davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
By JAMES G. DEANE

The limits of ones CUSTOM
airy musical horizons are re-
peaCedly being shown up.
In Spain, for example. there
is a large body of music for
the stage known as zarzuelas.
ZarZuelas are never. heard
here, yet many of them are
both attractive and Of musical
substance. For listenability,
some certainly rank with some
Of the operas in italian and
French which are worked to
death.
London has been doing the
major service to the cause of
the zarzuela on records. Lon
don has already issued more
than score of them. in YER
sions emitting spoken dialog
but musically virtually COM
plete. Recently the issues have
even begun to appear on the
domestic label and to include
librettos. Earlier they were
confined to the company's in
ternational series and offered
merely sketchy synopses by
way Of album notes.
Although most of London's
zarzuelas so far date from the
first 80 years or so Of the
present century, the zarzuela is
spiritually a 19th-century in
stitution. Its nearest relatives
are the operas of Puccini,
Massenet and their contempo-
raries. The music shows little
or none Of the impact Of mod
erniSm and sometimes even
little Of Spain.
Linked to Vienna, Paris
The prevailing atmosphere
in these works is lighter than
in French and Italian grand
opera of the same vintage, how
ever. In fact, London desig-
mates them as operettas, al
though Of a specifically "tra-
ditional Spanish" sort, and it
is not difficult to sense, very
often, a tie with the cham
payne tradition Of Vienna and
Paris. Transpose Strauss to
guitar and caStanets and the
kinship might be palpable.
Sometimes this fact involves
seeming inconsistency. For
example. in La Dogaresa,"
one of the latest releases and
one of the more winning, the
plot focuses on murder but
the music is practically gaiety
itself. But most operate plots
being hardly sensible anyway,
it need not worry one too
much.
London's series is worthy Of
note not merely for exposing a
neglected realm but also for
the manner Of the exposure.
Spain. it is now apparent, has
some outstanding singers who,
like SPANS own opera, are
virtually unknown to most Of
the non Spanish speaking
world. The most arresting,
who participate in a majority
Of the zarzuela recordings, are
Pillar Lorengar, an accom-
plished soprano; Manuel Au-
sensi, a supurb baritone, and
Carlos Munguia, a tenor whose
vocal qualities are somewhat
suggestive of Richard fuckers,
which is hardly a disparage-
ment. There is also an able
mezzo, Ana Maria Iriarte, al
ready slightly known outside
Spain from other recordings.
Conductor Proves Able
The London series also has
attested to the abilities of
Ataulfo Argenta. a conductor
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
TURNTABLE TALK -
Recordings Bring
Opero From Spain

still in his early 40s, who, on
the evidence, may well be un-
necessarily limiting himself If
he does not eventually extend
his efforts to less nationally
oriented purposes.
OF Is London zarzuelas
heard to date. several stand
out as especially attractive.
La Dogaresa," about whose
composer. Rafael MILAN, no
further data is supplied, and
Pablo Luna's LOS Cadetes de
la Reina" both are equipped
with librettos and occupy a
single 12-inch. disc apiece.
They make excellent initia-
ton material. Spiritually Los
Cadetes" is 100 per cent in
the Merry Widow" Fielder
maus" tradition. Another Luz
ma opus, "Molinos de Viento,"
also bubbles with gaiety.
Persuasive and even briefer
samplings. complete on single
10-inch discs, are la Algeria
de la Huerta." by Federico
Chueca, and Ruperto Chapi's
eel Barquillero." la Algeria"
has some lively choral singing.
an attraction Of many of these
works.
''Bohemios," a tuneful work
by Amadeo Wives which occa-
sionally suggests a better
known one of similar title but
different nationality, is an
other attractive offering. Wives
also is represented by a fine,
lengthier romantic affair,
"Dona Francisquita." The
leading soprano role in this
two-record set is ably filled by
one Maria de los Angeles Mo-
rales, and Wives has given her
some lovely opportunities.
Love Mixed With Jealousy
The zarzuelas are not exclu-
sively light-hearted. La Tenn
pestad" or THE Storm" a
work by Chapi which requires
two discs and deals with love
complicated by jealousy and
murder, suits the music to the
text. The composer, whose
career was contemporaneous
with Puccini's and who studied
in Rome, created a score rich
in ensembles which can stand
comparison with melodramas
from Italy.
An even longer score, Jose
Usandizaga's LAS Golondri-
mas" or 1.-THE Swallows" also
surrounds murder and unre-
turned love with much lyrical
attraction Of an appropriately
serious sort. The composer,
who died prematurely in 1915,
was a pupil Of D'Indy. Three
records are required in this
set.
Unfortunately, neither Of
these two imposing offerings
includes a libretto.
On the whole. I found the
remainder of the London is
sues to be somewhat less COM
pelling but by no means un-
attractive. These included eel
Caserio" by Guridi, Torroba's
"Luisa Fernando" and Ser
rovaasc aTa HaVcioTa AaI OIxyi
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04

