empathielabs/imbd_dataset_v0 huggingface dataset:
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Racing enthusiast Fabian (as Tommy Callahan) smokes, drinks, and suffers blackouts while juggling feelings for alluring brunette Annette Funicello (as Francie Madsen) and blonde mainstay Diane McBain (as Annie Blaine). Complicating matters are Ms. Funicello's boozy race car boyfriend Warren Berlinger (as Eddie Sands), and her father Jan Murray (as Pete Madsen), who encourages the reckless drivers. Funicello's cow-eyed performance is sometimes enjoyable; however, her drunken driving scene is unnerving. "Thunder Alley" provides marginally more NASCAR excitement than its predecessor, "Fireball 500" (1966) *; be warned, it isn't much. A wild party scene, featuring some mild strip tease, is the film's low highlight.


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As much as I hated the movie that this series follows I can at least says that Zangief was amusing. The animated series is quite possibly one of the worst things ever produced. The animation is quite often inconsistent, although it does stay consistently bad. The shape of a characters face is even capable of drastically changing in the same shot. The script and voice acting also leave something to be desired since most of the cast seems about as talented as the cast of a third grade drama play. Characters like Cammy and DJ are so forced into stereotypes of their nationalities that episodes containing them are almost physically painful to watch, not that the series isn't painful on a regular basis anyway. Episode plots seem to strive to reach new levels of lame with every turn and are so full of plot holes it amazes me they had time to show commercials. Truthfully, it amazes me anyone wold pay to advertise during the show. In addition to being a bad series it is an even worse adaptation of Street Fighter. Many of the characters maintain the failed adaptations from the movie. Examples include Ken and Ryu being idiot con men (even though Ken is supposed to be rich), Blanka being Guiles friend Charlie, and Chun Li being a reporter. It takes talent to take something as bad as the movie and make it worse.


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Stumbled over this film on Amazon.com. Had never heard of its release but the three reviews gave it five stars and rave reviews so being a lover of German movies I bought a copy...
Have to say that I was not impressed. The production values are cheap, the story is derivative, the characters are less than engaging and for a comedy it is surprisingly short on laughs.
I wanted to like this but I just found it lackluster and dull. Or maybe I expected more of independent German cinema than a gay spin on The Full Monty and a cast of stereotypes.
There are bits in the film that make no sense at all, like one of the Leather Bear's trying to get Ecki in a sling --like he'd even look at him twice? Or the vengeful ex-wife turning up at the match but ending up cheering for her estranged gay husband? Bunkum is not the word! Well, at least it explains the movies UK title, I suppose...


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When I went to see this movie it was already a forced choice, as my original intent was sold out. what ensuited then was sheer terror, this movie is so bad i could hardly bear it. the story is not worth mention, a gay goalkeeper forms a gay soccer team to play against his old straight team who - on discovering his sexual orientation - gave him a hard time. loaded with unbearably old and overused clichés of gays, the thin plot matches perfectly the inane dialogues... it is absolutely astonishing that actors as dietmar bär or charly hübner waste their talent and time on such nonsense. 1/10


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You thought after "Traumschiff Surprise" that German comedy can't get worse? It can. This comedy is yet another attempt at perpetuating stereotypes of gay men masked as a nice comedy. The initial concept (openly gay men in soccer sports) would have been a great opportunity to erase some stereotypes, but... The real intended message of the movie seems to be in what way gay men are oh-so-different from straight men. Absolutely silly, of course. Even gay sex is treated as being of less value than straight sex. This movie only tries to serve straight audiences wanting to laugh about stereotypical gay men. Well, don't waste your time on German comedy movies!


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This series, made for Televisión Española (TVE) is basically a series of chapters in the life of an ordinary family in 1968, primarily as seen through the eyes of the youngest son.
Based on a background of historical events, such as the May 1968 student uprising in France, the decaying Franco regime, the war in Viet-Nam, the rise of imperialism, and others specifically related to Spanish life at that particular moment, one might regard this series as a simple compilation of characteristic foibles which make themselves so apparent in this kind of entertainment.
Generally treated in a lightweight vein though not lacking in certain moments which might be called dramatic, the series would seem to be aimed at people of around fifty who can rember those times, as, it should be stated, anyone younger either chooses to ignore such happenings or is busily occupied in other things.
The best thing that can be said of this series is Ana Duato's rôle as mother of three children: she plays the part of the total housewife of the times really well, manifesting that peculiar Spanish penchant, especially noticeable among women, of letting all her thinking and her doings be carried forward by the impetus of her heart, without any resorting to the use of the brain. As we say in Spain, common sense is one of the least common senses. Imanol Arias offers very little, apart from not being his usual stereotyped hard policeman as in other television series. Indeed, as an actor, he should not be trusted in anything which is not a TV series. His resources are too limited; however, his part as father of the working-class household is not at all bad.
Not really recommendable for other audiences, even Spanish-speakers in Latin America: the themes are all too parochially related to a specific spot in contemporary Spanish history, such that if the viewer was not living here at that time he will miss most of the references. It is even probable that certain situations which cause a few Spanish smiles would not mean anything to other viewers.


