dgand84/projgand huggingface dataset:
Título: Clare Fischer
Seção: Salsa Picante years
Background: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

Conteúdo: In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2".  The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records.  In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and 

user: What is Salsa Picante?

assistant: He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles.

user: When did Clare Fischer start Salsa Picante?

assistant: The album 2+2 won a Grammy in 1981.

user: How long did the Salsa Picante group stay together?

assistant: 1983

user: What other awards did Salsa Picante win?

assistant: His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985.
Título: The Rolling Stones
Seção: 1983-1988: Band turmoil and solo efforts
Background: The Rolling Stones are an English rock band formed in London, England in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974.

Conteúdo: Before leaving Atlantic, the Rolling Stones released Undercover (UK 3; US 4) in late 1983. Despite good reviews and the Top Ten peak position of the title track, the record sold below expectations and there was no tour to support it. Subsequently, the Stones' new marketer/distributor CBS Records took over distributing the Stones' Atlantic catalogue.  By this time, the Jagger/Richards rift had grown significantly. To Richards' annoyance, Jagger had signed a solo deal with CBS Records, and he spent much of 1984 writing songs for his first album. He also declared his growing lack of interest in the Rolling Stones. By 1985, Jagger was spending more time on solo recordings, and much of the material on 1986's Dirty Work was generated by Richards, with more contributions by Wood than on previous Rolling Stones albums. The album was recorded in Paris, and Jagger was often absent from the studio, leaving Richards to keep the recording sessions moving forward.  In June 1985, Jagger teamed up with David Bowie for "Dancing in the Street", which was recorded as part of the Live Aid charity movement. This was one of Jagger's first solo performances, and the song reached No. 1 in the UK, and No. 7 in the US. In December 1985, Stewart died of a heart attack. The Rolling Stones played a private tribute concert for him at London's 100 Club in February 1986, two days before they were presented with a Grammy Lifetime Achievement Award.  Dirty Work (UK No. 4; US No. 4) was released in March 1986 

user: What kind of issues did they have in 1983?

assistant: By this time, the Jagger/Richards rift had grown significantly.

user: What was their problems with each other?

assistant: To Richards' annoyance, Jagger had signed a solo deal with CBS Records,

user: Did they ever almost breakup?

assistant: As a result of the animosity within the band during this period, they almost broke up.

user: Was there other problems with bandmembers?

assistant: much of the material on 1986's Dirty Work was generated by Richards, with more contributions by Wood than on previous Rolling Stones albums.
Título: René Girard
Seção: Biblical text as a science of man
Background: Rene Noel Theophile Girard (; French: [ZiRaR]; 25 December 1923 - 4 November 2015) was a French historian, literary critic, and philosopher of social science whose work belongs to the tradition of anthropological philosophy. Girard was the author of nearly thirty books, with his writings spanning many academic domains.

Conteúdo: In Things Hidden Since the Foundation of the World, Girard discusses for the first time Christianity and the Bible. The Gospels ostensibly present themselves as a typical mythical account, with a victim-god lynched by a unanimous crowd, an event that is then commemorated by Christians through ritual sacrifice -- a material re-presentation in this case -- in the Eucharist. The parallel is perfect except for one detail: the truth of the innocence of the victim is proclaimed by the text and the writer. The mythical account is usually built on the lie of the guilt of the victim in as much as it is an account of the event seen from the viewpoint of the anonymous lynchers. This ignorance is indispensable to the efficacy of the sacrificial violence.  The evangelical "good news" clearly affirms the innocence of the victim, thus becoming, by attacking ignorance, the germ of the destruction of the sacrificial order on which rests the equilibrium of societies. Already the Old Testament shows this turning inside-out of the mythic accounts with regard to the innocence of the victims (Abel, Joseph, Job...), and the Hebrews were conscious of the uniqueness of their religious tradition. With the Gospels, it is with full clarity that are unveiled these "things hidden since the foundation of the world" (Matthew 13:35), the foundation of social order on murder, described in all its repulsive ugliness in the account of the Passion.  This revelation is even clearer because the text is a work on d

user: What does Girard have to say about Biblical text?

assistant: Girard reinterprets certain biblical expressions in light of his theories;
Título: Florence Lawrence
Seção: Independent Moving Pictures Company
Background: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.

