deem-data/ArtiFact huggingface dataset:
Gezicht van de Oude Waalen-Kerk, tot Amsterdam / Vue de la Vieille Eglise Wallonne, à Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior), rowing-boat, canoe, etc., four-wheeled vehicle drawn by two animals, square, place, circus, etc. (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Terracotta cup: cow's hoof
Object type: cup in the form of a cow's hoof
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist
Subjects: cows

Herdsman with two cows, god, and hare Because landscape is rarely depicted on Attic vases, the amount of detail here is exceptional. Moreover, the herdsman's attire—shoes and a cap and cloak of fur or hide—suggests cold weather.
Table Spoon
Object type: spoon
Date: 1698 – 1698
Materials: silver
Culture: american
Location: united states
Artist: koenraet ten eyck
Artist role: maker
Artist nationality: american
Artist dates: 1678 – 1753
Box
Object type: box
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Opleiding 1940
Object type: album leaf
Date: 1940 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: werner neufang, military training, germany
Inscriptions: inscription: ‘Mein Abschied ... 8. 8. 40.’, inscription: ‘I.R. 139 in Detmold & Deutsch Eylau ...’

Albumblad een foto van Werner tijdens zijn militaire opleiding, afscheid van de Infanterie, 8 augustus 1940. De overige vier foto's die oorspronkelijk op dit blad zaten ingestoken ontbreken. Onderdeel van een fotoalbum over de Duitse Werner Neufang van de Kriegsmarine en de Nederlandse Thea Driesen.
Design for an Altar Chapel, Farnborough, England
Object type: drawing
Date: 1880 – 1886
Materials: gilt, gouache, graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,altars,ornament,insignia
Design for Landau, No. 3089
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezigt van het Buiten van F.L. Pichot, in de voorstad Zeelandia, Suriname
Object type: photograph
Date: 1845 – 1850
Materials: copper, glass, paper, silver
Techniques: daguerreotype
Location: paramaribo
Artist: Anonymous
Subjects: paramaribo (stad), fort zeelandia
Inscriptions: inscription: ‘Gezigt van het Buiten van F. L. Pichot, te Suriname groot een morgenlands - genomen [...] de Zuid-West-zijde -- Eerste [...] aan de Voorstad Zeelandia - NB de Voorstad Zeelandia is [ge....] Tuinstad, een uur gaans...omtrek, met circa 80 huizen’

Gezicht op het buitenhuis van F.L. Pichot van de zuid-westzijde, Zeelandia, Suriname in ovale passe-partout. Op de veranda zijn mensen.
Central Panel of a Triptych
Object type: triptych center
Date: 1280 – 1290
Materials: ivory, paint
Culture: french, north
Subjects: men,madonna and child,saint john the evangelist,crucifixion

Diptychs and triptychs were private devotional objects that served as less elaborate substitutes for ivory tabernacles. This panel represents, in the upper register, the Crucifixion, with Longinus and Stephaton, flanked by the Virgin and St. John the Evangelist, executed in a larger scale. The Virgin and Child appear below, flanked by two angels. The architectural decoration allows the zones to be seen clearly while creating a rich decorative effect.
Portret van een man en een vrouw in een bos
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, forest, wood
Base of the Grizzly Giant
Object type: page
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Location: mariposa grove
Artist: carleton e. watkins
Artist role: fotograaf
Artist dates: 1829 – 1916
Subjects: fabulous trees
Inscriptions: number: ‘XXIV.’
Man met zak op de schouder bij zonsopgang
Object type: print
Date: 1779 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, sunrise, carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228

Rechts op de voorgrond een man met een zak op de schouder, kijkend naar de schepen en de zonsopgang.
Nederlandse Gulden in welstand
Object type: drawing
Date: 1922 – 1925
Materials: chalk, ink, paper
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: politician, elisabeth carolina van dorp, political caricatures and satires, netherlands
Inscriptions: inscription: ‘De Hollandsche Gulden en de Doodbidders / Die men ziek en dood waant, voelt zich lekker als kip!’

