davidaulloa/AmericanStories huggingface dataset:
Evening star., 1960-01-03
BY DAY THORPE
Star Music Critic

January brings us three
.operas-"Les Troyens" under
Sir Thomas Beecham with
the American Opera Society
son the ninth and tenth,
s"Die Fledermaus", under
Julius Rudel with the Ma
'tional Symphony. on the
.14th and 18th. and "Otello",
under Paul Galloway, with
the National Symphony, on
the 22d. oath and 25th. The
first two productions are
concert versions, the last is
staged.
The unusual popularity Of
Strauss opera during the
last few decades makes ex-
: tended commentary on it
somewhat superfiuous. The
stunes of the composer have
"a vitality that has withstood
every sort of adaptation and
performances of every degree
of stagecraft.
Rudel to Direct
OF particular interest in
the National Symphony's
production will be the ap-
.pearance of Julius Rudel on
the podium. Mr.. Rudel is the
director and one of the lead
ing conductors of the New
York City Opera Company
(the City Center. He will
return to Washington in
March bringing three con-
temporary American operas
$-"Susannah," six Charac-
.ters' and Baby Doe" THIS
month he will have the op-
-portunity to take the meas
ure Of Washington audiences,
and vice versa.
He has assembled an in
teresting cast for Die Fled
ermaus." Frank Porretta, the
Alfred. is not only a former
Washingtonian, having been
soloist in one of our local
service bands, but has also
appeared here in "Orfeo"
and "Aria6ne auf Naxos." He
is also one of the leading
tenors in Rosa PonSelle's
Baltimore opera. Beverly Sills
and jeanette Scovotti are
also excellent young Ameri-
can singers whom I have
heard in New York. but whom
. ! do not remember on the
local scene.
BerliOZ' Masterpiece
q There are few operas an
initial hearing of which l
Evening star., 1960-01-03
Drew at Corner

Nearly 40 water colors and
drawings by Richard Drew
make a colorful display at
Collectors Corner, 1925 Wis
cousin avenue NV, ending
today g to 81, a preSenta-
ton of a little over a fort
night. Mr.. Drew's first
Washington exhibition was
at this gallery last season,
a collection Of impressions of
Washington.
His manner is broader and
colors generally stronger in
the present paintings. But
his work continues to be rep
resentational, and ranges over
landscape. architecture, city
life and figures. There are
excellent portraits" of old
houses con Logan Circle"
Estate" "Old Brown
stoneS"): industrial and COM
mercial architecture, too, Is
included.
OF several good figure
studies, Man and Guitar" is
done in a technique quite
different from the others: it
has the delicacy of a silver
point.
Mr.. Drew studied at the
Carnegie Institute of Tech
nology and the Scaife Foun-
dation. Pittsburgh, and else
where, He served In the
United States Marine Corps
for three years, during one
of which he was staff artist
on its Gazette. He is now a
designer and animator for
Creative Arts here.
Evening star., 1960-01-03

on q national museum cir
cult under auspices Of the
Smithsonian Institution
Travelling Exhibition Service.
The collection is not COM
posed exclusively Of abstract
expreSsioniSt and kindred
works. as might be assumed
from the title; 1t has paint
ings and drawings of 80 to
40 years ago, as well as very
recent. There are, for ex-
ample, a 1915 water color by
Charles Burchfield. an ex-
quisite flower painting by
Charles Demuth, a sensitive
drawing of a colored boy
done in 1886 by Andree Ruel-
Ian. and an original cartoon
by the late Helen Hokinson.
Henry Koerner's large hand
some ink drawing, Hide and
Seek" is only two years old.
DateIess
But dates have nothing to
do with the excellence Of
these works. One covets such
items as Lyonel Feininger's
ink and wash drawing Of
ships. Reginald Marsh's
standing nude in red chalk.
Howard Cooks Horses" and
Dong Kingman's large color
full Chatham Square, New
York City"
Earlier works by some Of
today's leading abstract
painters include De Kooning's
black-and-white water color
with a flash Of red; Baziotes'
pen and wash drawing;
Motherwell's Nude" (re-
sembling q giant butterfly;
a bright. semi-representa-
tional Black Roofs" by Stu
art Davis. and a little water
color and ink Realm Of
Fancy" by Attilio Salemme
Q944). These are all home
size" paintings, as distin-
guiShed from the bed-sheet
size canvases some of them
seem to find necessary to
paint on today.
Still other paintings and
drawings contribute to the
interest Of this show. max
ing it well worth a visit be-
fore 1t closes. (Open today
2 to Z; tomorrow IL am.
to 10 pm; Tuesday and
Wednesday to 6 p.m.)
Evening star., 1960-01-03
SCIENCE
CALENDAR