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This film has possibly, the worst title for a stooge short ever dreamed up. Somewhat fitting, given the actual fifteen minute content.
I can do without any of the "Shemp A.D." stuff, but I will admit to having a few LOL moments from the two-man comedy offered by Moe and Larry in some of the new footage (and kudos to those guys for trying to give it their all, considering the position they were forced into in even making these dogs).
Another bright spot to this and the last A.D. debacle "Commotion on the Ocean" is the decided lack of screen time for Joe Palma and the back of his head. No attempts to have him speak or flap his arms like a chicken(see "Hot Stuff"), may be worth an extra rating point.
2/10


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!!! Spoiler alert!!!
The point is, though, that I didn't think this film had an ending TO spoil... I only started watching it in the middle, after Matt had gotten into Sarah's body, but then I became fascinated by the bizarreness of the plot, even for a Channel 5 movie... and couldn't possibly see how Matt wld end up happy. What about his fiancee? At one stage looked like he was gonna get with his best friend, surely icky and wrong... and then the whole 'oggi oggi oggi' thing does NOT WORK as a touching buddy-buddy catchphrase, tis just ridiculous... so was going 'surely he can't just come back to life? and yet how can he live as a woman?' and then the film just got over that by ending and not explaining anything at all!!!!! What's that about??? I was so cross, wasted a whole hour of my life for no reason at all!!! :) but was one of the funniest films I've ever seen, so, swings and roundabouts


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I fail to understand why anyone would allow a sub-par director to put drivel like this onto celluloid. This movie has already been made at least two other times that were better than this ("Here Comes Mr. Jordan" - 1941, and "Heaven Can Wait" - 1978). The only saving factor for figure skating fans might have been some nice ice skating done by a professional cast of skaters, but this just does not happen. The closest thing the audience sees to good skating is when Tara Lipinski's character takes a turn on the ice for a just a moment. Others like Nancy Kerrigan and Elvis Stojko are hidden in the background and do not do any figure skating at all. There is not much real emotion shown, and there is not really any reason to tune in to this obviously Made-For-TV Movie. My advice: rent the original.


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Nice movie and Nicholle Tom does a fantastic job playing the "guy in the girl's body", she really does it well.
A sort of teen version of many other movies, but well done.
Well casted, from "Matt" to "Matt2".


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it's hard to tell the actors from the non-actors. Bad American movies can be spotted by all the youngsters prefacing every single line of dialog with "You know what?" Bad Canadian movies can be spotted by all the youngsters ending every single line of dialog with "Eh?" Have we learned nothing in a century of filmmaking? Cannot the entire weight of millions of wannabes descending on Hollywood with scripts and reels in hand rescue us from these horrible TV-movies-made-to-order?


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A Mexican outlaw (Tomas Milian) steals gold from a stagecoach along with some other Mexicans and Americans. The Americans double-cross the Mexicans and leave them all for dead. The one outlaw survives and looks for revenge in this film that has jack-all to do with the original Django (the distributors only named it "Django Kill..." to squeeze a few more bucks out of more gullible people. What we have here is a slightly below standard western that's too surreal to be that enjoyable. and as such I can't really recommend it to all but the most hardcore Spahetti Western fan.
My Grade: D+
Blue Underground DVD Extras: Part of BU's Spaghetti Western Collection. Uncut; "Django Tell" (20 minute documentary); Poster & Stills gallery; Talent Bios for Guilo Questi & Tomas Milian; Theatrical Trailer
3 Easter Eggs: Highlight the hidden gun on the extras page for Trailers for "Django", "Run, Man, Run", and "A Man Called Blade"; Highlight the hand on the main menu to get interviews on the formation of a rock group; and a hidden gun in the Language/Subtitles menu leads to the story of how Tomas Milian almost got killed for being anti-communist


