Her work, all too often, is stand-alone art exhibits that happen most often to serve the play. Her work in “Ten Chimneys”, like the acting, revealed the depth of her abilities; she succeeded in making the set – the house – one of the more important roles in the play. Her design succeeds because it doesn’t overwhelm the play. Except for a few labored scene changes, David Edgecombe moved the play along nicely giving what may have been a very clever and somewhat complicated directorial design.