title: Challenges in cross-cultural/multilingual music information seeking

authors: Lee, Jin Ha

subjects: user behaviors

abstract: Understanding and meeting the needs of a broad range of music users across different cultures and languages are central in designing a global music digital library. This exploratory study examines cross-cultural/multilingual music information seeking behaviors and reveals
some important characteristics of these behaviors by analyzing 107 authentic music information queries from a Korean knowledge search portal Naver (knowledge) iN and 150 queries from Google Answers website. We conclude that new sets of access points must be developed to accommodate music queries that cross cultural or language boundaries.

text: Challenges in cross-cultural/multilingual music information seeking Understanding and meeting the needs of a broad range of music users across different cultures and languages are central in designing a global music digital library. This exploratory study examines cross-cultural/multilingual music information seeking behaviors and reveals
some important characteristics of these behaviors by analyzing 107 authentic music information queries from a Korean knowledge search portal Naver (knowledge) iN and 150 queries from Google Answers website. We conclude that new sets of access points must be developed to accommodate music queries that cross cultural or language boundaries.

year: 2005-09-01

title: Moisture sensitivity and compressive performance of 3D-printed cellulose-biopolyester foam lattices

authors: McDonald-Wharry, John

subjects: Science & Technology

abstract: Biobased, foam-like polyester composite materials were 3D-printed from a thermoset paste formulation. This paste formulation was composed of sebacic acid, glycerol, citric acid, and cellulose nanocrystals in water and ethanol with potassium chloride as a salt porogen. Thin walls and lattices were 3D-printed with geometry selected to facilitate post-printing processes such as water removal during polyester curing and the post-curing removal of the salt porogen. The compressive performance of these moisture-sensitive lattice structures was investigated after conditioning at different humidity levels and by water immersion. Finite element analysis was used to simulate the compressive performance of these porous lattice structures using a crushable foam material model. Addition of plant triglyceride oils from sunflower and coconut were trialled to modify the compressive performance and moisture sensitivity. Addition of 5 wt% coconut oil to the formulation prior to 3D-printing was found to lower the cured material’s stiffness under dry conditions while increasing the compressive plateau strength of the lattice structures after water immersion.

text: Moisture sensitivity and compressive performance of 3D-printed cellulose-biopolyester foam lattices Biobased, foam-like polyester composite materials were 3D-printed from a thermoset paste formulation. This paste formulation was composed of sebacic acid, glycerol, citric acid, and cellulose nanocrystals in water and ethanol with potassium chloride as a salt porogen. Thin walls and lattices were 3D-printed with geometry selected to facilitate post-printing processes such as water removal during polyester curing and the post-curing removal of the salt porogen. The compressive performance of these moisture-sensitive lattice structures was investigated after conditioning at different humidity levels and by water immersion. Finite element analysis was used to simulate the compressive performance of these porous lattice structures using a crushable foam material model. Addition of plant triglyceride oils from sunflower and coconut were trialled to modify the compressive performance and moisture sensitivity. Addition of 5 wt% coconut oil to the formulation prior to 3D-printing was found to lower the cured material’s stiffness under dry conditions while increasing the compressive plateau strength of the lattice structures after water immersion.

