In this series, Gefeller takes several photographs of one perspective from high vantage points—sometimes up to six or seven meters above the ground with his camera aimed directly downward. He then digitally assembles the photographs into a single image, creating a surreal and almost inhuman view of the ground below. Gefeller eliminates perspective through this method of assemblage, and as a result, the photographs appear incredibly flat, sharing visual commonalities with architectural blueprints rather than with aerial photography.