dgand84/projgand huggingface dataset:
What is Income-Driven Repayment? 
Income - driven repayment IDR plans are designed to make your student loan debt more manageable by reducing your monthly payment amount. If you need to make lower monthly payments or if your outstanding federal student loan debt represents a significant portion of your annual income , one of the following income - driven plans may be right for you : As You Earn Repayment Plan REPAYE Revised Pay Pay As You Earn Repayment Plan PAYE Income - Based Repayment Plan IBR Income - Contingent Repayment Plan ICR Plan 

Who should complete this? 
Borrowers not currently on an IDR Plan who are seeking a lower monthly payment on their federal student loans and Borrowers currently on an IDR Plan who need to re - certify or make changes to their repayment plan. 

How many IDR applications do I need? 


How long will it take? 
The entire Income - Driven Repayment process must be completed in a single session. Most people complete the process in 10 minutes or less. 

What do I need? 
Verified FSA ID 

New Applicants 


I am not currently on an income-driven plan and I want to apply 
You can apply for an income - driven repayment plan that limits your payments to a percentage of your income. LOG IN TO START 

Returning IDR Applicants 


Submit annual re-certification of my income 
To re - certify for your existing income - driven repayment plan you must provide updated information about your income and family size annually. LOG IN TO START 

Recalculate my monthly payment 
If your income or family size has changed you can request that your income - driven payment be re - calculated to reduce your current monthly payment. LOG IN TO START 

Switch my current plan to a new plan 
If you are currently enrolled in an income - driven repayment plan and would like to switch to another income - driven repayment plan. LOG IN TO START Preview a read - only version of the complete form 

user: hello i would like to get information about new applicants

assistant: Not currently on an income-based plan and want to apply for one?

user: yes

assistant: You can request an income-based payment plan that limits your payments to a percentage of your income.

user: and how do I start this process?

assistant: you just need to SIGN IN TO GET STARTED

user: How do I calculate my payment if my income has changed?

assistant: you can request that your income-based payment be recalculated to reduce your current monthly payment

user: Who should complete this?

assistant: Borrowers currently on an IDR Plan who need to recertify or make changes to their repayment plan.
Título: Bill Clinton
Seção: Early life and career
Background: William Jefferson Clinton (ne Blythe III; born August 19, 1946) is an American politician who served as the 42nd President of the United States from 1993 to 2001. Prior to the presidency, he was the Governor of Arkansas from 1979 to 1981, and again from 1983 to 1992. A member of the Democratic Party, Clinton was ideologically a New Democrat and many of his policies reflected a centrist "Third Way" political philosophy. Clinton was born and raised in Arkansas and attended Georgetown University, the University of Oxford, and Yale Law School.

Conteúdo: Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950.  Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them.  In Hot Springs, Clinton attended St. John's Catholic Elementary School, R

user: Where was Clinton born?

assistant: Julia Chester Hospital in Hope, Arkansas.
Título: Amish
Seção: 1850-1878 Division into Old Orders and Amish Mennonites
Background: The Amish (; Pennsylvania German: Amisch, German: Amische) are a group of traditionalist Christian church fellowships with Swiss Anabaptist origins. They are closely related to, but distinct from, Mennonite churches. The Amish are known for simple living, plain dress, and reluctance to adopt many conveniences of modern technology. The history of the Amish church began with a schism in Switzerland within a group of Swiss and Alsatian Anabaptists in 1693 led by Jakob Ammann.

Conteúdo: Most Amish communities that were established in North America did not ultimately retain their Amish identity. The major division that resulted in the loss of identity of many Amish congregations occurred in the third quarter of the 19th century. The forming of factions worked its way out at different times at different places. The process was rather a "sorting out" than a split. Amish people are free to join another Amish congregation at another place that fits them best.  In the years after 1850, tensions rose within individual Amish congregations and between different Amish congregations. Between 1862 and 1878 yearly Dienerversammlungen (ministerial conferences) were held at different places, concerning how the Amish should deal with the tensions caused by the pressures of modern society. The meetings themselves were a progressive idea; for bishops to assemble to discuss uniformity was an unprecedented notion in the Amish church. By the first several meetings, the more traditionally minded bishops agreed to boycott the conferences.  The more progressive members, comprising approximately two-thirds of the group, became known by the name Amish Mennonite, and eventually united with the Mennonite Church, and other Mennonite denominations, mostly in the early 20th century. The more traditionally minded groups became known as the Old Order Amish. The Egli Amish had already started to withdraw from the Amish church in 1858. They soon drifted away from the old ways and changed thei

