davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
R. B. Kitoj Solo
Show in London

What may very broadly be
described as a return to civic
responsibility In art. char
acteristic of these and other
Australians. is also seen in
the London one man show
which has aroused the most
interest In the press, the art
world and especially the stu
dent art world.
This is the first one-man
exhibition of an American
Just 80 years old. r. B. XII
tai, who by all accounts, and
by more solid evidence. would
seem to be the premier in
fluence on young British art
lists and students right now.
His exhibition, at the New
London Gallery. Is titled
Pictures With Commentary:
Pictures without Common
tary." He Is an excellent
draughtsman and a stimu-
lating. raw colorist. The pic
lures relate to many things
In the art of this century:
TO Dada, TO assemblages, to
German Expressionism a n d
even TO Pop Art, q big thing
here last year, now all but
dead. Photos. pages from old
books and miscellaneous OBJ
jects are incorporated into
his pictures.
But driving through the
whole. changing image Of the
work is an overwhelming de-
sire TO communicate. This Is
expressed directly In the
commentary" often short
essays on the general sub
ject, studded with generous
quotations by or about such
rather esoteric figures as
Sorel. Ably Warburg, Rosa
Luxembourg and Fritz Saxl.
as well as Goethe and
Nietzsche. From all OF this
there emerges a kind OF left
wing social criticism min
gled with post-Frazier an
thropology.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

tons open: Glass I, Sonata
for solo wind or string with
piano, orany combination Of
3 to 5 orchestral instru-
ments, not excluding piano;
Glass II. work for chorus
tSSA. SATB. TBB. or TTBB)
with or without accompani-
ment; Class H., piece for
piano solo or vocal solo,,
piano work to be sonata or
variation form, vocal work
to be song cycle to English
text, piano. organ, or string
accompaniment. Details: Ma
tional Federation Of Music
Clubs Headquarters, Suite
1915. 800 South Michigan
Avenue. Chicago 5, Illinois.
Deadline: April /, 1868.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

IorglVable but exaggerated
local patriotism"
But the enthusiasm has not
been puffery, and to consider
Mr. Evett as just a local
composer" is to do him a
grave injustice. The fact of
the matter is that he is a
respected figure who stands
in the front rank of the
creative musicians of his
generation and a composer of
national reputation.
Has Won High Praise
A few of his more out
standing successes can be
cited. His Piano Concerto
has been performed through
out Latin America to con-
siderable acclaim. His Harp
sichord Concerto was widely
considered the most impress
sive piece contributed by an
American to the 1861 Inter-
American Music Festival, and
the competition was by no
means negligible, since it in
cluded Aaron COPELAND and
Roy Harris.
This week, the musical
spotlight is sharply focused
on Mr.. Evett because his
First Symphony is receiving
its premiere in Constitution
Hall Tuesday evening at the
hands of DR.. Howard Mitch
ell and the National Sym
phony Orchestra.
What kind of music does
Mr.. Evett write, and why?
He is no wild-eyed radical;
as has happened to so many
other composers, the more
he composes, the closer he
comes to the grand tradition,
Angry Young Man
I well remember his i'm
patience with such "reac-
tionaries' as Rachmanioff,
Strauss. Sibelius, Ravel, and
Brahms back in the late
l940's, when, as a newcomer
in town and a faculty mem
Der Of the then fledgling
Institute Of Contemporary
Arts, he admirably qualified
as an angry young man."
He had little sympathy for
those who were not particu-
larry concerned with techni-
cal and stylistic develop
ments of the day. Literal
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

