dgand84/projgand huggingface dataset:
Título: Marion Davies
Seção: Relationship with William Randolph Hearst
Background: Davies was born Marion Cecilia Elizabeth Brooklyn Douras on January 3, 1897, in Brooklyn, the youngest of five children born to Bernard J. Douras (1857-1935), a lawyer and judge in New York City; and Rose Reilly (1867-1928). Her father performed the civil marriage of Gloria Gould Bishop. She had three older sisters, Ethel, Rose, and Reine. An older brother, Charles, drowned at the age of 15 in 1906.

Conteúdo: Publishing mogul William Randolph Hearst and Davies lived as a couple for decades but were never married, as Hearst's wife refused to give him a divorce. At one point, he reportedly came close to marrying Davies, but decided his wife's settlement demands were too high. Hearst was extremely jealous and possessive of her, even though he was married throughout their relationship. Lita Grey, the second wife of Charlie Chaplin, wrote four decades later that Davies confided with her about the relationship with Hearst. Grey quoted Davies saying:  God, I'd give everything I have to marry that silly old man. Not for the money and security--he's given me more than I'll ever need. Not because he's such cozy company, either. Most times, when he starts jawing, he bores me stiff. And certainly not because he's so wonderful behind the barn. Why, I could find a million better lays any Wednesday. No, you know what he gives me, sugar? He gives me the feeling I'm worth something to him. A whole lot of what we have, or don't have, I don't like. He's got a wife who'll never give him a divorce. She knows about me, but it's still understood that when she decides to go to the ranch for a week or a weekend, I've got to vamoose. And he snores, and he can be petty, and has sons about as old as me. But he's kind and he's good to me, and I'd never walk out on him.  By the late 1930s, Hearst was suffering financial reversals. After selling many of the contents of St Donat's Castle, Davies sold her jewelry

user: what was Hearst's relationship with Marion Davies?

assistant: William Randolph Hearst and Davies lived as a couple for decades but were never married,

user: why didn't they marry?

assistant: Hearst's wife refused to give him a divorce.

user: Why didn't he divorce her?

assistant: Hearst's wife refused to give him a divorce.

user: could you give me some more interesting information please?

assistant: reportedly came close to marrying Davies, but decided his wife's settlement demands were too high. Hearst was extremely jealous and possessive

user: who was he possesive of?

assistant: Davies

user: where were they living?

assistant: Hearst's Northern California estate of Wyntoon, until returning to San Simeon in 1945.

user: did they ever part ways?

assistant: Hearst died on August 14, 1951. In his will, Hearst provided handsomely for Davies,

user: what did he provide Davies in his will?

assistant: leaving her 170,000 shares of Hearst Corporation stock, in addition to 30,000 he had established for her in a trust fund in 1950.
Título: Eddie Albert
Seção: Later work
Background: Edward Albert Heimberger was born in Rock Island, Illinois, on April 22, 1906, the oldest of the five children of Frank Daniel Heimberger, a realtor, and his wife, Julia Jones. His year of birth is often given as 1908, but this is incorrect. His parents were not married when Albert was born, and his mother altered his birth certificate after her marriage. When he was one year old, his family moved to Minneapolis, Minnesota.

Conteúdo: In 1971, Albert guest-starred in a season-one Columbo episode called "Dead Weight", which also featured guest star Suzanne Pleshette, as a highly-decorated retired US Marine Corps major general, and combat war hero from the Korean War, who murders his adjutant to cover up an illegal quid pro quo contracting conspiracy scheme.  In 1972, Albert resumed his film career and was nominated for an Oscar for Best Supporting Actor for his performance as an overprotective father in The Heartbreak Kid (1972), and delivered a memorable performance as an evil prison warden in 1974's The Longest Yard. In a lighter vein, Albert portrayed the gruff though soft-hearted Jason O'Day in the successful Disney film Escape to Witch Mountain in 1975.  Albert appeared in such 1980s films as How to Beat the High Co$t of Living (1980), Yesterday (1981), Take This Job and Shove It (1981), Rooster (1982 television film), and Yes, Giorgio (1982), and as the US President in Dreamscape (1984). His final feature film role was a cameo appearance in The Big Picture (1989). He also appeared in many all-star television miniseries, including Evening in Byzantium (1978), The Word (1978), Peter and Paul (1981), Goliath Awaits (1981) and War and Remembrance (1988).  In the mid-1980s, Albert was reunited with longtime friend and co-star of the Brother Rat and An Angel from Texas films, Jane Wyman, in a recurring role as the villainous Carlton Travis in the popular 1980s soap opera Falcon Crest. He also guest-starred 

user: What did Eddie's later work consist of?

