davidaulloa/AmericanStories huggingface dataset:
Arkansas State press. [volume] (Little Rock, Ark.) 1941-1959, 1953-10-02

E. M. Murphy More than 300
persons, attended the Open House,
given by the faculty and students
of B T Washington hi school,
honoring the occasion of Mrs.
Branch's retirement Many of
whom were out-of-town guests
from Newport and Little Rock
During the program, the facul-
ty and students of the school,
presented Mrs. Branch with a
handsome lounge chair of nylon
leather. Among many other gifts
for the honoree, was gold wrist
watch by Elgin, a gift of the
Jonesboro school board. Mrs. My.
ra Knox, was presented cor
sage OF pink carnations and {
piece of leather luggage in recog
milton for being the oldest teach,
err in Craighead county. Music for
the occasion was sponsored by
the high school club, Miss Lovel.
la Smothers and Mrs Willie NJ
See HONORED-page eight
Arkansas State press. [volume] (Little Rock, Ark.) 1941-1959, 1953-10-02

Sister Ollie Mormon, w. M. 80"
Sister La Venic Lotion, r. G.. M. 80
Arkansas State press. [volume] (Little Rock, Ark.) 1941-1959, 1953-10-02
PSC Choir Takes
Air For UNCF

The Philander Smith college
choir will be heard in concert
Sunday, as part Of the weekly
series of the United Negro Col
lege Fund broadcasts presented in
cooperation with the American
Broadcasting company. The pro
See CHOIR-page four
Arkansas State press. [volume] (Little Rock, Ark.) 1941-1959, 1953-10-02

Rev. j. Edward Tillman, promi-
nent minister of the st. Paul
AME church, Newport, was re-
Gently appointed chairman Of the
ministers group of the state for
h e Arkansas Conference Of
Branches of the National Asso-
citation for the Advancement of
Colored People.
Rev Tillman is soliciting the
aid Of all religious organizations
of the state to participate during
the week of November l 7.
which has been designated as
Freedom Week." by the State
Conference of Branches. This
state wide effort is to high
light the fight against segrega-
ton in support of the Fighting
Fund for Freedom"
Arkansas State press. [volume] (Little Rock, Ark.) 1941-1959, 1953-10-02

NAMED - Paul r. Williams,
Prominent architect of Los An
geles California, named by
President Eisenhower to the
Advisory Committee on Govern
nent Housing Policies and Pro-
EamS, will attend the first
meeting Of this committee Of
" housing experts representing
all elements Of the housing in
|oustry from every section Of
ne country this week. in
Washington D G. The Advis-
oy committee will advise the
PRESIDENT what role the federal
government should take in
meeting the nations housing
needs.
Evening star., 1953-10-04
Bacon Chooses Able Lane
As Successor to Rita
By james Bacon

studio had informed her I was
in Las Vegas.
Able and her husband,
Xavier Cugat, were appearing
at the nearby Last Frontier
Hotel. AS we dined later that
night I uncovered a few more
condolences.
The 20-year-old Able, like
Rita, is a Latin from Brook
lyn. Both have the same color
hair. That's a coincidence,
however, that comes from
bottle.
Both were discovered for the
movies while working for
Cugat. Rita, then known as
Margarita Cansino, was dane
ing in her fathers troupe in
a Cugat presentation at Aqua
Caliente when the late VIM
field Sheehan, boss at Fox.
spotted her.
lVerSal international
scouts saw Able singing with
Cugat's band when the new
Statler opened in Los Angeles
last year. So far, they have
put her in two pictures, wings
of the Hawk" and ride to
Diablo."
The studio is all hepped
about her and is looking for a
script like "Gilda" to give her
the sort of thing that made
Hayworth famous.
Able Lane. in person, COM
pares more than favorably with
Rita ia sex appeal. She also
has the same publicity knack.
She's 20. Rita is "a. Able
also got a cooperative hus-
band in Cugat.
II have worked hard all my
life," says the genial maestro.
Nov I may buy an expensive
car and devote the rest Of my
career to driving nay wife to
the studio"
Evening star., 1953-10-04
Todoy's Schedules
Stage.


