dgand84/projgand huggingface dataset:
Título: Innervisions
Seção: Commercial performance
Background: Innervisions is the 16th studio album by American musician Stevie Wonder, released August 3, 1973, on the Tamla label for Motown Records, a landmark recording of his "classic period". The nine tracks of Innervisions encompass a wide range of themes and issues: from drug abuse in "Too High", through inequality and systemic racism in "Living for the City", to love in the ballads "All in Love Is Fair" and "Golden Lady". The album's closer, "He's Misstra Know-It-All", is a scathing attack on then-US President Richard Nixon, similar to Wonder's song a year later, "You Haven't Done Nothin'".

Conteúdo: After Talking Book hit the top 5 of the Billboard albums chart in early 1973 and achieved steady sales during the rest of the year, Innervisions became another considerable hit in the charts. The album debuted on the Billboard albums chart on August 18, 1973 at number 85, then climbed up weekly to number 22, number 14, number nine, number six until reaching its peak position of number four on September 15. The album remained inside the top 20 until the end of the year and remained inside the top 200 during the whole calendar year of 1975. It was also Wonder's second consecutive soul album to top the Black Albums chart where it remained for two weeks. (In the Cashbox chart, Innervisions reached number one near the end of the year.) In the UK the album also achieved success, and became Stevie Wonder's first album ever to reach the UK top 10, peaking at number eight.  Three hit singles were issued from the album. "Higher Ground", released some weeks before Innervisions, reached number four on the singles chart in late October 1973 (it was also a number one on the Cashbox singles chart). "Living for the City" was released immediately and reached number eight in early January 1974. Both singles reached number one on the R&B chart. Finally, "Don't You Worry 'bout a Thing" was released in March, reaching number 16 in early June, and also peaked at number two on the R&B charts. In the UK, "Higher Ground" and "Living for the City" were released as singles but achieved modest success, 

user: What happened on his commercial performance?

assistant: The album debuted on the Billboard albums chart on August 18, 1973 at number 85, then climbed up weekly to number 22,

user: What was his his single?

assistant: Three hit singles were issued from the album. "Higher Ground",

user: What else included in the album?

assistant: ). "Living for the City" was released immediately and reached number eight in early January 1974.

user: Did it hit the top charts?

assistant: Both singles reached number one on the R&B chart.
Título: John Edward
Seção: Biography
Background: John Edward McGee Jr. (born October 19, 1969), known professionally as John Edward, is an American television personality, author and alleged psychic medium. Born in Glen Cove, New York, Edward says he was convinced at a young age that he could become a psychic. After writing his first book on the subject in 1998, Edward became a well-known and controversial figure in the United States through his shows broadcast on the Sci-Fi Channel beginning in July 2000 and We TV since May 2006. According to an opinion piece by Ed Stockley in the Los Angeles Times, Edward's alleged psychic abilities have never been verified using the scientific method.

Conteúdo: The only son of an Irish-American police officer and an Italian-American working mother, Edward was raised Roman Catholic. Although Edward later stopped practicing that faith, he has said he never stopped feeling connected to God and is still closely connected to his Catholic roots. Edward once said, "This is something that is driven by a belief in God. It's the energy from that force that I think allows us to create this energy."  According to Edward, when he was 15 and "a huge doubter" (in psychic abilities), he was "read" by a New Jersey woman who convinced him that he could become a medium.  "She told me things that there is no way she could have known. And the first part of the reading was that this was the path that I was supposed to be on and that I was supposed to be a teacher and help people and - I thought she was nuts." Speaking of the same encounter in a 2002 interview, Edward said, "She told me I would one day become internationally known for my psychic abilities through lectures, books, radio and TV. I thought she was full of it until she started to tell me things no one in my life knew about... The details were unbelievable."  Later, Edward worked as a phlebotomist while pursuing a degree in health care administration at Long Island University. He met his wife, Sandra McGee, when he was a student in a dance studio, and he became a ballroom dancing instructor before entering his current field of work. He and his wife had their first child, Justin, on September 2

user: Who was it written by?

assistant: CANNOTANSWER

user: Who was his parents

assistant: The only son of an Irish-American police officer and an Italian-American working mother,

user: Are there any other interesting aspects about this article?

assistant: According to Edward, when he was 15 and "a huge doubter" (in psychic abilities), he was "read" by a New Jersey woman who convinced him

user: Did he believe in physics?

assistant: he was 15 and "a huge doubter

user: was he religious?

assistant: Edward was raised Roman Catholic. Although Edward later stopped practicing that faith,

user: Why did he stop practicing?

