deem-data/ArtiFact huggingface dataset:
Clarence  (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Corinthian Drachm, 480 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Ball Player
Object type: male figure
Date: 601 – 1000
Materials: ceramic, paint
Culture: nopiloa
Location: mexico
Subjects: men

This mold-made ceramic figure depicts a bearded, mustachioed male wearing a ballgame yoke around his waist to protect him from the hard, solid rubber ball used in play. There are cylindrical ear ornaments in his ears and, beneath his arm, a batonlike object perhaps related to the local incarnation of the ballgame. The rules and manner in which the Mesoamerican ballgame was played varied among contemporary sites and evolved through time. Surviving evidence suggests human sacrifice was a frequent outcome, but the game may also have been played for other purposes, such as sport. The people of ancient Veracruz interacted with people from other Mesoamerican cultures, and this Nopiloa figure displays motifs commonly found in Maya art. Knotted ties, like those around this player's wrist and neck, in Maya pictorial language connote captured prisoners. A motif similar to the Maya mat, a symbol of rulership, appears on the flanged headdress of the ballplayer. Thirdly, like Maya figurines of this type, the body of this figure is a whistle, a musical instrument used in ritual and ceremony.
Head of a Woman (recto); Head of a Child, Study of Children's Forearms (verso)
Object type: drawing
Date: 1634 – 1689
Materials: chalk, paper
Artist: ciro ferri
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1689
Subjects: heads,portraits,women
Fan
Object type: costume and accessory
Date: 1801 – 1900
Materials: gilt, pearl, silk, silver
Techniques: carving
Location: france
Smelting on the River Blythe (Suffolk)
Object type: photograph
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Subjects: collected by hugh edwards, pictures of east anglian life, seat of war in the crimea
Terracotta stirrup jar
Object type: stirrup jar
Date: 1300 – 1200
Materials: terracotta
Culture: mycenaean

The stirrup jar is one of the most common Mycenaean shapes used to contain liquids such as oil or wine.
Spoon or tongue depressor
Object type: spoon or tongue depressor
Date: 7000 – 330
Materials: bronze
Brief aan Pieter Verloren van Themaat
Object type: letter
Date: 1862 – 1862
Materials: ink, paper
Techniques: pen, writing
Artist: pieter stortenbeker
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1898
Subjects: utrecht, pieter verloren van themaat, the hague, drawing
Inscriptions: collector's mark: ‘RPK’, name: ‘PULCHRI STUDIO’
Lieutenant General Scott, General-in-Chief, U.S. Army and Staff
Object type: photograph
Date: 1861 – 1861
Techniques: albumen print
Location: united states
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: collected by hugh edwards

An entrepreneur as much as a photographer, Mathew Brady was celebrated as a great portraitist of national figures from Daniel Webster to Abraham Lincoln. When the Civil War broke out in 1861, he oversaw a group of photographers documenting the camps, officers, and aftermath (battles themselves were impossible to capture with existing camera technology); he published these as a series titled Brady’s Incidents of the War. Here Brady depicted officers surrounding Lieutenant General Winfield Scott, one of the Union Army’s most acclaimed and decorated officers, with dignity and resolve, as if posing in the studio rather than ready to meet the battlefield. Hugh Edwards, a native Kentuckian whose grandfather had fought in the battle of Shiloh, held a lifelong interest in the Civil War and helped build the museum’s collection of 19th-century photography.
Fragment
Object type: fragment
Date: 1850 – 1850
Techniques: lace
Portret Johannes Henricus van der Palm
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
[Edwin Hayes]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Limehouse
Object type: print
Materials: chine, ink, ivory, paper
Techniques: scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Sigismund Friedrich von Wallroth
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Artist: elias widemann
Artist role: print maker
Subjects: historical persons

Prent uit de publicatie: Widemann, Elias. Honori Sacrum. Wenen: s.n., 1649.
Portret van Josef Wenzel Radetzky von Radetz
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: adult man, historical persons, (military) uniforms
Inscriptions: check stamp: ‘A. Paterno s Wtwe. & Sohn Kunsthandlung in Wien’, collector's mark: Lugt 2228
Length
Object type: length
Date: 1900 – 1900
Materials: silk
Culture: japanese
Subjects: flowers
The Little Chapel
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: france
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Driehonderdjarige herdenking van de geboorte van Rembrandt van Rijn
Object type: history medal
Date: 1906 – 1906
Materials: bronze
Techniques: striking
Location: netherlands
Subjects: leiden, amsterdam, painter, print maker, rembrandt van rijn
Inscriptions: : ‘REMBRANDT / FADDEGON’, : ‘MDCCCCVI, NATVS AoMDCVI OBIIT Ao MDCLXIX / POSTERITAS’

Bronzen penning. Voorzijde: borststuk Rembrandt met muts binnen omschrift. Keerzijde: gesluierde vrouw giet olie in brandend olielampje, staande op steen met opschrift; in veld rechts: opschrift.
Stigmatisatie van de H. Franciscus van Assisi
Object type: album leaf
Date: 1518 – 1518
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: hans springinklee
Artist role: print maker
Artist dates:  – 1540
Subjects: stigmatization of st. francis of assisi: in retreat on mount alverna, he beholds a vision of christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of christ

