dgand84/projgand huggingface dataset:
Título: Bring Me the Horizon
Seção: Suicide Season and Ward's departure (2008-2009)
Background: Bring Me the Horizon, often known by the acronym BMTH, are a British rock band from Sheffield, South Yorkshire. Formed in 2004, the group now consists of vocalist Oliver Sykes, guitarist Lee Malia, bassist Matt Kean, drummer Matt Nicholls and keyboardist Jordan Fish. They are signed to RCA Records globally and Columbia Records exclusively in the United States. The style of their early work, including their debut album Count Your Blessings, has been described primarily as deathcore, but they started to adopt a more eclectic style of metalcore on later albums.

Conteúdo: Bring Me the Horizon recorded their second studio album, Suicide Season, in Sweden with producer Fredrik Nordstrom. He was unimpressed with their first album and was initially absent from the recording sessions unless he needed to be there. Nordstrom later heard the new sound they were experimenting with during a recording session and became very involved in the record. It was promoted virally in the weeks before its release with the promotional tag line "September is Suicide Season." To promote Suicide Season the band embarked on their first headline tour of the United States, as well as appearing at the 2008 Warped Tour. In May 2008, Bring Me the Horizon was the main supporting band on I Killed the Prom Queen's farewell Australian tour with The Ghost Inside and The Red Shore.  Suicide Season was released on 18 September 2008 in the United States on Epitaph and on 29 September in Europe through Visible Noise. In 2009, Bring Me the Horizon attended the 2009 Kerrang! Tour alongside Black Tide, Dir En Grey, In Case of Fire and Mindless Self Indulgence. They also joined Thursday, Cancer Bats, Four Year Strong and Pierce the Veil on the North American leg of the 2009 Taste of Chaos tour from February to April after the tour's organizer Kevin Lyman offered them the slot.  During the Taste of Chaos tour in March of that year, guitarist Curtis Ward left the band. His relationship with the band had deteriorated as his stage performances were poor. He was abusive to audiences during t

user: What was Suicide Season?

assistant: their second studio album, Suicide Season,

user: When was it released?

assistant: CANNOTANSWER

user: What label were they on?

assistant: Suicide Season was released on 18 September 2008 in the United States on Epitaph
Título: Phillip Phillips
Seção: Overview
Background: Phillips was born in Albany, Georgia, to Sheryl (Jacks) and Phillip LaDon "Donnie" Phillips, Sr., and moved to Leesburg, Georgia when he was 12. He has two older sisters, LaDonna, the eldest, and Lacey. Phillips grew up in Sasser and Leesburg, and attended Lee County High School. He graduated from Albany Technical College with a major in Industrial Systems Technology, but missed the graduation ceremony due to his obligations to American Idol.

Conteúdo: Phillips auditioned in Savannah, Georgia. He sang "Superstition" by Stevie Wonder. The judges then asked him to perform a second song with his guitar, and he performed Michael Jackson's "Thriller." He advanced to the Hollywood rounds, and later to the Las Vegas round. On February 23, 2012, Phillips was chosen as one of the Top 25 semi-finalists, and was then voted into the Top 13.  His performance style on the show has been compared to Dave Matthews, and he covered one of his songs, "The Stone," in the competition. When asked about Phillips' imitation of his style, Dave Matthews said: "More power to him, I don't mind," and added "He should kick my ass, [then] maybe I can retire and he can take over my band." Mentor Stevie Nicks said Phillips would have been good enough to join Fleetwood Mac back in 1975, after his performance of Jonny Lang's Still Rainin, which he received a standing ovation from the judges.  After the Top 13 performance night, Phillips was taken to a doctor for possible kidney stones. He had eight procedures while he was on Idol, and considered quitting the show due to the pain.  For his Top 3 performance, Phillips sang Bob Seger's "We've Got Tonight." For Top 4, he did a cover of Damien Rice's Volcano - which has been heralded as one of the best American Idol performances of all time. As the sole contestant who was never in jeopardy of elimination in any week of the competition, Phillips became the winner on the finale against Jessica Sanchez after a record

user: What was his childhood like?

