title: Letters and weak theory in Irish modernism

authors: Long, Maebh

subjects: Early twentieth century

abstract: Focusing on previously unexplored theoretical gaps, limitations, and fresh avenues of inquiry within the canon and scholarship of Irish modernism, this book interrogates marginalised and neglected figures and genres to develop a more attentive and fluid theoretical space in which to reflect upon the field. Probing Irish modernism’s responsiveness to contemporary theory beyond postcolonial and Irish studies, this book uses diverse paradigms including weak theory, biopolitics, posthumanism, and the nonhuman turn, to rethink Irish modernism’s organising themes: nationalism, martyrdom, war, state violence, prostitution, temporality, death, mourning. At the same time, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalised importance of women’s writing and queer expression to the Irish avant-garde. Foregrounding Irish modernist interfaces between visual, literary, musical, dramatic, cinematic, epistolary and journalistic media, this book focuses on writers, artists and cultural figures such as Hannah Berman, Eva Gore-Booth, Esther Roper, Forrest Reid, Mary Davenport O’Neill, Sheila Wingfield, Ethel Colburn Mayne, Edward Martyn, Jane Seosamh Ó Torna, and Máirtín Ó Cadhain. At the same time, this volume asks how consideration of Irish modernism through the diverse genres and movements of these neglected and liminal figures compels us to reconsider the position of the “major (Irish) modernists” - such as Synge, Yeats, Shaw, Joyce, O’Nolan, Beckett, MacGreevy, and Bowen - in this redrawn canon.

text: Letters and weak theory in Irish modernism Focusing on previously unexplored theoretical gaps, limitations, and fresh avenues of inquiry within the canon and scholarship of Irish modernism, this book interrogates marginalised and neglected figures and genres to develop a more attentive and fluid theoretical space in which to reflect upon the field. Probing Irish modernism’s responsiveness to contemporary theory beyond postcolonial and Irish studies, this book uses diverse paradigms including weak theory, biopolitics, posthumanism, and the nonhuman turn, to rethink Irish modernism’s organising themes: nationalism, martyrdom, war, state violence, prostitution, temporality, death, mourning. At the same time, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalised importance of women’s writing and queer expression to the Irish avant-garde. Foregrounding Irish modernist interfaces between visual, literary, musical, dramatic, cinematic, epistolary and journalistic media, this book focuses on writers, artists and cultural figures such as Hannah Berman, Eva Gore-Booth, Esther Roper, Forrest Reid, Mary Davenport O’Neill, Sheila Wingfield, Ethel Colburn Mayne, Edward Martyn, Jane Seosamh Ó Torna, and Máirtín Ó Cadhain. At the same time, this volume asks how consideration of Irish modernism through the diverse genres and movements of these neglected and liminal figures compels us to reconsider the position of the “major (Irish) modernists” - such as Synge, Yeats, Shaw, Joyce, O’Nolan, Beckett, MacGreevy, and Bowen - in this redrawn canon.

year: 2021

title: USEM: A ubiquitous smart energy management system for residential homes

authors: Masoodian, Masood

subjects: building energy management

abstract: With the ever-increasing worldwide demand for energy, and the limited available energy resources, there is a growing need to reduce our energy consumption whenever possible. Therefore, over the past few decades a range of technologies have been proposed to assist consumers with reducing their energy use. Most of these have focused on decreasing energy consumption in the industry, transport, and services sectors. In more recent years, however, growing attention has been given to energy use in the residential sector, which accounts for nearly 30% of total energy consumption in the developed countries. Here we present one such system, which aims to assist residential users with monitoring their energy usage and provides mechanisms for setting up and controlling their home appliances to conserve energy. We also describe a user study we have conducted to evaluate the effectiveness of this system in supporting its users with a range of tools and visualizations developed for ubiquitous devices such as mobile phones and tablets. The findings of this study have shown the potential benefits of our system, and have identified areas of improvement that need to be addressed in the future.

text: USEM: A ubiquitous smart energy management system for residential homes With the ever-increasing worldwide demand for energy, and the limited available energy resources, there is a growing need to reduce our energy consumption whenever possible. Therefore, over the past few decades a range of technologies have been proposed to assist consumers with reducing their energy use. Most of these have focused on decreasing energy consumption in the industry, transport, and services sectors. In more recent years, however, growing attention has been given to energy use in the residential sector, which accounts for nearly 30% of total energy consumption in the developed countries. Here we present one such system, which aims to assist residential users with monitoring their energy usage and provides mechanisms for setting up and controlling their home appliances to conserve energy. We also describe a user study we have conducted to evaluate the effectiveness of this system in supporting its users with a range of tools and visualizations developed for ubiquitous devices such as mobile phones and tablets. The findings of this study have shown the potential benefits of our system, and have identified areas of improvement that need to be addressed in the future.

year: 2014

title: Rototuna, 2024

authors: Apiata, Hāwea

abstract: Bilingual poetry in response to the public sculpture 'Te Ohomauri o Matariki' by Dion Hitchens in collaboration with James Ormsby.

text: Rototuna, 2024 Bilingual poetry in response to the public sculpture 'Te Ohomauri o Matariki' by Dion Hitchens in collaboration with James Ormsby.

year: 2024-03-29