title: New Zealand regions, 1986-2001: Household and families, and their dwellings

authors: Pool, Ian

subjects: households

abstract: Household structures and patterns of home ownership can have important implications for the wellbeing of populations. This paper explores regional differences in Household Structure and Home ownership for the period 1986 to 2001. Over this period there have been some major changes in the distribution of different household structures with a move away from the Two-parent household to other household types, such as Couple Only and Single-person households. Over the same period rates of home ownership have dropped. This paper shows that the patterns and trends for household structures and dwelling tenure vary significantly between regions. This reflects both overall national trends and inequalities between regions.

text: New Zealand regions, 1986-2001: Household and families, and their dwellings Household structures and patterns of home ownership can have important implications for the wellbeing of populations. This paper explores regional differences in Household Structure and Home ownership for the period 1986 to 2001. Over this period there have been some major changes in the distribution of different household structures with a move away from the Two-parent household to other household types, such as Couple Only and Single-person households. Over the same period rates of home ownership have dropped. This paper shows that the patterns and trends for household structures and dwelling tenure vary significantly between regions. This reflects both overall national trends and inequalities between regions.

year: 2005-11

title: Acoustic and radio-transmitter retention in common carp (Cyprinus carpio) in New Zealand

authors: Daniel, Adam Joshua

subjects: surgical implant

abstract: Common carp (Cyprinus carpio) are notoriously difficult to monitor in water temperatures above 20◦C using telemetry owing to transmitter expulsion. To reduce transmitter loss, radio transmitters were anchored to the pelvic girdle and a polymer coating was applied to acoustic transmitters to reduce tissue irritation in two tank trials. Ten dummy transmitters were surgically implanted in each of four groups of adult koi carp, a highly coloured strain of C. carpio. Water temperatures ranged between 7 and 24◦C. After 365 days, the control and test groups of each trial had similar expulsion rates (P≥0.30; two-tailed Fisher’s exact probability test). Expulsion rates for uncoated acoustic transmitters were 60% (n=6), coated acoustic transmitters 50% (n=5), unanchored radio transmitters 60% (n=6) and anchored radio transmitters 90% (n=9). Expulsions occurred 15–362 days after implantation as a result of ulcers at or near the surgical wound. Bacterial infection of the wound appears to be the primary mechanism for transmitter expulsion.

text: Acoustic and radio-transmitter retention in common carp (Cyprinus carpio) in New Zealand Common carp (Cyprinus carpio) are notoriously difficult to monitor in water temperatures above 20◦C using telemetry owing to transmitter expulsion. To reduce transmitter loss, radio transmitters were anchored to the pelvic girdle and a polymer coating was applied to acoustic transmitters to reduce tissue irritation in two tank trials. Ten dummy transmitters were surgically implanted in each of four groups of adult koi carp, a highly coloured strain of C. carpio. Water temperatures ranged between 7 and 24◦C. After 365 days, the control and test groups of each trial had similar expulsion rates (P≥0.30; two-tailed Fisher’s exact probability test). Expulsion rates for uncoated acoustic transmitters were 60% (n=6), coated acoustic transmitters 50% (n=5), unanchored radio transmitters 60% (n=6) and anchored radio transmitters 90% (n=9). Expulsions occurred 15–362 days after implantation as a result of ulcers at or near the surgical wound. Bacterial infection of the wound appears to be the primary mechanism for transmitter expulsion.

year: 2009

title: Portfolio of compositions

authors: Hoadley, Benjamin Russell

subjects: New Zealand composition

abstract: The music in this portfolio of original compositions is steeped in the Western tradition of tonal music. The pieces were written while also pursuing a professional career as a bassoonist touring internationally and performing a wide variety of western art music, from Renaissance to contemporary. I have responded to these influences consciously and unconsciously in my music. The overarching focus of this composition portfolio is to provide an answer to the question — to what extent do musical influences impact on the compositions of an international touring performer?

Underpinning the portfolio is the fact that the pieces were all written in New Zealand during periods of intense reflection and study. While I am constantly collecting ideas and inspiration for my music while travelling, I consolidate and realise these ideas only when I am home.

I identify with being a New Zealand composer, with cosmopolitan influences on my music reflecting the global influences on New Zealand’s culture and art. Working closely with composers performing their music has also informed my composition. I mention Gillian Whitehead in particular, whose music I have performed widely.

The two outer pieces in the portfolio, Huia and Manaia 4 are the most directly associated with New Zealand in their subject matter. Other pieces have foreign themes, from my nocturnal impressions of New York in Night Music to the Ancient Greece of Ostrakon to the West African poetry of Four Songs.

All of the pieces were written for professional musicians to perform, including the Auckland Philharmonia Orchestra and the Sydney Omega Ensemble. Having these outstanding performers in mind while writing, and interacting with these musicians during the composition process, has informed my writing.

text: Portfolio of compositions The music in this portfolio of original compositions is steeped in the Western tradition of tonal music. The pieces were written while also pursuing a professional career as a bassoonist touring internationally and performing a wide variety of western art music, from Renaissance to contemporary. I have responded to these influences consciously and unconsciously in my music. The overarching focus of this composition portfolio is to provide an answer to the question — to what extent do musical influences impact on the compositions of an international touring performer?

Underpinning the portfolio is the fact that the pieces were all written in New Zealand during periods of intense reflection and study. While I am constantly collecting ideas and inspiration for my music while travelling, I consolidate and realise these ideas only when I am home.

I identify with being a New Zealand composer, with cosmopolitan influences on my music reflecting the global influences on New Zealand’s culture and art. Working closely with composers performing their music has also informed my composition. I mention Gillian Whitehead in particular, whose music I have performed widely.

The two outer pieces in the portfolio, Huia and Manaia 4 are the most directly associated with New Zealand in their subject matter. Other pieces have foreign themes, from my nocturnal impressions of New York in Night Music to the Ancient Greece of Ostrakon to the West African poetry of Four Songs.

All of the pieces were written for professional musicians to perform, including the Auckland Philharmonia Orchestra and the Sydney Omega Ensemble. Having these outstanding performers in mind while writing, and interacting with these musicians during the composition process, has informed my writing.

year: 2016