title: Ghost Town

authors: Wrigley, David

abstract: Abstract

A hometown is a thing full of horrors.
Ghosts line the footpaths like spectators at an ANZAC Day parade. They leap from thickets and pounce from suburban ranch sliders like tom cats. 
These ghosts have been waiting for you. There are things they need you to remember. 
When David Wrigley returns to Cambridge, a town he thought he’d left behind him forever, he finds the ghosts are out in force. He stumbles on a note in his mother’s garage, tightly folded and hot to the touch, that sets him off in pursuit of the memory of Jacob Avonlea, a friend from the past who he has never been able to leave behind.
But the currents of memory are unpredictable, and the waters and riverbanks are crowded with the dead. David and Jacob’s friendship, which crackled with a boyish intensity and a surfeit of secrets, was just the first of many stories tussling for attention.
 There is a family history – a fifty year old cataclysm that destroyed his brother. 
The grotesque origins of the school that nurtured David and murdered Jacob. The eccentric founder who brought with him from the mill towns of Manchester a fear of women and a predilection for young boys. 
And then there is the land – the meanders of the Waikato and the eruptions that diverted it from one coast to another, leaving forgotten oxbows in its wake. The roaming forests of kahikateas that followed the river and the wetlands, and once dominated these landscapes but have now all but disappeared. The rich farmland that has usurped the forests and slowly leaks poison into the soil and the waterways.
Ghost Town is a psychogeographer’s novel. A novel in which the landscape and the people that live and act upon it are inseparable, the ghosts of one haunting the present of the other.  It is a story of colonial men, locked into cycles of violence and destruction. The story of the silence they have inflicted upon themselves and on their children, and ultimately on the landscape itself, as the forests retreat, the birdsong hushed.
As we drift downstream, at every bend of the river we can see through the ever-widening gaps in the trees, glimpses of lost futures– that different species of ghost. 
A free and autonomous Māori Waikato. 
A spring-fed lake full of eels and koura. 
Five hundred year old kahikateas growing arrow-straight into the distant blueness.
An egalitarian, socialist Aotearoa. 
A family man gathering his sons into his arms.
A man of forty six raising his eyes towards the swaying tree-tops and starting to sing.

text: Ghost Town Abstract

A hometown is a thing full of horrors.
Ghosts line the footpaths like spectators at an ANZAC Day parade. They leap from thickets and pounce from suburban ranch sliders like tom cats. 
These ghosts have been waiting for you. There are things they need you to remember. 
When David Wrigley returns to Cambridge, a town he thought he’d left behind him forever, he finds the ghosts are out in force. He stumbles on a note in his mother’s garage, tightly folded and hot to the touch, that sets him off in pursuit of the memory of Jacob Avonlea, a friend from the past who he has never been able to leave behind.
But the currents of memory are unpredictable, and the waters and riverbanks are crowded with the dead. David and Jacob’s friendship, which crackled with a boyish intensity and a surfeit of secrets, was just the first of many stories tussling for attention.
 There is a family history – a fifty year old cataclysm that destroyed his brother. 
The grotesque origins of the school that nurtured David and murdered Jacob. The eccentric founder who brought with him from the mill towns of Manchester a fear of women and a predilection for young boys. 
And then there is the land – the meanders of the Waikato and the eruptions that diverted it from one coast to another, leaving forgotten oxbows in its wake. The roaming forests of kahikateas that followed the river and the wetlands, and once dominated these landscapes but have now all but disappeared. The rich farmland that has usurped the forests and slowly leaks poison into the soil and the waterways.
Ghost Town is a psychogeographer’s novel. A novel in which the landscape and the people that live and act upon it are inseparable, the ghosts of one haunting the present of the other.  It is a story of colonial men, locked into cycles of violence and destruction. The story of the silence they have inflicted upon themselves and on their children, and ultimately on the landscape itself, as the forests retreat, the birdsong hushed.
As we drift downstream, at every bend of the river we can see through the ever-widening gaps in the trees, glimpses of lost futures– that different species of ghost. 
A free and autonomous Māori Waikato. 
A spring-fed lake full of eels and koura. 
Five hundred year old kahikateas growing arrow-straight into the distant blueness.
An egalitarian, socialist Aotearoa. 
A family man gathering his sons into his arms.
A man of forty six raising his eyes towards the swaying tree-tops and starting to sing.

