davidaulloa/AmericanStories huggingface dataset:
Minneapolis spokesman., 1963-11-07

either unenforceable or an INVASION
of individual rights, some 80 states
with 70% Of the nations popula-
ton already forbid such discrim-
ination. And, in general, Negro
leaders are pleased with the effec-
tiveness Of the state laws.
There are some states where
the laws aren't worth the paper
they are printed on, but on the
whole the state statutes are work
ing out very WELL" says Robert L.
Certer, general counsel for the
National Association for the Ad-
vancement Of Colored People.
Were delighted at how closely
most Of the people concerned have
been abiding by them"
More City Ordinances
AS night be expected, state laws
against discrimination in public
accommodations are concentrated
in the North and West. Not a
single Dixie state has adopted such
legislation. But in some states
which have ball1ed at enacting
such laws, cities have adopted
measures. Among them are St.
Louis, FL Paso, Wilmington and
Louisville. Tulsa officials are con-
sidering passage Of an ordinance
against discrimination in public
places soon.
Most states and cities have set
up elaborate enforcement machin-
,ery to back UP their statutes, al
though they usually try to settle
disputes by private negotiation be-
fore taking sterner measures. In
New York, where anti-discrimina-
ton laws are among the most
stringent in the country, the state
Commission for Human Rights
generally seeks to persuade bus
inessman who appears guilty Of
discrimination to mend his ways
before it takes forceful action.
For example, not long ago a
young Negro couple from New
York City decided to take a brief
vacation at a resort motel near
Albany, NY. They made reserva-
tons by phone and drove to the
Minneapolis spokesman., 1963-11-07

Arteriosclerotic heart disease
(heart attack, coronary disease)
causes more than one-third Of all
deaths among men in the 1854
age group, according to the LA.
County Heart Assn.
Minneapolis spokesman., 1963-11-07

I wish to thank the pastor, dea-
cons, members, friends Of Pilgrim
Baptist Church, the brothers and
sisters of the Masonic Bodies,
members and friends Of the Twin
City Social Club for the flowers,
cards and visitations during my
recent Illness.
E. D. Moore, past Master, Per-
feet Ashlar Lodge No. 4, member
of the board of directors and
treasurer of the 3-5-7 Club. Also
president of the Twin City Social
Club.
Minneapolis spokesman., 1963-11-07

apolis, the 20
member Board Of
Trustees elected
James A. Wat
son, Chairman OF
the B oard for
1963-64.
Mr.. watson
vice president In
charge Of Retail
Minneapolis spokesman., 1963-11-07
ofhins New In Civilized Stutes:
Nothing New In Civilized SfofeS
Thirty States Already
Have Laws Against
Public Accommodation Bias
(StOry was set last weekly
BY WILLIAM e. BLUNDELL
Staff Renorter of The Wall Street Journ;


. States and communities increasingly banning dscrim-
naon such places restaurants heae and hotels
generally overlooked in the Congressional battle
the public accommodations section of President Ken
nedy's civil rights bill.
Though opponents of the Administration proposal are
charging provision ban discrimination in public places
Minneapolis spokesman., 1963-11-07
PAYS Tribute To Senator
Humphrey


The New York and Connecticut
corporation executive paid tribute
to Senator Eugene Mccarthy and
gave Senator Hubert H. Hum
phrey tremendous send-off as the
leader Of the civil rights movement
in the nation for many years. His
tribute 10 Humphrey resulted in
long applause.
Write To Federal Legislators
The people Of the nation black
and white were urged to write
letters to the Senators and Con-
gressmen urging support Of the
civil rights legislation now being
considered in Congress.
Robinson described his particip-
alton in THE March on Washing
tom, in which he and his wife
Rachel were accompanied by their
children. The speaker paid touch
ing tribute to his wife whom he
credited with a large part OF his
success in sports, business and
civic affairs.
Given Standing Ovation
AT the close Of his address
Jackie Robinson was given a stand
ing ovation. For about an hour
after the meeting he signed auto.
graphs. Scheduled to leave on a
1880 pm. plane he had to delay
his departure for a later plane at
1880 am.
Mr.. Robinson told members of
the welcoming committee that he
could not stay In Minnesota an
night because hs wife Rachel had
scheduled q luncheon for ham on
Sunday.
Minneapolis spokesman., 1963-11-07
Red Owl Mdn
Elected BY Minn.
RefoiI Eederofion

