title: Researcher decisions in presentation: Using a painting scheme to stage research poetry

authors: Earl Rinehart, (Suzanne) Kerry

abstract: Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

text: Researcher decisions in presentation: Using a painting scheme to stage research poetry Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

year: 2018

title: Time's scales: Working with time at Roonka

authors: Littleton, Judith

abstract: The site of Roonka, subject of long-term excavation by Graeme Pretty and volunteers under the aegis of the South Australian Museum, is still the most extensive excavation of a Holocene burial ground in Australia. The Roonka project between the University of Auckland and the River Murray and Mallee Aboriginal Corporation began in 2014 with the aim of re-analysing the mortuary customs and human remains through the lens of time prior to repatriation. Rather than assuming a single site function e.g. a cemetery or a history which can be divided into two phases (e.g. pre- and post-ENSO), we aim to trace changes in human health and behaviour over the Holocene as people adapted or accommodated changing conditions – the cycle of change and resilience. This means thinking through the nature of the record and the periods of time within it – the event of death, precise memories of other events, the life history of an individual, discontinuous records of site formation, long term continuities of cultural change and differential preservation.
In this paper we go back to that original set of ideas and consider how the work and conversations we have had with each other have added more elements of time and different conceptions of what matters. We now have a much clearer model of site formation, taphonomic processes, long term cultural practices and short term catastrophes of individual lives. But what has been added to our sense of time? Ideas of time here in Australia versus time elsewhere, legacy archaeology, the rapidity of time’s change post 1830, COVID time, lived time, research project time… In this paper, we analyse how these different aspects of time interact or remain separate, are useful in different circumstances and provide new interpretations of Roonka and its people.

text: Time's scales: Working with time at Roonka The site of Roonka, subject of long-term excavation by Graeme Pretty and volunteers under the aegis of the South Australian Museum, is still the most extensive excavation of a Holocene burial ground in Australia. The Roonka project between the University of Auckland and the River Murray and Mallee Aboriginal Corporation began in 2014 with the aim of re-analysing the mortuary customs and human remains through the lens of time prior to repatriation. Rather than assuming a single site function e.g. a cemetery or a history which can be divided into two phases (e.g. pre- and post-ENSO), we aim to trace changes in human health and behaviour over the Holocene as people adapted or accommodated changing conditions – the cycle of change and resilience. This means thinking through the nature of the record and the periods of time within it – the event of death, precise memories of other events, the life history of an individual, discontinuous records of site formation, long term continuities of cultural change and differential preservation.
In this paper we go back to that original set of ideas and consider how the work and conversations we have had with each other have added more elements of time and different conceptions of what matters. We now have a much clearer model of site formation, taphonomic processes, long term cultural practices and short term catastrophes of individual lives. But what has been added to our sense of time? Ideas of time here in Australia versus time elsewhere, legacy archaeology, the rapidity of time’s change post 1830, COVID time, lived time, research project time… In this paper, we analyse how these different aspects of time interact or remain separate, are useful in different circumstances and provide new interpretations of Roonka and its people.

year: 2023

title: Water Quality Modelling of Te Waihora/Lake Ellesmere

authors: Hamilton, David P.

abstract: As a component of work to contribute towards the management of water quality of Te Waihora/Lake Ellesmere, the University of Waikato was subcontracted by University of Otago to apply a coupled hydrodynamic-water quality model to the lake. The primary funder for this work was Environment Canterbury (ECAN), Whakaora Te Waihora and the Central Government Freshwater Cleanup Fund. The main modelling tool used in the study to simulate the dynamics of Te Waihora/Lake Ellesmere was the one‐dimensional (1‐D) hydrodynamic-water quality model DYRESM-CAEDYM. The model was used to reproduce observed water column data for a mid-lake station over the period 2011 to 2015. Once a satisfactory level of reproduction of these data had been achieved, an assessment was carried out with the model to examine the impact of various management scenarios on lake water quality. These scenarios involved: (i) projected changes to external nutrient loads to the lake that could be associated with future land management in the catchment and (ii) different lake water level management regimes based around opening of the barrier separating the lake from the ocean. The scenarios are intended here to be a catalyst for further hui and consultations that may adapt and refine additional scenarios, some of which may involve testing of multiple management options. The quantitative output from the model provides a component of the input required to inform strategies for lake management, alongside historical and expert knowledge, as well as analysis of measured data.

text: Water Quality Modelling of Te Waihora/Lake Ellesmere As a component of work to contribute towards the management of water quality of Te Waihora/Lake Ellesmere, the University of Waikato was subcontracted by University of Otago to apply a coupled hydrodynamic-water quality model to the lake. The primary funder for this work was Environment Canterbury (ECAN), Whakaora Te Waihora and the Central Government Freshwater Cleanup Fund. The main modelling tool used in the study to simulate the dynamics of Te Waihora/Lake Ellesmere was the one‐dimensional (1‐D) hydrodynamic-water quality model DYRESM-CAEDYM. The model was used to reproduce observed water column data for a mid-lake station over the period 2011 to 2015. Once a satisfactory level of reproduction of these data had been achieved, an assessment was carried out with the model to examine the impact of various management scenarios on lake water quality. These scenarios involved: (i) projected changes to external nutrient loads to the lake that could be associated with future land management in the catchment and (ii) different lake water level management regimes based around opening of the barrier separating the lake from the ocean. The scenarios are intended here to be a catalyst for further hui and consultations that may adapt and refine additional scenarios, some of which may involve testing of multiple management options. The quantitative output from the model provides a component of the input required to inform strategies for lake management, alongside historical and expert knowledge, as well as analysis of measured data.

year: 2017