empathielabs/imbd_dataset_v0 huggingface dataset:
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***Minor Plot Spoilers***
I must confess to having a soft spot for Wayne Crawford. I know little about him, but he appears to have masses of enthusiasm to compensate for his lack of talent. In his films he usually performs multi-tasks - perm any 3 from lead male, director, producer and script-writer - tackling story lines from the sub-basement. Despite this the end product is usually enjoyable fun for the non-discerning.
'The Evil Below' features Crawford as a down-on-his-luck Captain of a ramshackle charter boat, a bit like Bogart in 'To Have & Have Not' - the similarities between the films ends here though.
The story begins with an underwater scene with two divers searching a wreck, before being attacked by an unseen creature - bit like the start of 'Jaws 2'. The wreck turns out to be that of the 'El Diablo', which went down centuries earlier. The ship was manned by heretic priests on the run from Spain, with a cargo of stolen Church treasure. This allows the introduction of various links to supernatural forces with Lucifer and The Armageddon both getting a look in. The films title refers to this sunken Devil-ship, rather than any malevolent sea-creature.
Whatever faults the film has (and there are many) it is fun to watch and competently made. You can't help but like a film which, in the final 5 minutes, copies the famous beach scene in 'From Here to Eternity' and the final line from 'Casablanca'.


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This movie was a total yawnfest that took forever to get going, but never really did. It was simply boring to watch, so much in fact I could just never really get into it. This movie is not a horror movie by an stretch of the imagination, the cover of the videotape made it out to be one. Instead it is a thriller type movie with a few elements of horror thrown in as to make the movie more interesting. Of course, it does not help this movie at all. Mostly all I remember is that this movie was kind of like a movie from the 1970's called "The Deep". Bunch of looking for treasure, rival groups that sort of thing. There are supernatural twists in it too, but to tell you the truth I was so bored when watching this movie that I kind of zoned out so I can not really tell you what the supernatural elements were. I kind of remember footprints on the bottom of the sea so maybe it was some sort of walking dead, or that may be me thinking of Lucio Fulcio's "Zombie" movie instead as that one was a horror movie that was set in a tropical island and as outlandish as that one was it was a lot more entertaining than this movie. That day we learned a valuable lesson, never rent a movie based on its cover art.


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In this Silly Symphony, a mouse from the country visits his cousin in the city. Most of the short is the two mice exploring the dinner table. The animation is fine, where this short suffers is in a lack of humor. Perhaps I've just seen this "dinner table adventure" in one too many Tom and Jerry shorts. Even though this came first, I just didn't find it that enjoyable.


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Very dull, laborious adaptation of Amis's amusing satire. The hero is portrayed not as a likeable loser but a merely oafish cretin. Most of the rest are pure caricatures with only Helen McCrory putting in real quality and providing something of the novel's wit. The period setting is camped up as if it were the 1920s, not the post-war period of horror comics and rock'n' roll. A real dud even by the standards of bad UK TV.



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On the plus side this does contain interesting information over a wide range of topics, particularly concerned with Himmler, the SS and their research branch. It also has some good piano music, some interesting footage and some excellent camera work.
However it is a very poor piece of historical work. It has no clear aim to it and the entire thing could be summed up as follows.
Himmler set up a department in the SS for research into the origins of the German race. They went all over the world. They did some things and launched expeditions to all manner of places... (nonoe of these avenues were explored, the results were not shown and the arguments were barely refuted). They wanted to establish that the Aryan race and the German people were one and the same thing through historical proof. They didn't find any. The members of this research group were leading professors, members of the SS and therefore linked to the holocaust, and were seen as OK after the war and went on to lead German institutes.
These facts in themselves are fascinating but they are never explored in depth and no coherent argument is presented in the program that either condemns these people or exonerates them. Nor does this seem to be the aim of the programme, the aim of the program is unclear, it hops from topic to topic. The witnesses, though presented as credible, are few and unsupported.
Sadly this programme does not know where it is going or why and fails to impress. The topics are fascinating but this program tries to take on a huge area of research and consequently appears to not know what is going on. I would avoid this.
Also the 'Holy Grail'is the German bloodline, nothing to do with the Holy Grail of Christian mythology except in passing. Mentions of expeditions to look for the Christian Holy grail are made but never followed through. The title is misleading and the content of this documentary unconvincing and incomplete.


