Título: Robert Crumb
Seção: Zap and underground comix (1967-1979)
Background: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.

Conteúdo: In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.  Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.  Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968.  The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap

user: what is zap?

assistant: Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties.

user: how was the response to this work?

assistant: Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.

user: were they successful in their attempt ?

assistant: Zap was financially successful, and developed a market for underground comix.

user: what more is known about underground comix?

assistant: Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit,

user: how was his sexually explicit work do ?

assistant: He produced much of his best-known work then,

user: what were these best known works?

assistant: Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).

user: did he win any awards for his work?

assistant: CANNOTANSWER

user: what is the interesting aspect of this section?

assistant: he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests,

user: did he comply with the requests?

assistant: The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks.

user: what was the outcome of this period?

assistant: Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years.