davidaulloa/AmericanStories huggingface dataset:
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19

Lucky ticket holders for prizes
at Northwestern Tire, Inc were:
Esther Becker, Joseph Rivera,
Henry Old Person, Caroline
Pease, Mrs. l. l.. Williams of
East Glacier, year flat tire serv-
ice.
Browning Mercantile winners
were: Jeep Magee, mans hat;
ice cream winners were A IN
Johnson, Mike Oscar, Ards Co
bell and George Night Gun.
Bells Jewelry winners were
Ards Cobell, watch and Eva Ar
noux, hand-tooled wallet.
Winners of gift certificates
were: Naomi Gillian and Joe
Boss Ribs No. 2, $500 each from
City Hardware; H. T. Mailman
$1,000 from the Legion Club;
Lily Clark, $1,000 from Hedge
son Chevron Service; Julia Little
Dog, $1,000 from The Glacier Re
porter and Jason Devereaux, Jr.,
$500 from the Napi Bar.
Winning steak dinners at the
Hagerty Hotel were Margaret
Many Hides and George Fields
at Todd's Steak House and Joe
Trombley at the Joe Lewis Cafe
Other winners were r. M. Davis
and Leon Nation, free subscrip-
tons to The Glacier Reporter;
Gilbert Conway, a blanket from
Joe's Conoco; Irene Fields, moe
assins from SHELLS Gift Shop;
Jack Henderson and c. p. Men
denhall, black diamond rings
from the Blackfeet Trading Post.
Thee. DeWolfe, sweater from
Higgins Dress Shop; Josephine
Whitegrass, a $500 brand
ing iron torch from the Petrolane
Glacier Gas; c. w. Curtis, serv-
ing trays from Sherburne Nero
antile; Robert Grant, watch at
Hoyt's Enco Service; Kitty Ward,
electric heater from H & ] Store;
Mary Galbreath, lantern at Bob's
Texaco; Dick Holloway, camera
at Glacier Studio.
Pat Anderson, case of oil from
Shurr Chevrolet; Mike Matt,
suitcase from Faught's Inc; Gym
Davis, electric can opener from
Glacier Drug; Patty Tatsey, In
ternational Riddle Car at Macs
Service; Margaret Little Dog,
bowling ball from Park Lanes.
Stella Costell, Do-It-Yourself
from Businessmen's Club; Rose
Bird, Spread Satin from Monarch
Lumber Co.; Lillian Hoyt, sheets
and pillowcases from Faught's,
Inc; Nelly Buel, blouse from the
Economy Store; U. Higgins, cake
from Greco Bakery; Marilyn
Pease, glasses from Hoyt's Enco
Service.
The lucky winner of the sad
die offered as a prize by the
First National Bank was won by
Kenneth Olson of Meriwether.
Should any winners of merch-
andise not be listed in the above
we shall be happy to print addi-
tional winners and prizes next
week upon being notified.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19

Invited by Philleo Nash, Com
missioner of Indian Affairs, Wet
eel spoke to the gathering that
included Secretary of the Inter
Tor Stewart Udall, Assistant Sec
rotary John Carver and area di-
rectors from throughout the west
ern states.
Wetzel, using the findings of a
study called Indian Inventory
of the Sixties" compiled from
answers to a QUESTIONABLE con
Quoted by College of Great Falls
with Sister Providencia the
spearhead, along with Montana
State University, Montana State
College told the top officials of
New Perspectives."
He asked the Indian superin-
tendents to take their eyes off
the relocation centers of the
cities and to look insterd at con-
ditions and morale on the reser-
vatlOns.
The president OF the largest or
ganization repres- ting Indians
throughout the U. S. attacked the
present policy OF terminating
federal jurisdiction on Indian
matters and said he will oppose
the turnover to counties and
states.
Before having for Denver, Wet
eel asked the tabulating commit
tee or I'Nirl Inventory TO give
him a sample Of the thinking OF
the Indians on several subjects.
The Indian Inventory entailed
3s7 questions involving 1000 In
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19

