davidaulloa/AmericanStories huggingface dataset:
Montgomery County sentinel. [volume] (Rockville, Md.) 1855-1974, 1960-10-20
HarviII Doesn't Expect
Letdown in Counsel Tilt

Despite $40 route by Richard Montgomery last
Friday Gaithersburg Coach John Harv doesn't expect
letdown by his team in its game with Good Counsel of
Wheaton this Friday at the Ag Center at pm.
Montgomery County sentinel. [volume] (Rockville, Md.) 1855-1974, 1960-10-20
TenPin Trail
by Paul o. Mohn

Already there 5000 reservations in this years
American Bowling Congress tournament The Petersen
Classic also filling rapidly Closer to home is the Mary
land Bowling Proprietors Association eimnations slated
to begin Saturday. October o. at Congressional Lanes
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Five BuItimoreuns

Five Artists from Balti-
more" at the liza. Galleries,
1928 Connecticut avenue NV.
through next Saturday (open
weekdays $50 to $500 is an
excellent. varied and inter-
esting exhibition. Biographi-
cal data are posted with each
artists group. Thomas Rowe,
who studied with Maroger
among others, shows six
beautifully executed roman
tic paintings Of old houses,
in which the textures are
transcribed with trompe l'oejl
fidelity: and several figures.
Jacob Glushakow and
Aaron Sopher look at Balti-
more's seamier side with diff
ferent results. but both truth
full. Mr.. Glushakow sees
beauty in the faded red
bricks of old decaying houses,
wrecking and construction,
tenements and cheap stores.
Mr.. Sopher is more interested
in the people who live in the
city's poorer sections. He also
finds amusement at the
crowded beaches, where he
captures men and women
who apparently do not know
or perhaps care, what sights
they are in bathing suits.
Glenn Walkers paintings,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Bonkemeyer Solo

Mary Bonkemeyer's second
solo exhibition at The Studio
Gallery, 8l4 Prince street.
Alexandria, closes next Sat-
urday. open today ? to s;
weekdays 2 to 81 She OBJ
tanned her NJ. A. from the
University Of Iowa in 1912.
and shortly afterwards came
to Washington and studied
art at the Phillips Gallery
School in l944-45 under c.
Law Watkins and Karl
Knaths. During the past two
years she has been studying
at American University.
Discussing her painting.
which is abstract, she says
in part, MY concern is with
a sense of immediacy and the
action of one color against
another. Space and forms de-
velop out of this movement
of color rather than from
receding planes or the use Of
academic devices"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
NEWS OF MUSIC
BY DAY THORPE
star Music Critic


IT wouldn't tech them
peas o. her'n." says Mrs.
Mclean in Carlisle Floyd's
opera "Susannah." a work
which will be performed here
next week by the New York
City Opera. When I read
this frank disparagement Of
SuSannah's culinary art my
sympathies were aroused and
my interest auickened. /
read the entire score to find
out what is wrong with the
cook.
"Susannah." of which Mr..
Floyd wrote both words and
music, has received a great
deal of critical and public
adulation and many per-
formances since its premiere
in Florida in 1855. 1t has
been called a great American
opera. Its theme is indeed
from the melting pot, for
SuSannah. the heroine, a
backwoodS girl from New
Hope Valley, Tennessee, looks
like the Daisy Mae Of Lii
Abner, takes a bath like her
namesake in the Bible, and
arouses clerical emotions
like Sadie Thompson. Susan
nah's Rev. Davidson is
named DIN BlitchO
The opera opens on a
square dance, with the ED
ers and their wives in at
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21


