davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
Buder Gallery

Three British printmakers
are on view at the Bader
Gallery. The show will be
there through July and it is
well worth a visit. 1t demon
strates at a glance the quail
ity, the dedication and the
variety in contemporary
prints in England. The three
produce work completely in
dividual and specialize in diff
ferent media, but they come
together in sharing the
heartening competence that
has been a worldwide de-
velopment in recent years.
All three print their own
work and it obviously
wouldn't occur to any of them
simply to make a drawing
and turn it over to a COM
mercial firm to turn into a
print.
Michael Rothenstein is a
young member of the distin-
guished British family of
artists and art officials. He
works in color woodcuts of
bold design and immediate
impact. Most Of the work is
abstract and derives its force
from simplicity in form and
color. Red on white or black
on red are used for KS and
o's or simple rugged lines.
Through the color areas the
grain Of the wood comes
through powerfully so tlst
sometimes the prints seem
to be half sculpture. Mr..
Rothenstein moves through
these technical exercises
with distinction and dispatch.
The lessons appear to better
advantage when incorporated
into images of savage ele-
gance perhaps derived from
Graham Sutherland, most
notably Angry Cockerel."
Traditional Etching
Valerie Thornton has stud
led with Hayter in Paris and
has achieved quite surprising
textures from etching. Quiet
and subdued. her architec-
tural compositions success
fully revive for our day one
of the great traditions in
etching. the sensitive record
of a place and its buildings.
Faithful to what the eye
sees, she translates this into
most satisfactory compost
lions, outstandingly so i'll
Merton College Chapel" and
the elaborate interior of the
synagogue at Toledo.
Like Miss Thornton, Ber-
nard Cheese gets new and
remarkable surface effects
from an old method. He is
a color photographer who
works sometimes in the at
tractive rural spirit of Sam
uel Palmer. Hopfields. 'agri-
cultural workers, woods and
seashore are invested with
a most attractive air of peace
and pleasant mystery. But his
most extraordinary prints are
what might be called land
scape fantasies, The Forti-
fled Town" and "On the
Edge" In both he uses a
solid texture usually thought
beyond the means of lithog-
raphy and gets a great feel
ing Of raw earth.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
PROGRAMS OF THE WEEK
TODAY

ROBERT CLARK. organ. Washington
Cathedral. pm. Voluntary in D.
Boyce; Fugue in E-Flat. Bach;
Choraie Partita. wass Colt tut. das list
wohlgetan, Pachelbel; Introduction.
Passacaglia and Fugue No. l, Will
Ian; Air with Variations. Sowerby;
Transports de Joie. from L'Ascen-
sion. Messiaen.
KATHLEEN JOYCE, contralto: Neil
Tilkens, piano. Columbia Union Col
lege. Flower and Carroll avenues.
Takoma Park, $50 pm. Program
not available.
UNITED STATES MARINE BAND. 1t.
Col. Albert Schoepper, conductor
Soloists: Arthur Lehman eupho-
MUM; Joseph Leo. clarinet, William
Jones, baritone (vocal). The Water
gate, $50 pm. March and Process
sion Of Bacchus. from sylvia, Deli
bes; Overture to the Merry Wives
Of Windsor. Nicolai; Jerome. Kern
Fantasy, Hunsberger; Original Fam
TASTE, Mantia; Cspriccio Espsgnole.
Rimsky-Korsakov; Carnival Suite,
Tansman: Solo de Concours, Mes
sager; Voices Of Spring. Strauss:
Pledge Of Allegiance, Caesar: Grand
Scenes from Andrea Chenier, Gior-
dano.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
TOMORROW

NTTED STATES NAVY BAND. CWO
Donald w. Stauffer, conductor.
soloist: ROGER ThorstenberG, cornet.
Capitol Plaza. 8 pm. French Ma
tional pefile March, Turlet; Magic
EIute Overture, mozart; Inglesina.
Mvt., symphony No. ) in c Minor,
Beethoven: March, from end Suite
for Band, Hoist: La Mandolinata,
Bellstedt; Under the Double Eagle
March, Washer; Dolores Waltz,
Curzon, George Gershwin Selection,
Gershyin: Stars and Stripes For
ever, SouSa.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
PERMANENT COLLECTIONS

