davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
New But Not Choice

A~N AAOAOS
The first two show arrivals
on Broadway in over a month
aren't likely to start any stam-
pede to the box Office.
"Shangri-La." a musical ver-
sion of James Hilton's Lost
Horizon" finally reached the
Winter Garden after a troubled
journey that included complete
rewriting and recasting of key
roles.
To complete its preopening
trials, a vast, glittering, three
ton mountain that was in
tended to be a scepic highlight
of the show, slipped off back
stage cable and smashed three
hours before the curtain went
up. 1t went to the scrap heap.
an $4,000 nick out of the
musicals 100000 cost.
Only two of the daily press
critics found "Shangri-La" in
teresting, and the other five
turned thumbs down. All
agreed it was mighty pretty to
see-even without that noun
tain-but a weak score and
limp dialogue kept the show
from delivering the elusive,
mystical enchantment of Hill
tons original.
The other arrival, Leonard
Sillman's New Faces of 1856"
at the Ethel Barrymore. fol-
lowed his formula Of packaging
little-known younger talents in
a series OF. sketches. musical
numbers and dance routines.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
New Western Formula:
Bigger and BIoodier

itself makes a few condensed
30-minute versions, designed
mainly for the kids.
Today'S feature-length cac-
tus cinemas = filmed primar-
lily for the big movie screens,
but eventually headed for TVS
smaller ones = are lush in
color. herman in scope and
realistic in approach.
They'll Get Bigger
And the trend, Hollywood
says, is for more colorful. rope
raw biographicals of flesh and
bloodied frontier heroes. Writ
ers. producers and directors all
agree today's Western is big
and tomorrow's will be even
bigger.
An example is THE Search
ers." a whopping SIS million
Western starring John Wayne.
Its producer, Marian C. Cooper
says:
Hollywood is definitely after
Continued on Pg. E-3, Col. 3
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
THE PASSING SHOW
Bords Conodion Festival
Goes On Its FestoI Woy

their judgments. on the whole
quite f1atteringly. and Strait
ford is more firmly entrenched
then ever as the Dominion's
center of drama culture.
Most happy. and breath
restoring, of all. Stratford has
discovered that its festival can
survive the absence of DR.. Ty-
rome Guthrie. Young Michael
Langham's direction of the
1856 plays proves that the
pupil may succeed the master,
even when the latter is a til
tan, without bringing catas-
trophe.
Hanging in the balance on
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
BY WILLIAM GLOVER

NEW YORK, June % (P.-
Constance Bennett is a star
who figures one new career is
great-but two are even bet
ter.
Everything I'm doing is
new" enthuses Connie of her
double assault on still more
fields of show business.
A few weeks ago Miss Ben
nett. the sleek heroine Of many
a suave film and stage produc-
tion,. successfully launched a
new career as a somewhat
boisterous night club singer in
New York's fashionable Hotel
Pierre. Now she is on a
nationwide swing through
swank supper spots that will
keep her busy most of the
summer.
That completed. Connie will
make a startling entertain
ment turnabout and travel off
on a 40-city tour in a drama
tic theater bill with an ex-
ceedingly novel formal. 1t
begins october 8 in st. Louis
and is to reach Broadway in
late February.
Everybody considers me
just a glamor girl and clothes
horse" says Connie, referring
to both projects. I'm glad to
play down to earth for, a
change"
Steinbeck Omnibus
The dramatic innovation she
will appear in come October is
entitled 1.-THE Best of Stein
beck" and will comprise ex-
cerpts from such renowned
John Steinbeck novels as
"Tortilla Flat" 1.-THE Grapes
of WRATH" "Of Mice and
Men," and a new version of
his play Burning Bright
Says Connie: I'm be playing
everything from a waitress to
a school teacher to a trapeze
artistry supper club act is
fine training for that"
! Appearing with her in the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
Also owns nv Shows

Val-Richy also owns the
films made with character
istic foresight of all Skeletons
CHS television shows. Some Of
these are already returning a
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
BY HAL MCCLURE

