deem-data/ArtiFact huggingface dataset:
Percy Stone, Cyclist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Haard met vaas op zuil
Object type: print
Materials: paper
Techniques: etching
Location: paris
Artist: Anonymous
Subjects: column, pillar ~ architecture, vase ~ ornament, hearth and stove
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een haard of kachel met een vaas op een zuil, daaronder een medaillon met mannenportret en profil omgeven door ranken en wapens.
Allegorische titelpagina met de schrijver Jean de La Fontaine en zijn muze
Object type: print
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: paris, jean de la fontaine, aesopus, the poet and his muse, pegasus, the winged horse, fables (+ variant), truth; 'verità' (ripa), inspiration of the poet; 'furore poetico' (ripa), hippocrene (fountain of mount helicon), produced when pegasus' hoof struck the ground
Inscriptions: collector's mark: Lugt 2228

De schrijver Jean de La Fontaine schrijft in een boek en wordt vergezeld door zijn muze. Een putto brengt hem een nap met water uit de Hippocrene, de rivier op de berg Helicon en de bron van dichterlijke inspiratie. Hij kijkt naar de Griekse fabelschrijver Aesop die naar de hemel wijst waar op een wolk Waarheid en Fabel staan. Boven hen een doek waarop diverse fabels zijn verbeeld. In de marge een vijfregelig onderschrift in het Frans.
Figuurstudies (derde blad), 1833
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: street-trader, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228, collector's mark:

Blad met figuren: linksonder een groep vrouwen zittend op en bij manden, rechtsonder een staande vrouw bij een mand met palingen. Onderdeel van een serie van zes bladen met figuurstudies van Nederlandse klederdrachten, straatfiguren en gebuiken, 1833.
Augusta Vindelicorum
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: personification of a city, town-patron(ess), ornament ~ cartouche, augsburg
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Cartouche met een personificatie van de stad Augsburg met attributen van kunsten en wetenschappen, personificaties van rivieren en het symbool van de stad: een dennenappel. Uitgeversnummer 52.
Houten poortje met regenton
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: the hague
Artist: jan gerard smits
Artist role: draughtsman, print maker
Artist dates: 1823 – 1910
Subjects: gate, entrance
Inscriptions: collector's mark: Lugt 2228
Vierde serie rocailles, figuren en Chinese draken
Object type: album leaf
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: france
Subjects: rocaille ornament, throne

Deze serie is linksboven genummerd met een letter D. Prent maakt deel uit van een album.
The Amazon. (Zinc, Bronzed) Kiss
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: (story of) the amazons, london
Reliëf met guirlandes, schilden en een leeuwenkop
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: protective weapons: shield, lion's head ~ ornament, garland, wreath, sculpture (+ relief ~ sculpture), europe
Inscriptions: collector's mark: Lugt 3937
Bust of Roman Emperor
Object type: drawing and watercolor
Materials: chalk, paper
Location: germany
Artist: style of anton raffael mengs
Ewer with Cover
Object type: ewer with cover
Date: 1101 – 1200
Materials: porcelain
Culture: chinese
Fotoreproductie van een prent met schaftende soldaten
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: meals ~ military service (+ infantry)
Silver appliqués
Object type: bead with female head from a necklace
Date: 500 – 301
Materials: silver
Culture: cypriot

The Cesnola Collection contains several other, very similar appliqués that are now much damaged and corroded. All have holes around their edges for sewing them onto a piece of fabric or leather; they were probably used to decorate a headband or more ornate headdress.
Fishwives on the Beach at Scheveningen
Object type: watercolor
Date: 1880 – 1885
Materials: chalk, paint, paper, pencil, watercolor
Techniques: brush
Artist: bernardus johannes blommers
Artist role: draughtsman, print maker
Artist dates: 1845 – 1914
Subjects: commercial fishery, persons engaged in trade and commerce - bb - women engaged in trade and commerce, fish; still life of fishes

