davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21

q golf ball alongside them at
their clubs.
3. Don't spout Stanislavski
to the casting director at the
studio and don't tell him that
you can act circles around any
star on the lot. You'll be
ushered out politely. Make 1t
q point never to talk too much.
Hollywood doesn't like gabby
actresses. The kind of Bern
hardt that Katharine Hepburn
played in stage Door" in
spires yawns In casting Offices.
4. Fight to the last ditch
the efforts of Hollywood to
turn you into an assembly
line blond, brunette or red
head. It's not the first break,
but staying power. that counts
In the motion picture industry.
A Bette Davis survives on
individuality, but Dotty Dear
face. who looks like hun
dfeds Of girls before her.
rarely gets her option picked
up. And while you're insist
ing on being yourself, turn a
deaf ear to men who tell you
that you'll never be a great
actress until you've ''lived."
It's not true. A blushing high
school girl can put more into
o screen kiss than an actress
who changes men the way
she changes lipstick.
Choose Friends Wisely
s. Stay out of night clubs
and gossip columns while
you're inching up the ladder
Of fame. A night club is hardly
the place to demonstrate that
you're an actress.
8. Choose your friends
wisely. The only pitfalls In
Hollywood are those you
create yourself.
7. Don't let anyone tell you
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
THE PASSING SHOW
So, It's Beostly
But What to Do?

tolerance on the part Of both.
It Is true that among the for
mer there are some who con-
cede q critic has his Job to
do" but hardly ever without
implying regret that he lacks
the taste. judgment and civility
to do it. This, Of course. only
in the case Of unfayorable re,
views.
As for the critic, It Is possible
that he has less ground than
he thinks for the assumed per-
sonal affront implicit in the
last play he saw, and the half
dozen others Immediately pre-
ceding 1t.
More mutual respect, which
might IN q couple Of millenia
lead to the friendliness Mr..
Bolton proposes, is obviously
desirable in playwright-cr critic
relations. Moreover, it would be
socially advantageous in the
contact which the two some
times find unavailable.
These meetings, with their
awkwardness. are frequently a
discredit to both with which
they must live forever after.
kiss Of Death
Such q one that comes to
mind is the distressing moment
this critic once experienced
with an attractive young play
wright whom he had known
long before she came within
his critical purview.
The occasion was the
Broadway opening of one of
her comedies, a work the
critic happened not to like
for all its surface brightness.
But they met after the final
curtain, kissed as people do
In the theater land out for
that matterl, and all the
critic could think to say was,
Lord, you're cold"
why not, I've just been
given the kiss Of DEATH" the
playwright replied.
Then there was another oc-
casion when the same critic
went to q party, after writing
his review, for o young drama
tist. who as a newspaperman
had been q fairly close friend.
Should you have been in
vited " the playwright asked
hippantly when the critic
showed up.
come 70 think OF 1t, no.
The latter replied, putting an
end to the zest Of THAT party.
Experiences such as these
make q man feel kindly dis.
posed toward Mr.. Bottoms sug-
gestion, but give him little
confidence that anything win
come Of It.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
These Tips for Hollywood Success
Would Apply in Almost Any Field

their first glimpse Of this
Babylon-on- the Pacific, it's a
razzle- dazzle dream come true.
They have heard but don't
want to think Of the towns
tricky. dangerous pitfalls sand
as q result many Of the un-
initiated get into trouble.
Gems Of Wisdom
Ben Bard. once one of film
towns better drama coaches.
years ago compiled q 40 COM
mandments" for movie hope
fuls. Each Bard pupil received
o copy with instructions to use
the "don'ts" as Q classroom
text on proper Hollywood be-
havior. Little gems Of wisdom
applicable to almost any line
one doesn't have to be q
star-struck dreamer to profit
by them--the Bard tips are
herewith reprinted:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
Mickey, the Mighty Mite,
Works Hordto Come Back

