davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02

ne was indicted on treason
charges. Found to be insane,
he has never been tried.
The doctors have taken the
position he Pound is not
competent to stand trial, and
they have some doubt If he will
be-" Mr.. Rogers said. He said
one question was the feasibility
of keeping the poet in the hos
pital IF we can't try him"
Legally a person may be in
competent to stand trial and
yet be sane enough so he could
not be held in a mental
hospital.
Opposes Butler Bill
Mr.. Rogers said he was OPP
posed to the bill proposed by
Senator Butler, Republican of
Maryland. which seeks to limit
the effects Of Supreme Court
decisions in subversion cases.
The Attorney General said
he particularly opposed one
facet of the bill that would
strike at the doctrine Of Federal
presumption Of legislative fields.
Under this doctrine. Federal
legislation in a particular field
acts to exclude State action in
the same area. Senator Butler
has proposed that no Federal
law shall exclude States from
the same field unless Congess
so specifies.
A Supreme Court decision
had nullified AZ State anti-sub-
versive laws on grounds the
Federal Government had pre-
empted the field with the Smith
Act.
Mr.. Rogers said the Butler
proposal might prove retroac-
tive and affect statutes al
ready on the books"
Criticizes Judges Oath
The Attorney General said
he didn't think much Of "the
so-called "O'Mahoney Oath. I"
This oath. proposed by the
Wyoming Democrat, was taken
by a nominee for a Federal
judgeship when he appeared
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02

for q confirmation hearing be-
fore the Senate Judiciary sub
committee.
The oath was to the effect that
the nominee would not parti-
cipate in any decision designed
to alter the meaning of the
Constitution or Of any law
passed by Congress and adopted
under the Constitution.
IF the purpose is to have the
nominee swear that he means
it when he takes the constitu-
tional oath, then it's q silly
procedure" Mr.. Rogers said.
If the purpose is to single out
some constitutional provisions
for greater stress than others,
Mr.. Rogers said. then he is still
opposed to it.
Preparing Crime Drive
Mr.. Rogers said he would
soon announce details for a
planned drive on organized
crime. He said criminals have
grown smarter and increasingly
are moving into respectable
business enterprises as fronts"
for Illicit operations.
Two weeks ago The Star re-
vealed plans for the campaign
which includes detailing Of
Justice Department personnel
to crime areas as "co-ordinaa
tors" Their main function
would be to coordinate the
efforts Of State and Federal in.
telligence agencies in main.
tanning q steady pressure on
criminal elements.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02

countries outside the Western
Hemisphere.
The department also removed
Asian flu vaccine from the list
of items requiring individual
export licenses.
It may now be shipped to
most countries under the gen.
eral license procedure, but
individual licenses win con-
tinue to be required for ship
ments to Hong Kong, Macao
and the Chinese-Soviet bloc
countries. including the Com
munist-controlled area of We t
Nam.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02

day and sent to Gov. j. p. Cole
man for signature.
The bill cleared the Senate
without a dissenting vote.
The bill takes registration of
voters out Of hands of elective
circuit clerks and puts it in the
hands of court-appointed regis
trars who will have the advice
Of lawyers. Gov. Coleman asked
for such a law to protect Mis-
sissippi against what he called
unqualified voting" under the
civil rights law.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02
Auto Dealers Accused
Of Boosting List Price

federal grand jury has started to look into Justice
Department evidence that Washington automobile
dealers violate the antitrust laws by fixing prices
cars.
Department Spokesman indicated the inquiry would
center on an alleged practice of dealers associations
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02
Rogers Has No Plan
TOT Ezra Pound

Attorney General Rogers has immediate plans for
releasing Poet Ezra Pound from ST. Ezabeths Hospital
transferring him some place es he told reporters yesterday
At press conference, Mr. Rogers said friends of Mr.
Pound had conferred with him about the possibility freeing
the poet He has been confined 70 the hospital
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-02
Mississippi OKs
Negro Vote Bill

