dgand84/projgand huggingface dataset:
Título: Foals (band)
Seção: Total Life Forever: 2009-2010
Background: Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.

Conteúdo: In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever.  On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010.  "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released 

user: Is Total Life Forever an album?

assistant: the album

user: When was the album released?

assistant: August 2009,

user: Was it well received?

assistant: The album was nominated for the 2010 Mercury Prize.

user: Did the album win the prize or any other awards?

assistant: CANNOTANSWER

user: Did they tour promoting it?

assistant: Jimmy Smith said how the band members live together on and off the road

user: Did they make any radio or televised appearances?

assistant:   "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts.
Título: Béla Fleck and the Flecktones
Seção: Return to quartet
Background: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.

Conteúdo: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish.  In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year.  Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, succ

user: When did the quartet return?

assistant: In April 1997,

user: Who is part of this quartet?

assistant: the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix.

user: Who else was part of the group at the time?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar
Título: Chris Barber
Seção: Music career (1950s and 1960s)
Background: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.

Conteúdo: Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band".  In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).  In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popula

user: What is the name of one of Chris Barber songs?

assistant: Petite Fleur

user: Who did Chris Barber colaborated with?

assistant: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone.

user: Did he toured with any of them?

assistant: After 1959 he toured the United States many times (where "Petite Fleur" charted at #5).

user: Did he had a tour before that one?

assistant: In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists
Título: Suzanne Lenglen
Seção: Legacy
Background: A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

Conteúdo: Prior to Lenglen, female tennis matches drew little fan interest, which quickly changed as she became her sport's greatest drawing card. Tennis devotees and new fans to the game began lining up in droves to buy tickets to her matches. Temperamental, flamboyant, she was a passionate player whose intensity on court could lead to an unabashed display of tears. But for all her flamboyance, she was a gifted and brilliant player who used extremely agile footwork, speed and a deadly accurate shot to dominate female tennis for seven straight years. Her excellent play and introduction of glamour to the tennis court increased the interest in women's tennis, and women's sports in general.  In 1997 the second court at the Roland Garros Stadium, site of the French Open, was renamed Court Suzanne Lenglen in her honour. In addition, the trophy awarded to the winner of the Women's Singles competition at the French Open is the Coupe Suzanne Lenglen. In 2001 the French Tennis Federation organised the first Suzanne Lenglen Cup for women in the over-35 age class. First played in France, the annual event is now held in a different country each year.  Lenglen, who was elected to the International Tennis Hall of Fame in 1978, continues to be held by many as one of the best players in tennis history. For example, the All England Lawn Tennis and Croquet Club, organiser of the Wimbledon Championships, ranks her among the five greatest Wimbledon champions.  On 24 May 2016, Google had a doodle in celebr

user: What was her legacy?

assistant: Lenglen, who was elected to the International Tennis Hall of Fame in 1978,

user: did she have any other awards?

assistant: 1997 the second court at the Roland Garros Stadium, site of the French Open, was renamed Court Suzanne Lenglen in her honour.

user: did she set any records?

assistant: the All England Lawn Tennis and Croquet Club, organiser of the Wimbledon Championships, ranks her among the five greatest Wimbledon champions.

user: did she receive any honors?

assistant: the trophy awarded to the winner of the Women's Singles competition at the French Open is the Coupe Suzanne Lenglen.
Título: William Goebel
Seção: Political career
Background: Wilhelm Justus Goebel was born January 4, 1856, in Albany Township, Bradford County, Pennsylvania, the son of Wilhelm and Augusta (Groenkle) Goebel, immigrants from Hanover, Germany. The first of four children, he was born two months premature and weighed less than three pounds. His father served as a private in Company B, 82nd Pennsylvania Infantry Regiment during the American Civil War, and Goebel's mother raised her children alone, teaching them much about their German heritage. Wilhelm spoke only German until the age of six, but embraced the culture of his birth country as well, adopting the English spelling of his name.

