davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
Theoter an der Wien
Reopens; Lulu q Hit

soper reopened in 1855.
Threatened with destruction,
the old theater was rescued
at the last moment by pub
lie opinion and the energetic
convictions of DR.. Egon Hill
bert, long an administrator
of the city's musical and
theatrical affairs.
Totally rebuilt and refur-
bished, the Theater an der
Wien retains its old decor
and former virtues-perfect
acoustics, a wonderfully deep
stage and spacious pit, and a
general feeling of intimacy.
To be truthful, one must
report that the production of
the Magic Flute" the opera
chosen for its rededication,
did not equal the occasion.
The determined and mex
haustable vivacity of Erich
Kunz, the eternal Papageno,
gave it what life it had.
Rather than the Mozart
work, it will be the Vienna
stage premiere of Alban
Berg's Lulu" a spectacular
success and the high point
of the Festival weeks, that
will mark this milestone in
the theater's history.
Such infinitely perfect
preparation of closely knit
ensemble, such organization
of musical feeling is rarely
witnessed; rehearsals must
have been endless. The must
cal responsibility was Karl
Boehm's, and he and stage
director Otto Schenk will be
long remembered for this
production.
The performance of the
American coloratura soprano
Evelyn Lear, as Lulu. would
be hard to overpraise. Her
mastery of a long and flam-
boyant role, her control of
the difficult vocal line were
so assured that she managed
to retain a highly convinc-
ing personal charm. Her Ger
man diction was perfect.
The virtuosity of the Ger
man tenor, Rudolph. Schock,
as Alwag was astonishing. A
fine performance from Paul
Schoeffler as DR.. Schoen was
foreSeeable but nonetheless
exciting. The tiny parts were
diamond sharp-Peter Klein
as the Africa-bound prince,
and Hide Konetzni as the
wardrobe mistress were su-
perb examples.
Amid the thorny difficult
ties of the Lulu" score, the
frequent orchestra interludes
stand out in poetic beauty,
considerably easier to assimi-
late than the singing. They
are also explanatory and il
Eliminating.
The scenery of Caspar
Neher and the costumes of
Hill Reihs-Gross, both a kind
of surrealist essence of Ger
man impressionism, enhanced
the total artistic achievement
of this magnificent produc-
ton.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
PERMANENT COLLECTIONS

CoRCORAN GALLERY OF ART, Sew
enteenth street and New York ave-
nue. WV. Daily, 10 am. TO 4:30
pm; Saturday, 8 am. to 1870 Pm;
Sunday and holiday, 2 to pm;
closed Monday.
DUMBARTON OAKS RESEARCH IL
BRARY AND COLLECTION, 1908
Thirty-second street NV. Closed
indefinitely.
FREER GALLERY OF ART. Twelfth
street and jefferson drive S.W.
Daily. o am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ARTS, Constitution avenue at Tenth
street NV. Daily, 8 am. to $3.50
pm.
NATIONAL GALLERY OF ART, Con-
stitution avenue a. Sixth street NV.
Daily. 10 am. to pm; Sunday,
2 pm. to 10 pm.
PHILLIPS COLLECTION. 1912 Twenty
first street NV. Daily. IL am. to
9 pm; Monday, IL am. to 10 pm;
Sunday, 2 to 2 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15

