davidaulloa/AmericanStories huggingface dataset:
Evening star., 1955-07-03

WHITEHALL MANoR-Rambier. 3
ssSer9s S.as, 's:as sas.s w. saso Eo d,e psr i% mo-
sSrd sSdif ANbf HStSss SttRsAbA sr. NV
bedrms.. 2 baths, liv. rm.. din. rm.,
kit. redecorated. S265 per mo.
Avail. immed. For information cali
w. G. & A. N. MILLER
DEVELOPMENT co.
Rental Dept. I'M. 2-4464
Evening star., 1955-07-03

NAYLOR GARDENS s-g.-1 bedrm.,
east and south exposures; $b7.25
per mo. incl. all utils.: nr. 2 bus
lines. LU. 1901. -3
NAYLOR GARDENs-Attrae. 2-bsd-
rm. epts.. eony. to shops, seheolz
and bus; terms to suit buyer. LU
$50 NO. pays prin.. int. tax. ms,
ALL UTILITIES and maint.: hv,
rm.. bedrm., equip. kit. with din
space, bath, pvt. yard; 81 $50 down.
SILLS REAL EsTATE. IA. $4,000
TiLDEN GARDENS-New listing Of
one OF the largest apartments II
this outstanding cooperative. II
comprises 4 fun wing with nics
entrance foyer, living room sun
room. dining room, Kitchen, 3 bed
rooms, Q baths plus Q maids room
and bath. A most desirable apart
ment and attractively priced. Terms
possible. Inspection By appointment
]. NELSON HUGES, I'm. 2-S400
TILDEN GARDENS-A most delight.
full 1-bedroom apartment with .
29-ft. living room. dining room and
up-to-date kitchen with all new
equipment. Eauitably priced-terrnl
considered. Inspection By appoint.
ment. ]. NELSON HUGHES. EN-
2-S400.
Evening star., 1955-07-03
ALEXANDRIA,s BEST

90 = qlsnd.ls svs. Apt. 9: ! blk
High echoel-l bedrm. apt. with
geed-,ize dinette; Avail. ney and
s5 ihsp..t 1 =: ssn. .sui.os s ias e sis dl.n =
jess Fisher Management Co
l4zO X Ct, NV. ~. S-1lsl
Evening star., 1955-07-03

ANNANDALE AREA-2-bedrm. ram.
Peer Peer t 1n fsnssS r. sl 5:s acre; ,.n baths:
s1sE ires5er. A. Ayail: a:.aAASg. Avs. for 10 %os.
FALLS CHUKcH.xSNiNANDALE ar area.
Two 3-bedrm. brk houses: elec. kit.;
bsmt.; 10 Minis. to PentaRon; swim.
POOL priyils.; 36-ft. rambler; $l2b.
4S-ft. rambler; $3.50. JE. 2-2!sS.
LOG CABINS rms. and bath, ga
rage. 2 porches. full basement; On
z acres; in shade: 3TlO mi. from
Camp Springs School. 1881 BRINK
FALLS CHURCH. VA.-3-bedroom
DIX: rec. rm.. gear gar: 2 fire-
pls;: cor. lot. blk. from stores
enc eus; cs1ssIs.N slsS a1ssdrm. stone hcyss.
GROOM BRICK, gas heat; s7S mo.
vA.-s-bedrm. rambler
with exp. attic; fne kitchen; Sl06
mo-; immed possession. MANNAS
BEATTY. 2116 Wilson blvd. "a.
NR. WASH. GOLF AND COUNTRY
CLUB. Arl--4 bedrms.. 2 baths,
sleeping porch: partly furn. Il
sfso' ca. sSs owsfss, *. 5essssss:.
ARLrNGToN-e biks. west OF
Hechts. 3 bedrms.. III baths. q
story, full bsmt.. rec. rm., garbage
disposal. auto. washer. New, never
been occupied, JE. S-oeos. %
over over unespir.d cd portion % o. lease s
saaiD aSHSs ong T' s,Ss 81; ;nGnsSig. msSSsrn' Ss
HS%fsoFNP,, SS1Sags Il Il, esis alHs$s sand st. NV.
looking Rock Creek Pk.; ist q, con-
tains hv. rm., din. rn., kitchen,
porch; end d. contains 3 bedrms.
and 2 baths. Built.in GARAGE. Lot.
20 By 900 II. HARPER q BART.
LETT. INC, EN-. 2-es27; la.
BEVERLY HrLLs--s .win-sised bed
rms. ground-level rec, rm. with
patio. sep. din. .rm.. Q baths. bsmt.
with outside entrance, garage; nice
I'd. and neighborhood: t17b per
mo. 721 N. Overlook drive, Alex,
sRL--s-bedrm. brick; IN batha
su; and schools. Vacant; $3.50. ia
,IMiDsT. BUNGALOW, 3 bedrm,..
ideal for children; 500 month.
plus utils. IA. 7-e1s1 after = Pm.
CONTINUED % next Dass)
Evening star., 1955-07-03
VERMONT
TERRACE
APARTMENTS

