deem-data/ArtiFact huggingface dataset:
Bladzijden met de voorspelling voor de maand maart, 1712
Object type: book illustration
Date: 1712 – 1712
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: february and its 'labours' (+ with zodiacal signs)

Bladzijden in: Den Boeren / Oft Schapers Almanach Voor 't Schrickel Jaer ins Heeren Jesu Christi, 1712. Antwerpen: bij Wed. Slegers 1712. Exemplaar in de Rijksmuseum Research Library (signatuur: 305 G 19).
Sword (Kampilan) with Scabbard
Object type: sword kampilan with scabbard
Date: 1701 – 1900
Materials: steel, wood
Culture: philippine
Location: philippines
Luna met een Kreeft (teken van de dierenriem)
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: cancer (zodiacal sign of june), diana as moon-goddess, i.e. luna (selene), chariot, triumphal car, moon as celestial body
Inscriptions: collector's mark: Lugt 2228, number: ‘52’

Maakt deel uit van een serie van zeven prenten met personificaties van de planeten, tekens van de dierenriem en verbeeldingen van verhalen uit de Metamorfosen van Ovidius.
Figure-top spoon
Object type: spoon
Date: 1751 – 1775
Materials: silver
Artist: ate scheverstein
Artist role: maker
Artist dates: 1693 – 1773
Purple paste paper book cover
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Armchair
Object type: armchair
Date: 1898 – 1898
Materials: wood
Artist: joseph maria olbrich
Artist role: designer
Artist nationality: austrian
Artist dates: 1867 – 1908

Olbrich was one of the most influential architects of the maverick Secession movement in Vienna, which rejected historicism. His best-known building is the exhibition hall he built for the Secession on the Ringstrasse, which carried above its portal the slogan "To every age its art; to art its freedom." He designed this chair for a suburban home outside Vienna.
Perrare. Antoine. 53 ans, né à St Diaur (Rhône). Mécanicien. Anarchiste. 10/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Sugawara no Michizane Being Exiled to Dazaifu
Object type: screen
Date: 1601 – 1633
Materials: gold leaf, ink, panel, paper
Culture: japanese
Artist: unidentified
Artist role: artist

Sugawara no Michizane (845–903) was a prominent courtier, scholar, and poet of the early Heian court who can be counted among the greatest cultural heroes of ancient Japan. His reputation was only enhanced when, after his death, it was discovered that he had been falsely accused of wrongdoing by rivals in the palace and denied promotion in the court hierarchy despite unrivaled qualifications. This screen shows Michizane after he had been demoted to a low-ranking office—a de facto exile from the court—and reassigned from Kyoto to faraway Dazaifu, on the island of Kyūshū. Tragically, after two years there, he died, having pleaded his innocence to the end.
Portrait of an Old Man
Object type: drawing and watercolor
Date: 1467 – 1500
Materials: charcoal, paper
Techniques: brush, stumping
Location: italy
Artist: attributed to francesco bonsignori
Artist nationality: italian
Artist dates: 1460 – 1519

This moving portrait of an old man was made in northern Italy probably in the last decade of the 1400s and is the oldest drawing in the Gray collection. The man’s highly realistic unshaven chin, wrinkled flesh, sunken cheeks and eyes, and thinning hair exemplify the Renaissance desire to be truthful to nature.

About this drawing, collector Richard Gray once observed, “Everything about it is masterful—the way it depicts a unique individual in the fullness of his individuality, it’s not a type. It has presence.”
Knole House
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: kent
Subjects: country-house
Lineage Portrait of an Abbot
Object type: painting
Date: 1350 – 1350
Materials: textile
Culture: tibetan, central
Subjects: men,portraits,mythical creatures,elephants,buddhism

The abbot portrayed here belonged to the Kagyupa order of Tibetan Buddhism, centered in the Ü (dBus) and Tsang (gTsang) regions of Central Tibet. His distinctive facial features and receding hairline suggest a portrait from life, as does the naturalistic physiognomy. He sits on a radiantly colored lotus throne with his right hand in the earth-touching bhumisparsa mudra, emulating the posture of the historical Buddha Sakyamuni at his moment of awakening, rather than the usual preaching gesture (dharmachakra mudra). This sets the portrait apart and points to the lama’s status as a revered spiritual teacher. His lineage of teachers is shown above. Indian pandits occupy the roundels while below are protectors and directional guardians, as well as a monk, shown holding a gilded censer, likely the commissioner of this portrait.
The Relief of Candia
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: brush, wash
Location: france
Artist: charles le brun
Artist role: artist
Artist nationality: french
Artist dates: 1619 – 1690
Subjects: battles,shields,swords,men
Engeland, George I, shilling, 1723
Object type: coin
Date: 1723 – 1723
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gelauwerd borstbeeld van de koning naar rechts. Keerzijde: rondom kruis binnen cirkel, waaromheen stralen, vier in kruisvorm geplaatste gekroonde wapenschilden. In de hoeken letters SS en C [=South Sea Company]. Jaartal bovenaan in omschrift. Kabelrand.
Head of a woman
Object type: medallion
Date: 1801 – 1900
Materials: brass, ivory
Subjects: profiles,women
Gezin kijkt naar twee dansende poppen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Subjects: (playing with) dancing dolls, family, relationship, descent
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Pathfinder Illustration
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob smies
Artist role: draughtsman, painter
Artist nationality: dutch
Artist dates: 1746 – 1833
Portret van Dorothea Coymans-Berck
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Bowl with moulded bands
Object type: bowl
Date: 1100 – 1299
Materials: earthenware, glaze, quartz
Techniques: firing, molding, vitrification
Location: iran
Artist: Anonymous

