dgand84/projgand huggingface dataset:
Título: Buffalo Springfield
Seção: Origins
Background: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).

Conteúdo: Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with the Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, the Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd.  In early 1966 in Toronto, Young met Bruce Palmer, a Canadian who was playing bass for a group called the Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews--James Ambrose Johnson, Jr., later known as Rick James--was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal canceled, Young and Palmer headed for Los Angeles, where they encountered Stills.  Drummer Dewey Martin, who had played with garage rock group the Standells and country artists such as Patsy Cline and the Dillards, joined at the suggestion of the Byrds' manager, Jim Dickso

user: How did Buffalo Springstein form?

assistant: Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario.

user: How did Richard Furay get involved?

assistant: Stills invited fellow Au Go Go Singers alumnus Richie Furay

user: What was Richie invited to?

assistant: Richie Furay and former Squires bass player Ken Koblun to come join him in California.

user: What did they do in California?

assistant: A few days later, they began a short tour of California

user: How long did they do the California tour?

assistant: short tour

user: Where else did they tour?

assistant: In early 1966 in Toronto, Young met Bruce Palmer,
Título: Ivan the Terrible
Seção: Sobriquet
Background: Ivan IV Vasilyevich (Russian: Ivan Vasil'evich, tr. Ivan Vasilyevich; 25 August 1530 - 28 March [O.S. 18 March] 1584), commonly known as Ivan the Terrible or Ivan the Fearsome (Russian:  Ivan Groznyi  , Ivan Grozny; a better translation into modern English

Conteúdo: Ivan was the first son of Vasili III and his second wife, Elena Glinskaya, who was of half Serbian and half Lipka Tatar descent, the Glinski clan (nobles based in the Grand Duchy of Lithuania) claiming descent from the Mongol ruler Mamai (1335-1380.) When Ivan was three years old, his father died from an abscess and inflammation on his leg that developed into blood poisoning. Ivan was proclaimed the Grand Prince of Moscow at the request of his father. His mother Elena Glinskaya initially acted as regent, but she died of what many believe to be assassination by poison, in 1538 when Ivan was only eight years old. The regency then alternated between several feuding boyar families fighting for control. According to his own letters, Ivan, along with his younger brother Yuri, often felt neglected and offended by the mighty boyars from the Shuisky and Belsky families. In a letter to Prince Kurbski Ivan remembers, "My brother Iurii, of blessed memory, and me they brought up like vagrants and children of the poorest. What have I suffered for want of garments and food!!" It should be noted, however, that the historian Edward L Keenan has presented compelling reasons to doubt the authenticity of the source in which these quotes are found.  On 16 January 1547, at age sixteen, Ivan was crowned with Monomakh's Cap at the Cathedral of the Dormition. He was the first to be crowned as "Tsar of All the Russias", hence claiming the ancestry of Kievan Rus'. Prior to that, rulers of Muscovy were 

user: Did Ivan have any siblings?

assistant: CANNOTANSWER

user: How was his parents?

assistant: Ivan was the first son of Vasili III and his second wife, Elena Glinskaya, who was of half Serbian and half Lipka Tatar descent, the Glinski clan

user: Was his family of royalty or greatness?

assistant: the Glinski clan (nobles based in the Grand Duchy of Lithuania) claiming descent from the Mongol ruler Mamai (1335-1380.)

user: What happened to his parents growing up?

assistant: When Ivan was three years old, his father died
Título: Marion Raven
Seção: M2M and international success
Background: Raven was born in Lorenskog, Norway; her father is a teacher. She has an older brother and two younger sisters. Her surname is of Norse origin, with Ravn meaning Raven, which she adopted as her stage name Marion Raven as well as her trademark raven logo. Raven enjoyed singing from a young age, sometimes writing lyrics for the songs she sang.