assistant: Phillips auditioned in Savannah, Georgia. He sang "Superstition" by Stevie Wonder. The judges then asked him to perform a second song with his guitar, and he performed Michael Jackson's "Thriller.

user: How did he get on American Idol?

assistant: " He advanced to the Hollywood rounds, and later to the Las Vegas round. On February 23, 2012, Phillips was chosen as one of the Top 25 semi-finalists,
Título: Isadora Duncan
Seção: Death
Background: Duncan began her dancing career at a very early age by giving lessons in her home to neighbourhood children, and this continued through her teenage years. Her novel approach to dance was evident in these early classes, in which she "followed [her] fantasy and improvised, teaching any pretty thing that came into [her] head". A desire to travel brought her to Chicago, where she auditioned for many theater companies, finally finding a place in Augustin Daly's company. This took her to New York City where her unique vision of dance clashed with the popular pantomimes of theater companies.

Conteúdo: On the night of September 14, 1927, in Nice, France, Duncan was a passenger in an Amilcar CGSS automobile owned by Benoit Falchetto, a French-Italian mechanic. She wore a long, flowing, hand-painted silk scarf, created by the Russian-born artist Roman Chatov, a gift from her friend Mary Desti, the mother of American film director Preston Sturges. Desti, who saw Duncan off, had asked her to wear a cape in the open-air vehicle because of the cold weather, but she would only agree to wear the scarf. As they departed, she reportedly said to Desti and some companions, "Adieu, mes amis. Je vais a la gloire!" ("Farewell, my friends. I go to glory!"); but according to the American novelist Glenway Wescott, Desti later told him that Duncan's actual parting words were, "Je vais a l'amour" ("I am off to love"). Desti considered this embarrassing, as it suggested that she and Falchetto were going to her hotel for a tryst.  Her silk scarf, draped around her neck, became entangled around the open-spoked wheels and rear axle, pulling her from the open car and breaking her neck. Desti said she called out to warn Duncan about the scarf almost immediately after the car left. Desti brought Duncan to the hospital, where she was pronounced dead.  As The New York Times noted in its obituary: "Isadora Duncan, the American dancer, tonight met a tragic death at Nice on the Riviera. According to dispatches from Nice, Duncan was hurled in an extraordinary manner from an open automobile in which she was

user: What happens with Isadora Duncan and death?

assistant: Her silk scarf, draped around her neck, became entangled around the open-spoked wheels and rear axle,

user: when did her death take place?

assistant: Desti brought Duncan to the hospital, where she was pronounced dead.
Título: Laurence Olivier
Seção: Independent actor-manager (1951-1954)
Background: Laurence Kerr Olivier, Baron Olivier,  (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.

Conteúdo: While Leigh made Streetcar in 1951, Olivier joined her in Hollywood to film Carrie, based on the controversial novel Sister Carrie; although the film was plagued by troubles, Olivier received warm reviews and a BAFTA nomination. Olivier began to notice a change in Leigh's behaviour, and he later recounted that "I would find Vivien sitting on the corner of the bed, wringing her hands and sobbing, in a state of grave distress; I would naturally try desperately to give her some comfort, but for some time she would be inconsolable." After a holiday with Coward in Jamaica, she seemed to have recovered, but Olivier later recorded, "I am sure that ... [the doctors] must have taken some pains to tell me what was wrong with my wife; that her disease was called manic depression and what that meant--a possibly permanent cyclical to-and-fro between the depths of depression and wild, uncontrollable mania. He also recounted the years of problems he had experienced because of Leigh's illness, writing, "throughout her possession by that uncannily evil monster, manic depression, with its deadly ever-tightening spirals, she retained her own individual canniness--an ability to disguise her true mental condition from almost all except me, for whom she could hardly be expected to take the trouble."  In January 1953 Leigh travelled to Ceylon (now Sri Lanka) to film Elephant Walk with Peter Finch. Shortly after filming started she suffered a breakdown, and returned to Britain where, between periods

user: what happened in 1951

assistant: While Leigh made Streetcar in 1951, Olivier joined her in Hollywood to film Carrie,
Título: August Strindberg
Seção: Death and funeral
Background: Johan August Strindberg (; Swedish: [2strInd,baerj] ( listen); 22 January 1849 - 14 May 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics.