Kom van kwarts-fritgoed bedekt met een monochroom turquoise glazuur; vier gemodelleerde banden met vlechtwerk op de buitenwand.
T-Cart Phaeton #1057
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Scent bottle with two doves
Object type: scent bottle
Date: 1765 – 1770
Materials: copper, enamel
Subjects: birds
Aus A. Hendschel's Skizzenbuch
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: downpour, rain shower, adult man
Inscriptions: number: ‘16’, monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Gezicht op een dorp van een Dajakvolk op Borneo met kinderen voor een huis
Object type: photomechanical print
Date: 1883 – 1894
Materials: paper
Techniques: photograph
Location: borneo
Artist: Anonymous
Subjects: village, borneo
Portret van Nicholas Lanier
Object type: print
Date: 1630 – 1674
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: nicholas lanier
Inscriptions: collector's mark: Lugt 240

Portret van de Engelse componist en kunstenaar Nicholas Lanier.
Sir Charles Wentworth Dilke
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader
Strijdende soldaten in een rotsachtig landschap
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ during the battle), division of armed forces (+ land forces), firearms: rifle, rocks
Inscriptions: workshop stamp: Lugt 291d

Blad 19 recto uit een schetsboek met 32 bladen.
Bilder-Akademie für die Jugend
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: samson kills the lion with his bare hands, (7) the cretan bull is captured by hercules, bee-hive
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie encyclopedische prenten door verschillende kunstenaars naar ontwerp van Daniel Nikolaus Chodowiecki bij Johann Sigmund Stoy's 'Bilder-Akademie für die Jugend', uitgegeven te Neurenberg in 1784.
De prenten waren bedoeld voor kinderen om uit te knippen, op kaarten te plakken en vervolgens op logische wijze te rangschikken (zie Heesen, Anke te. The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. Chicago: University of Chicago Press, 2002).
Portret van een onbekende man
Object type: semi enamel
Date: 1854 – 1865
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: maastricht
Subjects: adult man, anonymous historical person portrayed, maastricht
Inscriptions: inscription: ‘No.../ Photographie/ P. Weynen & Fils/ Rue du Casque, 1776./ Maestricht./ Les clichés sont conservés.’, inscription: ‘P. Weynen & Fils/ Maestricht.’
Portret van Johann George I van Saksen
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: johann george van saksen (i), historical persons, ruler, sovereign

Prent met andere tekst op verso gebruikt in: Danckerts, Cornelis I. Historis oft waerachtich verhael van den gantschen toestant van oorlooge (...). Amsterdam: Cornelis Danckerts I, 1642, dl. 1, p. 9.
Gezicht op Slot Rosenthal
Object type: book illustration
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Broesbes, Jean-Baptiste. Vues des Palais et Maisons de Plaisance de Sa Majesté le Roy de Prusse. Augsburg: Johann Georg Merz, 1733.
Design drawing
Object type: drawing
Materials: gouache, graphite, ink
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: flowers,leaves
Vijf heren op een roeiboot
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Vijf heren bevinden zich op een roeiboot. Twee voeren staand in het midden van de boot een gesprek. Prent linksboven gemerkt: XXIV.
Mexico
Object type: print
Date: 1835 – 1863
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, village square, place
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Meyer, Joseph. Meyer's Universum. Hildburghausen: Bibliographisches Institut, 1835-1863.
The Reels of Gutta-percha Covered Conducting Wire Conveyed into Tanks at the Works of the Telegraph Construction and Maintenance Company, at Greenwich
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: men,working,machines,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. This watercolor by Dudley shows specially insulated wire cable being prepared at Greenwich, east of London on the Thames. A core of seven strands of pure copper wire was insulated by gutta-percha, a tropical resin, and adhesive, and then covered with preserved hemp twisted with steel wire then an outer layer of manila yarn. This composite line weighed 4,000 pounds per nautical mile and took nearly a year to manufacture. Part of a series documenting the long, arduous process, this image was reproduced as a color lithograph in William H. Russell's 1866 book "The Atlantic Telegraph" (92.10.100 and 61.536.5). In 1892 Field donated art works by Dudley, a copy of Russell's book, commemorative medals, memorabilia, and specimens of cable to the Museum.
Ex libris van Hjalmar Wennerth
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: sweden
Subjects: bookshelves, column, pillar ~ architecture, meadow, pasture, book, sunset
Panel
Object type: panel
Date: 1449 – 1459
Materials: silk
Palazzo Senatorio, stair, upper ramp and entry portal (recto) Palazzo Senatorio, stair, lower ramp and pedestal (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,stairs
Oorlogsschepen
Object type: popular print
Date: 1833 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: a. bouwens
Artist role: bloksnijder, houtsnijder
Subjects: military vehicles (+ sailing-ships), ships (in general)
Inscriptions: collector's mark: Lugt 2760

