deem-data/ArtiFact huggingface dataset:
Begrafenis van A.J.J. Baron des Tombe, 1845
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jacques philippe le clerc
Artist role: print maker
Artist dates: 1820 – 
Subjects: cortege, funeral procession, maastricht
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Begrafenis van luitenant-generaal A.J.J. Baron des Tombe, commandeur van Maastricht, overleden op 18 februari 1845. De begrafenisstoet trekt over het Vrijthof langs de Sint-Servaasbasiliek.
Pair of Octagonal Sticks
Object type: stick
Date: 200 – 1
Materials: copper
Culture: chinese
Landschap met bomen of wolkenlucht
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Techniques: stumping
Location: north brabant
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trees, landscapes, clouds

Pagina 5 uit een schetsboek met 42 bladen.
Praying Stool Cover (Prie-Dieu)
Object type: textile
Date: 1730 – 1730
Materials: textile, wool, thread
Techniques: embroidery, stitching, weave
Location: france
Subjects: coat of arms, royalty
Wandindeling met deuren
Object type: ornament print
Date: 1748 – 1753
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, door, wall-covering

Wandindeling met twee deuren met rocaille omlijsting en bekroond met rocaille cartouche met putti. In het midden een met rocailles versierde tafel. Uitgeversnummer 135.
The Missionaries, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Kermisprent van de vuilnismannen van Amsterdam voor het jaar 1858
Object type: fair print
Date: 1858 – 1858
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: street, garbage collection, amsterdam

Kermisprent van de Amsterdamse vuilnismannen voor het jaar 1858. Gezicht op de kermis op de Botermarkt met de oude Waag. Op de markt twee vuilniskarren. Met gedicht in twee kolommen. Van de vuilniskarman in de wijk no. 7: P. Landzaat. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Bijutsukai - kan no roku
Object type: book
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Location: kyoto
Inscriptions: date
Kudde wilde paarden
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
"Ko," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Een Vastenavond-vertooning
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: mask
Inscriptions: collector's mark: Lugt 2228

Spotprent op de protectionisten (Regout c.s.) die zich van de leiding van de aanstaande novemberfeesten rond het vijftigjarige jubileum van het herstel van de vrijheid in Nederland meester wilden maken. Een groep mannen doet maskers voor en verkleedt zich. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 8, 21 februari 1863.
Footstool
Object type: footstool
Date: 1845 – 1855
Materials: wood
Culture: american
Location: united states
Artist: john a. ellis and company
Artist role: maker
Artist nationality: american
Artist dates: 1809 – 1909
Twee personen in een roeiboot op het Loch of Park in Aberdeenshire
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: aberdeenshire
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: rowing-boat, canoe, etc., lake
Inscriptions: inscription: ‘The Loch of Park, Aberdeenshire No. 125’
' ’t Huis te Ryswyk' , in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: buildings,gates

Depiction of the palace at Rijswijk, seen in bird's eye view. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Titus Flavius Vespasianus
Object type: locket
Date: 1700 – 1800
Materials: mother of pearl
Location: netherlands
Artist: Anonymous

