davidaulloa/AmericanStories huggingface dataset:
Evening star., 1961-09-24
Simpotico Duo

Take a virtGoSo violinist
and g concert pianist, put
them together. and what do
you have? Sometimes a dis
sonance of clashing tempera-
ments. More rarely the happy
marriage that emerges from
a Decca recording of violin
ist Erica Morini and pianist
Rudolf F'irkusny paying the
Franck Sonata in A major
and the Mozart Sonata in
E flat major, K. 46l.
1t may be hereSy, but to
these ears they make more of
the felicitous Franck than do
Casadesus and Francescatti.
1t comes in the way Morini-
FirkuSny shade and tint,
shape the entire into a finely
chiseled poem.
Now listen to the Mozart,
which finds the composer in
one of his introSpective
moods. Morini's bowling has
cello like mellowness. The
adagio is a Schubertian
Evening star., 1961-09-24
TODAY'S RADIO
HIGHLIGHTS

1880, WWDC-MaSs for Shut
Ins. Father Daniel Power
celebrates the service from
Georgetown University.
.8:15, WRC-Faith in Action.
Roger Williams and Mary ~
an original choral drama by
Albert Johnson. The drama
trio of the University of
Redlands is featured.
9:35, WOL-Ethical Society.
The first of a new series
with Edward L. Erickson of
the Washington Ethical So
ciety.
1000, WMAL-Broadway Mel
odies. Music from Cam
elot," with Julie Andrews
and Richard Burton.
1890, WRC-Eternal Light. "A
Song of Ascent" by Joseph
Mindel, marks the celebra-
tion of Sukkoth.
1:30, WTOP-Football. Wash
ington Redskins VS.. the
Philadelphia Eagles.
200, WOL-Football. Balti-
more Colts VS.. Detroit Lions.
2:3O, WRC-Catholic Hour. A
talk by Jan Balinski Jundz-
will, chairman of the Polish
Institute of Catholic Action,
4:05, WGMS - Radio News
Conference. An interview
with Senator Humphrey
Democrat of Minnesota.
$3.50, WRC-Meet the Press
Attorney General Robert F
Kennedy is guest.
$500, WWDC-District Round
table. Una Rita Quenstedt
Assistant Corporation Coun.
sci for the District, dis.
cuSSeS "Illegltlmacy in the
District of Columbia"
$3.50, WEEL-Michael Brown
Show. The story and music
of "Oklahoma!"
1000, WMAL-Issues and An.
swers. Senate Majority
Leader Mansfield and Sen.
ate Minority Leader Dirk
sen discuss the 87th Con-
gress and the Kennedy ad-
ministration.
1880, WTOP-City Side. Tht
District Commissioners art
guests.
Evening star., 1961-09-24
RECORD REVIEWS
! Stokowski in Brahms Serenode

faster than the memorable
Casals Festival record Co
lumbia) featuring Isaac Stern
and William Primrose. The
middle slow movement takes
10 minutes compared with is
for the Casals. Whether this
is good or bad depends on
taste. Something in between
might be best. In any event,
the new record bears owing,
more so since it includes the
heavenly Adagio in E major
and the ripping Rondo in C
major played by Joseph
Fuchs.
Evening star., 1961-09-24

show. There is a superb i'm
preston of what must be
Munch's most famous single
work, THE Cry" in which
the girl in the foreground
opens her mouth and the
cam vibrates, visibly,
through all the universe.
breaking against the sky, the
sea, the land. the distant
town, in great waves Of
sound anC of heavy black
line. The only objects un-
affected by this pulsing,
hysterical despair are two
strollers a few yards from
the girl. They are connected
to her not only by their
common humanity, but by
the strict perspective of the
bridge or boardwalk upon
which all three stand; yet,
alone, in the world Munich
made, they can't hear her.
The Message Summed Up
That famous print sums
up a lot of Munch's message
to mankind, or his vision
of mankind, a vision that
overlapped that of his friend
Evening star., 1961-09-24
Notes

