deem-data/ArtiFact huggingface dataset:
Stilleven met gevogelte, kruiken en planten
Object type: tissue stereograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: bird hunting, still life of miscellaneous objects
Pair of Square Seals with Cloud and Rock Pattern
Object type: seal
Date: 1901 – 2000
Culture: chinese
Subjects: clouds

Seal carving became an important branch of Chinese literati art during the late sixteenth century, when artists began using soft stones, or soapstones, for the craft. A variety of soapstones, particularly those from Fujian and Zhejiang provinces on China's southeastern coast, quickly became the preferred material, chosen for their fine texture, attractive colors, subtle luster, sensuous feel, and jadelike translucence. These stones have since been held in the highest esteem by artists and collectors alike. As the extensive exploitation in the last few centuries has practically exhausted their sources, they are now in extremely limited supply. This pair of seals, each a square prism with a gently curving top, are made of duchengkang stone, which is named after the site of its occurrence in Fujian Province and celebrated for its mellow amber color and fine grain. On their smoothly polished surface, clouds and rocks, common decorative motifs on the sides of seals, are skillfully and fluidly carved in low relief.
Reception by the Japanese of the Americans at Yokohama
Object type: print
Date: 1870 – 1879
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: sensai eiko
Artist role: artist
Subjects: men,ceremony
Hoofd van een farao
Object type: sketchbook leaf
Date: 1890 – 1922
Materials: paper, pencil
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: ruler, sovereign
Inscriptions: annotation: ‘Amén[...]tis/ staart/ [...]speuren/ slang/ teeken van/ koninklijke/ waardigheid’

De farao draagt een hoofddeksel met slang. Blad 28 recto uit een schetsboek met 43 bladen.
Portret van Anne Claude de Caylus
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, print maker, anne claude philippe caylus, historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Panthéon français, ou Collection de portraits des personnages célèbres (...). Parijs: P. Sudré, 1825-1827.
Landschap met boten op het water en een toren
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil
Artist: Anonymous
Subjects: river bank
Inscriptions: annotation: ‘...’

Bladzijde 90 en 91 uit een schetsboek met 96 bladzijden.
Zittende tekenaar
Object type: drawing
Date: 1716 – 1716
Materials: chalk, paper
Location: netherlands
Artist: cornelis troost
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1750
Subjects: sitting figure, draughtsman at work
Inscriptions: collector's mark: Lugt 2488

Studie van een zittende man, aan het tekenen. Driekwart van achteren gezien.
Reinforce for the Left Cowter for Use in the Tilt
Object type: armor
Date: 1560 – 1560
Materials: steel
Culture: italian
Location: northern italy
Denis Lebey de Batilly, Emblemata, 1596
Object type: cognizance
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: trees: apple-tree, picking fruit
Inscriptions: collector's mark: Lugt 240

Een jonge man plukt een appel van een boom. Naast de boom zit een paar op een bankje. De man houdt een appel in zijn hand. Onder de boom liggen ook een paar rijpe appels. Het motto maakt een vergelijking tussen de appel en de mens. Als de appel te vroeg geplukt wordt is hij zuur. Als de appel rijp is valt hij vanzelf uit de boom.
Tekenvoorbeelden van verschillende figuren voor Monsieur de Boucoeur
Object type: album leaf
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: paris
Subjects: model-books ~ implements of painter, folk costume, regional costume

Deze titelprent en prenten maken deel uit van een 21-delige serie met tekenvoorbeelden van verschillende alledaagse figuren voor Monsieur de Boucoeur. Zoals vermeld in IFF 17e siècle zou de serie corresponderen met de serie 'Caprices' door Callot.
Portret van Antonio Francesco Taddei op bidprent
Object type: prayer card
Date: 1875 – 1875
Materials: cardboard, paper
Techniques: albumen print, lithograph
Location: trento
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Parenti amici/ pregate i beni imperituri (...) questa memoria porgono./ Lit. G. Zippel Trento.’
Landschap met sloot en koeien
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Subjects: cow, meadow, pasture, small canal, ditch (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Seal
Object type: ceramic
Date: 1750 – 1770
Materials: enamel, metal, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: chelsea
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Towers of the Bishop's Palace, Beauvais
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: drypoint, etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: brussels
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photo- Française/ BRUXELLES/ 51. RUE DE LA MONTAGNE’
Poem Accompanying an Over Robe (Uchikake) with a Bamboo Painting by Gion Nankai
Object type: handscroll
Date: 1824 – 1824
Materials: ink, silk
Culture: japanese
Artist: rai san’yō
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1832

