title: From Al-Qaida in 2001 to ISIL in 2015: The Security Council's decisions on terrorism and their impact on the right to self-defense against autonomous non-state actors

authors: Alvarez-Jimenez, Alberto

abstract: “The fortunes of war more than any other are liable to frequent fluctuations,” said Don Quixote. Prominent voices certainly embraced this logic regarding a right to self-defense against autonomous non-State actors shortly after 9/11 , mainly as a result of Resolutions 1368 and 1373 (2001) adopted by the Security Council in the aftermath of the infamous terrorist attacks.  Others argued that these resolutions had lowered the threshold of attribution to States of actions carried out by non-State actors, in the sense that States would be held responsible for armed attacks consummated by terrorist groups that the former had either actively or passively supported.

text: From Al-Qaida in 2001 to ISIL in 2015: The Security Council's decisions on terrorism and their impact on the right to self-defense against autonomous non-state actors “The fortunes of war more than any other are liable to frequent fluctuations,” said Don Quixote. Prominent voices certainly embraced this logic regarding a right to self-defense against autonomous non-State actors shortly after 9/11 , mainly as a result of Resolutions 1368 and 1373 (2001) adopted by the Security Council in the aftermath of the infamous terrorist attacks.  Others argued that these resolutions had lowered the threshold of attribution to States of actions carried out by non-State actors, in the sense that States would be held responsible for armed attacks consummated by terrorist groups that the former had either actively or passively supported.

year: 2017

title: Life, the crocodile, the Pisikoa and the wind: representations of teaching in the writings of three pacific authors.

authors: Devine, Nesta

subjects: Pacific literature

abstract: In the course of research involving the experiences of teachers of Pacific ancestry in New Zealand public schools, I became interested in the ways in which teachers were represented in Pacific thinking. Published works give relatively easy access to at least some of the patterns of thought evoked by the term teacher. In this paper I shall look at the kinds of teacher and teaching shown by Ruparuke Petaia, Albert Wendt and Sia Figiel. These authors, all confidently Samoan, portray some of the complexities of learning and teaching from within Samoan sensibilities. ÂLife", "the Crocodile", "the Pisikoa" and "the Wind" are all the names of teachers in this literature. My discussion of Kidnapped by Petaia (1974), Ola by Wendt (1991) and Where we once belonged by Figiel (1996) is not chronologically ordered so much as thematically arranged. The three themes are: decolonisation of education, the European teacher of Pasifika students and the Samoan teacher of Samoan students. Petaia presents a decolonising stance: the teacher as instrument of colonisation or enslavement. This perception is followed through by a discussion of Figiel's character, Siniva, who likewise rejects European knowledge as a form of darkness, and a brief reference to this idea by Wendt. Both Wendt and Figiel portray European teachers as arrogant in their assumptions about the universal nature of their knowledge, and as comic figures of enlightenment colonisation, somehow cut off from embodied human experience. Wendt sees the Samoan teacher as ineffectual, an instrument of a kind of hopeless enlightenment, frustrated by regulations and village traditions, while Fig iel sees her as a real presence in village life but a tragic figure of local ignorance.

text: Life, the crocodile, the Pisikoa and the wind: representations of teaching in the writings of three pacific authors. In the course of research involving the experiences of teachers of Pacific ancestry in New Zealand public schools, I became interested in the ways in which teachers were represented in Pacific thinking. Published works give relatively easy access to at least some of the patterns of thought evoked by the term teacher. In this paper I shall look at the kinds of teacher and teaching shown by Ruparuke Petaia, Albert Wendt and Sia Figiel. These authors, all confidently Samoan, portray some of the complexities of learning and teaching from within Samoan sensibilities. ÂLife", "the Crocodile", "the Pisikoa" and "the Wind" are all the names of teachers in this literature. My discussion of Kidnapped by Petaia (1974), Ola by Wendt (1991) and Where we once belonged by Figiel (1996) is not chronologically ordered so much as thematically arranged. The three themes are: decolonisation of education, the European teacher of Pasifika students and the Samoan teacher of Samoan students. Petaia presents a decolonising stance: the teacher as instrument of colonisation or enslavement. This perception is followed through by a discussion of Figiel's character, Siniva, who likewise rejects European knowledge as a form of darkness, and a brief reference to this idea by Wendt. Both Wendt and Figiel portray European teachers as arrogant in their assumptions about the universal nature of their knowledge, and as comic figures of enlightenment colonisation, somehow cut off from embodied human experience. Wendt sees the Samoan teacher as ineffectual, an instrument of a kind of hopeless enlightenment, frustrated by regulations and village traditions, while Fig iel sees her as a real presence in village life but a tragic figure of local ignorance.

year: 2006

title: What do New Zealand picturebooks tell us about New Zealand national identity?

authors: Daly, Nicola

abstract: Jeffries (2004, p. 4) defines national identity as ' ... a shared sense of belonging of a group of people that depends on a common area of named place, a common set of beliefs and values, and positive feelings for a specific named geographical area'. In her examination of how New Zealand culture is portrayed in picturebooks published between 2000 and 2005, McNeur (2006) suggests that the visual and textual messages in children's picturebooks are an important contributor to the development of children's national identity. This paper describes the process of choosing a collection of 22 New Zealand children's picturebooks (known as the New Zealand PictureBook Collection) to reflect and represent diversity in New Zealand national identity, and analyses what these books tell us about the New Zealand national identity.

text: What do New Zealand picturebooks tell us about New Zealand national identity? Jeffries (2004, p. 4) defines national identity as ' ... a shared sense of belonging of a group of people that depends on a common area of named place, a common set of beliefs and values, and positive feelings for a specific named geographical area'. In her examination of how New Zealand culture is portrayed in picturebooks published between 2000 and 2005, McNeur (2006) suggests that the visual and textual messages in children's picturebooks are an important contributor to the development of children's national identity. This paper describes the process of choosing a collection of 22 New Zealand children's picturebooks (known as the New Zealand PictureBook Collection) to reflect and represent diversity in New Zealand national identity, and analyses what these books tell us about the New Zealand national identity.

year: 2016