davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-03-23
INvEsTMENr PROP. FOR SALE

STORE AND 2 APTs.--Modern store
leased to nationally known tenement
prep, in peri: cond; Excel. nv. 70.
return; $io. ooo S" cash 7a VIM '1 handle IL.
MI; Bressler. ewes. RIA. 6-26S4:
Isl CoMMERCiAI. in the heart Of
one Of Washington's busiest Sec
tons. 4-story brick bldg. store
otaces and apis; fully rented: ex-
can MIR. strickland. JAMES L.
FIRST PS c6 s. Mi g-1 sassory Brick;
suitable for any business or apis.
1911 14th st. NV; JOSEPH TISH-
LER. Essltor' Tu. 2-2soo; eyes.
liz III ST., Nv. hear. Of D. G. Bust
ness district: remodeied. In new
. real income producer. Call MR..
1 k5ESi "a rx siaz.oi DDS ?.
bedrm. apis: $4,000; S,unit BLDG;
sss SSR J ssIs'F4 9ss; Il T. S$$ss4a
FOL ATLANTIC ST. s.E.-5 e-bedrm.
apts., built-in garage; $4,000. viii
Az esssR is e. e 'aa .iiss' JOHN a.
AUNT AFT, baths: Mt. Pleasant;
semidetached; well furnished: brick
garage: price reduced to sell fast:
$4,000. down. LANE PASTOR. Elk
80 UNITS. close-in N. Arl-1 yr.
old: excel. cond.: blk. to bus,
schools, shopping: gross income.
cit s4 o9 s}ipsS sSq 1905 cash to hsnd,s:
2O4S Wilson blvd go
PUNT APT. BLDG.
near cSilese Pt'. Ma; new NV' oil-hest.
ing unit; on large lot, 10Q-ft. front
81 i65 It. deep; actual income.
Sl.015 monthly; completely rented
and waiting list; furniture. in II
units included In PRICE; IN times
snnuei income with $4,000 down.
$1,000. Won't last long. call now
LANE PASTOR
xx. s-25Ss. 102e Vermont Ave. NV.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-03-23

BUICK 1854 Riviera coupe; beautiful
maroon and white; equipped with
power steering; 2,445.
Capitol Cadillac-Olds. Co.
1929 22nd ST. NV. ST. $4,000.
BUICK 80 super Riviera hard-top
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BUICK 81 convertible; S9ea; Dyna.
HoRNER's BUICK. 1929 MINI. ne,
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Evening star., 1955-05-01
HONEST GUYS, THESE CROSBYS;
GARY ADMITS NAME HELPS
BY JAMES BACON
Associated Press Stan Writer

HOLLYWOOD
It's refreshing for change to hear Hollywood
admit that it helps in show business to have famous
father.
Gary Crosby, eldest of Bings four boys is in show
business now for keeps. He's regular performer on
Tennessee Ernies CHS radio show and will own
show this summer He did TV spot with Jack Benny
and has another coming with Ed Sullivan. May
rs ne and Louis Armstrong break theaer South
Bend nd and then go into the Chicago heater for stand
Has 1t hurt or helped being Bngs boy?
It's helped plenty" the husky Gary answers with
usual frankness "A lot Of doors opened that might
otherwise have been slammed in my face"
His answer differs from the stock given by most
sons of famous Hollywood personalities who say their
fathers prestige hurts them Since most Of them start
their careers producers this gets oh yeah
from the public.
But Bngs prestige probably only partly responsible
for Gays sendo in the business More important the
sense OF rhythm he inherited from both his father
mother He's also young carbon copy Of his dad the
casual wit department
The latter bequests the that will enable him
10 keep working on his In this commercial town.
Bg name the door but it takes talent stay
inside The kids got it.
His dad was upset when he quit Stanford for show
business out Garys mind made when he clicked last
summer with his own radio show Campus life seemed a
little pointless after that.
Evening star., 1955-05-01
COMING ATTRACTIONS

