title: Experimental animation and the neosurrealist remediation of popular music video

authors: Perrott, Lisa

abstract: Once appearing to function primarily as a commercial tool for popular entertainment, the popular form of music video has recently been exposed by scholars as formally and functionally diverse, with a rich history stretching back decades before the advent of MTV. Animated music videos owe much to centuries old traditions spanning the visual, musical and performing arts, providing performative and material models that inspire contemporary video directors. Experimental animation, surrealism and music video form a matrix of historical and contemporary significance; however, few scholars have undertaken close examinations of the relations between them. John Richardson and Mathias Korsgaard show how music video directors have employed surrealist compositional strategies together with experimental animation methods, thus giving rise to challenging new forms that traverse disparate approaches to art and culture. Building upon their contributions, this article explores the continuity between experimental animation, surrealism and music video, with a view to discovering the subversive potential of this matrix. In order to probe this potential, the author examines how music video directors experiment with animation technique as a means of subversion and enrichment of popular music video. Through close analysis of music videos directed by Adam Jones, Stephen Johnson, Floria Sigismondi and Chris Hopewell, this article charts the continuity of surrealist strategy across culturally specific moments in history, thus provoking questions around the perceived functions of animated media and popular music video.

text: Experimental animation and the neosurrealist remediation of popular music video Once appearing to function primarily as a commercial tool for popular entertainment, the popular form of music video has recently been exposed by scholars as formally and functionally diverse, with a rich history stretching back decades before the advent of MTV. Animated music videos owe much to centuries old traditions spanning the visual, musical and performing arts, providing performative and material models that inspire contemporary video directors. Experimental animation, surrealism and music video form a matrix of historical and contemporary significance; however, few scholars have undertaken close examinations of the relations between them. John Richardson and Mathias Korsgaard show how music video directors have employed surrealist compositional strategies together with experimental animation methods, thus giving rise to challenging new forms that traverse disparate approaches to art and culture. Building upon their contributions, this article explores the continuity between experimental animation, surrealism and music video, with a view to discovering the subversive potential of this matrix. In order to probe this potential, the author examines how music video directors experiment with animation technique as a means of subversion and enrichment of popular music video. Through close analysis of music videos directed by Adam Jones, Stephen Johnson, Floria Sigismondi and Chris Hopewell, this article charts the continuity of surrealist strategy across culturally specific moments in history, thus provoking questions around the perceived functions of animated media and popular music video.

year: 2020-12-01

title: Macroscopic quantum phenomena

authors: Munro, William John

subjects: Quantum theory

abstract: This thesis consists of two parts. Although both are concerned with macroscopic quantum phenomena, I choose to present the two parts quite separately.  

Macroscopic Quantum Phenomena: Tests of Quantum Mechanics 

The correctness of quantum mechanics has been verified in numerous situations. A particularly strong test of quantum mechanics was suggested by Bell, who showed that the predictions of all classical theories, based as they are on the assumptions of local realism, contradict those of quantum mechanics. Later work by Greenberger, Horne, and Zeilinger showed that the GHZ phenomena also contradicts all classical theories. Experimental tests of Bells inequality performed to date support quantum mechanics (No experimental test of the GHZ phenomenon has yet been attempted). However, such tests have been so far restricted to microscopic systems in the sense that one particle is at a detector at a time.  
Our interest here in the first part of this thesis is in tests of quantum mechanics against local realistic theories in macroscopic or mesoscopic systems where there is a significant number of particles incident on each analyser. The states considered in the first two chapters are not simple quantum superpositions of macroscopically distinct states, but we nevertheless show how one can obtain tests of quantum mechanics in situations involving large numbers of particles. A more elementary macroscopic quantum state, and one in which the deviation from classical interpretations is striking, is the Schrodinger Cat state considered by Schrodinger in his famous "Schrodinger Cat" paradox. In Chapter Three we consider a scheme for generating such a state. 

