dgand84/projgand huggingface dataset:
Título: Modern Sounds in Country and Western Music
Seção: Recording
Background: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Conteúdo: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers.  By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper:  While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles

user: When did he start recording?

assistant: The first two sessions were set on February 5 and 7 at Capitol Studios in New York,

user: When were the later sessions?

assistant: February 15 of that same year at United Recording Studios in Hollywood,

user: Why did he change studios?

assistant: CANNOTANSWER
Título: John Heisman
Seção: 1910-1914: Relying on the jump shift
Background: John William Heisman (October 23, 1869 - October 3, 1936) was a player and coach of American football, baseball, and basketball, as well as a sportswriter and actor. He served as the head football coach at Oberlin College, Buchtel College (now known as the University of Akron), Auburn University, Clemson University, Georgia Tech, the University of Pennsylvania, Washington & Jefferson College, and Rice University, compiling a career college football record of 186-70-18. In 1917, Heisman's Georgia Tech Golden Tornado were recognized as the national champion. Heisman was also the head basketball coach at Georgia Tech, tallying a mark of 9-14, and the head baseball coach at Buchtel, Clemson, and Georgia Tech, amassing a career college baseball record of 199-108-7.

Conteúdo: Heisman's 1910 team went 5-3, and relied on the jump shift for the first time. Hall of Famer Bob McWhorter played for the Georgia Bulldogs from 1910 to 1913, and for those seasons Georgia Tech loses to Georgia as well as Auburn.  In 1910, Georgia Tech was also beaten by SIAA champion Vanderbilt 22-0. Though Vanderbilt was held scoreless in the first half, Ray Morrison starred in the second half and Bradley Walker's officiating was criticized throughout. Tackle Pat Patterson was selected All-Southern. The 1911 team featured future head coach William Alexander as a reserve quarterback. Pat Patterson was team captain and selected All-Southern. The team played Alabama to a scoreless tie, after which Heisman said he had never seen a player "so thoroughly imbued with the true spirit of football as Hargrove Van de Graaff."  The 1912 team opened the season by playing the Army's 11th Cavalry regiment to a scoreless tie. The team also lost to Sewanee, and quarterback Alf McDonald was selected All-Southern. The team moved to Grant Field from Ponce de Leon Park by 1913, and lost its first game there to Georgia 14-0. The season's toughest win came against Florida, 13-3, after Florida was up 3-0 at the half. Heisman said his opponents played the best football he'd seen a Florida squad play.  The independent 1914 team was captained by halfback Wooch Fielder and went 6-2. The team beat Mercer 105-0 and the very next week had a 13-0 upset loss to Alabama. End Jim Senter and halfback J. S. Pat

user: What is the relation between John and Relying on the jump shift?

assistant: Heisman's 1910 team went 5-3, and relied on the jump shift for the first time.
Título: Architects (British band)
Seção: Musical style
Background: Architects are a British metalcore band from Brighton, East Sussex. The band currently consists of vocalist Sam Carter, drummer Dan Searle, bassist Alex Dean and guitarists Adam Christianson and Josh Middleton. The band's first name was Inharmonic, which was swiftly changed to Counting the Days, and finally to Architects after a couple of years. They have released seven studio albums and one split EP with Dead Swans to date.

Conteúdo: Architects have been referred to as being "pumped with both controlled rage and unhindered heart, accessible and ambitious, aggressive and beautiful". Considered alongside Enter Shikari as offering metalcore style to more mainstream audiences they have been described as metalcore, technical metal and progressive metalcore. Their music is characterised by choppy, complex guitar riffs, the use of obscure time signatures and rhythmic breakdowns, and for their guitarists alternating between a "down-tuned rumble" and "melodic punk" during songs. However the band's music isn't solely based upon technical proficiency and does use catchy riffs and choruses.  Architects have made various stylistic transitions and evolutions throughout their career, with the band citing their belief that each album should be distinct. On their second album Ruin, the band's sound was heavier and darker sound than on Nightmares. Hollow Crown maintains the aggression and technical proficiency of Ruin while incorporating more melody, catchy riffs and use of singing. The band also used synthesised instruments such as keyboards and drum machines. The guitars were tuned to Drop B with the lowest string at Ab, giving the "ability to create a really heavy low end sound on the bottom but still give a comfortable degree of tension on the higher strings." A prime example of their signature style is the song 'We're All Alone', with its technical, progressive guitar riffs and heavy, hardcore punk-influenced rhythmic

user: What are the musical influences of the band Architects?

