title: Experimental animation and the neosurrealist remediation of popular music video

authors: Perrott, Lisa

abstract: Once appearing to function primarily as a commercial tool for popular entertainment, the popular form of music video has recently been exposed by scholars as formally and functionally diverse, with a rich history stretching back decades before the advent of MTV. Animated music videos owe much to centuries old traditions spanning the visual, musical and performing arts, providing performative and material models that inspire contemporary video directors. Experimental animation, surrealism and music video form a matrix of historical and contemporary significance; however, few scholars have undertaken close examinations of the relations between them. John Richardson and Mathias Korsgaard show how music video directors have employed surrealist compositional strategies together with experimental animation methods, thus giving rise to challenging new forms that traverse disparate approaches to art and culture. Building upon their contributions, this article explores the continuity between experimental animation, surrealism and music video, with a view to discovering the subversive potential of this matrix. In order to probe this potential, the author examines how music video directors experiment with animation technique as a means of subversion and enrichment of popular music video. Through close analysis of music videos directed by Adam Jones, Stephen Johnson, Floria Sigismondi and Chris Hopewell, this article charts the continuity of surrealist strategy across culturally specific moments in history, thus provoking questions around the perceived functions of animated media and popular music video.

text: Experimental animation and the neosurrealist remediation of popular music video Once appearing to function primarily as a commercial tool for popular entertainment, the popular form of music video has recently been exposed by scholars as formally and functionally diverse, with a rich history stretching back decades before the advent of MTV. Animated music videos owe much to centuries old traditions spanning the visual, musical and performing arts, providing performative and material models that inspire contemporary video directors. Experimental animation, surrealism and music video form a matrix of historical and contemporary significance; however, few scholars have undertaken close examinations of the relations between them. John Richardson and Mathias Korsgaard show how music video directors have employed surrealist compositional strategies together with experimental animation methods, thus giving rise to challenging new forms that traverse disparate approaches to art and culture. Building upon their contributions, this article explores the continuity between experimental animation, surrealism and music video, with a view to discovering the subversive potential of this matrix. In order to probe this potential, the author examines how music video directors experiment with animation technique as a means of subversion and enrichment of popular music video. Through close analysis of music videos directed by Adam Jones, Stephen Johnson, Floria Sigismondi and Chris Hopewell, this article charts the continuity of surrealist strategy across culturally specific moments in history, thus provoking questions around the perceived functions of animated media and popular music video.

year: 2020-12-01

title: Risky Opportunities: Developing Children’s Resilience through Digital Literacy in Thailand

authors: Kaewseenual, Sujittra

subjects: Digital Literacy

abstract: This project develops a case for defining appropriate concepts of risk and opportunity in the digital domain for children in Thailand; it explores what the consequent balance is between, regulation/policing of this domain on the one hand, and active user empowerment on the other. It defines “digital literacy”, in a way that is appropriate for Thai society, while bearing in mind international good practice. This is achieved on the basis of detailed, in-depth fieldwork in Thai schools, using an Action Research methodology. The Participatory Action Research framework for this study positions children as subjects who have their own power and competence to influence the study, and ultimately the development of digital literacy education. By using three schools, in two stages of fieldwork, the theorization of digital literacy is thoroughly grounded in a comparative study of different practices. At the centre of this method is the development of a classroom “module” – a set of learning activities designed as both a research tool and a practical intervention in the pedagogical process. My study argues that the contest around the notion of the ‘good child’ has shaped children’s experiences of online use, in Thai society. In the offline world, the digital literacy classroom practice has been dominated by singular ideologies (a restricted code) around both the seniority value embedded in Thai society and neo-liberal prescriptions for developing ‘citizens for the 21st century’. So the piloted digital literacy module was neither successful nor unsuccessful, in itself, for “promoting” an enhancement of digital literacy because, in the end, it exposed a flaw in this way of thinking about education. In such complex situations, no set of teaching and learning tools can be separated from the codes and hidden curricula that determine their effectiveness.  In the online world, many Thai children regularly take responsible risks, and build resilience for themselves. Digital literacy education needs to be transformed to liberate children from overly rigid, and risk-adverse, classroom practice, thus contributing to the development of ‘grown-up-ness’ in Biesta’s term (2013) which, in turn, contributes to the ‘formation’ of the person. Therefore, the desirability of building digital resiliency has emerged from this project as a better way of thinking, where resiliency is a complex capacity to respond openly, within situations where risks and opportunities may be interwoven, and these situations may include the classroom itself, as well as personal, familial, and other social spaces and situations.