OpeTd EeSL1Vdl, has CIlOS6n
half a dozen of the worlds
most popular operas for local
presentation and has engaged
a fine group of well known
met stars and excellent sup
porting artists for his pro-
auctions.
Programs
Carmen" on Tuesday will
feature Robert Merrill and
Mignon Dunn. Wednesday
comes La Traviata," with
Brian Sullivan as Alfredo and
Calvin Marsh as Germont.
Thursday brings Jan
Peerce singing Rodolfo oppo-
site Francesca Roberto's
Mimi in La Boheme." Fri
day, "Rigoletto" with Frank
Guarrera and Eileen Di Tul-
lilo is the offering, and things
wind UP Saturday with
Aida" as portrayed by Luz
cine Amara and a good cast.
Other artists engaged for
the series include: Olivia
Bonelli, Josephine Guido, Ro-
salia Maresca, Helena Sylves-
ter, Joann Grillo, Joyce
Jones, Giovanni Consiglio,
Charles K. L. Davis, Louis
Sgarro, Howard Fried, Rudolf
Petrak, Ercole Bertolino, Nc
Henry Boatwright, Guido Pa
sella, Emile Renan, Joseph
Salvador and Michael Caval-
laro.
Promising
Anton Guadagno conducts
the first four performances
and Carlo Moresco the final
pair, with Anthony L. Silva
nello as stage director.
Those who have seen pres
entations by this company in
earlier years will know what
to expect-good, workmanlike
performances of good, sturdy
perennials, plus a few sur.
prises.
1t may not be Vienna, but
it's a pleasant and profitable
way to spend an evening.
Battle of the Watergate
Members of the D. c. Rec
reation Board are opposed to
the Kearns proposal to sink
the Watergate and float the
Mall as Washington'S focus
of summer music.
II am opposed to any leg
islation which might jeopar-
die the Watergate," said Col.
West A. Hamilton.
T. Sutton Jet, another
board member, observed that
people appear willing to bear
with the airplane noises. If
we abandon the Watergate
we will have a vocal citizenry
to oppose it."
While board members Wed
with each other in defending
the Potion &C barge, they
made it plain that they did
not oppose Mall concerts as
supplements to Watergate &C
tivity.
I yield to no one in my
admiration for the beauty of
the Watergate site; it is a
lovely place to sit and con-
template the complexities OF
our airborne civilization. But
! I doubt whether "Watergate
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15

however, he pictures a Negro
slum child, surrounded by
crumbling walls and old cleo
ton posters. The title is
Equal but Separate"
Rope and SeaSheIIs
The realist strain, unfort-
unately, easily slides down
from the high level Of these
artists. In most Of the work
on view that strain becomes
nothing but logged efforts
to capture the look of some
fragment of reality, with
neither interest nor knowl-
edge Of the other aspects of
art.
Realism degenerates still
further in such gimmicks as
paintings on black velvet, in
GLIDING a few undulating
nudes which, if translated
into novels, would surely be
banned in Washington's more
particular suburbs.
The final collapse OF real
ism in the show takes place
in the samples of handmade
bric-a-brac decorated with
sea shells and old rope.
Finer examples
Among the few meritorious
works of non-realism on view
are paintings by Sue McLeish
of Norfolk and william Jones
of Richmond. Miss McLeish,
besides some very sensitive
prints, has some nice, loose
nature studies in which sun
light and the green of trees
Is more important than their
forms. Mr.. Jones does at
tractive things with the vision
of a city, usually seen at
night, quite a distance away
over water. City lights, dark
skies and water rejecting
both, come together very
pleasureably.
The rest is silence. Water
color after undistinguished
water color is interspersed
with oil after Oil of familiar
scenes Of the tidewater
region.
And Next Year?
The show raised its level
somewhat this year by ex-
Guiding the case Of jewelry
that formerly cluttered UP
the boardwalk. There is still
ceramic, most Of it very bad.
The tendency is to obscure
the beauty Of shape and the
interest of texture by adding
dabs of clay apparently
thought to give sales appeal.
There is no sculpture worth
a look.
The consensus here at Vir-
ginia Beach, among partici-
pating artists, spectators,
journalists and even officials
of the sponsoring art associ-
alton, is that next years
show will almost certainly be
open to Mr.. Jackson and
other Negro artists. They
may well provide the addition
of quality and variety the
show so desperately needs.
FRANK GETLEIN
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
Wrong Discrimination
Weokens Outdoor Show

VIRGINIA BEACH, Va. (SpeciaD-The controversial
enh annual boardwalk show opened here
public argument about whether Negro should
The exhibition view through Monday along six blocks
this resort citys seaside boardwalk proves that the
show really needs isn't less discrimination but more-only of
a different kind.
years the annual exhibition built up
to the point at which its clai-and do-that
outdoor country Quantity
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
BY FRANK GETLEN
Art Critic Of The Star

