The Italian-American 1950s-inspired music video, directed by Joseph Kahn, was shot back to back with the video for the song "LoveGame" on the weekend of January 9-10, 2009 in Los Angeles. About the video, Gaga explained: "I wanted to show a different side of myself — perhaps a more domestic girly side. And I wanted to create beautiful, stunning '50s futuristic fashion imagery that would burn holes in everyone's brains." She further clarified that for the fashion aspects in the video she wanted to go in an opposite direction to her usual image. She wanted a yellow based wardrobe believing the color to become a big hit in the fashion world in 2009.The video starts out showing Little Italy, an icon of the Madonna and Child, and then Gaga riding a Vespa. The first twenty seconds are mainly full of camera shots of different men, Gaga, and the city. The singer roams around with some friends, laughing and joking in a restaurant, while she stands on the seat. Gaga then comes from around the block walking with her friends in pace and singing in the camera. Next, she is shown sleeping in a bed, and waking up to reveal pink high-heeled shoes. She sings and cooks for a man in a house while dancing. She irons clothes while the man is on phone screaming at someone. The two harlequin Great Danes who appear at the start of her "Poker Face" music video, also appear in this one. Finally she lies on a sofa with her legs up on the man. One of the last scene shows her in a yellow dress made of flowers and wearing a yellow watch while singing to the song with a unique hairstyle which shows her hair pulled up and folded over. Then the camera quickly goes back to her in bed.David Balls from Digital Spy noted Gaga's homage to her Italian-American roots in the video, but wondered if Gaga would "overexpose herself" with the video. Like his review of the single, Moralde found the video to be complimenting the simplistic composition of the song. He believed that with the videos for previous singles, "Just Dance" and "Poker Face", Gaga's persona was established, but with the video for "Eh, Eh" she traversed her persona from the original Stefani Germanotta that she was born, to the character Lady Gaga. He explained: "What's striking about it is how much it feels like Lady Gaga is playacting: the video has a nostalgic, dreamlike tone. Set in a stylized pastel 1950s Little Italy, the video plays heavily with stereotypical and historical shorthand as it displays moustached chefs, macho men in wife beaters, cute Vespas, and spaghetti and meatballs." He noted that with all of these activities, Gaga created an essential fashion dollhouse, by playing feminine characters.But Gaga addressed the viewer directly in the video while singing the song, which led Moralde to deduce that "She's not in the moment, but is instead playing a feminized role in a dreamlike space; this quality is accentuated by the bright and blown-out color palette, and the numerous shots of Gaga in bed or sleeping. The cumulative effect is that it asserts the Lady Gaga of the previous videos to be the real one, and the Gaga in 'Eh, Eh' is a character that she is playing." His view was shared by Chris Kingston from The Harvard Crimson who noted during the release of the music video for Gaga's 2010 single "Telephone", that the video shows "the crazy party girl we know [...] actually has a weirdly girlish, domestic side." In The Oxford Handbook of Sound and Image in Digital Media, author Carol Vernallis divided Gaga's persona into three categories. The personality portrayed in the "Eh, Eh" video was named as "Friendly Peer" archetype; someone with a girl-next-door image and approachable behavior.

Question: What color are Gaga's shoes?
Answer: pink

Question: What does Gaga do while singing and cooking?
Answer: dancing