title: Applying Kaupapa Māori Processes to Documentary Film.

authors: Waititi, Kahurangi Rora

subjects: Maori documentary

abstract: This thesis explores the application of Kaupapa Māori processes to documentary filmmaking through practiced-led research. The need for this research came to light through the experience of witnessing unacceptable behaviour shown by film crews towards kaumātua who were attending the 2006 28th Māori Battalion Reunion. In reflecting on this experience and considering my own filming experience as a person with a Te Ao Māori background, the basis for this argument was conceived. This thesis argues that there are alternative ways in which filming can be conducted by considering processes that already exist within Māori practices and philosophies.          

This Thesis, therefore, investigates alternative processes of filming that have developed from a Kaupapa Māori perspective through practical filming experience.  An historical overview of the relationship between Māori, media and filming practices have been provided to give context to this discussion.  The application of Kaupapa Māori processes to film was considered through the use of Marae protocol and philosophies. The application of these concepts was supported by the creative research which was utilised by referencing specific examples. The reader is, therefore, instructed to refer to the DVD in the front of the thesis as referenced in the written text.

text: Applying Kaupapa Māori Processes to Documentary Film. This thesis explores the application of Kaupapa Māori processes to documentary filmmaking through practiced-led research. The need for this research came to light through the experience of witnessing unacceptable behaviour shown by film crews towards kaumātua who were attending the 2006 28th Māori Battalion Reunion. In reflecting on this experience and considering my own filming experience as a person with a Te Ao Māori background, the basis for this argument was conceived. This thesis argues that there are alternative ways in which filming can be conducted by considering processes that already exist within Māori practices and philosophies.          

This Thesis, therefore, investigates alternative processes of filming that have developed from a Kaupapa Māori perspective through practical filming experience.  An historical overview of the relationship between Māori, media and filming practices have been provided to give context to this discussion.  The application of Kaupapa Māori processes to film was considered through the use of Marae protocol and philosophies. The application of these concepts was supported by the creative research which was utilised by referencing specific examples. The reader is, therefore, instructed to refer to the DVD in the front of the thesis as referenced in the written text.

year: 2007

title: Decolonising Pākehā ways of being: Revealing third space Pākehā experiences

