empathielabs/imbd_dataset_v0 huggingface dataset:
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I watched the movie with tears and smiles alternatively. Anger surged in me to see the ruin of Hanoi after the 12-day bombard. And by living in the country right now with my parents, who's been living in Saigon for 50 years, I understand that we're much better off now, and would have been better if the American didn't bring war here. Watching the movie, I learned more of the different kinds of wars that the America planned in Vietnam, and what disasters they caused.
The series seems to do well with the interviews with the real people. But I don't like it that some people only give generic opinions, like the analyst near the end of the series, I forgot his name.
There should also be more documentary images, like the life in the army camp of the South Vietnam, and those of the North (if possible). There's also a sudden change from the year of 1972 to 1975 (I'm not sure if the in-between was censored, because I watched this series on TV).


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This movie is engaging from start to finish with excellent performances, a great soundtrack with original music by Douglas Brown, and a well paced script that's full of surprises.
Full of new and not so new faces, this movie showcases promising talent especially in the case of Craig Morris who plays the main character Eddie Monroe. Morris, who also co-wrote the script, displays a quiet strength combined with a strong emotional performance as he creates a believable character on screen. Also a poignant delivery by Paul Vario who plays Uncle Benny with a genuine warmth, was so convincing that he made me hungry as he lovingly prepared his Italian sauce.
Great new faces, great new music, and a great new story - what more could you ask for. This film is highly recommended!


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Fred Carpenter screened Eddie Monroe at Boston College, and judging from the enthusiastic response, he has much to be pleased about. A taught, well done Indy, impressive for it's big budget look and feel. This movie has it all: a tight script that grabs you and doesn't let go right up to it's surprise ending. This viewer didn't see it coming! Excellent performances all around. Craig Morris and Jessica Tsunis were were especially well cast in the leads, delivering strong performances. And kudos to Frank Bongiorno and Alex Corrado for creating two detectives as engaging and interesting to watch as any in film. I thoroughly enjoyed this movie. It confirmed my belief that some of the best work in film will be coming from the independents, and Fred Carpenter looks to be one of the best.


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I just viewed Eddie Monroe and I was very impressed. The story was easily paced as the plot unraveled to a surprise ending. Heartwarming performances, action, humor, and drama filled the screen. Topnotch acting by some talented Long Islanders. Great script. This is the best film that Fred Carpenter has made to date, he should be very proud of this work. Doug Brown's score is on the mark. Craig Morris is the next Tom Cruise or Brad Pitt. Hard to believe this is a low budget, independent film. Just imagine what Carpenter can do with a Hollywood level budget. Paul Regina's last film and he is greatly missed and loved by all. He was a wonderful, successful, talented actor and a great human being. He will watch over us all and we will never forget his dynamic smile and spirit. Great job to all who participated in this film. A few cherished scene stealing, and humorous cameos to break up the serious content. You will enjoy this film, go see it!


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I was very impressed with what Eddie Monroe was able to accomplish in regards to its overall affect on me. I say this because I know this independent film had a limited budget/resources, but despite this, it comes across as a convincing and well crafted piece of work.
Enjoyable from start to finish with several relatively unknown actors which I can't help but believe will make a big noise in the industry in years to come, Eddie Monroe didn't fail to keep my interest engaged and my emotional meter dancing. It's a well scripted story with a startling ending despite my effort to not be taken off guard.
Many of the cast names listed for this film are names to look out for in the future. Someone told me that Paul Regina recently passed, and if this is true it's a real tragedy since his stoic performance in Eddie Monroe is remarkable.
Kudos to Fred Carpenter who has truly pulled out a winner with this one!


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No doubt that the indie flick Eddie Monroe is one of the better independent films I've seen in a long time. The highlight for me was the performance of Paul Vario. I first saw Paul, or "Big Paulie" as he was called in Danny Provenzano's hit indie, "This Thing Of Ours". Thankfully, the "Eddie Monroe" filmmaker(s) did the same and utilized Paul's undeniable skills in a principle (principal?) role. Out came a performance (on camera and voice-over utilization as well) that shows worthy of big-budget studio roles in the very near future. It's refreshing to see a trained actor who is committed to the trade, prove the same to the audience. Keep up the good work Big Paulie and we'll be seeing you in Hollywood real soon! Not bad for a kid from Canarsie, huh?


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Eddie Monroe is Hooooot. He is a great actor and I could be his girl anytime. He's so fine. I was so sad at the end. I'm not going to ruin the end but wow. Girls are so vicious. His girl was wrong. If Eddie was my man I would never disrespect. Those Mobsters were spooky. The moral of the story is Trust No One. Your friends will hurt u if they can. Oh and Eddie tell your girlfriend that yo mine, she should move ova! I would suggest seeing the movie. Why? Becasur I said so. It kept my eyes on the screen. My sister loved it also so I am going to see it again because now my friends want to see it and its worth seeing two times. Peace,Happy New Year!


