deem-data/ArtiFact huggingface dataset:
Portret van Gabriel-Jacques Laisné de Villévêque
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Ada Webb, Champion Water Queen, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: women

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Cup of Nesikhonsu
Object type: cup, nesikhonsu
Date: 990 – 969
Materials: faience
Location: upper egypt, thebes

This cup made of blue faience belonged to Nesikhonsu, the wife of the High Priest of Amun Pinedjem II. A hieroglyphic inscription names Nesikhonsu and gives her the title "Osiris, Great Leader of the First Music Troop of Amun" – a group of female musicians serving Amun-Re in his Karnak temple. It was one of 70 ritual cups that were used for libation rituals during Nesikhonsu’s funeral and buried within her tomb afterwards. Nesikhonsu was buried in the Theban Tomb no. 320 (TT 320) in Deir el-Bahari, otherwise known as the "Royal Cache." This mass burial also contained the bodies and funerary equipment of several family members, as well as more than fifty royal mummies from the New Kingdom, who had been re-buried following several tomb robberies in the Valley of Kings during the 21st Dynasty.
Gezicht op de Overtoom, gezien naar de Sloterkade
Object type: drawing
Date: 1910 – 1927
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal, street
Inscriptions: inscription: ‘De Overtoomsche Sluis (...) Oct 1927. / vanEck’, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Bell
Object type: bell
Date: 900 – 1520
Materials: gold
Culture: greater chiriquí
Location: costa rica
Subjects: musical instruments
Christabel
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,women

"Yea, she doth smile, and she doth weep, Like a youthful hermitess, Beauteous in a wilderness." Samuel Taylor Coleridge Coleridge's unfinished poem "Christabel" (1816) tells the story of a young woman debased by sorcery. A dark poem, full of rolling fog and lesbian innuendo, "Christabel" was the kind of tale that appealed to the Victorian palate--a soup of sexual transgression and moral repair. Cameron rarely made portraits of women; rather, when she photographed them, they appeared as representations of some biblical, mythological, or literary figure. Cameron's niece, May Prinsep, who would later marry Hallam Tennyson, son of the poet laureate, appears here as the ethereal Christabel before her corruption. Cameron's long exposure time and distinct soft-focus technique lend the work its idealizing gravitas even while, paradoxically, intensifying the realistic presence of the individual before the lens. For all her "high art" aspirations, Cameron was always quick to note that her images were "from life."
The Actor Ichimura Uzaemon IX as Fuwa Banzaemon in the Play Keisei Nagoya Obi, Performed at the Ichimura Theater in the Eighth Month, 1771
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Frederik III
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: hand coloring, lithograph
Location: berlin
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Kunsthandlung I. Rocca Berlin’
Blad met twee vignetten
Object type: print
Date: 1700 – 1700
Materials: paint, paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: 'throw yourself down' (from the temple) ~ temptation of christ in the wilderness, christ in the house of martha and mary (luke 10:38-42)

Blad met twee vignetten tussen palmtakken. Boven: Christus in het huis van Martha en Maria. Onder: Verzoeking van Christus door de duivel op de tempel. Blad in het tweede deel van de prentbijbel met het Nieuwe Testament, uitgegeven door Pieter Mortier, Amsterdam 1700.
Giuoco di Carte
Object type: titelblad, titelpagina
Date: 1660 – 1718
Materials: paper
Techniques: engraving, etching
Location: bologna
Subjects: tarot, playing-cards
Inscriptions: collector's mark: Lugt 1641, collector's mark
Fragment with Hook Pattern
Object type: textile fragment
Date: 901 – 1500
Materials: animal fiber, cotton
Culture: ica
Location: peru
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, woman with diadem and fillet (parts of each in added white), with an earring in her right ear, wearing a chiton and himation; part of her right forearm is preserved and is extended forward
Twee gipsen afgietsels van sculpturen van diaken
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘Diaken’, annotation: ‘M 0.66 hoog M 0.74 hoog’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, bit of the beard of a gorgoneion
Deel van een kaart van het Hoogheemraadschap van Rijnland, met Wassenaar en omgeving
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Deel van een kaart van Rijnland, bestaande uit 27 delen.
Cornice Relief
Object type: cornice
Date: 301 – 700
Materials: metal, stone
Techniques: inlay
Culture: coptic
Location: egypt
Subjects: faces
Chas. Brynan, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Study for a second edition, never published, of Colle's "La Partie de Chasse de Henri IV", Act III, Scene 11
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: chalk, graphite, paper
Techniques: incising, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Brooklyn, Long Island (View on the East River)
Object type: watercolor
Date: 1778 – 1778
Materials: ink, paper, watercolor
Techniques: pen
Culture: american
Subjects: horses,rivers,landscapes,trees,boats
Head of a Bearded Man (Nicodemus)
Object type: drawing
Date: 1577 – 1660
Materials: oil, paper
Artist: giacomo cavedone
Artist role: artist
Artist nationality: italian
Artist dates: 1577 – 1660
Subjects: heads,men
Amulet, possibly of Sakhmet
Object type: amulet, sakhmet
Date: 1295 – 1070
Materials: faience
Location: egypt
De moedige Cloelia
Object type: ornament print
Date: 1730 – 1770
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, (story of) cloelia
Inscriptions: collector's mark: Lugt 2233