sequences and clear tonic
dominant relationships, ia
boos Of neoclassicism, were
fodder for witty remarks and
high disdain.
Today, Mr.. Evett thinks
differently. He has discov-
cred the kind of music he
wants to write and he is
going about his business
writing 1t.
II have taken as much Of
the tradition as I can use
such things as melody in the
sense Of tunes you can
whistle. harmony in which
root progressions are easy to
find, conventional instru-
ments. conventional form"
he says, and quite unasham-
edly.
A Striking Parallel
In discussing why he COM
poses as he does, Mr.. Evett
drew an Illuminating parallel
between literature and music
hardly surprising since he
has long been an editor Of
The New Republic, and
served for years as its book
editor.
Twenty years ago, there
was a tendency to identify
high art with those writers
(such as Joyce. Stein, Eliot,
and Pound who demanded
special training from the
educated reader, and 1t was
commonly assumed that the
great literature Of the i'm
mediate future was going to
be built on the influence Of
these writer's.
This has not proved to be
true. Time without discred-
iting these experimentalists
in any way has shown that
great and original styles such
as those of E. M. Forster,
ISak Dinesen, w. H. Auden,
and Vladimir Nabokov. can
be built on the conventional
syntax of the conventional
language, without reference
to those great innovators of
half a century ago.
MY experience is that this
Is also true with music"
"Tonality is Our mother
tongue, and it Is a marvel
ously responsive instrument"
And so it is in his skilled
hands.
I have a bunch that many
Of those who viii come to
hear the Tchaikovsky Violin
Concerto as played by the
brilliant virtuoso, Henryk
Szeryng, may leave with the
feeling that it was even more
exciting to discover Mr..
Evett's music.
Those Dvorak Symphonies
If you are a bit confused
about the Dvorak symphonies
and which is which after the
National Symphony Orches-
ira announced the. second
and played the seventh, don't
feel too bad about it. You are
in good company-almost
everybody is.
The numbers are thor
oughly illogical-they do not
correspond to the order of
composition at all. The mix
up started because the first
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
PERMANENT COLLECTIONS

CoEcoRAE oALLERy OF AET. Seven:
tenth street and New. York avenue
NV. Daily. 10 am. 70 $3.50 PM
Saturday, B ana. to A:30 PM Sun
day and holidays, 2 TO pm;
closed Monday.
DUMBARTON OAKS REsEARCW II.
RRARY AND COLLECTION, 1900
Thirty-seeond street NV. CLOSED
indefinitely.
FREER GALLERY or Art. Twelfth
street and Jefferson drive s.W.
Daily. o am. to $3.50 p.In-
NATIONAL COLLECTION on RINE
ART, Constitution avenue ~ TENN
street NV, Daily. an 70 A;SO
NATIONAL GALLERY or Art, Con-
stitution avenue ct Sixth street nav;
Daily. 10 am. 10 8 pm. sunday
pm. TO 10 pm.
PHILLIPS COLLECTION. 1919 Twenty.
firsf street NV. Daily, II am. to
8 pm: Monday. n an 70 10
pm: Sunday, 2 TO p.m.
WASHINGTON 0AL.LEnx or MODEM
ART, 1903 Twenty-first etrees NV
Tuesdey through SATURDAY an.
TO q pm: sunday, 70 Pm
closed Monday. Admission % cents
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
TODAY'S GOOD
MUSIC DIAL

300. WMAL-FM (1O7.3 Mc.)-
Music of Praise. Works by
Buxtehude, Bach, Schultz,
Lalande and Franck.
1905, WGMS AMIN $50 Kc.
and 1888 Mc.)-Symphony
for a Sunday Morning.
Weber's Der FreiSchuetz:
Overture; LISTS Symphonic
Poem No. 4.
1900, WMAL-FM (1O7.3 Mc.)-
Recital Stage. Pianist Andor
FoldeS plays works Of Bach,
Beethoven, Chopin, List,
Stravinsky and Kodaly.
1901, WASH-FM 1911 Mc.)-
Masterworks in Stereo. Bee
thoven's Symphony No. 4 in
B Flat: Holst's The Planets.
2:O5, WGMS AMIN $50 Kc.
and 1888 Me- - Boston
Symphony Orchestra. Rich
ard Burgin conducting.
Works by Fine, Messiaen,
Prokofiev and Hindemith.
1880, WASH-FM 1911 Mc.)-
Stereo Time. The music Of
Richard Wagner.
$500, WMAL-FM (107.3 Mel
Berlin Philharmonic Or
chestra. Works by Mendels-
sohn, Haydn, Brahms, Pfitz-
ner and Hindemith.
$500, WAMU-FM 1855 Nc.
Concert from the Phillips
Collection. A piano recital
by Arno Drucker. Works by
Mozart. Beethoven, Frank
Martin, Brahms and Barber.
$3.50, WHFS-FM (1O2.3 Nc. D.
Pops concert. I'm Stereo.)
Russian Easter Overture, by
Rimsky-Korsako Borodin's
Polovtsian Dances.
$500. WGMS AMIN $40 Kc,
and 1898 Me- - National
Gallery Of Art Concert. Pr
anist Thomas Schumacher
performs works by Mozart,
Schubert, Chopin and Pro-
kofiev.
S:35. WTOP-New York Phil
harmonic. George Sell con-
ducts an all-Beethoven pro-
gram. Clifford Curzon is pi-
ano soloist.
1880, WRC-Symphony for a
Sunday Evening. Works by
Beethoven. Gould, Mendels-
sohn and Berlioz.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

