davidaulloa/AmericanStories huggingface dataset:
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18
lECALS
TO WHOM TT MAY CONCERN:

TO WHOM IT MAY CONCERN:
The following described tribal land
is hereby advertised to members of
the Blackfeet Tribe for farm-pasture
leases:
Tract l. Nw-4, NJ No NJ Sw-4, Sec.
10, Twp. 36N., Rye. 6w., 100 acres.
Tract 2. Wa Wa Nw-4, Sec. is; NE4,
E2 Nw-4, NE4 SW.4, Sec. IL, Twp.
ain, Rye. sw., 400 acres.
Sealed bids will he accepted by the
Blackfeet Tribal Business Council up
to January 10, 1862.
The Blackfeet Tribal Council reserves
the right to reject any and all bids.
BY: Earl Old Person, Secretary
Blackfeet Tribal Business Council
First Publication January IL, 1862
Last Publication January 10, 1851
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18

LOST: from my ranch near Meri-
wether-Black Labrador dog,
male, wearing new brown col
lar. Answers to name. Nipper.
Reward. Phone 3382423. 46-2wc
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18
FOR sALE-Typewrifer ribbons.
Glacier Reporter. If

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Coast to Coast Stores, Cut
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The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18

LOST: lsdy's dismond-sfUdded
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Call REP 2-4092 at Babb.
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The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18

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The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18

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The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18
Classified Ads

AUCTION sale prices on yssd
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The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1962-01-18

CUSTOM MEAT CUTTING Of
all wild game. Contact Duane
Schneider at Teeple's Market.
46-2wc
Evening star., 1962-07-08

Rchlooking dorktoned
All in conon ondfu
2-20,
~iths
brown
D. BUronfn neckine
toost wthb
Modenshe with bow whhe ereen
brown,o twthbo
Evening star., 1962-04-08
Tax in Arts Name

In fact, the Commissioner,
Mortimer M. Caplin, is get
ting less indifferent than
his predecessors used to be
and with very good reason.
Our system of art subsidy
through tax allowanceS-in
addition to the excellent re-
suits noted above-has also
produced a certain amount
Of pure tax evasion. Early
this year Mr.. Caplin an
nounced that the IRIS is out
to stop this practice.
According to IRIS, more
than three quarters of all
tax cases involving art hinge
on evaluation of gifts. Unlike
gifts Of cash, gifts of art
have a variable value. The
variations have contributed
monumentally to the acqui-
sition programs Of American
art museums over the last
decade. They have also con-
tributed to a racket which,
In the long run, is as bad for
Evening star., 1962-04-08

art as it is for the tax col
lector.
The money value Of much
NOT all-art has risen
steeply in this century and
phenomenally in the years
since World War II. There
fore the owner of, say, a
Rembrandt purchased 20
years ago may reasonably ex-
pect a considerable profit on
its sale today. He Is allowed
to quote the higher price as
value If he donates the paint
ing to q museum. The prob
lem Is that, save at auction,
there is no firm way to COM
pute current value. Hence,
museums, donors and the
IRIS all employ experts to ap-
praise objects at probable
current prices. All too often,
the apprafsing experts" have
been completely devoted to
the interests Of the donor and
the recipient, not at all to
either the Government or
lust plain truth,
Evening star., 1962-04-08
Alden GoIIeY