Conteúdo: In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes.  With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won ano

user: Did he run for office for any other elections?

assistant: vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor.

user: Did he have any accomplishments after running for lieutenant?

assistant: Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate.
Título: George M. Cohan
Seção: Early life and education
Background: George Michael Cohan (July 3, 1878 - November 5, 1942), known professionally as George M. Cohan, was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer. Cohan began his career as a child, performing with his parents and sister in a vaudeville act known as "The Four Cohans." Beginning with Little Johnny Jones in 1904, he wrote, composed, produced, and appeared in more than three dozen Broadway musicals. Cohan published more than 300 songs during his lifetime, including the standards "Over There", "Give My Regards to Broadway", "The Yankee Doodle Boy" and "You're a Grand Old Flag".

Conteúdo: Cohan was born in 1878 in Providence, Rhode Island, to Irish Catholic parents. A baptismal certificate from St. Joseph's Roman Catholic Church (which gave the wrong first name for his mother) indicated that he was born on July 3, but Cohan and his family always insisted that George had been "born on the Fourth of July!" George's parents were traveling vaudeville performers, and he joined them on stage while still an infant, first as a prop, learning to dance and sing soon after he could walk and talk.  Cohan started as a child performer at age 8, first on the violin and then as a dancer. He was the fourth member of the family vaudeville act called The Four Cohans, which included his father Jeremiah "Jere" (Keohane) Cohan (1848-1917), mother Helen "Nellie" Costigan Cohan (1854-1928) and sister Josephine "Josie" Cohan Niblo (1876-1916). In 1890, he toured as the star of a show called Peck's Bad Boy and then joined the family act; The Four Cohans mostly toured together from 1890 to 1901. He and his sister made their Broadway debut in 1893 in a sketch called The Lively Bootblack. Temperamental in his early years, Cohan later learned to control his frustrations. During these years, Cohan originated his famous curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you."  As a child, Cohan and his family toured most of the year and spent summer vacations from the vaudeville circuit at his grandmother's home in North Brookfield, Massachusetts, 

user: What happened in George M. Cohan's early life?

assistant: Cohan was born in 1878 in Providence, Rhode Island, to Irish Catholic parents.

user: Where did he attend high school?

assistant: CANNOTANSWER

user: Did he attend college?

assistant: CANNOTANSWER

user: What are some important things to know about his education?

assistant: Cohan started as a child performer at age 8, first on the violin and then as a dancer.
Título: Robbie Robertson
Seção: With Levon and The Hawks
Background: Robertson was born Jaime Royal Robertson on July 5, 1943. He was an only child. His mother was Rose Marie Chrysler, a Cayuga and Mohawk woman who was raised on the Six Nations Reserve southwest of Toronto, Ontario. Chrysler lived with an aunt in the Cabbagetown neighborhood, and worked at a jewelry plating factory.

Conteúdo: The Hawks left Ronnie Hawkins at the beginning of 1964 to go on their own. The members of The Hawks were losing interest in playing in the rockabilly style in favor of playing blues and soul music. In early 1964, the group approached agent Harold Kudlets about representing them, which he agreed to do, booking them a years' worth of shows in the same circuits as they had been in before with Ronnie Hawkins. Originally dubbed The Levon Helm Sextet, the group included all of the future members of The Band, plus Jerry Penfound on saxophone and Bob Bruno on vocals.  Bruno left in May 1964, and at that time the group changed their name to Levon and the Hawks. Penfound stayed with the group until 1965. Kudlets kept the group busy performing throughout 1964 and into 1965, finally booking them into two lengthy summer engagements at the popular nightclub Tony Mart's in Somers Point, New Jersey, where they played six nights a week alongside Conway Twitty and other acts.  The members of Levon and the Hawks befriended blues artist John P. Hammond while he was performing in Toronto in 1964. Later in the year, the group agreed to work on Hammond's album So Many Roads (released in 1965) at the same time that they were playing The Peppermint Lounge in New York City. Robertson played guitar throughout the album, and was billed "Jaime R. Robertson" in the album's credits.  Levon and the Hawks cut a single "Uh Uh Uh" b/w "Leave Me Alone" under the name The Canadian Squires in March 1965. Both son

user: What can you tell me about Levon and the Hawks?

