davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

$500, WMAL-FM (1O7.S Me-
Philadelphia Orchestra.
Works by GABRIEL, Bier,
Brahms, Rachmaninoff and
COPELAND.
4:30, WHFS-FM (1O2.3 Me-
Great Sacred Music GIN
Stereo.) Stravinsky's The
Flood.
1900, WMAL-FM (107.3 Me-
Heritage Concert. Wag-
ner's Die Meistersinger:
Prelude to Act I: Liszt's
Piano Concerto No. /.
$500, WGMS AMIN 1910 Kc.
and 1898 Me- - National
Gallery Of Art Concert. Can
tilena Trio. Works by Bee
thoven, Turina and Brahms.
Live broadcast
$3.50, WHFS-FM (1O2.3 Mel
Box Seat (FM Stereo)-
Ponchielli's La Gioconda."
IO:O5, WGMS AMIN $50 Kc.
and 1888 Mel - Archive
Hour. Purcell's Anthem: o
Sing Unto the Lord; Bach's
Canzona in d Minor.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
TODAY's GOOD MUSIC DIAL

1880, WGMS AMIN $50 Kc.
and 1888 Mc.)-Symphony
for a Sunday Morning. Per-
golesi's Concertino No. 4 in
F Minor; Beethoven's Piano
Concerto No. 4 in @, Opus
SO.
1901, WASH-FM 1911 Mol
Masterworks in Stereo. Ser
enade in E Flat. Opus Z. by
Strauss. y
100, WMAL-FM (107.3 Me-
Matinee Concert. Rossini's
Semiramide; Overture;
Vaughan Williams Sym
phony No. 4.
2:O5, WGMS AMIN $50 Kc.
and 1888 Mel - Boston
Symphony Orchestra. Erich
Leinsdorf, conductor. Lorin
Hollander. pianist; works
by Beethoven, Ravel and
Bruckner.
3:oe, WHFS-FM (1O2.3 Mc.)
Concert In Stereo. Tchai-
kovsky's 1912 Overture;
Mendelssohn's Symphony
No, 4.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
B'nui Birth

BY happy coincidence. the
current exhibition at B'nai
Birth is related to the gem
eral Mary cassatt theme OF
woman as existing in her
self, independently Of mans
desire or mans domination.
On view is q show Of four
sculptures and 20 watercolors
by Chain Gross.
The gay water colors di-
vide themselves almost even
ly between fact and fancy,
with most Of the fact being
scenes from Israel so con-
ceived and executed that the
simplest view Of fishermen
holding their nets or q street
in Safed seems itself an d
lustration from some FAM
tastic tale Of q land where
everything visible Is in close
touch with q whole other
world Of things invisible.
The sculpture, in bronze.
is. except for an appropri-
ately fanciful Homage TO
Marc Chagall." all concerned
with the sculptor's essential
theme Of mother love.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

the American Ballet Theater,
Ballet u. s. A., and the Con-
sort Players have been heard
in the East Room as well as
the Casals- Schneider Hors-
zowski trio.
Featured Attractions
In the Junior" series, the
Metropolitan Opera Studio,
the Boston Youth Symphony,
the National High School Or
chestra from Interlochen,
Mich, the Paul Winter Jazz
Sextet, pianist Tong II Han,
the Central Kentucky Youth
Orchestra, and the Berea Col
lege Folk Dancers (among
others) were the featured at
fractions.
One "off-series" event, in
which pianist Ann Schein and
violinist Charles TRIGGER per-
formed for National Sym
phony Orchestra fund-raiserS
as the highspot of an invita-
ton visit to the White House,
Is worthy Of mention.
Miss Letitia Baldridge, for
mer social secretary to Mrs.
Kennedy. has been credited
with being the impresario for
these events, and her success
in the music business (espe-
cially since White House per-
formers receive no pay and
even have to take care Of
their own expenses) Is one
that might be envied by q
Sol Hurok.
A few weeks ago, when the
first act finale of Mozart's
Magic Flute" was beauti-
fully presented for President
Sarvepali Radhakrishnan Of
India, Miss Baldridge said
that as many as IS letters q
month were being received
from musicians who wanted
to offer their services to the
White House. One doesn't
have to be a prophet to pre-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
ART AND ARTISTS
Mary Cossott Show
At National Gallery
BY FRANK GETLEIN
star Art Critic

