deem-data/ArtiFact huggingface dataset:
Coin
Object type: coin
Date: 401 – 1400
Materials: copper
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Transverse Flute
Object type: transverse flute
Date: 1800 – 1800
Materials: ivory, metal, silver, wood
Culture: german
Location: germany
Artist: johann friedrich boie
Artist role: maker
Artist nationality: german
Psiche offre a Venere il vaso di Proserpina di Raffaele
Object type: reproduction
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: villa farnesina
Artist: domenico anderson
Artist role: fotograaf
Artist dates: 1854 – 1939
Subjects: picture, painting
Inscriptions: inscription: ‘1178 PSICHE OFFRE A VENERE IL VASO DI PROSERPINA DI RAFFAELE’
Monnik met een boek en een monnik naast een brouwinstallatie
Object type: photomechanical print
Date: 1885 – 1896
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: daily activities in convent, e.g. brewing, writing, monk(s), friar(s)
L'Epreuve
Object type: print
Materials: paper
Techniques: lithograph
Location: paris
Subjects: violent death by hanging
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verschenen in album met tien originele prenten bij tijdschrift: L'Epreuve, februari 1895, prent nr. 7
Portret van Marcel Proust
Object type: photomechanical print
Date: 1896 – 1930
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: paris, historical persons, portrait of a writer
Inscriptions: stamp: ‘JVB’

Fotomechanische afdruk uit een onbekende publicatie.
Platter
Object type: platter
Date: 1750 – 1775
Materials: faience
Techniques: glazing
Subjects: flowers
Portret van René Descartes
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: rené descartes
Inscriptions: collector's mark: Lugt 240

Portret van de filosoof René Descartes (1596-1650), afgebeeld in ovale omlijsting met tekst en wapen. Op een voetstuk met de tekst: Bene qui Latuit, bene Vixit.
Special Pleading
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs
Verschillende taferelen
Object type: popular print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: animals, birds, handicrafts ~ maintenance and repair (with name of trade or profession), the soldier; the soldier's life, fruits: cherry
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, waaronder dieren, kinderen die hout sprokkelen, soldaten en een schoorsteenveger. Onder enkele afbeeldingen een onderschrift. Genummerd rechtsboven: No. 16.
Portret van Frederik, prins der Nederlanden
Object type: photograph
Date: 1881 – 1883
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: berlin, frederik (prins der nederlanden), historical persons
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Niet regeerende Vorsten.
St. Catherine's Hill near Guilford
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Tea service
Object type: sugar box
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Tea services represented a significant part of the production of the Loosdrecht porcelain factory. On display here are a teapot, milk jug and sugar bowl along with other less familiar parts of a tea service, such as a slop bowl, which is used to rinse and warm the cups between two ‘courses’, and a drip catcher (pattipan), which catches the drips from the spout of the teapot.
Bildnis von Holland Day
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: printer, historical persons
Double Louis-d'or of Louis XV of France, 1750
Object type: coin
Date: 1759 – 1759
Materials: gold
Artist: joseph-charles roettiers
Artist role: maker
Artist nationality: french
Artist dates: 1691 – 1779
Subjects: men,profiles,coins,coat of arms

The motto on the reverse, The Might of the Most Christian Kingdom is triumphant 1759, is found frequently on French coins from 1690 (Louis XIV), but as Quebec, with all Canada, was lost in the year 1759, and the conquest of India well on its way under Clive, its application here seems hard to guess.
Design for a Frame in the Form of a Cartouche (Mirror?)
Object type: drawing
Date: 1698 – 1765
Materials: ink
Techniques: brush, pen, wash
Artist: giovanni battista natali iii
Artist role: artist
Artist nationality: italian
Artist dates: 1698 – 1765
Subjects: cartouches
Piece
Object type: piece
Date: 1770 – 1770
Materials: metal thread, silk
Subjects: flowers,leaves
Mr. J.W. van Vredenburch
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Scraper
Object type: scraper
Materials: stone
Location: egypt
Untitled (Portrait of Seated Man with his Arms Crossed)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject, male, people, portrait
Actress wearing hat with pink and green feathers, from Stars of the Stage, Fourth Series (N132) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1892 – 1893
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: hats,portraits,women,actresses