ARENA-The Mouserap with Elizabeth Tlton and Lester
Rawlins.
SCREEN
AMBASSADoR-"Mambo" with Shelley Winters and sivana
Mangano.
CAPTToL-Strategic Air Command" with James Stewart.
COLONY-"Mlle. Gobette" with Silvana Pampanini.
DUPONT-"The Strangers Hand" with Trevor Howard
Richard Basehart. starting Wednesday.
KEITHS-Run for Cover" with Cagney and Vveca
Iindfors.
MacARTHUR-"To Paris With Love-" with Alec Guinness.
ACKNOWLEDGEMENTS" with Silvana Mangano and
Shelley Winters
ONTARIO-"Animal Farm" British cartoon feature.
PALACEThe Prodgal" with Lana Turner starting Satur
day.
PLAYHoUsE-"End of the Affair" with Deborah Kerr and
Van Johnson
PLAZA-"Companions of the Night"
starting Friday
Evening star., 1955-05-01
GLOVER
Continued From Page Ell

Continued From Page E.
overruled by his family, Bella
fonte came back to Gotham
with his mother, who did do
mestic work for many families.
Honest and frank about
those days, Harry says he felt
isolated and cut of by racial
barriers. There began his first
wave of bitterness" At II he
enlisted in the Navy, served 20
months-and came out still
restless and insure.
When he was given a couple
of tickets to a Negro drama,
Harry had his first meeting
with show business.
ut seems as though I've
been pushed into about every
thing I've ever DONE" he says
in recalling how he was reluc-
family persuaded to join that
experimental theater group.
Operated Cafe
Harry after a while found he
could sing pop tunes--and
could get paid for it. His re-
putation grew rapidly-but he
wanted something else. He
tried running a restaurant for
eight months, at the same time
explored the whole world of
folk music.
Belafonte rebuilt his career,
finding In the music outlet for
his deep longing for social ex-
preston"
Now he travels about with a
tape recorder and searches for
material in the raw ethnic
stage that I can interpret for
cosmopolitan audiences"
How does he like this matt
nee idol stuff?
mo comment" grins Bella
fonte. happily married and
father of two.
Evening star., 1955-05-01

Rock Hudson, Tab Hunter,
Race Gentry. Rory Calhoun.
Rhonda Fleming.
So Wilson changed the
fancy sounding name Of Rob-
ert Van orden to plain John
Smith.
I'VE figured that we couldn't
lose if We got the Smiths on
our side. I like it. People
never could remember Van
Orden. They always remem-
Der Smith. It's tough though
signing hotel registers and
getting checks cashed."
Evening star., 1955-05-01

other, either" she said. But
when we're both working we're
both full of our pictures and
there's always plenty to talk
about. It's all right when he's
working. because I can always
find plenty of things to do
around the house, with the
children and stuff.
When Bogey is between
pictures, and I'm working, he
is likely to get bored hanging
around the house by himself,
reading. Then he usually has
lunch at Romanoff's and
spends more time on the boat.
I used to go with him, but I've
stopped since Steve was born.
I really don't like it-just sail
ing, not even fishing. I like
Palm Springs"
No Handy Man, He
Bogart, who hung around
from December, when he
finished one picture, waiting to
start "The Left Hand Of God"
this spring, was wandering
around the house.
"See?" said Betty. gesturing
toward her husband. Hes no
man about the house. He
doesn't know anything about
laying bricks. He doesn't like
to cook. He Just likes to play
tennis, go out on the boat,
read and play chess"
why the hell should I
cook?" said Bogart, coming
back into the room to freshen
his glass. why the hell
should we have to do anything
as long as we are good in our
jobs, which is acting?"
You DON'T" said Betty.
GOOD pictures are the only
things that really matter"
Evening star., 1955-05-01
Bogort Family Life
Calm When He's BUSY
Continued From Page E.