At the Annual Meeting Of the
Minnesota Retail Federation, Inc,
at the Leamington Hotel, Mime
Minneapolis spokesman., 1963-11-07
Ministerial Assoeiofon,
Elects Fufher l. Johnson
SaePakork.Ypa0e "a "A

SeSTS1STY-ITeuSU USI o.
Father Louis w. johnson, Rec
tor, st. Thomas Episcopal Church,
4400 Fourth Av. S., Minneapolis
was elected secretary-treasurer Of
the Greater Minneapolis Minister
ial Association at the breakfast
meet, held Monday, November In
Dayton's Slxyroom. This office Is
for 1963-1964.
Evening star., 1963-04-28
AsOn's New Gable Root Two Can Garage"
AN MSON EXCLUSIVE

Size: %" deep. IS" high, AZ" wide overoII
Mode Of heavy oouoe-- steel. Prime boxed
enomeI green. Twill toke second coIor).
double bolt lock. Pocked individually KD.
Reg. $24.e5 SALE $l9s9
Evening star., 1963-05-05

Zone for each play from $18
to $5.40.
To be permanently effec-
tive, Mr.. Guthrie feels the
theater must put down roots
in Minnesota and become a
part of the community. He
thinks a link with the uni
versity theater via fellow
ships and other means is
especially important.
A special series Of univer-
sity theater fellowshipS has
been set up by a Minnesota
businessman. Students will
study at the university in the
fall and winter, work as ap-
prentices, understudies and
observers in the Guthrie
Theater in the spring and
summer.
in the basement Of a nearby
Unitarian church.
The all-professional COM
pany of % this first season
will be headed by Hume
Cronyn and JeSsica Tandy,
Rita Gam. and George Griz-
zard.
They will present Ham
let." Moliere's THE Miser."
Chekhov's THE Three Sis
ters," and Miller's Death of
a Salesman" in the season
ending September %.
They will play in a strik-
ingly modern theater, where
the audience will surround
the players on three sides.
and no playgoer will be more
than So feet away from the
center OF the stage.
The theater will open onto
the Walker Art Gallery for
between-acts viewing. 1t was
designed by Ralph Rapson.
award-winning head of the
University Of Minnesota
School of Architecture
The white-fronted theater
overlooks the Minneapolis
business district, at the foot
OF a fine old residential area.
Evening star., 1963-05-05
Buder Gallery

Old Washington hand
PrentisS Taylor is the cur
rent attraction at Bader's
and his exhibition reveals
that he has also been an old
old West hand for some
time, too.
Most of the show is water
colors and drawings and
these media are very apt for
Mr.. Taylor's accurate and
sensitive compositions Of
scenes from towns, plains
md mountains. The feeling
for the sheer. booming bulk
Of the cliffs is a great pleas
ure to experience.
The light in those parts.
too, is perfectly rendered
with the slightest Of means.
The trees in a public park
just fade slowly into white
light and you know yourself
in the presence of dazzling
sun and years of exposure
to it.
A fine show.
Evening star., 1963-05-05
LIZA. Galleries

It's a good thing when a
major show at a major insti-
tuition is echoed in one or
more of the lesser ouMets
around town. The 10Th print
exhibition is accompanied by
several good print shows:
Minna Citron at Howard
University, Benton Spruance
at George Washington, and
five contemporary American
etchers at the I.F.A.
Four Of the five at I.F.A.
are well known. The dark
horse is Ruth Kerk0vius, the
only woman in the group,
who does very delicate, mildly
abstract color etchings.
M0ishe Smith offers a rare
chance for Washingtonians
familiar with his work one or
two at a time to see a bunch
together. They hold up. With
a wandering line he captures
the vertical landscape Of
Italy in the mountains and
controls the depth of the
etch beautifully to follow
the deepening shadows of
olive groves.
Harold Altman is present
with his park conversation
alists materializing like spi-
rits out of the ectoplasm of
his etched lines of shadows
within shadows. Rudy POZ-
zatti is represented by i'm
pressions Of several Of his
finest prints Of several years
ago, the medieval musician
pictures, as well as more re-
cent work which begins, very
effectively, to manipulate
the highs and lows Of sur
face possible to intaglio
printing.
The last Of the five is
Leonard BaSkin, with a large
collection of portraits of
artists. famous and little
known, Of the past. The
series is also a fascinating
kind of essay in art criti-
cism. The artists selected
from the past are clearly
those with whom Leonard
Baskin feels some kind of
affinity. AS soon as you see
the faces of, for example,
Hercules Seghers or Goya,
Evening star., 1963-05-05

