davidaulloa/AmericanStories huggingface dataset:
Evening star., 1961-09-24
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The Sunday Stor TV Mosozin
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
TODAY

II MTER-AMERICAN MUSIC FEs-
TIvAL. 0rquesta sinfOnica Nacio-
nal de Mexico, Luis Herrera de Ia
suents, conductor. Soloist: Pia
seEastianI, piano; cramton Audi
Fairmont streets NV, 9 pm. Lyric
for Orchestra, Somers (world pre-
mierel; Piano Concerto, Orrego-Salas
70. s.. premiere: Symphony No 3,
G e.as..;s. world prsmierel;
miere).
JUNIOR CITIZENS FESTIVAL OF THE
ARTS. Piano and ORGAN Foundation,
I2l0 wisconsin avenue, Bethesda,
3 pm. Fun with Keybosrds.
MARY. LOUISE MAMMA, violin; Michael
C0r SitNL, plane Music Building
yitah-David; Sonata in 4 minor,
Op. los, Schumann: Solo Sonata
NO l IN @ minor, Bach: Rondo in
& X. 373' Mozart; Three Melodies,
9pi 30: Prokofief; Improvisation,
CHARLOTTE wEsTcoTT REdNI. So
prano; Albert ReEni, clarinet: Edwin
Ihayer, piano. Glover Room, Hurst
Hail, American University, 8 pm.
Music for a While. Purcell; o pri-
mavera; huESesehi; Stizzoso. milo stiz-
!Snao ''G msFs rom Ms aHsts R
Brahms. tMr. ReEnf and Mr.
Thayer): Won ewiser Liebe, Brahms;
gebliehss staendehen, BRAHMS; Vier
Stuecke fuer Klarinette und Xavier,
Thsyerl; Tel Jour, teiie hult, Pou-
lenc: Three Songs. @ Jacob.
A. MAURICE MURPHY, piano. Nine
teenth Street Baptist Church, Nine
Italian Concerto. Bach; Sonata in
sharp minor. Rayel; Etude No. 2 in
op. 20, Chopin.
CAROLYN DAVIS, piano. Barker Hall.
YWCA, Seventeenth and K streets
NV. 4 pm. Prelude and Fugue in
In Z from the Wei Tempered ciavier,
Book II, Bach: Sonata In Op. 100,
Beethoven. Reflects dams reau, De-
busy; EtudeS Symphoniques, Op. ID,
Schumann.
DANIEL PoLLAcK. piano. Phillips
ai minor g 9Tsan s s5ssss In In
8. %. 70, Besthoven; cspriccio in in
T sharp minor, .op. 20. Brahms; In
termezzo In E, op: 116, Brahms; In
termezzo In G. op. l19, Brahms;
Consolation No, 8 In d fiat Liszt;
La Campanelia, Paeanini Liszt-
Busoni: Sonata No. 8 In B minor,
Chopin.
WILLIAM WATKINS, organ: BenJa min
Williams, flute. GEORGETOWN Presby-
terrain Church, 31l5 P street NV.
Langlais: Cor.ege ct Litanie, bupre;
Sonata da Chiesa for flute and
organ, Martin tMr. williams and Mr..
Watkins; Prelude and Fusue in D,
Bach.
ST. LuKE's EPISCOPAL CHURCH
CHOIR, Willis A. Hines, conductor.
Soloists: Lee Meredith, soprano; Ruth
Pitts, alto; Startling Hatchett. tenor;
Hush CrareyI baritone. 0rganist:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

