deem-data/ArtiFact huggingface dataset:
Bowl with Saints Peter and Paul
Object type: bowl
Date: 350 – 350
Materials: earthenware
Techniques: glazing
Culture: byzantine or roman
Subjects: saint paul,saint peter

Regularly spaced on the exterior are Christograms, monograms for Christ's name, framed in martyrs' wreaths. Saints Peter and Paul appear on the interior base in a medallion similar to ones on gold glass vessels.
Oinochoe
Object type: oinochoe
Date: 507 – 323
Materials: terracotta
Culture: cypriot

Horizontal bands and concentric circles.
Snuffbox in the shape of a wine caste
Object type: snuffbox
Date: 1768 – 1769
Materials: gold
Techniques: enameling
Location: paris
Artist: jean-joseph barrière
Artist role: goldsmith
Subjects: vine, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: maker's mark, alloy mark, date letter, duty mark, countermark

Gouden doos in de vorm van een ton. Tien ronde en ovale in grisaille geëmailleerde velden met amoretten. Daartussen groene wijnranken.
Triomfpoort met de kraanvogel, 1594
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: brussels
Subjects: vienna, brussels, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'

Triomfpoort naar de Grote Markt met het begin van de eregalerij. Bovenin een voorstelling van de waakzame kraanvogel, aan weerszijden Tijd en Fortuna. Feestelijke intocht van aartshertog Ernst als gouverneur der Nederlanden gehouden te Brussel op 30 januari 1594. Onderdeel van de beschrijving van deze intocht Descriptio et explicatio pegmatum, arcuum spectaculorum quae Bruxellae Brabant. pridie Cal. Febr. Ao. 1594 exhibita fuere, sub ingressum ... Ernesti ... Archiducis Austriae ... pro Philippo II. Belgicae ditionis gubernatore, J. Mommaert, Brussel 1594.
Gezicht op de Williams Canyon
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: williams canyon
Artist: Anonymous
Subjects: landscapes, ravine, chasm, abyss, canyon
Zonnevlek
Object type: page
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: meudon
Artist: Anonymous
Subjects: sun-spots
Inscriptions: inscription: ‘Sud Photographie de la même tache à son retour le 13 mars suivant (...)’
Mirror Back with Birds and Animals in Repoussé
Object type: mirror back
Date: 701 – 800
Materials: silver
Culture: chinese
Subjects: animals,birds

Originally attached to the back of a bronze mirror, this silver disk is richly decorated with fantastic birds and felines frolicking amid lotus tendrils against a background finely stippled with a punch ring.
Een Pedanda aan het werk
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Subjects: bali
Inscriptions: annotation: ‘18. Noord-Bali. Pedanda (= priester) Paetoe Gria te Singaradja in de uitoefening van zijn priesterambt, bijgestaan door istri (vrouwelijke helpster). Let op de 3 rijstkorrels op zijn voorhoofd geplakt (deze hebben een zekere heilige betekenis inzake vruchtbaarheid) en op de lange nagels, het bewijs dat de leden der Brahmanen kaste geen gemeen werk verrichten.’

De pedanda vormen de hoogste kaste op Bali, zij hebben een religieuze functie bij het uitvoeren van rituelen en tradities.
Tile
Object type: tile
Date: 1600 – 1600
Materials: earthenware
Techniques: glazing
Subjects: portraits,women
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "L'Invention et la Réflexion" door Georges Diébolt
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘558’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Dertien ontwerpen voor juwelen
Object type: ornament print
Date: 1695 – 1695
Materials: paper
Techniques: engraving
Location: germany
Artist: joseph friedrich leopold
Artist role: print maker, publisher
Artist dates: 1668 – 1726
Kärnthnerstraβe No. 59, Zinshaus des Herrn Sam Maeir
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899
Chinar trees at Shalozan, Khyber Pakhtunkhwa, Pakistan
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: shalozan
Subjects: trees: plane-tree, brook
Inscriptions: caption: ‘THE CHINÁR TREES AT SHALOZÁN’
Daniel Crommelin
Object type: drawing
Date: 1750 – 1800
Materials: cardboard, chalk, paper, pastel, watercolor
Culture: american
Location: netherlands
Artist: dutch painter
Artist role: artist
Artist nationality: american
Subjects: men,portraits,profiles
Flounce
Object type: flounce
Date: 1700 – 1700
Techniques: lace
Subjects: flowers
Kop van een mopshond
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: etching
Location: netherlands
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Havenarbeiders laden een sloep
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: italy
Subjects: harbour, dock labourer, ships (in general), pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van negen prenten. Zeven prenten zijn spiegelbeeldige en genummerde kopieën naar prenten van Stefano della Bella. Twee prenten zijn nieuwe inventies. Mogelijk is deze gekopieerde reeks ook door Della Bella zelf vervaardigd.
Standing cup with cover
Object type: standing cup with cover
Date: 1700 – 1700
Materials: glass
Artist: master ih or hi
Artist role: engraver
Subjects: flowers,coat of arms
Battakvrouwen op Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: medan
Subjects: asiatic races and peoples

