davidaulloa/AmericanStories huggingface dataset:
Evening star., 1960-10-16
BY WILLIAM GLOVER
Associated Press Writer


NEW YORK.-First came
stage shows. Then movies.
Now Ralph Alswang is slid
ing them together in a lively
new entertainment spectacle.
This could bring audiences
crowding back into theaters
that have Shuttered all over
the country in the past few
years." enthuSes Alswang.
Here is what happens: An
alluring actress suddenly
steps out of a movie scene
into closeup footlight reality.
Conversely, a cowpoke hero
leaps onto a live horse on
stage and gallopS off into a
filmed vista Of vast mountain
splendor.
New Dimension
"It is a new dimension in
show business that limitlessly
widens the horizon for stim-
ulating audience imagina-
tion," Alswang goes on.
A top Broadway designer
(recent dramas include Sun
rise at Campobello" and
"Raisin in the Sun"), Al
swang began working on the
technique three years ago.
He carried it through with a
Ford Foundation fellowship
that took him studying as far
as Czechoslovakia.
There have been shows
Evening star., 1960-10-16
He Would Blend Stage and Screen
For oNewk Kind of Spectacle

formed to develop Living
Screen use. Several indus
trial shows currently are be-
ing staged with it. Planned
for first public display is a
production of THE Emper-
or's New Clothes"
That childhood fable is
regarded as a fine mixture
of reality and fantasy with
which to showcase.
1T will be a two hour show,
of which 40 minutes will be
on film" Alswang reports.
Broadway Later
THE Emperor's New
Clothes" is slated for pres
entation in London during
the current theatrical season.
AfGer that the designer would
like it to travel across Amer
lea.
I'm not thinking about
Broadway first" he COM
ments. Il feel the initial
big Importance might be in
helping solve the economic
problems of touring show
business.
II know there is a huge
potential audience waiting
people who don't 60 to ordi-
nary movies and are fed up
with TV."
Evening star., 1960-10-16

ANBAssADoE-"Dark at the Top Of the Stairs" hon
est. moving production Of the William Inge play i'm
pressivey acted; LAS. 4:15 $3.50 and 9:25 pm.
APEX-"Othello; last Russian film Of the cultural ex-
change: 1:l5 $780, $780, 7:25 and 9:35 pm.
CAPITOL-"Key Witness; realistic murder yarn, we'll
acted 2:05 4, 5:55. 750 and $50 pm.
DUPONT-'Threepenny Opera; 30-year-od German Aim
from the Brecht-Wein stage hit featuring Mack the
Knife; l. 3:05. Sis, 7:35 and 9:55 pm.
KEITHSI"The Magnificent Seven; Medieval Japan
transplanted to goth Century Mexico 140 Ais, $50
and 9:4O pm.
MacARTHUR-"School for Scoundrels"; Aastair Sim IL
luStrating Stephen Potters methods Of survival in the
modern world: 2:25, 4:20, 6:10, and $50 pm.
METROPOLTTAN-"Dark at the Top Of the Stairs;
honest, moving production Of the William Inge play
impressively acted; 1855, 4:30 and 9:35 pm.
ONTARIO-"Royal Ballet; Dame Margot Fonteyn in
Swan Lake" "The Firebird" and "Ondne"; 205 4:30
$50 and 915 pm.
PALACE-"Desire in the Dust" Raymond Burr am
bilious landowner LAS, 345, 5:45 7:45 and GAS pm
PLAYHOUSE-"Al the Young Men,; cliche-rdden Korean
war drama; l, 2:25, 4:10, g. 7:50 and $3.50 pm.
PLAZA-"Magdalena"; seeking love, German girl finds
betrayal instead; 125. sos, 4:4O 6:15 and $40
TOWN-"Psycho not quite up to par for Hitchcock but
geefully gruesome nonetheless; q 4, 6, and 10 pm
TRANS-LUX-"Song Without End: vsuay elegant film of
the life and loves of Franz Lszt; l, $40, $780, 1880
and $50 pm.
UPTOWN-"Sunrise at Campobello Aim version Of the
Dore Schary play with Ralph Bellamy Franklin D.
Roosevelt; and $3.50 pm.
WARNER-"Ben-Fur" brilliant 11-Oscar production on
mammoth scale Of the story Of Chrstanity's birth;
and 1880 pm.
Evening star., 1960-10-16

