title: Tihei Mauri Ora: A Māori response to health disparities

authors: Waitoa, Alieta Jei

subjects: Maori

abstract: Māori bear a disproportionate burden of health problems which, in concert with other factors (e.g. poor housing, low socio-economic status and low education attainment), contribute to and maintain low health status. It is noted that there have been multiple attempts to reduce health inequities – however, such attempts have been largely unsuccessful. Barriers to success include government reticence, restrictions on Māori participation in determining health directions/solutions, current contract paradigms and a reluctance to engage in meaningful partnerships with Māori. Those barriers occur within a cultural framework which defines (and therefore prioritises) the health of an individual over the needs of the collective.

The hypothesis of this research is that Māori health disparities are best addressed via the development and delivery of Māori health models by services which are oriented to kaupapa Māori principles. Utilising a case study approach, this thesis looks at the outcomes generated when a kaupapa Māori service applies key Māori principles to health service delivery. The case study, in tandem with focus group interviews identifies the key elements necessary to developing services which are responsive to the needs of Māori.

This study identified the importance of promoting change (and ultimately improve Māori health status) that encompasses the formation of a framework which considers collective benefit over individualism, encompasses Māori values, acknowledges and accepts Māoricentric clinical interventions. In addition, the thesis asserts that Māori health status will improve once Māori are active participants rather than recipients of health services.

text: Tihei Mauri Ora: A Māori response to health disparities Māori bear a disproportionate burden of health problems which, in concert with other factors (e.g. poor housing, low socio-economic status and low education attainment), contribute to and maintain low health status. It is noted that there have been multiple attempts to reduce health inequities – however, such attempts have been largely unsuccessful. Barriers to success include government reticence, restrictions on Māori participation in determining health directions/solutions, current contract paradigms and a reluctance to engage in meaningful partnerships with Māori. Those barriers occur within a cultural framework which defines (and therefore prioritises) the health of an individual over the needs of the collective.

The hypothesis of this research is that Māori health disparities are best addressed via the development and delivery of Māori health models by services which are oriented to kaupapa Māori principles. Utilising a case study approach, this thesis looks at the outcomes generated when a kaupapa Māori service applies key Māori principles to health service delivery. The case study, in tandem with focus group interviews identifies the key elements necessary to developing services which are responsive to the needs of Māori.

This study identified the importance of promoting change (and ultimately improve Māori health status) that encompasses the formation of a framework which considers collective benefit over individualism, encompasses Māori values, acknowledges and accepts Māoricentric clinical interventions. In addition, the thesis asserts that Māori health status will improve once Māori are active participants rather than recipients of health services.

year: 2014

title: Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.

authors: Rollo, Te Manaaroha Pirihira

subjects: Kīngitanga

abstract: Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As this music tradition evolves with the introduction of new musical idioms, genres and digital technology, so too do the practices of composing new works. 

The objective of this research was to construct a model for combining waiata, taonga pūoro and New Zealand electroacoustic music, in order to create new works that enhance the Kīngitanga music tradition.  Developing a model for composing and integrating these idioms within a Māori context presented problems, as traditional Māori music conflict with contemporary Western forms. 

To generate a framework and practical model for composing hybrid music, an examination of selected New Zealand works was first carried out through: a) the collection of 50 traditional and contemporary waiata relating to the Kīngitanga b) the collection of 10 New Zealand taonga pūoro works and c) a collection of 10 New Zealand electroacoustic music. An analysis of the music and compositional processes of each idiom implementing the ‘de-construct in order to re-construct’ approach to understand how they work musically and compositionally was accomplished. 

To demonstrate the outcome of my models, six original compositions were presented exploring different aspects of musical composition. These models focused on sound architecture and explored a) communicative relationships between composer, performer, and audience b) Holistic Co-hear-ence, implementing the horizontal and vertical layering model, and c) technical approaches using digital technology. To comply with Māori principles of composition and performance, each model and new work demonstrated Kaupapa Māori , Wairua  and Te Mana - Te Ihi - Te Wehi - Te Tapu . 

The findings and original contributions of this research provide a model that combines two musical traditions and three music idioms, and in turn, may guide contemporary composers in creating new works that extend the Kīngitanga music tradition.

text: Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As this music tradition evolves with the introduction of new musical idioms, genres and digital technology, so too do the practices of composing new works. 

