deem-data/ArtiFact huggingface dataset:
Portret van Jacques Davy du Perron
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: normandië, kardinaal, jacques davy du perron
Inscriptions: collector's mark: Lugt 2228

Busteportret van de kardinaal Jacques Davy du Perron (1556-1618), afgebeeld in ovaalvorige omlijsting met wapen.
L'Image de Saincte Toscane
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Artist: Anonymous
Subjects: female saints
Inscriptions: collector's mark: Lugt 2228
Kaori-mono-awase, Gyoshu
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yanagawa shigenobu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1820 – 1859
Subjects: men,women,hills,boats
Jeanne d'Arc wordt door soldaten gevangen en meegevoerd
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: brussels
Artist: adolphe alexandre dillens
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1877
Subjects: joan of arc (jeanne d'arc); possible attributes: armour, banner, lance, sword
Inscriptions: collector's mark: Lugt 2228
Mannen en vrouwen op een terras in Frankrijk
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: manoeuvre ~ military training, pavement, terrace in front of inn or restaurant, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Spinner
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
Floral Decoration
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: pierre ranson
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1786
Congo, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Nyckelharpa
Object type: nyckelharpa
Date: 1801 – 1900
Materials: wood
Culture: swedish
Location: sweden
Le ravissement
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: ecstasy, spiritual exaltation, rapture, morphology of facial expression
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Brun, Charles. Les expressions des passions de l'âme, représentées en plusieurs testes gravées d'après les dessins de feu M. Le Brun. Parijs: Jean Audran, 1727.
Gezicht op de Herengracht te Amsterdam, gezien richting de Leidsestraat (Gouden Bocht)
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
This is Worse, plate 37 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war

Ever-increasing violence is on display in this horrific scene. A trial proof of this print bears the inscription, “The one at Chinchón,” suggesting that the artist witnessed this scene of human barbarity.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Exterior, tendrils from handle ornament; thighs, right knee, and part of calves of male to right, with drapery?
Mrs. George Knight, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Top for standard
Object type: sculpture
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Bovenlicht
Object type: sculpture
Date: 1750 – 1799
Materials: wood
Location: netherlands
Artist: Anonymous

Bovenlicht, waarin een gesneden medaillon met mannekop en muziekinstrumenten.
Vrouw die hooi of graan bundelt
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: adult woman, binding ~ harvest, cultivation ~ agriculture

Achter haar nog een figuur op het land. Pagina 18 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
La forge Roussel
Object type: wrapper
Date: 1884 – 1884
Materials: cardboard, ribbon
Techniques: combed marbled paper, printing
Artist: Anonymous
Inscriptions: annotation: ‘JAN/ 1989’, inscription: ‘Édition définitive/ a Bruxelles/ chez Félix Callewaert père/ 26, Rue de l'Industrie 26/ MDCCCLXXXIV’
Railway Exchange Building: Blocks with Repeated Meander Pattern
Object type: architectural fragment
Date: 1903 – 1904
Materials: terracotta
Techniques: glazing
Location: chicago
Artist: d. h. burnham & co.
Artist nationality: american
Artist dates: 1891 – 1912
Subjects: chicago
Brocade Textile
Object type: textile
Date: 1301 – 1400
Materials: gold thread, silk
Culture: italian
Location: italy
Subjects: birds
Design for Pink, White and Blue Curtains with Blue Fringes, and Gold and Blue Pediments
Object type: drawing
Date: 1820 – 1820
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
Tea Table
Object type: tea table
Date: 1740 – 1790
Materials: wood
Culture: american
Location: united states
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Object type: print
Date: 1749 – 1750
Techniques: drypoint, engraving, etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,arches,ruins,boats