Boone" he told me. Then, II
also own SO Mulligan shows
and was recently offered
100000 just to run them for
this next year. This show was
rated second in the United
States for children's shows,
which was pretty good, since
we were opposite the Gleason
show. We started with q
seven-point rating and wound
up with a 29-point rating.
Gleason took my director, Les
Martinson, for his filmed show
next year. But ! turned the
100000 down. The reason
I don't want to saturate the
market with Mickey Rooney
stuff. Every time you'd turn
on the set you'd see my puss."
Julius La Rosa, move over.
This humility beats yours.
And read this: Mickey, o
good golfer. told me he was
playing golf the other day and
happened to notice a caddy
taking some shots. "And the
little fellow was pretty good,
but his clubs were all bad" So
Mickey walked up to him,
talked TO him, took him to the
sports store and bought him
a set of clubs. "And the kid
just didn't know what to say.
It sure made me feel good"
Loves That Exposure
I asked Mickey what he
thinks Of TV. Its the same
as motion pictures. There's no
difference-you're still shoot
ing on film. But I love the ex-
posure it gives you. You can
be seen by more people in half
an hour than with three mo-
tien pictures"
Mickey isn't busy enough. so
he runs a Little League base
ball team in the Valley. 1--WE
had it for two years now. It's
called the Mickey Rooney
Giants. Just about the only
time I have to devote to it is
writing out the checks"
About the future? IT have
enough work for five years
lined up in Hollywood. I don't
work for anyone else now
Just for myself. I don't owe
anyone a cent-if anything.
people owe me money. / don't
spend my money foolishly as
] used to. I know I should be
a millionaire. but people who
represented me in the past
didn't do as well for me as I
am doing now. My first wife.
Ava Gardner, didn't cost me
much money. but my second.
Betty Jane Rase. cost me
$l50,000. My third, Martha
Vickers was fairly expensive.
! have been married for three
years now to my present wife,
Elaine. and she is really a great
gal. I think three years is quite
a record for me. I think 1t will
last-touch wood"
released By NANA)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21

that you've got to be cold.
ruthless; cruel and selfish TO
succeed. Some actresses emf
ploy those tactics. Of course.
But the sweet, sincere, guile
less actress gets there, too. and
she doesn't have to work rs
hard.
8. Don't be difiicult, # you
have claws, keep them
sheathed when you're around
studio designers, wardrobe
women. makeup men, electri-
clans and other craftsmen.
Get the reputation-like Bar
bara Stanwyck, for instance
for being easy to work with.
Avoid That Drugstore
9. Work, work, work until
you've kicked down the studio
gates that bar you. There are
hundreds Of little acting groups
around town. And there's tele-
vision and radio. You're more
likely to be discovered as an
actress who demonstrates that
she's an actress than combing
your hair over your vichysoisse
at the Mocambo.
10. Avoid as a plague the
fringe Of young hopefuls who
have been kicking around for
many years, who gather at the
same drugstore daily to Stalk
about their hard luck and who
often hang on for the sheer
satisfaction Of being part"
of Hollywood. Know people
outside the industry. Separate
serious strivers from the habit
ually lazy ones and cast your
lot with those who work at
succeeding.
Pretty good advice for the
movie neophyte. You bet!
Why not apply these 10 Bard
tips to any line in which you
might be striving for success?
tReleased by the MAMA
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21

/. Develop a small appetite.
a distaste for lavish living
quarters. an allergy to mink
and a flair for stretching q
dollar. Unless there's an end
less flow Of money from home.
you will find that luxuries and
the pursuit Of stardom seldom
60 hand in hand. And don't
worry about your lean diet or
your bare clearinghouse
room. They're good for your
emotional reservoir and for
your camera figure.
2. Don't envy the aspiring
actress who is a name dropper
and speaks Of Mr.. Zanuck as
Daryl" It's the kiss Of
death to know hundreds of
important people In Holly
wood. You won't be taken
seriously If you dine with
them at their homes or whack
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
By sHEnAH GRAHAM

