davidaulloa/AmericanStories huggingface dataset:
Evening star., 1959-11-26
DENMARK ACTS
TO GET AIR SPACE
FROM FARMER

ES BJER B, Denmark
(AP).- The Danish gov
ernment is starting pro-
ceedings to appropriate the
air space over the fields Of
a farmer on the island Of
Fanoe. Of the west coast
Of Southern Jutland.
The farmer demanded
pay to let high-tension ca
bles from q local power
station cross his fields even
though no poles would be
put on his land.
The government council
Of electrical power supplies
agreed to go through the
appropriation process. It
said the farmer would get
so kroner-about 81.
Evening star., 1959-11-26
8 Known Dead
In Italian Flood

ROME, Nov. rs (AP).-Eight
persons were known drowned
and many others were missing
today as more than a week of
unbroken rains flooded the
Calabrian toe Of Italy, iSolat-
ing numerous villages.
Regional authorities feared
the loss Of life would run much
higher when reports finally
come in from isolated farm
areas and rural villages.
Seas Of mud poured down
hillsides, partly burying some
communities. Water was s
feet deep in others.
Helicopters and amphibious
planes were used to evacuate
families trapped by still rising
hoodwaters.
Evening star., 1959-11-26
Blind BroiIIe Bookie
Held in Gumblind

LOS ANGELES, Nov. 26
(AP).-A blind bookie who kept
track Of bets in Braille Is one
of four men accused Of doing a
$25, ,000-a-day business with
H hollywood celebrities and
others, Federal authorities re-
port.
They were charged yesterday
with failing to buy Federal tax
stamps and make the required
10 per cent tax payment.
Freed on bond were Frank
Spagnuolo of Glendale, the
blind man; Domenic N. Mas
trippolipo, Hyman Jaffe and
Russell L. Graham.
Evening star., 1959-11-26
lndonesiu Terrorists
Kill 11S VILLAGERS

JAKARTA, Indonesia, Nov.
rs (AP).-Terrorists, believed
to be members of the fanatical
Darul Islam sect, killed 11S per-
sons and wounded more than
so Tuesday night in q West
Java village. reports reaching
Jakarta today said.
The attack by q band Of
about 400 occurred at Tjihugel,
Is miles east Of Banding.
Evening star., 1959-11-26
Train Jumps Track

LAFAYETTE, Ind, Nov. 26
AP).-Thirty cars Of the Mo-
non Railroad loaded with coal
jumped the track seven miles
north Of here last night and
smashed into a grain elevator.
D a m age was estimated at
$3.50, 900.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Inter-CuIturuI

An Inter-American Cul-
tural and Artistic COMPETE
ton for professional artists
of all countries in the West
ern Hemisphere has been
inaugurated by the Ceceile
Art Gallery, Inc. 81 West
Fifty-sixth street, New York
City 10. with the objective
of promoting cultural and
artistic ties. Dates for en-
tries are August 10 through
"a; the exhibition will be held
in September and october.
An Inter-American panel
jury will make $50 awards of
exhibition opportunities and
promotion. Three exhibitions
of so paintings each will
travel in the United States,
South and Central America
and Canada, respectively.
There is an entrance fee Of
IS for each painting or
sculpture, plus 81 for hand
ling. Four entry blanks are
included in a bulletin with
detailed information no be OBJ
tanned from the Ceceile Art
Gallery at the above address.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Art Book Review

SCULPTURE: TECHNI-
CUES IN CLAY, WAX AND
SLATE. BY Frank Eliscu.
(Chilton Company, Book
Division, Philadelphia; $3.50.
To demonstrate tn a t
sculpture is really not so for
bidding" is the purpose of
this book in the words of its
author, sculptor Frank Eliseu,
vice president of the Nation
al Sculpture Society, also
of the sculpture division of
the New York Architectural
League, and an associate
member of the National
Academy of Design. He is an
instructor in sculpture at the
School of Industrial Arts,
New York City.
Hundreds of Step-by- step
photographs, with simple
verbal instructions, give the
reader the "ABC's to a Ian
guage Of three-dimensional
Self-expreSsion in contrast
ing mediums" which is all
any instructor can do. AS
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Ceramic
International

