title: Dark tourism and voyeurism: tourist arrested for “spying” in Iran

authors: Buda, Dorina Maria

subjects: dark tourism/tourist

abstract: Purpose – The purpose of this paper is to propose voyeurism as one possible lens to analyse the experiential nature of dark tourism in places of socio-political danger, thus expanding psychoanalytic understandings of those who travel to a “dark” place.
Design/methodology/approach – Freud's and Lacan's theories on voyeurism are used to examine the desire to travel to and gaze upon something that is (socially constructed as) forbidden, such as a place that is portrayed as being hostile to international tourists. A qualitative and critical analysis approach is employed to examine one tourist's experience of travelling to Iran and being imprisoned as a result of taking a photograph of what he thought was a sunrise but also pictured pylons near an electrical plant.
Findings – The authors' analysis of the experiences of this tourist in Iran reveals that tourism, in its widest sense, can be experienced as “dark” through the consumption and performance of danger. This finding moves beyond the examination of dark tourism merely as “tourist products”, or that frame a particular moment in time, or are merely founded on one's connection to or perception of the site.
Research limitations/implications – Whilst the authors recognise the limitations of the case study approach taken here, and as such, generalisations cannot be inferred from the findings, it is argued that there is merit in exploring critically the motivational and experiential nature of travel to places that may be considered forbidden, dangerous or hostile in an attempt to further understand the concept of dark tourism from a tourist's lived perspective.
Originality/value – As the authors bring voyeurism into the debate on dark tourism, the study analyses the voyeuristic experiences of a dark tourist. In short, the authors argue that the lived and “deviant” experiential nature of tourism itself can be included in the discussion of “dark tourism”.

text: Dark tourism and voyeurism: tourist arrested for “spying” in Iran Purpose – The purpose of this paper is to propose voyeurism as one possible lens to analyse the experiential nature of dark tourism in places of socio-political danger, thus expanding psychoanalytic understandings of those who travel to a “dark” place.
Design/methodology/approach – Freud's and Lacan's theories on voyeurism are used to examine the desire to travel to and gaze upon something that is (socially constructed as) forbidden, such as a place that is portrayed as being hostile to international tourists. A qualitative and critical analysis approach is employed to examine one tourist's experience of travelling to Iran and being imprisoned as a result of taking a photograph of what he thought was a sunrise but also pictured pylons near an electrical plant.
Findings – The authors' analysis of the experiences of this tourist in Iran reveals that tourism, in its widest sense, can be experienced as “dark” through the consumption and performance of danger. This finding moves beyond the examination of dark tourism merely as “tourist products”, or that frame a particular moment in time, or are merely founded on one's connection to or perception of the site.
Research limitations/implications – Whilst the authors recognise the limitations of the case study approach taken here, and as such, generalisations cannot be inferred from the findings, it is argued that there is merit in exploring critically the motivational and experiential nature of travel to places that may be considered forbidden, dangerous or hostile in an attempt to further understand the concept of dark tourism from a tourist's lived perspective.
Originality/value – As the authors bring voyeurism into the debate on dark tourism, the study analyses the voyeuristic experiences of a dark tourist. In short, the authors argue that the lived and “deviant” experiential nature of tourism itself can be included in the discussion of “dark tourism”.

year: 2013

title: Critical sets of 2-balanced Latin rectangles

authors: Cavenagh, Nicholas J.

subjects: Mathematics

abstract: An (m, n, 2)-balanced Latin rectangle is an (Formula presented.) array on symbols 0 and 1 such that each symbol occurs n times in each row and m times in each column, with each cell containing either two 0’s, two 1’s or both 0 and 1. We completely determine the structure of all critical sets of the full (m, n, 2)-balanced Latin rectangle (which contains 0 and 1 in each cell). If m, (Formula presented.), the minimum size for such a structure is shown to be (Formula presented.). Such critical sets in turn determine defining sets for (0, 1)-matrices.

text: Critical sets of 2-balanced Latin rectangles An (m, n, 2)-balanced Latin rectangle is an (Formula presented.) array on symbols 0 and 1 such that each symbol occurs n times in each row and m times in each column, with each cell containing either two 0’s, two 1’s or both 0 and 1. We completely determine the structure of all critical sets of the full (m, n, 2)-balanced Latin rectangle (which contains 0 and 1 in each cell). If m, (Formula presented.), the minimum size for such a structure is shown to be (Formula presented.). Such critical sets in turn determine defining sets for (0, 1)-matrices.

year: 2016

title: Kōkō Kehe

authors: Maxwell, Te Kahautu

abstract: This composition placed first in the Poi Composition section. Kōkō Kehe; this composition is about a fish species namely the Kehe. This composition talks about the appearance of this fish it has grennstone pounamu like colour and a moko tattoo pattern like that of a Māori male. It can only be caught on certain nights by a scoop net of kōkō. March is when the kehe is in its best condition to eat. The best relish for the kehe when eaten is a kūmara. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka 2015.

text: Kōkō Kehe This composition placed first in the Poi Composition section. Kōkō Kehe; this composition is about a fish species namely the Kehe. This composition talks about the appearance of this fish it has grennstone pounamu like colour and a moko tattoo pattern like that of a Māori male. It can only be caught on certain nights by a scoop net of kōkō. March is when the kehe is in its best condition to eat. The best relish for the kehe when eaten is a kūmara. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka 2015.

year: 2013-11-11