JACKSON, Miss. April 2 up.
"A bill designed to control
Negro voting was passed by the
Mississippi Legislature yester-
Evening star., 1958-05-11
FULL FOAM RUBBI

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for the uItimote in comfort and they're rever-
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beautiful decorator fobHc in your choice Of the
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quose. beige. block. chocolate or sIote. No
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Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

THE SUNDAY STAB, WASHINGTON, .. {.
April o. lS3
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-20

Baltimore Programs ffS%S ~ April 7oAp''
Ga: the wsas,s ":. SS: : s% ne Ss%
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
NEWS OF MUSIC
Russian lmportotions
Recalled by D. c. Man

operative society during that
winter and spring Of 1904.
BY the following fall, how
ever. enough hackers had
been found to launch the first
Of many series the orchestra
gave in Carnegie Hall. In adj
dition to the problem of A.
nancing. it was difiicult to
get experienced musicians.
Those were mostly Germans.
playing with the New York
Philharmonic and the New
York Symphony.
II had to create most Of
my musicians" Mr.. Alt
schuler says. He didn't do
too badly. Among the scores
who eventually went on to
steadier jobs were Nat Fin
Ston, who became musical
chief Of the M-G-M Studios
and Fred Fradkin. later con-
certmaster Of the Boston
Symphony.
Booked Nationally
BY 1907. Mr.. Altschuler
and his orchestra had APP
peared in towns from coast
to coast and had a solid rep
utation not only for intro
ducing more new works than
any of the long established
orchestras, but for giving
them flrst-class perform
ances. BY this time, too,
Czarist Russia's representa-
tives in this country had
: begun to take notice. The
Russian. Consul General in
New York, Ladizhensky, was
on the orchestra's board of
directors, while Count Cas-
SIM, the Russian Ambassador,
gave Mr.. Altschuler letters
which enabled him to get
contributions from such
wealthy men as j. p. Morgan,
Charles Schwab, Charles r.
Crane. one Of the plumbing
magnates, and Charles r.
Flint, known as "the wizard
of Wall Street.
Flint slipped up somehow
in his dealings with the Rus
sian government during the
Russo-Japanese war. Even
though he had supplied the
Russians with various NUM-
tions, including submarines,
they turned a cold shoulder
to him.
To help restore his trade
relations with the Cars
government, he turned to his
friend AltSchuler. He offered
to pay the latter's way to the
land of his birth. 1t occurred
to Mr.. AltSchuler. meanwhile,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09

energy went to his desk and
pulled out a score.
"Altschuler. this 0is all !
have to give you. The rest
you already have performed. "
It was based on a centuries
old revolutionary song for
orchestra-chorus entitle d
1.-THE Club" a short work
which, when later performed
in the United States, had its
title enormously translated
as THE Twig."
Handing Altschuler the
score, Rimsky- Korsakov said:
ITO tell you the truth, I'm
not happy with the orches-
tration. When Slot per-
formed it at one of his
concerts, another number re-
ceiving its premiere was
Glazounov's The Volga
Boatman.' In contrast to the
richness of Glazounov's Or
CHI estration, The Club
sounded so thin I was
ashamed"
1t was one Of Rimsky-Kor-
sakov's last compositions be-
fore his death the next year.
Altschuler still has that copy
of THE Club" with an in
scription by the composer
thanking him for his role in
bringing Rimsky- KorSakov's
music to America.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09

on to relate that he had re-
versed the first and last
movement of the Middle
Ages" suite. Altschuler had
found that "The Isle Of
Love-. alternately poignant
and turbulent. had left the
audience apathetic when it
opened the composition, but
that when be used it as the
finale they loved it.
"Rimsky's comment was
terse. Piracy" he said.
Visited GlazOunOv
As it happened, Glazounov
was the next composer to be
visited by Altschuler, and
far from objecting to the
changes, he gave the con-
ductor a photo of himself
and inscribed on it a pass
sage from THE Isle of Love"
and an affectionate message.
Rimsky- Korsakov was very
fond of his former pupil, but
his pride mas mixed with a
trace of envy. you know,
Altschuler," he said. when
pupils in my orchestra class
bring their scores to me I
don't dare to read and criti-
CHE them in their presence.
I simply take the scores
home. Glazounov, on the
other hand, reads them right
of with such ease. as though
he were reading a piano
score, and it doesn't matter
how complex it is"
After discussing a number
of other matters, they came
to the question or a compo-
sition for Altschule. to take
back to America. Rimsky-
Korsakov with a burst of
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
Us Washington Opera a Peer
OF Symphony and Ballet?

