davidaulloa/AmericanStories huggingface dataset:
Evening star., 1956-03-25
TOPS IN POPS
Song Title Changed
By CobIegrom Error

items as Men Smart. Women
Smarter" "We Like Ike"
Scandal in st. Thomas"
"Englishman's Diplomacy"
LA Empaliza," and seven
others. (RCA Victor LPM-
1852
Paul West0n-Weston's new
LIP features background
themes from some of the
screens greatest romances. AS
usual, Paul imports his fault
less musical taste to the love-
ly melodies, making each one
a new listening experience.
Tunes are Laura, Ramona"
My Foolish Heart" Samson
and Delilah," "Spellbound,"
odd Man Out" Kings
Row." Diane" Now Voy-
ager," "Wuthering Heights"
Dark Victory" and Lost
Horizon" columbia CL-794D
Gene Krupa Lionel Hamp-
ton-Teddy WilsOn-Three top
performers play extended ar
rangements of some of the
selections they played in U-I's
"The Benny Goodman Story"
They have added bassist Red
Calender. thereby making the
group a quartet, and the re-
suit is persuasive, swinging
and relaxed jazz, for which
these men are known. The
selections are Avalon" Il Got
Rhythm. I" 'Moonglow," Blues
Evening star., 1956-03-25
PROGRAMS OF THE MEEK

.
basst Jane Mafene. organ: calvary Sin
fonietta Orchestra. calvary Methodist
EastsT portions DA Of The % Messiah, SiE
Handel.
CHOIR OF NATIONAL
Rucker, tenor; Donald Boothman,
baritone. IN National City Christian
our Gord 1 aecoTdinr Si ifS ao sss'iSa St. MarR (.
Charles Wood.
COMBINED cHoIRs, Charles Ellingten,
soprano; Marjorie Green: contralto;
Baptist Church, Fails Church, Va,
500 pma Easter portion of The
BETHEL EvA1NyIGEL5cAL 1yIlLc AND RE
stoeRsti, direetef iSsEh soIoists Lorraine rans
tone. Rsthel Evanseiical % IssdAs and Re-
teF%ed SasIs SasFsh Of Hos week ss sSS aSS
POPS CONCERT; Abrasha Robofsky,
baritone: Annette Tuck, contralto: Ben
Gruber. tenor: Ruth Sperling. piano.
afs s5ss s04iIe 9sEa $50 song
Loved You ,Rogers; Habanera, Biset;
MY nero, strauss; AL nOStFl mOrti,
Verdi; Hava Nagilah, Israeli folk song
z lucevan lie stelle, Puccini; Granada.
Lara; Elegie. Massenet; Serenade,
Schubert; A Letter to my Mother:
Solemne in aueSt'ora. Verdi.
TOMORROW
WALTER H. BALL. organ. National Pres
6yterian Church. 1890 pm. o Lamm
Gottes, unschult'~ Pa ~ -7'o''1
Couperin: Benedictus, Reser: Mors ct
Ressurectio La-...;+-..
JULES EsKlN, cello Nina s.,.,,
piano. Phillips Gallery. $40 pm.
Adagio from organ toccata in c, arr.
from Bach; Sonata, Opus 9, Barber,
Sonata Debussy; Sonata in A, Opus
CASA MATERNA cHILDREN,s CHOIR
UrfeO Pima, director. Clendenen Hail.
American University, $50 pm. Pro-
gram of religious, secular and folk
BoWDoiN COLLEGE GLEE CLUB,
Frederick Tiliertson, director. 81.
Matthews Episcopal Church Hall,
$50 pm. Rise Sons Of BoMdoin,
Miserere Ailegri; Gwilym Gvent'
Evening star., 1956-03-25
BY JAMES G. DEANE

II Gabriel Faure had written
nine symphonies Che did share
with Beethoven, unhappily.
the distinction of living his
later years in deafness) he
might be more famous. But
then he might not have written
the less pretentious but in
creasingly valued list Of pieces
by which we now know him.
I suspect that to their mis-
fortune many still know even
these too skimpily, but there is
a new batch of records which
add UP to a further step in the
right direction, namely. to-
ward making the music at
least accessible, which it hardly
Is in the flesh.
A couple of them appear
actually to be flrst LIP record
ings. One Is the first Of the
two cello-piano sonatas, which
is coupled with the second in
performances by Monique and
Guy Fallot on London-Du-
cretet- Thomson. Only one pre-
vious recording is listed for
the second. These are both
Evening star., 1956-03-25
TURNTABLE TALK
Foure Records Lift
Veil Of Obscurity

