dgand84/projgand huggingface dataset:
Título: Tracey Ullman
Seção: Film career
Background: Tracey Ullman was born Trace Ullman in Slough, Buckinghamshire, the younger of two daughters, to Dorin (nee Cleaver) and Antony John Ullman. Her mother was British, with Roma ancestry, and her father was a Roman Catholic Pole. On the subject of the spelling of her name: "My real name is Trace Ullman, but I added the 'y.' My mother said it was spelled the American way, but I don't think she can spell!

Conteúdo: Along with her television work, Ullman has featured in many films throughout her career. Her first theatrical film was a small role in Paul McCartney's 1984 film Give My Regards to Broad Street. This was followed by a supporting role in the 1985 Meryl Streep drama Plenty. She re-teamed with Streep for 1992's Death Becomes Her, playing Toni, a bartender who runs away with Ernest (Bruce Willis) and lives happily ever after. Director Robert Zemeckis decided to re-shoot the ending, opting for a darker, "more risky ending." This meant that Ullman's scenes would have to be cut. "We were all heartbroken over losing the character. (She) was so great." Despite the cut, some of her scenes were released in an early trailer for the film. Death Becomes Her is one of two instances in which her scenes in a film have ended up on the cutting room floor. Due to time constraints, her song in 1996's Everyone Says I Love You was deleted.  She made her big screen leading role debut in 1990's I Love You to Death acting alongside Kevin Kline, River Phoenix and Joan Plowright. She subsequently appeared in lead and supporting roles in films such as Robin Hood: Men in Tights, Nancy Savoca's Household Saints, Bullets over Broadway, Small Time Crooks and A Dirty Shame. She was nominated for a Golden Globe Award in the category of Best Actress - Motion Picture Musical or Comedy for her work in Small Time Crooks in 2001.  Her voice work in film includes Tim Burton's Corpse Bride and the computer-animated T

user: What types of films has she been in?

assistant: Her first theatrical film was a small role in Paul McCartney's 1984 film Give My Regards to Broad Street.

user: Did she sing in it?

assistant: CANNOTANSWER

user: What other films has she been in?

assistant: This was followed by a supporting role in the 1985 Meryl Streep drama Plenty.

user: How many films has she done?

assistant: CANNOTANSWER
Título: Screeching Weasel
Seção: Early years (1986-1989)
Background: Screeching Weasel is an American punk rock band originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have broken up and reformed numerous times with numerous line-up changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009.

Conteúdo: The band originally called themselves All Night Garage Sale but changed their name to Screeching Weasel, a variation of a name a friend had suggested, Screaming Otter, which was a reference to a T-shirt that read, "I'VE GOT A SCREAMING OTTER IN MY PANTS!". Shortly after their formation, Weasel decided that it was too difficult to play bass and sing at the same time, so Vince Vogel, who took the stage name "Vinnie Bovine" joined as the band's bassist. The band recorded their debut album, Screeching Weasel, in one night for $200 and released it on Chicago label Underdog Records in 1987.  In 1988, Bovine was fired from the band and was replaced with Warren Fischer, better known as Fish, and former member of the band Ozzfish. The band recorded their second studio album, Boogadaboogadaboogada!, which featured Weasel playing second guitar (he would later state that he only played on about a quarter of the songs) and made a name for themselves by opening a show for Operation Ivy at 924 Gilman Street. Steve Cheese was fired from the band shortly after the recording due to his unwillingness to tour outside of Chicago. He was replaced by Aaron Cometbus for two shows who then was replaced by Brian Vermin. Boogadaboogadaboogada! was released in late 1988 on Roadkill Records, a label formed by investor David Best and managed by Ben Weasel following an introduction of the two by producer Mass Giorgini.  After what Weasel described as a "disastrous" tour, Fish left the group and was replace

user: How did they decide on the name Screeching Weasel?

assistant: Screeching Weasel, a variation of a name a friend had suggested, Screaming Otter, which was a reference to a T-shirt
Título: Melanie C
Seção: Musical style
Background: Melanie Jayne Chisholm was born in Whiston, Lancashire, as the only child in the family. She later moved to Widnes, Cheshire, at a young age. Her parents married on 12 January 1971 and separated in 1978, when young Chisholm was four-and-a-half years old. Her father, Alan Chisholm, worked as a fitter at the Otis Elevator Company.

