dgand84/projgand huggingface dataset:
Título: Cross Road Blues
Seção: Recording
Background: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.

Conteúdo: Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them.  A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes:  At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimp

user: When did he do his first recording?

assistant: Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936.
Título: Sade (singer)
Seção: 1980-84: Beginnings and Diamond Life
Background: Helen Folasade Adu was born on 16 January 1959 in Ibadan, Oyo State, Nigeria. Her middle name, Folasade, means "honour confers a crown". Her parents, Adebisi Adu, a Nigerian lecturer in economics of Yoruba background, and Anne Hayes, an English district nurse, met in London, married in 1955 and moved to Nigeria. Her parents separated, however, and Anne Hayes returned to England, taking four-year-old Sade and older brother Banji with her to live with their grandparents near Colchester, Essex.

Conteúdo: After completing a three-year course work in fashion design, and later modeling briefly, Sade began backup singing with British band Pride. During this time, she formed a songwriting partnership with Pride's guitarist/saxophonist Stuart Matthewman; together, backed by Pride's rhythm section, they began doing their own sets at Pride gigs. Her solo performances of the song "Smooth Operator" attracted the attention of record companies, and in 1983 Sade and Matthewman split from Pride, along with keyboardist Andrew Hale, bassist Paul Denman and drummer Paul Cook, to form the band Sade. By the time she performed her first show at London's Heaven nightclub, she had become so popular that 1,000 people were turned away at the door. In May 1983, Sade performed their first US show at the Danceteria nightclub in New York City. On 18 October 1983, Sade Adu signed with Epic Records, while the rest of the band signed in 1984.  Following the record deal, the group began recording their debut album, Diamond Life, which took six weeks to record and was recorded entirely at The Power Plant in London. Diamond Life was released on 16 July 1984, reached number two in the UK Album Chart, sold over 1.2 million copies in the UK, and won the Brit Award for Best British Album in 1985. The album was also a hit internationally, reaching number one in several countries and the top ten in the US, where it has sold in excess of four million copies. Diamond Life had international sales of over six million c

user: Who had the diamonds

assistant: Following the record deal, the group began recording their debut album, Diamond Life, which took six weeks to record and was recorded entirely at The Power Plant in London.
Título: Lunalilo
Seção: Election
Background: William Charles Lunalilo was born on January 31, 1835 in a two-story house made of coral brick, an area known as Pohukaina, now part the grounds of the `Iolani Palace in Honolulu. His mother was High Chiefess Miriam Auhea Kekauluohi (later styled as Ka`ahumanu III) and his father was High Chief Charles Kana`ina. He was grandnephew of Kamehameha I by blood and the monarch's stepson by marriage to his mother. His grandmother was Kalakua Kaheiheimalie, sister of Kamehameha's favorite wife, Queen Ka`ahumanu.

Conteúdo: King Kamehameha V, the last of the Kamehameha kings, died on December 11, 1872 without naming a successor. Under the Kingdom's 1864 constitution, if the king did not appoint a successor, a new king would be elected by the legislature from the eligible Hawaiian royals still alive. The other candidate was David Kalakaua. Lunalilo was the more popular of the two. His grandfather was Kalaimamahu, a half brother of Kamehameha I and was thus a cousin of King Kamehameha V. His grandmother was Queen Kalakua Kaheiheimalie, sister of Queen Ka`ahumanu. Because of this, many people believed the throne rightly belonged to Lunalilo since the only person more closely related to Kamehameha V, Bernice Pauahi Bishop, made clear she did not want the throne. Another contender was Princess Ruth Ke`elikolani who was a half sister to King Kamehameha V. She was a favorite among the Hawaiian chiefs because of her adhering to the old Hawaiian ways. She was governess of Hawaii and refused to speak English even though she was fluent in it. Her genealogy, however, was too controversial and few people considered her suitable to take the throne. This left Kalakaua and Lunalilo, and of the two, Lunalilo was greatly favored. So great was Lunalilo's popularity that some people believed that Lunalilo could have simply walked into the capital and declared himself king. Lunalilo, however, insisted that the constitution be followed. He issued the following message six days after the death of Kamehameha V:  "Where

user: What happened early in the election?

assistant: King Kamehameha V, the last of the Kamehameha kings, died on December 11, 1872 without naming a successor.

user: How was Lunalilo selected as king?

assistant: if the king did not appoint a successor, a new king would be elected by the legislature from the eligible Hawaiian royals still alive.

user: Was Lunalilo selected by the legislature?

assistant: Lunalilo was the more popular of the two.
Título: Bill Monroe
Seção: Folk revival
Background: Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.

