davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
Kugy at Arts

Watercolors and prints by
Sheffield Kagy occupy the
reception rooms at The Arts
Club. 2017 Eye street through
next Friday DAILY, II to 81.
Twenty-six items represent
about a decade of his work.
1t seems to me that the block
prints are his forte, with
their rugged compositions
and even level of quality.
Those / liked best are Sugar
Bush" Road to Mulberry"
and Concrete and Steel"
The representation water
colors, done in a clean cut
tee nique. are engaging;
those with an experimental
trend seem confused or
muddy.
Mr.. Kagy. long a resident
of Washington. is a member
of outstanding professional
organizations here; has ex-
hibited and won awards here
and elsewhere. He is an ill.,
structor at the National Art
Academy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08

rison's Exodus" Lee Deffe-
bach's winters Walk" and
Pat Adams Genesis" Dis
tinction for the worst paint
ing in the show goes to
Ronald Binks for his hideous,
corpulent figure which APP
pears to be a battered wres-
tier.
An illustrated catalogue is
available $50 cents) which
has forewords by Senator
Fulbright, Donald Shank,
executive vice president Of
the Institute Of International
Education, whose co-opera-
ton made the project pos
sible, and an introduction by
Mr.. Goodrich Of the Whitney
Museum. Both Senator Full
bright and Mr. Shank speak
about the mutual under
standing among the peoples
OF the world" and the fact
that art is a means Of COM
munication." 1t seems to me
that the kind of art which
predominates in this show,
and which is given prece-
dence generally in official art
circles, communicate less
than any earlier idiom.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
Art Lectures

William C. Seitz, professor
Of art and archaeology at
Princeton University, will be
guest speaker this afternoon
at 4 at the National Gallery
of Art. His subject is ''Monet's
Interpretation of Nature.
Popular Paintings of To-
kugawa, Japan" is the sub
Ject on which a lecture will
be given Tuesday evening at
$3.50 pm. at the Freer CAL
lely auditorium. 18th street
and Jefferson drive S.W. The
speaker is Harold P. Stern of
the Gallery's staff.
Both the above are free 10
the public.
Next Thursday at the Cor
coran, at $40 pm. a lecture
on st. Luke, the First Chris
tan Painter" will be given
by Colin EiSler of the In
stitute of Fine Arts, New
York University and the
Metropolitan Museum of Art.
Free to members, who may
purchase guest tickets.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
NEW OPENINGS

Trends in Contemporary Painting
from India. Watkins Gallery,
American University Campus. To-
day through March 20.
Recent ACQUISITIONS. Howard Uniyer-
sity Art Gallery IN Founders
Library on the campus. Current
through March 20. ~
Paintings By Leonard Maurer. Diekey
Gallery, d. G. Teachers COLLEGE.
Harvard and 18th street NV.
Tomorrow through April 10.
Recent Watercolors BY Armistead
Peter III. GEORGE Washington Uni
versity library. 2023 q street
NV. Today through April I.
African SCULPTURE. Ores Gallery. 1920
Twentieth street NV. Thursday
through March "a
PAINTINGS BY Ivan Mosea. The Obe!isk
Gallery, 324I p street NV. Tues
day through March 81.
Painting by Gene Davis. Jefferson
Place Gallery. 1915 Connectic"t
avenue NV. Current throush
March 81.
Paintings by Miles Silverman. Temple
Sinai. BOO Military road NV.
Current through March 30.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
At Phillips

Alb stract expressionist
paintings by Serge Poliakoh
are at the Phillips Gallery
through Tuesday; this after
noon, 2 to 7; tomorrow, II
am. to 10 pm: Tuesday, II
to 6. Seventeen paintings are
compositions of uneven
apes trough circles,
squares, etc. suspended
against backgrounds, most of
which are in close color har-
monies. Poliakoff rings
changes on single colors in
different tints and shades
each composition Illuminated
by one or more contrasting
flashes in emphatic shapes.
A few of the paintings have
Strident contrasts.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
DISCAPSULES
Worth hearing:

