dgand84/projgand huggingface dataset:
Título: Linda Ronstadt
Seção: Early influences
Background: Linda Maria Ronstadt was born in 1946 in Tucson, Arizona, daughter to Gilbert Ronstadt (1911-1995), a prosperous machinery merchant who ran the F. Ronstadt Co., and Ruth Mary (Copeman) Ronstadt (1914-1982), a homemaker. Ronstadt was raised on the family's 10-acre (4 ha) ranch with her siblings Peter (who served as Tucson's Chief of Police for 10 years, 1981-1991), Michael J., and Gretchen (Suzy). The family was featured in Family Circle magazine in 1953. Linda's father came from a pioneering Arizona ranching family and was of German, English, and Mexican ancestry.

Conteúdo: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood.  Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.  Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams.  She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas f

user: Who was an early influence of hers?

assistant: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career.
Título: Opeth
Seção: Orchid, Morningrise, and My Arms, Your Hearse (1994-1998)
Background: Opeth is a Swedish heavy metal band from Stockholm, formed in 1989. The group has been through several personnel changes, but lead vocalist, guitarist and songwriter Mikael Akerfeldt has remained Opeth's primary driving force throughout the years. Opeth has consistently incorporated progressive, folk, blues, classical and jazz influences into its usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Many songs include acoustic guitar passages and strong dynamic shifts, as well as both death growls and clean vocals.

Conteúdo: Opeth recorded its debut album, Orchid, with producer Dan Swano in April 1994. Because of distribution problems with the newly formed Candlelight Records, the album was not released until May 15, 1995, and only in Europe. Orchid tested the boundaries of traditional death metal, featuring acoustic guitars, piano, and clean vocals.  After a few live shows in the United Kingdom, Opeth returned to the studio in March 1996 to begin work on a second album, again produced by Dan Swano. The album was named Morningrise, and was released in Europe on June 24, 1996. With only five songs, but lasting 66 minutes, it features Opeth's longest song, the twenty-minute "Black Rose Immortal". Opeth toured the UK in support of Morningrise, followed by a 26-date Scandinavian tour with Cradle of Filth. While on tour, Opeth attracted the attention of Century Media Records, who signed the band and released the first two albums in the United States in 1997.  In 1997, after the tour, Akerfeldt and Lindgren dismissed De Farfalla for personal reasons, without the consent of Nordin. When Akerfeldt informed Nordin, who was on a vacation in Brazil, Nordin left the band and remained in Brazil for personal reasons. Former Eternal members, drummer Martin Lopez (formerly of Amon Amarth) and bassist Martin Mendez, responded to an ad at a music shop placed by Akerfeldt. Lopez and Mendez were fans of the band and took the ads down themselves so no other musicians could apply for the job. Akerfeldt and Lindgren di

user: Which album was released in 1994

assistant: Orchid,
Título: Vlade Divac
Seção: National team
Background: Vlade Divac (Serbian Cyrillic: Vlade Divats, pronounced [vla:de di:vats]; born February 3, 1968) is a Serbian professional basketball executive and former player, currently serving as the vice president of basketball operations and general manager of the Sacramento Kings. Divac spent most of his career in the National Basketball Association (NBA). At 7 ft 1 in, he played center and was known for his passing skills. He was among the first group of European basketball players to transfer to the NBA in the late 1980s and was named one of the 50 Greatest EuroLeague Contributors.

Conteúdo: In summer 1986, at 18, right after signing for KK Partizan, Divac debuted for the senior Yugoslavia national basketball team at the 1986 FIBA World Championship in Madrid, on invitation by the head coach Kresimir Cosic. However, the excellent rookie's performance was spoiled by the event in the semi-finals against the Soviet Union. Forty-five seconds before the end, Yugoslavia had a comfortable lead of 9 points, but the Soviets scored two three-pointers within a few seconds and cut the difference to 3 points. Yugoslavia tried to hold the ball for the remaining time, opting to continue the play with throw-ins instead of free throws following fouls, but with only 14 seconds left, Divac committed a double dribble, the Soviets were awarded the ball, and tied the score with another three-pointer. In the overtime, the Soviets easily prevailed against the shocked Yugoslavs, who had to be content with the bronze.  The next year, Divac participated in the team that took the gold at the FIBA Junior World Championship (since split into separate under-19 and under-21 events) in Bormio, Italy. That event launched the young generation of Yugoslavian basket ballers, also featuring stars like Rada and Kukoc, regarded as likely the best in history. Before the breakup of Yugoslavia, they would also take the titles at EuroBasket 1989 and the 1990 FIBA World Championship in Argentina, where they were led by Drazen Petrovic, as well as the EuroBasket 1991 title, with Aleksandar Dordevic at point 

user: Was Vlade Divac on the national team?

