title: Researcher decisions in presentation: Using a painting scheme to stage research poetry

authors: Earl Rinehart, (Suzanne) Kerry

abstract: Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

text: Researcher decisions in presentation: Using a painting scheme to stage research poetry Even when we use participants’ words, we as researchers, craft and (re)present those words in the dissemination of the research. Laurel Richardson terms this “staging”. She writes “when we write social science, we use our authority and privileges to talk about the people we study. No matter how we stage the text, we–the authors–are doing the staging” (1992: 131). Decisions surrounding how we stage the text are our responsibility. Researcher decisions, about the crafting of research poems, are therefore deliberate and intentional for the purpose of communicating our research in certain ways. On what basis do we make decisions in crafting research poetry and how are they linked to our analyses? One of the reasons a researcher determines to use research poetry is to seek to engage the “listener’ s body” and make an empathic connection to research participants (Richardson, 1993: 705). In this article, I present a scheme from Chinese brush painting, as one possible way to guide decisions in the crafting of poetic participant ‘portraits’ illustrated using a study involving school principals.

year: 2018

title: Impedance measurement of batteries under load

authors: Hasan, Rahat

abstract: The impedance of a lithium battery at a single state-of-charge (SoC) is obtained from the current and voltage response of the cell. Making this measurement is important in order to understand cell characteristics. There exist some impedance analysers which can make suitable measurements at a single SoC. Measuring this impedance at multiple SoC is slow and tedious especially at lower frequencies. We present a new method which computes the impedance over a range of SoC while simultaneously varying the SoC. The proposed method produces reliable data even when the device under test is behaving non-linearly. The data obtained from this measurement is validated by comparing impedance data obtained at different SoC from a cell under no load.

text: Impedance measurement of batteries under load The impedance of a lithium battery at a single state-of-charge (SoC) is obtained from the current and voltage response of the cell. Making this measurement is important in order to understand cell characteristics. There exist some impedance analysers which can make suitable measurements at a single SoC. Measuring this impedance at multiple SoC is slow and tedious especially at lower frequencies. We present a new method which computes the impedance over a range of SoC while simultaneously varying the SoC. The proposed method produces reliable data even when the device under test is behaving non-linearly. The data obtained from this measurement is validated by comparing impedance data obtained at different SoC from a cell under no load.

year: 2019

title: 'Kōrero Tuku Iho': Reconfiguring Oral History and Oral Tradition

authors: Mahuika, Nepia

subjects: History

abstract: The studies of oral history and oral tradition each have their own distinctive bodies of literature and preferred methodologies, yet share significant overlaps that make them difficult to differentiate. For many indigenous peoples, oral histories and traditions are key to their their past, present, and future lives, and are rarely considered separate. This thesis examines the differences and similarities between the studies of oral history and oral tradition. It explores how these areas of research converge and diverge in form, politics, practice, and theory, and the extent to which they resonate within a specific ‘indigenous’ context and community.
The thesis draws on the life narrative interviews of four generations of Ngāti Porou descendents, the second largest tribal group in New Zealand, whose home boundaries extend from Potikirua in the north to Te Toka-a-Taiau in the south on the East Coast of the North Island. Drawing on these voices, this study offers a commentary on the form and nature of oral traditions and histories from an indigenous perspective, and explores the ways they converge and depart from ‘international’ understandings. An exploration of these intersections offers insights to the ways oral history and oral traditions might be reconsidered as distinctive fields of study. Reconfigured through an indigenous frame of reference, this thesis challenges scholars of both oral history and oral tradition to expand their conceptions. Likewise, it urges indigenous scholars to consider more deeply the work of oral historians and oral traditionalists to further enhance their scholarship. Moreover, this thesis revisits the intellectual and conceptual territory that names and claims oral history and oral tradition, and invites all those who work in these areas to develop a more extensive comprehension of the interconnections that exist between each area of study.

text: 'Kōrero Tuku Iho': Reconfiguring Oral History and Oral Tradition The studies of oral history and oral tradition each have their own distinctive bodies of literature and preferred methodologies, yet share significant overlaps that make them difficult to differentiate. For many indigenous peoples, oral histories and traditions are key to their their past, present, and future lives, and are rarely considered separate. This thesis examines the differences and similarities between the studies of oral history and oral tradition. It explores how these areas of research converge and diverge in form, politics, practice, and theory, and the extent to which they resonate within a specific ‘indigenous’ context and community.
The thesis draws on the life narrative interviews of four generations of Ngāti Porou descendents, the second largest tribal group in New Zealand, whose home boundaries extend from Potikirua in the north to Te Toka-a-Taiau in the south on the East Coast of the North Island. Drawing on these voices, this study offers a commentary on the form and nature of oral traditions and histories from an indigenous perspective, and explores the ways they converge and depart from ‘international’ understandings. An exploration of these intersections offers insights to the ways oral history and oral traditions might be reconsidered as distinctive fields of study. Reconfigured through an indigenous frame of reference, this thesis challenges scholars of both oral history and oral tradition to expand their conceptions. Likewise, it urges indigenous scholars to consider more deeply the work of oral historians and oral traditionalists to further enhance their scholarship. Moreover, this thesis revisits the intellectual and conceptual territory that names and claims oral history and oral tradition, and invites all those who work in these areas to develop a more extensive comprehension of the interconnections that exist between each area of study.

year: 2012