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I have only seen this movie once, when I was about 14 years old, but I was thrilled that they made a movie about the 45th Division. Being from Oklahoma and especially now that both of my sons are members of the 45th, I would like to see it released on a DVD. I may sound a little bias but the 45th Division sometimes does not get the recognition it deserves today. The History channel always talks about the other infantry divisions when it talks about WW2 and Korea but you rarely hear it mention the 45th. One of the scene that really stood out for me was when the had the Indian Code Talkers at work and the puzzled look on the German soldiers faces when they could not understand this language. I am glad that all of the Native American Code Talkers are getting the recognition they deserve.


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It's hard to believe that a movie this bad could actually be released. The dialog was unnatural. Especially poor was the portrayal of the relationship between the boy and his future step-father. I guess you could say that they succeeded in producing awkward dialog, but what was said seemed false and artificial. The suspense just wasn't there. The music was about as bad as it gets. The only reason I watched this movie was because I live in the Death Valley area and was curious about what locations would show up on the screen. Fortunately the movie was on TV and so I didn't waste any money renting this sorry excuse for a film! I honestly believe that most amateurs could put together a more captivating plot than was presented here. It's too bad that the time of an entire film crew was wasted on such trash! I guess the only positive thing I can say about the movie is that some of the scenery was good.


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It's boring.
It's slow.
Where are the nasty and brutal murders? Where is the tension that is supposed to scare us? This is like watching Sesame Street without the funny characters of Ernie and Bert or Grover.
It's really lame.
Maybe it was the writing...maybe the direction...maybe the acting, maybe the editing, maybe the cinematography, maybe the special effects, maybe the makeup.
Maybe all of the above brought this to something barely able to keep your eyes focused on.
I wanted to get scared...not bored.
This didn't scare me...it didn't even interest me...I had more fun watching the time on the microwave instead of watching this film.
Don't bother to buy it..and if you see it on television by some freak chance, there is no need to tuck the kids asleep.


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Years ago, I used to watch bad movies deliberately. Somehow I missed this one. No gesture rings true. No facial expression fits the scene or the action. I've never heard such inappropriate music for a film. At the final scene, I was rooting for the car to run over that ridiculous kid - one of the worst child actors ever.
Only one name in it I ever heard of - Wilford Brimley. He must've been very hungry to take this part.
DO NOT UNDER ANY CIRCUMSTANCES, WATCH THIS MOVIE!!! YOU'VE BEEN WARNED!!!


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. . . and that is only if you like the sight of beautiful woman with nice, bouncy jugs running around the so called African jungle. So no problems there for most males out there.
I watched it as one of those bundled together package. Forget about the plot which is essentially just a flimsy storyline to get our heroine flashing her jugs on screen at every opportunity possible. Just to give you a sense, our heroine swings from vine to vine and climb on top animals at every chance possible for no good reason at all just to let you see her jugs at all angles. Again, no complaints.
The "fight scenes" are laughable and borderline on the pornographic. Our heroine got caught by the baddies at least five times in the movie. On occasions when she has to fight, the "fighting" involves rolling around in the dirt, grunting unconvincingly and basically fighting like kittens. I am surprised no hair pulling is involved. It get so bad that the chief baddie had to remind the "combatants" that "I said, the one that draw first blood wins!" in order to avoid watching anymore stupid fighting.
The witch doctor Kuku was a bloody blast. From being a big, cuddly bear in the beginning, he became manic depressive when captured and then, outright psycho. He spent the whole movie muttering lines with no irrelevance.
Beside Liana (our heroine)bouncing around topless, you also get to see plenty of other Amazonians as well as one woman who decided to jump naked into the lake to take a swim for no good reasons. Yeah, it is that kind of movie.
Watch the beautiful Liane in her bouncy glory. Despite the movie being more than 20 years old, the allure of watching blond women flashing their nice jugs on screen never gets old.


