deem-data/ArtiFact huggingface dataset:
Gezicht op de Friesepoort te Alkmaar, 1726
Object type: print
Date: 1752 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 4 (1752), ill. 336. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 4, ill. 336.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Handle from a bronze olpe
Object type: bronze
Date: 600 – 401
Materials: bronze
Culture: etruscan

Handle from a bronze olpe ending in a lion
Pair of Casters
Object type: metalwork
Date: 1740 – 1750
Materials: silver
Location: boston
Artist: attributed to jacob hurd
Subjects: dining, drinking
Inscriptions: mark on neck of each caster on body below top molding of "ID" in Roman capitals within an oval  
Each caster engraved under foot in Roman capitals: "MI" 
Each caster engraved on body with scallop shell crest

These casters, which may have originally been two in a set of three, were used for spice and mustard. A larger, matching caster would have held sugar. The pair was designed in a baluster shape, which became a popular Rococo form. The flared bases and decorative pierced work on the tops indicate the Rococo ornament was fashionable before midcentury.
Landschap met ruïnes
Object type: print
Date: 1610 – 1617
Materials: paper
Techniques: etching
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2227
Loos alarm
Object type: cartoon
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: painter, print maker, draughtsman, johannes gijsbert vogel, pieter anne haaxman, political caricatures and satires, netherlands
Inscriptions: collector's mark: Lugt 2228

Spotprent op de mislukte plannen voor de oprichting van het tijdschrift De Kunstbode, door J.G. Vogel en P.A. Haaxman jr. De Kunstbode als Don Quichotte strijdend tegen de lachende windmolens van Het Vaderland, De Kroniek, De Nieuwe Rotterdammer en het Handelsblad. Verschenen in het bijvoegsel van 'De Kroniek' van 22 december 1895.
Landschap met bomen
Object type: sketchbook leaf
Date: 1892 – 1897
Materials: chalk, paper
Subjects: trees, landscapes in the temperate zone

Pagina 13 uit een schetsboek met 24 bladen.
Insertion
Object type: insertion
Date: 1701 – 1800
Techniques: lace
Portrait of Lord Heathfield, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Draped Model, Standing
Object type: print
Materials: ink, paper
Techniques: lithograph, stumping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Earflare Disk
Object type: disk
Date: 1401 – 1600
Materials: wood
Culture: mexica, aztec
Location: mexico
Rond bord
Object type: plate dish
Date: 1700 – 1800
Materials: tin
Location: low countries
Artist: Anonymous
Inscriptions: quality mark, quality mark

Rond bord van tin. De dunne rand is omgeslagen.
Arcadian Landscape with Three Figures at a Lake
Object type: drawing
Date: 1792 – 1792
Materials: chalk, gouache, paper
Location: germany
Artist: johann christian reinhart
Artist role: artist
Artist nationality: german
Artist dates: 1761 – 1847
Subjects: men,women,lakes,landscapes

Reinhart made this imposing drawing in Rome in 1792, when he and another leading German artist from the period, Joseph Anton Koch, started making "heroic" or "poetic" landscapes inspired as much by the Roman campagna as by the work of their seventeenth-century predecessors Claude Lorrain, Nicolas Poussin, and Gaspard Dughet. Although the figures are dressed in a style that hints at a specific mythological or historical subject, they were probably used merely to indicate the antique setting of the landscape, as were the villa in the left background and the funerary monuments at center and in the right background. The dense composition and regular hatching are typical of Reinhart's manner throughout his career. The drawing is related to a painting he made in 1796 (Museum Georg Schäfer, Schweinfurt), but it cannot be called preparatory, for it differs from the painting in many ways. Fully signed and dated, and preserved in what is likely to be its original frame, the drawing was made as an independent work of art.
S. Petrus Apost: / Gattus cantavit flevit amare
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni cattini
Artist role: print maker
Artist dates: 1725 – 1800
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - personal devotion of male saint, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

De heilige Petrus in gebed. Hij leest in een boek dat voor hem ligt. Voor hem liggen ook twee sleutels. Op de achtergrond een haan op een muurtje. Boven drie cherubijnen.
Compositiestudies met groepen figuren
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: anatomy (non-medical)

