title: Deposition gradients across mangrove fringes

authors: Horstman, Erik M.

subjects: mangroves

abstract: Observations in a mangrove in the Whangapoua Harbour, New Zealand, have shown that deposition rates are greatest in the fringing zone between the tidal flats and the mangrove forest, where the vegetation is dominated by a cover of pneumatophores (i.e. pencil roots). Current speeds and suspended sediment concentrations dropped substantially across this zone. Near-bed turbulence within the fringe was substantially lower where the pneumatophore canopy was denser, facilitating the enhanced deposition in this zone. However, the near-bed conditions were not the primary control on the instantaneous sediment concentrations at this site. The total deposition across the different zones was the combined result of the reduced near-bed turbulence inside the vegetation and the larger-scale dynamics over the spatially variable vegetation cover, along with other confounding factors such as changing sediment inputs.

text: Deposition gradients across mangrove fringes Observations in a mangrove in the Whangapoua Harbour, New Zealand, have shown that deposition rates are greatest in the fringing zone between the tidal flats and the mangrove forest, where the vegetation is dominated by a cover of pneumatophores (i.e. pencil roots). Current speeds and suspended sediment concentrations dropped substantially across this zone. Near-bed turbulence within the fringe was substantially lower where the pneumatophore canopy was denser, facilitating the enhanced deposition in this zone. However, the near-bed conditions were not the primary control on the instantaneous sediment concentrations at this site. The total deposition across the different zones was the combined result of the reduced near-bed turbulence inside the vegetation and the larger-scale dynamics over the spatially variable vegetation cover, along with other confounding factors such as changing sediment inputs.

year: 2017

title: The relatives are fine: use of qualitative firm data in economic analysis

authors: Fabling, Richard

subjects: qualitative data

abstract: We use qualitative and quantitative data for the same firms to examine the robustness of firms' qualitative responses regarding their performance. In contrast to some prior studies, firms accurately respond to qualitative questions regarding productivity and profitability relative to other firms. One reason for this accuracy is that the qualitative response options specifically include a don't know category that reduces misreporting and bias.

text: The relatives are fine: use of qualitative firm data in economic analysis We use qualitative and quantitative data for the same firms to examine the robustness of firms' qualitative responses regarding their performance. In contrast to some prior studies, firms accurately respond to qualitative questions regarding productivity and profitability relative to other firms. One reason for this accuracy is that the qualitative response options specifically include a don't know category that reduces misreporting and bias.

year: 2012

title: Ki te kapu o takau ringa - In the Hollow of my Hand: Wānanga based Photographic Approaches to Place Representation

authors: Hill, Rodrigo

abstract: Ka matakitaki iho au ki te riu o Waikato
 Ano nei hei kapo kau ake maaku; 
Ki te kapu o taku ringa, 
“I look down on the valley of Waikato, 
As though to hold it  
In the hollow of my hand.
 The words above are from Māori King Tawhiao’s maioha (song poem), a representation of his love for his homelands of the Waikato and the region known today as the King Country. Now imagine a large-scale photograph: a close-up of cupped hands, holding an object carefully. The phrase above informs Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled ‘Te Nehenehenui - The Ancient Enduring Beauty in the Great Forest of the King Country’. With this project still in its early stages the research team will present early and ongoing creative practice developments, discussions and ideas about photography practice, wānanga, and place representation. The project promotes the use of wānanga (forums and meetings of focus groups through which knowledge - mātauranga - is discussed and passed on) and other reflective practices, engaging with and led by mana whenua (guardians of the land) providing a thread which will guide the construction of the photographic images. The research fuses wānanga, that is Mātauranga Māori (Māori Knowledge), and photography practice in novel ways, aiming to move away and challenge core photographic conventions and Eurocentric modes of place representation. Roa and Hill understand wānanga as a fluid practice of engagement which can be with mana whenua or with the taiao - the environment - either by itself or with the mana whenua. This is the essence of Kaupapa Māori Research.

text: Ki te kapu o takau ringa - In the Hollow of my Hand: Wānanga based Photographic Approaches to Place Representation Ka matakitaki iho au ki te riu o Waikato
 Ano nei hei kapo kau ake maaku; 
Ki te kapu o taku ringa, 
“I look down on the valley of Waikato, 
As though to hold it  
In the hollow of my hand.
 The words above are from Māori King Tawhiao’s maioha (song poem), a representation of his love for his homelands of the Waikato and the region known today as the King Country. Now imagine a large-scale photograph: a close-up of cupped hands, holding an object carefully. The phrase above informs Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled ‘Te Nehenehenui - The Ancient Enduring Beauty in the Great Forest of the King Country’. With this project still in its early stages the research team will present early and ongoing creative practice developments, discussions and ideas about photography practice, wānanga, and place representation. The project promotes the use of wānanga (forums and meetings of focus groups through which knowledge - mātauranga - is discussed and passed on) and other reflective practices, engaging with and led by mana whenua (guardians of the land) providing a thread which will guide the construction of the photographic images. The research fuses wānanga, that is Mātauranga Māori (Māori Knowledge), and photography practice in novel ways, aiming to move away and challenge core photographic conventions and Eurocentric modes of place representation. Roa and Hill understand wānanga as a fluid practice of engagement which can be with mana whenua or with the taiao - the environment - either by itself or with the mana whenua. This is the essence of Kaupapa Māori Research.

year: 2023-10-25