title: Proposing a Kaupapa Tuku Iho informed Māori model for practice to enhance cultural competence and foster kaimahi flourishing within health and social service providers

authors: Winiata, Rangimarie

subjects: Kaupapa Tuku Iho

abstract: Kaupapa Tuku Iho are Māori values that have been used across various social institutions to inform culturally competent practices with those accessing services. This thesis set out to promote the use Kaupapa Tuku Iho to not only enhance cultural competence and culturally appropriate services, but to take a step further and explore factors that foster the flourishing of kaimahi (workers) who deliver those services. There is research that suggests kaimahi in health and social services are overworked, burdened by stressed and approaching a state of compassion fatigue. This is detrimental for those both delivering and accessing services. This study will explore factors that foster kaimahi flourishing and enable kaimahi to practice Kaupapa Tuku Iho, along with factors that stand as barriers to achieving flourishing and culturally competent practice.
Furthermore, I have developed Ngā Kākano, which is a values-based model informed by Kaupapa Tuku Iho that aims to foster kaimahi flourishing and achieve culturally competent practice within health and social service providers. Ngā Kākano has been aligned to various psychological disciplines, including Community Psychology, Industrial-Organisational Psychology and Indigenous Psychology.
Data concerning the exploration of barriers and enablers kaimahi experienced was collected using a Kaupapa Māori research approach consisting of focus group structures combined with Wānanga as a Kaupapa Māori research methodology. The data was analysed using processes of thematic analysis, where themes were identified and presented in association with the relevant stages of Ngā Kākano.
	The findings of this study saw the organisation stood as a prominent barrier to kaimahi practising Kaupapa Tuku Iho and achieving flourishing. This reflected a need for the organisation to make improvements to support kaimahi in all necessary forms that enable them to achieve flourishing as reflected in positive states of being. It became apparent that most kaimahi were able to achieve flourishing through the practice of Kaupapa Tuku Iho between, amongst and across all kaimahi throughout the organisation irrespective of direct support from the organisation.

text: Proposing a Kaupapa Tuku Iho informed Māori model for practice to enhance cultural competence and foster kaimahi flourishing within health and social service providers Kaupapa Tuku Iho are Māori values that have been used across various social institutions to inform culturally competent practices with those accessing services. This thesis set out to promote the use Kaupapa Tuku Iho to not only enhance cultural competence and culturally appropriate services, but to take a step further and explore factors that foster the flourishing of kaimahi (workers) who deliver those services. There is research that suggests kaimahi in health and social services are overworked, burdened by stressed and approaching a state of compassion fatigue. This is detrimental for those both delivering and accessing services. This study will explore factors that foster kaimahi flourishing and enable kaimahi to practice Kaupapa Tuku Iho, along with factors that stand as barriers to achieving flourishing and culturally competent practice.
Furthermore, I have developed Ngā Kākano, which is a values-based model informed by Kaupapa Tuku Iho that aims to foster kaimahi flourishing and achieve culturally competent practice within health and social service providers. Ngā Kākano has been aligned to various psychological disciplines, including Community Psychology, Industrial-Organisational Psychology and Indigenous Psychology.
Data concerning the exploration of barriers and enablers kaimahi experienced was collected using a Kaupapa Māori research approach consisting of focus group structures combined with Wānanga as a Kaupapa Māori research methodology. The data was analysed using processes of thematic analysis, where themes were identified and presented in association with the relevant stages of Ngā Kākano.
	The findings of this study saw the organisation stood as a prominent barrier to kaimahi practising Kaupapa Tuku Iho and achieving flourishing. This reflected a need for the organisation to make improvements to support kaimahi in all necessary forms that enable them to achieve flourishing as reflected in positive states of being. It became apparent that most kaimahi were able to achieve flourishing through the practice of Kaupapa Tuku Iho between, amongst and across all kaimahi throughout the organisation irrespective of direct support from the organisation.

year: 2022

title: Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.

authors: Rollo, Te Manaaroha Pirihira

subjects: Kīngitanga

abstract: Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As this music tradition evolves with the introduction of new musical idioms, genres and digital technology, so too do the practices of composing new works. 

The objective of this research was to construct a model for combining waiata, taonga pūoro and New Zealand electroacoustic music, in order to create new works that enhance the Kīngitanga music tradition.  Developing a model for composing and integrating these idioms within a Māori context presented problems, as traditional Māori music conflict with contemporary Western forms. 

