title: A woman's reckoning: a feminist analysis of the power of the internationally accepted conception and implementation of the United Nations System of National Accounts

authors: Waring, Marilyn J.

subjects: United Nations System of National Accounts

abstract: The United Nations System of National Accounts (UNSNA) was the formal and global institutionalization of the development of national accounts over a period of several centuries. Each man responsible for the development is historically located within a government in the midst of mercantile, colonial expansionism (civil and colonial wars) or global conflict (World Wars I & II).
While apologists for the pathology now evident in the implementation of the UNSNA describe its conception as an attempt, with limited indicators and blunt tools, to produce the best possible measurement system for a particular short-term historical contingency, the over-riding ideology of power inherent in the conception and implementation of the UNSNA is patriarchy. Given the maintaining this system in place are devastating - both to and for the majority of the human species, and for the eco-system of the planet. 
This thesis establishes the conception of the UNSNA in Western political and economic patriarchal ideology. It exposes, in the narrow terms of the UNSNA, the major flaws of the system, and the passage of 'blame' from one 'profession' to another in locating responsibility for the perpetuation of a chronically impaired system.
Then the thesis examines the nature of 'reproduction' not as 'another form of production', but as the primary exchange, the economic principle before and beyond which no production can exist. The absence of this concept from political economy, even as an extended debate is distinctly patriarchal.
The environment, by way of analogy with women and children, suffers a similar rape, abuse, enslavement, and invisibility in the conception and implementation of the UNSNA. The global resource abuses and the policy consequences of such a treatment are examined in detail.
Various reforms suggested of the UNSNA have been and are being developed. While some would offer the possibility of short-term policy options which would be of some improvement, the problem of pursuing only one indicator, the market dollar, remains. My own experience as a legislator has seen this as a barren basic, and I discuss a variety of options.
Throughout 'A Woman's Reckoning', the approach is one of feminist scholarship, and the theoretical and political base of the thesis are unavoidably those of an enquiring activist.

text: A woman's reckoning: a feminist analysis of the power of the internationally accepted conception and implementation of the United Nations System of National Accounts The United Nations System of National Accounts (UNSNA) was the formal and global institutionalization of the development of national accounts over a period of several centuries. Each man responsible for the development is historically located within a government in the midst of mercantile, colonial expansionism (civil and colonial wars) or global conflict (World Wars I & II).
While apologists for the pathology now evident in the implementation of the UNSNA describe its conception as an attempt, with limited indicators and blunt tools, to produce the best possible measurement system for a particular short-term historical contingency, the over-riding ideology of power inherent in the conception and implementation of the UNSNA is patriarchy. Given the maintaining this system in place are devastating - both to and for the majority of the human species, and for the eco-system of the planet. 
This thesis establishes the conception of the UNSNA in Western political and economic patriarchal ideology. It exposes, in the narrow terms of the UNSNA, the major flaws of the system, and the passage of 'blame' from one 'profession' to another in locating responsibility for the perpetuation of a chronically impaired system.
Then the thesis examines the nature of 'reproduction' not as 'another form of production', but as the primary exchange, the economic principle before and beyond which no production can exist. The absence of this concept from political economy, even as an extended debate is distinctly patriarchal.
The environment, by way of analogy with women and children, suffers a similar rape, abuse, enslavement, and invisibility in the conception and implementation of the UNSNA. The global resource abuses and the policy consequences of such a treatment are examined in detail.
Various reforms suggested of the UNSNA have been and are being developed. While some would offer the possibility of short-term policy options which would be of some improvement, the problem of pursuing only one indicator, the market dollar, remains. My own experience as a legislator has seen this as a barren basic, and I discuss a variety of options.
Throughout 'A Woman's Reckoning', the approach is one of feminist scholarship, and the theoretical and political base of the thesis are unavoidably those of an enquiring activist.

year: 1989

title: From 'ambiguously gay duos' to homosexual superheroes: the implications for media fandom practices

authors: Corin, Gemma

subjects: superheroes

abstract: Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham's (1954) description of Batman and Robin as a 'wish dream of two homosexuals living together' (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a 'camp' sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993).
This is most evident today within comic book fan-communities online where the sexual identity of popular superheroes are continuously explored and debated in discussion forums and expressed through the production of slash fiction and queer-themed fan art. Indeed, the ambiguity inherent in superhero comics has traditionally allowed and encouraged fans to operate as 'textual poachers' (Jenkins, 1992) appropriating these texts for their own means.
Today, however, there exist a new generation of comic book superheroes, in the form of the Young Avengers, Uncanny X-Men and The Authority, which contain established 'out' gay characters. This paper will examine the implications of these series on the practice of fandom by analyzing fan reactions and responses to the manner in which the industry has opted to present a gay relationship between its superhero characters Wiccan and Hulkling and, Apollo and The Midnighter. The meaning of the shift from the 'implied' to 'actual' is examined in terms of fans' acceptance, resistance and desire to further appropriate the text.