splendid pieces dating from
the last few years of Faure's
career, and they seem nc more
marked by the composers ply
sical aff1iction than the last
quartets of Beethoven's.
The other newcomer is the
second of the two piano quar-
tets, another late, fine work.
It is paired by Westminster
with its predecessor, which is
strongly reminiscent of Schu-
mann whereas its companion
is appropriately more sugges-
tive of Ravel. thus symbolic
ing the bridge which Faure's
music supplied between the
two eras. Both are more ebul-
lient pieces than either of the
cello sonatas. The Robert
Masters Quartet is responsible
for the performances.
The team of Francescatti-
Casadesus has supplied a new
pairing on Columbia of the
two violin-piano sonatas, the
earlier of which is so well
known for its obvious kinship
to the famous sonata of
Franck fthe kinship should be
Evening star., 1956-03-25

Schneider. cello. Assisting artists;
Wrieht, clarinet. Library Of Congress.
$50 p m. .Ali-Mozart program: Quar-
quartet i e for Sa0e strings ing <. sss: quintet
for clarinet and strings. K. 5si.
CHOIR OF CALVARY
BAPTIST CHURCH, Frank a. Heber-
Church, 6'D 500 pm. The song of Easter, Easter,
Ringwald.
UNITED STATES MARINE BAND, Cap
tain Albert schoepper. conductor
sSs%ss gSSsss R.Seag .T p.1o 1ons' Par0ee
Of Commerce Auditorium. s:I5 pm.
Arise o Ye Servants of God. Sweelinck:
Part !, Chorus from Elijah, Mem
fsssHnn GanS Rep.i Maspu% ssn omne1 MystssTn aand
Myself when young, Lehman; TO Lq-
Miniyer cheeyy. Duke: Velvet Shoes,
sss as af s hsTp h0ss
strings, Hanson Quintet for piano
and strings. Brahms.
FRIDAY
CHOIR OF CALVARY
BAPTIST CHURCH, Frank A. Heber-
lien, director. Calvary Baptist Church,
1900 noon, Seven Last Words OF
CHURCH CHOIR. Adolf To-
rovsky, director. Church of the Epiph-
any. 500 pm. Requiem in minor
Cherubini.
BAPTIST MEMORIAL
CHURCH CHOIR, John Bfgbee, di-
rector. soloists; Dorothy Rogers. So
Pssno Psn ,.ss Ben hsaSa M. MSrrs tsasE
organ; National Baptist Memorial
Words, Dubois.
STRING QUARTET. JOSEPH
vioiins; Boris Kroyt, viola: Mischa
a.rrsoS fso obos HaroId MfsS.
clarinet. Library of consress, $3.50
pm: Repeating Thursday evenings
UNITED STATES NAVY BAND. comdr.
Charles % %Brsndier, condustor I:, sSloists SI.ss,
cornet: James Mohs, cornet; Richard
Balm. harmonica: Ben Mitchell Morris,
tenor. Departmental Auditorium. $3.50
Ssrb % L. sss sabs Helene 4. nea
The Parrot on the Fortune reller's
Hat. Abreu: Swan Lake, Tchiakovsky:
The Trumpeters' Carnival, Finlay;
II ss VakSass Rhsss0Sy %asnsr me ns
strauss; walters Prize Song, Wagner;
TV-ana, Hayman. This ends Inc
winter concert series: summer series
begins in June)
cHANCEI, CHOIR OF WESTMORELAND
CONGREGATIONAL CHURCH. Harold
Ash. director. Soloists Phyllis Gieseler,
soprano; Robert N0rthrop. tenor; John
VermiIyea, baritone. Westmoreland
Conversational Church. 500 pm.
The Seven Last Words. Dubois.
cHo1Rs OF LUTHERAN
CHURCH OF THE REFORMATION.
ZabaWa, soprano; Eleanor PTessly.
soprano: Mary Lou Alexander. con-
tralto: John Nordberg, tenor; Otto
Kundert, tenor; Arthur James, bari
tone; Mary Martha Eisenbers. organ
7:45 pm. Seven Words OF Christ on
the Cross, Schultz.
Evening star., 1956-03-25
NEWS OF MUSIC
Symphony's Reliance
On Routine IS Hit

