dgand84/projgand huggingface dataset:
Título: Hound Dog (song)
Seção: Release and reception
Background: "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.

Conteúdo: "Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Soon after the single was re-released with "Hound Dog" first and in larger print than "Don't Be Cruel" on the record sleeve. Both sides of the record topped Billboard's Best Sellers in Stores and Most Played in Jukeboxes charts alongside "Don't Be Cruel", while "Hound Dog" on its own merit topped the country & western and rhythm & blues charts and peaked at number two on Billboard's main pop chart, the Top 100. Later reissues of the single by RCA in the 1960s designated the pair as double-A-sided.  While Presley was performing "Hound Dog" on television and his record was scaling the charts, Stoller, who had been on vacation in Europe, was returning on the ill-fated final voyage of the Andrea Doria. On July 26, 1956, Leiber met the just-rescued Stoller on the docks and told him, "We got a smash hit on Hound Dog," Stoller said, "Big Mama's record?" And Leiber replied: '"No. Some white guy named Elvis Presley." Stoller added: "And I heard the record and I was disappointed. It just sounded terribly nervous, too fast, too white. But you know, after it sold seven or eight million records it started to sound better." Leiber and Stoller tired of explaining that Presley had dropped most of their lyrics. For example, Leiber complained about Presley adding the line, "You ain't caught a rabbit, and you ain't no friend of mine", calling it "inane...It doesn't mean anyt

user: When was the song hound dog released ?

assistant: July 13, 1956.

user: Under which label was it released ?

assistant: RCA

user: How well did it do on the charts ?

assistant: number two on Billboard's main pop chart,

user: How did the public receive the song ?

assistant: Both sides of the record topped Billboard's Best Sellers in Stores and Most Played in Jukeboxes charts

user: Are there any other interesting aspects about this article?

assistant: Presley adding the line, "You ain't caught a rabbit, and you ain't no friend of mine", calling it "inane...It doesn't mean anything to me."

user: What else did people say about Presley's version ?

assistant: white singer from Memphis who's a hell of a singer--he does have some black attitudes--takes the song over
Título: Algonquin people
Seção: French-Indian War/Seven Years' War
Background: The Algonquins are indigenous inhabitants of North America who speak the Algonquin language, a divergent dialect of the Ojibwe language, which is part of the Algonquian language family. Culturally and linguistically, they are closely related to the Odawa and Ojibwe, with whom they form the larger Anicinape (Anishinaabe) grouping. The Algonquin people call themselves Omamiwinini (plural: Omamiwininiwak) or the more generalised name of Anicinape. Though known by several names in the past, the most common term "Algonquin" has been suggested to derive from the Maliseet word elakomkwik (IPA: [elae'gomogwik]): "they are our relatives/allies".

Conteúdo: The Iroquois Confederacy drove the Algonquins from their lands. They were aided by having been traded arms by the Dutch, and later by the English. The Iroquois and the English defeated the French and Algonquins.  In 1623, after Sir David Kirke's occupation of New France demonstrated French colonial vulnerability, the French began to trade muskets to the Algonquins and their allies. French Jesuits began to seek Algonquin conversions to Roman Catholicism.  Through all of these years, the Iroquois never attacked the Kitcisipirinik fortress. But, in 1642, they made a surprise winter raid, attacking the Algonquin while most of the warriors were absent, and causing severe casualties. On March 6, 1647 (Ash Wednesday), a large Mohawk war party attacked the Kitcisipiriniwak living near Trois-Rivieres and almost exterminated them. The Kitcisipiriniwak were still at Morrison Island in 1650 and inspired respect with their 400 warriors. When the French retreated from the Huron country that year, Tessouat is reported to have had the superior of the Jesuit mission suspended by his armpits because he refused to offer him the customary presents for being allowed to travel through Algonquin territory.  Some joined the mission at Sillery, where they were mostly destroyed by an infectious disease epidemic by 1676. Encouraged by the French, others remained at Trois-Rivieres. Their settlement at nearby Pointe-du-Lac continued until about 1830. That year the last 14 families, numbering about 50, mo

user: What year did the French-Indian War begin?

assistant: CANNOTANSWER

user: Where did the fighting take place?

assistant: large Mohawk war party attacked the Kitcisipiriniwak living near Trois-Rivieres

user: What were they fighting for?

