davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

staff" does not improve on
early Verdi, 1t is something
entirely original.
Sources Of Librett0
Those who want to know
what "Falstaff" is about be-
fore they go to the opera can
buy a libretto at the Office of
the Opera Society, or they
can get much the same story,
even better told, in "The
Merry Wives of Windsor"
Boito used the Shakespeare
play as the basis of his piece,
with some of the more dra-
matte moments Of the first
part of Henry w." The
honor" soliloquy is there,
and although it is pruned of
much of Shakespeare's irony,
it is particularly delightful to
those who know lagos Gre
do" in "Otello," since it is
clearly a musical counter
part Of it. Also, I feel GER
tain that some of Nanetta's
phrases are musical parodies
of DeSdemona. 1t is amazing
to great admirers of Verdi,
among whom count myself,
for we don't ordinarily think
of the man as a subtle sati-
riSt.
Ralph Herbert of the Met
ropolitan is singing the title
role. He has wanted to sing
Falstaff all his life, for, as
he points out, FalStaff and
the buffo role in THE Bar
tered Bride" are the only two
f1rst-rate buffa parts for bar
itone. Mr.. Herbert has made
his reputation in Leporello,
and Figaro. but he feels that
neither part is ideally suited
to his particular voice. Fall
staff lies typically above
middle C. going up to high
G, and that is where Mr..
Herbert likes to be.
Others who have not sung
in previous productions of
the Opera Society are En-
rico al Giuseppe, Maria d.
Gerlando, Cecilia Ward, Mil
dred Allen and Charles An
thony. Return engagements
are being made by Hughes
Cuenod, who sang in "Orfeo"
and THE Rake's Progress"
Robert Trehy, in lie Nozze
di Figaro" Lee Cass in
"Fidelio," "Ariadne" and
"Orfeo." and Eunice Alberts
in The Old Maid and the
Thief"
Nathaniel Merrill, who di-
rected "Ariadne" is in charge
of the show; Bob OHearn
designed the sets; Jim War;
ing of Catholic University is
technical director, Molly
Holden is stage manager and
Paul Galloway is conductor.
The National Symphony Or
chestra will be in the pit and
territory adjacent thereto.
BY the way, evening per-
formances Of "Falstaff," and
also both performances of
the Metropolitan later in
April, will start at 8 pm.
LatecomerS to "Falstaff" will
not be seated until the end
Of the first scene. The Sum-
day matinee has a $50 pm.
curtain.
X \ X
At a luncheon given by the
Brazilian Ambassador last
Wednesday for Heitor Villa
Lobos, the composer engaged
in an excited one-way con-
versation with Henry Ray
mond Of the U. P. 1t sounded
interesting. but the Portu-
guese language left me be-
hind. Mr.. Raymond trans
lated for me. :
II asked him what he
thought Of the Russian bal
let," he reported, and Villa
Lobos replied It's good, but
the American ballets are bet
ter. I think on the whole
American ballet is the best I
know Of Then ! asked him
if he thought there was any
body of connoisSeurs in
Brazil who would believe that
North America had a ballet
comparable to the Russian.
Who knows IL here in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

tori" "Traviata" and aida"
is difficult to say. Perhaps it
is because the work is a comic
opera, while every genuinely
popular operate work since
Mozart is tragedy. with the
single exception of "Meister-
singer" which is Wagner.
This explanation begs the
question. nevertheless. Why
do people want to weep with
their tenors on high C, rather
than laugh?
Phrase Music Enchanting
The usual explanation of
"FalStaff'S less widespread
interest is that there are no
set arias, as in Verdi's earlier
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

