davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09
Smithsonian

Oh 70 az bltC OAAAAOAAOO1AAuAA 40
showing is prints it has ac-
quired over the last year.
The variety and virtues of
the selection are a powerful
testimony of the divisions
combined scholarship and
taste under its curator, Jacob
Kainen.
The Smithsonian's a re-
markable place in many ways
and not least in its treatment
Of the arts. 1t ignores them.
The Travelling Exhibition
Service performs brilliantly
one of the most useful jobs
in the country and is tucked
away under the roof where
Washingtonians never see
anything like the full range
Of its program. The hanging
of the National Collection is
a disgrace, the pictures
showed up out Of sight to
make room for cases of bric-
a-brac. And the graphic arts
division, which has possibly
the single most enlightening
exposition of print processes
in the world, has to lose pre-
cious space to a permanent
exhibition of stuffed Japa-
nese and consequently to
crowd its own print exhibit
tons into a narrow corridor.
Space Problem
Like other art divisions of
the institution, the print
division needs money as well
as space. Thus the print
ACQUISITIONS - to speak
> plainly, purchases - during
the year represent q difficult
balance of fiscal as well as
aesthetic and scholarly
values. The is prints on view
qualify on all counts and
make q fine summation Of
contemporary and historical
interests. For the caual visi-
tor, the small show can re-
veal the fundamental unity
of those interests.
Local printmak6rs in the
group are Jack Perlmutter,
with a vibrant BLACK Fire"
Prentiss Taylor, with an aus
tere Autograph of Spanish
American ruins, and George
O'Connell, with a whirlwind
composition done totally in
drypoint, Of the four riders
of the Apocalypse. Otherl
contemporary prints seen To-
cally during the year and
now added to the Smith
sonian's collection are a pea
cock woodcut by Jon DOM
jan, a color etching Of the
sea by Cyril, and a color
aquatint Of an oxford build
ing by Valerie Thornton.
Historical Yen
The group gets historically
fascinating with such items
as an end of the 18th CEN
fury color aquatint of a pub
lie promenade, done by Phil
bert Debucourt and antici-
pating rowdy Rowlandson
without losing French ele-
gance. Frederick Calvert's
view of Lyme Castle, Kent. is
one of the earliest litho-
graphs. No assembly by Mr..
Kainen would be complete
without a chiaroscuro wood
cut; this one is by Ugo da
Carpi after Raphael. The
color engraving Of Of snuff
taker by Peter Schenk is an
early use Of print color by.
in effect. painting the plate
before printing. The impress
sion is thus both engraving
and. to a degree. monotype.
Finally, there is a crisp
Pnanesi view Of the Trevi
Fountain, a beautiful i'm
preston Of an early state,
before the identifying num-
bers we're added.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09
TOMORROW

ALyARO ODIO DE GRANDA, violin,
Lone Meisei, plano. The Philiips
Collection, $3.50 pm. Sonata In q
Minor, Tartini; sonath In G Minor
OBJ 30 No. 9. Beethoven, Sonata m
A, op. 10, Faure.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09

JAMES MADISON HIGH SCHOOL
MADRIGAL SINGERS, Don HAinel
Guidotti, director, 81. Peters Church
Hall, 3i3 Second Street Sc. $3.50
pm. Pa una eanzone, Vecehi; Con-
trappunto Bestiale Ala Mente
Banchieri. Au Jolly Jeu. Jannequin
Come Again, Sweet Love. powlandi
Let 90, Why DO You Stay Ne, Ben.
nett. Sparkling Water. traditional
Freunde, Wasser Maehet Stumm
Haydn. .sieut ceryus. PAlestrinai
Have Longed For Thy SAVING
Health. Byrd. Echo Sons. Lassusi
Two Nursery Rhymes. ostranSkyi
The Portant. Eyett; Two yPreludes Of
II, 8. Eliot, Week Velvet Shoes
wooilen: Shenandoah, arr. Miller.
MANUEL VEGA, piano. Pan American
Union, $3.50 D IN, sonata In \ Flat
Haydn. Fantasy In G, Op. IA, behu'
mann, Rudepoema, Villa-Lobosi
Prelude. Minuet and T0ceatA. from
Tombeau de couperin. Rayel.
UNITED STATES NAVY BAND, L.
Anthony Mitchell, conductor. Wash
inEton Area Sololsta Festival, Wa
tergAte, $3.50 pm, Brenda patter-
son, pleeolo, Fairfax High School
Peter conant, trumpet. Duval High
Schools Sara Stern, flute, Calvin
Coolidge High school. Program not
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09

