davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
CupoIi Students

Washington area artist and
teacher James Cupoli was the
victim of a wrong side driver
early in July and suffered
injuries which have taken
him in and out Of hospitals
for nearly three months. Con-
sequently, his annual exhibit
ton of students work at the
Colony, 1887 DeSales street,
was late in opening. 1t re-
mains through next Satur-
day.
Oil paintings and water
colors by some Of these
students show considerable
promise. Two pastel portraits
by Betty Taubman are out
standing, having animation
and individuality. Best works
in other subject classical
tons in my opinion are: Still
life. Grapes" by Barbara
Barrett; landscape with fig
ures, Leola Mattingly's Wash
Day; harbor. Dorothy Web
ber's Fishing Docks; abb
stract, Mirage" by Opal
Combs, for good color, well
arranged.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
Dutch Etchinqs

The Division of Graphic
Arts, Smithsonian InStitu-
ton, for some months has
been unobtrusively present.
ing small exhibitions in its
print gallery in the Smith
Sonian building. These shows
are drawn from its per-
manent collections; but in
view of the fact that not
more than 20-odd items can
be shown at one time, they
afford an opportunity to see
fine prints which are gen.
orally unavailable to the
public.
Through this week is a COL
lection of % Dutch etchings
of the 18th century. Rem
brandt is appropriately the
star of the show, with Z
prints including his large
Death of the Virgin, Jesus
Appearing to the Disciples"
and a portrait of himself
leaning on a stone wall.
Adriaen van Ostade's six
etchings ne. miniatures. but
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
TODAY

ST. THOMAS CHORAL SOCIETY, St
Thomas Apostle Church, Twenty
seventh street and Woodley road
NV. soloists: CAROLYN KniEht
Fred Quinn, tenor. John Yeardley
baritone. Lord Nelson Mass in Z
minor. Haydn.
LUCERNE FESTIVAL STRINGS. Ru-
SolRh Ba1msartner: , c9nduct on
sttUtio str Hall vv5 P peSs1ne am ~
Chaconne, Purcell; Concerto in E
Bach Concerto in D minor. Tar
tint: Music for an Imaginary Ballet
Armin Schiller.
WAKEFIELD CONCERT BAND AMI
SINGERS. Gerald NJ. Lewis, director
Wake, Bach Chiaffarelli: Romantic
overture. Leidzen; An Original Suite
Jacob: Wondrous C9ol, Brahms Brahms
son: Black is the Color, arr Church.
i'll: Barefoot Uranium; March Of the
Slide Trombones, Scott-Lang: Ode
for Trumpet, Reed: Selections from
The Music Man, Wilson.
WASHINGTON RECORDER SOCIETY
sShar yw Tcusey' hATps As;a b Sar Be-
Pres. John of Fornsete, Couperin
c. P. E Bach. Philip, Schneider
CHESTER o'BANNoN, baritone; vii.
liam Watkins, organ. Georgetown
PRESBYTERIAN Church, pm. Toe
cata in F, Bach; HYMN of Praise
Highland Melody; Arm, Arm. VI
Brave! Handel; 1t Is Enough, Men
delssohn: Three Psalms for Baritone
and Organ, Sowerby.
JOHN W. HARVEY, organ. Nationa,
City Christian Church, 5 pm. Cor
motto maestoso, from the Third
Sonata. Mendelssohn: Minuet ano
Clique, Rameau: Passacaglia anc
Fugue in Minor, Bach: Outbursi
of Joy, Messiaen; Elegy, Peters
Ardante and Allegro. from Grandt
Piece Symphonique, Franck: Allegro
from the sixth Symphony, Widor.
NATIONAL GALLERY ORCHESTRA
Richard Bales, conductor. Nationa
Gallery Of Art. 8 pm. Soloists
Margaret TOlsOn, piano: Charlie:
Gallagher, trumpet: Mary Reynolds
piano. Overture to Egmont, Opu;
"a, Beethoven; symphony, Kome
Abe: Concerto in C Minor, Opus IS
Shostakovitch; Kentucky Concerto
National l11e5s1i SYMPHONY ORCHESTRA
Howard Mitchell, conductor. Hol!
Cross Academy, S:15 pm. Soloist
Monte Hill Davis. piano. Suite from
the Royal Fireworks Music, Handel
Harty; Concerto in A minor, Grieg
First Symphony, Brahms.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
Persian Miniatures

