davidaulloa/AmericanStories huggingface dataset:
Evening star., 1960-10-30
Modern French

New Trends in French
Painting" at the Franz Bader
Gallery. 1705 @ street NV.
introduces three artists with
extensive critical comment in
an illustrated folder and
mimeographed biographies
and introduction (free to
visitors) which are preten-
tious, impressive and partly
incomprehensible.
Rene Duvillier and Frederic
Benrath belong to the Paris
group Of thinkers, poets and
painters who in 1858 gathered
around Julien Award French
critic) under the provocative
banner Of nonsense - no
meaning. For them. they
claim, q painting is even more
than for others, an entity in
itself, and not representative
of anything else," says Media
Sokolova- -Mladek, who goes
on to connect them with the
evolution Of the romantic
movement.
These two French artists
are swirl painters. Duvillier
relies on q single continu-
Gus stroke Of the brush and
on the contrast Of one color
with baroness" The begin
ming Of the swirl is naturally,
much darker than the end.
In fact. it seems as If the
chief problem would be to
get enough paint on the
brush to last to the edge Of
Evening star., 1960-10-30
By, DAY THORPE
star Music Critic

Howard Mitchell and I
first met Douglas Allanbrook
at the same time-in 1947
when the young composers
"Te Deum" was performed
at the Washington Cathedral.
DR.. Mitchell was playing
cello in the orchestra, while
I was singing whatever bass
notes I could manage within
my range, which extends up
ward to about A fiat below
middle c. We were both
taken with the exuberance
Of the piece which DR..
Mitchell remembered when he
selected Allanbrook's first
symphony, written on o Ford
commission, to play On the
regular National Symphony
programs this week.
My own friendship with
Allanbrook began q little
more than q year later, In
January. 1949. when we ran
into and recognized each
other in the Luxembourg
Gardens in Paris. Allan
brook had Just been robbed
by thugs in the park. but he
was not injured, and sug-
gested We 60 to o restaurant
across from the Sorbonne
where you could get wild boar
steaks. I still recall them
with relish; afterwards, we
went to Allanbrook's room In
a clearinghouse three flights
up In Rue Monsieur le Prince.
He played music he was
writing on q piano that took
up more than half of the
floor space Of the apartment,
and talked to me about his
lessons with Nadia Boulanger.
Thereafter I saw him fire.
Quently in Paris. so that I
can call myself a Boulanger
pupil second hand. Then
Allanbrook went to Italy to
Evening star., 1960-10-30
BY RICHARD HIRSCH
Director Allentown Art Museum

DlIeCtor ALLENTOWN ART MUSEUM
A favorite cliche of the
times opposes art to science.
The shallow argument pre-
sents art as an underlined and
undeflnable area Of human
activity.
Science, in this same cliche,
is the source of all def1ni-
tions. It has limits. It has
discipline. It has techniques
which permit everything 1t
says to be weighed, measured
or tested. It makes sense.
In this contrast, Of course.
according to the cliche. art
does not make sense. At least
not modern" art.
Then comes along an alb
struse scientific monthly such
as the bulletin Of the Atomic
Scientists" and devotes an
entire issue to the single
theme Of Art and Science.
AS a result, the cliche gets
a demolishing blow. A blow
delivered. praise be, by SCI
entists.
Amazingly we discover that
mathematicians and physi-
ciStS wish to be thought Of as
artists. Three articles by emf
nent men in physics and
mathematics give instance
after instance Of the in
tuitive. the mysterious, the
unconscious ways in which
the great men of science and
Of mathematics have arrived
at the concepts for which
they are Justly famous.
It is refreshing to hear q
mathematician Of Princeton's
Institute for Advanced Study
quote the poet Robert Frost
on "the better wildness of
logic"
It is refreshing because
this attitude of the mathe-
matician breaks down an
other fallacious cliche: that
of the scientist methodically
working with the undeviat-
ing, step by step, precision
of a human Univac computer.
Throughout this special
number of the Bulletin of
the Atomic Scientists" pub
lished by the University Of
Chicago Press, this latter
cliche is repeatedly attacked.
Inspiration
Whether it be the story Of
how Gauss, "by the grace of
God" stumbled on the ia
nous m a gnetic theorem
which bears his name, or
that of Henri Poincare find
ing a revolutionary mathe-
matical solution one morning
during a walk along a seaside
cliff, while thinking Of some
thing else, or that Of Faraday
Evening star., 1960-10-30
THE SHAPE OF THINGS
Art and Science Held As Single Equation
'E OF THINGS

