davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
A Curiosity Item
THE DANGEROUS YEARS.

AlE DANuEhOtS NtAkS,
BY Richard Church. ,E. p.
Dutton; $780,
The author of that en-
chanting memoir, over the
Bridge" comes now with a
howlingly old-faShioned novel
about a mother and a daugh-
ter in Paris. Both the ladies
are unfortunate in their
loves. Mama. a virtuous
widow OF so. falls head over
heels for an elderly drifter
who proposes to repair his
fortunes by exploiting his
nephew, a piano prodigy. The
daughter who bolted from
an unloving husband, who
regards sex as that sort of
thing hardly to be COM
pared with a good, brisk walk
over the moors or a really
jolly toboggan slide.
While Mama and her an
cient lover are revealing in
the joys OF the flesh, daugh-
ter departs for Switzerland.
where she attempts to seduce
her husband with an assist
from, of all people, Arthur
Schnabel.
Mr.. Church is a fine
writer, as everyone knows,
but this novel, with its
suited dialogue and its hu-
NOR equally divided between
the conscious and the UNI
conscious, is, alas, merely a
curiosity.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

green, vermillion and crimson
fabrics were drapod from the
top OF the atrium almost 10
the heads OF the dancers.
And the globe chandelier
with tiny lights was a center
OF attraction,
The exhibition on the sec
ond floor attempts 10 survey
the impact OF modern con-
ceptS on the applied arts"
says Hermann w. Williams.
jr.. corcoran director, In the
foreword 10 the catalogue.
Henri Dora. assistant direc-
tor, who organized the show,
says in his introduction, that
examples most representa-
tive OF the artistic trends OF
our times" we're selected, and
that many items are grouped
as II In actual use because
II conveys more effectively
their possibilities. He also
points out the rich textures.
violent colors and whimsical
shapes whereby some design
ers have reacted against the
severity OF functionalism:
and finally the wide range OF
new materials: bronze and
aluminium alloys for the skin
OF buildings" foam rubber
seats and beds, FiberRlss and
plaSticS easily nodded into
furniture shells.
Impressive Entrance
The visitor enters the ex-
hibition through a porch
made Of Alsynite panels and
fberglas screening material.
built by the w. c. e. A. N.
Miller Co. OF Washington.
Sheltered from the sun by a
wool-and-wood blind by noted
designer Dorothy Liebes. is
a dining table and chairs.
with metal tube legs or sup
ports.
Some color schemes are as
Sertive. as that OF the mod
ern bedroom with two blues.
orange, citron and cream.
Others are muted and Sc
rene. most notably the living
room in oyster white and
light turquoise. with Chinese
sculptures and rubbings.
The exhibition has 3l6 cat
alogued decorative items by
nearly 100 designers. and
some 20 manufacturers.
Nearly 80 paintings and a
few prints. and as many
sculptures. have been lent by
private owners, as we'll as
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Washington City

Paintings OF Washington
area artists make a timely
exhibition at Collectors Cor
ner. 1925 Wisconsin avenue,
this month, when so many
visitors are with US. Fur
thermore these are pre-
dominantly representational
paintings. in contrast TO an
exhibition Of WASHINGTON,
d. C." at Teachers College
earlier this season. ConSe-
quently more people can
enjoy the Corners show.
Nearly 100 entries we're
juried by nine people. each
working Independently.
Thirty-five with the most
votes were hung. Six are by
Richard Drew, a young art
list new TO Washington,
whose work is here shown
locally for the first time.
His watercolors are assured
captures of picturesque sub
Iects in the Washington area.
Others l liked are Mariana
Eckert's Rock Greek Park"
Sally Osborn's Below NJ
Street" Lila Asher's "Reser-
voir Road" Washington
Circle" by Jane O'Neill, and
more modern Steve Kap-
mans much simplified Fog
Bound" and Juichi Kami-
kawa's pen and wash City
Of Parks"
A second exhibition at the
Corner, running concurreptly,
is OF paintings by Uta Won
Schirmeister and H. Peter
Buddeberg Of Munich, Ger
many.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