Continued From Page E-l
French oils; Betty collects
Segovas.
Their two children and
three boxers have the run of
the house.
The children and dogs
romped around with equal
enthusiasm. Steve, 6, who
has blond hair. fair skin and
looks like an angel. is a holy
terror. Leslie. 2, a dainty miss
who was named after Leslie
Howard. has reached the stage
where she echoes her brother.
"If you're living in Holly
wood" said Betty, catching
her breath and lighting a
cigarette, you've got to live
in a house. You don't have
to have a swimming pool, but
If you can afford one. get it.
Once you've made the initial
investment it only costs $50 a
month to keep it clean"
why the hell shouldn't ac-
tors make a lot of money!"
growled Bogart suddenly.
Betty interrupted: "He can
take Hollywood five days a
week. Then he gets on his
boat for two days."
"You go to the same parties,
see the same people. say the
same things, hear, the same
stories" Bogart said. "Then
it's good to get away with
guys who don't know anything
about pictures. who don't even
go to see them"
Through their 10 years of
marriage. she said, she and
Bogart have never sat down
together and discussed their
parts.
I'VE don't run lines for each
Evening star., 1955-05-01
You Never Know
Who'll Get Whose
Name in Movies
b. the.Assoeiated Press
HoIJ.yw0Nn

~ lAc-7seOStAtca EteSe
HOLLYWOOD.
Mamie Van Doren. q bum
die of curves. may have been
named for a man.
Actor John Smith reveals
that his agent once took him
to UNIVERSAL International for
a contract talk.
"At the time I was using
my right name-Robert Van
Orden. The casting director
didn't sign me but he thought
I had a great name. A week
later U-I changed the name of
one Joan Olander to Mamie
Van Doren, the same letters
as mine only juggled a little"
Agent Henry Wilson is
noted for the unusual names
he gives his clients. Samples:
Evening star., 1955-05-01
Poodle Is Rugged

A poodle-Tzigane Aggri Of
Nashend - won the supreme
championship at the recent Brit
ish Crufts dog show. Said his
owner. Mrs. A. Proctor: at is no
lap dog. It hunts. 1t is gun
trained and 1t swims in the river
nearly every day."
Evening star., 1955-05-01
FRISCO SPOTS
GOBEL'S TUX
FIRST THING
BY the Associated Press
HOLLYWOOD.

BY the Associated Press
HOLLYWOOD.
The Masquers' Club, a
show business group, tossed
a testimonial dinner for
George Gobel. The TV CO.
median showed up in a new
dinner suit made out of the
new italian silk fabrics.
Masquer Joe Frisco. the
suffering comic, comment
ed:
THAT guy G-G-G-obel
amt doing so great after all.
He shows up in a tuxedo
made out of old l-l-l-l-lin-
ingS."
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
DUKE ELLINGTON WOULD
open HIS NEW SHOW HERE

Duke Ellington long time great in the world Of Jazz and
music will be represented Broadway this season
by musicaF show. IL all goes well. Titled Man With
Four Sides is completed and about ready for the minis
trations cast director It's author composer old
Washingtonian himself thinks Washington theater would
be ideal for pre-New York ryout engagement.
Ellington already wider range in the musical
field than most self taught musicians Some Of his multi
tude Of popular tunesMood indigo" Solitude" "Sophis-
ticated Lady" etc-have long become pop stand
ards He also has composed number of classical jazz
suites In extended FORM including "Liberian Suite New
World A-Comin'" BLACK and Tan Fantasy" and BLACK
Brown and Beige"
show not his first venture into the Broad
way musical field either. Both "Beggars Holiday" and
Jump for joy had Ellington musical For Man
With Four Sides however he has written the book and
the lyrics in addition to the music
This title incidentally, dentive Ellington twho will
be back in his home for week at the Howard Thea
starting Friday describes the story Of
He further that the show "a dramatic hybrid with
off-stage countermelody in the foreground"
Ellington has his way, Washington theatergoers will be
the first to discover exactly what that means.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
1 BY WILLIAM GLOVER

