title: The art of mentoring: teaching that engages the soul.

authors: Gauthern, Dean

subjects: mentoring in education

abstract: This paper explores the important educational issue of the art of mentoring in education, particularly regarding teachers. Using a biographical example to illustrate, I focus upon nurturing and the soul, emotional and pedagogical qualities in mentoring, and draw attention to paradoxes and issues that make mentoring an endangered activity.

text: The art of mentoring: teaching that engages the soul. This paper explores the important educational issue of the art of mentoring in education, particularly regarding teachers. Using a biographical example to illustrate, I focus upon nurturing and the soul, emotional and pedagogical qualities in mentoring, and draw attention to paradoxes and issues that make mentoring an endangered activity.

year: 2001

title: Researcher decisions in presentation: Using a painting scheme to stage research poetry

authors: Earl Rinehart, (Suzanne) Kerry

abstract: Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

text: Researcher decisions in presentation: Using a painting scheme to stage research poetry Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

year: 2018

title: E Ara Apanui

authors: Maxwell, Te Kahautu

abstract: E Ara Apanui recites the genealogical links between the Te Whakatōhea iwi and the host people of the Te Whānau a Apanui iwi. This new composition was performed by Ōpōtiki Mai Tawhiti at the Mātaatua Regional Kapa Haka Competition to qualify for Te Matatini 2013.

text: E Ara Apanui E Ara Apanui recites the genealogical links between the Te Whakatōhea iwi and the host people of the Te Whānau a Apanui iwi. This new composition was performed by Ōpōtiki Mai Tawhiti at the Mātaatua Regional Kapa Haka Competition to qualify for Te Matatini 2013.

year: 2012