deem-data/ArtiFact huggingface dataset:
De batterij v/h Fort "Zeelandia"
Object type: photograph
Date: 1896 – 1896
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: fortress, firearms: cannon
Inscriptions: inscription: ‘De batterij v/h Fort "Zeelandia"’

Batterij van drie kanonnen bij Fort Zeelandia te Paramaribo. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Ontwerp voor een politieke spotprent: de kapitalist
Object type: drawing
Date: 1904 – 1905
Materials: cardboard, chalk, ink, pencil
Techniques: brush, pen
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: the hague, abraham kuyper, war of classes, political caricatures and satires
Landschap met stoomlocomotief
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes adrianus van der drift
Artist role: print maker
Artist dates: 1808 – 1883
Subjects: steam locomotive
Inscriptions: collector's mark: Lugt 2228
Card Number 313, Jennie Smith, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
The Last Supper
Object type: painting, triptych
Date: 1515 – 1520
Materials: oil, wood
Artist: netherlandish (antwerp mannerist) painters
Artist role: artist
Artist nationality: netherlandish
Subjects: tents,dogs,apostles,christ,last supper,dining

This is a rare example of a completely intact triptych, well preserved and still in its original frame. Adam and Eve on the exterior are based on Albrecht Dürer’s 1504 engraving of the subject. The Old Testament scenes on the inner wings prefigure the Last Supper, which is depicted in a fantastic Renaissance architectural setting on the central panel. The left wing shows the king and high priest Melchizedek outside the gates of Salem giving bread and wine to the patriarch Abraham. The right wing represents Moses and the Israelites in the desert fed by manna falling from heaven.
Molen
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: windmill
Inscriptions: annotation: ‘[...]’

Pagina 4 uit een schetsboek met 18 bladen.
Fragment of a Ceremonial Ballgame Yoke
Object type: sculpture
Date: 700 – 800
Materials: stone
Culture: totanac
Location: el tajín
Subjects: sports, scrolls (motifs), ceremony, ritual, games, abstract figures, faces, supernatural

Played throughout Mesoamerica, the ceremonial ballgame was a sport as well as a ritual substitute for war in which sacrifice was often the final outcome. Players were required to propel a heavy rubber ball with their hips, thighs, shoulders, and lower arms. A yoke, made of padded leather or wood, was worn at mid-body to protect the torso and direct the ball. Carved stone yokes were intended as ceremonial emblems or trophies and were not used in actual play. At least eleven ballcourts have been discovered at El Tajín, suggesting that the city may have been a sort of Olympic center as well as a ruling capital.
Petticoat
Object type: petticoat
Date: 1880 – 1889
Materials: wool
Culture: american
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 23 : Coeffure et Robe Parées...
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: gloves, mittens (long gloves) (+ women's clothes), ornamental parts of clothing (+ women's clothes), border, ribbon, braid (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Chapeau de Levantine. Robe avec Remplis de Perkale et Bandes de Tulle.’

Volgens de beschrijving in het tijdschrift (p. 328): Japon van witte mousseline met 'remplis' van katoenbatist (percale) en tule. Korte pofmouwen met dezelfde versiering. Wit satijnen 'Chapeau de lévantine'. Witte handschoenen en schoenen. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Table stand
Object type: table stand
Date: 1601 – 1700
Materials: wood
Culture: chinese
Apelles schildert Alexander de Grote en Campaspe
Object type: print
Date: 1543 – 1545
Materials: paper
Techniques: etching
Location: fontainebleau
Artist: monogrammist iqv
Artist role: print maker
Subjects: satyr(s) (in general), apelles paints campaspe and falls in love with her; alexander yields her to him, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Alexander de Grote en zijn geliefde Campaspe poseren voor de schilder Apelles, die achter zijn schildersezel staat. De voorstelling is gevat in een decoratieve ovale lijst met saters, putti en vruchten.
Mahakala, Protector of the Tent
Object type: thangka
Date: 1500 – 1500
Materials: textile
Culture: tibetan, central
Subjects: buddhism,deities