Conteúdo: Chisholm's music is generally pop and rock. She also released an album of show tunes.  Chisholm has received co-writing credits for most of the songs recorded with Spice Girls and her solo efforts. The main concept of the Spice Girl albums centred on the idea of Girl Power, embodying a feminist image, as both Madonna and Bananarama had employed before, and every track deals with different aspects of this notion. Other central themes in the writing of the group were the union, solidarity, friendship, independence, love, loss of virginity, sex, contraception, the relationship with parents during adolescence, vulnerability and fame. Many of these themes were carried out even during her solo career, but with a more mature writing, intense style and in some songs a more raw and direct language. Added to these were social issues such as homelessness, and introspective themes. Having co-written 11 UK number 1s, more than any other female artist, she remains the only female performer to top the charts as a solo artist, as part of a duo, quartet and quintet. With 12 UK Number 1 singles, including the charity single as part of the Justice Collective, she is the second female artist - and the first British female artist - with the most singles at number 1 in the UK, and with a total of 14 songs that have risen to number 1 in Britain (including the double A-sides), Chisolm is the first artist with most number 1 songs in the UK ranking history.  On 1 January 2004, Virgin Records dismissed

user: What is Melanie's music style?

assistant: Chisholm's music is generally pop and rock. She also released an album of show tunes.
Título: Rudy Giuliani
Seção: Aftermath
Background: Giuliani was born in an Italian-American enclave in East Flatbush in the New York City borough of Brooklyn, the only child of working-class parents, Harold Angelo Giuliani (1908-1981) and Helen Giuliani (nee D'Avanzo; 1909-2002), both children of Italian immigrants. Giuliani is of Tuscan origins from his father side, as his paternal grandparents (Rodolfo and Evangelina Giuliani) were born in Montecatini, Tuscany, Italy. He was raised a Roman Catholic. Harold Giuliani, a plumber and a bartender, had trouble holding a job, and was convicted of felony assault and robbery, serving time in Sing Sing.

Conteúdo: For his leadership on and after September 11, Giuliani was given an honorary knighthood (KBE) by Queen Elizabeth II on February 13, 2002.  Giuliani initially downplayed the health effects arising from the September 11 attacks in the Financial District and lower Manhattan areas in the vicinity of the World Trade Center site. He moved quickly to reopen Wall Street, and it was reopened on September 17. In the first month after the attacks, he said "The air quality is safe and acceptable." However, in the weeks after the attacks, the United States Geological Survey identified hundreds of asbestos 'hot spots' of debris dust that remained on buildings. By the end of the month the USGS reported that the toxicity of the debris was akin to that of drain cleaner. It would eventually be determined that a wide swath of lower Manhattan and Brooklyn had been heavily contaminated by highly caustic and toxic materials. The city's health agencies, such as the Department of Environmental Protection, did not supervise or issue guidelines for the testing and cleanup of private buildings. Instead, the city left this responsibility to building owners.  Giuliani took control away from agencies such as the Federal Emergency Management Agency, the Army Corps of Engineers and the Occupational Safety and Health Administration, leaving the "largely unknown" city Department of Design and Construction in charge of recovery and cleanup. Documents indicate that the Giuliani administration never enforced fed

user: What did Giuliani do in the aftermath of 911?

assistant: Giuliani initially downplayed the health effects arising from the September 11 attacks

user: Did he eventually acknowledge the health effects?

assistant: Documents indicate that the Giuliani administration never enforced federal requirements requiring the wearing of respirators.
Título: Algonquin Round Table
Seção: Activities
Background: The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.

Conteúdo: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think."  Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet.  A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had sev

user: What activities did the Round Table do

assistant: The group was devoted to games, including cribbage and poker.

user: Did they play a lot of games?

assistant: The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,

user: What else did they do?

assistant: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.
Agent Orange exposure from C-123 aircraft 
If you flew on or worked with C-123 aircraft in Vietnam or other locations , you may have had contact with Agent Orange. The U.S. military used this herbicide to clear trees and plants during the Vietnam War. C-123 aircraft sprayed Agent Orange during the war , and the planes still had traces of the chemical in them afterward while they were being used, up until 1986. Find out if you can get disability compensation and other benefits for illnesses we believe are caused by contact with Agent Orange. 