Artists Professional League
which has withdrawn from
the national organization TO
become an independent local
group.
The league has a show Of
its members work in the as
sembly hall Of the Cosmos
Club through April 80. II COM
prises representational paint
ings in oil. watercolor and
pastel, selected and hung by
a jury Of Washington artists
and judged by a nonmember
artist. 49,.
Awards are: Oil, first, Car.
tagena" by Mildred Payne:
second. a simplifled figure IN
interior by B. B. Brown; third.
a misty harbor scene by Dor
othy Mallory. Wstercolor,
first. Fishing Boat" by 10
Danforth; second, Surf at
Point LoboS" by Gertrude
Hamlin; third, a dark, harsh
landscape by Marian Zim.
norman. Awards for the two
sculptures have no meaning.
since that is the total on view.
Claire Laufer's portrait head
OF Hemingway is a convinc-
ing likeness: but the work
which won second award Is
characterless and superficial.
I liked also oils by Ralph
de Burgos. James O'Brien,
Marie Bernhard, Garnet lex
and Walter Bachrach; water
colors by Vaughn Jackson
and Barbara Russell, and
Sophie de Romer's pastel
Back Yard in Snow" one Of
the shows best works.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
GreenIy's First

Colin Greenly. who has
been teaching art in private
schools in the Washington
area for several years. and is
presently art director of
Madeira School, is having his
FIRST one-man show at the
Jefferson Place Gallery. of
which he is one of the young
er members. Through April
26).
A retrospective of five or
six years. it is distinguished
by his excellent woodcuts.
Some have appeared in
earlier group shows. He
favorS narrow panels. the
majority vertical. One sturdy
tree trunk with a falling leaf.
another of a cargo detail
being lifted to a ship. a third
OF birds in a nest, and a
fourth Of kite, have ele-
CANT restraint.
He is also showing a few
recent oils and paStels. alb
stractions in attractive colors:
and a series Of several draw
ines on a single theme,
Beast" I wondered why he
squandered time and talent
on this object which resem-
bleS a primitive toy,
English born 1929. Mr..
Greenly came to the United
States in his childhood
graduated from Harvard. and
studied art at Columbia Uni
versity. He is represented in
the Museum of Modern Art,
New York; the Corcoran
Gallery and the National
Gallery's RoSenwald Collec-
ton.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
A DAN GEROUS INNO-
CENCE. BY Victoria Lin

@ANNA@s ~ NANAOA 40 Lii
coin. ,Rinehart: S3.75.D
Victoria Lincoln is a brave
novelist. She has boldly told
the story of a Massachusetts
girl accused of witchcraft in
the first person. She does not
come unarmed to the work.
She is a firSt-rate story
teller. her dialogue is a
triumph of period flavor
wholly unfiawed by the tor
tured quaintnesSes OF other
ScribeS Of other times. Her
characters speak in what
must be the very accent Of
that dark age in Salem when
a handful OF hysterical girls
and self-serving judges made
a hash Of reason and justice.
Her heroine. Ann Archer,
Is a -blooded Boston
girl who marrieS an older
widower the day after she has
fallen in love at first sight
with a man on horseback
from Rhode Island. Being Of
two minds. or rather two
hearts. she goes one morning
TO say eoodby to her true love.
Caught out by her husbands
old servant libby. she lies
about this innocent adven-
ture, sends libby packing
and thus sets in motion a
train of terrible events that
lead to the witches court.
Bewitched
Ann has nary a clue about
witchcraft. Her fathers
friend. Mr.. Brattie. thinks it's
all nonsense. Her upright. lit
eral-minded husband takes 1t
very seriously. He is in any
case completely bewitched by
his young wife. who responds
lndifferently 10 his clumsy
ardors. His real passion is for
the truth. but when Ann
finally tells it to him. he will
not believe il.
Miss Lincoln follows her
heroine, perhaps more pa
tiently than her readers will,
through the shifts and turns
of the story. as Ann franti-
cally Scribbles TO win an au-
dience for the truth.
With What Design?
For all her great cunning
in domestic and court scenes,
Miss Lincoln cannot save her
tale from certain monotony.
II is perhaps because her de-
sign is not clear. Ann is too
glib 10 arouse full sympathy.
And 1t cannot be that the
author wants to tell merely
cautionary tale about the
dire consequences of a stolen
kiss. Surely she does not add
to our illumination about the
times and the attitudes of
mind that made sober Puri-
tans believe their servants
were riding broomstickS and
poisoning hens by the dark
of the moon. 1t would seem
too trivial a goal for such
finished art merely to present
in Ann a period piece about a
woman who never paid for
what she did.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
New GuIleY

