title: “She didn’t ask me about my grandma”. Using process drama to explore issues of cultural exclusion and educational leadership.

authors: Kana, Pare

subjects: dramatization

abstract: Purpose – This purpose of this paper is to describe a collaborative project from the University of Waikato, Hamilton New Zealand, in which the authors used process drama to engage final year teaching students with complex issues of cultural diversity, enabling them to “grow into” different kinds of leadership positions in an imagined educational setting. The paper describes the project and makes a case for process drama as a means of providing opportunities for leadership and as a potent tool for learning about issues of social justice. Design/methodology/approach – The drama was based on a fictional scenario described by Hall and Bishop, where a beginner teacher (of European descent) unwittingly diminishes the experiences of Maori and other non-European children in her class. Using a three-phase process planning model and with facilitators in role alongside the students, the drama explored the scenario from all points of view. Students were encouraged to build empathy for the beginner teacher and for the children and also to explore the dilemma faced by the teacher's tutor in deciding whether, and how, to confront the teacher on the issue. Findings – Through the drama, students built a sense of empathy for all sides of the issue and engaged in deep thinking about the experience of cultural exclusion. The safety and distance provided by the drama “frame” spurred students to take leadership roles and “stand up” for issues of social justice. The authors suggest that through such dramas students gain skills and perspectives that they may carry into their professional lives. Research limitations/implications – The paper describes a small project, over one lesson with a specific group of students. More research is needed into the effectiveness of process drama as a sustained strategy for teacher education. Originality/value – This scenario explored in the drama has currency in Aotearoa New Zealand, where the population is increasingly culturally diverse, where underachievement of Maori students continues to be of concern, and where research has shown the centrality of teacher-student relations in raising educational achievement for Maori. The authors believe this paper makes a compelling case for the value of drama as a tool for student teachers to encounter social justice issues in a meaningful way, and suggest that the paper is a valuable contribution to more than one discipline, as it straddles the fields of professional practice and drama as pedagogy.

text: “She didn’t ask me about my grandma”. Using process drama to explore issues of cultural exclusion and educational leadership. Purpose – This purpose of this paper is to describe a collaborative project from the University of Waikato, Hamilton New Zealand, in which the authors used process drama to engage final year teaching students with complex issues of cultural diversity, enabling them to “grow into” different kinds of leadership positions in an imagined educational setting. The paper describes the project and makes a case for process drama as a means of providing opportunities for leadership and as a potent tool for learning about issues of social justice. Design/methodology/approach – The drama was based on a fictional scenario described by Hall and Bishop, where a beginner teacher (of European descent) unwittingly diminishes the experiences of Maori and other non-European children in her class. Using a three-phase process planning model and with facilitators in role alongside the students, the drama explored the scenario from all points of view. Students were encouraged to build empathy for the beginner teacher and for the children and also to explore the dilemma faced by the teacher's tutor in deciding whether, and how, to confront the teacher on the issue. Findings – Through the drama, students built a sense of empathy for all sides of the issue and engaged in deep thinking about the experience of cultural exclusion. The safety and distance provided by the drama “frame” spurred students to take leadership roles and “stand up” for issues of social justice. The authors suggest that through such dramas students gain skills and perspectives that they may carry into their professional lives. Research limitations/implications – The paper describes a small project, over one lesson with a specific group of students. More research is needed into the effectiveness of process drama as a sustained strategy for teacher education. Originality/value – This scenario explored in the drama has currency in Aotearoa New Zealand, where the population is increasingly culturally diverse, where underachievement of Maori students continues to be of concern, and where research has shown the centrality of teacher-student relations in raising educational achievement for Maori. The authors believe this paper makes a compelling case for the value of drama as a tool for student teachers to encounter social justice issues in a meaningful way, and suggest that the paper is a valuable contribution to more than one discipline, as it straddles the fields of professional practice and drama as pedagogy.

year: 2007

title: Cultural knowledge and identity for wellbeing and success: Trying to make the connections in the north of New Zealand.

authors: Hohepa, Margie Kahukura

subjects: New Zealand

abstract: This paper argues that secure cultural identity is essential to wellbeing and cultural identity is important to Māori youth participation and success. The roles of community and schools in developing secure cultural identity are increasingly complex, as both become increasingly more culturally and ethnically diverse in many parts of the world.
The paper discusses findings from student survey data from a 2 year project ‘Te Wehi Nui a Mamao: Maximising the potential of tribal marae and regional language among youth', which began in July 2008, supported by funding from New Zealand's Foundation of Research, Science and Technology. This project aims to strengthen the relevance of tribal marae and regional Maori language among Maori youth, which are identified as important to Māori cultural identity.
Inter-generational transfer of tribal marae knowledge and language is becoming more compromised. Many cultural values are defined on marae. Tribal leaders have long been concerned about disconnections between Māori youth and tribal marae, poor knowledge of regional dialect and the potential negative consequences for full participation in society. .It appears that Māori youth are disconnected from regional language dialects and marae knowledge now more than ever. Reconnecting Māori youth with these two sources of tribal identity is the key to the purpose of this project.

text: Cultural knowledge and identity for wellbeing and success: Trying to make the connections in the north of New Zealand. This paper argues that secure cultural identity is essential to wellbeing and cultural identity is important to Māori youth participation and success. The roles of community and schools in developing secure cultural identity are increasingly complex, as both become increasingly more culturally and ethnically diverse in many parts of the world.
The paper discusses findings from student survey data from a 2 year project ‘Te Wehi Nui a Mamao: Maximising the potential of tribal marae and regional language among youth', which began in July 2008, supported by funding from New Zealand's Foundation of Research, Science and Technology. This project aims to strengthen the relevance of tribal marae and regional Maori language among Maori youth, which are identified as important to Māori cultural identity.
Inter-generational transfer of tribal marae knowledge and language is becoming more compromised. Many cultural values are defined on marae. Tribal leaders have long been concerned about disconnections between Māori youth and tribal marae, poor knowledge of regional dialect and the potential negative consequences for full participation in society. .It appears that Māori youth are disconnected from regional language dialects and marae knowledge now more than ever. Reconnecting Māori youth with these two sources of tribal identity is the key to the purpose of this project.

year: 2010

title: Quadrics on complex Riemannian spaces of constant curvature, separation of variables, and the Gaudin magnet

authors: Kalnins, Ernie G.

subjects: Mathematics

abstract: Integrable systems that are connected with orthogonal separation of variables in complex Riemannian spaces of constant curvature are considered herein. An isomorphism with the hyperbolic Gaudin magnet, previously pointed out by one of the authors, extends to coordinates of this type. The complete classification of these separable coordinate systems is provided by means of the corresponding L matrices for the Gaudin magnet. The limiting procedures (or  calculus) which relate various degenerate orthogonal coordinate systems play a crucial role in the classification of all such systems.

text: Quadrics on complex Riemannian spaces of constant curvature, separation of variables, and the Gaudin magnet Integrable systems that are connected with orthogonal separation of variables in complex Riemannian spaces of constant curvature are considered herein. An isomorphism with the hyperbolic Gaudin magnet, previously pointed out by one of the authors, extends to coordinates of this type. The complete classification of these separable coordinate systems is provided by means of the corresponding L matrices for the Gaudin magnet. The limiting procedures (or  calculus) which relate various degenerate orthogonal coordinate systems play a crucial role in the classification of all such systems.

year: 1994-04