title: Bernard Montague: a contractor and farmer in the Te Aroha district

authors: Hart, Philip

abstract: Born in Ireland, Bernard Montague arrived in New Zealand in 1874 and for some years worked as a contractor, especially on drainage projects. After being a publican and storekeeper for a year, he settled in Waiorongomai in 1882 and invested in the local mines. This involvement led to his supporting criticisms of inadequate council assistance for mining, how the tramway operated, and the Battery Company’s charges. He also speculated in sections in Waiorongomai village, and briefly attempted to be a publican there. 
For some years he was a contractor in the district, mostly on road construction and repairs, and sometimes was criticized for the quality of his work. Acquiring a farm at nearby Gordon, he gradually developed it, like other new farmers being rather too slow to do so and also rather slow to pay the rent. In time he acquired more farmland, and by the early twentieth century was dairying on what had become a valuable estate. After struggling for years, even becoming bankrupt, by the new century he was financially secure.
Montague was a prominent leader of the Gordon settlement, prominent not only for promoting its needs but also for his many conflicts with other residents. In a notably abrasive fashion he criticized absentee owners and those who did not develop their land. Deposed as chairman of the association, he later held other leadership roles, but never ceased to fight with others.
At Te Aroha he joined a variety of committees to assist the progress of the community, and expressed himself forcefully (how else?) during the controversy over forming a borough. Residents became used to his quarrelsome nature and some were even amused by it, as in the case of ‘Barney’s Cow’, for he was one of the local ‘personalities’.

text: Bernard Montague: a contractor and farmer in the Te Aroha district Born in Ireland, Bernard Montague arrived in New Zealand in 1874 and for some years worked as a contractor, especially on drainage projects. After being a publican and storekeeper for a year, he settled in Waiorongomai in 1882 and invested in the local mines. This involvement led to his supporting criticisms of inadequate council assistance for mining, how the tramway operated, and the Battery Company’s charges. He also speculated in sections in Waiorongomai village, and briefly attempted to be a publican there. 
For some years he was a contractor in the district, mostly on road construction and repairs, and sometimes was criticized for the quality of his work. Acquiring a farm at nearby Gordon, he gradually developed it, like other new farmers being rather too slow to do so and also rather slow to pay the rent. In time he acquired more farmland, and by the early twentieth century was dairying on what had become a valuable estate. After struggling for years, even becoming bankrupt, by the new century he was financially secure.
Montague was a prominent leader of the Gordon settlement, prominent not only for promoting its needs but also for his many conflicts with other residents. In a notably abrasive fashion he criticized absentee owners and those who did not develop their land. Deposed as chairman of the association, he later held other leadership roles, but never ceased to fight with others.
At Te Aroha he joined a variety of committees to assist the progress of the community, and expressed himself forcefully (how else?) during the controversy over forming a borough. Residents became used to his quarrelsome nature and some were even amused by it, as in the case of ‘Barney’s Cow’, for he was one of the local ‘personalities’.

year: 2016

title: Development of video quality metrics based on psychovisual models of early vision

authors: Mozhaeva, Anastasia

abstract: Streaming video incurs many distortions during processing, compression, storage, and transmission, all of which can reduce the user's perceived video quality. Developing adaptive video transmission methods that increase the efficient use of existing bandwidth and reduce storage space while preserving visual quality requires quality metrics that accurately describe how people perceive distortion. A severe problem for developing new video quality metrics is limited data on how the human visual system processes spatial and temporal information simultaneously. The problem is exacerbated by the fact that the few data recognized by the scientific community, collected in the middle of the last century, used the ideas of obsolete display technology and were subject to medical intervention during collection, which does not guarantee a proper description of the conditions under which media content is currently consumed. As a result, modern video quality metrics do not provide stable and reliable data for predicting the subjective assessment of user quality. This research aims to investigate how the metrics being developed are made more efficient for assessing video quality by including new data from the psychophysical early vision model in the metrics.

The work proposed in this thesis comprises three main contributions: Firstly, the development of a novel method, software, and test equipment for research and measurement of the characteristics of the human visual system using modern display systems. Secondly, the refinement of the parameters of a multidimensional model of human contrast sensitivity appropriate to modern display technology of viewing conditions. The contrast sensitivity function works like a filter through which visual stimuli must pass to be perceived by the observer. Only video artefacts in the passband region can be humanly perceived. Thirdly, the creation of a new full-reference and the first non-reference video quality metrics which consider the psychophysical features of the user's video experience. That provides stability in predicting the user's subjective rating of a video. 

Among the three contributions of this thesis, first, a method for researching and measuring the characteristics of human visual systems on modern displays. In the proposed thesis, 27,840 visibility thresholds of spatio-temporal sinusoidal variations were measured by a new method using different spatial sizes and temporal modulation rates. The obtained data is 96% more than any current contrast sensitivity function dataset and best describes a human's perception of video artefacts on a modern display. A multidimensional model of human contrast sensitivity in modern conditions of video content presentation is proposed for the first time based on new large-scale data and demonstrated that the presented visibility model has a distinct advantage for further development of media content transfer technologies. Since there is a limited number of video evaluation metrics based on fundamental knowledge about the work of the human visual system, a new full-reference metric is herein proposed. This proposed video quality metric extends the peak signal-to-noise ratio metric to include human visual system features. Finally, a new non-reference video quality metric that includes the psychophysical features of the user's video experience with stability in predicting the user's subjective rating of a video is proposed. The experimental results show that the proposed video quality metric achieves 81% more consistent performance in predicting user subjective quality among commonly used non-reference video quality metrics and comparable consistent performance to full-reference metrics on three independent video datasets.

