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This film is titled "Junior Pilot" here on IMDb but "Final Approach" at Netflix. Go figure! The movie is a delight for both the target youth audience and for adults who can suspend their maturity long enough to watch this film through the eyes of their own youth. For the adult, the story is quite predictable, and perhaps trite and melodramatic; whereas the tale may seem new and creative to youngsters who have not yet seen or read many films or books with such a story line.
In any case, credit must be given to the film's creators, particularly the director James Becket and the cinematographer Denis Maloney, for making this most entertaining and visually interesting film. The cut-aways to the young protagonist Ricky's fantasy thoughts are hilarious as well as delightfully filmed.
The young actors give uniformly believable performances, seemingly quite invested in their roles--silly as many scenes are. Jordan Garrett plays the protagonist "Ricky" with quite well, having excellent camera presence. Jeffrey Tedmori creates a delightfully soft and sensitive "Shashi" who of all ridiculous things thrives on hot sauce. Skyler Samuels and Adam Cagley give solid performances as well.
As is typical of his always fine acting, Larry Miller creates a solid parental figure around which the children's part-real, part-fantasy world revolves. Compared to his father-figure, the other major adult roles appear to be shallow and one-dimensional, intentionally and quite humorously so, to be sure.
This movie is a simplistic youth-targeted story, of course, yet it is quite entertaining, perhaps repeatedly so to the targeted youth crowd, but also for at least one viewing by adults who retain the ability to view such a film from their once-youthful perspective.


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This was a great movie. It had one "sot-so-nice" outburst. Plus there were some very intense (drama) scenes which might make it inappropriate for younger viewers, under 6.
For a under the radar film, the acting was quite enjoyable, and touched down in our family room for a near perfect landing. It held the attention of our whole family and we were kind of sorry to see it end.
This movie had elements of spy kids with young people saving the day, but was given a somewhat more believable scenario. The dream scenes were a distraction at first, but did a great deal to establish the plot. The pranks and hi-jinx were also quite amusing.
We hope you like as much as we did.


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Definitely worth renting! Good clean family entertainment. My 4 and 5 year-olds (and I) loved it. Kept them on the edge of their seats. I recommend parents sit with their younger children to watch this, as it can be quite suspenseful for them. It's not too often you can find movies that you can watch with your children, and so this is a rare find. Some of the acting / realism isn't quite there at times, or maybe is a little corny, but children don't seem to notice or care, they love it. Parts are predictable, but other parts are not - like trying to figure out who the good guys are and who the bad guys are. The movie doesn't have any really scary/creepy stuff, and so I doubt it will give children nightmares. It does inspire children to dream, which is something we need to encourage and foster more in our children. Rent and be blessed!


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I spotted this film in a branch of the Duane Reed pharmacy in New York on holiday, and it seemed like a bit of silly fun. And sure enough, the whole premise is ridiculous beyond words - but it turned out to be a thoroughly enjoyable action film for kids, and their parents too.
10-year-old Ricky Bernard (Jordan Garrett) has his head in the clouds most of the time, much to his father's (Larry Miller) dismay. As a member of his school orchestra, Ricky and schoolmates fly to a concert performance ... and once again Ricky's mind 'takes off' and suspects some criminal plot is happening.
Reluctantly aided by best friend Sashi, who is a fan of hot sauce (what a strange plot device that was) and others they try to get to solve the mystery. Oh yes, and Ricky's skills 1,000 hours of flight simulator experience prove to be handy when he is called on to save the day in the film's thrilling climax! It was good to see Eric Roberts and Mark Dacoscos play parts in a family film. And watching the DVD interviews everyone seems to have had great fun taking part.
I totally liked Junior Pilot; charming and good-natured performances, funny plot line and a real; sense of enjoyment and sheer silliness.
If you are looking for an entertaining family film, you could do far worse than buy this one.


