title: Rata, the Effect of Māori Land Law on Ahikāroa

authors: Whaanga, Mere Joslyn

subjects: Ahikāroa

abstract: Rata, the effect of Māori land law on ahikāroa is an examination of the special relationship a whānau of Ngāi Tahu (ki Wairoa) has had since 1868 with their ancestral land Tutuotekaha. The effects of Māori land law on traditional concepts of land tenure are analysed from the advent of the Native Land Court in the 1860s through to a modern shareholding in the Anewa Trust. An analysis of Te Ture Whenua Māori Act 1993 looks at the basis for the current legislation and how the principles are applied in the case study central to this thesis, an application to have Rata farm returned to the Whaanga whānau.

The research and writing is multi-disciplinary, combining history, Māori land law (ture) and Māori land lore (tikanga and traditional ecological knowledge). An auto-ethnographic approach is balanced by the commentary and judgements of the Māori Land Court and the Māori Appellate Court which are documented in the final section of the thesis.

This thesis questions the canons of Māori land ownership and management – consolidation, amalgamation and incorporation – and posits whether these forms of land holding have become yet another type of alienation.

The three main areas are
I) Ahikāroa
Chapters 2 and 3 examine traditional Māori land tenure; definitions of mana whenua, the obligations as well as the authority; and traditional ecological knowledge, agriculture and Māori land lore. The latter illustrates ways of knowing the land, how, why and when its resources were used. Members of the community of Iwitea were interviewed to provide accounts of usage of some of the traditional resources known to remain on the Tutuotekaha blocks.

II) From gardeners and gatherers to agricultural shareholders
Chapters 4, 5 and 6 examine the shift from traditional tenure and land usage to large-scale agricultural shareholdings. The changes as land passed through the Native Land Court from 1868 are contextualised within the upheaval and radical reconfiguring of Māori society in the Mahia and Wairoa areas as Pākehā settlement increased, and the region was engulfed by the Hauhau and Te Kooti conflicts. This section contains an overview of Māori land law from 1862 to 1987 and the ideological conflict between the colonisers and the colonised. As well, it looks at the influence of Sir James Carroll and Sir Āpirana Ngata, the reasons that Māori went into large-scale farming and how Ngata’s 1931 policies set the model for the incorporations and trusts that still hold most of the district’s Māori land today.

III) Te Ture Whenua Māori Act 1993, philosophy versus implementation
Chapters 7 through to 11 centre on Te Ture Whenua Māori Act 1993 and the application to the Māori Land Court to partition Rata farm from the Anewa Trust. The philosophy of the Act is examined, aided by Deputy Chief Judge Fox’s commentary. This section documents the processes of filing the application to partition, the discussions and outcomes of a judicial hearing, two Māori Land Court hearings and subsequent appeals to the Māori Appellate Court.

text: Rata, the Effect of Māori Land Law on Ahikāroa Rata, the effect of Māori land law on ahikāroa is an examination of the special relationship a whānau of Ngāi Tahu (ki Wairoa) has had since 1868 with their ancestral land Tutuotekaha. The effects of Māori land law on traditional concepts of land tenure are analysed from the advent of the Native Land Court in the 1860s through to a modern shareholding in the Anewa Trust. An analysis of Te Ture Whenua Māori Act 1993 looks at the basis for the current legislation and how the principles are applied in the case study central to this thesis, an application to have Rata farm returned to the Whaanga whānau.

The research and writing is multi-disciplinary, combining history, Māori land law (ture) and Māori land lore (tikanga and traditional ecological knowledge). An auto-ethnographic approach is balanced by the commentary and judgements of the Māori Land Court and the Māori Appellate Court which are documented in the final section of the thesis.

This thesis questions the canons of Māori land ownership and management – consolidation, amalgamation and incorporation – and posits whether these forms of land holding have become yet another type of alienation.

The three main areas are
I) Ahikāroa
Chapters 2 and 3 examine traditional Māori land tenure; definitions of mana whenua, the obligations as well as the authority; and traditional ecological knowledge, agriculture and Māori land lore. The latter illustrates ways of knowing the land, how, why and when its resources were used. Members of the community of Iwitea were interviewed to provide accounts of usage of some of the traditional resources known to remain on the Tutuotekaha blocks.

II) From gardeners and gatherers to agricultural shareholders
Chapters 4, 5 and 6 examine the shift from traditional tenure and land usage to large-scale agricultural shareholdings. The changes as land passed through the Native Land Court from 1868 are contextualised within the upheaval and radical reconfiguring of Māori society in the Mahia and Wairoa areas as Pākehā settlement increased, and the region was engulfed by the Hauhau and Te Kooti conflicts. This section contains an overview of Māori land law from 1862 to 1987 and the ideological conflict between the colonisers and the colonised. As well, it looks at the influence of Sir James Carroll and Sir Āpirana Ngata, the reasons that Māori went into large-scale farming and how Ngata’s 1931 policies set the model for the incorporations and trusts that still hold most of the district’s Māori land today.