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The good news for IMDb is that this movie was so very bad that it compelled me to register and make a comment. I should add here that I'm a film buff who rarely passes harsh judgment. But sometimes a movie is so poorly acted, poorly conceived, poorly edited, with a such a poor story line that it begs criticism.
I'm surprised by all the claims of how superb, brilliant, dark, and beautifully shot this movie was. I can only conclude that the cast and crew are active posters here. The acting was extremely thin. The pace of the movie was agonizing. I gave it new chances at every turn (mostly because I didn't want to feel like I was wasting a Saturday morning in NY), but with every new scene, it dragged longer, delivering characters in which I took no interest, with which I could not connect, for whom I could not empathize.
When I see negative reviews on IMDb of small independent films like this, I sometimes wonder if the poster has a personal axe to grind (something like. . he used to date the gaffer, she dumped him, and now he's going to trash everything she ever works on). But here, nope. I know no one who worked on this film. And I wish it would have been great. But the film wasn't dark (as some have mentioned) or depressing (as others have claimed). . . those suggest that I connected with the film . . . nope, Henry May Long was just too long, empty, and tedious.
That's the Tomas Take on this one.


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This film with fine production values features secrets and how friends use each other. Henry May Long is a very well-acted, dimly lit, depressing turn-of-the-century period piece about a friendship between a fatally ill man and a melancholy, indebted junkie. Talky drawing room dramas are not my cup of tea, and all the crying wears thin. Recommended if you like independent, slyly intellectual, slow-paced Merchant Ivory-type features.
I suspected that the main characters were in love, but their connection was so intimated, it didn't really have the emotional impact of 'Brokeback Mountain.' It features some good writing with a scene discussing how to disappear in life, but it is truly a dark and depressing film.


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I watched 40 minutes and couldn't bear it any longer  the television went off and I returned to some light reading "Lobotomy for Beginners".
It was hard to say what aspect of this production was most displeasing - dialogue made up entirely of sound-bytes or the acting by numbers.
It was difficult to determine the period in which the drama was supposed to take place. There were throw-away references to Lord Nelson and slavery but Edmund, the cleric-to-be, played by Blake Ritson was the only actor who one could believe inhabited the early 19th century. The other bright-young things had make-up and costumes more appropriate to a 21st century fancy dress party - the bleached-blonde Fanny, Billie Piper being the least credible character.
UK commercial television obviously believes heaving bosoms, pouting lips and deep meaningful looks make a good story. Fortunately Jane Austen had other ideas.
If you want to find out the story of Mansfield Park, buy the 1983 mini-series DVD.


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I doubt whoever wrote this screenplay has ever actually read Mansfield Park...or if they have it was not very well. None of the characters are what they should be: Fanny is lively and conscious of her mistreatment, while Sir Thomas, who treated her very well, seems to have accidentally fallen into Aunt Norris' personality. Additionally, a first person narrative by Fanny is highly inappropriate to both the story and her character. Fanny is not an entertaining heroine, and I would contend that she is not meant to be. Additionally, in the movie version, Fanny flirts shamelessly with Edmund from the very beginning, when they have been raised as brother and sister! Austen's Fanny would have shrank from flirtation of any sort, and the novel paints the Fanny/Edmund pairing as highly uncomfortable...as it should be. Unlike some other Jane Austen novels (P&P, Emma), Mansfield Park does not rest on the strength of its female protagonist. It is a very different sort of novel than the others; it is not meant to be a love story. I watched this movie because I have just now finished reading Mansfield Park, and I am absolutely horrified by what I see; Miss Austen is rolling in her grave.


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Well, this latest version of Mansfield Park seemed to try and take the edginess of the 1999 theatrical version (outright copied some of the ideas from it in fact), but tone things down a bit to bring it more in line with the original story. Unfortunately, the result is a rather lackluster, and schizophrenic, production. And, as with all the other versions of Mansfield Park out there, the character of Fanny Price is no where to be found. Instead there is a strangely child-like, bleached-blond woman running around who never really fully develops as a character. At least in the 1999 movie the character they call "Fanny Price" is firmly established as rebellious tomboy who is too clever for her own good. This "Fanny Price" is a complete enigma. Someday, I would really like to see a dramatization of Mansfield Park that actually includes a depiction of the character of Fanny as she was written by Jane Austen. A sweet, kind, compassionate girl with a timid personality and frail constitution. She is reserved in manner and painfully honest, but also strong in her convictions, unfailingly loyal, extremely intelligent, and remarkably astute. A bit of a late bloomer, it is not until her eighteenth year that she finally begins to make the transition from awkward adolescent to self-possessed young woman. And she wants nothing more in life than to be of some real use to those she loves most. It's a wonderfully complex character that I look forward to one day seeing faithfully portrayed.