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I loved this film, Independent film-making at its best. The cinematography , pacing, rhythm , and acting were perfectly in sync. Fred Carpenters best work to date! The movie is well written with lots of plot twists that take you to a great ending. It moves well and keeps you involved. Being a photographer, I was most impressed with the cinematography. the lighting creates mood and a beauty that is usually found in a much bigger budget film. This gave the actors a great canvas to start from, to work their magic. And that is just what they did! Great performances from all the actors and each one was well cast in their roles. As I said in the beginning, the is a wonderful film, and one of Fred Carpenters best movies. You will love it.


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I was a guest at the Sept. 30th screening of Eddie Monroe and was pleasantly surprised with the story, the great acting and the talented directing. I found it hard to believe that all this talent can be found in an independent film. Powerful performances by Vario, (Uncle Benny), Sara, (Jessica Tsunis), and Morris, (Eddie Monroe). The supporting cast was chock full of colorful and amusing characters. This film reminds me of one of those movies that you will look back on in 20 years and discover that it launched many actors into stardom. Much like "The Outsiders" where Tom Cruise, Emilio Estavez, Patrick Swazey, Ralph Macchio, and others can be found. Look out Hollywood, there are new stars out on the horizon and they can be discovered in a little Long Island, independent film called, "Eddie Monroe." Great job!


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I've been writing hardboiled crime fiction for a number of years now. When a writer develops a story he always has a character/actor in mind to bring the story to life. Last weekend I found a new one in Paul Vario playing uncle Benny in Eddie Monroe. This was a slick film highlighted by Vario's presence both on and off the screen (as his voice-over narration is also heard). I also especially liked the actress playing Benny's niece and Eddie's ex-wife, although everyone did a fine job in this exciting movie about playing with bad guys and the double-crossing that goes with it. A nice job all around ... and Mr. Vario shined brightest. He's gotta be my Tony Gangi someday ...


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I found the Movie very interesting. I really enjoyed the film the actors were great. It was entertainment. Benny the uncle was wonderful He was real at his character. The ending took a wonderful twist. I would recommend you seeing it. Eddie Mores girlfriend reminded me a little of sandra bullock she was sharp as a nail. I also like the little girls acting in the movie she was very convincing. Benny reminded me of a friend of mine who really lives his life growing up in Brooklyn. I loved the scene where he tasted the sauce in the pot because thats how most people cook lol. I actually watched the movie 2 times and learned more the second time.


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As a Long Island independent film maker myself, and having have had two theatrical releases under my producing/directing belt I had always been told of how much I could learn by viewing a FRED CARPENTER production so I was lucky enough to have his "Eddie Monroe" as my initiation to his superb budgeting, production, casting, settings and masterful directing talents. My heart went out to it's characters, it's story and was totally won over by the trick/switch ending that brought the film's plot to fruition! Location's were marvelously chosen and human emotions in it's characters brought a realistic link to my bonding with all the elements that Mr Carpenter utilized throughout, to his and his film's benefit!


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I was at a friends house for Thanksgiving and watched a DVD of the movie, Eddie Monroe. I've been a fan of Indie Films for almost 20 years, (I loved the Brothers McMullen), and was impressed how good this movie is. My friend, who works at Magno Sound, told us that this movie was shot on Super 16. The photography was so good, it looked as though it was a 35mm shoot. Furthermore, the music combined with Fred Carpenter's direction, was art. The storyline was original and led up to an ending that surprised all of us watching...very cool. The acting by the entire cast was good, especially the actor who played, Uncle Benny. He was amazing. This film was a nice holiday treat, and I was delighted to be one of the first to view a movie that many will be seeing in the future.


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I viewed the movie for a second time on September 30, 2006 and thought that it was even better than the first time I saw it. I thoroughly enjoyed the acting, especially "Uncle Benny". I thought that Fred Carpenter did an excellent job of writing and directing this film. The story line definitely kept your interest and I hope this movie makes it all the way to the top. I felt it moved very smoothly between scenes and the surprise twist at the end, well, lets just say I didn't see it coming. I also thought that Craig, the actor who played "Eddie Monroe" did an excellent job and I hope that this movie will help him to go further in his acting career. From start to finish, I thoroughly enjoyed it.


