title: Exploring languaging through an ontological register

authors: Gurney, Laura

subjects: language

abstract: Law and Mol (2020) provide an insightful critique to dominant approaches to language, arguing that “to talk of language is to imply that it is possible to disentangle how people talk (or sign or write) from the practices in which they do so. It is to suggest that vocabularies and grammars (or signs and syntax) lead lives of their own on a plane removed from their mundane incarnations” (emphasis added, 268). What is effectively being critiqued is the notion of language(s) as clearly bounded and stable systems, existing ‘out there’ beyond specific instances of use, rather than as language—or rather, languaging—coming into being through performances, practices, and enactments. As researchers with a keen interest in language studies and applied linguistics, a key component of our work has been to theorise what language might be—in other words, what are its constituent parts, what does it do, and where may it be found? What makes something ‘language’? This text explores these questions in line with Law and Mol’s (2020) concerns, and discusses the notion of languaging across two axes: firstly, language is addressed in an ontological register in an effort to rearticulate language from ‘object’ to ‘practice’; secondly, we trace the emergence of languaging as a concept derived from outside English-language academia and beyond scholarly fields which study language per se. While in recent years the so-called multilingual turn within language studies has led to a substantial body of work on languaging (as well as on associated concepts such as translanguaging and metrolingualism), the term is seldom examined in relation to its roots outside this field or the English language academe, and beyond human language practices.

text: Exploring languaging through an ontological register Law and Mol (2020) provide an insightful critique to dominant approaches to language, arguing that “to talk of language is to imply that it is possible to disentangle how people talk (or sign or write) from the practices in which they do so. It is to suggest that vocabularies and grammars (or signs and syntax) lead lives of their own on a plane removed from their mundane incarnations” (emphasis added, 268). What is effectively being critiqued is the notion of language(s) as clearly bounded and stable systems, existing ‘out there’ beyond specific instances of use, rather than as language—or rather, languaging—coming into being through performances, practices, and enactments. As researchers with a keen interest in language studies and applied linguistics, a key component of our work has been to theorise what language might be—in other words, what are its constituent parts, what does it do, and where may it be found? What makes something ‘language’? This text explores these questions in line with Law and Mol’s (2020) concerns, and discusses the notion of languaging across two axes: firstly, language is addressed in an ontological register in an effort to rearticulate language from ‘object’ to ‘practice’; secondly, we trace the emergence of languaging as a concept derived from outside English-language academia and beyond scholarly fields which study language per se. While in recent years the so-called multilingual turn within language studies has led to a substantial body of work on languaging (as well as on associated concepts such as translanguaging and metrolingualism), the term is seldom examined in relation to its roots outside this field or the English language academe, and beyond human language practices.

year: 2022-03-01

title: Pace Regression

authors: Wang, Yong

subjects: Linear regression

abstract: This paper articulates a new method of linear regression, “pace regression”, that addresses many drawbacks of standard regression reported in the literature-particularly the subset selection problem. Pace regression improves on classical ordinary least squares (OLS) regression by evaluating the effect of each variable and using a clustering analysis to improve the statistical basis for estimating their contribution to the overall regression. As well as outperforming OLS, it also outperforms-in a remarkably general sense-other linear modeling techniques in the literature, including subset selection procedures, which seek a reduction in dimensionality that falls out as a natural byproduct of pace regression. The paper defines six procedures that share the fundamental idea of pace regression, all of which are theoretically justified in terms of asymptotic performance. Experiments confirm the performance improvement over other techniques.

text: Pace Regression This paper articulates a new method of linear regression, “pace regression”, that addresses many drawbacks of standard regression reported in the literature-particularly the subset selection problem. Pace regression improves on classical ordinary least squares (OLS) regression by evaluating the effect of each variable and using a clustering analysis to improve the statistical basis for estimating their contribution to the overall regression. As well as outperforming OLS, it also outperforms-in a remarkably general sense-other linear modeling techniques in the literature, including subset selection procedures, which seek a reduction in dimensionality that falls out as a natural byproduct of pace regression. The paper defines six procedures that share the fundamental idea of pace regression, all of which are theoretically justified in terms of asymptotic performance. Experiments confirm the performance improvement over other techniques.

year: 1999-09

title: E Kui Rāwinia

authors: Maxwell, Te Kahautu

abstract: E Kui Rāwinia; this composition is a lament to a Te Whakatōhea chieftainess who married the paramount Ngāti Porou rangatira Tokorua (Toko) Te Kani. This composition recites the genealogical ties between the East Coast iwi to Te Whakatōhea. The composition paints a spiritual journey for Rāwinia to return to her birth place Ōpōtiki. The journey names geographical features of importance to map her journey home. This composition gained first place for composition. Performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka competition.

text: E Kui Rāwinia E Kui Rāwinia; this composition is a lament to a Te Whakatōhea chieftainess who married the paramount Ngāti Porou rangatira Tokorua (Toko) Te Kani. This composition recites the genealogical ties between the East Coast iwi to Te Whakatōhea. The composition paints a spiritual journey for Rāwinia to return to her birth place Ōpōtiki. The journey names geographical features of importance to map her journey home. This composition gained first place for composition. Performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka competition.

year: 2015