She has begun dying her own fabric. The piece “Squares,” an abstract tropical paradise of guava and pineapple hue, was first machine stitched. Ragot didn’t care for the look of that so she ripped out the machine stitching and hand stitched it instead. Her vibrant pieces are playful color vignettes. In “Skyline/ Sparkle” there is what appears to be a multi-colored high rise building against a black background. Adjacent to that the sparkling sun sets. The geometry of the building is fanciful as if the building were bulging at the seams. Terri’s work has the feel of an artist who is about to take a large leap into the unknown, and thereby find her wings.