deem-data/ArtiFact huggingface dataset:
Tafellaken van linnendamast met een bloempatroon
Object type: tablecloth
Date: 1680 – 1700
Materials: linen
Techniques: damask, weave
Artist: Anonymous

Tafellaken van linnendamast met voluten en gestrooide bloemen. Het laken is gemerkt: WCvS en CvB 24. Bij het tafellaken horen acht servetten (BK-1973-162-A t/m BK-1973-162-H).
Maebyeong (plum bottle) decorated with cranes and clouds
Object type: vase
Date: 1151 – 1200
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Culture: korean
Subjects: cranes

The cranes and clouds, popular motifs on Goryeo celadon, are delicately yet expressively rendered. Set against the green color of the glaze, they appear to be floating in the sky.
How to Draw Figures Simply (Jinbutsu ryakugashiki) 人物略画式
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kuwagata keisai 鍬形蕙斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1764 – 1824
Subjects: men,women,horses,wrestling
Scotch Fir, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
George Washington
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, printing
Location: united states
Artist: edward savage
Artist nationality: american
Artist dates: 1761 – 1817
Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532)
Object type: painting
Date: 1900 – 1999
Materials: linen, oil
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: portraits,women
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, round shield with a tripod as a shield device; pair of spears; lower abdomen and left thigh of a warrior with a round shield
Moutons
Object type: print
Date: 1890 – 1930
Materials: paper
Techniques: drypoint, intaglio
Subjects: meadow, pasture, sheep, herd, flock
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Seal Stamp
Object type: stamp seal
Date: 1800 – 1700
Materials: stone
Culture: minoan
1. Im Hosenrock
Object type: stereograph
Date: 1905 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: trousers, breeches (+ women's clothes), couple of lovers
Inscriptions: monogram: ‘NPG’
Funerary Cone of Djehutymose
Object type: cone, rectangular 2 impression, djehutimose, wab priest
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Rice Plant and Butter-Burs
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: flowers,plants
Portaal van de Basilique Saint-Epvre te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘Basilique Saint-Epvre/ Portail principal, 1871/ (Morey, architecture, Pêtre, sculpteur)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Model of a Bell (Goudiao)
Object type: sculpture
Materials: stoneware
Techniques: incising
Location: china
Card Number 251, Mary Stark, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
String of 15 bugle beads
Object type: bead, string
Date: 1 – 366
Materials: glass
Location: egypt
[Group Portrait of the Antoine and Häusermann Families]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: girls,men,portraits,women,family
Bavaria bei München
Object type: stereograph
Date: 1870 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: munich
Artist: georg böttger
Artist role: fotograaf
Artist dates: 1821 – 1902
Subjects: sculpture, façade (of house or building)
Inscriptions: number: ‘G. 4.’, number: ‘7.’
Le Magasin de Meubles No
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Een venster met gedrapeerde gordijnen in de Lodewijk XVI-stijl. Prent uit 95e Livraison.
“Evacuation of the Ladies,” from the series The Inner Precincts of Chiyoda Castle (Chiyoda no Ōoku, Otachinoki)
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: weapons,women,horses

The print artist Yōshū Chikanobu was scion of a samurai family who fought on the losing side in the civil war of 1868 that led to the collapse of the Tokugawa shogunate and the restoration of the emperor. In later years, Chikanobu often designed prints that looked back nostalgically to the era of samurai rule. In this series “The Inner Precincts of Chiyoda Castle,” Chikanobu imagines a world he never saw—the inner precincts of Chiyoda Castle—better known as Edo Castle—which housed the shogun’s mother, wife, and concubines. The area was off limits to all men other than the shogun himself or his young male heir. The Evacuation (otachinoki) described here probably refers to the Great Fire of 1844 that destroyed much of the castle. Female guards, garbed in black robes tied with a bamboo-motif obi, assist in the emergency evacuation, carrying naginata spears—the weapon of choice for samurai women.
Urn with cover and tray
Object type: urn with cover and tray
Date: 1701 – 1800
Materials: brass, pewter, wood
Subjects: grapes,insignia
Limestone handle of a patera or a fire shovel ending in a ram’s head
Object type: fire shovel handle
Date: 500 – 401
Materials: limestone
Culture: cypriot
Subjects: rams

The part of the fire shovel connected to the handle by an element with three points is preserved. There are traces of burning in the inside of the shovel and red pigment on its upper edge.
Marble statue of a panther
Object type: statue of a panther
Date: 323 – 31
Materials: marble
Culture: greek
Subjects: panthers