nail biography Of each; a
good photography to lead you
to further sources of infor-
nation; and a thorough in
dex.
AS is true Of any extensive
series Of books, the literary
quality is somewhat variable.
However, even the poorest
volumes in the Great Com
posers Series" are written in
competent, professional prose,
while the best are vastly
stimulating.
II you prefer to sample a
few before rushing out and
buying all, I would recon-
mend that you start with
Mozart, Gluck, and Mussorg-
sky. Blom, Einstein, and CAL
vocoreSSi (now unfortunately
all dead were first rate
writers as well as first-rate
biographers and researchers,
and their volumes are a new
er-ending source of pleasure
and profit.
At the SIN all price, the
Great Composers Series" is
the widest sort Of bargain,
and Collier Books is to be
commended for its initiative
and intelligence.
One caution, however. If
you know anything at all
about paperbacks, you are
aware that these excellent
volumes can disappear from
sight as quickly as they came
into existence.
Therefore, If I were you,
I wouldn't dawdle too much
in snatching them up. I'd buy
first and do my sampling
later on. At this kind Of price,
almost everybody can afford
the luxury.
NEWS FROM HERE-The
Alumni Association Of The
Peabody Conservatory Of
Music in Baltimore has pre-
sented its Distinguished
Alumni Award to Howard
Mitchell, who begins in the
fall his fifteenth season as
conductor of the National
Symphony Orchestra. The
award, originated last year
to honor former Peabody
students who have made their
mark since leaving the insti-
tuition, was given to DR.,
Mitchell for his outstanding
contribution to music on a
national and international
scale. The conductor began
study of the cello at Peabody,
moved TO Curtis Institute in
1880 as q student of Felix
Salmond, and was engaged
as first cellist with the Ma.
as first chair cellist with the
National Symphony while
still q Curtis student.
Giovanni MartineIIi, form
erly leading tenor Of the
Metropolitan Opera, win be
the intermission guest on
MICS radio network show
"Toscanini-The Man Be-
hind The Legend" on We'd
nesday. WRC 1880 AM; 93.s
FIND, 9:05-10 pm. The
musical portion of the pro.
gram, recordings Of Tosca.
mini conducting the NBC
Orchestra, will consist Of the
Overture to La Fora De
Destino, Verdi; Dance Of the
Hours, from La Gioconda
Ponchielli; and Feste Ro-
name, Verdi.
The Navy Band holds It,
annual Washington Area
SOlOist Festival on THURSDAY
at Watergate, $3.50 pm. Tht
soloists, selected by county
music supervisors, are: Brends
Patterson, Piccolo, Fair,
fax High School; Peter Co.
nant, trumpet, Duval High
School in Prince Georges
County; and Sara Stern
flute, of Calvin Coolidge Higl
School in the District. A rep
resentative from Montgomery
County has yet to be an.
nounced. The youngsters vii
play under conductors from
their respective schools, anC
q panel Of music educators
will select q winner from
among the four.
The annual Workshop Of
the Washington and Cathe.
dral Choral Societies con,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09

