title: Eco-tourism and luxury – the case of AI Maha, Dubai

authors: Ryan, Chris

subjects: deconstruction

abstract: This paper examines the issues raised by Al Maha in the United Arab Emirates (UAE), a 27 km2 resort within the 225 km2 Dubai Desert Conservation Zone that offers luxurious accommodation in 40 suites, each with its own swimming pool. Its appeal is based on luxury, but it also offers insights into desert culture, heritage and the fauna and flora of the Arabian Desert. Much of that desert has become severely degraded by 200 years of camel grazing. Al Maha claims eco-tourism status through its desert regeneration programme. Is eco-tourism compatible with luxury? Given an official Emirati ecological perspective of desert greening, is desert reclamation consistent with wider UAE greening policies? Does ecologically motivated reclamation based on revenue from luxury-based tourism condone ecologically unaware tourist behavior?

text: Eco-tourism and luxury – the case of AI Maha, Dubai This paper examines the issues raised by Al Maha in the United Arab Emirates (UAE), a 27 km2 resort within the 225 km2 Dubai Desert Conservation Zone that offers luxurious accommodation in 40 suites, each with its own swimming pool. Its appeal is based on luxury, but it also offers insights into desert culture, heritage and the fauna and flora of the Arabian Desert. Much of that desert has become severely degraded by 200 years of camel grazing. Al Maha claims eco-tourism status through its desert regeneration programme. Is eco-tourism compatible with luxury? Given an official Emirati ecological perspective of desert greening, is desert reclamation consistent with wider UAE greening policies? Does ecologically motivated reclamation based on revenue from luxury-based tourism condone ecologically unaware tourist behavior?

year: 2009

title: Derivation of lake mixing and stratification indices from high-resolution lake buoy data

authors: Read, Jordan S.

subjects: lake analyser

abstract: Lake Analyzer is a numerical code coupled with supporting visualization tools for determining indices of mixing and stratification that are critical to the biogeochemical cycles of lakes and reservoirs. Stability indices, including Lake Number, Wedderburn Number, Schmidt Stability, and thermocline depth are calculated according to established literature definitions and returned to the user in a time series format. The program was created for the analysis of high-frequency data collected from instrumented lake buoys, in support of the emerging field of aquatic sensor network science. Available outputs for the Lake Analyzer program are: water temperature (error-checked and/or down-sampled), wind speed (error-checked and/or down-sampled), metalimnion extent (top and bottom), thermocline depth, friction velocity, Lake Number, Wedderburn Number, Schmidt Stability, mode-1 vertical seiche period, and Brunt-Väisälä buoyancy frequency. Secondary outputs for several of these indices delineate the parent thermocline depth (seasonal thermocline) from the shallower secondary or diurnal thermocline. Lake Analyzer provides a program suite and best practices for the comparison of mixing and stratification indices in lakes across gradients of climate, hydro-physiography, and time, and enables a more detailed understanding of the resulting biogeochemical transformations at different spatial and temporal scales.

text: Derivation of lake mixing and stratification indices from high-resolution lake buoy data Lake Analyzer is a numerical code coupled with supporting visualization tools for determining indices of mixing and stratification that are critical to the biogeochemical cycles of lakes and reservoirs. Stability indices, including Lake Number, Wedderburn Number, Schmidt Stability, and thermocline depth are calculated according to established literature definitions and returned to the user in a time series format. The program was created for the analysis of high-frequency data collected from instrumented lake buoys, in support of the emerging field of aquatic sensor network science. Available outputs for the Lake Analyzer program are: water temperature (error-checked and/or down-sampled), wind speed (error-checked and/or down-sampled), metalimnion extent (top and bottom), thermocline depth, friction velocity, Lake Number, Wedderburn Number, Schmidt Stability, mode-1 vertical seiche period, and Brunt-Väisälä buoyancy frequency. Secondary outputs for several of these indices delineate the parent thermocline depth (seasonal thermocline) from the shallower secondary or diurnal thermocline. Lake Analyzer provides a program suite and best practices for the comparison of mixing and stratification indices in lakes across gradients of climate, hydro-physiography, and time, and enables a more detailed understanding of the resulting biogeochemical transformations at different spatial and temporal scales.

year: 2011

title: Researching collaborative artistic practice.

authors: Barbour, Karen

subjects: arts research

abstract: In this paper we offer discussion of collaboration in artistic practice, based on a two-and-a-half-year-long research project undertaken by artists/researchers at the University of Waikato, working in collaboration with local performers. Grounded in kaupapa M¯ori, feminist and phenomenological research methodologies, this research project provided a context for exploring existing understandings of collaborative processes in the arts, and for immersion in and development of alternative processes, across artistic mediums and cultures. Drawing on contemporary understandings of cross-cultural and intercultural practices in the arts, we discuss how shared conceptualisation of ideas, immersion in different creative processes, personal reflection and development over extended periods of time were found to foster collaboration. In this paper we will explore the value and nature of relationships within collaboration, and discuss how selfdetermination or tino rangatiratanga might be maintained within the context of collaborative performance art.

text: Researching collaborative artistic practice. In this paper we offer discussion of collaboration in artistic practice, based on a two-and-a-half-year-long research project undertaken by artists/researchers at the University of Waikato, working in collaboration with local performers. Grounded in kaupapa M¯ori, feminist and phenomenological research methodologies, this research project provided a context for exploring existing understandings of collaborative processes in the arts, and for immersion in and development of alternative processes, across artistic mediums and cultures. Drawing on contemporary understandings of cross-cultural and intercultural practices in the arts, we discuss how shared conceptualisation of ideas, immersion in different creative processes, personal reflection and development over extended periods of time were found to foster collaboration. In this paper we will explore the value and nature of relationships within collaboration, and discuss how selfdetermination or tino rangatiratanga might be maintained within the context of collaborative performance art.

year: 2007