title: Portfolio of Compositions: Systematic composition of cross-genre hybrid music

authors: Mayall, Jeremy Mark

subjects: cross-genre hybrid music

abstract: The research focus of this PhD thesis is the development of a new technique for composing original musical compositions in which elements from different musical genres are hybridised. The innovative aspect of achieving balanced hybridity is the development of a systematic approach to selecting and synthesising or hybridising key musical elements across a range of different genres. The major component of this submission is a portfolio of nine original works with attached CD/DVD recordings. 

1. Tracking Forward for viola, backing track and video 
2. The Long White Cloud for chamber band and electronics 
3. ‘Colorless green ideas sleep furiously’ for orchestra 
4. Push for Miles for electric bass and backing track 
5. Norse Suite for viola and cello 
6. The Foggy Field a studio construction 
7. Into the Nocturnal Sunshine for flute, viola, cello, drums and electronics 
8. One Night, New Breath for taonga puoro, viola, drums and electronics 
9. Sketches of an Intergalactic Earworm for piano trio and boombox

The accompanying documentation clarifies, and contextualises the creation and presentation of these works; and illuminates the aesthetic underpinnings and compositional techniques developed and utilised as a part of this hybrid-genre compositional approach. The structure of the supporting exegesis is in two parts: the methodology of practice-based research, and reflective investigation. Part One (Chapters 1 and 2) is an introductory overview; an observation of the existing literature and related work, relevant creative practice in the composer’s previous work; and the compositional methodology – including an explanation of the genre matrix. Part Two (Chapters 3 to 12) analyses the use of genre, the balance of hybridity, and relevant compositional techniques utilised in the development of each individual piece.

text: Portfolio of Compositions: Systematic composition of cross-genre hybrid music The research focus of this PhD thesis is the development of a new technique for composing original musical compositions in which elements from different musical genres are hybridised. The innovative aspect of achieving balanced hybridity is the development of a systematic approach to selecting and synthesising or hybridising key musical elements across a range of different genres. The major component of this submission is a portfolio of nine original works with attached CD/DVD recordings. 

1. Tracking Forward for viola, backing track and video 
2. The Long White Cloud for chamber band and electronics 
3. ‘Colorless green ideas sleep furiously’ for orchestra 
4. Push for Miles for electric bass and backing track 
5. Norse Suite for viola and cello 
6. The Foggy Field a studio construction 
7. Into the Nocturnal Sunshine for flute, viola, cello, drums and electronics 
8. One Night, New Breath for taonga puoro, viola, drums and electronics 
9. Sketches of an Intergalactic Earworm for piano trio and boombox

The accompanying documentation clarifies, and contextualises the creation and presentation of these works; and illuminates the aesthetic underpinnings and compositional techniques developed and utilised as a part of this hybrid-genre compositional approach. The structure of the supporting exegesis is in two parts: the methodology of practice-based research, and reflective investigation. Part One (Chapters 1 and 2) is an introductory overview; an observation of the existing literature and related work, relevant creative practice in the composer’s previous work; and the compositional methodology – including an explanation of the genre matrix. Part Two (Chapters 3 to 12) analyses the use of genre, the balance of hybridity, and relevant compositional techniques utilised in the development of each individual piece.

year: 2015

title: 'Closing the Gaps': From postcolonialism to Kaupapa Māori and beyond.

authors: Mahuika, Nepia

subjects: New Zealand

abstract: The article discusses New Zealand history, particularly examining Māori theories and interpretations of history. It considers postcolonial theory and Kaupapa Māori theory. The author comments on the government policy of "closing the gaps," referring to efforts to improve the conditions of underachieving New Zealand groups. He also reflects on Mātauranga, a Māori concept concerning knowledge. The history and oral tradition of the people of the Māori iwi, or social unit, of Ngati Porou is also discussed.

text: 'Closing the Gaps': From postcolonialism to Kaupapa Māori and beyond. The article discusses New Zealand history, particularly examining Māori theories and interpretations of history. It considers postcolonial theory and Kaupapa Māori theory. The author comments on the government policy of "closing the gaps," referring to efforts to improve the conditions of underachieving New Zealand groups. He also reflects on Mātauranga, a Māori concept concerning knowledge. The history and oral tradition of the people of the Māori iwi, or social unit, of Ngati Porou is also discussed.

year: 2011

title: Dramatic forms of presentation in Kleist's Novelle Das Erdbeben in Chili.

authors: Sutherland, Mhairi A.

subjects: Das Erdbeben

abstract: Of Heinrich von Kleist's eight Novellen, Das Erdbeben in Chili was amongst the first to be written. Whilst it is impossible to state with any certainty its chronology in relation to others of his early Novellen, it was probably completed by autumn 1806 and was certainly the first to be published.¹)

text: Dramatic forms of presentation in Kleist's Novelle Das Erdbeben in Chili. Of Heinrich von Kleist's eight Novellen, Das Erdbeben in Chili was amongst the first to be written. Whilst it is impossible to state with any certainty its chronology in relation to others of his early Novellen, it was probably completed by autumn 1806 and was certainly the first to be published.¹)

year: 1972