deem-data/ArtiFact huggingface dataset:
Utrechtse zilveren rijder, 1739
Object type: coin
Date: 1739 – 1739
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: ridder te paard naar rechts met in rechterhand zwaard. Onder paard gekroond wapenschild van Utrecht. Keerzijde: door twee gekroonde leeuwen gehouden generaliteitswapenschild. Daaronder in cartouche jaartal. Kabelrand.
Bombardement van Maastricht, 1793
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: cornelis bogerts
Artist role: print maker
Artist dates: 1745 – 1817
Subjects: bombardment ~ siege, maastricht
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. 24, pl. 4.
Galérie contemporaine, litéraire, artistique
Object type: photograph
Date: 1876 – 1878
Materials: cardboard, paper, photographic support
Techniques: woodburytype
Location: paris
Inscriptions: caption: ‘126, boul. Magenta. - Paris.’, caption: ‘Phot. Goupil & Cie.’, caption: ‘Cliché FRANCK.’, caption: ‘Mgr Dupanloup//(Né à Saint-Félix (Savoie), le 3 janvier 1802; mort à La Combe de Lancey (Isère) le 11 octobre 1878).’, inscription: ‘GALERIE CONTEMPORAINE’

Portret van Mgr. Dupanloup, een geestelijke in ambtskleding, met een kruis om zijn nek. Plaat uit tijdschrift.
Les Protecteurs Désinteressés
Object type: cartoon
Date: 1831 – 1831
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: paulus charles gerard poelman
Artist role: draughtsman, painter, print maker
Artist dates: 1792 – 1846
Subjects: leopold i (koning der belgen), animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Spotprent op de bescherming geboden aan België door Groot-Brittannië en Frankrijk, 1831. Een gekroonde haas, koning Leopold I, loopt gearmd met een luipaard (Groot-Brittannië) en een hond (Frankrijk). Links op de achtergrond de Armée de la Meuse, rechts een vluchtende haas.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Culture: chinese
Subjects: human figures
Lekythos
Object type: lekythos
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: carlsruhe painter
Artist role: artist
Subjects: bow and arrow,artemis
Textile Fragment
Object type: textile fragment
Date: 501 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Portret van een jonge vrouw
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Artist: abraham koorenhoff
Artist role: fotograaf
Artist dates: 1844 – 1917
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: inscription: ‘A. Koorenhoff/ Photographe/ Leiden/ Gerecht No. 5/ bij de Pieterskerk (...)’
Doek
Object type: cloth
Date: 1900 – 1949
Materials: cotton
Techniques: weave
Location: thailand
Artist: Anonymous
Rafael Nunez, President of U.S. Columbia, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: leaves
North of the White Mountains
Object type: drawing
Date: 1850 – 1850
Materials: graphite, paper
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: mountains
Reclame voor kachels van J.C. Gundy te Lewisburg met portret van drie onbekende mannen
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, heating stove, historical persons not known by name
Inscriptions: inscription: ‘J.C. GUNDY, / DEALER IN / All Kinds of STOVES and TINWARE (...)’
Segard. Émilien (dit Segard Fils). 18 ans, né à Saloüel (Somme). Peintre en voitures. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Mannen met hoed
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Beulingstraat te Amsterdam
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘Beulingstraat’

Gezicht op de Beulingstraat te Amsterdam. Pagina 91 uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
Fotoreproductie van het schilderij Zelfportret als de apostel Paulus door Rembrandt van Rijn
Object type: reproduction
Date: 1890 – 2023
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, historical persons, head-gear: turban, (story of) lucius aemilius paul(l)us
The Leader Sea Piece, plate 20 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Kraantjeskan van tin met deksel
Object type: coffee pot
Date: 1720 – 1750
Materials: tin, wood
Techniques: casting
Location: amsterdam
Artist: nicolaas kraan
Artist role: pewterers
Artist dates: 1698 – 
Inscriptions: quality mark