Along" his fabulous Body and Soul"
and seven others. (RcA Victor LPM-
I3Sl.t
Sarah Vaughan--"sarah At the Blue
Note, Is fine LIP conversion Of an
earlier l0-ineh set with four singles
On Ny HANDS, II Don't Know Why :
Honey" and her famous Make Your
sell Comfortable. Mercury NC
Art Tatum-The 18th LIP of Tatum's
piano mastery. as he gives his imasi-
native interpretations Of There's a
small Hotel .sophisticated Lady"
t dbSes' otbs Y9u S 81 to ny HEAD" and
George Rhodes = Pianist Rhodes.
has a tasteful LIP Of lightly swinging
music; The Tender Trap" Love for
Saie q the Tmbeas sn5 ddeS who sa1v
Now are among the dozen numbers.
Groove LG-l005.)
Sid Feller--Feller's orchestra and
chorus have two sides that will appeal
to the oldsters, as they sing and play
tABC-Paramount 45-9725)
frankie Carle-Carle's piano and
orchestra of1er a rather pleasant LIP
OF tunes that make one think of Euro
pean shores Unfortunately. his piano
playing, seems a bit lackluster in this
set and the arrangements are merely
average; Set includes isle Of Capri"
rAmapola, Holiday in Paris" LA
Tango Della Gelosia,n and Ave others.
tRCA Victor LPM-1275.l
Andrews Sisters-The famous sisters
are back together again and for their
DEBUT. wax they dish up a couple OF
spritely sides in Crazy Arms" and
Il Want 70 Linger." Capitol F3561 }
Patti Page-Nice sides by Patti,
with the tender ballad Mama From
the Train" contrasting with the
religious-type Every Time l Feel HIS
Spirit" Mercury 709Tlx4b.)
Ralph Sutton--Sutton has a fine LIP
Of backroom piano, as he does IA
old-time Jazz tunes such as THE Cas-
eades," Jelly Roll Blues" Down
Home Rag" "Hindustan," ''Black Bot
tom stomp" and others. down Home
VEL Davis--Trumpeter offers a pleas
able LIP Of ballad and up-tempo
tunes Using various bRckings OF
quartet, quintet and sextet, he makes
nice sounds on such tunes as Fools
Lr5n m" You've Changed," I Should
Care and nine others. tEpie In
"Add-A-Part Jazz"--A clever LIP Of
eroup of top-noteh jazz musIcions
playing q dozen standards, but with
missins parts which can be sup
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04

of every 20-year-old girl
at the Met. responded to it all
with frankness, sweetness, and
a marvellous sort of happy
raillery.
Viola d'AmOre
A concert of unusual inter-
est this afternoon at the Phil
lips Gallery is the appearance
of Karl Stumpf, violinist of the
Vienna Philharmonic by pro-
fesSion, and viola d'amorist by
avocation. He and several coll
leagues from the Philharmonic
will play chamber music fea-
turing the viola d'amore. In
order not to conflict with the
Philharmonic's concert at
Constitution Hall this after.
noon, the Phillips Gallery has
moved its recital from S pm.
to 6 pm.
The viola d'amore is a mem
Der of the viol family; its seven
playing strings are matched by
seven sympathetic strings
tuned to the same pitches.
These run beneath the finger
board and vibrate freely.
A development of German
instrument makers in the 18th
century, the viola d'amore pro-
duces an extraordinarily sweet
and mellow sound, though it
spoke in a very soft voice. Pro-
fessor Stumpf plays a viola
d'amore pictured on this
pageI made in Prague by Caro-
lus Joseph Helmer in ITS.
Angela DilIer Workshop
Angela Diller, co-founder of
the Diller-Quaile School of
Music, will conduct a work.
shop Wednesday and Thursday
at the YWCA. 1t will be open
to all teachers. parents and
others interested in music
education. For further in
formation call Metropolitan
8-2100, Ext. so or Ext. 20.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
TO-DAY