assistant: Edward later stopped practicing that faith, he has said he never stopped feeling connected to God and is still closely connected to his Catholic roots.
Título: Gabriel Batistuta
Seção: International career
Background: Gabriel Omar Batistuta (Spanish pronunciation: [ga'brjel o'mar batis'tuta]; born 1 February 1969), nicknamed Batigol [bati'gol] as well as El Angel Gabriel [el ,aNGxel ga'brjel] (Spanish for Angel Gabriel), is a retired Argentine professional footballer. After beginning his career in Argentina in 1988, where he won titles playing for Newell's Old Boys, River Plate, and subsequently Boca Juniors, the prolific striker played most of his club football with Fiorentina in Italy; he is the twelfth-highest scorer of all-time in the Italian Serie A, with 184 goals in 318 matches. When his club Fiorentina was relegated to Serie B in 1993, Batistuta stayed with the club and helped it return to the top-flight league a year later.

Conteúdo: In 1991, Batistuta was selected to play for Argentina in the Copa America held in Chile, where he finished the tournament as top scorer with six goals as Argentina romped to victory. The following year, he won the FIFA Confederations Cup with Argentina, finishing as the tournament's top-scorer. In 1993, Batistuta played in his second Copa America, this time held in Ecuador, which Argentina won with Batistuta scoring both goals in a 2-1 win over Mexico in the final.  The 1994 World Cup, held in the United States, was a disappointment. After a promising start Argentina were beaten by Romania in the last 16. The morale of the team was seriously affected by Diego Maradona's doping suspension. Despite the disappointing Argentine exit, Batistuta scored four goals in as many games, including a hat-trick in their opening game against Greece.  During the qualification matches for the 1998 World Cup (with former River Plate manager Daniel Passarella) Batistuta was left out of the majority of the games after falling out with the coach over team rules. The two eventually put the dispute aside and Batistuta was recalled for the tournament. In the game against Jamaica, he recorded the second hat-trick of his World Cup career, becoming the fourth player to achieve this (the others were Sandor Kocsis, Just Fontaine, and Gerd Muller) and the first to score a hat-trick in two World Cups. Argentina were knocked out of the World Cup by the Netherlands courtesy of a last minute Dennis Bergkamp wi

user: What countries did he reside in?

assistant: In 1991, Batistuta was selected to play for Argentina in the Copa America held in Chile,
Título: Bill Tilden
Seção: Early and amateur tennis career
Background: William Tatem Tilden II (February 10, 1893 - June 5, 1953), nicknamed "Big Bill," was an American male tennis player. He is often considered one of the greatest tennis players of all time. Tilden was the World No. 1 player for six years from 1920 through 1925. He won 15 Major singles titles including ten Grand Slam events, one World Hard Court Championships and four Pro Slam tournaments.

Conteúdo: Tilden went to the prep school Germantown Academy where he wasn't known for his tennis nor was he eventually good enough to play on his college team. The shy, self-absorbed, sometimes arrogant young man dropped out of the University of Pennsylvania and in 1910 began to practice his game against a backboard, and he also became a dedicated student of the game. The following year he won his first tournaments; the junior singles and doubles title of Germantown. He later enrolled at the Peirce School of Business. In just three years, he worked his way up the ranks. His first national title was winning the mixed doubles championships with Mary Browne in 1913 and they successfully defended the title in 1914.  From 1914 to 1917, Tilden won the Philadelphia championship. Prior to 1920, he had won a number of Canadian doubles titles, but at the U.S. National Championships in 1918 and 1919 he lost the singles final to Robert Lindley Murray and "Little Bill" Johnston, respectively in straight sets. He won six consecutive U.S. singles championships from 1920-1925 and seven in total, making him the co-record holder with Richard Sears and Bill Larned. In the winter of 1919-20, he moved to Rhode Island where, on an indoor court, he devoted himself to remodeling his relatively ineffective backhand into a much more effective one. With this change, he became the world no. 1 tennis player and the first male American to win the Wimbledon singles championship. In the mid 1920s Tilden came into con

user: When did he start playing tennis?

assistant: in 1910 began to practice his game against a backboard,
Título: Anna Politkovskaya
Seção: Criticism of Vladimir Putin and FSB
Background: Anna Stepanovna Politkovskaya (Russian: Anna Stepanovna Politkovskaia, IPA: ['an:@ sjtjI'pan@vn@ p@ljIt'kofsk@j@]; Ukrainian: Ganna Stepanivna Politkovs'ka ['han:a ste'panjiuna poljit'kousjka]; nee Mazepa [ma'zepa]; 30 August 1958 - 7 October 2006) was a Russian journalist, writer, and human rights activist who reported on political events in Russia, in particular, the Second Chechen War (1999-2005).