user: What is the group called

assistant: The major division that resulted in the loss of identity of many Amish congregations occurred in the third quarter of the 19th century.
Título: Paul Winchell
Seção: Ventriloquist work
Background: Winchell was born Paul Wilchinsky in New York City on December 21, 1922, to Solomon Wilchinsky and Clara Fuchs. His father was a tailor; his grandparents were Jewish immigrants from Russian Poland and Austria-Hungary. Winchell's initial ambition was to become a doctor, but the Depression wiped out any chance of his family's ability to afford medical school tuition. At age 13, he contracted polio; while recovering, he happened upon a magazine advertisement offering a ventriloquism kit for ten cents.

Conteúdo: Winchell's best-known ventriloquist dummies were Jerry Mahoney and Knucklehead Smiff. Mahoney was carved by Chicago-based figure maker Frank Marshall. Sometime later Winchell had basswood copies of Jerry's head made by a commercial duplicating service. One became the upgraded Jerry Mahoney that is seen primarily throughout Winchell's television career. The television versions of Jerry and Knucklehead also featured Winchell's innovation of actors slipping their hands into the sleeves of the dummies, giving the visual effect of gesturing with their hands while "conversing" with each other. He modified two other copies to create Knucklehead Smiff. The original Marshall Jerry Mahoney and one copy of Knucklehead Smiff are in storage at the Smithsonian Institution. The other two figures are in the collection of illusionist David Copperfield.  Winchell's first show as a ventriloquist was on radio with Jerry Mahoney in 1943. The program was short-lived, however, as he was overshadowed by Edgar Bergen. Winchell also created Ozwald, a character that resembled Humpty Dumpty. The effect was accomplished by painting eyes and a nose on his chin, then adding a "body" covering the rest of his face, and finally electronically turning the camera image upside down. In 1961, Berwin Novelties introduced a home version of the character that included an Oswald body, creative pencils to draw the eyes and nose and a "magic mirror" that automatically turned a reflection upside down.  In 1948, Winchell

user: What was his ventrolioquist work?

assistant: Winchell's best-known ventriloquist dummies were Jerry Mahoney and Knucklehead Smiff.
When it comes to paying for college, career school, or graduate school, federal student loans can offer several advantages over private student loans. 
Need a loan to help pay for college? Consider federal loans first! If you apply for financial aid , your school will likely include student loans as part of your financial aid package. It s important to understand what types of loans you are offered. Generally , there are two types of student loans federal and private. Federal student loans and federal parent loans : These loans are funded by the federal government. Private student loans: These loans are nonfederal loans, made by a lender such as a bank, credit union, state agency, or a school. 

If you need to borrow money to pay for college or career school, start with federal loans. 
Federal student loans are Direct Subsidized Loans and Direct Unsubsidized Loans and Direct PLUS Loans for graduate and professional students. Federal parent loans are Direct PLUS Loans for parents. Parents are fully responsible for paying these loans, even though they are taken out to benefit students. 

What are the differences between federal and private student loans? 
Federal student loans are made by the government, with terms and conditions that are set by law, and include many benefits such as fixed interest rates and income - driven repayment plans not typically offered with private loans. In contrast , private loans are made by private organizations such banks, credit unions, and state - based or state - affiliated organizations, and have terms and conditions that are set by the lender. Private student loans are generally more expensive than federal student loans. The chart below provides a summary of the differences. Private loans differ by lender and by type of loan. Be sure you understand the terms of your loan, and keep in touch with your lender about any questions you may have. 

