davidaulloa/AmericanStories huggingface dataset:
Evening star., 1953-10-25
Curator Outlines 'Musts'
In Piqskin Photo I oking
By Alexander J. WedderburI
y TlGNott0St - SANStOAt
Cvrotor Of Photography
The Smithsonian Institution

weaker, to shoot at a slower
speed, and if this happens try
to wait for the peak of action
before making the exposure.
1t will help considerably if you
load up with the fastest film
you can get.
1t is unfortunate but neceS-
sary to the maintenance of
good order at any college or
pro football game that the
amateur photographer will
not have the same freedom Of
movement that news photog-
rapherS enjoy.
Use Wire Finder
Since you will not be able
to get close to the SidelineS,
try the next best thing and
bring the players closer to you.
This calls for a telephoto lens
If you want closeupS-far and
away the best shots.
When using a telephoto lens,
remember that the picture it
sees is not the same as that
which your regular finder
takes in. If your camera is
equipped to accept substitute
finders be sure you have
finder that will give you the
same view the lens takes in.
While speaking OF finders we
should point out the extreme
difficulty of following action
through an optical finder.
Whenever possible use the wire
finder or peep-sight finder.
There is quite a trick to fol-
lowing action and bringing the
camera to a dead halt just as
you make the exposure. We
suggest you practice making
quick pans with the camera,
stopping it and then releasing
the shutter at the moment the
camera comes to rest.
One more thing-take plenty
Of film with you when you go
to football game. Anything
can happen on any play and
you will want to shoot many
pictures. Many will be wasted
when the action doesn't pan
out the way you expected it to.
But the way it usually works
out is that all the best plays
seem to take place after you
have run out of film.
A good time to try out these
suggestions will come your way
next Saturday when the Mary
land University eleven takes on
South Carolina in Byrd Sta
dium. Colorful homecoming
activities can be used at the
same time to improve the back
ground of your shots.
Evening star., 1953-10-25
Camera Angles

) The next time you go to a
football game take along your
camera. Few sports will pro-
vide the sustained action and
thrills that take place on the
gridiron. If you own camera
with a fast shutter and a long
focus lens be sure it's the one
you use, for football photo
work is no assignment for the
box camera with a shutter
speed of 1/25th of a second.
The ability to anticipate a
play depends a great deal on
your knowledge of the game,
and on this knowledge depends
the success of your football
venture. If you have grown a
bit rusty on game tactics since
your college days, concentrate
first on learning the finer
points Of the play. Then start
taking pictures.
There's also another trick
to learn-that of following
action and swapping the pic
ture at just the right split
second. The best advice we
can give you is that you keep
your eye on the ball at all
times.
In every play there is the
psychological moment when
the action has reached it's
peak. This is when you
should snap the shutter.
Sometimes it's tough to judge
the exact instant when the
exposure should be made. No
two plays are exactly alike and
the critical bit of action may
occur any second.
Wotch Passes
When a pass seems obvious
you can concentrate on the
paSSer or the receiver, de-
pending upon where the great
est action seems likely. For
example, if it appears that the
paSser will be rushed before
getting the ball away, play it
that way and try for a shot as
the player is rushed. If the
pass gets away you will still
have time to follow the ball
and get a shot as the receiver
attempts to nab it.
While it isn't possible to
foretell who will carry the ball
on any given play, it will help
you if you keep an eye on
the star players m the back
field.
The camera should be capa-
BILE of shutter speeds of at
least 400 of a second. It
may become necessary, as the
day wanes and light grows
Evening star., 1953-10-25
Modern British

