davidaulloa/AmericanStories huggingface dataset:
Evening star., 1950-04-23
Family
Portrait
Joonne Dru Hoppy
In New Role as
Mrs. Ireland
Rv SheiInh Ernhnm
By SheiIoh Grohom
HOLLYWOOD.

I am 1unching with jeanne
Dru and her husband, John Ire
land, at Romanof's. Don't get
here often" says Joanne, looking
around at the celebrities. When
you live in the valley as we do, it's
too much trouble to come into
Beverly Hills"
The last time I had lunch with
jeanne, she was making "All the
Kings Men" with John in the
supporting role that won him an
Academy nomination. She was
then separated from Dick Haynes
and said, NO." when I asked If
she and Ireland would marry.
They were married last August 7.
Il hear we're supposed to be
splitting up again." says John.
cutting into man-sized steak.
1T isn't true" he asserts when I
say, There have been some ru-
mors." THE only battling we ever
do is backstage. I get mad at
jeanne when half way through
rehearsals she says she can't do
it. She does and steals the play
every time"
The Irelands spent their honey
moon backstage in La Jolla argu-
ing, says John, about Joanne's in
depreciation of Arms and The
Man"-that's Shaw's play. II
guess some one heard me yelling
at jeanne" And that's how
marriage-trouble rumors are born.
Would Try Broadway.
II am silly and lacking in con-
f1dence." says jeanne. But since
we did The Glass Menagerie' in
Phoenix-I played Julie Hayden's S
part-I know plays are for me.
I never had faith in myself as an
actress-I was so late getting
started. Movies never gave me
the confidence that doing a play
has. We want madly to appear on
Broadway in the fall. Do you
know of a play for us?"
John recently called it a day
with his Columbia contract al
though he is committed to pay ex-
Evening star., 1950-04-23
TheyWent
lhut0WOy
The Chase Remains
A Bosic Force
In Film Plots
By Howard c. Heyn
HOLLYWOOD.

The objective may be a bandit
or blond, but the chase remains
a basic driving force in movie
plotting.
"They went thataway," not
able phrase born in the silent era
of "Broncho Billy Anderson and
William S. Hart, has become
comedy cliche. And. despite their
nostalgia appeal to older fans. the
pursuits staged by Pearl White,
Charlie Chaplin and Mack Sen
nett look a little corny to today's
younger moviegoers.
Refinements there have been.
but the chase is still with us.
Hugo Fregonese, who never
directed western before, is
photographing only the pounding
hooves Of the horses in one chase
scene of Saddle Tramp" Way
back in 1873, however. Leland
Stanford assigned a photographer
to record a horse gallop, to prove
that all the animals feet leave
the ground momentarily.
Alan Ladd, pursued during most
of his film career, raced along the
ramps Of q fiye-level garage in
Chicago Deadline." He takes a
hazardous route around fiery fur
naces in a steel mill for United
States Mail" and in this same pic
ture we find the hound running
with, not after, the hares.
Settings Are Varied.
Franchot Tone and Burgess
Meredith staged their breath-tak
ing chase over Paris rooftops and
on the famous tower itself IN ''The
Man on the Eiffel Tower" San
Francisco's quaint cable cars fig
ure in "D.O.A.." and Trapped"
has a chase sequence in a street.
car barn.
William Holden pursues his
quarry through tunnels beneath
the Los Angeles depot in Union
Station" and Vienna's sewers are
the suspenseful setting for the
chase in The Third Man" Years
ago, of course, Charles Laughton
stalked Fredric March through
the Paris sewers in Les Miser-
ableS."
Hair-raising pursuits were the
backbone of such senior Douglas
Fairbanks, ST., Aims as THE Mark
of Zorro" Three Musketeers"
and Robin Hood" Unforgettable
are Lon Chaney's horror-chase
scenes in Phantom of the Opera"
and THE Hunchback of Notre
Dame" and the desert ride of
Rudolph Valentino and Agnes
Ayres in THE Sheik."
Evening star., 1950-04-23
PARIS.