The Ores Gallery opens its
new season Tuesday with a
show of Ores Gallery artists
chosen for the 1861 Inter-
national Exhibition at the
Carnegie Institute, Pitts
burgh. No fewer than 10 art
lists whose work has been
shown at the Ores have been
chosen for the Carnegie. One,
Grace Hartigan, will be given
a one-man show within the
exhibition.
Today is the last chance
to seek the 18th annual ex-
hibition of the Loudoun
Sketch Club. Hours are from
to 9 pm. Place is the County
Office Building, Leesburg.
Opening today at the Stu
dio Gallery. Alexandria. is a
crouD of original etchings
and Autographs by Bonnard,
Duffy, Derain, Chagall, Gio-
cometti, Klee, Matisse, Miro
and others.
The National Gallery of
Art has announced plans to
increase the range of its cleo
tronic guide system, LecTour.
The success of the short
range radio broadasts, re-
ceived by visitors in individ-
ual receivers rented from the
gallery, has enabled the mu-
scum to add IL new rooms
to the 20 already equipped
with the continuous, taped
lectures.
Evening star., 1961-09-24

that view. The association of
love and death is old in Eu-
ropean and Asiatic romance
and it was in the air OF
Europe when Munich was
working.
1t can be found in Ibsen,
Freud and Wagner as we'll
as in Strindberg and Munich.
1t would seem, ultimately, to
be of the same stuff as
horror stories generally,
something to frighten our
selves with when we have
ceased to believe in ghosts.
But fright, in art, is a
pleasurable emotion and the
prints at the Phillips COM
prise the most effective ver-
sion so far of Western mans
last ghost story.
Evening star., 1961-09-24

and sometime associate, the
playwright Strindberg.
From THE Cry" it is easy
to move into the main body
of Munch's essay on man
and woman. Nothing else
has quite the immediate i'm
pact of that lonely scream.
But as the show adds up,
the total vision becomes
much more despairing than
that single cry from the
heart.
The tiny print, 1.-TWO Peo-
ple," shows the two from
the back standing at the
edge Of the sea in the per-
petual twilight or pre-dawn
that is the usual time of
day for Munich. The waves
are quiet, the figures mo-
tionless, their features
unseen. Yet, just by the pro-
portion of space between
them, more than twice the
distance of either from the
edge Of the print, Munich
conveys poignantly that to-
gether they are nevertheless
each alone.
Summer Evening" an
aquatint and etching, poses
a girl in the dusk, face to
the viewer, quietly inviting.
But there are great black
hollows beneath her eyes,
and the sea, glimpsed be-
tween the trees, seems the
primaeval void. In the con-
ventional pose of allurement,
she strangely frightens.
Love a Guise of Death
The viewer is frightened
for good reason, too, as
Munich makes clear. Love
and death are different
aspects of the same dread
reality, or, more specifically.
love is a rlIiSe of death Tn
the etching, THE Young
Model" the girl sits nude
on the edge of a cot, but
everything about her chills
the blood. In The Death of
Marat," a colored lithograph,
Munich departs completely
from the historical incident.
Green Marat stretches out
in the background. The nude
Evening star., 1961-09-24
MeIodic Mozart

Those who don't know Mo-
zart's Sinfonia Concertante
in E flat major, K. 1854,
have missed one of the su-
preme pleasures of all music.
Decca is out with a new re-
cording by Joseph (violin)
and Lillian tviola) Fuchs
with the Aeterna Chamber
Orchestra conducted by Fred
eric Waldman.
This version moves much
Evening star., 1961-09-24
ART AND ARTISTS ~ !.
Munich Prints Look
At Love and Death
By FRANK GETLEIN
Star Art Critic

Love and death, by of the most sensitive
minds of the turn of the century view the Phillips
Collection in the downstairs print
have been in love- il expect sometime die you
Assembled by the Smithsonian Travelling
Exhibition from the RoSenwald Collection
National Gallery will be at the Phillips through October IT.
For that matter if haven't been in love,
plan not to die ought to the 10 the
melancholy Norwegian. They may change mind
There are other things than love and death in the
Evening star., 1961-09-24

great bulbous faces, the eyes
made of shells, but it suf-
fers desperately from its sur
roundings. The visitor sees
at once how wise museums
are in showing primitive art
in the full-fledged museum
style OF isolating space and
light. The Fantasy is actually
a high-class gift shop with
art supplies on the side.
These savage masks, dis
played in company with ex-
otto but strictly commercial
European glassware and
Florentine leather and the
lot, lose a good deal.
In museums they conjure
up, just by looking at them,
the throbbing of Jungle
drums. the rites. of birth and
death, the image, for some
of us, of Dorothy Lamour. At
Inc Fantasy, above the
knickknacks, the m asks
evoke only the image of a
Pacific tribe captured in toto
by some art entrepreneur
and set to work in a copra
shed turning out the faces Of
the gods their fathers knew.
So much depends on setting.
When you think of it, this
Kind of material must have
looked much the same when
it was displayed as anthro-
pology, in dusty glass cases,
all in a tumble.
Mr.. Won Huhn, on the
other hand. comes through
nicely. He works basically in
the manner of Kandinsky at
his most classic non-objec-
tive. Lines of force swoop
through fields of color. Un-
like Kandinsky, Mr.. Won
Huhn often uses symbolic
images to pull it all together
and get it all across, but the
images are completely inte-
grated in the lively overall
designs.
Evening star., 1961-09-24
DUPLICATE
BRIDGE
CALENDAR

