title: Opening address

authors: Levy, Michelle Patricia

subjects: Maori

abstract: In 2002, the Māori and Psychology Research Unit at the University of Waikato made a valuable contribution to the teaching and practice of psychology in Aotearoa, via the Māori Graduates of Psychology Symposium. The symposium in 2002, with its theme of “Making a Difference” was designed to: provide an opportunity for exposure to role models; bring together Māori graduates of psychology to network and share information; and through the publication and dissemination of the Symposium proceedings provide a resource for teaching and practice in psychology. With over 100 delegates and 30 presentations, the 2002 symposium was widely acknowledged as a success. It resulted in the compilation of proceedings which have become a valuable resource in psychology. 
While there have been informal gatherings and ongoing networking over the past five years, there have been no formal gatherings since that time. We at the Māori and Psychology Research Unit consider it timely in 2007, five years on, to convene another Symposium. Our conversations with Pacific psychologists and recognition of the ties which exist between us as Pacific nations, saw our focus expand to include Pacific psychologists and psychologies.

text: Opening address In 2002, the Māori and Psychology Research Unit at the University of Waikato made a valuable contribution to the teaching and practice of psychology in Aotearoa, via the Māori Graduates of Psychology Symposium. The symposium in 2002, with its theme of “Making a Difference” was designed to: provide an opportunity for exposure to role models; bring together Māori graduates of psychology to network and share information; and through the publication and dissemination of the Symposium proceedings provide a resource for teaching and practice in psychology. With over 100 delegates and 30 presentations, the 2002 symposium was widely acknowledged as a success. It resulted in the compilation of proceedings which have become a valuable resource in psychology. 
While there have been informal gatherings and ongoing networking over the past five years, there have been no formal gatherings since that time. We at the Māori and Psychology Research Unit consider it timely in 2007, five years on, to convene another Symposium. Our conversations with Pacific psychologists and recognition of the ties which exist between us as Pacific nations, saw our focus expand to include Pacific psychologists and psychologies.

year: 2008

title: He whare mātātuhi Tūhoe:  A Tūhoe re-visioning of English language literary texts

authors: Salsano, Marama

subjects: Māori writers

abstract: This thesis urges more Māori to undertake iwi-based readings of English language literary texts. I have chosen to privilege my father’s iwi, Ngāi Tūhoe, and to examine what Tūhoetana means to me and how it might thus enrich my reading of texts. In our ancestral tongue, Ngāi Tūhoe have a rich and pronounced history of storytelling, literary composition, analysis and critique. Unfortunately, this richness is woefully underappreciated within the English language literary landscape. Yet, as the ranks of Māori writers swell, along with the diversity of literary forms that Māori create, so too must Māori – and more specifically iwi – literary scholarship flourish, for if we do not critique the texts that are written about, of, and on behalf of us, who will? Throughout this thesis, I use the terms ‘iwi literary scholars’ and ‘iwi literary scholarship’ to consciously and repeatedly remind the reader of the rich, literary legacies residing within iwi archives; I also hope to highlight the exciting and endless possiblitites for the English language literary landscape to be enriched by readings that are founded within these archives – including the histories, everyday experiences and understandings from our tīpuna. 

Structurally, this thesis is divided into three broad strands. Chapters 1-3 focus on whakawhanaunatana and background information to my research. Because this thesis also represents the singular piece of writing that I wish I had read prior to enrolling in the thesis paper for this Master’s degree, my academic hīkoi – frustrations and all – is a necessary component and is covered in chapter 2. Chapters 4-6 then examine three different types of literary texts created by wāhine. These texts include the short story “Birth Rights” by Ngāi Tahu science fiction and fantasy writer, J.C. Hart (2010), the Instagram post Te Kuharere tapes by Ngāti Kahungungu and Ngāti Tuwharetoa songwriter and storyteller @tekahureremoa (2019) – also known as the performer Ladyfruit – and the young adult novel Dark Souls by Ngāti Wai, Ngāti Manuhiri, and Ngāti Whatua writer, Paula Morris (2011). While 21st century texts published on platforms such as Instagram may not sit easily within a traditional English literary curriculum, and indeed the novelty of these specific forms may well prove fleeting, the ‘everydayness’ of online texts yields rewarding analysis opportunities and is currently amiss within mainstream English literary studies. Each of these analysis chapters contains a focused introduction and conclusion, since chapter 7, the concluding chapter of this thesis, is a letter to future iwi literary scholars. 