Mahakala is one of the most popular guardians in the Tibetan Buddhist pantheon. Here he tramples a corpse while wielding a flaying knife and a blood-filled skull cup, signifying the destruction of impediments to enlightenment. In the crooks of his elbows he supports a gandi gong, a symbol of his vow to protect the community of monks (sangha). His principal companions, Palden Remati and Palden Lhamo, appear to his left, and Legden Nagpo and Bhutadamara are at his right. At lower left is Brahmarupa blowing a thighbone trumpet. He is especially revered by the Sakya order, which commissioned this work. This thangka, one of the earliest and grandest of this subject, can be related to murals preserved in the fifteenth-century Kumbum at Gyantse monastery, central Tibet, likely painted under Newari direction.
Ingang naar de Luxortempel
Object type: page
Materials: paper
Techniques: albumen print
Location: luxor
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: temple, shrine ~ egyptian religion, gate, entrance
Teppozu and Tsukiji Honganji Temple (Teppozu Tsukiji Monzeki), from the series "Supplement to the One Hundred Famous Views of Edo (Edo hyakkei yokyo)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
H. Simon
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Studieblad met goudwinden
Object type: drawing
Date: 1876 – 1924
Materials: charcoal, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: fishes
Portret van een man met snor
Object type: carte de visite
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: jena
Artist: friedrich haack
Artist role: fotograaf
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Grossherzogl. Sachs./ HOF-PHOTOGRAPH/ Friedrich Haack/ PRÄMIIRT/ LEIPZIG 1879./ Jena/ an der Promenade/ neben dem Gymnasium./ Für Nachbestellungen bleibt die Platte aufbewahrt.’
Chemise
Object type: chemise
Date: 1862 – 1867
Materials: cotton, linen
Culture: american
Gezicht op het oude postkantoor aan de Nieuwezijds Voorburgwal
Object type: cabinet photograph
Date: 1875 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: post-office, city-view in general; 'veduta', canal, street
Inscriptions: inscription: ‘93. / Oude Postkantoor voor de demping’, stamp: ‘Gebr. Douwes / Atelier / Grimburgwal 15 / Amsterdam.’, collector's mark: ‘14.36’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Covered Box
Object type: box
Date: 1801 – 1900
Materials: bamboo
Culture: japanese
Landscape
Object type: print
Date: 1807 – 1810
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: buildings,landscapes,trees

The print is of great rarity. It is one of only four known impressions printed by Goya in his lifetime. The other impressions are in the Biblioteca Nacional, Madrid, The Art Institute in Chicago and a private collection in Berlin. Within the context of his work, the Landscape sits at an important juncture. It was made after his major series of prints 'Los Caprichos' (1799) and before the 'Disasters of War' (ca. 1810-15). As such, it was produced when Goya was experimenting with individual subjects – not part of a series – and finds parallels with this other work from around the same time. The print was not meant for wide distribution and very few impressions were printed. The personal and somewhat introspective nature of is subject is key to understanding the direction Goya was moving in before the outbreak of the Peninsular War. The composition of the landscape is both balanced and precarious. Imposing natural forms loom over the diminutive figures in the foreground—a disquieting juxtaposition. The print might be interpreted as embodying the calm before the storm, when a foreboding presence threatens to overpower unsuspecting victims. It might therefore capture the fearful anticipation of the invasion by Napoleon’s army, who entered Portugal in 1807 before moving to Spain the following year. In 1810, or slightly before, Goya cut the Landscape copper plate in half to use the verso for two etchings in his monumental series of etchings the Disasters of War (plates 13 ‘Bitter to be present’ and 15. ‘And there is no help’). This Landscape is one of a pair (Harris 24). The other with a rock and waterfall was also cut in half for the same purpose. Both plates are in the Calcografía in Madrid. Goya probably cut the plates because of the shortage of copper at the beginning of the Peninsular War when he was embarking on the 'Disasters of War'. Around 1920 the plates (the original two cut into four) were temporarily rejoined to print impressions of the landscapes. Because of the disfiguring cut, the fault could not be concealed and only a few impressions were taken (see for example British Museum 1975,1025.32). The contrast between the impressions before and after the cut is unmistakable.
Ex libris Msr. de la Suse
Object type: bookplate
Date: 1600 – 1749
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760
Model of an Anchor Buoy
Object type: demonstration model
Date: 1833 – 1833
Materials: brass, wood
Location: den helder

Uitgehold blokmodel van een ankerboei voor katankers. Het heeft een ui-vormig lichaam met de punt naar beneden en een platte bovenkant; het wordt bijeengehouden door hoepels, waarover aan de buitenkant de spanten lopen. Twee hoofdspanten lopen door over de platte bovenkant, waar zij een kruis vormen. Zowel boven als onder is een harpsluiting aangebracht. Door een mangat kan men de binnenkant bekijken, waarin twee dekken zijn aangebracht. Schaal 1:10 (afgeleid).
Vase fragment
Object type: vase fragment
Date: 575 – 550
Materials: terracotta
Culture: etruscan

Two feet in relief and 2 incised lines.
Keizerrijk Frankrijk, Napoleon III, 5 francs,1867 A
Object type: coin
Date: 1867 – 1867
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: gelauwerd hoofd van de keizer naar links. Rechts onderaan de letter A [=Parijs]. Keerzijde: tussen waarde-aanduiding gekroonde mantel, waarop door keten van ridderorde met juweel omhangen rond wapenschild, waarachter twee gekruiste staven. Onderaan jaartal. Opliggend randschrift.
Voet behorende bij knobbelfles
Object type: foot
Date: 1690 – 1710
Materials: wood
Techniques: processing
Location: china
Artist: Anonymous
Verklaring bij de spotprent op Napoleon en zijn vrienden in hun glorie, 1813
Object type: print
Date: 1813 – 1814
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: napoleon i (emperor of the french), banquet of elegant company (+ toast at meal, banquet), death as skeleton, devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

