davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-06-10

ROCKVILLE
Pc. 2-6151 Ewes. OIL. 4-20S4
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-06-10

HILLANDALE-Large 7-room ram
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-06-10

SILVER SPRING. Close in, large
brk.. rambler, 3 bedrms., Ia baths
on LIST level. firepl., kit. with eat
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MCINTOSH CO., REALTOR. JU.
Papago Indian news. (Sells, Ariz.) 1954-19??, 1962-11-01

INDIAN OASIS TRADING POST.
! THE ONE ON THE HILL
Place Your Order Now For Your =.
-. Thanksgiving Day Turkey.
We Will Be Closed Thursday Nov. 2
Open All Day On Tuesday, Nov. 20. {.
I'VE Appreciate Your Patronage.
80. We Strive to Please. ......
INDIAN OASIS TRADING POST.
The Hi StoreH
Papago Indian news. (Sells, Ariz.) 1954-19??, 1962-11-01

ical
Of
Wnacko
ecmna
Sal and SntaR
be h0sp@li7e recved
5on is being taken at this time
o tn of
the
S
for uAed moher
lse7fa$ 3a Edna ahnAe Los
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-10-14
Questions, Answers

Question: Where did the
idea of giving a shower" for
a bride-to-be get its origin?
Mrs. L. H. c.
Answer: 1t is said to have
originated in Holland, many,
many years ago. 1t was not
until the 1905 that the idea
took hold in this country.
The use of the word came
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-10-14

To remove, or not to re-
move ones gloves is a ques-
ton that is rather hard to
answer. For over a generation
fashion and etiquette have
wavered between the "you
dos" and you don'ts". So
what is the answer today,
that is if you want to do the
right thing?
In my opinion it is largely
a matter of using common
sense on a given occasion.
AS far as fashion is con-
cerned, I think we are all
agreed that no woman APP
pears we'll dressed unless
gloves are part of her en-
semble. Aside from the
warmth they give on chilly
days. they definitely COM
plete a costume.
Should they be removed
when greeting a friend when
walking on the street? No.
1t is never necessary for a
lady to remove her gloves
when shaking hand in pass
ing. They should remain on.
What about an indoor
meeting, say in the lobby OF
a hotel when on your way to
the dining room, you bump
into an acquaintance? Again,
keep them on.
When you arrive at the
table, take both gloves OFF!
When eating or drinking it is
completely wrong to have
gloved hands. Usually the
ladies err in this case when
attending a cocktail party.
Is it a pretty sight to behold
a pair of gloved hands, one
clutching a cigarette, the
other a wet, dripping glass?
This makes it obvious that a
bare hand is certainly more
appropriate, and sanitary, to
be perfectly frank! This is
where the common sense
comes in.
What about formal appear
ances, such as going through
receiving lines? 1t is correct
in this instance. This is a
custom that has come down
through the years and it is
still considered proper. How
ever, to my way of thinking.
it would seem to me that the
greeting would be more gra-
cious on both sides if at least
the right-hand glove is re-
moved. Somehow it seems
more friendly to grasp some
one with a bare hand shake,
than a gloved one, in this
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-10-14
MODERN MANNERS,
Glove Etiquette Is
Common Sense
: By CAROLYN HAGNER SHAW

NINSL NV W WI WIN ~ Wv
case. 1t is up to you which
procedure you follow. Either
is considered correct today.
What about the long, above
selbow-length gloves that are
worn when attending a for
NAL evening function?
Today, some gloves are
made of fabrics, although
those made of suede are still
considered the more correct.
The fabric ones are easy to
handle. They slip on and
off with ease. With those Of
suede it is a different mat
ter! BY the time the dining
table is reached, because of
perspiration, the suede has
become practically glued to
your arms. To remove them
completely while eating;
which is really The old Gus
tom, is a matter of pulling
and putting, and you become
red-faced in the process. So
common sense has again
stepped in and it is now con-
sidered proper that the hand
part of the glove be unbut-
toned and removed, and
tucked (as neatly as pos
sible) under the arm part OF
the glove, just at the wrist.
Granted this is rather I'M
slightly, but it would GER
tainly seem to be using COM
mon sense in an awkward
situation.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-10-14

from someone, unknown to
posterity, who first filled an
upside down umbrella with
small gifts. The engaged girl
was then told to open it
Evening star., 1962-03-25

Note: The NBC special, "The
World of Jacqueline Kennedy" an
nounced for Sunday, March Is, 9
pm, has been postponed by the
network.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-09
Cancer Jury in I'd Day
Deciding Tobacco Case

