title: Review of 'Global Justice: A Cosmopolitan Account', by Gillian Brock

authors: Cupit, Geoffrey

abstract: This article reviews the book: “Global justice: A cosmopolitan account” by Gillian Brock.

text: Review of 'Global Justice: A Cosmopolitan Account', by Gillian Brock This article reviews the book: “Global justice: A cosmopolitan account” by Gillian Brock.

year: 2012

title: Gravel galore: Impacts of clear-cut logging on salmon and their habitats

authors: Hicks, Brendan J.

subjects: biology

abstract: Timber harvest may have both direct and indirect effects on salmon, and with
a few exceptions those effects result in lowered survival of salmon in their
stream habitats compared with unlogged forest (Hicks et al. 1991b). Some
impacts may be seen immediately or shortly after logging, whereas others can
take decades to be expressed. Central to analyzing these effects is the context
of the freshwater environment in which salmon are spawned and reared, and
the life histories of the salmon species. This chapter will examine the effects of
timber harvest on the freshwater habitat and life stages of salmon. It will also
investigate the hypothesis that the salmon species least affected by timber
harvest are those with the least reliance on stream habitats.

text: Gravel galore: Impacts of clear-cut logging on salmon and their habitats Timber harvest may have both direct and indirect effects on salmon, and with
a few exceptions those effects result in lowered survival of salmon in their
stream habitats compared with unlogged forest (Hicks et al. 1991b). Some
impacts may be seen immediately or shortly after logging, whereas others can
take decades to be expressed. Central to analyzing these effects is the context
of the freshwater environment in which salmon are spawned and reared, and
the life histories of the salmon species. This chapter will examine the effects of
timber harvest on the freshwater habitat and life stages of salmon. It will also
investigate the hypothesis that the salmon species least affected by timber
harvest are those with the least reliance on stream habitats.

year: 2002

title: Images of Pakeha-Māori: A Study of the Representation of Pakeha-Māori by Historians of New Zealand From Arthur Thomson (1859) to James Belich (1996)

authors: Bentley, Trevor William

subjects: Pakeha-Maori

abstract: This thesis investigates how Pakeha-Māori have been represented in New Zealand non-fiction writing during the nineteenth and twentieth centuries. The chronological and textual boundaries range from Arthur Thomson's seminal history The Story of New Zealand (1859) to James Belich's Making Peoples (1996). It examines the discursive inventions and reinventions of Pakeha-Māori from the stereotypical images of the Victorian era to modern times when the contact zone has become a subject of critical investigation and a sign of changing intellectual dynamics in New Zealand and elsewhere.

This thesis is about the history of attitudes to culture-crossers in New Zealand, the use of the term 'Pakeha-Māori', and the images that underlie the thinking of Britons and Pakeha about them. It explores the motives and backgrounds of specific authors and the ways in which they frame New Zealand history. It elucidates the ambiguous and contradictory perspectives of Pakeha-Māori in the literature and analyses its impact on changing public perceptions about them. The study critiques the literature with emphasis on theoretically informed research, historical analysis, and literary insights. Discussion is confined to published texts, with the aim of exploring the multiplicity of Pakeha-Māori images and the processes that gave rise to them.

This study is essentially an investigation into how and why historians and other scholars try to draw boundaries between cultures in order to create a satisfactory metanarrative or myth of the 'settlement' of New Zealand and thus to forge a sense of New Zealandness. The cultural and racial categories of 'Māori' and 'Pakeha' are very unstable, however, and a consideration of the 'in-between' or 'culture-crossing' category of 'Pakeha-Māori' can reveal the way in which 'Māori' and 'Pakeha' and a sense of New Zealand and New Zealanders have been constructed. More particularly, consideration of representations of those culture-crossers or race-crossers called Pakeha-Māori can reveal the hopes and fears of Pakeha writers regarding Pakeha, Māori and New Zealand and how Pakeha-Māori have frequently been a barometer or litmus test of public perceptions of relations between Māori and Pakeha in different historical periods.

text: Images of Pakeha-Māori: A Study of the Representation of Pakeha-Māori by Historians of New Zealand From Arthur Thomson (1859) to James Belich (1996) This thesis investigates how Pakeha-Māori have been represented in New Zealand non-fiction writing during the nineteenth and twentieth centuries. The chronological and textual boundaries range from Arthur Thomson's seminal history The Story of New Zealand (1859) to James Belich's Making Peoples (1996). It examines the discursive inventions and reinventions of Pakeha-Māori from the stereotypical images of the Victorian era to modern times when the contact zone has become a subject of critical investigation and a sign of changing intellectual dynamics in New Zealand and elsewhere.

This thesis is about the history of attitudes to culture-crossers in New Zealand, the use of the term 'Pakeha-Māori', and the images that underlie the thinking of Britons and Pakeha about them. It explores the motives and backgrounds of specific authors and the ways in which they frame New Zealand history. It elucidates the ambiguous and contradictory perspectives of Pakeha-Māori in the literature and analyses its impact on changing public perceptions about them. The study critiques the literature with emphasis on theoretically informed research, historical analysis, and literary insights. Discussion is confined to published texts, with the aim of exploring the multiplicity of Pakeha-Māori images and the processes that gave rise to them.

This study is essentially an investigation into how and why historians and other scholars try to draw boundaries between cultures in order to create a satisfactory metanarrative or myth of the 'settlement' of New Zealand and thus to forge a sense of New Zealandness. The cultural and racial categories of 'Māori' and 'Pakeha' are very unstable, however, and a consideration of the 'in-between' or 'culture-crossing' category of 'Pakeha-Māori' can reveal the way in which 'Māori' and 'Pakeha' and a sense of New Zealand and New Zealanders have been constructed. More particularly, consideration of representations of those culture-crossers or race-crossers called Pakeha-Māori can reveal the hopes and fears of Pakeha writers regarding Pakeha, Māori and New Zealand and how Pakeha-Māori have frequently been a barometer or litmus test of public perceptions of relations between Māori and Pakeha in different historical periods.

year: 2007