title: Ngā Wai E Rere Nei: The Physical and Symbolic Representations of Embodied Waters of Birth and Mourning

authors: Dixon, Ngahuia Mereana

subjects: Women water procreation tears

abstract: Recently, there has been considerable public debate and much consternation, especially amongst Māori, about the future New Zealand’s waterways. Māori have strongly held views, tikanga and cultural knowledge, about waterways and their deep connection to iwi (tribal/community) identity, history and sense of well-being. The waterways in public discussion are lakes, rivers, harbours and the ocean.  
This thesis examines deeper aspects of tikanga that relate to Māori concepts of waterways and oceans, but more specifically to the waterways of the human body which I refer to as embodied waters.  Māori cultural concepts of water and tikanga that is applied to water, is interconnected to the wider body of knowledge or mātauranga, in which water, is fundamental to concepts of human and environmental life and death. The thesis examines the tikanga, meaning knowledge, values and practices, regarding the embodied waters, related to human procreation and death. 
The research examines the rich Māori knowledge base, relating to concepts such as te whare tangata, waiū, te ūkaipō, roimata and hupe which still have symbolic and material significance in Māori beliefs, values and practices. The research drew upon kaupapa Māori research approaches, as a way to examine tikanga, from a contemporary Māori perspective. My research examined recorded oral traditions and literatures, including whakatauākī, whakapapa, waiata mōteatea, haka and pūrākau, alongside other research literature in the field. The research approach also included an auto-ethnographic component that has enabled me to connect my own observations and practices, with this literature, to demonstrate how tikanga in relation to this knowledge is applied. The research focuses on two main iwi contexts, Tauranga where I was born and raised, and Waikato, where I have lived since I married into the iwi.   
The thesis reveals the interconnected philosophies, cultural concepts, values and practices that are embedded in language, rituals, traditions, stories and symbols. I argue that these tikanga, give coherence and guidance, to contemporary practise especially in the context of cultural revitalization, where communities are seeking to restore certain tikanga. The thesis also finds that the tikanga relating to embodied waters, for human life and death, still give meaning to the people and communities, who continue to adhere to tikanga, those traditions providing a cultural framework for understanding their identity.

text: Ngā Wai E Rere Nei: The Physical and Symbolic Representations of Embodied Waters of Birth and Mourning Recently, there has been considerable public debate and much consternation, especially amongst Māori, about the future New Zealand’s waterways. Māori have strongly held views, tikanga and cultural knowledge, about waterways and their deep connection to iwi (tribal/community) identity, history and sense of well-being. The waterways in public discussion are lakes, rivers, harbours and the ocean.  
This thesis examines deeper aspects of tikanga that relate to Māori concepts of waterways and oceans, but more specifically to the waterways of the human body which I refer to as embodied waters.  Māori cultural concepts of water and tikanga that is applied to water, is interconnected to the wider body of knowledge or mātauranga, in which water, is fundamental to concepts of human and environmental life and death. The thesis examines the tikanga, meaning knowledge, values and practices, regarding the embodied waters, related to human procreation and death. 
The research examines the rich Māori knowledge base, relating to concepts such as te whare tangata, waiū, te ūkaipō, roimata and hupe which still have symbolic and material significance in Māori beliefs, values and practices. The research drew upon kaupapa Māori research approaches, as a way to examine tikanga, from a contemporary Māori perspective. My research examined recorded oral traditions and literatures, including whakatauākī, whakapapa, waiata mōteatea, haka and pūrākau, alongside other research literature in the field. The research approach also included an auto-ethnographic component that has enabled me to connect my own observations and practices, with this literature, to demonstrate how tikanga in relation to this knowledge is applied. The research focuses on two main iwi contexts, Tauranga where I was born and raised, and Waikato, where I have lived since I married into the iwi.   
The thesis reveals the interconnected philosophies, cultural concepts, values and practices that are embedded in language, rituals, traditions, stories and symbols. I argue that these tikanga, give coherence and guidance, to contemporary practise especially in the context of cultural revitalization, where communities are seeking to restore certain tikanga. The thesis also finds that the tikanga relating to embodied waters, for human life and death, still give meaning to the people and communities, who continue to adhere to tikanga, those traditions providing a cultural framework for understanding their identity.

year: 2013

title: "That's the price we pay": Kaupapa Māori Programme stakeholder experiences of external evaluation

authors: Masters-Awatere, Bridgette

subjects: Evaluation

abstract: This thesis takes a critical approach to the evaluation of Māori social and health service provision progammes through an in-depth exploration of the dynamics, impacts and politics of such exercises within Māori communities, and upon relationships between Māori and the Crown, and its agents. Since the mid 1980s, New Zealand government devolved responsibilities that heralded a change in economic focus and provided a pathway for targeted service provision, such as social and health programmes, amongst communities. The combined shift to Neoliberal economics and the virtual hegemony enjoyed by right wing economic commentators, policy-makers and business leaders meant that newly anointed Māori service providers were not fully prepared for the subsequent rise in demand for narrowly defined accountability requirements that did not reflect Māori aspirations or values.