How do I get a federal student loan? 
To get a federal loan , you must first complete the 

user: Why would I opt for a federal loan over a private student loan to help with my college education?

assistant: Are you currently seeking a  loan to help with your college education?

user: Yes, I am starting the process now

assistant: You should consider federal loans first
Título: Jack Thompson (activist)
Seção: Video games
Background: John Bruce "Jack" Thompson (born July 25, 1951) is an American activist and disbarred attorney, based in Coral Gables, Florida. Thompson is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, the content of computer and video games and their alleged effects on children.

Conteúdo: Thompson has heavily criticized a number of video games and campaigned against their producers and distributors. His basic argument is that violent video games have repeatedly been used by teenagers as "murder simulators" to rehearse violent plans. He has pointed to alleged connections between such games and a number of school massacres. According to Thompson, "In every school shooting, we find that kids who pull the trigger are video gamers." Also, he claims that scientific studies show teenagers process the game environment differently from adults, leading to increased violence and copycat behavior. According to Thompson, "If some wacked-out adult wants to spend his time playing Grand Theft Auto: Vice City, one has to wonder why he doesn't get a life, but when it comes to kids, it has a demonstrable impact on their behavior and the development of the frontal lobes of their brain." Thompson has described the proliferation of games by Sony, a Japanese company, as "Pearl Harbor 2". According to Thompson, "Many parents think that stores won't sell an M-rated game to someone under 17. We know that's not true, and, in fact, kids roughly 50 percent of that time, all the studies show, are able to walk into any store and get any game regardless of the rating, no questions asked."  Thompson has rejected arguments that such video games are protected by freedom of expression, saying, "Murder simulators are not constitutionally protected speech. They're not even speech. They're dangerou

user: What was Thompsons view on video games?

assistant: Thompson has heavily criticized a number of video games and campaigned against their producers and distributors.

user: Are there any other interesting aspects about this article?

assistant: His basic argument is that violent video games have repeatedly been used by teenagers as "murder simulators" to rehearse violent plans.

user: Did he give examples?

assistant: When McCoy was captured, a game console and a copy of The Getaway were in his motel room.

user: what is his evidence to support his claim?

assistant: he claims that scientific studies show teenagers process the game environment differently from adults, leading to increased violence and copycat behavior.
Schedule and view VA appointments online 
With our VA Appointments tools , you can schedule some VA health care appointments online. You can also view details about upcoming appointments and organize your health calendar. Find out if you re eligible, and how to sign up to begin using these tools on our My HealtheVet health management portal. 

How do I talk to someone right now? 
If you're a Veteran in crisis or concerned about one , connect with our caring, qualified Veterans Crisis Line responders for confidential help. Many of them are Veterans themselves. This service is private, free, and available 24/7. To connect with a Veterans Crisis Line responder anytime day or night : Call 800 - 273 - 8255 , then select 1. Start a confidential Veterans chat. Text 838255. If you have hearing loss , call TTY : 800 - 799 - 4889. You can also : Call 911. Go to the nearest emergency room. Go directly to your nearest VA medical center. It doesn't matter what your discharge status is or if you're enrolled in VA health care. Find your nearest VA medical center Please note: The fastest way to make all your VA appointments is usually to call the VA health facility where you want to receive care. If you can t keep an existing appointment , please contact the facility as soon as possible to reschedule or cancel. Find your VA health facility s phone number 

View your VA appointments online 


Schedule or cancel a VA appointment online 


How can VA Appointments tools help me manage my health care? 
VA Appointments tools offer a secure, web - based way to schedule, view, and organize your VA appointments online. You can use these tools to : Schedule some of your VA medical appointments online Reschedule and cancel appointments made online View appointments on your health calendar Find the location of the VA facility for your appointments Set up email reminders for upcoming appointments Print a list of your future appointments Look up past appointments from the last 2 years Add non 

user: Am I eligible to use the VA Appointments tools?

assistant: You can use these tools if you meet all of the requirements.

user: what are those requirements?

assistant: For example, Are you enrolled in VA health care?

user: Yes, I am.

assistant: Are you scheduling your appointment with a VA health facility that uses online scheduling?

user: no, I am not.

assistant: Sorry, you don't meet all of the requirements to use the VA Appointments tools.

user: What types of VA medical appointments can I schedule online?

assistant: This will depend on the VA health facility where you re receiving care.

user: Will my personal health information be protected?

assistant: Yes, this is a secure website. However, if you want, you can get tips for protecting your personal health information.
Título: The Animals
Seção: Second incarnation
Background: The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material.

