title: Security in Oceania: In the 21st Century (Book Review)

authors: Smith, Ron C.

subjects: security

abstract: Security in Oceania continues to be a pressing problem both for the Island states themselves and for the major countries that form its periphery.  This review surveys the key issues that confront the parties, as seen by participants from the various states who met together at a conference in Honolulu in January 2001.

text: Security in Oceania: In the 21st Century (Book Review) Security in Oceania continues to be a pressing problem both for the Island states themselves and for the major countries that form its periphery.  This review surveys the key issues that confront the parties, as seen by participants from the various states who met together at a conference in Honolulu in January 2001.

year: 2005

title: “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale

authors: Forbes, Malcolm Alexander

subjects: Shakespeare

abstract: Shakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays have characters, movement, costumes and props. Words inhabit and animate, give rhyme and reason to an actor being on a stage, performing for an audience. But between the words, the play still exists. This thesis is an exploration of those ‘moments’ that are played out in silence and are watched rather than heard. To tell the story of The Winter’s Tale, Shakespeare was faced with some specific problems. There are essentially two tales to be told in the space of one play. The first requires for an all consuming jealousy to be played out. He solved this with a simple and understandable wordless action. Then to conclude this first tragic section, the story demanded that a helpless baby be abandoned - lost. Here he used an old trick in a new and surprising way, to be played quickly and, with his unerring sense of staging, for a laugh. The second tale then had to begin, and the baby had to become a woman. For this he used a convention - unconventionally. Finally, at the end of the play, he decided to change the story. To conclude his tale, the tale he was telling, with an image of redemption, reconciliation and hope. Of all the moments, this is the one that is the quietest, slowest and most beautifully painted. This thesis is an exploration of those moments. A discussion about how Shakespeare, who has probably added more words into the lexicon that any other person, was also essentially a visual artist. That he ‘drew and painted and sculpted’ - creating stage pictures.

text: “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale Shakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays have characters, movement, costumes and props. Words inhabit and animate, give rhyme and reason to an actor being on a stage, performing for an audience. But between the words, the play still exists. This thesis is an exploration of those ‘moments’ that are played out in silence and are watched rather than heard. To tell the story of The Winter’s Tale, Shakespeare was faced with some specific problems. There are essentially two tales to be told in the space of one play. The first requires for an all consuming jealousy to be played out. He solved this with a simple and understandable wordless action. Then to conclude this first tragic section, the story demanded that a helpless baby be abandoned - lost. Here he used an old trick in a new and surprising way, to be played quickly and, with his unerring sense of staging, for a laugh. The second tale then had to begin, and the baby had to become a woman. For this he used a convention - unconventionally. Finally, at the end of the play, he decided to change the story. To conclude his tale, the tale he was telling, with an image of redemption, reconciliation and hope. Of all the moments, this is the one that is the quietest, slowest and most beautifully painted. This thesis is an exploration of those moments. A discussion about how Shakespeare, who has probably added more words into the lexicon that any other person, was also essentially a visual artist. That he ‘drew and painted and sculpted’ - creating stage pictures.

year: 2011

title: Ka Māpuna: Towards a rangatiratanga framework for the governance of waterways

authors: Martin, Betsan

abstract: Rangatiratanga is thenavigational courseforthis research, the aspiration that guides a frameworkfor thegovernance which, in respect ofwaterways and Te Taiao secures mauri, ecosystem health, and water for domestic and commercial use. Rangatiratanga encompasses mana whakahaeredecision-making throughout all relevantgovernance systems. In respect of resource governance, this needs to be achieved through mana whenua authorities and co-governance institutions and procedures.

text: Ka Māpuna: Towards a rangatiratanga framework for the governance of waterways Rangatiratanga is thenavigational courseforthis research, the aspiration that guides a frameworkfor thegovernance which, in respect ofwaterways and Te Taiao secures mauri, ecosystem health, and water for domestic and commercial use. Rangatiratanga encompasses mana whakahaeredecision-making throughout all relevantgovernance systems. In respect of resource governance, this needs to be achieved through mana whenua authorities and co-governance institutions and procedures.

year: 2021