Conteúdo: Finding themselves "at liberty," Lawrence and Solter in 1909 were able to join the Independent Moving Pictures Company of America (IMP). The company, founded by Carl Laemmle, the owner of a film exchange (who later absorbed IMP into Universal Pictures, which he also founded and also the president), was looking for experienced filmmakers and actors. Needing a star, he lured Lawrence away from Biograph by promising to give her a marquee. First, Laemmle organized a publicity stunt by starting a rumor that Lawrence had been killed by a street car in New York City. Then, after gaining much media attention, he placed ads in the newspapers that announced, "We nail a lie", and included a photo of Lawrence. The ad declared she is alive and well and making The Broken Oath, a new movie for his IMP Film Company to be directed by Solter.  Laemmle had Lawrence make a personal appearance in St. Louis, Missouri in March 1910 with her leading man to show her fans that she was very much alive, making her one of the first performers not already famous in another medium to be identified by name by her studio.  Laemmle generated attention by falsely claiming that Lawrence's St. Louis fans were so excited to learn that she had not died that they rushed her in a frenzy and tore her clothes off. Partially due to Laemmle's ingenuity, the "star system" was born and before long, Florence Lawrence became a household name. However, her fame also proved that the studio executives who had concerns over wag

user: how did her career with this company begin?

assistant: " Lawrence and Solter in 1909 were able to join the Independent Moving Pictures Company of America (IMP).

user: what were her achievements in this company

assistant: the "star system" was born
Título: Fazlur Rahman Khan
Seção: Tube structural systems
Background: Fazlur Rahman Khan (Bengali: phjlur rhmaan khaan, Fozlur Rohman Khan) (3 April 1929 - 27 March 1982) was a Bangladeshi-American structural engineer and architect, who initiated important structural systems for skyscrapers. Considered the "father of tubular designs" for high-rises, Khan was also a pioneer in computer-aided design (CAD). He was the designer of the Sears Tower, since renamed Willis Tower, the tallest building in the world from 1973 until 1998, and the 100-story John Hancock Center. Khan, more than any other individual, ushered in a renaissance in skyscraper construction during the second half of the 20th century.

Conteúdo: Khan's central innovation in skyscraper design and construction was the idea of the "tube" structural system for tall buildings, including the framed tube, trussed tube, and bundled tube variants. His "tube concept", using all the exterior wall perimeter structure of a building to simulate a thin-walled tube, revolutionized tall building design. Most buildings over 40 stories constructed since the 1960s now use a tube design derived from Khan's structural engineering principles.  Lateral loads (horizontal forces) such as wind forces, seismic forces, etc., begin to dominate the structural system and take on increasing importance in the overall building system as the building height increases. Wind forces become very substantial, and forces caused by earthquakes, etc. are important as well. The tubular designs resist such forces for tall buildings. Tube structures are stiff and have significant advantages over other framing systems. They not only make the buildings structurally stronger and more efficient, but also significantly reduce the structural material requirements. The reduction of material makes the buildings economically more efficient and reduces environmental impact. The tubular designs enable buildings to reach even greater heights. Tubular systems allow greater interior space and further enable buildings to take on various shapes, offering added freedom to architects. These new designs opened an economic door for contractors, engineers, architects, and investors, 

user: Are there any other interesting aspects about this article?

assistant: Khan's central innovation in skyscraper design and construction was the idea of the "tube" structural system for tall buildings,
Título: Margaret Mead
Seção: Controversy
Background: Margaret Mead (December 16, 1901 - November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and 1970s. She earned her bachelor's degree at Barnard College in New York City and her M.A. and Ph.D. degrees from Columbia University. Mead was a respected and often controversial academic who popularized the insights of anthropology in modern American and Western culture. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.