The Quantum Brownian Motion Master Equation 

The second section of this thesis involves an examination of various aspects of the Quantum Brownian Motion Master Equation. We begin with a discussion of the recent problem occurring from the study of the quantum Brownian motion (QBM) master equation, which can occur because the QBM master equation is not of the Lindblad form. We examine two specific examples, namely the damped free particle and the two level atom. More specifically, in the case of the evolution of a free particle, we show that the equation of motion for the Wigner function (which is exactly the same as the Fokker-Planck equation for classical Brownian motion) gives unphysical results if the initial position distribution is well localised. In the case of the two level atom we show that unphysical results can also occur even in the steady state. 
The last chapter of the thesis involves using the quantum Brownian motion master equation to estimate the rate of diagonalisation of the off diagonal elements of a Fermion system. These elements contain the "quantum information" and hence knowledge of how long they exist can determine the type of model required to describe the semiconductor medium. Using a very simplistic approach we can show that there are two main time scales present and for normal parameters one of these is very small. If we neglect electron-electron scattering we can show that the the many electron system solution is simply a product of the one electron solutions.

text: Macroscopic quantum phenomena This thesis consists of two parts. Although both are concerned with macroscopic quantum phenomena, I choose to present the two parts quite separately.  

Macroscopic Quantum Phenomena: Tests of Quantum Mechanics 

The correctness of quantum mechanics has been verified in numerous situations. A particularly strong test of quantum mechanics was suggested by Bell, who showed that the predictions of all classical theories, based as they are on the assumptions of local realism, contradict those of quantum mechanics. Later work by Greenberger, Horne, and Zeilinger showed that the GHZ phenomena also contradicts all classical theories. Experimental tests of Bells inequality performed to date support quantum mechanics (No experimental test of the GHZ phenomenon has yet been attempted). However, such tests have been so far restricted to microscopic systems in the sense that one particle is at a detector at a time.  
Our interest here in the first part of this thesis is in tests of quantum mechanics against local realistic theories in macroscopic or mesoscopic systems where there is a significant number of particles incident on each analyser. The states considered in the first two chapters are not simple quantum superpositions of macroscopically distinct states, but we nevertheless show how one can obtain tests of quantum mechanics in situations involving large numbers of particles. A more elementary macroscopic quantum state, and one in which the deviation from classical interpretations is striking, is the Schrodinger Cat state considered by Schrodinger in his famous "Schrodinger Cat" paradox. In Chapter Three we consider a scheme for generating such a state. 

The Quantum Brownian Motion Master Equation 

The second section of this thesis involves an examination of various aspects of the Quantum Brownian Motion Master Equation. We begin with a discussion of the recent problem occurring from the study of the quantum Brownian motion (QBM) master equation, which can occur because the QBM master equation is not of the Lindblad form. We examine two specific examples, namely the damped free particle and the two level atom. More specifically, in the case of the evolution of a free particle, we show that the equation of motion for the Wigner function (which is exactly the same as the Fokker-Planck equation for classical Brownian motion) gives unphysical results if the initial position distribution is well localised. In the case of the two level atom we show that unphysical results can also occur even in the steady state. 
The last chapter of the thesis involves using the quantum Brownian motion master equation to estimate the rate of diagonalisation of the off diagonal elements of a Fermion system. These elements contain the "quantum information" and hence knowledge of how long they exist can determine the type of model required to describe the semiconductor medium. Using a very simplistic approach we can show that there are two main time scales present and for normal parameters one of these is very small. If we neglect electron-electron scattering we can show that the the many electron system solution is simply a product of the one electron solutions.

year: 1994

title: Te Kōpura

authors: Maxwell, Te Kahautu

abstract: He Hōnore, he korōria, he maungārongo ki runga ki te whenua, he whakaaro pai ki ngā tānagata katoa.


