davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
MUSIC PROGRAMS

TODAY
UNITED STATES MARINE BAND.
Watergate,. $3.50 pm. American Sa-
lutte, Gould; An American Overture,
Jenkins; Capriccio Volante James
TAYLOR cornetiso, Taylor: SYM
Bess, Gershwin; Liberty Bell March.
Sousa: La Festival Mexicana, Reed;
Southern Rhapsody, Hosmer: Armed
Forces Medley. Santlemann.
CHAMBER CHORUS: Richard Levitt.
tenor; Gene Lewis, tenor; Mallory
Washins saaU' cathedral, ] PM. Sur Sur.
rexit pastor bonus, Palestrina; o
vos amnes, Vitteria; Lamentations
Of jeremiah, Tails.
ALBERT RUSSELL, organ, Washington
Gongisis; Prelude and sicilienne'
Z. Franck; F minor Fantasy, K sos,
Mozart.
TOMORROW
NEW YORK OPERA CO. Carter Bar
Traviata'" Verdi. with Dolores VIII
Robert Merrill, Calvin Marsh, AdTien
La Chance, Sara Hageman, Carlo
TOmanelli, Anthony Palmeri.
TUESDAY
DOM GREGORY MURPHY, os.B,
lecturer. Shrine of the Most Blessed
Sacrament. $50 pm. Lecture on
Sacred Music.
JAYNE BARRETT. mezzo-soprano;
David Bradshaw, piano. Catholic
University Music Auditorium. 8 pm.
se ss' s snd Reu a Bach f Pesm ss dTn
Ravel; Air vif, Poulenc; Haugtussa
Cycle, Grieg; At st. Patrick's Pur-
Cat, Barber: David Weeps for Alb
SALON.. Diamond.
NEW YORK OPERA co. Carter Barron
But Pfgef Paccini w With GiOria f IynS,
Joyce Jones, Rudolf Petrak, Sara
HaEeman, Calvin Marsh, Adrien La
Chance, Anthony Palmeri, Joseph
Salvador, Carlo TOmanelH.
WEDNESDAY
NEW YORK OPERA CO. Carter Bar
ron Amphitheater, $40 pm Car
R Rsn B B1sa S %th s h1eHn R RSnn
Merrill. Joseph Salvador, Anthony
Palmeri, josephine Guido, Joyce
Jones. Calvin Marsh, Adrien La
Chance.
THURSDAY
NEW YORK OPERA CO. Carter Bar
ron Amphitheater, $40 pm. Rigo-
letto. Verdi. With Cesare Bardelh.
Dolores Wilson, Jacques Barkin,
Carlo TOmanelll, Sara HaEeman,
Calvin Marsh, Adrien La Chance,
Norman Scott, Joyce Jones, Anthony
Palmeri, Katharine Bryce.
UNITED STATES NAVY BAND. Comdr.
Charles Brendler, conductor. Water
gate, $40 pm. Soloist, Charles
Treger, violin. Donna Diana over
ture, Reznicek, Second Polonaise,
List: Concertino, Weber: Les Syl-
phides, Chopin; Concerto in D
minor, Wieniawski: Espana Rhap-
sody, Chabrier.
FRIDAY
NEW YORK OPERA CO. Carter Bar
ron Amphitheater, $50 pm. Aida,
Verdi With Rina Tell, Joseph Sal
vadOr, MignOn Dunn, Kurt Baum,
Cesare Bardelli, Norman Scott,
Adrien La Chance, Joyce Jones.
AIR FORCE SYMPHONY ORCHESTRA,
Col. George S. Howard, conductor.
Watergate, $50 pm. Force of Des-
tiny Overture. Verdi; Prelude in E
Unidentified, Bach; Nemico della
Patria. Giordano; PilgrimS Song.
Tchaikovsky: Even the Bravest
Hearts, Guonoud; Louis Sudler. bari
tone): Perpetual Notion Refs: HorG
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
BY JAMES G. DEANE
Star Record Critic


