deem-data/ArtiFact huggingface dataset:
Saint Jerome in His Study
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: interiors,skulls,dogs,lions,saint jerome,writing

Of Dürer's three technically brilliant Meisterstiche (master engravings) of 1513 and 1514, this is the one whose interpretation seems the most straightforward. Saint Jerome, translator of the Bible into Latin (the Vulgate) and thus the exemplar of the Christian scholar, is seated in a typical study of Dürer's day. He works peacefully at a slanted writing table, and his lion and dog slumber equally peacefully in the foreground. The light of his halo and the sunlight pouring in through the windows are in perfect equilibrium, and recurrent horizontals in the composition add to the pervasive sense of repose and harmony.
Bowl
Object type: bowl
Date: 1125 – 1050
Materials: terracotta
Culture: cypriot

Shallow bowl with painted and incised polychrome bands.
Duel te paard
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: duel in place of battle
Inscriptions: collector's mark: Lugt 240
Gezicht op een overheidsgebouw, Banks Kothi, in Lucknow
Object type: page
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: lucknow
Artist: darogha ubbas alli
Artist role: fotograaf
Subjects: housing
Inscriptions: number: ‘7’, inscription: ‘[...] where we often dine + have dances’
Portret van een onbekende man
Object type: print
Date: 1812 – 1877
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: name: ‘Joh. H(?). Troll, Maler aus Winterthur’, collector's mark: Lugt 2228
Hooiopper
Object type: print
Date: 1894 – 1895
Materials: paper
Techniques: intaglio
Location: north holland
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: hay-stack
Inscriptions: collector's mark: Lugt 2233
Panel
Object type: panel
Date: 1001 – 1100
Materials: wood
Techniques: carving
Location: egypt
Subjects: human figures,birds,drinking
Bronze bird
Object type: statuette of a bird
Date: 750 – 700
Materials: bronze
Culture: greek
Subjects: birds

With its crest and full tail, this bird, perhaps a peacock, is particularly magnificent. It could have stood on its base or been hung through the loop on the back. The fullness of its body is enhanced by the round base decorated in openwork (pierced patterns). This example was probably made in the Argolid. In Geometric art, animals far outnumbered human figures, with horses, birds, sheep, bulls, and other quadrupeds being particularly common. Thousands of cast bronze figurines were found in most sanctuaries of ancient Greece, where they had been deposited as personal offerings to the gods. Birds like this one, standing on a base, have primarily been found in sanctuaries in northern Greece.
Portret van een vrouw met muts
Object type: carte de visite
Date: 1869 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Location: delft
Artist: christiaan martinus jan hermelink
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographisch Instituut/ Delft/ Oude Delft/ W 5, No 527’
Harvest-home
Object type: page
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: harvest festivities (+ dancing ~ festive activities)
Inscriptions: inscription: ‘Registered.’
De vier werelddelen
Object type: ornament print
Date: 1719 – 1749
Materials: paper
Techniques: etching
Location: augsburg
Subjects: flowers, rocaille ornament, europe represented allegorically; 'europa' (ripa), birds, weapons, horse
Inscriptions: collector's mark: Lugt 2228

Het paard staat onder een boog van rocailles. Ernaast kanonskogels en een ton, mogelijk een kruitvat. De boog wordt omgeven door verschillende vogels, bloemen en wapens. Midden boven 33 en linksboven 161 genummerd.
The hills-Fung-Wang-San
Object type: page
Date: 1884 – 1894
Materials: photographic support
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: (high) hill, china
C.G. Coqueley de Chaussepierre
Object type: album leaf
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, administration of justice, trial
Inscriptions: date
Palm branch
Object type: ornament
Date: 1701 – 1800
Materials: gilt bronze
Studioportret van een onbekend meisje met een viool
Object type: photograph
Date: 1875 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: violin, fiddle, girl (child between toddler and youth)
La Cigale
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louis van engelen
Artist role: print maker
Artist dates: 1856 – 1940
Subjects: walking-stick, staff, old man, cithern, mandolin, guitar, balalaika
Inscriptions: inscription: ‘3e Etat Bon à tirer’, collector's mark: Lugt 2228
Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"
Object type: statue, harpokrates, seated
Date: 664 – 630
Materials: metal
Techniques: inlay
Location: egypt
Subjects: amun