text: From 'ambiguously gay duos' to homosexual superheroes: the implications for media fandom practices Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham's (1954) description of Batman and Robin as a 'wish dream of two homosexuals living together' (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a 'camp' sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993).
This is most evident today within comic book fan-communities online where the sexual identity of popular superheroes are continuously explored and debated in discussion forums and expressed through the production of slash fiction and queer-themed fan art. Indeed, the ambiguity inherent in superhero comics has traditionally allowed and encouraged fans to operate as 'textual poachers' (Jenkins, 1992) appropriating these texts for their own means.
Today, however, there exist a new generation of comic book superheroes, in the form of the Young Avengers, Uncanny X-Men and The Authority, which contain established 'out' gay characters. This paper will examine the implications of these series on the practice of fandom by analyzing fan reactions and responses to the manner in which the industry has opted to present a gay relationship between its superhero characters Wiccan and Hulkling and, Apollo and The Midnighter. The meaning of the shift from the 'implied' to 'actual' is examined in terms of fans' acceptance, resistance and desire to further appropriate the text.

year: 2008

title: Te Tāhū o Ranginui: Whakatūria te Whare Kōkōrangi

authors: Tuahine, Hōhepa

subjects: Whānau Mārama

abstract: I ngā rā o tuawhakarere he matatau te Māori ki ngā nekeneke o te Whānau Mārama. Ko ngā mātauranga katoa e whai take ana ki te Whānau Mārama i pupuritia e ngā iwi. I whai take tēnei mātauranga i roto i ngā mahi katoa. Ko te onoono me te hauhake huawhenua, ko te hī ika, ko te takahi haere i te whenua, ko te pakanga, ko ngā tikanga ōkawa. Ka tohu hoki i ngā peka o te tau, me ngā mahi o ia rā. Ko ngā nekeneke o te Whānau Mārama ngā kaitohu, ngā kaiārahi i ngā waka o tāukiuki. Mā te āta mātai i ngā whetū, ka whakatere i te mata whānui o Tangaroa. Otirā, ka nōhia ngā moutere o te Moana-nui-a-Kiwa. I whakaakoria motuhaketia tēnei mātauranga i roto i ngā whare wānanga e kīa rā, ko te whare kōkōrangi.
He whare kōkōrangi, ā, he tohunga kōkōrangi ō ngā iwi katoa, kāore he mātauranga i tua atu i taua whare me ōna tohunga. Engari, nō te taenga mai o te Pākehā i ngā tau whakamutunga o te rau tau tekau mā waru ka raupatuhia te whenua, ka motu ai te here ki ngā tūrangawaewae. Ka mimiti haere tēnei mātauranga. Tae rawa ake ki ngā tau o te 1900, i noho mū ngā whare kōkōrangi o te Māori me te mea nei i kapia te tatau e kore e huaki anō. Heoi, tērā ētahi kairangahau Māori e nanao atu ana kia kumea taua tatau nā e huaki anō ai te whare kōkōrangi, e hahūtia anō ai ōna mātauranga katoa, kei noho mōteatea haere ake nei. E koke ana ētahi rangahau o mohoa nei kia kohikohi i ngā mātauranga Whānau Mārama o te Māori kia whakahaumanutia, kia whakaorangia tēnei āhuatanga o te Māori.
He tuhinga tēnei ka tākoha atu ki taua kohikohinga, ā, ko tōna matū he wetewete i ngā kura huna kei ngā mātauranga Māori ā-waha. Mā te tātari whakataukī, waiata me te karakia, ka kitea mēnā kei ēnei taonga o te Māori te oranga tonutanga o te Whānau Mārama. Otirā, ka kitea mēnā e taea tēnei whare te whakatū ki te ao hurihuri nei kia huaki anō ai te tatau hei kuhutanga ake mā te Māori.

Traditionally Māori maintained extensive knowledge of the night sky, and made detailed observations of the sun, the moon, the planets, the stars and the movements of the various celestial bodies. This knowledge influenced all aspects of traditional Māori life including planting and harvesting, fishing, travel, warfare, ceremony and seasonal and daily activity. It was their understanding of the night sky that enabled the ancestors of the Māori to traverse the largest expanse of ocean in the world to settle the islands of the Pacific. Māori astronomical knowledge was taught within the whare kōkōrangi, institutions specifically established for the purpose of astronomy and its related fields.
All tribal groups had their own whare kōkōrangi under the instruction of astronomical experts, and these institutions were seen as the pinnacle of Māori learning. However with the arrival of European settlers in the late eighteenth century and the negative impacts of colonisation, Māori astronomical knowledge began to erode. By the 1900s the whare kōkōrangi were no longer in use and this crucial part of Māori society seemed to have been lost to time. Yet, rather than lamenting the loss of this knowledge base, a number of Māori researchers are beginning to explore the field with the long-term vision of re-establishing the whare kōkōrangi.
Currently there is significant research being undertaken that is searching for the remaining fragments of Māori astronomical knowledge in an attempt to re- discover and revitalise this field. This thesis is part of this new movement and in particular seeks to understand how Māori knowledge is imbedded and encoded within the Māori language. By analysing a number of traditional Māori proverbs, songs and incantations, this thesis argues that much of the record of Māori astronomy can be reconfigured and re-established. Furthermore, the whare kōkōrangi can once again be central in the knowledge base and in the lives of all Māori.

