 The dried London foot, first mentioned in 1665, and transferred to the British Museum in the 18th century, was displayed next to Savery's Edwards's Dodo painting until the 1840s, and it too was dissected by Strickland and Melville. It was not posed in a standing posture, which suggests that it was severed from a fresh specimen, not a mounted one. By 1896 it was mentioned as being without its integuments, and only the bones are believed to remain today, though its present whereabouts are unknown.