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Wow, I swear this has never happened to me before. I only watched "Golden Temple Amazons" yesterday and already I haven't got the slightest recollection of anything that happened in this film. That's how brilliant this movie is, I guess! By now I only remember being lured into watching it because of the incredibly attractive DVD cover art, showing a torrid drawing of a voluptuous Amazon preparing her bow to fire at an unspecified target. I often get fooled by appealing DVD covers  especially Jess Franco ones  and I still haven't learned to resist even after literally hundreds of awful experiences. Oh well After reading the other user-comments, some parts of my memory returned although I still suspect to confuse this film with another Jess Franco masterpiece I watched the day before, namely "Diamonds of the Kilimanjaro" (and, yes, that one had an awesome DVD cover as well).
"Golden Temple Amazons" opens with a posse of hot white African Amazons  I am aware of the contradiction but don't blame me  slaughtering the parents of a fragile young girl because they were trespassing the turf with the intention of stealing the golden treasures from the temple. Several years and hormonal changes later, the girl returns to the jungle to get her revenge. She's accompanied by a bunch of sleazy adventurers who are less interested in the act of vengeance but wouldn't mind taking some gold back home. The rudimentary premise is obviously secondary to all the showcasing of ravishing female nudity and gratuitous sleaze. Analía Ivars, Eva Léon and the other nameless Amazons are all regular Franco choices and willingly walk around with their breasts proudly exposed. You better enjoy gazing at all these perfect female curves, as the rest of "Golden Temple Amazons" is a boring and incompetent mess. There's hardly any violence or action and no less than half of the film is pure filler, bits and pieces of National Geographic documentaries edited into the story and that sort of stuff. The awesome DVD cover would definitely be a great addition to your collection, but opening the box is utter pointless.


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Trite and tiring, the one-liners almost made me cry. My 4 year old left the room and ended up doing a puzzle. I don't know what age group this was written for, but the writer himself/herself didn't even want credit. As for the song, it's mildly amusing. At least it was a decade ago. There are many Christmas movies to watch. Although I've seen some many more times than this, they are still enjoyable. Whenever this comes on, I try to encourage my child to watch something else. One positive note, that allowed a vote of 2 instead of 1, is that it encourages good moral values. That would have been encouraging, if anyone were watching.


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If we really want to get serious and find Osama Bin Laden, then we should take this stinker down to Gitmo and force the detainees to watch it. They'll be singing within minutes. Of course, I'm sure that making them watch this god-awful dreck violates the Geneva Convention in several ways.
Look, my 5 year old daughter isn't allowed to watch TV at home. So take her to her grandparents or cousins and she's a little TV zombie. She got up and walked away after about ten minutes. That's how bad this is.
You know, when the person responsible for this garbage was a young writer, I bet he or she had dreams of the great American novel. Now they have to look in the mirror every morning with the realization that they wrote what is possibly the worst hour of television in the history of the medium.
And we wonder why the rest of the world hates us...


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I like a good novelty song. No, I take that back. I love a good novelty song. I absolutely despise GGROBAR on the other hand, and have from the first note I ever heard. When I found out someone had made a cartoon based on it, my head almost exploded. Now that I have seen it because my kids begged me, I wish my head had exploded. It would have saved me from the excruciating misery that was this cr@pfest. First of all, making an hour long show based on a three minute novelty song is a ridiculous idea. To stretch a song like this, which had to pad like crazy just to be that long, into an entire hour, is even more ludicrous. This was poorly written, cheaply animated, poorly acted...the list goes on and on. Dear God, is this ever bad.


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Never I have seen a movie so terrible that i've gone insane. It was a HUGE waste of time seeing this crappy film. There are a lot of things i hate about this movie: The songs is so terrible (yet a little bit catchy) i hit my head on the wall(especially from the song 'Grandpa is gonna sue the pants out of Santa' which i hit 10 Times *shrugs*), the character design, and that evil, greedy, and Bitchy cousin Mel.
I cannot stand her for one second, she has got to be one of the most bitchiest person i've seen. Even though i kinda like her southern voice.
The only bright-side is that Austin Bucks is played by the person who is the voice of Liquid Snake from Metal Gear Solid.
I would not recommended to people to watch for the holidays as it was a HUGE disgrace for x-mas.


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This is supposedly a story in which a GROWN MAN tells a story about his youth. Yet, you see things like personal computers, e-mails, faxes, etc, which are items used in the late 20th Century and early 21st.
So when is this guy supposed to be telling this story - in 2020. Gee, I wonder how advanced we are then. How about telling us that.
Also, there are several legal issues which also make no sense. In the courtroom scene, the story falls into the usual pratfalls of surprise evidence, which is inadmissible in any real court of law in this country. Also, Grandma would have to be missing at least seven years in most states before to be declared officially dead.
Congratulations Elmo Shropshire. You are now officially a SELLOUT.