heard Of. The Chairman is
against it.
The Gallery Of Modern
Art, on the other hand, is in
favor of it. But the Gallery
limits the term severely as
compared to the way 1t is
used by the Kremlin con-
noisseur. By so doing, the
Gallery has wrested away
from the Soviets a perfectly
useful word, much as the
Russians earlier did with
beisball, a sport, as is we'll
known to all peace-loving
peoples, invented by Fried
rich Engels and long popu-
lar in the Socialist Camp,
where it Is played on camp
ing trips.
BY Any Other Name
According to gallery direc-
tor Adelyn D. Breeskin, who
did the wrestling, "other
names which might have
been used to describe" the
Journalists ARE neo-plasti-
cists, preciSionists, purists and
geometic painters" That may
sound as complicated as
"decadent Western bour-
geois-imperialist," but it
really isn't. Still another
name is "hard-edge abstrac-
ton" and, as Mrs. Breeskin
points out, the artists are
inspired by the desire to
express their preference for
order, refinement and sim
plicity."
maSmuch as order, refine
ment and simplicity are in
fairly short supply these days
in the art world - having
been replaced by chaos, vul-
garity and pretension-the
show should appeal to many
people who have been watt
ing with waning hope for
contemporary art to come up
with something that makes
immediate, visual sense and
gives immediate, visual and
intellectual pleasure.
Questionable Skill
The majority of the 81
paintings and sculptures Of
the Journalists do both. Com
plants have been heard that
contemporary artists don't
know how to draw a straight
line. All Of the artists on view
at the Modern Gallery know
how to draw straight lines
and quite a few Of them base
their art upon that acquired
questionable skill.
Journalism, under many
names, has been around fol
years. Its earliest practition-
er was Pet Mondrian, repre-
scented in the show by a quiet
and severe composition Of AZ
years ago: small rectangles
Of red, yellow and blue locked
in a grid Of squared black
lines on white. Few paintings
in the exhibition are any
where near as cool. Indeed, if
Mondrian be one of the chief
inspirers Of the movement,
it is the late Mondrian OF
World War II, the author OF
the two Boogie-W oogi e
paintings. For jazzy, synco-
pated movement Of color
characterizes a large number
of the works and, on the
whole, is probably the most
rewarding thing there.
Ars VibratO
Jazz and rhythm are not
used entirely metaphorically
in speaking Of the pictures
Several Of them do move and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09
SUNDAY, JUNE 10

NORMAN sCRIBNER, organ. Washing
ton Cathedral, pm,
MARJORIE MADEY. soprano. Nathgn
Price, plano. National Gallery OF AT.
uNITED STATES MARINE BAND. Capt
James kinG, conductor. WaterEate,
A.ln pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09
FRIDAY

UNITED STATES ARMY BAND, ~,
Col. Hugh Curry conductor. !CApltql
Plaza, pm. Spirit Of independ-
enee, Holman; Overture 10 Or
pheus. otienbaehi Matador. caeha-
fonR. United States Army Band
March, Btreeter. Selections from The
Student Prince, RomberG. Pasaui-
made, 0ottschalk. Selections from
a d,as Loe s y1oa melee 1,sles'i tIh.
UNiTED STATES AIR FoRCE BAND.
CAPT. Harry N. Meuser, conductor
Watergate, $50 pm. A Festival
s5usa, All THOSE Fndesrlns Youns
Charms, Mantia Dance OF the Seven
Wells, Strauss. Odom, on the March,
Milligan. vocal selections. Bolero r..
panol Lecuona. Chanson de Ia Mutt.
Halfedo, Tulsa, Nlilisi selections By
IhH 4lAUtAH ANNaEanNH
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09
Ars vibratO

Jazz and rhythm are not
used entirely metaphorically
in speaking Of the pictures.
Several Of them do move and
a lot Of them move OFFICIALLY.
They vibrate.
An example is "The En-
forcer," by Larry Poons. Over
six and a half feet square,
the canvas consists of a reg
ularly varied pattern Of
small blue dots on a red
ground. AS you look. how
eyer, due to the nicely cal
culated color contrasts, a
complete ghost pattern in
pale red dots, identical with
the real one in blue. appears
and disappears alongside the
blue dots.
This kind Of ingenuity is
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09

BITS AND PIECES-Ye-
hudi Menuhin, who has been
playing the violin since 1920.
when he was four years old,
has gotten around TO invent
ing a new chin rest for the
instrument. and holds Patent
No. 3.090.275 on the inven-
ton. The Menuhin chin rest
is mounted In the center Of
the instrument. above the
tailpiece, and Is firmly linked
TO q bolt that runs through
the end OF the instrument
into q heavy block Of wood.
It is said 10 be more comfort
able than the conventional
rest. which is mounted TO
left Of the tailpiece, the
hooked wooden tongue 10
which the violin's strings are
attached. Busy inventor
Menuhin Is also writing q
book on yoga.
The last grand piano used
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-09

AulA REPRESENTATION VI JIle
old pros who have been prac-
ticing the manner for years
and have attained complete
refinement, artists as individ-
ually different as Burgoyne
Diller. Josef Albers, Fritz
Glarner. Ad Reinhardt and
Alexander Liberman. They
share not only the general
manner Of Journalism" but
Just about total personal
command Of their means.
Extending the mann er
somewhat is the large-scale
exuberance Of Ellsworth
Kelly and Jack Youngerman.
PraisewOrthy Art
Very astutely. the show al
lows plenty Of room for dis
agreement both over the basic
concept - Barnett Newman.
for one. took three-quarters
OF a long-distance hour TO re-
fuse TO participate-and over
the presence Of a number Of
artists. Conrad Marca- Relli's
pasted-up canvas looks pretty
shoddy surrounded by all the
trim geometry. Stuart Davis
has more 10 say and always
has than almost anyone else
on board. The Hans Hof-
mann has the air Of having
been run off specially TO quail
lily for such an exhibition.
The Robert Indiana stuff
looks left over from the Pop
Art show. though he wasn't
In that one.
As TO the concept. II Is. at
It's best, extremely limited.
From the perspective OF all
that can be done in art, the
Journalists attempt only q
The Petal paper. [volume] (Petal, Miss.) 1953-19??, 1963-02-07
COMM ERC|AL
Dear Friend ~:

meoshu i'd hst yosrm npbM0 ING da % v n leo yu would
have
we'll sorts Of n " d he
Maxwell distinguished eoy (wr nAeca kbenset
eton mroon od document
gre
t hum dmtPD funny es san iu ri dh
ne nt whom hay Of yos @ writer's: Dh
Of oCohuto;
photography h H eoyoo in amhd
hmah hh h hrge kspdh knew aoyd
OF Ri % np he
of lie M comsE finds hmafo
hmhgm hd Gem
OF
~ weep hJk an
Nhod hh ogMt
ion INSCRIBED toy
HeuHoF
f q udd uoapoueO utep sheet
donmncu
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11
James Cary
To Be Speaker

James Cary. author of ia
pan, Reluctant Ally" will
address the Ke nSington
Branch of the American
Association of University
Women December 19 at 1880
pm. at its annual Christmas
pot luck supper at the Park
Lawn Mansion. His subject
will be Mind Of Asia-How
the ASians Think"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11
New Workers
Plan Dance

The New York State Socie-
ty of Washington will give a
dance Sunday from 4 to 8
pm. in the Burgundy Room
Of the Sheraton Park Hotel.
"Santa's Snowflake Shut
file" is the title of the enter
tainment at which Harry
Schormann's Orchestra will
play for dancing.
With an eye on the wealth
er, the society announced
that the Snowflake Shuttle"
would be cancelled "if Snow
Plan No. 3 (no non-eSsential
driving) is in effect"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

tary who flock to the Sunday
candle-lit buffets 4-D Of
Dutch oven pot roast, paper
thin Williamsburg ham, chatting
dishes of chicken in wine, curry
of lamb Bombay-style all with
Macs magic. Ana Lucille's the
maestro with scenes, brooches,
popovers. Baked Alaska, fairy
like SoutHeS. Better reserve for
the buffets (Harpers Ferry
1851. Private parties, recep-
lions. Daily breakfast. lunch
cons, dinners too, at easy tariff.
Rte. I to Leesburg, Rte. 9 and
follow signs.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11
MARKET
INN


savory the crab Jumps, the
Jumbo shrimp, the lobster
chunks you net your own from
the inns huge tank sduteed In
butter and seasoned Supremely.
And that lobster secret weapon
CMr. Mandis inherited 1t from
the old Hackney's) makes this
beauty whittier, sweeter, bigger
Just as a steer in It's special
feeding pens modified before
the scene shifts to sirloins.
Luncheons lis; dinners SILL.
Easy tariff. Free parking at
End and E SITS. S.W.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

