davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1954-01-29
AUrOMosiLss PoR SALE

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1954-01-29
AUroMoBlLEs FOR SALE

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Evening star. [volume] (Washington, D.C.) 1854-1972, 1954-01-29
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Evening star., 1954-01-09
Ex-Marine Wins $4,000
In Suii Over Collision

A 21-year-old ex-Marine who
suffered serious injuries In q col
Iision 10 months ago, was
awarded $21, 900 In Alexandra
Federal Court yesterday.
The plaintiff. Clarence Gala
han of Wapato, WASH. was in
jured on July 6. 1852. in a two-
car crash on Mount Vernon bou-
levard near the Fourteenth
Street Bridge. He was a passen-
ger in an automobile driven by
Marine Capt. Ralph E. BRANDED
of TOT North Wayne street, Ar
lington.
In consent judgment. Mr.,
Callahan was awarded $4,000
from Capt. BRANDED and SIS, 200
from three other defendants.
The other defendants were Do
Ian c. Stiles of Washington,
driver of the other car; National
Truck Rental Co.. Inc. and Avis
Rent-A-Car System. Inc, firms
which owned and licensed the
car driven by Mr.. Stiles.
Evening star., 1954-01-09
BeIyoir Blood Donor Repaid
As AsRegionoI Appeal Saves Wife

A soldier donor In Fort Bel
voir's record blood drive got o
precious dividend this week
His wife's life was saved by the
blood bank he helped.
Red Cross officials at the
Washington Regional Blood Gen.
ter told this story:
Mrs. Kuzuko Woschula. 26. a
Japanese war bride, was bleeding
to death in Fort Belvoir's hoSpi-
tai. Her blood wouldn't clot
The Regional Center managed
to locate some rare fibrinogen. a
blood derivative which Is medi-
Evening star., 1954-01-09

cine's only known remedy for
certain types of uncomfortable
bleeding.
Four 2-gram bottles Of fibrino-
gen were rushed to the Engineer
Center. The tiny amount was
enough. Two nights later. on
Thursday, Mrs. Woschula was
reported out Of danger.
It took the blood of 48 donors
to produce that little bit Of
f1brinogen.
The Blood Center hailed the
case as a "bread-upon-the-
waters" example.
Mrs. WoSchula's husband,
Sergt. Alexander S. Woschula, a
Korean war veteran, is assigned
Evening star., 1954-01-09

10 o, dispensary. The post cam
paign he participated In pro-
duced about 10 per cent Of the
total collected last year by the
regional center here.
Evening star., 1954-01-09
Prince Georges YMcA

The Prince Georges County
YMCA will hold it's annual meet
ing at 6:45 o'clock tonight in the
parish hall of the Pinkney Me-
mortal Episcopal Church in Hy-
attSville. New officers and board
members will be installed.
Evening star., 1954-11-01
News Of Music interesting New Requiem Performed at Cothedro

soloist falls In the first category.
Miss Lehnerts has q big voice
somewhat too big for the small
hall In which the concert was
held. It is Of the dramatic rather
than the lyric type, and it Is
rather uneven In quality. acquir-
ing q harsh edge when pushed
beyond q rnezzoforte. She is also
burdened with q wide vibrato
which occasionally gets out Of
hand.
Nevertheless. the singer. who
plainly knows the techniques of
good vocal production, manages
to exercise surprisingly precise
control over her somewhat unruly
voice. AS a result, much artful
and enjoyable singing was heard.
particularly after the voice had
sufficiently warmed up.
The concert would have been
more memorable had not Miss
Lehnerts relied so heavily upon
standard gems"
Unfortunately, Miss Lehnerts
appears to be an exponent OF the
silent movie school Of expression.
Posturings and facial contortions
may bring down the house in
Italian opera, but to this reviewer
they seem q little out of place
in the concert hall.
Michael Cordovana provided
accompaniments at the key
board, and the audience gave
Evening star., 1954-11-01

audience. they communicate
much Of the magic Of music.
The society has succeeded in
preserving the intimate atmos-
phere which must have char
'acterized the private music tests
Of earlier years. II you happen
to 90 for music a la home style,
join the family and you'll enjoy
yourself hugely. But don't go
expecting to hear competition to
the Budapest. IL T..
Evening star., 1954-11-01
Promising Future Seen
For VioIin-Piono Duo
By Fronk c. compbell

