title: The exploration of static typography for expressing the emotive qualities of music

authors: Lu, Amanda (Meng-Hsuan)

subjects: typography

abstract: This thesis explores how the pure form of static typography can express the emotive qualities of music. More specifically, how typefaces/letterforms and typographic compositions can produce emotive associations; and whether combining both aspects can enhance the emotive value.

Emotion, typography and music are the three core subject areas of this research. Using music as the medium to elicit emotions, the findings from this thesis indicate that typeface/letterform is the most effective aspect of static typography to express emotive qualities, followed by the combination of both typographic aspects, and typographic composition which has the least impact for emotive connections. 

Five influential factors affecting the process of emotive association between music and static typography has been found: 1) Association of typographic attributes and design principles to emotive qualities, 2) Direct association using emotive terms and adjectives, 3) Connotation through personal memory and imagination, 4) Association to human voice and human touch, and 5) Association to phonetic properties of music. 

Chapter 2 of this thesis presents a review of the literature from the three main subject areas. It begins from the psychology of emotions and the importance of emotional attachment in design. Next, the chapter discusses the visual logic and creation of emotions through the pure anatomy of letterforms and typographic experimentation. The third section continues with how music can evoke emotions and the analogy between the properties of music and typographic characteristics. 

Chapter 3  4 presents original research of this thesis, initiating with a formative pilot study where three music sequences were selected and three corresponding typographic compositions designed by the researcher. The method of matching one sequence to one design piece was employed. Chapter 4 continues with original research, where modification was made to the methodology to obtain more specific results. Each aspect of static typography was investigated individually. The combination of both aspects was also tested to examine whether it can enhance the emotive impact.

Findings from this research intend to present fresh realization to graphic designers, typographers and type designers, highlighting the tangible and enduring essence of static typography, with its power to engage the audience on an emotive level.

text: The exploration of static typography for expressing the emotive qualities of music This thesis explores how the pure form of static typography can express the emotive qualities of music. More specifically, how typefaces/letterforms and typographic compositions can produce emotive associations; and whether combining both aspects can enhance the emotive value.

Emotion, typography and music are the three core subject areas of this research. Using music as the medium to elicit emotions, the findings from this thesis indicate that typeface/letterform is the most effective aspect of static typography to express emotive qualities, followed by the combination of both typographic aspects, and typographic composition which has the least impact for emotive connections. 

Five influential factors affecting the process of emotive association between music and static typography has been found: 1) Association of typographic attributes and design principles to emotive qualities, 2) Direct association using emotive terms and adjectives, 3) Connotation through personal memory and imagination, 4) Association to human voice and human touch, and 5) Association to phonetic properties of music. 

Chapter 2 of this thesis presents a review of the literature from the three main subject areas. It begins from the psychology of emotions and the importance of emotional attachment in design. Next, the chapter discusses the visual logic and creation of emotions through the pure anatomy of letterforms and typographic experimentation. The third section continues with how music can evoke emotions and the analogy between the properties of music and typographic characteristics. 

Chapter 3  4 presents original research of this thesis, initiating with a formative pilot study where three music sequences were selected and three corresponding typographic compositions designed by the researcher. The method of matching one sequence to one design piece was employed. Chapter 4 continues with original research, where modification was made to the methodology to obtain more specific results. Each aspect of static typography was investigated individually. The combination of both aspects was also tested to examine whether it can enhance the emotive impact.

Findings from this research intend to present fresh realization to graphic designers, typographers and type designers, highlighting the tangible and enduring essence of static typography, with its power to engage the audience on an emotive level.

year: 2009

title: Measurement of natural convection heat transfer in an attic shaped enclosure

authors: Anderson, Timothy Nicholas

subjects: solar

abstract: Heat transfer by natural convection in triangular enclosures is an area of significant importance in applications such as the design of greenhouses, attics and solar water heaters. However, given its significance to these areas it has not been widely examined. In this study, the natural convection heat transfer coefficients for air in an attic shaped enclosure were determined for Grashof Numbers over the range of 10⁷ to 10⁹. It was found that the measured heat transfer coefficients could be predicted to within 5% by Ridouane and Campo’ (2005) equation (Eqn. 1) for natural convection in a triangular enclosure previously developed for Grashof Numbers in the range 10⁵ and 10⁶. 
Nu= 0.286A⁻⁰•²⁸⁶ Gr¼    (1)
As such, it is suggested that this equation may be suitable for predicting the natural convection heat transfer coefficients in full scale attic enclosures.

text: Measurement of natural convection heat transfer in an attic shaped enclosure Heat transfer by natural convection in triangular enclosures is an area of significant importance in applications such as the design of greenhouses, attics and solar water heaters. However, given its significance to these areas it has not been widely examined. In this study, the natural convection heat transfer coefficients for air in an attic shaped enclosure were determined for Grashof Numbers over the range of 10⁷ to 10⁹. It was found that the measured heat transfer coefficients could be predicted to within 5% by Ridouane and Campo’ (2005) equation (Eqn. 1) for natural convection in a triangular enclosure previously developed for Grashof Numbers in the range 10⁵ and 10⁶. 
Nu= 0.286A⁻⁰•²⁸⁶ Gr¼    (1)
As such, it is suggested that this equation may be suitable for predicting the natural convection heat transfer coefficients in full scale attic enclosures.

year: 2008

title: The Application of the "Best Interests" Principle to Maori Children's Collective Cultural Rights: A Conceptual Shift for the New Zealand Family Court?

