deem-data/ArtiFact huggingface dataset:
Maria Magdalena bij het graf van Christus
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: unknown
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: angel(s) addressing mary magdalene ~ resurrection of christ, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria Magdalena, wenend bij het open graf van Christus. Haar zalfpot rechts achter haar. De prent heeft een Latijns onderschrift.
Portret van een jonge vrouw
Object type: album leaf
Date: 1882 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: fritz eilender
Artist role: fotograaf
Artist dates:  – 1905
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Fritz Eilender/ CÖLN/ Breitestrasse 86.’
The Fisherman's Dog
Object type: print
Date: 1800 – 1800
Techniques: hand coloring, mezzotint
Artist: samuel william reynolds, the elder
Artist role: engraver
Artist nationality: british
Artist dates: 1773 – 1835
Subjects: dogs
Fragment (From a Border)
Object type: textile
Date: 1575 – 1625
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: italy
Inscriptions: ANO (Year);  LARCA  DI  NOE (The Ark of Noah);  NOE (Noah); NEMANG (C?)
Viering van de kroning van Willem III en Maria te Amsterdam
Object type: history medal
Date: 1689 – 1689
Materials: silver
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), maria ii stuart (koningin van engeland, schotland en ierland), amsterdam

Zilveren penning. Voorzijde: Willem en Maria gezeten op troon met kroon, scepter en rijksappel binnen omschrift. Keerzijde: drie staande schutters met speren en vaandel binnen omschrift
Christus aan het kruis
Object type: print
Date: 1675 – 1727
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: crucified christ with mary magdalene, who usually weeps and embraces the cross
Inscriptions: collector's mark: Lugt 240
Fork and knife
Object type: knife and fork
Date: 1740 – 1750
Materials: porcelain, silver, steel
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: men,flowers
Stadsgezicht van Bern met de Bern Minster en het Münsterplattform
Object type: album leaf
Date: 1880 – 1893
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: inscription: ‘41 Berne ue générale.’

Deze prent maakt deel uit van een album.
La Halle aux Blés, Street Plan
Object type: drawing
Date: 1810 – 1810
Materials: graphite, watercolor
Techniques: pen, wash
Artist: pierre françois léonard fontaine
Artist role: artist
Artist nationality: french
Artist dates: 1762 – 1853
Subjects: maps
One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Object type: food vessel
Date: 1601 – 1633
Materials: copper, iron, stoneware
Techniques: overglaze
Culture: japanese

These unique vessels (1973.80.1–5,) used to serve kaiseki meal prior to the whipped green tea, were inspired by imported wine glasses. They were formed on the wheel and then molded into four-sided shapes before being decorated with V-like motifs, fern scrolls, crosshatching, and plum blossoms against a white slip ground. The glaze drips and variations of the motifs reveal an appreciation of spontaneity.
Peperpot
Object type: photograph
Date: 1891 – 1891
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: gomez burke
Artist role: fotograaf
Subjects: suriname
Inscriptions: inscription: ‘G.B. / Peperpot.’

Gezicht op de huizen op de Plantage Peperpot. Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Fotoreproductie van een gravure van Venus die uit het water stapt
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: bath of venus
Inscriptions: check stamp: ‘MI’
Den Grooten Figuer-Bibel (...)
Object type: album leaf
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: stigmatization of st. francis of assisi: in retreat on mount alverna, he beholds a vision of christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of christ, rocks
Inscriptions: inscription: ‘Het Leven der Essenen’, serial number: ‘6’, number: ‘27’

Rotslandschap met bomen. Op de voorgrond links de Heilige Franciscus. Hij ziet in een visioen het kruis van Christus en ontvangt zijn stigmata. Rechts broeder Leo. In de context van het album en volgens het onderschrift illustreren zij het leven van de Essenen. Deze prent maakt deel uit van een album.
Triomfpoort opgericht in de Kipdorp bij de Sint-Jacobskerk, 1685
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: triumphal arch

Gebruikt als illustratie in: Hondert-jaerigh jubile-vreught bewesen in dese stadt Antwerpen ter oorsaecke vande herstellinge des geloofs in't jaer 1585. door de glorieuse waepenen van sijne catholijcke majesteyt, onder t'beleyt van ... Alexander Farnesius ... / Ghemaeckt ende by-een vergadert door ... Petrus Franciscus de Smidt, Hieronymus Verdussen den jonghere, Antwerpen 1685.
Sint-Salvatorskathedraal te Brugge
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: lithograph
Subjects: church (exterior), bruges
Inscriptions: mark: ‘Dessins de F. Qommius’

