dgand84/projgand huggingface dataset:
Título: Joe McGinnity
Seção: Early career
Background: McGinnity's father, Peter, was born in Dublin, Ireland. His last name was McGinity before he came to United States. He changed it by adding an "n" after he emigrated to the United States in 1861. Peter worked in coal mines and on the farm owned by John and Rebecca Denning, and they accepted him, allowing him to move in with them in their Henry County farm.

Conteúdo: While living in Decatur, McGinnity began playing baseball with other coal miners in their leisure time. The owner of the Decatur Coal Company founded the Decatur Baseball Association in 1886. An outfielder, McGinnity substituted for his team's pitcher in an 1888 game, which he won. He continued to pitch from that point on. He pitched for semi-professional teams based in Decatur in 1888 and 1889. His family headed west, stopping in the Indian Territory on their way to Montana, where Hannah's sister struck gold in their coal mine. McGinnity and his brothers worked in a coal mine in Krebs. There, he met his future wife, Mary Redpath, the oldest daughter of a fellow coal miner. McGinnity also played baseball for the local team. He increased baseball's popularity in the area, and was later referred to as "the father of Oklahoma baseball" by a sportswriter for The Oklahoman, as he organized, managed, and pitched for teams in Krebs. One of these teams began traveling to other towns along the Missouri-Kansas-Texas Railroad to play against their local teams. He also pitched for teams in neighboring towns.  John McCloskey, the manager of the minor league baseball Montgomery Colts of the Class-B Southern League, heard about McGinnity's pitching. McCloskey signed McGinnity, who made his professional debut with the Colts in 1893. McCloskey habitually baited umpires during games, a trait which McGinnity learned. The league folded as a result of financial troubles related to the Panic of 18

user: When did his career begin?

assistant: While living in Decatur, McGinnity began playing baseball with other coal miners in their leisure time.
What information appears on a lifetime driving record? 
A " lifetime " driving record contains all the license information DMV currently has available about a driver. The lifetime driving record will display all information still in DMV s possession regardless of the data retention requirements found in Vehicle and Traffic Law. The record may not include information that dates back to when a driver was initially granted driving privileges. A standard driver license abstract only contains information that DMV is still required to keep. For example , most suspensions and revocations are only shown on the standard driving record abstract for 4 years from the date the suspension or revocation ended. A lifetime driving record will show suspensions and revocations that are older than 4 years. Each driving record abstract contains information grouped within several sections. See Description of Abstract of Lifetime Driving Record [1] DS-242.3 for more information on how to read and understand a lifetime driving record abstract. 

Header 1 
The " Header " section includes the individual's information as applicable deceased name mailing address City, State, ZIP Code mailing county name as it appears on document DMV ID Number Client ID Number from your NY State driver license, learner permit or non - driver photo ID card date of birth DOB gender / sex height eye color temporary visitor military veteran organ donor suspension and revocation summary that limit the driving privilege restrictions adventure license credentials See the form Driver License Class Descriptions [2] MV-500C for a list and explanation of driver license restrictions. 

Summary 2 
The header is followed by a " Summary " section that includes license class / privilege document status including commercial and 19A document expiration date date of road test eligibility 

Current License 
The " Current License " section includes current license class current license expiration date that expand the driving priv

user: What is on a lifetime driving record?

assistant: I can explain:  A " lifetime " driving record contains all the license information DMV currently has available about a driver

user: So if i have had revocations it will only show on the standard driving record?

assistant: I will be glad to help with that and answer it. most suspensions and revocations are only shown on the standard driving record abstract for 4 years from the date the suspension or revocation ended 

user: What if it is for out of state roccorunces?

assistant: It may be different for each state or county, the court s address and phone number are recorded as provided by the issuing jurisdiction
Título: The Undertones
Seção: Formation and early gigs
Background: The Undertones are a punk rock/new wave band formed in Derry, Northern Ireland, in 1974. From 1975 to 1983, the Undertones consisted of Feargal Sharkey (vocals), John O'Neill (rhythm guitar, vocals), Damian O'Neill (lead guitar, vocals), Michael Bradley (bass, vocals) and Billy Doherty (drums). Much of the earlier Undertones material drew influence from punk rock and new wave; the Undertones also incorporated elements of rock, glam rock and post-punk into material released after 1979, before citing soul and Motown as the influence for the material released upon their final album. The Undertones released thirteen singles and four studio albums between 1978 and 1983 before Sharkey announced his intention to leave the band in May 1983, citing musical differences as the reason for the break up.

