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This extraordinary pseudo-documentary, made in 1971, perfectly captures the zeitgeist of America today...which makes it all the more scary and relevant. "subversives" (college students, hippies, black activists, academics) are being rounded up by the government and given lengthy prison terms for what amount to thought crimes and social protest. As an alternative to life in prison, these convicted "criminals" are offered three days in "Punishment Park". Their objective inside the park is to make their way to the American flag where freedom awaits them. Not surprisingly, the Punishment Park option is a dirty lie. This brilliant film from Peter Watkins even pre-dates "Battle Royale" and "Series 7", though its angle of attack is more blatantly political. Shot in '71, it looks and feels as fresh as anything made today. The performances are exemplary and the direction is razer sharp. The narrative cuts back and forth between various groups trying to survive the harsh conditions of the park and the McCarthy-like trials that convicted them. Today, this film still retains its power. In '71, there was nothing but nothing quite like it. This is a masterpiece that succeeds on a dozen levels. It has the balls that most people today have lost.


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It kicks you in the stomach. There are other films with more convincing characters, a more realistic story, and maybe even more depth concerning political invocations. But then again, most of these are not directed by Peter Watkins. Maybe the one true genius artist of British Film to emerge out of the 1960s, Watkins has made quite a bunch of rarely seen films that perfectly capture the spirit of the outer-aesthetic world - the world of political ongoings, social problems and governmental solutions. Thus, his work is probably less "filmic" than, say, political, which some may call a weakening of their inherent artistic quality. Then again, why shouldn't art allow itself to become engaged? Watkins dares. And succeeds. You won't feel well with this one. You won't feel happy. Actually, you won't really like the film; it is uncompromising, honest, direct, unashamed; a smash in your face, in short. You can't help getting angry, you can't resist to let the things you see touch you. That is what makes Watkins' films so rewarding.


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First of all, the entire script is mostly improv, adding to the fantastic illusion that what we are watching is an actual documentary. Secondly, the actors hired by Watkins were purposefully chosen to represent their true political alliances and backgrounds. The hippies portrayed are actual hippies, the government officials (though not necessarily in the government themselves) are at least actually hearty conservatives within the system, and several of the cops are actual policemen. The interactions of these actors, given the textual freedoms alloted by Watkins, eventually come to a violent head where even Watkins himself is convinced that a cast member had actually been shot. (We hear him screaming "Cut! Cut!" in the background.)
An AMAZING film though American critics were quite harsh in their reviews, one actually reporting that it was the "most offensive" film she had ever seen. This not entirely unexpected as the unveiling of this oppressive communist-like mentality of America during this era would certainly rattle some cages. This pseudo-documentary definitely requires an open mind, though if you are seriously looking for an intensely accurate portrayal of 60s culture, this would be THE film to watch.


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As far as fake documentaries go (fakumentaries anyone?), this one is up there with the best! It looks very real and that is what it aims for. In recent light of events (Guantanamo) this movie is even scarier, so you could say it was ahead of it's time, when it was released in the 70s!
One can only hope that a government like that doesn't exist! Looking for terrorists and interviewing people just like that? Of course the people interviewed all seemed to have the same (70s mentality): Screw the politicians and politics in general. Maybe that wasn't so clever one might think ... but hey, don't forget: It's only a movie! ;o)


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Peter Watkins' rarely seen Punishment Park is a brutality-laced, uncompromised political weapon set across a never ending desertscape. An unapologetically left leaning anti authoritarian abuse fest, the escapades at first appear to be so over the top militaristic and sickening that it could come off as some distant fantastical dystopian alternate history, one Harry Turtledove would even enjoy. But once we delve deeper in and really pay attention to the abhorrent diatribe spouting out of those presiding over the tent topped tribunal, as well as the shotgun toting guards overseeing the bloody affair, our eyes are truly opened. Suddenly we realize just how prescient Watkins' film-making is, as much of this is the kind of neo-con talking points about youth culture and the legality of divergent thought tossed around by politicians today. Granted, much of it was drivel pouring out then as well, but it really shows us how little has changed, and informs of how, in some ways, we are closer to such a world where Punishment Parks would be a real and frightening operation.
The main players in nearly every scene are seasoned non actors, mostly chosen for their rash political views and desire to get them on camera. This lends an unprecedented heap of authenticity to the entire experience as we never, even for a second, question the reality of all the chaos. Shot documentary style with 16mm film, this appears like a gritty documentation of some despicable government test project that was classified until found years later. At least it appears to have that history to it now, maybe not as much when it was (barely) released. But this gives an added weight to all the proceedings and helps draw you into this incredible not-so-alternate universe of torture for convicted dissidents.


