deem-data/ArtiFact huggingface dataset:
Livre de Moresques, page 17 (verso)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552
Subjects: ornament

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Vlinders XXII
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: insects: butterfly
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Blankaart, Steven. Schou-burg der rupsen, wormen, ma'den, en vliegende dierkens daar uit voortkomende. Amsterdam: Jan Claesz ten Hoorn, 1680.
Ruïnes bij de Hoofdsteeg te Rotterdam
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: j. nolte
Artist role: fotograaf
Subjects: devastated, ruined place or city (~ warfare), street, ruin of a dwelling, house, castle, etc., rotterdam, rotterdam blitz
Diobol (Coin) Depicting Forepart of Lion
Object type: coin
Materials: metal, silver
Culture: greek
Location: miletus
Subjects: lions

The front of this coin depicts the head of a lion, facing right.

The back is decorated with a 4-rayed star inside a square.
Serving Knife
Object type: knife
Date: 1401 – 1600
Materials: bone, brass, mother of pearl, steel, wood
Culture: austrian

This serving knife, and its pair (see ac. no. 51.118.2), has been attributed to Hans Sumersperger of Hall, the knifesmith of Maximilian I, at whose splendid court the influence of northern late Gothic and Italian Renaissance met. This master’s name appears in the royal accounts of 1492-1498. The brass handles are inlaid with bone, walnut, and carved mother-of-pearl. The steel blades are flat and thinly ground. Although there are no maker’s marks on either the handles or the blades, the style, design, and iconography connect these knives with other works by Sumersperger. Both these knives are related to hunting knife sets of a Burgundian type that became popular after his marriage to Mary of Burgundy. It is possible that these two serving knives (the broad tongue-shaped blade of one has been repaired) were themselves part of a complete hunting set which would have included two single-edged knives of varied size for skinning and cutting, a more delicate table knife and fork, and knives for serving pieces of meat while on the hunt. These knives would have been used either for the hunt or for the banquet. One knife would have been used to slice the meat, the other as a salver to carry the meat to the trencher or plate.
Drawing: Expressions of Emotion (Wonder, Love, Veneration, Rapture), from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving, etching
Location: france
Artist: a. j. defehrt
Artist nationality: french
Artist dates: 1700 – 1799

The French Academy president Charles Le Brun’s famous lecture on the subject of facial expressions likely took place in two sessions, on April 7 and May 5, 1668. He assimilated many textual sources, including Descartes, but it was the series of drawings he produced to illustrate the different expressions that had the most impact. These images were copied incessantly, but some difficulty remains in identifying them, especially for a modern audience. This sheet from the 1777 Encyclopédie uses Le Brun’s images of the stages of love from astonishment to rapture.
Portret van het gezin van JMK Pennink
Object type: photograph
Date: 1910 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: nijmegen, family group, especially parents with their child(ren), historical persons
Inscriptions: inscription: ‘[...] vader, Pim, [...]an, Jaap, Frans Pennink’

Onderdeel van Fotoalbum van de families Boelen, Matthes en Pennink.
Belvidere
Object type: page
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: glasgow
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Burch, Left Field, St. Louis Whites, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, in the handle zone, a palmette
Groepsportret van een onbekend echtpaar met twee kinderen
Object type: cabinet photograph
Date: 1892 – 1899
Materials: paper, cardboard
Techniques: collodion silver print
Location: rotterdam
Artist: willem ganter
Artist role: fotograaf
Artist dates: 1849 – 1908
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: address: ‘120/ Jonkerfransstraat/ Rotterdam.’
Johannes de Doper predikend
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: anthonie van volkom
Artist role: print maker
Artist dates: 1821 – 1860
Subjects: john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 2228

Johannes de Doper predikend in de woestijn. Rondom hem een groep mensen.
Panel (Dress Fabric)
Object type: textile
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, weave
Location: iran
Portretten van bekende historische figuren
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie portretten getiteld 'Tableaux historiques ou sont gravez les Illustres François et Etrangiers de l'un et l'autre sexe (...)', voor het eerst uitgegeven in 1652 door Daret. Een tweede staat werd uitgegeven door Boissevin en een derde door Jollain.
Prijspenning van de Nederlandsche Athletiek Unie (1922)
Object type: history medal
Date: 1922 – 1922
Materials: bronze
Techniques: striking
Artist: chris van der hoef
Artist role: ceramicist, draughtsman, sculptor
Artist dates: 1875 – 1933