The Confucian scholar, Nanga-school painter, calligrapher, and poet Rai San’yō was born in Osaka and studied in Hiroshima and Edo before decamping to Kyoto in 1811, where he opened a school and devoted himself to the writing of kanshi poetry (verses composed in Chinese by Japanese authors). This handscroll with his verse was commissioned by the owners of a rare silk-satin over robe with a bamboo forest painted in ink by the renowned Nanga artist Gion Nankai (1975.268.88). The garment had been treasured for generations by the Karakane family, and the poem, in expertly and crisply brushed Chinese characters, was intended to celebrate its inclusion in the trousseau of a young Karakane woman. Because of San'y’ō's status as one of the leading Chinese-style calligraphers of the day, this scroll has been cherished over the centuries and preserved together with the precious silk robe. This poem scroll is accompanied by two other documents in andscroll format: one records the provenance of the over robe that Nankai painted and how San’yō was inspired to brush this elegant encomium (1975.269.90); the other is an authenticity statement (1975.269.91).
Glass mosaic bowl rim fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment from a shallow mosaic bowl
't Dorp Ryswyk van vooren / 't Dorp Ryswyk, van agteren te zien
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: canals, waters (in village), village
Inscriptions: collector's mark: Lugt 2228

Twee gezichten op het dorp Rijswijk, gedrukt van twee platen. Boven: Een dorpsstraat met figuren, in de verte een kerktoren. Onder: Een aan de vaart gelegen huizenrij waarlangs figuren wandelen. Uiterst rechts twee figuren op een brug, links een figuur op een kar. In de verte een kerktoren.
Deventer. Nieuwe Markt
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: deventer
Subjects: square, place, circus, etc., deventer
Man met een meerkat op schoot
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: monkeys, apes, taming, domestication of animals; tamed or domesticated animal, friendship between man and animal; caressing, petting, dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Panel
Object type: textile
Date: 1501 – 1600
Materials: silk
Techniques: damask, weave
Location: italy
Vrouwelijk naakt
Object type: sketchbook leaf
Date: 1879 – 1884
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

De vrouw is van opzij en ten voeten uit getekend met de armen opgeheven. Pagina 5 uit een schetsboek met 28 bladen.
Portret van Ferdinand Sterzinger
Object type: print
Date: 1786 – 1797
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Figure of crouching lion
Object type: sculpture
Date: 800 – 601
Materials: ivory
Culture: iranian
Location: iran, luristan
Subjects: lions

This is a small crouching ivory lion. The lion has large round eyes, triangular ears and an open mouth. Its shoulders and hindquarters are rounded. It rests on a flat base with two holes. Presumably it was originally attached to something, but it is impossible to say what at this point. Possibly it was the handle for an ivory container of some kind. This lion was excavated at Surkh Dum, a settlement site in Luristan in the Zagros Mountains of western Iran. It was part of a large hoard of objects buried beneath a doorjamb in a structure interpreted as a sanctuary; thus the objects were probably offerings made for a god. Lions were native to Iran until the 20th century A.D. As a result they appear frequently in ancient Iranian art, as symbols of strength, kingship or the raw power of the natural world. Given how little is known of the Iron Age inhabitants of Luristan it is difficult to say what significance this lion had for them.
Boerenerf met hooischuren
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: etching
Artist: johannes henrichs
Artist role: print maker
Artist dates: 1882 – 1954
Subjects: barn, hanging the wash to dry
Inscriptions: collector's mark: Lugt 2228

Aan één van de hooischuren is een waslijn met kleding gespannen. Voor de waslijn loopt een haan.
Portret van een onbekende vrouw, aangeduid als Anna B.
Object type: photograph
Date: 1878 – 1878
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons not known by name - bb - woman, france
Inscriptions: inscription: ‘Mlle Anna B./ 1878’, number: ‘78’
Wine cooler
Object type: wine cooler
Date: 1770 – 1780
Materials: wood
Silver fibula (safety pin)
Object type: fibula
Date: 400 – 301
Materials: silver
Culture: greek

With a double arc for the bow and a long catch plate ending in a hemisphere. The catch plate is engraved with lotus flowers. The bow is solid.
Portret van Jean Paul Bignon
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: jean-paul bignon, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 18. Leipzig: Johann Gottlieb Gleditsch, 1713.
Boerderij
Object type: print
Date: 1741 – 1795
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: cow, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Een boerderij, met in de deuropening een vrouw, en daarnaast een hooiberg. Op het erf staan koeien, waarvan één wordt gemolken.
Plate 28 from Blatt Baum und Landschafts Studien
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: lithograph
Location: sweden
Artist: lorenz ekemann alesson
Artist nationality: swedish
Artist dates: 1791 – 1828
Letter
Object type: handscroll
Date: 1536 – 1612
Materials: ink, paper
Culture: japanese
Artist: konoe sakihisa
Artist role: artist
Artist nationality: japanese
Artist dates: 1536 – 1612

