deem-data/ArtiFact huggingface dataset:
Gezicht op Scheveningen, 1729
Object type: print
Date: 1729 – 1736
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: prospect of village, silhouette of village, sailing-ship, sailing-boat, church (exterior), prospect of city, town panorama, silhouette of city, beach (+ landscape with figures, staffage), sea, the hague
Inscriptions: collector's mark: Lugt 195

Gezicht op het dorp Scheveningen in het jaar 1729. Op de voorgrond de zee en het strand met daarop een aantal figuren en schepen. Daarachter het dorp met in het midden de kerk. Op de achtergrond Den Haag. Boven een banderol met de titel.
Monogram van Adolf Hitler in zijn werkkamer in de Rijkskanselarij
Object type: print
Date: 1942 – 1942
Materials: paper
Techniques: letterpress printing, engraving
Artist: karl mahr
Artist role: houtgraveur
Artist dates: 1890 – 1945
Subjects: berlin, politician, adolf hitler
Inscriptions: date

Prent uit het Weihnachtsnummer van: Illustrirte Zeitung 100 (1942).
Cravat End
Object type: costume and accessory
Date: 1730 – 1750
Materials: lace, linen
Techniques: lace
Location: belgium
Subjects: tulips, floral motifs, flowers, foliage, pineapples

Formal occasions required lace accessories for men as well as for women. These cravat ends would have been attached to a long rectangle of plain linen that was tied around the neck and knotted in the front to display the decorative lace ends. Only these ends have survived.
Scarab with Papyrus and Beetle
Object type: scarab, beetle, papyrus, sun disk, neb, hieroglyph
Date: 1550 – 1295
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs

The underside of this scarab shows a scarab beetle between a pair of papyrus stems. A sun disk is placed above. All motifs refer to renewal and regeneration.
Sealing wax case (étui)
Object type: étui
Date: 1775 – 1781
Materials: gold

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Partial design for the decoration of a ceiling with scrolls and swags of fruit
Object type: drawing
Date: 1830 – 1897
Materials: gouache, graphite, ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Figure Pendant
Object type: pendant
Date: 1001 – 1600
Materials: jade
Culture: atlantic watershed
Location: costa rica
Gezicht op molen De Eenhoorn gezien vanaf de Achterweg
Object type: drawing
Date: 1801 – 1892
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: albert martin
Artist role: draughtsman
Artist dates: 1827 – 1900
Subjects: city-view in general; 'veduta', road, path, windmill in landscape
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Gezicht op den Achterweg. / op de Molen de Eenhoorn Jan 1892.’, signature: ‘A:Martin f’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Kanaal van Gent naar Brugge
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Artist: félix de baerdemaecker
Artist role: print maker
Artist dates: 1836 – 1878
Subjects: canal, rowing-boat, canoe, etc., windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Studie van een vrouw die tennis of badminton speelt
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: tennis, lawn-tennis, 'jeu de volant', badminton
Metamorfosen van Ovidius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: jupiter kills semele by coming to her with his lightning and thunderbolts, bed with tester, attributes of jupiter: eagle
Inscriptions: number: ‘30’

De ambitieuze reeks naar ontwerpen van ondermeer Jacob Pynas, Roeland Savery, Pieter Clouwet, Rubens en Rembrandt is nooit voltooid door de De Passes. De reeks werd uiteindelijk in 1677 in boekvorm uitgegeven in Brussel door Piere Du Rayer en Francois Foppes. Als losse prenten is de reeks alleen bekend uit een groep prenten afkomstig uit de collectie Hinloopen (1619-1708) die zich in het Rijksprentenkabinet bevindt. Deze groep is uitgebreid beschreven door Jan van der Waals in zijn Hinloopen-catalogus (zie: ''Een onbekende editie van een serie Ovidius-illustraties'' in De prentschat van Michiel Hinloopen, 1988, p. 79-102.). De ontdekking van een tweede groep afdrukken van de reeks, afkomstig uit de werkplaats van Crispijn de Passe de Jonge, biedt een belangrijke aanvulling op de Hinloopen-groep. Sommige afdrukken tonen de prenten in onvoltooide staat en zijn voorzien van verbeteringen en toevoegingen in pen en penseel. Bovendien zijn alle prenten voorzien van 17de-eeuwse opschriften die het in een aantal gevallen mogelijk maakt de ontwerpers van de voorstellingen nader te identificeren. Op grond van de aangetroffen watermerken kunnen de afdrukken worden gedateerd omstreeks 1652-1653.
Sard ring stone
Object type: intaglio
Date: 1 – 100
Culture: roman
Subjects: goddess

