Her first book, Choreographing the Folk: The Dance Stagings of Zora Neale Hurston, was published by the University of Minnesota Press in 2008, and received a Special Citation from the Society of Dance History Scholars’ de la Torre Bueno Prize® for distinguished book of dance scholarship. Her second book, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, was published in 2015 by Oxford University Press. Her articles have been published or are forthcoming in the edited volumes The Oxford Handbook of Critical Improvisation Studies, The Oxford Handbook of Dance and Reeanctment, The Routledge Dance Studies Reader, and Worlding Dance, and in Theatre Journal, Dance Research Journal, Women & Performance: a journal of feminist theory, The Scholar & Feminist Online, and Theatre Studies.