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Well I've enjoy this movie, even though sometimes it turns too much to a stereotypical situation. I didnt understood at this time if the "Punishment Park" has exist in the past, but I think the matter isnt really here.
You have to look at this movie in a different manner. It shows how much violence you can find in our world. It reminds us that we live in a world who is lead by violence and that nobody can escape from it. If anyone refuse to "take his responsabilities" then you will be thrown out of our society...All our history is made by wars, we should never forget this. In fact its only when we will finally accept the truth that, maybe, we will change and understand that our "intellectual skills" have improve. So we could use them to find others ways to resolve our problems.
In 2 words this movie is a must see, maybe it will help us to accept the truth...


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I watched pp the other night. I have to say I was very impressed with how real the film seemed. It felt very much like a documentary. I also think that the film presented realistic possibilities. In the film the war in Vietnam escalates to the point where China has become involved. What if that had happened? I think the scenarios would be similar to the one portrayed in the movie. We have had camps before in this country... and still do...
Highly Recommended for everyone...especially radicals...
I kept saying that if I were in the position that those kids were in that I would just lie my ass off. I love America and its grand wars (wink wink)


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Death Camp Opera: Right Here, Right Now!
Ten years ago, I read that a very special movie had been directed about the polarization of our society. A certain Peter Watkins was the author. His picture was acted by some non-professional actors, citizens like you and me and others. The violence of the atmosphere was described as extremely realistic. Was it a movie, a documentary? Both actually.
Over the years, I realized how hard it was to find it. Maybe I would, by coincidence? Anyway, it's yet an old story. I saw it a short while ago. Totally impressing. My very favourite peace of art: Punishment Park is its name. I love this "docu-fiction", this "truecastmovie", this "realityshowfictionnal", what ever. After all the shock movies I saw, I reach the best with this strong and intense cinematography'experience. I found a masterpiece. There is enough on the net to know many things about the movie. It is even to buy on DVD, with additional stuff. The only words I want to add is about my own experience with this film. I can only trust such a sincere and engaged peace of art about people and for people, those who direct, act or watch. A cinema which is simply a real human experience within an art adventure or the opposite.
So, I'm not talking about all the 'mucs' we can see on TV, especially the 'real'shity-show' whom the concepts of people playing them-selves are interesting, but used in a stupid and perverse way. In Punishment Park, we can see some real individuals living as they are. We only put them in a very specific context, with a few lines to follow, and we let them be what they want to be. It's a kind of therapy, a way of 'individuation' for those inside the movie and also for the active spectators in front of screens. Then, to end, the director's touch edits a short and sweet apocalypse movie, a desperate scream, a 'Death Camp Opera', where some folks are on the run after virulent trials. Punishment Park is for those who want to grow. See this film and have the opportunity to choose your own morality. Grow up and harmonize yourself with it! If you can feel it! If you can see it!! In my case, Punishment Park is stuck in me for ever, with all my love, consciousness and will.


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The most amazing film I have ever seen. I didn't read the programming and I just stumbled onto the movie by accident. I thought it was a real documentary and i felt sick at what I saw. I only found out it was a movie after it was finished and i looked on the web for more info about "punishment park" in the U.S. It felt incredibly real and it is easy to believe that this really has happened in the US if you are from Europe. I must admit that I felt really anti-american after watching the movie and before finding out that it didn't really happen that way.


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I can't believe I missed this one. Made in 1970 with a budget that would probably allow you to make one indifferent episode of a TV soap, this is 90 minutes of sustained, sharp as a knife film making. You will find the outline, plot etc elsewhere on this site.Consider though that the whole thing was shot using a single, hand- held,16mm camera... all the dialogue is improvised... none of the 'actors' had appeared in front of a camera before... It sounds like a recipe for disaster. Instead what we get is hippies v cops running around in the California desert in what evolves into a 'that's not fair.. i'm on that person's side'scenario. The only problem is, the director keeps making you shift your allegiance and at the end of 90 minutes we're still not sure who has one. Brilliant... Quite brilliant.