Koffiekan van tin, een zogenaamde kraantjeskan. De poten zijn gevormd door voluten en rusten op houten bollen. Daarboven is de peervormige, zeshoekige kan. Net onder de liprand is het handvat aangebracht, dat doorloopt tot aan het breedste punt van de kan en deels van hout is. Onderaan de buik is het kraantje. Het losse deksel is zeshoekig met een houten knop.
Tyrol, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
De roof van Europa
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: leiden
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water
Inscriptions: collector's mark: Lugt 2228

Jupiter ontvoert in de gedaante van een stier Europa. Haar dienstmaagden proberen het dier nog tegen te houden maar ze worden gehinderd door Nereïden. Mercurius die in de lucht vliegt ziet het drama gebeuren. Rechts in de golven staat Neptunus met zijn drietand.
Wilt g' u nog eens goed vermaken, / Ferme jongens, flinke knapen [(...)]
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van militairen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 102.
Flower pyramid
Object type: bloempiramide
Date: 1692 – 1700
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: lambertus van eenhoorn
Artist role: plateelbakker
Artist dates: 1651 – 1721
Subjects: flowers, one person playing string instrument (plucked), beasts of prey, predatory animals: lion, chest, bust - aa - female human figure

Voetstuk van bloempiramide van faience, blauw beschilderd in de glazuur. Musicerende, zittende en spelende figuren in tuin.
Sokkel rustend op vier liggende leeuwtjes.
Saddle Flaps (<i>Aori</i>)
Object type: saddle flap i aori i
Date: 1701 – 1800
Materials: gold, leather, pigment, silk
Culture: japanese
Location: japan
Standing Buddha
Object type: sculpture
Materials: bronze, silver
Techniques: inlay
Location: myanmar
Subjects: buddha

This standing bronze Buddha with rare silver inlaid eyes comes from Pagan, the capital city of an eponymous kingdom that flourished in Myanmar (formerly Burma) between the ninth and thirteenth centuries. Situated along the Irrawaddy River, Pagan was once home to thousands of Buddhist temples, monasteries, and stupas. This sculpture exhibits iconographic and stylistic continuities with roughly coeval portable bronze images cast in southeastern India. Note, for instance, the frilled double-hem of the Buddha’s gossamer sanghati (monastic robe), which is a common feature of Buddhist processional bronzes from the coastal entrepôt of Nagapattinam. This sculpture thus attests to the robust networks of exchange across the Indian Ocean.
Side Chair (part of a set)
Object type: furniture
Date: 1885 – 1885
Materials: wood
Techniques: painting
Location: new york
Artist: louis comfort tiffany
Artist role: designer
Artist nationality: american
Artist dates: 1848 – 1933
Subjects: furniture
Panel
Object type: panel
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: morocco
Fragments of sculptures, Amaravati, Andhra Pradesh, India
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: amaravati
Artist: william h. griggs
Artist role: printer
Artist dates: 1832 – 1911
Subjects: hinduism, buddhism, jainism, sculpture
Inscriptions: inscription: ‘PORTIONS OF SCULPTURE OF CENTRAL BUILDING./ SCALE 1 INCH TO 1 FOOT.’, inscription: ‘AMRAVATI. PLATE XCV.’
St. Clements' Church and Law Courts-Strand. London
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1940
Materials: paper
Techniques: gelatin silver print
Location: saxony
Subjects: square, place, circus, etc., coat of arms (as symbol of the state, etc.), church (exterior), monument, statue
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: bats,flowers
Cup and Saucer with Portrait of Benjamin Franklin
Object type: ceramic
Date: 1780 – 1780
Materials: ceramic, porcelain, soft paste porcelain
Techniques: gilding
Location: sèvres
Artist: sèvres porcelain manufactory
Terracotta fragments of a stamnos (jar)
Object type: stamnos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