Conteúdo: After her death Mead's Samoan research was criticized by anthropologist Derek Freeman, who published a book that argued against many of Mead's conclusions. Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations. Freeman argued instead that Samoan culture prized female chastity and virginity and that Mead had been misled by her female Samoan informants. Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community, whereas it was received enthusiastically by communities of scientists who believed that sexual mores were more or less universal across cultures. Some anthropologists who studied Samoan culture argued in favor of Freeman's findings and contradicted those of Mead, whereas others argued that Freeman's work did not invalidate Mead's work because Samoan culture had been changed by the integration of Christianity in the decades between Mead's and Freeman's fieldwork periods. While Mead was careful to shield the identity of all her subjects for confidentiality Freeman was able to find and interview one of her original participants, and Freeman reported that she admitted to having wilfully misled Mead. She said that she and her friends were having fun with Mead and telling her stories.  On the whole, anthropologists have rejected the notion that Mead's conclusions rested on the validity of a single interview with a single perso

user: What was the controversy?

assistant: Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations.

user: How was it taken?

assistant: Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community,

user: Are there any other interesting aspects about this article?

assistant: Mead's reputation and significance as an anthropologist have not been diminished by Freeman's criticisms.
Mustard gas or lewisite exposure 
If you had contact with mustard gas also known as sulfur mustard, yperite, or nitrogen mustard or lewisite, a natural compound that contains the poison arsenic , you may have certain related long - term illnesses. Find out if you can get disability compensation or benefits. 

Can I get disability benefits from VA? 
You may be able to get disability benefits if you have a disability believed to be caused by contact with mustard gas or lewisite and your military record shows you had contact with mustard gas or lewisite. If you were in the Army and served in these places : Bari , Italy Bushnell , FL Camp Lejeune , NC Camp Sibert, AL Dugway Proving Ground , UT Edgewood Arsenal , MD Naval Research Lab , Washington, DC Ondal , India Rocky Mountain Arsenal , CO San Jose Island , Panama Canal Zone If you were in the Navy and served in these places : Bari , Italy Camp Lejeune , NC Charleston , SC Great Lakes Naval Training Center , IL Hart s Island , NY Naval Training Center , Bainbridge, MD Naval Research Laboratory , VA Naval Research Laboratory , Washington, DC USS Eagle Boat 58 Some service members who took part in testing in these places : Finschhafen , New Guinea Porton Down , England Select merchant seamen were also exposed at Bari, Italy. 

Who s covered? 
Veterans 

What kind of disability benefits can I get? 
Health care Compensation payments 

How do I get these benefits? 
You ll need to file a claim for disability compensation. You have to claim an actual disease or disability. It s not enough to state that you were exposed to mustard gas or lewisite during service. You ll need to apply based on the illnesses believed to be caused by your contact with one of these chemicals. When you send in your claim , be sure to share any military records that show you had contact with blistering agents. Find out how to file a claim for disability compensation 

What if I need help filing my disability claim? 
If you have questions about ben

user: I'm looking for more information on disability because of mustard gas contact

assistant: We can help you. You can email us if you need help filing a disability claim. Do you need our email address?

user: not yet, maybe when I start filling out papers

user: I have a quick question before I ask what I came here to ask,  do you have numbers on how many veterans volunteered for chemical and biological testing? 

assistant: As many as 60,000 Veterans volunteered for medical research for the U.S. Biological and Chemical Programs. 

user: ok, so what does one of those Army vets need in order to get benefits?

assistant: Let me ask you some questions to see if you may be eligible for medical care. Did you volunteer for research involving chemical and biological testing between 1942 and 1975 ?

user: no , not me

assistant: You did not meet the requirements to get medical care through the U.S. Army
Título: Hack Wilson
Seção: New York Giants
Background: Lewis Robert "Hack" Wilson (April 26, 1900 - November 23, 1948) was an American Major League Baseball player who played 12 seasons for the New York Giants, Chicago Cubs, Brooklyn Dodgers and Philadelphia Phillies. Despite his diminutive stature, he was one of the most accomplished power hitters in the game during the late 1920s and early 1930s. His 1930 season with the Cubs is widely considered one of the most memorable individual single-season hitting performances in baseball history. Highlights included 56 home runs, the National League record for 68 years; and 191 runs batted in, a mark yet to be surpassed. "