Conteúdo: The Undertones formed in Derry, Northern Ireland in 1974. The band members were five friends from Creggan and the Bogside, who originally drew inspiration from such artists as the Beatles, Small Faces and Lindisfarne. The band initially rehearsed cover versions at the home of the guitarists, brothers John and Vincent O'Neill, and in the shed of a neighbour. (In early 1976, before the band had played gigs at any venues, Vincent O'Neill left the band; being replaced by his younger brother Damian.)  Beginning in February 1976 the group, at this stage still unnamed, began playing gigs at various minor local venues, including schools, parish halls and Scout huts, where the band's lead singer, Feargal Sharkey, was a local Scout leader. Sharkey was also responsible for giving the band their first name: at the introduction to a gig at Saint Joseph's Secondary School in Derry on 16 March 1976, Feargal Sharkey was asked the name of the band and quickly replied "The Hot Rods". At a later gig, Sharkey named the band "Little Feat": another name already used by another group.  Later that year, drummer Billy Doherty proposed an alternate name for the group: The Undertones, which Doherty had discovered in a history book. The other members of the band agreed to the proposal.  With the arrival of punk rock in late 1976, the artistic focus of the band changed. Artists such as the Adverts, Sex Pistols, the Buzzcocks and, particularly, the Ramones became major influences on the Undertones.  In ad

user: How were The Undertones formed?

assistant: The Undertones formed in Derry, Northern Ireland in 1974.

user: Who are the members?

assistant: The band initially rehearsed cover versions at the home of the guitarists, brothers John and Vincent O'Neill,
Título: Gustave Courbet
Seção: Realist manifesto
Background: Jean Desire Gustave Courbet (French: [gystav kuRbe]; 10 June 1819 - 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.

Conteúdo: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation."  The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.  Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.  I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.  To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855) CANNOTANSWER

user: What is the Realist Manifesto

assistant: Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition,

user: Who did he send the Realist Manifesto too?

assistant: CANNOTANSWER

user: What was included in the Realist Manifesto?

assistant: translate the customs, the ideas, the appearance of my time, according to my own estimation;

user: What happened to the Manifesto?

assistant: CANNOTANSWER

user: What can you tell me about the Realist Manifesto?

assistant: The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830.
Replacement Card for a Noncitizen Child 
You can replace your child's Social Security card for free if it is lost or stolen. You are limited to three replacement cards in a year and 10 during a lifetime. Legal name changes and other exceptions do not count toward these limits. For example , changes in immigration status that require card updates may not count toward these limits. Also , you may not be affected by these limits if you can prove you need the card to prevent a significant hardship. In general , only noncitizens who have permission to work from the Department of Homeland Security DHS can apply for a Social Security number. If your child does not have permission to work but needs a Social Security number for other purposes , see " If your child does not have permission to work " for further information. Important You must present original documents or copies certified by the agency that issued them. We cannot accept photocopies or notarized copies. All documents must be current not expired. We cannot accept a receipt showing you applied for the document. 

What original documents do I need? 
Immigration Status To prove your child's U.S. immigration status , you must show us your child's current U.S. immigration document, such as : I-551 Lawful Permanent Resident Card, Machine Readable Immigrant Visa ; I-766 Employment Authorization Document, EAD, work permit ; or I-94 Arrival / Departure Record or admission stamp in the unexpired foreign passport. If your child is an F-1 or M-1 student , we must see your child's I-20 Certificate of Eligibility for Nonimmigrant Student Status. If your child is a J-1 or J-2 exchange visitor , you must see your child's DS-2019 Certificate of Eligibility for Exchange Visitor Status. Work Eligibility In general , only noncitizens who have permission to work from DHS can apply for a Social Security number. For children with work - authorization , we only need to see an I-94 Arrival / Departure Record or admission stamp in the

user: I need help regarding a replacement card for a non-citizen child.

assistant: Of course. You can replace your child 's Social Security card for free if it is lost or stolen. However, you are limited to three replacement cards in a year and 10 during a lifetime. Legal name changes and other exceptions do not count toward these limits.
Título: Sheila E.
Seção: 1984-89: The Glamorous Life and A Love Bizarre
Background: Born in Oakland, California, Sheila E. is the daughter of Juanita Gardere, a dairy factory worker, and percussionist Pete Escovedo, with whom she frequently performs. Her mother is Creole-French/African mix, and her father is of Mexican origin. Sheila E's uncle is Alejandro Escovedo, and Tito Puente was Escovedo's godfather. She also is niece to Javier Escovedo, founder of seminal San Diego punk act The Zeros.

Conteúdo: Prince met Sheila E. at a concert in 1978, when she was performing with her father. After the show he met her and told her that he and his bassist Andre Cymone "were just fighting about which one of us would be the first to be your husband." He also vowed that one day she would join his band. The two would eventually join forces during the Purple Rain recording sessions. She provided vocals on the B-side to "Let's Go Crazy", "Erotic City" in 1984. Though taken under Prince's wing, she proved to be a successful artist in her own right.  In June 1984, she released her debut album The Glamorous Life. The album's title-track single "The Glamorous Life" peaked at number 7 the Hot 100 and also topped the dance charts for two weeks in August 1984. The video for the song would bring three MTV Award nominations for Best Female Video, Best New Artist, and Best Choreography. She also received two Grammy Award nominations for Best New Artist and Best Pop Vocal Performance Female. Her second single "The Belle of St. Mark" charted at number 34 on Billboard Hot 100 and later became NME's "Single of the Week". She also toured as the opening act for Prince's Purple Rain Tour and the duo simultaneously began a brief romantic relationship, while Prince was still seeing Susannah Melvoin, twin sister of The Revolution band member, Wendy Melvoin. They would later become briefly engaged in the late '80s, during Prince's Lovesexy Tour.  In 1985, she released Romance 1600. The lead single "Sister Fat

user: What was Sheila E working on in 1984?