Conteúdo: Strindberg died shortly after the first of his plays was staged in the United States--The Father opened on 9 April 1912 at the Berkeley Theatre in New York, in a translation by Edith and Warner Oland.  During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer. The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition. He received many letters and telegrams from admirers across the country. He died on 14 May 1912 at the age of 63.  Strindberg was interred at Norra begravningsplatsen in Stockholm. He had given strict instructions concerning his funeral and how his body should be treated after death: only members of his immediate family were allowed to view his body, there would be no obduction, no photographs were taken, and no death mask was made. Strindberg had also requested that his funeral should take place as soon as possible after his death to avoid crowds of onlookers. However, the workers' organisations requested that the funeral should take place on a Sunday to make it possible for working men to pay their respects, and the funeral was postponed for five days, until Sunday, 19 May. According to Strindberg's last wish, the funeral procession was to start at 8am, again to avoid crowds, but large groups of people were nevertheless waiting outside his home as well as at the cemetery, as early as 7am. A short service was conducted b

user: how did he die?

assistant: During Christmas 1911, Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach cancer.

user: how old was he when he died?

assistant: He died on 14 May 1912 at the age of 63.

user: did he know he had stomach cancer?

assistant: The last weeks of his life were painful, and the daily papers in Stockholm reported on his health in every edition.

user: who attended his funeral?

assistant: only members of his immediate family were allowed to view his body,

user: who were his family that came to the funeral?

assistant: CANNOTANSWER

user: why could only family come to his funeral?

assistant: He had given strict instructions concerning his funeral and how his body should be treated after death:

user: how was his body to be treated after his death?

assistant: there would be no obduction, no photographs were taken, and no death mask was made.

user: where was his funeral?

assistant: A short service was conducted by Nathan Soderblom by the bier in Strindberg's home,
Título: Margaret Mead
Seção: Other research areas
Background: Margaret Mead (December 16, 1901 - November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and 1970s. She earned her bachelor's degree at Barnard College in New York City and her M.A. and Ph.D. degrees from Columbia University. Mead was a respected and often controversial academic who popularized the insights of anthropology in modern American and Western culture. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.

Conteúdo: In 1926, there was much debate about race and intelligence. Mead felt the methodologies involved in the experimental psychology research supporting arguments of racial superiority in intelligence were substantially flawed. In "The Methodology of Racial Testing: Its Significance for Sociology" Mead proposes that there are three problems with testing for racial differences in intelligence. First, there are concerns with the ability to validly equate one's test score with what Mead refers to as racial admixture or how much Negro or Indian blood an individual possesses. She also considers whether this information is relevant when interpreting IQ scores. Mead remarks that a genealogical method could be considered valid if it could be "subjected to extensive verification". In addition, the experiment would need a steady control group to establish whether racial admixture was actually affecting intelligence scores. Next, Mead argues that it is difficult to measure the effect that social status has on the results of a person's intelligence test. By this she meant that environment (i.e., family structure, socioeconomic status, exposure to language) has too much influence on an individual to attribute inferior scores solely to a physical characteristic such as race. Lastly, Mead adds that language barriers sometimes create the biggest problem of all. Similarly, Stephen J. Gould finds three main problems with intelligence testing, in his book The Mismeasure of Man that relate to Mead's 

user: What did Mead research other than Samoa?

assistant: Mead felt the methodologies involved in the experimental psychology research supporting arguments of racial superiority in intelligence were substantially flawed.

user: Whose research did she criticize?

assistant: Mead proposes that there are three problems with testing for racial differences in intelligence.
Título: Anton Rubinstein
Seção: Programs
Background: Anton Grigorevich Rubinstein (Russian: Anton Grigor'evich Rubinshtein, tr. Anton Grigorevich Rubinshteyn; November 28 [O.S. November 16] 1829 - November 20 [O.S. November 8] 1894) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos.

Conteúdo: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note.  Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert.  Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873.  Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive T

user: What programs was he apart of?

assistant: Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna,

user: Are there any other interesting aspects about this article?

assistant: Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music.
Título: Pinhead (Hellraiser)
Seção: Personality
Background: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.