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Oh dear! The BBC is not about to be knocked off its pedestal for absorbing period dramas by this one. I agree this novel of Jane Austens is the difficult to portray particularly to a modern audience, the heroine is hardly a Elizabeth Bennet, even Edmund is not calculated to cause female hearts to skip a beat. However I must say I was hoping for an improvement on the last and was sadly disappointed. The basic story was preserved, but the dialogue was so altered that all that was Jane Austen's tone, manner, feeling, wit, depth, was diluted if not lost. If some past adaptions may be seen as dated the weakness of this one must be that it is too modern ('his life is one long party'?????) The cast was generally adequate, but I think Billie Piper was the wrong choice, it needed someone more restrained, I gained no impression of hidden depths beneath a submissive exterior, she was more like a frolicking child. I see I must wait for the BBC to weave its magic once again.


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I'm no Jane Austen purist but why make a film like this if you have nothing to say.
Billie Piper was so wrong for the part it is difficult to know where to begin-wrong personality,modern make-up,completely wrong hair (there is no way a young lady of her age would have romped around in public with her hair loose and unbrushed like that),she didn't seem particularly meek nor put-upon by the family and I didn't understand why everyone seemed to think of her as particularly saintly or kind.
The picnic(substituted for the ball) was so low-budget it was embarrassing to watch and missing out the Portsmouth section completely destroyed the point of the piece (as well as losing scenes which could have added a gritty counterpoint to that oh-so-claustrophobic pink sitting room.)
To those responsible:-If you haven't the imagination (even the budget doesn't matter so much as the imagination) to do something meaningful with an adaptation please don't pretend to be producing Jane Austen.
It was about 10% Mansfield Park and 90% nothing much at all
PS Edmund was very good


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... when we all know, no one does it like the BBC.
Being an avid fan of this sort of Sunday night watching, i was quite looking forward to this. How disappointed was I! In the first thirty seconds I didn't think it was looking promising and after two minutes i was finding it hard to watch.
However me and my friends persisted only to find bad acting and a complete misunderstanding of half of the characters. The plot was hurried to the extreme and the make up and costumes gaudy and very 21st century in a 'bbc robin hood' style. This modern style may have been able to be placed within sharp camera angles and visually sumptuous cinematography but unfortunately we got neither. The direction felt decidedly sloppy for both acting and shot choice.
After 30 mins we couldn't bare to watch it and went out and rented 'The Prestige'(which is very good btw) Maybe it is unfair that I judge this as I have watched so little of this, but rarely have I felt so compelled to warn people not to watch something! However, me and my friends did think that the house and parasols were pretty- but thats as good as it gets.


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Please...if anybody gets the chance to read this BEFORE watching the movie, if it can be called so, refrain from it... do not waste your time!!!! I too watched this film right after finishing the book, and was seriously disappointed... the main character is basically a new made up Fanny, for she shows NO resemblance whatso ever to the book...she's so lively and laughing all the time... if there was one thing the author wanted to set on this was that she was a very shy, introverted character.... please!!!!! All the most important parts of the story, which are supposed to convey to the heppy ending, are simply not taken into account...and the rest made up!!! I think one is better off using the time to either read a little bit of the actual novel or simply do nothing.


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This was just telecast here in the U.S. Others have commented on the faithfulness (or lack of same) to the novel; the 1983 BBC version is far superior on this and all other counts. Given the scope of the novel, it should not have been condensed to 85 minutes. Key sections have to be rushed or alluded to, or omitted; there barely enough time just to get in the chronology of events, so character development has to be sacrificed: we cannot get much of a sense of who the people are, which robs us of what makes Austen so great.
One major negative for me was the cinematography, which I thought was just awful, and quite literally sickening. The camera is constantly doing ultra-closeups, and swirling around and around in circles. Maybe on a small TV box this is OK, but on our 40" hi-def screen it was so literally dizzying that both my wife and I had to look away from the set repeatedly (my Dramamine supply had run out). Of course, this did distract from the rather lackluster I'm-just-reading-what's-in-the-script acting (isolated scenes are nicely done, but not enough to save things).
Adding up the score so far in the Complete J.A. Sweepstakes: I'd rate "Northanger Abbey" a success, because of superior direction and production values (and the story lends itself better to short treatment), "Persuasion" OK (though not the equal of other versions, with condensation again being at fault), both far ahead of this attempt. I will hope for better in the two remaining novels in this TV Reader's Digest Jane Austen; like others, I am thankful they left P & P alone!


