davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
TODAY'S GOOD
MUSIC DIAL
1880, WASH-FM 1911 Mel

1880. WASH-FM 1911 Mc.)-
Masterworks in Stereo.
Bach'S Mass in B Minor.
1900, WMAL-FM (1O7.3 Me-
- Recital Stage. Reginald
Kell, clarinetist. performs
works by Vaughan Williams,
Br a h ms. Templeton and
Saint-Saens.
2:05, WGMS AM-FM $50 Kc.
and 1888 Mc.) - Boston
Pops Orchestra. Joseph Sill
verstein, violinist. Works in
clude Bruch's Violin Con-
certo No. 2 in D Minor,
Opus A.
800, WHFS-FM (102.3 Mel
Sunday Symphony. Wag-
ner's Tannhauser Overture.
$500, WNIAL-FM (1O7.3 Me-
- The Pittsburgh SYM
phony. Works by Mussor-
gsky. Haydn, Bruch, Men,
delssohn, Ravel and Tchai-
kovsky.
3:07, WASH-FM 1911 Mc.)-
Opera House. Donizetti's
Lucia di Lammermoor";;
Act III.
1880, WHFS-FM QO2.3 Me-
- Great Sacred Music.
Schubert's Mass No. 6 in E
Flat.
$500, WAMU-FM 1855 Me-
Concert from the Phillips
Collection. The Mozart Trio:
Lee Meredith, soprano;
John Yard, baritone; Joseph
Collins, baritone. Last of
the current serieS.)
$3.50, WAMU-FM 1855 Mc.)-
international Rostrum of
Composers. Hallvard John
sens Symphony No. 4.
$500, WGMS-AM-FM $50 Kc.
and 1885 Mc.)-Concert of
the Air. Second Interna-
tional Tchaikovsky Compe-
tition. Toby Saks, cello
U.S.A); In-Cheng-tsung,
piano (China); Valentin
Feigin, cello (USSR). Works
by Schumann, Rachmanin-
off and Shostakovitch.
$3.50, WHFS-FM (1O2.3 Me-
- Box Seat. Gilbert and
Sullivan: "Iolanthe."
$3.50, WTOP - World Music
Festivals. American piano
soloistS John Browning and
Susan Starr perform at
Gian-Carlo Menotti's fifth
Festival Of Two Worlds at
Spoleto, Italy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
Seldom Heard Rossini

RoSsini'S III Conte Dry"
was not so successful. The
first mistake was housing it
in the charming but minus
cule Teatro CATO Melissa. The
voices, young, eager. and
some of them rather hard,
simply burst its walls.
An American, Louisa de
Sett. sang Countess Adele
with absolutely accurate COL
ortura and a tone of polished
brass. Her Dry, Pietro Bot
tazzo, produced amazing high
notes. in a very similar
timbre.
The visual element pre-
sented another drawback.
Saul Steinberg's settings lent
to Spoleto by the Juilliard
School, were in themselves
amusing but they did not
work. They were essentially
backdrops, without depth.
Their inimitable style ma
turally restricted the costume
designer, who sought an I'M
easy truce by copying motifs
from them. This did not
work, either.
Thomas Schippers con-
Quoted a lively, well-prepared
accompaniment.
The Spoleto schedule al
so included daily recitals of
chamber music, the popular
"Fogli d'Album," and an
electronic ballet variety
enough for all tastes. The
town itself contributes its
own strong and beautiful
favour to the proceedings. 1t
is small enough to walk
through in a few minutes. if
one doesn't get lost in the
labyrinth.
Its narrow twisting streets
bloom suddenly into sunny
squares, replete with cafes
and the omnipresent art gal
leries. paint still wet on the
masterpieces. A lively in
novation this year was an
exposition of the latest in
metal sculpture. Placed stra-
logically in open places, these
weird shapes formed a tie
between the ancient city and
the Festival.
It would be a pity If the
Festival of Two Worlds did
perish because it cannot find
some new source of assis-
lance. Clan Carlo Menotti
it's guiding spirit, has pro-
vided a renaissance for Spo-
leto, which is one of the few
settings where new trends,
both good or bad, can i'm
pinge upon italian musical
taste, surely the most con-
sentative in the world.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
TODAY