PARIS.
Annie Get Your Gun" IN
French in France is proving again
that 1t Is awfully hard to rip out
q piece Of America and make 1t
look natural in Paris.
But maybe the French like
America that way-coated IN
Fench sauce.
Annie" hasn't been changed
too much. but q scene or two has
been added. One. a tiger training
comedy number. Is one OF the
laugh spots Of the show. saw
the London version and 1t was
good. But 1t had no tiger. (There
wasn't any in the New York ver-
sion either)
Here 1t is shown as Annie du
Far West" The translations Of
the songs are even further from
Yankee dialect. ''Doin' What
Comes Natchurly" has no kick in
French.
French Have Fun.
You Can't Get q Man With q
Gun" fares no better. 1t is easy,
Annie sings. to get ducks and
partridges by the thousand. But
though I shoot an apple. ! can
see that man will not be taken
with a gun"
The French have had some fun
with the preparation Of the show
The big curtain that chops of the
front part of the stage is full OF
color and rich in things which
remind Frenchmen of the West
There is a train with a funnel
chimney. A bull buffalo is charg-
ing the train and the engine looks
as If it wishes 1t could scampel
back across the Mississippi and
get out of this awful place.
Big cactuses straight from the
Nevada and Arizona deserts are
growing in the middle of vast
reaches of Kansas prairie. The
Evening star., 1950-04-23

eight, goes to o military school
He comes home every week end.
Pidge, f1ve-and-a-half, goes to
public school" The baby, Bar
bara Nugent Haynes, two-and-a-
half years old, is called Nugent.
I'm trying to sell the big
house." says jeanne. "the ranch
in the valley" The ranch is part
of Joanne's property settlement
with crooner Haynes. ":ye want
to move into a rambling house in
Beverly Hills. Everything in our
lives is in Beverly Hills-the den-
tist. the doctor. my hairdresser.
We want our kids to have side
walks and to be with other kids
without our having to telephone
all over the place for children to
play with them. In the valley.
we have three acres for the chill
dren to play in. But" protests
John. they always play under
our bedroom window"
<AAi0 INV AAA yOu tWO ulCCC:
I ask them. Dick (Haymes)
came to Tucson to visit me on To-
cation when John and I worked
in Red River John and I didn't
talk much then. although we were
there 26 weeks. When we came
back here, Dick brought John to
the house to play tennis. I didn't
play tennis; still don't" When
they met again in "All The King 5
Men," Dick was playing tennis
with Nora Flynn. at that time sep
arated from Enrol.
Johns the easiest man in the
world to live with" concludes
jeanne. Hes sugar" What
am I, honey" asks John. Sugar, :"
repeats jeanne. cuddling his hand
in front of everyone.
Released by North American Newspaper
Alliance
Evening star., 1950-04-23
HOLLYWOOD.


Some of the boys in authority
at goth Century-FoX made a grave
mistake in connection with one
of their most important human
chattels couple of years ago and
now they're busy trying to rec
tify it.
What happened then seems al
most unbelievable. They decided
that leg-famous Betty Cradle
should 60 dramatic. She should
show her famous gains no longer.
She should make fewer Of those
song dance music type movies
identified with her sensational
success over the past nine years.
So, up came a picture titled
"The Shocking Miss Pilgrim
dated, stuffy and long-dressed.
This was followed by something
called Lady in Ermine," a strange
fantasy which proved foreign to
the customary Cradle pattern.
The killer -diller, however, was a
box office flop which went out as
THE Beautiful Blond From Bash
full Bend" This was labeled
western satire" and did nothing
more than blow the high-priced
producer director, Preston Stur-
ges, right off the premises.
Changes Were Made
Ordinarily. three such dudS in
period of two years would scuttle
any star. 1t almost walloped Miss
Cradle for a total loss, but some
how her millions of fans, enraged
though they were, stood by Loyalty
and waited for the real Cradle to
make comeback. Fortunately,
she has done just that-and in
quite hurry.
When My Baby Smiles at Me"
turned up a few months ago and
the Cradle following was happier.
1t measured a little closer to the
old standards. This one has now
been followed by Wabash Ave
nue." and MY Blue Heaven" !"
Both are finished and will be re-
leased in that order-siX months
apart. Both are of the splashy,
plush-lined, tried-and-true for
mulas. in Technicolor, cluttered
with nostalgia songs, lively rou-
tines, pretty tights, and, above all,
much footage devoted to the flash
ing Cradle legs.
Betty, the kind of a girl boys
Evening star., 1950-04-23
COMING Attractions