Gabriel Banat, violin: Claude Frank,
piano. The Phillips Gallery. Program:
Debussy: Sonata In A, Op. AZ
+ 1Kreutzer'), Beethoven.
Several times a season we hear
young artists at the Phillips
Gallery whose regulations have
not yet reached the tallest head
lines. but whose gifts are SO un-
mistakable that solid and even
brilliant careers are only "a
question of time and maturity.
Gabriel Banat and Claude Frank
in their joint recital yesterday
afternoon placed themselves un-
questionably in this category.
Mr.. Banat's violin playing.
based on perfectly solid facility,
is on the reserved side, with a
tone that is continuously pleas
Ing without ever veering toward
the overripe or the thin and
sketchy. The greatest care is
taken to allow the music its
own way-there is never the
slightest distortion or personal
intrusion. Sophistication and
eloquent reticence are his key
stones.
Agile fingers and a similarly
pristine tone make Mr.. Frank a
comparably well-endowed player.
With perhaps more reserves of
power and brilliance than Mr..
Banat, the pianist is brimful
OF verve. with an exceptionally
wide but beautifully disciplined
range of color at his command.
Yesterdays program, clas-
sically selected and balanced,
had obviously been prepared
with loving care and attention
to ensemble. There were few
moments that did not come off
outwardly with precision.
At this stage in their collabo-
ration, though, the two players
have not reached the seasoned
welding that the finest chamber
music playing must attain. In
lividually Mr.. Banat's and Mr..
Franks musical conceptions are
perfectly valid, but fundamental
" they are different. When
playing together they create q
subtle but disturbing musical
opposition-1 -Banat, with his un-
reinstatement. often seems simply
weak and overpowered: BY the
same disparity. the pianist be-
comes almost dashy and strain
ing at the leash.
Whether these artists continue
together and develop a more
b
Evening star., 1954-11-01
new and attfactiye home.

/ new and attractive home.
The young men who make up
the Washington Ethical Society
String Quartet are enthusiastic
amateurs lovers of music. They
play with earnestness, devotion
and respect for the music they
perform. Occasionally there is
the flash Of insight which makes
listening to amteur music q
pleasure, despite the faulty in
Etcnation and the rough ensemble.
To this kind Of musician, mas
ter works such as the Beethoven,
Haydn and Schubert quartets are
still a source Of wonder and deep
satisfaction. To a sympathetic
Evening star., 1954-11-01
Dono Acin Sings
AT National Gallery

schsafsr piano SaRaaioe aational aaiises aihis1S0Gss os
Hildach; Letter Scene. Eugin oneeiTl.
aoanT rsnaikGysy Is ys,oeh.. pisuss sr..d dams mon
Ilia from ..Idomeneo, Mozart; Love
Song, GYPSY Ballad. Dvorak; Mother
Yugovich, The Mothers Prayer. Milo
sriGs:. 2syiis: Aria sa,..ara from The gartersd
Pause, Schubert.
Whether her training and ex-
perience have been chiefly oper-
attic or not. Dona Acin, soprano
recitalist In the National Gal
lery last night, hass undoubtedly
had strong ties with the musical
stage.
Miss Acin has aSsmbled o re-
n1arkable number Of the weapons
that are standard equipment in
the armories Of many prima
donnas. Few of these devices are
in any way related to the musi-
cal side Of opera, nor even to
the dramatic aspect Of a serious
and artistic operate production,
They include an undernourished
soft tone which. without benefit
Of intermediate stages, can
charge forth to a rawboned fonk
with the power to, annihilate an
operate orchestra Of around $50
players. Along with assorted
sobs and cluckings there 60 sew
eral gestures. all employed to in
dicate varying shades of grief
surprise, despair. and other ele-
ments of drama. In louder mo-
ments, Miss Acin's pitch tends
to disagree with that of her &C
compartment, occasionally to
the extent Of approximately
three quarters Of a step.
Several names appeared In
last nights program, including
Tchaikovsky, Debussy, Mozart,
and Schubert among the greats.
All the songs and arias were ap-
parently sung in a common
language, perhaps created espe-
cially for the occasion. Miss Acin
rendered them in a manner that
miraculouSly fused the styles Of
all the composers, with an op-
cratic flavor in all their works.
Theodore Schaefer played his
customarily superb accompani-
ments in the respective styles Of
the composers whose names ap-
peared on the program. G. c.
Evening star., 1954-11-01
Church Evensong
Found Disappointing