One fragment has part of the helmet crest of a warrior to right, with his right hand holding a machaira; a second fragment has part of the helmet of a warrior; both fragments have, on the shoulder, a band of tongues with dots in the lower corners
Coin
Object type: coin
Materials: copper
Location: al-muhammadiyya
Landschappen met bijbelse en mythologische scènes
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: story of judah and tamar (genesis 38), tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to timnath she awaits judah
Inscriptions: collector's mark: Lugt 1672, collector's mark: Lugt 2398, collector's mark: Lugt 1606

Bergachtig landschap met rechts een havenstad. Links op een weg Tamar en Juda. Door zich als hoer te verkleden, verleidt Tamar haar schoonvader Juda. Tamar raakt zwanger en kan door middel van een ring die Juda haar heeft gegeven als betaling bewijzen dat hij de vader van haar kind is. Prent uit een serie van 13 landschappen met bijbelse en mythologische scènes.
Twee naakte figuren met elkaar in strijd
Object type: print
Date: 1877 – 1930
Materials: paper
Techniques: lithograph
Artist: henri de groux
Artist role: painter, print maker, sculptor
Artist dates: 1866 – 1930
Subjects: the (nude) human figure; 'corpo humano' (ripa), owls, fighting
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Etude pour le Meurtre a Paul Ferniot’, collector's mark: Lugt 2760
Woman Seated on a Sofa
Object type: drawing
Date: 1865 – 1915
Materials: gouache, graphite, watercolor
Artist: walter crane
Artist role: artist
Artist nationality: british
Artist dates: 1845 – 1915
Subjects: women,couches
Roeiboten op een meer in het Bois de Boulogne
Object type: photograph
Date: 1895 – 1900
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: lake, rowing facing backward, pulling
Zittende toeschouwers bij een podium
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: set, scenery ~ stage, sitting figure, the audience ~ art performance

De vrouwen dragen traditioneel kostuum. Pagina 42 uit een schetsboek met 74 bladen.
Canapé
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture
Inscriptions: stamp: ‘H.F. Jansen en Zn’

Een canapé in de Lodewijk XIII-stijl. Prent uit 36e Livraison.
Ruyi (A Type of Decorative Accessory)
Object type: ruyi
Date: 1567 – 1633
Materials: enamel
Techniques: enamel
Culture: chinese
Wedding dress
Object type: wedding dress
Date: 1776 – 1776
Materials: silk
Culture: american
Revue de la Mode, Gazette de la Famille, 1887, No. 832: Etoffes de la M.on Le Houssel (...)
Object type: fashion print
Date: 1887 – 1887
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: Anonymous
Subjects: corsage (+ women's clothes), dress, gown: evening dress (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), border, ribbon, braid (+ women's clothes), fashion plates, fan (+ women's clothes), insects: butterfly, flowers: rose, bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘Etoffes de la M.on Le Houssel, 1, r. Auber _ Corsets de la M.on Léoty, 8, place de la Madeleine.’, address: ‘13 & 15, Quai Voltaire Paris’, title: ‘REVUE DE LA MODE / Gazette de la Famille’

Twee vrouwen in een interieur. Links: avondjapon in rood en geel, versierd met strikken van rood lint en bloemcorsages. Korte pofmouwen. V-vormige hals. Rechts: avondjapon in lichtgroen en wit, versierd met donkergroen lint, bloemcorsages van rozen en vlinders bij de buste en linkerschouder. In het kapsel een idem vlinder. Accessoires: lange handschoenen, waaier, armbanden. Onder de voorstelling een regel reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913).
Portret van Hans Alfred Erbe
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: altenburg
Subjects: new york (city), historical persons
Inscriptions: date
De Geuzen, 1566.
Object type: print
Date: 1830 – 1876
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: battle

Geuzen in de strijd tegen de onderdrukking, 1566. Mannen verzameld rond het lichaam van een in de strijd gesneuvelde man. Een prediker roept staande op bijbel en kanon op tot de strijd.
Militaire wacht voor een hek
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: military discipline, fence, wall, paling, europe
Portret van Jean De la Bruyère
Object type: print
Date: 1724 – 1756
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Fotocollectie van Arthur François Emile van Schendel jr.
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1960
Materials: paper, cardboard, ink, photographic process
Techniques: carbon print, photograph, gelatin silver print, pen
Location: amsterdam
Artist: arthur françois emile van schendel jr.
Artist role: directeur, kunsthistoricus
Artist dates: 1910 – 1979
Subjects: city-view in general; 'veduta', monument, statue, picture, painting, italy
Inscriptions: collector's mark: ‘AFE v S’

