title: A Musicological Analysis of Nature's Best

authors: Braae, Nicholas

subjects: popular music

abstract: Academic research on New Zealand popular music has primarily been conducted from historical and cultural perspectives. While asking important questions, these sources have rarely engaged with the musical details of New Zealand popular music. This thesis is a musicological analysis of the 100 songs from the three Nature’s Best albums. The musical perspective complements the socio-cultural research on New Zealand popular music.

The Nature’s Best project was instigated by Mike Chunn in 2001 to celebrate the 75th anniversary of the Australasian Performing Right Association (APRA). All songwriting members of APRA and 100 celebrities and critics were invited to vote for their ten favourite New Zealand popular songs. Fourmyula’s 1969 hit ‘Nature’ gained the most votes. The three Nature’s Best CDs ranked the top 100 songs. The albums were a commercial success upon release in 2002 and 2003.

This thesis analyses the 100 songs with regards to eight musical parameters: harmony, melodic construction, form, beat, length, tempo, introductory hooks and instrumental solos. The analytical methods were drawn from classical and popular musicology. Interviews with twelve songwriters were also conducted to gain alternative viewpoints on the analysis. The 100 songs provide a sample of New Zealand popular music from 1970 until 2000; thus, the analysis is useful for addressing questions of New Zealand musical style and traits.

The results suggest New Zealand songwriters follow fundamental principles of Anglo-American songwriting, such as arched and balanced melodies, and forms based on repeated and contrasting sections. The harmonic language is similar to international artists of the same period; however, it appears 1970s and 1980s songwriters were more adventurous in this area compared with their 1990s counterparts. The instrumental solos were notable for an anti-virtuosic trait. It is argued this feature mirrors aspects of New Zealand identity.

text: A Musicological Analysis of Nature's Best Academic research on New Zealand popular music has primarily been conducted from historical and cultural perspectives. While asking important questions, these sources have rarely engaged with the musical details of New Zealand popular music. This thesis is a musicological analysis of the 100 songs from the three Nature’s Best albums. The musical perspective complements the socio-cultural research on New Zealand popular music.

The Nature’s Best project was instigated by Mike Chunn in 2001 to celebrate the 75th anniversary of the Australasian Performing Right Association (APRA). All songwriting members of APRA and 100 celebrities and critics were invited to vote for their ten favourite New Zealand popular songs. Fourmyula’s 1969 hit ‘Nature’ gained the most votes. The three Nature’s Best CDs ranked the top 100 songs. The albums were a commercial success upon release in 2002 and 2003.

This thesis analyses the 100 songs with regards to eight musical parameters: harmony, melodic construction, form, beat, length, tempo, introductory hooks and instrumental solos. The analytical methods were drawn from classical and popular musicology. Interviews with twelve songwriters were also conducted to gain alternative viewpoints on the analysis. The 100 songs provide a sample of New Zealand popular music from 1970 until 2000; thus, the analysis is useful for addressing questions of New Zealand musical style and traits.

The results suggest New Zealand songwriters follow fundamental principles of Anglo-American songwriting, such as arched and balanced melodies, and forms based on repeated and contrasting sections. The harmonic language is similar to international artists of the same period; however, it appears 1970s and 1980s songwriters were more adventurous in this area compared with their 1990s counterparts. The instrumental solos were notable for an anti-virtuosic trait. It is argued this feature mirrors aspects of New Zealand identity.

year: 2012

title: The talk of the town: 9/11, the lost image, and the Machiavellian moment

authors: Fleming, Daniel

subjects: 9/11

abstract: A “lost” 9/11 photograph re-surfaced publicly in 2005/2006 and triggered some revealing debate in the United States about what 9/11 images “should” show. The paper unpacks the image and some key responses to it in order to describe a contemporary “Machiavellian moment” in which civic humanist ideals turn out to deny a reality that the image briefly hinted at, a reality recovered in the paper via discussion of a YouTube commentary thread concerned with a 9/11 “tribute” mashup video derived from comic books. Contrasting the latter with “proper” debate in The New Yorker and elsewhere, the paper argues for the necessity of hearing a different conversation that is discernibly “out there”. The result of doing so will be a better understanding of the materialization of affect in images and speech acts. It is argued that this will help us better grasp the nature of the “hot cognitions” that focus around a major event such as 9/11 and the ways in which those are mediated.

text: The talk of the town: 9/11, the lost image, and the Machiavellian moment A “lost” 9/11 photograph re-surfaced publicly in 2005/2006 and triggered some revealing debate in the United States about what 9/11 images “should” show. The paper unpacks the image and some key responses to it in order to describe a contemporary “Machiavellian moment” in which civic humanist ideals turn out to deny a reality that the image briefly hinted at, a reality recovered in the paper via discussion of a YouTube commentary thread concerned with a 9/11 “tribute” mashup video derived from comic books. Contrasting the latter with “proper” debate in The New Yorker and elsewhere, the paper argues for the necessity of hearing a different conversation that is discernibly “out there”. The result of doing so will be a better understanding of the materialization of affect in images and speech acts. It is argued that this will help us better grasp the nature of the “hot cognitions” that focus around a major event such as 9/11 and the ways in which those are mediated.

year: 2011

title: The digital divide in New Zealand: The position of Maori and Pacific peoples

authors: Gibson, John

subjects: communication

abstract: Information and communication technology plays an ever-growing role in economic, political and social life and those who are unable to access such technologies are increasingly disadvantaged. Hence, what has come to be known as the 'digital divide' is of considerable significance. Here, indicators of that divide as it affects Maori and

text: The digital divide in New Zealand: The position of Maori and Pacific peoples Information and communication technology plays an ever-growing role in economic, political and social life and those who are unable to access such technologies are increasingly disadvantaged. Hence, what has come to be known as the 'digital divide' is of considerable significance. Here, indicators of that divide as it affects Maori and

year: 2002