assistant: She provided vocals on the B-side to "Let's Go Crazy", "Erotic City" in 1984.

user: Who else sang "Let's Go Crazy"?

assistant: Though taken under Prince's wing, she proved to be a successful artist in her own right.
Título: Aaron Turner
Seção: Equipment
Background: Aaron Turner (born November 5, 1977) is an American musician, singer, graphic artist, and founder of label Hydra Head Records. He is most widely known for his role as guitarist and vocalist for the post-metal band Isis, while also participating in several other bands and projects such as Old Man Gloom, Lotus Eaters and Split Cranium, a collaboration with Jussi Lehtisalo of Finnish band Circle who toured with Isis in 2009. Though raised in New Mexico, Turner moved to the Boston area where he attended school and formed Isis and Hydra Head. In June 2003, Turner moved operations of both the band and label to Los Angeles, California.

Conteúdo: Touring with Isis in 2007, Turner used two different guitars: a 1976 Fender Telecaster Custom (black), and a 1975 Fender Telecaster Deluxe (brown), played through various effects (his pedalboard layout changed every gig depending on what songs the band decided to play that night), a VHT/Fryette Pitbull Ultra Lead, and two 4x12 Sunn cabinets. He has also acquired a custom guitar from the Electrical Guitar Company (as did fellow Isis guitarist Michael Gallagher).  In the past, Turner has also used a Gibson Les Paul Standard, PRS CE24, and has played through Sunn, Mesa Boogie, and Mackie amplifiers.  When playing with Isis, Turner and his fellow guitarists usually tuned their instruments (low to high) B-F#-B-E-G#-B, to achieve a heavier sound. They also used other tunings, though less frequently, such as F# (octave below)-F#-B-E-G#-B.  In 2016, Turner described the live rig he used with SUMAC as consisting of two custom-built guitars from the Electrical Guitar Company. Both have lucite bodies and aluminum necks, and custom-wound wide frequency range pickups. The newer of the two--a prototype for a signature model--has a slightly flatter fingerboard radius than the older instrument. On a tour of the Eastern US, Turner was using an Orange Dual Dark 100 amplifier head with a slaved Fryette Two/Ninety/Two power amp. Both heads drove Orange and Marshall cabinets, though Turner claimed to have no strong preferences for particular speaker cabinets. While recording, Turner prefers to us

user: What is an example of a guitar that Aaron Turner used?

assistant: used two different guitars: a 1976 Fender Telecaster Custom (black), and a 1975 Fender Telecaster Deluxe (brown),

user: What type of amplifiers did he use?

assistant: In the past, Turner has also used a Gibson Les Paul Standard, PRS CE24, and has played through Sunn, Mesa Boogie, and Mackie amplifiers.

user: Did he use any type of guitar effect pedals?

assistant: Turner described using a variety of effects pedals in his live rig.
Título: Beastie Boys
Seção: 1981-1983: Formation and early years
Background: Beastie Boys were an American rap rock group from New York City, formed in 1981. For the majority of their career, the group consisted of Michael "Mike D" Diamond (vocals, drums), Adam "MCA" Yauch (vocals, bass) and Adam "Ad-Rock" Horovitz (vocals, guitar). Originally formed as a four-piece hardcore punk band, the Young Aborigines, in 1978 by Diamond (vocals), John Berry (guitar), Yauch (bass) and Kate Schellenbach (drums), the band appeared on the compilation cassette New York Thrash, contributing two songs from their first EP, Polly Wog Stew, in 1982. Berry left shortly thereafter, and was replaced by Horovitz.

Conteúdo: Prior to forming the Beastie Boys, Michael Diamond was part of a number of bands such as the Walden Jazz Band, BAN, and The Young Aborigines. The Beastie Boys formed in July 1981 when the Young Aborigines bassist Jeremy Shatan left New York City for the summer and the remaining members Michael Diamond, John Berry and Kate Schellenbach formed a new hardcore punk band with Adam Yauch called Beastie Boys. The band supported Bad Brains, the Dead Kennedys, the Misfits and Reagan Youth at venues such as CBGB, A7, Trudy Hellers Place and Max's Kansas City, playing at the latter venue on its closing night. In November 1982, the Beastie Boys recorded the 7" EP Polly Wog Stew at 171A studios, an early recorded example of New York hardcore.  On November 13, 1982, the Beastie Boys played Philip Pucci's birthday for the purposes of his short concert film of the Beastie Boys, Beastie. Pucci held the concert in Bard College's Preston Drama Dance Department Theatre. This performance marked the Beastie Boys' first on screen appearance in a published motion picture. Pucci's concept for Beastie was to distribute a mixture of both a half dozen 16 mm Bell & Howell Filmo cameras, and 16 mm Bolex cameras to audience members and ask that they capture the Beastie Boys performance from the audience's own point of view while a master sync sound camera filmed from the balcony of the abandoned theater where the performance was held. The opening band for that performance was The Young and the Useless, whi

user: Who were the original members of the band?

