title: Review: Tempo Festival Dane

authors: Cheesman, Sue

subjects: Tempo Festival of Dance

abstract: Tempo Festival of Dance this year featured many shorter works in shared programme formats. The venue, TAPAC, acted as an ambient hub for this festival.

text: Review: Tempo Festival Dane Tempo Festival of Dance this year featured many shorter works in shared programme formats. The venue, TAPAC, acted as an ambient hub for this festival.

year: 2009

title: Sequencing the New Zealand dawn chorus: can song playback alter the timing of song initiation?

authors: MacDougall, Mark

subjects: Dawn chorus

abstract: The dawn chorus of songbirds is a behavioural phenomenon occurring prior to sunrise; birds of many different species sing simultaneously at rapid rates. Avian physiology, social behaviours and local environment all influence the onset of dawn song. The influence of social cues on dawn chorus singing is poorly delineated relative to the effect of environmental or physiological factors; in particular, our knowledge of the role of heterospecific cues is limited. In this study, I aimed to determine if New Zealand songbirds would chorus in a distinct order, like those seen in other countries. I investigated whether the timing of song onset relative to sunrise would change as the breeding season progressed. I also assessed if conspecific and heterospecific acoustic cues influence a species’ start time. Finally, I explored the influence of acoustic cues from an early singer, the Tui (Prosthemadera novaeseelandiae) and a late singer, the Riroriro (Grey Warbler; Gerygone igata) on start time. I recorded the dawn chorus at nine sites at the Maungatautari reserve between September and November 2016, using arrays of time-synchronised autonomous recording devices. I broadcast different playback stimuli at three arrays per morning; an early singer, a late singer, and noise.  My results suggest that New Zealand dawn choruses follow an order and that the timing of chorus start time changes over time as the breeding season progresses. Tui began singing earliest, and their start time shifted much earlier as the breeding season progressed. Most species joined the chorus in a highly interchangeable order within the same 12 minute window, while Pōpokatea (Whitehead; Mohoua albicilla) sang last. Start time was not found to shift in response to any playback stimuli for any species. The onset of Tui or Riroriro song is unlikely to be used as a cue by either con- or heterospecific neighbours to initiate their own dawn song.

text: Sequencing the New Zealand dawn chorus: can song playback alter the timing of song initiation? The dawn chorus of songbirds is a behavioural phenomenon occurring prior to sunrise; birds of many different species sing simultaneously at rapid rates. Avian physiology, social behaviours and local environment all influence the onset of dawn song. The influence of social cues on dawn chorus singing is poorly delineated relative to the effect of environmental or physiological factors; in particular, our knowledge of the role of heterospecific cues is limited. In this study, I aimed to determine if New Zealand songbirds would chorus in a distinct order, like those seen in other countries. I investigated whether the timing of song onset relative to sunrise would change as the breeding season progressed. I also assessed if conspecific and heterospecific acoustic cues influence a species’ start time. Finally, I explored the influence of acoustic cues from an early singer, the Tui (Prosthemadera novaeseelandiae) and a late singer, the Riroriro (Grey Warbler; Gerygone igata) on start time. I recorded the dawn chorus at nine sites at the Maungatautari reserve between September and November 2016, using arrays of time-synchronised autonomous recording devices. I broadcast different playback stimuli at three arrays per morning; an early singer, a late singer, and noise.  My results suggest that New Zealand dawn choruses follow an order and that the timing of chorus start time changes over time as the breeding season progresses. Tui began singing earliest, and their start time shifted much earlier as the breeding season progressed. Most species joined the chorus in a highly interchangeable order within the same 12 minute window, while Pōpokatea (Whitehead; Mohoua albicilla) sang last. Start time was not found to shift in response to any playback stimuli for any species. The onset of Tui or Riroriro song is unlikely to be used as a cue by either con- or heterospecific neighbours to initiate their own dawn song.

year: 2017

title: Maori perspectives of the environment: A review of Environment Waikato information sources.

authors: Whangapirita, Laura

subjects: Maori

abstract: The Community and Economy Programme at Environment Waikato has developed a partnership with the Maori and Psychology Research Unit of the University of Waikato to further assist in strengthening its commitment to cultural research and information work. This relationship will facilitate the development of a number of significant research reports throughout 2003.  This initial report describes an internal review conducted by the Maori and Psychology Research Unit to identify what information Environment Waikato currently holds on Maori environmental perspectives.

text: Maori perspectives of the environment: A review of Environment Waikato information sources. The Community and Economy Programme at Environment Waikato has developed a partnership with the Maori and Psychology Research Unit of the University of Waikato to further assist in strengthening its commitment to cultural research and information work. This relationship will facilitate the development of a number of significant research reports throughout 2003.  This initial report describes an internal review conducted by the Maori and Psychology Research Unit to identify what information Environment Waikato currently holds on Maori environmental perspectives.

year: 2003-05