text: Risky Opportunities: Developing Children’s Resilience through Digital Literacy in Thailand This project develops a case for defining appropriate concepts of risk and opportunity in the digital domain for children in Thailand; it explores what the consequent balance is between, regulation/policing of this domain on the one hand, and active user empowerment on the other. It defines “digital literacy”, in a way that is appropriate for Thai society, while bearing in mind international good practice. This is achieved on the basis of detailed, in-depth fieldwork in Thai schools, using an Action Research methodology. The Participatory Action Research framework for this study positions children as subjects who have their own power and competence to influence the study, and ultimately the development of digital literacy education. By using three schools, in two stages of fieldwork, the theorization of digital literacy is thoroughly grounded in a comparative study of different practices. At the centre of this method is the development of a classroom “module” – a set of learning activities designed as both a research tool and a practical intervention in the pedagogical process. My study argues that the contest around the notion of the ‘good child’ has shaped children’s experiences of online use, in Thai society. In the offline world, the digital literacy classroom practice has been dominated by singular ideologies (a restricted code) around both the seniority value embedded in Thai society and neo-liberal prescriptions for developing ‘citizens for the 21st century’. So the piloted digital literacy module was neither successful nor unsuccessful, in itself, for “promoting” an enhancement of digital literacy because, in the end, it exposed a flaw in this way of thinking about education. In such complex situations, no set of teaching and learning tools can be separated from the codes and hidden curricula that determine their effectiveness.  In the online world, many Thai children regularly take responsible risks, and build resilience for themselves. Digital literacy education needs to be transformed to liberate children from overly rigid, and risk-adverse, classroom practice, thus contributing to the development of ‘grown-up-ness’ in Biesta’s term (2013) which, in turn, contributes to the ‘formation’ of the person. Therefore, the desirability of building digital resiliency has emerged from this project as a better way of thinking, where resiliency is a complex capacity to respond openly, within situations where risks and opportunities may be interwoven, and these situations may include the classroom itself, as well as personal, familial, and other social spaces and situations.

year: 2018

title: Providing space for indigenous knowledge

authors: Tangihaere, Tracey Mininoa

subjects: indigenous knowledge

abstract: Colonial influences have generally failed to respect indigenous knowledge, languages, and cultures. Determination to reclaim First Nations identity is visible in many jurisdictions. First Nations Peoples continue to call on governments to facilitate changes needed to revitalize their economic, social, cultural, and spiritual well-being. This article is a reflective article generated from our response to the situation of Mäori, the indigenous peoples of New Zealand. It provides a background on the historical attempts to weaken Mäori leadership and the resilience of Mäori in their resistance to such undermining. Using a description of a physical space, the Marae (the meetinghouse), the authors provide a glimpse into a distinctive Mäori psychology connected to Marae encounters and into Mäori ways of thinking, feeling, and behaving. Three examples of organizational practice at the incorporation of such values are provided. Four implications for management education are posited as relevant not only to the education of managers in Aotearoa but wherever engagement with indigenous people occurs.

text: Providing space for indigenous knowledge Colonial influences have generally failed to respect indigenous knowledge, languages, and cultures. Determination to reclaim First Nations identity is visible in many jurisdictions. First Nations Peoples continue to call on governments to facilitate changes needed to revitalize their economic, social, cultural, and spiritual well-being. This article is a reflective article generated from our response to the situation of Mäori, the indigenous peoples of New Zealand. It provides a background on the historical attempts to weaken Mäori leadership and the resilience of Mäori in their resistance to such undermining. Using a description of a physical space, the Marae (the meetinghouse), the authors provide a glimpse into a distinctive Mäori psychology connected to Marae encounters and into Mäori ways of thinking, feeling, and behaving. Three examples of organizational practice at the incorporation of such values are provided. Four implications for management education are posited as relevant not only to the education of managers in Aotearoa but wherever engagement with indigenous people occurs.

year: 2011