authors: Macbeth, Steven Alexander

subjects: "collective cultural rights"

abstract: Indigenous Peoples assert their collective rights in a world where Western liberal theory and individual rights dominate. International human rights law, however, increasingly recognises Indigenous Peoples collective rights in addition to their members’ individual rights. In 2007 the United Nations General Assembly adopted the United Nations Declaration on the Rights of Indigenous Peoples, which represents the most comprehensive acknowledgement of Indigenous Peoples collective rights within international law. In 2009 the Committee on the Rights of the Child issued under the United Nations Convention on the Rights of the Child General Comment No. 11 “Indigenous children and their rights under the Convention”. The Comment references the United Nations Declaration on the Rights of Indigenous Peoples as providing important guidance on the rights of indigenous children. The Comment provides authoritative guidance to State Parties that the application of the “best interests” principle to indigenous children under the Convention requires the assessment of indigenous children’s collective cultural rights and their need to exercise such rights collectively with members of their group, in addition to the indigenous children’s individual rights. Only then can the best interests of indigenous children be determined. 
As a State Party, New Zealand is obliged to implement the United Nations Convention on the Rights of the Child through legislation, judicial determinations and administrative processes. The best interests principle is already the paramount consideration and touchstone for judicial decision-making under the Children, Young Persons, and Their Families Act 1989 and Care of Children Act 2004. The Family Court of New Zealand (while making some inroads in the 1980s and 90s) has yet, however, to develop a coherent and robust approach to the assessment of Maori children’s collective cultural rights when applying the best interests principle as it is obliged to do. General Comment No. 11 and the United Nations Declaration on the Rights of Indigenous Peoples assist by providing authoritative guidance. They augment New Zealand’s family legislation, common law and social policy, which already acknowledge cultural rights and the collective nature of Maori familial relationships.
This paper looks beyond children’s individual rights and the universal application of such rights. It considers the assessment of Maori children’s collective cultural rights in addition to their individual rights under the best interests principle. Further, it analyses the relevant international and domestic authority the Family Court of New Zealand must consider when applying the best interests principle to Maori children, and the practical realities the recognition of Maori children’s collective cultural rights present. A conceptual shift by the Family Court and counsel is required. This paper urges the Family Court to develop the application of the best interests principle under the Care of Children Act 2004 and the Children Young Persons and Their Families Act 1989 to include the assessment of Maori children’s collective cultural rights in addition to their individual rights. In so doing the common law will reflect New Zealand’s unique history and circumstances, and comply with the United Nations Convention on the Rights of the Child. If it fails to do so, the Family Court risks being the subject of criticism for breaching the Convention, being out of sync with international human rights law, domestic legislation and social policy, and increasingly losing relevancy.

text: The Application of the "Best Interests" Principle to Maori Children's Collective Cultural Rights: A Conceptual Shift for the New Zealand Family Court? Indigenous Peoples assert their collective rights in a world where Western liberal theory and individual rights dominate. International human rights law, however, increasingly recognises Indigenous Peoples collective rights in addition to their members’ individual rights. In 2007 the United Nations General Assembly adopted the United Nations Declaration on the Rights of Indigenous Peoples, which represents the most comprehensive acknowledgement of Indigenous Peoples collective rights within international law. In 2009 the Committee on the Rights of the Child issued under the United Nations Convention on the Rights of the Child General Comment No. 11 “Indigenous children and their rights under the Convention”. The Comment references the United Nations Declaration on the Rights of Indigenous Peoples as providing important guidance on the rights of indigenous children. The Comment provides authoritative guidance to State Parties that the application of the “best interests” principle to indigenous children under the Convention requires the assessment of indigenous children’s collective cultural rights and their need to exercise such rights collectively with members of their group, in addition to the indigenous children’s individual rights. Only then can the best interests of indigenous children be determined. 
As a State Party, New Zealand is obliged to implement the United Nations Convention on the Rights of the Child through legislation, judicial determinations and administrative processes. The best interests principle is already the paramount consideration and touchstone for judicial decision-making under the Children, Young Persons, and Their Families Act 1989 and Care of Children Act 2004. The Family Court of New Zealand (while making some inroads in the 1980s and 90s) has yet, however, to develop a coherent and robust approach to the assessment of Maori children’s collective cultural rights when applying the best interests principle as it is obliged to do. General Comment No. 11 and the United Nations Declaration on the Rights of Indigenous Peoples assist by providing authoritative guidance. They augment New Zealand’s family legislation, common law and social policy, which already acknowledge cultural rights and the collective nature of Maori familial relationships.
This paper looks beyond children’s individual rights and the universal application of such rights. It considers the assessment of Maori children’s collective cultural rights in addition to their individual rights under the best interests principle. Further, it analyses the relevant international and domestic authority the Family Court of New Zealand must consider when applying the best interests principle to Maori children, and the practical realities the recognition of Maori children’s collective cultural rights present. A conceptual shift by the Family Court and counsel is required. This paper urges the Family Court to develop the application of the best interests principle under the Care of Children Act 2004 and the Children Young Persons and Their Families Act 1989 to include the assessment of Maori children’s collective cultural rights in addition to their individual rights. In so doing the common law will reflect New Zealand’s unique history and circumstances, and comply with the United Nations Convention on the Rights of the Child. If it fails to do so, the Family Court risks being the subject of criticism for breaching the Convention, being out of sync with international human rights law, domestic legislation and social policy, and increasingly losing relevancy.

year: 2015