AMBASSADOR - Daughter
of Rosie O'Grady." with
June Haver.
CAPITOL - The Reformer
and the Redhead," with
June Allyson, starting Sat-
urday.
KEITH'S - outside the
WALL" with Richard Base
hart, starting Wednesday.
LITTLE-"Outcry." with Lea
Padovani, starting Wednes-
day.
METROPOLITAN-"Cargo to
Capetown," with Broderick
Crawford.
NATIONAL battle-ground"
with Van johnson, starting
Tuesday.
PALACE - Champagne for
Caesar" with Ronald Col
man. starting Wednesday.
PLAYH Gus mo Sad
Songs for Me-" with Mar
garet Sullavan.
TRANS"LUX The Bicycle
Thief" with Lamberto
Maggiorani.
w A r N Err - Daughter OF
Rosie O'Grady," with June
Haver.
Evening star., 1950-04-23
Annie Goes French
Toureou Assis
Poris Version of Broadway Musical Hit
Loses Americana, Retains Its Fun
By Preston Grover

circus. about which the whole
show Is built. Is familiar 70
Frenchmen but wood burner
trains are not. So in the second
scene the theater Is blown full Of
wood smoke straight from the
stage engine. 1t almost stransles
the audience. but 1t sure Ia
atmosphere.
They call Buffalo Bill Just "Buf.
falo." but they don't do anything
special with Pawnee Bill. Sitting
Bull goes over in direct transla-
ton to Tsureau Assis. That trans
lates into Bull Seated"
In one scene. Tsureau ASsis
reports that he has just come
from Washington where he has
poured his troubles into the ear
of the Grand Chef de Ia Maison
Blanche"
The dancing IN heaps better
than the Sioux ever did 1t. The
medicine man who dances while
Annie Is being adopted into the
Sioux tribe Is straight out Of
ballet. His leaps would make
any Sioux medicine man squirm
with envy. We never had dancing
like that out on the Washakes
Reservation in northern Utah.
And he SnuggleS up TO Annie
during the dance in q way no
medicine man would think Of.
Haute Couture Chaps.
The costumes are as bright and
fiashy as II Christian Dior had
done them himself. The black
chaps with white trim worn by
Marcel MerkeS are strictly hauts
couture. Merkes is Frank Butler.
the sharpshooting cowboy. AS q
westerner he is plenty tender
foot. but the French audience
went for him big.
Lily Fayol does Annie Oakley.
But it Is q tough Job to try TO
be an Ethel Norman in French.
The language is too cuddly.
The Indians are pure fun and
purely French. The squaws stroll
around backstage adjusting their
shawls to get that correct off-the-
shoulder look. Taureau ASsis
(Sitting Bull. remember?) rolls
his eyes to show heap much white
every time slim gal walks by
in tights.
Then they lead q couple Of ele-
plants in front of mock-up
Eif1el Tower and ferris wheel.
Evening star., 1950-04-23
Todoy's Schedules

