title: The science and practice of Māori astronomy and Matariki

authors: Whaanga, Hēmi

subjects: Indigenous Knowledge

abstract: Ki te iwi Mäori me öna tüpuna, ko ngä hua o te noho tahi, o te äta pänui, o te körero anö hoki me ngä whetü, he mea äta tuitui ki te pütaiao, ki te ahureatanga, ki ngä tikanga aho atua, ki te taiao anö hoki. Ko ngä nekehanga o ngä kähui whetü he mea äta pänui, ka mutu he whakapono, he mätauranga atu anö hoki tö ia iwi, tö ia takiwä puta noa i a Aotearoa nei mö te ao tukupü. Ko te mätauranga whänui mö te kökörangi he mea äta whakatö ki ngä ähuatanga o te päpori Mäori o mua, he mea äta whakaora anö hoki ki ngä körero tuku iho, ki ngä tikanga hauhake whenua, ka mutu i äta whakaurua ki roto i ngä tikanga whakatü whare tupuna. Tau atu, tau mai, whakanuia ai te rewanga ake me te tönga iho o ngä whetü hiahira, ka mutu i kaha whakaatuahia ngä kaupapa katoa o te tuarangi ahakoa pëhea. Mä roto mai i tënei pepa ka körerohia te mätauranga me te pütaiao mätai arorangi e whai iho nei ki a Matariki, ka tahi, ka rua ka wänangahia te whakarauora haeretanga i ngä tikanga tuku iho e hängai nei ki taua kähui whetü me tana pänga nuitanga ki te ahurea o te whenua o näianei, o Aotearoa.

text: The science and practice of Māori astronomy and Matariki Ki te iwi Mäori me öna tüpuna, ko ngä hua o te noho tahi, o te äta pänui, o te körero anö hoki me ngä whetü, he mea äta tuitui ki te pütaiao, ki te ahureatanga, ki ngä tikanga aho atua, ki te taiao anö hoki. Ko ngä nekehanga o ngä kähui whetü he mea äta pänui, ka mutu he whakapono, he mätauranga atu anö hoki tö ia iwi, tö ia takiwä puta noa i a Aotearoa nei mö te ao tukupü. Ko te mätauranga whänui mö te kökörangi he mea äta whakatö ki ngä ähuatanga o te päpori Mäori o mua, he mea äta whakaora anö hoki ki ngä körero tuku iho, ki ngä tikanga hauhake whenua, ka mutu i äta whakaurua ki roto i ngä tikanga whakatü whare tupuna. Tau atu, tau mai, whakanuia ai te rewanga ake me te tönga iho o ngä whetü hiahira, ka mutu i kaha whakaatuahia ngä kaupapa katoa o te tuarangi ahakoa pëhea. Mä roto mai i tënei pepa ka körerohia te mätauranga me te pütaiao mätai arorangi e whai iho nei ki a Matariki, ka tahi, ka rua ka wänangahia te whakarauora haeretanga i ngä tikanga tuku iho e hängai nei ki taua kähui whetü me tana pänga nuitanga ki te ahurea o te whenua o näianei, o Aotearoa.

year: 2020

title: Speaking the unspoken: Maori experiences of racism in New Zealand sport

authors: Hippolite, Holly Raima

subjects: Maori

abstract: This research explores how being Maori influences Maori participants’ sport experiences and offers a critical Maori perspective on New Zealand sport. Ten experienced Maori sport participants were interviewed using Kaupapa Maori Research Methods which involved research performed by Maori, about Maori being Maori. This research grew out of discussions with Maori participants and explores their experiences as athletes, coaches, administrators and spectators, focusing on their interactions with Pakeha in Pakeha-dominated sport. Their experiences demonstrate personal, cultural and institutional racism in New Zealand sport and indicate how the power differentials in society impact on the ability of Maori to practice important cultural values in Pakeha-dominated contexts. I argue that racism is a factor affecting the relationships of Maori with Pakeha in key functionary positions in sport and identify a culture of denial that operates to marginalise discussions about racism generally. These participants’ experiences reflect cultural incapacity and blindness (Cross, Bazron, Dennis & Isaacs, 1989) by the dominant culture which have negative effects on the Maori participants including decisions to opt out of sport, feelings of hurt and frustration, a reduction in their commitment to national identity and a general sense that they are not considered as equals. The conclusion considers what is needed for New Zealand sport to become fully culturally inclusive; a situation desired by the participants and which has the potential to benefit everyone in sport.

text: Speaking the unspoken: Maori experiences of racism in New Zealand sport This research explores how being Maori influences Maori participants’ sport experiences and offers a critical Maori perspective on New Zealand sport. Ten experienced Maori sport participants were interviewed using Kaupapa Maori Research Methods which involved research performed by Maori, about Maori being Maori. This research grew out of discussions with Maori participants and explores their experiences as athletes, coaches, administrators and spectators, focusing on their interactions with Pakeha in Pakeha-dominated sport. Their experiences demonstrate personal, cultural and institutional racism in New Zealand sport and indicate how the power differentials in society impact on the ability of Maori to practice important cultural values in Pakeha-dominated contexts. I argue that racism is a factor affecting the relationships of Maori with Pakeha in key functionary positions in sport and identify a culture of denial that operates to marginalise discussions about racism generally. These participants’ experiences reflect cultural incapacity and blindness (Cross, Bazron, Dennis & Isaacs, 1989) by the dominant culture which have negative effects on the Maori participants including decisions to opt out of sport, feelings of hurt and frustration, a reduction in their commitment to national identity and a general sense that they are not considered as equals. The conclusion considers what is needed for New Zealand sport to become fully culturally inclusive; a situation desired by the participants and which has the potential to benefit everyone in sport.

year: 2010

title: Requirements on dance-driven 3-D camera interaction: A collaboration between dance, Graphic Design and Computer Science

authors: Jung, Doris

subjects: computer science

abstract: In this paper we describe our initial ideas towards research investigating dance-driven 3-D-camera interaction as a tool for creating holistic pieces of art for an enriched performance experience.
In the first part, we focus on the technical analysis of requirements on a set of input parameters for the dance input.
In the second part we explore requirements stemming from the creative themes envisaged.
In the discussion we synergize these requirements towards the requirements on a first prototype of the dance-driven 3-D-camera interaction.

text: Requirements on dance-driven 3-D camera interaction: A collaboration between dance, Graphic Design and Computer Science In this paper we describe our initial ideas towards research investigating dance-driven 3-D-camera interaction as a tool for creating holistic pieces of art for an enriched performance experience.
In the first part, we focus on the technical analysis of requirements on a set of input parameters for the dance input.
In the second part we explore requirements stemming from the creative themes envisaged.
In the discussion we synergize these requirements towards the requirements on a first prototype of the dance-driven 3-D-camera interaction.

year: 2011