title: A spatial hypertext-based, personal digital library for capturing and organizing musical moments

authors: Bainbridge, David

subjects: music composition

abstract: We describe the design, development, and evaluation of a personal digital music library application designed to assist musicians in capturing, developing, and managing their musical ideas over time. The target user group is musicians who primarily use audio and text for composition and arrangement, rather than with formal music notation. The software design was guided by a formative user study which suggested five requirements for the software to support: capturing, overdubbing, developing, archiving, and organizing. This led to a spatial hypermedia approach forming the basis for the developed application. Furthermore, the underlying spatial data-model was exploited to give raw audio compositions a hierarchical structure, and-to aid musicians in retrieving previous ideas-a search facility was provided to support both query by humming and text-based queries. A user evaluation of the implemented environment indicated that the target musicians would find the hypermedia environment useful for capturing and managing their moments of musical creativity. More specifically, they would make use of the query by humming facility and the hierarchical track organization, but not the overdubbing facility as implemented.

text: A spatial hypertext-based, personal digital library for capturing and organizing musical moments We describe the design, development, and evaluation of a personal digital music library application designed to assist musicians in capturing, developing, and managing their musical ideas over time. The target user group is musicians who primarily use audio and text for composition and arrangement, rather than with formal music notation. The software design was guided by a formative user study which suggested five requirements for the software to support: capturing, overdubbing, developing, archiving, and organizing. This led to a spatial hypermedia approach forming the basis for the developed application. Furthermore, the underlying spatial data-model was exploited to give raw audio compositions a hierarchical structure, and-to aid musicians in retrieving previous ideas-a search facility was provided to support both query by humming and text-based queries. A user evaluation of the implemented environment indicated that the target musicians would find the hypermedia environment useful for capturing and managing their moments of musical creativity. More specifically, they would make use of the query by humming facility and the hierarchical track organization, but not the overdubbing facility as implemented.

year: 2012

title: A classic case of test envy in sex offender risk assessment

authors: Boer, Douglas Pieter

subjects: sex offender

abstract: The SORAG, SVR-20, VRS-S0, STATIC99, SONAR, STABLE (see below for references), and other relatively similar risk prediction tools (RSVPTs) are just a few of the currently available risk assessment measures designed for use with sexual offenders. These instruments all purport to do a similar job – providing estimates of likelihood to recidivate – and most of the associated authors claim that their test, or their type of test, does a better job at risk assessment than the competition. This same debate exists among the experts of risk assessment for non-sexual violent offenders and the discussion from this paper can be extended to risk assessment in general.

text: A classic case of test envy in sex offender risk assessment The SORAG, SVR-20, VRS-S0, STATIC99, SONAR, STABLE (see below for references), and other relatively similar risk prediction tools (RSVPTs) are just a few of the currently available risk assessment measures designed for use with sexual offenders. These instruments all purport to do a similar job – providing estimates of likelihood to recidivate – and most of the associated authors claim that their test, or their type of test, does a better job at risk assessment than the competition. This same debate exists among the experts of risk assessment for non-sexual violent offenders and the discussion from this paper can be extended to risk assessment in general.

year: 2002-04

title: Takitoru: creative practice toward the development of a trilingual dramaturgical kaupapa

authors: Lodge, Alexandra Rose Pittaway

subjects: theatre

abstract: I have focused on writing a play in the three languages of Aotearoa: New Zealand Sign Language, te reo Māori, and NZ English. Through the development of this script with three actors I have found techniques for performance and workshopping to encourage multilingual creative practice for a playwright. Through case studies of playwrights doing similar work at an international level, I have synthesised analytical and creative research into a final script and summary of my dramaturgical findings.
Through creative practice in scriptwriting and developmental workshops, this research explores what story-telling modes, devices or styles seem particularly apt for conveying an inclusive and engaging trilingual narrative on stage.
This specifically involves developing a dramaturgical set of insights for others who may want to do cross-language performance in Aotearoa.

text: Takitoru: creative practice toward the development of a trilingual dramaturgical kaupapa I have focused on writing a play in the three languages of Aotearoa: New Zealand Sign Language, te reo Māori, and NZ English. Through the development of this script with three actors I have found techniques for performance and workshopping to encourage multilingual creative practice for a playwright. Through case studies of playwrights doing similar work at an international level, I have synthesised analytical and creative research into a final script and summary of my dramaturgical findings.
Through creative practice in scriptwriting and developmental workshops, this research explores what story-telling modes, devices or styles seem particularly apt for conveying an inclusive and engaging trilingual narrative on stage.
This specifically involves developing a dramaturgical set of insights for others who may want to do cross-language performance in Aotearoa.

year: 2020