assistant: Bruno left in May 1964, and at that time the group changed their name to Levon and the Hawks.
Título: Sami people
Seção: Post-1800s
Background: The Sami people (also known as the Sami or the Saami) are a Finno-Ugric people inhabiting Sapmi, which today encompasses large parts of Norway and Sweden, northern parts of Finland, and the Murmansk Oblast of Russia. The Sami have historically been known in English as the Lapps or the Laplanders, but these terms can be perceived as derogatory. Sami ancestral lands are not well-defined. Their traditional languages are the Sami languages and are classified as a branch of the Uralic language family.

Conteúdo: For long periods of time, the Sami lifestyle thrived because of its adaptation to the Arctic environment. Indeed, throughout the 18th century, as Norwegians of Northern Norway suffered from low fish prices and consequent depopulation, the Sami cultural element was strengthened, since the Sami were mostly independent of supplies from Southern Norway.  However, during the 19th century, Norwegian authorities pressured the Sami to make Norwegian language and culture universal. Strong economic development of the north also ensued, giving Norwegian culture and language higher status. On the Swedish and Finnish sides, the authorities were less militant, although the Sami language was forbidden in schools and strong economic development in the north led to weakened cultural and economic status for the Sami. From 1913 to 1920, the Swedish race-segregation political movement created a race-based biological institute that collected research material from living people and graves, and sterilized Sami women. Throughout history, Swedish settlers were encouraged to move to the northern regions through incentives such as land and water rights, tax allowances, and military exemptions.  The strongest pressure took place from around 1900 to 1940, when Norway invested considerable money and effort to wipe out Sami culture. Anyone who wanted to buy or lease state lands for agriculture in Finnmark had to prove knowledge of the Norwegian language and had to register with a Norwegian name. This caus

user: What can you tell me about the Sami people Post-1800s?

assistant: For long periods of time, the Sami lifestyle thrived because of its adaptation to the Arctic environment.

user: Did they stop thriving eventually?

assistant: However, during the 19th century, Norwegian authorities pressured the Sami to make Norwegian language and culture universal. Strong economic development of the north also ensued,
Log On to DIAL - IN [1 ] 

What is a DIAL-IN search account and who can get one? 
If you regularly need to search DMV records for driver license, registration, vehicle title or insurance information , then DIAL - IN is the service you need. Our typical clients include attorneys, insurance and private investigators, process servers and building / site security personnel. See Drivers Privacy Protection Act DPPA [2] for more information about permissible uses of DMV records. 

How do I apply for an account? 
You should complete form Motor Vehicle Record Search Account Application PDF [3] MV-15D. The instructions are on the form. Send the form to : Data Services - New Search AccountNYS Department of Motor Vehicles6 Empire State PlazaAlbany, NY 12228 

How will I know my application has been accepted? 
We will review your application. If you application is not complete , we will return your application with an explanation that will give you more instructions. If your application is complete , we will create an account for you. We will send you your account number and password. Your seven - digit account number will never change. You will enter this account number when you log in to the DIAL - IN system. 

Are there fees for using a DIAL-IN search account? 
According to the NYS Vehicle and Traffic Law , we must charge a fee to search DMV records. Private persons, commercial organizations, and not - for - profit organizations must pay a search fee. There is a fee of $7.00 for each search that you make with the DIAL - IN service. There are some organizations that are exempt from search fees. Any public organization, its officers, a volunteer fire company, a volunteer ambulance service, or a legal aid bureau or society or other private entity acting pursuant to section 722 of the New York State County Law, that makes a search for a public purpose, is exempt from the search fee. 

