deem-data/ArtiFact huggingface dataset:
Rim fragment of relief chalice with inscription and papyrus plants, associated with 1983.599
Object type: chalice, cup, lotiform, relief, inscription
Date: 945 – 712
Materials: faience
Location: egypt
Subjects: plants

Relief chalices are associated mostly with Dynasty 22 (ca. 945-712 BC). The faience lotiform chalice originated in the New Kingdom and by its association with the lotus which opens with the rising sun was a symbol of resurrection and new life. In the Third Intermediate Period these chalices began to be decorated with a wide variety of relief scenes that are all in one way or other part of a cycle of myths, legends and stories connected with the birth of a child god in the marshes, who is associated with the sun god and with the king. Sometimes the specific references may not be understandable for us at least at this time, but the sense of the marsh as a magical, liminal space, much like the forest in fairy tales or in Shakespeare’s Midsummer Night’s Dream, is palpable. For the Egyptians, these themes came to the fore on various ritual and festival occasions including at the Egyptian midsummer New Year just before the waters of the inundation receded and the new growth could begin. The fragment 2013.635 derives from the upper edge of a chalice. Part of an inscribed band around the rim is preserved; the remnant reads "for the ka of the priest of" followed by signs that, although clear enough, do not point to a clear translation before they break off. Beneath are the blossoms from the top of a clump of tall papyrus plants. The fragment has been associated with 1983.599, a large fragment of the wall of a chalice. At the top of that fragment may be seen the lower edge of a rim band of inscription including the lower part of three signs. The figural field beneath shows a nude girl with a lotus on her head holding a drum and moving to the left. Another figure precedes her who wears a belt; and traces of another figure (a tail?) may be seen behind her. The figures are separated by vegetation: papyrus plants and buds before the processing figure, and reeds and apparently a large leaf behind her. Below a pattern of lotus leaves surrounds the base of the cup of the chalice. There is no join between the fragments and the varying clumps of vegetation as the vessel turns do not offer any basis for association. However, inscribed chalices are rare indeed, and the proportions of the inscription band on 2013.635, the rendering of the signs, and the simple step border between the slightly raised inscription band and the figural field are very close to those on 1983.599; the latter feature in particular is distinguishing. The implied proportions of the figural fields also suit a match, suggesting a chalice including a file of figures and perhaps other figural elements separated by clumps of vegetation. The papyrus plants on 2013.635 would presumably, if there were a primary figural element, be part of the central scene as the plant most representative of the marsh.
Ingang Wanicastraat van Chineesch kerkhof
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘35’

Toegangshek naar het Chinese kerkhof aan de Wanicastraat te Paramaribo, boven het hek een bord met Chinese tekens, het jaartal 1890 en de naam Willemsrust of Willems Rust. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Mlle. Goetz, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
El-Kab (Éléthya), Architecture Hypogéenne - Tombeau de Phapé - Sculptures Pientes
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: sculpture,hieroglyphs
Paus Adriaan's geboortehuis in de Brandsteeg te Utrecht
Object type: print
Date: 1846 – 1847
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: rome, boy (child between toddler and youth), interior of the house, washing up
Inscriptions: collector's mark: Lugt 2228

Deze prent is gedrukt op een niet versneden blad samen met RP-P-1908-1133 t/m RP-P-1908-1135.
Strook kloskant met kromme takjes
Object type: strip
Date: 1875 – 1899
Materials: linen
Techniques: lace
Location: sluis
Artist: Anonymous

Op een grof en met moesjes bezaaid mazenfond (vierkante maas) staat, boven een halfcirkelvormige schulp, een open patroon van een overhangend takje met een bloem. Valenciennes-kant. Oorspronkelijk was deze strook één van de delen van een strook die uit vier losse delen bestond. Hiervan zijn er echter drie aan elkaar genaaid: BK-BR-J-259-A, -B, -C. In 1966 is aan deze bovenzijde van de lange strook die zo is ontstaan, vervolgens een iets smallere strook gezet, BK-BR-J-321-A, met een enigszins vergelijkbaar patroon.
Portretstudie van een onbekend meisje
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Artist: c.w. loomis
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘(Beilage zu Eder's Jahrbuch 1892).’