David Oistrach have been In
vited to appear with the SYM
phony, and all these have ac-
cepted in principle, although
the two Russians do not yet
know whether they will be
in this country, and Callas
has not actually signed q con-
tract.
Orchestra Faces Crisis
II there are symphony pa
irons who view the prospect of
next season with a Jaundiced
eye. they should remember that
the symphony with the basic
reorganization Of its schedule
is crossing its Rubicon. Pairs
of concerts on Tuesdays and
Wednesdays may turn out to
be the financial saving Of the
orchestra, or the change may
be a failure. but the orchestra
will in either case be q differ
ent musical instrument.
The reasons why the change
is being made have been gone
into fully on this page. An
effect of the change can be
forseen in the prospectus of
concerts for next year. Today
the typical symphony concert
does not fill Constitution Hall,
an auditorium which. it should
be pointed out. is one Of the
largest in the country. Next
year, each concert will be given
ttoice. not once. Each concert
must therefore appeal to a
much larger audience, must be
more in the nature of a Satur-
day night pop" affair. It
must rely more and more on
the old-established names and
on routines which for the fringe
concertgoer have not lost their
luster.
The designation fringe" is a
favorite Of the Symphony's
new manager. Ralph Black.
I'VE have our subscription
audience-will this attraction
appeal to the fringe?" he asks
when considering a projected
concert, He appraised a pro-
gram given by the Symphony
this year by saying. Nobody
will be there except music
lovers"
No one can reproach the
management of the Symphony
for remolding the orchestra
In a way which may enable
Evening star., 1956-03-25
TODAY,

wAsHINGGToN CATHEDRAL CHOIR.
David Lloyd, tenor; Donald Gramm,
bass; Armand Harkless, tenor; Dom
Crane, bass; Robert ElIinwood, alto;
sen. organ; members Of the National
Cathedral. 3:0e pm. Passion accord
ing ST. John. Bach.
FRIDAY MORNING MUSIC CLUB STU
Davis, Faith Carman, Jean Anne Teal,
Hodges. Cosmos Club. 400 pm.
UNIVERSITY OF MARYLAND CHAPEL
CHOIR, assisted by organ and or
SnSsrsty 'ssf Manysnd 'SnanssHs %smssia
to st, Matthew, Bach,
YWCA ENSEMBLE OF SINGERS: Doro.
thy Radde Emery. piano: Louise ku.
n Roo pm psRs ses6at Matsr Psrsolesi Ra Ws
Fugitiyes, Prokofieff; Prelude in c.
SkSs cS,Sse EtuSs Et1Ss in IN sasSD mno2 msoSr sos,
TERRA. TERi1AN 1s Sag1RcH s5Id{![E SEoIR' RI.ss Bruce
Lsei. tenor; Robert Nicholson; ID. sass; s,
Temple Memorial Presbyterian Church,
EPIPHANY " cH1RcH CHOIR. Adolf
.s.yn ISrsyssy qssstS NsnaS ws sElGss Msss bon
Mackin, Adon Phillips. Church Of the
E4o EpDhaRRs ny $500 R PR fhs mscts1sSs Msssss
cEANGEL v1Sp ecHRFf2E cH9E 4E ws9N GHRcH BopLH ANb
ofb GB peoSMSEioN eSoiS BANK BASik choSEgs
! Clark Cheney, tenor; Paul MsDole.
Rssh; souleva5S So''e chrissisn '!sa Church, 500
sHffRLEE = EMMoNs; SOPRANO; Patriot.
isRn kr, Pian0 Nstonad Na1 d,s1s1ae oaisry no. Q,
sssTatt car a. wrse Ersnsssd M.1
delssohn; Chansons de Bilitis, Debussy
Declaracao, Guarnieri: Vou-me EN-
bora, Guarnieri; Five Epigrams. Villa
ks3s hsnone pona 1ansas sis asnoss
Laerima Christi. Nordoft; Aileluia
% Foantsin, sh director. LisneT s Hadisoriam 1Ssn'
saS Tns1ns Sm Lais E5saats sureis pso' ssarsss ssE
fraisd raid 09l Bach Gr'eii Misss ffaa srevis in nP'
minded Bennett; Mon coeur Sc recon-
ma. mands s.,. yo1s. yons. tsssus; Der KuskScs
vie fein und liebiich ist es,. Geora
sehumann; David mourneth, for Ab.
SALON.. Ssa,om, IsoS Lockw9pd; Beautiful Savior
. mumSlin word. arr. arr. W WOOD; EzeSie Ike
saw de- wheel arr Dawson.
cAaHaRG dHaRH cRoK aon Baps9S EPTsGSHPa
rector; Douslass Picking, organ
Calvary Protestant Episcopal Church
l1;00 am The Seven Last Words
SSSaBs cH.R gaSscS or ns...v E.s
nspn Msp8 orSsnst Nana5x,n and director soloists
tenor; Robert Ruekman. baritone
EEpwoEEth Methodist Church, 400 pm
sf seSfR Ea1s cHPeEa IHE5ef Ps0SE SHoRus
Max Seebeth. director. ST. Teresa
-ra Of c Christ on the Gross. seeboth.
PEoPdES GIdEISS coNGREGAT1oNAL CHURcI
eRSTsS. SO p.a o. PPshla''fsslSdhs Pslm sands'
musical Vesper Service.
sANN6STuAEx N6T AXcS sH40IH 4EEnnIsT 1E MOUNT yEE
3. Dean shure, director. soloists
.Gor' .1;S sSP.a, ssSSP.a,nos; Mary Alice Alies RsnIst! S!
Methodist Church. GAS n pm. staSs
Mater. Rossini
SANCTUARY CHOIR OF METRoPoLI
TAN BAPTIST CHURCH, Norman I
organ. Metropolitan Baptist Church
5:30, pm. The Way of the Cros.
Ferris Tozer.
THERAsN chh6RcH OF THE REFoR
Soloists PeGsy Zabawa. soprano
Rilla Rowe Mervine. contralto; Geors
Barritt tenor: Donald Robinson
baritone: Donald King. organ Lu
theran Church of the Reformation
r:45 pm, Mass in D minor, HAYDN.
CALVARY METHODIST CHURCH CHOIE
Louis Potter director. Soloists Isold
Sehm, soprano; Doris Low. contraltc
Howard Clayton, tenor: Robert Gu!
Evening star., 1956-03-25
TOPS IN POPS
BY BOB WILLIAMS