HOLLYWOOD. June % (P).
Bored with old Western movies
on television early. matinee or
late, late shows?
Tired of watching immacu-
late cowboy heroes on big
white horses = accompanied
by fun-loving. comic side
kicks riding paints - chase
the Williams atop the black
bosses?
Fed up with endless saloon
fisticuffs, six" guns loaded
with twice that many bullets,
and heroes who prefer the
company of their ponies to
the pretty heroines?
Then fret and fume no
more.
Hollywood's old dread and
butter" formula Westerns, so
popular in the 1930s and early
40s, are deader than a passed.
of rustlers cut off at Eagle
Pass. Studios aren't even max
ing them any more. Only TV
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24

cross-country presentation Of
the show will be Robert
Strauss. Tod Andrews and
Frank McHugh.
THE show won't Just be a
reading" announces the
blonde star. but we'll be act
ing out every role"
Staging will be in impress
Sionistic style - sets and props
at a minimum but with per-
formers in costume.
Both the Steinbeck digest
and her supper club enter
prise, Miss Bennett says, grew
out of despair at ever finding
an acceptable full-length play.
MY kingdom for a play
she comments in summary of
the scores of horrible scripts
that have paraded past her
reading lamp.
The prospect of long months
of way stops and living out of
a suitcase prompts Miss Ben
nett to glow in anticipation.
I'm a peculiar, I like tour
ing" she asserts. Just as
long as l have a nice place to
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
By HAROLD HEFFERNAN

HOLLYWOOD, June %
(NANA). - Cameras stopped
rolling late one afternoon last
week on Stage 10 at RKO
Studio and a big red-headed
fellow with a friendly grin
got up off the floor, busted
himself off and yelled: "Hey,
whaddya know, we're finished
and I can hear the audience
kissing already"
This. of course, would be
Red Shelton. back in pictures
after an absence of three years
to play the title role in Public
Pigeon Number One" Ameri-
cas- Number One knockabout
clown describes it as sort of
a combination of all my TV
characters-plus few more"
Willy Lumplump," Fred
die the Freeloader," the lush,
the punch-drunk fighter, the
mean little kid-Skelton has
conceived and created almost
as many characters as Walt
Disney and made them house.
hold words.
Thanks for All
While just about everybody
over three knows Red Shelton
and the many products of his
facile mind. hardly anybody
knows how many Skeletons
there are behind the clown.
He keeps his co-workers laugh
ing. too. between scenes, de-
spite which--or perhaps be-
cause of which - Public
Pigeon Number One" was COM
pleted eight days ahead Of a
tight 31-day schedule.
Red thanked everyone in the
company. from Director Nor
man Mcleod to Joe the Door
man. MY wife Georgia thanks
you" Shelton said. THE kids
thank you. and I thank you.
We ought to--we own IS per
cent of the pictured"
That is true-for behind the
comedy falls, the facemaking.
the Glowing antics Of the
funny-man is a Shelton as
quick with a money-making
idea as he is with a wisecrack.
He's head Of two corporations
one is Red Shelton Enter
prises. Inc. which manages
such holdings as an apartment
house and several business
buildings in Beverly Hills, a
hotel in Culver City and a
number Of other structures in
and around Los Angeles. The
other, Val-Richy Productions.
named after his two children,
Valentino. 9, and Richard, 8,
owns 35 per cent Of Public
Pigeon Number One"
Also Owns Tv Shows
Val-Richy also owns the
films made with character
istic foresight of all Skeletons
CHS television shows. Some Of
these are already returning a
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
Shelton Can Be Serious
If Money Is Involved

