title: Strengthening resource mobilization chains: Developing the social media competencies of community and voluntary organizations in New Zealand

authors: Zorn, Theodore E.

subjects: social media

abstract: There is potential for nonprofit organizations to increase effectiveness by mobilizing social media to help achieve goals. However, the sector is only just becoming aware of the possibilities for social media and lags behind other sectors in its use. We report a New Zealand initiative to enhance the capability of nonprofit organizations through action research that has implications for nonprofit organizations elsewhere. Borrowing from resource mobilization theory, we introduce the concept of resource mobilization chains to explain the requirements for and obstacles to taking advantage of social media. A survey and two in-depth case studies found that nonprofit organizations demonstrated extremely limited familiarity with and use of social media. Participants were enthusiastic about the potential of mobilizing social media to achieve organizational goals, but struggled to take concrete steps to implement their aspirations. Lack of resources was a key obstacle identified in both survey and case study research.

text: Strengthening resource mobilization chains: Developing the social media competencies of community and voluntary organizations in New Zealand There is potential for nonprofit organizations to increase effectiveness by mobilizing social media to help achieve goals. However, the sector is only just becoming aware of the possibilities for social media and lags behind other sectors in its use. We report a New Zealand initiative to enhance the capability of nonprofit organizations through action research that has implications for nonprofit organizations elsewhere. Borrowing from resource mobilization theory, we introduce the concept of resource mobilization chains to explain the requirements for and obstacles to taking advantage of social media. A survey and two in-depth case studies found that nonprofit organizations demonstrated extremely limited familiarity with and use of social media. Participants were enthusiastic about the potential of mobilizing social media to achieve organizational goals, but struggled to take concrete steps to implement their aspirations. Lack of resources was a key obstacle identified in both survey and case study research.

year: 2013

title: Sallow men & shallow graves

authors: McPherson, Rogan

subjects: creative writing

abstract: For almost 30 years, members of the ‘Ludditious Faith of Our Heavenly Father, and the Foretellers of the Ongoing Apocalypse’ have been living a peaceful life. Fleeing the impending Y2K disaster, these Luddites buried themselves deep in the neglected wilds of east Aotearoa, founding the settlement of New Eden. Here, they follow the strict tenets set out by their founder and prophet, Enoch, while avoiding the technological apocalypse that has plagued the outside world. From their perspective, Y2K came to pass as a gradual moral degradation brought on by the onset of rapidly evolving technologies, and the greed and vanity of the 21st century has only cemented these beliefs. However, Enoch's sacrifice protected the Valley of Eden; thus, the year 2000 (and the sin of the millennium) never reached it. But that doesn’t mean New Eden is free of sin altogether.

Sallow Men & Shallow Graves follows Margaret “Peggy” Matheson, a private investigator who loathes her profession and is ready for a career change. After completing her ‘final job’, she is reigned back in when a woman from her bloody past comes calling. Peggy agrees to find the woman’s daughter, but all she gets in terms of clues are rumours of an eccentric religious group living in the hills north of Gisbourne. To Peggy, it all sounds a little far-fetched. But when she finds evidence of other disappearances in the area, she can’t help but wonder if this cult - the so-called ‘Ludditious Faith’ - is responsible.

While Peggy is our central protagonist, the novel briefly dips into the lives of those around her, such as Paisley (the main target of her investigation), William (the ‘Druid’ of the Ludditious Faith), and Tama (her guilt-ridden protégé). I explore the themes of guilt and deception and how they intersect with one’s perception of reality, both in terms of personal relationships and the overarching narrative of the cult. 

Throughout my writing process, I have endeavoured to avoid vilifying the cult as a whole. So often are fictional cults depicted as ‘evil’, but if you examine real communities like Jonestown or Centrepoint, what you find is a collection of ordinary people who lost their way in life, and a charismatic leader who can captivate an audience, and convince that audience that they are exactly where they need to be. Evil often begins and ends with one person, and everyone else - whether Luddite or citizen - is just trying to get by. 

Every character in this story has secrets: lies they tell themselves and others. But one reality I have aimed to enforce is that sometimes in life, you don’t get all the answers. Some, I offer freely. Others, I leave for the reader to decipher, interpret, or neglect. This story seeks your attention in some scenes and rewards it in others. It is a slow-burning narrative with a few small embers and flares along the way, but once it truly ignites, it doesn’t stop until there is nothing left but cinders and ashes.

text: Sallow men & shallow graves For almost 30 years, members of the ‘Ludditious Faith of Our Heavenly Father, and the Foretellers of the Ongoing Apocalypse’ have been living a peaceful life. Fleeing the impending Y2K disaster, these Luddites buried themselves deep in the neglected wilds of east Aotearoa, founding the settlement of New Eden. Here, they follow the strict tenets set out by their founder and prophet, Enoch, while avoiding the technological apocalypse that has plagued the outside world. From their perspective, Y2K came to pass as a gradual moral degradation brought on by the onset of rapidly evolving technologies, and the greed and vanity of the 21st century has only cemented these beliefs. However, Enoch's sacrifice protected the Valley of Eden; thus, the year 2000 (and the sin of the millennium) never reached it. But that doesn’t mean New Eden is free of sin altogether.

