davidaulloa/AmericanStories huggingface dataset:
The Nome nugget., 1956-07-16
THE BIGGEST POWER PLANT
-RutherfOrdton INC


 Work is in the finishing stages on an electric power project the Ohio River And certain facts about this project newsworthy by any standard. It has but one customer-an Atomic Energy Com mission plant
 It is the largest power project built at one time
 It is producing more electricity than is used by the entire city of New York.
 Its cost, when completed, will be in the neighbor hood of $40OOO0OO0
 Those who hear of this for the first time will believe is being built by the government For, over the long years have been told that only government is capable of undertaking the biggest and costest power systems.
 But truth and propaganda are not always the same This project is being built by group of businessm aged, nvestor-owned electric companies All of the money is private money, voluntarily invested There are no taxpayer subsidies. And the project will pay heavy taxes on whatever earnings it makes-where by contrast government plants either wholly tax free or largely
 The moral? No job is too big for taxpaying private enterprise in the power field
The Nome nugget., 1956-07-16
FBI Nabs Man
 In Anchorage for Brooklyn Killing

ANCHORAGE, R-The FB yesterday arrested man wanted in a 1949 stabbing death of fel- low sailor in Brooklyn.
 George H. Raney, 37, was ap- prehended on a downtown street after local FBI agents received a report he was in the area.
 Records showed Raney was in- dicted on first degree man. slaughter charge by the Kings County grand jury in Brooklyn in July l949. He was charged with unlawful flight to avoid prosecution Feb. 1, 1856.
 Brooklyn police reported Raney allegedly stabbed Rudolph Smith in March, l949 while both were crewmen aboard Navy trans port docked at Brooklyn. Smith died five days later.
 The stabbing allegedly climaxed an argument over Smiths refusal to make Raney a piece of toast.
 Raney was held here in lieu of $50,000 bail.
The Nome nugget., 1956-07-16
WIEN AIRLINES

To Fairbanks: H. Pitscha, John B. Heath, Norman Farr, Cy Ran dall, l.. A. Davis, L. Sadowski, w. Wilson, Mrs. Wilson, A. Messina, R. E. Summerfelt, J. R. Robinson, D. Mielke, H. Mielke, F. Kelly, C. Davis, l.. Cole, R. c. Johnson, Don Julius, R. Arnold, N. Moore, J. Sellars, J. B. Flower, D. Con rady.
 From Fairbanks: Andrew Bod ner, J. R. Molsen.
 From Kotzepue: Gavin Roetzel, Daniel Sheldon, Warren T. Hany, Mary Ann and Barbara Tiffany, w. Wilson, Mrs. Wilson, Dorothy and Hilbert Mielke, Roy Dennis.
 To Kotzebue: Dick Lee, Clyde Potter.
The Nome nugget., 1956-07-16
Sen. Ralph Rivers Quits Territorial Senate to Run for US. Congress

JUNEAU, R-Sen. Ralph Riv- CTS D Fairbanks) sent letter of resignation from the territorial Senate to Gov. Heintzleman Fri day, effective at once, because he is running for the US. House under the ka-Tennessee plan for statehood.
 Heintzleman immediately issued a writ setting an August dead line for filings for the 4th Divi- sion vacancy.
 Rivers successor will be chosen in the Oct. g general election. His unexpired term runs to 1859.
The Nome nugget., 1956-07-16
Contract Awarded for New School at Juneau

WASHINGTON, R-The Inter- will award an $809,OOO contract to low bidder J. B. Warrack Co.,, Seattle, for construction of 20- room elementary school at Jul neau.
 The new school will replace the original Talkeetna school which burned Oct. 31, 1855.
The Nome nugget., 1956-07-16
Senate Group O.K.'s Bill to Extend Time for Federal Surplus Property

WASHINGTON, R-A Senate Interior subcommittee Friday ap- proved a House bill to extend until Dec. 31, 1858, the time in which Alaska may acquire federal surplus personal property.
 The territory is authorized by existing law. which expires this year, to acquire such property if it is essential for operation of the Alaskan government.
 The subcommittee passed on to the full committee without rec ommendation House-passed bill which would authorize planning of a port of entry on the Alaskan side of the Alaska-Canadian bor- der, on the Alaskan Highway
 Alaskan officials had suggested possible ceiling of S1, 200, ,000 for the facilities. They would include a government office building, housing units, utilities and an air strip, they said.
 Sen. Jackson, presiding as sub committee chairman, said that was "a pretty elegant layout for port of entry"
The Nome nugget., 1956-07-16
Alaska's Salmon Pack Tops 1855 Total in Bristol Bay Area

JUNEAU, R-Alaska's pack of red salmon this year already has topped the 1855 total of 313,000 cases, due mainly to an excellent run in the Bristol Bay area, Fish and Wildlife Service Administra- tor Donald L. McKernan reported Saturday.
 McKernan said signs of high CT pink salmon pack in southeast Alaska virtually assure a total salmon catch much above 1855.
 The Bristol Bay season ends on July 25.
 "A-on" Dup1icnte Receipt Book9
The Nome nugget., 1956-07-16

"A-on" Duplicate Receipt Books
 sf fhs Nugget
The Nome nugget., 1956-07-16
sspvycE TO SEATTLE rpOM FAIR B ANN9

FROM FNIN :, ,.. t,;oh,. weekly by Super s''''' Clipper
 n.,,x tlioh,. by super-6 Clipper
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
PROGRAMS OF THE WEEK

Part I. Bach: Stabat Mater (Cujut
amman and Quis est homo. Rossini;
Ceremony of Carols, Britten; Adoramus
TIE, Palestrina; Credo, Gretchaninoff
How excellent Thy Name. Hanson
Hospodi pomilui, LVovsky-LeyenSon,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

Sweetheart Of Sigma Chi"
September Song" "Tenderly,"
"The Enchanted Waitress" and
Moonlight in Vermont" Co.
lumbia CL-8030
The Blue Stars-Vocal group
presents two Of their best
as they sing Speak Low" and
"Mambo Italiano." both done
in French. Also note the fla
vorsome orchestral support.
Mercury 70808x45)
Eydie Gorme-Eydie gives
warm, sypathetic reading to
the tender That's How" and
pairs it with the more rhythmic
TOO Close for Comfort"
(ABC-Paramount 45-9684.)
Will Bradley-Will Bradley
and his son Bill have a listen
able LIP in their House Of
Bradley" set. 1t features Wills
trombone, supported by strings,
on six standards, and Juniors
drums, with quintet. as they
perform six modern items, with
the exception of the standard
my Old Flame" Some of the
tunes are "Frenesi." Spice"
MY Funny Valentine" Sugar
Hips" Little Girl Blue" and
Judy" epic LN-31990
Gan Afternoon at Birdland"
This LIP was actually made
at the famous jazz hot spot,
features Kai Winding and J. j.
johnson, with other stars sit
ting in. There are only six
tunes in the set, and quite
frankly some of them sound
like trombone exercises; how
ever, If you're a devout fan of
their brand of modern jazz
you'll probably like it. It's a
disappointing LIP, as these two
have produced much better
sets than this. (Vik LXA-1040)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
TOPS IN POPS
Rock and Roll Film
ExpIoins 1t All Fully