James b. Jones. crucifixus from
Mass in B minor, Bach; Cantata No.
S2-Ich habe genng, Bach CMr.
CrareyI; Excerpts from the Requiem,
Mozart: Easter section from the
Messiah. Handel.
NATIONAL GALLERY ORCHESTRA,
Richard Bales, conductor Soloist:
Emerson Meyers, piano. East Garden
Court, National Gallery of Art,
pm. Ballet Suite, Lully-Mottl: Kon-
zertstueck In r minor, or. 10,
Weber (Mr. Meyers); Symphony No.
3 in A minor lscottiSh), Mendels-
sohn.
LAWRENCE P scHREIBER, organ.
National City Christian Church,
Thomas circle, pm. Rigaudon.
Campra; Les ClocheS, lie Beeue;
Prelude and Fugue in B minor, Bach
Cantilene from Suite Breve, Langlais;
TIE Deum, Langlais; Second Move
ment from Sonatina, Sowerby; Cho-
rale In E, Franck.
II INTER-AMERICAN MUSIC FEsTI-
VAL. The National symphony Or
chestra, Howard Mitchell, conductor
Soloists: Raauel AdOnaylo, soprano;
Hector TosaT, piano. Cramton Audi
torium, Howard University 9th and
Fairmont streets NV, $40 pm
Sinfonia Conoertante for piano and
orchestra, Tosar ~. 8. premiere, the
composer as Soloist): Cantata para
America Magica for soprano and per-
custom, Ginastera (world premiere,
Miss AdOnRylo)i symphony in -Four
Parts de Ia Vego (world premiere)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
Western Sturs
Do Act, Claims
One of Them

HOLLYWOOD (AP).-
With the Academy Awards
over and the TV Emmy
Awards coming up, Clint
Eastwood argues that the
various voters ignore West
ern stars.
Its a lot of nonsense to
to say that Western stars
don't act, only play them
selves" says Clint, who is
Rowdy Yates of "Rawhide. "
Il never saw a cattle drive
until I came to Hollywood
and I've done everything
from tragedy to comedy, with
suspense, farce. melodrama
and even musical variety
all with a western back
ground" he says.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
RODGERS

Continued From Page FL
complete opposite in almost
every way.
Where Hart was short
(only 5 feet, gregarious,
moody and utterly dependent
on inspiration Che could dash
off a whole song in five min
utes when the mood struck
and then loaf for weeks =,
Hammerstein was tall e feet
-, placid, highly organized
in work habits, unalterably
opposed to cocktail parties
and gifted with monastic con-
centration Che could spend
three weeks on a single line) q.
Unabashedly Romantic
Harris lyrics were debonair,
esoteric, at times braSh,
always technically exciting
and aimed unerringly at the
Park avenue set.
HammerStein'S lyrics, on
the other hand, were simple,
more emotional, unabashedly
romantic and aimed directly
at anyone who has ever
walked through a storm or
felt starry-eyed and vaguely
disconnected.
Working with Hammer
stein. Rodgers work grew in
scope and overall achieve
ment. Oklahoma, their
first collaboration, changed
the course of American mu-
steals and paved the way for
"Carousel," South Pacific, "
1.-THE King and I" and 1.-The
Sound Of Music" Each took
Broadway further and fur
ther from the one-finger
tinklingS Of Tin Pan Alley to
the domain Of grand opera.
Alan Jay Lerner, the
young lyricist of MY Fair
Lady," "Gigi," "Camelot" and
"Brigadoon," at times seems
a synthesis Of Hart and Ham
merstein. Handsome, urbane,
hard working, we'll disci-
plined, he writes a line that
is not quite as sophisticated
as a Hart lyric and not
nearly as romantic as a Ham
merstein lyric. but still in
fuses the better elements of
both into a result that is as
delicate and glittering as a
silk tapestry.
And Rodgers? What sort
Of a lyricist is he?
"Of the four" he admits,
I'm the worst, but I'm prob
ably the easiest to work with.
After all these years, I've
gotten kind Of used to my
self. Well see what happens"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
CARMODY