To generate a framework and practical model for composing hybrid music, an examination of selected New Zealand works was first carried out through: a) the collection of 50 traditional and contemporary waiata relating to the Kīngitanga b) the collection of 10 New Zealand taonga pūoro works and c) a collection of 10 New Zealand electroacoustic music. An analysis of the music and compositional processes of each idiom implementing the ‘de-construct in order to re-construct’ approach to understand how they work musically and compositionally was accomplished. 

To demonstrate the outcome of my models, six original compositions were presented exploring different aspects of musical composition. These models focused on sound architecture and explored a) communicative relationships between composer, performer, and audience b) Holistic Co-hear-ence, implementing the horizontal and vertical layering model, and c) technical approaches using digital technology. To comply with Māori principles of composition and performance, each model and new work demonstrated Kaupapa Māori , Wairua  and Te Mana - Te Ihi - Te Wehi - Te Tapu . 

The findings and original contributions of this research provide a model that combines two musical traditions and three music idioms, and in turn, may guide contemporary composers in creating new works that extend the Kīngitanga music tradition.

text: Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As this music tradition evolves with the introduction of new musical idioms, genres and digital technology, so too do the practices of composing new works. 

The objective of this research was to construct a model for combining waiata, taonga pūoro and New Zealand electroacoustic music, in order to create new works that enhance the Kīngitanga music tradition.  Developing a model for composing and integrating these idioms within a Māori context presented problems, as traditional Māori music conflict with contemporary Western forms. 

To generate a framework and practical model for composing hybrid music, an examination of selected New Zealand works was first carried out through: a) the collection of 50 traditional and contemporary waiata relating to the Kīngitanga b) the collection of 10 New Zealand taonga pūoro works and c) a collection of 10 New Zealand electroacoustic music. An analysis of the music and compositional processes of each idiom implementing the ‘de-construct in order to re-construct’ approach to understand how they work musically and compositionally was accomplished. 

To demonstrate the outcome of my models, six original compositions were presented exploring different aspects of musical composition. These models focused on sound architecture and explored a) communicative relationships between composer, performer, and audience b) Holistic Co-hear-ence, implementing the horizontal and vertical layering model, and c) technical approaches using digital technology. To comply with Māori principles of composition and performance, each model and new work demonstrated Kaupapa Māori , Wairua  and Te Mana - Te Ihi - Te Wehi - Te Tapu . 

The findings and original contributions of this research provide a model that combines two musical traditions and three music idioms, and in turn, may guide contemporary composers in creating new works that extend the Kīngitanga music tradition.

year: 2014

title: Using the properties of Primate Motion Sensitive Neurons to extract camera motion and depth from brief 2-D Monocular Image Sequences

authors: Perrone, John A.

subjects: biologically-based motion sensor

abstract: Humans and most animals can run/fly and navigate efficiently through cluttered environments while avoiding obstacles in their way. Replicating this advanced skill in autonomous robotic vehicles currently requires a vast array of sensors coupled with computers that are bulky, heavy and power hungry. The human eye and brain have had millions of years to develop an efficient solution to the problem of visual navigation and we believe that it is the best system to reverse engineer. Our brain and visual system appear to use a very different solution to the visual odometry problem compared to most computer vision approaches. We show how a neural-based architecture is able to extract self-motion information and depth from monocular 2-D video sequences and highlight how this approach differs from standard CV techniques. We previously demonstrated how our system works during pure translation of a camera. Here, we extend this approach to the case of combined translation and rotation.

text: Using the properties of Primate Motion Sensitive Neurons to extract camera motion and depth from brief 2-D Monocular Image Sequences Humans and most animals can run/fly and navigate efficiently through cluttered environments while avoiding obstacles in their way. Replicating this advanced skill in autonomous robotic vehicles currently requires a vast array of sensors coupled with computers that are bulky, heavy and power hungry. The human eye and brain have had millions of years to develop an efficient solution to the problem of visual navigation and we believe that it is the best system to reverse engineer. Our brain and visual system appear to use a very different solution to the visual odometry problem compared to most computer vision approaches. We show how a neural-based architecture is able to extract self-motion information and depth from monocular 2-D video sequences and highlight how this approach differs from standard CV techniques. We previously demonstrated how our system works during pure translation of a camera. Here, we extend this approach to the case of combined translation and rotation.

year: 2019