 It was followed first in 2001 by Interior Music, created for use by the audio-visual company Bang & Olufsen, and which did not receive a commercial release, then by 2002's Sessions 2000, a set of experimental synth-jazz pieces distinct from his previous work. Sessions was well received by Billboard Magazine, which said "He's created a deeply nuanced soundscape that invites repeated listening." A concert in September 2002 at a wind farm near Aalborg in Denmark proved problematic when 22mm of rain fell on the venue, causing long delays for spectators. It also marked a change in direction in Jarre's live concerts; from Rendez-vous Houston onwards he had been accompanied by a full complement of live musicians, but at Aalborg he was accompanied only by the Klarup Girls Choir, Francis Rimbert, Safri Duo and the Aalborg Symphonic Orchestra.