De Nederlandse gulden als een gezette man met sigaar en glas champagne. Op de achtergrond huilende politici (Van Dorp, De Geer, Van Gijn, Dresselhuijs). Ontwerp voor een politieke spotprent.
Target gun
Object type: target rifle
Date: 1618 – 1618
Materials: copper, ink, iron, paper, wood
Techniques: cutting, encrustation, soldering
Artist: Anonymous
Inscriptions: inscription: ‘Dit s[?] is vant a[..] // [..]sie’, : ‘O; LA[..]WE[..]; 1618’

The operator of this heavy target gun would have rested the flat base of the support stand on a table or bench, allowing him to take careful aim. There are two indentations on the top of the stock. The smaller of these, to the front, is for the thumb of his right hand, while the rear indentation accommodated the fingers of his left hand. The gun could be suspended from the iron eyelet when not in use.
Brillenetui, langwerpig met afgeronde hoeken, bekleed met zwart geruit papier
Object type: brillenkoker, brillenetui
Date: 1830 – 1840
Materials: paper
Techniques: pasting, scooping
Location: netherlands
Artist: Anonymous
Subjects: eyeglasses, spectacles
Inscriptions: address: ‘G.H. Rinck // Opticien // Nieuwe Binnenweg 253 // Rotterdam’

Brillenetui van dik papier, langwerpig met afgeronde hoeken, bekleed met zwart geruit papier. Zilverkleurige opdruk: G.H. Rinck // Opticien // Nieuwe Binnenweg 253 // Rotterdam.
Titelblad en twaalf gezichten op Rome
Object type: print
Date: 1629 – 1655
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes, animals, rural housing, e.g. country-house, villa, cottage, farm or solitary house in landscape, rome
Inscriptions: collector's mark: Lugt 240

Naast het huis of boerderij staat een grote boom en voor het huis scharrelen enkele dieren. Op het pad dat naar het huis leidt bevinden zich twee wandelaars.
Floral print
Object type: floral print
Date: 1830 – 1870
Materials: cotton
Subjects: flowers
Vijfentwintigjarig huwelijk van Franco van Bleizwijk en Anna Hogenhouk
Object type: family medal
Date: 1696 – 1696
Materials: silver
Techniques: casting, engraving
Location: netherlands
Artist: Anonymous
Subjects: franco van bleiswijck, anna hogenhouk

Zilveren penning. Voorzijde: twee engeltjes met fakkel dragen samen een ketting, waaraan ring hangt met twee duifjes erin boven twee wapenschilden binnen omschrift. Keerzijde: opschrift binnen omschrift
Boek met stads- en tuingezichten
Object type: miniature
Date: 1690 – 1710
Materials: paper, parchment
Location: amsterdam
Artist: Anonymous

Boek met stads- en tuingezichten. Ingebonden in roze gekleurd perkament.
Model of Papyrus Roll
Object type: model papyrus roll, thutmose iv
Date: 1400 – 1390
Materials: faience
Location: egypt
Geometrical Drawing
Object type: illustrated single work
Date: 1251 – 1300
Materials: ink, paper
Location: egypt
Furka
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: furkapas
Artist: Anonymous
Subjects: hotel, hostelry, inn, mountains
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1924 – 1924
Materials: paper, ink
Techniques: pen, printing, writing
Subjects: rose imel, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Krantenknipsel vormt bijlage bij brief RP-D-1982-43-IMEL-160.
The Sorceress of the Yakuts in North East Asia
Object type: drawing and watercolor
Materials: paint, paper, watercolor
Location: united states
Artist: ernst damitz
Artist nationality: american
Artist dates: 1805 – 1883
Villa of Maecenas at Tivoli
Object type: print
Date: 1765 – 1801
Materials: paper
Techniques: etching
Subjects: villa, landscape with ruins (+ city(-scape) with figures, staffage), temple of hercules victor, tivoli
Inscriptions: collector's mark: Lugt 2228
Twee opleidingsschepen in de haven met matrozen
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: harbour
Landau #940
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Drie opnamen van stierengevechten in het amfitheater te Arles en Publiek tijdens het stierenvechten in het amfitheater te Arles
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: bullfight, amphitheatre, travelling; tourism, the audience ~ art performance, france
Trofeeën met schild en pluimenhelm
Object type: ornament print
Date: 1771 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, (military) equipment and supply
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een trofee met vazen, wapens, een schild met de zon en dierenvellen. Rechts een trofee met vlaggen, een pluimenhelm, trommels en wapens.
Hollow-Base Projectile Point
Object type: arrowhead, hollow base, projectile point
Date: 7000 – 4500
Location: egypt