is accompanied by a quota
ton.
For a century there have
been Ito oversimplify mat
ters) two schools of thought
on the way to look at a
painting. One is to view 1t
for itself alone. disregarding
all aspects except the direct
visual ones of color, form,
composition, etc. The other
is to see painting in relation
to its whole time, political,
economic, social, cultural.
The latter seems to me
infinitely more rewarding
and Illuminating. Correlating
painting with one other facet
of its contemporary milieu
enriches the beholder's I'M
derstanding many times over.
1t is surprising that 1t has
not been done more often.
The earliest book with which
I am acquainted, that does
this. is Taine's History of
English Literature" pub
lished nearly a century ago.
His occasional parallels are
casually interpolated, but are
nonetheless perceptive.
Six Centuries Of Art
During World War II the
American Federation of Arts
circulated an exhibition Of
large color facsimileS of old
master paintings of six CEN
turtles, from Van Eyck to
PicaSSo, which I had the
fascinating project of cor
relating with literature.
But 1.-THE American Muse"
is more detailed and compli-
Gated, dealing with one coun-
try during a century and a
half. Actually, there are one
18th century and few 18th
century works, with quota
tons from the same periods
but the great majority are
10th and Goth century paint
ings and literary quotations.
Most of the artists are we'll
established in the history of
American art. And among
the many writer's quoted are
such giants as Emerson,
Thoreau, Bryant, Melville and
Whitman.
The parallels are of two
kinds. In a few instances
the paintings Cor photo
graphs, Of which there is a
small number) are based
upon specific writings, and
when the illustrators actually
caught the inner spirit of the
written work, these are very
successful, e. g., Charles De-
muth'S watercolors for Henry
James "The Turn of the
Screw" ef
EnvirOnmental Sameness
The second type, (repre-
Sented by the greater part of
the show, is the truer or
more profound parallel be-
cause painting and writing
grew out of the same physical
and intellectual environment,
with no actual or conscious
connection between artist and
writer; indeed, some of them
are decades apart.
Opening the exhibition in
the second floor galleries is
a prologue, a quotation from
Thomas jefferson, which says
in part, 81 am an enthusiast
on the subject of the arts. ID.
an enthusiasm of which I am
not ashamed, as its object is
to improve the taste of my
countrymen, to increase their
reputation, to reconcile to
them the respect of the world,
and procure them its praise"
The exhibition is in six
parts, with subdivisions. 1t is
beautifully summarized in a
brochure ($1.25) which re-
produces more than a quarter
of the paintings, some in
colors, and other works on
view, accompanied by their
quotations, and absorbing
text by Henri Dora, assist
ant director of the Corcoran
Gallery Of Art, who with Her
mann Warner Williams, di-
rector, planned the exhibi-
ton. There is also an en-
thusiastic introduction by
Perry Miller of Harvard's
English faculty.
Experience Cult
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
NEWS OF OPERA
'FoIstoff Productions
To Close Season
BY DAY THORPE
star Music Critic

This is after all the greatest OPERA" said Toscanni
speaking Of Verds Falsta three performances Of which
will close the Of the Opera Society Of Washington this
Friday next Sunday and Monday week. You cayl at
greatest" when the word is used critically but is
handy when you speaking emotionally. myself
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

output Of America" John
Singleton Copley to Charles
Sheeler0 1t has two paths,
observation and actions. and
"factual realism is preva-
lent"
The second trend is Faith
in Nature" as a symbol Of
the spirit" and as a Symbol
of energy and growth" The
Hudson River School plays a
large role among the artists,
with a number of goth cen
fury expressionist and abb
stract painters.
Third trend, Explorers,
Wanderers and Exiles," in
cludes artists and writer's who
"lived outside the mainstream
of American life," in the
American wilderness or as
expatriates abroad.
Fourth, 1.-THE Haunted
Mind" begins with the afire
and birthstone" theology of
early New England ciergymen
Cotton Mather and Jona-
than Edwards; continues
with romantic anxiety" SUI
perbly represented by Albert
Ryder and Washington Irv-
ing, and comes to the pres
ent Inner eye" with Morris
Graves, De Kooning and
Hultberg, and T. S. Eliot as
examples.
Social Protest
Fifth, Social Protest" has
endeavored to arouse the
complacent public since the
18th century, fighting pow
erty, intolerance and mate
rialism. Except for a collec-
ton of slum photographs of
the 1880s by Jacob Riis, the
paintings are all Goth CEN
tury. admirably paired with
much older writings, which
are as valid today as they
were a century ago and
earlier.
The final section, Great
ing a Living Tradition" ''il-
Illustrates certain expressions
of the American character in
the lives of the people" AS
one would expect, there are
more subdivisions here than
in any other section.
Stephen Vincent Benet's
verse to the American Muse
is the appropriate epilogue to
this superb show; the verse
concludes You (the MuSe)
are as various as your land"
THE American Muse" is a
theme exhibition of the best
type: Informative, illuminate
ing. thought-provoking and
entertaining. 1t will be open
through May IT, six weeks
from today. (Open Tues
day through Friday 10. Sat-
urday 9 to 4:30; Sunday 2 to
5; closed Monday.)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

