deem-data/ArtiFact huggingface dataset:
Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1565 – 1565
Techniques: engraving
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: courtyards,soldiers,horses,crowd,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 73 in the scrapbook.
Landschap met liggende koe
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: cow
Inscriptions: collector's mark: Lugt 240

Landschap met liggende koe aan de waterkant, van opzij gezien. Rechts op de achtergrond een grazende koe. Prent uit een serie met landschappen.
Clock
Object type: ceramic
Date: 1727 – 1730
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory

This rare, monumental clock resembles German case clocks of the period that incorporated Baroque architectural motifs. The chinioserie decoration is rendered in the manner of Johann Gregorius Höroldt, who was the chief painter at Meissen and largely responsible for the early success of the factory.
Bosrand
Object type: sketchbook leaf
Date: 1765 – 1775
Materials: chalk, paper
Artist: jean honoré fragonard
Artist role: draughtsman, painter, print maker
Artist dates: 1732 – 1806
Subjects: fringe, edge of the wood

Blad 56 verso uit een schetsboek met 83 bladen.
Guitar
Object type: guitar
Date: 1830 – 1850
Materials: wood
Location: france
Artist: Anonymous

Gitaar met ingelegde randen. Er ontbreekt een schroef.
Twee beelden van mannelijke engelen met een hamer in de hand, zittend aan weerszijden van een medaillon, gesitueerd boven een deurpartij.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘29’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Fragment van een Oosters tapijt
Object type: fragment
Date: 1550 – 1600
Materials: wool
Location: kerman
Armchair
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding
Pot Fragment
Object type: fragment
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Rivierboot Prins Hendrik bij de steiger van plantage Accaribo.
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Saucer (part of a service)
Object type: saucer
Date: 1790 – 1790
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: flowers
Gezicht op de Dreef in Haarlem
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: tricycle, ornamental fountain, four-wheeled vehicle drawn by two animals, haarlem
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a reserved line
Sauceboat
Object type: sauceboat
Date: 1760 – 1770
Materials: faience
Techniques: glazing
Artist: niderviller
Artist role: manufactory
Artist nationality: french
Artist dates: 1735 – 
Subjects: animals

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Semenarium Hageveld, Voorhout
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: voorhout
Subjects: institution for ecclesiastical education and training, e.g. seminary
Spelende kinderen in een interieur
Object type: boekillustratie ontwerp
Date: 1918 – 1918
Materials: cardboard, ink, pencil
Techniques: brush, pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: (playing with) blocks, interior of the house, (playing with) dolls, needle ~ sewing
Inscriptions: check stamp: ‘BRISTOL/ A L’, annotation: ‘een mooie kunst’, collector's mark: Lugt 2228, signature and date: ‘NELLY SPOOR . 18 .’, :

Twee meisjes zitten aan een tafel bij een venster. Eén meisje probeert een draad door het oog van een naald te rijgen. Op tafel ligt naaigerei en op de grond en in de vensterbank staan poppen. Op de grond speelt een jongen met blokken.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, right hand with open palm
Group of Seven Horses
Object type: print
Date: 1534 – 1534
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: horses,monkeys
Vazen
Object type: print
Date: 1740 – 1766
Materials: paper
Techniques: etching
Location: italy

De vazen staan in twee rijen onder elkaar. De vaas linksonder steunt op twee sfinxen.
Die
Object type: die
Date: 901 – 1100
Materials: ivory
Location: egypt
Subjects: dice
Badende vrouw
Object type: drawing
Date: 1939 – 1939
Materials: paper, pencil
Artist: tinus van doorn
Artist role: painter, print maker
Artist dates: 1905 – 1940
Subjects: washing and bathing - aa - in the open air
Inscriptions: inscription: ‘7’, collector's mark: Lugt 2228, stamp: ‘Rotterdam’, inscription: ‘voor Akkie’

