deem-data/ArtiFact huggingface dataset:
S. Thadae e
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: the apostle jude thaddaeus; possible attributes: book, club, halberd, scroll
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘10’

De heilige Judas Taddeüs met winkelhaak en boek. Op de achtergrond links wordt Judas gedood door een man met een zwaard. Op de achtergrond rechts is Judas in gesprek met koning Abagarus.
Portret van een onbekende man
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Portret van Eduard van Woodstock
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: prince, historical persons

Prent uit: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617, p. 586.
The Return from War: Mars Disarmed by Venus
Object type: print
Date: 1778 – 1778
Techniques: engraving
Location: paris
Artist: jean jacques avril, the elder
Artist role: artist and publisher
Artist nationality: french
Artist dates: 1744 – 1831
Subjects: armor,cannons,putti,mars,venus

After the painting by Rubens and Brueghel in the J. Paul Getty Museum, Los Angeles.
Marcus de evangelist
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: etching
Location: rome
Subjects: mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll, beasts of prey, predatory animals: lion, angels
Inscriptions: collector's mark: Lugt 240

Prent naar fresco in de Sant'Andrea della Valle in Rome.
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from skyphoi
Gezicht op Philadelphia met op de voorgrond figuren en dieren
Object type: print
Date: 1680 – 1750
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228

Gezicht op Philadelphia met op de voorgrond enkele figuren en dieren. Onder andere een stier waarvan de hoorns worden afgezaagd en een aap (of hond) die over een slapende leeuw plast. Het schip draagt de naam "Eagle".
Portret van Sebastian Göbel
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Silver bowl with swinging handles
Object type: handle of a bowl
Date: 334 – 301
Materials: silver
Culture: greek or south italian

In 1895 the tomb of a Gallic warrior was excavated in a necropolis at Montefortino, about thirty miles west of Ancona in central Italy. The cemetery is that of Gauls who in the fourth century B.C. began to invade central Italy and to stage raids as far south as Apulia. The tomb contained iron weapons, bronze and terracotta vessels, and also a gold ring and five silver vessels that must have been brought as loot from another part of Italy. The hoard includes a silver jug (08.258.51), a silver bowl with swinging handles (08.258.50), a pair of stemless silver cups decorated on the inside with a complex floral pattern (08.258.52–.53), and a silver kyathos (cup-shaped ladle) with a handle that terminates in a duck's head (08.258.54).
Heart Scarab with a Human Head
Object type: scarab, heart, human head
Date: 1550 – 1070
Materials: stone, bronze, gold leaf
Location: egypt
Subjects: hieroglyphs,scarabs
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic
Portret van koning Jacobus II, bestudeerd door Vader Tijd en Geschiedenis
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jacobus ii (koning van engeland en schotland), obelisk, needle, 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Hoogstraten, David van. Engelands staatsveranderingen, vertoond in het leven van Jacobus den II. Haarlem: Jacob Albertsz van Beverwijk, Amsterdam: Timotheus ten Hoorn, 1690.
Het Laatste Oordeel en personificaties van Kracht (Fortitudo) en IJdelheid (Vanitas)
Object type: print
Date: 1520 – 1521
Materials: paper
Techniques: woodcut
Location: low countries
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, (personifications of) 'vanitas', the vanity of human life; fragilità humana, fugacità delle grandezze & della gloria mondana, meditatione della morte, opera vana, piacere vano, vana gloria, vanità (ripa), comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils
Inscriptions: collector's mark: Lugt 240

Gedrukt van meerdere blokken, vormt één geheel door nieuwe omlijsting. Ook gebruikt als boekillustratie. Links personificatie van de kracht, vrouw met afgebroken zuil. Rechts personificatie van de ijdelheid, vrouw met spiegel en pauw. In het midden Laatste Oordeel.
Commissioner Street
Object type: photograph
Date: 1890 – 1905
Materials: paper
Techniques: gelatin silver print
Location: johannesburg
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, street, johannesburg
Landschap met boerenkar bij boerderij
Object type: print
Date: 1661 – 1689
Materials: paper
Techniques: engraving
Artist: alexander voet (ii)
Artist role: print maker
Artist dates: 1635 – 1695
Subjects: well, dale, valley, farm or solitary house in landscape (+ city(-scape) with figures, staffage), farm or solitary house in landscape, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228

Heuvellandschap met rechts een boerderij, op de voorgrond een boerenkar en op de achtergrond een gezicht op een dal. Voor de boerderij een waterput.
Cup and saucer
Object type: cup and saucer
Date: 1790 – 1800
Materials: hard paste porcelain
Subjects: flowers
Zeilend schip, boerderij en hooischelf
Object type: drawing
Date: 1929 – 1929
Materials: chalk, paper
Artist: pieter h.j.j. ras
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: farm or solitary house in landscape
Pittoreske gezichten in Rio de Janeiro
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: rio de janeiro
Subjects: urban life
Inscriptions: number: Lugt 2228a

