Título: The Future Sound of London
Seção: Lifeforms, ambience and the ISDN tour
Background: The Future Sound of London (often abbreviated to FSOL) is a British electronic music group composed of Garry Cobain (sometimes stylised as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentation and of pioneering a new era of dance music. Although often associated with ambient music, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers many areas of electronic music, such as ambient techno, house music, trip hop, ambient dub, acid techno.

Conteúdo: "Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL sound. Despite its length, clocking in at nearly forty minutes and stretched over six parts, the track made the UK top 30, and previewed what was to come. In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments. The eponymous single from the album featured Elizabeth Fraser of the Cocteau Twins on vocals. The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves, sitting alongside tropical birdsong, rainfall, wind and an array of other exotic sounds, lending the album a natural, organic feel, backed up by the environmental landscapes that filled the artwork booklet. Brian Dougan's father was involved with the BBC Radiophonic Workshop which was a heavy influence in the almost musique concrete feel to Lifeforms. The album was also a top 10 hit on the UK album chart. Cobain has said that around this time that journalists would come to talk to them and one of the first things they would ask would be if they liked Brian Eno (whom they cite as an influence), to which they would laugh and say that they were about looking forward, not to the past. It was, to them, very much a new work rather than just another Eno-type ambient album.  We wanted to release a very immersive, mind

user: What was Lifeforms?

assistant: We wanted to release a very immersive, mind-blowing piece of music that was long and would deeply drench you in it...Lifeforms was redefining 'classical ambient electronic experimental' -

user: How successful was Lifeforms?

assistant: Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL

user: When was Lifeforms released?

assistant: In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments.

user: Were there any other successful singles on the Lifeforms album?

assistant: The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves,

user: How did critics receive the album?

assistant: The album was also a top 10 hit on the UK album chart.

user: How many records did it sell?

assistant: even though the album was successful; the 90s, for Cobain in particular, were a time of frustration and feelings of not being able to do what they wanted to,

user: What did they do after the Lifeforms album?

assistant: The following year, the album was re-released with expanded artwork and a slightly altered track list as an unlimited pressing.

user: Was the album rerelease received well by fans?

assistant: Cobain has said that around this time that journalists would come to talk to them

user: What did they do after the album rerelease?

assistant: CANNOTANSWER