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I just found the entire 3 DVD set at Wal-Mart in the bargain bin for $5.50, so I thought I would take another look. Total of 13 hours to watch it all (26 episodes). I was born in 1948 and saw most of them on TV in the sixties. Many independent stations repeated them for many years.
Better than I expected actually, time has been kind to the obvious sincerity of it's creators, and to the obvious gratitude and respect they give to all the Allied fighting men and women. More abstract and arty than a straight forward documentary, but very truthful in it's depiction of the causes and final results of WWII. That war was greatly dependent on sea transportation, and the final victory was dependent on who achieved the final mastery of the world's oceans. The Allies were the ones who were able to do it.
Interesting too, to see how they try to strike a balance between big events, and the individual soldiers and sailors that made them happen. The score is impressive, if a bit too much by today's standards. I read somewhere that Robert Russell Bennett contributed just as much as Richard Rodgers to final score. I imagine that Rodgers provided all the major themes, and it was up to Bennett to fit them to the images. Great job!
Should be seen by every ruler, or potential ruler. A warning to tyrants that wars are eventually won by ideals, determination, and the supplies to back them up. Logistics: their quality and delivery will determine the eventual victors. The Allies outproduced and surpassed the material quality of the Axis, attacked their very source in the process, and insured their eventual defeat.
Sorry to see that the producer, Henry Salomon, lived a very short life. IMDb's facts were rather skimpy, I have to find out more about him. He did a few more outstanding documentaries before his early death. Might have more to say at a later time
Trivia: I had all 3 LP records made of the background music, pretty good overall. Unfortunately, the producers decided to add sound effects to the last one, relegating immediately to just novelty status, rather than for serious music listening. Too bad too, because it contained some interesting but more minor themes in the series. Silly stuff like 16 inch guns firing, torpedoes being fired, bulldozers, planes...just for kids mainly.
RSGRE


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It's nice to see a romantic comedy that does not have the prissy man lead, this has solid acting from both male leads and also from the female lead and although the story is a little long and a little cliché you cant help but like it.
I think the story was a little rushed at the end, but extending that would have made the story even longer. Superior to other romantic comedies such as 100 days with Mr arrogant, and possibly tied with my tutor friend.
It would make an interesting introduction to Korean cinema, not as great as My sassy girl, but still good.


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I watched this because a friend told me it was damn good, and I watched a video on it, so I was really into watching it. I watched it, and, damn, the fighting scenes are REALLY good. If the guys can't fight like that in real life, they sure fooled me. There isn't as much fighting as I would like, I have to say, but the fights that are in the movie are pretty spectacular. They don't show much, but you can tell it's violent and cool. But there's also the plot, that goes around a love triangle between the main characters, though it's a bit twisted. Tae-sung is a carefree guy who seems to love getting into trouble, as well as fights. He's the leader of his school, and is the rival of Hea-won, who's the leader of his own school - a bit of a playboy, hot-headed and a rich boy. Then there's Han-kyung, a girl with not a lot going for her - her father just passed away and she moved back with her mother, the guy she liked is dating her old friend -, and then she meets Hea-won, who goes to her school, and Tae-sung, who calls her "nuna" (older sister). Eventually, she discovers Tae-sung is her brother, fruit of one of her father's affair, and he loves her despite of their blood relation. Meanwhile, Hea-won falls for her, and takes her as his boyfriend. But she is torn between her boyfriend and her little brother, who confesses her love to her. Overall, it's a wonderful movie, but if I was really depressed after the end, and I just couldn't help but think, Damn, are all Korean movie I watch about fighting/death/depressing stuff/incest?? 'Cause that sure was the case with Old Boy, and Temptation of Wolves. It's a very good movie, but people have to be ready to cry at the end.


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Let's face it.
This movie is incredibly cliché, as Korean romance dramas and movies go. First of all, there's a pair of long-lost siblings, one of which falls in love with the other. Second, there's a not-so-popular girl and two gorgeous, popular guys who fall for and fight over her. Third, one of the characters suffers from a tragic disease, which, eventually, takes his life.
Still, I like this movie.
Without the right actors, this movie would probably have disappointed fans of the novel. But because the actors fit the roles perfectly, the movie is engrossing--I honestly couldn't stop watching. Kang Dong Won, despite his pretty face, gives an awesome, heartrending performance, not to mention Lee Chung Ah and Jo Han Sun, plus all the supporting actors.
I'd definitely recommend this movie to everyone.