Can I get disability benefits from VA? 


For active-duty service members 
You may be able to get disability benefits if the below descriptions are true for you. This must be true : You have an illness we believe is caused by contact with Agent Orange called a presumptive disease And both of these must also be true : You served in a regular Air Force unit location where a C-123 aircraft with traces of Agent Orange was assigned , and Your flight, ground, or medical duties put you in regular and repeated contact with C-123 aircraft that had traces of Agent Orange If you have an illness we believe is caused by Agent Orange , you won t need to show the problem started during or got worse because of your military service. This is because we believe that certain diseases are the result of exposure to herbicides. We refer to these as " presumptive diseases. " Review our list of diseases related to Agent Orange Check our list of military units and Air Force specialty codes to see if your unit had contact with affected C-123 aircraft. View the list of codes PDF 

For Reservists 
You may be able to get disability benefits if the below descriptions are true for you. Both of these must be true : You have an illness we believe is caused by Agent Orange called a presumptive disease , and You were assigned to flight, ground, or medical crew duties at one of the below locations You must have been assigned to one of these locations : Lockbour

user: please show me information about Agent Orange exposure from C-123 aircraft

assistant: If you flew on or worked with C-123 aircraft in Vietnam or other locations

user: yes, i flew on vietnam with c123 aircraft

assistant: you may have had contact with Agent Orange, The U.S. military used this herbicide to clear trees and plants during the Vietnam War .

user: What kind of disability benefits can I get?

assistant: the most important thing Health care and Compensation payments

user: please show me information about For Reservists

assistant: You may be able to get disability benefits if the below descriptions are true for you
Título: Paul Watson
Seção: Early and personal life
Background: Paul Franklin Watson (born December 2, 1950) is a Canadian marine wildlife conservation and environmental activist, who founded the Sea Shepherd Conservation Society, an anti-poaching and direct action group focused on marine conservation and marine conservation activism. He is a citizen of Canada and the United States. The Toronto native joined a Sierra Club protest against nuclear testing in 1969. He was an early and influential member of Greenpeace, crewed and skippered for it and a founding board member in 1972.

Conteúdo: According to the Sea Shepherd Conservation Society, Paul Watson was born in Toronto to Anthony Joseph Watson and Annamarie Larsen, and grew up in St. Andrews, New Brunswick, along with two sisters and three brothers. As a child he was a member of the Kindness Club, which he has credited with teaching him to "respect and defend animals". After working as a tour guide at Expo 67, the World's Fair that took place in Montreal in 1967, Watson moved to Vancouver.  According to the Sea Shepherd Conservation Society, in 1968 and the early 1970s, he joined the Canadian Coast Guard, where he served aboard weatherships, search and rescue hovercraft, and buoy tenders. He signed up as a merchant seaman in 1969 with the Norwegian Consulate in Vancouver and shipped out on the 35,000 ton bulk carrier Bris as a deck hand. The Bris was registered in Oslo, Norway and manifested for the Indian Ocean and Pacific trade.  Watson has one daughter Lilliolani (born 1980) with his first wife, Starlet Lum, who was a founding director of Greenpeace Quebec, Earthforce!, Project Wolf, and Sea Shepherd. His second wife, Lisa Distefano, a former Playboy model, was Sea Shepherd's Director of Operations during the Makah anti-whaling campaigns in Friday Harbor. His third wife, Allison Lance, is an animal rights activist and a volunteer crew member of Sea Shepherd. Watson has two grandchildren. Watson married his fourth wife Yana Rusinovich on February 14, 2015, in Paris, France. Watson and Rusinovich had a son,

user: Where was paul born?

assistant: Paul Watson was born in Toronto

user: when was he born?

assistant: CANNOTANSWER

user: who were his parents?

assistant: Anthony Joseph Watson and Annamarie Larsen,

user: did he have any siblings?

assistant: two sisters and three brothers.

user: where did he go to school?

assistant: CANNOTANSWER
Título: Leontyne Price
Seção: Emergence
Background: Mary Violet Leontyne Price (born February 10, 1927) is an American soprano. Born and raised in Laurel, Mississippi, she rose to international acclaim in the 1950s and 1960s, and was the first African American to become a leading artist at the Metropolitan Opera. One critic characterized Price's voice as "vibrant", "soaring" and "a Price beyond pearls", as well as "genuinely buttery, carefully produced but firmly under control", with phrases that "took on a seductive sinuousness." Time magazine called her voice "Rich, supple and shining, it was in its prime capable of effortlessly soaring from a smoky mezzo to the pure soprano gold of a perfectly spun high C." A lirico spinto (Italian for "pushed lyric") soprano, she was considered especially well suited to the roles of Giuseppe Verdi and Giacomo Puccini, as well as several in operas by Wolfgang Amadeus Mozart.

