Title: The Beach Boys
Content: acquired the rights to their post-1965 catalog. In August, Sea of Tunes, the Beach Boys' catalog, was sold to Irving Almo Music for $700,000 (equivalent to $ in ). Brian, according to his wife Marilyn Wilson, was devastated by the sale. Over the years, the catalog would generate more than $100 million in publishing royalties, none of which Murry nor the band members ever received. The group were signed to Reprise Records in 1970. Scott Schinder described the label as "probably the hippest and most artist-friendly major label of the time." The deal was brokered by Van Dyke Parks, who

Title: The Beach Boys bootleg recordings
Content: songs to 70 years, but only for recordings that were published within 50 years after they were made. In order to prevent recordings made by 1960s artists from legally entering the public domain, many new rarities compilations were issued by record labels. For the Beach Boys, this began with the digitally exclusive release "The Big Beat 1963" (2013). After a year of recording, what would have been the Beach Boys' twelfth studio album "Smile" was scrapped. Because many of its tracks were left incomplete, an album could not be fully assembled. In 2011, an approximate reconstruction of the album was

Title: Smile (The Beach Boys album)
Content: record was their first single certified gold by the RIAA. Dennis Wilson told a reporter that the new album "makes "Pet Sounds" stink—that's how good it is!" The Beach Boys were soon voted the number-one band in the world in an annual readers' poll conducted by "NME", ahead of the Beatles, the Walker Brothers, the Rolling Stones, and the Four Tops. "Hit Parader" wrote: "The Beach Boys' album "Smile" and single "Heroes And Villains" will make them the greatest group in the world. We predict they'll take over where The Beatles left off." In November 1966, Brian was filmed performing

Title: David Marks
Content: the Beach Boys, the Marksmen became his full-time focus, becoming one of the first acts to be signed to Herb Alpert's A&M Records in 1964. Murry Wilson reportedly threatened radio deejays in order to keep them from playing the Marksmen's records. Later, the group signed with (and released a single on) Warner Bros. Records, but in spite of packed concert venues up and down the state of California, lack of air play precluded any further releases. The 2009 release of "Marks & the Marksmen Ultimate Collector’s Edition 1963–1965" marks the first-time the entire Marksmen catalog was made available to the

Title: Brother Records
Content: the "Sunflower" album. Other Beach Boys albums followed on the joint Brother/Reprise label during the 1970s, including "Holland" and "15 Big Ones." An album by The Flame, produced by Carl Wilson, was released in 1970 on the Brother label and distributed by Star-day King Records. By the late 1970s, Beach Boys records were issued on Brother and distributed by Caribou Records through CBS. As of 2007, the most recent CD re-release series of the Beach Boys' 1970s albums is on the joint Brother/Capitol Records label. Since the 1980s, Brother Records' business manager is Elliott Lott, a former chauffeur for The

Question: On which label did the Beach boys record most of their 60s hits?
Answer: Capitol