The Institute of Contempo-
rary Arts recently opened its
seventh season with an exhi-
bition of goth century British
artists in gallery 40 of the
Corcoran Gallery Of Art.
Thirty paintings and two sculp-
lures composing the show
were lent by the Phillips and
Watkins Galleries, the Balti-
more Museum Of Art and 11s
local collectors. The fact that
a large number of these works
were chosen for peoples
homes, and that practically all
the exhibits are "home- sized"
gives the show an intimate
character that a museum
show" of works by the same
artists would not have.
For instance, there is some
thing awesome about Henry
Moore'S monolithic figures
when they tower or extend
seven or more feet into space.
But the boudoir- size Family
Group" and Reclining Nude"
in the present show are covet-
able objects one would like to
study from various angles.
There are also several OF
Moore's ink and wash draw
ingS of figures resembling pre-
historic bones.
Each artist is represented
with two to five paintings.
Walter Sickert. impressionist,
is seen in a head and a street
scene; Augustus John, a vital
drawing of a farm woman and
a portrait etching of Yeats.
Paul Nash's Stream and
Bridge" with its charm and
delicacy; John Piper's roman
tic Martin Old Castle" Ben
Nicholson's series of English
harbor scenes, patterned, reti-
Evening star., 1953-10-25
By MoreoretsL. Fisher


by Mrs. Dora Schwartz when
the charity event was in
stituted eight years ago. The
cup is now held by Mrs. Freda
Bentley and Lew Levenson.
Today's Schwartz Cup de-
tenders, Mrs. Bentley and Lev
enson, staked out another
claim to an open pair title
when they topped the 64-pair
field competing for the third
annual Masen-Dixon crown at
Cumberland, Md, last Sunday.
Mrs. Bentley, paired with Mrs.
Lillian Harrison of Baltimore,
also annexed the women's title
in the match held last Satur-
day afternoon.
Other WashingtonianS who
earned points in the two-day
series were A. K. Darby
Charles C. Lovenberg, rating
runner-up awards in the open
pair event; Mrs. Richard
LeSko, paired with Ira Hay
gooni of Baltimore. third, and
Stuart Dunlop partnered by
Mrs. Mary Anne Tergis of Bal
timore, fourth, in the same
contest. The latter due topped
the field in the qualifying
round. Richard LeSko-P. A.
Schwartz were leaders in the
special pair game Sunday eve
ming.
KunkeI Wins
Early returns from ACBL-
sponsored Hawaiian Regionals
held last week end in Honolulu
credit Washington Bridge
Lacquer John C. Kunkel with
an outstanding performance
for capturing both the master
pairs and mems pair titles.
Ace tournament of the year
for local fans is the 23d an
nual District of Columbia
Championships slated to open
at the Willard Hotel on No
vember 5. Continuing through
November 8. the series, backed
by the Washington Bridge
League and ACBL sanctioned,
provides six major title events.
each offering the most highly
coveted of local bridge tro-
phies.
Evening star., 1953-10-25
Bridge Players

Washington bridge fans
meet today at the Shoreham
Hotel for their annual charity
match, the two-session open
pair contest sponsored by the
Women's Auxiliary of the
Washington Bridge League.
Sessions at / and 1880 pm.
are open to all members of
the American Contract Bridge
League and guests. Proceeds
will be donated to Childrens
Hospital.
Players competing through
both sessions will be eligible to
win the Schwartz Cup. donated
Evening star., 1953-10-25
Cumeru News

Adaptation of Color Pho
Biography to Modern Business"
will be the topic of a talk pre-
sented before the Old DOmin-
ion Camera Club by Charles
Baptie, local free-lance pho
tographer and associate mem
ber of the Photographic So
ciety of America tomorrow.
His talk will be illustrated with
color prints of his own making.
The public is invited to attend
the meeting to be held at 8
pm. in the Buckingham Com
munity CAMERON, 313 North
Evening star., 1953-10-25
Cussutt Lecture

Adelyn D. BreeSkin, director
of the Baltimore Museum of.
Art, will be guest speaker at
the National Gallery of Art
this afternoon at 4. Her
subject will be Mary Cassatt,
first famous American woman
painter, associated with the
French impressionists. Mrs.
Breeskin is author of a book
on her. as we'll as many articles
in art journals and other mag
aZineS.
Evening star., 1953-10-25

cent and stylized; Christopher
Woods haunting "HouSe by
the Sea" are characteristic ex-
amples of these artists works.
Others represented include
Matthew Smith, John Wells,
Keith Vaughan, Jacob Epstein,
T. S. Halle, Donald Fraser,
Jack Yeats and Louis lie Bro
guy.
Evening star., 1953-10-25
Art News
PenneII's Work
On View utG.W.
By Florence S. Berymon

