deem-data/ArtiFact huggingface dataset:
Cupid and Psyche
Object type: print
Date: 1573 – 1574
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: cupid,psyche
Bokaal met montuur van verguld zilver. Op koepelvormige voet een naakte jongeling die met één hand het montuur van het vat vasthoudt.
Object type: goblet
Date: 1590 – 1610
Materials: silver
Techniques: gilding
Location: southern germany
Artist: Anonymous

Kleine bokaal met verguld zilveren montuur. Op de koepelvormige voet zit een naakte jongeling die met een hand het montuur van het vat vasthoudt.
Ananasplant (Ananas comosus) met kakkerlakken
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: fruits: pineapple, insects: cockroach, suriname

Rechtsonder genummerd: 1. Prent maakt deel uit van een boek.
[Landscape, Pride's Crossing]
Object type: photograph
Date: 1856 – 1856
Techniques: paper negative, salted paper print
Artist: samuel masury
Artist role: artist
Artist nationality: american
Artist dates: 1818 – 1874
Subjects: landscapes

Masury is known primarily as an early daguerreian portraitist who learned his trade in 1842 at John Plumbe’s Boston gallery. Interested in photography’s latest technical and artistic refinements, he traveled to Paris in 1855 to learn the glass negative process from the Bisson brothers, whose landscapes and architectural views were internationally celebrated. Charles Greeley Loring’s summer estate near Beverly, Massachusetts, on Boston’s North Shore, proved to be a perfect stage to test his new knowledge. One summer day, Masury trained his camera directly into the sun and took pleasure in the comparison between the foreground’s deep tonal shadows and the radiant expanse of sea and sky. This enchanting view, one of the earliest American landscapes on paper, recalls the paintings of Masury’s contemporary John F. Kensett, who often sketched at Loring’s estate.
Multistoried Watchtower with Front Court
Object type: architectural model
Date: 1 – 233
Materials: earthenware, glaze
Culture: chinese
Subjects: towers

Pottery models of houses and farm structures were commonly included in Eastern Han burials to provide for the afterlife
The Sleeping Shepherd
Object type: painting
Date: 1678 – 1678
Materials: canvas, oil
Artist: jan van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1705
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sleeping on the ground - bb - out of doors
Inscriptions: signature and date: ‘J. v.d. Meer de J. Aº 1678.’

Landschap met een slapende herder. Links de schapen en een hond. Naast de herder liggen zijn hoed en een geïllustreerd pamflet.
Georgia O'Keeffe
Object type: photograph
Date: 1922 – 1922
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Zelfportret van Christoph Wilhelm Bock op 22-jarige leeftijd
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: mechelen
Subjects: print maker, christoph wilhelm bock, portrait, self-portrait of graphic artist
Inscriptions: inscription: ‘Mit bitte an Herrn (?) Crusius’, collector's mark: Lugt 2228
Newsies at Skeeter Branch, St. Louis, Missouri, 11:00 a.m.
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Inscriptions: Unmarked recto; inscribed verso, upper left, in graphite: "1384"; verso, center, in graphite: "Newsboys [sic]"; verso, center, upside-down, in graphite: "2 [?] Col [?] / The [?] Call [?]"; verso, lower right, in graphite: "2 [encircled]"

Beginning in 1906, Lewis Hine was employed by the National Child Labor Committee to photograph and investigate scenes of child labor across the country. He produced some five thousand images of deplorable working and living conditions for children—some just four or five years old—in coal mines, cotton mills, canneries, and farms, sometimes posing as a fire inspector or postcard salesman to gain access. Hine composed his images to elicit sympathy from viewers, adding captions noting his subjects’ ages, heights, or work histories. Interested in art as a means to enhance persuasion and critical thinking rather than to create things of rarefied beauty, Hine distributed his photographs in reformist or popular magazines; they were also made into graphic posters and employed as lantern slides in lectures. It was relatively hard to inspire compassion for those in the “street trades,” especially newspaper delivery boys (newsies), whom contemporary literature both valorized and sentimentalized. The committee, however, demonstrated that in no other occupation were children so unsupervised and that the harsh city environment exposed them to physical danger and adult vices. The young boys seen here, smoking like their elders, seem prematurely hardened to life on the street.
Cup and Saucer
Object type: cup and saucer
Date: 1780 – 1780
Materials: porcelain
Culture: french
Location: france