Conteúdo: Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified.  The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit.  Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.  The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith a

user: What was the folk revival?

assistant: CANNOTANSWER
Título: Hunter S. Thompson
Seção: Late 1960s
Background: Thompson was born into a middle-class family in Louisville, Kentucky, the first of three sons of Virginia Ray Davison (1908, Springfield, Kentucky - March 20, 1998, Louisville), who worked as head librarian at the Louisville Free Public Library and Jack Robert Thompson (September 4, 1893, Horse Cave, Kentucky - July 3, 1952, Louisville), a public insurance adjuster and World War I veteran. His parents were introduced to each other by a friend from Jack's fraternity at the University of Kentucky in September 1934, and married on November 2, 1935. Thompson's first name came from a purported ancestor on his mother's side, the Scottish surgeon John Hunter.

Conteúdo: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles.  By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound."  In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the A

user: when did his career take off?

assistant: Thompson was able to publish articles in a number of well-known magazines during the late 1960s,

user: did he have any children?

assistant: Thompson and his family

user: did he retire from his career?

assistant: Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled.
Título: Jonah
Seção: In Judaism
Background: Jonah or Jonas is the name given in the Hebrew Bible (Tanakh/Old Testament) to a prophet of the northern kingdom of Israel in about the 8th century BCE. He is the eponymous central figure of the Book of Jonah, in which he is called upon by God to travel to Nineveh and warn its residents to repent of their sins or face divine wrath. Instead, Jonah boards a ship to Tarshish. Caught in a storm, he orders the ship's crew to cast him overboard, whereupon he is swallowed by a giant fish.

Conteúdo: The Book of Jonah (Yonah yvnh) is one of the twelve minor prophets included in the Tanakh. According to one tradition, Jonah was the boy brought back to life by Elijah the prophet in 1 Kings 17. Another tradition holds that he was the son of the woman of Shunem brought back to life by Elisha in 2 Kings 4 and that he is called the "son of Amittai" (Truth) due to his mother's recognition of Elisha's identity as a prophet in 2 Kings 17:24. The Book of Jonah is read every year, in its original Hebrew and in its entirety, on Yom Kippur - the Day of Atonement, as the Haftarah at the afternoon mincha prayer. According to Rabbi Eliezer, the fish that swallowed Jonah was created in the primordial era and the inside of its mouth was like a synagogue; the fish's eyes were like windows and a pearl inside its mouth provided further illumination.  According to the Midrash, while Jonah was inside the fish, it told him that its life was nearly over because soon the Leviathan would eat them both. Jonah promised the fish that he would save them. Following Jonah's directions, the fish swam up alongside the Leviathan and Jonah threatened to leash the Leviathan by its tongue and let the other fish eat it. The Leviathan heard Jonah's threats, saw that he was circumcized, and realized that he was protected by the Lord, so it fled in terror, leaving Jonah and the fish alive.  Teshuva - the ability to repent and be forgiven by God - is a prominent idea in Jewish thought. This concept is developed in 

user: What is the significance of Jonah in judaism?

assistant: The Book of Jonah is read every year, in its original Hebrew and in its entirety, on Yom Kippur - the Day of Atonement,
Título: Edwin Booth
Seção: Career
Background: Booth was born in Bel Air, Maryland, into the English American theatrical Booth family. He was the illegitimate son of the famous actor, Junius Brutus Booth, an Englishman, who named Edwin after Edwin Forrest and Thomas Flynn, two of Junius' colleagues. He was the elder brother of John Wilkes Booth, himself a successful actor who gained notoriety as the assassin of President Lincoln. Nora Titone, in her book My Thoughts

