davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
TURNTABLE TALK
BY JAMES G. DEANE

Arturo Toscanini stood
alone.
What really can be said
about him that matches the
feelings Of those who loved.
and were inspired by, his
music making? Toscanini
spoke through his baton; the
sounds he stirred far sur
passed words.
What was his secret? That.
too, is beyond the scope of
words. It lies somewhere deep.
in the recesses of the human
heart and mind, and we can
only marvel at it.
Great musicians have died
and left only q memory. With
Toscanini, we are luckier. We
have dozens of his perform
ances preserved indelibly on
plastic.
Two or three years ago a
writer (who will not be named)
suggested that the Toscanini
impact on a particular piece of
music was associated with the
"great-man" psychology en-
veloping q concert-hall audi
ence, and that on a phono-
graph record it evaporated.
! cannot conceive what this
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

mann's third symphony. But
the performance was magnif-
icant. One may reject q Tos-
canini recording for some rea-
son; but it is always identi-
fable, and / think this proves
something.
\ 4 As+
Why were Toscanini per-
formances so distinctive? The
reasons to some extent can be
dissected. The performances
were invariably kinetic.
Whether the music was slow
or fast, there was always an
underlying forward motion.
There was amazing clarity and
order. Notes, phrases. whole
movements seemed to line up
with clockwork precision. Yet
the edifice was never bare or
rigid.
Who has infused la Ira
icant. One may reject a Tos-
viata" or the .'Meistersinger"
preludes with as much warmth
and fire? On the other hand,
I can't imagine the adagio of
Beethoven's ninth suffused
with greatef tenderness than
he gave it. ToScanini was
supremely passionate at both
ends of the emotional scale.
If he had not been. all the
technicalsmastery or rehearsal
tantrums In the world would
not have made his audiences
stand up and shout. I have
stood in them and shouted;
at other times I have wanted
to weep. This is where analy-
sis halts. We>are back in the
realm Of Toscanini's secret.
Musicians were as sold on
Toscanini's plain superiority
as the untutored public. They
did not resent the strain it
put upon them. Performing
for Toscanini was q challenge
but also a privilege. I have
never seen musicians show
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
No General Purpose" Remedy Con Possibly Act Like
This Unique Combination Of Medicines Developed Especially
For Relief Of Women's Monthly DiseomforfsI

Tablets" It brings greater relief
than aspirin can possibly givel
That's because Pinkham's Tab
let's contain not just one or two
ingredients. but a unique COM
binGtion of special medicines with
remarkable soothing effect on
uterine contractions that may
cause the pain. Results of doctors
tests are literally amazingl
3 out of 4 women tested got
striking relief from painful
cramps even on the first day!
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
TOPS IN POPS
Score Should Click
On First Hearing

month. Bernie Wayne has
written a seven-minute ballet
for "ziegfeld Follies" which
he'll wax for ABC-Paramount
with a 50-piece orchestra. /.
Les Baxter, Capitol Records
disc star, will write special
music and the score for the
forthcoming warmers film
Unframed Youth" :. Helen
Traubel signed with Dot
Records. Verve will issue
sound track LIP of forthcoming
TV spectacular "Ruggles of
Red Gap" starring Jane
Powell, Michael Redgrave,
Peter Lawford, Imogene Coca
and David Wayne. George
Gobel to cut Lon esom e
George" LIP for Decca. .
Disneyland Records will release
a three-LP sound track pack
age Of the music from the 1888
film Fantasia" -. Julie Lon
dOn's next Liberty LIP will be
titled about the Blues" !.
Tony Scott sliced a jazz
favored dance LIP for RCA
Victor. x
HIST RELEASED
Cyril Stapleton-Stapleton's orches-
ira comes up with lush treatments Of
two pretty tunes in THE SONG That
Haunts NY Heart" and You Know"
The Mediterranesns - Two instru-
mental sides with the continental
touch. Titles are "Postmark: Vienna
and The Lishts Of Lido" (ABc-
Eddie Heyvood-Eddie's fingers fash
the Ray Charles Singers give him iine
SUPPORT on the lovely III It's Sunny
Dolly Honston@boil ,o has an enSas-
melody and lyric with 9 warmth and
sincerity. Included in the set are
sos EOnsssls ssSs ,Ss Sss rdei Rib
over the Rainbow" Little Curly
Hair in a High Chair" Little Man
you've HAD Q Busy Day, "DOlly's
Lullaby and fve others (Unique
Jazz Behind the DIkes-This LIP Of
Dutch musicians Is well-recorded. well
played. and well conceived. and IT'S
interesting TO compare with our own
American Jazz. The set features 1--WE
different groups. headed BY Vessel
licken. Frans Elsen. Ton vos, Rob
Madna, and Herman Schoonderwalt.
and their entire output is modern
Jag. epic LN-3270l
Guy Lombardo - Here's an LIP de-
signed for all Lombardo fans. and
they're legion, for It consists Of each
side. featuring one long medley. Guy 8
medleys have been popular through
the years, and he has chosen music
from far back as 1920 and up TO the
recent hits for this slick programmine.
There are 40 tunes in all. including
such titles as "Ebb Tide" Honey"
Pain" TITS Only a Paper Moon
&C o d Might sweetheart" April
Showers" and Aud Lang eyne."
Charlie Gould-oould and his satin.
and-velvet orchestra have created q
rich LIP OF IL numbers expressing the
language Of love. Musical settines
range from the pulsating rhythm Of
'Tanso salterio" to the love strains
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
NEWS OF MUSIC
Mozort's Abduction
AT Zenith Of Appeal

