davidaulloa/AmericanStories huggingface dataset:
Evening star., 1960-03-27
TODAY

vIENN. CHOIR BOYS. HeImuth
FrOsehAuer, director. Constitution
Hall. 3 pm. Sound, o Trumpet,
Purcell; Psalm 40, Krieger: In
Nomine Jesu, GalluS; o sacrum
convivium Gallus; Men Be Silent.
Mozart: Jubilate. Mozart; The
Imaginary Invalid, Mozart. La
Pastorella, Schubert; The Well at
the Gate, Schubert: Songs Of
ARLINGTON CIVIC SYMPHONY,
John wigent, conductor. Washing
ton-Lee High School, 3 pm.
SoloiStS: CAROLYN KNIGHT. soprano.
Marjorie Fuller, mezZo- soprano;
Carl Kaiser, tenor; David Griffith,
tenor; Earl Thompson, baritone;
Richard Howell bass EXCERPTS
and Fugue for Winds, David
Fetter; Symphony No. in F,
THTEL COLLEGE CHOIR. MarIOws
w. johnson. director. Washington
Cathedral, 4 pm. Alleluis. Tuler-
unit. Palestina; we Have No other
Guide, Shvedof; Tenebrae Factae
Stunt. Poulenc: Blessing. Glory and
Wisdom. Wagner
FAITH CARMAN, harp: David Brew
ster; violin; Phillip Jones. piano,
At
Sonata in c minor, Pescetti: Min
uette D'Amour. MasSenet: Prelude
No \, Debussy: Variations on
Swiss Air, Beethoven: Introspec-
ton. salzedo: Sonata, Opus =. No.
Opus u, No: ] in d. Beethoven.
JOHN HARVEY. organ. GEORGETOWN
Presbyterian Church. ; m. Grand
Dialogue, Gigout: Chorale Prelude.
Nun Komm. der Heiden Heiland.
nj in
Bach: Antiphons, Dupre: Fugue,
Honegger: Outburst OF Joy. Messi-
ELISABETH sCHWARzKoFF. So
stitmtion fI % Hail e : pm pS ASeDdemp-
findunE. Mozart: Ais Luise, Mo-
Fart: Dams un boiS solitaire. Mo-
zart: Der Zauberer, Mozart: Sulei-
kas erster GesanR. Schubert: Su-
leikas zweiter GesanE, Schubert;
Schubert: An Sylvia, Schubert Sc
ligkeit. Schubert. Gretchen am
Spinnrad. schubert: Kennst du das
Land, Wolf; Philiner; Wolf; Bedeckt
Wolf: Wer REF dich denn, Wolf:
Ich hab' in Penna einem Liebten
vohnen, Wolf Liebestreu, Grahms;
Bel dir sind meine Geda 1ken,
Brahms; sandmaennchen, Brahms:
lechtes Wetter, Strauss: Hats &C.
saEk bleibt's NIGHT dabel. Strauss;
FIRST PRESBYTERIAN CHURCH
CHOIR AND ORCHESTRA. Rich
ard A. Weilenmann, director So
loists Grace Wall, soprano; La
Faun Innes. soprano; Carl Kaiser,
tenor; Donald Boothman, bass;
jeanne Tanner, flute: Carolyn
Walker, harpsichord. First Pres
byterian Church. pm Cantata
No 21l, Bach: Fine Kleine Macht-
musk, Mozart Mass in G, Schulz
ert.
CHARLES CRoWDER. piano. Ma
tional Gallery OF Art, & pm. So
nRta in Z, Scarlatti; Pastorale in
d minor Scarlatti: Sonata in c,
Scarlatti: Andante con Varia2ioni
in minor, Haydn; Sonata No. 2,
Hindemith: Lander, Schubert:
Saudaudes do Brasil, Milhaud.
POTOMAC ENGLISH HANDBELL
RINGERS, Nancy POOre Tufts, di-
rector BroOkland Baptist Church,
THIEL CHOIR, Marlowe W. johnson,
director Reformation Lutheran
Church. pm Concert of sacred
and secular music.
Evening star., 1960-03-27
Pictorial History

Every art lover who has
not visited the Phillips Gal
lery during the past fort
night and is able to get there
by Tuesday afternoon, should
not fail to do so. A superb
educational exhibition, a his
tory Of sculpture from the
Bronze Age to Brancusi (ac-
tually to Lipchitz) as repre-
sented in American museum
collections Including the
National and Phillips GAL
leries here is surveyed in
the gallery print rooms.
Sixty panels contain be-
tween 300 and 400 excel
lent photographs by Clarence
j. Laughlin of New Orleans.
He is not only a photogra-
pher of technical skill and
soaring imagination, but also
a writer. Several of his shows
of old New Orleans and of
Louisiana plantations have
been presented in Washing
ton.
Sculpture Seen Anew" as
the Phillips exhibition is en-
titled, presents masterpieces
in which the camera has
captured nuances and sub
tleties imperceptible to the
naked eye, and points them
out in explanatory labels
which inform and interpret
in a fascinating manner.
From a Bronze Age woman
of several millenia BIC. who
has a figure much like our
own elegant young women, to
some of Henry Moore's per-
forated monoliths, there is
a magnificent panorama of
figures and heads, Offering
monumentality, m a jesty,
power, beauty and emotion,
representing all parts of the
world and thousands of years,
that impress one anew with
the inexhauStible creativity
of the human race.
Evening star., 1960-03-27

whole opera in pantomime,
accompanied by wild singing.
AS he works up to a pas
sionate climax. the chess
players leave their games,
passersby in the street peer
through the windows. I will
recount to you only the cli-
max of Diderot's electric tale:
a. With puffed-out cheeks,
and in a raucouS and SOM
Der sound, he made like
horns and bassoonS, he took
a nasal and shattering tone
for oboes, sliding his voice
with an incredible rapidity
for the strings he whis-
tied the piccolos and warbled
the flutes, shouting. singing.
throwing himself about like
a madman. He alone was
Evening star., 1960-03-27

development of his work for
nearly half a century.
The exhibition is arranged
in the atrium and an ad-
joining gallery, so that the
visitor can study the evolu-
ton of his works from the
little 1918 Dancer" ccmpar-
atively traditional, but with
curves and angles empha-
sized, through each period up
to last year.
Famous Cubist
Lipchitz became the most
important sculptor of cubism
along with Picasso, having
created successful sculptures
evolved from the theories of
Cubist painting. Such works
as Guitar Player" "Accor-
dion Player" and 'Liseuse"
exemplify his analysis of
each subject, breaking down
their component parts and
reaSSembling them as dy-
manic essentials.
Having carried cubism to
a triumphant conclusion in
his sculptures, he abandoned
this austere style and turned
to approaches more ex-
presSive and monumental.
Following his Cubist works,
his sculptures become in
creasingly exuberant, power
full, and in some cases, e.g.
Return of the Prodigal,"
overwhelming. 1t is abstract
baroque, with proliferation of
massive coils and curves and
protuberances.
"Semi-autOmatics"
In 1856 Mr.. Lipchitz
made a series of what he
called semi -automatics," four
Of which are in the exhibi-
ton: Lady with Camellias, +"
"Geisha, Prophet" and "Ex-
otic Dancer" The projections
and concavities Of these little
figures exploit the play Of
light with great variety.
Before the opening Of his
exhibition Mr.. Lipchitz gave
an interview in which he
described his method of max
ing his "semi-automatics. "
The interview was reported
in The Star on March IL
page D-l6), and on March
IL The Star had a biographi-
cal note on him page A-15
An illustrated catalogue with
an introduction by Mr.. Lip
chitZ and other informative
texts is available at the Cor
coran Gallery (75c).
This exhibition should be 4
Evening star., 1960-03-27
PROGRAMS OF THE WEEK

