deem-data/ArtiFact huggingface dataset:
Cat
Object type: figurine, cat
Date: 664 – 630
Materials: metal
Techniques: inlay
Location: egypt
Subjects: cats

Bastet was a powerful goddess of Lower Egypt, one who was protective and could bring about great prosperity. In zoomorphic form, she was represented as a cat and cats were considered sacred to her. This cat sits on a menat-shaped base in a typical pose, upright with its tail wrapped along its right side. It is poised and alert, on guard against external forces. This small figure is exceptional because of the level of detail and attention that went into its manufacture. It has many of the same features as other seated cats: it wears an amulet, its fur is indicated by short repeated markings, and it has a ringed tail. On this example, however, these features are picked out in gold, which gives it a striking appearance. This piece also gives us insight into the mentality of those who dedicated such objects; it shows that even small statuettes were considered important and worthy of elaboration and extra cost. Dedications did not always have to be large to be significant or impressive. Cat statuettes were among some of the most common zoomorphic dedications of the Late and Ptolemaic Periods. Small statuettes like this one would have been dedicated as offerings to temples or deposited in catacombs alongside cat mummies, as at the extensive catacombs at Bubastis and Saqqara. Sometimes larger hollow examples held a cat mummy inside.
Kasteel de Cannenburch
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: vaassen
Artist: reinierus albertus ludovicus baron van isendoorn à blois
Artist role: print maker
Artist dates: 1786 – 1856
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Kasteel de Cannenburch te Vaassen van de achterkant gezien.
Shabti of Queen Henuttawy
Object type: funerary object
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: mummies, hieroglyphs, queens
Portret van een man met snor en stropdas
Object type: carte de visite
Date: 1880 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: alkmaar
Artist: camillus franciscus van der aa
Artist role: painter
Artist dates: 1847 – 1915
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Atelier l'Espérance/ (...)/ C. van der Aa/ Photograaf/ Alkmaar./ Langestraat A.30/ Breedstraat bij de R.C. Kerk./’
Le-Le- Cong Josshouse, Amoy
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: architecture,houses
De haven van Rotterdam
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: rotterdam
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891
Subjects: harbour, ships (in general), rotterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

D. 9 expl. in coll. David-Weill (vlg. Sotheby's, Londen, 4-12-'81 nr. 120) draagt aantekening 'Refusée par la societé'.
New Modelbüch (Page 31r)
Object type: book print ornament architecture
Date: 1615 – 1615
Techniques: woodcut
Location: germany
Artist: andreas bretschneider
Artist role: designer
Artist nationality: german
Artist dates: 1573 – 1645
Subjects: birds,flowers

Designed by Andreas Bretschneider, German, ca. 1578-?1640, printed by Henning Gross the younger, Leipzig. Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.
Pelerine
Object type: pelerine
Date: 1825 – 1835
Materials: cotton
Culture: american or european
Jongen zwaait naar een bestuurder
Object type: drawing
Date: 1925 – 1935
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: a. tinbergen
Artist role: draughtsman
Subjects: waving farewell ~ departure on a journey, dog, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, :, monogram: ‘AT’

