title: Spatial variation in 'Hayward' kiwifruit fruit size and orchard yield within a growing region across seasons

authors: Woodward, Tim J.

subjects: Fruit size

abstract: Between-orchard variation in average fruit size and yield at commercial harvest of 341 conventionally managed commercial 'Hayward' kiwifruit orchards within the Te Puke growing region of New Zealand was spatially modelled over consecutive growing seasons (2003-08). The magnitude of between-orchard variation in average yield was three-fold higher than that of between-orchard variation in average fruit size, both within and across seasons. Within seasons there were spatial patterns to the distribution of average fruit size and yields between orchards. The temporal consistency of the spatial variation enabled segregation of the Te Puke growing region into geographic zones containing orchards that produced statistically distinct fruit size and yield outcomes at harvest in five out of the six seasons studied. Although the location of an orchard within the Te Puke growing region had an effect on the yield and average size of the fruit produced, orchard location was only weakly predictive of average fruit size and yield outcomes. Therefore we conclude that, in this situation, zonation between orchards should not be where the effort in managing variation in 'Hayward' kiwifruit orchard productivity is concentrated

text: Spatial variation in 'Hayward' kiwifruit fruit size and orchard yield within a growing region across seasons Between-orchard variation in average fruit size and yield at commercial harvest of 341 conventionally managed commercial 'Hayward' kiwifruit orchards within the Te Puke growing region of New Zealand was spatially modelled over consecutive growing seasons (2003-08). The magnitude of between-orchard variation in average yield was three-fold higher than that of between-orchard variation in average fruit size, both within and across seasons. Within seasons there were spatial patterns to the distribution of average fruit size and yields between orchards. The temporal consistency of the spatial variation enabled segregation of the Te Puke growing region into geographic zones containing orchards that produced statistically distinct fruit size and yield outcomes at harvest in five out of the six seasons studied. Although the location of an orchard within the Te Puke growing region had an effect on the yield and average size of the fruit produced, orchard location was only weakly predictive of average fruit size and yield outcomes. Therefore we conclude that, in this situation, zonation between orchards should not be where the effort in managing variation in 'Hayward' kiwifruit orchard productivity is concentrated

year: 2012

title: Depression in autobiographical sports writing: A backstage pass into the dark locker room

authors: Shepherd, Caleb

subjects: Depression

abstract: Autobiographical sports writing (ASW) enables authors to provide the general public an insight into their world as an elite athlete. Access to the lives of these athletes is otherwise left to sports media and journalism, which can often skew material for the right headline. This autobiographical insight also allows athletes the opportunity to discuss their battles with depression and mental health without the scrutiny of media and without the risks of giving their competitors an edge. It is important for all autobiographical writers to establish a connection with the reader and recognise that by entering into the field of ASW they are also entering into an unwritten contract that implies their story is truthful. This requires a level of vulnerability and bravery from the writer, particularly with a topic such as depression. The resulting ASW grants the audience a backstage pass into their often dark and confronting ‘locker rooms’. 

This thesis will examine and critically analyse three primary texts from this field: Graeme Obree’s Flying Scotsman, Andre Agassi’s Open and Amanda Beard’s In The Water They Can’t See You Cry. I will undertake a literature-focused consideration of the methods each author uses to craft their narrative. These texts represent individual stories which are unique and set them apart from the vast majority of sports writing. Each author uses specific literary techniques to craft their narratives; which include a combination of first-person narration, present tense, outward expression of internal voice and careful selection of opening scenes. 

This is a creative practice thesis and the critical analysis will be followed by an extract from my own memoir in the same field, The Other Games. The creative component is thematically linked to the critical analysis, examining my personal life as an Olympic rowing coxswain and detailing some of my periodic battles with depression. This section will also incorporate and display some of the literary techniques that bring my chosen texts to life, in particular a carefully selected opening scene and an outward expression of internal voice through italics.

text: Depression in autobiographical sports writing: A backstage pass into the dark locker room Autobiographical sports writing (ASW) enables authors to provide the general public an insight into their world as an elite athlete. Access to the lives of these athletes is otherwise left to sports media and journalism, which can often skew material for the right headline. This autobiographical insight also allows athletes the opportunity to discuss their battles with depression and mental health without the scrutiny of media and without the risks of giving their competitors an edge. It is important for all autobiographical writers to establish a connection with the reader and recognise that by entering into the field of ASW they are also entering into an unwritten contract that implies their story is truthful. This requires a level of vulnerability and bravery from the writer, particularly with a topic such as depression. The resulting ASW grants the audience a backstage pass into their often dark and confronting ‘locker rooms’. 

