davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
MUSIC PROGRAMS
TODAY

SYMPHONY oRCHEs-
IRA, Chester ]. Petranek, conductor.
Northwood High School, Silver
Spring. Nd, pm. Soloist: F. David
Long, baritone. Symphony in C,
@eSe2 In S S.sen h. to a.oD
Mozart; Non pin andrai, Mozart;
Old Mother Hubbard, Hely-Hutch-
ST. LUKE's EPISCOPAL CHURCH
CHOIR, Willis A. Hines, director.
s g. Likes Episcopal Church: 8 pm.
Roberta Long, soprano; MarEaret
Jones, meZzo-soprano; Startling
Hatchett, tenor: Robert Norris, BARI
tone; James r. Jones, organ. Halle
lujah, Beethoven; Dearest Lord
mems Voices. Bach; Glory Now to
Thee Is Given, Bach: Hear Ye Is
Tael. Mendelssohni The Beatitudes,
Van Hulse; Q Praise the Lord.
Rodgers; Psalm 122, Sowerby: TIE
Deum. Copes; Jubilate, Goldsworthy;
leigh; Sometimes / Feel Like a
Motherless Child, arr. Ringwald;
Battle Hymn of the Republic. arr.
WALKER CHAPEL CHOIR. D. Royce
Boyer. director. Walker Chapel, Ar:
wilkes, Ann Gordon and Clare
Murphy. sopranos; Jean MoberE,
mezzo-soprano; Kenneth Willard,
tenor; Mary Ruth Dankert, organ;
Virginia Mannix Petit, piano. Hymn
of Praise, Mendelssohn.
MEMORIAL METH
ODIST CHURCH CHOIR, James l..
MeLain, organist and choir director
Metropolitan Memorial Methodist
Church, 8 pm. Soloists: Jean Maxur
and Isolde Sehm, sopranos; Jayne
Barrett and Ruth Pitts, altos; Mar
ion Written and Stuart Vaile,
tenors; David Beckwitt and Robert
Guy, BASES. TIE Deum Laudamus,
Purcell: Sacred Concert, Praetorius;
Benedictus from Mass in G, Schu-
bert: Four Heavenly Songs, Milford.
JACQUES KLEIN, piano. National Gal
lery Of Art, s Pm: Rondo in c, Opus
Opus 81, No. 2, Beethoven: Sonata
Ballade No. 4 in F minor, Opus So,
ehSD1h; Sonata No. T. Opus 3d.
FIRST BAPTIST CHURCH CHOIR,
Stanley De Fries. conductor. Six
teenth and o. 1880 pm. Elm Feste
wAsH ASH STe cANTATA GROUP,
Richard Weilenmann, director. Bar
ker Hall, YWCA, pm. Brahms
program: Mamie, Opus So; Alto
Rhapsodie, Opus SO; Liebeslieder
Waller, Opus 81.
VOCAL ARTS ENSEMBLE, Richard
Levitt, director. Crypt Chapel. Shrine
Of Immaculate Conception, $50
pm. Gregorian Chant and Missa
Sine Nomine, Palestrina.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
NEW OPENINGS

NTAGLIO PRINTS. PAST AND
RESENT. Watkins Gallery. Amer
ican University campus. Massa-
chusetts and Nebraska avenues.
NV. This afternoon through De-
cember 10.
PAINTINGS BY CHARLES FOR
SYTHE. The CeFcoran Gallery Of
A Art ssyents s W street ,t and Hn. New
through December 10.
PAINTINGS BY JAN SCHREUDER.
The Pan American Union Seven
teenth street and Constitution
avenue NV. Current throug
WORK BY ARMIN STERN 1885,
1910. Jewish Community Center.
1929 sixteenth street NV: This
CHRISTMAS GROUP SHOW. The
enue NV. Tomorrow through
December.
PAINTINGS BY EMMA FAFALIOS.
Gallery Coffee House, 32i3 o
'S n1str,,s NV; Current through
PAINTINGS OF WASHINGTON BY
LILY G. SPAND0RF. Cleveland
Park Branch. D. C. Public Ii:
Macomb street NV. Just opened.
January IA. 1861.
PAINTINGS AND DRAWINGS BY
VAUGHN L. JACKSON, A. John
Oakley and Strickland. Rockville
Civic Center Art Gallery Rock
vile. Md Current through No.
NINE ONE-MAN SHOWS. Henri CAL
lery. 1l3 South Royal street,
Alexandria. Va. Extended Through
SCIENTISTS SHOW OF MONT
GOMERY COUNTY ART ASS0.
CITATION. William-Bela 1918 Old
GEORGETOWN road. Bethesda. Cur.
rent through December goth.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Leef at Colony