ARENA-"A Phoenix Too Frequent" and "The Happy Jour-
ney' $3.50 pm.
SAM S. SHUBERT-Jose Greco: $3.50 pm.
Screen.
ABASSADOR"A Lion Is in the Streets: 1920 3:2O 5:25
7:25 and 935 pm.
CAPTTo1-'The Robe: 12 1925 4:55 7:25 and s:55 pm.
COLUMBIA-"Centemen Prefer Blonds: 12:35 230. 4:25
$40, 815 and 1905 pm.
DUPoNT-"The Moon Is Blue: L. s:lo $780, 7:so and
9:45 pm.
KE1TH's-"East of sumatra" 1:5O $780, $780, 1850 and
$50 pm.
LITTLE-I Believe in You": 1885, 3:35, 54o 7:45 and
$50 pm.
MacARTHUR-"T Tonight at $780,: 2:2o 4:15 61o sos and
10 pm.
METROPOLITAN Lion Is in the Streets: AS 3:45 5:45
7:45 and 945 pm
oNTARIo-"The Sea Around U.s.: 1:55 1855: 555, and
10 pm.
PALAcE-"1 the jury: 1:3O 1885, .745 and $50 pm
PLAYHOUSE-Ronan Holiday: 1:05 $40, 5:15 1928 and
9:35 pm.
PLAzA-'Times Gone By: 1, 2:5o 1885, $780, 500 and
1915 pm.
SILVER SPRING-"1 Believe in You': g f. g. and 10 pm.
TRANS-LUX-"From Here to Eternty' l, $40, $685. 740
and 9:55 pm.
Evening star., 1953-10-04

duce TV shows than New York.
Should McCleery ever again
plant a foot on Madison ave-
nue., the embattled headquar-
ters of Gotham's video indus
try, he surely will be convicted
of treason and permanently
exiled.
BY the same token, of course,
he always can seek asylum in
Hollywood, because we like
nothing better out here than to
be told that our town is becom-
ing the TV capital of the
world.
Gothom Provincial
Besides being enticed this
way by larger studios and tech
nically finer equipment facili-
ties, McCleery also prefers the
creative atmosphere in Holly
wood to that-of New York.
"You are closer to the grass
roots. The people in Kansas
have a better understanding of
the things which come out Of
Hollywood. New Yorkers are
less concerned with the rest of
the country" McCleery says.
This crack alone will seal his
fate East of the Hudson River.
In fact, if there is any of the
McCleery clan left in Manhat-
tan, I'd suggest they clear out
now. Otherwise they are bound
to suffer reprisals resulting
from Albert's tactless COM
ments.
He also levels an attack
against those who criticize TV
on the ground that there isn't
enough quality programming.
"This is a form of snobbery.
TV has brought more Shake
speare, concerts and ballet to
Evening star., 1953-10-04
Sophie, SO Years Star Today, Will Pause for Party

bills with all the big ones
Will Rogers, w. C.. Fields.
Eddie Cantor, AL Jolson, Jack
Benny, the Howard brothers,
Fanny Brice, Judy Garland,
Jimmy Durante, Bea Lille.
She was a headliner in the
time of Nora Bayes, Eva Tan
quay, Trixie Friganza and
Irene Bordoni. OF all the
women who did singles" in
those days. Sophie figures she's
the only one around and still
hourishing.
This is a big, crazy, Won
derful business" she said of
her profession. "a golden
business. But it's that way
only if you look on it as a
business. You got to keep
changing with the times.
Keep mixing 'em up"
One Long Encore
In the Tucker repertoire,
only one song is repeated every
performance. That's her sig
nature piece, Some of These
Days" Frequently, demand
from the floor makes her in
clude my Yiddisha Mama"
which Jack Yellen wrote for
her in 1924.
Except for these, she insists
on new songs every season. In
the old days she used to do
things like who Paid the
Rent for Mrs. Rip Van
Winkle?"
Right now she's working on
I'm the Sd Mama With a
Big Wide Open Screen" (for
which she'll pass out polaroid
glasses to the audience), I'm
Getting Older Every Day but
younger at Night and
There's No Business Like That
Certain Business, I mean That
Beautiful Business Called
Love-"
She'll break in those songs in
Providence, open at the Latin
Quarter in New York and then
hit the road again-Philadel-
phia, Miami, Chicago, Dallas,
New Orleans and other towns
in a nine month schedule Of
working four weeks and rest
ing every fifth.
In advance of every town.
she will mail out hundreds of
postcards to old friends. 1t
is her habit to ask about the
baby" extend ''congratula-
tions on Shirley's marriage"
and, incidentally, let her friends
know she's opening at a night
club there.
The friendships by now are
genuine, but originally they
began out of Sophie's shrewd
business sense. She was al
ways her own best promotion
manager and advance agent.
Evening star., 1953-10-04
Coming Attractions
Stage,

