deem-data/ArtiFact huggingface dataset:
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving, painting
Location: iran

This stucco fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Quincampoix in duigen
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: financial panic, street-fights, riots, paris
Inscriptions: collector's mark: Lugt 2228

Spotprent op de windhandel van John Law, 1720. Een theater van waaruit de acties worden verkocht wordt door een woedende menigte met stenen bekogeld. Op de voorgrond wordt Law aangevallen door de menigte, in de verte Parijs. In het onderschrift een vers in twee kolommen door Philadelphus. Prent 14 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Onderdelen van een stoomlocomotief
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Artist: george gardner rockwood
Artist role: fotograaf
Artist dates: 1832 – 1911
Subjects: steam locomotive
Derde gesticht van de kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van vijf cent
Object type: huismunt prison money
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Variante nos K.ºs 60 a 61, 847 junto á ponte Chicongene. Alinhamento recto em trincheira
Object type: page
Date: 1886 – 1895
Materials: photographic support
Techniques: albumen print
Location: mozambique
Subjects: railway, train
Inscriptions: number: ‘8’
Lijst voor Zelfportret in het atelier van Anton Molkenboer
Object type: frame
Date: 1896 – 1920
Materials: wood
Location: unknown
Artist: Anonymous
Wish-Fullfilling Gem Lord of the World (Chintamani Lokeshvara)
Object type: sculpture
Date: 1801 – 1900
Materials: bronze, coral
Techniques: inlay
Location: nepal
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,trees
Paradigmata graphices variorum artificum
Object type: print
Date: 1668 – 1671
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: (story of) juno (hera), justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), sibyls
Inscriptions: collector's mark: Lugt 2228

Drie beelden van zittende vrouwen, links een sibille, in het midden de Rechtvaardigheid met haar zwaard, en rechts een vrouw met een pauw, mogelijk de godin Juno.
L'Oeuvre d'Antoine Watteau
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: types in 'commedia dell'arte': pierrot, group of actors, troupe; actors on the stage, types in 'commedia dell'arte': harlequin, 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228

Gezelschap van acteurs waaronder Harlequin, Pierrot en Scapino.
Schakel van een ketting uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chain
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, chains; fragm, link, of wire, figure-of-eight-shaped, flat.
Bookbinding
Object type: bookbinding
Date: 1601 – 1700
Materials: board, leather, paper
Location: india
Subjects: flowers
Twee staande figuren, mogelijk krijgsmannen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Subjects: standing figure
Inscriptions: collector's mark: Lugt 2228
Sash
Object type: sash
Date: 1801 – 1900
Materials: silk
Techniques: embroidery
Location: turkey
Portret van Johann Michael Franz Birnbaum
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228
De eerste prijs / Een hengelpartijtje
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: education, science and learning, bad behaviour, fishing (sports)
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen. Boven zes voorstellingen over de slechte leerling Dorus Sukkel die een prijs wint. Onder zes voorstellingen over een visser die per ongeluk een karper vangt. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 377.
Bijbelsche geschiedenis
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: the story of the prophet daniel; his visions and prophecies, old testament
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Dish
Object type: dish
Date: 1667 – 1700
Materials: faience
Techniques: glazing
Artist: saint-jean-du-désert
Artist role: factory
Subjects: women,mermen

The scene on this plate is after an engraving by Bernard Salomon (1508–1561) in an illustrated edition of Ovid's Metamorphoses published by Jean de Tournes in Lyons in 1557.
Soldaat die zijn lont op de haan van zijn musket drukt (nr. 8), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 8), ca. 1600. Met zijn rechterhand drukt hij een brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn musket. Plaat 8 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerlicke afbeeldinghe, soo veel aengaet het recht ghebruyck van Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Portret van Léon Lignoux
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic
Twee fonteinen
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornamental fountain

Links een fontein met putti, bucraniums, een schelpmotief, halffiguren en een vaas. Rechts een fontein met dolfijnen, meerminnen, zwanen, zuilen, een fronton en een gekroonde vrouw.
Boerderij aan het water in Voorburg
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: farm or solitary house in landscape, voorburg
Inscriptions: collector's mark: Lugt 2228
Ludwigskirche
Object type: print
Date: 1797 – 1862
Materials: paper
Techniques: lithograph
Location: munich
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228
Blad uit Album dedié à mes enfants et mes amis (1868) met opgeplakte foto's van brandspuiten van de firma's  Regout en Beduwe
Object type: album leaf
Date: 1868 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: Anonymous
Subjects: fire-extinguishing equipment

Brandspuit nummer 3 van de firma Regout op een blad met foto's van nog vijf andere brandspuiten afkomstig uit een album. Franse tekst onderaan het blad beschrijft de brandspuiten en de voordelen van het gebruik.
Gezicht op Unterseen
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Unterseen.’

