title: 'It's complicated': Love, selves and Others - a response to Inwood

authors: Morrison, Carey-Ann

subjects: binaries

abstract: Addressing the question ‘does using the term “Other” in relation to geographies of love flatten out difference?’ we argue that, while it may have this potential, it can also recognize collectivity (which is not necessarily the same as uniformity) among people. Politics involves working out which differences matter, when and where. Critiquing oppositional categories such as Self/Other (also love/hate, universal/particular) may do more to prompt critical understandings of love as spatial, relational and political rather than simply throwing out the term ‘Other’.

text: 'It's complicated': Love, selves and Others - a response to Inwood Addressing the question ‘does using the term “Other” in relation to geographies of love flatten out difference?’ we argue that, while it may have this potential, it can also recognize collectivity (which is not necessarily the same as uniformity) among people. Politics involves working out which differences matter, when and where. Critiquing oppositional categories such as Self/Other (also love/hate, universal/particular) may do more to prompt critical understandings of love as spatial, relational and political rather than simply throwing out the term ‘Other’.

year: 2013

title: Handmade pixels: Exposing the animation process

authors: Perrott, Lisa

abstract: Handmade Pixels seeks to expose those aspects of the animation process that are often relegated to ‘behind the scenes’ archives, ‘making of’ videos, or even discarded as rubbish. It aims to celebrate the distinctive approach of artists who experiment with diverse methods and techniques.
Many of the items selected here are quite different from the works typically exhibited in art galleries. Process materials such as working sketches and storyboards are rarely displayed as works of art in their own right. They are often archived or disposed of once the final film has been completed. These materials should be exhibited – not least because they communicate the creative genius and idiosyncratic craftwork of an animator.

text: Handmade pixels: Exposing the animation process Handmade Pixels seeks to expose those aspects of the animation process that are often relegated to ‘behind the scenes’ archives, ‘making of’ videos, or even discarded as rubbish. It aims to celebrate the distinctive approach of artists who experiment with diverse methods and techniques.
Many of the items selected here are quite different from the works typically exhibited in art galleries. Process materials such as working sketches and storyboards are rarely displayed as works of art in their own right. They are often archived or disposed of once the final film has been completed. These materials should be exhibited – not least because they communicate the creative genius and idiosyncratic craftwork of an animator.

year: 2011

title: La gouvernance des rivières en Nouvelle-Zélande : une solution élégante ?

authors: Te Aho, Linda

subjects: Water governance,

abstract: Governance of Water in New Zealand: An Elegant Solution? This chapter is grounded in the context of Aotearoa New Zealand while drawing on larger references, such as the United Nations Declaration on the Rights of Indigenous peoples, the Rio+20 Declaration and constitutional provisions for Rights of Nature. The chapter analyses a proposed new model for the contentious issue of freshwater governance in New Zealand based on responsible use which also addresses the complex world of state-Māori relations.

text: La gouvernance des rivières en Nouvelle-Zélande : une solution élégante ? Governance of Water in New Zealand: An Elegant Solution? This chapter is grounded in the context of Aotearoa New Zealand while drawing on larger references, such as the United Nations Declaration on the Rights of Indigenous peoples, the Rio+20 Declaration and constitutional provisions for Rights of Nature. The chapter analyses a proposed new model for the contentious issue of freshwater governance in New Zealand based on responsible use which also addresses the complex world of state-Māori relations.

year: 2018