title: E hoki ki to maunga: The quintessential elements of home

authors: Emery, Debra Joy Tepora

subjects: hau kainga

abstract: He kopu puta tahi, he taura whiri tātou;
whiringa a nuku, whiringa a rangi, te whatia e
Issue of one womb, we are a rope woven of many strands; woven on earth, woven in heaven, it will not break (Rev Māori Marsden, 1992)
Ngati Te Takinga is a hapū (sub-tribe) belonging to the Iwi (tribe) Ngati Pikiao. An affiliated member of the Te Arawa confederation of tribes, Ngati Pikiao occupies the Okere and Rotoiti Lakes district of Rotorua in the central North Island of Aotearoa New Zealand.
This thesis seeks to acknowledge and address the concerns that Ngati Te Takinga has regarding impending cultural discontinuity. The concerns arise due to the hapū's limited human capability and capacity being the result of three things. Firstly, the ongoing demise of tribal elders (and leaders) and the subsequent loss to the hapū of cultural knowledge, skills, leadership and expertise. Secondly, the low numbers of adept,
culturally proficient successors 'coming through' (to replace the elders) and finally, the detribalised and diasporic (dispersed) nature of our people. The hapū and the marae Te Takinga (a last outwardly discernible bastion of Ngati Te Takinga cultural identity and distinction) are jeopardised as a result of these phenomenon.
This thesis is part of a hapū strategy that attempts to address these problems. Positing the
reconnection of our dispersed Ngati Te Takinga 'away-dwellers' as a beginning
solution, the central questions raised by this thesis are  how [does] Ngati Te Takinga
'home-dweller' discourse impact on the 'coming home' experiences and 'reconnection'
of Ngati Te Takinga away-dwellers?  and  what are the [are there] implications for Ngati
Te Takinga cultural continuity? 
The maintenance of Ngati Te Takinga cultural continuity forms the aho mātua or main thread of this work. Using narrative enquiry as a broad methodological framework,stories were gathered from four different groups of Ngati Te Takinga peoples. The groups were home-dwellers (mana whenua or ahi kaa), te ahi tere (away-dwellers who
have returned home to live); te ahi tere (away-dwellers who intend returning in the future) and te ahi tere (away-dwellers who have no intention of returning home to live). The stories (narratives) investigated notions of home, belongingness and Māori identity in relation to the trichotomy of the connection, disconnection and the reconnection of Ngati Te Takinga peoples; the stories were analysed and co-constructed with participants for meaning.
The stories showed that while the hapū aspires to gather up the strengths of a dispersed people to reinvigorate our culture and the marae, existing and competing discourses around authenticity, authority and Ngati Te Takinga identity create a tension between the home (mana whenua/ahi kaa) and away-dwelling Ngati Te Takinga people; including those away-dwellers who have returned. As a basic requirement, this tension must be
diminished in order to build the relationships necessary to improve hapū allegiance
(whānaungatanga), to build hapū strength and to maintain hapū culture and identity. As a priority, decolonising strategies that facilitate an understanding of diversity, promote
participation, maintain tikanga and include our away-dwellers, our 'returnees' and/or our
disconnected people in our hapū-marae interactions, must be considered, developed,
promoted and practiced.

