deem-data/ArtiFact huggingface dataset:
Saber with Scabbard and Belt Hook (清    腰刀)
Object type: saber with scabbard
Date: 1701 – 1800
Materials: iron, leather, silk, steel, wood
Culture: chinese
Location: china

This saber is particularly noteworthy for the beauty and complexity of its pattern-welded blade. As horseback archers, the Manchus had a unique way of wearing their sabers, with the hilt inclined toward the back rather than the front. This made room for a bow and bow case, which were worn on the left hip over the saber, along with a quiver of arrows on the right hip.
Armstoel van eikenhout, met huifkap
Object type: seating furniture
Date: 1560 – 1580
Materials: wood
Location: northern netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), cherubs, i.e. children's heads with wings, satyr(s) (in general)

Armchair. Oak. Netherlands (Amsterdam?), c. 1560-1570. In 1578 this chair was owned by the burgomaster of Amsterdam, Dirck Jansz de Graeff. Tradition has it that William of Orange then sat in it when he visited Amsterdam. This 'historical fact' is recorded on a metal plate which De Graeff's descendants placed on the chair when they loaned it to the Koninklijk Oudheidkundig Genootschap in 1877. On loan from the De Graeff family to the Koninklijk Oudheidkundig Genootschap.
Haring
Object type: book illustration
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: harbour, bony fishes: herring, letters, alphabet, script
Inscriptions: stamp, collector's mark: Lugt 1641

Vader en zoon kijken naar een man die een haring uit een ton haalt. Onder de voorstelling de letter H in twee verschillende lettertypes. Onderaan een tweeregelig vers over de haring. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Opvoeding en Onderwijs, Haneboeken en schoolprenten.
Kan met deksel van blauw beschilderde faience
Object type: ewer
Date: 1753 – 1771
Materials: faience
Location: delft
Inscriptions: mark: ‘VB (ineen)’

Kan met deksel van blauw beschilderde faience.
[Tinsmith Working Under a Tree]
Object type: tintype
Date: 1870 – 1879
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,working
Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso)
Object type: drawing
Date: 1652 – 1652
Materials: ink
Techniques: pen
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: men
Landschap met vrouw en koe op een pad
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: cow, landscapes, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Vase with lions
Object type: vase
Date: 1801 – 1850
Materials: glaze, porcelain
Techniques: incising, polychrome
Culture: chinese
Subjects: dragons
Jug (Bartmann jug) with portraits, leaves and an inscription
Object type: jug
Date: 1540 – 1560
Materials: engobe, glaze, stoneware, tin
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous
Subjects: beard
Inscriptions: inscription: ‘TONTDRNE VN ESGOT NITVRGS[?]’

translation of inscription: drink and eat, but forget not God
Metamorfosen van Ovidius
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: when hermaphroditus bathes in a fountain, salmacis, the nymph of the fountain, falls in love with him, story of hermaphroditus and salmacis, caduceus (staff with two snakes, attribute of mercury), hermaphroditus and salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph salmacis, who holds the bathing hermaphroditus closely embraced, their bodies fuse (ovid, metamorphoses iv 373), venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 2228

De nimf Salmacis staat bij een zuil in een landschap met een tuin. Zij kijkt op naar de wolken waar Mercurius, Venus en Amor verschijnen. Op de achtergrond omhelst Salmacis Hermaphroditus, terwijl ze in het water staan, waarna ze volgens de mythe zouden versmelten tot een tweeslachtig wezen. Onder de voorstelling de tekst uit de Metamorfosen van Ovidius, boek 4, versregels 385-386, in het Latijn.
Reaal van achten, geslagen te Mexico, munt uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: coin
Date: 1716 – 1716
Materials: silver
Techniques: striking
Location: mexico city
Artist: Anonymous
Subjects: filips v (koning van spanje)
Putto Bending a Bow
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giorgione
Artist role: artist
Artist nationality: italian
Artist dates: 1477 – 1510
Subjects: cupid

