Título: Rhapsody in Blue
Seção: Orchestration
Background: Rhapsody in Blue is a 1924 musical composition by American composer George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the composition was orchestrated by Ferde Grofe several times, including the original 1924 scoring, "theater orchestra" setting published in 1926, and the symphony orchestra scoring published in 1942, though completed earlier. The piece received its premiere in the concert, An Experiment in Modern Music, which was held on February 12, 1924, in Aeolian Hall, New York, by Whiteman and his band with Gershwin playing the piano. The editors of the Cambridge Music Handbooks opined that "The Rhapsody in Blue (1924) established Gershwin's reputation as a serious composer and has since become one of the most popular of all American concert works."

Conteúdo: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra: an acoustic recording made for Victor on June 10, 1924, and running 8'59'' (this recording includes the original clarinetist, Ross Gorman, playing the glissando) and a Victor electrical recording made April 21, 1927, running 9'01'' (about half the length of the complete work). This 1927 version was also dubbed onto an RCA Victor  33 1/3 rpm Program Transcription in 1932. The latter version was actually conducted by Nathaniel Shilkret after an argument between Gershwin and Whiteman. A 1925 piano roll captured Gershwin's performance in a two piano version. Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz featuring Roy Bargy on piano. Whiteman re-recorded the piece on both sides of a 12-inch Decca 78 rpm (29051) recorded on October 23, 1938. The first complete recording, with pianist Jesus Maria Sanroma and Arthur Fiedler conducting the Boston Pops Orchestra, was issued by RCA Victor in 1935.  Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement. In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians.  On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of numb

user: Who put together the orchestration

assistant: Two audio recordings exist of Gershwin performing an abridged version of the work with Whiteman's orchestra:

user: what instruments are in it?

assistant: this recording includes the original clarinetist, Ross Gorman, playing the glissando

user: Where was it played?

assistant: Whiteman's orchestra also performed a shortened version of the piece in the 1930 film The King of Jazz

user: is there only one version?

assistant: Since the mid-20th century, the 1942 version has usually been performed by classical orchestras playing the expanded arrangement.

user: is there only an orchestra version?

assistant: A disco arrangement was recorded by French pianist Richard Clayderman in 1978 and is one of his signature pieces.

user: anything else interesting about the article?

assistant: In the late 1970s, interest in the original arrangement was revived.

user: what did the review say?

assistant: Michel Camilo recorded the piece in 2006, winning a Latin Grammy award.

user: did this inspire anybody?

assistant: Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976,