6enlno It's newly cleaning
facade. the Library Of Con-
gress u putting on an even
more dazzling exhibition:
viewpoints" composed from
the pictorial resources in
the Prints and Photographs
Division" The division in
stalled the show for q con-
vention Of special Librarians,
but 1t viii be on view through
the summer and you owe it
to yourself to get there.
The idea Of the exhibition
a to show the scope Of what
the division concerns itself
with. This 1t does beautifully
and the scope win probably
surprise some visitors. Both
terms Of the divisions title
are interpreted in the widest
possible manner. Unlike the
print cabinet of an art mu-
scum, the library's division
does not limit itself to prints
by artists with the reluctant
inclusion Of some photo
graphs by recognized cam
era masters.
HighIights In Photography
The division has both great
prints Of the past and many
Of the landmarks Of photog-
raphy. II also administers
the Pennell Fund and its
superb collection Of contem-
porary printmaking. But the
divisions scope goes far be-
yond art. ANY image Of any
subject printed by any proc
ess falls within its province.
The division has q stunning
collection Of 10th century
.colored lithograph advertise
ments. including some of
those gigantic circus posters
designed to hit the broad
side Of o barn. The gap be-
tween such raucous COM
merce and high art is ad-
mirably bridged by the pop
ular prints Of Currier & Ives
and their competition.
According to some museum
theorists. such an idiscrimi-
nate throwing together Of art
and non-art is not only i'm
moral but also usually re-
pulsive. Immoral 1t may be,
but the division proves en-
phatically that 1t works. The
visitor to the exhibition has
no trouble passing from the
marvel Of Rembrandt's etch-
ings to the high links of the
great Blondin walking his
tightrope across Niagara.
The Categories
The show Is broken down
into sections, such as Archi-
lecture, Transport, Education,
and the Lively Arts. Except
for one section dealing speci-
fically with artists prints,
every section uses every
medium.
Easily the most fascinating
single item in the mammoth
show Is an early movie device,
presented in an elaborate
kiosk with room for -four
spectators. When you step on
a treadle, still photographs
flick past and you see Pope
Leo XIII drive through the
Vatican Gardens, come to a
halt and. from the papal car
rage. extend the papal bles-
sing on the camera, on the
patron Of the penny arcade
and on ourselves. Obviously
the Library Of Congress
hasn't heard what's been 60
ing on next door, at the
Supreme Court.
Throughout the show, the
past comes alive. We SEE
Edwin Booth as Hamlet, San
dow the Strong Man, and the
billowing bosom of Anna Held
Past and Present
We see, too, the roots of the
present in the past. We think
for example, that the plug
inserted in televiSion nro.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
By IRVING LOwENS

Elsewhere this page the Stars rowing contributing
critic Constance Mellen, describes operate gongson in
Austria's renowned Theater der Wien.
Stay-at-home opera-lovers will enjoy somewhat less
exotic fare than Aban Bergs Lulu" beginning tomorrow
the fourth of summer outdoor at Carter
Barron Amphheater-one whole week long-gets under
with Madame Butterfly starring the ageess Lcia Abanese
in the title role.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
Washington Gallery

The Washington Gallery
Of Art has had an unusually
varied program of exhibitions
in its short life, covering such
diSparate fields as South
American cowboy pictures.
high class French tourist pic
lures and abstract sculpture.
It has come up with a real
winner in its current show,
the first Washington exhibit
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
SUNDAY, JULY %

(For Further Details, Consult Next
Sundays Listings)
UNITED STATES MARINE BAND, It
Col. Albert Schoepper, conductor
Watergate. $50 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15

Col. Hugh Curry. conductor. soloists:
Harley Rex, saxophone; Monica
0rti!,. soprano. Watergate. $3.50 pm.
Shield Of Liberty March. Richards:
Something in the Wind. Kaler; Pre-:
ludio g. Movendo, Rex; Repasz Band
March, Sweeley; Espana,~ Chabrier;
Selections from The Student Prince,
cfos Air des BiOns fr0m M FSus
The Music Man, Wilson; Granada,
Lara; Chorale and Fugue in @
NEW YORK OPERA FESTIVAL. Anton
GuadaEno. conductor. Cartor Barron
kass esss Nilsson sSS bunn G Raasi
Petrak, Rosalia Maresca, Robert Mer-
Ri, Louis Sgarro, Guido Pasella,
Henena Sylvester. Joyce Jones. Emile
Renan, Howard Fried.
WEDNESDAY
oN col Albert A scso eSsMs e eond1ctor
Soloists: Arthur Lehman, euphonium:
Johannes Rasmussen, cornet; Will
liam Jones, baritone (vocaD. Thomas
DyktOn: clarinet; Capitol Plaza. 8
Overture to Don Pasouale, Donizetti-
Pulvirenti; Selections from Okla
homa. Rodgers; The Cousins. Clarke;
scherzo. Pierne; Valse de Concert,
Glazounov; Nemico della Patria,
from. Andrea Chenier. Giordano:
Marche Slav, Tchaikovsky.
HARMONY HOUSE PLAYERS. Frank
ToperZer, conductor. Watergate,
$3.50 pm. H. M. s, Pinafore. Sui
Ivan. Cast: Robert NorthrOp, jean
Ann Peal, Carroll Nation, Peter
Kline, James Hibbard, Omar PEN
coast, Candy Carroll, Noel Gillespie,
Bede Bender.
NEW YORK OPERA FESTIVAL, Anton
Guadagno, conductor. Carter Bar.
ron Ampitheater. $50 pm. La Travi-
alta, Verdi. Cast: Olivia Bonelli
Helena Sylvester, Brian Sullivan
Calvin Marsh, Emile Renan, Howard
Fried, joyce Jones, Joseph Salvador
Guido Pasella.
THURSDAY
UNITED STATES NAVY BAND. 1t
Anthony A. Mitchell, CWO Donald
w. Stauffer, conductors. Soloists
Carl Grove, soprano and alto saxo-
phones; Ben Mitchell Morris, tenor
SyocaD: Ronald Barnett, percussion
Cellini Overture, Berlioz; Malaguena,
ludio and Moyendo' Rex: Ballet
French Military Marching Song
Leoncavallo: Rakoczy March, Berlioz
Espana, Chabrier.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
TODAY