mote the pictwe-all over
America and in London,
Rome, Paris, Madrid, Berlin,
then Hong Kong and Tokyo"
Beautiful Home
It seems a shame that Kirk
has to be away from home so
much. He has a beautiful
modern mansion in Beverly
Hills with a tennis court and
a swimming pool. Also two
young sons by his present
wife Anne-pretty and blonde
Peter, 4, and Eric. 2. Eric
was named for the Viking
character played by Tony
Curtis in Kinks Vikings"
movie success.
"And in exactly three-quar-
ters of an hour" said Kirk,
I'm leaving for Connecticut
to see my son Joel 14) in a
school play. Joel has always
wanted to be an actor. When
I asked him why, he said be-
cause he didn't like to work!
Mike (16) wanted to be a
lawyer, he hated every thing
to do with show business.
But about two weeks ago, he
said to me, Daddy, want to
talk to you.' He was a little
shamefaced and I was worried
until he told me: Dad, I'd
like to be a producer'-just
like that.
Hes always been rather
embarrassed by me as an
actor. I try to be as normal
as possible with my children.
I've told them, Some people
work as a carpenter; I'm an
actor I just try to do the
best I can at my work, as
anyone should"
Finally Made It
Years ago, when Kirk
worked as a waiter at
Schrafft's he would walk past
the elegant Hampshire House
by Central Park in New York,
and look up and say, lone of
these days I'll be living there"
"The first time I came to
New York after starring in
Champion I took a suite at
the Hampshire House." he
recalled. II looked out across
the park and suddenly won-
dered if I was as happy as
when I was looking up"
With everything he has to-
day-a devoted wife, four
children, fame, money, good
health - I'd say Kirk is
happier.
Evening star., 1960-10-16

previously in which stage
action was interrupted for
two or three minutes Of
motion pictures, but that was
a gimmick," says the designer.
Now It's Exact
THE big thing here is that
the Interviewing is exact
and can flow back and forth
all through a production. 1t
adds camera flexibility and
at the same time retains the
appeal of living entertain
ment."
Crux of the proceSS-which
has been named Living
Screens a new multiple
screen plus alterations in pro-
lection and lighting. AlSwang
has patents pending on the
equipment.
The essential problem in
mixing real and reel action,
he points out, is diSsolving
from one to the other with
out awkward transition or
abrupt change in the size
scale of what the spectator
sees.
Terribly Technical
That's what we've licked"
says AlSwang.
"It's all terribly technical,
but at the same time it's so
awfully simple that I would
take all the magic away by
explaining"
A corporation has been
Evening star., 1960-10-16
BY WARD MOREHOUSE

North American Newspaper Alliance
NEW YORK.-Marilyn
Monroe looked more like a
teen-ager than q glamour
queen. She was wearing blue
jeans, more becomingly than
anyone had ever worn them
before, and a white batiste
shirt and dusty cowboy boots.
Her manner was friendly and
casual.
Without warning she poked
her pretty head into the air.
conditioned trailer in which I
was working while on a visit
to a movie location on the
Paiute Reservation about 60
miles from Reno.
She had a glass of butter
milk in one hand tacos, a
favorite Mexican food, in the
other. She spilled some of
the milk on the floor and on
my shoes and then laughingly
got down on her knees and
cleaned it up.
She's Three, Four
I wanted to know several
thingS-quick, and just like
that. First, wouldn't she like
to try the New York theater
some time?
Eyes, I would like to some
day." she said, "but I want
to be ready when the time
comes, and I'm in no hurry
to be ready. I've been on
the stage actually. I did a
scene at the Actors Studio
and had an audience, too."
Perhaps she'd like to try
Juliet?
Evening star., 1960-10-16
TODAY's SCHEDULES
STAGE
SCREEN