year: 2023

title: Introduction and dedication to Matiu Dickson

authors: Te Aho, Linda

subjects: Dickson, Matiu

abstract: This edition of the Waikato Law Review is dedicated to our dear friend and colleague, Matiu Dickson, and we thank Judge Craig Coxhead for his wonderful tribute to Matiu. The morning of the 7th of April 2016 will forever be imprinted in our minds and hearts. Matiu passed away that morning having just delivered the final speech in the opening ceremony for our new Law Building here at Waikato University. It was said at his tangi that this was a high price to be paid for such a building. A price that we would never have chosen to pay. That price brings an obligation to honour and respect the legacy that Matiu has left us, his commitment to the Faculty’s founding goals and, in particular, the promotion of a bicultural legal education for Māori and non-Māori alike; that tikanga is recognised as the first law of Aotearoa New Zealand and continues to form a central part of our curriculum. Matiu personified the bicultural mission of Te Piringa Faculty of Law; that, through its curriculum, research activities and its structures, the Faculty would be the forefront of the development of a bicultural legal philosophy. Matiu worked hard to ensure this mission remained a stated goal of the Faculty and to give it meaning over his 20 year tenure. He constantly worked to infuse it into the structures and processes of this Law Faculty. He worked and campaigned for years, and successfully so, to make sure the name gifted to the Faculty by Dame Te Atairangikaahu at its founding, “Te Piringa”, became our Faculty’s officially recognised name. He was passionate about the use of te reo Māori in assessment. He encouraged and facilitated the use of te reo Māori mooting. It was our colleague, Ani Mikaere, who, during her time here as a legal academic, first publicly articulated tikanga Māori as the first law of Aotearoa. Through the years, Matiu and our academic colleagues, including Stephanie Milroy, Craig Coxhead, Caren Fox (all now Māori Land Court judges), Leah Whiu, Harata Paterson, Nan Seuffert, Ruth Bush, Wayne Rumbles, Robert Joseph, Valmaine Toki and ourselves, reaffirmed tikanga as the first law of Aotearoa in our teaching and research. Years later, the article “Lex Aotearoa: An Heroic Attempt to Map the Māori Dimension in Modern New Zealand Law” by Justice Joseph Williams2 developed the idea further and is currently the leading piece on the weaving of tikanga and Anglo-New Zealand law.3 Matiu Dickson was an expert in tikanga, the first law of Aotearoa. He lived it every day. He created and taught courses on it and made sure it was integrated throughout the curriculum. In Matiu’s honour, it is entirely appropriate that there are a number of contributions in this Review that have a Māori or Indigenous theme, and we hope future issues will likewise assure such a balance.

text: Introduction and dedication to Matiu Dickson This edition of the Waikato Law Review is dedicated to our dear friend and colleague, Matiu Dickson, and we thank Judge Craig Coxhead for his wonderful tribute to Matiu. The morning of the 7th of April 2016 will forever be imprinted in our minds and hearts. Matiu passed away that morning having just delivered the final speech in the opening ceremony for our new Law Building here at Waikato University. It was said at his tangi that this was a high price to be paid for such a building. A price that we would never have chosen to pay. That price brings an obligation to honour and respect the legacy that Matiu has left us, his commitment to the Faculty’s founding goals and, in particular, the promotion of a bicultural legal education for Māori and non-Māori alike; that tikanga is recognised as the first law of Aotearoa New Zealand and continues to form a central part of our curriculum. Matiu personified the bicultural mission of Te Piringa Faculty of Law; that, through its curriculum, research activities and its structures, the Faculty would be the forefront of the development of a bicultural legal philosophy. Matiu worked hard to ensure this mission remained a stated goal of the Faculty and to give it meaning over his 20 year tenure. He constantly worked to infuse it into the structures and processes of this Law Faculty. He worked and campaigned for years, and successfully so, to make sure the name gifted to the Faculty by Dame Te Atairangikaahu at its founding, “Te Piringa”, became our Faculty’s officially recognised name. He was passionate about the use of te reo Māori in assessment. He encouraged and facilitated the use of te reo Māori mooting. It was our colleague, Ani Mikaere, who, during her time here as a legal academic, first publicly articulated tikanga Māori as the first law of Aotearoa. Through the years, Matiu and our academic colleagues, including Stephanie Milroy, Craig Coxhead, Caren Fox (all now Māori Land Court judges), Leah Whiu, Harata Paterson, Nan Seuffert, Ruth Bush, Wayne Rumbles, Robert Joseph, Valmaine Toki and ourselves, reaffirmed tikanga as the first law of Aotearoa in our teaching and research. Years later, the article “Lex Aotearoa: An Heroic Attempt to Map the Māori Dimension in Modern New Zealand Law” by Justice Joseph Williams2 developed the idea further and is currently the leading piece on the weaving of tikanga and Anglo-New Zealand law.3 Matiu Dickson was an expert in tikanga, the first law of Aotearoa. He lived it every day. He created and taught courses on it and made sure it was integrated throughout the curriculum. In Matiu’s honour, it is entirely appropriate that there are a number of contributions in this Review that have a Māori or Indigenous theme, and we hope future issues will likewise assure such a balance.

year: 2016

title: Evidence of bias in assessment of fisheries management impacts

authors: Slooten, Elizabeth

subjects: Science & Technology

abstract: Melnychuk et al.'s analysis (1) is not a trustworthy evaluation of the effectiveness of fisheries management. Given the strong bias in the NZ sample, it would be surprising if NZ was the only country for which there were problems with the selection of respondents. Instead of providing a robust analysis of the effectiveness of fisheries management, Melnychuk et al. (1) seem to be arguing for business-as-usual while ignoring broader issues, such as ecosystem impacts, environmental change, and social outcomes. Such an analysis does fisheries management no service.

text: Evidence of bias in assessment of fisheries management impacts Melnychuk et al.'s analysis (1) is not a trustworthy evaluation of the effectiveness of fisheries management. Given the strong bias in the NZ sample, it would be surprising if NZ was the only country for which there were problems with the selection of respondents. Instead of providing a robust analysis of the effectiveness of fisheries management, Melnychuk et al. (1) seem to be arguing for business-as-usual while ignoring broader issues, such as ecosystem impacts, environmental change, and social outcomes. Such an analysis does fisheries management no service.

year: 2017-06-20