title: The Development of a Brain Controlled Robotic Prosthetic Hand

authors: Owen, Mahonri W.

subjects: Neural Prosthetics

abstract: An anthropomorphic, brain controlled, under actuated, Prosthetic hand has been designed and developed for upper extremity amputees. The hands function is based on micro servo actuation and the use of coupling links between parts of the finger. The control of a prosthetic hand is what differentiates this project from the others. It is the intent of this project to increase the sense of belonging between prosthesis and amputee by controlling the designed device by the brain of the amputee. The platform has been designed to use multiple force sensors to improve control. The project is a feasibility study and will be used to test whether a multi-functional and intuitive prosthetic hand is attainable. The control of the hand will be driven through a neural interface and controlled by a micro-board. This paper focuses on the mechanical design of the hand and the processes used to control the hand using signals emitted from the brain, to increase the sense of belonging between the amputee and prosthetic device. The hand has been developed as a foundation for future research into brain controlled prosthetics at the University of Waikato.

text: The Development of a Brain Controlled Robotic Prosthetic Hand An anthropomorphic, brain controlled, under actuated, Prosthetic hand has been designed and developed for upper extremity amputees. The hands function is based on micro servo actuation and the use of coupling links between parts of the finger. The control of a prosthetic hand is what differentiates this project from the others. It is the intent of this project to increase the sense of belonging between prosthesis and amputee by controlling the designed device by the brain of the amputee. The platform has been designed to use multiple force sensors to improve control. The project is a feasibility study and will be used to test whether a multi-functional and intuitive prosthetic hand is attainable. The control of the hand will be driven through a neural interface and controlled by a micro-board. This paper focuses on the mechanical design of the hand and the processes used to control the hand using signals emitted from the brain, to increase the sense of belonging between the amputee and prosthetic device. The hand has been developed as a foundation for future research into brain controlled prosthetics at the University of Waikato.

year: 2015

title: Reframing the art of music video: “mismatched eyeballs” and reanimated collaborators

authors: Perrott, Lisa

subjects: Art

abstract: Just as music videos have been studied through many frames, so too, has David Bowie. When undertaking research for my book David Bowie and the Art of Music Video, a reframing process was necessary. This entailed starting from the premise that music videos are functionally diverse, complex audiovisual configurations that go well beyond serving as ­ a promotional tool for a musician or
as a stepping stone to auteurism for a director. This act of ‘reframing’ also involved examining Bowie’s creative process through a fresh lens. Through a combination of contextual research, interview materials, audience research, and multimodal analysis of Bowie’s videos, I demonstrate that Bowie played an important part in helping develop music video as a collaborative artform ­ with diverse functions, affects, and contributions to social, cultural, and political understandings. By reframing the art of music video, this book firmly places the spotlight onto the relations between collaborative process and audiovisual assemblage, demonstrating that music
video is a flexible form for transmedia storytelling, intertextuality, and the remediation of numerous artforms – all of which supports my argument that music video is a form worthy of deep analysis. By reflecting on my response to unique challenges (such as limited
opportunities to interview music video directors), this presentation will discuss my research process as an example of reframing the art (and research) of music video.

text: Reframing the art of music video: “mismatched eyeballs” and reanimated collaborators Just as music videos have been studied through many frames, so too, has David Bowie. When undertaking research for my book David Bowie and the Art of Music Video, a reframing process was necessary. This entailed starting from the premise that music videos are functionally diverse, complex audiovisual configurations that go well beyond serving as ­ a promotional tool for a musician or
as a stepping stone to auteurism for a director. This act of ‘reframing’ also involved examining Bowie’s creative process through a fresh lens. Through a combination of contextual research, interview materials, audience research, and multimodal analysis of Bowie’s videos, I demonstrate that Bowie played an important part in helping develop music video as a collaborative artform ­ with diverse functions, affects, and contributions to social, cultural, and political understandings. By reframing the art of music video, this book firmly places the spotlight onto the relations between collaborative process and audiovisual assemblage, demonstrating that music
video is a flexible form for transmedia storytelling, intertextuality, and the remediation of numerous artforms – all of which supports my argument that music video is a form worthy of deep analysis. By reflecting on my response to unique challenges (such as limited
opportunities to interview music video directors), this presentation will discuss my research process as an example of reframing the art (and research) of music video.

year: 2023-10-12

title: The Treaty of Waitangi and Research Ethics in Aotearoa

authors: Hudson, Maui

subjects: Treaty of Waitangi

abstract: Researchers, when engaging with Māori communities, are in a process of relationship building and this process can be guided by the principles of the Treaty of Waitangi, partnership, participation and protection. The main concerns for many indigenous peoples in research revolve around respect for their indigenous rights, control over research processes and reciprocity within research relationships to ensure that equitable benefits are realised within indigenous groups. Māori have identified similar issues and these concerns can be aligned with the principles of the Treaty of Waitangi. The relevance of the Treaty of Waitangi to research ethics is discussed and this paper suggests a revised interpretation of the treaty principles to incorporate the range of ethical issues that Māori have expressed as important.

text: The Treaty of Waitangi and Research Ethics in Aotearoa Researchers, when engaging with Māori communities, are in a process of relationship building and this process can be guided by the principles of the Treaty of Waitangi, partnership, participation and protection. The main concerns for many indigenous peoples in research revolve around respect for their indigenous rights, control over research processes and reciprocity within research relationships to ensure that equitable benefits are realised within indigenous groups. Māori have identified similar issues and these concerns can be aligned with the principles of the Treaty of Waitangi. The relevance of the Treaty of Waitangi to research ethics is discussed and this paper suggests a revised interpretation of the treaty principles to incorporate the range of ethical issues that Māori have expressed as important.

year: 2009