Conteúdo: In 1995, Raven's father arranged for her to make a demo in a studio in Oslo, together with her childhood friend, Marit Larsen. The duo got a record deal with EMI Norway and formed M2M. A year later, they produced children album titled, "Marit og Marion synger kjente barnesanger" which means "Marit and Marion Sing Well-Known Children Songs". M2M was nominated for the Norwegian Grammy, Spellemannprisen, the following year.  In 1998, M2M started recording pop demos in English and struck a record deal with Atlantic Records. The two collaborated with many songwriters from around the world and produced their multi-platinum debut album, Shades of Purple, that was released in 2000, with the lead single, "Don't Say You Love Me" featuring on the soundtrack of Pokemon: The First Movie. The song was co-produced by Jimmy Bralower and Peter Zizzo (Celine Dion), and mixed by Tom Lord-Alge. It peaked on the Billboard Hot 100 at No. 21, selling 39,000 units in a week, according to SoundScan. Their second album, The Big Room, which was recorded in a studio in Bearsville in Woodstock, New York, was released in 2002. After world tours to promote The Big Room ended, M2M joined Jewel on her world tour as an opening act. M2M later disbanded in September 2002.  Raven was offered a recording contract with Atlantic Records, though the offer was later revoked. She co-wrote "Pointless Relationship" that was the lead single of Australian singer, Tammin Sursok's debut album, 'Whatever Will Be'. She also c

user: What did Marion Raven do in M2M?

assistant: The duo got a record deal with EMI Norway and formed M2M.

user: When did this deal happen?

assistant: In 1995,
Título: Bill James
Seção: Dowd Report controversy
Background: James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.

Conteúdo: In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report, which was an investigation (commissioned by baseball commissioner Bart Giamatti) on the gambling activities of Pete Rose. James reproached commissioner Giamatti and his successor, Fay Vincent, for their acceptance of the Dowd Report as the final word on Rose's gambling. (James' attitude on the matter surprised many fans, especially after the writer had been deeply critical of Rose in the past, especially what James considered to be Rose's selfish pursuit of Ty Cobb's all-time record for base hits.)  James expanded his defense of Rose in his 2001 book The New Historical Baseball Abstract, with a detailed explanation of why he found the case against Rose flimsy. James wrote "I would characterize the evidence that Rose bet on baseball as...well, not quite non-existent. It is extremely weak." This countered the popular opinion that the case against Rose was a slam dunk, and several critics claimed that James misstated some of the evidence in his defense of Rose. Derek Zumsteg of Baseball Prospectus wrote an exhaustive review of the case James made and concluded: "James' defense of Rose is filled with oversights, errors in judgment, failures in research, and is a great disservice to the many people who have looked to him for a balanced and fair take on this complicated and important issue."  In 2004, Rose admitted publicly that he had bet on baseball and confirmed the Dowd Report was correct. J

user: When was the Dowd Report controversy?

assistant: In his Baseball Book 1990, James heavily criticized the methodology of the Dowd Report,

user: What is the Dowd Report?

assistant: an investigation (commissioned by baseball commissioner Bart Giamatti) on the gambling activities of Pete Rose.

user: Who is Pete Rose?

assistant: CANNOTANSWER

user: Why did James criticize the Dowd Report?

assistant: James wrote "I would characterize the evidence that Rose bet on baseball as...well, not quite non-existent. It is extremely weak."
Título: Once (film)
Seção: Critical response
Background: Once is a 2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Marketa Irglova as two struggling musicians in Dublin, Ireland. Hansard and Irglova had previously performed music as the Swell Season, and composed and performed the film's original songs. Once spent years in development with the Irish Film Board and was made for a budget of EUR112,000.

Conteúdo: Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident".  In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" b

user: How was the film received

assistant: met with extremely positive reviews from critics.

user: Was it popular

assistant: The film appeared on many North American critics' top ten lists of the best films of 2007:

user: Did it do well at the box office

assistant: CANNOTANSWER

user: Did it win awards

assistant: In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".

user: What other awards did it win

assistant: The film appeared on many North American critics' top ten lists of the best films of 2007:
Título: Martina McBride
Seção: 1995-99: Wild Angels and Evolution
Background: Martina Mariea Schiff was born in Sharon, Kansas, on July 29, 1966. She has two brothers, Martin and Steve, who plays in her concert band as of 2017, and a sister, Gina. Martina's parents, Daryl and Jeanne Schiff, owned a dairy farm. Daryl, who was also a cabinetry shop owner, exposed Martina to country music at a young age.

Conteúdo: Released in 1995, Wild Angels accounted for another top five hit in its lead single "Safe in the Arms of Love", which had previously been recorded by both Wild Choir and Baillie & the Boys, and was concurrently released in Canada by Michelle Wright at the time of McBride's version. The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996. However, the three follow-ups,"Phones Are Ringin' All Over Town", "Swingin' Doors" and "Cry on the Shoulder of the Road" were less successful, reaching the lower regions of the top 40.  In early 1997, after "Cry on the Shoulder of the Road" peaked, McBride released two duets. "Still Holding On", a duet with Clint Black which was the lead-off single to her album Evolution and his album Nothin' but the Taillights, and "Valentine", a collaboration with pop pianist Jim Brickman which appeared on his album Picture This. She also sang duet vocals on "Chances Are" with Bob Seger, featured on the soundtrack of the 1998 motion picture Hope Floats.  She had her second number one on the country charts with "A Broken Wing", the second single from her album Evolution, in late 1997 This album went on to produce four more top ten hits at country radio: a re-release of "Valentine", "Happy Girl", "Wrong Again" (which also went to number one), and "Whatever You Say". Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two millio

user: What is Wild ANgels?

assistant: Released in 1995, Wild Angels accounted for another top five hit in its lead single "Safe in the Arms of Love",

user: What album is that from?

assistant: Wild Angels

user: Did the album perform well?

assistant: The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996.

user: WHat was the name of the song?

assistant: "Safe in the Arms of Love

user: Did she ever collaborate with anyone?

assistant: her album Evolution and his album Nothin' but the Taillights, and "Valentine", a collaboration with pop pianist Jim Brickman which appeared on his album Picture This.

user: Was the song a success?

assistant: No. 1 single on the country charts in early 1996.

user: Did she have any other collaborations?

assistant: She also sang duet vocals on "Chances Are" with Bob Seger, featured on the soundtrack of the 1998 motion picture Hope Floats.

user: Did the song perform well?

assistant: She had her second number one on the country charts with "A Broken Wing", the second single from her album Evolution, in late 1997
Título: War (band)
Seção: 1980s: The Music Band
Background: War (originally called Eric Burdon and War) is an American funk band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band which fuses elements of rock, funk, jazz, Latin, rhythm and blues, and reggae. Their album The World Is a Ghetto was the best-selling album of 1973. The band also transcended racial and cultural barriers with a multi-ethnic line-up.

Conteúdo: In 1979, following the departure of B.B. Dickerson during recording sessions for their next album (replaced by Luther Rabb on bass who completed the album), the band considered changing their name to The Music Band, but decided at the last minute to continue as War, and use The Music Band as the title of a series of albums. The series originally consisted of two studio albums (The Music Band, The Music Band 2, both in 1979) and a live album (The Music Band Live, 1980), but after the band left MCA in 1981 and had already made records for other labels, MCA expanded the series with a compilation (The Best of the Music Band, 1982) and a third original album of left-over material (The Music Band - Jazz, 1983).  The group lost another member when Charles Miller (saxophone) was murdered in 1980. He had already been replaced by Pat Rizzo (ex Sly and the Family Stone) in 1979. Other new members joining at this time were Alice Tweed Smith (credited as "Tweed Smith" and "Alice Tweed Smyth" on various albums) on percussion and vocals (giving the band its first female vocalist), and Ronnie Hammon as a third drummer.  After making the one-off single "Cinco de Mayo" for LA Records in 1981 (Jerry Goldstein's own label, which also reissued Eric Burdon Declares "War" under the title Spill the Wine the same year), War signed with RCA Victor Records and recorded Outlaw (1982) which included the single plus additional singles "You Got the Power", "Outlaw", and "Just Because". It was followed by L

user: Did they come out with any albums during this time period?

assistant: decided at the last minute to continue as War, and use The Music Band as the title of a series of albums.

user: What was the name of the albums specifically?

assistant: The series originally consisted of two studio albums (The Music Band, The Music Band 2, both in 1979) and a live album (The Music Band Live, 1980),
Título: Patsy Cline
Seção: Four Star Records
Background: Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.