The figure represents a child god in a seated/reclining position, wearing the double feather crown, complete with a streamer at the back. The crown associates him with the god Amun, a connection that is also made explicit in the inscription on the base. The child god, as here, is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and a sidelock on the right side of his head. The sidelock was cast separately and was then mechanically attached to the crown with a pin. The braiding is inlaid with silver. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Because of their profusion and many local forms, generally it is very difficult to assign precise identities to child gods, but an inscription on the base names this figure as Harpokrates. Horus the child (or Harpokrates) is best known as the son of Osiris and Isis, but in some cases, such as this one and 25.184.19, he is also referred to as the son of Amun. Such multi-layered associations are common to Egyptian religion, which had no strict canon perse and which, by this point in time, was built upon millennia of change and adaptation.
Portret van Johann Sebastian Bach
Object type: print
Date: 1839 – 1865
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: historical persons
Derde verdieping van het Pavillon Sully in het Palais du Louvre
Object type: album leaf
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: caryatids ~ architecture, other architectural details (with name), permanent exhibition, museum, façade (of house or building), paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Nunquam non paratus per deum meum transilio murum
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Japanese Drawing
Object type: drawing
Date: 1801 – 1833
Materials: paper
Culture: japanese
Subjects: birds,leaves

Drawing of birds on a wisteria vine
Portret van een staande militair
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Artist: b. joseph fechner
Artist role: fotograaf
Subjects: historical persons, (military) uniforms
Inscriptions: inscription: ‘Photografie/ B. Jos. Fechner/ Wien/ Verlängerte Kärntnerstrasse/ Eck der Elisabeth-Strasse/ No1 neu N1271 alt’
Card Table
Object type: furniture
Date: 1810 – 1820
Materials: leather, wood
Location: boston
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
Trumpet in B-flat
Object type: trumpet in b flat
Date: 1801 – 1900
Materials: glass
Culture: italian
Location: italy
Odawara: Fishermen's Houses on the Beach (Odawara, kaigan gyosha), no. 10 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
A Rake's Progress, Plate 4
Object type: print
Date: 1800 – 1800
Techniques: engraving
Artist: dent
Artist role: engraver
Artist nationality: british
Artist dates: 1800 – 1800
Subjects: men,women,dogs
Portret van Albertus Brink
Object type: print
Date: 1789 – 1822
Materials: paper
Techniques: etching
Location: gouda
Subjects: prediker, albertus brink
Inscriptions: collector's mark: Lugt 2166

Portret in ovale lijst van Albertus Brink, een predikant uit Leeuwarden. Buste naar rechts. Hij draagt een predikerstoga met een witte bef. De prent heeft een Nederlands opschrift met de naam van de geportretteerde en een gedicht.
Cap crown
Object type: cap crown
Date: 1701 – 1800
Materials: metal thread, velvet
Subjects: flowers
Opening van de Maastunnel te Rotterdam (Vereniging voor Penningkunst 1942, jaarpenning)
Object type: history medal
Date: 1942 – 1942
Materials: metal alloy
Techniques: striking
Artist: marinus kutterink
Artist role: sculptor
Artist dates: 1907 – 1983

Witmetalen penning, op de voorzijde de Rotterdamse stadsgodin met wapenschild en maquette tronend tussen een man en twee vrouwen met symbolen van vrede, arbeid, handel en scheepvaart, met omschrift, op de keerzijde een plattegrond van het Nieuwe Maas-gebied met omschrift.
Two Reclining Nudes
Object type: drawing
Date: 1905 – 1906
Materials: pencil
Artist: gustav klimt
Artist role: artist
Artist nationality: austrian
Artist dates: 1862 – 1918
Subjects: human figures,abstraction
Portret van José Segundo Láinez
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Cap trimming
Object type: cap border
Date: 1701 – 1733
Subjects: flowers,leaves
Portret van Scipione Maffei
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: augsburg
Artist: johann jacob haid
Artist role: print maker, publisher
Artist dates: 1704 – 1767
Subjects: inscription, armour, historical persons, oil-lamp, ornament ~ cartouche, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1742.
Scarab Inscribed with a Blessing Related to Re
Object type: scarab, hieroglyph, rdi ra, re give
Date: 1640 – 1550
Materials: faience
Location: egypt
Subjects: scarabs