Gedrukte verklaring van de spotprent op Napoleon die aan een tafel zit met zijn broer Jozef, de Dood en de Duivel en met de anderen wil drinken op het succes van plundering en moord. Tekst in vier coupletten namens de vier hoofdpersonen in de voorstelling.
Terracotta jug
Object type: jug
Date: 1600 – 1450
Materials: terracotta
Culture: cypriot

Narrow-necked jug with funnel-shaped mouth, handle and curved bands in relief.
Girodet and His Students
Object type: print
Date: 1817 – 1817
Techniques: lithograph
Artist: alexandre-marie colin
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1875

Many of Anne Louis Girodet-Trioson’s students took up the new medium of lithography, employing it to further their teacher’s reputation by reproducing his work. Colin’s homage to Girodet conveys the male-dominated space of the studio. Although many of the artists depicted have been identified, their names are unfamiliar to us today as few achieved great distinction. Colin presents himself in the front row. The lithographic lines comprising his portrait appear darker than the rest, particularly next to the faintly sketched peer immediately to the right. Colin did find success, primarily as a portrait painter. He won multiple medals at the Paris Salons and later became professor of drawing at the Ecole des Beaux-Arts in Nîmes.
Landscape with Palace
Object type: hanging scroll
Date: 1644 – 1911
Materials: ink, silk
Culture: chinese
Subjects: palaces,landscapes
Ensemble
Object type: ensemble
Date: 1825 – 1835
Materials: cotton
Culture: american
Saw
Object type: metalwork
Date: 1621 – 1621
Materials: iron, wood
Location: germany
Minerva beschermt drie Deugden
Object type: print
Date: 1668 – 1670
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: shore-birds and wading-birds: crane, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, (story of) minerva (pallas, athena), innocence; 'innocenza', 'innocenza o purità' (ripa), piety, 'pietas', 'timor dei' ~ the three theological virtues
Inscriptions: collector's mark: Lugt 240
Portret van Khoja Zufar
Object type: print
Date: 1775 – 1824
Materials: paper
Techniques: engraving, etching
Artist: léon-louis chapon
Artist role: print maker
Artist dates: 1836 – 1918
Subjects: historical persons
Inscriptions: : Lugt 2228
18 plates, each decorated with a Netherlandish province
Object type: plate dish
Date: 1822 – 1822
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: paris
Subjects: groningen (province)
Inscriptions: monogram and date: ‘R. D. 1822’

These plates reflect the period when the Netherlands and Belgium together formed the United Kingdom of the Netherlands (1815-1830). The kingdom consisted of 17 provinces plus the grand duchy of Luxembourg. The gold decoration is in the Neoclassical style. On the upper
edge are the arms of the kingdom, on the lower border those of each province. Today the Netherlands consists of 12 provinces.
Een kijvende vrouw en een spinnende man
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: man and wife quarrelling, 'marriage à la mode', fighting
Inscriptions: collector's mark: Lugt 2228

Een vrouw staat in een keuken met de handen in de zij te schreeuwen naar een man die bij een haardvuur met spinattributen in de weer is. Op de achtergrond bij de deuropening het bovenlijf van een tweede vrouw, die de arm opsteekt. Onder de voorstelling vier regels tekst in Latijn.
Le croc-en-jambe
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: stumbling - aa - female human figure, sheep, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Teapot
Object type: teapot
Date: 1725 – 1740
Materials: silver, wood
Artist: andreas braun
Artist role: maker
Artist dates: 1697 – 1787
Weaving tool
Object type: spool
Date: 1295 – 1070
Materials: wood
Location: egypt
Piece
Object type: piece
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: dragons,clouds
Book of Designs
Object type: illustrated book
Date: 1700 – 1700
Materials: ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Gezicht op brug in Grenoble
Object type: print
Date: 1645 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zes prenten.
No. 38. Fujikawa: one of the fifty-three noted places on Tokaido, painted by Hiroshige
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: woodcut
Location: japan
Inscriptions: date

Drie boeren knielen voor de processie van een krijgsheer (daimyo).
Portret van Karl von Grolman
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Location: magdeburg
Subjects: berlin, adult man, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228