VIENNA PHILHARMONIC ORCHESTRA
andre Cluytens, conductor. Constitu.
ton Han. 3 pm. BacchuS ct Ariant
suite. Roussei; Rondo estimate. Der.
ger Don Juan Strauss Symphony
No. 4. Brahms
NATIONAL SYMPHONY ORCHESTRA
Howard Mitchell. conductor. Trinity
COLLEGE; pm. Leonore Overture No
]. Beethoven, symphony No 4, second
ana third movements. Tchaikovsky
Carnival, Dvorak: Fantasia on I
Theme BY Iallis. Vaughan Williams
Billy the Kid COPELAND
COMPOSERS GROUP OF THE FRIDAY
MORNING MUSIC CLUB. Barker Hail
YNCA, pm. Suite for piano, Mar.
garet Davis. Cello. Neva Greenwood
Canon for violin and viola, Maud,
seNall; Analostan Island. Mary War;
Goldman. Sons OF Pan. Jean Elchei.
berger Harken All what holy singing
kathryn HiD Raxls Recurrence
kaihryn Hill Rawis.A valse, Doroth,
Radde Emery. schezo. Dorothy Raddi.
Emery; Desert Twilight Marie Sene
5olst: New York Holiday, Marie seue
ELMER A TIpMARsH. organ. wash.
lnston Cathedral j pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04

at 1347 Shepard street NV. at
g pm. tomorrow.
Dorie Miller Chapter will meet
at 1916 Olive street NE. at 8
pm. tomorrow.
King Clark Chapter will en-
terrain patients at Walter Reed
Hospital with a stage show on
Tuesday, from 1880 to 9 pm.
District of Columbia Depart
ment Executive Committee will
meet at the Perpetual Building
e. Loan Association on Thurs
day, at 8 pm.
King-Clark Chapter will en-
terrain patients in the N. p.
Wards at Walter Reed Hospital
on Friday, from Z to 8 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
NEWS OF MUSIC
Singing Style Of CoIIos
Split Audience at Met

Gated and uninvolved. Norma"
is typical of most traditional
grand opera written by Italians,
and to me it is one Of the best.
Musically speaking, what does
it offer except beautifully con-
trived melody, melody of great
charm but no variety and little
basic originality? To be able
to write beautiful melody is
the greatest gift a composer
can have, but the composer of
Norma" had few others.
When you have heard twenty
minutes Of Norma" you have
heard all four hours of it.
There is little Of interest in
form. in orcheStration, in
harmony, in dramatic in
genuity.
The Most Druidy Druids
1t came over me at the Met
ropolitan last Monday that of
all druid operas, the druidS of
Norma" are the most druidy
druids, as Buck Mulligan
would say. Druids of what
ever religious persuasion are
an essential ingredient of most
truly popular operas - Of
Aida" of "Tannhauser." of
even THE Magic Flute"
operate druids are priestly
folk in long garments, mostly
choristerS, who humble rites
and make obiesances, wear
head-dress with cows horns,
and often flourish spears.
There is usually a high priest
ess-a druid who is involved
either by her hayward emo
tons, or perhaps by the mis-
fortunes of a forgotten father,
with a hated nondruid. This
nondruid is often. though not
invariably, centurion of the
Roman legions.
Druid and centurion are
usually brimful of the most
flaming passions-love, hate
and murder, and in Wagnerian
realms. even incest and hippo
philia.
Callas is as good fortune
for the Nets budget as she is
for the music lover. Rudolf
Bling. the Nets manager, is
reported to have said that he
turned back $4,000 for tickets
for opening night, and dis
couraged $4,000 additional
requests.
Actors and actresses in the
flesh ordinarily do not create
in me any undue excitement.
I would rather, naturally
enough, see them at work.
Marlene Dietrich, whom I saw
for the first time at the Met,
is different. You may think
you have seen a woman cause
a sensation in a crowd merely
by appearing, but you are
wrong if you haven't seen Diet
rich. Before, after, and during
the extracts, everybody, men
and women, cheered her. whis-
tied at her, called to her, and
made eyes at her. Dietrich. the
grandmother who was the envy
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
TOMORROW