Blad met 2 voorstellingen van oorlogsschepen. Onder elke afbeelding een vierregelig vers in twee kolommen. Genummerd rechtsonder: N 139.
Chemisette
Object type: chemise
Date: 1790 – 1805
Materials: linen
Culture: british
Hert met bijzonder gewei
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: etching, hand coloring
Artist: johann elias ridinger
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1698 – 1767
Subjects: leopold anton von firmian, hoofed animals: deer, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Ruïne
Object type: drawing
Date: 1828 – 1863
Materials: paper, pencil, watercolor
Techniques: brush
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: ruin of a building ~ architecture
Stenen sjouwende arbeiders
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: working class, labourers, boulder, stone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee mannen in werkkleding en met pet sjouwen stenen. De man links tilt bukkend een steen op, terwijl de man rechts een steen op zijn schouder draagt. Op de achtergrond water.
River Valley with Obelisk
Object type: print
Date: 1560 – 1570
Techniques: engraving, etching
Artist: lucas gassel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1495 – 1500
Subjects: houses,obelisks,bridges,rivers,mountains
Quentin Durward and the disguised Louis XI (recto); Study of male figure (verso)
Object type: drawing
Date: 1825 – 1826
Materials: gouache, graphite, watercolor
Artist: richard parkes bonington
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1828
Subjects: swords,men

Working in Paris, Bonington established new standards for watercolor, and here uses the medium to describe an episode near the start of Sir Walter Scott's "Quentin Durward" (1823). That novel dramatizes a fifteenth-century power struggle between Louis XI and Charles, Duke of Burgundy, and proved more popular in France than Britain when first published. The title character, standing here at right, is a young man of good family who travels to Plessisles-Tours in France to seek employment in the king's band of Scottish archers. After nearly drowning while fording a flooded river, Durward upbraids two onlookers who failed to warn him of the danger. Dressed as merchants, they are in fact Louis XI and Tristan l'Hermite, Marshall of France. The king–calling himself Maître Pierre and sporting red hose–admires the young man's spirit, conveyed in the drawing through his assertive stance. For many years this work was known only through an engraving by Edward Goodall used as a frontispiece in the 1831 set of Waverly Novels published by Robert Cadell.
German Peasants
Object type: photograph
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: farmers, germany
Inscriptions: annotation: ‘German Peasants / from J: Lloyd’

Twee foto's van Duitse boeren. Foto's op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Bead
Object type: bead
Date: 801 – 1900
Materials: gemstone
Location: egypt
Gezicht op Matanzas Fort
Object type: album leaf
Materials: paper
Techniques: platinum process
Location: matanzas
Artist: Anonymous
Subjects: fortifications, military engineering
Strand of Scarab and Scaraboid Beads
Object type: bead, scarab, amenemhat
Date: 1504 – 1447
Materials: faience
Location: egypt
Gezicht in de tuin van Slot Zeist
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2233
Wooden Spindles with Ceramic Whorls
Object type: non art
Date: 1000 – 1476
Materials: ceramic, wood
Location: peru
Brief aan Philip Zilcken
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: frederick keppel
Artist role: criticus, kunsthandelaar
Artist dates: 1845 – 1912
Subjects: painter, philip zilcken, family life
Inscriptions: watermark
Delft / Delphium | urbis hollan | diae
Object type: print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities, delft
Inscriptions: collector's mark, collector's mark: Lugt 1641

Plattegrond van de stad Delft. Midden boven de titel, linksonder een cartouche met de Latijnse titel, rechtsonder een man en een vrouw. Genummerd: 39. Uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: topografie; stadsprofielen.
Khew
Object type: khew
Date: 1867 – 1900
Materials: metal
Culture: burmese
Location: myanmar
De exercitie met de targe en rapier: hoe de soldaat het vizier van zijn helm moet sluiten met de targe en de getrokken rapier in de hand (nr. 7), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, Nassauische Waffenhandelung / Kurtzer Bericht unnd Ahnzeigungh auff die Ab-bildungh der Figuren / den rechten brauch alles des jenigen betreffend / so einem Soldaten von nöten / in der handlung der Targa, met dem Degen [incompleet exemplaar], 1618?, plaat 7. Dit is een Duitse editie van Adam van Breens De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 23).
Mysore [?], India,  cash,1700-1800
Object type: coin
Date: 1700 – 1800
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: in Kanarese cijfers aanduiding: 22. Keerzijde: loodrecht op elkaar staande rechte lijnen.
Collar
Object type: collar
Date: 1801 – 1833
Materials: cotton
Culture: american
Coffeepot
Object type: coffeepot
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: pfalz-zweibrücken porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1767 – 9999
Subjects: flowers
Baltazar Gibert
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving
Location: france
Subjects: bookshelves, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228