The objective of this research was to construct a model for combining waiata, taonga pūoro and New Zealand electroacoustic music, in order to create new works that enhance the Kīngitanga music tradition.  Developing a model for composing and integrating these idioms within a Māori context presented problems, as traditional Māori music conflict with contemporary Western forms. 

To generate a framework and practical model for composing hybrid music, an examination of selected New Zealand works was first carried out through: a) the collection of 50 traditional and contemporary waiata relating to the Kīngitanga b) the collection of 10 New Zealand taonga pūoro works and c) a collection of 10 New Zealand electroacoustic music. An analysis of the music and compositional processes of each idiom implementing the ‘de-construct in order to re-construct’ approach to understand how they work musically and compositionally was accomplished. 

To demonstrate the outcome of my models, six original compositions were presented exploring different aspects of musical composition. These models focused on sound architecture and explored a) communicative relationships between composer, performer, and audience b) Holistic Co-hear-ence, implementing the horizontal and vertical layering model, and c) technical approaches using digital technology. To comply with Māori principles of composition and performance, each model and new work demonstrated Kaupapa Māori , Wairua  and Te Mana - Te Ihi - Te Wehi - Te Tapu . 

The findings and original contributions of this research provide a model that combines two musical traditions and three music idioms, and in turn, may guide contemporary composers in creating new works that extend the Kīngitanga music tradition.

year: 2014

title: How to generalise demonic composition

authors: Stokes, Tim E.

abstract: Demonic composition is defined on the set of binary relations over the non-empty set X, 𝑅𝑒𝑙𝑋, and is a variant of standard or “angelic” composition. It arises naturally in the setting of the theory of non-deterministic computer programs, and shares many of the nice features of ordinary composition (it is associative, and generalises composition of functions). When equipped with the operations of demonic composition and domain, 𝑅𝑒𝑙𝑋 is a left restriction semigroup (like 𝑃𝑇𝑋, the semigroup of partial functions on X), whereas usual composition and domain give a unary semigroup satisfying weaker laws. By viewing 𝑅𝑒𝑙𝑋 under a restricted version of its usual composition and domain as a constellation (a kind of “one-sided” category), we show how this demonic left restriction semigroup structure arises on 𝑅𝑒𝑙𝑋, placing it in a more general context. The construction applies to any unary semigroup with a “domain-like” operation satisfying certain minimal conditions which we identify. In particular it is shown that using the construction, any Baer ∗-semigroup S can be given a left restriction semigroup structure which is even an inverse semigroup if S is ∗-regular. It follows that the semigroup of 𝑛×𝑛 matrices over the real or complex numbers is an inverse semigroup with respect to a modified notion of product that almost always agrees with the usual matrix product, and in which inverse is pseudoinverse (Moore–Penrose inverse).

text: How to generalise demonic composition Demonic composition is defined on the set of binary relations over the non-empty set X, 𝑅𝑒𝑙𝑋, and is a variant of standard or “angelic” composition. It arises naturally in the setting of the theory of non-deterministic computer programs, and shares many of the nice features of ordinary composition (it is associative, and generalises composition of functions). When equipped with the operations of demonic composition and domain, 𝑅𝑒𝑙𝑋 is a left restriction semigroup (like 𝑃𝑇𝑋, the semigroup of partial functions on X), whereas usual composition and domain give a unary semigroup satisfying weaker laws. By viewing 𝑅𝑒𝑙𝑋 under a restricted version of its usual composition and domain as a constellation (a kind of “one-sided” category), we show how this demonic left restriction semigroup structure arises on 𝑅𝑒𝑙𝑋, placing it in a more general context. The construction applies to any unary semigroup with a “domain-like” operation satisfying certain minimal conditions which we identify. In particular it is shown that using the construction, any Baer ∗-semigroup S can be given a left restriction semigroup structure which is even an inverse semigroup if S is ∗-regular. It follows that the semigroup of 𝑛×𝑛 matrices over the real or complex numbers is an inverse semigroup with respect to a modified notion of product that almost always agrees with the usual matrix product, and in which inverse is pseudoinverse (Moore–Penrose inverse).

year: 2020