title: Performing Femininity. Carmen - Good Ship Lollipop: A solo performance

authors: Fraser, Elroy

subjects: Performance

abstract: In the tradition of queer fringe theatre, Carmen - Good Ship Lollipop: a solo performance was written by a queer playwright, with a queer message for a queer audience.  The play was devised by drawing on Queer Theatre practice and methodology.
The following thesis details the process I undertook to create Carmen - Good Ship Lollipop: a solo performance. The story was created using biographical content already in the public arena. The play is about the public life of the late Carmen Rupe, New Zealand’s most famous transsexual. 
A historical perspective of men performing as women, or more fittingly, femininity performed by those other than female is presented by drawing on literature of this genre. The place of the solo performer and the combined roles of the actor, director, and producer are explored. Definitions of queer theatre and female impersonation are presented and issues of imitation, innovation and authenticity discussed.
The first methodology section details the choice of the particular playtext, the scriptwriting process, and dramaturgical analysis of Carmen – Good Ship Lollipop: a solo performance 
The second methodology section details the ‘script to stage’ production process. The development of the rehearsal script and the decision to limit the rehearsal period to one week is discussed. The plays evolution in terms of style and structure is presented.
The conclusion analyses the final product: to what extent Carmen - Good Ship Lollipop: a solo performance is faithful the Queer Theatre genre, successful as a performance piece, and reactive enough to be relevant. What further development could be applied in order to perform a future season.

text: Performing Femininity. Carmen - Good Ship Lollipop: A solo performance In the tradition of queer fringe theatre, Carmen - Good Ship Lollipop: a solo performance was written by a queer playwright, with a queer message for a queer audience.  The play was devised by drawing on Queer Theatre practice and methodology.
The following thesis details the process I undertook to create Carmen - Good Ship Lollipop: a solo performance. The story was created using biographical content already in the public arena. The play is about the public life of the late Carmen Rupe, New Zealand’s most famous transsexual. 
A historical perspective of men performing as women, or more fittingly, femininity performed by those other than female is presented by drawing on literature of this genre. The place of the solo performer and the combined roles of the actor, director, and producer are explored. Definitions of queer theatre and female impersonation are presented and issues of imitation, innovation and authenticity discussed.
The first methodology section details the choice of the particular playtext, the scriptwriting process, and dramaturgical analysis of Carmen – Good Ship Lollipop: a solo performance 
The second methodology section details the ‘script to stage’ production process. The development of the rehearsal script and the decision to limit the rehearsal period to one week is discussed. The plays evolution in terms of style and structure is presented.
The conclusion analyses the final product: to what extent Carmen - Good Ship Lollipop: a solo performance is faithful the Queer Theatre genre, successful as a performance piece, and reactive enough to be relevant. What further development could be applied in order to perform a future season.

year: 2013

title: Does artificial intelligence modelling have anything to offer traditional management of freshwater food resources?

authors: Death, Russell G.

abstract: Management of freshwater systems and the ecosystem services they provide has become a multi-stakeholder activity. This requires information on resources and how to manage them to be disseminated to a wide range of users. While artificial intelligence modelling can provide a powerful tool in managing and understanding resources and their drivers, they can be confusing to many users. In this study, we explored the potential use of two alternative modelling approaches (Boosted Regression Trees (BRT) and Bayesian Belief Networks (BBN)) for managing three species of freshwater mahinga kai species-kākahi or kaeo (freshwater mussel), koura (freshwater crayfish) and tuna (freshwater eel). While the BBN model I sbetter for stakeholder communication, the BRT produced more accurate models for all species. However, variables identified as being important for predicting abundance and biomass of these species were often environmental parameters that cannot be managed to improve yield. The artificial intelligence modelling does provide some accurate linkages between the target species and their environmental drivers. Nevertheless, translating these relationships into management plans remains challenging. The models are clearly not a panacea for better resource management, but provide one more tool that might assist multi-stakeholder understanding of how best to manage freshwater resources.

text: Does artificial intelligence modelling have anything to offer traditional management of freshwater food resources? Management of freshwater systems and the ecosystem services they provide has become a multi-stakeholder activity. This requires information on resources and how to manage them to be disseminated to a wide range of users. While artificial intelligence modelling can provide a powerful tool in managing and understanding resources and their drivers, they can be confusing to many users. In this study, we explored the potential use of two alternative modelling approaches (Boosted Regression Trees (BRT) and Bayesian Belief Networks (BBN)) for managing three species of freshwater mahinga kai species-kākahi or kaeo (freshwater mussel), koura (freshwater crayfish) and tuna (freshwater eel). While the BBN model I sbetter for stakeholder communication, the BRT produced more accurate models for all species. However, variables identified as being important for predicting abundance and biomass of these species were often environmental parameters that cannot be managed to improve yield. The artificial intelligence modelling does provide some accurate linkages between the target species and their environmental drivers. Nevertheless, translating these relationships into management plans remains challenging. The models are clearly not a panacea for better resource management, but provide one more tool that might assist multi-stakeholder understanding of how best to manage freshwater resources.

year: 2017

title: History of vertical displacement of Kerepehi Fault at Kopouatai bog, Hauraki Lowlands, New Zealand, since c. 10 700 years ago

authors: de Lange, P.J.

subjects: Faults

abstract: Thirteen tephra layers interbedded with peat, and a basal peathorizon, in four pairs of cores provide radiocarbon-dated reference horizons that indicate vertical displacement on the Kerepehi Fault at Kopouatai bog, Hauraki Lowlands. Progressive offset of the horizons with time shows that vertical fault movement, downthrown to the west, has been occurring for the past c. 10 700 radiocarbon years at an approximately uniform rate of c. 0.13 mm/yr. Step functions indicate faulting events earthquakes at c. 1400, c. 5600, c. 6800, and C. 9000 years ago, a mean recurrence interval of c. 2500 years. These findings support geophysical and geological evidence that the Hauraki Depression is an active rift, and show that active faulting occurs along the northern as well as southern extensions of the Kerepehi Fault. 
If such earthquakes occur randomly in time, and based on the return period of 2500 years, there are 2%, 18%, and 33% probabilities of a major earthquake affecting the Kerepehi Fault at Kopouatai bog in the next 50, 500, and 1000 years, respectively.

text: History of vertical displacement of Kerepehi Fault at Kopouatai bog, Hauraki Lowlands, New Zealand, since c. 10 700 years ago Thirteen tephra layers interbedded with peat, and a basal peathorizon, in four pairs of cores provide radiocarbon-dated reference horizons that indicate vertical displacement on the Kerepehi Fault at Kopouatai bog, Hauraki Lowlands. Progressive offset of the horizons with time shows that vertical fault movement, downthrown to the west, has been occurring for the past c. 10 700 radiocarbon years at an approximately uniform rate of c. 0.13 mm/yr. Step functions indicate faulting events earthquakes at c. 1400, c. 5600, c. 6800, and C. 9000 years ago, a mean recurrence interval of c. 2500 years. These findings support geophysical and geological evidence that the Hauraki Depression is an active rift, and show that active faulting occurs along the northern as well as southern extensions of the Kerepehi Fault. 
If such earthquakes occur randomly in time, and based on the return period of 2500 years, there are 2%, 18%, and 33% probabilities of a major earthquake affecting the Kerepehi Fault at Kopouatai bog in the next 50, 500, and 1000 years, respectively.

year: 1990