title: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre

authors: Sheridan, Brendan Daniel

subjects: History

abstract: This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

text: “On and On It Goes”: Representations of the New Zealand Wars in novels, film, and theatre This thesis considers fictional representations of the New Zealand Wars. Through the media of novels, feature films, and drama with links to Shakespeare, it explores common features between representations. It examines how these representations change in tone or style over time and how different representations negotiate the complex issues of race, gender, and colonialism.
	I examine key representations ranging from 1861 to 2017 in terms of genre. I begin with the nineteenth-century novel as many of the key tropes used in representations of the New Zealand Wars emerge in this period. I then look at the twentieth-century novel, before concentrating specifically on Maurice Shadbolt and Witi Ihimaera. My discussion then turns to the genres of film and theatre. In all of these diverse representations there are recurring tropes and motifs. Many of the fictions feature stock characters such as the European traveller, the imperial official, and the Māori maiden and bear the imprint of historical romance conventions, popularised by Sir Walter Scott’s Waverly and James Fenimore Cooper’s The Last of the Mohicans. The vast majority of stories take place in the North Island between 1860 and 1870. Variations in the depiction of historical events are shaped by the historical scholarship and dominant ideologies of the time, such as the post-colonial tonal shift that emerges following the publication of work by James Belich and Ranginui Walker. I contextualise representations with their point in history, and how they treat the New Zealand Wars in terms of events, characters, and historical figures. 
	Through this approach, my thesis argues that representations of the New Zealand Wars do not form themselves in isolation and do not occur in isolated clusters. This thesis seeks to demonstrate that representations of the New Zealand Wars occur on a steady continuum. Representations of the conflict exist in parallel to one another (intentional or not) and are affected by the social climate, dominant ideologies, and published histories available to the author at the time of writing. The variety of representations—novel, feature film, stage play—share many core tropes. Even so, chronologically this continuum also features shifts in tone, ideologies, and sympathies. A novel of the 1980s has a very different perspective regarding settlers compared to a novel from the 1860s. In the same manner, a play staged in the 2000s shows a different attitude towards the conflict compared to a film from the 1940s. This thesis demonstrates that while representations of the New Zealand Wars share a common subject, how they approach the material is constantly evolving.

year: 2019

title: PIWeCS: enhancing human/machine agency in an interactive composition system

authors: Whalley, Ian

abstract: This paper focuses on the infrastructure and aesthetic approach used in PIWeCS: a Public Space Interactive Web-based Composition System. The concern was to increase the sense of dialogue between human and machine agency in an interactive work by adapting Paine's (2002) notion of a conversational model of interaction as a ‘complex system’. The machine implementation of PIWeCS is achieved through integrating intelligent agent programming with MAX/MSP. Human input is through a web infrastructure. The conversation is initiated and continued by participants through arrangements and composition based on short performed samples of traditional New Zealand Maori instruments. The system allows the extension of a composition through the electroacoustic manipulation of the source material.

text: PIWeCS: enhancing human/machine agency in an interactive composition system This paper focuses on the infrastructure and aesthetic approach used in PIWeCS: a Public Space Interactive Web-based Composition System. The concern was to increase the sense of dialogue between human and machine agency in an interactive work by adapting Paine's (2002) notion of a conversational model of interaction as a ‘complex system’. The machine implementation of PIWeCS is achieved through integrating intelligent agent programming with MAX/MSP. Human input is through a web infrastructure. The conversation is initiated and continued by participants through arrangements and composition based on short performed samples of traditional New Zealand Maori instruments. The system allows the extension of a composition through the electroacoustic manipulation of the source material.

year: 2004

title: Structural characterization of new microcystins containing tryptophan and oxidized tryptophan residues

authors: Puddick, Jonathan

subjects: microcystin

abstract: Microcystins are cyclic peptides produced by cyanobacteria, which can be harmful to humans and animals when ingested. Eight of the (more than) 90 microcystin variants presently characterized, contain the amino acid tryptophan. The well-researched oxidation products of tryptophan; kynurenine, oxindolylalanine, and N-formylkynurenine, have been previously identified in intact polypeptides but microcystin congeners containing oxidized tryptophan moieties have not been reported. Liquid chromatography-tandem mass spectrometric analysis of an extract of Microcystis CAWBG11 led to the tentative identification of two new tryptophan-containing microcystins (MC‑WAba and MC-WL), as well as eight other microcystin analogs containing kynurenine, oxindolylalanine and N‑formylkynurenine (Nfk). Investigation of one of these congeners (MC‑NfkA) by nuclear magnetic resonance spectroscopy was used to verify the presence of Nfk in the microcystin. Liquid chromatography-mass spectrometry analysis of a tryptophan oxidation experiment demonstrated that tryptophan-containing microcystins could be converted into oxidized tryptophan analogs and that low levels of oxidized tryptophan congeners were present intracellularly in CAWBG11. MC-NfkR and MC-LNfk were detected in standards of MC-WR and MC-LW, indicating that care during storage of tryptophan-containing microcystins is required.

text: Structural characterization of new microcystins containing tryptophan and oxidized tryptophan residues Microcystins are cyclic peptides produced by cyanobacteria, which can be harmful to humans and animals when ingested. Eight of the (more than) 90 microcystin variants presently characterized, contain the amino acid tryptophan. The well-researched oxidation products of tryptophan; kynurenine, oxindolylalanine, and N-formylkynurenine, have been previously identified in intact polypeptides but microcystin congeners containing oxidized tryptophan moieties have not been reported. Liquid chromatography-tandem mass spectrometric analysis of an extract of Microcystis CAWBG11 led to the tentative identification of two new tryptophan-containing microcystins (MC‑WAba and MC-WL), as well as eight other microcystin analogs containing kynurenine, oxindolylalanine and N‑formylkynurenine (Nfk). Investigation of one of these congeners (MC‑NfkA) by nuclear magnetic resonance spectroscopy was used to verify the presence of Nfk in the microcystin. Liquid chromatography-mass spectrometry analysis of a tryptophan oxidation experiment demonstrated that tryptophan-containing microcystins could be converted into oxidized tryptophan analogs and that low levels of oxidized tryptophan congeners were present intracellularly in CAWBG11. MC-NfkR and MC-LNfk were detected in standards of MC-WR and MC-LW, indicating that care during storage of tryptophan-containing microcystins is required.

year: 2013