The small, square-rigged bomschuits brought their catch onto the beach at Scheveningen to be sorted and auctioned. Fishwives filled their large baskets with fresh fish for sale in the town. This watercolour is not from the Drucker-Fraser collection, but from a legacy left by Jhr. P.A. van den Velden in 1892. He laid the ground for the Rijksmuseum’s collection of 19th-century drawings and watercolours.
Courtesans of the Matsuneya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
[Painter, Standing in Front of a Painted Window Backdrop, with Brushes, Bucket, and Paint Cans]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: painting,men,portraits,buckets,brushes
Overdoor with Allegorical Male Figure
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: paper, lead, pigment
Techniques: brush, heightening, wash
Location: italy
Artist: after paolo caliari, called veronese
Salver
Object type: salver
Date: 1820 – 1820
Materials: silver
Culture: american
Location: united states
Artist: john mcmullin
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1843
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, buttock and part of thighs and rim of round shield of warrior to right
Mantelpiece with relief of Paris and Oenone
Object type: scow
Date: 1739 – 1739
Materials: marble
Techniques: relief
Artist: jan baptist xavery
Artist role: sculptor
Artist dates: 1697 – 1742
Subjects: transverse flute, tambourine, (story of) cupid, amor (eros), paris and oenone carving their names in a tree, pastorals, arcadian scenes
Inscriptions: signature and date: ‘J.B.XAVERY. // ANNO 1739’

This mantelpiece was made for the principal room of the house at 48 Rapenburg in Leiden, where Diederik, Baron van Leyden, lived. Xavery also made a marble relief for each overdoor and probably designed the decorative stucco ceiling, which surrounded a large painting by Jacob de Wit. The walls were hung with tapestries from Brussels. This created an impressive ensemble.
Dress ornament
Object type: dress ornament
Date: 500 – 401
Materials: gold
Culture: scythian
Location: northern black sea region
Subjects: griffins

When the nomads of the Eurasian steppes entered the region bordering on the ancient Near East, they brought with them a highly mobile lifestyle, including a sophisticated horse-riding military and a tradition of wealth display in the form of gold ornaments for their clothing, equipment, and animal trappings. By the fifth century B.C., when this gold plaque was probably made, the art of the nomads was influenced by arts from nearby settled populations, including the Greeks and the Achaemenid Persians. This ornament, with a small loop on the back meant for attachment to clothing, is from a large group of gold plaques acquired by Western museums, including The Metropolitan Museum of Art, in the first decades of the twentieth century. They are thought to come from the area in the northern part of the Black Sea, reportedly from the site of Maikop in the Northern Caucasus. The plaques from this group include images of stags, floral and geometric designs, and griffins like this. Griffins are composite animals—made up of elements of more than one animal—that were popular in nomadic art of the first millennium B.C. in the Black Sea region. The griffins on these rather small dress ornaments have a feline body with heads and wings of birds. They stand in an alert pose holding their heads high and are balanced by the wing tips of their backward-curving tails. The planes of their bodies would have reflected the light and sparkled in the sun, enhancing the wearer's status and power.
David's graf voor de tweede keer geopend
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plundering of david's grave
Inscriptions: collector's mark: Lugt 2228

Nadat Herodes wat goud- en zilverwerk uit het graf van koning David had gehaald, stuurde hij twee bedienden naar de tombe om de overige waardevolle spullen te halen. Dit kostte beide bedienden het leven omdat er enorme vlammen uit de tombe sloegen die hen verschroeiden. Deze prent is een illustratie bij het elfde hoofdstuk van het zestiende boek van 'Alle de werken van Flavius Josephus'.
Landschap met een huis onder kokospalmen
Object type: print
Date: 1809 – 1869
Materials: paper
Techniques: engraving
Location: netherlands
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: trees: coconut-tree, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Voor het huis zijn figuren aan het werk en lopen dieren rond.
Plate Fourteen of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
House with a Turret, rue de la Tixéranderie, Paris
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: houses,streets,paris
Waterkant
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1910
Materials: cardboard
Techniques: photograph
Location: paramaribo
Artist: Anonymous
Subjects: pier, quay, wharf, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: serial number: ‘No. 115. Uitgevers C. Kersten & Co., Paramaribo’

Gezicht vanaf het water op de kade met schepen van de Koninklijke West-Indische Maildienst aan de Waterkant te Paramaribo. Onderdeel van een verzameling van 68 briefkaarten uit Suriname, bijeengebracht in een album als aandenken aan een verblijf in Suriname in september 1911.
Theodor Linde
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Gezicht van een duivenplat
Object type: drawing
Date: 1896 – 1896
Materials: paint, ink, paper
Techniques: brush, pen
Location: netherlands
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: roof (of house or building), pigeons (racing), prospect of city, town panorama, silhouette of city, doves, pigeons
Inscriptions: collector's mark: Lugt 1641, collector's mark