In normal human expert
ence of art, the viewer starts
with the subject and grad
ually comes to consider other
aspects, notably technique.
The current exhibition at the
Barnett Alden Gallery all
but demands that you work
the other way round.
If you do, the results make
it well worth while. The ar
tist on view is Henri Fantin-
Latour, an early associate of
the ImpreSsionists who was
himself a realistic flower
painter. At the Alden are
about Is Autographs in a
show arranged by the Smith
Sonian's Travelling Exhibition
Service.
At first view Fantin seems
to incorporate Just about
everything we have been told
was the trouble with art be-
fore the Impressionist revo-
luton. He is cloyingly roman
tic and at the same time
rather heavy handed. Many
of the Autographs illustrate
Wagner's operas and confirm
your suspicion that that's
where the theater Of the alb
surb really began.
Whether working from
Wagner or from other liter
ary sources, Fantin was a
great one for juxtaposing
fully clothed and even ar
mored men with completely
naked, heavily built young
women whose eyes roll spir-
itually toward the sky.
Your friendly neighborhood
Freudian will be happy to
explain the meaning Of that
image.
And yet, the man per-
fected himself in the art Of
lithography and pushed the
technical resources Of that
art well beyond what they
were when he started. The
texture range includes sur-
faces that look like marble
reliefs and others that look
like spontaneous drawing.
There was no artist before
and there have been very few
since who so thoroughly
mastered the tones and tex
lures of the lithograph.
The show is so uplifting q
technical demonstration that
the visitor can even learn
to look without blanching at
all those spiritualized heavy
WEIGHTS
Evening star., 1962-04-08
FRISCO MUSICAL
EARTHQUAKE

George Sell rocked San
Francisco's musical circles q
fortnight ago when. after
cutting short a guest con-
Quoting engagement, he wrote
q blistering letter which said
in part that he found in
Frisco "the saddest state of
musical affairs I have en-
countered in any American
or European city during the
almost so years Of my active
conducting career"
Sells letter was addressed
to the San Francisco Chron-
icle's music critic, Alfred
Frankenstein. and was pub
lished in that newspaper.
Earlier, Frankenstein had
written to Sell that there
has been a grand crop of
Evening star., 1962-04-08

Lothar Brabansh has sew
eral sculptures is almost as
many manners, but the fin
est sculpture in the show is
William Calfee's bronze
Seated Woman" The piece
is somewhat open and has
a wonderful play between the
lines Of the body and those
of the chair.
Evening star., 1962-04-08
American u.

The second exhibition at
the new Watkins Gallery Of
American University Is the
faculty show and it empha-
sizes something that was ap-
parent at the Gallery at its
first exhibition a month ago.
There isn't room in the long,
divided space to get a decent
look at large paintings.
This Is especially true for
what Is the nearest approach
to a group style among the
faculty, a manner of painting
that reduces nature observed
to an arrangement Of more
or less abstract strokes of
color.
In the show as presented,
the single outstanding piece
in this manner is small, a
compelling interior by Joe
Sum m erford, "Orange
Chair" in which the planes,
the depths, the lights and
shadows Of a room all fall
into place like the tunblers
in a lock around the brilliant
flash Of the title object.
But larger nature-mood
pieces by Mr.. Summerford,
by Helene McKinsey and by
William Oldaker just don't
have enough breathing space.
The same thing is true of two
very large paintings by Rob-
ert Gates. Beach Light" you
can hardly see at all, you
have to stand so close to it.
Squirting helps in all these
cases but even that only
makes you maddeningly
aware Of qualities you know
you'd like to see fully but
cannot.
The gallery in effect is a
wide corridor being used as
exhibition space and it ought
to be so treated, that is, hung
with smaller works than the
major paintings Of the fac
ulty artists.
There is no problem at all
with two conventional still
lifes by Sarah Baker and
none with a piece of fascinat-
ing realism by Prentiss Tay-
tor, Studio Window" In
this the angle of vision is
just below center and this
slight departure from nor
mality, plus the artists high
fidelity to texture and to re-
flected light, gives a strange
feeling Of unreality about
the palpable reality of the
scene.
Robert D'Arista is repre-
Sented by two small studies,
ahead and a figure, and Ar
thur Smith by a fine black
picture, Night Surf" in
which the line Of light along
the cresting wave at once
divides the blackness and
centers the subtle variations
the artist puts into black.
Evening star., 1962-04-08

ally eminent musicologist and
professor at the University Of
Michigan, received the Sec
ond MOramus Award for dis
tinguished service to Amer
lean music here last Wednes-
day. Jacksonville, Fla:
John Canarina now one of
three New York Philharmonic
assistant conductors, has
been appointed conductor
and music. director Of the
Jacksonville Symphony for
the 1962-63 season. Chi
cagO: One of the featured
works at an international
Society for Contemporary
Music concert this Friday is
a Quintet for Saxophone and
Strings by the Washington
composer Serge de Gastyne.
PRIZES AND AWARDS
Merriweather Post Contest:
Guest appearances with the
National Symphony Orches-
ira and $4,000 for a pianist.
Nolinist, or cellist younger
than 10. Deadline: April 13.
Details: National Symphony
Orchestra, 2101 Sixteenth
street NV, Washington 8.
Musicians Club Of New
York Artist Award: $500 to
a violinist. violist, or cellist
between the ages of 20 and
80. Deadline: May /. Details:
Miss Alice ellison, 172 Hill
crest avenue, Wood Ridge,
N. j. Washington Music
Teachers Association Audi
tiOns: Appearance at Music
Teachers Convention in
Baltimore this fall for voice,
violin, or piano student not
over %. Additions: May 13.
Details: Mrs. G eraldine
Match. phone 648-4766.
Evening star., 1962-04-08
Buder Gallery

The Franz Bader Gallery
is showing recent paintings
by Tony Bader, who Is Mrs.
Franz Bader and who paints
utterly charming compost
tions of landscape and still
life along the shores Of Cape
Cod and the Florida Keys.
Charming here means
more than just pleasing.
There is a soft, feminine
magic quality that is all the
stronger for being achieved
without overt symbols Of
magic, such as strange char
acters or strange juxtaposi-
tions of things.
The colors are luminous
and have wide variety within,
for instance, the surface OF
the sea or a stretch Of sky.
Beyond that the only thing
you can put your finger on
as an explanation Of the ex-
traordinary dream-like quail
ity is a kind of obscuring Of
the middle distance. The eye
passes rapidly from objects
close at hand to others far
away, with not much in be-
tween to get attention.
Thus, in Shells and
Moon." you are confronted
with a spilled treasure Of
glowing sea shells backed UP
only by the mysterious depths
Of the night. Black is height
ened by green and blue. but
you don't really know where
beach or water ends, where
sky begins. High above shines
the only other object. mist
softened moonlight.
Again, "F1otsam." with .
completely different color
range, thrusts before US a
handful Of floating sea stuff
borne by calm water; then,
far away. are the forms Of
swamp grass; everything else
is covered with luminous fog.
In both pictures, the selected
objects are isolated from the
rest Of reality and the great
distance to the rest Of real
See ART, Page ELL
Evening star., 1962-04-08
Power of Deduction

Last year an active aux
iliary of the Corcoran Gal
lery was formed, the Friends
of the Corcoran. Members
each kick in 500 annually,
which is used to buy art for
the collection. The 500 is
deductible.
Early this year plans were
announced for a new Wash
ington Gallery of Modern
Art, scheduled to open in
October. Chief announced
income to date is $150,000
from two tax-exempt local
foundations. Currently "orig-
mating members" are being
sought at 500 each, the
money being deductible from
income.
Howard University has
just opened q travelling ex-
hibition Of sculpture by Jose
De Creeft, a top-flight Amer
ican. The show is underwrit-
ten by the Ford Foundation,
probably the biggest trans
former Of potential taxes
into cultural enterprise.
The Ford Foundation has
also been a substantial sup
porter Of Washington's In
stitute of Contemporary Arts,
which is scheduled this
month to revive its former
program Of exhibitions.
Evening star., 1962-04-08
Package DeuI

The built-in escalator ap-
praisal has in some cases
become part Of q package
deal: The purchaser buys a
work of art, its acceptance
by a museum as a gift and
an appraisal Of value five or
six times what he paid, all
in one transaction. In one
case cited by IRIS, an ap-
praiser sued a donor on the
grounds that he had failed
to share the tax savings
realized through a high ap-
praiSal.
The principle under which
art gift deductions are made
is the same that allows tax
payers to deduct their gifts
to hospitals, churches and
schools. In those categories,
the taxpayer is allowed to
deduct up to 80 per cent Of
his income. In art gifts, the
allowance is UP to 20 per cent.
Evening star., 1962-04-08

