deem-data/ArtiFact huggingface dataset:
Design for 6 seat Rockaway, no. 3186a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, parts of two draped figures?
Portret van Ludovicus Wolzogen
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amersfoort, theoloog, hoogleraar, ludovicus wolzogen
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXXIII.
Oud en jong, / uit de dierenwereld
Object type: print
Date: 1903 – 1919
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: cow, animals, fowl (cock, hen, chicken, etc.), rodents: rabbit, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van dieren met jongen, zoals vossen, eekhoorns en schapen. Genummerd rechtsboven: No. 173.
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
Object type: print
Date: 1815 – 1815
Techniques: aquatint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: human figures

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.
Liturgical Box with Enamelled Ornament
Object type: drawing
Date: 1851 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Shawl End
Object type: costume and accessory
Date: 1805 – 1810
Materials: hair, wool
Techniques: patterning, weave
Location: india
Gelderland, duit, 1751
Object type: coin
Date: 1751 – 1751
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: binnen versiering gekroond Gelders wapenschild.
Schets van een schip
Object type: drawing
Date: 1844 – 1844
Materials: ink, paper, pencil
Techniques: pen
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Bell with Archaistic Motifs
Object type: sculpture
Materials: porcelain
Techniques: underglaze
Location: china
Les femmes dans la guerre civile
Object type: news photograph
Date: 1936 – 1936
Materials: photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: madrid, spaanse burgeroorlog

Een republikeins regiment van vrouwen oefent met geweren in de straten van Madrid, 3 augustus 1936 tijdens de Spaanse Burgeroorlog. Op de achterzijde een stempel en blaadje met perstekst in het Frans.
Gezicht op de Korte Prinsengracht
Object type: page
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses
Inscriptions: collector's mark: ‘11.28’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Prinsengracht, Korte Prinsengracht, Prins Hendrikkade. Zie ook Portefeuille 1: gezichten van het IJ op de stad.
Portret van Henri de la Ferté-Senneterre
Object type: print
Date: 1665 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Met drieregelig onderschrift in het Frans.
Howe Sound, Above Vancouver (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: mountains
Autre vuë du Palais du Temple du côté du jardin
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, ornamental plants, palace
Gretchen in prayer before the Mater Dolorosa (recto). Studies of a Gretchen, a bearded male head, and other figures (verso)
Object type: drawing
Date: 1828 – 1831
Materials: chalk
Artist: theodor richard edward von holst
Artist role: artist
Artist nationality: british
Artist dates: 1810 – 1844

Romantic literary and fantastic subjects predominate in Von Holst’s oeuvre, derived from authors such as Virgil, Dante, Shakespeare, and Victor Hugo. He turned most often to Goethe’s Faust, and the present image shows Gretchen praying to a figure of the Mater Dolorosa in a niche. Von Holst’s precocious talent was recognized by Thomas Lawrence, who bought a drawing from the youth when the latter was ten years old. After taking lessons from Henry Fuseli, Von Holst entered the Royal Academy Schools at the age of fourteen in 1824. Fuseli remained a strong influence stylistically and the works of the two artists have often been confused. In 1959, an album assembled by John Welch Etherington Rolls (1807-1870) appeared at auction containing drawings by both artists, and subsequent research allowed a core group to be securely ascribed to Von Holst, the present sheet among them.
Brisé-waaier met goudlak op fond van groene lak met een centrale cartouche waarin figuren in een landschap of tuin met paviljoens, waar omheen blad- en bloemmotieven
Object type: brisé fan
Date: 1880 – 1880
Materials: paint, lacquer, wood
Techniques: cutting, lacquer
Location: china
Artist: Anonymous

Op de voorkant: binnen de centrale cartouche een landschap met treurwilg, bananenbomen, bamboe en prunus met uitwaaierende takken. Op de voorgrond water met rotsen. Van de drie figuren hebben één man en één vrouw een waaier in hun hand, de andere man (met snor) zit tussen hen in op een rots en lijkt de interactie tussen de anderen gade te slaan. De vrouw draagt een ingewikkelde haartooi en is op verschillende plekken aangezet met rode verf. Op de achterkant: binnen een vergelijkbaar landschap is rechts een ommuurd hutje zichtbaar met de vrouw kijkend over het lage muurtje. In het midden zit de man met snor op een krukje en kijkt naar de vrouw, terwijl links een man met een gevulde schaal al weglopend achterom kijkt. Ook nu weer een paar toetsen rood in de figuren. De randversiering van blad- en bloemmotieven is op de voor- en achterkant gelijk, evenals op de buitenbenen. Metalen sluitpin met metalen schijfje.
Seated Male Near Female
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, paper
Location: england
Artist: johann zoffany
Artist nationality: english
Artist dates: 1733 – 1810
Utilizing a little of the burning Sun of South Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: pipe ~ tobacco, officer
Inscriptions: number: ‘257’, inscription, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’
Plate
Object type: plate
Date: 1501 – 1600
Materials: earthenware
Techniques: luster painting, glazing
Subjects: flowers

