davidaulloa/AmericanStories huggingface dataset:
Evening star., 1961-06-26
MARITIME
Continued From First Page

Continued From First Page
tary left no doubt that the
President intends to seek an
Injunction unless there is an
unexpected break in pegotia-
tions by Friday.
Bargaining Requested
Mr.. Kennedy urged manage
ment and the unions to con-
tinue bargaining for a vol
untary settlement, and M.
Goldberg said his offer of a
voluntary 60-day truce still is
open. But the Secretary said
he has mo illusions" about
prospects for q voluntary set
tlement or truce.
The President appointed as
members of the board of in
quiry David Z. Cole, a we'll
known labor arbitrator ard a
former director of the Federal
Mediation and Cancellation
Service; udge Samuel I. Rosen-
man, lawyer and adviser to for
mer Presidents Roosevelt and
Truman, and Professor James
J. Healy Of the Harvard Grad
uate School of Business Ad-
miniStration.
Mr.. Cole will serve as chair
man. Mr.. Goldberg last week
proposed the same board to in
vestigate the dispute and rec
ommend settlement term s
under a voluntary 60-day truce.
= The board would remain in
existence during the injunc-
ton period, attempting to help
mediate the dispute and per-
haps holding hearings.
No Alternative in Mind
Mr.. Goldberg said the Presi-
dent had no alternative to
moving for an injunction,
"distasteful as is the law to
him and to me-"
The President observed that
he previously had urged more
flexible statutory procedures
to handle national emergency
strikes and said he soon will
recommend revision of the
aft-Hartley Act.
Mr.. Kennedy brushed aside
as more tactical than sub
stantial" an offer by one union
faction in the strike to clear
essential cargoes. But he said
the board Of inquiry should
consider the proposal.
Mr.. Goldberg noted that
only some of the unions joined
in the offer, and said the pro-
cedure would create a cum
bersome. unwieldy mechanism
of doubtful effectiveness"
Urging the parties to nego-
tiate, Mr.. Kennedy said:
Il am also keenly aware of
the desirability of so conduct
ing the Governments partici-
patton in this dispute as to
recognize the continued inn
portance here Of collective bar
gaining. For this dispute will
eventually be settled by col
lective bargaining. The law
provides no alternative settle.
ment process"
Procedure Under Law
There is no legal bar to re-
sumption of the strike upon
expiration of the 80-day in
junction. Workers would vote
after so days on management's
last offer.
~ Mr.. Goldberg in his letter to
the President said negotiations
have reached an impasse, .
and predicted that "a settle
ment will not be easy to come
by because of complex issues
and rivalries.
Because Of these tangled
Evening star., 1961-06-26

issues" he said, free collec-
tive bargaining in the industry
is unable to function smoothly,
and in my opinion. a prolonged
dispute will result"
Unions named in the execu-
tive order are the National
Maritime Union, Seafarers In
ternational Union, National
Marine Engineers Beneficial
Association, international Or
ganization of Masters, Mates
and Pilots. American Radio
Association, Radio Officers
Union and Staff Officers Asso-
citation of America.
Although about 10000 workers
and more than 900 ships are in
volved in the strike, only about
$50 to 200 Of the ships and a
proportionate number Of the
workers actually are idle, with
the remainder still at sea. The
strikes impact will widen as
more ships dock in the United
States.
Three striking unions-Na-
tional Maritime Union, Inter-
national Organization Of Mas
tiers, Mates and Pilots, and
American Radio Association
wired the President yesterday,
proposing establishment of q
panel to identify essential car
goes.
At Unity House, Pa, today
Joseph Curran, Maritime Union
president. said that a Taft
Hartley Injunction could lead
to a much worse shipping
walkout next fall.
Mr.. Curran discussed the
strike with fellow members of
the AFL-CIO Executive Coun-
Gil at their summer session,
the Associated Press reported.
At the same time, he said
that if an injunction is OBJ
tanned his union will obey it
and go back to work.
Secretary Goldberg, when he
was q union lawyer, made a
proposal for limited work
during the 1859 steel strike
Arguing against an injunction
to reopen all steel plants, he
suggested that a partial in
junction applying to a few
plants would suffice to assure
production of essential steel
for national defense.
The Supreme Court rejected
this proposal. along with Mr.
Goldberg's argument that the
injunction procedure is uncon-
stitutional. The court held that
the law does not require the
Government to formulate 9
reorganization of the affected
industry to satisfy its defense
needs without the complete re-
opening of closed facilities, OF
demonstrate in court the un-
feasibility Of such a reorgani-
cation"
Issues in the strike include
wages, fringe benefits. subsi.
dies and the unions demand
for the right to organize Amer
ican-owned ships sailing under
foreign flags of convenience
or flags of necessity"
Evening star., 1961-06-26

Continued From First Page
favor Of the moderate choice,
Len NadaSdy of Minnesota.
Evening star., 1961-06-26

of courage that will lift our
Nation out Of the moral moraSs
in which it is wallowing."
Evening star., 1961-08-13
A Mild Fib Helped

Other donations were
rounded UP from sundry
people in publishing (Wulp
is a magazine copy reader)
and theatrical enterprise, in
cluding Broadway producer
Roger L. Stevens and play
wright Leslie ("Marriage-Go-
Evening star., 1961-08-13
SCREEN

AMBASSADOR-"The Steel Claw; George Montgomery
with the Marines in the Pacific; 115 4:40 and BIS
pm; World by Night" meaning tour of inter-
national night clubs; 2:55, 6:25 and 9:55 pm
APEXThe Bridge" vividy dramatic study Of the futiy
Of war; 1:25, $50, 5:35, 7:35 and Gas pm
-CAPITOL-"Honeymoon Machine; Steve Mcqueen In
daffy romantic comedy from "The Golden Fleeing;
1915 1855, 44O, 625, 805 and $3.50 pm.
DUPONT-'Never Sunday" sophisticated saga Of how
life is in Greece these days. 1900 2:50 4:40 $780, 825
and 10:15 pm
KEITHS-"Goodbye Again; Ingrid Bergman couldn't
save this sordid from novel by Francoise
Sagan; 1850. 3:05, $40, 7:40 and 9:55 pm.
MacARTHUR-"Man in the Moon: Kenneth More makes
hilarious trip to outer space 2:10 4:05, $685. 1850
and GAS pm.
METROPOLITAN Steel Claw" George Montgomery
with the Marines in the Pacific 1:20 450 and $40
pm. THE World by Night" meaning a tour of inter-
national night clubs; 8, $3.50 and 10 pm.
ONTARIO-"The Naked Edge; Gary Cooper's last film
is suspense thriller 100, 2:50 ABS, $685. $40 and
9:55 pm.
PALACE"Exodus the story of Israes BIRTH more epic
in size than in depth; 1880 4:35 and S:2o pm.
PLAYHOUSE-"Guns of Navarone'; Gregory Peck leads
six brave men on near-impossible war mission;
exciting and drol; 1:15 3:55, 635 and s:10 pm.
PLAlA-The TRUTH an item Brgette Bardot meets face
to-face in a courtroom 305, Sis, 30 and g. 80 pm
TOWN-"La Dolce Vita" Felini speaks with shocking
candor about the unspeakable; l. T. Z and 10 pm.
six brave men near-impossble war mission;
exciting and droll: 1:00 $40, 6:15 and s:55 pm.
ACKNOWLEDGEMENTS" fragile script is more than
offset by brilliant work, superb acting 1:45
and 500 pm.
WARNER-"Fanny" !" the film version of this lovabe love
story retains the rich Gallo flavor Of the original;
1885, 4:10, 6:45 and $50 pm
Evening star., 1961-08-13
BROADWAY
AQuick-Witted, Delightful Clown
Is Kaye BoIIord of Carnival