Monumental ancient Greek marble sculpture is rare, and this is the first example in the form of a panther to enter The Met collection. The feline is powerfully modeled and carefully finished. Although it is missing its tail, most of its legs, and part of its face, the animal is immediately readable and has great presence. Panthers were favored by the god Dionysos, one of the most popular deities among the Hellenistic kings.
Vue d'une galerie vins, sur pointe
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1960
Materials: paper
Techniques: rotogravure
Subjects: wine-cellar
Inscriptions: inscription: ‘Champagne Pommery & Greno - Reims’
Ferrule from a Stave of Neferkhawet
Object type: staff stave ferrule, neferkhawet
Date: 1504 – 1447
Materials: bronze, copper alloy
Location: egypt
Bachelor's Fare, Bread, Cheese, and Kisses
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women,dogs

A man sits in a high-backed chair and puts his arms around a pretty girl who stands in front of him. She kisses him and holds his face between her hands. Cheese and bread are on the table behind him at left.
Eduard II van Engeland vermoord in zijn slaapkamer, 1327
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: attempt, political murder, bedroom
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. I.
Les Quatre Éléments (The Four Elements) (Furnishing Fabric)
Object type: textile
Date: 1780 – 1780
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: probably after jean jacques lagrenée le jeune
Artist nationality: french
Artist dates: 1739 – 1821
Penning met het portret van paus Alexander VII
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: rome, alexander vii, medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228
Proserpine, plate five from Demogorgon and the Deities
Object type: print
Date: 1588 – 1590
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617

Although Goltzius's advances in line engraving found many followers, few pursued his equally original exploration of chiaroscuro woodcuts. This is one of a series of six oval-format chiaroscuro woodcuts of male and female goddesses. Persephone was abducted by Pluto to Hades and retrieved for six months each year by Demeter, her mother; with the establishment of this natural cycle, she is considered a symbol of fertility.
Ziet hoe dit hondje zittend wacht, / En op den wenk zijns meesters acht [(...)]
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: dog
Inscriptions: collector's mark: Lugt 2760

Zittende hond met vlekken en halsband. Onder de afbeelding een achtregelig vers in het Nederlands en in het Frans. Genummerd rechtsboven: N. 155.
Portret van Henriëtta Maria van Frankrijk, koningin van Engeland, Schotland en Ierland
Object type: book illustration
Date: 1750 – 1762
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), historical persons - bb - woman, queen, armorial bearing, heraldry

Prent gebruikt in: Orleans, Pierre Joseph d’. Histoire des revolutions d'Angleterre, depuis le commencement de la monarchie. Parijs: Pierre-François Giffart en Jacques Rolin, 1750. Prent ook gebruikt in de 1762-editie uitgegeven in Lyon door de gebroeders Duplain. Mogelijk ook gebruikt in andere edities of publicaties.
Veduta degli Avanzi di Fabbrica magnifica sepolcrale co'sue Rovine, la quale se vede vicina a Torre de' Schiavi un miglio e mezzo in circa fuori di Porta Maggiore
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, grave, tomb, italy
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Bezoekers opening surrealisme-tentoonstelling Galerie Robert, Amsterdam 1938
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: lilly samuel
Artist role: fotograaf
Artist dates: 1909 – 1944
Subjects: print maker, tonny kristians, amsterdam
Inscriptions: stamp: ‘galerie robert’

Onderdeel van een serie betreffende een reizende tentoonstelling "Exposition Internationale du Surréalisme", in galerie Robert te Amsterdam
De Zeevaart
Object type: drawing
Date: 1743 – 1743
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: 'navigatione' (ripa)
Verscheyde Schepen en Gesichten van Amstelredam
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark (false): Lugt 12

Een Samoreus, een in de streek van Keulen gebouwde rijnaak.
Wild paard
Object type: album leaf
Materials: paper
Techniques: engraving
Location: venice
Subjects: don juan van oostenrijk, horse

Een wild paard, steigerend naar links. Op de achtergrond een stad aan een kust. Prent maakt deel uit van een album.
Wester Kerk
Object type: book illustration
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), village street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘32.19’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3de druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664. Eerste bekende staat van prent (rechtsboven genummerd: 228) ook gebruikt in: Fockens, Melchior. Beschrijvinge Der wijdt-vermaarde Koop-stadt Amstelredam, Van hare eerste beginselen, oude Voor-rechten, en verscheyde Vergrootingen (…). 1ste druk. Amsterdam: Marcus Willemsz. Doornick, 1662. En in: Fockens, Melchior. Beschrijvinge Der wijdt-vermaarde Koop-stadt Amstelredam, Van hare eerste beginselen, oude Voor-rechten, en verscheyde Vergrootingen (…). 2e druk. Amsterdam: Marcus Willemsz. Doornick, 1662. Derde bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665. Vierde bekende staat (rechtsboven genummerd: 13) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, head of filleted youth to left
Abklatsch van de krijttekening op blad 13 recto
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 12 verso uit schetsboek LXII met 28 bladen.
Twee zilverreigers
Object type: print
Date: 1878 – 1905
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: heron