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A powerful "real-tv" movie. Very subversive and therefore remaining almost un-broadcasted ! (almost...thanx 2 arte in France). After you've watched this manhunt all movies filmed with the same concept (a documentary team following the events as they arrived) seem so weak.
DAVID


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The strong points in the film were clear for the beginning and middle part of the film. It showed how a very violent, reactive authority might react to resistance. Filmed in the fashion of a documentary, the director captures what would have happened if the United States enacted martial law. Volunteering for "punishment park," a training ground for cops where you're bullied and harassed, would offer you an out to this dire scenario. It switches between the court trials for those facing accusations, those who are in the park escaping police attention, the training of officers preparing to handle these prisoners, the judges in their leisure time, among many other things. It was a very strong, deeply moving film.
The only fault I had with this was its realism. Officers are often seen holding their pistols like they were seven years old with a plastic toy (i.e. a 90 degree bent elbow when pointing a gun in someone's face, or the way one cop just makes it look like it's hard to kick someone when they're down, etc., etc..). It starts out as an honest and interesting attempt to capture a very critical state of political affairs. By the end of the film, the viewer is slowly reminded again and again of the prejudices of the director and the producers. The antagonist characters in the story start out as genuine, real human beings and then slowly progress into "stereotypical, objectifiable forces of evil" by the very end. The mistakes they make are stupid, the force they demonstrate is unreal and unlike the way real police act, the judges during this court hearing are shown making stupid and unreal mistakes, among many other things.
The realness of the movie started to fall apart when it became evident that this was just another blank-check attempt to make government look bad. And that's coming from an Anarchist. The scenes at the end started to get hokey, unreal, and a thousand times over-dramatic. Still, for the earlier part of it, it promises some very moving storyline.


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I caught this movie on TV yesterday. I had a certain curiosity about it, being that it was directed by Emilio Estevez and starring him and his real-life Dad, Martin Sheen. I love to see a movie about a father-son relationship that involves a real-life father and son. Naturally, there's an instant chemistry between Sheen and Estevez, and their scenes of conflict are even more intense, knowing that they're actually related. Of course, it helps that the two of them are both terrific actors. I've seen Martin Sheen in intense roles before, but I think this is Emilio's most intense role--being that I mostly recall him from the "Mighty Ducks" series--and I was very impressed. Talent REALLY does run in that family. And Kathy Bates steals the movie in an Oscar-worthy performance. She tugged at my heartstrings with every word of dialogue. Kimberly Williams--the beautiful actress from the "Father of the Bride" movies--is also very good, holding her own among a group of talented veteran actors.
The movie is a bit stagey, with dialogue that's obviously geared for the stage, but that didn't bother me. This is not meant to be an action movie; this is a character study. And for a film that's based on a play, it never gets too claustrophobic. When Emilio's character, Jeremy, reminisces to his days in Vietnam, we actually see his harrowing memories brought to life.
The film is extremely powerful and realistic, without being sentimental. At the end, I expected all the conflicts to be resolved and the family would become hunky-dory, but that's not how it turned out. The ending made me cry, without resorting to standard Hollywood melodrama. That proves reality is much more gripping than anything Hollywood can conjure up.
If you're in the mood for a beautiful, powerful drama with extremely wonderful performances that will knock your socks off...please check out this underrated gem. Hopefully, one day Martin and Emilio will unite with Charlie, and they will all make a great film together.
My score: 9 (out of 10)


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The most intense and powerful film I have seen in years. There have been other films before that delved into the Vietnam Vet but nothing compared to this emotionally heartwrenching film, as a typical American suburban family, circa 1972, comes apart at the seams, revealing the scars that Vietnam has left on our all of our collective souls. The cast is A++++ fantastic with all four actors(with Kathy Bates a stand-out) giving riveting performances. What is wonderful about this film is that you take no sides, but understand all four characters and empathize with them, even though all four have divergent viewpoints and needs. There are scenes in here that are so powerful as family secrets and feelings are revealed(such as the confrontation between son and mother) that will have you emotionally drained and in tears of anguish. I actually cried in this film, something I rarely do. The shocking end is a stunner! A much overlooked film that should be seen. I rate this 1996 film a 10/10 a superlative piece. Highly recommended especially in this day and age with again, our country embroiled in a hideous war, our headlines shouting of atrocities and again, our young men and women returning with deep psychological scars, with their deep pain of deeds done in the line of honor. A must see film.


