She currently lives in Montréal where she works in the contemporary music community in various capacities: composing, producing, writing and teaching. From 2010 to 2013 she was co-director of Innovations en concert, Montréal’s presenter of experimental chamber music. In this context, Cassandra advocated an approach to curation that shifts away from the racist, sexist, elitist and colonialist paradigms which too often are found within the legitimization of new music.