NATIONAL SYMPHONY oRcHEs-
IRA. Howard Mitchell, conduc-
tor. Constitution Hall. $50 pm.
Soloist: Paul Rosenthal. violin.
overture to School for Scandal.
Barber: First Movement from Vio-
lin Concerto in z minor. Mendels-
sohn: La Mer. Debussy; symphony
No :. Tchaikovsky
IVAN DAVIS, piano Phillips Gallery,
$50 D m. -Four Sonatas. Scarlstti:
Sonata No. 10 in G. Havdn; Var
iations on the name. Abegg. Schu-
mann, Funerailles. LiSZt: Chant
Polonais. LiSZt: La LeggiereZZa,
Lizt Hungarian Rhapsody No. g,
List.
JOHN CONNER. orEan. National
Presbyterian Church, $40 pm
Programs not available.
AGRICULTURE SYMPHONY Or
CHESTRA, South Agriculture
Building. $40 pm. Romeo and
Juliet. Tchaikovsky: Violin Con,
certo No. 4. in D, Mozart (Benja-
min Ritter, soloist). Reformation
symphony, Mendelssohn.
Evening star., 1960-03-27
GIGLI: DUO

The distinguished tenor
Beniamino Gigli's name oc-
cupies first position on one
Of the newest issues in the
Angel series known as Great
Recordings of the Century"
This is Madama Butterfly,
first issued during World War
II Git was recorded in Rome
in the inauSpicious year
1939), in which Gigli's Pin
kerton was complemented Cor
Offset, according to some un-
grateful commentators by a
Clio Clio San of Toti Dal
Monte.
AS a Recommendation Of a
notably listenable and plant
operate voice the LIP edition
available previously in this
country in a pressing made
by RCA Victor-is in Gigli's
regard certainly highly effec-
tive. Gigli in 1889 still was
close to top form, although
his style, which was on what
the outspoken would call the
weepy side, had its solemn
detractors.
Dal Monte's portrayal to
me is a compelling If similar
ly hardly reticent one, and
some adroit re-engineering
has rubbed out some of the
ShrillneSS inherent in the
earlier editions. (There is still
some decay in aural quality
in the inmost grooves, partic-
ularly on the last side.)
Welcome Retrospect
With firm conducting by
Oliviero de Fabritiis. a Rome
stalwart of those days, and
overall musical and aural
solidity, this is a worth
while venture for Angels
commemorative series which
doubtless will be welcomed
by retrospective opera en-
thusiastS.
BY coincidence, Gigli's re-
sourceful' tenor is featured
also in a newly arrived Victor
collection derived from Puc-
cinian and other sources
dating from a decade or so
earlier in the recording
sequence.
Boheme, Forza del Destino,
Gioconda and Pearl Fishers
are represented by note
worthy duets recorded with
Giuseppe De Luca, and Lucia
di Lammermoor by "Tu che
a Dio" with PIMA. "Cielo
e mar" from Gioconda, 20
Paradise" from Meyerbeer's
L'Africana and "M'appari"
from Martha also testify to
the early splendor of the
Gigli vocal equipment which
made it a celebrated quantity
in rapid order and assured
its public standing nearly to
the end.
Several songs also are on
the disc, but the operatic
memories are the ones most
non-Italians presumably will
! want. to have refreshed.
Evening star., 1960-03-27
THURSDAY

