title: MetropolJS: Visualizing and debugging large-scale JavaScript program structure with treemaps

authors: Scarsbrook, Joshua D.

subjects: computer science

abstract: As a result of the large scale and diverse composition of modern compiled JavaScript applications, comprehending overall program structure for debugging is challenging. In this paper we present our solution: MetropolJS. By using a Treemap-based visualization it is possible to get a high level view within limited screen real estate. Previous approaches to Treemaps lacked the fine detail and interactive features to be useful as a debugging tool. This paper introduces an optimized approach for visualizing complex program structure that enables new debugging techniques where the execution of programs can be displayed in real time from a bird's-eye view. The approach facilitates highlighting and visualizing method calls and distinctive code patterns on top of code segments without a high overhead for navigation. Using this approach enables fast analysis of previously difficult-to-comprehend code bases.

text: MetropolJS: Visualizing and debugging large-scale JavaScript program structure with treemaps As a result of the large scale and diverse composition of modern compiled JavaScript applications, comprehending overall program structure for debugging is challenging. In this paper we present our solution: MetropolJS. By using a Treemap-based visualization it is possible to get a high level view within limited screen real estate. Previous approaches to Treemaps lacked the fine detail and interactive features to be useful as a debugging tool. This paper introduces an optimized approach for visualizing complex program structure that enables new debugging techniques where the execution of programs can be displayed in real time from a bird's-eye view. The approach facilitates highlighting and visualizing method calls and distinctive code patterns on top of code segments without a high overhead for navigation. Using this approach enables fast analysis of previously difficult-to-comprehend code bases.

year: 2018

title: Biographical origins and literary evolution of Apollinaire’s early concepts of love and poetic creativity

authors: Wells, P.F.

abstract: The common difficulties of studying any conceptual aspect of a poet’s work are intensified in the case of Guillaume Apollinaire. His poems cannot be studied without close reference to his life, since in his own words “chacun de mes poèmes est la commémoration d’un événement de ma vie.” These “events” include, moreover, those of his interior life, peculiarly coloured by the special circumstances of his early family history. Nor can we hesitate to define the poems as “event”: many of his important poems interpenetrate with other works, involving a development of earlier symbols and including parts of other poems so that none can be taken in isolation. Nor again can the major poems be taken in a simple chronological order, finally dealt with each in turn, since their content springs from a timeless rumination on past, present and future, however the material or objective reference may be localised in time and space.

This study therefore seeks to show, in Bergsonian terms, how the poet’s mature concept of poetry springs from his early years and the whole corpus of his immature poetry. He was descended from two noble families, eminent in the Church, the Army and society, noted also for their artistic gifts. But Apollinaire himself was an illegitimate exile, whose mother, despite her breeding, was a social outcast, wandering from place to place as the fortunes of love and gambling led. Young Guillaume received, nevertheless, an excellent religious education. From these early circumstances resulted three major factors in the poet’s personality: his rejection of the religion in which he had been immersed, chiefly on the grounds that the Church rejected his mother; his desire to achieve through his work the respect and the “name” that would have been his automatic due had he been able to lay legitimate claim to his ancestry; and his longing for a settled family life of love and security. Hence his early attitudes of both rebellion and attraction regarding religion, his devotion to his vocation as poet, and his painful efforts to realise the sort of love that would lead to a settled life of bourgeois respectability. His appetite for physical love, inherited from both father and mother, manifested as a desire to be needed, made him impatient, jealous and domineering, traits which drove marriageable women from him and drove him to the other sort.

We thus have a triangle of conflicting but interdependent themes of biographical origin. First there is his dedication to the calling of poet, with a determination to achieve distinction and status through the publication of a highly original masterpiece. Secondly there is the theme of a quarrel between his desire for domestic love, stability and children, and the casual love he felt attracted to as an expedient allowing him freedom to devote himself to poetic creation. Thirdly there is his love and respect for a religion which he was increasingly unable to accept because of his inability to revere the Holy Virgin and frequent the lowest type of womanhood at the same time. Eventually he was able to harmonise all these conflicts into one philosophy, a religious attitude to poetry and an esthetic based on love and the acceptance of suffering. 

