davidaulloa/AmericanStories huggingface dataset:
Evening star., 1951-02-04
Subtle Evocutions'

Feminine and reticent are the
paintings by Loren MacIver on
view at the Phillips Gallery
through February II. She paints
in a low key, presenting her
theme in fresh colors on a dark
ground, or in close tonal har-
monies, as in the large twilight
view OF Paris. lent by the Metro
politan Museum of Art.
Her statements are simple, brief
and clear. sometimes reduced to
naturalistic essentials in an un-
complicated pattern (''Naples
Aquarium" "Hyacinths"), again a
semiabstract treatment ('Ashcan, !"
"Oil Slick"). An allover pattern of
greatly enlarged snow crystals rep
resents "a Fall of Snow, and
sprays of wild flowers on a warm
mauve ground symbolizes Early
Spring"
This simplicity can get to be a
trlfle boring, as in window
Shade" lifesize transcription If
one. complete with ring-pull, and
few cracks.
Miss MacIver is a native of New
York City. studied at it's Art Stu
dents League. Examples of her
work have been acquired by some
of the nations most important
museums.
Evening star., 1951-02-04
Seven Clubs Join
For Junnboree

Seven singing clubs, 300 voices
strong. will join in the second
annual Greater Washington Glee
Club Jamboree in Constitution
Hall Thursday, February Is. at
$3.50 pm.
They are as follows: George
Washington University. DR.. Robert
Howe Harmon. director; Univer-
sity of Maryland, DR.. Harlan
Randall, director; Chevy Chase
Chanters, j. Horace Smithey, di-
rector; Chesapeake and Potomac
Telephone Co., Robert H. David
son, director; the National Press
Club Chorus, DR.. Reinald Wer-
renrath, director; American Uni
versity, Jeannette Wells. director,
and Georgetown University, Paul
Chandler Hume. director. The
last two did not participate last
season. Miss Wells and Mr.. David
son will direct six numbers sung
by the massed groups. Each club
will be heard also individually
In group of songs.
The Catholic University Glee
Club fell out this year because OF
a shortage of second tenors and
first BASES.
Evening star., 1951-02-04
Misuse of Materials

Mr.. Craske's needleworks in
evitably call up the subject Of
misuse of materials, which has
been going on for centuries.
Technically skillful craftsmen can
translate into some resistant ma
terial, an object which by all
rights belongs entirely to another.
Dividing lines are often incon-
spicuous, as for example. the pic
torial material used in Gothic
tapestries (felicitously designed for
such use) and that used in 18th
century tapestries. Weavers in the
latter period were such virtuosi
of the looms that they could trans
late the most minute details and
general appearance of a master
painting (by Rubens, Boucher,
and others) into millions Of
stitches, so that it looked amaz-
ingly like the oil painting. But
the fact remains that many of
these paintings did not make good
tapestries. Just as inappropriate
are the china platters that resem-
BILE woven wicker baskets, and
many other things one could name.
Mr.. Craske's needleWorks illus
trate both appropriate adaptation
and inappropriate translation of
pictures into embroideries. The
skies of several have been stylized
so that they are varied and inter-
esting. In others. sea and sky are
monotonous expanses of single
colors, laboriously done with in
Vulnerable stitches, instead O.
being swept in with a few brush
strokes.
Evening star., 1951-02-04
Bernstein to PLAY
Two Beethoven
Works Wednesday

Leonard Bernstein, guest con-
ductor of the National Symphony
Orchestra, will appear in a dual
capacity Wednesday night, as
director and pianist. The pro-
gram will consist of two Beeth-
ovens works. symphony. and his
Concerto in c Major" AS usual,
the concert will be held in Consti-
tuition Hall at $50 pm.
Mr.. Bernstein cannot remember
when he began the study of piano.
His first program for the family
circle took place on an upright
belonging to an aunt, stored in
his parents home. His formal
musical education was under
Helen Coates. Heinrich Gebhard
and Isabella Vengerova.
Although Mr.. Bernstein COM
posed symphonies and ballets, his
preferred medium of expression is
the piano. His last work is set
of four pieces entitled "Anni-
versaries" The "Age of Anxiety
for piano and orchestra. is based
on Auden's poem and is neither
a conventional type symphony
nor conventional type of piano
concerto.
Grace Barry Davis will begin a
new course of 13 weeks in "Under-
standing Music" tomorrow at the
Workshop Center of the Arts, 1920
Massachusetts avenue NV.
Evening star., 1951-02-04
TODAY.