Clubs nine officers and board
members. selected the show
according to a method which
seems to me the fairest yet
devised for juried group
shows.
Selection for awards was
entrusted to New York
painter Xavier Gonzales,
whose Is choices reflect the
exhibition as a whole to the
extent of ranging from ira
ditional to abstract. But as a
microcosm, these works are
less satisfying than the show
as a whole, because of the
esoteric nature Of many of
them. Warren Doolittle's
drawing with caSein, Fan
TASTE" (1St prize $500 struck
me as a thousand light years
away from best in show. 1t
appears to be a pallid medi-
cal or chronological illustra-
ton.
Also HonOred
Other winners whose mer-
its are hard to discern with
the naked eye are Carl
Sublett'S smeary. confused
Spruce Head" end prize
5000; Richard Clark's semi
abstract very broadly handled
Asphalt Plant" (Winsor and
Newton award: Joel Moss
I'm the Beginning" which APP
pears to be an abstraction of
the Grand Canyon done in
browns Cambridge; and
Bill Armstrong; semi-ab-
stract characterleSS bearded
figure honorable mention0
Winners with both tech
nical merit and pictorial APP
peal include Frederic Whitak-
er's detailed yet panoramic
Houses on a Hillside" C3rd
prize $75); Norma Morgan's
intricately textured engraving
Scottish Moorland Haven"
(Grumbacher); Mary Farm
hams linocut Portland
Nights" (Bienfang) white
calligraphic patterns on gray
and black; E. Carey Kenney's
lovely winter Woods"
(TalenO: Phil Dike's strong.
lively semi-abstract Bridge"
illustrated and Henry Glas-
ser's picturesque soaring old
tenements (both honorable
mentions,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
TURNTABLE TALK
MorIowe Keyboard
EnIivens Handel

wider respect for this grand
daddy of present day key
boards.
1t Is encouraging that
much of the impetus in this
resuscitation continues to be
manifested on this side Of
the Atlantic. Sylvia Marlowe,
who chose the whole of the
Well-Tempered Clavier for a
radio debut lin a series, how
ever. is carrying the torch
for Decca, and the newest OF
several recent discs gives at
tractive evidence Of her
qualifications.
Among the attractions Is
the fact that the music is all
by Handel, himself a harpsi-
chordist Of note even II more
or less incidentally. Since
even with a bicentennial just
completed Handel is still far
from properly represented in
all the forms of his giant
output, every solid Handelian
disc is welcome. This one Is
especially so in displaying
also the broad gamut of color
and expreSSiveneSS which q
resourceful performer can
supply with a fascinating
instrument.
Precisely how Handel him.
self would have ornamented
the melodic line in the sara
bande of the G minor suite,
one Of the three titles in this
collection, is a question now
unanswerable. However, Miss
Marlowe approaches this and
other constructive and re-
constructive tasks posed by
this and the companion
pieces with a lively and sure
pair of hands, and the sound,
from bright top to rich and
sonorous bass, stands forth
as q demonstration Of the
astonishing tonal palette at
the command of this most
nearly orchestral of stringed
instruments.
The @ minor concerto
which organ fanciers have
heard recently at the hands
Of E. Power Bigss on Column
bia and Karl Richter on Lon
don Is encountered here in a
less mellowed but equally in
gratiating guise. And the
third item, sounding still
more familiar, is a too-brief
set of B fat variations cele-
brated at broader expanSe by
Brahms. Altogether, a most
engaging offering. (DL.
1-0002D
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21

discovered after IS years Of
experiment.
The Virginia artists show
about 9 works each. Mrs.
Roses Serigraphs are fresh,
colorful. with balanced COM
positions and interesting
subject matter. She is also
represented with oils and wa
tercolors. Mrs. Shapes group
includes her competent wa
tercolors and a large fine pen
drawing with sepia wash.
Gordon Barnes is inspired by
boats, wharves and fisher
men, Jean Miller by figures.
Balancing the representa-
tional works are abstract
paintings by Mildred Taylor
and serigraphs by Lucy
GomerSall,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21

let this cup, If it be Thy will,
pass from me-"
Susannah'S brother, Sam.
q character I have left out
Of this synopsis for the sake
Of compression, is an honest.
drinking, homeSpun type,
who, when he's hungry, goes
out and shoots himself a sack
full o. critters" In the pres
ent circumstances, he goes
out and shoots Bitch - as
Little Bat manages to make
known.
Sam shot the preacher
While he was In the criek bAptiSin'.
He snuck up behind some bushes
And nobody seed him
A great change comes over
SuSannah. She has won
Self-asSurance, and she de-
mes the conventions Of New
Hope Valley:
Come on over. Little Bat Cshe calls
to the half witt.
Don't be scared. won't hurt y.
I'm lonesome.
Come and love me Up some"
He goes, and Susannah
slaps him viciously across
the face. He runs away yelp-
ing. and "Susannah reels
with laughter" But as the
curtain falls, she stands in
the doorway. IAN inviolably
strong and inexorably lone
~ prisoner Of a self-imposed
exile"
This is the story the Ford
Foundation is sending around
the country as a gift to the
Nation. I wonder what Henry
Ford, who expressed admira-
ton for the lean, direct
speech Of McGufey's Read
ers. would think Of the
show.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Refs Two Shows