wa bAA eANeAA AAos
Strauss "RoSenkavalier"
and Frau ohne Schatten"
suites played by the Phila-
delphia Orchestra under Or
mandy (Columbia). The
music from THE Woman
Without a Shadow" a vintage
World War ! opera only lately
elevated to general notice, is
especially impressive.
Strauss Dance Suite after
Couperin. Death and Trans
figuration and Dance Of the
Seven Wells performed by the
Philharmonic Orchestra I'M
der Rodzinski (EMI- Capitol.
The 1928 suite. adapted from
harpsichord pieces, is charm
ing. although the perform
ance regrettably IS abridged.
Waldteufel LES Patineurs"
and other waltzeS played by
the Philharmonic Promen-
ade Orchestra led by Henry
Krips tAngeD. Stereo edi-
ton of a lifting collection
previously issued monaurally.
Liadov Eight Russian Folk
songs played by the Philhar-
monia, under Nicolai Mako
(AngeD. Unusually attrac-
tive pieces (including the hui
morous "Buzzing and Biting
of the GnatD. ProkofletI,s
Love for Three Oranges and
Relationships Nut cracker
suites fill out the disc.
MuSsorgsky Pictures at an
Exhibition played by Nadia
Rosenberg, pianist. and in
the Ravel orchestration by
the Philharmonic Symphony
Of London under Rodzinski
(Westminster). A useful
one-disc juxtaposition of two
well-conceived and executed
performances.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
Designers

Not so the exhibition of
work by "Fulbright Design
ers." (This is the first COM
bined showing of these exhi-
billions. which have been
touring the country sep
arately. Decorative arts are
admirably suited to abstract
design. have been from
earliest times. and their APP
peal transcends time and
geography. The textiles,
tapestries, silver, ceramics,
stained glass, graphics and
industrial designs shown here
represent the work of 80 Of
more than rs designers and
craftsmen who have studied
in three Asian and nine Euro
pean countries under the Full
bright program. This COL
lection was selected by Edgar
j. Kaufman, jr.. eminent
writer and critic in the field
Of design
Alice Adams wool. silk,
linen and jute tapestries are
thoroughly contemporary and
exceptionally handsom e.
Nancy Kenealy (who went to
India) shows covetable woven
and printed textiles which
have the spirit Of that coun-
try without being copies of
its indigenous work. Cases
Of silver by E. Dane Purdo,
ceramics by Harry Waggott,
porcelain and wood objects
as. well as amber glass by
Michael Lax. and other
groups are eminently worthy
of scrutiny.
In conclusion, one may say
that it is obvious that the
value of the Fulbright pro-
gram is far greater than the
sum Of its parts up to now.
and those are impressive,
when one considers the many
fields in which it operates.
The intangible benefits prom
Use to expand with each sue
ceeding decade.
(Open daily 8 to 4:30.)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08

nificent spot-check. One Is
exposed in scintillating sue
ceSSion to q dozen delicious
arias Tor must operetta airs
be labeled songs?) from al
most as many potential addi-
tons to Angels champagne
operetta" series which, to
general misfortune, Angels
and Nine. Schwarzkopf's tai
ents have not been applied as
yet. These include Lehar's
"Giuditta," Der Graf Won
Luxembourg" and Der Zare-
witsch." Strauss-Benatsky's
Casanova" Milloecker's die
Dubarry" and operettas by
Zeller, Suppe and Heuberger.
To hear I'm Champre sep
aree" from Heuberger's Der
Opernball" or "Meine Lippen.
sic kuessen so heiss" from
"Giuditta." to mention only
the first and last. as heard
here with the appropriate
Philharmonic Orchestra as
sistance led by otto Acker-
man is possibly momentarily
psychologically dangerous.
But one must ultimately be
content with accessible riches.
The appending Of Sieczynski's
wien, Stadt meiner Ira
ueme" is a fitting apostrophe.
Full texts.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
BY DAY THORPE
star Music Critic

