He published a Haggada with translation in German and six melodies appended, some traditional tunes and some composed by him (1838), a Hebrew-German book of prayer for young men (1839), and several guitar pieces. His manuscripts have been given by his grand-daughters to the Jewish Institute of Religion New York, and some articles have arrived in the Birnbaum Collection at the Hebrew Union College of Cincinnati, and to the Jewish National and University Library of Jerusalem. That material compounds around 20 booklets and files of cantorial compositions and notations of traditional melodies. These manuscripts show the synagogal style in use in the first half of the 19th century in Germany, characterized by the strong influence of the emancipation and the Western Art Music.