Midden onder staat het wapen van Pruisen.
Marie Knowles, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Journal des Dames et des Modes 1822, Costume Parisien (2059)
Object type: fashion print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: head-gear, fashion plates, clothes, costume (+ women's clothes)
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1822.
Breastplate
Object type: armor
Date: 1580 – 1580
Materials: brass, leather, steel
Location: augsburg
Le Cannameliste Français, Ou Nouvelle Instruction Pour Ceux Qui Desirent D'Apprendre L'Office, Rédigé en Forme de Dictionnaire
Object type: book
Date: 1768 – 1768
Techniques: engraving
Location: france
Artist: joseph gilliers
Artist role: author
Artist nationality: french
Artist dates: 1658 – 1758
Subjects: dining
Gezicht op de markt van Hoorn, met het standbeeld van Jan Pietersz. Coen en de Waag
Object type: glasdia
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: hoorn
Artist: Anonymous
Subjects: grote oost (hoorn)
Inscriptions: annotation: ‘Hoorn Groote Oost’

Gezicht op de markt van Hoorn, met het standbeeld van Jan Pietersz. Coen (waar een groep kinderen voor poseert) en de Waag, gezien naar de Grote Oost.
Barbed Point
Object type: point
Date: 300 – 200
Materials: copper
Culture: vicús
Location: peru
Standbeeld van Diana
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: monument, statue
Inscriptions: inscription: ‘S. de la Bique’, collector's mark: ‘VOSMAER’, number: ‘19..’
Schotel
Object type: platter
Date: 1770 – 1810
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: france
Artist: Anonymous

Ronde schotel met opstaande rand, van veelkleurig beschilderde faiences fines. De schotel is beschilderd met paarse, dunne takken met groene bladeren. Onder de rand is de wand verdikt en geribd. De schotel hoort bij een bloempot (vgl. invnrs. BK-NM-14097-e en BK-NM-14097-f). Bij de schotel horen drie schotels met invnrs. BK-NM-14097-b, BK-NM-14097-c en BK-NM-14097-d.
Ericstan, for John J. Herrick, Tarrytown, New York (perspective)
Object type: drawing ornament architecture
Date: 1855 – 1855
Materials: graphite, ink, paper, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses,towers

Davis' most successful castellated villa was built for dry-goods merchant John J. Herrick. The design was dominated by an enormous three-story circular tower facing west over the Hudson River. The tower housed an extraordinary circular parlor that had an intricately vaulted ceiling springing from a massive central cluster of delicate Gothic columns. Ericstan was demolished in 1944.
Panorama of New York and Vicinity
Object type: print
Date: 1866 – 1866
Materials: stone
Techniques: lithograph
Artist: john bachmann
Artist role: artist and publisher
Artist nationality: american, swiss
Artist dates: 1814 – 1896
Subjects: new york city

Bachmann specialized in lithographed bird’s-eye views and here represents Manhattan from Hoboken, New Jersey. In the foreground, two baseball games are being played at the Elysian Fields—a site used by professional New York teams from 1845. Manhattan itself seems distorted, as though seen through a convex lens, which brings some elements into greater focus. Central Park’s southern edge is visible at left, and the Croton Distributing Reservoir’s two large tanks stand out above Fifth Avenue at Forty-Second Street. Pockets of green farther south represent Madison Square Park, Union Square, and City Hall Park, with the view extending down to Castle Garden on the Battery, then into New York Harbor, with Staten Island and the Narrows clearly delineated.
Sleeve Button
Object type: sleeve button
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Subjects: turtles
Portrait of Giovanni Baptista Belzoni, half-length, an Egyptian landscape below with pyramids and temples and statues including the head and arm of Amenhotep III
Object type: print
Date: 1824 – 1824
Techniques: lithograph
Artist: m. fabroni
Artist role: artist
Artist dates: 1820 – 
Subjects: pyramids,men,portraits,snakes

A posthumous portrait of Giovanni Battista Belzoni (1788-1823), the celebrated Egyptologist of the nineteenth century. Belzoni made many important contributions to the field in his own time, including the discovery of the Nineteenth dynasty tomb of Seti I, located in the Valley of Kings near Thebes, around 1820. In one of the first attempts ever to move large Egyptian artifacts out of context, he successfully transported a large obelisk from Philae to Alexandria in 1819.
The Remains of the Senatorial Bridge, upon the Tyber; now called Ponte Rotto
Object type: print
Date: 1707 – 1746
Materials: paper
Techniques: etching
Location: london
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), landscape with ruins (+ city(-scape) with figures, staffage), angling
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Draped figure to right, in a cart or chariot
Aftocht na de slag bij Dreux, 1562
Object type: history print
Date: 1570 – 1570
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: after the battle

Aftocht na de slag bij Dreux tussen de hugenoten en de katholieken, 19 december 1562. De legers verlaten het slagveld. In het onderschrift de legenda A-E in het Frans. Ongenummerd.