(producer) and Bob Merrill
(compoSer-lyricist) but never
had to read for the part. 1t
was quite different from The
Golden Apple I had to do
seven different additions be-
fore I got the part in that
show. Each time I wore a
different fur piece that I bor-
rowed from friends-a full
length mink, a mink stole
and so on. 1 wanted them to
think I didn't really need
the job. After the show
opened they never saw me
in anything but a cloth coat"
1t was while she was ap-
pearing in London in Touch
and Go" that she did two
command performances for
King George VI and Queen
Elizabeth, now Queen Mother.
when I was introduced to
Princess Margaret I didn't
know what to say to her so
I just said, I'm crazy about
your mother and father"
Kaye said she spends all
her money on cabs and on
paintings for her Ninth street
apartment. "I have some
really good paintings. Care to
see them some time?" I cer-
tainly would.
Evening star., 1961-08-13

right there. He invited me
over to his table, kissed me
on the forehead, and intro
duced me all around. He
should never have died. 1t
made me furious. He should
have lived forever"
I remarked that the Troc-
adero closed some time ago.
And she said:
I've closed several places.
I was in the last picture
ever made at RKO, The Girl
Most Likely I was on the
cover of Life with no story in
side. I've had almost luck"
An Ohio Girl
Kaye was born in Cleve-
land where most of her close
relatives still live. She at
tended West Technical High
School there and says she
got her dramatic training in
art class. I'D finish my
sketch in about 20 min
utes, then I'd perform. She
appeared in vaudeville in
Cleveland and in night clubs
and at the Hanna Theater.
Her father, Vincent Ba-
lotta, came to New York to
see her in Carnival" It was
his first visit here since 1919.
But he said the place hadn't
changed much. Everybody
asked him how he liked me
in the show but my family's
very modest about me. He
said, 7 liked the whole show
I'm very close to my grand
mother, Gabrielle Nacarato,
who is IS, and who lived
with us. She and my mother
are coming here as soon as I
can get them tickets for the
show. / have a brother and
two sisters and they have
thousands of children"
Kaye got the role of Ros-
allie in Carnival" because
Director Cover Champion
wanted her for it. He knew
her in Hollywood.
II sang for David Merrick
Evening star., 1961-08-13
By HARRY MACARTHUR
.. Star staff Writer

"A lot of things have been
said about me-" Janis Paige
observed, but this is the
first time anybody COM
planned of not being able to
hear me-"
Miss Paige was referring
to some of the newspaper
reviews which noted occa-
sional inaudibility on the
opening night of South
Pacific" at Carter Barron
Amphitheater. Miss Paige is
Nellie Forbush and Stephen
Douglass is Emile de Becque
in the current SUNNI er
production.
"It's frustrating" the star
went on. you work hard on
something to make 1t the
very best you can. At the
final run through on Mon
Evening star., 1961-08-13

Los Angeles Westwood sec
ton.
Maureen, a self STYLED kook,
admits she's not a name yet
but thinks she's on her way
because Of the exposure she's
getting now.
People usually say You're
the girl who was on the Jan
Murray show or they real
ize who I am when I mention
that I was the original piano
playing member of Ernie's
(Kovacs) hysterical Nairobi
Trio on the old Tonight
show.
But recently an ice cream
parlor waitress came UP to
me and said: You're Mau-
reen Arthur, aren't you?' I
flipped!"
Evening star., 1961-08-13
BROADWAY
BY WARD MOREHOUSE


North American Newspaper Alliance
NEW YORK.-Ever hear
Of Katrina Balotta? Prob
ably not. for she became
Kaye Ballard. singer, night
club entertainer, actress
and clown. You'll find her,
If you're lucky enoght to get
tickets, at the Imperial Thea
ter in the biggest hit of her
career, the sensation called
Carnival"
Kaye is lively, quick-witted
and altogether delightful.
She has performed for Eng
lands royal family, been
kissed ION the forehead by
Clark Gable, and made fire.
quent contributions to the
general lunacy of the Jack
Paar show.
Pm Italian all the way
down the line," she said at
Downey's the other after
noon. There's not a trace of
anything else. One of my
grandmothers was named
Ballardo. and I just chopped
off the last letter. My fam
lily comes from southern
italy. so I speak italian with
a southern accent.
Brief Encounter
"All of my first cousins
and an aunt live in Rome
and I met them when I went
over there. They're beautiful
people, but they got hyster-
ical when I spoke italian.
I had to get a hotel clerk
to translate for me. I said,
tell them I love them Can
you imagine?"
Hayes brief encounter with
Gable. to get to that quickly,
took place at the Trocadero
In Hollywood while she was
appearing with the noisy
Spike Jones band. She gets
a dazed look when she speaks
of it.
Il did an imitation of Judy
Garland singing Dear Mr..
Gable and he was sitting
Evening star., 1961-08-13
THE PASSING SHOW
Janis Paige Has Travelled
Far F rom School Operettos