otAE Musio SFitAe
Patrick Hayes is q dedi-
Gated washingtonian. He
finds It pretty hard TO take
when Time and the Re-
porter allow a. how in their
opinion the District Of Co
lumbia scarcely qualities as .
center Of culture and the fine
arts. He has turned on the
microphone at WGMS the
last couple Of Sundays to
castigate these sneering pub
locations with wit that Is not
surpassed by his vigor. and
he makes an alright case for
the proposition that whatever
passes for culture In other
cities can be found In plenty
here.
I think that maybe Mr..
Hayes could play an ace by
insisting that our critics tell
what they mean by culture
before they decry US for not
having 1t. Are art galleries,
theaters, museums and the
house where Lincoln died
more cogent evidences Of cul-
ture than could be shown by
what we Washingtonians do
with our old town? The guest
book Of the National Gallery
shows that tens Of thousands
Of people have drunk ut the
springs Of culture in Mr.. Mel
Ions halls-why are they not
therefore fired with the in
centive to tear down, stone by
stone, hot with self -satisfac-
ton, about twenty Of our
public monuments, starting
perhaps with the charming
memorial on the north side
Of Constitution avenue near
Seventeenth, and continuing
with the stations on Memo
rial Bridge? Why not shatter
the lights that rob the Capt.
toll and the Washington
Monument Of all the various
personalities that the phases
Of moon have heretofore be-
slowed upon them? Why not
write some new laws requir-
ing the school buses from
Tennessee and Georgia to
share the delights Of our
beautiful Mall with our resi-
dent citizens, for whom open
air bars and restaurants
could be there provided for
genial refreshment on q sum-
mer evening?
But, this is by the bye, cul-
ture is a confusing thing.
What I started to say was
that Mr.. Hayes, although he
doesn't mention the fact, is
doing his little bit for cul-
ture-no big thing can ever
be done for that fine state Of
being which grows by the
minutest accretions - in
bringing to Constitution Hall
next Sunday a performance
Of Handel's oratorio. Josh
ua." This. in q way. is Mr..
Hayes own personal gift to
Washington. For his other
entertainment at Constitution
Hall he is the middle man
between us and New York
City, but Joshua" is his own
creation. designed for WASH
ington entirely by Washing
tonians.
Handel's great piece. prob.
ably never before heard here,
will be presented by a chorus,
the Washington Hellenic
Choral Society. founded here
by George Manos. The or
chestra, not the National
Symphony. is made up of
local amateurs also selected
and trained by the same
musician. The five soloists
are all Washingtonians -
Katherine Hansel, who will
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
MUSIC PROGRAMS