More than 27 years ago, Jo-
seph Pennell, a great Ameri-
can artist. died at the age of
sc, and left everything he
possessed (excepting the life
interest Of his widow and a
bequeSt to a faithful servant)
to the United States, because,
he said, our Government was
encouraging art and artists,
and had encouraged him. His
money established the j. and
E. r. Pennell Fund in the Di-
vision of Prints of the Library
of Congress, and Washing
tonians are well acquainted
with the annual Pennell print
shows there, and the many
additions to the Pennell COL
lection.
More than 80 Of Pennell's
own superb etchings are on
view in the library of George
Washington U n ivers ty
(through next Saturday. on
loan from the collection of
Mrs. Richard E. Norton and
the late Mr.. Norton, Phila-
delphia banker. The Nortons
were friends of the Pencils
from the time in World War I
when Pennell was "in demand
for almost every war under
taking in which art could be
a factor"
Born in Philadelphia (1860
of Quaker ancestry, he studied
art there, became an illus
traitor at 21 Cat a time when
American illustration was en-
joying a golden age), travelled
extensively, lived for many
years in London, where he and
his wife, a gifted writer, were
members of the British capi-
tails brilliant circle of artists
and authors, including Whis-
tier, whose close friends the
Pencils became.
The whole of Europe and of
his own country was Joseph
Pennell's sketching ground.
In the current show, one can
follow him around New York,
Philadelphia, P 1t sburg h,
Washington, Chicago: along
picturesque routes in England,
France and Italy. Pennell'S
chief claim to fame as an art
ist, perhaps, was his attitude
toward industry. He was the
first to make its myriad aspects
subjects for the artist. New
York's famous skyline, the big
buildings and many wonders
of the industrial, mechanical
age which has produced our
titan cities, began to engage
his attention half a century
ago. Visitors to the exhibition
at George Washington Uni
versity will note that Pennell
saw the industrial age glori-
fed. His etchings appear
wholly contemporary and they
depict cities and buildings as
larger and nobler than the
originals seem to our jaded
eyes.
The university is also show
ing, for the first time. a por-
trait of George Washington
presented by Mrs. Norton.
The full-length portrait of
the Lansdowne type, 88 by
64 inches, was painted in the
early 18th century by Gilbert
Stuart and his daughter Jane
mostly, it would appear, by
her). 1t is now prominently
placed on the second floor
where temporary exhibitions
are shown. After this month.
it will be hung permanently
probably in the f1rst-f1oor
reading room
Evening star., 1953-10-25

series will deal with the inter-
relations of the several arts to
each other and to the thought
and institutions of the modern
age. Mr.. Rfchman will lecture
each Monday evening at 8
o'clock IN Roper studio. on the
American University campus
at Massachusetts, and Nebras-
ka avenues NV. Fees and
other information can be OBJ
tained by calling Woodley g.
$500, extension 33.
Tenth Anniversary
The Barnett Alden Gallery
was established 10 years ago
this month, at 127 Randolph
place NV. Last week it opened
an exhibition to celebrate this
decade of contribution to the
art life of Washington. Eight
cen paintings, all by Washing
ton artists, will be on view
through December and will be
opened to the public each
Sunday afternoon from 2 to
5. 1t will be reviewed here
later.
Evening star., 1953-10-25
Second Autumn Show

The Silver Spring Art GAL
lery, 9215 Flower avenue, will
open this afternoon at 4
o'clock it's second autumn ex-
hibition comprising group
show of paintings by six artists
and ceramics by George Beish-
lag. An informal talk in the
studio by Mr.. Prahasto, edu-
cational and cultural assist
ant of the Embassy of Indo-
nesia, will be Illustrated by a
color film of that country.
The exhibition will continue
to November 27.
Evening star., 1953-10-25
Silver Anniversary