Woven throughout this rangahau is a call for iwi scholars to consciously: engage with the literary traditions of their own iwi; identify the colonial thoughts and motives that they bring to the reading of literary texts; bring their tīpuna to the reading, but let the text itself breathe life into the critique and; consider the genres and types of texts that they critique. Ultimately, this thesis considers how engaging with the literary legacies of our tīpuna might broaden the English language literary landscape and thus enhance the body of iwi literary scholarship in Oceania and beyond.

text: He whare mātātuhi Tūhoe:  A Tūhoe re-visioning of English language literary texts This thesis urges more Māori to undertake iwi-based readings of English language literary texts. I have chosen to privilege my father’s iwi, Ngāi Tūhoe, and to examine what Tūhoetana means to me and how it might thus enrich my reading of texts. In our ancestral tongue, Ngāi Tūhoe have a rich and pronounced history of storytelling, literary composition, analysis and critique. Unfortunately, this richness is woefully underappreciated within the English language literary landscape. Yet, as the ranks of Māori writers swell, along with the diversity of literary forms that Māori create, so too must Māori – and more specifically iwi – literary scholarship flourish, for if we do not critique the texts that are written about, of, and on behalf of us, who will? Throughout this thesis, I use the terms ‘iwi literary scholars’ and ‘iwi literary scholarship’ to consciously and repeatedly remind the reader of the rich, literary legacies residing within iwi archives; I also hope to highlight the exciting and endless possiblitites for the English language literary landscape to be enriched by readings that are founded within these archives – including the histories, everyday experiences and understandings from our tīpuna. 

Structurally, this thesis is divided into three broad strands. Chapters 1-3 focus on whakawhanaunatana and background information to my research. Because this thesis also represents the singular piece of writing that I wish I had read prior to enrolling in the thesis paper for this Master’s degree, my academic hīkoi – frustrations and all – is a necessary component and is covered in chapter 2. Chapters 4-6 then examine three different types of literary texts created by wāhine. These texts include the short story “Birth Rights” by Ngāi Tahu science fiction and fantasy writer, J.C. Hart (2010), the Instagram post Te Kuharere tapes by Ngāti Kahungungu and Ngāti Tuwharetoa songwriter and storyteller @tekahureremoa (2019) – also known as the performer Ladyfruit – and the young adult novel Dark Souls by Ngāti Wai, Ngāti Manuhiri, and Ngāti Whatua writer, Paula Morris (2011). While 21st century texts published on platforms such as Instagram may not sit easily within a traditional English literary curriculum, and indeed the novelty of these specific forms may well prove fleeting, the ‘everydayness’ of online texts yields rewarding analysis opportunities and is currently amiss within mainstream English literary studies. Each of these analysis chapters contains a focused introduction and conclusion, since chapter 7, the concluding chapter of this thesis, is a letter to future iwi literary scholars. 

Woven throughout this rangahau is a call for iwi scholars to consciously: engage with the literary traditions of their own iwi; identify the colonial thoughts and motives that they bring to the reading of literary texts; bring their tīpuna to the reading, but let the text itself breathe life into the critique and; consider the genres and types of texts that they critique. Ultimately, this thesis considers how engaging with the literary legacies of our tīpuna might broaden the English language literary landscape and thus enhance the body of iwi literary scholarship in Oceania and beyond.

year: 2021

title: Gaming and Gender: Home as a Place of (Non)conformity for Women Gamers

authors: Todd, Cherie J.

subjects: women

abstract: This research examines interactive multimedia video games that are played on technological devices such as: computers, gameboys, PlayStation, Portable PlayStation (PSP) and Xbox.  Particular attention is paid to women 30 years of age and older, who engage in gaming activities whilst at home. This is a particularly useful group of women to investigate because it opposes stereotypical and gender-normative notions of what it means to be a 'woman at home'. Also, to the best of my knowledge, there have not been any previous studies conducted that explore this particular group in relation to geographies of home. There is an ever expanding body of literature that focuses on 'home' and the meanings that are associated with it. This research represents an attempt to seek a new way of understanding the mutually constitutive relationship between women, home, and gaming by drawing on feminist and poststructuralist theories of identities, place and space. In this thesis, I argue that there are various ways in which women's identities can become blurred by their engagements with cyber/space, and that gaming is an activity which facilitates levels of empowerment for women within the home.

text: Gaming and Gender: Home as a Place of (Non)conformity for Women Gamers This research examines interactive multimedia video games that are played on technological devices such as: computers, gameboys, PlayStation, Portable PlayStation (PSP) and Xbox.  Particular attention is paid to women 30 years of age and older, who engage in gaming activities whilst at home. This is a particularly useful group of women to investigate because it opposes stereotypical and gender-normative notions of what it means to be a 'woman at home'. Also, to the best of my knowledge, there have not been any previous studies conducted that explore this particular group in relation to geographies of home. There is an ever expanding body of literature that focuses on 'home' and the meanings that are associated with it. This research represents an attempt to seek a new way of understanding the mutually constitutive relationship between women, home, and gaming by drawing on feminist and poststructuralist theories of identities, place and space. In this thesis, I argue that there are various ways in which women's identities can become blurred by their engagements with cyber/space, and that gaming is an activity which facilitates levels of empowerment for women within the home.

year: 2009