He really understands how to control the frame. There are sequences in his work--the wedding scene in The Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene in The Traveling Players--where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly."--Martin Scorsese