Title: Blood, Sweat & Tears
Content: catalyst for the prominent debut of Blood, Sweat & Tears in the musical counterculture of the mid-sixties. Kooper, Colomby, Katz and Fielder did a few shows as a quartet at the Cafe Au Go Go in New York City in September 1967, opening for Moby Grape. Fred Lipsius then joined the others two months later. A few more shows were played as a quintet, including one at the Fillmore East in New York. Lipsius then recruited the other three, Dick Halligan, Randy Brecker and Jerry Weiss, who were New York jazz horn players Lipsius knew. The final lineup debuted at

Title: David Clayton-Thomas
Content: Before moving to New York City in 1967, Clayton-Thomas fronted a couple of local bands, first The Shays and then The Bossmen, one of the earliest rock bands with significant jazz influences. But the real success came only a few difficult years later when he joined Blood, Sweat & Tears. Clayton-Thomas's first album with the band, "Blood, Sweat & Tears" (which was released in December 1968) – despite its eponymous title, it was actually the band's second album – sold ten million copies worldwide. The record topped the Billboard album chart for seven weeks and charted for 109 weeks. It

Title: Blood, Sweat & Tears
Content: Blood, Sweat & Tears Blood, Sweat & Tears is a jazz-rock American music group. They are noted for their combination of brass and rock band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, The Band and the Rolling Stones as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei Prokofiev into their arrangements. They were originally formed in 1967 in New York City. Since their beginnings, the band has gone through numerous iterations with varying personnel and has encompassed a multitude of musical styles. The band is

Title: Blood, Sweat & Tears
Content: The festival's film crew even caught the band's opening number, "More and More", as they took to the stage. But the band's manager at the time, Bennett Glotzer, ordered the movie crew to turn off the cameras and leave the stage since the band had not agreed nor been paid to be filmed. While Blood, Sweat & Tears achieved commercial success alongside similarly configured ensembles such as Chicago and the Electric Flag, the band had difficulty maintaining its status as a counterculture icon at a time when record company executives deemed this characteristic important as a tool to lure young

Title: Blood, Sweat & Tears
Content: prodding, they came to see Clayton-Thomas perform and were so impressed that he was offered the role of lead singer in a re-constituted Blood Sweat & Tears. Trombonist Halligan took up the organ chores and Jerry Hyman joined to take over trombone. With new trumpeters Soloff and Winfield the now nine-member band debuted at New York's Cafe Au Go Go on June 18, 1968, beginning a two-week residency. The group's second album, "Blood, Sweat & Tears", was produced by James William Guercio and released in late 1968. It was more pop-oriented, featuring fewer compositions by the band. The record quickly

Question: What went with Blood and Sweat in the name of the 60s rock band?
Answer: Tears