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I loved the film "Eddie Monroe". The film had all the components that kept me interested while watching it. I especially loved the plot twists along the way and the surprising ending. Craig Morris has Brad Pitt potential both in looks and talent. His blue eyes reminded me of Paul Newman's. Fred Carpenter took this movie to a new level.I loved the cast. The music score, cinematography, talent, locations and script were awesome. I loved seeing some of my favorite actors in Eddie Monroe. Fred Carpenter is an incredibly talented and gifted director. He gives his work 200%. The film has great texture. I hope that there will be an Eddie Monroe 2. I would love to see how Nicolette turns out after getting her windfall of money. Fred Carpenter's Eddie Monroe is Hollywood level.


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I have seen a few of Fred Carpenter's movies on Showtime, Pay Per View and video/DVD and I enjoyed most of these films especially with a few beers, (Carpenter knows how to entertain)"EDDIE MONROE" and "MURDERED INNOCENCE" are my favorites. I recently Viewed a Promo DVD of "EDDIE MONROE" and everything from the cast to the storyline and directing all worked smoothly. (Doug Brown's Music Score was sensational.) I enjoyed seeing Frank Sivero ("Goodfellas", "New York, New York" and "The Wedding Singer"), he is an amazing and very underrated actor.But I especially liked the performance of Paul Vario who played Uncle Benny, I looked up his acting credits on the IMDb and I found out this was his first starring role. Where has this guy been! Give Fred Carpenter credit for discovering Great New Talent, it's only a matter of time you'll be seeing this guy costarring with Pacino and DeNiro. As I mentioned Carpenter knows how to entertain and when your working with a limited budget it is amazing what Carpenter can Produce.(I read the VENT MAGAZINE interview and Carpenter has never made a movie for more than $400,000.00 dollars.) Before I watched "EDDIE MONROE" I saw "Rocky Balboa" and "The Good Shepherd" both great films. "Eddie Monroe" took me on a ride to a surprised ending because of a very good script, good performances from the entire cast(Craig Morris is a movie star waiting to happen and the lead Actress Jessica Tsunis was hot!) great Cinematography, Direction and Doug Brown's Music Score. As I stated I recently seen "Rocky Balboa" and "The Good Shepherd", if I were to write a comment about those two movies I would be saying some of the same things I have stated about "EDDIE MONROE", the only thing those two very good films don't have in common with "Eddie Monroe", they didn't cost a few hundred grand. Great movie and I didn't even drink a beer.


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I am a Talent Manager. I have been for 15 years now. I have discovered some wonderful talent. They have been in Movies, Commericals, Braodway and Television. In my opinion Eddie Monroe was cast wonderful. I love seeing the ability of real people. Not just a name. The Actors in this movie were very natural and believable. I was very entertained by this film. I love a movie with a few twists. I also enjoy when at the end of the movie the puzzle is solved. I still would like to know what happened to the large sum of the money.(When you see the flick you will understand what I am saying.) The Mobsters all look real ???? I would like to see this film on the Big Screen. The footage was shot really well. The scenery of New York was the New York that I know. Have a Happy 2006 and may this movie make it to the awards.


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cool flick. enjoyable to watch. hope to see more from Fred Carpenter soon. i really like the location setting with all the new york references. it was interesting the way it all unfolds in the end. the suspense factor was effective and the acting, though kept simple, was also effective in portraying the characters. there are a bunch of neat little tricks incorporated into this film that make all the better. i think the supporting actress did a great job in her role. the casting and directing in this film seem to be sewn together seamlessly and the quality of the shooting is quite impressive. the movie is not without its soft moments either, which gives it a nice sense of balance.


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Scooby Doo and the Monster of Mexico was no doubt the weakest of the modern Scooby Doo animated features. Loch Ness Monster is a considerable improvement.
This time the gang head off to Scotland to see the Highland Games and visit Blake castle, Daphne's ancestral home. And wouldn't you know, the castle happens to be in the 'quaint' fishing village of Drumnadrochit, on the shores of Loch Ness.
During their stay they meet a few interesting folks. First there is Fiona Pembrooke, a scientist who has drowned all of her money into finding the Loch Ness Monster.
Sir Ian Locksley, the boss of the National Heritage Museum of Scotland, he is staunch non-believer of Nessie.
The Haggarts, the own a cozy Inn on the shores of the loch. The sons are a couple of local jokers, always into mischief.
Del Chilman, a wild, paranoid hippie dude who is convinced the monster is out there and will stop at nothing on find her.
And finally, Duncan MacGubbin, the dock master who has seen Nessie too many times to count.
Most of these characters are stereotypes, which gets a bit annoying as this is teaching younger audiences a load of crap and giving the wrong impression. However if you can immune yourself to it you'll be alright. Being from Scotland I can't help but wince at the awfully mimicked Scottish accents. Fact: We DON'T sound like that.
Soon enough Nessie, looking rather more demonic than 'usual', shows up and causes havoc. Looks like the gang have another mystery on their hands. The usual chase scenes, clues and Shaggy's wacky disguises follow. There are plenty of laughs. The animation is splendid, with some atmospheric scenes and locations. And the plot a lot better than Monster of Mexico.
The only bad thing this time around is the music. I miss Louis Febre's scoring and the songs here are pretty rotten too. Where are the Hex Girls when you need 'em?
The region 2 DVD is in crystal clear 1.78:1 anamorphic widescreen (the region 1 ain't) with Dolby 5.0 sound. Some okay extras are included. Definitely worth getting.