assistant: He also guest-starred on an episode of the '80s television series Highway to Heaven, as well as Murder, She Wrote, and in 1990,

user: What is another work he was involved in?

assistant: he guest-starred for several episodes on the ABC daytime soap opera General Hospital as Jack Boland, and also made a guest appearance on the Golden Girls spin-off

user: Did he play in any other sob stories?

assistant: daytime soap opera General Hospital as Jack Boland,
Título: Ted Gärdestad
Seção: International career
Background: Ted Arnbjorn Gardestad (Swedish pronunciation: [ted 2jae:de,sta:d]) (18 February 1956 - 22 June 1997) was a Swedish singer, songwriter, musician and actor known internationally as Ted. Gardestad began his acting career in 1966 and began playing music in 1971, signing with Polar Music. Assigned with in-house producers Benny Andersson and Bjorn Ulvaeus,  Gardestad released his first single, "Hela varlden runt," in late 1971 and worked closely with the four members of ABBA to create his debut album Undringar (1972). As Polar Music's best-selling solo artist (aside from ABBA), he continued to work with the group members throughout the 1970s, releasing three more albums Ted (1973), Upptag (1974) and Franska Kort (1976), which were moderately successful.

Conteúdo: Stig Anderson still thought Gardestad had some international potential, and he and his brother Kenneth travelled to Hollywood in late 1977 to record Gardestad's first English-language album Blue Virgin Isles. The west coast rock orientated album featured contributions from American and English musicians including Jeff Porcaro, Steve Porcaro, Jim Keltner, David Hungate, Jay Graydon, Dr. John and John Mayall, many of whom were Gardestad's personal idols. Blue Virgin Isles was released worldwide in late 1978 on Epic Records, and produced the singles "Take Me Back To Hollywood", an English version of "Chapeau-Clacque", and "Love, You're Making All The Fools". Despite the expensive production and the big push to launch Gardestad--including promotional appearances alongside ABBA--his Swedish success did not translate internationally. In Sweden, the album peaked at No. 29 and spent one week on the chart. Thirty years after its original release, Blue Virgin Isles remains Gardestad 's only studio album that has not been re-released on CD by Polar Music/PolyGram/Universal Music Group.  In early 1979, Ted and Kenneth Gardestad had a fourth attempt at Melodifestivalen and won with the song "Satellit", a mid-tempo rock track whose arrangement bore resemblances to Toto's 1978 hit "Hold the Line". The similarities caused speculation of plagiarism in the Swedish media and disqualification from the contest. The connection between the two songs was that the song's producer Janne Schaffer had h

user: what was ted's international career?

assistant: CANNOTANSWER
Título: INXS
Seção: From "Good Times" to Kick
Background: INXS ( IN-eks-ESS) were an Australian rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. They began playing covers in Western Australian pubs and clubs, occasionally playing some of their original music. The band's founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For twenty years, INXS was fronted by Hutchence, whose "sultry good looks" and magnetic stage presence made him the focal point of the band.

Conteúdo: Whilst supposedly taking an eight-month break before beginning work on a new album, their manager Murphy decided to stage a series of major outdoor concerts across Australia, featuring INXS, Jimmy Barnes, Models, Divinyls, Mental as Anything, The Triffids and I'm Talking. To promote the tour INXS recorded two songs with Jimmy Barnes of Cold Chisel: The Easybeats cover "Good Times" and "Laying Down the Law" which Barnes co-wrote with Beers, Andrew Farriss, Jon Farriss, Hutchence and Pengilly. "Good Times" was used as the theme song for the Australian Made series of concerts in the summer of 1986-1987. It peaked at No. 2 on the Australian charts, and months later was featured in the Joel Schumacher film The Lost Boys and its soundtrack, allowing it to peak at No. 47 in the US on 1 August 1987.  After the success of "What You Need" and Listen Like Thieves, the band knew their new material would have to be even better and wanted every song on the album to be good enough to be a single. They recorded Kick in Sydney and Paris, and it was produced by Chris Thomas. Atlantic Records was not happy with the result; the label offered the band $1 million to go back to Australia and record another album, but the band declined.  Despite Atlantic's protests, Kick was released in October 1987 and provided the band with worldwide popularity. The album peaked at No. 1 in Australia, No. 3 on the US Billboard 200, No. 9 in UK, and No. 15 in Austria. It was an upbeat, confident album that yielded 

user: when was good times created?

assistant: "Good Times" was used as the theme song for the Australian Made series of concerts in the summer of 1986-1987.

user: was Good Times an album or a song?

assistant: To promote the tour INXS recorded two songs with Jimmy Barnes of Cold Chisel: The Easybeats cover "Good Times"

user: where did they tour?

assistant: CANNOTANSWER

user: where did they record the songs?

assistant: They recorded Kick in Sydney and Paris,
Who s My Student Loan Servicer? 
Learn about the role that student loan servicers play in the repayment process and which servicer handles your federal student loans. 