OOOy , OCnSOUt6S
AMBASSADOR-"A Woman
of Distinction: 1870, 3:35,
5:35, TAO and 9::35 pm.
CAPITOL - "Side Street:
2:20, 4:55, 7:30 and 1910
pm. Stage shows: 1::25, 4,
6:35 and 9:10p.m.
COLUMBIA-''Dakota Liz:
1910, 2::35, 4:3O, 6:25, 500
and 1910 pm.
DUPONT-"The Titan: /,
2:40. 4:35. 6:25. $40 and
1918 pm.
KEITH'S - Francis: 1:10,
3:15, $40, 7:25 and 9:35
pm.
LITTLE" Tight Little Is
land: l, 2:45. 4:3o, $40,
8:15 and 1910 pm.
METROPOLITAN - stage
Fright: 1:15, 3:15, $40,
.OO o1lO . .OO P.1A.
NATIONAL-"All the Kings
Men: 1:20, $40. 5:25, 7:25
and $50 pm.
PALACE-"Cheaper by the
Dozen: 1:40, $40, 5:45,
7:45 and $50 pm.
PLAYHOUSE - The Third
Man: 1:15, 3::20, $50, 7:35
and $40 pm.
PIX - Animal Crackers:
1:15. AIS. tbs and 10 pm.
TRANS-LUx - The Red
Shoes: 12:45, sos, 5:35,
7::50 and 1915 pm.
WARNER-"A Woman of
Distinction: 1895, 3::35,
$40, 7:45 and $50 pm.
Evening star., 1950-04-23
Betty GrobIe Fans Happier
With Old Musical Mood
By Harold Heffernon

like and still can take home to
mother" as one wag put it, never
asked for such digressions. She
always has been content to le-
main a song -and-dance girl, with
provocative legs but wholesome
face.
No Problems.
"If people like me at all, they
like me for the songs and dances
and the clothes I wear" she said.
Its all fluff but pretty fluff and
nobody ever has to worry about
international problems. or even
domestic ones, for that matter,
when he sees such a light musical" :"
The studio has paraphrased the
bromide about 50,000,000 French
men. "a hundred college frats
can't be wrong" is now the slogan
revived around goth, which frank
ly apologies for its past Cradle
errors.
Betty's pictures show in almost
every country of the world, includ-
ing Russia, with subtitles in al
most every known language. The
studios stockholders constantly
campaign for her to make three
a year so the directors might de-
clare an extra dividend. but, since
1943, she has insisted on holding
the number to two. Her salary,
according to the income tax re-
turns published annually. never
drops below the quarter million
mark. BY the time she pays taxes.
however. and business fees, she
figures she does we'll to retain 10
per cent.
Released by the North American News
paper Alliance)
Evening star., 1950-04-23
Maker Of Titan
Is q Titan Himself
FIoherty Has Deep Faith in His Camera
And in Imagination of Audiences
By Joy Cormody

By Joy Cormody
The exciting local entertainment moment Is
that of Micheangeo The the The
The Titan" indeed, have been
is label for just such a screenwork this
Another however rates dramatic consideration in
nection with this revolutionary cinema This one belongs
Robert Flaherty Mr. Flaherty is short substantial gentle
whtehaied who made the Micheangeo movie bograph
masterpiece worthy subject write
picture cameras. it
effectively and consistently reveal dramatic inner
ings
otherwise SKILL he fascnate millions Of
movegoe with the OF Esqumo in Nanook Of the North
island fisherman Man of Aran fantasticay remote
small Louisiana bayou boy in louisiana Story
In the case Of each Of these Faherty has shown them
hoines played by the greatest box-ofce names in moViedo
MicheIoneeo His Greatest Challenge
Naturally Michaelangelo the greatest challenge OF his
decades of movie-making.
Flaherty working idea by
German Oerte the challenge He did
by actor He thought OF him.
instead supreme artist still living in his works.
What Fahery sought to do to play his on these
paintings palaces cathedras and libraries that the
would almost visibly alive to
track musics
powerful eloquent and exciting recall of OF hs greatest
human lives
Flaherty has second faith equal intensity
he bows upon his camera This is faith in the imagination of
oviegoers He daes to believe that they minds
spirits and they will these enjoy the most
movie.
He showing people have his SIM
pcty intelligence landscape where Micheangelo
lived boy trusting the artist
learned beauty and the drama of life
He does not need merely landscapes and beautiful
palaces paintings and audiences he knows will under
Titan made picture for those who
cult of the fine He has made movie for everybody
young sophisticated wise simple the same
for which Michelangelo made his maSerworks
Big Figures From Blue Book
backed book showed the mail last week.
exciting looking volume called Blueprint for Summer The
full of tables charts brief texts anayzng various
drama and photographs OF number OF stage
could be of interest only those with plan to form
theater which large percentage OF the l50
million frettng the census takers.
there something which should interest,"
the slightest OF theaer 1t
of country payhouses for 1885,
business all this has turned out to be-
believe 1t or
weekly of $339450 With
like that starting them in their happy faces such heaer
operators afraid of nothing-not even teleVision
Small Audiences for Long Time
growing branch of the movie business the one
which cinema operators wish there
other Art suggests something fancy
business done by their pictures
anything limited and cultike
heaers frequently oudraw the
the appealing to small audiences
a time-snall capacity with long
Washington another motion picture house OF this
type Roths Plaza New York avenue
the Devil English-made film based upon
di Donates Christ in Concrete
will it's quality pictures shown IN an
atmosphere but it does not want to be known
as an theater" any others of its type
Evening star., 1950-04-23

WITH A LOCAL FLAVOR-Mabel Paige and Laura Perpont
play pair OF faithful Go0ernent servants ho right
running the Office OF Seeds and Measures long after 1t is sup
posed to haze been abolished in Sam Spe10ack comedy "TDo
Blind Mce Kim Hunter (belo) is the newcomer to the Broad
cast starring Meuyn Douglas Ohh m present the play
at the Gayey Theaer tOo 0es starting tomorrow night
Evening star., 1950-01-29
MILL SECONDS
TRADITIONAL LIVING ROOM

-. y,ascr,n+,ons "a S.. fst 9s5S WAS
frame
, MAHOGANY ROCKER beige upholstery os5o oSoo
LOUNGE In blue hrocatelie eso
CHAIRS Upholstered In red tapestry 4s5o so
i BARREL BACK beige tapestry z5m Ss.so
i SOFA fine floral fabric
5oSTSn pncYERs Snahogarv frame ........ N95
pSSEEpS rnahoeany frame 220o
$1,000
In fine ANTIQUE blue velvet sSW lsoou
s0ap SOL yelaet MahooANi FRAME
viCIosiAN vin antjnne nAI yeIyet ~ :. s4oo $500
grST CHAIR
vIToRIAN OCCASIONAL fabric 125 90 1850
vlCdoraAN na each na,so 1oId h1e green $3.50 $3.50
uTrTnRAN oCCASIONAI CHAIR 1850 $3.50
ross florai fabric 1880
fahric ~ So - ...-...
HiUt sasric onAAN M ' ~ 1850 $500
vIrToRTAN ROCKER in $3.50
vTCTORIAN SOFA in tapestry 25000 $4,000
sishty % soiled 4 :
green fabric
polIaear roi .arsstry s,vi osiAN n o ~ 1880 se
os noa sIMII gSs c I'm IN FIN, yrsy tapestry
LOUIS XIV CHAIR occasional type in Zine rose fabric sso ~
Evening star., 1950-01-29
RUGS AND CARPETS
pERFEc7s OF DISCONTINUED PATTERNS OR coLoRs