TODAY
Duplicate Bridge Center, 8 Dupont
circle; pairs, 1; MP pairs, 7:3O.
1:45.
TOMORROW
andrews, Anorews AFB Officers
llngton boulevard; pairs, 7:45. Chevy
Chase, 6SO3 West avenue, Bethesda;
pairs unvitationaD, 7:45. David
Taylor Model Basin, Carderock: MP
pairs, 7:45. Duplicate Bridge Center,
3 Dupont circle; pairs. l.; pairs, 1880.
rairta, Tairtax, Il0S 81; Andrews drive.
tons, CIR. 3-5924). Fort Meade,
Commissioned Officers Mess; pairs,
I;45. Silver Spring, 9405 Bruce drive,
silver Spring; Mp pairs, 7:3O (res-
ervations, JU. 9-7S1W.
TUESDAY
Alexandria YMCA, 42O z. Monroe
avenue; pairs, 7:45. Chevy Chase
Juniors, 6803 West avenue, Bethes-
da; pairs dnvitstionaD. $50. Dup
hcate Bridge Center, Dupont circle;
pairs, /; pairs, 7:30. Falls Church,
american An Legion Hall, 400 n. Oak,
Esils Eo,s, CnIreh; ITe pairs, I:4S Federal,
7:45, Federal Power Commission,
official dining room. GAO Building;
pairs, $50. Hecht Co. Duplicate,
third floor auditorium. Seventh and
r; MP pairs luncheon. II am. tres
sryations, AID. 4-Ol16), Indian
Spring Country Club, pairs Gnvita-
cafeteria, IRIS Building; pairs, I.
pairs. 7:45. Officers service Club,
1914 Twenty-first; pairs, s. 1900
Valley drive. no game.
WEDNESDAY
Agudas Achim Mems Club. 290O
Valley drive, Alexandria; pairs, s.
Alexandria. Belle Haven Country
Club; pairs (invitationaD, 7:45.
Chess, Apt. 201. Hotel 24OO Six
tenth; MP pairs (invitat tional). +.
7:45. Confessional Secretaries, new
House Office Building; pairs, z. Dup
eie % pairs saifs eaifs' so sRnDfPnii DPairfaT, flI
1l0s st: Andrews drive, Fairfax; MP
pairs, I:45 (reservations, CIR j.
1924. Hecht Co. Duplicate, Fenton
and Ellsworth, Silver Spring; pairs,
luncheon, am. reservations, AID.
4-oI1s). MCJC, Montgomery County
$40. State-uSIA, executive dining
room, GSA Building: pairs $50
Suburban, 1920 Arlington boulevard; /;
pairs, lO:3O am.
THURSDAY
Chevy Chase, 6S03 West avenue.
Bethesda; pairs GnvitationaD, noon.
Duplicate Bridge Center, 8 Dupont
circle; MP pairs, 7:30. Falls Church,
American Legion Hail. 400 N. Oak,
Fails Church: final session, women's
pair championship, 9:45 am. Goren
Duplicate, Apt. 529, 24S0 Sixteenth;
pairs, noon reservations, AD. 4
0l16D. Washington Bridge League
(ACBL until, no game.
FRIDAY
Pitomae Valley Championships,
Sheraton-Park Hotel: women's pairs,
mems pairs, >: mixed pairs, s.
SATURDAY
Potomac Valley Champions ships,
Sherston-Park Hotel; open pairs,
qualifying, >, finals, s.; City Of
Wsshinston pairs 1open to PLAYERS
with q to ~ master points, 2 and
g. special MP pairs, 8.
SUNDAY
Potomac Valley Championships,
Sherston-PaFk Hotel: open teams,
l and 7; special MP pairs, l, Z.
Evening star., 1961-09-24
Fontosy Gallery