cocted this delectable conjoin-
ing Of cubed, round steak,
delicately Drowned with veal
kidneys, simmering for a pace
with a bit Of chopped onion,
parsley tips, herby seasonings.
Then layering it under the
flakiest of pastry for a turn
in a hot oven. Lobster cardi-
nails another toothsome crea-
ton by open firesides. and the
paneled bar with John, the
mixologist. is a gem of CANA
raderie. Easy tariff luncheons,
dinners 1912 PM. at Simpson
vile, functions % and 32.'
sCloSed Sun,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

burden so bountiful t'would
seem it would sink the Enter
prise what with broiled lobster
tail, stuffed shrimp, golden
fried scallopS, fried clans
UtS-d-Uis gloriously crisp, fried
chicken all by picture windows.
And you can dream over man.
hattans with name brands
mo bar liquor; over Rogue
fort and sour cream dressing
on the greenery. And the
pastry chefs in orbit. A OK
lusciously! Luncheons, dinners
1912 PM. at Riva, 512 miles
South Of Annapolis.
Mon n 1854
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

out. So, too, the New York
Sr. oozing its beefy essences and
still sizzling. So shall we toast
this beefy amity in the coy
confines Of a London club2
And another for the steaming
baked Idaho, the salad bowl?
And there's the tarragon. virgin
oil in cruets for you ritualiSts
OF French dressing. Tariff easy
luncheons, dinners IL AMI
AM. Free dinner parking at
3057 M st. NV.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

y a III z 1 z q
ture tn e
same pedi-
gree. Actually
t r o m I h e
same prize
S te ers. The
New York sir
loin Jr. is
broiled just as
o n e fancies
ruby rare in.
criSOv hrOUn
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

y - . > cNAAlN
round by
open fires in
the century,
old TOWNE
II o USE at
Harpers Fer
~. well what
could be more
jocund? So
say the en-
baSsy person.
mel the mill
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

luncheon o I
tartar steak
has a deli
cious author
ity, there's the
power of COM
m and (to
m ulti vita
nins) in the
finely ground,
chopped sir
loinS in exec
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

utive dress raw egg, freshly
ground pepper, salt, Worcester
shire); and If this raw meat
doesn't give you a sense of
suzerainty better give up and
take to milk toast. Not here.
But they do gladden. with beef
marrow on toast strips with
Cobb dry Gibsons, and the
crispy salad will cap this sense
Of having-it-all-one's-own-wa
Easy tariff luncheons, dinners
till 10 PM. Free parking, Scott
Circle and Rhode Island NV.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

OF r e n c n
families. And
TGnte Marie
W ould say
this is a love
Of a French
kit chen at
LIE GOUR-
NJ E T. S h &
would say,
"ErquiSe!" to
the au err
20 NJ /Jd
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11


Ere . W ay at
NJ A r X E T
INN? Very
tooth so me
this hor-
ug h fare,
cheek to jowl
by Claxton's
W h ere Mr..
MandiS g e t 5
his catch still
fl p p e r.
inn daily And
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11
lMMpsCnS

(they're the brain child Of
Fletcher Hanks of the Eastern
ShoO. or generously arrayed as
entrees in the stunning, candle
lit Old Farm Room. Or may
hap you'll yearn for lobster.
Choose your one-pound Maine
beauty Sundays, broiled with
its we'll Of drawn butter, then
SAVIOR lobster number two at a
fraction of the original tab.
This makes a unique lobster
lode out Bethesda way. Private
parties, free parking 1870 AM.
to 10 PM. Sun, 1910 PM.
1885 Wisconsin Ave. NV.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

heart-shaped paper bag. Very
elegiac on the complete dinner
with appetizer of artichoke
heart stuffed with caviar, con-
somme, a dainty entree Of baked
eggplant with chopped ham,
parmesan. And then POmpony
the PompdnOi So tariff easy
these Creole delights in a New
Orleans aura of 18th century
elegance. Luncheons l1:30-2:30;
dinners $50 $50. And after
theater rum ON elettes with
Flamingo guitarist. Free park
ing at 1913 NJ st. NV
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