The 25th exhibition of the
Washington Ship Model So
ciety is on view this month in
the Truxtun-Decatur Naval
Museum, 1910 H street NV,
the Society'S fourth annual
show there. More than so
models represent all types Of
naval vessels-sailing, steam
and diesel ships, also models
of historical significance. The
outstanding models completed
during 1858 are on view, along
with trophies awarded to
. them by the judge, M. L. Pc
terson, curator, Division of
Military and Naval History,
United States National Mu-
scum.
These miniature ships, each
a facsimile in small scale of
the original, delight the hearts
of landlubbers as we'll as sea-
farerS, to judge from the large
number of visitors to the show.
1t will be open to the public
today and Tuesday through
Friday from noon to five,
Saturday 1890 to 5, closed to-
morrow.
Artistry is combined with
mechanical skill in each of
these ensnaring models, which,
as collection, take visitors on
a cruise to our own times, to
the historic and romantic past,
and to other nations. When
one studies the native-made
models from all over the world,
including such remote spots
as Thailand, Australia, Africa,
Japan. China, Saudi-Arabia,
Greenland, etc. COLLECTED by
Mr.. and Mrs. John Eek dur
ing an eight-month trip, one
wonders why men, however
alien they may be to each
other, cannot live together in
more harmony when they
share the same interests and
enthuSiaSmS.
Evening star., 1953-10-25
Esthetics

A lecture-seminar series on
esthetics, to be conducted by
Robert Richman, poet, literary
editor of the New Republic
and director of the Institute
of Contemporary Arts, will
begin tomorrow evening at
the American University. The
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11

but to the fear of communism" he
said.
Bias in G McCarthyism, Lincoln
questioned whether any man in re-
cent times has done more to under
mine the American way of life" than
"the junior senator from Wisconsin. y
"Co-operation - applied politically
economically, and spiritually = can
unleash powers and talents and vir-
tues in mankind hitherto undreamed
of. We don't yet realize the strength
we have together"
Lincoln was one of % church, CO.
op, labor union, education, and gov
eminent leaders to get honorary de-
gress at the University.
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Bv LEE METCALF

Proponents of bills introduced in
Congress last session stressed the
value of the grazing industry to the
people of the various states and the
Importance of this great industry to
the. national economy. There is no
question but that the cattlemen and
sheepmen have contributed tremend-
ously both to the settlement of the
west but also to the stabilizaion of
is economy and to the business of the
communities of western states like
Montana.
However, in such discussions we Of
ten overlook the cash value of the
hunting and fishing of the west. We
talk about the recreational values, the
spiritual opportunities to get out of
the cities and back to nature, but we
frequently forget that this, too, is
big business and makes a direct con-
tribution to the economy of every
city and town.
Amy natural resource program
must take into consideration these
tangible values as we'll as the in
tangible ones. Unless we do con-
slider them our future hunting and
fishing is in danger from exploit
tation by other interests.
Today instead of talking about the
value of outdoor life to our country,
about the dividends it pays in main
tanning a traditional pioneer spirit
of freedom, stamina and love of coun-
try, am going to talk about the
cash dividends our opportunities for
outdoor living pay.
In an article published in sports
Afield" in 1947 the sportsmen's an
nual expenditures were estimated at
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
CRUSADE OF COOPERATION NEEDED TO MEET
CHALLENGE OF EVIL FORCES OF HUNGER

ANTAGONIST, N. S. -(CNS)-
Our crisis is moral, kept alive by the
evil forces of hunger, conflict, and
fear, Murray D. Lincoln, president
of the Cooperative League, told the
honors convocation at St. Francis
Xavier University here. And the free
world will meet the crisis only when
it goes about on a crusade to help
other people help themselves and
spread the benefits of freedom,
plenty, and cooperation"
Most people are hungrier than
they were before World War II, Lin
coin said. "Yet war continues to be
the only national project for which
people seem willing to spend unlimit-
ed money and make the supreme sac
rifice.
can entire nation has stopped
everything to fear communism. So
obsessed has America become that
she is in grave danger of losing her
way of ife-not to communism,
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Montana Electric Co-ops
Launch State Publication