authors: Brown, Micheal William

subjects: Pakeha

abstract: This thesis asks two central questions. First, what kinds of experiences occur when Pākehā become interested and involved in te ao Māori (the Māori world)? Second, how might sharing of these experiences help other Pākehā better understand their relationship with Māori? The account is grounded in concepts of colonisation and the coloniser/colonised relation, Othering, Whiteness, hybridity and the third space, biculturalism, theories of movement between groups, and decolonisation. It particularly drew on Homi Bhabha’s notions of the third space to theorise and explain the process of change that occurred for 13 Pākehā involved in te ao Māori. Utilising a qualitative design based on grounded theory and in-depth interviewing the research investigated their “lived” experiences and their choice to encounter then engage with te ao Māori. It is their experiences that I interpret in this thesis as “third space Pākehā experiences”. Through my employment of grounded theory methodology to analyse the korero (stories) I collected, I argue that a transformative process of change occurred for the 13 participants because they became interested and engaged more in ongoing experiences of te ao Māori. I interpreted this process as “Pākehā decolonisation”. In my analysis I found that at the individual level decolonisation helped these Pākehā bridge gaps that emerged as “differences” between te ao Māori and te ao Pākehā which led them to develop a new and enriched understanding of themselves. Their engagement with te ao Māori produced exciting and rewarding experiences, the richness of these is revealed in the storylines. Also, their ongoing experiences moved towards effective strategies to engage in discussions with other Pākehā about te ao Māori, which were respectful to both Māori and Pākehā cultures. I interpreted this development as the “Pākehā educating Pākehā” strategy. My analysis also suggested that five key thematic elements - or what I call five “occurrences” of Pākehā decolonisation, existed within each participant’s third space experiences. They were: 1) all participants chose to engage in many diverse encounters with te ao Māori, 2) this led the individual to their discovery of ngā wairua o te ao Māori (values of the Māori world), 3) as well as to experiencing Othering experiences from Pākehā, 4) the ongoing choice to engage with te ao Māori developed into awareness and experience of sites/locations where equality between Māori and Pākehā existed and, 5) and it was through confrontational experiences that these Pākehā began to learn successful Pākehā educating Pākehā strategies which they employed when engaging with other Pākehā about te ao Māori. These five occurrences happened frequently and infrequently across participants and they occurred in multiple settings as well as during different decades of their lives. Nonetheless, the choice to enter into these experience(s), whether at the time of occurrence - or on reflection at a later stage - emerged as a defining of their “journey” into te ao Māori; a journey of enriched, insightful and meaningful experiences that helped these Pākehā develop a more sophisticated understanding of te ao Māori and their relationship to Māori within that world. Thus, these Pākehā discovered that exploration into te ao Māori was a benefit to themselves as individual Pākehā. This thesis is an applied research study that draws from Homi Bhabha’s (1994) theory/concept of hybridity and movement between groups. I employed this approach because I was concerned with movement by a group member (Pākehā) toward another group (Māori). The research conceptualises Bhabha’s (1994) “third space” as an “experience” rather than a permanent positioning and explores ways in which change occurs for non hybrid group members who engage in the third space experience and, that a third space vocabulary exists for talking about shared experiences that does not put one’s own identity at risk. The main contributions of this research are threefold. Firstly, when Pākehā enter into te ao Māori they encounter third space experiences that reveal new and enriched ways to experience te ao Māori, and they develop a more sophisticated view of the Māori and Pākehā coloniser/colonial relation, its history, as well as present relations and pathways for future equal engagement. Secondly, third space experiences offer a “way forward” for Māori and Pākehā relationships that suggests an alternative to contestation and confrontation. Third, third space experiences provide a pathway toward a Pākehā educating Pākehā strategy; an accessible and practical outcome of a positive and rewarding alternative decolonisation process which helps other Pākehā discover a deeper understanding of their place in New Zealand. I argue that decolonisation and the Pākehā educating Pākehā strategy helps Pākehā learn from their lived experiences of “being Pākehā” - a phrase coined by historian Michael King (1985, 1999b).

text: Decolonising Pākehā ways of being: Revealing third space Pākehā experiences This thesis asks two central questions. First, what kinds of experiences occur when Pākehā become interested and involved in te ao Māori (the Māori world)? Second, how might sharing of these experiences help other Pākehā better understand their relationship with Māori? The account is grounded in concepts of colonisation and the coloniser/colonised relation, Othering, Whiteness, hybridity and the third space, biculturalism, theories of movement between groups, and decolonisation. It particularly drew on Homi Bhabha’s notions of the third space to theorise and explain the process of change that occurred for 13 Pākehā involved in te ao Māori. Utilising a qualitative design based on grounded theory and in-depth interviewing the research investigated their “lived” experiences and their choice to encounter then engage with te ao Māori. It is their experiences that I interpret in this thesis as “third space Pākehā experiences”. Through my employment of grounded theory methodology to analyse the korero (stories) I collected, I argue that a transformative process of change occurred for the 13 participants because they became interested and engaged more in ongoing experiences of te ao Māori. I interpreted this process as “Pākehā decolonisation”. In my analysis I found that at the individual level decolonisation helped these Pākehā bridge gaps that emerged as “differences” between te ao Māori and te ao Pākehā which led them to develop a new and enriched understanding of themselves. Their engagement with te ao Māori produced exciting and rewarding experiences, the richness of these is revealed in the storylines. Also, their ongoing experiences moved towards effective strategies to engage in discussions with other Pākehā about te ao Māori, which were respectful to both Māori and Pākehā cultures. I interpreted this development as the “Pākehā educating Pākehā” strategy. My analysis also suggested that five key thematic elements - or what I call five “occurrences” of Pākehā decolonisation, existed within each participant’s third space experiences. They were: 1) all participants chose to engage in many diverse encounters with te ao Māori, 2) this led the individual to their discovery of ngā wairua o te ao Māori (values of the Māori world), 3) as well as to experiencing Othering experiences from Pākehā, 4) the ongoing choice to engage with te ao Māori developed into awareness and experience of sites/locations where equality between Māori and Pākehā existed and, 5) and it was through confrontational experiences that these Pākehā began to learn successful Pākehā educating Pākehā strategies which they employed when engaging with other Pākehā about te ao Māori. These five occurrences happened frequently and infrequently across participants and they occurred in multiple settings as well as during different decades of their lives. Nonetheless, the choice to enter into these experience(s), whether at the time of occurrence - or on reflection at a later stage - emerged as a defining of their “journey” into te ao Māori; a journey of enriched, insightful and meaningful experiences that helped these Pākehā develop a more sophisticated understanding of te ao Māori and their relationship to Māori within that world. Thus, these Pākehā discovered that exploration into te ao Māori was a benefit to themselves as individual Pākehā. This thesis is an applied research study that draws from Homi Bhabha’s (1994) theory/concept of hybridity and movement between groups. I employed this approach because I was concerned with movement by a group member (Pākehā) toward another group (Māori). The research conceptualises Bhabha’s (1994) “third space” as an “experience” rather than a permanent positioning and explores ways in which change occurs for non hybrid group members who engage in the third space experience and, that a third space vocabulary exists for talking about shared experiences that does not put one’s own identity at risk. The main contributions of this research are threefold. Firstly, when Pākehā enter into te ao Māori they encounter third space experiences that reveal new and enriched ways to experience te ao Māori, and they develop a more sophisticated view of the Māori and Pākehā coloniser/colonial relation, its history, as well as present relations and pathways for future equal engagement. Secondly, third space experiences offer a “way forward” for Māori and Pākehā relationships that suggests an alternative to contestation and confrontation. Third, third space experiences provide a pathway toward a Pākehā educating Pākehā strategy; an accessible and practical outcome of a positive and rewarding alternative decolonisation process which helps other Pākehā discover a deeper understanding of their place in New Zealand. I argue that decolonisation and the Pākehā educating Pākehā strategy helps Pākehā learn from their lived experiences of “being Pākehā” - a phrase coined by historian Michael King (1985, 1999b).

