title: A Spatial Analysis Of Assault Patterns In Entertainment Areas Throughout the Waikato using Geographic Information Systems

authors: Hughes, Geoffrey

subjects: assaults

abstract: Alcohol related violence has long been a matter of social concern. Recent studies investigating the association between assaults and alcohol have found that there are certain places and locations including bars, which are more commonly associated with assaults than other places. Using different spatial analysis techniques accommodated within a Geographic Information System (GIS) including point and choropleth density, Euclidean based distance measures, clustering analysis and geographically weighted regression, this study examines the association between bars and assaults in the Waikato region. It also seeks to explain the assault patterns around bars by various theories, namely the “Social Disorganisation Theory”, “Routine Activity Theory” and the “Crime Potential Theory”. The study determined that for the two year period (2008-2009) in the Waikato Police district there was clear evidence of higher assault levels being associated with areas of higher bar densities. In Hamilton’s CBD there was a particularly strong relationship between assaults and bars where around 25% of all assaults took place within 10 metres of a bar and approximately half of all assaults took place within 50 metres of a bar. Over the study period, one meshblock in Hamilton’s CBD recorded approximately 45 assaults per square kilometre per week. Elsewhere in the Waikato, the study showed a reasonably strong relationship between assaults and bars at the coastal resorts of Whitianga, Raglan and Coromandel township. In these townships, there was a discernable, but lesser relationship to that of the Hamilton CBD, with around 15-25% of assaults taking place within 10 metres of a bar. The assault density in the centre of these coastal townships, as well as other townships throughout the Waikato was generally lower, recording 3-4 assaults per square kilometre per week. Suburban areas in Hamilton City showed similar assault densities to that recorded in the centre of townships throughout the Waikato. The study findings were found to be generally consistent with the Routine Activity and Crime Potential theories by conclusively demonstrating that place, in this instance, bars, and their location, influences the distribution of assaults. The study examined population characteristics only in respect of population density and its proxy, road density, but these variables were not found to be particularly accurate in predicting the distribution of assaults.

text: A Spatial Analysis Of Assault Patterns In Entertainment Areas Throughout the Waikato using Geographic Information Systems Alcohol related violence has long been a matter of social concern. Recent studies investigating the association between assaults and alcohol have found that there are certain places and locations including bars, which are more commonly associated with assaults than other places. Using different spatial analysis techniques accommodated within a Geographic Information System (GIS) including point and choropleth density, Euclidean based distance measures, clustering analysis and geographically weighted regression, this study examines the association between bars and assaults in the Waikato region. It also seeks to explain the assault patterns around bars by various theories, namely the “Social Disorganisation Theory”, “Routine Activity Theory” and the “Crime Potential Theory”. The study determined that for the two year period (2008-2009) in the Waikato Police district there was clear evidence of higher assault levels being associated with areas of higher bar densities. In Hamilton’s CBD there was a particularly strong relationship between assaults and bars where around 25% of all assaults took place within 10 metres of a bar and approximately half of all assaults took place within 50 metres of a bar. Over the study period, one meshblock in Hamilton’s CBD recorded approximately 45 assaults per square kilometre per week. Elsewhere in the Waikato, the study showed a reasonably strong relationship between assaults and bars at the coastal resorts of Whitianga, Raglan and Coromandel township. In these townships, there was a discernable, but lesser relationship to that of the Hamilton CBD, with around 15-25% of assaults taking place within 10 metres of a bar. The assault density in the centre of these coastal townships, as well as other townships throughout the Waikato was generally lower, recording 3-4 assaults per square kilometre per week. Suburban areas in Hamilton City showed similar assault densities to that recorded in the centre of townships throughout the Waikato. The study findings were found to be generally consistent with the Routine Activity and Crime Potential theories by conclusively demonstrating that place, in this instance, bars, and their location, influences the distribution of assaults. The study examined population characteristics only in respect of population density and its proxy, road density, but these variables were not found to be particularly accurate in predicting the distribution of assaults.