Fortuna or Demeter seated with cornucopia in one hand and small figure in the other.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1401 – 1433
Materials: copper, enamel
Culture: european
Subjects: coat of arms

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Studieblad met een hoofd en geiten
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human), goat

Pagina 14 uit een schetsboek met 29 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, head and part of left shoulder and arm of symposiast leaning against a cushion; Exterior, palmette
Cholerisch temperament
Object type: print
Date: 1549 – 1591
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: choleric temperament
Inscriptions: collector's mark: Lugt 2228

Gespiegelde versie van een serie van vier prenten van Jost Amman.
Urbaan en Isabel, verbonden aan den ander, Zyn eerst gescheiden, toen veréénigd met elkander
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: bad husband, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van het verhaal van Urbaan (Urbanus) en Isabel. Ze trouwen, maken ruzie, gaan scheiden, en Urbanus wordt een bedelaar. Onder elke afbeelding een vers. Genummerd linksboven: No. 41.
Venus Wounded by Cupid’s Dart
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Inscriptions: Signed and dated in plate, upper left: "1516 / A. V."; inscribed verso, center, in graphite: "Aug. Venizio / Venus...[?] Raphael / 2 etat..."; lower center, in graphite: B 286 / ... / C9085"; across lower edge, in graphite: "286 (Bibl.)  A[?]243  C19135  118"
Palazzo Cenci in Rome
Object type: page
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: hôtel, i.e. small palace in city
Inscriptions: number: ‘270.’
Hans Bol
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered around the oval frame: "Ioannes Bollius ... Ao. M.D.XCIII.", with six lines of Latin verse below image, and lower left: "HG."
Officieren en onderofficieren van de Haarlemse Sint Jorisschutterij
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching, intaglio
Location: haarlem
Subjects: mayor, delft, antwerp, haarlem, draughtsman, frans hals, amsterdam, painter, hendrik gerritsz pot, (military) standard-bearer, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij door Frans Hals in het Frans Halsmuseum te Haarlem (inv.nr. os I-113).
Landschap met bomen en struiken
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 15 verso uit een schetsboek met 23 bladen.
Très Parisien, 1923, No 1: Les Tricots de luxe de ERÈS...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), walking-stick, staff, cane (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Très Parisien / No 1. - 1923’, caption: ‘Les Tricots de luxe de ERÈS / ERÈSINE ET MAURICETTE. - Costume de laine fine ton sur ton, pour le sport et la ville. Robe laine et soie d'une ligne charmante et jeune, créée par Erès, 108, boulevard Haussmann et 390, rue Saint-Honoré.’

Sportief kostuum van fijne wol en een japon van wol en zijde voor de stad. Beide van Erès, 108, boulevard Haussmann et 390, rue Saint-Honoré. Prent uit het modetijdschrift Très Parisien (1920-1936).
Mandenmaker vlecht een mand
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: brighton
Artist: william henry mason
Artist role: fotograaf, prentverkoper
Artist dates: 1810 – 1879
Subjects: craft-production, skilled handiwork, container made of plant material other than wood: basket
Inscriptions: retailer's mark: ‘D. WAKKER/ Kalverstraat/ bij de Heiligenweg D.133’, inscription: ‘715’
Portret van Willem George Frederik, prins van Oranje-Nassau
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: mezzotint
Location: netherlands
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: willem george frederik (prins van oranje-nassau)
Inscriptions: :, collector's mark: Lugt 2228