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Lame, ridiculous and absurd. My 6 year old son talked us into watching this rubbish. Tripe stereotypes and themes not appropriate for children. The antithesis of the commercialism of Christmas is not socialism it's Jesus.


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i saw this with my with my kids they love it but i don't she did not get run overfed by a reindeer in the song, but what the heck in this crappy movie she got hit by the sleigh, it's like what the heck why why, when my kids heard the sinked they thought it was good but we they watched this they were like this "daddy why did Granny" thats how my kids say grandma, any way my kids said this "daddy why did grandma get hit by a sleigh" i told them that the movie was crappy they agreed, it's sad why would any one name there dog "Doofas" that's just dumb & when every one dressed in black that looked so so i mean Daphne looked like a dang emo goth girl every one looked like Goths & in the song they found grandma on the ground i think she died in the song, but in this weird crappy movie she was gone i think they should take this show off OK every one would love this i give this a 1 out of 10


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Leslie Nielsen is usually someone whose movies I really like (even critically panned flicks like "Dracula: Dead and Loving It" and "Wrongfully Accused"). So the fact that I'm slamming "Mr. Magoo" should show that it's a piece of junk. It casts Nielsen as the myopic title character, something gets planted on him, and he makes a mess of everything. It seems like the combo of Nielsen and director Stanley Tong (behind two of Jackie Chan's movies) would make this one hilarious movie, but it doesn't; it seems like they just have people to do anything, and there's no real humor here.
So, the original cartoon with Jim Backus providing the voice was worth seeing, so avoid this movie. Leslie Nielsen has also done much better, so there's no reason to waste your time on this. Also starring Kelly Lynch, Stephen Tobolowsky, Ernie Hudson, Malcolm McDowell and Miguel Ferrer; they probably don't wish to emphasize this hunk of junk in their careers.


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Give director Stanley Tong of Jackie Chan's Super Cop and Rumble in the Bronx, and what do you get? You receive a series of kung fu fights and a lack of Magoo-like madness.
The limited plot has Magoo (Leslie Nielsen) put into an international plot, where he steals a world-renowned gem. Of course he has no idea what he is doing. In fact, he has no idea that he had the gem.
Within thirty minutes you could get very bored watching this. There are some very funny moments though like when he is cooking the chicken. You will wish that you were as nearsighted as Magoo. Its a fun movie to watch but its quite a disaster! You have to love Leslie Nielson because he was made some very funny movies. This isn't his best, but he does a good job playing Magoo. I thought it was a funny film, and it should be recommended to young children because they will probably think that its very funny.


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Leslie Nielsen hits rock bottom with this absolutely horrible comedy that is the worst mainstream film that I have ever seen. There is nothing to like about this film, as it is essentially a one-joke film, and the joke isn't all that funny. How many times are we supposed to laugh at an almost blind man making a fool out of himself? That's not funny, that's just pitiful. Nielsen seriously needs to start refusing some of these pathetic scripts, and Stanley Tong needs to stick to making Jackie Chan films, because it doesn't get much worse than this.


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This morning, I found myself unexpectedly remembering that this movie existed. I found myself thinking, "Oh yeah, there was a Mr. Magoo movie, wasn't there?" This is more surprising because I remember following the controversy surrounding this movie (advocacy group for the visually impaired said that this movie was demeaning). I even went to see this movie on the day it opened, because I am a fan of both Mr. Magoo, and Mr. Nielson, and thought he would be an excellent choice to play Mr. Magoo. I even remember the opening animated credits, because I thought that they were pretty amusing.
After that, though, its all a complete blank. I think its a pretty sad statement about any movie that it is so lame, so bland, and so utterly without merit that you can't remember ANYTHING from it. I understand that Leslie Nielson isn't always known for appearing in first class comedies, but I saw him in "Spy Hard," in "Scary Movie 4," and "Police Squad 3" and none of these were great movies, but I came away at least remembering *something*. Mr. Magoo, though, is a complete blank.
I find myself wondering now if all the controversy surrounding the film wasn't actually generated by the studio that produced it, in the hopes of generating at least some small amount of interest in an otherwise totally worthless movie.


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This movie had terrible acting, terrible plot, and terrible choice of actors. (Leslie Nielsen...COME ON!!!) The one part I considered slightly funny was the battling FBI/CIA agents, but because the audience was mainly kids they didn't understand that theme.