Continued From Page FL
alphabetically that he knew
the chaps face, but unhap-
PLY not the name.
1t led to the introduction
Of this correspondent to John
]. Carmody, of the lawyer
Carmodys. whom we have
been wanting and waiting to
meet for rs years.
This is the man, and these
are some Of his qualities, who
will be honored with dignity
and with love today at noon
at a special silver anniver-
sary mass today at the Shrine
Of the Immaculate Concep-
ton on Catholic University's
campus.
Hundreds Of his former
students, including some of
the theater's brightest names,
and more Of his Washington
neighbors will be participant
ing in the ceremony. And
some, no doubt, will be adj
mirers Of the 1879 tasteful
productions which the uni
versity's theater has staged
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
TODAY'S GOOD
MUSIC DIAL

sos, WASH-FM 1911 Mel
Masterworks Of Music. Rich
ard Strauss Death and
TRANSPORTATION.
1905, WGMS AMIN $50 Kc.
and 1888 Mc.).-Sunda y
Morning Symphony. Cigars
Pomp and Circumsta e
March in G, Opus 80, No. 4.
1880, WGMS AMIN $50 Kc.
and 1888 Mc.).-The Concert
Hour. Glinka's Russian and
Ludmilla Overture.
1:O6, WASH-FM (97.1 McD.-
Organ Recital. E. Power
Biggs in a narrative on the
history and development of
the organ.
$500, WMAL-FM (1O7.3 Nc
The Vienna Philharmonic
Orchestra. Works by Men
delsshon, Mozart, Beethoven
and Brahms.
4:3O, WASH-FM 1911 Mc.).-
Masterworks from France.
Satie's Gymnopedies; Ravel's
Pavanne for a Dead Princess.
6:15, WMAL-FM (107.3 Me-
Music Of the Dance.
Strauss Graduation Ball.
$500 WGMS AMIN $50 Kc.
and 1888 Me-. National
Gallery Of Art Concert. Ma
tional Gallery Orchestra,
Richard Bales, conductor;
Emerson Meyers, pianist.
Works by Lully-Mottl; Weber
and Mendelssohn.
$3.50, WTOP-World Music
Festivals. George Sell, di-
rector Of the Cleveland Or
chestra, is guest conductor
Of the Concertgebouw Or
chestra Of Amsterdam, Hol-
land. Pianist Rudolf Fir
kusny is soloist.
1918, WMAL-FM (1O7.3 Me-
Recent Releases. Works by
Vivaldi, List and Dvorak.
1880, WRC-Symphony for a
Sunday Evening. Overture to
"Oberon," by Won Weber.
11:11, WASH-FM 1911 Mc.).-
Symphonic Highlights. Lalo's
lie Roi d'ys Overture.
1901, -WWDC-Music Til
Dawn. Tchaikovsky's Sym
phony No. 6.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

inexpensive. In the event that
you are thinking Of INSTALL
ing one in your auditorium,
particulars and specifications
can be obtained from the
Stagecraft Manufacturing Co.
Of PeekSkill, N. Y.
50
SPEAKING OF FESTI.
Walls: Featured on this final
day Of the Inter-American
Music Festival is the eagerly
awaited world premiere of
the "Cantata para America
Magica," a big piece for So
prano and percussion by AL
bertO GinaStera.
After the evening concert,
there will be no festival In
town for a full week. Next
Sunday, Richard Bales be-
gins the National Gallery's
18th annual American Music
Festival, presenting four pro-
grams on four successive Sun
day evenings. This year, only
a single work will receive It's
first performance anywhere,
Rev. Russell WOOllen's First
Symphony scheduled for the
third concert. The same con-
cert will commemorate the
centennial of Edward Mac
DowelI's birth as Mr.. Bales
offerS-of all things-"To a
Wild Rose" Is this the best
that can be done for one Ut
the big American figures?
Interested in what festi-
walls are taking place this
summer in Afghanistan. The
international Music Calen-
dar for 1861" just released
by the Presidents Music
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
NEWS OF MUSIC
Role of the Music
Critic Clarified

