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John Voight plays the title character in this movie based on author Pat Conroy's (Prince of Tides) autobiography. A fine teacher film, it tells the story of a naive Pat Conroy, a young English teacher whose first assignment is in an elementary school on a rural island. The only white man on the island, he must battle internal and external pressures as he attempts to instill education and values in children who for generations have been systematically denied such things. A solid performance that really makes you think.


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Just watched Conrack for the first time. Although the last third of the movie leaves something to be desired, it is a very touching and heartwarming study of a man's evolution to overcome his youth and upbringing in a prejudiced south and a teacher's creativity in connecting with students despite different backgrounds and difficult circumstances. As an educator, seeing a teacher adapt to his students and prepare them for all of the challenges life has to offer, not just the lessons found in textbooks, is a valuable concept of which we all need to be reminded. The thread concerning the Vietnam war rings true even today. Well worth a look.


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I not only consider this to be the best film that Jon Voight (Midnight Cowboy, Coming Home) has ever done, but a real tribute to teachers.
Despite incredible odds, Pat Conroy (Voight) managed to reach a group of students and bring them from nowhere to a basic literacy and awareness of the world. His methods made be criticized by bureaucratic dinosaurs like Mr. Skeffington (Hume Cronyn), but teachers like Conroy will always be winners.
Voight really showed that he had a love for teaching and that it was a natural high for him. he didn't overplay the role, and I found him to be totally believable. Voight is Conrack.
Besides a love of teaching, we also see another important point in this film. No matter how good you are at your job, if you rock the boat, the bureaucrats will get you.


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This movie is a piece of the time in which it was made..... Realistic. Movies were not candy coated during the late 60s and early 70s. The producers did not try to create some happy ending that didn't exist. The lack of a happy ending would create agitation in the audience that, hopefully would spur them on to action. At least that's how it seemed at the time. In today's movie world this movie would probably not be done. There would, definitely, not be this ending, however realistic. The sad fact is that the movie depicted a situation which could not be improved upon without action from the improvement of the relationship between the white southern traditional thinking and the progressive movements of that time.


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Our America is multi-cultural, with so many sub-cultures. This movie simply tells a story of a snapshot in time within one of these sub-cultures. It is basically an objective look at a group of forgotten people, living their lives oblivious to the rest of the world. Generally, a good movie. It entertained, provoked thought, and showed lives that would not be seen otherwise, right in our own back yard. Should be seen by all. Having lived in the U.S. all my life, I had no idea that there were citizens here that didn't know they were citizens. This movie helps illustrate the diversity of our country by showing this small part of a southern state. The obvious conclusion: If this is really for real, then what else is out there that we know nothing of?


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I'm going to make this short and sweet. It's not surprising that you had no use for this film. This is a story about the power, beauty and possibilities inherent in a meaningful education. Based on your pathetically composed comments I can see that your own education has been woefully neglected... or worse... completely wasted. Your comments are those of a truly ignorant person. I would advise you to do something about this condition... but in your case I feel it's probably too late. My hope is that you yourself don't intend to go into the teaching profession ( especially in Film Studies) because you could only do damage. Oh... one last bit of advice. In the future, if you intend to write more opinion pieces, you should really proofread your work. It will make people take you more seriously.


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I saw Conrack on a night I couldn't sleep and I was never so glad to have insomnia ! This story of a young white teacher who takes a position teaching poor black kids on an island in the Carolina's is a great advertisement for teaching , and for simply helping each other .Set in the early 60s , with the civil rights issues , Viet Nam and all that came with the 60s ,it is forgotten that the Peace Corps and many young people struck out to make a difference helping the unprivileged .Conrack with his open style of teaching is interested in these kids as people , and encourages an honest interaction in his class that scares the power's that be .The greatest part was that Jon Voight said they had a 20 year reunion and 18 of those kids became teachers !! Its enough to make you think we as humans may have a chance to survive ourselves ,maybe , hopefully .See this film .


