davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
HoroWitz Recital
To Be Last One
Here in Two Years

Vladimir Horowitz will play his
last piano recital for two years
in Constitution Hall Tuesday
night at $50. Public demand,
as well as a personal desire, in
f1uenced his decision to leave for
Europe Immediately following the
current tour. He expects to re-
main in Europe until next Feb
ruary or March. and then to play
a limited number of engagements
in the Southwest on his return to
California. He viii not come East
until the 1923 season.
Except for a period of three
years in the late '30s, Horowitz
has been one of the chief attrac-
lions in America. He does not
accept more than 40 dates a sea-
son, believing that too many per-
formances take off the enthusiasm
he experiences during each con-
cert. During the war he helped
to raise millions of dollars in
war bonds by giving concerts, in
GLIDING those in Carnegie Hall
with Arturo Toscanini.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
TODAY.
BUCKNELL

BUCKNELL UNIVERSITY CHAPEL
Si4ss+ar. W MnIsna, D. MeRaei T.:
Tschaikowsky's Praise Ye the Name
bic Hymn" Mozarts Ave verum."
P atapsn Iu nfaatifp Her sa GSis
my Tawd. what a Morning; "set
re Mountain" lie. Is Break Bread
ton Academy Of Music. Arlington,
4p;m. Bach's "Preambule''; Beetho.
ysn's Thirty Two Variations.
kino 1si,, Mos sns,,. "EEondoi 2 Major.
= Flat, op.so. No. o.; beSussy's
pour une Infante defunte," Jeux
'Fandango Brasileiro." Turina's
''Sacro-Monte."
ROBERT RUCKMAN, organist; MARY
M4argaret's Church: pm. Baehs
d the Deep s1s9s crS M 8s2Fe.s' G I'M.
With WI, G SEQ. Allegro cantabile;"
!T Fina,e Wid9 }rsrn Fifth Symphony";;
symphony ron Mr. M Raesmsn; Ment
81 HIS Own, Homers sheep and
3 Minor s Mass PEI rs efam ssf9s
Prayer" Miss Midyette. O'>'
SHILOH YOUNG PEOPLES CHOIR,
Timothy H., Ward. jr.. director; the
church; 400 pm. Rogers THE
te no Joint RECITAL; Barker Han,
& ei% SsS ssessss !e ess alshs
BRAHMS !sr Ms. Der schmied:" Mrs: Faust;
Romeo ' and 9v Juliet lrSm GGeReas
made" SPEAKS ,MoTnins. Loves
Dream" Mr. and MIS- ssft Faust; " RE-
..Tosca,"' Dunhilrs The cloths Of
Heaven" Buzzi-Peccia's 'Mattinata,"
Mr.. Faust.
Quartet, 6 Minor. K.47s"; Bee
thoven's Stirring Quartet, E fiat Ma
6 5or op'74r a. Seh ;ur Piano
GEORGE Y. WILSON, organ recital.
schroeder's Three Little Preludes."
Bach's Lord Jesus Christ. With Us
Abide; 1T Thou but Suffer God to
Guide Gu. e Thee" % Whittier Shall ALL, !
cases case 'n' PASTORAL : pIs "cspriccio u
Elegia," from Crandell's Suite for
Organ; LISTS Introduction and
i Fugue on 'Ad nos. ad salutarem
LEWIS ATWATER, organ recital. ALL
Souls Unitarian Church, pm.
Baroque VS.. Romantic Registration.
BEATRICE PINKEY JONES, lecture re-
cital, Pierce Hall, 500 pm. Ed
ward Mcdowell"
MARIANA sARRICA. piano recital.
west garden court. National Gallery
Joy of Mans Desiring" italian
Concerto" Chopin's "Nocturne, D
nat 1s Major; "Etudes' e Minor pa;,. no
lie piano" BARRIERS Excursions"
Iiapounow's 'Lesghinka."
TOMORROW.
FRIDAY MORNING MUSIC CLUB, stu
dent members recital; Ruth Ben
Angela Dondero, pianists; Mary Ag-
mes Kennedy, mezzo- soprano; Blythe
Thompson. futist; Patricia Peter
son, soprano; Arts Club, S:15 pm.
HELEN LAIRD. soprano, song recital,
Phillips Gallery, $50 pm. Handels
..Ritorna, o Caro-" Monteverde's
ais Il Sole d R0rEs sf sTahms
"Nicht mehr zu dir zu eehen,"
p nsr R a,sIs LIST s sfnsn Na MsE1
Eros; schubarts -Four Love SONGS
Yxsa e sons e'iEs LII. D1 MPsF I.
Hudson" Harnly's Il Had a Dove"
Bowles "Once q Lady Was Here"
Sibelius' BLACK Rosess'
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
By Alexander J. Wedderburn
cvrofor Of Photography
The Smithsonian Institution