NORMAN scRIBNER, organ. Wash
ington Cathedral, 5 pm. Prelude
Colt in der Hob sci Ehr' (Canto
fermo in soprano, Canto fermo in
tenor. Trio Super, Bach; Chorale
in E. Franck.
UNITED STATES MARINE BAND, 1t.
Col. Albert Schoepper, conductor.
Soloist: Claude Pedicord, harp. Wa
tergate, $50 pm. Man Of the Hour
March, Fillmore; Overture to Die
Fledermaus, Strauss: Cole Porter
Medley. arr. Jolly: The Worried
Drummer, Schreiner: Tulsa, ellis:
Impromptu Caprice. Pierne; First
Suite in E Flat for Military Band,
Hoist; Accelerations Waltz. Strauss;
CarneVal Overture Dvorak
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
SATURDAY

ROBERT sHoNE, organ; Donald Booth
Lafayette Square, 8 pm. Concerto
No. 5 in F, Handel; Psalm 1874,
Rosenmuller; Concerto in A MinGf,
Bach; Fantasy in C, Franck; Scherzo
from Symphony No. 2, Vierne: Pre-
Jude and Fantasy on Kyrie Cuncti-
potens Genitor Deus, Langlais.
NEW YORK OPERA FESTIVAL. Carlo
Moresco, conductor. Carter Barron
Ampitheatre, $50 pm. Aida, Verdi.
Cast: Lucine Amara; Joseph Saliva
dor, Mignon Dunn, Giovanni Con-
siglio: McHenry Boatwright, Louis
Sgarro, Helena Sylvester, Michael
CaVallaro.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
TOMORROW

TOMORROW
UNITED STATES NAVY BAND. u;
". Stauffer, conductors; ,Soloists:
Carl Grove, soprano and alto saxo-
Beautiful daistea overture. suD D:
Malaguena' Leeuona; Andalucia,
Lecuona; Prelude and Movendo
let Music from William Tell. Ros-
LloeTe: capriccio itaiien. TchSi.
NEW YORK OPERA FESTIVAL, Anton
Son A%pS sSpbaafs9r' SaEter Bar
Madam Butterfly. Puccini. Cast:
X. L. Davis, Helena Sylvester, Calvin
Marsh, Howard Fried, Emile Renan,
Joseph Salvador.
TUESDAY
THE WASHINGTON TRIO david
Gilbert, flute: Donald Hefner, oboe:
Mood eeIo Music Hudt Gnisssr
Catholic University, 8 pm. Pro,
gram not available.
UNITED STATES AIR FORCE BAND,
S Gel: George 8: HSward. conductor.
SololsLS: arthur VIII, John Alexan-
der, Richard vandament. comets:
Robert Wojciak, Clarinet. Capitol
Plaza, 8 pm. Poet and Peasant Over
ture, Suppe; The Circus Bee. Fill
more; Country Gardens, Granger:
The Three Solitaires. Herbert Flight
Of the Bundle Bee. Rimsky-
koff; Tearin' Of the Green. Douglas
Selection from Rigoletto. Verdi; Las
suS Trombone. Fillmore: The Whist
Ter and His Dog. Pryor; Gold and
Silver Waltz, Lehar; Fairest Of the
ing Sergeants.
UNITED STATES ARMY BAND, Ii,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-15
PROGRAMS OF THE WEEK