NEW york, Sept. 10 lR.--
Cinderellas, tourists and
Frenchmen look like stars of
the new Broadway theatrical
season which got going this
week.
They are the distinctive
symptoms for the 1885, Sc
show year. conspicuous among
the normal quota of rosy prom
ises which blossom each au-
tunn along the main stem.
This is the time when each an
gel, producer and player II
sure he'll finally rub the lamp
Of fame and fortune.
The Cinderella influence
stems from the inordinate
number Of fledglings who have
been signed to lead roles in
pending productions. That
there viii be more than a
slight Gallo touch to activities
Is clear from the adapting Of a
dozen French scripts for show
ing here. as well as the number
Of Paris players booked to dis
play their talents.
On the audience side Of the
footlights. there's q big new
trend toward organized thea
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
THE THEATER WEEK
THE THEATER WEEK
It's Autumn and Promises Bloom
For the Coming Theoter Season

tar-roino far o,,f.S,f .tnwners
...s., - -
sei" saiai1aa'oiaS ase
sprung up 70 arrange train
and plane trips from the far
corners Of the country. It's
an enlargement OF the show
trip idea through which yari-
Gus newspapers have run peri
odic trips for fans. 1t can
mean . lot at the box Office.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
New Term Storts Brightly
With q Refreshing Revue

or almost 30. women. and q
dream boat blonde named Pat
Carroll.
Miss Carroll. with a sultry
catch in her throat. is a singer
for whom you need asbestos.
From the beginning Catch
o Star" Is a musicians delight.
And Paul Webster,s lyrics and
Sammy Fain's music lead into
comical or romantic comment
airy about the normal foolish
indications Of mankind.
In sum. this Ii q revue with
q wink-in-th sense Of
humor. Miss Carroll win de-
light that fifth rib you thought
had vanished.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
BY MARK BARRON

NEW YORK, Sept. 10 lR.--
A refreshing way to bring the
new theatrical season into
Broadway Is TO advance the
show which is q hit and push
ahead the new names which
are emerging onto the horizon
Of Broadway fame. Such is the
musical revue named Catch
q Star" which made its bow
last Tuesday at the Plymouth
Theater.
Catch q Star" is q funny
and imaginative musical re-
vue. And it came up with o
comedian named David Burns,
now and then also q few naked,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
TODAY'S SCHEDULES
STAGE
SCREEN
NATIONAL-Reopens September ID.
sHUBERT-Reopens September rs.

ANBAssADoR--pete Keys Blues: l:25 $50. $780, 1880
and 9:35 pm.
CApTTOL-"ToC Catch THIEF $40 5:25 7:3S and $50 pm
COIoNY-"1donika": 2:30 40 $40. 8 and $50 pm.
COLUAGBA-The Kentucian": los. $40. $40. 7:25 and
$50 pm.
KETTHS-"Francs In the Navy 1850. 1850 $50 7:50 and
$50 pm.
and 10 pm.
MacARTHUR-"Tns Green SCARF: AGO. 4:1o 8. TBS and
$3.50 pm.
Observation-Disclosures Kelys Blues" i4o 34S. s4s. 1850
and $50 pm.
ONTARIO-"We're Angels" 1880, 9:4O $40, T.4O and
9:A0 pm
PA1.AcELoye Is Many splendored Thing: 1906 Sis.
5:25 TAO and $3.50 pm.
PLAYHOUSE Summertime" 40 s2o 525. 77s and
$3.50 pm
PLAZA"One Desire l. ass 420. 616. $40 and 1910
TFANS-LUx-The shrike" 1880 240 AGO. $50. 815 and
1905 pm.
WARNER-'This Is Cnerama": 2, and $50 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
By HARRY MACARTHUR