VTYA VRONsKY, VICTOR BABIN,
Io-pianlstS; 10 sas,n constitqtiqn Hall.
::gonssa;o Sonata; e gaje5; NJ K salr; Liszs.s
Minor. op. ~: "Danse RGsses'' ss''
Chez Petrouchka" 'Semaine
erase" from stravinsky's Pet
FELIAN GARZIA. pianist; ""two-piano'
sa Hall YWCA. 4:5O pm. Beethoven's
Concerto, c Minor, No, s.: Gluck's
and Variations, op. 49,; Bach-Howe
ellen" SYLVAN Dell" Valley
Town" from spier's First shenan-
sehabert's eha essTi SThe EriEing aEh DAndf fFst
,maoyement Mozart,s Sonata.
Beethoven's "Kreutser ''' Sonata
violin parts played on the piano..
LOUIS POTTER. Jr.. cellist; LOUIS
POTTER. Sr.. pianist; sonata re-
fIsal p'a PhIlips i,lpS.s Gallery la1 Pm.
Minor; Freed's aPassacaglia,
Dohnsanyfs Sonata, Flat Major.
THOMAS osan gs{Ssdrs pgSN eFsap 5eeita pssss wssa
caglia." from sowerby's Symphony
for organ"; Franck's "Pastorale,
LEWIS ATWATER; organist; IRVING
sas'sn stsn5 cA"Tsa Fantasls pm Sash aineE; eEs
MAR March," from r.. Drama 4ro, per vH1in MY,
iish Suite" MI Atwater: "only Be
Still" from "Cantata a3": Aria"
from "Cantata 1O4," Mr.. Chandler.
PLYMoUTH coMGREGATIoNAL
director; Mount Zion Methodist
GALBRAITH CHOIR, Willis A. Hines.
director; Faeue springman, baritone.
so!oist: GalbEaith Methodist Church.
LAWRENCE RICHARD SEARS. organ
Bach's 20 Guiltless Lamb of God"
Domino Jesu Christie" from Verdi's
prano; Claire Howard, contralto;
Salvatore Lupica, tenor; Jack Baum,
baritone. soloists; Leseur's Scene
de la Passion"
| ANALEE CAMP, cellist; ERNST BACON.
pianist; sonata recital. National Gal
ls1y mGnas Sf At saw pim NJ LaSy pSyl'1aEd Weap
Nowsk's New Suite on Old Music"
tboaens Rsshs Sonata Sonata MsloT Mnor op Pes. os
No. T.: Bacon's Sonata"
NATIONAL PRESBYTERIAN CHURCH
CHANCEL CHOIR, Theodore Schaefer.
conductor; RACHEL Koerner. con;
Ronk baritone; Katharine Fansel,
pm. Kodaly's ''Missa Brevis."
TUESDAY.
SOLDIERS HOME sYMPHoNETTE,
Franklin B. Charles. conductor:
TEMPLE UNIVERSITY A CAPPELLA
CHOIR Of PHILADELPHIA. Elaine
Isaacson Brown director; First
from f'sa saehs Fss sieepers gn Wake s@'ern1s eans
tata: the choir; Frank Kuykendall.
tenor; Arcenia GuZman. soprano:
Harry Pursell, baritone: Schultz
The Lord Shall Hear Thee in Dis
tress." ITO Me. in Joy Returning:
Sea" Il Lii Mine Eyes in Eaeer
Hear Ye. israel from Mendeis-
sohn's Elijah; Niles II Wonder
rran prano; excerpts from Hon1egger,s
My Shepherd" Handers why Do
the Nations" Guion's Prayer"
John Rice. baritone; "Oh, What
Beautiful CITY, arr. Dawson; Creep
Ahn Alone' Nc Moses" arr. kubik; Alma
THE HAMPTON INSTITUTE CHOIR.
DR. Henry N. Switten. director: Car
dozo High School, SIS pm.
A1BEEn BEon FHthak DFsa9 s6 Teea e Saeh Msih
Fantasy; 6 Major "A Little Har-
viii Wander" Saviour Of the Cen
Evening star., 1951-02-04
Sinonds Is SoIoist

