The New York Times critic Jeannette Catsoulis believed that the fantasy was kept in the background `` to find magic in the everyday '' , and thought Csupó directed `` like someone intimate with the pain of being different , allowing each personality more than a single characteristic '' .
The New York Times ' Jeannette Catsoulis believed that the fantasy was kept in the background `` to find magic in the everyday '' , and thought Csupó directed `` like someone intimate with the pain of being different , allowing each personality more than a single characteristic '' .