Conteúdo: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season. By mid-July he was ranked second in the National League (NL) in hitting. He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant. In the 1924 World Series he averaged only .233 in a seven-game loss to the Washington Senators.  Multiple stories exist to explain the origin of Wilson's nickname: By one account, a New York newspaper held a nicknaming contest; the winning entry was "Hack" because he reminded many fans of another stocky athlete, the popular wrestler Georg Hackenschmidt. In another version, McGraw is said to have remarked that Wilson's physique was reminiscent of a "hack" (slang for taxicab in that era). Giants teammate Bill Cunningham claimed that the nickname was based on Wilson's resemblance to Hack Miller, an outfielder with the Chicago Cubs. The New York Times printed the first documented usage of "Hack" on June 10, 1924.  Early in the 1925 season Wilson hit the longest home run on record at Ebbets Field against the Brooklyn Robins, but fell into a slump in May, and was replaced in left field by Irish Meusel. On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922, but his hitting slump continued. In August McGraw told reporters that he had "...made the mistake of rushing [Wilson] along," and sent him to the Giants' minor league aff

user: What did he do with the Giants?

assistant: Wilson made his major league debut with the Giants on September 29, 1923 and became the starting left fielder the following season.

user: How did he do ?

assistant: He ended the season with a .295 average, 10 home runs, and 57 runs batted in (RBIs) as New York won the NL pennant.

user: Did he set any records?

assistant: On July 2 he hit two home runs in one inning, tying Ken Williams' major league record set in 1922,
Título: Sarah Silverman
Seção: 2011-present: Take This Waltz and other projects
Background: Silverman was born in Bedford, New Hampshire, to Beth Ann (nee Halpin; 1941-2015) and Donald Silverman. She was raised in Manchester, New Hampshire. Beth had been George McGovern's personal campaign photographer and would found the theater company New Thalian Players, while Donald has training as a social worker and also ran the clothing store Crazy Sophie's Outlet. Silverman's parents divorced and later remarried others.

Conteúdo: Silverman played Geraldine alongside Michelle Williams and Seth Rogen in Take This Waltz, written and directed by Sarah Polley. The film was well received when it premiered in Toronto in 2011 and was picked up by Magnolia for U.S. distribution in summer 2012. At the Toronto International Film Festival, she told the press she'd deliberately gained weight for the part, which required a nude scene, emphasizing that Polley wanted "real bodies and real women." In interviews, she warned fans not to expect too much. However, she later told podcaster and author Julie Klausner that she had not really gained weight for the role and that the statements were meant as self-deprecating humor.  On September 20, 2012, Silverman made a public service announcement (PSA) criticizing new voter identification laws that create obstacles to the ability of certain groups to vote in the November presidential election, i.e., young, old, poor, and minority citizens. The project was financed by the Jewish Council for Education & Research (JCER) and was co-produced by Mik Moore and Ari Wallach (the pair that also co-produced The Great Schlep and Scissor Sheldon).  Silverman voiced Vanellope von Schweetz, one of the main characters in the 2012 Disney animated film, Wreck-It Ralph. She is in the creative team that writes and produces the content for the YouTube comedy channel called Jash. The other partners are Michael Cera, Reggie Watts, and Tim Heidecker and Eric Wareheim (also known as Tim & Eric). The 

user: What is Take This Waltz?

assistant: film

user: What was Silverman's role in the film?

assistant: Geraldine

user: What year was the film released?

assistant: premiered in Toronto in 2011 and was picked up by Magnolia for U.S. distribution in summer 2012.

user: Did the film do well?

assistant: well received when it premiered in Toronto in 2011

user: Did it win any awards?

assistant: CANNOTANSWER
Título: Whitney Museum of American Art
Seção: Early years
Background: The Whitney Museum of American Art - known informally as the "Whitney" - is an art museum located in Manhattan. It was founded in 1931 by Gertrude Vanderbilt Whitney (1875-1942), a wealthy and prominent American socialite and art patron after whom the museum is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection comprises more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,000 artists.