Admirers Of the Hispanic
idiom who have not already
made the acquaintance Of
Joaquin Rodrigo's guitar
Concerto de Aranjuez"
have a new opportunity to
do so.
Rodrigo, a remarkable
blind former pupil Of Dukas
and spiritual disciple Of
Manuel de Falla, is a con-
temporary, one Of the Iberian
and more centrally European
group who are just begin
ming to claim general notice
in America chiefly through
records. Rodrigo"s special
claim is closely related to
the guitar, part Of whose re-
cent climb in status is credi-
table to his espousal.
Charming Affair
The concerto. whose title
refers to the country seat
of Renaissance Spanish kings.
an untroubled, leisurely and
strictly aristocratic environ
ment, is a charming affair
in the least insistent Iberian
sense. In the composers
words, it is meant to sug-
gest "the hidden breeze that
stirs the treetops" and to
be "only as strong as a but
terf1y." One could hardly
quarrel with such intentions.
An accomplished feminine
performer, Renata TERRACE,
and a Madrid orchestra con-
Quoted by Odon Alfonso are
heard in an excellently en-
gineered edition Of the in
gratiating Rodrigo score on
a Columbia disc. On the back
Miss Terrago is heard in an
idiomatic suite of solo pieces
by another contemporary,
Federico Moreno Torroba, a
prominent conductor and
zarzuela composer. The two
works make an attractive
coupling. (ML 5345D
A solo piece by Rodrigo
called "Zarabande lejana"
which also harkS back to an
earlier era is among works by
half a dozen composers, all
SpaniardS, on another new
guitar disc. GranadoS. Al
beniz, Francisco TarTega I'd.
1909, Miguel Llobet I'd.
1889, Falla (the Homemade
a Debussy'D and Grau are
the compatriots, their able
interpreter being another
Iberian, Rey de la Tore. who
has made earlier effective re-
corded ventures. epic LC
35640
Jacket Discrepancy
The notes with these two
issues are curious in one par
ticular. The Columbia jacket
describes Rodrigo as an &C
compliShed guitarist. Epic's
states that he does not play
the instrument. Columbia and
Epic belong ostensibly to the
same company, but their re-
spective Hispanic divisions
are apparently incommuni-
cado.
While noting Columbia's
bolstered Hispanic leaning it
is appropriate to mention q
new Madrid performance Of
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05

A NEW DUKE-The star
of the New York Operas
production of Verdi'S Rig
oletto% at the Carter Bar
ron Thursday is billed as
Jacques Barkin." His
picture shows him to be
our old friend of the AdaS
Israel Congregation, Can
tor Jake Barkin.
Staccate. Dinicu; Capriccio Espagnol
RimskyKersakov: An Air Force Por.
trait, Werle.
SATURDAY
VIEW YORK OPERA CO. Carter Bar.
ron Amphitheater, $40 pm. La
Boheme, Puccini. With Frank VaIen.
tino, Jan Peerce, Norman Seett
Calvin Marsh, Salvatore Bace1Ionl
Maria di Gerlande, josephine CNbidO
Adrien La Chance. ~
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
As We See 1t

Photography as practiced
by millions Of amateurs Is
undoubtedly an absorbing
hobby. At the same time. 1t
is a ubiquitous bore for other
millions who have to look at
the results Of camera ad-
diets industry; they seem to
carry thousands of snap
shots in their pockets and
handbags, and produce them
without the slightest provo
cation.
Both amateurs and victims
ought to renew their &C
quaintance with photography
as it should be. in the hands
Of experts, with imagination
and fresh vision. Such is the
Photographic exhibition of
nearly 100 prints by three
Washington area photogra-
pliers, FRED Maroon, Yoichi
Okamoto and Robert Phil
lips, which has reopened the
Jefferson Place Gallery, 1916
Connecticut avenue NV,
through Saturday, all too
short a display.
Wide Variety
Each photographer shows
approximately 80 prints, with
lively subject variety: Per-
sonalities, characters, news
events, architecture, places
and landmarks all the way
from Washington to the AZ
rican jungle. But these sub
jects are presented with
knowledge, emotions, mem
cries, moods, humor, irony,
and they awaken the same
In the fascinated observer.
One is not surprised to learn
from the biographies on the
back Of the catalogue that
these artists photographs
have been published in out
standing magazines, that
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
NEWS OF MUSIC
] Morovion Festival:
AGreot HERITAGE

