title: Sportswomen and social media: bringing third-wave feminism, postfeminism, and neoliberal feminism into conversation

authors: Thorpe, Holly Aysha

abstract: In this paper, we take seriously the challenges of making sense of a sporting (and media) context that increasingly engages female athletes as active, visible and autonomous, while inequalities pertaining to gender, sexuality, race and class remain stubbornly persistent across sport institutions and practices. We do so by engaging with three recent feminist critiques that have sought to respond to the changing operations of gender relations and the articulation of gendered subjectivities, namely third-wave feminism, postfeminism and neoliberal feminism, and applying each to the same concrete setting – the social media self-representation of Hawaiian professional surfer Alana Blanchard. In aiming to conceptually illustrate the utility of these three feminist critiques, we are not advocating for any single approach. Rather, we critically demonstrate what each offers for explaining how current discourses are being internalized, embodied and practiced by young (sports)women, as they make meaning of, and respond to, the conditions of their lives.

text: Sportswomen and social media: bringing third-wave feminism, postfeminism, and neoliberal feminism into conversation In this paper, we take seriously the challenges of making sense of a sporting (and media) context that increasingly engages female athletes as active, visible and autonomous, while inequalities pertaining to gender, sexuality, race and class remain stubbornly persistent across sport institutions and practices. We do so by engaging with three recent feminist critiques that have sought to respond to the changing operations of gender relations and the articulation of gendered subjectivities, namely third-wave feminism, postfeminism and neoliberal feminism, and applying each to the same concrete setting – the social media self-representation of Hawaiian professional surfer Alana Blanchard. In aiming to conceptually illustrate the utility of these three feminist critiques, we are not advocating for any single approach. Rather, we critically demonstrate what each offers for explaining how current discourses are being internalized, embodied and practiced by young (sports)women, as they make meaning of, and respond to, the conditions of their lives.

year: 2017

title: The Companies Act 1993 and Directors’ Duties: Small and medium entities are not well catered for

authors: Bather, Andrea

subjects: accounting

abstract: In 1993 New Zealand passed into law the Companies Act. The Act was a combination of work done by the New Zealand Law Commission and the Justice Department. It was anticipated that the Act would provide all the information necessary to enable a prospective director to understand what was required in incorporating and winding up a company, as well as the requirements to be met whilst doing business using that form. This paper contends that the Act does not contain the Law Commission’s original intentions in terms of directors’ duties, compliance with which is argued to be the quid pro quo of the right to incorporate, where the company is a small or medium entity. The paper further contends that amendments to the Act are necessary to take account of the needs of small and medium entities and suggests possible amendments, in light of case law emphasising the need for directors to maintain a company’s solvency, where failure to do so can trigger personal liability for directors.

text: The Companies Act 1993 and Directors’ Duties: Small and medium entities are not well catered for In 1993 New Zealand passed into law the Companies Act. The Act was a combination of work done by the New Zealand Law Commission and the Justice Department. It was anticipated that the Act would provide all the information necessary to enable a prospective director to understand what was required in incorporating and winding up a company, as well as the requirements to be met whilst doing business using that form. This paper contends that the Act does not contain the Law Commission’s original intentions in terms of directors’ duties, compliance with which is argued to be the quid pro quo of the right to incorporate, where the company is a small or medium entity. The paper further contends that amendments to the Act are necessary to take account of the needs of small and medium entities and suggests possible amendments, in light of case law emphasising the need for directors to maintain a company’s solvency, where failure to do so can trigger personal liability for directors.

year: 2006-12

title: Memento Mori : Memento Maori – moko and memory

authors: Te Awekotuku, Ngahuia

subjects: tangi

abstract: Moko patterns, mau moko, “wearing ink” is often explained as an act of remembrance, a symbol of honour or success, of grieving or loss. Memento mori, remembering the dead and remembrance of death, pervades the Maori world, and is profoundly expressed in customary practice – haehae, upoko tuhi, and ta moko. These embodied and visceral experiences are described in waiata tangi, in whai korero, in moteatea, in the traditional context, and graphically recorded on the living flesh in our contemporary world. Mau moko celebrates identity, so modern memorial ornamentation mourns and reflects on this in ‘memento mori’; and also reinforces and engages reality in the correspondent notion of ‘memento Maori’; an assertion that claims dominion and understanding across generations, across time, across space.

text: Memento Mori : Memento Maori – moko and memory Moko patterns, mau moko, “wearing ink” is often explained as an act of remembrance, a symbol of honour or success, of grieving or loss. Memento mori, remembering the dead and remembrance of death, pervades the Maori world, and is profoundly expressed in customary practice – haehae, upoko tuhi, and ta moko. These embodied and visceral experiences are described in waiata tangi, in whai korero, in moteatea, in the traditional context, and graphically recorded on the living flesh in our contemporary world. Mau moko celebrates identity, so modern memorial ornamentation mourns and reflects on this in ‘memento mori’; and also reinforces and engages reality in the correspondent notion of ‘memento Maori’; an assertion that claims dominion and understanding across generations, across time, across space.

year: 2009-11