The Seventh International
Exhibition of Ceramic Arts
will be held in the foyer Of
the Natural History building,
Constitution avenue at Tenth
street NV, from August 81
through September Is.
The Kiln Club of Washing
ton, which sponsors it. will
hold a competition for
awards open to all ceramic
craftsmen in the District,
Maryland and Virginia who
work in ceramics and tile,
ceramic sculpture. enamels
and stained glass. All entries
must be delivered Saturday,
August 8, between $50 am.
and 4::30 pm. in room 43 Of
the Natural History building.
Out of town entries, sent by
mail or express, must arrive
between August ! and 8. En-
try blanks and detailed in
formation can be obtained
from Mrs. Emma Lou Brady,
5607 Greentree I'd, Bethesda,
Md.
Featured will be the Isle
Purcell Memorial Award, a
purchase prize established by
the Kiln Club in memory OF
the noted Virginia ceramlst.
long a member of the club,
who died early this year. A
jury of experts will make Sc
lections of entries for this
local section of the Inter
national,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Arts Club Members

The Arts Club members
summer show, on view for
three and a half months at
20l7 I street NV, was ito
feature works of both resi-
dent and nonresident art
istS," so the bulletin said, in
viting entries. But it also
said, Members of other cate
gories may enter" Since the
latter appear to be in the
majority, it is not surprising
that the exhibition is pre-
dominantly amateur. So long
as members who are profess
sional musicians, architects,
writer's, etc, who like to
paint as a hobby, are invited
to exhibit with the profess
SlOnal artist members, the
summer show will continue as
it has been for too many
years.
Some artist members did
contribute, and their work
gives the show what quality
it has. I liked landscapes by
William F. Walter, Garnet
JeX, and Henry Olson;
Helen Minifie's portrait of
the Endicott twins; urban
scenes by Theodore Kane
and Marguerite Mum; har-
Dor etc. by Ruth Perkins
Stafford, (also her INTERIOR,
Roger Rittase, Martha Ba-
che, Katherine Sunny, 10
Altman and Isabella Walker
Qinocut), and Marguerite
Skaters beautiful flower
painting.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

by Nielsen and Piano Con-
certo No. l in B Flat Minor
by TchaikovSky.
2:O5, WGMS AMIN $50 nc.
and 1885 Mcl-At Home
With Howard Mitchell:
Cariolan Overture, Opus 81
by Beethoven and Sym
phony No. 2 in B Minor by
Borodin.
1880, WAX 1920 Kc.) -
Great Works of the Mas
tiers: Symphony No. 7 in A.
Opus 90 by Beethoven and
Concerto in D Minor for
Violin and Orchestra by
Brahms.
400. WASH-FM and WIDOW
1911 Nc. and 1910 Kc.)-
Symphony in Stereo: Re-
QUEEN by Verdi.
900, WASH-FM and WIDOW
1911 Nc. and 154O KcO-
In the Concert Hall: Poet
and Peasant Overture by
Suppe and Symphony in C
Major by Schubert.
$500, WMAL-FM nO7.S Me-
- Concert Stage: Piano
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

Concerto No. 3 in c Minor,
Opus 81 by Beethoven,
500, WMAL-FM 1O7.3 Me-
Opera Stage: wiener
Blut by Strauss (completel
and A Midsummer Nights
Dream by MendelSsohn
complete.
500, VOL AMIN (145O Re.
and 1871 Mcleod Music
Time: Concerto for Rustics
by Vivaldi and La Gioconda
(complete) by Ponchielli.
sos, WGMS AMIN $50 Kc.
and 1885 Me- - Mus c
Under The Stars: Delayed
broadcast in stereo from the
Watergate.
9:O5, WTOP $500 Kc.) -
World Music Festivals:
From the Bergen Festival of
Music. Featuring works by
Grieg and Saeverud and
Soprano Ingrid Bjoner.
l1:O5, WGMS AMIN $50
nc and 1888 McD-Or-
chestral Masterworks:
Symphony No. 9 in c, The
Great, by Schubert.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

Bach, Faure, Verdi and others
leonard Warren, baritone,
and Willard Sektberg. piano;
RCA Victor LIN 2266). An
actual performance collec-
ton from a 1858 Soviet tour,
including applause. Aside
from curiosity value this sort
Of melange makes little sense.
BRAHMS Rhapsody in G
minor and other piano pieces
(Rudolf Firkusny: Capitol
P 8485). An issue notable
especially for realistic piano
sound, as well as assured
playing.
BACH prelude and fugue in
C minor and other organ
works Finn Videro: Bach
Guild BIG 500. A splendid
collection played on a f1ne
Danish organ.
TARTINI sonatas In G
minor and G major and
works by Marcello. Albinoni.
Vivaldi and Vital Jan Tom
asow, violin. and Anton
HELLER. harpsichord; Bach
Guild BIG 583). Antique
music expertly played and
recorded.
DEBUSSY i'm ages for
orchestra Boston Symphony
under Charles Munich: RCA
Victor In 2282). Vivid per-
formances by the Bostonlan
Frenchmen.
HANSON Symphony No ?
and Lament for Beowulf
Howard Hanson, Eastman
Rochester Orchestra and
Chorus; Mercury MIG 50l92.
The choral Lament is a force
full piece dating from 1925;
the rather conventional SYM
phony dates from 1880.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

Mr.. Eliscu says, What you
say with it (the language
is up to you"
The book also endeavors
TO show good design through
many photographs Of sculp-
lures that he believes fulfill
the unchanging principles Of
balance and movement. form
and line. rhythm and flow"
These photographs range
from prehistoric Central
America, early Egypt and
China. classical Greece and
Rome, to modern Europe and
contemporary United States.
In addition to the books
three major sections on clay.
wax and slate, there are
short sections on pebble
sculpture and the creation Of
a statue, the authors life
size naiad for a fountain, now
installed in the lobby Of a
New York City skyscraper,
drawings of a sculptor's tool
and a directory of suppliers.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Calling Bruques

The Worcester Mass
Art Museum is planning an
extensive retrospective eXhl-
bition of the prints and IL
Illustrated books of Georges
BraQue for September. Miss
Alice Mundt, curator Of
prints and drawings, who is
organizing the show, would
be happy to hear from own
ers of Braque's graphic work.
especially those who possess
unusual states, scarce i'm
pressions, and limited edi-
tons.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
By JAMES G. DEANE
Star Record Critic

Schubert's great claim to
fame with the mass public
Is the So-called unfinished"
symphony, but with musical
historians the great claim is,
OF course. his phenomenal
achievement as a song
writer. No one else has ever
matched it. quantitatively or
Qualitatively. Yet one still
looks in vain for more on
records than a cursory sam
pling of the astonishing
Schubert song output.
One could hardly call it
more than cursory when the
available total is only a few
score out of more than 600
songs.
Irmgard Seefried, a rep
utable soprano, with Erik
Werba, piano, has contrib
uted a new discs worth of
these songs in the Deutsche
Grammophon series being
distributed by American
Decca. The disc conforms
to what has become pat
tern. That is, at least part
of the contents is presum-
ably guaranteed saleable be-
cause it is as familiar al
ready to the modestly in
formed classical music lover
as, say. The Star Spangled
Banner" to the ordinary
citizen. The items in this
sure-fire category include
the hymn Ave Maria" and
the song Die Forelle" (The
Trout. which has become
virtually the Schubert trade
mark.
Nine. Seefried's rendering
of Ave Maria" seems to me,
curiously enough. somewhat
theatrical. 1t also exhibits
some technical liberties
which Nine. Seefried, one
would suppose, would not
have passed if she had au-
dited the disc thoroughly,
which presumably she did
not.
More basic interest is likely
to be stirred, in any event, by
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
TURNTABLE TALK
Seefried Records
Schubert Lieder