This thesis will examine and critically analyse three primary texts from this field: Graeme Obree’s Flying Scotsman, Andre Agassi’s Open and Amanda Beard’s In The Water They Can’t See You Cry. I will undertake a literature-focused consideration of the methods each author uses to craft their narrative. These texts represent individual stories which are unique and set them apart from the vast majority of sports writing. Each author uses specific literary techniques to craft their narratives; which include a combination of first-person narration, present tense, outward expression of internal voice and careful selection of opening scenes. 

This is a creative practice thesis and the critical analysis will be followed by an extract from my own memoir in the same field, The Other Games. The creative component is thematically linked to the critical analysis, examining my personal life as an Olympic rowing coxswain and detailing some of my periodic battles with depression. This section will also incorporate and display some of the literary techniques that bring my chosen texts to life, in particular a carefully selected opening scene and an outward expression of internal voice through italics.

year: 2020

title: Indigenous Psychology in Aotearoa: Realising Māori Aspirations

authors: Levy, Michelle Patricia

subjects: Maori

abstract: Indigenous psychology in Aotearoa positions the aspirations of Māori as central.  The aim of this thesis is to describe and contribute to the development of a psychological discipline which is relevant and of benefit for Māori communities.  Part One sets the scene in Aotearoa, examining the relationship between Māori development and psychology.  Part Two explores the indigenous psychology literature base, identifying strategies which may be relevant to Aotearoa.  The key themes of context, critical mass, and mechanisms to support indigenous psychology development are identified as being relevant to Aotearoa.  Part Three explores indigenous psychology development in Aotearoa.  Data from a range of sources is qualitatively analysed to develop five themes which describe the current status of Māori development in psychology, the importance of the critical mass and the notion of collective responsibility.  Part Four, drawing from the analysis in Parts One, Two and Three, identifies 'reaching the point of irreversible change' as the next phase of indigenous psychology development in Aotearoa.  This is the point at which indigenous psychology development becomes self-sustaining.  

The point at which irreversible change occurs is when: Māori knowledge bases are a legitimate part of psychology in Aotearoa; resistance to the legitimacy of Māori knowledge bases in psychology is not a characteristic of our landscape; environments supportive of indigenous psychology development are commonplace; and responsibility for contributing to indigenous psychology development is shared among and sustained by the collective capacity of the Leaders and Producers.  Consolidation, the process by which multiple and interrelated pathways are connected to form a unified whole, is fundamental to reaching the point of irreversible change.  An original interactional framework for consolidation is proposed.  This framework is based on two key consolidating mechanisms: a working description of Kaupapa Māori Psychologies; and a Kaupapa Māori Psychologies Research and Training Centre.  Psychologies relevant and of benefit to Māori communities which contribute to the realisation of Māori aspirations are the cornerstones, with all elements of the framework leading back into this fundamental foundation.

text: Indigenous Psychology in Aotearoa: Realising Māori Aspirations Indigenous psychology in Aotearoa positions the aspirations of Māori as central.  The aim of this thesis is to describe and contribute to the development of a psychological discipline which is relevant and of benefit for Māori communities.  Part One sets the scene in Aotearoa, examining the relationship between Māori development and psychology.  Part Two explores the indigenous psychology literature base, identifying strategies which may be relevant to Aotearoa.  The key themes of context, critical mass, and mechanisms to support indigenous psychology development are identified as being relevant to Aotearoa.  Part Three explores indigenous psychology development in Aotearoa.  Data from a range of sources is qualitatively analysed to develop five themes which describe the current status of Māori development in psychology, the importance of the critical mass and the notion of collective responsibility.  Part Four, drawing from the analysis in Parts One, Two and Three, identifies 'reaching the point of irreversible change' as the next phase of indigenous psychology development in Aotearoa.  This is the point at which indigenous psychology development becomes self-sustaining.  

The point at which irreversible change occurs is when: Māori knowledge bases are a legitimate part of psychology in Aotearoa; resistance to the legitimacy of Māori knowledge bases in psychology is not a characteristic of our landscape; environments supportive of indigenous psychology development are commonplace; and responsibility for contributing to indigenous psychology development is shared among and sustained by the collective capacity of the Leaders and Producers.  Consolidation, the process by which multiple and interrelated pathways are connected to form a unified whole, is fundamental to reaching the point of irreversible change.  An original interactional framework for consolidation is proposed.  This framework is based on two key consolidating mechanisms: a working description of Kaupapa Māori Psychologies; and a Kaupapa Māori Psychologies Research and Training Centre.  Psychologies relevant and of benefit to Māori communities which contribute to the realisation of Māori aspirations are the cornerstones, with all elements of the framework leading back into this fundamental foundation.

year: 2007