Dorothy Leef's ninth solo
exhibition in the Metropoli-
tan Area is at the Colony,
1887 DeSales street NV,
through November 80. Eight
cen watercolors, most of them
shown for the first time, re-
veal broader handling, and
have strong carrying quality,
yet remain naturaliStic.
Stone House" on, a coun-
try road and "Skyward,"
looking through russell foil
age. are among seven paint
ings which have fetched
awards this year. Several
Rock Greek Park landscapes
are outstanding. Studies of
tropical fish are effectively
executed in a wet paper
technique. A third subject
category is still life.
Mrs. Leef is q Washington
artist by birth, art educa-
ton. and residence, in the
area. She recently moved
from Montgomery County to
Annandale, Va. She is an
active member Of five artists
organizations.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Double Anniversary

The 18th anniversary of
the Barnett Alden Gallery's
founding, and the 30th ami
versary of Alonzo Aden's-
activity in the Washington
art field, were celebrated on
october Is, when a retro
spective exhibition of 80
paintings and sculptures was
opened in the gallery, which
also is the home of Mr.. Alden.
..127 Randolph place NV. At
that time, The Evening Star
published an interview with
the owner-director.
The exhibition ranges from
naturalism to abstract ex-
pressionisrn. Only q few of
the many fine exhibits can
be mentioned; they will give
an idea of the shows scope.
Two-thirds of it comprise
loans from eight New York
City galleries and at Catholic
University.
Beautifully painted repre-
Sensational works include
Nicolai Cikovsky's "In the
Studio" Guy Du Bots golden
Street." the brooding "Old
Clown" by Hughie Lee-Smith.
Karl Priebe'S light-hearted
NEGRO Girl with Giraffe"
(illustrated). Moses Soyer's
thin serious young couple
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20

This. to the Impressionists,
was what they wanted I'm
pressionism to do.
Some day we may become
precise enough in our use of
words to mean by this term
only what it meant to the
men who first adopted it.
1t should be used no other
way.
This would be a step
towards clarity in the arts.
1t might help kill the con-
fusions that prevent so many
of us from enjoying great
painting. 1t might lead us
to approach a painting or a
piece of sculpture as imply as
we listen to music.
No one stays away from
music because of having
neglected to master the laws
of symphonic composition.
We approach music in a
genuine simplicity, our ears
alert to pleasure.
We should encounter the
great or the good painting in
the same mood of simple
alertneSs. 1t can teach us
much. 1t can elevate us
often. Always, it should
quicken us.
Usually it deserves better
than to. be catalogued.
Certainly it should never be
'ismed" and stuck to a label
with a pin.
The butterfly is most beau
tiful in freedom, for it is
living then.
Art also only enlivens the
viewer when it has it's life
within it still. The ism"
kills it.
copyright 1860. General Features
Corp.)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Shows in Brief

Mary Hovnanian, a past
president of the Society Of
Washington Artists, is show
ing IL paintings at the Beef
Treat Restaurant, 18th and E
streets NV. until the end of
November. Her landscapes,
urban scenes and still life
have fresh, harmonious colors
and picturesque treatment;
but she continues to give
figures a primitive appear
ance. Best in the show is "A
Touch of Warmth" which has
the charm of an old European
city on the water.
This afternoon, 2 to S, is
the last to see watercolors and
drawings by Henry Miller, at
Associated Artists Gallery,
2156 Florida avenue NV.
which illustrated his latest
book ITO Paint Is to Love
Again" They resemble the
paintings of a precocious
child. His own comments in
this book are an accurate
critique of his show. He says:
ITO be honest, I never have
learned to draw. The very
modest, almost inexistent tall
ent I have serves my purpose.
When I need. to draw better,
I will, no doubt about it."
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Rank Privileges
Free AdmiruIs