The steep perspective in which the putto is seen establishes that the figure must have been intended for placement high on a painted palace façade, and Pierre-Jean Mariette's addition of a base and surrounding niche for the figure would seem to indicate that he thought the putto could have served just such a purpose. Jaynie Anderson related the Museum's drawing to the extant fresco fragment showing a Hesperid Cupid from Giorgione's original decoration in the Fondaco dei Tedeschi (Saltwood Castle, Saltwood Heritage Foundation, Kent; see References: Anderson 1996, p. 312, fig. 173). Erica Tietze-Conrat was apparently the first to call attention to Vasari's mention of a similar figure on the façade of the Fondaco dei Tedeschi, "un angelo a guisa di Cupido" ("an angel depicted as Cupid": Vasari 1550 and 1568, vol. 4, p. 96). The plausible attribution of the drawing to Giorgione goes back at least to the time of Mariette. On several occasions in the past Terisio Pignatti has ascribed this sheet to the young Titian, but he seems to have abandoned this notion, since our drawing is not mentioned in his 1979 book on Titian as a draughtsman. The Mariette catalogue entry for this drawing reads: « GIORGION, (Francefco Sanefe, dit le) Venit. / 445 Un Amour ployant fon arc, & deux aurres / Sujets, à la fanguine, où fe voit une femme edormie, &c ». A sketch of our drawing by Saint Aubin is found in the border of the Mariette collection sale catalogue in the Museum of Fine Arts, Boston. In 1994, William M. Griswold and Linda Wolk-Simon published this drawing with an attribution to Michelangelo Anselmi (Siena or Lucca 1492 – 1556 Parma), adducing stylistic comparisons that do not seem sufficiently convincing to this compiler to remove the drawing from Giorgione's oeuvre (for an immediate comparison see Anselmi’s cartoon fragment with ‘Putti playing with hoops’ now in the Metropolitan Museum of Art, acc. no. 2013.117: repr. in Bambach, ‘Il Primato del Disegno’, 2015, pp. 24-25, fig. 9). A copy after this drawing does exist that is much more likely to be by Anselmi; it was formerly owned by Alan Stone (New York), is presently the property of Yvonne Tan Bunzl (London), although it was inexplicably published as "Giorgione" by W. R. Rearick in 2001 as in private collection, Vienna.
Portret van Frans van Stampart
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: antwerp, vienna, frans van stampart, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Stampart, Frans van. Prodromus, seu Praeambulare lumen reserati portentosae magnificentiae theatri, quo omnia ad aulam caesaream in Augustissimae suae caesareae (...). Neurenberg: Johann Peter von Ghelen, 1735.
Panel of velvet
Object type: length
Date: 1551 – 1600
Materials: metal thread, silk

This quintessential luxury fabric, woven with two heights of looped metal thread pile and an additional metal thread weft, was used for both furnishings and costumes.
Head of a Bearded Old Man in Profile to the Right
Object type: drawing
Date: 1800 – 1800
Materials: chalk, graphite
Artist: johann evangelist kastner
Artist role: artist
Artist nationality: austrian
Artist dates: 1776 – 1827
Subjects: men
Il Monte. Opera Nova di Recami, page 5 (verso)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Location: italy
Artist: giovanni antonio bindoni
Artist role: designer
Artist nationality: italian
Artist dates: 1500 – 1650
Subjects: flowers,acanthus

Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design composed of 2 vertical columns. Left is wider and is decorated with 2 different sets of floral motifs; left set appears to be decorated with pineapples. Left column is decorated with a central flower with 2 curving stems of leaves.
The Declaration of Independence, July 4, 1776
Object type: print
Date: 1876 – 1876
Techniques: engraving
Artist: waterman lilly ormsby
Artist role: engraver
Artist nationality: american
Artist dates: 1809 – 1883

Though restrained in feeling, this print describes a profound revolutionary moment. It affirms the right of the original thirteen American colonies to separate from Great Britain—an unprecedented challenge to royal authority. The title is slightly misleading since what we actually witness is the drafters of the Declaration of Independence—John Adams, Roger Sherman, Robert R. Livingston, Thomas Jefferson, and Benjamin Franklin—presenting the text to the Second Continental Congress at Philadelphia on June 28, 1776, six days before ratification. Forty-two of the eventual sixty-two signers appear here portrayed from life. Based on Trumbull’s famous painting of 1786, the print was engraved to mark the centenary of the United States.
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 400
Materials: glass
Culture: roman

Thick-walled perfume bottle. Translucent dark blue-green. Everted rim, folded round and in, with uneven flattened upper surface; cylindrical neck, slightly flaring at top and then joining imperceptibly with slender, conical body; pushed-in bottom with circular pontil mark. Intact; very many bubbles, elongated in neck, and a few glassy impurities; pitting and iridescent weathering.
Oost-Javaans landschap met weg, dorpje verscholen in vegetatie
Object type: drawing
Date: 1821 – 1822
Materials: chalk, paper
Location: east java
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: inscription: ‘Rané / Idjen / Raun’

artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp.343 e.v.; Vriese 1858, p. 613
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: lizards
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘63’

Drie bloemkelken met links Jozef en zijn vrouw Asnat. De tekst identificeert de mannen rechts als hun kinderen Efraïm en Manasse. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De prent maakt deel uit van een album.
5 soldi uit het koninkrijk Italië van Napoleon als koning, 1810
Object type: coin
Date: 1810 – 1810
Materials: silver
Techniques: striking
Location: milan