What Loan Servicers Do 
A loan servicer is a company that we assign to handle the billing and other services on your federal student loan on our behalf, at no cost to you. Your loan servicer will work with you on repayment options such as income - driven repayment plans and loan consolidation and will assist you with other tasks related to your federal student loans. Keep your contact information up to date so your loan servicer can help you stay on track with repaying your loans. If your circumstances change at any time during your repayment period , your loan servicer will be able to help. Never pay an outside company for help with your federal student loans. Your loan servicer will help you for FREE. Contact your servicer to apply for income - driven repayment plans, student loan forgiveness, and more. 

Loan Servicer Assignment 
We will assign your loan to a loan servicer after your loan amount is first disbursed paid out. Your loan servicer will contact you after that. 

Identifying Your Servicer 
The following are loan servicers for loans that the U.S Department of Education ED owns. To find out who your loan servicer is , call the Federal Student Aid Information Center FSAIC at 1 - 800 - 433 - 3243. 

Whom to Contact for Loan Information 
If your loan is for the current or upcoming school year , contact your school s financial aid office directly for information about loan status, the timeframes for cancelling all or part of your loan or loan disbursement , and loan disbursement amounts and timing. Only your school's financial aid office can provide this information. If your loan was disbursed in a past school year and you re still in school , keep your contact information up to date with your school and contact your loan servicer when you withdraw, graduate, drop below half - time enrollmen

user: What can I learn about my student loan servicer?

assistant: You can learn about the student loan servicers and what role they play in the repayment process.

user: What will happen if my loan is transferred to another loan servicer?

assistant: You should receive an email or letter from your assigned servicer to tell you about the transfer.

user: What if I have FFEL Program loans that are not owned by ED?

assistant: Then you would need to contact your servicer for details about repayment options and tools.

user: What if my federal student loan was transferred from one servicer to a different one?

assistant: The transfer just means that a new servicer will provide the support you need to repay your loans; but is still owned by ED.

user: What if I have FFEL Program loans not owned by ED and need to contact them?

assistant: Do you need to contact your FFEL Program loans not owned by ED servicer?
Título: Stan Kenton
Seção: Career
Background: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.

Conteúdo: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kent

user: How old was he when he started his career?

assistant: In April 1936
Título: Dolph Lundgren
Seção: Training and diet
Background: Hans Lundgren was born on 3 November 1957 in Spanga, the son of Sigrid Birgitta (nee Tjerneld), a language teacher, and Karl Johan Hugo Lundgren, an engineer and economist for the Swedish government. He lived in Spanga until the age of 13, when he moved to his grandparents' home in Nyland, Angermanland. Some sources wrongly state 1959 as his year of birth, but Lundgren himself has confirmed it to be 1957. He has two sisters and an older brother; he was raised in the Lutheran church.

Conteúdo: Although Lundgren has never competed as a professional bodybuilder, he has been closely associated with bodybuilding and fitness since his role as Drago in the mid-1980s. Bodybuilding.com said, "Looking like a man in his 30s rather than his 50s, Lundgren is the poster boy of precise nutrition, supplementation and exercise application that he has practiced for over 35 years." In an interview with them, he claimed to often train up to six days a week, usually one-hour sessions completed in the morning, saying that "it's just one hour a day, and then you can enjoy the other 23 hours". Although he had begun lifting weights as a teenager, he cites co-star Sylvester Stallone as the man who got him into serious bodybuilding for a period in the 1980s after he arrived in the U.S. Stallone had a lasting influence on his fitness regime and diet, ensuring that he ate a much higher percentage of protein and split his food intake between five or six smaller meals a day. Lundgren has professed never to have been "super strong", saying that, "I'm too tall and my arms are long. I think back then [Rocky IV] I was working with around 300 pounds on the bench and squat."  In a January 2011 interview with GQ he announced he is working on releasing his own range of vitamins and supplements. He wrote an autobiographical fitness book, Train Like an Action Hero: Be Fit Forever, published in Sweden (by Bonnier Fakta) on 9 August 2011, offering tips he learned over the years to work out in various situa

user: Can you tell me something about his diet?

assistant: split his food intake between five or six smaller meals a day.
Título: Placebo (band)
Seção: Formation (1994-1995)
Background: Placebo is an alternative rock band, formed in London, England in 1994 by singer-guitarist Brian Molko and guitarist-bassist Stefan Olsdal. The band were soon joined by drummer Robert Schultzberg, who left in 1996 due to conflicts with Molko and was replaced the same year by Steve Hewitt. Placebo gained exposure in 1997, after releasing "Nancy Boy", a song which Brian Molko described as "obscene". The band has sparked controversy at the beginning of their career because Molko wore dresses and make-up in public and talked openly about sex, sexuality and drug use.