% m. -. dinsss., Ii. and al BAN;
hwy. near Loreom lane
l Bedroom ---$80-$82.5 SO
. RedrnnrnS COS
Evening star., 1955-07-03

Rzs1gSEST ESsf 4, AAod6sE; AMAoobsEF;oGk q g. sS:Oss'
Evening star., 1955-07-03

NV DE- LUXE s-sEDRoon duplsz
arb. disp.; DIN. m. 6snt.: az.
sIas asii.; OTIS 1850. scs ssSsa S
s.sE5skx1.i 1il Apr.: mr.. Arlington
AsfisS46k! ri sIask " rosSs. os stSSS sss:s 3 sas
s5s md l.! ssfsysi go ~ oprsisEssIy an sssMpiossss
AL MI and sedrns.; ~, m. =:
laundry fseiis.: eff-I psrkins:
msr.. mn MR. oUEssfoRD. Apt. s.
S22 y; Thonas st.. on-psrking LOT.
DGfIEx. SA' Etiisi is. completed, I.i1. l,z.
nm nm & din b.t5.. tS eiSeiH9sa Seaans. 'ti siO,sss; W.
SlI5 mo. zl4 ATdmore pl.. Fair-
10 nm, TO DoWNTOMN, one Of
the better maint ants: Nv. rm..
dinette. bedrm.. kit den. bath: no
shtldren or pets; 7S; sllsQe y;
bESssIr RsIdsi F. fARxza!shoDesns AZ !s ssSSsi and
Sed1a. unit. ses. 81 oy. s-soes. 4
1908 n. QUINN ST., Just across Key
Brfdge-Large. modern. l-bedrm.
apt, S66 IA. e-4137. "A
SIPS \ 10Th RD.-Recently re:
decorated I-bedrm. apt $50. Can
FxkKiiNdTToN. near virginia SQUARE
Pvt. home. End hoor; 9 hedrms. hy.
rr.. kit. and bath. Storage attic.
PETS and children, "a, a:Sso7 -
decor. extra lge. 2-bedrm. apt.
Fort Myer; 800 mel. utiis. Also
/ bedrm.; 500 80. 1918 N. Pierce
Apt. 101. ia. 1858.
ALEXANDRIA. va; 3-bedrm. home.
playground. individual basement.
Westinshouse washer and dryer,
rsrdsn: sd:A'0bi BUS ShoppinsaD isD0ss schoois ooH
close by: 9 minutes TO- Pentagon.
Open 8 to o daily. Incl. Sundays.
warwick villase. Mt. Vernon and
Kennedy SITS. TE. 6-6912.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

Acquaviva's terrific orchestra,
as they perform lush, languor-
Gus. and lovely melodies in
Music for Your Midnight
Mood" Outstanding are his
brilliant playing Of Beyond
the Next Hill. Titles Tango"
That's AL my Love, MY
Love. = and La Brilliante."
Remaining tunes. also very
tasty. are Her Tears" IN
consolable," THE Cavaliers
Ball." "A Man With d Dream,
and "A Miss You Kiss"
tMGM E-3226.)
Roy Hamilton - Roy may
well have a hit with every
body's Got a Home" from the
new Broadway show Pipe
Dream. . Backing is smooth
Take Me With You" epic
6-9l32.l
Richard Hayman - Dicks
harrnonica and orchestra star
In two excellent instrumentals.
First he plays the lovely and
haunting theme Of MGM's
''I'll Cry Tomorrow" and then
backs 1t with the spirited
Spanish Gypsy Dance" (Mer-
curry 70764x45.)
Piano interpretation"
LIP that's a collection of the
superb piano work Of Teddy
Wilson, Art Tatum, Oscar Pc
terson, and Bud Powell. Among
the dozen tunes are Body and
Soul" Everything Happens to
Me-" THE Man Love-" will
low Weep for Me-" and II
Cover the Waterfront" Nor
gran MGN-l036).
The Gellers-The Gellers on
piano and sax, supported by
bass and drums, have a tasty
Up OF II numbers. Included in
the set are The Heather on
the HILL" Patterns" 1.-TWO Of
a KIND" "Bewitched." Sup
perfume" Love" and others.
(Emarcy MG-36024.)
Leroy Anthony - Leroy's
jumping band. sporting his
guilty baritone sax, do six in
strumentals on a 10-inch LIP.
Tunes are Mister Ghost Goes
to Town" Flying Home"
christopher Columbus" "Oc-
tave Jump" and two others.
epic LN-1ll8.)
----F---s~----z--~-.a----
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25
NEWS OF MUSIC
Mitchell Explains Symphony Plan,
Proud to Please 10000 CsDonors