assistant: down-tuned rumble" and "melodic punk

user: Are there any other interesting aspects about this article?

assistant: The album also incorporates blastbeats, which have not been used in any of the band's recordings since Hollow Crown.
Título: Lindsey Vonn
Seção: 2010 Winter Olympics
Background: Lindsey Caroline Vonn (nee Kildow ; born October 18, 1984) is an American World Cup alpine ski racer on the US Ski Team. She has won four World Cup overall championships--one of only two female skiers to do so, along with Annemarie Moser-Proll--with three consecutive titles in 2008, 2009, and 2010, plus another in 2012. Vonn won the gold medal in downhill at the 2010 Winter Olympics, the first ever in the event for an American woman. She has also won a record 8 World Cup season titles in the downhill discipline (2008-2013, 2015, 2016), 5 titles in super-G (2009-2012, 2015), and 3 consecutive titles in the combined (2010-2012).

Conteúdo: At the Vancouver Winter Olympics in 2010, Vonn planned to compete in all five women's alpine events. On February 10, she revealed she had severely bruised her shin in training the previous week. Vonn said the pain from her injury was "excruciating" and she would have a difficult time competing at the Winter Olympics. Due to unseasonably warm weather and resultant poor snow conditions, many of the Alpine skiing events were moved back, giving Vonn additional time to heal. On February 17, in her first event, Vonn won the gold medal in the downhill at Whistler Blackcomb, beating longtime U.S. rival Julia Mancuso by 0.56 seconds and becoming the first American woman to win Olympic gold in downhill.  In her second event, the super combined, Vonn finished first in the downhill portion of the race. In the slalom portion, however, she crashed when she failed to get her ski around a right-hand gate. Vonn said her shin wasn't the problem. Gold and silver were won by Maria Riesch and Julia Mancuso respectively.  In her third event, the super-G, Vonn finished third behind Andrea Fischbacher and Tina Maze, 0.74 seconds behind Fischbacher's winning time. Afterwards, Vonn said she didn't ski the last part of the course as aggressively as she could have and lost the race as a result. In her fourth event, the giant slalom, fog affected visibility. Vonn crashed in her first run, resulting in a broken fourth finger and Vonn's disqualification from the event. In her fifth event, the slalom, Vonn 

user: what happened in 2010?

assistant: At the Vancouver Winter Olympics in 2010, Vonn planned to compete in all five women's alpine events.
Título: Steve Nash
Seção: Retirement and consulting duties
Background: Nash was born in Johannesburg, South Africa, to a Welsh mother, Jean, and English father, John, on February 7, 1974. His family moved to Regina, Saskatchewan when he was 18 months old, before settling in Victoria, British Columbia. He therefore holds British as well as Canadian citizenship. Before the family settled in Canada, his father played professional soccer in various parts of the world.

Conteúdo: Nash announced his retirement from playing on March 21, 2015. Before the announcement, the Cleveland Cavaliers had said to Nash's agent that they were interested in him as a backup for Kyrie Irving if Nash asked for a buyout. Nash refused it, due to both his health concerns and wanting to retire as a Laker in gratitude for the opportunity given by the club. Nash was later on approached by another former team of his, the Dallas Mavericks, to have one last season with them instead, but he declined due to his aforementioned health concerns.  On September 25, 2015, it was confirmed that Nash would take on part-time consulting duties for the Golden State Warriors. During his first season with the team, the Warriors produced a record-breaking 73-9 season, although the team fell short in the 2016 NBA Finals to the Cleveland Cavaliers. The next season, the Warriors would win the 2017 NBA Finals against the defending champions Cleveland Cavaliers, giving Nash his first NBA championship in any role.  On December 19, 2017, the Naismith Basketball Hall of Fame announced that eligibility for induction into the Hall of Fame was decreased to three years after retirement, which allows for Nash to be eligible to be enshrined in 2018. On March 31, 2018, during the Final Four, Nash would be joined alongside former teammates Jason Kidd and Grant Hill, as well as Ray Allen, Maurice Cheeks, and Charlie Scott as the former NBA players that would enter the Basketball Hall of Fame for 2018. CANNOTANS

user: What did Steve Nash do when he retired from basketball?

