 Lucrezzia stopped writing for the paper in 1911, probably as a result of conflicts she had with Bogdan-Pitești, her marriage to Dumitru on the brink of failure. Sometimes signing as "Don Ramiro", Dumitru remained affiliated with Seara, and in charge of its artistic policies. The newspaper's traditional conservatism was still being reflected in its artistic choices. During late 1910, Karnabatt gave poor reviews to the more rebellious Symbolist painters to emerge from the Tinerimea Artistică salon, and deemed the primitivist sculptor Constantin Brâncuși a madman.