dams on five Montana Indian
reservations, the Blackfeet, Flat
head, Fort Belknap, Fort Peck
and Rocky Boy.
The survey reveals the Indians
want to live on the reservations
and they want to work ON the
reservations and that 1877 per
cent favor employment opportun-
tiles be made on the reservation.
Voting on how tribal income
should be spent, the Indians
showed 52.4 per cent in favor of
spending some on tribal develop
ment projects and some on a
per capita basis. On the subject
of the Indian Bureau pulling out
of the reservations, 69.7 per cent
thought this was a bad idea.
OF the amount spent for food,
80 per cent said they spent "all
or nearly all" On whether they
feel families had good enough
and sufficient food, AZ per cent
answered "yes" and AZ per cent
mo"
The depressed group had 80
per cent stating that If they had
81 900 TO keep as its own, they
would spend it for food and hous-
ing. % per cent said it would
90 for the necessities Of life"
After his talk to the top off
Gals, Welzel was scheduled to
leave for Washington, DC. for
an executive board meeting OF
the National Congress of Ameri
can Indians.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19
NATIONALLY KNOWN ARTIST
TO APPEAR HERE

Hawkshaw Hawkins, nationally.
known RCA recording artist, will
entertain tomorrow night, Fri
day, at the Legion Club at 9 pm.
Six-feet five inches tall and
referred to as eleven yards of
personality" Hawkins is the Sec
ond named performer scheduled
here for the approval of the gen.
eral public.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19
GLACIER REPORTER TO
PRINT EARLY NEXT WEEK

The Glacier Reporter will be
printed on Wednesday and We
respectively request our adver-
fisers and correspondents to
turn in their ad copy and news
items on Monday. Your coop
Grafton will be greatly appre-
ciafed.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19
CHANGE IN THEATER
SCHEDULE ANNOUNCED

Beginning November /, the To-
cal theater will present only one
show nightly starting at 8 pm.
according to James Leadbetter,
theater owner.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19
Wetze| Speaker At Agency
SuDerintendent'S Convention

president of the Montana lnterribal Policy
Board and National Congress of
Falls international airport Sunday
for Denver where he was Monday speak high Off
of Indian Affairs and the % superintendent
of all the Indian reservations the United States
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19
PRO Officials Schedule
Two Reservation Hearings

Officials of the Petroleum Re
search Corporation and members
Of the Tribal Council will meet
with area residents of Starr
School on Friday, October 20 al
i:30 pm. and with the Heart
Butte area residents on Saturday.
October 81 at 100 pm. in the
school house.
All members Of the Blackfeet
tribe in the above areas are urged
10 attend these meetings.
The Glacier reporter. [volume] (Browning, Mont.) 1953-current, 1961-10-19

Army Sgt. Lloyd Tatsey, son
Of Joe Tatsey and nephew Of
John Tatsey. enjoyed a Today
delay-enroute furlough in this
area visiting his family. relations
and friends.
Evening star., 1961-02-19

through the royal household
with the freedom of domestic
pets. When Rubens talks to
him of classical themes, Vel
asquez takes hold of the no.
ton of a composition con-
corning Bacchus. the pagan
god Of wine. What he paints
is called Los Borrachos."
drinkers, common folk Of
Spain. seized by a penetrat-
ing vision in a fleeting mo-
ment Of mindless jollity be-
ing crowned by a most un-
classical impersonator Of the
god. Obviously this is not
what Rubens had in mind.
The painting is ageless. 1t
has a rugged life to it that
some Dutch masters will
strive for. Velasquez, the
gentleman painter living in
the tower of the royal Alcazar
of Madrid, attained this ver-
acity with ease.
He did more. He painted
as no one ever had before
him and as no one would
again until the Impression
lists pushed through their
revolution in the last CEN
tury. Velasquez, a short
man, looked out from be-
meath his bushy eyebrows at
the world and what he saw
and faithfully set down were
primarily sensitive arrange
ments of values and colors.
His superb draughtsmanship
was hidden beneath his over
riding concern with what
Evening star., 1961-02-19
Refs Latest

