title: Measuring the impact of the copyright amendment act on New Zealand residential DSL users

authors: Alcock, Shane

subjects: internet law

abstract: The Copyright (Infringing File Sharing) Amendment Act 2011 (CAA) is a New Zealand law that aims to provide copyright holders with legal recourse when content is illegally shared over the Internet. This paper presents a study of residential DSL user behaviour using packet traces captured at a New Zealand ISP before, shortly after and several months after the CAA coming into effect. We use libprotoident to classify the observed traffic based on the application protocol being used to identify and examine any changes in traffic patterns that may be a result of the new law. We find that the use of peer-to-peer applications declined significantly once the CAA was in effect, suggesting a strong correlation. We also found that there were increases in tunneling, secure file transfer and remote access traffic amongst a small segment of the user population, which may indicate an increased uptake in the use of foreign seedboxes to bypass the jurisdiction of the CAA.

text: Measuring the impact of the copyright amendment act on New Zealand residential DSL users The Copyright (Infringing File Sharing) Amendment Act 2011 (CAA) is a New Zealand law that aims to provide copyright holders with legal recourse when content is illegally shared over the Internet. This paper presents a study of residential DSL user behaviour using packet traces captured at a New Zealand ISP before, shortly after and several months after the CAA coming into effect. We use libprotoident to classify the observed traffic based on the application protocol being used to identify and examine any changes in traffic patterns that may be a result of the new law. We find that the use of peer-to-peer applications declined significantly once the CAA was in effect, suggesting a strong correlation. We also found that there were increases in tunneling, secure file transfer and remote access traffic amongst a small segment of the user population, which may indicate an increased uptake in the use of foreign seedboxes to bypass the jurisdiction of the CAA.

year: 2012

title: Bring-Your-Own-Application (BYOA): Optimal stochastic application migration in mobile cloud computing

authors: Chase, Jonathan

abstract: The increasing popularity of using mobile devices in a work context, has led to the need to be able to support more powerful computation. Users no longer remain in an office or at home to conduct their activities, preferring libraries and cafes. In this paper, we consider a mobile cloud computing scenario in which users bring their own mobile devices and are offered a variety of equipment, e.g., desktop computer, smartTV, or projector, to migrate their applications to, so as to save battery life, improve usability and performance. We formulate a stochastic optimization problem to optimize the allocation of user applications to equipment despite future uncertainties. Furthermore, we extend the scenario to consider multiple locations and geographic migration. The performance evaluation shows the superior benefit, e.g., higher profit, compared with a baseline algorithm.

text: Bring-Your-Own-Application (BYOA): Optimal stochastic application migration in mobile cloud computing The increasing popularity of using mobile devices in a work context, has led to the need to be able to support more powerful computation. Users no longer remain in an office or at home to conduct their activities, preferring libraries and cafes. In this paper, we consider a mobile cloud computing scenario in which users bring their own mobile devices and are offered a variety of equipment, e.g., desktop computer, smartTV, or projector, to migrate their applications to, so as to save battery life, improve usability and performance. We formulate a stochastic optimization problem to optimize the allocation of user applications to equipment despite future uncertainties. Furthermore, we extend the scenario to consider multiple locations and geographic migration. The performance evaluation shows the superior benefit, e.g., higher profit, compared with a baseline algorithm.

year: 2015

title: He whare mātātuhi Tūhoe:  A Tūhoe re-visioning of English language literary texts

authors: Salsano, Marama

subjects: Māori writers

abstract: This thesis urges more Māori to undertake iwi-based readings of English language literary texts. I have chosen to privilege my father’s iwi, Ngāi Tūhoe, and to examine what Tūhoetana means to me and how it might thus enrich my reading of texts. In our ancestral tongue, Ngāi Tūhoe have a rich and pronounced history of storytelling, literary composition, analysis and critique. Unfortunately, this richness is woefully underappreciated within the English language literary landscape. Yet, as the ranks of Māori writers swell, along with the diversity of literary forms that Māori create, so too must Māori – and more specifically iwi – literary scholarship flourish, for if we do not critique the texts that are written about, of, and on behalf of us, who will? Throughout this thesis, I use the terms ‘iwi literary scholars’ and ‘iwi literary scholarship’ to consciously and repeatedly remind the reader of the rich, literary legacies residing within iwi archives; I also hope to highlight the exciting and endless possiblitites for the English language literary landscape to be enriched by readings that are founded within these archives – including the histories, everyday experiences and understandings from our tīpuna. 