assistant: On September 25, 2015, it was confirmed that Nash would take on part-time consulting duties for the Golden State Warriors.
Título: Vampire Weekend
Seção: Modern Vampires of the City (2011 - 2014)
Background: Vampire Weekend are an American rock band from New York City, formed in 2006. They are currently signed to Columbia Records. The band consists of lead vocalist and guitarist Ezra Koenig, drummer and percussionist Chris Tomson and bassist and backing vocalist Chris Baio. The band's first album Vampire Weekend (2008) - which included the singles "Mansard Roof", "A-Punk", "Oxford Comma", "Cape Cod Kwassa Kwassa" and "The Kids Don't Stand a Chance" - was acclaimed by critics for its world music influences.

Conteúdo: On November 11, 2011, it was revealed that Vampire Weekend had been in the studio, writing and recording material for their third album. On April 26, 2012, Rolling Stone reported that the new album could be released by the end of the year. Koenig said, "We do have a ton of stuff. It would be cool if it was [released] this year...We just never want to be in a position [where] when we put out something, we feel could've benefited from more time." Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff" but they "don't want something [they] said six months ago to influence how people hear it when it's done."  Modern Vampires of the City was released in May 2013, and written and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House" in Los Angeles, Vox Recording Studios in Hollywood, Rostam Batmanglij's New York apartment and a guest house on Martha's Vineyard. The album was co-produced by Batmanglij and Ariel Rechtshaid. After Batmanglij produced the first two albums himself, this marked the first time the band worked with an outside producer on any of their records.  In an interview for the February 2013 edition of Q (released in mid-January), Koenig described the upcoming album as "darker and more organic" and "very much the last of a trilogy". Says Koenig, "Things that we might have found boring in the past, we've started to find more 

user: what happened in 2011

assistant: On November 11, 2011, it was revealed that Vampire Weekend had been in the studio, writing and recording material for their third album.

user: when ddid they release the album

assistant: Modern Vampires of the City was released in May 2013,

user: was the album a success

assistant: the album debuted at #1 on the Billboard chart, marking

user: how many copies were sold

assistant: Modern Vampires of the City also shattered the previous record for first week vinyl sales, moving nearly 10,000 units
Undergraduate and graduate degrees 
Find out if you can use GI Bill benefits for college as a Veteran, service member, or qualified dependent. Learn about payment rates for undergraduate and graduate degree courses at institutions of higher learning like a 4-year university, community college, or graduate school. 

How do you decide what my payments will be? 
We decide your payment amounts based on the number of classes you go to and the hours spent in those classes. For example , for most undergraduate degrees , a college considers : 12 or more hours full time Between 9 and 11 hours three - quarter time Between 6 and 8 hours half time Less than 6 hours reimbursable at a rate that s no more than the tuition and fees charged for the course 

How much does VA cover for graduate-level programs? 
The school decides how to rate each hour. For example , if a graduate program at your school considers a 2-hour class full time , we ll pay you the full - time rate. 

Can I take classes at more than one school at a time? 
You can take classes at more than one school under the GI Bill as long as : The classes at both schools count toward your degree , and The school granting your degree considers the classes at the second school to be required in order to get your degree Note : The GI Bill won t pay you to take the same class twice unless you get a failing grade in a class that the school requires for graduation. 

Can I use the GI Bill to pay for classes toward more than one degree? 
Yes. After earning your first degree , you can use any GI Bill benefits you have left over to pay for classes for another degree. 

How does VA make the payments? 
We issue payments after each month s classes. For example , you ll get the payment for November classes in December. For the Post-9/11 GI Bill , we pay : Tuition and fees directly to the school Money for books to you at the beginning of the term Housing allowance to you at the end of each month 

user: hello I need information about Undergraduate and graduate degrees for veterans

assistant: We are counting on the program to issue payments after school each month. For example, you will receive payment for classes in November in December.

assistant: like what is proposed by the bill Y after 9/11?

user: If I wanted to know

assistant: For the post 9/11 GI Bill, we pay: Tuition and fees directly to the school
  Money for books at the beginning of the term

user: and who qualify for this benefit?