Ko te tāhu o tēnei tuhituhinga he titiro ki Te Hāhi Ringatū i runga o Whitianga marae. E rua noa iho ngā Rā Ringatū ka tū ki runga i tēnei marae, arā, ko Te Huamata, hei te tahi o Hune tēnā me Te Pure, hei te tahi o Nōema tēnā. I roto i te tuhituhingaroa nei ka titiro he aha I tae atu ai wēnei tikanga ki tēnei o ngā marae. Ka whakatakoto haere, i pēhea hoki ngā whakahaeretanga i te wā o ngā pakeke. Kātahi ka titiro ki ngā whakarerekētanga ki ngā tikanga i roto i te wā, ā, he aha i pērā ai. 
Kua tata ki te toru tekau tau mai i te whakakoretanga o Te Māratapu a Te Ringatū i roto i wāna whakahaerenga i Te Huamata me Te Pure. Ko tērā tūāhuatanga o Te Ringatū e kore nei e kitea e tēnei reanga tangata.
Tokoiti noa nei, me kī, ngā mōrehu o tērā whakatipuranga pakeke i kitea wērā tūāhuatanga e ora tonu ana. Nō reira i toko ake te whakaaro ki te rangahau, ki te kohikohi hoki i ngā kōrero i te hunga i rongo, i kite, i tipu ake hoki i roto i tērā Ao. He pekanga nui o te tuhinga nei kua titiro ki Te Huamata me Te Pure me wōna tapu, me wōna whakahaerenga ki runga o te marae o Whitianga.
Ki te whakawhāriki i ngā kōrero nei mō Te Ringatū ki runga o Whitianga kua tātaritia kia waru ngā pekanga o te tuhinga kia mārama ai ki te karu pānui i ngā kōrero; i pēhea tae atu ai Te Ringatū ki runga o Whitianga, i pēhea tāna kawe i ngā tikanga, ā, he aha i whakarerekēngia ai tāna kawe i Te Huamata me Te Pure i roto I te wā.

Tuatahi: Ki te kōrero mō Te Ringatū me hoki ki te tīmata maitanga o Te Ringatū. Ka tirohia, nā wai i tīmata, ā, he aha i tīmataria ai, me te whakaatu i wētahi āhuatanga i pā ki tōna Poropiti me wāna pononga i te tīmatatanga rā anō o Te Ringatū.

Tuarua: Ko te whai haere tēnei i ngā takahanga waewae o ngā tīpuna o Te Whānau-a-Apanui, ki te whai i Te Ringatū. Ka titiro he aha te take i huri ai a Te Whānau-a-Apanui ki ngā tikanga o Te Ringatū. Ka titiro anō hoki ki te taenga atu o Te Kooti me tana iwi Ringatū ki roto o Te Whānau-a-Apanui me wāna mahi ki a rātou i reira.

Tuatoru: Ka whakaatu i konei, he aha te take ko wātahi marae tokoiti noa iho o Te Whānau-a-Apanui ka noho hei marae Ringatū, mai i te taenga atu o Te Ringatū, aā, tae noa ki tēnei rā.
Tuawhā: I konei ka tae ki te pūtake o te tuhinga. Ka titiro i konei ki te taenga o ngā whakahaere Ringatū, arā, Te Huamata me Te Pure ki runga i te marae o Whitianga. Ka whakaatu i konei, he aha i tae atu ai wēnei tikanga ki tērā marae. Ka kite anē hoki he aha i karangatia ko Whitianga te marae pou mō Te Ringatū ki roto o Te Whānau-a-Apanui.
Tuarima: Ka tiro haeretia i konei ngā tikanga e pā ana ki Te Huamata me wōna whakahaere I ngā. tapu katoa e pā ana ki Te Huamata. Ka whakarārangitia ko ngā karakia me wōna kaupapa katoa kia kite ai te kaipānui i te hōhonutanga o tēnei tikanga a Te Ringatū. I konei ka kite anō hoki te kaipānui i ngā kōrero a ngā pakeke, nāna nei i kite, i tipu ake i roto i tērā tikanga.
Tuaono: Ka titiro i konei ko ngā whakahaere a Te Ringatū i tēnei tikanga, arā, Te Pure. Pērā anō ki te tipuranga tuarima, ka whakarārangitia ai ko ngā karakia me wōna kaupapa katoa kia kite ai te kaipānui i te tikanga o Te Pure, ā, he aha i pērā rawa ai te kaha whakapono o ngā pakeke ki tēnei tūāhuatanga, ko Te Pure.
Tuawhitu: I konei ka titiro ki a Paora Delamere me te take i whakarerekēngia ai e ia ngā tikanga tapu o Te Huamata me Te Pure. Ka titiro anō hoki ki wētahi āhuatanga hou i tīmataria ai e ia i waenganui i Te Ringatū whanui huri i Aotearoa.
Tuawaru: Ka tuituia ngā pekanga katoa ki te whakamārama i ngā kōrero kia eke katoa ki runga i te tāhūhū o te kōrero. Ka kitea te take i tīmataria ai Te Ringatu, arā ngā kairiri a Māori ki a tauiwi. Ā, pērā anō te take i huri ai a Te Whānau-a-Apanui ki ngā tikanga a Te Ringatū. Koira i hanake hoki ai ngā pakeke ki Ōtewa ki te pōhiri i a Te Kooti ki te rohe o Te Whānau-a-Apanui, nā te rauwhaitanga o te patu i ngā papatipu. Ko te hokitanga ki te haumoana o Te Whānau-a-Apanui, ko te hokinga anō hoki o Te Māratapu o Te Huamata, o Te Pure ki reira toka atu ai. Ka haere te wā, ā, nāwai rā ka poua wēnei tikanga a Te Ringatū ki Te Māratapu ki runga o Whitianga, ana, i tipu ake he tipu hou, he oranga hou, ā, he tikanga hou i te huringa o te wā.
Katoa wēnei kōrero hei whakaatu i te āhua o te taenga o Te Huamata me Te Pure ki runga o Whitianga marae, mai i te kunenga ake o te whakaaro ki te whai I wēnei tikanga, ā, tae noa ki te whakatinanatanga e haere ake nei, e haere ake. He rautau kua taha, he raurau tau e haere mai nei.

