title: Live Television in a Digital Library

authors: Roüast, Maxime

abstract: Nowadays nearly everyone has access to digital television with a growing number of channels available for free. However due to the nature of broadcasting, this huge mass of information that reaches us is not, for the main part, organised—it is principally a succession of images and sound transmitted in a flow of data. Compare this with digital libraries which are powerful at organising a large but fixed set of documents. This project brings together these two concepts by concurrently capturing all the available live television channels, and segments them into files which are then imported into a digital video library. The system leverages off the information contained in the electronic program guide and the video recordings to generate metadata suitable for the digital library. By combining these two concepts together this way, the aim of this work is to look beyond what is currently available in the digital TV set top boxes on the market today and explore the full potential—unencumbered by commercial market constraints—to what the raw technology can provide.

text: Live Television in a Digital Library Nowadays nearly everyone has access to digital television with a growing number of channels available for free. However due to the nature of broadcasting, this huge mass of information that reaches us is not, for the main part, organised—it is principally a succession of images and sound transmitted in a flow of data. Compare this with digital libraries which are powerful at organising a large but fixed set of documents. This project brings together these two concepts by concurrently capturing all the available live television channels, and segments them into files which are then imported into a digital video library. The system leverages off the information contained in the electronic program guide and the video recordings to generate metadata suitable for the digital library. By combining these two concepts together this way, the aim of this work is to look beyond what is currently available in the digital TV set top boxes on the market today and explore the full potential—unencumbered by commercial market constraints—to what the raw technology can provide.

year: 2011

title: Reply to: 'Analysing accounting discourse: avoiding the 'fallacy of internalism''

authors: Gallhofer, Sonja

subjects: accounting

abstract: Purpose – The purpose of this paper is to provide a response to “Analysing accounting discourse: avoiding the ‘fallacy of internalism’”, an article by Ferguson in which a work by Gallhofer et al. is critiqued. 
Design/methodology/approach – The paper responds to critique by Ferguson that one of their papers does not consider the “social-historical contexts of text production, transmission and reception”. It also looks at Ferguson's challenge of critical discourse analysis (CDA) and its political motivation. 
Findings – The paper defends Gallhofer et al. in that they chose to “promote critical discourse analysis respecting the focus of accounting and finance” and that the aim of their work was pedagogical. They chose to focus on the production of the texts rather than their reception because the work wanted to gain insights into how accounting texts are read and mobilised by radical activists in pursuance of their emancipatory goals, especially through CDA. 
Originality/value – The paper provides a defence of a previous paper of the authors, which was concerned with emancipatory change, evident in Fairclough's version of CDA.

text: Reply to: 'Analysing accounting discourse: avoiding the 'fallacy of internalism'' Purpose – The purpose of this paper is to provide a response to “Analysing accounting discourse: avoiding the ‘fallacy of internalism’”, an article by Ferguson in which a work by Gallhofer et al. is critiqued. 
Design/methodology/approach – The paper responds to critique by Ferguson that one of their papers does not consider the “social-historical contexts of text production, transmission and reception”. It also looks at Ferguson's challenge of critical discourse analysis (CDA) and its political motivation. 
Findings – The paper defends Gallhofer et al. in that they chose to “promote critical discourse analysis respecting the focus of accounting and finance” and that the aim of their work was pedagogical. They chose to focus on the production of the texts rather than their reception because the work wanted to gain insights into how accounting texts are read and mobilised by radical activists in pursuance of their emancipatory goals, especially through CDA. 
Originality/value – The paper provides a defence of a previous paper of the authors, which was concerned with emancipatory change, evident in Fairclough's version of CDA.

year: 2007

title: Kirihaehae

authors: Maxwell, Te Kahautu

abstract: A haka composed about moko. My grand aunt Tangiwai took the moko chin tattoo so when the man from Tauranga, Kōraurau Te Kani that she had been betrothed to arrived at Whitianga Bay on the East Coast of the Bay of Plenty, he would readily recognise her his intended bride to be. This haka was composed for Te Kapa Haka o Tūtawake. This composition will be performed at the Mātaatua Kapa Haka regional Competition in Ruatoki 2016.

text: Kirihaehae A haka composed about moko. My grand aunt Tangiwai took the moko chin tattoo so when the man from Tauranga, Kōraurau Te Kani that she had been betrothed to arrived at Whitianga Bay on the East Coast of the Bay of Plenty, he would readily recognise her his intended bride to be. This haka was composed for Te Kapa Haka o Tūtawake. This composition will be performed at the Mātaatua Kapa Haka regional Competition in Ruatoki 2016.

year: 2013