An exhibition Of excep-
tionally fine color and gold
facsimiles of illuminated
pages from six manuscripts
in the Gulistan Imperial Lii
brary, Tehran, and a series
of wall paintings at the Chilli
Sutun Palace in ISfahan. is
at the Middle East Institute,
1851 N street NV. through
Thursday.
The 80 illuminated pages,
Persian miniatures. of the
18th and 18th centuries, illus
trate romantic and epic
poems. the Salamanca.
Kalila and Dimna, and
others. These facsimiles were
first published in Tran" the
sixth volume of Unesco World
Art Series. reviewed here at
the time. The final eight re-
productions are decorative
work of the Safavi period,
18th century. The institute
is open daily, 8 to 5.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
TURNTABLE TALK
Library Explores
Disc Preservation

ing about. Tape, of course,
is not yet a mass phenome-
non.
DeteriOrating Agents
What are the chief deter
rents to long-term preserva-
ton of any recording? The
library's study. being express
ly devoted to the institutional
storage problem and explic-
lily excluding considerations
of use, leaves the average
man somewhat to his own
soul-searching and specula-
lions, but most of them are
reasonably obvious. Mos
ture is tagged as one of the
worst. 1t not only is ideal
for mildew, technically re-
ferred to as fungi, but it also
can cause debilitative chem
ical changes in all older, pre-
vinyl record materials. Heat
is another adverse factor.
High temperatures can dam
age any disc, and temper
allure ups and downs also can
cause warpage. Most records
are harmed by light, none are
helped by exposure to air,
and flngerprints and dust do
just what anyone would ex-
pect. So does adverse stress,
such as a warped jacket.
Interesting Conclusions
The investigations put sam
pie discs through elaborate
tests to verify these things,
such as exposing them to
funguS-infected cardboard for
a month to six months, con-
filming them in heat cham
Der and under ultraviolet
light, and chopping them up
for chemical analysis in which
they we're burnt, melted,
color-checked and smelled.
A good many interesting
conclusions were reached. One
was that it is virtually i'm
possible to generalize about
so-called Shellac discs (the
category of most old Is
r.p.m.s because they are
made of a fantastic variety
Of materials, including in
some instances no shellac at
all, and because their be-
havior is therefore largely I'M
practicable.
Plastic discs were found
more uniformly dependable.
But the researchers came up
with a discouraging finding
that in some instances poten-
tial warpage was built in by
defective manufacture or
materials, as well as induced
by sloppy factory handling.
The Library of Congress
was found to be an excellent
source of older test material,
partly because of Washing
toms climate, which the re-
port listed as humid sub
tropical.
The question of record
storage life still has not been
firmly answered. Under good
conditions playable "shellac"
discs have lasted half q cen
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
ObeIisk Opening

Vincent Malta's first Wash
f1gton one-man show opened
the season for The Obelisk
Gallery, 3241 P street NV.
to remain through next Sun
day. TUESDAY throug h
Saturday, II to 6; Sunday 3
to g. But this Brooklyn
artist has been represented
In important group shows
here in the past 8 years. in
Guiding the Society of Wash
ington Printmakers and the
Pennell Show, Library of
Congress.
The ObeliSk exhibition
comprises 16 paintings in oil,
encaustic and collage. In a
statement at the Gallery of
his detectives, Mr.. Malta
says he endeavors to have his
work Illuminated with light
created by the color itself.
His paintings. which are
modern f1gurative drastically
Simplif1ed, do this in Fruit
with Lamo." "Still Life with
Lemon" and Red Still Life"
AMI mosC notably in the
shows two best paintings,
Reclining Woman" whose
high-keyed colors are rem
iniscent of Bonnard; and
Morning" as cool and fresh
as an open window in early
autumn.
in view of his gift for color
as exemplif1ed in the oil and
encauStic paintings, it is hard
to see why he squanders time
on the patchwork of collage.
His several pictures composed
of scraps of newspaper,
colored cardboard, fabrics
and other miscellany, are
reinforced with heavy crayon
outlines. and appear spotty
and monochromatic.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
MUSIC PROGRAMS
TOMORROW