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I was geared up to not like this movie, and the first 10 minutes or so did nothing to allay my fears. It starts off with 2 high school gangs squaring off against each other with bad kung-fu. A scenario found in countless other Korean films. Ho-hum. Add the fact that the story was written by the same guy who wrote "He Was Cool" (which was barely passable) and, well, I thought I was in for a nondescript 2 hours.
But don't give up so quickly! "A Romance of Their Own" was directed by Tae-gyun Kim, who also did "Volcano High" (which I thought was loads of fun). Anyway, "Romance of Their Own" soon takes a turn much for the better. A high school girl, just having moved to Seoul, finds herself in the middle of attention from two prospective suitors. Each guy has his own merit, and it is not clear which one (if either) would be the right pick.
What follows is not your usual teen love triangle. The emotions are complex, and while you may not agree with certain choices or actions as the film develops, you can certainly understand why the characters make them.
The movie asks questions of the characters and the audience. Who does one choose? At what point is one obligated to even make a choice (and is it unfair to one if it seems he is being strung along)? After you (or your heart) has made a choice, how do you react (and how *should* you react) when new information comes up that sheds new light on the situation? There is one scene, near the end, that is very subtle but perfectly captures what I think would be a real-life reaction instead of over-the-top "movie reaction." The subtlety is in a character in the background of the scene. Recent events and revelations have left him confused and emotionally overwhelmed. Basically, he doesn't know what to make of things. Instead of having him "act out" something, or look all gape-mouthed dumbstruck, he just stares off at some fixed point unable to react or say anything at all. It's like someone just pulled the plug on him. His reaction rang true to me and I appreciated the scene.
Like most Korean films, there is a mix of action, bravado, slapstick, and melodrama. Korean films often take abrupt turns (see, "Sex Is Zero" for a great example), which can be quite a shock for the uninitiated. Go ahead and initiate yourself with this one. Like it, love it, or hate it, I think most viewers will be able to relate to and appreciate the characters' actions and reactions.


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I really liked this movie. One thing I have noticed is that Korean TV drama's are way better, as far as giving you the whole story. I watch movies when I do not have the time or feel like going through 16-30 episodes. Movies are seem to be rushed and if you do not watch carefully, you may miss something.
I do feel this one was rushed and I had to rewind a few parts to try and find what I missed, especially towards at the end. If you like nice love stories, I still think this is cute, and if yo have the extra time, I still think this is worth watching.
It is always nice to go back follow the actors in different movies as we do not get to follow them from when they begin, as we do the actors producers and directors in our own countries.


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This movie was made only 48 years after the end of the Civil War--most likely in anticipation of the 50th anniversary of the end of the war. In the film there are recreations of battles and the people of the era that look rather impressive and realistic. It also provides a different and more balanced view than just its contemporary, BIRTH OF A NATION--a patently absurd and racist film. Because of this, this short film would be excellent for use in the classroom to discuss the war and tell the story of a very young man that runs away to enlist as a drummer. The boy makes good and is a hero, though the film ends rather melodramatically--a definite convention of the day. Not a great film, but a decent plot, decent acting and little of the over-the-top acting you often saw in other films of the day.
One annoying aspect of this film was the too frequent use of title cards to describe or set the stage for stuff that was really obvious. It got annoying from time to time.


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Kahin Pyaar Na Ho Jaaye is a great family movie. Salman Khan is looking handsome and great than ever! There's even a scene where he takes off his shirt! What a surprise!!! Rani Mukherjee is great too. Pooja Batra had very few lines to say but I'm glad she has been acknowledged for her role because she definitely has potential.
It's about Prem (Salman Khan) and he is a wedding singer. He is about to marry Nisha (Raveena Tandon) but gets stood up. Prem goes to Nisha's house and asks her why he was ditched and it's because her brother is ill and she needs to marry an NRI, Rahul (Inder Kumar), to get the money to get him treated. Prem moves on and in comes Priya (Rani Mukherjee). Prem falls in
love with Priya but it's a shame she's about to get married to an NRI! Who could this NRI be?! Priya falls in love with Prem too while Rahul is there with her. Prem gives Priya an insulting comment one day and she goes off and sets off to Agra for the wedding with Rahul. Will Prem stop her? Watch KPNHJ to find out!
The film was very funny! The songs were great especially the song "O Priya O Priya" It's a shame the film flopped in India and I don't know why?! Every film in India is going flop nowadays!! This film deserved to be a hit. The only problem I found with the film is that they had an obsession about NRI's! They think ALL NRI's are rich! The film deserves a 9/10!


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Having seen other Bollywood flicks with Salman Khan in them, I can say this is my favorite of the more recent ones. The songs are all quite fun, especially 'O Priya O Priya' which seems to have a nice mix of Beatles, Indian music and (dare I say this) a bit of Prince. The love stories are a bit more believable than, say, Chal Mere Bhai. The occasional focus on Prem's use of alcohol is at times troubling as it doesn't really seem to make sense to me, but it's played well by Khan--although his voice does become squeaky when he's portraying drunkenness.