der. I cannot fix the year of
the irresistible Scotsman's
last farewell" American tour,
but it is doubtful if many
who are old enough to have
ben in grammar school at
that relatively recent date
are unaware of ''Roamin' in
the Gloamin'," the bra brecht
MOONLIGHT necht or the rest
of the Lauder trademarks,
which were and are still, as
the fun Of hearing the disc
proves, a delightful foil to the
normal human tendency to-
ward boring pomposity.
A recent disc proclaiming
a content of songs of Harry
Lauder" also proves that in
Lauder matters only the orr
ginal really counts. That is
what is heard in full meas
ure on Camden.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
WEDNESDAY

NATIONAL SYMPHONY ORCHESTRA,
Howard Mitchell, conductor. Con-
stitution Hall, $50 pm. Repeating
Tuesdays program.
STRING AND BRASS ENSEMBLE. So
lotst: Harrison Raper, French horn,
Catholic University, $3.50 pm. Quin-
tet in Z fiat, K, 407, Mozart:
Adaeio and Allegro, Braunlich; Mu-
sic Tor Brass Instruments, Dahl:
voluntary on Tooth Psalm Tune,
PAUL OLEFSKY, cello. Elihu Root
Auditorium, Carnegie Institution,
$3.50 pm. Sonata, Opus 90, Roger;
suite, No. 2. Bach; Sonata, Opus s,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
ART NEWS or ID. C. AREA
American Muse Show
AT Corcoron Gallery
BY FLORENCE S. BERGMAN
star Art Critic 5

THE American Muse" opened Friday evening at the
Corcoran Gallery Of Art with brilliant bah which has
been reported and described The Stars society pages
The exhibition composed Of 1872 paintings and other works
by American artists from the 18th century to the present
presents parallel trends in art literature painting
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

"Aframerican religious songs"
sung by Roland Hayes, tenor
Vanguard. The singers
years tell hardly at all in this
affecting collection. The
usual name for the music is
spirituals. Reginald Board
man is the able keyboard
collaboration.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
THURSDAY

UNITED STATES MARINE BAND, Al.
bert Schooner, conductor Soloists.
Fredric Erdman, cornet; William
Jones, baritone. Department OF
Commerce Auditorium, S:l5 pm
Knightsbridge March from London
Suite. Coates: Introduction to Act 3
Lohengrin, Wagner; Suite of Old
American Dances, Bennett; Finale
from Concerto in e minor, Mendels-
Sohn: Carnival Roman Overture
Berlioz: Chimes OF Liberty, Goldman
The Beautiful Blue Danube. Strauss
La DANA, RosSini; Cappriccio Ital-
ian. Tchaikovskv.
BUDAPEST STRING QUARTET As
sisting artist: Mitchell Lurfe, clari-
net. Library of Congress. $40 pm.
Clarinet Quintet, K. 5S1, Mozart;
Quartet IN C minor, Opus Is, No. 4,
Beethoven; Clarinet Quintet, Opus
146. Reger.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
FRIDAY