ing and playing music was
an act of worship.
Each Early American Mo-
ravian Music Festival has
thus been a festival of dis
coverieS, some of them of
major Importance, some of
them not. 1t is no place
for the person who feels
that musical heaven consists
Of yet another performance
of the Tchaikovsky 9Th under
the stars.
This years festival was no
exception. Five free concerts
embracing SO works we're
presented. OF them, only two
works (both by Handel, in
commemoration of the Han
del year, were not taken
from the archives, now in
the process of being system
atically studied and analysed
by the Moravian Music Foun-
dalton, an extraordinary out
fit directed by Donald M.
McCorkle. a young musicolo-
gist and administrator with
what seems to be unlimited
energy and capability.
AS in previous years, the
musical director of the Fes-
tival was Thor johnson, for
mer conductor of the Gin
cinnati Symphony who is
now director of instrument
tai music programs at North
western University.
Johnson Is a Symbol
To the Moravians, many
of whom come from halfway
across the country in order
to have the privilege of being
worked to death as members
of the chorus, johnson rep
resentS much more than just
a fine conductor. He is a
symbol of the great tradi-
ton in music within the
denomination. There is no
way of describing in words
the degree of fervor and in
tenSity with which the chorus
sings under this conductor. A
rehearsal, even in the hot
test weather in Winston
Salem in the last four years,
was for most participants
and onlookers a genuine re-
ligious experience.
Fortunately, the rest of
the country will have an
opportunity to experience
something of the amaz-
ing quality of Moravian
music-making in the not
too-distant future, when sew
eral recordings 1.-TWO LIPS in
both stereophonic and mono
phonic form will be released
by Columbia Records.
Columbia toted more than
a ton and a half of record
ing equipment to Winston
Salem together with a top
notch technical crew headed
by John Mcclure, music di-
rector of its Masterworks
Department, in order to cap
ture the essence of the fes-
tival on tape.
Magnificent Performance
I am sorely tempted to pre-
dict that they will strike
gold when the platterS con-
tanning eight accompanied
sacred songs and eight &C
companied anthems are is
sued, probably early next
year. I sat in on the record
ing sessions, and I can vouch
for the fact that what Co.
lumbia got was simply mag
nif1cent.
Doubtless, record reviewers
will be singing the praises of
26-year-old Iona Kombrink,
a soprano who now stands
at the threshold of the major
leagues. Miss Kombrink, a
stunningly attractive young
woman, is headed toward
what seems like an inevi-
table successful operate ca
reer. Covent Garden comes
this summer, and the New
York City Center has man
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
ART NEWS OF D. c. AREA
One of Years Best
Shows at Studio
BY FLORENCE s. BERGMAN
Star Art Critic

Recent work by two sculptors, William Taylor and G. B.
Chtosey and photographs by Jennie Lea Knight
Of the best shows at the Studio Gallery s4 Prince
street. Alexandria, through this week DAILY, to g.
Mr. Taylor whose sculptures were FIRST exhibited at the
Studio closely identified with Sculptors
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
BY IRVING LOWENS
Contributing Writer