JACK RUHL, organ. Washington Ca
thedral, 3 pm. Concerto in D Minor,
E!yaldi-Bach; Suite Breve, LangloiS;
Allegro, from Symphony No. 6, Wi
dor; Passacaglia, from Symphony in
G. Sowerby.
STATES MARINE BAND,
Capt. Dale Harpham, conductor
Soloists: Allen Lebo, clarinet; Leo
Fink, alto saxophone; William Jones,
baritone (vocaD. The Watergate.
$50 pm. Entry Of the Gladiators
March. Fucik: Overture to The Bar
Der OF Seville. Rossini: Rigoletto
ant sy, Verdi-Bassi: Symphonic
Songs for Band, Bennett: Naval Re-
serve March, Bourgeois; Night
on Bare Mountain, Moussorgsky-
Knox; Overture to Don Pasquale,
Observation-Disclosures Latinata. Bet
nett: Navy Times March. Stephan:
With Song in my Heart, Rodgers:
II the Still Of the Night, Porter;
Selections from Porgy and Bess,
Gershwin.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
Prokofiev's opero

The operate novelty was
Prokofiev's Love for Three
Oranges" an improbable
and amusing fairy tale based
on a fable by Carlo Gozzi.
This is a play within a play
if ever there was one. The
whole action Is witnessed and
noisily superintended by
opinionated groups listening
from on stage boxes, and the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
Whot About OriainoIitY
By CONSTANCE MELLEN
Contributing Writer

SPOLETO. Italy-The Fes-
tival of Two Worlds this
summer offered its visitors
varied and interesting fare.
First in Importance was an
engrossing production of BIZ
zet'S Carmen" with Shirley
Verrett-Carter and George
Shirley, co-stars of the Opera
Society of Washington "Oed-
ipus Rex" last season, as
principals.
Miss Verrett-Carter, after
some superficial vivacity in
the first two acts. turned out
to be a splendid and striking
Carmen, every inch the fatal
istic gypsy. If a word of crit
iciSm could be spoken Of
Shirley'S Don Jose, it would
be that his great dignity i'm
peded the projection of a
total disintegration. Both art
lists were in fine voice and it
was evident from the APP
plause that they had been
taken to the heart of the
Spoleto audience.
Ernest Mondorf's stark,
handsome settings were the
essence of Southern Spain,
and his last act, showing the
amphitheater, was the most
successful I can remember.
Peter Halls Goyaesque cos
tunes made possible some
striking tableaux wants, and
Clan Carlo Menotti's staging,
although occasionally over
fussy, abounded in the SYM
bolic touches that he uses so
effectively.
Evan Whallon conducted in
place of the indisposed Schip-
pers, and showed a real flair
for the score.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
TUESDAY

TUESDAY
CATHOLIC UNIVERSITY sUMMER
SESSION CHORUS, DR.. L: Jeanette
Wells. director. Music building Au-
ditorium, Catholic University. 8 pm.
Ecce Sacerdos, Haydn: Ave Verum,
Byrd; A elu a, Hovhaness: The
Peaceable Kingdom. Thompson.
UNITED STATES AIR FORCE BAND.
Cant. Harry II. Meuser, conductor.
Soloist: William DuPree, tenor. Cap
itol Plaza, 8 pm. Overture to Fora
del Destino. Verdi: Carmen Suite,
Bizet; Nessun Donna. from Turan-
dot. Puccini: Selections from Ma
dana Butterfly. Puccini: Bacchanale
from Samson and Delilah, Saint
Saens; Overture to Tannhauser,
UNITED STATES ARMY BAND, Capt.
Gilbert Mitchell, conductor. Soloists:
Robert Edmonds. saxophone: Robert
Hamilton, piano. The Watergate.
$50 pm. Overture to Russian and
Ludmilla Glinka: Ye Banks and
Braes o. Bonnie Doom. Granger;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
TOMORROW

NATIONAL HIGH SCHOOL SYM
PHONY ORCHESTRA. DR.. Joseph E.
Maddy, conductor. South Lawn Of
the White House. by invitation only,
1890 am. LIST Mvt., Symphony No.
in F Minor, Tchaikovsky; Overture
to Tannhauser, Wagner; Emperor
Waltz, Strauss; Herod Overture,
Hadley: Music for Orchestra, Akuta-
gawa: American Salute. Gould:
Stars and Stripes Forever, Sousa
1nterlochen Theme, from Romantic
Symphony, Hanson.
STATES NAVY DANCE BAND.
Larry Kreitner, conductor Capitol
Plaza. 8 Pm. Begin the Bsguine,
Embraceable You. GershTin: Lover
Basin Street Blues. Williams; Could
Write a Book, Rodgers: The Party S
Over. Styne: Mack the Knife, WE'LL;
Secret Love. Fain: Sabre Dance.
Khachaturian: Song Fest. with audi
ence participation.
UNDER THE STARS. con-
cert by area chapters OF Society for
the Preservation and announcement
Of Barber Shop Quartet Singing in
America. The Watergate. $50 pm.
Groups include 350-voice Chorus OF
the Potomac. Tune testers, South
ernaireS, -Four Dees. Alexandra Har-
moni7ers, Fairfax Jubilaires, and
Singing Capital Chorus.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
Art Notes