Howard University's chool of
Music Oecture-Recital Hall,
4 p.m.O are Mrs. Arthur ].
Goldberg and DR.. James M.
Nabrit, jr. the Howard
University Choir under the
direction of Dean Warner
Lawson leaves for q week
long tour to six Eastern sea-
board cities Friday. The
last of this seasons televised
New York p hilh a r m o n c
Young Peoples Concerts is
scheduled for Friday at 7:30
pm. (WTOP-TV, Channel
81. The spotlight will be on
three young soloists and the
orchestra's three youthful as
sistant conductors. The
University Of Maryland will
present a choral workshop on
Gabriel Faure's Requiem un-
der the direction of Margaret
Hills next Sunday. Registra-
tion begins at 1890 pm; fee.
So; all choral conductors in
vited. The First Inter-
national Jazz Festival, to be
held here May 80 through
June 8, now includes IA
events and an exhibition at
the Smithsonian, with more
to come.
NEWS FROM THERE -
New York: The New York
Pro Musica under Noah
Greenberg, heard at the
Library of Congress last Fri
day, will present a concert
entirely devoted to music for
instruments from the Renais-
sance this coming Saturday
at the Metropolitan Museum
Of Art. Bethlehem, Pa:
Hans T. David, information
Evening star., 1962-04-08

4'lmors all over the country
about your withdrawal from
the local scene" and that
this has not been at all good
for the San Francisco Sym
phony."
1T would therefore be a
just, proper and pleasant
gesture" Frankenstein con-
tinued, "if Mr.. Jorda (con-
ductor and music director of
the San Francisco Sym
phony) could be invited to
serve as guest conductor in
Cleveland next season."
Evidently annoyed, Sell
replied that up until this
moment I have tried to be as
polite and discreet as pos
sible about my early depar-
ture from San Francisco.
Your letter of March "a,
however, contains a tactlesS
provocation which compels
me to step out of my reserve"
He said it was entirely out
Of order" for Frankenstein,
who serves as both music
critic on the Chronicle and
program annotator for the
San Francisco Symphony, to
suggest my taking a step de-
signed to be interpreted as
implicit approval" of what
he considered a bad situation.
&*
NEWS FROM HERE -
OZan Marsh and the BOs-
ton Pops will be heard in the
first local performance of
Kabalevsky's Second Piano
Concerto this afternoon.
Guest speakers today during
an Hour with Patrons Of the
Performing Arts sponsored by
the Alumni Association Of
Evening star., 1962-04-08
Nationwide Bonanza

All of these activities are
obviously good for the art
situation in Washington.
They can be multiplied many
times across the country as,
in city after city, the private
taxpayer elects to reduce his
taxable income by donations
to museums and other cui-
tural institutions.
Furthermore this system,
which often strikes the Eu-
ropean as haphazard and &C
cidental, does have the Amer
ican virtue of leaving to pri-
vate initiative what is else
where accomplished under
public direction. There is
thus no possibility of a truly
official" art style being Gre
ated or fostered by govern
ment decree which has GER
tainly happened in the past
in France and happens to-
day in the Soviet Union.
On the other hand. our
system has also led to the
deplorable fact that the visi-
tor to Washington, museum
browsing along the Mall, can
find first-rate, government
supported collections Of Eu-
ropean and Asiatic art and
of universal scientific
achievement, but cannot find
a first-rate collection of
American art. Any Minister
Of Culture worth his port
folio would long ago have
established such a collection.
The Commissioner Of Inter-
nal Revenue has to be indif-
ferent.
Evening star., 1962-04-08
SUNDAY, APRIL Is

(For Further Details,
Consult Next Sundays Listings)
PROTESTANT CADET CHOIR. U. s.
Air Force Academy. James ROGER
Boyd. conductor. Washington Ca
ENGLISH cONSORT OF VOLS. Phil
lips Collection. 5 pm.
MOUNT VERNON PLACE METHODIST
CHURCH SANCTUARY C H 10 R.
r. Deane Shure, conductor Mt
Vernon Place Methodist Church. 900
Massachusetts, avenue NV, $50
pm.
wALLF1scH DUO National Gallery of
Art. 3 . m.
METROPOLITAN MEMORIAL METH
ODIST CHURCH CHOIR. James L.
McLain. director and organist
Metropolitan Memorial Methodist
Church. Nebraska and New Mexico
avenues NV, 8 pm.
LEA SNEIDER AND JOAN HOL-
LANDER, duo-pianos. National All
Center, 7100 Connecticut avenue,
Chevy Chase. S:15 pm.
CHAMBER MUSIC CONCERT. Decatur
House. Lafayette Square. $50 pm.
Evening star., 1962-04-08
EvuIuution Control