NATTONAL-The Solid Gold Cadillac" with Josephine Hull
starting tomorrow.
SAM S. SHUBERT-"Tine Out for Ginger" with Melvyn
Douglas, starting October IL.
ARENA-"The Bad Angel" a play by Joel Hammil.
Screen
Blowing Wild with Gary Cooper, starting
Thursday.
COLUMBIA-"Take the High Ground" with Richard Wild
mark.
DUPONT-"NIartn Luther" with Nal MacGinnis.
KEITHS-Au American with Tony Curtis starting We'd
nesday
MacARTHUR-NIan on the Run" with Derek Farr starting
Friday.
Observation-Disclosures Wild" with Gary Cooper, start
ing Friday
ONTARIO-"OK K. Nero" Italian film, starting Friday
PALACE-Mogambo" with Clark Gable starting Wednesday,
PLAZA-Little Boy Lost" with Bing Crosby.
SILVER SPRING-"The Beggar's OPERA" with Laurence
Olivier.
Evening star., 1953-10-04
HNII,vWOOD

HOLLY WOOD.
People in show business are
superstitiouS. I'm not. Time
alone will tell whether the fol-
lowing was prophetic omen
or just pure coincidence.
/ was chatting with Rita
HayWorth on the lawn outside
her suite at the Sands Hotel
the day before her wedding to
Dick Haynes. Rita was tell
ing me that she had put her
Beverly Hills home up for sale
and was moving into a rented
place at Greenwich, Conn.
Haynes work is mostly in
the East and her desire to be-
come a Connecticut housewife
was born, she said, of a hope
to make her fourth marriage
the last one. Her movie con-
tract has less than two years
to run and she plans to COM
mute to Hollywood once year
for picture making. After that
she's undecided about her
career.
Separate careers will not
keep us apart, I promise" she
said.
Movie queens in love often
have uttered similar state
ments only to wind up in the
divorce courts before the re-
porter could get to a type
writer.
But as she spoke, I mentally
nominated my own choice to
take her place. 1t takes some
fancy day dreaming to think
about some one else while talk
ing with Rita, but I had Able
Lane in mind.
At that moment, the hotel
public address system called
me to the phone. It was Able
Lane, whom / had never met
before, inviting me over to
have dinner with her. Her
Evening star., 1953-10-04
BY Saul Petit
NEW YORK.

NEW YORK.
At first glance, "the last of
the red-hot mammal" looked
considerably cooled off.
She wore a shapeless house
dress and stockings rolled
down at the ankles. Her girdle,
like her jewels and furs and
makeup, was mercifully off.
Her upswept hair was it's nat
ural white, not blond.
That's the way Sophie Tuck
er looked, relaxing at home be-
tween tours. But when she
talked, in her booming voice,
of plans for new routines,
new songs, new coast-to-coast-
tours, she still sounded "red
hot" Not in the sense of her
billing, but as dynamic per-
sonality always on the move.
At 66 and after so years in
show BUSINESSMAN anniversary
that will be celebrated with a
big testimonial dinner at the
Waldorf today-Sophie Tucker
still works hard in the present,
thinks of the future and slows
down only occasionally for
sentimental look at the past.
Unlike many troopers of her
vintage, this one is completely
realistic.
Lets face it, darling" she
said, not pausing to remove
the cigarette from her mouth.
TeleviSion is not for me. I
look too big, too fat, too ugly on
that screen"
Not for Video
"I'll never like it until I
can be Sophie Tucker. It was
that way in radio, too. You
can't do this. You can't do
that. I couldn't even say hell
or DAMN and nothing is more
expressive than the way I say
hell or damn
'I can't just preach or do
only nostalgia numbers. That's
not for me. I mix it up. I
give 'em the risque numbers,
too. Which is life. Which
means everything-a laugh"
Which means that the big,
braSsy, lovable institution
known as Tucker will remain
where it started-in restau-
rants and night clubs.
Sophie began so years ago
as a singing waitress in her
fathers. restaurant in Hart
ford, Conn. The songs went
free with the 25-cent gefullte
fish dinner. That started an
amazing career, which spanned
the days of singing in
Yathskellers, coon-shouting"
(blackface singingl in bur-
lesque, the great days of the
Evening star., 1953-10-04
Viewing TV
So M'CIeery Went West
Video Producer Chooses Hollywood as Best
Place to Create Shows, but Live Ones
BY HoI Humphrey