Prent gepubliceerd in het album: Louis Buvelot en Louis-Auguste Moreaux, 'Rio de Janeiro Pitoresco', Rio de Janeiro 1842. Buvelot tekende de landschappen, terwijl Moreaux de figuren tekende.
Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, plate 12 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: putti,dogs,acanthus
Voyage en Italie, en Sicile et à Malte - 1778
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: number: ‘No 173 Halte à la grotte delle Capre aux confins des deux Régions Nemorosa & Fredda’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Fish hook
Object type: fish hook
Date: 1295 – 1070
Materials: copper alloy
Location: northern upper egypt
Portret van Cornelis Saftleven
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: engraving
Subjects: rotterdam, painter, print maker, draughtsman, cornelis saftleven, historical persons, portrait, self-portrait of painter

Prent mogelijk uit: Iconographie ou Vies des Hommes Illustres du XVII. Siecle (...). 2 dln. Amsterdam: Johann Caspar Arkstee, Leipzig: Henricus Merkus, 1759.

Prent is ontworpen voor de serie getiteld 'Iconographie' samengesteld door Anthony van Dyck en uitgegeven in 1645-1646.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 488.
Seated Buddha
Object type: figure
Date: 701 – 833
Materials: bronze
Culture: burmese
Subjects: buddhism,buddha

The Pyu kingdom flourished in central and northern Burma from the early years B.C. to about 832, when Halin, the capital, was sacked by forces of the southern Chinese Nanchao kingdom. The sculpture displays a fluidity of modeling, with an emphasis on soft, flowing volumes rather than a linear development of form, that is seen in early Southeast Asian sculpture. This seated Buddha originally held both of his hands in the teaching gesture (vitarkamudra). The pose is associated with Mon-Dvaravati-period sculpture and is not found in India.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: françois émile michel
Artist role: painter
Artist dates: 1828 – 1909
Subjects: haarlem, painter, jan van de velde (i), pieter haverkorn van rijsewijk, daniël franken dzn., delft, enkhuizen, print maker, draughtsman, jan van de velde (ii), drawing, historical persons (portraits and scenes from the life)
Inscriptions: watermark, collector's mark: ‘RPK’
Fragment with a Band
Object type: textile fragment
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Trucano. Victorine (veuve Belloti). 54 ans, né à St Maurier (Italie). Chapelier. Vol anarchiste. 19/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: portraits,women

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Kogel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bullet ammunition
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Man van Smarten tussen Maria en Johannes de Evangelist
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb
Inscriptions: collector's mark: Lugt 240

Ronde voorstelling van Christus voor het kruis, ondersteund door Maria en Johannes de Evangelist. Latijns randschrift in gotisch schrift.
Hand Spear (Nage-yari) or Javelin (Te-yari) with Sheath
Object type: hand spear nage yari or javelin te yari with sheath
Date: 1601 – 1700
Materials: steel, wood
Culture: japanese
Location: japan
The Life Class of the Vienna Academy
Object type: print
Date: 1790 – 1790
Techniques: mezzotint
Artist: johann jacobe
Artist role: artist
Artist nationality: austrian
Artist dates: 1733 – 1797
Subjects: painting,men,male nudes

Members of the Vienna Academy are represented sketching, painting, and sculpting from a live model. Quadal, who specialized in portraits and animal subjects, sits sketching in the right foreground. Jacobé taught mezzotint—an intaglio technique in which subtle gradations of light and shade form the image—at the Vienna Academy. Thanks to his professorship, Vienna produced the only significant school of mezzotint artists in the late eighteenth century outside of London. This impression is a proof, a step in the working process, and the names of the artists had yet to be engraved on the plate. They were added by hand in brown ink in the bottom margin.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of running dog pattern; Exterior, hooves from two horses
Twee naakte vrouwen en drie vissen
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: swimming (movement in water) - aa - female human figure (+ nude human being), fishes
Inscriptions: clichéaanwijzing, onder, handgeschreven
Food bowl
Object type: food bowl
Date: 1615 – 1868
Materials: amber, cobalt, enamel, stoneware
Techniques: painting
Culture: japanese
Portrait of the Emperor Joseph II as Military Commander
Object type: drawing
Materials: graphite, ink, paper
Techniques: brush, heightening, wash
Location: germany
Artist: johann wolfgang baumgartner
Artist role: artist
Artist nationality: german
Artist dates: 1712 – 1761
Subjects: men,portraits
Briefhoofd voor de Cisalpijnse Republiek
Object type: print
Date: 1797 – 1801
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: governmental and representative bodies, letter, envelope, freedom, liberty; 'libertà' (ripa)
Inscriptions: collector's mark: Lugt 2228
Covered jar with women and flower pots in panels
Object type: covered jar
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘玉<BR />Yù’

