title: Place-responsive choreography and activism

authors: Barbour, Karen

abstract: Sensory encounters with place, site and landscape have the potential to stimulate new and deeply felt engagements with local places, and to prompt discussion about the relationships between place, culture and identity. Such sensory encounters may also offer opportunities for critical, reflexive theorising and practice (Pink, 2008, 2009; Stevenson, 2014; Warren, 2012). Within the myriad of potentialities offered in research, a focus on sensory and embodied encounters with local places prompts me to articulate intersections between local issues of social justice and environmental activism and feminist choreography. As a dance artist and researcher, ethnographic research has led me to autoethnographic performance as a specific means to articulate my encounters with place through embodied expression and textual representation.

text: Place-responsive choreography and activism Sensory encounters with place, site and landscape have the potential to stimulate new and deeply felt engagements with local places, and to prompt discussion about the relationships between place, culture and identity. Such sensory encounters may also offer opportunities for critical, reflexive theorising and practice (Pink, 2008, 2009; Stevenson, 2014; Warren, 2012). Within the myriad of potentialities offered in research, a focus on sensory and embodied encounters with local places prompts me to articulate intersections between local issues of social justice and environmental activism and feminist choreography. As a dance artist and researcher, ethnographic research has led me to autoethnographic performance as a specific means to articulate my encounters with place through embodied expression and textual representation.

year: 2016

title: Software agents in music and sound art research/creative work: Current state and a possible direction

authors: Whalley, Ian

subjects: music

abstract: Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various disciplines. This paper surveys recent work: agent technology is first introduced, a theoretical framework for its use in creating music/sound art works put forward, and an overview of common approaches then given. Identifying areas of neglect in recent research, a possible direction for further work is then briefly explored. Finally, a vision for a new hybrid model that integrates non-linear, generative, conversational and affective perspectives on interactivity is proposed.

text: Software agents in music and sound art research/creative work: Current state and a possible direction Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various disciplines. This paper surveys recent work: agent technology is first introduced, a theoretical framework for its use in creating music/sound art works put forward, and an overview of common approaches then given. Identifying areas of neglect in recent research, a possible direction for further work is then briefly explored. Finally, a vision for a new hybrid model that integrates non-linear, generative, conversational and affective perspectives on interactivity is proposed.

year: 2009

title: Street health: Practitioner service provision for Māori homeless people in Auckland

authors: Nikora, Linda Waimarie

abstract: Homelessness is more than a transient crisis. While access to housing might solve the needs of some, research has shown that the needs of homeless people are much more complex and more a symptom of systematic structural inequalities than an unanticipated emergency (Hopper, 1998). As in other countries, the homeless population in New Zealand is made up of a diverse population of men, women and intersex groups of various ages, sexualities and ethnic backgrounds. Māori are over-represented among this population due to ongoing processes of colonisation and socioeconomic exclusion (Groot et al., 2011). When compared with domiciled citizens, homeless people are more likely to experience a raft of illnesses and unmet health needs, violence, a sense of insecurity, exclusion and fear, and are more likely to commit sui- cide (Hodgetts et al., 2007). Homeless people often experience diverse ill- nesses including asthma, heart disease, diabetes, hepatitis, renal disease, dermatological conditions, malnutrition, oral disease, depression, schizo- phrenia, substance misuse and broken bones (Ellison-Loschmann & Pearce, 2006; Joly et al., 2011; Moore et al., 2007).

text: Street health: Practitioner service provision for Māori homeless people in Auckland Homelessness is more than a transient crisis. While access to housing might solve the needs of some, research has shown that the needs of homeless people are much more complex and more a symptom of systematic structural inequalities than an unanticipated emergency (Hopper, 1998). As in other countries, the homeless population in New Zealand is made up of a diverse population of men, women and intersex groups of various ages, sexualities and ethnic backgrounds. Māori are over-represented among this population due to ongoing processes of colonisation and socioeconomic exclusion (Groot et al., 2011). When compared with domiciled citizens, homeless people are more likely to experience a raft of illnesses and unmet health needs, violence, a sense of insecurity, exclusion and fear, and are more likely to commit sui- cide (Hodgetts et al., 2007). Homeless people often experience diverse ill- nesses including asthma, heart disease, diabetes, hepatitis, renal disease, dermatological conditions, malnutrition, oral disease, depression, schizo- phrenia, substance misuse and broken bones (Ellison-Loschmann & Pearce, 2006; Joly et al., 2011; Moore et al., 2007).

year: 2016