davidaulloa/AmericanStories huggingface dataset:
Arizona tribune., 1963-10-25

The Grand Canyon Temple 437, Elks auxiliary u hed
annual fall fashion show Sunday the Eks Lodge This montage
many the models. committee members who
there.
Models included MIR. and Mrs. Jimmie Hunter Mrs. Harry Ses
Mrs James McEoy Godne Patterson Rama Martin and
Charles Williams. Committee members Herman Carter,
Charles Williams, chairman Mines Louise Becon and James
McElroy and David McCammy
Arizona tribune., 1963-10-25

KOZY COTTAGE BEAUTY SHOP
1910 w. Sherman St.
AL 8-O2O6
Arizona tribune., 1963-10-25

IACKSONS BEAUTY SHOPPE
1898 E. Madison
AL 2-o54l
Arizona tribune., 1963-10-25

HILLS PHOEMCIAN
BEAUTY SHOP
21'0 E. Jefferson
AL 3-oo8o
Arizona tribune., 1963-10-25

DELOIS' BEAUTY SHOP
lib w. Grant St. AL 4-O56O
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-02
HEADLINE PERSONALITY
Z US. Judge-Designote
4 Guided Rights Drive

RICHMOND. Va. Oct. 2
CAP).-Spottswood W. Robin
son III frankly admits that 1t
was touch and 20 whether he'd
study architecture or enter law
school.
The law won out, and now he
Is but a Senate confirmation
away from a position occupied
by only four other Negroes. He
was nominated by President
Kennedy yesterday to become
a Federal Judge. If confirmed.
he will be the first Negro judge
on the Federal District Court
In the District of Columbia.
A tall. spare man Of Al who
sometimes slips into the lee
turing mannerisms of a pro-
fessor, which he has been, Mr..
Robinson reacted to the nomi-
nation in the same understated
manner he displayed in win
ming landmark civil rights de-
cisions from the Federal courts
during Is years Of litigation.
Notes Responsibility
Undoubtedly every lawyer
sspires to be a judge" he
said. 1T is the very pinnacle Of
the profession. 1t is a great
honor. but 1t is also a matter
Of deep responsibility"
A lifelong resident Of Rich
mond where he is q trustee Of
st. Philips Episcopal Church,
Mr.. Robinson followed his faith
er's footsteps into the law and
also into the dictatorship Of a
Negro bank.
He attended Howard Univer-
sity Law School there and came
out in 1899 with the highest
academic record ever achieved.
For IL years he was on the
Howard faculty. the final three
as Dean. Since 1861 he has been
a member Of the United States
Civil Rights Commission.
Played Major Role
1t was his study at Howard /
that laid the groundwork for
his emergence as one of the |
Nations top civil rights attor-
neys. an attorney who partici-
pated in cases which led to the
U. S. Supreme Courts school
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-02
Lutin Group
Received by
President

President Kennedy was
quoted as saying yesterday that
the Alliance for Progress pro-
gram in Latin America got off
to . slow start but now Is
picking up speed.
The President greeted a group
Of Latin American journalists
who are in the United States
for a press seminar at Column
bia University in New York, al
an unsche6uled meeting in the
White House flower garden.
He said various important
changes have been made in the
Alliance plan for economic and
social development and he feels
it is going to move ahead more
smoothly in the future.
On other topics the visitors
said the President:
Expressed the nope every
thing will go smoothly with
the new government taking over
in Argentina this month.
Recalled with pleasure the
visit to this country some time
ago Of Chile's Jorge Alessandro,
and said he hopes some Cay
to be able to visit Chile.
Reported he is greatly in
terested in Latin American
progress and considers 1t highly
important to the United States
and to other nations of the
world.
The Latin American visitors,
10 men and one woman, had
gone to the White House for
a tour Of a portion Of the
building.
The President learned of
their presence and sent word
he would like to see them.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-02