HOLLYWOOD. - Pint-sized
Mickey Rooney is q big shot
again. His comeback is almost
as surprising and sensational
as Frank Sinatra's. Frank was
counted out three years ago
but is now wanted for every
picture. it seems. Mickey has
more irons in the fire right
now than I can count. At the
moment he's drawing $1,000
a week at the Dunes in Las
Vegas, as a replacement for
Wally Cox. Mickey signed
Wally for q role in Gentle
mans Gentleman" his movie
for Republic In September.
Also in September. the Mick
collects q trust fund OF more
than 500, 000-from childhood
earnings. That's jam-the rest
is all work.
II made q pilot Of Daniel
Boone for television. tThe
way to annoy Mickey Is to
ask who's Daniel Boone?'9
I just finished q picture. The
Bold and the Brave for which
/ wrote the musical score. I
have my own distributing COM
pany, my own television show.
my own picture company. And
in addition to Daniel Boone
I own the rights to the Johnny
Longdon story (Which Mickey
will direct as well as play the
famous jockey. OF course I'm
also doing night-club work. I
just can't stand not working.
Consequently, people can't
stand mo when I'm not busy.
To England, Too
Recently, I finished a pic
ture called Twinkle in Gods
Eye It's about minister
me. I'm going to England next
month to make a movie. The
Salesman for my own COM
pany, and we may use Alec
Guinness for this. Next year
I'll have q TV series called
Lucky, the Lonesome Lepre-
chaun.' It takes place in q
mythical glen in Ireland with
a 200-year-old leprechaun
orphan who desperately wants
someone to adopt him." Mickey
is the leprechaun. of course.
after I do the picture in
England, I have three more
for my company"
While Mickey was pausing
for breath, I asked him about
his early days in show BUSH
ness. I've been on the stage
since was IA months old.
It's an old story that / won't
bore you with. People would
rather read Confidential Mag
azine. It's funny the way peo-
pie are-if there is a wonder
full man in a room. and a ter
rible accident happened out
side with dead bodies all over,
they'd 60 outside to see that"
Humility Flows
So I brought Rooney back
In a rush to the present.
Touch Connors will play
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
BY HAROLD HEFFERNAN

HOLLYWOOD. - The eyes
Of youth are trained on Holly.
wood today in far greater num-
bers than ever before.
Centering Of the television
industry here and its Unsuitable
demand for fresh new talent,
coupled with a sweeping come
back by the movies, has melted
q renewed storming Of Aim
capital gates.
From every section Of the
country. cities, towns and
hamlets, the kids are heading
westward this summer. Girls,
as usual, are far in the ma
jority. The dozen or so recog-
nized drama schools in and
around Hollywood are expected
TO break all enrolment records
this fall and private tutors as
well report q heavy upswing.
To most youngsters getting
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
By JAY CARMoDY

0ys SA1 NtA1snAOO1
In the absence Of Brooks
Atkinson. who retreats to the
mountains in the summer.
Playwright Guy Bolton took
over the formers space in last
Sundays New York Times.
It was q provocative piece
Mr.. Bolton wrote. expressing
o kind Of rueful wonder that
dramatists and drama critics
were not friendlier:: person
ally that Is. Mr.. Bolton is q
very veteran playwright. so to
speak. and in no way confused
by the professional relation
ship between his kind and the
other.
An interesting incidental
observation among his reveries
on the subject went to the
effect that Mr.. Bolton has
known three sets, or genera
tions, Of critics. The impact
Of this was rather startling to
ene out-of-town critic who
spent the next hour hrooding
upon this implication that
playwrights lasted so much
longer than reviewers. Three
generations. hmmmm!
The 'Road" Differs
However. to get back to Mr..
Bottoms main premise. this
particular critics meditations
on it produced no awareness
of any segregation between
the two groups. voluntary or
involuntary.
OF course. it may be differ
ent with out-of-town critics.
The joy or sorrow they ex-
press at the quality Of a play
wright's work Is preliminary
rather than final. Whereas
the New York judgments are
beyond appeal. the prior-to-
Broadway reviews merely con-
front the dramatist with the
loathesome duty to rewrite his
play.
He is thus granted q few
narrowing weeks Of reprieve in
which to work himself to death
instead Of waiting reSignedly
for the final firing squad.
Thanks to their innate mo-
bility, some playwrights re-
spond to this with gratitude
and friendliness as to q police
man who hands out a warning
instead Of a summons. It is an
attitude which influences their
relationship with road critics
in favor Of greater congeniality
than that which MIR. Bolton
misses In New York.
It's Not the Same
It is not in the nature OF
their respective jobs, however.
that playwrights and critics
should be pen pals. They may
write for the same audience,
but from quite different points
Of view. On this score, it is gra-
cious Of Mr.. Bolton to observe
that playwrights and critics
"are in the. same business"
Unfortunately, it Is not true.
The theater Is one business
and Journalism quite another
and while they constantly
meet, it is more often than not
head on. The dramatist writes
for the delight Of mankind
and his own possible enrich
ment; the critic to inform hts
readers and with small hope.
that he VIII ever become rich.
These are not purposes likely
to bring the two groups to-
ssther in . spirit Of chubby fei-
lowship.
Tolerance, Maybe
A more plausible hope for
greater understanding between
playwrights and critics would
-. 49, .xA..~1 ~.gssA .sak - $1,000
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
TODAY'S SCHEDULES
STAGE

