title: Book Review: Baz Luhrmann

authors: Lealand, Geoff

abstract: This article reviews the book: “Baz Luhrmann”, by Pam Cook. An instalment in the British Film Institute series on World Directors, this tidy volume focuses on Australian film-maker Baz Luhrmann.

text: Book Review: Baz Luhrmann This article reviews the book: “Baz Luhrmann”, by Pam Cook. An instalment in the British Film Institute series on World Directors, this tidy volume focuses on Australian film-maker Baz Luhrmann.

year: 2012

title: Migrants in their family contexts: Application of a methodology

authors: Ho, Elsie

subjects: population

abstract: The composition of immigrant families is a topic which has attracted considerable public and political attention in recent years. In the late 1980s concern was expressed over the size of some households of Pacific Island peoples in New Zealand. In the 1990s a more persistent concern has been with the incidence of what have been called ‘astronaut’ families – families where one of the partners is persistently absent overseas. The ‘astronaut’ family phenomenon has been most commonly associated with Chinese immigrants from Hong Kong and Taiwan.

This report uses a novel methodology to examine the incidence of ‘astronaut’ families in New Zealand at the time of the 1991 and 1996 censuses. The methodology is described in some detail in the first section, and it is hoped that the careful attention to the procedures used to examine migrants, who have been identified in the census, in their family contexts will stimulate further research in this area.

The second part of the report presents the findings of an initial exploration of 1991 and 1996 census data using the methodology outlined in the first section. It is clear from results of this inquiry that the ‘astronaut’ family phenomenon is well established amongst some components of New Zealand’s Asian community. However, it is not as widespread as media comment in 1995 and 1996, before the 1996 election, suggested.

It is important to develop ways of assessing characteristics of immigrant family structures in order to counter unsubstantiated assertions which promote negative stereotypes of immigrant communities. This research, which builds on a project supported by the Marsden Fund in 1997, suggest one fruitful avenue for making more extensive use of census data on immigrants in New Zealand to provide more objective assessment of “migrants in social context”.

text: Migrants in their family contexts: Application of a methodology The composition of immigrant families is a topic which has attracted considerable public and political attention in recent years. In the late 1980s concern was expressed over the size of some households of Pacific Island peoples in New Zealand. In the 1990s a more persistent concern has been with the incidence of what have been called ‘astronaut’ families – families where one of the partners is persistently absent overseas. The ‘astronaut’ family phenomenon has been most commonly associated with Chinese immigrants from Hong Kong and Taiwan.

This report uses a novel methodology to examine the incidence of ‘astronaut’ families in New Zealand at the time of the 1991 and 1996 censuses. The methodology is described in some detail in the first section, and it is hoped that the careful attention to the procedures used to examine migrants, who have been identified in the census, in their family contexts will stimulate further research in this area.

The second part of the report presents the findings of an initial exploration of 1991 and 1996 census data using the methodology outlined in the first section. It is clear from results of this inquiry that the ‘astronaut’ family phenomenon is well established amongst some components of New Zealand’s Asian community. However, it is not as widespread as media comment in 1995 and 1996, before the 1996 election, suggested.

It is important to develop ways of assessing characteristics of immigrant family structures in order to counter unsubstantiated assertions which promote negative stereotypes of immigrant communities. This research, which builds on a project supported by the Marsden Fund in 1997, suggest one fruitful avenue for making more extensive use of census data on immigrants in New Zealand to provide more objective assessment of “migrants in social context”.

year: 2000-06

title: 'Entitled to a History': The World of Alice Tawhai's Short Stories and the Maori Literary Tradition

authors: Modlik, Kimberley

subjects: Alice Tawhai

abstract: New Zealand short story writer Alice Tawhai is one of the latest additions to the Maori literary tradition. Her three collections of short stories, Festival of Miracles, Luminous and Dark Jelly, deal with issues not entirely unique to New Zealand – from gang life, to domestic violence, to drug and alcohol abuse – and take as their primary subject an alienated, marginalized and disenfranchised underclass. This means she is likely to be read as speaking solely for the Maori experience.  This thesis will revise this misconception, which in effect ghettoizes or marginalizes Tawhai’s work.