assistant: Those who qualify for this benefit include a veteran, service member, or qualified dependent.

user: Can I use the GI Bill to pay for classes for more than one degree?

assistant: After you earn your first degree, you can use any remaining GI Bill benefits to pay for classes in another degree.

user: And in which institutions can I use this benefit?

assistant: you can enjoy it in higher education institutions such as a 4-year university, a community college or a graduate school.
Título: Forest Evashevski
Seção: Playing career
Background: Forest "Evy" Evashevski (February 19, 1918 - October 30, 2009) was an American football player, coach, and college athletics administrator. He played college football at the University of Michigan from 1938 to 1940 and with the Iowa Pre-Flight Seahawks in 1942. Evashevski served as the head football coach at Hamilton College in 1941, Washington State University from 1950 to 1951, and the University of Iowa from 1952 to 1960, compiling a career record of 68-35-6. Evashevski's 1958 Iowa team went 8-1-1, winning the Big Ten Conference title and defeating the California Golden Bears in the 1959 Rose Bowl.

Conteúdo: Eighteen months later, Evy enrolled at the University of Michigan. Michigan football coach Fritz Crisler wanted Evashevski on the field, so Evy was moved from the center position to quarterback one week before his first varsity game. In Crisler's single-wing system, the quarterback position required mostly calling signals and blocking for the running back, and Evashevski had the blocking skills and intelligence necessary to become a star. He started and was an all-Big Ten Conference performer three straight seasons. He played from 1938 to 1940 and paved the way for halfback Tom Harmon, who won the Heisman Trophy in 1940. Evashevski also played in the same Michigan backfield with David M. Nelson, a fellow alumni of Northwestern High. Nelson would go on to a noteworthy coaching career; among his many contributions was the wing-T formation.  Harmon said, "Evy seemed to think right with Crisler...[A]s a linebacker, he had a fantastic instinct for smelling out the play...As a blocker, I never saw a better one." Although Harmon won the Heisman, Evashevski was the team's captain. Evashevski was also the most dynamic personality on the team. Once, Crisler's Wolverines were leading a foe 21-0 at half. He feared a letdown, so he ordered his team to consider the game scoreless. Crisler then asked, "OK, Evy, what's the score?" Evashevski replied, "You can't kid me, coach. The score is 21-0." On another occasion, Evashevski shocked both his coach and teammates by lighting a victory cigar 

user: Who did he first play for?

assistant: University of Michigan.

user: Who did he play for after that?

assistant: CANNOTANSWER
Título: Gustaf V of Sweden
Seção: Midsummer crisis 1941
Background: Gustaf V was born in Drottningholm Palace in Ekero, Stockholm County, the son of Prince Oscar and Princess Sofia of Nassau. At birth Gustaf was created Duke of Varmland. Upon his father's accession to the throne in 1872, Gustaf became crown prince of both Sweden and Norway. On 8 December 1907, he succeeded his father on the Swedish throne, which had been separated from the Norwegian throne two years earlier.

Conteúdo: According to Prime Minister Per Albin Hansson during the Midsummer crisis, the King in a private conversation had threatened to abdicate if the Government did not approve a German request to transfer a fighting infantry division - the so-called Engelbrecht Division - through Swedish territory from southern Norway to northern Finland in June 1941, around Midsummer. The accuracy of this claim is debated, and the King's intention (if he did in fact make this threat) is sometimes alleged to be his desire to avoid conflict with Germany. This event has later received considerable attention from Swedish historians and is known as midsommarkrisen, the Midsummer Crisis.  Confirmation of the King's action is contained in German Foreign Policy documents captured at the end of the war. On 25 June 1941, the German Minister in Stockholm sent a "Most Urgent-Top Secret" message to Berlin in which he stated that the King had just informed him that the transit of German troops would be allowed. He added:  The King's words conveyed the joyful emotion he felt. He had lived through anxious days and had gone far in giving his personal support to the matter. He added confidentially that he had found it necessary to go so far as to mention his abdication.  According to Ernst Wigforss, both Gustaf V and Prince Gustav Adolf attempted to persuade the Swedish Government to allow the Allies to transport troops through Sweden, though this was rejected by the Government because it was felt it would cause r

user: what was so special about the midsummer

assistant: the King in a private conversation had threatened to abdicate if the Government did not approve a German request to transfer a fighting infantry division -

user: when did this begin?