odd that for this leading char
acter Mozart, for whom por-
trayal in music was the great
est delight of his artistic life,
wrote no music whatever, but
with the greatest restraint
keeps him a speaking player
only. a foil for the singers.
1.-TWO other characters, by the
way, have no music to sing in
"The Abduction.")
In don Giovanni" and lie
Nozze di Figaro" Mozart as
signs only secondary roles to
tenorS, but In 1.-THE Abduction"
there are two tenor roles, each
of paramount Importance. Pc
drillo has already been mem
toned, Belmonte. the adven-
furious Spanish nobleman who
undertakes the abduction, sings
in nine Of the 81 numbers Of
the opera, as though Mozart
were making reparation in adj
vance for neglecting the tenor
voice until "Cosi fan lutte, /"
written near the END of his
career.
Music Tense, Exhilarating
I heard THE Abduction"
in Glyndebourne in 1887, when
it was given in a series of five
Mozart operas. What i'm
pressed me then impresses me
still--the youthful exhilara-
ton Of the music. the rapidity
and tension which never relax
from the first note of the over
Nture until the final curtain.
The words could do very well
for Mozart's other comic
operas. but somewhere there
must be a special word to
describe "The Abduction" for
1t possesses a quality expressed
so completely that the COM
poser never attempted to re-
capture it,,
What the Opera Society OF
Washington in its first pro-
duction does with 1.-THE ABB
duction" remains to be seen.
Not only platitudinous, this
remark also is lacking in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
TURNTABLE. TALK
osconini Bequeoths
A Recorded Legacy

man was doing when he lis
tened to that record. I have
never heard a Toscanini record
that did not carry over at least
some Of the special quality Of
a Toscanini concert perform
ance. What was not carried
over was the records fault.
Actually, the impact of Tos-
canini's records to me is amaz-
ing. You can take a dozen
other recordings of Beethov-
ems seventh and find very
little to distinguish one from
another; Toscanini's stands
out Immediately. The same is
true Of Dukas' "Sorcerer's APP
prentice" I was recently dis
appointed by the tonal quality
OF a record made from a 1949
Toscanini broadcast of Schu-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

Of IT Dreamed Of You" other high
spots are Dawn in Paris" White
Satin and Black Velvet" "Midnieht
In Morocco" Magic Violin" The
Big Blow" and "skyroom. 1vik LIZ
10 stafford-Jo. with the able as
ststance Of Norman Luboff's Choir and
Paul Weston's smoOth orchestra, has
new LIP that sparkIes with melody.
MOONLIGHT in Vermont" by the
ness Of YOU" Winter Wonderland"
Song" and sleigh Ride" are among
the IL numbers presented. columbia
Jerry Lewis-A surprising LIP BY
Jerry, as he emerges as q straight
SINGER. There are dozen numbers
in the set. with the outstanding sides
being "Rock-A-Bye Your Baby with .
Dixie Melody" and Back in Your
Own Back Yard" Unfortunately,
with the late Al Joison. Tor when
Jerry sings some OF the numbers
associated with Jolson. there's an
amazing likeness In his style; in fact,
he's better on the jolson numbers
than on the others. Some Of the
other tunes are I'm Sitting on Top
Of the World" Get Happy" Birth
Of the Blues" and Bye Bye Baby"
(Decca DL-S410.l
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

