deem-data/ArtiFact huggingface dataset:
Groepsfoto op het vliegveld
Object type: album leaf
Date: 1935 – 1935
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: aircraft, aeroplane, airfield, airport, esperanto, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Rotterdam, Zondag 8 Sept. '35’

Albumblad met een groepsfoto van een grote groep mensen poserend voor een vliegtuig op het vliegveld Zestienhoven te Rotterdam, 1935. Waarschijnlijk de Esperanto vereniging. Onderdeel van het Esperanto album uit ca. 1933-1936.
Drop-front secretary (secrétaire à abattant or secrétaire en armoire)
Object type: drop front secretary
Date: 1786 – 1787
Materials: wood, gilt bronze, leather, marble
Techniques: stain, veneering
Artist: guillaume benneman
Artist role: maker
Artist dates: 1711 – 1811
Subjects: caryatids

This secretary was made for the Cabinet Intérieur of Louis XVI at the Palais de Compiègne. The cabinetwork was executed under the supervision of Guillaume Beneman (master 1785). The gilt-bronze mounts were modeled by Louis-Simon Boizot (1743-1809), Martin, and Michaud; cast by Forestier; chased by Pierre-Philippe Thomire (1751-1843), Bardier, and Tournay, among others; and gilded by Galle. Work on the secretary was coordinated by Jean Hauré, entrepreneur des Meubles de la Couronne (active 1774-96). The "eyes" of the marquetry were originally set with gilt-bronze rosettes.
Exterieur van een kerk en vogels op een vliegende steunbeer
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: parts of church exterior and annexes: buttress, church (exterior)

Blad 2 verso uit een schetsboek met 36 bladen.
Gezicht op de Duno van het Drielse Veer
Object type: print
Date: 1904 – 1905
Materials: paper
Techniques: lithograph
Location: doorwerth
Subjects: low hill country, river
Inscriptions: collector's mark: Lugt 2228
Le Lever
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Subjects: child (at home) - aa - girl, maid ~ house personnel, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Galerie Contemporaine/ Ludovic Baschet, éditeur./ 126, boul. Magenta.’
Portret van Emanuel I van Portugal
Object type: print
Date: 1600 – 1670
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, knighthood order of the golden fleece, king
Vierkante kasjmiersjaal met achtlobbige rozet, veelkleurig en versierd met bloesemtakken en dubbelranken
Object type: clothing
Date: 1830 – 1840
Materials: wool
Techniques: weave
Location: austria
Artist: Anonymous

Palmenshawl, geweven van wol , vierkant, met een vol patroon met zwarte fond waarop een grote achtlobrige licht groene binnen rozet met rode, gele vaalblauwe bloempjes, terwijl op het veld open bloesem takken staan, binnen hoekige dubbelranken, met smalle witte buitenrand. Techniek. Keperbinding: De inslag is aan de achterzijde hier en daar gelanceerd, maar het merendeel afgesneden zwarte ketting over de volle hoogte. Patroon: Symmetrisch en hoekig getekend decor op de kruisassen. Groot zwart middenvierkant binnen smalle randen in wit, waarvan de zijranden met de biesjes de dwarsranden oversnijden. De achterzijdige golvende gelobde binnenrozet heeft lichtgroene omtrekken, een witte fond met bloesems in zwartgerand vaalblauw aan zwarte steeltjes, met rode roosjes op de golftoppen en dalen; zij laten tussenliggende spitsovalen vrij in rood met bloesems, uit deze spits en groeien acht bloesemtakken met anjertjes hyacintheen en roosjes Vanuit de hoeken staan grotere anjers in rood met witte omtrekken.Beneden een hoekige rank in mosgroen met roosje, welke een dunne rode rank oversnijdt. Buitenrand met witte fond en grillige hoekige stengels met hyacintheen en roosjes.
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: ja'far baisunghuri
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1400 – 1460
Subjects: calligraphy

