His work deals with the effect that spatial changes have on cultural and personal identity, perception, and social relationships. He revises these concerns through different formal variables, exploring multiple cinematic possibilities. The reshaping of landscape, whether through political circumstances or perceptual ones, parallels the ability of cinema to alter environments, creating experiences of heightened subjectivity. In his work, he attempts to destabilize rigid ways of understanding identity, landscape and viewership, while remaining grounded in materiality, research and/or oral history.