Conteúdo: A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch (bass) were formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966 and changed direction. The hard driving blues was transformed into Burdon's version of psychedelia as the former heavy drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation.  Early performances of this group did not include any of the Animals hits for which the original Animals had become known. Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their sound was much heavier than the original group. Burdon screamed more and louder on live versions of "Paint It Black" and "Hey Gyp". In 1968, they had a more experimental sound on songs like "We Love You Lil" and the 19-minute record "New York 1963 - America 1968". The songs had a style of being silent at the beginning and then becoming psychedelic and raw straight to the end with screaming, strange lyrics and "scrubbing" instruments.  There were further changes to this lineup: Zoot Money was added in April 1968, initially as organist/pianist only, but upon McCulloch's departure he also took on bass and occasional lead vocals. In July 1968, Andy Summers replaced Briggs. Both Mon

user: Who was the members of the Second incarnation?

assistant: group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch

user: What year was the Second incarnation?

assistant: ) in December 1966 and changed direction.

user: Did they release any albums?

assistant: Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their

user: Did they celebrate any successes?

assistant: CANNOTANSWER

user: Is there anything else interesting about the second incarnation?

assistant: Only a few dates into the tour, the promoters - who, unbeknownst to the band, were yakuza - kidnapped the band's manager and threatened him at gunpoint

user: Why did they kidnap the band's manager?

assistant: write an IOU for $25,000 to cover losses incurred by the tour's delay.
Título: John Cage
Seção: Early works, rhythmic structure, and new approaches to harmony
Background: John Milton Cage Jr. (September 5, 1912 - August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Conteúdo: Cage's work from the sixties features some of his largest and most ambitious, not to mention socially utopian pieces, reflecting the mood of the era yet also his absorption of the writings of both Marshall McLuhan, on the effects of new media, and R. Buckminster Fuller, on the power of technology to promote social change. HPSCHD (1969), a gargantuan and long-running multimedia work made in collaboration with Lejaren Hiller, incorporated the mass superimposition of seven harpsichords playing chance-determined excerpts from the works of Cage, Hiller, and a potted history of canonical classics, with fifty-two tapes of computer-generated sounds, 6,400 slides of designs, many supplied by NASA, and shown from sixty-four slide projectors, with forty motion-picture films. The piece was initially rendered in a five-hour performance at the University of Illinois in 1969, in which the audience arrived after the piece had begun and left before it ended, wandering freely around the auditorium in the time for which they were there.  Also in 1969, Cage produced the first fully notated work in years: Cheap Imitation for piano. The piece is a chance-controlled reworking of Erik Satie's Socrate, and, as both listeners and Cage himself noted, openly sympathetic to its source. Although Cage's affection for Satie's music was well-known, it was highly unusual for him to compose a personal work, one in which the composer is present. When asked about this apparent contradiction, Cage replied: "Obvio

user: What was Johns earliest work?

assistant: HPSCHD (1969), a gargantuan and long-running multimedia work made in collaboration with Lejaren Hiller, incorporated the mass superimposition of seven harpsichords playing

user: Was it well received?

