deem-data/ArtiFact huggingface dataset:
Ingestorte toren van de Abdijkerk te Egmond, 1799
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op de ruïne van de Abdijkerk te Egmond-Binnen, in januari 1799 na het instorten van de toren op 18 december 1798. Genummerd rechtsboven: II. Zie pendant.
Knife (Tumi)
Object type: knife
Date: 1401 – 1600
Materials: copper
Culture: inca
Location: peru
Subjects: human figures
Theodoor en Lize Brouwers met hun zoon Gerard in een korjaal op de Surinamerivier.
Object type: stereograph
Date: 1913 – 1915
Materials: glass
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: haarlem, amsterdam, theodoor brouwers, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Portret van Willem Herincx, bisschop van Yperen
Object type: print
Date: 1678 – 1694
Materials: paper
Techniques: engraving
Location: brussels
Subjects: willem herincx

Portret van Willem Herincx, bisschop van Yperen zittend in een stoel. Onder het portret een Latijnse tekst over zijn leven. Vlak voor zijn dood werd Herincx voorgedragen als kardinaal, in het midden zijn familiewapen met kardinaalshoed.
Penning met portret van Isabella Clara Eugenia, infante van Spanje en een engel met vogelpoten die op een bazuin blaast
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, habit, frock, historical persons - bb - woman, ruler, sovereign - bb - female ruler, angels

Prent mogelijk uit: Loon, Gerard van. Beschryving der Nederlandsche historipenningen (...). Den Haag: Christiaan van Lom et al., 1726, dl. 2, p. 137.
Maginley, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Rank Badge with Paradise Fly-Catcher
Object type: rank badge
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: bats,birds
Georgia O'Keeffe—Hands
Object type: photograph
Date: 1920 – 1922
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Inscribed recto, on hinged mat, lower left, in graphite: Treated by Steichen - 2/1950; inscribed verso of print, lower center, in graphite: Ch / OK 12C; verso of print, lower left, in graphite: X

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Stirrup Spout Vessel with Fineline Deer Hunt Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Terracotta amphora (jar)
Object type: amphora
Date: 51 – 100
Materials: terracotta
Culture: roman

Red glazed vase with two handles and incised lines on shoulder; terra sigillata.
Gevel
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: façade (of house or building)

Gevel. Pagina 67 uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
Portret van een vrouw met muts
Object type: photograph
Date: 1850 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: albert collard
Artist role: fotograaf
Artist dates: 1838 – 1887
Subjects: historical persons - bb - woman, head-gear: hat
Inscriptions: inscription: ‘Collard Phot/ Des ponts & Chaussees’, inscription: ‘Atelier Central de Photographie/ Collard/ 39, Boulevart de Strasbourg/ Paris’
Ondergang van Pompeï
Object type: print
Date: 1797 – 1817
Materials: paper
Techniques: etching
Subjects: eruption (of volcano), pompeii
Inscriptions: inscription: ‘P.I.’

Een brandende Dorische collonade met daarvoor een grote groep mensen en steigerende paarden. Maakt deel uit van de reeks 'Antiquités de la Grande Grèce'. Ondergang van Pompeï op 24 augustus 79 n.Chr.
Dish
Object type: dish
Date: 1551 – 1600
Materials: earthenware
Techniques: glazing
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: shells

The sixteenth century was marked by a scientific interest in natural phenomena. New worlds had been discovered, occupied by animals and human beings never before seen in Europe. Museums of curiosities abounded, and self-styled naturalists, such as Cosimo de' Medici, gilded armadillos from the Americas and placed them on pillars in their palaces. Native Indians of the Americas toured the courts of Europe, and the taste for the exotic flourished. It was in this atmosphere that the talented French potter Bernard Palissy began practicing his trade. An enthusiastic natural scientist, Palissy used local fish, plants and reptiles—he made casts of actual specimens for use in his modeling—fashioned in a range of colored glazes, to develop what he called "pastoral pottery." Although he is recorded as having produced his rustic ware in abundance, the only documented work by his hand was the grotto (now destroyed) in the garden of the Tuileries.
Koeien in een weiland met molen in Friesland
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: friesland
Artist: Anonymous
Subjects: cow, windmill in landscape

Deze prent maakt deel uit van een album.
Venus Italica
Object type: statue
Materials: marble
Artist: antonio canova
Artist role: artist
Artist nationality: italian
Artist dates: 1757 – 1822
Subjects: female nudes,venus

Canova's first marble Venus is in the Palazzo Pitti, Florence. Known as the Venus Italica, it was ordered in 1804 by Ludovico I, King of Etruria, as a replacement for the ancient Medici Venus that had been taken by the French for the Musée Napoleon. This replica, purchased from Canova's studio by the third marquess of Londonderry in late 1826 or early 1827, remained in Londonderry House, London, until 1962.
Afbeelding van de Luthersche Nieuwe Kerk, te Amsterdam
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2760