Blad met gezicht op de Sint-Salvatorskathedraal te Brugge, afbeelding van een beeld van de Heilige Salvator en geornamenteerde tekst.
Album of the Note on Respect of Elders composed by the Qianlong Emperor
Object type: book
Date: 1736 – 1795
Materials: jade
Culture: chinese

In China, jade albums have a long history that can be traced back to the Tang dynasty (618–907). This album presents an innovation on the form dating to the Qianlong period. On each two-page spread, the text on the right is handwritten in gold pigment on a special dark paper, while on the left-hand page the same calligraphy is incised on a jade plaque. The book reflects the meticulous way artists in the eighteenth-century imperial workshop created artwork to meet the emperor’s taste.
Sparrows and Camellia in Snow
Object type: print
Date: 1837 – 1848
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op het trappenhuis van de Frans I vleugel van het Kasteel van Blois
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: tours
Subjects: stairwell, castle
Inscriptions: number: ‘PL. 29.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of forearm of woman protruding from sleeve of chiton
Two Girls on a Veranda beside a Stream with the Moon
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: girls,moon
Beroemde Romeinse vrouwen
Object type: album leaf
Date: 1653 – 1654
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) cornelia, mother of the gracchi

Cornelia, vrouw van Tiberius Gracchus en moeder van de gebroeders Gracchi als deugdzame huisvrouw. Zij wordt voorgesteld als een goede moeder die met haar kind speelt en als een vlijtige huisvrouw die zich bezighoudt met borduren, spinnen, kantklossen en naaien. Op de achtergrond rechts doodt haar man Tiberius een slang. Met een onderschrift in drie kolommen in het Latijn. De prent maakt deel uit van een album.
Teabowl
Object type: teabowl
Date: 1810 – 1810
Materials: clay, glaze
Culture: japanese
Artist: yōsobei i
Artist role: artist
Artist nationality: japanese
Two Frieze Designs: Decorated with Birds, Reptiles and Vines, Griffins and Vases
Object type: drawing
Date: 1776 – 1779
Materials: graphite
Artist: thomas hardwick
Artist role: artist
Artist nationality: british
Artist dates: 1752 – 1829
Subjects: birds,griffins,vines
Miss Dempsey, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Titelpagina voor: P. H. Klaarenbeek 'Ter nagedachtenisse van Susanna Elisabeth Klaarenbeek', 1804
Object type: titelblad, titelpagina
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: angels
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Titelpagina voor: Klaarenbeek, Pieter Hermanus. Ter nagedachtenisse van Susanna Elisabeth Klaarenbeek. Haarlem, 1804.
Tankard
Object type: tankard
Date: 1720 – 1735
Materials: silver
Culture: american
Location: united states
Artist: samuel vernon
Artist role: maker
Artist nationality: american
Artist dates: 1683 – 1737
Wall painting on black ground: landscape, from the imperial villa at Boscotrecase
Object type: wall painting on black ground
Techniques: fresco
Culture: roman, pompeian
Subjects: human figures,trees

Many private summer villas were located along the coast near Naples. One of the most sumptuous must have been the villa built by Agrippa, friend of the emperor Augustus and husband of his daughter, Julia. It stood overlooking the Bay of Naples from a spot near the modern town of Boscotrecase. The villa was partially excavated between 1903 and 1905 after its accidental discovery during work on a railway. Wall decorations that still survived in four bedrooms were removed. The Metropolitan Museum acquired sections from three rooms and the Archaeological Museum at Naples received the rest. Agrippa died in 12 B.C. and his son, Agrippa Postumus became the villa's proprietor in 11 B.C. as inscriptions found there indicate. The frescoes must have been painted during renovations begun at the time. Painted by artists working for the imperial household, they are among the finest existing examples of Roman wall painting. The so-called Black Room was one of a sequence of bedrooms facing south toward the downward slope of the mountain and the sea. The source of light was a wide doorway giving onto a terrace or promenade. This ambiguous and sophisticated decoration is a masterpiece of the so-called third style of Roman wall painting, which flourished during the reign of Augustus. The theme is a playful rendition of architectural motif. A low red dado serves as the base from which a skeleton of thin white columns appears to rise against a black background. There almost weightless columns support pavilions, candelabra, tripods, and a narrow cornice that runs around the room. They were embellished with jewel-like decorations. On the back wall tiny swans, the bird of Apollo, patron god of Augustus, perch improbably on threadlike spirals, and yellow panels with Egyptianizing motifs must have brought to mind the recent annexation of Egypt after the death of Cleopatra in 30 B.C. This architectural scheme creates almost no sense of depth or volume. The black walls behind appear at once to be flat and to dissolve into limitless space. Tiny landscape vignettes float like islands in the middle of this blackness. Burnished to a high polish, these walls must have appeared magical indeed when illuminated by lamps at night.
Reverse Copy of Le Joueur de Vielle (The Hurdy-Gurdy Player), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Neu künstlich Modelbuch (page 41r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: men,women,plants