Contributing Writer
There is a handy little
booklet available, compiled
by the Presidents Music
Committee, which lists all
musical activities taking
place in the United States
during the summer months.
According to this booklet,
there are no less than 538
events scheduled between
May / and September of
this year.
That is a lot of music any
way you look at it, but there
is one festival which is. so
far as have been able to
determine. quite unique.
This affair is the so-called
Early American Moravian
Music Festival. The fifth of
these biennial affairs under
the direction of Thor john
son was concluded last Sum-
day before an audience Of
thousands who sweltered I'M
complainingly in 100-degree
heat on the campus of Salem
College in WinSton-Salem,
N. C.
Tremendously Important
The Moravians, a small de-
nomination which today
numbers no more than $4,000
in the United States, were
tremendously important in
the musical life of 18th
century America.
Unlike their New England
neighbors, who generally re-
garded musical instruments
and elaborate music as thinly
yelled lures Of the devil. the
Moravians were wild about
the art. Within their own
communities, American Mo-
ravians wrote a tremendous
quantity of orchestrally &C
companied sacred songs and
anthems, as we'll as much
secular music for chamber
combinations and orchestra.
At the same time. the
American Moravian musi-
clans copied everything they
could get their hands on from
European sources for the use
of local musical organizations
In such towns as Salem, N. c.,
and Bethlehem, Pa, both
strongholds of Moravian cul-
ture.
An Island of Culture
And they played and sang
this music in the American
wilderness in the middle Of
the 18th century-a sort OF
island of Central European
musical culture in q sea OF
puritanism.
Then. suddenly, around
1920, the musical impulse of
this extraordinary people
seemed to die out. and the
thousands of musical works
that had been amaSsed began
to gather dust in various
archives of the church.
There they remained, COM
pletely unknown, until the
1930s, when a few musicol-
ogists began rustling around
in the Bethlehem archive.
But the big break came in
1850, when the first Early
American Moravian Music
Festival, consisting exclu-
sively of works excavated
from the archive, was sue
cessfully mounted.
Act Of Worship
Since then, the festivals
have grown in scope and i'm
portance to the point where
they attract international at
tention. One side result has
been the conclusive demon
stration of the fact that it
is time to rewrite the history
of American music to take
into more realistic account
these dedicated men for
whom the very act of Great
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
EARLY Gas.

ductor. (ML $3.50
~ ~
EARLY Gas.
The part Of The Mikado
that no one well, hardly
anyone) ever listens to is now
by way Of getting its revenge.
This, as an attentive Sa-
voyard would guess, is the
overture, which is heard all
by itself in a collection by a
British orchestra and q con-
ductor named lin appropriate
Englishry) Alan Ward.
Those who talk or walk
through operate prelimi-
naries can do penance by
playing band one of Maestro
Wards disc, and then going
on and playing the other five
bands. The latter contain
the orchestral curtain-raisers
to Yeomen of the Guard,
Ruddigore. Iolanthe, Pima
fore and Pirates, and anyone
who finds them less than ex-
hilarating can blame the
weather bureau or a deprived
childhood.
RCA Victor's jacket writer
gets into an argument with
himself over whether it is
proper to label the voiceless
collection as by Gilbert as
well as Sullivan. Readers
can make their own DISPOSE
ton Of that problem. CLM
2302O
While overtures are in or
der, a lively Mercury disc
featuring two by Berlioz, Ro-
man Carnival and Corsair,
and Bizet's Patrie and Lalo's
LIE Roi d'Ys can be men
toned. Paul Paray and the
Detroit Symphony are re-
SponSible for the portion of
the general energy emanat-
ing from the acutely recorded
performances. (MG 50191.)
DISCAPSULES
Worth noting:
TCHAIKOVSKY fourth
symphony bernstein, New
York Philharmonic: Column
bia NIL $500. A vibrant
reading.
MENDELSSOHN Italian
symphony and HAYDN Lon
don symphony bernstein,
New York Philharmonic; Co.
lumbia NIL 5349). More of
the same Bernsteinian vi
tally.
RAVEL Bolero, La Valse
and Rapsodie ESpagnole
bernstein ct al. Columbia
NIL 5293. Ditto.
RAVEL Ma Mere lOye,
CHABRIER Bourree Fan
tasque, ROUSSEL suite in F
and BARRAUD Orlando a
une ombre (Paray, Detroit
Symphony; Mercury MIG
5014Sl. Energetic Gallicism.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-05
TURNTABLE TALK
Iberio Produces
Guitar Concerto

Falla's complete assuming
label accuracy eel sombrero
de tres picos," which as THE
Three ornered Hat" is one
of the best known of Iberian
musical creations and which
in this vigorous edition effec-
lively reasserts its ample
claims to continued inter-
national admiration. Celia
Langa is the soprano and
Jesus Arambarri the con-
ductor. (ML $3.50
4 4 y
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
WHY GROW OLD?
Eyes Are So Important;
Give Them Proper Core
BY JOSEPHINE BOWMAN
Register and Tribune syndicate