D c. CHAPTER. NATIONAL AsSoCI-
ALTON OF AMERICAN COMPOSER
AND CONDUCTORS. Auditorium OF
the Perpetual Building Association
Composers Forum.
4STHER LA BERGE, mezzo- soprano;
Rudolph GAM, piano. Phillips Gal
lery, $3.50 pm. Three Songs
Schoeck; Three Songs from The
Little Mermaid, Honegger; Four
Songs. GAM; Grave, Martin; Souple
Honegger: Lent, Honegger; Prelude
in G nat, Blanchet;. Serenade in g
fiat, Blanchet; Sunday Morning in
the Mountains, GAM; Idee Rhyth-
miaue, CAM; LIST ais wenn ems
gerufen hiatt, Martin; So VOLT icf
ganz zernichtel Sein, Martin, Petite
File, Binet: Chanson de la Route
Binet; Chanson des Cadeux, Anser-
met; Les Files du Village, Anser-
met; Six Songs in Alsatian Dialect
Gan1
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
BY JAMES G.. DEANE
Star Record Critic


How long will a phono-
graph record last?
This is an intriguing ques-
ton which any serious COL
lector no doubt has WON
dered about. 1t is obviously
a question without a simple
answer, because there are so
many possible variables in
volved.
Two years ago the Library
of Congress obtained a
$3.50 Rockefeller Founda-
ton grant to look into the
subject. The Southwest Re-
search Institute of San An
tonic, Tex, and a group of
scientists were engaged for
the purpose.
The Institutes report is
now in and published, and it
proves just about as intrigu-
ing as the original question.
Divested of technical Ian
guage, the report says in
effect that recordings as
hitherto and presently made,
packaged and usually stored
(even in the Library of Con-
gress) will not last as long
as records ought to. The sub
ject, it also says, needs a lot
more study.
Photograph recordings are
relative infants, at least as
libraries go. They have only
been around for so years or
so. Plastic microgroove discs
and magnetic tapes, the
newest recording media, go
back hardly more than q
decade, at least for practical
research purposes.
Age Takes Heavy Toll
The owner of a Tamagno
or Caruso disc may be able
to prove that a record half a
century old is still playable.
But it was hardly ideal when
freshly pressed, and prob
ably is a good deal less so
today. One reason may be
something of a rude awaken
ing to the layman. The fact
is. the authors of the lib
rary's report. A. G. Pickett
and M. M. Lemcoe, point out,
that even unplayed records
deteriorate. Old-f a S h o ned
so-called shellac discs can
become brittle and some
times widowed or warped.
Acetate transcriptions are
much less durable. Plastic
discs too, are subject to in
firmities, even if never taken
off the shelf. Tapes are sub
ject to their own special
hazards.
Add to these the average
mans propensity to embel-
lish discs with dirt and
thumbprints, store them near
a radiator and pile them up
like pancakes, and the man
ufacturer's habits of care
less production, packaging
and shipping. and it becomes
something of a wonder that
the whole business has grown
to a dimension wotth worry
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
Mary Driven Solo

