title: Photographic portrayal of women in the annual reports of companies listed on the New Zealand stock exchange

authors: Shen, Jenny

subjects: gender

abstract: Studies suggest that women are underrepresented and portrayed stereotypically in the mainstream media. Stereotypical images of women generally portray them as a wife or mother, in situations where they are depicted as inferior to men, or make use of their sexuality to sell products or services. Images are reconstructions of the truth (David, 2001). As such, the negative portrayal of women raises the concern that gender biases reinforced through representations in annual reports may contribute to the gendering of organisations. This paper uses New Zealand annual reports to replicate and confirm the findings of an earlier study by Benschop and Meihuizen (2002).

text: Photographic portrayal of women in the annual reports of companies listed on the New Zealand stock exchange Studies suggest that women are underrepresented and portrayed stereotypically in the mainstream media. Stereotypical images of women generally portray them as a wife or mother, in situations where they are depicted as inferior to men, or make use of their sexuality to sell products or services. Images are reconstructions of the truth (David, 2001). As such, the negative portrayal of women raises the concern that gender biases reinforced through representations in annual reports may contribute to the gendering of organisations. This paper uses New Zealand annual reports to replicate and confirm the findings of an earlier study by Benschop and Meihuizen (2002).

year: 2008

title: Maximizing precision over extended unambiguous range for TOF range imaging systems

authors: Jongenelen, Adrian P.P.

subjects: range imaging

abstract: The maximum unambiguous range for time-of-flight range imaging systems is inversely proportional to the chosen modulation frequency. However, increasing the unambiguous range by decreasing the modulation frequency will generally also degrade the range measurement precision. We describe a technique that significantly extends the range of a time-of-flight imaging system without compromising range precision. This is achieved by employing two modulation frequencies simultaneously. The chosen frequencies can be a combination of high and low frequency, or two similarly high frequencies. In this paper we present experimental results comparing single frequency; dual high and low frequency; and dual high frequency operation and demonstrate that range precision need not be appreciably compromised to achieve an extended unambiguous range.

text: Maximizing precision over extended unambiguous range for TOF range imaging systems The maximum unambiguous range for time-of-flight range imaging systems is inversely proportional to the chosen modulation frequency. However, increasing the unambiguous range by decreasing the modulation frequency will generally also degrade the range measurement precision. We describe a technique that significantly extends the range of a time-of-flight imaging system without compromising range precision. This is achieved by employing two modulation frequencies simultaneously. The chosen frequencies can be a combination of high and low frequency, or two similarly high frequencies. In this paper we present experimental results comparing single frequency; dual high and low frequency; and dual high frequency operation and demonstrate that range precision need not be appreciably compromised to achieve an extended unambiguous range.

year: 2010

title: Matariki, commodity culture, and multiple identities

authors: Hardy, Ann

subjects: Matariki

abstract: The event known as Matariki, the rising of the Pleiades in winter, which Māori take as the mark of the beginning of a new year, was not a strong feature of the wider public sphere for most of the 20th century. Since 2001, however, when Te Taura Whiri, the Māori Language Commission, published an explanatory booklet with the aim of reviving interest in Matariki as an aide to the maintenance of te reo, it has been promoted by several quasi-governmental institutions, especially the national museum, Te Papa, as a winter festival for all New Zealanders. Its main public presence to date has been through media products: posters, banners, websites, television programmes, newspaper features, calendars, some theatrical performances and physical commemoration ceremonies.

The larger project, of which this paper represents an initial descriptive and positioning phase, is a continuation of the researcher's long-standing interest in the intersections of religiosity, culture, and media as they are active in the environment of Aotearoa New Zealand. It assumes, building on theorists such as Bellah and Lundby that the creation of such festivals is an act of 'civil religiosity' that attempts to create and strengthen national community around a set of numinous symbols.
However, the development of an enterprise such as Matariki is pursued in a complex political field, where broad agreement across various factions is needed before the festival can take on an enduring material and symbolic existence. In investigating the factors that will determine the future of Matariki it is relevant to consider the interaction of three factors in particular: the ethno-political history of New Zealand; the characteristics of contemporary reflexive spirituality, which are intertwined with commodificatory tendencies and thirdly, the impacts of increasing globalisation on the parameters of identity-formation for citizens in late-modern societies.

text: Matariki, commodity culture, and multiple identities The event known as Matariki, the rising of the Pleiades in winter, which Māori take as the mark of the beginning of a new year, was not a strong feature of the wider public sphere for most of the 20th century. Since 2001, however, when Te Taura Whiri, the Māori Language Commission, published an explanatory booklet with the aim of reviving interest in Matariki as an aide to the maintenance of te reo, it has been promoted by several quasi-governmental institutions, especially the national museum, Te Papa, as a winter festival for all New Zealanders. Its main public presence to date has been through media products: posters, banners, websites, television programmes, newspaper features, calendars, some theatrical performances and physical commemoration ceremonies.

The larger project, of which this paper represents an initial descriptive and positioning phase, is a continuation of the researcher's long-standing interest in the intersections of religiosity, culture, and media as they are active in the environment of Aotearoa New Zealand. It assumes, building on theorists such as Bellah and Lundby that the creation of such festivals is an act of 'civil religiosity' that attempts to create and strengthen national community around a set of numinous symbols.
However, the development of an enterprise such as Matariki is pursued in a complex political field, where broad agreement across various factions is needed before the festival can take on an enduring material and symbolic existence. In investigating the factors that will determine the future of Matariki it is relevant to consider the interaction of three factors in particular: the ethno-political history of New Zealand; the characteristics of contemporary reflexive spirituality, which are intertwined with commodificatory tendencies and thirdly, the impacts of increasing globalisation on the parameters of identity-formation for citizens in late-modern societies.

year: 2011