Prent op eenentwintigste ongenummerde pagina na pagina 520.
Carpet Fragment
Object type: carpet fragment
Date: 1501 – 1600
Materials: wool
Techniques: asymmetrically knotted pile
Location: egypt
Shepherdess near a Waterfall
Object type: drawing
Materials: gouache, graphite
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806
Subjects: women,waterfalls,trees,shepherds
Chest of Drawers, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: chests

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXXVI in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Kaart van de omgeving van het bos van de Notre Dame
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Subjects: plan, map of garden, maps of cities
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: silk, thread
Subjects: leaves
Schepen op het water voor een stad
Object type: drawing
Date: 1641 – 1708
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: sailing-ship, sailing-boat

Schepen op het water met links op de voorgrond een sloep.
Insignia and Button
Object type: insignia and button
Date: 1867 – 1900
Materials: ribbon
Culture: japanese
Gezicht op de pier en haven van Biarritz
Object type: album leaf
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: harbour, pier, quay, wharf
Inscriptions: annotation: ‘biarritz - haven’
Tile
Object type: tile
Date: 221 – 220
Materials: earthenware
Culture: chinese
Twee houtsnijwerken in de Kathedraal van Worcester
Object type: photomechanical print
Date: 1863 – 1873
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: carving ~ applied arts, interior of church, goat, basilisk (cock with posterior of snake)
Inscriptions: number: ‘XXXIII (...) XXXIV’

Boven een basilisk tussen (vermoedelijk) twee wolven, onder een man op een geit tussen twee gestileerde bladmotieven.
Výstavka stukatérských praci závodu Ant. Riedla a spol. na Král. Vinohradech
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: stuccoeing, exhibition ~ art
Doos voor stereofoto's in de vorm van een boek
Object type: box
Date: 1860 – 1900
Materials: cardboard, leather, paper
Techniques: marbling, marbled paper
Artist: Anonymous

Doos in de vorm van boekband, voor het opbergen van stereofoto's (leeg).
Basel
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, (military) standard-bearer
Inscriptions: number: ‘145’, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van veertien prenten met voorstellingen van vaandeldragers met vaandels van de Zwitserse kantons.
Explication du dessein General / Verklaring Van het algemene oogmerk dezer Verbeeldingen
Object type: album leaf
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: apollo and the muses, apollo musagetes, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa)

Apollo, omringd door de muzen, wijst op een veelluik met verschillende voorstellingen. Bij hem staat de personificatie van de Schilderkunst met palet en kwasten in de hand. Links en rechts naast deze voorstelling een haan met banderol. Onder de prent tekst in het Frans en het Nederlands, pagina 1. Prent maakt deel uit van een album.
Terracotta stemmed plate
Object type: plate, stemmed
Date: 625 – 600
Materials: terracotta
Culture: capenate

These two plates (grouped with separable object, 23.130.10), elegantly incised with variations of a lotus and palmette frieze, are the only certain examples in the Museum's collection made by an Italic people called the Capenates. This small ethnic group, speaking a dialect related to Sabine, lived in a region of Central Italy between the Etruscans and the Faliscans. Their major city, Capena, was conquered by the Romans in 395 B.C.
Den koning der Nederlanden, met zyne bezonderste krygs-helden / Le roi de Pays-bas, avec ses principaux guerriers
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: berlin, william i of the netherlands, the hague, william ii of the netherlands, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van koning Willem I en militairen te paard. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd linksonder: No. 33.
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: fortifications, military engineering, prospect of city, town panorama, silhouette of city, mathematics, mountains
Inscriptions: inscription: ‘Vide A.W. V. [?] in Punito [?] fortific: Fig 37.’, collector's mark: Lugt 2228

