His projects feature interactive kinetic systems that use dense arrays of microprocessors, sensors and actuator systems arranged within lightweight ‘textile’ structures. These environments pursue distributed emotional consciousness within synthetic and near-living systems. His current Hylozoic Ground project will transform the Canadian Pavilion at the 2010 Venice Biennale with an environment made of tens of thousands of digitally-fabricated components fitted with meshed microprocessors and sensors. Beesley’s work is widely published and exhibited, and has been distinguished by awards including VIDA 11.0 and FEIDAD, and by the Prix de Rome in Architecture (Canada). He was educated in visual art at Queen’s University, in technology at Humber College, and in architecture at the University of Toronto.