Título: Skip James
Seção: 1920s and 1930s
Background: Nehemiah Curtis "Skip" James (June 9, 1902 - October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was "rediscovered" in 1964 by blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 1960s.

Conteúdo: In early 1931, James auditioned for the record shop owner and talent scout H. C. Speir in Jackson, Mississippi. Speir placed blues performers with various record labels, including Paramount Records. On the strength of this audition, James traveled to Grafton, Wisconsin, to record for Paramount. His 1931 records are considered idiosyncratic among prewar blues recordings and formed the basis of his reputation as a musician.  As was typical of his era, James recorded various styles of music - blues, spirituals, cover versions and original compositions - frequently blurring the lines between genres and sources. For example, "I'm So Glad" was derived from a 1927 song, "So Tired", by Art Sizemore and George A. Little, recorded in 1928 by Gene Austin and by Lonnie Johnson (Johnson's version was entitled "I'm So Tired of Livin' All Alone"). James's biographer Stephen Calt, echoing the opinion of several music critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music". Several other recordings from the Grafton session, such as "Hard Time Killing Floor Blues", "Devil Got My Woman", "Jesus Is a Mighty Good Leader", and "22-20 Blues" (the basis of Robert Johnson's better-known "32-20 Blues"), have been similarly influential. Very few original copies of James's Paramount 78 rpm records have survived.  The Great Depression struck just as James's recordings were hitting the market. Sales were poor as a result, a

user: What did James accomplish in the 20s and 30s?

assistant: In early 1931, James auditioned for the record shop owner and talent scout H. C. Speir in Jackson, Mississippi.

user: Did he get the part he was auditioning for?

assistant: His 1931 records are considered idiosyncratic among prewar blues recordings and formed the basis of his reputation as a musician.

user: How many people followed his way of doing blues?

assistant: As was typical of his era, James recorded various styles of music - blues, spirituals, cover versions and original compositions - frequently blurring the lines between genres and sources.

user: How was this received by audiences?

assistant: "). James's biographer Stephen Calt, echoing the opinion of several music critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music".

user: Did he receive any awards?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: The Great Depression struck just as James's recordings were hitting the market. Sales were poor as a result,

user: Did the sales eventually pick up?

assistant: he gave up performing the blues to become the choir director in his father's church.

user: Was he satisfied with that?

assistant: James was later an ordained minister in Baptist and Methodist churches, but the extent of his involvement in religious activities is unknown.