title: Every Breath is a Wave: In what ways can contemporary dance making express an ecofeminist perspective

authors: Baker, Gabriel Anne

subjects: ecofeminism

abstract: Arising from the growing interest in ecological concerns that intersected with second wave feminism in the 1970s, ecological feminism is a theoretical perspective which argues that the oppression of women is parallel to and mutually reinforcing to that of the natural environment. Interested in the holistic nature of ecofeminist analysis I seek to understand how the processes of contemporary dance making can intersect with the theory and praxis of ecofeminism. Within ecofeminism the body is often used as a reference point for expression and understanding. Contemporary dance making therefore is of relevance for the exploration of ecofeminism as it offers a way of knowing that is of and from the body. The overall research question of this thesis and creative research project is ‘In what ways can contemporary dance making express an ecofeminist perspective?’
In order to investigate how contemporary dance making may express an ecofeminist perspective, creative practice as research formed an appropriate methodology for this project. Creative practice as research is a methodology which proposes that creating artworks not only expresses research, but the artwork becomes the research in itself. The specific creative practice research methods used in this thesis were improvisation, choreography and journaling.
The methods used in the creation of this solo allowed investigation into how contemporary dance making fosters my relationship with the environment. Moved by the severe consequences of a nuclear disaster, the experiences of the women of Greenham common and the anti-nuclear movement in Aotearoa, my solo dance is an ecofeminist representation of visceral responses to the environment and the threat of nuclear technology. The solo dance is titled ‘Daughter, there will be no home’ and is a representation of my relationship to the environment of this earth and an expression of my ecofeminist sense of care for the earth.

text: Every Breath is a Wave: In what ways can contemporary dance making express an ecofeminist perspective Arising from the growing interest in ecological concerns that intersected with second wave feminism in the 1970s, ecological feminism is a theoretical perspective which argues that the oppression of women is parallel to and mutually reinforcing to that of the natural environment. Interested in the holistic nature of ecofeminist analysis I seek to understand how the processes of contemporary dance making can intersect with the theory and praxis of ecofeminism. Within ecofeminism the body is often used as a reference point for expression and understanding. Contemporary dance making therefore is of relevance for the exploration of ecofeminism as it offers a way of knowing that is of and from the body. The overall research question of this thesis and creative research project is ‘In what ways can contemporary dance making express an ecofeminist perspective?’
In order to investigate how contemporary dance making may express an ecofeminist perspective, creative practice as research formed an appropriate methodology for this project. Creative practice as research is a methodology which proposes that creating artworks not only expresses research, but the artwork becomes the research in itself. The specific creative practice research methods used in this thesis were improvisation, choreography and journaling.
The methods used in the creation of this solo allowed investigation into how contemporary dance making fosters my relationship with the environment. Moved by the severe consequences of a nuclear disaster, the experiences of the women of Greenham common and the anti-nuclear movement in Aotearoa, my solo dance is an ecofeminist representation of visceral responses to the environment and the threat of nuclear technology. The solo dance is titled ‘Daughter, there will be no home’ and is a representation of my relationship to the environment of this earth and an expression of my ecofeminist sense of care for the earth.

year: 2017

title: The palatability of flavoured novel floating pellets made with brewer's spent grain to captive carp

authors: Morgan, Dai K.J.

subjects: brewer's spent grain

abstract: The palatability to common carp, Cyprinus carpio L. of three newly developed differently flavoured floating pellets made from a high proportion (40%) of brewer's spent grain (BSG) was tested using a multiple-offer feeding experiment. The addition of ‘bold’ flavours, such as vanilla or strawberry essence, may help mask the unpleasant taste of some piscicides; however, their inclusion must not compromise uptake by carp. There were no significant differences between the consumption rates of the three varieties, and all flavours were readily consumed. Therefore, it is suggested that highly flavoured pellets made with BSG have a strong potential to mask the flavour of an unpalatable toxin, and further research is now needed to test this hypothesis.