locales at different hours and take
advantage of this information
when you get ready to shoot. Since
your best chance will come just
before and during animal feeding
time, you should make it a point
to know just where to post your
self with regard to lighting. In
door lightings will be more or less
the same all day but an hour or
two on the outside may make all
the difference between an indif-
ferent shot and one that will rate
among the best.
Circumstances may force you to
use a straight front lighting. Such
an instance might arise If you
wanted to get a shot of a bear
with her cub and the family de-
cided to remain in or close to a
crevice in a rock formation. A
situation like this would make it
virtually impossible to use a cross
or back lighting and you would
have to wait until the sun moved
around to a point where the SUBJ
jects were fully illuminated.
With many animals a cross
lighting will very effectively bring
cut the texture of the fur and
should be utilized whenever pos
sible. Backlightings, as well as
being dramatic, are also useful
when you wish to minimize the
Importance of the background.
Keep the Bars Out.
Speaking of backgrounds, we
cannot too strognly urge that you
keep bars out of the picture when
ever possible. In the first place
the effect of all these parallel
lines will be to draw attention to
themselves and away from your
subject. To make matters worse,
the bars OF the cage only serve to
slice your composition up into
many layers which violates one Of
the basic rules of photography
In recent years a great many
ZOOS have tried to get away from
the bars as far as possible and
have the animals confined in pits
or areas made inaccessible to the
outside world by deep bitches or
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
News of Music
Stokowski Emissions National Symphony
As Worldwide Instrument of Good viii
By Alice Eyersmon

Leopold Stokowski had a ses.
sion on Monday with members
of the Women's Committee ant
of the Board of Directors of thu
N ional Symphony. The meet.
in was arranged by Howard
NJ chell for the purpose Of hear.
in DR.. Stokowski's views on music
in general and on symphony or.
chestras in particular and to oper
discussion on these subjects
The result of this get-Cogethel
was a confirmation of many things
already known but more i'm
portantly. a readjustment of the
picture of the place the Nationa,
s. nphony occupies in the eyes
of music followers throughout the
country.
Concerned, as interested person.
in this community are, in keep
inc the symphony alive, its posi-
hi; les In broader sense have moi
cone under the proper considera-
ton. Stokowski put it all in his
remark: Certainly, since the Ma
tional Symphony is the orchestrs
which performs in the capital OF
glorious country, it should be
widely known. It should-With
ambition-reach out to perform
not only in the United States
but in Central and South America
as WE'LL" When the symphony
was established, Washington was
among some of the backward cap
itals of the world, musically speak
ing. 1t is not backward any more
1t has leaped forward to. first
place in the political world and
its cultural activities have kept
pace with its non-musical emf
nence.
OF National Scope.
1t must be difficult for the rest
of the country to understand why
anything needed for the sym
phony's progress could not be had
AL UIllo Ckty W1lClC WCd4t4 d11d la
fluence congregates. The for
tunate choice of the name-Na-
tional Symphony-could be made
to mean a symphony of national
scope and for national consump-
ton. To make it so would be
difficult anywhere else but in
Washington means can be found
to reach every portion of the
country.
1t is the one orchestra that
could be another goodwill am
bassador. not only for neighbour
ing countries, as Stokowski sug-
gests, but for our country. A local
season of many concerts could not
be as important as the reaching
out through tours of a symphonic
group that comes from the Ma
TONS Capital. The difficulties
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11

