deem-data/ArtiFact huggingface dataset:
Banderillero valt een stier aan in de stierenvechtersarena van Carretera de Aragon te Madrid
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: madrid
Subjects: bullfight, bull-fighter, toreador, theatre (building) - aa - open-air performances
Inscriptions: number: ‘7’, number: ‘C. 2728’
Dish ring
Object type: dish ring
Date: 1777 – 1777
Materials: silver
Artist: w. h.
Artist role: maker
Subjects: birds,men,profiles

This dish ring is a refined example of an emblematic Irish form. Such rings were used on the dining table as a base for a larger bowl or plate that was laden with beautifully arranged food; as a seventeenth-century writer explained “to make the feast look full and noble.” A series of rings of different heights made for a prosperous but not necessarily an aristocratic table, it does not have engraved eighteenth century armorials; the initials AR were likely engraved in the 19th century. Nonetheless, the piece beautifully represents Ireland’s embrace of the Neoclassical architectural vocabulary and the austerity and simplicity with which it was expressed in silver. [Ellenor M. Alcorn, 2014]
Een slechte beursdag
Object type: drawing
Date: 1848 – 1865
Materials: ink, paper
Techniques: brush, pen
Artist: diederik franciscus jamin
Artist role: draughtsman, painter
Artist dates: 1838 – 1865
The Poet Virgil Suspended in a Basket
Object type: print
Date: 1525 – 1525
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Portret van een staande man met hoge hoed in de hand
Object type: carte de visite
Date: 1863 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: standing figure, historical persons, head-gear: top hat
Inscriptions: annotation: ‘H Blanckart phot. à Hasselt & St Trond’
A standing man in a niche holding an open book
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Lille Nouveau, la bourse commerciale (Marché Liner)
Object type: photomechanical print
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: exchange, bourse, lille
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Industrielle & Scientifique’, inscription: ‘Journal le Nord Contemporain, No 4, année 1882’, inscription: ‘Façade principale/ telle qu'elle sera édifiée’

Prent op derde ongenummerde pagina na pagina 64.
Prentbriefkaart gebruikt als campagnemateriaal voor senaatskandidaat Joseph McCarthy
Object type: ansichtkaart, prentbriefkaart
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: united states
Artist: Anonymous
Subjects: politician, united states of america
Inscriptions: inscription: ‘McCARTHY FOR SENATOR / AUTH. & PAID, MCCARTHY SEN, CLUB U. VAN SUSTEREN, SEC’Y, APPLETON’
Four children playing with dice
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: Anonymous
Artist role: artist
Subjects: boys,dice,playing
Album de Marine: Sketchbook of 48 folios containing 17 watercolors and 27 black chalk and graphite sketches
Object type: drawing
Date: 1879 – 1880
Materials: chalk, graphite, paper, watercolor
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,profiles
Ontwerp voor de hoek van een tapijt met een rechthoekig bruin middenveld
Object type: design drawing
Date: 1850 – 1880
Materials: gouache, graphite, paper
Location: france
Artist: c. sancourt
Artist role: draughtsman
Inscriptions: signature: ‘C. Sancourt’
Marina et autres femmes, données à Cortez / Marina en andere vrouwen, aan Cortez gegeeven
Object type: print
Date: 1725 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Subjects: castilleja de la cuesta, gouverneur, legeraanvoerder, hernán cortés, mexico-stad, malinalli tenépatl
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Marina wordt samen met negentien andere Azteekse vrouwen door een Maya-hoofdman geschonken aan de Spaanse ontdekkingsreiziger en veroveraar Hernán Cortés (ook wel Fernand Cortez genoemd), 1519. Marina, ook wel bekend als la Malinche, werd later de geliefde van Cortés. Op de achtergrond danst een groep mannen rond een hangmat. Rechts de vloedlijn, enkele hutten en mensen met sieraden en kammen.
Gezicht op de Schiffbrücke in Koblenz
Object type: stereograph
Date: 1860 – 1860
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘878.’, inscription: ‘1875 No 25 Za. 25 Sept./ Juli 1881./ Aug 1885.’, number: ‘5.’
Hanging Flower Vase
Object type: hanging vase
Date: 1701 – 1800
Materials: clay, glaze
Culture: japanese
Subjects: demons
Ball gown
Object type: ball gown
Date: 1868 – 1868
Materials: silk
Culture: french
Huwelijksknipsel voor echtpaar Laars-Hooft
Object type: cut paper
Date: 1749 – 1749
Materials: paper
Techniques: cutting, snipping
Location: netherlands
Artist: Anonymous