Een medaillon van parelmoer, waarop een afbeelding is gesneden van een Romeinse keizer, met randschrift: VESPASI.
Pompe Notre-Dame, Paris, small plate
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Ex libris van M. en N. S.
Object type: bookplate
Date: 1920 – 1952
Materials: paper
Techniques: engraving
Location: france
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: jupiter, in the shape of a swan, and leda, woman (showing herself) undressed, quasi-nude, beach
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left arm of archer, with hand holding a bow; bit of hair, extended left arm and part of hand of figure to right
Jaffna, Sri Lanka, Ceylon, Arya Chakravartis, 1286-1410 en 1462-1597, kahavanu
Object type: coin
Date: 1286 – 1597
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: zittende stier met sralenkrans naar links, waarboven wassende maan, waarin punt. Onder de stier in een regel opschrift in het Tamil: Setu. Keerzijde: staande figuur, waaromheen symbolen.
Warrior Conversing with Lady in Banquet, with Dead Man at Their Feet
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1600 – 1699
American Dragoon, 1779, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Beaker
Object type: beaker
Date: 1801 – 1900
Materials: silver
Subjects: coat of arms
Blad uit een getijdenboek met de Geboorte van Christus
Object type: drawing
Date: 1500 – 1599
Materials: paint, ink, parchment
Techniques: brush, engraving, pen
Location: france
Artist: Anonymous
Rivierlandschappen met mythologische onderwerpen
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: etching
Location: vienna
Subjects: psyche is carried up to olympus by mercury, landscapes in the temperate zone
Inscriptions: signature: ‘PerusBreugel fec.’, date: ‘Ao 1553’, caption: ‘Pulcher Atlantiades Psijchen ad Sydera tollens...Si mundi curas fata levare velint.’, collector's mark: Lugt 2228

Rivierlandschap met in de lucht Mercurius, die Psyche naar de hemel draagt.
O Tempora, O Mores!
Object type: print
Techniques: etching
Artist: samuel alken
Artist role: etcher
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,sleeping,men,dogs

Three men have fallen asleep at the table in a drunken stupor, while empty bottles of wine are strewn about on the floor. Two men open a door at right and stare at them in shock.
Spotprent op Mozes Salvador, 1853
Object type: cartoon
Date: 1853 – 1853
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: politician, political meeting, propaganda meeting, utrecht
Inscriptions: collector's mark: Lugt 2228

Spotprent op Mozes Salvador en de door hem georganiseerde politieke bijeenkomst te Utrecht bij de verkiezingen voor de Tweede Kamer, 17 mei 1853. Twee voorstellingen: Vóór en Ná. Links (vóór) spreekt Salvador met zijn zaakwaarnemer S. Fongers een zaal toe, allen voorgesteld als vissen. Rechts (ná) eindigt Salvador in een vispastei op de kruiwagen van een visverkoper.
Ball gown
Object type: ball gown
Date: 1872 – 1872
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century.
Portret van een zittende jonge vrouw
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adolescent, young woman, maiden, sitting figure - aa - female human figure, historical persons - bb - woman
Roslin Chapel.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: roslin
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: inscription: ‘Realities of the Waverley Novels, Burns' Poems, Scottish Songs, &c.’, name: ‘Lennie 46 Princes Str Edinburgh’, number: ‘No. 4.’, inscription: ‘This beautiful specimen of the florid Gothic ecclesiastical architecture (...) Lay of the Last Minstrel.’
Woman's informal robe
Object type: woman's informal robe
Date: 1801 – 1900
Materials: silk, wool
Culture: chinese

Embroidered in brightly colored silks and gold on the woolen ground of this robe is a roughly symmetrical arrangement of the "hundred antiques," lavishly complemented with fruit and flowers. At the bottom center of the robe, between containers of narcissus flowers, the scholarly tradition is represented by brushes, a scroll of silk or paper for calligraphy or painting, coral branches, and a fly whisk, all objects associated with the literati. A little higher, below vessels containing sumptuous fullblown peonies and other flowers, is a long slender object shaped like a mushroom at one end and seen here with a tassel at the other end. This implement is called a ruyi, and as it figures in rebuses to symbolize the fulfillment of a wish, the presence of a ruyi often signals that a word puzzle is at hand. Here it is seen with a bowl containing a peach and a Buddha's-hand citron, fruits associated with longevity and prosperity. Represented on the inner part of the sleeves on either side of this robe are utensils for burning incense, each set consisting of an incense burner, a small round box for storing incense, and a cylindrical holder containing a spatula and tongs for manipulating the burning incense. Sets of utensils for burning incense were indispensable accessories in a scholar's studio.
Geschiedenis van Juda en Tamar
Object type: print
Date: 1549 – 1549
Materials: paper
Techniques: etching
Location: haarlem
Subjects: hirah with the promised kid of judah, looking in vain for tamar