Etienne Refs current one
man show Of approximately
so works in oil, casein, water
color and etching at the
Artists Mart, 1851 Wisconsin
avenue NV, is all new, but
employs the same techniques
on the same subjects as in
earlier shows. Mr.. Ret is
essentially a craftsman even
in his paintings; his slender.
elongated piquant young
women are defined with black
outlines.
Women, lions and Growing
cocks are his major subjects,
along with occasional land
scapes and harbor scenes. His
handling in this collection is
somewhat broader than here
tofore. and his watercolorS
show q great deal of splash
ing, spotting and running on
wet paper. Presumably done
for surface interest, it looks
careless in some instances.
Consequently, his etchings
IA medium not easily adapted
to splashes and spots) con-
tinue to be his best work.
(Open Monday through Sat-
urday, 10 to $500
Evening star., 1961-02-19

light does to things and
forms. The outlines of many
CT his figures, painted before
1860, merge with the air and
the background which sur
rounds them as none will
again until the last century,.
On his second trip to Rome
he paints Pope Innocent K,
and neglects to render. as
would have any other painter
of this time. the minute de-
tails of silk and lace. Rather,
Velasquez paints with the
gift Of synthesis which we
all possess and rarely an
alyze. the silk as simmer.
the lace as fused spots Of
reflected white light. AS a
result, the face is unforget-
table, though the Pope was i'll
pleased with this work as
later generations were to be
ecstatic.
VelasqueZ paints a few in
teriors using unobtrusively
and memorably the results
of his deep study Of perspec-
tive. Once seen, even in re-
production, no one will for
get THE Weavers" or THE
Maids of Honor" of the
young princess. In fact. one
cannot forget any painting
by Velasquez, appoi n t e d
court painter at "a, whose
ambitions as courtier never
caused him to prettify the
world as he saw it. a world
Of living people whom his
brush saved from oblivion.
(Copyrisht. 1851, Gen. Features Corp
Evening star., 1961-02-19

sold in a short period more
paintings and drawings by
Mr.. Dumas than by any other
artist. Collectors are both
those who admire Mr.. Dumas
work, and those who are de-
votees Of Lorca's poems. An
esoteric taste would appear
to be indicated in each case.
One couplet, How hard it is
TO love you as I dol"
might apply to the whole col
lection.
Mr.. Dumas figures are
conventionalized: Short and
squat, with wide oval heads
supported on pyramidal
necks. They recall figures
in some Of Rivera'S early
murals in Mexico City; the
Mexican people saw no like
ness to themselves, called the
figures "monoS" (monkeys) i.
Mr.. Dumas Lorca-people are
a somber group. One Of the
most winsome is a little boy
trying to keep warm with
newspapers on a park bench.
In addition to the paint
ings are as many gouaches
and crayon drawings, Of SIM
liar subjects. (Open Sunday
3 to S; weekdays. 10 to 81
Evening star., 1961-02-19

covetable hangings. Also
shown are voluminous silk
stoles with dainty small fig
ureS and fresh colors. Mrs.
Egbert's prints and paintings
are much simplified bird,
flower and fruit themes on
white backgrounds.
A native Californian, she
studied extensively at uni
versities. obtaining B.A. and
MA, and at art schools. She
founded and directs the
Cherry Tree Textile Design
ers, teaches at American Uni
versity and her own studio
in Chevy Chase, and creates
designs for the trade. Her
book, Free Brush Drawing"
Is now in its second edition,
and she Is writing one on
silk screen printing. (Through
March 8, open daily 2 to g.
Evening star., 1961-02-19
THE SHAPE OF THINGS
VeIosquez Modern
After 300 Years