HOLLYWOOD (AP).-
Jack Lennon reports the
Navy hasn't changed since
the days when he was a
World War II ensign.
He recently was in Honolulu
filming THE Wackiest Ship
in the Army"
1--WE hired a group of high
ranking naval officers - adj
mirals among them-to play
themselves in one scene,"
says Lennon. They had
watched me and Ricky Nelson
in one scene and then OBJ
served when our stand-ins
came in under the hot lights
to set up the next one.
Director Dick Murphy
asked the brass to take their
places with the Stand-ins, so
the lights could be adjusted.
One admiral asked if the
order could be delayed so
seconds. It was.
soon a bunch of ensigns
and chief petty officers
trooped in. They announced
they were the admirals'
stand-ins. The grinning ad-
mirals then pardoned them
selves and went out on the
deck for q smoke"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Italian Frescoes

Pietro Gentili Of Rome,
Italy, is showing IL frescoes
of the life Of st. Francis,
in George Washington Uni
versity Library. 1923 G street
NV, through Wednesday.
They are done in an original
technique, employing sand,
which gives them a rough.
gravelly texture. The at
tenuated figures in somber
colors and gold were inspired,
it is said. by 18th century
panels. They have a naive.
archaic look. with staring
eyes in simplified tapering
faces, and other conventions,
such as a straight line for
the nose, that turns to mo-
notony in so large a number.
Ten other paintings include
landscape and hill towns. also
done in the sand medium.
In conjunction with this
show is one of Is recent
paintings by Anna Matyas
Lahmer Of Budapest. Despite
the advantage of picturesque
subjects in Italy, France and
Mexico, these paintings vary
extensively in quality, some
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
sTURNTABLE TALK
Richter's Dates Here
Anticipated by Victor

also will record with the Phil
adelphia Orchestra during his
American tour.
4 y +
MORE ABOUT LEINSDORF
Maestro Leinsdorf has been
a very busy man. The former
conductor of the Cleveland
and Rochester orchestras,
and present Metropolitan
Opera stalwart, has two re-
corded operas, both on the
Victor label.
One is a four-disc Don
Giovanni, the other Richard
Strauss Ariadne auf NaxoS
on three records. Both were
recorded in Vienna, LENS
DORIS home town, which still
must be an inspiration to
him. Both come equipped
with articulate notes and
libretti.
Taking Mozart's master
piece first, one must quickly
assess it as an overall success.
Leinsdorf isn't about to botch
something so close to his in
nermost heart.
HH
In Cesare Siepe he has a
tried and true Don, although
true" probably isn't the
word for this Unsuitable
voluptuary. Bright Nilsson is
the Donna Anna. The Met
star from Sweden sings with
strength and conviction, per-
haps a bit too Justify for
Mozart.
Leontyne Price as the more
gullible Donna Elvira, has
practically every quality de-
manded of the role, marred
only at times by an annoy
ingly broad vibrato. One of
the superior performances is
that of CeSare Ealletti as Don
Ottavio. Others in. the cast
include Fernando Corena as
Leporello and Eugenia Ratti
as Zerlina.
Leinsdorf makes it all come
off beautifully, and when the
Commentators brings his
stony self to dinner for the
denouement, it's enough to
chill a mortal's soul. The
uncut version includes the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
TURNTABLE TALK
BY HERMAN SCHADEN
Star Record Critic

