title: Te Whakatōhea Maurua

authors: Maxwell, Te Kahautu

abstract: Te Whakatōhea Maurua is a Whakaeke item that was composed to commemorate the rangatira of Te Whakatōhea that lost their lives in the colonial wars of the mid nineteenth century at the hands of the Te Arawa people who were loyalists to the Crown. This composition was composed also to bury the hatchet between Te Whakatōhea and Te Arawa. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka Competition 2013

text: Te Whakatōhea Maurua Te Whakatōhea Maurua is a Whakaeke item that was composed to commemorate the rangatira of Te Whakatōhea that lost their lives in the colonial wars of the mid nineteenth century at the hands of the Te Arawa people who were loyalists to the Crown. This composition was composed also to bury the hatchet between Te Whakatōhea and Te Arawa. This composition was performed by Ōpōtiki Mai Tawhiti at the Te Matatini World Championship Kapa Haka Competition 2013

year: 2013

title: The processes involved in formulating a marae-based Māori language regeneration plan for Whakamārama marae: Outline, analysis and evaluation

authors: Lewis, Roger

subjects: New Zealand

abstract: We provide here a criterion referenced evaluation of the processes involved in the creation of a Māori language regeneration strategy for Whakamārama marae. Working voluntarily and often under difficult circumstances, core group members demonstrated that they possessed the essential characteristics of commitment, motivation and determination. In addition, they demonstrated the willingness and ability to use existing skills and knowledge effectively and to develop further skills and knowledge as the project proceeded. Perhaps most important, they developed a caring and effective working culture. However, the weaknesses of the project included a lack of preparation and planning prior to the commencement of the project which led to delays in producing outcomes and some loss of momentum. This also led, indirectly, to the views of two or three members of the core group being overrepresented in the language planning goals. We believe that the information and analysis provided here are likely to be of interest to any language community involved in micro-level language regeneration activities of a similar type.

text: The processes involved in formulating a marae-based Māori language regeneration plan for Whakamārama marae: Outline, analysis and evaluation We provide here a criterion referenced evaluation of the processes involved in the creation of a Māori language regeneration strategy for Whakamārama marae. Working voluntarily and often under difficult circumstances, core group members demonstrated that they possessed the essential characteristics of commitment, motivation and determination. In addition, they demonstrated the willingness and ability to use existing skills and knowledge effectively and to develop further skills and knowledge as the project proceeded. Perhaps most important, they developed a caring and effective working culture. However, the weaknesses of the project included a lack of preparation and planning prior to the commencement of the project which led to delays in producing outcomes and some loss of momentum. This also led, indirectly, to the views of two or three members of the core group being overrepresented in the language planning goals. We believe that the information and analysis provided here are likely to be of interest to any language community involved in micro-level language regeneration activities of a similar type.

year: 2008

title: Requirements on dance-driven 3-D camera interaction: A collaboration between dance, Graphic Design and Computer Science

authors: Jung, Doris

subjects: computer science

abstract: In this paper we describe our initial ideas towards research investigating dance-driven 3-D-camera interaction as a tool for creating holistic pieces of art for an enriched performance experience.
In the first part, we focus on the technical analysis of requirements on a set of input parameters for the dance input.
In the second part we explore requirements stemming from the creative themes envisaged.
In the discussion we synergize these requirements towards the requirements on a first prototype of the dance-driven 3-D-camera interaction.

text: Requirements on dance-driven 3-D camera interaction: A collaboration between dance, Graphic Design and Computer Science In this paper we describe our initial ideas towards research investigating dance-driven 3-D-camera interaction as a tool for creating holistic pieces of art for an enriched performance experience.
In the first part, we focus on the technical analysis of requirements on a set of input parameters for the dance input.
In the second part we explore requirements stemming from the creative themes envisaged.
In the discussion we synergize these requirements towards the requirements on a first prototype of the dance-driven 3-D-camera interaction.

year: 2011