assistant: five-hour performance at the University of Illinois in 1969, in which the audience arrived after the piece had begun and left before it ended,
Título: Terry Gilliam
Seção: Themes and philosophy
Background: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Conteúdo: Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it - I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.  As for his philosophical background in screenwriting and directing, Gilliam said on the TV show First Hand on RoundhouseTV, "There's so many film schools, so many media courses which I actually am opposed to. Because I think it's more important to be educated, to read, to learn things, because if you're gonna be in the media and if you'll have to say things, you have to know things. If you only know about cameras and 'the media', what're you gonna be talking about except cameras and the media? So it's better learning about philosophy and art and architecture [and] literature, these are the things to be concentrating on it seems to me. Then, you can fly...!"  His films are usually imaginative fantasies. His long-time co-writer Charles McKeown commented, "the theme of imagination, and the importance of imagination, to how you live and how you think and so on ... that's very much a Terry theme." Most of Gilliam's movies include plotlines that seem to occur partly or completely in the characters' imaginations, raising questions about the defini

user: What kind of work did Gilliam do?

assistant: screenwriting and directing,

user: What topics interested him?

assistant: philosophy and art and architecture [and] literature,

user: What is an example of a screenplay of his?

assistant: CANNOTANSWER

user: What kind of art was he interested in?

assistant: the theme of imagination,
Título: Larry Holmes
Seção: Holmes vs. Cooney
Background: Holmes was the fourth of twelve children born to John and Flossie Holmes. After the family moved to Easton in 1954, Holmes' father went to Connecticut. He worked as a gardener there until his death in 1970. He visited his family every three weeks. "

Conteúdo: On June 11, 1982, Holmes defended his title against Gerry Cooney, the undefeated #1 contender and an Irish-American. The lead-up to the fight had many racial overtones. Holmes said that if Cooney wasn't white, he would not be getting the same purse as the champion (both boxers received $10 million for the bout). Although Cooney tried to deflect questions about race, members of his camp wore shirts that said "Not the White Man, but the Right Man." In their fight previews, Sports Illustrated and Time put Cooney on the cover, not Holmes. President Ronald Reagan had a phone installed in Cooney's dressing room so he could call him if he won the fight. Holmes had no such arrangement. Lastly, boxing tradition dictates that the champion is introduced last, but the challenger, Cooney, was introduced last.  The bout was held in a 32,000-seat stadium erected in a Caesar's Palace Parking lot, with millions more watching around the world. After an uneventful first round, Holmes dropped Cooney with a right in the second. Cooney came back well in the next two rounds, jarring Holmes with his powerful left hook. Holmes later said that Cooney "hit me so damned hard, I felt it--boom--in my bones." Cooney was tiring by the ninth, a round in which he had two points deducted for low blows. In the tenth, they traded punches relentlessly. At the end of the round, the two nodded to each other in respect. Cooney lost another point because of low blows in the eleventh. By then, Holmes was landing with 

user: When did the fight take place?

assistant: On June 11, 1982,

user: Who was considered the underdog?

assistant: Holmes said that if Cooney wasn't white, he would not be getting the same purse as the champion

user: Are there any other interesting aspects about this article?

assistant: Ronald Reagan had a phone installed in Cooney's dressing room so he could call him if he won the fight.

user: Did reagan ever call him?

assistant: Holmes had no such arrangement.
Get a CDL[1] 
Follow these steps to get your first time New York State commercial driver license CDL. 

Step 1: Have a New York State driver license (Class D, Class E, or Non-CDL C) or a valid CDL from another state 
Get the New York State Commercial Driver's Manual [2] CDL-10 online or from a DMV office [3] or call center. [ 4] Study the sections of the manual that apply to the type of CDL you need. The sections of the manual that you need to study are explained in the manual. The manual describes the classes, the restrictions, and the endorsements of CDLs. This information is also included on the Driver License Class Descriptions PDF [5] MV-500C. 

Step 2: Apply for a commercial learner permit at a DMV office 
You must pass the written test for the CDL that you need. There is an application fee of $10.00. This fee allows you to take all written tests knowledge and endorsement required for permit and license issuance applied for which are taken at the same time. There will be an additional $5 fee for any other required tests not taken and passed at the time of initial application. There is a fee of $40.00 to take the CDL road test skills test. You can pay the road test fee when the DMV office issues your commercial learner permit , or you can pay the fee online [6]. You must pay the fee before you can schedule your road test. When you apply for an New York State CDL Class A, B, or C , you must certify that You did not hold a driver license in any state or in the District of Columbia except New York in the last 10 years or you must report every US state or the District of Columbia where you held a driver license in the last 10 years. You meet the Federal medical examination requirements see Medical Certification Requirements [7] for more information. You must also prove your legal presence in the United States. IMPORTANT : DMV now offers three types of license / permit documents. Learn more about enhanced, REAL ID and standard documents [8]. 