Duiven op het platte dak van een woning, in de Amsterdamse Jordaan. Gezicht over de daken van de huizen naar de Westertoren. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Duiven in de Jordaan.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds,trees
Thanksgiving in Camp
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
A view of the Royal Palace of his catholick majesty the king of Spain, Madrid
Object type: print
Date: 1752 – 1752
Materials: paper, watercolor
Techniques: brush, etching
Location: london
Subjects: palace
Inscriptions: watermark

De serie “Madrid en Lissabon” bevat vier prenten met de nummers 1-4, waarvan dit nummer 2 is.
Initiation Card (Tsakalis): Akashagarbha
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: deities

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Echtpaar op een canapé
Object type: cartoon
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: sitting on an elevation, couch, sofa, settee, sitting on an elevation - aa - female human figure, satire on marriage
Inscriptions: collector's mark: Lugt 2228a

De vrouw vraagt zich af waar ze haar grijze capote, een hoed met linten, heeft gelaten. Haar man verzucht: zo weinig hoofd, en zoveel hoeden!
Quarry (one of a pair)
Object type: quarry
Date: 1501 – 1533
Materials: glass
Subjects: crowns
Fotoreproductie van een prent van het Paleis van de hertogen van Bourgondië te Dijon
Object type: reproduction
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: palace
Inscriptions: annotation: ‘Paleis der hertogen van Bourgondië te Dijon’, annotation: ‘Palais des ducs de Bourgogne Dijon’, inscription: ‘Photographie de Chardon jeune,/ 3 Rue Racine, Paris’, inscription: ‘E. Morier/ Editeur/ Rue St. André des Arts 52/ Paris’
Fragment of a terracotta amphora (jar)
Object type: amphora fragment
Date: 550 – 540
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist
Subjects: heads
Strijdros
Object type: print
Date: 1894 – 1894
Techniques: printmaking, lithograph
Location: paris
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Morning Cherries at Yoshiwara
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses,trees,morning
Dame wordt het hof gemaakt door heer
Object type: book illustration
Date: 1727 – 1793
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: courting
Inscriptions: collector's mark: Lugt 2228

Prent naar tekening van Chodowiecki. Boekillustratie uit onbekende uitgave bij pagina 106.
Baron van Voorst tot Voorst als carnavalsganger
Object type: drawing
Date: 1915 – 1930
Materials: paper
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: carnival, shrovetide (non-liturgical celebration), alcoholic drinks, political caricatures and satires
Inscriptions: number: ‘18130’, inscription: ‘Carneval, of de verworpen Burgerlijke pensioenwetten. Eerste Kamer - Pierrot (na zijn escapades): sapristi! Après nous le déluge’

Baron van Voorst tot Voorst verdrinkt als carnavalsganger verkleed als Pierrot zijn verdriet na het verwerpen van de pensioenwetten. Ontwerp voor een politieke spotprent.
Statuette of Nefertum
Object type: statuette, nefertum
Date: 750 – 600
Materials: alloy
Location: egypt
La photographie sans objectif au moyen d'une petite ouverture : propiétés, usage, applications / par R. Colson
Object type: book
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print, printing
Location: paris
Artist: rené colson
Artist role: fotograaf, militair
Artist dates: 1853 – 1941
Inscriptions: check stamp: ‘HOMMAGE’
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent deep purple, appearing black, opaque white, yellow, and red. Rounded edge. Decoration of white marvered trails, tooled into a festoon pattern, with small areas in yellow and red. Polished exterior, with pitting of surface bubbles; interior covered in silvery weathering; jagged edges. Possibly part of an inlay.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Picknickende mensen in het Corsicaanse berglandschap
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: corsica

Een aantal picknickende mensen in het Corsicaanse berglandschap. De gezichten van de mensen op de foto zijn weggekrast evenals de titel onder de foto.
Jonge vrouw, over haar schouder kijkend
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adolescent, young woman, maiden (+ standing), looking over the shoulder - aa - female human figure (+ sideview, profile)

Pagina 36 uit schetsboek XXXVII met 52 pagina's.
Marble bowl
Object type: bowl
Date: 2700 – 2400
Materials: marble
Culture: cycladic