Bruce Simonds. dean of the
Yale School of Music and head
of the piano department, will be
the soloist in the Departmental
Auditorium Thursday night at the
Freedom Sings" $50 pm. con-
cert by the Army Band, Capt.
Hugh Curry, leader.
Mr.. Simonds is the first Amer
lean to receive the Chappell Gold
Medal for piano playing, the high
est honor of the famous Matthay
School of London. He attended
Yale College and the Yale School
of Music simultaneously, winning
degrees from both.
His appearances include those
with the Boston Symphony. the
Philadelphia. the Cleveland and
others, as well as in recital here
and abroad. Known for his pro-
digous memory. the pianist played
the entire series of Beethoven
piano sonatas at the Yale Uni
versity and recorded Hindemith's S
"Ludus Tonalis" in its entirety
through the Concert Hall Society.
Evening star., 1951-02-04
Art and Artists
Library of Congress Print Exhibition
To Stay Through February
By Florence S. Berrymon

Nearly 10 fine prints were placed
on exhibition in the Library of
Congress, north gallery, first floor,
in honor of the annual meeting
here last Monday through We'd
nesday, of the College Art Asso-
citation of America. The show will
remain through February. In
Guiding prints by artists of many
nationalities, it represents recent
acquisitions of the Pennell Collec-
ton in the library. established in
1926 by Joseph Pennell, etcher,
photographer and illustrator. The
bequest was made for the pur-
chase of Whistleriana and orig
inal prints by modern artists of
any nationality living or who have
produced work within the last 100
years
This condition permitted the
Library to squeeze in Goya, whose
lithograph Bravo Toro," one of
the famous bull ring series, was
made in 1925. Several 10Th CEN
tury French masters of graphic
media are we'll represented; Dau-
mier, Manet. Renoir, Degas and
Toulouse Lautrec, followed by
later French, Gauguin, Foraln
with a truly great etching, one
of his several versions of THE
Prodigal Son'D, Matisse, Picasso
Rouault and a number of others.
There is an excellent British
group, headed by D. Y. Cameron
Bone, McBey. F. L. M. Griggs and
Augustus John. Kathe KollWitz
Max Liebermann and Ernst Bar
ZACH. Germans; Anders Zorn,
Swedish; James Ensor, Belgian:
Mare Chagall. Russian; Julius
Komjati, Hungarian (also repre-
sented with a "Prodigal Son.
Salvador Dali, Spanish, and
Mauricio Lasansky, Argentinian
(now teaching young American
printmakers at the University of
Iowa. give the show an inter-
national flavor.
The Pennell collection Is strong
est in the field of contemporary
American print makers. and in
cludes most of the important
names. A selection of nearly 80 of
these ranges from Mary Cassatt
Whistler and Pennell himself, Has
sam, Bellows and many excellent
Younger traditionalists, to con-
temporary abstractionists Stanley
William Hayter and Sue Fuller.
Technical excellence, pleasing
subject matter. quite number of
prints famous from frequent re-
production, and some truly great
and moving works. give the ex-
hibition much distinction. Al
though these prints are now in the
permanent collection at the Lii
brary, they will be on view only
this month, before being returned
to the files until some future show
ing. The display is decidedly
worth a visit.
Evening star., 1951-02-04
@z}9#A& {

A program of compositions for
two pianos which will be given by
Felian GarZia. pianist. assisted by
a tape recorder. in Barker Hall,
YWCA. at 4:30 o'clock this after
noon, is open to the public.
Analee Camp. cellist, former
student of Robert Mas and EN-
manuel Feuermann, will make an
appearance in the National Gal
lery of Art tonight, at 8, jointly
with Ernst Bacon, pianist. con-
ductor and composer. The pro-
gram will feature Mr.. Bacon's
sonata for the two instruments.
Both are On the faculty of the
Syracuse University and toured
this country in. concert extern
Sively.
A program of cello and piano
sonataS has been scheduled in the
Phillips Gallery today at by
Evening star., 1951-02-04