Tekeningen in kaders. Vermoedelijk kopieën naar schilderijen. Blad 49 verso uit een schetsboek met 58 bladen.
Letter to Li Ziyuan
Object type: album leaf
Date: 1470 – 1524
Materials: ink, paper
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Envelop aan Philip Zilcken
Object type: envelope
Materials: ink, paper
Techniques: pen, writing
Location: aix-les-bains
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Cuirass
Object type: cuirass
Date: 1701 – 1900
Materials: lacquer, leather, wood
Culture: yi or nuosu
Location: china
Gezicht op Gerolstein
Object type: oil sketch
Date: 1836 – 1836
Materials: linen, oil, paint
Location: gerolstein
Artist: carl müller
Artist role: print maker
Artist dates: 1803 – 
Subjects: gerolstein
Inscriptions: signature and date: ‘Gerolstein, 7.6.36/Carl Müller’

Een panoramische blik op het gebergte bij Gerolstein in de Eiffel, Duitsland. De voorgrond is onvoltooid.
Rooms-katholieke huwelijksplechtigheid en de zegening van het huwelijksbed
Object type: print
Date: 1724 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: marriage in church ~ the sixth of the seven sacraments, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), blessing the married couple, (civil) marriage ceremonies
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Prent ook gebruikt in: Picart, Bernard. Ceremonies et coutumes religieuses de tous les peuples du monde (...). 10 delen. Amsterdam: Jean Frederic Bernard, 1723-1743, dl. 2 (1723), na p. 114. En in de Nederlandse vertaling: Picart, Bernard en Abraham Moubach. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt : in een historisch verhaal (...). 6 delen. 's-Gravenhage: Rutgert Christoffel Alberts, 1727-1738, dl. 2 (1727), na p. 106. En waarschijnlijk ook in de Engelse vertaling.
Panel
Object type: textile
Date: 1805 – 1810
Materials: textile, silk
Techniques: bookbinding, brocade, patterning, weave, satin weave
Location: lyon
Subjects: medallions
Facsimile van het handschrift van Caroline Mathilde, prinses van Wales en koningin van Denemarken
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, etching
Location: edinburgh
Artist: Anonymous
Subjects: london, historical persons, queen
Inscriptions: date
Livre d'oyseavx
Object type: print
Date: 1648 – 1692
Materials: paper
Techniques: etching
Location: paris
Subjects: water-birds: duck
Inscriptions: collector's mark: Lugt 240
Allegorie op de Onbevlekte Ontvangenis
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: italy
Subjects: 'immaculata', 'purisima': mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent)
Inscriptions: collector's mark: Lugt 240

Onderaan zijn Adam en Eva vastgebonden aan de boom van de kennis van goed en kwaad met daarin de slang. Naast hen bevinden zich Mozes, koningen, priesters, een soldaat en overige figuren. Bovenaan de boom zweeft Maria met engelen op een wolk. Met haar linkervoet staat zij op een halve maan en vertrapt zij de slang in de boom.
Miniature Jar with Cover
Object type: jar with cover
Date: 1767 – 1800
Materials: enamel, glaze, porcelain
Techniques: enamel
Culture: japanese
Subjects: flowers
Saucer with a waterlandscape and flower scrolls
Object type: platter
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op het plat van de schotel een gelobd cartouche met hierin een rivierlandschap met paviljoen, personen, bomen en rotsen, om het cartouche bloemranken in bianco sopra bianco; de binnenrand met een band met bloemranken. Famille rose.
Carriage Design Drawing for Express Wagon No. 420
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1840 – 1868
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: metz
Subjects: tales and fairy tales, human life divided into stages
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over het leven van Karel, van zijn jeugd tot zijn huwelijk. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: 65.
Jacob and Rachel
Object type: drawing and watercolor
Date: 1832 – 1832
Materials: graphite, ink, paper
Techniques: brush, pen, stumping
Location: germany
Artist: august richter
Artist nationality: german
Artist dates: 1801 – 1873
Toegangspoort van het Toshogu-heiligdom in Nikko
Object type: album leaf
Date: 1870 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: nikko
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, gate, entrance