Een jongen staat op een stoep en zwaait naar de bestuurder van een voertuig in de verte. Op de straat staat een hond.
Textile Fragment
Object type: textile fragment
Date: 701 – 800
Materials: silk
Culture: byzantine
Berlin. Friedrichstr. / Fredrik Str.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: berlin
Subjects: shop, store, street
Inscriptions: stamp: ‘5’
Woman (sphinx)
Object type: print
Date: 1894 – 1944
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist dates: 1863 – 1944
Subjects: young versus old age; young and old, human life divided into stages, e.g. three, four, seven, twelve stages (with number)
Inscriptions: stamp: ‘leeuw op wapenschild’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gevel van een hoekhuis met open dakkapel
Object type: drawing
Date: 1620 – 1685
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: isaac van ostade
Artist role: draughtsman, painter
Artist dates: 1621 – 1649
Subjects: urban housing
Loanda
Object type: page
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: luanda
Subjects: commercial fishery, ships (in general)
Portret van de schilder Lucas Franchoys (II)
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: print maker, lucas franchoys (ii), portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: The true effigies of the most emminent painters and other famous artists that have flourished in Europe curiously engraven on 125 copper plates. Antwerpen: J. Meyssens, 1694.
Portret van Philipp Marbach
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, snipping
Location: germany
Artist: johann franck
Artist role: print maker
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Adam en Eva als eerste ouders
Object type: print
Date: 1560 – 1574
Materials: paper
Techniques: engraving
Location: rome
Subjects: education, upbringing of cain and abel
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Adam en Eva zorgend voor Kaïn als baby. Eva zit met Kaïn op schoot; Adam is in de weer met een kleed van dierenhuid. Op de achtergrond een landschap.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Versierde vlaggenstokknop
Object type: mastwortel
Date: 1600 – 1800
Materials: wood
Techniques: cutting, gilding
Location: netherlands
Artist: Anonymous
Scarab Inscribed with the Name Maatkare (Hatshepsut)
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her regency and co-reign with her nephew/step-son, Thutmose III. After the death of her husband, Hatshepsut became regent for her nephew who was a small child. The length of this regency period is uncertain, with estimates ranging from two to seven years. At some time, probably toward the end of the regency, Hatshepsut adopted the name Maatkare which was usually enclosed in a cartouche and became her throne name as king. The name may be roughly translated as Maat (the goddess of truth) is the life force of Re (the sun god). In the inscription on the base of this scarab, the crouching figure of the goddess is identified by the ostrich plume, the word ka is written with the upstretched arms, and Re is represented by the sun disk.
Enkhuizen. Waaggebouw
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1924
Materials: cardboard
Techniques: photograph
Location: enkhuizen
Artist: Anonymous
Subjects: weigh-house
Inscriptions: postage stamp
Blad met ranken met bloemen en vruchten
Object type: brocade paper
Date: 1740 – 1780
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann wilhelm meyer
Artist role: papiermaker
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met ranken met bloemen en vruchten.
The Entombment
Object type: print
Date: 1552 – 1561
Techniques: engraving
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: christ,mary magdalene,virgin mary,entombment
Youth with Arms Upraised
Object type: drawing
Materials: chalk, paper, pencil
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: male nudes

This energetic study of a male nude (as well as another drawing by the artist in the Lehman Collection, 1975.1.610) relate to Degas' Young Spartans Exercising (National Gallery, London), a painting he produced around 1860 and which preoccupied him for several years. Investigating light and contour in the clearly delineated figures, Degas poses his subjects as trials for transfer to canvas. Edgar Degas, Young Spartans Exercising, ca. 1860. Oil on canvas. National Gallery, London, Bought, Courtauld Fund, 1924
Kandelaar
Object type: candlestick
Date: 1803 – 1803
Materials: silver
Techniques: casting, metalworking
Location: the hague
Artist: francois marcus simons
Artist role: silversmith
Artist dates: 1750 – 1828
Subjects: vine, foliage ~ ornament

Dinner service. Silver, parcel gilt. The Hague, 1803 and 1804, by François Simons. The Government of the Batavian Republic presented this service to I.J.A. Gogel (1765 - 1821) in 1804 in recognition of his financial services to the country. Gogel was a prominent patriot, minister of finance under King Louis Napoleon and subsequently financial advisor to King
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds
Gezicht op het Forum Romanum en de Palatijn, gezien vanaf de Via Capitolina
Object type: drawing
Date: 1872 – 1944
Materials: chalk, paper, pastel
Artist: frans smissaert
Artist role: draughtsman, print maker
Artist dates: 1862 – 1944
Subjects: ruin of a building ~ architecture, landscape with ruins, rome
Ordo cluniace[n]siu[m] (...)
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: abbey, monastery, convent ~ roman catholic church

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 175v.
Heilige Familie
Object type: print
Date: 1643 – 1710
Materials: paper
Techniques: engraving
Location: paris
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228
De' Medici-fontein in de Jardin du Luxembourg in Parijs
Object type: cabinet photograph
Date: 1870 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: ornamental fountain (+ city(-scape) with figures, staffage), public gardens, park, paris
Inscriptions: inscription: ‘Fontaine de Medici Jardin de Luxembourg’