Conteúdo: In early appearances, Booth usually performed alongside his father, making his stage debut as Tressel or Tressil in Colley Cibber's version of Richard III in Boston in 1849. His first appearance in New York City was in the character of Wilford in The Iron Chest, which he played at the National Theatre in Chatham Street, on the 27th of September 1850. A year later, on the illness of the father, the son took his place in the character of Richard III.  After his father's death in 1852, Booth went on a worldwide tour, visiting Australia and Hawaii, and finally gaining acclaim of his own during an engagement in Sacramento, California, in 1856.  Before his brother assassinated Lincoln, Edwin had appeared with his two brothers, John Wilkes and Junius Brutus Booth Jr., in Julius Caesar in 1864. John Wilkes played Marc Antony, Edwin played Brutus, and Junius played Cassius. It was a benefit performance, and the only time that the three brothers appeared together on the same stage. The funds were used to erect a statue of William Shakespeare that still stands in Central Park just south of the Promenade. Immediately afterwards, Edwin Booth began a production of Hamlet on the same stage, which came to be known as the "hundred nights Hamlet", setting a record that lasted until John Barrymore broke the record in 1922, playing the title character for 101 performances.  From 1863 to 1867, Booth managed the Winter Garden Theatre in New York City, mostly staging Shakespearean tragedies. In 186

user: What is his fathers name

assistant: Booth
Título: Rosa Luxemburg
Seção: Poland
Background: Rosa Luxemburg  (also Rozalia Luxenburg; Polish: Roza Luksemburg; 5 March 1871 - 15 January 1919) was a Polish Marxist theorist, philosopher, economist, anti-war activist, and revolutionary socialist who became a naturalized German citizen at the age of 28. She was, successively, a member of the Social Democracy of the Kingdom of Poland and Lithuania (SDKPiL), the Social Democratic Party of Germany (SPD), the Independent Social Democratic Party (USPD), and the Communist Party of Germany (KPD). In 1915, after the SPD supported German involvement in World War I, she and Karl Liebknecht co-founded the anti-war Spartacus League (Spartakusbund), which eventually became the KPD. During the November Revolution she co-founded the newspaper Die Rote Fahne ("The Red Flag"), the central organ of the Spartacist movement.

Conteúdo: Luxemburg was born on 5 March 1871, in Zamosc. She and her family were Polish Jews living in Russian-controlled Poland. She was the fifth and youngest child of timber trader Eliasz Luxemburg and Line Lowenstein. Luxemburg later stated that her father imparted an interest in liberal ideas in her, while her mother was religious and well read with books kept at home. The family spoke German and Polish, and Luxemburg also learned Russian. The family moved to Warsaw in 1873. After being bedridden with a hip ailment at the age of five, she was left with a permanent limp.  Starting in 1880, Luxemburg attended a gymnasium. From 1886, she belonged to the Polish left-wing Proletariat Party (founded in 1882, anticipating the Russian parties by 20 years). She began political activities by organizing a general strike; as a result, four of the Proletariat Party leaders were put to death and the party was disbanded, though the remaining members, including Luxemburg, kept meeting in secret. In 1887, she passed her Matura (secondary school graduation) examinations. After fleeing to Switzerland to escape detention in 1889, she attended the University of Zurich (as did the socialists Anatoly Lunacharsky and Leo Jogiches), where she studied philosophy, history, politics, economics, and mathematics. She specialized in Staatswissenschaft (government science), the Middle Ages, and economic and stock exchange crises.  Her doctoral dissertation, "The Industrial Development of Poland" (Die Industriell

user: When did she go to Poland?

assistant: Luxemburg was born on 5 March 1871, in Zamosc. She and her family were Polish Jews living in Russian-controlled Poland.

user: Where did she go to school?

assistant: After fleeing to Switzerland to escape detention in 1889, she attended the University of Zurich

user: What was detention?

assistant: leaders were put to death and the party was disbanded,

user: What did she study in school?

assistant: she studied philosophy, history, politics, economics, and mathematics.

user: What else did she accomplish there?

assistant: Her doctoral dissertation, "The Industrial Development of Poland" (Die Industrielle Entwicklung Polens), was officially presented in the spring of 1897
Título: Najibullah Zazi
Seção: Capture
Background: Zazi was born in a village in Paktia Province, Afghanistan. He has two sisters and two brothers. At the age of 7 in 1992, he and his family moved to the city of Peshawar in Pakistan where they settled as Afghan refugees. In 1999, he and the family left Pakistan and immigrated to New York City.

