title: Modeling of inundation dynamics on Banda Aceh, Indonesia during the great Sumatra tsunamis December 26, 2004

authors: Prasetya, Gegar Sapta

subjects: Tsunami

abstract: The tsunami inundation flows on Banda Aceh, Indonesia reached 5 km inland during the December 26, 2004, event and devastated most of the houses, buildings, and infrastructure along the coast and killed more than 167,000 people. The overland flows from the northwest coast and the west coast collided at Lampisang village approximately 3.7 km from Ulee Lheue (northwest coast) and 6.8 km from Lhok Nga (west coast) as reported by survivors. Inundation modeling based on the nonlinear shallow-water wave equations reproduces the inundation pattern and demonstrates a colliding of the overland flows. The model suggests that wave characteristics on the northwest coast of Banda Aceh were different from those on the waves that impacted upon the west coast. The areas, which experienced higher inundation levels, did not always experience greatest overland flow speeds, and the damage areas mostly coincide with the flow speed distribution rather than the runup and inundation depth.

text: Modeling of inundation dynamics on Banda Aceh, Indonesia during the great Sumatra tsunamis December 26, 2004 The tsunami inundation flows on Banda Aceh, Indonesia reached 5 km inland during the December 26, 2004, event and devastated most of the houses, buildings, and infrastructure along the coast and killed more than 167,000 people. The overland flows from the northwest coast and the west coast collided at Lampisang village approximately 3.7 km from Ulee Lheue (northwest coast) and 6.8 km from Lhok Nga (west coast) as reported by survivors. Inundation modeling based on the nonlinear shallow-water wave equations reproduces the inundation pattern and demonstrates a colliding of the overland flows. The model suggests that wave characteristics on the northwest coast of Banda Aceh were different from those on the waves that impacted upon the west coast. The areas, which experienced higher inundation levels, did not always experience greatest overland flow speeds, and the damage areas mostly coincide with the flow speed distribution rather than the runup and inundation depth.

year: 2011

title: Implementation of the supercapacitor-assisted surge absorber (SCASA) technique in a practical surge protector

authors: Fernando, Jayathu

abstract: Their combination of large continuous energy ratings and very large time constants allows supercapacitors to be used in surge protection circuits. This fact, supported by recent research publications and laboratory tests, has assisted the authors to propose a new surge protection circuit topology known as the supercapacitor-assisted surge absorber (SCASA). This technique utilizes a multi-winding transformer, common surge protector devices such as metal oxide Varistors (MOV) and/or semiconductor types combined with a supercapacitor sub-circuit to absorb part of the surge energy usually expected to dissipate within the MOV or the semiconductor. The paper presents design details and test results for a differential mode surge protector based on the SCASA technique where the test device was subjected to lightning-type surges defined in international standards for Class-A and Class B type protectors. The performance of a prototype based on Class-B waveforms of up to 6.6 kV surges generated from a lightning surge simulator are discussed in the paper. Its performance is compared with two commercially available surge protectors.

text: Implementation of the supercapacitor-assisted surge absorber (SCASA) technique in a practical surge protector Their combination of large continuous energy ratings and very large time constants allows supercapacitors to be used in surge protection circuits. This fact, supported by recent research publications and laboratory tests, has assisted the authors to propose a new surge protection circuit topology known as the supercapacitor-assisted surge absorber (SCASA). This technique utilizes a multi-winding transformer, common surge protector devices such as metal oxide Varistors (MOV) and/or semiconductor types combined with a supercapacitor sub-circuit to absorb part of the surge energy usually expected to dissipate within the MOV or the semiconductor. The paper presents design details and test results for a differential mode surge protector based on the SCASA technique where the test device was subjected to lightning-type surges defined in international standards for Class-A and Class B type protectors. The performance of a prototype based on Class-B waveforms of up to 6.6 kV surges generated from a lightning surge simulator are discussed in the paper. Its performance is compared with two commercially available surge protectors.