Star Record Critic
Today's sermon is entitled
''What Hath Richter Victor
Wrought" or "Is Leinsdorf
Trying to Cop AL the Mar
bles?"
Linking the celebrated Rus
sian pianist and the accom-
plished Viennese conductor is
logical enough after one has
heard the new Brahms Second
Concerto, which the former
plays and the latter leads for
Victor.
Before going on, a reminder
to one and all: Sviatoslav
Richter plays in Constitution
Hall December 3 (sold out)
and again December 20 (hope
you win or place in the ticket
derby.
Now about the Brahms.
Well, a couple of columns
wouldn't be too much to spend
on it, but let's do it briefly:
This listener never has heard
the music done so glowingly
either on records or in the
concert hall.
Richter belongs to the poets
and they should have the task
of describing him. When they
do, they should remember
the magnificent orchestral
support of the Chicago Sym
phony, Erich Leinsdorf.s per-
ceptive conducting and a great
job by Victor engineers. To-
gether they have created a
classic.
What else has Richter re-
corded? For. those who'll be
shopping him big, here is the
rundown:
Bach Concerto No. / (Col-
osseum 250); Bach Concerto
No. l and Prokofiev Concerto
No. l (Artia 1879; Bach Con-
certo No. l monitor 2002);
Beethoven Fantasy (Colos-
scum 1850: Franck Quintet
monitor 2036); Franck Prel-
ude, Schumann Humoreske
monitor 2022); List, Schu-
bert piano music columbia
ML-5396); Prokofiev cello So
nata Monitor 202D; Pro-
kofiev Concerto No. / period
599): Prokofiev Senate 8 and
Tchaikovsky Sonata monitor
2034; Rachmaninof1 Con-
certo No. / Bruno 14025);
Rachmaninoff Concerto, No.
l, Saint-Saens Concerto No.
S monitor 2004); Rachmani-
noff Concerto No. 2, 6 prel-
udes (Decca 1906, 712036);
Rimsky-Korsakov Colosseum
1881: Schubert Sonata Opus
~, impromptus Monitor
2Q2D; Schubert Sonata No.
So Monitor 2043); Schumann
Concerto, Fantasiestucke
(Monitor 2026); Schumann
Fantasiestucke, March, Wal
descenen Decca 992D;
Tchaikovsky No. / (Parlia-
ment 1901.
Victor also has just an
nounced Richter's econd
American made recording,
the Beethoven Concerto No. !
with the Boston Symphony,
to be released soon. And the
competition heats up as CO.
lumbia flashes word Richter
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20

abstract MAINE Enchanted"
Is another outstanding work,
as is also Robert Bradshaw's
watercolor Rigging" Vim
cent Hartgen, who lives in
Maine, has sent an abstrac-
ton effectively conveying its
subject Autumn Leaves.
Carmen Sherlock is repre-
sented by several Of her fresh
Gloucester Harbor scenes.
Also at Collectors Gallery,
only through Friday, is a COL
lection Of approximately 100
Autographs, etchings, dry
points and woodcuts. by Ger
man Expressionists. Most if
not all of the important
artists are represented: Bar
ZACH. Beckmann, Campen-
donck, Corinth, Dix, Grosz,
Hofer, Kandinsky, Klee,
Kokoschka. Kolwitz, Pech-
stein. Schmidt Rottluff and
others. (Open daily, 10 to
S; Sunday, 3 to So
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
BY RICHARD HIRSCH

OACSbOE, AIASAtO"h nv MoSSu"
Too many people write
about art.
Naturally. as in the case Of
the present writer, they all
think that they are being
helpful.
Some of them, it would
seem, even feel that what
they say about the arts is
more important than the
artists work which provides
them with their raw mate
rails for verbal theorizing.
The harsh fact is that
some art criticism. wordy
and often confusing, keeps
a lot of us from just enjoy
ing the work Of art as a
simple experience, a forth
right presence.
Much more often than the
artist, it is the writer who
is responsible for the arti-
fetal cubby-holing Of art
into vague and frequently
meaningless categories. It is
the writer, who (sometimes)
creates the "isms."
Artist Is Tagged
Once the label is created,
an artist may be willing to
walk around carrying a tag
pinned on him. as if he were
a self-conscious butterfly
resurrected from some COL
lector's showcase. Rarely has
the artist himself created
the label under which he
works. "A good case in point
are the "Impressionists."
The term is one of the
most loosely applied labels
in all Of art. 1t is one of
those tags which started out
meaning something very
specific. fell into common
usage and then wound UP
meaning so many different
things to so many different
people that, finally, it means
little or nothing to most
everybody.
ImpreSsiOnism
"Impressionism" was a
word coined by q French
critic when he was hopping
mad. More tolerance or a
mellowing glass of wine
would have saved us all the
confusion that has resulted
from the term he invented.
Monet, Manet, Renoir, 9TH
ers, ostracized from the &C
copied galleries and salons.
had banded together. They
started their own salon. A
critic visited their showing.
He was to- start a contagiol
of classificntions by coming
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
THE SHAPE OF THINGS
Tag Of ISM Can Kill
Appreciation of Art

