title: Whakatautika: Generating balance in the business and activity of fishing at Moana New Zealand - A case study on Indigenising the blue economy in Aotearoa

authors: Mika, Jason

abstract: This report sets out the results of a case study on Moana New Zealand, an iwi (tribal) owned fishing company formed out of the Treaty of Waitangi fisheries settlement and a whānau (family) owned inshore fishing enterprise known as The Rawlinson Group (TRG). The research is part of an Indigenising the blue economy project funded by Ngā Moana Whakauka Sustainable Seas National Science Challenge. This case study draws on the knowledge and experience of Moana New Zealand and TRG to understand relationships between iwi and whānau scale enterprises in the Māori marine economy (MME). TRG is a Māori-owned family inshore fishing business which has been operating for 30 years. As first-generation fishers, the Rawlinson whānau have prioritised both strategic and family decisions that have established their business and assured their role in Aotearoa New Zealand’s commercial fishing industry. The case study sought to learn how Māori marine-based enterprises apply mātauranga Māori to achieve multidimensional wellbeing, human potential, and relational balance with Tangaroa.

text: Whakatautika: Generating balance in the business and activity of fishing at Moana New Zealand - A case study on Indigenising the blue economy in Aotearoa This report sets out the results of a case study on Moana New Zealand, an iwi (tribal) owned fishing company formed out of the Treaty of Waitangi fisheries settlement and a whānau (family) owned inshore fishing enterprise known as The Rawlinson Group (TRG). The research is part of an Indigenising the blue economy project funded by Ngā Moana Whakauka Sustainable Seas National Science Challenge. This case study draws on the knowledge and experience of Moana New Zealand and TRG to understand relationships between iwi and whānau scale enterprises in the Māori marine economy (MME). TRG is a Māori-owned family inshore fishing business which has been operating for 30 years. As first-generation fishers, the Rawlinson whānau have prioritised both strategic and family decisions that have established their business and assured their role in Aotearoa New Zealand’s commercial fishing industry. The case study sought to learn how Māori marine-based enterprises apply mātauranga Māori to achieve multidimensional wellbeing, human potential, and relational balance with Tangaroa.

year: 2024

title: He Whakaoranga Kia Puta Kia Ora (prepared for Health Research Council of New Zealand)

authors: Kilgour, Jonathan T.

abstract: This research project explored the relationship between cultural connectedness and wellbeing (as a social determinant of health). In particular, the research explored the diverse ways in which tribal members connected with and expressed their Waikatotanga.

text: He Whakaoranga Kia Puta Kia Ora (prepared for Health Research Council of New Zealand) This research project explored the relationship between cultural connectedness and wellbeing (as a social determinant of health). In particular, the research explored the diverse ways in which tribal members connected with and expressed their Waikatotanga.

year: 2015

title: Hegemony, marginalisation, and hierarchies: Masculinities in contemporary Pakistani anglophone fiction

