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Evening star., 1952-02-28
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Evening star., 1952-02-28
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Evening star., 1952-02-28
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Evening star., 1952-09-21
Quebec Is Happy as a Hitchcock Stage
City Delighted to Lend Its Churches Public Buildings and
Its Citizens Background for Actors in FiIm I Confess
QUEBEC.

Among its other enchant-
ments, Quebec is a terrific movie
set. Its majestically terraced
hills, its Roman Catholic
churches and it's provincial pub
lie buildings are precisely the
right atmosphere for an Alfred
Hitchcock picture.
Because they are fantastically
beyond duplication by the most
artful Hollywood dsigners-not
to mention the budget Of any
film studio-this is precisely the
use to which they are being put.
Both Quebec and Hitchcock are
happy with the arrangement.
Each is f1attered by the others
attention. The relations between
them are such, indeed, that they
might constitute a key cell in the
growth Of the brotherhood Of
man. .
Cost Is Stor-Studded
Undoubtedly, beyond the orbit
of this rowing correspondent.
the normal life Of this history
encrusted capital is going on as
usual. In the vicinity Of the
Chateau Frontenac where this
Is being written. Quebec is a
sprawling movie set on which
Montgomery Cliff, Anne Baxter.
Brian Aherne and q huge cast
are acting out II Confess"
For this purpose, they not
only have restricted use Of the
city's public and church facili-
ties. but Of its public officials
and members Of the French
Catholic clergy. From both Of
the latter groups. Hitchcock has
recruited scores Of actors. They
are proving very. good actors.
capable Of smuggling instantly
and comfortably into the COM
pany Of Hitchcock's gifted and
experienced professionals.
It is a civic and provincial
duty these amateurs owe to
Quebec. and they carry 1t OF
with confidence and pride.
A Frustroted Pair
An incidentally interesting
facet Of Hitchcock's local cast
ing Of "I Confess" is that two
of its key amateurs will not be
allowed to see the picture.
These are two youngsters whose
roles in the Aim are to provide
Identification Of the suspected
murderer in the plot. They have
done the job well. but they will
have to take the word of their
elders for that. Why? Because
Quebec is the province which
has the quaint law that children
under Is may not attend mo-
tion picture theaters, even In
the company Of adults.
They win have to wait until
1855 to see what very well may
be their first and last perform
ances in a movie.
The law. incidentally. is not
based upon Quebec's religious
Evening star., 1952-09-21
Coming Attractions

Stage
ARENA sTAGE-Desire Under the Ems" by Eugene Orel.
starting October z.
NEUTRALITY-SUSPICIOUS." by Mary Chase starting October
SHUBERTDial for Murder with Maurice Evans starting
October 49,
Screen.
AA1BASSADOR-"The Crimson Pirate" with Burt Lancaster
starting Thursday
cAPTTOLMy wfes Best Friend" with Anne Baxter starting
Thursday.
coLUMBIA-"Iand Of Desire" with Linda Darnel starting
Friday.
DUPONT-Cry Beloved Country" with Canada start
ing Wednesday.
KETTHs-"one Minute to zero" with Robert A1itchum
METROPOLITAN.Outlaw Women" with Marie Windsor and
Stolen Face with Lzabeth Scott starting Thursday
ONTARIO-Park Row. with Gene starting Wednesday
PALACE-'Dreamboat.n = with Ginger Rogers.
PLAYHOUSE-"Tales Of Hoffman" with MORA Shearer.
PLAZA-"Adss Julie" with Anna Bjork.
WARNER-The crimson Pirate with Bt Lancaster starting
Thursday.
Evening star., 1952-09-21
Setting Extrovogont
Todoy's Schedules
Screen.

Screen
"Assgnment-Paris": 1905 3:1S 5:25 730
and 9:45 pm.
CAPTToLIsland Of Desire: 1:45 43o, and 10 pm
Stage: $685. Gao and sos pm
COLUMBIA-The Merry widow: 1:10, 3:20 $50,
$50 pm.
DUPoNT-"song Bernadette" l. s:45 $3.50 and s:2o pm
KEITHS-"The Big Sky" 1:10 $40. $685. 745 and 10 pm.
LTTILE-Iast Holiday los. 250. 435. 625, $40 and 955
METRoPoLTTAN"Woman North Country: 1:4o 3:4o
$40. TAO and 9:40 pm.
oNTAR1o-yory Hunter" 1:25 1885, 545 7:45 $50 pm
PAIACE-"Iyanhoe" l, $40. $40, 1880 and s:5s pm.
PIXThe Wake Of the Red Witch: 2:50 $50 $50 pm.
PLAYHoUsE-Hgh Treason: 2:45. 4:35 s:25 $40 and
1910 pm.
PIzAirace in Milan: l. 75o. 4:4o $685. $50 and 1920
kesSts
TRANsLUx-" -"carrs": 40, SIS s:as 7:as and s:ss pm
Evening star., 1952-09-21