There is some evidence
available refuting the claim
that television is likely to be
the new wellspring of theater
vitality. 1t is true that IV
did give Hollywood Marty
and the distinction Of that
Cannes Festival prize. It Is
true. too. that the playwrights
laboring for television's one
hour dramatic shows have
managed to be exciting on 0
number Of occasions.
There is. however. another
aspect Of the story. There are
moments when stage and
screen indicate that they can
get along quite well without
taking lessons from this up
start.
One evening not too long
back, to recall one horrible
example, the TV people pre-
sented as one Of those color
spectaculars an original mu-
steal comedy called The King
and Mrs. Candle" 1t had
Cyril Ritchard impersonating
the deposed king of some
mythical country. becoming
involved with q dancing mis-
tress while trying to earn .
living here.
Enough Was Enough
It's playing was Q burlescue
Of acting and It's attempts at
comedy were strained. Its
musical score was lackluster.
It seemed such heavy froth, in
fact, that the storm which
cut on the electricity briefly
was regarded as q sign from
Providence. The lights were
allowed to come back on, not
the TV set. Enough was
enough.
This precious affair already
had exuded so much cuteness
that the screen had to be
scrubbed Of syrup before the
next baseball game was clearly
visible. It was something Of a
surprise subsequently to read
the television critics.
Almost to q man land woni-
AMI they thought 1.-THE King
and Mrs. Candle" was fine.
Just the sort Of bubbling
champagne to give US all .
lift. At least one Of them went
70 far as TO indicate that this
affair should be regarded IS Q
milestone. apparently about on
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11

Der, IL are dramas, Q are
comedies. and II are musicals.
reynes or plays with music.
The others are the aforemen-
toned visitors from France.
Britain and Japan.
Sixty-nine other offerings
are at more or less advanced
stages OF planning. For COM
paris0n, SIS shows actually
arrived on Broadway last year.
Star List Long
Among the prominent play
ers set TO come to town are
Jessica Tandy and Hume
Cronyn, Joseph Schildkraut,
Louis Calhern. Shirley Booth,
Faye Emerson, Carol Chan
ming, Michael Redgrave,
Eddie Albert. Van Heflin, Julie
Harris. Shelley Winters, Boris
Karloff. Rex Harrison, and
Helen Traubel. ex-diva of the
Metropolitan Opera.
In the production depart
ment, the season will be
stamped above all others with
the names Of Roger Stevens,
apparently out TO surpass HIM
self as the dean OF impresarios
with q dozen or more offerings,
and Sol Hurok, veteran macs
tro Of concert and classical
bookings who has lined up an
assortment for the Broadway
theater including q Spanish
dance troupe. the Coincide
Franchise, the Kabuki perfor-
mers and the Katherine Dun
ham Dance Company.
Three visitors from abroad
are coming in with variety
shows focused on themselves,
to wit: The great French
pantomimist Marcel Marceau,
the inimitable Maurice Cheva-
lier. and British Coincidence
Joyce Grenfell.
October Flood
The post-LAbor Day parade
OF shows got started last
Tuesday with "Cateh q Star"
. musical review which
emerged from the critical
gauntlet . lot better than
early September offerings usu-
ally do. Representative OF the
booking scramble. the show
has had to arrange moves to
two other theaters In the next
few weeks in order to make
room for other openings.
Among other arrivals during
the rest Of the month will be
the D'Oyly Carte interpreters
OF Gilbert q Sullivan. Cheva-
lier and Marceau. and two
short plays by Arthur Miller
jointly known as "A View
Prom the Bridge"
The floodgates open wide in
October with 10 items thus
far slated for prerniereS.
The following are some Of
the brightest prospects that
theater-goers can look for
ward to between now and
windup time next May:
Among dramatic offerings,
1.-THE Diary of Anne Frank, !"
the story Of a young victim
of Nazi terror: O'Casey's RED
Roses For Me-" concerned with
an Irish labor episode; THE
Desk Set" in which Shirley
Booth participates; mo Time
for SergeantS," an Army COM
edy being presented by Maui
rice Evans, whose previous
"Teahouse of the August
Moon" is still a Broadway hit;
and two promised Thornton
Wilder plays. THE Match
maker" and "A Life In the
SUM-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
Its Better,
But Nobody
Knows Why
By RAY FALK