finding sudden illumination
and the theoretical discov-
cries for which he is famous,
the scientists hark back to
the notion that there is but
one single creative process
for the man of genius.
New ways of stating the
equation of the world" are
asked for by John r. Platt.
physicist of the University Of
Chicago. These new ways will
bring together. he predicts,
the artist, the physicist, the
poet, the mathematician, the
novelist, the chemist and the
balletmaster. While we talk
as If this were a period of
"specialiSms," the specialists
in this issue Of the Bulletin"
call for union between the
artist and the scientist as
partakers Of the depths and
heights Of the creative proc
eSS.
A Single Mystery
This process they repeat,
Is one: q mystery. q single
mystery.
One writer, a professor Of
biochemiStry. insists that this
creative mystery is quite sim
pie, it is. he says, magic. Ger
tainly this is the last term we
expect to find in a serious
publication devoted to nu-
cleonicS. But there it is:
Magic. Meaning, the author
says that most intense
application Of the highest
powers Of the human mind to
the deepest problems of the
human race" Our blochem-
ist contends that creation is
magic" But 1t is not, he
says. solely the result Of
inspiration"
Creation, if ut is not to die
a-borning" Ito quote the
editors Of this issue), is not
just flighty inspiration. In
spiration, these scientists say,
is the impulse to hard work,
fortified by those skills and
techniques laboriously abb
sorbed over patient years by
the creative mind. Inspira-
ton occurs when these skills
are applied in new ways
ways which were not learned
consciously. Inspiration. then,
is the challenge to the trained
mind. II results in the crea-
tive act. This is q moment
Of beauty.
Our art publications vir-
tually refuse to use the word
beauty" at all. Our mathe-
maticians and chemists and
physicists, in contrast, are
quite at home with both the
word and the idea. They
make beauty central to their
Evening star., 1960-10-30
Strovinsky Needs
Singers for Chorus

Do you want to be a mem
Der Of the chorus of lie
Rossignol," the Stravinsky
opera which will be presented
by the Opera Society Of
Washington late in December
under the direction of the
composer? Additions will be
held November S. at a place
and time not yet determined.
There are opening for So
pranoS, altos, tenors and
basses who are good singers
willing to learn their roles
in Russian. Those interested
should call EN-. 3-8248 for
an appointment.
Evening star., 1960-10-30

and H. E. Mariana de Ytur-
ralde will give q short ad-
dress at the preview.
This exhibition by 16 Span
iSh artists who have become
prominent during the past
decade, continues the Cor
coran Gallery's policy, begun
last year with Fifteen Paint
ers from Paris" of holding
exhibitions Of international
contemporary art. Every work
in the show is reproduced in
O paper-covered book, New
Spanish Painting and sculp-
ture" by Frank O'Hara (Dou-
bleday q Co. Inc. $2.75),
which has an introduction,
biographical data, a cata-
logue and photography.
This is the first survey Of
avant-garde Spanish art to
tour the United States. It
opened In July at the Mu-
scum Of Modern Art. and af-
ter the Corcoran Gallery
presentation, will visit seven
other cities.
Award winners
AL 16 artists have exhibited
In major international exhi-
bitions, and several have won
awards and critical acclaim,
but not yet widespread recog.
milton or popular approval in
their homeland, which is un-
derstandable. Most Of them
live in Barcelona or Madrid,
centers Of avant-garde activ-
ity.
The outstanding impress
sion Of the IL painters works
is their emphatic individual
ity; and the second impress
sion is the shows somber-
ness, due to dominance Of
black in many Of the paint
ings. Each artist is repre-
sented with two to four
works.
Rafael Canogar'S huge &C.
tion-painting "St. Christie
pher" (between so and so
square feet) has q remote
figurative image in the saint
bearing aloft his increasing
burden as he advances on
comparatively fragile legs.
Antonio Saura's Three
"Graces" and Imaginary
Portrait Of Goya" compose q
nightmariSh collection Of alb
stract images. Francisco Far
reraS' numbered abstract coll
leges Of paper, net and paint
are also full Of action. No. 81
might be titled Irresistible
Force Meets Immovable OBJ
ject." Joan Josep TharratS'
paintings are explosions in
seas Of foamy spatters.
Manolo Millares' huge torn,
ripped, slashed and "mended"
canvases. with heavy folds Of
burlap. painted in frenzied
black, white and red, with
the bare wall showing through
large holes, is the most vio-
lently underprivileged look.
ing group. His "Homunculus"
has q sinister image Of sorts.
The other painters in the
show are less dynamic. An
tonic Tapies. introduced to
Washington last season by.
Evening star., 1960-10-30