In the dedication to his first publication, the Prima parte di architettura e di prospettiva of 1743, a series of imaginary views, Piranesi wrote that his observations of the vast remaining piles of marble and the immense spaces once occupied by ancient buildings had filled his spirit with magnificent images. Since he despaired of anyone financing such grand structures, he had decided to share his visions through means of prints. In the Parte di ampio magnifico Porto, an addition to this series of architectural fantasies that was created some years later, we witness one of his most visionary reconstructions of Rome's former grandeur. While an impressive stairway had recently been constructed at the Port of Ripetta in Rome—perhaps one of Piranesi's inspirations in creating a design for a port—the combination of buildings illustrated in this etching could never actually be built. Among the spatial ambiguities, apparently deliberate, the three curving walls, as of a giant amphitheater or the interior walls of the Pantheon, do not relate logically to each other. In the inscription plate which Piranesi added to the second state of the print, many of the features of the port are explained, such as the rostral columns that commemorate naval victories, and the altar to Neptune, from which clouds of incense issue ceaselessly. The idea of landing at such a splendid port is thrilling, although it would be nicer if Piranesi hadn't informed us that the liquid pouring from the lions' head spouts is sewage.
Reliquary with Contents
Object type: reliquary with content
Date: 1 – 300
Materials: bronze, copper, crystal, gold, stone
Culture: gandhara
Subjects: gandhara
Fragment gebrocheerde Gros de Tours met liseré-effect
Object type: silk textile
Date: 1715 – 1720
Materials: silk, thread
Techniques: brocade
Location: france

Fragment gebrocheerde Gros de Tours met liseré-effect, bestaande uit drie aan elkaar genaaide fragmenten. Dessin: verticale zigzagbloem- en bladranken in diverse kleuren roze en oker op een gele stam, waarvan telkens twee bladeren in zilver een bizar karakter hebben, op een groen fond met liseré-effect. Opgespeld papiertje met de letter E. zalm, roze en wit in tussenruimten op een roze fond.
Double-Barrel Revolving Flintlock Pocket Pistol
Object type: arm
Date: 1650 – 1660
Materials: ivory, steel, wood
Location: france
Artist: henri suber
Zondeval en kruisiging, penning geslagen op last van Johan Frederik de Grootmoedige, keurvorst van Saksen
Object type: history medal
Date: 1536 – 1607
Materials: silver
Techniques: casting, metalworking, engraving
Location: leipzig
Artist: hans reinhart (der ältere)
Artist role: medailleur
Artist dates: 1510 – 1581
Subjects: torgau, weimar, keurvorst, johan frederik i (keurvorst van saksen)
Textile with Coiled Dragons
Object type: textile
Date: 1115 – 1234
Materials: metal thread, silk
Techniques: brocade, weave
Culture: chinese
Subjects: dragons

This textile represents the tradition of northern China's Jin dynasty, which was known for textiles brocaded in gold with offset asymmetrical motifs on a solid-colored background. The motif here is a coiled dragon with a flaming jewel. The coiled dragon, as a pattern for princes' robes, dates from the Tang dynasty and was also used for garments in the Song and Xixia dynasties. This example is an early instance of a dragon with five claws. It is woven in a variant of the brocading technique first seen in a Jin-dynasty princely tomb of 1162.
Kaart van dijkdoorbraak te Rijswijk, 1809
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: dike-break, maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Hendrik Ewijk. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. 3 dln. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
Lodewijk Gunther, prins van Nassau-Siegen en Filips, graaf van Nassau vechten samen met de Franse koning Hendrik IV bij Montmédy, 1595
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: paris, hendrik iv (koning van frankrijk en navarra), battle

Lodewijk Gunther, prins van Nassau-Siegen en Filips, graaf van Nassau vechten samen met de Franse koning Hendrik IV bij Montmédy, 1595. Op de voorgrond graaf Filips van Nassau te paard. Met onderschrift van 4 regels in het Latijn. Genummerd 219. Bedrukt op achterzijde met tekst in het Latijn.
Marie Dihau (1843–1935)
Object type: painting
Date: 1867 – 1868
Materials: canvas, oil
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: purses,portraits,profiles,women
The cardinal virtue of Prudence represented by a seated woman holding a snake in her right hand  (possibly a modern impression)
Object type: print
Date: 1480 – 1520
Materials: niello
Techniques: engraving, printing
Artist: Anonymous
Artist role: artist
Subjects: women,snakes
Rapier
Object type: rapier
Date: 1650 – 1660
Materials: copper, steel, wood
Culture: french
Location: france