assistant: The Kitcisipiriniwak were still at Morrison Island in 1650 and inspired respect with their 400 warriors.

user: Who was the leader for the French?

assistant: French Jesuits

user: How did the fighting began?

assistant: the Iroquois never attacked the Kitcisipirinik fortress. But, in 1642, they made a surprise winter raid,

user: How did the war end?

assistant: move to established reserves or joined other historical bands were federally "recognized".
Título: OK Go
Seção: OK Go (2001-2004)
Background: OK Go is an American rock band originally from Chicago, Illinois, now based in Los Angeles, California. The band is composed of Damian Kulash (lead vocals, guitar), Tim Nordwind (bass guitar and vocals), Dan Konopka (drums and percussion) and Andy Ross (guitar, keyboards and vocals), who joined them in 2005, replacing Andy Duncan. The band is known for its often quirky and elaborate one-take music videos. The original members formed as OK Go in 1998 and released two studio albums before Duncan's departure.

Conteúdo: Though the band had offers from bigger labels, the band signed to Capitol Records in April 2001 believing that, as the first signing by newly hired label president Andy Slater, they would get more attention and support.  The band released its debut album, OK Go, on September 17, 2002, after it was pushed back by the label from its original June release date. The album was recorded at the Capitol Studios in Los Angeles and, though the original plan was to do minor tweaks to the original demos, the band ended up rerecording everything and adding five new songs, including the first single "Get Over It," which later appeared in Triple Play Baseball and Madden NFL 2003 video games. To promote the release, the label sent out miniature ping pong tables to press outlets, a reference to the "Get Over It" video directed by Francis Lawrence. In support of the album, the band toured with a diverse group of acts including the Vines, Phantom Planet, Superdrag, the Donnas, Fountains of Wayne, and Mew, and played a number of festival shows including Leeds in 2002 and 2003, and NoisePop, Reading, Witnness, and T in the Park in 2003.  In the United States, the album reached #1 on the Billboard Heatseekers Chart and #107 on the Billboard 200 Chart. In the United Kingdom, the first single "Get Over It" debuted at no. 27, in the UK singles chart on March 16, 2003, and the band performed it on that week's edition of Top of the Pops. Also that week, the single's video was named video of the week by

user: Did they put out any albums during this time?

assistant: The band released its debut album, OK Go, on September 17, 2002,
Título: Pink Floyd – The Wall
Seção: Development
Background: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

Conteúdo: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.  Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.  Since Waters was no longer in the starring role, it no longer m

user: How was delevpment influences?

assistant: CANNOTANSWER

user: can you tell me about the developement?

assistant: the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes.

user: Are there any other interesting aspects about this article?

assistant: The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.

user: can you tell me more about how it was made?

assistant: Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped.

user: Was it ever released?

assistant: CANNOTANSWER
Título: Spring Awakening (musical)
Seção: Original conceptEdit
Background: Spring Awakening is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the German play Spring Awakening (1891) by Frank Wedekind. Set in late-19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of teenage sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.

Conteúdo: Before opening the show off-Broadway, Duncan Sheik had composed an arrangement of song demos for the original concept of Spring Awakening. Back then the musical's plot adhered more closely to the original play's plot. Steven Sater and Duncan Sheik had originally intended for Melchior actually to rape Wendla at the end of "I Believe," but decided to change that plot because he wanted the scene to be more loving between the two characters. In workshops, "I Believe" ended with Wendla's scream while being raped. "All That's Known" replaced a song titled "All Numb". Both songs had the same theme, but because the directors had to reduce time for the show, "All Numb" was cut and replaced with "All That's Known".  A song called "A Comet on Its Way" was replaced by "The Bitch of Living". Although both songs followed the same basic theme, Sheik thought that "The Bitch of Living", being more upbeat, fit the show better. "Those You've Known" replaced a song called "The Clouds Will Drift Away", which was cut because Sheik wanted the song between the three main characters to stay close to the "All That's Known" theme. "Mama Who Bore Me (Reprise)" was originally intended to be performed after "Touch Me". Another song, entitled "Great Sex" (which was intended to be performed after "Mama Who Bore Me (Reprise)"), was also cut from the show because the directors thought the song pointed out the theme of the show too specifically. It was intended to be performed during Hanschen's masturbation sc

user: what was the original concept of spring awakening?

assistant: Back then the musical's plot adhered more closely to the original play's plot.

