title: An integrated theory of sexual recidivism

authors: Thakker, Jo

subjects: sex offenders

abstract: Over the last twenty years, theories of sexual offending have received a great deal of attention in the literature and there have been a number of important developments. While some theories have focused on the identification of specific causal factors, others have brought together a range of factors in the form of integrated models. Theoreticians who work in this field share the common goal of explaining this highly problematic behaviour so that appropriate interventions can be developed. However, it is interesting to note that, to date, the theoretical research has looked primarily at sexual offending per se, rather than sexual reoffending; thus, there appears to be a gap in the literature. This article seeks to lay out a framework for filling this gap by bringing together two typically disparate bodies of literature; namely, the theories of sexual offending and the risk factors for sexual reoffending.

text: An integrated theory of sexual recidivism Over the last twenty years, theories of sexual offending have received a great deal of attention in the literature and there have been a number of important developments. While some theories have focused on the identification of specific causal factors, others have brought together a range of factors in the form of integrated models. Theoreticians who work in this field share the common goal of explaining this highly problematic behaviour so that appropriate interventions can be developed. However, it is interesting to note that, to date, the theoretical research has looked primarily at sexual offending per se, rather than sexual reoffending; thus, there appears to be a gap in the literature. This article seeks to lay out a framework for filling this gap by bringing together two typically disparate bodies of literature; namely, the theories of sexual offending and the risk factors for sexual reoffending.

year: 2012

title: The staging of affect and the “Elsewhens” of documentary space

authors: Fleming, Daniel

subjects: documentary

abstract: A quarter of a century ago, the English critic and writer John Berger said, “The true stories of our time have to be able to reconcile a pile of clothes in a drawer with world historical upheavals.”¹ This seems like an ideal prescription for documentary but, given our times of intensified globalization and the reorganization of “world historical upheavals” around a particular global narrative, the practical challenge behind Berger’s word “reconcile” seems even more daunting than it did in 1985. In particular, the “pile of clothes in a drawer,” the lived spaces of the everyday, the intimate, the personal, the forgotten, the material things tinged with memory, seem even more at risk of consignment to the category of the inconsequential. Certain durable public exceptions, like the piled and tangled frames and cracked lenses of the Auschwich-­‐Berkenau spectacles, have achieved an iconic status as personal markers of world historical trauma (thus celebrities being invited to donate pairs of old spectacles to a 2008 exhibit in Liverpool, England, marking National Holocaust Day²) but, if anything, this has raised the bar on just whose “pile of clothes in a drawer” might connect with the “true stories of our time” that Berger envisaged. The recent opening of so many old drawers to the burgeoning “family history” genre (e.g. television’s Who Do You Think You Are?) tends not to facilitate this connection so much as to shift the “pile of clothes in a drawer” into another, tidier space; one equally privatized and disconnected from larger contexts and frames of meaning, except where those get represented as a kind of generalized dramatic backdrop.³

text: The staging of affect and the “Elsewhens” of documentary space A quarter of a century ago, the English critic and writer John Berger said, “The true stories of our time have to be able to reconcile a pile of clothes in a drawer with world historical upheavals.”¹ This seems like an ideal prescription for documentary but, given our times of intensified globalization and the reorganization of “world historical upheavals” around a particular global narrative, the practical challenge behind Berger’s word “reconcile” seems even more daunting than it did in 1985. In particular, the “pile of clothes in a drawer,” the lived spaces of the everyday, the intimate, the personal, the forgotten, the material things tinged with memory, seem even more at risk of consignment to the category of the inconsequential. Certain durable public exceptions, like the piled and tangled frames and cracked lenses of the Auschwich-­‐Berkenau spectacles, have achieved an iconic status as personal markers of world historical trauma (thus celebrities being invited to donate pairs of old spectacles to a 2008 exhibit in Liverpool, England, marking National Holocaust Day²) but, if anything, this has raised the bar on just whose “pile of clothes in a drawer” might connect with the “true stories of our time” that Berger envisaged. The recent opening of so many old drawers to the burgeoning “family history” genre (e.g. television’s Who Do You Think You Are?) tends not to facilitate this connection so much as to shift the “pile of clothes in a drawer” into another, tidier space; one equally privatized and disconnected from larger contexts and frames of meaning, except where those get represented as a kind of generalized dramatic backdrop.³