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Superb story of a dedicated young teacher who sets out teaching minority children in an area off South Carolina.
Jon Voight is just tremendous as the headstrong, dedicated, idealistic teacher who faces this challenge despite a principal, who believes in stern discipline and has little regard for modern educational techniques as well as a crusty old school superintendent, played with relish by the late Hume Cronyn. Madge Sinclair is the principal who loves her babies.
As I'm a retired teacher, I could in some ways relate to this excellent film. The ignorance shown here as well as the lack of cooperation with officials is also quite apparent in urban areas.
Voight realizes that these children need far more than the traditional teachings of a classroom. He has them go out and experience life by themselves by learning outdoors.
The end is a definite downer but so true to life.
Amazing that such backward students had a zest for learning and were well disciplined. I guess that answers my question. The behavior was there and they were motivated to succeed despite their environment.
The ending will just tug at your heart. It was memorable and so well poignant.


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Forget about the plot of this movie. Forget about the fact that it is wonderfully acted by Vince Vaughn and Vincend D'Onofrio. Forget about the fact that it is one of the few movies starring Jennifer Lopez that I can stomach. Although the story made be impossible to believe and much of the dialogue seems contrived, the one and only important thing to remember when contemplating watching this movie is that it contains some of the most amazing and disturbing imagery ever put on film. It is as if Salvador Dali decided to make a crime drama. A must see for anyone seriously interested in cinematography and the use of the film cell as a canvas on which to display true works of visual art. I would have to give this movie a 9/10 for it's amazing visual display.


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'The Cell' is a journey into the mind of a serial killer and I mean this literally. The film is about the journey, about the world it shows during this journey, the destination does not really matter. In my opinion this journey through the mind gives such beautiful images other things do not really matter as long as they are not distracting. In fact, the story is pretty good.
We start with Catherine Deane (Jennifer Lopez) in the mind of a catatonic boy. How this works exactly does not really matter, but it looks a lot like virtual reality. She and other scientist including Henry West (Dylan Baker) and Miriam Kent (Marianne Jean-Baptiste) believe that this method might work. Catherine enters the mind of the boy and speaks with him there, in a world that is completely created by the boy. She hopes she can let him do things that in the end will give results.
The real story then. A serial killer named Carl (Vincent D'Onofrio) just dumped the body of one of his victims. FBI Agents Ramsey (Jake Weber) and Novak (Vince Vaughn) are on this case. Another girl (Tara Subkoff) disappears and at that time, after forensic research on the dumped body, Carl can be traced and captured. Two problems occur. 1. Carl just went into a coma; he has been sick for a long time. 2. His house and the house with his last kidnapped victim are not at the same place. In a way this part of the story is pretty standard.
Things are about to get interesting again. To find out where the girl is, Catherine has to go into Carl's mind. This is dangerous for a lot of reasons. In short: Carl is unknown territory, schizophrenic and a serial killer. If Catherine starts believing Carl's mind is the real world then her mind can convince her body; she could die in the mind of Carl. A tape of how the last victim was killed, a fate this girl will have in about twenty hours, makes sure Catherine will try to get the location out of Carl's mind.
It is the journey through this sick mind that makes this film more than worth watching. Director Tarsem Singh, who did music videos before this, in a way goes back to these music videos. Every room in the imaginative world is another short clip that exists out of beautiful and sometimes haunting images. For me the visual style felt completely new, the way 'Three Kings' had a new visual style one year earlier. If something like that can make you like a film, 'The Cell' will not disappoint. But fans of the thriller and horror genre can like this film anyway. The story itself, without the great fantasy world, is good enough for that. I think you have to be a little open minded, of course events are not (yet) possible in our real world. Still, a very entertaining film with nice ideas that looks terrific.


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The last film that provided a vivid and disturbing look at what insanity is probably like was In Dreams. In that movie, you didn't see insanity, you were THERE. Now The Cell comes along with an updated and much more disturbing portrayal of the inside of the mind of a psychotic killer. The opening scene takes you into the seemingly innocent mind of a comatose little boy, and the things that Catherine Deane (Jennifer Lopez) sees are first fascinating and then terrifying. The things that she later sees in the mind of Vincent Stargher (Vincent D'Onofrio) are amazingly imaginative and fascinating, most of this stuff has never been seen in film before.
The story of The Cell is not exactly something that is really groundbreaking. In fact, it is basically the same as the story in The Silence of the Lambs. You have a killer in custody and these people have to enter his mind to find a female victim who is currently in danger of losing her life. The only real difference between the foundation of the plots is that in The Silence of the Lambs, you have to enter the mind of a killer to find a different killer as well as his current victim, while in The Cell, you have to enter the mind of a killer to find his own victim. However, despite the unfortunately weak story, The Cell completely revolutionizes the genre of the psychological thriller. None that have ever been made even come close to it.
Also, the film had good direction and was extremely well acted. Vince Vaughn delivers another of his characteristically excellent performances (he was even good as Norman Bates in the pathetic 1998 re-make of Psycho), and even Jennifer Lopez puts forth the second good effort of her career (the other being the great Out of Sight). Nothing can be said of the cinematography in The Cell to give it sufficient credit, it was imaginative and fascinatingly done and is unparalleled by anything ever seen in cinematic history. The Cell is an incredibly well-made film, and it deserves to be recognized.