This study sought to critically engage with the experiences of stakeholders affected by an external evaluation of “By Māori, for Māori” services. Qualitative data capturing stakeholder narratives, demonstrated the complex relationships and range of emotions experienced by programme stakeholders. Four case studies contain stories that highlight: service provider relationships built on betrayal that contributed to programme tensions and influenced the design of the evaluation; different stakeholder information needs that shaped their expectation of an evaluation; service provider vulnerability when implementing cultural values with their funder, who then seeks financial gain from that knowledge, and; the close links of Kaupapa Māori programmes and their evaluations to socio-cultural and political agendas.

The cases highlight ways Māori evaluators operated from a reflexive approach that recognised two worldviews (Mātauranga Māori and the dominant models of Western social science) and sought to facilitate engaged evaluation relationships with different stakeholders. A proposed Cultural Confluent Evaluation model lays out the dynamics and tensions in an attempt to make visible the underlying agendas, but also the glossed ideologies of power and control attached to conventional evaluations. As existing programmes continue to be examined for their cultural responsiveness, and as new culturally-centred programmes are proposed, the need for culturally embedded evaluation is even more evident.

text: "That's the price we pay": Kaupapa Māori Programme stakeholder experiences of external evaluation This thesis takes a critical approach to the evaluation of Māori social and health service provision progammes through an in-depth exploration of the dynamics, impacts and politics of such exercises within Māori communities, and upon relationships between Māori and the Crown, and its agents. Since the mid 1980s, New Zealand government devolved responsibilities that heralded a change in economic focus and provided a pathway for targeted service provision, such as social and health programmes, amongst communities. The combined shift to Neoliberal economics and the virtual hegemony enjoyed by right wing economic commentators, policy-makers and business leaders meant that newly anointed Māori service providers were not fully prepared for the subsequent rise in demand for narrowly defined accountability requirements that did not reflect Māori aspirations or values.

This study sought to critically engage with the experiences of stakeholders affected by an external evaluation of “By Māori, for Māori” services. Qualitative data capturing stakeholder narratives, demonstrated the complex relationships and range of emotions experienced by programme stakeholders. Four case studies contain stories that highlight: service provider relationships built on betrayal that contributed to programme tensions and influenced the design of the evaluation; different stakeholder information needs that shaped their expectation of an evaluation; service provider vulnerability when implementing cultural values with their funder, who then seeks financial gain from that knowledge, and; the close links of Kaupapa Māori programmes and their evaluations to socio-cultural and political agendas.

The cases highlight ways Māori evaluators operated from a reflexive approach that recognised two worldviews (Mātauranga Māori and the dominant models of Western social science) and sought to facilitate engaged evaluation relationships with different stakeholders. A proposed Cultural Confluent Evaluation model lays out the dynamics and tensions in an attempt to make visible the underlying agendas, but also the glossed ideologies of power and control attached to conventional evaluations. As existing programmes continue to be examined for their cultural responsiveness, and as new culturally-centred programmes are proposed, the need for culturally embedded evaluation is even more evident.

year: 2015

title: On the threshold: Affordances of online tutorials in the learning of threshold concepts

authors: Peter, Mira

abstract: According to threshold concept theory, in each academic discipline there exist concepts that once grasped allow new and previously inaccessible ways of perceiving and thinking about the subject to emerge [1]. Acquiring a threshold concept (TC) often resembles a phase transition as observed in other psychological perception-action dynamical systems [2]. Previous studies of student learning in introductory electronics have revealed areas where students get stuck [3]. In the present study we investigated the impact of multimodal, online tutorials on learning TCs.

text: On the threshold: Affordances of online tutorials in the learning of threshold concepts According to threshold concept theory, in each academic discipline there exist concepts that once grasped allow new and previously inaccessible ways of perceiving and thinking about the subject to emerge [1]. Acquiring a threshold concept (TC) often resembles a phase transition as observed in other psychological perception-action dynamical systems [2]. Previous studies of student learning in introductory electronics have revealed areas where students get stuck [3]. In the present study we investigated the impact of multimodal, online tutorials on learning TCs.

year: 2013