Conteúdo: According to Clive Barker, as the writing of the Hellraiser script took place during the height of the A Nightmare on Elm Street, Friday the 13th and Halloween film series, his intended portrayal of Pinhead as an articulate and intelligent character was initially not well received by the producers: some suggested that Pinhead should act more like Freddy Krueger and crack jokes, while others suggested that he be a silent character like Jason Voorhees and Michael Myers. Barker insisted that Pinhead's personality be more evocative of Christopher Lee's portrayal of Count Dracula: "Part of the chill of Dracula surely lies in the fact that he is very clearly and articulately aware of what he is doing - you feel that this is a penetrating intelligence - and I don't find dumb things terribly scary - I find intelligence scary, particularly twisted intelligence; it's one of the reasons why Hannibal Lecter is scary, isn't it? It's because you always feel that he's going to be three jumps ahead of you."  Though described by Pinhead's human half in Hellraiser III: Hell on Earth as being "very persuasive and very inventive", Pinhead prefers using coercive methods in order to obtain his goals, a fact which brings him into conflict with his ally, the demon Princess Angelique.  Pinhead can be reasoned and bargained with. In both Hellraiser and Hellraiser: Hellseeker, Kirsty Cotton bargains with Pinhead to offer him more "souls" in exchange for her own (in particular, her human adversaries), t

user: What was his personality like?

assistant: I find intelligence scary, particularly twisted intelligence; it's one of the reasons why Hannibal Lecter is scary, isn't it?

user: What else can you tell me about his personality?

assistant: Pinhead prefers using coercive methods in order to obtain his goals, a fact which brings him into conflict with his ally, the demon Princess Angelique.

user: Did he have more than one personality?

assistant: In his demonic incarnations, Pinhead is irreverent toward Christianity: in the third film,

user: Did his personality have any weaknesses?

assistant: CANNOTANSWER
Título: Billie Holiday
Seção: 1935-38: Recordings with Teddy Wilson
Background: Eleanora Fagan (April 7, 1915 - July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education.

Conteúdo: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade. They were given free rein to improvise the material. Holiday's improvisation of melody to fit the emotion was revolutionary. Their first collaboration included "What a Little Moonlight Can Do" and "Miss Brown to You". "What a Little Moonlight Can Do" has been deemed her "claim to fame." Brunswick did not favor the recording session, because producers wanted Holiday to sound more like Cleo Brown. After "What a Little Moonlight Can Do" garnered success, however, the company began considering Holiday an artist in her own right. She began recording under her own name a year later (on the 35-cent Vocalion label), producing a series of extraordinary performances with groups comprising the swing era's finest musicians. The sessions were co-produced by Hammond and Bernie Hanighen.  With their arrangements, Wilson and Holiday took pedestrian pop tunes, such as "Twenty-Four Hours a Day" (number 6 Pop) and "Yankee Doodle Went to Town", and turned them into jazz classics. Most of Holiday's recordings with Wilson or under her own name during the 1930s and early 1940s are regarded as important parts of the jazz vocal library. She was then in her twenties.  Another frequent accompanist was the tenor saxophonist Lester Young, who had been a boarder at her mother's house in 1934 and with whom Holiday had a special rapport. He said,

user: What happened in 1935?

assistant: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade.

user: What happened in 1936?

assistant: Hammond spoke about the commercial impact of the Wilson-Holiday sides from 1935 to 1938, calling them a great asset to Brunswick.
Título: Corey Taylor
Seção: Life
Background: Corey Todd Taylor (born December 8, 1973) is an American musician, singer, songwriter, actor, and author, best known as the lead singer and lyricist of the bands Slipknot and Stone Sour. Taylor formed Stone Sour in 1992, playing in the Des Moines area, and working on a demo. He joined Slipknot in 1997 to replace their original vocalist and has subsequently released five studio albums with them. After the first two Slipknot albums went Platinum, Taylor revived Stone Sour to record an album and tour in 2002.