In fine Persian manuscripts it was customary to surround the first two pages of the text with illuminated decoration. In this period a very fine blue made from lapis lazuli (a rich source of which was found in Afghanistan, where the city of Herat is now located), in conjunction with gold, was the dominant color. Other colors were used sparingly but with an artistry that greatly enriched the overall effect. Amongst the decorative devices arabesques, floral scrolls, and palmette scrolls predominate. Framing bands and panels with cartouches, as seen here, are characteristic. The flawless quality of the illumination in this manuscript suggests that it might be by the hand of Khalil, a favorite painter of Baisunghur who worked in the royal kitabkhana.
Phaeton #964
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Man aan boord van een schip
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: ships (in general), passengers ~ ship
[Shipping in the Hooghly near Fort, Calcutta]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: ships
Dessert Spoon
Object type: spoon
Date: 1700 – 1800
Materials: silver
Culture: american
Location: united states
Artist: john burt lyng
Artist role: maker
Artist nationality: american
Artist dates: 1758 – 1785
La Défense de Paris
Object type: print
Date: 1883 – 1889
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: hacking and thrusting weapons: sword, monument, statue, paris
Inscriptions: collector's mark: Lugt 2228

Prent naar een monument voor de verdediging van Parijs tijdens de Frans-Duitse Oorlog. Het monument staat op een rotonde in Courbevoie en werd in 1883 onthuld.
Prentbriefkaarten van standbeelden in Hokke-dō op het Tōdai-ji-complex
Object type: photograph
Date: 1925 – 1940
Materials: paper
Techniques: gelatin silver print
Location: nara
Artist: Anonymous
Subjects: temple, shrine ~ shinto, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Hokkedo’

Twaalf prentbriefkaarten van standbeelden in Hokke-dō op het Tōdai-ji-complex in een envelop.
Maria met Christuskind in kribbe
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Pricket Candlestick
Object type: candlestick
Date: 1501 – 1600
Materials: iron
Culture: european
Ontwerp voor een grafmonument of tabernakel
Object type: design
Date: 1530 – 1570
Materials: ink, paper
Techniques: brush, pen
Location: italy
Artist: Anonymous
Portrait of actress, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Ruïne van een huis in Utrecht
Object type: drawing
Date: 1674 – 1674
Materials: chalk, paper, watercolor
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: ruin of a building ~ architecture, rural housing, e.g. country-house, villa, cottage, utrecht
Brougham #3479
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of a Man, perhaps a Member of the Klinkhamer Family
Object type: painting
Date: 1738 – 1738
Materials: copper, oil
Artist: jan maurits quinkhard
Artist role: draughtsman, painter
Artist dates: 1688 – 1772
Subjects: historical persons not known by name
Inscriptions: signature and date: ‘J.M. Quinkhard pinxit 1738. AEt: 46’

Portret van een man, misschien een lid van de familie Klinkhamer. Ten halven lijve, zittend naast een tafel, de rechterhand op een boek.
Temple Guardian (Rakshasa)
Object type: sculpture
Date: 1301 – 1500
Materials: glaze, terracotta
Location: thailand
Nouveaux Livre de Taleaux de Portes, et cheminée Utiles aux Peintres Enfloeurs
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: panelling

Drie panelen. Links boven dragen putti een bloemenmand. Rechts boven een vrouwenbuste op voetstuk geflankeerd door twee putti. Midden onder flankeren een man, vrouw en putti een bloemenvaas op een voetstuk met Diana in medaillon.
Gezicht op de haven van Genua
Object type: photograph
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: harbour
Inscriptions: annotation: ‘Genua - de Haven’
Designs by Alma-Tadema
Object type: album
Date: 1880 – 1885
Materials: paint, leather, paper, pencil, silk, watercolor
Techniques: aquarelle, drawing
Location: london
Artist: anna alma tadema
Artist role: draughtsman, painter
Artist dates: 1867 – 1943
Inscriptions: signature: ‘AT’, inscription: ‘Anna’