Conteúdo: On September 10, as he crossed the George Washington Bridge headed for New York City, Zazi was pulled over by Port Authority Police, acting at the FBI's request, for what he was told was a routine random drug search, and his car was searched. They did not find anything of note, and he was allowed to go. Afzali's lawyer later wrote the court: "Even though [Zazi] is not the brightest bulb in the terrorist chandelier, the thinly-transparent ruse of a 'random' checkpoint stop did not fool him."  On September 11, Afzali called Zazi's father. Zazi's father then spoke with Zazi, told him that "they" had shown Afzali his photos and photos of others, said Afzali would call him and he should speak with him as soon as possible, and added "So, before anything else, speak with [Afzali]. See if you need to go to [Afzali] or to make ... yourself aware, hire an attorney." Afzali called Zazi, and told him that the authorities had asked him about "you guys." He also asked Zazi for the telephone number of one of the other men whose photos he had been shown, and set up a meeting with him.  Later that day, Zazi's rental car was towed due to a parking violation, and was searched. Agents found a laptop with a JPEG image of nine handwritten pages on how to make initiating explosives, main explosive charges, detonators, and fuses. The FBI asserted the nine pages of handwritten notes were in Zazi's handwriting.  Zazi called Afzali, said his car had been stolen and he feared he was being "watched", and

user: When was he captured?

assistant: CANNOTANSWER

user: what was he captured for?

assistant: Agents found a laptop with a JPEG image of nine handwritten pages on how to make initiating explosives, main explosive charges, detonators, and fuses.

user: How did he get caught?

assistant: Zazi's rental car was towed due to a parking violation, and was searched.

user: Was anyone with him?

assistant: On September 11, Afzali called Zazi's father.
Título: José Sarria
Seção: Military service
Background: Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.

Conteúdo: Following the attack on Pearl Harbor, Sarria became determined to join the military, despite being, at just under five feet tall, too short to meet the Army's height requirement. He seduced a major who was attached to the San Francisco recruiting station on the condition that the major approve Sarria's enlistment. Jose Sarria was approved and entered the Army Reserve, continuing his studies as he waited to be called up to active duty. Shortly before he was scheduled for induction in the regular Army, his beloved second father, Charles Millen, died of a heart attack. Sarria's induction was delayed a month, then he was sworn in and ordered to Sacramento, California, for basic training with the Signal Corps.  Because of his fluency in several languages, Sarria was assigned to Intelligence School. However, following a routine background check for security clearance, he was advised that he would no longer be in the program. Sarria assumed that it was because investigators discovered his homosexuality. "I mean I had no lisp, but I wasn't the most masculine guy in town ... So I think that they figured that I was a little bit gay." Sarria officially remained attached to the Signal Corps but was ordered to Cooks and Bakers School and trained as a cook. After graduating from cooking school, he was assigned to train as a scout, but deliberately failed the training because of the dangerous nature of the assignment. He was then assigned to the motor pool.  Through his work at the motor po

user: What happened with him at the military servcie?

assistant: He seduced a major who was attached to the San Francisco recruiting station on the condition that the major approve Sarria's enlistment.

user: What eventually happened with him and the major?

assistant: enlistment. Jose Sarria was approved and entered the Army Reserve, continuing his studies as he waited to be called up to active duty.

user: Was he eventually called for active duty?

assistant: Sarria's induction was delayed a month, then he was sworn in and ordered to Sacramento, California, for basic training with the Signal Corps.

user: Which part of the military did he serve?

assistant: He was then assigned to the motor pool.

user: How was his life at the motor pool?

assistant: Through his work at the motor pool, Sarria met a young officer named Major Mataxis.
Título: Thomas Eakins
Seção: Photography
Background: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Conteúdo: Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.  In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector.  After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some

user: What did Thomas Eakins do?

assistant: Eakins has been credited with having "introduced the camera to the American art studio".

user: How did he introduce the camera

assistant: Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting,

user: What was some of his work?

assistant: Mending the Net (1881) and Arcadia (1883),

user: Did his work get noticed by anyone

assistant: Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature,

user: Are there any other interesting aspects about this article?

assistant: nude photos of students and professional models which were taken to show real human anatomy

user: What else work did he do with his photos?

assistant: relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers.

user: Did he win any rewards

assistant: CANNOTANSWER
Título: The Doors
Seção: L.A. Woman
Background: The Doors were an American rock band formed in 1965 in Los Angeles, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and John Densmore on drums. The band got its name, at Morrison's suggestion from the title of Aldous Huxley's book The Doors of Perception, which itself was a reference to a quote made by William Blake, "If the doors of perception were cleansed, everything would appear to man as it is, infinite." They were unique and among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until disbanding in 1973.