authors: Ali, Sara

subjects: Masculinities

abstract: By being empowered as subjects, authors of Pakistani anglophone fiction present a more nuanced, layered, and complex picture of Pakistan than the Western hegemonic discursive construction of the country as a hub of terror. Contemporary Pakistani anglophone fiction provides an insight into the collisions of culture, modernity, and religion in Pakistan. This literature also offers a way of understanding gender dynamics in contemporary Pakistani society. Scholarship on the representation of men and masculinities in South Asian anglophone literature, especially Pakistani anglophone fiction, is sparse. My study seeks to fill this lacuna and focuses on fiction by four male authors, namely, Nadeem Aslam, Mohsin Hamid, Muhammad Hanif, and Daniyal Mueenuddin. My research highlights the potentially powerful existence of male narratives exposing, critiquing, and resisting misogyny, male violence, and gendered oppression. This research explores how these authors fashion the narrative of Pakistani masculinity and how these representations are shaped by wider societal, cultural, political, economic, and religious contexts. I draw on theories of performativity, intersectionality, and a range of scholarship about masculinities for my analysis.
Examining texts which bear the imprint of socio-cultural practices offers a tool to understand the social, cultural, and religious pressures that shape patriarchy, dictate men’s actions, and control masculine perceptions of identity and self-worth. Each chapter explores a different aspect of Pakistani masculinity, ranging from the depiction of the feudal and capitalist masculinities in rural Pakistan in In Other Rooms, Other Wonders to representations of toxic and hostile masculinities among working-class and lower-class men in Our Lady of Alice Bhatti and the clash between urban middle-class and elite Pakistani masculinities in Moth Smoke. The final two chapters reach beyond the geographic borders of the nation to focus on the depiction of the impact of honour culture, male entitlement, and racial marginalisation on diasporic Pakistani masculinities in Maps for Lost Lovers and the impact of global and political shifts on hegemonic masculine ideals and transnational business masculinity in The Reluctant Fundamentalist. This research maps a range of representations of the diversity, complexity, and unequal power dynamics of Pakistani masculinities. This study also explores the formation and representations of female identity and femininities in negotiations with masculinities in the selected fiction, for example, emphasized femininity in Maps for Lost Lovers, rural femininity in In Other Rooms, Other Wonders, and enlightened femininity in Moth Smoke. Through this study, I hope to widen the critical discourse about gender in relation to Pakistani anglophone fiction and contribute towards an expansion of scholarship seeking to interrogate and interpret Pakistani masculinities.

text: Hegemony, marginalisation, and hierarchies: Masculinities in contemporary Pakistani anglophone fiction By being empowered as subjects, authors of Pakistani anglophone fiction present a more nuanced, layered, and complex picture of Pakistan than the Western hegemonic discursive construction of the country as a hub of terror. Contemporary Pakistani anglophone fiction provides an insight into the collisions of culture, modernity, and religion in Pakistan. This literature also offers a way of understanding gender dynamics in contemporary Pakistani society. Scholarship on the representation of men and masculinities in South Asian anglophone literature, especially Pakistani anglophone fiction, is sparse. My study seeks to fill this lacuna and focuses on fiction by four male authors, namely, Nadeem Aslam, Mohsin Hamid, Muhammad Hanif, and Daniyal Mueenuddin. My research highlights the potentially powerful existence of male narratives exposing, critiquing, and resisting misogyny, male violence, and gendered oppression. This research explores how these authors fashion the narrative of Pakistani masculinity and how these representations are shaped by wider societal, cultural, political, economic, and religious contexts. I draw on theories of performativity, intersectionality, and a range of scholarship about masculinities for my analysis.
Examining texts which bear the imprint of socio-cultural practices offers a tool to understand the social, cultural, and religious pressures that shape patriarchy, dictate men’s actions, and control masculine perceptions of identity and self-worth. Each chapter explores a different aspect of Pakistani masculinity, ranging from the depiction of the feudal and capitalist masculinities in rural Pakistan in In Other Rooms, Other Wonders to representations of toxic and hostile masculinities among working-class and lower-class men in Our Lady of Alice Bhatti and the clash between urban middle-class and elite Pakistani masculinities in Moth Smoke. The final two chapters reach beyond the geographic borders of the nation to focus on the depiction of the impact of honour culture, male entitlement, and racial marginalisation on diasporic Pakistani masculinities in Maps for Lost Lovers and the impact of global and political shifts on hegemonic masculine ideals and transnational business masculinity in The Reluctant Fundamentalist. This research maps a range of representations of the diversity, complexity, and unequal power dynamics of Pakistani masculinities. This study also explores the formation and representations of female identity and femininities in negotiations with masculinities in the selected fiction, for example, emphasized femininity in Maps for Lost Lovers, rural femininity in In Other Rooms, Other Wonders, and enlightened femininity in Moth Smoke. Through this study, I hope to widen the critical discourse about gender in relation to Pakistani anglophone fiction and contribute towards an expansion of scholarship seeking to interrogate and interpret Pakistani masculinities.

year: 2022