NEW YORK OPERA. FESTIVAL. Anton
GuadOgnO, conductor. Carter Barron
Amphitheater, $50 pm. La Boheme,
Puccini. Cast: creole Bertolino, Jan
Peerce, Louis Sgarro, Calvin Marsh,
Emile Renan, Francesca Roberto,
Carlo COscia.
FRIDAY
UNITED STATES ARMY BAND. Ii.
Col. Hugh Curry, conductor. soloist;
Harley Rex, saxophone. Capitol
Plaza, 8 pm. Barnum & Bailey'S
Favorite March, King; Cumberland
Gap overture Jenkins; pie NaSnt;;
Spirit March, Hummel: Ballet Music
from Coppelia, Delibes: Selections
from Show Boat, Kern; March from
Tannhauser, wagner.
NEW YORK OPERA FESTIVAL; Carlo
MorescO, conductor. Carter Barron
Amphitheater, $50 pm. Rigoletto.
Verdi. Cast: Frank Guarrera, Eileen
di Tullio; Rudolf Petrak' Guido "a "a
vador, Michael Cavallare, Louis
Sgarro, Joann Grille, Emile Remain
Joyce Jones.
UNITED STATES AIR FORCE BAND,
Col. George S. Howard, conductor.
Rortrait. arr. %%erle; Hands Across
the Sea. sousa; Aupres de ma
blonde arr rt,,s de M GaSS5yne ,,l fFenf In
M Nssachhsr stehs Elm Iotbrau Hause,
Teike; Erika, arr. Werle; Colonel
DOGGY March, Afford, When irish
Eyes are Smiling b Ban; Hs Sers s4T
Miranda; Planting Rice, arr. Kepner;
Selections by USAF Bagpipers.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-09

There is not an instrument
in the orchestra that does not
bear the mark of it's evolu-
ton In its sound. with one ex-
ception-the harp. It is true
that pedals were added to al
low it to venture into various
keys by changing the entire
pitch of the instrument, but
essentially 1t is unchanged
through the ages. The sound
of a harp in a Theban temple
more than 5000 years ago and
the sound of Zabaleta's in
strument in the stony atrium
of the Corcoran Gallery is the
same.
Nicanor Zabaleta is one of
the few master harpists Of our
age, and he now stands vir-
tually alone. Salzedo is gone,
Gradjany is not heard from
lately, and who else is there?
Virtually every symphony Or
chestra of any size has a per-
former on the instrument, but
there is only one Zabaleta,
whose artistry draws forth
compositions from the late Viii
la-Lobos, Milhaud, Krenek, Ho-
hvanees, and others.
In a full recital of nine num-
bers, the Spanish-born artist
programmed not a single trans
scription. Every work listed
was written for the instrument,
from the 18th Century Rosetti
to the Goth Century Hindemith,
Prokofieff and Salzedo.
How far one can go with the
sound of a plucked string was
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-09
NEWS OF MUSIC
ZoboIeto Stands Out
In Mastery Of Harp

|exquisitely demonstrated in this
recital. Echoes abounded, and
the size Of the audience vi
tiated what intimacy may be
possible in the grim hall. Yet
there was a distinct communi-
cation between player and list
ener, as Zabaleta accomplished
the impossible with ease and
grace.
Whether projecting brilliance
or subtle nuance, he COM
manded his audience and his
surroundings as he commanded
the instrument. The delicate pi-
anissimo was heard in the fal
reaches of the hall with the
same clarity achieved by the
ripping arpeggio, and always
the line was held, whether in
the baroque C.P.E. Bach or the
modern Hindemith. It must
come as a surprise to many
of his hearers that the harp
is all that much an instru-
ment. but in the hands of such
an artist 1t is all the instru-
ment anyone needs.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-09
NEWS OF MUSIC
BY JOHN HASKINS
Contributing Critic

Nicanor Zabaleta, harp. At Cor
coran Gallery of Art. Program:
Sonata, Rosetti; Aria and Varia-
tons; Handel; Solo Ssonatal fuer
R Tus aE.t Sonata in nss , HipSsmith
Faure; Nocturne. Glinka; Prelude,
Prokofieff: Three Preludes. SalZedo.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-02-09
Thuw in Antorcticu
Closes Nav Runwuy