what was to become the
most noisy ism" Of them all.
On a wall he saw a land
scape by Monet in the atmos-
pheric style which we have
come to know so well. 1t
was entitled Impression"
Pacing through the show.
the Partisan critic flew into
a rage. The next day the
deed was done. He vented
his bile against the innova-
tors. He used insult, invec-
tive. When all else failed
he used sarcasm. He Jumped
them all together. He called
them-in a triumph of ridi-
cule-" ImpreSSionists."
He thought his battle was
won. He felt better.
He had lost.
Adopted Title
The group, headed by
Monet, noisy with the voice
Of PisSaro, watched over by
the quiet Degas. adopted the
epithet as their title to future
fame.
They chose to become, en-
Enthusiastically, the impress
SioniStS.
Ironically. the "Cubists" had
precisely the same start as
members of an ism" The
critic branded them with
what he thought was ridicule
and they took his word, coined
in sarcasm, and made a flag
of it.
After all this, naturally, the
art writer's and the critics,
followed in gleeful or pomp-
Gus acquiescence. They wrote
miles of pretty dense prose on
the new school,"
They had an ism" to work
with. When they didn't, they
invented one.
Assigned Goals
"Isms," as all the educated
world knows, give dignity to
any endeavor. This is based
on the hollow assumptions
that if something can be
classified 1t is, first Of all, real.
a fact, and. secondly, i'm
portant in some obscure scale
Of intellectual values.
These weak assumptions
are weakened further when
the "ism" is merely the prod
uct of some voracious writer's
need to give substance to his
imaginings regarding some
other mans work.
Our art magazines DEM
onstrate this in dealing with
the present pointlesSness of
the art endeavor. The would
be artist founders without a
goal. The art WRITER steps
in and gleefully assigns him
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20

oft-deleted epilogue. repeti-
tiously insisting virtue tri-
umphs In the end, but in
music that's pretty to hear.
ON TO STRAUSS
This production Of Ariadne
auf Naxos will rank among
the better opera albums Of
the year. Again, LelnsoorfS
touch is everywhere notice
able. AS in Giovanni he has
the Vienna Philharmonic as
a good basis, and some sing
ers with voices.
The three sopranos, Sena
Jurinac as the composer,
Leonie Rysanek as Ariadne
and Roberta Peters as Ter
binetta, all are top fight.
Rysanek's full-throated tones
are ideal for the depressed
Ariadne. OF course, Miss
Peters has the big job Of out
lasting Strauss demanding
coloratura arias, and she gets
at least a tie.
To these ears, Jan Peerce
is no sensation as BacchuS,
no matter what Ariadne
thinks after the curtain drops
on them. The three nymphs
sound lovely, and the en-.
semble singing in general is
exhilarating. One other star
should be remembered: Rich
ard Strauss. who put together
some of the most delectable
music ever heard.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
It's Them Boots
Makes En- Mean

HOLLY WOOD (AP).-
Roger Moore. veteran of many
movies in his native Britain
and Hollywood, is now a west
ern star on TVS Maverick.
"At last" the Britisher says,
II have found out why so
many of your western gun
singers were so mean. Have
You ever worn cowboy boots?
"As soon as I put them on
every morning. I feel mean.
They pinch, they hurt-and
when your feet feel mean the
rest Of you feels mean.
IF loafers had been in
vented 100 years ago there
never would have been a wild
west"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Art Lectures

