davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
By A. J. WEDDERBURN
Curator of Photography
The Smithsonian Institution

From time to time inquir-
les come in from readers con-
corning Photographic prob
lens. Here are a number of
questions frequently asked,
and our replies.
Question: I ran into trou-
BILE using sunlight for back
lighting in color work. How
can I overcome the problem
Of blue faces?
Answer: In outdoor pho
Biography. back-lighting is
often used-the subject fac
ing away from the sun and
the camera toward it. How
ever, this may make the sub
ject's face too blue, because
it is lightened with blush
light from the sky. Filters
can solve the problem.
Another solution is to FILL
in" the shadows with light
from a f1ashbulb. A reflector
can be used, too - a white
cloth, cardboard, newspaper,
or an adjacent white wall.
1t is recommended that the
reflector. or flash. be held
somewhat higher than the
subjects head. Then light
falls in a natural manner.
Sunset Problems
Questions: Recently we had
a truly beautiful sunset and
/ took some color shots that
turned out miserably. Can
you give me some advice?
Answer: An exposure meter
is a most useful tool for
capturing the beauty of a
sunset in a color photograph.
If the sun has dropped below
the horizon, the meter should
be aimed at the part of the
sky to be photographed and
the indicated exposure should
be used.
If the sun is in the picture.
use the same routine, but
close the lens opening about
half of an f-stop. Most sun
set photogs are interested in
gaining deep and rich colors.
More color contrast, with the
foreground underexposed or
even completely darkened.
can be obtained by decreas-
ing the lens aperture about
half an f-stop, even though
the sun has set. On the other
hand, if you want to expose
the foreground. with the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24

circle; pairs, 1890. Washington
Bridge League, Sheraton Park Hotel;
individual championship final ses-
sionl, 7:45.
way; pairs. 1890. Alexandria, 6Oa
Cameron; pairs, 7;45. Euclid, Apt
100. 244O Sixteenth; pairs, 7:45
Goren, 9 Dupont circle: no game
Irving Street, 5000 Lee highway
pairs, 7:45.
pairs, 7:45. Cheverly, 6013 HaW-
thorne, Cheverly; pairs, 7:45
Walsh, 1882 Massachusetts,; MF
pairs, 7:45.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
NUMISMATIC NOTES
Our Gold coins--1S

A surprising departure
from customary standards
was introduced for the IS
gold piece in 1908 by adopt
ing a technique of rendering
all devices and inscriptions
incused, or depressed, instead
of in relief, or raised. as is
the usual procedure.
AS we have shown for the
similar contemporary issue
of the quarter eagle, this idea
originated with DR.. William
S. Bigelow of Boston who
commissioned Bella L. Pratt,
a sculptor from the same
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
STAMP CLUB
MEETING
MONDAY

MONDAY
HyattSville Stamp Club
(seniors), 8 pm, County
Service Building. Hyattsville,
Md.
THURSDAY
Silver Spring PhilateIic
Society, 8 pm, County Build
ing. Georgia avenue and
Colesville road, Silver Spring,
Md.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
BRIDGE

Continued From Page E-4
pair contest is to be Tuesday,
September 9; team-of -four
play. Tuesday, October 10.
Next Tuesday Federal divides
its August master point quota
in open pair play.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
MASTER POINT
RESULTS

AlexAndria: Rosemary Begue-
DR.. Frank Wilson. Capt and Mrs.
George c. Potter. Mrs. Ruth Gumm-
Mrs. Kay Hannah.
Chevy Chase: 1-Eugene ]. Fitz-
patrick-George McConville, Mrs.
William Benson Charles Wallack. p
Mrs Florence Grif1th-Mrs. j. J. L..
Young. Mr.. and Mrs. R L. Woods.
CONVERSATIONAL Secretaries: l.
Walter j. Pittman-L. @. Ruhmann.
Helen Goldsmith-Iva Van Horn. =
Beate Bloch-Hon Page BelcheT,
James Barr-Robert Brown.
MONTGOMERY: DIR Robert W.
Bates-Julius Jacobson. Mrs. ALVIN G.
Whitehead-Roy Banner. Richard
Cohen-Jules Silk. Mrs. Lesley Ash
burner-W. v. Donaghy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24

