 In addition to functioning as a spiritual conversion narrative, The Autobiography of Malcolm X also reflects generic elements from other distinctly American literary forms, from the Puritan conversion narrative of Jonathan Edwards and the secular self-analyses of Benjamin Franklin, to the African American slave narratives. This aesthetic decision on the part of Malcolm X and Haley also has profound implications for the thematic content of the work, as the progressive movement between forms that is evidenced in the text reflects the personal progression of its subject. Considering this, the editors of the Norton Anthology of African American Literature assert that, "Malcolm's Autobiography takes pains to interrogate the very models through which his persona achieves gradual self-understanding ... his story's inner logic defines his life as a quest for an authentic mode of being, a quest that demands a constant openness to new ideas requiring fresh kinds of expression."
