title: A Native American relational ethic: An indigenous perspective on teaching human responsibility

authors: Verbos, Amy Klemm

subjects: Native American values

abstract: Our exemplar of a Native American relational ethic is depicted through the Seven Grandfather Teachings, an ancient sacred story of Potawatomi and Ojibwe peoples. These teachings state that human beings are responsible to act with wisdom, respect, love, honesty, humility, bravery, and truth toward each other and all creation. We illustrate the possible uses of this ethic through exercises wherein students reflect on the values and learn lessons related to ethics, leadership, teamwork, and relationships, or create stories using Native American story form.

text: A Native American relational ethic: An indigenous perspective on teaching human responsibility Our exemplar of a Native American relational ethic is depicted through the Seven Grandfather Teachings, an ancient sacred story of Potawatomi and Ojibwe peoples. These teachings state that human beings are responsible to act with wisdom, respect, love, honesty, humility, bravery, and truth toward each other and all creation. We illustrate the possible uses of this ethic through exercises wherein students reflect on the values and learn lessons related to ethics, leadership, teamwork, and relationships, or create stories using Native American story form.

year: 2013

title: Video observations of beach cusp morphodynamics

authors: Almar, Rafael

subjects: beach cusps

abstract: Beach cusps are a common feature of steep reflective and intermediate beaches. Although many observations of beach cusp spacing exist, there are few observations quantifying the incipient formation, evolution and eventual destruction of these features. Beach cusp morphodynamics were analyzed using a 3-year dataset of video images collected at Tairua Beach (New Zealand). Twenty-four beach cusp episodes were selected to monitor the cycle of beach face changes, from planar to the appearance of the cusp patterns and back to planar again. Observations show that beach cusp disappearance can be ascribed not only to the erosive influence of storms but also to the persistence of accretionary conditions leading to the infilling of beach cusp bays and the development of an alongshore continuous berm. We also report observations of changes in beach cusp spacing over time which can be attributed to the merging of adjacent cusps within the cusp field, with the overall cusp spacing re-adjusting to accommodate the disappearance of a horn. Although the self-organization theory provides a better fit to the data and theory, we were unable to conclusively refute any of the mechanisms causing beach cusp formation since both existing theories, subharmonic standing edge wave and self-organization, can predict the trend in the observed beach cusp spacing. These observations show that initial beach cusp formation primarily occurs (around 70% of the episodes analyzed) under mildly accretionary conditions and, when accretion persists, the pattern disappearance is likely to occur as a result of bay infilling to form a featureless berm.

text: Video observations of beach cusp morphodynamics Beach cusps are a common feature of steep reflective and intermediate beaches. Although many observations of beach cusp spacing exist, there are few observations quantifying the incipient formation, evolution and eventual destruction of these features. Beach cusp morphodynamics were analyzed using a 3-year dataset of video images collected at Tairua Beach (New Zealand). Twenty-four beach cusp episodes were selected to monitor the cycle of beach face changes, from planar to the appearance of the cusp patterns and back to planar again. Observations show that beach cusp disappearance can be ascribed not only to the erosive influence of storms but also to the persistence of accretionary conditions leading to the infilling of beach cusp bays and the development of an alongshore continuous berm. We also report observations of changes in beach cusp spacing over time which can be attributed to the merging of adjacent cusps within the cusp field, with the overall cusp spacing re-adjusting to accommodate the disappearance of a horn. Although the self-organization theory provides a better fit to the data and theory, we were unable to conclusively refute any of the mechanisms causing beach cusp formation since both existing theories, subharmonic standing edge wave and self-organization, can predict the trend in the observed beach cusp spacing. These observations show that initial beach cusp formation primarily occurs (around 70% of the episodes analyzed) under mildly accretionary conditions and, when accretion persists, the pattern disappearance is likely to occur as a result of bay infilling to form a featureless berm.