Conteúdo: After Politkovskaya became widely known in the West, she was commissioned to write Putin's Russia (later subtitled Life in a Failing Democracy), a broader account of her views and experiences after former KGB lieutenant colonel Vladimir Putin became Boris Yeltsin's Prime Minister, and then succeeded him as President of Russia. This included Putin's pursuit of the Second Chechen War. In the book, she accused the Russian Federal Security Service (FSB) of stifling all civil liberties in order to establish a Soviet-style dictatorship, but admitted:  [It] is we who are responsible for Putin's policies ... [s]ociety has shown limitless apathy ... [a]s the Chekists have become entrenched in power, we have let them see our fear, and thereby have only intensified their urge to treat us like cattle. The KGB respects only the strong. The weak it devours. We of all people ought to know that.  She also wrote:  We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial--whatever our special services, Putin's guard dogs, see fit.  "People often tell me that I am a pessimist, that I don't believe in the strength of the Russian people, that I am obsessive in my opposition to Putin and see nothing beyond that", she open

user: what was one of the criticisms of putin?

assistant: stifling all civil liberties in order to establish a Soviet-style dictatorship,

user: any other citicisms of putin?

assistant: We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance.

user: what were some criticms of FSB?

assistant: stifling all civil liberties in order to establish a Soviet-style dictatorship,

user: were there any other criticisms?

assistant: the Chekists have become entrenched in power, we have let them see our fear, and thereby have only intensified their urge to treat us like cattle.

user: Are there any other interesting aspects about this article?

assistant: if you want to go on working as a journalist, it's total servility to Putin.

user: did she ever get in trouble?

assistant: CANNOTANSWER
Título: Madalyn Murray O'Hair
Seção: Activism
Background: Madalyn Murray O'Hair (nee Mays; April 13, 1919 - September 29, 1995), was an American activist, founder of American Atheists, and the organization's president from 1963 to 1986. She created the first issues of American Atheist Magazine. O'Hair is best known for the Murray v. Curlett lawsuit, which led to a landmark Supreme Court ruling ending official Bible-reading in American public schools in 1963. That case came just one year after the Supreme Court prohibited officially sponsored prayer in schools in Engel v. Vitale.

Conteúdo: Murray filed a lawsuit against the Baltimore City Public School System (Murray v. Curlett) in 1960 in which she asserted that it was unconstitutional for her son William to be required to participate in Bible readings at Baltimore public schools. In this litigation, she stated that her son's refusal to partake in the Bible readings had resulted in bullying being directed against him by classmates and that administrators condoned it.  After consolidation with Abington School District v. Schempp, the lawsuit reached the Supreme Court of the United States in 1963. The Court voted 8-1 in Schempp's favor, which effectively banned mandatory Bible verse recitation at public schools in the United States. Prayer in schools other than Bible-readings had already been ended in 1962 by the Court's ruling in Engel v. Vitale.  O'Hair filed a lawsuit with the National Aeronautics and Space Administration (NASA) in regard to the Apollo 8 Genesis reading. The case was rejected by the U.S. Supreme Court for lack of jurisdiction. The impact of the suit was limited: Although NASA asked Buzz Aldrin to refrain from quoting the Bible in the Apollo 11 mission, he was allowed to conduct the first Communion service in space.  O'Hair appeared on The Phil Donahue Show several times, including the first episode in 1967, following which Phil Donahue said O'Hair was unpleasant and had mocked him off camera for being a Catholic, although after O'Hair's death, Donahue described her message of atheism as "very

user: what causes what O'Hair active in?

assistant: she stated that her son's refusal to partake in the Bible readings had resulted in bullying being directed against him by classmates and that administrators condoned it.

user: what was the result?

assistant: The Court voted 8-1 in Schempp's favor, which effectively banned mandatory Bible verse recitation at public schools in the United States.
Título: Mark Cuban
Seção: SEC insider trading allegation
Background: Cuban was born in Pittsburgh, Pennsylvania. His father, Norton Cuban, was an automobile upholsterer, while Cuban has described his mother, Shirley, as someone with "a different job or different career goal every other week." He grew up in the suburb of Mount Lebanon, in a Jewish working-class family. His paternal grandfather changed the family name from "Chabenisky" to "Cuban" after his family emigrated from Russia through Ellis Island.