Cloelia en twee vrouwen staan met een paard langs de Tiber. In de ondermarge twee maal een drieregelige tekst in het Duits en Latijn.
The Aoi Chapter from "The Tale of Genji" (Genji Aoi), from a series of Genji parodies
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Bezuidenhout
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: m.m. couvée
Artist role: publisher
Subjects: storm on land
Inscriptions: collector's mark: Lugt 2228

Een omgewaaide boom bij een brug in Bezuidenhout, na de storm. Onderdeel van het album met tien losse steendrukken met voorstellingen van de schade aangericht door de 'Pinksterstorm' van 28 mei 1860 in het Haagse Bos en omgeving.
Balestra. Commandant Colonel of the first Infantry Regiment of the Provisional Government in Greece, organized in the commencement of the Struggle at Calamate in the Morea
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: london
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228

Prent maakt onderdeel uit van een serie portretten van figuren betrokken bij de Griekse onafhankelijkheidsoorlog. Deze serie is uitgegeven door Adam Friedel in verschillende delen en edities.
Chalice
Object type: chalice
Date: 1701 – 1800
Materials: glass
M. Paul Cambon
Object type: page
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘Journal le Nord Contemporain, No 6, année 1882’, inscription: ‘Préfet du Nord/ Nommé Ministre-Résident de la République Française à Tunis’, inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’
Vest
Object type: vest
Date: 1874 – 1874
Materials: cotton, silk
Culture: american
5 kopeken uit Rusland van tsaar Alexander I, 1803
Object type: coin
Date: 1803 – 1803
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels, met op zijn borst door ridderorde omhangen wapenschild en met in zijn poten scepter en bol met daarop kruis. Boven de adelaar een kroon. Rondom de adelaar op een aantal cirkels 5 stippen als waarde-aanduiding. Keerzijde: binnen een op een aantal cirkels, waarop 5 stippen als waarde-aanduiding. waarde-aanduiding in twee regels, waaronder jaartal. Daronder de letters E M [=Ekaterinenburg]. Kabelrand.
Cup with cover
Object type: cup with cover
Date: 1736 – 1795
Materials: jade
Culture: chinese
Lijst voor miniatuur van tin-loodlegering
Object type: frame
Date: 1850 – 1899
Materials: alloy, glass, gold, lead, paper, tin, velvet
Location: unknown
Artist: Anonymous

Lijst voor miniatuur van tin-loodlegering, ovaal, in neo-klassicistische stijl met parel- en ribbelrand, bekroond door een strik. In de lijst een stuk zwarte fluweel.
Candlestick
Object type: candlestick
Date: 1845 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Subjects: dolphins
Hieronymvs Savonarola
Object type: print
Date: 1572 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: priest, politician
Inscriptions: collector's mark: Lugt 2228

Portret van Girolamo Savonarola, Italiaanse Dominicaner monnik. Buste naar links. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van beroemde Europese geleerden.
2. Rhiensberger Strasse
Object type: photograph
Date: 1870 – 1875
Materials: cardboard, paper
Techniques: albumen print
Subjects: ploughing
Card Number 586, Miss Sutherland, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Actors Nakamura Kashiwagi as a Wakashu (second from right), and Three Unidentified Actors as Yakko
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Horsemen in Combat
Object type: print
Date: 1865 – 1865
Materials: ink, paper
Techniques: drypoint, etching
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
's-Hertogenbosch, vroedschapspenning op de aanleg van de steenweg van 's-Hertogenbosch naar Eindhoven
Object type: council medal
Date: 1741 – 1741
Materials: silver
Techniques: striking
Location: den bosch
Artist: theodorus everardus van berckel
Artist dates: 1708 – 1770
Subjects: den bosch
Twee mannen met een hoofddeksel
Object type: drawing
Date: 1936 – 1940
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: caricatures (human types), adult man
Inscriptions: collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een illustratie bij het boek 'Gargantua en Pantagruel' van François Rabelais.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1857 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, maurice (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Scheppingsverhaal
Object type: album leaf
Date: 1750 – 1816
Materials: paper
Techniques: engraving, etching
Subjects: 'in the beginning ...' the ordering of chaos (genesis 1:1-2)