day afternoon, I thought we
had a good show. In fact, I
knew it. You can tell. Then
you get on stage and some
thing like this, beyond your
control, happens. It's :.
well, as I say, it's frustrat-
ing" }..
Quickly Corrected
This" if you came in
late, was a temporary aber-
ration Of the sound system
last Monday night that
blacked out snatches Of song
and dialogue for the first 8
or 10 rows. It was easy to
correct once it was discovered
and the musicals star is
ready virtually to guarantee
that you will hear every word
she says or sings during the
second week of South
Pacific"
The trim, blonde Miss
Evening star., 1961-08-13

training grounds have in
cluded TV appearances with
comedians Steve Allen, Ernie
Kovacs and Jerry Lester.
She gleefully tells Of the
time a high-preSsure sales
woman in a dress shop was
telling her how well a really
unbecoming dress looked on
her, and how she looked just
like Marilyn Monroe in it.
so I did a Monroe bit
right there and you should
have seen that saleslady's
face" laughs Maureen. She
since has so polished the
impersonation it is devas-
tating. -. -...
Maureen and her husband,
night club entertainer George
Wilder, make their home IN
Evening star., 1961-08-13
HOLLYWOOD
HOLLYWOOD
The Buddy-Buddy Type?
By GAYLE MOSS
Associated Press Writer

Most actresses who don't
want to be sexpots couldn't.
Maureen Arthur-38-24-36
could. But she doesn't want
to.
She considers herself "the
buddy buddy type" Most
men would be hard-pressed
to agree with her.
Says she of roles as slinky
sirens:
II would feel uncomfort-
able-except burlesquing it."
Maureen, a blue eyed
blonde with undisguisable
curves. deplores the fact that
casting directors seem blind
to her yen to be a serious
actress.
Stepping Stone
II actually feel hampered
by my appearance" she says.
She once even darkened
her locks because she
thought blondes weren't con-
sidered sensitive enough for
good character roles.
She says it's no use. She
still gets offers from "those
mems magazines" and for
those I Was a .Teen-Age
Rock m Roll Singer 10000
Leagues Under the Sea- type
pictures"
But she admits that a big
stepping stone in her career
was when she became Cal
endar Girl" at Harold's Club,
a Reno New casino.
Her agent told her to au-
dition because the club
wanted a prima donna, and he
thought she looked like one.
Betrayed by Method
II didn't know what a pri-
ma donna was, or what one
was supposed to do she says.
MY agent said just go UP
and fake it. So I did"
Result? Maureen sang,
clowned around and, well,
played the prima donna at
Harold's last summer until
comedian Jan Murray spotted
her there and brought her to
New York for his daytime
TV show.
Maureen's form. dimples
and exuberant chatter con-
tribute to an impression that
she seems like a package of
Marilyn Monroe and Judy
Holiday.
Besides singing and COM
@dy, she does impersona-
tions and dialects, and looks
good just standing still. Her
Evening star., 1961-08-13
OH-Beot Pair Has
A Summer Sleeper