Conteúdo: Placebo founders Brian Molko and Stefan Olsdal had both attended the American International School of Luxembourg, without speaking to each other, as they were part of different social circles. The two met by chance in 1994, in London, England. At the time, Olsdal was taking guitar lessons and was on his way home when he met Molko at the South Kensington tube station. Molko, observing that Olsdal had a guitar strapped to his back, invited Olsdal to watch him perform at a local gig. On the strength of Molko's performance, Olsdal decided that they should start a band. The two formed as Ashtray Heart, named after the Captain Beefheart song of the same name. Molko, however, denied in 2009 that Ashtray Heart was the first name of the band, dismissing this as a rumour and claiming that the band had more names initially.  Originally, the two were unable to decide on a drummer. They played for a while with Steve Hewitt, a friend of Molko, but Hewitt had prior commitments to local band Breed. Robert Schultzberg assumed the position of drummer in late 1994.  The band eventually chose the name Placebo, due to its meaning in Latin, "I shall please". Molko has frequently stated in interviews that the name is a rejoinder to the 1990s cliche of naming one's band after a drug. In an interview, Molko stated:  It's a complex question to answer, really. As musicians you try to find a name for your band that represents you and you never really do, because, basically, names for bands lose their me

user: Who formed the original band?

assistant: Brian Molko and Stefan Olsdal

user: Where was the band originally from?

assistant: The two met by chance in 1994, in London, England.

user: Who were the other members of the band?

assistant: Robert Schultzberg assumed the position of drummer

user: Did they sign with a record label?

assistant: CANNOTANSWER

user: Did they play any jigs?

assistant: The most important thing for a name is that you can imagine forty-thousand people screaming it in unison.

user: What else can you tell me about the band?

assistant: Molko, observing that Olsdal had a guitar strapped to his back, invited Olsdal to watch him perform at a local gig.

user: Did Oldsal join the band?

assistant: On the strength of Molko's performance, Olsdal decided that they should start a band.
Título: Harry Reasoner
Seção: JFK assassination
Background: Reasoner was born at First Street North in Dakota City, Iowa; he and his older sister, Esther, were the children of Eunice (Nicholl) and Harry Ray Reasoner, who married in 1911. Reasoner was taught to read by his parents before entering school, gaining a strong vocabulary from his mother. Reasoner attended West High School in Minneapolis. During his time at the school, Reasoner developed his interest in journalism.

Conteúdo: Reasoner took part in covering the John F. Kennedy assassination on Friday, November 22, 1963. Walter Cronkite and Charles Collingwood had been switching back and forth to report on the incident for about four hours after Cronkite initially broke the news at 1:40 p.m. EST. Reasoner took over the anchor chair after Collingwood tossed it to him at 5:49 p.m. EST and opened with the repeat of an announcement by Frank Stanton, the president of CBS, which had already been relayed by Collingwood:  He later reported on the arrival of Kennedy's body in Washington, D.C., and provided details regarding Lee Harvey Oswald (who was then accused only of killing Dallas Police Officer J. D. Tippit; he would be accused of killing the president only hours later). Reasoner left the desk when Cronkite returned to anchor CBS Evening News at 6:35 p.m. EST. He reappeared in another studio, approximately two hours later, to narrate a special program called "John F. Kennedy -- A Man of This Century", and he talked about Kennedy's career and the new president, Lyndon B. Johnson and announced the conclusion of CBS's coverage for that day. (Reasoner also anchored the final coverage of the next day, with a CBS News special titled "A Day to Mourn".)  Reasoner's next appearance came two days later, Sunday, and as Reasoner was at the anchor desk, Oswald was shot by Jack Ruby while being moved in the Dallas City Jail. At that very moment, Roger Mudd was filing a report from Washington, describing the Presiden

user: Did Reasoner cover the JFK assasination

assistant: Reasoner took part in covering the John F. Kennedy assassination

user: Did it earn him some type of recognition

assistant: CANNOTANSWER

user: Wht was the importance of him covering the JFK assasination

assistant: He later reported on the arrival of Kennedy's body in Washington, D.C., and provided details regarding Lee Harvey Oswald
Título: Tori Amos
Seção: The Epic Records years (2002-07)
Background: Tori Amos (born Myra Ellen Amos, August 22, 1963) is an American singer-songwriter, pianist, and composer. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of eleven for what Rolling Stone described as "musical insubordination.

