deem-data/ArtiFact huggingface dataset:
Portret van Isabella d'Este
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Subjects: ferrara (stad), markiezin, isabella d' este
Inscriptions: collector's mark: Lugt 240

Portret van Isabella D'Este, markiezin van Mantua.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist
Subjects: helmets,spears,athena,owls

Athena holding spear and helmet, owl at left
Underskirt
Object type: underskirt
Date: 1875 – 1925
Materials: silk
Culture: american or european
Gebouw in landschap met rotsen, Sorrento of Capri
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Location: campania
Artist: Anonymous
Subjects: farm or solitary house in landscape, rocks, campania
Portret van Friedrich Christian Baumeister
Object type: print
Date: 1750 – 1803
Materials: paper
Techniques: engraving, etching
Artist: innocente alessandri
Artist role: print maker
Artist dates: 1740 – 1803
Subjects: historical persons
Door and Part of the Wainscot in the restored Salon of the Trianon Palace, plate IV from "Portes a Placard et Lambris"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: jean le pautre
Artist role: etcher
Artist nationality: french
Artist dates: 1618 – 1682
Subjects: architecture
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of extended arm holding a spear or javelin?
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1815 – 1834
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), painter, draughtsman, wilhelmina of prussia (princess of orange)

Portret van Wilhelmina in een ovaal. Daar omheen een aantal allegorische objecten en dieren, waaronder een wereldbol, een lauwerkrans, een weegschaal, oranjetakken en een ooievaar. Midden boven haar wapen en het wapen van Willem V met een kroon. In de ondermarge vijf regels Nederlandse tekst. Rechtsonder 'Proefdruk'.
Fragment of a terracotta guttus (oil flask)
Object type: guttus fragment with harmodios and aristogeiton
Date: 300 – 201
Materials: terracotta
Culture: greek or south italian or campanian
Portret met uitvergroting van een onbekende jonge vrouw
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Artist: herbert e. watkin
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman

Prent op tweede ongenummerde pagina na pagina 48.
Portret van twee mannen in kostuum, mogelijk toneelspelers
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, blind stamped
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: stage costume, walking-stick, staff, historical persons not known by name
Haan met twee kippen bij een kruiwagen
Object type: drawing
Date: 1856 – 1920
Materials: paper, pencil
Artist: jan herman coster
Artist role: draughtsman
Artist dates: 1846 – 1920
Subjects: fowl (cock, hen, chicken, etc.)
Fragment
Object type: fragment
Date: 1601 – 1800
Materials: silk
Culture: chinese
Fragment of a terracotta kylix: lip-cup (drinking cup)
Object type: kylix, lip cup fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
Artist: sakonides
Artist role: artist
Subjects: women

Exterior, bust of a woman Inscribed "Hail and drink this" The rendering of the woman's face and neck in glaze outline anticipates the red-figure technique, introduced about 530 B.C.
"Kai Kavus Upbraids Siyavush in a Letter", Folio 174r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry,men

When Rustam brings news of the peace to Kai Kavus, the shah refuses to believe the gesture is in good faith. He relieves Rustam of his command of the army and appoints Tus in his place. Kai Kavus drafts a furious letter to Siyavush, accusing his son of laziness and of scheming with Rustam to overthrow him. He urges Siyavush to recommence war with Turan. Rustam returns to Zabulistan washing his hands of Kai Kavus.
Snake
Object type: figure
Date: 1870 – 1880
Materials: earthenware
Techniques: glazing
Artist: saint-honoré-les-bains
Artist role: manufactory
Artist nationality: french
Artist dates: 1820 – 1914
Subjects: snakes

Snakes often featured on Palissy ware dishes and basins of the nineteenth century, typically placed in the center of compositions. This example of a glazed snake suggests that some factories may have made the reptiles as collectible figurines
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of extended right forearm and hand of figure
Liggende, slapende aap
Object type: print
Date: 1878 – 1887
Materials: paper
Techniques: etching, intaglio
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: monkeys, apes
Inscriptions: collector's mark: Lugt 2228
Insects, Butterflies, and a Dragonfly
Object type: drawing
Date: 1662 – 1662
Materials: chalk, gouache, parchment, watercolor
Artist: jan van kessel
Artist role: artist
Artist nationality: flemish
Artist dates: 1626 – 1679
Subjects: insects,butterflies,dragonflies