assistant: bassist Jeremy Shatan left New York City for the summer and the remaining members Michael Diamond, John Berry and Kate Schellenbach formed a new hardcore punk band with Adam Yauch
Título: Woodes Rogers
Seção: Financial difficulties and the Bahamas proposal
Background: Woodes Rogers was the eldest son and heir of Woods Rogers, a successful merchant captain. Woodes Rogers spent part of his childhood in Poole, England, where he likely attended the local school; his father, who owned shares in many ships, was often away nine months of the year with the Newfoundland fishing fleet. Sometime between 1690 and 1696, Captain Rogers moved his family to Bristol. In November 1697, Woodes Rogers was apprenticed to Bristol mariner John Yeamans, to learn the profession of a sailor.

Conteúdo: Rogers encountered financial problems on his return. Sir William Whetstone had died, and Rogers, having failed to recoup his business losses through privateering, was forced to sell his Bristol home to support his family. He was successfully sued by a group of over 200 of his crew, who stated that they had not received their fair share of the expedition profits. The profits from his book were not enough to overcome these setbacks, and he was forced into bankruptcy. His wife gave birth to their fourth child a year after his return--a boy who died in infancy--and Woodes and Sarah Rogers soon permanently separated.  Rogers decided the way out of his financial difficulty was to lead another expedition, this time against pirates. In 1713, Rogers led what was ostensibly an expedition to purchase slaves in Madagascar and take them to the Dutch East Indies, this time with the permission of the British East India Company. However, Rogers' secondary purpose was to gather details on the pirates of Madagascar, hoping to destroy or reform them, and colonise Madagascar on a future trip. Rogers collected information regarding pirates and their vessels near the island. Finding that a large number of the pirates had gone native, he persuaded many of them to sign a petition to Queen Anne asking her for clemency. While Rogers' expedition was profitable, when it returned to London in 1715, the British East India Company vetoed the idea of a colonial expedition to Madagascar, believing a colony w

user: When did financial difficulties begin?

assistant: Sir William Whetstone had died, and Rogers, having failed to recoup his business losses through privateering, was forced to sell his Bristol home to support his family.

user: what is the bahamas proposal?

assistant: At the time, according to the Governor of Bermuda, the Bahamas were "without any face or form of Government" and the colony was a "sink or nest of infamous rascals".

user: When was this proposal made?

assistant: On 5 January 1718,

user: was the proposal accepted?

assistant: He did not

user: did he ever resolve his financial difficulties?

assistant: CANNOTANSWER

user: did he take any other actions to fix his financial situation?

assistant: The profits from his book were not enough to overcome these setbacks, and he was forced into bankruptcy.

user: did he ever recover from bankruptcy?

assistant: not enough to overcome these setbacks,
Título: Sarah Silverman
Seção: 2007-2010: The Sarah Silverman Program
Background: Silverman was born in Bedford, New Hampshire, to Beth Ann (nee Halpin; 1941-2015) and Donald Silverman. She was raised in Manchester, New Hampshire. Beth had been George McGovern's personal campaign photographer and would found the theater company New Thalian Players, while Donald has training as a social worker and also ran the clothing store Crazy Sophie's Outlet. Silverman's parents divorced and later remarried others.

Conteúdo: Her television sitcom The Sarah Silverman Program debuted on Comedy Central in February 2007, the series had 1.81 million viewers and portrays the day-to-day adventures of fictionalized versions of Silverman, her sister Laura, and their friends. A number of comedic actors from Mr. Show have appeared on The Sarah Silverman Program. Silverman was nominated for a Primetime Emmy Award for her acting on the show. At the awards ceremony, she wore a fake mustache. Comedy Central canceled The Sarah Silverman Program after three seasons.  In June 2007, she hosted the MTV Movie Awards. During her opening act, she commented on the upcoming jail sentence of Paris Hilton, who was in the audience, saying: "In a couple of days, Paris Hilton is going to jail. As a matter of fact, I heard that to make her feel more comfortable in prison, the guards are going to paint the bars to look like penises. I think it is wrong, too. I just worry she is going to break her teeth on those things." In September 2007, she appeared at the MTV Video Music Awards. Following the comeback performance of Britney Spears, Silverman mocked her on stage, saying: "Wow, she is amazing. I mean, she is 25 years old, and she has already accomplished everything she's going to accomplish in her life."  In January 2008, she appeared on Jimmy Kimmel Live! to show Jimmy Kimmel, her boyfriend at the time, a special video. The video turned out to be a song called "I'm Fucking Matt Damon" in which she and Matt Damon sang a duet a

user: What happened in 2007?