Conteúdo: On November 17, 2008, it was reported that the U.S. Securities and Exchange Commission (SEC) filed a civil suit against Cuban relating to alleged insider trading in the shares of Mamma.com, now known as Copernic. A stock dilution occurred shortly after a trade in June 2004, giving hints of inside knowledge at the time of the trade, and Cuban allegedly was saved from a loss of $750,000. The SEC claimed that Cuban ordered the sale of his holdings in Mamma.com after he had been confidentially approached by the company to participate in a transaction likely to dilute shares of current shareholders. Cuban disputed the charges, saying he had not agreed to keep the information secret. On his blog, Cuban contended the facts were false and that the investigation was "a product of gross abuse of prosecutorial discretion". DealBook, a section of The New York Times, reported through an anonymous source that Cuban believed the investigation was motivated by an SEC employee having taken offense to his interest in possibly distributing the film Loose Change.  In July 2009, the U.S. District Court dismissed the charges against Cuban, and the SEC appealed. In September 2010, an appeals court said that the district court had erred and that further proceedings would be necessary to address the merits of the suit.  A federal jury in Texas found in favor of Cuban on October 16, 2013. The nine-member jury issued the verdict after deliberating 3 hours and 35 minutes.  In March 2014, Cuban was on ai

user: What was the SEC insider trading allegations about?

assistant: (SEC) filed a civil suit against Cuban relating to alleged insider trading in the shares of Mamma.com, now known as Copernic.

user: What was Cuban's defense?

assistant: Cuban contended the facts were false and that the investigation was "a product of gross abuse of prosecutorial discretion".

user: When were these allegations brought up?

assistant: On November 17, 2008,

user: Did Cuban successfully defend himself against these allegations?

assistant: A federal jury in Texas found in favor of Cuban on October 16, 2013.

user: What did Cuban do after he was cleared of the allegations?

assistant: In March 2014, Cuban was on air at CNBC criticizing high-frequency trading (HFT).

user: Is there anything else interesting about these allegations against Cuban?

assistant: Cuban believed the investigation was motivated by an SEC employee having taken offense to his interest in possibly distributing the film Loose Change.
Título: Take That
Seção: 2006-2007: Beautiful World
Background: Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.

Conteúdo: On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records in a deal reportedly worth PS3 million. The band's comeback album, Beautiful World, entered the UK album chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history.  In the album Beautiful World all four members of the band had the opportunity to sing lead vocals. Unlike the band's earlier works, where the majority of their material was written by Gary Barlow who received a sole credit, all four band members are credited as co-writers, along with John Shanks, regardless of whether they contributed to the writing process or not. The comeback single, "Patience", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November "Patience" hit number 1 in the UK in its second week of chart entry making it the group's ninth No. 1 and stayed there for 4 weeks. Take That also accompanied eventual winner Leona Lewis in a live version of "A Million Love Songs" in the final of The X Factor on 16 December 2006.  The week after Take That's comeback album Beautiful World was released it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.  The video for the number 1 hit single "Shine",

user: What songs are on Beautiful World?

assistant: The comeback single, "Patience",

user: What other singles are on the album?

assistant: "Shine",

user: Are there any other notable singles?

assistant: "I'd Wait For Life",
Título: Charles Haley
Seção: San Francisco 49ers (first stint)
Background: Charles Lewis Haley (born January 6, 1964) is a former American football linebacker and defensive end who played in the National Football League (NFL) for the San Francisco 49ers (1986-1991, 1998-1999) and the Dallas Cowboys (1992-1996). A versatile defensive player, Haley began his career as a specialty outside linebacker, eventually progressing to pass-rusher and finally full-fledged defensive end. He is the first five-time Super Bowl champion, and is one of only two such players, the other being Tom Brady. He won two Super Bowls with the 49ers (XXIII, XXIV) and three with the Cowboys (XXVII, XXVIII, XXX); he was a starter in all five championship games.

