Her articles have appeared in Eighteenth-Century Life, European Romantic Review, Literature Compass, Studies in Romanticism, and Nineteenth-Century Literature, among others. She is also the editor of Mary Robinson’s Nobody; A Comedy in Two Acts (Romantic Circles 2013) and, with Monika Class, of Transnational England: Home and Abroad, 1780-1860 (Cambridge Scholars 2009). Her current book project, tentatively entitled Impassioned Bodies: Acting and Physical Expression in the Late Georgian Era, explores artistic innovation on the Romantic-period stage and page in light of eighteenth-century histrionic theory and practice.