The beautiful song Poor
People of Paris" a current hit
by Les Baxter's smooth band
on Capitol Records, got its title
because of a cablegram error.
French composer Rene Rou-
zand originally titled it La
Goulant du Pauvre JEAN" lit
orally "The Ballad of Poor
John," having to do with the
Frenchman who always winds
up with the wrong women,
etc. But when Capitol's Paris
representative cabled the head
office, either he made a mis-
take or it was subsequently
made in the transmission. for
when the head office received
the cablegram, it read La
Goulant du Pauvre Gems" The
word gems" means people,
and thus the Capitol Office
thought the title referred to
the poor people," hence the
title switch.
X n \ &
JUST RELEASED
The Mighty Zebra - The
Mighty Zebra, one of the fore
most Calypso singers, presents
a fascinating LIP of Calypso
from the Virgin Islands. The
LaMotta Brothers Virgin Isle
Hotel Orchestra gives sympa-
thetic support. as the singer
enchants one and all with such
Evening star., 1956-03-25

1t to decrease the tremendous
annual deficit. One can only
warn 1t of the danger that
besets it over the next two
or three years. In winning the
fringe 1t may lose the small
hard core of music lovers who
have supported it for the last
quarter century. The fringe
may well be a more wholesome
group to attract. but the Sym
phony should switch allegiance
only with it's eyes open.
Evening star., 1956-03-25

