deem-data/ArtiFact huggingface dataset:
Stam van een sabbathlamp
Object type: sabbath lamp
Date: 1700 – 1800
Materials: brass
Techniques: casting
Location: nuremberg
Artist: Anonymous

Het voorwerp bestaat uit de volgende gegoten delen: het hengsel, de stam, de oliebak. Het hengsel heeft bovenaan een klaverbladvormig oog.
De geprofileerde naar beneden toe versmallende stam is bovenaan kelkvormig, heeft vervolgens een standring met vier gaten en vier inkepingen (ter bevestiging van de armen en de sierelementen) en is daarna drie keer bolvormig geprofileerd. De achtpuntige stervormige oliebak, die aan de onderkant rond het oog een ingeslagen ornament heeft, is met een bajonetsluiting aan de stam bevestigd. De gaten en inkepingen zijn ongenummerd, dan wel genummerd met 1 t/m 3 punten.
Literary Illustration: Old Man Detaining Young Woman, Who is Accompanied by Older Woman
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: john collet
Artist nationality: english
Artist dates: 1725 – 1780
Kop van een meisje en een liggende leeuw
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human) (+ young female (human being)), beasts of prey, predatory animals: lion

Blad 20 recto uit een schetsboek met 26 bladen.
Portret van Johann Gottfried von Herder
Object type: print
Date: 1795 – 1878
Materials: paper
Techniques: engraving
Location: weimar
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Long Venice
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: verviers
Artist: jules coopman
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Napleon Le Grande
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: eagles,satire,napoleon i,allegory,politics
Halberd with the Arms of William V, Duke of Bavaria
Object type: halberd
Materials: gold, metal thread, steel, textile, wood
Culture: german
Location: germany
Suit
Object type: suit
Date: 1850 – 1850
Materials: wool
Culture: american
Schets van een persoon met een kind
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Mme Real, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Sojourner Truth, "I Sell the Shadow to Support the Substance"
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,portraits,women,knitting

Born Isabella Baumfree to a family of slaves in Ulster County, New York, Sojourner Truth sits for one of the war’s most iconic portraits in an anonymous photographer’s studio, likely in Detroit. The sixty-seven-year-old abolitionist, who never learned to read or write, pauses from her knitting and looks pensively at the camera. She was not only an antislavery activist and colleague of Frederick Douglass but also a memoirist and committed feminist, who shows herself engaged in the dignity of women’s work. More than most sitters, Sojourner Truth is both the actor in the picture’s drama and its author, and she used the card mount to promote and raise money for her many causes: I Sell the Shadow to Support the Substance. SOJOURNER TRUTH. The imprint on the verso features the sitter’s statement in bright red ink as well as a Michigan 1864 copyright in her name. By owning control of her image, her “shadow,” Sojourner Truth could sell it. In so doing she became one of the era’s most progressive advocates for slaves and freedmen after Emancipation, for women’s suffrage, and for the medium of photography. At a human-rights convention, Sojourner Truth commented that she “used to be sold for other people’s benefit, but now she sold herself for her own.”
Boeket in glazen vaas
Object type: print
Date: 1680 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: flowers in a vase

Boeket in glazen vaas. Prent maakt deel uit van een album.
Phaeton #30**
Object type: print
Date: 1880 – 1880
Materials: gum arabic
Techniques: hand coloring, lithograph
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Krishna Woos Radha: Page from the  Dispersed "Boston" Rasikapriya (Lover's Breviary)
Object type: folio
Date: 1610 – 1610
Materials: gold, ink, paper, watercolor
Culture: indian or rajasthan or amber
Subjects: birds,trees,krishna,radha

The text states: "Secret love in union and in separation is known when lover and beloved are illegitimately joined." Here, Krishna woos a reluctant Radha during a walk in a glade.
Mantle
Object type: mantle
Date: 1863 – 1863
Materials: wool
Culture: american or european
Necklace
Object type: necklace
Date: 501 – 600
Materials: amber, glass, stone
Culture: japanese
Rosita, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: spears,women

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Spoons
Object type: spoon
Date: 1368 – 1644
Materials: jade
Culture: chinese
Watch
Object type: watch
Date: 1701 – 1800
Materials: enamel, silver
Artist: debeaufré
Artist role: maker
Artist dates: 1700 – 1800
Vrouwen bij de Ebisuya winkel
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: woodcut
Location: japan
Subjects: head-gear, fan, adult woman (+ two persons)