Zilveren munt. Voorzijde: hoofd van Napoleon naar rechts. Keerzijde: kroon, waaronder waarde-aanduiding in een regel. Daaronder letter M [=Milaan]. In rand sterretjes.
Dervishes Sharing a Meal
Object type: painting
Date: 1720 – 1737
Materials: canvas, oil
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: religious communities ~ islam, mohammedanism, (family) meal

Dervishes lived together in a tekke, which, besides a prayer hall, included living quarters, a library, a dining hall and a kitchen. The dervishes wear a sikke, their typical conical hat, and long woollen robes.
San Simeone Piccolo, Venice, Seen from the Grand Canal
Object type: drawing
Date: 1721 – 1780
Materials: chalk, graphite, ink, lead
Techniques: drawing, pen
Artist: bernardo bellotto
Artist role: artist
Artist nationality: italian
Artist dates: 1722 – 1780
Subjects: buildings,canals,boats,venice
Serie 4: Franse, Duitse en Engelse Gebeurtenissen, 1576-1610
Object type: print
Date: 1589 – 1591
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: hendrik iii (koning van frankrijk), paris, hendrik iv (koning van frankrijk en navarra), violent death by quartering, coronation of a ruler, attempt, political murder
Amélie and Elise Gitteri
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
The return of the Prodigal Son
Object type: print
Date: 1650 – 1700
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700

This is a copy in reverse after Testa's print, for which see B.XX.217.8.
Journal des Dames et des Modes, Costume Parisien, 10 janvier 1800 , An 8 (186) : Négligé Ordinaire
Object type: fashion print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: coat (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Négligé Ordinaire’

'Négligé ordinaire'. Lange mantel (redingote?) met ruitvormige knopen en sleep. Rok(?) en kousen. Accessoires: muts met gestreept band, handschoenen, waaier, platte schoenen met puntige neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Kroning van Willem III en Maria II Stuart
Object type: history medal
Date: 1689 – 1689
Materials: copper
Techniques: striking
Location: nuremberg
Artist: lazarus gottlieb lauffer
Artist dates: 1660 – 1700
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), maria ii stuart (koningin van engeland, schotland en ierland)

Koperen penning. Voorzijde: borststuk man met lauwerkrans en vrouw binnen omschrift. Keerzijde: gekroond wapenschild omhangen met de orde van de kouseband geflankeerd door gekroonde leeuw en eenhoorn onder letters W R en boven band met opschrift
Profiel van de binnenmuren en buitenmuren van de oude stad Manduria
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Vrouw stuurt een man weg uit haar kamer
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: chimney, writing tools, despair; 'disperatione' (ripa), ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 240

In een bouwval vraagt een wanhopige vrouw of de man in haar kamer weg wil gaan. Ze zit naast een schrijftafel met een boek in de hand. Twee andere figuren staan er gelaten bij.
Monkey Despot, from Monkey-Ana or Men, in Miniature
Object type: print
Techniques: etching
Location: france
Artist: thomas landseer
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1880
Subjects: masks,men,monkeys
Coverlet
Object type: textile
Date: 1845 – 1845
Materials: cotton, wool
Techniques: bookbinding, interlacing, jacquard, patterning, weave
Location: united states
Subjects: boston, tulips, stars, wheat, towns, buildings, trees, coverlet
Returning Home in a Driving Rain
Object type: fan mounted a an album leaf
Date: 1201 – 1233
Materials: ink, silk
Culture: chinese
Artist: xia gui
Artist role: artist
Artist nationality: chinese
Artist dates: 1195 – 1230
Subjects: landscapes,trees

This composition, formerly attributed to Xia Gui, depicts two farmers struggling to return home in a summer downpour. Although the drawing of the angry cliff face and dancing tree leaves is extremely skillful, the effect is somewhat theatrical. The round brushwork, while deriving from Xia Gui, is from a different hand, probably that of a close follower.
Vorlagen für Landschaft-Zeichner
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: trees, waterfall, rocks

Onderdeel van een tweedelige serie waarvan het eerste deel bestaat uit een titelprent en twintig voorstellingen van takken, bladeren, bomen en landschappen.
Veldslag bij Engelen, 1587
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: etching
Location: rome
Subjects: battle
Inscriptions: collector's mark: Lugt 148, collector's mark: Lugt 514

Slag bij Engelen in de Kempen bij Den Bosch, 13 juli 1587. Troepen van Hohenlohe verdedigen een versterkte schans bij Engelen (later versterkt en omgedoopt tot Crèvecoeur). Bij de slag sneuvelt Haultepenne, rechtsvoor wordt zijn lichaam weggedragen. Bovenin een banderol met de titel en de legenda A-O in het Latijn.
Beeldengalerij in het paleis van Versailles
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: versailles
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: gallery of sculptures, interior ~ representation of a building
Inscriptions: inscription: ‘E. Lamy's collection’, number: ‘86.’
Zelfportret van Jan Hendrik van de Laar
Object type: drawing
Date: 1817 – 1874
Materials: paper, pencil
Artist: jan hendrik van de laar
Artist role: draughtsman, print maker
Artist dates: 1807 – 1874
Subjects: rotterdam, print maker, jan hendrik van de laar, historical persons, portrait, self-portrait of artist
Huis te Monnickendam
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Location: monnickendam
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: the usual house or row of houses
Inscriptions: annotation: ‘Monnikendam’

