Title: 550 Madison Avenue
Content: controversial for its ornamental top (sometimes mocked as "Chippendale", after the open pediments characteristic of the famous English designer's bookcases and other cabinetry), but enjoyed for its spectacular arched entrance way, measuring about seven stories in height. With these ornamental additions, the building challenged architectural modernism's demand for stark functionalism and purely efficient design. The effect the building had on the public at large has been described as legitimizing the postmodern architecture movement on the world stage. In July 2018 it was designated a New York City landmark by the Landmarks Preservation Commission. In October 1978, AT&T was granted permission

Title: 901 New York Avenue
Content: contractor. Smislova, Kehnemui & Associates was the structural engineer, and Girard Engineering handled the mechanical engineering. Clark Interiors, a subsidiary of Clark Construction, and Davis Carter Scott designed the Finnegan offices (which are contained on floors five through 11). A grand staircase surrounded by a curved glass wall extends to all floors. Among the other building features constructed were a cafeteria, computer repair facility, data center, kitchen, mailroom, meeting rooms, offices, reception area, and videotaping facility. Clark Interiors and SKB Architecture & Design designed the Goodwin Procter law offices, which extend from floors six through nine. The four floors are

Title: Natalie de Blois
Content: Merrill (SOM). While working at SOM, De Blois became known as a "pioneer" as a female architect in the "male-dominated world of architecture." She designed a number of major business buildings on Park Avenue in New York City, including the Pepsi building and the Union Carbide Building (now known as the Chase Building). She worked with Gordon Bunshaft on the Pepsi building, which was completed in 1960 and was "praised by critics for its gem-like, seemingly levitating exterior walls of gray-green glass and aluminum." She transferred to the Chicago branch of SOM in 1962, continuing to work on skyscrapers in

Title: Philip Johnson
Content: the Museum of Modern Art in New York. Johnson joined Mies van der Rohe as the New York associate architect for the 39-story Seagram Building (1956). Johnson was pivotal in steering the commission towards Mies by working with Phyllis Lambert, the daughter of the CEO of Seagram. The commission resulted in the iconic bronze-and-glass tower on Park Avenue. The building was designed by Mies.The interiors of the Four Seasons and Brasserie restaurants were designed by Johnson Following the Seagram Building He built several smaller projects in a more personal, expressive style, with ornament touches and features far from the sobriety

Title: Modern architecture
Content: began to go in his own direction, moving gradually toward expressionism with designs that increasingly departed from the orthodoxies of modern architecture. His final and decisive break with modern architecture was the AT&T Building (later known as the Sony Tower, and now the 550 Madison Avenue in New York City, (1979) an essentially modernist skyscraper completely altered by the addition of curved cap at the top of a piece of chippendale furniture. This building is generally considered to mark the beginning of Postmodern architecture in the United States. Eero Saarinen (1910–1961) was the son of Eliel Saarinen, the most famous

Question: Who designed the New York pink skyscraper with the Chippendale-style cabinet top?
Answer: Philip Johnson