user: what is the plot?

assistant: Steven Sater and Duncan Sheik had originally intended for Melchior actually to rape Wendla

user: but instead, what was the plot?

assistant: but decided to change that plot because he wanted the scene to be more loving between the two characters.

user: when did the musical come out?

assistant: CANNOTANSWER

user: was the musical a success?

assistant: CANNOTANSWER
Título: Baitullah Mehsud
Seção: Death in August 2009
Background: Baitullah Mehsud (Pashto,Urdu: byt llh mHswd); c. 1972 - c. 5 August 2009) was a leading militant in Waziristan, Pakistan, and the leader of the Tehrik-i-Taliban Pakistan (TTP). He formed the TTP from an alliance of about five militant groups in December 2007. He is thought by U.S. military analysts to have commanded up to 5,000 fighters and to have been behind numerous attacks in Pakistan including the assassination of Benazir Bhutto which he and others have denied. Disagreement exists over the exact date of the militant's death.

Conteúdo: On the night of 5 August 2009, while he was staying with his second wife at his father-in-law's house in Zangara, a U.S. drone attacked the premises. According to former CIA director Leon Panetta, he was observed on the roof of the house and identified by the distinctive hat he wore. According to The Times, it may have been his desire to father a son that ultimately led to his demise.  Two of his followers, Maulana Meraj and Hakimullah Mehsud, denied the report the following day, dismissing it as "rumors" intended to negatively impact the Taliban's spread of jihad. They suggested that Baitullah had gone into hiding and isolation as a part of a strategy. Hakimullah added that meetings of Taliban officials in Dir and surroundings are proceeding as usual "to make worth of their abilities and to discuss other plans which he called 'war game plans'." These reports were followed by several telephone conversations between AP reporters with Qari Hussain, Maulvi Omar and Hakimullah Mehsud to deny Baitullah's death and to claim he had been ill, perhaps gravely, for several months or had been "busy on the battlefield." Hakimullah indicated that soon a videotape would be released as a proof of his statements.  After his capture on 18 August, Maulvi Omar retracted his previous statements and confirmed that Baitullah had indeed perished in the missile strike. On 20 August, U.S. President Barack Obama stated "We took out [Baitullah] Mehsud" in a radio address. On 25 August, both Hakimullah 

user: Who killed Mehsud

assistant: On the night of 5 August 2009, while he was staying with his second wife at his father-in-law's house in Zangara, a U.S. drone attacked the premises.

user: Was he confirmed dead?

assistant: On 25 August, both Hakimullah Mehsud and Wali-ur-Rehman confirmed to BBC and AP correspondents that Baitullah had indeed perished on 23 August from injuries sustained in the missile strike.
Surrender plates temporarily or for a season 
You can surrender your vehicle plates at a local DMV office and reinstate the registration later. For example , you can surrender your vehicle plates and cancel liability insurance when you take your vehicle off the road for the winter. 

Surrender in an office 
Bring your plates to a local DMV office and request a receipt for transfer. Do not request a registration fee refund receipt. Be sure to remove plate frames and fasteners before you surrender them. We will not accept plates with frames or fasteners attached. 

Plate storage 
The DMV does not store standard vehicle plates. If you surrender standard plates , they will be destroyed. You can apply for reinstatement of the registration at any DMV office that processes registration transactions. The DMV office will issue a new set of vehicle plates and can charge a vehicle plate fee of up to $25.00. If you surrender personalized plates or custom plates , the DMV office will store them. You must apply for the reinstatement of the registration at the same DMV office where you surrendered your personalized plates or custom plates. 

Reinstate surrendered plates 
You must apply in a DMV office to reinstatement of your registration and receive vehicle plates. Bring the following items a completed Application for Registration or Title pdf [1] MV-82 when you surrendered your vehicle plates the receipt FS-6 T you received an NY State Insurance ID Card FS-20 that shows current insurance coverage see a sample [2 ] your proof of identity and date of birth a check or cash for any fees Remember that the registration expires on the same date as the registration you surrendered. If you reinstate your registration within 60 days before the registration expires , you can renew the registration and pay the renewal fees. 

user: How do i surrender my plates temporarily?

assistant: You can surrender your vehicle plates at a local DMV and then you can also save money by canceling your liability insurance temporarily also.

assistant: Did you cancel your liability insurance when you turned in your plates temporarily?