the canvas. Benrath, on the
contrary, swirls on q color
ground, and does not limit
himself to a single stroke.
Spiritual Substance
Simple as that sounds, it
Is much more complicated.
M. Award says "Duvillier
confronts without compro-
mise the empty criticism Of
a monumental baroque," and
"Benrath turns his atmos-
phere into pure spiritual sub
stance in which a single
breath is enough to engender
spaSms Of anguish" And all
Of that done with swirls!
Francis SALES is on his way
back to representation, i'm
PEELED by his success as an
abstract expresSionist. After
winning recognition and
awards for works in that
idiom in two Paris shows,
Like an explorer dis
illusioned by his discovery,
he turned around and set
OF in another direction. "
$50 his biography expresses
it,
For several years he has
painted nothing but portraits
and still life. The latter have
juicy color, vigorous brush
work and recognizable i'm
ages Of jugs, pots and fruit.
SALES portraits are seldom
likeneSSes. but human types
condensed from his reminis-
ence and Imagination" It
must be depressing to have
ones mind haunted by these
mountainous women with
their doughy expressionless
faces.
(Open daily. o to g.
Evening star., 1960-10-30

statements. asserting that
their scientific work, as well
as that Of the great historical
creators Of lasting theory,
can have no meaning except
in the light Of beauty.
One writer in this publica-
ticn for atomic scientists
even insists that neither
science nor art can be di-
vorced from the idea Of good
and evil. Spanning the course
Of Western thought, we find
him. John Nef, stating fatty
that "a fundamental COM
ponent Of beauty is virtue"
This last is another word
which never, but never ap-
pears in our art press.
Beautiful and Ugly
In fact, much Of the i'm
portance of this issue of an
atomic science publication is
the reaction, strongly ex-
pressed by scientists, against
emitting from scientific OBJ
servations. for mere sim
plicity, the personality Of the
observer. One author insists
that the scientific picture of
the world is truncated as long
as 1t continues ito know
nothing of beautiful and ugly.
good or bad, God and eter-
nifty"
This destroys another false
concept, that over-simplifled
one Of the scientist merely
measuring. calculating and
weighing without passion or
emotion: denying the very
existence Of those faculties
within his soul or the dimen-
sions of his mind which can
not be precisely computed,
dissected or physically an
alyzed.
Explosive Beauty
The editors Of this atomic
periodical suggest that the
artist creates new ways of
feeling while the scientist
creates new ways of knowing.
The process in both cases
is, they feel, shrouded in mys-
terry which links artists and
scientists in an exploratory
goal.
Many Of us could envy
these scientists in their IA
miliarity with the arts and
the artists of all time. Listen
ing to the creative voices from
the laboratory of science,
many of us should learn the
humility to temper our own
final" judgments on the in
terpretations, by artists and
by scientists, Of ever-changing
beauty.
AS one Of these scientists
Evening star., 1960-10-30
ART NEWS OF THE D. C. AREA
Spanish Art Show
To Open at Corcoron
By FLORENCE s. BERGMAN
star Art Critic

New Spanish Painting and Sculpture" an exhibition
organized by the Museum Of Modern Art New York City
will be opened at the Corcoran Gallery Of Art Tuesday
ming at invitation preview. and to the public Wednes-
day. to remain through November a. The Ambassador
Spain and Sonora de Yturade patrons Of the exhibition
Evening star., 1960-10-30