Blad 45 recto uit een schetsboek met 86 bladen.
Handelsetiket van een lakenhandel
Object type: handelsetiket
Date: 1702 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, (story of) mercury (hermes), river-gods, specific aspects, allegorical aspects of minerva; minerva as patroness, fame; 'fama', 'fama buona', 'fama chiara' (ripa), allegory of trade; 'commertio della vita humana' (ripa), textile industry and clothing industry
Inscriptions: collector's mark: Lugt 240

Op een verhoging zit de personificatie van de Handel, te midden van klosjes garen. Achter haar Rechtvaardigheid en Minerva. Ter linkerzijde staat Mercurius, de god van de handel, die een draperie opzij schuift om een winkel te onthullen. In de lucht vliegt Faam, aan haar bazuin een vaandel waarop een monogram met initialen [van de handelaar]. Op de voorgrond zit een riviergod met het wapenschild van de stad Amsterdam onder zijn arm.
Overzicht van de te winnen prijzen bij de Grossherzoglich Hessischer Landes-Lotterie
Object type: photomechanical print
Date: 1902 – 1902
Materials: paper
Techniques: offset printed, perforating, printing block
Artist: Anonymous
Subjects: printed matter

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Snuffers tray
Object type: snuffer tray
Date: 1755 – 1755
Materials: silver
Amsterdam: Overtoom
Object type: ansichtkaart, prentbriefkaart
Date: 1896 – 1905
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: four-wheeled vehicle drawn by one animal
Inscriptions: number: ‘14’, inscription: ‘Briefkaart/ Aan...’
Title page and list of contents for "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1858 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Chamber Pot
Object type: jar
Date: 1865 – 1865
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Portret van Charles Bonnet
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fan
Object type: fan
Date: 1750 – 1750
Materials: ivory, paper
Subjects: birds,flowers
Liggende kat, naar rechts
Object type: drawing
Date: 1821 – 1891
Materials: paper, pencil
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: cat
Ruiter met lans
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: engraving
Location: italy
Subjects: riding a horse, ass, or mule; rider, horseman, armour, casting weapons: spear
Inscriptions: inscription: ‘[...] ende lib. vol. 10 fol. 5 [...] vol. 6.’

Illustratie voor de publicatie: Olmo, Innocenzo. Discorso del S. Guglielmo Choul gentilhuomo lionese... Innocenzo Olmo, 1558.
Piece
Object type: piece
Date: 1725 – 1730
Materials: linen, silk
Subjects: flowers,leaves
Washington, the First President
Object type: medal
Date: 1824 – 1894
Materials: metal
Culture: american
Artist: george hampden lovett
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1894
Subjects: george washington,profiles
Standing Draped Female Figure
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: baldassare franceschini
Artist role: draughtsman
Artist nationality: italian
Artist dates: 1611 – 1689
Acht erotische scène
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: etching, hand coloring
Location: unknown
Artist: Anonymous
Subjects: man and woman cohabiting
Inscriptions: number: ‘21’
Jug with medallions
Object type: jug
Date: 1650 – 1724
Materials: cobalt, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Kruik van steengoed op hoge voet met een bolvormig lichaam en korte, wijde nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek en voet. Gedeeltelijk op het glazuur bedekt met kobaltblauw. De kruik is versierd met een reliëfdecoratie waarbij de buik grotendeels is bedekt met gedrukte, opgelegde medaillons met een bloemrozet tegen een blauwe achtergrond. Blauwe lijnen op de nek en voet. Westerwald.
Lord Byron
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: united states
Artist: rembrandt peale
Artist nationality: american
Artist dates: 1778 – 1860
Schetsboek met 10 bladen
Object type: sketchbook
Date: 1880 – 1882
Materials: cardboard, chalk, linen, paper, pencil
Techniques: marbling
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes in the temperate zone, public road
Inscriptions: collector's mark: Lugt 2228, annotation: ‘9 stuks/ geteekend/ Rotterdam/ Den Haag’, workshop stamp: Lugt 291d, annotation: ‘Rott./ Haag/ Amst./ D.’

Schetsboek bestaande uit 10 bladen met figuurstudies, landschappen en architectuurstudies.
Landschap met een boerderij bij een ruïne
Object type: print
Date: 1764 – 1834
Materials: paper
Techniques: etching
Artist: sauveur legros
Artist role: print maker
Artist dates: 1754 – 1834
Subjects: landscape with ruins, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228