Etienne Ret, French born
artist who has lived in
Georgetown for several
years. and is regularly repre-
scented by The Artists Mart,
1851 Wisconsin Avenue NV.
has two one-man shows there
through next Friday. The
main one Of 40 oil paintings,
etchings, wash drawings,
monotypes and mixed media,
occupies all the ground floor
exhibition space. A collec-
ton of 81 etchings, in a
portfolio. seemed to me the
better show. Etching is his
forte, in which he obtains
much variety in textures and
surfaces, and his heads of
young women. most of them
playing musical instruments,
have decorative quality.
He has experimental with
various approaches in his
paintings: expressionistic. as
in Woman Singing; styl-
lied birds; a semi-abStract
spotty technique for animals
and flowers. giving them a
hasty, improvised look; other
modern idioms, including
distortion and elongation,
e. &. Melancholy; and such
Splashy distractions as "Bou-
quet in Pink" But his essen
TALLY linear approach is OBJ
vious even in his oils, in
which the subjects are drawn
rather than painted. Open
weekdays 10 to $50.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21

plot wouldn't tech them
peas o. her'n."
The situation is not look
ing up for SuSannah. and Lit
tie Bat manages to make
matters even less happy. He
comes to tell Susannah what
his folks think Of bathing
without a stitch on" and
with almost luxurious
abandon" as Mr.. Floyd says,
continues:
"I said you'd let me love you up.
That's what they made me say.
I said you'd let me love you UP
An in the worse sort O. way
From here on the plot
never falterS, and the lyrics
become rhapsodical. New
Hope Valley makes a noble
attempt to save itself from
Susannah. and Susannah
from herself. l will not re-
port the big church scene
further than to give a sam
pie of Blitch's oratory:
I'm, txin' to tell y bout a Teller !
What was SounE an smart an rich.
'Cept he never put much thought
On his poor. lost soul
Or where he'd spend eternity"
Bitch, having made a
public attempt to redeem
Susannah, now tries private
negotiations. He comes to
her home:
"Tve wrestled for yer soul night
after ntEht
But ever nov and then I near so
I need a woman so
WIN yer. brother be home toniEht7"
3: Let's go inside"
o: I'm SO tired
After his night Of love,
Bitch suffers remorse, and
in a curious blend Of hill
billy and High Church prays:
"Fergive me, o Lord, and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Seven Virginions

Ruth Starr Rose, Mary
Eta Sharpe and Lucy Com
ersall, all Of whom partici-
pate frequently in Washing
ton gallery shows, are among
7 artists of Virginia whose
paintings and prints COM
pose the second exhibition at
The Lees Studio Art Shop,
1909 Mt. Vernon Avenue, this
side of Alexandria, which
opened last Thanksgiving.
Also on view is a group of Is
bowls by Harding Black, a
noted ceramist of San An
tonic. Texas, whose entries in
last summers Kiln Club in
ternational were largely sold
out. Those at the Lees ex-
plain why: they have fine
colors, deep violets and
green-blues. and the copper
red glaze like that made by
ancient Chinese potterS,
whose method Mr.. Black re-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21

watercolors and drawings
are concerned with figures
interpreted in both natural
istic and modern styles, and
perceptive character sketches.
BY Joan Erbe is another
group of paintings featuring
her nightmarish cretins, such
as were seen in her solo ex-
hibition at the liza. CAL
leries last November.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
EorIy Toys