This letter, written by the courtier and government official Konoe Sakahisa, is now mounted as a handscroll. Brushed predominantly in Chinese characters (kanji), in semi-cursive script, it concludes with Sakahisa’s handwritten seal (kaō), and three additional, brief lines, the leftmost of which may have been slightly cropped in the mounting process. Although originally intended for personal communication rather than as an object for display, the balance of the characters and variations in thickness and thinness of the brushstrokes and the density of the ink—with thinner, delicately flowing lines used for the Japanese syllabic characters (kana)—combine for an elegant visual effect. Sakahisa, who lived from the final years of the Muromachi period through the short-lived but momentous Momoyama period, was a nobleman of major importance and a member of a branch of the illustrious Fujiwara clan. He had ties to both the imperial court and the warrior class and was active in political and military circles, holding several official posts, and became adoptive father to the country’s second "great unifier," the warlord Toyotomi Hideyoshi (1537–1598). Sakahisa’s son, Konoe Nobutada (1565–1614), was renowned as one of the great calligraphers of his time and labeled one of the Kan’ei Sanpitsu, or "Three Brushes of the Kan’ei era."
The Martyrdom of Saint Peter
Object type: print
Date: 1560 – 1560
Techniques: engraving
Artist: martino rota
Artist role: artist
Artist nationality: italian
Artist dates: 1520 – 1583
Subjects: men,trees,angels,saint peter
Amazonenslag
Object type: print
Date: 1543 – 1543
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: battle of amazons; amazonomachy
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘3’

Strijdscène tussen de krijgshaftige halfnaakte Amazonen en mannelijke soldaten met helmen. Titel linksboven.
Arcus Vespasiani, from "Views of Ancient Roman Temples and Arches"
Object type: print
Date: 1535 – 1540
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600

Half view of a triumphal arch dedicated to the Vespasian, at left.
Compositiestudies
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: interior of the house, street (+ city(-scape) with figures, staffage)

Tekeningen in kaders. Onder andere studies van twee figuren in een interieur en een straat met figuren. Blad 35 verso uit een schetsboek met 52 bladen.
Bespannen kanon
Object type: drawing
Date: 1867 – 1923
Materials: charcoal, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: firearms: cannon
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: cotton
Subjects: flowers
Spoelkom, polychroom beschilderd met een landschap in een medaillon uitgespaard in een geometirsch patroon
Object type: slop bowl
Date: 1759 – 1771
Materials: porcelain
Techniques: painted
Location: weesp

Spoelkom met een veelkleurig landschap in een medaillon uitgespaard in een paars geometrisch patroon.
Gezicht op het treinstation van Pretoria met locomotief
Object type: album leaf
Date: 1886 – 1896
Materials: photographic support
Techniques: albumen print
Location: pretoria
Artist: Anonymous
Subjects: station; shelter (railway, tramway), steam locomotive
Inscriptions: annotation: ‘Crocodile River Z.A.R. Pretoria station N.Z.A.R.’
David and Goliath
Object type: manuscript cutting
Date: 1400 – 1400
Materials: ink, metal leaf, parchment, paint
Culture: french
Subjects: david
Onderboezem met Hercules
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: etching
Location: france

Hercules wordt gekroond door een Victoriafiguur.
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china, porcelain
Techniques: painted
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A plate with a flattened rim. A star-shaped medallion with 4 rui heads and various diaper patterns. These plates all have a central decoration of symbols; the decoration on cavetto and rim are also similar. Another typical feature of these plates is the pattern resembling the imprint of woven cloth in the centre, under the glaze. A central decoration of an insect on a rock. Panels decorated with peaches and symbols.
Washer for Wine Cups
Object type: washer
Date: 1800 – 1800
Materials: clay, glaze
Techniques: relief
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Subjects: birds
The Disciples of Flora
Object type: print
Date: 1778 – 1778
Techniques: etching
Artist: françois godefroy
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1819
Subjects: women,plants
Saucer
Object type: saucer
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,boats
Dukaat uit het Duitse Keizerrijk
Object type: ducat
Date: 1600 – 1800
Materials: gold
Techniques: striking

Gouden gelegenheidsmunt. Voorzijde: tenmidden van enkele wolken stralende zon, waarnaar een adelaar opvliegt. aan de linkerhand reikt een arm met hand uit een wolk een kroon aan. Keerzijde: bijbels tafereel met de Here Jezus aan het kruis. Op de achtergrond gebouwen. Gladde rand.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: nikosthenes painter
Artist role: artist