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A delightful story about two evacuees, has been turned into a nice little film, by the BBC. Most children who like a good story will enjoy this. The characters are played really well by a very good cast. Not sure whether our American friends will appreciate it, but they do get a mention, as Aunty Lou runs off with a gorgeous American soldier.


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I saw this episode of Masterpiece Theatre and immediately came to IMDb to look it up. I was greeted by a comment from another user, who believed that it was nothing special, a 6 out of 10, and underwhelming. I would feel morally remiss if I didn't disagree.
Now, I am an avid fan of Masterpiece Theatre, but oftentimes the stories can be a bit silly on television, for example, "He Knew He Was Right" was absolutely horrendous. "Carrie's War," however, is probably the best I've seen so far. The entire cast does an excellent job, and it held my interest more than any other piece I've seen recently. The character Mr. Evans is of particular interest, and through subtle images of, for example, an untouched birthday cake or a garnet ring, my opinion of him went from bad to truly good. Truly. His ultimate demise, and the story of how everyone around him left him a cold hard man, is what brought out the bittersweet in this story for me.
The end is gratifying in every sense but one; that everyone did not get what they deserved, but overall things worked out. I absolutely recommend this to everyone.


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Humphrey Bogart in his first starring role looks very young, acts well, but has a pronounced lisp only hinted at later in his career. Still, he's very good and very appealing as the idealistic young inventor of a new airplane motor.
Dorothy Mackaill is the real star here, playing a once-rich woman who's torn between her real love for Bogart (he's broke too) and the comfort and security of marrying an older man (Hale Hamilton).
Along for the ride are Astrid Allwyn as Bogart's trampy sister, Bradley Page as her would-be producer, Barbara Leonard as the cosmetologist, Jack Kennedy as Gilligan, and Halliwell Hobbes as the faithful (and wise) butler).
Both Mackaill (whi had been a star in silent films) and Bogart were trying to gain a toehold in talkies in 1932. Bogart was a slow-rising actor from the Broadway stage; Mackaill was slipping and would soon appear in skid-row production like PICTURE BRIDES. Yet they are both very good here. Mackaill wasn't even 30 when she appeared in this film!


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"You were on your way up and you tripped on a skirt !" Gilligan says to Jim Leonard. That sums up the plot of this story of up and coming Leonard (a YOUNG Humphrey Bogart) when his dream gets sidetracked by the bombshell heiress Carol, played by Dorothy Mackaill. Leonard has been working on a new and improved motor, but now his love life and motor company both have their ups and downs in this 68 minute shortie. Bogart hadn't developed the quiet, brooding style yet. Good performances by most of the supporting characters - her butler, his co-workers, a sister, interlopers along the way. Some adult themes, since it was done just before they really enforced the film code, but it's still tame compared to what is on TV today. Directed by Thornton Freeland, a year before Freeland directed the incredible "Flying Down to Rio".


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Christopher Nolan's first feature film wowed critics who saw it when it first came out. Shot on a micro budget of $6,000 this is a student film with real class. The film is shot in black and white, and features people who you assume are friends of Nolan's appearing in the movie. This is not to say they are bad actors because they are quite good. You could see Jeremy Theobald and Alex Haw appearing in other projects but unfortunately they haven't since this was made 6 years ago.
Nolan's thriller, much like Memento, does not play chronologically, it shifts the scenes around much like Pulp Fiction. The writing is fantastic. It is a great twisting thriller but because the temporal order of the film is shifted around it makes it even more interesting. I thought the last ten minutes in particular when everything starts to become clear were excellent.
For a film of such a small budget and with no recognizable names at all, this is so good. It is superior to most that Hollywood studios offer and Nolan after three films (this, the superior Memento and the not quite as good but still excellent Insomnia) has cemented himself as the most exciting new talent of recent times. I can't wait for Batman.
This film is short and sweet and certainly a great watch. It is very professional and the twists are fantastic and completely surprising. I also thought that the score from David Julyan was also excellent, very atmospheric and had a chilly quality to it. He has gone on to compose Nolan's other films.
Overall I would recommend this, I intend to get all of Nolan's films. This is a low budget gem. *****



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Christopher Nolan's first directorial effort, a year before he did "Memento," and this is almost as brilliant as that classic. He uses time differentials in a similar manner to tell his story, and it's a very clever one.
Bill is this young writer who begins following complete strangers around just to see where they live and what they're all about. One day, he follows this man, Cobb, who turns the tables and confronts Bill, who breaks down and confesses what he's up to.
Cobb is a burglar and he takes Bill along on a few jobs to teach him the ropes. Both men are voyeurs of a sort and a bond begins to grow between the two of them.
But there's an ulterior motive for Cobb nurturing this relationship, and it all ties in very smartly at the end. No, I won't spoil it but this is a very cool movie and I'm beginning to think Christopher Nolan is a genius.
If you like suspense films with surprise endings, this one is a must see.