the Ores Gallery. shows SINH
lar heavy earth or dark grey
slabs, with incised designs.
His %Grafiti on Blackish
Ochre" suggests a runic
stone. Manuel Viola's dark
canvases are illuminated by
flashes Of white and CLEANS
Of orange. Modest Cuixart
uses oil and metallic paint
and a little more color, to
create tangled webs in low
relief and dark golden cir
cies rising like bubbles: Mr..
OHara relates them to the
thick haloes Of 18th century
Catalan saints.
Antonio Suarez' heavily pig
mented ovals and curves (the
horns Of his "Ox," for ex-
aIpple) in soft grayed colors,
and Luis Feito's expanseS Of
smooth white shading to gray
and black, with q concentra-
ton Of masses Of paint in
one area Of each, are the
collections most serene paint
ings.
Manuel Rivera's wire and
wire mesh or screen on paint
ed wood make unique works,
which have q fragile. lighter
appearance than have the
paintings. Among the most
ponderous Of these in effect.
are Lucio's gouged, incised
and carved oil on composition
boards, which look like panels
Of badly damaged wood.
Open 10 to 4::30 Tuesday
through Saturday; Sunday 2
to S. The sculpture will be
reviewed later,
Evening star., 1960-10-30
British Abstract

An exhibition by Robert
Sadler, British Abstract ex.
presSionist, has reopened the
Obelisk Gallery, 3241 P street
NV, which has been felici-
tously redecorated In gray
and white, with a new and
improved lighting system.
A former Royal Air Force
group captain, without formal
training In art, Mr.. Sadler
has been working out his own
mode of expression for six
years, with the advantage of
leisure, and the space Of a
country home.
Robert Sadler's 16 oils re-
veal British understatement
in color, being dominated by
gray, but most Of them have
other colors, with subtle vari-
atoms. In Brown and
Green" for example, his
brown ranges from red to
ochre. Using q palette knife
and heavy pigment, he pro-
duceS abstract compositions
of lines and rectangles. He
avoids any reference and
resemblances" according to
Christopher Cornford, in his
long, glowing introduction,
''in the hope that each be-
holder will enjoy whatever
imagery he may personally
discover"
Mr.. Cornford found Sad
ler's earlier paintings "rec-
ognizably related to expert
ences of landscape as seen
from an aeroplane." The
present collection appears to
me oriented to sea-faring:
the feeling Of being on a
ship, looking at the sullen
gray ocean, or at causeways
or distant shores. :
Open Tuesday through Sat-
urday, II to 6; Sunday 8 to 6.
Evening star., 1960-10-30
FRIDAY
SATURDAY
IDIaTRICT on e

DISTRICT OF COLUMBIA CHAPTER
OF NAACC. Tourtorsky Academy Of
MIsic' l7S0 18th Street, 8:15 pm.
Smith. Dorothy Radde Emery, Gene
We've Davisson Fritter, Mary Gold
man, and Darius Theme,
Evening star., 1960-10-30
ABA Group

The joint exhibition by six
artists at ABA International
Gallery Of Modern Art, 3144
M street NV. will remain
another week. Besides Karl
Zerbe, mentioned here last
Sunday, Mitchell Siporin
shows both oils and large
watercolors of figures, in
which he pays homage
through their palettes to
Rembrandt and Monet. I.
Rice Pereira's several recti-
linear distractions here show
changes, in more open space.
and a suggestion of musical
notations.
Gregorio Prestopino is rep
resented not only with exam
Piles of lis social commentary
CSunlit TenementD but also
his basic ink wash drawings
OF trees and grasses Of q
series in which he has endeav-
ored to capture the essence
of landscape elements. Al
Blaustein shows both paint
ings and etchingS. the latter
more representational. Zubel
Kachadoorian. youngest Of
the group, paints semi
abstract figures Of massive
serenity; his Madonna" in
gold leaf and oil, is the best
here.
Evening star., 1960-10-30
Spiritual Substance

Composition With
Cones" a sculpture of
the young German
artist, Klaus Ihlenfeld,
using the precision
lathe as a Sculptural
tool. Such new tech
niqueS bring scientist
and artist together
ROckmaker Photo.
says, beauty, after all, is IAN
explosive compound" pur-
sued by any creative mind.
(CopyriEht, 1860, Gen. Features Corp.
Evening star., 1960-10-30