gress. and Of these I reckon
that one-half of / per cent
are exciting entertainment
today.
From year to year, Wash
ington has ample opportu-
nifty to hear the few popular
operas. The Opera Society
is engaged in finding out
whether there is a market
for others just as good. All
opera must be subsidized by
individuals, foundations, or
governments, but no one
wants to substitute something
SO evanescent, so transitory,
as an evening at the theatre
unless the product brings
two or three hours joy into
the lives of the beholders.
Whatever the details of
critical opinion on "Ariadne"
may be I cannot foretell, but
I daresay that, generally
speaking, there will be no
cavil that it is a remark.
ably attractive opera, given
in a manner which would
not discredit any opera
house in the world. Not
everyone in Washington likes
opera, but If it turns out that
there is not a small cadre
that likes "Ariadne," the
Opera Society has every rea-
son to feel that it has en-
gagged in the wrong business.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
MOZART MASS

A delightful Missa Brevis
written by Mozart at 81 has
been given its first recording,
by the Vienna Choir Boys,
on an Epic disc.
1t is repeatedly a source Of
wonder, as the recorded Mo-
zartian repertoire grows, that
Mozart was able to endow so
many successive compositions
with utterly distinctive quail
ties. This mass (B fiat K.275)
is characterized by irresistible
warmth and joyousness. Al
fred Einstein, the Mozart
scholar, was struck at how
childlike and innocent it
seemed, something one need
not be q scholar to sense
Immediately.
The later Coronation"
mass TX. 319) on Epic's over
side supports the thesis Of
individuality among these
works. It is quite different,
far more imposing and seri-
Gus, and captivating in count
less little ways Of its own.
The splendidly trained Vi
emma youngsters make q
charming aural treat Of both
works. Rudolf Moralt leads
the Vienna Symphony. In <.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
NEWS OF MUSIC
By AARON RUvINSKY
Star stan Writer

Today, when Soviet Russia
has just begun to expand
East-West cultural relations
by sending leading perform
ers Of music and ballet to the
United States, there is in
Washington, making his
home in the Cairo Hotel. a
veteran conductor whose pri-
vate role as an importer Of
Russian music so years ago
would be practically unthink-
able in this time Of cold war.
The memories of Modest
Altschuler form a link be-
tween the Russia Of Tchai-
kovsky and the present.
Mr.. Altschuler has been
closely connected with such
composers and artists as
Rachmaninoff. Scriabin, Pro-
kof1ev, Lhevinne, Roy Harris
and Mischa Elman. Innumer-
able other composers, both
Russian and American, owe
first performances Of their
works In America to his pio-
neering leadership Of the
Russian Symphony Orches-
ira. =
His performance Of Scria-
bins "Prometheus" in Carne-
gle Hall with a specially in
vented keyboard which
played colored lights on q
screen was the first which
carried out the composers in
tention in this respect.
He was q pioneer in the
synchronization Of music for
sound pictures in Hollywood.
These and many other
unique experiences are the
subject Of a book he is now
writing.
How Symphony Began
The very manner in which
the Russian Symphony Or
chestra was launched was
unique. Mr.. AltschuIer, q
cellist freshly out of a job,
was told by his brother, q
contractor with Walter Dam
rosch's New York Symphony
Orchestra: "I'll give you the
players. You conduct"
It mattered not that he
never had conducted an or
chestra before. Modest Alt
schuler's unhesitating reply
was simply. "Okay."
Three months later, the
Russian Symphony gave its
first concert in Cooper Union.
There wasn't enough money
to pay the musicians, so the
orchestra operated as a CO.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
TURNTABLE TALK
Strovinsky Records
Two Newest Works
By JAMES G. DEANE
Star Record Critic