Huwelijksknipsel voor echtpaar Laars-Hooft. Ornament met spiegelmonogram en putti.
Portret van Hans von Wasey
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: historical persons

Omlijsting van de prent ook gebruikt in: Khevenhüller, Franz Christoph. Conterfet Kupfferstich (...). Leipzig: Moritz Georg Weidmann, 1721-22. Prent vertoont overeenkomsten met de portretten in dit werk, maar komt hier niet in voor.
Pair of three-light sconces (bras de lumière)
Object type: sconce
Date: 1775 – 1775
Materials: gilt bronze
Subjects: flowers

These wall lights are shaped with great naturalism to resemble lily stalks tied together with a large bow. They are not a proper pair, as their ribbons do not complement each other but flow in the same direction; therefore, they were most likely part of a larger set. The unknown chaser and gilder made clear contrasts between such highly burnished areas as the opened blooms and those given a matte finish, such as the buds. Lilies are strongly scented flowers that were very popular during the Neoclassical period, and a number of contemporary references to sconces in the shape of sprays of lilies are known. The successful bronze worker Pierre Gouthière, for instance, made a pair composed of three lily branches for Madame du Barry, mistress of Louis XV, for which he charged 2,500 livres. Horace Walpole reported in a letter of September 9, 1775, to Anne Liddell, that the Grand Cabinet of Madame de Mirepoix’s Parisian hôtel was “illuminated by four branches of lilies of ormolu, each as loose and graceful as that which Guido [ Reni]’s angel holds in the ‘Salutation’ [Annunciation] at [ the church of ] the Carmelites.”
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, part of a draped, reclining symposiast, on a kline; below the kline, a table; below the table, a footstool; Exterior, bit of the tendril from the handle palmette; parts of two reserved lines
Schloss Heidelberg
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: heidelberg
Artist: franz richard
Artist role: fotograaf
Subjects: castle, façade (of house or building)
Marie d'Angleterre, 3e femme de Louis XII
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Napoli: Panorama dal porto
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: naples
Subjects: harbour, city-view in general; 'veduta', ships (in general), naples
Inscriptions: inscription: ‘NPG’, number: ‘32’
Gezin met kinderen in tijdelijke behuizing in een bunker
Object type: documentary photograph
Materials: photographic support
Techniques: photography
Location: nijmegen
Subjects: nijmegen

Moeder met kind op schoot, kleuter en twee mannen zittend in de noodgedwongen tijdelijke woonkamer in een bunker met prominent in beeld een affiche met de tekst: Opwaarts-Godwaarts-Nederland!
Oud residentswoning, thans woning van den Chef der Banka-tinwinning
Object type: photograph
Date: 1914 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers
Inscriptions: inscription: ‘Oud residentswoning, thans woning van den Chef der Banka-tinwinning’

De woning van de chef van het hoofdbureau van de Banka-tinwinning te Muntok. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Scherven van martavanen uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: porcelain, stoneware
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A jar. This jar has a short, straight, upright neck with a flattened, everted lip. The surface is burnt red-grey on the outside, which jas not been glazed. The glaze drippings on the inside of the lip and neck are partially worn off, leaving a grey discolouration of the surface. On the outside, the surface is partially glazed, and partially discoloured. There is an applied band of pearls, 3 cm beneath the ears.
Terracotta aryballos (oil flask)
Object type: aryballos
Date: 550 – 550
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist
Subjects: dionysus,horses

On the handle, Dionysos and two revelers Upper frieze, horse tamer between onlookers and two wrestlers Lower frieze, animal combats between onlookers The aryballos is connected with the gymnasium and the palaistra (exercise ground). After exercising, men used oil to clean and care for their skin. The subjects here refer to major interests of young Athenians—horses, athletics, and symposia (drinking party).
Galeria nel Palazzo Farnese in Roma
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: italy
Subjects: unicorn, philyra beloved by saturn, occasionally in the shape of a horse

