Title: The Cherry Orchard
Content: The Cherry Orchard The Cherry Orchard () is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by "Znaniye" (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of

Title: The Cherry Orchard
Content: the three or four outstanding plays by Chekhov, along with "The Seagull", "Three Sisters", and "Uncle Vanya". The play concerns an aristocratic Russian landowner who returns to her family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. Unresponsive to offers to save the estate, she allows its sale to the son of a former serf; the family leaves to the sound of the cherry orchard being cut down. The story presents themes of cultural futility – both the futile attempts of the aristocracy to maintain its status and of the

Title: The Cherry Orchard
Content: The play opened on 17 January 1904, the director's birthday, at the Moscow Art Theatre under the direction of the actor-director Konstantin Stanislavski. During rehearsals, the structure of Act Two was re-written. Famously contrary to Chekhov's wishes, Stanislavski's version was, by and large, a tragedy. Chekhov disliked the Stanislavski production intensely, concluding that Stanislavski had "ruined" his play. In one of many letters on the subject, Chekhov would complain, "Anya, I fear, should not have any sort of tearful tone... Not once does my Anya cry, nowhere do I speak of a tearful tone, in the second act there are

Title: Peter Gill (playwright)
Content: first production. At the Riverside Studios, Peter Gill (who is in charge of the whole enterprise) has directed "The Cherry Orchard" with a cast so astonishingly suitable that I began, hallucinatorily, to believe that they had been assembled first, and that Chekhov had then written the play round them. What is more, they are achieving this effect on an impossible stage; it is seventy-five feet wide (the players have to sprint, never mind run, if they are to get off at all), absurdly shallow, and lacking even the most rudimentary trappings in the way of flies, a thrust or even

Title: Anton Chekhov
Content: Cherry Orchard" (written in 1903) served as a revolutionary backbone to what is common sense to the medium of acting to this day: an effort to recreate and express the "realism" of how people truly act and speak with each other and translating it to the stage to manifest the human condition as accurately as possible in hopes to make the audience reflect upon their own definition of what it means to be human. This philosophy of approaching the art of acting has stood not only steadfast, but as the cornerstone of acting for much of the 20th century to

Question: What kind of orchard did Chekhov write a play about?
Answer: Cherry