deem-data/ArtiFact huggingface dataset:
Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni Kabuki
Object type: print
Date: 1827 – 1827
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Slag bij Steenkerke, 1692
Object type: history print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: battle (+ land forces)

Veldslag bij Steenkerke tussen de geallieerden onder Willem III en het Franse leger onder Luxembourg, 3 augustus 1692. Onderdeel van een serie over de lotgevallen van het Engelse koningshuis van Stuart van 1558-1711, waarvan hier zijn opgenomen zestien prenten over de strijd tussen Jacobus II en Willem III in de jaren 1688-1689.
Fireback
Object type: fireback
Date: 1501 – 1600
Materials: iron
Portret van een jonge man
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: h. berghäger
Artist role: fotograaf
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘H. Berghäger/ PHOTOGRAPH/ BREMEN/ WALL 132,/ zwischen Heerden-u. Ansgariithor/ gegenüber der Blumenschule./ Die Platte bleibt für Nachbestellungen aufbewahrt./ SPECIALITÄT:/ Vergrösserungen werden nach kleinen Bilde/ sauber ausgeführt.’
Ruinarum varii prospectus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘139’, collector's mark: Lugt 2228

Gezicht op het Pantheon, de Romeinse tempel die in de zestiende eeuw bekend stond als Santa Maria dei Martiri. Op de voorgrond het Piazza della Rotonda met vele voetgangers. De prent is deel van een serie die verschillende plaatsen in het Middellandse Zeegebied afbeeldt.
Reliquary
Object type: reliquary
Date: 1701 – 1800
Materials: silver
Subjects: hands,reliquaries

The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, a head). In other instances, relics were preserved in containers of more traditional form. Jewels containing relics served as gestures of piety as well as displays of personal wealth. Such devotional ornaments became especially popular in early-seventeenth-century Spain, where sumptuary laws restricted most nonreligious personal adornment. Many of the most elaborate works produced by goldsmiths and jewelers were rosaries, crucifixes, and other Catholic emblems, which enabled their wearers to evade royal prohibitions. Extraordinary jewels were also donated to churches for the embellishment of revered devotional images.
Kaart van 't graafschap Holland naauwkeurig afgebeelt in zyne heemraadschappen, baljuwschappen en waarden (...) / Hollandiae comitatus una cum Ultrajectino dominio nec non maximis partibus Geldriae ducatus
Object type: map
Date: 1704 – 1704
Materials: paper
Techniques: engraving, hand coloring
Location: utrecht
Artist: caspar specht
Artist role: print maker, publisher
Artist dates: 1654 – 1710
Subjects: maps of separate countries or regions, gelderland, holland
Inscriptions: collector's mark: Lugt 195

Kaart van het graafschap Holland, de heerlijkheid Utrecht en het grootste deel van het hertogdom Gelderland. Linksboven een inzetkaart van Texel en Vlieland. Daaronder de Nederlandse titel. Rechtsboven twee schaalstokken: Duitsche mylen 15 in een graadt; Fransche mylen 20 in een graadt. Gradenverdeling langs de randen.
Stam van kaarsenkroon met zes armen
Object type: chandelier
Date: 1795 – 1800
Materials: brass, iron
Techniques: casting, engraving, forging, turning
Location: amsterdam
Artist: Anonymous
Inscriptions: inscription

Het voorwerp bestaat uit een ronde smeedijzeren stang, een hangring met smeedijzeren oog, een splitpen van koperplaat, en de volgende gegoten en op de draaibank bewerkte delen van geel koper: het stamdeel met de standring, de bol, de knop.
Het stamdeel heeft de vorm van een zesvlakkige baluster of vaas met daaronder de standring, waarvan de openingen met één t/m zes punten zijn gemerkt. De eikelvormige bol heeft een gegraveerd Hebreeuws opschrift.
De geprofileerde knop eindigt in een klein knopje en is bevestigd aan de stang met bovenaan het oog voor de splitpen.
Buste van Willem III, prins van Oranje
Object type: photograph
Date: 1850 – 1930
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Vetustae Ruinae et Venustissimae aliquot Regiones
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., church (exterior), landscape with ruins, monk(s), friar(s), ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 240

Kloosterlingen en een herder op een landweg langs een vervallen kerk. Negende prent van een serie van zestien.
Staande jonge vrouw
Object type: photograph
Date: 1908 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Foto op bruin albumblad 48 van familiealbum van Alphons Diepenbrock.
Covered Food Container
Object type: vessel
Materials: bronze
Location: china

Birds with long, trailing plumage encircle the lid and basin of this vessel. Their flowing lines reflect the skillful hand of the potter who carved the design in clay for casting in bronze. At some time in the past, this extensively damaged vessel was repaired and cleaned, thereby exposing its present, uncorroded surface.