III) Te Ture Whenua Māori Act 1993, philosophy versus implementation
Chapters 7 through to 11 centre on Te Ture Whenua Māori Act 1993 and the application to the Māori Land Court to partition Rata farm from the Anewa Trust. The philosophy of the Act is examined, aided by Deputy Chief Judge Fox’s commentary. This section documents the processes of filing the application to partition, the discussions and outcomes of a judicial hearing, two Māori Land Court hearings and subsequent appeals to the Māori Appellate Court.

year: 2012

title: Archetypes and the unthought: The projection of the King’s Court in New Zealand television media

authors: Mataira, Kelvin

abstract: This thesis explores archetypal projections of conflict in Television New Zealand’s news and current affairs as an unthought. The television news and current affairs programmes identified in the thesis relate to issues of conflict between the Maori people of New Zealand, and the Government and Crown agencies of New Zealand. The unresolved issues of conflict are manifest in what has become popularly known as the Treaty of Waitangi settlement process.

The thesis is informed by Foucault’s conviction that the unthought is the power that is linked to every mode of knowledge. The thesis argues that knowledge in relation to thought is limited because the knowledge is surrounded by an immense region of shadow. In an ontology based on thought only it is shown how the Shadow and the King’s Court archetypes conceal and prevent human beings from comprehending other discourses.

It is argued that Foucault’s concern with the unthought is reflected in Carl Gustav Jung’s convictions about the collective unconscious. Jung’s theory of the quarternio: thinking, sensing, intuition and feeling that describe the four functions of the mind, inform the theory and the methodology for the thesis. It is proposed that the discursive activities of television media can be understood in relation to Hermes the Greek God of magic, lies and illusion. It is further proposed that the images that are projected from television media can be informed by mythical accounts of Hermes’ behaviour and activity in relation to Zeus, Apollo, Dionysus, and Ares.

In the thesis, the quarternio and the Greek Gods are represented by the archetypes of the King’s Court. The Ruler archetype represents Zeus and Apollo as the thinking function of the mind. The Sage archetype is shown to be located in close proximity to the Ruler. The Warrior archetype represents Dionysus as the sensing function of the mind. The Magician archetype represents Hermes as the intuitive function of the mind. The Fool archetype represents Ares as the feeling function of the mind. The Destroyer archetype as the inferior and rejected contents of the collective unconscious represents the archetypal Shadow that undermines the activities of the King’s Court. 

It is maintained in the thesis that television media projections of the King’s Court are a metaphor of the mind, and in particular of the contents of the collective unconscious. The King’s Court as a mythical and archetypal metaphor invites an inspection of the unthought through the epistemology of image. The thesis furnishes a methodology based on the epistemology of television. Through an analysis of popular contemporary films such as the Star Wars Trilogy that are shown to be heavily invested with archetypal motif, discourses for each of the King’s Court archetypes are presented. Foucault’s notion of the rituals and gestures that constitute the true discourse in a regime of truth informs the definition of discourse in the thesis. Discourse in the thesis is to be understood as verbal and non-verbal modes of communication.

Foucault’s notion of disciplinary power provides a method for analysing television news and current affairs programmes as an order of discourse. Disciplinary power enables an understanding of the power relations in television media as the power that circulates in an inquisition between the examiner and the confessor. The archetypes of the King’s Court are projected through the rituals of inquisition in television media.

In the analysis all of the archetypes of the King’s Court are seen except for the Magician. Television it is argued represents the Magician. The Destroyer, the Ruler the Sage, the Warrior and the Fool on television media are controlled by the Magician. The Magician shows that the Ruler’s discourse reflected through the King’s Court represents the regime of truth. The competing discourse of the Destroyer as archetypal foe is located outside of the King’s Court and in opposition to the Ruler’s discourse. The Ruler’s discourse is Apollonine. The Ruler projects the image of control, peace, reconciliation, rationality, serenity, authority, and wealth. The Sage as the intellectual and the Fool as the archetypal Trickster are shown to actively facilitate the power of the Ruler. The Warrior who is projected as a powerful leader may be alienated from the King’s Court.

text: Archetypes and the unthought: The projection of the King’s Court in New Zealand television media This thesis explores archetypal projections of conflict in Television New Zealand’s news and current affairs as an unthought. The television news and current affairs programmes identified in the thesis relate to issues of conflict between the Maori people of New Zealand, and the Government and Crown agencies of New Zealand. The unresolved issues of conflict are manifest in what has become popularly known as the Treaty of Waitangi settlement process.

