 A select few scenes disrupt the Expressionistic style of the film, such as in Jane's and Alan's home, which include normal backgrounds and bourgeois furniture that convey a sense of security and tranquility otherwise absent from the film. Eisner called this a "fatal" continuity error, but John D. Barlow disagrees, arguing it is a common characteristic for dream narratives to have some normal elements in them, and that the normalcy of Jane's house in particular could represent the feeling of comfort and refuge Francis feels in her presence. Mike Budd argues while the Expressionistic visual style is jarring and off-putting at first, the characters start to blend more harmoniously as the film progresses, and the setting becomes more relegated into the background.