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This movie is definitely a case of style over substance but the style is good and certainly more than unique on its own to make "The Cell" a memorable and above average movie.
"The Cell" is beautifully looking with impressive sets, costumes and make-up. Yes, it's real eye candy to watch all. The movie has some perfectly 'dreamy' sequences that are certainly odd but also very beautiful and imaginative to look at. This movie is a perfect mix of an art-house type of movie and a typical Hollywood-thriller, that is accessible to both fans of the genre.
The story itself is pretty far fetched and doesn't always make sense. Because of that the movie isn't always pleasant and likable to watch but like I mentioned before, the style compensates for this. The style makes you keep watching till the end and provides the best moments of the movie.
Vincent D'Onofrio is unforgettable as the serial-killer with a twisted mind. Vincent D'Onofrio is really underused as an actor and this movie shows his talent once more. I'm not particularly happy about the casting of Jennifer Lopez. I know that she can act in some of her movies but she really wasn't suitable to play the main character in this movie. Her character wasn't strong enough and she was overshadowed by Vincent D'Onofrio and Vince Vaughn. Still I felt that Vince Vaughn was also miscast in this movie. He didn't fit the role well enough and no, I'm not saying that because I'm used of seeing him only in comedies now days. The rest of the supporting cast is good and still give the movie a certain degree of credibility.
The musical score by Howard Shore was also surprising good and was sort of "Se7en" like at times. It suited the movie well and gave some of the scene's some extra mood and atmosphere.
It's a far from perfect movie and the concept is far fetched and not always handled in the right way. Still "The Cell" is a perfectly watchable movie and perhaps even a bit of a must see, due to its style, originality and creativity.
7/10


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Style over substance. But what a style it is. "The Cell" is the internal version of most serial killer movies. Unfortunately, the story hardly supports the visuals.
Psychotherapist Catherine Deane (J-Lo) goes into her patients' dreams via artificial means to discover and help them over come their phobias and obsessions. A new patient whose fallen into a coma, is brought to her attention by the FBI. He's a serial killer who drowns his female victims then poses their bodies in grotesque scenarios like mannequins. Deane must enter the killer's mind and navigate through his sick fantasies in order to find and save his latest victim.
Director Tarsem Singh has incredible visions and set pieces for this production. Each dream sequence is like a nightmare-ish painting in motion, from the landscapes to the costumes.
But the plot suffers from lack of history of its characters. Stargher is the only person with a thorough background and he's the last person you want to care about. Without him, you basically have a movie that moves in the present tense only, which is a shame since the movie is so visually stunning and genuinely scary. Lopez is wasted but she's not that amazing an actress anyway, though she's as gorgeous as ever. And Vince Vaughn? I don't even know why he was chosen. This is not his forte and he overacts to boot. He tried too hard to become his character and it showed. Stick to comedy, Vince! Even so, this movie is so visually frightening, I still watch this movie with the lights on and can never fall asleep right away afterward.


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What makes watching and reviewing films a pleasure is when every once in a while when you least expect it a film like The Cell comes along and knocks your socks off!. This movie is a superb horror that has everything a you could want when you want to be scared out of your witts. Without going into the story all i will say is that it has a great beginning ,middle and end that keeps you on the edge of your seat while being transfixed with the amazing special affects. The acting is good without being outstanding but that does not matter because the subject matter and the way it is put on the big screen makes this one of the best horror movies i have seen for a long while. It is one of those films that you imagine started as a novel but saying the credits it does not look like an adaptation , so a lot of credit must go to Mark Protosovich the writer. 9 out of 10.


