title: Matéria

authors: Williams, Michael F.

abstract: This piece was commissioned by leading Italian piano and saxophone duo Massimiliano Chiappinelli and Biagio Orlandi. Matéria is included in a national and international tour by the duo who will also be recording it in 2016.

text: Matéria This piece was commissioned by leading Italian piano and saxophone duo Massimiliano Chiappinelli and Biagio Orlandi. Matéria is included in a national and international tour by the duo who will also be recording it in 2016.

year: 2015

title: Portfolio of compositions

authors: Tang, Xu

subjects: Music Composition

abstract: The compositions in this portfolio aim to synthesise aspects of contemporary Western classical composition with techniques from traditional Chinese classical music in a way unique to the composer. That aim generates a number of artistic and technical questions which require creative solutions. The portfolio of compositions addresses several of these issues, especially how to utilise selected performance techniques used in playing Chinese instruments such as qin, pipa and erhu on Western instruments such as the violin, cello and piano.
The portfolio includes music for a variety of ensembles. All the music was composed in 2014-15. The works span several genres, from the piano trio Bamboo Groves to the orchestral piece Shadow, Additionally, the piano trio Bamboo Groves integrates some sounds from the natural world into the composed musical texture, so stones, tree branches and water are played by the instrumentalists. The unusual and highly characterful ensemble of nine cellos, Cellophonics, which is based in the University of Waikato Conservatorium of Music, inspired the composition of Sun Wukong, the story being drawn from the classic Chinese novel Journey to the West. The theatrical monodrama Lament of Mistress Xiang Lin requires two performers playing a prepared piano along with a soprano, and uses some electronic amplification.

text: Portfolio of compositions The compositions in this portfolio aim to synthesise aspects of contemporary Western classical composition with techniques from traditional Chinese classical music in a way unique to the composer. That aim generates a number of artistic and technical questions which require creative solutions. The portfolio of compositions addresses several of these issues, especially how to utilise selected performance techniques used in playing Chinese instruments such as qin, pipa and erhu on Western instruments such as the violin, cello and piano.
The portfolio includes music for a variety of ensembles. All the music was composed in 2014-15. The works span several genres, from the piano trio Bamboo Groves to the orchestral piece Shadow, Additionally, the piano trio Bamboo Groves integrates some sounds from the natural world into the composed musical texture, so stones, tree branches and water are played by the instrumentalists. The unusual and highly characterful ensemble of nine cellos, Cellophonics, which is based in the University of Waikato Conservatorium of Music, inspired the composition of Sun Wukong, the story being drawn from the classic Chinese novel Journey to the West. The theatrical monodrama Lament of Mistress Xiang Lin requires two performers playing a prepared piano along with a soprano, and uses some electronic amplification.

year: 2015

title: Planning the urban foodscape: Policy and regulation of urban agriculture in Aotearoa New Zealand

authors: Hanna, Christina Jane

abstract: Policy support for urban agriculture (UA) has increased internationally in the past decade, driven by factors such as urban decay, food insecurity, climate change and disasters, self-determination efforts and the Covid-19 pandemic. To date, there has been little analysis of the emergent practices across different cities in Aotearoa New Zealand. To address this gap, we examine key aspects of UA in Aotearoa and assess the application of local plans and regulation to determine how UA is defined and treated in the four most populous cities. The results reveal a lack of specific attention to and policy direction for UA. This vacuum is compounded by purpose-driven zoning typologies, restrictive resource use controls, scant provision for Māori food practices and a failure to keep pace with the changing forms of UA. The results identify the need for cities to review and clarify provision for UA, to create greater certainty and where appropriate, facilitation of food sovereignty and diverse urban foodscapes.

text: Planning the urban foodscape: Policy and regulation of urban agriculture in Aotearoa New Zealand Policy support for urban agriculture (UA) has increased internationally in the past decade, driven by factors such as urban decay, food insecurity, climate change and disasters, self-determination efforts and the Covid-19 pandemic. To date, there has been little analysis of the emergent practices across different cities in Aotearoa New Zealand. To address this gap, we examine key aspects of UA in Aotearoa and assess the application of local plans and regulation to determine how UA is defined and treated in the four most populous cities. The results reveal a lack of specific attention to and policy direction for UA. This vacuum is compounded by purpose-driven zoning typologies, restrictive resource use controls, scant provision for Māori food practices and a failure to keep pace with the changing forms of UA. The results identify the need for cities to review and clarify provision for UA, to create greater certainty and where appropriate, facilitation of food sovereignty and diverse urban foodscapes.

year: 2021