There have been legisla-
tive attempts to raise the
level to 800 for art gifts as
well. It is easily predictable
that the racketeering aspects
Of art gifts will only get
worse If the level is raised
without some form of tight
ening up on evaluations.
In New York, an associa-
ton Of art dealers Is very
slowly and very painfully
coming into existence, in part
to establish q respectable and
truly professional evaluating
service. Faster action Is
promised by Mr.. Caplin. This
year IRIS will examine very
close all claims for art gift
deductions. II tighter admin
istration fails to curb the
tax evaders, the Service will
press for new laws.
Evening star., 1962-04-08
FRIDAY

friday MORNING MUSIC CLUB,
Powell Auditorium, Cosmos Club, IL
am: Patricia Cochran. violin: Susan
Gerig, cello: Sara Bostwick, piano:
Monica Ortiz, soprano; Dorothy
Radde Emery, piano: Gia II sole dal
gange, Scarlatti: Mondnacht, Schu-
mann; Fruehlingsnacht, Schumann:
Scene and Air from Faust, Gounod.
Roby. piano: Sonata Concertsnte,
Kirchner.
HIGH SCHOOL BAND,
Gerald Lewis, conductor. Wakefield
High School Auditorium, 4901 8.
Chesterfield road. Arlington, $3.50
pm: n:.SSa Gost f., q ,a Arms. Kenny; Toccatfa;
The Barber Of Seville. Rossini-Lake;
Prelude. Beghon-Roberts; American
overture for Band, Jenkins: Ameri-
cans We, Fillmore: First Suite in
s;ds Eiat; s,d Hoist selections from West YES
vonic Rhapsody. Friedmann-Lake.
LEE MEREDITH. soprano; Walter
denim as fED0ssl AmsricaR enc RiAni Univefsits iS
s:i5 pm. ProEram not available.
WASHINGTON-LEE HIGH SCHOOL
CHOIR. Florence Booker and Rob-
ert Baxter. conductors. Washington
street, Arlington, $50 pm. REQUIEM
Eaure; Come shepherds. Follow Me:
Doth Now Invite. Dowland: !
Thought That Love Had Been a
Boy. Byrd: To Yon Fair Grove. de
sermisy; Dieu Cupido. Ce Grand
Villain. Costeley. The Return OF
Maytime. le Jeune; Blessing. Glory
q Wisdom. Bach: 'Tenebrae Fac
tae Stunt. Ingegneri: Ave Verum
Corpus. Mozart; How Lovely Is Thy
Dwelling Place. Brahms: Benedictus
& Hosanna. Bright; Liebeslieder. Op.
so. Brahms; Folk Songs.
VIRTUOSI DI ROMA. Renati Fasano.
conductor. Library Of Congress- $3.50
pm. Concerto in B-Flat. Op. 8 No.
9, Viyaldi: Concerto in c. Op.
No. 12. 'Vivaldi; Concerto in E. Op.
Q No. 4. Vivaldi; Concerto In 3.
on: 3 No. H. vivaldi; Concerto in
A Minor. Op. g No. 8. Vivaldi: Con-
certo in A Minor. Op. No. 4.
vivaldi: Concerto in D Minor. Op.
3 No. IL. Vivaldi.
Evening star., 1962-04-08
NEWS OF MUSIC
" Music's Fight forLife
Has oFriend q in Camp
NEWS OF MUSIC
BY IRVING LOWENS
Star Music Critic

