deem-data/ArtiFact huggingface dataset:
Albumblad van tante A. van Beusechem aan Cateau
Object type: document
Date: 1832 – 1832
Materials: paper
Location: jakarta
Artist: Anonymous
Subjects: a. van beusechem
Inscriptions: date

Klein papier met daarop de volgende tekst: "Mijn hart is goed mijn vriendschap is bestemdig. Wat uiterlijk ontbreekt vergoed mijn hart inwendig. Wanneer Gij mijn lieve Cateau deze regels leest gedenk dan aan uwe liefhebbende Tante A. van Beusechem. Batavia, 15 juli 1832".
Pair of peacocks
Object type: figure
Date: 1745 – 1750
Materials: soft paste porcelain
Artist: villeroy
Artist role: factory
Artist nationality: french
Artist dates: 1734 – 1748
Subjects: peacocks
Voorraadfles met vierkant lichaam
Object type: miniature
Date: 1700 – 1799
Materials: glass
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘Olio di Gaggia’

Voorraadfles van helder kleurloos glas, vierkant lichaam met hals en ronde wijduitstaande mondrand. De fles draagt een etiket met het opschrift: 'Olio di Gaggia'.
Albert Gallatin
Object type: drawing
Date: 1796 – 1796
Materials: pastel, paper
Culture: american
Artist: james sharples
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1811
Subjects: men,portraits,profiles

The popularity of profile portraits, which ultimately derived from classical medallions honoring famous men of the republics of Greece and Rome, burgeoned during America’s Federal period. The English painter and pastelist James Sharples established a career in America in 1794 by asking local and national politicians to sit for profiles and then enticing them into commissioning one or more copies of the completed portraits. Perhaps with some exceptions, Sharples employed a physiognotrace to record an exact profile and then retained the original portrait for his personal collection, a library of images that he could copy for sale over and over again. Sharples’s profile of the diplomat Albert Gallatin is perhaps the earliest likeness of a man who would be portrayed many times during the course of his long and prestigious career; when he sat for Sharples in about 1796, Gallatin was a member of the U.S. House of Representatives, where he remained for three terms.
Portret van een onbekende vrouw
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: germany
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Subjects: adult woman, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van een onbekende vrouw, ten halve lijve, naar rechts, in japon met decolleté. Knotje op het hoofd.
Friedrich Schiller, Duits literator
Object type: locket
Date: 1687 – 1757
Materials: brass, glass, gypsum
Techniques: casting
Location: berlin
Artist: gottfried eichler
Artist role: draughtsman, painter
Artist dates: 1677 – 1757
Subjects: friedrich von schiller

Eenzijdig medaillon in messing ring achter glas aan draagoog en draagring. Voorzijde: borststuk man naar rechts binnen omschrift. Keerzijde: etiket met opschrift.
En face van een paard
Object type: photomechanical print
Date: 1887 – 1907
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: horse
Portret van een onbekende jonge vrouw
Object type: print
Date: 1850 – 1911
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: g. laguesse
Artist role: print maker
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1 Etat’

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Fragment ingeschoren trijp met een roos, purper op goud.
Object type: woven material
Date: 1800 – 1950
Materials: cotton, textile, hair
Techniques: relief velvet
Artist: Anonymous

Fragment ingeschoren trijp met een roos aan stengel, purper op goud.
Dorpsgezicht met links twee mannen leunend tegen een hekwerk
Object type: watercolor
Date: 1820 – 1872
Materials: paper, pencil, watercolor
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: prospect of village, silhouette of village
Verhaal over Tavenraats overleden hond Ali
Object type: sketchbook leaf
Date: 1812 – 1871
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Inscriptions: date and inscription: ‘[...]’

Blad 93 verso uit een schetsboek met 98 bladen.
Terracotta fragments of a psykter-column-krater joining 1986.11.12
Object type: vase fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: troilos painter
Artist role: artist
Portret Johann Theodor von Bayern, bisschop van Regensburg en Luik
Object type: print
Date: 1723 – 1735
Materials: paper
Techniques: engraving
Subjects: historical persons, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228
Pendant
Object type: pendant
Date: 1801 – 1833
Subjects: men,profiles
Hier vind gy, jonge jeugd! het leeven en de dood, / Van Steeven van der Klok, in al zyn daaden groot
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: death by accident (non-violent death), funerary ceremonial, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen over het leven van Steven van der Klok. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 31.
Overmeestering van de Spaanse Zilvervloot door Piet Hein 1628
Object type: history medal
Date: 1619 – 1619
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde een zeeslag in een baai, met omschrift, op de keerzijde veertien regels tekst.
Abyssinia, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: firearms,men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Narcissus
Object type: print
Date: 1616 – 1656
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) narcissus, dog
Inscriptions: collector's mark: Lugt 240

