title: How an exchange of perspectives led to tentative ethical guidelines for visual ethnography

authors: Pope, Clive C.

subjects: visual ethics

abstract: Qualitative research, especially visual ethnography, is an iterative not a linear process, replete with good intentions, false starts, mistaken assumptions, miscommunication and a continually revised statement of the problem. That the camera freezes everything and everyone in the frame only complicates ethical considerations. This work, jointly authored by the researcher, the Research Ethics Committee (REC) chair and an informed outsider, walks the reader through the ethical challenges the researcher experienced seeking REC approval to conduct a visual ethnography of a secondary school's rowing event. Eventually, the researcher found the challenges and ambiguities of informed consent indicative of the current issues facing many researchers working with the visual medium. The account fleshes out a procedural ethics and ethics in practice dichotomy and ends with the researcher and REC chair retrospectively contemplating the iterative ethics of visual ethnography. We conclude our conversation by proposing five tentative guidelines for visual ethnography researchers and their research ethics committees.

text: How an exchange of perspectives led to tentative ethical guidelines for visual ethnography Qualitative research, especially visual ethnography, is an iterative not a linear process, replete with good intentions, false starts, mistaken assumptions, miscommunication and a continually revised statement of the problem. That the camera freezes everything and everyone in the frame only complicates ethical considerations. This work, jointly authored by the researcher, the Research Ethics Committee (REC) chair and an informed outsider, walks the reader through the ethical challenges the researcher experienced seeking REC approval to conduct a visual ethnography of a secondary school's rowing event. Eventually, the researcher found the challenges and ambiguities of informed consent indicative of the current issues facing many researchers working with the visual medium. The account fleshes out a procedural ethics and ethics in practice dichotomy and ends with the researcher and REC chair retrospectively contemplating the iterative ethics of visual ethnography. We conclude our conversation by proposing five tentative guidelines for visual ethnography researchers and their research ethics committees.

year: 2010

title: New Zealand

authors: Moffat, Kirstine

subjects: New Zealand

abstract: 2009 was a particularly rich and diverse year for New Zealand literature, with the publication of significant works by many established authors and the emergence of several new and promising voices. Experimentation with form and a joyful celebration of the act of creation are a hallmark of much of this year’s bibliography. The first decade of the twenty-first century continues to be distinguished by a range of genres and forms – realist, mythic, fantastical and historical modes remain particularly popular – and, in some authors’ work, by a movement away from New Zealand settings to other, actual or imagined, locations.

text: New Zealand 2009 was a particularly rich and diverse year for New Zealand literature, with the publication of significant works by many established authors and the emergence of several new and promising voices. Experimentation with form and a joyful celebration of the act of creation are a hallmark of much of this year’s bibliography. The first decade of the twenty-first century continues to be distinguished by a range of genres and forms – realist, mythic, fantastical and historical modes remain particularly popular – and, in some authors’ work, by a movement away from New Zealand settings to other, actual or imagined, locations.

year: 2010

title: Researching collaborative artistic practice.

authors: Barbour, Karen

subjects: arts research

abstract: In this paper we offer discussion of collaboration in artistic practice, based on a two-and-a-half-year-long research project undertaken by artists/researchers at the University of Waikato, working in collaboration with local performers. Grounded in kaupapa M¯ori, feminist and phenomenological research methodologies, this research project provided a context for exploring existing understandings of collaborative processes in the arts, and for immersion in and development of alternative processes, across artistic mediums and cultures. Drawing on contemporary understandings of cross-cultural and intercultural practices in the arts, we discuss how shared conceptualisation of ideas, immersion in different creative processes, personal reflection and development over extended periods of time were found to foster collaboration. In this paper we will explore the value and nature of relationships within collaboration, and discuss how selfdetermination or tino rangatiratanga might be maintained within the context of collaborative performance art.

text: Researching collaborative artistic practice. In this paper we offer discussion of collaboration in artistic practice, based on a two-and-a-half-year-long research project undertaken by artists/researchers at the University of Waikato, working in collaboration with local performers. Grounded in kaupapa M¯ori, feminist and phenomenological research methodologies, this research project provided a context for exploring existing understandings of collaborative processes in the arts, and for immersion in and development of alternative processes, across artistic mediums and cultures. Drawing on contemporary understandings of cross-cultural and intercultural practices in the arts, we discuss how shared conceptualisation of ideas, immersion in different creative processes, personal reflection and development over extended periods of time were found to foster collaboration. In this paper we will explore the value and nature of relationships within collaboration, and discuss how selfdetermination or tino rangatiratanga might be maintained within the context of collaborative performance art.

year: 2007