up Washington trade, no Gen.
eral Motors or United States
Steel.
$4,000 individual Backers
Our strength is the people
of Washington-Greater Wash
ington-and while they are
fewer in number than in any
other big symphony town.
look how they support us. OF
our $4S4.000 budget. $205.000
comes directly from contribu-
tions-not ticket sales, mind
you, contributions.
IT don't know how many in
dividual contributors there are.
for many gifts are collective
amounts from organizations
like the Friday Morning Music
Club or the Cathedral Choral
Society that solicit their in
dividual members. but my close
estimate is not less than 3d.
600.
"Why shouldn't we give
community concerts and pop"
concerts? We're a. real COM
munity orchestra, a really
popular" orchestra. There
may be those who think we
ought to be something differ
ent, but we are what we are.
and I, for one. am proud of 1t.
"A serious study Of the full
activities of other orchestras
also will show an ever increas-
ing number Of community and
pop type Of concerts being
given in their respective cities.
In spite Of their endowmentS
and subsidies they are being
forced to do the very thing we
have considered it our duty
to do from our beginning,
namely, to serve the whole
community. Don't forget. Mr..
Thorpe, the National Sym
phony's slogan; Music for
everyone.
mo other orchestra that I
know Of. and I've studied the
figures. gets such a large per
cent of its operating money
from so large a number of
small individual contributors.
and I think the reason is that
we go out to the people, wher-
ever they are. and play for
them whatever music they
want to hear.
"Is there any other orches-
ira that plays such a wide va
riety Of subscription con-
certs? ! don't know of it.
Other Orchestras Repeat
Nov about going into pairs
next season. Some people talk
as though it's a scandalous
procedure, something we had
devised ourselves. The New
York Philharmonic gives. its
weekly concerts in fours, Phil
adephia. Chicago and Boston
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

flash Of intuition that the two
OF them. man and boy, were
involved in gamesmanship of
the most delicate subtlety. He
thought that he could refuse
the gambit and possibly at the
same time give the impress
sion that he had won the
game. Il can't go into that
now" he said, but you ask
your father or mother, they
can tell you about it. Ask
them"
Yes, sir. I will" replied the
boy, with just the faintest
trace of a CLEAN in his eye to
let Dirksen know that it was
gamesmanship that was being
played. and that Dirksen had
lost. Yes, sir. / just thought
you could tell me. Thank you
very much, sir"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

for Observation-Disclosures ques-
tons, that is-to be propound-
ed by the master, rather than
to be answered by him. his
wider knowledge is, in the
last analysis, held to be at the
disposal of the choir. "Yes.
what is it?"
We've been singing today
about God the Father. God
the Son, and God the Holy
Ghost and ! don't understand
what that means, and perhaps
you can explain it to me.
The Washington Cathedral
is Episcopalian, but the sing
ers in its choirs are Of all de-
nominations. Dirksefl looked
at the little shaver and hap
PLY remembering at the mo-
ment that he came from a
Unitarian family, knew in a
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

posed Agnus Del he repeats.
as did an earlier editor named
Schmitt, the music of the
opening Kyrie and Christie.
DR.. Paumgartner's good in
tentions (which apparently
have been accepted at Salz-
burg, where he has conducted
similar performances) raise
some questions even with this
department. which leans to-
ward tolerance. Why wouldn't
it be all right to leave the
music as Mozart did land as 1t
will be left when Paul Gala
way leads 1t in a few weeks at
Washington CathedraD? Why
couldn't Epic give us. separate
ly, the whole of K. 262, which
is on the evidence well worth
1t?
However. the questions
aren't really too vexing when
all is said and done. For the
fussy listener may skip both
the K. 262 excerpts and the
Agnus Del, if he wishes. tThe
K. 262 excerpts are all in one
chunk on side three0
Epic's performance, by Ru-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25
By JAMES G. DEANE