:, Eyensong at the Lutheran Church of
the Reformation. Chorus under the
direction Of julie Zabawa. Soloists:
4sas s5e2n 5ons kea sa Tsoms aaa
and Robert Biddlecome. trombones;
Harry Savage. tuba; George Koehler,
Ens Eountal9 lg puFes naHE dSra aass TsSnDSs sy S
Deaths Bonds, Luther: Chorale Pre-
lude for Brass, Karg- -Elert-Isackson
Sonata for Brass, Buonamente; Lord
Spirit, Luther; Adagio in A minor for
organ, Bach: Ger Death No Man Could
Prevail, Bach: With Grateful Hearts.
saeh ts No. soaats or fob sass STas aSre See From
Purcell.
julie Zabawa's musical evening
last night at the Lutheran
Church of the Reformation was
sadly disappointing. Mr.. Zabawa
is a musical director whose pro-
grams are usually discriminating
and well performed. The 18th
century church music for brass
choir by Giovanni Gabriel and
his contemporaries that was the
kernel of the programmes per-
formed by players whose other
appearances in Washington have
shown them to be good muSi-
clans; last night they sounded
ill-rehearsed and rugged, and In
no way recreated the splendor
of renaissance Italy with which
the imposing music is associated.
The music for brass was di-
iuted with a great number or
hymns, the tunes and words of
which are thought to be by
Martin Luther and which are
one Of the glories of the re-
formed church. There is no
great variety. however, in con-
ventional settings of a half dozen
Of these pieces all in a single
short program, and the choir OF
the Church of the Reformation
did not do much to raise the
performance a great deal above
the level of congregation singing
ID. T.
Evening star., 1954-11-01
every indication that 1t had ei
joyed itself hugely.
Ethical Society Concert
IS Found Enjoyable

washington Ethical Society String
Quartet: Walter Leonard, Jan Turkie-
Wicz, violins; Ned Spindel viola: Robert
Federgreen, cello. At the Society,"
Program: Quartet In @. Opus n, No.
4, Haydn; Quartettsatz in q minor,
q Opus posth., Schubert; Quartet in r,
Opus is, No. /, Beethoven
For some years now chamber
music lovers who also are rnem-
bers of the Washington Ethical
Society have been getting to-
gether In private homes to listen
to music performed by human
beings rather than by machines.
These affairs proved so enjoy
able that the audience eventu-
ally outgreW its surroundings.
In this healthy manner was born
the series Of six chamber music
concerts announced for the COM
ing season. the first Of which was
held last night at the society's
ADVERTISEMENT.
Evening star., 1954-11-01
IomPoSeFS-Gond
Concert Is a Delight
Rv Robert Exeff

NatlonaI ASSOCIATION LOT american
pating artists: Frances villaret. piano:
Parker Taylor, flute; Felix Kraus, oboe;
Robert Bartlett, clarinet; Warren
sitn asat horB BiaaneS anfsPs Dond oa Edsa
Grzesnikowski violin: Ray Montoni:
viola. Chester Wood. cello; Sigmund
sspa,ssth sa,sHl, Lecturer, AZ I the corcoran Gran
William Williams: THres % Dancins isenrSSs Improviss- VISA
tions, Seeboth: String Quartet No. 3.
Paris; Contemporary Music Appre-
citation llecture), Sigmund Spaeth.
The season Of the National As
sociation for American Compos-
ers and Conductors got OF to a
good start yesterday at the Cor
coran Gallery in q program that
was climaxed by Robert Paris
Second String Quartet. It is an
extended work, brilliantly scored,
in which a maximum Of contrast
is obtained, not only. by a wide
variety Of material, but alsb by
an unusual handling Of the
quartet as a medium. The move
ments for full quartet are sepa-
rated by beautiful aria employ
ing pizzicato cello and solo viola
and also by a lively scherzp for
string trio. The string writing
is luminous and the string play
ing was a delight:
The concert began with q
neo-classical purity by Walter
H. MacWilliams. Called s'Aes-
thetics" and consisting Of move
ments named after Gothic and
Renaissance painters. the ] work
avoided standard pianistic man
nerisms and was at its best when
it was most simple. Frances
Villaret played it with authority.
Max Seeboth's Improvisations
made AN attractive, economical
suite, nicely scored. well played
and suggestive Of Jean Francaix.
Following the musical pro-
gram. Sigmund Spaeth gave q
talk called Contemporary Music
Appreciation" Mr.. Spaeth Is an
odd choice Of speaker for so au-
gust an organization as the Ma
tional Association for American
Composers and Conductors. Well
known as an expositor Of barber
shop music and as what He calls
a tune detective" Mr.. Spaeth
was clearly i'll at ease in his at
tempt to elucidate his apprecia-
ton Of contemporary music.
After q few dexterous cliches, he
turned from his subject to his
more compatible speech about
"jazzihg the classics" The gist
is that American audiences are
SO years behind the times, and
that turning symphonic potboil-
ers into popular songs is aFhighly
commendable occupation, al
though one that is sometimes
criticized with much asperity.
The composers apd conductors
in Mr.. Spaeth's audience were
both edited and entertained.
Evening star., 1954-11-01

