He has developed a combination of painting and mono-printing that he adapts to deal with diverse subject matter. It involves two surfaces of paper or canvas and paper which are alternately painted and immediately printed onto the other in an ongoing process. The process may be appropriately called a dialogue of surfaces. Peter Rasmussen deals with widely differing subjects in a cyclical rhythm so that ideas and themes overlap and pull through each other as much as the paint between the surface. London 2010