De collectie bevat 116 foto's en 17 fotomechanische afdrukken, gemaakt door professionele fotografen. Het gaat om 57 fotoreproducties van kunstwerken, 43 foto's van Abu Simbel, twintig topografische foto's van Italië en veertien Photochromafdrukken van Constantinopel. Zeven van de topografische foto's zitten in een enveloppe van de fotograaf Francesco Pineider. De meeste objecten hebben het stempel van Van Schendel ('AFE v S') en handgeschreven notities op verso. Er zitten ook enkele bladen met aantekeningen en correspondentie bij.
Gang van Steenschuur 7 of Maison Wijtenburg te Leiden
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: steenschuur
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: corridor
Inscriptions: annotation: ‘Leiden (Z.H.)/ steenschuur/ Maison Wijtenburg/ Aug 1904’, annotation: ‘Steenschuur/ Maison Wijtenburg/ Aug. 1904/ Leiden’, collector's mark: ‘R:MUS.’ Lugt 2228
Nederland,10 cent,1901
Object type: coin
Date: 1901 – 1901
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd met diadeem naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
The emperor's hammam within the Red Fort at Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: delhi
Inscriptions: number: ‘29.’, inscription: ‘26 Kings's bath, Fort Delhi’
Portret van De Broé
Object type: book illustration
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Gezicht op de kerk te Bovenkarspel, 1726
Object type: book illustration
Date: 1752 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: church (exterior)

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 4 (1752), ill. 388. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 4, ill. 388.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
God Vishnu with Goddess Lakshmi and His Mount, Garuda, in Attendance
Object type: sculpture
Date: 1001 – 1100
Materials: stone
Location: kathmandu valley
Amulet case
Object type: amulet case
Materials: copper, patina
Culture: sasanian
Location: mesopotamia

A group of ten amulet cases (32.150.95, 32.150.96, 32.150.97, 32.150.98, 32.150.99, 32.150.100, 32.150.101, 32.150.102, 32.150.103, 32.150.104) were found inside a plain unglazed jar (32.150.94). The cases are made from sheet copper rolled into cylinders and the ends stopped with bitumen. Although only one fragment of papyrus was found, the texts probably contained exorcisms or blessings. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1406e
St. Anthony the Hermit
Object type: print
Date: 1490 – 1500
Materials: paper
Techniques: engraving
Location: bruges
Artist: master fvb
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1475 – 1500
[Four Pugilists with a Bottle at Their Feet]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,boxing

With feet shoulder-length apart and arms raised in what can be called a fisticuffs stance, the pugilists in the foreground look directly at each other. The bottle at their feet alludes to the important role of the bottleholder. This person is meant to assist and support the active pugilist by readily supplying water during a boxing match. Wearing identical uniforms and hand-colored belts, the four pugilists appear as though they could easily switch roles, precluding those in the background from being in the perpetual supporting role.
Portret van Gaspard de Coligny III
Object type: print
Date: 1628 – 1674
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 964, inscription: ‘April=89’, collector's mark: Lugt 963
Fotoreproductie van een tekening van een vloot schepen door Everhardus Koster
Object type: reproduction
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: sailing-ship, sailing-boat
Inscriptions: signature: ‘E. Koster’, inscription: ‘"Verzoening tusschen Tromp (...) 7 Junij daaraanvolgende.’
Servet van wit linnendamast
Object type: napkin
Date: 1820 – 1830
Materials: linen
Techniques: damask
Location: netherlands

Wit linnendamast servet met een patroon van gestrooide bloempjes en randen rondom, merk CW 12.