Twee vrouwen, de voorste met witte bruidshoed op en waaier in rechter hand, staand bij groen en rode winkelwand waarop gedeeltelijk een rond embleem zichtbaar met de geluksgod Ebisu met vis en hengel.
Gezicht op de Hackescher Markt in Berlijn, met de Marienkirche op de achtergrond
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: johann georg rosenberg
Artist role: print maker
Artist dates: 1739 – 1808
Subjects: square, place, circus, etc., church (exterior), market
Inscriptions: collector's mark: Lugt 2228
Portret van de heer Monti
Object type: print
Date: 1824 – 1830
Materials: paper
Techniques: lithograph
Location: italy
Subjects: print maker, monti, historical persons
Inscriptions: collector's mark: Lugt 2228
Owl Vessel
Object type: vessel
Date: 501 – 1400
Materials: ceramic
Culture: diquís
Location: costa rica
Subjects: owls
Fotoreproductie van een tekening, voorstellende de ruïne van een kerk
Object type: page
Date: 1854 – 1859
Materials: photographic support
Techniques: albumen print
Location: weimar
Subjects: ruin of church, monastery, etc.
Gezicht op de Koningstraat in Wieringen
Object type: frame
Date: 1920 – 1950
Materials: paper, cardboard, glass, metal, mother of pearl
Techniques: gelatin silver print, inlay
Location: wieringen
Artist: Anonymous
Subjects: post-office, street
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1899 – 1899
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: baronne madeleine deslandes, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Cup and stand decorated with lotus seeds and petals
Object type: cup stand
Date: 1101 – 1150
Materials: ceramic glaze, glaze, stoneware
Techniques: incising
Culture: korean

Lotus seeds and petals are carved on and around the raised center of this stand. When the cup is placed atop it, only the petals are visible.
Collar
Object type: collar
Date: 1801 – 1900
Culture: irish
Glass beaker
Object type: beaker
Date: 201 – 400
Materials: glass
Culture: roman

Translucent pale blue green. Everted, rounded rim; almost straight, vertical side, then curving inwards; low tubular ring base; flat bottom with pontil scar on exterior, low kick on interior. Intact; few bubbles; dulling, slight pitting, whitish weathering, and iridescence, with soil encrustation around ring base.
Henri-Gabriel Ibels (1867–1936)
Object type: drawing
Date: 1892 – 1893
Materials: cardboard, oil
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,portraits
Portrait of Willem Adriaen (?-1625), Count of Hornes, Lord of Kessel and Westwezel
Object type: painting
Date: 1616 – 1633
Materials: oil, panel
Artist: jan antonisz van ravesteyn
Artist role: draughtsman, painter
Artist dates: 1570 – 1657
Subjects: historical persons
Inscriptions: inscription, top: ‘D'Heer van Kessel’

Willem Adriaan, graaf van Hornes, heer van Kessel en Westwezel (?-1625), naar J.A. van Ravesteyn.
Havengezicht
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: harbour

Blad 48 recto uit een schetsboek met uit 75 bladen.
Portret van Maria Anna Victoria van Beieren
Object type: print
Date: 1680 – 1690
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: maria anna van beieren dauphine van frankrijk, historical persons - bb - woman, ornament ~ medallion, pearl; pearl necklace
Bronze statuette of Tyche (Good Fortune)
Object type: statuette of tyche of antioch antiochia
Date: 1 – 100
Materials: bronze
Culture: roman
Subjects: women

Reduced version of a Hellenistic statue of the early 3rd century B.C. by the sculptor Eutychides
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 10 (verso)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 5 horizontal registers. First register is decorated with a zigzagging line that is superimposed by another zigzagging line. Second register is decorated with an alternating pattern of flowers with curving leaves and a backward 'S' motif. Third register is decorated with a curving line that has a flower placed inside of each curve. Fourth register is decorated with a pattern of diamonds; each diamond frames a quatrefoil in the center. Fifth register is decorated with a curving linear pattern.
Tot Nut van 't Algemeen
Object type: calligraphy
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: haarlem, jan nieuwenhuyzen, printing, printing office, calligraphy
Inscriptions: collector's mark: Lugt 2228

Kalligrafische voorstelling naar aanleiding van de oprichting van de Maatschappij tot Nut van 't Algemeen op 16 november 1784. Bovenaan een portret van de oprichter Jan Nieuwenhuyzen, rechts een medaillon met de Koophandel voorgesteld door kooplieden bij de Schreierstoren te Amsterdam, links een medaillon met een boekdrukkerij en onderaan een voorstelling van een Algemene Vergadering van de Maatschappij in de Oude Lutherse kerk te Amsterdam.
Design for 4 Seat Sleigh, no. 3810
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een Groningse student in maskeradekostuum
Object type: cabinet photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: groningen
Artist: jan frederik blöte
Artist role: fotograaf
Artist dates: 1865 – 1956
Subjects: students' pageant, costumes used in pageants
Billingsgate
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Ex libris van Alexander Winthrop Pope
Object type: bookplate
Date: 1903 – 1903
Materials: paper
Techniques: printing block
Location: england
Subjects: standing figure, landscapes, historical costume, book
Inscriptions: date
Miss Zara, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Zondeval, Adam en Eva
Object type: drawing
Date: 1540 – 1549
Materials: ink, paint, paper
Techniques: brush, pen
Subjects: temptation and fall (scenes with both adam and eve)
Gezicht op de Veerweg te Culemborg
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: street
Inscriptions: collector's mark: Lugt 2228