Torsos seem to invite fame.
One thinks of q Greek statue.
and a Schubert symphony. The
most famous Mozartean torso
is a mass. his Requiem. cele-
brated because Of the myth
that Mozart began it for his
own death at the bidding of a
ghostly stranger.
Musical torsos also invite
people to try to complete them.
In the case of Mozart's Re-
QUEEN, it was a pupil named
Suessmayer. whose efforts
have been as much reviled as
applauded.
The chances are that both
reactions will greet a new rec
ording of another Mozart work.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25
TOPS IN POPS
Album by Lillian Roth
Is Released by Epic
TOPS IN POPS
By bob WILLIAMS

Lillian Roth's climb back up
the ladder of success is nov
complete. with the release Of
her first LIP since she was q top
singer Is years ago.
Epic Records has issued an
excellent LIP showcasing the
talents Of the courageous en-
tertainer, and they have aptly
given 1t the same title as her
book and the soon-to-be-
released MGM film of 1t. "I'll
Cry Tomorrow"
In Lillian's initial album she
Is presented in a supper club
appearance, with spoken intro
auctions to each song. The
tunes are from the bygone
years when she first became
famous, with one or two being
given a period flavor in the ar
rangement. Included In the
set are Love Thy Neighbor."
Amt She Sweet" Let's Fall
in Love-" When the Red. Red
Robin" IF I Could Be With
YOU" Sing. You Sinners,
Don't Take Your Love From
Me. "Goody Goody," AS Time
Goes By" Honey" Happiness
Is just a Thing Called Joe"
and "I'd Climb the Highest
Mountain" epic LN-3206.)
JUST RELEASED
Charlie Ventura-An excel
lent LIP Of the early Ventura
band Of l946. when bop was
in its infancy. Included in the
dome tunes are such items as
Lullaby of the Leaves" For
Boppers Only" Caravan"
High on an Open Mike"
"Too Marvellous for Words"
ana Lullaby in Rhythm,
with Jackie Cain and Roy
Kral on vocal. (RCA Victor
LPM-1135.)
Turk Murphy-Fine Dixie
land group on the oldie
Maryland, My Maryland"
and the catchy Mack the
Knife" adapted from 1.-THE
Threepenny Opera" Co
lumbia 4-40586.)
Frank Sinatra - Terrific
sides by Frank, as he sings
the title tune of MGM's 1.-THE
Tender Trap" and Weep
They Will" Capitol 'F3290.)
Norman Brooks ~ Norman
pairs the pretty "Way-Way-
Te-Nan-Go" with Goodbye,
Gal. Goodbye" OK" 4X-0l79)
Acquaviva---A superb LIP by
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

dolph Moralt, the Vienna
Symphony and Kammerchor
and some capable soloists. Is
lively and well recorded. and
on the whole superior to the
only previous one available.
ZAUBERFLOETE, HI-FI
The second Of London's BIZ
centenary operas, 1.-THE Magic
Flute" has come to hand, and
like the Don Giovanni" that
preceded. it is in many ways
q rewarding affair.
Up to now, Sir Thomas
Beecham's old Berlin perform
ance. with Berger, Lemnitz,
ct al, has been more or less
the pace-setter. and it must
be admitted that the vintage
1889 production retains its
special merits. wilhelm
Strienz, its Sarastro, was un-
beatable, and there was a
high flown coldness in Ber-
gers Queen Of the Night which
I miss in London's Wilma Lipp.
London's Monostatos is hardly
menacing at all, and Karl
Boehm's musical but rather
tepid direction hardly chal-
lenges the special Beecham
fair. either.
The London set also shows
a curious lapse on one or two
details. Besides emitting the
spoken dialogue Gas the
Beecham version did also), it
skips the three brass chords
(Scene /. Act ID which are
the operas trademark, and the
loss thereby is more than might
casually be supposed.
Nonetheless, a new Magic
Flute" is not unwelcomG All
that is required is one expo
sure to the new productions
aural felicities. with which 1899
can offer no comparison. to
prove that there are Mozartean
virtues that are purely tonal,
and that just to have the
Magic Flute" in high fidelity
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25
TURNTABLE TALK
An Unfinished Mass
Is Sung Complete