This drawing and one other in the Met collection (2004.128) are likely preparatory for two copper paintings on panel, which recreate the drawings exactly [1]. A native of Antwerp and a student of Jan Breughel the Younger, van Kessel often worked in elaborate multi-part compositions consisting of many small paintings on copper supports. Such panels may have been intended for the doors of cabinets that contained specimens of the creatures depicted on them, but many finished panels were framed and hung together as monumental artworks. The copper panels derived from the compositions in The Met collection, may have been intended to hang on the wall as a pair. Ambitious in scale, and complex in both materiality and composition, the multi-work format became a signature of Van Kessel's practice through which the artist made lofty claims for the inventiveness of his compositions and his talent to capture natural forms [2]. Despite their preparatory status, the execution of these sheets is refined, if not quite to the level of one of van Kessel’s finished copper panels. Painted on prepared vellum, executed in multiple stages including underdrawing, and signed and dated at the bottom right, the artist has ensured that the drawings could serve as an autonomous artwork, worthy of being collected themselves. In this pair of drawings moths native to Africa crawl next to European insects and American butterflies. Many of these species frequented collections amassed by early modern European collectors through global networks of trade and colonialism. Van Kessel depicted some of the insects we see on these sheets in other artworks, reusing the motifs to create novel compositions [3]. The compositions in the Met collection shuffle insects from van Kessel's roster of motifs, bringing together diverse species creating juxtapositions that would never be observed in nature. In generating these imagined combinations, van Kessel plays with the notion of the artist’s generative power and control over nature. Olivia Dill, 8/20/24 [1] Nadia Baadj, Jan van Kessel I (1626-1679): Crafting a Natural History of Art in Early Modern Antwerp, Harvey Miller Studies in Baroque Art (London: Harvey Miller Publishers, 2016), 91-92. [2] Baadj, Jan van Kessel I (1629–1679). [3] Some of the same insects recur in panels at the Oak Spring Garden Foundation. Jan van Kessel I, Studies of snakes, lizards, flowers, caterpillars, beetles, butterflies, and other insects: a set of seventeen, 1658, oil on copper, sixteen measuring 14 x 19 cm, one measuring 39 x 56 cm, Oak Spring Garden Foundation, Upperville.
Odilbaldus rex secundus
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching, letterpress printing
Location: franeker
Subjects: koning, odilbald (koning der friezen)
Inscriptions: collector's mark: Lugt 2228

De prent is ook als boekillustratie gebruikt in: Winsemius, P.W. Chronique ofte Historische geschiedenisse van Vrieslant (...). Franeker: Joannes Lamrinck, 1622.
Coast of Argyllshire
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: william daniell
Artist role: artist, print maker
Artist nationality: english
Artist dates: 1769 – 1839
Songs of Innocence: Frontispiece
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: infants,men,musicians

This frontispiece to Songs of Innocence illustrates Blake's "Introduction," a poem that casts the poet as a wandering piper inspired by the vision of a divine child: Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me "Pipe a song about a Lamb!" So I piped with merry cheer . . . "Piper, sit thee down and write In a book, that all may read." So he vanished from my sight; And I plucked a hollow reed, And I made a rural pen, And I stained the water clear, And I wrote my happy songs Every child may joy to hear.
Portret van Karel X, koning van Frankrijk
Object type: print
Date: 1822 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, king, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: nymphs,ships
Naakte vrouw met de handen boven het hoofd
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: female sex; woman (+ nude human being)
Inscriptions: collector's mark: Lugt 2228
Rock Crystal Pendant
Object type: pendant
Date: 801 – 1000
Materials: quartz
Location: iran
Goblet
Object type: goblet
Date: 1826 – 1850
Materials: glass
Subjects: virgin mary,jesus
Buddha Giving the First Sermon (Dharmachakrapravartanamudra)
Object type: sculpture
Materials: stone
Location: bihar

This sculpture presents the historical Buddha Shakyamuni delivering his first sermon at the Deer Park in Sarnath, India, where he articulated his realization of the Four Noble Truths to the five ascetics who would become his first disciples. This episode, considered one of the Eight Great Events of the Buddha’s life, is iconographically indicated by his didactic hand gesture of dharmachakramudra, whereby the Buddha sets the chakra (wheel) of dharma (law) in motion. The two deer flanking a chakra on the sculpture’s plinth allude to this teaching. The paleography of the inscription preserved in the Buddha’s halo helps date the sculpture to the late tenth or early eleventh century.
Whispered intimacies between lovers awake in bed on nights for end
Object type: book
Date: 1849 – 1849
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
[Richmond, Virginia, after the Evacuation]
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: cities,american civil war
Straat met een gebouw met torenspits
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: spire (of tower on house or building), street
Inscriptions: kleurnotitie, handgeschreven