BUDAPEST STRING QUARTET: Jo-
seph ROiSman and Alexander
Schneider, violins: Boris KrOyt,
viola: Mischa Schneider, cello. LII
brary of Congress, $50 pm. ALL
Beethoven program: Quartet in G,
Opus is. No. >: Quartet in E
minor. OpuS 80. No. ..
AMERICAN UNIVERSITY ORCHES-
IRA. George Steiner, conductor.
Clendenen Hall American univer-
sity, $40 pm. Soloist: Bryant
HAYES, clarinet. Double Concerto
for Strings, BayCe. Clarinet Con-
certo in A, K. go. Mozart Bolero.
Ravel: Fairy Queen Suite No. ] :,
Purcell: Piece for Woodwinds and
Horn, Howe: Pinccchio. Toch
NORMA FERRIS, violin: Fanny Ross
HenbeSt. piano. Arts Club Of
WASHINGTON, S:i5 pm Sonata
No. in E. Handel: Sonata OPUS
30, No. 3 in G, Beethoven; Pre-
lude and Fugue in @ minor. Ko-
Cher-Klein. Prelude and Fugue in
D minor, Kocher- Klein: Sonata
WILLIAM MASSELOS, piano. How
sonatas, Scariattl; Sonata, critics;
Variations on a theme OF PaRa-
mini, Brahms: Kreisleriana, Schu-
mann: Two movements from So
nata No. /, Ives.
UNITED STATES MARINE BAND,
Col Albert Schoepper. conductor.
Department of Commerce Audi
torium. S:15 pm. Music by WaR-
ner. Sullivan. Tansman, Simons.
Hunsberger. Grieg, Gable, RoSsini-
Tabler, GilliS.
Evening star., 1960-03-27
NEWS OF MUSIC
By DAY THORPE
Star Music Critic

A lady said to me the
other day: when you wrote
of Igor Markevitch as a good
conductor, you were seduced
by the way he looks on the
podium. You were taken in
by his gestures. his dancing,
his ingratiating manners.
and you allowed yourself 70
be deceived into thinking
this was conducting, was
making music"
I fixed her with a look of
cold heat. What you say.
madam" I replied, sis ac-
curate but not true. ! deny
the validity of the lmplica-
ton. Good God, madam" I
went on, warming to my sub
ject, "to what do you impute
the worth of a conductor of
a symphony orchestra if not
to the picture he makes?
The conductor is a dumb
musician. Beyond a bit of
paltry humming and horrid
grunting he is silent. he plays
upon no instrument, gut,
brass or reed. He is an artist
of the eyesight, the visual
soloist of the symphony. Do
you say that he is to be seen
only by the musicians he
faces? Not at all, they have
seen enough of him at re-
hearsal. In performance, the
conductor works for the au-
dience, realizing for the lis
teners the shape of the mel
ody. the structure of the har-
mony, and the passion of the
emotion.
why does this seem to
you so unwarranted, so triv-
ial, so undiStinguished a role
to play in music? In every
other art, no matter what
sense is involved primarily,
the sense of sight is so i'm
portant that its function is
taken for granted. Would
you, madam, engage a chef
for your household who was
less interested in the aspect
of his creations on the plat
ter or in the bowl than he
was with their mixing on the
board or their cooking on
the stove? Is the art of the
architect primarily four walls
and a roof in the interests of
warmth and decency? Would
you ask a printer to set a
lyric of William Blake or an
act of King Lear" solidlv to
fill up the lines like this very
paragraph? Not at all, I can
answer for you. You instinc-
lively understand that the
culinary art, the art Of the
builder. the art of literature.
to whatever sense each ap-
peals nominally and typi-
cally, all are dependent for
their various effects on the
power they exert on the sense
of sight.
so when we consider the
art of music, madam, we
must no longer abuse our
intelligence by holding it to
be the art Of organized
noises, however sublime
those noises may be. Rightly
to define music one would
have to declare how it looks.
just as to define cognac it
would be necessary to say
how it smells.
1T is what we see in a
concert or recital that creates
for us the divine excitement.
Who would care for DR..
Mitchell and the National
Symphony concealed behind
gauze, or Silver-thatched
Munich, or maternal Hess, or
twice-schizoid Budapest, or
rapt Callas. or acid Beecham,
or voluptuous Schwarzkopf,
or seXy Peters, or romantic
Rubinstein, or youthful
Menuhin, or inscrutable Hell
fetz-all out of sight? No
one, I dare say. Do you
suggest that the current
vogue of the phonograpi
record denies the universal
truth of my definition? To
the contrary. Are there 40
people in the United States
Evening star., 1960-03-27
NEW OPENINGS