the strange world of art it is
not inevitable that one of
the two Is necessarily foolish.
Music has reality only in in
teraction between sound and
nearer, and different reac-
lions by different listeners
(eVen though they be profess
sional music critics. are sim
ply explained on the basis Of
different personalities, diff
ferent environments, different
prejudices, different enthusi-
asms and different idiosyn-
craSies.
Not a Teacher
There are many things a
music critic on q daily news
paper Is not. For instance:
A critic is not an omiscient
teacher appointed by a news
paper to instruct singers in
singing, instrumentalists in
playing, conductors in con-
Quoting, and composers in
composing.
A critic is not st. George
Staying the dragon-his daily
review is not the proper place
to wage a crusade, regardless
of the merit Of his cause.
A critic is not an arbiter Of
taste, divinely appointed to
show less fortunate mortals
the only true way.
A critic is not an oracle
who reveals all the answers.
AS I see it, the critic is
merely an enthusiastic and
sincere student Of music who
is trying to share his honest
reactions with those friends
and strangers who honor him
by taking the trouble to read
what he has written.
If you think Of him that
way, perhaps the fact that
he disagrees with you land
with his colleagues) from
time to time won't seem quite
so hilarious.
=
CRAMTON AUDITORIUM:
Although there was plenty Of
disagreement about the new
music heard in the hall, it
was just about unanimous
with all who attended that
Howard University now has
Washington's best place TO
hear music.
Much Of the credit for
Cramton'S accoustical excel
lence should undoubtedly go
to Boris GOldOvsky, the dis
tinguished New England mu-
sician who developed the FL
Professionalism acoustical
shell installed in the auditor
ium.
The shell is amazingly light
- each individual panel
weighs about As pounds-and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

Clint is up for an Emmy
this year in a Western drama
that could have been played
against today's headlines
the story Of a Negro soldier
in the Union army who kills
a bully and is pursued to
death by fellow servicemen.
I'm the whole history of the
Oscars" says Clint, only
two Western roles have won
the top actor award-Warner
Baxter in 1929 and Gary
Cooper in 1852. There's more
to playing a Western role
than climbing on a horse
and twirling a six-shooter."
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
PROGRAMS OF THE WEEK

versoTget allies Leben from Cantata
No. 1877. Bach: Die verschweigene
Nachtigall, Grieg; MarEartlein, Grieg,
Klinge, klinge mein Pandero. Wolf;
Auf elmer Wandering. Wolf: Excerpts
from settings Of Paul Verlaine's
ArietteS oubliees By Faure and De-
busy: Green set by both composers;
III pleure dams mon occur set by
both composers: c'est PeXtase set
by both composers: Chevaux de
bois set by Debussy: In the Silent
Night, Rachmaninoff: Lilacs, Rach-
maninoff; Sorrow in sprinEtime,
Rachmaninoff.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

American Music, now in prog
resS.
The lavish new magazine
Music" q serious attempt to
find a mass audience for q
music magazine patterned
after the enormously success
full American Heritage" will
not make its bow this month,
as previously announced. The
first issue is now not ex-
pected from the presses until
the fall.
BITS AND PIECES: A
Washington composer, "a
year-old John ChOrbajian. Is
one of 16 young Americans
who have been awarded Ford
Foundation fellowships to
write music for high school
ensembles. Mr.. Chorbajian
will be working in Evanston,
Ill. Over in Baltimore,
Salvatore Baccal0ni will stage
and appear as guest star in
Three Times Offenbach," q
triple opera bill to be pre-
sented in the Peabody Art
Theater this Thursday. The
operas are The Little Magic
Fife" Marriage au Lam
terne," and THE Island Tu-
lipatan. They will be done
in English LaszlO HaIasz
will conduct. Charles
Munich retires in August, 1862
as conductor Of the Boston
Symphony Orchestra, as
Erich LeinSdOrf takes over.
Leon Kirchner becomes
Professor Of Music at Har-
ward University on July /
after q seven-year stint at
Mills College in California.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
SUNDAY, MAY I

