Her earlier work on 16mm includes a collection of audio and visual experiences that combines photography, found footage, and her own experiences of the San Francisco punk scene in the early 1990s. Her work includes experiments with simultaneous soundtracks (Blood Story, 1990), engaging personal accounts of a scraped-together journey with friends (Portland, 1996), and an audio travelogue of the San Francisco punk scene. Her films explore the importance of small memories, retrieving pieces of ephemera from the underground and re-presenting them on screen. Snider’s more recent work includes a series of slide show projections done in collaboration with Johunna Grayso and comprised of hand-processed photographs and stereoscopic images. The series is described as an update on the #campy Viewmaster format#, riffing on the concept of the travelogue to present the unseen and underground aspects.