Conteúdo: Corey Todd Taylor was born on December 8, 1973 in Des Moines, Iowa. He was mostly raised by his single mother in Waterloo, Iowa, a place described by Taylor as a "hole in the ground with buildings around it". He is of Irish, German and Native American descent on his father's side, and Dutch and Irish on his mother's side. In 1979, Taylor and his mother saw the sci-fi series Buck Rogers in the 25th Century. Before the series, there was a trailer for the 1978 horror film Halloween. Taylor said this "developed some sense of Slipknot in [himself]". While Halloween introduced Taylor to masks and horror themes, Taylor's grandmother introduced him to rock music, showing him a collection of Elvis Presley records from the 1950s to 1970s. He especially found songs like "Teddy Bear", "In the Ghetto", and "Suspicious Minds" to appeal to his interests the most, describing them as "good times". Taylor also began listening to Black Sabbath at a young age, beginning with their early work.  Taylor, along with his mother and sister, lived at one point in an "old dilapidated farmhouse" which on days in late autumn would "look like Black Sabbath album covers". By age 15, he had developed a drug addiction and had overdosed on cocaine twice. By this time, he was living in Waterloo, but later set out on his own and ended up at his grandmother's house in Des Moines. She took legal custody of him so that he could continue going to school, and she helped him buy musical equipment. When Taylor was 18, 

user: When was he born?

assistant: on December 8, 1973

user: Where was he born?

assistant: in Des Moines, Iowa.

user: Who was his mother?

assistant: He is of Irish, German and Native American descent on his father's side, and Dutch and Irish on his mother's side.

user: Did he move or did he grow up in Des Moines?

assistant: he was living in Waterloo, but later set out on his own and ended up at his grandmother's house in Des Moines.

user: When did he get started in music?

assistant: Taylor's grandmother introduced him to rock music, showing him a collection of Elvis Presley records from the 1950s to 1970s.

user: Are there any other interesting aspects about this article?

assistant: By age 15, he had developed a drug addiction and had overdosed on cocaine twice.
Título: The Stylistics
Seção: Changing style: Continuing international success
Background: The Stylistics are a Philadelphia soul group that achieved its greatest chart success in the 1970s. They formed in 1968, consisting of singers Russell Thompkins Jr., Herb Murrell, Airrion Love, James Smith, and James Dunn. All of their US hits were ballads characterized by the falsetto of Russell Thompkins Jr. and the production of Thom Bell. During the early 1970s, the group had twelve consecutive R&B top ten hits, including "Stop, Look, Listen", "

Conteúdo: Thom Bell stopped working with the Stylistics in 1974, and the split proved commercially difficult for the group in the U.S. Just as with the Delfonics, the Stylistics were to some extent a vehicle for Bell's own creativity. They struggled to find the right material although their partnership with label owners Hugo & Luigi as producers and arranger Van McCoy started well with "Let's Put It All Together" (#18 pop, No. 8 R&B) and "Heavy Fallin' Out" (#4 R&B, No. 41 pop). Following singles were notably less successful, but as U.S. success began to wane, their popularity in Europe, and especially the United Kingdom, increased. Indeed, the lighter 'pop' sound fashioned by McCoy and Hugo & Luigi gave the group a UK #1 in 1975 with "Can't Give You Anything". Further successes with "Sing Baby Sing", "Na Na Is The Saddest Word", "Funky Weekend" and "Can't Help Falling in Love" consolidated the group's European popularity. They are one of the few U.S. acts to have two chart-topping greatest hits albums in the UK.  The Stylistics switched record labels during this period as Avco Records transitioned into H&L Records in 1976. Notwithstanding this, the band began to struggle with increasingly weak material, and although the singles and albums came out as before, by 1978 chart success had vanished. A move to Mercury in 1978 for two albums produced by Teddy Randazzo failed to produce any major success. Russell Thompkins Jr. wrote (in the sleevenotes for the re-issue of the 1976 album, Fabul

user: what kind of international success did the stylistics have?

assistant: their popularity in Europe, and especially the United Kingdom, increased.
Título: Fred Thompson
Seção: Role in Watergate hearings
Background: Thompson was born in Sheffield, Alabama, on August 19, 1942, the son of Ruth Inez (nee Bradley) and Fletcher Session Thompson (born Lauderdale County, Alabama, August 26, 1919, died Lawrenceburg, Tennessee, May 27, 1990), who was an automobile salesman. Thompson had English and distant Dutch ancestry. He attended public school in Lawrenceburg, graduating from Lawrence County High School, where he played high-school football. Thereafter, he worked days in the local post office, and nights at the Murray bicycle assembly plant.