How do I pay DIAL-IN Search Account fees? 
Paying customers must include a deposit with the appl

user: Can you tell me how I will know if my application has been accepted?

assistant: Sure, we will have to review your application first.

assistant: We will let you know if it is not complete.

user: I believe it has all been filled out.

assistant: We will send your application back with what is wrong and give more instructions on what to do if something else is needed.

user: How do I pay for the DIAL-IN Search account fees?

assistant: You will pay those fees once we accept your application.

user: How do I know if there are fees for using a DIAL-IN search account?

assistant: Some organizations are exempt from search fees.  Any public organization , its officers , a volunteer fire company , a volunteer ambulance service , or a legal aid bureau or society or other private entity acting pursuant to section 722 of the New York State County Law , that makes a search for a public purpose, is exempt from the search fees.

user: How do I know if it's a public organization?

assistant: For more information, please visit our Escrow Accounts page.

user: How do I apply?

assistant: Go to Data Services - New Search Account  NYS Dept of Motor Vehicles.
Título: Once (film)
Seção: Critical response
Background: Once is a 2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Marketa Irglova as two struggling musicians in Dublin, Ireland. Hansard and Irglova had previously performed music as the Swell Season, and composed and performed the film's original songs. Once spent years in development with the Irish Film Board and was made for a budget of EUR112,000.

Conteúdo: Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident".  In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" b

user: How was the film received

assistant: met with extremely positive reviews from critics.

user: Was it popular

assistant: The film appeared on many North American critics' top ten lists of the best films of 2007:

user: Did it do well at the box office

assistant: CANNOTANSWER

user: Did it win awards

assistant: In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".
Título: Pancho Villa
Seção: Victory at Zacatecas, 1914
Background: Villa told a number of conflicting stories about his early life, and his "early life remains shrouded in mystery." According to most sources, he was born on 5 June 1878, and named Jose Doroteo Arango Arambula at birth. His father was a sharecropper named Agustin Arango, and his mother was Micaela Arambula. He grew up at the Rancho de la Coyotada, one of the largest haciendas in the state of Durango.

Conteúdo: After Villa successfully captured the strategic prize of Torreon, Carranza ordered Villa to break off action south of Torreon and instead to divert to attack Saltillo. He threatened to cut off Villa's coal supply, immobilizing his supply trains, if he did not comply. This was widely seen as an attempt by Carranza to divert Villa from a direct assault on Mexico City in order to allow Carranza's forces under Alvaro Obregon, driving in from the west via Guadalajara, to take the capital first. This was an expensive and disruptive diversion for the Division del Norte. Villa's enlisted men were not unpaid volunteers but paid soldiers, earning the then enormous sum of one peso per day. Each day of delay cost thousands of pesos.  Disgusted but having no practical alternative, Villa complied with Carranza's order and captured the less important city of Saltillo, and then offered his resignation. Felipe Angeles and the rest of Villa's staff officers argued for Villa to withdraw his resignation, defy Carranza's orders, and proceed to attack Zacatecas, a strategic railroad station heavily defended by Federal troops and considered nearly impregnable. Since the colonial era, Zacatecas was the source of much of Mexico's silver, and thus a supply of funds for whoever held it. Villa accepted his staff's advice and cancelled his resignation, and the Division del Norte defied Carranza and attacked Zacatecas. Attacking up steep slopes, the Division del Norte defeated the Federals in the Toma de 

user: What happened at the battle of Zacatecas?

assistant: Villa's victory at Zacatecas in June 1914 broke the back of the Huerta regime. Huerta left the country on 14 July 1914.

user: How did it break their back?

assistant: The Federal Army collapsed, ceasing to exist as an institution. In August 1914,

user: Were there many casuealties?

assistant: with Federal casualties numbering approximately 7,000 dead and 5,000 wounded,
Título: Horace Plunkett
Seção: Pioneering co-operation
Background: Sir Horace Curzon Plunkett  (24 October 1854 - 26 March 1932), was an Anglo-Irish agricultural reformer, pioneer of agricultural cooperatives, Unionist MP, supporter of Home Rule, Irish Senator and author. Plunkett, a younger son of the Baron of Dunsany, was a member of the Congested Districts Board for Ireland for over 27 years, founder of the Recess Committee and the Irish Agricultural Organisation Society (IAOS), Vice-President (operational head) of the Department of Agriculture and Technical Instruction (DATI) for Ireland (predecessor to the Department of Agriculture) from October 1899 to May 1907, MP for South Dublin in the House of Commons of the United Kingdom from 1892 to 1900, and Chairman of the Irish Convention of 1917-18. An adherent of Home Rule, in 1919 he founded the Irish Dominion League, still aiming to keep Ireland united, and in 1922 he became a member of the first formation of Seanad Eireann, the upper chamber in the Parliament of the new Irish Free State.