nice rental from British TV
stations, and others are being
readied for distribution to the
foreign market throughout the
world.
Once reputed to be Some-
thing of "stay-up-late' guy,
Skeletons nighttime activities
are now confined almost ex-
cluSively to the benefits and
free shows he does for worthy
causes. Otherwise, it's a safe
bet you'll find Red right at
home after dark.
A Camera Fiend
I'm a happy man." he
signs gratefully. 1--WE a wife
with sense of humor and
two kids who are now big
enough to fight back
Red also has 81 cameras by
actual count, a beautiful home
in Bel Air surrounded by
trees and rolling lawns. three
TV sets in his bedroom and
two poodles, among other
things. He explains the three
TV sets in his bedroom:
zones for color, one for
black and white, and the
others in case the others
break down."
Eleven years ago Gene Fow-
Ter began a leisurely biography
of his old friend Shelton.
After their second huddle on
the book. Red began a biog-
raphy of Fowler and his may
beat Fowler's to the stands,
for it is tentatively scheduled
to be published next year by
Vanguard Press. Fowler's
book is titled THE CHINA
mon Bear" Skeletons is called
THAT Fabulous Guy, Fowler"
Owns Patents, Too
Again on his serious side.
Red has a number of patents
and inventions to his credit.
Latest is a rear-view mirror
which tells the motorist exactly
how many feet behind him Is
the car following - patent
applied for.
Maybe you've noticed that
recently all CBS-TV programs
end with the networks big eye
trademark containing pic
ture Of the next program.
That's also Reds idea, and
every time it's used on any
CHS station, the network pays
him half a cent-which, with
the many stations and their
half and one-hour programs,
counts up neatly for Red Skel-
ton Enterprises, Inc.
Appalled, at his about, whirl-
wind, tireless approach TO life.
co-star Vivian Blaine in
Pigeon" said: Red, ! just
can't picture you going to
sleep ever"
ITS pretty repulsive." Red
told her, but it's easy. Just
shut my eyes and stop think
ing"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
BY JAY CARMODY
Drama Editor of The Star

STRATFORD. Ontario, June
%. - Shakespearean drama
has lowered for the fourth
summer on the banks of this
Stratford's tranquil Avon and
life could not be more cheerful
here.
The suspense and excitement
Of the first nights Of the fourth
annual Shakespearean Festi-
val have diminished. The
actors have acted this years
two plays. Henry "" and
THE Merry Wives of Wind
sor." The critics have passed
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
SCREEN
SHUBERT-Dark.

Observation-Disclosures My Lady," ESQ. 6:1o and $40
CAPITOL Mohawk; 150, $780, $50, 750 and GAS pm.
COLONY-"Citizen Kane; 2:2O 4:40, 7 and $50 pm.
COLUNfBIA-Naked City; 125. 4:45 and $40 pm
"Intermezzo; 10 g. 440 625. $40 and 9:55
KEITHS-"Toy Tiger LAS, 345, $780, 7:5O and 955
LTTTLE-"Wayward Wife; lis. 4:05, z and 9:55 pm
MacARTHUR-"Touch and Co.; 1885, 425. 615. 8:05 and
9:55 pm.
Observation-Disclosures My Lady; lis. 4:4o, and
sos pm.
oNTARIo-"The Man Who Knew Too Much; $40, 5:25.
TAO and $50 pm.
PALACE-"The Catered Affair" $780, 335. 545 7:50 and
955 pm.
PLAYHOUSE to the Dance" 2:45 Abs $685.
500 and 1910 pm.
PLAzA-"The Last Ten Days" l. $3.50. 440. $50, s25 and
1915 pm.
-LUx-"Auumn Leaves; 1920 325, 535. 7:45 and
9:55 pm
wARNER-"Cinerama Holiday" O. S and $3.50 pm
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
THE BROADWAY WEEK
Constance Bennett Will Follow
One New Career With Another

sleep-and can have Pru-
dence with me-"
Prudence is an 11-year-old
poodle.
Where she can't go. I don't
CO." says Connie of Prudence.
"Only once did I have to leave
a hotel because, of her. And
I'm glad we had to go. 1t
wasn't nearly as nice as the
motel we ended up in out Of
town"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-24
TODAY'S SCHEDULES


CARTER BARRON ANdPHITHEATER-Dan Kaye and his
international Revue; $3.50 pm.
ACKNOWLEDGEMENTS of the August Moon"
tomorrow
SHUBERT-Dark
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18

