deem-data/ArtiFact huggingface dataset:
"He smothers her": plate 13 from Othello (Act 5, Scene 2)
Object type: print
Techniques: printmaking, engraving, etching
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: bedrooms,shakespeare,men,women

In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, Othello smothers Desdemona, convinced by the jealous Iago that she is an adultress.
Anthropomorphic Figure
Object type: figure
Date: 500 – 300
Materials: bronze
Culture: indonesian, sumatran
Subjects: mythical creatures
Draperie
Object type: drawing
Date: 1899 – 1899
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: drapery, draped garment, 'gewandgebung'

Mogelijk een voorstudie voor het schilderij 'David en Saul' dat zich in het Groninger Museum bevindt.
Studie voor spotprent 'Motie van orde van den Heer van Kerkwijk', 1878
Object type: cartoon
Date: 1878 – 1878
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: johan michaël schmidt crans
Artist role: draughtsman, print maker
Artist dates: 1830 – 1907
Subjects: politician, archer's weapons: bow and arrow, political caricatures and satires, netherlands
Inscriptions: inscription: ‘van hem die geen minister werd / aan den Minister’

De politicus J.J. van Kerkwijk schiet een pijl al op een andere zittende politicus, een minister. Schets voor een spotprent in De Nederlandsche Spectator, nr. 16, april 1878.
Dreadful Wreck of the Mexico on Hempstead Beach, January 2nd, 1837 – As Now Exhibiting at Hanington Dioramas–Perished in All–115 Souls.
Object type: print
Date: 1846 – 1856
Techniques: hand coloring, lithograph
Artist: h. sewell
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1837
Subjects: men,oceans,waves,storms,ships

A ship, the Mexico, is tossed in ocean waves during a storm. In the foreground five men on shore attempt to throw ropes to the crew in a lifeboat at left.
Card Number 105, Miss Angele, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: geese,men
Held wordt door Bellona de wapens aangegeven
Object type: book illustration
Date: 1760 – 1760
Materials: paper
Techniques: etching
Subjects: men of name and fame, heroes, 'homines illustres', 'uomini famosi', bellona (enyo)
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Poësies diverses. Sanssouci, Frederik de Grote, 1760.
Bowl decorated with phoenixes and clouds
Object type: bowl
Date: 1301 – 1333
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Culture: korean
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1765 – 1849
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: william v (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Three Borders
Object type: textile
Date: 1801 – 1900
Materials: cotton, lace
Techniques: lace
Location: belgium
Geit en een kip
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: fowl (cock, hen, chicken, etc.), goat

Blad 18 recto uit een schetsboek met 73 bladen.
Winds & Waves
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: women,beaches
Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1553 – 1553
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: animals,weapons,men,women

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 136 in the scrapbook.
Ewer
Object type: ewer
Date: 1501 – 1600
Materials: glass
Subjects: dragons

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Park van slot Karlberg met op een heuvel de jachttempel Dianeberg
Object type: album leaf
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: stockholm
Subjects: garden, karlberg palace
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Two-handled Jar with Lid
Object type: vase with lid
Date: 1 – 200
Materials: faience
Location: egypt

Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates. Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art, if anything, increased. However, multiple cultural influences were t play, and their reconciliation differed, depending on the identity of the patron and on whether personal, public, religious, or funerary purposes were in question.
Landingsplaats bij Nieuw-Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1910
Materials: cardboard
Techniques: autotype
Location: paramaribo
Artist: Anonymous
Subjects: pier, quay, wharf, suriname
Inscriptions: serial number: ‘No. 38. Uitgevers C. Kersten & Co., Paramaribo’

Landingsplaats bij Nieuw-Amsterdam, mensen op de kade, boten op het water. Onderdeel van een verzameling van 68 briefkaarten uit Suriname, bijeengebracht in een album als aandenken aan een verblijf in Suriname in september 1911.
Snuffbox
Object type: snuffbox
Date: 1701 – 1800
Materials: gold, onyx
Subjects: eagles,peacocks
Ein ney Furmbüchlein, Page 14, verso
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Portret van een onbekende man en vrouw
Object type: cabinet photograph
Date: 1864 – 1913
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: adult woman, studio requisites ~ photographer, adult man
Inscriptions: name: ‘Fr. Jul. von Kolkow Hof-Photograaf Groningen Groote Markt.’
Portret van Markus Fugger met ornamentrand
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Subjects: augsburg, mayor, marcus fugger (baron van kirchberg en weissenhorn), scrollwork, strapwork ~ ornament, historical persons, ornament ~ cartouche, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Beurs, bestaande uit twee harten van plaatzilver
Object type: knottepong
Date: 1620 – 1640
Materials: gold thread, silk, silver
Techniques: repoussé
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘Gewenschten Strijd Combat Heureux’