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Koepel van de Izaäkkathedraal in Sint-Petersburg
Object type: photograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: parts of church interior: dome
Fragment van een grafzerk met beeldhouwwerk
Object type: fragment
Date: 1497 – 1497
Materials: stone
Location: berne
Subjects: bern (gelderland)

Fragment van het middenveld van de grafzerk van Arent van Malsen. Op het fragment is een band met noppen afgebeeld (deel van de helm). Het fragment hoort bij zeven fragmenten van een incomplete grafzerk (BK-NM-8657-B-1 t/m BK-NM-8657-B-8).
Kampen en goudhoudende kreek
Object type: photograph
Date: 1898 – 1902
Techniques: albumen print
Location: suriname
Subjects: suriname

Kampen van arbeiders in de goudwinning bij een kreek.
Etage - Cabagie
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: ieper
Artist: hector heylbroeck
Artist role: fotograaf
Subjects: interior of the house, hotel, hostelry, inn
Inscriptions: number: ‘Planche XXVIII’, inscription: ‘Ypres.’

Deze prent maakt deel uit van een omslag met 31 prenten en een katern met teksten.
Ram Amulet
Object type: costume and accessory
Materials: glass
Techniques: casting
Culture: egyptian
Location: egypt
Subjects: animals

Small-scale Egyptian figurines, known as amulets, were thought to promote health and good luck. Amulets were such an important part of Egyptian religious beliefs that they were worn by both the living and the dead. They could be mounted on rings or strung as bracelets or necklaces and were placed among the mummy wrappings to secure the deceased’s rebirth and well-being in the afterlife. Many varieties of amulets survive, including figures of deities, parts of the human (ordivine) body, animals, plants, and objects of daily life. The ram symbolized of virility and power. The amulet was also a pun: the words “ram” and “soul” were the same in ancient Egyptian, and so by extension, the amulet gave power to the soul of the deceased.
Arbeider in staalfabriek
Object type: drawing
Date: 1894 – 1906
Materials: ink, paper
Techniques: lithograph, pen
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: iron and steel industry

Tekening op een blad met gepersonaliseerde decoratie in de vorm van een anker met monogram, met ruimte voor een paginanummer.
Hoofd van een oude vrouw
Object type: print
Date: 1875 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: old woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘2 etat; Deux épreuves de c'est état AD’
Amulet of a Hare
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hares, animals
Netsuke of Boy with a Fan
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Techniques: lacquer
Culture: japanese
Subjects: fans,boys
Arcade opgericht voor de Sint-Michielsabdij
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Subjects: triumphal arch

Arcade opgericht te Antwerpen voor de Sint-Michielsabdij. Arcade met negen nissen waarboven een balustrade met drie piramides en vijf schilderijen. Onderdeel van de illustraties van de versieringen opgericht te Antwerpen bij de viering in 1685 van het eeuwfeest van de bevrijding van de stad door de hertog van Parma in 1585.
Gedult bringt Uberwindung
Object type: bookplate
Date: 1550 – 1600
Materials: paper
Techniques: engraving
Location: switzerland
Artist: Anonymous
Subjects: flowers, hoofed animals: boar, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233, inscription: ‘Herdruk / Erhardt Clery / Gerster 592’
Theater van bisschoppen, keizers, koningen, hertogen, prinsen, enz.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: diego felipez de guzmán (markies van leganés)
Inscriptions: collector's mark: Lugt 2228

Portret van Diego Felipez de Guzmán, markies van Leganés, ten halven lijve. Hij draagt een harnas en in zijn rechterhand houdt hij een commandostaf, zijn linkerhand rust op zijn helm. Het portret is gevat in een ovale omlijsting met vierkant randwerk. In het kader een tweergelig onderschrift in het Latijn.
IJzeren reliekkist met goudbeslag
Object type: photomechanical print
Date: 1869 – 1887
Materials: cardboard, paper
Techniques: photograph
Location: munich
Subjects: relics (and reliquaries), work of applied art
Inscriptions: check stamp: ‘Bayerisches National-Museum’, collector's mark: Lugt 3937, inscription: ‘Bayerisches National-Museum’, number: ‘No. 30.’
6 september 1938
Object type: gelegenheidsdrukwerk
Date: 1938 – 1938
Materials: paper
Techniques: printing
Location: utrecht
Artist: henk doornekamp
Artist role: schrijver
Subjects: the hague, wilhelmina of the netherlands, netherlands

