His Railroad Landscapes are the subject of a one person exhibition at the New York Transit Museum from 2014 through early 2015. Drawn to the topographically broad subject matter of the United States, his images establish a counterpoint between the documentary and poetic. Exploring the landscape in order to illustrate both historic and contemporary motifs, Sanderson reveals a condensed history of the rapidly sub-urbanized and de-industrialized social geography unique to the northeastern United States. Motivated by the unexpected irony, humor, and ephemeral historical qualities that are distinctly American, his work is a synthesis of people and places, rich in their ability to evince collective values and shared history.