TODAY
CEsARE sIEPI, bass; Leo Taubman,
piano. Constitution Hall. 8 pm.
81 ira II ceppi, Handel; DALI ondoso
periglio, Handel; Lempio, sleale.
Handel; An die Musk, Schubert;
Aufenthalt, Schubert; Der Musen-
To The Little STAR Moussorgsky
Serenade, Moussorgsky; At the Ball.
Tchaikovsky. Don Juan's Serenade.
Tchaikovsky: Les Berceaux, Faure:
Chanson d'amour, Faure; Mephisto's
Serenade, BerlioZ; o tn Palermo,
AMERICAN ARTS TRIO: Donald Port
noy, violin; Afno Drucker, plano;
Jon Engherg. cello. Corcoran Gallery
Trio. Piston; Trio in D minor. Opus
40. Mendelssohn.
VIRGINIA MILITARY oLEE CLUB,
; Saptain :. e. Pearee; director; wash
salvum fac, Gounod: Ave Maria.
Arcadelt: He that ruleth over men,
Thompson.
MONTGOMERY SYMPHONY oRCHFs-
IRA, Chester Petranek, conductor.
North Bethesda Junior High School,
4 pm. Fanfare for the Common
Man, COPELAND; Concerto for Four
yiolins, Vivaldi; Overture to Der
PPreischutz; symphony No: /,
ANNE LANE WILSON, violin; Wiz.
Barker Hall. YwCA, 4 pm. tareo,
veracini; Tambourin. oossec; Piece
en- Fofme de Habanera, Ravel. Sere-
made Espagnole, Kreisler; Granda-
dina. Mn, Sonnet No. 104. of
Petrareh. Liszt: Waltz Opus AZ.
Gavotte,. Bach; Prize Song, Wagner:
Allemande, D'Hervelois; Sonata in
=. Opus 8, Grieg.
HAROLD ASH, organ. westmoreland
Concerto in q. vivSIdi-BacS: Recit
dc Tierce. De Grisny; Prelude,
Fueue and Variation, Franck; Car
nival Suite, Crandell; Very Slowly.
from the Sonatina, Sowerby; Pre-
lude and Pusue In O minor, Dupre.
FOUNDRY CHOIR, Glenn CArow. d.
rector. Foundry Methodist Church,
5 pm. Parts ], w. v, vi, VII OF
the Requiem, Brahms.
THIEL CHOIR. MarIow W. johnson.
director. National Gallery Of Art. 3
pm. Hodie .Christus Natus Est.
Palestrina Who with grteying SOW
Nlug 0CneluS 10 0ouS 9Au CeuhhsSAg
Of the King. Leisring; Two Liturgtcal
Motets. william; Sing Ye, Bach; The
Last Spring, GrIeg: Aspiration, arr:
Christensen; The Hundred and
Fiftieth Psalm, .Berger:- Hosanna.
Christensen; From Grief to Glory,
Christensen; Five Folk Songs,
Spinning, Wendish Folk Tune:
We've Been A While A-WonderinR,
Yorkshire Carol Wake. Awake.
Nicolai: Carol Of the Drum, DAVIS;
Little Wheel, Spiritual; Beautiful
Savior, Christensen.
GEORGETOWN UNIVERSITY oLEE
CLUB. Paul Hume, director. Nc
Donough Gymnasium, Georgetown
University, $3.50 pm, orpheus with
his lutte, Lefebyre: Music when soft
voices die, Dickinson: German Stu
dent Song Medley, arr. jenkins;
Cantate Domino, Hassler; Unum
Petivi a Domino. creagan: Laudate
Dominum. Charpentier; Save US, o
Lord, Hume: Jubilate Dec. Peters;
Let Thy Holy Presence, Tschnesnokoe;
Tarantella, Thompson; Old Paint,
arr Bartholomew; Sometimes ! feel
like o motherlesS child, arr Heath:
Cookies and Mussels, arr. jenkins;
Soon ali will be done, arr. Dawson.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
Dit MN
aE EI|E
GONE
DANCE
WITH
ME!"
Frank Sinatra

This weeks Record Of
the Week hos been se-
Iected becouse it's O plot
ter coIcuIoted to pIeose
both those who like to
listen and those who like
to dance. Frank Sinotro's
vocoIs and Billy Moys
orchestra have truly pro-
duced O proorom Of "Vo-
coils that donce."
Recorded by CopitoI.
here's O high fidelity
woxino of some good.
solid, substantial tunes
thot have been around
for some time, and be-
couse Of their excellence
and quolity will be
around for q long time
TO come. "Doncino in
the Dark, "Cheek to
Cheek" 30 bles,
Bangles and Beods" ore
just q few of the def
initeIy donceobIe, lis
tenoble tunes included.
You should include it in
your collection. Hear it
on hi-fi at WGL. 4.98
Stereophonic S.98
W&L-Homs Entertainment
Center, LIST Floor, North
Building olso Chevy Chose
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
SYMPHONY SOLOISTS

Three new soloists have been
added to the guest stars who
will grace the National Sym
phony's season next year.
They are David Oistrach, the
great Russian violinist who
was heard here in recital two
years ago, Rosalyn Tureck,
pianist noted for her read
ings Of Bach, and Elizabeth
Schwarzkopf, the soprano
who can be found in more
leading LIP operate roles
than any other singer. No
research has gone into this
last statement, but I hope it
will stand up.
The Symphony season
opens October l. and will
consist of II pairs Of con-
certS. 10 by the Symphony it
self, and four by out-of-
town organizations, the New
York City Ballet. the Phil
adelphia and the Boston or
chestras. In addition to the
Tuesday and Wednesday con-
certs in Constitution Hall.
the Lisner matinees will be
increased to eight Thursday
afternoon concerts. The Lis
ner series sold out this year.
Other soloists with the
symphony will be: Yehudi
Menuhin, Werner Lywen.
Philippe Entremont, Claudio
Arrau, Rudolf Serkin, ana
Glenn Gould. and the How
ard University Choir. Sir
Thomas Beecham viii come
again as q guest conductor.
Programs Of the concerts
have not yet been announced.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
NEWS or MUSIC
joshua Next Sunday
Is Gift to Culture