user: yes I did turn my plates in and cancel my liability insurance.

assistant: it is a good thing when you can save money by canceling your liability insurance temporarily.

user: Does it matter if I cancel my liability insurance or not?

assistant: It will be a good thing because you will save money on your liability insurance when you cancel it.

user: What happens to my personalized plates when I turn them in to the DMV?

assistant: Fortunately, the DMV will store them unto you come to reinstate them.

user: What happens if I surrender my standard plates?

assistant: The DMV does not store your standard vehicle plates because they destroy them.
Título: Robert Hughes (critic)
Seção: Career
Background: Hughes was born in Sydney, Australia, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later careers as a solicitor and company director. He died from lung cancer when Robert was aged 12.

Conteúdo: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice.  Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative."  Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement.  Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on m

user: Did Hughes go to school?

assistant: CANNOTANSWER

user: What was Hughes first job?

assistant: where he wrote for The Spectator,

user: How long did he keep his first job?

assistant: Oz. In 1970 he was appointed art critic for TIME magazine

user: Was he successful at Time?

assistant: became an influential voice.

user: Was he award winning for the magazine?

assistant: CANNOTANSWER
Título: The Kooks
Seção: Rafferty's departure and Konk (2008)
Background: The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.

Conteúdo: Rafferty was fired from the band on 31 January 2008, after a series of absences due to illness and long-standing rumours about his place in the band; drug addiction was also quoted as one of the reasons for his departure. Rafferty subsequently refuted these claims, saying that he had been fired from the band because he "didn't think Konk was very good, and I said that." Dan Logan, bassist with a local Brighton band Cat the Dog, was drafted in as a temporary replacement for Rafferty. After the departure of Rafferty, the band had considered splitting up. Singer Luke Pritchard had told The Sun's Something for the Weekend that "Splitting does go through your mind. It's hard to let go of something you care about so much. We have fans to think of." Pritchard also discussed the possibility of Dan Logan joining the band as their new bassist, "It's been really strange for us but it's something that had to happen. Dan hasn't joined the band properly yet. We're trying him out, but I love playing with him." In October 2008, Peter Denton - who had previously filled in for Rafferty during the Inside In/Inside Out touring cycle - was chosen as the permanent bassist.  The Kooks released their second album, Konk, in April 2008. The record was named after the studio where it was recorded and produced by Tony Hoffer, who worked on the band's debut album, Inside In/Inside Out. Prior to releasing the album, in an interview with NME, lead singer Luke Pritchard had claimed to have 80-90 songs writt

user: Why did Rafferty depart?

assistant: Rafferty was fired from the band on 31 January 2008,

user: Why was he fired?

assistant: after a series of absences due to illness and long-standing rumours about his place in the band;

user: Who replaced Rafferty?

assistant: Dan Logan, bassist with a local Brighton band Cat the Dog, was drafted in as a temporary replacement

user: How did the other members of the band feel about firing him?

assistant: After the departure of Rafferty, the band had considered splitting up.
Título: Wes Hall
Seção: Early life and career
Background: Sir Wesley Winfield Hall (born 12 September 1937) is a Barbadian former cricketer and politician. A tall, strong and powerfully built man, Hall was a genuine fast bowler and despite his very long run up, he was renowned for his ability to bowl long spells. Hall played 48 Test matches for the West Indies from 1958 to 1969. Hall's opening bowling partnership with fellow Barbadian Charlie Griffith was a feature of the strong West Indies teams throughout the 1960s.

Conteúdo: Hall was born in Saint Michael, Barbados--"just outside the walls of [HM Prison] Glendairy"--to a teenaged mother, his father a sometime light-heavyweight boxer. Hall began his schooling at St Giles' Boys' School and later obtained a place at the renowned Combermere School thanks to a free scholarship. At Combermere, he played for the school cricket team initially as a wicketkeeper/batsman. At the time the leading schools in Barbados played against grown men in the elite Division 1 of the Barbados Cricket Association and Hall was exposed to a high standard of cricket at an early age. One of his teammates at Combermere was the school groundskeeper, the West Indian Test cricketer Frank King.  After completing his schooling, Hall found employment with the cable office in Bridgetown. Hall played for the Cable Office cricket team and it was there that Hall took up fast bowling. In a match against Wanderers, Hall was asked to fill in when his team's regular opening bowler was absent. He took six wickets that day and decided that bowling would be his path to the West Indies team. His talent was soon recognised and in 1956 he was included in the Barbados team to play E. W. Swanton's XI in 1956. Hall, still very young and inexperienced, did not take a wicket in the match, his first-class cricket debut. Hall was unlucky, however, not to pick up a wicket having Colin Cowdrey dropped by Kenneth Branker at first slip. Despite the lack of success Hall did catch the eye of Swanton who marke

user: When was he born?

