deem-data/ArtiFact huggingface dataset:
Het Mes
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: bread, loaf, tools, aids, implements ~ crafts and industries: knife
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 130.
Kabuki Actor Ichikawa Monnosuke II as Shinozuka in a Shibaraku (Stop Right There!) Scene
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: swords,men,actors
Design for 4 seat Rockaway, no. 3808
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Antieke vaas met medaillon met lachende kop
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: aquatint, etching
Location: london
Artist: patrick begbie
Artist role: print maker
Artist dates:  – 1820
Subjects: ornament ~ medallion, vase ~ ornament, owls, dragon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een antieke geornamenteerde vaas met medaillon met lachende kop met vrouwelijke figuren aan weerszijden en bekroond door een uil. Met twee oren met draakachtige figuren.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, back of head of a male to right
Coin Depicting the God Dionysos
Object type: coin
Date: 234 – 201
Materials: metal, silver
Culture: greek
Location: greece
Inscriptions: Reverse: KYΔΩ

The front (obverse) of this coin depicts the laureate head of the God Dionysos, facing to the right. On the back (reverse) is a crescent.
Zes verschillende levensfasen
Object type: print
Date: 1844 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: hilmar johannes backer
Artist role: print maker, printer
Artist dates: 1804 – 1845
Subjects: the ages of man, human life divided into stages
Inscriptions: collector's mark: Lugt 2228

In zes scènes worden de verschillende levensfasen van de mens getoond. In het midden zit een oude man met pelgrimsstok in een landschap. Rondom een baby in een wieg, een verliefd jong koppel, een oud koppel, een oude man en een volwassen koppel bij een graf.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, bird; part of crest, mane, neck, back, and abdomen of a horse to right
De dichter
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: scenes symbolizing 'vanitas', the 24 hours of day and night, bard, lyric poet, personifications ~ the life of man

De dichter (Poeta). Staande man in lange mantel, op de grond liggen boeken en papier, rechts een inkpot en veer. Met twee vierregelige verzen in het Italiaans. Genummerd rechtsboven: 15. Onderdeel van de serie 'De vierentwintig uren van het menselijk geluk'.
Manuscript Sampler
Object type: manuscript sampler, fraktur
Date: 1800 – 1800
Materials: ink, paper, watercolor
Culture: american
Location: united states
Portret van een onbekende jongeman
Object type: locket
Date: 1880 – 1910
Materials: paper, glass, metal
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons
Girl with a basket
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2228, mark: Lugt 3020-3023, mark: Lugt 1375, mark: Lugt 654, mark: Lugt 402, mark: Lugt 533 b
Exterieur van het Panthéon te Parijs
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: façade (of house or building), cult of the dead
Inscriptions: number: ‘Fig. 131.’, inscription: ‘Reproduction einer (...) Februar 1853.’
Annam, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Chess Piece, Pawn
Object type: chess piece
Date: 801 – 1100
Materials: stone
Location: western islamic lands
Subjects: chess
Interieur van de kathedraal van Chartres
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: parts of church interior: transept
Ceremonial Knife (Tumi)
Object type: knife
Date: 101 – 700
Materials: copper, shell
Techniques: casting
Culture: moche
Location: peru
Le Magasin de Meubles
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Twee fauteuils die elkaar spiegelen en samen een bank vormen. Prent uit 85e Livraison.
Pincushion and ribbon
Object type: pincushion and ribbon
Date: 1745 – 1750
Materials: silk

PC refers to Prince Charles, the young pretender, and "Down with the Rump" as a Jacobite slogan is frequently found at the time of the 1745 invasions.
Versieringen voor vliegers
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: hand coloring, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: sun as celestial body, the soldier; the soldier's life, moon as celestial body
Inscriptions: collector's mark: Lugt 1641, stamp

Blad met acht voorstellingen van figuren om uit te knippen en op een vlieger te plakken, waaronder de zon, de maan en Romeinse soldaten. Genummerd midden boven: No. 61. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Schiavone (Gregorio). Portrait d'un inconnu. Musée Jacquemart-André
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1939 – 1939
Materials: ink, paper
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: arnhem, mien cambier van nooten, dollmaker, textile artist, nelly johanna hagelen-schilt, literature ~ arts
Groupe de colonnes du Palais de Louxor, Thèbes
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,columns,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Gezicht op de bron van de Reuss, Zwitserland
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: mountain-range, snow peaks, spring, source of river or stream
Inscriptions: number: ‘No. 701’, inscription: ‘S/P’
Terracotta statuette of a seated goddess
Object type: statuette of a seated goddess
Date: 300 – 201
Materials: terracotta
Culture: cypriot
Subjects: goddess

The seated figurine, probably a goddess of the Kition type, is mold-made and solid. The back is handmade and flattened.
Brug voor zwaar railtransport
Object type: photograph
Date: 1924 – 1924
Materials: photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: colonial system, bridge, java
Inscriptions: date

