title: The Social Construction of Bottled Water Consumption in New Zealand

authors: Kunze, Isabelle Miriam

subjects: Geography

abstract: This thesis examines the ways in which bottled water consumption is socially constructed and associated with place, nature, gender and health. Consuming bottled water is related to ideas of both sustaining the environment and the body. I explore how performances of both the environment and consuming bodies constitute each other. Consumer performances in Hamilton and various visual and textual representations illustrate spatialities, socialities and subjectivities of bottled water consumption.

Geographies of consumption and feminist geographies and methodologies provide the framework for my research. I conducted eleven semi-structured interviews on the Waikato University Campus in Hamilton with participants different in age, gender and ethnicity. Bottled water advertising in international and national lifestyle magazines and newspapers, as well as bottled water websites, are also examined through the lens of critical discourse analysis.

The first part of this thesis focuses on bottled water consumption in regard to the environment and explores how the natural and pure image of bottled water is currently linked to notions of green and sustainable consumption. The second part examines the embodiment of the environment in regards to sustaining healthy, pregnant, sporty, sexed and 'green' bodies while looking at gender, health, and consumer performances and subjectivities.

Linking bottled water consumption to the environment and the body not only enriches geographies of consumption but also emphasises the paradoxes associated with consuming bottled water.

text: The Social Construction of Bottled Water Consumption in New Zealand This thesis examines the ways in which bottled water consumption is socially constructed and associated with place, nature, gender and health. Consuming bottled water is related to ideas of both sustaining the environment and the body. I explore how performances of both the environment and consuming bodies constitute each other. Consumer performances in Hamilton and various visual and textual representations illustrate spatialities, socialities and subjectivities of bottled water consumption.

Geographies of consumption and feminist geographies and methodologies provide the framework for my research. I conducted eleven semi-structured interviews on the Waikato University Campus in Hamilton with participants different in age, gender and ethnicity. Bottled water advertising in international and national lifestyle magazines and newspapers, as well as bottled water websites, are also examined through the lens of critical discourse analysis.

The first part of this thesis focuses on bottled water consumption in regard to the environment and explores how the natural and pure image of bottled water is currently linked to notions of green and sustainable consumption. The second part examines the embodiment of the environment in regards to sustaining healthy, pregnant, sporty, sexed and 'green' bodies while looking at gender, health, and consumer performances and subjectivities.

Linking bottled water consumption to the environment and the body not only enriches geographies of consumption but also emphasises the paradoxes associated with consuming bottled water.

year: 2008

title: Civil strategies for future generations

authors: Daya-Winterbottom, Trevor

abstract: This paper will examine the barriers to implementing climate justice from a New Zealand perspective. In particular, the paper will focus on the governance arrangements for implementing the Paris Agreement, administrative justice and the potential for activist NGO strategies following the majority Supreme Court decision in Buller Coal, and the role of the next generation in reconfiguring how we conceive environmental law and institutions in the remainder of this century.
These themes will be interrogated through a critical analysis of deliberate political choice in framing climate change response legislation, the need to guarantee administrative justice through effective judicial remedies, the differing perceptions of the next generation about how to address climate change articulated via the most recent report from the Parliamentary Commissioner for the Environment, emerging new generational ways of holding government and institutions to account advanced by the Sarah Thomson judicial review proceedings before the High Court, and the vision for a new political agenda to confront the challenge of climate change imagined by Max Harris.

text: Civil strategies for future generations This paper will examine the barriers to implementing climate justice from a New Zealand perspective. In particular, the paper will focus on the governance arrangements for implementing the Paris Agreement, administrative justice and the potential for activist NGO strategies following the majority Supreme Court decision in Buller Coal, and the role of the next generation in reconfiguring how we conceive environmental law and institutions in the remainder of this century.
These themes will be interrogated through a critical analysis of deliberate political choice in framing climate change response legislation, the need to guarantee administrative justice through effective judicial remedies, the differing perceptions of the next generation about how to address climate change articulated via the most recent report from the Parliamentary Commissioner for the Environment, emerging new generational ways of holding government and institutions to account advanced by the Sarah Thomson judicial review proceedings before the High Court, and the vision for a new political agenda to confront the challenge of climate change imagined by Max Harris.

year: 2018

title: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory.

authors: Perrott, Lisa

subjects: Television Documentary

abstract: The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

text: The New Zealand Wars Documentary Series: Discursive Struggle and Cultural Memory. The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. 

Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. 

While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. 

The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. 

These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

year: 2007