Science and technical So
ctety meetings haze been
announced for this tUeek by
the Joint Committee on Press
Relations OF the District OF
Columbia Council OF Engi-
neertng and Architectural
Societies and the Washing
ton Academy of Sciences.
American Institute Of Mining, Metal
lurEical and Petroleum Engineers
(Washington section)-6:3O pm. din
ner and 1880 pm. meeting in the
Broadmoor Apartment Hotel dining
Harold N. Bsnnerman, t assistant 1t'cfi chief
geologist. y. s, Geological Survey. Res
ervations through the secretary to be
made by members only.
American Society of Tool EnEineerS
- pm. dinner and pm. meeting
At tn, Peking Restaurant, III 18th
81. NV. "Automation and the United
States Economy" Chester S. Johns,
sales manager, Buhr Machine Tool Co.
Not open to the public.
WEDNESDAY
National Science FOundatiOn-1O. q 30
am. in the Foundations auditorium,
1851 Constitution Ave. NV. Colloqui-
um. Far Ultraviolet Solar Spectra," 3"
DR.. William A. RenSes, department OF
physics, University of Colorado. For
information call Miss Sherman, Ster-
ling 3-2l40, Ext ass
THURSDAY
EntOmOlOEical Society Of Washington
S pm. meeting in room AZ, National
Museum. chronological Investig q tion
Of the United States Army Medical Re-
search in Malays. 1955-5g," 1t. Col.
Robert Traub, MISC, former command
ing oticer, USA, Medical Research unit
In Malaya, Exhibition OF specimens
Visitors welcome,
FRIDAY
CryptoEraphie Society Of WaShlng-
tons pm. meeting in room 43 In
the National Museums 10th st. and
Constitution Ave. NV.
Evening star., 1960-01-03
Pre-Cunu Series
To Sturt Tonight

The first of a series of three
pre-Cana Conferences for en-
gagged couples will be held this
evening at 8 pm. at St. Ga
briel's School, Grant circle and
Webster st. NV.
The Family Life Bureau of
the Roman Catholic Arch
diocese of Washington is spon-
soring the conferences, whose
purpose is to assist engaged
couples in preparing for mar
riage. The conferences are
conducted by married couples,
doctors and priests.
Two additional conferences
are scheduled for January 10
and II.
Evening star., 1960-01-03
NEWS OF MUSIC
Jonuury Opera Fare
Starts With 'Troions'

look forward to quite so
avidly as Berlioz' THE Tro-
JAMS" The composer himself,
after devoting the peak Gre
ative years of his life to the
piece, looked on it as his
masterpiece, but he was
never able to have it pre-
sented in better than q
truncated performance. Time
has been little more favor
able to the opera, for while
the score proves it to be a
work of beauties inexhaust-
ible and Of the utmost vari-
ETY., and while it is admired
by hundreds of connoisseurs
Of Berlioz Of all artistic per-
suasions, I have not heard Of
any stage representation that
has attempted to recreate the
piece in either of the forms
left by Berlioz.
Sir Thomas Beecham las
been a champion Of Berlioz
since his early days as a con-
ductor. and If the eccentrici-
ties we must allow a great
artist at the end Of his Ca
reer do not affect so rarely
performed a work as Les
Troyens." we can look for
ward to a unique experience.
If they do. after the manner
Of Mozart -Beecham and
Handel l-Beecham. we can
look forward to even more
unpredictable excitement.
OteIlO Perfect Book"
verdi's "Otello" will be the
last opera of the present
season of the Opera Society
OF Washington, although
there will be a special pro-
duction Of another work in
late April.
Based on the Shakespeare
tragedy, the libretto by
Boito is often cited as the
perfect book for opera. The
subtleties and the emotional
reactions Of Shakespeare's
characters are simplified in
the text only to be reas-
serted with the ambiguity of
the greatest art in the music.
Both Boito and Verdi knew
that a simplified version of
the story was necessary for
the music to have its most
CeIllng erect, and the three
fold combination Of words.
music and action to combine
perfectly.
"Otello" was given in
Washington shortly after its
first performance by the Met
in the l880s. Can anyone tell
me whether it has been done
since? One of the second
hand chorus parts used by
the Opera Society is in
scribed: Edward Albion,
1923 I street NV" Albion
was a famous impressario
here in the twenties; is this
evidence that "Otello" was
given here at that time?
Backstage Difficulties
The physical difficulties
the Opera Society is attempt
Ing to meet in the production
OF an opera that in addition
TO a large cast Of soloistS
Evening star., 1960-01-03