TOKYO. Sept. 10. - The
japanese motion-picture In
dustry produces some Of the
worlds finest color films-but
it doesn't know why.
Japanese studios have turned
out IL fine films In color. Sew
srai Of them have won inter-
national prizes and all have
been commended for the
beauty Of their color. "0ate Of
Hell" won the Grand Prix at
Cannes and yang Wang Fei''
was highly applauded at the
Venice Film Festival this
month.
Americans who have studied
the unusual phenomenon
whereby the Japanees have
been able to get better results
with American raw stock than
Hollywood-have come uIDwith
several conclusions.
The japanese Dissent
Some credit the japanese
weather-humid and hazy. No,
says q Japanese art director.
Hollywood's dry, clear air ID
much better suited for color
photography: the japanese cli-
mate is so changeable you have
to adjust the camera con-
stantly to changes in color
temperature.
Other Americans think 1t Is
the under-lighting used by
Japanese studios that produces
the brilliance In color. The
Japanese laugh at this. We
under-light, they say. because
electricity is scarce and ex-
pensive.
The Eastman Kodak peo-
pie (the Japanese use East
man color think that the diff
ference in the water used in
developing the films is the
answer. But the technicians of
the Far East Laboratories.
which develop and print the
Eastman Kodak film for the
japanese studios under license
| from Rochester. shake their
heads and say there is not
enough difference in the water
to make q difference.
Credits Filters
| Masaichi Nagata, president
Of Daiei, whose color and
black-and-white productions
have won Japan cinematog-
raphic fame, gives credit to
color correction filters. These
filters are made In Japan and
placed over the camera and
| printing machine lenses. The
| filters cut out the blueish rays
of light that distract from
natural color.
| Michio Midorikawa, the
Daiei studio technical super
visor who has worked on more
than three-fourths of Japan's
color productions, thinks the
answer may lie in the fact
that Japanese cameraxnen and
laboratory assistants follow
/ Eastman Kodak instructions to
the letter.
| Not Satisfied
Although acclaimed the
world over. the Japenese them
selves are not satisfied with
the results. The bright, clear
colors are not to their Hiking.
The shades are too aggressive
and piercing for their taste.
They would prefer to use the
Technicolor process but are
| prevented from doing 20 by the
high cost Of producing q Tech
nicolor movie. With Eastman
color. they claim, 1t is hard to
show q calm" or refined"
scene.
The Japanese, apparently.
have been able TO transfer
their inherent gift for paint
ing to the colored screen with
out knowing how they did It.
| released by the NANAl
Evening star. [volume] (Washington, D.C.) 1854-1972, 1955-09-11
THE PASSING SHOW
Who Called Nideo
Fount Of Vitality?

q par with the eraergence OF
Ibsen.
This was more than a little
puzzling. Then the answer
soon presented itseslf. The TV
musical, in this viewers living
room. was competing with the
memory Of q pair Of stage mu-
steals that were recent visitors,
''Can-Can" and THE King and
J." It couldn't, well. hold q
candle to the lusty Cole Porter
frolic or 70 the Rodgers-Ham-
r1erstein demonstration Of
what D joyous thing q musical
show can be.
The TV critics must have
been feeding dutifully on .
diet Of summer television.
Another example Of the We
tally television is ready to In
ject into the older entertain-
ment forms is q man named
Jack Webb. MFR. Webb. as you
hardly need TO be told. gained
such fame as the Sergt. Fri
day Of q show called 'Dragnet"
that he was called upon to
make a feature movie Of the
same title.
So many Of his television
fans trooped to see that that
Mr.. Webb was called upon for
q second theater film. So now
we have Pete Kelly's Blues"
We also have Just the barest
suggestion OF . suspicion that
Mr.. Webb is not the saviour
to revolutionize the motion
picture industry.
II Looks II
There were reports that Mr..
Webb was highly regarded for
the speed with which he set to
work on the movie lot and for
the dispatch with which he
turned out his motion picture.
He became, at least. q hero to
the bookkeepers OF Hollywood.
Pete KeIly's Blues has its
entertainment values. perhaps.
but II a curmudgeonly critic
will be allowed the observation.
1t has the look OF something
put together in a hurry. Since
Mr.. Webb got his training in
television. it viii have TO ac-
cept some blame for his short
comings on the large size
screens.
One Of these is q fondness
for extraneous scenes that have
nothing In particular to do
with the story. He took to
See MACARTHUR. Page En-.