deem-data/ArtiFact huggingface dataset:
Portret van een Franse vrouw in traditionele kledij met omslagdoek, mand en paraplu
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes), adult woman, umbrella, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Fotoreproductie van een geschilderd portret van Abdülhamid II, sultan van het Ottomaanse Rijk
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, emperor
Musée pour tous
Object type: book
Date: 1877 – 1879
Materials: linen, paper
Techniques: printing, marbled paper, woodburytype
Inscriptions: date: ‘AUG 1994’
Grape Harvest at the Gulf of Naples
Object type: drawing
Date: 1770 – 1825
Materials: graphite, ink
Techniques: brush, pen
Location: italy
Artist: christoph heinrich kniep
Artist role: artist
Artist nationality: german
Artist dates: 1755 – 1825
Subjects: women,trees
Angel Musicians
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: heightening
Location: italy
Artist: follower of francesco monti
Artist nationality: italian
Artist dates: 1646 – 1712
Doll's hat and hatbox
Object type: hatbox
Date: 1800 – 1850
Materials: cord, ribbon, textile
Culture: american
Sutra Cover
Object type: textile
Materials: cardboard, gold leaf, ink, paper, silk
Techniques: backing, lacquer, painting, patterning, weave, printing, satin weave
Location: china
Cylinder seal and modern impression: demons and animals
Object type: cylinder seal
Date: 1400 – 1301
Materials: mineral
Location: cyprus
Subjects: horses,lions

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows an elaborate multifigured design. Two demonic lion-headed creatures, known as Minoan Genii, face one another. Holding vessels by the handle, they appear to stand on the backs of confronted lions, with heads of horned animals in the field. Above them, between a small leaping ibex and crossed lions, signs of the Cypro-Minoan script flank a central rosette over a winged sun disc. A second group is composed of two figures grasping a lion suspended between them, one by the tail and the other by the hind leg. One figure wears a knobbed cap and a belted flounced garment, while the other is a bull-headed demon. Approaching the scene is an upright human-headed lion. A head of a human and of a lion also appear.
Studies van kreeften
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘958’, number: ‘90’, watermark
Bowl with Dragons, Peony Scrolls, and Band of Lingzhi Mushrooms
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Demons and Monsters
Object type: hanging scroll
Date: 1870 – 1879
Culture: japanese
Artist: takai kōzan 高井鴻山
Artist role: artist
Artist nationality: japanese
Artist dates: 1806 – 1883

This bizarre composition, rapidly brushed as if rendered unconsciously, or as if in a trance, captures the appearance of some twenty demons and ghosts in the foreground, with a more conventional scene of a scholar in a hut in the mountains in the background. The artist Takai Kōzan revealed that such paintings he created from the 1870s on, were responding to the hallucinations of demons appearing one after another whenever he closed his eyes to rest or sleep. Though formally trained and skilled in various styles of traditional Japanese painting, from the 1870s on until his death, Kōzan focused almost exclusively on paintings of ghosts and demons, The artist was no doubt subconsciously tapping into the anxiety of the times, when the Shogunate was about to lose power, and the country was opening up to the West, and members of elite society, as Kōzan was, felt threatened that the established societal hierarchies were being challenged. Born into a conspicuously wealthy sake-brewing and farming family in Obuse, in present-day Nagano Prefecture, Kōzan studied calligraphy, painting, poetry, and neo-Confucian philosophy with leading masters in both Kyoto and Edo. He succeeded to the family business in 1840, but apparently had little aptitude or interest in business management and preferred to devote himself to practicing Zen Buddhism and cultivating a wide network of intellectuals and artistic friends, including most notably the famous painter and print designer Katsushika Hokusai. He became a student of Hokusai, and hundreds of drawings the master created as study models for his pupil still survive. Because of his family’s great wealth and connections, Kōzan eventually was married into the family of the Shogun, which allowed him to further broaden his political and artistic networks. Among his most famous works are meticulous bird-and-flower paintings for the ceilings of festival floats that were collaboratively executed with Hokusai when the master, under the generous patronage of Kōzan, was staying in Obuse, A museum dedicated to preserving his Edo period home and his artistic output remains in Obuse, and a former director of that museum authenticated this work.
Twee vastgebonden honden
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: animals tied up, dish, plate, saucer, dog

Een hond ligt op de grond naast een bot. Hij is vastgebonden aan de tweede hond die achter hem zit. Rechts vooraan staat een leeg bord.
Portret van Hendrik Bergh
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, head-gear: hat, book
Inscriptions: date
The Observatory; Thereza Llewelyn
Object type: photograph
Date: 1853 – 1856
Techniques: salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: buildings,portraits,women
Petticoat
Object type: petticoat
Date: 1885 – 1885
Materials: linen
Culture: french
Desire (Le Brun Travested, or Caricatures of the Passions)
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Filips IV, koning van Spanje, rekenpenning van Vlaanderen [?]
Object type: jeton
Date: 1660 – 1660
Materials: copper
Techniques: striking
Location: belgium
Artist: Anonymous
Subjects: filips iv (koning van spanje)