the C minor mass. This is an
other great torso. although for
what reason 1t was unfinished
no one knows. since 1t was
started some years before Mo-
zart's death. In the new rec
erding. issued by Epic, the por-
tons undone by Mozart have
been filled in by DR.. Bernhard
Paumgartner, who Is, the di-
rector of the Salzburg Mo-
zarteum.
This Is not as presumptuous
as it sounds Taking a cue
from Mozart, who once con-
Quoted the c minor mass filed
in with pieces of earlier
masses by himself, DR.. Paum-
gartner has used five sections
of a c major mass, K. 1852, also
by Mozart. For the uncom-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

money problems by cutting
down on the amount of music
played, both on its own sub
scription series, and, if it joins
forces with the Boston and
Philadelphia, on the number
Of concerts they will give here.
Also, the great number of
children's concerts, community
concerts. and pops" concerts.
cheaper because requiring less
rehearsal and given at the
expense of the subscription
series, seems to me to lower
the tone of the orchestra. I
suggested more unusual and
provoking program build
ing ;"
IF unusual and provoking
program making is the answer
to getting more people to at
tend symphony concerts. ask
you to bear in mind that our
subscription audience Is the
largest in our history. So it
would seem logical to assume
we must be doing just what
you are criticising us for not
doing. Program making. Mr..
Thorpe. is one of the impon-
derables Of musical life. What
one likes. another dislikes. 1t
seems to me that program
making is largely a question Of
judgment on the part Of the
conductor. but this fact any
conductor must face: During
the symphony season a subj
cient number of people must
be pleased with a high per-
centage Of the music they have
paid to hear or they will be in
no disposition to renew their
subscriptions the following
year. If the National Sym
phony has been cited twice In
the last four years by the Ma
tional Music Council as doing
the most outstanding work on
behalf Of American music, and
you add this to the fact that
our audiences have constantly
grown. 1t stands to reason our
programs must be pleasing
someone else besides the crit
les.
Washington, in many ways,
is a unique city, and In look
ing to its assets in relationship
to music. the National Sym
phony Is forced to live by en-
tirely different methods than
the orchestras of other cities
with which we have been COM
peting.
Consider the other big or
chestras. Every one has an
endowment. or a municipal
subsidy. or big business to help
it. Some enjoy two of these
factors. some all three. We
have not one-no endowment,
no subsidy. and while we get
the finest kind of support from
the retail businesses that make
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

in threes. and all the other
major orchestras, with the
single exception of Minnea-
polls. at least in pairs. Min
neapolis has single concerts
the way we do now, but every
where else management has
found that the only sound
way is to cut costs by giving
concerts in pairs. threes or
fours.
Lets consider the chill
dren's concerts, a service
which I think may have en-
deared the National SYM
phony to the community more
than anything else we do.
You can sneer at the chill
dren's concerts and say that
maybe they're hurting the
subscription series, but per-
haps they are the real heart.
the real personality of the or
cheStra.
Look at other cities-l0 a
year in New York. four in
Philadelphia. IL in Chicago.
Is in Minneapolis.
Here we have from 80 to IS.
Some are free to the chill
dren, paid for by individuals
and business firms, some carry
a small admission charge, but
whereas six years ago we had
only seven children's concerts,
not too well attended at that,
today we play for l25, 900 diff
ferent school children a year.
These are local children, of
course.
Starting this summer we
are having five weeks Of con-
certs for high school students
from all over the country. Do
you think the parents don't
appreciate community service
like this as much as we know
the children love it? Don't
you think this is reflected in
the 10000 people who con-
tribute to our fund drive? And
another thing. :"
What is that?" we asked.
Merry Christmas" said DR..
Mitchell, And, in the words
of Tiny Tim: God bless US
every one"
CHRISTMAS STORY
Ever since we realized that
this particular Sunday page
would appear on Christmas
we have had our ear open for
a good story we could offer
with the compliments Of the
season. Here it is:
The art Of Craftsmanship
is today nowhere else carried
on with such precise skill and
dry relish as it is in the choir
room. Children who are Choir
listers are by nature gamesmen;
choirmasters by training and
by necessity.
A youngster in the Washing
ton Cathedral's Junior Choir,
at the end of an intensive re-
hearsal for the Christmas serv-
ice. approached the choir.
master and said: please, sir,
I have a question ! would like
to ask"
yes" answered the choir
master, Richard Dirksen, for
while 1t is more appropriate
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25