Before Mary Orwen's solo
exhibition at Jefferson Place
Gallery, 1916 Connecticut
avenue NV, was a day old,
seven of the 81 paintings on
view had been sold. They are
distractions in fresh, high
keyed colors, all of which
conjure up blooming gardens.
or arbors of Towering vines,
despite the fact that they
were inspired by various sub
jects. to judge from their
titles: sea Chant" Gold
Sea Growths," From Maine
to Massachusetts," Pond"
and others. most of them in
deed suggesting the sea.
In a leaf1et available at
the gallery, Mrs. Driven
states her detectives in her
painting. concluding: 1.-THE
g!ob of paint, the drip, the
patch of color are all legiti-
mate tools" She combines
globs, drips and patches into
more handsome entities, than
do most practitioners of this
technique. In the current
show her large "Cercis" i'm
pressed me as the best, with
High Noon" a blaze of gold
and blue a close second.
Despite differences in each
painting, there is a great deal
of similarity in the collec-
ton. When the paintings
enter the homes of purchasers
each will be more effective.
Mrs. Driven will talk in
formally about her work at
the gallery. next Thursday at
1870. The show is open
through next Saturday, daily
II In <
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
Dupont Gallery

The Dupont Theater Gal
lery Of Art opened the sea-
son with a one-man show Of
paintings by Gene Davis, an
incredible collection. About
half CT them are small can
vases thinly stained and
spotted with indeterminate
colors, greenish gray, cloudy
yellow, ETC., as backgrounds
for feeble pencil lines and
circles and spots of opaque
white. Several larger paint
ingS. also thinly stained, have
more emphatic forms: Blobs
of pigment as squeezed from
the tube, some of it slashed
diagonally down the canvas.
Pure color, vermillion, en-
erald green or whatever, is
very nice in its pristine state,
fresh and jewel-like. But
when one recalls what artists
for several centuries have
been able to do with the sub
stance, one finds the current
production barmecide paint
ing.
Mr.. Davis went so far as to
paint large circles within
circles in several of these,
suggesting archery targets.
But the rest, even if regarded
as studio exercises and ex-
periments, have a tentative,
improvised appearance.
Mr.. Davis is self-taught,
has had 5 earlier one-man
shows in Washington, and
has received awards in two
Corcoran area ANIMALS, and
the Society of Washington
Artists. He is represented in
the Barnett Alden Gallery
and several private collec-
tions. (Open during theater
hours, through Saturday,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
NEWS OF MUSIC
BY DAY THORPE
Star Music Editor

The young Dems," as the
Young Democratic Club Of
the District calls itself in
formally. "score Eisenhower
administration for disregard
Of cultural values-urge Ike
to include young United
States artists in his cultural
exchange program" The quo
tation is from the headline
Of a resolution Of the club to
be submitted to the national
convention. The Young Denis
want young artists like Van
Cliburn included in the Pres
ident's special. international
cultural exchange program.
:. We should establish in
the United States a viable
program for discovering our
own young artists instead of
waiting, as we have for dec
AIDES. for Europe and the
USSR to discover them for
U.S."
Viable programs have to
be supplemented policywise, ]
suppose, but at that I am
sure such a program would
be easier to implement than
to devise. Take the case of
Van Cliburn. the only young
American whose name comes
readily to mind who has been
discovered" by the Soviets.
How or by whom could Van
Cliburn have been discov-
cred locally? Russia was the
catalyst in the Van Cliburn
success story, a story that
would have had no readab BILE
plot if Van Cliburn had not
been in Moscow and had not
been kissed by Khrushchev.
Where Lies Success?
Ability is never the sole
ingredient Of discovery in to-
days musical world of the
United States. Van Cliburn
is an excellent young pianist
but he is only one of at least
20 young Americans no less
talented unsteady, techni-
cally, or in the matter of
stage presence and appeal.
Discover" What do we
mean by discover" Is dis
covery something beyond
and apart from being at the
right place at the right time,
or the professional skill of
an agent. or hating daddy,
or playing the piano with
your shoes off, or winning a
prize behind the Iron Cur
tain. or being picked up by
the Record = of = the Month
Club?
The reader will be quite
wrong if he hears in my in
Elections the slightest dis
dain for any of the above
pathways to success - he
should only be aware of my
bewilderment at the propo-
sition of legislating a viable
program for discovering our
own young artists. They are
really not so hard to discover,
the question is. what do you
do with them after you have
found them? How do you
create a demand for their
services after you have found
your artists and even finger
printed them? How do you
create a demand for musical
art? BY press-agenting cul-
ture? This ticklish activity
may be part of the game.
but usually it is more sue
cessful selling individual
artists than in selling art.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25

page A-l6.) Since the eXhi-
bition will remain through
December 8, it will be re-
viewed here next Sunday. All
the exhibitions discussed be-
low, will close by the end of
the coming week.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
NEWS OF MUSIC
Discovery Of Artist
Goes Beyond Ability