assistant: In June 2007, she hosted the MTV Movie Awards.

user: What did she do after that?

assistant: In September 2007, she appeared at the MTV Video Music Awards.

user: When did she start the sarah silverman program?

assistant: February 2007,
Título: Matt Hardy
Seção: Version 1 (2002-2004)
Background: Hardy was born in Cameron, North Carolina, the son of Gilbert and Ruby Moore Hardy. He is the older brother of Jeff Hardy. Their mother died of brain cancer in 1986. Hardy played baseball as a child and throughout high school, but had stopped by his senior year.

Conteúdo: At the beginning of 2002, it seemed Team Xtreme had patched things up. After the brand extension, however, Hardy was relegated to Heat while Jeff wrestled on the main show, Raw. On the August 12 episode of Raw, Hardy turned against Jeff during Jeff's match against Rob Van Dam, because Hardy was frustrated at not receiving a match against Van Dam for the number one contendership for the Intercontinental Championship. A short time later, Hardy joined the SmackDown! roster, and began dubbing himself "Matt Hardy: Version 1", complete with a "version 1" hand signal. Hardy defeated The Undertaker on the September 12 and October 3 episodes of the show, due to interference from Brock Lesnar.  Along with his MF'er (Mattitude Follower) Shannon Moore in his corner, 2003 began with Hardy frantically trying to lose weight to get under the 215 lb (98 kg) weight limit to compete for the Cruiserweight Championship. After just barely making weight, Hardy defeated Billy Kidman at No Way Out to win the Cruiserweight title. At WrestleMania XIX, he successfully defended it against Rey Mysterio. Hardy lost the Cruiserweight Championship to Mysterio in the main event of the June 5 edition of SmackDown - the first and only time a Cruiserweight Championship match main evented a show.  After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero, but was unsuccessful in capturing Guerrero's United States Championship or Tag Team Championship. The Mattitude faction then expan

user: What does version 1 mean in this context?

assistant: CANNOTANSWER

user: Did he enter another sports?

assistant: Hardy then spent almost a year off from wrestling due to a severe knee injury.

user: Did he recover from the injury?

assistant: CANNOTANSWER

user: Are there any other interesting aspects about this article?

assistant: After dropping the Cruiserweight Championship, Hardy briefly feuded with Eddie Guerrero,

user: Did the feud go to court?

assistant: but was unsuccessful in capturing Guerrero's United States Championship or Tag Team Championship.
Título: Jonas Salk
Seção: Polio research
Background: Jonas Edward Salk (; October 28, 1914 - June 23, 1995) was an American medical researcher and virologist. He discovered and developed one of the first successful polio vaccines. Born in New York City, he attended New York University School of Medicine, later choosing to do medical research instead of becoming a practicing physician. In 1939, after earning his medical degree, Salk began an internship as a physician scientist at Mount Sinai Hospital.

Conteúdo: In 1947, Salk became ambitious for his own lab and was granted one at the University of Pittsburgh, but the lab was smaller than he had hoped and he found the rules imposed by the university restrictive. In 1948, Harry Weaver, the director of research at the National Foundation for Infantile Paralysis, contacted Salk. He asked Salk to find out if there were more types of polio than the three then known, offering additional space, equipment and researchers. For the first year he gathered supplies and researchers including Julius Youngner, Byron Bennett, L. James Lewis, and secretary Lorraine Friedman joined Salk's team, as well. As time went on, Salk began securing grants from the Mellon family and was able to build a working virology laboratory. He later joined the National Foundation for Infantile Paralysis's polio project established by President Franklin D. Roosevelt.  Extensive publicity and fear of polio led to much increased funding, $67 million by 1955, but research continued on dangerous live vaccines. Salk decided to use the safer 'killed' virus, instead of weakened forms of strains of polio viruses like the ones used contemporarily by Albert Sabin, who was developing an oral vaccine. After successful tests on laboratory animals, on July 2, 1952, assisted by the staff at the D.T. Watson Home for Crippled Children, Salk injected 43 children with his killed-virus vaccine. A few weeks later, Salk injected children at the Polk State School for the retarded and feeble-min

user: what did he have to do with polio

assistant: $67 million
Título: The Devil Wears Prada (band)
Seção: With Roots Above and Branches Below (2008-2010)
Background: The Devil Wears Prada is an American Christian metalcore band from Dayton, Ohio, formed in 2005. It consists of members Mike Hranica (vocals, additional guitar), Jeremy DePoyster (rhythm guitar, vocals), Kyle Sipress (lead guitar, backing vocals), and Andy Trick (bass). The band had maintained its original lineup until keyboardist James Baney left the band. To date, the group has released six full-length albums: Dear Love:

Conteúdo: The Devil Wears Prada began writing and recording their third album With Roots Above and Branches Below after attending 2008's Warped Tour. Prior to recording and production of it, vocalist Mike Hranica stated "Expect a much heavier and more epic record". Keyboardist, James Baney, also announced that their new album would be more mechanical but still containing their same distinct style whereas drummer, Daniel Williams, claimed that the new album would be "crazier and wilder" than their previous albums. In Autumn 2008, they debuted a song off of the upcoming record while on tour with Underoath, The Famine, Saosin, P.O.S, and Person L. The Devil Wears Prada performed with A Day to Remember, Sky Eats Airplane and Emarosa. They have also performed at 2009's Warped Tour to promote the release of With Roots Above and Branches Below. On March 13, the group released a song from the album prior to its release entitled "Dez Moines". Also before the release, the purchaser was given the option to receive several pre-ordered packages. One deal that features the album, a DVD and a shirt also includes a card with a code that let the purchaser download "Dez Moines", and "Assistant to the Regional Manager". The band launched their official website and released With Roots Above and Branches Below both on May 5, 2009. The sales of the album have been very satisfactory which brought it to position No. 11 on the Billboard 200 for top albums upon its release. The song "Dez Moines" was released as

user: Was 2008 a success for The Devil Wear Prada?

assistant: In Autumn 2008, they debuted a song off of the upcoming record while on tour

user: Was the tour a success?

assistant: CANNOTANSWER

user: What happened to The Devil Wears Prada in 2010?

assistant: it was announced that The Devil Wears Prada were voted as 2009's Band of the Year

user: Did they win any other awards?

assistant: CANNOTANSWER
Título: Silverchair
Seção: Extended break and side projects (2003-2005)
Background: Silverchair were an Australian rock band, which formed in 1992 as Innocent Criminals in Merewether, Newcastle with the line-up of Ben Gillies on drums, Daniel Johns on vocals and guitars, and Chris Joannou on bass guitar. The group got their big break in mid-1994 when they won a national demo competition conducted by SBS TV show Nomad and ABC radio station, Triple J. The band were signed by Murmur, and were successful on the Australian and international rock stages. During their career, Silverchair won more ARIA Music Awards than any other artist in history with 21 wins from 49 nominations.

Conteúdo: In 2000, while also working with Silverchair, Johns and Mac released an internet-only EP, I Can't Believe It's Not Rock. In mid-2003, during Silverchair's hiatus, the pair re-united and formed The Dissociatives, releasing a self-titled album in April 2004. The duo provided the theme music for the popular ABC-TV music quiz show Spicks and Specks - as a reworking of the Bee Gees' 1966 hit of the same name. Johns also collaborated with then-wife Natalie Imbruglia on her Counting Down the Days album, released in April 2005.  Joannou worked with blues-rock group The Mess Hall; he co-produced - with Matt Lovell - their six-track extended play, Feeling Sideways, which was released in May 2003. The album was nominated for the ARIA Award for 'Best Independent Release' in 2003. Joannou and Lovell co-produced The Mess Hall's studio album, Notes from a Ceiling which was issued in June 2005. Joannou and Lovell received a nomination at the ARIA Music Awards of 2005 for 'Producer of the Year'. In 2003, Gillies formed Tambalane with Wes Carr, initially as a song-writing project, they released a self-titled album in 2005 and toured Australia.  The 2004 Boxing Day tsunami resulted in the WaveAid fund-raising concert held in January 2005: Silverchair performed to help raise funds for aid organisations working in disaster affected areas. As a result of WaveAid the band decided to resume working together. Gillies explained the band's reunion as due to a special "chemistry" between band members, t

user: what was extended break

assistant: during Silverchair's hiatus, the pair re-united and formed The Dissociatives,

user: What year was that

assistant: 2003,

user: What happen in 2004

assistant: Silverchair performed to help raise funds for aid organisations working in disaster affected areas.

user: What was one of their side projects

assistant: Johns and Mac released an internet-only EP, I Can't Believe It's Not Rock.

user: What year was that

assistant: In mid-2003, during Silverchair's hiatus, the pair re-united and formed The Dissociatives,

user: Are there any other interesting aspects about this article?

assistant: The duo provided the theme music for the popular ABC-TV music quiz show Spicks and Specks

user: What else was they known for

assistant: Joannou and Lovell received a nomination at the ARIA Music Awards of 2005 for 'Producer of the Year'.
Título: Bob Crewe
Seção: The 1950s
Background: Robert Stanley Crewe (November 12, 1930 - September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", "Walk Like a Man", "Rag Doll", "Silence Is Golden", "The Sun Ain't Gonna Shine (Anymore)",