assistant: 1941,

user: what was one of the major crisis that went on?

assistant: According to Ernst Wigforss, both Gustaf V and Prince Gustav Adolf attempted to persuade the Swedish Government to allow the Allies to transport troops through Sweden,

user: when did this come to an end? if it ever did

assistant: CANNOTANSWER
Corrected Card for a U.S. Born Child 
If you legally change your child's name because of adoption, court order or any other reason , you need to tell Social Security so that you can get a corrected card. If your child is working , also tell your child's employer. If you do not tell us when your child's name changes , it may : Delay your tax refund or your child's refund ; and Prevent your child's wages from being posted correctly to your child's Social Security record, which may lower the amount of your child's future Social Security benefits. Important You must present original documents or copies certified by the agency that issued them. We cannot accept photocopies or notarized copies. All documents must be current not expired. We cannot accept a receipt showing you applied for the document. 

What original documents do I need? 
Citizenship If you have not already established your child's U.S. citizenship with us , we need to see proof of U.S. citizenship. We can accept only certain documents as proof of U.S. citizenship. These include a U.S. birth certificate or U.S. passport. Important This documentation is only required if your child hasNOT already established citizenship with us. Name Change If you need to change the name on your child's Social Security card , you must show us proof of your child's legal name change. Documents Social Security may accept to prove your child's legal name change include : Final adoption decree with the new name ; Court order approving the name change ; or Amended birth certificate with the new name. If the document you provide as evidence of your child's legal name change does not give us enough information to identify your child in our records or if you changed your child's name more than four years ago , you must show us an identity document in your child's prior name as shown in our records. We will accept an identity document in your child's old name that has expired. If you do not have an identity document in your child's

user: Hello. Will you help me correct my child's social security card?

assistant: Sure. Have you legally changed your child's name?

user: No. my child's name has not changed.

assistant: Is your child employed?
Título: Celtic art
Seção: Picts (Scotland)
Background: Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.

Conteúdo: From the 5th to the mid-9th centuries, the art of the Picts is primarily known through stone sculpture, and a smaller number of pieces of metalwork, often of very high quality; there are no known illuminated manuscripts. The Picts shared modern Scotland with a zone of Irish cultural influence on the west coast, including Iona, and the Anglo-Saxon kingdom of Northumbria to the south. After Christianization, Insular styles heavily influenced Pictish art, with interlace prominent in both metalwork and stones.  Pictish stones are assigned by scholars to 3 classes. Class I Pictish stones are unshaped standing stones incised with a series of about 35 symbols which include abstract designs (given descriptive names such as crescent and V-rod, double disc and Z-rod, 'flower' and so on by researchers); carvings of recognisable animals (bull, eagle, salmon, adder and others), as well as the Pictish Beast, and objects from daily life (a comb, a mirror). The symbols almost always occur in pairs, with in about one-third of cases the addition of the mirror, or mirror and comb, symbol, below the others. This is often taken to symbolise a woman. Apart from one or two outliers, these stones are found exclusively in north-east Scotland from the Firth of Forth to Shetland. Good examples include the Dunnichen and Aberlemno stones (Angus), and the Brandsbutt and Tillytarmont stones (Aberdeenshire).  Class II stones are shaped cross-slabs carved in relief, or in a combination of incision and relief

user: What are picts?

assistant: From the 5th to the mid-9th centuries, the art of the Picts is primarily known through stone sculpture,

user: Were they in Scotland?

assistant: The Picts shared modern Scotland with a zone of Irish cultural influence on the west coast,

user: What other art did they produce?

assistant: and a smaller number of pieces of metalwork, often of very high quality;
Título: Swans (band)
Seção: Initial influences
Background: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.

