deem-data/ArtiFact huggingface dataset:
Design for Landau, No. 3178
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landscape with Cattle
Object type: painting
Date: 1800 – 1800
Materials: oil, wood
Artist: jacob van strij
Artist role: artist
Artist nationality: dutch
Artist dates: 1756 – 1815
Subjects: cows,landscapes
Portret van Claude Bernard
Object type: print
Date: 1641 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, priest, priest (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Microscopische opname van vleugel van een vlieg, dertig keer vergroot
Object type: album leaf
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: insects: fly, netherlands
Inscriptions: inscription: ‘Nr. 14. Benaming Vleugel van een vlieg, 30 x vergroot, pose 5 min., bemerking Lomberg eig. prep.’, number: ‘14’
Sheet with overall green and red splotchy design
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Pride, from "Virtues and Vices"
Object type: print
Date: 1596 – 1597
Techniques: engraving
Artist: zacharias dolendo
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1604
The Broken Violin, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men,violins,dogs
Accident de la gare Montparnasse
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: accident with locomotive, station; shelter (railway, tramway)
Inscriptions: inscription: ‘(Jumelle photographique Mackenstein.’
Portret van Andreas Unglenk
Object type: book illustration
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Artist: christoph melchior roth
Artist role: print maker
Artist dates: 1720 – 1798
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Würfel, Andreas. Diptycha ecclesiae Laurentianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Gezicht op Huis te Swieten, 1607
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, bridge
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 95.
Tea Spoon
Object type: spoon
Date: 1791 – 1792
Materials: silver
Culture: british
Location: england
Artist: thomas northcote
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1798
De vier leeftijden
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Subjects: burial, old age, 'senectus'; 'vecchiezza' (ripa), last judgement, painting (including book-illumination, miniature-painting), quarrel, argument, hiding, concealing, burying a treasure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een oude man zit in zijn kamer op een stoel en lijkt in gedachten verzonken. In de kamer hangt een schilderij van het Laatste Oordeel. Links, buiten het huis, begraaft een vrouw geld en sierraden in de tuin. Op de achtergrond links zijn enkele ouderen aan het ruziën en is er een begrafenis aan de gang nabij een kerk. Met Latijns onderschrift.
Groepsportret van een onbekende familie op het strand (vermoedelijk) te Scheveningen
Object type: photograph
Date: 1910 – 1935
Materials: photographic support
Techniques: collodion silver print
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation), family relationships (first, second, third and fourth degree), generations, chair
Lower half of the figure of the dignitary Anu
Object type: statue, anu lower half
Date: 1802 – 1640
Materials: stone
Location: egypt
Subjects: hieroglyphs
Zwanenbloem (Butomus umbellatus) en kleinbloemige salie (Salvia verbenaca)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: southern netherlands
Artist: Anonymous
Subjects: flowers: flowering rush, flowers: sage

Zwanenbloem en kleinbloemige salie. Figs. 4 en 5 op een blad met de hand genummerd 3. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Visitekaart van Friedrich von Wrangel
Object type: visiting card
Date: 1848 – 1856
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: visiting-card, calling-card
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Handgeschreven kaart, van mogelijk Friedrich von Wrangel, die van 1848 tot 1856 General der Kavallerie van het Pruissische leger was.
Model of the Dockyard of the Dutch East India Company at Oostenburg in Amsterdam
Object type: maquette
Date: 1988 – 1989
Materials: wood
Location: amsterdam
Subjects: amsterdam

Maquette van de VOC-werf op het eiland Oostenburg te Amsterdam, met het centrale pakhuis over de volle breedte van de werf. Deze is aan drie zijden omgeven door water en aan een zijde door de lijnbaan. Op de werf zijn modellen van enkele schepen in verschillende stadia van ontwikkeling, op het water wordt een schip in scheepskamelen voortgetrokken door drie waterschepen.
Dress
Object type: dress
Date: 1825 – 1830
Materials: silk
Culture: french
Man met bloemen bij een poortje
Object type: print
Date: 1852 – 1898
Materials: paper
Techniques: etching
Subjects: one lover waiting for the other (+ variant), cut flowers; nosegay, bunch of flowers, umbrella
Inscriptions: collector's mark: Lugt 2228

Een man wacht onder een paraplu bij een poortje met een bos bloemen in zijn hand. Op de achtergrond kijken twee figuren nieuwsgierig toe.
The Bull
Object type: print
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: gottfried engelmann
Artist role: print maker, printer, publisher
Artist nationality: french
Artist dates: 1788 – 1839
Design for Pony Phaeton, no. 3944
Object type: drawing
Date: 1885 – 1885
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Rectangular tray with flowering plums and birds
Object type: tray
Date: 1301 – 1400
Materials: lacquer, mother of pearl
Techniques: inlay
Culture: chinese
Subjects: birds,flowers,trees

The wonderful flowering plum tree and two plump birds that fill the center of this tray illustrate the skillful manipulation of shapes and colors of the inlaid motherof-pearl to create a powerful, dramatic scene. Long narrow pieces of iridescent shell define the rock terrain, while irregular pieces form the clump of rocks in front of the trunk of the flowering plum. Fragments of mother-of-pearl create the craggy trunk of the ancient tree, which bears buds in several stages of flowering.
Portret van Martin Matthias Rader
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Subjects: mayor, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en Duits in de marge.
Portret van Giovanni Battista Discepoli
Object type: print
Date: 1750 – 1806
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Cup with Cover
Object type: glass
Date: 1834 – 1866
Materials: glass
Location: germany
Handschrift betreffende Hendrik Stokvisch
Object type: manuscript
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: amsterdam, painter, draughtsman, hendrik stokvisch, music, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Départ de convoi à 1.700 mètres. Col de Lano.
Object type: photograph
Date: 1916 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: col di lana
Artist: henri de rothschild
Artist dates: 1872 – 1947
Subjects: war (+ land forces), mountain-range, snow peaks, transport, train (military) (+ land forces)

Onderdeel van Fotoalbum Medische missie H. de Rothschild naar het Italiaanse front 1916.
Designs for Jewelry
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Location: germany
Artist: joannes andreas pfeffel i
Artist nationality: german
Artist dates: 1674 – 1748
Servet van linnendamast met wapen van P.E. van der Noot
Object type: napkin
Date: 1700 – 1710
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous
Inscriptions: mark: ‘VR’, mark: ‘17’

Servet van linnendamast met het wapen van P.E. van der Noot. Het servet hoort bij drie servetten (BK-1977-290-A t/m BK-1977-290-D) en een tafellaken (BK-1977-289). Satijn 7 binding.
Cabinet des Modes ou les Modes Nouvelles, 1 Février 1786, 6e cahier, pl. I
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Artist: buisson
Artist role: publisher
Subjects: skirt (+ girls' clothes), head-gear: hat (+ girls' clothes), trousers, breeches (+ boys' clothes), clothing for the upper part of the body (vest) (+ boys' clothes), shoes, sandals (+ boys' clothes), head-gear: hat (+ boys' clothes), shoes, sandals (+ girls' clothes), belt, girdle, waistband (+ girls' clothes), stockings, socks (+ boys' clothes), clothing for the upper part of the body (bodice) (+ girls' clothes), fashion plates, drum (musical instrument)
Inscriptions: : ‘6e cahier’, number: ‘Pl. I’

Twee kinderen. Links een jongen die op een trommel slaat. Volgns de begeleidende tekst draagt hij een hoed van jonc, gegarneerd met een rozet en een blauw lint. Zijn hemd heeft een colerette. Vest van satijn 'carmélite' met korte mouwen. Gilet van roze satijn, blauwe sjerp als ceintuur, broek van roze satijn '`a la marinière', witte kousen van satijn of katoen, schoenen met rozetten van blauw lint. Rechts een meisje met een roos in de hand. Half lang haar met blauw lint. Het hemd is gegarneerd met een colerette. Lijfje en rok zijn van roze tafzijde, waaronder een fourreau van witte mousseline, aan de onderrand afgezet met twee blauwe banden. Zwarte ceintuur met zilveren gesp.
De prent maakt deel uit van het 6e Cahier uit de serie Cabinet des Modes ou les Modes Nouvelles. De serie bestaat uit 72 modeprenten, uitgegeven door Buisson, Parijs, 15 november 1785 - 1 november 1786.
Box for Sugoroku Game (A Kind of Backgammon), Bow and Drum
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: games
Kruisdraging
Object type: print
Date: 1586 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: collector's mark: Lugt 240