Conteúdo: With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status from the RIAA.  Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline. Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed.  Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received generally favorable reviews. The Beekeeper was c

user: Did Amos release any albums during these years?

assistant: In October 2002, Amos released Scarlet's Walk, another concept album.

user: Was the album successful?

assistant: strong debut at No. 7 on the Billboard 200.

user: Did Amos release any albums after Scarlet's Walk?

assistant: The Beekeeper (2005) and American Doll Posse (2007).

user: What can you tell me about The Beekeeper?

assistant: The Beekeeper was conceptually influenced by the ancient art of beekeeping,

user: Did either album win any awards?

assistant: Both albums received generally favorable reviews.

user: Did she collaborate with anyone else on her albums?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned

user: Why did Polly Anthony resign?

assistant: CANNOTANSWER

user: Why was the news of her resignation unsettling?

assistant: Anthony had been one of the primary reasons Amos signed with the label
Título: Harry Hooper
Seção: Chicago White Sox
Background: Hooper was born on August 24, 1887, in Bell Station, California. His family had migrated to California as many other families from the United States due to the California Gold Rush. His father, Joseph "Joe" Hooper, was born in Morrell, Prince Edward Island in Canada. Joe was the fourth child and second boy born to English-born William Hooper, Harry's grandfather, and his Portuguese wife Louisa.

Conteúdo: Before the 1921 season, the media questioned whether Hooper would re-sign with the Red Sox for the coming season, saying that Hooper may have been disappointed not to be given an opportunity at manager. Since 1919, Red Sox owner Harry Frazee had been getting rid of expensive veteran players in what has been called a "fire-sale". Hooper was traded to the Chicago White Sox in March 1921 in exchange for Shano Collins and Nemo Leibold. Newspaper accounts said that Hooper had not been warned about the trade, that he would demand a higher salary from the White Sox and that he was prepared not to play unless the team met his demands.  Hooper had some of his best offensive production with the White Sox. He hit over .300 in three out of the five seasons he spent with the team and he hit a career-high 11 home runs and 80 runs batted in during the 1922 season. In 1922 and again in 1924, Hooper was involved in eight double plays, which led the league for outfielders in both of those seasons. In 1925, Hooper asked for his release from Chicago so that he could pursue a position as a manager.  Hooper was a career .281 hitter with 75 home runs, 817 RBI, 1429 runs, 2466 hits, 389 doubles, 160 triples, and 375 stolen bases in 2309 games. He holds the Red Sox franchise records for most triples (130) and stolen bases (300), as well as Fenway Park records for triples (63) and stolen bases(107). Hooper is only one of two players (Heinie Wagner being the other) to be a part of four Red Sox World Se

user: When did Harry Hooper start playing for the Chicago White Sox?

assistant: Hooper was traded to the Chicago White Sox in March 1921

user: What position did he play for the White Sox?

assistant: CANNOTANSWER
Título: Lewis Fry Richardson
Seção: Mathematical analysis of war
Background: Lewis Fry Richardson was the youngest of seven children born to Catherine Fry (1838-1919) and David Richardson (1835-1913). They were a prosperous Quaker family, David Richardson operating a successful tanning and leather manufacturing business. At age 12 he was sent to a Quaker boarding school, Bootham School in York, where he received an education in science, which stimulated an active interest in natural history. In 1898 he went on to Durham College of Science (a college of Durham University) where he took courses in mathematical physics, chemistry, botany, and zoology.

Conteúdo: Richardson also applied his mathematical skills in the service of his pacifist principles, in particular in understanding the basis of international conflict. For this reason, he is now considered the initiator, or co-initiator (with Quincy Wright and Pitirim Sorokin as well as others such as Kenneth Boulding, Anatol Rapaport and Adam Curle), of the scientific analysis of conflict--an interdisciplinary topic of quantitative and mathematical social science dedicated to systematic investigation of the causes of war and conditions of peace. As he had done with weather, he analysed war using mainly differential equations and probability theory. Considering the armament of two nations, Richardson posited an idealised system of equations whereby the rate of a nation's armament build-up is directly proportional to the amount of arms its rival has and also to the grievances felt toward the rival, and negatively proportional to the amount of arms it already has itself. Solution of this system of equations allows insightful conclusions to be made regarding the nature, and the stability or instability, of various hypothetical conditions which might obtain between nations.  He also originated the theory that the propensity for war between two nations was a function of the length of their common border. And in Arms and Insecurity (1949), and Statistics of Deadly Quarrels (1960), he sought to analyse the causes of war statistically. Factors he assessed included economics, language, and rel

user: What the mathematical analysis of war

assistant: understanding the basis of international conflict.

user: How did he reasearch this?

assistant: he analysed war using mainly differential equations and probability theory.

user: What wars did he analyze

assistant: in Arms and Insecurity (1949), and Statistics of Deadly Quarrels (1960),

user: /what other wars did he analyze?

assistant: In Statistics of Deadly Quarrels Richardson presented data on virtually every war from 1815 to 1945.

user: Why did Lewis research this

assistant: My aim has been different: namely to examine a few notions by quantitative techniques in the hope of reaching a reliable answer."
Título: Enter Shikari
Seção: The Mindsweep (2014-2017)
Background: Enter Shikari are a British alternative rock band formed in St Albans, Hertfordshire, England in 1999 under the name Hybryd by bassist Chris Batten, lead vocalist and keyboardist Roughton "Rou" Reynolds, and drummer Rob Rolfe. In 2003, guitarist Liam "Rory" Clewlow joined the band to complete its current lineup, and it adopted its current name. In 2005, they performed to a growing fanbase at Download Festival as well as a sold-out concert at the London Astoria. Their debut studio album, Take to the Skies, was released in 2007 and reached number 4 in the Official UK Album Chart, and has since been certified gold in the UK.

Conteúdo: In late 2012, bassist Chris Batten said that the band will begin working on their fourth studio album after their current touring has finished sometime in 2013. However, Batten also affirmed that the album would not be ready for release in that year.  On 8 October 2014, the band announced that their fourth album would be titled The Mindsweep, and would be released on 19 January 2015. The album was anticipated by singles "The Last Garrison" and "Anaesthetist". In addition, two tracks were also released between November and December 2014: "Never Let Go of the Microscope" and "Slipshod". On January 12, 2015 they put for the streaming on their website the entire new album. In May 2015 they covered System of a Down's Chop Suey! for Rock Sound's compilation Worship and Tributes, while in June they participated at Ultimate Rock Heroes compilation by Kerrang! with a cover of "Know Your Enemy", originally by Rage Against the Machine. On 30 October they released their first remix album, The Mindsweep: Hospitalised, featuring remixes from drum and bass label Hospital Records artists.  On 12 January 2016, a single called "Redshift" premiered on Annie Mac's show on BBC Radio 1. Another new single called "Hoodwinker" premiered on Daniel P. Carter's show on BBC Radio 1 on 9 October 2016.  On 25 August 2016, the band announced a live album for their February 2016 Alexandra Palace show. It was initially due for release on 4 November 2016, however it was delayed until 18 November 2016 due to m

user: Are there any other interesting aspects about this article?

assistant: On 8 October 2014, the band announced that their fourth album would be titled The Mindsweep,

user: when wa the album released?

assistant: 19 January 2015.

user: Did it do well?

assistant: CANNOTANSWER

user: Did it chart?

assistant: CANNOTANSWER
Título: Walter Alston
Seção: Early years in Los Angeles
Background: Born in Venice, Ohio, Alson spent much of his childhood on a farm in Morning Sun; when he was a teenager, the family moved to Darrtown. Alston attended Milford Township High School in Darrtown, and received the nickname "Smokey" as a high school pitcher, owing to the speed of his fastball. He graduated from high school in 1929 and married longtime girlfriend Lela Vaughn Alexander the next year. In 1935, Alston graduated with a degree in industrial arts and physical education from Miami University in Oxford, Ohio.

Conteúdo: The team finished 21 games back in seventh place (71-83 (.461)) in 1958, the club's first season in Los Angeles. Criticism of Alston had begun to mount during that season, but he led the Dodgers to a world championship in 1959. Six players on the 1959 team finished with double-digit totals in home runs, while 22-year-old Don Drysdale led the team's pitchers with 17 wins. Several Los Angeles players, including Wally Moon, characterized Alston as indecisive in the late 1950s and 1960s. However, Moon later came to describe Alston as a good manager who had gotten "good mileage" out of his players.  Managing the NL All-Star Team in 1960, Alston attracted some controversy when he left ]]1960 Milwaukee Braves season|Milwaukee Braves]] pitchers Warren Spahn and Lew Burdette off the roster. An Associated Press report said the omission may have been a snub directed at Dressen, who was the manager in Milwaukee. The 1960 Dodgers finished in fourth place. The following year, the team finished in second place after veteran Duke Snider missed two months with a broken arm. The Dodgers lost the lead in the 1962 NL pennant race and rumors surfaced that Alston and coach Leo Durocher might be fired, but the team retained both for 1963.  The Dodgers swept the World Series in 1963, the first time that the New York Yankees had lost a World Series in four games. Alston's pitchers excelled, as Koufax struck out 23 batters over two games and Drysdale threw a shutout in Game 3. Over the four games, Als

user: What happened during Walter Alston's early years in Los Angeles?

