He primarily works on reflective surfaces such as metal, creating paintings of great luminosity and depth – expansive colour fields with vague allusions to landscape. They do not reference an actual place any more but depict moods and atmospheres, floating between stillness and energetic dynamism. Emphatically horizontal lines and areas can visually expand beyond the frameless margins of the picture into infinity, and, in conjunction with vertical colour gradients, form a Perpetuum mobile, effecting a balance of opposite movements – to the point of apparent stillness.