NATIONAL THEATER-Dark. Advise and Consent" starts
Tuesday.
Evening star., 1960-10-16
MARLLYN ON LOCATION
Warm and Human and LikobIe

said. Hes the only actor
whose picture I cut out for
my scrapbook when was a
child. I always pretended he
was my father. I hope he
doesn't mind that. The only
actress I had in my scrapbook
was Jean Harlow. My hair
was white as a child, like
hers. 1 always envied the
little girls with golden hair"
Vigilant Coach
Would she describe her.
self as a platinum blonde?
Its as light as I can get it
and still keep hair on my
head" she said.
With Marilyn was Mrs.
Paula Strasberg. mother of
Susan and wife of Lee Stras-
berg, who made the Actors
Studio famous. Mrs. StraS-
berg is always at hand when
Marilyn makes a movie, goes
over lines with her, and
watches every scene with
vigilant care.
Paula is my coach and Lee
is my teacher" Marilyn said.
"I must say they've changed
my life as we'll as my work.
Lee once said / could play
Lady Macbeth. I told him
that 1 didn't understand her,
and he said that wasn't nee
essary I have difficulty
with every movie I do. While
I'm doing a movie I don't
really like it.
People around Reno have
not been bothersome during
See MONROE, Page D-3
Evening star., 1960-10-16

ooh, I don't know. I'm
three, four, you know. That's
the way I say it because I
don't like to say I'm 34."
Marilyn has the sparkle of
Marilyn Miller, and the sexy
looks of the late Jean Harlow.
She is warm and human and
likable, and isn't at all over
whelmed by the fact that she
is probably the most famous
woman in America, as of
right now. Furthermore, she
is intelligent and frequently
humorous.
After she had described her
outfit for me, she said, "You
can see through the shirt
Evening star., 1960-10-16

when the sun is right. I
thought I'd be brave in this
picture and never wear a
bra. Then I got on the
horses and changed my
mind" She threw back her
head and laughed.
Marilyn has been out in
Nevada's alkali desert coun-
try-hot, dusty and glary-
playing Roslyn, a Reno di-
vorcee in THE MiSfits." a
picture written by her hus-
band, playwright Arthur
Miller. She is on all but two
pages Of the shooting script:
Clark Gable is her co-Star.
CLARK is marvellous" she
Evening star., 1960-10-16
BY JAY CARMODY
Drama Editor Of The Star

Stanley Kramer came to
town the other night bring
ing with him his latest movie,
Inherit the Wind"
The coming of Kramer or
one Of his movies is always
something special; the two of
them together something
more special.
For one thing, not at all
surprisingly, both Kremar
and his movies are intensely
articulate. They have some
thing to say as did The De-
fiant Ones two years ago,
and the more recent "On the
Beach," the latter of which
had a round -the-world pre-
miere including Nose
(The Moscow reviews, the
producer director said, ran
about like those everywhere
else, 60-40 in favor of the
plcture).
What to Do Next?
Over a late afternoon cup
of coffee, a prelude to dinner,
Mr.. Kramer talked more of
life than of movies. How
really did one use life best,
by being engaged" in it on
the scale of reaching millions
with thoughtful films? Or
possibly by scaling it down,
he brooded, Ito a crazy notion
that I've always had, namely
that I would like to teach"
Teach what?
Mr.. Kramer, normally a
flash with words, said it was
hard to find just the right
ones to answer that.
WELL" he hesitated, ''in
general how to use the mo-
ton picture camera for So
cially useful ends as well for
entertainment-and for max
ing money. I'm not being
an idealiSt about this. I'm
not even sure how much I
have learned about using the
camera during the years I've
been maturing out of the
simple idealist you critics
have always accused me of
being.
I'm not even sure that
Evening star., 1960-10-16
He Needed Dreom Cast
AndGot d Dream Cast
By SHEILAH GRAHAM