The thesis is informed by Foucault’s conviction that the unthought is the power that is linked to every mode of knowledge. The thesis argues that knowledge in relation to thought is limited because the knowledge is surrounded by an immense region of shadow. In an ontology based on thought only it is shown how the Shadow and the King’s Court archetypes conceal and prevent human beings from comprehending other discourses.

It is argued that Foucault’s concern with the unthought is reflected in Carl Gustav Jung’s convictions about the collective unconscious. Jung’s theory of the quarternio: thinking, sensing, intuition and feeling that describe the four functions of the mind, inform the theory and the methodology for the thesis. It is proposed that the discursive activities of television media can be understood in relation to Hermes the Greek God of magic, lies and illusion. It is further proposed that the images that are projected from television media can be informed by mythical accounts of Hermes’ behaviour and activity in relation to Zeus, Apollo, Dionysus, and Ares.

In the thesis, the quarternio and the Greek Gods are represented by the archetypes of the King’s Court. The Ruler archetype represents Zeus and Apollo as the thinking function of the mind. The Sage archetype is shown to be located in close proximity to the Ruler. The Warrior archetype represents Dionysus as the sensing function of the mind. The Magician archetype represents Hermes as the intuitive function of the mind. The Fool archetype represents Ares as the feeling function of the mind. The Destroyer archetype as the inferior and rejected contents of the collective unconscious represents the archetypal Shadow that undermines the activities of the King’s Court. 

It is maintained in the thesis that television media projections of the King’s Court are a metaphor of the mind, and in particular of the contents of the collective unconscious. The King’s Court as a mythical and archetypal metaphor invites an inspection of the unthought through the epistemology of image. The thesis furnishes a methodology based on the epistemology of television. Through an analysis of popular contemporary films such as the Star Wars Trilogy that are shown to be heavily invested with archetypal motif, discourses for each of the King’s Court archetypes are presented. Foucault’s notion of the rituals and gestures that constitute the true discourse in a regime of truth informs the definition of discourse in the thesis. Discourse in the thesis is to be understood as verbal and non-verbal modes of communication.

Foucault’s notion of disciplinary power provides a method for analysing television news and current affairs programmes as an order of discourse. Disciplinary power enables an understanding of the power relations in television media as the power that circulates in an inquisition between the examiner and the confessor. The archetypes of the King’s Court are projected through the rituals of inquisition in television media.

In the analysis all of the archetypes of the King’s Court are seen except for the Magician. Television it is argued represents the Magician. The Destroyer, the Ruler the Sage, the Warrior and the Fool on television media are controlled by the Magician. The Magician shows that the Ruler’s discourse reflected through the King’s Court represents the regime of truth. The competing discourse of the Destroyer as archetypal foe is located outside of the King’s Court and in opposition to the Ruler’s discourse. The Ruler’s discourse is Apollonine. The Ruler projects the image of control, peace, reconciliation, rationality, serenity, authority, and wealth. The Sage as the intellectual and the Fool as the archetypal Trickster are shown to actively facilitate the power of the Ruler. The Warrior who is projected as a powerful leader may be alienated from the King’s Court.

year: 2000

title: Interactive context-aware user-driven metadata correction in digital libraries

authors: Bainbridge, David

subjects: Crowdsourcing

abstract: Personal name variants are a common problem in digital libraries, reducing the precision of searches and complicating browsing-based interaction. The book-centric approach of name authority control has not scaled to match the growth and diversity of digital repositories. In this paper, we present a novel system for user-driven integration of name variants when interacting with web-based information-in particular digital library-systems. We approach these issues via a client-side JavaScript browser extension that can reorganize web content and also integrate remote data sources. Designed to be agnostic towards the web sites it is applied to, we illustrate the developed proof-of-concept system through worked examples using three different digital libraries. We discuss the extensibility of the approach in the context of other user-driven information systems and the growth of the Semantic Web.

text: Interactive context-aware user-driven metadata correction in digital libraries Personal name variants are a common problem in digital libraries, reducing the precision of searches and complicating browsing-based interaction. The book-centric approach of name authority control has not scaled to match the growth and diversity of digital repositories. In this paper, we present a novel system for user-driven integration of name variants when interacting with web-based information-in particular digital library-systems. We approach these issues via a client-side JavaScript browser extension that can reorganize web content and also integrate remote data sources. Designed to be agnostic towards the web sites it is applied to, we illustrate the developed proof-of-concept system through worked examples using three different digital libraries. We discuss the extensibility of the approach in the context of other user-driven information systems and the growth of the Semantic Web.

year: 2012