Bronzen penning, op de voorzijde een atleet naar links, half van achteren, met omschrift, op de keerzijde een inscriptieruimte binnen een eiken- en lauwerkrans.
The River Bure at Coltishall
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
E 18. Arabische vrouw op een ezel. Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: riding a horse, ass, or mule; rider, horseman, ass, donkey, historical persons not known by name - bb - woman, historical persons not known by name
Inscriptions: number: ‘302’, title: ‘E 18. Arabische vrouw op een ezel. Caïro.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Oded bij het leger van de Israëlieten
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: oded, a prophet, meets the returning israelite army with the judaean prisoners and exhorts the israelites to let the prisoners go
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Waistcoat
Object type: waistcoat
Materials: silk, wool
Culture: british
Lappet
Object type: costume and accessory
Date: 1735 – 1740
Materials: lace, linen
Techniques: lace
Location: brussels
Harten aas met gezicht op Walpi, een Hopidorp in Navajo County, Arizona
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: los angeles
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: arizona

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Mr. and Mrs. Daniel Otis and Child
Object type: watercolor
Date: 1834 – 1834
Materials: graphite, gum arabic, watercolor, paper
Culture: american
Artist: joseph h. davis
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1865
Subjects: infants,men,women,reading,newspapers

Between 1832 and 1838 Davis traveled in western Maine and eastern New Hampshire painting family portraits. Little is known of his life, but a majority of scholars believe that he may have been the "Pine Hill Joe" Davis of Newfield, Maine, who executed more than 160 watercolor portraits or family records. In the present work, an elaborately penned inscription reveals that the man at left is Daniel Otis, aged forty-six; the woman is Betsy Otis, aged forty; and the child is Polly Otis, aged seven months. The most obvious individualizing touch in the portrait is Daniel Otis's newspaper, the Great-Falls Journal, which was issued between 1832 and 1836 in Great Falls, a mill town in southeastern New Hampshire, about twenty miles northeast of Portsmouth.
Sabel van tamboer-majoor.
Object type: sabre
Date: 1800 – 1899
Materials: brass, iron, leather
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Sabel van een tamboer-majoor met leren schede. Het gevest van de sabel is uit één stuk gegoten en geheel van messing. De greepkap is een gebogen leeuwenkop die zich op de gladde greep bevindt. De pareerstang is aan beide zijden neerwaarts gekruld met schijfknoppen. In het midden van de pareestang een halfovaal neerwaarts wijzend pareerhart. De kling is recht met een brede bloedgeul. De schede is van leer met messing beslag. Op de mondingsband een schildvormige ophangknop. De sleepplaat heeft de vorm van een klaverblad.
Bevrijding van Maastricht
Object type: plate dish
Materials: earthenware
Techniques: firing, vitrification
Subjects: the soldier; the soldier's life, maastricht
Portret van Johannes Bronkhorst
Object type: drawing
Date: 1705 – 1768
Materials: paper
Techniques: brush
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: leiden, johannes bronkhorst, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman, historical persons (portraits and scenes from the life)
Rivierlandschap in Campania met stad op rotsen
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: rome
Subjects: rocky coast, campania
Inscriptions: collector's mark: Lugt 2228a
Picking a Plum Branch
Object type: print
Date: 1767 – 1768
Techniques: woodblock print, hashira
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Gevecht bij Quatre-Bras
Object type: map
Date: 1832 – 1856
Materials: paper
Techniques: lithograph
Location: leeuwarden
Subjects: maps of separate countries or regions, battle (+ land forces), battle arrays
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Johannes Bosscha, Neêrlands heldendaden te land, van de vroegste tijden af tot in onze dagen. Leeuwarden : Suringar, 1834-1856.
Niet in Frederik Muller; door het RPK toegevoegd nummer.
Unconditional Surrender, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: louis dalrymple
Artist role: artist
Artist nationality: american
Artist dates: 1865 – 1905
The Child and Death
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Figuurstudie
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anatomy (non-medical)