eyes, there was a time when 7
wanted to be a Hamomlet-
there I 60 again!" exclaimed
Phil Silvers, interrupting him.
self. always the funny guy!
Why not Hamlet sonorously
and with all proper dignity?
Well. because it's me. the comic.
!. Oh. sure. not content with
natural funmaking, such as it
was. I wanted TO- bite the
scenery. stick swords into fellow
actors and mouth and growl and
strut like Henry Irving. all in
doublet and tights and I got
legs for them, If I do say it.
But that's ALL. just the legs. Yes.
I'm comic--and I hope you
think so. Anyway, tragedy is q
dream long gone and what I
am so I do, take it or leave It,"
Seated backstage in his dress
ing room at the Winter Garden,
Phil thus gave his philosophy
Of life as an entertainer. As a
matter Of fact. out Of all he said
as he prepared to wind UP his
final weeks on Broadway in
"Top Banana prior to a
country wide tour, q certain
nostalgia emerged - the six
years he spent in burlesque
theaters. most Of them at Min
sky's on West And street.
"It was the hard way. bur-
lesque," he said. You had to
be funny. although you knew
nobody in front cared whether
you were or not. They were
there to see the girlies and you
knew it. So you had to catch
them when the gals were on the
stage to get laugh. But when
the break came. thanks to bur-
ley. / was ready Tor 1t. For
tunately. In Banana I got a
lot Of boys with me. as well as
girls, so the laughs come. They
come, I guess. mainly because
Of that stooge I got, that
straight man. Joey Faye and the
rest Of the Straights. Which
makes me think: Never sell q
straight man short. He has to
be q comedian himself. quiet. but
all there. The audience has to
feel he Is there and yet not be
conscious Of him. Unless he is
clever. unless he gets all the
proper infections and gestures.
he can kill q comics laugh as
though he had q gum
Leaving the Ship
Among the long, time tenants
Of the historic Empire Theater,
destined 10 be razed soon. are
10 Mielziners the eminent stage
designer. and Dick Nancy. elo-
Evening star., 1952-09-21
Phil SiIvers at Least
Had Legs for Hamlet
By Lawrence Perry

quent evangel Of dramatic enter
prise. We hate to think Of the
demolition of Mielziner's studio
with all its models Of shows past
and shows to come, all the para
phernalia Of dramatic embel-
lishment and as for Nancy, will
words ever flow as copiously and
colorfully from some other en-
vironment?
Old College Tie
Since the Democratic candi-
date for President, Adlai e.
Stevenson, is a Princeton gradu-
ate, we dropped into the Prince
ton Club bar here the other
evening to see how the old grads
were whooping 1t up. for their
fellow alumnus. But not a
whoop. Why? It didn't take long
to get the answer, to wit:
"Adlai sent his three sons to
Harvard" growled an alumnus.
A Citizen
'You cannot by any possible
ity know what it means to have
been q displaced refugee" says
Lisa Ferraday, currently star
in MGM's Merry Widow"
"and then come into possession
Of q document showing you to
be q citizen of the United
States. Do you know what that.
means? I do. anyway. Why.
I lie awake thinking OF 48 SOW
ereign States behind me. pro-
tecting me and q general Gov
ernment to help them II neces-
sary. No. you can't possibly
know what it means. But. as I
have said. I do"
Lisa, by the way. was born
Lisa DeMezey. q baroness In the
small principality Of Transyl-.
vania. heiress to an ancestral
estate Of 1000 acres and D cas-
tie. Came the war, all her FAM
lily estates were conf1scated by
the Russians. Lisa was ar
rested because Of her activity
in the international Red Cross
and later with the OSS. Eyen-
tualiy released from prison,
thanks to the American Mission
in Bucharest. she fled from
Rumania and finally arrived in
Italy. where Col. E. L. Kincaid.
U. s. A., rescued her from fur
ther travail. Soon after arrival
here the Kincaids were divorced
and her career as an actress
came when as q Conover model.
d movie talent scout saw her
and invited her to Hollywood
where. under the changed name
of Ferraday. she since has been
following . distinguished aim
career.
tNslsased by MAltAD
Evening star., 1952-09-21
Studio One Faces q Fifth Season
Donald Davis, Its New Producer Has Enthusiastic Plans
For Noteworthy TeIevision Drama Program
tn