Conteúdo: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later.  Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling.  Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly.  According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and th

user: when did she sign?

assistant: 1955

user: Are there any other interesting aspects about this article?

assistant: Bill Peer, her second manager, gave her the name Patsy, from her middle name,

user: Did she have any hits?

assistant: "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms.

user: Did she relase any albums?

assistant: She recorded 51 songs with Four Star.

user: Was there any issues with tFour star records?

assistant: According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential.
Título: Ada Lovelace
Seção: Education
Background: Augusta Ada King-Noel, Countess of Lovelace (nee Byron; 10 December 1815 - 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and the first computer programmer. Ada Lovelace was the only legitimate child of the poet Lord Byron, and his wife Anne Isabella "Annabella" Milbanke, Lady Wentworth.

Conteúdo: Throughout her illnesses, she continued her education. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville, the noted researcher and scientific author of the 19th century. One of her later tutors was the mathematician and logician Augustus De Morgan. From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. In a letter to Lady Byron, De Morgan suggested that her daughter's skill in mathematics could lead her to become "an original mathematical investigator, perhaps of first-rate eminence".  Lovelace often questioned basic assumptions by integrating poetry and science. While studying differential calculus, she wrote to De Morgan:  I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in one shape now, and the next minute in a form most dissimilar  Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She

user: Where did Ada Lovelace attend school?

assistant: She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville,

user: Did she further her education beyond high school?

assistant: One of her later tutors was the mathematician and logician Augustus De Morgan. From 1832, when she was seventeen, her mathematical abilities began to emerge, and

user: What did she do with her mathmatical skills during this time?

assistant: Lovelace often questioned basic assumptions by integrating poetry and science. While studying differential calculus, she wrote to De Morgan:
Título: Bill Tilden
Seção: Professional tennis career
Background: William Tatem Tilden II (February 10, 1893 - June 5, 1953), nicknamed "Big Bill," was an American male tennis player. He is often considered one of the greatest tennis players of all time. Tilden was the World No. 1 player for six years from 1920 through 1925. He won 15 Major singles titles including ten Grand Slam events, one World Hard Court Championships and four Pro Slam tournaments.

Conteúdo: On 31 December 1930, in need of money, he turned professional and joined the fledgling pro tour, which had begun only in 1927. For the next 15 years, he and a handful of other professionals such as Hans Nusslein and Karel Kozeluh barnstormed across the United States and Europe in a series of one-night stands, with Tilden still the player that people primarily paid to see. Even with greats such as Ellsworth Vines, Fred Perry, and Don Budge as his opponents, all of them current or recent world no. 1 players, it was often Tilden who ensured the box-office receipts--and who could still hold his own against the much younger players for a first set or even an occasional match.  Tilden thought he reached the apogee of his whole career in 1934 at 41 years old; nevertheless, that year he was dominated in the pro ranks by Ellsworth Vines. American Lawn Tennis reported that Vines had an edge of 11-9 in the first phase of their tour from January 10 through February 16 and that Vines led Tilden by 19 matches after the second phase of their tour, played from March 21 through May 17. Tilden had won 17 times for the entire year, per an Associated Press report, so a probable win-loss record at tour's end was 36-17 in Vines' favor. Both players then met at least 6 times during the rest of the year (Ray Bowers has listed 5 tournament matches and 1 one-night program), all lost by Tilden.  In 1945, the 52-year-old Tilden and his long-time doubles partner Vinnie Richards won the professional doubl

user: What was his win ratio?

assistant: 36-17 in Vines' favor.

user: Did he ever have a hard competitor?

assistant: CANNOTANSWER

user: Did he ever win a huge competition?

assistant: In 1945, the 52-year-old Tilden and his long-time doubles partner Vinnie Richards won the professional doubles championship

user: Who were they against?

assistant: CANNOTANSWER
Título: Robert Owen
Seção: Early life and education
Background: Robert Owen (; 14 May 1771 - 17 November 1858) was a Welsh textile manufacturer, philanthropic social reformer, and one of the founders of utopian socialism and the cooperative movement. Owen is best known for his efforts to improve the working conditions of his factory workers and his promotion of experimental socialistic communities.

