He has presented at numerous conferences including the Society for Music Theory, the annual symposium for the Centre for the History and Analysis of Recorded Music (CHARM), and recently at the College Music Society where he explored the tension between performers and the 20th-century musical canon. His primary research demonstrates how musical recordings have enabled performers and their interpretations to shape the musical perception, aesthetics, analysis, and conceptions of the musical work, and he has published articles for Music Theory Online, Music Performance Research, and European Meetings in Ethnomusicology.