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: omkijkende leeuw onder grote lelie tussen opschriften binnen omschrift
Sutra Cover
Object type: textile
Materials: gold leaf, ink, paper, textile, silk
Techniques: bookbinding, interlacing, lacquer, painting, patterning, satin weave, weave
Location: china
Card Number 394, Nina Smith, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Portret van vier mannen met hoeden, zittend in een atelier met geschilderd achtergronddoek
Object type: photograph
Date: 1880 – 1910
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Portret van een man met een gouden klauw, mogelijk Leonino Brembate
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: historical persons

De prent is vervaardigd naar het schilderij van Lotto dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_265). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Helena Dacre, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Card Number 365, Florence Baker, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Maria Magdalena
Object type: print
Date: 1749 – 1809
Materials: paper
Techniques: mezzotint
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Head and neck of a bearded man to right; two figures in a chariot to right
Basket (Lower Part)
Object type: basket
Date: 1801 – 1900
Materials: rattan
Culture: japanese
Otani Hirohachi as a Samurai Dressed in a Gaudy Kamishimo
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Vrouw met hoed, op de rug gezien
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman (+ back view), head-gear: hat (+ women's clothes)

Pagina 28 uit een schetsboek met 30 bladen vervaardigd in Amsterdam.
Magic wand fragment
Object type: magic wand fragment
Date: 1802 – 1640
Materials: ivory
Location: egypt
Subjects: lions
Portret van paus Marcus
Object type: book illustration
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Twee foto's en een fotomechanische prentbriefkaart van Grenoble en omgeving
Object type: photomechanical print
Date: 1908 – 1929
Materials: paper, cardboard
Techniques: gelatin silver print, rotogravure
Location: grenoble
Subjects: city-view in general; 'veduta', mountains

Deze prent en foto's maken deel uit van een album.
Adam van Noort
Object type: print
Date: 1630 – 1633
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Ewer
Object type: ewer
Date: 1710 – 1760
Materials: earthenware
Techniques: glazing
Subjects: houses,flowers,trees
Jardinière
Object type: jardinière
Date: 1701 – 1800
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: flowers
Dieren
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: beasts of prey, predatory animals: tiger, animals, monkeys, apes, beasts of prey, predatory animals: bear, hoofed animals: giraffe
Inscriptions: collector's mark: Lugt 2760

Blad met 4 horizontale rijen met voorstellingen van dieren, zoals een tijger, een aap en een giraffe. Onder elke afbeelding een tweeregelig onderschrift.
Comforts of Bath, Plate 6
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: painting,men,women
Rapier
Object type: rapier
Date: 1540 – 1540
Materials: gold, steel
Culture: french
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Portret van Jean de Gerson
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Candlestick from a Set of Five-Piece Altar Set (Wugong)
Object type: candlestick
Date: 1736 – 1795
Materials: copper, enamel
Techniques: enamel
Culture: chinese

Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for "partitions"), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius. Enamels tend to shrink during firing, and the process is repeated several times to fill in the design. Once this process is completed, the surface of the vessel is rubbed until the edges of the cloisons are visible.
Plattegrond van de Kaart Figuratief van Delft (deel rechtsboven)
Object type: area plan
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: commercial fishery, coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, hunting, chase, agriculture, maps of cities, delft
Inscriptions: collector's mark: Lugt 2228

Deze prent is onderdeel van de tweede staat* van de plattegrond van de zogenaamde Kaart Figuratief (Caerte figuratyff / Kaerte figuratyf) van Delft, een wandkaart van Delft die voor het eerst werd uitgegeven in 1678. Deze kaart bestaat uit een plattegrond van Delft (RP-P-AO-11-8A) met daaromheen een rand. De rand bestaat uit een profiel van Delft (RP-P-AO-11-11), een profiel van Delfshaven met daaronder de wapenschilden van de burgemeesters van de stad (RP-P-AO-13-51-1 en RP-P-AO-13-51-2), 24 kleinere prenten (kaarten, afbeeldingen van gebouwen en graven van bekende personen, o.a. RP-P-AO-11-15, RP-P-AO-11-16, RP-P-AO-11-17, RP-P-AO-11-18, RP-P-AO-11-19, RP-P-AO-11-20, RP-P-AO-11-21, RP-P-AO-11-23, RP-P-AO-11-24, RP-P-AO-11-27, RP-P-AO-11-28, RP-P-AO-11-29, RP-P-AO-11-30, RP-P-AO-11-31, RP-P-AO-11-33C, RP-P-AO-11-34, RP-P-AO-11-35, RP-P-AO-11-35-2, RP-P-AO-13-49, RP-P-AO-13-52, RP-P-AO-13-53, RP-P-AO-13-54-1 en RP-P-1909-6463) en een beschrijving van de stad (RP-P-AO-11-8E).

In 1678 werd de kaart, in opdracht van het Delftse stadsbestuur, voor het eerst in zijn geheel uitgegeven door Pieter Smith.

Pieter Mortier (I) verzorgde in 1703, tevens in opdracht van het stadsbestuur, een tweede uitgave. Voor deze druk bracht graveur Thomas van der Wilt enkele aanpassingen aan op de platen van de plattegrond. De randplaten lijken ongewijzigd te zijn gebleven, hoewel de plaat met de wapens van de burgemeesters werd vervangen door een nieuwe plaat met wapens van de toen zittende burgemeesters.

