title: Olive and Otto: Placing dance outside the theatre-within the body

authors: Cheesman, Sue

subjects: Olive Bieringa

abstract: Olive Bieringa, a first generation New Zealander, and Otto Ramstad, a third generation American, travel the globe by desire and necessity in order to connect with land, family, explore new cultural contexts and sustain their work practices in dance. These two co-directors, dance performers and video artists regularly return to New Zealand, this time primarily, to run a weeklong BodyCartography project, and to teach the first Body-Mind Centering© (BMC) workshop in NZ.

text: Olive and Otto: Placing dance outside the theatre-within the body Olive Bieringa, a first generation New Zealander, and Otto Ramstad, a third generation American, travel the globe by desire and necessity in order to connect with land, family, explore new cultural contexts and sustain their work practices in dance. These two co-directors, dance performers and video artists regularly return to New Zealand, this time primarily, to run a weeklong BodyCartography project, and to teach the first Body-Mind Centering© (BMC) workshop in NZ.

year: 2007

title: The effect of group size and communication modes in CSCW environments

authors: Masoodian, Masood

abstract: An earlier study by M. Masoodian et al. (1995) has examined the impact of different human-to-human communication modes on computer supported work involving groups of two people. Based on the findings of this study an experiment was designed to explore the relative impact of face-to-face and audio-only communication modes in supporting shared-workspace interaction between groups of three people. This paper describes the experiment, and examines its findings with the aim of establishing the relationship between the effectiveness of the various communication modes and the group size.

text: The effect of group size and communication modes in CSCW environments An earlier study by M. Masoodian et al. (1995) has examined the impact of different human-to-human communication modes on computer supported work involving groups of two people. Based on the findings of this study an experiment was designed to explore the relative impact of face-to-face and audio-only communication modes in supporting shared-workspace interaction between groups of three people. This paper describes the experiment, and examines its findings with the aim of establishing the relationship between the effectiveness of the various communication modes and the group size.

year: 2006

title: Wearing moko: Maori facial marking in today’s world

authors: Nikora, Linda Waimarie

subjects: moko

abstract: The early voyagers, missionaries, settlers all reacted to the pukanohi, to the marked faces of the Maori people, during the period of first contact, and the century following it. Their accounts are vivid, judgemental, revealing, telling us as much about them as they do about the people they described.
Curiosity and horror are mixed with a genuine
fascination; where sternly evangelizing words
failed, armed confrontation occurred; and we
now live with the results, te ao hou, a new world. In this world, today, wahine mau kauae, tangata mau moko, pukanohi – wearers – are speaking for themselves, about themselves, and commenting on how others view them. Unanimously, they insist that the decision to take the marking is about continuity, affirmation, identity and commitment. It is also about wearing those ancestors, carrying them into the future; as their moko become a companion, a salient being with its own life force, its own integrity and power, beyond the face.

text: Wearing moko: Maori facial marking in today’s world The early voyagers, missionaries, settlers all reacted to the pukanohi, to the marked faces of the Maori people, during the period of first contact, and the century following it. Their accounts are vivid, judgemental, revealing, telling us as much about them as they do about the people they described.
Curiosity and horror are mixed with a genuine
fascination; where sternly evangelizing words
failed, armed confrontation occurred; and we
now live with the results, te ao hou, a new world. In this world, today, wahine mau kauae, tangata mau moko, pukanohi – wearers – are speaking for themselves, about themselves, and commenting on how others view them. Unanimously, they insist that the decision to take the marking is about continuity, affirmation, identity and commitment. It is also about wearing those ancestors, carrying them into the future; as their moko become a companion, a salient being with its own life force, its own integrity and power, beyond the face.

year: 2004-04-04