Conteúdo: At first, Plunkett resolved to hold himself aloof from party politics, and he set himself to bring together people of all political views for the promotion of the material prosperity of the Irish people. In 1891 he was appointed to the newly established Congested Districts Board and learned at first hand about the wretched conditions of the rural population, especially west of the River Shannon. The experience hardened his conviction that the one remedy for social and economic ills was cooperative self-help.  Around him he saw a troubled economy, racked with dissension, denuded by emigration, impoverished in its countryside and economically stagnant in its towns.  He took a leading part in developing agricultural co-operation, of which he had learned from isolated American farmers, taking account of Scandinavian models of co-operation and the invention of the steam-powered cream separator. Working with a few colleagues, including two members of the clergy, and advocating self-reliance, he set his ideas into practice first among dairy farmers in the south of Ireland, who established Ireland's first cooperative at Doneraile, County Cork. He also opened the first creamery in Dromcollogher, County Limerick.  In the setting up of creameries the cooperative movement experienced its greatest success. Plunkett got farmers to join together to establish units to process and market their own butter, milk and cheese to standards suitable for the profitable British market, rather than pro

user: What is the pioneering co-op

assistant: He took a leading part in developing agricultural co-operation,

user: what did he do

assistant: which he had learned from isolated American farmers, taking account of Scandinavian models of co-operation and the invention of the steam-powered cream separator.

user: What were the scandinavian models

assistant: CANNOTANSWER

user: how did he use all that information

assistant: This enabled farmers to deal directly with companies established by themselves, which guaranteed fair prices without middlemen absorbing the profits.
Título: The Shadow
Seção: The Shadow (1994)
Background: The Shadow is the name of a collection of serialized dramas, originally in 1930s pulp novels, and then in a wide variety of media, and it is also used to refer to the character featured in The Shadow media. One of the most famous adventure heroes of the 20th century United States, the Shadow has been featured on the radio, in a long-running pulp magazine series, in American comic books, comic strips, television, serials, video games, and at least five films. The radio drama included episodes voiced by Orson Welles. Originally simply a mysterious radio narrator who hosted a program designed to promote magazine sales for Street and Smith Publications, The Shadow was developed into a distinctive literary character, later to become a pop culture icon, by writer Walter B. Gibson in 1931.

Conteúdo: In 1994 the character was adapted once again into a feature film, The Shadow, starring Alec Baldwin as Lamont Cranston and Penelope Ann Miller as Margo Lane. As the film opens, Cranston has become the evil and corrupt Yin-Ko (literally "Dark Eagle"), a brutal warlord and opium smuggler in early 1930s Mongolia. Yin-Ko is kidnapped by agents of the mysterious Tulku, who begins to reform the warlord using the psychic power of his evolved mind to restore Cranston's humanity. The Tulku also teaches him the ability to "cloud men's minds" using psychic power in order to fight evil in the world. Cranston eventually returns to his native New York City and takes up the guise of the mysterious crime fighter "The Shadow", in payment to humanity for his past evil misdeeds: "Who knows what evil lurks in the hearts of men? The Shadow knows..."  His nemesis in the film is adapted from the pulp series' long-running Asian villain (and for the film, a fellow telepath), the evil Shiwan Khan (John Lone), a descendant of Genghis Khan. He seeks to finish his ancestor's legacy of conquering the world by first destroying New York City, using a newly developed atomic bomb, in a show of his power. Khan nearly succeeds in this, but he is thwarted by The Shadow in a final psychic duel of death: Cranston, as The Shadow, imposes his will on, and defeats, Khan during a psychokinetically enhanced battle in a mirrored room, which has exploded into thousands of flying mirror shards. Focusing his mind's psychok

user: What was the shadow

assistant: The Shadow pulp novels and comic books with the aforementioned ability to cloud minds described only on the radio show.

