title: Plato makes the team: the arrival of secondary school sport academies.

authors: Pope, Clive C.

subjects: secondary education

abstract: Since sport captivates many young people in Aotearoa New Zealand, it is not surprising that it is being situated in a new form of educational setting. This is evidenced through the emergence of secondary school sport academies over the last four years. The first academy was established in 1997 at Aranui High School in Christchurch and now there are over 70. This paper examines the changing role of sport in secondary education, discusses the emergence of sport academies and comments on the development of three of these. The academies provide the context - where sport takes place - which is crucial to the education and sport nexus (Gerdy, 2000). Clearly, if sport can achieve educational purposes through sport academies, then we must explore their operation as an educational tool.

text: Plato makes the team: the arrival of secondary school sport academies. Since sport captivates many young people in Aotearoa New Zealand, it is not surprising that it is being situated in a new form of educational setting. This is evidenced through the emergence of secondary school sport academies over the last four years. The first academy was established in 1997 at Aranui High School in Christchurch and now there are over 70. This paper examines the changing role of sport in secondary education, discusses the emergence of sport academies and comments on the development of three of these. The academies provide the context - where sport takes place - which is crucial to the education and sport nexus (Gerdy, 2000). Clearly, if sport can achieve educational purposes through sport academies, then we must explore their operation as an educational tool.

year: 2002

title: The molecular identification of Streptococcus equi subsp. equi strains isolated within New Zealand

authors: Patty, Olivia Anne

subjects: Streptococcus equi

abstract: AIMS: To identify Streptococcus equi subsp. equi (S. equi) by PCR analysis and obtain isolates by culture, in order to investigate the strains of S. equi infecting horses within New Zealand.
METHODS: A diagnostic PCR, based on the amplification of the seeI gene for S. equi, was used on 168 samples submitted from horses with and without clinical signs of strangles. Samples were also processed and cultured on selective media for the isolation of β-haemolytic colonies. In addition, the hypervariable region of the seM gene of S. equi was amplified and then sequenced for strain typing purposes.
RESULTS: Of the 168 samples, 35 tested positive for S. equi using PCR. Thirty-two confirmed samples were from horses with a clinical diagnosis of strangles and three were from horses where clinical information was unavailable. Only 22/35 (63%) confirmed S. equi samples were successfully isolated following culture. Strain typing demonstrated that two novel seM alleles of S. equi were found in New Zealand with SeM-99 strains being restricted to the North Island while SeM-100 strains were found in both North and South Islands.
CONCLUSIONS: The application of PCR for the laboratory confirmation of strangles allowed for a rapid and sensitive identification of S. equi. Moreover, seM typing revealed that within the samples examined two strains of S. equi co-circulated within the North Island of New Zealand but only one strain in the South Island.
CLINICAL RELEVANCE: PCR reduces the time required to obtain laboratory confirmation of strangles compared with culture methods. It also has greater sensitivity in detecting S. equi infections, which is of particular importance in the detection of carrier animals which normally shed low numbers of bacteria. Additionally, seM molecular typing can differentiate between bacterial strains, assisting in the monitoring of local strains of S. equi subsp. equi causing disease.

text: The molecular identification of Streptococcus equi subsp. equi strains isolated within New Zealand AIMS: To identify Streptococcus equi subsp. equi (S. equi) by PCR analysis and obtain isolates by culture, in order to investigate the strains of S. equi infecting horses within New Zealand.
METHODS: A diagnostic PCR, based on the amplification of the seeI gene for S. equi, was used on 168 samples submitted from horses with and without clinical signs of strangles. Samples were also processed and cultured on selective media for the isolation of β-haemolytic colonies. In addition, the hypervariable region of the seM gene of S. equi was amplified and then sequenced for strain typing purposes.
RESULTS: Of the 168 samples, 35 tested positive for S. equi using PCR. Thirty-two confirmed samples were from horses with a clinical diagnosis of strangles and three were from horses where clinical information was unavailable. Only 22/35 (63%) confirmed S. equi samples were successfully isolated following culture. Strain typing demonstrated that two novel seM alleles of S. equi were found in New Zealand with SeM-99 strains being restricted to the North Island while SeM-100 strains were found in both North and South Islands.
CONCLUSIONS: The application of PCR for the laboratory confirmation of strangles allowed for a rapid and sensitive identification of S. equi. Moreover, seM typing revealed that within the samples examined two strains of S. equi co-circulated within the North Island of New Zealand but only one strain in the South Island.
CLINICAL RELEVANCE: PCR reduces the time required to obtain laboratory confirmation of strangles compared with culture methods. It also has greater sensitivity in detecting S. equi infections, which is of particular importance in the detection of carrier animals which normally shed low numbers of bacteria. Additionally, seM molecular typing can differentiate between bacterial strains, assisting in the monitoring of local strains of S. equi subsp. equi causing disease.

