dgand84/projgand huggingface dataset:
Título: Fred Astaire
Seção: 1940-1947: Drifting to an early retirement
Background: Fred Astaire (born Frederick Austerlitz; May 10, 1899 - June 22, 1987) was an American dancer, singer, actor, choreographer and television presenter. He is widely regarded as one of the most influential dancers in the history of film and television musicals. His stage and subsequent film and television careers spanned a total of 76 years, during which he starred in more than 10 Broadway and London musicals, made 31 musical films, 4 television specials, and issued numerous recordings.

Conteúdo: In 1939, Astaire left RKO to freelance and pursue new film opportunities, with mixed though generally successful outcomes. Throughout this period, Astaire continued to value the input of choreographic collaborators and, unlike the 1930s when he worked almost exclusively with Hermes Pan, he tapped the talents of other choreographers in an effort to continually innovate. His first post-Ginger dance partner was the redoubtable Eleanor Powell--considered the finest female tap-dancer of her generation--in Broadway Melody of 1940, in which they performed a celebrated extended dance routine to Cole Porter's "Begin the Beguine." In his autobiography Steps in Time, Astaire remarked, "She 'put 'em down like a man,' no ricky-ticky-sissy stuff with Ellie. She really knocked out a tap dance in a class by herself."  He played alongside Bing Crosby in Holiday Inn (1942) and later Blue Skies (1946) but, in spite of the enormous financial success of both, was reportedly dissatisfied with roles where he lost the girl to Crosby. The former film is particularly remembered for his virtuoso solo dance to "Let's Say it with Firecrackers" while the latter film featured an innovative song and dance routine to a song indelibly associated with him: "Puttin' On the Ritz." Other partners during this period included Paulette Goddard in Second Chorus (1940), in which he dance-conducted the Artie Shaw orchestra.  He made two pictures with Rita Hayworth, the daughter of his former vaudeville dance idols, the

user: What happened in 1940?

assistant: His first post-Ginger dance partner was the redoubtable Eleanor Powell--considered the finest female tap-dancer of her generation--in Broadway Melody

user: What Broadway shows was he in?

assistant: Broadway Melody of 1940, in which they performed a celebrated extended dance routine to Cole Porter's "Begin the Beguine.

user: Who else did he perform with?

assistant: He played alongside Bing Crosby in Holiday Inn (1942) and later Blue Skies (1946)

user: How were his performances received?

assistant: in spite of the enormous financial success of both, was reportedly dissatisfied with roles

user: So what did he decide to do after that?

assistant: He made two pictures with Rita Hayworth, the daughter of his former vaudeville dance idols, the Cansinos.

user: What were the names of the pictures?

assistant: The first, You'll Never Get Rich (1941), catapulted Hayworth to stardom

user: Did any of the films receive awards or honors?

assistant: This film, which was choreographed by Astaire alone and achieved modest box office success,
Título: Haruki Murakami
Seção: From "detachment" to "commitment"
Background: Haruki Murakami (Cun Shang  Chun Shu , Murakami Haruki, born January 12, 1949) is a Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Award (2006) and the Frank O'Connor International Short Story Award (2006). His oeuvre received, for example, the Franz Kafka Prize (2006) and the Jerusalem Prize (2009).

Conteúdo: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in tr

user: What is the main point of the article?

assistant: The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature.

user: What was the trauma?

assistant: Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction,

user: What was his first non-fiction book?

assistant: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It
Título: Burlesque
Seção: Victorian theatrical burlesque
Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

Conteúdo: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.  Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s.  Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming co

user: when did Victorian Burlesque start?

assistant: between the 1830s and the 1890s.

user: where did it start?

assistant: popular in London theatres

user: who were some early writers?

assistant: J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.

user: what were some early plays they wrote?

assistant: CANNOTANSWER

user: who was the original audience?

assistant: CANNOTANSWER

user: what were some notable aspects?

assistant: a well-known opera, play or ballet was adapted into a broad comic play,

user: how was it received?

assistant: popular in London theatres between the 1830s and the 1890s.

user: did it spread to other places?

assistant: This English style of burlesque was successfully introduced to New York in the 1840s.

user: what were some play titles?

assistant: Olympic Revels by J. R. Planche.
Survivors and Dependents Educational Assistance 
Learn about the Survivors and Dependents Educational Assistance DEA program. If you re the child or spouse of a Veteran or service member who has died, is captured or missing, or has disabilities , you may be able to get help paying for school or job training through the DEA program also called Chapter 35. Find out if you re eligible for this benefit. 