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Medal with Portrait of Livy in the 5th Book, from Tibère ou les six premiers livres es Annales de Tacite Traduits par M. l'abbé de la Bléterie Professeur d'Eloquence au Collège Royal et de l'Académie Royale des Inscriptions et Belles-lettres. A Paris de l'Imprimerie Royale
Object type: print
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,profiles,medals
Ewer with stopper (part of a service)
Object type: ewer with stopper
Date: 1840 – 1850
Materials: glass, gold
Subjects: flowers
Koninkrijk Saksen, Johann, 2 neugroschen,1871
Object type: coin
Date: 1871 – 1871
Materials: silver
Techniques: striking
Location: dresden

Zilveren munt. Voorzijde: hoofd van de koning naar links. Onder hoofd letter B. Keerzijde: waarde-aanduiding in drie regels, waaronder jaartal. Kartelrand.
Overzicht van vier luchtboogfiguren van de Sint-Janskathedraal te 's-Hertogenbosch
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: antonius godefridus schull
Artist role: fotograaf
Artist dates: 1819 – 1896
Subjects: musician at work, sculpture, beasts of prey, predatory animals: lion, dog
Inscriptions: name: ‘S. FRANCO, b.i. den Haag.’, name: ‘A. G. SCHULL Phot. van Z. M. den Koning 'S HERTOGENBOSCH’, number: ‘N13’

Linksboven een figuur die doedelzak speelt, rechtsboven een fluitspelende man, linksonder een man die de muil van een leeuw opentrekt en rechtsonder een hond die op zijn poot bijt.
Illustration from Livret des Emblemes by Andreas Alciatus, plate 66 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1500 – 1599
Cephalus and Procris
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, heightening, pen, wash
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes

According to myth, the hunter Cephalus rose before dawn each day and, on one tragic morning, accidentally killed his wife with the spear she had given him. A lively application of wash and opaque white suffuses the scene with a soft light, as if darkness has just faded into day.
Valentino (Turin)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: turin
Artist: Anonymous
Subjects: gate, entrance, façade (of house or building)
Inscriptions: number: ‘1168.’
Portret van een man met snor en baard
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: meissen
Artist: ernst schroeter
Artist role: fotograaf
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘E. SCHROETER/ Photographisches Atelier/ 597, OBERGASSE 597./ MEISSEN.’
Groepsportret van W.H. Lohman met zijn gezin
Object type: cabinet photograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘W.H. Lohman and family,/ by their departure/ for the U:S: of America’, address: ‘den Haag/ Toussaintkade 11./ Intercommunal Telephoon: 774./ Amsterdam/ Heerenstraat 6./ Heiligenweg hoek Singel./ Telephoon No 2340./ Utrecht/ Nieuwe gracht 50./ Telephoon No 750.’
Huis aan de oever van een rivier
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: river, rural housing, e.g. country-house, villa, cottage, forest, wood

Zie RP-P-OB-61.381(V) voor de versozijde. Zie Hollstein voor een volledig overzicht van de verschillende edities.
Model of a 30-Pounder Gun on Deck
Object type: demonstration model
Date: 1827 – 1827
Materials: brass, fiber, wood
Location: netherlands
Artist: Anonymous

