Her show at the Washington Center includes 48 paintings spread throughout the lobby, mezzanine and balcony. Most are woodland scenes with dense tangles of trees and patches of sky poking though. In almost every instance the sky seems to advance forward to lie on the same surface as the trees — everything flattened in the modernist fashion. The paint is predominantly a heavy impasto applied with palette knife or other flat instrument, sometimes applied in contrast to lightly brushed background colors. Cezanne immediately comes to mind, and to a lesser degree van Gogh. But her landscapes are not from French woodlands but most definitely the dense forests of Western Washington. One striking exception, however, is a painting titled “Land, Water and Sky — Iceland,” which has an open feel, a windswept ski and colors that are cold as ice.