text: The palatability of flavoured novel floating pellets made with brewer's spent grain to captive carp The palatability to common carp, Cyprinus carpio L. of three newly developed differently flavoured floating pellets made from a high proportion (40%) of brewer's spent grain (BSG) was tested using a multiple-offer feeding experiment. The addition of ‘bold’ flavours, such as vanilla or strawberry essence, may help mask the unpleasant taste of some piscicides; however, their inclusion must not compromise uptake by carp. There were no significant differences between the consumption rates of the three varieties, and all flavours were readily consumed. Therefore, it is suggested that highly flavoured pellets made with BSG have a strong potential to mask the flavour of an unpalatable toxin, and further research is now needed to test this hypothesis.

year: 2012

title: Introduction to tephra-derived soils, North Island, New Zealand: University of Waikato and University of Wisconsin-Platteville post-conference Andisol excursion, 21-23 December, 2016

authors: Lowe, David J.

abstract: Provisional itinerary DAY 1 Wednesday 21 December: Mamaku Plateau-Rerewhakaaitu-Lake Tarawera: 1 Goodwin Farm, Tapapa Rd, Tapapa: welded ignimbrite, tephras, loess, buried soils (Tirau soil) - stratigraphy of sequence (230 ka and younger) and upbuilding pedogenesis - Tirau silt loam 2 Brett Rd, Rerewhakaaitu: Holocene tephras and buried soil (Rotomahana soil) - Volcanic landscape, historical importance of area for NZ soil survey - Stratigraphy of sequence (~9.5 cal ka to 10 June 1886 Tarawera eruption) and upbuilding pedogenesis - Rotomahana sandy loam, 3 Ash Pit Rd, Rerewhakaaitu: tephras and buried soils (Matahina soil) - Matahina gravel - buried spodic/podzol soil features, 4 Okareka Loop Rd tephra section with proximal Rotorua Tephra and buried soils, loess, Buried Village Museum, Te Wairoa, Lake Tarawera (Stoney Point). DAY 2 Thursday 22 December: Otorohanga-Waitomo Caves -Pirongia Mountain: 1 Raynes Road section: Ultisol in composite tephra sequence (Kainui soil), 2 Otorohanga Kiwi House, 3 Waitomo Caves,, 4 Pirongia Mountain: Mangakara forest walk, 5 Evening meal on an Andisol. DAY 3 Friday 23 December: Hobbiton, Hamilton gardens including Te Parapara (ancient Maori garden): 1. Hobbiton tour 10.15 am (2 hrs), 2. Hamilton Gardens incl. Te Parapara Garden and human-modified soils (Tamahere soil).

text: Introduction to tephra-derived soils, North Island, New Zealand: University of Waikato and University of Wisconsin-Platteville post-conference Andisol excursion, 21-23 December, 2016 Provisional itinerary DAY 1 Wednesday 21 December: Mamaku Plateau-Rerewhakaaitu-Lake Tarawera: 1 Goodwin Farm, Tapapa Rd, Tapapa: welded ignimbrite, tephras, loess, buried soils (Tirau soil) - stratigraphy of sequence (230 ka and younger) and upbuilding pedogenesis - Tirau silt loam 2 Brett Rd, Rerewhakaaitu: Holocene tephras and buried soil (Rotomahana soil) - Volcanic landscape, historical importance of area for NZ soil survey - Stratigraphy of sequence (~9.5 cal ka to 10 June 1886 Tarawera eruption) and upbuilding pedogenesis - Rotomahana sandy loam, 3 Ash Pit Rd, Rerewhakaaitu: tephras and buried soils (Matahina soil) - Matahina gravel - buried spodic/podzol soil features, 4 Okareka Loop Rd tephra section with proximal Rotorua Tephra and buried soils, loess, Buried Village Museum, Te Wairoa, Lake Tarawera (Stoney Point). DAY 2 Thursday 22 December: Otorohanga-Waitomo Caves -Pirongia Mountain: 1 Raynes Road section: Ultisol in composite tephra sequence (Kainui soil), 2 Otorohanga Kiwi House, 3 Waitomo Caves,, 4 Pirongia Mountain: Mangakara forest walk, 5 Evening meal on an Andisol. DAY 3 Friday 23 December: Hobbiton, Hamilton gardens including Te Parapara (ancient Maori garden): 1. Hobbiton tour 10.15 am (2 hrs), 2. Hamilton Gardens incl. Te Parapara Garden and human-modified soils (Tamahere soil).

year: 2016-12-21