Blad met grote voorstelling van de Nieuwe Lutherse Kerk aan het Singel te Amsterdam (vóór de brand van 1820). Onder de voorstelling een onderschrift in twee kolommen. Genummerd midden rechts: No. 58.
Fotoreproductie van een prent van Johann Baptist von Hirscher
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: johann baptist von hirscher, print, e.g.: engraving, etching, lithograph, historical persons
Stowing Sail
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: gouache, graphite, paint, paper, watercolor
Techniques: aquarelle, scraping, weave
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: seascapes, people, boats, century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed recto, lower left, in graphite: “Sketch from Nature”; in brown watercolor over graphite: “Dec 22 1903”; in brown watercolor over black watercolor over graphite: “HOMER”
Inscribed verso, center, in graphite: "M.K.W.C. 1021-//Stowing Sail, Bahamas"; upper left, in graphite, “25811”; upper right, in graphite, “8”

Homer created sparkling watercolor sketches of sailboats in Bahamian waters during his 1898-99 Bahamas trip. When he visited Key West, Florida, in the winter of 1903-04, he further indulged his interest in the details of local boating. There, Homer painted Stowing Sail on December 22, 1903. Everything about this watercolor points toward rapid, plein-air execution.
The artist’s graphite underdrawing is a quick and sketchy series of lines that establish the major contours on the sheet. Pentiments, or shifts, in the underdrawing show that when he began the sketch, the figure was leaning further forward, gathering the sail over the back of the boat. This adjustment suggests that Homer was working quickly to keep up with the man’s progress.
Homer applied all of his washes directly within the forms marked in the underdrawing, working wet-on-wet, as if there were not enough time to wait for one to dry before adding the next. When he brushed the heavy, red stroke at the front of the boat, it bled upward into the still-wet blue shadow on the side.
Melencolia I
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: contemplation,putti,dogs,geometry
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic
Artist: penthesilea painter
Artist role: artist

Interior, youth to left with himation draped over left shoulder; rock?; Exterior, handle palmette, lower drapery and feet of figure; stick and drapery of another
Plate
Object type: ceramic
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Location: delft
Inscriptions: Mark: "A.V.K."
Brug over de Fulda te Kassel
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching
Location: kassel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

De brug over de rivier de Fulda te Kassel.
Kloveniersdoelen te Amsterdam
Object type: photomechanical print
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing, line block
Location: northern netherlands
Subjects: canals, waters (in city), tower (of house or building)
Inscriptions: collector's mark: ‘25.168’ Lugt 1641b

Knipsel uit pagina 7 uit Weekblad De Amsterdammer (1910) met 4 prenten. Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, E. Doelen en Wachthuizen.
Plate with a coat of arms and garlands
Object type: plate dish
Date: 1740 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord met een gekartelde rand, beschilderd in emails en goud met in het cemtrum een familiewapen, omgeven door guirlandes en ornamentbanden op de wand en rand.
Verschijning van Maria met het Christuskind aan Sint-Dominicus
Object type: print
Date: 1817 – 1891
Materials: paper
Techniques: etching, intaglio
Artist: joseph meganck
Artist role: print maker
Artist dates: 1807 – 1891
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star, the virgin mary (or the infant christ in her lap) hands over a rosary to st. dominic, who kneels before her; usually st. catharine of siena is also present
Inscriptions: collector's mark: Lugt 2228

Christus geeft een rozenkrans aan Dominicus.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, torso, genitals, and part of thighs of seated male with drinking horn in left hand
Goat Pen
Object type: architectural model
Date: 1 – 233
Materials: earthenware, glaze
Culture: chinese
Subjects: farms,goats

Pottery models of houses and farm structures were commonly included in Eastern Han burials to provide for the afterlife.
Stockings
Object type: stocking
Date: 1859 – 1859
Materials: silk
Culture: american
Don Mariano Camprubi (Le Baïlarin)
Object type: print
Date: 1862 – 1863
Materials: paper
Techniques: etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men
Basrelief op het voetstuk eener pendopo (?) (Oostzijde). Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo terrace, reliefs 10-13 ('Sang Satyawan' story; inscription above no 10 reads ibu jawa) and entwined naga, east side. Panataran, Blitar district, East Java province 1375 AD.
Netsuke of Miniature Box
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, mother of pearl
Techniques: inlay
Culture: japanese
Subjects: mythical creatures
Stadsgezicht met een koepeltoren
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: city-view, and landscape with man-made constructions, dome ~ architecture
Inscriptions: kleurnotitie, handgeschreven in potlood

Tevens een studie van een staande man met hoed. Blad 37 recto uit een schetsboek met 41 bladen.
Hurricane Shade
Object type: hurricane shade
Date: 1800 – 1830
Materials: gemstone, glass
Techniques: glassblowing
Culture: american
Location: united states
Design for Village Cart
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vinaigrette
Object type: vinaigrette
Date: 1799 – 1799
Materials: silver, silver gilt
Artist: thomas holland ii
Artist role: maker
Artist nationality: british
Artist dates: 1798 – 1798