assistant: senior Yugoslavia national basketball team

user: When did Vlade Divac play on the national team?

assistant: 1986 FIBA World Championship

user: What position did he play on the national team?

assistant: CANNOTANSWER

user: How well did the national team do while Divac played on it?

assistant: who had to be content with the bronze.

user: Who won when Divac played on the national team?

assistant: CANNOTANSWER
Título: Carl Wilhelm Scheele
Seção: Existing theories before Scheele
Background: Carl Wilhelm Scheele (German: [kaal 'vIlhelm 'Se:l@], Swedish: [ka:l 'vIlhelm 2he:le]

Conteúdo: By the time he was a teenager, Scheele had learned the dominant theory of gases which in the 1770s was the phlogiston theory. Phlogiston, classified as "matter of fire", was supposed to be released from any burning material, and when it was exhausted, combustion would stop. When Scheele discovered oxygen he called it "fire air" as it supported combustion. Scheele explained oxygen using phlogistical terms because he did not believe that his discovery disproved the phlogiston theory.  Before Scheele made his discovery of oxygen, he studied air. Air was thought to be an element that made up the environment in which chemical reactions took place but did not interfere with the reactions. Scheele's investigation of air enabled him to conclude that air was a mixture of "fire air" and "foul air;" in other words, a mixture of two gases. Scheele performed numerous experiments in which he heated substances such as saltpetre (potassium nitrate), manganese dioxide, heavy metal nitrates, silver carbonate and mercuric oxide. In all of these experiments, he isolated the same gas: his "fire air," which he believed combined with phlogiston in materials to be released during heat-releasing reactions.  However, his first publication, Chemische Abhandlung von der Luft und dem Feuer, was delivered to the printer Swederus in 1775, but not published until 1777, at which time both Joseph Priestley and Lavoisier had already published their experimental data and conclusions concerning oxygen and the ph

user: what theories were there before scheele?

assistant: By the time he was a teenager, Scheele had learned the dominant theory of gases which in the 1770s was the phlogiston theory.

user: what did he do with these theories?

assistant: When Scheele discovered oxygen he called it "fire air" as it supported combustion.
Título: Cultural impact of the Beatles
Seção: Psychedelia and progressiveness
Background: The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s. Their continued commercial and critical success assisted many cultural movements--including a shift from American artists' global dominance of rock and roll to British acts (British Invasion), the proliferation of young musicians in the 1960s who formed new bands, the album as the dominant form of record consumption over singles, the term "Beatlesque" used to describe similar-sounding artists, and several fashion trends.

Conteúdo: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia. In 1966, the level of social and artistic correspondence among British and American rock musicians dramatically accelerated for bands like the Beatles, the Beach Boys and the Byrds who fused elements of cultivated music with the vernacular traditions of rock. According to Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums Rubber Soul and Revolver "encouraged a legion of young bands that were to create progressive rock in the early 1970s". Academics Paul Hegarty and Martin Halliwell identify the Beatles "not merely as precursors of prog but as essential developments of progressiveness in its early days". After the release of Rubber Soul, many "baroque-rock" works would soon appear, particularly due to its track "In My Life".  Citing a quantitative study of tempos in music from the era, musicologist Walter Everett identifies Rubber Soul as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. Although the Kinks, the Yardbirds and the Beatles themselves (with "Ticket To Ride") had incorporated droning guitars to mimic the qualities of the sitar, Rubber Soul's "Norwegian Wood (This Bird Has Flown)" is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s -- a tr

user: What is progressiveness?

assistant: Progressive rock (or art rock) grew out of the classically-minded strains of British psychedelia.

user: What is psychedelia?

assistant: fused elements of cultivated music with the vernacular traditions of rock.

user: How did the Beatles contribute to progressiveness?

assistant: is generally credited as sparking a musical craze for the sound of the instrument in the mid-1960s
Título: Mudvayne
Seção: Lost and Found (2003-05)
Background: Mudvayne was an American heavy metal band from Peoria, Illinois formed in 1996. They are known for their sonic experimentation, innovative album art, face and body paint, masks and uniforms. The band has sold over six million records worldwide, including nearly three million in the United States. The group consisted of Chad Gray (lead vocals), Greg Tribbett (guitar, vocals), Ryan Martinie (bass guitar) and Matthew McDonough (drums).