Conteúdo: Gertrude Vanderbilt Whitney, the museum's namesake and founder, was herself a well-regarded sculptor as well as a serious art collector. As a patron of the arts, she had already achieved some success as the creator of the "Whitney Studio Club", a New York-based exhibition space which she created in 1918 to promote the works of avant-garde and unrecognized American artists. Whitney favored the radical art of the American artists of the Ashcan School such as John Sloan, George Luks and Everett Shinn, as well as others such as Edward Hopper, Stuart Davis, Charles Demuth, Charles Sheeler, and Max Weber.  With the aid of her assistant, Juliana R. Force, Whitney had collected nearly 700 works of American art. In 1929, she offered to donate over 500 works of art to the Metropolitan Museum of Art, but the museum declined the gift. This, along with the apparent preference for European modernism at the recently opened Museum of Modern Art, led Whitney to start her own museum, exclusively for American art, in 1929.  Whitney Library archives from 1928 reveal that during this time the Studio Club utilized the gallery space of Wilhelmina Weber Furlong of the Art Students League to exhibit traveling shows featuring Modernist works. In 1931, architect Noel L. Miller converted three row houses on West 8th Street in Greenwich Village - one of which had been the location of the "Studio Club" - to be the museum's home as well as a residence for Whitney. Force became the first director of the mus

user: When was the Museum created?

assistant: she created in 1918

user: Who was museum named for?

assistant: Gertrude Vanderbilt Whitney,

user: Who was she?

assistant: Gertrude Vanderbilt Whitney, the museum's namesake and founder,
Título: Lea Salonga
Seção: 1989-1992: Miss Saigon and Aladdin
Background: Maria Lea Carmen Imutan Salonga, KLD (born February 22, 1971), known as Lea Salonga (), is a Filipina singer and actress best known for her roles in musical theatre, for supplying the singing voices of two Disney Princesses, and as a recording artist and television performer. At age 18, she originated the lead role of Kim in the musical Miss Saigon, first in the West End and then on Broadway, winning the Olivier and Theatre World Awards, and becoming the first Asian woman to win a Tony Award. Salonga is the first Filipino artist to sign with an international record label (Atlantic Records in 1993). She is also the first Philippine-based artist to have received a major album release and distribution deal in the United States, and one of the best-selling Filipino artists of all time, having sold over 19 million copies of her albums worldwide.

Conteúdo: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit fro

user: Who is Miss Saigon?

assistant: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London.
Título: Wasim Akram
Seção: World's best
Background: Wasim Akram (Urdu: wsym khrm; born 3 June 1966) is a former Pakistani first-class cricketer, cricket commentator and television personality. He is acknowledged as one of the greatest bowlers of all time. A left-arm fast bowler who could bowl with significant pace, he represented the Pakistan cricket team in Test cricket and One Day International (ODI) matches. In October 2013, Wasim Akram was the only Pakistani cricketer to be named in an all-time Test World XI to mark the 150th anniversary of Wisden Cricketers' Almanack.

Conteúdo: Akram was a significant figure in the 1992 Cricket World Cup held in Australia and New Zealand when Pakistan won the tournament. In the final, against England, his innings of 33 runs off 19 balls pushed Pakistan to a score of 249 runs for 6 wickets. Akram then took the wicket of Ian Botham early on during the English batting innings; and, when brought back into the bowling attack later on, with the ball reverse swinging, he produced a spell of bowling which led to Allan Lamb and Chris Lewis being bowled in successive deliveries in one over. His performances earned him the Man of the Match award for the final. In 1993, Akram took two consecutive 4-wicket hauls against Sri Lanka in Sharjah, in which 7 out of 8 wickets were either LBW or bowled.  In the 1992-1993 Total International Series in South Africa (involving Pakistan, West Indies and South Africa), he took 5 wickets against South Africa and got his 200th wicket in his 143rd match. Akram took 46 wickets in calendar year 1993, his best year ever in ODIs. His average was less than 19, with an economy rate of less than 3.8 runs per over. He took six 4-wicket hauls in 1993, the most by him in any year. In the 1996 Cricket World Cup, Akram missed the quarterfinal match against India which Pakistan lost and went out of the World Cup. Wasim's great career was often tainted by controversy, not least in the Caribbean in April 1993, his maiden tour as Pakistan's captain. During the team's stop-over in Grenada, he was arrested along

user: Did Akram break any records during his career?

