Her research and teaching bring together topics in digital studies, performance studies, feminist and queer visual culture, and critical theory. Her work examines how contemporary artists and interventionists working within radical aesthetic traditions have adapted to respond to the ever-more coercive conditions of neoliberal and digital power. Her first book theorizes parasitism as a compromised tactic of resistance in 21st-century art and politics. She is the co-editor with Wendy Hui Kyong Chun of the 2nd edition of Media, Old Media: ​A History and Theory Reader (Routledge, 2015) and has published articles in such venues as Discourse, WSQ (Women's Studies Quarterly),