title: Silencing prisoner protests: Criminology, black women and state-sanctioned ‎violence

authors: Gatewood, Britany J.

abstract: Protests and resistance from those locked away in jails, prisons and detention centers occur but receive limited, if any, mainstream attention. In the United States and Canada, 61 instances of prisoner unrest occurred in 2018 alone. In August of the same year, incarcerated men and women in the United States planned nineteen days of peaceful protest to improve prison conditions. Complex links of institutionalized power, white supremacy and Black resistance is receiving renewed attention; however, state-condoned violence against women in correctional institutions (e.g., physical, sexual and emotional abuse, and medical neglect by prison staff) is understudied. This qualitative case study examines 10 top-tier Criminology journals from 2008-2018 for the presence of prisoner unrest/protest. Findings reveal a paucity of attention devoted to prisoner unrest or state-sanctioned violence. This paper argues that the invisibility of prisoner unrest conceals the breadth and depth of state-inflicted violence against prisoners, especially marginalized peoples. This paper concludes with a discussion of the historical legacy and contemporary invisibility of Black women’s resistance against state-inflicted violence. This paper argues that in order to make sense of and tackle state-condoned violence we must turn to incarcerated individuals, activists, and Black and Indigenous thinkers and grassroots actors.

text: Silencing prisoner protests: Criminology, black women and state-sanctioned ‎violence Protests and resistance from those locked away in jails, prisons and detention centers occur but receive limited, if any, mainstream attention. In the United States and Canada, 61 instances of prisoner unrest occurred in 2018 alone. In August of the same year, incarcerated men and women in the United States planned nineteen days of peaceful protest to improve prison conditions. Complex links of institutionalized power, white supremacy and Black resistance is receiving renewed attention; however, state-condoned violence against women in correctional institutions (e.g., physical, sexual and emotional abuse, and medical neglect by prison staff) is understudied. This qualitative case study examines 10 top-tier Criminology journals from 2008-2018 for the presence of prisoner unrest/protest. Findings reveal a paucity of attention devoted to prisoner unrest or state-sanctioned violence. This paper argues that the invisibility of prisoner unrest conceals the breadth and depth of state-inflicted violence against prisoners, especially marginalized peoples. This paper concludes with a discussion of the historical legacy and contemporary invisibility of Black women’s resistance against state-inflicted violence. This paper argues that in order to make sense of and tackle state-condoned violence we must turn to incarcerated individuals, activists, and Black and Indigenous thinkers and grassroots actors.

year: 2019

title: Collaborative and Social Interaction within Groups of Patrons in Academic and Public Libraries: Implications for Digital Libraries

authors: Alqurashi, Hayat

subjects: collaborative information behaviour

abstract: This Master’s thesis investigates patrons’ information-seeking behaviour in physical libraries. Information available to meet patron’s information needs, and constraints that limit the use of this information have been examined by a number of researchers in the last few years. However, there is a dearth of literature on the information-seeking processes, including the act of selecting books from shelves, and the kind of social interaction that may occur between patrons attending the library in groups. To address this gap we identified in the literature, this thesis used a qualitative method to investigate the behaviour of patrons when visiting libraries, and the way patrons within groups treat each other from the time they enter the library until they leave. 83 groups were observed in both public and academic libraries, totalling 217 participants. The observations and analysis of the study results increase our understanding of collaborative behaviour, group characteristics and other influential factors, such as location, time, physical environment, ambience and layout of the library. Our study also compared the findings with some previous work on similar concepts. Most findings highlight possible implications of social and book interaction in digital libraries, and emphasise the need to support more group collaboration among users of Digital Libraries, without limitations of shared time or location.

text: Collaborative and Social Interaction within Groups of Patrons in Academic and Public Libraries: Implications for Digital Libraries This Master’s thesis investigates patrons’ information-seeking behaviour in physical libraries. Information available to meet patron’s information needs, and constraints that limit the use of this information have been examined by a number of researchers in the last few years. However, there is a dearth of literature on the information-seeking processes, including the act of selecting books from shelves, and the kind of social interaction that may occur between patrons attending the library in groups. To address this gap we identified in the literature, this thesis used a qualitative method to investigate the behaviour of patrons when visiting libraries, and the way patrons within groups treat each other from the time they enter the library until they leave. 83 groups were observed in both public and academic libraries, totalling 217 participants. The observations and analysis of the study results increase our understanding of collaborative behaviour, group characteristics and other influential factors, such as location, time, physical environment, ambience and layout of the library. Our study also compared the findings with some previous work on similar concepts. Most findings highlight possible implications of social and book interaction in digital libraries, and emphasise the need to support more group collaboration among users of Digital Libraries, without limitations of shared time or location.