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"The Cell" is a rather difficult film to classify. If you read the plot outline, "a psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim", you might think it's a thriller with a touch of science fiction. But that doesn't really do this movie justice. There is a fantasy aspect within the sub-conscious minds that is stunning, with lavish visuals and incredible mind-tripping scenarios. There is drama as the aforementioned psychotherapist (played by Lopez prior to her becoming a solely romantic comedy component) makes contact with the child within and witnesses his terrifying upbringing. And there is most definitely a horror facet due to the sickening actions of the serial killer's evil persona. The movie attempts to function on many different levels and crosses genre boundaries at will. While I feel it ends up being a reasonably bizarre experience, I find it to be completely fascinating.
Right from the opening credits, with Lopez riding a horse through the desert stunningly clothed in a white dress, you will know that you are in for a visual treat. Every time the audience leaves reality and follows her into the sub conscious depths of her "patients", they are guaranteed a feast of visual and aural delight. The costumes are wonderful creations of angles and colour. The camera leaves regularities at the door and traverses a world where up and down are the same. The characters become rulers of their own domains and transform into creatures worthy of such stature. If you don't enjoy anything else about "The Cell", you will surely be impressed with the work put into these scenes.
The casting is top notch also. Jennifer Lopez is in her element here, utilizing her natural, compassionate and almost maternal sensibilities, while combining her own striking looks with the lush surroundings, makeup and costumes. She is incredibly sexy and I personally wish someone would find another role for her outside of the rom-com world she has been typecast into that would allow her to experiment further. Vince Vaughn is fairly convincing as an FBI agent that will do anything to save the life of a young woman. But it is without a doubt Vincent D'Onofrio that has the biggest impression here. It's an extremely difficult role as he is required to bring out multiple emotions within the viewer. We are disgusted at his actions, yet sympathetic towards him due to the trauma he has experienced during his life. He looks magnificently powerful within his realm, yet insecure and vulnerable within the real world. It's a great performance from an underrated actor.
While "The Cell" doesn't work as well on every level it ambitiously attempts (some of the actions of the characters are not believable) and while it is all based on some fairly flimsy scientific logic, it is an occasionally shocking, visually astounding head trip that rewards multiple viewings.


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I remember seeing the trailer for this movie when it was first released and it looked pretty cool. I never got the chance to see it though. When I went to Blockbuster to rent some videos, I figured I should watch it. After all I did love "Silence of the Lambs" and "Se7en", and if you enjoyed those movies, you might get a kick out of "The Cell". The whole story concept is very interesting. Going physically into the mind of a killer, I can't imagine the world they live in. The acting is actually pretty decent. Jennifer Lopez is the only one I have to say that wasn't that great, but she does a believable job. I would recommend for a scary thriller.
7/10


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A serial killer , Carl Stargher , has been kidnapping and murdering young women by letting them drown in a water filled cell . He is apprehended by the FBI , but is in a coma and his latest kidnap victim awaits in a cell timed to fill with water
Take a look at the above premise and you'll see that there's a very much seen it all before look to it . The magic of Mark Protosevich's script is that he changes a hoary old chestnut plot in to something quite different from what you're expecting . If I mentioned the plot involves a machine that allows a psychiatrist to enter the mind of Stargher then sets up a different film entirely
This wouldn;'t be enough to make THE CELL a different class of thriller but director Tarsem Singh creates a visually striking surreal thriller . The cinematography by Paul Laufer where opaque primary colours are to the fore is stunning but Singh doesn't let it end there , things like costume design where Stargher wanders around his idiosyncratic universe wearing opulent costumes does have a visual impact making this so much more than a run of a mill thriller
What stops THE CELL becoming a classic movie however is that you start becoming more and more aware that the whole movie revolves around the visuals rather than having a natural narrative . We see a third character , a FBI man enter Stargher's domain but this seems more like a contrived plot turn just to introduce the audience to more stunning but very disturbing moments
It should also be pointed out that this is a rather disturbing thriller with a atmosphere that is very depressing and that stops the film from being if not enjoyable , then involving . One scene where a FBI agent recounts a case where a paedophile beats a rap only to later cut out the heart of his victim will fill your heart with so much despair you might reach for the off button . You'll probably have to watch a massive amount of thrillers till you see another one as disconcerting as this one