Willem George Frederik, prins van Oranje-Nassau gekleed in een uniform, met de handen over elkaar.
Oude Friese zegels
Object type: historical object representation
Date: 1871 – 1875
Materials: paper
Techniques: lithograph
Location: leeuwarden
Subjects: seal, stamp

Illustratie in: Friesche Oudheden. Afbeeldingen van merkwaardige voorwerpen van Wetenschap en Kunst, gevonden in de archieven, kerken, kasteelen, terpen enz. van Friesland, Leeuwarden 1875. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Gezicht op de forten aan de monding van de Paraiba, ca. 1636-1644
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: earl, johan maurits graaf van nassau-siegen

Gezicht op de forten gelegen aan de monding van de rivier Rio Paraiba, ca. 1636-1644. Rechts gaan vissers met hun net in het water. In de lucht een gevleugelde banderol met de titel. In het onderschrift de verklaring van de letters A-E in het Latijn. Plaat nr. 28 in een serie van 55 voorstellingen van de tocht naar en het verblijf in Brazilië van graaf Johan Maurits van Nassau in de jaren 1636-1644.
Saucer with Thai mythical figures
Object type: saucer
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Boom in blad en een tak met peren
Object type: sketchbook leaf
Date: 1889 – 1894
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: trees (+ leaf), fruits: pear
Inscriptions: annotation: ‘hangend bij [...] peer’

Blad 10 verso en 11 recto uit een schetsboek met 33 bladen.
Plate 9: Aulus Vitellius with his head turned slightly to the left, from "The Twelve Caesars"
Object type: print
Date: 1610 – 1640
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Portrettengalerij van Le Voleur
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Artist: bernard romain julien
Artist role: print maker
Artist dates: 1802 – 1871
Subjects: historical persons, portrait of a writer
Man steekt zijn pijp aan
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228

Een man zit bij het haardvuur en ontsteekt zijn pijp met een kooltje uit de haard.
Matchlock Musket (<i>me mda'</i>)
Object type: matchlock musket me mda'
Materials: horn, iron, leather, silver, textile, wood
Culture: tibetan
Location: tibet
Adoration of the Magi
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Artist nationality: florentine

Niello work, an ancestor of engraving, originated in the workshops of goldsmiths and armorers. Designs were often engraved on silver and then dusted with niello, a powdered metallic alloy. When heated, the enamel-like amalgam fused into the engraved lines. The surface of the metal was then polished, highlighting the black design. An artist could proof his work by rubbing ink into the lines and printing the design on dampened paper. This work was once attributed to the goldsmith Maso Finiguerra (1426-1464), the most famous niellist of his day. It is now thought to be an 18th­ century production based on earlier Florentine models, but it nonetheless conveys the jewel-like quality of Finiguerra' s art.
Spatula in the Form of a Hand
Object type: spatula
Date: 201 – 700
Materials: bone
Culture: moche
Location: peru
Subjects: hands
Portret van de schrijver Willem Meerman
Object type: drawing
Date: 1734 – 1785
Materials: ink, paper
Techniques: brush, pen
Artist: jan stolker
Artist role: draughtsman, painter, print maker
Artist dates: 1724 – 1785
Subjects: historical persons, portrait, self-portrait of artist, writer, poet, author
Inscriptions: inscription: ‘Willem Meerman Schrijver van de Coemedia Vetus (het oude Spel)(...). dit origineel is een Capitaal Schildery door Mierevelt, tot de knieen toe (...).’, inscription: ‘M: Mierevelt Pinx: / J: Stolker del.’
Rebecca Salsbury Strand
Object type: photograph
Date: 1922 – 1922
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 215 D; verso, on second mount, upper left, in graphite: Exhib 1932; verso, on second mount, upper right, in brown pencil: 3 [underlined]