year: 2013

title: Barry Barclay: the Reflection of Maori and Pakeha Identities

authors: Hilal, Emad Jabbar

subjects: emad

abstract: This Media and Screen Studies thesis tries to investigate the identifications of Barry Barclay (1944-2008) - a New Zealand filmmaker, thinker and poet, of Māori and Pākeha ethnic background - who identified as Māori in the second part of his career, in the mid 1970s. The thesis relies on Barclay's writing and other historical and theoretical material in the reading of his own films. The thesis arrives at an argument that even when Barclay chose to identify more with the Māori side of his identity, the Pākeha side took part also in the shaping of his film practices. Studying Barry Barclay along this line of argument has several benefits for Screen Studies. It, on the one hand, covers what is left unstudied by the scholarship concerning his representation of the Māori world such as the way he commented on Māori cultural and social concerns and acheivements in his films. The thesis studies Barclay's films from the time he started his identification with his Māori  side in Tangaata Whenua (1974), Te Urewera (1987), Ngati (1987),Te Rua (1991) and takes The Kaipara Affair (2005) as a case study and a carrier of change in film practices and development in outlook.The other important contribution is the way he represented Pākeha, and how he developed his representation of them in time. This representation which is unstudied at all, is important to Screen Studies becuase it contributes to Barclay's theory of Fourth Cinema. This thesis shows how representing Pakeha, especially in Barclay's last film problemematizes his theory of Fourth Cinema, but ultimately, deals with applies it creatively. The representation of Pākeha gives insight into Barclay's interest in the Māori world, which is not a dogma or a merely ethnic affiliation as much as an attraction to a world-view that can solve major universal issues such as environmental problems. Above all, the way how Barclay worked out this representation in his films sheds light on one of the important examples of how film can take part in healing social damages such as the history of colonizing and marginalization of Māori people.

text: Barry Barclay: the Reflection of Maori and Pakeha Identities This Media and Screen Studies thesis tries to investigate the identifications of Barry Barclay (1944-2008) - a New Zealand filmmaker, thinker and poet, of Māori and Pākeha ethnic background - who identified as Māori in the second part of his career, in the mid 1970s. The thesis relies on Barclay's writing and other historical and theoretical material in the reading of his own films. The thesis arrives at an argument that even when Barclay chose to identify more with the Māori side of his identity, the Pākeha side took part also in the shaping of his film practices. Studying Barry Barclay along this line of argument has several benefits for Screen Studies. It, on the one hand, covers what is left unstudied by the scholarship concerning his representation of the Māori world such as the way he commented on Māori cultural and social concerns and acheivements in his films. The thesis studies Barclay's films from the time he started his identification with his Māori  side in Tangaata Whenua (1974), Te Urewera (1987), Ngati (1987),Te Rua (1991) and takes The Kaipara Affair (2005) as a case study and a carrier of change in film practices and development in outlook.The other important contribution is the way he represented Pākeha, and how he developed his representation of them in time. This representation which is unstudied at all, is important to Screen Studies becuase it contributes to Barclay's theory of Fourth Cinema. This thesis shows how representing Pakeha, especially in Barclay's last film problemematizes his theory of Fourth Cinema, but ultimately, deals with applies it creatively. The representation of Pākeha gives insight into Barclay's interest in the Māori world, which is not a dogma or a merely ethnic affiliation as much as an attraction to a world-view that can solve major universal issues such as environmental problems. Above all, the way how Barclay worked out this representation in his films sheds light on one of the important examples of how film can take part in healing social damages such as the history of colonizing and marginalization of Māori people.

year: 2017