year: 2011

title: "Takahi ngā takahanga o ngā tūpuna" - Tramp the pathways of our ancestors

authors: Williams, Taniwha

subjects: Māori health and wellbeing

abstract: The rise of reconnecting to holistic approaches to health to improve wellbeing outcomes for Māori has become increasingly prominent in recent years. Such developments have highlighted the need to introduce traditional Māori concepts, values and practices within whānau, hapū and iwi as vehicles for promoting and improving Māori health. This research had two objectives. Firstly, it aimed to explore the process of reclaiming mātauranga Māori (Māori knowledge systems) with my whānau who had limited access to te ao Māori (the Māori world). The second objective sought to explore the experiences of my whānau reconnecting with te reo me ōna tikanga (Māori language and culture). Using the Whiti Te Rā as a guide informed the design and structure of the wānanga (workshops). The Whiti Te Rā is a therapeutic model designed to improve health and wellbeing outcomes for Māori by developing and enhancing a cultural identity. Central to this model are six Māori customary practices and values that provide pathways to wellbeing and flourishing mauri. These dimensions also have synergies with other models of health – Te Whare Tapa Whā, Te Wheke. Four tāne (men) from my whānau took part in this research. We used the Pūrākau Method to record, explore, and analyse the narratives that emerged following each wānanga. The key findings from this research included connection to history, whakapapa and wairua; connection to pepeha and cultural practices; connection to self as a Māori; connection through whanaungatanga; and connection to taiao (the environment). This study showed that Māori models of health and wellbeing are consistent in demonstrating their effectiveness in connecting Māori to their language and culture. Despite the impact of colonisation, reconnection to customary practices and values was meaningful and valuable to my whānau. Future research is needed to revitalise, regenerate and reclaim a thriving Māori identity.

text: "Takahi ngā takahanga o ngā tūpuna" - Tramp the pathways of our ancestors The rise of reconnecting to holistic approaches to health to improve wellbeing outcomes for Māori has become increasingly prominent in recent years. Such developments have highlighted the need to introduce traditional Māori concepts, values and practices within whānau, hapū and iwi as vehicles for promoting and improving Māori health. This research had two objectives. Firstly, it aimed to explore the process of reclaiming mātauranga Māori (Māori knowledge systems) with my whānau who had limited access to te ao Māori (the Māori world). The second objective sought to explore the experiences of my whānau reconnecting with te reo me ōna tikanga (Māori language and culture). Using the Whiti Te Rā as a guide informed the design and structure of the wānanga (workshops). The Whiti Te Rā is a therapeutic model designed to improve health and wellbeing outcomes for Māori by developing and enhancing a cultural identity. Central to this model are six Māori customary practices and values that provide pathways to wellbeing and flourishing mauri. These dimensions also have synergies with other models of health – Te Whare Tapa Whā, Te Wheke. Four tāne (men) from my whānau took part in this research. We used the Pūrākau Method to record, explore, and analyse the narratives that emerged following each wānanga. The key findings from this research included connection to history, whakapapa and wairua; connection to pepeha and cultural practices; connection to self as a Māori; connection through whanaungatanga; and connection to taiao (the environment). This study showed that Māori models of health and wellbeing are consistent in demonstrating their effectiveness in connecting Māori to their language and culture. Despite the impact of colonisation, reconnection to customary practices and values was meaningful and valuable to my whānau. Future research is needed to revitalise, regenerate and reclaim a thriving Māori identity.

year: 2024