Let's be very executive at
EXECUTIVE HOUSE. This
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

very. The tender, plump meat
Sduteed in country butter till
golden brown and sauced so
exotically by the mound of
wild rice pilutf. And very
Lucullan the salad bowl (all
you can eat, hot rolls, butter
tub along with the flattering
hospitality of chilled caviar,
diced onion, bleu cheese on
melba just yours for the asking
with cogent martins. Easy
tariff luncheons, dinners l1:45-
II pm. Sun. Ali. Free dinner
parking. 1924 M st. NV.
So the wind and waves
are on the side of the ablest
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

=
So we know
that. But do
we know the
navy brass's
h q v e n
P A U LIS on
the S o u t h
River, is on
the side OF
the mariners
platter? With
q guStatory
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

con of beef
a n d kidney
pie at King
on Gould's
X / N G S
CON T RIV-
ANCE in see
mic Howard
County. The
Englis h m a n
must've been
1 n S pir e d
-l,A~ - 4@~
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

capon. N OF
Just akin to
chicken but
one Of the
supreme deli
cacies 81 nc e
Lucullus. And
is breast of
capon at the
KNIFE AND
F o r X a
worthy crea-
tiOn Yes
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

We can't pass over 1t
liRhtlv-this unique delight of
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

delicate inner
sue c ulence)
we love you
a I THOMP-
S o NJ S, sea
fooders I o r
almost a CEN
tury. And so
mouthwater-'
ing as an APP
p tizer for
n 1 b b ! 1 n g
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

Jr. and Sr. get along well
here at RED COACH INN. The
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

pdptlOtte, the
fish thet sea-
Soned with
bay leaf,
thyme, but
terry essence
then capped
with clans,
rosy shrimp.
oysters a n d
baked to tn e
taste opti-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

How about that three-waN
(crab, shrimp, lobster Norfolk,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11
Good bread. good redtl
Mon Dieu, let's EAT e..

It's in the bag at RUE
ROYALE. That is the pompdna
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

=. Chesapeake Bay soft-shell
clans drozen, fried over that
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

=. When flowing cups Cthe
hot spiced cider on the house,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

g.. Shades Of Tdnte Marie a
cook book used BY generations
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11


choucroute) layered down in
the iron pot with smoked pork,
salt, pepper, link Sausages,
pheasant wedges; then layered
encore and encore. Then
drenched in champagne, stock,
and simmered for hours. so 7
dlSGctenne" Tante Marie
would say but we wouldn't say
a thing. We'd be busy. Who
needs words In all this Gallo
charm tariff easy2 Contente-
n1ent pdSSe richesse at lunch
cons, dinners till $50 PM.
10l6 18th st. NV
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-12-11

-. Therell always be an
England. We decided that
The Republican., 1963-12-12

Kingdom Hall of JehoVah's Wit
nesses, Donald w. Stull, minister.
Sunday: 800 p. m, Public Bible
Talk; Ais p. m, Watchtower Study.
Tuesday: s p. M, Bible Study, Fri
day; 1880 p. M, Theocratic Ministry
School; $50 p. M, Service Meeting.
CreIIin Methodist, Rev. Henry
A. Lee, pastor Worship, 1st Sun
day, 7:3G p. M: 3rd Sunday, II a.
M; Sunday School every Sunday,
9:45 a. m. Prayer Meeting, We'd
nesdays, 7:30 p. m. Laymen's serv-
ice, End Sunday, 1880 p. m.
CrelIin E. U. 8. Church, Rev.
Charles Teets, pastor Sunday
School, 9;45 a. m; Worship Serv-
icc, IL a. m, 1st ana 3rd Sundays;
7:30 p m, on the End and 4th Sun
days; Youth Fellowship, 7:30 p. m,
tst ard 3rd Sundays. Prayer Serv-
ice, Wednesday, 7:30 p. m.
Cherry Grove Church of the
Brethren, Route DO and Avilton-
New Germany road, Rev. Earl
Harper, pastor. Sunday School, 10
a. m; Worship Service, II a. m.