assistant: CANNOTANSWER

user: Where was he born?

assistant: in Saint Michael, Barbados--"just outside the walls of [HM Prison] Glendairy"--

user: DId he play sports as a youth?

assistant: At Combermere, he played for the school cricket team initially as a wicketkeeper/batsman. At the time the leading schools in Barbados played against grown men
Título: D.O.A. (band)
Seção: First breakup and reunion (1990-2002)
Background: D.O.A. is a Canadian punk rock band from Vancouver, British Columbia. They are often referred to as the "founders" of hardcore punk along with Black Flag, Bad Brains, Angry Samoans, the Germs, Negative Trend, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore. Singer/guitarist Joey "Shithead" Keithley is the only founding member to have stayed in the band throughout its entire history, with original bassist Randy Rampage returning to the band twice after his original departure.

Conteúdo: 1990's Murder featured rawer, almost thrash-metal production, rather than their original basic punk sound. The same year also produced a collaboration with Dead Kennedys singer Jello Biafra with Last Scream of the Missing Neighbors. In August 1990, Joey decided he was breaking up D.O.A. but, at the suggestion of promoter Dirk Dirksen, they did a farewell tour of the West Coast, playing their "final" show on December 1, 1990 at the Commodore in Vancouver. In 1991, they released a posthumous live album entitled Talk Minus Action = 0 while Keithley pursued an acting career.  19 months after D.O.A. broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992. Fellow Canadian punk rock veteran John Wright from NoMeansNo suggested they hire Ken Jensen from Red Tide as the new drummer, which they did. The new lineup released an EP and two albums in the early 1990s, 13 Flavours Of Doom and Loggerheads. These albums found the band replacing the more hard-rock oriented sound of the 1980s with a return to punk rock, although it was a heavier, tighter brand of punk than their earlier work. These albums were produced by Wright, who also played keyboards on the recordings. The band then added Ford Pier on guitar and vocals.  Tragedy struck in 1995 when drummer Ken Jensen died in a house fire. The "Ken Jensen Memorial Single" EP was released on Alternative Tentacles, including two tracks each from D.O.A. and Red Tide. With John Wright filling in on drums, ninth full-len

user: What caused was the D.O.A.'s first break up

assistant: CANNOTANSWER

user: What did they accomplish before the first break up?

assistant: CANNOTANSWER

user: Who rejoined the band?

assistant: Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992.

user: What were they popular for?

assistant: basic punk sound.

user: Who played drums?

assistant: Ken Jensen

user: Who played bass?

assistant: Randy Rampage
Título: The Dark Side of the Moon
Seção: Instrumentation
Background: The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their earlier work. Its themes explore conflict, greed, the passage of time, and mental illness, the latter partly inspired by the deteriorating mental state of founding member and principal contributor, Syd Barrett. Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London.

Conteúdo: The album features metronomic sound effects during "Speak to Me", and tape loops opening "Money". Mason created a rough version of "Speak to Me" at his home, before completing it in the studio. The track serves as an overture and contains cross-fades of elements from other pieces on the album. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo composing credit for "Speak to Me".  The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop (later adapted to four tracks in order to create a "walk around the room" effect in quadraphonic presentations of the album). At times the degree of sonic experimentation on the album required the engineers and band to operate the mixing console's faders simultaneously, in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run").  Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesizers to their sound. For example, the band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", and a Synthi A on "Time" and "On the Run". They also devised and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber (during "On 

user: What kind of instrumentation did they use?

assistant: A piano chord, replayed backwards, serves to augment the build-up of effects,

user: Were there any particular songs they used this technique on?

assistant: are immediately followed by the opening of "Breathe

user: Were there any other songs that used the technique?

assistant: CANNOTANSWER
Título: Brian Wilson
Seção: Early years and performances
Background: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine.