Staande naakte vrouw met opgeheven armen in water met naast haar een vis. Achter haar staan twee bomen.
Cuneiform tablet: fragment, Ebabbar archive
Object type: cuneiform tablet
Date: 700 – 301
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Cuneiform tablet: contract for workmen, Ebabbar archive
Object type: cuneiform tablet
Date: 591 – 591
Materials: clay
Culture: babylonian
Location: mesopotamia
Life of John Ericsson, from the Histories of Poor Boys and Famous People series of booklets (N79) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Poor Boys and Other Famous People" series (N79), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers and includes the rags to riches biography of a famous figure.
Fragment tapkraan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spigot
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tap, spigot, removable; fragm of ring-shaped handle, sim. NG 1980-27H903.
Stag, plate 16 from "Various Animals" (Diversi Animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: deer
Rockaway #649
Object type: drawing
Date: 1865 – 1865
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Man steekt zijn pijp aan
Object type: album leaf
Date: 1640 – 1647
Materials: paper
Techniques: etching, galvanization
Location: haarlem
Subjects: pipe ~ tobacco
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’

De prent maakt deel uit van een portefeuille en is met drie andere prenten op één albumblad gedrukt.
Dress
Object type: dress
Date: 1833 – 1835
Materials: silk
Culture: british

Caricaturists of the 1830s focused on the newly fashionable inflated forms that were such a contrast to the body-revealing styles of the previous three decades. The dilation of sleeves and skirts reached such an extreme that women were often satirically depicted as airborne, caught up by gusts of wind trapped under their skirts. In fact, they were weighed down by the sleeve pillows and multiple petticoats required to support their stylish volume.
Portrait of a Woman
Object type: painting
Date: 1775 – 1775
Materials: canvas, oil
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: portraits,women
A cannon to the left, a town in the background, plate 2 from "Various Military Caprices" (Varii capricci militari)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: towns,cannons,men,horses
Fragment
Object type: textile
Materials: textile
Techniques: brocade, interlocking, tapestry
Location: peru
Doelens
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: civic architecture; edifices; dwellings

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3e druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664.

Tweede bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665.

Derde bekende staat (rechtsboven genummerd: 48) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
School ponen en een rog
Object type: drawing
Date: 1876 – 1924
Materials: cardboard, chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium
Bowl with Floral Scrolls
Object type: vessel
Materials: glaze, metal, stoneware
Location: china
Portret van een man met snor
Object type: semi enamel
Date: 1880 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, historical persons
Dolphin amulet
Object type: amulet, fish dolphin
Date: 200 – 200
Materials: stone
Location: egypt
Subjects: dolphins
God the Father Surrounded by Putti
Object type: drawing and watercolor
Materials: board, graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to pier francesco mola
Artist nationality: italian
Artist dates: 1612 – 1666
Gedrukte titel: Passio et Jesurrectio N.D. Jesu-Christi edita et excusa Ad. Collart
Object type: tekst
Date: 1580 – 1590
Materials: gold, leather
Techniques: letterpress printing
Location: antwerp
Artist: Anonymous

Op leer gedrukte titel in gouddruk: Passio et Jesurrectio N.D. Jesu-Christi edita et excusa Ad. Collart. Onderdeel van de prentserie over de passie van Christus: Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert. In prentalbum met twee reeksen van respectievelijk 34 en 25 gravures met scènes uit het leven en het lijdensverhaal van Christus.
Cylinder seal and modern impression
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: syria
Kumara with a Peacock
Object type: figure
Date: 1001 – 1100
Materials: copper alloy
Culture: nepali
Subjects: men,peacocks

Kumara (“the everlasting youthful son”) is an epithet of Skanda, a son of Shiva and Parvati. He is also synonymous with Karttikeya, the god of war in the Hindu pantheon. Here he is depicted as a child seated on a cushion, cradling a peacock, his mythical vehicle.
Profile Face
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: faces,profiles
Portret van Samuel von Pufendorf
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Pufendorf, Samuel von. Sechs und Zwantzig Bücher der Schwedisch- und Deutschen Kriegs-Geschichte. Frankfurt am Main: J.F. Gleditsch, 1688.
Dog Cart # 886
Object type: drawing
Date: 1870 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
VIIe Station. Jésus tombe pour la seconde fois. Ancienne porte judiciaire, il s'y trouvait une colonne ou l'on exposait les condamnés; Elle éxiste encore cachée dans l'intérieur de la maison a gauche
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,arches
Haventje
Object type: print
Date: 1885 – 1937
Materials: paper
Techniques: aquatint, etching
Artist: frederika henriëtte broeksmit
Artist role: draughtsman, print maker
Artist dates: 1875 – 1945
Subjects: harbour, snow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Johann David Schubert
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Subjects: painter, print maker, draughtsman, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Neue Bibliothek der schönen Wissenschaften und der freyen Künste. Leipzig: Johann Gottfried Dyck, 1797, dl. 59.
Standing Buddha Flanked by Disciples
Object type: sculpture
Date: 1201 – 1250
Materials: lacquer, wood
Culture: burmese
Subjects: buddhism,buddha
Gordijn met bloemdessin op geel fond
Object type: silk textile
Date: 1850 – 1860
Materials: silk
Techniques: lampas, weave
Location: the hague
Artist: carel hubertus windt
Artist dates: 1804 – 1860

