deem-data/ArtiFact huggingface dataset:
Portret van Jacob van Oost I
Object type: print
Date: 1822 – 1854
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: bruges, painter, print maker, jacob van oost (i), adult man, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschilt. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Portret van Johann Michael Weickmann
Object type: print
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Monumental Altar, Plate L from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: johann michael leüchte
Artist role: artist
Artist nationality: german
Subjects: human figures,altars,angels

Ornament print with a design for an altar in a late Baroque style, with a reliquary crowned by a vase on top of the altar table. The pediment above is characterized by a large oval compartment, left blank. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1909 – 1922
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Subjects: square, place, circus, etc.
Inscriptions: number: ‘16.’, inscription: ‘Rechts de Stadsschouwburg (...) de Koepelkerk.’

Fotografische heruitgave van oorspronkelijke stereokaart.
Panel from a Sarcophagus Depicting the Abduction of Persephone
Object type: sculpture
Date: 190 – 200
Materials: marble
Culture: roman
Subjects: underworld, chariots, goddesses, gods (deities), horse

This panel—once the long side of a sarcophagus, or coffin––depicts the abduction of the maiden Persephone by Hades, the Greek god of the underworld. On the left, Demeter, the Greek goddess of the harvest, drives a chariot in search of her daughter. Kneeling in front is Persephone, who looks upward in the moment before her abduction. On the right, Hades flees with the girl thrown over his shoulder.

While searching for her daughter, Demeter stopped cultivating the land, and a great famine ensued. The supreme god Zeus intervened, commanding Hades to release Persephone so that Demeter might restore fertility to the earth. Before doing so, Hades tricked Persephone into eating pomegranate seeds, which required that she return to the underworld for part of every year.

The theme of death and regeneration is central to this myth. In the Greek and Roman worlds, it explained the changing seasons and the agricultural cycle. When Persephone descended to the underworld, the earth lay fallow. When she returned, abundance was restored. The myth was also considered appropriate for the decoration of a sarcophagus: to be taken by Hades was a popular metaphor for death itself.
Betty Lamp
Object type: betty lamp
Date: 1700 – 1800
Materials: iron
Passus sub Pontio Pilato crucifixus mortuus et sepultus
Object type: album leaf
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ's entombment (possibly by angels), crucified christ with mary magdalene, who usually weeps and embraces the cross, 'passus sub pontio pilato, crucifixus, mortuus et sepultus est' ~ articles of faith

Illustratie van het vierde geloofsartikel ([Christus] die geleden heeft onder Pontius Pilatus, is gekruisigd, gestorven en begraven) van de apostolische geloofsbelijdenis. Maria Magdalena knielt onder het kruis. Op de achtergrond de graflegging. Deze prent maakt deel uit van een album.
Glass finger ring
Object type: ring
Date: 201 – 300
Materials: glass
Culture: roman

Translucent cobalt blue. Solid hoop, flat on both sides, with projecting shoulders, and flat rectangular bezel; circular shape to inside of hoop. On bezel, engraved long object, perhaps a leaf, tapering to one end; on shoulders, comic masks carved in relief, with hair on edges on bezel, sunken eyes, broad nose, large round mouth and long beard extending around outside of hoop. Intact, but with a few tiny chips on inside edge of hoop; a few bubbles; dulling, surface scratches, and faint weathering.
Osborne
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: albumen print
Location: isle of wight
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Turks infanteriesoldaat (Janitsaar)
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: asiatic races and peoples: turks, land forces
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frank Hertz, 1711, dl. II, p. 299. Het betreft hier de tweede druk van deel II.
Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Object type: drawing
Date: 1740 – 1760
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, bolognese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: ornament
Wooded Landscape with Sheep
Object type: drawing
Date: 1681 – 1681
Materials: chalk, paper
Artist: jan van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1705
Subjects: forest, wood
Papyrus Column (wadj) Amulet
Object type: amulet, papyrus scepter
Date: 712 – 332
Materials: wood
Location: egypt
Mercurius en Cupido op een wolk
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) mercury (hermes), (story of) cupid, amor (eros)

Illustratie voor: Bonaventure Des Perriers, Jean. Cymbalum mundi, ou Dialogues satyriques sur differens sujets. Amsterdam P. Marchand, 1711. Ook in latere edities van hetzelfde werk gebruikt.
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: interior of industrial structures (regardless of the materials processed or the products made
Inscriptions: number: ‘E.9.’, number: ‘9.’, inscription: ‘(Zie pl. 8.)’
The Triumph of Bacchus
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, italian?, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: women,bacchus,horses,lions
De beide geallieerden
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: paris, names of literary characters, historical persons, female literary characters, (scenes from) specific works of literature: goethe, faust, political caricatures and satires, alliance, league, union, foedus
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 29 augustus 1897.
Plate
Object type: plate
Date: 1501 – 1600
Materials: glass
Subjects: pegasus
The Fifth Month
Object type: print
Date: 1748 – 1748
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Subjects: helmets,men
Koperen 1 cent muntje uit Nederlands-Indië
Object type: coin
Date: 1700 – 1900
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘1 Ct’, inscription: ‘Jacques Schulman / Numismaat / Keizersgracht 448 / Amsterdam-C.’, inscription: ‘NEDERL / INDIE’

