davidaulloa/AmericanStories huggingface dataset:
, 1956-01-16
10 U r N 1
certain major problems confronting it;

certain major problems confronting it;
2. The President or the Vice-Preident Of the Legs
lature is hereby authorized to obtain and contract
for the services Of A. BOUGH and
RIG CHRISTIAN, Esqures, as special counsel to
the Legislature: such special counsel to render
written legal opinions on such questions as shall
be submitted to them in a list to be prepared by
the Legislative Consultant of the Legislature.
Thus passed by the Legislature Of the Virgin Islands on
April 18, 1855.
Witness our Hands and the Seal of the Legislature Of
the Virgin Islands this 18th Day Of April, ADJ, 1855.
EARLE B. oTTLEY
Vice-President
Jorge Rodriguez
Legislative Secretary
Upon the Roll Call the voting was as follows:
ERIC IT. ARROLL ............YEA
JOSEPH "A. GOMEZ .............YEA
LUCINDA ILL ..........YEA
49, EARLE B. IT ..........YEA
PERCIVAL REESE ..........YEA
- YMOUT RIYMER ...9......YEA
- JORGE RODRIGUEZ ...........YE E
JULIUS E. A .........YEA
Continued tomorrow
, 1956-01-16

Applications for the posi-
ton listed below may be OBJ
tanned from the Personnel
Branch Office in Christian
sted, and should be filed by
January rs, 1856.
NURSES AID
NURSES AIDE: entrance
Salary $4,000 per annum).
Work involves the perform
ance of sub-prefessional nurs-
ing duty in a hospital. Tech
nical phases of the work are
conducted under close super
vision. Applicants must be be-
tween the age of 10 and IS
years and should have COM
pleted the 18th school grade
M L. JAMES
Director Of Personnel
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
BARBER AND MOZART


The incomplete C minor
mass of Mozart. enhanced by
two arias he added to the same
music set to a different text,
and the Prayers Of Kierke-
gard" Of Samuel Barber,
played by the National SYM
phony earlier this year will
make up the program of the
Washington and Cathedral
Choral Societies Wednesday
evening at the Cathedral. Paul
Galloway will conduct, and So
loists will be Beverly Wolff,
mezzo: Adele Addison, So
prano; Leslie Chabay. tenor,
and Mac Morgan. baritone.
The orchestra will be made up
of members of the National
Symphony.
Mr.. Galloway was unusually
active this Eastertide. Not only
did he give the Bach st.
Johns Passion" here in WASH
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
TURNTABLE TALK
Stern, Rose, Walter
Join Musical Forces

violin-oboe arrangement Gin D
minor, but some think he first
wrote the music in this form.
Others have theorized that the
original was for neither pair
Of solo partners on this record,
but for two violins.
In any event, the violin-oboe
concerto is the prize of this
disc. Particularly In the slow
movement. the oboe lends spe-
cial appeal to the songlike
melody.
A double-harpsichord con-
certo in c fills out the disc.
This one, the musicologists tell
us. actually came into the
world that way.
Victor has provided another
installment in the accumulat-
ing traversal of Bach keyboard
works by the harpsichord vir-
tuoso, Wanda Landowska.
The IS two-part inventions
are the new offerings. They are
played with the varied express
sivenesS one expects Of her,
rather remarkable consider
ing the limitations Of both the
music and the instrument. But
the music should not be under
estimated. Bach wrote these
pieces for instruction Of his
son William Friedemann, but
as Nine. Landowska points
out. even young Bachs were a
talented lot.
1t is little surprising that
Victor has coupled with this
new material a 1888 rendering
OF the D minor concerto, when
one would suppose Nine. Lam
dowska might have been pre-.
vailed upon to do it anew. The
sudden contrast in sound is a
bit too marked for comfort.
Columbia has supplied an
example Of an opposite ex-
treme-Bach by the PhiladeI-
phia Orchestra.
It's doubtful If Bach ever
had ITO players at his disposal.
And some have contended he
wouldn't have wanted to. Co.
lumbia's annotator, though,
points out that Bach arranged
other composers music mot to
mention his own, SO why not
(says he) rearrange his? The
majority Of the repertoire OF
this disc is usually heard on
the pipe organ.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
TOPS IN POPS
My Lady Fair Record
Is Sheer Delight