CORCoRAN GALLERY OF ART, Sew
enteenth street and New York ave
nue. NV. Daily, 10 am. to 4:30
pm; Saturday, 8 am. to 400 pm;
Sunday and holiday, 2 to pm;
closed Monday.
D.U NJ BARTON OAKS RESEARCH
LIBRARY AND COLLECTION, 1903
Thirty-second street NV. Daily, .
to pm: closed Monday. Closed
indefinitely.
FREER GALLERY OF ART, Twelfth
street and Jefferson drive S.W.
Daily 3 am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ARTS, Constitution avenue at Tenth
street NV. Daily, 9 am. to 4:3O
pm.
NATIONAL GALLERY OF ART, Consti-
tuition avenue at Sixth street NV.
Daily, 10 am. to 3 p.m.; Sunday,
pm. to 10 pm.
PHILLIPS COLLECTION. 1912 Twenty
first street NV. Daily, IL am. to
& pm: Monday. IL am to 10 pm;
Sunday, 2 to pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

step forward toward a true
memorial area of the future,
in which the Washington
Monument, the jefferson
Memorial and the Lincoln
Memorial. Joined by the FDR
Memorial, would all be psy-
chologically contiguous for
patriotic pilgrimage.
Patriotic Pilgrimages
The notion of pilgrimage
is a natural part of most
memorials. 1t is quite ex-
plicit in the Jefferson Me-
mortal. Here the visitor
refreshes his eyes and his
mind with the trees, the sky
and the water. He walks
about and, finally, he ascends
the stairs to the memorial
proper. Inside he finds a
huge statue of Jefferson, but
neither the Neo-Classic build
ing nor the statue provide
the true memorial expert
ence. This arises, rather,
from the visitors confronta-
ton of Jefferson's words, his
thoughts, inscribed around
the base of the dome and
on the walls. The walls are
open in four directions. AS
the visitor moves about the
interior, reading JefferSon's
words, he comes to under
stand the mind of jefferson
and it's fundamental con-
tribution to the spirit of this
Republic. Quite literally, the
visitor walks for a little with
the founding father.
A similar process takes
place at the Lincoln Me-
mortal, as the visitor climbs
the steps, reads. turns and
looks back upon the Mall,
to the Washington Monu-
ment and to the Capitol.
For the Washington Monu-
ment itself, the effect is diff
ferent. 1t comes from the
clean shaft, tall and slender,
pointed toward heaven. There
is an upward movement Of
the eyes, invoking an upward
movement of the spirit in
unison with the upward as
pirations of the new Nation
under Washington's leader
ship.
Monumental Uplifting
The proposed F.D.R. Me-
mortal. astonishingly, man
ages to incorporate both
kinds of memorial effect. The
eight upturned slabs, in vary
ing heights, have a direct
formal relationship with the
WASHINGTON Monument, a re-
lationship not particularly
attempted by either the
jefferson or Lincoln Me-
MORALS. Again, the eye lifts
heavenward. from earth to
sky. in the most basic human
gesture of aspiration.
The proposed memorial has
been scoffed at as instant
Stonehenge." The intended
insult is actually a compli-
ment: There are few survivals
from the ancient world more
Immediately impressive that
the great stones or pre-
Roman England. The form
of the new monument thus
relates to the classical thrust
of the Washington Monu-
ment. to human history of
great antiquity and, I'M
questionably, to the forms
and methods of the goth
century, our own and Roose-
velt's.
The design also abstracts
the essence of both the other
memorials. The visitor walks
to and around these great
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
TODAY'S GOOD
MUSIC DIAL