year: 2011

title: Spatial price differences and inequality in China: Housing market evidence

authors: Gibson, John

subjects: housing

abstract: The large literature on regional inequality in China is hampered by incomplete evidence on price dispersion across space, making it hard to distinguish real and nominal inequality. The two main methods used to calculate spatial deflators have been to price a national basket of goods and services across China’s different regions or else to estimate a food Engel curve and define the deflator as that needed for nominally similar households to have the same food budget shares in all regions. Neither approach is convincing with the data available in China. Moreover, a focus on tradable goods like food may be misplaced because of the emerging literature on the rapid convergence of traded goods prices within China that contrasts with earlier claims of fragmented internal markets. In a setting where traded goods prices converge rapidly, the main source of price dispersion across space should come from non-traded items, and especially from housing given the fixity of land. In this paper we use newly available data on dwelling sales in urban China to develop spatially-disaggregated indices of house prices, which are then used as spatial deflators for both provinces and core urban districts. These new deflators complement existing approaches that have relied more on traded goods prices, and are used to re-examine the evidence on the level of regional inequality. Around one-quarter of the apparent spatial inequality disappears once account is taken of cost-of-living differences.

text: Spatial price differences and inequality in China: Housing market evidence The large literature on regional inequality in China is hampered by incomplete evidence on price dispersion across space, making it hard to distinguish real and nominal inequality. The two main methods used to calculate spatial deflators have been to price a national basket of goods and services across China’s different regions or else to estimate a food Engel curve and define the deflator as that needed for nominally similar households to have the same food budget shares in all regions. Neither approach is convincing with the data available in China. Moreover, a focus on tradable goods like food may be misplaced because of the emerging literature on the rapid convergence of traded goods prices within China that contrasts with earlier claims of fragmented internal markets. In a setting where traded goods prices converge rapidly, the main source of price dispersion across space should come from non-traded items, and especially from housing given the fixity of land. In this paper we use newly available data on dwelling sales in urban China to develop spatially-disaggregated indices of house prices, which are then used as spatial deflators for both provinces and core urban districts. These new deflators complement existing approaches that have relied more on traded goods prices, and are used to re-examine the evidence on the level of regional inequality. Around one-quarter of the apparent spatial inequality disappears once account is taken of cost-of-living differences.

year: 2013-03