Conteúdo: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summe

user: What is L.A. Woman?

assistant: album

user: What songs are part of this album?

assistant: "Love Her Madly"

user: Did the album had any hit songs?

assistant: L.A. Woman contained two Top 20 hits

user: What are the names of these songs?

assistant: ("Love Her Madly" and "Riders on the Storm")

user: Who else contributed to the making of this album?

assistant: rhythm guitarist Marc Benno

user: Are there any other interesting aspects about this article?

assistant: Morrison took a leave of absence from the Doors
Título: Peter Sutcliffe
Seção: Criticism of West Yorkshire Police
Background: Sutcliffe was born in Bingley in the West Riding of Yorkshire to a working-class family. He was given a Catholic upbringing by his parents, John William Sutcliffe and his wife Kathleen Frances (nee Coonan). Reportedly a loner, he left school aged fifteen and had a series of menial jobs, including two stints as a gravedigger in the 1960s. Between November 1971 and April 1973, Sutcliffe worked at the Baird Television factory on a packaging line.

Conteúdo: West Yorkshire Police were criticised for being inadequately prepared for an investigation on this scale. It was one of the largest investigations by a British police force and predated the use of computers. Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork (the floor of the incident room was reinforced to cope with the weight of the paper), it was difficult for officers to overcome the information overload of such a large manual system. Sutcliffe was interviewed nine times, but all information the police had about the case was stored in paper form, making cross-referencing difficult, compounded by television appeals for information which generated thousands more documents.  Assistant Chief Constable George Oldfield was criticised for being too focused on a hoax confessional tape that seemed to indicate a perpetrator with a Wearside background, and for ignoring advice from survivors of Sutcliffe's attacks, and several eminent specialists including the FBI, plus dialect analysts such as Stanley Ellis and Jack Windsor Lewis, whom he had also consulted throughout the manhunt, that "Wearside Jack" was a blatant hoaxer. The investigation used it as a point of elimination rather than a line of enquiry and allowed Sutcliffe to avoid scrutiny, as he did not fit the profile of the sender of the tape or letters. The "Wearside Jack" hoaxer was given unusual credibility when analysis of saliva on the envelopes he

user: what made it difficult

assistant: It was one of the largest investigations by a British police force and predated the use of computers.

user: What else made it difficult

assistant: Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork

user: What did it do to the floor

assistant: the floor of the incident room was reinforced to cope with the weight of the paper
Título: Spice Girls
Seção: Girl power
Background: The Spice Girls are an English pop girl group formed in 1994. The group originally consisted of Melanie Brown ("Scary Spice"), Melanie Chisholm ("Sporty Spice"), Emma Bunton ("Baby Spice"), Geri Halliwell ("Ginger Spice"), and Victoria Beckham, nee Adams ("Posh Spice"). They were signed to Virgin Records and released their debut single "Wannabe" in 1996, which hit number one in 37 countries and established them as a global phenomenon. Their debut album Spice sold more than 31 million copies worldwide, becoming the best-selling album by a female group in history.

Conteúdo: The phrase "girl power" put a name to a social phenomenon, but the slogan was met with mixed reactions. The phrase was a label for the particular facet of post classical neo-feminist empowerment embraced by the band: that a sensual, feminine appearance and equality between the sexes need not be mutually exclusive. This concept was by no means original in the pop world: both Madonna and Bananarama had employed similar outlooks. The phrase itself had also appeared in a few songs by British girl groups and bands since at least 1987; most notably, it was the name of British pop duo Shampoo's 1996 single and album, later credited by Halliwell as the inspiration for the Spice Girls' mantra.  However, it was not until the emergence of the Spice Girls in 1996 with "Wannabe", that the concept of "girl power" exploded onto the common consciousness. The phrase was regularly uttered by all five members--although most closely associated with Halliwell--and was often delivered with a peace sign. The slogan also featured on official Spice Girls merchandise and on some of the outfits the group members wore. The Spice Girls' version was distinctive. Its message of empowerment appealed to young girls, adolescents and adult women, and it emphasised the importance of strong and loyal friendship among females.  In all, the focused, consistent presentation of "girl power" formed the centrepiece of their appeal as a band. Some commentators credit the Spice Girls with reinvigorating mainstream femin

user: What is girl power?