"ARTs AND CULTURAL CENTERs"
The American Institute Of Archi-
tects, 1741 New York avenue NV.
Tomorrow through April.
PAINTINGS BY GEORGE BAYLIss.
Jefferson Place Gallery. 1915 Con-
through April Is.
PAINTINGS AND GARDEN sCULP-
TURE BY WASHINGTON ARTISTS.
The Artists Mart. 1851 Wisconsin
80.
PAINTINGS BIZ JACK BOUL. watkinI
Gallery, American University,
Massachusetts and Nebraska ave-
nues NV. Next Sunday throuEI
April II.
THREE LATIN AMERICAN ARTISTS.
The Studio Gallery. s14 Prince
street Alexandria, Va. Today
through April %.
PAINTINGS BY COUNTESS ANN
DE GRABOWsKI. The Gallery
Coffee House, 3213 o street NV.
Today through May /.
ANNUAL SPRING ART SHOW.
Rockville Art Gallery in the Civic
Center. Next Saturday and sum
day, 2 to 8 pm. All artists within
50-mile radius Of Rockville, Md,
eligible. Cash awards InfoFma-
tion at all Montgomery County
Libraries and art stores.
Evening star., 1960-03-27
New York Pointer

Maxwell B. Starr, Russian
born New York painter. has
an admirable exhibition at
Collectors Corner, 1925 Wis
consin avenue NV, which
concludes a brief showing
this afternoon from 3 to 5.
Twenty paintings and 5 ink
drawings can be roughly
placed in 3 categories. All are
abstract; but two are superb,
while the third is chaotic and
falls far below the others in
technical excellence and in
tereSt.
The first category COM
priseS such paintings as
Captains Dock" and Port"
which have fiat color areas
with well-def1ned patterns of
lines and shapes. Although
abstract, they yet convey
strongly the feeling of ships
and harborS, as do many other
paintings by Mr.. Starr, who
founded his own school in
East Gloucester, Mass, 20
years ago, and conducts it
there and also in New York
City, his home most Of the
year.
Mosaic Technique
More colorful are other alb
stractions of the same sub
jects. done in a mosaic tech
nique of small rectangles in
bright hues: e.g. Indian
Summer" and Gloucester
Nuances." One of his most
beautiful paintings is the
golden "Sentinels." The Sec
ond category comprises ex-
pressionist distractions, full
Of mood, e.g. Hurricane"
which might have been
painted by Albert Ryder had
he lived in our era.
Two good drawings in a
small group of graphics are
Variations" and Compost
ton" built up with many-di-
rected thin lines and small
areas Of gray wash.
Evening star., 1960-03-27
Bookutz Solo

Samuel Bookatz has been
one of Washington's best
known painters in contempo-
rary idioms for nearly 20
years. His current one-man
Evening star., 1960-03-27
ART NEWS OF THE D. c. AREA
Important Exhibition
At Corcoron GoIIery
By FLORENCE s. BERGMAN
Star Art Critic

Jacques pchitz of the most famous personalities
Of the contemporary movement in art Consequently his
large Retrospective exhibition at the Corcoran Gallery Of
Art through April TO- is major event. Fortytwo bronzes
lent by museums private collectors and dealers gallery
and 20 drawings ink and wash gouache. illustrate the
Evening star., 1960-03-27
WEDNESDAY

NATIONAL SYMPHONY ORCHES-
IRA, Sir Thomas Beecham. guest
conductor. Constitution Hall. $40
pm Repeating Tuesday evenings
program.
VIRGIL FOX. organ. National City
Christian Church. $50 pm.
Evening star., 1960-03-27
TUESDAY