Rain in Spain" "On the
Street Where You Live" Just
You Wait, "A Hymn to Him."
without You" and I've
Grown Accustomed to Her
Face" columbia o. -509oD
JUST RELEASED
Eddy Duchin-"The Fabu-
lous Eddy Duchin" LIP cap
lures the music Of a top So
ciety band of 20 years ago. 1t
has a defir tie dated sound,
but will bring back memories
to many of us. Vocals are by
Jerry Cooper, Lew Sherwood.
the DeMarco Sisters, the late
Buddy Clark. and one by COM
poser Harold Arlen, doing his
own tune Ill Wind" Among
the songs are Moon Over
Miami Heaven Help This
Heart Of Nine" Il Cover the
Waterfront" Hands Across
the Table Pennies from
Heaven" When Woman
Loves a Man" and five others.
Album has been issued to tie
in with the Columbia Films
biography of Duchin. CVik Tx
l0b3D
Frank Sinatra-Frank's new
LIP is a fine set, but not as
strong as his three previous
albums. Selection OF material
is fine. and so are the tasty
orchestrations by Nelson Rid
die. Among the Is tunes are
such favorites as 1T Happened
in Monterey" I've Got You
Under My Skin" You
Brought a New Kind of Love
to Me-" II Thought About
YOU" old Devil Moon"
Anything Goes" You Make
Me Feel So Young" and How
About You" capitol W-653.)
SOndra Bianca-An excellent
LIP OF Gershwin. as pianist
Blanca performs with the Pro
MuSica Symphony OF Ham,
burg. conducted by Hans-Jur-
gen Walther. Piano and or
chestra are featured on "Vari-
atoms on 1 Got Rhythm
and Second Rhapsody" The
orchestra plays the exciting
Cuban Overture" with Just
the piano performing Three
Preludes." (MGM E-3307J
Helen Merrill-Terrific jaZz
singer stars with a string or
chestra directed by Richard
Hayman. and the result is a
fine. new LIP by this up-and-
coming girl. Her enticing voice
lends itself especially we'll to
minor keys. such as on
Lilac Wine" Beautiful Love-"
and Mountain High. Valley
Comes Love" and Noun
tain High, Valley Low" She
adds new interest to both
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
TOPS IN POPS
BY BOB WILLIAMS

The original-cast LIP Of
Broadway's new hit my Fair
Lady" is real theater, and
sheer delight in recorded form.
Starring Rex Harrison and
Julie Andrews, the musical
version of Shaw's "Pygmalion"
adds another facet TO the bril-
lance of the original Shavian
book. MY Fair Lady" is COM
pletely enchanting. as one lis
tens to a score that is an ex-
traordinary mixture of wit.
color. charm and melody.
Julie Andrews is outstanding
in her performance. as her
gradual transformation is
cleverly handled in song, from
her rollicking Cockney songs
to her final emergence as a
lady. Rex Harrison tops his
career with his musical COM
edy debut. His songs are tai
lored to his talking" type Of
delivery, which gives them a
delightful fair.
The top numbers in the set
are Why Can't the English?",
wouldn't 1t Be Loverly."
I'm an Ordinary Man" The
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15

Anything Goes" and Just
You. Just Me" by performing
them in a slower than usual
tempo. One Of the outstand-
ing items is Spring Will
Be a Little Late This Year"
on which she sings the beau
tiful. but rarely heard, verse.
The set is rounded out by such
gems as End of a Love At
fair. When I Fall in Love"
The Masquerade Is Over"
You Won't Forget Me-" and
Wait Till You See Him"
(Emarcy MG-36057D
Voices Of Walter Schumann
The Voices of Walter Schu-
mann are showcased in a SUI
peru LIP that displays their
masterful approach to group
voicings. Material is excellent.
as they range from ballads to
rhythm to old harmony tunes.
such as Loves Old Sweet
Song" which also features a
lovely sax solo. Among the
dozen tunes contained in the
Set are Filtration Walk" MY
Buddy" Small Hotel" Il
Only Have Eyes for You"
Mine" ITS Dark on Observ-
atory HILL" "One Night of
Love" and "Paddlin' Madelin'
Home" 'RCA Victor LPM-
Kitty White THE River.
The Moonlight and You" is a
slow ballad expertly handled
by Kitty. but the backing Of
Cashmere Sweater" is poor
material that even she can't
help. Mercury 70817x45.J
DOlf Van Der Linden
Recorded IN Europe. this band
OF fuil, sweeping strings and
rich, mellow reeds offers two
LIPS that are excellent. Both
fall into the mood music type.
with the numbers being mostly
originals by the leader himself
and others not familiar to us
IN the U. S. A. Sets are titled
In a Casino on the Riviera"
and Floating on a Cloud"
with the former being the
better Of the two. Included are
such lovely melodies as Nos
talgia," Song Of Spain" Petite
Waltz" "Tangolita," "Napol-
itan Serenade." Les Danseurs
Mondain," and many others.
Latter tune features terrific
unison sax work on an en-
chanting melody. Camden
CAL-258 and CAL-259o
Leroy Holmes Smooth YER
Sions by Holmes and his Chorus
as they do When You're in
Love-" from the TV produc-
ton High Tor" and the
LatlniSh Rio Batucada."
tMGM K12206D
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
NEWS OF MUSIC
Symptoms Acclaim
In New York Deserved