FULL NAME Spottswood W.
Robinson III.
CLAIM TO FAME-Nominsted %
D. c. Federal Judge.
HoME-Richmond, We.
EpUcATloN-hSvsrd University
Law School.
JoeS-Fermsr deem, Howard Law
School.
desegregation decision and
other decisions knocking down
racial discrimination In inter-
state transportation and real
estate ownership.
His personal knowledge Of
segregation increased once he
returned to Richmond and his
family in l947.
"A Negro lawyer practicing
in some Of the outlying county
courts had a hard time finding
any place to eat" he recalled,
Of his earlier Virginia practice.
TO be safe I'd always carry
my lunch"
Praises Sit-ins
Mr.. Robinson is quick to say
there has been wonderful
progress" in the civil rights
field in the last Is years, but
the Nation still has a long way
to go. We still have a tremen-
dous gap between what is and
what should be. In time 1t
will be solved"
Most Of the progress has
been made through the courts,
MFR. Robinson said, but the sit
ms and other racial demon
STATIONS have accomplished
a great deal. They have been
able to accomplish facts over
night that would have taken
years to get through the ordi-
nary judicial process.
Better education for Negroes
is close to Mr.. Robinson, whose
time as q professor at Howard
was interrupted by his prac-
tice. He returned to the law
school in 1860 as dean, and
resigned this June when he
became vice president and chief
counsel Of the Richmond bank.
To this day, Mr.. Robinson
says. ut is indisputable that
the education Of the Negro has
not been as productive as edu-
cation for whites. A good bit
Of this is due to segregated
schools and other segregated
institutions Of society, and no
area OF the country is free Of
this"
Mr.. Robinson still has a
strong attachment for archi-
lecture - Il designed my own
house"
But 1t is obvious he is happy
that he decided to 60 into the
law.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-02
For Emperors Only

NIKKO, Japan.-The Sacred
Bridge at Nikko is barred to
all but emperors. 1t was built
in 1886 and is painted gold and
vermilion.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-02

Once and only Toddletme best buy
SeeperS time of sale at stock
pce Count Penne improve Now Toddletme
cotton knit PanitS fabric long you'll find all
features that Toddletme Roomy Adjustable
ournch cuffs Easzed ankles Beahabe plastic
able pntop styles for we'll to Buy three six
during this special
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
COMING ATTRACTIONS
STAGE

NATIONAL NEUTRALITY-SUSPICIOUS. and Son.; Sam Levine
November II.
ARENA STAGE-John Writings 1.-THE Devils; opens DC
tober 80.
SCREEN
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
By BOB THOMAS
Associated Press Writer

HOLLYWOOD. - 81 never
lacked for work." says Oscar
Winner Ed Begley. 1.-THE diff
ference now is that ! Ca.
say, '0kay, I'll take the part
If I can do it my way"
What a difference an Oscar
makes. And few Oscars have
won such warm approval in
Hollywood as the one given
last April to Begley for his
role as the sadistic political
boss in "Sweet Bird of Youth"
Begley is a self-made pro-
feSsional who can do and has
done almost everything. One
night on Broadway, he played
William Jennings Bryan to
Paul Muni's Clarence OAR
row in "Inherit the Wind"
The following matinee he
played barrow and won the
applause of critics, who had
been invited without his
knowledge.
81 would have been scared
to death if l had known" said
Begley.
Now he's cavorting through
a song-and-danc role in "The
Unsuitable Molly Brown"
even though he hasn't done
anything musical since the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
Oscar Means Ed BegIey
Can PIoyItHisWoyNow

192Os, when he appeared
briefly in a vaudeville dance
act.
Begley plays Debbie
Reynolds rough-and-ready
pa and it's the kind Of part
..e has been plunking for.
when / played that mean
old boss in Sweet Bird it
kind Of came easy to me and
people seemed to like it," he
said. 81 started getting more
mean parts, and that worried
me. Was / really like that?
/ don't think so. That's why
l want to do comedy for a
while. I'm not really a mean
guy"
Begley may be the working
est actor in show business.
He bounceS from MOVIES to
television to plays with
scarcely a day off.
Once he was one of the
busiest radio actors in New
York. Much of his salary
went to buy booze. He
climbed on the wagon, only
to fall off a dozen years ago
when he got trapped in an
Inflated television series.
"Then I discovered Alec
holcs Anonymous, or it dis
covered me-" he said. cts
been smooth sailing ever
since"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
SCREEN

