Title: Henry Montgomery Campbell
Content: to have the Thames widened"; and later, when encountering Stockwood who was dressed not in the customary black frock coat and gaiters but in purple cassock and cloak, he greeted him, "Hello, Mervyn, incognito I see." He described Geoffrey Fisher, Archbishop of Canterbury, as "a hard man – he boils his eggs in widows' tears". About to interview an ordinand he said, "Come in, Brown. Take a chair." The young man corrected him: "Fiennes-Brown, my Lord." "Take two chairs" was the reply. Commenting on his predecessors and successors at Guildford he said, "The first Bishop of Guildford went out of

Title: Bar aux Folies-Bergère (ballet)
Content: Suzette Morfield (a servant). Antony Tudor was the production stage manager. The scene is the Folies Bergère around 1870. The curtain opens on the barmaid looking into space then busying herself wiping off bottles and glasses. Adolphe and Gustave enter and orders drinks. A waiter, Valentin, is in love with the barmaid, whom he persuades to come from behind the counter to dance with him. When the can-can dancers appear (entering through the audience, as at the real Folies Bergère) and dance, she retreats behind the bar again. When La Goulue does her turn, Valentin becomes besotted with her, breaking

Title: Ruth Virginia Bayton
Content: Francisco Alonso. After hours, she performed at the exclusive Maipu-Pigall's nightclub, where King Alfonso and the Primo de Rivera was noted to frequent. That winter, before she could accept Louis Douglas's offer to appear in his Black Follies revue at the Teatro Comedia, Paul Derval, director of the Folies Bergere, invited her to return to Paris for the new season, as Josephine was leaving for a world tour. Rehearsals for "La Grande Folie" began in February in-between her appearances at the Casanova nightclub. Meanwhile, however, she was approached by the director of the Folies-Wagram, a new musichall to be inaugurated

Title: Folies Bergère
Content: operettas, opéra comique (comic opera), popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after a nearby street, rue Bergère ("bergère" means "shepherdess"). In 1882, Édouard Manet painted his well-known painting "A Bar at the Folies-Bergère" which depicts a bar-girl, one of the demimondaines, standing before a mirror. In 1886, Édouard Marchand conceived a new genre of entertainment for the Folies Bergère: the music-hall revue. Women would be the heart of Marchand's concept for the Folies. In the early 1890s, the American dancer Loie Fuller starred at the Folies Bergère. In 1902, illness forced Marchand

Title: Folies Bergère
Content: of the many Parisian theatres of this period using the style. In 1936, Derval brought Josephine Baker from New York City to lead the revue "En Super Folies". Michel Gyarmathy, a young Hungarian arrived from Balassagyarmat, his hometown, designed the poster for "En Super Folies", a show starring Josephine Baker in 1936. This began a long love story between Michel Gyarmathy, Paris, the Folies Bergère and the public of the whole world which lasted 56 years. The funeral of Paul Derval was held on 20 May 1966. He was 86 and had reigned supreme over the most celebrated music hall

Question: According to the British Bishop Mervyn Stockwood, who would "go to the Follies Bergere and look at the audience?
Answer: A psychiatrist