PITTSBURGH, Nov. 9 (AP)
The trial Of a damage suit
in which a Pittsburgh carpen-
ter contends cigarettes gave
him lung cancer remained in
the hands of a jury today after
the panel failed to reach a
verdict last night.
The United States District
Court jury of eight women and
four men deliberated almost
nine hours yesterday.
James P. McArdle, attorney
for Otto Pritchard, "a, who is
suing the Liggett & Myers
Tobacco Co., has asked the jury
to award Mr.. Pritchard $213,-
900. Mr.. Pritchard charges the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-09

firms Chesterfield cigarettes
gave him cancer of the right
lung. He testified he smoked
from the 1920s until he was
afflicted with cancer in 1858.
Several doctors testified in
Mr.. Pritchard's behalf during
the six-week trial, the second
for the Pritchard case, that
they believed cigarette smoking
caused his cancer.
However, a number of doctors
also testified for Liggett e.
Myers that there is no evidence
of a definite link between
cigarettes and lung cancer.
The first trial in 1860 ended
when the Judge ruled there was
insufficient evidence to allow
the jury to decide on a verdict.
The United States Circuit
Court of Appeals later ruled
on an appeal by Mr.. Pritchard
and ordered new trial, saying
the first trial should have gone
to the jury.
jude John L. Miller, before
charging the jury yesterday, re-
jected Liggett & Myers motion
for a directed verdict in the
cigarette firms favor.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-09

The study, published in July,
1861, shows that Government
agencies agree generally that
the scope Of the prohibition
should be clarified by defining
Government publications" as
meaning works produced for the
Government by its employees.
Most of them indicated that
this would solve their prob
lens, which relate chiefly to
works produced under contracts
or grants, and that there is no
need for copyright in works
produced by their employees"
The report continues:
Several agencies, however,
indicated that there are ex-
ception cases in which it would
be highly desirable to permit
copyright in works produced by
their employees, for example:
Where the agency has spe-
cial reason to have a work pub
lished commercially, and the
publisher wants copyright pro-
lection.
Where a work Is the Joint
product Of the agency and a
private organization desiring
copyright.
Where a work is produced by
the agency under a grant from
a private organization desiring
copyright.
Where an agency seeks to
operate a self-supporting pro-
gram for the publication Of its
research reports.
Where the agency has rea-
son to believe that reproduce
ton of a publication must be
controlled to prevent distor-
ton in a dangerous manner"
Study'S Conclusions
The conclusions reached in
the study were:
1--WE agree with the basic
principle that works produced
by the Government should be
open to the widest possible dis
semination. We would there
fore retain the general prohi-
bition against copyright in
government publications with
that term being defined as
works produced for the Gov
eminent by its employees.
1--WE believe, however, that
provisions should be made to
permit exceptions in unusual
cases, without requiring the
agencies to seek special legis-
lation in each instance. It does
not seem feasible to spell out
the appropriate exceptions in
the statute, and we think 1t
would not be advisable to
authorize each agency to es-
tablish its own standards. A
better procedure, we suggest,
would be to empower a CEN
trail agency possibly the Con-
greSSional Joint Commission
on Printing or the Bureau of
the Budget-to permit excep-
tons in particular situations.
This would provide for the
development of uniform stand
ards for the Government as
a whole. with controls to as
! sure that copyright is per.
, mitted only in special casel
where the extraordinary cir
cumstances warrant the de,
parture from the general rule.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-09
Document Copyrights
Raise Legal Issues

The increasing tendency OF
Government officials to place
copyright restrictions on docu-
ments has caused the Library of
Congress to call for Qualification
of the laws governing Federal
publications.
The Library's office of the
Register of Copyrights says the
present stumbling block to a
clear understanding of what
can and cannot be copyrighted
is a clause in the existing Copy
right Law of 1909 that states
mo copyright shall subsist
in any publication Of the
United States Government, OF
any reprint in whole or in part
thereof :"
The confusion is that the
wording ofthe law does not de-
fine what should be considered
a Government publication, and
the Register would like Con-
gress to clarity it.
AS a result, officials from the
President of the United States
to sub-officials Of Government
have copyrighted material pro-
duced by them or their subordi-
mates while they were in Gov
eminent service.
Variety Of Examples
For example:
President Kennedy wrote a
book entitled ITO Turn the
Tide" a collection Of his state
ments from his election through
the 1861 adjournment of Con-
gress. This material was copy
righted, apparently without his
knowledge.
A Congressman copyrighted
a document outlining parlia-
mentary procedures for the
House Of Representatives.
An official of the Food and
Drug Administration received
$287 ,142 for editorial work in
volving scientific journals.
A copyright was placed on
an official military history of
World War II, compiled by the
Army.
Admiral H. G. Rickover, con-
sidered the father of the atomic
submarine, placed % of his
speeches under copyright.
The Atomic Energy Com
mission, and many other scien-
tific branches of the Govern
ment, grant exclusive rights
to private publishers to print
information obtained by the
Federal agency in research.
The astronauts receive
$500,000 from Life magazine
for the exclusive rights to in
formation and experiences they
obtained in their work.
These are but a few Of the
examples cited by M. B
Schnapper, editor Of the Public
Affairs Press, a Washington
concern that prints Qfficia,
Government documents fol
private sale. He is one of the
most outspoken critics of the
copy practices.
While the Register of Copy.
right office refuses to commit
itself on the extent Of ALLEGED
abuses Of copyright procedures
it does cite a general study
conducted of the copyrigh
situation.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-11-09
StockpiIe Probe Set
To Resume Tuesday
By the Associated Press