Vermoedelijk een vrouw. Blad 21 recto uit een schetsboek met 42 bladen.
Winter Landscape
Object type: print
Date: 1818 – 1818
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: men,women,landscapes,trees,winter
Terracotta guttus (flask with handle and verticle spout)
Object type: guttus
Date: 300 – 201
Materials: terracotta
Culture: greek or south italian or campanian
Subjects: sphinx

The cental medallion of a seated sphinx in relief was a common feature on gutti.
Glass head
Object type: head, female
Date: 200 – 101
Materials: glass
Culture: egyptian or greek
Subjects: heads,women

Head of a female, carved in the round from a solid block of glass.
Square Bottle
Object type: bottle, square
Date: 1701 – 1800
Materials: glaze, pottery
Culture: japanese
Sampler
Object type: sampler
Date: 1776 – 1776
Materials: canvas, silk, wool
Subjects: birds,flowers,trees
Ontwerp voor het frontispiece van Dess neuen Teutschen Wappenbuchs Vierter Teil
Object type: design
Date: 1650 – 1657
Materials: graphite, ink, paper
Techniques: brush, pen
Location: nuremberg
Inscriptions: inscription: ‘Neuen/Wappen/buchs/Vierter/theil.’

Ontwerp voor het frontispiece van: (J. Sibmacher), Dess Neuen Teutschen Wappenbuchs Vierter Theil, Nürnberg, Paulus Fürsten, 1657
Gezicht op de Leidsepoort en Heiligewegspoort te Amsterdam
Object type: book illustration
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan goeree
Artist role: draughtsman, print maker
Artist dates: 1670 – 1731
Subjects: city-walls (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen. Boven: de Leidsepoort van Amsterdam. Onder: de Eerste Heiligewegspoort van Amsterdam rond 1592. Elke voorstelling heeft een Nederlands onderschrift. Rechts bovenaan het paginanummer 92.
Boerenkar op bosweg
Object type: watercolor
Date: 1834 – 1903
Materials: paper, watercolor
Techniques: brush
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Inscriptions: collector's mark: Lugt 2288
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, hanging on the wall, a bundle of drapery
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, on exergue, filleted youth to left, with his himation draped around his left elbow, holding a stick, and his right arm extended in front of him; wreathed male boy to left, gesturing to the youth; Exterior, profiled ring foot; the resting surface is unglazed and the inner wall of the foot is glazed; the underside of the floor is decorated in concentric circles, alternating with reserve and black glaze bands; in the middle there is a black glaze circle with a smaller circle in the center
Drie militaire functionarissen
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: officer
Inscriptions: collector's mark: Lugt 2228a

Een man met een steekwapen (partizaan) in de rechterhand, ten voeten uit. Op de achtergrond infanterietroepen. Deze prent is een proefdruk: arm, hoofd en wapen zijn slechts met contourlijnen aangeduid en de achtergrond is nog niet volledig ingevuld. Deze prent is onderdeel van een serie van drie militaire functionarissen.
Fotoreproductie van Leckerbissen
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: open door, fowl (cock, hen, chicken, etc.), tot, toddler ~ the ages of man, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Leckerbissen’, number: ‘178’
Coin Depicting the Goddess Athena
Object type: coin
Date: 300 – 200
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Sutra Cover
Object type: textile
Materials: textile, ink, paper, silk
Techniques: painting, patterning, weave
Location: china
Self-Portrait
Object type: drawing and watercolor
Date: 1860 – 1860
Materials: graphite, paper
Location: england
Artist: simeon solomon
Artist role: artist
Artist nationality: british
Artist dates: 1840 – 1905
Inscriptions: Signed with symbol, lower right, in graphite; inscribed lower right, in graphite: "19/10 / 60"
Bowl
Object type: bowl
Date: 1101 – 1200
Materials: earthenware
Techniques: glazing
Location: syria
Subjects: birds
Portret van Willem III, prins van Oranje
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Design for the decoration of a ceiling with strapwork and rinceaux
Object type: drawing
Date: 1830 – 1897
Materials: ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Clock case with Arachne and Athena
Object type: schoorsteenklok
Date: 1727 – 1727
Materials: metal, porcelain
Techniques: gilding, painted, vitrification
Location: paris
Inscriptions: number: ‘135’, signature: ‘Barrey à Paris’, factory mark