Keiko HiratSuka Moore.
daughter OF a distinguished
japanese artist and herself
a printmaker. recently opened
a new gallery, "Hiratsuka
Nippon" in Georgetown. at
3l44 N street. This young
woman married an American
whom she met in Tokyo when
he was there with the United
States Navy.
The inaugural show in the
light and airy gallery is COM
posed Of nearly 40 prints by
III contemporary japanese
woodblock artists. a number
OF whom have been repre-
Sented in Washington shows
earlier. most recently at Ores
Gallery last December. To-
days printmakers in Japan
carry on worthily. in modern
idioms. the tradition of the
18th century in the great
fiowery Yedo." II must be a
challenge, for the old prints
are still familiar and loved.
Color Prints
A majority of these con-
temporary prints are in COL
ors, representational but
Simplifled. and considerably
larger than the old prints.
Mrs. Moore's father. Hirat-
suka. is most extensively
represented. His black and
white woodcutS of temples in
parks are strong and I'M
presSive and I'LL their spaces
well. Another outstanding
work is his Round Moon"
the shows sole abstraction.
with beautifully distributed
black and white and varied
curved shapes. His "Rakanji
Temple in Rain" lcolors) has
more mood and charm.
Other outstanding prints to
me are Maeda's Temple
Gate" BLACK Cat" in a
tree. and a handsome flower
subject; Yamaguchi's MT.
Full" floating above a sea Of
clouds; Hashimoto's Snow
Landscape" and ShimoZawas
beautiful gray Coastal Land
scape." Mrs. Moore shows two
Of her own prints; par
ticularly fetching is one Of
her little daughter drawing.
She is continuing her work
along with running her gall
lery. having installed her
printing press and wood
cutting tools.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
THE WIZARD OF BERKE

LEY. BY Eugene B. Block.
Coward Mccain. Inc;
S3.75D
Edward Oscar Heinrich,
the wizard of Berkeley. didn't
work with Trichinopoly cigar
ashes like his fictionsl coun-
terpart. Sherlock Holmes.
but in most other respects his
work was similar to that OF
the wizard Of Baker street.
The fabulous little Cali
fornia criminologist. whose
posthumous history is pre-
Sented here ably by newSpa-
perman Block. wrote much
of the book by which modern
crime detectorS operate. He
was years ahead OF most
crime laboratories in his use
of the microscope. chemistry
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
NEW OPENINGS

PAINTINGS ny SIR WINSTON
CHURCHILL Natural History Mu-
scum, Constitution Avenue - Tenth
street NV April .B.May ~
PAINTINGS ny oswALpo vIdAs or
VENEZUELA Pan American Union,
current.May ~
HANDwovEN TEXTILES ny DE-
si0NER .WEAVERs Domino GALLERY,
go Wisconsin avenue, Today
TEXTILES BY CHERRY TREE DE-
Sf0NERS, CERAMICS BY BETHEs.
Dh KILN CLUB, MOBILES BY
RICHARD COOPER, The Studio Gall
lery, sif Prince street Alexandria.
CONTEMPORARY CHINESE PAINT
iNOs Asian Art GALLERY, HO5 q
street CuTrent-Aptil 80
MONTGOMERY COUNTY ART Asso-
CATIONS 18th OPEN EXHIBITION
Gallery Coffee House, aHla o
street NV cuTfent.May 10
THIRD ANNUAL ARTS A. CRAFTS
SHOW Bureau Of Aeronauttcs De-
partment Of the Navy Main Navy
Building Eighteenth and ConStitu-
ton avenue Today.Apfil 30
OIL PAINTINGS BY EDYTHF PoisBY.
The Kensineton Md Bank Current
not announced
EXHIBITION opening the Glen Gallery,
near Potomac Nd Today-May 20.
PAINTINGS ny GEORGE cuNEo
University Of MARYLAND. COLLEGE
Park Today-May :"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