Conteúdo: In November 1954, Price made her recital debut at New York's Town Hall with a program that featured the New York premiere of Samuel Barber's cycle Hermit Songs, with the composer at the piano, and began her first recital tour in the Community Concerts series for Columbia Artists. Then, the door to opera opened through television, the NBC Opera Theater series. In February 1955, she sang Puccini's Tosca for the NBC Opera Theater, under music director Peter Herman Adler, becoming the first African American to appear in a leading role in televised opera. Several NBC affiliates (not all Southern) canceled the broadcast in protest. She returned in three other NBC Opera broadcasts, as Pamina (1956), Madame Lidoine in Poulenc's Dialogues of the Carmelites (1957), and Donna Anna in Don Giovanni (1960).  In March 1955, she was auditioned at Carnegie Hall by the Austrian conductor Herbert von Karajan, who was then touring with the Berlin Philharmonic. Impressed with her singing of "Pace, pace, mio Dio" from Verdi's La forza del destino, Karajan reportedly leapt to the stage to accompany her himself. Calling her "an artist of the future" he asked her management for control of her future European career. Over the next three seasons, Price crossed the U.S. in recitals with her longtime accompanist, David Garvey, and in orchestral appearances. She also toured India (1956) and Australia (1957), under the auspices of the U.S. State Department. She sang a concert version of Aida--her first pub

user: What was Emergence?

assistant: In November 1954, Price made her recital debut at New York's Town Hall

user: How many times did she preform there?

assistant: the door to opera opened through television, the NBC Opera Theater series. In February 1955, she sang Puccini's Tosca for the NBC Opera Theater,

user: Are there any other interesting aspects about this article?

assistant: becoming the first African American to sing a leading role in Italy's greatest opera house.

user: Did she get an award?

assistant: In March 1955, she was auditioned at Carnegie Hall

user: Did she sing anywhere else

assistant: She also toured India (1956) and Australia (1957), under the auspices of the U.S. State Department.
Título: James Watt
Seção: First engines
Background: James Watt  (30 January 1736 (19 January 1736 OS) - 25 August 1819) was a Scottish inventor, mechanical engineer, and chemist who improved on Thomas Newcomen's 1712 Newcomen steam engine with his Watt steam engine in 1781, which was fundamental to the changes brought by the Industrial Revolution in both his native Great Britain and the rest of the world. While working as an instrument maker at the University of Glasgow, Watt became interested in the technology of steam engines. He realised that contemporary engine designs wasted a great deal of energy by repeatedly cooling and reheating the cylinder. Watt introduced a design enhancement, the separate condenser, which avoided this waste of energy and radically improved the power, efficiency, and cost-effectiveness of steam engines.

Conteúdo: In 1776, the first engines were installed and working in commercial enterprises. These first engines were used to power pumps and produced only reciprocating motion to move the pump rods at the bottom of the shaft. The design was commercially successful, and for the next five years Watt was very busy installing more engines, mostly in Cornwall for pumping water out of mines.  These early engines were not manufactured by Boulton and Watt, but were made by others according to drawings made by Watt, who served in the role of consulting engineer. The erection of the engine and its shakedown was supervised by Watt, at first, and then by men in the firm's employ. These were large machines. The first, for example, had a cylinder with a diameter of some 50 inches and an overall height of about 24 feet, and required the construction of a dedicated building to house it. Boulton and Watt charged an annual payment, equal to one third of the value of the coal saved in comparison to a Newcomen engine performing the same work.  The field of application for the invention was greatly widened when Boulton urged Watt to convert the reciprocating motion of the piston to produce rotational power for grinding, weaving and milling. Although a crank seemed the obvious solution to the conversion Watt and Boulton were stymied by a patent for this, whose holder, James Pickard, and associates proposed to cross-license the external condenser. Watt adamantly opposed this and they circumvented the patent b

user: How did James get started with his first engines?

assistant: The design was commercially successful, and for the next five years Watt was very busy installing more engines, mostly in Cornwall for pumping water out of mines.
Título: Mario Lanza
Seção: Serenade
Background: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.