Handmade bowls such as this were among the most popular stone vessels in the Early Cycladic II period. Many examples with known provenance come from tombs and are often found in association with Cycladic figurines. The vessels were likely used in funerary rituals, possibly associated with the figurines.
Grafbord van Boudewijn Versewel Faure (1734-70), directeur van Bengalen (1769-70)
Object type: rouwbord
Date: 1770 – 1770
Materials: panel
Location: bengal
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: : ‘Boúdewijn Versewel Fauré in Leeven Oud Eerste Secretaris van de Hooge Regering en Directeur van Bengalen. Geboren tot Dendermonde Den 25 Januarij Anno 1734. Obiit tot Bengalen Den 6 Meij Ao 1770 Oud 36 Jaaren, 3 Maann= en 11 Daagen’

Epitaph from the church in Chinsura, second half 18th century. Chinsura in Bengal (Northeast India) was one of the key trading posts of the VOC. Under its director, George Louis Vernet, a church was built at Chinsura in 1767. As was traditional in European churches, memorials were placed on the walls to commemorate high-ranking officials who had died in Asia in the service of the Company. Far right: Vernet's epitaph - the director died in Batavia in 1775. The second from the left is the epitaph of Theodora Hendrica Piekenbroek. She was the daughter of a Dutch preacher from Batavia. After marrying Boudewijn Versewel Faure - whose memorial is also shown here - she moved to Chinsura, where they both died within a short space of time. Theodora was only 23: the death rate among Europeans in Bengal was high.
Bord met een schip
Object type: plate dish
Date: 1753 – 1753
Materials: faience
Location: delft
Artist: justus brouwer
Artist role: print maker
Artist dates: 1646 – 
Inscriptions: inscription: ‘D: Rees/ Delfs Porceleijn/ vaarder op Amsterdam/ 1753’, mark: ‘HB/ figuratief teken bijltje met L’

Bord van aardewerk blauw beschilderd op wit tinglazuur, binnen een rand van bloem- en bladwerk een voorstelling van een schip beladen met aardewerk dat door een kanaal vaart. Op de achtergrond de Nieuwe Kerk, de Oude Kerk het stadhuis van Delft. In een cartouche de tekst: D: Rees/ Delfs Porceleijn/ vaarder op Amsterdam/ 1753
Portret van Pieter Grijspeer
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical person (with name)
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal van Pieter Grijspeer, naar links. Onder de voorstelling staat zijn naam en een vierregelige tekst in het Nederlands.
Lamp
Object type: lamp
Date: 101 – 600
Materials: earthenware
Techniques: molding
Fragment of lap zijden brokaat met wolkenmotieven in goud tegen een achtergrond van twee schakeringen zalmkleur
Object type: satijnbrokaat
Date: 1920 – 1930
Materials: silk
Techniques: brocade
Location: lyon

Fragment of lap zijden brokaat met wolkenmotieven in goud tegen een achtergrond van twee schakeringen zalmkleur. Lyon, in of voor 1924.
Girandole
Object type: girandole
Date: 1850 – 1860
Materials: glass, marble
Techniques: glassblowing, cutting
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Gezicht op Rockland Broad nabij Rockland Saint Mary
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: rockland saint mary
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: rowing-boat, canoe, etc., lake
Anatomische studie van de penis
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: male sexual organs, penis, phallus
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: snakes,trees
Oil lamp or bottle
Object type: oil lamp or bottle
Date: 1601 – 1800
Materials: glass
Drie boeren bij een trekkar
Object type: album leaf
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: vienna
Subjects: farmers, horse, two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2228, : Lugt 2760

Genummerd rechtsboven: 1. Prent maakt deel uit van een album.
Portret van een man met baard
Object type: photograph
Date: 1863 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: adolphus henry augustin wing
Artist role: fotograaf
Artist dates: 1822 – 1906
Subjects: historical persons, beard
Inscriptions: inscription: ‘Mr. ADOLPHUS WING/ 48 PICCADILLY/ Entrance in/ ALBANY YARD.’
Graf van paus Innocentius XI in de Sint-Pietersbasiliek te Vaticaanstad
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sint-pietersbasiliek
Subjects: grave, tomb, interior of church
Inscriptions: inscription: ‘NPG’, number: ‘151.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Interior, bent left elbow and extended forearm
Achtergevel van het landhuis Driemond te Weesp
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: urban housing

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.