During the late Middle Kingdom (late Dynasty 12–13, ca. 1850–1640 B.C.), numerous scarabs were incised with inscriptions related to the sun god Re. These scarabs are often quite small. The precise meaning of the inscriptions remains unclear: they can be interpreted as forming the name Re, or as a phrase or wish meaning (may) Re give. Such inscriptions summon the sun god’s protection. These so-called ‘rdi ra’ scarabs continue to be manufactured during the Second Intermediate Period (ca. 1640–1550 B.C.), but show different details on the back and sides.
Landschap met bomen bij een plas
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching, roulette
Artist: henri joseph harpignies
Artist role: draughtsman, print maker
Artist dates: 1819 – 1916
Subjects: landscapes, pond, pool
Inscriptions: collector's mark: Lugt 1485
Collar
Object type: collar
Date: 1801 – 1900
Culture: french
Portret van U. Monti
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: ‘LF’, collector's mark: Lugt 2228
“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Verhaal van de Verloren Zoon
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: the prodigal son returns home, where his father awaits him

Boven de voorstelling staat een Latijse bijbeltekst uit het boek Lucas: Filivs mevs mortvvs erat, et revixit, perierat, et inventvs est, Lvce XV
Comforts of Bath, Plate 1
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,interiors,men
Ex libris van Bernard Anten
Object type: bookplate
Date: 1942 – 1942
Materials: paper
Techniques: printing block
Location: netherlands
Artist: auguste magdelijns
Artist role: print maker
Subjects: notation of music, tragedy
Inscriptions: inscription: ‘Aug. Magdelijns '42’
Le rendez-vous
Object type: print
Date: 1840 – 1870
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, hunting-seat, hunting lodge, 'rendez-vous de chasse', 'jagdschloss' - cc - female hunter, huntress, lovers' meeting
Inscriptions: collector's mark: Lugt 2228a, check stamp: ‘JGB (?)’
Bonbonnière in the form of an Apple
Object type: metalwork
Date: 1780 – 1800
Materials: copper, enamel, metal
Techniques: polychrome
Location: england
Portret van Johannes I, koning van Portugal
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: portugal
Artist: gabriël françois louis debrie
Artist role: draughtsman, print maker
Artist dates:  – 1754
Subjects: lissabon, johannes i (koning van portugal)
Inscriptions: collector's mark: Lugt 2228

Portret van Johannes I, koning van Portugal, staand ten halven lijve, gekleed in harnas met daarover een koningsmantel, scepter in zijn hand en kroon op zijn hoofd, in ovale omlijsting met lauwerkrans. Onder cartouche met Hercules zittend bij oorlogstrofeeën, het geheel binnen rechthoekige omlijsting.
Sofa
Object type: page
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: couch, sofa, settee

Genummerd: Pl. 25. Bank gemerkt: C. Prent maakt deel uit van een boek.
Portret van Alfred de Falloux
Object type: photograph
Date: 1855 – 1860
Materials: cardboard, paper
Techniques: salted paper print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: politician, alfred de falloux, historical persons, politician, e.g. party leader, paris
Inscriptions: signature: ‘Pierre Petit’, annotation: ‘M. Falloux’
Landscape with a farm building and the 'house with the tower'
Object type: print
Date: 1727 – 1764
Materials: paper
Techniques: etching
Artist: john smith of chichester
Artist role: print maker
Artist dates: 1717 – 1764
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Square Tray
Object type: tray
Date: 1720 – 1720
Materials: glaze, porcelain
Culture: japanese
Subjects: flowers,bamboo
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Exterior, right hand holding javelin or spear
Portret van keizer Ferdinand II
Object type: print
Date: 1619 – 1662
Materials: paper
Techniques: engraving, etching
Subjects: vienna, ferdinand ii (duits keizer), historical persons, knighthood order of the golden fleece, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Kwitantie voor Jacob Kuyper
Object type: ontvangstbewijs, kwitantie
Date: 1865 – 1865
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jacob kuyper (1821-1908)
Artist role: cartograaf
Artist dates: 1821 – 1908
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Fotoreproductie van het fresco 'het Laatste Avondmaal' van Leonardo da Vinci
Object type: prayer card
Date: 1861 – 1861
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: inscription: ‘Souvenir des Soins de Charité/ De Chine Valentine/ le 2 juin 1861’
Gezicht op Tivoli met de Tempel van Sibylle
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: tivoli
Artist: Anonymous
Subjects: city-view in general; 'veduta', places and objects of worship ~ non-christian religions, tivoli
Inscriptions: inscription: ‘doubl’, collector's mark: ‘VOSMAER’, number: ‘450’
Journal des Dames et des Modes: Ladies’ Fashion
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear: turban (+ women's clothes), bag (reticule) (+ women's clothes), eyeglasses, spectacles (+ female (human being) (not to be used where -aa- is prescribed)), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Turban et Spencer à l'Algérienne. Sac appellé Ridicule, en forme de Corbeille. / Théâtre Italien.’, title: ‘Costume Parisien.’