Chrira zoekt naar de prostituee die zijn vriend Juda had ontmoet. Hij dient haar een geiteboek te brengen. De prent maakt deel uit van een serie over de geschiedenis van Juda en Tamar
Binnenplaats van (vermoedelijk) het Bahiapaleis te Marrakech
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: marrakech
Subjects: ornamental fountain, inner court of palace or 'hôtel'
Inscriptions: title: ‘In the Sultan's Palace.’
Sketch and Sums
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Object type: drawing ornament architecture
Date: 1530 – 1545
Materials: ink
Techniques: pen
Location: france
Artist: sangallo family
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1545
Subjects: architecture,temples,ruins

A recent discovery, this sheet and seven others (acc. nos. 2008.105.1-8) comprised a manuscript draft for an Italian edition of the sole surviving architectural treatise of Roman antiquity, Ten Books on Architecture by Marcus Pollius Vitruvius (late first century B.C.). Had the project been completed, it would have ranked among the brilliantly imaginative works of Renaissance interpretive architectural theory. The drawings also exhibit a beautifully expressive handling of the pen. Comparisons of style as well as of the shorthand notation in the sketching of human figures suggest a close kinship with drawings by Bastiano "Aristotile" da Sangallo (Florence, 1481 – Florence 1551) and the collaborators that helped him draw and write the motifs of marginalia in a printed 1486 edition of Vitruvius (Biblioteca Corsiniana, Accademia Nazionale dei Lincei, Rome) that was reworked in the 1530s. By all accounts a virtuoso stage set designer, Bastiano da Sangallo-the cousin and closest collaborator of Antonio da Sangallo "The Younger" and Giovanni Battista da Sangallo "Il Gobbo"-was Michelangelo's assistant in the Sistine Chapel and took the surname of "Aristotile" for his love of antiquity. Members of the Sangallo family had been deeply interested in Vitruvius for at least two generations.
Woenno-Groezinskaja doroga. Goedaoer (Tsjortowa dolina). Konitsjowskaja i krjostowaja gora
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: georgia
Artist: dimitri ivanovitch ermakov
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: mountain-range, snow peaks
Inscriptions: number: ‘63’, number: ‘2348’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Statuette of a man
Object type: statuette of a man
Date: 7000 – 330
Materials: bronze
Subjects: men
Kingfisher and reeds
Object type: print
Date: 1840 – 1840
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Alto recorder
Object type: flute
Date: 1700 – 1700
Materials: wood
Location: amsterdam
Artist: abraham van aardenberg
Artist role: musical instrument maker
Artist dates: 1672 – 1717
Inscriptions: mark, on the foot joint, stamped: ‘AARDENBERG’ [a jumping deer]/ AARDENBERG [in scroll with a small ‘v‘ in the first A replaces the dash of that A]/ [ three high model fleurs-de-lis]

Altblokfluit, gemerkt AARDENBURG op een banderol, waarboven een hart en waaronder een lelie.
Le Palais Royal
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 53.’

Prent op tweehonderdenelfde ongenummerde pagina.
Glass hydriske (perfume bottle)
Object type: hydriske
Date: 334 – 201
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque white and opaque yellow. Horizontal rim-disk, with rounded edge; cylindrical neck, with slight upward taper; broad almost horizontal rounded shoulder; ovoid body; applied circular pad-base, with uneven bottom; on sides of upper body, two small vertical loop handles; strap handle applied at junction of shoulder and body in a pad and pressed on to underside of rim-disk and top of neck. Unmarvered yellow and white trails attached on shoulder and wound round; both trails tooled in a close-set zigzag pattern with deep vertical ribs over top half of body, then white trail continuing down in a spiral around lower body. Complete, except for most of one loop handle and strap handle; dulling and pitting, with patches of brownish weathering and faint iridescence.
Combined Wheel-Lock Spanner and Turnscrew
Object type: arm
Date: 1551 – 1600
Materials: iron
Culture: german
Location: saxony
Portret van Joachim Ludvig Phister als een procureur met een pijp uit Soldaterlöier
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Artist: harald paetz
Artist role: fotograaf
Artist dates: 1837 – 1895
Subjects: stage costume, portrait of actor, actress
Inscriptions: inscription: ‘Eneberettiget Soldaterlöier, 1ste Scene.’
Vijfde dag van schepping: God schept vissen en vogels
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: creation of birds and fishes
Inscriptions: collector's mark: Lugt 2228