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Why bother, ITV? Admittedly, Mansfield Park is the most difficult of the novels to "get," and Fanny is certainly the hardest to like, but... If one is going to take it on, then have the courage to risk being true to the book and its rather complicated spirit. And for heaven's sake, have the guts to cast Fanny as she was written: A prissy, good-hearted, sweetish, whiner! Mrs. Norris wasn't nearly as awful as she should have been. And what the heck happened to Portsmouth? The contrast between Fanny's rather dubious family and family home and the splendors of Mansfield is key to, well, so many aspects of Fanny's refusal of Henry, her uncle's rejection, Henry's near transformation to a good person, etc., etc. Again, given the complexity and challenges of the novel, why did they bother? It's beyond me...


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Why did they have to make such a dreadful adaptation? The whole "Complete Jane Austin" series as a part of Masterpiece Classics looks like a huge disappointment. Characters are totally miscast and there's no chemistry on the screen. The whole thing feels rather rushed. The 1999 movie release based on the same novel seems like a masterpiece compared to this. I really want to forget it. I'm really happy though that "Pride and Prejudice" won't be re-made as part of this project and we will see the iconic and magnificent Colin Firth and Jennifer Elle as protagonists. if you skipped this "Mansfield Park" production consider yourself lucky!


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I've read plenty of Jane Austen in my time and approve of several cinema/TV adaptations but this one we just don't need.
Rating is a 2 as I wouldn't say it's awful just so boring you will feel like you've wasted 90 minutes of your life. Dull script matched by even duller acting. I've heard Billie Piper is OK in Dr Who (not a fan so can't confirm) but in this she just sucks. There is absolutely no chemistry between the leads. This is Austen, it's supposed to be a romance!
Please don't let this put you off Austen or historical dramas. There are plenty of better programmes to view.


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For a teenager who has never read Austen, this adaptation might be fine. But only for them. This is a disjointed "Cliff Notes" version of Mansfield Park, and if you have not seen another version or read the books parts of it would be head scratching.
Why has it been so hard to do a good adaptation of this book? The one in the 1990s took such liberties that it barely seemed to be the same book - the mindset was completely modern and prurient.
Here we have Billie Piper who looks like a pretty country wench. She has a charming personality that develops nicely - but she has flagrantly died blonde hair, with black eyebrows and - through much of the pic - dark brown roots. So much for unspoiled cousin. It is incredibly distracting, and the rest of the cast is in the greasy hair, rumpled clothing genre that shows a real disrespect for period accuracy.
One thing is good here - Haley Atwell is the best Mary Crawford of all the versions. She is note perfect, flirtatious without being at all modern or suggestive, flippant and completely without any moral or ethical compass. Henry here is actually good looking enough to be a slight temptation for our heroine.
Jemma Redgrave takes one of the most interesting roles in the story and manages to make her actually boring until her last scene - much too sensible. This is just a production that really missed the mark, a real low for Austen fans.
The only serviceable version is the one with odd duck (perfect for the role) Sylvestra La Touzel (despite the very very gay Henry Crawford - he's just laughable).


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Rozema's 1999 adaptation of Mansfield Park is far superior to this ostensibly slightly more faithful film. The 1999 film is reviled by many Austen purists, but I admire the job Rozema did in making Mansfield Park her own. It may not be strictly Jane Austen's Mansfield Park, but at least it was well-written, beautifully shot, and well-acted by a superior cast. I don't see how Austen purists can be any happier with this 2007 version from ITV (and rebroadcast on Masterpiece Theatre/PBS). The screenplay is shoddily pasted together and dumbed down to boot, the production values are lackluster, and the cast (apart from Jemma Redgrave and Blake Ritson) are largely guilty of bad acting. I can't think of a worst miscast than Billie Piper as Fanny Price. Her look was all wrong (bleached hair and dark brows??) and her talent simply wasn't suited to the material. Sir Thomas looked constipated the whole time. Michelle Ryan as Mariah was on autopilot, as were the actors who portrayed the Crawfords (when I think how superior Alessandro Nivola and Embeth Davidtz were in the '99 version, I just kinda shake my head).
I haven't seen the 1983 version, so I can't comment on it, but I'd advise anyone who's curious to give the '99 version a chance. Read the novel before or after and make up your own mind.