band have solid sides in their
tender handling of the lovely
IT Should Care" and the
haunting Main Title" from
U-A's THE Man With the
Golden Arm" Note interesting
marching tempo used intro OF
latter. wing 90063x45.)
Lighthouse At Laguna-A
terrifice LIP featuring Howard
Rumsey's All Stars, Barney
Kessel and Hampton Halves
Trio. These are concert jazz
performances with polish and
spirit. Note Bud Shank's flute
solo on witch Doctor No. Q"
and Barney's guitar work on
Round About Midnight" Re-
manning tunes are Mood for
Lighthouse" "Walkin'," THE
Champ" Blind Mans Bluff, :"
Lady Jean" and Casa De
Luz" Contemporary C-35090
Dean Martin -" THE Lady
With the Big Umbrella" is a
catchy up-tempo song, but the
better side is Deans smooth
handling of the pretty lima
morata," from his Paramount
film Artists and Models"
Capitol F3352.)
Les Elgart-Les presents a
danceable LIP of tastefuAy per-
formed music that's a delight
to the ear. Among the IL
numbers are "For Dancers
Only" Harlem Nocturne,"
"Perdido." "Out of Nowhere"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
By JAMES G. DEANE

Sir William Walton. the
English composer whose name
can be found lurking at the
bottom of the list of credits
attached to the current RICH
ard ILL.," has recently supplied
the theater with another Of
fering which should contribute
somewhat more materially to
fixing his name in history.
This is an opera called
"Troilus and Cressida." which
was premiered a little over a
year ago and from which
Angel has extracted some
scenes for a newly issued re-
cording.
English-l language opera
which was born that way is
a rarity, and what is worth
preserving of it is more so.
The normal disposition. there
fore, is to be suspicious in af-
fairs of this sort.
"Troilus," frankly, is a sur
prise. It is derivative to the
extent of relying textually on
Greek nomenclature and me-
dieval sociology and unsteady
on Italian bel canto. But it
is neither Freudian nor PUG
cinian, and it is both instru-
mentally musical and sing
able. 1t might take more than
one listening to be fully en-
joyed, but it can also stand
more than one.
I have no idea whether he
wishes the distinction, but it
is even possible on this evil
dence that Sir William might,
if he makes good use of his
ensuing years, turn out to be
the mid-20th century's most
significant operate composer.
So, at least, it seems from
the excerpts. Elisabeth
Schwarzkopf, Richard Lewis
and the composer himself at
the head of the Philharmonic
Orchestra have considerable
to do with the favorable effect
Of these.
A word also ought to be
put in for the librettist, Chris
topher Hassall, who has served
up some unusually serviceable
English. If it owes anything
to Shakespeare, it is possibly
from the authors association
with the Old Vic, where for a
time he was director of voice.
X X X 4
WILHELM III
London for some time has
maintained an allegiance to
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

performances on a new Victor
record. In the Paganinl. !
find more satisfaction in a re-
cent recording by a young man
who seems to be taking a cue
from Menuhin himself in start
ing out at a ripe young age to
make his mark in the world OF
high fiddlety. His name is
Michael Rabin, and the record.
issued by Angel, includes an
ingratiating rendition of the
sumptuous and unreasonably
less familiar concerto by Gla-
zounov, which in a way makes
even better hearing.
Rabin's version of the Pag-
amin is also more satisfactorily
done than one by Ricci for
London, in which the solo
playing is oddly nervous and
thin. The second Paganint
concerto which is on the over
side of the Ricci disc sounds
much better, though.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
TODAY

