Surprisingly, her materials are the tools of digital media. Corey makes digital paintings that tread the line between craft and machine, between hand and automation. She uses technology to explore the visual and philosophical challenges of abstraction in dynamic conversation rather than curtailing that dialog within the endgame of the machine. Corey does not dwell on endless geometric pattern as commentary on the painting's mechanized source. Her subject is not appropriated imagery, since Corey's sources derive from the computer. Drawing upon the computer's error patterns, she builds shifting patterns in vertiginous relationships that constantly interrupt a viewer's logical expectations. Neither programmatic nor exact, Corey's work celebrates unpredictability. It is this idea that has helped the work evolve its singular voice in both the current painting and digital art scenes.