year: 2011

title: All I remember is forgetting

authors: Hobson, Guy Marcus

subjects: Art

abstract: All I Remember is Forgetting is a novel about the complex weaving of memory, relationships and works of art. We observe these through the eyes of Roger Phillips, whom we first encounter washed up and living in his car after the failure of a third serious relationship. Unsuccessfully married twice, Roger has not navigated matrimony as well as he might. Instead he has escaped into a world of painting, photography and sculpture.
    The main driving force behind the narrative is a wooden box containing Roger’s collection of 600 art postcards. These are pictures collected from galleries and museums around the world. Thirty years in the collecting, it took Roger’s second wife, Margot, only fifteen minutes to pitch them all into a landfill north of Auckland. Also missing were his most treasured books. Gone were all the stories from the myths of the Greeks and Romans on which he fed his imagination. So much so, in fact, that he is convinced that Eris, goddess of strife and discord, has been on a mission to ruin his life. While every book held special meaning, it was to each postcard that Roger attached his most personal recollections – the gallery, the surrounding city, the occasion and the person he was with. Each a complex narrative. All the memories of his life were tied to those small pieces of card; suddenly they were lost for ever. Art had always been Roger’s escape, his safe haven, but also his erotica, wrapping him in the beauty and hidden narratives in the lives of artists and their models. The imperfect fragments of Roger’s life show us that love is not best understood through art. Roger fails to see the philosophy of kintsugi, the Japanese art of golden repair. Breakage and mending are part of the history of your life, to be celebrated not disguised.

This is a many-layered exercise in ekphrasis, where dramatic verbal descriptions of works of art are layered with descriptions of Roger’s married life. In some cases both become so entwined that they form an entirely new layer of art. The novel weaves the highs and lows of Roger’s journey; both the pain and the humour. Through the lens of great art and its creators we find mirrors, reflections and the distortion between life and art. We travel from Sheffield and London to Paris and New York, before coming firmly to rest in New Zealand.
   
Do not believe everything that Roger tells you, but remember the words of Oscar Wilde: it is only through art that we can shield ourselves from the sordid perils of actual existence.

text: All I remember is forgetting All I Remember is Forgetting is a novel about the complex weaving of memory, relationships and works of art. We observe these through the eyes of Roger Phillips, whom we first encounter washed up and living in his car after the failure of a third serious relationship. Unsuccessfully married twice, Roger has not navigated matrimony as well as he might. Instead he has escaped into a world of painting, photography and sculpture.
    The main driving force behind the narrative is a wooden box containing Roger’s collection of 600 art postcards. These are pictures collected from galleries and museums around the world. Thirty years in the collecting, it took Roger’s second wife, Margot, only fifteen minutes to pitch them all into a landfill north of Auckland. Also missing were his most treasured books. Gone were all the stories from the myths of the Greeks and Romans on which he fed his imagination. So much so, in fact, that he is convinced that Eris, goddess of strife and discord, has been on a mission to ruin his life. While every book held special meaning, it was to each postcard that Roger attached his most personal recollections – the gallery, the surrounding city, the occasion and the person he was with. Each a complex narrative. All the memories of his life were tied to those small pieces of card; suddenly they were lost for ever. Art had always been Roger’s escape, his safe haven, but also his erotica, wrapping him in the beauty and hidden narratives in the lives of artists and their models. The imperfect fragments of Roger’s life show us that love is not best understood through art. Roger fails to see the philosophy of kintsugi, the Japanese art of golden repair. Breakage and mending are part of the history of your life, to be celebrated not disguised.

This is a many-layered exercise in ekphrasis, where dramatic verbal descriptions of works of art are layered with descriptions of Roger’s married life. In some cases both become so entwined that they form an entirely new layer of art. The novel weaves the highs and lows of Roger’s journey; both the pain and the humour. Through the lens of great art and its creators we find mirrors, reflections and the distortion between life and art. We travel from Sheffield and London to Paris and New York, before coming firmly to rest in New Zealand.
   
Do not believe everything that Roger tells you, but remember the words of Oscar Wilde: it is only through art that we can shield ourselves from the sordid perils of actual existence.

year: 2021

title: Racism and intersections with health services

authors: Cormack, Donna

abstract: WERO webinar hosted by Māori and Indigenous Analysis Ltd & AATEA Solutions.

text: Racism and intersections with health services WERO webinar hosted by Māori and Indigenous Analysis Ltd & AATEA Solutions.

year: 2025-10-07