MozARTEuM ORCHESTRA OF SALE.
BURG. Ernst Maerzendorfer, conduc'
tor, Soloists: Emmy Loose, soprano
Ralph Herbert, baritone Rudolf Klepa &c
| All-Mozart program: Overture to lido.
meneo: Divertimento in. D. x. 203
Concerto for bassoon and orchestra In
D fat. x l9I; Donne S mie, Ia fate ~
80 in C, X. 425.
prano: William d. Peterson, piano
Jacques Ringler, baritone: Doroth,
Emery. piano, Barker Hall. YWC aA
With With yyerdure, clad. Haydn ca sNf il
istti; Musetta's waltz song: Puceinii
Il lacerato spirito. Verdi; In .auesta
drai. Mozart: lie Cor. Flegier; Gavotte
Massenet; Fleurs, Poulenc; II Vole
Poulene; Violin; Poulenc; Loves y
my heart. Woodman; Let all my life
Tchaikoysky; Lord. want to be- arr
Willie: Thunderin' wonderin'. Mac
Gimsey; Ride on, King Jesus, arr
ST. MARaARET's EPISCOPAL CHURCH
and choirmsster. ST. Marsaret os Epis.
copal Church, 400 pm. Forsaken OF
NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell, conductor. Trinity
cCS3illege; 400 pm. Overture 20 The
Prelude to Khovantchina, Moussorg-
sky; symphony No. 4 in A. Mendels-
sohn; Three Dances from The Bar
tered Bride. smetsna: Aria and Ga
Academic Festival Overture. Brahms
CAPITOL WoODWIND SOCIETY oUIN-
TET Mark Thomas, flute: Robert
Hale oboe; Richard Rassett, clarinet;
Robert 3. Shepard. bassoon; Warren
Robert zboray. ORGAN ST. G GHG
Suinete; Haydn: Aubsde, wsiIi lily:
ds 5Hs loe Exu assr Ju Sf rf Moz. Mem
ST LuKE's EPISCOPAL CHURCH
Soloists: Honthalena Williams, So
Iprano; Cleomine Lewis, soprano: Star
ling Hatchett. tenor; Robert Norris,
St. Iuke's EpiscopaI ch 1nan 5 p p'fn.
Dies 1rae, Mozart: Lacrimosa, Mozart;
Christus. Mendelssohn: On the Pas
| sion of Christ. Williams.
sAMMf ETgoBTsT cHo eEs Of THE EMORY
HAYWOOD, director. Emory Methodist
| Church, 7:30 pm The Seven Last
| Words Of Christ, Dubois.
PEGGY zABAWA. soprano: Julie, Zabswa,
f baritone; ,, Harry HGudeshsl fHte
| VI tIe.
1;45 pm. Consider and Hear. Bach:
| Great One. What I Treasure, Bach;
Come Ny Jesus and Refresh Me,
KELLER MORTAL LUTHERAN
CHURCH CHOIR. John BulIough, di-
| rector. Soloists: Flora Palmer Weber
organ; Elizabeth Burnett, soprano;
| Charles Casey, baritone. Keller Me-
mortal Lutheran Church, 8 pm.
REQUIEM, Brahms.
ROBERT SCHRADE, piano National
Gallery Of Art, pm. Prelude, Aria
and Finale. Franck; Theme and Vari-
atoms, Opus 70. Glazounov; Allegro
In B minor. Opus 8. Schumann; Bal
lade in D fiat, Liszt: Concert Etude,
Opus 80, Mcdowell; Concert Allegro,
| Opus 46, Chopin.
MONTGOMERY SYMPHONY oRCHES-
IRA, Chester J. Petranek, conductor.
Washington Missionary College, 8 pm
Tragic Overture, Brahms: symphony
on French Mountain Air, D'Indy: An
American Poem, Meakin: Three Rou-
manian Dances, Bartok.
LUTHER PLACE MEMORIAL CHURCH
CHOIR, Charles A. Written, director:
Margaret Blackburn. organ, Luther
| Place Memorial Church 3 pm Out
| of the Depths, Joseph Clokey.
MILLEDGEVILLE COLLEGE CHOIR,
Max Noah. director. Foundry Metho-
dist Church, s pm. The Lord is our
| Fortress, Brahms; l am music, Sumer-
lin: Ave Maria. Hoist: God hath now
assembled. Gallus; Christmas oratorio.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

tive partnership. These pieces
are rather seldom heard in
concert, which is unfortunate,
for the presence of a piano in
any Brahms piece is a decided
asset, and I heartily disagree
with the occasional suggestion
that these particular pieces
"are mostly for admirers of
the cello" Who, pray, isn't?
X X X
MENUHIN, EFT AL
The Menuhin efforts which
I have most admired lately
have been those devoted to
underscoring the value of rel
atively unappreciated works
which. for no reason, others
seem to disdain. The Sibelius
and first Paganini concertos
hardly fall in this category. al
though the Sibelius is perhaps
closer.
I find it also the more vital
and surehanded of the two
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
TOPS IN POPS
BY BOB WILLIAMS