We therefore examine in this study first the poet’s formative years, and then the emergent themes of love, lust, fertility and poetic creativity up to the great turning-point of 1907 when he matured and found himself and his esthetic. 

It is hoped that this approach will distinguish the essential Apollinaire from his participation in the many literary movements that tend to obscure his originality and consistency; and that it will add new depths to the interpretation of certain of his poems. It must be emphasised, moreover, that in most of Apollinaire’s work the polyvalence of his symbols requires a cautious definition of what is a “correct” meaning. It is suggested that where several interpretations are probable, they should not of necessity be seen as mutually exclusive, but should be accepted if they can be seen to arise out of the “events” of his life, and especially when they fit not merely one specific reference but are consistent with the whole evolution of Apollinaire’s concepts.

text: Biographical origins and literary evolution of Apollinaire’s early concepts of love and poetic creativity The common difficulties of studying any conceptual aspect of a poet’s work are intensified in the case of Guillaume Apollinaire. His poems cannot be studied without close reference to his life, since in his own words “chacun de mes poèmes est la commémoration d’un événement de ma vie.” These “events” include, moreover, those of his interior life, peculiarly coloured by the special circumstances of his early family history. Nor can we hesitate to define the poems as “event”: many of his important poems interpenetrate with other works, involving a development of earlier symbols and including parts of other poems so that none can be taken in isolation. Nor again can the major poems be taken in a simple chronological order, finally dealt with each in turn, since their content springs from a timeless rumination on past, present and future, however the material or objective reference may be localised in time and space.

This study therefore seeks to show, in Bergsonian terms, how the poet’s mature concept of poetry springs from his early years and the whole corpus of his immature poetry. He was descended from two noble families, eminent in the Church, the Army and society, noted also for their artistic gifts. But Apollinaire himself was an illegitimate exile, whose mother, despite her breeding, was a social outcast, wandering from place to place as the fortunes of love and gambling led. Young Guillaume received, nevertheless, an excellent religious education. From these early circumstances resulted three major factors in the poet’s personality: his rejection of the religion in which he had been immersed, chiefly on the grounds that the Church rejected his mother; his desire to achieve through his work the respect and the “name” that would have been his automatic due had he been able to lay legitimate claim to his ancestry; and his longing for a settled family life of love and security. Hence his early attitudes of both rebellion and attraction regarding religion, his devotion to his vocation as poet, and his painful efforts to realise the sort of love that would lead to a settled life of bourgeois respectability. His appetite for physical love, inherited from both father and mother, manifested as a desire to be needed, made him impatient, jealous and domineering, traits which drove marriageable women from him and drove him to the other sort.

We thus have a triangle of conflicting but interdependent themes of biographical origin. First there is his dedication to the calling of poet, with a determination to achieve distinction and status through the publication of a highly original masterpiece. Secondly there is the theme of a quarrel between his desire for domestic love, stability and children, and the casual love he felt attracted to as an expedient allowing him freedom to devote himself to poetic creation. Thirdly there is his love and respect for a religion which he was increasingly unable to accept because of his inability to revere the Holy Virgin and frequent the lowest type of womanhood at the same time. Eventually he was able to harmonise all these conflicts into one philosophy, a religious attitude to poetry and an esthetic based on love and the acceptance of suffering. 

We therefore examine in this study first the poet’s formative years, and then the emergent themes of love, lust, fertility and poetic creativity up to the great turning-point of 1907 when he matured and found himself and his esthetic. 