Deze prent maakt deel uit van een album.
Portret van Henry Dundas
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Dorp bij Boer ni Poepandji
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, albertus dominicus laman trip, landscapes in tropical and sub-tropical regions, village, road, path

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Nieuwe ontwerpen van tafelpoten en consoles in hout
Object type: print
Date: 1725 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, sconce, wall lamp, table
Inscriptions: collector's mark: Lugt 2342

Deze prent maakt deel uit van een album.
Temple of Vesta and Fountain, Piazza Bocca della Verita
Object type: photograph
Date: 1855 – 1855
Techniques: paper negative, salted paper print
Artist: firmin-eugène le dien
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1865
Portret van Johann Kaspar Lavater
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: johann caspar lavater, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Gezicht op een groep bergbeklimmers bij een waterval
Object type: photomechanical print
Date: 1887 – 1907
Materials: paper
Techniques: autotype
Subjects: mountain climbing, mountaineering, waterfall
Wheellock Rifle
Object type: wheellock rifle
Date: 1650 – 1660
Materials: mother of pearl, silver, steel, wood
Culture: silesian
Location: poland
Artist: johannes hartel
Artist role: gunsmith
Artist nationality: polish, cieszyn (silesian)
Artist dates: 1625 – 1675

The lavish decoration includes personifications of the four continents: America (an Indian in a chariot pulled by unicorns), Africa (a woman in a chariot pulled by lions), Asia (a costumed figure in a chariot pulled by camels), and Europe (a queen in a chariot pulled by horses).
Portret van Jacobus Didericus Janssen
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, official, eyeglasses, spectacles, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril en een ridderorde op zijn jas. Onder het portret zijn signatuur.
Bowl
Object type: bowl
Materials: earthenware, glaze, pigment
Techniques: painting
Location: iran
Portret van Johann Melchior Verdries
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving
Location: germany
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Deutsche Acta Eruditorum (...). dl. 158. Leipzig: Johann Gottlieb Gleditsch, 1731.
Vier foto's van een boottocht met zeilboot de Snits
Object type: photograph
Date: 1907 – 1925
Materials: paper
Techniques: gelatin silver print
Location: utrecht
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: sailing-ship, sailing-boat, river, maarssen
Inscriptions: inscription: ‘De Vecht bij Maarsen’, inscription: ‘In de sluis v/h Merwedekanaal bij Utrecht’

Deze foto's maken deel uit van een album.
Drawings by Raffaelle, in the Royal Collection at Winsor Castle
Object type: book
Date: 1857 – 1857
Materials: cardboard, leather, paper, textile
Techniques: albumen print, marbling, printing
Location: london
Artist: Anonymous
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: leaves,carts
Classical Relief with Two Fighting Male Nudes
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: joseph bonomi, the younger
Artist nationality: english
Artist dates: 1796 – 1878
Enthroned Virgin and Child
Object type: statuette
Date: 1220 – 1220
Materials: paint
Techniques: gilding
Culture: mosan or lower rhenish
Subjects: madonna and child

Among the early images in the West to emphasize the motherly rapport of the Virgin Mary to the Christ child, this devotional sculpture is exceptional for its well-preserved polychromy. Recent conservation treatment removed overpaint, revealing the extraordinary finesse of the original decoration. The abundant use of gold underscores the regal nature of the figures, while the detailed rendering of the faces makes their humanity palpable.
Round Seal
Object type: seal
Date: 501 – 600
Materials: terracotta
Culture: indian
Spear
Object type: spear
Date: 1900 – 1900
Materials: wood
Location: egypt
Border
Object type: textile
Date: 1625 – 1650
Materials: copper, silver gilt, gold, lace, metal, silk, silver
Techniques: lace
Location: italy
Untitled
Object type: photograph
Date: 1839 – 1860
Techniques: daguerreotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
New Year's Decoration of Pine Trees and Manzai Dancers
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: men,trees,dancers
Vioolspeler (het Gehoor)
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: hearing, listening (one of the five senses), one person playing string instrument (bowed)
Inscriptions: collector's mark: Lugt 240
Portret van Pierre Francheville (Francavilla)
Object type: drawing
Date: 1590 – 1591
Materials: chalk, paper
Location: florence
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: paris, draughtsman, sculptor, pietro franqueville, portrait, self-portrait of sculptor, historical persons

Portret van Francavilla, beeldhouwer, geboren in Cambrai, ca. 1548. Hij werkte in Italië van 1571-1604 en stierf in Parijs in 1615. Goltzius tekende zijn portret tijdens zijn verblijf in Italië in 1590/91. 'Francavilla' werkte in Florence en was daar de voornaamste medewerker van Giambologna.
Chalcedony rectangular prism
Object type: prism, rectangular
Date: 1900 – 1600
Materials: stone
Culture: minoan
Subjects: hieroglyphs
Central Plaque of a Cross
Object type: plaque
Date: 1185 – 1195
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: christ,crucifixion

