title: 'Making its own history': New Zealand historical fiction for children,1862-2008

authors: Clark, Louise Henriette

subjects: children's literature

abstract: This thesis considers historical fiction for children and young people dealing with New Zealand history from the arrival of the first Polynesian settlers to the end of the nineteenth century.  It provides both a comprehensive survey of historical novels published between 1862 and the end of 2008, and an analysis of the way the same historical events and periods have been depicted in historical novels written at different times.  Individual chapters discuss books set during specific historical periods or dealing with particular events - the pre-European period, early contact, nineteenth century immigration, the New Zealand Wars, the gold rushes, and the colonial period - in chronological order of publication.  Since children's literature is particularly adept at reflecting and promoting the dominant ideas of the society in which it is produced, the chronological consideration of these texts reveals contemporary attitudes to such issues as race relations, gender roles, class, war and conflict, and concepts of national identity, as well as the way historical fiction has responded to societal changes since the 1860s.  

The predominant themes of historical fiction set prior to 1900 are: the arrival of settlers in New Zealand; encounters with the country's indigenous inhabitants; the taming of the often hostile landscape; the assertion of the settlers' claims to 'belong' in their new land; and the establishment of New Zealand as a nation with distinctive characteristics.  There are perceptible nuances and differences in the way these themes are discussed depending on the historical moment in which individual authors are writing.  Novels of the Victorian period and early twentieth century reflect the imperialistic and evangelistic ethos of the time, and present the British settlers' right to colonize the land and the ensuing dispossession of Māori as largely unproblematic.  Subsequent historical novels, particularly those written since the 1960s, offer a more inclusive version of New Zealand history, although the lack of historical fiction for children by Māori writers means that Eurocentric views of history continue to dominate, and that all representations of Māori and their history are mediated through Pakeha writers.

Shifts in social attitudes have resulted in changes in the treatment of Māori in historical novels for children, and similar changes have occurred in the portrayal of gender, class, and ethnicity.  The passage of time has seen increased agency and a wider variety of roles allocated to Māori, female and working class characters, as well as greater ethnic diversity.  Developments in New Zealand historiography are also reflected in fiction, although at times historical fiction prefigures written histories, or provides alternative views by depicting the experience of women, children and Māori, who often did not feature in conventional histories.  While many historical novels for children, especially the earlier texts, are adventure stories set in the past and are not necessarily concerned with historical verisimilitude, an increasing number attempt to present authentic recreations of historical periods, including accounts of actual people and events, based on extensive research, and reinforced with peritextual material in the form of historical notes, bibliographies, maps and photographs.  

The role of New Zealand historical fiction for children and young people has been not only to entertain young readers and inform them about their country's past, but to create and foster a sense of national identity.

text: 'Making its own history': New Zealand historical fiction for children,1862-2008 This thesis considers historical fiction for children and young people dealing with New Zealand history from the arrival of the first Polynesian settlers to the end of the nineteenth century.  It provides both a comprehensive survey of historical novels published between 1862 and the end of 2008, and an analysis of the way the same historical events and periods have been depicted in historical novels written at different times.  Individual chapters discuss books set during specific historical periods or dealing with particular events - the pre-European period, early contact, nineteenth century immigration, the New Zealand Wars, the gold rushes, and the colonial period - in chronological order of publication.  Since children's literature is particularly adept at reflecting and promoting the dominant ideas of the society in which it is produced, the chronological consideration of these texts reveals contemporary attitudes to such issues as race relations, gender roles, class, war and conflict, and concepts of national identity, as well as the way historical fiction has responded to societal changes since the 1860s.  

The predominant themes of historical fiction set prior to 1900 are: the arrival of settlers in New Zealand; encounters with the country's indigenous inhabitants; the taming of the often hostile landscape; the assertion of the settlers' claims to 'belong' in their new land; and the establishment of New Zealand as a nation with distinctive characteristics.  There are perceptible nuances and differences in the way these themes are discussed depending on the historical moment in which individual authors are writing.  Novels of the Victorian period and early twentieth century reflect the imperialistic and evangelistic ethos of the time, and present the British settlers' right to colonize the land and the ensuing dispossession of Māori as largely unproblematic.  Subsequent historical novels, particularly those written since the 1960s, offer a more inclusive version of New Zealand history, although the lack of historical fiction for children by Māori writers means that Eurocentric views of history continue to dominate, and that all representations of Māori and their history are mediated through Pakeha writers.