RUSSIA-A 40 kopeck
stamp picturing the Soviet
Unions third earth satellite.
launched on May Is, has been
released with an attached
label streSSing Sputnik Ills
size and weight about a ton
and a half.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24

Woodward q LothrOp buys rare coins
and esln collections including all types
u geld eoins and L. S. currency.
WOODWARD 4 LoTHRoP
stamps and Coins
Washington ~, n {.
also Chevy Chase, Nd.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-24
CAMERA ANGLES
Avoid Blue Foces'
With Flash or Filter

background slightly washed
out, increase the diaphragm
opening about half an f-stop.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
TODAY'S SCHEDULES
STAGE

ARENA-"Mademoiselle Colombo: $50 pm.
NATIoNAL-Dark. mo Time for sergeants'; resumes
tomorrow.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
COMING ATTRACTIONS
STAGE
STAGE
SCREEN

ARENA-"Summer Of the 18th DOLL; starting Tuesday
acknowledgements Opera: starting tomorrow.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
Bessie Love Is Back
As Star in Own PIoy
BY JOHN FARROW
Associated Press Writer

PERTH. Scotland. - Hey,
Dad! Bessie Love is back!
The queen Of the silent
films. now go. is taking a
starring role in a play she
wrote herself. The sign out
side a small theater proclaims
tonight'S premiere:
Bessie Love in The Home
coming. by Bessie Love"
And I'm the star-43
years after making my first
Aim" said Bessie trium-
phantly.
Gray flecks in her hair are
the only give-away to her
age. Her brown eyes still
twinkle miSchievously, Her
trim figure would be the envy
of girls half her age. Her
legs still bring a whistle from
the boys.
People are always saying
I'm coming out OF retire
ment." she said. I've never
retired Don't think I could
ever give UP acting.
"Of course. I've been out
Of work, like every actor and
actress. But I've never re-
tired. And I don't suppose
/ ever shall.
And I'm doing all right.
I've got a nice fiat in London
and I'm happy and con-
tented"
Bessie started work on her
play four years ago.
Its a comedy. you know,
based on my own life at home
10 Encinitas, Calf. A holi-
day at home in 1851 gave me
the idea.
Action centers around my
old uncles who died at the
ages Of "a and 81. They
used to do the housework,
the dishes--the lot.
They used to say so many
lovable, laughable things"
Bessie. born at Midland.
Tex, September 10, 1898.
came to England for a visit
in l935--and has been here
ever since.
She made her first Aim
in 1915, called THE Flying
Torpedo"
In 1929 she made her first
talkie--a short called THE
Swellhead." Then came
Broadway Melody" and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
BY ROBERT PIROSH
Special Writer for The star

HOLLYWOOD. - About
this time last year I dropped
in at the Paramount Studio
In Hollywood to see my good
friend. Jay Carmody. who
had just arrived TO make
Teachers Pet" with Clark
Gable. and We had q long
talk in his dressing room.
tMr. Gables dressing room.
that is. Mr.. Carmody didn't
have oneD / was interested
TO know what type Of acting
he was going to use. The
StaniSlavski method? The
Cary Grant style? The Mar
lon Brando attack? The
Gary Cooper approach? When
l mentioned the last of
these. Carmody smiled boy
ishly. brushed back a WiSpy
strand of hair and laconically
answered. "Yup."
I felt an immediate twinge
Of sympathy for Clark Gable,
sensing that he would be
meeting the greatest chal-
lenge OF his career. The King
for so many years. the un-
disputed master Of natural
istic acting. pitted at last
against a dynamic exponent
Of the same school! The
thought occurred to me that
this might well pose serious
problems. Would the script
have to be changed? Would
1t prove advisable at the end
Of the picture to have Doris
Day wind up in Carmody'S
arms instead of Cables?
A Restricted Actor
I discussed this with Will
liam Perlberg and George
Seaton. producer and direc-
tor of the picture. and they
rather uneasily said that they
would have to play it by ear.
AS it turned out, no drastic
changes were required, just a
few minor deletions of scenes
in which Carmody appeared.
This may very we'll have been
because he was largely re-
stricted to naturalistic panto-
mine and had little opportu-
nifty TO display the magnetic
qualities of his naturalistic
voice. A careful count Of the
lines of dialogue spoken in
the picture reveals that he
had only one. and this at the
very end of the picture when
Doris Day had already gone
into Cables arms.
l was also interested to
know whether there was any
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
Red Buttons Happier
Away From Comedy
BY SHEILAH GRAHAM


