deem-data/ArtiFact huggingface dataset:
Tenuta. / Ferme. / Bauernhof. / Farm. / Boerderij
Object type: popular print
Date: 1829 – 1880
Materials: paper
Techniques: colour, lithograph
Location: mainz
Artist: Anonymous
Subjects: pig, animals, farmers, farmers - aa - female farmer, farmer's wife, fowl (cock, hen, chicken, etc.), storing in sacks ~ harvest, farm (building), dog
Inscriptions: collector's mark: Lugt 2760

Zicht op een erf van een boerderij waar verschillende boeren en boerinnen aan het werk zijn en boerderij dieren los lopen, waaronder kippen, schapen, kalkoenen, varkens, eenden een hond en een kat.
Torens van Cité de Carcassonne
Object type: photograph
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: towers ~ fortified city
Inscriptions: annotation: ‘Carcassonne [..] La Cité. Cour de l'inquisition’
Portret van Joseph Audibran
Object type: print
Date: 1798 – 1841
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Titlepage from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: adélaide allou
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1800
Subjects: fountains,women
Oogst
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: harvest, vintage, grape harvest
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Friesland, twee gulden, 1696
Object type: coin
Date: 1696 – 1696
Materials: silver
Techniques: striking
Location: leeuwarden

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed, met linkerhand steunend op een altaar, waarop bijbel. In afsnede jaartal.
l'Amour berger
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Subjects: couple of lovers
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Object type: folio
Date: 1101 – 1133
Materials: leaf, watercolor
Culture: indian, bengal or bangladesh
Artist: mahavihara master
Artist role: artist
Subjects: buddhism

Enshrined image of seated Green Tara with pendant leg and blue lotus, with two female attendants, one holding a vajra; the other, Mahakali, holding a flaying knife and skullcup (kapala)
Mirandors meester, de herbergier, in de draaikooi
Object type: book illustration
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: imprisonment
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Heinsius, Nicolaas jr. Den vermakelyken avanturier, ofte De wispelturige, en niet min wonderlyke levens-loop van Mirandor, 2 delen. Amsterdam: Pieter van Amsterdam, 1695, dl. I.
Holy Family with Saint John the Baptist who kneels at the right
Object type: print
Date: 1531 – 1576
Techniques: engraving, etching
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,holy family,madonna and child,saint john the baptist
Model of a Floating Dry Dock
Object type: demonstration model
Date: 1802 – 1815
Materials: brass, fiber, wood
Location: amsterdam

Model van een drijvend droogdok, op een grondplank. Het bestaat uit vijf delen, die aan elkaar verbonden zijn. Elk deel is een rechthoekige bak of ponton met op ieder eind een toren. Bovenop iedere toren zijn vier pompen aangebracht, die de ponton leeg moeten pompen. De vijf delen zijn aan elkaar verbonden door latwerk aan de buitenzijde en loopgangen met reling die de torens verbinden. Het model laat twee typen pompen zien: dubbele slagpompen en pompen waarvan de pompstangen aan een trommel verbonden zijn, die met hefbomen heen en weer bewogen wordt. Buitenop zijn aan de as van deze trommels aan weerszijden slingers met een gewicht bevestigd.
Festoen met een grote bloem in het midden die naar beneden hangt
Object type: print
Date: 1655 – 1678
Materials: paper
Techniques: engraving
Location: amsterdam
Weegschaal van koper, rond en plat met een opstaand randje waarin drie gaatjes zijn aangebracht
Object type: weegschaal
Date: 1590 – 1596
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Weegschaaltje van koper, rond en plat met een opstaand randje waarin drie gaatjes zijn aangebracht. De weegschaal heeft waarschijnlijk gediend voor het afwegen van geneesmiddelen. Volgens De Veer is een barbier of chirurgijn meegeweest met de tocht.
Portret van Madeleine Brohan
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Du 30 Décembre 1875 au 5 Janvier 1876’, number: ‘No 137’
Elevation and Section for a Catafalque for the Dauphin of France, d. 1711
Object type: drawing
Date: 1711 – 1711
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Vinaigrette
Object type: metalwork
Date: 1845 – 1846
Materials: silver, silver gilt
Location: birmingham
Artist: nathaniel mills
Shoes
Object type: shoe
Date: 1860 – 1879
Materials: leather, silk, wood
Culture: american
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; head, neck, shoulder, and part of the upper right arm and torso of a filleted, bearded man to right, wearing a chiton and himation; the panel ornament is comprised of ivy
Stoel met op rugstijlen papegaaiachtige vogels
Object type: furniture
Date: 1660 – 1680
Materials: bone, wood, ivory, rattan
Location: india
Artist: Anonymous
Subjects: sri lanka