range, in fact, of contem-
porary American painting.
Many Of the non-abstract
names are unfamiliar even
to British critics and the I'M
familiarity was reflected in
the press reaction. The criti-
cal consensus Of the show
was summed up In the
Times, which noted that the
range alone is stimulating,
and II approached with
caution and discrimination
(the show yields many good
things" ..
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
DUPLICATE
BRIDGE
CALENDAR

TODAY
Duplicate Bridge Center. q Dupont
Harvard. 10y i:4S. Northern S virFinia I'M.
Bridge Association, Park Arlington
Motel. Arlington, tvo-sesslon teams
of-feur, 1880 and 4, special Mp / 80
and z. Sleepy Hollow, Falls Church
invitationai. JE. 3-l72b), 1880.
MONDAY
Andrews. Andrews AFB Officers
Club (invitational), 7:45. Arl-Fax,
2g2O Arlington boulevard, Arlington,
7:4b. Chevy Chase. 6S03 West ave-
nue.. Bethesda reservations, OIL. A.
s4sol, 7:4b. Duplicate BridEe Gem
ter, . Dupont circle. T0:l5 and 7:45.
Fairfax. liOS 81. Andrews drive.
s aE a.. Mvs PS,, c R,. sSss ,,
sers Cub. 7:sS. NS Ors ass0s s,SdIo,
1910 Franklin LA. 6.740bl MP,
drive, Silver Spring observations,
JU. g-7S1O) MP. 7:30.
TUESDAY
Chevy Chase Juniors. 6sO3 West
avenue, Bethesda reservations, oil.
4-s4sGl. 7:45, Falls Church, wom-
ems club, 222 North washington
street. Fails Church IKE. 6-69p4),
T.4b. Federal Bridge LeaGue. Du-
pont circle, MP, 7;fb. Federal Power
Commission, official dining room.
GAO guilding. $3.50. Geren Dupli-
isss eighteenth Crsservstions. seT,
csantiy Club tinyitationsD, 3. Mont.
gemery. 400 Norwood drive. Be-
thesda, 7:4S. 10O0 Valley drive,
Alexandria. a:4b.
WEDNESDAY
5000 Valley drive, Alexandria.
T;45 BELLE Haven Country Club,
Alexandria (invitational, TAB, Chess
Club. Hotel 24O0 (lnvitatlonaD, MP,
7;f5. ConEressional Secretaries. cafe
teria, New House office Building. z,
Dupiieate Bridge Center, Dupont
circle 7:45. fairfAs, YMch. Route
o QUE sa'S'' Dupont circle circle NJ. 7SS.
Msntsemery County Jewish Comm.
nifty Center, 4. NH, cafeteria, NH
Building One (invitationAD, Mp, \
Silver sprinn. 1905 Bruce drive Sill
yer spring reservations, ~ e-7siOl,
MP. 10,
THURSDAY
Chevy ChAse. $500 west avenue,
Bethesda reservations, oil. 4-s4s0l,
1880. Falls Church. womena Club,
80 NnTNn WHNAllINtuH hhNNNNf NAlNA
Church IKE, e-6p91l. p;sb. Gorsn
pugiIes.s,. SUITE ios, the Dupont
BB5-i3 4bl, noon Northern virGlnla
BridEs Association, Park Arlington
Motel Arlington, MP, and teams
play -off, 7.4b, WAshlnEton Bride
LsaHue, Sheraton Park Hotel. Mas
ier's Pairs, $50. sub-senior Pairs.
T.an,
FRIDAY
washlnEion Bridge League, Shera-
ton Park Hotel, Women'n Pairs. 2;
MEMS Pairs, .. Mixed Pairs, \.
SATURDAY
washinHton Brldas Lsasus, Bhera-
ton Park Hotel Open Fairs, two ses-
tlnns. . and \ ,Iunler Pairs, 1 ses-
sion. q Special Pairs. +.
NEXT SUNDAY
Washington BridGs League, shsra-
ton Park Hotel. Open Teams -four,
two sessions. and Z. Special Pairs,
! and z,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
TODAY