Koperen muntje van 1 cent uit Nederlands-Indië. Voorzijde: opschrift. Keezijde: gekroond wapen met leeuw erin. Links van het wapen een 1 en rechts van het wapen een Ct. Het muntje zit in een envelopje met opschrift.
Sword
Object type: sword
Date: 1795 – 1810
Materials: silver
Culture: american
Location: united states
Theatrum artis scribendi
Object type: album leaf
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, calligraphy
Inscriptions: signature and date: ‘Op titelblad: Judoco Hondio celatore. Amstelodami apud Joannem Janssonium. 1614’

Schrijfvoorbeeld in een gotische hand met een vijf regels tekst in het Spaans. Onderaan een onderkastalfabet in de betreffende hand. Het voorbeeld is gevat in een rolwerkcartouche. De prent maakt deel uit van een album.
Heilige Agnes
Object type: text sheet
Date: 1653 – 1654
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: the virgin martyr agnes of rome; possible attributes: lamb, ring, st. agnes tied to the stake remains unharmed; the executioners are consumed by the fire

De heilige Agnes met palmtak en lam. Op de achtergrond staat ze op de brandstapel. Omdat haar lichaam echter door de vlammen ongedeerd bleef werd Agnes vervolgens onthoofd. Linksboven: rr.2. Met begeleidende tekst over de vervolging van de Christenen ten tijde van het Romeinse keizerrijk. Het blad maakt deel uit van een album.
Noordzijde van de Dam met de Nieuwe Kerk en de ingang van de Nieuwendijk
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: albumen print
Location: dam
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Hendrik Groote Kalverstraat 43, Amsterdam. Photographic stores. Views from Holland. Photographs from ancient and modern dutch Paintings. Fines ans most complete Collection.’

Onderdeel van Fotoalbum met opnames van het centrum van Amsterdam en reclameteksten voor winkels en bedrijven.
Portret van Antoine Furetière
Object type: print
Date: 1688 – 1699
Materials: paper
Techniques: engraving
Subjects: paris, scholar, philosopher, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Brand in een huis op de Leidsegracht, 1684
Object type: print
Date: 1690 – 1735
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan van der heyden
Artist role: draughtsman, painter, print maker
Artist dates: 1637 – 1712
Subjects: painter, print maker, draughtsman, jan van der heyden, on fire, ablaze, fire-fighting, fire-extinguishing equipment, severe winters

Prent ook gebruikt in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 1e druk. Amsterdam: Jan Rieuwertsz. (II), 1690. En in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 2e druk. Amsterdam: erfgenamen Jan van der Heyden, 1735.
Elephant Carrying Two Figures Seated on Hawda and Mahout Seated on Neck
Object type: figure
Date: 1067 – 1200
Materials: glaze, stonepaste
Techniques: molding
Location: iran
Subjects: human figures,elephants

A UV-fluorescence analysis shows 20th-century additions to this medieval work.
India, sjah Alam II, roepie, 1174 [=1760], geslagen te Banaras
Object type: coin
Date: 1760 – 1760
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens in drie regels opschrift. Keerzijde: in Arabische lettertekens in vier regels opschrift met aanduiding regeringsjaar 2 [=1174] en aanduiding muntplaats: Banaras.
Pampano, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: mermaids,fish

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Plate
Object type: plate
Date: 1750 – 1760
Materials: earthenware
Techniques: glazing
Subjects: houses,trees

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Fragment
Object type: textile
Date: 1601 – 1625
Materials: silk, velvet
Techniques: cutting, satin weave, voiding
Location: italy
Elsa, called The Viennese
Object type: print
Date: 1897 – 1897
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Vignet met schildersattributen
Object type: print
Date: 1771 – 1817
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: palette, frame of painting, etc.
Inscriptions: collector's mark: Lugt 240
Roundel with the Temptation of Saint Anthony
Object type: roundel
Date: 1532 – 1532
Materials: glass, paint, pigment
Culture: german
Subjects: demons,coat of arms

