davidaulloa/AmericanStories huggingface dataset:
Evening star., 1961-03-05
EDIE ADAMS
A KOVACS FIND
By FRANK JUDGE
By FRANK JUDGE

Edie Adams, the gor-
geous singer-comedienne on the cover,
is, of course, Kovacs' wife.
She joins him, Hans Conried and
Pat Carroll on a CHS "U.S. Steel
Hour" special Wednesday night to
take a wink at one of TVS mainstays
in private Eye, Private Eye"
Il spotted her talent-and her good
looks - in $780," Kovacs said. Il
saw her on The Arthur Godfrey
Talent Scouts Her singing didn't
win, but l offered her job
Kovacs, who was AZ in January,
had local variety show on Phila-
delphia TV station in those days.
Later that year Edie returned to New
York with him when he took over a
daily variety program on the old
DuMont network.
One day a guest on that show
mentioned a new Broadway musical
that was being cast. 1t turned out to
be Wonderful Town." starring Rosa
lind Russell Edie won the role of
Eileen
Il never missed a performance
during the two-year run," Edie re-
calls with pride.
Kovacs and Edie we're married in
1854.
The family includes their daughter
Mia, who will be two in June, and
Betty, l3, and Kippei, II, Kovacs'
daughters by former marriage.
Edie, "a in April, has appeared in
countless TV shows, including Kovacs'
Take a Good Look" on which Con-
ried also is featured
1t is slated to end March l6 when
Evening star., 1961-03-05

Kovacs will be host for the revived
"Silents Please" old movie hit in the
same time slot on ABC.
Edie, who also has starred on
Broadway as Daisy Mae in Ill
Abner" and in such movies as The
Apartment and ver, Come
Back" is famous for her imitation of
Marilyn Monroe.
81 got so l used to think l was
Marilyn," she said.
Kovacs, known for his crazy antics
on television, has appeared on every
type of TV show, including play
house 90" In 1856 he handled what
has since become MICS Jack Paar
Show"
Kovacs has been in several movies,
among them "Our Man in Havana"
and strangers When We Meet"
He expects to leave for Italy
this summer to do a movie. His wife
also is considering another picture.
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17

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PfzOsa, re
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pniversit
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/ his dir
tinue to d
ktructive
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Seattle, +
religion.
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J the F'Y
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Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17

~ l'IlIl, iot rea.-.rl...
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
Garcia On State
Visit To Malaya

MANILA. FEB. 9 - President
Carlos P. Garcia arrived in Kuala
Lumpur yesterday to begin four
day state visit to the Federation
of Malaga.
At a royal banquet given in his
honor by the Malayan king, the
President congratulated Malaga
for welding the various elements
of its people into one strong and
free nation and for steering its
foreign relations into CLOSE asso-
citation with the free and demo-
cratic world"
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
DIRECTION


In fairness to Director Cruz,
president of the Filipino Commun-
ity of Seattle, Inc, who wrote,
directed and produced Rial per-
Torrance in Seattle last Dec. 80,
we must admit that it is hard to
present the execution of Rial on
platform without curtain. For this
and other reasons, the decision to
present such a play should have
been made early enough to enable
the president of the Community
to engage a hall with a regular
stage, such as the one on the first
floor of the Chamber of Commerce
that I saw some years ago, or the
auditorium OF a school, such as
the Edisons, formerly Broadway
High School, where at least half a
dozen times Rial Day shows were
presented three decades ago. The
marble Eagles auditorium, where
the Filipino Community had its
Christmas party last month, would
also be more than adequate for a
dramatic performance.
While the stage at the Chamber
of Comerce has serious drawbacks,
it has also good possibilities. If a
portable screen had been placed
between each side of the stage and
the side walls of the hall, the side
entrances could have been utilized
to advantage as in regular
theater. There would have been a
place for Guido Almanzor to
change from a 1860 barong Taga-
log to a Spanish military uniform
of 1896, and vice versa. Temporary
curtain posts could have been in
stalled on each front corner of the
stage, if curtains were preferred
to blackout. The latter is good
enough for a substitute, provided
there is a smooth coordination be-
tween reading and staging, which
is attainable after numerous re-
hearSalS.
Let us go back to Trinidad Rial
After she visited her famous
brother in his cell, and after she
went home to her room, the mar
rator stated that she was reading
the poem which she had taken
from the bowl of a lighted alcohol
lamp. In the same breath, Trinidad
returned to the stage opposite
Rizals cell, and when she was in
the midst of the Civil Guards,
who were not supposed to know
or hear about the famous poem
which she had struggled under
their noses, 10 and behold, the
pretty lady acclaimed, my Last
Farewell"
If Trinidad, played by Leticia
Madamba, niece of Consul General
Bautista, were in her bed room,
she must not be declaiming my
Last Farewell" over a mike, as
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
Would Limit Bank
Stock Ownership
To FiIipinos