Know what to bring t

user: hello I need information about CDL

assistant: Do you want to know if you will receive a temporary CDL after passing your driving test?

user: do not

assistant: want to know What is the rate for a CDL?

user: Yes

assistant: Well all of that depends on the expiration date and class of your current driver's license, and the date you receive your CDL.

user: What do I need to do to get a New York State CDL?

assistant: Very easy, just request your CDL at a DMV office and deliver your CDL out of state.

user: And in which office should I request it?

assistant: You must request a CDL at a DMV office

user: ok, and this theme is applied for who?

assistant: It is applied for commercial drivers
Título: Lindsay Hassett
Seção: Test debut
Background: Arthur Lindsay Hassett MBE (28 August 1913 - 16 June 1993) was a cricketer who played for Victoria and Australia. The diminutive Hassett was an elegant middle-order batsman, described by Wisden as, "... a master of nearly every stroke ... his superb timing, nimble footwork and strong wrists enabled him to make batting look a simple matter". His sporting career at school singled him out as a precocious talent, but he took a number of seasons to secure a regular place in first-class cricket and initially struggled to make large scores.

Conteúdo: Hassett allayed doubt about his selection when he began the tour with innings of 43, 146, 148 and 220 not out, against Worcestershire, Oxford University, Leicestershire and Cambridge University respectively as Australia won their first four matches by an innings. He added 57 and 98 in the next two matches against the Marylebone Cricket Club and Hampshire, and despite failing to pass 30 in the next four innings, he was selected to make his Test debut at Nottingham in the first match of the series. Hassett had an ignominious debut, scoring one and two in a high-scoring draw in which almost 1,500 runs were scored for the loss of only 24 wickets on a "batting paradise". He maintained his county form between Tests, adding 118 against Lancashire before scoring his only half-century in the Tests, adding 56 and 42 at Lord's in the drawn Second Test.  The Third Test was abandoned without a ball being bowled due to rain, and Hassett prepared for what would be the decisive Fourth Test by scoring 94 and 127 in consecutive matches against Yorkshire and Nottinghamshire. The match at Headingley in Leeds was Australia's only Test victory, which was enough to ensure a drawn series and the retention of The Ashes. In a low-scoring match in a batsman-friendly series, Australia, chasing a target of only 105 runs to win, had slumped to 3/50 when Hassett came to the crease as an approaching storm threatened to either end the game or make the pitch difficult to bat on. Hassett calmly hit 33 runs fro

user: Who did Lindsay debut with?

assistant: Hassett allayed doubt about his selection when he began the tour with innings of 43, 146, 148 and 220 not out, against Worcestershire, Oxford University,

user: Was his debut a success?

assistant: He added 57 and 98 in the next two matches against the Marylebone Cricket Club and Hampshire, and despite failing to pass 30 in the next four innings,

user: After that match, how did he do?

assistant: scoring one and two in a high-scoring draw in which almost 1,500 runs were scored for the loss of only 24 wickets on a "batting paradise".
VA vision care 
If you qualify for VA health care benefits , you may be able to get some or all of your vision care through VA . Find out more about our vision care. 