Franciscus, in gebed op de berg Monte Alverna, heeft een visioen van Christus als een serafijn op het kruis. Hij ontvangt de stigmata van Christus. Prent maakt deel uit van een album.
Shabti of Mehefpabenu
Object type: shabti, mehefpabenu
Date: 1070 – 945
Location: egypt
Portret van Franz Balthasar Schönberg von Brenkenhoff
Object type: print
Date: 1761 – 1789
Materials: paper
Techniques: engraving
Artist: carl christian glassbach
Artist role: print maker
Artist dates: 1751 – 1789
Subjects: ornament ~ medallion, historical persons, ornament ~ festoon, garland, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Noot-munten, geslagen te Amsterdam, 1578
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: caspar jacobsz. philips
Artist role: draughtsman, print maker
Artist dates: 1732 – 1789
Subjects: coin, amsterdam
Inscriptions: collector's mark: Lugt 2228

Volgens Muller gebruikt als illustratie in Wagenaars geschiedenis van Amsterdam. Dit lijkt niet te kloppen.

Voor eerste bekende staat zie RP-P-OB-79.747.
Interieur van de Mezquita kathedraal van Córdoba
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: córdoba
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: interior of church
Inscriptions: annotation: ‘Cordoba’

Pagina 7 uit een schetsboek met 30 bladen.
Enquêteformulier ingevuld door Gerrit List
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: texel
Subjects: gerrit list
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Belt with Profiles of Half-Length Figures
Object type: belt
Date: 1350 – 1400
Materials: enamel, silver gilt, textile
Culture: italian

Extravagant girdles used to cinch the fall of clothing at the waist were often part of betrothal gifts, dowries, and counter-dowries (given by the groom). One of the stories of Boccaccio's Decameron (1349–52) included girdles, along with rings, as gifts for a new bride. Intact girdles such as this one are rare. It would have been worn under the breasts, pulled through the buckle—here in the form of a curving figure—and then hanging to the ground, its gilt details and enameling catching the light. The enamel technique known as basse taille allows the silver below to shine through the translucent enamels.
Revolutionary Calendar
Object type: print
Date: 1793 – 1793
Techniques: aquatint, etching
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Subjects: women,calendars

Following the French Revolution, a Republican calendar was adopted and in use from 1793 to 1805. The religious and royalist references of the Gregorian calendar were purged and replaced with names drawn from nature. With a structure based on the decimal system, the new calendar began each year in the autumn. Debucourt presents the calendar with the months and days of Year II (1793–94) inscribed in a box. The allegorical figure of Philosophy sits atop a stone outcropping amid various symbols of learning and the newly founded French Republic. Based on his own design, it is a tour de force of the aquatint technique, employing a full range of painterly tones, from white and pale grays through the inkiest blacks.
Portret van Johanna (Hans) de Jong
Object type: snapshot
Date: 1903 – 1940
Materials: paper
Techniques: gelatin silver print
Location: the hague
Subjects: johanna petronella lambertina stokhuyzen-de jong (hans), historical persons - bb - woman
Inscriptions: number: ‘18’
Bord, beschilderd met een onbekend wapen, mogelijk Van Egmond
Object type: plate dish
Date: 1718 – 1718
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: date: ‘1718’

Bord van aardewerk beschilderd in blauw op tinglazuur met in het plat een onbekend wapen, mogelijk van een lid van een onbekend geslacht Van Egmond. Daarboven een gekroond spiegelmonogram J.V.E. De rand gedecoreerd met bladwerk.
Mannelijke kluizenaars en heremieten
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: munich
Subjects: male saints (with name), self-castigation ~ ascetic life, forest, wood, anchorite, hermit
Inscriptions: collector's mark: Lugt 240

De H. Dominicus Loricatus, een Italiaanse kluizenaar uit de elfde eeuw na Christus. Hij staat half naakt op de voorgrond en heeft een gesel in de linkerhand. Op de achtergrond een boslandschap met enkele monniken in een hut.
Weg met groep mannen in kostuums en een gezelschap bij een rijtuig, vermoedelijk aan de kust van Zuid-Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: southern france
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), folk costume, regional costume (+ men's clothes), public road

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Shu Amulet
Object type: amulet, shu
Date: 664 – 332
Materials: faience
Location: egypt
Plafond van de feestzaal in het stadhuis te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: nancy
Subjects: townhall, (decorated) ceiling
Inscriptions: inscription: ‘Hotel de ville/ Grand salon des fêtes/ plafond par A. Morot (1892)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Les principaux edifices et vues de la ville de Rotterdam
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: etching
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: church (exterior), weigh-house, market-hall, street (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent vermoedelijk eerst met dertien andere stadsgezichten uitgegeven als onderdeel van de sierrand van – in ieder geval de derde staat en mogelijk ook de tweede van – de plattegrond 'Tabula Roterodami Novissima' (zie RP-P-AO-13-11).