The long history of human occupation in the Nile valley and nearby deserts is often best documented by the tools left behind when sites were abandoned. In recent years, scholars have become increasingly interested in the early periods of Egyptian settlement, and consequently much more is now known about them. The tools of the early Paleolithic period were often hand axes, but in later periods the tool kits became highly varied, with small stone blades becoming very common items. The variety within and between tool kits was due to differences in the environmental zones people occupied and the types of resources they exploited. During the Epipaleolithic period (ca. 10,000–7000 B.C.), tools that we call arrowheads appear for the first time. The hollow-base arrowhead illustrated here was a common type in the Neolithic period (ca. 7000–4500 B.C.), when the habitation of the Nile valley itself was underway. These projectile points were most often made from chert, often called flint, which was found in the form of cobbles lying on the high desert's surface. Whether the arrowheads were attached to wooden shafts or used in spears is difficult to confirm, but representations of men drawing bows can be seen on jars from the early Predynastic Period (ca. 3600 B.C.).
Allegorie op de vrede van Crépy
Object type: print
Date: 1670 – 1680
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: double-headed eagle, symbols, allegories of peace, 'pax'; 'pace' (ripa), knighthood order of the golden fleece, fowl (cock, hen, chicken, etc.), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘L.A. de Vries’

Allegorie op de Vrede van Crépy, gesloten op 18 september 1544 in Crépy tussen Frans I van Frankrijk en Karel V van het Heilige Roomse Rijk. Een wapenschild is omhangen met de Orde van het Gulden Vlies en wordt vastgehouden door een gekroonde tweekoppige adelaar. In zijn rechter poot houdt de adelaar een haan vast die de Franse lelie uitspuugt. Boven en onder de adelaar staan banderollen met Latijnse tekst. Geheel onderin de prent een weergave van een landschap.
Vloertegel versierd met een vogel
Object type: tile
Date: 1299 – 1499
Materials: earthenware, glaze
Location: france
Artist: Anonymous
Jar
Object type: jar
Date: 1 – 600
Materials: ceramic
Culture: nasca
Location: peru
Subjects: human figures
[Seated Man in White Vest and Dark Coat]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: men,portraits
Twee tafels
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table

Twee ronde tafels. Prent uit 11e Livraison.
Tongue from a buckle
Object type: buckle tongue
Date: 501 – 700
Materials: silver gilt
Culture: ostrogothic
Location: black sea
Madonna and Child
Object type: tondo
Date: 1480 – 1490
Materials: gilt, terracotta, wood
Techniques: glazing, polychrome, relief
Artist: andrea della robbia
Artist role: artist
Artist nationality: italian
Artist dates: 1435 – 1525
Subjects: angels,madonna and child
Portret van een jonge vrouw
Object type: photograph
Date: 1877 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘AMERICAN PHOTOGRAPHY./ Hisgen Bros/ PHOTO ARTISTS,/ 128, P. C. HOOFTSTRAAT/ AMSTERDAM’
Oosters tapijt
Object type: oriental rug
Date: 1850 – 1900
Materials: wool
Location: hamadan