TODAf
THE ROGER WAGNER CHORALE,
Roger Wagner. conductor, Constitu-
ton Hall. 3 pm. Alma Redemp-
s err; Ms Ns, Ps s sTs.ncH Hodis
Seraphim, Victoria: Exsultate Iusti
In Domino, Padilla Mon Occur Sc
Iecommande q Vous. Lassus. Reyecy
Nenir Du Printemps,- lie Jeune; Ecco
Mormorar Londe, Monteverdi: Five
liAms; Liebeslieder Waltzes. Brahms
The Prairie. Foss; Everything and
Anything, Halloran. Sweet Little
Jesus Boy, McKinney-Wagner; Hal
CoMBINED cHoiRs. Columbia Baptist
Church. crossman Methodist Church
Dulin Methodist Church, Falls
Church Presbyterian Church, The
Pals Church. Helen NJ. Hanke,
director director. seloists; shirley 5: Kostih.
tralto; PaI Hall, tenor Frank
1915 South Washington street, Pals
Church, Va; pm. oratorio. 81.
WASHINGTON Music TEACHERS As.
lTth and X streets NV. 8 pm,
WASHINGTON CATHEDRAL CHOIR.
S9MBINED,, o SLEE CLUBS CAIhE.
eo asa schV %ssSinato tom cath ss1i,
pm. Evensong and Festival o.
Music. Psalm 100. sehuetE: well
come. all wonders In one sight
plrksen: Christina cantata. Pink
WILLIAM PARTRIDGE. organ. George.
town Presbyterian Church, 3ll5 ?
Minor Paehelbel Partita sopra Du
PrisdcigrI., Herr Ss;a chris 49,, y
IN 6, Purcell rive Prsludes, MI.
baud Madrisal, sowerby. Pierce
GETTYsBUBG coLLEGE CHOIR.
psrhsr ~ waEnl,d: direstoT 81
Everett Streets NV ) pm, Hcdis
christus Natus Est. Palestrina
Jesu.. Priceless Treasure. Bach The
Apostrophe TO the Heavenly Hosts,
william Prelude for Voices sehu-
Psalm, ives: Sing Unto the Lord,
PofoMAc EY6LIsH HANDBELL
RINGERS, Nancy Peore Tufts, d.
rector s9i9hw MyfaIwy stery,
Joel ElGen. recorder Foundry Metho.
dat Church, 10th and p streets
NV > pm Program Of folk songs
arangemenA, original compositions
sT LUKE's EPISCOPAL CHURCH
CHOIR. willis A. Hines. director,
81 Lukes Episcopal Church. 1914
Fifteenth street NV, pm. Pre-
Lenten concert OF MendelMohn
music. with excerpts from 81, Paul,
Elijah and rhristus
CATHOLIC UNIVERSITY ORCHESTRA.
Iohn Paul, Robert Garofole, con.
ductors. Musica Buildins Audi
torium, Catholic uniyefsity. 100
pm symphony In y Minor Franck
Carmen Suite, Biset Slnionia In
q Jenkins
THOMAS SCHUMACHER. Piano. Ma.
tlonal Gallery Of Art : nm. Adaeio
impromptus on. no Schubert
Sonata In , Minor. or ~. Chonin
Sonata No, y. Op ~, Prokoflen.
TOMORROW
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
Anti-Wur Pictures

