davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-08-18
SUNDAY ~
Afternoon. Cont.

9.OO kzS DOSIVN NEFONI9.
Talk. Or. James Watt.
q METROPOLITAN MOVIE.
Hours "The Story of Vernon and
Irene Castle" 1889. Fred Astaire,
Ginger Rogers.
q MOVIE.
"a Hours. Navy Wife," 1855. Joan
Bennett. Gary Merrill.
q BASEBALL tc0NTINUED).
Washington at Minnesota.
3:o5 q SUNDAY PLAYHOUSE.
Movie. / Hour. IS Minutes "Jitterbugs."
1913. Laurel and Hardy.
400 q BASEBALL tcoNTINUED).
Washington at Minnesota.
4:3o q FOCUS ON WORLD AFFAIRS.
Public Affairs. "case Study: The ALI
ance for Progress" Guests: William
Manager Of Georgetown University. Harold
Davis of The American University and
John Dreier Of Johns Hopkins University.
4:3o q OUR MISS BROOKS.
Comedy Eve Arden. tRepeat)
ass q CHANNEL S NEWS.
500 q BLUE ANGELS.
Adventure. Don Gordon stars tRepeat)
q YANCY DERRINGER.
Adventure. Jock Mahoney. Repeat)
q MAJ. ADAMS, TRAILMASTER.
Western. / Hour. An old rNerboat
captain led Wynn on his way to a
sea voyage must leave his young grand
son behind. tRepeatJ
$50 a THE BULLWINKLE SHOW.
Cartoons. Color
q THE ISLANDERS.
Adventure. l Hour. James Philbrook
stars. tRepeat)
q AMATEUR HOUR.
Talent Show Ted Mack. host.
10 The Sunday Stor " Magazine. '
Evening star., 1963-05-26

TINS WEEK Asssslas / Asy 7s. iSss
Evening star., 1963-05-26

AMs YEAR, photographers in the United
States will take more than two billion pic
lures! Many will be good in the technical
sense = clear, sharp, and correctly exposed.
Thanks to automatic cameras, improved films,
builtin exposure meters, and other improve
ments, picture-making is easier than ever.
But how many of those two billion
Evening star., 1963-05-26

[DOV Member OF ihs Guiding FOeUIfy
Fo@oUs Photographers School. WssipOri. Conn.
Evening star., 1963-05-26

Auadon
But how many Of those two billion
pictures will be worth second look? How many will
capture the of experience in vsualy exciting
image? Those that succeed will do so because of an ngre
dent of photography than camera supply the
seIectiUe eye of the photographer.
The cameras eye unseective. records everything
within its angle Of view. You photographer do the
seeiUe seeing choosing what to put in your picture and
what to leave out Your unique way of seeing the world
is the element that give your pictures lasting value
Don't feel that you need elaborate equipment in order
to make good photographs. I'm firm believer in the
amateur approach" By keeping things simple, you leave
yourself free to concentrate the VITAL exciting aspect of
Picture-takng = the act Of seeing If picture could be
taken with eyes Alone would be happy But since 6Im
lens, and necessary, why not use them in as
direct and uncomplicated way as possible?
Simplicity Of and seIeciUe eye are the heart of
good photography You can't acquire them overnight But
there are things you do to train yourself:
1. For sin.PIicity-m master your equipment
Handling your camera should become second nature to
you SO you are to concentrate your full attention on seeing
Practice loading aiming focusing and shooting until these
motions become automatic Settle on one or two films; then
shoot pictures of many subjects and under various lighting
conditions until you know each films performance.
z For "seIecEiSe eye"-I learn 10 observe
Open your eyes to the good picture possibilities about
you at all times when you don't have camera with
yOu Don't just look - observe in detail What camera
angle would you and what instant would you shoot?
What things would you include and what would you leave
OuE Study good photographs wherever you can find them
on the pages Of magazines, picture books Photographic
annuas and in museum exhibits Look to paintings motion
pictures, teevson, theaer ballet and other performing
arts Tor visual ideas And to science oo where new images
Of the universe the realm of space and the structure
Of cell or atom provide fresh stimulation
Finally, remember that good picture is not Just
literal report 1t should show only what you saw but also
tell 'o'G' 'Ou thought and tat about what you saw
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
ART NOTES

"a Hundred Pots" by ia
pans foremost potter, Shoji
Hamada, 60 on view today at
the Phillips Collection. On
Tuesday at 4::3O the Phillips
will show a film by Mr.. Ha-
mazda on Japanese domestic
pottery.
The Obelisk Gallery, last
one into the new season, has
opened an exhibition of water
colors and drawings by Rob
ert Andrew Parker.
The Northern Virginia
Chapter of the Virginia Mu-
suem of Fine Arts opens
Dragons and Dynasties," art
from China, in Artmobile No.
2, Monday, at z pm. Vir-
ginia Square Shopping Center,
Arlin gton. At $3.50 in St.
Georges Parish Hall, Fairfax
drive at N. Nelson, DR.. Arthur
W. Hummel, former chief of
Orientalia division, Library Of
Congress, will speak on
"Highlights Of Chinese Cul-
ture."
The annual faculty show is
at the COrc0ran School of Art.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
Dickey Gallery

The Margaret Dickey Gal
lery, continuing its series Of
shows Of area artists not reg
ularly seen elsewhere, has as
sembled a group Of five wo-
men and one man, which is
probably an accurate reflec-
ton Of the sexual situation in
painting hereaboutS.
Distressing as it must be to
those Of US who believe in
equal rights for women, 1t has
to be said that the single
man, Melvin Buckner, is well
ahead Of his fair companions
in his grasp Of the posSibili-
ties Of painting. Mr.. Buck
ner's Garden Breakfast" has
more dash and life to it than
anything else in the gallery. A
bright garden in the bright
sun is the setting for a loosely
painted breakfaster, the whole
thing S ON e how suggesting
MatiSse born again in CaIifor-
mia.
Elizabeth Long e exhibits
pointlessly folded and colored
lengths Of fabric arranged to
fit into rectangular frames.
Mary Snow has an abstract
still life, Jane Love a collec-
ton Of crudely painted faces
trying to look as If they had
just happened in the paint.
Jessalee 81 C k m a n, along
with some earlier. less per-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
Corcorun GuIIeY

Mimi Bolton has opened the
new series Of Cocroran shows
for area artists with a dozen
large works mostly concerned
with cloud-like shifts of light
and dark. It's an impressive
group.
Delicately and meticulously
painted, each Of her works
seems a screen upon which
are projected shadows. Within
the shadows the faintest of
coloring may be discerned.
Sometimes forms seem to en-
erge, as If the flow of light
had coagulated at a certain
spot.
Face Of the Waters" does
achieve something of the Bib
Gcal spirit suggested by that
most abstract Of language.
There are dark reaches of
very thin paint supporting, at
the center, a shining area Of
floating surface. The spirit
indeed seems to move within
the light upon darkness.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
PERMANENT COLLECTIONS

CORC0RAN GALLERY OF ART,
Seventeenth street and New York
avenue NV. Daily, 10 an. to 4:3O
pm; Saturday. am. to 4:3O pm
Sunday and holidays. to pm;
closed Monday.
DuAIBARTON OAKS RESEARCH IL
BRARY AND COLLECTION, 100
Thirty-seeond street NV. Closed
FREER GALLERY OF ART, Twelfth
street and Jefferson drive S.W.
Daily, am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ART, Constitution avenue at Tenth
street NV. Daily, Q am. TO 4:3O
pm.
NATIONAL GALLERY OF ART, Con-
stitution avenue at Sixth street
NV. Daily. 10 am. to pm: Sun
day, pm. to 10 pm.
PHILLIPS COLLECTION, 1912 Twenty
first street NV. Daily. II am. to
pm: Monday, IL am. to 10 pm. !:
Sunday, 3 to z pm.
WASHINGTON GALLERY OF MOD
ERN ART, 1903 Twenty-first street
NV. Tuesday through Saturday
IL am. to Q pm: Sunday, to S
pm: closed Monday. Admission so
cents.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
By FRANK GETLEIN
An Critic Of The Star

The Society Of Washington
Artists has its 10th annual ex-
hibition at the Smithsonian's
Foyer Gallery, 10th and Con-
stitution NV. and it is the
best version Of the annual in
many years.
Credit for this must 60 to
the single juror, New York
painter and sculptor, Xavier
Gonzalez. The 70 paintings
and three sculptures rep
resent about one fifteenth Of
the works submitted. This is
an excellent proportion and
one all but impossible to at
tain under the society'S for
mer method Of jurying by 10
cal artists.
The good thing about a sin
gle juror is the operation of a
single taste. The more usual
three-man jury does not in
crease the range but only di-
luteS the quality. The good
thing about an out-of-town ju-
ror is that he can get out of
town before being assaulted
by the rejected, thus enjoying
a security unknown to the
man who has to 60 on living
with his colleagues in art.
Beyond these elemental con-
siderations, Mr.. Gonzalez
brought to his task of Selec-
ton a trained eye for quality
in whatever form. The result
is a show that hangs together
nicely and that exhibits a
wide range of interest and
style among area artists.
The four major prize win
ners set the tone though not
the limits for the whole show.
The Evening Star Award and
the society's medal went to
Anita Wertheim's "Cape
Cod" in which autumn foil
age, the shore line with small
craft at piers, and the blue
water are composed into an
almost flat pattern of color
and shape, with details re-
duced to suggestion through
significant line. Jack Perlmut-
ter's Dance Floor" recipient
Of the gorge L. Erion
Award, constructs a mildly
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
ART AND ARTISTS
ART AND ARTISTS
Society Of Washington Artists
Hold 10th Annual at Smithsonian

vertiginOus raked perspective
out Of the aSkew checker
board Of the floor, leading the
eye up to a flosSily mirrored
wall. The effect Of this, both
as experience Of perspective
and as muted social COM
ment, is vastly increased BY
splitting the picture dramat-
ically by a wall and including
a view outside the ballroom.
BuSinesSmen's Award
James Twitty, winner Of the
D. c. BuSineSSmen's Award,
is softer in focus but no less
m onume nta | in scope in
Jack" a large picture Of a
street worker banging away
with the pneumatic hammer.
The helmeted figure is all
alone in a blaze of white light
and conveys a sense Of the
power and dignity of manual
labor that is supposed to have
passed out of our art with the
WPA.
Walter Thrills Palisades
No. A." which won the Alonzo
Alden Award, is the only alb
stractiOn in the group and it
concentrates on the classical
values Of strong composition,
subtle color and interesting
textures. A college of canvas
on canvas, the work can be
read as Roman n um erals
Superimposed on a circle, but
the beauty lies in the tiny
mOdulations Of green to blue
and back through yellow.
Variety continues through
the show. Gladys Mintos
BuchS has striated landscape,
Clare Ferriter a totally alb
stract vision Of Puerto Rico,
JOY Turner Luke a simple ar
rangement Of planes in the
plains. All three are con-
cerned with b a sic ally the
same subject. Each is COM
pletely different from the 9TH
er two. Each has its own re-
wards for the viewer.
The show even has honor,
the rareSt Of qualities in art.
The main trouble with Pop
Art to date has been that it
isn't very funny and nothing
is duller than a dull joke. The
single Pop in the show is not
doctrinaire Pop and is there
fore funny. James Koukos, in
"a broa d in a Commercial
Land" has an appropriately
broadly painted Godiva gal
Looping down a street and hold
ing her lily hands over the
horses eyes. Arrayed on a
building are commercial i'm
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
HEFFERNAN.

Continued From Page FL
be taken to live TV broad
casts, nightclubs-even to Dis
neyland.
"0nce and for ALL" says
Kramer stoutly, I'VE intend to
lay to rest the constant cry
that Hollywood is dead. And
l am happy to report that for
once, every segment of our
industry is acting in concert
with us to achieve that end.
We are getting total co-Opera-
ton from all segments of show
business in the opening of
sound stages and all other
attractions. More and more,
it begins to loom as the first
all-industry deal in half a cen
fury or more"
The newSpapermen will be
arriving at various times on
October 81, some by charter
plane from Europe, and all
will meet for the first time
that evening at a briefing ses-
sion. The visit will be eli
NAKED by a showing of cts
a Mad, Mad, Mad, Mad
World" Sunday, November 8,
an event which also marks the
opening of Pacific's Cineramic
Theater, the first geodeSic
dome auditorium in the world.
Following that will be an all
night party at the Beverly
Hilton Hotel, where guests will
be entertained by virtually all
of the many stars Kramer
gathered into the cast of the
movieS-among them Spencer
Tracy (who will act as player
host, Milton Berle, Sid Gaze
sar, Buddy Hackett, Ethel
Norman, Mickey Rooney and
Jimmy Durante.
Except for a sneak in San
Diego last June, this will mark
the first time Mad" will have
been shown to an audience.
Only those directly concerned
so far have seen a print. A
$l0O-a-ticket world premiere,
sponsored by the Cedars-Sinai
Women'S Guild, and sold out in
less than two weeks, will in
augurate public showings on
November z.
Kramer's staff has been
working for months arranging
all details and in the estab-
ishment Of a huge press room
in the Beverly Hills Hotel, the
same locale used by President
Kennedy during his campaign.
One thoughtful gesture on
the part Of the Kramer forces
looking to the comfort - and
health-of their guests, is not
at all meeting the approval
of Los Angeles city fathers.
Kramer has put in an order
for $50 gauze masks-just in
case the local atmosphere
goes haywire and the visitors
find the smog getting them
down.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
Pan American

The downstairs gallery of
the Pan American Union is
now showing a couple Of dozen
colored ink drawings by
Pedro Friedeberg. The show
is a laugh riot and should not
be missed.
Mr.. Friedeberg uses ele-
ments from Saul Steinberg
and from the Belgian print
maker, Escher, but the result
is his own good clean fun. A
theme turning up often is the
design for some architectural
project esegregated Fin
ishing School for T axider-
mists' Daughters" or "Cen-
trail Offices of the National
Institutes Of Pain and Plea
.Sure"-in which the idea or
people OF the title is vaguely
yet definitely present in the
work. There is endless patient
repetition of detail and there
is variation aplenty, as in
Three PrieSteSseS Of the Or
der Of the H exagonal Or
ange," where the entire tenn
pie is made out of intricately
decorated circles and squares.
Also on view are the artists
better known wood chairs in
the shape Of a hand, derived
from Smoky Slower, the prom
inent fireman.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
TODAY'S RADIO
HIGHLIGHTS

1880, WMAL-MeSSage OF Israel.
Guest speaker is Rabbi Ed
win Friedman of Temple
ShOlom, Chevy Chase, Md.
s:15, WRC-Art of Living. DR..
Norman Vincent Peale speaks
on Christianity in This Age. "
9:15, WNIAL-0ver the Garden
Gate. DR.. Betty Bradford
Bloom gives gardening and
landscape suggestions.
900, WTOP-FoOtball. Balh-
more Colts VS.. the san
Francisco Forty-Niners.
200, WWDC-FOotball. The
Philadelphia Eagles VS.. the
Washington Redskins.
2:OS, WRC-Youth Forum. Dis
cuSsion of "What Is Our
Challenge in Southeast
Asia?"
500, WHFS-FM (1O2.3 Mc.)-
County Comments. Guests
include Charles Bell, Mont
gomery County School Board
president and Arlene Shadoan
of the League of Women
Voters.
$3.50. WRC-Meet the Press.
Nine. Ngo Dinh Nhu of South
Wet Nam is interviewed.
$3.50, WAMU-FM (SS.S Mc.)E
Taking Up Space. A report
on Aurora z: Astronaut
Carpenter"
7:35, WGAY-FM (99.S Mc.)-
Washington Reports to the
People. Representatives
Fulton, Republican Of Penn
sylvania, and Karth, Dem
Ocrat Of Minnesota discuss
the moon-shot program.
$500, WMAL-Broadway Mel
odies. The original Broad
way cast of "Pajama Game"
is featured. Felix Grant Is
host.
sos, WWDC-Space Story. New
series produced with the Ma
tional Aeronautics and Space
Administration on important
aspects Of the space age.
Guests include NASA of
ficials and scientific person
mel.
$3.50, WAMU-FM (Ss.s Mc.)-
Drama Showcase. Perform
ance Of William Wycherley's
"The Country Wife"
s:1O, WTOP - Capitol Cloak
room. An interview with Mrs.
Esther Peterson, Assistant
Secretary of Labor and ex-
ecutive vice-president Of the
United States Commission
on the Status of Women.
$3.50, WGMS-From the Peo-
pie. Senator Williams, Re-
publican of Delaware, is
guest.
Tomorrow
12:15, WRC - Betty Groebli
Show. An interview with Mrs.
Paul Hatch, invitation chair
man for the Eisenhower
Birthday Dinner set for
Tuesday at the Sheraton
Park Hotel.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13

ranging from fabrics spread
our imperfect state of evolu-
ton, affects like mad. Mrs.
Wilson makes little assem-
blages of everyday objects,
ranging from fabrics spread
out upon a surface to boxes
filled with crayonS, or other
domestic clutterabelia. Some
times the things are left in
the state they were found in,
sometimes they are painted
an overall, flat color: Black,
gray, bronze, silver.
Any artist now working with
found objects normally gets
billed as having solved the art
history problem of what to do
in painting now that painting
is impossible and on the basis
Of that tags his things from a
few hundred to a few thous-
and. Mrs. Wilson prices her
objects at SIS and up, with the
m e dia n being somewhere
around $45. 1t isn't, as they
say, the money, it's the prin-
ciple Of the thing: the sheer
modeSty Of 1t.
But the price, actually, is
but an extension Of the en-
dearing qualities of the
objects themselves: an old
TIE 'dy-bear in a box, all paint
ed gray, conveys something Of
the feeling of a Phyllis
M c Ginley poem about the
vanished children.
The fabrications Of fabric
are in a class by themselves
and relate not to work by 9TH
er dry-goods artists but to the
painting of Ivan Albright. An
other Midwestern p painter,
Aaron Bohrod, is recalled by
many Of the constructions, for
he, too, has devoted an art to
the old, WORKOUT things Of a
lost time.
What Mrs. Wilson has really
invented is the artistic posi-
ton of the grandmother and it
has been long overdue.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
LATEST TV INFORMATION

I0:Oo, WMAL tT)-Nat King Cole Special. (Taped IN
London Guests include the Ted Heath Orchestra and the
Cliff Adams Singers. Mats songs include Sweet Lor
raine" and cts Only Paper Moon" Replaces report
On the Valach hearings, originally scheduIed)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13

ages cut out and pasted on
the painting. Inside one of the
painted windows is a televi-
sion screen with the sidelong
glancing face Of Bob Hope.
Mr.. Koukos is an unfamiliar
name on the local scene, but
if he can maintain the comic
com m an d Of abroad" we
need more Of him.
Worth keeping an eye out
for are a rich still life BY
Marcella Comes and a haunt
ing abstraction by John Chap
man Lewis, Shore Sounds. !"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
Other AM Stations

WlNG-isOo ks.-24-hsuF operation.
MPlk-13o Es.-DayIight only.
MoMR-ios0 M.-DayIight only.
WUSI-1f2o M.-DsyIight Snly.
WFAx-122o ke.-DsyIight snIy.
MWDc-i2so ke.-24-hour operating.
Wttl-i3te ks.-24-hsHF sptrstiOn sxsep
Msnsay midnight to Q an. Tuesday.
WhMc-1i5e ke. $50 an. to midniEht.
Wook-114o ke.-2l-hour operation Msndy
Saturday; Sunday an. to midHiEht.
MEAM-13so Ke.-74-hOur operation, eHesp
Sunday midnight to an. Monday.
WDoN-1S4o ke.-Dsylight only.
WPeC-15SO Ke.-Dsylight only.
WPRW-l4so ks.-DayIight only.
WeMS-51O M.-MOndsy-s Saturday $50 an
to midnight; Sunday, $50 an. to midnight
WAVA-1so ke.-DsyIight oHIy.
WoVA-1ssO Ns.-DsyIlght SnIy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13
Henri Gallery

Down in historic Alexan-
dria, the Henri Gallery is
showing hysteric construc-
tons by May Wilson and they
are instantly endearing.
To be honest about it, part
Of the endearment com S
from the price, which in a
better world would affect no
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13

sonal work has a couple of
very nice pictures Of figures
with flowers. And A. F. Hecht
has a couple Of wrinkled silk
enterprises that aren't bad.
Eden" even lets a light sill
houette of Eve herself emerge
from the folds of falling silk.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-13

The -Four Moderns" exhi-
bition at the liza. became
Three Moderns" by the time
it opened, proving that that's
the way it goes.
The three who made 1t ar
range themselves handily in
one two order, with Ynez
johnson leading off. Her
painting are remarkably like
her better known etchings,
even to the point Of depending
on an incised line in a special
ly built up surface. In the line
appear tiny, Klee-f igures
based on archaic cultures in
GLIDING the Minoan and ap-
pealing both in their historic
references and in their own
right as an almost deciphera-
bic form Of picture-writing.
Second is Gladys Goldstein,
who does abstraction tn a t
could be panes of glass in
variously colored light. They
stack up, they lean over, they
lie down and it is of mild in
terest to note the plane S
formed by lines and the pat
terms formed by planes.
The third artist, Leonardo
Norman, would easily have
made fourth if the other man
had made the show and posi-
bly, fifth or sixth. He fabri-
Gates dark, swirly surfaces
that look like enamel and
tn con calculates bright
paint in selected areas. For
people who like this sort of
thing, this is the sort of thing
they'll like, but they Oughtn't.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-03-06
Pianist Is Ho1nored

Shors. John Logans, Ralph
Beckers. Myron Governs. Perry
Lippitts, j. Willard Marriotts,
and Chilean Ambassador and
Mrs. Gutierrez.
The orchestra association
held a first report luncheon
on their sustaining fund
campaign earlier yesterday at
the Shoreham Hotel.
March was proclaimed Ma
tional Symphony orchestra
month by Commissioner Wal
ter Tobriner, who urged local
organizations to boost the
orchestra.
Following brief speeches by
Mr.. King and DR.. Mitchell,
Speaker Art Buchwald was in
troduced by Patty Gavin. Two
more sustaining fund lunch
cons are planned in the drive
to raise $4,000. on March
10 and April 2.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-03-06

Pianist Ralph votapek was
guest of honor last night at
a reception at the City Tay-
ern. The young Van Cliburn
contest winner made his de-
but last night at Constitu=
ton Hall with the National
symphony Orchestra.
Hosts at the after-concert
reception were orchestra as
ISOLATION president and Mrs.
Milton w. King, and shar-
ing honors with the guest
artist were symphony con-
ductor, DR.. Howard Mitchell
and his wife.
Among the $50 guests who
accepted were Austrian AM
bassador and Mrs. Platter.
Mr., and Mrs. Cyrus Ching,
Commissioner and Mrs. Wal
ter Tobriner. the Robert