Bruidshart, twee harten van gedreven plaatzilver, zijde, gouddraad ‘Gewenschten Stryd Combat Heureux’ Nederland, ca. 1620-1640 Inv. BK-1978-387
Sabijnse Maagdenroof door Giambologna
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: rape of the sabine women: they are carried off by romulus and his men during a feast, piece of sculpture, reproduction of a piece of sculpture
Pupa Horn
Object type: pupa horn
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian
Location: solomon islands
Annie Boyd, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Vierloops vuursteendraailoopzakpistooltje
Object type: pocket pistol
Date: 1650 – 1655
Materials: iron, ivory, wood
Techniques: engraving, soldering
Location: utrecht
Artist: jan flock
Artist role: geweermaker, pistoolmaker, smid
Artist dates:  – 1688
Inscriptions: signature: ‘Jan flock’
Twee mannen bestuderen de zon en de maan
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: contemplating the firmament, astrologer observing the heavens, contemplation of the moon, 'schwärmen', the heavens (celestial bodies)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Sculptuur van Pasquino
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: italy
Subjects: communication by means of 'statue parlanti', such as marforio and pasquino in rome, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘44’

Sculptuur van Pasquino, naast het Palazzo Braschi, een van de pratende beelden in Rome. Onderschrift in het Latijn. Prent maakt deel uit van een album.
Terracotta dish
Object type: dish
Date: 330 – 300
Materials: terracotta
Culture: greek, south italian, campanian, teano

Stamped, incised and painted decorations.
Yellowstone National Park : Aac color photographs
Object type: book
Date: 1902 – 1902
Materials: paper, photographic process, fiber
Location: detroit
Inscriptions: number: ‘F 376/E/4’

Album met 20 prenten van Yellowstone National Park.
Saint Damian (or Cosmas)
Object type: painting
Date: 1465 – 1480
Materials: panel
Artist: bartolommeo vivarini
Artist role: painter
Artist dates: 1432 – 1499
Subjects: the twin-brothers cosmas and damian(us), martyrs and physicians; possible attributes: box of ointment, cap, gown, lancet, pestle and mortar, urinal

Halffiguur van de heilige Damianus (of misschien Cosmas) in de hand een ronde zalfdoos. Pendant van SK-A-4235.
Terracotta statuette of a nude woman
Object type: statuette of a woman
Date: 300 – 201
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: female nudes,aphrodite

This statuette likely represents the goddess Aphrodite.
Tumbler
Object type: tumbler
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: challinor, taylor and company
Artist role: maker
Artist nationality: american
Artist dates: 1866 – 1891
Dwerg als officier met grote verenhoed en een speelkaart in de hand, 1720
Object type: caricature
Date: 1716 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people

Een kleine mens als officier met grote verenhoed en een speelkaart in de hand. In het onderschrift een vers in het Nederlands. Genummerd rechts midden: 7. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met bloemen. Onderdeel van de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, two fragments with parts of meander
Portret van een vrouw
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: tony rouge
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘[...]/ Jules DESREZ Succr/ de/ TONY ROUGE/ 36, Rue Vivienne, 36/ Paris./ A[...] PORT[...]/ Tous les Clichés sont conservés [...]/ des épreuves agrandies jusqu[...]/ nature sans avoir à poser de no[...]’
Pair of Musician's Chairs
Object type: furniture
Date: 1770 – 1770
Materials: brass, leather, wood
Location: northern italy
Subjects: furniture
Actor Ôtani Hiroji III Possibly as Akaneya Hanshichi in “Snow on Mt. Fuji: The Soga Vendetta” (“Fuji no yuki kaikei Soga”)
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Harpsichord (part of a set)
Object type: harpsichord
Date: 1801 – 2000
Materials: wood
Techniques: gilding, painting
Artist: crescenzio onofri
Artist role: artist
Artist nationality: italian
Artist dates: 1632 – 1712

These panels are the interiors of the instrument cover and keyboard cover of a late 17th-century Roman harpsichord.
Handwerkend meisje
Object type: drawing
Date: 1893 – 1953
Materials: ink, paper
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: manufacturing with yarn
Inscriptions: collector's mark: Lugt 2228, number: ‘1’, :, signature: ‘A. Ladenius.’