HOLLYWOOD. A come
dams life is not a happy
one. says Red Buttons. a one
time TV comedian who
turned dramatic in movies
to win the oscar Award for
last years best supporting
role as CT Kelly in "Sayo-
nara" 49,
Every comedian should
get a medal. just for showing
up continued Red. Who
was it said, Comedy is no
laughing matter?' had three
years as a funnyman on tele-
vision. And when l say three
years. it seemed like 80 years.
When my option was dropped.
l almost felt a sense of relief.
II was wonderful not to have
to show up the next week"
l asked Red if he thought
the horse cycle on TV would
wear out and comics would
return to favor. That's not
a fair question" Quipped
Buttons. "horses have funnier
script writer's"
Reds acting career in
cludes a big role in "Imita-
ton General" with Glenn
Ford at Metro.
And. since winning the
oscar, I've had several Of
fers." Red added. II want to
be careful Of what ] choose
next. There's been talk Of q
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27

truth in the rumor that Mr..
Carmody was planning on
using a screen name. Smiling
boyiShly. he answered, "Yup."
and laconically admitted that
he had at first toyed with the
sentimental notion Of using
the name of this paper in
conjunction with a shortened
version of his last name.
Star Car, he felt, was euphon-
ious and of a suitable brevity.
for display in large letters on
theater marques. After
further consideration, and in
f1uenced no doubt by the ex-
ample of Rock Hudson, he
decided that Yup Potomac
might have more boxoffice APP
peal. Finally. influenced by
Mrs. Carmody who was get
ting pretty sick of the whole
thing. he changed back to Jay
Carmody, and it is by that
name that he is making his
bid for motion picture fame
too late, as he has recently
pointed out, for an Academy
Award nomination this year
too little. it might be added,
as well as too, late.
You'll Have to Look
But you. the public, will de-
eide when YOU see him IN
Teachers Pet" With mod
esty and restraint rarely en-
countered among actors, Mr..
Carmody remains almost con-
stantly in the background Of
the picture, and it is Sug-
geSted that you get him to sit
next to you at the theater so
he can tell you when and
where to look for him on the
screen. If this is not possible,
see II you can get Mrs. Car
mody to go along with you.
II all else fails. it will be
necessary to see the picture
three times. Whenever Clark
Gable appears in a scene in
the newspaper Office. use him
as a point of reference and
keep looking over his right
shoulder into the extreme
background the first time you
see the film. Now see it again
and look at the background
directly behind him. And
now a third time, looking over
his left shoulder. Note: Now
and then cast quick look at
the foreground and if you
never find Carmody there
you'd better see the picture
again because you will have
missed those few telling mo-
ments when he is close
enough to the camera to be
completely in focus.J
Still the King
Despite the impact Of
Carmody's one spoken line.
there are few who would
claim that he steals the pic
ture from Gable. No, Gable
is still the King, and it would
be unSporting to suggest that
it was due TO his wiles that
his opposition was not given
equal time before the cam.
eras.
Teachers Pet opens
Thursday at the Ontario
Theater. See Jay Carmody,
II you can find him, In this
witty comedy drama in which
he is ably supported by Clark
Gable, Doris Day, Gig Young
and Mamie Van Doren.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
THE PASSING SHOW
'BIock-Busters'
Bust the Slump

Joy cormody. dromo critic Tor The
Stor. Is en- route to Comes to serve
es the oiiieiol United S,otes dele.
cote 10 the onnuol Film Festival.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27

Hollywood Revue" Later
Bessie went into radio, the
alter work and television.
Il think Mae Marsh was
the finest actress / ever saw"
she said. She was always
so natural.
Il think Laurence Olivier
gets my nod for the men,"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
SCREEN