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After you have seen enough movies, there is very little that doesn't remind you of other movies. Nevertheless this was a watchable if somewhat disturbing film. I had to shut it off from time to time and come back to it later. Like "Silence of the Lambs" it features the search for a serial killer who has abducted someone and has confined her to his chamber of horrors, Like "Flatliners" the main character explores a dream world through an experimental procedure. The surrealism of the dream sequences is what makes this film, as one finds the characters in a situation and landscape in which literally anything can happen. And beyond this continuity and "making sense" are not necessary, which makes it a film-maker's dream too.
The only thing that seems a bit off is the fact that in the end one hopes for the redemption of the serial killer or the exorcism of his demons. You actually feel sympathy for the little boy inside the man, but clearly the innocence of the boy cannot be separated from horrible deeds of the man. The focus swings as it must from saving the man to saving his victim.


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A crackling and magnificent thriller about a child psychiatrist, Catherine Deane (Jennifer Lopez) who is desperately urged by two FBI agents, Peter Novak (Vince Vaughn) and Gordon Ramsey (Jake Weber) to use her therapy on Carl Stargher (Vincent D'Ofornio), a serial killer who (uses strange and horrifying torture tactics) is found in a coma by the feds. What Novak wants in return from Deane is whereabouts of Stargher's latest victim is and if she's alive. Once Deane gets into Stargher's mind, which has the appearence and atmosphere that resembles a colorful combination of David Lynch's "Dune" or "Blue Velvet" and Wes Craven's "A Nightmare on Elm Street", the adventure begins. Deane sees a variety of odd people ranging from Carl as a youngster (an adorable Jake Thomas) to a Freddy Krueger-like man minus the razor claws. I don't want to give away the ending, but the movie is great altogether besides the dynamite performances, Howard Shore's creepy musical score and directing (by Tarsem, who shows here that he can direct).


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The Cell is weak on plot, filled with holes and has pretty lousy acting as well. but none of this matters, for, director tarsem singh has given us one of the most visually stunning movies ever. the whole plot is just an excuse to let tarsem fool around and take you into the minds of a serial killer, bringing the audience some shocking, pleasing, breath-taking and mind blowing images.
the images from this beautiful movie will stick with you for a long time to come. this movie is a perfect case for the "suspension of disbelief" theory. forget the silly plot, just let your senses be overwhelmed with the images. and J.Lo looks stunning enough to add to the rest of tarsem's work. the cinematography is harrowing, the music haunting & the costumes just stunning.
the movie is less of a movie and more of a work of art. its just that the medium is not canvas anymore, it is the big-screen and celluloid. one of the most refreshing movies of this decade. The Cell is a must watch. A bold new step in movie making.
an enthralling 8!!


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When I saw this movie for the first time I was both surprised and a little shocked by the blatant vibrance of the story. It is a very artistic drama with incredible special effects, spectacular acting, not to mention a very excellent job in the makeup department. Jennifer Lopez has pulled herself out of past roles that dug into her career with this movie, portraying a very sensitive child psychologist who works with a team of engineers to enter the minds of comatose patients to treat them. Vincent D'onofrio played amazingly well. His portrayal of a sadist serial killer was perfect to a T. The sheer emotion conveyed by his performance is astounding. Vince Vaughn isn't my favorite, but still performed exceptionally well. The symbolism and artistry was intriguing and titillating, sometimes surprising, and other times shocking. Overall, I say this is a wonderful movie, with excellent acting and beautiful artwork.


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THE CELL (2000) Rating: 8/10
The Cell, like Antz, must be watched twice to be appreciated. The first time I saw this film I thought it was mediocre, but the film had such a lasting impression on me after viewing, I decided I had to rent it again. I did, and I found the film to be much more likeable. The Cell is not for everyone, but it divides its stories up with quality and is a visually intelligent film that dreams up images and plot ideas that could not be matched. The film's script can be clunky at times, as can the acting, but the visuals are ingenious and bring the engaging story to an exotic and intriguing life. The Oscar nominated makeup is also daring and careful, while the beautiful costumes and utterly brilliant set decoration went unnoticed. Tarsem Singh who has also directed music videos, goes totally crazy with his direction and it results well. He has major talent and this film has a lot of potential if you give it a chance. Overall, The Cell is a powerful, disturbing and avoids being too tacky which makes it a great, pleasurable watch.