Primitive sculpture from
New Ireland in the Solomon
Islands is the chief attrac-
ton at the Fantasy Gallery
and this is backed up with
smallish water color and ink
drawings by Rudolf Won
Huhn.
The Solomon Islands stuff
looks authentic enough, the
Evening star., 1961-09-24
TODAY'S GOOD
MUSIC DIAL
1850, WASH-FM (97.1 Mc.)-
Music of Distinction. Viyal-

1850, WASH-FM (97.1 Mc.)-
Music of Distinction. Vival-
dis The Seasons.
1900, WMAL-FM 107.3 Mel
Recital Stage. Violinist Ar
thur Grumiaux performs
works by Tartini, Bach,
Mozart and Paganini.
1880, WASH-FM 1911 Nc
Hambro and zayde. Music
for duo piano.
2:05, WGMS AMIN $50 Kc.
and 1885 Me- - Boston
Symphony Orchestra. Issac
Stern, violin. works by
Schumann and Beethoven.
500, WMAL-FM (107.3 Nc. y
The Philadelphia Orchestra.
Works by Beethoven, Grieg,
Strauss and COPELAND.
, 4:3O, WASH-FM (97.1 Nc
Masterworks from France.
Twentieth Century Music
by Fstit, Debussy, PUG
Roget. Pierne and Tortel-
iier.
sos, WGMS AMIN $50 Kc.
and 1884 Me- - Summer
\ Symphony. d'Indy's Sym
phony on a French Noun
tain Air.
Sis, WMAL-FM (107.3 Mc.)-
Music of the Dance. Often
bach's Gaite Parisienne;
Boston Pops Orchestra.
$500, WGMS AM-FM $50 Kc.
and 1888 Me- - National
Gallery of Art Concert. Ma
tional Gallery Orchestra,
Richard Bales, conductor.
Charles Ives Symphony No.
2; Berlioz' Suite from THE
Trojans in Carthage"
$500, WASH-FM t97.1 Mc.)-
Joseph Stephens Recital.
Music of Bach, Ginastera,
John Stanley and Alan
Stout[at the organ of Balti-
more's Cathedral of the In
~carnation.
1880, WGMS AMIN $50 Kc.
~~and 1888 Me- - Archive
Hour. Bach's Cantata No.
POI, "Phoebus and Pan"
1I:00, WMAL-FM (107.3 Nc y
Evening Concert. Arnold's
~Be ckus the Dandipratt:
Overture.
Evening star., 1961-09-24
RECORD REVIEWS
By HERMAN SCHADEN
:, Star Record Critic

What to give the Brahmso-
pilile who has everything?
Decca Records has one good
answer in the youthful
Johannes sunlight and
shadow -dappled Serenade Nc
lin D major, opus IL.
This has to be the finest
recording of a seldom played,
sadly neglected delight. AS
much as from the wizardry
OF the 20-year-old Brahms,
its success springs from the
sympathetic baton of Leopold
StpkowSki. still brimming
with young ideas, conducting
the talented Symphony OF
the Air.
From the opening rollick-
ing horn call, ever-so- re-
mindful in its repeated ver-
sfnns of a Scottish ditty, the
listener is conducted on a
tour of green vistas, sparkling
brooks, cool woodlands, all
limned to the brim in Bra
hamsian bucolics.
Brahms Unfettered
All along the way there
are signs of the restless young
composer pointing toward his
symphonic heights. But the
problems of exposition don't
intrude on the unfettered
Brahms. He says what comes
match erly. And to every
Brahms devotee, that is JOY
unconfined.
There are six movements
In the serenade. Two are
Scherzos. -
sunny as the Second Sym
phony, the second really oot
for a laugh with its stop
and-go tootling. A typical
adagio non troppo is laden
with the nostalgia of autumn.
Then the finale lit must
have been written in honor of
Robert Schumann, for it is
Schumannesque all the way.
Good sound, neither too
dry nor too lush, helps to
give this music all it needs
in a broad mosaic of color
Evening star., 1961-09-24

