deem-data/ArtiFact huggingface dataset:
Atjeh, Sumatra, sultan Ala ed-din Mansoer II, kasja, AH  1260 (1844)
Object type: coin
Date: 1854 – 1854
Materials: tin
Techniques: casting
Location: aceh

Tinnen munt. Voorzijde: drieregelig opschrift in Arabische lettertekens. Keerzijde: drieregelig opschrift in Arabische lettertekens, waaronder jaartal in Islamitische jaartelling
Koffiekan van zilver
Object type: miniature
Date: 1650 – 1699
Materials: silver
Location: amsterdam
Artist: Anonymous
Inscriptions: maker's mark: ‘druiventros in rond (Citroen 1975, nr. 1066?)’

Koffiekan van zilver, conisch van vorm, met flauw gebogen tuit over de hele hoogte, scharnierend deksel. Het handvat is in een hoek van negentig graden ten opzichte van de tuit geplaatst.
Agate oval seal
Object type: intaglio
Date: 600 – 501
Materials: stone
Culture: greek
Subjects: goats
Portret van baron Joseph Friedrich von Retzer
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Neue Bibliothek der schönen Wissenschaften und der freyen Künste. Leipzig: Johann Gottfried Dyck II, 1799.
Portret van Victor Hartman in kostuum
Object type: cabinet photograph
Date: 1867 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Subjects: stage costume, historical persons, portrait of actor, actress
Inscriptions: annotation: ‘Victor Hartman/ 1839-1898’, inscription: ‘GUST. JOOP & COMPs/ Fotografi Atelier/ STOCKHOLM/ Wahrendorffsgatan No. 10/ 3 tr. upp.’
Gezicht op het Landgericht en de Alexanderplatz, Berlijn
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: court building, village square, place
Inscriptions: title: ‘Alexander-Platz.’, inscription: ‘Vrijdag den 16de Aug 1901’, title: ‘Das neue Landgericht am Alexanderplatz.’

Deze fotomechanische afdrukken maken deel uit van een album.
Gezicht op Bethlehem
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: city-view in general; 'veduta'
Titelpagina voor: Famiano Strada, Het Tweede Deel Der Nederlandsche oorlogen, 1649
Object type: titelblad, titelpagina
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sitting figure - aa - female human figure, weapons, (military) flags and standards
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelpagina voor: Strada, Famiano. Het Tweede Deel Der Nederlandsche oorlogen. Amsterdam: Ravesteyn, Nicolaes van, 1649.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 206 van dit album.
Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse)
Object type: medal
Materials: bronze
Artist: bertoldo di giovanni
Artist role: artist
Artist nationality: italian
Artist dates: 1430 – 1491
Subjects: men,medals,chariots

Bertoldo based this likeness on a medal by the Venetian artist Gentile Bellini, who had also painted the Ottoman sultan’s portrait. Mehmed favored Italian medalists, perceiving their art form as a way to emphasize his rightful lineage among the emperors of Byzantium and ancient Rome. This medal, Bertoldo’s largest and only signed example, was a gift from Lorenzo de’ Medici in flattering recognition of the sultan’s military victories. On the reverse, a triumphant horse-drawn chariot is led by Mars, the god of war, carrying a trophy, an allusion to Mehmed’s planned territorial conquests. Standing on a pedestal, the sultan grasps a rope tied to three crowned female figures, representing his abduction of the territories under his rule: Asia, Greece, and Trebizond (an empire occupying the southern coast of the Black Sea). Mehmed associated himself not with the rulers of the Holy Roman Empire but with the entire line of emperors from ancient Rome and Byzantium.
Peach Blossoms
Object type: painting
Date: 1878 – 1878
Materials: canvas, oil
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: people, fashion, landscapes, portraits
Inscriptions: signed, lower right, with monogram: "W H / 1878"

Winslow Homer often depicted scenes of leisure in his early career. This painting features a young woman looking at burgeoning peach blossoms, indicating both early spring and perhaps her youth. The setting, which often recurs in Homer's oeuvre, reflects nostalgia for a fading rural past. Contemporary critics referred to the artist's style at this time as independent of foreign influences, suggesting an inherently American quality. However, his stylistic decisions link this work to both French and Japanese art. Impressionism inspired Homer's use of a lighter palette, and the attention to linearity in the tree is reminiscent of Japanese calligraphy. The painting thus serves as visual evidence of the global artistic exchange of the late 19th century.
Overzicht van zes foto's ter illustratie van huilende baby's en kinderen
Object type: photomechanical print
Date: 1868 – 1873
Materials: paper
Techniques: photograph
Subjects: child, morphology of facial expression, crying, shouting
Inscriptions: inscription: ‘Pl.1’
Mr. Stewardson the Artist
Object type: print
Materials: paper
Techniques: lithograph
Location: unknown place
Artist: b. oakley
Slapende monnik door een non met een haardtang gewekt
Object type: print
Date: 1655 – 1699
Materials: paper
Techniques: mezzotint
Artist: jan van somer
Artist role: draughtsman, print maker
Artist dates: 1645 – 1699
Subjects: monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228