attending such a widespread plan
are not forgotten or minimized.
The eminent guest conductor,
however, showed the way. He said:
'The ideals one seeks are i'm
portant. Obviously, persons who
go about anything half heartedly
achieve half-hearted results. To
have really great orchestra, 1t
is important for every interested
person to have boundless vision.
With this vision, the future Of the
National Symphony is limitless."
There has not been enough
stress laid on vision. And Sto-
kowski used another word, ambi-
ton. Both of these look toward
a far horizon of accomplishment.
StokowSki gave some clues as to
how to start to a realization Of q
vision In answer to a question,
What are the ways to widen an
audience" Besides the customary
ones of playing for students and
children as well as adults, he util-
lied the Washington set-up by
Suggesting concerts for Govern
ment employees arranged through
Government departments. Then
he touched on the big plan-that
Of performance on a radio net
work. And here again, he saw
what the Capital could give speci-
f1cally-the appearance on the
program of an important Wash
ington personality speaking-not
about political matters, but about
Washington and its activities as
the capital Of this glorious coun-
try" That is the second time he
used the phrase, glorious coun-
try" It Is something to think
about.
| Then he foresaw that motion
pictures was a possibility. They
could "be utilized through docu-
mentary motion pictures which
are carried throughout the world
this will broaden the scope and
influence of the orchestra i'm
measurably." And concluded, ut
is not easy, of course. It requires
great effort. much ambition, much
imagination. great will power and
highest ideals"
A Greater Destiny.
AS an outsider Stokowski has
seen what the symphony patrons
have not seen. True, he has had
no experience of the heart-break-
ing effort made these 20 seasons
to keep the symphony going. But
perhaps we have not been doing
our duty by the symphony in SIM
ply keeping it going. 1t may have
a greater destiny that has not
been considered or aimed at.
There are changes taking place in
the musical world that may force
new paths upon us. All these
years it has been apparent that
Washington has more to contend
with than other cities in main
tanning an orchestra. It cannot
rely on civic pride or even on the
same people to back 1t. Every
symphony that bears city's name
belongs to that city. The National
Symphony could. and should, be-
long to the country. Stokowski
knows 1t and thinks it can be
made possible. Now, more than
ever, it is worthy of that destiny.
Stokowski ended by commencing
the choice of American born How
ard Mitchell as its permanent
conductor, a young man who
knows the orchestra and who will
be able to meet all the require,
ments of growth. The visiting
conductor has given us a slogan
vision" and ambition"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
BRIDGE CaIendar

Bridge CoIendor
TONIGHT Arthur Walker Club, 1911
North Quincy, Arlington: master-point
pair game. 8 (call Jackson S-3347 for
reservations). Regency Club. Hotel
Gordon: duplicate game for men,
ToMoRRow-Federal Bridge League.
1900 New Hampshire; team-of- four
and pair game (open). g.. La Sale
Studio, 1923 Connecticut; pair game
notwithstanding Club. 1855 Euclid;
pair game topenl. 7:45; Andrews Air
game, 7:45. Count Club, 1914 Seven
tenth; master-point pair game
wE sGGSEs AZ stephan studio 1855
ington Bridge League, Hotel Roosevelt;
monthly winners game, pair game
rHtG GRsssp5iA club. Hotel Gordon;
pair game, 7:46. Press Club National
Press Building; pair game. g..
FRDAY-City of washington champion
ships, Shoreham Hotel; mems pairs,
sATURpAYScity Of washington cham
pionships Shoreham Hotel: open pairs,
QUALIFYING session, 2; championship
nnals s:16; special open-pair game,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Wilson at Orqun

George Y. Wilson, associate,
American Guild of Organists. and
professor Of organ, University of
Indiana. will be heard in an
organ recital at the National Pres
byterian Church this afternoon at
S. Among others he will give first
local hearing to Bernhard Hell
den's Variations on a Southern
Appalachian folk-tune, The Cruel
Ships Carpenter" The compo-
ser is professor of composition at
the University of Indiana. Two
movements from Robert Gran
dells Suite for Organ" will be
given a first local performance.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
800 Chorus