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good job.that's how i would describe this animated Scooby-Doo adventure.this is so far the best of the animated Scooby movies i have seen.i liked the story.i thought it had some depth to to it.the movie is also well paced.it doesn't get boring for a minute.it also has an interesting group of characters(besides Scooby and Shaggy and the gang,of course)plus,the movie was a real blast.i has a lot of fun watching it.i also liked the great Scottish music.it was very catchy and infectious.naturally,we know that Scooby and the Gamg will solve the mystery,but it's still fun getting to that point.the animation is also pretty good for this movie.i would love it if they did a 3D animation Scooby adventure,but we'll just have to wait and see.for me,Scooby-Doo and the Loch Ness monster is a 7/10


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One of quite a few cartoon Scooby Doo films, "Scooby Doo and the Loch Ness Monster" turns out to be entertaining, exciting, interesting, funny and also does a surprisingly good interpretation of the Highlands of Scotland. One annoying aspect of the film is the voices of many of the characters - American people trying to sound Scottish in this film are unfortunately not succeeding all that well (although some people do better Scottish accents than others).
Daphne has come to the Highlands to see her cousin Shannon and the Highland games at Blake Castle. Gravely Shannon tells the gang that she believes to have seen the Loch Ness Monster. When yet more chaos arises, the Mystery Inc Gang have another mystery on their hands...
Good for Scooby Doo fans and for people who want to find out more about Scotland! Enjoy "Scooby Doo and the Loch Ness Monster"! :-)


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Monster of Mexico I do agree is the weakest of the modern Scooby Doo movies, mainly because of the weak plot and how predictable it all was. Loch Ness Monster however, is a considerable improvement, with gorgeous animation, honestly Scotland looked beautiful. The music is good, and the plot is well thought out. Plus, there is some great dialogue, and the voice acting was fabulous, with Casey Kasem a consistent delight as Shaggy, and the beautiful Scottish singer Sheena Easten a pleasant surprise in a guest starring role. In fact, my only complaints were some strange accents in one or two members of the voice cast, with the exception of Easten whose accent did sound genuine, and somehow the Loch Ness Monster wasn't as well designed as it had potential to be. Overall, a solid and enjoyable Scooby Doo film. 8/10 Bethany Cox


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My son Adam (5 years old) is a big Scooby Doo fan. He like this film a lot. He particularly liked when the Loch Ness monster tried to attack Shaggy and Scooby. The vote score is his choice and reflects his love of the characters.
Having seen the "Vampire Rock" film first, this, not surprisingly, was very similar as they repeat a well worn basic plot in a different setting.
Few adults will come across this without having their own memories of the TV cartoon series and even fewer will watch it without children. You either like this or love it. I loved Scooby Doo for half an hour as a kid, I am happy my son loves it, I can just about put up with it now.


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Four unhappy women leave dreary London to spend an ENCHANTED APRIL in a castle on the coast of Italy.
Elizabeth von Arnim's novel comes alive in this charming little film which beautifully demonstrates the virtues of a literate script and ensemble acting. All the elements come together to produce a movie that, although nearly forgotten now, still produces a feeling of appreciation at the story's appropriate resolution.
The actresses each acquit themselves splendidly. Ann Harding is the free-spirited wife longing for 'wisteria & tranquillity' far from foggy London. Katharine Alexander plays the quiet housewife wishing for the elegant responsibility of acting as hostess in the castle. Jane Baxter is the beautiful young noblewoman temporarily escaped from her throng of male admirers. Jessie Ralph steals every scene she's in as an old lady wanting only to be alone with her memories of the past.
The men in the story are also well cast. As Miss Harding's husband, Frank Morgan has a rather complex role as a mousy researcher who has a disturbing personality change when he becomes a successful writer. Reginald Owen, as Miss Alexander's spouse, is marvelously pompous as a man well equipped to bore for England (his hilarious attempt to take an English bath in an Italian bathtub is made even funnier with the assistance of Charles Judels & Rafaela Ottiano as the castle's harried servants). Finally, Ralph Forbes, one of the decade's finest forgotten actors, is joyously eccentric as the ladies' lighthearted landlord.
Movie mavens will recognize an uncredited Ethel Griffies playing the proprietress of the Hampstead Housewives Club.


