Title: Décolletage
Content: were considered more risqué than exposed breasts. In 1450, Agnès Sorel, mistress to Charles VII of France, is credited with starting a fashion when she wore deep low square décolleté gowns with fully bared breasts in the French court. Other aristocratic women of the time who were painted with breasts exposed included Simonetta Vespucci, whose portrait with exposed breasts was painted by Piero di Cosimo in c. 1480. Based on woodcut prints, a researcher has argued that during the 17th century, women's fashions with exposed breasts were common in society, from queens to common prostitutes, and emulated by all classes.

Title: Kay Thorpe
Content: she has a ring on her finger and their signature on a paper. Since men can compartmentalize sexual love and respond to women who most match their libido and women hedge their sexual response to men over emotional attachment and security, the two sexes arrive at cross purposes with each other. In "Storm Passage" (1977), Nick voices just such a frustration to Tara who he says doesn't even recognize this difference. A lack of understanding of the divergent currents driving men and women easily transpire into mistrust so much so that in "The Man from Tripoli" (1979), despite the security

Title: Décolletage
Content: Décolletage Décolletage (or décolleté, its adjectival form, in current French) is a term used in woman's fashion referring to the upper part of a woman's torso, comprising her neck, shoulders, back and upper chest, that is exposed by the neckline of her clothing. The term is most commonly used in Western female fashions and is most commonly applied to a neckline that reveals or emphasizes cleavage. Low-cut necklines are a feature of ball gowns, evening gowns, leotards, lingerie and swimsuits, among other fashions. Although décolletage does not itself prescribe the extent of exposure of a woman's upper chest, the design

Title: Warren Farrell
Content: true for the men. He distinguished between what he believed to be each sex's primary fantasies and primary needs, stating that "both sexes fell in love with members of the other sex who are the least capable of loving: women with men who are successful; men with women who are young and beautiful." In 1993, Farrell wrote "The Myth of Male Power", in which he argued that the widespread perception of men having inordinate social and economic power is false, and that men are systematically disadvantaged in many ways. "The Myth of Male Power" was ardently challenged by some academic

Title: Romaine Brooks
Content: the three women formed a stable lifelong triangle in which none was a third wheel. Gramont, one of the most glamorous taste-makers and aristocrats of the period, summed up their values when she said, "Civilized beings are those who know how to take more from life than others." Gender fluidity and sexual freedom were paramount among women of Brooks' circle. Barney hosted a literary salon on Paris's Left Bank. Brooks tolerated Barney's casual affairs well enough to tease her about them, and had a few of her own over the years. She could become jealous when a new love became

Question: Who said, "The only placed a man wants depth in a woman is in her decolletage?"
Answer: Zsa Zsa Gabor