AAIBASSADoR-"Marjorie Mornngstar"; /. SOS, $40.
7:l5 and Gas pm
cAPrroL-"Paris Holiday" Iss. ass. $40. TAO and
GAS pm.
CoLUNlBIA-"Cattle Empire: I:ss. SSS SIS. 7:so and
$50 pm.
DUPONT-Marcelino"; l. 245 4:S5 $40 $40 and 10 pm
KETTHS-"Run Silent, Run Deep: 1870. $3.50, S:35 TAO
and $40 pm.
MacARTHUR-"The Gentle Touch: q SIS SIS 7:SS and
10 pm.
NEUTRALITY-SUSPICIOUS. Morninsstar" l. sos. S:lS
7:20 and $50 pm.
ONTARIO-"WitnesS for the Prosecution; /, 3:1o $40
. 7:30 and GAS pm.
PALACE-"The Young Lions: ITO. T. $50 and $40 pm.
Summertime; l, 24O, 430. $40 $40 and
10 pm.
PLAzA-"And God Created Woman: l:lO Sis 525 7:3s
and GAS pm
TRANS-LUX-"The Bridge the River Kwai" l. T.
and 10 pm.
UPTOWN-"South Pacific" 2 and $50 pm
WARNER-"Search for Paradise; 2 and $50 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27

AMBASSADOR-"Chase Crooked Shadow" Richard Todd
and Anne Baxter.
CAPITOL-"Long Hot Summer; jeanne Woodward and
Paul Newman starting Wednesday.
COLUMBIA-"Touch Of Evl Charleton Heston and Janet
Leigh.
DUPONT-"Demoniac; Micheline Presle; starting tomor-
MacARTHUR-"The Secret Place; Ronald Lewis and
Belinda Lee.
INSTRUMENTATION q Crooked Shadow: Richard
Todd and Anne Baxter
ONTARIO-"Teachers Pet; Clark Gable and Doris Day.
starting Thursday.
PALACE-'Frauen" Gary Cooper and suzy Parker
PLAYHoUsE-"Desire Under the Elms; Sophia Loren and
Anthony Perkins; starting May 7.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27

AAno NNeAo AAeAo OAANAN0 AAa@
$4,000 a week. I'll also do
some TV spectaculars. But
motion pictures are the best
medium OF expression To
bring the world together. And
If We are all 10 survive we
must take some giant steps
10 help. We're sitting on a
powder keg. There's too
much hate in the world"
All Choked Up
We talked OF his Oscar
triumph. MY gold statuette
,is now being engraved" Red
said. But they'll have a bit
of trouble. It's 10 feet tall.
When it's ready. we'll keep
1t in my den alongside Mi
chael, my television prize in
1858. says my wife, who's a
decorator.
They tell me-" grinned
the round-faced actor, that
my feet never touched the
ground when my name was
called" 1 mentioned his
heavy breathing on stage.
1T wasn't so much l was
painting" he explained. Il
just choked up. This was
honest emotion. really was
very surprised. ! really
y thought The Bridge on the
River Kwai' would sweep the
board. "a
How did I feel while watt
ing? How does anyone feel2
You just cease to exist. I felt
myself curl into a tight little
ball when I heard Lana
Turner say Red Buttons and
Sayonara.' They were the
four most beautiful words I
ever heard. They told me
later / Rugged people. But !
didn't know II.
Il was so warmed by the
hundreds OF kilograms and
phone calls from the high
and the mighty and the
small. l couldn't control my
self. l cried. 1t meant as
much to me, as Frank Sinat-
ra's did to him when he was
counted out. We function
best when we're accepted, not
rejected. I was rejected so
long. Anyone can be your
friend when you're doing
well. but when you're striking
out and then have such a
miraculous thing happen
WOW!
MY wife cried like a baby.
She's a wonderful girl. After
the smoke had cleared, the
first thing she said was,
4 feel so sorry for Sessue
Hayakawa "a nominee for
"Kwai"). / wish there could
have been two prizes
Still Buddies
II you read the Truman
Capote piece in the New
Yorker on "Sayonara" and
Marion Brando you would
get the impression that Red
and Marion were no longer
buddies.
But that magazine story
was the most confusing piece
of hogwash I've ever seen,"
Red said. Marion was full
Of fun and we had a million
laughs while we were max
ing 'Sayonara' in Japan.
After / won the Oscar he
grabbed and Rugged me, and
said, Red, this is the begin
ming Of wonderful things for
you Ernie Borgnine and
Jack Lennon tboth Acad-
envy Award winners OF other
years. grabbed me and said.
Welcome to the club"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
BY HARRY MACARTHUR
star stan Writer