The rose-colored face of Christ, his chalk-white torso with fine lines of gilded copper that articulate the interior and exterior lines of his body, and the knee-length deep-blue loincloth link this cross to a small number of others associated with the abbey at Grandmont.
Detail van het doksaal in de Kathedraal van Limoges
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: limoges
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: rood-screen, choir-screen; iconostasis, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘T 374’, collector's mark: Lugt 3937
Zeeslag bij Duins, 1639
Object type: book illustration
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: brielle, maarten harpertszoon tromp, battle (+ naval force), battle of the downs
Inscriptions: collector's mark: Lugt 2228

De zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Links de Brederode en de verwoesting van een Spaans schip met op de spiegel Maria met kind staande op de maansikkel. Rechts brandende en zinkende schepen.
Gezicht op de nieuw gebouwde Muiderpoort, 1771
Object type: print
Date: 1771 – 1771
Materials: ink, paper
Techniques: brush, etching, pen
Location: amsterdam
Artist: caspar jacobsz. philips
Artist role: draughtsman, print maker
Artist dates: 1732 – 1789
Subjects: city-gate
Inscriptions: collector's mark: Lugt 2228

Gezicht vanaf de Plantage op de nieuw gebouwde Muiderpoort, 1771. Om het gebouw heen een rond kader dat meegedrukt is op de voorstelling (een schijnbedrieger).
American Myths in American Postcards
Object type: photomechanical print
Materials: paper
Techniques: offset printed
Location: new york city
Subjects: art, united states of america
Inscriptions: : ‘.’

Leporelloalbum met dertien fotomechanische afdrukken van 'American Myths', appropriation-kunstwerken van Carol Wald en John Kosmer.
Drie officiële gelegenheden met de Duitse keizerlijke familie
Object type: photograph
Date: 1900 – 1901
Materials: paper
Techniques: gelatin silver print
Location: berlin
Subjects: wilhelm ii (keizer van duitsland), victoria van saksen-coburg en gotha (duits keizerin), queen, empress, etc. (wife of a ruler), emperor, public funeral, family of the sovereign, berlin
Inscriptions: inscription: ‘J. Maj. die (...) Homburg Phot. 1900.’, inscription: ‘Feierliche Ueberführung J. M. (...) Liersch & Co., Berlin.’, inscription: ‘1. Die Kaiserin (...) M. Ziesler, Berlin.’

Deze foto en fotomechanische afdrukken maken deel uit van een album.
Headdress
Object type: headdress
Date: 1776 – 1800
Materials: linen, metal, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. The colored foil in this partial headdress is particularly striking in contrast with the red velvet and gold embroidery. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. Their decorative elements were representative of the regions in which they were made. Those from the North were embellished with the river pearls that were plentiful in that area while goose down and woolen embroideries were more popular in the South. The headdresses worn by maidens exposed their hair, considered a prize possession in Russian culture. They were often accompanied by a venchik, a forehead covering made of fabric or metal.
The Shore
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Landschap bij Llyn Ogwen, Caernarvonshire (Wales)
Object type: watercolor
Date: 1778 – 1847
Materials: paper, watercolor
Techniques: brush
Location: caernarvonshire
Artist: joshua cristall
Artist role: painter
Artist dates: 1768 – 1847
Subjects: llyn ogwen, caernarvonshire
The sailor-boy's dream
Object type: popular print
Date: 1893 – 1894
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: sailor, dream

Blad met zestien voorstellingen over de droom van een jonge matroos. Onder elke voorstelling een onderschrift in het Engels. Deze prent maakt deel uit van een album.
Warrior
Object type: figure
Date: 601 – 700
Materials: clay, pigment
Culture: chinese
Subjects: soldiers
Back and Sleeve of a Dragon Robe
Object type: back and sleeve of a dragon robe
Date: 1573 – 1620
Materials: metal thread, silk
Techniques: damask, embroidery
Culture: chinese
Subjects: dragons

The pieces assembled in this panel are parts of a dragon robe or coat made for the Lantern Festival, which takes place on the fifteenth day of the first lunar month-the first full moon of the year. The panel, which has a wide border of silk woven in the eighteenth century, includes the back and one sleeve of a dragon robe with a pattern of a composite lantern framed on three sides by dragons.
Blad uit een getijdenboek
Object type: text sheet
Date: 1450 – 1499
Materials: paint, ink, paper
Techniques: brush, letterpress printing, pen
Artist: Anonymous