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I do not want to go into a criticism of the movie which I think is - for a big budget movie - quite exceptional and daring.
I just wanted to remark that I am really fed up with the studios policies and the laws of different states which treat their viewers like children. In the database we find at least 4 different versions of the movie according to running time. But, of course, it is likely that there are much more different cuts.
The result is complete confusion and you can never be sure to talk about the same movie (unless you live in Argentina where the movie runs 115 minutes which sounds quite complete).
Later on DVD and Video, the studios try to rob us further by selling us a presumable director's cut (in Germany, there is already such a version around, running approx. 110 minutes).
It would be nice, if the studios would not only think of the cash they make with their movies but also think of their products as a work of art, even at the risk of an unfavourable rating, so that I as a viewer don't have to feel cheated and am taken seriously, not only as a resource of money.


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I went straight to the big screen to view this kicker. This is the only flick that I know of that Tarsem Singh has directed but boy was it intense. This movie was a total mind stimulant and one of the best special effects flick of this kind.
The characters were vibrant and and nothing short of beings created in your own mind or nightmare. This movie is scary and interesting and totally bombs the senses with fear and exhilaration. This movie compares to no other I have seen except for the level of being beautifully odd. In that respect it is a fairly large step above `A Clockwork Orange.' Definitely see this movie on the big screen and don't wait for it to come out on tape. It won't be half as good on tape.
This movie is not for the easily freaked out. It will mess with your mind and leave you with images that take a while to forget. But for those who like to be freaked out.....ENJOY!


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THE CELL fascinated me at first glance. I was a bit surprised about that fact, because the story of that movie is absolutely boring. If it had no story, the film would be better. Bunuels "Un chien andalou" comes to my mind- a film without story, but also with fascinating and sometimes disturbing images. But THE CELL is at first a Hollywood-Movie, and only second a piece of art. I'm very interested in Tarsem's next project. Hamlet on Indian could be very interesting, especially when it has the same looks as THE CELL.
For film music enthusiasts: Howard Shore's score for THE CELL is absolutely marvelous, but a hard listening experience, because of its very modernistic style.


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It must be said that the director of The Cell, Tarsem Singh, has quite handily established himself with his first feature, which happens to rank as one of the most visually astounding films in contemporary cinema.
The Cell is more of a visceral experience than a film. As a thriller, it rises above most of its peers, with competent editing and a chilling score effectively providing an exceptionally suspenseful atmosphere. However, it is ultimately Tarsem's skill for elaborate and disturbing set design and imagery that carries the film's jolting sense of terror.
As with several recent films, I have been shocked by the alarming hypocrisy among those who have commented negatively about The Cell; in defence of the film, I will address a few of these issues. The plot appears to be the main concern, and while it is not revolutionary and borrows heavily from The Silence of the Lambs, it was never intended to be the most important aspect of the film; the plot itself is a vehicle through which Tarsem's vision--simultaneously horrifying and wondrous--is presented to the audience, much in the same way that the plot of The Silence of the Lambs is secondary to the fascinating study of its two lead characters, Lecter and Starling. While The Silence of the Lambs is clearly the superior film, it is irrational for one to condemn the plot of The Cell, and in the same breath, praise that of The Silence of the Lambs.
My final concern is the mention of "MTV style" directing. It pains me to see the condemnation of directors who use innovative camera and cinematography techniques. A camera has the potential to be much more than simply a tool with which to record events; angles, pans, colour adjustment, and so forth, are all used to their full extent in The Cell with the purpose of creating the sense of a dream-like state that could not have been otherwise achieved. This is essential to the film, as the entire premise behind it is the visualization of a serial killer's subconscious. If you simply want a series of static shots, stick to stage plays and give up cinema altogether.
That being said, The Cell is thoroughly entertaining, terrifying, and breathtaking in both its pacing and design. Anyone who is able to look past the--perhaps uninspired, yet never dull--screenplay will find one of the best films of the year 2000.