Early American toys de-
picted in original watercolors
comprise the third exhibition
at the Jewish Community
Center. 1929 Sixteenth street
NV. through orrow.
(Open this afternoon 2 to s;
tomorrow noon to f.. The
collection of 40 items is a
loan from the Index of
American Design, at the
National Gallery Of Art.
These delightful renderings
are part Of the Index's $4,000
paintings and drawings.
executed during the l930S,
through the w. P. A. Federal
Art Project of the Roosevelt
Administration. Large num-
bers Of unemployed CONNER
cial artists were engaged to
make a pictorial record of the
folk arts of our country. Pos
sessed Of superb techniques,
these artists produced metic-
ulous paintings and drawings
which are not only valuable
historical records, but also
items of nostalgia charm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
NEW OPENINGS

RECENT PAINTINGS BY LUCILLE
EVANS. Franz Bader Gallery,
1908 @ street NV. Tuesday
through March. -.
GROUP EXHIBITION BIT SEVEN
ARTISTS. The Art Shop and
Gallery. 5000 Georgia avenue,
Silver Spring, Nd. Today
through March 3.
STUDENTS OF RUTH GALOON.
Muth'k. 1882 New York avenue
NV Current through February %.
CERAMIC AND SCULPTURE SHOW.
The TakomA Park Art AsSocia-
tion in the Library, lOl Philadel-
phiA ave, Takoma Park, Nd.
Today and tomorrow, . 70 &.
PAINTINGS BY ROGER VAIL. La
Boheme Restaurant. 1898 Airing
ton Blvd, Falls Church, Va. Cur
rent through March Is.
GROUP EXHIBITION OF PAINT
lNGS. Foundry Methodist Church.
18th and P streets NV. Next
Saturday only, 4:30 to pm.
Admission charge for benefit Of
Church'S new education building.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
NEWS OF MUSIC
Plot of 'Susonnoh'
Full of Rustic Lines


a young girl of uncommon
beauty, Is conspicuous in the
group by virtue of brightly
colored dress and the CRAWL
tation of men to her square"
The other women converse:
ITS a hot night for danein',
Amt no breeze a-Stirrin'
Them trees amt moved all day. 80.
II shore be still. =.
Hear tell the preacher what's comm
Is one can do Just that:
Can bring sinners TO repentance
Like none we ever had"
1t develops that there is
not much togetherness be-
tween the elders wives and
Susannah. One of them says:
She's a shameless girl: she is.
Shown herself To all the men. .
Look at the cut of her dress.
But what could you expect OF
Wench Of q airl
Who was raised by drunkeA
brother7"
Presently the new preacher
makes his appearance, an
nounced by poetry that rings
in the ear like "the very
model of q model major
general:
II am the Reverend DIN Bitch
And I've come to New Hope Valley
To east out devils and conquer sin
To bring the Word of the Lord
And the power OF His judgments.
o, am the Reverend DIN Bitch
And I've come to New Hope valley"
In the next scene we are
introduced to Little Bat, who
is not a tea tray in the sky
but. as Mr.. Floyd tells us, "a
Shifty-eyed youth, not too
strong mentally" He thinks
SuSannah is awful pretty"
but tells her My ma says
they's bad blood in yo' fam
lily. All them men was
shore a-courtin' you; I seed
'em, ev'ry one"
NE seems like a real nice Teller"
tSusannah says OF Bitch.
ThouIh he Amt much at danein'
He stepped on my feet so much of
They're bound to turn black an
In the next scene, we find
the elders, convinced Of the
efficacy of Bitch, looking for
a proper baptism creek:
That eriek OuEhta b. right about
1t may be dried up now
Like the one We used for baptisms
last summer
We got to ind It.
BY shutdown come tomorrow.
marx him as 4 man what can
bring in sinners.
An there's got to be eriek all
tn De summers GomewherO around
here"
Well, sir. you know what
happens? They see Susan
nah. nude, washing of
huckleberry Juice and one
thing and another. They
all stand rooted in their
tracks for some time, ex-
pressions of shock on their
faces being gradually sup
planted by those of lust"
Eventually Mclean skaters
the moment when he realizes
what he is feeling and doing
Oh, for a front seat at
Lisner next Saturday!
ITS a blasphemous outraE.l
Naked as from her dead mas
The church won't stand for a
thing like this
She must be brought. TO punish
Brother Bitch, he must be told"
News of the coming Of the
White Rock girl is not slow
in penetrating the entire
community of New Hope
Valley:
She gotta make . public confess
sion
Or out o. the church she goes
An outn the valley. too. maybe
SheS a pow'rful one, this SuSannah
Polk,
Ny son she's lured away
from AZ the things that he's been
Fer that she's gonna have to pay"
1t is at this point that
SuSannah, offering an eld-
er's wife a dish o. field peas,
causes the rejoinder that in
itiated my interest in the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
FRIDAY