Drukwerk, uitgegeven ter gelegenheid van het 40 jarig regeringsjubileum van Koningin Wilhelmina in 1938, oranjekleurig papier, eenzijdig bedrukt in blauw, feestvierend figuur naar rechts.
Op weg Stilfser Joch
Object type: photograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: stelviopas
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: dale, valley, bicycle, mountains
Inscriptions: inscription: ‘Op weg Stilfser Joch’

Deze foto maakt deel uit van een groep van 38 foto's.
Fox Stealing a Cock
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: samuel howett
Artist nationality: english
Artist dates: 1765 – 1822
Vijf stukken hout blootgesteld aan wormen, afkomstig uit de haven van Les Sables-d'Olonne, Frankrijk
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: b. crolet
Artist role: fotograaf
Subjects: worms, wood, timber ~ building material
Inscriptions: signature: ‘B. Crolet’, number: ‘Pl. XIX.’, annotation: ‘Sapin rouge du Nord/ (...)/ mètre Cube de bois.’
Leerlingen  van de Werkplaats Kindergemeenschap Bilthoven
Object type: photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: bilthoven
Subjects: amsterdam

Leerlingen van de Werkplaats Kindergemeenschap Bilthoven, ook genoemd de Werkplaats Kees Boeke. De leerlingen zijn bezig met een plak-en kniples.
Side Chair
Object type: side chair
Date: 1825 – 1828
Materials: wood
Culture: american
Location: united states
Artist: lambert hitchcock
Artist role: maker
Artist nationality: american
Artist dates: 1795 – 1852
Koetsier van president Félix Faure
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: four-wheeled vehicle drawn by one animal
Inscriptions: inscription: ‘Le cocher du Président de la République.’
Groep mannen, mogelijk voor Gouvernementspaleis in Batavia
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: platinum process
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: anonymous historical persons portrayed in a group, in a group-portrait

Groep mannen (Europeanen), mogelijk voor Gouvernementspaleis in Batavia, het huidige Jakarta. Foto geplakt op blad uit album, op verso bevindt zich nog een foto.
Lezende vrouw op een kruk aan het strand
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: reading, head (human) - aa - female human figure, beach (+ landscape with figures, staffage)

Tevens studies van vrouwenkoppen met hoeden. Blad 32 recto uit een schetsboek met 50 bladen.
Duitsland
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: photograph
Artist: Anonymous
Subjects: germany
La séduction
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: toulouse
Subjects: clothes for special purposes, courting
Inscriptions: collector's mark: Lugt 2228

De serie bestaat, zo meldt Béraldi, uit 4 prenten. Dit is prent 3.
White Chapel Cart #3340
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Johannes Jacobus Franciscus Wap
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: johannes jacobus franciscus wap, bookshelves, historical persons, book - mm - book open

Handtekening onder portret in facsimile.
Portret van Jacob Brucker
Object type: print
Date: 1724 – 1767
Materials: paper
Techniques: engraving
Location: augsburg
Artist: johann jacob haid
Artist role: print maker, publisher
Artist dates: 1704 – 1767
Subjects: augsburg, jacob brucker, theologian, historical persons, book, armorial bearing, heraldry

Andere staat van de prent verschenen in: Brucker, Jacob. Bilder-sal heutiges Tages lebender und durch Gelahrheit berühmter Schrifft-steller. Augsburg: Johann Jacob Haid, 1741.
Portret van Hubert van Giffen
Object type: print
Date: 1664 – 1732
Materials: paper
Techniques: engraving
Subjects: buren, prague, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Wehrmacht militairen bij een huis
Object type: photograph
Date: 1940 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war, netherlands

Wehrmacht militairen en een vrouw staan en zitten voor een huis. Links staat een witte bank.
View of the Diwan-i-Khas at Agra Fort, Uttar Pradesh, India
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: agra
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘45’, title: ‘Agra-Fort. Dhiwan-i-Khas -(Hall of private audience) in Palace’

Diwan-i-Khas was een privé-audiëntiezaal in een paleis of fort.
Gezicht op sociëteit Amicitia in Leeuwarden
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: parts of church exterior and annexes: campanile, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘af. C. W. Mieling’, collector's mark: Lugt 2228

Blik op de Wirdumerdijk vanuit het zuiden. Rechts de sociëteit en op de achtergrond de Nieuwe Toren.
Design for a Four-poster Bed with Pink, Brown and White Draperies
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: beds
Bergen aan de Maas
Object type: sketchbook leaf
Date: 1840 – 1841
Materials: paper, pencil
Location: meuse
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: annotation: ‘Maas’

Blad 16 verso uit een schetsboek met 41 bladen.