BUDAPEST STRING QUARTET, Lii.
orary Of Congress, $50 pm. Rel
peating Thursdays program.
FRIDAY MORNING MUSIC CLUB. As
sisting artists: FRIDAY Morning Mu-
sic Club Choral Ensemble. MaIque-
rite Egeler. director; Mary Young,
Ann Elmquist. Frances Woodbury.
stone, violins; Thea Cooper. cello;
Hester Smithey. piano. Cosmos Club,
11;30 am Trio. Opus % D'Indy;
other music by Bach, Mozart. SproSs,
OPERA SOCIETY OF WASHINGTON
Participating artists: National sym.
phOny Orchestra, Paul Galloway
conductor; Cast: Alberts, Allen, An
thOny, Cas-. CuenOd. di Gerland. di
Giuseppe, Herbert, Trehy, Ward. Lis
ner Auditorium. s pm. Falstaff,
FAIRFAX HIGH SCHOOL BAND, Phi
Fuller, director Fairfax H. S. Audi
torium. S pm. Music By J. Strauss
Tchaikovsky, c. Williams, and others
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
TOMORROW

sity, $3.50 pm. Repeating yesterday
program.
REBEcCA sPAATZ. piano. Phillips
Gallery, $50 pm Partita No. 4
in D. Bach; Suite No. 4, Skalkottas
PassaeSslis- skslkottas; Moment
Schubert; Impromptu in P minor,
Opus lac. No. 4. Schubert: Sonata
No z Hfnden,ifh
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
TUESDAY

UNIVERSITY OF MARYLAND SYM
PH0NIC BAND. Hugh Henderson.
director. Richie Coliseum. Univer-
Sity Of MARYLAND, pm Overture
to The Marriaee OF Figaro. Mozart;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
SATURDAY

AMERICAN UNIVERSITY ORCHES-
IRA. George Steiner. conductor. So
loiSt: Leroy Petersen, violin Glen
denen Hall $50 ON Annunciation
OF Spring. Boone: Concerto No. : in
a, K 219, Mozart: symphony No. 3
in B minor. Tubin.
WILLIAM WEBER oboe and English
horn; Melvin Bernstein, piano; Phil
lip Alvarez, clarinet; John Tartaglia,
viola, Catholic University, 3 pm.
Oboe sonata in B nat. Handel: Suite
for oboe, clarinet and viola, Thomp-
son; Adagio for English horn. vio-
Inns. cello, Mozart: sonata for Eng
hSh horn and piano, Gordon Jacobs.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
MORE SONG
Recent and noted:

FtCtIIL dIIu uUUtu.
'Es, es. es und es." "Zu
Lauterbach" and other Ger
man folksongs sung by the
Albert Greiner chorus of
Augsburg CVox). Repertory
akin to Vanguard's German
university songs, but without
orchestra. Pleasant singing.
No texts.
DRY Bones, Steal Away"
Deep River" and other
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05
Experience Cult

The first trend is THE Cult
of Experience" which "domi-
mates much of the cultural
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