Gordijn van zijde met bloemdessin op geel fond, afkomstig uit de kleine danszaal van Paleis Noordeinde.
Head of a Central Asian Figure
Object type: head of a figure
Date: 1101 – 1300
Materials: gypsum, plaster
Techniques: carving
Location: iran
Subjects: heads
Wedjat Eye Amulet
Object type: amulet, wedjat eye
Date: 1070 – 343
Materials: faience
Location: egypt
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: katwijk aan zee
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: constantin emile meunier, voorburg, print maker, renée hélène laure zilcken, draughtsman, édouard vuillard, the hague, philip zilcken, sculpture, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), rotterdam
Inscriptions: collector's mark: ‘RPK’
Gecostumeerde optogt gehouden door de leden van het Leidsche studentencorps den 7den Junij 1870, ter viering van den 295sten verjaardag der Leidsche Hoogeschool, voorstellende bezoek gebragt aan Leiden in 1586, door Robert Lord Dudley, Baron van Denbigh, Graaf van Leicester, enz. enz.
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: hand coloring, lithograph
Location: leiden
Subjects: robert dudley (1st earl of leicester), students' pageant, costumes used in pageants, leiden
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 7 juni 1870 ter gelegenheid van het 295-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van de Graaf van Leicester in Leiden in 1586. Achttiende plaat met de groepen genummerd 209-224. Onderdeel van de serie van 18 aaneen geplakte bladen.
Terracotta bowl fragment depicting a boar hunt
Object type: fragment of a bowl
Date: 1 – 50
Materials: terracotta
Culture: roman
Subjects: men,hunting,boars

Rim fragment of Arretine bowl depicting a boar-hunt.
Oordeel van Salomo
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: italy
Subjects: the judgement of solomon (1 kings 3:16-28)
Inscriptions: number: ‘7’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Koning Salomo zit op zijn troon en velt een oordeel over een geschil tussen twee prostituees die beiden een kind hadden gekregen. Het kind dat dood gaat ligt op de grond voor Salomo, het kind dat nog leeft en door beide moeders wordt opgeëist, wordt vastgehouden door een man met een zwaard. Deze man krijgt van Salomo de opdracht het kind in tweeën te delen maar dit gaat de echte moeder te ver, zij smeekt hem haar kind te laten leven.
Papyrus burnisher
Object type: burnisher, polishing tool
Materials: wood
Location: egypt

Ancient Egyptian scribes used burnishers to smooth the uneven surfaces of fresh sheets of papyrus. The sheets became shinier and absorbed less ink, which allowed the text to stand out more legibly.
Tiles (16)
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Artist: aelmis factory
Artist role: maker
Purim plate
Object type: plate
Date: 1767 – 1767
Materials: pewter
No. 3: Zhang Fei (Sono san: Chohi), from the series "Three Heroes of Shu (Shoku sanketsu)"
Object type: print
Date: 1824 – 1824
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Portrait of François Viète
Object type: print
Date: 1861 – 1861
Materials: chine, ivory
Techniques: burnishing, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Zeehavens
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, tower, clock tower ~ monumental adornment, ships (in general)
Inscriptions: collector's mark: Lugt 240

Gezicht op Amsterdam met schepen bij de Haringpakkerstoren.
Pompei
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: picture, painting, wall-covering, pompeii
Inscriptions: number: ‘77’, number: ‘121’, number: ‘11’