AMBASSADOR-"Tw ice-Tod Tales; spook stories from
Nathaniel Hawthorne; Vincent Price; lis 800, $685.
7:3O and 9:35 pm.
Appetite ConugaI Bed Italian comedy with Marina
Vady; l, 2:45 $780, 6:15 sos and $50 pm
CALVERT-"My Name Is Ivan the story of 12-year-old
Russian hero; 2, 4, 6, $50 and $50 pm
DUP0NT-The Leopard; Superbly photographed but the
acting and story weak; 1, $40, 6:25 and 9:1O pm
EMBASSY-"A New Kind of Love-; comedy and romance
with the NewmanS Paul and jeanne Woodward; g. 1855,
SIS, $50 and $50 pm.
KETTHS-"Stolen Hours; Edward Judd as a racing car
driver; 1885, 1885, 5:4O 7:4O and Gas pm.
Observation-Disclosures Above!''; Peter Sellers Eng
fish clergyman; 1, $40, $50, 7:45 and 10 pm.
ACKNOWLEDGEMENTS Told Tales; lis, $780, $40,
US and $40 pm
0NTARI0-"Lawrence of Arabia' 2 and BIS pm.
PALACE-"The VLPs'; that Taylor Burton team and
others fogbond at London airport; $780, 1885, 5:4O 745
and $50 pm.
RELATIONSHIPS L-Shaped Room; sincere, moving film
on sensitive subject 305, 5:10 7:2O and 9:25 pm.
PLAzA-PromiSeS, Promises; Jayne Mansfield; l, 2:S0,
4, $50, T. $3.50 and 10 pm.
TOWN-"For Love Money; romantic farce with Kirk
Douglas Gig Young and Mtd Gaynor; 1:1O S:15 $40,
TBS and $3.50 pm.
TRANSLUX-'The Running Man. meodrama set in South
ern Spain; Laurence Harvey, Lee Remick $780, $3.50,
$780, 7:30 and $3.50 pm.
UPTOWN-"How the West Was Won screen epc in Cine
rama with an alsar cast; 2 and pm.
WARNER-"Cleopatra" the screens atime high adven-
ture in hyperbolebig beautiful bright; and 1880 pm
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20

men weaker than themselves.
''An actress is a machine,
a driving, powerful, One-way
machine. No one can run her
career for her. Invariably,
she will choose the man who
See DAVIS, Page F-s
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20

spoils more marriages than
mothers-in-law."
Bette, always a star to her
gritted teeth, mentioned no
names but said that the main
cause for the abundance of
husbands among actresses is
that actresses always marry
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
By JAY CARMODY
Drama Critic Of The Star

A lot of passionate belief
goes into the so-called make
believe of the theater.
Even the poor Federal Gov
eminent, busy with so many
other things, finds itself in
volved with some of these.
Intentionally involved, real
ly, considering the completely
of it's interests; its inability to
make a move without jam
ming someone else in the
ribs.
Institutionally, the theater
is not very big, at least as
compared to agriculture, bust
ness, industry, defense, space,
etc. Nevertheless, it is fierce
ly eloquent and capable of
wild indignations. There even
are those who think that the
social gap between politics
and art is to be explained by
the latter's terrible temper.
This perhaps is an exaggera-
ton.
In its dudgeons, the theater
does not fall back upon the
cliche that there ought to be
a law" Its assumption is that
there already is a law which
needs administrative action.
Issue Reactivated
That is its assumption with
regard to one Of the enduring
petulances of Broadway, cur
rently reactivated. This one
grows out Of the fact that
midtown New York, the heart
Of the American drama, is
speaking with a predominant
ly British accent, that of Eng
ish actors. Half the new sea-
sons productions so far have
been British imports.
These emphasize that Eng
lands performers can find al
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
HOLLYWOOD
Bette Davis Also Is Honest
BY JAMES BACON
Associated Press Writer

HOLLYWOOD. - Someone
once asked Jack L. Warner
to define a movie star. He
answered in two words:
Bette Davis"
But Bette is more than a
movie star. She's a Holly
wood rarity, especially in
these drab times. She's in
telligent, colorful, outspoken
and completely honest-a fe-
male Humphrey Bogart.
So when someone spends a
few hours in Bette's
dressing room it's like the
old Hollywood.
Picture this scene: It's 20
degrees below zero in the
Maine countryside. A farmer
hears a vigorous pounding on
the door at 8 a.m.-and there
he finds himself face-to-face
with a shivering and sputter-
ing Bette Davis.
A Real Cute Trick
at used to happen all the
time" recalls Bette. Tn e
actress and her fourth hus-
band, Gary Merrill, lived in
Maine before they divorced.
"Gary had a favorite cute
trick" reminisces Bette, be-
tween puffs of a cigarette
smoked in the Davis style.
''He took a perfectly hilarious
delight in pushing me out Of
the car into a 2O-foot snow
bank in the middle of the
night. Then he would drive
off screaming with laughter.
There was little l could
do but hike through tn e
Snow-sometimes in hig b
heels-to the nearest farm
house and phone for a taxi.
"You get quite a startled
reaction from a Maine farmer
at 8 am. when you an
nounce: Pm Bette Davis,
may l use your phone?'"
Merrill says he doesn't re-
member any such incident
in Maine.
81 remember pushing her
in snowbanks in Westport,
Conn.," he said, "but if the
lady says l pushed her in
2O-foot Snowbanks in Maine,
who can challenge herr"
Merrill added:
eve were no different from
any other couple in the throes
of getting a divorce. Come
to think of it, Bette Davis
in a 2O-foOt snowbank is pretty
funny. Go ahead and use the
story. You can make it either
Maine or Connecticut because
the snow is deep in both
places.
Really Likes Men
Bette cited the snowbank
incident as one of many rea-
sons for a vow that Merrill
is her fourth-and final-hus-
band.
cts such a shame to feel
this way because l really like
men. I'm a New England
puritan so l shall never cruise
from lover to lover.
Il like men but marriage
doesn't like me. After four
marriages, l am convinced
that no dedicated actress
should get married. If an
actress is dedicated enough
AS l was and am-she is
bound to get famous. Fame
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
BY SHEILAH GRAHAM

