A working man whose profession has endless lowbrow comic potential (he works for a company that supplies and installs portable cubicle toilets for outside events) that seemingly screams to be captured on film, he has a natural earthy Aussie wit, a love for his young son that transcends his relationship with his fractious ex-wife, and a philosophically upbeat and disarmingly infectious attitude to his life and work. It's no wonder Australian audiences took this unlikely media star to their heart on the film's phenomenally successful first home run. There's just one thing. Kenny is not real and this film, despite its convincing surface detail, is not a documentary.