title: Comment

authors: Carr, Margaret

abstract: Introduction to this special issue of the Early Childhood Folio on key learning competencies across place and time. Publication of these working papers (adapted and edited for the Early Childhood Folio) from a Teaching and Learning Research Initiative (TLRI) project means they will now be widely available for teachers. These are articles by teachers for teachers.

text: Comment Introduction to this special issue of the Early Childhood Folio on key learning competencies across place and time. Publication of these working papers (adapted and edited for the Early Childhood Folio) from a Teaching and Learning Research Initiative (TLRI) project means they will now be widely available for teachers. These are articles by teachers for teachers.

year: 2011

title: Second order superintegrable systems in conformally flat spaces. III. Three-dimensional classical structure theory

authors: Kalnins, Ernie G.

subjects: Mathematics

abstract: This paper is part of a series that lays the groundwork for a structure and classification theory of second-order superintegrable systems, both classical and quantum, in real or complex conformally flat spaces. Here we consider classical superintegrable systems with nondegenerate potentials in three dimensions. We show that there exists a standard structure for such systems, based on the algebra of 3×3 symmetric matrices, and that the quadratic algebra always closes at order 6. We show that the spaces of truly second-, third-, fourth-, and sixth-order constants of the motion are of dimension 6, 4, 21, and 56, respectively, and we construct explicit bases for the fourth- and sixth order constants in terms of products of the second order constants.

text: Second order superintegrable systems in conformally flat spaces. III. Three-dimensional classical structure theory This paper is part of a series that lays the groundwork for a structure and classification theory of second-order superintegrable systems, both classical and quantum, in real or complex conformally flat spaces. Here we consider classical superintegrable systems with nondegenerate potentials in three dimensions. We show that there exists a standard structure for such systems, based on the algebra of 3×3 symmetric matrices, and that the quadratic algebra always closes at order 6. We show that the spaces of truly second-, third-, fourth-, and sixth-order constants of the motion are of dimension 6, 4, 21, and 56, respectively, and we construct explicit bases for the fourth- and sixth order constants in terms of products of the second order constants.

year: 2005-10

title: E hoki mai nei ki te ūkaipō | Return to your place of nourishment [Gallagher Academy of Performing Arts]

authors: Apiata, Hāwea

abstract: E hoki mai nei ki te ūkaipō | Return to your Place of Nourishment brings together works by four wāhine Māori artists which explore narratives of pakanga|conflict through toi|art. This exhibition aims to create a dialogic space in which the artworks reflect and challenge the current troubled economic and political landscape. In this show, the four artists weave together their unique practices and stories to present a cohesive yet diverse examination of conflicts, with a particular focus on the artists’ own whānau and hapū narratives.

Ultimately, this collection of works interrogates political strategies that have exploited division and discord through carefully curated histories. This collection is also a reclamation of those narratives and histories by descendants who live in the aftermath of their ancestors’ mamae | pain.

text: E hoki mai nei ki te ūkaipō | Return to your place of nourishment [Gallagher Academy of Performing Arts] E hoki mai nei ki te ūkaipō | Return to your Place of Nourishment brings together works by four wāhine Māori artists which explore narratives of pakanga|conflict through toi|art. This exhibition aims to create a dialogic space in which the artworks reflect and challenge the current troubled economic and political landscape. In this show, the four artists weave together their unique practices and stories to present a cohesive yet diverse examination of conflicts, with a particular focus on the artists’ own whānau and hapū narratives.

Ultimately, this collection of works interrogates political strategies that have exploited division and discord through carefully curated histories. This collection is also a reclamation of those narratives and histories by descendants who live in the aftermath of their ancestors’ mamae | pain.

year: 2024