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
Vrouw en een kind bij een groep ganzen
Object type: photograph
Date: 1920 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: geese (domestic waterbirds), mother and child(ren), woman and child(ren) (family group)
Inscriptions: number: ‘17’
De vier seizoenen
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: spring ~ human activities (the four seasons of the year), clothes, costume (+ men's clothes)
Inscriptions: signature and date: ‘H. Breckerveld. fecit 1626’, signature: ‘A.V: Venne Inventor’, collector's mark: Lugt 2228, number: ‘I’, title: ‘VER’, address: ‘Broer Jans excudit Hagae’

Een elegant gekleed paar staat bij een paard dat wordt vastgehouden door een bediende. Rechts een bedelaar die hen om een aalmoes vraagt, links een jongeman en een hond. Rechtsachter een koets die langs een vaart rijdt en wandelaars. Voorstelling van de lente uit een serie van vier prenten met de vier seizoenen.
Fireworks display celebrating the end of the Thirty Years War, Nuremberg, 1650
Object type: print, fete, ornament architecture
Date: 1650 – 1650
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: fireworks

Copy of a print by Peter Troschel after a drawing by Michael Herz.
Beeld van Johannes de Doper
Object type: print
Date: 1840 – 1905
Materials: paper
Techniques: etching
Artist: françois de meersman
Artist role: print maker
Artist dates: 1830 – 1905
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff
Inscriptions: collector's mark: Lugt 2228

Voorstelling is gemaakt naar een renaissance beeld in het Bargello te Florence.
Le Petit Pont, Paris
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Female Deity (Mother Goddess)
Object type: statuette
Date: 300 – 101
Materials: terracotta
Culture: indian
Subjects: maurya,mauryan,goddess
Binnenhuis met figuren bij kaarslicht
Object type: print
Date: 1851 – 1851
Materials: paint, paper
Techniques: brush
Location: the hague
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: reading, candle, communal rooms

In een woonkamer zitten een man en vrouw bij een tafel bij kaarslicht een brief te lezen. Rechts van hen twee boogramen, daarnaast hangt een schilderij. Achterin de kamer zit een vrouw met een baby op haar schoot en komt een andere vrouw de deur binnen.
Fragment of a Shoulder Band
Object type: textile fragment
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Gezicht op het Singel in Amsterdam met de Warmoesbrug
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘[...] grijs zonnig weer, Singel met Warmoesbrug.’

Pagina 11 en pagina 12 uit een schetsboek met 38 bladen.
Sample
Object type: sample
Date: 1801 – 1833
Materials: silk
Subjects: flowers
Illustration of the Inquisition of Ōyama Tsunayoshi (Ōyama Tsunayoshi kyūmon no zu)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men
Young woman holding obi between her teeth
Object type: print
Date: 1760 – 1764
Techniques: printmaking, woodblock print, hashira
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Cup Plate
Object type: cup plate
Date: 1825 – 1860
Materials: glass
Straat in Constantinopel
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism, street
Inscriptions: collector's mark: Lugt 2228

Een straat met mensen in oosterse kleding. Rechts op de achtergrond twee minaretten van een moskee.
Crooked Pillar, near Sugar Bowl, No. 285 from the series "In and About the Dells of the Wisconsin River"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Bottle
Object type: bottle
Date: 1662 – 1722
Materials: glaze, porcelain
Culture: chinese
Als morsige lieden kuys worden / so schueren se de pannen van achteren
Object type: book illustration
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: kitchen, proverbs, sayings, etc., kitchen-maid, kitchen servant
Inscriptions: collector's mark: Lugt 1641, stamp