Movie theater managers,
here and there, are en-
countering a recently I'M
familiar phenomenon that
used 70. be q commonplace.
II is the holdout, the lineup
behind a plush rope OF Gus
toners waiting for seats TO
be vacated.
They're lining up outside
the Trans-Lux for Bridge
on the River Kwai." They're
packing the Palace for THE
Young Lions" The block
busters" seem TO be busting
the slump, or at least dent
ing 1t,
Recession or not, Ameri-
cans are being lured back 10
the Nations movie houses in
growing numbers" is the way
the Wall street Journal
phrases IL. The Journals
optimistic view Of movie busi-
ness is especially cheering TO
those who make and show
motion pictures because Of its
source. There are those in
the industry who feel that
the financial daily takes a
DINNER view of it than neeeS-
Sary.
Attendance Dropped
In fact. there are those who
think almost everyone has
been taking a DINNER view
OF the movies plight than is
required by the facts. They
feel that making plans for
the funeral while the patient
is lying there groaning will
not speed recovery.
Nobody is saying the movies
have not been in trouble.
Last year saw a drop to a
post World War II low in
average weekly attendance
10 43.l million. That was a
drop from rs million in l94S
1.-THE year commercial tele-
vision began its invasion of
the homes of the land.
1t sagged even lower, but
then came the upturn. In
March attendance increased
over the same month a year
earlier for the first time since
last June. The happy trend
has continued and the song
OF the optimist is heard in
the land.
Causes Sought
Those engaged in making
and exhibiting movies nat
urally are trying TO divine
the cause of 1t all. A rising
trend in theater-going is one
TO be nurtured and en-
couraged.
Some, who discovered the
real menace Of television
after those pre-l94S movies
were sold to the competition,
see - or maybe wiShfully
think they see - some dis
enchantment with TV.
Others say the recession
itself is a factor. with movie
going spurred by the urge 10
get away from IL all" You
can't get away from ii all
by sitting there AT home In
the middle Of 1t all.
1t seems likely to many
observers that nothing new
is involved In the slumps
end. If this is the end. 1t is
Just further demonstration
Of an old adage Of the movie
trade. 1t is, as one observer
phrased it the other day,
simply this: You got some
thing they want to see. they
come. II you don't, they stay
away: brother, how they stay
away!"
II Remains True
This was forgotten during
the lush war years. Then all
q theater manager had TO
know was how to unlock the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27

