title: Kia mate rā anō a Tama-nui-te-rā: reversing language shift in Kōhanga reo

authors: Skerrett White, Mere Ngāutauta

abstract: This thesis focuses on reversing language shift (RLS) efforts via the revernacularisation of te reo Māori (the Māori language) in Te Amokura Kōhanga Reo (Māori language nest). J. Fishman’s (2001a) graded intergenerational disruption scale (GIDS), and M. Durie’s (2001, 2003) discussions on Māori educational advancement provide conceptual frameworks for the meaning-making, cultural and symbolic relationships of language to culture and identity (Fishman, 1996). This qualitative case study involves three young children and their families who are committed to the intergenerational transmission of te reo Māori, the threatened indigenous heritage language of Aotearoa/New Zealand. Observational data was analysed illustrating these bilingual, biliterate, bicultural, bicognitive and bilateral children and their use of sophisticated language for increasingly complex purposes. This study identifies how children’s learning dispositions for shared reference with adults (who are active listeners and thoughtful speakers in meaningful activities [Carr, M., 2000, 2001]) are part of the deep structure of a unique cultural context successfully supporting language revernacularisation. In addition the study develops critical insights into how RLS can be viewed as the linguistic arm for furthering Māori aspirations of tino rangatiratanga (Bishop, R., 1997a; Bishop R., & Glynn, T., 1999) and has further implications for language planning, pedagogy and praxis in Kōhanga Reo.

text: Kia mate rā anō a Tama-nui-te-rā: reversing language shift in Kōhanga reo This thesis focuses on reversing language shift (RLS) efforts via the revernacularisation of te reo Māori (the Māori language) in Te Amokura Kōhanga Reo (Māori language nest). J. Fishman’s (2001a) graded intergenerational disruption scale (GIDS), and M. Durie’s (2001, 2003) discussions on Māori educational advancement provide conceptual frameworks for the meaning-making, cultural and symbolic relationships of language to culture and identity (Fishman, 1996). This qualitative case study involves three young children and their families who are committed to the intergenerational transmission of te reo Māori, the threatened indigenous heritage language of Aotearoa/New Zealand. Observational data was analysed illustrating these bilingual, biliterate, bicultural, bicognitive and bilateral children and their use of sophisticated language for increasingly complex purposes. This study identifies how children’s learning dispositions for shared reference with adults (who are active listeners and thoughtful speakers in meaningful activities [Carr, M., 2000, 2001]) are part of the deep structure of a unique cultural context successfully supporting language revernacularisation. In addition the study develops critical insights into how RLS can be viewed as the linguistic arm for furthering Māori aspirations of tino rangatiratanga (Bishop, R., 1997a; Bishop R., & Glynn, T., 1999) and has further implications for language planning, pedagogy and praxis in Kōhanga Reo.

year: 2003

title: Ngā takenga o te riri

authors: Murphy, Ēnoka

subjects: Pakanga

abstract: Ko te kaupapa ake o tēnei tuhinga, ko te whakawhāriki i ētahi kōrero mō te takenga mai o te riri, o te pakanga ki tā rā ngā kōrero a te Māori. Ko aua take mai rā kei ngā kōrero o tua whakarere, e hokia ana ki a Ranginui rāua ko Papatūānuku me tā rāua hūnuku. Ko tāna e pātai ake nei, nō hea ake te riri Māori, otirā, te pakanga a te Māori? Nō hea anō hoki āna tikanga? He aha ā ērā kōrero tauiratanga mai ki te toa o te Māori ki te whawhai. Ka mutu, ko te wāhi uaua pea o ngā pātai nei, ko te āhua ki ngā kōrero a te Māori kāore nei i te tapatahi mō te oroko hīmatanga. Ahakoa rā, tērā ōna rite, ōna rerekē. Kua tuhia nuitia te kaupapa o te oroko tīmatanga mai o te ao e ngā momo o te kaituhi Pākehā, ā, tērā anō hoki ko ngā tuhinga a te Māori ake. Inā te rerekē o ngā kōrero mō te oroko hīmatanga mai o te ao, tērā noa ētahi kōrero kua tīkina hei mātaitanga mō tēnei rangahau, mō tēnei tuhinga. Ka mutu, ko tā tēnei tuhinga, he whakaatu i te takenga mai o te riri, o te matawhāura Māori.

text: Ngā takenga o te riri Ko te kaupapa ake o tēnei tuhinga, ko te whakawhāriki i ētahi kōrero mō te takenga mai o te riri, o te pakanga ki tā rā ngā kōrero a te Māori. Ko aua take mai rā kei ngā kōrero o tua whakarere, e hokia ana ki a Ranginui rāua ko Papatūānuku me tā rāua hūnuku. Ko tāna e pātai ake nei, nō hea ake te riri Māori, otirā, te pakanga a te Māori? Nō hea anō hoki āna tikanga? He aha ā ērā kōrero tauiratanga mai ki te toa o te Māori ki te whawhai. Ka mutu, ko te wāhi uaua pea o ngā pātai nei, ko te āhua ki ngā kōrero a te Māori kāore nei i te tapatahi mō te oroko hīmatanga. Ahakoa rā, tērā ōna rite, ōna rerekē. Kua tuhia nuitia te kaupapa o te oroko tīmatanga mai o te ao e ngā momo o te kaituhi Pākehā, ā, tērā anō hoki ko ngā tuhinga a te Māori ake. Inā te rerekē o ngā kōrero mō te oroko hīmatanga mai o te ao, tērā noa ētahi kōrero kua tīkina hei mātaitanga mō tēnei rangahau, mō tēnei tuhinga. Ka mutu, ko tā tēnei tuhinga, he whakaatu i te takenga mai o te riri, o te matawhāura Māori.

year: 2017

title: Drifting with Cousins: Mark Cousins and the Psychogeographical Essay Film

authors: Barrett, Kyle

subjects: Essay film

abstract: This article discusses a selection of works by filmmaker Mark Cousins, arguably an under-examined figure with regard to film studies. It is contended that Cousins has fashioned a distinctive approach to the essay film. Adopting a “psychogeographical” perspective, this article will analyse What is this Film Called Love? (2012), Here Be Dragons (2013), and Life May Be (co-directed by Mania Akbari, 2014), all of which feature Cousins as a central figure and active participant on screen. In essence, each film is a documented dérive, a practice pioneered and developed by the Situationist International that locates intersections between specific locations and their psychological impact on the “self”. It is posited that Cousins “Do-It-Yourself” practices rupture many conventions of filmmaking, producing a singular body of work in contemporary cinema.

text: Drifting with Cousins: Mark Cousins and the Psychogeographical Essay Film This article discusses a selection of works by filmmaker Mark Cousins, arguably an under-examined figure with regard to film studies. It is contended that Cousins has fashioned a distinctive approach to the essay film. Adopting a “psychogeographical” perspective, this article will analyse What is this Film Called Love? (2012), Here Be Dragons (2013), and Life May Be (co-directed by Mania Akbari, 2014), all of which feature Cousins as a central figure and active participant on screen. In essence, each film is a documented dérive, a practice pioneered and developed by the Situationist International that locates intersections between specific locations and their psychological impact on the “self”. It is posited that Cousins “Do-It-Yourself” practices rupture many conventions of filmmaking, producing a singular body of work in contemporary cinema.

year: 2021-12-15