Vijfde dag van schepping: God schept vissen en vogels zodat het water wemelt van de levende wezens en langs het hemelgewelf vogels vliegen. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 1, binnen rechthoekige omlijsting.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1741
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: stamp: ‘MUSEUM WILLEM TWEE. A.J. VAN TETROODE, 'S GRAVENHAGE.’

Portret van Willem III in een geornamenteerd ovaal. Midden onder zijn wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband. Rondom ligt een aantal allegorische objecten. Op een voetstuk zijn naam en titel in het Frans.
Misericorde met twee drinkende figuren in de Oude Kerk te Amsterdam
Object type: print
Date: 1880 – 1929
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: misericords, drinking
Inscriptions: collector's mark: ‘31,161’ Lugt 1641b, collector's mark: ‘Koninklijk Oudheidkundig Genootschap / Amsterdam’

Rechtsboven genummerd: 18. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk, koorgestoelte.
Vijf rozetten
Object type: drawing
Date: 1866 – 1900
Materials: pencil, paper
Techniques: drawing
Artist: Anonymous

Bij drie rozetten staat vermeld: Vaticaan, bij twee: Tuilerien.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Ten black glazed fragments from kylikes
Tribune van een paardenrenbaan in Nederlands-Indië
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: dutch east indies
Artist: Anonymous
Subjects: race-track, dutch east indies, the
Portret van een meisje
Object type: album leaf
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Atelier/ Vermeulen/ Speciaal ingericht voor/ groepen en levensgroote portretten/ in onveranderlijke kooldruk/ Heerenstraat 6,/ Amsterdam.’
Rivierlandschap met een molen
Object type: sketchbook leaf
Date: 1919 – 1921
Materials: chalk, paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape

Blad 13 recto uit een schetsboek met 42 bladen.
O-daiko
Object type: o daiko
Date: 1873 – 1873
Materials: metal, silk, wood
Techniques: enamel
Culture: japanese
Location: japan
Artist: kodenji hayashi
Artist role: maker
Artist nationality: japanese
Artist dates: 1831 – 1915
Subjects: cranes,fishing,dragons,roosters,fish
Aanleg Central Mexican Railway april 1890
Object type: photograph
Date: 1804 – 1890
Techniques: photography
Location: united states
Artist: Anonymous
Portret van Gijsbert Karel van Hogendorp
Object type: print
Date: 1834 – 1836
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rotterdam, the hague, gijsbert karel graaf van hogendorp, historical persons
Inscriptions: collector's mark: Lugt 2228
Textile Panel with Birds amid Flowering Vines
Object type: textile panel
Date: 1601 – 1650
Materials: metal thread, silk
Location: iran
Subjects: birds,flowers

The interlocking pattern of this silk panel features a popular bird-and-flower motif that alternates direction in each repeated row. The effect of achieving a borderless repeat is a challenge confronting textile designers in the planning phases of the design, and indicates great skill when executed as flawlessly as in this panel. Enhanced with foil-wrapped metal threads covering the ground cloth, bird-and-flower textiles produced in the seventeenth century feature a soft palette of pistachio green and safflower orange that was highly susceptible to fading. The overall shape of this piece indicates that it was used as a chasuble, a sleeveless Christian vestment, attesting to the popularity and status of this type of textile in Europe.