1854" Columbia release Of q HoIi-
day Film production, produced by N.
Peter Rathyon. directed by Michael
ton and Ralph Bettinson. from the novel
by George Orwell. At the Plaza Theater.
The Cast
Winston Smith Edmond O'Brien
O'Connor - Michael Redgrave
Julia Jan Sterling
Pleasence, Carol Wolveridge. Ernst
Clark. Patrick Allen. Roman OCasey,
Michael Ripper, Even Scion, Kenneth
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18
HOLLYWOOD
BY SHElLAH GRAHAM
Eva Marie BIissfuI in Paris

it is being done here for the
first time. with Gina Lollobrigida
and Anthony Quinn, it was i'm
practical to use the actual
church, and they built q minia-
ture copy of it in the studio.
). Ever wonder what happened
to Simone Simon? She has re-
tired from moviemaking and is
married to a very rich man.
On a flying trip to Munich, I
found Dick Powell taking care
of the youngsters while June
Allyson tolls with RoSsano Brazil
in UniverSal-In ternationaIs In
Iterlude." Dick and June bought
some lederhoSen for Pam and
Ricky. but Ricky insists on wear
ing his Western holster and guns
with the Bavarian costume.
y \ X
Brazil. accompanied by his
wife and their two poodles, will
be tied up with "Interlude" until
mid-August when he reports to
Joan Crawford and Producer
Jimmy Woolf in London for
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18

THE Story Of Esther Costello. I"
Rossano is mellowing toward the
fair sex-I always did believe his
bark was sharper than his bite
and he gets along beautifully
with Miss Allyson. I won't be
in London when he tits with
Miss Crawford, but I'm betting
on Joan.
Powell, who attended the Ber-
lin Film Festival. told me that
Gary Cooper was the big hit
there. dick did all right him.
self, but didn't say so). 1.-TWO
thousand kids" he said. "camped
outside the Kampinski Hotel
Quilt since the war; and yelled
'Gaaary.' and he came out and
gave them a big hello" Accord
ing to Dick, men as well as
women stars are given flowers
in Germany, and he likes the
custom. But he didn't like the
invitation to see the opera in
the east zone of Berlin. He
declined because, II felt they
were trying to use me for pro-
paganda. and they would have
used 1t to the hilt."
Jack Diam ond, Universal's
publicity boss in Hollywood, was
here recently. setting up the start
Of q year-long worldwide cam
paign to CLEAN the most cover
age for "Interlude'S" global cast
in addition to June from the
United States and Rosanno from
Italy, there is FRANCHISE Rosay
from France and Marianne Cook
of Germany. :
I had hoped to meet U-I's new
star, Curt Jurgens, but the hand
some lad is in Yugoslavia doing
Courier Of the Gar" Actress
Eva Bartok tossed aside the Mar
guess Of Milford Haven to marry
Curt, which should give you
some idea Of his charm.
And o. w. Fischer was in
Berlin making my Father, the
Actor" directed by Robert Sod
max whom I knew and liked very
much in his Hollywood days
during the war. o. w. is q mite
unhappy because his first film to
be shown in America, 80 Long
as You Are Near Me" released
by Warners), shows him as an
old man. Which certainly
doesn't do justice to his Laurence
Olivier-type good looks.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18
WHERE
AND WHEN
Current Theater Attractions
and Time of Showing

STAGE
Carter Baron Amphitheater-
Dark. Carmen Jones" starts
tomorrow.
National = The Pajam a
Came; 2:30 and $3.50 pm.
Olney-"You Can't Take 1t
With YOU; $3.50 pm.
Ambassador - "Moby Dick:
1, l3:05, Sis. 7:25, and 9:35 pm.
CapitOl-"The King and T.:
1880 am, 2:05, Abs, 7:10 and
$40 pm.
COlOny-"Riviera";; 6:S5, $40,
and GAS pm.
COlu m bia-"Creeping I'm
known; 1925, sos, 5:45, and
SIPS pm.
DupOnt-"Madame Butter
n.y.: los. 3:15, 500, 1925, and
OBS pm.
Keith's-"Safari";; 1880 am,
l;35, $40, 5:45, 7:50, and 1C
pm.
Little-"The Desperate
Hours: 1870. 5:25 and $50 pm
Mac Arthur-"The Beach.
eomber"; $40. sos. and 10 pm
MetrOpOlitan-"Moby Dick,
ll:40 am, 2:15, 1850, 1920 anc
9:55 pm.
Ontario The Man who
Knew Too Much; l, $40, 5:25
7:40 and $50 pm.
Palace-"Trapeze";; IL am.
l:lO. $40. $50, 7:45 and 9:5:
pm.
PlayhOuse-"That Certain
Feeling; IL am, los, 3:15
500, 1880. and 9:4O pm.
Plaza-"1984"; IL, LAS. $3.50
b:l5. 7. 8:45. and 1915 pm.
Trans-L THE Eddy
Duchin Story; IL am, lilo
800. $50. TAO, and 9:55 pm.
Warner "Cinerama Holt
day; 2 and $3.50 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18

