davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-08-28

arranged for simultaneous pub
LEGATION of the article in Prot
estant and Catholic magazines
ito bring out rather wildly
the common interest we all
have in working out the solu-
ton to this problem. I
thought 1t was high time for
us to show our fellow citizens
of other faiths that we share
their concern over the popula-
ton explosion"
He said he had sought the
approval Of other Catholic
theologians Ito show that top
notch theologians are more
aware than some Of our own
people realize that the popula-
ton problem cannot be solved
by generalities, by improving
food production or shifting
populations around"
He said the views he quoted
in the articles represent a
consensus" Of informed Cath
Ollie opinion on the issue.
There is apt to be q time
lag" in the popular under
standing such a question, he
said. What I am attempting
is substantially what Pope
John XIII meant by his call
for 'updating' the doctrine of
the Church.
Asked if some Catholic lead
ers held a contrary view on
the population question, Father
O'Brien said: II see nothing
you would characterize as
strong or stubborn opposition.
There is a holdover attitude
from the previous generation
or age that has persisted sim
ply because it has not been
challenged"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-08-28
TheoIogion Sees Accord
On Population Issue
BY DAVID s. BRODER
Star staff Writer

leading Catholic theologan has found unique way of
pucng his belief that there is "a large of agreement
Catholics ProestantS and Jews population policy
The Rev. John Orien research professor of theology
at Noe Dame University has published identical articles
in the current issues of The Christian
Evening star., 1963-04-28

American Union; S1.50), a
revised and enlarged edition
of a much-sought-after work
by DIR. Gilbert Chase of Tu-
lane University. This ALL
page paperback, a rare bar
gain at the price, is an excel
lent means Of getting to know
what's what and who's who
in Latin American music. 1t
is written in the form of
an annotated photography
tnearly 1000 titles are listed,
and Introductory comments
on each country's musical
history are provided as well.
The first edition, published
in l945 by the Music Division
of the Library Of Congress,
was so successful that it went
out Of print almost immedi-
ately. The same thing could
well happen to the Pan
American Unions new edi-
ton. so If you want a copy,
don't delay.
Evening star., 1963-04-28

acting units, thus assuring a
varied series of offerings.
A drive was launched to
raise 81 million for the the
ater; the first $4,000 was
collected; and. then - note
well, you Culture Center crit
ics-a raging dispute broke
out over the site Of the pro-
posed theater.
AS a result, though Off
continues even now to do a
thriving business as impress
sario and patron OF Capitol
productions. its the a ter
building fund remains exact
ly $4,000.
By Any Other Name
The next major initiative
was launched in 1860, with a
$4,000 grant from the Ottawa
City Council. The politicians
decided perhaps a new group,
more diverse in its sources of
support and backed by a
small city subsidy, might get
the ball rolling again.
It was given the perfectly
magnificent title Of the Citi-
zens Committee for the De-
velopment Of a National
Center for the Performing
Arts in Ottawa. (CCFTDOA-
NCFTPAIO. or CCDNCPAO.
for short.)
This was such a broadly
representative group and so
sensitive to the nuances Of
community feeling that Of
tawa cultural veterans agree
its discussions were by far
the most philosophical. evoc-
ative and nonproductive OF
any In the history OF the
movement. At the end Of two
years. the CCDNCPAO had
produced a thick volume OF
minutes and m ian a ged 10
spend only Sl2.b0 of its S5.-
900 city grant.
The politicians, sens ing
that other beneficiaries might
do more TO keep the money
in circulation. withdrew their
support.
Meantime, other elements
in Ottawa's artistic realm
were growing restive. The
visual arts people formed an
Art Council TO lobby for an
Art Center and eng age d
themselves In vigorous de-
bates as TO the proper space
TO be allocated pain I ers.
sculptors. weavers. potters,
etc.
The Board Of Trade decid-
ed there should be q 5000
seat convention hall. The
music lovers set UP q cry for
a 2,500-seat symphony hall.
Just when chaos sc e m e d
about TO engu,f the whole eff
fort. in 1861. the Canadian
federal government entered
the picture, armed with q
Evening star., 1963-04-28
Light Opera