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I was just lucky I found this movie. I've been taking advantage of Walmart's $5.50 DVDs, because I watch a lot of movies (and very seldom watch television). I graduated from high school in 1968 - so I have family and many friends who served in Vietnam. This movie really illustrates the pain I've seen in my friends in dealing with what happened to them over there. I wish more people would see this movie - I think maybe more people could understand what happened to our Vietnam vets by watching these excellent actors in the portrayal of one family damaged by that war. The story felt realistic - it isn't mushy, but made me feel what they were going through. I think it helped that Martin Sheen and Emilio Estevez were playing father and son - it made their relationship more believable,


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Not being a movie aficionado, I am not familiar with the names of leading Directors, Scriptwriters, Producers and the like, but I can tell an outstanding movie when I see one.
The makers of this fine movie could well be now at the top of their fields, or may well get there pretty soon. I know that the actors are already there.
It takes talent closer to genius to show with such realism how a national tragedy like Vietnam has impacted the everyday life of a typically average American family, and make us see at close range why there are so many homeless Vietnam veterans.
Without getting into gratuitous scenes of gore and bloodshed, it makes us understand why so many youg men had flashbacks of what they had been thru.
The dialog is particularly gripping, and gives us an idea of what went on in so many families in the aftermath of Vietnam.
I wish there were more good movies like this one, not just about Vietnam, but about other social conditions as well.


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The connection with James Dean?In a short plan ,we see Emilio Estevez toying with a teddy bear(remember the first scene of Ray's "rebel without a cause").Moreover,the main conflict is Estevez versus Sheen,father against son,as in "East of Eden".The soldier has come home,and nobody has been able to communicate with him, even his sister (a psychology student,what a derision).The mother,a crude matron (a superb Kathy Bates),gets bogged down in nougatine ,she 's not able to understand that her values (religion,family) have become a thing of the past,specially for someone like his son whose innocence was betrayed. The father ,an irresolute man ,under his wife's thumb,although he tries hard to play the macho,wanted to make up for the mediocrity of his life .So he saved his "honor" by forcing his son to do his duty.The scene in which Estevez's hatred for his father explodes is very intense.The actor-director gives a restrained performance,interiorized,as Lee Strasberg's students used to do,and his final burst of anger is increased tenfold so.


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Emilio Estevez actually directed a good movie--who woulda thought? I sat through two previous films Estevez directed--"Wisdom" (with then girlfriend Demi Moore) and "Men at Work" (with brother Charlie Sheen). They are lousy films---badly acted, directed, stupid and offensive. Estevez is a good actor but lousy as a director. I turned this on in pure curiousity--it has a great cast and I had nothing else to do. Damned if it didn't pull me in.
It concerns Estevez coming home from Vietnam permanently scarred by what happened over there. His parents (Kathy Bates, Martin Sheen) and sister (Kimberly Williams) try to reach him but can't. Something in Vietnam has affected him deeply...and he's about to explode...
A bit overlong but still very good. A lot of the material is familar but the cast is so good that they make it seem new. Estevez is good, Sheen is terrific (and Estevezs' real life father), Williams is touching and Bates is just extraordinary--trying to hold the family together. It all leads up to a powerful ending which REALLY surprised me.
Well worth catching.



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This movie is on cable sporadically, and I never really watched it, thinking it would be similar to the Bruce Willis film "Ïn America", with the usual trite story about American freedom, etc. But it was not; it was so much more!.
Of course, Martin Sheen is excellent; (I have never seen him in a movie I haven't loved, even if the script is bad, because he is so talented). Kathy Bates is the overbearing mom, and does a great job. The real surprise is Emilio Estevez, who has not always been in the greatest films, but also directed this movie. Please don't stereotype him from the "Breakfast Club" movie; he is so much better in this, and I wish he would do more non-commercial, atypical Hollywood movies.
The film is realistic, as we see Emilio home from Vietnam, during Thanksgiving. Kimberly Williams is passable as the sister, who feels she is "disgraced and embarrassed" by the returning soldier, her brother; he is quite alienated from the family, and, especially at this time in US history, this story is VERY relevant.
I learned a great deal about post-traumatic stress, and you will genuinely empathize with this character; This is not a violent, journalistic portrayal, like "Platoon" for example, it is more of a character study, which leaves us even more intrigued and concerned about the effects of war, especially when one considers the young age of the soldiers who are victims. With today's violence, it is rare that a movie causes one to genuinely feel sad, and shed a tear; this does it, and deserves recognition.