There's any nu mber OF
anti-war pictures, attacks on
the affluent In society, ex-
posures Of advertising. pack
aging and the stereotypes OF
conventional thought. One
handsome and intriguing
construction, by j. Haworth
of the Slade Schools. is CEN
tered on q typewriter with
eyes, ears, noses and mouths
on the keys instead Of let
tiers, and composite faces on
the paper.
Among this years crop Of
British art students, then,
there is exuberance and con-
troll and q critical curiosity
about the total society in
which they live. 1t Is this
last note that lends fresh
Importance to the American
social critics now seen at the
Royal Academy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
lmpressionism

The Impressionists have
very little to do with great
French movement. The name
was deliberately chosen = at
about the same time the same
tag was being hung on the
French artists-from a Ge-
rome quotation and refers to
a conscious effort TO cap
ture the moment In overall
feel and action. not TO theo-
ries Of light and color.
Australian Impressionism
gave the continent its first
self-aware art movement. Its
first community Of artists
and its first substantial body
Of work capable Of sustain
ing interest. Within that cat
egory are gentle genre paint
ings. like that by Fred Nc
Cubbin Of a tramp cooking
his meal In the woods: lu-
minous views Of late Victo-
riana down under. like
Charles Conder's glowing pic
ture OF a ship departure: and
some pictures startlingly like
those Of American Wild West
painters, Russell and Rem
ington. "Breakaway." by Tom
Roberts, conveys much Of the
felt action OF q Russell stam-
pede, for instance. with sheep
In for cattle.
The contemporary section
is widely varied, ranging
from straight-on views Of
places to complete abstrac-
ton. The abstraction, how
ever. In every example, Is
very strong on order and or
ganization, thus relating
more TO European and Brit
ish Developments In postwar
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
NEWS OF MUSIC ,.@ ., !.
National to Feature
Evett Symphony
BY IRVING LOWENS
Star Music Critic

Few men prophets in their own cities. and If the
Word revealed by people whose familiar we tend
to discount its revelatory power
Take the case Of Robert Evett, for example
Mr. Evetts compositions have been heard frequently BY
devotees OF the fine concerts presented by local art gall
eres For is years. they have we'll received by
washington audiences and warmly appauded by Washington
music critics
Nevertheless he has been typecast as local composer
and the audatoy notices have been largely discounted as
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

The weight Of the section,
lies with figurative or COM
municative art In the broad
est sense. The three strong
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
Influential Work

II may be that Mr.. Kitaj
leans too heavily on his lit
erary sources for the full
meaning Of his work and this
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
PROGRAMS OF THE WEEK

Maryland, 8 pm. Faculty Recital.
Sonata. OBJ, 100, Reger; Trio. Pos
SYMPHONY ORCHESTRA,
Howard Mitchell. conductor. Soloist
HENRIK Sneryng. violin, Constitution
Hal. $3.50 pm. Repeatins Tuesdays
UNITED STATES MARINE BAND.
Capt. Dale Harpham, conductor.
5oloists; James Taylor. cornet;
William Jones, baritone (vocai)
Departmental Auditorium. $3.50 m.
The Rife Regiment, Sousa: Over
ture to II ouarany. Conner; Arioso.
Williams; ! 4th Hungarian Rhapsody,
Lisst; Ballet Music. from Prince
Igor. Borodin; WashinEton 0rays
March, Grafulla; Suite for Band,
Iuthill; seleetIons from oiEi. Loeve;
Overture TO Tampa, Heroid.
LOLA ODIAGA. piano. Pam American
Union, $50 pm; Az and Thirty
tions). Bach.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
THURSDAY