Conteúdo: Michael Gira has repeatedly stated he took the moniker Swans as it described the sound he wanted best. Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments."  The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape loops and either Thurston Moore, Dan Braun or Jon Tessler on the second bass guitar. Jon Tessler also played percussion and tape loops. Hanel's only recordings with the group are on the compilation Body to Body, Job to Job, but the ambiguous personnel credits do not make it clear on which songs she performed. Kane stated that "Sue was the most fearsome guitarist we'd ever heard in New York. She was unbelievable."  Hanel did not stay long in the group, and by the time of their recording debut she had been replaced by Bob Pezzola. This lineup of the group also featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission. The debut EP, Swans, released on Labor, is markedly different from anything they would do later. The plodding tempos and distorted, detuned guitar work is reminiscent of such post-punk outfits as Joy Division. However, the minimal chord structures owe more to blues, while the jazz instrumentation and awkward time signatures are evidence of Swans' roots in the no wave scene of the late 1970s, which had more or less collapsed 

user: who was one of swan's initial influences?

assistant: reminiscent of such post-punk outfits as Joy Division.

user: any other influences?

assistant: the minimal chord structures owe more to blues,

user: what was their greatest hits?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments.

user: what style of music did they make?

assistant: plodding tempos and distorted, detuned guitar work
Título: Karch Kiraly
Seção: Career in beach volleyball
Background: Kiraly grew up in Santa Barbara, California. He began playing volleyball at age six with encouragement from his father, Dr. Laszlo Kiraly, who had been a member of the Hungarian Junior National team prior to fleeing the country during the Hungarian national uprising of 1956. At age 11, Kiraly entered his first beach volleyball tournament paired with his father. Kiraly attended Santa Barbara High School, where he was a member of the boys' varsity volleyball team.

Conteúdo: Kiraly had a long career on the professional beach circuit, and with 148 career wins is the 'winningest' player in the sport's history. He won at least one tournament in 24 of the 28 seasons he played in a career that spanned four decades. He claimed titles with 13 partners, and in domestic events he made it to the semifinals over 80% of the time. Kiraly competed into his mid-40s.  Kiraly played in his first beach tournament at age 11 as his father's partner. Kiraly has said as an 11-year-old he was thrilled to discover in beach volleyball he could compete with grown men on even terms. He earned his A and AA rating on the beach at the age of 15 and his AAA rating at 17. Kiraly's first big beach breakthrough came at Hermosa Beach in 1978. As a 17-year-old who had just graduated from high school, he shocked Hermosa onlookers by gaining the finals before he and partner Marco Ortega lost to the day's dominant team on the beach, Jim Menges and Greg Lee. In the early 1980s, Kiraly made a successful beach team pairing with UCLA teammate Sinjin Smith. The partnership split up as Kiraly came to focus on the U.S National Team.  In 1992 Kiraly left his indoor career behind, returning to the U.S. to play beach volleyball full-time on the AVP tour. Kiraly chose Kent Steffes as his doubles partner. Steffes was a talented younger player who had left UCLA early to start playing on the professional beach tour. Kiraly and Steffes soon became the dominant pairing on the tour, supplanting former

user: When did Kiraly start a career in beach volleyball

assistant: terms. He earned his A and AA rating on the beach at the age of 15

user: Where did he start playing

assistant: Kiraly's first big beach breakthrough came at Hermosa Beach

user: What was the name of his team

assistant: U.S National Team.

user: Who won the game at hermosa beach

assistant: he and partner Marco Ortega lost to the day's dominant team on the beach, Jim Menges and Greg Lee.

user: What was his position

assistant: doubles partner.

user: What else was important about his beach volleyball career

assistant: Kiraly played in his first beach tournament at age 11

user: Where was that tournament at

assistant: beach

user: Are there any other interesting aspects about this article?

assistant: In 1992 Kiraly left his indoor career behind, returning to the U.S.

user: What did he do when he returned to the US

assistant: to play beach volleyball full-time on the AVP tour.

user: How old was he

assistant: CANNOTANSWER
Título: Lilyan Tashman
Seção: Death
Background: Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox-like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.