the art Of the Counter -Refor-
nation which we call the
Baroque. Not Velasquez. how
ever.
He returns to Spain, al
ways positive that he must
only paint what he sees and
only as he sees 1t. This
sounds very modern" 1t al
most sounds like a cliche.
When Velasquez said it was
quietly revolutionary. Char
acteristically. he did not pro-
pose that this should be a
universal manifesto. He
sought no disciples to spread
the word. He merely stated
a private conviction and
went on painting, superbly.
The great retrospective ex-
hibition currently displayed
at the Prado palace in Ma
drid in honor Of the third
hundredth anniversary of his
death in another regal palace
in the same city, demon
strates just how superbly
Velasquez did paint. The
agelesSness of his work is
the first revelation. One may
visit with Poussin and bring
back from the experience
many lessons for our time.
But to do this one must look
beyond the tenets of Pous-
sins world. his strict belief
in the need for a noble"
subject Of mythology or his
tory. the insistence that the
painters function is to carry
on the aesthetic of the Greek
and Roman sculptors in a
balance that is classical"
People Not Statues
One need search beneath
no such trappings with Vel
asquez. He paints people. not
statues. He places no ca
vorting nudes C"Fame" or
Victory" or "Peace") around
his royal subjects. Further,
he is no mere decorator Of
royal apartments, as a
Boucher will be in the next
century in France.
Velasquez is a serious
painter. Mercifully he is not
a pompous one. That also is
one of his great gifts in q
pompous century. Yet he will
studiously attempt to be the
perfect courtier. Remarkably
enough, he drops the role as
soon as he takes brush in
hand. In itself this is no
mean accomplishment of per-
sonal and artistic integrity,
for the court pressures were
terrific.
To initiate no one and to
paint only what he saw and
as he saw 1t can only be
meaningful if the artist has
a remarkable eye. This en-
phatically was VelasqueZ'
greatest gift. Besides the eye
he had the sure intelligence
to guide this keenest precep-
tive faculty. Much Of his
best claims to fame are his
portraits of Spanish beggars
and common folk. Unfor-
gettably he will title one Of
them "Aesop," in the knowl-
edge that Aesop was a slave
"a wise and sly one.
He will paint court testers,
sad as only clowns can be,
and the dwarfs roaming
Evening star., 1961-02-19


The American Federation
of Arts. and began q nation
wide tour a year ago at the
Whitney Museum, New York
City.
The earliest painting Is a
self-portrait dated 1925, re-
alistic, somber in color and
a serious likeness. His paint
ingS Of the 1930s. among
them Tornado" ''Fox Hunt"
and Hockey Players" the
last with an amusing en-
phasis on horizontal pink
stripes. are all. simplified
naturaliSTn.
Retrospective exhibitions
have q definitive character,
eliminating transitional
paintings. hence giving the
impression that the artists
shifted gears between periods
with nice precision. Gatcn,
who had begun his art stud
les in Baltimore, his native
city, subsequently went to
Paris and studied with Andre
Lhote, from whom he
learned elements Of abstract
painting. He began putting
them into practice in the
1940s in such paintings as
High Tension Tower" and
other works with patterns Of
straight and curved lines
and angles. At the same
time, Catch was revealing
the inspiration Of Bonnard
in beautiful colors. predom-
inantly orange, turquoise
and other nuanceS Of green
TO blue.
Use Of symbols increases
in the late '40s and SOS.
some easily recognized (e.g.,
the crosses in "The Lamb"),
but q majority are more diff
ficult to identify. About q
third Of the paintings belong
to the last decade. and a
number Of them show strong
kinship with the prize win
ming work at the Corcoran.
(Open Sunday 2 to z;
weekdays II to 6, Mondays
to 10 PM
Evening star., 1961-02-19
Nature Abstructed

Nature is the inspiration
Of Ralph Rosenberg, whose
one-man show at Galerie In
ternationale, 2l01 S street
NV. remains through Feb
ruary. Landscape and sea,
trees, leaves and flowers are
the subjects Of Is oil paint
ings, and a few watercolors.
But it is nature lived with,
felt, studied and abstracted.
Such paintings as Floral
World" and Leaf Of Many
Colors" are masses Of little
Evening star., 1961-02-19
PieIuge Solo