The Franz Bader Gallery
tomorrow opens an exhibit
ton of drawings by Bruce
Moore, Washington based
draughtsman, glass designer
and monumental sculptor. A
selection of Mr.. Moore's work
is Illustrated in today's Sum
day Star Magazine.
Opening tomorrow at the
new Adams-Morgan Gallery,
2436A Eighteenth street
NV, is an exhibition Of
1.-THE Graphic Arts of Latin
America. Reception, 7:30
to 10 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
PERMANENT COLLECTIONS

likeness-or the true source
of the subjects greatness, be-
cause he was too thoroughly
committed to an immediate
impression of dignity. He
produced neither leaders Of
men, great humanitarians,
nor people Of power. Instead,
he painted dignitaries.
How different, when we
turn from the official por-
trait gallery to the other side
Of Tarbell's art, which is the
substantial majority of pic
lures on view at the Smith
sonian. All his long life, it
would seem, Tarbell painted
the people he loved and the
scenes they lived in. The
female members of his
family, several generations
down. accompanied by their
children and placed within
decorous, middle-cla Amer
lean interiors, compose a
testament of affection that
can still engage our SYM
pathetic interest.
Western Art Tradition
This is an honorable tradi-
ton in Western art. going
back at least to Rembrandt.
During Tarbell's lifetime it
was represented chiefly by
the aptly named "intimists,"
WILLARD and Bonnard. To-
day it is served with con-
summate skill by John Koch.
Such artists simply paint the
intimately known interior
peopled by friends and rela-
tives: they make no effort to
inject into such scenes the
vaguely disturbing notes in
troduced by Balthus or Ben
Kamihira. Whatever values
there are must emerge of
themselves through the faith
ful application of the artists
eye and hand. .
Values do emerge. In "Jo-
Sephine and Mercie" we see
two of the painters daugh-
tiers around 1908. The elder
writes at a secretary The
younger reads in a wicker
chair. The interior is light
and airy, yet solidly fur
niShed with wood, ceramic,
glass and fabric, all accu-
rately recreated in paint yet
all submerged into a total
impression Of home. The in
tensity of the two girls at
their tasks makes them as
quietly compelling to us as
they find their reading and
writing. We are touched be-
cause we are brought to an
aspect Of our own lives we
rarely notice.
Tarbell does this again
and again in the exhibition.
A woman knitS, or sews, or
reads, or is simply there, and
we are halted in our tracks
at the familiar sight.
So, in a way, DR.. Carmi-
chael is right after all. Tar
bell, now dead almost a quar-
ter of a century, has sur
vived both fashion and I'M
fashion. His paintings can
take up their modest but use
full. enjoyable and probably
permanent place in that mu-
scum without walls which is
the human heart as expressed
in images of love. 4
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05

ever have been exhibited at
all.
The odds are that DR.. Car
michael is wrong and there
isn't going to be any big re-
discovery of Tarbell. People
growing up in art today will
probably be able to see more
in Tarbell than was possible
for people growing up in art
in, say, the sos and '40s, and
certainly more than was pos
sible in the SOS. That's about
all you can say.
DR.. Carmichael is also
wrong in comparing Tarbell
to the fashionable figures in
recent American painting to
the disadvantage of the latter.
Actually Tarbell and men like
him occupied. earlier, almost
precisely the same place that
most of the abstract express
sioniSts occupied during their
own golden decade, the SOS
of this century. Both groups
Of painters at once helped to
create and responded to a
popular fashion that received
the total support of American
art institutions.
To people of his own time
Tarbell seemed much larger
than he was because the Of
fetal institutions of art had
laid their hands upon him
and his art and pronounced
their blessing. The same
thing happened with abstract
expressionism in the SOS.
During the sos it was impos-
sible for up-to-date Ameri-
cans to take painters like
Tarbell seriously at all. We
over-reacted against a previ-
Gus fashion.
Free Of Foshion Grip
At this present moment,
happily, we seem to be free
of the grip of any art fashion
at all. The new figurative
painting has gained an ac-
ceptance deemed impossible
as late as five years ago, but
it is far from holding the
absolute sway Of fashion held
so recently by abstract ex-
preSSionism. Because, mo-
mentarily at least, there is no
absolute fashion, we are free,
usually and intellectually, to
look at Tarbell's paintings
not as hateful examples of
the wicked past but as works
OF art in themselves.
We can also look at them
as prime examples of an art
fashion undoubtedly over
valued in its time and aSsur-
eddy under-valued since. As
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
SATURDAY