Een album in bruin leer met gouden opdruk, dat 36 bladen bevat met ontwerpen voor een fotoalbum, ontworpen in potlood en geschilderd in aquarel. Het schutblad is van zijde.
Stoet gevangenen in landschap
Object type: print
Date: 1660 – 1736
Materials: paper
Techniques: engraving
Location: italy
Artist: domenico rossetti
Artist role: print maker
Artist dates: 1650 – 1736
Subjects: prisoner of war (after the battle)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van twaalf prenten door verschillende prentmakers naar de grisailles door Gerard de Lairesse in Schloss Mannheim van de Triomftocht van Alexander de Grote in Babylon.
Zwaardgevecht met toeschouwers
Object type: book illustration
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: venice
Subjects: land forces, hacking and thrusting weapons: sword, hand-to-hand fighting (~ battle), (scenes from) specific works of literature: tasso, gerusalemme liberata

Prent uit: Tasso, Torquato. La Gerusalemme liberata di Torquato Tasso con le figure de Giambatista Piazzetta. Venetië: Giambatista Albrizzi, 1745.
Leporelloalbum met zeven foto's van Schotland
Object type: accordion book
Date: 1860 – 1880
Materials: cardboard, linen, photographic support, tape
Techniques: albumen print
Location: scotland
Artist: Anonymous
Subjects: castle, study; 'studiolo'; library, bridge, street, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘125’, collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 951’

Leporelloalbum met zeven gezichten op plaatsen in Schotland. Het album bevat zes aan elkaar vastzittende, kartonnen bladen en een afzonderlijk blad met foto's. In principe zou het album moeten bestaan uit twee leporello's die naar links en naar rechts uitklappen, maar de leporello aan de linkerzijde is incompleet en bevat enkel nog het laatste blad. Afgebeeld zijn onder andere gezichten op Edinburgh, Abbottsford en Balmoral Castle.
Houtsnede uit de vijftiende eeuw
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom, mandorla, other birds: dove, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228

Afgebeeld zijn een gekroonde Maria en Christus in een mandorla. Daar omheen engelen, duiven en inscripties.
Fear
Object type: print
Date: 1865 – 1865
Materials: ink, paper
Techniques: etching
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916

Odilon Redon’s fantastically dark sensibility is in full evidence in Fear. A rider protecting a child in his arms gallops past desolate plunging ravines, driven by an unseen threat. Redon’s dramatic etching may refer to the Elfking (Der Erlkönig), a tragic 1782 poem by Johann Wolfgang von Goethe. In that work, a father tries to reassure his anxious, dangerously ill son that the hostile elements that beset them are not elves trying to spirit him away. Though the child dies, the poem remains open to interpretation. Indeed, Redon’s forbidding landscape strongly suggests the presence of supernatural forces only the doomed son could sense.
Saki no Dai-Sojô Jien
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: woodcut
Location: japan
Subjects: courtesan, hetaera, actor (on the stage), spirit, ghost

De geest van de kersenboom, Sumizome, in de vorm van een courtisane, met een bloesemtak in haar hand. Ze staat op het punt de hoveling Kuronushi met de tak op zijn hoofd te slaan, omdat hij de kersenboom om wilde hakken. Deze toneelscene verbeeldt de rivaliteit tussen twee beroemde dichters; Otomo no Kuronushi (met bijl) en de vrouwelijke dichter Ono no Komachi. Scene uit een kabukitoneelstuk. Gedicht door Saki no Dai-Sojô Jien.
Instrumenten van vuursteen waarvan één vergelijkbaar met een vondst in Saint-Acheul
Object type: photomechanical print
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: paris
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: monogram: ‘LEL’, inscription: ‘Ville de Paris. Atelier des Travaux historiques. E. Lacan dir. Procédé spécial photo-lithographique.’, number: ‘Pl. 50’