VIENNA PHILHARMONIC ORCHESTRA
Carl Schurteht, conductor Constitu.
lion Hal, $3.50 pm, Symphony No
% IN ID. Mozart. Egmont Overture
Beethoven; symphony No. Z, Bruck.
WILLIAM o. TUFTS ORGAN: Potoma,
English Haudbell Ringers, Nancy POOR
Tufts, director. Church OF saint ste,
phen and the Incarnation, $40 d m
Rondo In O. Bull; The Batteil. Byrd
voluntary Tor Double Organ. Blow
suite Ia d, Stanley; Trumpet Tun,
and Air, Purcell Sonata for 1 Masica
Clock, Handel. Oranget and Lemons
anon; Five Bel Consorte. Jenkins
N AIT Wesley Impromptu, jackson
hreipde on Rhosymedre. Vaughan
Williams; On Darweirs t4sth, Darke
MANUEL HARRARTE. psano. Pan Amer,
lean Union. y pm. Two sonatas
scarlAttl: Intermezzi. Opus ~ schu.
mann; Nocturne. Opus 30 IN nat
FauTe. BouFree Fantasaue clabrler
Improvisation. Poulenei Two Nouyei.
cites Pouienc HumoTesaue P0ulenc
Dansa BTasileira. Guaruteri BOcetf
de Hector Viila-Lobos, Hafrarte: Littil
suite, Herrnrte. Three Pieces. Haf.
raFiei Three Dances, Herrarse.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
PROGRAMS OF THE WEEK

VIRGINIA REIEEcKE, piano. National
Gallery pf Art. s pm. All-Mozart pro.
ny Duport. X. $40. Sonata in & X.
J30; Fantasia In c minor K. AIS
Adagio IN B minor. X. $40. Sonata
in B nat. K. 1873.
KARL STUMP. viola damore. anc
members OF the Vienna Philharmonic
Mote the time is one hour later
than usual1 Sonata for viola damore
and clavier. Ariosti Sonata ia
Chase for viola damore, Loren.
Eni: Divertimento for viola d'amore
violin and cello, Haydn Improvisa
ton BY Mr. Stumpf; Seven prelude,
ior viola d'amore and piano, Henry
Casadesus. Sonata da chie6a. for Viola
dam1re ana strings. Martin.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04

Piled by the would-be musician at
home. Comes complete with sheet
music. Columbia CL-90S.l
Billie HOiiday--Two tasteful LIPS BY
Lady Day." the fabulous Jazz singer
who's ct home on either blues OF
sophisticated numbers, both Of which
are well represented in these sets.
Also ON hand are such noteworthy
sidemen as Barney Kessel. Harry Edi-
son. Benny Carter, Oscar Peterson.
Ray Brown. Flip Phillips. Charlie
Shavers and others. For that famous
Holiday style, give a listen to Soil
tude" Everything ] Have Is Yours"
Love for Sale. You Go to MY
Head" East OF the sun" Il Only
Have Eyes for YOU" prelude to a
kiss when Your Lover Has Gone"
i Gotta Right to SING the Blues"
whats New" and others. tClef
MGC-690 and 7131
Nelson Riddle--The Riddle orchestra
presents two. instrumentals. neither OF
which is truly outstanding. Titles are
Gould You and Farmers Tango"
tCanitol F355p.
Nick Nobie--Nick's viriIe voice Is
showcased on the standard You
Don't Know What Love IS and THE
Star You Wished Upon Last Nisht."
mercury 70gS1x 45l
The PettieOats - Girls offer two
pretty commercial sides In "In Go
Along With You" and High Heels"
UNIQUE 363.)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04

do" Los de Aragon" and
alma de Dios."
One of the London list, the
quite winning la Revoltosa"
of Chapi, has also been issued
lately in a more abridged YER
sion by Columbia, it is inter-
eSting to note. Evidently o
curiosity about zarzuelas is be-
ginning to grow.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
Veterans Plan
Benefit Ball

