Her work is concerned with the relationship between fictional film language and documentary. She has often dislocated sound and image by constructing fictional images around verbatim audio. In her multiple award-winning Artangel commission The Arbor, actors lip-synch to the voices of real people, questioning documentary’s aspiration to collapse the distance between reality and representation. Other films include: Plotlands (Whitstable Biennale), Road Race (Film London), Random Acts of Intimacy (BFI/Channel 4) and Headcase (Arts Council England / Channel 4).