on paper. tempers, and mon
otype. depict architecture.
landscape and urban scenes
mostly abroad with too
much extraneous detail in
some. bright harsh colors and
fiat areas. Her best painting
IN my opinion. is "Mediter-
ranean."
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Revolutionary Bottle

Kenneth Roberts COM
pleted shortly before his
death last July a brief ae-
count OF the Revolutionary
War Battle Of Cowpens in
South Carolina. This was TO
have been part OF a full
length historical novel which
would have dealt with the
war in the South. In failing
health. perhaps sensing that
he would never complete the
novel. he consented to pub
lication of this fragment.
which now appears: THE
BATTLE OF COWPENS
Doubleday; $3.50.
1t does not seem a frag-
ment. Though short, 1t is a
well-rounded account of the
battle and of the situation
throughout the colonies at
the time. January. 1881.
Fighting had stopped in the
North. but Gen. Clinton held
New York firmly, and the
British had blocaded all the
important Colonial ports,
north and south. The morale
of the sefevolution was low.
Cowpens may have been a
small battle. but the victory
Of the colorful. frontier SOL
der, Gen. Daniel Morgan.
with his ill-equipped, out
numbered men, over the OK
ford-educated. able cavalry
man. 1t. Col. Banastre Tarle-
ton, gave a tremendous lift
to the hopes of the Ameri-
cans. 1t also ended the plan
of Lord CORVALLIS to cut off
the South and put it out of
action.
As usual, Mr.. Roberts did
his own research and came
up with a new version of the
battle which contradicts
some older accounts. This
little book thus takes on
added stature.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Dominant Mother

THE MOTHER. by Ber-
nice Kavinoky Rinehart:
So, is the familiar story of
the dominant mother, but
more effective than in any
similar novel I've read in
years.
The story deals with a
Jewish family in a town four
hours by train from New
York. Leonard's mother
wanted him to be a doctor.
like his cousin, the son of
her brother who was a
clothing merchant. The cou-
sin was just graduating
from medical school. Leon
ard was willing. but he was
away two years in the
Army. On leave in New
York he met a talented act
reSs appearing in an Off
Broadway theater. They fell
in love. Leonard, who had
not even started in medical
school, could not face a
wait Of six years to marry.
He was willing to take the
Job his uncle offered him in
the clothing store.
Beyond Repair
His mother was furious.
When Leonard's girl visited
the family home, the mother
made things as unpleasant
as possible for Rosemary.
Leonard could not seem TO
speak up. When he rebelled
1t was too late. And when
his mother repented 1t was
impossible to repair the
damage.
Miss Kavinoky's characters
are fully alive-mother and
son, his sweetheart, the aged
grandfather, the merchant
uncle. She writes uncom-
monty well. Her previous
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20