more people than Broadway
ever has," he states.
GAS for plays, there will be
some 400 seen on TV this sea-
son, compared to 100 produced
on Broadway" McCleery ems
phaSizes.
Living and working in Hol-
lywood is not likely to affect
his views on the ''live" versus
film controversy. however. He
believes that producing a live
show on TV always will be
cheaper than doing it on film.
McCleery does not see the
advantages in film. Sure, the
advocates of film argue that
it gives them more scope, but
when they attempt to get this
scope, the cost prohibits their
using it," he says.
"They decide to do a rain
sequence until they discover
that a rain machine and all
the rest of the paraphernalia
will cost them an extra
$4,000"
Those Boners
At this point I brought up q
very sensitive subject. What
about the boners which can't
be avoided in live production,
like the time the stagehand
sneaked across the stage In
your Hamlet show last year
with Maurice Evans?"
"Oh, yes. the pro-f1lm critics
crucified us for that one, but
no one else seemed to care.
Most viewers take into account
that people on a live show are
human and can make mis-
takes, and I believe they'd
rather have it that way" Nc.
Cleery replies. N
He believes the public ID
working up a resentment to-
ward both radio and TV shows
that are taped and filmed.
when Bing Crosby's fans read
in the newspapers that he 10
in Paris, yet hear his radio
show that same day, they
know it has been recorded and
his listener rating goes down. !,
I'm other words, they wish
the courtesy of Mr.. Crosby'S
presence. incidentally, he's on
CHS, isn't hep"
Eyes, he is," says I.
"Okeh, then you can quote
me-" says MICS McCleery. J..
Copyright, 1853. Mirror Enterprises
Syndicate, Los Angeles, Canf) {,
Evening star., 1953-10-04
The Passing Show
Came the Revolution
CinemuScope Makes Spectacular BowWith
The Robe in Capital as Elsewhere
By Joy Cormody

The movies, deposed in the
late '40s as the Nations most
popular entertainment, pulled
a coup d'tat of their own in
Washington the other day.
They introduced Cinema
Scope, the heaviest new weap-
on in their arsenal, and if it
did not restore the cinema to
its old throne, it inspired
enormous hope. With the ap-
pearance of "The Robe" at the
Capitol Theater, came vastly
encouraging evidence that the
public can be lured out of it's
apathy.
The goth Century-Fox pro-
.duction, first in CinemaScope,
was the same kind of SenSa-
ton here that it has been else
where. In terms of dollars,
which are the ones best-loved
in more places than movie the
aterS. THE Robe" gave prom
ise of doubling the record
weeks business of all time at
the largest theater in the city.
Line Came Bock
The Zine" was back for the
first show in years; customers
four abreast lined up for a
block. The Zine" has not been
completely lost in the long,
lean years, but it has been lin
tied to small houses showing
limited-appeal films to un-
shakably loyal customers.
"The Robe" is a spectacu-
lar, a picture made for uni
versal appeal, and the crowd
testified it was working in the
Nations Capital as elsewhere.
CinemaScope justifies the
curiosity which is the impulse
behind it's public impact. It
was not rushed to the market
place, eXpediently and in a
cheap and empty guise. MIL
lions and months, went into
''The Robes" preparation. It
is the work of major studio,
proud of it's reputation, and
col1ly conscious of the stakes
for which it is playing.
THE Robes" SIS million cost
is only small part of the to-
tai involved in the studios bet
that CinenaScope truly rep
resents the revolution in movie
making. The gamble, too,
that it will be at least one of
the dominant new processes of
the future.
1.-The Robe" had to be a SEN
sation. 1t is, pictorially.
It's the Process
This, confirmed by sober sec
ond thought, is due more to
the spectacular process by
which it is made than the dra-
matte material of which it is
made.
1t is the process, not the
conventional story it tells, that
is the sensational aspect of
"The Robe" On the screen
that shows it, the moviegoer
is instantly aware that he is
seeing something revolution
ary. It is not merely a gil
gantic picture, but a dazzling
one, with a depth effect that
is visible without the use of
special Spectacles.
CinemaScope makes a movie
different not merely from con-
Evening star., 1953-10-04

