St. Paul recorder. [volume] (St. Paul, Minn.) 1934-2000, 1958-12-05

ia Anderson opened the show wear
ing a lounging outfit featuring
white corduroy with gold thread
design pants, white wool scooped
neck blouse edged with gold and
rhinestone medallions a ccente d
with apricot cumberland and jew
elry and plastic mules,
A striking theater suit Of en-
erald green damask from Schune-
mans showed off Mrs. Bernadine
Fosters charms. The long coat
made princess style, covered a
slim sheath Of green satin and was
complemented with multi-colored
earrings and bracelet.
A Miss stephanie original from
the Emporium was the choice Of
Sadie MCGEE Made Of rich beige
nylon lace over taffeta, il was
designed with a straight skirt
made Of tiers Of lace and the
bodice had a square neclxline and
tiny sleeves, For cocktail wear
Sadie, wore a huge pin and ear
rings Of Aurora Borealis, black
gloves and shoes, also from the
Emporium.
Sondra Jean Anderson was chic
in a lounging costume Of white
mock fur pants with criss-cross
detail on the sides, navy blue jer-
sey blouse, matching sash, powder
blue jewelry and plastic shoes,
while Lillian Balengers flattering
choice was black velvet and
faille after-five dress featuring low
neckline, long sleeves and a fun
skirt made of both fabrics. This
dress was thru the courtesy Of
/ Cooks.
Louis Gooden was stunning in
| periwinkle blue silk velvet short
formal from Schuneman's fash
toned with dome-shaped skirt,
scissor pleated in front and caught
with a bow. The bodice had mar
row straps over the shoulder. Lou
Use completed the costume with
her own lovely white fox stole.
Sara Nicholson wore an emerald
green chiffon sheath dramatized
with a deep floating collar in back
and Lucille Richardson's flattering
choice was her Over creation, a copy
of a Scaasi original of violet chif-
fon velvet, spirally draped and
flounced with creamy beige veil
ing, floor length and accessorized
with beige gloves and violet satin
shoes.
Ottie Mae Washington in a short
formal Of deep pink nylon chiffon
over a rose print, trapeze design;
Sondra Jean Anderson in an ap-
ricot and gold evening sheath;
Aldonia Anderson in an emerald
green satin strapless sheath; Lii
Ian Balenger in a cocktail dress Of
gold lame and Gertrude Nay in a
two piece black crepe cocktail
dress, the jacket cut on the empire
line with stand up collar, all pre-
sented pleasing portraits.
John Nellie wore the latest in
dinner wear for the well dressed
male; a midnite blue tuxedo, criss-
cross black silk tie and cumber-
bund. He assisted the ladies
throughout the evening.
In the second half Of the show
ing Bernadine Foster was smart
in a yellow satin flapper dress feat
uring a fitted torso and a fun
hounce extending from the hipline.
A black fox muff and rhinestone
jewelry was her accessory motif.
A striking black wool with a deep
" neckline was worn by Ottie
Mae Washington. The neckline
was extreme decolette in back
and was enhanced with rhinestone
that continued as straps. Duck
tail panels extended from the
waistline to just below the hem
line. Rhinestone jewelry completed
the costume.
A wide band Of mink edged the
hemline Of the white cotton lace
sheath worn by Sara Nicholson and
Sondra Jean Anderson was ultra
smart in a wild rose Italian vel
vet after-five sheath featuring a
" neckline and long sleeves. r.
ridescent taffeta streamers fell
from the waist to the hemline. The
designer. Aldonia Anderson calls
this creation THE Bird Cage"
Over this sondra wore an autumn
haze mink stole.
A two piece hostess gown Of
red damask, by Nelly de Grab was
chosen by Louise Gooden. II feat
ured a fitted bodice and long fun
skirt dramatized with a black lace
apron and red rose and a black
lace fan.
Aldonia Anderson made a pleas
ing portrait in a silver lame sheath
enhanced with a draped front
caught up on one side with two
large rhinestone clips. The neck
line was lattice work in a choker
effect Plastic shoes and rhinestone
jewelry completed the ensemble.