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One of my desires is to be a film-maker, and I just have to say there's no way I will be able to compete with the powerful drama The War at Home. The reason is because the acting is perfect, and when you see the movie, you'll know what I'm talking about. All I can suggest is watching it, I got so involved in it and was extremely impressed.
Estevez's and Sheen's relationship on the screen was absolutely amazing.
And so was his relationship with his mother (Kathy Bates). Some of the best scenes include these 2.
As well as the relationship between Sheen and his daughter, Estevez's sister in the film.
10/10, and definitely in my top 10. I want the DVD!


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The Vietnam War era is certainly far before my time, but it has always interested me, and I have seen many films about it. All of the others I'd seen had dealt strictly with the front-line of battle. When I read a description of "The War At Home," I found the concept intriguing. No Vietnam War movie I'd ever heard of talked about what happens to a soldier once the fighting is over with.
One night, while flipping through channels, the movie aired on The Sundance Channel. I set down the remote and settled back to watch it. I did not move from my seat during the entire two hours; it's one of those movies that keeps you very interested because there is no way to predict what is going to happen next.
This movie made me a huge fan of Emilio Estevez. I had enjoyed him very much as Billy the Kid in the "Young Guns" movies, but I never saw anything he did afterward. Emilio proved to be very talented at writing and directing as well as acting.
The pacing of the movie is done extremely well. I am hard-pressed to think of a point where it drags.
What amazes me is that it didn't get an Oscar or any real recognition when it came out. It is a dramatic story about parents trying to cope with the fact that their son is not who he used to be and probably will never be as they remembered him again. Definitely worth seeing.


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This film easily rivals the emotional strength, the dramatic impact and the top-notch performances of "12 Angry Men". I rented it on a whim and was amazed that I had not heard of it before.
I do not know if this was Emilio Estevez's directorial debut, but the pacing, the interplay and development of the characters as well as the some clever camera work surrounding the character Estevez plays all suggest a natural eye.
The interplay between Martin and Emilio contains the same wonderful chemistry we saw in Wall Street with Martin and Charlie. Kathy Bates is wonderful in her characters subtle desperation and escapism; a variation on her characters in "At Play In The Fields Of The Lord". She is irritating and yet one can empathize with her at the same time.
There are some moments where I feel the plot slows a touch and the moments between Estevez and his ex-girlfriend almost seem written for another film, Estevez comes off as another character all together. But those are minor complaints.
This film must be based on a true story or must have been written by someone who lived these experiences. I rate it 8 out of a difficult 10.



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This film easily rivals the emotional strength, the dramatic impact and the top-notch performances of "12 Angry Men". I rented it on a whim and was amazed that I had not heard of it before.
I do not know if this was Emilio Estevez's directorial debut, but the pacing, the interplay and development of the characters as well as some clever camera work surrounding the character Estevez plays all suggest a natural eye.
The interplay between Martin and Emilio contains the same wonderful chemistry we saw in Wall Street with Martin and Charlie. Kathy Bates is wonderful in her characters subtle desperation and escapism; a variation on her character in "At Play In The Fields Of The Lord". She is irritating and yet one can empathize with her at the same time.
There are some moments where I feel the plot slows a touch and the moments between Estevez and his ex-girlfriend almost seem written for another film, Estevez comes off as another character all together. But those are minor complaints.
This film must be based on a true story or must have been written by someone who lived these experiences. I rate it 8 out of a difficult 10.