year: 2021

title: E hoki ki to maunga: The quintessential elements of home

authors: Emery, Debra Joy Tepora

subjects: hau kainga

abstract: He kopu puta tahi, he taura whiri tātou;
whiringa a nuku, whiringa a rangi, te whatia e
Issue of one womb, we are a rope woven of many strands; woven on earth, woven in heaven, it will not break (Rev Māori Marsden, 1992)
Ngati Te Takinga is a hapū (sub-tribe) belonging to the Iwi (tribe) Ngati Pikiao. An affiliated member of the Te Arawa confederation of tribes, Ngati Pikiao occupies the Okere and Rotoiti Lakes district of Rotorua in the central North Island of Aotearoa New Zealand.
This thesis seeks to acknowledge and address the concerns that Ngati Te Takinga has regarding impending cultural discontinuity. The concerns arise due to the hapū's limited human capability and capacity being the result of three things. Firstly, the ongoing demise of tribal elders (and leaders) and the subsequent loss to the hapū of cultural knowledge, skills, leadership and expertise. Secondly, the low numbers of adept,
culturally proficient successors 'coming through' (to replace the elders) and finally, the detribalised and diasporic (dispersed) nature of our people. The hapū and the marae Te Takinga (a last outwardly discernible bastion of Ngati Te Takinga cultural identity and distinction) are jeopardised as a result of these phenomenon.
This thesis is part of a hapū strategy that attempts to address these problems. Positing the
reconnection of our dispersed Ngati Te Takinga 'away-dwellers' as a beginning
solution, the central questions raised by this thesis are  how [does] Ngati Te Takinga
'home-dweller' discourse impact on the 'coming home' experiences and 'reconnection'
of Ngati Te Takinga away-dwellers?  and  what are the [are there] implications for Ngati
Te Takinga cultural continuity? 
The maintenance of Ngati Te Takinga cultural continuity forms the aho mātua or main thread of this work. Using narrative enquiry as a broad methodological framework,stories were gathered from four different groups of Ngati Te Takinga peoples. The groups were home-dwellers (mana whenua or ahi kaa), te ahi tere (away-dwellers who
have returned home to live); te ahi tere (away-dwellers who intend returning in the future) and te ahi tere (away-dwellers who have no intention of returning home to live). The stories (narratives) investigated notions of home, belongingness and Māori identity in relation to the trichotomy of the connection, disconnection and the reconnection of Ngati Te Takinga peoples; the stories were analysed and co-constructed with participants for meaning.
The stories showed that while the hapū aspires to gather up the strengths of a dispersed people to reinvigorate our culture and the marae, existing and competing discourses around authenticity, authority and Ngati Te Takinga identity create a tension between the home (mana whenua/ahi kaa) and away-dwelling Ngati Te Takinga people; including those away-dwellers who have returned. As a basic requirement, this tension must be
diminished in order to build the relationships necessary to improve hapū allegiance
(whānaungatanga), to build hapū strength and to maintain hapū culture and identity. As a priority, decolonising strategies that facilitate an understanding of diversity, promote
participation, maintain tikanga and include our away-dwellers, our 'returnees' and/or our
disconnected people in our hapū-marae interactions, must be considered, developed,
promoted and practiced.

text: E hoki ki to maunga: The quintessential elements of home He kopu puta tahi, he taura whiri tātou;
whiringa a nuku, whiringa a rangi, te whatia e
Issue of one womb, we are a rope woven of many strands; woven on earth, woven in heaven, it will not break (Rev Māori Marsden, 1992)
Ngati Te Takinga is a hapū (sub-tribe) belonging to the Iwi (tribe) Ngati Pikiao. An affiliated member of the Te Arawa confederation of tribes, Ngati Pikiao occupies the Okere and Rotoiti Lakes district of Rotorua in the central North Island of Aotearoa New Zealand.
This thesis seeks to acknowledge and address the concerns that Ngati Te Takinga has regarding impending cultural discontinuity. The concerns arise due to the hapū's limited human capability and capacity being the result of three things. Firstly, the ongoing demise of tribal elders (and leaders) and the subsequent loss to the hapū of cultural knowledge, skills, leadership and expertise. Secondly, the low numbers of adept,
culturally proficient successors 'coming through' (to replace the elders) and finally, the detribalised and diasporic (dispersed) nature of our people. The hapū and the marae Te Takinga (a last outwardly discernible bastion of Ngati Te Takinga cultural identity and distinction) are jeopardised as a result of these phenomenon.
This thesis is part of a hapū strategy that attempts to address these problems. Positing the
reconnection of our dispersed Ngati Te Takinga 'away-dwellers' as a beginning
solution, the central questions raised by this thesis are  how [does] Ngati Te Takinga
'home-dweller' discourse impact on the 'coming home' experiences and 'reconnection'
of Ngati Te Takinga away-dwellers?  and  what are the [are there] implications for Ngati
Te Takinga cultural continuity? 
The maintenance of Ngati Te Takinga cultural continuity forms the aho mātua or main thread of this work. Using narrative enquiry as a broad methodological framework,stories were gathered from four different groups of Ngati Te Takinga peoples. The groups were home-dwellers (mana whenua or ahi kaa), te ahi tere (away-dwellers who
have returned home to live); te ahi tere (away-dwellers who intend returning in the future) and te ahi tere (away-dwellers who have no intention of returning home to live). The stories (narratives) investigated notions of home, belongingness and Māori identity in relation to the trichotomy of the connection, disconnection and the reconnection of Ngati Te Takinga peoples; the stories were analysed and co-constructed with participants for meaning.
The stories showed that while the hapū aspires to gather up the strengths of a dispersed people to reinvigorate our culture and the marae, existing and competing discourses around authenticity, authority and Ngati Te Takinga identity create a tension between the home (mana whenua/ahi kaa) and away-dwelling Ngati Te Takinga people; including those away-dwellers who have returned. As a basic requirement, this tension must be
diminished in order to build the relationships necessary to improve hapū allegiance
(whānaungatanga), to build hapū strength and to maintain hapū culture and identity. As a priority, decolonising strategies that facilitate an understanding of diversity, promote
participation, maintain tikanga and include our away-dwellers, our 'returnees' and/or our
disconnected people in our hapū-marae interactions, must be considered, developed,
promoted and practiced.

year: 2008