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I left the theater, and I was only 10 years old. That's how bad it sucked. The plot was horrid and the acting was worse. Leslie Nielson should be ashamed of himself and so should the person who made this movie. I was only 10 years old when I went to see this catastrophe with a friend and even at that young, innocent age I did not laugh once at the movie. We (me and my friend) still laugh about how bad the movie was. We ended up going into the 'R' movie my parents were in. Bottom line -- this flick was fricking bad. Mr. Magoo -- more like Mr. Ma-who? This movie could have scarred me for life had I watched the popular cartoon on television as a child but luckily I had never seen it, so i was spared the agony but I will never get back those precious minutes of my life that I wasted.


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Only one word can describe MR MAGOO - slapstick. Unfortunately this isn't no AIRPLANE. Looks can decieve, and that's exactly what MR MAGOO does. Based on the old cartoon, Leslie Nielson plays Magoo, a bumbling near blind man whop stumbles upon a pair of jewel thieves. Now he must hunt them down using...blindness basically. And that's all this film plays off. The blindness of MR MAGOO. Now maybe if they had some funny jokes involving this, but pretty much it's just one of those " droopy dumb grin on your face because you're too ashamed to admit you payed to see this" films.
But MR MAGOO isn't as bad as it's hacked up to be. It's at least got some funny jokes, and it's good wholesome fun for the whole family (Nielson tried to make a "NAKED GUN" for families in MAGOO, but it's no where near as good as that). So see it once, you might hate it, you might love it, whatever. I personally didn't hate it, but I sure didn't like it, or even rate it "okay." 2/5 stars for MR MAGOO-
JOHN ULMER


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After seeing this film I felt sick to my stomach and if I had seen one more minute I would have had to rush to the bathroom and vomit til dawn. A sick film that was NOT funny and was NOT worth the money, any money at all. If anybody ever wants to see this movie don't! Your kids will never forgive you and will claim sickness for a week. So if you value your child's education and want to stimulate your child's mind please don't see this movie. I beg of you, DON'T!


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This has got to be the worst movie I haver ever seen Nielson in. This movie just does not have what he needs to be funny. I think the reasons that the Naked Gun and the like movies is that they did not require Nielson to be funny. He just played the roles as straight as he could while all of the comedy that went on was mostly visual. But when you put him in a movie where he has to be funny, he isn't. The movie had only one good part, and this may be considered a spoiler by some, and that the beginning credits were animated. If the whole movie had been animated, it might have been good. I had no intention of seeing this movie when I saw the ads for it, and the only reason I did see it was because the tickets were given to me by someone who won them in a radio contest. This is the first and probably only movie I have ever walked out on. On a scale of 1-10 I give this movie a score of -100.


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Horrible Horrible movie, i still can't believe my friend talked me into seeing this! No plot, bad acting, unfunny scenes, and very very stupid dialogue. All i have to say is that this movie is the worst movie i have seen and it's worse than Halloween III which i gave 0 stars too. So i give it 0 stars and a 0 out of 10, well on here a 1, but you get the point.


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I enjoyed the Mr. Magoo cartoons I saw while growing up. And I enjoy Leslie Nielson's comic skills. So, I thought, this marriage must produce a funny child.
I couldn't have been more wrong.
This movie was just awful. I don't recall a single funny moment. This is one of the two or three times (in hundreds of films over the years) I've wanted my money back. You will leave this film dejected because you won't ever have that time back to use in a better way. In a comedy, the plot must draw in the viewer and serve as a framework for gags. This plot does neither. It just kinda lies there, gasping like a beached fish.


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I know it's rather unfair to comment on a movie without seeing the complete piece - but I am going to anyway! I waited for a laugh, I tried to give it time. I think 20 minutes is long enough to wait in a comedy for a laugh. My laugh never came, so I gave up.
It's stupid humour, not so stupid that you have to laugh, though. It isn't anywhere near that high grade. Let me correct that, it's just *stupid* - not stupid humour. They may have intended for certain scenes to be funny, but they weren't. I suppose, if you were really bored you could somehow blend the movie with a hallucination and end up with a mildly entertaining experience.
A very pathetic effort.


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Do not see "Mr. Magoo." It is one of the worst movies I have ever seen. Leslie Nielson was not funny in it. He has not been funny since the Naked Gun movies. Well it won't take long to figure out that this is not a Naked Gun movie! The movie's plot is ridiculously foolish. Nothing in the entire movie was funny. The first few minutes of the film were animated to look like the old Magoo cartoons. I wish the movie would have stayed that way.