Round'') Stevens. The grand
total: $500.
Meanwhile, the partners
were rounding up performers
and hunting for a play
house. They finally got the
Living Theater, the home of
an established experimental
company. by mildly fibbing
that rental money was al
ready in the bank. (The Liv-
ing Thcater was on a frantic
Embarrassing campaign Of its
own in order to set off on
European tour.)
II don't think money is
ever q real problem" says
Wulp airily. There's always
some around. You just have
to get it. I'd call some friends
up and demand money.
When they asked what it
was for I'd say I didn't have
time to explain"
"Of course" Weinstein
amends, you must really
need it,"
With the cash in hand for
a shoestring fling, the
triumvirate almost collapsed.
Just q BuIIdOzer
I'VE couldn't get q director
and Sam said he wouldn't
have anything to do with the
show If I directed" reports
Wulp. Resistance ceased
when Jane Romano, the
leading lady on whom he
counted for support, threw
her support to the other two.
Wulp, 33, lean and intense,
has little to tell of his di-
recting method:
"At the start I just said
we'd have to bulldoze our way
through until we got what
we wanted"
Weinstein. "a, heavy-lidded
and deliberate, approves.
II don't like directors who
act like directors"
Wulp's letdown over the
acclaim accorded Red Eye"
stems from the bids he's been
getting ever since to be a
director. Gle also designed
the sets and did the shows
publicity photos.)
I'm q writer" he protests,
land my real work has vir-
tually stopped since this be-
gan"
Trust Instincts
He has made up his mind
to one thing-he will stage
his own shows hereafter. The
quick failure of "Margery
Kempe" still rankles.
I've found out one thing
in writing" Wulp says. you
can't go around changing
things-you must rely on
your instincts"
Weinstein, whose instincts
have kept him (along with
Wulp) constantly fiddling
with details of Red Eye"
ever since it opened, is i'm
mersed in completion of sew
eral dramas with music. One
is an adaptation of "Mamba's S
Daughters" Others are "The
Undercover Lover" and "To-
night We Dynamite"
The pair also want to help
other new authors with a
series of showcase presenta-
tions. Wulp writhes at
Broadway producers who be-
moan a lack of fresh creative
talent these days.
There are a lot of great,
unproduced plays around" he
declares. But you can't play
safe. You have to be willing
yourself to lose money some
times"
Evening star., 1961-08-13
You Just Don't
'TopOId Case

HOLLYWOOD (AP)-Les-
son for Jerry Lewis: Don't
try to top Casey Stengel.
The CAB : gifted former
manager of the New York
Yankees was visiting the set
of Lewis new film, "Errand
Boy" The comic asked:
Case, did you ever vote for
Lincoln?"
Nav, I never voted for
the guy, but I, could sure
tell how to pitch to him."
Stengel replied.
Evening star., 1961-08-13

Paige, whose manner sug-
gestS she is prepared to ike
you If you just give her half
a chance, has covered con-.
siderable show business,
ground. She started in high,
school operettas in Tacoma
Wash, and went on to Holly,
wood in pursuit Of music
study. Opera lost her when
she was sidetracked by a
Warner Bros. contract.
The titles bestowed upon
her were more fascinating
for awhile than the titles Of
her movies. She was named,
among other things, Miss.
National Buddy Poppy, Miss
Airmail Parcel Post, Miss
Atomic Energy and Miss
Damsite. After four and q
half years of this, she shook
the studio dust from her.
feet.
Fast Education
"And there's a way to get !
an education fast" she rem
inisced the other day
you've become used to that
studio protection. When
you're under contract to a.
studio they do everything for
you, even think for you. But
they really pamper you.
Then, suddenly, you're out
in the cold, on your own
and you have to do every
thing for yourself. A girl can
have some unhappy expert
ences. :" -,
Among Miss Paige's hap
pier experiences, as time and
her career advanced, was her
Broadway debut in the Lind
say and Grouse comedy, Re
mains To Be Seen" She was
not exactly distressed, either.
when she made her Broad,
way musical bow in "Pajama
Came" an occasion on which
Brooks Atkinson observed
that her voice is almost as
exhilerating as her shape"
Subsequently she has dec
GRATED some Of the plushier
night clubs and had her ow11
T'V series, "It's Always Jan"
She has done some more,
movies, too, among them.
Silk Stockings" PLEASE
Don't Eat the Daisies" and,
the yet to be r. released
Bachelor in Paradise" with
Bob Hope. -.o'
Talk over luncheon at
Trader Vic's ranges far afield
from show business. Miss
Paige is a young woman of
many and varied interests
and definite enthusiasms.
A Bob Hone Fan
One of these latter is Bob
Hope. She not only made
Bachelor in Paradise" with
him but joined him last
Christmas on his annual
tour to entertain GIs over
seas. Its unbelievable the
amount of work he does, the
amount Of himself he gives,
to entertain the boys in the
services" said Miss Paige.
Hes an amazing man."
Her comparatively new
home on a hill up back of
the Sunset Strip is another
Paige enthusiasm inescapa-
bly, intertwined with two
other enthusiasms - antiques
and painting. II like my
house." the star said. "It's
the first one I ever owned.
I've bought houses for other
people. but this is the first
for myself. It's sort Of mod
ern, with lots Of glass and
"a note Of gleeful self -satis-
faction crept IND it's beauti-
fully cluttered, full of an
tiques and with pictures al
most wherever there's room
to hang one. "
Il love pictures and I guess
See MACARTHUR, Page BIS
Evening star., 1961-08-13
BY WILLIAM GLOVER
Associated Press Staff Writer