Conteúdo: In 2003 Mudvayne participated in the Summer Sanitarium Tour, headlined by Metallica, and in September Chad Gray appeared on V Shape Mind's debut studio album Cul-De-Sac. The following year the band began work on its third album, produced by Dave Fortman. As for the previous album, Mudvayne withdrew to write songs; they moved into a house, writing the album in four months before recording began. In February Gray and Martinie expressed an interest in appearing on Within The Mind - In Homage To The Musical Legacy Of Chuck Schuldiner, a tribute to the founder of the metal band Death, but the album was never produced.  In 2005 Chad Gray established independent record label Bullygoat Records and Bloodsimple's debut album, A Cruel World (with a guest appearance by Gray), appeared in March. On April 12, Mudvayne released Lost and Found. The album's first single, "Happy?", featured complex guitar work and Gray described "Choices" as "the eight-minute opus".  In August former Mudvayne bassist Shawn Barclay released his band Sprung's debut album, mastered by King's X guitarist Ty Tabor. That month rumors spread that Bullygoat Records would release We Pay Our Debt Sometimes: A Tribute to Alice In Chains, with performances by Mudvayne, Cold, Audioslave, Breaking Benjamin, Static-X and the surviving members of Alice in Chains. A spokesperson for Alice in Chains told the press that the band was unaware of any tribute album, and Mudvayne's manager said that reports of the album were only rum

user: What did they first do in 2003?

assistant: In 2003 Mudvayne participated in the Summer Sanitarium Tour,
Título: Elaine May
Seção: Directing
Background: Elaine May (born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998).

Conteúdo: May made her film writing and directing debut in 1971 with A New Leaf, a black comedy based on Jack Ritchie's short story The Green Heart. (Ritchie would later retitle the story A New Leaf.) The unconventional 'romance' starred Walter Matthau as a Manhattan bachelor faced with bankruptcy and May herself as the wealthy but nerdy botanist he cynically romances and marries in order to salvage his extravagant lifestyle. Director May originally submitted a 180-minute work to Paramount, but the studio cut it back by nearly 80 minutes for release.  May quickly followed up her debut film with 1972's The Heartbreak Kid. She limited her role to directing, using a screenplay by Neil Simon, based on a story by Bruce Jay Friedman. The film starred Charles Grodin, Cybill Shepherd, Eddie Albert, and May's own daughter, Jeannie Berlin, was a major critical success (holding a 90% fresh rating on Rotten Tomatoes). It is listed at #91 in the AFI's 100 funniest movies of all time.  Her career then suffered a major setback. She followed up her two comedies by writing and directing a bleak crime drama entitled Mikey and Nicky, starring Peter Falk and John Cassavetes. Budgeted at $1.8 million and scheduled for a summer 1975 release, the film ended up costing $4.3 million and not coming out until December 1976. She was eventually fired by Paramount Pictures (the studio which financed the film), but succeeded in getting herself rehired by hiding two reels of the negative until the studio gave in. The

user: When was her first directing debut?

assistant: May made her film writing and directing debut in 1971

user: What was it about?

assistant: a black comedy based on Jack Ritchie's short story The Green Heart.

user: Did she direct anything else during her career?

assistant: May quickly followed up her debut film with 1972's The Heartbreak Kid.

user: Did she receive recognition for the film "the heartbreak kid"?

assistant: It is listed at #91 in the AFI's 100 funniest movies of all time.
For information on how to change your address on DMV documents and records , see change address [1]. To change your email address , use the email reminders service [2]. 

Driver license, permit or non-driver ID 
You must visit your local DMV office [3] and bring proof of the change. 