Saint Anthony Abbot's test of faith at the hands of a clutch of demons is represented here in a charming, if somewhat naive, Late Gothic style. Dressed as an abbot, the saint holds a crosier, which terminates in a tau cross and a mendicant's bell; he is surrounded by fantastical beasts. The inscription suggests that the roundel was a donation by a local priest, who kneels before the saint next to his coat of arms. This roundel is stylistically consistent with other works known to have originated in southern Germany. The inscription names the village of Kappel and its priest in 1532.
Female Figure
Object type: female figure
Date: 1000 – 901
Materials: ceramic
Culture: tlatilco
Location: mexico
Subjects: women
Design for Vis-à-vis/ Caleche, no. 582
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
A scene in Kroll's Garden,-most famous beer garden in Berlin, Germany
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: berlin
Artist: Anonymous
Subjects: pavement, terrace in front of inn or restaurant, berlin
Inscriptions: copyright notice: ‘Copyright 1902 by H. C. White Co.’, inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ Patented April 14, 1903. Other Patents Pending.’, number: ‘2102’, inscription: ‘A Scene in Kroll's Garden, Berlin, Germany./ (...)’
Roundel with Ben-Hadid and the Siege of Samaria
Object type: roundel
Date: 1525 – 1525
Materials: glass, paint, pigment
Culture: south netherlandish
Location: south netherlands
Subjects: tents,soldiers,cannons,men,drinking,tables
Page of Calligraphy from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: illustrated manuscript
Date: 1501 – 1600
Materials: ink, paper
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry
Ornemens à la Mode
Object type: ornament print
Date: 1680 – 1690
Materials: paper
Techniques: etching
Location: france
Dordrecht
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: collector's mark: Lugt 195

Gezicht op Dordrecht, gezien vanaf het water. In het water verschillende schepen. Rechts op de achtergrond de Grote of Onze-Lieve-Vrouwekerk. Boven in het midden het stadswapen en de titel. Onder de afbeelding een beschrijving van de stad in het Nederlands en in het Frans.
Een moeilijke plaats uit den talmud
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: engraving
Location: paris
Artist: meijer isaäc de haan
Artist role: painter
Artist dates: 1852 – 1895
Subjects: studying the torah, the talmud, etc. ~ personal duties in jewish life
Inscriptions: collector's mark: Lugt 4780

Drie mannen met hoeden zitten rondom een tafel met daarop een aantal boeken. Op de achtergrond staat een deur van een kast open.
Gezicht op Mont-Saint-Michel
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: mont-saint-michel
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: collector's mark: ‘RIJKS [NORMA]ALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDA[M]’, annotation: ‘Mont St. Michel’, annotation: ‘Mont S. Michel.’, annotation: ‘Frankrijk 22’
De Vierdaagse Zeeslag, 1666
Object type: print
Date: 1848 – 1855
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter, battle (+ naval force)

Uitgegeven in: P.J. Schotel, Heldendaden der Nederlanders ter zee, van de vroegste tijden tot op heden, naar aanleiding van de: Geschiedenis van het Nederlandsche zeewezen, Frans Buffa en Zonen, Amsterdam 1850-1855, pl. 25. Zonder de uitvoerige beschrijving vermeld bij Muller.
Lakenverver
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: dyeing of cloth, handicrafts, craftsman at work
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 37. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Study of Two Women
Object type: drawing
Date: 1755 – 1755
Materials: chalk
Techniques: heightening
Location: france
Artist: etienne jeaurat
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1789
Subjects: women

Jeaurat was one of Saint-Aubin’s mentors at the Académie Royale. He had been accepted as a history painter but earned his reputation with subjects of outdoor life in Paris. Unlike Saint-Aubin, whose figures draw on the full expanse of Parisian society, Jeaurat’s repertoire centered primarily on those of lower social rank. His often tawdry scenes elicit more laughter than empathy.
Handle Spout Vessel with Relief Depicting a Standing Figure, Holding Farming Tools
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Two Women and a Maid, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)"
Object type: print
Date: 1783 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Erinnerung an Rübeland und die Hermannshöhle. 10 verschiedene Ansichtskarten in feinster Ausführung
Object type: album
Date: 1907 – 1907
Materials: cardboard, paper
Techniques: photograph, printing block, stapling
Location: halberstadt
Subjects: stalactitic cave, city-view, and landscape with man-made constructions
Inscriptions: date

Album met tien prentbriefkaarten met voorstellingen van Rübeland en de Hermannshöhle. De prentbriefkaarten kunnen eruit gescheurd worden.
Pitcher
Object type: pitcher
Date: 1830 – 1831
Materials: earthenware
Culture: american
Location: united states
Artist: orcutt & thompson
Artist role: maker
Subjects: eagles
The Martyrdom of Saint Lucy
Object type: print
Date: 1575 – 1616
Techniques: etching
Artist: jacques bellange
Artist role: artist
Artist nationality: french
Artist dates: 1575 – 1616
Subjects: human figures,saints
America
Object type: print
Date: 1705 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: america represented allegorically; 'america' (ripa), native peoples of the americas
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Allegorie van het werelddeel Amerika. In een landschap staat een inheemse vrouw met een mand in het water. Een inheemse man met lendendoek met veren aan de oever reikt naar de mand. Een tweede inheemse man met een pijlenkoker loopt rechts een rieten hut binnen. Links tussen twee bomen hangt een hangmat. De man in het midden draagt een mantel en een parasol. In de ondermarge een tweeregelige Duitse en Latijnse tekst. Uitgeversnummer 7.
Bowl
Object type: bowl
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Design for a Firescreen (?)
Object type: drawing
Date: 1801 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: screens