Conteúdo: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee, a special committee convened by the U.S. Senate to investigate the Watergate scandal. Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?" This question is said to have helped frame the hearings in a way that eventually led to the downfall of President Richard Nixon.  A Republican staff member, Donald Sanders, found out about the White House tapes and informed the committee on July 13, 1973. Thompson was informed of the existence of the tapes, and he, in turn, informed Nixon's attorney, J. Fred Buzhardt. "Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home," Thompson later wrote, "I wanted to be sure that the White House was fully aware of what was to be disclosed so that it could take appropriate action."  Three days after Sanders's discovery, at a public, televised committee hearing, Thompson asked former White House aide Alexander Butterfield the famous question, "Mr. Butterfield, were you aware of the existence of any listening devices in the Oval Office of the President?" thereby publicly revealing the existence of tape recordings of conversations within the White House. National Public Radio later called that session and the discovery of the Watergate tapes "a turning point in the investigation."  Thompson's app

user: What was his role in the watergate hearings?

assistant: In 1973, Thompson was appointed minority counsel to assist the Republican senators on the Senate Watergate Committee,

user: Are there any other interesting aspects about this article?

assistant: Thompson was sometimes credited for supplying Republican Senator Howard Baker's famous question, "What did the President know, and when did he know it?"
Título: Paul Cézanne
Seção: Exhibitions and subjects
Background: Paul Cezanne (US:  or UK: ; French: [pol sezan]; 19 January 1839 - 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cezanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cezanne's intense study of his subjects.

Conteúdo: Cezanne's paintings were shown in the first exhibition of the Salon des Refuses in 1863, which displayed works not accepted by the jury of the official Paris Salon. The Salon rejected Cezanne's submissions every year from 1864 to 1869. He continued to submit works to the Salon until 1882. In that year, through the intervention of fellow artist Antoine Guillemet, he exhibited Portrait de M. L. A., probably Portrait of Louis-Auguste Cezanne, The Artist's Father, Reading "L'Evenement", 1866 (National Gallery of Art, Washington, D.C.), his first and last successful submission to the Salon.  Before 1895 Cezanne exhibited twice with the Impressionists (at the first Impressionist exhibition in 1874 and the third Impressionist exhibition in 1877). In later years a few individual paintings were shown at various venues, until 1895, when the Parisian dealer, Ambroise Vollard, gave the artist his first solo exhibition. Despite the increasing public recognition and financial success, Cezanne chose to work in increasing artistic isolation, usually painting in the south of France, in his beloved Provence, far from Paris.  He concentrated on a few subjects and was equally proficient in each of these genres: still lifes, portraits, landscapes and studies of bathers. For the last, Cezanne was compelled to design from his imagination, due to a lack of available nude models. Like the landscapes, his portraits were drawn from that which was familiar, so that not only his wife and son but local pe

user: What were some of Cezanne's subjects?

assistant: He concentrated on a few subjects and was equally proficient in each of these genres: still lifes, portraits, landscapes and studies of bathers.

user: Did he have a favorite subject?

assistant: Like the landscapes, his portraits were drawn from that which was familiar,
Título: Rex Ryan
Seção: 2015 season
Background: Rex Ryan and his fraternal twin, Rob, were born in Ardmore, Oklahoma, on December 13, 1962, to Doris and Buddy Ryan. When the boys were aged two, their parents amicably divorced. Following the divorce, their mother attended the University of Chicago to earn her doctorate. Rex, Rob, and their older brother Jim moved with her to Toronto, Ontario, Canada, where she secured an administrative position at the University of Toronto.