Conteúdo: In 1932, Tashman entered the hospital in New York City for an appendectomy that is now considered a concealment for abdominal cancer. She left the hospital thin and weak. Although she made five films in her last years, performing with her usual artistry and professionalism, she weakened significantly in the months following her hospitalization and her role in Riptide was trimmed because of her ever-worsening health.  In February 1934, she flew to New York City to film Frankie and Johnny for All Star Productions (released by Republic Pictures) but her condition necessitated a week of rest in Connecticut with Lowe. She resumed work in March, completing her film role on March 8 and then appearing at the Israel Orphan's Home benefit on March 10. When she entered the hospital for surgery on March 16, it was too late for the doctors to help her.  Tashman died of cancer at Doctor's Hospital in New York City on March 21, 1934 at the age of 37. Her funeral was held on March 22 in New York City synagogue Temple Emanu-El with Sophie Tucker, Mary Pickford, Fanny Brice, Cecil Beaton, Jack Benny, and other distinguished celebrities in attendance. Eddie Cantor delivered the eulogy. The burial in Brooklyn's Washington Cemetery attracted 10,000 fans, mourners, and curious onlookers; it became a near riot when people were injured and a gravestone was toppled. Tashman left no will, but the distribution of her $31,000 in cash and $121,000 in furs and jewels provoked contentious discussion among 

user: What year did she die?

assistant: 1934

user: Where did she die?

assistant: New York City

user: Was she buried there?

assistant: The burial in Brooklyn's Washington Cemetery

user: How did she die?

assistant: Tashman died of cancer

user: What kind of cancer did she have?

assistant: abdominal cancer.

user: When was she diagnosed?

assistant: In 1932, Tashman entered the hospital in New York City for an appendectomy that is now considered a concealment for abdominal cancer.

user: How did she handle this?

assistant: Although she made five films in her last years, performing with her usual artistry and professionalism, she weakened significantly in the months following her hospitalization
Título: Giuseppe Verdi
Seção: Politics
Background: Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.

Conteúdo: Having achieved some fame and prosperity, Verdi began in 1859 to take an active interest in Italian politics. His early commitment to the Risorgimento movement is difficult to estimate accurately; in the words of the music historian Philip Gossett "myths intensifying and exaggerating [such] sentiment began circulating" during the nineteenth century. An example is the claim that when the "Va, pensiero" chorus in Nabucco was first sung in Milan, the audience, responding with nationalistic fervour, demanded an encore. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova".  The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849 La battaglia di Legnano as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given the movement its own opera" It was not until 1859 in Naples, and only then spreading throughout Italy, that the slogan "Viva Verdi" was used as an acronym for Viva Vittorio Emanuele Re D'Italia (Viva Victor Emmanuel King of Italy), (who

user: What were Giuseppe's political beliefs?

assistant: "myths intensifying and exaggerating [such] sentiment began circulating" during the nineteenth century.

user: What were the myths about?

assistant: An example is the claim that when the "Va, pensiero" chorus in Nabucco was first sung in Milan,

user: What effect did he have on politics?

assistant: The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s.

user: What did that lead to?

assistant: 1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi
Título: The Dark Knight Returns
Seção: Background and creation
Background: The Dark Knight Returns (alternatively titled Batman: The Dark Knight Returns) is a 1986 four-issue comic book miniseries starring Batman, written by Frank Miller, illustrated by Miller and Klaus Janson, and published by DC Comics. When the series was collected into a single volume later that year, the story title for the first issue was applied to the entire series. The Dark Knight Returns tells an alternative story of Bruce Wayne, who at 55 years old returns from retirement to fight crime and faces opposition from the Gotham City police force and the United States government.

Conteúdo: Since the 1950s, when the Comics Code Authority was established, the character of Batman had drifted from his dark, violent roots. It was not until the 1970s when the character began to feature in darker stories once again; however, Batman was still commonly associated with the campy theme of the 1960s Batman TV series, and as a father figure to Robin rather than the violent vigilante he was introduced as.  In the early 1980s, DC Comics promoted Batman group editor Dick Giordano to editorial director for the company. Writer-artist Frank Miller was recruited to create The Dark Knight Returns. Giordano said he worked with Miller on the story's plot, and said, "[t]he version that was finally done was about his fourth or fifth draft. The basic storyline was the same but there were a lot of detours along the way." During the creation of the series, fellow comics writer/artist John Byrne told Miller, "Robin must be a girl", and Miller complied. Miller said that the comic series' plot was inspired by Dirty Harry, specifically the 1983 film Sudden Impact, in which Dirty Harry returns to crime-fighting after a lengthy convalescence. Miller also said his own increasing age was a factor in the plot. The series employed a 16-panel grid for its pages. Each page was composed of either a combination of 16 panels, or anywhere between sixteen and one panel per page. Giordano left the project halfway through because of disagreements over production deadlines. Comics historian Les Daniels wrote

user: What did they create

assistant: Writer-artist Frank Miller was recruited to create The Dark Knight Returns.
Título: Voltaire
Seção: Adopts the name Voltaire
Background: Francois-Marie Arouet (French: [fRa.swa ma.Ri aR.we]; 21 November 1694 - 30 May 1778), known by his nom de plume Voltaire (; French: [vol.te:R]), was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state.