Conteúdo: Robert Owen was born in Newtown, a small market town in Montgomeryshire, Wales, on 14 May 1771, to Anne (Williams) and Robert Owen. His father was a saddler, ironmonger, and local postmaster; his mother was the daughter of a Newtown farming family. Young Robert was the sixth of the family's seven children, two of whom died at a young age. His surviving siblings were William, Anne, John, and Richard.  Owen received little formal education, but he was an avid reader. He left school at the age of ten and was apprenticed to a Stamford, Lincolnshire, draper for four years. He also worked in London draper shops as a teenager. Around the age of eighteen, Owen moved to Manchester, where he spent the next twelve years of his life. Initially, he was employed at Satterfield's Drapery in Saint Ann's Square.  While living in Manchester, Owen borrowed PS100 from his brother, William, to enter into a partnership to make spinning mules, a new invention for spinning cotton thread, but exchanged his share of the business within a few months for six spinning mules that he operated in a rented factory space. In 1792, when Owen was about twenty-one years old, mill-owner Peter Drinkwater made him manager of the Piccadilly Mill at Manchester; however, after two years of working for Drinkwater, Owen voluntarily gave up a contracted promise of partnership, left the company, and went into partnership with other entrepreneurs to establish and eventually manage the Chorlton Twist Mills in the Chorlton-o

user: when was he born?

assistant: 14 May 1771,

user: where was he born?

assistant: Montgomeryshire, Wales,

user: who were his parents?

assistant: Anne (Williams) and Robert Owen.

user: did he have siblings?

assistant: Young Robert was the sixth of the family's seven children, two of whom died at a young age.

user: where did he go to school?

assistant: Owen received little formal education, but he was an avid reader.

user: did he have a job?

assistant: He also worked in London draper shops as a teenager.
Título: Bonnie Raitt
Seção: 1977-1988
Background: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.

Conteúdo: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."  Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.  For h

user: where did bonnie raitt go to school?

assistant: CANNOTANSWER

user: what was bonnie raitt a student of?

assistant: CANNOTANSWER

user: who was bonnie raitt playing with during that time?

assistant: Bruce Springsteen,

user: What are some albums she released during those years?

assistant: The Glow,

user: was it well received?

assistant: it was released to poor reviews as well as modest sales.

user: were there any other notable albums during that time period?

assistant: Green Light,
Título: Stirling Moss
Seção: Popular culture
Background: Moss was born in London, son of Alfred Moss, a dentist of Bray, Berkshire, and Aileen (nee Craufurd). He was brought up at Long White Cloud house on the right bank of the River Thames. His father was an amateur racing driver who had placed 16th at the 1924 Indianapolis 500. Stirling was a gifted horse rider as was his younger sister, Pat Moss, who became a successful rally driver and married Erik Carlsson.

Conteúdo: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "h

user: What is Moss conection to popular culture?

assistant: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances.

user: Why was he recognised?

assistant: many media appearances.
For purposes of applying for federal student aid, what s the difference between a dependent student and an independent student? 
Read the definitions, find out who has to provide parent information on the FAFSA form, and learn what to do if you aren t in contact with your parents. Your dependency status determines whose information you must report on the Free Application for Federal Student Aid FAFSA form. If you re a dependent student , you will report your and your parents information. If you re an independent student , you will report your own information and, if you re married, your spouse s. The federal student aid programs are based on the concept that it is primarily your and your family s responsibility to pay for your education. A dependent student is assumed to have the support of parents , so the parents information has to be assessed along with the student s, in order to get a full picture of the family s financial strength. If you re a dependent student, it doesn t mean your parents are required to pay anything toward your education ; this is just a way of looking at everyone in a consistent manner. 

