title: New Zealand

authors: Moffat, Kirstine

subjects: New Zealand

abstract: 2009 was a particularly rich and diverse year for New Zealand literature, with the publication of significant works by many established authors and the emergence of several new and promising voices. Experimentation with form and a joyful celebration of the act of creation are a hallmark of much of this year’s bibliography. The first decade of the twenty-first century continues to be distinguished by a range of genres and forms – realist, mythic, fantastical and historical modes remain particularly popular – and, in some authors’ work, by a movement away from New Zealand settings to other, actual or imagined, locations.

text: New Zealand 2009 was a particularly rich and diverse year for New Zealand literature, with the publication of significant works by many established authors and the emergence of several new and promising voices. Experimentation with form and a joyful celebration of the act of creation are a hallmark of much of this year’s bibliography. The first decade of the twenty-first century continues to be distinguished by a range of genres and forms – realist, mythic, fantastical and historical modes remain particularly popular – and, in some authors’ work, by a movement away from New Zealand settings to other, actual or imagined, locations.

year: 2010

title: The Crucible of Language: How Language and Mind Create Meaning

authors: Calude, Andreea S.

subjects: Social Sciences

abstract: Among the chief qualities of The Crucible, apart from the charming writing style, is its ability to bring to light, in a highly readable form for a non-expert audience, the complex problems that researching language raises. The Crucible is therefore a worthy and long-awaited addition to current works on language, and one which is sure to bring much joy and excitement to anyone who has ever wondered about how meaning arises. The book is also testament to the fact that no explanation of any complex phenomenon can ever be done on neutral territory; each such explanation is anchored in a particular approach or belief, and seen through the lens of a particular theoretical leaning– and researching language is no exception.

text: The Crucible of Language: How Language and Mind Create Meaning Among the chief qualities of The Crucible, apart from the charming writing style, is its ability to bring to light, in a highly readable form for a non-expert audience, the complex problems that researching language raises. The Crucible is therefore a worthy and long-awaited addition to current works on language, and one which is sure to bring much joy and excitement to anyone who has ever wondered about how meaning arises. The book is also testament to the fact that no explanation of any complex phenomenon can ever be done on neutral territory; each such explanation is anchored in a particular approach or belief, and seen through the lens of a particular theoretical leaning– and researching language is no exception.

year: 2020-05-20

title: Review: Memoirs of Active Service

authors: Cheesman, Sue

subjects: Maaka Pepene

abstract: Ka maumahara tonu tatou ki a ratou - we will remember them…poignant last words…   bidding farewell to a generation of veterans moving on...leaving fragments  of memories and diaries for children/grandchildren to honour, celebrate and remember …black costumes billow, fold, swirl and wrap the dancers bodies…wide sweeping arm movements…jumps and turns…slides on all fours - provides the vehicle for five accomplished dancers to fill the space with fluidity and lyricism in this very moving finale, a lament set to Albinoni’s adagio - maybe old soldiers never die.

text: Review: Memoirs of Active Service Ka maumahara tonu tatou ki a ratou - we will remember them…poignant last words…   bidding farewell to a generation of veterans moving on...leaving fragments  of memories and diaries for children/grandchildren to honour, celebrate and remember …black costumes billow, fold, swirl and wrap the dancers bodies…wide sweeping arm movements…jumps and turns…slides on all fours - provides the vehicle for five accomplished dancers to fill the space with fluidity and lyricism in this very moving finale, a lament set to Albinoni’s adagio - maybe old soldiers never die.

year: 2007