it. would have williams play
ing Dickens while "A Tale Of
Two Cities" would be staged by
using new production techniques.
rear-screen projection. etc. It
would not be SO much a drama
tization of "a Tale of Two
Cities" as an enactment as
Dickens imagined it. This may
be great deal clearer in Mr..
Davis mind than it is here.
but it does sound like something
televiewers might well antici-
pate.
PIoy's Not the Thing
Another project Mr.. Davis has
his eye on is a teleplay based
on John ("Berkeley Square")
Balderston's Goddess and
God" Recently published in
England as a novel, it tells the
story Of Caesar and Cleopatra
"from a new angle" and Is
beautifully written"
A televised Romeo and
Juliet" also is a Studio One"
possibility for the coming sea-
son, Mr.. Davis said. but only
when and If he gets the right
girl. In the case Of Romeo and
Juliet" on television. Mr.. Davis
does not agree that the plays
the thing. He sees 1t. in fact.
"only as a vehicle for an actor
and actress"
Such varied authors as Pearl
Buck, Ludwig Bemelmans.
Honore de Balzac, John Van
Druten and w. r. Burnett get
into the conversation when Mr..
Davis is discussing the coming
Studio One" season. There will
be. it appears, q number Of
adaptations Of stories which
have appeared previously in
other form.
Novelties. Mr.. Davis disclosed.
adapt better than anything else
to the hour-long TV drama.
They have the perfect length.
perfect content and perfect
form" for this particular pur-
pose.
This reliance on adaptations
seems to indicate that Studio
One" is in need Of new writer's
as badly as the rest Of televi-
sion. Mr.. Davis admits that this
is true and confesses that he
would welcome any talented
new TV author. At the same
time he reveals that the, flood
Of would-be authors became so
great that CHS "closed down
and stopped reading free-lance
scripts"
Mr.. Davis got away before he
could be asked how you find
new authors without reading
new authors work.
Evening star., 1952-09-21

90 ana lGS carloads OF equip
ment leave here some time next
week. 80 to 80 per cent Of the
production will be on film.
Location shooting seldom
leaves such a small segment of
q production to be finished
back at the studio. Neverthe-
less. II Confess" Is a Quebec
story and Hitchcock will take
it away from here with no
holes in the authenticity Of it's
setting and flavor.
II Confess" a dramatic story
that has been gnawing at Hitch
cock for years, is full of deli
cacies that could be treacherous.
The key element in it's drama
involves the sancitity of the
confessional, makes it possible
for the young priest to be ac-
cused of the crime because
he cannot disclose the identity
of the parishoner who has con-
fessed it to him.
The whole sharp dramatic
flavor Of the screen play is
capsuled in this situation. It
obviously requires extremely
adroit handling. No one knows
that better than Hitchcock.
Clergy Generous
It Is part Of his delight in
shooting the picture here that
he has had not only the tech
nical advice. but the fullest CO.
operation Of the reputedly con-
servative French clergy Of this
90 per cent French province.
The diocesan authorities not
only have provided him with
expert advisers. but even actors.
Some Of these are from the
Universite Laval. which has just
celebrated its centennial day.
One of the vital sequences Of
II Confess" is that which shows
the ordination of Actor Cliff,
the films key figure. as a priest.
This is an elaborate ceremonial.
reproduced in its exact detail
for Hitchcock, by go clericals or
students from the university.
It was this scene, by the way,
which provided the crew Of the
film with one Of the best anec-
dotes 1t will take away from
Quebec. Hitchcock. a former
choir boy. was being extremely
careful to see that the church
was prepared to serve as a movie
set instead Of performing in its
usual function.
No Director Needed
"You will be sure, father" he
told the curate, Ito remove the
host"
II did that three days ago."
the curate treasured him with
q serene smile.
In q few days Quebec will
return to its normal pursuits to
await the release Of the picture
some months hence. In the
normal course Of events. it might
very well be the scene Of the
world premiere OF II Confess"
later.
When and IL this happens. no
flavor of Quebec's quaintness will
keep it from turning out to .
man and woman (but no child)
to see itself on the screen. And
to see such Of its prominent
citizens as Godfrey Schneider. q
prominent criminal lawyer as
the judge in the screenplay:
Raymond Maher, the crowns
prosecutor as the defense at
torney; Laurent Gervais, as fore
man Of the jury. and Roland
Belanger, local radio an
nouncer. as the pathologist.
Quebec can also see Carmen
Gingras and Renee Hudon and
tell them how they were" In
the picture. These are the two
who play the children, but are
too young to 30 to the m6vies in
Quebec.
Evening star., 1952-09-21
By Harry Macarthur