NOEtu AMERICAN newspaper AlHduCo
ACKNOWLEDGEMENTS of
us likes New York very much"
said Anthony Newley. His
movie star wife, Joan Collins,
nodded agreement. II find it
ugly and oppressive" contin-
ued Mr.. Newley, the star and
author of "Stop the World
Want to Get Off," He is get
ting off early in November
after two and a half years
with his hit musical. cts
rude and ugly" added Joan,
who used to love New York,
in fact rented an apartment
in Manhattan, but that was
before she wandered into a
performance of "Stop the
World" in London and a
friend took her backstage to
meet the 3O-year-old star and
it was the end Of the bachelor
line for the pretty brunette.
I'VE can't 60 back to Eng
land to stay for another eight
months" Tony continued,
"for tax reasons. l want to
take Joannie to Greece and
the Mediterranean.
with the baby, of course"
interrupted Joan. Eve plan
to take the baby with us
wherever we Co."
A Hollywood Date
And they are going all over
the place. Before the jaunt to
Greece, the Newleys have a
date in Hollywood where Joan
will discuss a picture or two
for early in the new year, and
Tony will talk to the people
who wish to promote his per-
Torrance in "The World of
Sammy Lee" into an Oscar
Award. "Then we will 90 to
London for a brief visit to see
our families"
"But what about your 81, $50
a-month apartment at Impe-
rial House in New York;" l
asked Tony. It's beautifully
furnished and they still have
two more years on the lease.
eyes," he said ruefully.
I've took it because we
thought we would stay in New
York. Well try to rent it fur
niShed." Not many people can
afford a base rental of 81, $50,
but it is beautiful with a wide
hall that you could make three
rooms of. I suggested to Kirk
Douglas that he take a look
at it. If his play, "One Flew
Over the Cuckoo'S Nest" really
takes off, he will need a big
home in New York for his
family.
where do you intend to
make your main homer" 1
asked them. Tony spread his
hands. ''We're gypSies. The
entertainment world is so
spread out. The ideal situation
for us l suppose would be to
have a home in London and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
New York Disoppoints
NewIey and His Joan

live In hotels everywhere else.
It's a pity. l came to America
with great hopes. l was
weaned on American pictures
as a kid. l saw an Alan Laid
movie every week. The great
est exports of America are
films. They give the wrong
impression. But all movies lie.
The English pictures exported
to America and around the
world make the British people
terrible. Peter Sellers is not
representative"
How about Margaret Ruth
erford?" l asked as if l didn't
know. The 71-year-old actress
is representative of a certain
type of old lady everywhere,
and I don't care what she
does as long as she does it.
Somehow we got to compar-
ing the American woman with
her British counterpart. "0h,
the Englishwoman is much
more attractive" said Tony
positively.
What He Deserves
"Why?" l wanted to know.
"a million reasons" he re-
piled.
Name one," said /.
cts the whole attitude"
said Mr.. Newley. "of course,
you can't generalize, but l
would say if l walked down a
street in Knightsbridge in Lon
don, I would see at least five
women beautifully turned out.
But when / walk on Park
avenue, no.
"The American man." the
actor-writer continued, "gets
the woman he deserves. He's
a weakling, completely dom
mated by the women in his
life, his mother, his wife, his
daughters. I guess it's the
Nom image. He's not sure of
himself. ALI the ads have to
prove to a man that he's a
man. I don't know how it all
started, but it's very apparent
when you come to America. F"
No Separations
Joan is looking forward to
reSuming her movie career.
''My last picture was Hong
Kong / was offered three
marvellous films this year
while 1 was pregnant. That's
always the way. l shall only
work, however, if Tony can be
with me. I don't believe in
long-diStance marriages"
1t was a good thing, l re-
minded Joan that the plan to
star her in Cleopatra" didn't
come off. She agreed with me.
81 cannot understand the ap-
peal Richard Burton has for
women. l thought he looked
dirty. But / understand that
Mark Anthony was also dirty"
What a pity that the New
leys had to leave for the
theater at this point!
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
THE PASSING SHOW
Seasons British Accent
Disturbs Actors Equity
THE PASSING SHOW

