about a stuffy image consultant, Russ Duritz, who has lots of money, a good job, nice house, etc. The only problem is he doesn't have much of a social life as nobody seems to like him as he isn't always very nice. One day though things are about to change when an eight year old version of himself magically appears. This gives Russ a second chance to make things right. Bruce Willis plays the lead role here and he gives a really good performance. The Kid is a nice, heart-warming movie for everyone.


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From a perspective that it is possible to make movies that are not offensive to people with strong moral values, this one is definitely worthwhile. This is the second Bruce Willis film in a row that manages to tell its story with no nudity, off-color humor, profanity, or gratuitous violence. (I refer of course to The Sixth Sense.) Both movies are engaging on more than one level. This one is appropriate for children as well, although as others have pointed out, it isn't a flick FOR kids.
I was bothered that the time travel device that drives this plot is never explained, except that we know Russell himself initiates it as a 70 year old. Also, why does his dying mother have to come to school to get him when he wins the fight; why, if as his older self says, he has to fight that kid again and again for the next few years does his mother not have to come and get him every time, and why he doesn't learn to kick butt in the process. I also found the score rather annoying and not always appropriate to the action on stage.
Good use of the red plane as metaphor, however.


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