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Leslie Nielson is a very talented actor, who made a huge mistake by doing this film. It doesn't even come close to being funny. The best word to describe it is STUPID!


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A typical old b&w film. The dialogues are sometimes good, but too often - especially in the second half - they get naive, sometimes awfully naive, occasionally close to the point where they are unintentionally comical. The first third, with its background information on Ladd's Gatsby shown with a series of interesting flashbacks, is the best part of the movie. But once Gatsby moves into his new villa and makes his moves on Betty Field, the film gets overly melodramatic. The ending is yet another cop-out ending; I don't know whether the novel itself contains this dumb, clichéd ending or whether the movie's producer made some changes to it, but I've always considered car-accidents to be a poor way to add drama to the conclusion of a story. I've seen this plot-device a million times (or if it's not a car, then it's a fall from a horse); the writer doesn't know how to end the story but he knows that he wants it to be dramatic, so he adds in a car-accident. Lame. And to make things worse, the accident is outrageously coincidental and preposterous, both plot-wise and time-wise; plot-wise because Field's husband's mistress (Winters) gets killed by Field, and the fact that Winters sort of rushes out from the gas-station into the street as though she'd never noticed in the years that she had lived in it that there was a dangerous road right across her house - and, of course, at the very moment that she comes out she sees Ladd's car and mistakes it for Field's husband's car and then shouts "Over here! I'm here! Run me over and make the ending tragic that way!"; time-wise because Ladd and Field get involved in an accident at the very day when they are preparing to tell Field's husband about their affair. Basically, there is just too much forced and artificial irony in this accident. It also doesn't exactly help this movie how Winters's husband, Da Silva, goes on a revenge mission to kill the guy who ran over his wife; he basically does this by walking around like a zombie, going from car to car looking for scratches, and acting very badly indeed. Both Da Silva's acting and his character's behaviour throughout the film are awful and confusing, respectively.
Scott Fitzgerald was upset on a couple of occasions how his novels were adapted for the screen by Hollywood's screenwriters, and - although he was dead long before this movie was done - he might have been right to complain, judging by this film's naive script. Or, maybe his novels are even sillier and more naive than this film, and were actually improved upon by the screen adaptations. Or, the films are pretty much like the novels. I could, of course, read this particular novel to find out, but I just can't be bothered. Fitzgerald's name doesn't exactly inspire me to read any of his books (and I don't mean the way his name sounds.) He was certainly no Heller, Clavell, or Twain. More like Hemingway  a lot of noise about nothing.


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Hollywood has churned out yet another garbage that's wildly overhyped and underwhelming on a first-time viewing basis. Hannibal is bad, terrible, inept, lame, droll, idiotic, contrived, laughable and utterly atrocious (no pun intended). Minor spoilers follow...
This movie has huge logic holes - more than any Bruckheimer/Bay movie - or for that matter - any movie that exemplify the indulgence of Hollywood exaggeration. It's a slick Hollywood production designed to cash in on Hannibal Lector mania, directed by "so-somber-he-takes-this-way-too-seriously" hack director Ridley Scott and produced by a hack Italian producer with an inflated ego whose credo is "doesn't matter whether film is s**t, money is good".
I can't get over the fact that acclaimed screenwriters David Mamet and Steven Zaillian wrote this tripe adapted from a lame and pretentious book by a good-novelist-turned-hack-author Thomas Harris. David and Steven - well-known and immensely talented screenwriters - wasted their effort on a poor screenplay in exchange for fat paychecks. Another factor in the disappointment of this film.
There are too many ludicrous scenes to list that are laughable in clunky execution and poor logic e.g. Starling/Pazzi cell-phone in the midst of Lecter pursuit that turns up Inspector Pazzi as the victim. Not to mention laughably bad dialogues delivered by Tony Hopkins with a smirk and Julianne Moore, Ray Liotta and others who cannot act with the straight face. Hopkins gives the true meaning of "scenery-chewing" along with hammy acting by Gary Oldman as a deformed psychopath bent on exacting revenge against Lecter.
The gore effect is good, but only serves to repulse rather than provide suspense which is notably absent from Hannibal. The predecessor - Silence of the Lambs - is more believable with tension and suspense. Suspense is what made Silence of the Lamb work as a spectacular mix of psychological horror and thriller, not to mention superbly written and tensely directed. The "brain dinner" sequence is so laughably fake it borders on self-parody.
The ending is kinda blatant and idiotic - are we supposed to believe that Lecter is still a menace to society with the last shot establishing his glittering eye glaring at you? Ooh, scary...