$500, WMAL-FM (107.3 Me-
Divertimento. Works by
Telemann, Beethoven and
Schubert.
1905, WGMS AMIN $50 Kc.
and 1885 Mc.)-Symphony
for a Sunday Morning
Vaughan Williams Fantasia
on a Theme by Thomas
Tails; Schumann Konzert-
stuck in G. opus 90. and
Debussy JeuX: Poeme Danse.
1850, WASH-FM 1911 Mc.)-
Music Of Distinction. Men
delssohn Concerto in E
Minor; Chopin Concerto No.
l in E; Rachmaninoff Piano
Concerto No. 3 in D.
(Stereo.)
1880, WGMS AMIN $50 Kc.
and 1885 Mc.)-The Con-
cert Hour. Berlioz Roman
Carnival Overture, opus 9;
Strauss Burlesque in D
Minor, and Stravinsky's
THE Firebird."
2:O5, WGMS AMIN $50 Kc.
and 1898 Me- - Boston
Pops Orchestra. Arthur
Fielder, conductor; Alfred
Krips. violin. Works by
Chopin, Franck, j. Strauss,
jr.; Mozart and Wagner.
$3.50. WHFS-FM 1911 Mel
Music of the Dance. Shes
takovich: The Age of Gold.
(Stereo.)
$500, WMAL-FM (1O7.3 Mel
The Berlin Philharmonic
Orchestra. Beethoven Piano
Concerto No. l in C:
Brahms Symphony No. q ir
D, Strauss Thus Spoke
Zarathustra."
3:O6, WASH-FM 1911 Me-
The Opera House. Rossini'l
Barber of Seville"
400, WAMU-FM 1855 Me-
Dutch Light Music. Variety
Of Dutch orcheStras-combos
to soloists.
4:05, WGMS AM-FM $50 Kc.
and 1885 Mc.)-The Ballet
Theater. Provofiev's Gin
derella: Saint-SaenS' Sam
son and Delilah.
1880, WHFS-FM (1O2.3 Mc.)-
Great Sacred Music. Stra-
vinsky's The Floor. (Stereo.)
$500, WAMU-FM 1885 Mc.)-
Concert from the Phillips
Collection. Song Recital by
Thomas Paul, basS-baritone /;
John Wustman. pianist.
$3.50. WHFS-FM (1O2.3 Mc.)-
Pops Concert. Grofe Mis-
sissippi Suite; Humperdinck
Hansel and Gretel Over
ture; LISTS Les Preludes.
$500, WMAL-FM (1O7.3 Mc.)-
Heritage Concert. Beetho-
ven's Egmont Overture;
LISTS Piano Concerto No.
l in E Flat; Creston's Walt
Whitman Suite, opus So.
sos. WASH-FM 1911 Mc.)-
Symphony Hall. Faure's
Fantisie, Schumann's SYM
phony No. 3 in E Flat.
$3.50, WTOP - World Music
Festivals. Bergen Norway
Harmonien Orchestra with
Carl Garaguly conducting.
$3.50, WANdU-FM 1855 Me-
The French National Or
chestra. Berlioz Overture
to Benventuo, Roussel's
Suite in F; Florent Schmitt' s
The Forty-Seventh Psalm
opus 38.
10:15, WMAL-FM (1O7.3 Mel
The World of Records
Steinmetz' Horn Concerto
in D; Tchaikovsky's Piano
Concerto No. 3 in E Flat
opus IS.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
NEWS OF MUSIC
Music Industry
!. Booming in 1862
THE SUNDAY STAR
Washington, D. c.
July ], 1862
By IRVING LOWENS
Star Music Critic

=. The annual Music Industry Trade Show took place
IN New York last week. and almost every the 10000
manufacturers dealers and retailers musical instruments
sheet music and musical on hand for the affair
had something to sing about
In recent years. the music business has been booming
and 1t shows every sign that it will continue to do So
Take musical instruments, for example
ACCORDING to industry sources sales for 1861 added up
70 healthy $3.50 million This is double total for 1850
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