Jozef Pielage's beautiful
show is the fourth in the
Corcoran Gallery's Washing
ton Artists Series, through
next Sunday. Eighteen oil
paintings, representative Of
his work for the past half
decade, compose the best coll
lection / have seen by him.
superior to his last one-man
show at the Dupont Theater
gallery.
Netherlands born. Mr..
Pielage came to the United
States nearly forty years
ago, worked his way through
college and art school. OBJ
tanning his MA. in fine arts
from New York University.
He has long been a WASH
ington artist, has taught col
lege and painting classes for
many years. He has also
found time to create paint
ings and pastels and has ex-
hibited In many group shows
here.
A majority Of the paint
ings at the Corcoran are
naturalistic in effect, but
much simplified. Mr.. Piel-
ages technique produces a
rich surface seen closely as
we'll as at a distance. He
builds up his compositions
with many small, nervous
strokes, straight and curved,
and in some instances, q
pointilliste technique, as in
the Potomac at George
town." this method giving
the river much variety and
movement.
Landscapes predominant,
with several series Of paint
ings Of the Potomac River
and Jamaica. Mr.. Pielage's
self portrait in grayed yellow
and white is the only figure
painting; still life and inte-
riors are also represented. In
addition to abstract passages
in many paintings. are sew
eral distractions, all-over
mosaics of line and color
such as Jamaica, Coral Sea"
and others conveying the
image, as sunset over
Washington" with its sharp
angled blazes Of gold in q
turquoise sky.
Dupont Circle" "Haines
Point" and Potomac Falls"
are among the shows out
standing works. (Open Sum-
day 2 to S; Tuesday through
Friday 10 am, Saturday 8,
to 4:30.)
Evening star., 1961-02-19
BY RICHARD HIRSCH

BY RICHARD HIRSCH
Director Allentown Art Museum
Three centuries ago Diego
Rodriguez de Silva y Velas-
quez. favored painter of the
Spanish king, died after a
career Of serene success.
His serenity was Of q very
special sort. It was a paint
er's serenity. neither that Of
a mystic such as Fra Angelica
or Giotto, nor that Of q phi
loSopher such as Raphael.
Velasquez never experienced
the visionary ecstasies which
enflamed FL Greco who had
also painted within the cross
currents of Spanish mySti-
ciSm and Spanish cruelty.
He studied together with a
youngster whom we know as
the master painter Zurbaran,
yet he never shared Zurbar-
ans view Of the world as a
vast cloister filled with mon
astic images. Although court
painter at the same court,
Velasquez was never touched
by either the icy courtliness
which Francisco Goya exhib-
tied in his formal work or
the demoniac frenzy which
Goya expressed when work.
ing beyond the reach Of court
influence or court approval.
Painters Painter"
Velasquez Is unique. He
has been called, as If that
were meaningful, a painters
painter" BY this is implied
that only q painter can fully
grasp the extent Of his ac-
complishment or perceive the
aims which he set himself.
Such a definition is too mar
row. It is true that many
painters over these last three
centuries. from Goya to the
Impressionists, from Della
croix to Picasso, have gone
back to Velasquez to learn,
to borrow and to acquire
strength. Inimitably, how
ever, Velasquez speaks clearly
and eloquently to any spec
tator, spanning the centuries
with ease. with quiet power.
Velasquez is not a vapid
charmer. Living in the age
of the Baroque, he never fell
for its theatres. It is as If
he had never heard Of RubenS
although they enjoy each
others company in the pal
ace in Madrid. Living while
the France of Louis XIV is
proposing to all Of Europe a
rigid code Of classicism, it
is as If Velasquez had never
heard Of Poussin. Neither
decorator, nor theorist. nor
mystic, Valesquez, the court
painter of a naughty and i'm
perious court, stays a man Of
free independence. sure Of
himself.
Italy and Spain
Above all he was sure Of
his vision. At the age of 20
and then again at 40, he
travels to Italy. A lesser tall
ent could have been knocked
off balance by all that he
saw in Rome and Venice,
Florence, Genoa and Naples.
treasure houses Of the Rem
! aissance. backgrounds Of
Evening star., 1961-02-19
Lorcu-Inspired

Twenty paintings by Jorge
Dumas, inspired by the poetry
Of Federico Garcia Lorca, are
shown at Collectors Gallery,
1925 Wisconsin avenue NV,
through next Sunday. The
gallery reports that it has
Evening star., 1961-02-19
Eqbert Textiles