Am I eligible for education benefits through the DEA program? 
You may be able to get these benefits if both you and the Veteran or service member meet certain eligibility requirements. One of the descriptions below must be true. The Veteran or service member : Is permanently and totally disabled due to a service - connected disability , or Died while on active duty or as a result of a service - connected disability , or Is missing in action or was captured in the line of duty by a hostile force , or Was forcibly detained held or interned in the line of duty by a foreign entity , or Is in the hospital or getting outpatient treatment for a service - connected permanent and total disability and is likely to be discharged for that disability effective December 23 , 2006 

If you re the child of a Veteran or service member 
You can get benefits if you re between the ages of 18 and 26, except in certain cases. You may be married or unmarried. If you re over 18 years old and using DEA , you can t get Dependency and Indemnity Compensation DIC from us. Learn about DIC If you join the military , you can t use this benefit while on active duty. And if you want to use this benefit after you leave the service , you can t have a dishonorable discharge. Military service can extend your eligibility , but this increase doesn t usually go past your 31st birthday. 

If you re the spouse of a Veteran or service member 
Your benefits start on the date we conclude that you qualify or on the date of the Veteran s death, and last for 10 years. If we rated the Veteran as permanently and tot

user: Hello there, can you tell me about the educational aid you offer for survivors?

assistant: Of course. You can learn about the Survivors and Dependents Educational Assistance DEA program.

user: What if I am the child of a Veteran with disabilities?

assistant: t

user: Can you tell me anything else about the DEA program?

assistant: Yes, you can learn all you need to know about the DEA program here.
Título: Augusta Jane Evans
Seção: Critical response
Background: Augusta Jane Evans, or Augusta Evans Wilson (May 8, 1835 - May 9, 1909), was an American author of Southern literature. She was the first woman to earn US$100,000 through her writing. Wilson was a native of Columbus, Georgia, and her first book, Inez, a Tale of the Alamo, was written when she was still young.

Conteúdo: Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton.  Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South,

user: what was the response to her work?

assistant: her style was severely criticized as "pedantic.

user: why was it criticized so?

assistant: Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values,

user: what values did they succumb to?

assistant: Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary."

user: what books did she write?

assistant: Macaria, or Altars of Sacrifice, published in 1864,

user: was this book popular?

assistant: Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful.

user: what else is interesting about her?

assistant: Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen.

user: what was the book about?

assistant: The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder
Título: Ken Loach
Seção: Early life, The Wednesday Play and Kes
Background: Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.

Conteúdo: Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force.  Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s.  During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job".  Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with 

user: where did he spend his early life in?

assistant: Loach was born in Nuneaton, Warwickshire,

user: what were the significant aspects of his early life?

assistant: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.

user: what does the article say about Wednesday play

assistant: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965

user: what more is known about this ?

assistant: They portray working-class people in conflict with the authorities above them.

user: what was the outcome of this portrayal?

assistant: was broadcast at a time when the debate was at a height in the United Kingdom.

user: what is the most interesting aspect of this section?

assistant: Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969).

user: was kes successful?

assistant: CANNOTANSWER
When you purchase a vehicle from a leasing company , you must have the title issued in your name. The title must be issued in your name before you can sell or transfer the vehicle. You can transfer the title by mail or at a DMV office. 

By mail 
Mail these items a completed Vehicle Registration / Title Application [1] MV-82 or Application for Title [2] MV-82TON if you don t have one you can provide other types of proof [3 ] proof of identity such as a copy of your NYS Driver License, Permit, or Non - Driver ID card must be current or not expired for more than 2 years - the New York State title or other acceptable proof of ownership [4]. The title must have completed buyer and seller information both the leasing company and the buyer must provide their signatures, dates of transfer, and addresses odometer and damage disclosure statements for all vehicles that are 10 years old or newer an FS-6 T receipt issued by DMV [to get an FS-6 T , you must obtain a Claim for Sales Tax Exemption DTF-803 from the leasing company and a bill of sale and bring these items to a local DMV office ] a Dealer Retail Certificate of Sale MV-50 completed by a dealer located in New York State payment for the $50.00 title fee in the form of a check or money order made payable to the Commissioner of Motor Vehicles. NYS DMV Title ServicesDepartment of Motor Vehicles6 Empire State PlazaAlbany , NY 12228 - 0331 