the balance of the contents,
particularly a group of the
Mignon songs which Schu-
bert set under inspiration of
verses by Goethe, and such a
relative novelty as Die Liebe
hat gelogen," an intense
little song dating from 1917,
the same year as Die Fo-
relle."
"Lachen und Weinen," Lii
tanei," Die junge Nome"
and "Schlafe. schlafe," the
lullaby quoted by Strauss in
Ariadne auf NaxoS, are
others among the 16 on the
disc, all of which are intrin-
sically indispensable to any
lieder collection even if some
have been suitably supplied
by earlier means.
Nine. Seefried'S singing on
the whole is more agreeable
than arresting. have a feel.
ing in listening to the disc
that it represents a more or
less faithful transcription of
a recital-hall proceeding.
minus, of course, an audible
audience, a proceeding ade-
quate for some circumstances
but not necessarily calculated
ideally for the special needs
of the living room. The latter
include a somewhat more
vivid communication than
seems to come through from
this disc.
Recorded Understanding is
an art, it is becoming sppar-
ent, which is somewhat dis
tinct even from the distinctive
enough area OF understanding
generally. Deutsche Grammo-
phon has already established
its basic qualifications in the
field, but it would be graft
flying to have attention turned
now to something more sys-
tematic and inclusive. Per-
haps someone should form a
recorded lieder society. If
ne does, it will get support
here.
\ X
DISCAPSULES
Worth noting:
BEETHOVEN "In questa
tomba oscura" and items by
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
NEWS OF MUSIC
Carter Boron Opera
Changes Suggested

Merrill and Jan Peerce, yes.
OF course. but surely there
must have been many a fan
at La Boheme" who was in
terested to notice that even
Salvatore Baccaloni, one Of
the greatest and most uni
versally popular Metropolitan
stars OF the last 80 years,
was unrecognized and got no
hand when he appeared on
stage. Most Though not alb
the singers whose names
really draw have television
or movie associations. Can
interesting sidelight. al
though one with no direct
connection with my present
thesis. is that two Of the Met
stars that were advertised
never appeared. Dolores Will
son and Kurt Baum were an
nounced as being i'll. The
latter, according to the New
York Times, sang in New
York on July 8 when he was
scheduled to be here.)
Now the singers that were
the greatest attractions, both
to opera connoisSeurs and to
the general public in Carter
Barron, were, I think, Maria
di Gerlando, Cesare Bardelli
and Olivia Donelli. This
statement is of course open
to dispute, but it is my opin-
ion that they caused the
greatest sensation, got the
most applause. and were best
treated in the newspapers.
But Of these Bardelli alone
is from the Met, although
Met artists accounted for Just
under half of all on stage.
The opera management,
however, was so certain that
success lay in the exploita-
ton of Met names that it
advertised them to the ex-
clusion of others in the daily
newspaper announcements.
The Maria di Gerlando who
sang "Boheme" on Saturday
was the same who the previ-
Gus Monday had had a spec
tacular success in "Traviata,"
yet the management took no
notice of her at all.
Few would be so brash in
the entertainment field as to
say this is unequivocally
and undeniably So" but I
suspect that when the New
York Festival Opera returns
to Carter Barron next sum-
mer it would do we'll to
change its policy slightly.
Instead Of hiring the rela-
lively expensive Met stars
whose names are not really
household words, the opera
might spend the money it
paid them this yea for bet
ter sets and costumes, and
above all else for more re-
hearsalS. The two Field
brothers who bring Sal
maggi's New York Opera
here, and buy it as a pack
age) have said many times
that they stand for quality
entertainment. Since they
pay for it, they should get it.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
S. W. Art Show

The Southwest Art Group
will hold its annual art eX-
hibition at Ninth anG H
streets S.W. August ! through
8. and invites local artists to
participate. Entries will be
received next Thursday, Fri
day and Saturday. Cash
prizes will be awarded by a
jury composed of Theodore
Kane, Franz Bader and
Samuel BookatZ.
For detailed information
call DI. 7-4946,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
BY DAY THORPE
Star Music Critic