oAIO 4CA1OWSIllpS 1OT each
artist. Rehearsal time, travel
and other costs incidental to
three solo recitals at which
the new work will be played
are covered and each artist
will give one Of the three
recitals in New York City.
The chosen Is were picked
from among 231 artists nomi-
mated at the invitation of the
Foundation by conductors,
composers, singers, critics
and others professionally
engaged in the field of music.
The artist-compoSer teams
are:
Mezzo-Soprano, Betty Allen
Virgil Thomson; soprano,
Bethany BeardSley Milton
Babbitt); pianist, Gary Craft
man BENJAMIN Lees); bass
baritone, Donald Gramm
Orchard Cumming; violin
list, Sidney Harth Norman
Dello Joio); pianist, Eugene
1stomin Roger Sessions;
cellist, cara Nelsova (Alexei
HaiefD, and soprano, Judith
Raskin ezra Laderman).
Also, mezzo-soprano, Re-
gina Sarfaty Med Rorem) /:
violinist, Berl Senofsky (Irv-
ing Fine); tenor, George
Shirley (Coleridge Taylor
PerkinSon); violinist, Oscar
Shumsky Quincy Porter:
pianist, Abbey Simon (Anis
Fuleihan); pianist, Claudette
Sorel peter Mennin), and
cellist, Janos Starker (Roy
Harris).
= = -
NEWS FROM HERE
Pianist Robert Hamilton, who
plays a recital at Catholic
University on Tuesday, has
been selected to participate
in the 14th BusOni COMPETE
ton, to be held in Bolzano.
Italy from August "a through
September S. He is currently
finishing his tour of duty
here with the Army Band.
=. Incidental music for The
Tanning Of the Shrew and As
You Like 1t, the plays fea-
tured in the Shakespeare
Summer Festival this month
at the Sylvan Theatre in the
shadow of Washington Monu-
ment, has been composed by
David Amram. His career in
theater began IL years ago,
when he composed incidental
music for a Howard Univer-
sity production of Hamlet.
=. The first ticket for a
table Of ten in the Washing
ton Areas participation at
the national closed-circuit
telecaSt for the benefit of
the National Cultural Center,
scheduled for November 20,
has been purchased by Miss
Elsie H. Quinby. There are
plenty more tickets available,
at 500 a plate, and they can
be had at the Center office,
71S Jackson place EEK. g.
800, Ext. 3732). A film of
the SalZburg Festivals pro-
duction of Mozart's Giovanni,
Furtwangler conducting, can
be seen at the Circle Theater,
Twenty-first and Pennsyl-
vania avenue NV, on Tues
day, Wednesday. and Thurs
day this week. Alternate runs
Of opera and ballet films con-
tinue through July %. Per-
formanceS are continuous,
beginning at pm. daily. b..
Organist Norman Scribner,
assistant at the Washington
Cathedral, opens a series Of
Saturday evening recitals this
week at st. Johns Church,
Lafayette Square. The series,
running through August, will
also present local organists
Robert ShOne, Marie Schu-
macher Blatz, Linda Smithey,
and william S. Partridge,
along with others from
Baltimore and Annapolis. &. .
y y u
NEWS FROM THERE-It
is Festival time, and here are
a couple of them. Lenox,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
SUNDAY, JULY s

UNITED STATES MARINE BAND, It.
Col. Albert SchoepDer, conductor
Soloist: Julian Barber, narrator. The
Watergate. $50 pm. Lincoln Cen
Overture for Band, jenkins; Suite
Prairie Legend, Siegmeister: Echoes
Of the 1905, arr. Hunsberger;
Stephen Foster Melodies. arr. GuZ-
man; National Emblem March, Bag
Rhapsody, Hosmer: A Lincoln Por-
trait, COPELAND; Battle Hymn Of the
Republic, arr. Ringwald.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

AOEV AA6 uACs
Pianos and organs &C.
counted for 81 per cent of
dollar volume. Fretted in
struments, such as banjos
and guitars, were sold more
wild ely, however $4,000
plunkers bought them last
year,
More Of Everybody
Why the big boom?
Theodore M. McCarty,
president Of Gibson, Inc, a
leading guitar manufacturing
concern and spokesman for
the trade as president of
the American Music Confer
ence. service and information
organization of the industry,
thinks that one of the main
factors is the population ex-
plosion that followed the
end Of the last war.
School children are by far
the biggest consumers of
musical instruments (pro-
fessionals account for only
5 per cent of sales, and dur
ing the past few years, a lot
Of postwar babies have grown
old enough to blow. scrape
and bang. More than 10 mil
lion Of them are trying to
make music.
Extraordinary as it must
seem to those who find a
dearth Of musical activity in
this country, the Conference
claims that in 1862 about one
American in six plays some
sort Of musical instrument.
A little more than a decade
ago, only one Of eight played.
More Instruments
We finds ourselves today
with a whopping total of
37.4 million instruments in
use as compared with 81 mil
lion in 1850.
instruments growing most
radidly in popularity appear
to be electric guitars and cleo
trio organs.
Mr.. McCarty explains this
phenomenon by pointing out
that people are looking for
new sounds in music"
1.-THE from bone hasn't
changed in SO years and the
piano is still a piano." he said.
"hut electric organs and gui-
tars with amplifiers give the
musician an extremely ver-
satile instrument"
Keen Competition
One sour note is the stiff
and growing competition
American firms are getting
from foreign manufacturers,
who last year accounted for
nearly 10 per cent Of all re-
tail sales. instruments in
volve quite a bit Of handi-
work, and with labor an i'm
portant cost factor, some seq
ments Of the industry have
found it difficult to compete.
Especially hard-hit are
those who make fiddles. Low
cost imports from West Ger
many and France have just
about captured this market.
The last American violin
manufacturer, jackson, Gull
den & Co., closed up shop last
May, and the only string
instruments now made here
in quantity are double BASES.
But the outlook as a whole
Is bright, and industry sources
are predicting a 10 per cent
rise in sales for 1862. What
with more and more babies on
the way and more and more
leisure time available the
trade is UNDERSTANDABLE
happy.
LATEST FORD BONANZA
The Ford Foundation last
week gave $4,000 to is con-
cert artists in order to enable
each of them to commission
q new work from an Amer
lean composer.
The grants provide for
payments to the composers
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