The new Columbia film
"Rock Around the Clock" that
just opened locally at the
Metropolitan and Ambassador
Theaters, is bound to attract
all rock and roll fans, and,
in addition. it will interest
other music lovers looking for
a logical explanation of this
latest craze.
Featured in the film are
number of musical combina-
lions that have achieved fame
in the medium: Bill Haley and
His Comets, The Platters, and
Tony Martinez. Also, the film
presents disc jockey Alan
Freed, who is generally cred
tied with having started this
entire ridiculous style.
After seeing the film, you'll
either be infected with rock
and roll, as the teenagers are,
or you'll dislike the musical
style more than ever.
PREVIEWS AND REVIEWS
U-I is filming a musical fea-
turette that includes Buddy
DeFranco. Anita O'Day, the
Conley Graves Trio. the Chico
Hamilton Quintet, and the ia
bulous Hi-Lo's vocal quartet
Sinatra conducted a SYM
phony orchestra a la Gleason
for a forthcoming Capitol al
bum. Mercury set to issue
new LIPS by Ralph Marterie,
Patti Page and Dinah Wash-
ington. 1--WE All Need Love"
sliced by Vie Damone and
Sammy Kaye for Columbia. :
Jerry Fielding waxing two
LIPS for future Decca release.
Paul Weston cut three
sides for Columbia. MGM
had Leroy Holmes etch a
couple of sides last week.
X X X X
JUST RELEASED
Billy Eckstine-Billy gives a
sensitive reading to the pretty
Goodbye" from U-I's 1.-THE
Benny Goodman Story" Back
ing is q smooth version OF
the dramatic 1.-THE Show Must
Go On" (MGM K12180)
Buddy Morrow - Buddy's
slick trombone and precise
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

WILHELM III
London for some time has
maintained an allegiance to
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
NEWS OF MUSIC
2 Series of 8 Concerts
Mark Hayes Decennio|

gleichfalls" from the st. Johns
Passion.
Furthermore. Bach's choirs
were not the tremendous
armies Of singers which grew
up in the 10Th century in Eng
land. and are still considered
appropriate, or at least toler-
able, by the average devotee
of choral sound. His choirs
seldom if ever numbered more
than 16 to 20 singers. but these
musicians were carefully chosen
and trained, and what was
lost in volume was gained in
clarity and ensemble.
Bach's orchestra" was in
reality a small chamber group
in the choral numbers, and
usually one or more solo in
strumentS with continue in
the vocal solos. The organ to
be used in next Sundays per-
Torrance in recitatives and
as continue will be the small
Dirksen-A eolian Skinner posi-
tive which in many respects
is similar to the baroque in
strument of Bach's time.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

SYMPHONY ORCHESTRA,
Leonard Bernstein, guest conductor
and pianist Constitution Hall $50
pm. Repeating Tuesday evening S
program
CASA MATERNA CHILDRENS CHOIR,
Orfeo Pima. director Epworth Meth
odist Church. $50 pm. Program of
religious, secular and folk music.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18