garden, and the boudoir- sized
equivalents of all these, found in
private homes.
Consequently, the exhibition OF
modern sculpture at Watkins Gal
lery, American University, must
seem bewildering to many people.
Since much contemporary sculp-
ture is vastly different from the
great body of sculpture that has
preceded it during several thous-
and years, one wishes that a new
word had been coined to name it.
Commercial etymologists have in
vented new name for every new
breakfast food (Which tastes much
like all other breakfast foods yet
these modern constructions in
metal, wood, stone and new ma
terials such as plastics. continues
to be called by a name belonging
to something vastly different.
AS was mentioned in the factual
notice of this sculpture show in
these columns two weeks ago, Wat
kins Gallery aims to demonstrate
that these radical works have
grown naturally out of past tradi-
ton. Many lay visitors will doubt
less look in vain for the connec-
ton. One of the new sculptures
here suggests a model for the steel
skeleton of a modern Office build
ing. Another resembles bear
trap. Henry Moore's Reclining
Woman" looks like the bone of a
prehistoric animal.
But the layman seriously in
terested in getting something out
of these new inventions, should
try to forget preconceived ideas
before approaching them. He will
have no trouble with William
Zorach's sturdy streamlined
"Workhorse, nor with Nadelman's S
gay little figures, with something
of the spirit of ancient Tanagra
figurines and perhaps some others,
whose kinship with traditional
work is obvious.
But with the various abstract
constructions, the layman should
note how the sculptors have ma
nipulated resistant metals, for in
stance. to give them the delicacy
of filigree work, have combined
cleaning with dull-textured ma
terials to reflect and resist light,
and have made space itself an i'm
portant element in the design.
Again, in the case of mobiles, they
have achieved constructions finely
adjusted. to move gently with an
air current, producing not one but
series of patterns.
But aside from all these virtues
and novelties. it will probably oc-
cur to many a housewife, that
some of these intricate sculptures.
with innumerable fine surfaces,
would be awfully hard to dust.
Evening star., 1951-02-04
News of Music
Music as q Tool of Ministry Now
Successfully Used by Salvation Army
By Alice Eversmon

to use music in garnering souls.
One OF the former graduates, 1t
Leslie Hall of this city, told of
an invitation extended to the boys
playing in the streets to come in
and learn to play. This was not
done in an effort to make Sal
vationists of them, but to provide
them with a wholesome recrea-
ton. About 20 boys now meet
regularly after school to pracGice.
This takes place in a room close
to an athletic field where sounds
OF the games can penetrate but
not distract the earnest, if some
times eXcruciating, endeayors of
the boys to master a brass instru-
ment.
1t would seem that the musi-
clans of the Salvation Army more
than many of their celebrated
contemporaries, understand the
true function of music. That
the spirit is the thing" is some
thing undreamed of by great
number of those who have de-
voted their lives to the study
and performance of music. Or
else the spirit" has been mis-
understood and its correlation to
uplift and spirituality unrecog-
niZed. At any rate, in its modest
way, the Salvation Army is reach
ing people through music that
otherwise might never be reached.
And it is perfecting it's means
through the instruction Mr.. Leid-
zen has devised which, while set
ting the musicians on the right
path of knowledge of music's
fundamentals. never forgets that
its ultimate use is as tool of
ministry"
Evening star., 1951-02-04
Opera Tour in March

Another Metropolitan Opera
tour will take place March 8,
leaving Union Station at 8 am.
and returning at 11:15 pm. on
the Baltimore & Ohio Railroad.
The Women's City Club sponsors
the tour.
The all-expense cost includes
round-trip rail fare, lunch and
dinner in the diner, transfer to
and from the opera house and a
good seat at the opera in dress
circle. Others are available at a
slightly higher cost.
The opera will be known two
weeks in advance of the perform
ance, February 10. Payment in
full for the reservation must be
made on or before February Is.
For reservations and informa-
ton address Emmaline Samuel,
1929 Hamilton place NV; G.
Gladys Gordon, 1901 Delafield
place NV; Mrs. H. D. Aller, 2O5
North Trenton, Arlington, Va;
Mrs. Johnnie v. Moore, 1410 M
street NV; Mary E. Gott, 2311
Connecticut avenue NV.
Evening star., 1951-02-04
Vronsky-Bobin
Playing Today;
|Woring Coming

Vitya Vronsky and Victor Babin,
the first two-piano team to tour
Israel. will give a recital in Consti-
tuition Hall this afternoon at 4,
presented by Patrick Hayes.
The names of Mr.. and Mrs.
Babin are closely linked to that of
Rachmaninoff whose second suite
for two pianos received wide at
tention after it was recorded by
them. Rachmaninoff came to
know his two young followers very
we'll, and gave Mr.. Babin permis-
sion to make the piano arrange
ments of three of his songs. In
1943, the late composer made one
OF his last appearances in public
to hear the team give the premiere
OF his Symphonic Dances, op. 45''
arranged by him for two pianos
from the orchestral score written
originally for the Philadelphia Or
chestra.
On Tuesday. Fred Waring and
his Pennsylvanians will make their
appearance in Constitution Hall
at $3.50 pm. Warnings pioneer
work in choral music and his &C
tivity in behalf of musical educa-
ton brought him fame and many
distinguished awards.
To foster better choral singing
in America, he organized his own
workshop, attended by over $500
choral directors. He personally
supervises it and visits school
music departments, lends his
special recordings to music edu-
Gators and makes his musical ar
rangements the common property
of all who wish to use them.
Evening star., 1951-02-04
Cordozo Proqrum