NATIONAL SYMPHONY ORCHES-
IRA, Sir Thomas Beecham, guest
conductor. Constitution Hall. $40
pm. SymphnoY No. l02 Haydn:
Symphony No. 3S. Mozart: SYM
phony No. ., Brahms
Evening star., 1960-03-27
TOMORROW
NATIONAL SYMPHO

IRA. Howard Mitchell, conduc-
tor. Lisner Auditorium. 2 pm.
Soloist: Eugene IstOmin, plano.
Overture to School for Scandal.
Barber; Piano Concerto No. 5 in
2 nat, Beethoven: Symphony No.
5, Shostakovitch.
Evening star., 1960-03-27
FRIDAY

FRIDAY MORNING CLUB. John
Wesley Powell Auditorium, II: 30
am. villa Mae KOehn, piano;
virginia IIarDham, violin; Dorothy
Artaud, piano: Clara O'Dette, So
prano. stephen PrusSinE. piano.
RondO, Hummel: Intermezzo Opus
ll6. No u, Brahms; Three Pre-
ludes Chopin; Polonaise, in A
minor. Chopin; Sonata for Violin
and Piano in A. Beethoven;
Cinco Canciones Populaires Ar
gentinaS, GinaStera.
SILVER SPRING CONSORT. Silver
Spring Library. = pm. Informal
Recital of Music for Recorders,
Strings and Harpsichnrd
BUDAPEST STRING QUARTET. Lii
brary of CONGRESS. $50 r.m. Re-
peating Thursday evenings pro-
Eram.
Evening star., 1960-03-27
French Pointer

Marcelle Stoianovich, who
has exhibited in past years
at the Fantasy Gallery, 1865
Evening star., 1960-03-27
TURNTABLE TALK
Schubert Is Sunq
By Fischer-Dieskou

Hopefully, Fischer Dieskau
and others will forage farther
into the yet unmined reaches
Of that immortal list Of more
than 600.
Evening star., 1960-03-27

must" for every art lover.
(Open Sunday 2 to S, Tues
day through Friday 10 to
4:30, Saturday 9 to 4:30O
Evening star., 1960-03-27
Happily Mated

In each of the songs, sound
and sense are happily and
intelligently mated, a quail
tative factor applying also
to Gerald Moore's perceptive
keyboard collaboration. The
grateful listener, as is not
always the case with lieder
recitals live or on plastic, can
contentedly ignore means
and concentrate on ends,
which in this instance
amount to nearly an hour of
utterly absorbing, thoroughly
rewarding musicmaking.
The presence of AN die
Musk" and the familiar
Shakespearean "An Sylvia"
suggests, which is true, that
the collection does not go
very far afield. But Fischer
Dieskau has plenty of time
yet and none of the COM
panion numbers are so over
worked that they could not
stand innumerable hearings.
They include the graceful
"FruehlingSglaube" and Die
Sterne" 1929, the imposing
Dem Undlichen," which
could almost have been COM
posed by Gluck and relates
intriguingly to Schubert's
ill-fated operatic aspirations;
"Kriegers Ahnung," from the
Schwanengesang set; and
"Wehmut." The latter to the
late scholar, Alfred Einstein,
summed up Schubert's great
ness in a nutshell, so one
should listen with some awe.
Actually, how else can one
listen to any Schubert song2
Evening star., 1960-03-27
BY JAMES G. DEANE
Star Record Critic