CARTER BARRON ANPHITHEATER-Dark. ice Ca
pades" starts Thursday.
NATIONAI.-"The King and IT, dark tonight resumes
oLNEY-"The Time Of Your Life; 2:so and $3.50 pm
SCREEN @ !.
AABASSADOR-Ndister Roberts; l. $685. 5:15 TBS and
9:35 pm
cAPIToL-"To Catch Thief; $40 $685. 7:s5 and $50
pm.
coIoNY-"The wayward WIFE," 2:so. 400. $40. and
ESQ pm.
COLUMBIA-Tt Came From Beneath the Sea-; 12:40.
1920, 5:55 and 1885 pm.
DUPoNT-"Beauties Of the Night; l. A. and 1905 PM
KETTHS-"Lady and the Tramp; 2. a, 6, and 10 pm
LITTLE-"Angelika"; l. 245, 4:35, $685. 8l5 and 1910
pm.
Neutrality-suspicious. Meeting. 2:2o 4:1o. g. 1855 and
$3.50 pm.
ACKNOWLEDGEMENTS Roberts; /, Sl5. $50, TAO
and 10 pm.
ONTARIO-"The Private War Of Major Benson; lis.
800, 525, 7:30 and 935 pm.
PALACE-"Not Stranger" 1885, AIS 6:55 and 9:35
pm.
RELATIONSHIPS Seven Little Foys'; /, 2:45. 435,
6:25, 8:15 and 1905 pm.
PLAzA-"wishing Well Inn; 1880, S:lO 1850. $780, $40
TRANs-Lux-'The Man From Laramie: l:4O $3.50. 5:5S.
and 10 pm.
wARNER-"This Is cinerama"; 2. and $3.50 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21

Is Carieaturist Al Hirshfelds impression Of the two
stars and of the beaten-track Venice which is
the background for their adventure The Iya Lopert
production for United Artists release was directed
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-08-21
A SEARCH FOR ROMANCE IN A VENETIAN SETTING

by David Lean CBrief Encounter, "etc). Itwiu have
dual Washington run, starting Wednesday, at the
Playhouse and Dupont TheaterS, after pair Of spe
cial premiere ShoWings on Tuesday night.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-04-03
HOTEL, I440

i44o Rhode island n.w.-ssie. and
VIZ Wis; up: .Sr op phone Sas s elsv. 5000
C0LoRED-sa BRYANT ST: M
ND. dble, S13. All privileges, un-
limited nssd phone. MR.. COLEMAN. AID.
c0L0RED--NEATLY FURN. RIM, for
lady: hot and nd. cold water In I'm.
coLoRE I'm is00 cRITrENpEN ST.
N.W.--Larss room. Call ia. s-614o.
coLoREp-saes LIST 81. N.w.-Is..
front: for cpls; or single: home
COLORED-llth AND EUCTID--At.
tractiyes; large: privilsses: 81 week.
Coioa siEHpS0sioes 1 NV. and o.S e.
$3.50 W. Apply Aciik RxNTALS.
COLORED--N.W.-Large comfortable
I'm. sll gsivils.; children welcome.
c6HoR 49, EUCLID 81. NV.
Newly decorated, light-housekeep.
slss ssi IN r.s ssils s Sb e;ss
c s'Iss : e;9i4e sLecK. s 81. NV.
with pyt. bath Crivils.: ns. transp.i
COLOBED--S0l TAYLOk. II. Nv
at. home; lit. priviis. RA. e-i49s.
COLoRED--R or. N.w.-rwin bsds,
front room: also sgls. room. Prlvis
c ssfEssi ~: 5sSstf. ArAnrxISs-
z rooms. 2oas 18th ct. NV. Apt.
coLoRED--LGE. FRONT RIM, twin
beds, Kit. priyil. desirable neishbor.
hood; 81 %. Ia. e-6732.
COL0RED-N.W.--S32.60 10 S42 ESQ,
completely furnished. A. 9. GAR.
DINER d. CO, 1881 L Ut. NV. MA.
COLORED-ls4s QUE ST., mr.. car.
line: cooking and laundry faeils.
coIokED@s rURN. RMS. for rent:
nr church and shop. district. AID.
CoLORED--LGE. CLEAN RMS, with
Kit. and other privils.; housekeeper
service; $40 wk. sci. 1877 TOUR.
IST 1877 12th 81. NV. AID. 2-65Ss.
COLORED-SMALL RIM. for rent,
durna Sc wk. 6s7 Park I'd, ia.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-04-03
CATTLE AND LIVESTOCK