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Is it just me or are most of the actors in this adaptation miscast age-wise?
Jemma Redgrave, although a superior actress, seems as if she should be joining her children instead of nodding off on the couch. (I would have loved to see Brenda Blethlyn in the part, her connection to the latest Pride and Prejudice notwithstanding.)
Blake Ritson and Rory Kinnear were the only two whom I felt lived up to their characters in spirit and performance. Every else looked confused or out of place.
Luckily, I'm not very familiar with Dr. Who (I've only seen a few episodes so far) or it would have definitely soured this further.
Too bad Mansfield Park has not yet seen its due on screen (either large or small). This novel requires the talent of a Robert Altman to balance all the complexities of the characters successfully.


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I agree with several of you that this film was rather boring and dull. I found myself disliking the main character and the following actors/actresses that came in the scenes. The camera work was non pleasing itself. Random shots and shaky film scenes made me quite annoyed and I turned the film off. I will make up my time by watching the 1999 adaption and hope that it fits agreeable along with Sense and Sensibility; Emma; Becoming Jane; and Pride and Prejudice. I've only a few others to watch besides these films but I believe they were done in great taste. The music was kind of out of place with the film also, reminding me of another show I had seen this year. It was called Hex and a show from BBC. I came across it one night on the web. I rather liked the first season but the second season was dry and pulling things out of thin air that should of stayed with the clouds. I found the main male character who was Henry in this film out of place. Perhaps I just do not like his way of speaking or his stature. Well I would not recommend this film to anyone unless they were going to have it muted and they wanted to look at the fashion of the era, or the way homes were kept at the time. Again I will watch the 1999 version and hope it is a better and does Jane Austen some justice to her writing.


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I started to take a critical view on this adaptation within the first few minutes but as a dedicated Jane Austen fan I persevered through to the end... However, this is not a programme I would recommend to someone unfamiliar with her work as I don't think it does the book justice, nor makes particularly entertaining television in its own right. There was something about this adaptation that lacked believability - many of the costumes and even the actors did not have an authentic look and I found the acting to be, at times, poor. There is no doubt that the actors were all very good-looking, but this didn't provide enough variety to create really diverse, memorable characters. It was far too static being set entirely in the same location and missing out Fanny's return home, which is one of the most interesting parts of the story. The best actor was Blake Ritson, who captured the wholesomeness of Edmund very well, and the Crawfords were effectively cast too. I do like Billie Piper as an actress, but this role did not suit her and was much better played by Frances O'Connor in the 1999 version who gave overall a far more subtle and convincing performance. Jane Austen adaptations will always provide a love story to leave you feeling good but unfortunately, this is one of the worst I have seen.


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As a fan of nearly any period drama, and at that a huge Jane Austen fan, I was horrified by this adaption. As a fan of the 1999 version of Mansfield Park, I was constantly comparing the two and this fell far short. It felt hugely rushed and very one-dimensional so that it became boring very quickly. There seemed to be no subtly to the relationships, particularly that of Fanny and Edmund, and little atmosphere despite being set in a beautiful location. Despite having looked forward to the Jane Austen season since Christmas I turned this off after an hour and went to bed. I will be interested to watch the adaptations of Persuasion and Northanger Abbey, of which I have no much-loved version, to see if they still manage to bore me in such a manner.


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What a crappy movie! The main character in this movie was supposed to be born and brought up in Canada, yet he had a thicker Indian accent than his parents! Is it just me or does Uday look gay in this movie? Also, do all the chicks in Canada dress like sluts? At least that's how it is in this movie. All the females are dressed like strippers. Don't waste your time with this one! The only good thing about this movie is the setting in beautiful Vancouver. Wonder why Bollywood is going through a slump? It's because of movies like this. I miss the good old' days when Hindi movies were actually entertaining!I couldn't even finish this movie because it was so bad. I think Bollywood needs to stop trying to replicate the style of Hollywood because it's just not working out. They need to stick to their roots because that's what makes Indian movies entertaining.