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Emilio Estevez takes the wonderful play HOMEFRONT and makes it into an engaging movie.
THE WAR AT HOME has an exceptionally strong cast -- all seemingly digging deep into their characters. The acting here is TOP NOTCH!
Credit must also go to director Emilio Estevez. The visual transitions between past and present were ultra smooth. The sound effects during the battle scenes were chilling and effectively added to the tension.
Remove all of the Viet Nam elements from the story, and still left would be interesting characters wrestling with the good and bad of the full range of family dynamics. (A viewer might see this point more clearly by keeping in mind the "discovering the old photo" scene from the beginning as the rest of the movie is watched).
As a movie, I found THE WAR AT HOME to be more direct and to the point than BORN ON THE 4TH OF JULY. A fine effort -- almost a 10.



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An under-appreciated, unseen gem. Estevez does a remarkable job of illustrating in poignant, heartbreaking fashion, the tension that arises between a son who's been to hell and back, and his parents, who can't begin to understand the emotional scarring left behind. It's not unlike Born on the Fourth of July, in that it deals with a soldiers' emotional and mental breakdown after serving in Vietnam, but while that one focused more on the politics of post-Vietnam (anti-war speeches, etc.), this one deals with a much more personal topic: Family. One man's struggle to return to normalcy after a life-altering experience, and his parents' failure to see the change that has occurred.
Estevez delivers a smoldering performance as Jeremy Collier. You can sense the pain and frustration bubbling beneath surface. There to match him inch for inch is his real-life father, Martin Sheen. It's a trip watching these two act off of each other, as you get the sense that they're constantly trying to one-up one another. It's like the presence of each other inspired the pair to do their best, and their performances triumph because of it.
Recommended to anyone who appreciates solid acting, writing and directing. And to any Vietnam war buff.
****/***** (8/10)


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This movie is powerful. I watched this movie at 3:00 am and I was suppose to be at work at 6:00 am, needless to say I was late to work. I could not bring myself to get up off my bed to go to work. This is the most powerful movie that I have seen in a long time. And that made me cry and feel the pain of the family. I think Emilo did a wonderful job of directing this film. I agree with the previous comments from other views that this is the only movie that I have seen that has brought the war home and showed what a family had to go through, what a veteran went through. It is almost heart breaking to think that back then people just thought you could come home from a life changing experience and be the same person you were before you left. Kathy Bates reminded me of my mother in a way. I believe she really showed how women felt and acted back then. I am surprised that this film wasn't up for more awards.


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Estevez, Martin Sheen and Kathy Bates are superb in this portrayal of a Vietnam vet home from the war but still haunted by it. Bates plays a clueless mother who just wants the family to be a "family." Sheen is terrific as the father who tries to understand what his son is going through but is too wrapped up in his principles to really empathize. The setting is Thanksgiving Day and the relatives are coming for dinner. Estevez, who plays the returning vet, wants no part of family tradition and insists on wearing his combat fatigues to dinner, explaining "This is what I wore last Thanksgiving." The bickering and family arguments are priceless, particularly the "peanut brittle crisis," but the ending is both gripping and terrifying. It has to be seen to be appreciated.
Overall, one of the best movies I've ever seen.


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This movie has a very deep look at the relationships between a mother who was raised in a Christian environment and learned that appearance is everything. She and her son, who just recently returned from Vietnam collide in some very tense issues. The relationship has no connections intimately and is a great accurate portrayal of what it is like to live with someone who is false and only looks at the surface of issues. Kathy Bates does an excellent job of portraying a woman of false faith who is either oblivious to her cruelty, forgetful or just doesn't want to be confronted. Jeremy's wrath is never feared and it leads to a very disturbing conflict between him and his feelings about his fathers love for him. This is a very honest look at some family dynamics after a traumatic event leads one to despair.


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I had never heard of this film and only got it because I am a Martin Sheen fan. Now I am stunned as to why it did not receive the praise and recognition that it truly deserves. The four characters all make you feel for them, the father trying to assert his authority, the mother still clinging to traditional family values and both trying to keep up appearances despite the total fragmentation of their family, the daughter wanting her own life and the son haunted by his experiences in Vietnam. One felt that this was a scenario that must have been played out in thousands of 'ordinary' families after Vietnam. Emilio Estevez as Jeremy was superb - totally unhinged by his war experience which none of his family could relate to. The screen chemistry between him and his real-life father Martin Sheen was amazing. And there were times when Emilio's anguished face was so like Martin's in "Apocalypse Now". I feel sure that just as Martin has counted Apocalype as one of his best films, Emilio will count this one as one of his best too. The scene with the gun was totally mind-blowing, as all the emotions were there on the family's faces. Brilliant acting by Estevez, Sheen and Kathy Bates. I watched the film for the first time last night - and today the lead story in the news was about a Gulf War veteran who had shot several members of his family. How many more young men are going to have their lives destroyed by war?