The marvels of Schuber-
tian song never cease to daz-
zle anyone willing to listen.
1t is a pity they are not
more frequently accessible,
as a few examples, at least,
will be when Elisabeth
Schwarzkopf sings tonight at
Lisner Auditorium. Such
events occur all too seldom.
Even recorded Schubert still
has only scratched the sur
face.
Dietrich Fischer-Dieskau,
whose live lieder espousal
thus far has approached only
as close as Baltimore, is con-
tinuing his laudable disc ef-
forts. A dozen songs are en-
braced on a new Angel rec
ord. his third allotted to
Schubert.
In the dozen, which range
in time from the 1916 Der
Wanderer" to the 1923 Die
Taubenpost" and in mood
through a typically Schuber-
tian cross-section, Fischer
Dieskau demonstrates anew
his versatile command of
subject matter. Whether es-
saying, to name examples,
the graceful lyriciSm of I'm
Freuhling," the somber con-
trasts of the ballad Der
Zwerg," or the fortnight
vlgor Of the equestrian "Auf
der Bruck," the practiced
German baritone proves his
mastery of subtle nuance.
Evening star., 1960-05-07

Palmer shot a par ~ In the
first round but blazed around to
tie the course competitive re-
cord with 65 yesterday, nego-
tiating the route with nine hole
scores of 34-31.
Tom Nieporte of BronXville,
N. Y, also shot a sensational
34-3l-65 to land in the l3S
bracket and a tie with Dow
Finsterwald C68).
Palmer remained the key man
in the field. He has won more
than $4,000 this year to lead
the money winning stakes in
cluding the recent Masters
tournament.
Palmer had one bad hole, a
bogey when he was trapped on
the seventh hole. But he holed
puts for brides that measured
20, Is, a pair from 10 feet out
5 and a pair from a foot or SC
away from the cup.
Evening star., 1960-05-07
BARBER PACING CHAMPS
Palmer Charges Back
On Record Tying 65

LAS VEGAS, New, May 7
(AP) Nineteen of the field of
81 professional golfers were
under par for SO holes today
as little Jerry Barber of Los
Angeles led the way into the
third round of the S42, 400
Tournament of Champions.
But things figured to be a
little different-and more diff
ficult-today, with the Desert
Inn Country Club course tight
ened up and the cups made a
bit more difficult to locate.
The course is some 1000
yards and par is 36-36-72.
In the second round, IS of
the players broke par, includ-
ing the 44-year-old Barber, the
oldest and smallest pro in the
lot. He had a 66 for a total
score of 1876.
One stroke back we're two
formidable players, Ken Ven
turi and Jay Hebert, and just
two shots off the pace were
Arnold Palmer and Julius
Boros.
With the final round sched-
uled tomorrow before a national
television audience, (WRC-4. at
5-6 PM Today's round was a
critical one for all concerned.
Evening star., 1960-05-07
DODGERS RKED BY SCOOP
Snider Tips Audience
On RepuIski's Trade

LOS ANGELES, May 7 (AP)
The Los Angeles Dodgers had
a trade to announce today, but
two of their players beat them
to it.
The result: Rip RepulSki is
on his way to Boston and Duke
Snider and Don Drysdale are
in the doghouse.
The Dodgers intended to an
nounce late today that Out
fielder Repulski was going to
the Red Sox for Pitcher Nelson
Chittum and cash. But Pitcher
DrySdale apparently got wind
of it early and passed the word
along to his buddy, Outfielder
Snider, who has local radio
show. Snider relayed the infor-
motion to his listeners before
last nights game, not announc-
ing the trade fatty but saying
he got the report from a good
authority.
Local writer's expressed little
anger at being beaten at their
own game by a ballplayer, but
Buzzie BavaSi, Dodger General
Manager, was actively annoyed.
He delivered a spirited lecture
to Drysdale last night and the
word was that he also spoke
Sternly to Snider.
Repulski came to the majors
in 1858 and played for st. Louis
and Philadelphia before COM
Evening star., 1960-05-07

ing to Los Angeles last season
He hit .255 in SO games last
year, appearing as a pinch hit
ter and utility man.
Chittum, a Highlander, will
be assigned to the Dodgers
Montreal farm club. He had
an lis record at Minneapolis
in 1859 and also appeared in
81 games for the Red Sox, win
ming three and losing none.
Earlier yesterday, the Dodgers
announced they had traded
Outfielder Sandy Amoros to
the Detroit Tigers for First
Baseman Gail Harris.