The Hampton Institute Choir,
DR.. Henry N. Switten. director,
Will make an appearance at
Cardozo High School auditorium
Tuesday at BIS pm. presented by
the Parent Teachers Association
assisted by the Washington
Vicinity Chapter of the Hampton
Institute Alumni Association.
DR.. Switten was born in France
and studied at the Paris Con-
servatory. He conducted the
Westminster College Choir and
appeared as piano soloist with
symphony orchestras.
Evening star., 1951-02-04
BRIDGE Colendor

ToDAY-cavendish Club, 1921 K; master
ans %aIter 0pfhi 5li n aes quincy Arliagton asinnF
ratlns point; g.. Regency Club Hotel
OMoRROW-Andrews Air Force Base
officers' Bridge Club. rating point; 7:45.
shire; team -four and rating point
Iopen,: s. La Sale Studio. 1o2s Con-
TUESDAY Club. 1885 Euclid
rating point (open), 7:45. Count Club
1914 Seventeenth; rating point (open)
DNEsDAY-stephan Studio. 1885 Eu-
cid. rating point topen). l. Washing
ton Bridge League, Hotel Roosevelt;
master point (openl., 7:45;;
THURSDAY-Chess Club, Hotel Gordon;
rating point. 7:45.
FRIDAY-Arlington Farms Club, 1855 N
Quincy. Arlington: rating point. s. Army
Navy Duplicate Club. Army Navy Coun-
try Club: Arlington; rating point, 8.
ATURDAY-Stephan Studio. master
point (open). Chess Club, rating point,
7:45. Walsh Club. Twenty-second and
p; rating point. 7:4b.
Evening star., 1951-02-04
Modern Sculpture

Sculpture probably means to the
average person, the ubiquitous
bronze horseman, commemorating
some hero of a past war, the frock-
coated statesman in the public
park. the sweetly curved marble
nymph cavorting by a fountains
basin (or holding it on her head)
the cute stone baby with a frog,
kitten, duck or whatever, flanked
by a shrub in some well-tended
Evening star., 1951-02-04
TEMPLE Choir Here

The First Baptist Church will
present the Temple University
a capella choir from Philadelphia,
directed by Elaine Isaacson Brown,
Tuesday at 8 pm. The director
has served five years as assistant
conductor of Westminster Choir
touring with the group here and
in Europe. The concert is spon-
sored by the School of Choirs of
the First Baptist Church and is
open to the public.
Evening star., 1951-02-04

Louis Potter, ST.. pianist, and
Louis Potter, jr., cellist.
The harpsichord recital by Fer
nando Valenti, scheduled for to-
morrow night in the Gallery, has
been postponed until March S due
to the present difficulties in
transporting the instrument.
Evening star., 1951-02-04

Mr.. Craske's works, however, are
what he called "worsted paint
ings," They are technically we'll
done, much more colorful and
better composed than the water
colors. One large panel entitled
Bringing Home the Catch" is an
extraordinary piece of work, with
the naturalistic fishing scene be-
low, and a semi i-abstract sky
above.
Evening star., 1951-02-04