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This is a little-seen anti-war film that has been ignored for too long. The time is Thanksgiving of 1972. The place is a typical suburban home somewhere in Texas. The oldest son has just comeback from Vietnam and he is having a hell of time readjusting to the life he had left behind. And the family does not know how to handle the problem. I honestly don't think I'm exaggerating when I say this is one the most heart-wrenching war films I've seen. The funny thing is that there are only a handful of combat sequences in the entire movie. Most of the story takes place inside a house over a period of a couple of days. But the kind of war that takes place in this home is as intense as any real battlefield action. The film does something that is difficult to accomplish; somehow, Estevez and his team have created a film that embodies the entire Vietnam experience. And considering the similarities between Vietnam and the current invasion of Iraq, the film is surprisingly relevant. Estevez does a magnificent job with material. He gets a lot of help from a hand-picked cast. Martin Sheen and Kathy Bates in particular are superb as the parents. A truly moving film. Highly recommended


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Not for those adrenaline maniacs etc It's a good movie, looking at after war, psychical problem, from the other point of view.
Emilio Estevez is great as a young man, haunted by the demons of Vietnam war, causing problem in family.
Marin Sheen is also good as a conservative father.
It all comes down to the problem how to deal with the past, with whom
Emilion Estevez's character can't seem to deal, and Martin Sheen's character don't want do deal with.
Protective mother looks at this problem with warm , and open heart but with her mind closed for the obvious reasons.


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I have to agree with the previous author's comments about the excellent performances and plot. Started watching this movie by accident...(lazy Sunday afternoon clicking channels to see if anything good was on)...and was mesmerized by Martin Sheen and Emilio Estevez. Wow! Gut wrenching! Kudos to everyone (have always admired Martin Sheen) but was particularly impressed with Emilio! Excellent job of acting and directing...simply superb! So why have I never heard of this movie before? I'll have to spread the news.


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The movie shows many feelings and emotions that are very strong and personal. The atmosphere in the movie is very tense and sad. You can really get a clear picture of what the main character is going through, and how he is responding to the world around him. I think it is a great movie, and that everybody should see it.



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I feel privileged to have accidentally seen this movie. I actually ran across this movie by accident. I was taping another movie on Showtime one night, overnight and this movie came on afterward. So I sat and watched it and boy was I blown away. The acting is absolutely superb. Kathy Bates...who has been my favorite actress since Misery and Fried Green Tomatoes gave an amazing performance as a domineering mother who tries desperately to hold on to her old school values (religion, family) at the risk of alienating her family. Martin Sheen is superb as the "tough" patriarch who is really not in control of anything in his life or family. The one thing I really loved about this movie is how it tells what happens when the heroes come home. It shows the true damage that is done to our soldiers after they fight pointless wars for political and financial gain. This movie just blew me away and I feel blessed to have accidentally taped this movie and seen it. This is a must-see for anyone who wants a true drama, this is not too melodramatic and preachy, but pulls at your heartstrings like none other


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There have been many movies about people returning home from wars and having to cope, but "The War at Home" is worth seeing. Portraying Vietnam vet Jeremy Collier (Emilio Estevez) having trouble connecting with his Texas family, much of the movie is very likely to tense you up. But nothing can prepare you for what ends up getting revealed.
Part of what makes this movie so good is how it gives the viewer the feeling of both Texas and of the generation gap. Jeremy's parents Bob (Martin Sheen) and Maurine (Kathy Bates) clearly have a problem with their son's attitude, both about the war and his rejection of Americanism. His sister Karen (Kimberly Williams) is uncertain with whom to side. But after the dinner, there can be no neutrality.
So, we as Americans may never be able to fully get over the Vietnam War, but this movie can probably help us look seriously at how it affected so many people. Emilio Estevez certainly did a good job directing. Also starring Corin Nemec and Carla Gugino.