PARIS (NANA) Mel Ferrer'S
'Modigliani" has been postponed,
if not abandoned. because the
painters daughter doesn't care
for the script. Which makes Mel
available for THE Vintage. +"
scheduled to start here early in
August. met up with Direc-
tor JEFF Hayden's wife. Eva
Marie Saint. leaving the Raphael
Hotel. II can stay with jeffrey
for five weeks" the blond Oscar
winner told me blissfully.
Rita Hayworth was to have
starred in a musical on the
French stage for Raymond Ha-
kim but, when the romance blew
up the musical did likewise. So
Valerie Belts, Rita's ex-movie
choreographer who came here to
appear in the production, is
staging one-woman shows in
stead. E. Marlene Dietrich will
linger in Europe for another pic
ture, Agatha Christie's Witness
for the Prosecution" with Tyrone
Power.
Home notes from all over: Ava
Gardner, now in London filming
THE Little Hut" has no tele-
phone in her home near Madrid.
And Noel Coward has no
glass windows in his Jamaica
home. The British, incidentally,
take a very dim view of dear
Noel'S permanent departure from
the, tight little island to avoid in
come taxes. Seems that Noel
added up his earnings from Las
Vegas and United States tele-
vision, and decided to keep some
of it.
X X X X
Odd Facts Department: 1.-THE
Hunchback of Paris" was made
three times in America. But now
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18

escape from the bitter realities,
1894" is not for you. If. on the
other hand. you can steel your
self for some strong fare. you
will be rewarded by some top
notch playing and tense drama.
Jan Sterling and Edmund
O'Brien fill their roles with de-
spair and Michael Redgrave
makes his inexorably menacing.
The adaptation by William Tenn
pleton and Ralph Bettinson is
taut with suspense and occa-
sionally terrifying. Michael An
derson has directed it for sordid
and frightening realism against
a bleak background of post
atomic-war London.
x 4 4 4
The film carries an unusual
credit line attesting that it was
freely adapted" from Mr.. Or
wells 1894" What makes it
unusual is that Mr.. Rathvon's
picture can boast much more
faithful adherence to the origi-
nal than many a movie adapta-
ton.
1t does not dilute the authors
peSSimiSfn and it concludes on
the same note of emptiness he
reached. 1t does not dwell at
length on some of the things Mr..
Orwell treated in detail. There
Is. for instance. only sketchy at
tention paid to "newspeak," the
language that means what the
Party wants it to mean. 1t
touches only lightly, too, the
continual, tampering with his
tory. so that not only today's
newspaper but all that has been
printed in the past conforms to
today's Party line.
The slogans punctuating Or
wells satire-War is Peace, Love
is H ate and Ignorance is
Strength-are not pointed up,
either. But they are there in
the background and their i'm
plications will not be lost on
those who choose to see 1894"
X \ X
The rest of Orwell'S 1894" is
here In stark detail. In the de-
VISITATION after the great atomic
war three powerful police states
with definite Communist aspects
have grown up. They are con-
tinually embroiled in wars, not
aimed at victory but designed to
keep the populace under control.
The spark of freedom has been
doused everywhere and man, his
individuality gone, is the slave of
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18