The Senate investigation of
the accumulation of SURPRISES
IN national defense stockpiles
is to resume Tuesday.
The special Senate Armed
Services Subcommittee con-
Quoting the inquiry said the
public hearings would continue
into early December. They are
designed to provide the basis
for a report to Congress rec
ommending new stockpile con-
troll legislation and policies.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04

usual treat for music lovers
is on tap Tuesday at 1880
pm. when WTOP-TV pre-
sents an hour-long telecast
Of Leonard Bernstein and
the New York Philharmonic
Orchestra in Japan" Bern
stein on Oriental music
should be fun The Ma
tional Symphony Orchestra
and Howard Mitchell begin a
14-city Southern tour Thurs
day in Lexington, Va, re-
turning to Constitution Hall
on February ~ COmdr.
Charles Brendler and the
Navy Band will be featured
at the All-American Band
and Instrumental Clinic to
be held here Friday and
under Hayes Concert Bureau
Saturday The Detroit
Symphony Orchestra under
Paul Paray gets as close to
Washington as Fredericks-
burg, appearing in concert
Wednesday at 8:15 pm. at
Mary Washington College.
Il Il 49,
WORDS ON MUSIC -
Leonard Bernstein is the
subject Of an interesting piece
by Robert Cunniff in the
February issue of Show Bust:
ness Illustrated. Called 1.-THE
Bernstein Dilemma" the ar
ticle portrays him as a man
who is never satisfied, as one
filled with self-doubts about
his creative potential despite
his spectacular successes
Any self-doubts Bernstein
may have do not stop him
from appearing in the
columns of the February
Show as a playwright. His
maiden dramatic effort
without benefit Of music
is a two-character dialogue
entitled Nobody Listens Any
More, George" George turns
out to be the Father of Our
Country, with whom Bern
stein himself holds a con-
verSation about the musical
habits Of Americans while
the two are comfortably en-
sconced aboard a luxury jet
plane surrounded by Muzak
The February 3 Satur-
day Review carries three let
ters protesting Henry Bran
don's dyspeptic view of the
National Symphony Orches-
ira as it appeared in his
widely discussed Washing
tons Struggle for Culture" a
few weeks back. Writes Mime.
Pierre Monteux Gin part)
HE (Mr. Monteux) has been
enchanted by the orchestra,
their beautiful discipline,
wonderful ensemble work.
and virtuosity. The concerts
were a delight to hear. After
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04
TODAY'S GOOD
MUSIC DIAL