drew Rankin Memorial Chapel. How
ard University. $3.50 pm. Adagio il
B minor. K. $40. Mozart; Rhapsodie,
in B minor, 9 minor, and z nat
rsneP seven SaGfsf st iha
Triste: No. z. Fabini; Toccata' Khst'
NATIONAL SYMPHONY ORCHESTRA
Leonard Bernstein. guest conducto,
and pianist. Richie Coliseum. $50
pm. Repeating Tuesday evenings
FRIDAY
FRIDAY MORNING MUSIC CLUB. strina
S Msrian MeNaSb herrinsto noAa organ;
Marguerite Brice, organ; Elizabeth
Breed, violin. WASHINGTON Cathedral
rgS and F TIHmps n T4 mnor pq5se
suspended Gardens. -Alain: Hymn
Peters: Concerto for organ and or
chestra. Opus 4. No. 5, Handel: Con
S SfI 'nG PrelSd 4a' Tusue e,
Variation. Franck; Christ lag in Todes
Banden. Bach; Prelude on The Kings
Majesty. Sowerby.
NATIONAL SYMPHONY oRcHEsTRA.
Junior Senior High school, 1870 pm
Polka and Dance Of the Comedians.
ssmetanrs: v payans' Gould; -, EXCERPTS
Howe: March to the scaffold, Berlioz:
Finale from Symphony No. 8 in E
minor. Tchaikovsky.
NATIONAL SYMPHONY ORCHESTRA.
Howard Mitchell. conductor. osbourne
High School Auditorium, 500 pm.
Overture to Semiramide, Rossini: Aria
and Gavotte from Suite No. 3 in D,
Bach; Prelude to Khoyantchina, Nous
sorgsky; Three Dances from the Bart
cred Bride. Smetana; Overture to Die
Fledermaus. Strauss; March to- the
seaffold; Berlioz;. Excerpts from Sym
BUDAPEST STRING QUARTET: joseph
violins; Boris Kroyt. viola: Mischa
Schneider, cello. Library Of CONGRESS,
$50 pm. Repeating Thursday even
ing's program.
GU1LFoRD COLLEGE A .CAPPELLA
CHOIR. Carl C. Baumbach. director.
Washington Friends Meeting, $50
pm. Program Of sacred choral music.
UNITED STATES NAVY BAND. Com
mander Charles Brendler, conductor.
Soloist Richard Larson, piano. De-
partmental Auditorium, $50 pm.
Windjammer Overture, Ansell; Anda-
lucia. Lecuona: Malaguena, Lecuona:
Chorus from Loheng5in. Washer;
Gershwin Selections, arr. Bennett;
Piano Concerto No. 2, Opus IL. kach
maninod; Die Fledermaus Overture,
Strauss.
LEE HIGH SCHOOL
CHORUS, Florence Booker. director,
Westinghouse High School, $50
pm. Spring choral concert program.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
TURNTABLE TALK
Promise Is.VisibIe
In Walton roiIus'

one Wilhelm (Backhaus). who
just paid his personal respects
here. Now another (Kempff),
whose own allegiance has been
most notably to Decca. has
turned up in the London fold.
The Kempff tour de force to
date has been all 80 of the
Beethoven Sonatas. recorded
Ito judge from those this de-
partment has heard) with
more artistic than sonic sue
cess.
LISTS two familiar con-
certos, the E fiat and A major,
are the new vehicles for the
Kempff. pianism. on two sides
of a single LIP, made with the
collaboration of the London
Symphony under Anatole Fis-
toulari. Necessarily. the tour
here is not so expansive (nor
expensive), but the force is
amply present in both intellect
and sound. More from this
quarter is to be hoped for, if
not necessarily anticipated.
4 y X \
WILHELM
The Backhaus pianism, If it
had been governed by an OBJ
viously fruitless hint from this
quarter, would have included
last Sunday a stable Sampling
of Brahms, on which it used
to monopolize, practically, the
IS rpm. catalogs. However,
London has also conveniently
saved the day on this score.
The item is the cello So
natas, in which the compan-
ion instrument is welded by
Pierre Fournier in a manner
summed up as a most effec-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
SIGNS OF SPRING

NM \~W Test Your Ability O q Tune Detective
famous hit tunes appropriate to the spring
the 20 points for each title identify
/. Flowers and love Dustin out all over Q945).
2. Despite the calendar, spring will be late G944).
Despite the calendar feel though it spring
C1945).
4. Springtime in the mountains G929).
5. Time for the tulips to bloom Q919).
ANSWERS on E-6)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-03-18
TOMORROW