year: 2008

title: Site-specific performance rituals in the Anthropocene

authors: Claus, Johanna

abstract: In this creative practice PhD, I investigated site-specific performance rituals in the Anthropocene. Driven by the urge to respond to the challenges of the current time, I examined how different seasonal rituals might be expressed in specific sites in Aotearoa, New Zealand. Furthermore, including participants from diverse cultural backgrounds, and carrying an awareness of the complexities of colonialism, I analysed insights from key ritual experts to enhance my understanding of ritual practices within the specific socio-cultural and environmental context of Aotearoa. Inspired by critical posthumanist philosophies, I viewed ritual practices through a lens that considered the interconnectedness of technology, culture, and nature, moving beyond essentialist and dualistic tendencies. Inspired by (Haraway, 2007) and Braidotti (2019), I embraced a perspective of ‘staying with the trouble’ and ‘radical hope’ as a strategy to inspire commitments to safeguarding life on Earth amid increasing societal divisions, and environmental disasters.
Working at the intersection of various disciplines, I crafted a qualitative research design that embraced multiple ways of knowing through creative practice research. I gathered insights from four ritual experts grounded in mātauranga Māori or neo-Paganism through in-depth interviews, to comprehend multifaceted and culturally sensitive approaches to ritual practices in Aotearoa. Moreover, the creative investigation of four seasonal performance rituals served as the primary mode of inquiry (Niedderer & Roworth-Stokes, 2007; Skains, 2018). The methods used for these rituals included contemporary performance practices, eco-somatic movement, improvisation, site-specific dance, audience participation, and others.
The rich knowledge gained throughout these investigations is conveyed through the documentation of four seasonal rituals, presented in video works alongside this thesis. The findings are articulated in two empirical chapters, one focusing on the findings and analysis of the expert interviews and the other on the findings and analysis of four performance rituals, revealing nuanced and complex insights into the creation of site-specific performance rituals in the Anthropocene. Navigating site-specific performance practices as an immigrant necessitated continuous critical self-reflection on biases and assumptions, leading to intricate explorations of embodiment, identity, culture, nature, and the more-than-human world within a posthuman context. Operating in the liminal space of this tension alongside performer participants, ritual experts, and audience members yielded the articulation of my findings: a ritual score capable of accommodating the complexities of the Anthropocene.

text: Site-specific performance rituals in the Anthropocene In this creative practice PhD, I investigated site-specific performance rituals in the Anthropocene. Driven by the urge to respond to the challenges of the current time, I examined how different seasonal rituals might be expressed in specific sites in Aotearoa, New Zealand. Furthermore, including participants from diverse cultural backgrounds, and carrying an awareness of the complexities of colonialism, I analysed insights from key ritual experts to enhance my understanding of ritual practices within the specific socio-cultural and environmental context of Aotearoa. Inspired by critical posthumanist philosophies, I viewed ritual practices through a lens that considered the interconnectedness of technology, culture, and nature, moving beyond essentialist and dualistic tendencies. Inspired by (Haraway, 2007) and Braidotti (2019), I embraced a perspective of ‘staying with the trouble’ and ‘radical hope’ as a strategy to inspire commitments to safeguarding life on Earth amid increasing societal divisions, and environmental disasters.
Working at the intersection of various disciplines, I crafted a qualitative research design that embraced multiple ways of knowing through creative practice research. I gathered insights from four ritual experts grounded in mātauranga Māori or neo-Paganism through in-depth interviews, to comprehend multifaceted and culturally sensitive approaches to ritual practices in Aotearoa. Moreover, the creative investigation of four seasonal performance rituals served as the primary mode of inquiry (Niedderer & Roworth-Stokes, 2007; Skains, 2018). The methods used for these rituals included contemporary performance practices, eco-somatic movement, improvisation, site-specific dance, audience participation, and others.
The rich knowledge gained throughout these investigations is conveyed through the documentation of four seasonal rituals, presented in video works alongside this thesis. The findings are articulated in two empirical chapters, one focusing on the findings and analysis of the expert interviews and the other on the findings and analysis of four performance rituals, revealing nuanced and complex insights into the creation of site-specific performance rituals in the Anthropocene. Navigating site-specific performance practices as an immigrant necessitated continuous critical self-reflection on biases and assumptions, leading to intricate explorations of embodiment, identity, culture, nature, and the more-than-human world within a posthuman context. Operating in the liminal space of this tension alongside performer participants, ritual experts, and audience members yielded the articulation of my findings: a ritual score capable of accommodating the complexities of the Anthropocene.

year: 2024-05-27