Editors note: This is the
big day OF Sophie fuckers
Hte-her 5Oth anniversary in
ShoU business. But she's still
full of bounce, and it's fair
bet that you haUen't get seen
the last of the "laSt of the red
hot m1n1aS.")
Evening star., 1953-10-04

ventiona1 films of the past but
of those of rival media, the
best known of which is called
"television." Sensible movie
makers are under no illusion
that the new process will take
their wares out of competition
with television. What comfort
they find in the pictorial splen-
dor of "The Robe" is that this
competition no longer will be
merely with a product of diff
ferent size. Henceforth, when
they ask for a share of the
entertainment seekers time
and money, they will h ave
something special to offer.
A Big Question
For all it's obvious fascina-
ton, however, CinemaScope
, Gin time, that IS" will have to
come down in size) is not be-
yond a reasonable cavil in the
instance of it's first production.
Lloyd C. Douglas wrote a
truly big story in '"The Robe"
but the adaptation of his surg
ing narrative of Christianity's
birth is not quite proportionate
to the dazzling medium in
which it is visualized. The
size and splendor of the frame
in which the characters per-
form has a tendency to dwarf
all save their most heroic be-
haviour.
RescoIine Needed
When they are concerned
with little things, lovers meet
ngS and children's play, they
represent life out of focus
at least until the public has
a chance to scale its vision up
ward. This, of course, it may
do, bringing within the range
of the new medium the full
array of non-spectacular story
material with which the movies
always have dealt.
A purely conventional pic
ture in two dimensions which
opened here the day before
CinemaScope raises the ques-
ton what would it be like in
larger scale.
ChormineIy Small
This one is Roman Holi-
day." the lovely old fable of
the wayward princess beauti-
fully revitalized by Audrey
Hepburn's performance. There
is nothing at all spectacular
about it, if one overlooks it's
popularity. It is a cozy and
charming fable about an en-
chanting girl who wanders off
the royal reservation to play
for a single day with a sophis-
ticated newspaper reporter.
It does not need single
thing to make it better than
it is, not even CinemaScope.
What it does is simply to tell
an irresistible story that might
indeed be lost in a medium
even slightly more majestic
than I'D.
But this sort of speculation
at this point in CinemaScope's
career is idle. 1t represents the
long-awaited revolution in
movie-making. Where it will
lead, no one knows, but a lot
of people have a destination
for which they have high
hopes.
Evening star., 1953-10-04

Wide World Photos.
and out.
clubs and restaurants, still at
several thousand dollars a
week.
In her time, Soph has played
Evening star., 1953-10-04
Viewing TV
HOLLYWOOD

Albert McCleery, producer
director of NBC-TV's Hall of
Fame" live drama series, Is
either the most courageous
man in TV or just plain fool
hardy.
This aggressive little Scotch
Irishman not only has moved
himself and his show here from
New York, but already is
burning his bridges behind
him.
He actually says that Holly
wood is a better place to pro-
Evening star., 1953-10-04

Harry Macarthur, The Stor's tele-
vision editor, is on vacation. His
column will resume on his return.
Evening star., 1953-10-11
APTs. UNFURNIsHED-D. c.