Conteúdo: The author adopted the name Voltaire in 1718, following his incarceration at the Bastille. Its origin is unclear. It is an anagram of AROVET LI, the Latinized spelling of his surname, Arouet, and the initial letters of le jeune ("the young"). According to a family tradition among the descendants of his sister, he was known as le petit volontaire ("determined little thing") as a child, and he resurrected a variant of the name in his adult life. The name also reverses the syllables of Airvault, his family's home town in the Poitou region.  Richard Holmes supports the anagrammatic derivation of the name, but adds that a writer such as Voltaire would have intended it to also convey connotations of speed and daring. These come from associations with words such as voltige (acrobatics on a trapeze or horse), volte-face (a spinning about to face one's enemies), and volatile (originally, any winged creature). "Arouet" was not a noble name fit for his growing reputation, especially given that name's resonance with a rouer ("to be beaten up") and roue (a debauche).  In a letter to Jean-Baptiste Rousseau in March 1719, Voltaire concludes by asking that, if Rousseau wishes to send him a return letter, he do so by addressing it to Monsieur de Voltaire. A postscript explains: "J'ai ete si malheureux sous le nom d'Arouet que j'en ai pris un autre surtout pour n'etre plus confondu avec le poete Roi", (I was so unhappy under the name of Arouet that I have taken another, primarily so as to ceas

user: When did Voltaire change his name?

assistant: The author adopted the name Voltaire in 1718,

user: Why did he decide to change his name?

assistant: following his incarceration at the Bastille. Its origin is unclear.

user: Why was he incarcerated at the Bastille?

assistant: CANNOTANSWER

user: How did he choose the name Voltaire?

assistant: Its origin is unclear.

user: What does "Voltaire" mean?

assistant: It is an anagram of AROVET LI, the Latinized spelling of his surname, Arouet, and the initial letters of le jeune ("

user: What else does Voltaire mean?

assistant: The name also reverses the syllables of Airvault,

user: What does "Airvault" mean?

assistant: his family's home town in the Poitou region.

user: Why did he not keep his name "Arouet"?

assistant: ", (I was so unhappy under the name of Arouet that I have taken another, primarily so as to cease to be confused with the poet Roi.
Título: Juliana Hatfield
Seção: 2014: Reformation and Whatever, My Love
Background: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.

Conteúdo: In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project.  The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March.  In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfiel

user: What happened to Hatfield in 2014?

assistant: The Juliana Hatfield Three was reformed after two decades of hiatus, and

user: What happened after that?

assistant: Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album.

user: Did they do Reformation and Whatever, My love?

assistant: The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey,
Veterans Vocational Rehabilitation programs 
If you re a Veteran or service member with a service - connected disability that impacts your ability to work , the Vocational Rehabilitation and Employment program also called Voc Rehab, VR&E, or Chapter 31 benefits may be able to help. We offer 5 support - and - services tracks to help you find and keep a job, and live as independently as possible. Explore the different tracks and find out how to apply for benefits and services. Reemployment trackYou may have the right to return to the civilian job you held before you deployed. Find out how we can help with this process. Rapid Access to Employment trackIf you want a job that matches your existing skills, find out if you can get employment counseling and job - search support. Self - Employment trackIf you re a service member or Veteran with a service - connected disability , find out how we can help you start your own business. Employment through Long - Term Services trackFind out if you may be eligible for vocational training to help you develop new job skills. Independent Living trackLearn about services that can help you live as independently as possible if you can't return to work right away. 

user: Hi. I'm doing a research about if there any vocational rehabilitation program.

assistant: Yes there are vocational rehabilitation programs for those veterans with any disability that impact their ability to work.

user: Alright. And what does it do for the veteran?

assistant: We offer 5 support and services tracks to help you to find and keep a job.

user: I'm looking for a new job, were I need skills I don't jave.

assistant: We can help you in vocational training so you can develop new job skills.