figure of Charlotte Corday
stands red in the foreground.
as if a living statue. The
drawing is rough but eff
fective. The point is made.
The message can be .ex-
pressed Symbolically. The
Maiden and the Heart"
shows the girl. nude as al
ways, seated in a garden
drawing forth a limp heart
from the earth. THE YAM
pire" is a woman with
flaming red hair, which
spreads over the head of her
lover like the net over
Agamemnon. THE Kiss of
Death" brings a skull into
juxtaposition with the head
of a girl and implies. no
doubt, that there is little to
choose. A dry point, Two
Nudes and a Skeleton" is
exactly that, the old middle
European theme of death
and woman.
"Tingle TangIe"
The theme can be social.
A lithograph, "Tingle Tan
gle," is one of the largest
prints in the show. On stage,
center, a girl performs a can
can-like dance, her leg irS
compulsive motion in the air.
Behind her sits a row of
women, grim m-faced, watch
ing. What they are watch
ing is the audience, a single
row of weak-Shouldered men.
On the left the huge figure
of a mistress of ceremonies
dominates the ensemble,
waiting, it would seem, for
the predictable demoraliza-
tion of the row of men.
This basic idea can be
found in Goya's prints, but
the Spaniard has a sardonic
quality that cody notes the
way Of the world and passes
on. With Munich the cheap
entertainment in a cafe or
bordello becomes a tragic
scene symbolic of mankind
at the mercy of soul -devour-
ing woman.
Three prints taken in Sc
quence make the theme a
little story. Moonlight"
shows the shadowy figure of
a man in a lonely room,
seated at the window. THE
Kiss" uses a very similar
window, with a street scene
below. Embracing before the
window are a man and
woman nude. driven, almost
in panic for love. The Sc
quence ends in Dead
Lovers" the couple nude and
spent lying lifeless on a
rumpled bed.
An Embrace and the Grave
Nor is there a moments
respite. A lithograph, "Liebe,"
shows another male female
embrace and the figures
seem stronger. But exami-
nation discloses they seem to
be rising from-or sinking
lnto-the grave.
Obviously, this is all very
strong stuff. Obviously, too,
most of us don't have
Munch's particular view of
love between the sexes, nor
his personal history that led
tor maybe flowed from
Evening star., 1961-09-24
|. F. A. Gallery

of the school of Paris is now
on view at the I. F. A. Gallery
and will be there through
october 7.
School Of Paris is a variable
term. Centering on Braque
and Picasso, it can be in
terpreted to go back to the
impressionists and up to the
taschists. The term is partic-
ularly applicable to the $50
prints at the 1. F. A. because
they all embody the spirit
of strong design and good
feeling that the artists of the
city evoked between the two
world wars.
OF the old masters them
selves, Braque, PicaSso and
Miro are present, but of the
three only Picasso seems to
be bubbling with new life
brought against new art. The
prints of Braque and Miro
strike the observer as chiefly
intended to be Braque and
Miro, which, of course, is the
easiest way to miss that tar
get. There are a couple OF
younger artists present who
also intend to be Braque
and Miro and they miss the
target by an even greater
distance. The best work is
by artists with no visible
debt to the grand old men.
This latter classification
includes two of the best
known printmen now work
ing anywhere, Zao-wou-ki,
the Partisan from China, and
Johnny Friedlaender, prob
ably the most influential of
the younger European print
makers. zao-wou-ki works
his familiar, intricate
charm in softly colored land
scapes that turn out, on close
inspection. to be covered with
forms and marks, abstract
and vibrant.
A Textured Background
Friedlaender time and
again achieves a quality very
close to that of rubbings
taken from antique bronze.
Against such a textured
background ne will build,
often, a composition of
horses. rearing, standing,
running, and the horses, at
first glance, seem to be made
of old newspapers cut up.
They aren't, but the lines of
type" lend a rich and con-
trasting texture to the softer
background.
Two relatively unknown
printmakers are shown in
sufficient examples to judge
their work and both are
good. Abram Krol, a Pole now
in Paris, has taken the re-
Gently experimental use of
cut plates and applied it to
representation to striking ef-
feet. The cut plate gives a
plate line, a raised edge.
anywhere in the print, In
stead of just around the
edges as in traditional print
making. Originating in Paris,
the effect has been used al
most exclusively in abStrac-
tions. Krol uses it in figures
and scenes and it bounces
the parts up from the paper.
His colors are bold and clear
in prints of stylized owls and
bulls and an ensemble of
Tristram and Iseult.
The other new man is a
Norwegian. Lars Bo. In soft
colors he combines abstract
marks with dream figures. A
recurring combination juxta-
poses a pair of lovers inter-
twined, a woodland scene
and a lowering, distant city.
Evening star., 1961-09-24

dream. Together they hap
PLY capture the nursery-like
tune Of the finale.
Evening star., 1961-09-24

and ever-shifting moods and
tempos. The music itself does
the rest.
Evening star., 1961-09-24
PERMANENT COLLECTIONS

