title: Searching for happiness in ‘other worlds’: Utopias and dystopias in Japanese isekai

authors: Wang, Xueqian (Amy)

subjects: Isekai

abstract: This thesis focuses on the popular, but under-researched genre, of isekai. Although the wider medium umbrella under which isekai falls — anime, manga and light novels — have received increasing critical attention, the isekai is a genre that has only begun to be academically explored over the last three to four years, particularly from 2020 onwards. Literally translating to ‘another world,’ it is a branch of the familiar portal-quest fantasy category that has, particularly in recent years, formed its own, distinctive formulas and tropes. This thesis makes an important contribution to unpacking and understanding this surprisingly complex and nuanced genre that offers readers and viewers both entertainment, and a way of thinking about relevant issues to do with personal happiness and self-fulfilment. In this thesis, I will offer an analysis of three isekai narratives through the primary lens of utopian and dystopian discourse, highlighting the way in which the isekai explores both human desires and fears. Hybridity is a key finding of my analysis, with the genre not only juxtaposing and combining utopia and dystopia, but also, old and new worlds, portal-quest and immersive fantasy elements, and Western and Japanese literary and cultural perspectives. This hybridity points to the entangled, interconnected nature of utopia and dystopia itself.
The three texts I have chosen all follow the contemporary isekai trend of featuring adult protagonists (as opposed to teenagers), the “Japanese Salaryman/woman”, worn out by work and modern society. The three series that I analyse are That Time I Got Reincarnated as a Slime (2014) by Fuse, By the Grace of the Gods (2017) by Roy, and I’ve Been Killing Slimes For 300 Years and Maxed Out My Level (2017) by Kisetsu Morita. Each of these new worlds is structured in a way that encourages the protagonist to embrace personal desires that were suppressed on Earth, and provides a sense of healing. With the skills and knowledge inherited from Earth, combined alongside the new abilities the protagonists gain as they are reincarnated or summoned into the new world, the central characters are granted the opportunity to create a new, utopian life for themselves. By extension, they exert an influence on the land and people around them to ultimately forge a more utopian world. The way that the protagonists navigate and explore their relationship between both old and new worlds, as well as their old and new selves, further reveals a more complex relationship between utopia and dystopia. The recurring cultural aspects present in these texts, most notably cuisine and business practices, emphasises the desire for cultural fusion, as well as offering insightful social critique. While the new world also contains dystopian elements, I propose that the isekai can be viewed as a new reimagining of a Japanese utopia.

text: Searching for happiness in ‘other worlds’: Utopias and dystopias in Japanese isekai This thesis focuses on the popular, but under-researched genre, of isekai. Although the wider medium umbrella under which isekai falls — anime, manga and light novels — have received increasing critical attention, the isekai is a genre that has only begun to be academically explored over the last three to four years, particularly from 2020 onwards. Literally translating to ‘another world,’ it is a branch of the familiar portal-quest fantasy category that has, particularly in recent years, formed its own, distinctive formulas and tropes. This thesis makes an important contribution to unpacking and understanding this surprisingly complex and nuanced genre that offers readers and viewers both entertainment, and a way of thinking about relevant issues to do with personal happiness and self-fulfilment. In this thesis, I will offer an analysis of three isekai narratives through the primary lens of utopian and dystopian discourse, highlighting the way in which the isekai explores both human desires and fears. Hybridity is a key finding of my analysis, with the genre not only juxtaposing and combining utopia and dystopia, but also, old and new worlds, portal-quest and immersive fantasy elements, and Western and Japanese literary and cultural perspectives. This hybridity points to the entangled, interconnected nature of utopia and dystopia itself.
The three texts I have chosen all follow the contemporary isekai trend of featuring adult protagonists (as opposed to teenagers), the “Japanese Salaryman/woman”, worn out by work and modern society. The three series that I analyse are That Time I Got Reincarnated as a Slime (2014) by Fuse, By the Grace of the Gods (2017) by Roy, and I’ve Been Killing Slimes For 300 Years and Maxed Out My Level (2017) by Kisetsu Morita. Each of these new worlds is structured in a way that encourages the protagonist to embrace personal desires that were suppressed on Earth, and provides a sense of healing. With the skills and knowledge inherited from Earth, combined alongside the new abilities the protagonists gain as they are reincarnated or summoned into the new world, the central characters are granted the opportunity to create a new, utopian life for themselves. By extension, they exert an influence on the land and people around them to ultimately forge a more utopian world. The way that the protagonists navigate and explore their relationship between both old and new worlds, as well as their old and new selves, further reveals a more complex relationship between utopia and dystopia. The recurring cultural aspects present in these texts, most notably cuisine and business practices, emphasises the desire for cultural fusion, as well as offering insightful social critique. While the new world also contains dystopian elements, I propose that the isekai can be viewed as a new reimagining of a Japanese utopia.