Structurally, this thesis is divided into three broad strands. Chapters 1-3 focus on whakawhanaunatana and background information to my research. Because this thesis also represents the singular piece of writing that I wish I had read prior to enrolling in the thesis paper for this Master’s degree, my academic hīkoi – frustrations and all – is a necessary component and is covered in chapter 2. Chapters 4-6 then examine three different types of literary texts created by wāhine. These texts include the short story “Birth Rights” by Ngāi Tahu science fiction and fantasy writer, J.C. Hart (2010), the Instagram post Te Kuharere tapes by Ngāti Kahungungu and Ngāti Tuwharetoa songwriter and storyteller @tekahureremoa (2019) – also known as the performer Ladyfruit – and the young adult novel Dark Souls by Ngāti Wai, Ngāti Manuhiri, and Ngāti Whatua writer, Paula Morris (2011). While 21st century texts published on platforms such as Instagram may not sit easily within a traditional English literary curriculum, and indeed the novelty of these specific forms may well prove fleeting, the ‘everydayness’ of online texts yields rewarding analysis opportunities and is currently amiss within mainstream English literary studies. Each of these analysis chapters contains a focused introduction and conclusion, since chapter 7, the concluding chapter of this thesis, is a letter to future iwi literary scholars. 

Woven throughout this rangahau is a call for iwi scholars to consciously: engage with the literary traditions of their own iwi; identify the colonial thoughts and motives that they bring to the reading of literary texts; bring their tīpuna to the reading, but let the text itself breathe life into the critique and; consider the genres and types of texts that they critique. Ultimately, this thesis considers how engaging with the literary legacies of our tīpuna might broaden the English language literary landscape and thus enhance the body of iwi literary scholarship in Oceania and beyond.

text: He whare mātātuhi Tūhoe:  A Tūhoe re-visioning of English language literary texts This thesis urges more Māori to undertake iwi-based readings of English language literary texts. I have chosen to privilege my father’s iwi, Ngāi Tūhoe, and to examine what Tūhoetana means to me and how it might thus enrich my reading of texts. In our ancestral tongue, Ngāi Tūhoe have a rich and pronounced history of storytelling, literary composition, analysis and critique. Unfortunately, this richness is woefully underappreciated within the English language literary landscape. Yet, as the ranks of Māori writers swell, along with the diversity of literary forms that Māori create, so too must Māori – and more specifically iwi – literary scholarship flourish, for if we do not critique the texts that are written about, of, and on behalf of us, who will? Throughout this thesis, I use the terms ‘iwi literary scholars’ and ‘iwi literary scholarship’ to consciously and repeatedly remind the reader of the rich, literary legacies residing within iwi archives; I also hope to highlight the exciting and endless possiblitites for the English language literary landscape to be enriched by readings that are founded within these archives – including the histories, everyday experiences and understandings from our tīpuna. 

Structurally, this thesis is divided into three broad strands. Chapters 1-3 focus on whakawhanaunatana and background information to my research. Because this thesis also represents the singular piece of writing that I wish I had read prior to enrolling in the thesis paper for this Master’s degree, my academic hīkoi – frustrations and all – is a necessary component and is covered in chapter 2. Chapters 4-6 then examine three different types of literary texts created by wāhine. These texts include the short story “Birth Rights” by Ngāi Tahu science fiction and fantasy writer, J.C. Hart (2010), the Instagram post Te Kuharere tapes by Ngāti Kahungungu and Ngāti Tuwharetoa songwriter and storyteller @tekahureremoa (2019) – also known as the performer Ladyfruit – and the young adult novel Dark Souls by Ngāti Wai, Ngāti Manuhiri, and Ngāti Whatua writer, Paula Morris (2011). While 21st century texts published on platforms such as Instagram may not sit easily within a traditional English literary curriculum, and indeed the novelty of these specific forms may well prove fleeting, the ‘everydayness’ of online texts yields rewarding analysis opportunities and is currently amiss within mainstream English literary studies. Each of these analysis chapters contains a focused introduction and conclusion, since chapter 7, the concluding chapter of this thesis, is a letter to future iwi literary scholars. 

Woven throughout this rangahau is a call for iwi scholars to consciously: engage with the literary traditions of their own iwi; identify the colonial thoughts and motives that they bring to the reading of literary texts; bring their tīpuna to the reading, but let the text itself breathe life into the critique and; consider the genres and types of texts that they critique. Ultimately, this thesis considers how engaging with the literary legacies of our tīpuna might broaden the English language literary landscape and thus enhance the body of iwi literary scholarship in Oceania and beyond.

year: 2021