title: Topic indexing with Wikipedia

authors: Medelyan, Olena

subjects: computer science

abstract: Wikipedia article names can be utilized as a controlled vocabulary for identifying the main topics in a document. Wikipedia’s 2M articles cover the terminology of nearly any document collection, which permits controlled indexing in the absence of manually created vocabularies. We combine state-of-art strategies for automatic controlled indexing with Wikipedia’s unique property- a richly hyperlinked encyclopedia. We evaluated the scheme by comparing automatically assigned topics with those chosen manually by human indexers. Analysis of indexing consistency shows that our algorithm outperforms some human subjects.

text: Topic indexing with Wikipedia Wikipedia article names can be utilized as a controlled vocabulary for identifying the main topics in a document. Wikipedia’s 2M articles cover the terminology of nearly any document collection, which permits controlled indexing in the absence of manually created vocabularies. We combine state-of-art strategies for automatic controlled indexing with Wikipedia’s unique property- a richly hyperlinked encyclopedia. We evaluated the scheme by comparing automatically assigned topics with those chosen manually by human indexers. Analysis of indexing consistency shows that our algorithm outperforms some human subjects.

year: 2008

title: Dynamic Conditioning: Preparation of actors for the delivery of dynamic performance

authors: Sturgess-Monks, Nicholas

subjects: dynamic

abstract: This thesis represents an attempt to establish, and develop, a methodology for the preparation of actors for delivery of a physically and vocally dynamic performance, informed by the fact of theatrical immediacy. Specifically, this can be understood as a systematised collection of exercises and principles that are conducive to such an intent. The effectiveness of the conditioning exercises engaged in were tested through the preparation and staging of The Best Thing!, a full-length play, for public audience.

A structural division has been made in this document between theoretical research and practical elements. In Chapter 1 can be discovered the progression of theory that informed the development of exercises engaged in, as well as stylistic intentions. The paradigmatic state of the modern theatre is discussed, in relation to the new performative mediums of film and television, concluding that a formal shift is required in theatre if it is to continue to be justified as a relevant artistic medium in contemporary culture. This is formed with reference to the prior work of a range of theatrical practitioners and theorists of the past century.

In Chapter 2 the successive stages of practical research undertaken are discussed. Beginning with the training investigations, continuing into a discussion of rehearsal processes, and culminating with an analysis of The Best Thing! in this specific staged form, with attention given to its success with respect to the performance Dynamics identified in the research previously enacted.

Documentary material, regarding investigative processes and theoretical development may be found within the Appendices. This includes a detailed dramaturgical analysis, a narrative deconstruction of The Best Thing!, and a complete elaboration of the activities and exercises engaged in during the research process. Several videos are also included, providing practical demonstration of events discussed.

text: Dynamic Conditioning: Preparation of actors for the delivery of dynamic performance This thesis represents an attempt to establish, and develop, a methodology for the preparation of actors for delivery of a physically and vocally dynamic performance, informed by the fact of theatrical immediacy. Specifically, this can be understood as a systematised collection of exercises and principles that are conducive to such an intent. The effectiveness of the conditioning exercises engaged in were tested through the preparation and staging of The Best Thing!, a full-length play, for public audience.

A structural division has been made in this document between theoretical research and practical elements. In Chapter 1 can be discovered the progression of theory that informed the development of exercises engaged in, as well as stylistic intentions. The paradigmatic state of the modern theatre is discussed, in relation to the new performative mediums of film and television, concluding that a formal shift is required in theatre if it is to continue to be justified as a relevant artistic medium in contemporary culture. This is formed with reference to the prior work of a range of theatrical practitioners and theorists of the past century.

In Chapter 2 the successive stages of practical research undertaken are discussed. Beginning with the training investigations, continuing into a discussion of rehearsal processes, and culminating with an analysis of The Best Thing! in this specific staged form, with attention given to its success with respect to the performance Dynamics identified in the research previously enacted.

Documentary material, regarding investigative processes and theoretical development may be found within the Appendices. This includes a detailed dramaturgical analysis, a narrative deconstruction of The Best Thing!, and a complete elaboration of the activities and exercises engaged in during the research process. Several videos are also included, providing practical demonstration of events discussed.

year: 2013

title: Moehewa: Death, lifestyle and sexuality in the Maori world

authors: Nikora, Linda Waimarie

subjects: Maori

abstract: Customary death ritual and traditional practice have continued for the Maori (indigenous) people of Aotearoa/New Zealand, despite intensive missionary incursion and the colonial process. This paper critically considers what occurs when the deceased is different, in a most significant way. What happens when you die – and you are Maori and any one, or a combination, of the following: a queen, takatapui, butch, like that, gay, she-male, lesbian, transsexual, a dyke, intersex, tomboy, kamp, drag, homosexual, or just queer? Who remembers you and how? Same sex relationships today are still discouraged or denied, although traditional chant and Maori visual narratives record such liaisons and erotic experience as joyously normal. And yet some people choose to remain in the closet. With three case studies, we reflect on mourning rituals or tangi – Maori death rites, in a same sex relationship, or for a gay, lesbian or transsexual family member. We use the Maori term takatapui to refer to these partnerships.

text: Moehewa: Death, lifestyle and sexuality in the Maori world Customary death ritual and traditional practice have continued for the Maori (indigenous) people of Aotearoa/New Zealand, despite intensive missionary incursion and the colonial process. This paper critically considers what occurs when the deceased is different, in a most significant way. What happens when you die – and you are Maori and any one, or a combination, of the following: a queen, takatapui, butch, like that, gay, she-male, lesbian, transsexual, a dyke, intersex, tomboy, kamp, drag, homosexual, or just queer? Who remembers you and how? Same sex relationships today are still discouraged or denied, although traditional chant and Maori visual narratives record such liaisons and erotic experience as joyously normal. And yet some people choose to remain in the closet. With three case studies, we reflect on mourning rituals or tangi – Maori death rites, in a same sex relationship, or for a gay, lesbian or transsexual family member. We use the Maori term takatapui to refer to these partnerships.

year: 2013