TAYLOR HARVEY. organ. st. Johns
Episcopal Church, LAFAYETTE Square,
8 pm. Introduction and Toccata,
Walond: Flute Solo. Arne; Two
Chorale Preludes. Bach; Prelude &
Fugue in D Major, Bach; Magnificent,
Dupre; lie Banquet Celeste, Messiaen;
Chorale in z, Franck.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05

pLlOuSB OFOEdk.
WEDNESDAY
UNITED STATES MARINE BAND,
capt. Dale Harpham., conductor.
sGI9istsi; Allen Lsbo. slaTineti Leo
baritone vocal. Capitol Plaza. s
pm. Repeating Mondays program at
wAT fsRtsS!F SUMMER SYMPHONY
ORCHESTRA. Or. Henry Goldstein,
violin: Joseph Rinaldi, saxophone;
Edwin Davis. piano. The Watergate,
$50 pm. Concerto in D for Violin
d Orchestra, Tchaikovsky: Concer-
tino for Saxophone and Orchestra,
bert, Variations Symphoniaue.
THURSDAY
UNITED STATES NAVY DANCE BAND.
Larry kreitner. conductor. The
Watergate. $3.50 pm. Repeating
Mondays program at Capitol Plaza.
FRIDAY
UNITED STATES ARMY BAND. Capt.
Gilbert Mitchell, conductor. Soloists:
Robert EdmOnds, saxophone; Benja-
min Ritter. violin. Capitol Plaza. s
pm. Through the Line March,
ture. Lloyd; Intermezzo from Coy
escas.. Granados; Rhapsody for
Saxophone. Debussy: March of the
Little Lead Soldiers. Pierne; Skip to
my Lou Fantasia. Jenkins; LIST Mvt.
Symphonic Espagnole. Lalo; Toccata
& Fugue in D Minor. Bach.
UNITED STATES AIR FORCE SYM
PHONY ORCHESTRA. Col. George S
Howard. conductor; EDDY Manson
Watergate. $50 pm. Overture to
RienZi. Wagner; Prelude to La Trav-
iata. Verdi; Hungarian Rhapsody No
,. List; Gallia. Gounod; Overture
to Mignon. Thomas: Symphony No.
l. Manson.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05

about originality? Is our
natural question. Didn't Tar
bell have any personality of
his own to express? Appar-
emily not. Or if he did, he
expressed it elsewhere.
The indictment gets worse.
Tarbell was also a portrait
painter. He was commissioned
by the War Department to
paint the generals and other
leading figures of World War
I. His paintings in this prof.
ect, since 1922 the property
of the Smithsonian, are an
important part of the nucleus
of the new National Portrait
Gallery to be opened some
time in the Old Patent Office
Building. Worse still, Tar
bells portraits, every one of
them, is Immediately recog-
niZable as the man it is
labeled to be.
Clearly, the immediate
question is, can such an artist
have anything at all for us
today?
The quick answer is, yes,
he can. He does, indeed, and
you should get to the Smith
Sonian while the show is
there.
CormichoeI Prophecy
At the opening DR.. Leonard
Carmichael. secretary Of the
Smithsonian, ventured the
prophecy. based on his per-
Sonal taste, that Tarbell would
some day enjoy a vast revival
of interest, while these fright
full modern works, now shown
everywhere, would excite only
mild curiosity that they could
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05

