title: “They expect me to be caring”: The challenges of claiming an androgynous leadership approach

authors: Hardaker, Julie

abstract: Purpose: This study aims to explore the experience of performing androgynous leadership approaches by New Zealand women leaders within the context of everyday conflict situations. Design/methodology/approach: The research question “How do women leaders experience gender in conflict situations?” was explored through the facilitation of 4 focus groups with 19 senior female leaders in New Zealand. Poststructural discourse analysis was used to explore how participants negotiated positions of power within their environments and in accordance with competing gendered discourses. Findings: Participants described taking a flexible, balanced, androgynous leadership approach to managing conflict situations. While the expectations to be “empathetic”, “sympathetic”, “gentle”, “nurturing” and “caring” resonated with the participants preferred approach, they remained firm that if conflict persisted, they would “cross the line” and adopt stereotypically masculine behaviours to resolve the situation. However, participants describe that when perceived to be crossing the line from feminine to masculine approaches, they experienced significant backlash. This demonstrates the tensions between the approaches women leaders would like to take in managing conflict and the experiences of doing so within a prescriptively gendered organisational context. Originality/value: This research contributes to a gap which exists in understanding how gender is experienced from the viewpoint of the woman leader. This research presents a nuanced view of gendered leadership as a contested ground, rather than a series of strategic choices. Despite an increase in the acceptance of women into leadership positions, the authors seemingly remain bound by what is considered a “feminine” leader.

text: “They expect me to be caring”: The challenges of claiming an androgynous leadership approach Purpose: This study aims to explore the experience of performing androgynous leadership approaches by New Zealand women leaders within the context of everyday conflict situations. Design/methodology/approach: The research question “How do women leaders experience gender in conflict situations?” was explored through the facilitation of 4 focus groups with 19 senior female leaders in New Zealand. Poststructural discourse analysis was used to explore how participants negotiated positions of power within their environments and in accordance with competing gendered discourses. Findings: Participants described taking a flexible, balanced, androgynous leadership approach to managing conflict situations. While the expectations to be “empathetic”, “sympathetic”, “gentle”, “nurturing” and “caring” resonated with the participants preferred approach, they remained firm that if conflict persisted, they would “cross the line” and adopt stereotypically masculine behaviours to resolve the situation. However, participants describe that when perceived to be crossing the line from feminine to masculine approaches, they experienced significant backlash. This demonstrates the tensions between the approaches women leaders would like to take in managing conflict and the experiences of doing so within a prescriptively gendered organisational context. Originality/value: This research contributes to a gap which exists in understanding how gender is experienced from the viewpoint of the woman leader. This research presents a nuanced view of gendered leadership as a contested ground, rather than a series of strategic choices. Despite an increase in the acceptance of women into leadership positions, the authors seemingly remain bound by what is considered a “feminine” leader.

year: 2023-03-10

title: The Bispectral Index: A measure of depth of sleep?

authors: Sleigh, James W.

subjects: BIS

abstract: How does physiological sleep affect the Bispectral Index (BIS)? We collected electroencephalographic (EEG) data from five subjects during the early part of the night, comparing the changes in the BIS with the conventional EEG stages of sleep. We found that the BIS was a consistent marker of depth of sleep. Light sleep occurred at BIS values of 75–90, slow-wave sleep occurred at BIS values of 20–70, and rapid eye movement sleep occurred at BIS values of 75–92. The effects of natural sleep on the BIS seem to be similar to the effects of general anesthesia on the BIS. The BIS may have a role in monitoring depth of sleep. Implications: Electroencephalographic data were collected from five subjects during sleep. We found that the Bispectral Index decreased during increasing depth of sleep in a fashion very similar to the decrease in Bispectral Index that occurs during general anesthesia. This study further highlights the electroencephalographic similarities of states of sleep and general anesthesia.

text: The Bispectral Index: A measure of depth of sleep? How does physiological sleep affect the Bispectral Index (BIS)? We collected electroencephalographic (EEG) data from five subjects during the early part of the night, comparing the changes in the BIS with the conventional EEG stages of sleep. We found that the BIS was a consistent marker of depth of sleep. Light sleep occurred at BIS values of 75–90, slow-wave sleep occurred at BIS values of 20–70, and rapid eye movement sleep occurred at BIS values of 75–92. The effects of natural sleep on the BIS seem to be similar to the effects of general anesthesia on the BIS. The BIS may have a role in monitoring depth of sleep. Implications: Electroencephalographic data were collected from five subjects during sleep. We found that the Bispectral Index decreased during increasing depth of sleep in a fashion very similar to the decrease in Bispectral Index that occurs during general anesthesia. This study further highlights the electroencephalographic similarities of states of sleep and general anesthesia.

year: 1999

title: 'Thinking-through-Complicity' with Te Iwi o Ngāti Hauiti: Towards a Critical Use of Participatory Video for Research

authors: Kindon, Sara Louise

subjects: human geography

abstract: This thesis explores some of the seductions and dangers of participatory video for research (PVR) involving Indigenous Māori and Pākehā research partners. The project within which PVR was used focused on exploring relationships between place, identity and social cohesion within ‘remote’ rural communities. It involved about 15 members of the Potaka whānau of Te Iwi o Ngāti Hauiti in the central Rangitīkei district of the North Island, Aotearoa New Zealand. A small group of iwi members, myself and an audiovisual specialist and trainer negotiated the project’s focus, process and ethics during 1998. A different group of iwi members were then trained in video production and community research methods later that year and supported to produce their own productions, and carry out video research interviews with other iwi members. The entire process of negotiation, training and collaborative research was filmed for archival and research purposes with everyone’s consent, and several collaborative publications and presentations have been produced since 1999.