assistant: The team finished 21 games back in seventh place (71-83 (.461)) in 1958, the club's first season in Los Angeles.

user: Did anything else happen after they finished the 21 games?

assistant: Criticism of Alston had begun to mount during that season, but he led the Dodgers to a world championship in 1959.

user: Did any controversy come along with the criticism he faced?

assistant: had gotten "good mileage" out of his players.

user: How did the other plays react to this?

assistant: CANNOTANSWER

user: What else happened during his early years in LA?

assistant: Several Los Angeles players, including Wally Moon, characterized Alston as indecisive in the late 1950s and 1960s.
Título: Margot Kidder
Seção: 1980-1999: Later roles; decline
Background: Kidder, one of five children, was born in Yellowknife, Northwest Territories, the daughter of Jocelyn Mary "Jill" (nee Wilson), a history teacher, and Kendall Kidder, an explosives expert and engineer. Kidder also spent time growing up in Labrador City, Newfoundland and Labrador. Her mother was from British Columbia, Canada, and her father was from New Mexico, United States. She is of Welsh and English descent.

Conteúdo: Kidder made her film debut in a 49-minute film titled The Best Damn Fiddler from Calabogie to Kaladar (1968), a drama set in a Canadian logging community, which was produced by the Challenge for Change. Her first major feature was the 1969 American film Gaily, Gaily, a comedy starring Beau Bridges. She appeared in a number of TV drama series for the CBC, including guest appearances on Wojeck, Adventures in Rainbow Country, and a semi-regular role as a young reporter on McQueen, and as a panelist on Mantrap which featured discussions centered on a feminist perspective. During the 1971-72 season, she co-starred as barmaid Ruth in Nichols, a James Garner western, which aired 22 episodes on NBC.  In the late 1960s, Kidder was based in Toronto, and in 1970, relocated to Vancouver. During an August 3, 1970 interview on The Dick Cavett Show, Kidder stated that she was ambivalent toward having a film career, and was considering working as a film editor in the future. She appeared in "Such Dust As Dreams Are Made On", the first pilot for Harry O which aired in March 1973. She was a guest star in a 1972 episode of the George Peppard detective series Banacek.  After moving to Los Angeles, Kidder was cast opposite Gene Wilder in Quackser Fortune Has a Cousin in the Bronx (1970) as an exchange student in Ireland who becomes the love interest of a poor horse manure collector in Dublin whom she almost runs over with her car. After filming in Ireland, Kidder relocated to New York City to fur

user: what was one of the roles she had in 1980 - 1999?

assistant: result, Kidder's role in Superman III (1983) consisted of less than five minutes of footage, though the producers have denied

user: did she have any other roles in that time frame?

assistant: The Quest for Peace (1987) was more substantial.

user: was there another role that she played?

assistant: summer release of The Amityville Horror

user: did she play another role in those years?

assistant: drama The Glitter Dome (1984).

user: were there more roles that she played?

assistant: she toplined Little Treasure
Título: Willie Dixon
Seção: Pinnacle of career
Background: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Conteúdo: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I J

user: When was the pinnacle of Willies career?

assistant: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was
Título: W. H. Auden
Seção: Education
Background: Wystan Hugh Auden (21 February 1907 - 29 September 1973) was an English-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form and content. He is best known for love poems such as "Funeral Blues", poems on political and social themes such as "September 1, 1939" and "The Shield of Achilles", poems on cultural and psychological themes such as The Age of Anxiety, and poems on religious themes such as "For the Time Being" and "Horae Canonicae." He was born in York, grew up in and near Birmingham in a professional middle-class family.

Conteúdo: Auden attended St Edmund's School, Hindhead, Surrey, where he met Christopher Isherwood, later famous in his own right as a novelist. At thirteen he went to Gresham's School in Norfolk; there, in 1922, when his friend Robert Medley asked him if he wrote poetry, Auden first realised his vocation was to be a poet. Soon after, he "discover(ed) that he (had) lost his faith" (through a gradual realisation that he had lost interest in religion, not through any decisive change of views). In school productions of Shakespeare, he played Katherina in The Taming of the Shrew in 1922, and Caliban in The Tempest in 1925, his last year at Gresham's. His first published poems appeared in the school magazine in 1923. Auden later wrote a chapter on Gresham's for Graham Greene's The Old School: Essays by Divers Hands (1934).  In 1925 he went up to Christ Church, Oxford, with a scholarship in biology; he switched to English by his second year. Friends he met at Oxford include Cecil Day-Lewis, Louis MacNeice, and Stephen Spender; these four were commonly though misleadingly identified in the 1930s as the "Auden Group" for their shared (but not identical) left-wing views. Auden left Oxford in 1928 with a third-class degree.  Auden was reintroduced to Christopher Isherwood in 1925 by his fellow student A. S. T. Fisher. For the next few years Auden sent poems to Isherwood for comments and criticism; the two maintained a sexual friendship in intervals between their relations with others. In 1935-39 

user: What was Auden's education like?

