Known internationally for his provocative performative and interactive works, Bilal came to the attention of a wider audience in 2010 when he had a camera surgically implanted in the back of his head. Entitled 3rdi, Bilal transmitted images to the web 24/7 in part as a statement on surveillance, the mundane, and the things left behind. His latest series—Ashes— depicts in photographs his handmade miniature reconstructions of media images that document buildings destroyed in the Iraq war (2003–13); the models are covered with ashes, including human ashes. These powerful photographs capture and reflect Bilal’s own reactions to the war as an exiled Iraqi who witnessed the devastation from the relative safety of America.