CHRISTCHURCH, New zea-
land, Feb. 8 (AP).-The United
States antarctic expedition
completed its annual summer
evacuation of its McMurdo
Sound ice runway at midnight
as sea water Tapped at the edge.
The evacuation was forced
two weeks earlier than usual
when the thawing ice cracked
adjacent to the runway on
Monday. The Navy moved all
it's equipment to nearby ski
runway on packed snow. A
spokesman for operation deep
freeze reported in Christchurch
today.
Arizona tribune., 1962-12-21

Trimming lobby the VIII. Patterson
Lodge Mesdames McEroy, Thomas j. Pratt and
Arthur Blackshear, dt ruler.
Grand Temple 437 decorate the
tree prepare for the annual chldren's party.
Elementary children attend the party
Monday, Dec. "a at
Arizona tribune., 1962-12-21
COMING AND GOING

Mr.. and Mrs. Edward Banks
will fly to Indianapolis Friday
afternoon to spend the holidays
with Mrs. Hattie Hardison, Mrs.
Banks mother.
Capt. Melvin Brown of Williams
Air Force Base has returned
from special officers advanced
training in Montgomery, Ala.
Milford chronicle., 1962-01-19
Real Esfufe Transfers
In Sussex County

j. Harry McIlvaine to Laurella
NJ Nichols, North West Fork HID.
all estate, by will.
Charles Luther Harris, decd, to
Arintha Sally Harris, Seaford HID.
all real estate, by will.
Reese o. Brittingham and Alice
p. to Geo. S. Mills, Jr. and Julia
w., Seaford HID, lot.
First Dorchester Properties, Inc.
to Donald G. Boig, Seaford HID,
1895 acres.
Henry /. Short, Sr. and Carillee
G. to Raymond S. Mears, S. Nanti-
coke HID, 156 Ac.
Margaret Martin to Carl ID. Car
Isle and Ruby L., Seaford HID, II
u acres.
Hilton e. Harper and Eliz. w. to
Joseph Rhea Shannon and Patricia,
Seaford Hd., Part of lot Al, Wood
side Manor.
Bernard T. Robins and Constance
to VIM. NJ. Lloyd and Margaret,
Broad Creek HID, lot with imp.
Sue f. Taylor and Roy Lee to
Sadie Duncan. Broad Creek Hd.,
lot, 5000 So. it.
Carl F. Cash to VIM Robert Will
Jams, Broad Creek HID, N. E. side
lot No. AZ, sec. c.
Donald C.. Dukes, decd, to Rob-
ert e. Dukes, Broad Greek HID,
Remainder of real estate, by will.
Donald c. Dukes, decd, to Mabel
E. Dukes, for life, Broad Greek HID,
lot with imp.
Ford M. Warrington and Irene
III. to Roxie Medlin, Broad Creek
HID, lots 81 and 32, blk. C.
Sue E. Deely Taylor and Roy l..
to Charles H. Mason and Virginia
L., Broad Creek HID, % acres and
lot 5O' 120'.
Earl C. Fleetwood and Blanche
e. to Roland V. Fleetwood and E.
Jean, Broad Creek HID, 10000 So.
TT.
Charles j. Hudson and Maize E.
to Pearl H. Robinson, Little Creek
HID, lot, 24,312 SO. fit.
Martha Bernice Brock and Robt.
s., Reba Virginia Johns to Tho
mas B. Armstrong and Ara Sander
lin, Little Greek Hd., lot with imp.
Martha Bernice Brock and Robt.
S., Reba Virginia Johns to James
Lee Beckett and Edith Joyce, Little
Greek HID, lot with imp.
Milford chronicle., 1962-01-19

guests of Mr.. and Mrs. Massey
near Laurel.
Mr. and Mrs. Walter Boston, Jr.
and children, of Wilmington, were
dinner guests of Mr.. and Mrs. w. G.
Rust, Sr. on Sunday.
Mrs Hattie Short spent Sunday
with Mr.. and Mrs. Ralph Johnson.
Mrs. Minnie Wilson spent a few
days aof last week with Mrs. Sallie
Truitt.
George Matthews called on Mr..
and Mrs. Earl Reed in Milton, on
Saturday evening.
Mrs. Hattie Short spent Tuesday
with Mrs. May Kitchens and son.
Call unto me and | will answer
thee, and show thee great and
mighty things, which thou knowest
not" jeremiah 1873.
What things soever We desire,
when ye pray believe that ye re-
ceive them, and ye shall have
them"