Title: Antoine Simon (composer)
Content: the Imperial theaters. Antoine Simon was one of the few composers in Russia at the time to create academic pieces for wind instruments, such as the quartet-like sonata Op. 23 for two cornets, horn and trombone, or his twenty-two small pieces for ensemble, Op. 26, composed in 1887. Simon also composed three operas and a number of piano pieces. His concerto in A major for piano and orchestra, Op. 19, met with some success, as his concerto for clarinet and orchestra, Op. 31, or his "fantaisie concertante" for cello and orchestra, Op. 42. He also composed a trio for piano

Title: Philomel (Babbitt)
Content: and song and uses word-music puns which were not achievable without the use of the synthesizer. The composition is "a re-interpretation of a scena drammatica with its distinct recitative–arioso–aria layout". Philomel (Babbitt) Philomel, a serial composition composed in 1964, combines synthesizer with both live and recorded soprano voice. It is Milton Babbitt’s best-known work and was planned as a piece for performance at the Metropolitan Museum of Art, funded by the Ford Foundation and commissioned for soprano Bethany Beardslee. Babbitt created "Philomel" in the Columbia-Princeton Electronic Music Center, of which he was a founding member. The three sections of the

Title: Louis Frémaux
Content: the early 1980s Frémaux had recorded over fifty works, winning a special citation from the Koussevitsky Jury for the 'Nottuni ed Alba' and Second Symphony of John McCabe. Other recordings include Berlioz (Grande Messe des Morts, Symphonie Fantastique), Bizet (Symphony in C, Roma), Delalande (Psalms 12 and 144), Fauré (Requiem), Ibert (Bacchanale, Bostoniana, Louisville Concerto, Divertissement), Poulenc (Gloria, Piano Concerto), Saint-Saëns (Symphony No 3, works for cello and orchestra) and Walton (Glora, Te Deum, Façade, The Wise Virgins). He also conducted the London Symphony Orchestra in the Symphonie Fantastique (1988) and a Ravel programme of Daphnis et Chloé Suite No.

Title: Jean-Baptiste Bréval
Content: instrumental pieces. His music reflected the Parisian love for graceful melodies and energetic rhythms. Before 1784 his works were usually two or three movement compositions employing sonata and rondo form, or a one movement work using variations. His later works, such as "Symphonie concertante for clarinet, horn and bassoon", Op. 38 (c1795), show diversity and experimentation. His concertos, written for his own performance, were influenced by Giovanni Battista Viotti who utilized a precise thematic organization interjected with virtuosic passages. Bréval is most well known for his "Sonata in C major" Op. 40, No. 1, which is one of the classics

Title: Louise Farrenc
Content: a trio for clarinet (or violin), cello and piano Op.44, a trio for flute (or violin), cello and piano Op.45, and several instrumental sonatas (a string quartet sometimes attributed to her is regarded by specialists as the work of another composer, not yet identified). In addition to chamber music and works for solo piano, she wrote two overtures and three symphonies. She heard her third symphony Op.36 performed at the Société des concerts du Conservatoire in 1849. The one area which is conspicuously missing from her output is opera, an important lacuna as opera was at the time the central

Question: Whose musical works included Composition For Orchestra and Philomel?
Answer: Milton Babbit