RECORDS
Flogstod
Of '3Os
On Discs


TechnoIogicai advances like
stereo can increase musical
pleasure but they cannot
supply personality. Flagstad
is Flagstad. and that fact is
worth more than a dozen or
q thousand patents.
II there Is any doubt about
it, there are means at hand
to dispel it. Ones recollection
ranges without difficulty over
the grooves that have docu-
mented the essence OF that
majestic voice since 1t first
vibrated through the vast
ness OF the Metropolitan.
Opera House In the winter Of
l934-5. but 1t is reinforced by
. disc bearing proof positive.
Arrayed on one side are the
"Dich. teure Halle" Elisa
beth's prayer. Elsa's dream
and Bruennhilde's battle cry
sequence which the debutante
Flagstad, them under 40,
recorded with Hans LANCE
only a few months after
ward, as well as the "Du hist
der Lenz" and ''Euch lueften,
die mein Klagen" engraved
in Philadelphia Cor Camden?)
with Ormandy almost pre-
cisely two years later. This is
Wagner which, though Flag
stad herself miraculOusly still
is recording Wagner today in
far more suitable dimensions,
is unlikely to be surpassed.
On the oversize are the
Beethoven "Ah! Perfldo," the
"AbScheulicher" aria from
Fidelio and "Ozean, du Unge-
heuer" from Weber's Oberon,
also recorded in 1897 with
the Philadelphians, and on
this evidence one can believe
Francis Robinson's remark
that Beethoven's disfavored
operate efforts hold for Nine.
FlagStad a special fascina-
ton, for the supercharge is
fully apparent.
The London Walkuere re-
cordings and Alceste already
available land without doubt
a stereo Rheingold scheduled
to Gomez are indispensable
acquisitions, but the Camden
collection at $1.98 is a phe-
nomenal bargain, undimin-
iShed by being mono"
X 4 y x
kits AND ROSES
Out of sheer perverseness
I want to cite two other new
Camden monophonic bar
gains. One is a discful of
songs sung for the acoustical
horn, and in a few cases, the
microphone at various times
from 1911 to 1880 by the late
John Mccormack.
For some reason the years
since the great Irish tenor's
death seem fewer than nearly
IA (also the number of songs
on this disc); perhaps it is
the imprint of his music
making. In any event, this
numerically modest sampling
from the 580-odd recordings
made in, the long and
Singularly lyrical McC ormack
career will stir cherished
memories for some and bring
a revelation to a younger
generation regarding the art
Of bel canto.
Somewhere a Voice is
Calling" "The Rose of Ira
lee," when Irish Eyes are
Smiling" and +" I Hear You
Calling Me-" to name only
the most favored, hardly can
have sounded forth more
appealingly, before or since.
The second disc bargain
relates to a vocal figure
equally beloved of an elder
generation, the famous killed
and tartaned Sir Harry Lau-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-04-05

staff" does not improve on
early Verdi, it is something
entirely original.
Kodiak mirror., 1959-04-25
- s'...!

 | '.
Kodiak mirror., 1959-04-25

.i.i i..
Kodiak mirror., 1959-04-25

   .s
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28
House OKs
Role in Bank
ToAid Lutins
BY the Associated Press

United States participation
in the new Inter- American
Development Bank has been
assured by approval from Con-
gress. The bank aims to speed
the economic growth of Latin
America.
The House passed a measure
agreeing to a role for this
country by a 23O-87 vote yes
terday and sent it to President
Eisenhower. The Senate had
approved it earlier by an 1913
vote.
Since the President had rec
commended such legislation, he
is expected to give it quick APP
proval.
The billion-dollar bank was
recommended at a meeting of
representatives of the United
States and the 20 Latin Ameri-
can republics last April 8. It
would make loans for develop
ment projects and, in some
cases, furnish technical assist
ance.
The United States share in
the bank will be $3.50 million,
or almost half. This country
will provide $3.50 million of the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28

that she had been kidnapped,
But she admitted later the
story was false.
Couldn't Stand Pressure
Gay told authorities that she
was unable TO stand the pres
sure of wedding preparations
and decided to leave New Jersey
to get away from her response
bilities.
Police in both Chicago and
New Jersey have questioned
Gay closely about her flight
The most recent of these in
vestigationS was conducted yes
terday in the Harris big, ranch
style home here.
After the session. ESSEX
County Prosecutor Brendar
Byrne announced that nc
charges would be filed against
Gay. Nor have any other Off
Gals indicated they planned tc
charge the girl with anything.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28

ri NV, and willlmsnsr Warren, ~,
joseph lah ! M2 Rnfls. :! naSsFn.pW,.nd
Anne r.. Word, 81, 5li2 Psnnsyl-
AVE ave NV, u and Mary X K. BERNARD, 81.
I4.5 Montague ST NV.
Thomas L. Nottingham, 90 Silver
Spring, and Carol A, Dompierre Is,
6Sl6 send 81. NV
oscar d. Green, III, 81, Baltimore,
and Kuulei B, Mobley, 30 Wilmette,
Rice A. Jett, IT,, 81, Norfolk, Va, and
Mary r. NJ silliphant, %, Chevy
Norman A Patterson. 90, 1922 Lamont
st. NV, and Virginia W, Stslard.
~, 1919 18th St NV.
Isaiah L. Samuels, 81, 1912 Sd II, nv.
and Joyce J Robinson, 10, lS@ st.
Merrill W Bovles %, HyattSville. and
Carol J Brown, 20, 55lO LIST 81 NV.
William j Leiberton, jr, II. Silver
Spring, and Eleanor A. WildaueT, 20.
4Sg Valley ave Se
Audell l.. Barbour, 20, 1915 Q st. NV,
and sandra Lewis, 49, l3is Euclid
Michael c. Thompson, %, 1905 18th
St NV, and MarVa Z. Grasty 81,
Martin A Moody So and Beulah v.
Burrell, 30 both Of 1890 Lamont
stephen X. Dietz. 81, 1912 O st NV.
and Dorothy v Nelson, 10, Alex
! andria.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28