Federal Chapter, Disabled
American Veterans, will hold its
annual benefit ball at the Hotel
Willard from 9 pm. to IL mid
night November 10. The Ruth
Quinn Revue will present a
floor show. The proceeds will be
used for hospital and welfare
work.
King-Clark Chapter will meet
at the Elks Club, 919 H street
NV. at 8 pm. tomorrow.
Federal Chapter will meet at
1749 Pennsylvania avenue NV.
at 8 pm tomorrow.
Col. Young Chapter will meet
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-11-04
THURSDAY

BUDAPEST STRING QUARTET Jossph
Sioiins sssis Kroyt. viola assehs
schneider, cello Library Of cdneFess
aV Pm Quartet IN " Opus "a,
70. .. 9chumanni Quartet No
Smastera. Quartet IN 2. Opus a.,
No. 2. Haydn.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15
u. Of Fla. Faculty
Asks Indignation

GAINESVILLE. Fla. Jan. IA
pa faculty group at the Uni
versity of Florida has adopted a
resolution asking for immediate
racial indignation at the insti-
tuition.
The group. the University OF
Florida Chapter OF the Ameri-
can Association Of University
Professors. said 1t will ask DR..
y. Wayne Reitz, university pres
ident, to present the resolution
to the Control Board at Jack
sonville next week.
The resolution, introduced by
DR.. Paul Hanna. social science
professor. says the group feels
mo serious conflicts. incidents
or disturbances would occur and
no public harm or mischief
would be done" If students Of all
races xere admitted to the uni
versity.
/ DR.. George r. Bentley, chapter
president, said the resolution
was adopted after a panel dis
lcussion on racial indignation at
tended by about so members
Chapter membership includes
about 800 of the 1900 faculty
members.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15
Prince and Grace
May Wed in April
At Monte Carlo

PALM BEACH, Fla. Jan. IA
(P.-Wedding bells probably will
ring for Prince Rainier III OF
Monaco and screen actress Grace
Kelly at Monte Carlo in April
The Prince, meeting the press
briefly today for the first time
since arriving here Thursday
night, said this was approx
mately correct" when asked II
there was to be a palace we'd
ding In April.
. NJ. A. Palmaro, his country''
consul general at New York, In
terposed. ANY details regarding
the wedding must come from thu
palace"
| A palace announcement las
week said the wedding would b
held in Monaco. The Prince
chaplain said at Wilmington
however, that Rainier himsel
!, leans toward a wedding cere
mony at Philadelphia.
i The Prince told Emile KeyeI
reporter for the Palm Beach
!, Daily News, that he plans {
leisurely motor trip across tn,
United States to Hollywood
when he leaves Palm Beach II
about a week.
Miss Kelly is in Hollywood.
With the Prince on his vaca'
ton here. in addition to Mr.
and Mrs. Palmaro. are Mr., ant
Mrs. Jean Pochna Of viii,
Franche, a French Riviera re-
sort.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15
A Philadelphia Princess:
Grace Ke||y's Life Story