Richard GreSkO, 17-year-
old Canadian pianist,
will feature BeethOven's
Waldstein sonata on his
program Thursday in the
Labor Department Audi
tOrium.
calls for a chorus Of -, many
mute characters, and a back
stage orchestra OF II, are
not centered on the size Of
Lisner's stage, but on the
smallness Of its backstage
facilities. A satisfactory opera
house of 1900 seats is di-
vided in equal parts by the
footlights. There should be
as much room out back as
out front, and it is as yet
uncertain where a crowd OF
80 people, more or less, will
operate backstage in the
home Of our local opera.
Otello will be sung by
James McCracken, an Amer
ican tenor who comes home
from Milan especially for
this engagement. Desdemona
Is Maria di Gerlando, Iago,
Robert Trehy. and Cassie,
Mallory Walker. James War
ing of Catholic University
and Olney has designed the
sets and Bliss Hebert will
direct. Paul Galloway con-
ducts the National SYM
phony. The Opera Society
was greatly touched by the
response of Giovanni Martin
elli to its invitation to come
to its opening night show.
The tenor, who is almost
universally regarded as the
greatest Oteilo Of our gen.
Grafton, replied that not only
did he want to be present at
the opera, but he also would
come to Washington to enjoy
the rehearsals.
= 4
Happy New Year, readers!
Happy New Year, instrument
talists. vocalists. composers,
conductors. and artists
agents! Happy New Year
everybody! Quod non scripsi,
non scripsi.
Evening star., 1960-01-03
Studio Christmas

With the rational assump-
ton that most art collectors
would rather make their cwn
choices, The Studio Gallery,
8l4 Prince street, Alexandria,
is keeping its Christmas sales
exhibition through Janu-
ary IS. The show has variety
and modest prices.
Hanging in the windows are
several small stained glass
medallions, decorative and
calculated to brighten any
home: these are by Frank
Frucci, who had a one-man
show at the Studio last
season, and Nancy Lloyd. The
latter. a versatile young ar
tist. also shows gay little
mobiles. the best one in cop
per and brass like autumn
leaves. and a simplified but
naturalistic hawk carved
from a burl.
Several polychromed terra
Gotta figures by William
Taylor: beautifully finished,
nsturalistic wood sculptures
by @. B. Chiltoskey, and ap-
pealing little cherrywood ami
mails carved by Cherokee In
dians: also miniature ceramic
figures. both naturalistic and
fantastic, by Julie Teaboldt,
offer variety.
For Nature Lovers
Nature as we'll as art low
ers should be enchanted with
the exquisite. detailed orig
inal pencil drawings by Carl
Burger for the book. winter
Sleeping Wild Life" by Will
Barker. Water colors by Ella
O'Donovan and small encaus-
tic paintings on panels by
Jennie Lea Knight are only
a few Of the pictures avail
able. including original prints.
Finally, there are many
useful as we'll as decorative
objects: tea sets, bowls and
kindred pottery by Vally
Possony and other ceramists:
and beautiful handwoven
runners. mats and hangings
by Ella Bolster. a frequent
prize winner in the textile
field at Corcoran area and
other shows.
(Open Monday through
Saturday, 2 to g.; Sunday. 2
IN }
Evening star., 1960-01-03
BY JAMES G. DEANE
Star Record Critic