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The debut that plucked from obscurity one of the brighter stars of contemporary noir is an assured, if limited, stab at the con game and obsession. Filmed for zero money, Nolan couldn't have chosen a better subject than the drab and seamy underside of London to ply his trade, given the lack of funds. This short (67 min) is at its best in playing with the audience's and protagonist's expectations about who is scamming whom, though the initial set-up does ring some alarm bells in the credibility dept. The muddy cinematography (he often used natural lighting due to budget) can be mostly chalked up to noir stylization, though the limitations do show at times.
One can easily see Nolan's style developing in this fledgling effort; many of the same themes of blurred identity and expectation smashing recur in MEMENTO and INSOMNIA. Not a masterpiece but good and certainly worth a look for modern noir and Nolan fans.


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I just finished watching Following and I thought it was great. I rated it 8 out of 10. I plan on watching it again with the director's commentary and then again in chronological order.
I rented this movie because of my fascination of Christopher Nolan's more recent movie Memento. Following has some similarities; this movie was probably the blueprint for Memento. Even the music in some parts is very similar.
Shooting the movie in black and white gives it a mysterious feel. The story and dialogue is really good. The performance of the actors is believable.
Christopher Nolan made this movie on a really low budget. I look forward to his next release Insomnia, a big budget movie with my favourite actor Al Pacino.


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Great film. No gratuitous gimmicks like in most Hollywood films. Everything supported the suspense of the plot. B&w gave it a basic, no-frills feel also. In short, it was visceral in its simplicity of cinematography and cast.
Following serves as an interesting contrast to Memento. Characters in both used manipulation and subterfuge extensively. In that sense, both reminded me somewhat of "In the Company of Men," also highly recommendable. One difference between Nolan's two films is that Memento was a little easier for me to follow, given that the b&w scenes progress in a constant chronological direction, and so do those in color. I don't think that was true of Following, where scenes seemed to be shown at random. If you have the choice between VCR and DVD, I'd highly recommend DVD, since that gives you the option of watching the movie a second time in chronological order, not just in the scrambled (albeit ingenuous) order presented by Nolan. It also makes it easier, upon a second viewing, to piece the order together for yourself, if you want to.
As another viewer noted, one of the best things about both this movie and Memento is that none of the cast were famous. They were characters, not big-name actors who brought in personas developed in other movies.
Given certain similarities in the plots, I wonder if Memento is sort of a remake of Following, but intended to reach a bigger audience, like Edward Burns made She's the One in the mold of -- and with largely the same cast as -- The Brothers McMullan.


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Just watched this on DVD three times - Once the 'normal' way, once with the scenes in consecutive order (in this doozy of a film noir, the beginning, middle and end of the story intertwine), and once with the director's commentary running. Quite amazing. A bare-bones tale, told with more flair, energy and substance than most big-budget overblown features being released today.
I think this is an even more accomplished film than the subsequent Memento, which turned me on to Nolan in the first place. Can't wait to see what he does with a bigger budget (and bigger box-office stars) in his next film, Insomnia.