Conteúdo: Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980:  I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic!  He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted 

user: what is the relevance of Serenade?

assistant: the film

user: when did the film come out?

assistant: 1955

user: who else starred in it?

assistant: Licia Albanese.

user: did it win awards?

assistant: the film was not as successful as his previous films,

user: what was his part in the movie?

assistant: He had the most beautiful lirico spinto voice.

user: what else is interesting about Serenade?

assistant: Ms. Albanese said of Lanza in 1980:  I had heard all sorts of stories about Mario [Lanza].

user: what was one of the stories she heard about him?

assistant: That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera;

user: was it true about his voice being too small?

assistant: None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice.

user: what was a song he sang in the film?

assistant: arias from Der Rosenkavalier, Fedora, L'arlesiana,
Título: Slayer
Seção: South of Heaven and Seasons in the Abyss (1988-1993)
Background: Slayer is an American thrash metal band from Huntington Park, California. The band was formed in 1981 by vocalist/bassist Tom Araya and guitarists Kerry King and Jeff Hanneman. Slayer's fast and aggressive musical style made them one of the founding "big four" bands of thrash metal, alongside Metallica, Megadeth and Anthrax. Slayer's current lineup comprises King, Araya, drummer Paul Bostaph and guitarist Gary Holt.

Conteúdo: In late 1987, Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempos, and incorporate more melodic singing. According to Hanneman, "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird--we've never done that on an album, before or since."  Released in July 1988, South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at number 57 on the Billboard 200, and their second album to receive gold certification in the United States. Press response to the album was mixed, with AllMusic citing the album as "disturbing and powerful," and Kim Nelly of Rolling Stone calling it "genuinely offensive satanic drivel." King said "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.  Slayer returned to the studio in spring 1990 with co-producer Andy Wallace to record its fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood, while retaining their newfound melodic sense." Seasons in the Abyss, released on October 25, 1990, was the first Slayer album to be released under Rubin's new Def American label, as he had parted way

user: Who produced South of Heaven and Seasons in the Abyss?

assistant: Slayer's
Título: John Cage
Seção: Early works, rhythmic structure, and new approaches to harmony
Background: John Milton Cage Jr. (September 5, 1912 - August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Conteúdo: Cage's work from the sixties features some of his largest and most ambitious, not to mention socially utopian pieces, reflecting the mood of the era yet also his absorption of the writings of both Marshall McLuhan, on the effects of new media, and R. Buckminster Fuller, on the power of technology to promote social change. HPSCHD (1969), a gargantuan and long-running multimedia work made in collaboration with Lejaren Hiller, incorporated the mass superimposition of seven harpsichords playing chance-determined excerpts from the works of Cage, Hiller, and a potted history of canonical classics, with fifty-two tapes of computer-generated sounds, 6,400 slides of designs, many supplied by NASA, and shown from sixty-four slide projectors, with forty motion-picture films. The piece was initially rendered in a five-hour performance at the University of Illinois in 1969, in which the audience arrived after the piece had begun and left before it ended, wandering freely around the auditorium in the time for which they were there.  Also in 1969, Cage produced the first fully notated work in years: Cheap Imitation for piano. The piece is a chance-controlled reworking of Erik Satie's Socrate, and, as both listeners and Cage himself noted, openly sympathetic to its source. Although Cage's affection for Satie's music was well-known, it was highly unusual for him to compose a personal work, one in which the composer is present. When asked about this apparent contradiction, Cage replied: "Obvio

user: What was Johns earliest work?

assistant: HPSCHD (1969), a gargantuan and long-running multimedia work made in collaboration with Lejaren Hiller, incorporated the mass superimposition of seven harpsichords playing

user: Was it well received?

assistant: five-hour performance at the University of Illinois in 1969, in which the audience arrived after the piece had begun and left before it ended,

user: Was anything unusual about it?

assistant: with fifty-two tapes of computer-generated sounds, 6,400 slides of designs, many supplied by NASA, and shown from sixty-four slide projectors, with forty motion-picture films.

