Título: P. G. Wodehouse
Seção: Broadway: 1915-19
Background: Sir Pelham Grenville Wodehouse  (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.

Conteúdo: A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.  Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate t

user: What happened in 1915?

assistant: Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator.

user: what did the two collaborate on?

assistant: This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day.

user: what did they do next?

assistant: The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918),

user: were there any other successes?

assistant: Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin.

user: what other composers?

assistant: CANNOTANSWER

user: Did he do anything other than musicals?

assistant: Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories;

user: were his novels popular?

assistant: CANNOTANSWER

user: did he collaborate with anyone else?

assistant: During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End,

user: were they successful?

assistant: He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel.

user: Are there any other interesting aspects about this article?

assistant: Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods.

user: why more sociable in this time?

assistant: Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and