Een reiger met uitgestoken nek; de ander ineengedoken.
Gezicht op de koninklijke abdij in de buurt van Saint-Germain-en-Laye
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: abbey, monastery, convent ~ roman catholic church

Gezicht op de koninklijke abdij in de buurt van Saint-Germain-en-Laye. Prent maakt deel uit van een album.
The Cheerful Cupids
Object type: print
Date: 1750 – 1750
Techniques: engraving, etching
Artist: jean daullé
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1763
Subjects: birds,playing,cupid
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: helène lambertine hauzeur, philip zilcken, passions, emotions, affections
Henrik Moreelse
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Floral print
Object type: floral print
Date: 1783 – 1789
Subjects: flowers
Part of a bronze bit
Object type: horse bit, part
Date: 600 – 480
Materials: bronze
Culture: cypriot

Four links and a bar, with bronze wire coiled around it and terminating at each end in a ring.
Portret van wetenschapper Francis Bacon
Object type: print
Date: 1626 – 1647
Materials: paper
Techniques: engraving
Location: copenhagen
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: scholar, philosopher, historical persons, head-gear: hat (+ men's clothes), ambassador, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Kleding: hoge hoed op het hoofd; hoge plooikraag afgezet met kant. Manchetten afgezet met kant.
Gezicht op de Engelse zuidkust
Object type: album leaf
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: city-view in general; 'veduta', england
Pair of candlesticks
Object type: candlestick
Date: 1713 – 1714
Materials: silver
Artist: thomas merry i
Artist role: maker
Artist dates: 1701 – 1724
Fork (part of a traveling set)
Object type: fork
Date: 1750 – 1750
Materials: silver
Schouder en arm en een kop van een vrouw
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: arms, shoulder, head (human) - aa - female human figure

Bladzijde 140 uit een schetsboek met 158 bladzijden.
Two strips
Object type: lace strip
Date: 1701 – 1800
Techniques: embroidery
Culture: south american
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1813 – 1815
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, berlin, william i of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Het Beursplan te Amsterdam
Object type: print
Date: 1869 – 1929
Materials: paper
Techniques: letterpress printing, engraving
Location: den bosch
Artist: arnoldus cornelius verhees
Artist role: print maker
Artist dates: 1859 – 1929
Subjects: stock exchange, stock-market, square, place, circus, etc. (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: amphitheatres,soldiers,running

The fifteenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Saucer-dish in the shape of a flower
Object type: dish
Date: 1100 – 1199
Materials: glaze, stoneware
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Schaal van steengoed in de vorm van een bloem, bedekt met een transparant glazuur met een lichtblauwe tint. De wand is gemodelleerd in tien bloembladeren, op de binnenwand gescheiden door ribben. Een barst in de wand. Qingbai.
Zes kinderen spelen haasje over
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Subjects: other children's games
Gezicht op de Haarlemmerweg
Object type: drawing
Date: 1837 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: albert martin
Artist role: draughtsman
Artist dates: 1827 – 1900
Subjects: city-view in general; 'veduta', jar, jug (used as drinking-vessel), head-gear: hat, view through a window from the inside, windmill in landscape, street
Inscriptions: signature: ‘A:Martin’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Esperanto zomerkamp
Object type: photograph
Date: 1908 – 1934
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: esperanto, open-air recreation, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘5-8-'34’

Albumblad met vier foto's van een groep mensen op een Esperanto bijeenkomst, zomerfeest of zomerkamp, augustus 1934, en van kleinere groepen in een stad. Onderdeel van het Esperanto album uit ca. 1933-1936.
Oinochoe
Object type: oinochoe
Materials: terracotta
Culture: etruscan

Ring-base and one handle surmounted by a head with two faces.
Christus, de twaalf apostelen en de heilige Paulus
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: the apostle jude thaddaeus; possible attributes: book, club, halberd, scroll
Inscriptions: signature: ‘HG. f.’, collector's mark: Lugt 240

De heilige Judas Thaddeüs ten halven lijve, een knots voor zich. In marge onder de prent een regel Latijn. Prent uit een serie van veertien.
Geschiedenis van Juda en Tamar
Object type: print
Date: 1564 – 1568
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: the burning of tamar being ordered, she shows the signet(-ring), bracelets and staff to judah, who recognizes them as his
Inscriptions: collector's mark: Lugt 2228

Juda laat het vuur opstoken om zijn schoondochter Tamar te verbranden. Hij wil haar straffen omdat ze zich als een hoer heeft gedragen en daardoor zwanger is geworden. Tamar toont hem echter zijn staf en zegelring, waarmee ze bewijst dat hij haar zwanger heeft gemaakt. Daarna erkent Juda dat hij schuldig is en Tamar niet. Onderaan in de marge een vers in het Latijn.