Onderdeel van Fotoalbum met kabinetfoto's van bezienswaardigheden in Parijs.
Mary, Queen of Scots
Object type: print
Date: 1801 – 1833
Techniques: engraving
Artist: robert cooper
Artist role: artist
Artist nationality: british
Artist dates:  – 1828
Subjects: queens,portraits,women,mary queen of scots
Thermae Antoninianae / Thermarum antonin. vestigia
Object type: print
Date: 1675 – 1725
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: landscape with ruins, public baths, representation of real building (either existing or having existed)
Inscriptions: collector's mark: Lugt 2228

Prent (zonder paginanummer) komt voor in: Desseine, Francois. Beschryving van oud en nieuw Rome, verdeelt in drie deelen. Dl. 1. Amsterdam: Halma, François, 1704.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 206 van dit album.
Fotoalbum van familie Van den Berg, 1911
Object type: slip in album
Date: 1911 – 1911
Materials: paper, cardboard, ink, textile
Techniques: gelatin silver print, pen
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, carel frederik van den berg (cay), toddler, historical persons, family life
Inscriptions: inscription: ‘SUNNY/ MEMORIES’, inscription: ‘1911/ Berkenbos/ Bos en Duin/ IV/ 1911/ IV’

Plak- en insteekalbum met 34 foto's op 24 bladen. Één van de foto's is op de binnenzijde van het voorplat geplakt. Het album is waarschijnlijk samengesteld door Hendrik Herman van den Berg. Hij is waarschijnlijk ook de fotograaf. Het album bevat foto's van zijn zoon Cay van den Berg als peuter en foto's van de familie in het bos.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: brussels
Subjects: draughtsman, philip zilcken
Card Number 157, Miss Jarbeau, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Diverse vogels
Object type: print
Date: 1829 – 1880
Materials: paper
Techniques: hand coloring, lithograph
Location: mainz
Artist: Anonymous
Subjects: predatory birds: falcon, walker and runner birds: ostrich, predatory birds: eagle, birds, ornamental birds: peacock, swans (domestic waterbirds)
Inscriptions: stamp, collector's mark: Lugt 1641

Vijftien voorstellingen van diverse vogels zoals een zwaan, pauw, valk, struisvogel en toekan. Linksonder genummerd: No. 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Hemellichamen
Object type: print
Date: 1830 – 1845
Materials: paper
Techniques: intaglio, engraving
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: astronomical phenomena
Inscriptions: collector's mark: Lugt 2228
Boek van de landbouw en de zijdecultuur
Object type: book
Date: 1810 – 1870
Materials: paper
Techniques: woodcut
Location: china
Artist: Anonymous
Inscriptions: inscription: ‘Kang Chi T'U’
Jacket
Object type: jacket
Date: 1785 – 1785
Materials: linen, silk
Culture: french

Differentiated from the full-fledged Pierrot costume, the Pierrot as a shaped bodice flourished in that gasp of Rococo sensibility and extreme silhouette of about 1780 - 1790. The flared peplum extension of the jacket below the waist and asymmetrically around the back allows for the bulbous billowing skirt of the period. The bodice includes self-fabric ruffles, which would have embellished the skirt as well. The simple low-necked bodice is characteristic of the period, comparable to the "chemise à la reine."
Plaque fragment: kneeling lion-headed figure
Object type: relief
Date: 1800 – 1701
Materials: gold foil, ivory
Culture: assyrian
Location: anatolia
Subjects: lions