assistant: Auden attended St Edmund's School, Hindhead, Surrey, where he met Christopher Isherwood, later famous in his own right as a novelist. At thirteen he went to Gresham's School in Norfolk;
Título: Game of Death
Seção: Reception
Background: The Game of Death is an incomplete 1972 Hong Kong martial arts film directed, written, produced by and starring Bruce Lee, in his final film attempt. Lee died during the making of the film. Over 100 minutes of footage was shot prior to his death, some of which was later misplaced in the Golden Harvest archives. The remaining footage has been released with Lee's original Cantonese and English dialogue, with John Little dubbing Lee's Hai Tien character as part of the documentary entitled Bruce Lee:

Conteúdo: The film was successful at the Hong Kong box office, grossing HK$3,436,169, but was not well received. Criticism of the revised version included the inclusion of scenes that could be considered in bad taste, such as the incorporation of footage of Lee's actual funeral. Another scene, often pointed out by critics of the film, involved a shot of Kim looking at himself in the mirror, with an obvious cardboard cut-out of Lee's face pasted onto the mirror's surface.  The action directed by Sammo Hung for the scenes with the Bruce Lee lookalikes and the footage that Lee shot for the original footage with the final three fights helped to alleviate the movie's problems. Apart from the cheesy techniques used to disguise the fact that Lee was being played by stand-ins, the movie enjoyed respectable production values.  Bey Logan points out a few logic issues with the 1978 film. In order for the henchmen to remain low key, they should be wearing more casual clothes instead of the multicolored tracksuits seen at various parts of the film. But as a rationale, this explains why Lee wears the yellow tracksuit. Also in the fight between Lee and Kareem Abdul-Jabbar, the scene near the vase in Logan's opinion appears to look choppy along with the short fight with Hugh O'Brian. Perhaps the most important thing on the first half of the English version, Lee's fight sequence has been taken down to a more realistic level and unlike previous films, he is seen to be beaten down instead of making short

user: what was the reception?

assistant: The film was successful at the Hong Kong box office, grossing HK$3,436,169, but was not well received.

user: why was it not well recieved?

assistant: Criticism of the revised version included the inclusion of scenes that could be considered in bad taste, such as the incorporation of footage of Lee's actual funeral.

user: what did lee's actual funeral consist of?

assistant: CANNOTANSWER
Título: Secretariat (horse)
Seção: Racing career
Background: Secretariat (March 30, 1970 - October 4, 1989) was an American Thoroughbred racehorse who, in 1973, became the first Triple Crown winner in 25 years. His record-breaking win in the Belmont Stakes, where he left the field 31 lengths behind him, is widely regarded as one of the greatest races of all time. During his racing career, he won five Eclipse Awards, including Horse of the Year honors at ages two and three. He was elected to the National Museum of Racing and Hall of Fame in 1974.

Conteúdo: Secretariat raced in Meadow Stables' blue-and-white-checkered colors. He never raced in track bandages, but typically wore a blinker hood, mostly to help him focus, but also because he had a tendency to run in towards the rail during races. In January 1972, he joined trainer Lucien Laurin's winter stable at Hialeah. Secretariat gained a reputation as a kind horse, likeable and unruffled in crowds or by the bumping that occurs between young horses. He had the physique of a runner, but at first was awkward and clumsy. He was frequently outpaced by more precocious stable mates, running a quarter-mile in 26 seconds compared to 23 seconds by his peers. His regular exercise riders were Jim Gaffney and Charlie Davis. Davis was not initially impressed. "He was a big fat sucker", Davis said. "I mean, he was big. He wasn't in a hurry to do nothin'. He took his time. The quality was there, but he didn't show it until he wanted to." Gaffney though recalled his first ride on Secretariat in early 1972 as "having this big red machine under me, and from that very first day I knew he had a power of strength that I have never felt before ..."  Groom Eddie Sweat was another important member of the Secretariat team, providing most of the daily hands-on care. Sweat once told a reporter, "I guess a groom gets closer to a horse than anyone. The owner, the trainer, they maybe see him once a day. But I lived with him, worked with him."  Laurin sent Chenery regular updates on Secretariat's progress, s

user: What was an most important part of the racing career?

assistant: CANNOTANSWER

user: What race did secretariat participate in?

assistant: Secretariat raced in Meadow Stables' blue-and-white-checkered colors.