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OK, this doesn't compare to the explosive tempo of the first part's opening sequence; nor to its visual shock value; nor, for that matter, to the melancholic suspense of the second installment. No, it's surprisingly and refreshingly different (apart, of course, from the two main actors). The tongue-in-cheek futuristic scenario drives the characters towards each other across genres and languages with an almost gravitational force. The moment of impact-conclusion is your choice of: a)Shakespearean metaphor of life and humanity in a cartoon costume; b)sublimation of violence into homo-erotics; c)humorous detonation of an impossible buildup. Everything up to then is even less unequivocal.
Highly recommended to indiscriminate movie buffs who don't mind following foie gras with a hot dog; caution to those with more refined palates.


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The third part of Miike's Dead or Alive trilogy is as unrelated to the first two parts as they were to each other, more or less. Show Aikawa and Riki Takeuchi are back again for the lead roles, but this time the movie thrusts us forward 300 years or so into the future... post apocalypse.
Riki plays a tough cop, an enforcer for the corrupt city's extreme police policies, and Show plays a drifter who hooks up with a bunch of the city's oppressed rebels. The film must have been shot in Hong Kong, as most of the rest of the cast are Cantonese speakers, with Terence Yin and Josie Ho being the most recognisable faces. There's also a HK stunt crew on hand for the films action sequences, which are very cool in a HK-via-Miike style.
This could be fodder for a dreadful low budget B-movie, but in Miike's hands it of course becomes something more interesting. It's quite a slow, thoughtful film that meanders along and doesn't try to force anything down the viewer's throat. Characters are rounded and interesting and the plot an interesting but fairly loose framework for the story to be hung on.
All in all a fairly low key effort until the action scenes, which show Miike's increasing prowess at directing and choreographing very nice action. Watching the short making of with Show & Riki in wire rigs is really fun - you can tell they were having a great time
The finale of the film tries to tie together the 3 Dead Or Alive movies, which is quite unnecessary because each one is really self contained. Miike's explanation of the connection is very funny though, and caps the series off quite nicely.
Not as deep or well developed as DOA2, not as outrageous and intense as DOA1... still another good Miike movie though.


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Two actors play rival gangsters in three films, the final of which is a sci-fi film, that nods strangely to William S. Burroughs, Philip K. Dick, and anime all at once. The robots are actually called "replicants", a reference to Dicks Blade Runner(several visual allusions to the film can be found as well) and the bad guy is a psychotic gay mayor obsessed with limiting procreation through use of a compulsory drug for "heterosexual love is fleeting, and homosexual love is eternal"....martial arts fights ensue, a first for the dead or alive films. The hilarious climax involves the two leads morphing into a winged robot with a gigantic phallus for a head, who personifies "destruction", which has been the path of both characters thus far, their individual minds and later literal heads functioning as something like testicles. The film ends with the mayor f*&%ing his free jazz playing boy lackey as the robot apparently tears down a wall around them, the last words of the mayor "Oh f*&%", followed by a quick fade to black. Part of me felt cheated, part of me confused, but mostly I was just laughing. A lot of the film is quite boring though, the best scenes bookend the film while the rest is far too slow. Takashi Miike has always mined the sexual motifs beneath male violence in action films, and this film with the exception of "Gozu", reinforces this theme more than any other. Sex and violence are two pretty basic themes, but like Cronerberg(who the jazz interludes may be a homage to ala Naked Lunch)Miike is able to show where the two connect, to hilarious an oddly cohesive effect.


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The final installment sees Sho Aikawa and Riki Takeuchi (looking cooler than ever in his reversible overcoat!) pitched against each other for one last battle, this time in the future. The plot owes a lot to Blade Runner, but done in Takashi Miike's low budget, frenetic, comic style. I did feel that it was the weakest of the three DOA films, and although the ending was still outrageous, it lacked the shock value of the previous two. Compared to the likes of Ichi the Killer and Visitor Q, DOA:Final is nowhere near as extreme, but is faithful to the other two films in the trilogy. That said, fans of the first two (and fans of Miike) will get a lot from this as it ties all three films together and gives a final explanation of the relationship between the two protagonists.


