Título: Burlesque
Seção: Literary origins and development
Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

Conteúdo: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation.  In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.  Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted.  17th and 18th century burlesque was divided into two types: High burles

user: What was the literary origins

assistant: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century,

user: What was the development

assistant: it referred to a grotesque imitation of the dignified or pathetic.

user: Are there any other interesting aspects about this article?

assistant: The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics.

user: What else did the burlesque do

assistant: 17th and 18th century burlesque was divided into two types:

user: What was the two types

assistant: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter

user: What else was beneficial in this article?

assistant: Low burlesque applied an irreverent, mocking style to a serious subject;

user: What was the subject

assistant: Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom.

user: What other writes had burlesque

assistant: Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

user: What else did you know about the Burlesque

assistant: the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic".

user: Did it have any more types of origins and development

assistant: 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England,

user: What else did you see that stood out in this article

assistant: Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions.