davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
By JAMES G. DEANE

In 1859, it is pleasant to
contemplate, we shall be able
to observe the bicentenary of
the death Of Handel. We may
hope that the record makers
will observe it also, and pro-
vide some of the mighty works
from this titanc. still only
partially appreciated composer
that have yet to grace the
cAtalog.
Angel has made a welcome
anticipatory gesture in the
form of a first recording of
the oratorio Solomon" Truly,
it is much more than a ges-
ture. for the project involves
not only sovereign and neg
lected masterpiece but the
inimitable presence of that
first-ranking Handelian, Sir
Thomas Beecham. This is not
so usual as it might seem, for
all Sir Thomas well-known
espousal of England's pre-
miere, adopted 18th century
composer. The Messiah" is
the only other available
Beecham recording of vocal
Handelian music, and l find
the Beecham-made orchestral
suites from The Faithful
Shepherd" and THE Great
Elopement" the only addi-
tional Beecham-H Handel LIP
listings of any kind.
I am sure there are scholars
who will attach reservations
to this new venture even while
admitting their enjoyment in
it. For Sir Thomas involve
ment includes not only the
direction but also the music
itself, which he has rearranged,
reorchestrated and cut to the
extent even of eliminating one
role and reassigning the title
one from alto to baritone. This
Solomon" in short, is by
Handel Beecham."
For most of us this need not
matter in the least, or even
may be an attraction. Such
is the beauty of the music, and
the vitality and expressive in
stinct of its performance, as
it is unfolded on Angels two
discs that fault finding is
about the last thing one could
imagine being inspired. In
deed, the thought suggested by
two of the lines sung so nobly
by the chorus
Swell the full chorus to
Solomon's praise,
Record him, We bardS, as
the pride Of our days."
lis that we might appropri-
ately substitute for Solo
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
TOPS IN POPS
BY BOB WILLIAMS

The Bob Crosby television
show has been transferred to
an LIP, and it proves to be as
entertaining on wax as in its
original medium.
Featuring the entire cast,
including the Bobcats orches-
ira, the performers show off
their various styles and talents
in a potpourri of material that
includes special numbers
sentimental, comic, roman
TIC, and rhythmic. AS usual,
the troupe goes through
polished, easy-going perform
ances.
The set starts off with Bob
and the entire cast doing a
pretty version of San Antonio
Rose" then Joanie O'Brien
does Il Gotta Have My Baby
Back" Bob and Charlie Tea
garden sing the humorous
Lazy Bones" and Bob and
Allan Copeland do Small
Fry" Joanie, Carol Richards
and Paula Kelly team up for
the clever Hes the Last
Word" with Bob joining The
Modernaires on you Forgot
About Me-" The Mods, one of
the really talented vocal groups
in the country, display their
show business flair in the I'M
usual and clever II Can't
Carry a Tune"
Bob and Paula duet on one
OF their most requested num-
bers, THE Dunn Dot Song"
Bob solos on Look for the
Silver Lining" and then Allan
Copeland returns for a solo
bit on MY Baby Just Cares
for Me-" in which he does
representations of film and
disc stars. Carol Richards
sings the touching MY Moth
er's Pearls" and the entire
show" is wrapped up with
everyone joining in whisper
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
MISCELLANEOUS NOTES
MUSIC IN ITALY
Rome, Venice, Sieno
Festivals Reviewed

very authentic and managed
her clothing and acting grace
fully, but her voice when used
forte had that curious Eastern
shrillness that cuts like a
breadknife. The young tenor
Nicola Tagger. a victim of bel
canton. may be very well worth
listening to when his voice has
lost some of its bleat. Fer
nando Valentino, the Sharpless,
was perfect. For tired polite
ness, both in looks and voice,
he bettered any American con-
sui who ever existed in real
life.
STRAVINSKY IN ST. MARKS
VENICE.-Venice, the host
ess with the mostes' in early
September, had a hard time
retaining enough hotel space
from lingering Film Festival
adherents to house the as
sorted celebrities attending the
10Th International Festival of
Contemporary Music. Venice
takes pride in her enlightened
sponsorship of new music and
this year the schedule included
recent works by Hindemith,
Messiaen and Riegger, among
others.
But the spot of honor was
reserved for Stravinsky. The
Venice Festival has featured
StravinSky before and con-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14

be available at the Book Shop
in the Pan American Union
Building.
IF you sing, the Arlington
Cantata Choir wants you'll"
This nonden mi n ational
chorus, which plans to present
sacred choral concerts, needs
approximately 40 more sing
ers. There are openings in
all sections and anyone who
is interested should call Rob-
ert zboray, Jackson 5-2303,
or come to rehearsal Tuesday
evenings at 8 pm, st. Georges
Episcopal Church, Arlington,
Va.
Singers are also being audi
toned for the District of
Columbia Recreation Depart
ment's forthcoming produce
ton of John Strauss comic
opera, "The Gypsy Baron"
Additions will be held Wednes-
day, 1880 pm, at Roosevelt
Center, Thirteenth and up
shur streets NV, and the
regular chorus rehearsals will
be held on Wednesday eve
nings at the same place. For
further information call
Adams 4-2050 or Columbia
1854.
The Washington Alumnae
Chapter of Sigma Alpha Iota,
professional music fraternity
for women, will hold a musical
(for members only tomorrow
at 8 pm. at the home Of
Mrs. Herfindahl, 9O2 Madison
lane, Falls Church, Va,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
MUSIC IN ITALY
BY CONSTANCE MELLEN

ROME.-The first two eve
nings of September saw the
close Of Rome's summer opera
season at the Baths of Cara
Gala. This sight has been a
tourist must" for some time;
the huge stage, dwarfed by the
rose-colored ruins that sur
round it, the 10,000-seat am
phitheater. quite convince the
visitor that the Romans have
not ceased to enjoy king-size
spectacles.
The scale of the Baths is
indeed impressive, but the
trickle Of music that reached
the 33d row was just enough
to dampen my spirits. La
Gioconda" is irritatingly old
fashioned music, and Cara
Gala singers, obviously picked
for power and endurance, have
old-fashioned avoirdupoiS.
The closing Gala" was a
different matter. Aida" and
the Baths were made for each
other. Roughly 300 people
occupied the stage in the Tri-
umph Scene and had plenty Of
elbow room left over. The sets
were opulent and the absence
of elephants quite forgotten
tan attendant opined they
might have been lent to the
Arena Opera in zoo-less
Verona) at the great moment
when RhadameS Numbered
down the inclined stage driv-
ing a span of four spirited
bays.
The excellent voices of Anita
Cerquetti (Aida) and Clan
piero Malespina (Amonasro)
gave great vitality and in
terest to their long second act
dialogue. Aida" is rightly the
Caracalla favorite and the
audience cheered it.
The small Elise Theater
runs a between-season of
standard repertoire, and had
acquired the services of the
Japanese soprano Kazuko
Yamaguchi for their Butter
fly" Miss Yamaguchi looked
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14

siders him a trump card. This
year it accorded him the set
ting of his own Choicest,
Marks Basilica - for the
world premiere of his Can't
cum Sacrum ad Honorem
Sancti Marci Nominis."
The piece thus launched in
suspicious splendor was about
II minutes long and divided
into five parts to correspond
with the five domes of the
church. 1t might be described
as having two parallel styles;
the tenor and baritone solos
(ably sung by Richard Lewis
and Gerard Souzay) and the
chorus followed a fairly sus-
tanned pattern of almost
Gregorian flavor, while the
orchestral element (woodwind
quintet, violas, basses) inter-
rupted at nervous intervals
with short blasts of cutting
dissonance.
Occasionally the mellow
voice of st. Marks organ
joined in-not often enough.
for it is a glorious instrument.
Two trumpets paired with the
SoloistS for a curious heraldic
motif at the beginning, and
the choruses were fairly in
teresting.
But the total effect, while
certainly religious, was con-
fused and completely without
impact; as an italian critic
said, "a little of everything
and not much of anything"
Like many aging artists,
Stravinsky seemed to be striv.
ing for simple speech by prun-
ing away detail and thinning
the line. But in this process
See MUSIC, Page E-5
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
NEWS or MUSIC
Symptoms Premiere
Of Season Is Tuesday

is by no means superior to
other Mozart operas.
The ambiguity of the iden-
tity of the Stone Guest, like
the ambiguity of the good or
evil of Moby Dick, the subtle
relationships of all the char
acters, and the dark, crimson
passion of the whole story.
have made Don Giovanni"
one of the few eternal mas
terpieces whose unanswered
questions haunt the mind.
George Bernard Shaw and E.
T. A. Hoffman,, although both
musically sensitive persons,
were, I think, devotees of Don
Giovanni" primarily because
OF its dramatic appeal, while
Soren Kierkegaard, the DAN
ish religious mystic, was
troubled to the depths by the
philosophic implications of the
story.
Like a magnificent diamond,
the operas interior brilliance
can be seen through many
different facets. 1t can be en-
joyed as a dream of the SEN
try Leporello, fallen asleep on
watch the servant and
would-be gentleman who sees
his masters exploits through
jealous and envious eyes. Does
Anna hate the Don or is she
infatuated with him? What
is her real relationship with
Ottavio? Is Elvira a figure of
comedy, tragedy or pity? Is
Zerlina imposed on by the
libertine, or does she know
how to play the game at least
as well as he?
In any other opera similar
questions can be answered
with assurance. but you can
pluck out the heart of Don
Giovanni's" mystery no more
than you can explain the
meaning of Hamlet"
To interest school children
in the show, the producers
have arranged abbreviated
performances at reduced
prices and at times convenient
to the little scholars. It is
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
TODAY

NATIONAL SYMPHONY ORCHESTRA
Stadium. REDSKINS Football Game a
halitime Prelude TO Act Of Carmen
Bizet, Hoedown from Rodeo, COPELAND
Redskins March, BreesEin- Pierce.
NATIONAL ASSOCIATION FOR AdERI
Air Force symphonetts. Colonel Gsors;
s. Howard, conductor. SoloiSts: Allds
Mae Prigge, contralto; Charlotte
Batigne, nezzo soprano. Anthem,
Chanaka, piano. corcoran Gallery o.
for Contralto, MacWllliamsi Melodies
Passageres, Opus "a, No. /, Barber
overture for Small Orchestra. Eiehel.
berger. Evening Piece, Harris: Night
IN the Andes. Ellie; Firehy Fancies
Elie. Babylon. Elie; sonatina fol
Ivy Tum spsmp aq sa o seesotb Hart
BESs LEVIN, soprano: Robert Rush,
tenor Barker Hall YWCA. 4 pm.
Venite insinocchiateyi. Mozart. Tu 10
sai Torelli Three Gypsy SONGS
Brahms Chanson Triste, pupare: IL
cShapelieT, satie orrsnds, Hahn; no. Nor
From TO' Rerml, p sonss ssT fss wSsSesi
You Walk, Handel, La Donna e Mo-
bile, Verdi. All Through the Night
Trad. PASSING BY, Purcell; Mattinata,
Leoneayallo. Drink, to Ne Only win
Friend o. Mine weatherly.
CLASSIC STRING QUARTET; Jess'
TryOn and Peter Dlmitrlades, violins
william Gromko, viola. Marjorie Neal
cello. National Gallery Of Art. s pm
minor, k. al Duo in B DAT, X 423
Quartet In =. X 800
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
JUST RELEASED

Ray Charles Singers-Again this
excellent singing group offers an LIP
collection Of songs based upon one
Of the seasons-this time winter, In
e Mnn are re- such treats as Winter
,.Jsnowttall,n I've Got Ny Love TO
Keep Me Warm" Moonlight in Ver-
mont" BY the Fireside." when
Winte- Comes" and five others.
(MGM E-33S7)
COunl BaSie-Joe WiIliams-A SUI
perb LIP featuring the rocking. SWING
ing Basic band. his fabulous singer
Joe Williams esSaying a dozen stand
ards, and the fine arrangements OF
Buddy Bregman. This set Is lust
about the greatest--the band swings
like mad, yet has a smooth LIQUID sax
section. as on Nevertheless" and a
biting brass section that should make
other bands enyious. And to top
these standards as Il they were made
blues. and instead displays his
warmth, feeling. taste. and fine
phrasinR on these favorites. Whether
ballad or up-tempo, he's simply
great, as you'll hear on Thou Swell"
There viii Never Be Another You"
rs Wonderful" My Baby Just Cares
for Me-" "Singin' in the Rain. I'm
BEGINNING, to See the Light" "A Fine
Romance" Come Rain or Come
Shine. This Can't Be Love" 7
See Pops Page Els
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14

amusing that one or two
School-marms have shown
concern that Mozart and da
Ponte will not be sufficiently
censored for the well-being of
their tender charges. How
to inform your young about
the amatory graces 1 notice
is a monthly problem of
all the leading woman's
magazines. I am no ex-
pert, but 1 do have three
children, and I fondly hope
they get their basic informa-
ton about three subjects
which will play an important
part in their development
from the soundest sources
segregation from "Huckleberry
Finn semitism from 1.-The
Merchant of Venice" and sex
from Don Giovanni"
The wise teacher will know
that there are few hours in
the classroom, alas, which
can do so much for the child
as an hour with Mozart's
don Giovanni"
X X X X
MISCELLANEOUS NOTES
Tickets for the concert
series at the Pan American
Union have formerly been
issued by invitation only. Be-
ginning this week the series
will be open to the public
and free admission cards will
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
COLLECTORS CORNER

AllB 11Ope. NOOluIuDla CLs
1861.
COLLECTORS CORNER
Another great LIP of sides
from the past years is the
Artie Shaw LIP titled Both
Feet in the Groove" It pre-
sents the Shaw band at vari-
GUS stages of its meteoric
career, from 1888 to as late
as 1945, and from his first
popular swing band to the
later one that featured strings.
For instance, there's Tony
Pastors engaging vocal on
"Prosschai," Roy Eldridge's
trumpet solos on Lady Day"
and Little jazz" and the out
standing Jerry Gray arrange
ment of What Is This Thing
Called Love-" In addition,
there's such Shavian collectors
pieces as zone Foot in the
Groove" "One Night Stand"
Comm On" solid SAM"
Just Kiddin' Around" Rock
in Chair" Jungle Drums"
and the pretty "Octoroon."
(RCA Victor LPM-1201),
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
FURNTABLE TALK
Sir Thomas Supplies
Handel With Hyphen

mon" a hyphenated Handel
Beecham."
The capable soloists involved
in the set. incidentally, in
clude Lois Marshall, the Cana
dian soprano who scored a
success as Donna Anna in the
National Symptoms Don
Giovanni" last winter and will
sing here in both Mozart's
"Entfuehrung" and Beeth-
ovens Ninth Symphony this
coming one. Her standing in
nowise suffers by her Han
delian efforts.
My only reservation about
Ang els tribute to Handel
Beecham is a mechanical one,
having to do with some war
page causing the stylus to skip
part of Solomon's recitative be-
ginning side two, and some
distortion which subtracted
from the nobility Of the final
chorus. But this might have
been only the review copy.
Otherwise the sonic qualities
are entirely exemplary.
4 X
INSTRUMENTAL HANDEL
With the above sampling at
hand, one may wish there were
something equivalent around
in such more familiar Handel
ian fare as the concerti grossi
and the water Music" In
other words, recordings by
Beecham. At the moment, such
things do not seem in prospect.
The closest recent approach
for the Water Music" from
the nomenclature standpoint,
is a Westminster version carry
ing the name Of another "sir"
this one Adrian Boult, with
the Philharmonic Promenade
Orchestra. From the stand
point of approach hin g the
Beecham vitality, a London
edition led by Boyd Neel comes
considerably closer. however.
Both discs offer the music COM
plete rather than the more
familiar Harry abridgment.
The Neel forces are also in
volved in a lively traversal of
the dozen Op. 6 concerti grossi
which London has recently
assembled into a three-record
album. A competitive edition
of Westminster extends itself
to four discs. with a resultant
improvement in the physical
reproduction. Hermann Scher-
chen, who conducts the West
minister versions, also leans
to more spacious tempt, which
sometimes prove more advan-
tageouS, sometimes less. There
were some bubbles on some Of
Westminster's surfaces in the
review set.
Listening to all of these
dozen pieces at a sitting is
not recommended, but it would
be hard to find more ingratiat-
ing music than such items as
No. 8, which has the apt nick
name Cuckoo and Nightin-
gale"
DR.. Neel and his band have
recorded another set of similar
pieces-the six of OPP. 3-on a
single London disc. These are
all scored with oboes Gin one
case the performance substi-
tutes flute) holding special
prominence, and are well worth
exploring.
Perhaps even more tempting,
If merely for their novelty,
are the overtures to two of
Handel's numerous forgotten
operas, "Alcina" and "Bere-
nice" led with verve by DR..
Neel on a little London 10-inch
record. Full-length perform
ances may come some day, but
the day doubtless will be dis
tant.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
SATURDAY

RAYA GARBoUSovA. cello: Theodore
SaideubeTg, piano, Julliard String
Quartet. Library OF Congress. 80
I'm. SUITE for piano and echo. Creston
Arpefgioue Sonata, Schubert Sonata
quatro. Telemann. 6tring quartet
No. ). quincy Porter. By invitation
only
SINGHER, baritone. Julliaro
string quartet. werner LyWen, violin
Naflaee Mann, nute, John Martin,
cello. Lee Luyisi. piano chamber or.
chestra. Paul Galway, conductor
Library Of Congress, 500 I'm La
Bonnie ChanSon, Faure. Cinoue can't
per baritone E alcuni strumenti. Della
piceolai LEnleyement d'Orithie RAJ
meau. Chanson6 madeeaGses. Ravel.
1--WE Children's Songs for GroWnups,
Fine By invitation Only.
BAND Of Rome Consti.
tuition Han, $40. Pfogram not an.
ncunced.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
THURSDAY

NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell. conductor Soloist
Jose Iturbi, piano. Annapolis High
School. Annapolis, Nd, $3.50 pm
Repeating Tuesday evenings program
VERA TILsoN, soprano; Beatrice Frank,
piano; Harry Noble, clarinet. Arts
Club, S:45 pm. The Weeping Willow
Rachmaninofi. The Rat-Catcher, Rach-
maninoff; o Cease Thy Singing. Maiden
Fair, Rachmaninofi; Eight Hungarian
Folk Songs NBartOk: Prison. FauTe
Soir. Faure; Lament. Duparc; lie
Manor de Rosemorde, Duparc, kacht
Berg; Die Nachtigall. Bers; Auf Elm
altes Bid, Wolf; In der Fruhe, Wolf
Der Htrt auf dem Felsen, Schubert.
MARY LOUISE BOEHM, piano; KEGS
Hooper. violin. Chapel OF the WASH
lngton Sanitarium and Hospital
TakomA Park, Nd, $3.50 pm. Sonata
In D, Handel; Etudes Symphoniaues
Opus 10. Schumann; Sonata In @
minor, Debussy; Sonata for unaecom-
panied violin, 1910, Badings; Intro
duction and Rondo, Taylor, FIRST
Rhapsody for violin and piano. Bartok.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
TOMORROW

WERNER LYwEN violin; Richard Dirk
sen. harpsichord Phillips Gallery
$40 pm. Al-Mozart program
s sSns No a IN A. x See sonst,
No as 10 p. X SAL
EDMEE BRANDT. soprano Lenn0ri
Gondim, piano Pan American Union
ppm. Sc Florinda iedele, scarlatti
Lamento napolitanoi anon, hefenez
amours. Luliy Les trois prlncesses
arr vuillermoz, Jardin d'amour, arr
Guilbert. la Passion, arr Gullhert
Colloaue sentimental Debussy. II
Flute enchantee, Rayel. A Paris
a-t.une petite lngere. Hure Mana. d
Palia; Polo. Dc Falla; Tel me a story
MoussorEaky sons OF parassis Nous
torgtky; Cancao DO Carreiro. villa
llobos. Nokoce-ce-m VilliA-icbos
xango. villa Loboe A Jangada villa
Iohos. GUERRA Q coco, menina. Pinto.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14