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I love those kind of movies. Blood, Revenge, A Lot of Action, Very Dark, Cheesy and More. But this one doesn't deliver the genre that you might expect. When I saw Kite Birds and Ichi the Killer before, I had fun watching those but why this one not? Dead or Alive: Final is a decent anime and its not hardcore and don't even expect nudity in this movie.At least add some more action to entertain the audience. Even the drama wasn't that good. Well, I don't want to spoil the movie nor the plot.But I felt that Dead or Alive: Final is a bit nerdy. So, without further to do. I don't recommend this movie to everyone but I recommend for the people who love decent and well directed anime.
Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne


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If you loved the 1993 (erotic, sci-fiction)cyborg film "Nemesis", then you'll love this one. I loved it the minute the Elvis Pompadoured hero pulls out a samurai sword during a shoot-out. Like "Nemesis" its takes place in a post apocalyptic slum of the future. Both are police thrillers where the well armed hero must take on well armed rebels, to solve a conspiracy by the powers that be against the unwashed masses. but thats where the similarities ends. The ambiguous mayor in dead or alive tries to keep the masses sedate on the drugs he sells them. The rebels aided by mercenaries and a cyborg, try to brake his suffocating hold on his subjects. After several failed attempts to brake the rebels back, he sends his top cop to assassinate the rebels. This movie follows the track of most action adventure but isn't afraid to color outside the line.


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This is a film that has to be taken in context. It shouldn't be seen unless you've seen the first two films, but the sort of people seeing this film will probably own the box set, or at least know someone who does. And you shouldn't go in expecting Blade Runner; the films budget doesn't stretch quite that far, and it's a far more zany ride.
Essentially the film is a science fiction set in future Yokohama (shot in Hong Kong as is obvious) about a society where it's illegal to procreate. Sho Aikawa reprises a similar role from Dead or Alive 2 and Riki Takeuchi is a detective for the birth control cops. Takashi Miike isn't one to give all of his reasons to you on a platter, but one can assume that the law on procreation (enforced by giving people the pill) is there because of over population, increased life spans and so forth. Interestingly the dialogue in the film is mainly Cantonese, whilst Sho and Riki (who play their parts, as always, brilliantly) speak Japanese, and a few speak English. People have criticised the English as being wooden, but I found no problems with it. Also, another person found the homosexuality themes throughout the film to be offensive; said that Takashi Miike was anti-homosexual. He may very well be (and not all artists have to be left-wing), but I can't see this film as an insult to homosexuals. He merely calls back philosophies of ancient Greece when homo or bisexuality was more common. The film contains similar proportions of action-packed and poignant moments to DoA 2, although in this film the action is more martial-arts based, and are done in a very good Hong Kong style. The cinematography in the film is very nice on the eyes, with symmetrical shots, a good control on colours to give the air a polluted look, and it's nice to see uncut, lengthy shots that are so rare in Hollywood these days. Basically, there's a lot to like in this film: a good sense of humour, exciting action and some very beautiful moments. It's a great finish to the series. You could criticise it for being a bit cheesy, but isn't that part of the charm?


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I taped this on Sundance and had no idea that it was a Miike film. I thought it was just another kung fu movie.
Then I saw things like the dancing sax player
who sounded like an Oriental Gato Barbieri, and I knew this had to be Miike.
I missed the beginning opening credits and had to wait till the very end of the closing credits to see Miike's credits.
So far he hasn't disappointed me yet. Audition, City of Lost Souls, Ichi the Killer and The Happiness of the Katakuries were all good flicks, and now I've found out that this was the third in a trilogy.
Other than Miike and Todd Solendz there's nobody making interesting films nowadays.


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This film makes several nods to various science fiction films. The prologue reminds me of the one for the original theatrical version of THX-1138 (the trailer for BUCK ROGERS, here it was clips from some early Japanese SF TV show). Then the opening shot of the city in 2345 has the dragon blip flying overhead with a billboard, reminding one immediately of BLADERUNNER. The BLADERUNNER aspect comes even
more pronounced when we meet the hero, who is called a Replicant (He is blond haired and is called Ryo, a homage to Roy Batty, Rutger Hauer's character in BLADERUNNER?). A battle scene soon ensues which reminds one immediately of THE MATRIX. The government forcing the population to take drugs is like THX-1138 and the chief enforcer, while looks like a cross between Elvis and Dan Ackroyd, turns out to be a robot, very much like the TERMINATOR. The end battle reminds one of TERMINATOR 2 and the end result is hilarious. Probably not one of the best SF films out there, but is enjoyable, certainly a lot more enjoyable than tripe like BATTLEFIELD EARTH.


