Close at hand is a bridge over the River Thames, an admirable vantage ground for us to make a survey. The river flows beneath; barges pass, laden  with timber, bursting with corn; there on one side are 5 the domes and spires of the city; on the other, Westminster and the Houses of Parliament. It is a place to stand on by the hour, dreaming. But not now. Now we are pressed for time. Now we are here to consider facts; now we must fix our eyes upon the10 procession-the procession of the sons of educated men.There they go, our brothers who have been educated at public schools and universities, mounting those steps, passing in and out of those15 doors, ascending those pulpits, preaching, teaching, administering justice, practising medicine, transacting business, making money. It is a solemn sight always - a procession, like a caravanserai crossing a desert. ... But now, for the past twenty20 years or so, it is no longer a sight merely, a photograph, or fresco scrawled upon the walls of time, at which we can look with merely an esthetic appreciation. For there, trapesing along at the tail end of the procession, we go ourselves. And that25 makes a difference. We who have looked so long at the pageant in books, or from a curtained window watched educated men leaving the house at about nine-thirty to go to an office, returning to the house at about six-thirty from an office, need look passively30 no longer. We too can leave the house, can mount those steps, pass in and out of those doors, ... make money, administer justice. ... We who now agitate these humble pens may in another century or two speak from a pulpit. Nobody will dare contradict us35 then; we shall be the mouthpieces of the divine spirit-a solemn thought, is it not? Who can say whether, as time goes on, we may not dress in military uniform, with gold lace on our breasts, swords at our sides, and something like the old40 family coal-scuttle on our heads, save that that venerable object was never decorated with plumes of white horsehair. You laugh-indeed the shadow of the private house still makes those dresses look a little queer. We have worn private clothes so 45 long. ... But we have not come here to laugh, or to talk of fashions-men's and women's. We are here, on the bridge, to ask ourselves certain questions. And they are very important questions; and we have very little time in which to answer them. The0 questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of all men and women for ever. For we have to ask ourselves, here and now, do we wish to join that55 procession, or don't we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men? The moment is short; it may last five years; ten years, or perhaps only a matter of a few months longer. ... But, you will60 object, you have no time to think; you have your battles to fight, your rent to pay, your bazaars to organize. That excuse shall not serve you, Madam. As you know from your own experience, and there are facts that prove it, the daughters of educated men65 have always done their thinking from hand to mouth; not under green lamps at study tables in the cloisters of secluded colleges. They have thought while they stirred the pot, while they rocked the cradle. It was thus that they won us the right to our70 brand-new sixpence. It falls to us now to go on thinking; how are we to spend that sixpence? Think we must. Let us think in offices; in omnibuses; while we are standing in the crowd watching Coronations and Lord Mayor's Shows; let us think ... in the75 gallery of the House of Commons; in the Law Courts; let us think at baptisms and marriages and funerals. Let us never cease from thinking-what is this "civilization" in which we find ourselves? What are these ceremonies and why should we take part in80 them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?Q: According to the passage, Woolf chooses the setting of the bridge because it Answer Choices: (A)is conducive to a mood of fanciful reflection. (B)provides a good view of the procession of the sons of educated men. (C)is within sight of historic episodes to which she alludes. (D)is symbolic of the legacy of past and present sons of educated men.
A: Among A through D, the answer is
(A)is conducive to a mood of fanciful reflection.
(B)provides a good view of the procession of the sons of educated men.
(C)is within sight of historic episodes to which she alludes.
(D)is symbolic of the legacy of past and present sons of educated men.
Answer: 1