$3.50, WMAL-FM (1O7.3 Me-
-Divertimento. Works by
Marcello. Galuppi and
Haydn.
800, WASH-FM (97.1 Mc.)-
MaSterworks of Music. Rich
ard Strauss Albine SYM
phony.
1905. WGMS AMIN $50 Kc.
and 1885 Me- - Sunday
Morning Symphony. MOI
arts TIL mos, King of
Egypt: excerpts; Dubussy's
Rondes de Printemps.
1880, WASH-FM (97.1 Mc,)-
Music Of Distinction. Bach's
Mass in B Minor.
1900, WMAL-FM (1O7.3 Mc.)
- Recital Stage. Pianist
Artur Rubinstein, performs
works by Schubert, Chopin
and Brahms.
2:O5. WGMS AMIN $50 Kc.
and 1888 Me- - Boston
Symphony Orchestra. Ernest
Ansermet, guest conductor.
Works by Brahms. Martin
and Falla.
500, WMAL-FM (1O7.3 Me-
Paris Conservatory Orch
estra. Works by List, Wag-
ner. Tchaikovsky, Prokofief
and Stravinsky.
4:30. WHFS-FM (102.S Me-
- Great Sacred Music.
Bach's Cantata No. 1913:
Trouer Ode.
$3.50, WASH-FM (97.I Mc.)-
Masterworks from france.
Messiaen'S Festival of the
Beautiful Waters" for Six
Ondes Martenot.
$500, WNfAL-FM (IO7.3 Me-
Heritage Concert. Haydn's
Symphony No. 90 in E Flat:
Scriabin's The Poem of
Ecstasy, Opus 81 and Black
woods Symphony No. l.
$500, WGMS AMIN $50 Kc.
and 1885 Me- - National
Gallery Of Art Concert. Elma
Adams, pianist. Works by
Bach-Busoni; Bach, Men
delsSohn, Hindemith and
Chopin.
sos, WASH-FM 1911 Mc.)-
Symphony Hall. Nardini's
Violin Concerto in E Minor.
$3.50, WHFS-FM (1O2.3 Mc.)-
Box Seat. Verdi's I'll Trova-
tore" with Mario Del Mon
AGO and Renata Tebaldi.
1905, WGMS AMIN $50 Kc.
and 1888 Mc.) - Archive
Hour. Works by Viadana,
Gesualdoo Corelli and Tar
TIM.
11:O0, WMAL-FM (1O3.7 Me-
Evening Concert. Works
by Weber, Boccherini, Gina
rosa and DVorak.
1901, WWDC. - Music Til
Dawn. Highlights of Lucia
di Lammermoor" by Doni-
zetti; Dvorak's Symphony in
B Flat Major; Symphony
No. 5 by Shostakovich.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04

embassy teen-agers will be in
the East Room to see and
hear it.
Met Opera Guild
The Metropolitan Opera
Studio is not the Metropolitan
Opera Company. 1t is an
experimental venture, spon-
sored by the Lincoln Center,
presented by the Metropolitan
Opera Guild, and artistically
supervised by the Metropol-
itan Opera. Its director is
John Gutman assistant
manager of the Metz, it's
musical director is George
Schick associate conductor
at the Met and musical as
sistant to the administration,
its manager is Glen Sauls
administrative assistant at
the Metz.
The Studio is especially
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04

concerned with the problem
of getting students and opera
together. 1t is an integral
part of the Lincoln Center
Student Program, which picks
up the expense tab.
The idea Of the Studio
grew out of the Nets inabil-
ity to increase the number of
student performances, and
the decision to bring opera
directly to the students if it
wasn't feasible to bring the
students to the Opera House.
Light Scenery
"CoSi," which requires only
a small cast and light scenery,
was picked as the first opera
to be produced, and on De-
cember 16, 1860, the first
performance took place. The
theater was the auditorium
of Alexander Burger Junior
High School in the Bronx,
and the audience consisted of
500 school children, aged
from IL up, mostly of Puerto
Rican and Negro extraction.
The White House edition
OF the same opera will be the
Studios 95th presentation.
Approximately 1880 young
sters in the five New York
City boroughs and in seven
States-the Studio has been
on tour-will have viewed
"Cosi" by the time these
words appear in print.
This season, the Barber
of Seville" has been added
to the studios repertory, and
seven performances of the
new production have thus
far been given.
All Professionals
The 40 singers on the stu
dos roster are all profess
SIGNALS. some of them with
Met contracts. They are &C
tive in other than studio
productions - most of them
sing in television and appear
on the stage in other opera
productions. For instance,
Helen Vanni and Stanley
Kolk, both of whom will sing
in the White House "Cosi,"
are we'll known to Washing
ton audiences from previous
appearances here in Opera
Society productions.
What they have in COM .
mon is youth and talent, and
they stand to gain as much
from the experience as their
audience.
1t should be pointed out
that the studios program
has by no means met with
unanimous approval. The
"Cosi" production has been
called a travesty Of the orig
inal; the staff has been at
tackled for desecrating a mas
terpiece; the moral suitability
of the plot for youngsters has
been called in question.
Let it be conceded that the
English version by Ruth and
Thomas Martin used by the
studio has it's faults, that a
piano is no adequate substi-
tute for Mozart's enchanting
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04
TODAY