Conteúdo: Haley was selected by the San Francisco 49ers in the fourth round (96th overall) of the 1986 NFL Draft, after dropping because he initially was timed at 4.8 seconds in the 40-yard dash, although he was later clocked by a 49ers scout at 4.55 seconds. He played outside linebacker in a 3-4 defense, finished second behind Leslie O'Neal for rookies with 12 sacks and was voted to the NFL All-Rookie team by Pro Football Weekly and the United Press International. The following year, he played again in a designated pass rusher role, coming into the game in likely passing situations, while making 25 tackles and 6.5 sacks.  In 1988, Haley was named the starter at left outside linebacker, registering 69 tackles, 11.5 sacks and would hold that spot through the 1991 season. The next year, he tallied 57 tackles and 10.5 sacks.  In 1990, Haley had 58 tackles, 9 passes defensed, was third in the league with 16 sacks, was voted the UPI NFC Defensive Player of the Year and was a consensus All-Pro.  In 1991, Haley's relationship with the organization began to deteriorate after safety Ronnie Lott was left unprotected--eligible to sign with any team under Plan B free agency. He still recorded 53 tackles, 6 passes defensed, 2 forced fumbles and 7 sacks, tying for the team lead with Larry Roberts. While with the 49ers from 1986 to 1991, he led the team in sacks every season, and played on the Super Bowl XXIII and Super Bowl XXIV championship teams.  On August 26, 1992, Haley's volatile temperament a

user: when did he join the 49ers

assistant: Haley was selected by the San Francisco 49ers in the fourth round (96th overall) of the 1986 NFL Draft,

user: what position did he play

assistant: He played outside linebacker

user: did he receive any awards

assistant: voted to the NFL All-Rookie team by Pro Football

user: did he get injured

assistant: CANNOTANSWER

user: did they make the playoffs

assistant: CANNOTANSWER

user: did he receive any other awards

assistant: UPI NFC Defensive Player of the Year

user: did he make any pro bowls

assistant: was a consensus All-Pro.
Título: Sydney Barnes
Seção: 1915 to 1934
Background: Sydney Francis Barnes (19 April 1873 - 26 December 1967) was an English professional cricketer who is generally regarded as one of the greatest ever bowlers. He was right-handed and bowled at a pace that varied from medium to fast-medium with the ability to make the ball both swing and break from off or leg. He is the quickest bowler to achieve 150 Test wickets in history. Barnes was unusual in that, despite a very long career as a top-class player, he spent little more than two seasons in first-class cricket, representing Warwickshire and Lancashire.

Conteúdo: Barnes was 41 when the First World War broke out and so too old for military service. From 1915 to 1923, he played exclusively for Saltaire in the Bradford League, taking 904 wickets at an average of 5.26. He took a hundred wickets in a season five times, a rare feat in the Bradford League's history. From 1924 to 1930, he played for Castleton Moor and Rochdale in the Central Lancashire League. He was with Rawtenstall in the Lancashire League from 1931 to 1933. Then, aged 61, he returned to the Bradford League to play for Keighley in 1934, which was his final season in league cricket.  Barnes declined the opportunity to join the tour to Australia in 1920-21, when he was 47 years old. He had wanted to bring his family with him, but it became clear that he would have to pay their traveling expenses. He was not selected by England nor did he seek selection by the Players after the First World War. He did not play first-class cricket again until 1927 when he was 54 years old. From then until 1930, he made nine appearances for Wales.  Barnes took 49 wickets for Wales in 1928, including seven for 51 and five for 67 in an eight wicket win over the touring West Indians. He also made two first-class appearances for the Minor Counties in 1929 and took eight for 41 in a drawn game against the South Africans at Stoke-on-Trent. Barnes' final first-class appearance was for Wales against Marylebone Cricket Club (MCC) at Lord's in 1930.  Barnes made 177 appearances for Staffordshire in the Mi

user: How old was Barnes when world war 1 broke out

assistant: Barnes was 41 when the First World War broke out

user: Did he fight

assistant: too old for military service.
Título: Ruth Etting
Seção: Biography
Background: Ruth Etting (November 23, 1897 - September 24, 1978) was an American singing star and actress of the 1920s and 1930s, who had over 60 hit recordings and worked in stage, radio, and film. Known as "America's sweetheart of song", her signature tunes were "Shine On, Harvest Moon", "Ten Cents a Dance" and "Love Me or Leave Me". Her other popular recordings included "Button Up Your Overcoat", "Mean to Me", "Exactly Like You" and "Shaking the Blues Away". As a young girl in Nebraska, Etting had wanted to be an artist; she drew and sketched everywhere she was able.