Music Americana. Songs by
the Travellers. Ed McCurdy,
Theodore Bikel and Geula
Gill; Bud Dashiell and the
Kinsmen.
$500. WMAL-Broadway Mel
odies. Little Mary Sun
shine" with William Gra-
ham and Elmarie Wendell.
10000, WAMU-FM 1885 Mc.l--
Story Behind the Theater.
"The Set and Costume De-
signers," Guests include Viii
Steven Armstrong, set de-
signer for Carnival"
l1:15. WTOP-city Side. An
interview with Or. Dale
Cameron, superintendent Of
ST. EliSabeths Hospital, aud
DR., Joel Elkes, head OF ST.
Elizabeths Research Staff
at the Institute OF Mental
Health.
1900, WMAL-Issues and An
swers. Undersecretary OF
State w. Averill Hartman is
guest.
Evening star., 1963-05-05
TODAY'S RADIO
HIGHLIGHTS

7:O5, WTOP-Church OF the
Air. The Very Rev. George
Alexander. dean OF the
school OF theology at the
University OF the South In
Sewanee, Tenn, is guest
speaker.
9:15. WRC-Art OF Living. DR.
Harold A. Bosley's topic Is
Faith Comes Hard"
9;I5. WMAL-Over the Gar
den Gate. Or. Betty Bloom
offers tips on early spring
garden and landscape care.
2:25, WT0P-Baseball Double
header. Washington SEN
ators VS.. the Chicago White
Sox.
$500, WQMR - Special. 2
Hours. A salute to Radio
Month. with songs and
themes from the shows of
Bob Hope, Kate Smith, Kay
Keyser, Amos n Andy. DR.
Christian, etc.
$3.50, WRC-Meet the Press
Stanley Schrotel, president
Of the international Associa /.
ton OF Chiefs OF Police, Is
guest.
$500, WAVA-FM tlO5.l sIc)-
Evening star., 1963-05-05
GUTHRIE
Continued From Page CT

SVs0~N AAVAh @BS VI
In its front yard is a vast
park and playground area.
The theater and land will
technically remain the prop
erty of the Walker Founda-
tion, which leases 1t to the
Guthrie Foundation. This
foundation, under Mr.. Cowles
as president, raised the
money. The foundation, in
turn, rents to Guthrie's play
ing company, the Minnesota
Theater Company Founda-
tion. In off seasons, the
theater will be used for con-
certs, lectures and the like.
The playing company is
aided by a $337,000 Ford
Foundation grant. The an
nual operating budget is set
at slightly under 100000.
Advance ticket sales hit
10000 long before the OPEN
ing. Mr.. Rea said this was
far above his expectations,
and that he was certain it
was a record for any such
theater project anywhere.
Single tickets range from
IS to $1.50, the season tickets
Evening star., 1963-05-05
ART AND ARTISTS
SIoon Solo at Smithsonian
Very Rewording Exhibition

is great individuality among
printmen and in an exhibi-
ton like this there is variety
extending from total abstrac-
ton to conventional repre-
sentation. In "The News" by
Jack Bookbinder - o Phila-
delphian. appropriately -
conventional representation
can even take on q touch
of emotionalism long BAN
ished from painting. A figure.
apparently having received
bad tidings, presents its back
to the viewer and clutches,
above its head, q velvety
drape.
Again, Michael MaZur's
CLOSED Ward" In etching
and aquatint. straightfor-
wardly presents pathos in the
bulky forms Of the patients
sitting about in the gloom Of
empty time.
Andrew Rush's Jean" is a
beautifully done and thor
oughly conventional engrav-
ing and etching. The girls
expression rather reminds
you of Hogarth's shrimp girl
and there aren't many things
nicer to be reminded Of.
Traditional Touch
This practice in printmak-
ing of keeping in touch with
tradition is followed by the
leaders, too. Possibly no one
in this country knows more
about experimental prints
than Gabor Peterdi Of Yale.
No one has more success
fully combined old methods
with new for startling, often
brilliant effects. Yet the Pc
tardi in the show is an elo-
quent etching and engraving,
Resurrection" In which the
horizontal bones of man sink
into ground from which
emerges the vertical vegeta-
ton.
A man almost solely known
for his mastery Of a newly
invented form, the paper re-
lief, Edmond Casarella here
reverts, very powerfully, to
black and white woodcut.
Lyric Mountain" deals with
the artists familiar territory,
nature transmitted into art,
but now it is cut line and
lovely.
This fruitful union OF old
and new works the other way
around, too. Adolph Dehn is
an artist established some
decades back as q leading
American photographer on
the basis of his masterful use
of conventional linear OBJ
Servation Of the passing
scene. Here his color litho-
graph. Sacred Ride" is a
mysterious and compelling
image made Of means and
meaning altogether different.
Washington Printmakers
The only Washington
printmakerS represented are
Jack Perlmutter and Sheila
Isham, both with typical and
firSt-rate examples.
When you go to the show,
be sure and pick up q cata-
logue; it's a valuable refer
ence book to sound work in
a thoroughly sound field and
has prices and addresses of
all the artists.
SUNDAY" The Star Mag
azine, today reproduces a
Evening star., 1963-05-05

An exhibition and sale OF
works by Washington artists
for the benefit Of the Seton
Guild OF st. AIMS Infant
and Maternity Home will be
held at the Guilds annual
garden party on Saturday
from / TO 9 pm. at the
French Embassy.
The Henri Gallery is show
ing new paintings by Noboru
Yamashita under the title,
"A Study In Trepidation."
Evening star., 1963-05-05
Library of Congress

The 18th National Exhibi-
ton of Prints at the Library
of Congress is a beauty. Hap
PLY, it will be there until
September l, and you are
urged to take 1t in. The front
steps of the cleaned-up
building are now working
again and there isn't an
ascent in town more up
lifting.
The print Renaissance
continues strong and 1t is
interesting to speculate on
why this should be when our
painting is frozen in pop
cycles. Speculation itself is
probably part of the answer.
Nobody can really make
money on contemporary
prints except the printmaker
and he has to work hard to
make a modest living. From
the consumers point Of view,
nobody can accumulate sta
tus points by collecting
prints: they don't cost
enough and there are too
many of them. Hence. Ameri-
can printmaking has been
protected, this decade and a
half, from the fashion. fl
nance and folly that have
savaged American painting.
Positive Examples
That's negative. The posi-
tive reasons behind the some
time breathtaking excellence
of our prints are fully on
view in the 96 examples at
the library.
One is the sheer variety.
The absence of fashion, fl
nance and folly has meant
the absence of any bell
wether for any would-be
sheep to follow. Hence there
Evening star., 1963-05-05

and form reflected once In a
nearby mirror, once in the
polished wood Of the piano.
This is a fine piece Of art
history: Venus with a mirror
and all that. But all that be-
comes irrelevant; the pictue
is immensely attractive be-
cause Of the zany charm Of
a lively babe tickling the
ivories without any clothes
on.
Sloan at his absolute best,
utterly true to himself, is
also present In the paintings,
notably in q chill, dark, yet
pulsing view of Washington
Square on q wet night and
in the interior of Grand Gen.
trail Station before the pro-
prietors began selling their
gorgeous space to advertisers.
Etchings and Drawings
But 1t is in the etchings
and drawings that this true
Sloan is best represented in
the show. There are 81 draw
ings and 36 etchings and they
cover the whole career. Only
once or twice a false note
comes through here, espe-
cially in early Illustrations
attempting to adopt the
fashionable Japanese man
ner. The essence of Sloan, Of
course, was anti-fashion, and
these austere dispositions of
black-and-white planes strike
the eye with the impact of,
say, Theodore Dresser writ
ing triolets.
Generally, though, the
graphics give us John Sloan's
New York and it's quite a
place. Before Zechendorf and
Urls on the one hand and
public housing on the other,
Manhattan used to have
room for moderately poor
people and Sloan knew a lot
of them. In summer, part of
their lives were lived on the
roofs and Sloan was there.
They hung out in the back
room at McSorley's and so
did he. Everywhere in the
graphicS section of the show,
we see the swirl of life in
the big town caught in a few
lines. 1t was here and it was
all his life that Sloan "held
the form" Of the subject he
loved.
Evening star., 1963-05-05

you also begin to see the
connection with the work
of this major American
artist.
All told, there are 200
prints, mostly etchings, In
the liza. show and they are
very much worth all the
time you can spend with
them,
Evening star., 1963-05-05
PERMANENT COLLECTIONS

C0RCORAN GALLERY OF ART, Seven
teenth street and New York avenue
NV. Daily, 10 Am. to .4:30 pm:
Saturday, am. to $3.50 pm;
Sunday and holidays, 2 TO pm.
Closed Monday.
DUMBARTON OAKS RESEARCH IL
BRARY AND COLLECTION, 1900
Thirty-second street NV. Closed
indefinitely.
FREER GALLERY OF ART, Twelfth
street and Jefferson drive S.W
Daily, Q Am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ART, Constitution avenue at Tenth
street NV. Daily. Q am. to 4:30
pm.
NATIONAL GALLERY OF ART, Con-
stitution avenue at Sixth street NV
Daily 10 Am. to pm; Sunday.
2 pm. to 10 pm.
PAN AMERICAN UNION, Seventeenth
street and Constitution avenue NV.
Daily 10 am. to pm: Sunday,
TO pm.
PHILLIPS COLLECTION, 1912 Twenty
first street NV Daily, IL am,
to Q pm; Monday, 2 to 2 pm.
WASHINGTON GALLERY OF MODERN
ART, 1903 Twenty-tirst street NV
Tuesday through Saturday, IL am,
70 8 p.m.:. Sunday, 2 to 3 pm.
Evening star., 1963-05-05
welcomes you to
HNAane new week Of
top entertainment
" uHDU Radio 1860
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Evening star., 1963-05-05
FIN Stations
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WsTsFM-sis Ms.-hJ0 10 10 p.m. MSn.
Eh., $50 10 Ap.m., sunssy, sts isp.n.
Evening star., 1963-05-05
LATEST " INFORMATION

Televson programs for the week are listed in TV
Magazine with Sundays Star Following is supplementary
information todays programs received after TV Maya
zine went to press
1030 WMAL C)-Howard K Smith Foreigners
View America" report on the impressions Americans
make the rest Of the world Guests include USIA Drec
tor Edward Murrow and foreign correspondents from
London England France Russia and India.
Evening star., 1963-05-05
Ry FRANK GETLEIN
Art Critic Of The Star

N ~ANeS W AAS osNA
The John Sloan exhibition
that opened yesterday at the
Smithsonian is not the ideal
Sloan retrospective. Too
many of his best known
paintings are missing, fast
takes Of American moments
that, largely through him,
have become eternal: McSor-
ley's Saloon, the ferry
ploughing through New York
harbor, the wind in WASH
ington Square. Nevertheless
1t Is a very rewarding show.
A lot Of the American mo-
ments missing in the paint
ing section are present in the
prints and drawings. And the
sheer size Of the enterprise
gives a good, lifelong look
at an extremely important
American artist.
The paintings do reveal an
other aspect of Sloan, namely
his attraction to the Ameri-
can Southwest. There are
competent, colorful views of
the land out there, so differ
ent from Sloan's New York.
Yet landscape failed to touch
the essential Sloan. The
Southwest pictures come to
life only with people.
Tent Show
There's q Santa Fe tent
show interior that is suddenly
real amid the tourist sunsets
and deserts. The three or four
fourth-rate performers, not
even very carefully painted,
pulse with the life of their
moment. So does the audi
ence.
Evening, Santa Fe," does
the same thing, not because
Sloan succeeded in capturing
the weight Of the Western
night over the endless land.
He didn't really give a hoot
about such things. But under
that night he saw a trio of
Mexican girls, whispering in
the foreground, played off
against a trio of youths,
poised and nervous, almost
ready to make a bid. The life
of the place was what
counted.
Red-Lined Nudes
There are a number of the
famous. late-period nudes in
the show and they suffer
from the same problem. Dur
ing the growth of modern
art throughout the American
goth century, Sloan, one can
guess, against his better
judgement was sold a bill Of
goods to the effect that a
real artist was interested in
art, not life. Since Sloan, in
his art, had always been in
terested in life, he was clearly
deficient as an artist. To
make amends, In his last
years, he began making like
a true artist. He hired a
model and began to paint
the nude, that classical ar
tiStic subject. He even in
vented a gimmick, contour
lines in red, which he claimed
held the form Of the subject.
The difficulty is that Sloan
didn't really care about the
nude. In the sense the aes-
thetes were talking about,
Sloan didn't give a hoot
about art. but he allowed
himself to be brainwashed
and the results are not
happy.
Even so, a couple of the
nudes come to life. One is
sprawled on a bed and look
ing out a window. The paint
ing lives not because of the
form held by the red lines,
but because Of the girl as a
city person somehow express
ing in her body and the
thrust toward the window a
small truth of city life.
Tantalizing the Keys
Again, piano Trio" may be
imagined as Sloan's notion
of a tricky bit of artistic
achievement: a nude girl is
playing an upright. her face
Evening star., 1963-05-05
ART NOTES

Opening today at Art Gal
leries, Ltd. Of Georgetown
is an exhibition OF paintings
by Stan Sobossek.