Star Record Critic
The 1950s closed with a
record catalog listing some
10000 long-playing discs, a
sizable proportion of them
already in the new medium
Of stereo although the latter
had its advent only about a
year and a half ago. There
is much more to be expected
on a similar grandiose scale
in the year and the decade
ahead.
Yet one wonders a little
when examining portions of
this vast accumulation. There
are now 36 available editions
of Beethoven's fifth SYM
phony. Even allowing for the
accepted merits of this clas-
sic and for its political sig
niflcance in the second world
war. this is a striking total.
Do all of these sell? Are SO
issues really needed? Fifteen
of them. of course, are re-
cent stereo recordings, but
are IS even needed by avid
stereo collectors?
This becomes a matter Of
some concern when one finds
other standard works of the
warhorse class following close
on the heels of the Beethoven
symphony. and then looks
elsewhere in the catalog. In
the Bach section, for in
stance, there is a healthy list
of cantatas. But few of them
have more than duplicates
when in some instances better
recordings would be welcome;
the list still has many gaps;
and most of the entries are
relatively old. Only three are
listed in stereo.
Omissions Apparent
The list of Haydn quartets
also is still far from complete
even monaurally. Haydn SYM
phonies are somewhat better
taken care Of, but not
by any means fully so. What
of Lieder? The gaps in vocal
music by Schubert, Schu-
mann, Brahms and others ex-
ceed the listings. Much music
by Purcell, Handel, Mendels-
sohn and even Mozart is un-
obtaiiable despite recent or
current commemorative OBJ
servances. Recorded opera
has made massive strides but
major omissions exist and
others need modern record
ing and better performance.
Yet one can count in
stereo editions alone, besides
the Fifth, Is Tchaikovsky B
fiat minor concertos, l3 each
Of the 1912 Overture and
Swan Lake, in part or whole,
and the Pathetique: a dozen
Brahms firsts and Schehera-
zades and II Ravel boleros,
and more are added almost
monthly. '
Commonplace Stressed
Aside from the question:
able artistic value OF some Of
these performances, the situ-
alton threatens a glut of the
commonplace when worthy
and unusual items have been
squeezed from the catalog
and others have not yet en-
tered it at all. This is the
more dangerous when eco
nomics is threatening the
Evening star., 1960-01-03
Corcoron Lectures

Adelyn Breeskin, director
of the Baltimore Museum of
Art, will speak on THE Value
of drawings" next Wednesday
at II am. at the Corcoran
Gallery Of Art. This is the
third in the illustrated art
lecture series sponsored by
the Women's Committee and
the Women of the Council,
for the gallery's benefit.
Also at the Corcoran, next
Thursday, at $40 pm, there
will be a lecture by Sibyl
Moholy-N professor at
Pratt Institute. Her subject
is "The Crisis in Abstrac-
ton" Free to members, of
the Gallery Association, who
can obtain tickets for guests.
Evening star., 1960-01-03

and fresh air. Urban themes
include Midtown Manhat-
tan," a simplifled but true
likeness; Chinese New
Year." with its dragon dance
and teeming crowds, and
Charleston Market" bright
with flowers. Her Clown"
is a human being, not OBJ
scured by his mask Of paint.
She shows other figure sub
jects and several colorful
flower and still-life paint
ings.
Washington Artist
Mrs. Kane has been a
Washington artist for nearly
two decades. She used to
direct a gallery in George
town. later one at Farragut
Square. She studied art in
New York City and Europe,
and here at the Corcoran
School. She has had many
solo shows in the United
States and abroad; and is an
active participant in group
exhibitions, in which she has
won many awards.
She is affiliated with Wash
ington's two Oldest profess
sional artists organizations,
as well as the Arts Club and
the National League of Amer
ican Pen Women. She teaches
day and evening classes, pri-
vate groups in her own stu
dio, and also at the YWCA
and the Chevy Chase Com
munity Center,
Evening star., 1960-01-03
TURNTABLE TALK
Some Resolutions
For New Disc Year