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Bill, Jeremy Theobald, is an inspiring writer who hasn't gotten anything published as of yet. Bill also has an odd and strange habit, he likes to follow people.
Bill picks out some stranger in the streets diner or on the subway, metro, and follows them as if he were their shadow. Maybe Bill does this to help him in inspiring himself to write the great novel that he's been dreaming about or get an article of his get printed in a major magazine? Maybe it's because it fills Bill's lonely life with a purpose and even makes the person of his curiosity a face in the crowd with meaning and substance by his paying attention to him or her? Or maybe it gives Bill someone to look after and care about and be responsible for besides himself? Bill has a simple rule that he follows religiously when he follows someone : after you follow him or her to their home or place of work you stop.
One day Bill follows Cobb, Alex Haw, home and instead of following his rule of stopping he still keeps following Cobb. Bill will soon realize how right he was with that rule he set for himself in following people and at the same time how wrong he was by breaking it.
Amazingly good low-budget movie made by Christopher Noland in 1998 before he hit it big in Hollywood with his ground-breaking and original motion picture classic "Momento" some two years later that has already become a major cult movie.
"Following" is actually a much better movie then "Momento" because it's a conventional and easy to follow story. Compared to "Momento's" which was at first confusing and then when you realize what the movie is telling you in it's backward storyline very complicated. Whats makes "Following" so much better is just by it being simple but at the same time brainy in it's affect on those who watch it. The movie is far more direct as well as devastating and you don't have to see it over and over to get just what it was trying to tell them like "Momento" did. "Following" is a story within a story within a story with one of the most surprising as well as simply manipulated ending, if you watch the movie again and notice the clues, that you'll ever see.
Made with an unbelievably small budget of $6,000.00, thats less then what most Hollywood movies budgets out for coffee-breaks, with a no-name cast in black and white and just over one hour, 71 minutes, long. Hollywood as well as the motion picture industry outside of Hollywood can learn a lot from Chris Noland in how someone with nothing more then talent and imagination can achieve what millions of dollars in most cases can't; make an intelligent and at the same time penetrating film with next to nothing in money and no big name stars.


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Even with only 6,000 bucks and a cast of part-time actors, Christopher Nolan was a master. Nolan is in my opinion, the next great and our first taste of Nolan doesn't contradict that.
None of the problems that constantly plaque and discredit the low budget independent picture haunt Nolan and crew. Our actors are inexperienced and young but they deliver and engage us in this story. In all honesty I think Following is Nolan's best screenplay because it is the one he had the most control over. It's a beautifully imagined film. It takes us into a world where we don't feel limited by the constraints of budget. The dialogue and atmosphere is bold and intelligent.
Nolan's trademark method of telling the story out of continuity is applied for the first time here and here it is done in a way that throws the story full out at you. With Memento and The Prestige you have to think a bit to truly get a complete grasp on the genius but Nolan doesn't try to confuse people with his prototype film. We can distinguish time by the appearance of our protagonist. This method of telling a story is both creative and engaging. I am Glad that Nolan has had so much success with it because his films become more than what they could be with this method. The pay offs in the Prestige and Memento would not have been thrilling at all if the movie was told in a conventional format. This idea has been done with moderate success before but Nolan has truly made it his own.
The script here is Nolan's finest. I had some doubts about his writing abilities, I all ways imagined that his brother Jonathon was the writing talent but he proves me wrong with Following. It is a thought provoking story which makes interesting observations of people and how they function. Cobb's assessments about burglarizing and how it can lead you to discover what makes people tick actually sounds plausible.
My only real complaint is the camera work gets shaky at times but it doesn't take away anything from the story or the acting.
Following is the first film of the man who will personify 21st century film-making at it's finest.


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Christopher Nolan's directorial debut is a memorable one. The film was very well received and help land contracts for making 'Memento' and quite rightfully so.
Following is an exquisite example of how films should be made. No fancy effects or blood-dripping gore...just brilliant writing and good acting. Nolan manages to captivate us once again with his writing. The actors, all unknowns to me and I suppose most people, did a good job bringing the characters to live. They were all believable and that's all they need to be. The film is confusing because it plays with chronology a lot but it's very rewarding in the end. The film's a little short to be a full-length feature but any additional length would've ruined the style of the movie and the brilliance of the writing would've been diminished. Though short, the film has every aspect that makes a film attractive (IMO): an intriguing beginning, an exciting middle and a surprising end.
I dare say Following is almost as good as Memento, his best film by far. The scrambled chronology is equally masterful used in both films, the amazing plot twists are present and the acting is very good.
This film was made with a mere $6000 but the quality is much higher than most( almost all) million dollar box-office hits. The use of b&w may be a hard pill to swallow for the big audience, following is primarily Nolan showing off his skills to the studio bosses :-). And what skills they are...rarely have I enjoyed writing so much as in 'Following'. Even Pi doesn't even come close IMO, though it's also very good.
This is a film surely not to be missed by any self-respecting movie-lover. If you liked Memento, 'Following' is definitely for you.