If you plan on traveling 
We recommend you come to the DMV now to get an Enhanced or REAL ID, and avoid a second office visit later. 1 Learn about Enhanced, REAL ID and Standard documents [4]. Complete this guide to make sure you have to correct proofs of identification you need. Also bring any additional information needed for your specific change listed below. Find your proofs [5 ] 

Change name 
To update a legal change of name on DMV records , bring these items to DMV office [3 ] a completed Application for Permit , Driver License or Non - Driver ID Card PDF [6] MV-44 your current license , permit or non - driver ID , or at least 6 points of proof of identity and [7 ] original or a certified copy of your U.S. marriage certificate, U.S. divorce documents or other court papers for a change of name issued in the U.S. 2 When you change your name on your driver license, permit or non - driver ID , you must update your photo. 

Change date of birth 
If your date of birth is not correct , bring proof of age as listed on proofs of identity and date of birth for NY State driver license, learner permit or non - driver ID [7]. 

Change gender 
If you had a gender change or you are transgender , bring a completed Application for Permit , Driver License or Non - Driver ID Card PDF [6] MV-44 your current learner permit , driver license or non - driver ID proof of a gender change 3 

Correct an error 
If we made an error on your document , use the Ask DMV a Question [8] service to request a correction. We may be able to correct it without you coming to a DMV office. There is no fee for a correction. 

Change photo 
You must go to a DMV office. When you renew there is no additional fee to update y

user: I need to update some info on my ID

assistant: You have to visit your local DMV office and bring proof of the change 

user: what is the new ID that I heard about? they said you needed the new ID to travel

assistant: If you plan on traveling we recommend you come to the DMV now to get an Enhanced or REAL ID.  We also have more information if you want to learn more about Enhanced or REAL ID

user: can I change my last name to my husband's last name? we are gay partners

assistant: Regardless of the genders of you and your spouse, if your marriage certificate shows both your spouse's surname and your former surname you may change your surname to your spouse 's surname.

user: how long will it take to get my new ID?

assistant: You will receive your new ID in the mail in about 2 weeks. You will also be given a temporary non-driver ID at the DMV.
Título: Béla Fleck and the Flecktones
Seção: Recording
Background: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.

Conteúdo: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, L

user: What did the Flecktones record?

assistant: Their debut album, Bela Fleck and the Flecktones (

user: When was their debut album released?

assistant: 1989

user: How did the album do on the music charts?

assistant: received a Grammy nomination for Best Contemporary Jazz Album,

user: What is the name of a song from the album?

assistant: CANNOTANSWER

user: Did they collaborate with any other musical artists in their recording?

assistant: Howard Levy left the band in December 1992.

user: What is the name of another album that the band made?

assistant: their second album, Flight of the Cosmic Hippo
Título: Jackie Gleason
Seção: Career
Background: John Herbert Gleason was born in 1916 at 364 Chauncey Street in the Bedford-Stuyvesant section of Brooklyn. Named Herbert Walton Gleason, Jr., at birth, he was baptized John Herbert Gleason, and  grew up at 328 Chauncey (an address he later used for Ralph and Alice Kramden on The Honeymooners). His parents were Herbert Walton "Herb" Gleason, an Irish-American insurance auditor, and Mae "Maisie" (nee Kelly), originally of Farranree, Cork, Ireland. Gleason was one of two children; his brother Clement J. died of meningitis at age 14.

Conteúdo: Gleason worked his way up to a job at New York's Club 18, where insulting its patrons was the order of the day. Gleason greeted noted skater Sonja Henie by handing her an ice cube and saying, "Okay, now do something." It was here that Jack L. Warner first saw Gleason, signing him to a film contract for $250 a week.  By age 24, Gleason was appearing in movies: first for Warner Brothers (as Jackie C. Gleason) in such films as Navy Blues (1941) with Ann Sheridan and Martha Raye and All Through the Night (1941) with Humphrey Bogart, for Columbia Pictures for the B military comedy Tramp, Tramp, Tramp (1942) and finally for Twentieth Century-Fox, where Gleason played Glenn Miller Orchestra bassist Ben Beck in Orchestra Wives (1942). He also had a small part as a soda shop clerk in Larceny, Inc. (1942), with Edward G. Robinson, and a modest part as an actor's agent in the 1942 Betty Grable-Harry James musical Springtime in the Rockies.  During World War II, Gleason was initially exempt from military service, since he was a father of two. However, in 1943 the US started drafting men with children. Gleason reported to his induction where the doctors discovered that his broken left arm had healed crooked, the area between his thumb and forefinger was nerveless and numb, a pilonidal cyst existed at the end of his coccyx, and that he was 100 pounds overweight. Gleason was therefore classified 4-F and rejected for military service.  Gleason did not make a strong impression on Hollywood at