get SoloiStS and q sometimes
too hard-to-get audience
Honor away from home seems
to count for a good deal. Con-
slider that Of the Washington
subscribers to the Philadelphia
and Boston orcheStraS, almost
none are also subscribers to
the National Symphony. The
appeal is something other than
purely music, for however you
rank the National with the
other orchestras. the difference
is not that great.
Better Playing Environment
The difference between Con-
stitution Hall and Carnegie
Hall, to change the subject.
while also not great, is dis
tinctly and Immediately no.
ticeable. The National SYM
phony sounded better in Car
negie than it does at home
more resonant. less strained,
more compact and unified. The
reaction of the musicians
themselves was even more en-
thusiastic than my own, for
they could hear their own
playing in the wooden shell
Of Carnegie much more nor
mally than in unvaulted Con-
Stitution Hall.
Our hall. in my opinion, is
nevertheless a very good one.
To be inferior to Carnegie
Hall is no disgrace. for you
could build a new music audi
forum in Washington every
month and it might well be a
decade before we would have
anything to equal what musi-
clans the world over know to
be a great acoustical phenom-
enon.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15

proved the old instrument not
a museum piece but a wonder
fully expressive, If forgotten,
member Of the string family.
Albert Fuller was excellent in
his realization of harpsichord
continue for the first chorus
and the concertmaster, Robert
Gerle, formerly Of the Buda-
pest Philharmonic, could
hardly have been surpassed in
the violin solos.
Paul Olefsky was playing
with a bandaged thumb, cut
several days earlier when he
tried to catch a vase as 1t
fell from a table. Since Sat-
urday the injured thumb has
not healed as we'll as the doc
tors had hoped and Mr.. Olef-
sky has had to cancel his
appearance at the Corcoran
Gallery this week. Whether he
will be able to play several
other recitals scheduled both
here and in Chicago later this
summer is not yet known.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
BACH, Fills

Among recent Bach record
lngs one of the most interest
ing is apt to go unnoticed.
rms is not a piece by John
Sebastian. but a so-called sin
tonla in B fiat major by his
youngest son. John Christian,
a member Of the family who
was more famous in his own
day than he is in ours.
John Christians little sim
fonia is really the overture to
an opera called "Lucio Silla "
and to hear it casually you
might think it to be a piece by
Mozart rather than a Bach.
mozart wrote a "Lucio Silla"
100. four years earlier.) The
resemblance isn't surprising
for the musicologists credit
John Christian with exerting
not a little influence over his
younger contemporary. All of
which suggests why this little
overture, or Sinfonia, is worth
hearing.
London has sandwiched Mr..
Bach'S piece in among an early
Mozart symphony. a Haydn
divertimento and a symphony
IN c by an almost forgotten
composer. Karl Dittersdorf, on
a disc compiled by the excel
lent Danish State Radio or
chestra. The Dittersdorf piece
sometimes has been ascribed to
Haydn CALDER. The Mozart
Hadyn caliber. The Mozart
symphony, written at IS. is the
most solid piece on the disc,
The recorded sound is excel
lent.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
BY DAY THORPE

Howard Mitchell and the
National Symphony bet against
odds last Sunday when they
played in Carnegie Hall in
New York. What they had to
win was the prestige of sue
cessful concert; what they
stood to lose was their time,
their effort and considerable
money. That they won their
bet is surprising-not because
the symphony is not in fact
a f1rst-rate musical organiza-
ton. but because 1t very sell
dom happens that anybody
breaks into New York City
with the unanimous acclaim,
undimmed by any serious res
ervations. Of that city's music
critics.
New York is the center Of
musical America. Every year
hundreds Of musicians and
musical organizations give re-
citals and concerts there SOLE
~ in the hope Of having good
New York reviews to impress
booking agencies and concert
managers. New York critics
are often. perhaps typically,
hard on these newcomers.
That they kill many careers
quickly that would otherwise
die a slow death is probably a
good thing; that they too fire.
quently overlook merit that
has not been heralded by re-
elaine elsewhere preferably
abroad-is a charge I am
afraid 10 not entirely unjusti-
ned.
Success Is Of Own Making
So here to New York comes
the National Symphony, not
from London or Vienna, but
from practically the suburbs:
not led by a conductor who
learned Bach from Schweitzer
and Gluck from Motif, but
by an American cellist who
learned conducting by being
conducted. Here comes a SYM
phony attended not by some
great impresario, but only by
Q small claque of about 1870
Washingtonians on an excur-
sion train. The weary end of a
season, a Sunday evening, a
snowstorm. All in all, 1t
doesn't seem very exciting.
Yet the orchestra, or How
ard Mitchell. or the Howard
University Choir. or an in
tense program Of contempt
rary music, undiluted by
single hoSanna catcher, or a
combination Of these elements,
wins every critic, and puts the
orchestra in an excellent posi-
ton in dealing with hard-to-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15

ington. but last Saturday he
presented the "St. Matthews
Passion" in the auditorium Of
the Peabody Conservatory in
Baltimore.
In pace. feeling and atten-
ton to detail. the performance
was UP to the best of Mr.. CAL
laway's music making. The
chorus of students at the con-
servatory was also good, but
the passion lacked staying
power in that the orchestra
was not too good and the
evangelist. Victor Laderoute.
showed himself to be a tenor
with good lungs but very little
appreciation of Bach.
Rilla Rowe Mervine Of
Washington sang the alto
solos very effectively. Three
other soloists were outstand-
ing: Paul Olefsky, first cellist
of the Detroit Orchestra and
a Washingtonian by inclina-
ton, played the viola da gambia
solos with a perfection that
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
PROGRAMS OF THE WEEK

Georges Episcopal Church. Arlinston.
BEREA coLLEoE oLEE CLUB. Marvin
Memorial Methodist Church, ESQ N
and II m Program Of religious mu-
TOMORROW
VIRGINIA REINECKE.. piano Ronald
knudSen. violin. Phillips GALLERY, S 80
Pm. Sonata IN B fat. x. asa Mozart
Sonata in G.; Opus 96. Beethoven.
TUESDAY
BARBARA QUINNAM. organ. Church
tasia and Fusue in c minor, Bach
Come, Savior Of the Gentiies Bach
toraie Forest Green, Puryis Piece
1ssHiiedsr SF'ne CIVIC ORCHESTRA.
Nicholas PapDas. conductor. soloists
violin: alexander Gerbaud. cello
James Geralis. piano Roosevelt EhEh
school Auditorium. s:l5 pm. King
and Fuaue in minoF' ei HsndeI kin shqt
Concerto Crosse No. s. Corelli Sym
phony No. s u B minor, Schubert
PRO ARTE SOCIETY. John Costing, con
soprano. Student Union Audi,ortum'
Universal Of Maryland. $40 pm
RRrandtesin;ours Concerto No; 2, Bach
oxvlHe; summer OF 1915. Barber
wAsafN6T 81 H oPERA ' GuIID MUSIC
OF THE NEAR EAsT-FAR EAST
sheraton PARK Hotel. $50 pm
WEDNESDAY
CHORAL SOCIETIES. Paul caiiaSsy.
conductor Soloists Adele Addison.
Leslie ChAbay. tenor: Mae Morgan.
baritone. members Of the National
Sympnony Orchestra WASHINGTON
G minor s s3. p Mo,,-, Ma IS, in G
from 'Davidde Penitente." X 48Q
Mozart. Prayers Of KierkeEaard, Bar
THURSDAY
UNITED STATES MARINE BAND. Carl.
Abort Schoepper, conductor Soloists
Erdman, cornet. Department Of Com
merce Auditorium. Sis pm ALL
request program
BUDAPEST STRING QUARTET: Joseph
Schneider. cello. Assisting artists
WaltaT TramDler, viola; Benar Heifetz.
cello. Library OF Congress. $50 . IN
String sextet in B hat. Opus Is
Brahms String quintet in Nat. X
sl9. Mozart: Verklaerte Nacht Opus
or CONTEMPORARY ARTS
o. Art. Note: This program has
been Cancelled
FRIDAY
FRIDAY MORNING MUSIC CLUB Char
Iotte shear, piano: the Mozart Trio
Lee Meredith. soprano. Joseph Collins.
baritone, John Yard. baritone Cosmos
CUB. II 30 am Sonata. Opus ~
Beethoven. APPROPRIATIONS In A minor
and r Hat minor Poulenc Les sons 81
ies pariums tournent. dams Fair -du
Ieeted program oy the Mozart Trio
BUDAPEST STRING. QUARTET Joseph
FioI;ns Rs sna Alexander sehSs!dsr
Schneider, cello. Assisting artists
Walter Trampler.. viola: Benar Heiiets.
cello. Library NJ Congress $50 o m
Repeating Thursday evenings pro
MARGARITA zAMBRANA. soprano.
JorEe Metzeer' piano. Pan American
Union, 900 pm All. spietato. Han
del: Chi vuol 10 zingareila PaisieIio:
II mic bel foco. Marcello An die Mu-
SIX SIX, Schn6ert I'm Abendrot. Schubert;
Window. Tchaikovsky: NV Native
Land. Gretchaninoff; shmber Song
q the Madonna, Head Sea Moods.
tyson Triste Glnastera; Chaeereras
Obtadors Dos cantares pnpuiares
Obr7dors. Fl vito, Obradnrs
SATURDAY
ANDRES SEGOVIA guitar Iisner Audi
forum. $50 pm Fantasia and pa
vanne Milan Suite in d, Visee, -Four
pieces for lutte, weiss Bouree In p
PP Is,,,ds d Bach SGsvsH,inns. Tansmsn, .
antella. castelnuovo- redesco: Campo.
Ponce. Madronos, rorroba DANA
Turina: sevila, Albeniz.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
BY JAMES G. DEANE

Our most noted active
Brahmsian, Bruno Walter, has
his name attached to a rather
overdue new recording from
Columbia. The featured item
is the double concerto, with
the Tragic Overture and
Haydn Variations as subsidi-
aries.
The concerto, of course, is
what is overdue. 1t is a rarity
at concerts because of the Spe-
cial teamwork required, and
1t has not been much recorded.
Sometimes one encounters a
condescending attitude toward
this piece. something I have
never been able to under
stand, If only because of the
slow movement, one of the
sublimest anywhere.
Isaac Stern and Leonard
Rose are DR.. Walters collabor-
ators In Columbia's recording.
and few more compatible ones
are likely to be found. AS for
the orchestral support, the
New York Philharmonic pro-
vides it in substance not pre-
viously available. On mechan-
les. l would merely like to
refer Columbia to some COM
ment from this quarter in the
current High Fidelity maya
zine. for on the review copy
there is broken groove mid
way in the first movement.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
TODAY

TODAY
A eAPPELLLA CHOIR OF THE RUSSIAN
NICHOLAS. Nicholas B. Borodulia. d.
Eector. Pierce Hall, 300 pm. Credo.
Tchaikovsky; In Thy Kinsdom, 1shin
y efoss oo sS9 BSs0'T Ss r T
An!iphon. oretchaninof; The Day q
Indictment, Archanselsky; Beseech
Prsy.r k Id BoT E.s1anlv The The gord
lynn OF Peace: We Pray to Thee
Tchaik9ysEy; NY God. Do not forsate
Lyovsky; Te Deum' Bortniansky
FRIDAY MORNING MUSIC CLUB
STUDENT PROGRAM: Sally Budlong;
Nieh HuttreL; Marry McCune; Viz
W tIThi Pavay; Esther Esther sTsllsn, Jaeuuelyn
D. c FEDERATION OF MUSIC CLUBS
Blanche NJ. ward, piano: David
Stevens. tenor; ~ Reid Price, piano,
c ann Si,nSleterr , piano; Marco Parrish.
Ruby Pagenkopf, piano. Barker Hail,
minor: Mozart; Six variations on m NsI
S69 81 PiI , non mi sento. Beethoven: An
:snet; Ia DanEs Rossini; Bird SONGS
r. husur in 3 fat Bach Bach: Sonata 10. 10
Brother Green. American folk song a.
Bessie Bobtsil, Barber, - Youns
EHe .aman, Carpenter; TO the Sea.
MaeDoweni Poiichinelle. Rschmaninof
IT ssv,A4ddEEs SCHOOL JUNIOR AND
Trcndson' director, st. Agnes School,
MARIA I!A KoPu1os, piano. Phillips GAL
Tat ti I soD.t Pm n Sonata in :. Scar
Thirty-two variations on an ortTins
meme in minor. Beethoven. Sonafs
No. no 3. Dsllo Joio; soiree dams
pt5n nsHe' Et DeeSgsS y Fssu dsr.ifee.
No; Chopin; Etude in c min or
minor, Opus So Chopin
Mq s2IS SCHOOL OF MUSIC CONCERT
New beonIs!a "F T. smith: director
DUKE UNIVERSITY MEMS GLEE CLUB
Mount smsn venom a. Ds'T pYs:s ci5eetoT
heavenly lisht. Bach ha NOW 0ie st sysIy
tOnsgs E ed0SFs Thee; Bach: Halleluia
Msao ute. Mous snor9 oisv f iF2T Ths
0rieg: Prayer from Lohengrin' WsE
nsr; Ride the Chariot. arr. Smith;
Gaul; Little Innocent Lamb, arr
BARTHOLOMEW BarberShop Quartet;
EAudeemus Igitur. anon Go Down
Noses Every Day is Ladies Day with
Reed; The Way You Look tonight
Kern; Halleluia Youmans; The Best
Things In Life are Free, arr. Stickles,
Drums in my Heart. Youmans; Dear
Old Duke. James Bone
LOIS B. MARI. organ: AriAnne HsdIey
LowelI mezzo-soprano. Emory Metho-
dist Church, 7:30 pm
THOMAS H. KERR, Jr., plano. National
Gallery Of Art, 9 pm. Ny Soul doth
rest IN Jesus keeping, Bach Bauer;
Busoni: Xavier Fantasia and FSSue
air OF Oluck X. 455. Mozart: sonata
No. b In sharp, Opus SO, Scriabin;
Etude Opus So. No. 10 Toch: Chores
No. >. Villa Lobos: Dedication. Kerr;
Kerr; Mazurka in Z minor, Opus ii
NO 2, Chopin: Mazurka in c. Opus 58
No. q Chopin, Nocturne In b, Opus
2; No. 3. Chopin: Mephisto waltz
KELLER MEMORIAL LUTHERAN
CHURCH CHOIR, John BullouEh, di-
rector. Soloists Flora Palmer Weber.
Charles Casey, baritone Keller Me-
mortal Lutheran Church. 4 pm.
CHARLES BYRD. guitar. Toutorsky stu
dos, pm. Prelude II, Opus So. Giu-
u usi1.i Three EtudeS' Scr Mszurka,
Charles Byrd; Fantasia. Milan; Pre- Pre-
lude and Allemand Bach; Suite In z
minor, Buxtehude; Songs and Dances,
Bartok- Byrd: Granada, Albeniz: So
nata. Angles-Byrd.
LEE MEREDITH. soprano; Temple Dunn.
orsan Jane Malone. organ. St.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
LEARNING
Test Your Ability o, o Tune Detective

Many popular songs. old and new are concerned with
earnng-no necessarily subjects taught books Score FIVE
points for each Of the hits points each
OF the three oldies identify from the clues below
/. Current hit-score s. Getting educated about the
blues
Current hit-score 81 Be my teacher tonight
G903-score I can't solve the arithmetic problem
u907score 3O) The three RS taught to the tune Of
OF a hickory stick"
dsl7score 800 When Yankee Doodle learns to speak
French.
CTurn 10 Page E-e for AnSwers)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-04-15
BACHIANA

Trying to keep the music OF
Bach compartmented is prac-
tically like trying to hold water
with a sieve, as is illustrated
by a new Vox record. Look at
the titles. and you think there
are three concertos. But lis
tening proves there are compli-
cations to this hypothesis.
The reason is that two of the
concertos are really one. One
version features two harpsi-
chords. The other features a
solo violin and oboe. But the
melodies are the same.
Exactly what form Bach cast
the music in originally seems
to be uncertain. The harpsi-
chord concerto Gin c minor is
apparently as Bach himself
left it. Bach didn't make this