After a week of opera in
the Carter Barron Amphi-
theater it is possible TO make
a few observations on that
subject Of endless fascination.
In the first place the audi
enceS were all large-"Bo-
heme" was standing room
only-and the patrons we're
generally quiet and attentive.
There is little doubt that the
Salmaggi operas were en-
joyed by most Of the listeners.
The quality Of the produc-
tons was low. The stage
direction was either absent or
ineffective. the orchestra was
too small and woefully under
rehearsed. the chorus was as
a rule shameful. and the solo
singing of widely varying de-
greeS Of proficiency. The
amplification to the back and
sides Of the huge 4,000-seat
theater was the antithesiS OF
hi-1i and seemed particularly
ironic in that it was conspicu-
ously non-stereo. The GUS
toners. except those sitting
dead center in the amphi-
theater. heard the voices on
stage. right, center or left,
coming from either one side
or the other. depending on
where the dominant loud
speaker was located.
Many Factors Ideal
Nevertheless. the series was
a great success. The six
operas =" Aida" "Boheme,"
"Rigoletto." "Traviata,"
Butterfly" and Carmen
are among the most alluring
of the repertoire, the weather
was cool. and the site in Rock
Greek Park. becoming. as it
does. an integral part of the
scenery. is bathed in electric
light and has a universal ro-
mantle appeal.
Further rehearsal would
have been expensive, practice
during the day on an uncov-
cred stage in the blazing sun
would usually have been i'm
possible. Mr.. Salmaggi's
opera festival can be said.
since it played to large and
happy audiences. quite good
enough.
I question whether the
dozen singers from the Met
ropolitan Opera, artists who
commanded the highest fees,
were on the whole a valuable
addition of the operas. I
do not say that they were
not. in some cases, very good
Iartistically. Norman Scott.
Calvin Marsh. Jan Peerce and
Mignon Dunn. were all an
addition to the shows they
were in. But was the expense
Of these nameS-theoretically
big nameS"-juStified at the
box Office? Does the general
public react to the names
Of Marsh. Scott, Dunn, Baum,
Lind, Wilson? I cannot be
sure but I doubt it. Robert
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

through August /. These
posters are originals in the
primary sense of the word,
in the case of living artists:
e.g., PicaSSo, whose 1856 owl
with still life is one of the
best of a group by him, while
a few of his others are mere
scrawls. His "Bathers" of
1920 will appeal to more
conservative tastes.
The posters by deceased
artists are in many cases orig
inals in the sense that the
prints were taken from orig
inal photographic stones,
etched plate, etc, just as
original" Goya prints. for
example, are for sale at the
Prado, made from the Span
iSh masters own plates, but
not at the time he lived.
ImpreSsiOnistS
The colorful collection be-
gins chronologically with two
by Toulouse Lautrec, his IA
nous "AriStide Bruant' and
May Belfort and her Cat"
A delightful Renoir mother
and baby, several figures by
Matisse, a romantic head of
a young woman by Foujita
and a concert interior by
Duffy are among the earlier
prints in the show, and in
my opinion, the most appeal
ing. A non-objective compost
ton by Kandinsky, an EX-
preSsioniSt head of a man by
Soutine and a faun by Cha
gall will please visitors with
more contemporary tastes.
Posters by living artists in
clude one of rows of semi
abstract seated nudes by
Henry Moore, Marine Mar
ini's horse in red outline on
black and two excellent har-
Dor scenes by Carzou and
Marguet. (Open $50 am. to
$50 pm, Monday through
Saturday.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
TODAY'S GOOD
MUSIC DIAL

1000 am, WGAY 1850 Kc.l
Music in the Air: Swan
Lake by Tchaikovsky and
Irving Berlin ballads.
1880 am, WASH-FM and
WIDOW 1911 Nc. and 154O
Kc.)-Music of Distinction:
Piano Concerto No. in B
Flat Minor by Tchaikovsky.
1880, WGMS AMIN $50
Kc. and 1885 Me- The
Concert Hall: Symphony
No. 3, Sinfonia Expansive
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19