At a DMV office 
Bring a completed Vehicle Registration / Title Application [1] MV-82 or Application for Title [2] MV-82TON if you don't have you can provide other kinds of proof [3 ] proof of identity such as a NYS License, Permit, or Non - Driver ID card must be current or not expired for more than 2 years - the New York State or out - of - state title with completed buyer and seller information odometer and damage disclosure statements for all vehicles that are 10 years old or newer the lease buyout agreement a lien release , if appropriate a Retail Certificate of Sale MV-50 , or a co

user: as it is through a DMV office

assistant: must bring several things

assistant: You do not have a Vehicle Registration / Title Application

user: not

user: Where can dealers find information about filing or removing a lien?

assistant: See Remove or add a lienholder from a title

user: how is by mail

assistant:  an FS-6 T receipt issued by DMV [ to get an FS-6 T ,s   you must obtain a Claim for Sales Tax Exemption DTF-803 from the leasing company and a bill of sale and bring these items to a local DMV office  a Dealer Retail Certificate of Sale MV-50 completed by a dealer located in New York State
Título: Charles Kuralt
Seção: "On the Road"
Background: Charles Bishop Kuralt (September 10, 1934 - July 4, 1997) was an American journalist. He was most widely known for his long career with CBS, first for his "On the Road" segments on The CBS Evening News with Walter Cronkite, and later as the first anchor of CBS News Sunday Morning, a position he held for fifteen years. Kuralt's "On the Road" segments were recognized twice with personal Peabody Awards. The first, awarded in 1968, cited those segments as heartwarming and "nostalgic vignettes"; in 1975, the award was for his work as a U.S. "bicentennial historian"; his work "capture[d] the individuality of the people, the dynamic growth inherent in the area, and ...the rich heritage of this great nation."

Conteúdo: Kuralt was said to have tired of what he considered the excessive rivalry between reporters on the hard news beats:  "I didn't like the competitiveness or the deadline pressure," he told the Academy of Television Arts & Sciences, upon his induction into their Hall of Fame. "I was sure that Dick Valeriani of NBC was sneaking around behind my back -- and of course, he was! -- getting stories that would make me look bad the next day. Even though I covered news for a long time, I was always hoping I could get back to something like my little column on the Charlotte News."  When he persuaded CBS to let him try out just such an idea for three months, it turned into a quarter-century project. "On the Road" became a regular feature on The CBS Evening News with Walter Cronkite in 1967. Kuralt hit the road in a motor home (he wore out six before he was through) with a small crew and avoided the interstates in favor of the nation's back roads in search of America's people and their doings. He said, "Interstate highways allow you to drive coast to coast, without seeing anything".  According to Thomas Steinbeck, the older son of John Steinbeck, the inspiration for "On the Road" was Steinbeck's Travels with Charley (whose title was initially considered as the name of Kuralt's feature). During his career, he won three Peabody awards and ten Emmy awards for journalism. He also won a George Polk Award in 1980 for National Television Reporting. CANNOTANSWER

user: When did Charles Kuralt start working at On the Road?

assistant: When he persuaded CBS to let him try out just such an idea for three months, it turned into a quarter-century project. "On the Road

user: What was Kuralt's idea for On the Road?

assistant: small crew and avoided the interstates in favor of the nation's back roads in search of America's people and their doings.

user: What was a story Kuralt covered on On the Road?

assistant: America's people and their doings.

user: Did Kuralt earn any awards for On the Road?

assistant: career, he won three Peabody awards and ten Emmy awards for journalism.

user: When did Kuralt earn his first Peabody award?

assistant: 1980 for National Television Reporting.
Título: Wild Bill Hickok
Seção: Duel with Davis Tutt
Background: James Butler Hickok was born May 27, 1837, in Homer, Illinois (present-day Troy Grove, Illinois) to William Alonzo Hickok, a farmer and abolitionist, and his wife Polly Butler. His father was said to have used the family house, now demolished, as a station on the Underground Railroad. He was the fourth of six children.

