title: Not empty vessels: New Zealand pre-service additional language teacher identity.

authors: Daly, Nicola

subjects: teacher identity

abstract: Researchers have identified the importance of understanding language teacher identity in order to understand more about language teacher education (Johnston, Pawan, & Mahan-Taylor, 2005; Varghese, Morgan, Johnston, & Johnson, 2005). The role of previous experience in shaping language teacher identity and beliefs and practices has been commented on by many writers (e.g., Crandall, 2000; Freeman & Johnson, 1998). This paper reports on themes from semi-structured interviews conducted individually with four pre-service teachers of additional languages in the first stage of a longitudinal study of an Additional Language Teacher Education (ALTE) paper in a New Zealand tertiary institution. Results show that prior experience was pivotal to their conceptions of language teacher identity both prior to and after completion of the ALTE paper. The potential role of the ALTE paper in creating a wider net for students' experiences which could be drawn upon and incorporated into their conception of language teacher identity is discussed.

text: Not empty vessels: New Zealand pre-service additional language teacher identity. Researchers have identified the importance of understanding language teacher identity in order to understand more about language teacher education (Johnston, Pawan, & Mahan-Taylor, 2005; Varghese, Morgan, Johnston, & Johnson, 2005). The role of previous experience in shaping language teacher identity and beliefs and practices has been commented on by many writers (e.g., Crandall, 2000; Freeman & Johnson, 1998). This paper reports on themes from semi-structured interviews conducted individually with four pre-service teachers of additional languages in the first stage of a longitudinal study of an Additional Language Teacher Education (ALTE) paper in a New Zealand tertiary institution. Results show that prior experience was pivotal to their conceptions of language teacher identity both prior to and after completion of the ALTE paper. The potential role of the ALTE paper in creating a wider net for students' experiences which could be drawn upon and incorporated into their conception of language teacher identity is discussed.

year: 2008

title: Longitudinal mediation effects of strain on the relationships between role stressors and employees' withdrawal responses

authors: Idris, Mohd Kamel

subjects: role stressors

abstract: Previous studies have found that role stressors are related to employee withdrawal responses, although the relationships have been rather indirect. The present study examined the mediation effect of strain on the relationships between role stressors and three withdrawal responses (i.e. cynicism, reduced professional efficacy and diminished organizational commitment) among a sample of Malaysian public university academics. We collected data from 357 academics and additional data 6 months later from 210 of these academics. Results showed that role stressors were associated with withdrawal behaviours via strain. Strain mediated the relationships between role ambiguity and all three withdrawal responses and the relationship between role conflict and cynicism. These results suggest that academic managers should focus on resolving role ambiguity to enhance academics' well-being, commitment and professional efficacy.

text: Longitudinal mediation effects of strain on the relationships between role stressors and employees' withdrawal responses Previous studies have found that role stressors are related to employee withdrawal responses, although the relationships have been rather indirect. The present study examined the mediation effect of strain on the relationships between role stressors and three withdrawal responses (i.e. cynicism, reduced professional efficacy and diminished organizational commitment) among a sample of Malaysian public university academics. We collected data from 357 academics and additional data 6 months later from 210 of these academics. Results showed that role stressors were associated with withdrawal behaviours via strain. Strain mediated the relationships between role ambiguity and all three withdrawal responses and the relationship between role conflict and cynicism. These results suggest that academic managers should focus on resolving role ambiguity to enhance academics' well-being, commitment and professional efficacy.

year: 2011

title: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory.

authors: Perrott, Lisa

subjects: Television Documentary

abstract: The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

text: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory. The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

year: 2007