Conteúdo: In 1953, Crewe met and partnered professionally with Frank Slay Jr., a young pianist from Texas. Their collaboration created several hit songs (as well as a small record label, XYZ), for which Crewe performed as the demo singer. Crewe and Slay's 1957 recording session with the Rays for XYZ (picked up nationally by Cameo Records) produced two major hit songs. "Silhouettes", produced by Crewe, became a doo-wop anthem of the era. Climbing to #3 on the Billboard Hot 100 in 1957, "Silhouettes" displayed the flair for story-driven lyrics, innovative musical hooks, and final lyrical twists that were to become known as Crewe trademarks. In 1965, with a slightly faster tempo, "Silhouettes" again became a hit, this time for the British group Herman's Hermits, reaching #5 on the Billboard Hot 100. Bob Dylan recorded "Silhouettes" during his legendary Basement Tapes sessions of the late 1960s, although his version was not released until 2014.  "Daddy Cool" was the B-side of the Rays' "Silhouettes" single. Written and produced by Crewe and Slay at the same 1957 session, it achieved considerable note. Both "Daddy Cool" and "Silhouettes" were covered the same year by the Canadian group the Diamonds, whose version of "Daddy Cool" reached #10 on the Billboard charts. In 1961, Guy "Daddy Cool" Darrell released another single version on the Warwick label, and in 1977, the UK band Darts made the song their first-ever studio recording, scoring a #6 hit.  Crewe and Slay built on their success by s

user: What was his career like in the 1950s?

assistant: In 1953, Crewe met and partnered professionally with Frank Slay Jr., a young pianist from Texas. Their

user: was their anything significant about Bob Crewe in 1950s?

assistant: Their collaboration created several hit songs (as well as a small record label, XYZ), for which Crewe performed as the demo singer.

user: what were some of the hit songs in 1950s?

assistant: Daddy Cool" was the B-side of the Rays' "Silhouettes" single.
Título: Aimee Semple McPherson
Seção: Faith healing ministry
Background: Aimee Semple McPherson (Aimee, in the original French; October 9, 1890 - September 27, 1944), also known as Sister Aimee or simply Sister, was a Canadian-American Pentecostal evangelist and media celebrity in the 1920s and 1930s, famous for founding the Foursquare Church. McPherson has been noted as a pioneer in the use of modern media, because she used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple, one of the first megachurches. In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith healing demonstrations before large crowds; testimonies conveyed tens of thousands of people healed.

Conteúdo: McPherson's ability to draw crowds was also greatly assisted by her apparently successful faith healing presentations. According to Nancy Barr Mavity, an early McPherson biographer, almost by accident, the evangelist discovered when she laid hands on sick or injured persons, they got well. Mavity further wrote, describing the healing power "beyond her conscience [sic] control" and "profoundly troubling" however a phenomenon familiar to the psychiatrist although "none the less [sic] mysterious."  During a 1916 revival meeting in Corona, Long Island, New York, a young woman in the advanced stages of rheumatoid arthritis was brought to the altar by friends. McPherson would have preferred to pray with her privately. However, the woman insisted upon immediate prayer. McPherson laid hands on her and prayed. Before the gathered parishioners, the woman walked out of the church without crutches. McPherson's reputation as a faith healer rapidly became known and the sick and injured people came to her by the tens of thousands.  The Faith Healing Ministry of Aimee Semple McPherson was extensively written about in the news media and was a large part of her early career legacy. No one has ever been credited by secular witnesses with anywhere near the numbers of faith healings attributed to McPherson, especially during the years 1919 to 1922. Over time, though, she almost withdrew from the faith-healing aspect of her services, since it was overwhelming other areas of her ministry. Scheduled

user: What is faith healing ministry?

assistant: the evangelist discovered when she laid hands on sick or injured persons, they got well.

user: how did this part of her career start?

assistant: According to Nancy Barr Mavity, an early McPherson biographer, almost by accident, the evangelist discovered when she laid hands on sick or injured persons,
Título: Rocket from the Crypt
Seção: Formation
Background: This page is about the San Diego punk rock band Rocket from the Crypt. For the Cleveland protopunk band, see Rocket from the Tombs. Rocket from the Crypt is an American rock band from San Diego, California, originally active from 1989 to 2005, then active during 2011 and again from 2013 to the present. The band gained critical praise and the attention of major record labels after the release of their 1992 album Circa: Now!, leading to a recording contract with Interscope Records.