After the turbulent years of the French Revolution, in 1797 a fashion magazine was finally published again: the Journal des Dames et des Modes. Under the direction of Pierre de La Mésangère, it developed a cosmopolitan flair. The very best draughtsmen were recruited to produce the fashion illustrations, called Costumes Parisiens. They visited spots all over Paris to ensure they saw the latest styles. These included high-waisted gowns with low necklines, ‘Greek’ slippers with cross-laces 1, genuine Kashmiri shawls 2, reticules 3 (small stylish handbags), poke bonnets 4 and full-length English coats knowns as redingotes 5.
Nieuwjaarswens van de Amsterdamse nachtwacht voor het jaar 1838
Object type: new year card
Date: 1837 – 1838
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: night patrol, canals, waters (in city), amsterdam

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1838. Twee leden van de nachtwacht lopend met een ratel door een straat (Reguliersbreestraat?) bij de Munt in Amsterdam. Met een vers in twee kolommen. Namens de nachtwacht in kwartier No. 11 van de Zuider Corps de Garde der stad Amsterdam: A. Hofstee, W. Riethoren, A. de Weever en J. van der Heijden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Standbeeld van Willem I, prins van Oranje, op het Plein te Den Haag
Object type: print
Date: 1848 – 1892
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, william i (prince of orange), monument, statue
Inscriptions: check stamp: ‘François Buffa & Fils’, collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Architectonische omlijsting met kerkvaders en Johannes de Evangelist
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: letterpress printing
Location: ingolstadt
Subjects: title-page, ornament derived from architectural details, doctors (fathers) of the church
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Bellarmino, Roberto. Disputationum Roberti Bellarmini Politiani (...). Ingolstadt: Adam Sartoris, 1601.
Ontwerp voor wandschildering in de Beurs van Berlage: staande vrouw met getrokken zwaard
Object type: drawing
Date: 1869 – 1925
Materials: pencil, paper
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Sword (Campilan)
Object type: sword campilan
Date: 1701 – 1900
Materials: hair, metal, wood
Culture: indonesian
Location: indonesia
Eucharistieviering in een kerk
Object type: book illustration
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: holy communion ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Cave, William. De godsdienst der oude christenen. Amsterdam: Arnoldus van Ravestein, 1694.
Panel
Object type: panel
Date: 1501 – 1600
Materials: metal thread, silk, silver, silver gilt, thread, velvet
Techniques: brocade, cutting, voiding
Location: turkey
Wensbrief met een herberg, drinkende boeren en acrobaten
Object type: wensbrief
Date: 1801 – 1801
Materials: ink, paper
Techniques: calligraphy, etching, pen
Location: netherlands
Artist: Anonymous
Subjects: farmers, acrobat ~ circus, the show; fair and circus performers, alcoholic drinks, drinking, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Kermis briev / Bijt begin van t kermis leeven ...’

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van een herberg, drinkende boeren en acrobaten. Handgeschreven bericht in kalligrafie (kermisbrief) door Aaltje Koker. Genummerd rechtsboven: No. 43.
Copenhagen. The Concert-Hall in Tivoli
Object type: photomechanical print
Date: 1955 – 1977
Materials: cardboard
Techniques: offset printed, writing
Location: denmark
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), garden fountain, concert hall, copenhagen (city)
Inscriptions: poststempel, verso, gestempeld
Double Insect Pendant
Object type: pendant
Date: 300 – 700
Materials: alloy, gold
Culture: early quimbaya
Location: colombia
Subjects: insects
Portret van Azzone Visconti
Object type: print
Date: 1775 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: politician, historical persons, ruler, sovereign
Foliate Pedestal for a Buddhist Image
Object type: pedestal
Date: 1167 – 1200
Materials: copper, gilt brass
Culture: indian

This foliate pedestal supported an icon (now missing), probably of a seated Buddhist deity in an articulated lotus-bud mandala. The finely modeled openwork design is enhanced with independently cast and gilded ornaments, two of which survive: a flame motif and a conch shell. The Burmese provenance is a reminder of the close connections that existed between eastern India and the Burmese kingdom of Pagan in the eleventh and twelfth centuries.
Vision of Saint Philip Neri
Object type: drawing and watercolor
Date: 1614 – 1614
Materials: chalk, paper, lead, pigment
Techniques: heightening
Location: italy
Artist: after guido reni
Portret van Johann Georg Schlosser
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 3280, collector's mark: Lugt 2228
Tamadare water-fall at Hakone
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: hakone
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: waterfall