Before he was principal Of
the Corcoran he had been
principal of drawing and
painting at the Boston School
of the Museum of Fine Arts,
and today we find it hard to
appreciate Tarbell'S obvious
view that drawing and paint
ing are somehow related. Our
feeling today is that prelim-
mary drawings destroy the
spontaneity of painting; Tar
bells feeling. clearly, was
that drawing came first,
rather like Orders in a build
ing.
Also it is natural for us to
downgrade Tarbell because
he managed to study in
Paris during the Golden
Decade" of the Impression
lists and ignore them COM
pletely. AS far as can be dis
covered in his work, the
young painter was totally I'M
aware that Paris was pulSing
with the new painting of
Manet, Renoir, Monet and
the others. The American
student enrolled, as he had
intended to, at the Academy
Julien, studied diligently un-
der Boulanger and Lefebvre.
learned what he was taught
to regard as the art of paint
ing and came back to Boston
to practice it.
What About Originality
The whole attitude is be-
yond us. We are incapable Of
grasping a student who ap-
proaches art as a body of
skills to be mastered, tech
niques to be learend, a pro-
fession to be practiced. What
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
Carmichael Prophecy
Carmen Is HighIight
OF SpoIeto Festival

counterpart involved. as well
as the moderate difficulty Of
the music, call for the maxi
mum of coordination. Stage
director Giovanni Poll gave
it. The half-RuSSian, half
Gay-twenties style of cos
tunes and decor by Peter
Hall and Mischa Scandella
aided the effect.
Excellent singers included
James Loomis as the King,
Franco Bonisolli as the hypo-
chondriac Prince, Lii Chook-
asian as the trenchant Prin-
cess Clarice. CriStiano Dalai
Manages and Nelly Pucci
also gave endearing perform
anceS.
But the baritone Fernando
Jacopucci, as Truffaldino,
held the whole opera to-
gether with the skill Of a
true comic, which includes
knowing how to be serious.
Jacopucci had a fresh fine
voice in addition, and his
performance was unusually
full of vitality.
Giampiero Taverna did
brilliantly with the baton.
and a large share Of credit
went to the chorus from the
Teatro Verdi in Trieste for
its part in the zany proceed
ings.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05

1928, is the largest and one
Of the Oldest of these camp
schools in the country. Some
1,400 youngsters from all over
the United States and many
foreign countries visit north
ern Michigan each year to
study music and enjoy ma
ture, putting on $50 concerts,
recitals, operettas, dance pro-
grams. and little theater
productions during the course
Of the eight-week season.
There are about 100 other
such outfits buSily operating
this summer from New Eng
land to the Pacific Palisades.
BreVord Comp Fomous
Another well-known sum-
mer music center is the Tran
sylvania Music Camp at
Brevard, N. c., which last
year initiated Mrs. Ken
nedy's South Lawn concert
series. Campers at Tran
Sylvania receive intensive
instruction in playing inStru-
ments. ensemble work, sing
ing, and athletics. AS in
most youth music camps,
Bach and Beethoven are
combined with boating and
baseball.
Part of the great appeal
OF any summer camp is the
beauty of its physical loca-
ton, and many music camps
boast of truly superlative
scenery.
Among the most spectacu-
lar settings in the country is
that Of the Idyllwild School
of Music and the Arts, which
clings to the slopes of the San
Bernardino Mountains in
California. Appropriately
enough, Idyllwild campers
wake up each morning to the
sound of an Alpine horn
rather than the blare of the
usual bugle.
The distinguished Marlboro
School of Music July Z
August 49, lovingly shaped by
the great pianist Rudolf
Serkin, sits astride a few
rounded tops of the Green
Mountains in Vermont.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-08-05
PROGRAMS OF THE WEEK

Rhapsody for Saxophone, Debussy
The Free Lance March. Sousa; Selec-
ton from The King And I. Rodgers;
Todtentanz, Liszt; West Point Sym.
phony, DVorak.
The Lexington advertiser. [volume] (Lexington, Miss.) 1904-1985, 1962-07-19
Byrd Family
Reunion At Eden

On Sunday, July 8 a fami-
w reunion was held at the
home of Mr.. and Mrs. j. r.
Byrd near Eden at the noon
hour and a delicious dinner
was served picnic style.
Those attending from Jack
son were Mr.. and Mrs. D. w.
Hutcherson and daughter,
Judy, Mr.. and Mrs. Joe Nix
on and daughters, Elaine,
Sharon, Debbie and Susan,
Mr.. Luther Byrd and daugh-
ter. Anita and Bill Booker.
Mrs. c. M. Little OF New
Orleans, Louisiana; Mrs. Es-
telle Childs, Shreveport, La;
Mrs. J. H. Byrd and children
Diane, Durrell and ]. H., Jr.
from Jonesboro, Louisiana.
Mr.. and Mrs. Pat Ketcham,
OF Yazoo City and their
daughter, Loretho and her
little son from San Diego,
California; Mr.. and Mrs.
Harold Ertle and son from
Yazoo City.
The Lexington advertiser. [volume] (Lexington, Miss.) 1904-1985, 1962-07-19
Ladies Auxiliary
Met On Thursday