Joy cormody. dromo critic Tor Tn
Stor, Is en- route 10 Comes 10 serv,
es the oiiieiol United Stotes dele
cote TO the ennuol Film FsstivoL
door and leap back TO avoid
being crushed in the rush, no
matter what Aim was show
ing. II became true again
after the war and II has re-
manned true. no matter what
has happened TO movie buSi-
ness overall.
The difference between
1858 and other postwar
years is that the past so TO
80 days have seen the release
Of more noteworthy films
than any like period in the
past. The above mentioned
Bridge on the River Kwai"
and Young Lions" are not
the only block busters"
around. Witness for the
Prosecution" is in its tenth
week at the Ontario. MAR
iorie Morningstar" is going q
fourth at the Metropolitan
and Ambassador. Run ST.
lent, Run Deep" seems to
be doing fine at Keith's.
More 10 Come
The first weeks Of 1858 have
even seen some records tot
tering. "Peyton Place" for
example. stayed at the Palace
for nine weeks. which is one
more week than Gone With
the Wind" played on its first
engagement. ''Raintree Coun-
ty." Disappointing at first,
came back to the Columbia at
popular prices. stayed 10
weeks. could have remained
another four except that it
was time for its release to
neiGhborhood theaters.
"Sayonara" played eight
weeks at the Metropolitan
and Ambassador and that
adds up to a l6-week first
run. There have been some
others and more are in the
offing.
A pair Of earlier block
busters" is continuing to con-
tribute TO the rehabilitation
OF motion picture business.
Cecil B. DeMille's The 10
Commandments has crossed
some $42 million and Para
mount expects it to hit Sl20
million in the next five years.
Around the World in 80
Days" has crossed about Sl4
million.
II Takes ShOwmanship
Another factor in the new
welcome trend is a return to
showmanship. Customers will
see a film they want TO see,
but Showmanship helps con-
vince them they want to see
it. Producers of pictures cost
ing 50 million and more are
spending more and more for
promotion, as added insur-
ance that they will get the
investment back. plus a
profit,
With the evidence coming
in. it is likely that Hollywood
will put more and more faith
in the block busters. There
is Just one small catch. No
body can be sure beforehand
Just which OUTSIDE film will
be the one moviegoers are
waiting for.
Take Three Faces of Eve"
no block buster" and no
great shakes at the box Office
until jeanne Woodward won
her Academy Award. 1t still
is not creating much excite
ment elsewhere, but in Wash
ington and vicinity it is pack
ing them in. On the other
hand there is South Pacific"
1t is disappointing here and
in a couple Of other cities;
1t also ranks third in Variety's
weekly survey Of the national
movie box ONCE.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-04-27
CARMODY ACTS ~
Clark Gable Meets
His Great Challenge

BoItimors born Robert Pirosh is Q
vsteron scresn winter with long
list OF films TO his credit. For
battle-ground" ia 1919. he won
on Academy Aword for best
orieinol story and sereenpIoy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1958-08-28

q. nv. and Frances ". rersuson,
bl, Ottawa, Ontario. Canada.
william ware, 40, and Flora q. john
son, rs. both Of iB2 L e. a.S.
Nicolas Carranxa, rs, ana Norma n
Tebar' 1S' both Of i47b Euclid St.
oliver K. shsphsrd. ST., a, 1870 SARA
Donald. 20. 7iB 9Th e. NV.
Edward williams. IS, $50 5th 81. Sc,
and Vera I. SHARP. %, a30 y ct. ne,
Ernest Burton, tr.. "a, 1l03 o st. NV,
sna Shirley 3: Lowery' 21' 1914
Theodore 8; L;edbetter, 90. I4s Park
1887 7 st. NV. -
James covington. 20. 1853 Irving st,
NV, and Jean 3. Wilson, i9, 1880
Meridian pl. NV.
William r. Phinney, 90, and Irene v,
Meronoff. 20. both Of 300 connscti-
cut ave. NV.
willie Jefferson, 2s, 233 Florida ave
NV. and Doris Ellis, ~, 2B10 On
tario I'd. NV.
Roeer X. Haney, %. 232s Nebraska
aye; nv. and Janet NJ. Collier, I'll
1912 Foxhaf I'd. NV.
Andrew Lee Parker, 20, 2s33 18th
~. nsNsl anu dnueS ann (hucn1 CD
1340 Kenyon st. NV.
Melvin Pinto, 49,. 1901 Massachusetts,
ave- NV" and Tatiana Cru. 81
Richard B. Palmer. so. 1881 18th st.
nv, ana Tatiana Tam, 3d. somer-
william 4. wilson. jr., 81, seo1 Nc
Fa Sisy g. nS4s F snd MaT e s. A.
Milton Smith. 81, Il r 81. NV. and
Robert c. Barnett, %, Forest Heights,
Nd, and Dorothy v. Curran, 20,
wiiSert H. Luck. 20. 1910 esth st.
NV, and Gloria +. Mallory, So. 12S
Robert e r - csllenn, %, so Franklin
st. ne; and Susan B. Mccain. 10,
Leon II. Fisher. SO. 27o5 18th It. ne.
and Helen H. staneil. As, ct.
Robert NJ. Neidecker, 90, Arlington,
and Norma Z. williams, 81, Silver
Earl r. Ellis. "a, and Jane A. Lem
lein, %, both of Alexandria.
William W. Wente. 30. 1916 II ct.