CoRCoRAN GALLERY OF ART, Sew
enteenth street and New York ave-
pm; Saturday, 9 am. to 4:3O pm.
Sunday and holidays, 2 to 5 pm;
closed Monday.
DUMBARToN OAKS RESEARCH L.
BRARY AND COLLECTION. I703
Thirty-second street NV. Closed
Indefinitely.
FREER GALLERY OF ART. Twelfth
street and Jefferson drive S.W.
Daily. am. to 4:30 pm.
NATIONAL COLLECTION OF FINE
ARTS, Constitution avenue at Tenth
street NV. Daily, Q am. to 4:3O
pm.
National GALLERY OF ART, Con-
stitution avenue at Sixth street NV.
Daily, 10 am. to 5 pm; Sunday
. to 10 pm.
PHILLIPS COLLECTION, 1912 Twenty
first street NV Daily, II am.
to 8 pm. Monday, II am. to 10
pm; Sunday 2 to pm.
Evening star., 1961-09-24
Sunday Crossword Puzzle

l Atmospheric
electricity
Likewise
II Prospero's
| servant
18 Vegetable
10 Righteous
| 81 Apply too
! freely
| % Kind of wine:
2 words
"a Unalike /
25 Scheme
| to get
26 Bright yellow
81 Book of the
Old TeSta-
ment /
20 STRIPPING
80 Proofreading
1 term
81 lion
80 British mill
tary servants
SO Bucket
"a 1t follows
printemps
IS Glass making
material
So Mater
familias
81 Canadian
symbol
SO College
official !
80 Accelerate
40 French
| dance"
Al SeaSonable
A Turkish
weight
As Supply Of
wines
48 The Tempest
spirit
49 Useful cloth
so Forgave
So Seed
So Grow fat
54 Citrus fruit
SIS Wing: 1t.
56 Kind of
crayon
81 Band leader
Woody
So Honey:
Pharm.
SO Royal family
of England
81 Of the skin
So New Zealand
tree
63 American
dramatist
GA Infertile
65 Beelzebub
66 Temper:
Colloq.
81 Fur-bearing
animal
So Variety of
Shaddock
SO Child
10 Container
II Skin
72 Famed
violinist
Evening star., 1961-06-09
CheverIy Board
Takes No Action
On Negro Boys

A controversy over partici-
patton by eight Negro boys in
the Cheverly Boys Club failed
to come up at a Prince Georges
County Boys Club directors
meeting last night, but onlook-
ers besieged board members
with questions after adjourn
ment.
Representatives of both sides
were present. They found few
answers as the issue was left in
allegiance. presumably pending
an executive session of the
county board of the Boys Club
Tuesday night.
The controversy began last
week when the eight Negroes,
whose dues had been accepted
at the Cheverly club, were in
formed they would have to join
one of two Negro groups in the
county if they wished to con-
tinue in the Boys Club pro-
gram.
Executive Director Joseph w
Vernon explained that they
could either join an all-Negro
club near College Park or form
their own branch. Help would
be provided by the county or
ganization in drawing up a
charter and making other
plans, he said.
Evening star., 1961-06-09
Three D. c. Men Hurt
AS Car Uproots Tree

Three men were injured, one
critically, early today when
their car went out of control
and uprooted a tree 9 inches
in diameter in Southeast Wash
ington, police reported.
The convertible was travelling
south on Alabama avenue Sc.
at a high speed about 2:10 am.
when the crash occurred, ac-
cording to PvtS. Vincent B.
Burlin and Neil E. Southern of
the accident investigation unit.
Richard G. Lemp, 80, of 1000
Congress street Sc, owner of
the car, is reported in critical
condition today in Casualty
Hospital with a fractured skull
and compound fracture of the
right leg. Mr.. Lemp is a lithog-
rapher for the Government
Printing Office.
Also injured we're Richard
Woodruff, 10, of $50 Newcomb
street Sc, who police said was
the driver, and Boyd Yates, %,
of 1109 Alabama avenue Sc.
Police charged Woodruff, a
high school student, with un-
reasonable speed. He is being
treated at Casualty for head
cuts and body bruises. Mr..
Yates, a grocery employe, has
a fractured nose and possible
conclusion.
Police said the car went out
of control near Twenty-third
street and Alabama avenue Sc.
and knocked down the tree and
a traffic sign opposite 2125
Alabama avenue Sc.
Mr.. Lemp, who has been at