Hosmer: American Weekend, de
Gastyne: Northern, Rhapsody. Hos
Kepner: Echoes Of Hawaii. Nestico,
arr; American Patrol, Meacham;
group Of selections by The Singing
SereeantS.
UNITED STATES ARMY BAND, Mai.
Samuel LOboda, conductor: Soloist:
Jack Behrend, tympanist. The Water
gate, $50 pm. Freedoms Founda-
ton March, Loboda; Celebration
Overture, Op. 81, Creston: Beguine,
Gould; Toccata for Tympani, Lo-
boda; Street Scene, Newman; Ameri-
can Patrol March, Meacham: Night
on Bald Mountain, Moussoresky;
Selections by United States Army
Chorus; Stars and Stripes Forever
Sousa.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

Mass: The 1862 Berkshire
Festival opens Wednesday
and runs eight weeks through
August rs. Conductors fea-
tured are Charles Munich,
Pierre MOnteux, Arthur Fled
Ter, william Steinberg, Eu-
gene Ormandy, and Munich
retires officially after the last
concert. a Beethoven Ninth,
turning the podium of the
Boston Orchestra over to
Erich LeinsdOrf . Marlboro,
VT: Rudolf Serkin's Marl-
bOrO Music School will have
a music festival this year, 10
weekend concerts from July
Z through August 10, empha-
sizing works by Mozart,
Haydn, MendelsSohn, and
Dvorak Cincinnati: So
prano Phyllis Curtin, who
has sung Mozart in Washing
ton, will sing the heavy role
Of Strauss Salome this week
at the Zoo Chicago: The
American Symphony Orches-
ira League, during its goth
Anniversary Convention,
passed out DitsOn Fund
Awards to the orchestras of
Chattanooga, Seattle, New
Haven, and Tucson, and to
composers Robert Sanders,
Quincy Porter, Paul Fettler,
and Henry Brant. Under
terms of the award, a COM
poser and his music are as
signed to each Of the winning
orchestras Santa Fe,
N. M: The Santa Fe Operas
sixth summer season, OPEN
ing Wednesday for nine
weeks. will emphasize Straw
insky this year with perform
ances Of Mavra Renard, lie
RossignOl, The Rake's Prog
ress, Oedipus Rex, and Perse-
phone.
= a a
BITS AND PIECES-An
unusual parlay is reported
from the gambling casino at
Enghien Les Bains, a resort
on the outskirts of Paris,
with Mozart the winner in a
performance of Cost Fan
lutte by members of the
Vienna State Opera. A troupe
from La Scala will follow, at
good odds Ric h a I'd
Tucker, dependable Metro
pOlitan Opera tenor who was
forced to cancel a brace of
performances on the Nets
Spring tour, has been re-
leased from a Long Island
hospital after two weeks rest
for physical exhaustion. e.
The Westinghouse Broadcast
ing Co. will produce a Sc
ries of spectacularS in a cul-
tural series directed at young
audiences next season. One of
the shows will feature the
Cleveland Orchestra and the
Shaw Chorale, with Shaw
narrating Maurice Peress,
one of three assistant con-
ductors with the New York
Philharmonic last season, has
been appointed conductor of
the Corpus Christi (Texas)
Symphony VioliniSt Rug
giero Ricci played three
quarters of a million dollars
worth of fiddleS, Is of them,
in making a record for Decca
recently. Six Of them were
Strads. five Guarneris, and
four Amatis. all from private
collections.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
FRIDAY