james; o Sweet fa's the eve, arr.
Moeram; Sam was a man, Persichetti;
Drinking Song. Vaughan Williams; o
yos omness Xittoris; Captate DOMINO:
op S0fs &: PurDs T n Moo ps ARR
Dance of. the Comedians, smetana;
Land Sighting, Grieg; Shenandoah,
arr. Bartholomew; Father William,
Tns Tssv Jesuf walked T. this his ssSss
can ride. arr. Shaw. Pore Jud.
Rogers; There is nothing like a dame.
Rogers; Bowdoin College Medley.
Stenberg.
TUESDAY
KARL HALvoRSoN, organ. National
Presbyterian Church, 1890 pm. Prel-
SON SON; N Most Holy Lord t and God. PurVis;
Palisades, Sowerby; Toccata and
Hymn, Peters.
MEMORIAL METHOD
IST CHURCH CHOIR, James L.
McLain. oEganist and director soioists
tenor: Robert Nichsisop. bass. Richard
Rogers, bass. Metropolitan Memorial
Methodist Church. $500 pm. The
Crucifxion, Stainer.
ST. JOHNS CHURCH CHOIRS, Wesley l.
Steele, director. soloists; Anna Mae
Kerns, baritone: Howard RUN, bari
tone; members Of the National SYM
Phony orchestra, St. Johns Church. Church.
according to st. Matthew, Bach.
H Hugh C1rrs, &C Conductor. soloist. Rob.
sr, d,Dr;nm Dsan baritone pspSrt%sntsl rsgs s1d
dinck; Music Of the Passover. arr.
We're" We're you there. spiritual; Hospodi
Pomiiiui, Lvoysky; Open .h our =. eye, eyes
aoaned asilsdahEs; ET tu fsise ese nsscchisv "a verd
Die Mainacht, Brahms; o du mein
holder Abenstern, Wagner; La Grande
Paques Russo. Rimsky-Korsakov.
WEDNESDAY
HAROLD ASH. organ. National presby-
terian Church. 1880 pm. Toccata.
in Pace. sowerby; cortese ct Litanic
Dupre
BAPTIST cHURcH. Frank A.. Heber-
lein. director. Soloists: Elaine Dunssth,
%.% sSRFsnS Ss.%s Ssf:sase
Pate. baritone; Thomas Moss, organ;
Laura HUGHES, piano, Calvary Bap.
tist Church. pm. The way OF the
NATIONAL 61MF6ON1 OnInES lnh'
Soloist Werner Lywen, violin. Con-
stitution Hall, $40 .. m symphony No
3, Harris: Concerto for violin and or
chestra In A, x; 2l9, Mozart; SYM
THURSDAY
MARGUERITE BRICE. organ National
Presbyterian Church, 1880 pm Pre-
lude, Fugue ct Variation, Franck;
Christ lag In Todes Banden. Bach
Prelude on the Kings Majesty
Sowerby.
NATIONAL SYMPHONY ORCHESTRA
Leonard Bernstein, guest conductor
Auditorium, 2:3O pm. Repeatins
Wednesday evenings prtgra,n.
BUDAPEST STRING QUARTET: Joseph
Roisman and Alexander Schneider
yiolins; Boris Kroyt, viola: Mischs
Evening star., 1956-03-25

for Benny" Just You, Just
Me-" and "Airmail Special"
(Clef. MGC-681.)
Verlye Mills-A superb LIP
of beautiful music by this
lovely harp virtuoso. Tunes
are excellent and the music is
presented minus the usual
cliches one gets in harp music
albums. Set features IL
numbers, including Autumn
Leaves" "Intermezzo." 1.-The
Kerry Dance, lover the Rain
bow" "Gitanerias," Brahms
Lullaby" Failing in Love
With Love- and "Fantasie
Impromptu." (HiFi Record
R-60i.O
Ralph Fay--Fay'S new dance
band features the guitar and
vocals of Mary Osborne on
two twinkling sides, coupling
"Linger Awhile" with "Groov-
in Reuben Goodbye" (MGM
K12179.)
Lou Busch-"The Charming
Mademoiselle from Paris,
France" is a gay little tune,
nicely sung by The Chorus.
Coupling is a smooth version
of the lovely "11th Hour Mel
ody," featuring a vocal by The
Chorus and fine piano work by
Lou. Capital F3349.)
Ralph Marterie - In a fine
LIP designed for dancing feet.
Marterie's swinging band
comes through with a beat
full package. includes "One
O'Clock Jump" "Woodchop-
per's Ball." Laura" "Danse
Arabe," "Swing Baby" Basic
Boogie," Robbins Nest"
Lullaby of Birdland," Mid
See WILLIAMS. Page E-f
Evening star., 1956-03-25