text: Te Kōpura He Hōnore, he korōria, he maungārongo ki runga ki te whenua, he whakaaro pai ki ngā tānagata katoa.


Ko te tāhu o tēnei tuhituhinga he titiro ki Te Hāhi Ringatū i runga o Whitianga marae. E rua noa iho ngā Rā Ringatū ka tū ki runga i tēnei marae, arā, ko Te Huamata, hei te tahi o Hune tēnā me Te Pure, hei te tahi o Nōema tēnā. I roto i te tuhituhingaroa nei ka titiro he aha I tae atu ai wēnei tikanga ki tēnei o ngā marae. Ka whakatakoto haere, i pēhea hoki ngā whakahaeretanga i te wā o ngā pakeke. Kātahi ka titiro ki ngā whakarerekētanga ki ngā tikanga i roto i te wā, ā, he aha i pērā ai. 
Kua tata ki te toru tekau tau mai i te whakakoretanga o Te Māratapu a Te Ringatū i roto i wāna whakahaerenga i Te Huamata me Te Pure. Ko tērā tūāhuatanga o Te Ringatū e kore nei e kitea e tēnei reanga tangata.
Tokoiti noa nei, me kī, ngā mōrehu o tērā whakatipuranga pakeke i kitea wērā tūāhuatanga e ora tonu ana. Nō reira i toko ake te whakaaro ki te rangahau, ki te kohikohi hoki i ngā kōrero i te hunga i rongo, i kite, i tipu ake hoki i roto i tērā Ao. He pekanga nui o te tuhinga nei kua titiro ki Te Huamata me Te Pure me wōna tapu, me wōna whakahaerenga ki runga o te marae o Whitianga.
Ki te whakawhāriki i ngā kōrero nei mō Te Ringatū ki runga o Whitianga kua tātaritia kia waru ngā pekanga o te tuhinga kia mārama ai ki te karu pānui i ngā kōrero; i pēhea tae atu ai Te Ringatū ki runga o Whitianga, i pēhea tāna kawe i ngā tikanga, ā, he aha i whakarerekēngia ai tāna kawe i Te Huamata me Te Pure i roto I te wā.

Tuatahi: Ki te kōrero mō Te Ringatū me hoki ki te tīmata maitanga o Te Ringatū. Ka tirohia, nā wai i tīmata, ā, he aha i tīmataria ai, me te whakaatu i wētahi āhuatanga i pā ki tōna Poropiti me wāna pononga i te tīmatatanga rā anō o Te Ringatū.