ny S1EALAn OnAhAM
North American Newspaper Alliance
WOOD.-K Kirk
Douglas paid $100 to buy his
option on "Spartacus." BY
the time the movie was ready
for release a week or so ago,
the hundred dollars had cost
Kirk and Universal-Interna-
tional the grand total of
$12 million.
II read the book" Kirk
told me, land I paid a hun
dred dollars for the option.
I didn't think it would
amount to much. It needed
a dream cast. I thought if
I could get Laurence Olivier,
Peter Ustinov and Charles
Laughton, I might be inter-
eSted." The script was sub
mitted to each one in rough
draft and, to Kinks amaze
ment, each accepted. II had
no studio, no finance, no
director-but you don't have
to worry with a cast like
that" said. Douglas. Also in
the lineup were Kirk, Jean
Simmons and Tony Curtis.
"For a change, the entire
picture was filmed in Holly
wood with the exception of a
battle scene in Spain"
About Miss NOvak
Talking Of battles, I asked
Kirk what happened with
him and Kim Novak when
they were making Strangers
When We Meet"-a pro-
phetic title? Kim had told
me that Kirk was used to
bossing people around and
she would not stand for it.
He laughed.
1T was completely the
other way around. I've never
had trouble working with in
telligent people. And Kim
being a lady, I leaned over
backward to be nice. One day
she made a very bossy remark
about how q scene should be
played. I said to her, I think
you're wrong She insisted
she was right, so I appealed
to director Dick Quine CRU
mored as Kim's future hus-
band). He told her, He's
right Kim had Mysteries and
wouldn't work for the rest Of
the day"
Just DiSagreementS
AS for the reported battle
with Charles Laughton dur
ing "Spartacus" filming,
Kirk comedies, I'VE had a
couple of disagreements on
how some scenes should be
interpreted" But he believes
Charles is pleased with the
total result. This picture
has everything - violence,
tenderness, comedy, a great
story, spectacle, great per-
formance. You name it, this
pictures got it," Kinks next
biggie will be "Montezuma,"
and he hopes to land Rock
Hudson to- co-star with him
again-they worked together
in DAY of the Gun"
Kirk was reported to have
put all his money into "Spar-
tacuS." That isn't quite true.
THE picture was financed by
Universal. But I put three
years of my time into the pic
ture. I don't have $12 million,
but I could have been making
other Aims. And I'm spend
ing Ave months more to pro-
Evening star., 1960-10-16
THE PASSING SHOW
Aye, Perchonce
He Will Teach

I'm not thinking selI1shly
about this whole thing. I
keep going all over the world
to make movies. This sum-
mer, Anne and I took the
children Narry, 8, and
Casey, ~ to a cottage near
Cannes and had several
months Of really wonderful
family life. Maybe ! dis
covered the size life I really
would prefer to live, which
revived the old dream Of
being a teacher-after I've
attained what is called Sc
curity.' BY the way, what
is security?'
Mr.. Kramer paused to
smile at an amusing thought.
Anne doesn't know what
security is either" he ex-
planned. "She's going back to
school now, at u, C. L. A., get
ting her masters degree and
possibly another one. I think
it is in the back Of her mind
that should I really end up
teaching som ew here, she
would like to be qualified to
do the same-a kind of Secu-
rity insurance, / suppose"
About Inherit the Wind"
which represents a use Of the
camera that anyone would be
glad to learn from Teacher
Kramer, the producer-direc-
tor talked, but only briefly.
But He Does Talk
He spent nearly a year
thinking of one detail or an
other of that film and has
gone on to the next THE
Nurnberg Trials" Inherit
The Wind" can be at moments
something he would rather
not talk about, now that it
has been launched so success
fully.
But I'll never forget" he
did say. "how it was working
with Freddie March and
Spencer Tracy. They are old
pros and they were hungry
for parts as rich as the prose-
cutor and defense lawyer of
the film, paraphrases of Will
liam Jennings Bryan and
Clarence Darrow, of course.
We'll, they got them and
they ate them alive, as only
old pros of their size can. It
was almost as if they were
playing every minute in q
theater before a live audi
ence. The reason for this was
dramatic in itself, namely be-
cause we were always using
extras, as many as $50, and
they all stayed every minute
to see March and Tracy per-
form.
Combination Ideal
at was a great combina-
ton Of actors and audience
one that a director runs
across as rarely as did Tracy
and March"
Mr.. Kramer who was o
writer before he became 4
producer-director says he
still thinks like a writer. It's
this that is giving him his
toughest problem in connec-
ton with the picture which
will deal with the trial at
Nurnberg. +
What I must grasp" he
says, "is what motivated ap-
parently otherwise normal
human creatures to follow
Hitler's madness. How does
such a mentally insignificant
man so hypnotic his obvious
intellectual superiorS? I've
got to understand this. It's q
matter in which I have no
other choice.
But if you don't think it
is a concept almost impossi-
BILE to grasp for one brought
up in this democracy, try it
yourself"
We said we would rather
just wait for the movie.
Evening star., 1960-10-16

twO-week prior Broadway engagement there
Tuesday night. Among the participants are
Sally Kemp, Richard Kiley and, filibustering in
the background, Richard Carlyle. In the other
Evening star., 1960-10-16
NOVEL ABOUT WASHINGTON BECOMEs A WASHINGTON PLAY

