title: Men Without Limits: Exploring the subversive potential of hypermasculinity in transgressive fiction

authors: Bond, Mark Wayne

subjects: Masculinities

abstract: (Hyper)masculinity is a universal and ostensibly rewarding concept, but only when performed within cultural limits. If these limits are violated, hypermasculine performances cease to be rewarding and instead begin to subvert the norms they are designed to uphold. Such destabilising performances are found in transgressive fiction, a genre that seeks to contravene cultural norms and taboos via extremely violent or sexual performances. While transgressive fictions often incorporate various physical and sexual behaviours that code conventional representations of masculinity, they derive much of their narrative energy from the subversion of those very conventions. 
Using Hubert Selby Jr.’s Last Exit to Brooklyn (1957), Iain Banks’s The Wasp Factory (1984), Bret Easton Ellis’s American Psycho (1991), and Chuck Palahniuk’s Fight Club (1996) as examples, this thesis will argue that the conjunction of transgression and (hyper)masculinity has the potential to expose and satirise sociocultural structures of meaning. Firstly, this thesis will demonstrate how transgressive texts subvert language by challenging the signifying power of (hyper)masculine speech; secondly, it will discuss the purpose of rituals in affirming masculine norms, and show how transgressive fictions undermine this purpose by stripping ritualistic performances of their legitimising potential; thirdly, it will demonstrate how representations of transgressive hypermasculinity foreground heterosexual masculinity as mimesis while simultaneously exposing its futile suppression of homosocial or conventionally feminine drives. Finally, it will show how transgressive narratives prompt a reading of masculinity as inherently problematic by detaching (hyper)masculine performances from conventional rewards and resolutions.

text: Men Without Limits: Exploring the subversive potential of hypermasculinity in transgressive fiction (Hyper)masculinity is a universal and ostensibly rewarding concept, but only when performed within cultural limits. If these limits are violated, hypermasculine performances cease to be rewarding and instead begin to subvert the norms they are designed to uphold. Such destabilising performances are found in transgressive fiction, a genre that seeks to contravene cultural norms and taboos via extremely violent or sexual performances. While transgressive fictions often incorporate various physical and sexual behaviours that code conventional representations of masculinity, they derive much of their narrative energy from the subversion of those very conventions. 
Using Hubert Selby Jr.’s Last Exit to Brooklyn (1957), Iain Banks’s The Wasp Factory (1984), Bret Easton Ellis’s American Psycho (1991), and Chuck Palahniuk’s Fight Club (1996) as examples, this thesis will argue that the conjunction of transgression and (hyper)masculinity has the potential to expose and satirise sociocultural structures of meaning. Firstly, this thesis will demonstrate how transgressive texts subvert language by challenging the signifying power of (hyper)masculine speech; secondly, it will discuss the purpose of rituals in affirming masculine norms, and show how transgressive fictions undermine this purpose by stripping ritualistic performances of their legitimising potential; thirdly, it will demonstrate how representations of transgressive hypermasculinity foreground heterosexual masculinity as mimesis while simultaneously exposing its futile suppression of homosocial or conventionally feminine drives. Finally, it will show how transgressive narratives prompt a reading of masculinity as inherently problematic by detaching (hyper)masculine performances from conventional rewards and resolutions.

year: 2016

title: Barriers, Attitudes, and Influences Towards Dietary Intake Amongst Elite Rugby Union Players

authors: Sharples, A. M.

abstract: Background:
Dietary intakes can impact an athletes health and performance. Although evidence exists about what an athlete should eat, an athlete's nutritional intake is influenced by many factors. The limited research available suggests the main barriers preventing optimal nutritional intakes reported by athletes are lack of time, food accessibility, poor cooking skills, costs, taste, and time spent in “off-season.” Although these factors have been shown to influence dietary intake they remain relatively unexplored in Rugby Union. This study aimed to describe the nutritional influences on dietary intake amongst Rugby Union player's.
Methods:
This was a qualitative study utilising in person individual interviews with all participants. Participants were Rugby Union players (n = 30) for either a Super Rugby franchise or one of their development squads in New Zealand. Participant's undertook recorded face to face interviews, which were later transcribed. A thematic approach was used to code the transcripts by the primary coder and the themes were subsequently evaluated by the research team. 
Results: 
Childhood upbringing, organisational skills, time and food security also emerged as barriers. Body composition and sport nutrition knowledge emerged as both barriers and enablers to nutritional intake. Influence on performance was an enabler to optimal dietary intake. Fully professional rugby players have access to dietitians, whereas development and semi-professional rugby players only have limited if any access, and they were more likely to seek nutritional information via social media.
Conclusion:
This study suggests a need for greater nutrition education at developmental levels with an emphasis on affordable food choices, meal planning and skills for interpreting online nutrition information.

