title: Contemporary attitudes to traditional facial ta moko: A working paper

authors: Rua, Mohi

subjects: Maori

abstract: Until it came under serious attack from nineteenth century missionaries, ta moko was an
integral part of traditional Maori society. Facial moko conveyed important information about
identity, whakapapa and status. The process of receiving a moko was tapu and highly regulated.
Recent years have seen an increase in the number of Maori receiving ta moko. Moko have been
seen as a symbol of Maori pride and identity and have often been associated with political
activism. This study set out to investigate the contemporary meaning of ta moko, the reactions
wearers encounter from others and the ways wearers cope with those reactions.
Three case studies are presented. These show that the issues of personal identity and
whakapapa were central to the meaning wearers attached to their moko. Receiving a moko was
often associated with significant personal changes and an increased political commitment to
Maori self determination. On the whole, positive reactions were more common than negative
reactions but wearers did find themselves subjected to racist and antagonistic responses.
Wearing moko was also reported to mean that others, particularly other Maori, placed certain
expectations on the wearer, notably to be fluent in te reo and to be able to exercise leadership.
Participants considered that there was a need for education about the significance of ta moko
and recommended that those contemplating receiving a moko ensure that they are reasonably
fluent in te reo.

text: Contemporary attitudes to traditional facial ta moko: A working paper Until it came under serious attack from nineteenth century missionaries, ta moko was an
integral part of traditional Maori society. Facial moko conveyed important information about
identity, whakapapa and status. The process of receiving a moko was tapu and highly regulated.
Recent years have seen an increase in the number of Maori receiving ta moko. Moko have been
seen as a symbol of Maori pride and identity and have often been associated with political
activism. This study set out to investigate the contemporary meaning of ta moko, the reactions
wearers encounter from others and the ways wearers cope with those reactions.
Three case studies are presented. These show that the issues of personal identity and
whakapapa were central to the meaning wearers attached to their moko. Receiving a moko was
often associated with significant personal changes and an increased political commitment to
Maori self determination. On the whole, positive reactions were more common than negative
reactions but wearers did find themselves subjected to racist and antagonistic responses.
Wearing moko was also reported to mean that others, particularly other Maori, placed certain
expectations on the wearer, notably to be fluent in te reo and to be able to exercise leadership.
Participants considered that there was a need for education about the significance of ta moko
and recommended that those contemplating receiving a moko ensure that they are reasonably
fluent in te reo.

year: 1999

title: Te Ika Huirua o Te Mate

authors: Maxwell, Te Kahautu

abstract: This composition is a lament to two staesman of the Māori world Apira Mahuika of Ngāti Porou and Tama Huata of Ngāti Kahungunu. Both men were giants in their respective areas, governance, tribal politics cultral revival language revitalisation, Treaty settlements they both died within days of each other. This compostion also talks about how Pākeha law clashes with Māori lore with the James Takamore case where his whanau took his body and returned it to James ancestral home Whakatohea and the widow laid charges to have her husbands remains dug up and returned to Christchuch. I thought it appropriate to protest about this being the Te Matatini World Championship Kapa Haka Competition was held in Christchurch March 2015. This composition was performed by Ōpōtiki Mai Tawhiti.

text: Te Ika Huirua o Te Mate This composition is a lament to two staesman of the Māori world Apira Mahuika of Ngāti Porou and Tama Huata of Ngāti Kahungunu. Both men were giants in their respective areas, governance, tribal politics cultral revival language revitalisation, Treaty settlements they both died within days of each other. This compostion also talks about how Pākeha law clashes with Māori lore with the James Takamore case where his whanau took his body and returned it to James ancestral home Whakatohea and the widow laid charges to have her husbands remains dug up and returned to Christchuch. I thought it appropriate to protest about this being the Te Matatini World Championship Kapa Haka Competition was held in Christchurch March 2015. This composition was performed by Ōpōtiki Mai Tawhiti.

year: 2015-02-12

title: The "illegality exception" reconsidered

authors: Liao, Zhixiong (Leo)

abstract: This paper is to reconsider and raise doubts over the seemingly prevailing view that illegality in the underlying contract for international trade should be accepted as an exception to the autonomy principle of documentary letters of credit. It argues that there are logical flaws in the “illegality exception” arguments. Contrary to the seemingly prevailing view, this paper suggests that where classic commercial documentary letters of credit for international trade are involved, the “illegality exception” would much less likely than expected to be accepted, especially in most common law jurisdictions. It also submits that the public policy concerns over (the facilitation of) illegal transactions in international trade could be better addressed by specific statutory provisions rather than by an ill-founded and loosely formulated “illegality exception”.

text: The "illegality exception" reconsidered This paper is to reconsider and raise doubts over the seemingly prevailing view that illegality in the underlying contract for international trade should be accepted as an exception to the autonomy principle of documentary letters of credit. It argues that there are logical flaws in the “illegality exception” arguments. Contrary to the seemingly prevailing view, this paper suggests that where classic commercial documentary letters of credit for international trade are involved, the “illegality exception” would much less likely than expected to be accepted, especially in most common law jurisdictions. It also submits that the public policy concerns over (the facilitation of) illegal transactions in international trade could be better addressed by specific statutory provisions rather than by an ill-founded and loosely formulated “illegality exception”.

year: 2015-08-17