Their award-winning work (Maggie in Wonderland [2008], She Male Snails [2012], Something Must Break [2014]) is easy to identify due to Bergsmark’s striking visual style, but hard to categorize: documentary, porn, fiction, all, none? As Bergsmark’s identity is articulated through their work, the genre-defying nature intentionally speaks to removing and challenging binaries: documentaries cannot be reduced to either truth or fiction, pornography is both implicit and explicit.