Van de plattegrond zijn dus twee staten bekend. De tweede staat van de plattegrond is in 1752, waarschijnlijk zonder de randprenten, opnieuw uitgegeven. Het is onbekend wie deze druk heeft verzorgd.

De kaart kon op verschillende manieren gemonteerd worden. Voor zowel de uitgave van 1678 als die van 1703 is een instructie bekend. Voor een exemplaar van de instructie uit 1703 zie RP-P-AO-11-93.

Het is niet duidelijk of voor wat bekend staat als de tweede staat van deze plattegrond (1703) ook op de plaat van het huidige deel aanwijzingen zijn aangebracht. Wel is een stuk van een proefdruk bekend (RP-P-AO-11-94).
Mourning dress
Object type: mourning dress
Date: 1874 – 1874
Materials: glass, silk
Culture: french
Gezicht op de Alte Domkirche
Object type: print
Date: 1750 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228
Vrouw en putti bij stapel prentalbums
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: adult woman, printing, printing office, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘AFE v S’, collector's mark: Lugt 2760, watermark
Sitting Bull, Dakota Sioux, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Fragment
Object type: textile
Date: 1870 – 1870
Materials: cotton
Location: france
Vrouw aan haar toilet
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: whore, prostitute, making toilet - aa - (for) women
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit aan haar toilettafel waarop een spiegel en poederdozen. In haar hand houdt ze een kam. Zij draagt een jurk die haar borsten vrijwel onbedekt laat.
Portret van Cornelis Speelman
Object type: photomechanical print
Date: 1870 – 1966
Materials: paper
Techniques: autotype
Subjects: rotterdam, batavia, colonial governor, historical persons
Bedelaar met krukken
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: engraving, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: crutches, beggar
Inscriptions: collector's mark: Lugt 2166

Een bebaarde man met hoed, gekleed in beschadigde, deels herstelde kleren, lopend met twee krukken. In zijn linkerhand een klein, rechthoekig voorwerp. Linksachter hem een man en een vrouw, rechtsachter hem een boom.
Terracotta fragments of amphorae (jars)
Object type: amphora fragment
Date: 600 – 468
Materials: terracotta
Culture: greek, attic

Five black glaze fragments from amphorae
Portret van Karel Frederik van den Berg
Object type: carte de visite
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: batavia, karel frederik van den berg
Inscriptions: inscription: ‘M. Büttinghausen / AMSTERDAM / GODESBERG’, name: ‘K.F. van den Berg’
Charles-Maurice Le Tellier
Object type: print
Date: 1670 – 1670
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Tumulus Regius in campo Bravallino Smolandiæ ubi Laudur frater Regis Angantyr prælio caesus tumulatus est / Tumulus Humbli, ubi hujus nominis Hunnorum Rex in Campis Bravallinis occisus sepultusque est
Object type: album leaf
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: stockholm
Subjects: grave, tomb
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
The Actor Ichikawa Yaozo II as Soga no Dozaburo (?) in the Play Kamuri Kotoba Soga no Yukari (?), Performed at the Ichimura Theater (?) in the First Month, 1776 (?)
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Kero (beaker)
Object type: kero
Date: 1601 – 1633
Materials: pigment, tin, wood
Culture: quechua
Location: peru
Artist: peruvian artist(s)
Artist role: artist
Rechtschaduwmarmer in blauw en grijs
Object type: marbled paper
Date: 1850 – 1917
Materials: paint, paper
Techniques: marbled paper, marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Rechtschaduwmarmer op kiezelmarmer in blauw en grijs.
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: glass
Madras, India, Engelse Oostindische Compagnie (EIC), pagoda, (1807)
Object type: coin
Date: 1807 – 1807
Materials: gold
Techniques: striking
Location: chennai

Gouden munt. Voorzijde: binnen cirkel, gevormd door ceintuur met gesp tempelpoort, waaromheen sterren. Op gesp waarde-aanduiding in het Engels: pagoda, en in Arabische lettertekens. Keerzijde: binnen cirkel, gevormd door lint, waarop waarde-aanduiding in het Tamil en in het Telugu, godheid ten halve lijve, staande, in een veld, bezaaid met korrels. Bovenaan, tussen uiteinden van het lint, een ster. Kabelrand.
Portret van een onbekende vrouw
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: historical persons not known by name - bb - woman, netherlands
Linear Perspective used in painting art, gepubliceerde versie
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: christoffer wilhelm eckersberg
Artist role: painter
Artist dates: 1783 – 1853
Subjects: mathematical perspective, rainbow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op een binnenplaats met enkele figuren. Dubbele regenboog in de lucht. Perspectiefstudie, staat voor de huplijnen.
Interieur met een meisje en vrouw bij een man op een ziekbed
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: ink, paper
Techniques: brush
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: standing figure, sick-bed, girl (child between toddler and youth), interior of the house

Blad 28 recto uit een schetsboek met 31 bladen.