Both prints were made by Laurent de la Hire, a French artist who concentrated on mythological and religious subjects. Although the landscapes here are similar, the atmosphere is different. On the left, Narcissus looks at his reflection in a relaxed, almost nonchalant manner. In the print on the right, which is from a later date, there is no longer any question of tranquillity: Narcissus is startled by the confrontation with himself. His dog sleeps on unperturbed in both prints.
Paris. Notre-Dame. Chimères
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: ornament ~ grotesque, church (exterior), sculpture
Bottle
Object type: bottle
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, apulian
Fotoreproductie van een schilderij, voorstellende kinderen ontvangen geschenken tijdens Kerstmis
Object type: reproduction
Date: 1882 – 1883
Materials: photographic support
Techniques: albumen print
Location: germany
Subjects: christmas (non-liturgical celebration), bringing gifts; exchanging gifts, child (at home)
U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters
Object type: painting
Date: 1705 – 1705
Materials: canvas, oil, panel
Artist: godfried schalcken
Artist role: draughtsman, painter, print maker
Artist dates: 1643 – 1706
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Vrouw Josina parduijn geboren tot dort den 18 Mey 1642 trouwd Binnenen Middelburg den 29 octob.r 1663 den Heer Ambassadeur Aarnout van Citters Heer van Gapinge. sterft 1 Novemb.r 1718 Binnen voornoemde stad. 4’, signature and date: ‘G. Schalcken 1705’

Portret van Josina Parduyn (1642-1718), tweede echtgenote van Aernout van Citters. Buste in ovaal, op de achterzijde haar familiewapen en dat van haar vier voorouders (Parduyn, Parduyn, Salomons en Tirion), een inscriptie en de cijfer 4.
[Group of 3 Stereograph Views of Belgium]
Object type: stereograph
Date: 1890 – 1919
Techniques: albumen silver print
Artist: underwood & underwood
Artist role: publisher
Artist nationality: american
Subjects: cities
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of a palmette with tendrils
Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left)
Object type: print
Date: 1729 – 1729
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
De advocaat-fiscaal Kievit wordt naar de Gevangenpoort gebracht, 1686
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: transport (of arrested person)

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. X, pl. VII. Deze plaat behoort bij de prenten over het jaar 1686.
La Jeune Parisienne
Object type: print
Date: 1829 – 1829
Techniques: etching, mezzotint
Artist: samuel william reynolds, the elder
Artist role: artist
Artist nationality: british
Artist dates: 1773 – 1835
Glass bowl
Object type: bowl
Date: 34 – 200
Materials: glass
Culture: roman

Colorless with blue green tinge Knocked-off, uneven rim with bulging collar below; vertical sides, rounded at base; bottom with raised central base with shallow kick. Decoration of two parallel wheel-cut grooves on body, 13 mm apart. One chip in rim and several cracks in sides; few bubbles; slight patches of dulling and weathering, mainly on exterior of bottom; some soil encrustation around rim and side on interior.
Groep bezoekers uit Zeeland op de Wereldtentoonstelling van Antwerpen in 1894
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: world fair, world exhibition, anonymous historical persons portrayed in a group, in a group-portrait, antwerp
Jonkheer Theodorus Frederik van Capellen (1762-1824), Vice Admiral and Commanding Officer of the Dutch Squadron off Algiers, 1816
Object type: painting
Date: 1835 – 1835
Materials: oil, panel
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: nijmegen
Inscriptions: signature: ‘Eeckhout’

Portret van jonkheer Theodorus Frederik van Capellen, vice-admiraal en bevelhebber van het Nederlandse eskader voor Algiers in 1816. Borstbeeld in uniform, met op de borst de decoraties Grootkruis Militaire Willemsorde en de Bath-order. Kopie naar het pastel van Charles Howard Hodges SK-A-4639. Pendant van SK-A-4055.
Panel (Furnishing Fabric)
Object type: textile
Date: 1765 – 1775
Materials: cotton
Techniques: weave, printing
Location: middlesex
Artist: bromley hall printworks
Artist role: manufactory
Artist nationality: english
Artist dates: 1694 – 1823
Gezicht op Oud-Arnemuiden en gezicht op Arnemuiden
Object type: print
Materials: chalk, paper, pencil
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘Oud Arnemuijden’, inscription: ‘Arnemuijden’, collector's mark: Lugt 195

Tweede bekende staat van prent (rechtsboven genummerd) ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Derde bekende staat van prent (geen nummering rechtsboven) ook gebruikt in: Heussen, Hugo Franciscus van. Oudheden en gestichten van Zeeland (…). 2 delen. Leiden: Christiaan Vermey, 1722, dl. 1. En in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 21.