assistant: Akram played 131 matches and took 198 wickets at an average of 21.86, with 14 4-wicket hauls in ODIs.

user: Who were some of Akram's teammates?

assistant: Waqar Younis, Aaqib Javed and Mushtaq Ahmed

user: Was there any controversy during his career?

assistant: Wasim's great career was often tainted by controversy,

user: Were there any events especially noteworthy about the controversy?

assistant: he was charged with possession of marijuana.

user: Were there any specific matches that highlighted his career?

assistant: Akram was a significant figure in the 1992 Cricket World Cup

user: Did he earn any awards for his playing?

assistant: Man of the Match award

user: Was there any one year he was especially successful on the field?

assistant: Akram took 46 wickets in calendar year 1993,

user: Did he ever play in a World Cup?

assistant: In the 1996 Cricket World Cup,

user: Who did they play again in that World Cup?

assistant: India
Título: Big band
Seção: Modern big bands
Background: A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.

Conteúdo: Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet's recording of "Cherokee" in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman's first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During the 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects.  As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich, Gene Krupa, Lionel Hampton, Earl Hines, Les Brown, Clark Terry, and Doc Severinsen. Progressive bands were led by Dizzy Gillespie, Gil Evans, Carla Bley, Toshiko Akiyoshi and Lew Tabackin, Don Ellis, and Anthony Braxton.  Other bandleaders used Brazilian and Afro-Cuban music with big band instrume

user: Are there any other interesting aspects about this article?

assistant: Although big bands are identified with the swing era, they continued to exist after those decades,

user: Was there mention of any big bands?

assistant: Charlie Barnet's recording of "Cherokee" in 1942 and "The Moose" in 1943

user: Was there any other form of style with the big bands other than swings?

assistant: Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation,

user: Was there mention of any names of the big bands?

assistant: Examples include the Vienna Art Orchestra,

user: Was there any modern bands?

assistant: In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again.

user: Are there any other interesting facts about the article?

assistant: Big bands maintained a presence on American television, particularly through the late-night talk show,

user: Did any of the big bands not survive modern music?

assistant: CANNOTANSWER
Título: Pitbull (rapper)
Seção: 2004-2005: M.I.A.M.I.
Background: Armando Christian Perez (born January 15, 1981), known by the stage name Pitbull or Mr. Worldwide, is an American rapper. His first recorded mainstream performance was on a solo track from Lil Jon's 2002 album Kings of Crunk. In 2004, Pitbull released his debut album M.I.A.M.I. under TVT Records. It included production producers Lil Jon and Jim Jonsin.

Conteúdo: In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky.  TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull had recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A U.S. District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities.  In 2005 Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Recor

user: what was his role in M.I.A.M.I.?

assistant: his debut album M.I.A.M.I.,

user: what were some notable songs?

assistant: lead single being "Culo"
Título: Margaret Sanger
Seção: Work with the African-American community
Background: Margaret Higgins Sanger (born Margaret Louise Higgins, September 14, 1879 - September 6, 1966, also known as Margaret Sanger Slee) was an American birth control activist, sex educator, writer, and nurse. Sanger popularized the term "birth control", opened the first birth control clinic in the United States, and established organizations that evolved into the Planned Parenthood Federation of America. Sanger used her writings and speeches primarily to promote her way of thinking. She was prosecuted for her book Family Limitation under the Comstock Act in 1914.

Conteúdo: Sanger worked with African American leaders and professionals who saw a need for birth control in their communities. In 1929, James H. Hubert, a black social worker and the leader of New York's Urban League, asked Sanger to open a clinic in Harlem. Sanger secured funding from the Julius Rosenwald Fund and opened the clinic, staffed with black doctors, in 1930. The clinic was directed by a 15-member advisory board consisting of black doctors, nurses, clergy, journalists, and social workers. The clinic was publicized in the African-American press as well as in black churches, and it received the approval of W. E. B. Du Bois, the co-founder of the NAACP and the editor of its magazine, The Crisis. Sanger did not tolerate bigotry among her staff, nor would she tolerate any refusal to work within interracial projects. Sanger's work with minorities earned praise from Martin Luther King, Jr., in his 1966 acceptance speech for the Margaret Sanger award.  From 1939 to 1942 Sanger was an honorary delegate of the Birth Control Federation of America, which included a supervisory role--alongside Mary Lasker and Clarence Gamble--in the Negro Project, an effort to deliver birth control to poor black people. Sanger, over the objections of other supervisors, wanted the Negro Project to hire black ministers in leadership roles. To emphasize the benefits of hiring black community leaders to act as spokesmen, she wrote to Gamble:  We should hire three or four colored ministers, preferably with so

user: What kind of work did Margaret Sanger do with the African-American community?