year: 2022

title: Changing parameters of consultation in local government: loss or gain for democracy?

authors: Mackness, Kate

abstract: A key tenet of the Resource Management Act (RMA) when enacted in 1991 was to provide for significant rights of public participation in decision-making processes in district and regional planning processes. The Local Government Act (LGA) when enacted in 2002 continued to extend the mechanisms for public participation in decision-making processes through partnership arrangements and a greater requirement to consult. These provisions recognise the interests of the general public and those specifically affected, as well as enhancing the quality of local decision making. We argue that the reforms to the LGA and the RMA since the  election of the National-led government in 2008 have created a policy context where these public participation rights could be eroded. Our textual analysis of the amendments to the legislation demonstrates that the current National-led government’s pursuit of greater efficiency is resulting in reduced consultation under the RMA, and potential opportunities for erosion of public participation to occur under the LGA – although conversely, the greater flexibility also provided may generate new democratic opportunities.

text: Changing parameters of consultation in local government: loss or gain for democracy? A key tenet of the Resource Management Act (RMA) when enacted in 1991 was to provide for significant rights of public participation in decision-making processes in district and regional planning processes. The Local Government Act (LGA) when enacted in 2002 continued to extend the mechanisms for public participation in decision-making processes through partnership arrangements and a greater requirement to consult. These provisions recognise the interests of the general public and those specifically affected, as well as enhancing the quality of local decision making. We argue that the reforms to the LGA and the RMA since the  election of the National-led government in 2008 have created a policy context where these public participation rights could be eroded. Our textual analysis of the amendments to the legislation demonstrates that the current National-led government’s pursuit of greater efficiency is resulting in reduced consultation under the RMA, and potential opportunities for erosion of public participation to occur under the LGA – although conversely, the greater flexibility also provided may generate new democratic opportunities.

year: 2016

title: The art of dialogue with indigenous communities in the new biotechnology world

authors: Hudson, Maui

subjects: biotechnology

abstract: Te Hau Mihi Ata is a research project that aims to negotiate spaces for and develop processes of dialogue that allow for a deeper level of interaction between mtauranga Māori (Māori indigenous knowledge) and science. Over a two-year period a series of facilitated exchanges or wnanga were held focusing on areas of new technology (assisted reproductive technologies, life technologies, and future food technologies) that involved Māori scientists and people with expertise in mtauranga Māori. These dialogue events were designed to explore, through the challenge of considering new biotechnologies, the similarities and differences that emerge from approaching these issues from different knowledge paradigms. This paper will outline the key project findings from this series of exchanges including the barriers and facilitators to the dialogue process and knowledge exchange as well as discuss how participants created connections between scientific discourse and indigenous knowledge frameworks.

text: The art of dialogue with indigenous communities in the new biotechnology world Te Hau Mihi Ata is a research project that aims to negotiate spaces for and develop processes of dialogue that allow for a deeper level of interaction between mtauranga Māori (Māori indigenous knowledge) and science. Over a two-year period a series of facilitated exchanges or wnanga were held focusing on areas of new technology (assisted reproductive technologies, life technologies, and future food technologies) that involved Māori scientists and people with expertise in mtauranga Māori. These dialogue events were designed to explore, through the challenge of considering new biotechnologies, the similarities and differences that emerge from approaching these issues from different knowledge paradigms. This paper will outline the key project findings from this series of exchanges including the barriers and facilitators to the dialogue process and knowledge exchange as well as discuss how participants created connections between scientific discourse and indigenous knowledge frameworks.

year: 2012