Die-cut trade cards from the "Stars of the Stage, Fourth Series" (N132), issued in an unnumbered set of 25 cards in 1892-93 by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco.
Gold diadem
Object type: wreath diadem
Date: 400 – 301
Materials: gold
Culture: greek

Pediment-shaped gold diadem with palmettes in low relief. Many such diadems, made from thin gold sheets with impressed decoration, have been found in tombs that range in date from the 5th century B.C. to the Roman period.
Landschap met lezende Hieronymus
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: rome
Artist: cornelis cort
Artist role: print maker
Artist dates: 1533 – 1578
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: collector's mark: Lugt 2228

De heilige Hieronymus zit in een bergachtig landschap op een rots te lezen. Naast hem een boek en een zandloper. De leeuw, zijn attribuut, struint tussen de rotsen.
Nieuwjaarswens van de Amsterdamse nachtwacht voor het jaar 1837
Object type: new year card
Date: 1836 – 1837
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: weduwe c. kok geboren van kolm
Artist role: printer, publisher
Subjects: night patrol, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1837. Twee leden van de nachtwacht lopend met een ratel door een straat (Reguliersbreestraat?) bij de Munt in Amsterdam. Met een vers in twee kolommen. Namens de nachtwacht in kwartier No. 35 van de Amstel Corps de Garde der stad Amsterdam: M. van der Hijden, H. ter Poorten, G. Klijn en H. Kruger.
Iohann: Conrad Varnbüler, serenissimo principi Würtembergico a consiliis (...)
Object type: print
Date: 1713 – 1717
Materials: paper
Techniques: engraving
Subjects: politician, official; civil servant; functionary (in general), historical persons, lawyer, attorney at law
Inscriptions: inscription: ‘Les hommes illustres la XVII siecle Amst. 1717’, collector's mark: Lugt 2228

Prent is gebruikt in verschillende series. De huidige staat is gebruikt in de hieronder vermelde serie en uitgaven (6) en (7).

(1)‘Legati Celeberrimi’, uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(2)‘Legati Celeberrimi’, waarschijnlijk uitgegeven in 1651, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(3)‘Legati Celeberrimi', waarschijnlijk uitgegeven in 1658, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(4) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1696 in Rotterdam.
(5) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1697 in Rotterdam.
(6) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', waarschijnlijk uitgegeven circa 1713, maar opnieuw met vermelding van Pieter van der Slaart in 1697 in Rotterdam. De platen in deze uitgave zijn voor het eerst genummerd.
(7) 'Les hommes illustres qui ont vécu dans le XXIIe siècle (...)', uitgegeven door David Mortier in 1717 in Rotterdam.

Zie documentatie. Mogelijk zijn er nog meerdere uitgaven en staten van deze prent.
Length of Woven Silk
Object type: textile
Date: 1735 – 1738
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, patterning, weave
Location: france
Subjects: flowers, botanical/floral, floral, floral motifs, foliage, fruit
Coverlet
Object type: textile
Date: 1820 – 1830
Materials: cotton, wool
Techniques: patterning, weave
Location: united states
Subjects: geometric motif, squares, circles, geometric, coverlet
Kussenovertrek met het stadswapen van Rotterdam
Object type: pillow sham
Date: 1740 – 1740
Materials: silk, wool
Techniques: tapestry
Inscriptions: date: ‘1740’

Kussenblad van een magistratenkussen van tapisserieweefsel. Tegen een blauwe grond het gekroonde wapen van Rotterdam, geflankeerd door twee klimmende leeuwen. Boven de kroon het jaartal 1740.
Landschap met wandelaars
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Artist: auguste herman marie de noter
Artist role: print maker
Artist dates: 1806 – 1838
Subjects: landscapes (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Eén van de wandelaars rust uit in het gras.
Anatomisch beeld en een Griekse Venus
Object type: album leaf
Date: 1777 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: anatomy (non-medical), sculpture