Nearly identical hallmarks were registered by the London goldsmiths Thomas Harper I (smallworker, May 1790), Thomas Hobbs (smallworker, May 1796) and Thomas Holland II (plateworker, August 1798) and it is difficult to tell which of these three makers was responsible for this vinaigrette. Rectangular in form with canted corners, the lid of this elegant vinaigrette is decorated with an engraved rayed and pelleted ground. The central reserve provided for the inscription of initials or a name to personalize the item has been left blank. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grill kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Qin Ming (Shinmei)
Object type: print
Date: 1828 – 1828
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Pair of Ear Clips of Alternating Spires and Beads
Object type: ear clip
Materials: gold
Culture: indonesian, javanese
Dress
Object type: dress
Date: 1820 – 1839
Materials: cotton
Culture: american
Terracotta fragments of stamnoi (jars)
Object type: stamnoi fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Eight miscellaneous fragments with unidentified subjects
Male Head in a Hood
Object type: drawing
Date: 1794 – 1794
Materials: chalk, ink
Techniques: pen
Location: france
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Subjects: heads,men
Piece
Object type: printed piece
Date: 1740 – 1760
Materials: cotton, linen
Techniques: printing
Culture: british
Location: england
Subjects: birds,flowers
Sheet, linen mark, medium spin, irregular weave
Object type: linen mark
Date: 1492 – 1473
Materials: linen, wax
Location: egypt
Portret van Antoine Perrenot de Granvelle
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: antoine perrenot de granvelle, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt voor: Bullart, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: François Foppens, 1682. Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Ieder portret betreft een illustratie bij de biografie van een kunstenaar of geleerde.
De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers.
Dit betreft een illustratie op p. 73, deel I.
Diervilla. Hort. Cliff. 63 sp. 1
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching, letterpress printing
Location: warmond
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: flowers, plants and herbs

Prent gebruikt als illustratie in: Linnaeus, Carolus. Hortus Cliffortianus plantas exhibens quas in hortis tam vivis quam siccis, Hartecampi in Hollandia, coluit (...) Georgius Clifford. Amsterdam: sine nomen, 1738.
Gezicht op de galerij met machines op de Wereldtentoonstelling van 1885 in Antwerpen
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Location: antwerp
Artist: Anonymous
Subjects: world fair, world exhibition, antwerp
Portret van een onbekende vrouw of meisje
Object type: photograph
Date: 1888 – 1915
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: adult woman
Inscriptions: inscription: ‘C.J.L. Vermeulen Heerenstraat 6, Heiligenweg hoek Singel Amsterdam Telephoon No. 2339 en 2340. Toussaintkade 11. den Haag. Intercommunal Telephoon: 774.’, name: ‘C.J.L. Vermeulen den Haag Amsterdam.’
Het Lint
Object type: album leaf
Materials: ink, paper
Techniques: handwriting, pen
Location: lochem
Artist: Anonymous
Subjects: amsterdam, the hague, willem drees

Handgeschreven titel voor de foto op het volgende blad. Onderdeel van het fotoalbum over de opening van het bejaardenhuis De Berkelhof in Lochem door premier Willem Drees op 8 augustus 1953.
Jug
Object type: jug
Date: 1865 – 1865
Materials: glass, pewter
Techniques: glassblowing, silvered
Culture: american
Location: united states
Artist: boston silver glass company
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1871
Rietstengels in de wind
Object type: print
Date: 1621 – 1635
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: winds, plants and herbs: reed
Inscriptions: collector's mark: Lugt 240

Voorstelling van rietstengels, wuivend in de wind, op een klein eilandje in het water. Dit blad is onderdeel van de embleemserie 'Kloosterleven in emblemen'. De tweede staat van deze serie behelst naast een geïllustreerde titelpagina en 26 emblemen nog een titelpagina en een blad met opdracht, beide in boekdruk zonder afbeelding.
Le Général de Martimprey
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1090
1/10 gulden van Nederlands Indië,1920
Object type: coin
Date: 1920 – 1920
Materials: copper
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Standing Shiva or Temple Guardian (Dvarapala)
Object type: figure
Date: 901 – 950
Materials: stone
Culture: vietnamese
Subjects: shiva

Located on a major sea route between India and China, Champa, in the central part of Vietnam, played an important role in early Southeast Asian history. This rare sculpture, which may represent either a temple guardian or the Hindu god Shiva, shows the rugged sculpting and distinctive physiognomy, particularly the prominent mustache, that typify the art of the Chams. He wears a short wrap, which features a long front pocket with an oblique upward curve, and a sash. He carries a rosary in his left hand and a club or trident in his right. An early tenth-century date is suggested by stylistic parallels to sculptures in contemporaneous buildings at Mi Son, an important site dedicated to Shiva, as well as further southeast at Khoung My.
Scarab: Confronted Cobras with Falcon
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, snakes, serpents, falcons
Partisan
Object type: arm
Date: 1567 – 1600
Materials: brass, steel, velvet, wood
Techniques: weave
Culture: italian
Location: northern italy
Vase fragments
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragments of a yellowish glazed flask.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye, with a black, white, and red oculus, with a black pupil with an incised dot in the center
Portret van Karl Kaspar von Siebold
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: stippling
Location: berlin
Artist: johann daniel laurenz (ii)
Artist role: draughtsman, print maker
Artist dates: 1770 – 1832
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228