She has critical interests in digital aesthetics and tropes related to the anthropocene and extinction in cinema as well as the use of sound and new technologies in contemporary documentary. Selmin’s work has appeared and is forthcoming in Studies in Documentary Film, Poiesis, the Oxford Handbook of Sound and Image in Digital Media, Music and Sound in Nonfiction Film, Post-Cinema, and The Philosophy of Documentary Film. She has recently co-edited a journal issue on documentary art activism and is currently co-editing an anthology on emergent forms and genres in contemporary documentary.