be remembered as the Euri-
dice in the Opera Society's
"Orfco" last month: Rilla
Mervine, who has sung In
many oratorios here and
elsewhere: Jacob Barkin. our
most versatile and ubiquitous
cantor: Robert d. Kerns, an
other serviceman who aids
the current impression that
here every soldier is q singer,
and Johann Karatzas, VIZ
enna-trained and now Q
Washingtonian who has given
q recital in Phillips Gallery.
II have never heard
Joshua" but there are few
large choral works to which
I would look forward with
keener interest. Handel was
not always q successful COM
poser. but he was never q dull
one, and he suffers the ulti-
mate curse Of having written
one piece that has 90 capti-
waited the Western world that
not many people can sum-
mon UP the desire to taste
any other from the same
vineyard. Mr.. Manos tells me
that he thinks "Johua" one
Of Handel's finest works in
that tremendous complete
edition that runs to how
many volumes-is 1t IS or
IS? It is for chorus, solo,
lists, and an orchestra that
is surprising for Handel. II
it is not q 18th century REIN
strumentation - Mr.. Manos
thinks 1t original, but Is not
absolutely sure. One does not
ordinarily think Of Handel's
oratorio orchestra as hav-
ing oboes, flutes, trumpets
and French horns.
The details of Joshua" I
kno~ no more than the man
in the street. but it will be a
satisfaction to me and three
thousand other music lovers
to find them out next Sunday.
Handel knew that his Re-
deemer liveth. but he was also
well aware Of many another
tune.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
BY JAMES G. DEANE
star star writer

No happier events have oc-
Cured for lovers Of viennese
ebullience and gemuetlichkeit
than vanguard's recordings
Of German university songs;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
FRIDAY

NEW YORK PRO MUSICA. Noah
Greenberg, director. Library Of
Congress. $3.50 pm Early German
Baroaue Music: works by Zangius,
Praetorius, Schein, Erbach. Hassler
Franck, Schultz.
FERRAS, violin; Pierre
Holy Names, Silver Spring, Md. $50
pm. Sonata in A, Franck: Chaconne
for solo violin, Bach Sonata in @
minor, Debussv. Havanaise, Saint
Saens; Tzisane. Ravel.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
THURSDAY

UNITED STATES MARINE BAND. Capt.
Rihsrt Iabnsan trombone. FrsSsic
Erdman, cornet. Department Of
Commerce Auditorium, S:l5 pm.
Overture to II Segreto di Susanna.
Wolf-Ferrari. arr. Harpham; Quebec
Folk Fantasy, Cable: Piece In r
minor. Morei; Selections from Car
men; National Fencibles, sousa;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
ART NEWS OF D. c. AREA
Fulbright Pointers
Anniversary Show
BY FLORENCE s. BERGMAN
star Art Critic

The Fulbrght Program. sponsored by Senator William
Fubrght and enacted by the 18th Congress in 1946
had substantial impact international cultural relations
Authorizing the of foreign credits from the sale of United
States aforementioned surplus property in certain
tries after World War H. finance educational exchanges
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08