How tragic to see young women
wracked with pain during that
difficult" week each month Even
worse, how much misunderstand-
ing comes from the terrible nerv-
Gus tension that often precedes
this period! Yet this suffering is
needless in case after case!
Today, an amazing new tablet
has been developed especially to
relieve that awful monthly dis
comfort. This wonderful discov-
cry Is called Lydia Pinkham's
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

candor. for al the adaptor Of
the dialogue dnd as a particle
pant in all the rehearsals SO
far, I have much more than a
general idea what the society
is doing with the show. The
really worthwhile part Of an
abduction is its aftermath,
and. to quote Mozart, I'll resto
mol dico."
One thing should be said,
however. Those who will be
disappointed in missing the
first scene Of the opera should
not be late for the $3.50 cur
tains Thursday and Friday.
Tardy arrivals will not be adj
mitted until after the end Of
the first scene, which takes
about % minutes.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
TOPS IN POPS
By BOB WILLIAMS

When composers are writ
ing a score for a Broadway
play, one of the first things
that should be kept in mind is
that the score must be distinc-
tive enough to click with the
audience in just one hearing.
for theoretically, that's the
only chance the public will
have to hear the score. If
they don't like it upon hear.
ing it at the theater, there's
not much chance of the scores
survival in the musical field.
However. with today's rec
ords and radio and TV ex-
posture. there's chance that
a so-called non-distinguish-
able score could become a hit
and the new Broadway play
Happy Hunting" is a perfect
example.
Just listen once to the orr
ginal-cast LIP of III Apply
Hunting" starring Ethel, Mer-
man, and quite frankly it will
not impress you. nor will many
Of the tunes remain in your
memory. However, by the time
you have heard the LIP three
or four times. you find that
the score is quite enchanting.
and the performances a real
Joy. You'll delight in Ethel's
singing Of Mutual Admiration
Society,"" "Mr. Livingstone"
"This is What I Call Love-"
and "a New-Fangled Tango"
Also noteworthy is the sing
ing by Fernando Lamas, Cor
don Polk. Mary Finney and
Virginia Gibson. (RCA Victor
LOC-1026).
RCA Victor has wisely issued
another LIP by Hugo Winter
halter's orchestra in which he
plays the entire score instru-
mentally. Hearing this set just
once. you realize how delightful
the tunes are, for Hugo's imag-
NATIVE arrangements bring out
the best in each. Especially fine
are She's Just Another Girl"
This is What / Call Love" "a
New-Fangled Tango" This
Much Know" and theh jazz
favored 1.-THE Wedding Of the
Year Blues" (RCA Victor
LPM-1400)
4 \ y
PREVIOUS AND REVIEWS
Columbia set to issue new
Tony Bennett LIP, TONY" next
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
By DAY THORPE


Although THE Abduction
From the Seraglio," to be given
by the Washington Opera
Society Thursday and Friday,
comes nearer the end Of the
list Of Mozart operas than the
beginning, it was the first Of
the composers comic operas
to meet with great success.
The earlier operas were for tlse
most part stylized productions
for the court or for special
groups-"Die Entfuhring" was
for the public. Since its pre-
miere in 1882 its popularity
has had both its ups and
downs. depending on the spirit
of the times.
Today, the opera is probably
at the zenith of its appeal.
Its blend of farcical comedy,
romantic passion and touches
of profound pathos is COM
pletely sympathetic to the
modern audience. which likes
to discover that every emotion
is usually tinged with its OPP
posite. Although. more than
any of the other major operas
Of Mozart 1.-THE Abduction"
seems to be a carefree and un.
complicated joyride. yet its
fun is often on the verge of
heartbreak. Someone with
more patience than I may con-
firm my suspicion that there is
more music in the minor mode
in "The Abduction" than in
any other Mozart opera.
Gay While Being Sad
Sometimes, as in Con-
stanza'S aria "Traurigheit,"
the minor denotes sadness. but
usually it is sardonic. What
more rollicking music Is there
than 1.-THE Abduction" and
what comedy team one-half so
irresistible as Omin. Pedrillo
and Blonde? AS I have often
remarked, Osmin is unique in
opera many-sided comic
figure worthy Of Shakespeare.
A romantic fletcher. compe-
tently Ineffective in his job as
the overseer Of q harem, his
irrepressible comic RACES are
as overwhelming as any Verdi
wrote for Othello. His duet
with Blonde, in which Mozart
slyly has a coloratura soprano
mimic the bottom phrases of a
deep bass who can sing down
to the D below the bass clef,
is musical drollery at its wick
eldest.
1t is in this same piece that
OSmin sings his sententious
cantilena 20 Englishmen,
don't be such fools as to make
women of your wives" while
Blonde mocks him maliciously
at the top of her register.
AS a person, Constanza is
more of stock operate figure
than any of the others, but
vocally she has to deliver
almost every kind of music
Mozart could conceive of for
the human voice. I have never
been able to deny myself a
performance Of THE "Abduc-
tion." but Of the 10 or IL I
have seen. I can recall none
in which all three Of Con-
stanza's arias were given with
out authorizations. There are
few individual singers who
can handle the contrasting
styles.
Pasha Is Dramatic Role
Dramatically. the most i'm
portant character Of the show
is the Pasha. a cruel, auto
cratic and unbridled Eastern
potentate whose personality is
split when he tries to conduct
himself according to the mores
Of Western humanism. It is
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