The Ladies' Auxiliary to
the Veterans of Foreign
Wars of The United States
Post No. 1889, met on Tues
day, July II, 1862, at 7:3O
at the v. F. w. Hut with
the following officers attend
ing:
Mrs. Thelma Sharp, Pres
ident: Mrs. Mamie Ella Arm
strong, Exec. Sec'y.; Mrs.
Ida Taylor, Chaplain; Mrs.
Evelyn Rutledge, Conduct
ress; and Mrs. Elsie Holder,
Guard.
The meeting was called to
order by the President, led
in Prayer by Ida Taylor,
the colors were presented
ano the pledge of allegiance
given.
A short business report
was given. Leila Can't re-
porting the Sunshine Commit
teen sold $1,000 in peoples,
$4,000 of this amount was to
be paid on a not for the
Little League Baseball Team.
Members who attended
encampment in Jackson in
June were: Mrs. Herman
Diegs, Mrs. Elsie Holder, and
Mrs. Walter Sharp. MI. and
Mrs. Admoise Rutledge also
attended.
A report was given that
80 members had paid dues.
Preparation of a Scrap
Book was begun by Mrs.
Holder and Mrs. Sybil Will
tiams.
The meeting was closed
with prayer led by Mrs. Ida
Taylor and adjourned to meet
on July %, at $50, to attend
the Greenwood Auxiliary.
The Lexington advertiser. [volume] (Lexington, Miss.) 1904-1985, 1962-07-19
Lane-Fu||er Vows Exchanged

Of honor, wore a dress o +
white chiffon and carried a
white bouquet.
Dennis Lane was his bro
theirs best man. Eddie Full
Ter, brother of the bride, and
Billy Hawkins, her uncle,
lighted the candles. Serving
as ushers were Gary Lane
and Ralph Cooper.
The mother of the bride
was attired in a sheath of
gold brocade. The groom's
mother chose blue with white
accessories.
Following the ceremony the
brides parents held a recep-
ton in the church parlors
honoring the couple and
wedding party.
The happy couple left for
a wedding trip to Florida.
For travelling the bride Sc
lected a beige suit with pink
accessories and wore the
roses from her bridal boG-
quet.
Mir. and Mrs. Lame will
make their home in Lexing-
ton following a wedding trip.
The Lexington advertiser. [volume] (Lexington, Miss.) 1904-1985, 1962-07-19
w. W. KiIIebrew
Completes Course

Army National Guard SP/5
Willard w. Killebrew, whose
wife, Laurie, lives in Benoit,
recently completed the nine
week general supply special
ist course at The Quarter
master School, Fort Lee, Vir-
ginia.
Specialist KiItbrew re-
ceived instruction in the
Army supply system, fitting
of clothing, packing, storing
and the organizational main
tenance of small arms.
Killebrew is regularly as
signed to the l98th Amor's
Headquarters Troop, an
Army National Guard unit in
Greenville. n
The son of Mr.. and Mrs.
Milan E. Killebrew, Cruger,
h is a 1850 graduate +
Tchula High School and :
1885 graduate of Mississippi
State University. Mr.. Kille-
brew is a teacher in Benoit
Consolidated High School.
The Lexington advertiser. [volume] (Lexington, Miss.) 1904-1985, 1962-07-19

Miss Sylvia Lynn Cohen,
bride-elect of Mr.. Murray
Philip Benenson of Dallas,
was honored by Mrs. Rayford
Watson with a lovely brunch
at 1890 am. at the Watson
home on Pine Street.
Miss Cohen was lovely in
a white with black trim linen
original, worn with black ac-
cessories. Her corsage was
of white carnations conferred
with a miniature bride and
groom, a gift Of her hostess.
Mrs. Ephraim C o h e n,
mother of the bride and Mrs.
Allan Ramsey, who assisted
Mrs. Watson in serving, also
received white gift corsages
of split carnations.
The charmingly decorated