PREMIERE-Grace Kelly and
Dick ForGn play tvo OF the
leading roles in "The KILL"
the drama tohich starts the
ne,O season for "Studio ON" "
tomorrow night at 10 on CBS-
TV.
centers around Emlyn Williams.
whose one-man-show imperson-
alton of Charles Dickens was q
New York success last season.
When Mr.. Williams returns
here from England in December.
MIR. Davis has plans to employ
him in something Of q new
technique in storytelling for
TV and also q helluva good
show"
This. as Mr.. Davis explains
Evening star., 1952-09-21

son will start officially tomor-
row night. These are the
viewers who feel that television
is at its best In the one-hour
dramas and that television
drama is at its best on Studio
One" And tomorrow is the
night when Studio One" starts
its figth season on CBS-TV.
It will be a first full season
for the shows new producer,
Donald Davis, who took over the
reins during the last fiscal year,
when Worthington Miner moved
over to NBC. Mr.. Davis. who is
half Of a producing team with
his wife, Dorothy Mathews,
naturally Is full of enthusiastic
plans.
He was talking about some
of them the other afternoon on
a round-robin telephone inter-
view. These telephone inter-
views often take on an unreal
aspect and have a tendency to
charge of on tangents. but Mr..
Davis did get several things read
into the record.
One Is that you don't need to
expect any drastic change in
Studio One," 1952-53 model.
Mr.. Davis hopes to keep the
general production quality on
q par with the high standards
previously set. possibly empha-
sizing "a couple Of all-out efforts
on what we hope will be i'm
portant shows"
A Reoi Difference
More significant than any
thing else, perhaps. were the
producers comments on filmed
TV drama. The hour-long
dramatic shows, as you must
have noticed. have held out
firmly on this score. Examples
Of every other type Of television
show have turned up in Aim
form, but not the hour-long
dramas.
Studio One" never will. as
long as Mr.. Davis has anything
to say about it. He feels strongly
on the point.
There Is. he points out. IAN
Intangible but very real differ
ence between live and canned
television" and audiences are
well aware Of it. There is another
factor which may not have oc-
CURED to you. but which does
occur to a producer Of TV
drama. In live television, IAN
actor can give you something
approximating his performance
in q theater." In other words, he
can build up a character as the
drama progresses. which he
can't do in q movie, whether it
is made to be shown in q thea
ter or on television.
There are indications that Mr..
Davis may have been subjected
to some pressures in this matter
of filming T'V shows. There Is
an intimation, at least. Of q
difference Of opinion somewhere,
in his confident summation:
.tWe'lI prove our point in q year
or two" But his confidence Is
reassuring.
Fitzgerald Sought
Mr.. Davis plans TO have
Studio One" continue as In the
past to concentrate On character
rather than plot. He has come
up with q number Of intriguing
ideas which promise diverting
Monday evenings, even II only
fair percentage Of his dreams
become reality.
One Of these thoughts Mr..
Davis had was that 1t. would
be . flne idea to star Barry
Fitzgerald In Q drama derived
from Guy Kilpatric's Mister
Glencannon" stories. It seems
like . great idea at this time
and makes November something
to be anticipated.
Another Studio ones project
Evening star., 1952-09-21

concern for protecting the NOR
ais Of the young. It is the result
Of q theater fire Of some years
ago in which several children's
lives were lost.
That II Confess should in
tensify Quebec's sense Of its
uniQueness is not surprising.
Congratulate Hitchcock, it's pro-
ducer and director. upon his
exquisite taste in backgrounds
and he will tell you with dis
arming honesty, "This is the
only place I could locate. and
shoot. the picture"
Why?
Because this is implicit in the
point upon which the whols
plot turns. This Is a murder.
the killing Of a prominent law
yer, which is finally laid upon
a young Catholic priest. The
Identification which leads to his
arrest and accusation is that
the killer wore q caSsock.
'The full length cassock is
worn only by the priests Of
Quebec Of all those in the
Northern Hemisphere on this
continent" Hitchcock explains.
"This left me with little choice
Of the film's background though
heaven knows I could not have
found such an ideal one any
where else had I not been so
limited"
Setting Exfrovogont
Having converted Quebec into
an extravagantly dramatic and
lovely movie set. Hitchcock is
making incredibly good use Of
it-quantitatively for certain.
qualitatively almost as surely.
Qualitatiyely. Of course, no one
really knows until he sees the
picture but Hitchcock is q pro-
ducer-director whose taste Is
notoriouSly trustworthy.
East Cleveland leader. [volume] (East Cleveland, Ohio) 1942-1970, 1952-09-04
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