He fills the cavernous museum space with what appears to be fabricated detritus. Entitled "Rudy's Ramp of Remainders" the installation repurposes objects first seen in a German discount store. Among the objects scattered through the gallery are cereal boxes and balloons as well as Afghan war carpets rugs, foam and PVC pipe. The elements are presented on the floor, on industrial shelves. atop plastic and a page from the New York Times. The scattering of the props (called ramps but in reality piles) permits viewers to walk through the space and even sit down on a large expanse of black foam. The installation is obtuse, but makes one question the relationship between found and fabricated (Santa Monica Museum of Art, Santa Monica).