SYMPHONY ORCHESTRA.
Howard Mitchell, conductor. 6oloist !
henryk sHerynG, violin. Llsner
auditorium. 2 pm, Repeating Tues.
days program At Constitution Hall
GEORGE WASHINGTON CHAMRTR
ENSEMBLE l0eorGe steiner, Violin;
MarEaret rolson.. plano: Leon Fsid.
man, viola; Erwin Kllnkon, celiol
Lianer Auditorium. $50 p.m, Piano
Quartet In q Minor, Mozart; Duo
Sonata for Violin and Cello, Raysl:
Piano Quartet IN c Minor, Faure
SYMPHONY ORCHESTRA,
Howard Mitchell. conductor. soloist:
HENRIK sIerynG, violin. Ritchis
Coliseum. University OF MARYLAND.
$3.50 pm. Repeating TUESDAYS pTo.
gram at Constitution Han.
OhAIOhIQ SOCIETY or MONTGOM.
cry COUNTY, HUH n. Hayward
conductor. Clinical Center Audi.
torium, National Institutes 81
Health, Betheada, $40 pm Mas.
.,fieat for Double Chorus. Parhsibsi
as dleh nur nlchte nicht Dsuren
hrahms Ave verum Saint earns.
out Of the. Cradle Sanders Ths
ds IL PalS Milhaud: Prostisna
Thompson.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
NEXT SUNDAY

tFor. Further Details. Consult
Next sundays ListinFsl
LAURENCE JAMESON. ORGAN. wash.
inEton Cathedral 3 pm.
VICTOR BoRGE, piano. Constitution
Hall, T.30 pm,
NATAsHA LITvIN, piano. National
Gallery OF Art, pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
FRIDAY

FRIDAY MORNING MUSIC CtuH
Powell Auditorium. Cosmos Club,
30 am. Betty seheln. violin
Audrey Davis. piano sonafina, Ben.
amin. Annette MAY. soprano
sIoia' Mssari RIdspis VI m esIr, o.
Mozart. An Chloe, Mozart II plsurs
dams mon occur Debussy W. suls
encor. from MAnon. Mauenst
Fanny Ross Hsnbsst, piano seisc.
lions from Kreisleriana, op. liz,
THg INV YORK STRING svxTET
tHsnato Ranaelrl Keea Kaopsr
violins, Paul Dexter, Emile slransl,
violaa lanos sehsir Geares Ksut.
yen eellnsl. library Of CONGRESS,
10 pm. hllegro " y Ninar
tiires por'sri srxist Mrihaud
Soviet In B-Fiat on. ~ No. /.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

WEDNESDAY

NORMAN Helm. elArinsti Lydia Bern.
MeKtldin Library. 6niysfsity 'ut u
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
Australian Show
At Tote Gallery

The other major nom
British exhibition in London
is that of Australian paint
ing at the Tate Gallery. This
very large show - 214 ex-
amples - provides a model
for the kind Of American ex-
hibition Mr.. Russell and 9TH
ers would like to see.
Divided. like Gaul. into
three parts, colonial, i'm
pressionist and contempt
rary," the exhibition illus
trates painting in Australia
from the late 18th century
arrival of convicts and other
Britons to the present mo-
ment. when. the tide turned,
Australian artists like Roi de
Maistre and Sidney Nolan
have come back to the old
country and found accept
ance.
Australian colonial paint
ing. like American. reveals an
effort TO get down the look
Of a strange land. TIL e
strongest colonial Is John
Glover. who creates q certain
poienancy In his closely
painted records OF Australian
flora as the setting for q
British house and garden.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

