In addition to writing for a variety of ensembles, she collaborates with choreographers and theater companies. She has written for diverse instrumentations, such as “run-on sentence of the pavement” for piano, ping-pong balls, and electronics, which Alex Ross of The New Yorker called “entrancing.” She is creating a new installation work for Caramoor, appearing this summer. Free and open during Box Office hours and on concert days this summer. Learn more and see all of Caramoor's sound art pieces at: caramoor.org/sonic-innovations