Title: Desire (Bob Dylan album)
Content: persona and directly addresses a real person, with striking biographical accuracy. Tim Riley wrote that it was "a fevered cry of loss posing as sincere devotion." Dylan's marriage was in a turbulent state when he wrote the song. Dylan's estrangement from his wife had led to at least one separation in the previous year. Sara was present at the song's recording session on July 31, 1975; on the same day he recorded two other songs that touched on the subject of marriage: "Isis" and "Abandoned Love". However, in March 1977, Sara Dylan filed for divorce. In the lyrics of "Sara,"

Title: Bob Dylan
Content: Blonde" (1966), featuring what Dylan called "that thin wild mercury sound". Kooper described it as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan. On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds. Robertson writes in his memoir about receiving a phone call that morning to accompany the couple to the court, and then later to a reception hosted by Al Grossman at the Algonquin Hotel. Some of Dylan's friends, including Ramblin' Jack Elliott, say that, immediately after the

Title: Sara Dylan
Content: (including Ramblin' Jack Elliott) claim that, in conversation immediately after the event, Dylan denied that he was married. Journalist Nora Ephron first made the news public in the "New York Post" in February 1966 with the headline "Hush! Bob Dylan is wed." Bob and Sara had four children: Jesse, Anna, Samuel and Jakob. Dylan also adopted Maria, Sara's daughter from her first marriage. During these years of domestic stability, they lived in Woodstock in upstate New York. In 1973, Bob and Sara Dylan sold their Woodstock home and purchased a modest property on the Point Dume peninsula, north of Malibu,

Title: Planet Waves
Content: U.S. Billboard charts—a first for the artist—and in the UK. Critics were not as negative as they had been with some then-recent Bob Dylan albums (namely "Self Portrait" and "Dylan"), but still not enthusiastic for the album's brand of laid-back roots rock. The album was originally set to be titled "Ceremonies of the Horsemen", a reference to the song "Love Minus Zero/No Limit", from the 1965 album "Bringing It All Back Home"; the release was delayed two weeks when Dylan decided to change the title at the last minute. Another, earlier, working title was "Wedding Song". The cover art is

Title: Blood on the Tracks
Content: Grammy Hall of Fame. At the conclusion of his 1974 tour with the Band, Dylan began a relationship with a Columbia Records employee, Ellen Bernstein, which Dylan biographer Clinton Heylin has described as the beginning of the end of Dylan's marriage to his wife Sara. In spring 1974, Dylan was in New York for several weeks while he attended art classes with the painter Norman Raeben. Dylan subsequently gave Raeben credit in interviews for transforming his understanding of time, and during the summer of 1974 Dylan began to write a series of songs in a red notebook which utilised his

Question: Which album was said to have reflected the end of Bob Dylan's marriage?
Answer: Blood On The Tracks