 When it came to other sound patterns, Keats relied on double or triple caesuras in approximately 6 % of lines throughout the 1819 odes. An example from "Ode to a Nightingale" can be found within line 45 ("The grass, the thicket, and the fruit-tree wild") as the pauses after the commas are a "masculine" pause. Furthermore, Keats began to reduce the amount of Latin-based words and syntax that he relied on in his poetry, which in turn shortened the length of the words that dominate the poem. There is also an emphasis on words beginning with consonants, especially those that begin with "b", "p" or "v". These three consonants are relied on heavily in the first stanza, and they are used syzygically to add a musical tone within the poem.