would eventually be married to
Stanley Gaines, rs, Of Fayette-
vile, w. Va. as planned, but
gave no date. They were to be
married August 30,
Newsmen then sought Mr.,
Gaines reaction. He said he
and Gay would have a quiet
wedding with as little publicity
as we could possibly hope fol-" "
Plans for Vacation
Mr.. Gaines plans to get away
for a vacation with Gay and
her mother "as soon as we pos
sibly can"
A Nationwide alarm went
out for the debutante last
week. The 2l-year-old honey
blond disappeared from Newark
Airport after seeing Mr.. Gaines
off to Pittsburgh.
She turned up Friday in Chi
cago, some SO hours after her
disappearance, and told police
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28
Hotel for Newsmen

MOSCOW, July % (AP).-
The official news agency, Tass,
says the First International
Holiday Home for Journalists
has been opened officially ON
Bulgarias Black Sea coast.
The agency said it was built
with funds from unions affili-
ated with the international
Organization of Journalists.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28
Z Aides to Join
Nixon in Poland

The State Department :
sending reinforcements to as
sist Vice President Nixon on his
visit to Poland.
Two department experts on
Polish affairs, Albert Sherer
acting director Of the Office of
Eastern European Affairs, and
Polish desk officer Richard
johnson asked for Polish visas
They are scheduled to leave
Thursday. The Vice President
is due in Warsaw next Sunday
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28

banks ordinary capital of $3.50
million. In addition the United
States will contribute 500 mil
lion to the banks $3.50 mil
lion fund for special opera
tons.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28
Hart Heiress Delays
Wedding; No Date Set

SHORT HILLS, N. j, July % (AP).-Jacquelne Gay Hart
who says she fed Chicago the strain Of elaborate
wedding plans has decided to postpone her marriage.
Publicity her caused the posponement says Gays
father Ralph A. Hart.
Hart executive vice president OF the
Co. told of his daughters decision last night He added she
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28

Theodore c. Myers, "a, 3l5 Whittier
st NV, and Marjorie A, Lavish, 81,
1920 Knoll DR.. Sc
Robert j Wrenn. Westwood. N j., and
Helen Wayco, 81, 342g Yuma ST NV
Dale T. Gaskill, "a, Boiling Air Force
Base, and Sandra j. Cook, 49, 1873
Ingleside tr. sc.
Robert M King, 10, 444 lakewood St
Robert NJ. Schmidt. 20, 2OOo G st. NV,
and Mary r. Pierce. 30 Houston.
Tex
Edward J, Lower IS. and Bonnie X
Donald NJ. Williams II, Falls Church,
and Phyllis / Haffer 10, Alexandra
Richard d. McGill, 20, 724 Marietta
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-28
MARRIAGE
LICENSE
APPLICATIONS

Under d. C. law couples
must apply for a marriage
license on one day, tDdit three
tuH days and receive the
license on the nth day. Sun
days and holidays are counted
the same as other days.
Evening star., 1959-11-16

CAT, calico (black, tan and white); vic
acres. since Fri; believed to have trap
on right front paw; name, Stormy. )
Eeward. OIL 4-4S53 aft. $50 or RE
1-654O hPfnre R.9O
Evening star., 1959-11-16

AIREDALE PUP, female. bl. and tan,
wos.; Wheaton area; childs pet.