assistant: From 1939 to 1942 Sanger was an honorary delegate of the Birth Control Federation of America, which included a supervisory role

user: Was she arrested for her work with the African-American community?

assistant: CANNOTANSWER

user: What other facts can you tell me about how she worked with the african-american community?

assistant: Sanger was an honorary delegate of the Birth Control Federation of America, which included a supervisory role
Título: Dennis Trillo
Seção: 2006-2010: Kapuso leading man and music debut
Background: Abelardo Dennis Florencio Ho (born 12 May 1981), more widely known as Dennis Trillo, is a Filipino actor, model and recording artist. Trillo is currently a contract star of GMA Network. He was known for his role as Eric del Mundo in the first ever gay-themed series on Philippine TV, My Husband's Lover aired on GMA Network in 2013. Trillo received his first acting award in 2004 for his role as a cross-dressing spy in the 2004 war film Aishite Imasu 1941: Mahal Kita.

Conteúdo: In 2005, in GMA Network fantasy series Encantadia, Trillo was cast as lead character in Etheria, where he portrayed the Sapirian prince, Raquim. Midway through the series, GMA Network management announced that Trillo would be pulled out from the said show to once again star in another fantasy-themed television series Majika, in the end Trillo was allowed to complete Etheria. He also starred in the horror-suspense film Pamahiin and was included in the network's noontime show SOP as a co-host where he also played drums as part of the show's "Starband".  Trillo released his self-titled debut album in 2007 under IndiMusic. It was in the same year when he made his fourth Lenten drama special for GMA Network under APT Entertainment entitled Unico Hijo. On August 21, 2007, he started taping for the fantasy series Zaido: Pulis Pangkalawakan with Aljur Abrenica and Marky Cielo.  On April 27, 2008, five thousand spectators witnessed the "Battle of Mactan" play, with Trillo playing Ferdinand Magellan at the Mactan, Cebu Shrine. The same year, Trillo joined the stellar cast of Magdusa Ka, an afternoon soap opera which later earned an International Emmy nomination the following year. Late 2008 when he starred in the comic-based superhero series Gagambino, playing as the main character. The following year after Gagambino, he starred into two more primetime dramas: Adik Sa'Yo and the 2009 remake of Darna.  Trillo's hosting roles continued when he replaced Dingdong Dantes as a co-host in the

user: What is Kapuso?

assistant: CANNOTANSWER

user: When did he make his music debut?

assistant: he also played drums as part of the show's "Starband".

user: What show?

assistant: SOP

user: What else did he do in SOP?

assistant: co-host

user: Did he release any albums?

assistant: Trillo released his self-titled debut album in 2007

user: Did the album win any awards?

assistant: CANNOTANSWER

user: What label released the album?

assistant: IndiMusic.
Título: Juliana Hatfield
Seção: Touring and disbanding
Background: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.

Conteúdo: In 1995, following the success of Become What You Are she released her follow-up album, Only Everything, in which she "turned up the volume and the distortion and had a lot of fun". One reviewer describes it as "a fun, engaging pop album". The album spawned another alternative radio hit for Hatfield in "Universal Heartbeat". The video featured Hatfield as an overly demanding aerobics instructor. Prior to the tour for Only Everything, Hatfield released Phillips and brought on Jason Sutter (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards. Two weeks into the tour, Hatfield canceled the tour, which her publicist explained as due to "nervous exhaustion," and took a month-long break.  In her memoir, Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal. Hatfield disagreed with the decision not to be upfront about her depression. The drummer was, once again, replaced, this time by Phillips, and touring resumed with Jeff Buckley as the opening act.  In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be relea

user: Where did Hatfield and the band tour?

assistant: In 1997 Hatfield toured with the first Lilith Fair,
Título: Stan Kenton
Seção: Artistry in Rhythm
Background: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.