DonAld Heiner, oboe; sidney Forrest.
clarinet wsl''T Mae's Sc.ns o has
denen Theaier, American univer-
sity, $50 pm, Diyertimento. HAYDN,
pAstorale, Persichetti. lie Cheminee
du Rot Rene, Milhaud, Chores No.
=, Villa-Lnbos, Suite for Woodwind
Quintet, BereEovsky,
dELvIN BERGER, viola; Philippe
psssyS piano Th s Phillips Gollss.nlonn,'
Handel krpsssiohs sonata, ssSa.
bert. Suite. Creston, Sonata. Gideon.
Andante Rondo unrarese, Weber.
Prom San Domineo, Benjamin..
jamaican Rhumba, BENJAMIN,
TUESDAY
or MARYLAND SYM.
PIlONY ORCHESTRA, EmsFso
Head, conductor Boloistsi Robert
Menus. violin. Joan BArnstt. memo
Soprano Patricia whsAtlsy, piano,
BETTE Ebsriy. French horni West
Colle, elarinst. Diane IaIleton.
i s;op,fsno STUDENT u9i1n ballroom
water Music suite, Handel Violin
Fofets. from Maid Of orieans'
tehalkoysky. Presto. Concerto No. 2
IN y Minor, on, 30 MaeDowell;
SoS,nsssr.sS, No l. p or ieE French
for clarinet. Debussyi All. fors .
lui, from La Traviata, Verdi.
'ATiONAL SYMPHONY ORCHESTRA.
Howard Mitchell, conductor. Soiolst
lst, HENRIK sEerynG, violin. Conkti.
luuon Hall. $50 pm. Romeo and
Juliet Suite No. .. op, -. Proko-
Jeff Concerto In d, Tchaikoyskyl
Fy ssphS no, no L. Eyeti tIPremilsrs,
WAGNER
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24
TOMORROW

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-02-24

Washington BrldHe League, Hhera-
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tvo sessions. ! and a. Special Pairs,
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The Republican. [volume] (Oakland, Md.) 1877-current, 1963-06-20

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The Republican. [volume] (Oakland, Md.) 1877-current, 1963-06-20
HOYES

The Hoyes WSCS met Thursday
afternoon with Miss Lucille GlOt-
felty. There were IA members
present. Mrs. Raymond Klotz led
the devotions and Mrs. Catherine
McCrobie presented the lesson
with all taking a part in the dis
cussion. Mrs. Webb Dewitt, presi-
dent, presided. Final plans for the
annual turkey supper to be held
Saturday evening, July 6, were
made The meeting in July will be
with Mrs. Raymond Doerr.
Mr.. and Mrs. Hobart Bishoff
were Sunday dinner guests of Mr..
and Mrs r. Claude Bishoff.
Mr.. and Mrs. Clark Schlossnagle
end Ellis and Linda, were Sunday
dinner guests of her mother, Mrs.
Elizabeth Layman, Keyser, in OBJ
servance of her birthday.
Mr.. and Mrs. Hubert Friend and
Vera were Sunday evening callers
of Mrs. Margaret Rush, Friends
vile.
Mrs. Aston Hanlin, Accident,
was a Saturday evening guest of
Mr.. and Mrs. Merrill Wilburn.
Mr.. and Mrs. Jacob Jones and
Patty and Mrs. Catherine NEGRO
bic were Sunday dinner guests of
Mrs. Ruth Eichelberger, Davis,
w. Va. Patty is spending this week
with a friend, Miss Kathy Zerk,
Davis.
Mr.. and Mrs. Hubert Friend at
tended the 50th wedding anniversa-
ry of Mr.. and Mrs. Frank Brown
ing at the Mt. Lake hotel, Satur-
day afternoon.
Callers of Mrs. Webb Dewitt
during the week were Mrs. Jacob
Jones, Mrs. Catherine McCrobie,
Mr.. and Mrs. Clayton Speicher,
Mrs. Lawrence Lewis, Mrs. Ruth
Speicher and daughter Naomi,
Mrs. John Young and Mr.. and Mrs.
Hobart Bishoff. Luncheon guests
on Friday we're Mrs. Ronald Bit
ner and daughters, of San Diego,
Calf. Mrs. Bittner is the former
Barbara burst, and taught school
in FriendSville.
Mr.. and Mrs. Gideon Ferguson,
McHenry, we're callers of Mr. and
Mrs. Montell Friend, Friday eve
ming.
Wesley Klotz, McHenry, was a
caller at the home of Mr. and Mrs.
Emerson Bishoff, Sunday after
noon.