NATIONAL SYMPHONY ORCHESTRA
LLOYD Geisler. CONDUCTING. Francis
Hammond High School, q:46 am
and IL am. Youth Concerts.
AMERICAN UNIVERsrTY ORCHEs-
IRA. Ge0rge Steiner, conductor.
clendenen Hall American Uniyer-
sity, $40 pm. Solotst: Cynthia
certo In D, Haydn: symphony in
B nat. Opus 20, ChauSson.
THE cIAREMoNT STRING QUARTET,
Library Of CONGRESS, $50 pm
Quartet in d, Opus 76. No. \:
HAYDN: Quartet In Z minor. Lyndol
Mitchell; Quartet in A minor, Opus
1872, Beethoven.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
THURSDAY

SYMPHONY ORCHESTRA
Howard Mitchell, conductor. Richie
Coliseum, $50 pm. symphony No.
eS in B nat Haydn: La Mer,
DebusSy; symphony No. l in c
minor, Brahms.
TOMRINS. soprano: Rus
sell WoOllen, piano and harpSichord
Donald Hefner. oboe; Helen Conman,
cello. National Institutes of Health
Auditorium, $40 pm. Three ariAs
from church cantataS, Bach; Bot
schaft. Brahms; Inner Lesser,
Brahms; Der Schmied. Brahms; Sap
phische Ode. Brahms; lieblichs
Wangeh, Brahms: BATH, BATH. MOI
art: Dove sono, Mozart: wisdom.
Woollen; Three songs to words OF
g. NJ. Hopkins, Woollen: Mandoline.
DebuSsy: C'est rextase. Debussv; II
pleure dams mon occur, DebuSSy
Chevaux de boiS, DebuSsy; Romance
DebuSgy
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Swedish Crufts

Contemporary Swedish
Folk Art" an ensnaring ex-
hibition at the National
Housing Center, 1925 L street
NV, concludes next Thurs
day, an all-too-short display.
1t is hard to believe that APP
proximately 400 objects are
on view in the 5th floor ex-
hibition area. They were
made by craftsmen in all
parts of Sweden, and are the
fruits of a concerted effort
to save and find markets for
the handcrafts and folk arts
which were threatened with
destruction by the rise of in
dustrialiSm in the late 10Th
century.
Many objects on view are
covetable by the most So
phisticated tastes. The lavish
collection Of colorful. shaggy,
hand-woven rugs, blankets,
lap robes. wall hangings.
draperies and upholstery fab
RIGS, provides color schemes
and patterns to fit into both
modern and traditional in
teriors.
Sea gulls and other birds
carved from wood or made
Of straw, fly from the ceiling
or roost on display shelves.
An amusing sheet iron men
agerie is but one group of
many bright toys. Horn
spoons, metal wares, wooden
bowls, lacy st. Thomas
crosses. and innumerable
other objects make the show
a heart-warming demonstra-
ton Of the talents of the
Swedish people. Open daily
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
Mellon Ninth

The Ninth Annual Series
of the A. w. Mellon lectures
in the fine arts begins this
afternoon at the National
Gallery of Art at 4. Will
marth Sheldon Lewis, a not
ed authority on Horace Wal
pole. will give six consecutive
Sunday lectures on the 18th
century English author, ex-
tending through March.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
BY JAMES G.. DEANE
Star Record Critic

How recently was it-de-
spite Wanda Landowska-
that the harpsichord was in
the realm Of the esoteric?
All too. the enthusiast will
reply. Fortunately. the ef-
forts not only of the recently
departed grand dame, but Of
such estimable younger per-
formers as Ralph Kirk
patrick and Fernando VAL
emit are paying dividends in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
MUSIC
PROGRAMS
TODAY