Influential women writers of the Maori literary tradition, such as J. C. Sturm, Patricia Grace and Keri Hulme, have taken a particular interest in the long legacy of colonialism in New Zealand, especially of the impact of that legacy on Maori women. This thesis demonstrates that while Tawhai’s work engages with these familiar notions, her gaze is not limited to these issues. This thesis therefore places Tawhai’s work within that tradition and matrilineal genealogy before going on to show how she moves the paradigm beyond the usual grievances of biculturalism and colonialism, orienting her work instead around the increasingly multicultural experience of contemporary life in New Zealand.

The first section of this thesis will establish a platform for reading Tawhai in regards to her literary legacy and in the context of contemporary thinking, drawing on cultural theorist Stuart Hall and his theory on identity formation and identity politics as well as indigenous writings experts Patrick Evans and Chadwick Allen. This thesis will then move into its second section, which is an analysis of some of the overarching themes that can be found in the short stories of Tawhai’s literary foremothers, Sturm, Grace and Hulme. These include, for example, racism and discrimination, loss of ancestral lands, problems to do with urbanization and family violence.

The third and final section of this thesis will then consider Tawhai’s representation of contemporary experience, taking a particular interest in her portrayals of contemporary multicultural ethnic identities as well as the flexible and provisional nature of gendered and sexual identities today. The final subsection will then analyze her representations of the new family and social structures that may have replaced the traditional family model.

Through a close reading of her short stories and an appreciation of the legacy that she bears, this thesis will show how Tawhai’s work is a larger lens of contemporary New Zealand society as well as a significant addition to the Maori literary tradition.

text: 'Entitled to a History': The World of Alice Tawhai's Short Stories and the Maori Literary Tradition New Zealand short story writer Alice Tawhai is one of the latest additions to the Maori literary tradition. Her three collections of short stories, Festival of Miracles, Luminous and Dark Jelly, deal with issues not entirely unique to New Zealand – from gang life, to domestic violence, to drug and alcohol abuse – and take as their primary subject an alienated, marginalized and disenfranchised underclass. This means she is likely to be read as speaking solely for the Maori experience.  This thesis will revise this misconception, which in effect ghettoizes or marginalizes Tawhai’s work.

Influential women writers of the Maori literary tradition, such as J. C. Sturm, Patricia Grace and Keri Hulme, have taken a particular interest in the long legacy of colonialism in New Zealand, especially of the impact of that legacy on Maori women. This thesis demonstrates that while Tawhai’s work engages with these familiar notions, her gaze is not limited to these issues. This thesis therefore places Tawhai’s work within that tradition and matrilineal genealogy before going on to show how she moves the paradigm beyond the usual grievances of biculturalism and colonialism, orienting her work instead around the increasingly multicultural experience of contemporary life in New Zealand.

The first section of this thesis will establish a platform for reading Tawhai in regards to her literary legacy and in the context of contemporary thinking, drawing on cultural theorist Stuart Hall and his theory on identity formation and identity politics as well as indigenous writings experts Patrick Evans and Chadwick Allen. This thesis will then move into its second section, which is an analysis of some of the overarching themes that can be found in the short stories of Tawhai’s literary foremothers, Sturm, Grace and Hulme. These include, for example, racism and discrimination, loss of ancestral lands, problems to do with urbanization and family violence.

The third and final section of this thesis will then consider Tawhai’s representation of contemporary experience, taking a particular interest in her portrayals of contemporary multicultural ethnic identities as well as the flexible and provisional nature of gendered and sexual identities today. The final subsection will then analyze her representations of the new family and social structures that may have replaced the traditional family model.

Through a close reading of her short stories and an appreciation of the legacy that she bears, this thesis will show how Tawhai’s work is a larger lens of contemporary New Zealand society as well as a significant addition to the Maori literary tradition.

year: 2014