Paris, Poulenc: The Lamb, Shaw:
LinsteAd Market, BENJAMIN; The
WINDS Doueherty; Thank You,
tngton Cathedral. 4 pm. Dfaiogues
sur les grands jeux, Grigny; De
Eou.cop. dAouin: Soeur Moniuue.
Coupertn: Fantasy and fugue In q
minor, Bach; Theme and Variations,
nn.n: Loccate IN A minor. Muller
Ereut Euch, Schule. "A'
WATKINS. organ. George.
toWn Freehytefian Church, pm
Prrelu6e. fuge and chSconne In c,
6uxtehude; CAntilene. from Suitr
Breve. Langlais: Fantasy for Piutes
S4werGy; Agincourt Hymn, Dunstabie
Gnorale Prelude, When Adam FeiI
Homiius; Flute solo. Arne: Fantasy
H. lie.E5 Ecao style, Sweelinck; -Four BIB.
ES;rksSSOnn SOnss opus S9, Dvorak pau
Evening star., 1960-10-30
TUESDAY

SYMPHONY ORCHESTRA,
4Howard Mitchell. conductor. soioist:
1sAnc Stern, violin, COnstitntion
ahSn hiIsn S:S0 Pm. symphony No. /,
Mendelssohn: symphonv NJ "
Shoshtakovich. w. 4V'
Evening star., 1960-10-30
TOMORROW

MIX ORCHESTRA OF JAPAN w,,h.,-
Sehueehter, conductor Con nat,tmt,nnn
MMaal. $40 pm. Itsugi's Berceuse.
s sUysme: Rhapsody, Toyama: Con.
SsIto IN minor. Chopin: SYMPHONY
NO. In E nat, Erofca, Beethoven
Evening star., 1960-10-30
WEDNESDAY

SYMPHONY ORCHESTRA.
howard Mitchell, conductor. Soioist.
Issnc Han,c Stern, violin. Constitution
ai: aHHi: S:3O pm. Repeating Tues
Evening star., 1960-10-30
THURSDAY

THURSDAY
sUPAPEsT STRING QUARTET, Nit
SoHI-.L e9siI Luris. clarinet Library Of
x 6el. Mozart; Quartet Ia =. ouMns M
ls' No. 1. Beethoven; Quintet in
WoobWiND s 0UsiNTEr
SiTS CHirSSorsn % Gallery: $40 pm, Wood
ETno Suintet. Russell Woollen; La
quintet for Winds, Piston.
FRIDAY
BUDAPEsT STRING QUARTET, Mitch.
ell Lufle, clarinet. Library OF Con.
Srss:' $50 pm. Repeating Thurs
FRIiTpA EMsorSFmNi1No Ar,s,c c,,p
PoWeI Auditorium, l1:3O q m, Sones
OF Wayfarer, Mahler (Jayne bar
fneN, soprano; Rea Winters, piano.;
Serenede, Opus 10. Dohnanyi (BilI'e
Anderton, violin: Milda Seibei, viola;
Hfigitta Czernik- -Greunther, eeisoJ
Visions fugitives, Prorofiev: Pre-
Evening star., 1960-10-30

the canvas. Benrath, on the
contrary, swirls on q color
ground, and does not limit
himself to a single stroke.
Evening star., 1960-11-13

"TRLTONE, TRLTLER' BY "OLDE KENTUCKY"
WITH THE ROMANCE OF BYCONE DAYS
Looks pershobIe?
finished with Eereoze Mncoe dpsdY and only the rfes
touching with Quilted top shrn-res Cello
cloud fiber tone o to violet ione bottle eeen Of
pink to rose, titone beige to brown.
Twin full 1888 Matching 63 pnchpeote droperes p
seIfooped cote curtoins, pr. 4.99 Voonee, 299. ~
Evening star., 1960-11-13

"MELODY' BEDSPREADS BY FAMOUS
"CABLNCRAFT' IN COLORS is MACHINE WASHARLE
New technique weaving for tight fine deon quilted
poten Its boon the modern honnoker conbed
shrnkreson pre-shrnk completely washable wrinkle
Hard believe
beautiful too but it's Of "Meody White yellow sky blue
wood beige, pink, lavender ivory
Twin or FULL 1898.
Evening star., 1960-11-13

HANDWOVEN IMPORTED INDIA MADRAS T.,
IN EXOTIC COLORS! 4 SMART MODERN ACCENT
Stunning stripes with all the color right
by the skilled of ndo Washable
the hond Of nen Rugged destined plenty rooms
oniy roons dens.
Throws 72xO8" 5oS eO8" size o. Pces on un-
henned throws begin at 2.69)
Evening star., 1960-11-13