yANIANS. Constitution Hall, $50
pm.
WEDNESDAY.
NATIONAL SYMPHONY ORCHESTRA.
Leonard Bernstein. guest conductor,
piano soloist. Constitution Hall, $50
pm; pd seethoven,s -Eroica" symphony,
Beethoven, Concerto No. l. c
MAJOR Mr.. Bernstein, pianist.
THURSDAY.
SOLDIERS HOME sYMPHoNETTE.
Franklin 3. Charles. conductor;
Stanley Hall. $40 pm.
MARIE Won UNsCHULD, piano re-
e,tsi; eta ..e Pierce Pierce Hall, s:l5 pm. Chop
e sharp Minor "Etude, S,0' On. To- To-
No: L.: MacDowen's TO Water
lily Schumann's Soaring. Scenes
from Childhood" Schubert-Lisz
Minor Tl6lns Or Besth0vsns sl No. Sonata i;z, ?
Hung aran Rhapsody No. IL"
THE CHAPEL CHOIR, Ellis Emanuel
snyder: conductor; Augustana Luth-
eran Church: $40 pm. Bach's God
Tome ..Tonnhr.s 1esH; ~ comem; ne. Palestrina's
and Daughters" Kopoloyofr's "Alles He
lmjah, Christ Is Risen Nikolsky's
.pnszit;a phe Earth IL Is tn the Lord's." Berger's
Ancient Picture" Willan's "Ye
Watchers and Ye Holy Ones" Al
cock's Celestial, Voices Muellers
Moens WE All IL Bsleys go Tell 1t on the
to the Lord"
ARMY BAND. Capt Hugh Curry. con-
ductor; Bruce Simonds, pianist. So
lolst; Departmental Auditorium,
$50 pm; Freedom Sings Concert" :"
soasaS soasins L1sests TSa s,tsh Bell oyer overture to
dante" from Tschaikowsky's Sym
phony No. e.; Bortniansky's IA
Voice to Heaven Sounding" Army
dnnanctan 5and Chorus: x,,,Lt 1t; Samuel Loboda.
Faust" Franck's franc "symphonic sym cuVap Varis 5
ations." Mr.. Simonds; Scotts The
Toy Toy Trumpet Chabrier's "Espana
FRIDAY.
FRIDAY MORNING MUSIC CLUB,
Barker Hall, VWcA. II:ao am
Mllhaud,s "Carnaval a la Nouvelle-
Orleans, Orleans Infante,s "Danses An@a-
nice Mcdaniel; duo-pianists; vocal
numbers Winifred Waldo. soprano;
Stravinsky's Suite Italienne." Dor
thlyn Smith, violinist Audrey Davis,
pianist.
NAVY BAND. 1t. comdr Charles
oA CuuIcl' COiuuCIOT, DEPARTMENTAL
Auditorium. $50 pm. Saint-Saens'
,Marche Heroiaue." overture to
"Andante Cantable." Demersse-
mans Sixth Solo de Concert"
Harry Houdeshel, flutist: Guion S
The Harmonica Player" Chopin's S
Il "Valse, C Sharp Minor: 'Sicili-
ana" from Mascagni's "Cavalleria
Rustlcana"; Speaks sylvia" Ben
Mitchell Morris. tenor; Bizet's
'L'Arlesienne" suite.
MADRIGAL SINGERS OF WASHING
TON-LEE HIGH SCHOOL. Florence
Booker, director; Broy-Hil. 1851
North Vermont street, Arlington,
Va. $50 pm.
SASCHA JACOBSEN. violinist; Frank
Sheridan, pianist; sonata recital.
Brahms Sonata, G Major, on.
7S"; Piston's Sonata" Strauss
Sonata. E Flat Major. Op. 49,"
SATURDAY.
SOLDIERS HOME SYMPHONETTE.
Franklin B. Charles, conductor;
Stanley Hall, $50 pm.
MOZART TRIO. Katharine Hanse1
soprano Joseph Collins, John Yard.
baritones; Cafritz Auditorium. Jewish
Community Center. $50 pm.
Evening star., 1951-02-04
Programs of the Week

tiles. Come: % Lamb OF God All
Holy Messiaens The Ascension. y
Franck's "Chorale. B Minor"
MARINE BAND SYMPHONY ORCHES.
IRA Mai William F. Santelmann.
leader; Commerce Department audi
torlum. $50 D.m. Overture" to
BerlloZ Beatrice and Benedict -
Cebussys Clair de Lune.' mel
odieS from Herbert's Naughty
Marietta Lacome's Masquerade. !"
Mozart's Concerto No. 3. E Flat
MAJOR George Parker. French horn
lst: Bach's ''Sleepers. Wake: Syeud-
sens Carnival in Paris"
FRED WARING AND HIS PENNSYI,-
NANIANS. Constitution Hall, $50
Evening star., 1951-11-25

community of only 800, Wash
ington has four shops, a post
office, a church and a name
which centuries ago was taken
across the Atlantic by the
family that produced the new
Republics most prominent
citizen.
About the only man In this
Washington who Is concerned
by the similarity in names is
Postmaster w. H. Rapley.
Occasionally, he receives a
letter addressed to President
Truman. the White House.
Washington. Seeing that
there Is a bungalow in the
village named after the Pres
ident's residence, Mr.. Rapley
Evening star., 1951-11-25
Memories

When you leaf through the family album. there
arc SO many good things to remember-your first
Dutch Masters when you were Il. for instance.
Yes. time rolls by, but the nut-sweet taste Of this
fine cigar remains the same-the Same rich quality
that you have enjoyed fot SO many years.