A chorus of 600 children from
Catholic schools of this city will
be the feature of the annual con-
cert by the National Symphony
Orchestra in the gymnasium OF
the Catholic University of Amer
lea, next Sunday at $3.50 pm.
Under the direction Of Howard
Mitchell, the children will sing
four numbers arranged by faculty
and students of the music division
of the university, the Rev. Russell
Woollen, DR.. George Thaddeus
Jones, Milton Graves and Charles
J. Cliff,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Photo RoundtubIe

The Photographic formidable
at the Agriculture Department
graduate school will meet at 8:15
pm. Friday for q print and slide
clinic. There also will be a special
showing Of color slides of the
Arctic by Miss Janet Perkins. The
group will meet in room 1909,
South Agriculture Building.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Todd Duncan Recital

The class Of 81 in the Howard
University School of Music is
presenting Todd Duncan, famous
Negro baritone, in song recital
Thursday night at $3.50. The OBJ
ject is to raise $500 to establish
a scholarship fund to provide a
years tuition for some gifted
senior in the field Of music.
The 40 students who form the
81 class want to establish a
precedent by creating q scholar
ship fund which they hope will
be perpetuated.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11

The Gotham Quintet, consisting
of Joel Rosen. pianist; Isidore
Cohen, Frank Scocozza, violinists;
Carolyn Voigt, violist, and Helen
Bulls, cellist, will give a recital in
the Phillips Gallery this after
noon at 5.
Alice Gerstl Duschak, vocalist,
will be presented Wednesday
night at $3.50 by the music divi-
sion of the Southwest Branch Of
/ the Public Library, Seventh and H
streets S.W. She will be assisted
by the Rev. Russell Woollen.
pianist, and Richard White, oboist,
in an all-Bach lecture-recital.
Now on the faculty of the Pea
body Conservatory. Nine. Duschak
/. was born in Vienna and educated
there, in Salzburg and Milan. She
sang leading operate roles in
: Muenster, Germany, and gave
Lieder recitals in Europe and in
; this country. She appeared under
the baton of Mitropoulos and with
the composer Ernst Krenek.
The Lovette Choral Club will
entertain its associate members at
the Universalist National Me-
mortal Church, 1910 Sixteenth
street NV. from 4 to 6 pm.
this afternoon. Eva Whitford
Lovette will introduce John v.
Totten, choir director In the
church, in charge Of the program.
Janice Campbell, vocalist; Charles
Peterson, clarinet, and Violet
Breeding, piano, will assist.
The Washington Alumnae Chap
ter of Mu Phi Epsilon. National
Music Sorority, will meet at the
residence of Mrs. j. w. Frey, 4236
Forty-seventh street NV, to-
morrow at 8 pm. The program
will be presented by Evelyn
Davis, pianist, duo-pianists Quinta
Frey and Cynthia Smith, and
Nellie Grieve, vocalist. Sara Nc
Council is the accompanist.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Mariana Surricu,
Helen Laird in
Gallery RecituIs

Mariana Sarrica, a recipient OF
the gold medal "Virtuosity Prize,
presented to her by the King of
Belgium at her graduation from
the Royal Conservatory in Brus-
sells, will give . piano recital in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Photographic Notes

Four committees will take over
the work Of one which has estab-
lished standards of photography
for many years. About 13s
standards on everything from
chemicals to finishing prints have
been prepared.
FlaShgun users are recommend
ed to a business like check list
before shooting: Cd fiashbulb tc
subject distance, 90 focus. 60
lens stop, ca shutter speed and
90 film winding knob.
Alexander ]. Wedderburn, au-
thor of Camera Angles, is writing
the camera tips heard daily and
Sunday on radio station WGMS
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
THURSDAY.