Brug voor zwaar railtransport over een ravijn met rivier. Brug met een spanning van 28 meter, geleverd in 1924, voor de Suikerfabriek Medarie te Yogyakarta. Onderdeel van een groep van losse, grotere foto's van verschillende soorten machines van de N.V. Machinefabriek Braat te Soerabaja, uit de periode ca. 1920-1940.
Portret van Willem Roukens
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mayor
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXV.
Standing cup
Object type: standing cup
Date: 1741 – 1741
Materials: glass
Subjects: men,coat of arms
The East Coast
Object type: print
Date: 1924 – 1925
Materials: paper
Techniques: drypoint
Location: suffolk
Artist: martin hardie
Artist role: print maker
Artist dates: 1875 – 1952
Subjects: farm (building)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, annotation: ‘Martin Hardie’
Portret bruin papier
Object type: document
Date: 1923 – 1924
Materials: paper
Techniques: typewriting
Artist: Anonymous
Subjects: printing ~ film

Handleiding bestaande uit drie pagina's met een beschrijving van het belichten en ontwikkelen van Palion-ontwikkelpapier, wat op 1 januari 1923 op de markt is gebracht.
Covered Incense Burner
Object type: covered incense burner
Date: 1662 – 1722
Materials: copper, enamel
Techniques: enamel
Culture: chinese
Subjects: dragons
Landschap met bebouwing
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Pagina 28 uit een schetsboek met 21 bladen.
Paard of koe in een landschap
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: cow, horse, farm or solitary house in landscape
Inscriptions: kleurnotitie, handgeschreven

Paard of koe in een landschap. Blad 10 uit een schetsboek met 31 bladen.
Picture Book of Crawling Creatures (The Insect Book) (Ehon mushi erami) 画本虫撰
Object type: illustrated book
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: japanese
Artist: kitagawa utamaro 喜多川歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: insects,flowers

Utamaro was a pupil of the Kanō school painter Toriyama Sekien (1712–1788). Each double-page illustration of insects and reptiles has a pair of kyōka—"comic poems on the feelings of love"—inspired by the images. Here, the kyōka involve an evening cicada and a spider: Evening cicada, is it you who steals the right moment to fly into another's arms? But you cry constantly like a poor soul living one day at a time. A spider returning to his nest reminds me Of a man furtively dragging his clothes and creeping up to a lady's boudoir.
Tripod Cauldron of Ran (Ran ding)
Object type: vessel
Materials: bronze
Location: china

On this vessel, monster masks are cast in bold, high relief against a background of finely squared spirals, in a style that reflects the fullest development of Shang surface design. Each mask is composed of prominent horns, eyes, nose, upper jaw, and ears. The low ridge or flange, which bisects each mask, marks a division in the clay mold assembly used to cast this vessel. This type of three-legged cauldron is the most common of all ritual vessels; even after the end of China's Bronze Age, it remained a symbol of the political authority and legitimacy of the ruling house. Cast on the inside wall is the family emblem: Bing.

Originally golden in color, this vessel developed a surface corrosion or patina during centuries of burial underground. It was subsequently cleaned, recoated, and darkened probably by heating. The resulting smooth, blackish brown surface is characteristic of many bronzes that have come down to us from collections of the 19th century and earlier. This vessel had been in the collection of the eminent court official Duanfang (1861-1911).
Box
Object type: box
Date: 1701 – 1800
Materials: porcelain
Culture: japanese
Subjects: human figures,dragons
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent yellow. Very fine, outsplayed rim; cylindrical neck, with horizontal tooled indent around base; piriform body; slightly concave bottom. Intact, except for small chip in rim; pinprick bubbles; slight pitting, faint weathering, and iridescence on exterior, whitish weathering on interior.
De Schaatsemaaker
Object type: book illustration
Date: 1694 – 1694
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: craft-production, skilled handiwork (+ men (labourers)), ice ~ freezing weather, skates (winter sports), severe winters
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een schaatsenmaker bezig in zijn werkplaats met het maken of slijpen van schaatsen. Genummerd rechtsboven: 69. Ingekorte plaat. Bedrukt met tekst op achterzijde. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Schaatsenrijden.
Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: insignia
Date: 1787 – 1787
Materials: silver
Techniques: engraving, fastening, striking
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft

Zilveren draagteken aan draagoog. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift; op keerzijde zijn nog twee nagels zichtbaar, waarmee voor- en keerzijde aan elkaar zijn bevestigd
Cup
Object type: cup
Date: 1723 – 1735
Materials: porcelain
Culture: chinese
Het banket te Bethanië
Object type: print
Date: 1580 – 1580
Materials: ink, paper
Techniques: etching
Location: antwerp
Artist: hans bol
Artist role: draughtsman, print maker
Artist dates: 1534 – 1593