the Party. The portrait Of Big
Brother-Watching You!-glares
down from every side. Tele-
vision Milton Berle's contract
having just run out) is reduced
to an instrument Of propaganda
and secret police shopping. A
mans home is no longer his
castle. but one more place where
his every move is watched by q
spying televiSion eye.
Hope. to lapse into new
speak," Is despair.
4
In this oppressive setting, the
Templeton-Bettinson screenplay
concentrates on the personal
story of Smith, w., 674S
(O'Brien). An Outer Party men,
Der employed at the ministry
where history is carefully re-
written. he in the beginning dis
plays a shred of yearning for
freedom. 1t is only mere flicker
of optimism and the film soon
turns the full blast of a fire
hose on it.
In the process Of setting Smith
up for this blast, the script has
him meet a girl miss Sterling)
This is forbidden, since the
Party arranges marriages for the
Iperpetuation of the race, not
love. The Anti-Sex League mill
Itates against such individual
conduct with vigor, too.
With all the obstacles, the two
still manage to sneak a few mo-
ments of old fashioned happiness
before walking right into their
doom. The manner of their
downfall is familiar, having been
detailed on televiSion as well as
in the novel, but Director An
derson has made it suspenseful
drama.
He has brought off a number
of powerful passages that will
chill your blood. There is, fol
example, the annual hate ses-
sion. when work is stopped fol
"a frenzied moment of mass
hysteria directed at the current
enemy. If you think it cant
happen here you ought to take
a look at some old newsreels Of
Hitler rallies.
The bleak flavor of life in
Oceania in 1894" is captured in
many ways. 1t is in mans pride
in the small daughter who has
turned him in for uttering in his
sleep thoughts he didn't know
he had when awake. 1t is in the
constant fear of the secret
police, in the stark, mean sur
roundings.
The brain-waShing passage
where theS erring Smith, w., is
ultimately forced to say that two
and two are five if the Party says
So-not merely to say it but tC
believe its sheer, sustained
terror. And the conclusion is
bitterly dismal, as the brain
washed Smith finds himself hys.
terically poining in the chant
Big Brother Big Brother
Big Brother. :.
1t is a powerful performance
O'Brien turns in and he is ably
supplemented by Miss Sterling
and Redgrave. You will not pre-.
cisely enjoy the Plaza's 1894,
but it is well worth your seeing
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-07-18
THE PASSING SHOW
Bleak 1884 Pictured
On the PLACES Screen
BY HARRY MACARTHUR

1t dreary future for those who
that long that the late George Orwell pictures his
Readers of the book will be happy know that
treated with by Producer NJ Peter Rathvon
version at the Plaza Theater
This that it is all fairly grim you should
prepared. prefer complacency
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06
BANNING g. SONS

OLDsMObILE '5o ''9s" hardtop;
hydra, electric windows, power steer
ing, 2-tone paint, Wv. tires; low
mileage; one owner; $l,I95. ia.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06

FORD 50 VS. 2-dr.. o. d., r. and
h., seat covers, turn Sigs.. a-tone
green finish: 1925. Written guar.
TRIANGLE MOTORS
30lo r. /. AVE. N E.. DE. 2-6302
FORD IS Customline VS. Tudor;
Fordomatic. r. and h.. cleaning
: black finish. Wv. tires; S1,495.
HILL e. SANDERS, Wash.'s Oldest
Ford Dealer. 1900 14th st. NV.
NC. .7.11ll. Open ewes. til o.
Sat. til &.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06
AIS MOTORS

39lo Wilson Blvd. Arl.. Va.
OLDS So 2-dr. de luxe "SS''; hydro
r. and h., Wv. tires: 1895 HE.
4-5907 before 3 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06

WILLYS 80 de luxe aero 3-door
this beautiful beauty is famous for
its economy, has a beautiful finish
set of with bright chrome. seat
covers, heater and defroster, excep-
tionslly clean, priced low at S495.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06
KENYON PECK

HUDSON 1852 de luxe 4-dr. sedan;
gray radio and heater, overdrive;
will sacrifice for quick sale for only
$3.50. Terms available. Over 100
AThaF rAAAca Fwz...
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06

ROYAL MOTORS, INC.
CHRYsLER- PLYMOUTH IMPERIAL
400 Ga. Ave. NV. IA. $4,000
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-06-06

PACKARD 40 sedan: shiny black
finish; flne cond. $3.50. 50 down.
TRIANGLE MOTORS