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Beam compass
Object type: beam compass
Date: 1619 – 1619
Materials: brass, gilt
Artist: christopher trechsler
Artist role: maker
Artist dates: 1550 – 1624
Vase
Object type: vase
Date: 1801 – 1900
Materials: glaze, porcelain
Techniques: relief
Culture: japanese
Subjects: dragons
Cylindrical Basket and Lid
Object type: basket, cylindrical
Date: 1550 – 1295
Materials: fiber
Location: southern upper egypt
Haarkam van schildpad met smalle, onversierde gebogen rug
Object type: comb
Date: 1885 – 1900
Materials: shell
Techniques: assembly, filing, polish, pressing, sawing
Location: netherlands
Artist: Anonymous

Haarkam van schildpad met smalle, onversierde gebogen rug. Vijf tanden.
Shabti of the High Priest of Thoth Djehutyirdis, born of Nepthysiti
Object type: shabti, priest djehutyirdis
Date: 380 – 362
Materials: faience
Location: middle egypt
Muts van gebreide kant
Object type: cap
Date: 1900 – 2000
Materials: lace
Techniques: cockled, knitting
Location: friesland
Artist: Anonymous

Muts van gebreide kant, opgebouwd uit een bol waaraan een aangerimpelde luifelstrook.
Variarum Gentium Ornatus (Costumes of Different Nations)
Object type: costume print
Date: 1605 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: veil (+ women's clothes), sleeves, coat (+ men's clothes), dress, gown (vlieger) (+ women's clothes), head-gear: hat (+ men's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, neck-gear: collar (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), italy
Inscriptions: caption: ‘Vos amor in tutos inuitat et aura recessus / Insubriae, riguo quam Padus amne lauat./ Ite, nec aetatis pereat breue tempus amantes,/ Suggeret antra nemus, dulcia furta Venus.’, title: ‘MEDIOLANENSIS VIRI FEMINAEQVE ORNATVS.’, collector's mark: Lugt 240

This series illustrates both the local scenery and the aristocratic fashions of Germany 1, France 2, Rome 3, Milan 4, the Netherlands 5 and Spain 6. Sometimes it is possible to spot famous monuments in the distance, such as Trajan’s Column in Rome. The inscriptions rarely refer to clothing, but plate 2 notes that the French constantly update their outfits – an oft-repeated stereotype of the period.
Gezicht op een dal met weg, huis en water, vermoedelijk in de Auvergne
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volvic
Artist: delizy
Artist role: manufacturer
Subjects: dale, valley

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Model Spear Case
Object type: model spear case
Date: 1981 – 1802
Materials: paint, plaster, wood
Location: egypt

The model spear case (17.9.4) is painted to imitate the ox-hide used in actual military equipment. It holds seven model spears (17.9.5–.11), two of which have been removed for this photograph. The model weapons and shield (17.9.3) were made for the burial of a Middle Kingdom official. (See also 17.9.3–.11-related.)
Geboorte van de Dauphin van Frankrijk
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk), dauphin van frankrijk lodewijk

Bronzen penning. Voorzijde: borststuk jongeman (Lodewijk XIV) binnen omschrift. Keerzijde: gevleugelde beschermengel draagt pas geboren kind binnen omschrift; afsnede: opschrift
Design for Wagon, no. 904c
Object type: drawing
Date: 1860 – 1860
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cream jug
Object type: cream jug
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: flowers
Portret van Albrecht Gustav von Manstein
Object type: print
Date: 1808 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Location: stuttgart
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: inscription: ‘aug. 1866’

Prent uit: Über Land und Meer. Allgemeine illustrirte Zeitung 8 (1866), nr. 47, augustus 1866.
Watercolor of musician playing diangu
Object type: watercolor of musician playing diangu
Date: 1767 – 1800
Materials: paper, watercolor
Culture: chinese
Location: china
Subjects: musical instruments,women,musicians
Hour of the Sheep [2 pm] (hitsuji no koku), from the series “Sundial of Young Women" ("Musume hi-dokei")
Object type: print
Date: 1794 – 1795
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806