title: The law of partnership in Australia and New Zealand by K Fletcher [Book Review]

authors: Manyam, Joel

abstract: This article reviews the book "The law of partnership in Australia and New Zealand" by K Fletcher.

text: The law of partnership in Australia and New Zealand by K Fletcher [Book Review] This article reviews the book "The law of partnership in Australia and New Zealand" by K Fletcher.

year: 2001

title: Cultural geography. Different encounters, encountering difference

authors: Longhurst, Robyn

subjects: bodies

abstract: In the first half of this paper it is argued that cultural geography is a dynamic and diverse field that extends well beyond a single branch of human geography. The boundaries between it and other sub-disciplines are often blurred. People have «different» encounters with cultural geography depending on their sub-disciplinary convergences. People also have different encounters with cultural geography depending on where they live and work. «Place matters» in the construction, production and representation of cultural geography. It takes different forms in different places. In the second half of the paper it is argued that as cultural geography continues to encounter «difference» in many guises, four possible future trends are likely: first, it is probable that there will be continued growth in cultural geography; second, there may be mounting recognition that cultural geography needs to be critical offering possibilities for radical critique and reflection; third, cultural geographers are likely to continue with their efforts to think about what, if anything, might lie beyond representation; and finally, cultural geographers are likely to deepen their reflections on the politics of knowledge production leading to more multi-language publishing practices in this area.

text: Cultural geography. Different encounters, encountering difference In the first half of this paper it is argued that cultural geography is a dynamic and diverse field that extends well beyond a single branch of human geography. The boundaries between it and other sub-disciplines are often blurred. People have «different» encounters with cultural geography depending on their sub-disciplinary convergences. People also have different encounters with cultural geography depending on where they live and work. «Place matters» in the construction, production and representation of cultural geography. It takes different forms in different places. In the second half of the paper it is argued that as cultural geography continues to encounter «difference» in many guises, four possible future trends are likely: first, it is probable that there will be continued growth in cultural geography; second, there may be mounting recognition that cultural geography needs to be critical offering possibilities for radical critique and reflection; third, cultural geographers are likely to continue with their efforts to think about what, if anything, might lie beyond representation; and finally, cultural geographers are likely to deepen their reflections on the politics of knowledge production leading to more multi-language publishing practices in this area.

year: 2007

title: Te Whakatōhea Maurua

authors: Maxwell, Te Kahautu

abstract: Te Whakatōhea Maurua is a Whakaeke item that was composed to commemorate the rangatira of Te Whakatōhea that lost their lives in the colonial wars of the mid nineteenth century at the hands of the Te Arawa people who were loyalists to the Crown. This composition was composed also to bury the hatchet between Te Whakatōhea and Te Arawa. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka Competition 2013

text: Te Whakatōhea Maurua Te Whakatōhea Maurua is a Whakaeke item that was composed to commemorate the rangatira of Te Whakatōhea that lost their lives in the colonial wars of the mid nineteenth century at the hands of the Te Arawa people who were loyalists to the Crown. This composition was composed also to bury the hatchet between Te Whakatōhea and Te Arawa. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka Competition 2013

year: 2013