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Despite all it's trappings of style and cinematic invention, this is basically another serial killer thriller, following the same sort of plotline favoured by such old favourites as Silence of the Lambs ? team of cops follows the trail of (particularly nasty) murders, someone else gets taken and they somehow have to find out where they are before it's too late. Only in this case, the only person who knows, the killer himself (powerfully played by Vincent D'Onofrio) is in a coma and we need psychologist Jennifer Lopez' sci-fi mind-meld machine to get into his head and force him to tell all. This is where the film gets all new and different, as we enter (via a 21st-Century CGI update of Dr Who's kaleidoscopic favourite, the trendy time tunnel) a kind of Hellraiser-y weird world of scary crazy stuff going on all over the place, ruled over by D'Onofrio, now a kind of superking overlord of his twisted mental world, inside his comatose body. The inside-the-mind sequences are well realised and often pretty stunning, all the leads perform adequately, the gruesomeness is to the max if you like that kind of thing, but the hype around the whole thing led to a disappointment for me, as I had expected something completely new and unlike anything ever done before, not this fairly successful blending of serial-killer and special-effect-horror genre staples. Sometimes horrifying, often pretty, a fairly gripping story told with care and attention by talented film people, but by no means the great leap into the unknown it has been marketed as.


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I had no expectations when I started to watch this movie. How surprised I was! This is a great, beautiful, twisted movie which will give your mind a good work-out! It's not simple. If you only enjoy Police Academy style, no-brains movies, this is not for you. The Cell is a deep, complex film with influences from movies like Cube, Silence of the Lambs and The Lawnmower Man, along with lots of completely new ideas. Wonderful, twisted environments, good acting and a compelling story makes this one of the best films I have seen in a long time! Be open-minded, and you will love it!


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This one started excellently. The photography and audio are the best I've experienced in years (okay, months). Especially the use of 'warm' and 'cold' colours in single sequences is astonishing. Also, making Jennifer Lopez whisper most of her lines is an idea in itself, but I'm not sure what Singh wants to accomplish with that.
Now for the minuses. The screenplay was awful. Lopez's part turned out to be irrelevant or totally worthless to the plot. She seemed to star the movie only to sell herself and the pic. The three beds seemed just too obvious. The baptizing of the child Carl was a psychologically too underlined way to embark the motive which Carl 'worked' under. And so on..
Anyway, the movie had great way of showing where Singh comes from. Why is it that the most talented directors seem to emerge from India nowadays?


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I couldn't believe the eye candy from start to finish. Being a fan of movies directed by music video masterminds. I am happy to report that the photography in this motion picture is a splendor for the eye to behold. There are so many rich, full images that are put before me, that each and every time that I see this movie, I find something new that I had not seen before. As with previous movies that I have seen, such as Blade and Mystery Men, also by former music video directors, the use of color to capture one's attention is utilized extremely well. Though the characters could have been developed better, the action and costuming was well worth the price of admission. I recommend you buy this one for your DVD collection. Even if you haven't seen this on the big screen, you won't be disappointed. I know I wasn't.


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I give this film 8/10 overall. Visually, a great deal of it is nothing short of stunning: an art director's dream mix of Hieryonomous Bosch, Salvador Dali, Frieda Kahlo and Georgia O'Keeffe--and a valid testament to the power of film as a serious art form. Beautiful use of color, form, imagery, environment--and fabulous set decoration, combine with state-of-the-art computer graphics. So, 10/10 for that! Wow!
The plot line is, well, more predictable. You know they'll save the girl and get the killer in the end, but the story is still interesting and pacy enough to pull you in and keep you there. 6/10 for that.
Squirm factor...I won't give this a rating, but the film certainly made me squirm, and I was watching it on video on a tv screen. It would, of course, have a great deal more impact on a big screen. Graphic violence of a twisted, erotic nature in a surreal landscape--even if beautiful--is highly unpredictable. The world inside the killer's head is not--thank goodness!--my world. Because I watched this film on video, I was able to replay a couple of sequences and found much to admire the second time around when I wasn't so nervous about where the scene might be going, and I suspect the whole film would be worth seeing a second time, just for the "visual art".
General suggestion: don't take the kids or conservative grandparents to this one, but if you're keen on the visual look of films, like surrealist art, don't mind a bit of kinky gore, and just want to take a bit of a "mind trip", this one's a winner. Oh, and if you're keen on babes, Jennifer Lopez is pretty hot.