De voortekeningen voor de reeks zijn gedateerd 1568; de etsen hiernaar maakte Hans Bol ruim tien jaar later in 1580 (zie datum op de derde prent uit de reeks). De voortekening voor deze ets bevindt zich in bij e Stichting P. & N. de Boer, Amsterdam. De prent is gemonteerd op de versozijde van een 17de-eeuws (?) albumblad met op de verso een tegendruk van een andere prent.
Behangselschildering met siervaas
Object type: hanging
Date: 1776 – 1776
Materials: canvas, oil, paint
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: netherlands
Hotel "De Keizerskroon"
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: apeldoorn
Artist: Anonymous
Subjects: hotel, hostelry, inn
Filips II, koning van Spanje, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1597 – 1597
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: philip ii of spain

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild, omhangen met de orde van het Gulden Vlies binnen omschrift
Flowers of All Seasons
Object type: painting
Date: 1634 – 1666
Materials: gold, gold leaf, ink, panel, paper
Location: japan
Artist: Anonymous
Gezicht op de kliffen bij Bonifacio op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: coastal cliff or crag

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Tijd knipt de vleugels van Cupido
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: punishment of cupid, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Christopher Lennox-Boyd suggereert dat de prent beschreven onder Goodwin 209 bestaat uit drie verschillende platen, zie
de beschrijving bij R,2.59 in het British Museum.
Lappet
Object type: lappet
Date: 1700 – 1750
Techniques: lace
Canopic jar of princess Any
Object type: canopic jar
Date: 1550 – 1295
Materials: limestone, linen, paste
Location: egypt
Subjects: princesses,hieroglyphs
Twee mannen voor een grote boom
Object type: album leaf
Date: 1605 – 1653
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trees, (traveller) resting in the open air, forest, wood

Op een pad voor een grote boom bevinden zich twee mannen, de een zit en de ander leunt op zijn wandelstok. Op de achtergrond een bosrand. Rechtsonder genummerd: 5. De prent maakt deel uit van een album.
Sampler
Object type: sampler
Date: 1801 – 1850
Subjects: human figures,birds
Stroomversnellingen bij Moengo
Object type: photograph
Date: 1925 – 1935
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: rapids, archer's weapons: bow and arrow, fresh-water fishery, suriname
Inscriptions: name: ‘Leonar 48 / Leonar 28’

Albumblad met twee (gekochte) foto's van een met pijl-en-boog jagende visser bij stroomversnelling en watervallen in de rivier Cottica bij Moengo. Onderdeel van het fotoalbum van Theodoor Brouwers over Suriname ca. 1930.
Portretten
Object type: titelblad, titelpagina
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Cremer, Jacob. Daniël Sils. Arnhem: Nijhoff en Zn, Isaac Anne, 1856.
Isis nursing Horus in the marshes depicted on a fragment from a box lid or menat counterpoise
Object type: box lid, menat, isi in marsh, horus
Date: 1070 – 664
Materials: stone
Techniques: glazing
Location: egypt
Subjects: horus,isis,nursing

The fragment depicts the goddess Isis nursing her infant son Horus concealed in the tall papyrus marshes. There she is hiding the baby from his uncle Seth who wants to kill Horus because he is Osiris's heir, just as Seth had killed Osiris. Images of Isis nursing Horus in the marshes or of a falcon in the marshes (as 08.202.15), are newly prominent in the Third Intermediate Period, part of the exploration and elaboration of Delta mythologies at this time, especially those around goddesses and their sons. The marshes were repeatedly evoked on small objects and talismans as a magical space where mythic moments are set in an idyllic surrounding. Isis wears a crown with a disk and horns, and both she and infant Horus, who gazes upward at his mother, have large uraei on their foreheads. Traces of blue-green glaze remain on the surface of the stone, and darker blue inlay remains in the goddess's hair. Remains of a hole may be noted at the upper break edge.The original object might be the upper part of a menat counterpoise, or possibly the lid of a small cartouche-shaped box.
Lieutenant General Sir H.J.W. Bentinck, K.C.B.
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Betaalpenning (huismunt) met een waarde van tien cent, voor strafgevangenis Leeuwarden
Object type: tien cent
Date: 1824 – 1847
Materials: iron
Techniques: printing
Location: leeuwarden
Artist: Anonymous

Ronde blikken schijf met vier instempelingen.
Portret van Johann Gaudenz, Freiherr von Salis-Seewis
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving
Subjects: historical persons, politician, e.g. party leader, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Salis-Seewis, Johann Gaudenz Freiherr von. Gedichte. Zürich: Orell Füßli und Companie, 1800.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Small perfume bottle Colorless with pale blue green tinge. Rim folded out, over, and in, and partlially pressed into lobsided, slanting mouth; cylindrical neck, with faint tooling marks around base; slanting shoulder, with tooling marks below; squat body with rounded sides; flattened bottom. Intact, except for small chip in rim; many pinprick bubbles; dulling, faint iridescence, and patches of creamy weathering on interior.
Isola dei Pescatori (Lago Maggiore)
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: como
Subjects: island, lake, mountains
Inscriptions: monogram: ‘S.G.’