Battakvrouwen op Sumatra. Foto geplakt op losgesneden blad uit album, op verso bevindt zich nog een foto uit dezelfde serie.
May Robson, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Apron
Object type: apron
Date: 1850 – 1900
Materials: silk
Techniques: embroidery
Culture: american
Subjects: flowers
Der Lockenraub, ein scherzhaftes Heldengedicht.
Object type: book
Date: 1772 – 1772
Techniques: engraving
Location: germany
Artist: alexander pope
Artist role: author
Artist nationality: british
Artist dates: 1688 – 1744
Subjects: men,women,dogs,chairs,tables
Man met muts
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: cap (+ men's clothes), morphology of human expression (+ adult male (human being))
Inscriptions: date

Een volwassen man met muts. Buste naar links
Elderberry, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fruit,girls

Trade cards from the "Fruits" series (N12), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Publius Horatius, from The Roman Heroes
Object type: print
Date: 1586 – 1586
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "HG. Fe." and below image: "Inter tergeminos hinc ... posse malo. F. Estius Ao. 1586"
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,games

These chessmen with baluster stems and finials denoting the rank of the piece are based on European models; the work, however, is unmistakably Oriental. The kings and queens are indicated by crowns, and the bishops by miters; the knights are horse heads, and the rooks have the form of crenelated towers with large flags at the top. The pawns are slim and elegant. The baluster stands all feature a carved, pierced, and undercut knop, which in the rook forms the mass of the tower. The bases are typical of many Chinese sets.
VIII Ten vangt geen vis
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

VIII Ten vangt geen vis. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Fan
Object type: fan
Date: 1701 – 1800
Materials: mother of pearl, paper
Culture: french
Subjects: men,women,flowers
Grottesco: in diversche manieren…
Object type: ornament print
Date: 1565 – 1571
Materials: paper
Techniques: etching
Location: netherlands
Subjects: pegasus, the winged horse, (story of) mercury (hermes), ornament ~ cartouche

Op de bladranken boven de cartouche staan twee elkaar omhelzende kinderen, elk met een zwijn onder zijn voeten. Uit serie van titelblad + 16 bladen met cartouches of architectuurfantasieën met een voorstelling in een omlijsting van grotesken met fabelwezens, dieren, guirlandes, trofeeën en mascarons.
Chlorite miniature jar
Object type: jar, miniature
Date: 1600 – 1050
Materials: mineral
Culture: cypriot

Grooved body, wide mouth, and string holes.
Washerwoman
Object type: sculpture
Date: 1916 – 1916
Materials: bronze
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: women,washing
Portret van een vrouw
Object type: album leaf
Date: 1878 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: brussels
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘PROCÉDÉ INALTÉRABLE/ Photographie au Charbon/ (...)/ Géruzet Frères/ Photographes de S.M. la Reine des Belges/ 27b. Rue de l'Ecuyer/ Bruxelles/ Les Clichés sont conservés’, annotation: ‘a la famille Berlier/ Reconnaissance/ Mr Hense[r]al F[in]et’
Sojo Henjo
Object type: print
Date: 1845 – 1846
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Subjects: adult woman, screen, folding screen, kneeling on both knees