TIE, Palestrina: Credo, Gretchaninoff
How excellent Thy Name. Hanson
Hospodt pomilui. Lvovsky-LeVenson.
TOMORROW
DEPARTMENT OF COMMERCE SYM.
PHoNY ORCHESTRA, Nicholas PAP.
Braunlieh, Violin, pepartment d
Commerce Auditorium. Sis pm, All,
Athens Overture: Symphony No. 5 II
F. Opus 80; Concerto in D for violir
and orchestra, Opus 81.
NATIONAL ASSOCIATION FOR AMER
ICAN COMPOSERS AND CONDUC'
TORS. Participating artists: WalteI
hanson Baiiou, piano; James Barber
Clure, piano; Ray Montoni. viola: Pre-
Art Society Chamber Orchestra, J ohI
ESQ Pm dir sonat. Philips for da pispS
Hartley: Trio for piano. violin ant
cello Ballou; Concerto for piano and
orchestra Evett; Concerto for Viola
and orchestra. Paris.
TUESDAY
PHILADELPHIA ORCHESTRA. EuEen,
Serkin. piano: Constitution Hall, $40
pm. Credendum. william Schuman
Symphony No. Z in c. Sibelius; Piano
Concerto No, in B fiat. Opus SO
Brahms.
NATIONAL SYMPHONY oRcHEsTEA
and pianist. Lyric Theater. Baltimore
Md; $50 pm overture to The Ma,
gic Flute, Mozart; Piano Concerto No
II in 6. K, 453 Mozart; symphony
can Union 800 pm. Twelve Ameri.
can Preludes. Ginastera; Sonata 4
Evett Sonatina for piano No. 2. Es-
eeobar; Two Preludes, Gramatgesi
for piano, Kraehenbuehl.
Hush Curry, conductor. soloist: "
Kwe SEE. baritone. Departmental Au-
ditorium, $50 pm; Solid, Men to the
Front. sousa; Carnival overture
opus Pit Pn0Fak Untsg States opus Srmy
Band March, streeter; Waltzes from
Der Rosenkavslier;, Strauss: Ella
giammt m'amo, Verdi; vous aui faites
rendornie. Gounoud; Bring my lulu
and Chorus from Mefstofeie. Boito.
WEDNESDAY
SYMPHONY ORCHESTRA
Leonard Bernstein, guest conductor
and pianist. Constitution Hall, $50
pm. Repeating Tuesday evening
CASA MATERNA CHILDRENs CHOIR
Orfeo Pima, director. Epworth Meth.
odist Church. $50 pm. Program oil
religious, secular and folk music.
THURSDAY
UNITED STATES MARINE BAND. Capt
Albert Schoepper,. conductor Soloists:
Douglas Stevens, horn; George Parker,
horn; Joseph Stoll. horn; Richard
NOrem. horn: John Beck, marimba;
Irwin Redcay, piano. Commerce De-
partment Auditorium, S:15 pm. Music
for Festival, Jacob: The Four Horns
men, Bennett; Rosamunde. Schubert:
Sabre Dance Khachaturian: American
Folk Suite. arr. Walters: National Fem
cibles, Sousa; Songs of Cole Porter,
arr. Bennett: Piano Concerto in A
minor first movement. Grieg; SYM
phony., No; in F minor tfinale),
Tschaikovsky.
STRING QUARTET: Joseph
violins: Boris Kroyt, viola: Mischa
Schneider, cello Library of Congress.
$50, pm. Quartet in D. Opus so.
No. 6. Haydn; Quartet in E fiat, Opus
81. Dvorak; Quartet in F, K. 500,
EVERETT STEVENS, piano. Arts Club,
$50 pm. Passacaglia, Handel: Rondo
in D, K 4S5 Mozart: Prelude, Fugue
and Varia ton. Franck; Valse I'm
promptu, List. Sonetto % de Pet
rarca. List; Sonata, Critics.
WILLIAM DUNCAN ALLEN. piano. An