Am I dependent or independent? 
Your answers to questions on the FAFSA form determine whether you are considered a dependent or independent student. The questions change a little from one year s application to the next year s ; for instance, the 2020 21 FAFSA form asks whether you were born before Jan. 1 , 1997, while the 2021 22 FAFSA form will ask whether you were born before Jan. 1 , 1998. Here are the questions that determine your dependency status, first in a graphic format and then for 2020 21 specifically in a table of dependency status questions : View text-only version 

Dependency Status Questions on the 2020 21 FAFSA Form 
* Answer " No " you are not a veteran if you 1 have never engaged in active duty including basic training in the U.S. armed forces , 2 are currently a Reserve Officers Training Corps ROTC student or a cadet or midshipman at 

user: Can I be considered independent if my parents don't help me pay for college and refuse to provide information for my FAFSA?

assistant: You cannot be considered independent from your parents just because they refuse to help you with this process.

user: What if I don't provide my information on the FAFSA?

assistant: the application will be considered rejected, and you may not be able to receive any federal student aid. The most you could get depending on what your college financial aid office decides would be a loan called an unsubsidized loan.

user: ok what can i do then?

assistant: As I mentioned the most you could get depending on what the financial aid office of your university decides would be a loan called an unsubsidized loan.
Título: Billy Cannon
Seção: 1957 season
Background: William Abb Cannon (born August 2, 1937) is a former American football running back and tight end who played professionally in the American Football League (AFL) and National Football League (NFL). He attended Louisiana State University (LSU), where he played college football as a halfback and return specialist for the LSU Tigers. At LSU, Cannon was twice unanimously named an All-American, helped the 1958 LSU team win a national championship, and received the Heisman Trophy as the nation's most outstanding college player in 1959. His punt return against Ole Miss on Halloween night in 1959 is considered by fans and sportswriters to be one of the most famous plays in LSU sports history.

Conteúdo: Cannon first played for the LSU varsity football team as a sophomore in 1957 under coach Paul Dietzel. He played in the halfback position and shared the backfield with Jim Taylor, who was selected as an All-American that year. He also played defensive back and was the team's primary punter. He quickly emerged as a star, scoring twice in early season victories over Alabama and Texas Tech. The Alabama game was the most prolific rushing game of Cannon's college career; he amassed 140 yards with eight carries. Against the Red Raiders, Cannon had five punts for a 40-yard average, completed two of four passes for 31 yards, caught a 59-yard pass for a touchdown, carried thirteen times for 36 yards, and returned a kickoff for a touchdown. Cannon recalled that Texas Tech's focus was solely on Taylor. "They were just wearing Jimmy out", he said. "Of course, they weren't looking for me. They just beat the devil out of Jimmy. With them focusing on Jimmy, I had a great game." Over half a century later, former Red Raiders standout Jack Henry recalled of Cannon  We kicked off. And that damn Billy Cannon. Jim Henderson and I were running down in our lanes and got down there, and we were going to hit him high and low. We were going to knock the hell out of him ... We hit ourselves. Ran into each other. He made a 100-yard touchdown. You don't forget that.  The Tigers won their next two games before losing four in a row, but remained competitive in every game, largely due to the play of Cannon 

user: Are there any other interesting aspects about this article?

assistant: Cannon first played for the LSU varsity football team as a sophomore in 1957 under coach Paul Dietzel.
Título: Jason Isbell
Seção: Solo work
Background: Isbell was born in Green Hill, Alabama, two miles from the Alabama/Tennessee state line, the son of interior designer mother Angela Hill Barnett and house painter Mike Isbell. Isbell's mother was only 17 years old (and his father 19 years old) when he was born and is the subject of a song, "Children of Children". Isbell's parents divorced, and he has two much younger half-siblings, Chantry Barnett and Emily Isbell. Isbell grew up in rural North Alabama.