Conteúdo: Etting was born in David City, Nebraska in 1897 to Alfred, a banker, and Winifred (nee Kleinhan) Etting. Her mother died when she was five years old and she then went to live with her paternal grandparents, George and Hannah Etting. Her father remarried and moved away from David City and was no longer a part of his daughter's life. Etting's grandfather, George, owned the Etting Roller Mills; to the delight of his granddaughter, George Etting allowed traveling circuses and shows to use the lot behind the mills for performances.  Etting was interested in drawing at an early age; she drew and sketched anywhere she was able. Her grandparents were asked to buy the textbooks she had used at the end of a school term because Etting had filled them with her drawings. She left David City at the age of sixteen to attend art school in Chicago. Etting got a job designing costumes at the Marigold Gardens nightclub, which led to employment singing and dancing in the chorus there. She gave up art school soon after going to work at Marigold Gardens. Before turning exclusively to performing, Etting worked as a designer for the owner of a costume shop in Chicago's Loop; she was successful enough to earn a partnership in the shop through her work.  While she enjoyed singing at school and in church, Etting never took voice lessons. She said that she had patterned her song styling after Marion Harris, but created her own unique style by alternating tempos and by varying some notes and phrases. Des

user: When was Etting born?

assistant: in 1897

user: Where was she born?

assistant: David City, Nebraska

user: Who were her parents?

assistant: Alfred, a banker, and Winifred (nee Kleinhan) Etting.
Título: Stewie Griffin: The Untold Story
Seção: "Bango Was His Name, Oh!"
Background: Stewie Griffin: The Untold Story is a 2005 direct-to-DVD animated comedy film set in the Family Guy fictional universe. Released on September 27, 2005, the film's main plot point concerns Stewie Griffin trying to find who he thinks is his real father after seeing the man on TV. He travels to San Francisco, only to find that the man is him from the future.

Conteúdo: Peter buys a TiVo. While watching it, Stewie spots a man in San Francisco on the news that has the same face and hairstyle as him. Stewie then believes that he may be his true father. Learning that Quagmire is going on a cross-country tour in which he plans to have sex with a different woman in every state of America, Brian and Stewie hitch a ride in his RV. At a motel in New Jersey, Quagmire is handcuffed to a bed and mugged by the latest woman. Then Stewie and Brian drive off with his RV leaving Quagmire at the motel.  Meanwhile, Peter and Lois are trying to get intimate, but are constantly interrupted by Chris and Meg. To solve this problem, Peter and Lois decide to teach the children how to find dates. After several "lessons", Peter and Lois send them to the mall. However, Lois is concerned that people will think they're bad parents simply because they wanted their children out of the way.  Stewie crashes the RV in the desert after going insane from ingesting an entire bottle of "West Coast Turnarounds". After wandering through the desert, Stewie breaks down crying and nearly decides to give up until Brian encourages him to keep going. The two manage to get a rental car and arrive in San Francisco. Stewie mysteriously leaves Brian and confronts the man from TV on a cable car, and is shocked to discover that the man is actually himself from 30 years in the future. CANNOTANSWER

user: What does "Bango" refer to?

assistant: Quagmire is going on a cross-country tour in which he plans to have sex with a different woman in every state of America,

user: Does Peter do something interesting?

assistant: Peter buys a TiVo.

user: Why does Peter want a TiVo?

assistant: CANNOTANSWER

user: What does Peter do next?

assistant: While watching it, Stewie spots a man in San Francisco on the news that has the same face and hairstyle as him.

user: What is Stewie's response to this?

assistant: Stewie then believes that he may be his true father.

user: What does Stewie decide to to about this?

assistant: Brian and Stewie hitch a ride in his RV.

user: Does Brian have any interesting comments?

assistant: Stewie breaks down crying and nearly decides to give up until Brian encourages him to keep going.

user: What does Stewie do next?

assistant: The two manage to get a rental car and arrive in San Francisco.

user: Do they find the man who was on TV?

assistant: confronts the man from TV on a cable car, and is shocked to discover that the man is actually himself from 30 years in the future.
Título: Johnny Cash
Seção: Folsom and other prison concerts
Background: J. R. Cash was born on February 26, 1932 in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (nee Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart.

Conteúdo: Cash began performing concerts at prisons starting in the late 1950s. He played his first famous prison concert on January 1, 1958, at San Quentin State Prison. These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). Both live albums reached number 1 on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart. In 1969 Cash became an international hit when he eclipsed even the Beatles by selling 6.5 million albums. In comparison, the prison concerts were much more successful than his later live albums such as Strawberry Cake recorded in London and Live at Madison Square Garden, which peaked at #33 and #39 on the album charts respectively.  The Folsom Prison record was introduced by a rendition of his "Folsom Prison Blues," while the San Quentin record included the crossover hit single "A Boy Named Sue," a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained profanities which were edited out of the aired version. The modern CD versions are unedited thus making them longer than the original vinyl albums, though they retain the audience reaction overdubs of the originals.  Cash performed at the Osteraker Prison in Sweden in 1972. The live album Pa Osteraker ("At Osteraker") was released in 1973. "San Quentin" was recorded with Cash replacin

user: When did he start perfoming

assistant: starting in the late 1950s.