The Verplancks allied with opposing sides during the Revolutionary War, Samuel with the Patriots and Judith with the Loyalists. When the British occupied Manhattan, Samuel left for upstate New York, but Judith remained in their house on Wall Street. These pieces are from a delicate porcelain tea service said to have been given to Judith Verplanck by Sir William Howe, commander in chief of the British forces in New York.
Châsse en cuivre emaillé
Object type: photograph
Date: 1850 – 1857
Materials: photographic support
Techniques: salted paper print
Location: france
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: relics (and reliquaries)
Inscriptions: inscription: ‘eglise de Ste. Florine (Haute-Loire.)’, number: ‘PL. 15.’
Design: Camera Obscura, from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving
Location: france
Artist: a. j. defehrt
Artist nationality: french
Artist dates: 1700 – 1799
St Paul's kathedraal
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: christopher wren, political caricatures and satires

Metselen aan de koepel van St Paul's Cathedral in Londen. Christopher Wren kijkt verschrikt toe. Politieke spotprent uit het Engelse satirische tijdschrift Punch, 1899.
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 21 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. Left column is decorated with a zigzag line. Middle column is decorated with a line of diamonds, each containing a central floral element characterized by 4 black petals. Right column is decorated with a line of diamonds, each containing a different central floral element characterized by an interlace center.
Straatmuzikant en een bedelende jongen
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio
Artist: hendrik j. van der borcht
Artist role: print maker
Artist dates: 1849 – 1918
Subjects: popular music, street music - cc - out of doors, beggar
Inscriptions: collector's mark: Lugt 2228
Lazarus in de hemel en de rijke man in de hel
Object type: print
Date: 1604 – 1637
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: in hell dives sees lazarus in paradise; usually dives pointing at his tongue
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, number: ‘81’

De rijke man brandt in de hel en wordt door duivels bedreigd. Hij ziet Lazarus in de hemel op de schoot van Abraham. Prent uit een serie van vier met de gelijkenis van de rijke man en de arme Lazarus.
A Rake's Progress, Plate 2
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: musical instruments,men,women,musicians
Kyì-waìng
Object type: kyì waìng gong chime
Date: 1867 – 1900
Materials: metal, wood
Culture: burmese
Location: myanmar
Go Fokker-Kessler met haar twee kinderen, Adriaan en Griet
Object type: album leaf
Date: 1912 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: dresden
Subjects: mother and child(ren), woman and child(ren) (family group)

Deze foto's zijn onderdeel van een album.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Drapery and stick of a male to right
Portret van Bernardus Paludanus, op 80-jarige leeftijd
Object type: print
Date: 1629 – 1641
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: enkhuizen, historical persons
Inscriptions: collector's mark: Lugt 240

Bernard Paludanus, medicus en verzamelaar, op 80-jarige leeftijd. In zijn hand een tak en onder zijn andere hand een sint-jakobsschelp.
Tiroolse landschappen
Object type: print
Date: 1673 – 1724
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: animal traction, animal-drawn vehicle (carriage etc.), public road, dog, mountains
Inscriptions: collector's mark: Lugt 2228a

Gezicht op een weg in een berglandschap. Over de weg vervoeren figuren goederen per ezel en per kar. Prent uit een serie van acht prenten met Tiroolse landschappen.
Badger
Object type: painting
Date: 1801 – 1900
Materials: ink, paper, watercolor
Techniques: painting
Culture: japanese
Artist: hokusai school
Artist role: artist
Subjects: animals
Blowfish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Alexandre Rudolphe Vinet
Object type: carte de visite
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: sues-ducommon
Artist role: fotograaf
Subjects: theologian, historical persons
Inscriptions: name: ‘Vinet’, annotation: ‘A.Vinet 1797-1847/ Fr. Zwitsers schrijver en theoloog’, inscription: ‘M. SUES DUCOMMON/ ÉDITEUR/ GENEVE/ Grande Rue No [..]’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; surface sheared; Exterior, part of draped figure?
A Friendly Warning
Object type: painting
Date: 1881 – 1890
Materials: canvas, oil
Location: united states
Artist: thomas hicks
Artist nationality: american
Artist dates: 1823 – 1890
Inscriptions: Signed, middle left: "T.Hicks. N.A."
Omslagkalender "Bloem en blad"
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: bussum
Subjects: flowers: lily of the valley, february ~ other concepts
Inscriptions: collector's mark: Lugt 2228
Twee mannen bij een wijnvat
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: wine-cellar, wooden container: barrel, cask, bucket
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 298.
Noh Costume (Nuihaku) with Scattered Crests
Object type: noh costume nuihaku
Materials: gold leaf, silk
Techniques: embroidery
Culture: japanese

