title: In defence of mātauranga Māori: A response to the 'seven academics'

authors: Waitoki, Waikaremoana

abstract: On 28 July 2021, a group of academics from the University of Auckland published a letter in the Listener, a well-known, non-academic magazine. The letter writers expressed their moral outrage that the Government’s NCEA curriculum working group proposed that science would be taught to Māori students along with its colonising history.

text: In defence of mātauranga Māori: A response to the 'seven academics' On 28 July 2021, a group of academics from the University of Auckland published a letter in the Listener, a well-known, non-academic magazine. The letter writers expressed their moral outrage that the Government’s NCEA curriculum working group proposed that science would be taught to Māori students along with its colonising history.

year: 2022-04-01

title: Rewi Mokena: youngest son of Mokena Hou

authors: Hart, Philip

abstract: The youngest child of Mokena Hou, Rewi Mokena moved from place to place when young, finally settling permanently at Te Aroha. Having received some education, he was fluent in English. Like the typical rangatira of the time, he acquired interests in several blocks of land, obtained income from these in the short term, but because of financial difficulties was brought before the court several times. 
His involvement in gold mining started in a small way in 1875. Five years later, he would assist Hone Werahiko to prospect Te Aroha – and to fend off inquisitive Pakeha. He invested in claims in all of the three areas where gold was found.
By the twentieth century, Rewi was the most important rangatira at Te Aroha, and had wider influence, assisting the King Movement to seek redress for lost land. From a young age he participated in Pakeha society, notably as a rugby player, and became a prominent Mormon. His complicated private life, including bigamy and a wife’s attempted suicide because of his adultery, did not lower his high standing in Maori society nor damage his popularity with Pakeha.

text: Rewi Mokena: youngest son of Mokena Hou The youngest child of Mokena Hou, Rewi Mokena moved from place to place when young, finally settling permanently at Te Aroha. Having received some education, he was fluent in English. Like the typical rangatira of the time, he acquired interests in several blocks of land, obtained income from these in the short term, but because of financial difficulties was brought before the court several times. 
His involvement in gold mining started in a small way in 1875. Five years later, he would assist Hone Werahiko to prospect Te Aroha – and to fend off inquisitive Pakeha. He invested in claims in all of the three areas where gold was found.
By the twentieth century, Rewi was the most important rangatira at Te Aroha, and had wider influence, assisting the King Movement to seek redress for lost land. From a young age he participated in Pakeha society, notably as a rugby player, and became a prominent Mormon. His complicated private life, including bigamy and a wife’s attempted suicide because of his adultery, did not lower his high standing in Maori society nor damage his popularity with Pakeha.

year: 2016

title: Portfolio of compositions

authors: Tang, Xu

subjects: Music

abstract: The portfolio is a creative response to the question of how autochthonous new music might be composed which genuinely reflects the interaction of Western and Chinese traditional music and philosophy. The solution proposed is to avoid excessively fusing musical elements derived from different cultures but instead to seek the most appropriate response to each unique compositional situation, utilising a different palette of techniques in each case. The artistic aim is to create in each composition a unique musical space in which musical elements and philosophical underpinnings from both East and West can interact without fusion, each retaining its own characteristics.
The analytical notes provide exegeses of the technical procedures adopted in each work and the musical and cultural context of each work.

text: Portfolio of compositions The portfolio is a creative response to the question of how autochthonous new music might be composed which genuinely reflects the interaction of Western and Chinese traditional music and philosophy. The solution proposed is to avoid excessively fusing musical elements derived from different cultures but instead to seek the most appropriate response to each unique compositional situation, utilising a different palette of techniques in each case. The artistic aim is to create in each composition a unique musical space in which musical elements and philosophical underpinnings from both East and West can interact without fusion, each retaining its own characteristics.
The analytical notes provide exegeses of the technical procedures adopted in each work and the musical and cultural context of each work.

year: 2021