Cimino’s street imagines are masks (faces, marks, sounds..) destroying the tradition of the reportage as journalistic tale and are also out of academic schools …..Cimino’s free vision makes reference to the masters of the carpe diem on the pavements of the world (William Klein, Josef Koudelka, Robert Frank above all) but it is the destructuration of the canonic imagine which is declining and without esthetic strangeness he denounces the use of the power in his society.