EMIL GILELS, piano. Constitution Hall.
3 pm Sonata in B-Flat K 2S1,
Mozart: Sonata in F Minor. Opus 81,
88e Be no o Senate No. 8 in B-Flat'
BAND Michael Ronca, conductor.
Northwestern High School Audito-
rum, Adelphi road. Hyattsville, 3
pm. American overture. jenkins;
and e ~ Mr Wee scS ch9 pa1
cant, Peischeiti; Manx overture.
LOIS GRANICK, soprano: Edwin Earle
Ferguson. piano; Barker Hall. YWCA.
p Ia ma ahd x t i.Tssti on N%
Pizzetti; Intorno aridol milo, Cesti
Note, Respighi: L'udir talvolta,
ReSpighi: Scheherazade, Ravel; Nun
wandre, Maria, Wolf; ,Auf elmer
schlechtes wetter Strauss; Prairie
Waters by Night, Helm; All Things
Leave Me, Dello Joio; Deborah, Bone
& Fenton: David Weeps for Absolom,
LAWRENCE ROBINSON. organ. Wash
irgton Cathedral. 3 pm. Grand Jeu,
DuMage; We All Believe in One God.
Father, Bach; Prelude and Fugue in
c, Bach; Naiades, Vierne; Epiiogue
on THEME, of Frescobaldi, Langlais;
Legend of the Mountain, Karg-Elert;
JAZZ AT THE PTA. Joe Rinaidi, leader.
Newport Junior High, Newport Mill
ROAD, kenSington, 8 pm. Joe Rinaldi,
clarinet bass and soprano saxo-
phone: Joe Williams, bass and tuba;
Marty Emerson, trombone; Hal
Posey. trumpet; Ed Diamond, piano;
Bill Richenbach, drums.
ELMA ADAMS, piano. National Gallery
Of Art, s pm. Awake, the Voice
Commands. Bach-Busoni; Prelude
and Fugue In Minor. VITO Book I,
Bach Variations Serieuses, Op. 81,
Mendelssohn Sonata No. 2 fuer
Xavier, Hindemith; Berceuse in
D-Flat, op. 81, Chopin; Bsllade in
G Minor, OPP. %, Chopin.
GUSTAVUS ADOLPHUS COLLEGE
CHOIR, Of st. Peter. Minnesota,
AuguStana Lutheran Church, v street
s pm. Works by Tails. Wesley,
Brahms, Berger. Dickinson, Grieg.
and Carols from Far East.
UPSALA COLLEGE CHOIR, of East
Orange, New Jersey, DR.. Gladys
Grindeland, conductor. st. Marks
Lutheran Church. Springfield, Va,
s pm. Lord, Thou Hast Been Our
Refuge, Williams; Blessed Is the
Man. Rachmaninoff; Christ Be Thine
the Glory, Schuetz: Hail. Gladdening
Light, Wood: Advent Motel, Schreck;
Lead Thou Me. Schreck; Prayer to
Jesus, Oldroyd; o Magnum Mys-
terium, Vittoria; Echo Song, LassuS:
Spring, Grieg; Swedish folk songs &
SDtritualS
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-04

orchestra, that the opera has
been drastically cut. The
studios "Cosi" is far from
flaWleSS.
The powers that = be are
surely aware Of just how
much is being sacrificed in
order to bring the opera to
the public schools in compre-
hensible form. BY seeing to it
that those who attend are
prepared for the experience
in advance Through reading
about "Cosi," discussing it,
and hearing 1t in recorded
form, they try to minimize
the loss.
Making Friends
The ultimate aim is to use.
an admittedly imperfect pro-
duction to stimulate an ideal
performance in the child's
mind, and undoubtedly the
ultimate is rarely achieved.
But the reports do indicate
that opera is making friends
among New York's teen-agers
thanks to the studio-a no
table achievement indeed.
It seems to me that If even
a small fraction of the young
sters who come to scott re-
main to cheer, the case for
the studio is won.
The studios Washington
visit will bring 1t a big pub
licity dividend. Let us hope
that it will also help to focus
national attention on the
knotty problem the group is
attempting to solve.
The six Metropolitan OPP
era Studio singers scheduled
to be heard in the White
House "Cosi" are:
DOROTHY COULTER (Fi-
ordiligD, who recently sang
leading role in the world
premiere of Douglas Moore's
THE Wings of the Dove"
at the New York City Center;
HELEN VANN1 Dorabel-
La, scheduled to sing the
Composer in the forthcoming
Opera Society "Ariadne auf
Naxos";;
BARBARA MEISTER ODE
spinal, who will sing the
lead in the travelling COM
pany of THE Sound of Mu-
sic";;
NOLAN VAN WAY Gu
glielmo), who has sung lead
ing roles on Broadway;
STANLEY KOLK (Ferran-
do|, who has appeared this
"T'raviata" and Magic Flute;
season here in both the