text: E hoki ki to maunga: The quintessential elements of home He kopu puta tahi, he taura whiri tātou;
whiringa a nuku, whiringa a rangi, te whatia e
Issue of one womb, we are a rope woven of many strands; woven on earth, woven in heaven, it will not break (Rev Māori Marsden, 1992)
Ngati Te Takinga is a hapū (sub-tribe) belonging to the Iwi (tribe) Ngati Pikiao. An affiliated member of the Te Arawa confederation of tribes, Ngati Pikiao occupies the Okere and Rotoiti Lakes district of Rotorua in the central North Island of Aotearoa New Zealand.
This thesis seeks to acknowledge and address the concerns that Ngati Te Takinga has regarding impending cultural discontinuity. The concerns arise due to the hapū's limited human capability and capacity being the result of three things. Firstly, the ongoing demise of tribal elders (and leaders) and the subsequent loss to the hapū of cultural knowledge, skills, leadership and expertise. Secondly, the low numbers of adept,
culturally proficient successors 'coming through' (to replace the elders) and finally, the detribalised and diasporic (dispersed) nature of our people. The hapū and the marae Te Takinga (a last outwardly discernible bastion of Ngati Te Takinga cultural identity and distinction) are jeopardised as a result of these phenomenon.
This thesis is part of a hapū strategy that attempts to address these problems. Positing the
reconnection of our dispersed Ngati Te Takinga 'away-dwellers' as a beginning
solution, the central questions raised by this thesis are  how [does] Ngati Te Takinga
'home-dweller' discourse impact on the 'coming home' experiences and 'reconnection'
of Ngati Te Takinga away-dwellers?  and  what are the [are there] implications for Ngati
Te Takinga cultural continuity? 
The maintenance of Ngati Te Takinga cultural continuity forms the aho mātua or main thread of this work. Using narrative enquiry as a broad methodological framework,stories were gathered from four different groups of Ngati Te Takinga peoples. The groups were home-dwellers (mana whenua or ahi kaa), te ahi tere (away-dwellers who
have returned home to live); te ahi tere (away-dwellers who intend returning in the future) and te ahi tere (away-dwellers who have no intention of returning home to live). The stories (narratives) investigated notions of home, belongingness and Māori identity in relation to the trichotomy of the connection, disconnection and the reconnection of Ngati Te Takinga peoples; the stories were analysed and co-constructed with participants for meaning.
The stories showed that while the hapū aspires to gather up the strengths of a dispersed people to reinvigorate our culture and the marae, existing and competing discourses around authenticity, authority and Ngati Te Takinga identity create a tension between the home (mana whenua/ahi kaa) and away-dwelling Ngati Te Takinga people; including those away-dwellers who have returned. As a basic requirement, this tension must be
diminished in order to build the relationships necessary to improve hapū allegiance
(whānaungatanga), to build hapū strength and to maintain hapū culture and identity. As a priority, decolonising strategies that facilitate an understanding of diversity, promote
participation, maintain tikanga and include our away-dwellers, our 'returnees' and/or our
disconnected people in our hapū-marae interactions, must be considered, developed,
promoted and practiced.

year: 2008

title: Local Cryo-history: Redefining the creation, transformation and circulation of Aotearoa’s nineteenth century glacier knowledge

authors: Annandale, Claudi - Ann

abstract: The creation, transformation and dissemination of knowledge constantly shapes the narrative of glacier history. However, the intersecting layers that human encounters with the frozen environment, Indigenous knowledge, and popular thought add to glacier histories is often overlooked. By analysing the trends and intellectual traditions that emerged in nineteenth century New Zealand, a period defined as glaciology's 'classical' era of study, this thesis aims to broaden the Southern Alps’ local science-focused glacier discourse.   

Māori, for example, possessed unique mātauranga (knowledge) that was documented through Europeans employing local guides to accompany them across the Southern Alps. This mātauranga shaped some encounters nineteenth-century scientists, surveyors, and travellers had with Kā Tiritiri o te Moana’s glacier environment. New Zealand scholars like Julius von Haast and James Hector, on the other hand, further refined their understanding of New Zealand glaciers through the transnational exchange of knowledge and intellectual debates. A combination of Enlightenment rationalism and Romantic aesthetic also influenced popular glacier narratives that emerged during the nineteenth century. For example, the imagination of journalists, mountaineers and travellers reflected the broader cultural trends that circulated from Europe to New Zealand before their knowledge was disseminated to the public.  

By interrogating mātauranga Māori, formal scientific study, and popular settler imagination about glaciers, this thesis redefines New Zealand’s nineteenth-century glacier history as inherently multilayered through the circulation, creation, transformation and dissemination of glacier knowledge. In doing so, it highlights glaciers not only as physical entities defined by scientific study but as ideas shaped by diverse knowledge systems, cultural perceptions, and historical contingencies.

text: Local Cryo-history: Redefining the creation, transformation and circulation of Aotearoa’s nineteenth century glacier knowledge The creation, transformation and dissemination of knowledge constantly shapes the narrative of glacier history. However, the intersecting layers that human encounters with the frozen environment, Indigenous knowledge, and popular thought add to glacier histories is often overlooked. By analysing the trends and intellectual traditions that emerged in nineteenth century New Zealand, a period defined as glaciology's 'classical' era of study, this thesis aims to broaden the Southern Alps’ local science-focused glacier discourse.   

Māori, for example, possessed unique mātauranga (knowledge) that was documented through Europeans employing local guides to accompany them across the Southern Alps. This mātauranga shaped some encounters nineteenth-century scientists, surveyors, and travellers had with Kā Tiritiri o te Moana’s glacier environment. New Zealand scholars like Julius von Haast and James Hector, on the other hand, further refined their understanding of New Zealand glaciers through the transnational exchange of knowledge and intellectual debates. A combination of Enlightenment rationalism and Romantic aesthetic also influenced popular glacier narratives that emerged during the nineteenth century. For example, the imagination of journalists, mountaineers and travellers reflected the broader cultural trends that circulated from Europe to New Zealand before their knowledge was disseminated to the public.  