Our man in the White
House, August Heckscher, had
some interesting things to
say. about music during the
course of a recent TV show
not seen in Washington
(''New York ForumD. His
topic was the Alice-in-Won-
derland economics of the
Nations cultural life.
Mr.. Heckscher, newly ap-
pointed White House arts
consultant, pointed out that
the low salaries paid to or
chestral musicians in fact
constituted a subsidy" for
our symphonies.
"One realizes to how large
an extent our symphony Or
cheStraS are subsidized. not
by Government or by munic-
ipalities or even by founda-
tions," he stated, but by
the low salaries, the low
wages which our musicians
are forced to accept in our
society"
Low Wages
This state of affairs he
found lamentable-"in the
long run I don't think we can
accept that any more than We
can accept the thought that
our universities should be
subsidized by low wages on
the part of professors"
1t will be remembered that
the musicians union said
much the same thing during
the course of the recent
row between the Nets man
agement and its orchestra.
The argument was a tell
ing one then, even though no
one denies the uncomfortable
money bind orchestra and
opera management finds it
self in, and it is just as cogent
now.
Mr.. Heckscher remarked
that he considered it "a per-
fectly normal thing" for
American municipalities and
States to aid the arts, and
he saw no special danger in
Federal participation in an
aid program.
Government Support
IF the Federal Government
should match money with
the States and the States
with localities, don't think
we would find the Federal
Government affecting the
freedom of an individual
artist" was his opinion.
But he did not think that
Evening star., 1962-04-08
ART AND ARTISTS
Biggest Benefoctor
OfAr in America
By FRANK GETLEN
Star Art Critic

Observers Of the American art frequently complain
that Government does little nothing for the plastic
The American official policy of indifference
contrasted with the French Ministry Of Culture the
British Arts Council
Yet for the biggest benefacor Ameri-
art institutions has been the American Government
Typcay Government mechanism for this benefacon is
not Ministry Of Culture but the Internal
The favored device not the direct Government
Evening star., 1962-04-08
SATURDAY

ESTHER BALLoU AND wINIFRED
JACOBSON. pianos. Barker Hall.
YWCA, Seventeenth and K streets
NV, 4 pm. Program Of folk tune
material arranged in duet form.
PAUL MATTHEW. bass-baritone; Mel
vile Smith. piano. Pan American
Union, $3.50 pm. Liederkreis Schu-
mann; Tres Candos de Navidad.
Caamano; Two Songs, Orrego Salas;
Eight Epitaphs. Chanler: OF All
Sturdy Things. Roy,
Evening star., 1962-04-08

cello). National Gallery Of Art. 8
pm. Quartet in c, Op: "A No. l,
Haydn: Quartet In +. Ravel: Quar-
tet No. 5, Bartok.
BEVERLY HILLS CHURCH CHOIR.
Hills Church, Tennessee and Old
Dominion boulevard. Alexandria. IL
am. 4-A REQUIEM. Soloists: Jean
Grimm, soprano; William F. Phief-
harpist: Mary Mccall. orsanist.
TOMORROW
LESLIE QUINN. baritone: Norman
Scribner, piano. Clendenen Hall,
American University. S:15 pm. Der
Wanderer,- schuber; Das Fischer
madchen. Schubert. Am Nicer. Schu-
eFs o. nS S a. cRoDn siHaf
Impromptu, op. So. chopin; VIE
bist du meine Konigen, Brahms;
Vergebliches Standchen, Brahms;
Inner RnsSm ieiseF wrd .P1dP. TeiP schg%%sT arHs5
Brahms; Fantaisie in F Minor, Op.
40, Chopin; Nachtzauber. Wolf; In
der Fruhe. Wolf: Anakreon's Grab,
Wolf; Fussreise.. Wolf: Benedict die
sel'ge Mutter, Wolf.
piano. The Phillips Collection. $50
pm. Capriccio, Swift; Epigraphes
antiques, Debussy; The Modern
Temper, shifrin; Sonata in F. <
497. Mozart; Grand Duo, Op. 140,
Schubert.
ORFEON UNTVERSITARIO. OF the
University of Venezuela. Vinieio
Adames, director: Pan American Un-
ion. $3.50 pm. Program Of works by
Venezuelan composers, Solo, Moleiro,
Estevez. Plaza. Castellanos and
AdameS.