Conteúdo: The Bills opened the 2015 season with a 27-14 win over the Indianapolis Colts. Frustrated by the Bills leading the NFL in penalties heading into their Week 5 game against the Tennessee Titans, Ryan gave the entire team wristbands with the message "Yes sir". These were the only words he wanted his players to use with officials if they were flagged. After being flagged 17 times in Week 4 loss against the New York Giants, the Bills were penalized only seven times in their 14-13 victory over the Titans. The Bills entered their bye week with a 3-4 record after losing in London to the Jacksonville Jaguars.  Ryan gave the whole team the week off during the bye, and he himself found a secluded beach to "get away and focus". The Bills came out of their bye week and defeated the Miami Dolphins by a score of 3-17, improving their season record to 4-4. Ryan is now 2-5 all time following a bye week. Ryan returned to MetLife Stadium in Week 10 for a much anticipated Thursday Night Football game against the Jets. The Bills won the game by a score of 22-17, and improved to 5-4 on the season. Ryan faced questions before and after the game about his decision to name IK Enemkpali, who had been released by the Jets in preseason after breaking quarterback Geno Smith's jaw in an altercation, as Buffalo's captain for the game.  The Bills were unable to make the playoffs in their first season with Ryan as coach, as they were eliminated in Week 15 with a 35-25 loss to the Washington Redskins on Decem

user: What sport did play?

assistant: The Bills opened the 2015 season with a 27-14 win over the Indianapolis Colts.

user: did he suffer any injuries?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: The Bills were unable to make the playoffs in their first season with Ryan as coach, as they were eliminated in Week 15 with a 35-25 loss

user: did he win any awards?

assistant: CANNOTANSWER

user: did he have any notable wins?

assistant: the Bills were penalized only seven times in their 14-13 victory over the Titans.
Título: Wu-Tang Clan
Seção: 2000-01: The W, Iron Flag and New Millennium
Background: Wu-Tang Clan  is an American hip hop group from Staten Island, New York City, originally composed of East Coast rappers RZA, GZA, Ol' Dirty Bastard, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God and Masta Killa. Cappadonna later became an official member of the group. The Wu-Tang Clan has released four gold and platinum studio albums. Its 1993 debut album, Enter the Wu-Tang (36 Chambers), is considered to be one of the greatest albums in hip-hop history.

Conteúdo: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California for violating the terms of his probation. Though incarcerated, ODB managed to make it onto the track "Conditioner" which featured Snoop Dogg. ODB's vocals were recorded via the telephones used for inmates to talk with visitors, while in prison. The W was mostly well received by critics, particularly for The RZA's production, and also gave the group a hit single with the uptempo "Gravel Pit", part of a trilogy of videos where the group would visit different eras with a time traveling elevator, which also included "Protect Ya Neck (The Jump Off)" and "Careful (Click, Click)", which were then followed by "I Can't Go to Sleep" featuring Isaac Hayes. The album would go on to reach double platinum status.  Shortly before the release of The W, ODB escaped custody while being transported from a rehab center to a Los Angeles court and was considered a fugitive. At a record release party for The W, ODB appeared with his face hidden by an orange parka, and was not recognized until introduced to the crowd. With police officers present outside, ODB performed briefly and then fled, fearing capture. Six days later ODB caused a commotion, signing autographs in a McDonald's at Broad & Girard Street in North Philadelphia. Unaware of who was causing the commotion, the manager called the police. When the law arrived, ODB mistook them for fans until they drew their guns.

user: What is The W?

assistant: The group reconvened once again to make The W, though without Ol' Dirty Bastard, who was at the time incarcerated in California

user: Was this a success?

assistant: The W was mostly well received by critics,
Título: Ian Chappell
Seção: Promotion to number three
Background: Ian Michael Chappell (born 26 September 1943) is a former cricketer who played for South Australia and Australia. He captained Australia between 1971 and 1975 before taking a central role in the breakaway World Series Cricket organisation. Born into a cricketing family--his grandfather and brother also captained Australia--Chappell made a hesitant start to international cricket playing as a right-hand middle-order batsman and spin bowler. He found his niche when promoted to bat at number three.

