She often uses her voice as raw material, which she transmutes into machine noises, choral works or pulverised “into granules of electroacoustic babble and glitch, generating animated dialogues between innate human expressiveness and the overt artifice of digital processing” as the Wire Magazine put it. Moulding complex sonic or multi-sensorial collages, her work has been compared to artists such as Yoko Ono, Henri Chopin, Joan La Barbara, Meredith Monk and Arvo Part. Pieces and performances have featured in exhibitions, festivals and as part of residencies internationally, including the Barbican, International Computer Music Conference, GSK Contemporary at the Royal Academy Of Arts, Gaudeamus Live Electronics Festival, (Amsterdam 2007), and Visiones Sonoras (Mexico 2006).