Conteúdo: While in Springfield, Hickok and a local gambler named Davis Tutt had several disagreements over unpaid gambling debts and their mutual affection for the same women. Hickok lost a gold watch to Tutt in a poker game. The watch had great sentimental value to Hickok and he asked Tutt not to wear it in public. They initially agreed not to fight over the watch, but when Hickok saw Tutt wearing it, he warned him to stay away. On July 21, 1865, the two men faced off in Springfield's town square, standing sideways before drawing and firing their weapons. Their quick-draw duel was recorded as the first of its kind. Tutt's shot missed, but Hickok's struck Tutt through the heart from about 75 yards (69 m) away. Tutt called out, "Boys, I'm killed" before he collapsed and died.  Two days later, Hickok was arrested for murder. The charge was later reduced to manslaughter. He was released on $2,000 bail and stood trial on August 3, 1865. At the end of the trial, Judge Sempronius H. Boyd told the jury they could not find Hickok acted in self-defense if he could have reasonably avoided the fight. However, if they felt the threat of danger was real and imminent, he instructed they could apply the unwritten law of the "fair fight" and acquit. The jury voted to clear Hickok, resulting in public backlash and criticism of the verdict.  Several weeks later, an interview Hickok gave to Colonel George Ward Nichols, a journalist known as the creator of the Hickok legend, was published in Harper's New 

user: What was the relation between Wild Bill Kickok and Duel with Davis Tutt

assistant: Hickok and a local gambler named Davis Tutt had several disagreements over unpaid gambling debts and their mutual affection for the same women.

user: How was the problem resolved?

assistant: On July 21, 1865, the two men faced off in Springfield's town square,

user: Which other person do Bill have a disagreement with?

assistant: Under the name "Wild Bill Hitchcock" [sic], the article recounted the "hundreds" of men whom Hickok had personally killed and other exaggerated exploits.

user: Who was Bills main opposition?

assistant: a local gambler named Davis Tutt

user: Were they able to fight over something?

assistant: They initially agreed not to fight over the watch, but when Hickok saw Tutt wearing it, he warned him to stay away.
Título: BT (musician)
Seção: Ima (1995-96)
Background: Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.

Conteúdo: In the early years of BT's career, he became a pioneering artist in the trance genre, this despite the fact that he doesn't consider himself a DJ, since he infrequently spins records and comes from an eclectic music background. He was creating trance music before it was known by that name. When he started out, such common elements as a build, breakdown and drop were unclassified. BT's was a unique interpretation of what electronic music could be. His first trance recordings, "A Moment of Truth" and "Relativity", became hits in dance clubs in the UK. His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his own success in the clubs, with several thousand clubbers responding dramatically when Sasha played BT's song. He also met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's record label, a subsidiary of Warner Brothers.  BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive house effort. The opening track, "Nocturnal Transmission", was featured in The Fast and the Furious. The album also featured a song with Vincent Covello. Blending house beats with sweeping New Age sounds, Ima helped to create the trance sound. "Ima (Jin )" is the Japanese word for "now". BT has stated that it also means many other thi

user: What happened in 1995?

assistant: 1995 debut album Ima, released on Oakenfold's label,

user: was it successful?

assistant: BT has stated that it also means many other things and that the intention of the album is to have a different effect for everyone.
Título: Reba McEntire
Seção: 2014-2016: Nash Icon, Love Somebody, Christmas and Gospel albums, America's Got Talent
Background: Reba Nell McEntire was born March 28, 1955, in McAlester, Oklahoma, to Jacqueline (nee Smith; born November 6, 1926) and Clark Vincent McEntire (November 30, 1927 - October 23, 2014). Her father, and her grandfather, John Wesley McEntire (February 19, 1897 - February 13, 1976), were both champion steer ropers and her father was a World Champion Steer Roper three times (1957, 1958, and 1961). John McEntire was the son of Clark Stephen McEntire (September 10, 1855 - August 15, 1935) and Helen Florida McEntire (nee Brown; May 19, 1868 - May 16, 1947).