Zie ook RP-P-AO-15-152-2 en RP-P-AO-15-152-3.
Wapenschild met helm en bladranken
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam

De helm wijst naar rechts. Aan beide kanten van de helm bevinden zich drie bladranken. Blad uit serie wapenschilden met lege compartimenten.
Evening Glow at Imado, Eight Views of the Sumida River (Sumidagawa hakkei, Imado sekisho), from the series "Famous Places in the Eastern Capital (Toto meisho no uchi)"
Object type: print
Date: 1840 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Cattle resting in a mountainous landscape, Bengal
Object type: drawing
Date: 1808 – 1812
Materials: gouache, graphite, watercolor
Artist: george chinnery
Artist role: artist
Artist nationality: british
Artist dates: 1774 – 1852
Subjects: animals,mountains,landscapes
Gezin van Loentje Onnen in Brussel en Schaarbeek
Object type: photograph
Date: 1904 – 1912
Materials: paper, cardboard
Techniques: collodion silver print
Location: belgium
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: family life, brussels

Deze foto's zijn onderdeel van een album.
Max Liebermann
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Werkstuk voor Diploma fraaie handwerken
Object type: werkstuk
Date: 1890 – 1900
Materials: cotton, textile
Techniques: embroidered
Location: netherlands
Artist: geesje smid
Artist role: artisan

Stukje zwart katoenen satijn met bloemtakje geborduurd in wit.
Grotesques et moresques
Object type: ornament print
Materials: paper
Techniques: etching
Location: france

Van de panelen wordt alleen de linkerkant getoond en de composities zijn geïnspireerd op die van een kandelaber.
Portret van een proefpersoon: 'une petite fille'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, child, physiology and anatomy, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 5 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Portret van Nikolaus Ludwig Graf von Zinzendorf
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Location: schiffbeck
Subjects: earl, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Eight landscapes
Object type: album
Date: 1699 – 1699
Materials: ink, paper
Culture: chinese
Artist: lu han
Artist role: artist
Artist nationality: chinese
Artist dates:  – 1722
Subjects: mountains,landscapes

Almost nothing is known of Lu Han, the painter of this album, but the style of the landscapes indicates he studied the work of his contemporary Wang Hui (1632–1717). The album is notable for the layers of significance encoded in the images: not only is each leaf in the style of a different well-known painter, but many of them also depict historical events, such as the fourth-century Gathering at the Orchid Pavilion, or famous works of literature, such as the “Ode to the Pavilion of the Inebriated Old Man” by Ouyang Xiu (1007–1072).
Scarab Inscribed With the Name of Amun-Re
Object type: scarab, amun re
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
The Beach at Royan
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1827 – 1886
Portret van Jeannette Oostdam
Object type: snapshot
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: address: ‘Kalverstraat 155’, name: ‘Jeanette Oostdam’
Couples Making Love at a Country Inn
Object type: painting
Date: 1570 – 1590
Materials: oil, panel
Artist: aert pietersz.
Artist role: draughtsman, painter
Artist dates: 1550 – 1612
Subjects: (lovers) kissing each other, inn, coffee-house, public house, etc., farm (building)
Inscriptions: signature, under at the left on the bench: ‘AP’

Twee minnende paren bij een herberg. Links zit een liefdespaar achter een doek bij de koestal, op een tafeltje liggen broodjes, lepels en een kom. Rechts achter een openstaande luik omhelzen een kussende man en vrouw elkaar. In het midden hurkt een poepende man tussen de struiken. Door de ramen van de herberg zijn andere gasten te zien.
Element
Object type: element
Date: 1001 – 1200
Materials: gold
Location: iran
Subjects: fish
Shipwreck off Nantucket (Wreck off Nantucket after a Storm)
Object type: painting
Date: 1860 – 1861
Materials: canvas, oil
Culture: american
Artist: william bradford
Artist role: artist
Artist nationality: american
Artist dates: 1823 – 1892
Subjects: shipwrecks,waves,boats