Exterior, two hind legs of a horse to left; calf and foot of a male to right; two legs of a horse to right?
Nederlandse cent, 1860
Object type: coin
Date: 1860 – 1860
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding 1 C. gekroond rijkswapenschild. Gladde rand.
A Young Boy Seen from Behind, holding a sword and cap
Object type: drawing
Materials: chalk
Location: italy
Artist: matteo rosselli
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1650
Subjects: hats,swords,boys
Tafelkleed vervaardigd van licht gele zijde.
Object type: tafelkleed
Date: 1690 – 1710
Materials: linen, silk
Location: amsterdam
Artist: Anonymous

Tafelkleed, vervaardigd van licht gele zijde, afgezet met een ingerimpeld licht blauw zijden lintje; de constructie bestaat uit een rechthoekig bovenblad, waaraan een ( nu nog slechts over twee zijden) doorlopende streek geplooid is aangezet. De strook steekt boven het blad.
Noli Me Tangere, from The Passion of Christ, plate 25
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: christ,mary magdalene
Portret van Jerome Bonaparte (koning van Westfalen)
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: paris
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1501 – 1700
Materials: linen, silk
Techniques: embroidery
Portret van een man met pet en pijp
Object type: drawing
Date: 1906 – 1906
Materials: chalk, paper
Artist: coba steenhoff
Artist role: draughtsman
Subjects: historical persons
Inscriptions: date
Madame Félix Gallois
Object type: drawing
Date: 1852 – 1852
Materials: gold, graphite, oil, paper
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: portraits,women

Ingres made portraits of his contemporaries all his life. Whether working in oil on canvas or graphite on paper, he brought painstaking concentration to the task, creating likenesses of stunning verisimilitude. Nathalie Gallois was a cousin of Ingres's second wife Delphine Ramel, whom he married in 1852. With customary ease and the touch of a pencil, Ingres presents his bourgeois relative with patrician finery, detailing the folds and ruffles of her elegant dress. Sparing no adornments, Ingres has highlighted Nathalie's jewelry in gold paint and traced the lacey hair ornament with meticulous precision. The sitter's porcelain skin and comely expression made the drawing a perfect gift for Monsieur Gallois, as detailed in the artist's affectionate inscription.
Chasuble Front
Object type: chasuble front
Date: 1701 – 1800
Materials: linen, metal, paper, silk
Culture: italian
Subjects: flowers
Portret van Joseph Souberbielle
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4336
Naues Mercantoriæ Hollandicæ, vulgo, VLIET (A Dutch freighter)
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: ships

A Dutch freighter sailing to left in foreground, another seen behind at left; distant view of a town at right.
Dood van Rene Descartes
Object type: history medal
Date: 1740 – 1740
Materials: silver
Techniques: striking
Location: geneva
Artist: jean dassier
Artist role: medailleur
Artist dates: 1676 – 1763
Subjects: rené descartes

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Faam met twee bazuinen, open boek en twee globes gezeten voor grafmonument
Suling Pélog (ring flute)
Object type: suling pélog ring flute
Date: 1801 – 1900
Materials: bamboo, rattan
Culture: javanese, sunda
Location: indonesia
Dagger (Katar)
Object type: dagger katar
Date: 1601 – 1700
Materials: steel
Culture: indian
Location: germany
Subjects: dragons
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, literature ~ arts, diseases, money, germany
Inscriptions: collector's mark: ‘RPK’
De tombe van Floris V in de Grote Kerk te Alkmaar
Object type: drawing
Date: 1834 – 1834
Materials: chalk, paper
Techniques: brush
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: leiden, floris v (graaf van holland en zeeland), interior of church
Numa redt Annna en haar vader van bandieten
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, letterpress printing
Location: liège
Subjects: robbery, male literary characters (with name)
Inscriptions: collector's mark: Lugt 2228

Anna en haar vader worden overvallen door bandieten. Numa komt hen met getrokken zwaard te hulp gesneld. Met een Frans onderschrift.
Ten of Hearts, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Testament van Eudamidas
Object type: print
Date: 1734 – 1811
Materials: paper
Techniques: etching
Subjects: making a testament, death of eudamidas: on his deathbed, having no money, he entrusts his mother and daughter to the good care of his two friends; the testament of eudamidas
Inscriptions: collector's mark: Lugt 2228
Eccentric Anthropomorph
Object type: anthropomorph
Date: 1500 – 1000
Materials: copper
Culture: nepali