user: Where was this

assistant: Cash began performing concerts at prisons

user: Why at prisons

assistant: San Quentin State Prison.

user: What was his best performance

assistant: played his first famous prison concert on January 1, 1958, at San Quentin State Prison.

user: Why was this so great

assistant: These performances led to a pair of highly successful live albums,

user: What where the names of the two albums

assistant: Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

user: What did the records do

assistant: Both live albums reached number 1 on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart.
Título: Jerry Garcia
Seção: Childhood and early life
Background: Jerome John Garcia (August 1, 1942 - August 9, 1995) was an American singer-songwriter and guitarist, best known for his work as the lead guitarist and as a vocalist with the band Grateful Dead, which came to prominence during the counterculture era in the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965-1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).

Conteúdo: Jerry Garcia's ancestors on his father's side were from Galicia in northwest Spain. His mother's ancestors were Irish and Swedish. He was born in the Excelsior District of San Francisco, California, on August 1, 1942, to Jose Ramon "Joe" Garcia and Ruth Marie "Bobbie" (nee Clifford) Garcia, who was herself born in San Francisco. His parents named him after composer Jerome Kern. Jerome John was their second child, preceded by Clifford Ramon "Tiff", who was born in 1937. Shortly before Clifford's birth, their father and a partner leased a building in downtown San Francisco and turned it into a bar, partly in response to Jose being blackballed from a musicians' union for moonlighting.  Garcia was influenced by music at an early age, taking piano lessons for much of his childhood. His father was a retired professional musician and his mother enjoyed playing the piano. His father's extended family--who had emigrated from Spain in 1919--would often sing during reunions.  Garcia experienced several tragedies during his youth. At age four, while the family was vacationing in the Santa Cruz Mountains, two-thirds of Garcia's right middle finger was accidentally cut off. Garcia and his brother Tiff were chopping wood. Jerry steadied a piece of wood with his finger, but Tiff miscalculated and the axe severed most of Jerry's middle finger. After his mother wrapped his hand in a towel, Garcia's father drove him over 30 miles to the nearest hospital. A few weeks later, Garcia -- who had not

user: Where are his ancestors from

assistant: Jerry Garcia's ancestors on his father's side were from Galicia in northwest Spain.

user: Where else are his ancestors from

assistant: His mother's ancestors were Irish and Swedish.

user: What was his fathers name

assistant: Jose Ramon "Joe" Garcia

user: what was his mothers name

assistant: Ruth Marie "Bobbie" (nee Clifford) Garcia,
Título: Harry Hopkins
Seção: New Deal
Background: Hopkins was born at 512 Tenth Street in Sioux City, Iowa, the fourth child of four sons and one daughter of David Aldona and Anna (nee Pickett) Hopkins. His father, born in Bangor, Maine, ran a harness shop (after an erratic career as a salesman, prospector, storekeeper and bowling-alley operator), but his real passion was bowling, and he eventually returned to it as a business. Anna Hopkins, born in Hamilton, Ontario, had moved at an early age to Vermillion, South Dakota, where she married David. She was deeply religious and active in the affairs of the Methodist church.

Conteúdo: In March 1933, Roosevelt summoned Hopkins to Washington as federal relief administrator. Convinced that paid work was psychologically more valuable than cash handouts, Hopkins sought to continue and expand New York State's work-relief programs, the Temporary Emergency Relief Administration. He supervised the Federal Emergency Relief Administration (FERA), the Civil Works Administration (CWA), and the Works Progress Administration (WPA). Over 90% of the people employed by the Hopkins programs were unemployed or on relief. He feuded with Harold Ickes, who ran a rival program--the Public Works Administration--which also created jobs but did not require applicants to be unemployed or on relief.  FERA, the largest program from 1933 to 1935, involved giving money to localities to operate work relief projects to employ those on direct relief. CWA was similar but did not require workers to be on relief in order to receive a government sponsored job. In less than four months, the CWA hired four million people, and during its five months of operation, the CWA built and repaired 200 swimming pools, 3,700 playgrounds, 40,000 schools, 250,000 miles (400,000 km) of road, and 12 million feet of sewer pipe.  The WPA, which followed the CWA, employed 8.5 million people in its seven-year history, working on 1.4 million projects, including the building or repair of 103 golf courses, 1,000 airports, 2,500 hospitals, 2,500 sports stadiums, 3,900 schools, 8,192 parks, 12,800 playgrounds, 124,031 b

user: What was the New Deal?