Mensen lopend op de Veerweg te Culemborg. In de achtergrond masten van zeilboten gelegen in het water.
Pyramus en Thisbe
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)
Inscriptions: number: ‘12’

De dode Pyramus, naakt liggend op de grond naast een fontein. Naast hem staat Thisbe, die op het punt staat een mes in haar borst te steken. Op de achtergrond de leeuw met haar mantel. Linksboven een cartouch met een tweeregelige tekst in het Latijn.
Decapitator
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: men
Landschap
Object type: sketchbook leaf
Date: 1885 – 1898
Materials: chalk, paper
Location: ommen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes

Pagina 49 uit een schetsboek met 32 bladen.
De Nederlandsche goochelaar
Object type: popular print
Date: 1842 – 1866
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: sorcerer, magician, wizard, warlock, clown, bonfire, fire-works
Inscriptions: collector's mark: Lugt 2760

Een goochelaar zittend aan een tafel, balancerend op een koord. Twee clowns dragen een stellage waar aan alle kanten vuurwerk uit komt.
Schön newes Modelbuch (Page 11r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Encampment of the 71st Regiment
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
On Gorleston Sands
Object type: photograph
Date: 1887 – 1887
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Kalender van drukkerij Roeloffzen & Hübner met molen en waterlelies, 1892
Object type: calendar
Date: 1892 – 1892
Materials: paper
Techniques: etching, printing, roulette
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: calendar, almanac, flowers: water-lily, windmill in landscape
Inscriptions: collector's mark: Lugt 2233
Graflegging
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 240

Het dode lichaam van Christus wordt door Jozef van Arimatea en Nikodemus met een doek in het graf gelegd. Maria en Johannes buigen zich over het graf. Maria Magdalena knielt voor het graf. Linksboven in een boom hangen twee schilden met het keurvorstelijk en hertogelijk wapen van Saksen.
Rotterdam II
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dordrecht
Artist: henricus jacobus tollens
Artist role: painter
Artist dates: 1864 – 1936
Subjects: machine driven by steam, steamship, motorship (+ propulsion of vehicle, ship, etc. by steam), dredge, dredging machine
Inscriptions: name: ‘H.J. Tollens C. Hzn. Dordrecht’

Hopperzuiger Rotterdam II. Foto geplakt op karton met technische informatie over het schip in Duits, Frans, Spaans en Engels. Onderdeel van de map met 44 foto's van baggerschepen van de firma A. Bos & J.P. Heijblom te Dordrecht.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 11 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text is a twisting linear motif. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs.
Vijf personen rondom het haardvuur verwelkomen de schrijver Willem Sluiter
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: saluting, open fire, fire-place, stove (in kitchen)
Inscriptions: collector's mark: Lugt 2228, number: ‘8’

Illustratie uit: Sluiter, Willem. Buiten- eensaem huis- somer- en winter-leven. Amsterdam: Gerbrandt Schagen, 1687, p. 38.
Vogelkop en twee figuurstudies
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Techniques: stumping
Subjects: birds, adult man

Pagina 10 uit een schetsboek met 27 bladen.
Portret van een staande vrouw in een gestreepte jurk
Object type: cabinet photograph
Date: 1868 – 1917
Materials: cardboard, paper
Techniques: albumen print
Subjects: adult woman, historical persons, dress, gown, the hague
Inscriptions: inscription: ‘M.M. Couvée/ Lange Pooten 41/ La Haye/ Specialité/ de/ Photographies/ en tous genres/ Vues de la Hollande/ Types de Costumes/ Portraits’, inscription: ‘Cabinet-Portrait./ Photographie/ De Lavieter & Cie./ Willemstraat No 2./ La Haye.’
Habit à la disposition
Object type: habit à la disposition
Date: 1870 – 1870
Materials: silk
Culture: french

It is extremely rare to have a complete unfinished dress à la disposition, such as this one, in a museum collection. The complex machine-embroidery and hand-stitched seed beads on the unfinished textile lengths assists in comprehending the manufacturing process in the 1870s. The artist's rendering of the completed garment (2009.300.3470), although from a later date, gives an indication of the elegant completed creation.