title: “Landlords wouldn’t give my application a second look.” Discrimination exacerbates inequalities in access to private rental housing

authors: Terruhn, Jessica

abstract: This report and the key insights are based on findings from a housing survey that was conducted with 800 residents in neighbourhoods in Auckland, Hamilton and Christchurch. 
• Perceptions of unfairness in Aotearoa’s housing sector are widespread. Renters, Māori, younger people and low-income groups as well as residents in neighbourhoods with high levels of housing deprivation are most likely to think that people are treated unfairly when trying to rent or buy a home in Aotearoa. 
• Nearly one in three respondents reported having experienced discrimination when trying to rent or buy a home in Aotearoa. Renters, Māori, younger people and low-income groups as well as residents in neighbourhoods with high levels of housing deprivation are most likely to report experiences of discrimination. 
• Advantage and disadvantage in securing a home are determined by a combination of interlocking factors, including income and employment status, age, family status, and race/ethnicity or skin colour. These patterns suggest widespread experiences of potentially unlawful housing discrimination. 
• People strategically try to avoid and mitigate discrimination. Expectations of being discriminated against and of being advantaged influence where and how home seekers search for housing. This finding signals that experiences of rejection play a role in constraining people’s housing choices. 
• The survey findings suggest that discrimination, as part of tenant selection, contributes to housing precarity and inequalities in access to rental housing. Therefore, this research points to an urgent need to address housing discrimination, especially in the context of high levels of residential mobility among renters and intense competition for rental properties.

text: “Landlords wouldn’t give my application a second look.” Discrimination exacerbates inequalities in access to private rental housing This report and the key insights are based on findings from a housing survey that was conducted with 800 residents in neighbourhoods in Auckland, Hamilton and Christchurch. 
• Perceptions of unfairness in Aotearoa’s housing sector are widespread. Renters, Māori, younger people and low-income groups as well as residents in neighbourhoods with high levels of housing deprivation are most likely to think that people are treated unfairly when trying to rent or buy a home in Aotearoa. 
• Nearly one in three respondents reported having experienced discrimination when trying to rent or buy a home in Aotearoa. Renters, Māori, younger people and low-income groups as well as residents in neighbourhoods with high levels of housing deprivation are most likely to report experiences of discrimination. 
• Advantage and disadvantage in securing a home are determined by a combination of interlocking factors, including income and employment status, age, family status, and race/ethnicity or skin colour. These patterns suggest widespread experiences of potentially unlawful housing discrimination. 
• People strategically try to avoid and mitigate discrimination. Expectations of being discriminated against and of being advantaged influence where and how home seekers search for housing. This finding signals that experiences of rejection play a role in constraining people’s housing choices. 
• The survey findings suggest that discrimination, as part of tenant selection, contributes to housing precarity and inequalities in access to rental housing. Therefore, this research points to an urgent need to address housing discrimination, especially in the context of high levels of residential mobility among renters and intense competition for rental properties.

year: 2024-08

title: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre

authors: Sheridan, Brendan Daniel

subjects: History

abstract: This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

text: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

year: 2019

title: An introduction to ethical consideration in international environmental law

authors: Gillespie, Alexander

subjects: international environmental law

abstract: The purpose of this chapter is to give the reader an overview of where some of the ethical debates in international environmental law are currently found. This chapter builds upon my earlier work in this area, which is contained in “International Environmental Law, Policy and Ethics”.

text: An introduction to ethical consideration in international environmental law The purpose of this chapter is to give the reader an overview of where some of the ethical debates in international environmental law are currently found. This chapter builds upon my earlier work in this area, which is contained in “International Environmental Law, Policy and Ethics”.

year: 2010