Lyn Egbert's solo exhibi-
ton at The Studio Gallery.
8l4 Prince street. Alexandria.
presents a large selection Of
her handsome block printed
fabrics. original ink draw
ings. linoleum block prints
and watercolors. More than
o dozen different fabrics are
hung from ceiling to floor,
giving visitors a full-scale
view Of the designs. One Of
stylized birds is done in sew
eral color editions. Another
striking pattern is a COM
plex of abstract white figures
on maroon linen gauze. Va
riety Of patterns and good
adaptation Of shapes and
colors to fabrics make these
Evening star., 1961-02-19
Other AM Stations
Ks.-7l-Asur spsratIsu.

WINx-1see Ke.-2l-hsur operation.
WPik-13o Ke.-DsyIlSht SRly.
WQMR-ioSe ke.-DsyIight sRIy.
WUSI-112o ke.-Dayllght 0Aly.
WfAx-l27o ke.-Dayllght sRly.
WWDc-i2so ke.-7A-hSuF OperstiOa.
WEEL-l1ie Ke.-24-hsuT operation eKeeHt
Msndsy midaiEht to 8 an. Tussdsy.
H00k-134o Ke.-1l-hoHF Opersti0s Msaday-
Saturday; SuRdSy 6 IN. to mldnight.
WEAM-13so Ke.-2t-hour operation, except
Sunday midnight to an. Mondsy.
W0oh-iSAo ke.-DsyliSht OaIy.
MPec-iSso ke.-Daylight sAly.
WeMS-s10 Ke.-S s.m.tO midAight; Saturday
lam. to I pm; Suadsy Q an. to MidHlght
WAVA-1So Ke-1 an. to S:I pm.
WPRW-iAse ke.-0ayIlght snIy.
Evening star., 1961-02-19
FIN Stations

WRc-FM-sa.s Me.-S:3o an. to I an.
WI0P-FM-ss.3 Me.-5:15 an. to 2;Ie an.
WASh-FM-s1.1 Me- an. to 12:1s an,
M0ntsy-Sund1y.
W0l-FM-ss.1 Me.-s,30 an. to midnight.
WFAN-FM-Ioo.3 Me- an. 10 mIdaiyht.
WWDc-FM-IO1.1 Me.-74-hsuT speTatisa.
WeMS-FM-Io3.S Me.-S an. to midnight;
Saturday ! an. 70 I Pm; Sunday Q an.
Evening star., 1961-02-19
Henri EnIurges

Henri Gallery, lib South
Royal street, Alexandria,
opened early this month an
other room, doubling the
space for changing exhi-
bitions. The February group
show introduces an artist
from Baltimore, Bernard
Byrd, whose Bridge" and
Figures on a Beach" have
recognizable images painted
in angular vari colored
facets.
Seven still life paintings by
Robert White compose an
outstanding group. These
trompe l'oeil compositions,
each in a few subtle colors
against a dark background,
are beautifully executed.
Kenji Ambo, whose recent
distractions have been shown
at Henri'S, Is represented in
the current show with four
paintings Of nearly q decade
ago. These are generally
larger thans his later work,
and are modern figurative.
His Wrecked Car" with its
mosaic Of small strokes antic-
ipateS some of his current
conventions, as does also
Truck and Steel Frame"
with industrial forms alb
Stract in effect.
(Thtough February, open
daily 8 to $500
Evening star., 1961-02-19
ART NEWS OF THE D. c. AREA
Gotch Retrospective
At Phillips Gallery
BY FLORENCE S. BERGMAN
Art Critic Of The Star

retrospective exhibition Of three decades Of painting
by Lee Catch the 1st Clark prize in the current
Corcoran Biennial is at the Phillips Gallery, 1900 2lst
street NV through February 81 1t is the first Of series
of retrospective exhibitions American artists work.
sored BY the Foundation organized and circulated by
Evening star., 1961-02-19
Art Lecture

Dorothy Adlow. art critic
Of the Christian Science
Monitor. will be guest speaker
this afternoon at 4 at the
National Gallery. Her subject
is American Art in the goth
Century"