Doyle talks about enjoying the energy of the area and seems to get a great deal of benefit from working consistently in the same place. His images are typified by unusual angles and viewpoints, often low down, high up or from behind. He takes the images up close using a wide angled lens, something that counterintuitively helps with the process as those he is photographing often think he is taking pictures of something in the distance. Capturing shots that are unposed is the key aim for Doyle, he states, “when they look into the camera, the image is dead.” (O’Hagan, 2016)