user: What other abilities?

assistant: The Shadow, imposes his will on, and defeats, Khan during a psychokinetically enhanced battle in a mirrored room,

user: '''who was khan

assistant: ), the evil Shiwan Khan (John Lone), a descendant of Genghis Khan.
Título: George Armstrong Custer
Seção: The Valley and Appomattox
Background: George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.

Conteúdo: In 1864, with the Cavalry Corps of the Army of the Potomac reorganized under the command of Major General Philip Sheridan, Custer (now commanding the 3rd Division) led his "Wolverines" to the Shenandoah Valley where by the year's end they defeated the army of Confederate Lieutenant General Jubal Early in the Valley Campaigns of 1864. During May and June, Sheridan and Custer (Captain, 5th Cavalry, May 8 and Brevet Lieutenant Colonel, May 11) took part in cavalry actions supporting the Overland Campaign, including the Battle of the Wilderness (after which Custer ascended to division command), and the Battle of Yellow Tavern (where J.E.B. Stuart was mortally wounded). In the largest all-cavalry engagement of the war, the Battle of Trevilian Station, in which Sheridan sought to destroy the Virginia Central Railroad and the Confederates' western resupply route, Custer captured Hampton's divisional train, but was then cut off and suffered heavy losses (including having his division's trains overrun and his personal baggage captured by the enemy) before being relieved. When Lieutenant General Early was then ordered to move down the Shenandoah Valley and threaten Washington, D.C., Custer's division was again dispatched under Sheridan. In the Valley Campaigns of 1864, they pursued the Confederates at the Third Battle of Winchester and effectively destroyed Early's army during Sheridan's counterattack at Cedar Creek.  Sheridan and Custer, having defeated Early, returned to the main Uni

user: What can you tell me about The Valley

assistant: Shenandoah Valley

user: What is the valley and appomattox

assistant: CANNOTANSWER
Título: Eunhyuk
Seção: 2010-2011: Musical theatre and album releases
Background: Eunhyuk was born Lee Hyuk-jae in Seoul, South Korea. He has an older sister Lee So-ra. Raised in a family that struggled financially, he was interested in street performing as a child. Inspired by the likes of H.O.T's Jang Woo-hyuk, Michael Jackson and singer-dancer Yoo Seung-jun, Eunhyuk trained himself at a young age.

Conteúdo: On 26 February 2010, Eunhyuk was diagnosed with H1N1 influenza, but was set to appear as a guest at label mate Girls' Generation's Into the New World encore concert in Seoul, hence had to pull out and was replaced by bandmates Leeteuk and Heechul. Super Junior released their 4th studio album, Bonamana, with similar success in Korea, sweeping awards in music programs after the release date. Their follow-up song, Boom Boom, was choreographed by Eunhyuk and performed on music programs Inkigayo and Music Core. On October 8, 2010, the digital single 'Angel' for HARU OST was released, with Eunhyuk featuring a rap verse.  In 2011, Eunhyuk, along with Sungmin was placed two new members of Super Junior-M. On 27 September 2011, he along with Yesung and Shindong filled in for bandmate Heechul, who enlisted for mandatory military service on 1 September, during the performance on Music Bank and Show! Music Core of Kim Jang-hoon latest single, "Breakups are So Like Me". Heechul is featured in the song and starred in the music video, which was completed the day before he enlisted. Mr. Simple, Super Junior's award-winning 5th studio album, was promoted heavily with Eunhyuk participating in much of the album's production through choreography, and rap lyrics for the track, Oops. The album sold over 500,000 units and won the Disk Daesang Award at the 26th Golden Disk Awards and 21st Seoul Music Awards, as well as Album of the year at the 13th Mnet Asian Music Awards. The album is listed as the 

user: Did Eunyuk ever poop on stage?