De shirabyoshi danseres Hotoke Gozen, knielend voor kamerscherm, een waaier en zwaard naast haar op de vloer. Gedicht in oranje gestreept cartouche linksboven; eronder commentaar op de voorstelling.
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 560 – 550
Materials: terracotta
Culture: greek, attic

Animal frieze: a bird and a lion to right
Paulus predikt te Athene
Object type: print
Date: 1806 – 1808
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: paul in athens: on the areopagus he discusses with philosophers (in front of the temple of mars)
Inscriptions: collector's mark: Lugt 12

Eerste prent uit een serie van zes prenten, later voortgezet in samenwerking met Robert Slann en T.S. Webb. De laatste prent van de serie werd in 1828 uitgegeven.
Vrouwen tappen rubber op een plantage op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Map of the Grand Canal from Beijing to the Yangzi River
Object type: handscroll
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: canals,maps

Managing China's complex network of rivers, canals, and irrigation systems has been one of the abiding concerns of its rulers. From the fourteenth century, the Grand Canal served as the major artery for transporting grain from the wealthy agricultural regions south of the Yangzi River to the capital city of Beijing in the north. Of equal importance was the constant threat of flooding from the Yellow River and other river systems that traversed the canal. Under the Manchu Qing dynasty (1644–1911), both the Kangxi (r. 1662–1722) and Qianlong (r. 1736–95) emperors personally inspected the hydraulic management measures in this region on their periodic tours of the empire. This map follows the course of the Grand Canal from the vicinity of Beijing southward to the Yangzi River. Artistically, it stands halfway between modern cartographic records and the more pictorial approach to mapmaking that was commonly used prior to the twentieth century in China. While most elements are schematically rendered, images of the Forbidden City, the Yangzi River, and certain mountains and topographic features are treated in pictorial terms. All of the rivers, canals, dams, sluice gates, dikes, and catchment basins as well as the walled cities and important towns situated near the canal are depicted and labeled. The linchpin of the entire hydraulic system was the confluence of the Yellow and Huai Rivers with the Grand Canal. Based on documented changes to the configuration of the Huang-Huai confluence and other areas, the content of the map can be dated to the period from 1737 to 1761.
View of Swatow Harbour
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: buildings,boats
Uittocht van het Spaanse leger uit Maastricht, 1632 (platen 5 en 6)
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: delft, frederick henry (prince of orange), retreat of the defeated, maastricht
Inscriptions: date

Uittocht van het Spaanse leger uit Maastricht, 23 augustus 1632. Fries van zes genummerd platen, platen nrs. 5 en 6 aan elkaar geplakt. Cavalerie, infanterie en wagens in de stoet van vertrekkende soldaten. In de lucht een cartouche met de legenda A-H. Onder elk van de platen tekst in twee kolommen in het Nederlands.
Kusatsu, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gedecoreerde schouw met daarop een driedelig mantelstuk
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous

De pendule op de schouw is voorzien van een breed voetstuk met daarop een vrouw figuur. Naast de pendule staan twee met bloemen beschilderde vazen.
Ovidius' Metamorfosen
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: a white crow sees coronis' infidelity and tells apollo about it

De raaf Corvus betrapt Coronis, geliefde van Apollo, op ontrouw. Als hij dit aan de god wil melden, wordt hij voor zijn plan gewaarschuwd door de kraai Cornix. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de tweede reeks.
Path Through the Wheatfield
Object type: print
Date: 1862 – 1862
Materials: ivory, paper
Techniques: photography
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
View of a Park
Object type: drawing
Materials: gouache, graphite, watercolor
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806
Subjects: human figures,parks,trees
[Studio Portrait: Man Wearing Top Hat Seated with 2 Indigenous People]
Object type: carte de visite
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: bow and arrow,men,portraits

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1301
Materials: stone
Culture: mitanni
Location: iran
Subjects: animals
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: alexander i (tsaar van rusland)
Inscriptions: collector's mark: Lugt 2228

Bosrtbeeld van Alexander I, tsaar van Rusland naar rechts, in een ovale lauwerkrans.
Arms of the Medici with Della Rovere
Object type: print
Date: 1637 – 1637
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: coat of arms
The Rock in the Middle of the River
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: men,rivers,boats
Mosaic gold-glass hemispherical bowl
Object type: bowl, mosaic gold glass
Date: 200 – 168
Materials: glass
Culture: greek