year: 2014

title: Ghost Town

authors: Wrigley, David

abstract: Abstract

A hometown is a thing full of horrors.
Ghosts line the footpaths like spectators at an ANZAC Day parade. They leap from thickets and pounce from suburban ranch sliders like tom cats. 
These ghosts have been waiting for you. There are things they need you to remember. 
When David Wrigley returns to Cambridge, a town he thought he’d left behind him forever, he finds the ghosts are out in force. He stumbles on a note in his mother’s garage, tightly folded and hot to the touch, that sets him off in pursuit of the memory of Jacob Avonlea, a friend from the past who he has never been able to leave behind.
But the currents of memory are unpredictable, and the waters and riverbanks are crowded with the dead. David and Jacob’s friendship, which crackled with a boyish intensity and a surfeit of secrets, was just the first of many stories tussling for attention.
 There is a family history – a fifty year old cataclysm that destroyed his brother. 
The grotesque origins of the school that nurtured David and murdered Jacob. The eccentric founder who brought with him from the mill towns of Manchester a fear of women and a predilection for young boys. 
And then there is the land – the meanders of the Waikato and the eruptions that diverted it from one coast to another, leaving forgotten oxbows in its wake. The roaming forests of kahikateas that followed the river and the wetlands, and once dominated these landscapes but have now all but disappeared. The rich farmland that has usurped the forests and slowly leaks poison into the soil and the waterways.
Ghost Town is a psychogeographer’s novel. A novel in which the landscape and the people that live and act upon it are inseparable, the ghosts of one haunting the present of the other.  It is a story of colonial men, locked into cycles of violence and destruction. The story of the silence they have inflicted upon themselves and on their children, and ultimately on the landscape itself, as the forests retreat, the birdsong hushed.
As we drift downstream, at every bend of the river we can see through the ever-widening gaps in the trees, glimpses of lost futures– that different species of ghost. 
A free and autonomous Māori Waikato. 
A spring-fed lake full of eels and koura. 
Five hundred year old kahikateas growing arrow-straight into the distant blueness.
An egalitarian, socialist Aotearoa. 
A family man gathering his sons into his arms.
A man of forty six raising his eyes towards the swaying tree-tops and starting to sing.

text: Ghost Town Abstract

A hometown is a thing full of horrors.
Ghosts line the footpaths like spectators at an ANZAC Day parade. They leap from thickets and pounce from suburban ranch sliders like tom cats. 
These ghosts have been waiting for you. There are things they need you to remember. 
When David Wrigley returns to Cambridge, a town he thought he’d left behind him forever, he finds the ghosts are out in force. He stumbles on a note in his mother’s garage, tightly folded and hot to the touch, that sets him off in pursuit of the memory of Jacob Avonlea, a friend from the past who he has never been able to leave behind.
But the currents of memory are unpredictable, and the waters and riverbanks are crowded with the dead. David and Jacob’s friendship, which crackled with a boyish intensity and a surfeit of secrets, was just the first of many stories tussling for attention.
 There is a family history – a fifty year old cataclysm that destroyed his brother. 
The grotesque origins of the school that nurtured David and murdered Jacob. The eccentric founder who brought with him from the mill towns of Manchester a fear of women and a predilection for young boys. 
And then there is the land – the meanders of the Waikato and the eruptions that diverted it from one coast to another, leaving forgotten oxbows in its wake. The roaming forests of kahikateas that followed the river and the wetlands, and once dominated these landscapes but have now all but disappeared. The rich farmland that has usurped the forests and slowly leaks poison into the soil and the waterways.
Ghost Town is a psychogeographer’s novel. A novel in which the landscape and the people that live and act upon it are inseparable, the ghosts of one haunting the present of the other.  It is a story of colonial men, locked into cycles of violence and destruction. The story of the silence they have inflicted upon themselves and on their children, and ultimately on the landscape itself, as the forests retreat, the birdsong hushed.
As we drift downstream, at every bend of the river we can see through the ever-widening gaps in the trees, glimpses of lost futures– that different species of ghost. 
A free and autonomous Māori Waikato. 
A spring-fed lake full of eels and koura. 
Five hundred year old kahikateas growing arrow-straight into the distant blueness.
An egalitarian, socialist Aotearoa. 
A family man gathering his sons into his arms.
A man of forty six raising his eyes towards the swaying tree-tops and starting to sing.

year: 2023