There are over twenty different crests of varying size on this robe. Some of the designs have Buddhist significance, such as the manji (reverse swastika) and the circular “wheels of Buddhist law.” Others have auspicious symbolism or are purely decorative. These colorful crests with gold-leaf backgrounds (monzukushi) are customarily embroidered on white, black, red, or indigo Noh costumes made from satin. These costumes, called Nuihaku, are mainly worn by male actors playing young female protagonists. The waist area is left blank in a style known as koshi-ake (literally, “blank waist”) as these robes are often worn turned down at the waist.
Fragment
Object type: textile
Materials: textile, linen
Techniques: cutting, embroidery, weave, drawing, stitching
Location: italy
Man met vilten PET
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: engraving
Subjects: head-gear: cap (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228
The Bum Shop
Object type: print
Techniques: etching
Artist: r. rushworth
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1800
Subjects: satire,men,women,dogs,fashion

By the 1780s the London fashion for high hair had been replaced by an exaggerated female silhouette that featured an inflated bust and enlarged rump, both achieved with the help of props. In this print, fashionable women visit a “Bum Shop” to buy bustles and are shown trying on various models. A young woman by the door, who has achieved the desired effect, prepares to leave. The facetious text below, written by the proprietor “Derriere,” assures ladies “to whom Nature in a slovenly moment has been niggardly in her distribution of certain lovely Endowments” that he has become expert at “artfully supplying this necessary appendage of female excellence." A small poodle clipped to imitate the fashion underscores the satirical tone. Other writers of the period describe fashionable ladies wearing a "fashionable circumvallation of tow and whalebone" and "protruberances on the hips called bustlers, another behind...called in plain language a rump, and a merry-thought of wire on the breast to puff out a handkerchief like a pouting pigeon."
Simon de Kramer weigert te Bergen op Zoom voor een processie te knielen, 1553
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: procession ~ christian religion, kneeling on both knees, bergen op zoom
Inscriptions: number: ‘64’, inscription: ‘Omtrent het [...] ander Schrijver’, inscription: ‘S de [...] Ao 1553’, collector's mark: Lugt 2228
Vrouw staande op enkele keien in een beek
Object type: tissue stereograph
Date: 1858 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: adult woman, brook, france
Inscriptions: number: ‘(fig. 4) [?]’
Miklós graaf van Zrínyi in Kroatië gedood door een wild zwijn, 1664
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: hoofed animals: boar, animal killing man
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 627.
Glass jar
Object type: jar
Date: 34 – 200
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Uneven horizontal rim, with rounded tubular edge, folded out, down, and in, forming collar around neck; ovoid body; concave bottom. Intact, but internal cracks around rim; large and pinprick bubbles, with yellow green impurity streak in rim; some dulling, slight pitting and iridescent weathering, but much of exterior and interior covered with thick limy encrustation and creamy brown weathering.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, two fronds from a palmette; part of a knobby stick
Actor in the No Play Hanjo
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: tsukioka kôgyo
Artist role: print maker
Artist dates: 1869 – 1927
Subjects: group of actors, troupe; actors on the stage
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Hanjo, the woman depicted here, is a prostitute who found love with a passing traveller. She loses her mind and begins to roam aimlessly. Fortunately, she is – by chance – reunited with her lover. Accordingly, the themes addressed in this play are grief, loneliness, a pure heart,
and the joy of reunion.
The Hunting Party—New Jersey
Object type: painting
Date: 1750 – 1750
Materials: canvas, oil
Culture: american
Subjects: men,hunting,deer,dogs,horses
Old Edinburgh. Ser. II
Object type: photomechanical print
Date: 1911 – 1912
Materials: cardboard
Techniques: color autotype
Location: bavaria
Subjects: automobile, street
Théatre
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: timgad
Artist: Anonymous
Subjects: amphitheatre, landscape with ruins
Inscriptions: number: ‘Fig. XXXI’
Napoli
Object type: photograph
Date: 1871 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: dante alighieri, square, place, circus, etc., piece of sculpture, reproduction of a piece of sculpture, monument, statue, elementary school; class, form (+ building ~ education, tuition)
Inscriptions: number: ‘No. 6150’
Large Dish
Object type: dish
Date: 1720 – 1720
Materials: enamel, glaze, gold, porcelain
Techniques: polychrome
Culture: japanese
Subjects: flowers
Zittende oude man
Object type: drawing
Date: 1625 – 1629
Materials: chalk, ink, paper
Techniques: pen
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: standing figure, sitting figure, lying figure