user: what did gleason do before films

assistant: Gleason worked his way up to a job at New York's Club 18,

user: What got him discovered

assistant: Gleason greeted noted skater Sonja Henie by handing her an ice cube and saying,

user: who discovered him

assistant: Jack L. Warner first saw Gleason, signing him to a film contract for $250 a week.
Título: Joan Leslie
Seção: Later career
Background: Joan Agnes Theresa Sadie Brodel was born on January 26, 1925, in Highland Park, Michigan, the youngest child of John and Agnes Brodel. John was a bank clerk and Agnes was a pianist. Joan's two older sisters, Betty and Mary Brodel, shared their mother's musical interest and started to learn how to play instruments, such as the saxophone and the banjo, at an early age. They began performing in front of audiences in acts that included singing and dancing.

Conteúdo: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, 

user: What was something she did in her later career?

assistant: Her last film was The Revolt of Mamie Stover (1956).

user: Was the film successful?

assistant: CANNOTANSWER
Título: Chris Farley
Seção: Film career
Background: Farley was born on February 15, 1964, in Madison, Wisconsin. His father, Thomas John Farley, Sr. (1936-1999), owned an oil company, and his mother, Mary Anne (nee Crosby), was a housewife. He had four siblings: Tom Jr., Kevin, John, and Barbara. His cousin, Jim, is the CEO and Chairman at Ford Motor Company Europe.

Conteúdo: During his time on SNL, Farley appeared in the comedy films Wayne's World, Coneheads, Airheads, and uncredited in Billy Madison. He also appeared in the Red Hot Chili Peppers music video for "Soul to Squeeze", which was a song featured on the Coneheads soundtrack.  After Farley and most of his fellow cast members were released from their contracts at Saturday Night Live following the 1994-1995 season, Farley began focusing on his film career. His first two major films co starred his fellow SNL colleague and close friend David Spade. Together, the duo made the films Tommy Boy and Black Sheep. These were a success at the domestic box office, earning around $32 million each and gaining a large cult following on home video.  The two films established Farley as a relatively bankable star and he was given the title role of Beverly Hills Ninja, which finished in first place at the box office on its opening weekend. Drug and alcohol abuse related problems interfered with Farley's film work at this time. Production of his final film, Almost Heroes, was held up several times so Farley could enter rehab. He was known among comedic contemporaries and friends to be sensitive about how his comedy was perceived ("fatty falls down, everybody goes home happy"), and was particularly hurt by harsh critical reactions to Tommy Boy, a film he enjoyed making.  He was particularly dissatisfied with Black Sheep, an attempt by the studio to recapture the chemistry on Tommy Boy and was only 60 pages in

user: What was Chris Farley's first film?

assistant: Tommy Boy

user: How successful was TOmmy Boy?

assistant: earning around $32 million

user: What was his next film?

assistant: Black Sheep.

user: Was Black sheep well received by the public or critics?

assistant: a large cult following on home video.

user: Tell me one of his most famous or successful films?

assistant: of Beverly Hills Ninja, which finished in first place at the box office on its opening weekend.

user: What did he do after Black sheep?

assistant: he relapsed on the night of the premiere, which required further rehab before he could begin work

user: WHy did he go to rehab?

assistant: Drug and alcohol abuse related problems
Título: Casey Stengel
Seção: Pittsburgh and Philadelphia (1918-1921)
Background: Charles Dillon Stengel was born on July 30, 1890, in Kansas City, Missouri. His ancestry involves German and Irish; his parents--Louis Stengel and Jennie (Wolff) Stengel--were from the Quad Cities area of Illinois and Iowa, and had moved to Kansas City soon after their 1886 wedding so Louis could take an insurance job. "Charlie" was the youngest of three children, and the second son. Charlie Stengel played sandlot baseball as a child, and also played baseball, football and basketball at Kansas City's Central High School.