SOLDIERS HOME sYMPHONETTE,
STANLEY Hail, $50 eRsF Dm. conductor;
SUZANNE CoNKLIN, piano recital
Arts !.so..t Club $40 pm, searlatti.s
Ms Goasss Beeth MinGF M MlnG5 ?
sonata, Chopin's "Nocturne." I'm
Diyersions, DeIIo Jolo's Suite for
vent d'Ouest." -
BUDAPEST STRING QUARTET, Ii
PTsTS OF oS GS9sFesS S ssS I'm
Beetheyens e Sss qsf Fat M Major,
Op. 100" with both "Rondo" finsie
and Grand Fugue. op. 1881
TODD DUNCAN, baritone, song re-
cital. Howard University. $40 pm.
Benefit concert for scholarship fund
Of class of 81.
FRIDAY.
ff bartsr M MeIf YGcA MUSIC Gao CLUE
schumann's "Arabeske, OPP. 1877;
Debussy's "canope.". Reflects dams
Peau," Elena Criyella Biederman,
Hindemith's Senate in z for Violin
and Piano" Cecilia Mahoney, VIC
linist; Hester Smithey. pianist.
BUDAPEST STRING QUARTET. Ii
brary of Congress. $50 pm. Re-
peating Thursdays program.
NAVY BAND. CWo Richard e. Town
SEND. conducting; Departmental
"Komm suesser Tod" Rimsky- Korsa-
koff's Russian Easter Overture"
Harty's "a John Field Suite" 1.-THE
Ride of the valkyries', from Wag-
ner's Die Walkuere,': Leidzen' s
alpine Fantasy for Three Horns"
william Arsers. Kenneth Arsers
Elmer Arrhiger, soloists: Waltz
from Tschaikowsky's Sleeping
Ben Mitchell Morris, tenor; Coates
1.-THE Three Bears"
SATURDAY.
SOLDIERS HOME sYMPHONETTE
Franklin B. Charles, conductor;
Stanley Hall, $40 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Opera Repeated

Agriculture Choristers will give
a repeat performance of Kurt
WELLS American opera Down in
the Valley" Wednesday night at
$3.50. Local 2. NFFE, will sponsor
the play and Richard Dirksen will
direct. Evelyn Lear and Dom
Philip Crane will take the leading
parts. Among the others are
Johnny O'Beirne and Lew Aiken.
The original presentation was
last November.
Ticketes for the performance
may be secured at the door and
at the Local 2 Office in the Evans
Building. eighth floor.
The choir Of Grace Reformed
Church, Cornelia L. Kinsella
minister Of music and director,
sings Gounod's "Gallia" at the
service this morning at II. The
soloists are: Lois Koerber, soprano;
Beatrice Holland. contralto; Nor.
man Slant, tenor, and Frank w
Wright, baritone.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11

CHURCH OF THE PILGRIMS
22nd and p SITS. NV. 1880 o'clock
Galarnad Uamentations) Philip James
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
WEDNESDAY.

ALICE GERSTL DUSCHAK, soprano;
Rev. Russell Woollen. pianist; Rich
ard White, oboeist assisting; lecture
recital, D. c. Public Library, South
west Branch, Seventh and H streets
s.W., $50 pm. Bach program.
Jesus unser frost und ieben."
LEICESTER Herr Jesu," from Bach
Schemelli Music Book; "Seufzer.
Iraenen," from "Cantata No. 21";
Non sa che STA dolore, Cantata No.
209"; "Quia respexit,", from Mag
nlhcat"; We'll die wollenreichen
Herden." from "Cantata No. 2OS";
Mein glaubiges Here. Pentecost
Cantata No. s."
AGRICULTURE CHORIsTERS. Richard
DlrKsen: director; Jefferson Memorial
Auditorium, Agriculture Department
$50, pm. WELLS Down in the VAL
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11

Concert
TUESDAY.
SOLDIERS HOME SYMPHONETTE,
Franklin B. Charles, conductor;
Stanley Hall. $50 pm.
VLADIMIR HoRoWITZ, piano recital,
Constitution Hall. $40 pm. Schu-
mann'S Variations on a Theme by
Clara Week, F Minor, Op. AZ; Mo-
zart's Sonata, B Flat Major, K .333";
Prokofieffs Sonata, Op. SO, No. ~;
Chopin's "Mazurka. B Flat Minor,
OPP. "a. No. A. "Polonaises: C
Op. 40, No. T." Chopin's "Etudes:
Flat Minor, OPP. 10, No. 6; C
SHARP Minor. op; 10 No. T." Waltz,
''Valse. Oubliee," Hungarian Rhap-
sody, No. g.
MARINE BAND, Mai. William F. santel-
mann, conductor; Commerce De-
partment auditorium. $50 pm.
Overture" to Rossini's "Semira-
mide." Kreisler's The King Steps
H Rosi,r . HerEbertS Irish Rhapsody"
niques," Robert Shapiro. cellist, So
loist; Ballet Music" from Rubin
STEMS "FeramOrS
Evening star. [volume] (Washington, D.C.) 1854-1972, 1951-03-11
Programs of the Week