such pride as those who played
in Toscanini's orchestra. or
sang for him.
A recent bicerapher seems
to have been quite concerned
HeeAlse he felt Toscanini at
times did not take sufficient
pains to observe the amenities.
Such matters might have
seemed Of less Importance If
the biographer could have
shared in this pride Of par
ticipatior. NJ
~ 4 ~
What were Toscanini's
greatest performances? Which
<are the recordings that are
indispensable?
These Questions. too, are
almost unanswerable. / cher
ish his recording of Berlioz'
Romeo and Juliet" music,
AID his old performances of
HeethQven's pastoral and the
first "Leopore" overture with
the BIC, and Debussy's la
Mer";; his incomparably virile
| reading of Schubert's c major
symphony; his matchless re
cordings Of Wagner But I
cherish equally all. his per-
formances Of opera, which are
like a glimpse into another
era and another world. Gin
March Aida" will join them
Is his biggest monument the
complete Beethoven SYM
phonies, or should one list first
the great choral recordings
Verdi's Requiem" and the
Missa Solemnis? What about
Elgar. and Brahms. and Men
delssohn. and Dvorak, and
Strauss2 These questions are
really hopeless. In any case,
See TOSCANINI, Page Els
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

Many weren't bothered at all by
nagging headaches, backaches,
other functionally-caused dis
tress at that time of month.
When so many women never
suffer during these difficult days"
why should you? Start taking
Pinkham's Tablets yourself. See
if you don't escape much of the
pre-menstrual tension, the sharp
cramps and n-both before and
during your period.
Get new Pinkham's Tablets to-
day. Contain bodybuilding iron,
tasteless! Of you prefer liquid,
ask druggist for Lydia E. Pink
hams Vegetable Compound.)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
FRIDAY

FRIDAY MORNING MUSIC CLUB: zvia
Sheinman, piano; Rosamond Davis
clarinet; Elizabeth karrick, cello: Betty
Scheln, violin Audrey Davis, piano
Louise kupelian, piano; Constsnee Rus.
sell MCKAY, piano. Cosmos Club, IL &c
am. Trio. in a. Opus ia Brahms
Sonata IN A minor. Schumanri
Slavonic Dances. Dvorak.
THE ABDUCTION FROM THE sERAo.
LILO. Mozart. Artists the same as Thurs.
day evening. Lisner Auditorium, $3.50
pm.
UNITED STATES NAVY BAND. Comdr
Charles Brendler, conductor. Cues
conductors: James Nelson. Alfred
Reed. Soloists: Anthony Mitchell, clar.
met: Gordon Finlay. cornet: Harold
Wendt. cornet; James MOhs. cornet
Departmental Auditorium. $3.50 pm
Youth Of Britain March, Coates
Donna Diana Overture, Won Resnlcek
Fanfare and Allegro, williams. IN.
Trumpeters Carnival Finlay; Til
EulensDiesel, Strauss; Introduction
Wedding March and Finale from
Lohenerin, Wagner; symphony FOL
Brass and Percussion. Reed. Fantas,
1mpromptu Opus 90. Chopin: Hungar'
ian Rhapsody No. /. List.
ouARTETTo ITALiANo. Library d
congress, $3.50 pm. Quartet In
minor, X. al. Mozart; Quartet No.
Bucchi Quartet In G, Schubert.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
SATURDAY