Europe by residence and, in
deed, by outlook, to judge by
their work.
Many Of these artists have
shown in Washington earlier,
at the Bader and Obelisk
Galleries and elsewhere, and
some are better known here
for their paintings. Among
them are Jaques Villon, and
Italians Music and Campiglie.
M. Villon's lithograph
"L'Ecuyere" has delicacy in
its linear pattern and harmo-
NOUS. high-keyed colors.
MuSic's Autograph "Dalma-
tian Motif" is carried wholly
by its colors, a brown-orange-
yellow tonality. The little
hour-glass doll-like women
familiar in Campiglie's paint
ingS are seen again in his
Bader contribution.
Hans Erni, who has had
a couple of Washington one
man shows, is represented
with a Autograph of horses
in naturalistic outline on a
dark ground. Friedlaender
also chose horses for his
etched theme. 1t demon
strateS extensive technical
variety in use of fine lines,
spatter, smears and rub
bingS.
Pattern Preferred
Georges Dayez' Still Life"
in black, white and grayed
yellow is one of the shows
best prints, with its emphatic
pattern and tonal balance.
This, and Gustav Beck's ur-
ban View from a Window"
another strong design, offer
far more, in my opinion,
than those which depend
wholly on color, such as
Hans Apps poster-like amor
phous blue shapes on green.
or Bruyen's "BoiS de Feu."
Gao Wou-Ki's Autograph.
revealing influences of both
East and West, has a vari-
colored background done in
a variety of strokes, overlaid
with calligraphic patterns.
Montandan's light-hearted
etching "Guitarist on a
Llama" lends a welcome note
of whimsy to the collection.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
ART NEWS OF D. c. AREA
Fine European Prints
Displayed at Boder
BY FLORENCE S. BERGMAN
Star Art Critic

The first Of two Of original prints from Europe is
at Franz Bader Gallery l7O5 street NV through July 81
large majority of these prints abstract the others modern
gurative Twentyfour view, in price from $40 to
$45 represent welknown artists of several European
tries the Far East latter being identified
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
Modern Posters

Contemporary and earlier
artists of the School of Paris
and other European modernS
are represented in an exhibit
ton of SO European posters
at the liza. Galleries, 1928
Connecticut avenue NV,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
PROGRAMS
OF THE WEEK
TUESDAY

JOEL H. herman, violin: Charlton
Meyer, piano. Catholic University
Auditorium, s pm. Fantasy, George
B. Wilson; Sonata in E fiat, K $50,
Mozart Sonata No. |, Bartok.
UNITED STATES ARMY BAND, Mai.
Hugh Curry, conductor. Watergate,
$50 pm. SoloiSt: Ernest Murphy,
tenor. Future Farmer March, STAN
nard; American Overture for Band,
joseph jenkins: Something in the
Wind, Kaler: Golden Door. Cacavas;
Copelie Suite. Delibes; F. F. 4.
Salute, Hurrell; Latin American
m'avais jetee. Bizet; A Wandering
Minstrel, Something's Coming, Bern
stein,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
NEW OPENINGS

The Art OF Animation from The
Walt Disney Studios. Natural
History building Tenth street
and Constitution avenue nv,
Current through August 8.
Modern European Posters, IFA,
Galleries, :d23 Connecticut ave-
nue. NV, Current throuGh Az
gust
Summer" Theme SHOW IFA
Galleries AZ Loews Capitol Thea
ter, Current through Augutt 81.
CLEANSING Group SHOW. The Artists
Mart, 1881 Wisconsin avenue
NV Current through August 81.
Exhibition BY Miguel Diomeoe Of
Argentina Pan American Union.
Current through August l2,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1959-07-19
THURSDAY

UNITED STATES NAVY BAND. It.
Harold Fultz, conductor. Richard
Balm, harmonica, soloist. Watergate,
$50 pm. Music for a Festival
Gordon Jacobs; Carmen Suite,
Bizet; Concerto in A minor, Opus
3. No. g. Viyaldi arr. for har-
Offenbach: Entry Of Gods Into VAL
halla, Wagner; Perfida, Dominguez
Brazil BarreSe