Tuarua: Ko te whai haere tēnei i ngā takahanga waewae o ngā tīpuna o Te Whānau-a-Apanui, ki te whai i Te Ringatū. Ka titiro he aha te take i huri ai a Te Whānau-a-Apanui ki ngā tikanga o Te Ringatū. Ka titiro anō hoki ki te taenga atu o Te Kooti me tana iwi Ringatū ki roto o Te Whānau-a-Apanui me wāna mahi ki a rātou i reira.

Tuatoru: Ka whakaatu i konei, he aha te take ko wātahi marae tokoiti noa iho o Te Whānau-a-Apanui ka noho hei marae Ringatū, mai i te taenga atu o Te Ringatū, aā, tae noa ki tēnei rā.
Tuawhā: I konei ka tae ki te pūtake o te tuhinga. Ka titiro i konei ki te taenga o ngā whakahaere Ringatū, arā, Te Huamata me Te Pure ki runga i te marae o Whitianga. Ka whakaatu i konei, he aha i tae atu ai wēnei tikanga ki tērā marae. Ka kite anē hoki he aha i karangatia ko Whitianga te marae pou mō Te Ringatū ki roto o Te Whānau-a-Apanui.
Tuarima: Ka tiro haeretia i konei ngā tikanga e pā ana ki Te Huamata me wōna whakahaere I ngā. tapu katoa e pā ana ki Te Huamata. Ka whakarārangitia ko ngā karakia me wōna kaupapa katoa kia kite ai te kaipānui i te hōhonutanga o tēnei tikanga a Te Ringatū. I konei ka kite anō hoki te kaipānui i ngā kōrero a ngā pakeke, nāna nei i kite, i tipu ake i roto i tērā tikanga.
Tuaono: Ka titiro i konei ko ngā whakahaere a Te Ringatū i tēnei tikanga, arā, Te Pure. Pērā anō ki te tipuranga tuarima, ka whakarārangitia ai ko ngā karakia me wōna kaupapa katoa kia kite ai te kaipānui i te tikanga o Te Pure, ā, he aha i pērā rawa ai te kaha whakapono o ngā pakeke ki tēnei tūāhuatanga, ko Te Pure.
Tuawhitu: I konei ka titiro ki a Paora Delamere me te take i whakarerekēngia ai e ia ngā tikanga tapu o Te Huamata me Te Pure. Ka titiro anō hoki ki wētahi āhuatanga hou i tīmataria ai e ia i waenganui i Te Ringatū whanui huri i Aotearoa.
Tuawaru: Ka tuituia ngā pekanga katoa ki te whakamārama i ngā kōrero kia eke katoa ki runga i te tāhūhū o te kōrero. Ka kitea te take i tīmataria ai Te Ringatu, arā ngā kairiri a Māori ki a tauiwi. Ā, pērā anō te take i huri ai a Te Whānau-a-Apanui ki ngā tikanga a Te Ringatū. Koira i hanake hoki ai ngā pakeke ki Ōtewa ki te pōhiri i a Te Kooti ki te rohe o Te Whānau-a-Apanui, nā te rauwhaitanga o te patu i ngā papatipu. Ko te hokitanga ki te haumoana o Te Whānau-a-Apanui, ko te hokinga anō hoki o Te Māratapu o Te Huamata, o Te Pure ki reira toka atu ai. Ka haere te wā, ā, nāwai rā ka poua wēnei tikanga a Te Ringatū ki Te Māratapu ki runga o Whitianga, ana, i tipu ake he tipu hou, he oranga hou, ā, he tikanga hou i te huringa o te wā.
Katoa wēnei kōrero hei whakaatu i te āhua o te taenga o Te Huamata me Te Pure ki runga o Whitianga marae, mai i te kunenga ake o te whakaaro ki te whai I wēnei tikanga, ā, tae noa ki te whakatinanatanga e haere ake nei, e haere ake. He rautau kua taha, he raurau tau e haere mai nei.

year: 1998