Her book, Modernism’s Mythic Pose: Gender, Genre, Solo Performance (Oxford, 2011), won the De la Torre Bueno Prize in dance studies. Her current research on the circulation of ancient Japanese noh theater in modernism has been supported by the Japan Society for the Promotion of Science, the U.S. National Endowment for the Humanities, and a Peter Paul Career Development Professorship. Among her essays on modernist performance are “Taking Direction from Beckett: Noh/No, Footfalls/Pas,” Back to the Beckett Text. Ed. Tomasz Wiśniewski (Gdansk, 2012): 155-178; “Posing Modernism: Delsartism in Modern Dance and Silent Film,” Theatre Journal, 61.2 (2009): 213-233; and “The Motor in the Soul: Isadora Duncan and Modernist Performance,” Modernism/modernity, 12:2 (2005): 273-289.