title: Promoting social and environmental justice to support Indigenous partnerships in urban ecosystem restoration

authors: Hall, Monique

subjects: Science & Technology

abstract: Urban ecological restoration typically employs western science approaches to restore degraded ecosystems. As yet, few restoration groups acknowledge the history of these degraded urban sites, despite connections, past and present, that root Indigenous Peoples (and others) in these lands. Here, we promote partnership with Indigenous communities from project inception and present two successful case studies from Aotearoa New Zealand. We specifically note that partnering and building relationships with Indigenous communities in restoration efforts require recognition of power inequalities and injustices. We consider success to include both restoration of ecological function and biodiversity and reconnection of all communities to urban ecosystems.

text: Promoting social and environmental justice to support Indigenous partnerships in urban ecosystem restoration Urban ecological restoration typically employs western science approaches to restore degraded ecosystems. As yet, few restoration groups acknowledge the history of these degraded urban sites, despite connections, past and present, that root Indigenous Peoples (and others) in these lands. Here, we promote partnership with Indigenous communities from project inception and present two successful case studies from Aotearoa New Zealand. We specifically note that partnering and building relationships with Indigenous communities in restoration efforts require recognition of power inequalities and injustices. We consider success to include both restoration of ecological function and biodiversity and reconnection of all communities to urban ecosystems.

year: 2020-11-27

title: The piano as cultural symbol in colonial New Zealand

authors: Moffat, Kirstine

subjects: piano

abstract: The piano was an important cultural symbol in colonial New Zealand, yet although there is a significant body of international scholarship on the social and cultural history of the instrument in Britain, America, Canada, Norway, Spain and India there is a dearth of scholarly criticism relating to New Zealand. Research to redress this absence has revealed that the piano was central to settler culture, demonstrating a migrant desire to replicate the known and familiar but also highlighting settler innovations and an emerging nationalism. International connections between New Zealand, Britain, Western Europe, America and Australia are also apparent in relation to migrant patterns, the importation of instruments and sheet music and networks of musical performance and study. The instrument played a role in the complex dynamic of cultural encounter between Maori and settler, with an initial indigenous negativity and bemusement giving way to an interest in the piano and an appropriation of the instrument into Maori cultural contexts and spaces, including the marae. Prevailing perceptions of gender roles and identity are also challenged by research on the piano. Likewise, an examination of piano and class reveals that the instrument was popular with New Zealanders from all socio-economic backgrounds.

text: The piano as cultural symbol in colonial New Zealand The piano was an important cultural symbol in colonial New Zealand, yet although there is a significant body of international scholarship on the social and cultural history of the instrument in Britain, America, Canada, Norway, Spain and India there is a dearth of scholarly criticism relating to New Zealand. Research to redress this absence has revealed that the piano was central to settler culture, demonstrating a migrant desire to replicate the known and familiar but also highlighting settler innovations and an emerging nationalism. International connections between New Zealand, Britain, Western Europe, America and Australia are also apparent in relation to migrant patterns, the importation of instruments and sheet music and networks of musical performance and study. The instrument played a role in the complex dynamic of cultural encounter between Maori and settler, with an initial indigenous negativity and bemusement giving way to an interest in the piano and an appropriation of the instrument into Maori cultural contexts and spaces, including the marae. Prevailing perceptions of gender roles and identity are also challenged by research on the piano. Likewise, an examination of piano and class reveals that the instrument was popular with New Zealanders from all socio-economic backgrounds.

year: 2009

title: Diorama and young people’s exploration of sustainable communities

authors: Taylor, Simon

subjects: Diorama, scientific play, agency.

abstract: This paper reports on a study using diorama constructions made by 13–14-year-olds who have been studying the topic of climate science. A diorama is a model representing a scene with three-dimensional structures, usually in miniature. The building and interaction of diorama is not the norm for students to represent their thinking of sustainable communities, however there is growing interest in representational work and multimodal reasoning which provide a springboard for scientific play, dialogue, and agency. Using a micro-ethnographic approach informed by socio-semiotic perspectives with the research of Lemke (2004), this study aimed to explore how diorama construction and the associated interaction can contribute to student reasoning and learning. Data were generated using audio recorders and multiple cameras, tracking groups of students negotiating their visual representations. The analysis proceeded through active and iterative viewing of audio and video recordings, followed by identification of themes to establish possible relationships between construction and reasoning. Through this process, the study (a) identifies multiple, necessary conditions and varied opportunities for students to enact and enable reasoning, and (b) extend current understanding of how the affordances of this visual mode interact with these conditions to contribute to student learning of climate science.

text: Diorama and young people’s exploration of sustainable communities This paper reports on a study using diorama constructions made by 13–14-year-olds who have been studying the topic of climate science. A diorama is a model representing a scene with three-dimensional structures, usually in miniature. The building and interaction of diorama is not the norm for students to represent their thinking of sustainable communities, however there is growing interest in representational work and multimodal reasoning which provide a springboard for scientific play, dialogue, and agency. Using a micro-ethnographic approach informed by socio-semiotic perspectives with the research of Lemke (2004), this study aimed to explore how diorama construction and the associated interaction can contribute to student reasoning and learning. Data were generated using audio recorders and multiple cameras, tracking groups of students negotiating their visual representations. The analysis proceeded through active and iterative viewing of audio and video recordings, followed by identification of themes to establish possible relationships between construction and reasoning. Through this process, the study (a) identifies multiple, necessary conditions and varied opportunities for students to enact and enable reasoning, and (b) extend current understanding of how the affordances of this visual mode interact with these conditions to contribute to student learning of climate science.

year: 2023-11-21