She has taken her degree in Architecture at University of Rome 'La Sapienza', from which she also received her PHD, discussing a thesis entitled "Strutture Matematiche della Composizione", concerning the logical paradigms in music and in architecture. She is the author of Le Corbusier. Padiglione Philips, Bruxelles, on the correspondance between hyperbolic paraboloid geometry and technical and acoustic needs, and its final and aesthetics consequences. She has published articles on mathematical principles both in music and in architecture such as "Una struttura matematica della composizione", remarking the idea of self-similarity in composition; "Musica e Architettura. Tra ispirazione e metodo", about three