NATIONAL SYMPHONY ORCHESTRA.
Howard Mitchell, conductor. Soloist
Jose Iturbi, piano. Constitution Hall
$50 pm. Repeating Tuesday eve
ninR'S PROGRAM
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
FRIDAY

RUGGIERO RIccI violin. Leon Pom.
mers, piano. Julliard string Quartss
Library Of Congress, $50 pm Violin
Sonata, Peter Mannin. String Quartet,
Henry Cowell; Sonata for solo violin
Prokohed; Sonata In q, Opus 80, No.
3, Beethoven; Quartet, Opus 1856,
Beethoven. BY Invitation only.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
MUSIC PROGRAMS
WEDNESDAY

Opus 1873, Beethoven, Piano Concerto
No. 4 in @, Opus 5s. Beethoven
Symphony No. z in A, Opus 81, Bee
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
TUESDAY

SYMPHONY oRcHEsTRA,
Howard Mitchell, conductor soloist
{e9e ltufbt, piano Constitution Hal
$50 pm. Leonore Overture No 1.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-10-14
TOPS IN POPS
Bob Crosby's Show
Is Fine Record Fare

ing Hope" columbia CL-
1861.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-03
Ex-Actress Saves
Son Buried in Sand

MALIBU. Calf. April 3 (Pl.-
Former Movie Actress Molly
.ODay is credited by sheriff
officers with saving the life OF
her 11-year-old son, John A.
Durant. who was caught in the
cavein of a Sandpit on the beach
yesterday.
The boy and friend, John
Roberts. also II, dug a hole in
the sand. When it collapsed and
buried young Durant, the Rob-
erts boy ran to get Miss O'Day
who lives nearby.
She summoned officers, then
dug in the sand and uncovered
her sons head before help came.
The boy was treated for shock
and a sprained shoulder.
The boys father is Actor Jack
Durant, from whom Miss O'Day
was divorced five years ago. She
is now estranged from her sec
ond husband. James McGregor
KenaSton, an Gilman.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-03
TWO MEN TAKE
CEMENT MIXER IN
DASH TO FREEDOM

HOF. Germany (P.-Two
men escaped pursuing police
in a race to freedom from
East to West Germany de-
spite the fact they were lug
ging a cement mixer with
them.
This was reported by po-
lice in this Bavarian border
town, who said the men,
both builders. headed for
West Germany in a truck
carrying their bread and
butter" equipment, a cement
mixer.
AS they neared the border
they saw East German po-
lice hot in pursuit. The
road was blocked, so they
veered their truck onto
railroad tracks and COM
pleted their bumpy dash to
freedom that way.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-03
Sees
Stevenson Lead
BY the Associated Press

Senator Sparkman, Democrat
lof Alabama, predicted today
Adlai E. Stevenson will win a
majority of Florida's % Demo-
cratic nominating votes in that
States May 30 primary.
Senator Sparkman, the Demo-
cratic vice presidential nominee
who ran with Mr.. Stevenson in
1852. is backing the former
Illinois Governor for the presi-
Dental nomination.
He commented in an interview
that he thinks Mr.. Stevenson
will get a lot of convention
votes" from the South because
of his stand in favor of a grad
ual approach to school segrega-
ton.
Senator Mundt. Republican of
South Dakota, said in a separate
interview he thinks 1856 may
see a revolt of Jefersonian
Democrats" in Dixie. The
South" he said. lis weary of
riding in a political automobile
which it can never steer"
Senator Mundt, who spoke in
several Southern States in re-
cent weeks, said "a political I'M
easiness and uncertainty is per-
vading all the States of the Old
South"