title: Sites of value? Discourses of religion and spirituality in the production of a New Zealand film and television series

authors: Hardy, Ann

subjects: New Zealand

abstract: This interdisciplinary study examines the nature of the discourses of religion and spirituality circulating in and around the production of a feature film, Saving Grace and a television mini-series, The Chosen, made and released in New Zealand during the period 1997-1999. Its interest is in the manner in which discourses of religion and spirituality are enlisted and modified in the process of mediation for public screening.
Drawing on various insights derived from post-structuralist theory, and informed by recent work in the sociology of religion, the study operates within a modified tripartite model which balances information about the production context of the projects with text-interpretation, and analysis of media constructions (or reviews) of the text. Initially, a description of the complex socio-historical context in which the texts are situated, both globally and locally, is developed. The manner in which selected members of the production teams for the two projects understood meanings around religion and spirituality is then explored through the discursive analysis of material gained by the process of depth-interviewing. The production of the projects was followed over an extended time-duration, in order to ascertain whether those understandings changed under the many influences constituting the conditions of production. The second aspect of the analysis is interpretation of the texts themselves through an analysis of their narrative and generic structures, as well as their discursive content. Finally, responses and evaluations of the text by, in the case of Saving Grace, a series of 'interim' audiences, and for both projects, by media reviewers, are outlined and analyzed.
On the basis of this research it is argued that investigation of the production of these projects provides valuable insights both into the changing nature of constructions of religion and spirituality within New Zealand culture and into the tensions involved in their textual encoding. These insights are to be found not just in the texts themselves, where professional norms of 'good' production, constrained and limited the ways in which discourses of religion and spirituality could be encoded, but also in the 'personal' speech of the research participants, marked both by a strong disapproval of institutional religiosity, and a wide-spread interest in informal varieties of spirituality.

text: Sites of value? Discourses of religion and spirituality in the production of a New Zealand film and television series This interdisciplinary study examines the nature of the discourses of religion and spirituality circulating in and around the production of a feature film, Saving Grace and a television mini-series, The Chosen, made and released in New Zealand during the period 1997-1999. Its interest is in the manner in which discourses of religion and spirituality are enlisted and modified in the process of mediation for public screening.
Drawing on various insights derived from post-structuralist theory, and informed by recent work in the sociology of religion, the study operates within a modified tripartite model which balances information about the production context of the projects with text-interpretation, and analysis of media constructions (or reviews) of the text. Initially, a description of the complex socio-historical context in which the texts are situated, both globally and locally, is developed. The manner in which selected members of the production teams for the two projects understood meanings around religion and spirituality is then explored through the discursive analysis of material gained by the process of depth-interviewing. The production of the projects was followed over an extended time-duration, in order to ascertain whether those understandings changed under the many influences constituting the conditions of production. The second aspect of the analysis is interpretation of the texts themselves through an analysis of their narrative and generic structures, as well as their discursive content. Finally, responses and evaluations of the text by, in the case of Saving Grace, a series of 'interim' audiences, and for both projects, by media reviewers, are outlined and analyzed.
On the basis of this research it is argued that investigation of the production of these projects provides valuable insights both into the changing nature of constructions of religion and spirituality within New Zealand culture and into the tensions involved in their textual encoding. These insights are to be found not just in the texts themselves, where professional norms of 'good' production, constrained and limited the ways in which discourses of religion and spirituality could be encoded, but also in the 'personal' speech of the research participants, marked both by a strong disapproval of institutional religiosity, and a wide-spread interest in informal varieties of spirituality.

year: 2003

title: Expanding understandings of wellbeing through researching women's experiences of intergenerational somatic dance classes

authors: Barbour, Karen

subjects: Social Sciences

abstract: Engaging a feminist ethnographic methodology, this article offers a discussion of women’s embodied experiences of wellbeing in intergenerational somatic dance classes. Somatic dance classes aim to develop embodied awareness, support ease and freedom in movement, and offer opportunities for creativity, agency and reflection. Drawing on in-depth interviews, observation and autoethnographic vignettes, three themes emerged from the empirical material that expand understandings of wellbeing as a fluid and dynamic experience, reveal the value for women in moving for movement’s sake, and identify the significance of intergenerational contexts for moving together. As a consequence, this research offers insight into ways in which women participating in somatic dance classes have re-interpreted wellbeing practices, ‘re-claiming’ wellbeing from circulating neoliberal, self-improvement and productivity agendas, and instead, dancing into wellbeing.