year: 2014

title: Formulaic Discourse Patterning in Mōteatea

authors: Roa, Te Raukura o Te Rangimarie

subjects: mōteatea

abstract: Oral formulaic composition, which involves the use of communally owned formulae of various kinds, is a common feature of verbal arts produced in many different languages. It is particularly associated with pre-literate cultures and tends to be gradually replaced by more individualistic verbal art forms when societies become literate. There are very few publications in which the analysis of mōteatea (Māori laments) is linked explicitly to oral formulaic theory. Nevertheless, there is, I believe, sufficient evidence in published sources to indicate that traditional mōteatea (defined here as mōteatea that are not fundamentally influenced by European cultural beliefs and practices) exhibit evidence of regularly recurring, conventional themes (such as death, separation, loss and travel) and motifs (such as the setting sun, the presence of rain or mist and sleeplessness).  There is, however, considerably less evidence that traditional mōteatea make extensive use of verbal formulae, that is, of the same or very similar groups of words derived from a common store of poetic resources. Although there are references in the literature to the conventionalized use of language in mōteatea, and although it has been claimed that there are at least some commonly recurring verbal expressions, this is by no means evidence of reliance on a common stock of verbal formulae. Indeed, no attempt has hitherto been made to define precisely what might be meant by the term 'oral formula' in the context of compositions in te reo Māori, something that is clearly required in view, in particular, of the fact that the phrasal structure of the language means that certain groupings (e.g. i te X; ki te X) are very likely to occur in certain contexts irrespective of genre. Furthermore, in the literature on oral formulaic composition, oral formulae are generally linked to particular metrical conditions and there is, it is argued here, no convincing empirically-based evidence that mōteatea conform to any common metrical structure or structures (see Chapters 2 and 4).

In the context of a critical review of selected literature on oral formulaic theory (Chapter 2) and mōteatea (Chapter 3), this thesis sets out to test the hypothesis that traditional mōteatea were composed, in whole or in large part, from a common stock of oral formulae. The conclusion, based on analysis of a selection of mōteatea included in Ngā mōteatea, a collection initially established by Sir Apirana Ngata, is that this hypothesis must be rejected (Chapter 4). However, a model derived from a review of selected literature on discourse structure (Chapter 5) was also applied to the analysis of a sample of these mōteatea (Chapter 6). On the basis of this analysis, it is concluded that they exhibit one of two very similar discourse prototypes, each of which involves a particular combination of discourse elements. What distinguishes the two prototypes is the fact that only one of them is characterized by the inclusion of hortatory sections in which the poet urges one or more of the protagonists to undergo one or more steps or stages required to achieve a particular outcome, such as entry into the spirit world or vengeance for death and/ or humiliation.

text: Formulaic Discourse Patterning in Mōteatea Oral formulaic composition, which involves the use of communally owned formulae of various kinds, is a common feature of verbal arts produced in many different languages. It is particularly associated with pre-literate cultures and tends to be gradually replaced by more individualistic verbal art forms when societies become literate. There are very few publications in which the analysis of mōteatea (Māori laments) is linked explicitly to oral formulaic theory. Nevertheless, there is, I believe, sufficient evidence in published sources to indicate that traditional mōteatea (defined here as mōteatea that are not fundamentally influenced by European cultural beliefs and practices) exhibit evidence of regularly recurring, conventional themes (such as death, separation, loss and travel) and motifs (such as the setting sun, the presence of rain or mist and sleeplessness).  There is, however, considerably less evidence that traditional mōteatea make extensive use of verbal formulae, that is, of the same or very similar groups of words derived from a common store of poetic resources. Although there are references in the literature to the conventionalized use of language in mōteatea, and although it has been claimed that there are at least some commonly recurring verbal expressions, this is by no means evidence of reliance on a common stock of verbal formulae. Indeed, no attempt has hitherto been made to define precisely what might be meant by the term 'oral formula' in the context of compositions in te reo Māori, something that is clearly required in view, in particular, of the fact that the phrasal structure of the language means that certain groupings (e.g. i te X; ki te X) are very likely to occur in certain contexts irrespective of genre. Furthermore, in the literature on oral formulaic composition, oral formulae are generally linked to particular metrical conditions and there is, it is argued here, no convincing empirically-based evidence that mōteatea conform to any common metrical structure or structures (see Chapters 2 and 4).

In the context of a critical review of selected literature on oral formulaic theory (Chapter 2) and mōteatea (Chapter 3), this thesis sets out to test the hypothesis that traditional mōteatea were composed, in whole or in large part, from a common stock of oral formulae. The conclusion, based on analysis of a selection of mōteatea included in Ngā mōteatea, a collection initially established by Sir Apirana Ngata, is that this hypothesis must be rejected (Chapter 4). However, a model derived from a review of selected literature on discourse structure (Chapter 5) was also applied to the analysis of a sample of these mōteatea (Chapter 6). On the basis of this analysis, it is concluded that they exhibit one of two very similar discourse prototypes, each of which involves a particular combination of discourse elements. What distinguishes the two prototypes is the fact that only one of them is characterized by the inclusion of hortatory sections in which the poet urges one or more of the protagonists to undergo one or more steps or stages required to achieve a particular outcome, such as entry into the spirit world or vengeance for death and/ or humiliation.

year: 2008