UNITED STATES ARMY BAND. Mai
. Samuel LOboda. conductor. Soloist
Allen Crowell, bass-baritone. Capitol
Plaza, s pm. Purple Pageant March
King; Hebrides Overture, Mendels-
sohn: Bcguine for Band, Osser: Dance
Of the Hours, from La Giaconda.
Ponchielli; Die Moldau, Smetana:
CONQUEST, from Captain from Cas-.
tile, Newman: This Nearly Was Mine
from South Pacific, Rodgers: Non
piu andrai, from Marriage of Figaro,
Mozart: Chit Chat Polka. Strauss;
ElSa's Professional to the Cathedral
from Lohengrin, Wagner.
UNITED STATES AIR FORCE SYM
PHONY ORCHESTRA, Capt. John F.
Yasulaitis. conductor Soloist: VIII
liam DuPree. tenor. The Watergate
$50 pm: overture to II Guarany,
Gomez: Che Zelda Mamma, from La
Boheme, Puccini; Romeo and Juliet,
Tchaikoysky; Polka and Fugue, from
Schwanda, Weinberger; Emperor
Waltz, Strauss; Selections from Porgy
and BeSS, GerShWin
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
TUESDAY

ROHERT HAMILTON, piano. Music
AUDITORIUM, Catholic University, s
p.in. appropriations on Hungarian
Foiksongs, Op. 90. Bartok: Sonata
No. 80 in c Minor, Op. Ill, Bee
fsosen s cboosn. No Imare IN n. MnOr
Toccata. Op. IL, Prokofieff.
UNITED STATES AIR FORCE BAND,
The Singing Sergeants, Capt. Robert
i L. Landers, director. soloist: William
DuPree, tenor. Capitol Plaza, s pm.
Fourth Of July, Gould: Ode to Vic
tory, ehilkret; Southern Rhapsody,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
THURSDAY

UNITED STATES NAVY BAND, It.
Anthony A. Mitchell, conductor; Navy
Hydrographic Office Chorus, Mar.
Earet KanEler. director. soloist
gate, $50 pm. II Guarany Overture
Gomez; When Johnny Comes March
ing Home, arr. Gould; Yankee
Doodle, arr. Gould; Give Me Your
Tired, Your Poor, Ringwald; Portrait
from Gigi, Loewe; Roumanian Rhap-
sody. Enesco: Cowboy Rhapsody
Gould, Finlandia, Sibelius.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
WEDNESDAY

UNITED STATES ARMY BAND, Mai.
samuel Loboda, conductor. Wash
ington Monument Grounds, s pm.
program Of patriotic music pre-
cedinR National Fireworks display.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01
SATURDAY

NORMAN SCRIBNER, organ. st. Johns
Church. Lafayette Square. 8 pm. All
Glory Be To God On High, Bach:
Prelude and Fugue in B Minor. Bach
Fugue in A-Flat Minor. Brahms:
Grand Jeu. DuMage; Chorale in e,
Franck
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

NEWS FROM THERE-It
is Festival time, and here are
a couple of them. Lenox,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1962-07-01

The Ford Foundation last
week gave $3.50. 900 to is con-
cert artists in order to enable
each of them to commission
a new work from an Amer
lean composer.
The grants provide for
payments to the composers
Navajo times., 1962-05-02
General Superintendent
Report to Tribal Council

help your Chapter Officers In see.
ing that parents or guardians bring
their children to sign up for school.
This Is something all of us are
interested In and 1t calls for our
united team work.
The Branch of Education wishes
to thank you for your support of
the Summer Educ cational and Rec
reational Programs for the child
rem. Particularly. during the past
two years. there has been wonder
full cooperation among all cOmmun-
ity groups to get together in many
summer aCtivitieS The sc
CONTINUED on Page 81
Navajo times., 1962-05-02

numerous awards inprevious Phil
brook ANNALS. including several
grand awards.
Ronald G.. Carraher, a ColWlle
Indian from Ellensburg, Washing
ton, won second grand purchase
award of $500 for "Incheleum
Departure" water color.
Four first awards of $50 were
also announced at the exhibitions
opening ceremonies May / at 7:3O
p.m., by DR.. Donald G. Humphrey.
Philbrook director, and four second
awards of SIS.
These were for regional paint
ings in woodland. plains. southwest
Navajo times., 1962-05-02
X X X X

TULSA. OKLA. MAY /, 1862.
A Acaseinpainting by the Sioux artist
Oscar Howe of Vermillion, SD.
won for him the $3.50 grand pur-
chase award in the 18th annual
American Indian Artists Exhibition
at Philbrook Art Center, to hang
through May 81. The award winner
is titled "Cunka Wakan Dance" "
Howe, born on a reservation at Joe
Greek, Sd, has become inter-
nationally famous as painter and
has been featured on the television
program ''This Is Your Life" He
is on the art faculty at the Uni
versity of South Dakota. He has won