Conteúdo: The Pirates had been the only National League team to do worse than the Dodgers in 1917, finishing last. Stengel met with the Pirates owner Barney Dreyfuss to seek a salary increase, but found Dreyfuss reluctant to deal until Stengel proved himself as a Pirate. On June 3, 1918, Stengel was ejected for arguing with the umpire, and was fined by the league office for taking off his shirt on the field. The U.S. had been fighting in World War I for a year, and Stengel enlisted in the Navy. His wartime service was playing for and managing the Brooklyn Navy Yard's baseball team, driving in the only run to beat Army, 1-0, before 5,000 spectators at the Polo Grounds. He also occasionally helped paint a ship--he later stated he had guarded the Gowanus Canal, and not a single submarine got into it.  The Armistice renewed the war between Stengel and Dreyfuss, and the outfielder held out again to begin the 1919 season. Both wanted to see Stengel traded, but no deal was immediately made. By then, Stengel's position as regular right fielder had been taken by Billy Southworth, and he had difficulty breaking back into the lineup. Stengel played better than he had before he enlisted, and by the time Dreyfuss traded him to the Philadelphia Phillies for Possum Whitted on August 9, he was batting .293 with four home runs. But before being traded, Stengel pulled one of his most famous stunts, on May 25 at Ebbets Field, as a member of the visiting Pirates. It was not unusual at Ebbets Field for rig

user: When did he play for Pittsburgh?

assistant: CANNOTANSWER

user: Was he successful there?

assistant: he was batting .293 with four home runs.

user: What team did he play for after Pittsburgh?

assistant: Phillies

user: How long was he there?

assistant: CANNOTANSWER

user: Was he successful with Philadelphia?

assistant: hit .292 in 1920 with nine home runs.

user: Was the team successful while he was there?

assistant: CANNOTANSWER
Título: Thomas Eakins
Seção: Photography
Background: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Conteúdo: Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.  In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector.  After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some

user: When did Eakins get into photography?

assistant: During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.
Título: Sakis Rouvas
Seção: Early commercial success (1991-93)
Background: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

Conteúdo: After moving to Patras, Rouvas continued to look for performance opportunities until he met Dakis (a popular Greek artist who was the first person to help him professionally). Rouvas moved to Athens, and made his first professional appearance in 1991 at the Show Centre. His showmanship attracted the attention of music executives such as Nikos Mouratidis, who encouraged songwriter Giorgos Pavrianos to produce him. Rouvas, singing Michael Jackson's "Man in the Mirror" was discovered by PolyGram executives who signed him to his first recording contract. After moving to Athens he lived with an older English woman named Sally, with whom he had begun a relationship on Corfu. Their relationship ended when Psinakis became Rouvas' manager, and the singer became more career-oriented. The media has speculated about Rouvas' personal life and relationships with model Zeta Logotheti, Sofi Kantarou (a Corfu bar manager) and singer Elli Kokkinou. Several months later he debuted at the Thessaloniki Song Festival, losing Best Vocal Performance to Giorgos Alkaios but singing the Best Composition ("Par'ta"; "Take Them", with music by Nikos Terzis and lyrics by Giorgos Pavrianos). There was a brief earthquake during the festival.  Rouvas released his eponymous debut album, which topped the Greek Albums Chart, the day after the festival. "Par'ta" became a radio hit, and other songs of the album such as "1992", "Ego S'agapo" ("I Love You") and "Gia Fantasou" ("Imagine") also became popular.  In Sep

user: When did Sakis first start experiencing success?

assistant: made his first professional appearance in 1991 at the Show Centre.

user: Did he have any hits during this early period?

assistant: "Par'ta" became a radio hit, and other songs of the album such as "1992", "Ego S'agapo" ("I Love You") and "Gia Fantasou" ("Imagine") also became popular.

user: What kinds of performing did he do besides singing?

assistant: CANNOTANSWER
Título: Steve Wozniak
Seção: Origins of Apple
Background: Steve Wozniak was born in San Jose, California, the son of Francis Jacob "Jerry" Wozniak (1925-1994) from Michigan and Margaret Louise Wozniak (nee Kern) (1923-2014) from Washington State. He graduated from Homestead High School in 1968. The name on Wozniak's birth certificate is "Stephan Gary Wozniak", but Steve's mother said that she intended it to be spelled "Stephen", which is what he uses. Wozniak has mentioned his surname being Polish and Ukrainian and spoken of his Polish descent, but stated that he does not know the origin of some other people with the Wozniak surname because he is "no heritage expert".