Conteúdo: On October 21, 2014, it was announced that McEntire would be the inaugural signing for Big Machine's new imprint Nash Icon Music. She also disclosed that she was working on a new album, with 11 new songs.  Her first single for the new label, "Going Out Like That", was announced December 16, 2014 and was released on January 6, 2015. It served as the lead-off single to Love Somebody, McEntire's twenty-seventh studio album, released on April 14, 2015. Love Somebody debuted at No. 1 on the Billboard Top Country Albums--her twelfth number-one album on the chart--and No. 3 on Billboard 200, selling 62,469 copies in the U.S. The album has sold 171,600 copies in the U.S. as of October 5, 2015.  In 2016, McEntire was selected as one of thirty artists to perform on "Forever Country", a mash-up track of Take Me Home, Country Roads, On the Road Again and I Will Always Love You which celebrates 50 years of the CMA Awards.  McEntire released her third Christmas album My Kind of Christmas on September 2, 2016. The album was exclusively sold at Cracker Barrel and online. She also announced she would soon be selling her own line of clothing, home decor, jewelry and other things under the "Rockin' R by Reba" line also at Cracker Barrel.  McEntire was a guest judge on the July 13, 2016 episode of America's Got Talent. She used her golden buzzer, which she could only use once and allowed an act to go straight to the live shows, on contortionist Sofie Dossi. CANNOTANSWER

user: What was Nash Icon?

assistant: it was announced that McEntire would be the inaugural signing for Big Machine's new imprint Nash Icon Music.

user: What was Big Machine?

assistant: CANNOTANSWER
Other Things to Consider 
What Is The Best Age To Start Your Benefits? The answer is that there is no one " best age " for everyone and, ultimately, it is your choice. You should make an informed decision about when to apply for benefits based on your individual and family circumstances. Your monthly benefit amount can differ substantially based on the age when you start receiving benefits. If you decide to start benefits : before your full retirement age , your benefit will be smaller but you will receive it for a longer period of time. at your full retirement age or later , you will receive a larger monthly benefit for a shorter period of time. The amount you receive when you first get benefits sets the base for the amount you will receive for the rest of your life. You may want to consider the following when you make that decision : If you plan to continue working , there are limits on how much you can earn each year between age 62 and full retirement age and still get all your benefits. Depending on the amount of your benefit and your earnings for the year , you may have to give up some of your benefits. If your earnings will be high , you may decide to wait until full retirement age to start your benefits. Once you reach full retirement age , there is no limit on how much you can earn. Reminders : After you reach full retirement age , we recalculate your benefit amount to give you credit for any months in which you did not receive a benefit because of your earnings. When additional earnings appear on your record , we check whether they will increase your monthly benefit. If they do , we will send you a letter telling you your new benefit amount. You can apply for just Medicare at age 65 and start receiving retirement benefits later. When you think about retirement , be sure to plan for the long term. A man who turned 65 in 2014 can expect to live about another 19.3 years. A woman who turned 65 the same year can expect to live about another 21.6 years. And tho

user: What other things should I condisder when planning for reitirement

assistant: Some other things to consider is what the best age is to start your benefits

user: How do I know what the best age is?

user: I come from a long-lived family

assistant: you may need the extra money more in later years particularly if you may outlive your pensions or annuties
Título: Paddy Chayefsky
Seção: Television
Background: Chayefsky was born in The Bronx, New York City to Russian Jewish immigrants Harry and Gussie Stuchevsky Chayefsky who came from Moscow to New York in 1907. He had two older brothers, William and Isidor. He spent part of his youth in Mount Vernon, New York.

Conteúdo: He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt. Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story It Happened on the Brooklyn Subway about a photographer on a New York subway train who reunites a concentration camp survivor with his long-lost wife. Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco.  Since he had always wanted to use a synagogue as backdrop, he wrote Holiday Song, telecast in 1952 and also in 1954. He submitted more work to Philco, including Printer's Measure, The Bachelor Party (1953) and The Big Deal (1953). One of these teleplays, Mother (April 4, 1954), received a new production October 24, 1994 on Great Performances with Anne Bancroft in the title role. Curiously, original teleplays from the 1950s are almost never revived for new TV productions, so the 1994 production of Mother was a conspicuous rarity.  In 1953, Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand. Marty is about a decent, hard-working Bronx butcher, pining for the company of a woman in his life but despairing of ever finding true love in a relationship. Fate pairs him with a plain, shy schoolteacher named Clara whom he rescues from the embarrassment of being abandoned by her blind date in a local dance hall. The production, the actors and Chayefsky's natur

user: Did Paddy have a television career?

assistant: He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt.

user: what roles did he play?

assistant: Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco.
VR&E Self-Employment track 
If you re a service member or Veteran with a service - connected disability and an employment barrier who has the strong desire, skills, and drive to run a successful business , you may be interested in the Vocational Rehabilitation and Employment VR&E Self - Employment track. Find out if you can get help starting your own business. 