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It is an interesting exercise to witness the early works of great artists. Sometimes, even without the 20/20 vision that hindsight offers you can see the cogs and wheels that make these people what they are. Following is one such look into the past of Christopher Nolan, one of the great time-warping story-teller of today.
Christopher Nolan's style of film-making puts a great deal of emphasis on the delivery of the story. Although people might complain it relies too much on the back-and-forth shifting of time, I still find it fascinating to see how he uses that one technique differently each time. Memento was probably the most convoluted piece of story-telling I have ever seen. Discount the hardened cynics who say it is an old piece of meat wrapped in fancy dressing. Memento shows how even the simplest of stories can be turned into a mind-bender. The Prestige, which was considerably stripped down in comparison, still showed creativity in how its three stories were interwoven. Even in a jaded enterprise like the Batman series did Christopher Nolan sprinkle some of his outstanding yarn-weaving tricks, breathing new life into the dark knight.
Following is an intense tale of intrigue and mystery, where we see a dilettante writer, who becomes a reluctant voyeur, who becomes an unknowing accomplice to a variety of petty crimes, and finally sees an end no one could have expected. Having never heard of Following before, I had no idea what I was to expect. At every point the film kept me guessing as to where it was leading me. Since the mystery angle was clear, I was constantly trying to figure out what was going to happen next. And that is where I think the film succeeds so well. The film has many elements that led me off on many wild goose chases.
The film is entirely in black and white and told in multiple timelines, both of which are considered gimmicky these days. Following does all of this in the least formulaic or contrived way possible. There doesn't seem to be a reason why the story is told in the way it is, but you don't feel like you are being taken for a ride. The lack of pretension or self-aware arrogance is what makes this style of story-telling work. Highly recommended!


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This two-character drama is extremely well-acted and has a valid message and some TRULY shocking moments (shocking not because they are graphic, but because you're not prepared for them when they come). But eventually it does become oppressive, just like the somewhat similar "A Pure Formality" did. Still, Alan Rickman should have gotten an Oscar nomination for his multi-dimensional performance, no doubt about it. (**1/2)


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Even the trailer for this movie makes me cry, like the first time I saw this movie. Not for people who are easily upset by intense material! The finest performances by Alan Rickman and Madelaine Stowe, without a doubt. This dreadful tale of a society with the power to kidnap and torture it's citizens for ANY reason, whether they are anarchist's or the writer of children's books will chill you to the bone. I saw it when it first came out 1991 and I remember every frame. It still scares the hell out me today. It's happening now.
Apparently, IMDb requires ten lines to meet their criteria for a film review. IMDb might want to GET A GRIP! Some of us are a little more succinct about writing opinions.


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I am profoundly grateful to have seen this movie. The acting is astonishing, the movie itself is powerful and clear, and the issues involved are handled with subtlety and depth.
This is an important movie. It could be profoundly transformative.
I would pay good money never, ever to see it again. Because it *is* so good and so complex, it is extremely difficult to watch. I admit that my taste in movies tends strongly toward light entertainment; the visual medium can be so powerful that I tend to avoid it for anything really important. Those of you with greater fortitude than I have may find it easier to handle.
But I strongly encourage people to see it at least once. Preferably with others, so you can talk to each other, and have someone around to remind you that there's more to the world than the movie.


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I really love this movie. It has a very real feel to it. I believe it was never popular because of the subject matter, however, because of the subject matter, it makes the movie all that much more important.
This is an "A" movie and I recommend it highly. If you liked "1984" book or movie, I think you will like this one as well.
This is harsh, to say the least, including mental and physical acts of torture, some pretty vile. Not for the week at heart or stomach. No gore, but his movie is so great at projecting the mental anticipation it doesn't need blood and guts.
If you are not a realist or a pestimistic person I don't think you will enjoy it. It leaves you with an uneasy feeling about humans, what they're capable of, and the very real possibility that our government(s)does not necessarily have our personal best interest in it's heart.


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This movie took me by surprise. I first saw it more than 10 years ago, and it stays with me still. It's got it's just plain boring points, and I, personally, would have ended it differently- this has not in the least bit discouraged me from watching it over and over and recommending it to others. The acting is _fantastic_. The cast and director do an amazing job with the script, and anyone who likes 'different' movies, who has the patience to sit and say, "What the hell is this?", and allow themselves to be drawn in should give this film a chance. If you just want Alan Rickman to be goofy or to see things explode this is not the movie for you.