user: Did it have unusual rhythmic structure?

assistant: CANNOTANSWER

user: Where there any special artists involved?

assistant: excerpts from the works of Cage, Hiller, and a potted history of canonical classics,

user: Did he have other early works?

assistant: Also in 1969, Cage produced the first fully notated work in years: Cheap Imitation for piano.
Título: The Daily Show
Seção: Interviews
Background: The Daily Show is an American late-night talk and news satire television program. It airs each Monday through Thursday on Comedy Central. Describing itself as a fake news program, The Daily Show draws its comedy and satire from recent news stories, political figures, media organizations, and often uses self-referential humor as well. The half-hour-long show premiered on July 21, 1996, and was first hosted by Craig Kilborn until December 17, 1998.

Conteúdo: In the show's third act, the host conducts an interview with a celebrity guest. Guests come from a wide range of cultural sources, and include actors, musicians, authors, athletes, pundits, policy experts and political figures. During Stewart's tenure, the show's guests tended away from celebrities and more towards non-fiction authors and political pundits, as well as many prominent elected officials. In the show's earlier years it struggled to book high-profile politicians. (In 1999, for an Indecision 2000 segment, Steve Carell struggled to talk his way off Republican candidate John McCain's press overflow bus and onto the Straight Talk Express). However its rise in popularity, particularly following the show's coverage of the 2000 and 2004 elections, made Stewart according to a Rolling Stone (2006) article, "the hot destination for anyone who wants to sell books or seem hip, from presidential candidates to military dictators". Newsweek labeled it "the coolest pit stop on television".  Prominent political guests have included U.S. President Barack Obama, Vice President Joe Biden, former Presidents Jimmy Carter and Bill Clinton, former British Prime Ministers Tony Blair and Gordon Brown, former Pakistani President Pervez Musharraf, Liberian President Ellen Johnson Sirleaf, Bolivian President Evo Morales, Jordanian King Abdullah II, Estonian Prime Minister Taavi Roivas, Canadian Prime Minister Justin Trudeau and former Mexican President Vicente Fox.  The show has played host t

user: Who are interviewed on the show?

assistant: the host conducts an interview with a celebrity guest.
Título: Michelle Pfeiffer
Seção: 2000-2006: Hiatus
Background: Pfeiffer was born in Santa Ana, California, the second of four children of Richard Pfeiffer, an air-conditioning contractor, and Donna (nee Taverna), a housewife. She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress, and Lori Pfeiffer (born 1965). Her parents were both originally from North Dakota. Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry.

Conteúdo: Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999, and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas.  In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office in July 2000, and went on to gross US$291 million worldwide. She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), opposite Sean Penn. Despite grossing $97.8 million worldwide, the movie received unfavorable reviews; Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland cliches that prop up her screechy role, delivers her flattest, phoniest performance ever". Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens h

user: What can you tell me about Michelle's hiatus?

assistant: Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999,

user: How did she do this?

assistant: CANNOTANSWER
Modifications to a car, pick - up truck, van, motorcycle, or moped can affect its registration class. Important : The DMV cannot examine your vehicle to determine the correct registration class. You must determine the correct registration class for your vehicle. 

Modifications to a motorcycle or moped, including Limited Use Motorcycles- 
If you remove a speed governor that was originally installed to limit the top speed of a moped or add a speed governor that limits the top speed of a moped or motorcycle , you must notify DMV and register the moped or motorcycle in the appropriate class [1]. 

Modifications to cars, pick-up trucks, and vans 
Part 106 of DMV Regulations describes the vehicles that are registered in the' Commercial' class and in the passenger class. Part 106 also describes how some modifications that you make to your vehicle can affect the correct registration class of your vehicle. A description of the modifications appears below. Each description includes a reference to the DMV Regulations [2]. For all vehicle modifications , you must obtain a vehicle weight slip. You can get vehicle weight slips at most vehicle and/or metal scrapyards and from some auto - parts stores and mechanics, especially those specializing in vehicle modifications and camper body / equipment sales and installation. 

Modifications that change a registration from 'Passenger' class to 'Commercial' class 


Cars (Part 106.2 (e)) 
You can register a car in the' Commercial' class if all the seats behind the driver are removed. Instead of the seats , you must install a permanent box or permanent rack to carry cargo. 