The play dramatized from Allen Drury'S novel
of politicians and politics, "AdvSe and Consent"
has stirred more advance interest than anything
in years at the National Theater. 1t starts a
Evening star., 1960-10-16

In this election year Arena Stage has chosen
"The Gangs All Here" the cOlOrful political
drama by Jerome Lawrence and Robert E.
Lee, for its seasonal opener. Mary James is
Importantly cast in the play, which will
start its fOur-week run on Tuesday night.
Evening star., 1960-08-20
Savings Units
Report Lag
In Lending

Mortgage lending by saw
ings and loan associations
during July Jagged about Is
per cent behind July, 1859.
the United States Savings
and Loan League reported
this week.
The total Of such loans
made during July this year is
SIS billion, the league esti-
mates, which compares with
a figure Of SIS billion for the
same months a year ago.
So far this year, mortgage
loans have totaled $8.2 bill
lion, nearly 81 billion less
than during the comparable
period Of last year, the league
said.
Evening star., 1960-08-20
ia ARli

The design Of the bedroom, bath, full basement
ronbIer provides for adult and child privoey for
expansion and cosy upkeep. Mody will appreciate the
loroe sliding door closets the cleaning. modem kitchen
with its own entronee; the extra storage
ond the good wall spoes for furniture placement.
The man Of the house will like the budget price and
the huge, full basement with seporote entrance
and above erode windows plus the poved driveway,
walk and steps. PRICED AT $2o $50.
Evening star., 1960-08-20
EDGEMOOR
1903 CLARENDON ROAD

Best Of location for convenience
English style brick Cape Cod in
lovely setting with the charm and
simplicity thot will appeal TO you.
3 bedrooms in oil lone large one
Upstoirsl, cory living room with
fireplace, dining room, basement
Va Of which is finished and hsotedl
plus side po'io and garage. Only
s23, 500: Quick possession.
DIRECTIONS: Out Wis. AUe. to
Bradley, left to Glenbrook Rd.,
rioht to Moorlund Lane. right to
Clarendon, left to house.
. ALL OPEN SUNDAY, I::30 TO s
&4ssi OIL. 4-'soo
,::;;:. :s:;;:;:;.es.s:l,lV1KZE
1913 Wisconsin Ave.
Bethesda, Nd.
Evening star., 1960-08-20
Which of these homes
has what YOUR family needs?

This bedroom, both split level will grow with your
fomy The proeteoty Of its several levels makes for less
maintenance and heating expense. cuts expansion costs
yet Ieoves much room for enteoinino. and foniy
prvoey. The large, Iower-Ievel muIti-purpose room
is finished and hos O big. odiocent storage
Other hiehIohts modern, poste Kitchen double DOORS
in dining room to poto; otte storage oeo and
metal venetian blinds throughout PRICED AT $2l 75o
Evening star., 1960-08-20
District Approves Project

dwelling to school for adults,
1880 Crescent place NV;
cost, $50, 900.
The Corcoran Gallery Of
Art, owner, Seventeenth
street and New York ave-
nue. NV; builder not Sc
lected; Faulkner, Kingsbury
& Stenhouse, architects; to
Evening star., 1960-08-20

add fire escape, inclose stair
way, aid exit lights and fire.
alarm system, 500 Seven
teenth street NV; cost,
$4,000.
Robert H. Loveless, owner
and builder, 1904 Clifford
street. Chevy Chase; Warren
Shoemaker, architect; to
build one 2-story dwelling,
5528 Thirtieth place NV;
cost, $4,000.
Robert H. Loveless, owner
and builder, 1904 Clifford
street, Chevy Chase; War
rem Shoemaker, architect
to build one 2-story dwelling,
6l30 Thirtieth street NV;
cost, $4,000.
Evening star., 1960-08-20
Booklet Shows Area Gardens

= Boris Timchenko & Asso-
ciates. Washington landscape
architects, have just issued an
Illustrated booklet picturing
Washington area gardens de-
signed by the firm over the
last 20 years.
The booklet shows a vari-
ETY. Of types. ranging from
small walled and fenced gar
Evening star., 1960-08-20

:, Recent building permits
issued by the District in
clude:
. Riggs National Bank, own
ers, 1903 Pennsylvania ave-
nue NV; builder not Sc
lected; George w. Petticord,
jr., architect: to erect one
t2-story bank building, 800
Evening star., 1960-08-20

