title: Relationship between meteoric ¹⁰Be and NO₃⁻ concentrations in soils along Shackleton Glacier, Antarctica

authors: Diaz, Melisa A.

abstract: Outlet glaciers that flow through the Transantarctic Mountains (TAM) experienced changes in ice thickness greater than other coastal regions of Antarctica during glacial maxima. As a result, ice-free areas that are currently exposed may have been covered by ice at various points during the Cenozoic, complicating our understanding of ecological succession in TAM soils. Our knowledge of glacial extent on small spatial scales is limited for the TAM, and studies of soil exposure duration and disturbance, in particular, are rare. We collected surface soil samples and, in some places, depth profiles every 5 cm to refusal (up to 30 cm) from 11 ice-free areas along Shackleton Glacier, a major outlet glacier of the East Antarctic Ice Sheet. We explored the relationship between meteoric ¹⁰Be and NO₃⁻ in these soils as a tool for understanding landscape disturbance and wetting history and as exposure proxies. Concentrations of meteoric ¹⁰Be spanned more than an order of magnitude across the region (2.9×108 to 73×108 atoms g⁻¹) and are among the highest measured in polar regions. The concentrations of NO₃⁻ were similarly variable and ranged from ∼ μg g⁻¹ to 15 mg g⁻¹. In examining differences and similarities in the concentrations of ¹⁰Be and NO₃⁻ with depth, we suggest that much of the southern portion of the Shackleton Glacier region has likely developed under a hyper-arid climate regime with minimal disturbance. Finally, we inferred exposure time using ¹⁰Be concentrations. This analysis indicates that the soils we analyzed likely range from recent exposure (following the Last Glacial Maximum) to possibly >6 Myr. We suggest that further testing and interrogation of meteoric ¹⁰Be and NO₃⁻ concentrations and relationships in soils can provide important information regarding landscape development, soil evolution processes, and inferred exposure durations of surfaces in the TAM.

text: Relationship between meteoric ¹⁰Be and NO₃⁻ concentrations in soils along Shackleton Glacier, Antarctica Outlet glaciers that flow through the Transantarctic Mountains (TAM) experienced changes in ice thickness greater than other coastal regions of Antarctica during glacial maxima. As a result, ice-free areas that are currently exposed may have been covered by ice at various points during the Cenozoic, complicating our understanding of ecological succession in TAM soils. Our knowledge of glacial extent on small spatial scales is limited for the TAM, and studies of soil exposure duration and disturbance, in particular, are rare. We collected surface soil samples and, in some places, depth profiles every 5 cm to refusal (up to 30 cm) from 11 ice-free areas along Shackleton Glacier, a major outlet glacier of the East Antarctic Ice Sheet. We explored the relationship between meteoric ¹⁰Be and NO₃⁻ in these soils as a tool for understanding landscape disturbance and wetting history and as exposure proxies. Concentrations of meteoric ¹⁰Be spanned more than an order of magnitude across the region (2.9×108 to 73×108 atoms g⁻¹) and are among the highest measured in polar regions. The concentrations of NO₃⁻ were similarly variable and ranged from ∼ μg g⁻¹ to 15 mg g⁻¹. In examining differences and similarities in the concentrations of ¹⁰Be and NO₃⁻ with depth, we suggest that much of the southern portion of the Shackleton Glacier region has likely developed under a hyper-arid climate regime with minimal disturbance. Finally, we inferred exposure time using ¹⁰Be concentrations. This analysis indicates that the soils we analyzed likely range from recent exposure (following the Last Glacial Maximum) to possibly >6 Myr. We suggest that further testing and interrogation of meteoric ¹⁰Be and NO₃⁻ concentrations and relationships in soils can provide important information regarding landscape development, soil evolution processes, and inferred exposure durations of surfaces in the TAM.

year: 2021

title: A user-centered design of a personal digital library for music exploration

authors: Bainbridge, David

subjects: computer science

abstract: We describe the evaluation of a personal digital library environment designed to help musicians capture, enrich and store their ideas using a spatial hypermedia paradigm. The target user group is musicians who primarily use audio and text for composition and arrangement, rather than with formal music notation. Using the principle of user-centered design, the software implementation was guided by a diary study involving nine musicians which suggested five requirements for the software to support: capturing, overdubbing, developing, storing, and organizing. Moreover, the underlying spatial data-model was exploited to give raw audio compositions a hierarchical structure, and - to aid musicians in retrieving previous ideas - a search facility is available to support both query by humming and text-based queries. A user evaluation of the completed design with eleven subjects indicated that musicians, in general, would find the hypermedia environment useful for capturing and managing their moments of musical creativity and exploration. More specifically they would make use of the query by humming facility and the hierarchical track organization, but not the overdubbing facility as implemented.

text: A user-centered design of a personal digital library for music exploration We describe the evaluation of a personal digital library environment designed to help musicians capture, enrich and store their ideas using a spatial hypermedia paradigm. The target user group is musicians who primarily use audio and text for composition and arrangement, rather than with formal music notation. Using the principle of user-centered design, the software implementation was guided by a diary study involving nine musicians which suggested five requirements for the software to support: capturing, overdubbing, developing, storing, and organizing. Moreover, the underlying spatial data-model was exploited to give raw audio compositions a hierarchical structure, and - to aid musicians in retrieving previous ideas - a search facility is available to support both query by humming and text-based queries. A user evaluation of the completed design with eleven subjects indicated that musicians, in general, would find the hypermedia environment useful for capturing and managing their moments of musical creativity and exploration. More specifically they would make use of the query by humming facility and the hierarchical track organization, but not the overdubbing facility as implemented.

year: 2010

title: Strategic framing: indigenous culture, identity, and politics

authors: Schoenberger-Orgad, Michèle Anne

subjects: New Zealand

abstract: This article analyses the role played by culture and the strategic communication of culture in the formation and establishment of the Māori Party. As an indigenous grassroots party, which achieved electoral success in the 2005, general election in New Zealand, the Māori Party offers an unusual case of cultural primacy as a political party for indigenous people. The Māori Party campaigned to be the first successful party to give a distinctive voice to Māori in a parliament dominated by Pakeha (New Zealand Europeans).

In examining the Māori Party's formation and campaign as a case study, the article focuses on socio-political conditions, issues of national identity, media changes, and the cultural relations between Māori and Pakeha. It pays particular attention to those that influenced public opinion during the 14 months of election campaigning. It argues that the strategic framing of the Māori Party as a movement giving a distinctive voice for Māori established the foundations for the campaign's success. In conclusion, the significance of the achievements of the Māori Party in the 2008 general election are discussed as evidence of the now distinct and recognized representation of Māori within the New Zealand democratic process.

text: Strategic framing: indigenous culture, identity, and politics This article analyses the role played by culture and the strategic communication of culture in the formation and establishment of the Māori Party. As an indigenous grassroots party, which achieved electoral success in the 2005, general election in New Zealand, the Māori Party offers an unusual case of cultural primacy as a political party for indigenous people. The Māori Party campaigned to be the first successful party to give a distinctive voice to Māori in a parliament dominated by Pakeha (New Zealand Europeans).

In examining the Māori Party's formation and campaign as a case study, the article focuses on socio-political conditions, issues of national identity, media changes, and the cultural relations between Māori and Pakeha. It pays particular attention to those that influenced public opinion during the 14 months of election campaigning. It argues that the strategic framing of the Māori Party as a movement giving a distinctive voice for Māori established the foundations for the campaign's success. In conclusion, the significance of the achievements of the Māori Party in the 2008 general election are discussed as evidence of the now distinct and recognized representation of Māori within the New Zealand democratic process.

year: 2011