title: In search of unity: Learning from headstones

authors: Mullan, Fintan

subjects: Irish history

abstract: This paper explores a small anomaly of Irish history. Despite the large-scale re-organisation of the state at the beginning of the 18th century in Ireland, and the divided society created by the civil authorities, the old parish cemetery escaped this segregation and continued to be used by all members of the community, irrespective of Christian denomination. This came to be regarded as a right which, if not actually protected by law, was at least protected by custom. For this reason, researchers and local communities have a rich resource from which they can learn about the past and draw lessons for the future.

text: In search of unity: Learning from headstones This paper explores a small anomaly of Irish history. Despite the large-scale re-organisation of the state at the beginning of the 18th century in Ireland, and the divided society created by the civil authorities, the old parish cemetery escaped this segregation and continued to be used by all members of the community, irrespective of Christian denomination. This came to be regarded as a right which, if not actually protected by law, was at least protected by custom. For this reason, researchers and local communities have a rich resource from which they can learn about the past and draw lessons for the future.

year: 2003-02

title: Let the Real Scheherazade Stand: Literary Representations of Middle Eastern Women

authors: Al-Hadban, Leen Mustafa Naji

subjects: Orientalism

abstract: This thesis considers the multiple and complex ways in which Arab and Middle Eastern women have been conceived in literature written by both Western and Arab male and female authors. It covers almost a millennium of literature, beginning with the eleventh century Crusades which represent the earliest encounters between the West and the East. From there, the discussion moves to examine representations of Middle Eastern women in Western literature and the influences that helped forge that image, such as the biblical stories of Salomé, The Arabian Nights, the Mu’allaquat or the Seven Arabian Poems, Al-Firdausi’s poetic epic, The Shahname, and the travelogues of British explorers who travelled the Middle East. Finally, the thesis turns to the work of Arab authors writing about their own culture and identity.
The analysis of this material is structured chronologically and undertaken in three parts. The first part examines historical and contextual material to establish the ways in which Oriental images, narratives and landscape became imbedded in the Western psyche and influenced Western literature and how Near Eastern men and women were imagined. The second stage analyses late nineteenth and early twentieth century British texts which engage directly with or are influenced by Oriental themes and ideas. The third stage considers English translations of Arabic texts written by men and women and their depiction of Arab women, in addition to a comparison between Western views of the East and Arabic perceptions of the West. The discussion concludes with a discussion of diasporic literature written by Arab women which forms a dialogue and a bridge between the two cultures.
The diverse range of literary forms discussed in the thesis include: travelogues; epistolary writing; poetry; drama; novel; memoirs; biographies; social criticism; and art. All the material discussed here is available in English with the exception of two or three poems and some critical works.

text: Let the Real Scheherazade Stand: Literary Representations of Middle Eastern Women This thesis considers the multiple and complex ways in which Arab and Middle Eastern women have been conceived in literature written by both Western and Arab male and female authors. It covers almost a millennium of literature, beginning with the eleventh century Crusades which represent the earliest encounters between the West and the East. From there, the discussion moves to examine representations of Middle Eastern women in Western literature and the influences that helped forge that image, such as the biblical stories of Salomé, The Arabian Nights, the Mu’allaquat or the Seven Arabian Poems, Al-Firdausi’s poetic epic, The Shahname, and the travelogues of British explorers who travelled the Middle East. Finally, the thesis turns to the work of Arab authors writing about their own culture and identity.
The analysis of this material is structured chronologically and undertaken in three parts. The first part examines historical and contextual material to establish the ways in which Oriental images, narratives and landscape became imbedded in the Western psyche and influenced Western literature and how Near Eastern men and women were imagined. The second stage analyses late nineteenth and early twentieth century British texts which engage directly with or are influenced by Oriental themes and ideas. The third stage considers English translations of Arabic texts written by men and women and their depiction of Arab women, in addition to a comparison between Western views of the East and Arabic perceptions of the West. The discussion concludes with a discussion of diasporic literature written by Arab women which forms a dialogue and a bridge between the two cultures.
The diverse range of literary forms discussed in the thesis include: travelogues; epistolary writing; poetry; drama; novel; memoirs; biographies; social criticism; and art. All the material discussed here is available in English with the exception of two or three poems and some critical works.

year: 2016

title: Homeless lives in New Zealand: The case of central Auckland

authors: Groot, Shiloh Ann Maree

subjects: Maori

abstract: Homelessness is a pressing and increasingly visible concern in New Zealand. Many people sleeping rough are male and of Maori or Pacific descent. This research focuses on understanding the nature of resilience through the lived experiences of homeless people. To gain insights into cultures of homelessness, a qualitative case study research design was used to engage six homeless people who took part in a series of interviews and photoproduction exercises. Participants are of Maori, Pacific Island, and Pakeha ethnic backgrounds. It therefore may become important to document how homeless people see themselves in relation to their communities of origin and the wider public.

text: Homeless lives in New Zealand: The case of central Auckland Homelessness is a pressing and increasingly visible concern in New Zealand. Many people sleeping rough are male and of Maori or Pacific descent. This research focuses on understanding the nature of resilience through the lived experiences of homeless people. To gain insights into cultures of homelessness, a qualitative case study research design was used to engage six homeless people who took part in a series of interviews and photoproduction exercises. Participants are of Maori, Pacific Island, and Pakeha ethnic backgrounds. It therefore may become important to document how homeless people see themselves in relation to their communities of origin and the wider public.

year: 2008