032 RITTENHOUSE ST. NV and
to !$77.60 mo. See caretaker in Apt.
4 70 Inspect Or call WASHINGTON
. HOUSiNG CORP. MA. SASS. 10
0aO aOt,4A 4tA I,{ sT Nd MdW1l,rm 5,ts 6 sdeieney sH
se. 5enitresssn sssn in aDs Sss;Sp Of esil #
W1AssHITNSqToN w HOUSING CORP.
IL. HEEAs.0 Es0; nr. p. ave. brideoIone
hodIm.. Nv. Hm.. KIT. and bath: avail.
;na%'"d. INN ~, st $3.50 per mo- utiis.
1905 SsTd e. b. as 81, Id. ni Se4bzi. zEEi @ili
m. fit... dinette and bath, S62.. 30 10
GoNNEE; M: 7-s21e: 10
C0NN. AV8: APT. HOUSE. bedrm.,
s:S asS TsI., .I.z:,ol! g. .Ss :Ss'ti
S msnassr, sss,1iSc H6. SosS74.i SossSS7 location can
81oS YAENUM ST. N.E.-Near Cath.
ole o.: beaut. 2 rms. kit. and bath
SnsiY S7e;60: A Key IN Apt; ! or 32;
THREE ROOMS. kit. and pvt. bath;
$65 mo. Key at cleaners. 700 CO.
NJ Mm1lS nIx "a nv. TA; 9-4a993; Ill
ft. Iii dn disposai: GsSa@S' Closets 1s sm esp6 Sas
sures; busline. shops. theaters. Boil
ling Andrews. 10. 2-5541. EN-.
on ASD TWO BEDRM. APIS, from
$46.32 to S7S. .45; convenient neigh
borhood. See tanitor. 1880 Belmont
III CRESCENT. sso1 Conn.
rm., 1890; lge. dressing rm. and
bath. plenty closet space; afr cond:
sEs: sSs 1s5I NOR + EM. $500; ,,',.. IL
rms, kit, and bath. S66. Adults
ss I Of. NV. End n.-rhree large
q Z: La IxiiIESosEsaR. ESssa GSE'H 81 7-7sfs. sHs "a. "a
on CS7EOsii xND TWO BEDROOMS hll in ....
area, consress Heights. GEO. s.
kssiser.. kSS Z. Gu. 2S z:sSoi. El'n0i' ave- Sc
11OO z ST. N,E.-Two rms, kit.
sysai svssss, inn.d: LiNk1Ns CO. p.
rWS IBEDRAas., rv. rm., dinette, kit,
bath. large screened porch, laund.
facils.; no small children or pets.
.dss1 1871 KaNsna saysn1af aJa p Nwo1. Sc; Ia
I'M Ym., h1Nfns ~. fm', kit kit. rs bath. poreh: peg
G GALVESTON PL.-One bedrm., "a
IT.. liv. rm.; nr. expr.. bus: $40, incl.
SEAE qt;ls RA caPfSSl. aPiHsG 'ftsI Atlantic
Liv. rm., bedrm., kitchen, din: no
pets: utils. not included: couple:
refs: S62.50. 10. 3-6SS9.
425 D 81. S.E.-Two rooms, kitchen,
bath: rent. $50 80. including heat
and hot water. See janitor on prem
ises. b. r. SAUL CO., 926 18th st.
NV, MA. S-2100. Ill
Evening star., 1953-10-11
APTs. FURNIsHED-VA.

ALEXANDRIA AREA bedrms.,
bath, pvt. entr.; utils. incl. Pets
46OS LEE HWY, AIRING bed
rm., liv. rm. and kit. apt, maple
tufn., custom slip covers, twin beds;
"a block shopping and bus; 500 mo-:
avail Nov. 1. ia. 2-6733. Ill
lady. in home. Six lge. rms, elec.
range. Frigidaire, deep freeze. TV.
separate bedrm. JA. 2-2377. Ill
ARL.-Attrac., completely furn.. 9
bedrnls., liv. rm., din. rm.. kit. and
bath. pvt. entr.: conv. to Pentagon.
Arl Hail: or 4 adults; no pets.
N. ARL.-Two rms. kit. bath; pvt.
home; Ice. grounds; direct bus: un-
limited phone. KE. s-471S. Ill
ARL.-Furn. enc. in apt. bldg: COW.
to bus and business section. Phone
ARL.-smail apt. or 2 empl. per
400 18Th ST. SO.-Liv. rm.. bedrm..
kit.s pvt. bath; conv. Pentagon; 500.
incl utils: IA. S-4694.
ARLINGTON, N.-2 rms. and pvt.
bath: sunny: well furnished; light
AhExsNSpRFSs AnhpESxssstsepins S4sdsosf IA ss2s4i 4Ht. At
.esi.,.. tractivs -, bright, iuEn. apt; for r 2
1n1iH e1enn11iieHpen' Temperate drinkers OF
NV. sEC.-2 lss. rms. equip. kit,
pvt. bath. foyer. ample closet space,
newly furn., all utils. incl. conv.
transp. and shopping. Empl. couple
or girls. RIA. 3-4720.