Conteúdo: In 1969, Wozniak returned to the Bay Area after being expelled from University of Colorado Boulder in his first year for sending prank messages on the university's computer system. During this time, as a self-taught project, Wozniak designed and built a "Cream Soda" computer with his friend Bill Fernandez. He later re-enrolled at De Anza College and transferred to University of California, Berkeley in 1971. Before focusing his attention on Apple, he was employed at Hewlett-Packard (HP) where he designed calculators. It was during this time that he befriended Steve Jobs.  Wozniak was introduced to Jobs by Fernandez, who attended Homestead High School with Jobs in 1971. Jobs and Wozniak became friends when Jobs worked for the summer at HP, where Wozniak too was employed, working on a mainframe computer. This was recounted by Wozniak in a 2007 interview with ABC News, of how and when he first met Jobs:  "We first met in 1971 during my college years, while he was in high school. A friend said, 'you should meet Steve Jobs, because he likes electronics and he also plays pranks.' So he introduced us."  In 1973, Jobs was working for arcade game company Atari, Inc. in Los Gatos, California. He was assigned to create a circuit board for the arcade video game Breakout. According to Atari co-founder Nolan Bushnell, Atari offered $100 (equivalent to $551 in 2017) for each chip that was eliminated in the machine. Jobs had little knowledge of circuit board design and made a deal with Woznia

user: What are Orgins of Apple?/

assistant: Wozniak was introduced to Jobs by Fernandez, who attended Homestead High School with Jobs in 1971. Jobs and Wozniak became friends when Jobs worked for the summer at HP,

user: What became of their friendship?

assistant: Jobs was paid the full bonus regardless. Jobs told Wozniak that Atari gave them only $700 and that Wozniak's share was thus $350

user: What was that money given for?

assistant: He was assigned to create a circuit board for the arcade video game Breakout.
Título: Billy Taylor
Seção: Mid-career
Background: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.

Conteúdo: In 1952 Taylor composed one of his most famous tunes, "I Wish I Knew How It Would Feel to Be Free", which achieved more popularity with the civil rights movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk & Soul. The tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme. He made dozens of recordings in the 1950s and 1960s, notably the album with Cuban percussionist Candido Camero, entitled Billy Taylor Trio with Candido, My Fair Lady Loves Jazz, Cross Section and Taylor Made Jazz.  Taylor's broadcast career also thrived. In 1961, he founded New York's Jazzmobile, which provides an arts education program via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz. The 13-part series was produced by the new National Educational Television Network (NET) and hosted guests including Ellington, Aaron Copland, Bill Evans, Cannonball Adderley, Jimmy Rushing and Langston Hughes.  Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s. During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th Street in Manhattan. From 1969 to 1972, he served as the music director for The David Frost Show and was 

user: What did Taylor do mid-career

assistant: In 1952 Taylor composed one of his most famous tunes,

user: what was that tune

assistant: Wish I Knew How It Would Feel to Be Free",

user: what made it so famous

assistant: which achieved more popularity with the civil rights movement of the 1950s and 1960s.

user: what was the song about

assistant: CANNOTANSWER

user: did he win any awards

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s.

user: Where did he work after that

assistant: From 1969 to 1972, he served as the music director for The David Frost Show

user: what was that show about

assistant: a talk-show
Título: Bob Graham
Seção: U.S. Senator
Background: Daniel Robert Graham (born November 9, 1936) is an American politician and author. A member of the Democratic Party, he was the 38th governor of Florida from 1979 to 1987 and a United States Senator from 1987 to 2005. Born in Coral Gables, Florida, Graham won election to the Florida Legislature after graduating from Harvard Law School. After serving in both houses of the Florida Legislature, Graham won the 1978 Florida gubernatorial election, and was reelected in 1982.