This clock case is one of the Meissen porcelain factory’s most ambitious models from its early years. It is a piece of furniture executed in porcelain and designed as a small building. The two women crowning it represent the weaver Arachne and the goddess Athena. Athena was so jealous of Arachne’s skill that she transformed her into a spider.
Exterieur van het Grand Hotel in Kaapstad
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: cape town
Artist: Anonymous
Subjects: hotel, hostelry, inn

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Sundial of Ahaz, leaf from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra
Object type: manuscript leaf
Date: 1360 – 1380
Materials: gold, ink, iron, parchment, watercolor
Culture: french
Location: france

With its fan-like shapes that seem to flutter across the page, this leaf exemplifies the medieval diagrammatic tradition at its best. What feels like elements lifted from a 20th century-century watercolor are in fact abstract sundials used to illustrate a fine point of 14th-century biblical exegesis. The leaf comes from the landmark study of Nicholas of Lyra (1270-1349), Master of Theology of the University of Paris, which provided commentary on every book of the Bible. The story here, found in both Isaiah (38:1-8) and 2 Kings (20:1-11), recounts God’s willingness to turn the shadow of the sun back 10 degrees—approximately one hour--as a sign to the Judean King Hezekiah. The illustrations on this leaf present two different ways of charting the miraculous reversal of time.
Staande boer en zijn hond op de akker
Object type: drawing
Date: 1841 – 1870
Materials: chalk, paper
Artist: thomas simon cool
Artist role: draughtsman, print maker
Artist dates: 1831 – 1870
Subjects: dog
Jager met hond, over een brief getekend
Object type: letter
Date: 1840 – 1840
Materials: ink, paper
Techniques: brush, pen
Artist: eugène françois de block
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: hunting dogs, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Frans standaard, veroverd in de slag bij Oudenaarde, 1708
Object type: drawing
Date: 1713 – 1720
Materials: paper
Techniques: drawing, writing
Location: northern netherlands
Artist: Anonymous
Subjects: (military) flags and standards

Een Frans standaard, veroverd bij de slag bij Oudenaarde in 1708. In het boek met tekeningen van Franse vaandels, standaarden en pauken, veroverd tijdens de Spaanse Successieoorlog (1701-1713).
Portret van een onbekende vrouw
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: munich
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Beilage zu Eder's Jahrbuch 1892)/ für Photographie und Reproduktionistechnik für 1892./ I. Autotypie auf hoch satirntem Papier’

Prent op vijfenveertigste ongenummerde pagina na pagina 520.
Gold earring with rock crystal bead
Object type: earring with crystal bead
Date: 1 – 200
Materials: gold, quartz
Culture: roman

Earring of the loop-type with hook-and-eye fastening and rock crystal bead.
Markt, serie B
Object type: print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: cape (huik) (+ women's clothes), clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), market, (farm) wagon, freight wagon, cart, traffic and transport (+ unloading)
Inscriptions: collector's mark: Lugt 2228

Markttafereel met rechts op de voorgrond een paard voor een kar met rieten mand erop. De mand wordt uitgeladen door twee mannen. Op de achtergrond huizen. Vierde prent van een fries bestaande uit vier prenten, voorstellende een markt. Achtste prent uit de totale serie markten (serie markt A + B).
Votive Plaque Showing Tara
Object type: plaque
Date: 1501 – 1800
Materials: clay
Culture: tibetan
Subjects: goddess

Devotees often acquired such molded plaques (tsa tsa) at pilgrimage sites. They became important vehicles for the transmission of new styles, iconographies, and ideologies. Tara was widely popular because of her role as a compassionate goddess, offering protection and clearing the path to liberation.
Gezicht op Slot Zuylen in Oud-Zuilen
Object type: drawing
Date: 1750 – 1850
Materials: ink, paper
Techniques: drawing, pen
Artist: Anonymous
Subjects: castle, landscape with tower or castle
Kalenders voor oktober, november en september 1904
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: predatory birds: falcon, calendar, almanac, shore-birds and wading-birds: heron, groups of birds
Inscriptions: collector's mark: Lugt 2233