assistant: In 2011, Eunhyuk, along with Sungmin was placed two new members of Super Junior-M. On 27 September 2011,

user: Did he have any albums?

assistant: Super Junior released their 4th studio album, Bonamana,
Título: Jenny from the Block
Seção: Music video
Background: "Jenny from the Block" is a song recorded by American singer Jennifer Lopez, which features American rappers Jadakiss and Styles P; both members of The LOX. It was released by Epic Records on September 26, 2002, as the lead single from her third studio album This Is Me... Then (2002).

Conteúdo: The song's accompanying music video was directed by Francis Lawrence. Its theme revolves around the media invading Lopez's life, particularly her relationship with then-boyfriend, Ben Affleck. The video was filmed entirely in Los Angeles, CA from October 18-20, 2002. It premiered on MTV's TRL on November 5, 2002, and on BET's 106 & Park on December 9, 2002.  The video begins with surveillance camera footage of Lopez and Affleck in their apartment. Lopez is then shown dancing in the apartment to music on her Mp3 player, which is captured by the paparazzi. She is also seen performing the song (clothed in different outfits) amid bright lights on the streets of New York City with Jadakiss and Styles P. Separate scenes depict Lopez and Affleck on a yacht, sun baking, and swimming in the ocean. Footage of the couple having lunch at a restaurant and stopping at a gas station is also captured by the paparazzi. Lopez later visits a jewelry store, and sings "Loving You" in a recording studio. Finally, the couple are shown spending time together by a pool.  Speaking of the video, Melissa Ng of The Spectator wrote: "Before celebrities become stars, they dream about gaining fame, fortune, and being in the spotlight [sic] Jennifer Lopez released a video for her single, Jenny From the Block. The video is basically about how she cannot find privacy with her fiance Ben Affleck. A lot of glamour is associated with fame and fortune; however, along with that glamour comes the loss of privacy." S

user: When did they start making the music video

assistant: 2002.

user: Who produced it

assistant: video was directed by Francis Lawrence.
Título: Gigi (1958 film)
Seção: Filming
Background: Gigi [ZiZi] is a 1958 American musical-romance film directed by Vincente Minnelli processed using MGM's Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by Andre Previn. In 1991, Gigi was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Conteúdo: In late April, Freed and Minnelli and their respective entourages arrived in Paris. The weather had become unseasonably hot, and working in unair-conditioned hotel rooms was uncomfortable. Minnelli began scouting locations while Freed and Lerner discussed the still incomplete script. Lerner had taken liberties with Colette's novella; the character of Honore, nonexistent in the original book and very minor in the Loos play, was now a major figure. Gigi's mother, originally a significant character, was reduced to a few lines of dialogue delivered off-screen. Lerner also expanded the focus on Gigi's relationship with her grandmother.  By mid-July, the composers had completed most of the score, but still were missing the title tune. Loewe was at the piano while Lerner was indisposed in the bathroom, and when the former began playing a melody the latter liked, he later recalled he jumped up, "[his] trousers still clinging to [his] ankles, and made his way to the living room. 'Play that again,' he said. And that melody ended up being the title song for Gigi."  In September, the cast and crew flew to California, where several interior scenes were filmed, among them the entire scene in Maxim's, which included a musical number by Jourdan. Lerner was unhappy with the look of the scene as it had been shot by Minnelli, and at considerable expense, the restaurant was recreated on a soundstage and the scene was reshot by director Charles Walters, since Minnelli was overseas working on a ne

user: Where did they film?

assistant: Paris.

user: How was the weather during filming?

assistant: The weather had become unseasonably hot, and working in unair-conditioned hotel rooms was uncomfortable.

user: Where did they film?

assistant: California, where several interior scenes were filmed,

user: Did they like filming in California?

assistant: unhappy with the look of the scene as it had been shot by Minnelli, and at considerable expense,

user: When were they able to finish the score?