Prent uit een reeks prenten met nummers van 1 tot en met 29 (sommige prenten hebben hetzelfde nummer), plus titelprent en opdracht, naar schilderingen in Palazzo Farnese te Rome.
Glacial erosion on mountain, Muir Glacier
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: new york city
Artist: Anonymous
Subjects: glacier, mountains
Inscriptions: inscription: ‘Effect as shown 1000 feet above the sea level.’, inscription: ‘Britton & Rey’
't Huys Wynesteyn by Utrecht 1754
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: castle, landscape with tower or castle
Inscriptions: date
Sir Walter Raleigh, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
De afbeeldsels, die hier staan geprent, / Zyn met hun naamen wel bekend, / Elks ampt en landaart kan met leezen; / Zo men 'r er kundig van wil weezen
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: europeans, archbishop, bishop, etc. (roman catholic), cardinal, ruler, sovereign, pope, france, holland, spain, england
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van een koning, een paus, een kardinaal, een bisschop, een Fransman, een Engelsman, een Spanjaard en een Hollander. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 102.
Panorama's en stadsgezichten van Amsterdam
Object type: wrapper
Date: 1894 – 1894
Materials: paper, textile
Techniques: photograph
Location: amsterdam
Artist: gerrit hendricus heinen
Artist role: painter
Artist dates: 1851 – 1930
Inscriptions: inscription: ‘compl. 25 stuks’

Omslag met achttien lichtdrukken met stadsgezichten van Amsterdam.
Sampler
Object type: textile
Date: 1849 – 1849
Materials: cotton, glass, silk
Techniques: cutting, drawing, embroidery, weave, stitching
Location: mexico
Inscriptions: Lo hizo Tomas Casabal y Verar y lo acabó en 1849.
Twee zilverfazanten
Object type: print
Date: 1878 – 1905
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: walker and runner birds: pheasant
Inscriptions: collector's mark: Lugt 2233

Prent is een proefdruk voor kalenderblad mei 1905.
Triumphelijcke Incomst vanden doorluchtighen ende hooghgheboren Aerts-hertoge Matthias, binnen die princelijcke stadt van Brussele in t'iaer ons heeren M.D.LXXVIII. den xviij dach Januarij. Gehouden door Heeren Leden van het Utrechtsche Studentencorps op den 28 Juni 1881 bij gelegenheid van het 245-jarig bestaan der Hoogeschool
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: chromolithography
Location: utrecht
Subjects: matthias van oostenrijk (rooms-duits keizer), students' pageant, costumes used in pageants, commemoration of the founding of a university, utrecht
Inscriptions: collector's mark: Lugt 2228

Tweede plaat met een deel van de optocht. Onderdeel van de serie van zeven platen plus titelprent en verklaring van de gekostumeerde optocht door de studenten van de Utrechtse Hogeschool op 28 juni 1881 bij de viering van het 245-jarig bestaan van de Hogeschool. Voorgesteld is de intocht van aartshertog Matthias in Brusssel op 18 januari 1578.
Les Pauv' P'tits Fieux
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Saltarello, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: sabouroff painter
Artist role: artist
Subjects: men,funerals

Prothesis (laying out of the dead) The prothesis, a central part of funerary ritual, is represented in the Metropolitan Museum's collection as early as the mid-eighth century B.C. The essential elements—the deceased laid out on a bier, surrounded by members of the household and mourners—remained unchanged over centuries. In this depiction, there is obvious interest in differentiating the mourners and exploiting the contrast between the light background and the surfaces of opaque color.
Armor (<i>Yoroi</i>)
Object type: armor i yoroi i
Date: 1701 – 1800
Materials: iron, lacquer, leather, silk
Culture: japanese
Location: japan
Vase
Object type: vase
Date: 1101 – 1200
Materials: earthenware
Techniques: cutting, incising, tooling
Location: iran
Marble votive relief dedicated to a hero
Object type: votive relief, fragment
Date: 334 – 301
Materials: marble
Culture: greek, attic
Subjects: men,women,horses

Inscribed to the physician A hero was a deceased person who exerted from his grave a power for good or evil and demanded appropriate honor. The cult was concentrated at the grave, which was marked off as a special precinct and known as a heroon. As with the Olympian gods, there were animal sacrifices and offering of food and libation. The principal cultic activity was a feast of the living in company with the dead hero and in his honor. Votive reliefs often show the hero, as here, reclining at such a meal and being approached by worshipers, shown in smaller scale.
Puppeteer
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: teisai hokuba
Artist role: artist
Artist nationality: japanese
Artist dates: 1771 – 1844
Subjects: children,puppets
Marble portrait bust of a boy
Object type: portrait bust of a boy
Date: 35 – 50
Materials: marble
Culture: roman
Subjects: boys,portraits

The reduced scale of this bust and the carefully combed hair, with bangs parted in the center, are features that suggest a date toward the middle of the first century A.D.
Dorcas Raised From the Dead by Saint Peter
Object type: drawing
Date: 1670 – 1670
Materials: chalk
Artist: jacob jordaens
Artist role: artist
Artist nationality: flemish
Artist dates: 1593 – 1678
Subjects: men,women,saint peter
Saint Jerome Reading
Object type: print
Date: 1500 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
An Audience (recto); Sketch of a nude woman (verso)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: children,men,women
Coin of  Vasudeva
Object type: coin
Date: 185 – 220
Materials: gold
Culture: gandhara
Subjects: animals,gandhara