Omringd door een menigte draagt Christus het kruis naar Golgotha. Hij steunt op handen en knieën en dreigt te bezwijken onder zijn last. Soldaten drijven hem aan en trekken hem verder. Naast het kruis knielt Maria met gevouwen handen, Simon van Cyrene helpt Christus zijn last te dragen.
Card Number 145, Ida Moore, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Spirits flask
Object type: spirit flask
Date: 1801 – 1900
Materials: glass

Bottles such as this, with a constriction in the interior, which allows the liquid to be poured slowly and carefully, have a special name in German, "kuttrolf."
Portret van Johann Friedrich Bahrdt
Object type: print
Date: 1735 – 1757
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2233
Ruitergevecht
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: dirk langendijk
Artist role: draughtsman, painter, print maker
Artist dates: 1748 – 1805
Subjects: battle (+ cavalry, horsemen)
Shield (Pelta)
Object type: shield pelta
Date: 1501 – 1600
Materials: leather, pigment, wood
Culture: italian
Location: italy
Notities
Object type: endleaf
Date: 1907 – 1907
Materials: chalk, paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Inscriptions: annotation: ‘Paneeltjes [...]/ Jaagpad bij Gouda-/ avond Effect bij He[...]/ Molen [...]hinge/ [...]’

Achterste schutblad uit een schetsboek met 41 bladen.
Val van de giganten
Object type: print
Date: 1641 – 1647
Materials: paper
Techniques: woodcut
Subjects: war of the titans against jupiter and allies: titanomachy, (story of) jupiter (zeus), giants, colossi
Inscriptions: collector's mark: Lugt 240

De giganten die de hemel bestormden om Jupiter ten val te brengen, worden onder stenen bedolven. Bovenaan de woedende Jupiter met adelaar en bliksemschichten.
Cylinder Bead Inscribed for (Ahmose-)Nefertari
Object type: cylinder seal, ahmose nefertari, god's wife, king's sister, king's daughter
Date: 1550 – 1525
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs
Buste van Plato
Object type: print
Date: 1630 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: male persons from classical history (plato), piece of sculpture, reproduction of a piece of sculpture

Buste van Plato. Prent uit een serie van twaalf prenten met antieke bustes, waarvan vier door Lucas Vorsterman I en acht door Boëtius Adamsz. Bolswert.
Violin, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,violins,flowers,leaves

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Melchizedek Offering Bread and Wine
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: bread,wine,men
Levallois-Perret. Place de l'Église et Rue Rivay
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Staand mannelijk naakt, op de rug gezien (3e prijs 1808)
Object type: drawing
Date: 1808 – 1808
Materials: chalk, paper
Artist: abraham lion zeelander
Artist role: draughtsman, print maker
Artist dates: 1789 – 1856
Subjects: standing figure (+ nude human being)
Procession of Deities
Object type: relief, three god
Date: 1887 – 1878
Materials: limestone
Techniques: painting
Location: egypt
Portret van Jonathan Swift
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving
Artist: jan willem paulus
Artist role: print maker
Subjects: historical persons
Inscriptions: number: ‘419.’
Henry W. Williams
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, physician, doctor, professor
Dopsleutel van staal
Object type: key
Date: 1300 – 1500
Materials: steel
Location: france

Stalen dopsleutel met opengetande baard, ring aan de bovenzijde recht.
Sheep
Object type: photograph
Date: 1901 – 1901
Artist: hans watzek
Artist role: artist
Artist nationality: austrian
Artist dates: 1848 – 1903
Subjects: sheep

In photographs such as this charming pastoral image of grazing sheep, Watzek demonstrated why he is considered a leading member of the Vienna Photographic Secession (known as Das Kleeblatt). It is expertly composed-balanced but not predictably symmetrical-with a subtle blend of reticulated form in the foreground grass that takes full advantage of photography's tonal capabilities. His training as a draftsman no doubt aided his aesthetic choices and taught him to identify outdoor scenes intriguing to the eye. Among those who recognized his talent was Alfred Stieglitz, who reproduced this work, along with others by members of Das Kleeblatt, in the thirteenth issue of Camera Work in 1906.
Maximilianus. Rom. rex
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maximilian i (holy roman emperor), crown (symbol of sovereignty), historical persons, emperor

In een cirkel met daaronder een cartouche met een Latijnse tekst. Linksonder genummerd: 152.
Set of three supports (?)
Object type: support
Date: 1701 – 1800
Materials: gilt, wood
Exterior of the Farnese Palace, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: palaces,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 48 in the scrapbook.