assistant: By mid-July, the composers had completed most of the score, but still were missing the title tune.

user: Is there any other interesting information?

assistant: The film title design uses the artwork of Sem's work from the Belle Epoque.

user: Is there any other interesting information?

assistant: the restaurant was recreated on a soundstage and the scene was reshot by director Charles Walters,

user: Why did Charles Walters do the reshoot?

assistant: Lerner was unhappy with the look of the scene as it had been shot by Minnelli, and at considerable expense,
Título: Neal McCoy
Seção: 1990-2000: Atlantic Records
Background: Hubert Neal McGaughey Jr. was born on July 30, 1958, in Jacksonville, Texas, to a Filipina American mother and Irish-American father. Inspired by the variety of music that his parents listened to, which included country, rock, disco and R&B, McGaughey first sang in his church choir before founding an R&B band. He later switched his focus to country music, performing in various bars and clubs in Texas. McGaughey, after attending junior college near his hometown, found work selling shoes at a shopping mall.

Conteúdo: He then signed to Atlantic Records in 1990, changing his surname to McCoy per the label's request, as fans had already begun to refer to him as McCoy. His debut album, At This Moment, was released that year. None of the three singles made the country Top 40, although the lead-off single "If I Built You a Fire" was a Top 20 country hit in Canada. The other two releases were the title track, a cover of Billy Vera and the Beaters' hit song from 1987, and "This Time I've Hurt Her More Than She Loves Me", which was co-written by Earl Thomas Conley and originally recorded by Conway Twitty. McCoy continued touring and developed a "reputation for exciting, freewheeling live shows."  A second album for Atlantic, Where Forever Begins, followed in 1992. This album produced his first American Top 40 country hit in its No. 40-peaking title track, followed by "There Ain't Nothin' I Don't Like About You" at No. 57, and "Now I Pray for Rain" at No. 26. The album was also his first entry on Top Country Albums, at No. 58.  Working with producer Barry Beckett for the first time, McCoy released No Doubt About It in 1994. The album produced his only number 1 country hits in its title track and "Wink", both of which also made minor entries on the Billboard Hot 100. The album also earned a platinum certification from the Recording Industry Association of America (RIAA) and gold certification from the Canadian Recording Industry Association (CRIA). Its final single was "The City Put the Country Back

user: what happened in 1990?

assistant: He then signed to Atlantic Records in 1990, changing his surname to McCoy

user: what was his name previously?

assistant: CANNOTANSWER
Título: Depeche Mode
Seção: Music for the Masses and 101 (1987-1988)
Background: Depeche Mode are an English electronic band formed in Basildon, Essex in 1980. The group consists of founders Dave Gahan (lead vocals, co-songwriting), Martin Gore (keyboards, guitar, chief songwriting), and Andy Fletcher (keyboards). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke, left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year.

Conteúdo: 1987's Music for the Masses saw further alterations in the band's sound and working methods. For the first time a producer not related to Mute Records, Dave Bascombe, was called to assist with the recording sessions, although, according to Alan Wilder, Bascombe's role ended up being more that of engineer. In making the album, the band largely eschewed sampling in favour of synthesizer experimentation. While chart performance of the singles "Strangelove", "Never Let Me Down Again" and "Behind the Wheel" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. Record Mirror described Music for the Masses as "the most accomplished and sexy Mode album to date". The album also made a breakthrough in the American market.  The Music for the Masses Tour began 22 October 1987. On 7 March 1988, with no previous announcement that they would be the headlining act, Depeche Mode played in the Werner-Seelenbinder-Halle, East Berlin, becoming one of the few Western groups to perform in the Communist East Germany. They also performed concerts in Budapest and Prague in 1988, both at the time also Communist.  The world tour ended 18 June 1988 with a concert at the Pasadena Rose Bowl with paid attendance of 60,453, the highest in eight years for the venue. The tour was a breakthrough for the band and a massive success in the United States. It was documented in 101 - a concert film

user: what happened in 1987?

assistant: 1987's Music for the Masses saw further alterations in the band's sound and working methods.