Station Wagons and Vans (Part 106.2 (f)) 
You can register a station wagon in the' Commercial' class if all the seats and all the seat fittings behind the driver are removed completely. 

Modifications that change a registration from 'Commercial' class to 'Passenger' class 


Pick-up Trucks (Part 106.6 (b) and (c)) 
You can register a pick - up in the' Passenger' cla

user: I'd like to soup up my moped and need to know the restrictions.

assistant: Will you be removing a speed governor that limits top speed?

user: Yes I would like to.

assistant: In that case, you must notify the DMV and register the moped or motorcycle in the appropriate class.

user: If I make changes to my car can it affect its classification class?

assistant: Part 106 of DMV Regulations which describes the distinction between vehicles in the 'Commercial' class and in the passenger class, also describes how some modifications that you make to your vehicle can affect its correct registration class.

user: So I might have to change its class?

assistant: Would you like to know the distinction between a 'Passenger' class and a 'Commercial' class vehicle?

user: Yes that would be helpful.

assistant: For cars, you can register as 'Commercial  class if all the seats behind the driver are removed and in their place you must install a permanent box or permanent rack to carry cargo.
Título: Harry Price
Seção: William Hope
Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:

Conteúdo: On 4 February 1922, Price with James Seymour, Eric Dingwall and William Marriott had proven the spirit photographer William Hope was a fraud during tests at the British College of Psychic Science. Price wrote in his SPR report "William Hope has been found guilty of deliberately substituting his own plates for those of a sitter ... It implies that the medium brings to the sitting a duplicate slide and faked plates for fraudulent purposes."  Price secretly marked Hope's photographic plates, and provided him with a packet of additional plates that had been covertly etched with the brand image of the Imperial Dry Plate Co. Ltd. in the knowledge that the logo would be transferred to any images created with them. Unaware that Price had tampered with his supplies, Hope then attempted to produce a number of Spirit photographs. Although Hope produced several images of spirits, none of his materials contained the Imperial Dry Plate Co. Ltd logo, or the marks that Price had put on Hope's original equipment, showing that he had exchanged prepared materials containing fake spirit images for the provided materials.  Price later re-published the Society's experiment in a pamphlet of his own called Cold Light on Spiritualistic "Phenomena" - An Experiment with the Crewe Circle. Due to the exposure of Hope and other fraudulent spiritualists, Arthur Conan Doyle led a mass resignation of eighty-four members of the Society for Psychical Research, as they believed the Society was opposed to spirit

user: Who is william Hope

assistant: the spirit photographer William Hope was a fraud

user: How was he a fraud?

assistant: William Hope has been found guilty of deliberately substituting his own plates for those of a sitter ...

user: Why did William do this?

assistant: CANNOTANSWER
Wondering how the amount of your federal student aid is determined? 
The colleges or career schools you list on your Free Application for Federal Student Aid FAFSA form will use several pieces of information to calculate your aid. So, you ve filed your FAFSAform, and you ve checked your Student Aid Report to be sure all your information is correct , and now you re wondering how that data is used to come up with the list of financial aid for which you re eligible. 

If I meet the basic eligibility criteria for federal student aid, who decides how much money I ll get? 
Here s the short answer : Your eligibility depends on your Expected Family Contribution, your year in school, your enrollment status, and the cost of attendance at the school you will be attending. The financial aid office at your college or career school will determine how much financial aid you are eligible to receive. The financial aid staff starts by deciding upon your cost of attendance COA at that school. They then consider your Expected Family Contribution EFC. They subtract your EFC from your COA to determine the amount of your financial need and therefore how much need - based aid you can get. To determine how much non - need - based aid you can get , the school takes your cost of attendance and subtracts any financial aid you ve already been awarded. If you d like the long answer , keep reading! 