Conteúdo: A string of big scores and a record number of catches during the 1968-69 season earned Chappell the Australian Cricketer of the Year award. Against the touring West Indies, Chappell hit 188 not out, 123, 117, 180 and 165 before the New Year. Two of these centuries came in the Test series, when Chappell's average for 548 runs was 68.50. Chappell was elevated to number three in the batting order and became a less-frequent bowler; he was also appointed vice-captain of the team.  Following up with a successful tour of India in late 1969, Chappell demonstrated his fluency against spin bowling by compiling Test innings of 138 at Delhi and 99 at Kolkata. His ability against both fast and slow bowling earned high praise, including from his captain Bill Lawry. When the Australians arrived in South Africa in early 1970, following their victory over India, Lawry told the local media that Chappell was the best all-round batsman in the world. His appraisal looked misguided when Chappell managed just 92 runs (at 11.5 average), with a top score of 34, as Australia lost 0-4.  On this tour, Chappell clashed with cricket administrators over pay and conditions for the first time. The South African authorities requested that an extra Test be added to the fixture and the Australian Board of Control consented. Incensed that the players were not consulted about the change, Chappell led a group of his teammates in a demand for more money to play the proposed game. Eventually the match was cancelled 

user: what was he promoted to number three?

assistant: Chappell was elevated to number three in the batting order and became a less-frequent bowler; he was also appointed vice-captain of the team.
After you submit your Free Application for Federal Student Aid (FAFSA) form, you ll get a Student Aid Report that summarizes the information you provided on your application. 
Review your Student Aid Report carefully to make sure it s correct and complete. Your Student Aid Report SAR is a paper or electronic document that gives you some basic information about your eligibility for federal student aid as well as listing your answers to the FAFSAquestions. 

How and when will I get my SAR? 
Whether you receive your SAR online or on paper depends on whether you provide an email address on your FAFSA form. If you provide a valid email address , you ll receive an email from noreply@FAFSA.gov with instructions on how to access an online copy of your SAR. If you don't provide a valid email address on your FAFSA form , you will receive either a SAR or a SAR Acknowledgement via postal mail. The SAR lists your FAFSA information and provides space for you to make corrections. You will receive a paper SAR if you file a paper FAFSA form and don t provide an email address. The SAR Acknowledgement lists your FAFSA information, but you ll need to make any corrections at fafsa.gov. You ll receive a SAR Acknowledgement if you file an electronic FAFSA form and don t provide an email address. If you have an FSA ID username and password and your FAFSA information has been processed , you can log in at fafsa.gov to view SAR information regardless of whether you filled out the FAFSA form online, on the myStudentAid app, or on a FAFSA PDF or whether you provided an email address or not. you list on your FAFSA form The school will have access to your SAR data electronically within a day after it is processed. Here s a summary of what you ll receive, and how soon after filing your FAFSA form, based on what type of FAFSA form you file. * The time frames in this table indicate how long it takes for the SAR to arrive after the FAFSA form is submitted. View accessible version of table 

What i

user: What do I do with my FAFSA student aid report?

assistant: You should review your Student Aid Report to make sure everything is correct and complete.
Título: Sun Ra
Seção: Early professional career and college
Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.

Conteúdo: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham.  Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience).  In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultu

user: What did he start out as?

assistant: who had organized a band to pursue a career as a singer.

user: What was the name of the band?

assistant: singing group the Ginger Snaps

user: Did he do any collaborations?

assistant: When Harper left the group mid-tour to move to New York

user: What college did he go to?

assistant: Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University.
Título: Roy Keane
Seção: Early years: 1993-97
Background: Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.

Conteúdo: Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the centre of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992-93 season and into the 1993-94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3-0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2-0 deficit at Maine Road to beat Manchester City 3-2.  Keane had soon established himself as a first choice selection, and by the end of the season he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4-0 victory over Chelsea in the FA Cup Final, sealing the club's first ever "double".  The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1-0 in the FA Cup final by Everton. He received his first red card as a Manchester United player in a 2-0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined PS5,000. This incident was the first of 11 red ca

user: What was Roy like in earlier times?

assistant: Keane had soon established himself as a first choice selection, and by the end of the season he had won his first trophy