Title: Jane Fonda
Content: (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline

Title: Jane Fonda
Content: winning an Emmy Award for Outstanding Lead Actress for "The Dollmaker" (1984), and starring in the role of Dr. Martha Livingston in "Agnes of God" (1985). The following year, she played an alcoholic actress and murder suspect in the 1986 thriller "The Morning After", opposite Jeff Bridges. In preparation for her role, Fonda modelled the character on the starlet Gail Russell, who, at 36, was found dead in her apartment, among empty liquor bottles. Writing for "The New Yorker", Pauline Kael commended Fonda for giving "a raucous-voiced, down-in-the-dirty performance that has some of the charge of her Bree in "Klute",

Title: Jane Fonda
Content: "Period of Adjustment" and "Walk on the Wild Side" followed in 1962. The latter, in which she played a prostitute, earned her a Golden Globe for Most Promising Newcomer. In 1963, she appeared in "Sunday in New York". "Newsday" called her "the loveliest and most gifted of all our new young actresses". However, she also had detractors – in the same year, the "Harvard Lampoon" named her the "Year's Worst Actress" for "The Chapman Report". Fonda's career breakthrough came with "Cat Ballou" (1965), in which she played a schoolmarm turned outlaw. This comedy Western received five Oscar nominations, with Lee

Title: Jane Fonda
Content: was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!" Fonda's stage work in the late 1950s laid the foundation for her film career in the 1960s. She averaged almost two movies a year throughout the decade, starting in 1960 with "Tall Story", in which she recreated one of her Broadway roles as a college cheerleader pursuing a basketball star, played by Anthony Perkins. Frequent collaborator Robert Redford also made his debut in that film.

Title: Jane Fonda
Content: first National Society of Film Critics Award for Best Actress and her second New York Film Critics Circle Award for Best Actress. Between "Klute" in 1971 and "Fun With Dick and Jane" in 1977, Fonda did not have a major film success. She appeared in "A Doll's House" (1973), "Steelyard Blues" and "The Blue Bird" (1976). In the former, some critics felt Fonda was miscast, but her work as Nora Helmer drew praise, and a review in "The New York Times" opined, "Though the Losey film is ferociously flawed, I recommend it for Jane Fonda's performance. Beforehand, it seemed fair

Question: Who did Jane Fonda play in the 60s movie of the same name where she repeatedly lost her clothes.
Answer: Barbarella