continued dual maintenance
of monaural and stereo list
ings. Not only have some
monaural recordings been de-
leted without replacement
but the rising competitive
demands for costly stereo
productions. inevitably will
tempt sales managers to
further winnowing.
The first LIP rush in the
late 40S brought its flood of
Beethoven fifths and the
equivalent but with 1t the
beginnings of the present rich
catalog. so that the current
emphasis might be diagnosed
as a transition, and a hopeful
prediction made for the fu-
ture. Doubtless the long-run
view is indeed hopeful. But
the immediate one Is disturb
ing.
The preoccupation Of sales
managers with known Quanti-
ties is understandable but re-
grettable. The impulse that
produces gaudy and gim-
micked record packages, trite
repertoire, and extravagant
promotional ballyhoo is ex-
cuSable to the degree that 1t
subsidies worthier endeavors,
but If it deters uplifting of
the public taste it may be
self-defeating; If producers
are to have nothing better
to offer, then they might do
more public service by clos
ing shop.
The ordinary Justification
for multiplying Beethoven
f1fths and the like is that
there Is always q new custo-
mer who has to start at the
beginning. This sounds sus-
piciouSly like a statement at
tributed to P. T. Barnum. Its
basic fallacy, however, lies
in the fact that Beethoven's
fifth isn't the beginning.
Music was being created and
appreciated well before Bee
thoven, and a good deal more
has been created since. LIPS
have demonstrated that good
music Of any era can attract
an audience.
Anyhow, the sales man.
ager ought to be the last to
decide such matters. The
public's taste may not be
ahead Of his, but II not and
= he guides 1t, 1t will never be.
Dedication Required
The way to make a quality
record business exciting is to
let people who are excited
by 1t run it. This might even
include the public, whose
wishes ought to be interpret
ed by some other standard
than dollar signs. But the
public'S ideas some of the
time should be ignored along
with the sales managers.
The public often has no idea
what is good for it or what
1t will like and won't like.
How can 1t tell till it has a
chance to hear It? 1t won't
hear 1t IL its own clamor is
being awaited for something
it doesn't know about. The
only answer IN such cases Is
to ram something down its
throat so it can learn what it
has missed. That takes bold
ness. 1t also takes enthusiasm.
What the record compa-
nies need is to hire some
eager record collectors to
make decisions. The deci-
sion-makers should then be
guided by these resolutions:
l. To put quality before
quantity.
2. To cease belaboring the
obvious.
3. To be adventuresome.
Evening star., 1960-01-03
Mixed Medic

Another exuberant, color
full, young-hearted exhibition
by students Of Sister Mary
Corita, I. H. M, professor
OF art at Immaculate Heart
College, Los Angeles, opened
at the National Housing Gen.
ter. 1925 L street NV, a
week before Christmas, to re-
main only through next
Wednesday. 1t is regrettable
that so gay an exhibition
should have so brief a dis
play during the city's most
competitive fortnight. The
Star for December 10, page
Evening star., 1960-01-03
B-S. had a factual notice.

B-3. had q factual notice,
right after the opening.
The most elaborate and
colorful Of 6 mosaics is Noah
Building the Ark" Another
striking group is that Of
needlework and patchwork
pictures and banners, the best
Of these being "St. Francis"
Virgin and Child" and
"St. Peter" on one side Of a
vertical panel, with Growing
cocks on the other.
Open this afternoon, /
to 6: tomorrow through
Wednesday, 10 to 6,
Evening star., 1960-01-03
ART NEWS OF THE D. c. AREA
WotercoIorLoo Show
On View at Phillips
BY FLORENCE s. BERGMAN
Star Art Critic

Contemporary American Water Colors and Drawings"
from the Edward w. Root collection at the Phillips Gallery
1900 Twenty-hrst street NV, through Wednesday, is
exhibition Of substantial interest and appeal and surprising
variety considering its go works.. On loan from the
Institute Utica, N Y. it is
Evening star., 1960-01-03
NEW OPENINGS

PAINTINGS By MIMI-DuBOIs BoL.
TON, Franz Bader Gallery, I706 q
street NV. Wednesday through
January 81.
PAINTINGS By KENNETH HOLAND.
Jenerson Place Gallery, 1915 Con-
necticut avenue NV, Tueeday
through January %,
EXHIBITION BY CONTEMPORARY
EUROPEAN ARTISTS Obelisk Oai-
lery. 324l P street NV Tueedsy
through January "a.
CONTEMPORARY PRINTS FROM TIE
BOSTON PUBLIC LIBRARY. deorEs
Msshington University Library, 2O23
street NV. Wednesday through
January 81.
MODERN ORIGINAL PRINTS FROM
IHE GALLERY. !. P A Callery,
1928 Connecticut avenue NV. Cur.
rent through January Io,
PRINTS BY FREDERICK O'HARA
Fantasy Gallery, 1885 Connecticut
avenue NV. Tomorrow through
January 80.
SCULPTURE By CHARLES TODD.
PAINTINGS By SALLY OSBURN.
COLLECTORS Corner, 1928 Wiseonsin
avenue NV. Wednesday through
January IL.
LIIH0GRAPHS BY JULIUS BIFN
mai Birth Building, 1910 Rhode
islano avenue NV. Today through
Evening star., 1960-01-03
FRIDAY