Shifts in social attitudes have resulted in changes in the treatment of Māori in historical novels for children, and similar changes have occurred in the portrayal of gender, class, and ethnicity.  The passage of time has seen increased agency and a wider variety of roles allocated to Māori, female and working class characters, as well as greater ethnic diversity.  Developments in New Zealand historiography are also reflected in fiction, although at times historical fiction prefigures written histories, or provides alternative views by depicting the experience of women, children and Māori, who often did not feature in conventional histories.  While many historical novels for children, especially the earlier texts, are adventure stories set in the past and are not necessarily concerned with historical verisimilitude, an increasing number attempt to present authentic recreations of historical periods, including accounts of actual people and events, based on extensive research, and reinforced with peritextual material in the form of historical notes, bibliographies, maps and photographs.  

The role of New Zealand historical fiction for children and young people has been not only to entertain young readers and inform them about their country's past, but to create and foster a sense of national identity.

year: 2010

title: The arguing genre and the explaining genre: A comparison in terms of discourse relational analyses of texts written in English and texts written in Māori

authors: Crombie, Winifred

subjects: Māori linguistics

abstract: There is a commonly held belief that those who are immersed in indigenous cultures have a tendency, when constructing academic texts, to avoid sequential, deductive argumentation. We report here on a comparison of two groups of texts exhibiting two different genres - 'explaining' and 'arguing'. One group of texts was written in Māori by indigenous authors, the other group was written in English by non-indigenous authors. Our findings are that although the percentage use of logico-deductive relationships is roughly equivalent for both groups of texts/ writers in the case of the explaining genre, the Māori texts/ writers use almost twice the percentage of logico-deductive relationships as do the English texts/ writers.

text: The arguing genre and the explaining genre: A comparison in terms of discourse relational analyses of texts written in English and texts written in Māori There is a commonly held belief that those who are immersed in indigenous cultures have a tendency, when constructing academic texts, to avoid sequential, deductive argumentation. We report here on a comparison of two groups of texts exhibiting two different genres - 'explaining' and 'arguing'. One group of texts was written in Māori by indigenous authors, the other group was written in English by non-indigenous authors. Our findings are that although the percentage use of logico-deductive relationships is roughly equivalent for both groups of texts/ writers in the case of the explaining genre, the Māori texts/ writers use almost twice the percentage of logico-deductive relationships as do the English texts/ writers.

year: 2005-02

title: Human-centred workplace: Re-finding physical documents in an office environment

authors: Dighe, Amay

subjects: Information access

abstract: It is often difficult for busy people to keep track of or re-find documents in their own workplace. They may try to remember the location of documents by context (that is by information associated with the object) or they may try to improve the chance of finding documents by placing them in a highly visible area. However, very few methods have been developed for finding a physical object's location in an office. Most of the existing methods require some kind of structured approach to be followed by the user. We created a "Human-Centred Workplace" system that does not require orderly users. The system generates and prints passive tags on documents and uses (web) cameras in the office to capture images and track changes in the documents' locations. This paper introduces the design and implementation of the system, explores its use in an office environment and gives a first-cut evaluation of our prototypical implementation.

text: Human-centred workplace: Re-finding physical documents in an office environment It is often difficult for busy people to keep track of or re-find documents in their own workplace. They may try to remember the location of documents by context (that is by information associated with the object) or they may try to improve the chance of finding documents by placing them in a highly visible area. However, very few methods have been developed for finding a physical object's location in an office. Most of the existing methods require some kind of structured approach to be followed by the user. We created a "Human-Centred Workplace" system that does not require orderly users. The system generates and prints passive tags on documents and uses (web) cameras in the office to capture images and track changes in the documents' locations. This paper introduces the design and implementation of the system, explores its use in an office environment and gives a first-cut evaluation of our prototypical implementation.

year: 2012