deem-data/ArtiFact huggingface dataset:
Overval op boeren
Object type: drawing
Date: 1602 – 1667
Materials: chalk, paper
Techniques: brush
Artist: cornelis de wael
Artist role: draughtsman, print maker
Artist dates: 1592 – 1667
Subjects: fight between farmers and soldiers

Overval op boeren, die worden vastgebonden, gedood en beroofd.
Pau. L'Hôtel Gassion
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: city-view, and landscape with man-made constructions, church (exterior), hotel, hostelry, inn
Twee koeien bij hek
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Inscriptions: collector's mark: Lugt 240

Landschap met twee koeien bij een hek met daarachter een boom. Eén liggend, de ander staand, van achter gezien. Vóór de lucht.
Painted Banner (Thangka) of Bodhisattva Maitreya Surrounded by his Retinue
Object type: painting
Date: 1501 – 1600
Materials: cotton, gold, watercolor
Culture: tibetan
Location: tibet

The bodhisattva Maitreya, the Buddha of the future, and the successor of Shakyamuni Buddha, is identifiable by the tiny, gold waterpot perched on the lotus near his shoulder at right. He is flanked by two other bodhisattvas; the green one is Vajrapani and the golden one is most likely Manjusri. Collectively, these three deities represent Shakyamuni Buddha’s virtues: Maitreya is the manifestation of his compassion, Manjusri is the manifestation of his wisdom; and Vajrapani is the manifestation of his power. Most of the deities in the margins form part of the bodhisattva’s retinue. The monk who officiated at the thangka’s consecration is at lower right in white.
Marietje
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: photography
Location: netherlands
Inscriptions: inscription: ‘Marietje-’

Foto op bruin albumblad 26 van familiealbum van Alphons Diepenbrock.
South Brent, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Else Wachenheimer-Moos en haar echtgenoot Eugen Wachenheimer gezeten op een bankje voor een rotspartij
Object type: photograph
Date: 1904 – 1936
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos
Inscriptions: date: ‘April 36. Meran.’

Else Wachenheimer-Moos (links) en haar echtgenoot Eugen Wachenheimer (rechts) gezeten op een bankje voor een rotspartij.
Schemering
Object type: print
Date: 1873 – 1892
Materials: paper
Techniques: etching
Location: netherlands
Artist: fredericus jacobus van rossum du chattel
Artist role: draughtsman, painter, print maker
Artist dates: 1856 – 1917
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Monogram van Paulus van den Velden, collector's mark: Lugt 2228

Waterlandschap met dijk en bomen in de schemering.
Gevel van een woning
Object type: drawing
Date: 1827 – 1891
Materials: ink, paper
Techniques: brush, pen
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: exterior ~ representation of a building
Battle Between Peasants and Naked Men in a Forest
Object type: print
Date: 1522 – 1522
Techniques: woodcut
Artist: master nh
Artist role: artist
Artist nationality: german
Artist dates: 1495 – 1527
Subjects: battles,men,male nudes,forests
Inscribed block with bowman and dog
Object type: relief, tomb of khety
Date: 2051 – 2000
Materials: limestone, paint
Location: egypt
Subjects: bow and arrow,men

This corner piece is the only fragment whose original position in Khety’s tomb (within the entrance passage) can be determined. The text on one side makes reference to “officials bowing” (to Khety) and “what the western desert has,” which probably alludes to Khety’s responsibility to supply semi-precious stones to the court. Visible on the other face is a bowman with a baboon or a dog walking beside him, perhaps part of a procession of hunters (see 26.3.354-3-related).
10 tornesi uit het koninkrijk Napels van de beide Siciliën van Ferdinando II, 1840
Object type: coin
Date: 1840 – 1840
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: hoofd naar rechts. Keerzijde: kroon, waaronder in twee regels waarde-aanduiding. Jaartal in afsnede onderaan. Kartelrand.
Venationes, Piscationes et Aucupii Typi
Object type: print
Date: 1582 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hunt ~ predatory animals (fox, lion) (+ hunting with dogs), beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Jachthonden jagen wolven op die vervolgens door jagers worden gedood met speren en stokken. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van 54 prenten.
Beaker Depicting Abstract Birds, Serpents, and other Figures
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, male urinating, wearing a chlamys draped over his shoulders
Vlakdecoratie met grotesken
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: ornaments ~ art
Inscriptions: number: ‘23’

Vlakdecoratie met in het midden een vleermuis met een slak en insekt op de vleugels, daaronder een wapentrofee die in een schelp staat. Uit de schelp komen ook twee bladranken, uitlopend in een mannelijke en vrouwelijke sater, die elk een gevleugelde herme op hun hoofd hebben staan.
The International Exhibition of 1862
Object type: stereograph
Date: 1862 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: world fair, world exhibition, interior of industrial structures (regardless of the materials processed or the products made, london
Inscriptions: number: ‘22.’
Gezichten op bestaande en verzonnen plaatsen
Object type: print
Date: 1707 – 1768
Materials: paper
Techniques: etching
Location: venice
Subjects: square, place, circus, etc., ruin of a building ~ architecture, church (exterior), venice