It is hoped that this approach will distinguish the essential Apollinaire from his participation in the many literary movements that tend to obscure his originality and consistency; and that it will add new depths to the interpretation of certain of his poems. It must be emphasised, moreover, that in most of Apollinaire’s work the polyvalence of his symbols requires a cautious definition of what is a “correct” meaning. It is suggested that where several interpretations are probable, they should not of necessity be seen as mutually exclusive, but should be accepted if they can be seen to arise out of the “events” of his life, and especially when they fit not merely one specific reference but are consistent with the whole evolution of Apollinaire’s concepts.

year: 1971

title: Indigenous Peoples and the Protection of Their Secret Knowledge: A Promising Pathway Ahead

authors: Masoni, Claudia

abstract: This work focuses on the intangible, secret aspects of indigenous peoples’ cultures and how such secret information is protected by indigenous guardians or holders. This is because much of indigenous culture is imbued with spiritual significance for indigenous peoples and, consequently, it is not made available to the rest of the community and the world at large.
This thesis examines the reasons why it is important to preserve indigenous cultures and secret practices that today survive in indigenous communities. The thesis demonstrates that secrecy is seen as essential to the preservation of indigenous secret knowledge. Indigenous guardians are responsible for the preservation of the information, and they commonly use secrecy to preserve the knowledge and, when they share it, they choose limited, confidential circumstances to do so. This work argues that it is important to make reasonable space in the existing body of laws which have so far failed to effectively protect indigenous secret practices and information. The case study described in this thesis helps understand how states are currently trying to listen, understand and accommodate indigenous claims brought forward at the national and international fora. The thesis reviews the legal protection currently available to indigenous secret knowledge in national and international law. The first 6 chapters introduce indigenous cultures, holism and indigenous peoples and international law, and chapter 7 describes the New Zealand case Wai 262 and the recommendations given by the Waitangi Tribunal. The remaining chapters analyse indigenous cultures and intellectual property laws, identifying gaps in the existing mechanisms for protection and underlining why, as of today, intellectual property law does not guarantee adequate protection to indigenous secret knowledge. The last chapter analyses the law of breach of confidence as a possible instrument to safeguard indigenous secret information and the duty of care performed by indigenous guardians in preserving such knowledge. It argues that the existing law of confidentiality can usefully evolve to protect cultural secret information as a growing category in its own right and that indigenous secret information can find protection as confidential information.

text: Indigenous Peoples and the Protection of Their Secret Knowledge: A Promising Pathway Ahead This work focuses on the intangible, secret aspects of indigenous peoples’ cultures and how such secret information is protected by indigenous guardians or holders. This is because much of indigenous culture is imbued with spiritual significance for indigenous peoples and, consequently, it is not made available to the rest of the community and the world at large.
This thesis examines the reasons why it is important to preserve indigenous cultures and secret practices that today survive in indigenous communities. The thesis demonstrates that secrecy is seen as essential to the preservation of indigenous secret knowledge. Indigenous guardians are responsible for the preservation of the information, and they commonly use secrecy to preserve the knowledge and, when they share it, they choose limited, confidential circumstances to do so. This work argues that it is important to make reasonable space in the existing body of laws which have so far failed to effectively protect indigenous secret practices and information. The case study described in this thesis helps understand how states are currently trying to listen, understand and accommodate indigenous claims brought forward at the national and international fora. The thesis reviews the legal protection currently available to indigenous secret knowledge in national and international law. The first 6 chapters introduce indigenous cultures, holism and indigenous peoples and international law, and chapter 7 describes the New Zealand case Wai 262 and the recommendations given by the Waitangi Tribunal. The remaining chapters analyse indigenous cultures and intellectual property laws, identifying gaps in the existing mechanisms for protection and underlining why, as of today, intellectual property law does not guarantee adequate protection to indigenous secret knowledge. The last chapter analyses the law of breach of confidence as a possible instrument to safeguard indigenous secret information and the duty of care performed by indigenous guardians in preserving such knowledge. It argues that the existing law of confidentiality can usefully evolve to protect cultural secret information as a growing category in its own right and that indigenous secret information can find protection as confidential information.

year: 2017