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What would it be like to be accused of being a subversive? This is what this film explores through the eyes of 2 characters, one being the accused subversive, the other being the interrogator. It is a frightening journey from the beginning to the end. This film is not for everybody and if you do not understand political governments thoroughly, you will never get the point of this film, as proved by 90% of the reviews here.


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Rarely does a film capture such intense drama and emotion. What makes this film so unsettling is that the drama feels so real, it's almost hard to remember that it's only a movie. This is by far Madeline Stowe and Alan Rickman's performance of their careers. The film almost feels like a theatrical production the way it is staged and lit. The only bad thing about this movie is that it's very difficult to get a copy of it. I have yet to see it other than on Laserdisc. This truly powerful film deserves a digitally remastered transfer and special edition treatment on DVD. It really is that good.


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Ms. Stowe is sensational in this power drama about a secret policeman who interrogates a children's author because he believes she is trying to plant ideas in her writings that are contrary to the state's. This is an incredibly powerful film. Both performances are worthy of more recognition as is the message of this movie. Put this on your must see list if you can locate it.


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This is an amazing movie and is very clever at using the few actors and sets. It is also very shocking - the physical and psychological torture (both explicit and implied) is mixed with calm and even humourous stretches. So the horror is always unexpected, and brutal. I'm not soft, but this would have to be the most shocking film I have ever seen. The message of this film is definitely delivered with a sledgehammer. This is the film I will always remember both actors for.


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The good news: the director is reportedly committed to the cause of Amnesty International and eager to deliver a solid message about the freedom of expression and the evil of oppression. The plot is distinctly original and the actors are two of my absolute favourites. The not-so-good news: 'original' is not everybody's buzzword when visiting the movies or video stores. Also, noted critics like Mr Maltin and Roger Ebert have dismissed the film as a genuinely failed attempt to convert a play from stage into cinematic form. If I remember correctly, the title is taken from the fairy tale Stowe's character has written and which has made her a possible subversive and suspect person in the fictitious place where the story takes place. Her dreams are dangerous to the government, represented here by Rickman as the intense, manipulative interrogator. Since those two people are virtually the only ones appearing in the film altogether, the director is in for a real challenge in keeping the viewer's attention. In the end, I found the whole thing fascinating. Not flawless and definitely not for everyone, but rewarding. It's nowhere near a masterpiece like Kieslowski's 'A short film about killing' or as explanatory as 'Dead man walking'. But if you're into those films or any of Costa-Gavras political thrillers, you may appreciate this one as well. Just don't expect any overexplicit sermons or eyefilling action sequences.


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This little two-person movie is actually much bigger than it looks. It has so many layers. I've watched it over and over, and always pick up on something new. I am amazed at the depth of the acting, and I feel if this movie had gotten wider release that there would be no question that Alan Rickman is a major star


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The film deals with universal themes, mentioning no specific country as its context: it could happen anywhere--and has, in substance if not form. Those concerned about 1st amendment issues, censorship, et al--but don't want to be bored with lectures--need art such as this to illustrate, dramatize, teach, inspire.
Rickman is certainly an under appreciated character actor; he shines in this film, showing off multiple acting talents that you must see (I have yet to see him give a bad performance, though, even in not-so-great films). Stowe gives perhaps her best performance (and proves that she possesses one of the most striking pair of eyes in Hollywood)--in two words: stunning, convincing.
The set design perfectly matches the situation, in function and mood. The sound editing heightens to appropriate effect. The total contrast conveyed through the animation sequences is a perfect symbolic device-and the welcome and only respite to the bulk of the story's necessary venue. The script is tight and essential, with engagingly dramatic-yet realistic-dialogue (i.e., as it might be and ought to be). Perhaps the most amazing aspect to contend with is the fact that 1) this is the director's first time out; and 2) he is the writer. In one phrase: a tour de force--with three recommendations: see it, own a copy, see it repeatedly to fathom all its secrets and grasp all it genius.


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This is the most difficult movie I have ever seen...the emotional content is horrific, yet unforgetable. A woman who is accused of being a political activist is brought in for questioning. The whole movie revolves around her interrogation. Alan Rickman and Madeline Stowe have intense and powerful roles for which they deserve Oscars for their performances.


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I caught this movie late one night and never knew what hit me. This was one of the most disturbing movies I have ever seen, yet had me on the edge of my seat waiting to see what would happen next. Alan Rickman is an excellent "bad guy" but this character beats all others. I've never been so affected by a movie! It's been 6 years and I still can't forget "Closet Land."


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