title: Spontaneous singing and musical agency in the everyday home lives of three- and four-year-old children

authors: Dean, Bronya

subjects: Early childhood music

abstract: Spontaneous singing permeates the lives of young children and can provide insights into the social and personal worlds of young children at home. Research into young children’s singing has traditionally been dominated by studies framed by developmental perspectives. However, developmental approaches run the risk of overlooking the ways in which spontaneous singing is useful and meaningful to young children. Despite increased interest in the musical lives of young children, there exists very little research into young children’s musical lives at home, largely because the home can be a difficult space to access for research purposes. This chapter is based on research undertaken from audio recordings of 15 3- and 4-year-old children who were recorded for continuous periods at home using all-day recording technology. I draw on ideas from music sociology and childhood studies to illustrate how children use singing as a tool of agency in their interactions with others and to manage their own experience.

text: Spontaneous singing and musical agency in the everyday home lives of three- and four-year-old children Spontaneous singing permeates the lives of young children and can provide insights into the social and personal worlds of young children at home. Research into young children’s singing has traditionally been dominated by studies framed by developmental perspectives. However, developmental approaches run the risk of overlooking the ways in which spontaneous singing is useful and meaningful to young children. Despite increased interest in the musical lives of young children, there exists very little research into young children’s musical lives at home, largely because the home can be a difficult space to access for research purposes. This chapter is based on research undertaken from audio recordings of 15 3- and 4-year-old children who were recorded for continuous periods at home using all-day recording technology. I draw on ideas from music sociology and childhood studies to illustrate how children use singing as a tool of agency in their interactions with others and to manage their own experience.

year: 2019

title: Women, sport and the media: A complex terrain

authors: Bruce, Toni

subjects: women

abstract: In this chapter I examine coverage of women’s sport, exposing the ways in which the sports media can simultaneously challenge and reinforce dominant assumptions that sport is primarily a male domain. I first summarize the extensive research that shows how the ‘everyday’ sporting activities of female athletes are trivialised and ignored by mediasport, before turning to a discussion of the times and places when female athletes visibly enter into public consciousness. Finally, I present examples from two case studies; one which disrupts and one which supports traditional ways of understanding gender.

text: Women, sport and the media: A complex terrain In this chapter I examine coverage of women’s sport, exposing the ways in which the sports media can simultaneously challenge and reinforce dominant assumptions that sport is primarily a male domain. I first summarize the extensive research that shows how the ‘everyday’ sporting activities of female athletes are trivialised and ignored by mediasport, before turning to a discussion of the times and places when female athletes visibly enter into public consciousness. Finally, I present examples from two case studies; one which disrupts and one which supports traditional ways of understanding gender.

year: 2008

title: Te whakahuatanga i te reo Māori: Kua ahatia e tātou i roto i ngā tau 100 kua hipa nei? (The pronunciation of Māori: What have we done to it in the last 100 Years?)

authors: Harlow, Ray

subjects: Te reo Māori

abstract: In the words of the proverb: 'The land remains, but humankind vanishes.' One should perhaps extend this to read: 'The land remains, humankind vanishes, and language changes.' For languages are old, handed down from one generation to another, but no matter what, they change. Present-day English is not Shakespeare's or Chaucer's language. The pronunciation has changed, new words have entered the language, some words have been lost, the grammar is now different. Māori is like that as well. Over the last two centuries, many aspects of the language have become different. Many words have been borrowed from English, and become part of the language. Many new words have been created in recent years to accommodate the new topics now being spoken about in Māori. Many words have changed their meaning, e.g., 'pūtea' originally a type of basket, but now a 'fund', source of money. In the grammar, there are now constructions being used which were not correct in earlier centuries.So far as the pronunciation is concerned, how is one to observe its development? That is the substance of a research project which has only just now begun, and it is the purpose of this paper to explain the nature of that research and show some of the preliminary findings. Hence the title: The pronunciation of Māori: What have we done to it in the last 100 years? The project is supported by the Marsden Research Fund.

text: Te whakahuatanga i te reo Māori: Kua ahatia e tātou i roto i ngā tau 100 kua hipa nei? (The pronunciation of Māori: What have we done to it in the last 100 Years?) In the words of the proverb: 'The land remains, but humankind vanishes.' One should perhaps extend this to read: 'The land remains, humankind vanishes, and language changes.' For languages are old, handed down from one generation to another, but no matter what, they change. Present-day English is not Shakespeare's or Chaucer's language. The pronunciation has changed, new words have entered the language, some words have been lost, the grammar is now different. Māori is like that as well. Over the last two centuries, many aspects of the language have become different. Many words have been borrowed from English, and become part of the language. Many new words have been created in recent years to accommodate the new topics now being spoken about in Māori. Many words have changed their meaning, e.g., 'pūtea' originally a type of basket, but now a 'fund', source of money. In the grammar, there are now constructions being used which were not correct in earlier centuries.So far as the pronunciation is concerned, how is one to observe its development? That is the substance of a research project which has only just now begun, and it is the purpose of this paper to explain the nature of that research and show some of the preliminary findings. Hence the title: The pronunciation of Māori: What have we done to it in the last 100 years? The project is supported by the Marsden Research Fund.

year: 2005-05