Dit type affuit, ontworpen in 1827, trok in 1828 de aandacht vanwege het grote schietveld dat hiermee mogelijk werd. Het werd echter afgekeurd. Dit model werd samen met model NG-MC-99 aangeboden om te laten zien hoe de achterboeg van fregatten van 44 en 60 stukken konden worden verdedigd.
Portret van een onbekende man
Object type: photograph
Date: 1855 – 1870
Materials: glass, leather, metal, velvet, wood
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: historical persons
Slapende man
Object type: photograph
Date: 1920 – 1940
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons, sleeping; unconsciousness
Kardinaal George d'Amboise tot twee maal toe niet tot paus gekozen
Object type: history medal
Date: 1634 – 1640
Materials: silver
Techniques: gilding, striking
Location: paris
Artist: pierre regnier
Artist role: medailleur
Artist dates: 1577 – 1640
Subjects: aartsbisschop, georges d' amboise

Zilveren penning met draagoog en draagring. Voorzijde: borststuk man met kardinaalsmuts binnen omschrift. Keerzijde: pauselijke tiara liggend op voetstuk tussen twee sleutels binnen omschrift
Portret van Johann Friedrich Burg
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: johann friedrich burg, theologian, historical persons, book
Inscriptions: date

Prent waarschijnlijk uit: Brucker, Jacob. Bilder-sal heutiges Tages lebender und durch Gelahrtheit berühmter Schrifft-steller (...). Augsburg: Johann Jacob Haid, 1750, dl. 8.
Gezicht op Arnhem
Object type: print
Date: 1837 – 1864
Materials: paper
Techniques: tone lithography
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228
Medaillon voor de Waare Patriot, ca. 1784-1792
Object type: print
Date: 1784 – 1792
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: medal (considered as a piece of sculpture, regardless of its specific function), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Medaillon of plaquette met een schild met een vrouw staande naast een zuil (Standvastigheid) en een anker (Hoop), ca. 1784-1792. Op het schild rust de vrijheidshoed. Ter weerszijden de Nederlandse leeuw en een keeshond. Met randschrift.
Emmanuel-Augustin-Dieudonné-Marin-Joseph, comte de Las Cases
Object type: medallion
Date: 1830 – 1830
Materials: bronze
Artist: pierre jean david d'angers
Artist role: maker
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Schoudertas voor de Boy Scout Camera
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: container of leather: leather bag
Dress
Object type: dress
Date: 1836 – 1836
Materials: silk
Culture: american
L'Auvergne
Object type: photomechanical print
Date: 1921 – 1930
Materials: cardboard
Techniques: photograph
Location: olliergues
Subjects: paris, monument, statue, public gardens, park

Prentbriefkaart maakt deel uit van een album.
Cock and Hen
Date: 1701 – 1800
Materials: ink, paper
Techniques: painting
Culture: japanese
Location: japan
Geboorte van Christus
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: mary, joseph and the new-born christ (nativity)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 698

Maria staat met het Christuskind in haar armen in de stal met de os en de ezel. Jozef staat naast de kribbe te bidden. Twee engelen houden een groot kruis boven het Christuskind.
Eere-Zuil of Graf-Naald. Opgerecht ter gedachtenis van (...) J.M. Baron von Kropff (...)
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: klundert, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Allegorisch monument voor Joachim Maurits baron van Kropff, gesneuveld bij de verdediging van Klundert tegen het Franse leger, 25 februari 1793. Voor een grafnaald twee voorover gebogen treurende figuren, Constitutie en Vaderlandsliefde. In de lucht de Faam met twee kransen. Op met monument een medaillon met portret. Op de achtergrond de verdediging van de vesting en het uit het water halen van zijn lichaam. In het onderschrift een achtregelig vers. Bij de prent behoort een uitleg.
Rekenpenning op de terugkeer van de Nederlandse schepen uit Oost-Indië 1598
Object type: history medal
Date: 1598 – 1598
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het gekroonde wapenschild van West Friesland op gekruiste ankers, met omschrift, op de keerzijde zeven regels tekst.
Funerary staff
Object type: tomb staff
Date: 1400 – 1535
Materials: copper, metal, paint, wood
Culture: inca
Location: peru
Artist: inca artist(s)
Artist role: artist
Profiel van de stad Lyon
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, lyon
Inscriptions: collector's mark: Lugt 240