 Gibbons became a Fellow of the Royal Society of Literature in 1950. Her style has been praised by critics for its charm, barbed humour and descriptive skill, and has led to comparison with Jane Austen. The impact of Cold Comfort Farm dominated her career, and she grew to resent her identification with the book to the exclusion of the rest of her output. Widely regarded as a one-work novelist, she and her works have not been accepted into the canon of English literature — partly, other writers have suggested, because of her detachment from the literary world and her tendency to mock it.