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Evening star., 1954-11-01


It Was Noised Abroad, Vaughan Will
hams; REQUIEM Tor chorus, solo voices
and organ, Wilmer HAYDEN Welsh:
Requiescat In Pace, Sowerby.
Wilmer Hayden Welsh. q
young Baltimore organist and
choirmaster and an advanced
student at the Peabody Institute.
was moved by the almost stimuli
taneous deaths Of his father and
a dear friend. Richard Vernon
Ross, to write a requiem in their
memory. The work had Its
first performance yesterday at
the Washington Cathedral under
Paul Galloway and the Cathedral
Choir, and 1t turned out to be
one of the most interesting new
works heard hereabouts for a
long time.
Mr.. Welsh has in this piece
been able to avoid two Of the
most inSidiouS pitfalls IN the
path of the inexperienced COM
poser. His requiem is neither
patiently derivitive Of the music
of other composers that he adj
mires, nor is it defaced by the
tricks and mannerisms that
many young composers of talent
use in a vain hope Of keeping
their, music moving. It is a solid
piece in six movements, two for
solo voice and organ, one a cap
pella, and three for chorus and
organ. The harmony is pungent
but not extreme, the phrases are
long and well developed.
The text of the requiem is not
the familiar Roman Catholic
verses, but is from the Order for
the Burial of the Dead, from the
Book Of Common Prayer. The
performance by a group that has
established a reputation as a men
and boys choir without peer did
nothing to blemiSh that esteem.
Evening star., 1954-11-01
Audience Enjoys Concert
BY Frances Lehnerts
BY Irving Lowens

Frances Lehnerts. meszo-soprano;
Micnael Cordovana, piano. At CATH
olic University Music Auditorium.
Program: Nymphs and Shepherds,
PurcelE When ! am laid in earth.
dist, from Lucrezia Borgia, Donizetti;
Vol 10 sapete, from Cavalleria Rusti-
cans. Mascagni; Erlkonig, Schubert;
Litanei Schubert; Mein Madel hat
einen Rosenmund. Brahms; Befreit.
Strauss; Zueignung. Strauss; Mary's
Prayer, from the Devil and Daniel
Webster. Moore; symphony in Yel-
bNn.,s low, ,Grines' Love .a IN the Dictionsry,
gai, Ravel; lie Temps des Lilas,
Chausson; oavre ton Occur. Bizet
Catholic University's Music De-
partment yesterday afternoon
presented Miss Frances Lehnerts,
mezzo-soprano, in the second Of
the current seasons faculty and
guest artist recital series. The
Evening star., 1954-11-01

compatible ensemble style, or
whether they 60 their separate
ways. they are both musicians
Of the highest sensitivity and
promise.
Evening star., 1954-11-01

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hospital services like operating room, oxygen,
indications, parts Of your bill that can run to
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Over half-a-million people in the Washington
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Blue Shield helps you pay your doctor bills for
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Allowances are substantial, covering many doctor
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Evening star., 1954-11-01
Your fa1nilys best security
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Evening star., 1954-11-01

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Evening star., 1954-11-01
Reduces SMELLING
WITHOUT SURGERY

doctors. amazing Pazo Ointment
stopped bleeding. reduced swelling.
healed cracking ShTlnk piles
WITHOUT SURGERYl Pain was
stopped or materially reduced.
Pazo acts to soothe, relieve itching
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Mon also II asn STAINEEsS fofn.
Evening star., 1954-11-01
How to protect your family

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rollments. ONE is group enrolment which costs less
TWO is non-group enrolment.
Group. Ask your employer to find out how you
can get low-cost group protection, if your firm
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If gou are Government Employee, you will find
Groups are established in all Federal Government
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and the lower group subscription rates.
Non-group. You can apply for non-group cover
age for yourself and your family if you work where
there are fewer than five employees, or are not
employed.
Evening star., 1954-11-01
BY Day Thorpe

washington Cathedral Choir. Paul
Callaway, director, SolOists: Gene
Sidney Lewis, treble: Donn Philip
Crane. baritone. WASHINGTON Ca
chorale prelude for organ, Bach; Mag
ntflcRt in B minor, Noble: Nunc Di-a
mittis in B minor, Noble; After This
It Was Noised Abroad, Vaughan Will
hams; Requiem for chorus. solo voices
and organ, Wilmer Hayden Welsh:
, Raauiescat Ia Pace, SQNerhy.
Evening star., 1954-11-01
Moil fI1is coupon TODAY!

or coll REpuhIie z.50oo
Remember, your risk is ] IN . this yearI
Evening star., 1954-11-01
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