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I have witnessed some atrocities of cinema. In the past couple of years, it seems producers and directors are bent on making films that drive me closer and closer to insanity. Hannibal was not an exception. I wasn't expecting much, when I went in to see the movie. The book was ridiculous, and the saying, "The Book is always better than the movie" did not assure me at all that this movie would be anything but trash. But what I came to see was a movie that made all other bad movies seem better in comparison.
Usually, when I see a terrible movie, I find myself more amused than anything else. Sadly though, I could not even laugh at the sad excuse for a film that Hannibal is. The movie was filmed with promise, I guess. It had Anthony Hopkins, Julianne Moore, and Gary Oldman. And for directing, there was Ridley Scott. There have been movies with significantly less talent that have been tremendously better. There was so much I would have cut from this film that I doubt anything would have remained. It was pathetic. The storyline was so ludicrous that it seemed like a complete idiot had written it. What's worse is that the book was even crazier, and there were some scenes that were too extreme to be included, which is sad in the case of a movie where
***SPOILER AHEAD***
Ray Liotta's brain was being cooked in pieces. That scene more than any other made me want to cry, because it tarnished its predecessor to such a monumental level. Silence of the Lambs was one of my favorite films of all time. But Hannibal was a two hour plus joke. This movie should only be watched, if people want to learn how not to write a good movie.


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Hannibal must be the most God-awful movie I have seen in a long time. In fact, I want my money back. What a waste of time. No plot, minimal character development, questionable motives, poor dialogue, sub-standard acting. What else can I say? If you haven't seen it don't bother. I wouldn't even hire out the video and if you happen to come by it on TV... change the channel. The only reason anyone might have to see this movie would be to see whether the gratuitous violence lived up to all the hype (which quite frankly is why they added it). If you want to see some gug eating his own brain, then fast forward to that bit.
What was the purpose of this movie? Its like someone just asked 'I wonder what Hannibal is up to these days' and we just went along for the ride. He is free in the beginning and he's free at the end. In between is a lot of self-indulgence on the part of Anthony Hopkins and the film makers. Julianne Moore tries valiantly to inject some life into her Clarice, but they gave her a sub-standard script and as far as I'm concerned she was set up to fail.
In my opinion this is just a very very bad story in every sense of the word. The only reason it made so much money was because of the senseless violence they added, which at the end of the day leaves you more with a feeling of contempt than the horror you are supposed to feel.
I give it a big fat RASPBERRY!


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*Hannibal SPOILERS* Hannibal Lecter (Anthony Hopkins) is back... for a travesty of a movie! Now he's in Italy, appreciating our food (including people, such as Rinaldo Pazzi (Giancarlo Giannini)), but comes back to the States for Clarice (Julianne Moore) and to even the score with a former victim, Mason Verger (Gary Oldman).
Let me tell you, this movie does not deserve to be spoken of along with Silence Of The Lambs and Manhunter, because it's truly, completely, absolutely, totally BAD.
I mean, the scene near the end with Ray Liotta's cranium being opened and him forced to eat part of his brain sautéed? WTF? Then, why the HELL was everybody so annoying (including Clarice)? And why did the story keep going nowhere? I suppose that this is the 'teen' chapter of the Hannibal series; terrible, stupid, gory for gore's sake and totally embarrassing.
Don't watch it, especially if you love any other of the Hannibal movies (SOTL, Manhunter, Red Dragon, Hannibal Rising).
Hannibal: 1/10.


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One of the worst theatrical movies of the year, if not all time. Anthony Hopkins belittles himself by even appearing in this joke. I can't believe David Mamet and Ridley Scott's name appear on this travesty. The best career move Jody Foster ever made was turning this one down. Julianne Moore was as emotionless throughout as a female Keanu Reeves. Gary Oldman was of course, his brilliant self. He is a crippled victim of Hannibal and the make-up is so good, I didn't know it was Gary until the final credits. but eaten by trained boars??? Give me a break! Rumor has it that he didn't want his name even mentioned in the credits. And frying and feeding his own brain to Ray Liotta...I was laughing at the absurdity, no make that stupidity of this flick at this point. I haven't seen so many people walk out of a movie since Who's That Girl.
Pay someone else to go for you if you must, but miss this one AT ALL COST!!!


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