INSTITUTE OF CONTEMPORARY ARTS
Aaron COPELAND, piano; Werner Lywen
SiG ns H sS.:f ,o wScsn esas w.as
viola; John. Martin, cello. Corcorar
Gallery, $50 pm. tAil.copland pro.
gram: Sonata for violin and plano
1913; Twelve poems Of Emily pickin,
son. 1850. Quartet for piano ant
strings. 1880.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
THURSDAY

THE ABDUCTION FROM THE sERAo.
La M!i;, Mozart rsyl Galway; CONDUCTOR:
Maring, scenery and lighting. Cast:
Ellen Fault, soprano: Sylvia Stahlman,
soprano; John MeCo1lum, tenor: John
Kuhn, tenor; Richard Humphrey. bass
tional Symphony Orchestra; washing-
ton Chamber Chorus. Lisner Audi.
forum, $3.50 EN-. Latecoiners will
not be admitted until after frsi
scene
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
TODAY

yAE "a y. T TRI r. Ernest Yar.Ec, violin
pm SONATA s Sitsie. H ssrins YT TTio
syssH into S II stTh minor 4 sess MSssT
wAsHINoToN CATHEDRAL cHoiR,
Paul Galloway. director, Washington
Sathedrai; 4 pm. Jubilste Dec; John
lcolisgium RssSiael, Howelis: senes
puerum portabat, Byrd; Mass In =
~ MN opns ol, MellesE
ISAAC Ai.So STERN violin, violin; Alexander zakin.
chaconne. Vital; Sonata in D minor,
PTokoiiefi Concerto No. in p minor;
GEORGE WALKER piano; National
OPUS IL: No. /. Beeth ti S"i Kreislefr.
lana. schumann;. Sonata No. /.
walker Walker; - Two ,,I Maz gS; Chopin;
cHANcEL CHOIR, Theodore schsefer,
orsanist and choirmaster; Fred BEGUN,
percussion. National Presbyterian
s'ai For Maze Voices ts5ss a hy Psrc ssSSn
Virgil Thomson o Lord How Excel
lent Thy Name, Hanson; II He Please.
TOMORROW
HA cAS coS sSSoSHIsoN z EIb AM en-
pUcToRs Phillips Gallery. $40
pm. Three American Sketches. Anne
M. Roberts; Sonatina for French Horn
and Piano. Max Seeboth Three Songs
for BARTON. piano and celesta, Robert
Paris; Suite In fntrospect, Samuel
Loboda Prelude and Fueue for Three
N Violins, Robert Evett; Sonata da
Camera, Walter Hartley.
TUESDAY
PHILADELPHIA ORCHESTRA. EuEene
Il Ormandy. conductor 5oloist Benno
Il Moiseiwitseh. plano. Constitution
Nobilissima visione. Hindemith; Piano
Concerto No. In c minor. Rach-
UNITED STATES ARMY BAND. Major
L HUH Curry, director. 5oloists: vireinia
z MaeWatters, soprano. kelg Garvin,
trombone. Departmental Auditorium,
Fanfare and Scenario. Cacavas. Sara
bande, Debussy; Moroccan Symptom
ique,. oullmant: United States Army
Band March,, streeteri TO You.
Verdi: pepuis ie Jour. Carpenter;
Laughing Song, Strauss: Royal Fire
works Music, Handel.
Alfredo DE sAINT-MALo. violin;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27
PROGRAMS OF THE WEEK

Harry Mcclure, piano. Pan American
Praeiudiufa. BaeheKSeisler: symDhony
Espagnole. Lalo: Sonata for Violin and
Piano. Cortland; Kaddisch. Ravel;
Evening star. [volume] (Washington, D.C.) 1854-1972, 1957-01-27

No Poln for Muny. Even on Fivsi puyl Taken
regularly, Pinkham,s Tablets have
soothing effect on the cause of menstrual
pain -even at start Of your period
The Detroit tribune. (Detroit, Mich.) 1935-1966, 1957-07-20

