title: The effectiveness of the silent way method in the teaching of Maori as a second language

authors: Mataira, Katerina

abstract: The socio-linguistic survey of Benton (1979) provides evidence to show that the continued existence of the Maori language is seriously threatened.

The national Department of Education is implementing a policy of Maori language and culture studies in schools, but the scale and depth of this commitment is restricted by limited resources and expertise. The schools alone cannot stem the threat to the Maori language.

Harnessing the resources within Maori communities would appear to be a necessary step toward language maintenance. The most useful of these resources are the native speakers of the Maori language.
A community-based training programme aimed at equipping such people for the teaching of Maori as a second language would provide a much needed facility for both community and school.

The only teacher training programme presently available to native speakers of the language is a one year course offered through Teachers Colleges. Since only a select few can avail themselves of this opportunity, there is a need for an alternative training programme which will cater for greater numbers and release more teachers into the community.

A community-based, on the job, periodic training programme with minimal disruptions to family life and work commitments, would probably be preferred to a long-term, institutionalised, away-from-home programme. Initially, the training programme might need to be quite specific, i.e. native speakers might be initiated into the use of a particular language teaching method and programme which has been planned, tested and found to be suitable.

Given a highly specific programme, trainees might be able to start·teaching after an initial short course of a week. Thereafter, training sessions could be paced and spaced so that teachers could continue to grow in strength and expertise as their experience increased.

The quest for a suitable method has been the focus of my studies for four years. It has brought me to investigate both the conventional and unconventional approaches to foreign language teaching, along with their linguistic, psychological and pedagogical bases. Of these a method which strikes me as having considerable potential as a teaching tool in the hands of native speakers, is Gattegno's Silent Way approach.

The experiment described in this thesis is part of the total investigation. It is an attempt to evaluate the effectiveness of the Silent Way as a teaching/learning instrument for second language acquisition. The teaching strategies of the Silent Way are measured against the opposing strategies of an eclectic approach.

Two Form I classes of randomly assigned pupils were used for the experiment. The Maori language was taught to Class S.W. using the Silent Way method, and to Class E. using an Eclectic method.

A total of 30 hours was used for the experiment, 20 hours for the language component and 10 hours for a culture component. Tests were administered to measure the achievement of subjects in the language areas of listening, speaking, writing and reading.

Significant differences between the groups were noted on all measures except on the measure for fluency. The children taught through the Silent Way method made significantly greater gains than the children taught through the Eclectic method.

text: The effectiveness of the silent way method in the teaching of Maori as a second language The socio-linguistic survey of Benton (1979) provides evidence to show that the continued existence of the Maori language is seriously threatened.

The national Department of Education is implementing a policy of Maori language and culture studies in schools, but the scale and depth of this commitment is restricted by limited resources and expertise. The schools alone cannot stem the threat to the Maori language.

Harnessing the resources within Maori communities would appear to be a necessary step toward language maintenance. The most useful of these resources are the native speakers of the Maori language.
A community-based training programme aimed at equipping such people for the teaching of Maori as a second language would provide a much needed facility for both community and school.

The only teacher training programme presently available to native speakers of the language is a one year course offered through Teachers Colleges. Since only a select few can avail themselves of this opportunity, there is a need for an alternative training programme which will cater for greater numbers and release more teachers into the community.

A community-based, on the job, periodic training programme with minimal disruptions to family life and work commitments, would probably be preferred to a long-term, institutionalised, away-from-home programme. Initially, the training programme might need to be quite specific, i.e. native speakers might be initiated into the use of a particular language teaching method and programme which has been planned, tested and found to be suitable.

Given a highly specific programme, trainees might be able to start·teaching after an initial short course of a week. Thereafter, training sessions could be paced and spaced so that teachers could continue to grow in strength and expertise as their experience increased.

The quest for a suitable method has been the focus of my studies for four years. It has brought me to investigate both the conventional and unconventional approaches to foreign language teaching, along with their linguistic, psychological and pedagogical bases. Of these a method which strikes me as having considerable potential as a teaching tool in the hands of native speakers, is Gattegno's Silent Way approach.

The experiment described in this thesis is part of the total investigation. It is an attempt to evaluate the effectiveness of the Silent Way as a teaching/learning instrument for second language acquisition. The teaching strategies of the Silent Way are measured against the opposing strategies of an eclectic approach.

Two Form I classes of randomly assigned pupils were used for the experiment. The Maori language was taught to Class S.W. using the Silent Way method, and to Class E. using an Eclectic method.

A total of 30 hours was used for the experiment, 20 hours for the language component and 10 hours for a culture component. Tests were administered to measure the achievement of subjects in the language areas of listening, speaking, writing and reading.

Significant differences between the groups were noted on all measures except on the measure for fluency. The children taught through the Silent Way method made significantly greater gains than the children taught through the Eclectic method.

year: 1980

title: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre

authors: Sheridan, Brendan Daniel

subjects: History

abstract: This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

text: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

year: 2019

title: Australia: A land of missed opportunities?

authors: Greasley, David

abstract: Comprehensive Investment (CI) may provide an indicator of future changes in a country's per capita consumption. The authors explore the utility of the CI indicator for Australia by constructing CI data since 1861 and by estimating their relationship with changes in future consumption over periods of 50 years ahead. The CI measures include changes in natural, produced and human capital, and make allowance for exogenous technological progress. The results are used to consider how Australia's natural capital exploitation influenced the consumption of future generations. Further, the authors gauge if low CI relative to other leading OECD countries resulted in lower consumption levels in Australia over time than feasible, had it saved more.

text: Australia: A land of missed opportunities? Comprehensive Investment (CI) may provide an indicator of future changes in a country's per capita consumption. The authors explore the utility of the CI indicator for Australia by constructing CI data since 1861 and by estimating their relationship with changes in future consumption over periods of 50 years ahead. The CI measures include changes in natural, produced and human capital, and make allowance for exogenous technological progress. The results are used to consider how Australia's natural capital exploitation influenced the consumption of future generations. Further, the authors gauge if low CI relative to other leading OECD countries resulted in lower consumption levels in Australia over time than feasible, had it saved more.

year: 2017