Gezicht op een plein met een kerk, gebaseerd op de S. Giacomo di Rialto in Venetië. Links drie zuilen en een standbeeld. Rechts een vlaggenmast.
Gezicht op een straat
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, street

Gezicht op een straat. Rechtsvoor een gebouw met een trapgevel. Blad 21 recto uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Circels verdeeld door lijnen
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: segment of circle, quadrature of the circle, circle (~ planimetry, geometry)
Inscriptions: collector's mark: Lugt 2228

In de circels staan begrippen zoals: 'straal' en 'Quadrant of boog van 90 graden'.
Beaugency (Loiret) Hôtel de Ville
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: beaugency
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: child, townhall, art (+ relief ~ sculpture), façade (of house or building)
Inscriptions: inscription: ‘Renaissance - Frankrijk.<BR />Raadhuis te Beaugency . 16e Eeuw. (1526)’, collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’, number: ‘No. 627’, inscription: ‘CWN.’
Design for Coupé, no. 3855
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Head of a Bodhisattva
Object type: head
Date: 901 – 1000
Materials: marble, pigment
Culture: chinese
Subjects: heads,buddhism,bodhisattvas
Portret van Hassan Aga
Object type: print
Date: 1674 – 1714
Materials: paper
Techniques: engraving
Artist: elias nessenthaler
Artist role: print maker
Artist dates: 1664 – 1714
Subjects: historical persons, head-gear: turban
Inscriptions: collector's mark: Lugt 2228
Speculum Pudicitiae
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Subjects: female saints (eufemia)
Inscriptions: number: ‘79’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

De H. Euphemia, zittend, iets naar rechts gekeerd, het hoofd naar links. Ze leest een boek. In haar linkerhand een speer. Op de achtergrond wordt ze met kokende olie overgoten. De tiende prent van een zeventiendelige serie met vrouwelijke heiligen.
Kanton Geneve, 25 centimes, 1847
Object type: vijfentwintig centime
Date: 1847 – 1847
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: versierd wapenschild van Geneve. Daarboven binnen stralende zon de letters I,H en S. Keerzijde: waarde-aanduiding in twee regels, waaronder jaartal. Gladde rand.
Zittende oude vrouw met een mand
Object type: drawing
Date: 1782 – 1837
Materials: chalk, paint, paper
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Ein ney Furmbüchlein, Page 3, recto
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Theatrical costume
Object type: theatrical costume
Date: 1800 – 1964
Materials: silk
Culture: japanese
Relief Fragment Depicting Ipi and Fowling in the Marshes
Object type: architectural fragment
Materials: limestone, pigment
Culture: egyptian
Location: saqqara
Subjects: birds, funerary art, hieroglyphs, lotus, men
Inscriptions: "The sealbearer of the King of Lower Egypt, Sole Companion, Overseer of Troops, the revered one Ipi."

This lively scene depicts two men hiding behind a reed blind and pulling closed a clap net to snare birds. Four birds, which have escaped the net, fly from the pond in which lotus flowers and lotus pads float. Below, Ipi (the tomb’s owner) surveys other activities on his estate. His name and titles are written in hieroglyphs over his head.
Rispah, plate 46 from Liber Studiorum
Object type: print
Materials: paper
Techniques: etching, mezzotint
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies). Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.
Allegorie op de overwinningen van het Franse leger in Europa
Object type: titelblad, titelpagina
Date: 1693 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Artist: adriaen schoonebeek
Artist role: print maker, publisher
Artist dates: 1661 – 1705
Subjects: title-page, symbols of particular nations, states, districts, etc., france
Inscriptions: collector's mark: Lugt 2228

Gegraveerde titelpagina voor: Fer, Nicolas de. Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles [...] de la France, dont les plans ont esté levez par M. de Vauban. Parijs: 1693-1697.
Nuttelooze les
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist jgr
Artist role: print maker
Subjects: drunkard, drunkenness, insects: bee
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen over de dronken Gregoire die gestoken wordt door bijen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 198.
Boeket van ranken met bloemen en bladeren
Object type: ornament print
Materials: paper
Techniques: engraving
Location: france

Met rechtsboven een vlinder en een wesp, onderaan een aantal figuren naar Jacques Callot. Blad 2 uit serie met 6 boeketten voor goud- en zilversmeden. Tweede editie.
A temple-garden in Tokio
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: garden
Portrait of a Youth with a Surgical Cut in one Eye
Object type: panel painting, male with surgical cut
Location: egypt
Subjects: men,portraits
Fox
Object type: photograph
Date: 1870 – 1870
Artist: louis ducos du hauron
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1920
Subjects: foxes