Chair. Ebony, cane. Ceylon, 1650 - 1700.
Roos
Object type: drawing
Date: 1830 – 1890
Materials: paper, pencil, watercolor
Techniques: brush
Location: netherlands
Artist: Anonymous
Subjects: flowers: rose
Ruiters en voetvolk bij een stadspoort
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: riding a horse, ass, or mule; rider, horseman, city-walls, city-gate
Inscriptions: collector's mark: Lugt 2228

Een vrouwelijke ruiter met hoed en staf wordt omringd door mannelijke ruiters. Om haar heen hebben zich ook vele figuren te voet verzameld, onder andere op de stadsmuren. Rechts een poort.
Mosaic glass inlay
Object type: mosaic plaque
Date: 100 – 100
Materials: glass
Culture: roman, egyptian
Subjects: masks

Opaque streaky red ground; decoration in opaque white, yellow, and red, partly translucent purple appearing black, and colorless glass. Thin, rectangular plaque, cut from a mosaic composite bar, with flat front, uneven back, and vertical straight sides, with one slightly rounded corner; design extends uniformly through the thickness of the plaque. Proper right side of mask of silenus or old servant with yellow face; features delineated in purple, with red eye and lips, and purple mouth; red and white stripes on cheek; hair, beard, and moustache in rows of white and colorless glass. Broken at top, with upper part of head missing; glossy surface to back; front and edges ground and polished; dulling and pitting of surface bubbles.
Brief aan anoniem
Object type: letter
Date: 1794 – 1833
Materials: ink, paper
Techniques: pen, writing
Artist: diederik jan singendonck
Artist role: print maker
Artist dates: 1784 – 1833
Subjects: drawing, painting (including book-illumination, miniature-painting)
Inscriptions: seal, watermark
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, one letter of an inscription, pi; Exterior, calf and foot of male to right; part of stick or club, part of calf and foot of a second figure to right
Gezicht op het kasteel Sterckshof in Deurne, Antwerpen
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: castle, landscape with tower or castle

Van deze prent bestaan in ieder geval vijf staten. De eerste staat is gebruikt in Jacques le Roys 'Notitia Marchionatus Sacri Romani Imperii (…)' uit 1678. De tweede en derde staat komt voor in latere uitgaven van Le Roys werk (tweede: 1692, 1699, 1705, 1706; derde: 1730). De vierde staat is gebruikt in Philippe de Cantillons 'Delices du Brabant et de ses campagnes (…)' (1757).

De huidige (vijfde) staat komt voor in: Cantillon, Philippe de. Vermakelykheden van Brabant, en deszelfs onderhoorige landen (…). 4 dln. 1e druk. Amsterdam: David Weege, 1770, dl. 3. En in: Cantillon, Philippe de. Vermakelykheden van Brabant, en deszelfs onderhoorige landen (…). 4 dln. 2e druk. Utrecht: Gijsbert Tieme van Paddenburg en Justus Visch, 1777, dl. 3.
Saulus Rex, from Sinners of the Old and New Testament
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: netherlands
Artist: willem van swanenburgh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1580 – 1612
Inscriptions: Lettered upper right: "ABloemaert Invent W. Swanenb. Sculp. et exc. an: 1611." and below image: "Diu monitus surda Samuelis temserat aure ... triste peregit opus. P.S. extempore. / Saulus Rex."
Portret van Elias Grebenitz
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: heinrich jakob otto
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portretbustes van Claudius en Caligula
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: germany, rome, male persons from classical history (+ head, bust, etc.), piece of sculpture, reproduction of a piece of sculpture

Twee Romeinse sculpturen van Claudius en Caligula. Boven de buste, het hoofd naar links gewend. Op het medaillon op zijn schouder het wapenschild van Vincenzo Giustiniani. Onder de buste van een man, gekleed in borstkuras, en profil naar rechts. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Sheet with overall vine pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Overgordijn van bedrukte cretonne met herten
Object type: overgordijn
Date: 1900 – 1900
Materials: linen, metal
Techniques: printing
Location: helmond
Artist: michiel duco crop
Artist role: designer
Artist dates: 1862 – 1901

Overgordijn van bedrukte cretonne met herten in gele en zachtbruine tinten op naturelkleurig fond. Aan de binnenzijde afgeboord met passement.
Wehrmacht soldaten in Hongarije
Object type: album leaf
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: hungary
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, modern forms of military vehicles (tank), occupation ~ war

Albumblad met acht foto's van de Duitse Wehrmacht in Hongarije. Duitse oorlogsgraven, tanks, militair transport van vrachtwagens over slecht begaanbare wegen. Onderdeel van het fotoalbum over soldaten van de Wehrmacht, ca. 1939-1943.
Sugar bowl with cover (pot à sucre pestum) (part of a service)
Object type: sugar bowl with cover
Date: 1844 – 1846
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Vespasianus en de Zoon Titus
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: historical persons, emperor, bombardment ~ siege
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Goeree, Willem. De Kerklyke en Weereldlyke Historien; Uyt d'Aal-Ouwde Aardbeschryving (...). Leiden: Johannes van Abcoude, 1730, p. 300. Eerdere staat gebruikt in uitgave van dit boek uit 1705.
Convent of the Benedictines, Rouen
Object type: page
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: rouen
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: abbey, monastery, convent ~ roman catholic church, façade (of house or building)
Alphons Diepenbrock en face in interieur
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: amsterdam, alphons diepenbrock
Inscriptions: date

