Diana Copperwhite's work deals primarily with memory; both the subjective and the collective. Her concern, though, is not the recreation of a specific image or moment, but the creation of something informed by the act of remembering; an act which, subject as it is to it's own shifting vagaries, renders past instances as ephemeral, untrustworthy, constantly in flux, resulting in works which themselves perpetually shift; their images lyrical, ghostlike, ethereal, though often checked by a single element of solidity, a sharpness, the overall aim of which is to suggest an instance where "reality, memory and fantasy collide".