Are my routine eye exams covered under my VA health care benefits? 
Yes. If you have VA health care benefits , we ll cover your routine eye exams and preventive vision testing like testing for glaucoma. To schedule an eye exam, talk to your VA primary care provider or contact your nearest VA medical center or clinic. Find a VA medical center near you If you re a blind or low vision Veteran , you may be able to get more advanced vision care and rehabilitation services. Find out if you qualify for blind and low vision Veteran services 

Will VA cover the cost of eyeglasses? 
We ll cover the cost of your eyeglasses if you meet at least one of the requirements listed below. At least one of these must be true. You: Have a compensable service - connected disability a disability linked to your military service for which you re receiving VA disability payments , or Are a former prisoner of war POW , or Were awarded a Purple Heart , or Receive benefits under Title 38 United States Code U.S.C. 1151, or Receive an increased pension based on your being permanently housebound and in need of regular aid and attendance Or , you must have at least one of these issues : Vision problems caused by an illness or the treatment of an illness for which you re receiving VA care, like : Stroke Diabetes Multiple sclerosis Vascular disease diseases that affect your blood vessels Geriatric chronic illnesses long - lasting illnesses that affect the elderly Vision problems caused by an injury or the treatment of an injury for which you re receiving VA care, like : A reaction to prescribed medicines Cataract surgery or other surgeries of the eye, ear, or brain Traumatic brain injury or polytrauma injuries to more than 1 body part or organ, often caused by a blast Functional impairment parts of your body that don t work as well as

user: Hey, I need to know if VA will pay for my glasses.

assistant: Of course. We'll cover the cost of your eyeglasses if you meet at least one of the requirements.

user: Where can I find more information about all this?

assistant: You could contact the prosthetic representative at your nearest VA medical center or clinic or find a VA health facility near you.

user: Will do. What are those requirements you mentioned earlier?

assistant: Do you have a compensable service-connected disability, a disability linked to your military service for which you're receiving VA disability payments?

user: No, I don't.

assistant: Are you a former prisoner of war?

user: No. Why would I? I've never been part of an actual war.

assistant: Were you awarded a Purple Heart?

user: No. I wouldn't say no if you want to send me one though.

assistant: Do you currently receive benefits under Title 38 United States Code U.S.C.?
Título: The King and I
Seção: Early revivals
Background: The King and I is the fifth musical by the team of composer Richard Rodgers and dramatist Oscar Hammerstein II. It is based on Margaret Landon's novel, Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit.

Conteúdo: The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks, starring Jan Clayton and Zachary Scott, directed by John Fearnley, with Robbins' choreography recreated by June Graham. Muriel Smith reprised her London role of Lady Thiang, and Patrick Adiarte repeated his film role, Chulalongkorn. This company presented the musical again in May 1960 with Barbara Cook and Farley Granger, again directed by Fearnley, in another three-week engagement. Atkinson admired the purity of Cook's voice and thought that she portrayed Anna with "a cool dignity that gives a little more stature to the part than it has had before." He noted that Granger brought "a fresh point of view - as well as a full head of hair". Joy Clements played Tuptim, and Anita Darian was Lady Thiang. City Center again presented the show in June 1963, starring Eileen Brennan and Manolo Fabregas, directed by Fearnley. Clements and Darian reprised Tuptim and Thiang. In the final City Center Light Opera production, Michael Kermoyan played the King opposite Constance Towers for three weeks in May 1968. Darian again played Lady Thiang. For all of these 1960s productions, Robbins' choreography was reproduced by Yuriko, who had played the role of Eliza in the original Broadway production and reprised the role in the City Center productions.  The Music Theatre of Lincoln Center, with Rodgers as producer, presented the musical in mid-1964 at 

user: When was the first revival?

assistant: The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks,
Título: Burt Bacharach
Seção: Style
Background: Burt Freeman Bacharach ( BAK-@-rak; born May 12, 1928) is an American composer, songwriter, record producer, pianist, and singer who has composed hundreds of popular hit songs from the late 1950s through the 1980s, many in collaboration with popular lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. As of 2014, he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music.