today: They are terSe and
tense.
MARY ANN. by Alex Kar-
mel Viking; So is a first
novel.
II is an extremely I'M
pleasant story, even morbid,
but written with such mas
terry that II may fairly be
called a work OF art.
Victim Of Violence
Mary Ann, from a good
middle-claSs family in New
York, a college student, liv-
ing at home with her mother
and stepfather. is the victim
OF violence that changes her
life as completely as If she
had b e c n metamorphoSed
into another person.
Returning through the
park one night from a chorus
rehearsal, she is raped. In
the darkness she cannot even
see her asSailant's face. She
returns home. dszed. de-
stroys her clothes, bathes
herself furiously several
times. But she does not re-
port her experience to any
one. Why not? You'll have
to read Mary AIMS mind TO
find out.
A Mental Mist
After days Of lying list
lessly. presumably Ill. she
gets up, goes back to school.
tries to lead a normal life.
but she can't. Soon she
wsnders away from home.
stays in a shabby rooming
house, gets job in a sand
10 store. There's the day
she drifts out OH a bridge
over the Hudson and is
about to fall - not from a
clear impulse toward suicide,
but in a mental mist. A man.
a Workman in a garage. saves
her and takes her to his
two-room tenement home.
Though nothing happens be-
tween them then or for a
long time. a new phase Of
her life has begun.
Mr.. Karmel writes with an
economy of phrase more COM
mon in poetry. He can I'M
fold a whole episode in a
paragraph. The vast city is
always more than a back
ground: it is a colossal.
brooding character in the
story. The 27-year- old au-
thor's portrayal of the grad
ual disintegration Of the
girls mind and its partial
restoration on a new plane
is worthy OF Dostoevskl.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
FOUR. FIVE AND SIX BY
TEY. BY Josephine Tey.

he Macmillan CO., N4.oO)
The second omnibus an
thology OF books by the late
Josephine. ley. unquestion-
ably one of the finest OF mys-
terry writer's. Here. for those
who had the misfortune to
miss them earlier, are The
Singing Sands" The Daugh-
ter Of Time" ther striking in
vestigation and defense Of
Richard III. conducted from
a modern detectives hospital
bed and "A Shilling for
Candles" Miss Tey's simple.
lucid style. her sense Of sus-
pense and her fine charac-
terlzation are unsurpassed.
Her perceptive Inspector
Grant-who suffers from
claustrophobia-is a triumph.
The Singing Sands" perhaps
the best OF the three. was her
last book, left in manuscript
at her death. 1t concerns the
inspectors search for the
meaning of a young mans
death, and for the spot, per-
haps in Scotland, perhaps
elsewhere, he describes in a
poem, where are
"The beasts that talk.
The streams that stand,
The stones that palk.
The singing sand
That guard the pay
To Paradise"
II all hackneyed words OF
praise could be coined anew,
they would barely do justice
to Miss Tey'S books. Perhaps
an old word will do. after all.
They are masterpieces.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Stormy Days
In Early England
SNARFD NICuTINcAII

SHARED NIGHTINGALE,
BY Godfrey Trease. Van.
guard; $685.
Fifteenth century England
is the setting OF this novel
of feudalism and far-fetched
romance. Niccolo Bray, schol-
arly and polished young gen.
tleman Of English psrentage
but reared in Italy, returns to
claim his inheritance as Earl
OF a domain in the Welsh
marches. How he overcomes
ignorance, enmity and heart
less custom makes for pleas
ant reading. - HENRY A.
LYON.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Historical Bypuths

A REGENCY VISITOR. The
Letters Of Prince Puckler-
Muskau. Edited by f. M.
Butler. ODutton; So
For lovers OF historical by
paths, there Is this traveloRue
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Oscor Wilde
OSCAR WILDE AND III

OSCAR WILDE AND THE
YELLOW NINETIES, BY
Frances Winwar Harper: So
is areissue Of a book published
in 1870 Frances Winwar has
written biographical studies
of Coleridge. Wordsworth,
Byron, Shelley and Keat
THE Romantic Rebels")
and of Walt Whitman, George
Sand, Joan Of Arc. Elizabeth
Barrett and Robert Brown
ing. DAnnunzie and Duse.
She also has published seven
novels.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
ARTISTS AND EXHIBITIONS
Living Today Major
Show at Corcoron
ny FLORENCE s. BERGMAN
star Art Critic

