He has studied composition with Jesse Ronneau & Martin O’Leary, and holds a Bmus in Composition & Performance from NUI Maynooth. He writes for both acoustic and electronic forces, often trying to explore meaningful ways in which one can be echoed in the other. Most recently, he has become interested in finding ways in which improvisation & degrees of indeterminacy can be used to form a work which can still, in some way, remain dialectical in the realm of notated music.