assistant: The phrase was a label for the particular facet of post classical neo-feminist empowerment embraced by the band:

user: What other meaning did the phrase have for them?

assistant: that a sensual, feminine appearance and equality between the sexes need not be mutually exclusive.
Título: Al Jolson
Seção: Winter Garden Theater
Background: Al Jolson was born as Asa Yoelson (Yiddish: asa yvlsan) in the Jewish village of Srednike (Yiddish: sr`dnyq) now known as Seredzius, near Kaunas in Lithuania, then part of the Russian Empire. He was the fifth and youngest child of Moses Rubin Yoelson (1858 - December 23, 1945) and Nechama "Naomi" Cantor (1858 - February 6, 1895); his four siblings were Rose, Etta, another sister who died in infancy, and Hirsch (Harry). Jolson claimed not to know when he was born, and later chose to claim he was born on May 26, 1886.

Conteúdo: According to Esquire magazine, "J.J. Shubert, impressed by Jolson's overpowering display of energy, booked him for La Belle Paree, a musical comedy that opened at the Winter Garden in 1911. Within a month Jolson was a star. From then until 1926, when he retired from the stage, he could boast an unbroken series of smash hits."  On March 20, 1911, Jolson starred in his first musical revue at the Winter Garden Theater in New York City, La Belle Paree, greatly helping to launch his career as a singer. The opening night drew a huge crowd to the theater, and that evening Jolson gained audience popularity by singing old Stephen Foster songs in blackface. In the wake of that opening night, Jolson was given a position in the show's cast. The show closed after 104 performances, and during its run Jolson's popularity grew greatly. Following La Belle Paree, he accepted an offer to perform in the musical Vera Violetta. The show opened on November 20, 1911 and, like La Belle Paree, was a phenomenal success. In the show, Jolson again sang in blackface and managed to become so popular that his weekly salary of $500 (based on his success in La Belle Paree) was increased to $750.  After Vera Violetta ran its course, Jolson starred in another musical, The Whirl of Society, propelling his career on Broadway to new heights. During his time at the Winter Garden, Jolson would tell the audience, "You ain't heard nothing yet" before performing additional songs. In the play, Jolson debuted his signatu

user: What was Jolson's involvement with the Winter Garden Theater?

assistant: On March 20, 1911, Jolson starred in his first musical revue at the Winter Garden Theater in New York City,

user: What was the name of the production?

assistant: La Belle Paree,

user: Did the show run for a long time?

assistant: The show closed after 104 performances, and during its run Jolson's popularity grew greatly.

user: What did Jolson do after the production?

assistant: Following La Belle Paree, he accepted an offer to perform in the musical Vera Violetta.
Título: Benjamin Henry Latrobe
Seção: England
Background: Benjamin Henry Boneval Latrobe (May 1, 1764 - September 3, 1820) was a British subject and neoclassical architect who emigrated to the United States. He was one of the first formally trained, professional architects in the new United States, drawing on influences from his travels in Italy, as well as British and French Neoclassical architects such as Claude Nicolas Ledoux. In his thirties, he emigrated to the new United States and designed the United States Capitol, on "Capitol Hill" in Washington, D.C., as well as the Old Baltimore Cathedral or The Baltimore Basilica, (later renamed the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary). It is the first Roman Catholic Cathedral constructed in the United States.