Oosters tapijt van geknoopte wol, loperformaat. Op het middenveld staan twee medaillions met rasterwerk, rozetten en hartvormen. Rondom drie randen.
Armchair
Object type: armchair
Date: 1780 – 1790
Materials: wood
Techniques: carving, gilding
Subjects: birds,flowers
Voetstuk
Object type: base
Date: 1900 – 1910
Materials: iron, wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Voetstuk met acht hoeken, versierd met lofwerk.
Tabernacle of Cherves
Object type: tabernacle
Date: 1220 – 1230
Materials: copper, enamel, gilt, wood
Techniques: enamel, chasing, engraving, repoussé
Culture: french
Location: france
Subjects: angels,christ,virgin mary,crucifixion,descent from the cross

This tabernacle is the most celebrated object from the Treasure of Cherves, found in 1896 near the site of a ruined priory of the Grandmont order of monks in Gandory. The accomplished openwork medallions depict events following the Crucifixion, including the Holy Women at the Sepulchre on Easter Sunday (center left) and Doubting Thomas (upper right). With their strong emphasis on the physical presence of Christ after his death, these images were most appropriate for a cupboard intended for storing of the bread consecrated as Christ’s body during the mass.
Judgment of Paris
Object type: ceiling panel
Date: 1509 – 1509
Materials: canvas, panel, wood
Techniques: fresco
Artist: pinturicchio
Artist role: artist
Artist nationality: italian
Artist dates: 1454 – 1513
Subjects: men,female nudes,paris

The ceiling, composed of detached frescoes of mythological subjects set into casts of the original stuccowork, was painted by Pinturicchio and his workshop as part of the decoration of a room in the Palazzo del Magnifico in Siena. The palace was constructed for the ruler of Siena, Pandolfo Petrucci, (1451–1512) called "Il Magnifico," whose coat-of-arms decorates the center of the ceiling. According to an eighteenth century description, the walls were frescoed with eight allegorical and mythological scenes by Signorelli, Girolamo Genga, and Pinturicchio. Six of these were detached in 1842/44 and are now in the National Gallery, London and the Pinacoteca Nazionale, Siena. There was also a wooden framework carved by Antonio Barili, parts of which are preserved in Siena, and a majolica tile floor, sections of which also survive. Some of the tiles are dated 1509, the year Pandolfo Petrucci's son, Borghese, married Vittoria Piccolomini, and the room must have been painted about this time. Pinturricchio was one of the first artists to explore Nero's Golden House in Rome, and the decoration of the present ceiling is based on a vault in the Golden House. The frescoes from the ceiling, badly damaged, were detached in 1912. One of twenty-two panels (14.114.1–.22) forming the ceiling from the Palace of Pandolfo Petrucci. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art– especially sarcophagi.
Schenkkan of vaas op ronde tafel
Object type: ornament print
Date: 1650 – 1664
Materials: paper
Techniques: etching
Location: france
Artist: jean lepautre
Artist role: draughtsman, print maker
Artist dates: 1618 – 1682

De tafel wordt ondersteund door griffioenen.
Boek met figuren
Object type: book
Date: 1690 – 1710
Materials: leather, paper
Location: amsterdam
Artist: Anonymous

Boek met figuren. Ingebonden in blank perkament.
Concretie met fragment pijpenkop en glas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: stone, glass, clay
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: arched cage; fragment, no hsm.
Asschepoester
Object type: popular print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: tales and fairy tales (with title)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het sprookje van Assepoester. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 40.
Liggend mannelijk naakt, naar rechts en steunend op de armen
Object type: drawing
Date: 1664 – 1730
Materials: chalk, paper
Artist: jan hoogsaat
Artist role: painter
Artist dates: 1654 – 1750
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm, human figure of ideal proportions, e.g. academic nude
Broadsheet with two narrative love ballads about desirable women, woman wearing a shawl and a skirt with her hands placed on her hips
Object type: print
Date: 1915 – 1915
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: portraits,women
Louis Michel Lepelletier de St. Fargeau
Object type: print
Date: 1794 – 1794
Techniques: aquatint
Artist: pierre michel alix
Artist role: artist
Artist nationality: french
Artist dates: 1762 – 1817
Subjects: men,portraits