Our eyes and mouth tell the world great
deal about us. There are two schools of
thought One believes that the eyes are our
most expressive and characteristic feature.
The other feels that the mouth is more re-
vealing.
Actually. the sum total Of personality and
physical appearance is the answer However.
when we really love someone we find that
unforgettable pictures have been etched on
our subconscious and reappear in memory
A characteristic light in the eye Of one We
love or curve Of the lips is highlighted
forever for us.
Anyway, we all know that eyes can make
a plain face beautiful or beautiful face dull.
We think Of eyes in such romantic or per-
sonalized terms that we sometimes forget
that they are very complex and delicate
organs; 1t Is unfortunate we abuse them.
Give Eyes Break
Long ago the eye did not have to meet
the requirements Of close work under artificial
light or hours spent in reading or looking at
television or movies.
Maybe 1t is time to give our eyes a break.
Do you read In poor light? Do you hold your
book at an odd angle while slumping in a
chair or reading in bed? Do you work for
hours without giving your eyes short rest
periods? Do you shun glasses you need and
squlnt and thus place a strain on your eyes
with resulting fatigue to yourself?
We should remember, too that our eyes
deserve regular examinations just as our
teeth and our body do. Many folks strain
their eyes and suffer from headaches and
WEAKNESS because they need glasses but do
not know it,
Oval Face-Oval Lines
Today eye glasses actually are orna-
mental. They can add to a woman's appear
ance because they are available in such vari-
ETY. in shape and color. Let me give you some
hints about what style is best for certain
SNAPPED faces. You know what shades are
most fiattering to you.
II you have an oval face, your glasses
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
READERS CLEARING HOUSE

living room. Perhaps, If We
were to sell later on, we could
not get all the money we are
putting into the house but
we feel that we are not in
the real estate business but in
the business Of living.
One other point to keep in
mind. we like the neighbour
hood and the neighbors and
are satisfied with the schools
the children attend.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23

should have flowing semi-oval lines Those
which sweep upward in line are youthful and
help correct dropping contour. However,
II they are too extreme they may be too mar
row to be becoming to many faces. If you
have a square face. your glasses should be
fairly wide at the bottom. You can make a
long thin face look wider by wearing glasses
with a frame at the browline but rimless
lenses round face is f1attered by glasses
with depth but fairly sharp upsweep at
the sides
You can make yourself prettier if you
choose the right type OF glasses. These should
be tried on and studied just as you do when
buying a hat
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
New Easter Fdvors
Please Small Fry

pan In moderate oven $3.50 de-
grees) 10 minutes. Pour into
large creased bowl. Melt but
ter and marshmallows over
very low heat tmay use dou-
BILE boiler). Stir until smooth.
Pour over pulled rice: stir
until evenly coated.
With creased hands. shape
half Of mixture into 5 bunny
heads. Use pipe cleaners for
ears. gumdrops (cut in half
crosswise) for eyes, raisins
for noses, sliced candied
cherries for mouths and
toothpicks for whiskers. Re-
frigerate until ready to use.
Shape remaining mixture
around outside of 5 creased
small custard cups forming
NESTS" Refrigerate until
set. Gently remove from cups
and I'LL with coconut tinted
green and jelly beans. Re-
frigerate until ready to use.
Makes five nests and i've
bunny heads.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
YOUR FAMILY AND YOU
Divorce Is Not Good
Training for Marriage

your chance Of success by an
additional l0%--women be-
ing somewhat more handi-
capped than men.
DR.. Lands pointed out
that the statistics on the
subject were not too salts
factory. since many States
are very careless-to say the
least - with their divorce
figures. But one State, Iowa.
has finally supplied very full
information and Thomas P.
Monahan of the Philadelphia
Municipal Court has an
alyZed the data carefully.
People who marry again
after being widowed have
just about the same degree
of success as the rest Of us,
he reports in Eugenics Quar-
terly, June, 1859. Look at
the difference among the
Divorces, however; primary
marriages "a first marriage
for both parties) show a
ratio of only Is divorces
per 100 such marriages. If
both parties have been di-
vorced once before the figure
doubles to $50 and where
both parties have been di-
vorced twice or more, the
ratio climbs to 799o-in
other words. only one mar
riage in every five will be
durable.
Those are the hard facts
of the matter. as found in
one State, Iowa. which is
fairly representative of many
others.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
Judith Lund
To Be Morried