Drie ingeplakte prenten van onderdelen van scheppingsverhaal. Onderdeel van het tweede van twee albums met ingeplakte prenten en tekeningen te dienen als tekenvoorbeelden.
Design for T-Cart, no. 3329
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Civil official
Object type: figure
Date: 501 – 600
Materials: earthenware, pigment
Culture: chinese
Subjects: men
Satyr
Object type: statuette
Date: 1601 – 1700
Materials: ivory
Subjects: satyrs

The half man, half goat was one of the bucolic figures of the classical Roman imagination that was embraced by Renaissance artists. The Baroque carver of this pair (see pendant figure 24.80.83) emphasizes the Satyr's crude and lusty aspect. The popularity of the motif speaks to the understanding that these woodland creatures are more or less suppressed aspects of the human spirit.
Table
Object type: furniture
Date: 1750 – 1790
Materials: wood
Location: newport
Artist: john townsend
Artist nationality: american
Artist dates: 1732 – 1809
Subjects: furniture
Middelhoek: de buiten-plaetse van den H. Anthony Bierens: aen de Vechtsyde / Middelhoek; l place du S. Anthoine Bierens, sur le Vecht
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
De Goude Tafel der Toon-Brooden
Object type: book illustration
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: table of the showbread in the tabernacle ~ jewish religion
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1683, dl. 2, p. 326.
Odysseus en Mercurius voor Circe
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: rome
Subjects: mercury gives ulysses the magic herb 'moly', a countercharm, ulysses' companions changed into swine: when they drink from the cup offered by circe, the enchantress, ulysses' companions change into swine (ovid, metamorphoses xiv 276)
Inscriptions: collector's mark: ‘Hinloopen’

Naar een fresco door Annibale Carracci in de Camerino Farnese in het Palazzo Farnese te Rome.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Stoomlier en groeve in de mijnen van de Banka-tinwinning te Blinjoe
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, machine driven by steam
Inscriptions: inscription

Albumblad met drie foto's van de stoomlier en een groeve in de mijnen van de Banka-tinwinning te Blinjoe. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Portret van een vrouw met muts, staand bij een stoel
Object type: carte de visite
Date: 1853 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: françois deron
Artist role: fotograaf
Artist dates: 1819 – 1876
Subjects: standing figure, historical persons - bb - woman, head-gear: hat
Inscriptions: inscription: ‘F. Deron/ photographie/ 13, Rue de la Madeleine, 13/ Bruxelles’
Bewind van de hoepelrokken
Object type: print
Date: 1850 – 1870
Materials: paint, paper
Techniques: hand coloring, lithograph
Location: epinal
Artist: Anonymous
Subjects: skirt (crinoline skirt) (+ women's clothes)
Inscriptions: collector's mark: Lugt 1641, : ‘Propriété de l'Editeur. Déposé’, stamp

Volksprent met grappen over de hoepelrok of crinoline. De rokken van vrouwen hadden een wijde omtrek wat voor veel onhandigheden zorgden. Zo past een vrouw niet door de deur heen en een andere vrouw mag niet mee in een koets. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De crinolinetijd.
Landschap met herders en herderinnen
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: honey-comb, pegasus, the winged horse, making music; musician with instrument, dancing, grave, tomb
Inscriptions: collector's mark: Lugt 240

Allegorische voorstelling met herders en herderinnen in een landschap. Zij maken muziek, dansen, trouwen, en bewerken het land. Links op de achtergrond Pegasus. Rechts op de achtergrond treurende vrouwen rond een grafmonument. In de lucht twee putti met een bijenkorf (een symbool van welsprekendheid) en twee putti met een banderol waarop een devies in het Latijn. In de marge een zesregelig gedicht, in twee kolommen, in het Frans.
Borders (2)
Object type: border
Date: 1834 – 1866
Materials: linen
Techniques: crochet
William IV sovereign
Object type: sovereign
Date: 1832 – 1832
Materials: gold
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: kings,profiles,coat of arms
Onction, et Consecration, des Prêtres
Object type: book illustration
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ritual practices ~ purification, blessing (non-christian religions)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Cunaeus, Petrus. La republique des Hebreux, 3 delen. Amsterdam: Pieter Mortier, 1705, dl. I, p. 157.
Vase
Object type: vase
Date: 1701 – 1733
Materials: biscuit, enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: birds,flowers
Studie van een vrouw
Object type: drawing
Date: 1857 – 1857
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Globular Jar
Object type: jar
Date: 401 – 600
Materials: pottery
Techniques: firing
Culture: korean
Portret van Thomas McCall Anderson
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: glasgow
Artist: Anonymous
Subjects: historical persons, physician, doctor, professor

Prent op zeventiende ongenummerde pagina na pagina 128.
Portret van een hond op een stoel
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed, dog