Conteúdo: Jason Isbell released his first solo album, Sirens of the Ditch, on July 10, 2007. In 2012, Isbell supported singer-songwriter Ryan Adams on his tour. Both played solo acoustic sets.  On June 11, 2013, Isbell released his fourth solo album, Southeastern. Produced by Dave Cobb and featuring accompanying vocals by Kim Richey and Isbell's wife, Amanda Shires, Southeastern received overwhelmingly positive critical reviews, earning a score of 87 on Metacritic. Southeastern led to Isbell's clean sweep of the 2014 Americana Music Awards. Southeastern won Album of the Year, Isbell was named Artist of the Year, and the song "Cover Me Up" was named Song of the Year. NPR rock critic Ken Tucker listed Southeastern at No. 1 on his top ten albums of 2013. Isbell's record received praise by artists like Bruce Springsteen and John Prine. Isbell's music video for the song "Traveling Alone" features the Jackson House, a historic home in Moulton, Alabama. In 2014, his song "Cover Me Up" was used as the weather for the Welcome to Night Vale episode "Visitor".  Isbell's fifth solo record, Something More Than Free, was released on July 17, 2015, on Southeastern Records. Dave Cobb produced, continuing the partnership created with Isbell on Southeastern. They recorded the album at Nashville's Sound Emporium studio with a full band. During the summer of 2015, Isbell was on a North American tour to promote the album, with four consecutive sold-out nights at the Ryman Auditorium in Nashville at the end

user: What kind of work he did?

assistant: Jason Isbell released his first solo album, Sirens of the Ditch, on July 10, 2007.

user: How did the album sale?

assistant: Southeastern received overwhelmingly positive critical reviews, earning a score of 87 on Metacritic.
Título: Earth Crisis
Seção: Legacy
Background: Earth Crisis is an American metalcore band from Syracuse, New York, active from 1989 until 2001, reuniting in 2007. Since 1993 the band's longest serving members are vocalist Karl Buechner, guitarist Scott Crouse, bassist Ian Edwards and drummer Dennis Merrick. Their third guitarist Erick Edwards joined the band in 1998. The band has released eight studio albums, three compilations, two live albums and six music videos.

Conteúdo: Earth Crisis had a huge impact on both the hardcore punk music and its ideals. MetalSucks said: "For anybody who was not in the hardcore scene back then, it is hard to describe the impact they had or how controversial they were. You either loved them or hated them for bringing both metal and veganism into the hardcore scene". Sociologist Ross Haenfler stated in The Vinyl Factory that "Earth Crisis became the face of straight edge throughout the 1990s" through "the convergence of 'radical' animal rights activism, a more aggressive 'metalcore' sound, and hardcore crews", becoming "one of the most controversial bands in the scene's history."  Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre. According to Andrew O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore" and "the distinction between the two [genres] started to crumble" shortly after those records were released.  To a large extent, Earth Crisis was responsible for the rising of vegan straight edge militancy in the mid- to late 90s, when veganism was rarely present in mainstream culture. Haenfler said that, while "earlier straight edge bands advocated vegetarianism - for example Youth of Today, Insted and Manliftingbanner", Earth Crisis "made animal rights (and environmentalism) central to the scene" as a "self-described 'vegan straight edge' band", "inspiring thousands of kids to give up animal products entirely." 

user: What is the legacy of the band Earth Crisis? Have they spawned other bands?

assistant: Earth Crisis had a huge impact on both the hardcore punk music and its ideals.

user: Can you name a couple of bands that emulate Earth Crisis?

assistant: CANNOTANSWER

user: Did Earth Crisis start a new genre?

assistant: "made animal rights (and environmentalism) central to the scene"

user: Were the band members vegan?

assistant: Earth Crisis was responsible for the rising of vegan straight edge militancy

user: Why did they break up?

assistant: CANNOTANSWER

user: What did the members do after the break up of the band?

assistant: CANNOTANSWER
Título: Louison Bobet
Seção: Personality
Background: Louis "Louison" Bobet (pronounced [lwi.zo bo.be]; 12 March 1925 - 13 March 1983) was a French professional road racing cyclist. He was the first great French rider of the post-war period and the first rider to win the Tour de France in three successive years, from 1953 to 1955. His career included the national road championship (1950 and 1951), Milan-San Remo (1951), Giro di Lombardia (1951), Criterium International (1951 & 52), Paris-Nice (1952), Grand Prix des Nations (1952), world road championship (1954), Tour of Flanders (1955), Criterium du Dauphine Libere (1955), Tour de Luxembourg (1955), Paris-Roubaix (1956) and Bordeaux-Paris (1959).