Conteúdo: When composer/arranger Pete Rugolo joined the Stan Kenton Orchestra as staff arranger in late 1945 he brought with him his love of jazz, Stravinsky and Bartok. Given free rein by Kenton, he experimented constantly, creating a sound that was at the same time innovative and popular. Although Kenton himself was already creating somewhat experimental scores prior to Rugolo's tenure, it was Rugolo who brought to the band the extra-jazz influences and the ultra-experimental approach that were to dominate the band through much of its existence.  During his first six months on the staff Rugolo tried to copy Kenton's sound. But on encouragement from the leader, he explored his own voice. By incorporating compositional techniques borrowed from the modern classical music he had studied, with the dramatic excitement of the Kenton sound, Rugolo helped catapult the Kenton band into one of its most fertile and creative periods.  After a string of mostly arrangements, Rugolo turned out three originals that Kenton featured on the band's first album in 1946: (Artistry in Rhythm): "Artistry in Percussion", "Safranski" and "Artistry in Bolero". Added to this mix came "Machito", "Rhythm Incorporated", "Monotony" and "Interlude" in early 1947 (though some were not recorded until later in the year). These compositions, along with June Christy's voice, came to define the Artistry in Rhythm band.  It was during this period that Cuban rhythms started infiltrating the Kenton sound. Rugolo's 1946 compos

user: What was Artistry in Rhythm?

assistant: Rugolo turned out three originals that Kenton featured on the band's first album in 1946: (Artistry in Rhythm):

user: What were the three originals?

assistant: ): "Artistry in Percussion", "Safranski" and "Artistry in Bolero".

user: Which single was the biggest hit?

assistant: CANNOTANSWER
Título: Bananarama
Seção: 1979-1982: Early years
Background: Bananarama is a British female pop music vocal group formed in London in 1981 by friends Sara Dallin, Siobhan Fahey and Keren Woodward. Their success on both pop and dance charts has earned them a listing in the Guinness World Records as the all-female group with the most chart entries in the world. In addition to their chart success, they are also known for their vocal style, generally singing in unison rather than in harmony like most vocal groups. The group's 10 UK Top 10 hits include "It Ain't What You Do..." (1982), "Really Saying Something" (1982), "Shy Boy" (1982), "Cruel Summer" (1983), "Robert De Niro's Waiting..." (1984) and "Love in the First Degree" (1987).

Conteúdo: Bananarama were founded in London in 1981 by Fahey, Woodward and Dallin, the latter two having been childhood friends in Bristol since the age of four, and attending St. George's School for Girls together. Dallin and Fahey met in 1979 while studying fashion journalism at the London College of Fashion. They became friends because they both dressed more radically than the other students. The trio were ardent followers of the punk rock and post-punk music scene during the late 1970s and early 1980s and often performed impromptu sets or backing vocals at gigs for such bands as The Monochrome Set, Iggy Pop, The Jam, Department S and The Nipple Erectors.  In 1981, Bananarama's members were living above the rehearsal room that was used by former Sex Pistols members Steve Jones and Paul Cook. With their help, Bananarama recorded their first demo "Aie a Mwana" (UK #92, a cover of a song by Black Blood, sung in Swahili). The demo was heard at Demon Records, who consequently offered Bananarama their first deal. The song was an underground hit and Bananarama were signed by Decca (later London Records) and remained on the label until 1993.  During this early period Bananarama were approached by Malcolm McLaren, who offered to manage the group. McLaren, manager of the Sex Pistols and Bow Wow Wow, and notorious for generating scandal, proposed some new material that was sexually suggestive, and did not fit with what at the time was the band's tomboyish and straightforward image. Bananarama 

user: When did bananarama begin to be successful?

assistant: UK fashion magazine The Face featured an article on Bananarama after the release of their first single.

user: Who co-wrote their first 3 albums?

assistant: Fun Boy Three

user: What USA shows did they perform on?

assistant: CANNOTANSWER