text: Te Tāhū o Ranginui: Whakatūria te Whare Kōkōrangi I ngā rā o tuawhakarere he matatau te Māori ki ngā nekeneke o te Whānau Mārama. Ko ngā mātauranga katoa e whai take ana ki te Whānau Mārama i pupuritia e ngā iwi. I whai take tēnei mātauranga i roto i ngā mahi katoa. Ko te onoono me te hauhake huawhenua, ko te hī ika, ko te takahi haere i te whenua, ko te pakanga, ko ngā tikanga ōkawa. Ka tohu hoki i ngā peka o te tau, me ngā mahi o ia rā. Ko ngā nekeneke o te Whānau Mārama ngā kaitohu, ngā kaiārahi i ngā waka o tāukiuki. Mā te āta mātai i ngā whetū, ka whakatere i te mata whānui o Tangaroa. Otirā, ka nōhia ngā moutere o te Moana-nui-a-Kiwa. I whakaakoria motuhaketia tēnei mātauranga i roto i ngā whare wānanga e kīa rā, ko te whare kōkōrangi.
He whare kōkōrangi, ā, he tohunga kōkōrangi ō ngā iwi katoa, kāore he mātauranga i tua atu i taua whare me ōna tohunga. Engari, nō te taenga mai o te Pākehā i ngā tau whakamutunga o te rau tau tekau mā waru ka raupatuhia te whenua, ka motu ai te here ki ngā tūrangawaewae. Ka mimiti haere tēnei mātauranga. Tae rawa ake ki ngā tau o te 1900, i noho mū ngā whare kōkōrangi o te Māori me te mea nei i kapia te tatau e kore e huaki anō. Heoi, tērā ētahi kairangahau Māori e nanao atu ana kia kumea taua tatau nā e huaki anō ai te whare kōkōrangi, e hahūtia anō ai ōna mātauranga katoa, kei noho mōteatea haere ake nei. E koke ana ētahi rangahau o mohoa nei kia kohikohi i ngā mātauranga Whānau Mārama o te Māori kia whakahaumanutia, kia whakaorangia tēnei āhuatanga o te Māori.
He tuhinga tēnei ka tākoha atu ki taua kohikohinga, ā, ko tōna matū he wetewete i ngā kura huna kei ngā mātauranga Māori ā-waha. Mā te tātari whakataukī, waiata me te karakia, ka kitea mēnā kei ēnei taonga o te Māori te oranga tonutanga o te Whānau Mārama. Otirā, ka kitea mēnā e taea tēnei whare te whakatū ki te ao hurihuri nei kia huaki anō ai te tatau hei kuhutanga ake mā te Māori.

Traditionally Māori maintained extensive knowledge of the night sky, and made detailed observations of the sun, the moon, the planets, the stars and the movements of the various celestial bodies. This knowledge influenced all aspects of traditional Māori life including planting and harvesting, fishing, travel, warfare, ceremony and seasonal and daily activity. It was their understanding of the night sky that enabled the ancestors of the Māori to traverse the largest expanse of ocean in the world to settle the islands of the Pacific. Māori astronomical knowledge was taught within the whare kōkōrangi, institutions specifically established for the purpose of astronomy and its related fields.
All tribal groups had their own whare kōkōrangi under the instruction of astronomical experts, and these institutions were seen as the pinnacle of Māori learning. However with the arrival of European settlers in the late eighteenth century and the negative impacts of colonisation, Māori astronomical knowledge began to erode. By the 1900s the whare kōkōrangi were no longer in use and this crucial part of Māori society seemed to have been lost to time. Yet, rather than lamenting the loss of this knowledge base, a number of Māori researchers are beginning to explore the field with the long-term vision of re-establishing the whare kōkōrangi.
Currently there is significant research being undertaken that is searching for the remaining fragments of Māori astronomical knowledge in an attempt to re- discover and revitalise this field. This thesis is part of this new movement and in particular seeks to understand how Māori knowledge is imbedded and encoded within the Māori language. By analysing a number of traditional Māori proverbs, songs and incantations, this thesis argues that much of the record of Māori astronomy can be reconfigured and re-established. Furthermore, the whare kōkōrangi can once again be central in the knowledge base and in the lives of all Māori.

year: 2015