What does cost of attendance (COA) mean? 
Your COA is the amount it will cost you to go to school. Most two - year and four - year colleges will calculate your COA to show your total cost for the school year for instance, for the fall semester plus the spring semester. Schools with programs that last a different period of time for instance, an 18-month certificate program might give you a COA that covers a time period other than a year. If you're attending at least half - time , your COA is the estimate of tuition and fees; the cost of room and board or living expenses for students who do not contr

user: I wanted to know how you decide how much financial aid I get

assistant: The colleges or career schools you list on your Free Application for Federal Student Aid form will use several pieces of information to calculate your aid
Título: Muddy Waters
Seção: Early career, 1941-1948
Background: Muddy Waters' birthplace and date are not conclusively known. He stated that he was born in Rolling Fork, Mississippi, in 1915, but it is believed to be more likely that he was born in Jug's Corner, in neighboring Issaquena County, in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s, before his rise to fame, the year of his birth was reported as 1913 on his marriage license, recording notes, and musicians' union card. A 1955 interview in the Chicago Defender is the earliest in which he stated 1915 as the year of his birth, and he continued to say this in interviews from that point onward.

Conteúdo: In August 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled for Rolling Stone magazine, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'" Lomax came back in July 1942 to record him again. Both sessions were eventually released by Testament Records as Down on Stovall's Plantation. The complete recordings were reissued by Chess Records on CD as Muddy Waters: The Complete Plantation Recordings. The Historic 1941-42 Library of Congress Field Recordings in 1993 and remastered in 1997.  In 1943, Muddy Waters headed to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, then one of the leading bluesmen in Chicago, had Muddy Waters open his shows in the rowdy clubs where Broonzy played. This gave Muddy Waters the opportunity to play in front of a large audience. In 1944, he bought his first electric guitar and then formed his first ele

user: Where did Muddy Waters attend school?

assistant: CANNOTANSWER

user: Where did he start his career?

assistant: In 1943, Muddy Waters headed to Chicago with the hope of becoming a full-time professional musician.

user: Is there anything important in the article from this time period?

assistant: He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night.
Título: T-Pain
Seção: 2007-2008: Epiphany
Background: Najm was born and raised in Tallahassee, Florida. His stage name is short for "Tallahassee Pain", and was chosen because of the hardships he experienced while living there. Najm was brought up in a Muslim household, but he has expressed his lack of interest in the concept of religion. At just three years old he got his first taste of the music business when a friend of the family, gospel jazz artist/producer Ben Tankard, allowed him to spend time and "twist the knobs" at his recording studio.

Conteúdo: In mid-2006, T-Pain began work on his second album, now with the Zomba Label Group as well as Konvict Muzik and Jive Records. The album, titled Epiphany, was released on June 5, 2007. The album sold 171,000 records in its first week, reaching number one on the Billboard 200. The record has since sold 819,000 records in the United States.  The album was preceded by the lead single "Buy U a Drank (Shawty Snappin')" featuring Yung Joc in February 2007. The single reached number one on both the Hot 100 and Hot R&B/Hip-Hop Songs chart, becoming his first single to top charts. The album's second single, "Bartender", featuring Akon was released in June 2007 and reached number five on the Hot 100 and number nine on the Hot R&B/Hip-Hop Songs chart. The third and final single from the album, "Church", was released in October 2007 but failed to chart in the United States.  Speaking in May 2007 to noted UK R&B writer Pete Lewis, of the award-winning Blues & Soul about his reason for naming his second album 'Epiphany', T-Pain stated: "One of the two dictionary meanings of epiphany is 'a sudden moment of insight or revelation'. And to me the title 'Epiphany' signifies the moment I realized that, to make the best music I can, I needed to just go in the studio and be myself, and not concentrate so hard on following other people's formulas."  While promoting his second album, T-Pain made guest appearances on multiple songs by other artists. T-Pain was featured on "I'm a Flirt" (remix) by R. K

user: When was Epiphany released?

assistant: The album, titled Epiphany, was released on June 5, 2007.

user: Was Epiphany successful?

assistant: The album sold 171,000 records in its first week, reaching number one on the Billboard 200.

user: Did it have any hit songs?

assistant: "Buy U a Drank (Shawty Snappin')"

user: Did he win any awards?

assistant: The single reached number one on both the Hot 100 and Hot R&B/Hip-Hop Songs chart,

user: Did he tour?

assistant: CANNOTANSWER

user: Did he have any other hit songs?

assistant: In two weeks in late 2007, T-Pain was featured on four top ten singles on the Billboard Hot 100 chart

user: Is there anything else interesting?

assistant: Good Life" with Kanye West later won the BET Award for Best Collaboration

user: What year did he win the award?

assistant: 2007,

user: Did he work with any other artists?

assistant: "I'm a Flirt" (remix) by R. Kelly with T.I.,