deem-data/ArtiFact huggingface dataset:
Winterlandschap met figuren op een bevroren vaart bij de vestingtoren van Delft
Object type: sketchbook leaf
Date: 1825 – 1828
Materials: paper, pencil, watercolor
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: frost, freezing weather, towers ~ fortified city, skates (winter sports), delft
Inscriptions: annotation: ‘Blikman’, number: ‘71/ 60075’

Blad 86 recto uit een schetsboek met 95 bladen.
Rocky Mountain Scenery
Object type: stereograph
Date: 1876 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: wyoming
Artist: george w. thorne
Artist role: publisher
Subjects: bridge
Inscriptions: inscription: ‘Union Pacific/ R. R./ Stereoscopic Views,/ Across the Continent West from Omaha.’, inscription: ‘Bitter Creek Series, Continued./ 173. - Cut near Green River/ 174. - Cut Horses at Work, Green River/ 175. - Giant's Club, Green River (...)’, title: ‘Dale Creek Bridge’, number: ‘5’
Anatomieën van een Lori
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: christian gerhard rudolf meijer
Artist role: print maker
Artist dates: 1806 – 1875
Subjects: anatomical model of the veins, vein-man, monkeys, apes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gepubliceerd in: Vrolik, W. Recherches d'anatomie comparée sur le genre Stenops d'Illiger in: Nieuwe Verhandelingen der Eerste Klasse van het Koninklijk-Nederlandsch Instituut van Wetenschappen, Letterkunde en Schoone Kunsten. Amsterdam, C. G. Sulpke: 1843, afl. 2.
Twee armbanden met bloedkoraal
Object type: streeksieraad
Date: 1850 – 1878
Materials: gold, coral
Location: etten
Artist: adriaan haast
Artist role: goldsmith, jeweler, silversmith
Artist dates: 1822 – 1878

Twee armbanden van geregen bloedkoralen met een gouden slot. Het slot is gemerkt.
Takjes met bloemen
Object type: schetsblad
Date: 1880 – 1900
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: johanna behrend-croiset van der kop
Artist role: draughtsman, painter
Artist dates: 1861 – 1943
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Subjects: men
Boerderij en herder met zijn hond
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., farm (building), dog
Inscriptions: collector's mark: Lugt 240

Gezicht op een landschap met een boerenhoeve met op de voorgrond een herder met zijn hond. Links op de achtergrond een veld met koren.
Spoon with handle carved with putto playing a pipe
Object type: spoon
Date: 1744 – 1744
Materials: ivory, silver gilt
Subjects: putti
Ontwerpen voor rouwaankondigingen
Object type: print
Date: 1773 – 1805
Materials: paper
Techniques: etching
Location: veere
Artist: jacob schwartzenbach
Artist role: draughtsman, painter, print maker
Artist dates: 1763 – 1805
Subjects: urn, death's head, skull (symbol of death)
Inscriptions: collector's mark: Lugt 2228
Man met dolk en vrouw met harp in vijftiende-eeuws kostuum
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: harp, historical costume
Inscriptions: annotation: ‘1429./ 1440.’

Blad 36 recto uit een schetsboek met 58 bladen.
Chamberstick (one of a pair)
Object type: chamberstick
Date: 1816 – 1817
Materials: silver
Artist: william elliott
Artist role: maker
Artist nationality: british
Artist dates: 1754 – 1854
Preek van Thomas van Aquino in Parijs
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cologne, the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast) - early life of male saint, paris
Inscriptions: collector's mark: Lugt 2228