ing end for SO long that I'm sure
We haven't given enough in re-
turn.
Shy and Retiring
Looking at it one way, per-
haps shouldn't be too surprised
that Grace is marrying a prince.
From the time she was a little
girl-and she was a darling. so
lovely I used to wish she might
never grow up-there was al
ways something a bit different,
a bit withdrawn. about her,
Whereas tie other children,
Peggy. John. jr., and Lizann,
were the eXtroverts, Grace was
shy and retiring.
Her quietness made everyone
feel that they ought to take care
of her. Even l. mother OF four
was more conscious of her want;
and needs-the others were sc
capable and independent. I knew
they were sufficient unto them
selves. But / always wanted to
protect Oracle.
She must have struck men the
same way she struck me.
Every man who knew her
from the time she was about Is
and even before that, wanted To
take care of Oracle.
1t isn't too much to say that
every last boy and man who ever
went out with her fell little In
love with her. Our house was
everlastingly full of incoming
boys.
She had an ability to keeI
quiet and let the men talk, let
ting them feel that they were
strong and important and virile
Grace's datebook, during the
past few years, has contained
the names of some Of the most
eligible--and from my point OF
view, ineligible-men In interna-
tional society.
The first really prominent man
with whom she was said to have
been involved was Gary Cooper
her leading man in High Noon.
her first big picture.
To Africa with Gable
Then she went to Africa with
the company of "Mogambo.
Ava Gardner was also on that
trip, but it was Grace. the col
umnists said. who caught the
fancy of Clark Gable.
After that, in rapid succession
she was going about with Ray
Midland, Jean-Pierre Aumont
Bing Crosby. Oleg Cassini, Bud
Palmer, and several others. The
list is really too long for me to
remember.
Every man on that list. I'm
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15

lsure. was attracted by the same
qualities that drew the boys to
Grace when she was a school,
girl.
The shyness has remained
with her, and it has been &C
companied by a kind of reserve
that always has prevented the
press and public from getting
"a close look at Grace as she
really is. Perhaps no one since
Katharine Hepburn first climbed
ito fame has been so publicized--
and so subjected to rumor. in
nuendo, and untruth. Yet Grace
has never done anything to deny
or correct the stories. Her life
has been her business, and hers
alone.
Thus, when this newspaper
syndicate asked me to put dowr
my recollections and impression:
of my daughter, agreed for thu
sake of setting the recorc
straight. Also. it gave me an OPP
Iportunity to make a substantial
contribution to my favorite char
Iity. Women's Medical College o.
Philadelphia. the only medica
college exclusively for women IL
the Western Hemisphere. In thi!
series of ten articles I hope Il
correct many Of the false state
ments that have been made anc
the misconceptions that hav,
arisen during the rapid rise O.
my daughter as star.
| But even as I write these lines
I still feel sense OF unreality.
!, Just think-my daughter /.
marrying a Prince!
i Copyright 1855,
/ King Features Syndicate, Incl
Tomorrow: The Kelly fomiIy ont
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15

when I was younger. Il always
thought Gable was wonderfully
When I thought of her getting
married at all. hope she would
not choose someone from her
own profession, because it has
seemed to me that two artists
engaged in similar endeavor
could put a real strain on family
happiness. She would have
wanted to continue with her own
career, and the chances of a
happy. lasting relationship would
have been very slim.
No Simplicity Now
Having achieved so much fame,
Grace could not perhaps have
found happiness with the boy
around the corner, a neighbor.
or someone who was not really
outstanding. Although she loves
family life. I am sure that this
glamorous life she leads has got
ten into her blood For these
reasons. l had hoped she would
marry someone of real distinc-
tion-not an actor, but perhaps
a fine surgeon. a painter, or a
successful industrialist. In other
words. a man who could stand on
his own as the head Of a family.
not one who would go through
life being introduced as "Grace's
husband"
But a princel And such a
charming prince! And such a
handsome prince!
Really and truly. can't quite
get over it. When the engage
ment was announced. I was
quoted widely as having said,
Imagine, here I am a brick
layers wife-and my daughters
marrying prince!' I never said
that; I don't know where the
reporters got tnaC quote.
But I did say, and I do be-
lieve, that the whole thing is
little like a fairly tale-with the
little girl from the Falls of
.Schuylkill meeting the prince,
marrying, and-we hope-living
happily ever after.
It's very hard for me to be-
lieve, but then, it has constant
ly been hard for me to realize
that my little Oracle is a fam
Gus movie star. an Academy
Award winner. In fact. the good
fortune of tie entire Kelly fam
ily-their good health, their
good luck Iii everything they've
ever undertaken-has always
been astonishing to me. I've
often had the feeling that the
Kellys have been on the receiv-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1956-01-15

Tomorrow: The Kelly fomiIy ono
Groce's childhood.