davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-11-20

OLDSMOBLE SO "ss" hrdtp- Auto,
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1963-06-19

If YOU'RE of action, you're in for treat! We've fashioned this
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The frontiersman. [volume] (Palmer, Alaska) 1952-2005, 1963-12-19

ANGELS Uere the messengers of JOY that night IN
~ Bethlehem and they instructed the shepherds to
= leave their focks and go forth into Bethlehem
uhere they uould find the neuborn King.
HolU easy it Would be for US all to believe more
deeply if God should choose to send US personal angel!
Yet should We not realize, on this Christmas day,
that God has sent to US the greatest gift of all?
God chose to send forth His Son. During his 80
years upon earth, Christ lived for the most part an
ordinary life No heads preceded his footsteps He never
sat upon a throne; His only one of asorns
The frontiersman. [volume] (Palmer, Alaska) 1952-2005, 1963-12-19

Far from home and accustomed regal comfort these
weary Travellers pushed onUard waiting the moment en
the light of the star would signify they had reached
journeys end.
They had travelled far, these kings of men, to knee
doWn and pay homage to a mere infant-a newborn
chId-t1e "King of Kings
CHEPHERDS there lUere matching their flock, upon
the hllsides Bethlehem. These were men of
simple birth and of simple faia far different from
the Three Kings of the Orient mho passed in the night
enroute to Bethlehem. Because the King born Bethle
hem not only the "King of Kings" but the King of
all men, everywhere heavenly messenger sent forth
to announce the glad tidings to the gentle Shepherds
These of simple means possessed no gold,
frankincense m,nrh but they brought gits as best
they could afford, and offered them With a full and
happy heart.
The frontiersman. [volume] (Palmer, Alaska) 1952-2005, 1963-12-19

n TARY, the mother, suffering in silence, Wos at the
wi same time oUerflo,Uing With JOY
The journey to Bethlehem had been a difficult
Without her great faith and the realization OF the
supreme importance of her mission in life, must
Uonder if Mary might not have been tempted to give in
to despair and defeat.
Mary certainly not immune to pain, yet she
complained, not even to Joseph Mary knelo Wel
the hope and the joy of all mankind
The frontiersman. [volume] (Palmer, Alaska) 1952-2005, 1963-12-19

T0sEPH, the carpenter from Galaee, hgamue
man, strong and filed oiH determination 10 jisLfA
81 the requirements of the great responsibility for Hlch
he had been chosen.
The great faith of this Joseph should prouide
inspiration for all of Joseph did not question the
WiU, the purpose of God.
In the face of adUersity and filled wd great concern
for Mary Joseph could haze cried out in anger against
the World Which seemingly denied aid and comfort in so
great an hour of need.
Evening star., 1963-01-20

bandages and what seem to
be king-size window-shade
rollers. His large painting is
simply arranged in horizontal
areas of flat red and flat
gray. In his fearless encoun-
ter with his own identity, or
whatever it is one is sup
posed to encounter in this
kind Of malarky, Mr.. Scarpit-
ia has seen fit to slash four
cuts into his red band. The
picture would have been
vastly improved If he'd con-
tinued on this line. Instead,
he bandaged up the slashes,
two and two. fastened a
safety belt to each upper
corner. presumably to pro-
tect the painting from it
self, and stuck on the rollers
about halfway down. He calls
it, "Over the Fence" an ex-
cellent suggestion.
The hard edge geometrical
abstractionists are out in
force in the 28th, but the
force is considerably dimin-
ished by the numbers and
the necessity felt by each re-
cruit to invent some varia-
ton on the themes copy
righted so long ago by Al
bers, Burgoyne Diller and
Alexander Liberman, all of
whom are represented by full
realizations of their extremely
limited aims. The Liberman
in particular, "Air l." is a
magnificent fulfillment of
what the neo-mystical color
lists hope to achieve. He plays
a small mauve disk against
a large orange disk set in a
white flat box and the colors
really do vibrate, separate
and float in space.
Washington Artists
The Washington branch
of this popular diversion is
represented by Kenneth No
land, with a large, rather
subdued target; Tom Down
ing, with a large polka dot
pattern in several colors, and
the late Morris Louis, whose
Number 1872" is a tall paint
ing of vertical stripes very
like the designs Of piano
scarves in the days when
pianos still wore scarves.
The real massacre Of the
advance guard at the am
bush, however, takes place in
the works of artists who were
at the top or near the top
of advance American paint
ing in the l950s. There is
a flabbiness, a sense Of self
repetition and simple dull
ness that were not there be-
fore.
Evening star., 1963-01-20
BY DAY THORPE
Star staff Writer

LONDON. Jan. IL CBy
MaiD Albert Fuller, play
ing a program Of Rameau
and Scarlatti in his London
harpsichord debut, showed
himself to be an artist whose
only peer on today's concert
stage is his former teacher,
Ralph Kirkpatrick. Mr.. Full
Ter played last night in Wig
more Hall where some Of the
audience remained in over
coats because Of the cold
weather, and where a key
board-player's fingers might
be a trifle stiff for the same
reason, but the virtusuese
was unperturbable and in
complete command OF his
instrument. a two-manual
harpsichord built by William
Dowd, Of Boston.
Mr.. Fuller is Washington
born and raised, and studied
organ with Paul Galloway be-
fore going TO Yale In 1851 TO
work with Kirkpatrick.
London's reaction TO Mr..
Fuller's playing can be seen
from newspaper reviews. The
Times said. In part:
Vivid imagination, exu-
berant vitality and brilliant
technique Gas soon as his
fingers warmed up) were the
Evening star., 1963-01-20
Albert Fuller Highly Praised
In First Recital in London

outstanding qualities that Mr..
Mr.. Albert Fuller brought to
his harpsichord recital last
night. Moreover. he had the
enviable faculty Of communi-
eating his own keen enjoy
ment OF the music he played
TO his audience.
"They (Rameau and Scar
lattiD would have been the
first 10 applaud every strik-
ing contrast of color and
dynamics and every flight Of
bravura OF which Mr.. Fuller
ayailed himself in order 10
bring home the eomtionally
intense and at times almost
theatrically bold nature OF
their thought"
The Daily Telegraph said:
1T was not merely daz-
cling virtuosity but also a
powerful musical impulse
which made Albert Fuller's
recital an occasion very much
out Of the ordinary strong
feeling for the character OF
each movement in the two
Rambeau suites brought out
the usic's Kaleidoscope
richness OF invention and
mood, and he used his subtle
sense Of timing TO point the
rhythms effectively. :"
Mr.. Fuller is at present
continuing his recital tour
with concerts in several Ger
man cities and in Paris.
Evening star., 1963-01-20
PERMANENT COLLECTIONS

CORCORAN GALLEY OF ART, Seven
teenth street and New York avenue
NV. Daily, 10 am. TO 4:30 pm.
Saturday 8 am. to 4:30 pm: Sun
day and holidays, 2 TO 8 pm:
closed Monday.
DUMBART0N OAKS RESEARCH IL
BRARY AND COLLECTION, 1900
Thirty-second street NV. Closed
indefinitely.
FREER GALLERY OF ART. Twelfth
street and Jefferson drive S.W.
Daily. 9 am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ARTS, Constitution avenue at Tenth
street NV. Daily, 8 am. 10 4:30
pm.
NATIONAL GALLERY OF ART, Con-
stitution avenue at Sixth street NV.
Daily, 10 am. to 9 pm. Sunday, 10
am. to 10 pm.
PHILLIPS COLLECTION, 1912 Twenty
first street NV. Daily, IL am. to
9 pm: Monday, IL am. TO 10 pm:
Sunday, to z pm.
WASHINGTON GALLERY OF MOD
ERN ART. 1903 Twenty-first street
NV. Tuesday through Saturday. IL
am. to 9 pm; Sunday, ? to 5 pm:
closed Monday. Admission so cents.
Evening star., 1963-01-20
BY IRVING LOWENS
Star Music Critic

Composers Of serious mu-
sic enjoy winning contests
and getting commissions, but
they all will admit that this
is no way to earn a living
Although you might not
believe 1t from the headlines,
most of the serious new
music that gets written in
this country doesn't bring its
composers gobs of money
as a matter of fact, each
big work usually costs its
composer a pretty penny, and
he can Ill afford such ex-
pense.
Suppose you are a fairly
good composer in your 30s
or 40s and you have just
spent six months or so COM
pleting a symphony. You
send it to Maestro Zilch of
the Xuille Symphony Orches-
ira in the hope that he will
play 1t. Zilch is enthusiastic.
"Yes," he says. 1T is a mas
terpiece. I will perform 1t
next season."
You are very happy-but
your expenses are just begin
ming.
Costly Venture
First Of all, there are or
chestral parts which are
necessary for the players.
Who pays for them? You do
either by hiring a profess
sional copyist at the cost of
several hundred dollars, or
by making them yourself at
the cost of countless hours
of unpaid drudgery.
Evening star., 1963-01-20
For the Foundation

The Ford Foundation has
started a three-year program
Of buying paintings out Of
national and regional exhibit
tions. II has bought l6 from
the biennial, of which six
have been given TO the Cor
coran. We should be espe-
cially grateful for two OF
these, a Jimmy Ernst and a
Gabor Peterdi.
The Peterdi is "Thicket"
Evening star., 1963-01-20
NEWS OF MUSIC
A New Music Center
To Assist Composers

Well, you have the parts
and you ship them off to
Xuille. The piece is difficult,
however, and the Maestro
wants your advice at re-
hearsals-as we'll as your
presence, as a social lion, at
the world premiere. However,
you live in Washington and
Xuille happens to be in Cali
fornia. Who pays your trans
portation? You do-and you
also pay your own living ex-
penses while you are about it.
ScandalOus State
In the final analysis, the
average world premiere
brings the composer only a
measure of fame (Which is
very fleeting, once the pub
licity value of the first per-
formance" is gomez and an
aching void in the pocket
book.
This wretched state of af-
fairs has long been one of
the scandals of the serious
music world, and 1t is there
fore happy news that some
body, at long last, is trying
to do something about it.
Thanks to the Martha
Baird Rockefeller Fund for
Music. which is picking up
the tab, the revitalized
American Music Center has
announced that it is inaugu-
rating an experimental com
poser assistance program"
Aiding Composers
The primary aim Of the
center's experiment is to aid
composers in the preparation
of scores and parts for ma
jor works in the field of
Evening star., 1963-01-20

Metropolitan Opera Audi.
tiOns are on again. The Mid
die Atlantic regional audi
tions will take place this
year on Friday, February 22,.
at the National Gallery OF
Art. Interested young sing.
ers may obtain application
blanks by writing Mrs. STAN
ley L. Shearer, Mayberry
road, Westminster, Md. -
Pianist Leon Fleisher, and
duo-pianists Vitya VrOnsky
and Victor Babin have been
appointed judges Of the Ma
tional Additions for Pianists,
to be held in Washington on
May 3 under sponsorship Of
the Friday Morning Music
Club Foundation, Inc. Aspir-
ants, United States citizens
not less than 16 nor more
than % years old, will COM
pete for a total of $2,750 in
scholarship awards. Deadline
for filing applications Is
March is. For information
and application blanks write
Kathryn Hill Rawls, 1908
Thirty-seventh street NV,
Washington Z, D. c.
Col. George S. Howard.
conductor of the United
States Air Force Band and
overall chief Of Air Force
bands, was honored in Chi
cago recently by the Midwest
National Band Clinic. The
award, the organizations
Medal Of Honor Award, cited
Col. Howard for distinguished
service to music education,
and this presentation marked
the first time it has been
given in the organizations
16-year history
Evening star., 1963-01-20

Company in a program Of
show tunes, and the familiar
voice Of Eddie GaIlaher will
be heard as master Of cere-
monies. The second and
third Of the Pops Concerts
will take place in the dry
atmosphere Of Constitution
Hall. On March 16 the in
ventor Of Pops Concerts,
Arthur Fielder, will appear
as guest conductor; Howard
Mitchell will conduct an all
Gershwin concert on April 6,
with piano soloist Jose Itur-
bi playing the Rhapsody in
Blue" There will be no
Marine Band concert in the
Departmental Auditorium
this Wednesday night.
Gerald Moore, the best
known recital accompanist Of
our time, will appear at Ca
fritz Auditorium, Jewish
Community Center, at $3.50
pm. on Saturday, February 2.
His program is billed as "The
Unashamed Accompanist in
a Lecture Recital of Music
and Mirth," and tickets are
on sale at the Discount Rec
ord Shop, next to the Du-
pont Theater. The Free
Concerts Foundation will pre-
sent another in its series of
free concerts in the Depart
ment Of State Auditorium at
$3.50 pm. on Monday, Febru-
ary 4. The KOmitas String
Quartet of Moscow will play
quartets by Beethoven, Sho-
stakovich, and Ravel. Tickets
may be obtained (only two
to a customer) by writing the
Free Concerts Foundation,
2941 Newark street NV,
Washington 8, D: c.
Evening star., 1963-01-20

and the artists treatment of
briarS and branches is amaz-
ing. Close to, the surface
seems an endless repetition
of little lines. At a distance,
the lines take on definition
and substance. Even tn e
horizon appears, seen dimly
through the tangle.
Major Work
The Ernst is one of the
major works of the show.
"Icarus" presents the early
Greek aviator in Ernst's
completely personal, highly
refined plastic language
based on nets of color over
laid with fluid geometrical
forms. His language was
never more skillfully infect
ed then it is here. Shapes
appear out of the meshes
and become figures. Immense
spaces are Seen-the sky road
to Sicily, from which Icarus
fell, and the water world
into which he fell. The circles
and arcs and crossed lines
are also blueprints and flight
plans. Through it all punges
the figure of Icarus, white
with the melting sunlight,
falling, falling to death and
Immortality. Ernst is the
only artist in the world who
could combine, as here he
does, a Greek myth with the
color sensitivty of Mondrian
and the linear emotions of
Piranesi.
What with the Biennial at
the Corcoran, the Nakian
show at the Gallery Of Mod
ern Art and the Mona Lisa
still packing them in at the
National Gallery, a number
of excellent shows around
town can be too easily over
looked. Hence, these remind
ers:
The week brings two fine
print exhibitions into view:
Pennell and His Contem-
poraries at the Library of
Congress; and, opening
Wednesday at $3.50 pm, q
Picasso Print Retrospective
at the Jewish Community
Center with the prints COM
ing from the Rosenwald Col
lection. Besides the Biennial.
the Corcoran has a show Of
drawings by Jean Cocteau,
arranged by the Institute of
Contemporary Arts, and,
opening Tuesday, the latest
area artist show: Paintings
by Clare Ferriter. other one
man shows of strong inter-
est are James Strombotne at
the Obelisk; Mexican painter
Amado Aldarca at the Pan
American Union; Lisa
Shapiro at B'Nai Birth; and
Glenn Heaton at the Wash
ingtOn Gallery Of Art.
Evening star., 1963-01-20
Night Figures

Then there is a monu-
mental painting by Rico Le-
brun, happily purchased by
the Friends Of the Corcoran
as their gift TO the Gallery.
The figures of might Fig
ures' are two headleSs, arm
les presences, looming out Of
darkness that Rlows here and
there with unidentified
lights. The giant seated
forms are at once ancient
Evening star., 1963-01-20
Paint Squirts

You can start at the very
top with Willem De Kooning
and Hans Hofmann. The De
Kooning is a very weak
painting; called "Sprin g's
Summer" 1t consists mainly
of two large, not sharply de-
fined, areas OF yellow and
orange, splattered over with
random paint squirtings.
There's no impact, no sense
of involvement. The old
ferocity is completely gone
and without ferocity there
really isn't much Of anything
left.
Same with the Hofmann.
The former. relatively tight
and always controlled and
conscious composition has
melted away. The colors are
still violent, but the insertion
Of squares among the smears
cancels out the old sense Of
pure play that enchanted the
eye.
Evening star., 1963-01-20
Same Old Flaps

Moving down 10 the Sec
ond level we find a work by
the Juror, Conrad Marca-
Relli His huge paste-ups Of
canvas flaps never captivated
Evening star., 1963-01-20

symphonic, ballet, and mu-
dramatic composition.
Now If Maestro Zilch
wants to do your symphony,
you can ask him to supply
you with a written pledge Of
performance. If you can fur
nish this basic document,
chances are that the Ameri-
can Music Center will take
over the job of extracting
and reproducing the parts at
no cost to you.
Furthermore, If the Macs
tro feels that he must have
you on hand at rehearsals
or at the premiere, the CEN
ter may well pay for the
trip also.
How to Seek Aid
To qualify for assistance,
the center prefers that you
be a composer, in the 30-50
year bracket with limited
performances of major works
and only nominal income
from composition. You must
have a bona fide written
pledge of performance, in the
form of a letter addressed
to the American Music Gen.
ter, from one OF four sources:
(a) an artist who, as guest
soloist, has assurance from
the conductor of a major or
metropolitan orchestra that
your work will be pro-
grammed in at least one sub
Scription concert.
(b) a major or metropolitan
symphony orchestra, as de-
fined by the American SYM
phony Orchestra League;
(c) a professional opera
company, defined as one
which charges admission,
uses an orchestra, pays per-
formers professional fees, and
presents a season of at least
three different works (the
Opera Society of Washington
just manages to qualify;
I'D a ballet or dance COM
pany whose standards, in the
opinion of the Center's selec-
tion panel, would serve the
objectives of the project.
Great Step Forward
Also. you as composer must
write to the Center yourself,
supplying all information 1t
needs to evaluate your re-
quest, stating the extent and
type of assistance you want.
You have to provide the Cen
ter's director, Mr.. Lester
Trimble, with a copy of your
score so that he can do the
work for you, and give him
four months to prepare the
performance materials.
To my mind, this type Of
subsidy is infinitely more val
liable to the serious composer
in this country than any con-
ceivable contest.
You can get full details by
writing to the American
Music Center, Inc. (Mr. Les
ter Trimble, General Man.
ager), 118 West 57th Street,
New York 10, New York.
NEWS FROM HERE -
There is a switch in the
traditional National Sym
phOny concert nights this
week in Constitution Hall.
from Tuesday and Wednes-
day to Monday and Tues
day. Regular subscribers to
the Wednesday series should
go on Monday, with no
change involved for the regu-
lar Tuesday subscribers. {.
The National Symphony has
scheduled three Pops Con-
certs later in the season.
First, on Valentine Day, Feb
ruary IA, will take place at
the Sheraton Park Hotel,
with the audience seated at
tables guzzling beer and
snaffling up pretzels while
Lloyd Geisler conducts the
orchestra and members Of
the American Light Opera