Thomas van Aquino houdt een preek in Parijs, waar hij in 1246 naar toe werd gestuurd en leerling werd van de Duitse filosoof Albertus Magnus. Thomas van Aquino preekt voor een grote groep monniken. In de marge een vijfregelig onderschrift in het Latijn. Vijftiende prent uit een serie van dertig prenten die het levensverhaal van Thomas van Aquino verbeelden.
L'inondation, scène en Suisse
Object type: print
Date: 1837 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: animals, walking-stick, staff, flood, father and child(ren), man and child(ren) (family group), switzerland
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4802
Vrouw begiet planten voor een cottage
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: watering plants, cottage
Inscriptions: inscription: ‘AL’
View from within the Roman Forum
Object type: drawing and watercolor
Date: 1600 – 1600
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: circle of willem van nieulandt ii
Inscriptions: Inscribed recto, lower left, in pen and brown ink: "Roma 1600"; verso, lower left, in graphite: "l: P. Bril/ P./ Nieulandt?/ MR"; lower right, in graphite: "XXXX"; "P. Stevens? JSH"
Interno del Colosseo
Object type: photograph
Date: 1855 – 1855
Techniques: paper negative, salted paper print
Artist: pietro dovizielli
Artist role: artist
Artist nationality: italian
Artist dates: 1804 – 1885
Subjects: amphitheatres,ruins
Hamlet
Object type: book
Date: 1864 – 1864
Materials: ink
Techniques: lithograph, pen
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Expulsion from Paradise
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: god expels adam and eve from paradise and has the tree of life guarded by an angel with a flaming sword
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Adam en Eva worden door engel met vlammend zwaard weggejaagd uit het paradijs. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 3, binnen rechthoekige omlijsting.
Kop van een hond, naar rechts
Object type: drawing
Date: 1812 – 1812
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: dog
Monument des Generals Kutusow.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: monument, statue (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘50.’, inscription: ‘Ansichten von St. Petersburg.’
Enquêteformulier ingevuld door Ezechiel Davidson
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: leiden
Subjects: leiden, ezechiel davidson
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portret van de vrouw van Edouard Epaulard
Object type: album leaf
Date: 1889 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: victor daireaux
Artist role: publisher
Subjects: historical persons - bb - woman
Inscriptions: name: ‘Madame E. Epaulard’, inscription: ‘Photographie/ V. Daireaux/ 156& 158, Rue de Rivoli,/ MÉDAILLÉ/ a/ l'Exposition Universelle/ 1889/ Ateliers/ 10, Rue Bailleul, 10/ Paris/ Les Clichés sont conservés No.’
Fraser (?) River, Warnock (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: rivers,landscapes,trees
Gipsafgietsel van de Venus van Milo
Object type: photograph
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: (story of) venus (aphrodite), sculpture
Aile, dite de François Ier. Chambre de la reine (1er étage) - Alcôve
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: blois
Subjects: castle, other rooms
Inscriptions: number: ‘PL. 41.’
Portret van Paul Mounet, Frans acteur
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: carbon print
Location: france
Artist: Anonymous
Subjects: portrait of actor, actress, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Lepel met het helmteken Clifford
Object type: spoon
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: town mark: ‘Amsterdam’, maker's mark: ‘RH in ovaal’, date letter: ‘X (=1806)’, alloy mark: ‘Hollandse leeuw’

De eivormige bak van de lepel is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Gezicht vanuit de duinen op Haarlem
Object type: drawing
Date: 1619 – 1690
Materials: chalk, charcoal, paper
Techniques: brush
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: dunes (sea not visible); in the dunes, prospect of city, town panorama, silhouette of city, haarlem

Pendant van 'Gezicht vanuit de duinen op Haarlem met ruïne van het Huis te Kleef', inventarisnummer RP-T-1905-18A.
Landschap met twee mannen in de deuropening van een houten hut
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: farm or solitary house in landscape
Zittende man op een stoel
Object type: drawing
Date: 1933 – 1933
Materials: chalk, paper
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ sitting), chair
Inscriptions: collector's mark: Lugt 2228
Covered Cup and Saucer
Object type: covered cup and saucer
Date: 1736 – 1795
Materials: porcelain, shell
Culture: chinese
Design for Brougham, no. 3820
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, paint, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Lady with a Turkish Headdress (hotos)
Object type: painting
Date: 1634 – 1666
Materials: canvas, oil
Location: iran
Subjects: fans,portraits,women

This arch-shaped portrait of a lady in Turkish costume was originally intended for a niche of the same shape in a palace or pleasure pavilion in 17th century Isfahan. It would have been displayed alongside other paintings of men and women dressed in diverse costume within an overall decorative program reflective of the cosmopolitan spirit of Isfahan at the time. These works are among the earliest oil on canvas paintings produced in Iran and precursors of the well-known life-size portraits of the eighteenth and nineteenth centuries. The style is an interesting synthesis of Persian, Indian, and Northern European conventions.
Portrait of a Young Woman with Pearl Earrings
Object type: drawing and watercolor
Date: 1632 – 1635
Materials: chalk, paper, pastel
Techniques: heightening
Location: france
Artist: simon vouet
Artist role: artist
Artist nationality: french
Artist dates: 1590 – 1649