Igor Stravinsky, now APP
preaching rs. continues to
push forward along the dis
tinctive path he has charted
for himself.
"Agon," completed less than
q year ago. and the 1856
"Canticum Sacrum" are the
latest of his creations to
come to discs. They are cou-
pied on a Columbia record,
with the composer conduct
ing.
"Agon." one of Stravinsky's
neoclassic ballets, has its
roots in 18th century French
dance forms, but as usual
the composer has moved far
from tradition. The instru-
mental combinations (for ex-
ample, mandolin, harp. violin
and cello), tonal colors, rhy-
thms and harmonies are typ
ically and strikingly Stravin-
skian.
This means, for some lis
teners. that the music will
take some getting used to. But
what seems quixotic on first
hearing exhibits progressively
more logic as the score be-
comes familiar.
The "Canticum Sacrum,"
a choral-orchestral-o an
work to Biblical texts written
for the city of Venice, seems
to be wholly Stravinsky. 1t
is harder to approach. The
music tends to austerity, al
though it has more than one
moment of genuine and
rather surprising lyricism.
Some Of the instrumental eff
fects are also unexpected,
to say the least. How we'll
Stravinskv has succeeded in
transmitting religious feeling
in the work is perhaps an
open question. But the Can
ticum" is interesting.
The two performances will
undoubtedly stand as defin-
tive.
Ernest Ansermet. long a
partisan of Stravinsky's mu-
sic, has just turned out a
stunning recording of lie
Sacre du Printemps" on Lon
don. On a new Westminster
disc, Artur Rodzinski's baton
effectively serves concert ver-
Sions Of "Petrouchka" and
'Firebird."
Another, more neglected.
Stravinsky piece. the 1920
Symphonies for Wind In
struments." has been newly
recorded on Mercury. Hinde-
mith's 1852 wind symphony,
written for the Army Band,
and Schoenberg's Theme
and Variations" are also en-
this disc, expertly supervised
by the Eastman Schools
Frederick Fennell. The
Schoenberg, doubtless to the
potential surprise Of some. is
the most listenable score Of
the lot.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09

319, some may wish to sample
the expressive solo singing Of
Maria Stader in a Decca per-
Torrance which is somewhat
more dramatically conceived.
X 4 4 4
BEETHOVEN, ETC.
The second, fourth and
fifth of Beethoven's violin
Sonatas have arrived in
thoroughly ingratiating per-
formances by Arthur Grumi.
anx and Clara Haskil on an
Epic disc. This team evi-
IDENTIFY is doing the entire
series, which should cause no
one regret.
A fine pair of Haydn per-
formances, the London" and
oxford" symphonies. is of
fered on Decca by the Berlin
Philharmonic under Hans
Rosbaud.
More Haydn-the charm
ing Farewell" symphony and
the somewhat later SYM
phony No. Sis offered on
London under the unexpected
baton of the English COM
poser Benjamin Britten. The
orchestra. a festival ensemble.
unfortunately is somewhat
below par.
Joseph Szigeti. now an
infrequent recording artist,
has revived an interesting
Busoni concerto and violin
sonata on Columbia, both Of
which are worth sampling A
Monteux record with the
London Symphony supplies
an adroit performance Of
familiar portions of Tchai-
kovsky's Sleeping Beauty"
A group of Monteux record
ings with the San Francisco
symphony has been reassem.
bled on a Camden record.
The 'Istar" variations and
an excerpt from the opera
"Fervall" by D'Indy and q
Ravel-orchestrated Debussy
sarabande are more interest,"
ing, to me, than Milhaud's
"Protee" or Berlioz' "Ra-
koczy" march.
Camden has also revived
several famous Koussevitzky
performances, including De-
bussy's La Mer", Ravel's
"Rapsodie Espagnol" and two
S atie-Debussy "Gymnope-
dies. No one has yet sur
passed the Olympian quality
of Koussevitzky's readings.
An unusual collection Of
clarinet pieces is played on
Decca by Reginald Kell.
Included are a pleasing SON.
alta by Saint-Saens written
at 86D, a whimsical jazz
sonata by Alec Templeton,
a sonatina by an expatriate
Pole, Antoni Szalowski, and
six attractive folksong studies
by Ralph Vaughan Williams.
Kell plays with his usual skill
and the music is thoroughly
diverting.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09
THURSDAY
NATIONAL sYMPHoNY ORCH