Translucent turquoise blue, translucent cobalt blue, translucent purple, opaque white, opaque yellow, and colorless sandwich gold glass. Vertical rim with rounded edge; convex side, tapering downward; convex bottom. Composite mosaic pattern formed from small polygonal sections of a single cane in a turquoise blue ground with a yellow spiral, appearing green, interspersed with square segments of four different canes; the first in cobalt blue with a central white stripe; the second in purple witrh a central white stripe; the third in solid semi-opaque turquoise blue, and the fourth in colorless glass enclosing gold foil; a purple cane wound spirally with a fine double thread in white is attached as a rim. Broken and repaired, with several large losses, and two small weathered holes in side below rim; pitting, dulling, and iridescent weathering. It was not until the late third century B.C. that mosaic glass vessels began to be produced in any quantity, and they became one of the most distinctive and attractive types of Hellenistic glassware. Many are in the form of hemispherical bowls like this example or large plates of similar shape to the colorless one (1999.315) also displayed here. Both shapes are represented in the Canosa Group, named for the site in South Italy where numerous examples of luxury Hellenistic glassware have been found in tombs.
Portret van Jacques Necker
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: genève, coppet, staatsman, jacques necker
Inscriptions: collector's mark: Lugt 2228
Harpij
Object type: book illustration
Date: 1582 – 1582
Materials: paper
Techniques: woodcut
Artist: melchior lorck
Artist role: draughtsman, painter, print maker
Artist dates: 1526 – 1588
Subjects: harpy (fabulous bird); 'arpie' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Uit de editie van 1626 of 1646. Melchior Lorck: Wolgerissene und Geschnittene Figuren, zu Ross und Fuss, sampt schönen Türckischen Gebäwden, und allerhand was in der Türckey zusehen.
Engageante van een robe à l'Anglaise van blauwe zijde met ruit- en bloemmotief
Object type: engageante
Date: 1760 – 1775
Materials: linen, silk
Techniques: embroidered
Location: western europe
Artist: Anonymous

Engageante, geplooid, van een robe à l'Anglaise van blauwe zijde met ingeweven ruitmotief en geborduurd bloemmotief, gevoerd met geruit linnen.
Biconical Bead with Bird
Object type: costume and accessory
Materials: bronze
Culture: greek
Location: greece
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Groep Amerikaanse toeristen bij een herdenking bij de Arc de Triomphe in Parijs
Object type: photograph
Date: 1921 – 1921
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: tourism, paris
Fragment (Border)
Object type: textile
Materials: fiber, gilt, silk
Techniques: weave
Location: middle east
't Kasteel van Hedel in de Bommeler Waard. 1738 / 't Kasteel van Hedel
Object type: print
Date: 1750 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 3 (1750), ill. 231-232. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 3, ill. 231-232.
Portret van Johann Paul Sattler
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Naples
Object type: watercolor
Date: 1832 – 1920
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: samuel colman
Artist role: artist
Artist nationality: american
Artist dates: 1832 – 1920
Subjects: buildings

After studying with Hudson River School-painter Asher Brown Durand (1796–1886), the versatile Colman began his career as a landscape painter before working as an interior designer. He was one of the founders of the American Watercolor Society and played an important role in promoting the medium through practice and exhibition in the United States. An inveterate traveler, Colman took a four-year tour of Europe and North Africa in the early 1870s, visiting France, Italy, Morocco, and Spain. This diminutive view of Naples is significantly smaller than the grand-scale watercolors that Colman made for exhibition; nevertheless, it displays the meticulous technique and ability to render glowing light that characterize his best works.
Haarnaald
Object type: jewellery
Date: 1650 – 1800
Materials: enamel
Techniques: enamel
Artist: Anonymous

Haarnaald met bovenop een geëmailleerde morekop. Versierd met steentjes.
Notitie
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Inscriptions: annotation: ‘Schetsen van gemaakte/ 79 schilderijen door/ A. Schelfhout’

Blad 3 recto uit een schetsboek met 95 bladen.
Piece from a Kosode with "Bush Clover" (hagi) and Fan
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: damask, dyeing, embroidery, resist
Culture: japanese
Subjects: plants