Associated Press Staff Writer
NEW YoRK.-The sleeper
hit Of the summer theater
season is Red Eye of Love-"
a comedy as nutty offstage
as on.
Hatched in a week, staged
by a greenhorn, backed by
trusting souls who didn't
even see its script. the pro-
duction marks the debut of
a restive writer who dislikes
neat labels.
Having been hailed by some
Of the critics as a lively
conner in the cause Of avant
garde drama, author Arnold,
Weinstein says:
81 abhor writing for a chic
little audience of any sort.
Insurance clerks enjoy the
play as much as poets. That's
the way I've always wanted
things. You have to interest
all kinds Of people"
John Wulp, the other vital
force in getting the show on,
observes:
Since we've had this sue
cess, / feel a terrible sense
of loss in my life"
Similar maverick remarks
twist through their explana-
ton of Red Eye of Love-"
a charade set down in huge
department store where only
meat Is sold.
Chronicle Play
Its and old-fa s hioned
chronicle play in which I try
to hit every basic aspect of
human life," says Weinstein.
People. adds Wulp, shouldn't
take it literally or figur-
atively either.
lone must be interested in
what is there-not In what
it MEANS" he says cryptic
ally. THE trouble with ideas
is that they are thought up
by people. And the trouble
with people is that they can't
be good"
Associated with the two in
the production is Sam Cohn,
an attorney.
I'VE talk so much that he
has to be the silent partner"
the playwright notes. Be
sides, he has an office full
of clients"
Cohn was the catalyst who
fused the two WIS. Deter
mined to help the cause of
art, the attorney several
years ago staged a play by
Wulp, "The SaintlinesS of
Margery Kempe." At the
same time he. had Red Eye"
under option. The writer's,
however, didn't know each
other.
MY only association with
John was a feeling Of envy
that he got produced first"
says WeinStein.
Started in Brooklyn
II think a feeling of guilt
was one of the reasons / got
interested in this play" re-
plies Wulp.
Although written in 1856,
"Red Eye" only got its first
public airing last April, when
an amateur group put it on
in Brooklyn. And that is how
the pair finally met.
Arnold didn't want me to
see it," Wulp says. "I went
anyway. Everything was
wrong about the way 1t was
done. But we all sat around
afterwards and the upshot
was we decided to do it off
Broadway"
Not having the vaguest
idea Of costs. they decided on
$4,000 to be raised in ex-
actly one week.
Weinstein, who writes
poetry as well as plays, knows
a lot of artists. Some
of them, including Willem De
Kooning, Philip Custom and
Franz Kline, contributed
canvases which the trio sold
to art galleries.
A Mild Fib Helped
Other donations were
rounded up from sundry
people in publishing (Wulp
Evening star., 1961-08-13
TODAY'S SCHEDULES
STAGE

NATIONAL-Dark. "The Music Man" resumes tomorrow
CARTER BARRON-"South Pacific" $3.50 pm
OLNEY-A Phoenix Too Frequent" and "Cecile" $3.50 pm
WASHINGTON THEATER CLUB-"Tevya and His Daugh-
ter; 2:30 and $3.50 pm.