title: Recollecting and reflecting on feminist geography in Aotearoa/New Zealand and beyond

authors: Longhurst, Robyn

subjects: feminist geography

abstract: Over the past three decades feminist geography and the concept of gender have been deployed unevenly by geographers in Aotearoa/New Zealand. A politics of knowledge production means that feminist geography occupies both the centre and the margins of academic knowledge. In order to highlight the diversity of feminist geographical knowledges we pay attention to local, regional, national and international contexts. First, we begin by positioning ourselves as working in the geography programme at the University of Waikato. Second, we review the directions taken at other universities in Aotearoa/New Zealand. Third, we examine a number of key international organisations that have been important in supporting geographers and others who share a focus on space and gender. In the fourth and final section we suggest strategies for strengthening feminist geography in the future.

text: Recollecting and reflecting on feminist geography in Aotearoa/New Zealand and beyond Over the past three decades feminist geography and the concept of gender have been deployed unevenly by geographers in Aotearoa/New Zealand. A politics of knowledge production means that feminist geography occupies both the centre and the margins of academic knowledge. In order to highlight the diversity of feminist geographical knowledges we pay attention to local, regional, national and international contexts. First, we begin by positioning ourselves as working in the geography programme at the University of Waikato. Second, we review the directions taken at other universities in Aotearoa/New Zealand. Third, we examine a number of key international organisations that have been important in supporting geographers and others who share a focus on space and gender. In the fourth and final section we suggest strategies for strengthening feminist geography in the future.

year: 2015

title: Lessons for New Zealand from Britain’s Foot and Mouth epidemic

authors: Jay, Grace Mairi M.

subjects: biology

abstract: This paper explores some implications for New Zealand's rural community of Britain's Foot-and-Mouth epidemic in the light of growing international trade and travel, and changes in New Zealand’s rural society.  
The paper includes ecological mapping with a projected/likely spatial distribution of an epidemic in New Zealand, and an assessment of the possible institutional and social responses in the wake of a disease outbreak.   It notes the course of the epidemic in Britain, and possible differences and similarities in institutional response frameworks between Britain and New Zealand.

text: Lessons for New Zealand from Britain’s Foot and Mouth epidemic This paper explores some implications for New Zealand's rural community of Britain's Foot-and-Mouth epidemic in the light of growing international trade and travel, and changes in New Zealand’s rural society.  
The paper includes ecological mapping with a projected/likely spatial distribution of an epidemic in New Zealand, and an assessment of the possible institutional and social responses in the wake of a disease outbreak.   It notes the course of the epidemic in Britain, and possible differences and similarities in institutional response frameworks between Britain and New Zealand.

year: 2003

title: Traditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processes

authors: Whalley, Ian

abstract: This paper examines the integration of traditional New Zealand Māori instruments with digital music technology, and the use of these instruments in making new works. The focus is on the work of performer/composers Hirini Melbourne and Richard Nunns, as well as recent collaborations that Richard Nunns has undertaken with some composers and musicians in genres other than Māori music. Aesthetic, practical and cultural considerations in the composition process are explored.

text: Traditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processes This paper examines the integration of traditional New Zealand Māori instruments with digital music technology, and the use of these instruments in making new works. The focus is on the work of performer/composers Hirini Melbourne and Richard Nunns, as well as recent collaborations that Richard Nunns has undertaken with some composers and musicians in genres other than Māori music. Aesthetic, practical and cultural considerations in the composition process are explored.

year: 2005