text: Barriers, Attitudes, and Influences Towards Dietary Intake Amongst Elite Rugby Union Players Background:
Dietary intakes can impact an athletes health and performance. Although evidence exists about what an athlete should eat, an athlete's nutritional intake is influenced by many factors. The limited research available suggests the main barriers preventing optimal nutritional intakes reported by athletes are lack of time, food accessibility, poor cooking skills, costs, taste, and time spent in “off-season.” Although these factors have been shown to influence dietary intake they remain relatively unexplored in Rugby Union. This study aimed to describe the nutritional influences on dietary intake amongst Rugby Union player's.
Methods:
This was a qualitative study utilising in person individual interviews with all participants. Participants were Rugby Union players (n = 30) for either a Super Rugby franchise or one of their development squads in New Zealand. Participant's undertook recorded face to face interviews, which were later transcribed. A thematic approach was used to code the transcripts by the primary coder and the themes were subsequently evaluated by the research team. 
Results: 
Childhood upbringing, organisational skills, time and food security also emerged as barriers. Body composition and sport nutrition knowledge emerged as both barriers and enablers to nutritional intake. Influence on performance was an enabler to optimal dietary intake. Fully professional rugby players have access to dietitians, whereas development and semi-professional rugby players only have limited if any access, and they were more likely to seek nutritional information via social media.
Conclusion:
This study suggests a need for greater nutrition education at developmental levels with an emphasis on affordable food choices, meal planning and skills for interpreting online nutrition information.

year: 2021-12

title: Tangi and State Funeral: Te Arikinui Dame Te Atairangikaahu and Prime Minister Norman Kirk

authors: McRae, Karyn Okeroa

subjects: Tangi

abstract: The tangi of Te Arikinui Dame Te Atairangikaahu (Te Arikinui) in 2006 paralleled the State funerals for New Zealand Prime Ministers like Norman Kirk who died in 1974. State funerals require the huge mobilization of people and resources and always attract the attention of the national and international media. The death of a Prime Minister is news worthy, but what of a minority indigenous fourth world leader like Te Arikinui? Why did her passing attract so much media attention? In this study I argue that media representation of the tangi of Te Arikinui was largely about social, cultural and symbolic capital. In media saturated societies such as Aotearoa/New Zealand, through mainstream media outlets like TV One News and the Waikato Times, Te Arikinui’s tangi event claimed a dominant space in the lives of Maori and non Maori alike. The data source includes print news media coverage of the tangi of Te Arikinui and the State funeral of Norman Kirk. Descriptive narrative and abductive analysis inform the methodology used in this study. As expected, print media reporting of both events progressed through the three stages identified by Durkheim, those of, separation, liminality and reincorporation. The ownership of death, the deceased and the continued possession of their mortal remains, itself a cultural object with symbolic and cultural capital, reflected the actual power and control of the possessor. State funerals and tangi are about the ritualized performance of grief and mourning, and require the appropriate social, cultural and symbolic capital for its enactment.

text: Tangi and State Funeral: Te Arikinui Dame Te Atairangikaahu and Prime Minister Norman Kirk The tangi of Te Arikinui Dame Te Atairangikaahu (Te Arikinui) in 2006 paralleled the State funerals for New Zealand Prime Ministers like Norman Kirk who died in 1974. State funerals require the huge mobilization of people and resources and always attract the attention of the national and international media. The death of a Prime Minister is news worthy, but what of a minority indigenous fourth world leader like Te Arikinui? Why did her passing attract so much media attention? In this study I argue that media representation of the tangi of Te Arikinui was largely about social, cultural and symbolic capital. In media saturated societies such as Aotearoa/New Zealand, through mainstream media outlets like TV One News and the Waikato Times, Te Arikinui’s tangi event claimed a dominant space in the lives of Maori and non Maori alike. The data source includes print news media coverage of the tangi of Te Arikinui and the State funeral of Norman Kirk. Descriptive narrative and abductive analysis inform the methodology used in this study. As expected, print media reporting of both events progressed through the three stages identified by Durkheim, those of, separation, liminality and reincorporation. The ownership of death, the deceased and the continued possession of their mortal remains, itself a cultural object with symbolic and cultural capital, reflected the actual power and control of the possessor. State funerals and tangi are about the ritualized performance of grief and mourning, and require the appropriate social, cultural and symbolic capital for its enactment.

year: 2010