Edward Caps. jr.. pro-
lessor of fine arts, Oberlin
College. Ohio. will be guest
speaker at the National Gal
lery Of Art this afternoon at
four. His lecture is another
in the Christian Church
art series: The Carolingian
period.
Carver Miller will give a
demonstration of watercolor
painting before the Rockville
Art League, Monday, Novem-
Der %. at $50, in the con-
servatory Of the Rockville
Civic Center, Brookville and
Edmonston roads. The pub
lie is invited.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20

one. This imaginary goal the
critic then defines in the style
of today (unless he is as
rational as a John Canaday
or a Hilton Kramer). in an
Alternative language of mu-
tually destructive adjectives
Naturally, our present-day
artist will limp along on the
shaky stills forced on him by
the wordy critic-hoping to
thus rise above the crowd.
Knew Their Aims
The Impressionists were not
in this plight. They knew
what they were after and
why. They knew it not be-
cause Of, but in spite of the
critic.
When they adopted the testy
critics label of Impression
ism," it meant to them some
thing very concrete and very
precise. 1t meant to them
the sole and exclusive pursuit
of the study of light, its por-
trayal in paint, its gloriflca-
ton as their supreme sub
ject.
What they painted was the
light, the light playing on a
Gothic cathedral, a Venetian
palace, a lily pond, a Paris
boulevard, or three pears in a
bowl. The subject or the
object served merely to de-
fine the nature of the light
hitting it. Form might al.
most dissolve in the splendor
Of a vertical MONDAY sun.
Colors might merge in a
spectrum of brilliance. Shad-
ow might become a trans
parency of reflected light.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
Theme Show

New England is the subject
Of paintings and drawings at
Collectors Corner Gallery,
1925 Wisconsin avenue NV,
through next Sunday. Sam
son Schames, who fed Nazi
Germany and has long been
a citizen of the United States,
is the shows star. He COM
bines ink, crayon. watercolor
and casein to produce rich
surfaced paintings Of har-
bors. landscapes. quarries and
still life. Rocky Neck Har-
Dor, Evening" and winter
Woods" are two of his best.
Carver Miller's large, near
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20

David andJane," and Charles
Whites large vital woodcut
Folk Singer" In modern
idioms are Benjamin Kop-
mans expressionistic "Old
Barn." I. Rice Pereira's hand
some Golden Haze" and
Robert Gwathmey's Cotton
Picker"
OF 10 sculptures shown,
seven belong to the Barnett
Alden Gallery, as do two of
the paintings. They begin
chronologically with Bessie
Potter Vonnoh's lovely little
bronze kiss" (mother and
infant). 1880. The latest
sculpture Is william Calfee's
admirable small bronze COX"
work Of this year.
This exhibition will remain
through November 80. (Open
weekdays, noon to z; Sunday.
2 to S.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
ART NEWS OF THE D. C. AREA
Many Big Shows Here
Top Busy Art Season
BY FLORENCE s. BERGMAN
star Art Critic

The Phillips Gallery quietly opened its adjoining new
wing at 1912 Twenyrst Street NV recently the midst
Of considerable fanfare at the Corcoran and National
Galleries of Art The Phillips Galerys flourish will come
later, when exhibitions inaugurated.
There symbolism in the conjunction of the traditional
Evening star. [volume] (Washington, D.C.) 1854-1972, 1960-11-20
TUESDAY

CHAPEL CHOIR, Fague Springman, d.
rector. University of MARYLAND
Chapel pm. Program not avail
able.
EVELYN SWARTHOUT, piano and
harpsichord; Earnest Harrison, oboe;
George steiner. violin. Clendenen
Hall. American University. $3.50 D m.
Trio Sonata in c minor. Quantz: The
Wedding Of the Hen and Cuckoo,
Uccellini: Trio Sonata in C, Pepusch;
Trio Sonata in B fiat. Handel: Two
Poems, Charles NJ. Loeffler: Three
Inventions, John Stephens: A Fugal
Concerto, Hoist.
WASHINGTON CIVIC ORCHESTRA.
Frederick Fall. director. Roosevelt
High School Auditorium, $50 pm.
Toccata, Frescobaldi-K Kinder: Con-
certo for Viola and orchestrs in y
fat, Hof1meister; symphony No. 2
in d. Brahms.
ANTONIO JANIGRo. cello. corcoran
Gallery OF Art. $40 pm. Program
not available