Later nog een keer als onderdeel van een prentserie uitgegeven: Les principaux edifices et vues de la ville de Rotterdam. Le tout fidèlement dessiné sur les lieux. Leiden: Pieter van der Aa, s.a. [adres 'dans l'Academie', dus 1715-1730].

De platen zijn voor zover na te gaan ongewijzigd gebleven.
Fragmenten vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, sim. NG 1980-27H536a.
Solitudo Sive Vitae Patrum Eremicolarum
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: saints, anchorite, hermit
Inscriptions: collector's mark: Lugt 240

Mutius, een vroeg-christelijke kluizenaar, in een bos. In zijn handen een kluizenaarsstaf. Op de achtergrond een dorp met een beekje.
Reiziger
Object type: print
Date: 1845 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Subjects: 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228a
Twee voorstellingen van een Zwitsers landschap
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: richard sasse
Artist role: print maker
Artist dates: 1774 – 1849
Subjects: waterfall, landscapes in the temperate zone (+ landscape with figures, staffage), mountains
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot de serie 'L'art de dessiner le paysage d'apres nature'. Deze serie is in tien delen met elk zes lithografieën uitgegeven.
Textile Sample Book
Object type: sample book
Date: 1881 – 1881
Portret van Frances Carr
Object type: print
Date: 1615 – 1622
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons - bb - woman, sleeves, 'décolleté', neck-gear ~ clothing (with name) (+ women's clothes), hairdress - aa - ~ women, sleeves (+ women's clothes), necklace (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Kleding: Zeer laag decolleté waarboven brede plooikraag. Kapsel:
Dottore di legge
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Liggende en een lopende hond
Object type: drawing
Date: 1722 – 1792
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: francesco guardi
Artist role: draughtsman, painter
Artist dates: 1712 – 1792
Subjects: dog
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head, neck, and part of the upper torso of a filleted woman to left, wearing a himation
Valance
Object type: valance
Date: 1501 – 1600
Techniques: embroidery
Subjects: animals
Elektrisch ei
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: netherlands
Artist: fredrich wilhelm funckler
Artist role: instrument maker
Artist dates: 1836 – 1886
Subjects: physics (+ tools, instruments; laboratory equipment ~ scientific research)
Inscriptions: number: ‘No. 219.’
Toneelstukken van Molière
Object type: print
Date: 1878 – 1879
Materials: paper
Techniques: drypoint, etching
Location: tours
Subjects: hypochondriac, apparent death, theatre, theatrical performance

Akte III, scène XIII uit "Le Malade Imaginaire" van Molière. De hypochonder Argan ligt in een stoel en zijn dochters Toinette en Angélique staan erbij. Waarschijnlijk doet hij hier alsof hij dood is.
Square Cup
Object type: cup
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: men,trees
Virgin and Child with St. John the Baptist and St. Elizabeth
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: madonna and child,saint john the baptist
Suit
Object type: suit
Date: 1833 – 1835
Materials: cotton, silk, wool
Culture: american
Fotoreproductie van een tekening, voorstellende een jongen knielt voor zijn ouders
Object type: reproduction
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parents with their children, kneeling figure
Rekenpenning uit Middelburgt ter bemoediging van de schroomvalligheid van de ingezetenen 1606
Object type: history medal
Date: 1606 – 1606
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het gezicht op een stad, met omschrift, op de keerzijde het gekroonde wapenschild van Zeeland, met omschrift, waaromheen zeven stadswapenschilden.
Don Quichot en Sancho op een houten paard
Object type: print
Date: 1724 – 1749
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: don quixote, sancho panza
Inscriptions: collector's mark: Lugt 240
François René Auguste Vicomte de Chateaubriand (1768–1848), French statesman and man-of-letters
Object type: medallion
Date: 1801 – 1900
Materials: bronze, patina
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Bowl
Object type: bowl
Date: 960 – 1279
Materials: glaze, metal
Culture: chinese
Kaart van vier eilanden in de Grote Oceaan, waaronder Mangaia en Tubuai
Object type: book illustration
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: leiden
Subjects: island, maps, atlases, french polynesia
Inscriptions: collector's mark: Lugt 2228

Prent uit: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1802, dl. 10, p. 6.
Ceramic Whistle in the Form of a Standing Figure
Object type: whistle
Date: 200 – 300
Materials: ceramic, pigment
Culture: bahia or chorrera
Location: ecuador
Subjects: human figures,musical instruments
Nederland, 2½  cent,1941
Object type: coin
Date: 1941 – 1941
Materials: zinc
Techniques: striking
Location: utrecht

Zinken munt. Voorzijde: Het Friese uleboerd. Keerzijde: waarde-aanduiding 2½ ct, rechts vier golven en een korenaar. daaronder op een band jaartal. Gladde rand.
Portret van Daniel Cajanus, ten voeten uit
Object type: drawing
Date: 1714 – 1749
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: giants, colossi
Inscriptions: collector's mark: Lugt 1641, stamp

Portret van de reus Daniel Cajanus. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Kermistypen, wondermenschen en dergelijken.
World`s Columbian exposition
Object type: book
Date: 1807 – 1894
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: date
Portret van Maria Margaretha de Berlaymont
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, historical persons - bb - woman, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166