Grondplan voor een vesting, fort of versterking. Daaronder een gezicht op een vesting op een berg ('Clermont' = Clermont-Ferrand?). In de hoek linksboven het cijfer 51 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Gedrukte lijst van de namen van de in 1796 geremoveerde gereformeerde predikanten, 1803
Object type: text sheet
Date: 1803 – 1803
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: amsterdam
Inscriptions: annotation: ‘Mejuffw. Muyderman Hall’, collector's mark: Lugt 2228

Gedrukte lijst van de namen van dertien (van de vijftien) van de gereformeerde predikanten die in 1796 uit hun ambt waren gezet omdat zij de eed weigerden af te leggen en die op 21 september 1803 door de raad te Amsterdam weer in hun ambt zijn hersteld.
Viens donc..., mon ami, je ne trouve pas ce tableau joli, from L'Exposition de 1859, published in Le Charivari, June 21, 1859
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Adreskaart van Eduard Beijer
Object type: business card
Date: 1816 – 1817
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: eduard beijer, visiting-card, calling-card, amsterdam
Strip
Object type: strip
Date: 1601 – 1633
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Salt
Object type: salt
Date: 1830 – 1840
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Example of lace stitch
Object type: stitch
Date: 1801 – 2000
Animalium Quadrupedum Omnis Generis Verae et Artificiosissimae Delineationes
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Artist: eduwart van hoeswinckel
Artist role: publisher
Subjects: landscapes in the temperate zone, landscape with bridge, viaduct or aqueduct, rodents: squirrel, rodents: rabbit
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links vier eekhoorns in en bij een boom. Op de voorgrond konijnen. Op de achtergrond een rivier met brug. Aan het water een hengelaar. Deze prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, frontal draped youth, grasping his himation in his left hand
Spotprent met een boot op zee in noodweer
Object type: cartoon
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: flushing, sailing-ship, sailing-boat (+ wreck ~ traffic accident), storm at sea, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Minister Tromp, in de vorm van een vuurtoren, schijnt licht op de zeilboot. In de lucht een bliksemflits met de woorden 'Begrooting Marine'. In het water drijven stukken wrakhout met de namen van voorgaande ministers van Marine. Onder de afbeelding een bijschrift afkomstig van een portret van Maarten Harpertsz. Tromp uit 1653 door Joost van den Vondel. Deze prent werd uitgegeven bij De Lantaarn.
Paysage au Moulin (Windmill Landscape)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: pierre françois laurent
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1809
Subjects: watermills,boys,women,fishing,coat of arms
Brougham/D'Orsay  #3862
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Entrance To Enoshima in Sagami Province (Sagami Enoshima iriguchi), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Naakte jongen bij zee, op de rug gezien
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: wilhelm von gloeden
Artist role: fotograaf
Artist dates: 1856 – 1931
Subjects: the (nude) human figure; 'corpo humano' (ripa), sea
Voorstellingen van honden
Object type: print
Date: 1830 – 1838
Materials: paper
Techniques: lithograph
Location: london
Subjects: cat, dog
Inscriptions: collector's mark: Lugt 2233

Prent maakt waarschijnlijk deel uit van een serie met diervoorstellingen. Over deze serie is verder niets bekend. Het betreft voornamelijk voorstellingen van honden.
Kampement van het Staatse Leger bij Breda, 1769
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: manoeuvre ~ military training (+ artillery)

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XIII.
Plate with scholar and plum branches
Object type: plate
Date: 1701 – 1733
Materials: enamel, gold, porcelain
Techniques: overglaze, painting
Culture: chinese
Subjects: horses
Hector and Andromache
Object type: group
Date: 1871 – 1871
Materials: marble
Artist: giovanni maria benzoni
Artist role: artist
Artist nationality: italian
Artist dates: 1809 – 1873
Subjects: spears,princes,infants,male nudes,women