What is the young Amer
lean artists defense against
the competition of the Eu-
ropean artist? With us, there
are only a few long-hair mu-
sicians in the big money, only
a few that as soloists will
create a demand for tickets
for symphony concerts, only
a few who have the drawing
power to make a popular Sc
ries like the Hayes concerts a
success. These few. some of
whom are outstanding mu-
sicians, but most of whom
are no better than many of
their colleagues, are success
full because they have the ad-
vantage Of renown, their
names are household words.
Fame Follows Behind
There is certainly nothing
opprobrious about a big
name. The heartbreaking
thing is that frequently by
the time an artist has a big
name he or she is no longer
in prime condition, being
worn out by the struggles
and compromises that finally
result in the favors of big
business in the music world.
How many singers on the
boards of the Met and recit-
alists with orchestras like the
National Symphony and on
concert series like the Hayes
are there who, anonymous
and behind a screen, could
maintain their position with
the public. I do not belittle
the personality of the star,
I do say that chance plays a
part, and that in any line of
endeavor there is room for
only a few darlings of the
public. One should not be-
grudge success, but one
should also not confuse it
with superiority.
The cost of producing
monograph records in
America is much greater
than in Europe, especially
when an orchestra is in
volved. AS one of the best
ways to compete with the
concert hall and TV quasi
monopoly is by recordings.
many of our artists find
themselves recording jobs in
Europe, and are frequently
rewarded by recognition in
this country unavailable to
them through personal ap-
pearances they could not win.
1t sometimes happens that
artists who are engaged in
Europe, on the basis of a
popularity won through
records, turn out to be
Americans who have won
places at home from abroad.
Perhaps what the Young
Dems mean by discovery is
actually subsidy" There
certainly would be a greater
demand for long-hair music
if it were cheaper, if some
one other than the consumer
were guaranteeing the hvGll-
hood of the performers. Per-
haps a government subsidy
of the arts would be a good
thing at this point Of
Americas development, I
don't know. Whether good
or bad, subsidy of young
artists should not be con-
fused with discovery of young
artists. You can legislate
the former, but not the
latter,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25

Hamlin, Mrs. I. William Hill,
Mrs. John w. Thompson, jr.,
and Mrs. Harry w. Wells.
AS they express it, the House
of Mercy Bazaar combines
fun-shopping. urgent Christ
mas buying, and a humani-
tartan cause.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
TUESDAY

NATIONAL SYMPHONY ORCHESTRA
Gregor Piatigorsky, cello. Constitu-
ton Hall, $3.50 pm. Symphony in
B fiat, No. 90, Haydn: Biasee de Ia
Fee Ballet, Stravinsky; Roman
Carnival Overture, BerlioZ; Concerto
in B minor, Dvorak.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
ART NEWS OF THE D., c. AREA
Busy rtWeek Offers
! Outstanding Shows
BY FLORENCE S. BERGMAN
Star Art Critic

~ Washingtons major annual group show Of traditional
painting and sculpture the Metropolitan Art Exhibition
opened its 22nd edition last Sunday in the foyer of the
Natural History Museum Constitution avenue at Tenth
street NV. 1t is sponsored by the American Art
League "a news story in The Star october 10 on
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
FRIDAY

