 Critics generally enjoyed the fake trailers. Geoff Pevere of the Toronto Star wrote that the use of the trailers helps the film establish "its credibility as both mock-artifact and geeky fetish object even before the opening feature." Todd McCarthy of Variety claimed that the trailers were "excellent candidates for exploitation immortality." Jeff Vice of Deseret News, who gave the feature films negative reviews, called the trailers "... the strongest aspect of the entire presentation." Maitland McDonagh of TV Guide added, "With the exception of Werewolf Women, which tries a little too hard, they 're all spot-on pastiches."