IODA1
MYRA HESS, piano. Constitution Han,
3 pm. Rondo in A minor, X. Sill,
Mozart; French Suite No in q.
Bach; Sonata in p fat minor. Opus
IS, Chopin: Sonata No. so In z,
Opus 100, Beethoven.
CITADEL CADET CHOIR. ysrnen W.
Weston, c o n etoE. Washington
Cathedral, 4 On. Psalm 10. Franek;
Holy Presence, Tschesnokod.
D. c. FEDERATION OF MUSIC CLUBS:
STUDENT CLUBS RECTAL. BsTker
Goldman; sea Chance, Goldman:
More Light Shall Break, Emery:
sheep May Safely Craze. Baeh-Howe;
ssGuidills. AlDenil; AMn AM y Sas-
Beside You, Murray: Mother Dear.
Polish Folk Song; Blackhirds Song,
Scott, Caro- Nome. Verdi; Impromptu.
Opus SO, Chopin: The Last Words Of
Crave Graves: JuSiiat: Dec, Graves: JSdssn
Hills are Holy, Alleri AIeluia,
Thompson.
FRIDAY MORNING MUSIC CLUB:
STUDENT RECITAL. John Wesley
Powell Auditorium, pm; PaItiei-
patinE Artists: Elaine WeIaSbeHE'
piano; Lols Everett. piano: Carelyn
& sasE'i E... ; siss sa.. dsTif,i
piano: NiI.S.Iss Rars.rar: pisno,
sonts, Opus 40. No: 3. Clementi:
soeturns Opus a. n.,,a No ,.,d. Gn aSI.5.
Opus A.. Chopin; 10 Music. schubert;
Du Dist VIE cine Blume. Sehumann;
Sheep May Safety Craze, Bach: lie
CatherdIAle Engloutie, Debussy; Min
Funerailles, Liszt.
ELENA DE sAYN, violin: Edwin Davis,
piano Phillips Gallery. $50 80 Pm
minor; sonts Opus o5: Noeturns
Opus 9, No. 2; Noeturne, Opus ~
No. .; Mazurka in C sharp minor
Opus 80; No; =; MazuTka in minor
minor. Opus. II, No. 2; MaEurkS in
c sharp minor. Opus so, No. 8;
Introduction and PolonAise, Opus 8
Chopin.
HAMILTON CHAMBER PLAYERS, vii.
Ian Ian Y H1@ilt"In; Pan director; Barker s.,
WlnnIfred Garcia, violin; Jsrom,
cello; Nancy Miller, harpsichord
Ricercare, Willaert; Trio Sonata
PDT; N Ait S SGas 1ns'lq HOd 4.
Suite in c, Locke; When JesuI
Wept, Billings; JubilAte Omnei
Terra, Schultz; PrslgSio for cello anc
hArpsichord, Corell; Trio Sonatl
Opus l, No. ], Loeillet.
ANA DRITTEILE; ssllO: Anthem,
Art, 8 pm. Sonata No. 10, Valen
tint; Sonata in A, Opus 50, Bestho,
ven; Sonata, Carter: Fantasies.
tueke, Opus "a, Sehumann.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
SELF-PORTRAIT

This century's musical Gre
ator still least fittingly cele-
brated-for all his rising his
torical stature-is clearly
Bella Bartok, and there is
particularly attractive new
Bartok disc also at hand, this
by an appropriate aggrega-
ton. the expatriate Philhar-
monia Hungaria, under An
tai Dorati.
A pulsins, typically earthly
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
ART NEWS OF THE D. c. AREA
Water Color Show
Is Given Praise
BY FLORENCE S. BERGMAN
Star Art Critic

The 63rd annual exhibition of the Washington Water
Color Association CLUB in the foyer of the Natural History
Museum through March is laudable, we-rounded show
Of lie waercoors and graphics Open to artists these
media throughout the country the exhibition obviously drew
admirable entries from which the urY composed the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-02-21
WEDNESDAY

NATIONAL SYMPHONY ORCHESTRA,
Lloyd Geisler, conducting. Francis
Hammond High School, e:45 am.
and IL am. Youth Concerts.
NATIONAL SYMPHONY ORCHESTRA.
Howard Mitchell, conductor Con-
stitution Hall, $40 pm Soloist.
Elisabeth sehwaTEkopf, soprano. Re-
peating Tuesday evenings pToEram