MANILA - A bill to limit the
ownership of stock in Philippine
banking institutions to Philippine
citizens or individuals qualified to
operate public utilities in the Phil
ippines" (Americans) - and to
prohibit the further expansion of
foreign banks in the country -
has been introduced in the Senate
by Senator's Primicias, Tanada
and Rodrigo.
A more drastic bill has been
filed in the House, but the Senate
measure is reported to be closer
to administrative views
The full text of Senate Bill No,
$50 provides:
Section l. Save in cases of her
editary succession, sh a r S of
stocks in banks, trust companies
and other banking institutions OPP
Grating within the territory of the
Philippines may not be sold, trans
ferred or assigned except to citi-
zens of the Philippines or to indi-
Viduals who under the laws and
treaties of the Philippines are
qualified to operate public utilities.
or to corporation or association
all the stockholders of which are
citizens of the Philippines or be
longing to the aforementioned
class of individuals.
Section 2. Save those already
duly licensed prior to the approval
of this Act, no foreign bank, trust
company and other banking in
stitution shall hereafter be al
lowed to establish agencies or
branches, or otherwise operate in
the Philippines.
Section 3. In the event that the
control of any foreign b a n k,
trust company or other banking
institutions having branches duly
licensed to operate in the Philip
pines, should change from one ma
tiOnality to another the same
shall ipso facto revoke the license
to operate in the Philippines is
sued to the corresponding branch
or branches of the foreign banking
institution concerned.
Section 4 All acts or part of
acts inconsistent with the provis-
ion of this Act are hereby re-
pealed.
Section 5. This Act shall take
effect upon its approval.
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
.eaviosPotch
recommended

tishtsd prchs. . =, s..,rss sce.- ssi
serse ss pI0 'o... according % o.
s ssf.sy { cssss' -, li1kuSs
pepsrsfss =. ONAnUO' &c pfvN'
Lawrence N,seONe9 10 $40
osliei ihss A,ase esess, %
ieavinz OF -..sss'e9 esersso''s. IA
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17


nation were a part of the play
why did she return to the stage
within full view of the Civil
Guards and make public what was
supposed to be terribly clandes-
tine? If the guards saw her and
heard her, why did they let her
use Fort Santiago for nationalistic
propaganda, knowing that if they
did, they would have been court
martialled2
1t is not inconsistent to suppose
that the people in the audience
saw and heard Trinidad Rial, but
that the ever-alert Civil Guards on
the stage, some of whom We're
within touching distance from her,
did not?
Was it not too much to ask the
audience to imagine that they saw
on the stage no one else except
Trinidad, and ignored completely
Rizaps cell and its premises, the
Guards, and the mike, not to men
ton the grand piano?
1t is pertinent to mention that
modern. drama bans the monologue
and aside, except in rare situa-
tions, as when a character is
drunk, or is under stress and he
utters a few words, as we do in
real life.
If Trinidad Rial did what the
director made her do, the Span
iards, who wanted Rial to die an
inglorious, .humiliating ID h.
would either have executed her
with her brother, or sent her to
an insane asylum, for converting
the front yard of Fort Santiago
as an extension of her bedroom
and her private podium, for broad
casting to the world MY Last
Farewell" which was equivalent
to a thousand incendiary bombs
dropped into the mercurial tenn
permanent of the Filipino rebels,
who were laundering ominously
in the hills, wanting to rescue
their Socrates and Leonardo da
Vinci combined.
It is commonplace to state that
drama, like the other arts, has
it's own conventions and we'll es-
tablished principles. The dramatist
and director cannot assume the
omnipotence of Zeus, hurting
thunderbolts from Mt. Olympus.
AS stated elsewhere, a dramatist
does not need to follow history in
every detail slavishly but, in the
words of William Archer, he must
not outrage public knowledge.
Before Trinidad Rial reappear-
ed on the stage, there should have
been a long blackout, to enable
the Civil Guards to vacate the
stage before her re-entry. When
lights were focused on her. she
could have been reading the poem
to her family, not to the 1860 au-
dience in Seattle, or the lights
could have been focused on her
on a clear spot off the stage
toward the left of the platform,
reading the poem to a group. Some
one suggested that her voice
could have been heard on the loud
speaker reciting the poem unseen
in her room. 1 saw one play,
Homeward Angel. in Broadway,
New York, done that way.
At this juncture, I recall a big
husky man. reciting Rizal's Fare
well tearfully. some years ago, al
most causing the marble auditori-
UNI to vibrate with his wailing
This was a serious misrepresenta-
ton of Rizal's character, and the
significance of his execution,
which was a victorious death, like
that of Joan of Arc.
1t is trite to state that Rial
wanted the world to know that a
Filipino could die a hero's death
when he penned such lines as
Farewell, dear fatherIand,
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
RIAL AS Seen IN SEATTLE
BY Trinidad A. Roio

second INSTRUMENT of Mr. Roio article RIz AL
is
in
10 his
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
Porch Iiohts Could Make Our Sidewalks Safer

ture. that she considered il
a kindness
His inclination now IS to
heck with the weaker sex,
Jy someone going
i-aru an afternoon
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
Outside lights cut down crime
cost is low, city officials Sa,

accident. ~ polehss and yards serve AZ pra...,
Ki sna crimes according to ofeial. S,s - =.
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17

cats
nat mig
addition,
home Ne,
sEins
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17
1 lighted perche,
i aasher Va, ' Of
IMPROVING ,Il DisiT,ic,

tAshied porehes and yards sesfe
Is protection asAlnsi accidents and
sannsa. aeeotdlns 70 officials q
/. s Seattle kiug eeWhy Safety
|. 'eaeil and sestuv i'ollce Dspar,
> toini statement cbief u !
- fnse ana wIilism , DeviA.
'~rt'. ~ ----i4--. ----.
Filipino forum. [volume] (Seattle, Wash.) 1928-196?, 1961-02-17

Editor, The Times; ..,r ~,
CERTAINLY was glad to 81 our eatoTlai tHns -.
as,sgepsher 30 pressing concern lbout
Evening star., 1961-01-29
TODAY'S GOOD
MUSIC DIAL

S:00. WASH-FM (97.1 Mc.)-
Masterworks of Music.
Dvorak's Slavonic Dances.
10:05. WGMS AMIN (57O Kc.
and -103.5 Mc.)-Sunday
Morning Symphony. Mo-
zart's Clarinet Concerto in
A.
11:00, WASH-FM (97.l Mc.)-
Music Of Distinction. Bach's
Toccata and Fugue In D
Minor.
1:O0, WMAL-FM (107.3 Mc.)
Matinee Concert. Haydn's
Symphony No. 100 in G,
Military"
2:05. WGMS AM-FM $50
Kc. and 1855 Mc.)-Bos-
ton Symphony Orchestra.
Charles Munich. conductor;
Leonid Hogan. violin. Works
by Faure. Schmitt and Bee
thoven.
$500, WASH-FM 1911 Mc.)-
Gilbert and Sullivan. pa
tience."
$500. WMAL-FM (1o7.S Mel
The Chicago Symphony
Orchestra. Works by Bee
thoven, Brahms, Liszt, Nous
sorgsky and Bartok.
6:O5, WTOP - Cleveland Or
Evening star., 1961-01-29

chestra. Copland's suite
from his opera. THE Ten
der Land: Debussy's lie
Mer."
soc. WNGAL-FM tie7.s Mel
Music Of the Dance.
Rsvel's Daphnis and Chloe.
5:O5, WGMS AMIN (57O Kc.
and 1855 Mc.)-Guest Con-
ductor. The favorite music
Of Secretary Of Labor and
Mrs. Arthur Goldberg, fea-
turing the works of Mozart
and young American COM
poSers.
$500, WMAL-FM (1O7.3 Mc.)
American University
Chamber Music Concert.
Works by Respighi, Brahms,
Stravinsky and Dello Joio.
$500, WGMS AMIN $50 Kc.
and 1885 Mc.)-National
Gallery Of Art Concert.
George Walker, pianist.
Works by Mozart. Bee
thoven, Brahms, Chopin,
Walker and List.
10000, WMAL-FM (107.3 Mc.)
Recent Releases. Works
Evening star., 1961-01-29
FRIDAY

FRIDAY MORNING MUSIC CLUB.
Participation artists: Louise Walk
er. Margaret Wright, yiolins; Bru-
netts Bernard, cello. John spsuld-
.o,.nn ins; narpsishorS MiSi. viIsIs ., Glexsr
in q. Bach: Arias, Stravinsky; An
dante and Variations in p minor.
Haydn: Choral Fantasy, McGraw;
&c .. qua WI lie vent de rouest. De-
UNITED STATES NAVY BAND, Il.
Anthony A. Mitchell, conductor, as
sisted b. the Sea Chanters. Soioist:
Gordon finlay, cornet. Department
tel Auditorium. $50 pm. Parade
aosss e. dSsron ST %.ssI
Ghcrale and Flgue in q minor,
HAYDN: Five Miniatures. White:
REhImbs; from symphony NO: 9.
Price; scherzo and March. from Love
for Three Oranges, Prokofieff; Lie
beslieder waltzes, Brahms; Jerome
Kern Medley, arr. Raven.
JOHN W. ROBINSON, Jr., organ. As
bury Methodist Church, $50 pm
Prelude in 9. Bach; Two ,Chorale
il B fiat, Bach; chorsis Pre- Prelude ddssSs on
Modal offering. Wooiisn; sonata
ENsY ESH e szGRfaaaD fnaaaoDr Sioiin; diSiiilnantc ch.rl..
Reiner, piano. Pan American Union,
$40 pm. ciaccona. Vital: Sonata
No. 3 In D minor. Op los. Brahms
Sonata Breve. Ponce: Cantiga. Ia
de lonss; camarsO onarnisri;
VIENNA OCTET tAlfred Boskowsky,
clarinet; Josef veleba, horn; Ernst
Pamperl, bassoon; Anton Flets,
Philip Matheis, violins; Guenther
Breitenbach, viola; Nikoiaus Hueb-
ner. cello: Johann Krump, bass }
Library Of Congress. $40 pm.
Octet, Poot: Allegro 0iusto, from
Octet, Tischhauser; Octet in r. op.
Evening star., 1961-01-29

ment In hunianistic scholar
ship-in his case, in musi-
cology. Prof. Strunk 10 now
ct Princeton University.
-. Martin Mayer has q fine
piece about e4-year-old Bruno
Walter In the February issue
Of Harper's Magazine,
The telecast next Sunday Of
Beethoven's Fidelio, q re-
showing Of last seasons NBC
Opera Company production.
boasts q cast almost all Of
whom have sung, or will sing,
in Opera Society Of Washing
ton offerings. :. Thanks to
an anonymous donor, the
Sunday free concerts at the
COrcOran Gallery Of Art will
be subsidized during the
1872 season and each Of the
young artists presented viii
receive an honorarium for his
recital. And Mrs. Jouett
Shouse, longtime NSO sup
porter, has established o
100000 trust fund for her
favorite orchestra in the hope.
that her gift will stimulate
other permanent endow-
ments.
HAIL AND FAREWELL :.
Died here on January 10 at
the age of 90, william Treat
Upton, author. lecturer and
scholar, whose contributions
to our knowledge Of American
music history are used and
admired by all interested in
our musical heritage. DR..
Upton came to Washington In
1897 and lived out his rich
LIE mere after Q long career
Of teaching at the Oberlin
Conservatory. Died. on
January 81 at the age Of 76
in Wilmette, ILL.,. John J.
Becker, one Of o number Of
American composers of an
older generation who fought
for the creation Of an Amer
ican music that would be
challenging, new and vigor-
Gus. He was rewarded for
his efforts by ill-deserved OBJ
scurity and by virtual isola-.
ton from the mainstream Of
musical life in the country
he loved 20 deeply.
Evening star., 1961-01-29

has been for almost is years.
Van Cliburn visits Seer
yng's adopted homeland early
next month on a goodwill
mission for the State Depart
ment. His Mexican visit Is
widely regarded as the first
move in a stepped-up cultural
exchange program. between
the United States and Latin
America. The former
Chief of the Music Division
Of the Library Of Congress,
Oliver Strunk, was one Of 10
scholars awarded $4,000 last
week by the American Coun.
Gil Of Learned Societies for
distinguished acc o m plish-
Evening star., 1961-01-29
THURSDAY

NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. soioist
ditorium. pm. Repeating Tues.
VALPARAISO UNIVERSITY CONCERT
BAND, Norman I. Hannewald, con
duetor; soloist; Reser Meier. trum:
pm. Program not available.
CHORAL. GROUP, James r. Braw-
ley, conductor. Ebenezer Methods,
Church. 8 pm. Program not avail
Evening star., 1961-01-29
claim them both for our side,

claim them both for our side,
however.
Suggestion three. for Q loan
to the National Cultural
Center, doesn't seem to me
as If it has much chance for
success. I am o little pug
zled Is to how Congress
would go about lending an-
other branch Of the Govern
ment money-what would
happen If it weren't repaid2
Would the Congress sue the
people?
Whot Is Programmed?
But let US assume that Mr..
Hayes eloquence carries the
day, and that Washington
suddenly finds itself with the
Belasco, Keith's, the Capitol,
the central auditorium Of the
Cultural Center, as well as
existing meccas Of the per-
forming arts such as Consti-
tuition Hall. the Lisner Au-
ditorium, Coolidge Audito-
rum and lesser places.
What is going to fill them?
Who is going to buy the
tickets to attend?
I fear that to ask the ques-
tion is to lay bare an essen
tial fallacy of the ''let's get
the halls and worry about
everything else later" phi
losophy.
Why does a De Los Angeles
play to a half empty Consti-
tuition Hall? Why does o
Julian Bream fail to draw
more than q few hundred
customers to Lisner Audito-
rum? Why does q concert
by one Of Americas best or
chestras, our own National
Symphony. featuring world
renowned soloists, not elicit
anything like the ticket sales
it should?
MoterioI VS.. Cultural
1t is not that Washington
is a hick town. What is on
view here is a disease Of
American society. We say
that we are cultured, but
when it gets down to the
sticking point, we still pre-
fer the material comforts.
We will spend millions on
over-expensive, over-stuffed,
over-big, and over-impressive
cars-but unfortunately only
thousands for what are some
times referred to as ''the bet
Evening star., 1961-01-29
WEDNESDAY

NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. Soloist
HENRIK SSeFyng, violin, Constitution
Hall. 500 pm. Repeating Tuesday,
program.
UNITED STATES MARINE BAND
CAPT. James King, conductor. Solo.
lists: William Montgomery, flute;
Richard Sullivan, trombone. De.
fTsmsSsi iumsebsii Mslcb iT1G Ss sso vIDS.
Rosza: Overture in c. Catel; Iei
movement. Flute Concerto In d. X,
313, Mozart: Selections. Flower
Drum Song, Rodgers: Saltareilo,
from Symphony No. 4 in A, op, 90
Fucik: Spiritual. Reed; Thoushts 81
b'v,:. Love; Pryor; csDriceio Espagnols'
Evening star., 1961-01-29
Kennedy Urged to Open
New Frontier in Music

Copy for the weekly pro-
gram listing should reach
the Music Editor no later
than Wednesday Of the
Sunday preceding the con-
cert. Full details should be
supplied, including names
Of artists, place and exact
time OF concert, and conn
plete program.
Evening star., 1961-01-29
By IRVING LOWENS
star Music Critic