Een meisje zit op een stoel te handwerken. Een jongen kijkt mee over haar schouder.
Carpet Fragment
Object type: carpet fragment
Date: 1501 – 1600
Materials: wool
Location: spain

This fragment depicts a variety of vegetal forms, including scrolling leaf and vines along the border, as well as a popular blossom or pomegranate-style design inside an alternating pyramidal merlon border.
Two Human Beings. The Lonely Ones
Object type: print
Date: 1894 – 1894
Materials: copper, paper
Techniques: drypoint, printing, roulette
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
"Burzuya's Mission" Folio 5v, 6r from a Kalila Wa Dimna of Bidpai
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: weapons,men,horses

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Gezicht op het Colosseum te Rome
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Artist: daniël vrijdag
Artist role: draughtsman, print maker
Artist dates: 1765 – 1765
Subjects: colosseum
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2028

De definitieve staat van deze prent is gebruikt als illustratie in: Stolberg, graaf Friedrich Leopold zu. Reis door Duitschland, Zwitserland, Italie en Sicilie, deel II, p. 142. Amsterdam: Johannes Allart, 1799.
Figuren in verschillende houdingen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: adult woman, carrying something, adult man, child

Mannen, vrouwen en kinderen in verschillende houdingen. Sommigen dragen spullen. In het midden een man op een handkar. Blad 8 uit een schetsboek met 11 bladen.
Virgins Receiving their Lamps, from Parable of the Wise and Foolish Virgins
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered upper center: "J Saenredam fecit" and lower center: "3" and below image: "Nox erat ... recreantis olivae."
Gezicht op een straat
Object type: endleaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: architecture, civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘1647/ In messem im/ mortalitatis/ Hic meta doloris’, name: ‘E. van Dijk/ Jansen M'Sant/ [...] Museum’

Rechts een gezicht op een straat met figuren. Links en rechts staan gebouwen. In de verte een boom. Blad 51 uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Portret van Hendrick Laurensz. Spiegel
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël vrijdag
Artist role: draughtsman, print maker
Artist dates: 1765 – 1765
Subjects: amsterdam, hendrick laurensz. spieghel, lyre, cithara, psaltery, book
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795.
Mal uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: mould
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, lead casting, mould; mould: egg-shaped outline, curved, cast design on concave side, single bead with foliate motif, on the reverse handle fitting id. NG 1979-192H3074.
Design for a Set of Candlesticks and a Clock
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: clocks,candlesticks
Nieuwe Nederlandsche kinderprenten
Object type: gameboard
Date: 1865 – 1875
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: rodents: hare, board-games
Inscriptions: collector's mark: Lugt 2760

Bordspel met een speelveld met 49 genummerde cirkels en ruiten met de letters A tot en met M. Boven een haas en onder de voorstelling de spelregels in twee kolommen. Genummerd rechtsboven: No. 100.
Waaiers met ornamenten in houtsnijwerk
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Subjects: fan
Inscriptions: number: ‘VI’, collector's mark: Lugt 2228

Deze prent is mogelijk gebruikt in: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1797, dl. 6.
Cerarius Opifex. Der Wachs-Zieher / oder Wachs kerzler / Wachs-krämer
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 1641, stamp

De wastrekker, op de rug gezien, trekt met behulp van twee raderen lange waskoorden, die hij volgens de tekst, windt om stokken. Links staan twee pekfakkels. Verder maakt hij o.a. zegellak, Spaanse was en kerkkaarsen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Daniel Crommelin Verplanck
Object type: painting
Date: 1771 – 1771
Materials: canvas, oil
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: boys,portraits,squirrels

Verplanck (1762–1834), the scion of a Dutch American dynasty, is shown here at the age of nine, posed at the family’s Hudson Valley homestead, Mount Gulian. He was the eldest son of Judith Crommelin and Samuel Verplanck (39.173). In the painting Copley presented the popular theme of a youth with a trained, gold-leashed pet squirrel, symbolizing patience and diligence in their wealthy owners. The sitter went on to graduate from Columbia College (now University) and become a member of the Whig party in the US Congress. The remarkable perception and clarity of the portrait reveals the hallmarks that made Copley the most successful painter of the upper classes in colonial America.
Bonne renommée vaut mieux que ceinture dorée
Object type: print
Date: 1820 – 1830
Techniques: lithograph
Artist: sébastien coeuré
Artist role: artist
Artist nationality: french
Artist dates: 1778 – 1881
Subjects: couples,men,women