Conteúdo: Latrobe returned to England in 1784, and was apprenticed to John Smeaton, an engineer known for designing Eddystone Lighthouse. Then in 1787 or 1788, he worked in the office of neoclassical architect Samuel Pepys Cockerell for a brief time. In 1790, Latrobe was appointed Surveyor of the Public Offices in London, and established his own private practice in 1791. Latrobe was commissioned in 1792 to design Hammerwood Park, near East Grinstead in Sussex, his first independent work, and he designed nearby Ashdown House in 1793. Latrobe was involved in construction of the Basingstoke Canal in Surrey, together with engineers John Smeaton and William Jessop. In spring 1793, Latrobe was hired to plan improvements to the River Blackwater from Maldon to Beeleigh, so that the port of Maldon could compete with the Chelmer and Blackwater Navigation, which bypassed the town. The project lasted until early 1795, when Parliament denied approval of his plan. Latrobe had problems getting payment for his work on the project, and faced bankruptcy.  In February 1790, Latrobe married Lydia Sellon, and they lived a busy social life in London. The couple had a daughter (Lydia Sellon Latrobe) and a son (Henry Sellon Boneval Latrobe), before she died giving birth during November 1793. Lydia had inherited her father's wealth, which in turn was to be left to the children through a trust with the children's uncles, but never ended up going to the children. In 1795, Latrobe suffered a breakdown and decided

user: When di d he go to england?

assistant: Latrobe returned to England in 1784,

user: Are there any other interesting aspects about this article?

assistant: In February 1790, Latrobe married Lydia Sellon,
Título: Tori Amos
Seção: The Epic Records years (2002-07)
Background: Tori Amos (born Myra Ellen Amos, August 22, 1963) is an American singer-songwriter, pianist, and composer. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of eleven for what Rolling Stone described as "musical insubordination.

Conteúdo: With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status from the RIAA.  Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline. Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed.  Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received generally favorable reviews. The Beekeeper was c

user: When did she sign with Epic Records?

assistant: Amos signed to Epic in late 2001.

user: What was her first album released?

assistant: In October 2002, Amos released Scarlet's Walk, another concept album.

user: What was a single of the album?

assistant: CANNOTANSWER

user: Did the album perform well?

assistant: had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status

user: Who wrote on her albums?

assistant: CANNOTANSWER

user: Did she have any problems at Epic?

assistant: Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment

user: What caused the problems?

assistant: those in charge at the label following the aforementioned merger were interested "only in making money",
Título: Indigenous peoples of Mexico
Seção: Colonial-era racial categories and post-independence
Background: Indigenous peoples of Mexico (Spanish: pueblos indigenas de Mexico), Native Mexicans (Spanish: nativos mexicanos), or Mexican Native Americans (Spanish: nativo america mexicanos), are those who are part of communities that trace their roots back to populations and communities that existed in what is now Mexico prior to the arrival of Europeans. According to the National Commission for the Development of Indigenous Peoples (Comision Nacional para el Desarrollo de los Pueblos Indigenas, or CDI in Spanish) and the INEGI (official census institute), in 2015, 25,694,928 people in Mexico self-identify as being indigenous of many different ethnic groups, which constitute 21.5% of Mexico's population.

Conteúdo: The pre-Columbian civilizations of what now is known as Mexico are usually divided in two regions: Mesoamerica, in reference to the cultural area where several complex civilizations developed before the arrival of the Spanish in the sixteenth century, and Aridoamerica (or simply "The North") in reference to the arid region north of the Tropic of Cancer where few civilizations developed and was mostly inhabited by nomadic or semi-nomadic groups. Despite the conditions however, it is argued that the Mogollon culture and Peoples successfully established population centers at Casas Grandes and Cuarenta Casas in a vast territory that encompassed northern Chihuahua state and parts of Arizona and New Mexico in the United States.  Mesoamerica was densely populated by diverse indigenous ethnic groups which, although sharing common cultural characteristics, spoke different languages and developed unique civilizations.  One of the most influential civilizations that developed in Mesoamerica was the Olmec civilization, sometimes referred to as the "Mother Culture of Mesoamerica". The later civilization in Teotihuacan reached its peak around 600 AD, when the city became the sixth largest city in the world, whose cultural and theological systems influenced the Toltec and Aztec civilizations in later centuries. Evidence has been found on the existence of multiracial communities or neighborhoods in Teotihuacan (and other large urban areas like Tenochtitlan).  The Maya civilization, though al

user: What racial categories were there

assistant: Mesoamerica, in reference to the cultural area where several complex civilizations developed before the arrival of the Spanish in the sixteenth century, and Aridoamerica (or simply "The North")

user: What racial influences are there?

assistant: Mesoamerica was densely populated by diverse indigenous ethnic groups which, although sharing common cultural characteristics, spoke different languages and developed unique civilizations.

user: Who did they gain independence from?

assistant: When Mexico gained independence in 1821, the casta system was eliminated as a legal structure,