title: Tūturu whakamaua ko te kupu, haumi e, hui e, ko ngā kupu o te mātauranga ē!

authors: Dale, Hēmi

subjects: Reo Māori

abstract: Ko tā tēnei tuhinga he arotahi ki ētahi o ngā take reo e pā ana ki ngā mahi whakangungu pouako mā te huarahi o te reo Māori i roto i te whare wānanga. Ka mutu, ka kōrerorerotia ngā urupare a te Huarahi Māori (tētahi kaiwhakarato whakangungu pouako mā te huarahi o te reo Māori) ki ētahi o ēnei take reo.

text: Tūturu whakamaua ko te kupu, haumi e, hui e, ko ngā kupu o te mātauranga ē! Ko tā tēnei tuhinga he arotahi ki ētahi o ngā take reo e pā ana ki ngā mahi whakangungu pouako mā te huarahi o te reo Māori i roto i te whare wānanga. Ka mutu, ka kōrerorerotia ngā urupare a te Huarahi Māori (tētahi kaiwhakarato whakangungu pouako mā te huarahi o te reo Māori) ki ētahi o ēnei take reo.

year: 2017

title: Te Mata Ono-The six faces of Māori broadcasting

authors: Kaire-Melbourne, Kimiora

subjects: Māori broadcasting

abstract: Māori have always been involved in media communication and from a traditional viewpoint karanga, whaikōrero, taonga pūoro, haka, waiata and mōteatea are all mediums used to share messages across a mass audience. Since the arrival of European settlers, we have seen Māori content disseminated through platforms such as newspaper, radio, and more recently via the medium of television. This particular study is concerned with the way that Māori are represented and information is shared via indigenous broadcaster, Māori Television. Using a theoretical model made up of six key components, this thesis asserts that Te Mata Ono could not only help to improve the production of Māori content but also reshape and modify the medium of television itself, to become more culturally appropriate. Ultimately, this model could guide Māori Television, outlining a Māori specific approach to broadcasting. This study is one part of a two-part study. Due to the limitations of a four-paper masters thesis, I will only be examining three elements of Te Mata Ono, which are Mata Māori, Mata ō-tua and Mata Pākehā. Another thesis that was conducted simultaneously by Te Aorere Pewhairangi explores the remaining three elements of the same model, Mata Iwi, Mata Ako and Mata Tikanga. Te Mata Ono could be applied to Māori Television, making a positive contribution to the future development of Māori broadcasting.

text: Te Mata Ono-The six faces of Māori broadcasting Māori have always been involved in media communication and from a traditional viewpoint karanga, whaikōrero, taonga pūoro, haka, waiata and mōteatea are all mediums used to share messages across a mass audience. Since the arrival of European settlers, we have seen Māori content disseminated through platforms such as newspaper, radio, and more recently via the medium of television. This particular study is concerned with the way that Māori are represented and information is shared via indigenous broadcaster, Māori Television. Using a theoretical model made up of six key components, this thesis asserts that Te Mata Ono could not only help to improve the production of Māori content but also reshape and modify the medium of television itself, to become more culturally appropriate. Ultimately, this model could guide Māori Television, outlining a Māori specific approach to broadcasting. This study is one part of a two-part study. Due to the limitations of a four-paper masters thesis, I will only be examining three elements of Te Mata Ono, which are Mata Māori, Mata ō-tua and Mata Pākehā. Another thesis that was conducted simultaneously by Te Aorere Pewhairangi explores the remaining three elements of the same model, Mata Iwi, Mata Ako and Mata Tikanga. Te Mata Ono could be applied to Māori Television, making a positive contribution to the future development of Māori broadcasting.

year: 2019

title: Seamless web editing for curated content

authors: Bainbridge, David

subjects: computer science

abstract: In this paper we present a new framework for editing that we have called Seaweed (short for seamless web editing) which enables authors to directly edit content on web pages within any common web browser—much like a word-processor—without the need of switching between modes. There are numerous ways to utilise the technique. This article reports on work integrating it with blogging software to support the direct creation and editing of curated content, and its subsequent evaluation through two field trials.

text: Seamless web editing for curated content In this paper we present a new framework for editing that we have called Seaweed (short for seamless web editing) which enables authors to directly edit content on web pages within any common web browser—much like a word-processor—without the need of switching between modes. There are numerous ways to utilise the technique. This article reports on work integrating it with blogging software to support the direct creation and editing of curated content, and its subsequent evaluation through two field trials.

year: 2010