title: Pedalling on: An autoethnographical journey of creative discovery

authors: Dunlop, Jonathan

abstract: My research is about exploring ways to use the sustain pedal in works by CPE Bach, JC Bach, 
Haydn and Mozart specifically. During their lifetimes, pedalling was considered to be a novelty 
on the fortepiano and was not seriously notated in the detailed style of later composers such as 
Beethoven and Schumann. 

The thesis explores ways to use the sustain pedal in keyboard works by CPE Bach, JC Bach, 
Haydn and Mozart, and also early Romantic Period composers like Beethoven, Schumann and 
Schubert. This artistic exploration is shaped and documented using an autoethnographic 
methodology, and the repertoire showcased in each recital is a mix of solo and chamber music. 
At the centre of this research is Carl Philipp Emanuel Bach’s treatise on keyboard playing 
entitled Essay on the True Art of Playing Keyboard Instruments from 1753. In it, Bach states 
that “the undamped register of the pianoforte is the most pleasing and, once the performer 
learns to observe the necessary precautions in the face of its reverberations, the most delightful 
for improvisation.

text: Pedalling on: An autoethnographical journey of creative discovery My research is about exploring ways to use the sustain pedal in works by CPE Bach, JC Bach, 
Haydn and Mozart specifically. During their lifetimes, pedalling was considered to be a novelty 
on the fortepiano and was not seriously notated in the detailed style of later composers such as 
Beethoven and Schumann. 

The thesis explores ways to use the sustain pedal in keyboard works by CPE Bach, JC Bach, 
Haydn and Mozart, and also early Romantic Period composers like Beethoven, Schumann and 
Schubert. This artistic exploration is shaped and documented using an autoethnographic 
methodology, and the repertoire showcased in each recital is a mix of solo and chamber music. 
At the centre of this research is Carl Philipp Emanuel Bach’s treatise on keyboard playing 
entitled Essay on the True Art of Playing Keyboard Instruments from 1753. In it, Bach states 
that “the undamped register of the pianoforte is the most pleasing and, once the performer 
learns to observe the necessary precautions in the face of its reverberations, the most delightful 
for improvisation.

year: 2024-05-29

title: Trends and gaps

authors: Dix, Alan

subjects: Computer science

abstract: This chapter attempts to identify future research directions for formal methods in HCI. It does this using two main approaches. First, we will look at trends within HCI more broadly and the challenges these pose for formal methods. These trends in HCI are often themselves driven by external technical and societal change, for example the growth of maker/hacker culture and the increasing dependence of basic citizenship on digital technology, effectively establishing external requirements for the field. Second we will look inwards at the FoMHCI literature, the user interaction phenomena it is trying to address and the processes of interaction design it is intended to support. Through this second analysis we will identify internally generated trends. This does not lead to a single overarching research agenda, but does identify a number of critical areas and issues, and hence establishes opportunities for further research to expand the state of the art.

text: Trends and gaps This chapter attempts to identify future research directions for formal methods in HCI. It does this using two main approaches. First, we will look at trends within HCI more broadly and the challenges these pose for formal methods. These trends in HCI are often themselves driven by external technical and societal change, for example the growth of maker/hacker culture and the increasing dependence of basic citizenship on digital technology, effectively establishing external requirements for the field. Second we will look inwards at the FoMHCI literature, the user interaction phenomena it is trying to address and the processes of interaction design it is intended to support. Through this second analysis we will identify internally generated trends. This does not lead to a single overarching research agenda, but does identify a number of critical areas and issues, and hence establishes opportunities for further research to expand the state of the art.

year: 2017

title: Antipodean settler societies and their complexities: the Waitangi process in New Zealand and native title and the stolen generations in Australia

authors: Byrnes, Giselle

subjects: native title claim

abstract: This article considers the process of determining native title claims and responding to the revelation of forced Indigenous child removal in Australia, together with the Treaty of Waitangi claims process in New Zealand; each of which can be understood more broadly as a response to the aftermath and ongoing consequences of colonisation. We undertake this analysis comparatively, through an examination of the broad sweep of colonial history in both countries, followed by a more detailed consideration of the processes in question, as they have become manifest over the last decade or so in Australia and almost 30 years in New Zealand. We compare and contrast the institutions, epistemological and political preoccupations and language in each case, revealing various latent ironies and incongruities in the systems on both sides of the Tasman Sea.

text: Antipodean settler societies and their complexities: the Waitangi process in New Zealand and native title and the stolen generations in Australia This article considers the process of determining native title claims and responding to the revelation of forced Indigenous child removal in Australia, together with the Treaty of Waitangi claims process in New Zealand; each of which can be understood more broadly as a response to the aftermath and ongoing consequences of colonisation. We undertake this analysis comparatively, through an examination of the broad sweep of colonial history in both countries, followed by a more detailed consideration of the processes in question, as they have become manifest over the last decade or so in Australia and almost 30 years in New Zealand. We compare and contrast the institutions, epistemological and political preoccupations and language in each case, revealing various latent ironies and incongruities in the systems on both sides of the Tasman Sea.

year: 2008