Without any opposition, his two practices form together his working methodology and refer to 20th century art history by investing whether action, abstract or figurative painting. As a matter of fact, the artist plays constantly with the hybridation between common, independent and individual practice. He always reacts to an environment, an event or an excuse to create paintings. These would include appropriation of friends’ images, invitations cards or found images that he uses as a medium for painting or collage. Thus, his work goes beyond the pictorial questions. It is not tautological, but from an art history perspective has always looked for ways for a medium to escape elsewhere.