Onderdeel van Leporelloalbum met 30 foto's van landschappen en gebouwen in Japan.
Bodice
Object type: bodice
Date: 1860 – 1865
Materials: cotton
Culture: american
Fragment of a Relief
Object type: relief fragment
Date: 201 – 700
Materials: clay
Culture: central asian
Portret van Michiel Adriaenszoon de Ruyter
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: collector's mark: Lugt 2228

Portret van admiraal Michiel Adriaenszoon de Ruyter. Onder het portret een lofdicht door Vondel over zijn heldendaden op zee.
Ovoid covered jar with women and flower pots
Object type: covered jar
Date: 1700 – 1724
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Eivormige dekselpot van porselein, beschilderd op het glazuur in blauw, rood, groen, geel, aubergine en zwart. De wand is verdeeld in vier vakken met daarin afwisselend een vrouw met een waaier in een omheinde tuin en een bloempot met bloeiende planten (chrysant), een rots en een vaandel. Boven de voet een band met bloemranken. De schouder met een band servetwerk onderbroken door antiquiteiten in cartouches (qin, rollen, boeken, go-spel). De deksel met antiquiteiten en servetwerk. Famille verte.
Saucer
Object type: saucer
Date: 1800 – 1830
Materials: earthenware
Location: england
Subjects: peacocks
Vierde plaat met de vijfhoek in de vestingbouw, 1693
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fortifications, military engineering

Vierde plaat met de toepassing van het geometrische figuur van de vijfhoek in de vestingbouw. Onderdeel van het eerste deel (1693) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel in het Frans.
Ontwerptekening voor een kamerwand
Object type: album leaf
Date: 1760 – 1819
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: (story of) minerva (pallas, athena), sculpture, wall-covering, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘voor de hr Hk. A. Muller/ op de zaal/ 176’

Met een sculptuur van Minerva met aan de voet drie putti. Met in de linkermarge een paar afmetingen. Tekening maakt deel uit van een album.
Hof in Peking
Object type: print
Date: 1682 – 1733
Materials: paper
Techniques: etching
Location: leiden
Subjects: fashion, clothing, asiatic races and peoples, china

Het hof in Peking met drie pagodes. Op een plein lopen Japanners, Chinezen, Tartaarse ruiters, Siammers (inwoners van Siam, nu Thailand), Makassars, Javanen etc. De voorstelling laat zien hoe de verschillende groepen gekleed gingen. Met een legenda in het Nederlands en het Frans. De prent maakt deel uit van een album.
Coffeepot
Object type: coffeepot
Date: 1737 – 1738
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Subjects: infants,flowers
Dame met rouwsluier en mof, op de rechterzijde gezien
Object type: costume print
Date: 1620 – 1623
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: veil (+ women's clothes), clothes, costume (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), mourning dress, muff (+ women's clothes), nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240

Kapje met lange huik ( of soort ondermuts) Lijf met spits toelopend schootje. Overkleed met bontrand. . Mof.
Orchestra
Object type: photomechanical print
Materials: paper
Techniques: photograph, lithograph, hand coloring
Location: japan
Subjects: small group of musicians, chamber orchestra, jazz band, adult woman (+ three persons), japan
Inscriptions: inscription: ‘Kota Violin Samisen.’
Quarantine, Kingston, Jamaica. Jamaica
Object type: photograph
Materials: paper
Techniques: platinum process
Location: kingston
Artist: Anonymous
Subjects: gulf, bay, prospect of village, silhouette of village
To Commemorate the Paris International Exposition of 1878
Object type: medal
Date: 1878 – 1878
Materials: bronze
Techniques: silvered, struck
Artist: jules-clément chaplain
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1909
Subjects: profiles,women,angels
Isabel Wachenheimer en haar derde echtgenoot Gideon Elon in de bergen met een echtpaar, mogelijk in Duitsland of de Verenigde Staten
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Subjects: leiden, isabel wachenheimer-elon, gideon elon, forest, wood, mountains

Blad bevat zes foto's van Isabel Wachenheimer en Gideon Elon en twee andere mensen. Deze foto's maken deel uit van een album.
Zondagmorgen op de Boulevard
Object type: photograph
Date: 1905 – 1924
Materials: photographic support
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: adult woman, strolling, adult man
Inscriptions: number: ‘9114’