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Terracotta jug with griffin protome handle
Object type: oinochoe
Date: 600 – 551
Materials: terracotta
Culture: etruscan

From the end of the seventh century to well into the sixth century B.C., in Etruria "cilindretto" ornament much like the band of impressed decoration on the body of this vase was very common. The patterns were often animal and plant motifs, human heads, and narrative scenes.
Plattegrond van Düsseldorf
Object type: area plan
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 2228
Geboomte bij een beek
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: brook, groups of trees
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Mensen op een voetgangersbrug bestaande uit houtenpalen over een water.
Object type: stereograph
Date: 1911 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: inscription: ‘Stereoscopische Fotografie’, signature: ‘Neville Keasberry, Malang (Java)’
General View of Hong Kong
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Zomerlandschap met herder met twee koeien en schapen
Object type: drawing
Date: 1751 – 1799
Materials: ink, paper
Techniques: brush, pen
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Part of a draped male; extended right arm, shoulder, and part of the lower torso of a woman wearing a chiton and himation
Utrechtse maskerade van 1851: Germanen
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring
Location: utrecht
Subjects: students' pageant, costumes used in pageants, utrecht
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit een serie van acht prenten en acht zangen van de maskerade van de Utrechtse studenten, 25 juni 1851. De maskerade verbeeldt in taferelen acht episodes uit de vaderlandse geschiedenis.
Portret van Ladislaus, koning van Napels
Object type: book illustration
Date: 1589 – 1624
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: augsburg
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: naples, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Deze prent is gebruikt in: Mazzella, Scipione, Kilian, Lucas en Custos, Dominicus. Der Neapolitanische Koenige Leben und Bildnisse (...). Augsburg: Lucas Kilian, 1624.
Animal amulet
Object type: animal amulet
Date: 1981 – 1550
Materials: faience
Location: egypt
Subjects: animals
Het haantje van de toren
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching, engraving
Location: haarlem
Subjects: adult woman, contemplation, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Een zieke vrouw kijkt uit het raam naar de haan op de kerktoren. Illustratie bij een gedicht van P.A. de Genestet.
Veuë du chemin de Longuetoise a St. Mars
Object type: print
Date: 1648 – 1672
Materials: paper
Techniques: etching
Location: paris
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2161

Gezicht op een pad door het bos. Op de voorgrond een rotspartij en op het pad wandelaars en ruiters.
Clearing Weather at Enoshima, Morokoshigahara off the Shore of Koyurugi (Enoshima seiran, Koyurugi no iso Morokoshigahara), from the series "Eight Views of Famous Places (Meisho hakkei)"
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa toyoshige (toyokuni ii)
The Drunken Couple
Object type: painting
Date: 1655 – 1665
Materials: wood, oil
Artist: jan havicksz. steen
Artist role: painter, print maker
Artist dates: 1625 – 1679
Subjects: blind, blindness - aa - metaphorically blind, owls, glass, rummer, theft, drunkenness
Inscriptions: signature: ‘JSteen’

A man and woman are so drunk that they are unaware they are being robbed. Their foolishness is underscored by the print on the partition. It depicts an owl, considered a stupid creature in the 17th century. After all, it could not see by day, not even with a candle or eyeglasses. The drunken couple is thus just as blind as the owl, a message that survives in the English idiom ‘blind as a bat’.
The Tailor and the Fairy, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Journal des Dames et des Modes, Costume Parisien, 31 mai 1819, (1819): Habit de drap (...)
Object type: fashion print
Date: 1819 – 1819
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), button (+ men's clothes), button (+ other materials used for clothes), coat (+ men's clothes), fashion plates, boots (+ men's clothes), gloves, mittens, etc. (+ men's clothes), whip
Inscriptions: caption: ‘Habit de drap. Boutons d'étoffe à cercle de Métal. Gilet de piqué. Pantalon de sergé.’, title: ‘Costume Parisien.’

Staande man gekleed in een 'habit' van laken, knopen van stof met cirkel van metaal. Hij draagt een vest van 'piqué' op een lange broek van 'sergé'. Hemd met geplooide jabot. Halsdoek. Accessoires: hoge hoed, handschoenen, zweep, laarzen met hakken en sporen. Prent uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.