FINE TENNE SSEE walking-type
horse: must be seen to appreciate.
Al g1l1 River road. beyond Brad
FouR HORSE VAN 1859 oMc; q
speed axle. side and rear loading.
Excellent condition. Cali LO.. 7-U566
all day Saturday. Sunday between
8 ~ Gs ein; Eng Rl i RiG. HORSES. also
sell. Cali Cypress s-Si42 any time.
PONIES, 3-yr.-old. eeldIng. sorrel
iiaxen name and tail 5000. WI.
EsS iaslf. under J, . roof for n The
our. Bulletin Board to 's sell. trade or or
ny, , Horses clippsd ana sqspp sGarded
s nile west q Fsiriaxs oe cIreie. oa e
j. 3. No. 2s. No. iii. No. 30. WIZ:
days. $50 am. to 8 pm: Sun. 10
HsS nj e seS p Sc. seos Stable. Box
s sis r. serin b. T Is. sosss s.ufs'' "a
q GENTLE RiDiNG H0RSEs--one
white faced mare, l strawberry roam
male. Poolesville 1891.
COATS, Kids. Pleasant s,93Is: =
B VII h n9s in; ni Rsss tss E. ws sss Ss
sEcoND DC CALF HEifiFsEER, very gentle,
good family COW. Call Redwood B.
H RisRi cATTLE-as bred heis-
s sT;sa, some p pyS. breds, $500 each.
L ssissss sp1iinE; weighing from
As to as lbs. Reasonable price. Call
| Middleburg 1923.
8 YOUNG G0ATs, Cheap. ED. s-e069.
PASTURE FOR RENT. s0ON-Good
pasture s ys fenced to Sn1 IL h s
e can Serve. Hu. $4,000 eVes. '' ''
ABERDEEN ANGUS BULLS-Res.
Grsnd Champ. Good individuals.
r ia oGSss rrLLY-By Reap
hunt or breed. Must sell, sP. 4.5542.
ANGUS HERD TO BE SOLD at auc-
| ton April 18th. The Ward Brewer
herd Of 20 young cows and heifers,
approx: % cal calves q foot cot .1 young n;
Prince Erie Of sunbeam. Good breed
| ing, excellent families, TB and Bangs
| tested, but bit thin--chance for
wonderful bargains. The Brewer
Farm. Charms Cross, IL m, nj. s ": o. I
VA on ana souins
hold furniture. including many AN:
TIQUES. win also sell. Sale will
| be held ut the farm starting at $40
am. with furniture. Cattle sale,
I;m. sale n.1 .1aanHasss5ns e stanTtN,i
Va. Phones 9 sA s.osTl and 5.s sSas'a'
lREGIsTERED HEREFORDs-.vi virginia
I Hereford Association Royalty Show
and Sale. Saturday. April Q. 1853.
| Roanoke. Virginia. Virginia Pure
bred Sale Pavilion. 8 miles north Of
Roanoke on q. s. Rte. IL. Show:
| $50 an. is bulls: Sale / Pm, 30
This IS an opportunity TO buy the
herds In Virginia. Herd bull pros
poets. foundation females: The DUAL
tty Event Of the Year. For cataiogs
/ and Information contact. NED
TYLLR; secretary: virginia Hsre isas
p 6sHpes 4 FEE 81 ie ssy 81 ,n
Viii make beautiful n sho how pony: si75
or best offer. Lenah b-2496 or XII.
PONCE small. 4 lse.:: Q small
horses for children: white. albino
ReIding. white Arabian mare, small
horses: wheeled pony busy: !
new new, ana 's used English II pS ma western
| saddle. brides. etc. 3.horse QMC
van. AL cond. HILLTOP FARM,
Fisher I'd. Temple Hills. Nd. 10.
lPiNTo. brown ane white seldins:
10. 4.ll50.
eeidine Is hands, hunted and shown
nEnEF0Rp suLL-colo; pem; reg
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-04-03
FARM 8 GARDEN Cent

