title: From cinema hall to multiplex: A public history

authors: Athique, Adrian M.

subjects: cinema

abstract: The reconfiguration of the social spaces in which the theatrical exhibition of feature films takes place, from dedicated single-screen large capacity cinema halls to multiplex venues, has progressively transformed cinema exhibition across the world since the 1980s. The rise of the multiplex in India since 1997 has been an integral, and highly visible, component of the general spread of mall culture; with multiplex venues often being housed within shopping mall developments and other new forms of privatized ‘public’ leisure. As such, the multiplex has powerfully altered the nature of cinema as public space and thus, crucially, what it means to be in the cinema hall. While the reconstitution of the cinema crowd within the multiplex might be seen as constitutive of the ‘globalizing’ trends now at work in Indian cities, this article seeks to demonstrate that the particular dynamics of the Indian multiplex at the present time must also be understood within the historical trajectory of the Indian cinema hall and the political struggles that have been played out within its confines.

text: From cinema hall to multiplex: A public history The reconfiguration of the social spaces in which the theatrical exhibition of feature films takes place, from dedicated single-screen large capacity cinema halls to multiplex venues, has progressively transformed cinema exhibition across the world since the 1980s. The rise of the multiplex in India since 1997 has been an integral, and highly visible, component of the general spread of mall culture; with multiplex venues often being housed within shopping mall developments and other new forms of privatized ‘public’ leisure. As such, the multiplex has powerfully altered the nature of cinema as public space and thus, crucially, what it means to be in the cinema hall. While the reconstitution of the cinema crowd within the multiplex might be seen as constitutive of the ‘globalizing’ trends now at work in Indian cities, this article seeks to demonstrate that the particular dynamics of the Indian multiplex at the present time must also be understood within the historical trajectory of the Indian cinema hall and the political struggles that have been played out within its confines.

year: 2011

title: The Philosophical Implications of Evolutionary Biology

authors: Hanik, Benjamin

subjects: evolution

abstract: 'The Philosophical Implications of Evolutionary Biology' is a philosophical enquiry written in dialogue form which asks the question 'how does modern evolutionary theory affect our notions of self and freewill?' The enquiry begins by examining the process of decision making, followed by an evolutionary explanation of how and why we make decisions. With this knowledge a theoretical value system is created which cumulatively describes the source of the perception of quality and the orientation of all human thought and behaviour. In conclusion a logical deadlock is reached: it becomes evident that our values are dictated by our evolutionary past, that we are trapped within this value system, and that even if we attempt to break free from it we inevitably fail because everything we do, even if it is designed to go directly against the system, is still inescapably directed by it.

text: The Philosophical Implications of Evolutionary Biology 'The Philosophical Implications of Evolutionary Biology' is a philosophical enquiry written in dialogue form which asks the question 'how does modern evolutionary theory affect our notions of self and freewill?' The enquiry begins by examining the process of decision making, followed by an evolutionary explanation of how and why we make decisions. With this knowledge a theoretical value system is created which cumulatively describes the source of the perception of quality and the orientation of all human thought and behaviour. In conclusion a logical deadlock is reached: it becomes evident that our values are dictated by our evolutionary past, that we are trapped within this value system, and that even if we attempt to break free from it we inevitably fail because everything we do, even if it is designed to go directly against the system, is still inescapably directed by it.

year: 2010

title: He Manu-Iri-i-te-Rangi - Bird of the Heavens: Tūrake Manuirirangi 1896 - 1969

authors: Manuirirangi, Hōri

abstract: Tūrake Manuirirangi was an influential tupuna of the Manuirirangi whānau. He was a devoted member of the Church of Jesus Christ of Latter-day Saints, and was instrumental in its establishment in the South Taranaki region. This chapter looks at his beliefs and leadership qualities within the Church, and within his hapū of Ngāti Tū, of Ngā Ruahine Iwi. The main focus here is to report on information collated from interviews, church records and Mormon missionary diaries.

text: He Manu-Iri-i-te-Rangi - Bird of the Heavens: Tūrake Manuirirangi 1896 - 1969 Tūrake Manuirirangi was an influential tupuna of the Manuirirangi whānau. He was a devoted member of the Church of Jesus Christ of Latter-day Saints, and was instrumental in its establishment in the South Taranaki region. This chapter looks at his beliefs and leadership qualities within the Church, and within his hapū of Ngāti Tū, of Ngā Ruahine Iwi. The main focus here is to report on information collated from interviews, church records and Mormon missionary diaries.

year: 2014