NATIONAL SYMPHONY ORCHESTRA
Lloyd Geislcr, conductor Spingarn
High School, 1918 and nm
School lor Scandal, Barber: Little
rtgue IN @ minor. Bach Second
Beethoven: Farandole from L'Arle-
s!enne, Bizet: In the SteppeS of
Central Asia. Borodin; Marche Slav,
TchaikovSky.
TOBY SAKS. cello: STEPHEN Names
piano. Cosmos Club Auditorium,
ll:3O m. Sonata in e Fran
occur: Fantastic Pieces. Opus ~,
Schumann; Sonata, Debussy: Varia-
tlonS on Rococco Theme. Tchai-
Evening star., 1960-01-03
SATURDAY

AMERICAN OPERA SOCIETY presents
The ,TroianS tfirst part: THE TAX
ms Of Trov"n. Berlioz Cast: Mar
ttal SinEher, Richard easily, Ken
meth Smith, Chester Watson, Eleanor
Steber. Frances wyatt, william Lew
Is, ReEina Sarfaty. Conductor. Sir
Thomas Beecham. Constitution Hall,
$50 pm.
Evening star., 1960-01-03
PROGRAMS
TODAY

LUDWIG oLSHANsKY. piano Cor.
eoran Gallery OF Art. , pm. Sonata
IN z, Longo 81, Scarlatti: Sonata ir
T. X. 49,, Mozart; Sonata In p shArr
minor. Opus .. Brahms: sonata in
NATIoN0gp2u Hat. 0puS post SCHUBERT; ;,,,,,,,..,
Richard Bales. conductor. soioist
marx Ellsworth. violin. National
SiierE iS Z o. Art Joa P2;m 2aI. sersnade ir No
Meiisande Opus As. sibelius The
GORDON WILSON, orsan WSshing.
ton Cathedral. pm Grand Jeu
du Mage; Three movements from
Clayierubung:" Bach; Deux dansei
Aenl Taynhta' Alain. Homage q
rs5Totin' ss5o Roberts; Passacaglia. Sow
JOHN soLuM. nute: Ma.hIIs. MsK,D.
nney. piano. Phillips Gallery. pm
sonata IN minor. sammartini
SSonsta oIs5O). Piston; Sonata in Z
Bach: Sonata 1936l, Hindemith,
TOMORROW
PAUL WOLFE. harpsichord. Phillip,
Gallery $40 pm Tiento, PaSs.
GALES. Cebanilles: Suite in q minor
Handel; Les Tastes, Couperin: FouI
Canzons, Frescobaldi; Italian Con-
TUESDAY
NATIONAL SYMPHONY ORCHESTRA A
Howard Mitchell. Conductor CON.
sttution. Hall. $40 pm soloist
Claudio Arrau, piano. suite 10,
strlnss. horns, flutes. and EnRliSf
norm. Purcell Barbirolli; SymphonJ
NO. 4. Vaughan Williams: Concerto
IN D minor. Opus IS. Brahms.
WEDNESDAY
NATIONAL SYMPHONY ORCHESTRA
howard Mitchell, conductor, Consti.
tuition Hall $40 pm. Proeram
same as Tuesdays concert.
THURSDAY
NATIONAL SYMPHONY ORCHESTRA
howard Mitchell. conductor, fisne,
Auditorium, . pm. Program SAM
as tuesdays and Wednesdays con.
RICHARD GREsKo, piano Depar,.
ment Of Labor Auditorium, S:3C
pm. Toccata, Opus 2, Clermont
Pepin; Fantasy in minor, Chopin
Sonata in c. Opus So. Beethoven
Ioccata. Opus /, ProkofieV: Sonata,
In minor and @ major, Loneo -
and "a. Scarlatti: Oiseaux tristes
RaVel: Etudes In z fiat and A minor
PaRanini-Liszt
Evening star., 1960-01-03

PAUL WOLFE. harpsiehord. Phillips
Gailery. $50 pm. Tiento. PaSa-
GALES. Cebanilles: Suite in q minor,
Handel; Les Tastes. Couperin; -Four
Canzone, Frescobaldi; Italian Com
certo. Bach
Evening star., 1960-01-03
TUESDAY
THURSDAY

NATIONAL SYMPHONY ORCHESTRA.
howard Mitchell, conductor. Consti.
tuition Hall. $40 pm Program
same as Tuesdays concert.
Evening star., 1960-01-03

= There are few operas an
initial hearing of which l