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A lot of 'alternative' comedy in Britain in the 1980s was insular, misguided, overly-political, and unfunny, and the worst of the Comic Strip Presents... stuff fell into this category.
But this is at the other end - a remarkable film that works on different intellectual levels.
Is Dennis a criminal mastermind or is he lying?
Is he telling the truth, bluffing, double-bluffing, counter-doubly-bubbly-bluffingwhatever?
I've probably watched Supergrass 20 or 30 times, and I still can't decide 100%. That's the wonderful thing.
As well as Ade Edmonson, there are big roles for other early Comic Strip mainstays - French & Saunders, Pete Richardson, Alexei Sayle, Keith Allen, Nigel Planer and Robbie Coltrane, though curiously enough not Rik Mayall.
All of the Comic Strip cast - however much I disliked the hidden agenda of some of their members - are convincing actors, and turn in superb performances in this big-screen outing, while the Richardson-Richens writing team's work is so often pure genius, with nice little touches of detail throughout.
Ultimately this is a study of crime, criminology and human nature, in all it's wondrous complexity. And very funny with it. You will not be disappointed.


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This film is great! Being a fan of "The Comic Strip Presents..." I just knew I would love this film. And love it I do. I finally got round to buying a copy of this film early this year. However I was annoyed to find that it had been cut! So I'll keep looking at car boot sales for the original version.
Anyway, the film is about Dennis Carter (Adrian Edmondson), who tries to impress his girlfriend (Dawn French) by claiming to be a drug dealer. However, Dennis is overheard bragging one night in the pub and nicked! So Dennis turns supergrass but the trouble is he doesn't know anything and starts to make up lies and dig himself into an even deeper hole! The irony of all this is that there is drug smuggling going on down in Devon.
This film is not as funny as I expected but it is still a really good film with some good laughs and a great soundtrack. It also has the best scene ever in a British film (Robbie Coltrane's walk across the pier set to "Two Tribes" by Frankie Goes To Hollywood.
So if you are a fan of "The Comic Strip Presents...", of any of the cast members, or a fan of British comedy see it A.S.A.P!!!


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Great 1980s Comic Strip comedy set in the South West of England. It is a tale of sex, drugs, cream teas and murder by the seaside. Adrian Edmondson, French and Saunders, Nigel Planer (hilarious in drag) and Robbie Coltrane play a part. Dennis (Edmondson) tries to impress girlfriend by boasting he is involved in a multi-million pounds drug deal. This leads to complications with hilarious results. I am trying to find out the original picture ratio for this film but it does not appear under 'Technical Aspects' of the IMDb site. I spotted the DVD in the shop and it appears to be in 1.33:1 (full screen) format. Was the film shot in this ratio or was it originally a widescreen film with a pan and scan DVD? It would be useful to know as I hate pan and scan films. So come on IMDb. Could you find out for us?


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The funniest movie from Britain I have ever seen, "The Supergrass" is a tale of sex, drugs, cream teas, and murder by the seaside. Dennis Carter (Adrian Edmonson), average moron, is out to impress his so-called girlfriend, Andrea (Dawn French), because she thinks he is too law-abiding. So, to get her to come along with him on a romantic getaway, he comes up with a scheme that perhaps will impress her and entice her to spend some time with him. Trouble is, Dennis' lie is that he's somehow gotten involved in an international drugs ring, and while telling her, a couple of policemen overhear his boasting and nick him. And so begins this witty movie, full of slick comedy and crude jokes. Dennis is banged up in the local nick, and, much to the arresting officers' delight, there seems to be no way out (Andrea's earlier attempts to explain it was all a lie were dismissed by a hilarious melody of "Stand by Your Man" by the two officers'). Then comes along Commander Robertson (Ronald Allen), Chief Intelligence, Scotland Yard. He makes a deal with Dennis, that if he helps him catch the drug smugglers, then he will be set free and allowed whatever he pleases. Dennis agrees, and is teamed up with Harvey Duncan (Peter Richardson), and Lesley Reynolds (Jennifer Saunders). The rest is an unforgettable rib-tickling experience, with Robbie Coltrane as Sergeant Troy adding humourous colour to the film. His walk along the dry-dock against "Frankie Goes To Hollywood's Two Tribes" is superb, and probably the best scene in motion picture history. The two officers' who nick Dennis are wonderfully played by Michael Elphick and Patrick Durkin, and Alexei Sayle as the motorcycle cop is a laugh! If you want something good to watch on a Saturday night, then I suggest you rent this. You won't forget it!


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I just finished watching this (last weekend) and found it absolutely hillarious, some of the scenes I just couldn't stop laughing at! Dennis is soooo amazingly thick sometimes, and just says the stoopidest things...but at the same time he's just being cool to impress his girlfriend (who gets arrested anyway!) The beach scenery is very tranquil...until along comes Robbie Coltrane...! Not the greatest movie ever made but certainly something to think about renting on a Saturday night when you haven't got much else to do (like I did). You might need to hunt around for it though - I was lucky, as my local video store stocks it.


