Maybe this gives her a distance, another sensitivity or at least an eye for different issues at play in Lebanese society, such as an addiction to beauty care or cosmetic surgery, which starts at an increasingly early age, or the lavish wedding culture that, although glamorous, still pales in comparison to the one in India. For No, Madam she turned the lens towards those working in the shadows, the domestic maids – a subject that has been covered before by e.g Raphael Dallaporta in the very potent Domestic Slavery, or by Ian van Coller, in a more subtle, and also defiant manner.