Een non grijpt een slapende monnik bij zijn geslachtsdeel met een haardtang.
Jachttrofee
Object type: print
Date: 1763 – 1793
Materials: paper
Techniques: printmaking
Location: paris
Subjects: hunting trophies
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een landschap tegen een ruïne een jachttrofee met geschoten wild, geweren, speren en jachthoorns.
Portret van Girolamo Segato
Object type: print
Date: 1822 – 1851
Materials: paper
Techniques: printmaking, etching
Location: italy
Artist: sante martire
Artist role: print maker
Artist dates: 1771 – 1851
Subjects: physicist, historical persons, physiology and anatomy (+ portrait of scholar, scientist), science and technology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Boer en boerin van Schouwen
Object type: costume print
Date: 1813 – 1813
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: netherlands
Subjects: going to the market, farmers, farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), carrying something in basket, bag, rucksack, etc., clothes, costume (+ men's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Boer en boerin van Schouwen samen onderweg naar de markt in Zierikzee. Bij de prent zit ook een blad met de Franse titel. Onderdeel van de verkleinde kopieën uit 1812 naar de platen van Nederlandse klederdrachten uit de jaren 1803-1807. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht.
Shoe (Toe)
Object type: textile
Date: 1501 – 1600
Materials: leather
Location: england
Portable Reliquary of Saint Vincent
Object type: reliquary
Materials: enamel, silver, wood
Culture: french
Recueil de gravures à l'eau forte, dont plusieurs d'apres Hobbema, par P.F. de Noter
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Location: ghent
Subjects: watermill in landscape, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Toilet box
Object type: box
Date: 1750 – 1760
Materials: copper, enamel
Portret van een vrouw
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: tony rouge
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘MAISON V. PLUMIER/ TONY ROUGE/ Successeur,/ 36, Rue Vivienne/ PARIS/ AVIS IMPORTANT/ Tous les cliches sont conservés et peuvent donner/ des épreuves agrandies jusqu'a la grandeur/ nature sans avoir à poser de nouveau.’
Enteromorphia compressa, ß prolifera
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Tile
Object type: tile
Date: 1601 – 1625
Materials: earthenware
Techniques: glazing
Subjects: lotuses
Portret van Carl Friedrich Trier
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, picture, painting, frame of painting, etc.
Inscriptions: collector's mark: Lugt 2228
A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice
Object type: drawing
Date: 1743 – 1743
Materials: ink
Techniques: pen
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: boys,crowd
Caudle Cup
Object type: metalwork
Date: 1690 – 1690
Materials: silver
Location: boston
Artist: jeremiah dummer
Subjects: dining, drinking
Inscriptions: Engraved on one side of of cup in script: MJ / to / AFA
Maker's mark on side, in heart with fleur-de-lis below: I.D
Sketchbook of Figure Studies
Object type: sketchbook
Date: 1810 – 1820
Materials: cardboard, fiber, graphite, ink, paper
Techniques: drawing, wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,women,female nudes

Sully arrived home from a year's study in London on April 16 and precisely three months later purchased a fat sketchbook. The top of the first sheet in the book is inscribed “Sketches from different Masters / TS / Philadelphia July 16, 1810.” This notation suggests that Sully intended to continue his study of European art at home. The hundreds of drawings on both sides of eighty-three sheets cover a wide variety of subjects. A site of inspiration and study, the book contains drawings after works by David, possibly Michelangelo, Reynolds, Rembrandt, Van Dyck, and other European masters, for the most part taken from prints. Sully was not slavish in using his sources; he took incentive from other artists and obviously felt free to rearrange compositional elements. Only a few of the drawings in the sketchbook can be linked to oils by Sully. Rather, they record his ideas and concepts--paths not always taken--executed to satisfy the artist’s ambition and to challenge his talent and intellect. This image represents one of 166 pages in this sketchbook.
Portret van Johann Anton Leisewitz
Object type: print
Date: 1820 – 1880
Materials: paper
Techniques: lithograph
Location: braunschweig
Subjects: theatre, theatrical performance, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een jongeman
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: youth, adolescent
Inscriptions: inscription: ‘A. Greiner/ Photograf/ Nieuwendijk L.87/ Amsterdam’
Portret van Jan van der Heyden
Object type: print
Date: 1784 – 1826
Materials: paper
Techniques: engraving, etching
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: painter, print maker, draughtsman, jan van der heyden, historical persons, portrait, self-portrait of painter
Inscriptions: number: ‘586’
Warabi no Eki, Todogawa Watashi
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Subjects: cranes,men,horses,rivers,boats
Portret van Ludwig Gustav von Thiele
Object type: print
Date: 1810 – 1830
Materials: paper
Techniques: lithograph
Location: magdeburg
Artist: helmuth
Artist role: print maker
Subjects: politician, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Cup and Saucer
Object type: cup and saucer
Date: 1876 – 1876
Materials: earthenware
Culture: american
Location: united states
Artist: glasgow pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1856 – 1906
Subjects: coat of arms
Mrs. A. Otis
Object type: painting, miniature
Date: 1835 – 1835
Materials: ivory, watercolor
Culture: american
Subjects: portraits,women
Kleine architecturale perspectief gezichten
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: architectural representations in general, pond, pool, courtyard

Gezicht op de binnenplaats van een paleis met een vijver waarin eenden zwemmen. Deze prent maakt deel uit van een album.
Twee portretbustes van Romeinse vrouwen
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture

Twee portretbustes van Romeinse vrouwen, wellicht Faustina en Crispina. Op beide bustes het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Portret van Filips Willem, prins van Oranje
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: buren, bruges, filips willem (prins van oranje), neck-gear ~ clothing (with name) (+ men's clothes), armour, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963

Hij draagt een harnas en een lint met de Orde van het Gulden Vlies. In het kader een tweeregelig onderschrift in het Latijn.
Allegorical Figure of Purity with a Unicorn and Two Putti (recto); Study of the Same Figures (verso)
Object type: drawing
Date: 1642 – 1642
Materials: chalk, paper
Techniques: brush, wash
Artist: baldassarre franceschini (il volterrano)
Artist role: artist
Artist nationality: italian
Artist dates: 1611 – 1690
Subjects: women,unicorns,putti
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 18 april 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date
Glass conical beaker or lamp
Object type: beaker or lamp
Date: 301 – 500
Materials: glass
Culture: roman

Colorless with pale green tinge; translucent cobalt blue blobs. Thick, uneven, cracked off rim, with slightly inverted lip; conical body with slightly concave side; small, rounded bottom with slight indentation. Three horizontal bands of cut decoration on body: immediately below rim, a single broad groove; a second similar groove also on upper body; and the third band comprising fine wheel-abraded lines on lower body. Between the second and third cut bands, a band of applied blobs in relief comprising two single large blobs alternating with two groups of six smaller blobs arranged in a downturned triangular pattern. Complete, except for a weathered chip in rim and two large cracks running from rim down body; a few bubbles, mainly in blobs; dulling, slight pitting, and patches limy encrustation, weathering, and iridescence. Conical vessels of this type have been excavated with traces of oil remaining and in circumstances indicating that they were used as lamps. The vessel would have hung in a metal support and would have been nearly filled with water. The oil and wick would have floated on top.
Charles Baudelaire (French poet, critic, and writer, 1821-1867)
Object type: photograph
Date: 1863 – 1863
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: etienne carjat
Subjects: collected by hugh edwards, paris, contemporaine littéraire

Although the French poet Charles Baudelaire had disparaged photography as a refuge for failed painters and condemned society for rushing “like Narcissus, to contemplate its trivial image on a metallic plate,” he posed for his own portrait several times. Etienne Carjat, a draftsman turned photographer who had opened a commercial portrait studio in 1860, produced this image of a brooding Baudelaire, which became famous well beyond the poet’s lifetime. It was included in La galerie contemporaine, a series of 241 portraits of significant figures in the arts, science, and politics produced by leading Parisian photographers. Issued in regular installments between 1876 and 1884 by Goupil et Cie., the series included biographical text along with a photograph rendered as a woodburytype, an ink mass-production printing process acclaimed for its rich tones and resistance to fading.
Série 47
Object type: photomechanical print
Date: 1896 – 1906
Materials: cardboard
Techniques: photograph
Location: ghent
Subjects: landscapes, rock-formations
Reclining Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure - aa - female human figure

Ze ligt op haar buik met een opgetrokken been. Haar handen liggen onder haar hoofd. Blad 16 verso uit schetsboek II met 23 bladen.
The Spaghetti Eaters (Columbine and Pulcinella)
Object type: figure group
Date: 1750 – 1750
Materials: enamel, gold, soft paste porcelain
Techniques: polychrome
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: food,men,women,eating
Piece
Object type: piece
Date: 1791 – 1815
Materials: cotton
Artist: gorgerat frères et cie
Artist role: manufactory
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Two fragments from kylikes, each with a thin line of reserve on the exterior
Portret van Ahmed, bey van Tunis
Object type: print
Date: 1837 – 1899
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: head-gear: turban