Cast in the basin and lid are identical inscriptions: "In the eleventh month, first quarter, [on the day] jiashen, the King was in Hua. The King gave Ming deer. [Ming] therefore made [this] precious vessel. May Ming always [use this] gui to entertain many friends." The unusual inscription describes a secular event, indicating a new use for ritual bronzes. Such commemorative inscriptions, which gradually replaced shorter ancestor dedications, are important documents of Western Zhou history.
Staande vrouw, van achteren gezien
Object type: drawing
Date: 1848 – 1927
Materials: pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Wig inlay and shoulder of figure
Object type: inlay, wig and shoulder of figure
Date: 522 – 343
Materials: ivory
Location: egypt
Parade op het Plaza de la Constitución, Mexico-Stad
Object type: stereograph
Date: 1890 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘P. 85.’, copyright notice: ‘Copyright 1890, by J. F. Jarvis.’, number: ‘13726’
Koning in aanbidding
Object type: print
Date: 1621 – 1667
Materials: paper
Techniques: etching
Location: utrecht
Artist: jacob duck
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1667
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 778, collector's mark: Lugt 2228
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture

Standbeeld van Apollo met huid van Marsyas. Op de voet het wapenschild van Vincenzo Giustiniani. Prent uit een publicatie met reproductieprenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Vrouw met hoed op straat
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Artist: william ernest henley
Artist role: criticus, dichter, redacteur
Artist dates: 1849 – 1903
Subjects: merchant, salesman
Inscriptions: date

Lithografieën naar ontwerpen van houtsneden door William Nicholson. Sonnet in het Engels op de tegenoverliggende bladzijde.
Collage van landschappen bij Orr's Island
Object type: photomechanical print
Date: 1887 – 1907
Materials: paper
Techniques: autotype
Location: orr's island
Artist: Anonymous
Subjects: island, landscapes
Inscriptions: inscription: ‘Pearl House, Orr's Island/ Bridge, Great Island and Orr's Islands/ Baileys and Orr's Islands/ Steamer Merryconeag/ Grotto, Orr's Island’

Prent op vijfde ongenummerde pagina na pagina 393.
Indigoterie
Object type: album leaf
Date: 1667 – 1671
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: plantation, colours, pigments, and paints: blue, slavery; serfs and enslaved persons

Landschap met een werkplaats waar de kleurstof indigo wordt gefabriceerd door tot slaaf gemaakte mannen en vrouwen, onder toezicht van een Europese, waarschijnlijk Franse toezichthouder. Op de voorgrond zijn verschillende bassins weergegeven waar de bladen van de planten werden geweekt, gefermenteerd en waar een chemisch proces in werking werd gezet waarna een blauw sediment ontstaat dat gevormd en gedroogd werd. Over de gehele prent staan nummers die corresponderen met de Franse tekst in de marge. Rechts onderaan genummerd: 107. Prent maakt deel uit van een album.
Fragment
Object type: fragment
Date: 1301 – 1400
Materials: metal thread, silk
Subjects: birds,flowers
Augustus
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Subjects: august ~ other concepts
Inscriptions: : ‘Ouût./ Dimanche - 7 14 21 28/ Lundi 1 8 15 (...)’

Kalendermaand bij de illustratie op het tegenoverliggende blad. Prent maakt deel uit van een boek.
Flowering Cherry and Autumn Maples with Poem Slips
Object type: furniture
Date: 1654 – 1681
Materials: gold, gold leaf, ink, panel, silk, silver
Location: japan
Artist: tosa mitsuoki
Artist nationality: japanese
Artist dates: 1617 – 1691

Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on the inevitable passage of beauty by depicting the melancholy hours after the departure of reveling courtiers. A cherry tree bursts into bloom on the right screen, while its mate displays the brilliant red and gold foliage of maples in autumn. Slips of poetry, called tanzaku, waft from the blossoming limbs, the remaining evidence of a human presence. Courtiers (whose names are recorded in a seventeenth-century document) assisted Mitsuoki by inscribing the narrow strips with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies. The screens were either commissioned by or given to Tofukumon’in (1607–1678), a daughter of the Tokugawa shogun who married the emperor Gomizunoo (1596–1680). In an era otherwise marked by increasing control of the feudal shogunate over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked the past glories of early-medieval aristocratic life.
Splitpen afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cotter pin
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Split tang; wire, looped circular upper end, straight tongs.
Vierdaagsche Zeeslag Augustus 1653 / Marten Harpertsen Tromp
Object type: print
Date: 1820 – 1883
Materials: paper
Techniques: lithograph
Subjects: maarten harpertszoon tromp, battle (+ naval force), commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een blad. Links de slag bij Terheide. Rechts het portret van admiraal Tromp.
Bronze statuette of a satyr with a torch and wineskin
Object type: statue of a satyr including a torch and a wineskin
Date: 300 – 101
Materials: bronze
Culture: greek
Subjects: satyrs

