title: Using object biography metadata to create artefact interactions outside memory institutions

authors: Zhao, Can

subjects: Object biography

abstract: Artefacts are primarily experienced inside museums, and those with insufficient display and interpretation can be isolated and ignored. Mobile devices potentially allow the artefact interaction touchpoints to be moved into the wider environment beyond the physical boundaries of memory institutions. To achieve these interactions, one approach is to modify metadata from a typical descriptive catalogue entry to be object biography-centric. This thesis explores this opportunity and presents the creation of novel artefact-centric interactions outside museums embodied by a proof-of-concept mobile application prototype. 
We performed four studies to acquire object biography metadata, design and evaluate the interactions with biography-enhanced artefacts. Study one explored the potential contributions that the biographical approach can make in documenting artefacts. Study two acquired object biography metadata in a selection of places and conceptualised the metadata fields. Study three extracted five sets of sample metadata from the collection of a local museum. The final study was the design and user evaluation of the prototype, which indicated that the implementation supported the novelty and effectiveness of object biography-centric interactions. 
The current descriptive metadata of objects are not generally reusable for context-aware applications. Interactions designed on top of object biography metadata in the environment are a potential new approach for museum informatics and biographical intersections are a promising concept to focus user engagement.

text: Using object biography metadata to create artefact interactions outside memory institutions Artefacts are primarily experienced inside museums, and those with insufficient display and interpretation can be isolated and ignored. Mobile devices potentially allow the artefact interaction touchpoints to be moved into the wider environment beyond the physical boundaries of memory institutions. To achieve these interactions, one approach is to modify metadata from a typical descriptive catalogue entry to be object biography-centric. This thesis explores this opportunity and presents the creation of novel artefact-centric interactions outside museums embodied by a proof-of-concept mobile application prototype. 
We performed four studies to acquire object biography metadata, design and evaluate the interactions with biography-enhanced artefacts. Study one explored the potential contributions that the biographical approach can make in documenting artefacts. Study two acquired object biography metadata in a selection of places and conceptualised the metadata fields. Study three extracted five sets of sample metadata from the collection of a local museum. The final study was the design and user evaluation of the prototype, which indicated that the implementation supported the novelty and effectiveness of object biography-centric interactions. 
The current descriptive metadata of objects are not generally reusable for context-aware applications. Interactions designed on top of object biography metadata in the environment are a potential new approach for museum informatics and biographical intersections are a promising concept to focus user engagement.

year: 2021

title: Detecting sequential structure

authors: Nevill-Manning, Craig G.

subjects: PBD

abstract: Programming by demonstration requires detection and analysis of sequential patterns in a user’s input, and the synthesis of an appropriate structural model that can be used for prediction. This paper describes SEQUITUR, a scheme for inducing a structural description of a sequence from a single example. SEQUITUR integrates several different inference techniques: identification of lexical subsequences or vocabulary elements, hierarchical structuring of such subsequences, identification of elements that have equivalent usage patterns, inference of programming constructs such as looping and branching, generalisation by unifying grammar rules, and the detection of procedural substructure., Although SEQUITUR operates with abstract sequences, a number of concrete illustrations are provided.

text: Detecting sequential structure Programming by demonstration requires detection and analysis of sequential patterns in a user’s input, and the synthesis of an appropriate structural model that can be used for prediction. This paper describes SEQUITUR, a scheme for inducing a structural description of a sequence from a single example. SEQUITUR integrates several different inference techniques: identification of lexical subsequences or vocabulary elements, hierarchical structuring of such subsequences, identification of elements that have equivalent usage patterns, inference of programming constructs such as looping and branching, generalisation by unifying grammar rules, and the detection of procedural substructure., Although SEQUITUR operates with abstract sequences, a number of concrete illustrations are provided.

year: 1995

title: E hoki mai nei ki te ūkaipō | Return to your place of nourishment [Te Kōputu a te Whanga a Toi | Whakatāne Art Gallery]

authors: Apiata, Hāwea

subjects: toi Māori

abstract: E Hoki Mai Nei ki te Ūkaipō | Return to Your Place of Nourishment brings together works by four wāhine Māori artists, Aimee Ratana, Aisha Roberts, Hollie Tawhiao and Maraea Timutimu, which explore narratives of pakanga
(conflict) through toi (art). In this show, the four artists weave together their unique practices and stories to present a cohesive yet diverse examination of conflicts, with a particular focus on the artists’ own whānau, hapū, and iwi narratives.
Curated by Hāwea Apiata.

text: E hoki mai nei ki te ūkaipō | Return to your place of nourishment [Te Kōputu a te Whanga a Toi | Whakatāne Art Gallery] E Hoki Mai Nei ki te Ūkaipō | Return to Your Place of Nourishment brings together works by four wāhine Māori artists, Aimee Ratana, Aisha Roberts, Hollie Tawhiao and Maraea Timutimu, which explore narratives of pakanga
(conflict) through toi (art). In this show, the four artists weave together their unique practices and stories to present a cohesive yet diverse examination of conflicts, with a particular focus on the artists’ own whānau, hapū, and iwi narratives.
Curated by Hāwea Apiata.

year: 2025-04-17