In honor Of the 18th anniversary conference Of the Ma
tonal Council Of Women Of the United States and the Inter-
national Council Of Women the National Gallery of Art has
Cassatt.
The exhibition arranged by Chief Curator Perry Cott is
beautifully appropriate many counts From the nterna-
tonal point Of vew Mary Cassat American artist
of first rank who passed her professional life In Paris
an associate the Impressonts and whose work Is often
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

Mary CaSsatt brought color
not by making and printing
several plates in register but
by adding color a Ia poupee
to a single plate. The poupee
method-so named for the
rag doll suggestion Of tina
gauze used In application
hand colors the plate for
each impression. -.
Her coloring a Ia poupee
Is significant, too, for the
method had been perfected
earlier in the 18th century
for Bedroom Etchings,"
usually nudes. In her choice
Of color method, Mary Cas-
satt not only redeemed o
method popular among por-
nographers. More impor-
family, she moved that meth
cd from its depictions Of
woman as object to her own
depletion of woman as sub
ject. :
The Meaning Of Cassatt
For this Is the meaning Of
Cassatt, as 1t is the aim Of
the Council Of Women. The
exhibition at the National
Gallery introduces US to Cas-
satt as a print maker, then
plunges us into an extended
examination of the color
prints. Most are presented
with the drawing and with
more than one state or i'm
preston Of the print. Thus
we follow the original i'm
pulse through its steady per-
lection. For CasSett was not
a simple translator Of her
drawings into prints. Far
from it. At each step there
Is room for refinement, for
change, for invention and
these are brought into play
all along the line. The vision
is sharpened and clarified
as the conception moves
through the states from
drawing to final print.
The vision so defined pre-
sents to US a mother bath
ing her child, a mother and
friend on the omnibus with q
child, a woman bathing her
self. putting UP her hair.
being fitted for a gown. We
move quietly and sympathet-
ically through the normal
elements Of q woman's day
in Mary Cassatt's day and
we feel something Of what it
Is to be q woman, an i'm
preston resident In line and
color as well as in subject,
In the prints, painting and
sculpture Of her friend Degas.
as in so many male artists
before and since, woman re-
mains an object; an object
Of grace, an object Of curl
osity, an object, perhaps. of
desire. but an object. With
Mary Cassatt woman in art
entered into full citizenship
while losing none Of the
differences" which we may
all wish long life.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

the National Symphony Or
chestra at Constitution Hall
at the inaugural concert,
which included a specially
written new work by Pulitzer
Frize-winner John La Mon
tame.
The real start Of the cam
paign, however, stemmed
from the now celebrated APP
pearance Of the great cellist,
Pablo CaSals, at the White
House on November 10, 1861
together with his friends and
associates. violinist Alexander
Schneider and pianist ME-
csyslaw Horszowski) follow
ing the dinner rendered to
Gov. Luis Munoz Marin Of
Puerto Rico.
For Young People
Before that, Mrs. Kennedy
had started something else
new, inaugurating q series of
Concerts for Young People
by Young People" on the
White House lawn with a per-
fnrmance, IN August, 1861, by
the PENNSYLVANIA Music Camp
Orchestra under the direc-
ton Of James Christian Pfohl.
Both Of these events estab-
Hshed a pattern for what
have been, in effect, two ex-
traOrdinary interesting and
important concert series pre-
scented under the patronage Of
the President and the First
Lady-an unprecedented state
of affairs.
In what might be consid-
cred the senior" series, some
Of the worlds greatest artists
have entertained following
state dinners in the White
House. Grace Bumbry, Eu-
gene List, Isaac Stern, Leon
ard Rose, Eugene Istomin.
the National Symphony
Orchestra. the New York City
Center Opera Company, the
Opera Society Of Washington,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

works scored originally for
band in the catalogues Of
major composers, and this
one should be worth hearing.
The Watergate Symphony
Orchestra, conducted by
Nicholas Pappas. began the
first of a series Of nine
weekly concerts last We'd
nesday. This Wednesday
at $3.50 the soloists will be
Naomi Blake, soprano, and
Jacob Barkin, tenor, singing
operate arias and duets.
Jacob Barkin leaves for Israel
on July 5. where he will APP
pear as tenor soloist In the
opening concert Of the Israeli
Festival, which will include
the premiere of Moshe Seter's
Midnight VIGIL" a work for
double orchestra, triple
chorus, and tenor solo, with
a few electronic instruments
used in the orchestra.
On the TV today, the pro-
gram Lamp Unto My Feet"
will present the premiere Of a
cantata by Carlos Surinach,
a Catalan composer CWTOP
3, 10-10:30 ann. His Can
tata de San Juan, honoring
the patron saint of Puerto
Rico, will be sung by the
choir of the Church of Our
Saviour. New York, under the
direction Of Johannes Som
airy.
The NBC Radio Network
continues its series on Tos-
canini: The Man Behind the
Legend on Wednesday CWRC,
9:05-10 PM with the IA
nous recording Of Verdi's
Aida he conducted a few
months after his retirement
in 1854. Intermission speak
ers will be Mrs. August Bel
mont and the Italian con-
sul-general in New York,
Marchese VittOrio COrderO 1
MOntezemolO.
A one-day workshop spon-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

dict equally heavy mail In the
future, even though Mrs.
Kennedy has found it neces-
sary to curtail her social acti-
vities for well-known reasons.
How successful has the at
tempt to change the cli-
mate" for the arts been?
! would say that, all things
considered. quite o bit has
been accomplished.
Arts Are 1.-THE ThingS
There Is no question but
that the arts now are "the
thing" in social circles In the
nations capital. and even
though one might be skep-
teal about the depth to
which musical events pene-
trate the consciousness Of the
fashionable audiences which
hear them. there Is no deny
ing the fact that they are
now considered important by
people who have both econ
omic and political power.
And the changed image Of
serious music has spread
throughout the country too.
The picture Of music as q
sissy" activity long held by
undetermined youngsters
and tired businessmen has
been fading under the impact
Of the wide publicity follow
ing In the wake Of White
House concerts.
This hasn't gotten any
bills through Congress, and
1t hasn't solved any Of the
bitter economic problems
which plague the music
world Of today.
But it is helping to pave
the way for Utopia by alter
ing the crassly materialistic
attitudes Of the man who
holds the ultimate power in
this democracy Of ourS-the
voter.
BY and large, the White
House surely merits the sin
cere thanks Of all those who
have the interests Of serious
music deeply at heart. Let
US hope that its musical &C
tivities continue-and in
crease.
NEWS FROM HERE-The
season ends tonight at the
National Gallery Of Art, with
the CantiIena Trio playing a
program Of distinguished
chamber music by Beethoven,
Turnina, and Brahms. Con-
certs in the east garden court
resume in the fall To-
morrow night the Phillips
Collection presents pianist
Frances Burnett as the last
event Of this season.
The Army Band, with Capt.
Gilbert Mitchell conducting,
has an interesting program
scheduled for its Watergate
concert Wednesday at $3.50
pm. The featured work Is by
Hector Berlioz, his Grand
Symphony for Band, Opus Is,
a three movement piece
which has . long recitative
and aria for solo trombone as
q second movement, calls for
strings and chorus In the
third. There are very few
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

sored by the Maryland State
Music Teachers Association
on Tuesday will bring q group
Of Washington musicians as
panelists to the Peabody Con-
servatOry in Baltimore. They
are, with their affiliations:
DIR. John Paul, Helmut
Braunlich, Catholic Univer-
sity; Melvin Bernstein, DR..
Joel Berman, Maryland Uni
versity; Esther BallOu, Mark
Ellsworth, James McLain,
American University; Robert
Paris, Georgetown Univer-
sity.
The annual workshop Of
the Washington and Cathe-
dral C hOral Societies con-
cludes tom orrow at the
Cathedral, 8 to 10 pm. Paul
Galloway will conduct the
group in Part II Of Bee
thoven's MiSsa Solemnis.
BITS AND PIECES-Com-
plants from neighbors about
musicians practicing are
fairly common, but Violin
ist Isaac Stern has done the
man-bites-dog bit with q suit
against noisy neighbors who
disturbed his practice. He
isn't kidding around, either;
the suit asks $50, 900 damages.
1t might be better to let
your child go on playing the
radio or photograph while
he does his homework. An
outfit calling itself the
Human Factors Society, con-
sisting Of engineers, psychol
ogistS, and others interested
in efficiency, have determined
from a study that background
music improves individual
performance of simple or
monotonous tasks. A KEN
mel operator who installed q
kind Of canine Muzak system
at his place reports that the
background music holds the
barking down to a tolerable
level.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
NEWS OF MUSIC
= !, 800 I = - - IN +" ~
Musical Echoes
In the White House
BY IRVING LOWENs

a Music In the White House is nothing new-Jenny Lind
the Swedish nightingale performed there during the admin
stration Of Mlard Fillmore early in the lS6Os-but the
tempo has certainly been considerably stepped thanks to
the President and Mrs. Kennedy.
One Of the earliest enunciated aims OF the present adj
israton to change the climate for the arts to make
culture respectabendeed fashionable This symbozed
on the very Of President Kennedys inauguration by the
new dimension Of seriousness in the program presented BY
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

chsmbeEs: Overture for Band,
Viva Mexico, MorTlssey. Boisro ".
e ssSSl tss s.pS f br,tssoo q p q:
terms work pondsrosa, King. ri
Captain, Souaa Selections BY The
Swinging aergeants
UNITED STATES ARMY BAND, Capt
Gilbert Mitchell, conductor. Solo
tat: Edward MARKS, clarinet, water.
gate. $50 pm, Jubilatlon overture,
Pomp and ciJcumstanee March No
4, Elgar: solo de- concours, Mes
aeHerI Selections from The Sound
of Music RodgeTs. Ate Kameraden
Teike: GRAND symphony for Band,
on is. nerlloS,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
TO-DAY

R0BERT J. LUCE, piano. Barker Hall.
YMCA, 18th a X NV. 4 pm. suite
II . Minor. Handel; Sonata in d
Prelude N F.sherp Minor. op. "a
No. b Chopin: Prelude In F-sharp,
op. 20 No. IS, Chopin; Prelude in b
es nSS.r,S Or n: Ss; NO. a. Chopin; L.
WARRINGTON CATHEDRAL CHOIR
elrsetor and orsanist wsshington
sym nSSi l. viSrns; GIVE par, o
Lord schuetz; CARLTON. Vierns.
THE CANTMENA TRIO (seymour
RIhinstein. violin; Harry WImmer'
cello: AvrAham sternklar, piano).
National GALLERY Of Art, 8 pm. Trio
In E-Plat. Op. No. 1, Beethoven:
Turina; Trio in D. op. B. brahms.
UNITED STATES MARINE BAND,
Capt Dale Harpham. conductor.
eoioists: James Basta. william Kay
per, Kari Glenn, Theodore Williams,
French horns: william Mentsemery,
flute; william Jenes, baritone lvo-
call. Watergate, $3.50 pm. staunch
and True March, Teike: Overture 70
Oberon. Weber: RODGERS and Ham,
The -Four Hornsmen, Bennett. SAM
son and Deliah Selections. Saint
eaens: Fiorentiner. Fucik; Poem.
oriffes: Aeceleratlons waltz Strauss.
Sons OF the Flea. Moussorgsky:
PolovetEian Dances, from Prince
Igor. Borodin.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
TOMORROW

UNITED STATES NAVY BAND. II.
soI sSSs ESw.la ss4i.a. '0G Sisssqd
Mayer. John Dsvel, trumpetsi Rieh.
ard Balm, harmonicA. frank Seine
neIli, post horn, Capitol Plaza. 4
Dance Of the Comedians. from Ths
Bartered Bride. emetana. The Brave
MatadoI arr. Member: Huntina
Themes q INSET. Bsssri waltz and
Polonaise.. from EuGene onsein,
ssisetIoni from west side Story,
FRANCOIS BURNETT. piano. Tn,
Phillips Collection, $50 pm, 80.
nata IN y. K. at1i Mozart: sonata
up4HD, Kirehner; Sonata IN n Min.
or. Op. As. Chopin.
JOAN BLIxAngTH HARTMAN. piano.
Powell Auditorium, Cosmos club,
$50 pm. -An-LlsEt Prpgram. GOD
saw, Ths 9ussn' cupp sospi.o; pa:
March: Ia campansiii; Llcbs-
stratum. IL isuK d,eau q IL villa
d'Ests. Hunearian lthapaody No. 2.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

these things, like the subject
matter, could reasonably be
characterized as feminine.
II one wanted to get geo.
philosophical about Cassatt.
the same conclusion would be
reached. She was unusually
successful in grasping and
applying the lessons Of the
Japanese prints shown in
Paris. She did not hesitate
to title one Of her finest color
prints, Imitation Of a
Japanese engraving" In the
extremely tricky concepts Of
geo-philosophy, the East has
always embodied the feminine
principle, the West the mas
culine.
Technique itself-so essen
tial in printmaking enters in
to the strong femininity OF
Mary Cassatt. Thanks to the
grudging admiration of Degas,
she was his close friend for
many years. She was also
one Of the very few people to
realize the extent Of his
achievement in prints until
his death made his prints
known to the world. Yet her
print manner is as removed
from that Of Degas as her at
titude toward women is from
his.
The special brilliance Of
Mr.. Colts exhibition, taken
from the Rosenwald Collec-
ton, is its exposition Of the
artists methods. Mary Cas-
satt printed in black and
white but the peak Of her
print achievement was a
series of ten color prints, Of
only Is impressions each,
created by a combination
of methods all her own and
totally feminine.
Done In Acid
In technique, etching and
engraving are hard" forms
Of art. Acid eats into metal.
or the BURN cuts into metal.
To print, the linked metal
plate and the paper are
brought together under such
pressure that not only is the
ink transferred, but the paper
itself is ridged with the lines
cut into the plate. With this
technical hardness has been
associated an historical hard
ness Of attitude. Printmen
are biting, are cutting. are
even mordant, which last Is
also the name for etcher's
acid. They speak often of
death, of folly, Of mans in
HUMANITY to man.
In her great series Of color
prints, Mary CaSsatt ignored
the masculine convention and
created q feminine one pre-
cisely by making q technique
perfectly suited to her fem
mime feeling. She etched
basically in soft ground. In
this method, paper is laid
over a plate coated with ordi-
nary ground which has been
modified by tallow. When
the paper is drawn upon. the
soft ground adheres to the
paper and comes away with
it when the paper is with
drawn. Thus the lines on the
plate are exposed to the acid,
a process ordinarily accom-
plished by a needle or other
sharp point applied to hard
ground.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

deliberately influenced py
japanese prints. Thus the
globe Is circled.
Considered as a woman
artist, Mary Cassatt is even
more appropriate. The Coun-
Gil of Women is dedicated to
achieving equality Of social
and legal status for women.
In the modern period Mary
Cassatt was certainly a pio-
neer in opening the whole
field Of the arts to her sex.
She did so, moreover, from
the base of q wealthy and
established family, the class
whose women, in the 10th
century, we're much more
closely limited by convention
than we're the women Of the
poor. BY the time Of Cas-
salts embarking for Paris
at about 81. rich Americans
and Europeans were well
adjusted to giving poor
women the freedom to work
in factory and field. From
the point of view Of pure
sexual differentiation, the
women Of the rich were
much closer to their archaic
status Of private property
belonging to father, husband
and son. in succession.
Emancipation Inspiration
Mary Cassatt changed all
that for herself and her ex-
ample has been one inspira-
ton in the movement for
the emancipation of women
which still goes on and
which the council furthers.
Equality is not identity.
The French deputy who
cried, in the heat Of debate,
give la differencel" was
paying tribute to, among
other things, the particular
quality of the art Of Mary
Cassatt. To this day there
are people who disparage
the fitness Of women for the
arts. A woman, it is said,
does not have the strong left
hand needed for the piano.
the objectivity needed for
the novel, the singleness of
vision needed for drawing.
Mary Cassatt. like other
women artists since, makes
has Of the argument. Degas.
the most masculine of artists
in his attitude toward women,
said Of her work, with reluc-
tant honesty, 1T Is intolerable
that a woman should draw so
we'll"
Her Own Style
Yet, as the briefest glance
at the show at the National
Gallery makes plain. Cassatt
drew so well not by initiating
either Degas or any other
male artist, but by creating
a personal and distinctively
feminine style.
The feminity of Cassatt is
clearest, Of course, in her
subjects: almost all taken
from the life of woman.
Mothers and children figure
prominently, as do women
visiting, drinking tea, picking
flowers, reading and writing.
Until quite recently it was
widely supposed that subject
matter has nothing to DO with
art, an Astonishing oversimpli-
fication now happily being
junked. Subject matter has
everything to do with Cassatt
as it does with most artists Of
substance from Giotto to
PicasSo.
As with the greatest Of
artists, Cassatt's subject mat
ter cannot really be distin-
guiShed from her art as such.
The two are one. But II 1t
were possible to abstract the
grace Of her line. the sure
but modest firmness of her
figures and composition. the
simplicity Of her coloring,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
TUESDAY

JNITED STATES Ain TORCT BAND.
n s,s ip,s Pan; soloisl.ih A..AvC WI WI
neat. tfvmpstSi wliiisS parr.s. ssn.
OF (voeaD. Boys Of the Old Briaads,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23

The basic etched line in her
plates, is enriched by dry
point, the direct application
Of point to plate with the
turned up burr Of metal left
on the plate to enhance the
printed impression. To this
she sometimes added aqua
tint, producing tonal effects,
another "softening" OF the
hard line Of intaglio.
To all this completely,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
WEDNESDAY

UNITED STATES MARINE BAND,
cart. James KlnE, conductor. SOLO;
sts. Bryon Pear.sn, sornet: Mari
baritone lvocal Capitol Plaza,
turs 70 Esmont, Beethoven; Ia VII.
sen De To- Maoarena, arr, KQfi 81.
Ieetions from state Fair. Rodsersi
itisoIstto Fantassy, Verdi. Bsiii.
Wolves Of eprlng waltz. stralssi
Drinking Song, from Hamlet.
Thomas Finale from symphony No
4 IN u Minor, Bchumann,
wATERoATE SYMPHONY oRCuEs.
IEA.l, NIshsi.s rsH.s eo snn,.rg
Jaeeb naFkIn, tenor Watergats
$3.50 Pm, Aeadesnie Festival over
ture, Brahms. Roumanian Rhapsody
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-23
PERMANENT COLLECTIONS

CORCORAN GALLERY OF ART. Sew
enteenth street and New York ave-
nue. NV. Daily 10 am. to $3.50 pm:
Saturday, 0 Am. TO 40 PM:
Sunday and holidays 2 10 B pm.
p Closed Mondays.
DUMBARTON OAKS RESEARCH
LIBRARY AND COLLECTIONS. ZOO
Thirty-second street NV. Closed
indefinitely,
FREER GALLERY OF ART, Twelfth
street and Jefferson drive -s.W.
Daily. . am. TO 4;30 pm.
NATIONAL COLLECTION or FINE
ART. Constitution avenue at Tenth
street NV. Daily. Q am. 10 4:3o
pm.
NATIONAL GALLERY OF ART, Con-
stitution avenue at Sixth street NV
Daily. 10 am. to B pm; sunday.
pm. to 10 pm.
PAN AMERICAN UNION. Seventeenth
street and Constitution avenue NV.
Daily 10 am. 10 3 pm; sunday
to 3 pm.
PHILLIPS COLLECTION, 1912 Twenty
first street NV. Daily, IL am. 10
8 pm: Monday, 2 10 z pm.
WASHINGTON GALLERY OF MODERN
ART, 1903 Twenty-first street NV,
Tuesday through Saturday, IL an.
70 8 pm; sunday, e 10 S pa.
Closed Mondays. Admission 30 cents.