title: Paradoxical Performances of Subjectivities, Spaces and Art Gallery Postcards

authors: Robinson, Christine

subjects: gallery postcards

abstract: This thesis examines the relationship between art gallery postcards, subjectivities and domestic spaces. Feminist post-structuralist debates on memory, subjectivity and domestic spaces provide the theoretical framework for this research into taken-for-granted objects of the everyday. Empirical data came from interviewing nine women who buy, use and keep postcards and two New Zealand Art Gallery store managers. Some of the participants were interviewed more than once, while others extended their views by e-mail. Auto-ethnographic narrative is used to explore further the symbolic significance of an individual's postcard consumption.
This research focuses attention on the production of gendered subjectivities and domestic spaces through an aesthetic artefact. There are three points to my analysis. Firstly, I argue paradoxically the under-noticed seemingly trivial gallery postcard becomes a memory holder and therefore a significant artefact of symbolic value. Memories are potent, elusive fragments that become attached to a sound, smell, touch or sight. Catching sight of a postcard can trigger a chain of memory associations, which in turn constructs a sense of self through the remembering. Secondly, I contend that subjectivity is understood as fluid and multiple, evolving out of experience and interpretation. Memories formed from experience and connections made with people, place and things become associated with gallery postcards and serve as a catalyst for personal narratives which in turn can operate as tools for constructing subjectivities. Finally I suggest that domestic spaces are a product of relations that can be understood as existing within and beyond the home. Stretched domestic space can be produced by the display of gallery postcards in office spaces. The exploration of the art gallery postcard adds to the knowledges of everyday objects and their role and significance in constructing gendered subjectivities and spaces.

text: Paradoxical Performances of Subjectivities, Spaces and Art Gallery Postcards This thesis examines the relationship between art gallery postcards, subjectivities and domestic spaces. Feminist post-structuralist debates on memory, subjectivity and domestic spaces provide the theoretical framework for this research into taken-for-granted objects of the everyday. Empirical data came from interviewing nine women who buy, use and keep postcards and two New Zealand Art Gallery store managers. Some of the participants were interviewed more than once, while others extended their views by e-mail. Auto-ethnographic narrative is used to explore further the symbolic significance of an individual's postcard consumption.
This research focuses attention on the production of gendered subjectivities and domestic spaces through an aesthetic artefact. There are three points to my analysis. Firstly, I argue paradoxically the under-noticed seemingly trivial gallery postcard becomes a memory holder and therefore a significant artefact of symbolic value. Memories are potent, elusive fragments that become attached to a sound, smell, touch or sight. Catching sight of a postcard can trigger a chain of memory associations, which in turn constructs a sense of self through the remembering. Secondly, I contend that subjectivity is understood as fluid and multiple, evolving out of experience and interpretation. Memories formed from experience and connections made with people, place and things become associated with gallery postcards and serve as a catalyst for personal narratives which in turn can operate as tools for constructing subjectivities. Finally I suggest that domestic spaces are a product of relations that can be understood as existing within and beyond the home. Stretched domestic space can be produced by the display of gallery postcards in office spaces. The exploration of the art gallery postcard adds to the knowledges of everyday objects and their role and significance in constructing gendered subjectivities and spaces.

year: 2007

title: The Muslims of medieval Italy [Book Review]

authors: Drury, Abdullah

abstract: This article reviews the book 'The Muslims of medieval Italy', by Alex Metcalfe.

text: The Muslims of medieval Italy [Book Review] This article reviews the book 'The Muslims of medieval Italy', by Alex Metcalfe.

year: 2012-01

title: Paremias xeocosmolóxicas de predición do tempo en galego e maorí (Geocosmologic paroemias of weather prediction in Galician and Maori)

authors: Lopez-Fernandez, Laura

abstract: This comparative study collects phraseological units -dictons- (Rodegem 1984 e Sevilla Muñoz 1988; 1992) related to the semantic field of weather forecast from two cultures, which have not been in contact, and which are located in the antipodes of the planet: Galician and Maori. The methodology used utilizes a diachronic analysis (although not diastratic), of geocosmological proverbs, that can be or not in use nowadays, which include dictons about atmospheric phenomena, observation of the stars and star lore, and weather forecast through observation of animals, especially birds. The dictons collected in Maori do not come from informants but from the few books and digital sources available at the moment and this represents only a fragment of their traditional oral culture, thought and legacy of the different iwis. The collected dictons in Galician have been collected from a variety of digital corpus and resources.

text: Paremias xeocosmolóxicas de predición do tempo en galego e maorí (Geocosmologic paroemias of weather prediction in Galician and Maori) This comparative study collects phraseological units -dictons- (Rodegem 1984 e Sevilla Muñoz 1988; 1992) related to the semantic field of weather forecast from two cultures, which have not been in contact, and which are located in the antipodes of the planet: Galician and Maori. The methodology used utilizes a diachronic analysis (although not diastratic), of geocosmological proverbs, that can be or not in use nowadays, which include dictons about atmospheric phenomena, observation of the stars and star lore, and weather forecast through observation of animals, especially birds. The dictons collected in Maori do not come from informants but from the few books and digital sources available at the moment and this represents only a fragment of their traditional oral culture, thought and legacy of the different iwis. The collected dictons in Galician have been collected from a variety of digital corpus and resources.

year: 2015