. Cor full details. see next Sundays
hstings)
NATIONAL SYMPHONY ORCHESTRA,
Lloyd Geisler, conductor. state Dept
Auditorium, pm. University Work
shop.
THE ovERToNEs. Roosevelt Audito-
rum, 3 pm.
HAROLD ASH, organ. Washington Ca
thedral, pm,
ESTHER BALLoU, piano, Phillips Gal
lery, pm.
ALARD STRING QUARTET. Overds
lip Page, flute. National Callers
Of Art, s pm.
NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. StatC
Department Auditorium, pm.
WASHINGTON AND LEE MADRIGAI
SINGERS, Robert Baxter, conductor
Katharine s, Fowler, organ. Western
Presbyterian Church, pm.
AMERICAN UNIVERSITY CHORALE
Norman Scribner, conductor. Wash,
ington Cathedral, pm.
EDWARD MoNDELLo, organ. CSlvaFy
Baptist Church, s pm. 81
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

during the "a years Father
Hartke has been It's directing
genius.
A long way he has come
from the Chicago youngster
whose first taste Of theater
was at the old Essanay stu
dos in his home town.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
RICHTER AND KEMPFF


AS so often happens, both
Sviatoslav Richter (RCA Vic
tori and Wilhelm Kempff
(Deutsche Grammophon) are
out with new versions of
Beethoven's Piano Sonata
No. % in F minor, Op. 81
(Appassionata).
This is Richter's second
release of an American-made
record. 1t will mean much
to those who heard him play
the sonata at Constitution
Hall.
Comparing the two new
discs, one hears more thrust,
brilliant electric flashes in
the first movement of Rich
ter's work. The middle move
ment belongs to the poetic
phrasing of Kempff, while
Richter's playing here is less
relaxed but seems foreboding
in its metronomic intensity
Of the storm soon to break.
Richter's third movement
is a classic of brilliant con-
trastS in colors and climaxes,
as he at all times keeps his
unmatched power under
control.
If Kempff's playing is less
exciting here, the record
should not be forgotten for
two penetrating perform
ances on the reverse side of
SonataS No. 8 In C minor,
opus Is (Pathetique) and
No. IA in C sharp minor,
opus 81 No. 2 (Moonlight).
And Richter'S pairing is
something to show off his
own Sensitivity, a superb in
depreciation Of the A flat
sonata, Opus 26 Funeral
March,,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
HOWARD MITCHELL

Committee of the People-to-
People Program, contains list
ings of music activities Of all
types taking places in 90
countries-from Afghanistan
to Yugoslavia, inclusive. The
calendar lists l0,452 events
in ZOOS cities, and may be
purchased for $2.00 from the
Presidents Music Commit
tee, 734 Jackson place NV,
Washington 8. D. c.
You can still catch two of
the Inter-American Music
Festival concerts by delayed
broadcast on Radio Station
WGMS. Tomorrow at 8 pm.
the National Symphony Or
chestra Of Mexico will be
heard, and Tuesday night at
the same hour the CorO de
MadrigaliStas sing again.
= 4 = -
DELAYED PREMIERES:
The violin concerto composed
in 1885 by Arnold SchOenberg
was played for the first time
in his native Austria on April
Z, with the American violin
iSt Louis Krasner as Soloist.
The audience demanded a re-
peat.
An unidentified work, per-
haps the lost overture COM
pleted by the noted American
composer Charles Critics
during his student days in
Germany early this century,
received its premiere at the
hands of DR.. Howard Hanson
and the Eastman : Rochester
Orchestra on April "a during
the course Of the Eastman
Schools 31st Festival of
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
RECORD REVIEW
RECORD REVIEW
Strovinsky Conducts Own Music
And Talks in Stereo Album
By HERMAN SCHADEN
Star Record Critic

