Título: Sun Ra
Seção: Early professional career and college
Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.

Conteúdo: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham.  Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience).  In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultu

user: What did he start out as?

assistant: who had organized a band to pursue a career as a singer.

user: What was the name of the band?

assistant: singing group the Ginger Snaps

user: Did he do any collaborations?

assistant: When Harper left the group mid-tour to move to New York

user: What college did he go to?

assistant: Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University.

user: What did he study there?

assistant: music education major, studying composition, orchestration, and music theory.

user: Was there something he excelled at more than another?

assistant: Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians.

user: Did they get any recognition?

assistant: CANNOTANSWER

user: What else did he do in his early career?

assistant: They were expected to be disciplined and presentable, and in the segregated South,

user: What about the South?

assistant: They often played for elite white society audiences (though they were typically forbidden from associating with the audience).

user: Were they not disciplined?

assistant: Playing for the big bands gave black musicians a sense of pride and togetherness,

user: Why did it give them the sense of pride?

assistant: and they were highly regarded in the black community.

user: Why was this?

assistant: They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society.