In steengroeven nabij Saint-Acheul werden in 1837 vuurstenen gereedschappen gevonden. Dit leidde later tot erkenning van het stenen tijdperk als belangrijke ontwikkelingsfase in de menselijke geschiedenis.
Armlet
Object type: armlet
Date: 400 – 100
Materials: copper alloy
Culture: celtic
Cross Terminal
Object type: cross terminal
Date: 1101 – 1200
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Panel (Furnishing Fabric)
Object type: textile
Date: 1851 – 1851
Materials: cotton
Techniques: engraving, glazing, weave, printing
Location: england
Artist: wright & lee
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

The profile of the mouth has two tooled grooves; in between the grooves, there is an egg pattern with dots in the interstices; part of the neck of the stamnos is preserved
Scene from a Drama
Object type: woodblock print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonobu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1702 – 1752
Subjects: men,women,plants,actors
Annotaties
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Jan Steen straat 63 [...]’

Pagina 34 uit een schetsboek met 19 bladen.
Sheath for a Kris
Object type: kris with sheath
Date: 1701 – 1900
Materials: wood
Culture: philippine
Location: philippines
Tiger Attacking an Antelope (Tigre suprenant une antilope)
Object type: statuette group
Materials: bronze
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: hunting,deer,tigers
Ellende van het menselijk bestaan
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Location: haarlem
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: beasts of prey, predatory animals: bear, violent death, being killed; being mishandled and maltreated; seeking death, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

In de voorgrond vechten twee mannen tegen elkaar. In de achtergrond zijn ook mannen aan het vechten. Twee leeuwen en twee beren zitten vreedzaam naast elkaar. Dieren vechten nooit tegen hun soortgenoten, maar de mens grijpt snel naar de wapens om zijn eigen soortgenoten ten gronde te richten. De prent is deel van een serie over de ellende van het menselijk bestaan.
Boerenerf met spelende kinderen
Object type: print
Date: 1769 – 1805
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: jan evert grave
Artist role: draughtsman, print maker
Artist dates: 1759 – 1805
Subjects: farm or solitary house in landscape (+ city(-scape) with figures, staffage), seesaw
Inscriptions: collector's mark: Lugt 2228

Een boerenerf met rechts de boerderij. Links kinderen op een wip
Bosgezicht in Allum Green, en besneeuwd winterlandschap in Pikes Hill, omringd door orchideeën
Object type: print
Date: 1855 – 1900
Materials: cardboard, paper
Techniques: albumen print, lithograph, writing
Location: england
Artist: Anonymous
Subjects: village, forest, wood

Dichtregels van Frederic W. H. Myers en aartsbisschop Robert Leighton van Glasgow.
Prinses Elisabeth van Frankrijk in de gevangenis, 10 mei 1794
Object type: watercolor
Date: 1867 – 1867
Materials: paper, pencil, watercolor
Techniques: brush
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: paris, historical persons, imprisonment, historical events and situations, france
He was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Portret van Thomas de Grey
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Een facsimile signatuur in de ondermarge. Geportretteerde ook bekend onder de naam: Thomas Philip Weddell Robinson, Lord Grantham.
Portret van Alexander von Humboldt
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: berlin, traveler, historical persons, biology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2233
Schotel (zonder afbeelding) met kop met een portret van een dame
Object type: photograph
Date: 1850 – 1949
Materials: ceramic
Artist: Anonymous

Schotel (zonder afbeelding) met kop met een portret van een dame
Titelpagina voor: Dekkers, F., The Practice of Phisick of Dr. Paul Barbett
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: physician, doctor, patient, sick person
Inscriptions: collector's mark: Lugt 2228

Een dokter, Paulus Barbette, voelt een jonge vrouw die voor hem op een stoel zit bij haar pols. Op tafel staan verschillende flesjes en potjes. Links een bed.
Fries met spelende kinderen en putti
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: engraving, etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: children's games and plays, attributes of cupid: bow and arrow, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Fries met negen naakte, spelende kinderen. Zij houden guirlandes en banderollen vast. Links drie putti: een met pijl en boog en een met een fluit.