Color to the most striking facet OF Living To-
day" the corcoan Galerys major exhibition for this
son. which opened Friday evening with the prevew ball
organized by the GaeryS Womens Committee. Gudmund
VRtes decor for the occasion aresting regret IL
was left for the public FeStoons cron
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
EIius at ScuIptors'

Maxim Elias and his wife
Myra are having a two-artist
show at Sculptors' Gallery
through April 80. For more
than decade he has particle
pated in many group exhibit
tons here and has won
awards. His sculptures from
fiat weathered boards are
unique, witty and ingenious.
with a minimum of carving.
mostly incised lines. His seri-
Gus gifts show more obviously
in stone and metal: the little
slate Mermaid" Widow" a
bias relief admirably fitted TO
the modest dimensions OF an
old graveStone; several beau
tiful heads in beaten lead.
portraits of Ethel Butler. Eve
Silverman and an Austrian
girl: and an amusing little
stone Man in a Tub"
Russian born 1916 Maxim
Elias was brought to the
United States in his infancy.
His father, on the faculty Of
st. Petersburg University, re-
treated with it from the Boil
shevist revolution. Maxim
Elias is a geologist with the
U. S. Geological Survey.
Myra Elias paintings, oil
author. who has several fine
books TO his credit. tells the
story OF an editors murder
and the danger to the small
child who sees the killer. The
book Jacket says the author
once engaged in newspaper
work" yet the characterize
lions and atmosphere are of
key. The same story in an
other milieu would be con-
vincing.
THE RICH DIE HARD. BY
Beverley Nichols. CE. p.
Dutton & Co., Inc; $685.
The author Of Death to
Slow Music" has turned out
another complex. absorbing
tale, this time Of the murder.
practically before the eyes of
a houseful OF guests of a
mistress at her protectors
mansion in Sussex. The
classic development of sus-
pects-X marks the spot
where they Stood-and an
old trick to confuse the trust
ing reader somehow add
rather than detract from a
study of a rich man obsessed
with perfection. Horatio
Green in charge.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
Memorable Characters
Live in New Novels
by CARTER BROOKE JONES
star Book Critic

Two novels considered this week wholly dssmilar In
theme and yet each manages In remarkable 10 get
inside its characters and make them memorable They have
something else In common-they do Squande words and
pile them into great shameless engths novels
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

novels were "All the Young
Summer Days" and Honey
From a Dark Hive.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
CORK IN TIE DOLLHOUSE.
BY Macdonald Hastings.
alfred A. Knopf. a.

An original. delightful tale
of the defense by Mr.. Mon
tague Cork OF one OF the
years best heroines, Honey,
a Staffordshire bull terrier, a
descendant OF the dogs who
were trained TO fight bulls
and other dogs to the death
for mems amusement. Honey
Is the beneficiary Of a mali
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
CRIME AND MYSTERY
BY BETTY MILES
Star stan Writer

cious mans will, whose angry
would-be heirs have no COM
Functions about doing away
with her. II they can. Mr..
Cork's defense OF the dog en-
broils him with the heirs and
latter day opponents of the
cruel dog battleS. Honey and
Mr.. Cork. two fighters them
selves whose loyalty runs
deep, are worthy protagonists
in a wonderful, exciting story.
Mr.. Hastings has appended a
brief history Of dog fighting
in England and America.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

drawn from the Gallery's own
collections.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20
SIN GIN IN THE
SHROUDS. BY Ngaio

SIN GIN IN THE
SHROU DS. BY Ngaio
Marsh. Little, Brown 81
Co.; $500
Not the most original Of
Miss Marsh's work. but in
teresting nonetheless. Is her
story Of a group OF suspects.
one Of whom is a compulsive
murderer, all sailing on the
same ship with Scotland
Yards Roderick Alleyn.
X
MURDER ON MY STREET.
BY Edwin Lanham. liar
court, Brace g. Co.; $500
Although there are some
who claim that all editors
survive mayhem at the hands
OF their staff. through incred-
IDLE good fortune. Mr.. Lam
hams book about death in
q newspaper Office Is COM
pletely unbelievable. The