Conteúdo: After the breakup of his post-hardcore band Pitchfork in 1990, singer/guitarist John Reis formed both Rocket from the Crypt and Drive Like Jehu. Envisioned as a punk-inspired rock and roll band, Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina. The band took their name from the then defunct 1970s underground punk band Rocket from the Tombs. This lineup lasted roughly six months and recorded the band's debut album Paint as a Fragrance, released in 1991 on local label Cargo Music. At this time Reis began to use the pseudonym "Speedo" when working with the band. He was also simultaneously performing in Drive Like Jehu, who recorded their debut album around the same time. When Sean and Elaina moved away from San Diego, drummer Adam Willard joined the band under the stage name "Atom." The rest of the band also assumed stage monikers, with Stamets performing as "ND" and Reichert as "Petey X."  The band soon added a horn section, recruiting saxophone player Paul "Apollo 9" O'Beirne. They developed a reputation for their creative and energetic live shows, taking unusual measures to encourage audience participation such as handing out homemade lyric booklets and noisemakers. They released many vinyl singles around this time and began to attract a dedicated underground following. Reis recalls:  "It was really immediate; that's why we loved putting out singles early on. We recorded some so

user: What was the formation?

assistant: singer/guitarist John Reis formed both Rocket from the Crypt and Drive Like Jehu.
Título: Devika Rani
Seção: Elopement
Background: Devika Rani Chaudhuri, usually known as Devika Rani (30 March 1908 - 9 March 1994), was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years. Born into a wealthy, anglicized Indian family, Devika Rani was sent to boarding school in England at age nine and grew up in that country. In 1928, she met Himanshu Rai, an Indian film-producer, and married him the following year.

Conteúdo: Najm-ul-Hassan was also Devika's co-star in the studio's next venture, Jeevan Naiya. The two co-stars developed a romantic relationship, and during the shooting schedule of Jeevan Naiya, Devika eloped with Hassan. Himanshu was both enraged and distraught. Since the leading pair were absent, production was stalled. A significant portion of the movie had been shot and a large sum of money, which had been taken as credit from financers, had been spent. The studio therefore suffered severe financial losses and a loss of credit among bankers in the city while the runaway couple made merry.  Sashadhar Mukherjee, an assistant sound-engineer at the studio, had a brotherly bond with Devika Rani because both of them were Bengalis and spoke that language with each other. He established contact with the runaway couple and managed to convince Devika Rani to return to her husband. In the India of that era, divorce was legally almost impossible and women who eloped were regarded as no better than prostitutes and were shunned by their own families. In her heart of hearts, Devika Rani knew that she could not secure a divorce or marry Hassan under any circumstances. She negotiated with her husband through the auspices of Sashadhar Mukherjee, seeking the separation of her finances from those of her husband as a condition for her return. Henceforth, she would be paid separately for working in his films, but he would be required to single-handedly pay the household expenses for the home in which 

user: Who did Rani elope with?

assistant: Najm-ul-Hassan

user: Why did they elope?

assistant: The two co-stars developed a romantic relationship,

user: Was there a problem with them eloping?

assistant: Devika Rani returned to her marital home.
Log On to DIAL - IN [1 ] 

What is a DIAL-IN search account and who can get one? 
If you regularly need to search DMV records for driver license, registration, vehicle title or insurance information , then DIAL - IN is the service you need. Our typical clients include attorneys, insurance and private investigators, process servers and building / site security personnel. See Drivers Privacy Protection Act DPPA [2] for more information about permissible uses of DMV records. 

How do I apply for an account? 
You should complete form Motor Vehicle Record Search Account Application PDF [3] MV-15D. The instructions are on the form. Send the form to : Data Services - New Search AccountNYS Department of Motor Vehicles6 Empire State PlazaAlbany, NY 12228 

How will I know my application has been accepted? 
We will review your application. If you application is not complete , we will return your application with an explanation that will give you more instructions. If your application is complete , we will create an account for you. We will send you your account number and password. Your seven - digit account number will never change. You will enter this account number when you log in to the DIAL - IN system. 

Are there fees for using a DIAL-IN search account? 
According to the NYS Vehicle and Traffic Law , we must charge a fee to search DMV records. Private persons, commercial organizations, and not - for - profit organizations must pay a search fee. There is a fee of $7.00 for each search that you make with the DIAL - IN service. There are some organizations that are exempt from search fees. Any public organization, its officers, a volunteer fire company, a volunteer ambulance service, or a legal aid bureau or society or other private entity acting pursuant to section 722 of the New York State County Law, that makes a search for a public purpose, is exempt from the search fee. 

How do I pay DIAL-IN Search Account fees? 
Paying customers must include a deposit with the appl

user: I need to know if DMV could contact me regarding my dial-in searches I do with my dial-in search account.

assistant: Yes, DMV can ask you about your dial-in searches. We do this to monitor compliance with the DIAL-IN Terms of Service.

user: What about if I didn't perform the search I'm asked about?

assistant: If you or any of the known users performed the search, you should contact us immediately. You have to respond to our inquiry about the dial-in search or your search privileges will be suspended until you respond.

user: What kind of documents or business records can I use to document my searches

assistant: Some examples are invoices, retainer agreements, consent forms, and surveillance reports, among other types of records. You should maintain these records to comply with our terms of service.

user: How much should I pay for the dial-in search account fees?

assistant: The first deposit have to be enough to pay for two months of searches.

user: What is the contact address for problems related to my dial-in search account?

assistant: you can mail the DMV to NYSDMV DIAL - IN AccountsRoom 2316 Empire State PlazaAlbany , NY 12228 473 - 2137