NATIONAL SYMPHONY ORCHESTRA.
Howard Mitchell, conductor, consti-
tuition Hall, pm. Repeating Tues
UNITED STATES MARINE BAND. MAJ.
Albert Schoepper, conductor. Solo
lists. Ronald BaItaHAr, clarinet; Gene
Akers plano. Department OF Com
merce. Auditorium, s:ib pm. chorale
Prelude, We All BelieYe In One God,
Bach -Stokowski; chatter, overture
for Band, Schuman; Der FreischutR
Fantasy, Weber-Kroepsch: SUITE for
Military Band, Jacob: waltz from
carousel. Rodgers Bennett; first
movement Piano Concerto In c
minor. Rachmaninofi Noeturne In
r nat, Chopin; Finale. Second SYM
ph0ny. Brahms.
CHARLIE BYRD guitar. Pierce Hall.
$3.50 pm. Three Etudes. Sor, Suite,
Byrd; Pavana and Villanesca, Pisa
dor: Ouardame las vacas, Narvaez;
Fantasia, Mudarra; Allemande Bach:
QAvotte, Bach; Sarabande. Weiss;
Clique, weiss; sonatina Merdional.
Ponce. Campo. Ponce; copia, Ponce;
Fiesta, Ponce: oranads, AlbeniS;
Prelude In y minor Wills -Lobos.
EDWIN DAVIS, plano, Arts Club, S:4h
pm. Sonata in 2 nat, Opus .sla.
Ravel; 1ntermeSzo in A minor, Opus
las. No. /. Brahms; 1ntermezzo in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09

delight and praise. the COM
poser showed no elation.
TOO much melody" Rach-
maninoff drawled in his low,
dry voice. Nevertheless, he
gave great credit to the UNI
limited rehearsals Slot. his
cousin and former piano
teacher. had made possible in
st. Petersburg. Rachman-
mon had been able to expert
ment with different instru-
mental combinations.
When a composer orches-
trateS," he said, 1T may look
good on manuscript. but can
one really know how it win
sound until he hears the
music?"
Rachmaninoff, who had not
known Altschuler well when
both were students at the
Moscow National Conserva-
tory (although he had dashed
OF a cello piece, Melody"
and dedicated it to his fellow
STUDENT, came to America
the following year and again
10 years later to perform
with the Russian Symphony.
and the two became close
friends.
With Rimsky- K0rsakOv
Nikolai Rimsky- Korsakov
belonged to an earlier gener-
alton of composers who had
been an ornament OF the
arts at st. Petersburg. Alt
schuler had seen him but
twice in his student days.
He had a vast respect for
this patriarch Of Russian
music.
Invited to Rimsky's home
in a large apartment house
near the center of st. Peters,
burg. Altschuler, his heart
a-flutter, stepped briskly
through the gate into the
courtyard. but hesitated. be-
fore the shiny brass name
plate in capital letters, at the
door: Nikolai Andreievich
Rimsky -Korsakov.
An elderly woman servant
in black answered his knock.
AS he entered, he saw the
dignif1ed. gray bearded COM
poser walk toward him from
across the room. Altschuler
started toward him. but was
stopped short by an imper-
ious command.
stop" he was told. IT want
to get a good look at you"
For about three minutes
Rimsky -Korsakov studied
Altschuler with his piercing
eyes, while the latter stood
quaking inwardly.
"HOw Is the HudsOn?"
At long last the composer
spoke. How is the Hudson
River?" Puzzled, Altschuler
answered. "As beautiful as
ever" Rimsky-Korsakov ex-
planned that he had enjoyed
,his visit to New York as an
ofhcer of the Russian fleet
that cruised up the Hudson
on a goodwill visit during the
Civil War.
Their conversation was in
terrupted by a visit from
Mikhail Ippolitov-Ivanov.
Rimsky-Korsakov's former
pupil had come to report on
the performance the older
mans operas were receiving
throughout Russia. The re-
port left the master in a
pleasant frame of mind.
He began to tell Rimsky-
Korsakov of his performances
Of the works Of the COM
poser's favorite pupil, Alex
ander Glazounov. Altschuler
remarked. with characteristic
candor. that he had found
Glazonnov's Third Symphony
too long and made a three
minute cut in the Develop
ment section Of the third
movement.
Rim sky Korsakov was
amazed. why Altchuler,
why did you do it?" he said.
why couldn't you let the
audience be bored for an
other three ninutes?"
Needless. Altschuler went
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-02-09