Een anatomisch beeld en een Griekse Venus, deels alleen in omtrek getekend met behulp van een grafometer. Rechtsboven gemerkt: Planche II. De prent maakt deel uit van het boek: A.G. Eckhardt, Beschryving van een algemeenen graphometer, 1778.
Baldwin, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Tombeau au village de Mbanza
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: m'banza congo
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Subjects: grave, tomb
Inscriptions: number: ‘Pl. 52.’
Marché de La Chapelle
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: paul dujardin
Artist role: print maker, printer
Artist dates: 1843 – 1913
Subjects: market-hall, paris
Inscriptions: inscription: ‘Architectes: M.M.A. et L. Magne.’, inscription: ‘1ère Année: LA CONSTRUCTION MODERNE Pl. 32’
Drinkende man op een ton
Object type: print
Date: 1673 – 1715
Materials: paper
Techniques: engraving
Subjects: pipe ~ tobacco, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228

Een man met een pijp in de hand zit op een vat en drinkt uit een kan.
Bomen op landgoed Kasteel Groeneveld
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228

In het midden staat een figuur naast een boom.
Name Panel from the Mortuary Complex of Senwosret I
Object type: relief, mortuary complex, senwosret i
Date: 1961 – 1917
Materials: limestone
Location: egypt
Subjects: birds,hieroglyphs,scarabs,ankh

Both the inside and the outside of the stone enclosure around the pyramid of Senwosret I at Lisht were decorated with one hundred relief panels, four of which have been reconstructed using excavated fragments. Repesented are images of the world according to ancient Egyptian beliefs. Between the fertile land below and the falcon of the sky above lies the realm of the pharaoh, symbolized by the ornate front of his palace. Each field above the palace facade contains Senwosret's Horus name, "Living in births." At the bottom, each panel ended with a relief representation of a fertility god. The very top of the head of one such figure can be seen on this panel. This panel contains two of the names of the king: Ankhmesut Kheperkare.
The Pentecost
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen
Artist: master of the egmont albums
Artist role: artist
Artist nationality: netherlandish
Artist dates: 16 – 16
Subjects: pentecost,crowd

This large drawing of the Pentecost—the appearance of the Holy Spirit to Christ’s disciples after his Ascension, described in Chapter Two of the New Testament book Acts of the Apostles—exhibits the distinctive draftsmanship of the Master of the Egmont Albums, so named for a group of drawings in the Yale University Art Gallery formerly in the collection of John Percival, first Earl of Egmont (1683-1748). The densely packed composition and expressive figures—hallmarks of this artist's work—in combination with the intense contrast of light and dark achieved with a painterly application of ink, heighten the drama of the scene. A very similar drawing, with nearly the exact same dimensions, depicting Christ’s Resurrection was acquired in 2012 by the Ecole des Beaux-Arts in Paris (inv. EBA 8429). The two works may have belonged to a larger Passion series.
Covered Jar
Object type: covered jar
Materials: earthenware, glaze, iron
Techniques: underglaze
Culture: thai
Glasschilderij
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: standing figure, merchant, salesman
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het midden der 17de eeuw. (De Fransche mode).
Jonge vrouw op de rug van een sater
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: italy
Subjects: non-aggressive, friendly or neutral activities and relationships of satyr(s), nymphs (in general); 'ninfe in commune' (ripa), art (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een ovale bas-reliëf, staand op de grond tussen het groen, met een afbeelding van een sater met twee jonge vrouwen, waarvan één schrijlings op zijn rug zit en hem kust.
Landschap met een geestelijke bij een kerk
Object type: print
Date: 1840 – 1907
Materials: paper
Techniques: etching, roulette
Artist: laurent françois guerdet
Artist role: print maker
Artist dates: 1830 – 
Subjects: landscapes in the temperate zone, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gebladerte van de bomen gedeeltelijk overgetrokken in potlood op verso.
Hen
Object type: religious ritual object
Date: 501 – 600
Materials: earthenware
Location: japan

This hen was modeled somewhat simply, but very effectively. Comb marks along her body suggest feathers, and the features of her face and comb were made with simple tools or by hand. The hen’s body is actually one slab of clay that was folded to form the tail section. Many other haniwa in the shape of birds—such as waterfowl, swans, and hens—with similar simple execution but great sensitivity and expressiveness have been excavated, largely in the Kantô region. This piece was unearthed in Tochigi prefecture and was once in the well-known private collection of Okura Hisashi (1892–1960).
Pretiosa Gemma delle virtuose donne, page 2 (recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Lucchino Gargano, Venice, bound by Hardy-Mennil. Dedication page printed in black with illustrated woodcut initial "C".
Stamp Seal in the Shape of Wedjat-Eye
Object type: wedjat eye, thutmose iv
Date: 1400 – 1390
Materials: stone
Techniques: glazing
Location: egypt
Subjects: eyes
Moorish, Woman of Tangier, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Vishva Rajalakshmi Gomata
Object type: lithograph
Date: 1890 – 1890
Techniques: lithograph
Culture: indian
Subjects: men,women,cows

The iconography of this print emerges in conjunction with the popularization of lithographic images of the Hindu gods; it has no real historic precedent. According to Pinney, such images seem to be related to the growing importance of cow protection groups who were attempting to “rouse Hindu feelings against Christians and Muhammadans on account of the killing of cows”. The cow comes to embody Hindu cosmology; technically 84 gods are shown within the cow’s body, though in this example only 33 appear. This imagery played an important role in the emergence of Hindu nationalism that targeted meat-eating lower casts along with non-Hindu religious and colonial communities. Variations on this iconography were issued by most of the major presses.
"Belmead", James River, Virginia: Entrance façade and west-east section (recto); North-south section and upper floorplan (verso)
Object type: drawing ornament architecture
Date: 1845 – 1845
Materials: ink, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses
Bowl
Object type: bowl
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Subjects: birds
Vessel
Object type: vessel
Date: 1101 – 1600
Materials: terracotta
Culture: middle niger civilization
Location: mali
Artist: middle niger artist
Artist role: artist
Panel of a Portable Shrine
Object type: shrine panel
Date: 401 – 600
Materials: stone
Culture: gandhara
Subjects: gandhara,men,buddhism,buddha

The upper panel shows the Buddha's first sermon; the lower one shows him surrounded by figures and a tree.
Landschap met Vlucht naar Egypte
Object type: print
Date: 1527 – 1567
Materials: paper
Techniques: etching
Location: italy
Artist: angelo falconetto
Artist role: print maker
Artist dates: 1504 – 1567
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, landscape with ruins - ii - ideal landscapes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een landschap met antieke ruïnes. Links een open vlakte met enkele hoeves en figuren. Op de achtergrond puntige rotsen. Op de voorgrond rechts een grazende koe, Maria op een ezel en Jozef.
Scroll from the Compendium of Iconographic Drawings (Zuzōshō)
Object type: handscroll
Date: 1167 – 1200
Materials: ink, paper
Culture: japanese
Subjects: buddhism,deities

This scroll is from a transcription of the Zuzōshō, a ten-scroll encyclopedia of Esoteric Buddhist iconography, or imagery, first compiled in the 1130s. The section displayed describes the wrathful Aizen Myōō, one of the Esoteric Buddhist deities known as Wisdom Kings, in text and image.
Phtisie laryngée
Object type: photomechanical print
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: diseases
Inscriptions: number: ‘Fig. 43.’

Prent in album 'La photographie des objets immergés', 1901.
Mountainous landscape with two men in the foreground
Object type: print
Date: 1828 – 1828
Techniques: etching
Artist: antonio vianello
Artist role: artist
Artist nationality: italian
Artist dates: 1778 – 1878
Portret van Simon Episcopius op 60-jarige leeftijd
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: amsterdam, theologian, historical persons
Inscriptions: date

Met zesregelig vers in het Latijn onder het portret.