-. e.. no-cr,r+,or NOW
Guan o,zg PATTERN
aSD E0 Bf,e Ground
sAta $3.50
IEAr Ground
Tone
r1tr 100 pege
sAia 9srTrTpN Tone Green
4 AIL-OVER FLORAL Black Ground III W 1soo
LEAF e-nn-Tone. Burgundy ~ 81 osse
COLONIAL, HOOKED DESIGN. Light Blue $3.50 4sse
ay12 EMBOSSED Toneon-Tone Grey.ll4
ex12 EMBOSSED WILTON, Light Blue 145o sseo
LEAF PATTERN e-on-Tone. Blue 5950 44.v
SCROLL Burgundy ll1oo % oe
exs TONE-ON-TONE, Burgundy. W5U
18TH CENTURY Ground 1893 ssse
4 ex5 sCUIPTURED EFFECT, Scroll, Green 144 5o ssvo
+ TONE-ON-TONE, Rose llsSo 10y
ey1ois LEAF AND Tone Rose .! 30 ssm
TONE Leaf and Floral Green q sS szSo
sxlotz Sn1DS5oED
~ 1900
oxs re"
a11t
! !xio rI1rs xSod.rn Tar
I121 a1rEn p9rss Re,re
zIx34 SSa1rEn rsn+,,rv pose
MANUFACTURERS SAMPLES, Assd Coo1 ~
Evening star., 1950-01-29
DESKS AND SECRETARIES
RADIO AND TELEv|S|ON

guam Description 9 WAS NOW
models -''s1 -.
TEIEvsfoN walnut cabinet dscontinued model ssss
mahogany CABINET Admral 81 - A'n 1895 $3.50
e.S.nes Zenith piscontnueu design s2s 50
Evening star., 1950-01-29
TRADITIONAL DINING ROOM

Guam. Description WAS NOW
8 Hitchcock
DINING ROOM CHAIRS, mahogany, 159s
] shield
shield
{ MAPLE LADDER CHAIRS
LADDER BACK CHAIRS. mahogany.
! CHAIR
(
II SIDE CHAIRS Solid mahogany. 2750 1885
! ROOM SUITE Mahogany table
buffet three side arm cfa
arm arm mahoganv ~ elN ~ ~ ~ w @ @ $500 $500
/
OCCASIONAL CHAIRS manogany 1895
side and one arm ~ e'~ ~ ~ -. - " ~ .e........ ss75 4s.7S
CREDENZA mahogany bowfront 6500 9s5
Evening star., 1950-01-29
REFRleERAToRs, DEEP FREEzERs, WASHER.

Guam Description WAS NO
year ...s... -. 22s7s 1885
warranted - sOe7s 25s
s1s75 2ss
GE DEEP FREEZER, 1949 model 4
Gu # 2isoo 17s
WESTINGHOUSE REFRIGERAToR o Gu IT, five D''
WESTINGHOUSE LAUNDRoMAT floor dmonstrator 2ss s5 rs
gal noor sample 1s47s ss
enamel cabinet -. a2s7s 49,
GENERAL ELECTRIC PORTABLE DrsHwAsHERS 1895
17ss5 13s
Evening star., 1950-01-29
cLosEouT: SOLID MAHOGANY OPEN STOCK GROUP
cLosEoUT: FAMOUS HENREDoN TRADITIONAL
FURNITURE FLOOR sAMPLEs)

ouan Description WAS NOW
MIRRORS mahogany S4.so
CHEST DRAWERS, genuine mahogany 1880
boy genuine mahogany 1890
$500
BED, double genuine mahogany 1880 SS50
DOUBLE BED genuine mahogany. 1885, $500
canopy frame $4,000 lsssa
SEMI POSTER mahogany 1850 1850
22500 1880
double mahogany 1880
CHEST high 27500
thsnc reproduction IN genuine mahogany $500 l7sss
DRESSER In ass 90 t7S0e
TABLES 1850
NIGHT TABLES in genuine mahogany $3.50 $3.50
junior. $500 49sG
DOUBLE DRESSER
VANITY mahogany. 1880
BED genuine nnahoeany double
CHEST OF DRAWERS genuine mahogsny
MIRROR genuine mahogsny VIC III
MaHT TA1fEe genuine nahogans ..ss.s.a.s... &0 0W
Evening star., 1950-01-29
TRADITIONAL BEDROOM FURNITURE