4. 1S3lN4lho ttx7ioNe, IN avlkY case
oeAft3 t& = ftAA1oG, LIKE FROM EuRoPe TO
AM(Dlf ~ NJ THAT IS NOT 4 IAN pgAL
IN SS25Av 56 xke rneeU1a1lv 90 ~sxlLlpA
~ LAAAeNfAttotr bNL9s@ ENLIGHTENED AND
i klaeeArpD,b ~ ~, QoQ& m1PekArtvG "sEcoNn
eetNh(q* ~ cNelS1IAk SCIENCE. Wt4ERe IT IS
81. ARhnGDAEoloen DAT peAlm IS iusr MYTH.
A MORTAL THOUGHT PHENOMENON
rl>9ke = - sniNlTuAL SEPARATIONS WHATso-
400 orr fLv. RELIGIOUS MEETING Off
y. my. Tsihans)
* cRINNELL. Iowa. July WP)-An epidemic Of 200
sssss Of nesaA tsav forced tho isdists elsso q
international religious conference attended BY 1900
soers.
otisIs o. sht state hsslsh Department and Of the West
r1stes RsiisSshps Dlopasl Asssshk dsGdsd disbsa
The esRfsssnes - osiaesn oslieOs.
They Sid Wesminstsr Fellowship delegates from forty
thrSe setsa Alss& evea h,svo Rico. ceIsmhia. india
end Japan would begin having crnnsIl This afternoon
The Detroit tribune. (Detroit, Mich.) 1935-1966, 1957-07-20


~ Yssetkosed 4 NJ ndspsassSE l,e.,,....hl.
imtet(ivs etrssa sesres sextbeeh, ssvIo, Iber.sr'
i91ptetM - ~ tcpa Jsass PvuIasisa1 NJ ~. ~;
Invevnssy e0pvsI sdvuesy Of NE four Evress,s tsi
)sua 9lb4le& whee> tUn6aseeiak &c osrfesh - ~
Religions sfs Satan bound" Roman csshoIIelsm.
Creek ofshedey end Professionalism latter q ,he ~.
Ia Ib9ttAlpA A1r MOI vt LlsGRAJGo-
WAIT PATIENTLY FOR DIVINE LOVE 70 MOVE
UPoN.THe WATERS or MORTAL MIND AND FoRM Tt,G
PEREeeT CONCEPT PATIENCE MUST HAVE HER Per.
FEcf WoKK"i
~ highest Representative sine. Jesus, Mary Baker
EDDY 1HeeAM~ Nestthew l3:3a L product Of seven
ssnSsh1le9 Enslsh-P American hsrs.o,
~ chsstisa Science tsxsheek Il NY master sduessor
hessr. miracle worker.
N FAkI
WAITER llPehlAN tsnd Dorothy Thompsen, teel-
! r. DGvsLS DUpeS re THIRD YeRM FOR
IN THE DEVILS r. .. R.lu
y will h. recalled by Of yev thew switch late IN
the campaign ~ Wendell Wikis vs. Roossvslrs spiritual
Iyn.sy. THE DENk SEEKING 10 PRESERVE HIS MULTI
TENS OF BILLIONS OF. s STEAL VIA THE DEVILS
pEMccRATSl
sw ssty l. tsr M, Lppmsnn 10 function a. an .asm
chair Pvssidsnt-s hAendsy morning quarterback
pfesldsnt Elssnhower-sn enlightened Protestant Of
Marlin Lviher ceoros Washington Abraham Lincoln aspi
with sems substantial guidance add d.
vine nsRrstien 81 N.Y. eeds. Indispensable incorporate
meNsmsnt vie Ny highest Representative since jesus
WOMAN Matthew 1919 = is wiser seeker for
divine svidsnes than the scribe. Waller Lippm.n.
Hewever. both M. Lppmsnn and President Eisenhower
WILL IN due irs. 10 compelled to publicly declare their
allegiance 10 NY two highest Representatives since
Chssttpn Science end Mary Baker Eddy
And tss holds good for oil leaders and ihs msssss!
TODAY AND TOMORROW
BY Walter Lippmann my Tribvns)
UNREADlNESS AND INDIGESTION
There e remarkable resemblance between General
Esrhowers handling Of the disarmament negotiations and
his hedtre 81 HE budget In both that say. he
hrs kunehsd proposal and embarked course not
having inside his mind about Just where he wished Co.
The dsiibsrstion the weighing Of alter .vss shs hard
work Of making firm decision. would L. orderly and
rational conduct Of have the pressn
isen Of s budget and tina sanding Of Mr. Stassen to Lon
don 70 negotiate with Mr.. zorin.