"CLORIOUS LADY, HEIRLOOM SPREAD BY
NORMANDIE IN DELIGHTFUL BOUDOIR COLORS
Something the coverIet look bedspreod
you'd think Exclusively with The echt Co. Marvellous Christmas gift idea
for oorte homes Its to washes beautifully
and as often like needs onne Choose white pink antique e
beige, lilac.
Choose twin or full size. 1898
Evening star., 1960-11-13

IMPORTED SWISS COTTON BATISTE
EMBROIDERED TAMBOUR HAS GLAMOUR APPEAL
From famous PoIozzo collection we've shown "Medoon deli
cote pattern is embroidered on sheer white Swiss boiste
Covede twin 1885 Dust rffe twin 2295 Covere FULL 95
Hff u 95 Mohine eutoins l" long SO" wde o99.
Swoe 999 Valance 3.99 Coe curtains 999
store only Two other patterns also ovoiIobIeD
Evening star., 1960-11-13

GEORGE WASHLNCTON' HEIRLOOM
SPREAD BY BATES 4 CLASSIC FAVORITE
Magnificent design the counpones
eoeed ostocrot mansions Luxurious double knoed fringe reversible
Practical for modern homes this spread presh completely washable
Antique white
s2x1o 1895 Full e6xllo" 1885 And for special orders with
2week delivery lo5x le $45 Kneze l2ol 22" $50
Evening star., 1960-11-13

sEospREADs-rHE HEIGHT COAL S STORE
Evening star., 1960-12-04
Making Better Drivers
At DC. Traffic School

By MASTER SERCT ALLEN G. MAYNARD, USING.
Evening star., 1960-12-04

wv HEN the park police gave me
w ticket for speeding, they re-
ceived no argument. My temperature
did 60 up, however, when the fine was
set at $28, and l really boiled when
my colonel suggested that attend the
District Traffic School.
AS a senior MOO in the Marine
Corps, I've seen share of death, and
I'm aware of the number of service
men who kill and MAIN themselves
and others in traffic accidents each
year. But I'm a good driver. Oh, may
cheat little when traffic is light on
good road, and occasionally make
rolling stop at an intersection, but my
speeding violation was minor. My
colonel, however, takes an exceed
ingly dim view of non-coms who draw
traffic citations l took an even dim
mer view of the Traffic School until
l met Sergt Aubrey S. Yowaiski.
Sergt Yowaiski is a veteran of Is
years in the Traffic Division and
man with the gift of laughter. In IS
minutes, he turned sullen, embar-
rassed audience of traffic offenders
Evening star., 1960-12-04

into a relaxed roomful of attentive
listeners.
The sergeant has headed the Traf
fic School for IL years. IF can keep
one person from going through what
did, I'll feel that I'm doing my job"
he told me after a lecture.
On a September evening in l945,
Sergt. Yowaiski's three-wheeler was
struck from behind by a speeding
automobile The impact threw him
across the centerline into the path of
a bus. The bus knocked him back
against the car, and the battered
patrolman caromed off the car into
the bus again. He spent the next l3
months in hospital.
He would have retired if Deputy
Police Chief Howard " Covell had
not offered him job where he would
not have to meet the public But
year later, when Capt Thomas Slo-
minski, one of the originators of the
school, was transferred, Sergt. Yo-
waiski replaced him.
Since then, thousands of drivers
have attended the school Not all are
Continued on page 30
auNnAy THE RTAR MAGAZINE w
The journal. (Caldwell, Ohio) 1934-1961, 1960-09-01
Pleasant Hill

PLEASANT HILL - Mr.. and
Mrs. William Mansperger of Cam
bridge and Ella Belle Cater,
visited with Blanchard Wilson
and wife in Cleveland Sunday
and Monday.
Mr.. and Mrs. Walter Davis
and Edna Arnold, called on Les
lie Cater and family Saturday
evening.
Mr.. and Mrs. Roy VanDyne
spent last week with their daugh-
ter and son-in-law, Mr.. and Mrs.
Melvin Wentworth. at Alexan-
dria, louisiana.
Mr.. and Mrs. Jack Wilson and
children, spent last week with
Carl Maser and family in Warren
and Cater Davis and family in
Akron. .
Mr.. and Mrs. Charles West
and children, called on Vernon
West and wife Sunday.