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this is the worst film i have ever seen and what disappoints me the most is that this is yash raj film so at first when you see the promos you think yes thats definitely another yash raj hit But when you see the film your eyes will water with disappoint the storyline is stupid and dumb we've seen it many times boy is soon to marry and falls in love with a girl blah blah blah. if you do see this pathetic film don't go with you family there is too much exposure and kiss scene. i don even see why you would go to see it on your own. overall this is a disgraceful disgusting and anything else which is bad and starts with a d film don't go to see it you'll end up hating yash ji and yash raj films


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It is definitely not worth spending either money or time. It is the same hackneyed plot of a guy and a girl meeting and falling in love. But this is with a western touch. But it fails miserably in either depicting a love story or giving it the western touch. Never do we feel that the hero and heroin are in love. There is no depth to either of their characters. Probably, with a better cast, some justice could have been brought about to the characters. Finally, it is a movie with no fun, no acting, no theme, no plot, no comedy , no action, no thrill, no romance (i associate romance to something more passionate). Definitely not a movie you would want to go with your family. Overall, if you are looking for a movie with some content, this is definitely not an option. I shall wait for the day when bollywood movies are something that i can wait to watch and i can refer to my friends as a "must watch" movie.


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Yash Raj films are so funny, whatever works they follow it yet they are called the best production house?
Seeing Bhatt films working they copied the formula, bikini and everything plus casting low actors like Uday and Tanishaa
The film is so horrible it makes you cringe
the jokes are so bad and horny it makes you slap them Uday resembles a gay plus a monkey
Tanishaa resembles an idiot
The director thinks we all are idiots Arjun Sablok takes the audience for granted Music is saving grace Camera-work is good
Uday Chopra hams like an idiot, Tanishaa looks like Kajol in K3g if Kajol was annoying der then Tanishaa is worse the rest are okay


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Neal N Nikki is voted on of the Worst films of the year by Planetbollywood. Its hard to believe the famous Chopra's have produced this lousy movie. It was presented as a movie for the family, but turns out to be a ridiculous sex comedy. Nor does it make you laugh, but cry of boredom and nor does it have any sexy girls to make the film look sexy. The title song is the most annoying song of the decade, I'm the Neil, I'm the man, rock star superstar. Uday Chopra is one of Bollywood's worst actors ever with no acting talent. After making many Super Flops, and not receiving any movies from a producer rather then his Family. He gives a total crap performance, that bores you to death. Tanisha, who is and will always be known for being Kajol's sister, gives a dreadful performance. Both actors have the most annoying chemistry, and are very immature for their age. It has a special appearance by the very cute Richa Pollad, in a pathetic role. The ending was so daft and stupid, I cant believe i actually paid money to rent this crap.


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I'd give this film a 1/10. This film is devoid of common cinematic substance and concentrates way too much upon the current "skin trend" in Bollywood movies. I'd definitely not recommend teenagers to watch this movie. What really makes me feel dejected is how could such an impressive banner like Yash Chopra Films ever succumb to such an awful production? They have perhaps forgotten to keep in view that there is a larger audience than "adult" audience too, which when exposed to these sort of gross movies,may wreck their growing mind set and succumb to things devoid of sense and recognition.
On the whole, films must not only be entertaining, but also must comprise of some sense as well. Certainly, this film is an immense disappointment to Yash Chopra fans, especially me myself. I am really disappointed over the plot, acting and everything else. Why can't people put in some substance that can be cherished after confronted with in the films, at least for once throughout the film? The point is clear. I'd like to put my opinion in short: "Horrible - Disappointment - Lot of Adult Material - Lack of sensible "substance" - Lack of normal psyche - Worthless - Could grab a Cornetto or a Temptations chocolate instead"


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I agree that this movie is about sex without any seduction or love. In fact, it makes sex seem so boring and makes me wonder why bother. I actually don't think at all this remotely speaks of how Canadian Indian second generations feel about sex. At any rate, did you know the first hotel/drunk idea was copied from a Korean movie, Yopgijogin gunyo, made in 2001 or thereabouts? That Korean film was actually brilliant as comedy but at the same time compels the audience to reflect on the complexity of man-woman relationships and man-woman difference in experience and thinking. I mean most of the Neal N Nikki hotel/drunk segment was emulated take by take. Can't Bollywood movie makers try to make originals only, please? Seriously, I never enjoyed a Hindi flick that is a copycat. The ones I enjoy have always spoken Indian feelings through Indian cultural means.


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I did have some expectations from this film because 1. It was a Yash raj production 2. When the songs were first shown on TV, they seemed catchy 3. The star(??!) cast was new. Well, I must tell u that I just couldn't sit through this movie. Uday, (with his red lips-what were the make up artists thinking???!) tries hard to look cool but fails miserably. I won't even get started on his acting (if u can call it that). 'Cleavage queen' Tanisha with all her screaming and ranting n raving just makes you want to pull your hair out in frustration. I think Uday was slightly more tolerable than her! She seriously needs to take acting lessons from her sister. The story is pathetic...the same old tried and tested formula. Absolutely no originality. There is nothing worth watching in this movie. Makes me wonder why it was made in the first place!