put the other way around.
since the Faure came first).
The second. though. is much
more individual, and to those
who associate Faure with deli
cacy its vigor will be some
thing of a surprise.
Finally. Epic has provided a
new rendition of the 'Pelleas
ct Melisande" suite which is
so outdistancing most of Faure
In popularity that it even
found place in a National
Symphony program not long
ago. Its voiceless spinning
song is as pretty as any
around. A Debussy charmer.
the Petite Suite" and both
of Roussel's 'Bacchus ct
Ariane" suites I'LL out the disc.
well played by the Lamoureux
Orchestra under Martinon and
Fournet. and also worthwhile
repertoire.
All these recordings are
quite satisfactory In vital re-
spects, except that the West
minister sides both deteriorate
slightly into raspiness toward
the end, a rather unusual
event for Westminster.
HAUTBOY! ALBINONI!
Until recently even LIP
hadn't done much to lift the
obscurity from Tomaso Abb
noni, one Of the more impor-
tant but largely forgotten COM
posers Of early eighteenth-cen-
tury Italy. Tomaso was born
in Venice in 1871. and among
his distinctions was that Of
supplying some themes to one
j. S. Bach. He was also one
of the longer Lived of his craft.
his span being a ripe 10 years
(the same. coincidentally, as
Faure's).
The veil has now been quite
tremendously lifted by Vox,
with a three-record album de-
voted to IL of Albinoni's many
concertos. Four are for vio-
lin, four for oboe and the re-
mainder for a pair Of oboes.
They are lively. melodious
works. sometimes suggestive Of
the Bach Of the Brandenburgs.
The oboe pieces to me seem
especially appealing. These
are among the earliest solo
concertos of any kind, so they
also have historical interest.
The review copy is an un-
usually handsome boxed af-
fair, labeled limited edition."
with it's origins in Paris, al
though the basic contents ap-
pear to emanate very properly
from Italy.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-07
A Promising Reform

new era of specialized handling Of
domestic relations cases by local Judges
Is assured by passage of the compromise
Family Court legislation. The chief bene-
f1ciarieS will be the men and women and
children whose tangled lives become in
volved in tangled litigation. Their cases
should receive closer attention and more
specialized services than has been possible
In District Court.
The compromise law that emerged
from the Senate-Hou conference is not
so far-reaching as Chief Judge Laws and
the other local judges had urged in their
testimony before Congress- The judges
have advocated an entirely separate court,
with its own judges, commissioners and
procedures. Instead, there will be created
in the Municipal Court a new branch,
stated by three Judges whose primary
duties will be to hear and dispose of do
mestic-relations cases These judges will
be available however, for work in other
branches of the Municipal Court when
ever the case load in the family branch
permits. The removal of domeStic-rela-
tions cases from the crowded dockets of
help to get this important tribunal on
current basis.
1t is unfortunate that the Senate
provision for commissioners to assist the
judges through pre-trial hearings was
eliminated in conference. Similar courts
IN other Jurisdictions have found that
the commissioners can greatly reduce the
number of cases going to trial. largely
through settlements reached by bringing
the feuding parties together in a hearing.
Perhaps provision for the commissioners
could be made in a later amendment Of
the law. On the whole, however, the new
system constitutes a judicial reform that
not only is in line with the trend in State
and city tribunals elsewhere but one that
will provide substantial docket relief for
the overloaded District Court.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-07
Carolina Plan

The search in North Carolina for
method of complying with the Supreme
Courts school decision without, at the
same time, resorting to enforced integra
ton seems to be taking the same general
direction as that in Virginia. This at
any rate, is the inference one draws from
a report just submitted to Governor
Hodges by the North Carolina Advisory
Committee on Education.
This committee, though outspoken in
its denunciation Of the courts decision as
an unwarranted invasion of States rights,
starts with the premise that the ruling is
the law of the land, that it is binding on
North Carolina and that 1t would be fool
hardy to attempt defiance. An equally
important premise, however, is the
Unanimous" opinion of the committee
members that the people of North Caro-
lima will not support mixed schools"
AS way out of this apparent d.
lemma, the report recommends three
positive steps to save" the public school
system from the near fatal blow" dealt
by the court. These are: ~ A pupil
assignment plan based on considerations
OlliCI Clldll idNNN NSD COliobibulAOl"A
amendment which would permit payment
from public funds Of money grants to
help defray the cost of educating any
child assigned against the will of the
parents to a mixed school for whom no
unmiXed school is available, and 90
So-called safety valve" provision under
which the Legislature would authorize any
local unit Ito suspend by majority vote
the operation of the public schools in that
unit, Notwithstanding present constitu
tional provisions for public schools"
The first two provisions closely re-
semble the key features of Virginia's still
unenacted Gray Plan But the latter
contains nothing comparable to the
Carolina safety-valve proposal Presum-
ably the reasons for this recommended
ton stem from the thinking underlying
this paragraph in the report I'VE are
in a dangerous situation. 1t could be-
come dreadful situation quickly The
steady and healthy progress which we
have been making for more than half
century in the betterment of our racial
relations has been suddenly stopped Now
the tide is running the other way Racial
tensions are mounting in North Carolina
every day"