Conteúdo: The most striking feature of Bobet the man rather than rider was his ambition to behave like a Hollywood matinee idol, a sort of David Niven character in a dinner suit tuxedo. It brought him much ribbing from other French riders. Geminiani says Bobet's diffident and elegant manner made him less popular even in his own Brittany than the more rustic, forthright manners of other Breton people such as Jean Robic. The British professional Brian Robinson called Bobet "a private man and a little moody" and said he would sulk if things went wrong. The French journalist Rene de Latour said of Bobet in Sporting Cyclist that "he didn't look good on a bike" and that he had "the legs of a football [soccer] player".  Bobet spoke out against French involvement in a war against communists in Indo-China. He said he wasn't a Marxist but a pacifist. Geminiani said Bobet lacked humility. "He really thought that, after him, there'd be no more cycling in France", he said. Bobet occasionally talked of himself in the third person.  Bobet was driven by personal hygiene and refused to accept his first yellow jersey because it had not been made with the pure wool he believed the only healthy material for a sweating and dusty rider. Synthetic thread or blends were added in 1947 following the arrival of Sofil as a sponsor. Sofil made artificial yarn. The race organiser, Jacques Goddet wrote:  It produced a real drama. Our contract with Sofil was crumbling away. If the news had got out, the commercial eff

user: What was Bobet's personality like?

assistant: diffident and elegant manner

user: How was Bobet elegant?

assistant: elegant manner made him less popular even in his own Brittany than the more rustic,

user: What made his personality noteworthy?

assistant: Bobet spoke out against French involvement in a war against communists in Indo-China.

user: Did he get involved in any other public issues?

assistant: Bobet was driven by personal hygiene and refused to accept his first yellow jersey

user: What else did he like or dislike?

assistant: Synthetic thread or blends were added in 1947 following the arrival of Sofil as a sponsor.

user: Did he have other interests?

assistant: his ambition to behave like a Hollywood matinee idol,

user: What else did he like to do?

assistant: "a private man and a little moody"
Título: Giuseppe Verdi
Seção: Personality
Background: Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.

Conteúdo: List of compositions by Giuseppe Verdi  In mid-1834, Verdi sought to acquire Provesi's former post in Busseto but without success. But with Barezzi's help he did obtain the secular post of maestro di musica. He taught, gave lessons, and conducted the Philharmonic for several months before returning to Milan in early 1835. By the following July, he obtained his certification from Lavigna. Eventually in 1835 Verdi became director of the Busseto school with a three-year contract. He married Margherita in May 1836, and by March 1837, she had given birth to their first child, Virginia Maria Luigia on 26 March 1837. Icilio Romano followed on 11 July 1838. Both the children died young, Virginia on 12 August 1838, Ilicio on 22 October 1839.  In 1837, the young composer asked for Massini's assistance to stage his opera in Milan. The La Scala impresario, Bartolomeo Merelli, agreed to put on Oberto (as the reworked opera was now called, with a libretto rewritten by Temistocle Solera) in November 1839. It achieved a respectable 13 additional performances, following which Merelli offered Verdi a contract for three more works.  While Verdi was working on his second opera Un giorno di regno, Margherita died of encephalitis at the age of 26. Verdi adored his wife and children and was devastated by their deaths. Un giorno, a comedy, was premiered only a few months later. It was a flop and only given the one performance. Following its failure, it is claimed Verdi vowed never to compose again, 

user: What kind of personality did Verdi have?

assistant: Mendelsohn describes the composer as "an intensely private man who deeply resented efforts to inquire into his personal affairs.

user: Was there anything else about his personality other than private?

assistant: Verdi was similarly never explicit about his religious beliefs. Anti-clerical by nature in his early years,