Afkomstig uit een schetsboek van 43 (?) bladen.
Mount Starr King, Yosemite Valley, Mariposa County, Cal., No. 1116 from the series "Watkins' Pacific Coast"
Object type: photograph
Date: 1861 – 1876
Techniques: albumen print
Location: united states
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Cybele op haar wagen
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: (story of) cybele, rhea cybele, great mother of the gods (berecynt(h)ia), chariot, triumphal car, soil cultivation, zodiac; the twelve zodiacal signs together
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘4’, collector's mark: Lugt 10

De 'aardmoeder' Cybele op een door leeuwen getrokken wagen. In haar handen korenaren en een dennenappel. Onder haar voeten verscheidene dieren en onder haar voet een bol met de tekens van de dierenriem. Op de achtergrond figuren die op het land werken. Italiaanse tekst in twee kolommen in ondermarge.
Figuren op straat
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human), street (+ city(-scape) with figures, staffage)
Inscriptions: : ‘olijfgroen diep rose smaragdgroen / donkerrood’

Pagina 2 uit schetsboek XXXVIII met 45 pagina's.
Pipe and Pipe Case with Tobacco Pouch
Object type: smoking set
Date: 1801 – 1833
Materials: cotton, gold, iron, lacquer, metal, silver, wood
Techniques: carving, dyeing, hiramakie
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Den nieuwen Rotterdamschen omloop
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: street-trader, merchant, salesman, rotterdam
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen van Rotterdamse straatverkopers, zoals een garnalenverkoopster, een boterverkoper en een brillenverkoper. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 262.
A Heavy Ring, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Preparing Seven Herbs on the Seventh Day of the New Year
Object type: print
Date: 1798 – 1798
Techniques: woodblock print, surimono
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
De ontdekking van de grafsteen van Hubert Robert
Object type: drawing
Date: 1743 – 1808
Materials: chalk, paper
Techniques: printmaking
Artist: hubert robert
Artist role: draughtsman, print maker
Artist dates: 1733 – 1808
Subjects: paris, print maker, draughtsman, hubert robert, gravestone, tombstone
Titelpagina voor François Joseph de Lagrange Chancel "Amasis, tragedie"
Object type: print
Date: 1711 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: murder
Inscriptions: collector's mark: Lugt 2233

In het koninklijk paleis van Egypte wordt de koning neergestoken. Hij ligt op de grond en wijst naar zijn moordenaar.
Ten Bamboo Studio
Object type: illustrated book
Date: 1821 – 1850
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Floral Textile Fragment
Object type: fragment
Date: 1601 – 1633
Materials: metal thread, silk
Techniques: lampas
Location: iran
Subjects: flowers

This silk textile is decorated with a repeated pattern of floral bouquets tied with pink ribbons on a pink-lavender ground. Safavid textiles produced during the seventeenth century were popular commodities in both international and local markets, and often depicted flower motifs like those seen here. Weavers favored luxurious materials like silk and metal-wrapped thread because of their rich sheen and the sumptuousness the opulent materials lent to the finished textile. The apricot orange and light purple suggest a preference for a soft color palette, and the skillfully rendered veins in the irises indicate an interest in naturalism.
Riviergezicht bij zonsondergang
Object type: print
Date: 1639 – 1641
Materials: ink, paper
Techniques: brush, engraving, etching, pen
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: dusk, evening twilight, river, landscape with bridge, viaduct or aqueduct, sunset, bridge
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1120, number: ‘35’

Riviergezicht bij zondondergang. In het midden een stenen brug. Links twee zwemmende figuren en rechts converserende figuren in een tuin. 35ste prent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
St. Jean de Luz
Object type: photograph
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: saint-jean-de-luz
Subjects: charlotte alida boelen-matthes (lot), amsterdam, joan gerard boelen, fortress, ocean, beach

Deze foto's zijn onderdeel van een album.