States AFOREMENTIONED SUI
tries, after World War II, to
between our country and
friendly nations throughout
the world, it has been Of
benefit to more than 10000
Americans and nationals of
thirty countries.
Since 1948-49. when the
first Fulbright scholars were
appointed. some 1900
sc scholarships have been
awarded to young American
creative and performing art
lists in various fields, among
them about 200 in painting
and rs in design and crafts
To celebrate the 10th an
niversary Of the program in
operation, the Smithsonian
Institution Travelling Exhibi-
ton Service organized exhi-
billions surveying for the first
time, the accomplishments
of American painters and
designers who have studied
abroad as Fulbright grantees.
"Fulbrieht Painters" COM
posed Of so oils by as many
artists, selected by Lloyd
Goodrich, director Of the
Whitney Museum Of Ameri-
can Art, New York City, had
its first showing there last
September. 1t opened Feb
ruary % in the foyer Of the
Natural History building,
where 1t will remain through
%. This is one Of 20
showings on a national cir
cult arranged by the service.
There is a duplicate show Of
so other paintings by the
same go artists. on another
circuit. Since there is little
that Is madly exciting about
these works. one wonders why
so other artists (of the 200
Fulbright painting granteesl
were not represented in the
duplicate show.
Sixty Paintings
The vast majority Of the go
paintings are abstract ex-
pressioniSt works. All differ
from others in the show. as
well as from myriad other
abstract expressionist paint.
ings in innumerable other
exhibitions, in subtle ways
which can be identified by
initiates and devotees of this
type of painting; but to ire
layman, they have become
monotonouS.
However, there are some
outstanding paintings. Sem
Fischer. whose work is IA
miliar from annual one-man
shows and group exhibitions
at The Obelisk Gallery, is
represented with Road to
Viterbo." reproduced on this
page last Sunday. Edward
Laning's nostalgia golden
painting Of architecture and
figures, Jack Levine's ex-
pressionistic Man with
Stained Glass Eye" Bernard
Perkins red-brown Jacket"
on an exquisitely painted
ground Of flowers and ferns,
and James Phillips concrete
presentation Of a young man
all representational, are ex-
cellent. So too, are Ethel
M agafan's semi-abstract
mountain landscape, Reed
ing Shows" David Shapiro's
"Torah" against a back
ground Of patterned yellow
and orange. Walled Village"
by Howard Mandel is perhaps
the shows most amusing
work. which looks as If it had
been painted from q paper
Set-up.
A Fine Abstraction
Joe Summerford, chairman
of American University's art
department. has one of the
best distractions. "Philoder-
dron," sparkling contrast Of
white and green. I also liked
George Wander Sluis' Dragon
Tree" with its varied but
harmonious colors and fame
like shapes: George Nor
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-03-08
TURNTABLE TALK
Vienna Choristers
Bring Merriment

and q sparkling Volume
Three is at hand.
Brahms established the
general responsibility Of this
particular undergraduate sub
ject matter with a celebrated
overture, and the specific
qualifications in this case are
no less prestigiouS. Erich
Kunz, q formidable Figaro.
BeckmesSer, etc.. on other &C.
casions land star of a notable
Angel Straussian-Leharian
series), is the major domo.
and the confederates are the
Vienna operas male chorus
and orchestra led by a Volk-
soper operetta veteran, An
ton Paulik.
Herr Kunz' flavorful pro-
lection. thus automatically
abetted. could hardly be more
sustaining to the validity Of
wine, thoughts of young
ladies and general youthful
merriment as restoratives of
the nowadays hard-pressed
spirit, although it so happens
that this record is more than
just fun. For like Brahms
famous overture, written in
nostalgia middle age, some
Of the songs have more than
a touch Of seriousness.
OF special charm, among
others. are a Transylvanian
folksong. "Ade EUR guten
Nacht." and "Das zerbrockene
Ringlein," a softly sad little
song found in a Tyrolean
monastery. There are some
familiar tunes, Of course, in
GLIDING 20 Tannenbaum,"
'Du lieest mir i'm Herzen"
and a song titled ''zLauter-
bach" which sounds like
Where o where has my
little dog gomez" (To Lauter-
bach, presumably In one
case there is a familiar text,
Goethe'S "Heideproeslein,"
set this time by Heinrich
Werner instead of Schubert.
This disc is mostly a Kunz
show. One may hope there
may be more chorus in the
next one, and one might also
hope for some attention some
day to the large neglected
quantities of vocal group
activity music by Brahms,
Schumann and Schubert,
which contain charms lone
must ADMIT III OF an even
higher order.
4 y
WIEN, WIEN
The distaf size of current
Viennese affairs is delight
fully dominated "a contradic-
ton, but no matter by a
record on which Elisabeth
SchwarZkopf, who like Kunz
has numberleSs majestic roles
to her credit, compounds the
public indebtedness already
owed for lavish previous
service.
The disc is a sort Of mag