assistant: Roosevelt summoned Hopkins to Washington as federal relief administrator.

user: Was the move successful?

assistant: Hopkins sought to continue and expand New York State's work-relief programs, the Temporary Emergency Relief Administration.

user: Are there any other interesting aspects about this article?

assistant: FERA, the largest program from 1933 to 1935, involved giving money to localities to operate work relief projects to employ those on direct relief.
Título: Burlesque
Seção: Literary origins and development
Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

Conteúdo: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burles

user: What was a famous example of Burlesque?

assistant: Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615.
Título: Tessa Jowell
Seção: Other controversies
Background: Tessa Jane Helen Palmer was born at Middlesex Hospital in Marylebone, London, to Dr. Kenneth Palmer, a physician and his wife, Rosemary, a radiographer. She was educated at the independent St Margaret's School for Girls in Aberdeen, the University of Aberdeen (where she studied arts, psychology and sociology) and the University of Edinburgh (where she studied for an MA in Social Administration). She became a social worker, initially working in the Craigmillar area of Edinburgh and as a childcare officer in Lambeth, before training at Goldsmiths College as a psychiatric social worker. She subsequently worked at the Maudsley Hospital, and later became assistant director of the mental health charity Mind.

Conteúdo: In 2001, Jowell was widely criticized for 'interfering' in Independent Television Commission (ITC) rulings on complaints regarding Brass Eye. The Guardian newspaper suggested that "for the Culture Secretary to speak directly to the head of a TV network about a specific programme smacks of the Soviet commissar and the state broadcaster". The ITC reminded Jowell that she should not be interfering in their processes, resulting in a Channel Four interviewer suggesting Jowell and her colleagues "must feel like idiots".  In 2006, Jowell was criticised for projected cost over-runs on the London 2012 Summer Olympics project, which came under the supervision of her former department. She was also among a number of ministers accused of hypocrisy for opposing Post Office closures in their own constituencies while supporting the government's closure strategy at the national level.  Jowell was Secretary of State for Culture, Media and Sport during the News of the World newspaper phone-hacking scandal (pre-2007). In January 2007, Clive Goodman, the News of the World's 'royal editor', was jailed for four months, and Glenn Mulcaire, a private investigator employed by the News of the World, was jailed for six months.  In May 2014 a temporary personal assistant to Richard Scudamore, chief executive of England's Premier League, read private emails between Scudamore and colleagues and friends. These included comments about women's football, which the assistant felt to be inappropriate. She passe

user: What were some other controversies?

assistant: In 2001, Jowell was widely criticized for 'interfering' in Independent Television Commission (ITC) rulings on complaints regarding Brass Eye.

user: How did she interfere?

assistant: The ITC reminded Jowell that she should not be interfering in their processes, resulting in a Channel Four interviewer suggesting Jowell and her colleagues "must feel like idiots".

user: Why did she interfere?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: In 2006, Jowell was criticised for projected cost over-runs on the London 2012 Summer Olympics project,

user: why did she do that?

assistant: She was also among a number of ministers accused of hypocrisy for opposing Post Office closures in their own constituencies
Título: Swans (band)
Seção: Initial influences
Background: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.

Conteúdo: Michael Gira has repeatedly stated he took the moniker Swans as it described the sound he wanted best. Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments."  The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape loops and either Thurston Moore, Dan Braun or Jon Tessler on the second bass guitar. Jon Tessler also played percussion and tape loops. Hanel's only recordings with the group are on the compilation Body to Body, Job to Job, but the ambiguous personnel credits do not make it clear on which songs she performed. Kane stated that "Sue was the most fearsome guitarist we'd ever heard in New York. She was unbelievable."  Hanel did not stay long in the group, and by the time of their recording debut she had been replaced by Bob Pezzola. This lineup of the group also featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission. The debut EP, Swans, released on Labor, is markedly different from anything they would do later. The plodding tempos and distorted, detuned guitar work is reminiscent of such post-punk outfits as Joy Division. However, the minimal chord structures owe more to blues, while the jazz instrumentation and awkward time signatures are evidence of Swans' roots in the no wave scene of the late 1970s, which had more or less collapsed 

user: who was one of swan's initial influences?

assistant: reminiscent of such post-punk outfits as Joy Division.

user: any other influences?

assistant: the minimal chord structures owe more to blues,

user: what was their greatest hits?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments.