title: Phylogeny and taxonomy of the Ophiostoma piceae complex and the Dutch elm disease fungi

authors: Harrington, Thomas C.

subjects: Bluestain

abstract: The Ophiostoma piceae complex forms a monophyletic group of insect-dispersed pyrenomycetes with synnemata (Pesotum) and micronematous (Sporothrix) synanamorphs. Other species of Ophios-toma outside of the O. piceae complex that form syn-nemata lack the Sporothrix state. The nine recognized species within the 0. piceae complex are delimited by synnema morphology, growth rate at 32 C, mating reactions and sequences of the internal transcribed spacer (ITS) region of the rDNA operon. Phyloge-netic analysis of the ITS region suggests two major clades in the complex, one that causes bluestain in primarily coniferous hosts and the other on primarily hardwood hosts. In the coniferous group are O. pi-ceae, O. canum, O. floccosum and the recently de-scribed O. setosum (anamorph Pesotum cupulatum sp. nov.). In the hardwood group are O. querci, O. caton-ianum, and the Dutch elm disease fungi: O. ulmi, O. novo-ulmi and O. himal-ulmi. Restriction fragment length polymorphisms of the ITS region are shown to be a convenient diagnostic tool for delimiting these species.

text: Phylogeny and taxonomy of the Ophiostoma piceae complex and the Dutch elm disease fungi The Ophiostoma piceae complex forms a monophyletic group of insect-dispersed pyrenomycetes with synnemata (Pesotum) and micronematous (Sporothrix) synanamorphs. Other species of Ophios-toma outside of the O. piceae complex that form syn-nemata lack the Sporothrix state. The nine recognized species within the 0. piceae complex are delimited by synnema morphology, growth rate at 32 C, mating reactions and sequences of the internal transcribed spacer (ITS) region of the rDNA operon. Phyloge-netic analysis of the ITS region suggests two major clades in the complex, one that causes bluestain in primarily coniferous hosts and the other on primarily hardwood hosts. In the coniferous group are O. pi-ceae, O. canum, O. floccosum and the recently de-scribed O. setosum (anamorph Pesotum cupulatum sp. nov.). In the hardwood group are O. querci, O. caton-ianum, and the Dutch elm disease fungi: O. ulmi, O. novo-ulmi and O. himal-ulmi. Restriction fragment length polymorphisms of the ITS region are shown to be a convenient diagnostic tool for delimiting these species.

year: 2001

title: Book Review: The globalisation of school choice

authors: Thrupp, Martin

subjects: book review

abstract: This article reviews the book “The globalisation of school choice?” edited by Martin Forsey, Scott Davies and Geoffrey Walford.

text: Book Review: The globalisation of school choice This article reviews the book “The globalisation of school choice?” edited by Martin Forsey, Scott Davies and Geoffrey Walford.

year: 2010

title: Place imaginaries: Photography and place-making at Te Awa River Ride

authors: Hill, Rodrigo

subjects: photography

abstract: Contemporary photographic practice has evolved into a field of possibilities, which includes a flux of representational modes that depict experiences, feelings and emotions. This PhD with Creative Practice Components investigates how photography is embedded within ways of knowing, experiencing and making places and the subsequent visual constructions of place imaginaries.  Drawing on contemporary photographic practice and theory, I position myself as a qualitative researcher engaged in creative practice, specifically lens-based approaches and modes of photographic representation. In contrast to photography’s dominant discourse centred on indexical and objective assumptions, I understand photographic practices and images as constructions of multiple meanings.

I use Te Awa River Ride as my research locale, a place where different practices and discourses entangle, forming a diverse set of dynamic and intersecting meanings. Te Awa River Ride is a shared pathway, with a planned total length of 70 kilometres, that edges the banks of the Waikato River from Ngāruawāhia to Cambridge, in the central North Island of Aotearoa New Zealand. I understand Te Awa River Ride as a place-composite, layered by multiple place imaginaries, including indigenous Māori, Pākehā and European ways of meaning and place-making. In this thesis I draw upon place imaginaries as a way of expressing visual possibilities, constructions and affective responses to my own and others’ experiences at this unique research location. 

My photography practice aims to actualise particular place imaginaries through curation and sequencing of lens-based explorations of light, movement and water. This process and the compilation of imagery into curatorial products, such as photography installations, generate novel ways of perceiving the Waikato River and Te Awa River Ride, revealing the centrality of photography in place-making processes.

text: Place imaginaries: Photography and place-making at Te Awa River Ride Contemporary photographic practice has evolved into a field of possibilities, which includes a flux of representational modes that depict experiences, feelings and emotions. This PhD with Creative Practice Components investigates how photography is embedded within ways of knowing, experiencing and making places and the subsequent visual constructions of place imaginaries.  Drawing on contemporary photographic practice and theory, I position myself as a qualitative researcher engaged in creative practice, specifically lens-based approaches and modes of photographic representation. In contrast to photography’s dominant discourse centred on indexical and objective assumptions, I understand photographic practices and images as constructions of multiple meanings.

I use Te Awa River Ride as my research locale, a place where different practices and discourses entangle, forming a diverse set of dynamic and intersecting meanings. Te Awa River Ride is a shared pathway, with a planned total length of 70 kilometres, that edges the banks of the Waikato River from Ngāruawāhia to Cambridge, in the central North Island of Aotearoa New Zealand. I understand Te Awa River Ride as a place-composite, layered by multiple place imaginaries, including indigenous Māori, Pākehā and European ways of meaning and place-making. In this thesis I draw upon place imaginaries as a way of expressing visual possibilities, constructions and affective responses to my own and others’ experiences at this unique research location. 

My photography practice aims to actualise particular place imaginaries through curation and sequencing of lens-based explorations of light, movement and water. This process and the compilation of imagery into curatorial products, such as photography installations, generate novel ways of perceiving the Waikato River and Te Awa River Ride, revealing the centrality of photography in place-making processes.

year: 2019