title: Copyright law, designs law, and the protection of public art and works on public display

authors: Kingsbury, Anna

subjects: copyright law

abstract: Artworks, designs and architectural forms situated in public places implicate a number of interests. There is a public interest, which arises simply by virtue of situating a work in a public place. More broadly, there is a public interest that arises from the public investment in the work – investment both in terms of money and investment in terms of meaning as people identify with and relate to a particular work. Public works can become important to individuals as landmarks, icons, or locations for significant public or personal events.

text: Copyright law, designs law, and the protection of public art and works on public display Artworks, designs and architectural forms situated in public places implicate a number of interests. There is a public interest, which arises simply by virtue of situating a work in a public place. More broadly, there is a public interest that arises from the public investment in the work – investment both in terms of money and investment in terms of meaning as people identify with and relate to a particular work. Public works can become important to individuals as landmarks, icons, or locations for significant public or personal events.

year: 2007

title: Witch as Woman: Crones, Maidens, and Mothers in The Witch of Edmonton and A Discovery of Witches

authors: Benge, Jnana Georgena Cote

abstract: My research focuses on representations of the controversial and culturally loaded figure of the witch and the way in which she has been represented in fiction. Through an exploration of two very different representations of witches, the 1621 play The Witch of Edmonton and the twenty-first century fantasy All Souls trilogy, this thesis unpacks the longstanding negative associations of the witch. The historical witch stereotyped as evil, old, deviant, and socially marginalised, compared to the way in which contemporary depictions of the witch have refashioned the figure into an autonomous heroine capable of balancing her powers with work, romance, and social responsibility. Throughout, my focus is on the gendered nature of the witch. The play The Witch of Edmonton (1621) by William Rowley, Thomas Dekker, and John Ford draws on the historical record and the pamphlet Wonderfull Discoverie of Elizabeth Sawyer, a Witch (1621) by Henry Goodcole. The historical Elizabeth Sawyer was tried and executed as a witch and Goodcole’s pamphlet is representative of the attitudes of the day which vilified the witch as a figure of demonic power and social disruption. The play both endorses the stereotype of Sawyer as a crone who makes a pact with the devil to enact harm on her neighbours and challenges these tropes by insisting that she is a marginalised, poverty- stricken figure who only turns to witchcraft after society labels her as such. In contrast, the All Souls trilogy by Deborah Harkness (2012-2014) reframes the witch as a young, beautiful heroine whose powers are capable of bringing about salvation rather than destruction. By juxtaposing these very different literary witches, this thesis seeks to understand both the social and literary factors that led to the patriarchal vilification of the witch and the cultural shifts that have resulted in the recent reframing of the witch as a figure of feminist power.

text: Witch as Woman: Crones, Maidens, and Mothers in The Witch of Edmonton and A Discovery of Witches My research focuses on representations of the controversial and culturally loaded figure of the witch and the way in which she has been represented in fiction. Through an exploration of two very different representations of witches, the 1621 play The Witch of Edmonton and the twenty-first century fantasy All Souls trilogy, this thesis unpacks the longstanding negative associations of the witch. The historical witch stereotyped as evil, old, deviant, and socially marginalised, compared to the way in which contemporary depictions of the witch have refashioned the figure into an autonomous heroine capable of balancing her powers with work, romance, and social responsibility. Throughout, my focus is on the gendered nature of the witch. The play The Witch of Edmonton (1621) by William Rowley, Thomas Dekker, and John Ford draws on the historical record and the pamphlet Wonderfull Discoverie of Elizabeth Sawyer, a Witch (1621) by Henry Goodcole. The historical Elizabeth Sawyer was tried and executed as a witch and Goodcole’s pamphlet is representative of the attitudes of the day which vilified the witch as a figure of demonic power and social disruption. The play both endorses the stereotype of Sawyer as a crone who makes a pact with the devil to enact harm on her neighbours and challenges these tropes by insisting that she is a marginalised, poverty- stricken figure who only turns to witchcraft after society labels her as such. In contrast, the All Souls trilogy by Deborah Harkness (2012-2014) reframes the witch as a young, beautiful heroine whose powers are capable of bringing about salvation rather than destruction. By juxtaposing these very different literary witches, this thesis seeks to understand both the social and literary factors that led to the patriarchal vilification of the witch and the cultural shifts that have resulted in the recent reframing of the witch as a figure of feminist power.

year: 2023

title: Māori and community news constructions of Meningococcal B: the promotion of a moral obligation to vaccinate

authors: Groot, Shiloh Ann Maree

subjects: psychology

abstract: News media communicate various risks of disease, showcase medical breakthroughs and disseminate texts that both reflect and renegotiate shared cultural understandings of health and illness. Little is known about the role of Māori and community news media in the social negotiation of health and illness in Aotearoa. To address this gap in the literature, this paper reports findings from a study of news reporting on Meningococcal B by the Māori Television Service and two community newspapers serving Māori communities. Findings document how news works to position vaccination as a ‘common sense’ practice that whānau have a moral obligation to undergo. Neglected are wider socio-structural considerations that impact the prevalence of illness among Māori.

text: Māori and community news constructions of Meningococcal B: the promotion of a moral obligation to vaccinate News media communicate various risks of disease, showcase medical breakthroughs and disseminate texts that both reflect and renegotiate shared cultural understandings of health and illness. Little is known about the role of Māori and community news media in the social negotiation of health and illness in Aotearoa. To address this gap in the literature, this paper reports findings from a study of news reporting on Meningococcal B by the Māori Television Service and two community newspapers serving Māori communities. Findings document how news works to position vaccination as a ‘common sense’ practice that whānau have a moral obligation to undergo. Neglected are wider socio-structural considerations that impact the prevalence of illness among Māori.

year: 2007