 In the chamber repertoire, his two piano quartets, particularly the first, are among Fauré's better-known works. His other chamber music includes two piano quintets, two cello sonatas, two violin sonatas, a piano trio and a string quartet. Copland (writing in 1924 before the string quartet was finished) held the second quintet to be Fauré's masterpiece: "... a pure well of spirituality ... extremely classic, as far removed as possible from the romantic temperament." Other critics have taken a less favourable view: The Record Guide commented, "The ceaseless flow and restricted colour scheme of Fauré's last manner, as exemplified in this Quintet, need very careful management, if they are not to become tedious." Fauré's last work, the String Quartet, has been described by critics in Gramophone magazine as an intimate meditation on the last things, and "an extraordinary work by any standards, ethereal and other-worldly with themes that seem constantly to be drawn skywards."