Conteúdo: Brian Douglas Wilson was born on June 20, 1942, at Centinela Hospital in Inglewood, California, the eldest son of Audree Neva (nee Korthof) and Murry Wilson. His two younger brothers were Dennis and Carl. He has English, Swedish, Dutch, German, and Irish ancestry.  When Brian was two, the family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California. Speaking of Brian's unusual musical abilities prior to his first birthday, his father said that, as a baby, he could repeat the melody from "When the Caissons Go Rolling Along" after only a few verses had been sung by the father. Murry Wilson said, "He was very clever and quick. I just fell in love with him." At about age two, Brian heard George Gershwin's Rhapsody in Blue, which had an enormous emotional impact on him. A few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame.  While Brian's father Murry was ostensibly a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a "toy accordion" and, at seven and eight, sang solos in church with a choir behind him. At Hawthorne High School, Brian was on the football team as a quarterback, played baseball an

user: What happend at Brian Early years and performance?

assistant: When Brian was two, the family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California.

user: Where was he born?

assistant: Centinela Hospital in Inglewood, California,

user: When was he born?

assistant: June 20, 1942,

user: Did he have any siblings?

assistant: His two younger brothers were Dennis and Carl.

user: Did he live with his parent?

assistant: the eldest son of Audree Neva (nee Korthof) and Murry Wilson.
Título: Testament (band)
Seção: Increasing popularity (1988-1992)
Background: Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

Conteúdo: Testament's second album, The New Order, was released in May 1988, and found the band continuing in a similar vein. The album was a minor success, peaking at number 136 on the Billboard 200, and managed to sell over 250,000 copies. In support of The New Order, Testament opened for Megadeth on their So Far, So Good... So What! tour in Europe, and toured the United States with the likes of Death Angel, Vio-Lence and Raven.  After touring in support of The New Order, the band headed back into the studio to record their third studio album Practice What You Preach. Released in August 1989, the album minimized the occult and gothic themes found in the lyrical content of their first two albums, instead focusing on real-life issues such as politics and corruption. Practice What You Preach performed better on the charts than The New Order, reaching at number 77 on the Billboard 200, and included the hit single, the title track, which saw extensive airplay on Headbangers Ball. Testament toured for nearly a year behind Practice What You Preach with several bands, including Annihilator, Wrathchild America, Mortal Sin, Nuclear Assault and Savatage. By 1990, the album had sold over 450,000 copies.  In October 1990, Testament released their fourth studio album Souls of Black. Although reviews were mixed, the album managed to sell respectably, in no doubt largely off the strength of the single title track, and saw the band perform on arena tours, including the European Clash of the Titans to

user: Who are the line up members of the band?

assistant: CANNOTANSWER

user: In this year did any of the member left the band?

assistant: success of The Ritual did not put an end to the tensions within the band.
Transfer IRP registration[1] 
To transfer an IRP registration and apportioned plates , request that the IRB transfer the registration when you buy or register the new vehicle. 

Transfer IRP registration online 
You can apply to transfer an IRP registration online through the New York State One Stop Credentialing and Registration system OSCAR. For more information go to https://www.oscar.ny.gov/OSCR/OSCRCarrierHome [2]. 

Transfer an IRP registration by mail 
To apply for transfer of an IRP registration mail the following completed and signed form Schedule A & C pdf [3] IRP-6 1 proof of: ownership and proof of insurance form FS-20 for the new vehicle being added to your account if applicable clearance of the Heavy Vehicle Use Tax IRS form 2290 proof of identity 2 the original cab card for the vehicle being removed from the fleet the appropriate fee If you are using the United States Postal Service use this address International Registration BureauPO Box 2850 ESPAlbany , NY 12220 - 0850 International Registration BureauNYS DMVRoom 1366 Empire State PlazaAlbany , NY 12228 

Transfer an IRP registration at the Customer Service Counter in Albany 
You may bring the items described above to Customer Service CounterRoom 136Swan Street BuildingEmpire State PlazaAlbany , NY 12228 The office is open from 8:00am to 3:45pm, Monday through Friday, except state holidays 

Transfer an IRP registration by fax 
Fax the items described above to the IRB at518 - 486 - 6579 

How much will the transfer cost? 
Fees are calculated by member jurisdictions using different methods. The NY State IRB cannot calculate the amount of your bill until the transfer has been processed 

When will the new registration expire? 
The new registration expires on the same date as the original registration. 