Seventeenth street NV:
cost, $1,250,000.
The American Council on
Education, owner, 1785 Mas
sachusetts avenue NV:
Davis, Wick, Rosengarten,
builders; Faulkner. Kings
bury & Stenhouse, archi-
tects; to convert former
Evening star., 1960-08-20

dens in Georgetown to more
extensive areas elsewhere.
Contemporary and tradition
al. formal and informal, the
gardens are Illustrated in
over 80 photographs. One
section shows restoration of
Evening star., 1960-08-20
KENSINGTON
lo6oS WhEATLEY STREET

Only sl3,950l 3-bedroom rambler
with basement on fenced, wooded
lot and detached garage. Quiet
street, excellent for children, con-
pvenisnt TO shopping and bus. Quick
possession.
Directions: Out Conn. Aue. to
Kensinoton fire house, right on
Pliers Mill Rd. to Whedtley, left
to house.
Evening star., 1960-08-20
BYEFORDE
4loS BYEFoRDE COURT

In quiet evl-de-soe is this lovely
white brick center hall home you
should see. Excellent condition
throughout. 3 bedrooms, 2l2 boihs,
tubls size kitchen, both living room
and English style recreation room
have fireplaees, 2-ear garage, reor
potio. Convenient 10 Holy Redeemer.
Priced in low 30s.
Directions: Out Conn. Aue. be-
vond Jones Bridge Rd. to CulueT,
LETT to Byetorde, right to Bye
.jorde Court.
Evening star., 1960-08-20

Colonial gardens in Mary
land and Virginia.
Mr.. Timchenko has been
a landscape architect and site
planner here since 1888. As
sociated with him is Leonard
Bartlett, jr.
Evening star., 1960-08-20
BETHESDA
S32n PAYLAND DRIVE

Coneressmon leaving this 4-bed-
room, 2I2-boih brick Cope Cod
pear N.l.H. Close-in and convenient
10 everything. Center foyer, large
ell-eleetrie kitchen, screened porch,
most oitroetive recreation room with
bar. Quiet section. Priced in upper
20s. Quick possession.
Directions: Out Old Georgetown
.Rd. about mile from Bank OF
Bethesda to Maple Ridge, right
to Ruyldnd, lett to house.
Evening star., 1960-08-20
BETHESDA AREA
POTOMAC
9540 RIVER ROAD

3 ceres Of fenced level ground
surround this elisisnins white brick
rambler, spotless throughout. 3
bedrooms, 2I7 baths, rslexine rser
screened porch, reersotion room and
Necessary, home can be enlarged.
Many fruit trees for your enjoy
nfent. Ideal for children. Near
Congressional Club. Priced in SOS.
Don't miss this-drivs out 70 inspect.
Evening star., 1960-08-20

DIRECTIONS: Shirley I Rood off and left Edso Boek
Lick Back Lick dk, left Boddck miles tc homes OR out
Anode, left Rovenswon
Bdk Rood right
Broddoek "a mile o homes
Evening star., 1960-08-20
Deceptive

When selecting a paint
color from a small paint chip,
remember that the color will
look deeper when 1t is used
on a larger area like a wall.
Tabor City tribune. (Tabor City, N.C.) 1946-1991, 1960-08-10
Pirevuv
News
BY EDWARD GORE

Mrs. Fred Long of Jackson
vile was the Monday guest Of
her sister Mrs. Chester Jen-
Ictte.
Clifton Gore of Whiteville
was the Tuesday guest OF Mrs.
j. Lester Gore, and Paul c.
Gore.
jeff Anderson of Guideway
was the Monday guest of MIR.
and Mrs. Austin G. Long Of
Pireway.
{. L. Gore of Whiteville
spent this week with his grand
mother Mrs. j. Lester Gore.
Mr.. and Mrs. Delbert Larri-
more Of Iron Hill were Sunday
guests of Mr.. and Mrs. Curtis
Larrimore.
Mrs. Venson Halves of Jack
Sonville was the Monday guest
of her sister Mrs. Chester Jen-
rette.
George Williamson of Ma
klna was the Monday guest of
his daughter Mr.. and Mrs. Paul
c. Gore
Paul Stevens of Fayetteville
is spending some time with
friends and relatives Mrs. Sal
lie Stevens, and Mr.. and Mrs.
John Albert Williamson and
children of Nakina.