Conteúdo: Graham was then elected to the U.S. Senate in 1986, defeating incumbent Sen. Paula Hawkins 55 to 45 percent. He was reelected in 1992 (over Bill Grant, 66%-34%) and 1998 (over Charlie Crist, 63%-37%) and chose not to seek reelection in 2004. Upon retiring from the Senate in January 2005, Graham had served 38 consecutive years in public office.  During his 18 years in the Senate, Graham served on the environment and finance committees, and was a founding member of the Democratic Leadership Council. He was also active on veteran's issues and foreign policy, including chairing the US-Spain Council, for which he received the highest civilian recognition for a non-Spaniard by King Juan Carlos.  Graham served 10 years on the Senate Intelligence Committee, which he chaired during and after 9/11 and the run-up to the Iraq war. He led the joint congressional investigation into 9/11. As Chairman of the Senate Intelligence Committee, Graham opposed the War in Iraq and was one of the 23 Senators who voted against President Bush's request for authorization of the use of military force. After meeting with military leaders in February 2002, and requesting and reviewing a National Intelligence Estimate, he said he "felt we were being manipulated and that the result was going to distract us from where our real enemies were". He continued to oppose the Iraq War, saying in 2008: "I'm afraid I never wavered from my belief that this was a distraction that was going to come to a bad end in Iraq an

user: How was Bob Graham as a U.S. Senator?

assistant: Graham was then elected to the U.S. Senate

user: Was there any controversy involving him as a U.S Senator?

assistant: CANNOTANSWER

user: What happened during his time as a U.S. Senator?

assistant: Graham served on the environment and finance committees, and was a founding member of the Democratic Leadership Council.

user: Was Graham very popular or well liked by many?

assistant: Graham had served 38 consecutive years in public office.

user: Did he make any changes?

assistant: received the highest civilian recognition for a non-Spaniard by King Juan Carlos.
Título: Patti LuPone
Seção: Film and television work
Background: Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.

Conteúdo: Among LuPone's film credits are Fighting Back, Witness, Just Looking, The Victim, Summer of Sam, Driving Miss Daisy, King of the Gypsies, 1941, Wise Guys, Nancy Savoca's The 24 Hour Woman and Savoca's Union Square (in post-production, late 2010), Family Prayers, and City by the Sea. She has also worked with playwright David Mamet on The Water Engine, the critically acclaimed State and Main, and Heist. In 2011, the feature film Union Square, co-written and directed by the Sundance Film Festival's Grand Jury Award Winner, Nancy Savoca, was premiered at the Toronto International Film Festival. In it, LuPone co-starred with Mira Sorvino, Tammy Blanchard, Mike Doyle, Michael Rispoli and Daphne Rubin-Vega.  She played Lady Bird Johnson in the TV movie, LBJ: The Early Years (1987). LuPone played Libby Thatcher on the television drama Life Goes On, which ran on ABC from 1989 to 1993. In the 1990s she had a recurring role as defense attorney Ruth Miller on Law & Order. She has twice been nominated for an Emmy Award: for the TV movie The Song Spinner (1995, Daytime Emmy Award nominee), and for Outstanding Guest Actress in a Comedy Series on Frasier in 1998. She had a cameo as herself that year on an episode of Saturday Night Live hosted by Kelsey Grammer.  LuPone's TV work also included a recurring role on her cousin Tom Fontana's HBO series in its final season, Oz (2003). She appeared as herself on a February 2005 episode of Will & Grace. She also appeared on the series Ugly Betty in 

user: What film has she been in?

assistant: Among LuPone's film credits are Fighting Back, Witness, Just Looking, The Victim, Summer of Sam, Driving Miss Daisy,

user: Has she won any awards?

assistant: She has twice been nominated for an Emmy Award:

user: Who is a costar she had?

assistant: She reunited with fellow guest star Kellie Martin as her mother

user: In what show was that?

assistant: LuPone guest starred on Army Wives

user: What is a leading role she had?

assistant: She played Lady Bird Johnson in the TV movie, LBJ: The Early Years

user: In what movie or tv role?

assistant: in the TV movie, LBJ: The Early Years (1987).

user: what movie for her was a big success?

assistant: the critically acclaimed State and Main,

user: what year was that?

assistant: CANNOTANSWER