What if the new vehicle weighs more than the previous vehicle? 
If the new vehicle weighs more than the previous vehicle , there are pro - rated registration fees for the difference in weight, admini

user: Hello there. I came to get advice on how to transfer an IRP registration and have several questions about the process.

assistant: Do you want to transfer an IRP registration and apportioned plates?

user: Yes, I do.

assistant: In that case you can request that the IRB transfer the registration when you buy or register the new vehicle.

user: Can I apply for a IRP registration transfer online?

assistant: Yes, you can apply to transfer an IRP registration online through the New York State One Stop Credentialing and Registration system OSCAR.

user: I see. What if I send someone else to hand in my application?

assistant: For this scenario, see the requirements for a second-party registration application.

user: I could also do it by fax. Can you transfer an IRP registration by fax?

assistant: Yes, for this you simply need to fax us the items described above to the IRB at518-486-6579.
Título: Hedwig and the Angry Inch (musical)
Seção: Brazil
Background: Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.

Conteúdo: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed agai

user: What did Hedwig do in Brazil?

assistant: a Brazilian adaptation of Hedwig and the Angry Inch premiered

user: Was it ever made into a film?

assistant: CANNOTANSWER
Título: Teena Marie
Seção: Epic era (1983-1990)
Background: Mary Christine Brockert (March 5, 1956 - December 26, 2010), better known by her stage name Teena Marie, was an American singer-songwriter, and producer. She was known by her childhood nickname Tina before taking the stage name Teena Marie and later acquired the nickname Lady Tee (sometimes spelled Lady T), given to her by her collaborator and friend, Rick James. She was known for her distinctive soulful vocals, which caused many listeners to believe she was African-American. Her success in R&B and soul music, and loyalty to these genres would earn her the title Ivory Queen of Soul.

Conteúdo: Contacted by Epic Records in the fall of 1982, after expressing dismay over her Motown contract, Teena Marie signed a worldwide deal with the Columbia Records subsidiary that also allowed her to establish her own publishing company, Midnight Magnet. Epic released the concept album Robbery, which featured the hit "Fix It" (#21 R&B), as well as "Shadow Boxing" and "Casanova Brown." (The latter was one of many tracks Teena Marie would write over the years about her real-life romance with one-time mentor Rick James. The relationship had ended by that point, but the two continued a sometimes tempestuous friendship until James' death, in August 2004.)  In 1984, Teena Marie released her biggest-selling album, Starchild. It yielded her biggest hit "Lovergirl", which peaked at No. 4 on the U.S. Billboard Hot 100 chart in March 1985 and at No. 9 on the R&B chart. The label also released the moderate R&B hit "Out on a Limb", which peaked at No. 56 on the R&B chart but didn't break the Hot 100. "14k" was featured on the soundtrack of the film The Goonies (1985) but was not a hit (only making the U.S. R&B charts at #87).  In 1986, Teena Marie released a rock music-influenced concept album titled Emerald City. It was controversial with her established fan base and not as successful as its predecessors. She also recorded the rock-influenced track, "Lead Me On", co-produced by Giorgio Moroder, for the soundtrack of the box office hit film Top Gun (1986).  In 1988, she returned to R&B and fun

user: What is significant about the Epic era?

assistant: Contacted by Epic Records in the fall of 1982, after expressing dismay over her Motown contract, Teena Marie signed a worldwide deal with the Columbia Records subsidiary

user: How long was she with Columbia Records?

assistant: CANNOTANSWER

user: was this deal profitable?

assistant: In 1984, Teena Marie released her biggest-selling album, Starchild.

user: How many did she sell of that album?

assistant: CANNOTANSWER

user: Did she have any other successful albums?

assistant: In 1988, she returned to R&B and funk, releasing the critically acclaimed album Naked to the World.

user: Did she explore other genres during this era?

assistant: In 1986, Teena Marie released a rock music-influenced concept album titled Emerald City.

user: Who influenced her?

assistant: one-time mentor Rick James.
Título: Willie Dixon
Seção: Pinnacle of career
Background: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Conteúdo: Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.  Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.  In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I J

user: what was the highlight of his career?

assistant: Dixon is considered one of the key figures in the creation of Chicago blues.

user: did he record any albums during his career?

assistant: He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.

user: under what record label?

assistant: From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful.