davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
TOMORROW

TONG IL HAN. piano: Paul Winter
Jazz Sextet. East Room, The White
House, pm. BY invitation only,
Program not available.
FAIRFAX COUNTY SYMPHONY Or
CHESTRA, Horvey NJ. Krasney
conductor: Soloist: Roy E. Clark
piano. Annandale High School
auditorium, 400 Medford drive
Annandale, Va, $50 pm. Water
Music, Handel; A Night on Bare
Mountain, Moussorgsky: Piano Con-
GGerto in B5Flat. K. 596: Mozart;
Weinberger.
MICHEL CHAUvETON, VIOLIN Donald
Hassard, piano. The Phillips Col
lection, $40 pm. Sonata in E
Flat, X. 500, Mozart Sonata No.
s, Op. 80 No. 3, Beethoven; Soma
tina, Sauguet: Sonata No. /, Op.
10. Faure; Six Roumanian Dances,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

not possibly generate them
selves. To make the place
acoustic-proof, douse it with
music.
Mozart, Beethoven, and
Schubert will take over where
Abramovitz and Beranek havt
left off," he predicted.
How long does acoustic
proofing take?
Have patience, he urged
New York concert audiences
and critics-wait a century
or so.
Hard to Understand
Acoustic is only frighten-
ing to those with golden ears
Others, such as myself, find
it difficult to understand the
panic IT generates.
Since the most violent spe-
cimen of the species seems to
make its home in Phil
harmonic Hall, I was looking
forward to my first encoun-
ter with that auditorium with
no little trepidation. 1t took
place a few weeks ago during
the course of the Music
Critics Association confer
ence. We all went to hear
Karl Boehm and the Phil
harmonic in a program of
Mozart and Bruckner, and
there was much scrambling
up and down StaircaseS, shift
ing from one side to another,
and moving from front to
back.
I'm afraid I didn't find
acoustic terribly vicious that
night. The hall was not per-
feet, but I didn't think it was
worth the effort to tear it
down and begin again.
Acoustic in Constitution
Hall is much the same kind
of animal. That auditorium
isn't perfect, but it isn't that
bad either.
I'm all in favor Of making
adjustments in halls to tame
the acoustic, but 1 must con-
fess that I find it difficult
to understand why 1t is so
difficult for us to make ad-
juStments in our own listen
ing equipment-our ears.
After all, we listen to vim
tage recordings and manage
to hear through them to the
music. But listen to live music
in Philharmonic Hall or Con-
stitution Hall? Neverl Tear
'em down!
I have a simple suggestion
to make about how to get
away from an acoustic If it
starts bothering you when
you are at a concert-just
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

so Marques directs the 80
male voices of the Orfeon
Choir in a program of sacred
music, art songs, folk and
student songs from Portugal.
Extra seats have been set up
in the Shrine in anticipation
of a large crowd, and there
will be plenty of standing
room, just in case.
There will be lots of music
on the TV this week. At II
this morning, CHS presents
"A Tribute to Fritz Kreisler"
WTOP-9D, with violinist
Jaime Laredo, playing Kreis-
Ter compositions and tran
ScriptionS. NBC will pre-
sent a repeat telecast of Boris
GOdunOv this afternoon from
2::30 to 4:30 (WRC-4, with
GiOrgiO TOzzi singing Boris.
The Walt Disney show
tonight at 7:30 is THE Mag
nificent Rebel" a study of
Beethoven filmed in Vienna
with an all-European cast
(WRC-4) Howard Mitch
ell, conductor of the National
Symphony Orchestra, appears
as guest conductor on the
Voice of Firestone program
tonight at 10 (WMAL-D.
There will be a special con-
cert by the Boston Symphony
Orchestra Thursday after
noon from to 3 on WTTG-5,
presenting a film version of
Charles Munich conducting
his farewell concert at Tan
glewood last summer. The
Beethoven Ninth is the fea-
tured work, with Copland's
Quiet City. SoloistS in the
Ninth: Adele Addison, So
prano; Florence KOpleff, con-
tralto; John McCOllum, ten
or; Donald Cramm, bass.
BOOKS ON MUSIC-New
this week:
Bernard Taper's CelIist in
Exile (McGraw-HiIl; S4.95),
a portrait of Pablo Casals ex-
banded from the profile which
appeared in The New Yorker,
Illustrated with many photo
graphs. a number of which
have never been published be-
fore.
M. D. Herter Norton's The
Art of String Quartet Play
ing Morton; $500, a prac-
teal guide for those amateur
and professional musicians to
whom the making of chamber
music is one of life's great
joys, with a preface by Isaac
Scientifically a revised edi-
ton of a book which was
first published in 1925.
Music in the United States
Concert Season, 1928
The Music Committee, 734
Jackson Place NV; $2.25),
the valuable annual calendar
of musical events taking place
across the Nation-this sea-
sons edition lists more than
1880 symphony, choral,
band, opera, jazz, dance, folk,
chamber music, and solo per-
formances Gas we'll as festi-
walls, music workshops, COL
lege and university activities,
conferences, and clinics)
scheduled in 1874 American
cities between now and June,
1868.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
Adums-Moreon

This still new gallery is
showing about two dozen ink
drawings by Panamanian AL
berto Dutary. The series is
called Hotel de Dieu, or Char
ity Hospital, and is a wry,
ironic, meditation on suffer-
ing and death. Even if you
don't like these subjects, the
show will do you good.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
Smithsonian

At the graphic arts divi-
sion of the Smithsonian that
grand old institution is off
on something Of a new de-
parture in putting on a one
man show for a printmaker
in this area.
The printmaker is a good
one and also a new man in
town-or out of town: George
O'Connell, a midwesterner,
has recently Joined the art
department of the University
of Maryland. where he
teaches printmaking.
Mr.. O'Connell's specialties
are etching and drypoint; at
least they are the media
shown in the is prints on
view at the Smithsonian.
Drypoint is much too rarely
practiced these days and it
is very pleasant to see comp
etent work in it by a young
man.
AS the name implies, dry
point is a kind of etching
without the etch. The copper
plate is scratched at without
benefit of protective coating
and the scratches themselves
are not eaten into by acid.
They are not, in fact, what
prints. Ink is taken by the
burr of metal raised by the
scratch, that burr which is
usually scraped off in en-
cravings. Printing from this
raised burr makes possible
very soft, luminous and vel
vety blacks.
Virtuosity
Mr.. O'Connell uses these
blacks and a subtle range Of
grays for exquisite effects in
his work.
His prints, Of course, are
more than demonstrations of
technical virtuoSity. His typi-
cal line is a gracefully flow
ing one. Out of this he Gre
ates images of water, of wind,
of fire, of animated skies.
Passage" is a circular print
of a cockfight in which the
flowing lines are both the
feathers of the birds and the
circular motions of their en-
counter.
The most ambitious sub
ject is Revelations" of the
Four Horsemen of the Apoca-
lypse, and the typically flow
ing line is wonderfully apt to
the vision of st. John.
Most of the prints are Ell
ther heightened views of
lakes, woods or harbors, or
imaginative distractions.
There is no hard and fast
line between the two classes.
Landscape is constantly flow
ing off into a linear move
ment from a dream and alb
stractions in the general
manner of Malta or Gorky
constantly reveal landscape
elements.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
|. F.. A..

Leonardo Norman is a
young Mexican painter with
an astonishing exhibition
record over the last five
years. Shows of his paintings
have taken place all over the
southern United States, in
Mexico, elsewhere in the Ca
ribbean, on the East Coast,
West Coast and Midwest of
the United States, in Cana
da, in Israel, in France and
in Japan. With about 40 ex-
hibitions in that period, Ell
Their he isn't selling very
much or else he's painting
like Billy be- damned.
A visit to his current ex-
hibition at the I. F.. A. Gal
leries convinces at once that
the latter is the case. For one
thing the paintings lend
themselves to rapid produc-
ton with no real loss of
quality either in the vision
presented or in the physical
quality Of the painted sur
face.
The reason that fast pro-
duction doesn't hurt the
physical paint is that there
isn't much to hurt. The paint
is thin, making its presence
felt through bright colors
rather than heavy applica-
ton. Texture is often OBJ
tanned by stippling with the
end of the brush. In several
pictures texture is obtained
by the use Of a special form
of Masonite called Leather
wood" which has a surface
resembling that of dried
leather.
The reason fast production
doesn't hurt the vision is that
the vision is fairly shallow
filling the current social need
for pictures which are genu-
inc distractions and We
manage to say something
however slight, Mr.. Niermal
brings clouds of bright colo
together in a very pleasing
way, sometimes family sug
costing volcanoes or under
ground caves lighted by un-
seen fires or stormy weather
In many of the pictures
this swirling, luminous,
cloudy vision is brought to
focus in a linear structure
afloat in the swirl, com
posed of thin white or red
lines and recalling nothing so
much as an abstract version
of Mad Ludwig's SchlosS
Neuschwannstein.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
Brentuno's

This Georgetown sculpture
reproduction shop has begun
an occasional series of exhibit
tons with Anna Neagoe, who
paints modified cubist paint
ings of landscapes, still hfes
and people. The cubist Ian
guage lends a lot of strength
to the subjects.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
SUNDAY, NOVEMBER rs

NATIONAL SYMPHONY ORCHESTRA,
Howard Mitchell, conductor. Main
4.15 pm, Tiny Tots Concert.
FRIDAY MORNING MUSIC CLUB
COMPOSERS GROUP. Barker Hall.
YWCA, 4 pm.
wAsHfNGToN CATHEDRAL CHOIR,
Paul Galloway, director. Washington
Cathedral, 4 pm.
JOSEPH PAYNE, Harpsichord. Phil
lips Collection, pm,
EMMA MORRIS, soprano; George
ManOs, piano, National Gallery Of
Art. pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
SATURDAY

STANLEY E. WALKER, organ. Sligo
Seventh-day Adventist Church Ia
koma Park, 3;45 pm. Now Thank
Wake, Bach: Gods Time Is Best,
Bach: Toccata and Fugue in D
minor. Bach; Noel. Daquin: Intro
duction and Trumpet Tune, Boyce
Andante, Stamitz; Adagio, Mozart
RiSaudon, Campra: Praise to the
Lord. Shaw: Fairest Lord Jesus,
Edmundson; Begin My Tongue,
Edmundson; Rhosymedre, Vaughan
Williams; "A Mighty Fortress,
Whitford.
LOUISE PARKER, contralto. Cramton
Auditorium, Howard University, s
pm. Program not available.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

a radio broadcast during
which several people talked
about it. For weeks afterward,
people reported that they had
heard it in the D. A. r. audi
forum.
Straight-Faced Spool
A fortnight ago, Contrib
uting Critic Wendell Mar
grave of this newspaper was
moved to suggest that if only
Claus Adams would move his
chair two or so inches for
ward, the Julliard String
Quartet would be able to tame
the Acoustic that lived in the
Coolidge Auditorium-a
straight-faced spool.
And the Acoustic marches
on.
Next Wednesday at 7:30
pm, Leonard Bernstein at
temptS to STAY the dragon for
the younger generation, in
augurating the sixth season
of the Philharmonic's Young
Peoples Concerts over CHS
with a show called 1.-THE
Sound of a Hail." dealing
with-you guessed 1.-THE
Acoustic in Philharmonic
Hall.
New Philharmonic Home
Conductor Josef Krips, who
will be at the helm for 80 of
the New York Philharmonic's
1963-64 season concerts,
stopped off to inspect its new
home recently while on tour
with his own Buffalo SYM
phony, and came up with an
intriguing new twist. He
thinks that if you play enough
music at it, the Acoustic will
die.
Eventually, Krips said, the
music itself, reverberating in
Philharmonic Hall in per-
formance after performance,
will impart to the building
materials certain acouStical
properties which they can
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

gives it all the originality it
needs. The flowers suggesting
Nolde are probably the best.
Orsini is about to start a
class in enamel work at Craft
House,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
Pan American

The Pan American Union
has another double header,
paintings by Marco Augusta
Quiroa. drawings by Roberto
Cabrera, both of Guatamela,
and both skilled practitioners
of Aztec Abstraction.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
PERMANENT COLLECTIONS

CORCORAN GALLERY OF ART,.
Seventeenth street and New York
avenue NV. Daily, 10 am. to 4:30
pm; Saturday, 9 am. to 4:30 pm:
Sunday and holidays, 2 to p.m.i
closed Monday.
DUMBARTON OAKS RESEARCH IL
BRARY AND COLLECTION, 100
Thirty-second street NV. Closed
indefinitely
FREER GALLERY OF ART. Twelfth
street and Jefferson drive 5.W.
Daily. Q am. to 4:30 pm
NATIONAL COLLECTION OF FINE
ARTS. Constitution avenue at Tenth
street NV. Daily. am. to 4:3Q
pm.
NATIONAL GALLERY OF ART. Con,
stitution avenue at Sixth street NV.
Daily, 10 am. to 5 pm; Sunday.
. pm. TO 10 pm.
PHILLIPS COLLECTION. 1912 Twenty
first street NV. Daily, IL am. to
8 pm; Monday, II am. to 10 pm;
Sunday. to pm.
WASHINGTON GALLERY OF MODERN
ART, 1903 Twenty -first street NV.
Tuesday through Saturday, IL am.
to 9 pm; Sunday, 2 to 5 pm;
closed Monday. Admission so cents,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
FRIDAY

TRIO ITALIANO DARCHI Franco
GULL, violin Bruno GiurannA,
viola; Amadeo BaldOvino, cello).
Library Of Congress, $3.50 pm.
String Trio. Petrassi; Trio in E.
Flat, Op. 3, Beethoven.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
WEDNESDAY

ADoLFo oDNoPoSoFF. cello: Robert
Paris, piano. Pan American Union,
$40 pm. Sonata in Z. Valentino:
Sonata in E Minor, on. 3S. Brahms:
Sonata, Op. 20, Halffter; Pampeana
No. @ Ginastera: Introduction 4
Polonaise, Op 3, Chopin.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

NCulCdGlOIlI VI D6lleI III GIle
full potential of his medium,
of concentrated efforts to ex-
plore that potential.
His present one man show
at the Corcoran Gallery Of
Art is not a Retrospective but
a fast survey Of what Robert
Gates is doing right now.
All Of the 13 pictures were
painted last year or this. All
demonstrate a mastery of
paint and great Sensitivity
to its sensuous qualities.
Contrary to popular report,
this last note does not nee
eSSariily mean heaping the
stuff on in great gobs. In all
the fields of sensuality, the
real sensualist, by instinct
and self-training, knows that
the true savoring of quality
has to be accomplished in
measured, sparing amounts.
Wine-tasters don't drink
chug-a-lug.
Control and Intelligence
So here. The paint for the
most part is applied in broad,
glistening strokes. You can
indeed sense the Stroking of
the brush and the LIQUID
solid feeling of oil paint, but
it is all perfectly controlled.
You sense as we'll the op-
Grafton of the human intelli-
gence, without which sem
suality itself gets pretty dull.
Control and intelligence
manifest themselves here,
among other ways, in images
of the real world, that world
OF men and women in which
we live and look. A few years
ago 1t was widely supposed
that the world we see had
been forever made irrelevant
to the world Of art, due to
the invention of the camera.
the splitting of the atom
and-or the discovery of the
artistic personality. This sup
position is now generally rec
ognized as sophomore hy-
perbole.
The invention of the cam
era has meant only that
painters could no longer de-
vote themselves to producing
Photographic likenesses, but
then, good p ainters never
had done so.
Splitting the atom has
meant to art precisely the
same thing that opening the
West meant a century earli-
er: A bonanza opportunity
for fourth rate painters to
associate themselves with the
news of the day.
The discovery of the arts
tic personality, in painting
has been a disaster.
Robert Gates, in the bak.
er's dozen pictures at the
Corcoran, brilliantly demon
Strates the ability to use the
genuine contributions to pic
torial language made in the
last decade and a half in
fusion with the fundamental
purposes of art, to which
purposes the expression of
the artists personality is only
in eli emit !. In these few
paintings he shows figures,
landscapes and closeup de-
tails of nature; each of these
scenes from the visual world
is united with the operations
of painting in not only
peaceful but fruitful cock
istence.
Appalachian
Appalachian" is a broad
view of that broad country
seen from mountains. Geolo-
gy and vegetation reduce
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18

change your seat, and
chances are it won't follow
you.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-18
Appalachian

Appalachian" is a broad
view of that broad country
seen from mountains. Geolo-
gy and vegetation reduce
themselves to large planes of
color so set against one an
other that they echo, as pure
composition, the grandeur Of
the scene.
Different in point of view,
"Persimmon Tree" is a rich
blue field of fruit and leaves,
Arizona tribune., 1962-03-30
Again And Again

For the umpte enth cons ecutive time, a house
bill to end public Accommodations on racial
bias in the state has failed to pass. In fact,
this year it failed to get pa st the committee
groups of the House of Repre- esentatives who
are ruled by the Democrat ma jority.
There seems to be rack way of
ton in Arizona for this particular bill. Where
are the proponents of all of the fair and equal
employment bills? Why can't they get enough
impetus to have bills spons ored?
Equal and more abundant employment prac-
tices are needed greater than the need for
public accomm odations. continue to
urge only the desire to enter places Of public
accommodation I'VE will soon be ridiculed--
how can we put much emphasis where
we can enter and eat and drink If do not
have the opportunity to apply and obtain job
to pay for the eats and drinks?
The cart ha been placed before the horse
SO long in Arizona that most of the people re
unaware of the impact of obtaining decent
job.
No wonder public accomm odations cannot
get off the ground floor.
Arizona tribune., 1962-03-30

Today's model builders de-
mainland watch for-quality.
Monogram Models, Inc. says
that one of it's kit builders who
flew Mustang in World War II
noted and praised it for the au-
thenticity of it's miniature mod
ell. He noted that the inboard
gun of its Phantom Mustang has
the solenoid on the outboard
side. The solenoids of the other
two guns are on the inboard
side, just as they should be.
Arizona tribune., 1962-03-30
The Bitter End

After 81 days of strike, the union and the
owner who supply this Valley of the Sun with
bus transportation have decided by ballots to
end the worse strike against more people in
this state in decade.
The strike which resulted in hundr eds of
man hours and thousands of dollars spent or
earned, is finally ending. This end should
be called the bitter end.
Little has been accomplished by la Dor or
manag cement workers were idled by the
strike. Likewise the red ink could not be
era sed as management was unable to show
tally in the profit column.
The unsung loser and mis- cast hero Of the
entire drama of the Valley of the Sun Bus
Strike lis the little who neither owns a
movable car or truck. He is the biggest loser
in the strike especially if he ha been unable
to draw from the union strike fund from
his savings.
The bus strike may have something for
some bus drivers but the whole it did lit
tie to help the mer chants, busine
the non-bus driver union workers who depend
almo st wholly on the bus transportation system
the non-bus driver union workers who depend
almost wholly on the bus transpor tation system
Arizona tribune., 1962-03-30
MAPLE

HOUSEFULL REPOSSESSED
But just like new-maple 7 pc.
dining room set, 9 pc. maple
bedroom set w/hospital matt.
& bx. spr. 2 pc. E "A livingroom
set w/bed divan, 2 maple step
tables, Cocktail table, E A. lamps
large door refr. WIS yr. war
ranty. table top range. maple
twin beds. Cost $Io8o.OO bal.
due $1,000 $3.50 per wk.
SOUTH PHOENIS FURNITURE
4l0l S. Central----BR 6-4IOl
Arizona tribune., 1962-03-30
HOOKING AT THE RECORD-LouIs LAur,ER
SPECIAL ASST. 70 NATIONAL RERuRLIcAN cHRM

Negro in the North. the increasing
yearly do realize the significance of their
candidates for Senator's and Representatives.
Many of them have only recently migrated the South where
they denied the officials AS
where they register freely by meeting
the qualifications, they become city poll
tical machines
When they for Democratic candidates. they
helping Democrats organize
Southerners into chairmanships of key committees.
Because of seniority and Democratic
and House. Negro votes help give nine of 10
manships in the Senate and ii 20 the House
The of Southern committee charmen
Senator'S Allen j. Elender. Louisiana Agriculture
RUSSELL Georgia. Armed Services Al Willis Robertson. Virginia
Banking and Currency Harry F. Byrd Virginia. Finance;
Fubrig Arkansas Foreign Relaons John
Government Operations James o. Easand Mississippi Judiciary
Lister M Alabama. Labor and Public Welfare
ston, South Carolina, Post Office and Civil Service.
Because of the Judiciary charmanshp example
Southern Senator's able bottle the Thugood
Marshall Circuit
Appeals.
Defense and Education Fund.- Inc. attorney the
school segregation serving appointment
The Judiciary Committee graveyard of civil
rights legislation. had bypassed egis
lation in 1857.
In 1857 days after House passage, 80
As, attempt send the bill Judiciary
which similar measure had reported.
The Senate took civil rights to an
unrelated passed bill for the leasing
Fort Crowder Missouri Stella
Missouri.
After this bill fbusered days and clorlre petition
failed, ii dropped.