Pagina 30 uit een schetsboek met 56 bladen.
Jager te paard met jachthonden blaast op een hoorn
Object type: print
Date: 1740 – 1780
Materials: paper
Techniques: etching
Subjects: riding a horse, ass, or mule; rider, horseman, hunting dogs, hunter, blowing the hunting horn
Dieren
Object type: drawing
Date: 1690 – 1700
Materials: paint, gouache, parchment
Artist: jan augustin van der goes
Artist role: draughtsman, painter
Artist dates: 1671 – 1697
Subjects: insects: moth
Commode
Object type: commode
Date: 1745 – 1749
Materials: gilt bronze, marble, wood
Artist: antoine-mathieu criaerd
Artist role: maker
Artist nationality: french
Artist dates: 1724 – 1787
Panel
Object type: panel
Date: 701 – 900
Materials: wood
Techniques: carving
Location: iraq

This wooden panel is strikingly well preserved. Its carved decoration fits well into the artistic productions of the very first centuries of the Islamic era, while a number of elements are evocative of Sasanian-period visual language. These include the draped bands enclosing the central half-medallion, which recall both the flying scarf of geese depicted on stucco decoration and textiles, as well as the headdress of Sasanian emperors reproduced on coinage. Polylobate arches, double colonnette, ribbed columns, and crested crenellations are similarly evocative of Late Antique and Sasanian architecture and appear in early Islamic buildings and their depiction. This panel came to the museum through an unusual source, the British art and antiquity dealer Sydney Burney (1878–1951), known mostly for his trade in African and modern art and for having served as the President of the British Antique Dealers’ Association. His only ventures into the market for Islamic art were limited to an assemblage of carved wood, which he sold between the Met, the British Museum, and the Louvre. It is yet unknown how the London-based dealer obtained these artifacts, of which the large part are said to have been found in Tikrit in Iraq. From this group, fragments 33.41.14, 33.41.5 and 33.41.6 are very similar in style to this panel, and may have originally belonged to one object.
Philippus de IV koning van Spanje doet afstand van de Nederlanden MDCXLVIII
Object type: historical object representation
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: filips iv (koning van spanje), church-window, e.g. rose-window, signing of peace treaty, concluding the peace
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Glas-in-loodraam met een voorstelling van de Spaanse koning Filips IV die een document voorgehouden krijgt waarin hij afstand doet van de Nederlanden, na het sluiten van de Vrede van Munster, 1648. In een cartouche een vers van vier regels. Glas-in-loodraam in de Oude Kerk te Amsterdam geplaatst in 1656 en vernieuwd in 1767.
Portret van Pieter Hendrik Suringar
Object type: photomechanical print
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: inscription: ‘P.H. Suringar’
Chiyoda Castle (Album of Men)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: birds,men,landscapes,trees
Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground
Object type: print
Date: 1610 – 1610
Techniques: engraving
Artist: hendrick goudt
Artist role: artist
Artist nationality: dutch
Artist dates: 1580 – 1648
Subjects: corpses,boys,men,women,saint john the baptist
Jug with a dancing couple
Object type: jug
Date: 1597 – 1605
Materials: engobe, glaze, stoneware, tin
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), one pair dancing; man and woman dancing as a couple, amsterdam

translation of inscription: Gerrit, you must blow mightily: the peasants dance like crazy: Cool off, says the priest, I dance away my cap, amice and cope
Munitietas van rood leer
Object type: bag
Date: 1700 – 1800
Materials: copper, leather, steel
Techniques: cutting, forging, sewing, tanning
Artist: Anonymous

Rechthoekige tas met bolvormige bodem. Deksel scharniert met tas. Riem met ijzeren gesp zit door leren lussen aan tas. Riem heeft sierstiksel in de vorm van S-vormige motieven die elkaar half overlappen. Op het deksel is een gestileerd gekroond wapen ingeslagen (koper). Volgens beschrijving uit 1803 'een tasje tot gezwinde pijpjes van rood maroquin leder met zijde gestikt'.
About the Bank of France's new cellars: I wouldn't mind being the sommelier in that house!, from 'News of the day,' published in Le Charivari, February 16, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,working
Hoop op vrede (1907)
Object type: history medal
Date: 1907 – 1907
Materials: bronze
Techniques: striking
Artist: hippolyte le roy
Artist role: modelleur

Bronzen penning, op de voorzijde een schip op woelige baren met omschrift en afsnedetekst, op de keerzijde een vrouw die een zittende man met zwaard wijst op een ploegende boer, met afsnedetekst.
München. Promenadenplatz
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: square, place, circus, etc., street
Inscriptions: inscription: ‘W.H.D.’
Friesland, duit, 1617
Object type: coin
Date: 1617 – 1617
Materials: copper
Techniques: striking
Location: leeuwarden

Koperen munt. Voorzijde: gekroond en versierd wapenschild van Friesland. Keerzijde: in een bladerkrans opschrift in twee regels, waaronder jaartal.
Molding
Object type: molding
Date: 1501 – 1600
Materials: wood
Techniques: carving
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: bow and arrow,male nudes,cupid,apollo,dragons