Sallow Men & Shallow Graves follows Margaret “Peggy” Matheson, a private investigator who loathes her profession and is ready for a career change. After completing her ‘final job’, she is reigned back in when a woman from her bloody past comes calling. Peggy agrees to find the woman’s daughter, but all she gets in terms of clues are rumours of an eccentric religious group living in the hills north of Gisbourne. To Peggy, it all sounds a little far-fetched. But when she finds evidence of other disappearances in the area, she can’t help but wonder if this cult - the so-called ‘Ludditious Faith’ - is responsible.

While Peggy is our central protagonist, the novel briefly dips into the lives of those around her, such as Paisley (the main target of her investigation), William (the ‘Druid’ of the Ludditious Faith), and Tama (her guilt-ridden protégé). I explore the themes of guilt and deception and how they intersect with one’s perception of reality, both in terms of personal relationships and the overarching narrative of the cult. 

Throughout my writing process, I have endeavoured to avoid vilifying the cult as a whole. So often are fictional cults depicted as ‘evil’, but if you examine real communities like Jonestown or Centrepoint, what you find is a collection of ordinary people who lost their way in life, and a charismatic leader who can captivate an audience, and convince that audience that they are exactly where they need to be. Evil often begins and ends with one person, and everyone else - whether Luddite or citizen - is just trying to get by. 

Every character in this story has secrets: lies they tell themselves and others. But one reality I have aimed to enforce is that sometimes in life, you don’t get all the answers. Some, I offer freely. Others, I leave for the reader to decipher, interpret, or neglect. This story seeks your attention in some scenes and rewards it in others. It is a slow-burning narrative with a few small embers and flares along the way, but once it truly ignites, it doesn’t stop until there is nothing left but cinders and ashes.

year: 2025

title: Imaging and Imagining the Waikato: A Spatial History c.1800-c.1914

authors: Dench, Simon Jeffery

subjects: colonisation

abstract: This thesis reframes the history of the Waikato from the late eighteenth to the early twentieth centuries through a spatial history approach using a visual archive. I argue that Pākehā images of the Waikato were both contemporary records and instruments of colonisation in the region, and that the discursive power of these images is undiminished. In this thesis I focus on spatial occasions represented by maps and photographs in order to reframe the history of colonisation in the Waikato.
First, I move visual sources of historical evidence, specifically maps and photographs, from the periphery to the centre of the frame. An exploration of
the historical context of the selected maps and photographs serves as the narrative framework for the thesis in a strategy that replaces the more usual method of choosing images to illustrate a text that has already been written. This theoretical and methodological framework for what I consider to be a richer and more satisfying use of visual evidence in history is a key feature of this thesis. Second, I employ a colonisation lens to emphasise the negative consequences of colonisation for the indigenous people and landscapes, as well as the diverse and far from unproblematic experiences of the colonists themselves. This thesis positions three phases of Pākehā colonisation: Reconnaissance, Invasion and Occupation. These overtly militaristic labels apply to real military actions as well as to less obvious but longer-lasting and wider-spread discursive strategies of incursion and control.
While this thesis emphasises the negative impacts of colonisation, this is a history from the colonisers’ point of view. The images that form the focus of the thesis were created by Pākehā in the service of Pākehā intentions, actions and identities. But, rather than serving to justify or excuse colonisation as an end that justified the means, I undermine the inevitability inherent in the traditional settlement narrative. I do this by highlighting the ambiguities and contradictions of the colonisers’ intentions and experiences through a close and contextualised reading of the images they made to record and represent themselves. In the process, I refute the legitimacy and validity of Pākehā claims to control Waikato spaces.

text: Imaging and Imagining the Waikato: A Spatial History c.1800-c.1914 This thesis reframes the history of the Waikato from the late eighteenth to the early twentieth centuries through a spatial history approach using a visual archive. I argue that Pākehā images of the Waikato were both contemporary records and instruments of colonisation in the region, and that the discursive power of these images is undiminished. In this thesis I focus on spatial occasions represented by maps and photographs in order to reframe the history of colonisation in the Waikato.
First, I move visual sources of historical evidence, specifically maps and photographs, from the periphery to the centre of the frame. An exploration of
the historical context of the selected maps and photographs serves as the narrative framework for the thesis in a strategy that replaces the more usual method of choosing images to illustrate a text that has already been written. This theoretical and methodological framework for what I consider to be a richer and more satisfying use of visual evidence in history is a key feature of this thesis. Second, I employ a colonisation lens to emphasise the negative consequences of colonisation for the indigenous people and landscapes, as well as the diverse and far from unproblematic experiences of the colonists themselves. This thesis positions three phases of Pākehā colonisation: Reconnaissance, Invasion and Occupation. These overtly militaristic labels apply to real military actions as well as to less obvious but longer-lasting and wider-spread discursive strategies of incursion and control.
While this thesis emphasises the negative impacts of colonisation, this is a history from the colonisers’ point of view. The images that form the focus of the thesis were created by Pākehā in the service of Pākehā intentions, actions and identities. But, rather than serving to justify or excuse colonisation as an end that justified the means, I undermine the inevitability inherent in the traditional settlement narrative. I do this by highlighting the ambiguities and contradictions of the colonisers’ intentions and experiences through a close and contextualised reading of the images they made to record and represent themselves. In the process, I refute the legitimacy and validity of Pākehā claims to control Waikato spaces.

year: 2018