Martin’s nocturnal journey started in 2004 with a roll of Kodak TMAX 400 and an old Seagull TLR camera. He has since progressed from film to digital (still shoots film), making monochrome and color images, and keeps on exploring and experimenting in the nocturnal genre with great passion. Martin’s curiosity goes from wanting to see how a urban nightscape would look like either captured on film or digitally, to venturing into deep darkness at abandoned places doing light paintings His body of work says a lot about his passion and why he loves what he does.