Foto op bruin albumblad 5 van familiealbum van Alphons Diepenbrock.
Figuurstudies
Object type: endleaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: adult woman

Pagina 40, achterste schutblad, uit een schetsboek met 19 bladen.
Soubrier. Annette (femme Chericotti). 28 ans, née à Paris Ille. Coutière. Anarchiste. 25/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: portraits,women

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Jay (one of a pair)
Object type: figure
Date: 1740 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: animals,birds

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…."
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1867 – 1930
Materials: cardboard, ink
Techniques: photograph
Artist: prévot
Artist role: publisher
Subjects: frédéric mistral, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, head of wreathed youth
Dress
Object type: dress
Date: 1886 – 1886
Culture: french
Portret van Johann Kaspar Lavater
Object type: print
Date: 1785 – 1858
Materials: paper
Techniques: engraving
Artist: friedrich rossmässler junior
Artist role: artist, print maker
Subjects: johann caspar lavater, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Sake bottle with pine and plum
Object type: sake bottle
Date: 1701 – 1800
Materials: stoneware
Culture: japanese
1/10 gulden van Nederlands Indië, 1854
Object type: tiende gulden
Date: 1854 – 1854
Materials: silver
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Bead
Object type: bead
Date: 701 – 1300
Materials: wood
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, historical persons - bb - woman, ruler, sovereign - bb - female ruler

Prent waarschijnlijk uit: Bor, Pieter. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, beroerten (...). Amsterdam: weduwe Joannes van Someren et al.,1684. Prent ook gebruikt in: Leti, Gregorio. Teatro Belgico, o vero ritratti historici (...). Amsterdam: Willem de Jonge, 1690, p. 127. Latere staat gebruikt in: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden (...). Amsterdam: Zacharias Chatelain, 1730.
Titelpagina voor: Willem Baudartius, Memoryen ofte Cort verhael der gedenck-weerdichste (...) gheschiedenissen, 1624
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: letterpress printing
Location: arnhem
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Willem Baudartius. Memoryen ofte Cort verhael der gedenck-weerdichste so kercklicke als werltlicke gheschiedenissen (...) van den iaere 1603. tot in het iaer 1624. Twee delen. Tweede vermeerderde editie. Arnhem: Jan Jansz, 1624 en Zutphen: Andries Jansz van Aelst, 1624. Op versozijde auteursportret.
Vase with floral scrolls
Object type: vase
Date: 1734 – 1766
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Mozes toont de koperen slang
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the brazen serpent (numbers 21:4-9)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Hakvoord, Barend. Het heilige avondmaal, van onzen Heer en Zaligmaker Jesus Christus. Amsterdam: Gijsbert de Groot, 1691.
Portret van Amédée Despans-Cubières
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Fotoreproductie van een schilderij van een gezicht op de Giessbachwaterval aan het Meer van Brienz
Object type: photograph
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Subjects: waterfall, mountains
Inscriptions: number: ‘17.’
Fotoreproductie van een fresco, voorstellende een portret van Dante
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: palazzo del bargello
Artist: Anonymous
Subjects: dante
Catalogus bij de tentoonstelling van monumentale en decoratieve kunst van Pulchri Studio, 1894
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: letterpress printing, printing block, stapling
Subjects: drawing-instruments, initial, compasses, collection, exhibition, show

Op de voorzijde van de publicatie een decoratief kader met belettering in middeleeuwse stijl: 'Tentoonstelling van monumentale en decoratieve kunst in de zalen van Pulchri Studio van 12 juli tot 9 augustus 1894'. Verder op de afbeelding een vrouw in middeleeuwse kledij, met een passer en driehoek. De volgende veertien pagina's geven een opsomming van de tentoongestelde werken.
Huis te Voorn bij Utrecht
Object type: drawing
Date: 1823 – 1839
Materials: paper, pencil
Artist: wijnand nuijen
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1839
Subjects: castle, utrecht, huis te voorn
Holy Family with St. John the Baptist
Object type: drawing
Date: 1734 – 1766
Materials: chalk, ink
Techniques: pen, drawing, transfer
Artist: anton raphael mengs
Artist role: artist
Artist nationality: german
Artist dates: 1728 – 1779
Subjects: holy family,saint john the baptist
Gezichten op Rome
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, fortuna as roman personification, temple, shrine ~ roman religion, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Two Nude Male Figures, One Seated and One Reclining
Object type: drawing
Materials: ink
Techniques: pen
Artist: micco spadaro (domenico gargiulo)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1675
Subjects: male nudes