davidaulloa/AmericanStories huggingface dataset:
Evening star., 1963-04-14


cago. After he finished speak
ing, those present had the
opportunity to ask him ques-
tons.
Labor Of Love
Neither the talks nor the
questions and answers were
attended for publication
they were conversational,
easygoing and charming. For
tunately. however, Schnabel's
friend, Edward Crankshaw "a
distinguished journalist and
foreign correspondent for the
London Observer) realized
their great value. He has
edited them as a labor Of
love, and as q consequence
you can buy yourself My
Life and Music lSt. Martins;
$3.50, surely one of the most
quotable music books Of the
year. And the only way to
SAVIOR the quality Of Artur
6chnabel Is to quote him.
H Here is q brief sampling Of
his ideas about different
topics.
On understanding music:
Nothing in the world has
ever grown from the exterior
to the interior. The interior
Is the basis for understand
Ing. Love has to be the start
ing point-love Of music. It
Is one Of my firmest convic-
tions, that love always pro-
duces some knowledge. while
knowledge only rarely pro-
'duces something similar to
love-"
On music critics: They
do not write to inform mu-
sicians; their job is to inform
the public. That not all Of
them are equally qualified, is
Just as certain as 1t is in the
case Of musicians, or other
exacting occupations. II you
do not agree with one critics
judgment, you may be right
or he may be right. Never
thelesS, he has fulfilled his
duty. The critic cannot be
criticized for criticizing."
On contests: "At most Of
these races the contestants
are treated with an automatic
callousness bordering on bru-
tality. Conditions are rather
discouraging, the milieu so
businesslike, that the sensitive
among the competitors-and
which young artist Is not
sensitive2-Simply could not
give their best. Rarely have
the winners reached heights,
rarely have the best in q gen.
Grafton been among the con-
teStants."
On Government subsidy,
II don't think 1t makes much
difference whether the sup
port Of public artistic activ-
tiles comes from the state or
from private sources. Or
chestra organizations here In
the United States Of Amer
lea seem rather overstocked
with boards and committees
and carnpaigns-the same
busting promotion parapher-
MALTA, meetings, luncheons,
banquets-is it really neces-
sary? Or chiefly tradition, or
fun. or time-killing. or busi-
ness stimulation as such?"
On opera In English: II am
very much for the use Of the
language of the country in
which the operas are per-
formed. Even in songs I think
It Is an advantage. For though
the works may then not ap-
pear quite as they were COM
posed, It was undoubtedly the
intention Of the composer,
when he used words in COM
bination with music, that
these words should be intelli-
gible and understandable to
the audience. ! think all opera
should be sung in English
here"
On national music: II do
not know any music other
than musical music. ! don't
know what German music,
what French music. what
Austrian music Is. There may
Evening star., 1963-04-14

Shakespearean plays, with
lines to match the magnifi-
cence of the theme of power,
lust and ruin. Directed by
Howard Sackler, this Is a
well knit version, rather
speedily paced but altogether
satisfying.
THE HOLLOW CROWN:
Here is the admirable dra-
matte work (played here not
long ago) which treats Of the
British monarchy. There
are extracts from historical
records, from the dramatists'
view, from pens Of the mon
archs themselves, and all
done splendidly by such as
Max Adrian, Dorothy Tutin,
Richard Johnson and John
Barton, with musical inter-,
polations. Excellent enter
tainment. Nondon-two rec
ords.)
BRECHT ON BRECHT:
Another show Washington
has been enjoying. Here Is
q distillation Of the turbid
life, plays and poetry Of
Bertolt Brecht, a throbbing
documentary Of and about q
tortured artist who created
vignettes as sardonic, twisted
and tortured as his own
haunted life. In the cast
are Anne Jackson, Dane
Clark, Lotte Lenya (singing
and reading), Viveca Lind
fors, George VoSkovec and
Michael Wager. columbia
two records0
JOHN DONNIE: Richard
Burton reads the Love Poems
Of John Donne GO Of them)
in q fashion befitting the
marvellous material. John
Donne was no weasling poet
fellow, apparently. At least,
his views Of love have the
ring Of vrility, and Burton
reads with conviction. (Caed-
mon.)
CANTERBURY TALE s.:
Read In modern English, and
thereby easily understood,
are The Miller's Tale and
The Pardoner's Tale. Stan
ley Holloway elicits the nth
degree Of humor from The
Miller'S Tale, q bawdy tale
to rank with the funniest Of
that genre. As satirically hu-
morous in another vein Is
the hypocritical Pardoner.
read with rolling tones by
Michael MacLiammoir. So
droll was this Chaucer,
(Caedmon).
CANTERBURY TALES
For those with an ear for
Middle English ]. B. Bessin-
ger, jr, reads with remark
able fidelity another set Of
the Canterbury stories. These
include the General Pro-
logue, Prologue to the Par
sons Tale and Chaucer's Re-
traction. (Caedmon.)
HENRY VIII: The Mar
lowe Dramatic Society pushes
relentlessly forward toward
its goal Of recording all the
Shakespearean plays. Here
is one Of the major tragedies,
the story Of intrigue and
counter intrigue in the af-
fairs Of King Henry, the
luckless Queens Katharine
and Anne Boleyn and the
treacherous Cardinal Wolsey,
As is customary in this Sc
Evening star., 1963-04-14

~oNNAN - ~ 80 SAAS . 0AAANot Va
ries, stage effects are held to
a minimum while the cast
concentrates on distinct die
ton. The result is commend
able. (London-4 records.)
LOVES LABOUR'S LOST:
Turning to comedy, the Mar
lowe Players have a joyous
time doing that merry-mix-
up, Loves Labour's Lost. The
youngish cast includes Max
Adrian, Tony Church, Derek
Godfrey. Gary Watson, Rob-
ert Eddison, Janette Richer,
Prunella Scales, Susan Mar
ryott, Diana Rigg and Patsy
Byrne. Like Henry VIII, 1t is
complete and uncut" Lon-
don-3 records.)
WASHINGTON HUMOR:
The complete title is Chef
Huntley Presents Best Of
Washington Humor, and 1t
includes some light story
telling and informal speech
making by President Ken
nedy, Adlai Stevenson, Sar-
gent Shriver, Barry Gold
water, Charles Halleck,
Thruston B. Morton. Nor
timer M. Caplin, Donald
Matthews and Kenneth B.
Heating. There are some
good laughs, none better
than the wit Of former Rep
resentative Brooks Hays. a
sort of cross between Will
Rogers and Bob Burns. He's
worth the price. (Cameo.)
JASON ROBARDS, JR.: A
forerunner of Columbia's am
bilious intention Of recording
all the Eugene O'Neill plays,
this single record finds the
gifted Mr.. Roberts doing ex-
cerptS from Long Days
Journey into Night, A Noon
for the Misbegotten, The
Hairy Ape and The Iceman
Cometh. The latter takes
one entire side, and finds Mr..
Robards right on top his
game. (Columbia.)
THE THEATER: Here Is a
stimulating discussion about
acting and play-making by
the people Of the theater.
Among them are Noel
Coward, Albert Finney, Peter
Hall, Sean Kenny, Siobhan
McKenna, Harold Pinter,
Sybil Thorndike, Kenneth
lyman and Peter Ustinov,
representing players. directors
and critics. For every play
goer. this will bring behind
the-scenes insights into thiI
art. Oondon.)
SECOND SHEPHERDS
PLAY: Drama Is carried back
almost to its English-speak-
ing inception In this surpris-
ingly witty and human WORK
by one now known only
as "the Wakefield master.
(Caedmon.)
THE FAERIE QUEENE:
And other poetry by Edmund
Spenser. These include Book
III, Cantos XII and XII oi
The Faerie Queen and Epi.
thalamion, the latter the
marriage hymn" he wrote
following his marriage. The
excellent reader again
is Michael MacLiammoir
(Caedmon.)
MACBETH: Here is an alb
breviated version OF the
bloody tragedy, excerpts OF
great scenes recorded chrono-
logically. The leading players
are Anthony Quayle, Gwen
Ffrangcon Davies and Stanley
Holloway. (Caedmon.)
Evening star., 1963-04-14

ALFONSO MONTECIN0, piano. Pan
American Union. $3.50 pm. Partita
No 2 In c Minor. Bach sonata In
Ida" Iadssa. BostoG; 1sfisnS''n fisnS nvaris.Ions. on.
COPELAND: Oiaeaux tristea, from
Miroirs. .laveli PAvane pour une
infante defunte. Ravel; Jeuk d'eau.
Rayel: Toeeata. from Tombeau De
uNiTfb sfkffs MARINE BAND. L.
gsl: Albsrt sshespgsr. sonaus.oE
kiss, fiuls. DspaFtmsntai Audi.
spos. ID5sR sso Y osS cSrSss,Hn gs,ns. nsTss oTs5
Medley. jolly: Napoii. Bsllstsdt; The
s an Rsa r. 'i en-. ApSissd p2ord ThsH:s SIna. from Tas
Concerto for Tympani and Brass
tpstrymsnts. ,Tanpsri Taiss from
the Vienna Woods, 1trauAsi Fan
taisis. tiuei capriccio Espagnol.
Rimsky- -Korsakoff.
Evening star., 1963-04-14
TOMORROW


RAFAEL GUYANA. harpsiehord. Pan
paiilards, tTsscobaidI: lFia dstis
"a vtssceealea: Ersssobeldi; c9E. c1I.
n B Minor. FiseSsr: concerto IN
q, after an unknown master. Bach
Fantaaie In q Minor, Bach: Branie
de Montirande, Frnneisauei Sara
bands Grave sn nondeau. IL Koux.
pTanls Qay, Besard, Toccata IN y
leSE, s1s1is,,l E1ssi sSn.ts s'2s's is nInSi :.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-10-06
MIXTURE OF STYLES

Mr.. AND MRS. Kenneth Gilmore have
decorated their small restored home on
Capitol Hill in style-a number of styles.
The CilmOres a writer on the staff
of Readers Digest-have proved one can
take Furnishings from different periods
and combine them into an attractive SET
ting In the picture below one can see a
Spanish chandelier, French Provincial
cane chairs, a wrOught-irOn Spanish table,
a Victorian chest and contemporary dra-
peries. They all complement one another.
, 1963-10-07
Hollywood. j.

Rex very n arly didn't get the
rol in the movie version Of Fair
Lady despite his fabulous stage
performance. 1T was a near
thing he told me. aYou helped
a great dial. You did a manful
job on my behalf in your column"
This testimonial from my long
time enemy gives you an idea Of
how things have changed between
us.
Our first face-to-face encounter
took place during intermission at
the premiere of Cleopatra, I
which Rex, as Caesar, steals right
out from under the noses of his
much more publicized ~co-stars,
Taylor and Burton
/ was So carried away by his
, 1963-10-07
.rbiter, had azlot to do with Bombers.

arbiter, had lot to do with
patching up the differences be-
wteen Runge and Mantle. Spot-
ting Mickey on the street one
day in 1857, Hurley invited him
into d restaurant where Runge
was having dinner. He got them
tog ther and everything finally
was settled once they barred their
beefs.
The irony Of it, however, was
that Mantle and Hurley became
involved in a balls and strikes
hassl a few months later and
wound up not talking to each
other for the next three years.
Starting with his rookie year in.
the big leagues, Runge encount-
cred more troubls from the Yam
KEGS than any other club. It be-
gan during Spring training when
Ed was travelling North with the
, 1963-10-07
Advice
Il The Risk Worth Taking2

is The Hisk Worth Takings
Dear Beatrice Fairfax:
Although I'm only IA years old,
I'm told / look at least 16 and
some say ! could easily pass for
II.
These Gays, when it's consid-
cred perfectly proper when q girl
goes to a swimming pool or
bowling alley or other places like
that to talk to boys without q
formal introduction, fellows Is
or 10 often start talking to me,
and / naturally want to impress
their favorably. Since they seem
to takq me for older than what
/ am / never know whether to
tell them I'm only IA or not and
if / did, Pm afraid they'd lose
interest in me. So if they ask me
how old / am, I usually lie about
it and say I'm II. However, sew
eral times when I've lied like that
it's led to complications.
Do you think I should always
tell the truth about my age, and,
if 50, how can ! manage to keep
the older boys Interested ] en-
JOY the company of older fellows
much more than / do boys my
own aga who really bore me.
Troubled Teen.
Dear Troubled Teen:
You never spoke a truer word
than when you say that to lie
about your age often leads to
complications. Entirely aside
from moral considerations, is ly-
ing worth the risk of having
boys you want to IMPRESS find out
you're a liar?
You say you want to impress
the older boys, which undoubted-
" means you make a special
effort to be interesting and attrac
tive to tn nm. If you took the
same attitude toward boys nearer
your own age, / doubt if you'd
find them as dull and stupid as
you have persuaded yourself they
are.
I suggest that you try the ex-
perimb hit Of acting toward the
younger boys the same way you
do toward the older ones. You'll
probably be surprised to find that
most of the time the results are
just as worthwhile.
, 1963-10-07

AR04AA0SA0e
For some reason or other, they
weren't satisi d with my work"
he explains. Casey Stengel and
Gene Woodling were the chief
agitators and / can remember a
couple Of times when they said,
Wen have you back in the Paci-
8fc Coast League before the sea
SON is overa..
That was in April 1854. Two
years later, Stengel made it Al
point to SEEK out Cal Hubbard,
the AIS supervisor of jumps. and
said:
= was dead wrong about that
boy Runge. Hes one helluva
umpire.
TO THIS DAY. Rmge receives
a Christmas card every year form
Casey and from two 9th i players
Continued on page 81
, 1963-10-07
Sports

chased ia my career"
You'd think there'd be some
hard fe ling on Mantle's part
stemming from those three blem-
ishes on his otherwise spotless
record for behavior. There prob
ably was for a time. But Mickey
now says:
"Runge and IN s.or Chylak
are my favorite umpires."
Ed Hurley, another veteran AL
, 1963-10-07

brilliant performance during the
first half Of tha picture and his
moving death scene that / rushed
up to him and complimented him,
completely forgetting that we
hadn't been on speaking terms for
Is years. The next day / received
flowers from him.
It was during the marathon
shooting Of Cleo" that Rex and
Rachel Roberts were married at
his hilltop home in Portotino
For the duration Of "Fair Lady
they have rented a house in Hid
den Valley, off Of ColdWater
Canyon in Beverly Hills, and
Rachel's Welsh parents are visit
ing them. AS Rachel, who normal
" speaks with a British accent,
talked to ms about her mother
and father and her native Wales,
sch reverted to a real Welsh lit.
The Welsh speak with a musical
cadence that is almost like chant
ing. Whan / leased her about it,
Rex said: did you ever hear a
Welshman and a Texan talking?
They sound like a couple Of cana
RES"
When I spoke Of the fact that
Rex had started a vogue for cast
ing non-singing actors in musicals
he told ms Lerner and Loewe
took quite a chance. When they
signed me they didn't even know
whether ! had a sense Of rhythm
or not" Rachel, who is her hus-
bands best press agent spoke UP.
"Of course they did. Anyone
who plays tennis and moves teh
way you do has to have a sense
of rhythm" Then, turning to me,
she said: "Ha doesn't know how
good he is"
Both Harrisons have only raise
for Hollywood. Rex: IF you're
going to make major films this is
the only place to make them"
And Rachel: ITS a very challeng-
ing p~lace-makes you face up to
yours #. Everyone in the world,
whether he admits it to himself
or not, wants to get on, And if
YOU really want to get on in films
you must come to Hollywood to
do it."
/ asked Rachel, who is a darl-
ing, if she minded having her
bridegroom working all the time.
No, she said. 9TH, thing about
Rex is he likes OF work better
than he likes to play. And / like
him better when he's working"
It must be pretty obvious at
this point that 4 have become a
Harrison fan-and that goes for
Rachel as well as Rex. Peace,
it's wonderful
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-03-10
DO YOU HAVE 4 FIAIR FOR BEAUTY?
YOU CAN BE FAMOUS! EARN TOP MONEY! MEET CELERRlTES!
EXPERIENCE 10 the BEI

The Washington BsoV Academy promise YOU sveesssl
We dro~ on The Vosi knosdos Of NJ Jvs The oeodsmy owner
ond supervisor who oho me Jules Hoinhhs Inc
The Washington BsoVY Academy oldest sssobkshsd
bsoVY school Ownership in Metropolitan Washington.
5000 stsrts yeU OarnIns THOUSANDS
Enroll the Bsoy Academy and pvs your Flor for
beoV 10 work for you. For only $50 you'll closes ho
sno proper shopping and curing msods You'll study bsovy
psporohons ond The Of foco onievdna hor
dressing and how 10 monoos your solOn
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-03-10
~
THEATER OF STARS.

2 THEATER OF STARS.
Drama. Mo Escape" sunman enters
a woman's home and tells her that he
is there to kill her husband Raymond
Burr and Teresa Wright tRepeatl
1:26 q N EDITORIAL.
Presented by Jack Jurey.
1:3o q LEAVE IT TO THE GIRLS.
Panel. Guest: Pat Harrington, II.
"a GIRL TALK.
Conversation. Virginia Graham, moderator.
q AS THE WORLD TURNS.
Serial. Featuring Rosemary Prinz.
200 a MERV GRIFFIN SHOW.
Interviews. Conversation and music SIS
Minutes Guests: Sam Levenson, cIeVe-
land Anory. and Danny Meehan.
Thursday Listinss Cont. on Next Paas
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02
Grond Operu, 1903

Sixty years ago Columbia
Records proudly announced
the first celebrity" discs
made in this country. The
celebrities were seven singers
of the Metropolitan Opera.
price: 81 for each 10-inch
record, one short song or aria
to the record. Now Columbia
has resurrected this. historic
event by putting 80 Of the
pieces on a 2-record album
called 1903 Grand Opera
Series"
The singers are sopranos
Marcella Sembrich and Suz-
anne Adams, baritones Gu
seppe Campanari. Antonio
Scotto ana Charles Gilbert,
bass Edouard de ReSzke and
contralto Ernestine Schu-
mann-Heink.
Scratchy and un-hi fl? Of
course, but tremendously in
teresting to hear the birth
Of an art form, and to hear
some truly superb singers.
There's q serio-comic effect.
too, in the rather pompous
announcements supposedly by
the very good pianist. pre-
ceding each number. Consid-
ering everything (the records
were rescued from a garrett
the sound is surprisingly
good. A reprint Of the 1908
catalog also is enclosed.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02

sonatas and we have been
his willing captive.
How many people know all
10 sonatas2 Those sub-titled
Kreutzer and Spring. to be
sure, for they are perennial
fare. Perhaps q slight ac-
quaintance with some Of the
others. But not the familiar
ity which is like the dis
covery Of gold as one delves
into the riches Of this s.
record album.
Mr.. Heifetz' companions in
all but the Kreutzer mo. Q in
A, opus Az is Mr.. Bay, who
has been his hand-in-glove
partner for years. They make
all the right moves at the
right time. Mr.. Smith joins
with the violinist in q daz-
zing performance of the brill
liant Kreutzer.
To attempt a detailed de-
scription Of the entire al
bum would be as presump-
tuous as trying to describe a
Rembrandt. It would be time
better spent trying to fit the
album into your budget.
Five records run to q price,
to be sure, but here is our
greatest violinist in music
guaranteed never to grow old.
You will be glad If he steals
your time, too.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02
Boston Symphony

To Washington's many adj
mirers Of the Boston Sym
phony, a new recording is
always an event. RCA Victor
has two new ones. One finds
the recently retired Charles
Munich doing what comes
naturally for him-Debussy's
Afternoon Of q Faun, Nuages
and Fetes from the Noctur-
mes, and the not-so-frequent.
ly heard Printemps. AS good
as you would expect. ="
The second record is d.
vided between Dello Joio's
Fantasy and Variations and
Ravel's Concerto in @, two
piano pieces. The pianist is
19-year-old Loria Hollander,
already something Of q vet
eran, who can handle the
sparkling rhythms with ease.
The Boston's new conductor,
Erich Leinsdorf, is at the
helm. ~
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02

siestucke is everything you
would expect Of Rubinstein.,
A surprise comes on an
Everest record. Ernst Won
Dohnanyi. the Hungarian
born composer, was 80 when ,
he recorded Beethoven's So
natas No. 80 and 81. This
is not the final testament Of |
an old man pulling off a.
stunt. It is an amazing per- .
Torrance Of q keyboard,
genius who makes limpid I
poetry Of his work. Both the 4
playing and the sound are
exquisite. 81
The third record, from
Deutsch Grammophon, finds
67-year-old Stefan Askenase !
playing Chopin's Piano Con-
certo No. 2 with the Berlin
Philharmonic. Leopold Lud-t
wig conducting. Again, poetry
OF the dreamieSt kind by q
countryman Of Chopin. The +,
record is rewardingIy filled
out with two polonaises, the
No. 8 in A flat major and
No. 3 in A major, the Mill
tary" stylishly executed. 81
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02
BROADWAY SHOW GUIDE
Mostly Music and Laughs

NEW YORK CAP).-
Summertime visitors to
Broadway will find music and
laughter the main theatrical
fare.
Fourteen shows-about the
usual handicapped to re-
main on sturdy exhibit
through the hot months. Four
current productions have
fixed early closing dates, and
several others are continu-
ing on a ek-to-week basis.
Scheduled to end their
runs are: MIR. President"
June g.: THE Sound of Mu-
SIC" June Is; Strange In
terlude." July Is; and mo
Strings" August 4.
No new shows are set to
premiere until mid-Sep-
sember.
Here is an alphabetical list
Of all attractions, with thea
ter, stars and topic. Tickets,
except as otherwise noted,
are readily available, but If
you want to be sure Of see
ing a favorite performer,
double check the boxoffice
concerning a particular date,
because stars sometimes take
a quick week or two off dur
ing the summer.
"A Funny Thing Happened
On the Way to The Forum"
Alvin - Zero Mostel as a
willy slave in ancient Rome,
leading a pack of fellow buff
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02
Music of SibeIius

Morton Gould takes his
orchestra on a pleasant tour
Of well-known music of Jan
Sibelius on another RCA
Victor disc. The program In
cludes Finlandia. The Swan
of Tuonela, Valse Triste,
Pohjola's Daughter and
Lemminkaenen's Return. En-
HANGED by the glistening new
Dynagroove sound.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-02
TODAY

d. c. FEDERATION OF MUSIC CLUBS,
Student Group. Barker Hall, YWCA,
Seventeenth and X SITS. NV. 4 pm,
MONTGOMERY COUNTY YOUTH
ORCHESTRA. Chester Petranek,. con-
ductor. Soloist: Robert Carol, horn.
sDrinEbvT0 ols High no School SI. oy sI,Hs,
Sprint, pm. capriccio, viyaldii
Horn Concerto No. 8, Mozart; Inter-
mezzo. Toch; Danse Du Diable, Wal.
Berg: Moorside Suite, Hoist; 1912
Overture. Tchaikovsky.
WILLIAM OSBORNE, organ. Washing.
ISn su caht Il M,p Dm Ms reESs Snc
sonata No 9 in O. Bach: Prelude
and Fugue in O Minor, Brahms;
Chorale, Sessions; lie Jardin Sus-
pendu, Alan; Suite Breve. Langlais,
JOINT ORGAN RECITAL, Mt. Vernon
Place Methodist Church, 900 Mas
sSaS'e!TFiS Om nEsSSs PREF Prelude SSG In Pc
Bach: Fantasia and Imitation in B
Minor, Bach, Mrs. Betsy Daugherty:
villa Maria by the Sea. Shure: ALLIE
gro viyace, sammartini. Oscar Van
MadriRale. simonetti, Aria Smith:
IN the Garden OF Gethsemane,
Shure; Postlude No. 10. Van Hulse.
MaIgaret Anne Sparks: orlaine
Gazette, r0s. Vincent Vincent Tsv1InayTI0Ilncsrt
AaAAA4Cta NAINNhhs ONAA
Three Bible Poems, Weinberger. Mrs.
Ted Huffman; Toccata and Fugue IN
E, Bach. Mrs. Luella Robinson
Peace OF God, Shure; Fugue in @,
Robinson. Mrs. Louis Head: Fin
landia. Sibelius. Harold white:
Storm King Symphony. Dickinson.
NATIONAL GALLERY ORCHESTRA
Richard Bales. conductor. National
Gallery Of Art, 8 pm. symphony In
E-Flat, Hommann; symphony No. ]
in d Minor. Ives.
UNITED STATES MARINE BAND, L.
Col. Albert Sehoepper, conductor
Watergate. $3.50 nm. Amparito
Roca, Texidor; Egnnont Overture
Beethoven; Selections from State
Fair, Rodgers; Atlantic Zephyrs
Simons Suite from Carmen. Bizet;
Occident and Orient, Saint-Saens;
Fantastic, Hue: Liebeslieder Waltzes
Strauss; Catalogue Aria, from Don
Giovanni. Mozart; Finale. symphony
No. 4 in d Minor, Schumann.
ORATORIO SOCIETY OF MONTGOM.
cry COUNTY, Hugh Hayward. con.
ductor. Soloists: Phyllic Cieseler
soprano; Rilla Mervlne, contralto
Henry Nasen. tenor: Donald Booth.
man. bass. Walt Whitman High
School. Whittier blvd. and Robin.
wood avenue. Bethesda. $40 pm
REQUIEM, Mozart; Magnificat, K. P