This figure belongs to a group of carved ivories, mostly furniture elements, probably found at the site of a palace at Acemhöyük in central Anatolia. Most of the ivories depict imagery borrowed and transformed from Egyptian sources, such as the hybrid creature shown here who combines human and lion features. In Egypt, representations of lioness goddesses appeared as early as the Old Kingdom. This creature, with its kneeling posture and closed mouth, indicated by a diagonal groove, does not appear menacing. Its identity is mysterious, but it appears to have symbolized a benevolent force. The plaque has attachment holes at top and bottom, and probably was used to decorate a piece of furniture. Its overall gray color indicates that the object was exposed to considerable heat, perhaps during the destruction of the palace. Gilding is preserved not only on areas such as the border of the long open kilt, the mane, and the eyes, but along the edges of the mane and the inner line of the bent left arm, which may indicate that much of the surface was originally covered in gold leaf. The pupil of the eye was hollowed to receive an inlay, now missing. The mane is stylized to resemble a wig rather than tufts of animal fur. The left arm is bent at the elbow, with the fist held to the chest, while the right grasps a flowering plant stem. The clearly human torso shows no indication of gender. The lower body is depicted kneeling, with one leg exposed and the other covered by the long kilt. A nearly identical plaque, in which the figure faces right, is also in the Metropolitan Museum’s collection (36.70.15, 37.413.3). Both plaques have been reconstructed from two halves, broken at the waist; in this example, the upper half is numbered 36.70.14 and the lower half 37.143.4.
Juno, from "The Muses and the Three Great Goddesses"
Object type: print
Date: 1540 – 1556
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: juno,peacocks,goddess
Costume de divers Pays, 1827, No. 32 : Jeune Dame de la Nord-hollande
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Subjects: clothing for the upper part of the body (+ women's clothes), cut flowers; nosegay, bunch of flowers, reading, veil (+ women's clothes), ring (+ women's clothes), folk costume, regional costume, letter, envelope, apron (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Cost. de div. Pays.’, caption: ‘Jeune Dame de la Nord-hollande.’

Jonge vrouw in klederdracht uit Noord-Holland. Zij leest een brief.
Christus, Maria, Johannes de Doper en de apostelen
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: venice
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Afbeelding gesneden uit een blad met drie voorstellingen van de apostelen Matteüs met een boek, Andreas met een kruis en Johannes met een kelk.
Het prinsesje
Object type: print
Materials: paper
Techniques: lithograph
Inscriptions: : ‘Vereeniging tot Bevordering van Beeldende Kunsten Premie-uitgave 1923. / P. Moreelse "Het Prinsesje" / Rijks-Museum Amsterdam.’

Reproductie van een schilderij van P. Moreelse.
Pakhuizen aan een kade
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: flight of steps, canals, waters (in city), the usual house or row of houses

Tevens een studie van een trap aan de achterzijde van een huis. Blad 10 recto uit een schetsboek met 36 bladen.
Bottle
Object type: bottle
Date: 1662 – 1722
Materials: porcelain
Techniques: underglaze
Culture: chinese
Subjects: flowers,leaves
Head of Guanyin
Object type: head
Date: 1301 – 1400
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: heads,bodhisattvas
Carrie Tanner, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Reliëf, voorstellende een jager naast een vrouw met een kind
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: hunter, mother and baby or young child
Das rauchlose Pulver
Object type: photomechanical print
Date: 1805 – 1889
Materials: paper
Techniques: autotype
Subjects: artillery range, firing range, shooting range ~ military training, firearms: rifle
Rinceaux with Eagle and Lion, plate 15 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1648 – 1648
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: eagles,ornament,lions
Rijksbroodkaart
Object type: ration coupon
Date: 1918 – 1918
Materials: paper
Techniques: printing, writing
Location: dordrecht
Artist: gouze
Artist role: printer
Subjects: eerste wereldoorlog
Inscriptions: : ‘RIJKS-BROODKAART / 200 / Gram Brood / 50 GR. brood’

Rood bedrukte bonkaart met rose ondergrond; hierop opschriften. Bon werd gebruikt om brood te verkrijgen.
Het Dorp Kortenhoef
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: bascule bridge, church (exterior), public road in village
Inscriptions: collector's mark: Lugt 2228
Portret van Jean-François Regnard in ornamentale lijst
Object type: print
Date: 1787 – 1887
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Misbaksel met proenen
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Cupid and Two Women Lighting a Torch
Object type: drawing and watercolor
Materials: chalk, paper
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1700 – 1799
Gezicht op de Ponte dei Sospiri in Venetië
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: bridge, gondola
Inscriptions: inscription: ‘g’
Antefix, head of Medusa
Object type: antefix, head of medusa
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian
Subjects: heads,medusa,snakes
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, three fragments with parts of tendrils from handle ornament
Lang vuursteen jachtgeweer met 18-eeuwse lade
Object type: flintlock pistol
Date: 1655 – 1675
Materials: horn, iron, silver, wood
Techniques: encrustation
Location: sri lanka
Artist: Anonymous
Subjects: netherlands