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This movie was well done. It covers the difficulties a returning Vietnam veteran has in dealing with the horrors of war. Unfortunately the writers chose to focus on a Vet who had been involved in an act of atrocity. I was in Vietnam and only once heard of such an act by one who witnessed it. The offender was prosecuted and sentenced to many years in Leavenworth.
The notion that only vets involved in atrocities had emotional problems is a disservice to all who served. All of the soldiers I knew personally or knew of by word of mouth were honorable soldiers who respected even the enemy and believed they were there to halt the spread of Communism. The biggest problem was coming home to learn that many Americans were opposed to the war. That is what caused many Veterans to feel they had taken part in something less than honorable. Not the manner in which they served.
The ending depicted the father acting more as a belligerent bully than a loving, caring father. For that I gave it a 7 out of 10. Had the ending allowed for a degree of acceptance I could have rated it a 9.
Most decent men will come home from war with guilt and emotional scars. They need acceptance and understanding to overcome that. I pray that the public is more understanding of our present day Veterans than it was in the the Vietnam era.


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I would like to know if "The Outsiders" (Australian TV series) will ever be released on DVD sometime in the future? And is the music (Title Theme) available on CD?
There was only one series of 13 episodes of this drama and should have gone on to at least three or even four series in total.
The Young German Actor in the series was also in a German TV series called "Black Forest Clinic" which aired here in the UK with English dialogue superimposed with the lip-sync.
I look forward to hearing any comments from TV Industry personnel on the above questions, thank you in advance.


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The Outsiders is undoubtedly a classic Australian TV series. Well defined characters, tight scripts, varied and interesting locales, great guest stars and a filmic ambiance all combined to make this series a special one.
Sadly, Andrew Keir has passed on & Sascha Hehn from Germany does not appear (unfortunately) to have enjoyed small screen success in his native country. The ABC has repeated the series many times yet a DVD release is yet to happen.
The series is one which is timeless. It is as likely to strike a resonant chord with viewers today as it did in its own day. Come on ABC...release The Outsiders on DVD!!!!!


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Watched this when it was first screened and then missed it when it disappeared of British screens. It showed a different side of Old Australia that we need to see more of. Good juxtaposition of old hand and young turk. Then the realism of the hard out back was fantastic. It was sadly missed. This show was a cold look at the old way of looking at Australia. Hard living and hard working. The young idealist clashing with the old practical head. Real Politicka fighting with the young upstarts of New Labour. To add modern political vernacular.
This show was the first of its type that I came across that did not try to do a tourist job on Australia. It was a great showing of the realistic
come documentary realistic type of show. Some good films were out at the time doing a similar job. It would be great to see more of this type of TV come from Australia for it has been sadly missing this last twenty years. for all we have been fed is the soap pulp of varying quality.


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Yeah great cult TV series. Great atmosphere, top script and good performances make this a class A candidate for DVD release.
This is a seminal tour de force of Australian TV history and has that unforgettable groovy period piece soundtrack with Doug Parkinson's gravel and phlegm voice spewing 70's Australiana all over your cathode ray box as a amazingly long camera zoom out reveals the religion of the open road in all its Antipodean glory. This is a memento from another and not too distant era, and has the proud stamp of the land mighty Down Under from start to finish in all its raw freedom and gritty grandeur.
Come on ABC! Get with the program and release this cool 70's cult baby for all to enjoy - or re-enjoy if you're lucky enough to have lived the dream at the time.


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This is the Australian TV series. It is a classic. The stories and actors are excellent. Who can forget Picker and his gramophone or Chet being ambushed? This is cult TV. The Australian actors in the series were the best of their day and have immortality in The Outsiders. What can I say timeless adventure. The music and song just fantastic. The closing credits starting with the close up of the wheel, then Keir sleeping n being jostled around and then the long shot just cannot get much better than that. All 13 episodes are equally solid in the portrayal of the Australian myth and I think this is what this series has.It does not matter that the two main characters were from overseas, I think that is the key to the series and why it is so good.


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This film has not been seen by me in quite a few years. It came on the Disney Channel in the wee hours of the morning. I stayed up to watch it, and found it even more entertaining than the first time. The story, the scenery and the characters are as good as they come. I know that if anyone takes the time to view this film, they will find it definitely worth seeing a second time. It's very memorable in more ways than one. I would recommend this film to anyone because it is both entertaining and educational for all concerned.
s


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