The discursive space opened up by Ngāti Hauiti’s engagement with, and use of, video provides an opportunity to attend to the ‘cultural mediations’ that occurred throughout the research partnership and to inquire into the possible ‘empire building effects’ of visual technologies within participatory research more generally. The focus on PVR within a Māori context also prompts questions about the visual’s transformative potential within geographic research, and the implications of working through the use of a visual medium for rethinking disciplinary practices and knowledges, particularly when working cross-culturally. 

In the thesis, I first review the evolution and attendant challenges associated with both the use of participation and video within research contexts. I trace their similar origins in modernist attempts to ‘know’ and ‘empower’ marginalised others, and highlight the ongoing marginalisation of Indigenous perspectives within mainstream debates. I then engage with conceptualisations of complicity and develop an analytical framework that expands on current discursive and ideological discussions to also attend to its material, embodied and spatial dimensions.

Using this framework and a complementary autoethnographic and ‘hyper-self-reflexive’ approach, I track aspects of my own power, complicity and desire within my research practice in the PVR project during the period 1998-2001. This approach involves the development of a particular reading position to focus on critical incidents of my research practice and a means of grappling productively with the polyvalent nature of my audiovisual and other information sources. I discuss these critical incidents within three processes associated with the research: facilitation, production and reception, attending to the complex and multifaceted interplay of audiovisual texts, their producers and their audiences throughout. 

Such a thesis is expedient given that powerful and often uncritical rhetoric that besets participatory research and development is fast taking hold within geography. It is also timely given the proliferation of affordable and accessible audiovisual technology and its increasing use within geography and other social sciences. As geographers respond to calls to embrace more visual, tactile and other methods, this thesis offers possibilities for the repoliticisation of participatory discourse within social geography, through a more considered engagement with participatory action research, Indigenous research practices and audiovisual media such as video. I offer cautionary insights into the ‘power-full’ effects of these ways of working.

text: 'Thinking-through-Complicity' with Te Iwi o Ngāti Hauiti: Towards a Critical Use of Participatory Video for Research This thesis explores some of the seductions and dangers of participatory video for research (PVR) involving Indigenous Māori and Pākehā research partners. The project within which PVR was used focused on exploring relationships between place, identity and social cohesion within ‘remote’ rural communities. It involved about 15 members of the Potaka whānau of Te Iwi o Ngāti Hauiti in the central Rangitīkei district of the North Island, Aotearoa New Zealand. A small group of iwi members, myself and an audiovisual specialist and trainer negotiated the project’s focus, process and ethics during 1998. A different group of iwi members were then trained in video production and community research methods later that year and supported to produce their own productions, and carry out video research interviews with other iwi members. The entire process of negotiation, training and collaborative research was filmed for archival and research purposes with everyone’s consent, and several collaborative publications and presentations have been produced since 1999.

The discursive space opened up by Ngāti Hauiti’s engagement with, and use of, video provides an opportunity to attend to the ‘cultural mediations’ that occurred throughout the research partnership and to inquire into the possible ‘empire building effects’ of visual technologies within participatory research more generally. The focus on PVR within a Māori context also prompts questions about the visual’s transformative potential within geographic research, and the implications of working through the use of a visual medium for rethinking disciplinary practices and knowledges, particularly when working cross-culturally. 

In the thesis, I first review the evolution and attendant challenges associated with both the use of participation and video within research contexts. I trace their similar origins in modernist attempts to ‘know’ and ‘empower’ marginalised others, and highlight the ongoing marginalisation of Indigenous perspectives within mainstream debates. I then engage with conceptualisations of complicity and develop an analytical framework that expands on current discursive and ideological discussions to also attend to its material, embodied and spatial dimensions.

Using this framework and a complementary autoethnographic and ‘hyper-self-reflexive’ approach, I track aspects of my own power, complicity and desire within my research practice in the PVR project during the period 1998-2001. This approach involves the development of a particular reading position to focus on critical incidents of my research practice and a means of grappling productively with the polyvalent nature of my audiovisual and other information sources. I discuss these critical incidents within three processes associated with the research: facilitation, production and reception, attending to the complex and multifaceted interplay of audiovisual texts, their producers and their audiences throughout. 

Such a thesis is expedient given that powerful and often uncritical rhetoric that besets participatory research and development is fast taking hold within geography. It is also timely given the proliferation of affordable and accessible audiovisual technology and its increasing use within geography and other social sciences. As geographers respond to calls to embrace more visual, tactile and other methods, this thesis offers possibilities for the repoliticisation of participatory discourse within social geography, through a more considered engagement with participatory action research, Indigenous research practices and audiovisual media such as video. I offer cautionary insights into the ‘power-full’ effects of these ways of working.

year: 2012