a concert tomorrow at the
Pan American Union.
A, Opus lis, No. 2, Brahms: Varia-
tons on q Theme by Pasanini. Book
BOSTON SYMPHONY ORCHESTRA,
Charles Munich. conductor. Soioist:
Marcel Mule, saxophone. Constitu-
ton Hall, $3.50 pm. Suite, from
Dardanus, Rameau; Chamber Con-
ira, Iberti symphony No. in Z,
Bruckner.
NATIONAL SYMPHONY ORCHESTRA,
Howard Mitchell, conductor. Fran
els Hammond II. s. Auditorium. 9:45
Berlioz; valse Triste, Sibeiius: Pes
rivals. Debussy: Wedding March,
from lie Coo dor, Rimsky- Korsakov;
Ase's Death and In the Hall Of the
Mountain King, from Peer Gynt
Waltz. from swan Lake. Tehai-
FRIDAY MORNING MUSIC CLUB
Assisting artists: Marguerite Brice,
orsan;. Emily Boyd Lowe, soprano;
Helen sullivan, violin: Kathryn Hill
kawls, organ: Jean Phillips, organ.
National Presbyterian Church, II go
am. Elm feste Burg. Bach; Flute
Solo: Arns; Aria con variazione.
satr from Rog VA syBpS6ny w TSS
Schafie in mir. Colt, Elm rein Herr
buxtehude: Herr. auf Dich traue ich.
Buxtehude; Was mich auf dieser
Welt betrubt. Buxtehude; Introduce
from sonata No. 'Go in rAssAS minoa,
NA TTHfeSSIfts SYMPHONY ORCHESTRA,
Howard Mitchell, conductor. West
ern Maryland College. Westminster,
Me- MsS;c s:ls pm; Overture to o6sron.
cspriccio Espasnol, Rimsky- Korsa-
sov; symphony No. in A.
JEsN-PiERRE RAMPAL, flute: Rober.
cogTpe;s s csCi1 c DaG son aSra X q
Handel: Sonata in Z nat, Bach;
Sonata in @. Haydn: Sonata. Pou-
lene: Sonata in D. Opus "a. Pro.
CHARLOTTE WESLEY HoLLoMAN
$50 pm. Guardian angels. from
The Triumph of Truth and Time
Handel; o had Jubals Tyre, from
Joshua. Handel; Der hole Rache
from The .Magic Flute, Mozart, 81
Reimbursement, Brahms; wiegen-
lied, Brahms; Meme Liebe ist grun
Brahms; Bell Song, from Lakme
Delibes: Spirit Flower. Campbell.
Upton; Pale Blue Slippers, Dungani
Ltt nv My sons TTq 1il yon Del His ar,
Charles; Ny Joe. from GARNER
Jones, Biset- Hammerstein Ny Coco
Lord Done Been Here, arr. Johnson
HIS Name 30 Sweet, arr. johnson
give Ne Jesus, arr. johnson; AIM
Got Time. arr. johnson.
SATURDAY
No eoneerta aeheduled.