Mr.. and Mrs. Wendell L.
Lund of this city and Mack
mac Island, Mich. announce
the engagement of their
daughter Judith Anne to Mr..
Barton M. Biggs. son of Mr.,
and Mrs. william r. Biggs OF
this city and New York.
Miss Lund is an alumna Of
Sidwell Friends School and
Cornell University. Mr.. Biggs
was graduated from Law
renceville School and Yale
University.
Miss Lund is currently on
the staff of the Senate For
eign Relations Committee
and Mr.. Biggs is teaching at
the Landon School. A sum-
mer wedding is planned.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23

year, with the birth Of our
eighth child, we decided
something must be done
about more living space.
We figured the cost of add
ing a large addition down.
stairs and added this to the
present market value of our
home. With this in mind, we
followed the real-estate ads
closely and looked at homes
that would meet our needs.
We found that we could not
get nearly as much room as
we would have here for the
money.
At this writing, we are
erecting an addition down.
stairs that viii be a combina-
ton kitchen dining family
room. Later, we plan to make
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
BY DIR. PAUL POPENOE

National Newspaper Syndicate
Is divorce good training for
marriage? Some of my cor
respondents seem to think so,
for they write me that I don't
recognize the advantages Of
breaking up a household.
Next time marry I'll
know what not to do" Mrs.
@. declares. Mr.. W., in a long
and thoughtful letter. re-
marks, Il have seen some
scientific studies that prove
that people who have been
divorced are more successful
than the average. in a second
or third marriage" Several
correspondents cite proverbs,
such as IF at first you don't
succeed, try. try again." and
practice makes perfect"
Agreed! Practicing divorce
makes you more likely to
succeed next time in d.
vorce-not in marriage!
Some published scientific
studies" were interpreted by
their authors to indicate
that divorce is good prepara-
ton for another marriage:
but let's look more carefully
at this unreasonable idea-it
certainly seems illogical to
me.
Sociologist p dis
Of Washington l. -.ege,
studying the figures Of the
entire United States. con-
cluded that a remarriage
after divorce is 500 less like
ly to succeed than is a first
marriage and that every adj
ditional remarriage lowers
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
OAR Luncheon

The Richard Arnold Chap
ter, OAR, will hold a birthday
luncheon fashion show tomor-
row at 1890 pm. at ODon-
nell's Restaurant, 1901 Wis
consin avenue. Bethesda.
Hostesses for the luncheon
wifi be Mrs. Robert Eastman,
Mrs. Paul s. Devine. Mrs.
Charles E. Luckett, Mrs. Will.
liam C. Pennington, Mrs. r.
E. Lee Hall and Mrs. Paul
Niebell.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
ADVERTISEMENT.

MARGAR ET
Of Bethe Sda,
drives a sports car,
is active in the
P.T.A., and emf oys
all the better
things Of life. She
endorses Lawry's
Spaghetti Mix.
"Those LaWry people
should put me on the
payroll" she says.
"I've told hundreds
Of friends about
this marvellous prod
uct. I make sauce
quickly, easily.
And, my, what
heavenly flavor! !"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-23
Curried Chicken

Mrs. J. C. j.. Falls Church
Here's a favorite chicken
recipe Of mine which I'd like
to share with other readers.
To make Curried Chicken,
melt "a cup butter or marga-
rine. add 2 tablespoons
onion flakes and brown
slightly. Stir in q cup -four
and teaspoon salt, 2 tea
spoons curry powder and
e teaspoon Worcestershire
sauce. Add 2 cups chicken
stock, cook until thick, STIR
ring constantly. Add / cup
milk and 2 cups diced cooked
chicken. Heat thoroughly.
Serve with hot rice.