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Two hard-luck but crafty ladies decide to act like HAVANA WIDOWS by sailing to Cuba to meet & blackmail rich gentlemen...
This was the sort of ephemeral comic frippery which the studios produced quite effortlessly during the 1930's. Well made & highly enjoyable, Depression audiences couldn't seem to get enough of these popular, funny photo dramas.
Joan Blondell & Glenda Farrell are perfectly cast as the frantic, fast-talking females who will go to great lengths to make a little dishonest dough. Although Joan gets both top billing and the romantic scenes, both gals are as talented & watchable as they are gorgeous.
Handsome Lyle Talbot plays Joan's persistent suitor, but he's given relatively little to do. Chubby, cherubic Guy Kibbee appears as the girls' intended target. Whether awakening to find himself in the wrong bed or being chased across the roof of a Cuban hacienda in his long johns, he is equally hilarious. Behind him comes a rank of character actors - Allen Jenkins, Frank McHugh, Ruth Donnelly, Hobart Cavanaugh, Maude Eburne, Dewey Robinson - all equally adept at pleasing the toughest crowd.
Movie mavens will recognize an uncredited James Murray as the suspicious bank teller with the forged check. This very talented actor was pulled out of complete obscurity to star in King Vidor's THE CROWD (1928), one of the silent era's most prestigious films. Hopes were high for a great career, but his celebrity faded quickly with sound pictures. After a long string of tiny roles & bit parts, broke & destitute, his life ended in the waters of a New York river in 1936. He was only 35 years old.
While never stars of the first rank, Joan Blondell (1906-1979) & Glenda Farrell (1904-1971) enlivened scores of films at Warner Bros. throughout the 1930's, especially the eight in which they appeared together. Whether playing gold diggers or working girls, reporters or secretaries, these blonde & brassy ladies were very nearly always a match for whatever leading man was lucky enough to share equal billing alongside them. With a wisecrack or a glance, their characters showed they were ready to take on the world - and any man in it. Never as wickedly brazen as Paramount's Mae West, you always had the feeling that, tough as they were, Blondell & Farrell used their toughness to defend vulnerable hearts ready to break over the right guy. While many performances from seven decades ago can look campy or contrived today, these two lovely ladies are still spirited & sassy.


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Blondell & Farrell are excellent. Blondell was edible. This was very funny and I laughed often throughout it. Great dialogue and its loaded with wisecracks. I could've watched it for hours. Tremendous fun to watch.


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Black Day Blue Night was actually good modern noir. Three young nomads on the run from their own lives team up on something of a road trip through a desert in the middle of nowhere (as most modern noir does). One woman finds that her husband is cheating on her, and after finding him in a hotel room, decides to head off and start anew. Strangely enough, she travels with her husband's mistress, who is forgiveable given that the sleazebag never told her he was married. And together, while driving in the pouring rain, they meet a third, very mysterious young man with a suitcase full of secrets. While they're giddy and free and all suspicious of one another, the cops back at town have them marked as suspects in the death of a policeman.
Black Day Blue Night starts out with immediate confrontation, and throws in a pretty good story with all it's twists meant to mislead your suspicions of one character after another, leading to a very unusual ending. That is, the movie starts with immediate action confrontation, and once you think the story is solved, you are immediately thrust into yet another turn in the plot, revealing just a little more than you expected before the movie is over.
But, as some viewers have written, the ending is slightly confusing and a bit of a let down. The killer is not who you would immediately expect and, once revealed, becomes somewhat confusing due to a rather thinly explained flashback which reveals all of the necessary motive to solve the mystery. But actually, there is a finale beyond that, which I would think is the most interesting of the film. Because modern noir always involves a circle of criminal suspects, almost always all of them guilty of something, it is also a genre that always involves money. And thus the question in these movies always becomes --how far are the characters willing to go for money?
If you like this rendition of modern film noir, I would suggest watching Red Rock West (it's also got J.T. Walsh and some going-ons in the blasted desert)!


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It looks b grade and you will probably think there is no reason to rent this film! But do! I expected nothing from this movie, just something to pass the time, but I was hooked from the start! Two interesting premises - A bank robbery gone wrong, a million dollars missing and two girls on the road to start a new life - How will these two stories collide? Just when you think you know what direction the movie is headed, it does a 180 and you are left blown away by the great twists in the plot! It has a great but unexpected ending, and you are left wanting more - always a good sign - rent it or even buy it, you will not be disappointed!


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