The thesis also presents a large-scale database suitable for testing video streaming quality under video compression with artefacts, forming a learning base for future video quality metrics. The final dataset comprises 4.1 million video quality perceptual thresholds. The new database will contribute to the solution of a strong need for non-reference video quality metrics for user-generated video content to prevent loss of video quality caused by distortion during recording, compression and signal transmission.

text: Development of video quality metrics based on psychovisual models of early vision Streaming video incurs many distortions during processing, compression, storage, and transmission, all of which can reduce the user's perceived video quality. Developing adaptive video transmission methods that increase the efficient use of existing bandwidth and reduce storage space while preserving visual quality requires quality metrics that accurately describe how people perceive distortion. A severe problem for developing new video quality metrics is limited data on how the human visual system processes spatial and temporal information simultaneously. The problem is exacerbated by the fact that the few data recognized by the scientific community, collected in the middle of the last century, used the ideas of obsolete display technology and were subject to medical intervention during collection, which does not guarantee a proper description of the conditions under which media content is currently consumed. As a result, modern video quality metrics do not provide stable and reliable data for predicting the subjective assessment of user quality. This research aims to investigate how the metrics being developed are made more efficient for assessing video quality by including new data from the psychophysical early vision model in the metrics.

The work proposed in this thesis comprises three main contributions: Firstly, the development of a novel method, software, and test equipment for research and measurement of the characteristics of the human visual system using modern display systems. Secondly, the refinement of the parameters of a multidimensional model of human contrast sensitivity appropriate to modern display technology of viewing conditions. The contrast sensitivity function works like a filter through which visual stimuli must pass to be perceived by the observer. Only video artefacts in the passband region can be humanly perceived. Thirdly, the creation of a new full-reference and the first non-reference video quality metrics which consider the psychophysical features of the user's video experience. That provides stability in predicting the user's subjective rating of a video. 

Among the three contributions of this thesis, first, a method for researching and measuring the characteristics of human visual systems on modern displays. In the proposed thesis, 27,840 visibility thresholds of spatio-temporal sinusoidal variations were measured by a new method using different spatial sizes and temporal modulation rates. The obtained data is 96% more than any current contrast sensitivity function dataset and best describes a human's perception of video artefacts on a modern display. A multidimensional model of human contrast sensitivity in modern conditions of video content presentation is proposed for the first time based on new large-scale data and demonstrated that the presented visibility model has a distinct advantage for further development of media content transfer technologies. Since there is a limited number of video evaluation metrics based on fundamental knowledge about the work of the human visual system, a new full-reference metric is herein proposed. This proposed video quality metric extends the peak signal-to-noise ratio metric to include human visual system features. Finally, a new non-reference video quality metric that includes the psychophysical features of the user's video experience with stability in predicting the user's subjective rating of a video is proposed. The experimental results show that the proposed video quality metric achieves 81% more consistent performance in predicting user subjective quality among commonly used non-reference video quality metrics and comparable consistent performance to full-reference metrics on three independent video datasets.

The thesis also presents a large-scale database suitable for testing video streaming quality under video compression with artefacts, forming a learning base for future video quality metrics. The final dataset comprises 4.1 million video quality perceptual thresholds. The new database will contribute to the solution of a strong need for non-reference video quality metrics for user-generated video content to prevent loss of video quality caused by distortion during recording, compression and signal transmission.

year: 2024-12-05

title: Māori and medications: What happens when the pills go home?

authors: Nikora, Linda Waimarie

subjects: Māori

abstract: Chronic illnesses are a feature of many Māori homescapes. These illnesses are often managed at home through the use of health technologies, particularly medications. This article explores the meanings given to medications and the use of this health technology in four Māori households. We use a range of qualitative methods to engage with householders and to document how medications are acculturated into Māori homescapes and everyday lives. From our discussions with householders about the procurement, storage, emplacement and administration of medications emerged five culturally patterned orientations to treating with medications. They are: 1) storage and administration practices that corresponded with the Māori hygiene practices of tapu (prohibited) and noa (permitted); 2) reminder strategies, or ngā pūrere whakamāharahara; 3) the enactment of the value of manaakitanga (kindness) in care relationships; 4) pōharatanga, or attitudes towards medication procurement and administration in households textured by low socio-economic status; and 5) rangatiratanga, the right of people to manage and make decisions about their own lives and health status. This study presents a view of how medications are acculturated into Māori homescapes, relationships and daily routines. The use of health technologies by health professionals to interrupt illness and improve quality of life must be cognisant of the cultural contexts into which medications are prescribed.

text: Māori and medications: What happens when the pills go home? Chronic illnesses are a feature of many Māori homescapes. These illnesses are often managed at home through the use of health technologies, particularly medications. This article explores the meanings given to medications and the use of this health technology in four Māori households. We use a range of qualitative methods to engage with householders and to document how medications are acculturated into Māori homescapes and everyday lives. From our discussions with householders about the procurement, storage, emplacement and administration of medications emerged five culturally patterned orientations to treating with medications. They are: 1) storage and administration practices that corresponded with the Māori hygiene practices of tapu (prohibited) and noa (permitted); 2) reminder strategies, or ngā pūrere whakamāharahara; 3) the enactment of the value of manaakitanga (kindness) in care relationships; 4) pōharatanga, or attitudes towards medication procurement and administration in households textured by low socio-economic status; and 5) rangatiratanga, the right of people to manage and make decisions about their own lives and health status. This study presents a view of how medications are acculturated into Māori homescapes, relationships and daily routines. The use of health technologies by health professionals to interrupt illness and improve quality of life must be cognisant of the cultural contexts into which medications are prescribed.

year: 2011