Thiasoi were jubilant celebrations in honor of Dionysos that were attended by satyrs and maenads. From ancient literature, we learn that thiasoi occurred outdoors, and often at night. This fine bronze satyr can be identified as a participant in one such revel. An unusual aspect of his iconography is the inverted torch, a motif with great narrative potential, for the satyr may be extinguishing it or perhaps lighting it from a hearth. The full wineskin implies the latter and evokes the promise of a long, boisterous evening of drunken merriment.
Mantel clock
Object type: mantel clock
Date: 1840 – 1850
Materials: brass, bronze, enamel, gilt, glass, marble, steel, wood
Techniques: gilding
Artist: honoré pons
Artist role: maker
Artist dates: 1802 – 1855
Subjects: swords,angels,madonna and child
Shakuhachi, (a kind of bamboo flute), with Its Cover and Cherry Flowers
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: flutes,flowers
Generale kaart der kolonie Suriname, hoofdzakelijk voorstellende de tegenwoordige bebouwing dier kolonie
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, ocean, suriname
Inscriptions: date

Prent maakt deel uit van een kaart van Suriname behorende bij de publicatie: Teenstra, M.D. De landbouw in de kolonie Suriname. Groningen: H. Eekhoff Hzn, 1835.
Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right
Object type: print
Date: 1510 – 1590
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: triton,neptune,shells
Dish with Abstract Design
Object type: dish
Date: 1651 – 1700
Materials: enamel, porcelain
Techniques: overglaze, polychrome
Culture: japanese
Sleutel
Object type: key
Date: 1400 – 1950
Materials: iron

Sleutel met balustervormige schacht die iets onder de tweeledige baard doorloopt. De ronde greep is gevormd door opengewerkt acanthusblad en rust op een kogelvormig kapiteel.
Married Woman and her Children, plate five from Divers Habillements des Peuples du Nord
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste le prince
Artist nationality: french
Artist dates: 1734 – 1781
Lute
Object type: lute
Date: 1567 – 1600
Materials: wood
Culture: italian
Location: italy
Artist: wendelin tieffenbrucker
Artist role: maker
Artist nationality: german, active italy
Artist dates: 1570 – 1610

The arched back is formed of 37 ribs, the neck and pegbox--holding 4 bass strings and 20 fretted strings--are veneered with ebony. The fragile spruce top has been removed and is displayed to show repairs and alterations in the original ribbing; a modern replacement top maintains the form of the body. The Tieffenbrucker family was among the most important dynasties of the lute-making craft during the Italian Renaissance. The family migrated from the little town of Tieffenbruck in Bavaria to Venice at the beginning of the sixteenth century, and became the cornerstone of the lute-making industry there. This lute was built as a bass instrument, which originally had eight or ten courses (groups of strings meant to be played together) and was modified in the eighteenth century to thirteen courses. The back is made of thirty-seven bicolor yew ribs. The large number of ribs, as well as the wood choices, are distinctive innovations introduced by the Tieffenbruckers. (Jonathan Santa Maria Bouquet, 2009)
Fragments of a vase in the form of a woman holding a basket
Object type: vase, woman holding basket
Date: 1390 – 1352
Materials: paint, pottery
Location: egypt
Subjects: women
Opera selectiora
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: woodcut
Subjects: slavery; serfs and enslaved persons, st. mark rescues a slave from martyrdom by coming down from heaven; the instruments of torture break

Prent maakt deel uit van een ongenummerde serie van 24 prenten. Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Hanry 3e. Roy de France
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: the hague
Subjects: hendrik iii (koning van frankrijk)
Inscriptions: collector's mark: Lugt 2228

In de marge een vierregelig gedicht, in twee kolommen, in het Frans.
Seated Boy, Looking Sideways
Object type: drawing and watercolor
Date: 1830 – 1830
Materials: crayon, paper
Location: england
Artist: thomas jones barker
Artist nationality: english
Artist dates: 1815 – 1882
Zeeslag
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Subjects: battle (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