LANDSCAPE SERVICE, lava building
and Erattng, banks and terraces
| planted. Walks and driyeRays built.
He. 4-7649: Ii. 4-466e.
jRHUBAkP. Soc .eiump: bridal wreath
e 81 s Sss, snfaooers reasonable Can
lEoRDsoNi sfiRAcroK. disc. grader.
oW spSEF 81. ii. s.ssi ess". AasAs 0nsf'
lBARNyARR soIL.:. $3.50 yard. ~
r saHRssfl ax nj s WssTEp, near poo,.s.
| vine, Write b: c. cuLBERTsoN.
IRIS BULBS yellow and purple.
state roads forces US 70 move them
R aSE E S,% MsNiREwH5ss sssT
SIS Ton. delivered. SUBSTANTIAL iI dis.
count on load lots: also very clean
topsoil. Ask operator for Gathers
burg 623 or EVERGREEN 4-2s65.
TRACTOR. Bolens 2hs h.ns plow.
cultiyator. disc-harrow. drag-har-
row. cutter . BARI used ! season: IKE
Fssders. waterers eu ainos. eS new. Cost
over S1o0: sell sa5. Spring 4-410i.
TOPSOIL. rich dark loan. ideal for
| lawns. flowers and gardens: "a tons.
81; delivered 10; 5.T4s7; q
maltiiiora ross. 15e and 90 es;;
| Sl.69 ca. s4G1 4sth ave. College
GARDEN TRACT0R-David Bradley
pillow. disc. eultiyator, sickle-bar
sT nRSHHsWsb sRsS f fEssF s-ssai hun
dred: raspberry plants, 81 80 q
WAYNESBORO NURSERIES = Com
| plete assortment plant material;
local representative viii call Ct yoNr
home rs 1l.n.s s 3. CLARKE XII s-oo2e
GARDEN TRACToR-Hiiler Yard
hand. 2-h.p. dump cart and mower;
never used: less than dealers cost.
AIIis-CHALMERs Model B tractor
With VIII f s,Se9 ss ss5y . fSSd esod' Cali
FENCE POSTS, pickets. rough boards.
1920 Wilson blvd. ia. 4-1234,
| RUCKER LUMBER.
IFARMALL n tractor. baler. 1-row
New Idea corn picker. elevator and
other equipment: less than Z years
mixed hay. sa e's' per "'' ton l. Oh 81.
WEI flHIS PAY REASONABLE PRICE for
use, used tillsr Of Fotohoe. Merry Tiiler
hand separator, Sac; iot for $50:
| loft. drive gate, $50; both for S25:
4-h.p. ride-on tractor, Briggs.strat-
ton engine. 8 attach, $500. sP.
r flsEsg REMOVAL, pruning, topping,
Mr.. CLAYTON. UN. 4-0903. %
FOR SALE, sod bluegrass; from %
acres OF land M. q. CARRIER. Wood
| bridge: Va; Phone occoanan g7-W.
BIRDBATHS. beaches. vsses. flower
ssy ox & aou ns Il S sasR every
GARDEN PLOTS 30x50 plowed and
disced; good soil. close-in; $10 sea-
son: 10. 7-S462, after 2 pm.
RICH LOAN. tar better than topsoil:
ss e. 500 on TONS .asy piles Large Also Sua 60
acres bluegrass sod. KE: s-5i64.
price. JONES. l5is Quincy ave.
Falls Church, "; "; 2,3495.
FEsTs 6 y REoT reiabie ,.r sxs
Underwriters approved. Sales. sery-
| ice and installation. GIcHNER,
INC. 1900 Kendall at. ne. LA.
lTRXSccTTSoR tarayeley,. pillow. harrow.
sa ssd and s,. cutter bank bar. ks sS trailer
dsk srroF s0 and sickle bar bnr p pSs
ticaily new. HE. 4-4261.
FREE to one who will dig UP and
| haul away. a privit hedge. mature.
and some shrubs. 1919 Taussig pl.
SALE ON CREEPING rHLox. soc
o box: 10 boxes tor So. Colors red,
white, blue, pink. WHTTEHoUSE
NURSERY, 1914 Rhcde Island ave.
ROTOTILLER. 20 inch, excellent con-
| dition. Call 10. 5-059S.
CEMENT PLANTERS, 2: tardiniers,
IS" diameter,. 10h" high. Very