In stories like “Mail Order Bride” (1999) and “Objects From the Gilman-Waite Collection” (2003) she offers a quiet, but distinct, embellishment on the Deep Ones. Both stories focus on the oft-neglected feminine side of their life and worship, but both are also written so that the narrative viewpoint is that of a male human, and this point-of-view character’s relationship with the Mythos in the story is complicated by their relationship with women. The alien nature of the Deep One hybrids is never apparent on the surface, because they find women themselves alien and incomprehensible. Yet chauvinism is far from their only or worst sin, as the protagonist of “Objects From the Gilman-Waite Collection” recalls: