 The work displays a thoughtful symmetry. In the center of the five parts is the court hearing which confronts Jesus, Pilate and the people. In the middle of the hearing, a chorale (22) interrupts the argument, which talks about prison and freedom. It is surrounded by two choral movements, which not only both ask for the crucifixion of Jesus, but also use the same musical motifs, the second time intensified. Again in symmetry of similar musical material, a preceding turba choir explains the law, while a corresponding movement reminds Pilate of the emperor whose authority is challenged by someone calling himself a king. Preceding this, Jesus is greeted in mockery as the king, corresponding in motif to the later request that Pilate should change the inscription saying he is the king to that he claimed to be king.
