title: Mitigating flood risks: analysis of different types and quantity of green infrastructure

authors: Reu Junqueira, Juliana

abstract: Climate change is likely to intensify the effects of extreme weather events and increase their impacts on urban areas. A major emerging challenge for urban areas is how to address these uncertainties without neglecting the need to manage development and population growth.

text: Mitigating flood risks: analysis of different types and quantity of green infrastructure Climate change is likely to intensify the effects of extreme weather events and increase their impacts on urban areas. A major emerging challenge for urban areas is how to address these uncertainties without neglecting the need to manage development and population growth.

year: 2021

title: Urban narrative: Computational linguistic interpretation of large format public participation for urban infrastructure

authors: Dyer, Mark

abstract: Urban Narrative works at the interface between public participation and participatory design to support collaboration processes for urban planning and design. It applies computational linguistics to interpret large format public consultation by identifying shared interests and desired qualities for urban infrastructure services and utilities. As a proof of concept, data was used from the Christchurch public engagement initiative called ‘Share an Idea,’ where public thoughts, ideas, and opinions were expressed about the future redevelopment of Christchurch after the 2011 earthquakes. The data set was analysed to identify shared interests and desired connections between institutional, communal, or personal infrastructures with the physical urban infrastructures in terms of buildings, public places, and utilities. The data has been visualised using chord charts from the D3 JavaScript open source library to illustrate the existence of connections between soft and hard urban infrastructures along with individual contributions or stories. Lastly, the analysis was used to create an infographic design brief that compares and contrasts qualitative information from public consultation with quantitative municipal statistical data on well-being.

text: Urban narrative: Computational linguistic interpretation of large format public participation for urban infrastructure Urban Narrative works at the interface between public participation and participatory design to support collaboration processes for urban planning and design. It applies computational linguistics to interpret large format public consultation by identifying shared interests and desired qualities for urban infrastructure services and utilities. As a proof of concept, data was used from the Christchurch public engagement initiative called ‘Share an Idea,’ where public thoughts, ideas, and opinions were expressed about the future redevelopment of Christchurch after the 2011 earthquakes. The data set was analysed to identify shared interests and desired connections between institutional, communal, or personal infrastructures with the physical urban infrastructures in terms of buildings, public places, and utilities. The data has been visualised using chord charts from the D3 JavaScript open source library to illustrate the existence of connections between soft and hard urban infrastructures along with individual contributions or stories. Lastly, the analysis was used to create an infographic design brief that compares and contrasts qualitative information from public consultation with quantitative municipal statistical data on well-being.

year: 2020

title: Blood Quantum  “A Pūrākau approach to understanding the impact of ‘Blood Quantum’ in Māori Identity”

authors: Edwards, Alvina Jean

subjects: Blood quantum

abstract: “The master’s tools will never dismantle the master’s house” (Lorde, 1984, p.94)

This thesis begins and ends with being Ngāi Tahu, the two fundamental questions that generated this topic are: Who determines Indigenous legal identity? Who defines tribal membership and affiliation? Although the idea of defining Indigenous Peoples, for political purposes originated in colonial times, the complications, and complexities of defining who an Indigenous individual remains a truly contentious issue. This thesis will draw on the Indigenous Māori methodology of pūrākau, or story work for its structure and method to explore the above questions relating to Indigenous identity. The pūrākau approach enables the research to harness mātauranga Māori knowledge such as whakapapa and korero tuku iho alongside western thought, which is now inked in academic disciplines such as in the study of law. This thesis explores notions such as Indigenous ‘blood’ and our Indigenous ‘DNA.’ It is argued that to understand the history, the politics, the laws of blood quantum and DNA, it is important to understand the mind of the coloniser and the tools they continue to use. 

The study of blood quantum has become an important aspect of the tino rangatiratanga (self-determination) of many Indigenous peoples. From a historical and cultural perspective, blood quantum standards divide and alienate communities, and perpetuate a discourse that promotes internalised self-hatred, alienation, and fractionation. This research will develop pūrākau as a pedagogy through creating learning tools. These new learning tools will counteract the possibility of our Indigenous Peoples from being trapped within these social constructions. The thesis will explore possible self-determination techniques which emphasize pūrākau in establishing identity through creating a journey of recovery through the application of pūrākau in decolonising blood quantum ideology. Ultimately, Indigenous Peoples of Canada, New Zealand and the United States of America need to be the ones in control of their identity, tribal affiliation, cultural continuity, destiny, and the way they are legally defined.

Let's reclaim our stolen tools (Lorde, 1979)

text: Blood Quantum  “A Pūrākau approach to understanding the impact of ‘Blood Quantum’ in Māori Identity” “The master’s tools will never dismantle the master’s house” (Lorde, 1984, p.94)

This thesis begins and ends with being Ngāi Tahu, the two fundamental questions that generated this topic are: Who determines Indigenous legal identity? Who defines tribal membership and affiliation? Although the idea of defining Indigenous Peoples, for political purposes originated in colonial times, the complications, and complexities of defining who an Indigenous individual remains a truly contentious issue. This thesis will draw on the Indigenous Māori methodology of pūrākau, or story work for its structure and method to explore the above questions relating to Indigenous identity. The pūrākau approach enables the research to harness mātauranga Māori knowledge such as whakapapa and korero tuku iho alongside western thought, which is now inked in academic disciplines such as in the study of law. This thesis explores notions such as Indigenous ‘blood’ and our Indigenous ‘DNA.’ It is argued that to understand the history, the politics, the laws of blood quantum and DNA, it is important to understand the mind of the coloniser and the tools they continue to use. 

The study of blood quantum has become an important aspect of the tino rangatiratanga (self-determination) of many Indigenous peoples. From a historical and cultural perspective, blood quantum standards divide and alienate communities, and perpetuate a discourse that promotes internalised self-hatred, alienation, and fractionation. This research will develop pūrākau as a pedagogy through creating learning tools. These new learning tools will counteract the possibility of our Indigenous Peoples from being trapped within these social constructions. The thesis will explore possible self-determination techniques which emphasize pūrākau in establishing identity through creating a journey of recovery through the application of pūrākau in decolonising blood quantum ideology. Ultimately, Indigenous Peoples of Canada, New Zealand and the United States of America need to be the ones in control of their identity, tribal affiliation, cultural continuity, destiny, and the way they are legally defined.

Let's reclaim our stolen tools (Lorde, 1979)

year: 2020