Een oorlogsschip bij windstilte met slappe zeilen lost een kanonschot. Aan weerszijden twee sloepen, in de verte twee kleinere schepen. Een ander schip wordt door de bemanning aan het strand getrokken.
Bloemen
Object type: print
Date: 1755 – 1776
Materials: paper
Techniques: printmaking
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228
Portret van Adelbertus Eggius
Object type: print
Date: 1610 – 1641
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: priest
Inscriptions: collector's mark: Lugt 964

Portret van Adelbertus Gerbrandsz. Eggius, kapelaan te Haarlem.
Corset
Object type: corset
Date: 1751 – 1775
Materials: cotton
Culture: american
[Nude Man Seated with Cloth Draped over Waist]
Object type: daguerreotype
Date: 1840 – 1849
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Landscape with Journey to Emmaus
Object type: painting
Date: 1627 – 1627
Materials: oil, panel
Artist: chaerles de hooch
Artist role: painter, print maker
Artist dates: 1600 – 1638
Subjects: the journey to emmaus: two disciples (cleopas and peter) under way
Inscriptions: signature and date: ‘Chaerles D. hooch. 1627’

Landschap met de Emmaüsgangers. Heuvellandschap met links enkele vervallen gebouwen, op de voorgrond een watervalletje. Rechts een oude boom.
In the Yosemite Valley
Object type: photograph
Date: 1878 – 1878
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: landscapes,trees

This exceptionally rare untitled album features seventy-three circular-format views made seventeen years after Watkins first photographed at Mariposa Grove and Yosemite. Half of the photographs are studies of the great sequoia trees in Calaveras Grove, the other half are landscapes of Yosemite. Watkins used a stereo camera with oversize plates then masked the negatives during the printing process.
Portrait of Constantijn Huygens
Object type: painting
Date: 1628 – 1629
Materials: oil, panel
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: the hague, constantijn huygens (i), historical persons

Constantijn Huygens was secretary to Stadtholder Frederick Henry and a notable connoisseur. In his autobiography, he described how this painting was executed. Lievens painted the portrait in two stages, first the clothing and the hands, and then the face. This explains why the scale is a bit off: the head is too small in relation to the body.
Xerses
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king
Inscriptions: inscription: ‘289’

Een bloemkelk met een koning, naar links omkijkend. In zijn handen heeft hij een scepter en rijksappel. De voorstelling is een onderdeel van de opeenvolging Perzische koningen in de Liber Chronicarum. De tekst identificeert de man als Xerxes II. De prent maakt deel uit van een album.
View from Wilmots Hill, Kent
Object type: drawing and watercolor
Date: 1830 – 1835
Materials: chalk, paint, paper, watercolor
Location: england
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Weight in the shape of a duck
Object type: weight
Date: 2000 – 1001
Materials: mineral
Location: cyprus or western asia
Piece
Object type: piece
Date: 1725 – 1730
Materials: silk
Subjects: leaves
Engeland, Elisabeth I, shilling
Object type: coin
Date: 1558 – 1603
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gekroond hoofd van de vorstin naar links. Keerzijde: wapenschild op lang gevoet kruis.
Glass beaker
Object type: beaker
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with greenish tinge. Uneven ground rim; cylindrical body with straight sides tapering slightly downwards; slightly pushed-in bottom. Wheel-cut decoration comprising four broad, horizontal grooves irregularly spaced down sides, with the uppermost just below rim. Intact; pinprick bubbles; dulling, pitting, and iridescence, with many patches of thick creamy, enamel-like weathering on exterior, and interior covered with soil and limy encrustation. Cylindrical yellowish beaker with four incised lines around body.
Purple Bowl
Object type: drawing and watercolor
Materials: chalk, gouache, paper, paint, watercolor
Location: belgium
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Flora
Object type: drawing and watercolor
Materials: ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni battista gaulli (il baciccio)
Artist role: artist
Artist nationality: italian
Artist dates: 1639 – 1709
In Claudii Ptolemaei Geographiacae Enarrationis Libri octo.
Object type: book
Techniques: woodcut
Location: france
Artist: claudius ptolemaeus
Artist role: author
Artist nationality: greek
Artist dates: 95 – 175
Subjects: science,maps
Zuil van de Onbevlekte Ontvangenis op het Piazza Mignanelli te Rome, Italië
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., obelisk, needle
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘98’
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: saint-étienne
Artist: pierre sayve
Artist role: fotograaf
Artist dates: 1849 – 1897
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘P. Sayve St. Etienne’, inscription: ‘Agrandissement au Charbon/ Photographie/ P. Sayve/ Place Dorian 10./ St. Etienne/ Tous les clichés sont conservés./ Bernhard Wachtl Wien.’
Bead in the Form of a Bunch of Grapes
Object type: bead, grape, nebmaatre cartouche
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: grapes