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Oh my god, WHY, did I waste my precious time on this film? It is pathetic, waaaay OTT and unrealistic, and one of the worst films I have ever seen in my life. Yes, MY LIFE. I am embarrassed for Yash Raj films, the poor guys have to live with the horrible news that yes, they produced this terrible film.
This is by far, the most, trashy, sexual, eyebrow-raising movie I have ever seen by Yash Raj Films. I cringe for them, I really do. Along with the terrible acting (or NO acting, for that matter) by Uday Chopra, combined with the lack of talent of the "Look At My Boobs" Tanisha, Neal 'n' Nikki has not one good thing about it at all. Even the music is not upto the standard left by YRF. The director, Arjun Sablok, did an embarrassingly bad job here.
Honestly, I expected more. Much, much more.


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This movie is not worth anything. I mean, if you want to watch this kind of stuff, flip to Hollywood movies! This totally is a disgrace to the Bollywood name. Neal N Nikki seriously sucked! Never watch this movie. As for the actors, it appears the acting genes skipped a generation. Tanisha couldn't have worn less and Uday Chopra obviously was just picked because he was the director's spoiled son. (All of that Halla Re was amazingly stupid) The songs are eh, and I hope the director did not spend to much money on it...... Bottom line, I hated the movie. Do not let your kids watch it, and if you have it in your house it is a stupid movie so discard it! Buy the CD, if you must. (As I said, the songs are eh.) At least it is better then the movie.


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This movie is very modern and forward. It is about 75% in English. It is aimed at English-speaking multiplex-going young audience. Basic plot is similar to DDLJ. Acting is below average.
Unfortunately they are portraying a wrong picture and setting a bad example for the youngsters. Tanisha is shown drinking from a bottle, or taking shots of tequila about 5-6 times in the movie. The director does not even acknowledge she is an alcoholic and has a drinking problem. All through the movie she only wears bikini tops whether she is at work, at a beach or at a wedding. The heroine of the movie doing this makes the youngsters feel this behaviour is acceptable.
The less that is said about failure of Uday Chopra doing Shahrukh Khan's DDLJ role of arrogant girl-chaser, the better. The movie is about equality of sexes. But equality should not be about making the same mistakes, instead about doing the right to do the right thing. If men have been shown as chronic Casanovas in movies, does not mean women should also portray same behaviour.
Even though the movie is made in light-hearted fun spirit, it promotes so many wrong social notions in the name of being forward, that "fun" part of the movie makes no impact. Not even in Canada women dress like this, or guys behave like they have shown in the movie. It is certainly not a reflection of Indian society or even Canadian society. Perhaps they should have a disclaimer at the beginning stating, "All characters and events in the movie are imaginary and do not reflect the actual culture of the cities and countries mentioned in the film." The only good thing about this movie is the length, 1.5 hrs, thank god.


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If this is film noir, then noir must be French for glacially slow. Take a cast of completely unlikeable characters, give them nothing to say, punctuate the whole thing with gratuitous ultra-violence, and you've got the formula for an aggravated Dash. Could be subtitled "Sleazy Hollywood types attempt to make money from Chinatown rip-off". Bruce Dern's one minute part is orders of magnitude better than anything else in this flick. By the way, I didn't like the film.