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Hamburg, Elbbrücke
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Ointment jar of Sithathoryunet
Object type: ointment jar, sithathoryunet
Date: 1887 – 1813
Materials: stone
Location: egypt
Portret van Otto von Bismarck
Object type: woven material
Date: 1872 – 1880
Materials: textile
Techniques: weave
Location: zielona góra
Subjects: historical persons, germany
Inscriptions: inscription: ‘Der Feindbezwinger/ Der Einheitserringer/ Der Friedensbringer/ 1871/ 1870/ 1872/ In Trinitate Robur/ Webeschule in Grünberg-Schl./ Dir. Koch.’
Portret van Sarah Bernhardt
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: paris, sculptor, sarah bernhardt, historical persons
Inscriptions: collector's mark: Lugt 2233
Motiv aus Ahrenshoop
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: ostseebad ahrenshoop
Subjects: dunes (sea not visible); in the dunes
Inscriptions: monogram: ‘BX’, inscription: ‘Berlin’
Portrait of Ulrich Varnbüler
Object type: print
Date: 1522 – 1522
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Apotheose van helden onder de regering van Minerva
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) jupiter (zeus), eloquence; 'eloquenza', 'fermezza & gravità dell'oratione' (ripa), specific aspects, allegorical aspects of minerva; minerva as patroness, heroes, male characters from the legendary origins of rome, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Allegorische voorstelling die verbeeldt dat onder de regering van de godin van de wijsheid Minerva welbespraaktheid en heldendom bloeien. Op de voorgrond zit Minerva op een stapel boeken, met haar speer in de handen. Naast haar een vrouw op de rug gezien, wellicht een muze, met de caduceus. Op de wolken klimmen helden naar de Olympus, waar Jupiter hen wacht. Vader Tijd kijkt vergeefs toe en ziet hoe de helden zich eeuwige roem verschaffen.
Lion and Bird with Other Animal Parts
Object type: architectural fragment
Date: 301 – 500
Materials: stone
Culture: roman
Location: italy
Subjects: lions, animals
Nederlandse cent,1922
Object type: cent
Date: 1922 – 1922
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.
Wapentrofee
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, 'tropaion', i.e. decorative ornament ~ weapons

Wapentrofee, ornament met wapens en wapenrusting, overgenomen van de Zuil van Trajanus. Onderdeel (23e. Cah.er f.le 65) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Pitcher
Object type: pitcher
Date: 1875 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Subjects: men,playing cards

Bret Harte (1836-1902) rivaled Mark Twain in the field of late-nineteenth-century American popular literature. The decoration on one side of this pitcher is inspired by Harte’s 1870 poem, "The Heathen Chinee," satirizing the gambling life in California mining camps. On the front of the pitcher, the designer Karl Müller depicted Harte’s frontiersman Bill Nye confronting the Chinese immigrant, Ah Sin, during a card game. While the poem was written as an indictment of anti-Chinese racism, Harte’s message backfired, and the public read his emphasis on xenophobia literally. Similarly, Muller’s design reinforced negative stereotypes at a time of growing anti-immigrant sentiment in the country. On the other side of the pitcher, Muller departs from the Harte poem by depicting the character of King Gambrinus, the mythical Flemish inventor of beer, offering Brother Jonathan, the American "everyman" (and predecessor of Uncle Sam), a glass of foaming brew. The scene references a short story published in 1868 by the Frenchman Charles Deulin (1827-1877).
Procession held in Saint Peter's Basilica in honor of the Canonization of several Saints
Object type: print
Date: 1712 – 1712
Techniques: engraving, etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,women,saint peter,crowd
Terracotta Nolan neck-amphora (jar)
Object type: nolan neck amphora with ridged handle
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: ethiop painter
Artist role: artist
Subjects: women,athena,ajax
Portret van Hendrik Loncq
Object type: book illustration
Date: 1646 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: ornament ~ medallion, historical persons, commander-in-chief, admiral
Inscriptions: inscription: ‘Hendrik Loncq (ondersteunt Piet Hein/ in de overwinning van de Zilvere Vloot.)/ Vad. Hist. X, 407./ No. 1107.’

Prent uit: Scriverius, Petrus. Beschrivinge van Out Batavien (...). Amsterdam: Broer Jansz., 1646, p. 218. Prent met andere omlijstingen gebruikt in de editie van 1636.