most unlimited work here
while B ritis b Equity, Eng
lands actors union, is singu-
larly ungenerous in providing
employment for American
performers. It is accused by
Americas Equity of putting
every conceivable restriction
upon American performers
while Washington's Bureau of
immigration and Naturaliza-
ton issues work permits for
the British almost without
restraint.
In asking for a Bureau
hearing on the issue-by an
almost u n a n i m Gus recent
vote-American Equity is SEN
sitive to a great many sub
tletieS of the present situation.
One of these is that it might
seem to be jealous Of the
quality Of British acting, in
stead Of the obvious quantity
of it.
Insecurity Economic
This is not true. II Is merely
a question of economic inse-
curity, not the professional.
American performers yield to
none in artistic self-assur-
ance.
On the basis Of this conf
dence in their own compe-
tence, they would not claim
the slightest right to intrude
upon the invincible English
essence of, say, Beyond the
Fringe" 1t belongs to the four
young Englishmen who wrote
it, and who a acted it tri-
umphantly in Washington be-
fore it went on to Broadway
to become a by-now two-sea-
son hit in New York. Nor
would anyone S uggest that
any American performer
could master the accent of
"Stop the World-I Want to
Get Off," which comes to the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20

National Theater here tomor-
row night.
American Equity members
do not want to diminish the
quality of theater, imported
or domestic, by injecting
themselves into the strongly
parochial or nationally fla
vored British imports. They
m erely want reciprocity.
Even if granted this more
generously, involving plays as
purely American as ''Who's
Afraid Of Virginia Wolff"
they would not anticipate
equality Of employment op-
pOrtunity.
Flavor Strength Varies
In general, British stage i'm
ports, cast included, are more
nationally favored than Amer
lean plays.
This is true Of two of the
three more popular British
accented productions Of the
new season. One of these is
Arnold WeSker's "Chips With
Everything" Utterly British,
it is. So is John Osborne's
Luther" with Albert Finney,
England's latest young acting
sensation, as its title role
star.
The third one, h owever,
raises the question with no
depreciation Of the skill of the
British cast which crossed the
Atlantic with it. This is "The
Rehearsal" by Jean Anouilh,
who is French and whose
plays are equally so. Anouilh
has written a sophisticated
comedy, a cruel one as the
critics have been careful to
point out with a candor that
only momentarily deferred
the public response to it,
There Is a not at all furtive
impression that an American
cast could have played 1.-THE
Rehearsal" to everyone's sat
isfaction. And, most of all, to
that of our Actors Equity as
a lesson to the British on the
subject Of reciprocity.
Public Indifferent
To the theater-going public,
the issue is purely academic.
It likes good acting regardless
of the country of origin, or
even political creed. 1t makes
hits out Of anything that has
merit, and its only protest on
the subject Of stage accent is
that which is impenetrable. 1t
also objects to voice levels,
but only so long as they re-
main at the low one which is
effective in England's more
intimate theaterS.
This latter, incidentally,
was the major reservation of
both Washington and New
York audiences to Beyond
the Fringe" Those who liked
it, the great majority, wanted
to miss nothing of its acid wit.
Those who didn't walked out.
The critics react precisely
in the same way, that the con-
trOversy between the two
Equities is a jurisdictionaI
one. Actually, the critics have
gone so far in brotherhood
that they have abolished in
their prize-awarding Circle all
distinction between domestic
and imported plays Of any
season. Hereafter a best play
may come from anywhere.
Equity understands tn csc
public and critical attitudes.
Toward that of the Federal
Government, it is momentari-
ly far less constrained.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
TODAY'S SCHEDULES
STAGE

CATHOLIC UNIVERSITY-WilLa Congreves 1.-THE Way of
the World; resumes tomorrow.
HOWARD Vaudeville: Mary Wells, The Drifters; q 4:45
7:3O and 10 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-20
SCREEN

AMBASSADOR-"Shock Corridor" starts Wednesday
APEX-Pierre Etaix in "The Suitor"
ENIBASSY-"Take Her. She's Mine"
KEITHS-"Iilies Of the Field; starts November 10.
Observation-Disclosures Rutherford in Murder at the
Galop."
METROPOLITAN "Shock Corridor starts Wednesday.
oNTARI0-"ThiS Sporting Lfe' starts Wednesday.
PALACE-"Twight of Honor"
PI4AYH0USE-'TOrd Of the Flies"
ToWN-2O 900 Leagues Under the Sea- starts November