Ducos du Hauron, an amateur physicist and artist, began experimenting with color photography in the early 1860s. By 1868 he had patented a three-color process that he improved upon and published the following year in the treatise Les Couleurs en photographie: solution du problème. His method involved exposing negatives through green, orange-red, and blue-violet filters and then making positives of them on three sheets of gelatin incorporating carbon pigments of primary colors. When superimposed, the three layers made a single color photograph: a technique that is essentially the basis of modern color processes.
Groepsportret van drie meisjes bij een man, mogelijk een piloot
Object type: photograph
Date: 1906 – 1911
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: pilot, historical persons
Ontwerp voor kamerbehangsel met landschap met kar
Object type: design
Date: 1752 – 1819
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Six Poetic Sages as Young Women at the Plum Garden at Kameido
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: girls,women
Portret van Daniel Souterius
Object type: print
Date: 1621 – 1623
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: daniel souterius, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de schrijver en predikant Daniel Souterius. Ter halver lijve rechts gewend, met snor en baard, staande, met geplooide kraag en toga met bont omzoomd. In de rechterhand houdt hij een boek. Bovenaan op de ovale randlijst zijn wapenschild.
Porter's chair
Object type: porter's chair
Date: 1801 – 1833
Materials: leather, silk, wood
Hamlet en koningin Gertrude
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hamlet, prince of denmark
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met veertien prenten.
Nero
Object type: drawing
Date: 1900 – 1910
Materials: gouache, graphite, watercolor
Techniques: stumping
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917

A related work in the Musée Rodin suggests the model for this drawing was a woman, yet Rodin inscribed the sheet "Néron," or Nero, the legendarily cruel and decadent Roman emperor. The metamorphosis of the composition through the accumulation of bold, swirling graphite strokes, layers of watercolor and gouache, and the added title exemplifies the shifting of meaning possible with Rodin’s works.
Engaged diptych moldings
Object type: frame
Date: 1300 – 1325
Materials: wood
Artist: tuscany
Artist role: artist
Artist nationality: tuscany
George Washington
Object type: sculpture
Date: 1875 – 1875
Materials: porcelain
Location: england
Artist: Anonymous
Artist nationality: english or american
Artist dates: 1800 – 1899
Inscriptions: Stamped: WASHINGTON (on plinth)

In the 19th century, small Parian figures that imitated full-size marble sculptures were often created in an effort to bring well-known works of art into the homes of America’s growing middle class. This statuette was modeled after Sir Francis Chantrey’s seven-foot Carrara marble statue of George Washington, which was installed in 1827 at the Massachusetts State House in Boston. Probably executed around the time of the 1876 Philadelphia Centennial Exposition, this noble, miniaturized figure of our country’s first president reflected the outpouring of patriotic sentiment in the country around the time of the first centennial.
The Edge of the Woods
Object type: painting
Date: 1872 – 1872
Materials: oil, wood
Artist: narcisse-virgile diaz de la peña
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1876
Subjects: forests,landscapes
Putto met een trompet en wapenschild
Object type: titelblad, titelpagina
Date: 1806 – 1806
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: horn, trumpet, cornet, trombone, tuba, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Le Francq van Berkhey, Joannes. Zinspelende gedigtjes, op de geestige printjes ge-etst door Pieter de Mare, na de teekeningen van mejuffrouw Christina Chalon, berustende in de verzameling van (...) H.A. Dibbets. Amsterdam: Willem van Vliet, 1806.
Bracelet with Holy Figures
Object type: bracelet
Date: 401 – 700
Materials: copper, iron
Techniques: inlay
Location: egypt
Subjects: medallions

This popular bracelet type often included an invocation for the protection of the wearer. Here eight medallions show angels and holy figures who stand in the orant (prayer) pose or carry crosses and censers. One medallion may show the angel Gabriel appearing to the Virgin (the Annunciation).
Saint Andrew
Object type: painting
Date: 1740 – 1743
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: pompeo batoni
Artist role: artist
Artist nationality: italian
Artist dates: 1708 – 1787
Subjects: biblical, new testament, man, christianity, christian subjects, saints

One of a series of religious paintings commissioned by Pompeo Batoni’s most dedicated patron, Count Cesare Merenda of Forlì, this painting depicts Andrew the Apostle carrying his distinctive X-shaped cross. As the story goes, Saint Andrew welcomed death by crucifixion because it brought him closer to Christ, calling out in his final moments, “Oh Cross, I have desired to embrace you.” Capturing the emotional drama of this moment, Batoni painted the saint with a somber expression, tenderly and affectionately clutching his instrument of torture.
Essempio di recammi, page 3 (recto)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: ornament

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: design composed of 4 squares separated by black '+' decorated with white interlace pattern with 4-petaled flower at left and right end. Top left square is illustrated with different flowers, top right square illustrated with different leaves and acorn, bottom left square decorated with 5 interlace motifs filled-in black, and bottom right square decorated with 3 interlace motifs and 1 diamond that are all filled-in black.
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso)
Object type: drawing
Date: 1712 – 1793
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: human figures,stairs
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 33 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and has a central section consisting of 2 squares; each square is ornamented with a different quatrefoil motif. The middle section is framed on the left and right by a border ornamented with a diverse geometric pattern.