Conteúdo: Bacharach's music is characterized by unusual chord progressions, influenced by jazz harmony, with striking syncopated rhythmic patterns, irregular phrasing, frequent modulation, and odd, changing meters. He arranged, conducted, and produced much of his recorded output. Sometimes called "easy listening", he has expressed apprehension regarding that label. According to NJ.com contributor Mark Voger, "It may be easy on the ears, but it's anything but easy. The precise arrangements, the on-a-dime shifts in meter, and the mouthfuls of lyrics required to service all those notes have, over the years, proven challenging to singers and musicians." Bacharach's selection of instruments included flugelhorns, bossa nova sidesticks, breezy flutes, molto fortissimo strings and cooing female voices. According to editors of The Mojo Collection, it led to what became known as the "Bacharach Sound." He explains:  I didn't want to make the songs the same way as they'd been done, so I'd split vocals and instrumentals and try to make it interesting ... For me, it's about the peaks and valleys of where a record can take you. You can tell a story and be able to be explosive one minute then get quiet as kind of a satisfying resolution.  While he didn't mind singing during live performances, he tried to mostly avoid it on records. And when he did sing, he explains, "I try to sing the songs not as a singer, but just interpreting it as a composer and interpreting a great lyric that Hal [David] wrote." 

user: what was his style like?

assistant: progressions, influenced by jazz harmony, with striking syncopated rhythmic patterns,

user: did he study anyone?

assistant: great lyric that Hal [David] wrote."

user: did anyone else influence him?

assistant: contributor Mark Voger,

user: who did he work with the most?

assistant: Mark Voger, "
Título: Cancer Bats
Seção: Early years and Birthing the Giant (2004-2006)
Background: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.

Conteúdo: Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton, a former member of Toronto heavy metal band At the Mercy of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others. The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals. The four-piece wrote and recorded songs for a self-released demo that saw light in January 2005, and led to Canadian independent record label Distort Entertainment signing the band.  The story is that the band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name. Soon after, Mike Peters replaced Bath on the drums and the band began playing throughout Southern Ontario, playing live shows with bands like Billy Talent, Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, Attack in Black, Misery Signals, This Is Hell, Rise Against, The Bronx and Gallows.  On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM) and then on June 6 Birthing the Giant was released into major record stores. The album includes guest vocals by George Pettit of Alexisonfire. On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video playe

user: When did the band first form?

assistant: Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton,

user: How did the two meet?

assistant: The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others.

user: Who else did they recruit for the band?

assistant: The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals.

user: What was their first album?

assistant: on June 6 Birthing the Giant was released into major record stores.

user: How did the album do?

assistant: On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video played at the end of the show.

user: Did they go on tour?

assistant: CANNOTANSWER

user: Were there any other notable events surrounding the release of their first album?

assistant: On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM)
Título: Garth Hudson
Seção: Biography
Background: Eric Garth Hudson (born August 2, 1937) is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2018, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.

Conteúdo: Hudson was born in Windsor, Ontario, Canada. His parents, Fred James Hudson and Olive Louella Pentland, were musicians. His mother played piano and accordion and sang. His father, a farm inspector who had fought as a fighter pilot in World War I, played drums, C melody saxophone, clarinet, flute and piano. Hudson moved with his family to London, Ontario, around 1940. Classically trained in piano, music theory, harmony and counterpoint, Hudson wrote his first song at the age of eleven and first played professionally with dance bands in 1949 at the age of twelve. He attended Broughdale Public School and Medway High School before studying music (primarily Bach's chorales and The Well-Tempered Clavier) at the University of Western Ontario for one year; nevertheless, he grew increasingly frustrated with the rigidity of the classical repertoire.  In 1958, he joined a rock and roll band called "the Capers". He was reported to have said that he also gained some performance experience from playing at his uncle's funeral parlor. In December 1961, the 24-year-old Hudson joined the Hawks, the backing band for Ronnie Hawkins, which already consisted of 21-year-old Levon Helm on drums, 18-year-old Robbie Robertson on guitar, 18-year-old Rick Danko on bass and 18-year-old Richard Manuel on piano.  Fearing that his parents would think he was squandering his years of music education by playing in a rock and roll band, Hudson joined the band on the condition he be given the title "music consul

user: What year was he born

assistant: CANNOTANSWER

user: was he married

assistant: CANNOTANSWER

user: Where was he from

assistant: Hudson was born in Windsor, Ontario, Canada.

user: who were his parents

assistant: His parents, Fred James Hudson and Olive Louella Pentland, were musicians.
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