AIR FORCE DANCE BAND. WO Fred
Kepner, conductor, Lisner Audi
torium; $50 pm. Modern Jazz
Concert"
Evening star., 1951-03-11

ADVERTISEMENT.
Evening star., 1951-03-11
Music Notes
Four Service Bands Give Concert
Ending Conductors Convention

he directed. Another highlight of
the evening was the appearance
of the celebrated Henry Fillmore
conducting the Air Force Band in
his "Shoutin' Liza"
The program opened with a
Grand March," so-called while
awaiting better name, by DR..
Edwin Franko Goldman who con-
Quoted the Navy Bands perfor-
nance of it.
The first leader of the Air Force
Band was Richard Bales, conduc-
tor of the National Gallery Or
chestra. who scored with a STIR
ring performance of the Intro
duction to Act III" Of Wagner's
"Lohengrin." Mark H. Hindsley,
director of bands of the Univer-
sity of Illinois. made an impress
sion with his directing of
the Romance and Mazurka"
from Khachaturian's Masquerade
Suite" Selections from South
Pacific" formed one of the most
popular numbers under the direc-
tion OF William D. Revelli, of the
University of Michigan. The Air
Force program ended with KEEP
ner's arrangement of "Old Favor
ties in a New Setting" with the
participation of Sergt. Glenn Dar-
win, baritone. and the Singing
Sergeants with WO Robert L,
tLanders.
Nearly two hours and a half
had passed before the Army Band
appeared, making it impossible
for their numbers to be heard by
the reviewer.
Evening star., 1951-03-11
By Alice Eversmon

One of the best shows, musically
and usually, put on in Constitu-
ton Hall was the concert given
last night by the four service
bands with visiting conductors. It
concluded the convention of the
American Bandmasters Associa-
ton which brought together
Maders in this field of music from
all over the country. The Navy,
Marine, Air Force; and Army
Bands were hosts as we'll as pro-
viding the music for the gala
finishing program.
Each service group was heard
in five numbers and its own song.
1t. Comdr. Charles Brendler led
the Navy Band in Anchors
Away" Maj. William F.. Santel-
mann the Marine Band in "The
Marine Hymn" 1t. Col. George
S. Howard the Air Force Band
in "The Air Force Song" and
Capt. Hugh Curry the Army Band
in "The Caisson Song" Two re-
tired service band leaders, Col.
Howard c. Bronson, and Capt.
Thomas Darcy, both formerly of
the Army Band. were among the
guest conductors, Col. Bronson di-
recting the Navy Band in two
Sousa numbers and Captain Darcy
the Marine Band in the premiere
of his own Romance Another
composition by Capt. Darcy, "U. s..
Army March," was played by the
Army Band under the direction
of E. F. Heeter of Holland, Michi-
gan.
One of the hits of the program
was Frank Scimonelli's perform
ance of BarsottiS "Tally-Ho" on
the post horn with the Navy Band.
Both composer and soloist are
members of the band. Although
not a bandsman, Morton Gould
scored a pronounced success in
the performance of his clever and
amusing Family Album" which
Evening star., 1951-03-11

(0StS Even Less when lou rdde in
Your Old Washer at The Hecht Co.
Why pour money down the drain? Why =. when
you save much with the amazing Westng-
house "Laundromat?" The "Laundromat" doesn't
waste of precious hot water it uses only
the amount needed for thorough washing job.
Here's how! You weigh your soiled clothes on the
"Weigh-To-Save" door, set the Water-Saver dial to
the load indicated small, medium or large, then
set the Control Dial to the proper temperature,
proper washing time. "Laundromat" fills itself auto
matically washes triple rnses spins garments prac
tcay dry, drains ITSELF shuts itself off, You return
at your convenience for the freshest, ceanest wash
you've ever had
Washers Floor Co., Washington Floor Spring
Convenient Terms Moy Be Arranged