title: Religious pluralism and referential realism

authors: Pratt, Douglas

subjects: religion

abstract: Religious plurality is a fact of our time. It cannot be avoided. Neither can it be factually acknowledged then cognitively shunned, except by enacting a most obtuse denial. Religious plurality demands a cognitive response. The pressing question is how to comprehend both other religions in themselves and, of course, reflect on what they mean in respect of comprehending one’s own. If other religions are not to be denied, are they to be treated as equal? Do religions aspire to the same goal? Are they just varying paths with the same end? What is the nature of the reality embedded in the notion of religious plurality? It is in response to issues such as these that the paradigm of pluralism has emerged to challenge not only any narrow exclusivism, but also the more subtle inclusivism where one religion is perceived to function as the dominant paradigm to which all others, in some sense, are subsumed. In this paper I shall briefly review, and critically discuss, the paradigm of religious pluralism with particular reference to the work of Peter Byrne with respect to referential realism.

text: Religious pluralism and referential realism Religious plurality is a fact of our time. It cannot be avoided. Neither can it be factually acknowledged then cognitively shunned, except by enacting a most obtuse denial. Religious plurality demands a cognitive response. The pressing question is how to comprehend both other religions in themselves and, of course, reflect on what they mean in respect of comprehending one’s own. If other religions are not to be denied, are they to be treated as equal? Do religions aspire to the same goal? Are they just varying paths with the same end? What is the nature of the reality embedded in the notion of religious plurality? It is in response to issues such as these that the paradigm of pluralism has emerged to challenge not only any narrow exclusivism, but also the more subtle inclusivism where one religion is perceived to function as the dominant paradigm to which all others, in some sense, are subsumed. In this paper I shall briefly review, and critically discuss, the paradigm of religious pluralism with particular reference to the work of Peter Byrne with respect to referential realism.

year: 2005-09

title: A new similarity measure for collaborative filtering to alleviate the new user cold-starting problem

authors: Ahn, Hyung Jun

subjects: similarity measure

abstract: Collaborative filtering is one of the most successful and widely used methods of automated product recommendation in online stores. The most critical component of the method is the mechanism of finding similarities among users using product ratings data so that products can be recommended based on the similarities. The calculation of similarities has relied on traditional distance and vector similarity measures such as Pearson’s correlation and cosine which, however, have been seldom questioned in terms of their effectiveness in the recommendation problem domain. This paper presents a new heuristic similarity measure that focuses on improving recommendation performance under cold-start conditions where only a small number of ratings are available for similarity calculation for each user. Experiments using three different datasets show the superiority of the measure in new user cold-start conditions.

text: A new similarity measure for collaborative filtering to alleviate the new user cold-starting problem Collaborative filtering is one of the most successful and widely used methods of automated product recommendation in online stores. The most critical component of the method is the mechanism of finding similarities among users using product ratings data so that products can be recommended based on the similarities. The calculation of similarities has relied on traditional distance and vector similarity measures such as Pearson’s correlation and cosine which, however, have been seldom questioned in terms of their effectiveness in the recommendation problem domain. This paper presents a new heuristic similarity measure that focuses on improving recommendation performance under cold-start conditions where only a small number of ratings are available for similarity calculation for each user. Experiments using three different datasets show the superiority of the measure in new user cold-start conditions.

year: 2008

title: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory.

authors: Perrott, Lisa

subjects: Television Documentary

abstract: The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

text: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory. The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

year: 2007