In 1627 King Louis XIII called Vouet back from Italy with important painting and tapestry-design commissions. This work is one of a group of about 30 recently discovered small-format pastel portraits of the royal entourage made for the king’s amusement.
Hemelvaart van Maria Magdalena
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: the assumption of st. mary magdalene: she is lifted up to heaven by angels; sometimes a hermit looks up at her
Inscriptions: collector's mark: Lugt 2228

Maria Magdalena, haar naakte lichaam gedeeltelijk bedekt door haar lange haren, wordt omhooggevoerd naar de hemel door vijf engelen. Opdracht en drieregelige Latijnse tekst in ondermarge.
Sampler
Object type: sampler
Date: 1736 – 1736
Materials: linen, silk
Subjects: human figures,chickens
Pair of vases
Object type: vase
Date: 1795 – 1800
Materials: ivory
Artist: nikolai stepanovich vereshchagin
Artist role: artist
Artist dates: 1795 – 1813

The art of bone-carving in Russia is inseparably linked with the remote northern whaling city of Arkhangel'sk. Lack of academic training and his humble position in a customs office were not impediments to the most widely recognized Arkhangel'sk bone carver, Nikolai Stepanovich Vereshchagin, whose vases were commissioned as ambassadorial gifts of state and for the personal collection of Czar Alexander I. The oval body of each of these examples in the Neoclassical style is decorated with an ajouré (pierced) decoration, four circular medallions in relief, and a finial surmounted by the figure of Atlas. The design of the energetically curving floral stalks resembles ornament found in seventeenth-century Russian book illustrations, and the Four Elements–one in each medallion–were inspired either by the "Frankish" prints circulating in Russia since the seventeenth century or by images from the "Book of Symbols and Emblems" commissioned by Peter the Great in 1703 in Amsterdam. This elegant pair of vases is a particularly fine example of the work of Vereshchagin. "The noble and calm simplicity" of their form and the exquisite carving blend well with some stiffness in the rendering of the human bodies, which only adds to this artwork an air of soft, intimate charm.
Smallsword
Object type: arm
Date: 1650 – 1660
Materials: copper, metal alloy, metal, steel
Location: germany
Artist: blade: peter munch
Artist nationality: germany, solingen
Artist dates: 1595 – 1660
Portret van Christophe Léon Louis Juchault de Lamoricière
Object type: print
Date: 1830 – 1895
Materials: paper
Techniques: engraving
Artist: andrew duncan
Artist role: print maker
Artist dates: 1795 – 1855
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1850 – 1850
Materials: pottery
Culture: japanese
Carpet with a Compartment Design
Object type: carpet
Date: 1501 – 1550
Materials: silk, wool
Techniques: asymmetrically knotted pile
Location: iran
Subjects: ducks,dragons,phoenix
Eagle Attacking a Fish (one of five medallions from a coffret)
Object type: medallion
Date: 1110 – 1130
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: eagles,fish

The blue and green beasts, locked in battle and compressed into the circular medallion, are emblematic of goldsmith work created at Conques under the patronage of Abbot Boniface (r. 1107–after 1121). On a similar box still at Conques, an inscription proudly proclaims: “In all respects, the coffrets of Conques demonstrate brilliant workmanship.”
Vijf foto's van de Europese Rondvlucht te Soesterberg
Object type: album leaf
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: soesterberg
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: batavia, emilie albertine onnen-van den berg, activities in the air ~ public festivities, e.g. fly-past, pilot, historical persons
Inscriptions: inscription: ‘Weynmalen/ 's Aangapen van/ Weynmalen’, inscription: ‘Mama tul jr/ Mulert’, inscription: ‘Willy’, inscription: ‘Mevr. Koolhoven/ René Vidart./ (aviateur)’