MORNING MUSIC CLUB
John Wesley Powell Auditorium
Margaret Wright, violin; Marcia
Fox, violin; Annette Steiner, harp
sichord; Lynne Simpson, soprano
Dorothy Emery, piano; virginia Du-
laski, piano, Golden Sonata, Pur-
cell: Che vuole innamororsi, Scar.
latti: Charmant Papillon, Campra: 1
est douX, il est bon. Massenet; Del
Schmetterling, Schubert: Under the
Willow tree, Barber; Fantastic, Cho-
pin; Three Pieces from Siete Pleas
para Piano Galindo.
ADELE ADDISON. soprano: John
Payne, piano. Constitution Hall
$50 pm. Aria de Acis y Galatea
Litares; Minue Cantando. Bassa
Cantar, arr Min; Jesus de Naza-
reth. arr. Min: Abendempfindung
Mozart: Dams un Bots Solitaire, Mo-
Fart: Lambertine, Schubert: Dass
sic hier gewessen, Schubert; Bel Dir
Schubert; Frauenliebe und Leben
Schumann; Walking, Ives; The
Seer. Ives; Where the Eagle Can
not See, Ives; General William
Booth Enters Into Heaven, Ives;
New Moon, Tyler; To a Brown
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
WEDNESDAY

NATIoNAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. Solo,
list: Gregor Piatigorsky, cello. "Con-
stitution Hall, $40 pm. Repeating
TUESDAYS program
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25

lively and perceptive, dealing
with figures and types.
Landscape with Peasants"
by Jacob van Ruysdael. a
Paul Potter COW, and other
etchings representative of the
respective little masters"
make it a characteristic COL
lection. Daily and Sunday.
8 to 4.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25

Girl Dead. Bonds; Swing Low. Sweet
Chariot, trad; Good News, arr.
Hayes: You're Tired, Chile, arr.
Hayes: Great Day, arr. Kerr.
ROLL STRING QUARTET: william
David MankOyitE, viola: AKRON
Twerdowsky, cello. Assisting artist
Alan Shulman, cello. Library OF
Congress, $50 pm. String Quartet
in D, Opus Is, No. 8. Beethoven;
String Quintet. Fnney; String
Quintet, Finney: String Quintet IN
c, Schubert.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-10-25
SATURDAY

MUSICAL PLAYHOUSE co. "Tosca'
by G. Puccini. Frederick Fall, con
ductor. Unitarian Church of Ar
lington, 4444 Arlington boulevard
Two performances, 2:30 pm; $3.50
pm.
The Farmville herald. (Farmville, Va.) 1957-current, 1959-06-12
ARE EASY 70 INSTALL

sSsOOVSBS0SSBG SNVSB - anu
field n seven big ways.
BEST BRAKES ]. /. In direct COM
petitive tests of repeated stops from
highway speeds, conducted by MAS
carr, Chevy out-stopped both the
other leading low-priced cars-and
why not: Chevy brakes are far larger,
built with bonded Innings for up to
$3.50 longer life. BEST TRADE-IN
Check the figures in any N.A.D.A.t
Guide Book. You'll find that Chevy
used car prices last year averaged up to
1928 higher. than comparable models
Of the "other two" BEST STYLE
Popular Science magazine sums it
.Natiorol Association for Stock ca, Advancement
tAutomobtle MdnxfGctuyeys Association
The Farmville herald. (Farmville, Va.) 1957-current, 1959-06-12
News From BeIono
Mrs. D0bbins Sees
Nephew Graduated
At Hampden-S Sydney

Mrs. H. H. Dobbins and Reid
Dobbins attended the graduation
exercises at Hampden-Sydney Col
lege on Monday when Mrs. Dob
bins nephew graduated 1t was a
very happy occasion for her.
Mr.. and Mrs. Joseph Mathews
have moved into the Manse. He
conducted the service at Providence
Church Sunday morning. He will be
ordained very soon. There was a
large congregation present to hear
his message.
Mrs. Mathews mother, Mrs Pitt
man. is visiting her.
Guests Of Mr.. and Mrs. H. H.
Dobbins on Sunday were Mrs. w.
E. Scott and son. Henry Scott. from
Richmond.
The service at Emmanuel was
held at 1l:l5 am. on Sunday Ross
Becton assisted the Rector h e
Bectons live in Amelia. and he will
assist the Rector in this Cure.
Services In Gainesville
The Rev. Wilson M. Stitt began
holding services at St. James
church in Gainesville in May.
Philip Brauer IS a patient in
Johnston-Willis Hospital and his