Portret van Ahmed in een ovale omlijsting. Hij draagt een tulband. Daar omheen een aantal allegorische objecten. In een kader zijn naam en titel.
Microscopische weergave van gele kina
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XVI’
Masquerades and Operas
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Artist: william hogarth
Artist role: draughtsman, painter, print maker
Artist dates: 1697 – 1764
Subjects: recreation, amusement, operetta, musical, 'singspiel', pantomime, dumb show, masque, political caricatures and satires, london
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels in de ondermarge. Links begeleidt een duivel een menigte van een maskeradebal, georganiseerd door John James Heidegger, naar de opera, rechts een lange rij voor de entree van het Rich's Lincoln's Inn Fields Theatre waar Doctor Faustus wordt uitgevoerd. Achteraan de Royal Academy of Arts in het huis van Lord Burlington in Piccadilly Londen, waar slechts drie mannen naar kijken. Deze prent impliceert een verschil tussen hoge en lage cultuur en 'de slechte smaak' in Londen.
Men of mark
Object type: book
Date: 1880 – 1880
Materials: cardboard, linen, paper
Techniques: printing, woodburytype
Location: london
Artist: thompson cooper
Artist role: schrijver
Inscriptions: inscription: ‘Booksellers stationers Greene's Library 16 Clare Street Dublin’
Bowl
Object type: bowl
Date: 7000 – 330
Materials: silver
Double collar
Object type: double collar
Date: 1830 – 1839
Materials: cotton
Culture: french
Het Groote Tafereel der Dwaasheid
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: financial panic, street-fights, riots, paris
Inscriptions: collector's mark: Lugt 2228

Gezicht in de Rue Quinquempoix te Parijs waar de windhandel voornamelijk gedreven werd. Opstootjes op straat tussen handelaren en geruïneerde kopers. Prent 16 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Forehead cloth
Object type: forehead cloth
Date: 1600 – 1630
Materials: linen, metal thread, textile, silk
Techniques: embroidery, stitching
Kwartiermuts - klep van jonkheer G.P.C. van Breugel, officier mobiele Noord Hollandse schutterij, ca. 1830-1832
Object type: garrison cap
Date: 1830 – 1832
Materials: leather
Location: netherlands
Artist: Anonymous
Subjects: jonkheer g.p.c. van breugel, koninklijke landmacht, noord-hollandse schutterij, noord-holland

Blauw lakense pet met rode band en bies, leren klep. Afkomstig van Breughel in 1830-1832 1e luitenant : 1e bataljon ; 2e afdeling : mobiele Noord-Hollandse schutterij. Ernstig door de mot aangetast. Pet mankeert?
Portret van Arcangelo Corelli
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Location: england
Subjects: rome, historical persons, portrait of a musician
Inscriptions: collector's mark: Lugt 240
Portret van een meisje
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hannover
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Möhlen & Knirim/ Hannover’
Vier beroepen naar Het Menselyk Bedryf
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘'Gebrandschilderde glazen. Collectie I.S. van der Schaaff, Baarn. Nummer 5 (vijf) inhoudende vier glazen, voorstellende vier ambachten, ongeschonden en heel op 16 februarij 1886.'’

Vier glazen in een houten vatting met handvat. Uiterst links, 'een kuijper' brengt met kuipershamer hoepen om een ton aan. Rechts daarvan: 'een kaarsmaker' tilt de lat met kaarsen uit het bad. Rechts daarvan 'een draijer' zittend achter een houtdraaibank. Uiterst rechts: 'hoedemaker', twee mannen werkend aan een tafel, op de grond enkele hoeden.
Gezicht op Schloss Moyland in Bedburg-Hau, Duitsland
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: bedburg-hau
Artist: Anonymous
Subjects: castle
Studies
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 14 verso uit een schetsboek met 25 bladen.
Cover
Object type: cover
Date: 1701 – 1800
Techniques: lace
Subjects: coat of arms
Chalice
Object type: chalice
Date: 1816 – 1819
Materials: pewter
Culture: american
Location: united states
Artist: timothy bridgen
Artist role: maker
Artist nationality: american
Artist dates: 1774 – 1819
Bronze jar with two handles
Object type: amphora
Date: 1 – 100
Materials: bronze
Culture: roman

The handles have been restored, possibly in antiquity.
Ontvoering van Europa
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water
Inscriptions: collector's mark: Lugt 2228, watermark
Eigendomsmerk van de Koninklijke Bibliotheek Verzameling ex-libris J.F. Verster
Object type: bookplate
Date: 1929 – 1929
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: armorial bearing, heraldry, fruits: acorn
Inscriptions: date
Portrait of Franklin, after Vanloo
Object type: print
Date: 1795 – 1795
Techniques: aquatint
Artist: pierre michel alix
Artist role: artist
Artist nationality: french
Artist dates: 1762 – 1817
Subjects: benjamin franklin,portraits
Sampler
Object type: sampler
Date: 1807 – 1807
Materials: canvas, silk, wool
Subjects: birds,houses,dogs,insignia