He is largely concerned with homophonic translation, the reparative potential of appropriative writing, and how poetry responds to violence and subjugation, symbolic and otherwise. His poetry has appeared in Fact-Simile, Monkey Puzzle, Seven Corners, and Tenderloin, and he also has an essay on teaching homophonic translation forthcoming from Something on Paper. In addition to SRPR, he has also served on the editorial boards of the literary journals Bombay Gin and Hyperbole.