Balustervormige dekselpot van porselein, beschilderd in onderglazuur blauw. De wand is verdeeld in drie rijen met zeshoekige vakken met daarin afwisselend een vrouw (lange lijs) in een omheinde tuin en een bloemenvaas in een landschap. Op de schouder twee bloemtakken. Gemerkt op de onderzijde met het karakter 'yù', jade, in een dubbele cirkel. Een barst in de rand. Onderdeel van een kaststel met nummer AK-RBK-16290. Blauw-wit.
Ontwerp voor een kamerbeschildering met scènes uit het leven van Aeneas
Object type: drawing
Date: 1677 – 1755
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: the story of aeneas' wanderings to italy (virgil, aeneid)
Steamship Queen
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: alaska
Artist: Anonymous
Subjects: ships (in general)
Inscriptions: inscription: ‘Goodall, Perkins & Co., Agents.’
Ark van Noach
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: the gathering of the animals in pairs ~ story of noah
Inscriptions: collector's mark: Lugt 240

Drie mannen met een ezel en een grote groep dieren bij een bosrand. Zij bewegen zich richting de ark, waar Noach staat met zijn familie.
Portret van Guérin de Montaigu
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: philippe thomassin
Artist role: print maker, publisher
Artist dates: 1562 – 1622
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Deze prent maakt deel uit van een grotere prent met vier portretten die later is verknipt. Prent waarschijnlijk uit: Veltroni, Tolomeo. Statuta hospitalis Hierusalem. [Rome: s.n., 1588].
Drie kinderen spelend op het strand van Zandvoort
Object type: drawing
Date: 1882 – 1882
Materials: paper, pencil
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: zandvoort
Berlin. Königl. Schloss und Schlossbrücke
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: castle, bridge in city across river, canal, etc.
Inscriptions: stamp: ‘5’
Brief aan F. van Damme
Object type: letter
Date: 1918 – 1918
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: charitable works
Proef-stuck der oude Batavieren voor de Derde mael getoont, op den 21. Augusti 1673, in 't bevechten en verjagen der twee machtige geconjungeerde Koninghlijcke Zee-vlooten, van Vranckrijck en Engelandt
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Subjects: flushing, michiel adriaenszoon de ruyter, rotterdam, amsterdam, cornelis tromp, the hague, william iii (prince of orange and king of england, scotland, and ireland), battle (+ naval force), battle of the texel

Zeeslag bij Kijkduin, 21 augustus 1673. Zeeslag tussen de Staatse vloot onder Michiel Adriaenszoon de Ruyter en Tromp en de gecombineerde Engels-Franse vloot onder prins Rupert. Boven de slag in het midden het portret van Willem III, links portret van De Ruyter, rechts van Tromp. Onder de plaat een tekstblad met beschrijving van de slag, een vers en de legenda's 1-38 en A-H.
Valentia in 1857-1858 at the Time of the Laying of the Former Cable
Object type: drawing
Date: 1865 – 1865
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: landscapes,boats,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the Irish coast near the site selected in 1857 for the cable to enter the ocean from the east. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
Twee lopende figuren en één hurkende figuur
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: walking (+ male human being (not to be used where -a- is prescribed)), squatting, crouching figure (+ male human being (not to be used where -a- is prescribed))

Blad 3 verso uit een schetsboek met 32 bladen.
Girdle Set with Bats and the Character for Longevity (Shou)
Object type: girdle set
Date: 1801 – 1900
Materials: glass, metal thread, silk
Culture: chinese
Subjects: bats
Le Gentilhomme qui Salue Tenant son Feutre Sous le Bras (The Gentleman who Bows Holding his Felt Hat Under his Arm), from "La Noblesse" (The Nobility)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Design for Stanhope Gig, no. 3915
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Glas met bloesemtakken
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: flowers, container of glass: bottle, jar, vase
Inscriptions: collector's mark: Lugt 2228
Gewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Disc-shaped weight, circular, flat, rounded edge with circular groove, eroded.
De briefwisseling tusschen Jhr. Wttewaal v. Stoetwegen en Dr. Kuyper
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, personifications of countries, nations, states, districts, etc., beasts of prey, predatory animals: bear, political caricatures and satires

Abraham Kuyper wast een 'ongelikt beertje' (Wttewaall van Stoetwegen, Nederlands diplomaat in Rusland) in een tobbe. Een volwassen Russische beer (tsaar Nicolaas II) kijkt gezeten op zijn troon toe.
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, gold leaf, paper, textile, silk
Techniques: embroidery, lacquer, lining, weave, stitching
Location: japan