text: Expanding understandings of wellbeing through researching women's experiences of intergenerational somatic dance classes Engaging a feminist ethnographic methodology, this article offers a discussion of women’s embodied experiences of wellbeing in intergenerational somatic dance classes. Somatic dance classes aim to develop embodied awareness, support ease and freedom in movement, and offer opportunities for creativity, agency and reflection. Drawing on in-depth interviews, observation and autoethnographic vignettes, three themes emerged from the empirical material that expand understandings of wellbeing as a fluid and dynamic experience, reveal the value for women in moving for movement’s sake, and identify the significance of intergenerational contexts for moving together. As a consequence, this research offers insight into ways in which women participating in somatic dance classes have re-interpreted wellbeing practices, ‘re-claiming’ wellbeing from circulating neoliberal, self-improvement and productivity agendas, and instead, dancing into wellbeing.

year: 2019

title: “This is not a riot, it is a protest”: A discourse analysis of prison violence in New Zealand news media

authors: Membery, Liam

subjects: Prison Violence

abstract: This thesis examines the discourses of prison violence in the New Zealand news media. Prison violence is a pressing social issue that harms those involved and has permeating consequences for the institution. Prison riots, specifically, involve serious instances of disorder and violence that incur physical, psychological, social and economic harm. Despite prisons being private institutions, prison riots are public events that amass large social responses through news media coverage. The public often use news media to co-construct their perceptions of social phenomena, and policymakers use both public opinion and the news media to guide their decisions when shaping policy. Subsequently, the ways in which the news media discursively construct prison riots will have direct consequences for public attitudes and policy relating to prison violence, a phenomenon that exists outside of the public eye. However, there is currently no research that has examined discourses of prison violence and, further, what the consequences of these discourses may be. Therefore, using a Foucauldian approach to discourse analysis, this study examined the discourses in the news media representations of the large-scale prison violence at the Spring Hill Corrections Facility (2013) and Waikeria Prison (2020-2021). The results uncovered three discourses: the riot discourse, the gang discourse, and the protest discourse. The riot discourse was identified as dominant and constructed prison violence as an individualised issue perpetrated by inherently violent prisoners. The gang discourse worked in conjunction with the riot discourse, constructing prison violence as an individualised issue perpetrated by gang members. The protest discourse was identified as a counter-discourse and constructed the unrest at both facilities as protests against living conditions and inhumane treatment. Each discourse has consequences for public attitudes and in turn, penal policy and practice.

text: “This is not a riot, it is a protest”: A discourse analysis of prison violence in New Zealand news media This thesis examines the discourses of prison violence in the New Zealand news media. Prison violence is a pressing social issue that harms those involved and has permeating consequences for the institution. Prison riots, specifically, involve serious instances of disorder and violence that incur physical, psychological, social and economic harm. Despite prisons being private institutions, prison riots are public events that amass large social responses through news media coverage. The public often use news media to co-construct their perceptions of social phenomena, and policymakers use both public opinion and the news media to guide their decisions when shaping policy. Subsequently, the ways in which the news media discursively construct prison riots will have direct consequences for public attitudes and policy relating to prison violence, a phenomenon that exists outside of the public eye. However, there is currently no research that has examined discourses of prison violence and, further, what the consequences of these discourses may be. Therefore, using a Foucauldian approach to discourse analysis, this study examined the discourses in the news media representations of the large-scale prison violence at the Spring Hill Corrections Facility (2013) and Waikeria Prison (2020-2021). The results uncovered three discourses: the riot discourse, the gang discourse, and the protest discourse. The riot discourse was identified as dominant and constructed prison violence as an individualised issue perpetrated by inherently violent prisoners. The gang discourse worked in conjunction with the riot discourse, constructing prison violence as an individualised issue perpetrated by gang members. The protest discourse was identified as a counter-discourse and constructed the unrest at both facilities as protests against living conditions and inhumane treatment. Each discourse has consequences for public attitudes and in turn, penal policy and practice.

year: 2022