The urge TO strike on the
cultural front while the iron
is hot is strong and laudable.
Last week Patrick Hayes.
the city's leading impresario.
made headlines by calling
upon President Kennedy to
embark Immediately on .
three-point program to
the climate Of inaction that
has for so long characterized
the Washington scene.
In an eloquent radio ad-
dress. Mr.. Hayes asked for
"a few swift bold strokes
that would impress the Ma
ton and the world" He
pleaded for:
/. An executive order to
stay demolition Of the Be-
lasco Theater on Lafayette
Square.
2. An order to the Dis
trict Commissioners to OBJ
tain, either by lease or gift.
the Keith's Theater. and
Loew's Capitol. so as to In
sure their continued avail
ability as facilities for the
: performing arts.
3. A request to Congress
for q $25 million loan to the
National Cultural Center to
permit an immediate start
on the planned central au-
ditorium, advancing con-
struction by some two years.
Mr.. Hayes also urged sup
port Of Q bill. introduced In
this Congress by Repre-
sentatives Kearns. Chelf, and
Powell, to establish a pro-
gram Of grants to States for
the development of programs
and projects in the arts.
Significant Suggestions
The suggestions Gas well as
the motives behind them)
seem to me significant. even
though 1t would appear that
there might be some practi-
cal difficulties in putting
them into operation.
Suggestion one. to save
the Belasco. Is plainly pos
sible. and since the Presi.
dent himself introduced a bill
to do so last year when he
was in the Senate, It can be
presumed that he is sympa-
thetic to the idea. Speedy ac-
ton by Mr.. Kennedy can now
demonstrate that Washing
ton, as well as New York and
Chicago. pays more than lip
service to the arts.
Suggestion two, for the
District to acquire Keith,s
and the Capitol. seems some
what less exciting to me. I
may have missed something,
but I have no recollection Of
the use Of Keith's In recent
years for anything but NOV
les, and I have not heard
that the Capitol intends to
shut It's doors to ballet. / ad-
NIT that It would be nice to
Evening star., 1961-01-29
TODAY

BETHEeDA METHODIST CHURCH
CHOIR. assisted By organ and strings.
z At the church. $3.50 Am. and IL
a;m Mi;musical service: program
NATHAN MLsTEIN. violin: Leon
pm. Sonata In d. Opus /. No. 13,
Handel; Adagio and Fugue in O
minor. Bach; Sonata In =. Opus "a,
Beethoven: Praeludium and Allegro
s.. u; sh. sys SoeR f RRas1sn SosiuI5. R:e,sr
Tsranteiis. Opus rs. szymanowsfi.
WASHINGTON CATHEDRAL. CHOIR
OF MEN AND BOYS. Pasi Galway.
conductor. soloists: Adam. Miller.
treble; Donn Philip Crane, bass. At
the Cathedral. 4 pm. AIl-musieal
service: program not available.
SENIOR CLUBS. D. C. FEDERATION
OF MUSIC CLUBS. Barker Hall. 4
WILLIAM E; WATKiSs' AZ IN As.D;s orssD: BENJAMIN
Williams, flutei Edmund Williams,
Church. pm. Fugue, HoneEger;
ETantasy; Ts! Graves; Variations on 9
and Fusue. from Modal Oferinss.
Theme Of Vittoria. Britten: Six
Metemorphoses after Ovid. Opus 40.
gritten: Sonata for Flute and Organ,
Glenn cARow. piano. Foundry Meth
odist Church. 5 pm. Sonata In C
sharp minor tMoonlight). Opus 81,
No. 2, Beethoven; Sarabande, KILLER.
Z Waltz In 3 flat. Opus 1s. Chopin;
'Etude In 3, Opus 10. No. s, Chopin;
Polonaise In A fiat. Opus SO, Chopin:
valse Gal. Carow; Mist. Carow:
Melons, Cafow: Gnomenreisen, Liszt:
~ penseroso. Liszt: Tarantella, Liszt
CAROL BLANToN DIGos,. piano. Car,
HIzAgETH Boos. organ. Church Of
the Reformation, 8 pm. Concerto
In A. minor. Bach: Chorale Prelude.
II thou but suffer God to guide
thee, Bach: Chorale Prelude. Deck
thyself my soul with giadness, Bach:
Chorale Prelude, From God will
not turn. Bach: Chorale Prelude,
Behold Q rose is blooming, Brahms:
Chorale Prelude, Ny Jesus calls to
me. Brahms; Chorale Prelude, In
Bethlehem's low stable. .Waicha:
Chorale Prelude, Shepherds came
their praises bringing, Waicha;
DialoEue sur les Mixtures. Laneiais.
GEORGE WALKER, piano. National
K. 272, Mozart: Sonata in A. op.
101. Beethoven: Capriccio in B
'2leSs; TdcsS;n. OF h e 90. 90 3 sSEshmss: Sa
Chopin. Fantasy in r minor. Op.
40, Chopin: Sonata No. 2, Walker;
Funerailles. Liszt.