By interrogating mātauranga Māori, formal scientific study, and popular settler imagination about glaciers, this thesis redefines New Zealand’s nineteenth-century glacier history as inherently multilayered through the circulation, creation, transformation and dissemination of glacier knowledge. In doing so, it highlights glaciers not only as physical entities defined by scientific study but as ideas shaped by diverse knowledge systems, cultural perceptions, and historical contingencies.

year: 2025

title: Parsing Technology-entanglement for Thick-things: The Complication or Complexity of Media and Technologies

authors: Nicholson, Shaun

subjects: Digital media

abstract: Can an interpretive framework untangle distributed forms of technology-enabled media? The thesis develops an interpretive framework to provide an antidote to reckless imaginations that privilege concealment and encourage explanations of technology-enablement as social or automagical. The framework is a response to Latour's call to modify explanations given simply as 'social' and Kittler's observation of software as an unrecognizable layering of linguistic extensions. 

The interpretive framework is developed from successive encounters with technology-enablement associated with a particular geospatial use of Augmented Reality. Augmented Reality that accesses photos embedded with geospatial information depends on multiple distributed technologies ranging from smartphones to satellites. This contemporary form of technology-enabled media is demonstrated by a Panoramio geospatial layer of tourist photos accessed using the software product Layar. The encounters are with an image collection, WIFI router, 3G cellular data network, iPhone, geospatial location service and Layar. These enabling technologies have been gathered and inspected for human and nonhuman agencies during project encounters that followed an ethnographic approach. A dialogue with technology practitioners informs the analytical engagement with Augmented Reality to provide an alternative vocabulary for theoretical access to those vastly distributed and indescribable technology-enablers.

The framework is developed through successive propositions. The encounters pursue the trajectory of a digital image from a technology-enabled visual representation that can be created or consumed with ease to distributed image collections that operate as a contemporary site of interoperability. Photos are transformed in proposition 1 from a visual surface to a realm of specificity that is a stratified and expansive construction of exchangeable data. The second proposition establishes technologies as constructed from atomic building blocks that are combined in either complicated or complex formations. The second proposition asserts that it is necessary to distinguish between complication and complexity. Propositions 1 and 2 are extended by a debate between respective positions of an extremely flat ontology and an expansive materialism represented by Bryant, Barad, Latour and Bennett. The flat ontology is rejected and a thick account of things is asserted as a position that better accounts for the entanglement of humans and nonhumans interoperating amongst a synthetic ecology of media technologies. The third proposition is that the technology-enablement of media is a complicated or complex form of technology-entanglement. The thesis demonstrates this interpretive framework before concluding with a ‘how-to’ that guides researchers adapting this methodology for their own projects.

text: Parsing Technology-entanglement for Thick-things: The Complication or Complexity of Media and Technologies Can an interpretive framework untangle distributed forms of technology-enabled media? The thesis develops an interpretive framework to provide an antidote to reckless imaginations that privilege concealment and encourage explanations of technology-enablement as social or automagical. The framework is a response to Latour's call to modify explanations given simply as 'social' and Kittler's observation of software as an unrecognizable layering of linguistic extensions. 

The interpretive framework is developed from successive encounters with technology-enablement associated with a particular geospatial use of Augmented Reality. Augmented Reality that accesses photos embedded with geospatial information depends on multiple distributed technologies ranging from smartphones to satellites. This contemporary form of technology-enabled media is demonstrated by a Panoramio geospatial layer of tourist photos accessed using the software product Layar. The encounters are with an image collection, WIFI router, 3G cellular data network, iPhone, geospatial location service and Layar. These enabling technologies have been gathered and inspected for human and nonhuman agencies during project encounters that followed an ethnographic approach. A dialogue with technology practitioners informs the analytical engagement with Augmented Reality to provide an alternative vocabulary for theoretical access to those vastly distributed and indescribable technology-enablers.

The framework is developed through successive propositions. The encounters pursue the trajectory of a digital image from a technology-enabled visual representation that can be created or consumed with ease to distributed image collections that operate as a contemporary site of interoperability. Photos are transformed in proposition 1 from a visual surface to a realm of specificity that is a stratified and expansive construction of exchangeable data. The second proposition establishes technologies as constructed from atomic building blocks that are combined in either complicated or complex formations. The second proposition asserts that it is necessary to distinguish between complication and complexity. Propositions 1 and 2 are extended by a debate between respective positions of an extremely flat ontology and an expansive materialism represented by Bryant, Barad, Latour and Bennett. The flat ontology is rejected and a thick account of things is asserted as a position that better accounts for the entanglement of humans and nonhumans interoperating amongst a synthetic ecology of media technologies. The third proposition is that the technology-enablement of media is a complicated or complex form of technology-entanglement. The thesis demonstrates this interpretive framework before concluding with a ‘how-to’ that guides researchers adapting this methodology for their own projects.

year: 2016