On August 8, 1859, the whaling ship Nantucket ran aground during the night at Nashawena Island, Massachusetts, part of the Elizabeth Islands at the entrance to Vineyard Sound. The next day, Bradford left his studio in New Bedford to observe the scene in preparation for painting this large, epic depiction of the shipwreck. He had recently worked alongside Albert Van Beest, who had been trained in the tradition of Dutch marine painting, and the dramatic effect of heavy seas and tilting ship show the other artist’s influence. Bradford’s impressive knowledge of seagoing vessels, however, is seen in the careful delineation of the deck of the whaler and the small craft that surround it.
Head of a Buddha
Object type: head
Date: 501 – 700
Materials: bronze
Culture: indonesian, javanese
Subjects: heads,buddhism,buddha
Priester Eli valt van zijn stoel en het beeld Dagon valt ter aarde
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the statue of dagon in ashdod falls down, eli, hearing of the capture of the ark, falls from his seat and dies
Inscriptions: collector's mark, collector's mark: Lugt 2233

Twee Bijbelse voorstellingen uit 1 Sam. 4 en 5. Priester Eli valt van zijn stoel en sterft wanneer hij hoort dat de Ark des Verbonds is ingenomen, en het beeld Dagon valt ter aarde naast de Ark des Verbonds. Twee voorstellingen van één plaat, elk voorzien van een titel in het Nederlands en Frans. Geheel rechtsonder genummerd: 46.
Fameux Jury de Peinture. Salon de 1841
Object type: print
Materials: paper, stone
Techniques: letterpress, lithograph, scraping
Location: france
Artist: clément pruche
Artist role: print maker
Artist nationality: french
Artist dates: 1831 – 1870
Christus geneest de zieken
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: miracles of christ ~ healing the sick
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a round shield, seen from the inside, with shield strap and palmette
Zittend mannelijk naakt, van opzij gezien (2e prijs 1788)
Object type: drawing
Date: 1788 – 1788
Materials: chalk, charcoal, paper
Artist: jacob smies
Artist role: draughtsman, painter
Artist dates: 1746 – 1833
Subjects: sitting figure (+ nude human being)
Gezicht op een kasteel in een bosrijk landschap bij Namen
Object type: print
Date: 1813 – 1862
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: landscape with tower or castle
Fotoreproductie van Madonna met stoel door Rafaël
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: rafaël
Artist role: painter
Artist dates: 1483 – 1520
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: inscription: ‘FRATELLI ALINARI/ FIRENZE/ Piazza S. Gaetano’, annotation: ‘164/ Madonna della Seg-/ giola Rafaella/ Florenz’
Studie-prentwerk / Etudes gravées
Object type: print
Date: 1801 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: sitting figure, adolescent, young woman, maiden (+ back view), carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228

Serie voor het eerst uitgegeven door Jacob Ernst Marcus onder de titel Studiebeelden en Fragmenten. Amsterdam: ca.1816. Later heruitgegeven als: Studie-prentwerk/ Etudes gravées.
Gezicht op het kasteel van Saint-Germain-en-Laye
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van tien prenten.
Crape
Object type: photograph
Date: 1839 – 1840
Techniques: salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Kasteel te Duurstede
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle, landscape with tower or castle

Prent uit: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten (...). Amsterdam: Willem Barents, 1725, nr. 263.
Gezicht op Stirling Castle
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: stirling
Artist: Anonymous
Subjects: castle
Inscriptions: inscription: ‘It was a night of lovely June, High rode in cloudless blue the moon (...)’
View of Huis te Vliet, Seen from the South-west
Object type: drawing
Date: 1646 – 1647
Materials: chalk, ink, paper
Techniques: brush
Location: huis te vliet
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: castle, ruin of a building ~ architecture
Beleg van Steenwijk, 1592
Object type: print
Date: 1600 – 1601
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), siege, position war

De plaat is later gebruikt als illustratie in: J.J. Orlers, Den Nassauschen Lauren-Crans: Beschrijvinghe ende af-beeldinge van alle de victorien ... die Godt Almachtich de ... Staten der Vereenichde Nederlanden verleent heeft, deur het wijs ende clouck beleyt des Hooch-ghebooren Fursts Maurits van Nassau, J.J. Orlers en H. van Haestens, Leiden 1610, fol. 84/85.
Zeven deelkaarten betreffende het beleg van Den Bosch in 1629
Object type: print
Date: 1629 – 1630
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: delft, frederick henry (prince of orange), ernst casimir graaf van nassau-dietz, maps of separate countries or regions, fortifications, military engineering, den bosch
Inscriptions: collector's mark, inscription: ‘Veldslagen 518a’

Loopgraven van het Staatse leger onder graaf Ernst Casimir tot aan de stad. Onderdeel van het beleg van Den Bosch door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Opschriften in de voorstelling in het Frans en Nederlands. Behoort waarschijnlijk bij de grote kaart van het beleg.