title: Ka Mahuta, Ngāti Hauā and the importance of translation theory

authors: Roa, Raukura

subjects: Waiata Māori

abstract: In this paper, I provide an English translation of one Māori waiata - Ka Mahuta – a waiata of Ngāti Hauā, along with a discussion of the relevance of translation theory and of culturally appropriate translation processes that fully involve those whose guidance, support, knowledge and understanding are of critical importance.

text: Ka Mahuta, Ngāti Hauā and the importance of translation theory In this paper, I provide an English translation of one Māori waiata - Ka Mahuta – a waiata of Ngāti Hauā, along with a discussion of the relevance of translation theory and of culturally appropriate translation processes that fully involve those whose guidance, support, knowledge and understanding are of critical importance.

year: 2003-09

title: Barry Barclay: the Reflection of Maori and Pakeha Identities

authors: Hilal, Emad Jabbar

subjects: emad

abstract: This Media and Screen Studies thesis tries to investigate the identifications of Barry Barclay (1944-2008) - a New Zealand filmmaker, thinker and poet, of Māori and Pākeha ethnic background - who identified as Māori in the second part of his career, in the mid 1970s. The thesis relies on Barclay's writing and other historical and theoretical material in the reading of his own films. The thesis arrives at an argument that even when Barclay chose to identify more with the Māori side of his identity, the Pākeha side took part also in the shaping of his film practices. Studying Barry Barclay along this line of argument has several benefits for Screen Studies. It, on the one hand, covers what is left unstudied by the scholarship concerning his representation of the Māori world such as the way he commented on Māori cultural and social concerns and acheivements in his films. The thesis studies Barclay's films from the time he started his identification with his Māori  side in Tangaata Whenua (1974), Te Urewera (1987), Ngati (1987),Te Rua (1991) and takes The Kaipara Affair (2005) as a case study and a carrier of change in film practices and development in outlook.The other important contribution is the way he represented Pākeha, and how he developed his representation of them in time. This representation which is unstudied at all, is important to Screen Studies becuase it contributes to Barclay's theory of Fourth Cinema. This thesis shows how representing Pakeha, especially in Barclay's last film problemematizes his theory of Fourth Cinema, but ultimately, deals with applies it creatively. The representation of Pākeha gives insight into Barclay's interest in the Māori world, which is not a dogma or a merely ethnic affiliation as much as an attraction to a world-view that can solve major universal issues such as environmental problems. Above all, the way how Barclay worked out this representation in his films sheds light on one of the important examples of how film can take part in healing social damages such as the history of colonizing and marginalization of Māori people.

text: Barry Barclay: the Reflection of Maori and Pakeha Identities This Media and Screen Studies thesis tries to investigate the identifications of Barry Barclay (1944-2008) - a New Zealand filmmaker, thinker and poet, of Māori and Pākeha ethnic background - who identified as Māori in the second part of his career, in the mid 1970s. The thesis relies on Barclay's writing and other historical and theoretical material in the reading of his own films. The thesis arrives at an argument that even when Barclay chose to identify more with the Māori side of his identity, the Pākeha side took part also in the shaping of his film practices. Studying Barry Barclay along this line of argument has several benefits for Screen Studies. It, on the one hand, covers what is left unstudied by the scholarship concerning his representation of the Māori world such as the way he commented on Māori cultural and social concerns and acheivements in his films. The thesis studies Barclay's films from the time he started his identification with his Māori  side in Tangaata Whenua (1974), Te Urewera (1987), Ngati (1987),Te Rua (1991) and takes The Kaipara Affair (2005) as a case study and a carrier of change in film practices and development in outlook.The other important contribution is the way he represented Pākeha, and how he developed his representation of them in time. This representation which is unstudied at all, is important to Screen Studies becuase it contributes to Barclay's theory of Fourth Cinema. This thesis shows how representing Pakeha, especially in Barclay's last film problemematizes his theory of Fourth Cinema, but ultimately, deals with applies it creatively. The representation of Pākeha gives insight into Barclay's interest in the Māori world, which is not a dogma or a merely ethnic affiliation as much as an attraction to a world-view that can solve major universal issues such as environmental problems. Above all, the way how Barclay worked out this representation in his films sheds light on one of the important examples of how film can take part in healing social damages such as the history of colonizing and marginalization of Māori people.

year: 2017

title: Memory recall can increase authenticity and engagement: understanding the role of work context and memory function in autobiographical memories.

authors: Sutton, Anna

abstract: Authenticity is positively associated with important psychological outcomes in the workplace, such as well-being and engagement, and is reliant on having a coherent sense of self. This coherent self is maintained by recalling autobiographical memories (AM). But the specific relationships between authenticity and memory functions are unclear. This study aims to first, identify differences in memory function and content in the recall of authentic and inauthentic moments and second, address how these AM functions are related to authenticity, engagement and well-being. Participants completed measures of authenticity, engagement and well-being before and after a memory recall task. For the recall task, they were randomly assigned to recall either an authentic, inauthentic, or control memory. Recall narratives were coded for memory functions (self-identity, social, directive) and for physical/social context features. Authentic moments, inauthentic moments and controls differed in terms of social and physical contexts. Authentic moments were most likely to involve being alone while inauthentic moments were most likely to happen at work. Authentic or inauthentic moments were both more likely than controls to involve work colleagues, with inauthentic moments also involving more distant acquaintances such as bosses or customers. In addition, recalling a memory, no matter what type, increased engagement and authentic self-awareness. While there was no difference between authentic or inauthentic moments in influencing these outcomes, individuals’ pre-recall levels of engagement and authenticity influenced the memory functions used. This taxonomy of (in)authentic moment recall can guide future research in authenticity and memory function. In addition, these findings begin to address the interactive role that authenticity plays in memory recall and its influence on other psychological outcomes.

text: Memory recall can increase authenticity and engagement: understanding the role of work context and memory function in autobiographical memories. Authenticity is positively associated with important psychological outcomes in the workplace, such as well-being and engagement, and is reliant on having a coherent sense of self. This coherent self is maintained by recalling autobiographical memories (AM). But the specific relationships between authenticity and memory functions are unclear. This study aims to first, identify differences in memory function and content in the recall of authentic and inauthentic moments and second, address how these AM functions are related to authenticity, engagement and well-being. Participants completed measures of authenticity, engagement and well-being before and after a memory recall task. For the recall task, they were randomly assigned to recall either an authentic, inauthentic, or control memory. Recall narratives were coded for memory functions (self-identity, social, directive) and for physical/social context features. Authentic moments, inauthentic moments and controls differed in terms of social and physical contexts. Authentic moments were most likely to involve being alone while inauthentic moments were most likely to happen at work. Authentic or inauthentic moments were both more likely than controls to involve work colleagues, with inauthentic moments also involving more distant acquaintances such as bosses or customers. In addition, recalling a memory, no matter what type, increased engagement and authentic self-awareness. While there was no difference between authentic or inauthentic moments in influencing these outcomes, individuals’ pre-recall levels of engagement and authenticity influenced the memory functions used. This taxonomy of (in)authentic moment recall can guide future research in authenticity and memory function. In addition, these findings begin to address the interactive role that authenticity plays in memory recall and its influence on other psychological outcomes.

year: 2024-07-22