After fifteen years of instrumental practice with percussion, he developed a fascination for sound technics, that paved his way to become a sound editor for cinema productions. His sound research is linked to cinematographic and iconographic practices, which led him, little by little, to create his first acousmatic compositions. Today, these unified practices serve as two facets of a singular experimentation embracing different fields of sound. For several years Jules Wysocki is questioning the technological developments linked to binaural procedures and the diffusion via headphones. He obtained his DEM in electroacoustic music in 2015 after having passed three years under the mentorship of the composer Christine Groult at the Pantin CRR.