DENVER, Colo. -(CNS)- MON
TANA RURAL ELECTRIC NEWS
is born, the 25th statewide newspa-
per owned by rural electric co-ops.
Says George Lackman of Billings,
president of Montana State Rural
Electric Co operative Association,
"The cause of rural identification
will not lack champion" Published
here, its editor is Virgil Corey, who
also d it's COLORADO RURAL
ELECTRIC NEWS.
Montana's 25 rural electric co-ops
have $4,000 members along 1890
miles of line, represent $31 million
investment, had 1913 million revenue
last year, and paid quarter million
in taxes.
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Mother of Anaconda Union
Leader Earns College
Diploma At State Normal

ANACONDA = An unusual news
story here involves the mother of a
prominent Mine-Mill member. Mrs.
Marie Mclean, a great-grandmother
was graduated from Western Mon
tana College of Education in Dillon
and received teaching diploma.
Present at the graduation ceremony
were Mrs. McLean's 10 children, 80
grandchildren, one great-grandchild
and other relatives.
One of the sons is Charles Nc.
Lean, Recording Secretary of Ana
conda Smeltermen's Union, Local 1T,
and chairman of the Montana Joint
Negotiating Committee of ACM To-
cals.-THE UNION.
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Growers Go for GTA Feeds

The early successes or the mill
proved it was needed in making good
formulated feeds and concentrates for
the community. Its growth from that
day to this has been remarkable. A
few growers at first came to get the
feeds and then the volume grew. Soon
it was learned poultry keepers and
stockmen won prizes at the fair on
birds and animals fed on GTA feeds.
Then more farmers and stockmen of
the area turned to GTA feeds to pro-
vide the nutrient, vitamin and min
eral requirements for their poultry,
range stock and other animals. Here
is how the program grew: In 1914,
PA tons of formulated feeds were
made at the GTA mill; in 1949, the
output was 7,1O4 tons and in 1852,
15,419 tons.
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Feed to Fit Their Needs

GTA feeds are not made by guess
work. GTA feeds come out of the
results of studies of government and
college specialists, the experiences of
poultry and livestock growers and
the know-how of capable employees,
says Ben Danforth in explaining the
development of feed program to fit
the needs of Montana feeders.
1t required considerable insight in
to the feed needs of Montana grow
The people's voice. [volume] (Helena, Mont.) 1939-1969, 1953-09-11
Continued from page one)


1t looked like job of starting from
scratch. 1t took a lot of scratching
A building was needed; SO were ware
housing, space, machinery and a site
A war was on; materials were scarce
and the priorities system was tough
A site was located along the GIN
Railway in west Great Falls. That
was easy.
A search for building material was
made of the country around. A grain
elevator standing idle at Rudyard
was torn down and moved to Great
Falls to provide bulk storage.
1t was necessary, says Mr.. Dan
forth, to have a structure to house
the equipment he was hoping to find.
Looking around he discovered in
Great Falls an old frame building
that once was a flour mill. Built in
the early days, it was landmark, but
it contained some surprisingly good
material. The mill was purchased at
a very nominal amount, moved to the
yard elevator. The structure became
the mill building proper for the
plant.
Finding material for warehouses
called for wide scouting. Near Bould-
er in an abandoned mine was found
some very good timber suitable for
heavy structural work. Out of that
mine came the warehouse to hold the
materials and finished products of
the mill.
Meanwhile it was realized you can't
have much of a feed-making business
without some machinery-mills, grind
ers, mixers, and so on. And this kind
of machinery wasn't being made in
those days. So a survey was made of
GTA property. That search brought
a pretty good haul in some equip
ment that was not being used. A
two-ton Link-Belt mixer was found
and overhauled for use. In addition,
the survey uncovered an attrition
mill for fine grinding and No. 6
Jacobson rs HIP hammermill. 1t was
necessary, however, to purchase a
used one-ton Burton mixer in fair
and some other equipment
to round out the basic machinery set
up for making feeds.
About $1,000 of coop money went
into this first mill. Since then it has
paid for its own expansion and pro-
vided funds to establish another mod
ern GTA feed mill in Billings.
This, then, was the start of the
GTA Feed Mill in Great Falls u
used machinery, rebuilt elevator, mill
and warehouses. The new plant was
soon turning out feeds for the live
stock and poultry in the region.