title: Bringing Antarctica to the lab: a polar desert environmental chamber to study the response of Antarctic microbial communities to climate change

authors: Monteiro, Maria R.

abstract: Polar deserts contain unique and sensitive communities responsive to climate-associated habitat changes. However, unlike temperate desert ecosystems, characterizing and predicting the responses of polar ecosystems to environmental change remains a significant challenge due to logistical constraints. Here we aim to demonstrate the use of a custom-designed Polar Desert Environmental Chamber (PDEC) to perform off-continent experimental ecological research. We did so by characterizing the structure and composition of arid edaphic bacterial communities collected from the McMurdo Dry Valleys during a simulated wetting event. The results were discussed in light of previous field observations. Rapid structural and compositional changes were observed during wetting and re-drying treatments. Those were driven by changes in the relative abundance of coexisting taxa, which fluctuated asynchronously over time in response to the treatments. While selection was the main ecological factor influencing communities during dry conditions or the initial wetting, with prolonged exposure to wetness, neutral processes began to drive community assembly. Ultimately, these observations reflect different adaptative responses from microbial taxa to water stress, which can be argued as beneficial to increasing resilience in polar deserts. Our findings demonstrate that experiments conducted in PDEC provide valuable contextual data on community response to environmental change and can accelerate our ability to assess biological thresholds to change within polar desert ecosystems. We advocate that, with careful consideration of key emulated environmental attributes, laboratory-based Antarctic research can complement fieldwork to achieve a nuanced and evidence-based understanding of the ecology of Antarctica’s ice-free regions.

text: Bringing Antarctica to the lab: a polar desert environmental chamber to study the response of Antarctic microbial communities to climate change Polar deserts contain unique and sensitive communities responsive to climate-associated habitat changes. However, unlike temperate desert ecosystems, characterizing and predicting the responses of polar ecosystems to environmental change remains a significant challenge due to logistical constraints. Here we aim to demonstrate the use of a custom-designed Polar Desert Environmental Chamber (PDEC) to perform off-continent experimental ecological research. We did so by characterizing the structure and composition of arid edaphic bacterial communities collected from the McMurdo Dry Valleys during a simulated wetting event. The results were discussed in light of previous field observations. Rapid structural and compositional changes were observed during wetting and re-drying treatments. Those were driven by changes in the relative abundance of coexisting taxa, which fluctuated asynchronously over time in response to the treatments. While selection was the main ecological factor influencing communities during dry conditions or the initial wetting, with prolonged exposure to wetness, neutral processes began to drive community assembly. Ultimately, these observations reflect different adaptative responses from microbial taxa to water stress, which can be argued as beneficial to increasing resilience in polar deserts. Our findings demonstrate that experiments conducted in PDEC provide valuable contextual data on community response to environmental change and can accelerate our ability to assess biological thresholds to change within polar desert ecosystems. We advocate that, with careful consideration of key emulated environmental attributes, laboratory-based Antarctic research can complement fieldwork to achieve a nuanced and evidence-based understanding of the ecology of Antarctica’s ice-free regions.

year: 2023-05-01

title: New Zealand jobs, 1976 - 1996: A demographic accounting

authors: Honey, Jeff

subjects: population

abstract: Over the last decade or so New Zealand has been through an era of radical political, economic, social and demographic change. In part this has been driven by economic restructuring. But in part, this had been an acceleration of a long-term industrial transformation, which had been a part of New Zealand culture for some time (Thompson 1985). This has taken the form of a long-term shift of employment out of the secondary sector and into the tertiary sector industries. Moreover, in the post-war period there has been a gradual further decline in the proportion of jobs in the primary sectors despite continuous economic improvements of agricultural activities. This is demonstrated proportionately more in terms of its contribution to exports and to the distribution of Gross Domestic Production across sectors, than in high percentages of the labour force in the primary sector. In this and other ways, New Zealand has been subject to the structural changes experienced by other developed countries. The major difference has been the speed of the policy-driven restructuring over the last decade in New Zealand.

This paper turns to some basic accounting methods to analyse increases and decreases in job numbers by industrial sector between 1976 and 1996. Analysis by gender, ethnicity and broad age groups will provide a more detailed picture of the major movements. Secondly, in order to assess whether there are gaps between employment and supply, these increases and decreases will be compared with data which indicate levels of "demographic supply". These data give, as it were, an "expected" figure for change in the numbers in each category. and this can be compared with the "observed" figures.