According to Ovid (Metamorphoses 1.253-444), Jupiter destroyed the violent race that arose from the blood of the Giants with a universal flood. When the waters receded, the monstrous Python emerged and was slain by Apollo, as seen in the foreground of this engraving. In the background, Apollo, in the pride of his victory, mocks Cupid (the Greek Eros) for attempting to wield the bow, a weapon unsuited to his diminutive stature. To the left, Cupid exacts his revenge, aiming at Apollo's heart the golden arrow that inflicts love. Cupid has already shot the nymph Daphne-seen in the distance leading the life of a virgin huntress-but with a lead-tipped arrow that has made her hostile to love.
Portret van een man met bakkenbaarden
Object type: photograph
Date: 1875 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Artist: bernardus bruining
Artist role: fotograaf
Artist dates: 1834 – 1900
Subjects: sideburns, adult man, historical persons
Inscriptions: inscription: ‘B. Bruining/ te Leiden/ Photographe/ Z.K.H. Prins Frederik/ Der Nederlanden’
Ritual image (to'o) representing the deity Oro
Object type: figure
Date: 1701 – 1800
Materials: fiber, wood
Culture: maohi
Location: tahiti
Sacrae Historiae Acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: vatican city
Subjects: moses is pulled out of the water by the servants, the finding of moses: pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water
Inscriptions: collector's mark: Lugt 2228

Prent uit de Sacrae Historiae Acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa, ook bekend als de Rafaël Bijbel. De serie bestaat uit 54 platen, waarvan twee titelprenten, de eerste met een opdracht aan Rafaël, de tweede met een opdracht aan Renard. De overige 52 platen betreffen composities naar schilderingen in de Loggia van Rafaël in het Vaticaan. De serie werd in 1649 uitgegeven door Pierre Mariette te Parijs.
Amphora with dragon-shaped handles
Object type: amphora
Materials: earthenware, glaze
Culture: chinese

Owing to their large oval bodies and narrow cylindrical necks, vessels of this type have traditionally been called "amphorae" and were said to be based on the ancient Greek jar with essentially the same contours. Recently, however, it has been suggested that the shape is derived from Roman glass and metalwork that came to China over the Silk Road. This Western shape has been modified here by the addition of two Chinese features, the high, arched dragon-headed handles and a cupped mouth.
Ex libris van S.G.H.
Object type: bookplate
Date: 1903 – 1903
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: flowers ~ ornament
Inscriptions: inscription: ‘S. Gorter-Hertz / door J. Hanau’
Gezicht op Burg Frankenberg bij Aken
Object type: print
Date: 1816 – 1848
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Twee gezichten op de Westerkerk Amsterdam, waarvan één reproductie van een prent door Paulus van Liender naar Jan de Beijer
Object type: reproduction
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: church (exterior), canals, waters (in city) (+ city(-scape) with figures, staffage)

Deze prenten maken deel uit van een album.
Ein Newes Reissbüchlein für die Jugent
Object type: album leaf
Date: 1621 – 1621
Materials: paper
Techniques: colour, engraving
Location: augsburg
Artist: paul göttich
Artist role: graveur
Artist dates: 1586 – 1622
Subjects: actor (on the stage), head-gear: hat (+ feathers used for clothes)
Inscriptions: inscription: ‘53’

Twee heren of acteurs bevechten elkaar met sabels. De linker man doorboort de rechter. De prent maakt deel uit van een album.
Belt Fittings
Object type: belt fitting
Date: 801 – 900
Materials: bronze
Techniques: casting
Location: iran
Kurassiers bij de hoefsmid in Neurenberg
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: vienna
Subjects: farrier, shoeing-smith, private soldier
Inscriptions: : Lugt 2760, collector's mark: Lugt 2228
In Memory of the Visit of the Shah of Persia to the City of London, June 20, 1873
Object type: medal
Date: 1873 – 1873
Materials: bronze
Techniques: struck
Artist: alfred benjamin wyon
Artist role: artist
Artist nationality: british
Artist dates: 1837 – 1884
Subjects: men,portraits
Le Parthénon après l'orage
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photoaquatint
Location: parthenon
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: landscape with ruins, temple, shrine ~ greek religion
Munten, beeld van een uil, bustes en een inscriptie met uil
Object type: book illustration
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: piece of sculpture, reproduction of a piece of sculpture, owls, coin

Prent uit: Reuvens, Caspar Jacob Christian. Lettres à M. Letronne (...) sur les papyrus bilingues et Grecs (...) Atlas, 1830.
Nummer 7 is naar een inscriptie in de collectie van het Rijksmuseum van Oudheden te Leiden (inventarisnr. GS-11128).