title: Contextualising Māori writing: a study of prose fiction written in English by Witi Ihimaera, Patricia Grace, Keri Hulme and Alan Duff

authors: Calvert, Julia Helen

abstract: All prose fiction written in English by Māori is political on one level or another. The authors considered in this thesis, Witi Ihimaera, Patricia Grace, Keri Hulme and Alan Duff, choose to identify as Māori, but for each writer exactly what this entails implies something different. The diverse range of Māori characters represented in their work illustrates the heterogeneity of contemporary Māori identity. Whilst bearing in mind that there is no fixed Māori identity, this thesis proposes that all fiction written in English by Māori is motivated by a belief that Māori are a disadvantaged group within New Zealand society. 

Three of the four writers, Ihimaera, Grace and Hulme, write against a background of colonisation. Their fiction confronts grievances based on perceived injustices committed against Māori in the past by European colonists and is concerned with the restoration of Māori rights pertaining to land, language, identity and political voice. While all three engage with these issues in their fiction, this thesis specifically considers the way in which Ihimaera treats the theme of land, Grace focuses on issues of education and Hulme explores Māori mythology.

Alan Duff stands apart from the other three writers in his belief that colonisation is not to blame for contemporary Māori disadvantage. Rather, Duff considers the situation to be the result of inherent flaws within Māori society. Through his often didactic writing he proposes that improved Māori socioeconomic levels can only be achieved through a radical structural and economic re-evaluation of Māori culture.

This thesis contextualises the work of the four authors and explores the ways in which their fiction engages with historical and contemporary issues of “race relations” and cultural identity in New Zealand. A sociological approach has been applied to the texts. This approach derives from the Māori writers’ own insistent reading of contemporary Māori identity as the product of historical encounter between Māori and Pākehā. The authors work in a dialectical relationship to previous Pākehā representations of Māori in literature, are historically revisionist, and are frequently adversarial. 

Despite the differences in personal and political perspectives held by the authors, their fictions share a common goal in their search for Māori pathways to empowerment. This thesis argues that prose fiction written in English by Māori writers contributes to the political activism of the Māori people and helps to foster an environment in which new perspectives on Māori culture and bicultural relations can be articulated.

text: Contextualising Māori writing: a study of prose fiction written in English by Witi Ihimaera, Patricia Grace, Keri Hulme and Alan Duff All prose fiction written in English by Māori is political on one level or another. The authors considered in this thesis, Witi Ihimaera, Patricia Grace, Keri Hulme and Alan Duff, choose to identify as Māori, but for each writer exactly what this entails implies something different. The diverse range of Māori characters represented in their work illustrates the heterogeneity of contemporary Māori identity. Whilst bearing in mind that there is no fixed Māori identity, this thesis proposes that all fiction written in English by Māori is motivated by a belief that Māori are a disadvantaged group within New Zealand society. 

Three of the four writers, Ihimaera, Grace and Hulme, write against a background of colonisation. Their fiction confronts grievances based on perceived injustices committed against Māori in the past by European colonists and is concerned with the restoration of Māori rights pertaining to land, language, identity and political voice. While all three engage with these issues in their fiction, this thesis specifically considers the way in which Ihimaera treats the theme of land, Grace focuses on issues of education and Hulme explores Māori mythology.

Alan Duff stands apart from the other three writers in his belief that colonisation is not to blame for contemporary Māori disadvantage. Rather, Duff considers the situation to be the result of inherent flaws within Māori society. Through his often didactic writing he proposes that improved Māori socioeconomic levels can only be achieved through a radical structural and economic re-evaluation of Māori culture.

This thesis contextualises the work of the four authors and explores the ways in which their fiction engages with historical and contemporary issues of “race relations” and cultural identity in New Zealand. A sociological approach has been applied to the texts. This approach derives from the Māori writers’ own insistent reading of contemporary Māori identity as the product of historical encounter between Māori and Pākehā. The authors work in a dialectical relationship to previous Pākehā representations of Māori in literature, are historically revisionist, and are frequently adversarial. 

Despite the differences in personal and political perspectives held by the authors, their fictions share a common goal in their search for Māori pathways to empowerment. This thesis argues that prose fiction written in English by Māori writers contributes to the political activism of the Māori people and helps to foster an environment in which new perspectives on Māori culture and bicultural relations can be articulated.

year: 2002

title: Ōpōtiki Mai Tawhiti

authors: Maxwell, Te Kahautu

abstract: Ōpōtiki Mai Tawhiti competed at the Mātaatua Regional Kapa Haka Competition 2014 to qualify for the Te Matatini World Championship Kapa Haka Competition 2015, Christchurch. Ōpōtiki Mai Tawhiti placed first overall, 1st mōteatea, 1st, Haka, 1st Whakawātea, 1st Female Leader, 1st Male Leader, 1st Waiata Tira, 1st Te Reo, 1st Original Composition, 1st Costume, 2nd Waiata a Ringa, 2nd, Poi, 2nd Whakaeke.

text: Ōpōtiki Mai Tawhiti Ōpōtiki Mai Tawhiti competed at the Mātaatua Regional Kapa Haka Competition 2014 to qualify for the Te Matatini World Championship Kapa Haka Competition 2015, Christchurch. Ōpōtiki Mai Tawhiti placed first overall, 1st mōteatea, 1st, Haka, 1st Whakawātea, 1st Female Leader, 1st Male Leader, 1st Waiata Tira, 1st Te Reo, 1st Original Composition, 1st Costume, 2nd Waiata a Ringa, 2nd, Poi, 2nd Whakaeke.

year: 2014-02-22

title: Mining meaning from Wikipedia

authors: Medelyan, Olena

subjects: computer science

abstract: Wikipedia is a goldmine of information; not just for its many readers, but also for the growing community of researchers who recognize it as a resource of exceptional scale and utility. It represents a vast investment of manual effort and judgment: a huge, constantly evolving tapestry of concepts and relations that is being applied to a host of tasks. 

This article provides a comprehensive description of this work. It focuses on research that extracts and makes use of the concepts, relations, facts and descriptions found in Wikipedia, and organizes the work into four broad categories: applying Wikipedia to natural language processing; using it to facilitate information retrieval and information extraction; and as a resource for ontology building. The article addresses how Wikipedia is being used as is, how it is being improved and adapted, and how it is being combined with other structures to create entirely new resources. We identify the research groups and individuals involved, and how their work has developed in the last few years. We provide a comprehensive list of the open-source software they have produced. We also discuss the implications of this work for the long-awaited semantic web.

text: Mining meaning from Wikipedia Wikipedia is a goldmine of information; not just for its many readers, but also for the growing community of researchers who recognize it as a resource of exceptional scale and utility. It represents a vast investment of manual effort and judgment: a huge, constantly evolving tapestry of concepts and relations that is being applied to a host of tasks. 

This article provides a comprehensive description of this work. It focuses on research that extracts and makes use of the concepts, relations, facts and descriptions found in Wikipedia, and organizes the work into four broad categories: applying Wikipedia to natural language processing; using it to facilitate information retrieval and information extraction; and as a resource for ontology building. The article addresses how Wikipedia is being used as is, how it is being improved and adapted, and how it is being combined with other structures to create entirely new resources. We identify the research groups and individuals involved, and how their work has developed in the last few years. We provide a comprehensive list of the open-source software they have produced. We also discuss the implications of this work for the long-awaited semantic web.

year: 2008-09