Demographic supply is defined here as the percentage growth between the periods analysed in the population at working ages (15-64 years). This paper also looks at the proportionate shifts between censuses in the number of workers by age, gender and ethnicity in a particular industry or broad sector. This analysis is strengthened by comparing the observed "gains and losses" which might have been expected through natural growth and attrition. What these data imply, therefore, is whether or not the labour market is dysfunctional in the way it can respond to a combination of gains and losses because of under- and over-supply of workers, plus the absorptive capacity of a given segment of the labour market.

text: New Zealand jobs, 1976 - 1996: A demographic accounting Over the last decade or so New Zealand has been through an era of radical political, economic, social and demographic change. In part this has been driven by economic restructuring. But in part, this had been an acceleration of a long-term industrial transformation, which had been a part of New Zealand culture for some time (Thompson 1985). This has taken the form of a long-term shift of employment out of the secondary sector and into the tertiary sector industries. Moreover, in the post-war period there has been a gradual further decline in the proportion of jobs in the primary sectors despite continuous economic improvements of agricultural activities. This is demonstrated proportionately more in terms of its contribution to exports and to the distribution of Gross Domestic Production across sectors, than in high percentages of the labour force in the primary sector. In this and other ways, New Zealand has been subject to the structural changes experienced by other developed countries. The major difference has been the speed of the policy-driven restructuring over the last decade in New Zealand.

This paper turns to some basic accounting methods to analyse increases and decreases in job numbers by industrial sector between 1976 and 1996. Analysis by gender, ethnicity and broad age groups will provide a more detailed picture of the major movements. Secondly, in order to assess whether there are gaps between employment and supply, these increases and decreases will be compared with data which indicate levels of "demographic supply". These data give, as it were, an "expected" figure for change in the numbers in each category. and this can be compared with the "observed" figures.

Demographic supply is defined here as the percentage growth between the periods analysed in the population at working ages (15-64 years). This paper also looks at the proportionate shifts between censuses in the number of workers by age, gender and ethnicity in a particular industry or broad sector. This analysis is strengthened by comparing the observed "gains and losses" which might have been expected through natural growth and attrition. What these data imply, therefore, is whether or not the labour market is dysfunctional in the way it can respond to a combination of gains and losses because of under- and over-supply of workers, plus the absorptive capacity of a given segment of the labour market.

year: 2001-09

title: Listening at dawn: Trans* storywork for all my relations

authors: Luna-Pizano, Rafaela

subjects: Transgender

abstract: This is a love letter to trans* people: a reminder of our place and legacy of trans*formation. In the form of collaborative and ceremonial research, this PhD with creative practice component is an affirmation of embodied, elemental storytelling as a necessary practice for unearthing and grounding the traditional knowledge that Indigenous-Trans* (Indigi-Trans*) people carry within our body-spirits. This creative practice (co)research uplifts liminal states of being, as given to us by our elemental ancestors, in the decolonial project of Indigenous (encompassing Black and Trans*) body-land reclamation and restoration. By recognizing and nourishing the power of the between, this thesis remembers practices of place that are rooted in the body, often our last piece of ancestral land as displaced and diasporic Indigi-Trans* people. Spanning the coasts of Aotearoa-NZ to the west coast of Ixtlán (Turtle Island-US), this creative project listened to the somatic presence of Indigi-Trans* creators (co-researchers) who are in varying states of connection to their ancestral lands and traditions. To account for sudden and extreme shifts in safety and access due to the COVID-19 pandemic, I created online and on-site rituals to sustain connection and retrace our ancestors’ techniques of time and space travel. By engaging with body-awareness practices or ritual performances offered in this project, co-researchers and storytellers were able to experiment with ‘knew’ ways of engaging the ancestral power of place. As a member of the communities contributing to this project, I witnessed an important transformation within co-researchers from a sense of landlessness to a sense of infinite place. This transformation gave co-researchers and storytellers a new source of power, strengthening their spiritual-mental capacity to receive and grow (especially during the height of the COVID-19 pandemic). In a political climate of increasing backlash to trans* and Indigenous sovereignty, this creative project is a unique contribution to the kete, or basket of knowledge that we offer to the coming generations of trans*formational practitioners and scholars.
Situated within the realms of Indigenous, Queer, Xicana and Critical Black Trans* Feminist theories, this creative project also draws upon performance, sound, and poetic practice to hatch another creative methodology that centers place-based ritual. As I created this thesis in a liminal waterscape, crossing back and forth between Aotearoa and Ixtlán, colliding with the onset of the COVID-19 pandemic, I opened myself to theories generated by the lands that nourished me. Thus, a Kaupapa Māori and Mana Wahine informed approach emerges as the prow of this banka, or canoe that carries other Black, Indigenous and Trans* lineages of scholarship. From this fluid place of theory, my practice as an Indigi-
Trans* ritualist, poet, and sound artist grounds these theories in my body and the body-lands of my co-researchers. Together, we create a Kappi (Ilocano crab motif referencing Maui’s fishing up of our islands) methodology, or the underwater reflections of celestial movement as mapped by Indigi-Trans* freedom strategies. As the co-researchers and storytellers of this project demonstrate, many Indigi-Trans* people are (re)birthing and (re)creating life and possibility just by existing. Our power of place, in body and land, can link and strengthen all Indigenous sovereignty movements when our communities take up the call to foster each person’s fluid potential.
Although this entire project is creative, as a PhD with creative practice component, this project is an ebb and flow of written and other media components. Most of the ‘creative component’ occurred during the co-research stage of this thesis and has been documented via photographs, video, participant testimony, soundscapes, and poetry on a separate, companion website (https://transjoy.cargo.site/). These artifacts of ritual research are also discussed within the harvest (data) section of the written portion, but reader/listeners are encouraged to view the website in tandem. Poetry, narrative, and soundscapes (hyperlinks or bone icons) weave throughout the written portion to create a multi-sensory experience that privileges my roots in aural tradition. Together, the performances, website, poetry, and soundscapes constitute roughly thirty percent of the final thesis, weighing more heavily on a written portion of seventy percent. Listener/readers are encouraged to experience the written and multi-media portions in tandem, cycling back and forth in a playful spirit as the next step of creative practice: listener participation. Please enter this project with the care and excitement invited of all listeners when the storyteller asks, “are you ready to hear a story?”