Deze foto's maken deel uit van een album.
Pepper Box
Object type: metalwork
Date: 1720 – 1720
Materials: silver
Location: boston
Artist: william cowell, sr.
Subjects: dining, drinking
Inscriptions: Maker's mark on top of body, near handle: VC
Engraved at bottom at edge: 3.8
Engraved on bottom in script: R*Wyer || Christopher Wyer
Engraved on side in script: Sarah C. Wyer. 1830.
Woman Fantasizing
Object type: painting
Materials: ink, silk
Location: china
Artist: leng mei
Berlin. Einfahrt zur Unterpflasterbahn in der Kleistrasse
Object type: ansichtkaart, prentbriefkaart
Date: 1885 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: berlin
Artist: Anonymous
Subjects: underground railway, 'métro', street, berlin
Inscriptions: postage stamp
Mask (Sōmen) in the Shape of a Grimacing Man
Object type: mask sōmen
Date: 1701 – 1733
Materials: gold, iron, lacquer
Culture: japanese
Location: japan
Artist: myōchin munesuke
Artist role: armorer
Artist nationality: japanese
Artist dates: 1688 – 1735
Cloche van blauw haarvilt met een dubbele ripsband in groen en blauw
Object type: womenswear
Date: 1958 – 1965
Materials: cotton, felt
Location: amsterdam
Artist: katja robinski
Artist role: hoedenmaakster
Inscriptions: mark: ‘Katja Robinski Amsterdam’

Cloche van blauw haarvilt met een dubbele ripsband in groen en blauw en geelkoperen ring.
Design for the Upper Half of a Wall Elevation with a Semicircular Window
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: architecture,windows
Portret van Reimerus Ligarius
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: reading the bible or other religious books, hourglass
Inscriptions: collector's mark: Lugt 2228

Portret van Reimerus Ligarius, Luthers predikant te Amsterdam, op 50-jarige leeftijd. Op zijn schrijftafel ligt een opengeslagen bijbel en staat een zandloper. Rechtsboven een Bijbelcitaat uit 2 Tim. 3:16, in het Latijn. In de marge een vierregelig lofdicht in het Latijn, in het Duits en in het Nederlands.
Portret van Christian Friedrich Ruhe
Object type: print
Date: 1733 – 1785
Materials: paper
Techniques: engraving
Location: ilmenau
Artist: johann wolfgang heinrich stockmar
Artist role: print maker
Artist dates: 1707 – 1785
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met vee
Object type: print
Date: 1823 – 1885
Materials: paper
Techniques: lithograph
Artist: gustav jakob canton
Artist role: print maker
Artist dates: 1813 – 1885
Subjects: landscapes, goat, bovine cattle
Inscriptions: collector's mark: Lugt 2228
Toegangspenning tot de Hortus Medicus te Amsterdam 1696
Object type: history medal
Date: 1696 – 1699
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘HORTI MED AMSTEL LIBER INGRESSUS’, inscription: ‘Dr. D. / Dylius / 1798.’, circumscription: ‘MAXIMUS AEGRIS AUXILIATOR ADEST’

Gegoten messing penning met op de voorzijde Aesculapius en op de keerzijde een altaar waarop het gekroonde stadswapen, een caduceus en cornucopiae waaruit kruidentakken, op naam van Dr.D. Dylius 1798.
Peasant Holding Fish Net
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: men,working
A Catamaran, or an Old Maid's Nursery
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,cats
Studie van een engel
Object type: figuurstudie
Date: 1819 – 1881
Materials: chalk, paper
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Ontwerp voor een kast
Object type: sketchbook leaf
Date: 1903 – 1904
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: furniture for storage
Inscriptions: annotation: ‘berken/ kast v Hoorn/ [...]’

Blad 4 verso uit een schetsboek met 17 bladen.
La statue de Thierry Martens, à Alost
Object type: photomechanical print
Date: 1906 – 1911
Materials: paper
Techniques: autotype
Subjects: printer, monument, statue
Inscriptions: monogram: ‘AN’

Prent op tweede ongenummerde pagina na titelpagina.
Teapot with sprays in relief, a garland and flowering plants
Object type: teapot
Date: 1675 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Trekpot van poselein. Beschilderd met bloemslingers en een vergulde, stervormige voet. Hoogstwaarschijnlijk in Duitsland beschilderd.
Pattern
Object type: pattern
Date: 1701 – 1800
Materials: paper, silk
Subjects: flowers
"General Grant" at Kingston Gap, Tennessee River
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,rivers,ships
Portret van een jongeman in uniform met boek
Object type: photograph
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: grenoble
Artist: charles dherou
Artist role: fotograaf
Subjects: historical persons, youth, adolescent, (military) uniforms
Inscriptions: inscription: ‘Photographie/ Ch. d'Hérou/ Rue du Lycée, 9/ Grenoble’