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I just started watching The Show around July. I found it by mistake, I was channel surfing during a Vacation. It is a great show, I just wish it wasn't on so late at night. It's on at 12:30 AM. As a working person it makes it hard to watch all the time.
I read some comments. I did not agree with the late one about not growing up in the 60's and not believing that this stuff can happen.
I grew up in the 60's. I'm Hispanic and I had a "White" boyfriend plus we had black friends in High School. I believe people get along because of their interests and personalities and it has nothing to do with being a certain race or color.
I can't wait till the show goes on DVD so I can buy it. This way I can see it from the beginning.


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I loved this show. I was waiting for it to come out on DVD....it never has. Does anyone know how to get the show available on DVD? I have contacted Lifetime TV and a few others and nothing. Please let me know if there is a way we can have this series on DVD. Iwould be first in line to purchase it. I really got hooked on this show. I do not understand how a bunch of other TV shows are available on DVD but not Any Day Now. I am sure there are many of us out there who would love to have this series on DVD or even VHS. I thought of contacting the production company. Has anyone else out there tried to contact anyone for this information?


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This show was not only great human drama but portrayed racism in this country in a raw, all too true to life manner. When one show can be so witty and entertaining and yet so poignant and educational all at once, this is television in its highest form. The acting was phenomenal. The writing was exceptional. Not only did the show portray race relations in a straightforward manner that seems unmatched by any other television series, but its ability to depict this subject matter as it existed in the 1960's alongside how it exists in the beginning of the twenty-first century powerfully demonstrates the ways we have changed, and sadly, the many more ways we have not.


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I would give this television series a 10 plus if i could. The writers were "smack on" and I think the best actors and actresses were a bonus to the show.These characters were so real. One could tell that from the two main actresses Ms. Toussaint & Ms. Potts that their relationship on & off camera was genuine It didn't just end when you hear those familiar words "Cut" at the end of a "Take". The show has thought me a lot about life for e.g. Historical struggles, tragedies and triumphs,relationships,every day situations, every household have same situations no matter who the members are, it really came down to just being a wonderful family show that at the end of every episode, you can just sit on your living room couch and say to yourself "now what did i learn from this particular episode".
I must say I have taped most of the episodes and i find myself watching them over and over again.
Now you know why I gave it a 10+!!


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Wow this Wrestlemania took place from 3 different cities. This was the very first wrestling pay per view I ever saw and it's a good one indeed! There is a great steel cage match for the main event as Hulk Hogan takes on King Kong Bundy!


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Husband-and-wife doctor team Carole and Niles Nelson are doing modestly well in their careers, but Niles has a gambling problem. His luck changes when he (unknowingly) saves the life of a gangster from Joe Gurney's mob and gets a big bonus from the gangleader himself. Loving his change of fortune (and snazzy new apartment), Niles continues to receive payoffs for patching up other injured members of the gang. Unfortunately, his shady deals come to light in a police raid, which hangs a shadow over his wife's career as well.
At this point the plot comes into focus, as Carole Nelson has to rescue her career before her license is suspended. This involves bringing the gang to justice more or less single- handedly.
This is not a hard-edged gangster picture, but a plot that might have been comfortable on a show like MATLOCK or MURDER SHE WROTE. There is some tension, but the mood is kept light by Bogart's tongue-in-cheek performance of a stupid gangster who imagines himself as the "Napoleon of Crime." His other gang members also function more as stooges than hoodlums. And there's some snappy dialog between Bogart and Francis, especially when she's treating his injuries at his hideout. Of course, as in all gangster flicks, there's a big shootout ending, but with a humorous twist. This is a good short film showing Bogart on his rise to stardom.


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King of the Underworld features an early role for Humphery Bogart in one of his many gangster roles.
He plays Joe Gurney who uses a female doctor to treat his men and pays her for it. He follows her when she goes to live with her Auntie after one of Gurney's men kills her doctor husband who also worked for him. Gurney kidnaps an author on his way to find the female doctor and gets him to write his life story and he then plans to kill him. He finally meets up with the doctor and after she gives Gurney and his men a substance that makes them temporarily blind, she and the author, who have now fallen in love manage to escape just as police arrive...
Joing the excellent Bogie in the cast are Kay Francis, James Stephenson and John Eldredge.
Watching King of the Underworld is a good way to spend just over an hour one evening.
Rating: 3 stars out of 5.


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