See 99.9c–f for the four reliefs that formerly decorated the sides of the old pedestal.
Piece
Object type: piece
Date: 1501 – 1700
Materials: silk
Lyste, Vande Schepen den 22en ende 23en May 1665. ende den 11en Junij daer aen volgende uyt Tessel geseylt, mitsgaders van die geene welcke inden Slach den 13en Junij daer op gevolght, zijn gebeleven, oft op het wederkeeren vande Vloot worden gemist
Object type: text sheet
Date: 1665 – 1665
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: hillebrant jacobsz. van wouw
Artist role: printer, publisher
Subjects: battle of lowestoft
Inscriptions: date

Lijst van de schepen van de Staatse vloot in de acht eskaders die in mei en juni vanuit Texel gezeild zijn; met onderaan de lijst van 16 schepen die sinds de zeeslag bij Lowestoft op 13 juni 1665 worden vermist.
Pijp van zilver, behorende bij pijpenstandaard
Object type: miniature
Date: 1813 – 1906
Materials: silver
Artist: Anonymous

Pijp van zilver, geheel glad. Met bijbehorende pijpanstandaard (A). Gemerkt met zwaardje.
Teapot
Object type: teapot
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: carriages
Netsuke of a Demon Carrying a Gourd on His Back
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: demons,gourds
Decoratie met een monogram met de initialen van George Alfred Rogers
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: flat decoration ~ applied arts
Inscriptions: number: ‘1560’
Optogt van H.H. Studenten der Leijdsche Hoogeschool. Gehouden den 8ste Februarij 1845. Voorstellende den Optogt van Floris V met de pas geslagen St. Jacobsridders naar het door hem, bij de instelling dier orde, gegeven tournooi te 's Hage in het jaar 1279
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: floris v (graaf van holland en zeeland), students' pageant, costumes used in pageants, leiden
Inscriptions: collector's mark: Lugt 2228

Historische gekostumeerde optocht door de studenten van Leidse Hogeschool op 8 februari 1845, ter viering van de 270ste verjaardag van de universiteit. Het onderwerp van de historische optocht en maskerade is de optocht van graaf Floris V met de St. Jacobsridders in Den Haag in 1279. Links en rechts twee zuilen met middeleeuwse decoraties, bovenaan vliegt Minerva door de lucht. Onderaan een keten met het insigne van de Orde van Sint Jacob.
Ontwerp voor een halsketting
Object type: drawing
Date: 1911 – 1912
Materials: pencil, paper
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: necklace (+ women's clothes)
Christ with the Orb of the World in His Left Hand
Object type: print
Date: 1519 – 1519
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: angels,christ
Portret van Josef Maria Eder
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Artist: josef löwy
Artist role: publisher
Artist dates: 1835 – 1902
Subjects: josef maria eder, adult man, historical persons
Inscriptions: inscription: ‘Bulletin de l'Association belge de Photographie’
Gezicht op de Thermes de Cluny in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: public baths, ruin of a dwelling, house, castle, etc.
Inscriptions: inscription: ‘Musée de Cluni? Palais de Terme’
Man uitkijkend over een dal
Object type: sketchbook leaf
Date: 1807 – 1840
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: dale, valley, landscapes (+ landscape with figures, staffage)
Inscriptions: signature: ‘Tavenraat’, date and inscription: ‘[...]/Thal 1840/ in July -’

Blad 54 verso uit een schetsboek met 63 bladen.
Fotoreproductie van Madonna dell'Impannata door Rafaël
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: rafaël
Artist role: painter
Artist dates: 1483 – 1520
Subjects: mary, the christ-child and john the baptist, elisabeth present
Inscriptions: inscription: ‘FRATELLI ALINARI/ FIRENZE/ Piazza S. Gaetano’, annotation: ‘10[9]/ Madonna del Impa/ nata Raffaella/ Firenz’
Boerderij
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: farm (building)

Blad 37 verso uit een schetsboek met 43 bladen.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Subjects: flowers,leaves