Franz Lehar's Merry
Widow ranks as about every
body's favorite In the cock
tail music field. Columbia
now has a one-record syn
thesis in English which in
cludeS all the good tunes.
The leads are sung by Lisa
Della Casa and John Rear
don, with good support from
Laurel Hurleyn Charles K. L.
Davis, Paul FRANKIE, Howard
Kahl and Paul Richards.
Heart-lifting stuff.
Then Angel has a new set
OF Johann Strauss Die Fled
ermaus. This is the same fine
performance originally issued
as a gala performance" with
special numbers by guest ar
lists. Without these frills, the
package is cut to two records.
and still has the good cast
Of Hide Gueden, Erika
Koeth. Regina Resnik, Walde-
Evening star., 1963-04-28

Ster Presbyterian Church,
Alaska avenue and Kalmia
road, NV. Performers in
clude the Northminster
choirs, the Montgomery Jun
ior College Chorus, strings,
tympani. and organ A
speech delivered by General
Douglas Macarthur at West
Point in May, 1862. has been
set to music, and will be per-
formed by the u. S. Army
Band and Chorus, 1t. Col.
Hugh Curry conducting, to-
morrow at Constitution Hall,
during the 51st Annual Meet
ing of the U. S. Chamber of
Commerce. Joel Ryce's
Phillips recital, scheduled for
tomorrow night, has been
cancelled due to the pianist's
illness.
The College Of Church
Musicians at Washington
Cathedral will have a semi
mar tomorrow and Tuesday
directed by composer-organ-
ist DIR. David Mckay Will
liams. His lectures: Hymning
and Chanting; The Great
Organ; Repertoire; and The
Role Of the Artist in Reli-
gion. In honor of his pres
ence in our midst, the Cathc-
dral Choir will sing several
of his compositions at Even
song this afternoon.
Basil RathbOne and Sgd
ney Beck's Consort Players,
who made a big hit at the
Library Of Congress not too
long ago with a program of
Elizabethan music and poet
ry, will entertain at the
White House on Tuesday,
following the state dinner for
Grand Duchess Charlotte of
Luxembourg =. Jacob Wish
now, who has played French
horn in the National Sym
phOny since 1882, is the first
musician to retire on the
orchestra'S newly-established
pension plan Morton
Gould and the orchestra
are donating their services
at the Sheraton-Park Hotel
Thursday at $3.50 pm, the
Evening star., 1963-04-28

so much so that one can al
most see their ghosts hover
ing over his shoulder as he
writes.
Led by the mercurial first
violin Of Norbert Brainin, the
Amadeus players combine
every attribute of the perfect
ensemble with their singing
tone, lucidity, flexibility and
warmth Of expression. They
seem to think as a single
man in producing the rapport
that comes only with long
association.
Given all these qualities, it
remains that the recorded
sound also is near-perfect,
an unparalleled experience
on stereo. Whether you have
these quartets or not, the in
vestment in the Amadeus set
will never be regretted.
Evening star., 1963-04-28
Spanish Guitar

Along comes another gui-
tarist with playing SO re-
fined one thinks of Scgovia.
In fact, though a Vcnezue-
Ian, he was a priced pupil
of Segovia. Alirio Diaz plays
a concert Of Albeniz, Grana-
dos, Turina, Falla d.others,
including one number by Sc
govia himself. The Vanguard
record will please the large
guitar following.
Evening star., 1963-04-28

merce Department Auditorium. s:1t
pm. Music For Young America Con.
cert. Overture to The Magic Flute
Mozart: Prelude TO LohenRrin, Wag.
ner; Excerpts from Rodeo, COPELAND
Dialogue OF Wind and Sea. from La
Mer. Debussy: Scherzo from Sym
phony No. . in D Minor. Dvorak
Two Roumanian Dances. Bartok
Scherzo and Finale, from Symphony
No. In c Minor, Beethoven.
UNIVERSITY GLEI
CLUB, Paul Hume, conductor. Tivol
Opera Singers (YvOnne Easter, so
prano: Edna Mae GeorEe, mezZo'
soprano; Jerry Jennings, tenOri LEI
lie Quinn, baritone; Ronald Tymus
pianol. Holy Trinity Theatre
GEORGETOWN. The Invocation, De
busy.
OF MARYLAND CON.
CERT BAND. Hubert Henderson ant
Acton OstlinE, conductors. Soloists
Ann Diserens, flute; Emerson Head
trumpet. Richie Coliseum. pm
Canzona, Mennin; Intermezzo from
Vanessa, Barber; Concertino, Cha.
minade; Suite Of Old American
Dances, Bennett; Passion In Paint
Rene; Concerto for Trumpet. Hum.
mel; symphony No 3 for Band
Giannini
Evening star., 1963-04-28
Flamenco Guitar

One guitar. played by one
Pepe Remero. elicits enough
excitement for an entire Or
chestra in this program of
flamenco music. Romero has
a fine command of every
rhythm and mood and, to
this listerner, the absence OF
heel = clicking usually as
sociated with the music is a
happy oversight.
Evening star., 1963-04-28
By DAVID S. BRODER
Star Staff Writer

If Roger L. Stevens and
the other fund-raisers for
the National Cultural Center
are feeling discouraged, let
them listen to the tale of woe
Of the good citizens Of OF
tawa.
Six years they've been
struggling to obtain q prop
er shelter for the lively arts
in Canada's capital. and they
don't even have a prelimi-
nary design to show.
It's not all gloom, happily.
New leaders have taken over
the effort this year and
there's hope-yes, real hope
that culture may be domi-
ciled by Canada's centennial
year of 1867. If that hap
pens. the long-suffering Ca
nadians may well beat us
Yanks in this international
sport Of Muse-ical chairs.
Long Struggle
The story. as cleaned by
this reporter on a recent Wis
1t to Ottawa, takes careful
reading, but anyone who can
rattle off the names of the
United States postwar aid
agencies will have no diff
Guilty keeping up with the Sc
quence Of committees that
have struggled to make Can
ada's capital cultural.
To begin, then. Long. long
ago Ottawa had two fine
theaters, the Russell and the
Calvin. The first was de-
stroyed by fire and the Sec
ond by the depression, leav-
ing the last generation OF
visiting plays with no hall
In Ottawa except - get the
parallel-a grandiose movie
palace called the Capitol.
After World War II, the
lack OF a properly equipped
center was accented by the
formation OF a local dramatic
troupe called the Canadian
Repertory Theater, which
gave weekly productions In
the auditorium OF LaSalle
Academy. Three years OF sub
jecting the same audiences
10 the same actors in the
same wretched surroundings
killed that venture. but 1t left
Ottawans with an unsatisfied
hunger for real theater."
To meet both needs. there
was established in 1857 an
organization called the Of
tawa Theater Foundation.
whose membership ultimately
swelled 10 about 1000. The
OTIS program was TO build
q 750-seat theater. serve as
impressario for visiting
troupes that wished TO play
there and use its profits 70
sponsor and subsidize local
Evening star., 1963-04-28

pops concert being q bene-
fit for the pension fund.
Final playoffs for the Fri
day Morning Music Club
Foundations national audi
tions for pianists take place
at Corcoran Gallery Auditor
ium Friday morning and
afternoon, before national
judges Victor Babin, Leon
Fleisher, and Vitya VrOnski.
Senator Jacob X. Javits will
present the Awards and Cita-
tionS.
DIR. Lloyd Titan, chairman
Of the music department of
A m erican University, will
speak on the Children's Lee
ture-Recital Series at / pm.
Saturday in Prentice Studio
on the A. U. campus. His
title: A Composer and His
Music.
Among four persons and
two broadcasting organiza-
tions cited by the National
Federation Of Music Clubs
for cultural contributions
was Mrs. Marjorie Merri-
weather Post May, whose
Music For Young Americans
concerts are now regaling
hundreds of young visitors
to Washington, and whose
Merriweather Post Contest
will be a valuable assist to
some young musician before
the series concludes.
= = 4
WORDS ON MUSIC-You
can do yourself a favor by
buying a copy Of the Just
released Guide to the Music
of Latin America Pan
Evening star., 1963-04-28

de Musica Sas-Rosay, Lima),
and Carlos Vega Institute
Of Musicology. Universidad
de Buenos AireS).
AS well as DR.. Chase,
Americans will include Irv-
ing LowenS Music Division.
Library Of Congress), Albert
T. Luper Department Of
Music, State University Of
Iowa., Charles Seeger qn-
Stitute Of Ethnomusicology,
UCLA), Carleton Sprague
Smith Department Of His
tory, New York University,
and Robert Stevenson (De-
partment Of Music, UCLA).
While the working sessions
will not be open to the gen.
eral public. the published
proceedings should make in
teresting land perhaps i'm
portant) reading.
Noted Scholars
The conference will pro-
vide some of the most noted
figures in Latin American
musical scholarship with an
opportunity to discuss in
depth with their colleagues
In this country musicological
problems Of inter-American
consequence. Plans for a
second similar meeting Of
minds, to take place in 1865,
will be formulated.
The week is thus marked
by at least a small step in
the right direction. Perhaps
the musicologists can help to
repair. in some measure, the
damage done our country's
reputation among Latin
American musicians by the
sad pre-history of the Third
Inter-American Music Festi-
val.
NEWS FROM HERE-The
National Gallery's goth an
nual American Music Festi-
val begins tonight at 8 pm.
in the east garden court, and
continues on succeeding Sum-
day evenings through June 2.
Among the premieres prom
ised are Joseph Otis Seven
Variations" and a Joint ef-
fort by members of the
Washington Composers Club
in variations on the Ameri-
can folk song, THE Girl of
the Wilds." Richard Bales
will conduct the National
Gallery Orchestra in the last
two concerts, and the series
includes concerts by the
American Arts Trio, the AIard
String Quartet, Helen Boat
wright, soprano, and the Ma
tiOnal Capital WOOdwind
Quintet, with pianist Emer-
son Meyers.
Robert Wards cantata,
Earth Shall Be Fair" re-
ceives its first Washington
performance today at 5 pm.
under the direction of Dom
aid L. Miller, at NOrthmin-
Evening star., 1963-04-28
Music

MORE MARCH FAVOR
ITIES: Another of Mercury's
Curtain Up! series. The Min
neapolis, Detroit and East
man Rochester orchestras
play Berlioz' Trojan March,
Saint-Saens' Marche Heroi-
que, Mendelssohn's Wedding
March, Walton's Crown I'm
perial, Strauss Egyptian
March, and San Miguel's
Golden Ear.
DIAMONDS BY THE
DOZEN: A pleasant assort-
ment Of popular favorites
played by some of the worlds
finest pops orchestras and
dance bands. Good for the
lighter moments. (RCA Vic
tOr)
Evening star., 1963-04-28
FRIDAY

NATIONAL SYMPHONY ORCHESTRA.
Lloyd Geisler, conductor. Lackey
High School, Indian Head. Nd,
lO:lb and 1880 an. Overture
snd Finale. from Water Music
sRDS' sscePDts from Oi II Ths sSteaScsei sssssaSSsei
Suite. Tchaikovsky; Hoe Down from
Rodeo. COPELAND; General Dance.
from Daphnis q Chloe. Ravel.
THE CONCERT CHOIR, Don HAlnes
GuidOtti.. director. James Madison
od osh ct SiaSS a$S oTf Sfnns 5aDst: E 5.o DS ior
Voices. GABRIEL: Last Words Of
David. Thompson: Let All Mortal
Flesh Keep Silence, Hoist: J. Love
Ny Love. Hoist; Vale Of Tuoni,
Tomp sSsS' YOUR s Ne Sodt do sp5s g Ps GsTt9 MsS
gsls Also: Prelude and FuSue in
c, Bach; Sonata in E-Flat. OPUS
"a, No. J., Beethoven. played by
Robert shafsr, plane; Folk Songs
NATIONAL SYMPHONY ORCHESTRA.
Plaza PSssrf alrs Sssas school, fGnfsisGE Ia Pss. Md
$50 pm. overture TO Egmont,
Beethoven; Prelude TO Acts / and
III. Lohengrin, Wagner; Excerpts
from The Faithful Shepherd Suite.
Handel,Beeeham: suite from swan
Finale, from Firebird, Stravinsky:
Adagio for Strings. Barber; Suite
from Der Rosenkavalier. Strauss.
AROUND TE WORLD IN SONG AND
DANCE, folk festival Of all nations
sponsored By the d. C. Recreation
Department. Roosevelt Auditorium.
Thirteenth and Upshur streets NV,
sl5 pm.
FRIDAY MORNING MUSIC CLUB IN
sTRUMENTAL ENSEMBLE, GeorGe
steiner, conductor. Old st. Johns
Church, oeorgetown. Program not
WAsHINGTON-LEE HIGH SCHOOL
SYMPHONY ORCHESTRA, Dorothy
Baumle, conductor. Soloists: Pam
ella WiEent, violin. washington Lee
High School Auditorium, 1900 North
Quincy, Arlington. $3.50 pm over
ture 70 Theodore. Handel; overture
10 oberon. Weber; Symphonic Es-
paRnois, op. FL, Lalo; Adasio Pa
thstioue. GODDARD; Interludes, Jacob;
Prelude TO Act J. La Traviata'
Verdi Symphony No. 2. op 80,
Hanson.
Evening star., 1963-04-28

to look as II the whole idea
will go down the drain by
default.
Ambassador Duke has felt,
not without some justice.
that his official position made
it embarrassing for him to do
any personal solicitation Of
funds. and last week he de-
clared that his position as
chairman Of the Festivals
distinguished committee of
sponsors (the President and
Mrs. Kennedy are honorary
chairmen) was available-if
a qualified individual wanted
it.
Il have expressed my opin-
ion to members of the COM
mittee," he said, that the
leadership should be reor-
ganized under another chair
man not connected with the
Government who would be in
a position to devote time and
energy to a vigorous fund
raising drive. I have recon-
mended that the festival
should not only become a
reality this year or next, but
that 1t also should be insti-
tutionalized so that similar
events can be planned on a
long-term basis"
But there are no eager,
qualified candidates, and the
1nter-American Music Festi-
val continues to drift towards
permanent oblivion.
MusicOlOgiSts Meet
Meanwhile, another inter-
national musical event, orig
inally scheduled to coincide
with the festival, will 60 on
as planned.
Beginning tomorrow the
Library Of Congress plays
host to the First Inter-
American Conference on
Musicology, which brings an
eminent group of scholars
from South America here for
four days. The conference
was arranged by Tulane Uni
versity'S Inter-American In
stitute for Musical Research,
headed by Professor Gilbert
Chase, outstanding historian
OF music in the Americas.
Among the participants
from abroad are Lauro Aye
staran Department of Musi-
cology, Museo Historico Ma
cional del Uruguay, Luiz
Heitor Correa de Azevedo
Department of Cultural At
fairs, UNESCO, Paris, Fran
cisco Curt Lange Inter
American Institute of Musi-
cology, Montevideo), Vicente
T. Mendoza Institute of
Research in EstheticS, Uni
versidad Nacional de Mexi-
COZ, Eugenio Pereira Salas
Center of Research in
American History, Universi-
dad de Chile, Juan Bautista
Plaza (Escuela de Musica
Juan Manuel Olivares, Cara
cas), Andres Sas academia
Evening star., 1963-04-28
La Trovioto

Deutsche Grammophon has
jumped into the La Traviata
sweepstakes with a 3-record
album Of the Verdi favorite.
The result is a good, if not
Superlative, production using
the forces of Milan's La
Scala. conducted by Antonino
Votto. Competent but rather
four-Square, it has as its
Violetta soprano Renata
Scotto, with Gianni Raimondi
the light-voiced Alfredo and
Ettore Bastianini a better
than-average elder Germont.
The engineering is good
throughout.
Evening star., 1963-04-28
TOMORROW

MARTHA soUTHARD. soprano; Jean
shaw, cello; Or. Emma Lou Diemer,
orRanist-composer Christ Church,
3lst and o streets NV, r pm.
Prelude, Corelli Menuets I and Q,
Bach: Ave Maria, oounod; Arioso.
Bach; Motet, ENsultate, Jubilate, X.
lB5, Mozart; Voluntary, Praise 70
the Lord. Diemer; Chorale Prelude,
Awake for the night Is flying, Bach
FuRue, BuNtehude: Fantasy on Crown
Him With Many Crowns. Diemer.
SYMPHONY ORCHESTRA.
Howard Mitchell, conductor Com
merce Department Auditorium, stb
pm. Music For Young America Com
cert, Roman Carnival Overture.
Berlioz; Allegretto 0raEioso, from
symphony No. 4 IN ID Minor. Dvorak.
Excerpts from Act III. Lohengrin.
Wagneri The sorcerer's Apprentice.
Dukas; Andante con moto, from
symphony No, In G Minor, Beeth-
oven Excerpts from Billy the Kid,
COPELAND; WaltKes from Der Rosen-
kavalier, Strauss
AGRICULTURE SYMPHONY ORCHEs.
IRA, Capt. Gilbert Mitchell, con-
duetor. Boloist. Martin Piecueh, sax
ophone. Jefferson Auditorium, De-
partment OF Agriculture, $50 pm
Sonata plan forte, Gabrielle Com
certant Symphony No \, Huffman:
Rhapsody for SaMophone and or.
chestra, DebuAsyg Prelude to Die
MeisteTainQef, Wagner
Evening star., 1963-04-28
Ottawa Has Cultural Problems, Too

500 million fund to finance
projects that would contrib
ute to Canada's centennial
celebration in 1867.
APrOpOsaI
With the sort Of quiet au-
thority that really big money
commands in the cultural
field. the Interdepartmental
Committee for Centennial
Planning suggested to the
squabbling Ottawans that t
they pull themselves together
and come UP with q proposal.
The pulling together has
not been easy. but now it
seems fairly safe to say 1t
has been done. The catalysts
were G.. Hamilton Southam,
a member Of one Of Ottawa's
leading families, and G. Will
liam Boss, the director Of
public relations for the Uni
versity Of Ottawa, Mr.. South
am returned TO his home
city from q stint as Cana
dian Ambassador to Poland
just as Mr.. Boss was taking
over leadership Of the embat-
tied Citizens Committee.
At a series Of three pub
lie meetings last fall, 1t was
decided to make a fresh
start with a new-and hope
fully final - organization
called the National Capital
Arts Alliance, with Mr..
Southam at the reins.
The alliance is now In the
final stages Of assembling a
$4,000 fund, with which 1t
expects to hire an expert
consultant firm Zone Of three
United States companies bid
ding for the job TO make a
professional survey Of the
Ottawa areas cultural needs.
Under Survey
The survey. which Mr..
Southam hopes will be COM
pleted by early fall. will an
alyze the community's inter-
est in, and potential support
for, dramatic, musical and
visual arts offerings. II will
include site and design rec
concentrations for one or
more buildings housing thea
ter. concert hall, art museum
or all three.
They survey findings. II
indorsed by the arts aln-
ance. will then be the basis
OF Ottawa's proposal TO the
Centennial Commission.
One stipulation OF Federal
Centennial Commission sup
port is that the new struc-
ture must be completed by
1867. Mr.. Southam comedies
this will be q tight squeeze.
but he is hopeful the neces-
sary m ON entum can be
achieved now that Ottawa
has got culture moving again.
Evening star., 1963-04-28
Symphonic Gems

Two fine symphonies. far
apart in concept, are worth
the interest of every collec-
tor. One is Gustav Mahler's
symphony No. / in D (Ti-
tam, not new to the record
ing studios. But this issue
(Columbia) is something spe-
cial, for 1t is conducted by
the late Bruno Walter, who
met Mailer as a teen-ager
and became his most articu-
late disciple. Recorded with
the Columbia Symphony
after his 80th year, this was
Walters final testament to
Mailer. 1t is surcharged with
Evening star., 1963-04-28

the energy of a young man
blessed with the insights of
a patriarch, and is, in short,
the definitive recording.
Columbia also has done a
service for the late Carl Mel
sen by recording his magnif-
icent Fifth Symphony. This is
a marvellous document, epic
in its scope with its under
tones of war and mans inner
conflicts, and yet imbued
with lyricism. Leonard Bern
stein and the New York Phil
harmonic bring out on the
stirring drama (the insistent
beat Of drums in the early
conflic) as we'll as the Nor
die beauty of this neglected
composers fine work.
Evening star., 1963-04-28

SUNDAY. MAY s

lFor Further Details, Consult Next
Sundays Listingsl
ROBERTA PETERs, soprano, constitu.
ton Hall . pm.
THEODORE BIkEL, folk singer. Lisnei
Auditorium, ! pm
DINA. kOsTON, piano. The Phillips
Collection, h p.m.
SETH RINGHAM, eomposer.eonducto
oreanlst Lawrence Schreibef, ofRan
First Baptist Church. 10th and o sts
NV, 7.3O pm,
ALL SOULS CHOIR AND ORCHEs.
TRA, Kari Halvoraen, conductor Al
Souls church. sixteenth and Har.
ward, NV \ pm.
ALARD STRING QUARTET. National
GALLERY Of Art, = pm.
Evening star., 1963-04-28
Igor Strovinsky

At his most entertaining,
Igor Stravinsky is unbeatable.
Especially when Ernest An
sermet and his Suisse Ro-
mande Orchestra are in
charge. So 1t is with a Lon
don record of the diverti-
mento, lie Baiser de La Fee,
and Quatre Etudes pour Or
chestre and Two Suites for
Orchestra. This is the kind
of fare that Ansermet han
dies so well. and it is one Of
London's best engineering
Jobs.