Can I get help starting my own business through the VR&E Self-Employment track? 
You may be eligible for these benefits if you re a service member or Veteran with a service - connected disability , and you meet all of the requirements listed below. All of these must be true : You have an employment barrier or handicap , and You re enrolled in VR&E , and Your service - connected disability makes it hard for you to prepare for, obtain, and maintain suitable employment a job that doesn t make your disability worse, is stable, and matches your abilities, aptitudes, and interests 

What kind of benefits can I get through the VR&E Self-Employment track? 
Coordination services and help with developing a proposed business plan Analysis of your business concept Training in small - business operations, marketing, and finances Guidance in getting the right resources to implement your business plan After you develop your business plan , we ll review it and evaluate whether self - employment and the proposed business are viable options. 

How do I get these benefits? 
First , you ll need to apply for VR&E benefits. Then , you ll work with your Vocational Rehabilitation Counselor VRC. 

If you have your VA disability rating, follow these steps to apply: 
Sign in to your eBenefits account. Click Additional Benefits on your dashboard. Click Vocational Rehabilitation and Employment Program. Apply for the Vocational Rehabilitation and Employment program. If you re eligible , we ll invite you to an orientation session at your nearest VA regional benefit office. 

Ready to apply? 
Go to eBenefits to apply Find out how to appl

user: has information about the VR&E Track

assistant: Are you a service member or veteran with a service related disability?

user: do not


user: Can I get help starting my own business through VR&E Self-Employment?

assistant: You may be eligible for these benefits if you become a service member or veteran with a service - connected disability.

user: What requirements do I need to meet?


assistant: Do you have a job or disability barrier?

user: Yes

assistant: Are you enrolled in VR&E?

user: Yes

assistant: Does your service-related disability make it difficult for you to prepare for, obtain, and maintain suitable employment, a job that does not worsen your disability, is stable, and matches your skills, abilities, and interests?

user: Yes

assistant: since you meet all the requirements you can get the benefit
Título: Eden Natan-Zada
Seção: Investigation and trial
Background: Natan-Zada was born to an Israeli-Jewish family that had immigrated to Israel from Iran and Yemen. Natan-Zada's parents describe him as having been a "bright and studious Israeli schoolboy" prior to his becoming involved with the Jewish extremist Kahanism movement, to which he was introduced via the Internet. He then began spending weekends in Kfar Tapuach, an Orthodox West Bank settlement. During his national service in the Israel Defense Forces (IDF), Natan-Zada deserted the army and hid in Kfar Tapuach to avoid further service.

Conteúdo: The Israel Police opened a criminal investigation into Zada's lynching.  The High Follow-Up Committee for Arab Citizens of Israel called on the government to refrain from investigating the death of Eden Natan-Zada. Arab Knesset member Mohammad Barakeh, a Shefa-'Amr resident himself, warned that protests could erupt if police probe Zada's lynching: "Normally when someone stops a terrorist from continuing to kill he is considered a hero, but in this case it is the heroes who are sitting on the defense stand". However, Shefa-'Amr's security officer, Jamal Aliam, told Army Radio that Zada had been attacked by dozens of people after he had been handcuffed and subdued by police.  Eventually, on 13 June 2006, five suspects in the lynching were arrested, one who was already serving a prison sentence was brought in for questioning, and a seventh suspect turned himself in after learning he was wanted by police. The police said: "We're responsible for maintaining the law, and you can't take the law into your own hands even when it concerns a terrorist who murdered innocent people, even though he made a heinous terrorist act". Two suspects were subsequently released. There was general support for their arrest and even left-wing activist Yossi Beilin said: "Israel can't put up with a lynch made on a handcuffed person even if his actions are heinous and unforgivable. It's a combined interest of both Jews and Arabs that Israel won't close its eyes to such behaviour". The Arab Knesset member

user: What was he on trial for?

assistant: The Israel Police opened a criminal investigation into Zada's lynching.

user: What did the investigation find?

assistant: Eventually, on 13 June 2006, five suspects in the lynching were arrested,

user: What happened when they were arrested?

assistant: Two suspects were subsequently released.

user: Why were they released?

assistant: The Arab Knesset members however demanded their release and called their arrest a crime.

user: What happened after their release?

assistant: On 7 June 2009, twelve Arab citizens were indicted over the lynching in the Haifa District Court.