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A special unit of four police detectives are dispensing justice in their own unique way in 1950s Los Angeles. Nick Nolte plays Max Hoover, the unit's lead officer and his partners are played by Michael Madsen, Chazz Palminteri and Chris Penn. Also starring are Melanie Griffith, Jennifer Connelly and John Malkovich among others. Quite an impressive list of names. Unfortunately that is the only thing even remotely impressive about this film.
Our story begins when young Allison Pond, played by Connelly, turns up dead in a remote area of town currently under development. Our band of four detectives is called in and it is immediately obvious that Nolte's Max Hoover is going to be taking a very personal interest in this case. We will soon find out that Allison, in addition to knowing Hoover quite well, was also involved with some rather important military and government types who may have had reason to want her dead. But who exactly was involved and why exactly would they want this seemingly harmless woman dead? Hoover and crew set out to find out. Sounds like an interesting premise but unfortunately it goes nowhere.
Despite the impressive array of names, the acting here leaves much to be desired. Nolte is overacting, Madsen seems incredibly bored, Palminteri and Malkovich come off as caricatures, Penn has hardly anything to do and Griffith is dull as can be. By far the best performance is Connelly's in all too fleeting flashback sequences. The dialogue throughout the film is forced and wooden. The sense of drama you would expect from a mystery of this type is missing altogether. Nothing dramatic really happens. In fact nothing at all seems to happen for the bulk of the picture. Instead we just slog along towards a rather ludicrous and incredibly disappointing climax. When the "mystery" is solved you may find yourself saying, "Oh come on now, is that all there is?" But it gets worse as after the mystery is solved we get a completely ridiculous and utterly unbelievable action sequence. And even then we are made to suffer further as another awful, badly acted, completely unnecessary scene is tacked on at the end. And then mercifully it is over. And not a moment too soon.


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The four LA cops in fedoras driving around in a big black convertible look faintly absurd, and even more ridiculous when it turns out that Nick Nolte, the dumbest-looking of the lot, is in charge. The writer never manages to create a spirit of camaraderie among the squad members, and the director fails to wring articulacy out of the man-mountain Nolte. Foprget questioning anyone. Nolte's character lights a cigaret, gets mad, and beats interviewees to a pulp. His methods get him nowhere, until at one point in the action he is wandering from tossed residence to tossed residence with his mouth open and his brain shut. He smashes up an FBI squad, and throws two military officers out of a plane in flight, with only a vague report of anger at HQ and no punishment at all. At the end of the film he is as gormless and muscle-bound as he was at the outset. How he managed to get a beautiful whore to fall deeply in love with him is a mystery, as is the eternal devotion and tragic sense of betrayal expressed by his jobless wife. Two interesting shots in the picture: one, of an atomic explosion, the other of a gigantic crater, ostensibly caused by a Bomb. It's almost as wrecked and puffy as Nolte's face.


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I went to see this film at the cinema on the strength of its potentially interesting subject matter, good cast, a director who had previously done the highly-rated "Once Were Warriors" and my liking for noir-ish films set in L.A. in the Forties and Fifties. I would argue that I am reasonably easy to please in this film category; I appreciate the classics of the genre but I will sit through and enjoy a half-decent if derivative effort as well. However, I found this film completely unbearable.
Despite a good situation in which to place the story, nobody seems to do or say anything remotely interesting or entertaining in the whole two-hours plus of this sorry mess. Good actors are wasted in endless scenes of dialogue ranging from banal to embarrassing. The narrative is slack and drags unbearably, and none of the events it depicts is handled well enough to do anything other than bore the audience to death. There is no drama, no atmosphere, no tension, absolutely no entertainment value and by the end I simply didn't care what happened because I did not believe in anything in the film.
L.A. Confidential came out a year later and regardless of whether one version of the story is more true-to-life, the latter film deservedly gets all the plaudits for its excellence in every department. Mulholland Falls by contrast fails in every department, a fact made all the more tragic by the amount of talent involved. If they ever show this on a plane I will still walk out.


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William Petersen (that C.S.I guy) has a small uncredited role but it's the best part of the movie. His character comes across smart ass and tough, and it's a fun surprise to see him in this. He has a range that allows him to play just about anything. After his 5 minutes, it goes from looking cool to just nothing much. It leaves you hoping that his character will reappear in the movie but after 20 minutes you give up hope. The movie itself is pretty poor. Worth a watch on TMN or a pick up at the library but not much more. Too much of it reminds you of L.A Confidential except that where that movie starts to get complicated upon itself, this one is so loose, it steers everywhere but where it should. 2 out of 5 stars


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I rented this movie, because I noticed the cover in the video rental store. I saw Nolte, Connely, Madsen, 40's time setting, and thought "hmm, can't be too bad." Unfortunately, after watching it, my impression was "not too good".
Its kind of a Chinatown ripoff, but the worst part is that other than Nolte, the other members of the squad didn't get enough screen time. But its a decent movie to see once I guess. And Melanie's role was small enough that she wasn't given a chance to be a nuisance.


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I was hoping this would be a good weekly vehicle for Tim Curry, one of my all-time favorite performers. Alas and alack, it is NOT. There doesn't seem to be any chemistry between anyone on the show, the dialogue is decidedly uninspired, and even the laugh track appeared to be laboring. Brutal.


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