The Great Kushan rulers minted these gold coins in the second and early third centuries. They follow a Roman weight standard, and the rulers present themselves in relation to a range of Near Eastern and South Asian deities, such as the Shiva on the reverse of Vasudeva's coin.
Rome. Eglise St. Pierre.)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: palais du trocadéro
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: permanent exhibition, museum, angels, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘No. 1353.’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’, name: ‘KUNSTBOEKHANDEL <BR />J. A. G. DE LEUR <BR />PHOTOGRAAF - UITGEVER <BR />HUIGENSPARK, 40b. <BR />DEN HAAG.’, inscription: ‘MONUMENTS HISTORIQUES’, collector's mark: Lugt 3937
Het nieuw Nederlandsch Ganzen-spel
Object type: popular print
Date: 1842 – 1873
Materials: paper
Techniques: colour, letterpress printing
Location: arnhem
Subjects: goose-game, children's games and plays, board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Ganzenbordspel met vakjes in een spiraal, genummerd van 1 tot en met 63. Op het middenveld een voorstelling van een groep kinderen staand rond een tafel die een spelletje ganzenbord speelt. In de hoeken kinderen, harlekijn en ganzen. In de ondermarge de spelregels in drie kolommen.
Venster met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: annotation, : ‘Droits de reproduction réservés.’

Kruisvenster van een alkoof met gedrapeerde gordijnen. De franjes komen overeen met die van het bed op nr. 838. Prent uit 284e Livraison.
Gezicht op de Associatie Cassa aan de Herengracht
Object type: photograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, demolition of building, the usual house or row of houses
Inscriptions: inscription: ‘De in 1901 (...) Leliestraat en Driekoningenstraat’, collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Fragment (Border)
Object type: textile
Location: peru
Africa
Object type: print
Date: 1700 – 1705
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: (map of) africa

Kaart van Afrika, rechtsboven een vignet met Afrikanen rond een vuur. Aan de zijkanten twaalf wapens van landen. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Citadel en de grote put van Turijn
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: well, representation of real building (either existing or having existed), fortified city, permanent fortifications

Deze prent maakt deel uit van een reeks met bouwwerken binnen het domein van de Savoie-familie in de late 17e eeuw.
Dubbelportret van een onbekende zittende vrouw en een onbekend staand meisje
Object type: stereograph
Date: 1855 – 1870
Materials: cardboard, glass, paper
Techniques: ambrotype
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, girl (child between toddler and youth), mother and baby or young child
Melrose Abbey
Object type: photograph
Date: 1885 – 1890
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: ruin of church, monastery, etc.
Cooling off at Sashiye
Object type: print
Date: 1782 – 1782
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: musical instruments,men,women
Portret van Frederik Willem III koning van Pruisen
Object type: print
Date: 1797 – 1840
Materials: paper
Techniques: engraving, etching
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: berlin, frederik willem iii koning van pruisen, historical persons
Inscriptions: signature, collector's mark: Lugt 2228
Plate 31: Fortune makes one forget one's friends, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men

- John, take these 500 F to the minister for the poor of the parish. Be sure to make it quite clear that they came from me. -Yes, Monsieur le Comte.... I forgot to tell Monsieur that this man has come back. - What man? - That poor man who pretends to be an old friend of Monsieur le Comte. His name is Bertrand. - Bertrand? I don't know this person... just tell him that I'm not home.
Arsidas aanbidt Fortuna
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Subjects: fables of lafontaine (fortuna en het kleine kind) : use 85(...), fortuna as roman personification, sacrifice
Inscriptions: collector's mark: Lugt 240

Prent uit: Barclay, Jean. L'Argenis. Traduction nouvelle enrichie de figures. Parijs: Nicolas Buon, 1624, dl. 4, hoofdstuk 7.
In 1625 werd een tweede editie uitgegeven, eveneens door Nicolas Buon en in 1636 werd een Engelse vertaling uitgegeven door Henry Seile in Londen.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: brussels
Artist: philippe wolfers
Artist role: designer, goldsmith
Artist dates: 1858 – 1929
Subjects: painter, draughtsman, philip zilcken, the graphic arts, exhibition ~ art, brussels
Inscriptions: collector's mark: ‘RPK’