When a composer like Igor
Stravinsky conducts his own
music. that's news. When the
pieces are his most popular
twins" Le Sacre du Prin-
temps and Petroushka, the
news deserves top billing.
So today we write Of an
important release by Column
bia Of this most famous nv-
ing composer, nearing his
S0th year and now adding to
his rich legacy the stereo
version Of his history-mak-
ing music.
Columbia spared nothing
In putting across its scoop"
The album contains IA rec
ords, the half being an in
teresting talk by StravinSky
about the Rite Of Spring, its
early failure, its later success
and still later revisions.
Then there are three writ
ten Retrospective essays" by
the genius, and many splen-
did pictures Of him. All Of
this Is incloSed in . trans
parent lucite case topped by
q large "suitable-for- franz
ing" Stravinsky photo.
Well, so what about the
music2 Stravinsky wrote it;
he should know what he
wants. What he gets Is mag
nificent sound and creditable
playing from the Columbia
Symphony Orchestra. There
is q tonal sheen and clarity
Of detail. In most respects,
1t is eminently satisfying.
What 1t lacks is the ex-
element that Pierre Mon
teux, who started making the
Sacre famous in 1912, puts
into the music. This also
goes for another old gentle
man named Ernest Anser-
met. Monteux's Rite Of
Spring is criSper, has greater
dynamic range and contrast
ing tempt changes.
But the Stravinsky album
has much to offer, and as a
historical memento, collec-
tors will be happy to have
it forever.
MOISEYEV SPECTACULAR
That's the title Of what is
billed as the first stereo rec
ord out of Russian Artia
release just in time for next
weeks Capitol Theater ap-
pearances Of the fabulously
famous ballet troupe.
Everyone who saw the
dancers on TV three years
ago and /or hopes to see them
Monday, Tuesday or Wednes-
day next week will be de-
lighted with the record.
1t presents IL dances from
the troupe's vast repertoire,
a crosS-section Of the huge
USSR domain. The orches-
trail sound is first rate, the
music as authentic as it is
possible for the Russians to
do their own art. Nor do the
dances duplicate In more
than q place or two the fine
record produced earlier by
Epic.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
TUESDAY

NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. State
Dept. Auditorium, 8 pm. Music fol
Young America.
JUNIOR CITIZENS FESTIVAL OF THE
ARTS, Piano and Organ Foundation
72lS Wisconsin avenue, Bethesda,
pm. Piano and organ recital, Pro.
gram not available.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
A GREAT PRICE

An RCA Victor record
labeled merely "Leontyne
Price" has done more to con-
vince us Of this sopranos
greatness than anything
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30
TOMORROW

JANE WHITE. soprano; Richard white
piano. Russell WoOIlen, piano. Phil.
lips Gallery, $3.50 pm. GerechteI
Gott from Cantata No. SO. Bach
SeufSer, Traenen, Hummer, Not
from Cantata No. FL, Bach; Cot
Evening star. [volume] (Washington, D.C.) 1854-1972, 1961-04-30

heard from her before. Side
One is devoted to Verdi
arias from Aida and II Trov-
atore; Side Two is all Puc-
cini's-extracts from Butter
fly, La Rondine, Tosca and
Turandot.
At full voice, in dramatic
roles, who can produce a
more stunning outburst Of
pure tonal quality than she?
How she can move from a
pianissimo to a fortisSimo
and back again in a trice
is thrilling to hear. She sings
with the inspiration Of one
who knows her talent is
heaven endowed.
Miss Price now is securely
launched as our greatest ma
tive soprano. Listen to
this, and be convinced.
IS -
NEW FROM SERKIN
Here's a must for all lovers
Of Cd romantic music, ~
Rudolf Serkin and CD the
Philadelphia Orchestra. Who
has heard Max Rogers Con-
certo for Piano and Orches-
ira in F minor, OPP. ia? We
plead ignorance. We don't
know when Serkin heard
about it, or how he rates
it, but we do know:
At first one may think he
Is hearing Rachmaninoff; a
moment later. Brahms, and
before it Is all over, there's
the realization that the COM
bination Of Ormandy, Serkin
and Roger produces some
thing fresh and vital, if old
fashioned. Beautiful, senSi-
tive playing on this Column
bia record.