 The interior featured 1950s furnishings and "pinball-panel" wall decorations. In 1963, The Oregonian described the artwork on the interior walls, which included a large and colorful painting depicting a gypsy camp, and an "attractive" nude called Dian by Grace Harlow, a painter and former student of Louis Bunce. The venue also featured "mottled" iridescent red windows that were translucent, could seat 150 guests, and included a banquet area.