is a decided gain. With a
Bruno Walter version pre-
dicted, caution is advisable. but
the impetuous viii not 60 too
far wrong.
A vocal score is offered with
London's records. also an as
set not to be belittled.
4 4 y
ECONOMY DON
Against the immensely cul-
turec, polished new London
Don Giovanni" Epic has come
up with a version which offers
as a practical attraction the
economy Of three discs OPP
posed to four. Epic's set has
other attractions. including q
Don Ottavio leopold Simo-
neau, the Tamino Of London's
Magic Flute'y whom ! like
better than London's Der
mota. 1t also boasts, OCCASION
ally, more dramatic pulse.
However, there are some
liabilities, too. George Lon
don's acting and vocalism are
both heavy compared to Siepi's.
Donna Annals arias give oc-
casional problems to Hide
Zadek, and Sena FURNACES
usually appealing voice falls
short of the purity achieved by
London's Elvira, Irmgard See
fried. Also, and even more
important, Epic's viennese or
chestra is not the Philhar-
monte, a difference in more
than name. All in all, Lon
don's four records with vocal
score) seem the better buy,
price notwithstanding.
4 y Il i
FOR KEYBOARD
Admiration for things Mo-
zartean doesn't easily play
favorites. but If one had to pick
three of the 30-odd piano con-
certos to take onto a desert
island. one of them surely
would be the sunny A major
*. 488).
This and three other items
in this most ingratiating cate
CORY of Mozart music-making
the D minor and E fiat TX.
466 and 27I concertos and
/ the A major rondo tK. $780,
are performed in fluent fashion
by Clara Haskil on a pair of
Epic discs. The sound, includ-
: ing that of the solo instru-
ment, is lustrous.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-12-25
PROGRAMS
OF THE WEEK
TUESDAY

TUESDAY.
ROBERT oUADE, organ. Church Of the
Grand jssi ct duo, paauin; Noel sur isi
flutes, Daquin; Noel grand teu ct duo.
Daquin; Jesu. Priceless Treasure,
Bach: To shepherds, IS they watched
b. nieht. Bach: In Dulei Jubilo, Bach:
fstIsmsn R S dSa fe Presde On
Greensleeves. Purvis; improvisation on
three Christmas carols
WEDNESDAY.
NATIONAL SYMPHONY ORCHESTRA.
Howard Mitchell. conductor. Soloist:
Earl wild, piano. colstituticn Hal.
$3.50 pm Symphony No. 8, Mennin:
Plano Concerto No. in p minor,
Chopin; Symphony No. in = minor
THURSDAY.
FRIDAY MORNING MUSIC CLUB STU
DENT PROGRAM: Jcann McLanghlin,
so IGr1 sisna Art11 aa. p s.Re s, yen
Ann schein. piano: Barbara Ellen
Becker, piano: Rhetss Roudabush.
oboe; Armida Card, piano. Cosmos
piano. Opus SO, Brahms: Etude Opus
10, No. 9, Chopin; La Puerta del Vino,
pebussyi Sonata for viola and PLANO.
opus IL II BraS E I VASE s ouSiiee, LIST:
Sonata for oboe and piano 1885,
SATURDAY.
NATIONAL SYMPHONY ORCHESTRA.
howard Mitchell. conductor: Washing
ton School Of Ballet, Lisa Gardner
Hall, 900 pm. Hansel and GTetel
and MARY Day, directors. Constitutton
Ballet (Musie By Humperdinek and
Haydn.
Evening star., 1955-09-28
Mrs. Putterson's S
Funeral Changed

Funeral services for Mrs. Helen
Mitchell Patterson. originally
scheduled for 5 pm today in
Oak Hill Cemetery in George
town, have been changed to $3.50
pm. today.
Mrs. Patterson, the wife Of
Ambassador Morehead Patter-
son, special adviser to President
Eisenhower on peaceful uses of
atomic energy. died on Septem-
Der l8 in London. She and MIR.
Patterson maintained q home
here at 1907 Twentieth street
NV.