text: Listening at dawn: Trans* storywork for all my relations This is a love letter to trans* people: a reminder of our place and legacy of trans*formation. In the form of collaborative and ceremonial research, this PhD with creative practice component is an affirmation of embodied, elemental storytelling as a necessary practice for unearthing and grounding the traditional knowledge that Indigenous-Trans* (Indigi-Trans*) people carry within our body-spirits. This creative practice (co)research uplifts liminal states of being, as given to us by our elemental ancestors, in the decolonial project of Indigenous (encompassing Black and Trans*) body-land reclamation and restoration. By recognizing and nourishing the power of the between, this thesis remembers practices of place that are rooted in the body, often our last piece of ancestral land as displaced and diasporic Indigi-Trans* people. Spanning the coasts of Aotearoa-NZ to the west coast of Ixtlán (Turtle Island-US), this creative project listened to the somatic presence of Indigi-Trans* creators (co-researchers) who are in varying states of connection to their ancestral lands and traditions. To account for sudden and extreme shifts in safety and access due to the COVID-19 pandemic, I created online and on-site rituals to sustain connection and retrace our ancestors’ techniques of time and space travel. By engaging with body-awareness practices or ritual performances offered in this project, co-researchers and storytellers were able to experiment with ‘knew’ ways of engaging the ancestral power of place. As a member of the communities contributing to this project, I witnessed an important transformation within co-researchers from a sense of landlessness to a sense of infinite place. This transformation gave co-researchers and storytellers a new source of power, strengthening their spiritual-mental capacity to receive and grow (especially during the height of the COVID-19 pandemic). In a political climate of increasing backlash to trans* and Indigenous sovereignty, this creative project is a unique contribution to the kete, or basket of knowledge that we offer to the coming generations of trans*formational practitioners and scholars.
Situated within the realms of Indigenous, Queer, Xicana and Critical Black Trans* Feminist theories, this creative project also draws upon performance, sound, and poetic practice to hatch another creative methodology that centers place-based ritual. As I created this thesis in a liminal waterscape, crossing back and forth between Aotearoa and Ixtlán, colliding with the onset of the COVID-19 pandemic, I opened myself to theories generated by the lands that nourished me. Thus, a Kaupapa Māori and Mana Wahine informed approach emerges as the prow of this banka, or canoe that carries other Black, Indigenous and Trans* lineages of scholarship. From this fluid place of theory, my practice as an Indigi-
Trans* ritualist, poet, and sound artist grounds these theories in my body and the body-lands of my co-researchers. Together, we create a Kappi (Ilocano crab motif referencing Maui’s fishing up of our islands) methodology, or the underwater reflections of celestial movement as mapped by Indigi-Trans* freedom strategies. As the co-researchers and storytellers of this project demonstrate, many Indigi-Trans* people are (re)birthing and (re)creating life and possibility just by existing. Our power of place, in body and land, can link and strengthen all Indigenous sovereignty movements when our communities take up the call to foster each person’s fluid potential.
Although this entire project is creative, as a PhD with creative practice component, this project is an ebb and flow of written and other media components. Most of the ‘creative component’ occurred during the co-research stage of this thesis and has been documented via photographs, video, participant testimony, soundscapes, and poetry on a separate, companion website (https://transjoy.cargo.site/). These artifacts of ritual research are also discussed within the harvest (data) section of the written portion, but reader/listeners are encouraged to view the website in tandem. Poetry, narrative, and soundscapes (hyperlinks or bone icons) weave throughout the written portion to create a multi-sensory experience that privileges my roots in aural tradition. Together, the performances, website, poetry, and soundscapes constitute roughly thirty percent of the final thesis, weighing more heavily on a written portion of seventy percent. Listener/readers are encouraged to experience the written and multi-media portions in tandem, cycling back and forth in a playful spirit as the next step of creative practice: listener participation. Please enter this project with the care and excitement invited of all listeners when the storyteller asks, “are you ready to hear a story?”

year: 2023