user: Were they convicted?

assistant: Three were sentenced to two years in prison, while one was sentenced to 20 months, one to 18 months, and one to 11 months.

user: What happened to Zada after that?

assistant: CANNOTANSWER
Título: The Tragically Hip
Seção: 2009-2015
Background: The Tragically Hip, often referred to simply as The Hip, are a Canadian rock band from Kingston, Ontario, currently consisting of guitarist Paul Langlois, guitarist Rob Baker (known as Bobby Baker until 1994), bassist Gord Sinclair, and drummer Johnny Fay. They have released 14 studio albums, two live albums, one EP, and 54 singles. Nine of their albums have reached No. 1 on the Canadian charts. They have received numerous Canadian music awards, including 16 Juno Awards.

Conteúdo: In 2009, the band again worked with producer Bob Rock, and We Are the Same was released in North America on April 7, 2009. It produced three singles. To promote We Are the Same, the band invited The Hour's George Stroumboulopoulos for a live interview at The Bathouse Recording Studio in Bath, Ontario (where most of the album was recorded), and they played seven new songs as well as unique versions of five other songs. The interview and performance were broadcast live in more than eighty theatres across Canada.  On January 22, 2010, the band performed "Fiddler's Green" at the "Canada for Haiti" telethon to aid earthquake victims in that country. This was broadcast nationally on all three of Canada's main networks (CBC, Global, and CTV).  On May 12, 2012, a 90-second clip of the song "At Transformation", the first single from the band's new album, premiered during Hockey Night in Canada. The full song premiered on Toronto radio station CFNY-FM (102.1 The Edge) on May 16. The song was released to radio stations on May 17 and was officially released on iTunes on May 18. Band member Johnny Fay revealed that the title for the album is Now for Plan A. The second single, "Streets Ahead," was released on August 24. The album (their 12th studio album), produced by Gavin Brown, was released on October 2, 2012. The band played several live "Nashville" style shows that week at the Supermarket bar in Kensington market to promote the release of this record. On the evening of October 2, they

user: How many albums did they release in this time?

assistant: We Are the Same was released in North America on April 7, 2009.

user: What that the only one released in 2009

assistant: It produced three singles.

user: What other albums did the release later on

assistant: The following October, Fully Completely was re-released as a remastered deluxe edition,

user: Did they win any awards for their music

assistant: CANNOTANSWER
Dependent students must report their parents information, as well as their own, on the Free Application for Federal Student Aid (FAFSA) form. 
Find out who counts as your parent when you file your FAFSA form. If you are considered a dependent student for FAFSA purposes , you will need to provide information about your legal parent on the application. A legal parent is your biological or adoptive parent, or your legal parent as determined by the state for example, if the parent is listed on your birth certificate. If you have a stepparent currently married to your legal parent , you generally also must provide information about him or her. View text-only version 

Who is my parent according to the FAFSA form? 
If you need to report parent information , here are some guidelines to help you : If your legal parents your biological and/or adoptive parents, or parents as determined by the state [e.g., a parent listed on your birth certificate] are married to each other, answer the questions about both of them, regardless of whether your parents are of the same or opposite sex. If your legal parents are not married to each other and live together , answer the questions about both of them, regardless of whether your parents are of the same or opposite sex. If your legal parent is widowed or was never married , answer the questions about that parent. 

What if my parents are divorced or separated? 
In this case , how you fill out the FAFSA form depends on whether your parents live together or not. Keep the following in mind as you read this section : For FAFSA purposes , your married parents are separated if they are considered legally separated by a state, or if they are legally married but have chosen to live separate lives, including living in separate households, as though they were not married. When two married persons live as a married couple but are separated by physical distance or have separate households , they are considered married for FAFSA purposes. 

Divorce

user: My circumstances are different in that I cannot provide parental information on my FAFSA form, is there anything I can do?

assistant: Are you classed as a dependent student?
Título: Harrison Ford
Seção: Early career
Background: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.

Conteúdo: In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy. Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford; George Hamilton; and Inger Stevens.  His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. Ford later said that he was unaware of the existence of the earlier actor until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked fo

user: What career choice did Harrison have

assistant: Ford traveled to Los Angeles to apply for a job in radio voice-overs.

user: Did ford get the job

assistant: He did not get it,

user: What else did Ford do?

assistant: eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films.

user: What films did he play in?

assistant: His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966).