GUAM Description WAS NOW
POSTER BED double size mahogany $3.50 zsss
POWDER TABLES. mahogany. with upholstered
I
!
DRESSERS mahogany
NIGHT TABLES, mahogany 2495 1lS5
mahogany $3.50
675o
16T5
29T5
1 2975
double 3425 2475
BEDS
mahogany $500
Aze. $500
$3.50
DRAWERS 1850
BEDS. mahogany
mahogany double 2o75 1918
! BEDROOM SUITE French provincial In parchment
table assss
msnt sap'yl White D eAsa 1880 ssss
DOUBLE BEDS solid maple ..................
VANITY, maple, $500
mirror and night asan
Evening star., 1950-01-29
cLosEoUT: FAMOUS BEAcHLEY LlVll
FURNITURE
(F1oor Samples,

Guam. Description WAS NOW
1880
BARREL BACK CHAIR identical fabric
LOUNGE quality
CHAIR gray pattern
CHIPPENDALE SOFA fine brocatele 1880 1875
fine wine tapestry .....' - ......~....,. 2so5o 1850
In tapestry
SOFA lovely ooucle 100 90 1850
gray fabric ass
green
Evening star., 1950-01-29
DRApERY & sLIPCOVER FABRICS

er., n.scr,nt,on
81
G yds AQUA HERRINGBoNE Twill - -,
upholstery material Aso lw
YELLOW PLAID HoAEsPUN ass is
GREEN, CHARTREUSE 81 GREY upholstery
Ao'
o.. & Upholstery Darnask 4sS loo
BROWN ANTIQUE SATIN <'o
ISL. yds GREY FLORAL LINEN 49s ESQ
STRIPE. fuchsa LIS 80
is yds ORIENTAL gold background 1So rs
ROSE FLORAL on whpcoro z]o ioo
no yda HEAVY DANiAsK, blue 2sS Ice
IL yds HEAVY BEIGE RAYoN Diagonal 3As 15e
100 yds COTTON wHIPcoRD ehartreuss, - -.
l6 maroon 1o Loo
GREY COTTON Gabardine iso 10
TURQUOISE COTTON Gaoaroine '''''''.'''
RED d WHITE Tohe
GREEN q WHITE Tohe i'' io0
f0e Glosheen. Ut yds Blue, -
- yds. White I'D
Rsyds FLORAL DESIGN on
peach Glosheen. g
yds sancoth: 17s l"W
iss ydsC SAILCLOTH red rose back
Is yds AQUA BACKGROUND design sail 20 -
10 yds Yellow BACKGROUND SAIL 90 ,,o
10 yds sEidE BACKGROUND. design on sail -. "a.
ss, ya, FLESH COLOR Easement Cloth iss Is
seM NUBTEx MATERIAL-coor seapray 1'0 "
Evening star., 1950-01-29
- 7
cLosEoUT: KRoEHLER LIVING ROOM FURNITURE

Description WAS NOW
LIVING ROOM SUITE twopece in red tapestry 2soo 1890
$4,000 $500
SOFAS fabric plastic 1880 $500
LOUNGE CHAIRS in fine quality bouce $3.50 4ss
Evening star., 1950-01-29
Cavalier CEDAR AND STORAGE CHESTS
HOLLYWOOD HEADBOARDS

euan. Description
IS HOLLYWOOD HEADBoARDs IN corduroy. simulated
leather and fabric, mostly twin but . few doubles.
Values from 1895 to 1895 NEUTRALITY-SUSPICIOUS..
Evening star., 1950-01-29
BEDDING CLEARANCE
tsoied, damaged discontinued springs and mattresses)

Guam. Description
PLATFORM TOP SPRINGS. coiled.
4 pLATFoRM TOP SPRINGS. coiied single
99S
SIMMONS nlNERSPRNG MATTRESSES,
NERSPRIN(i MATTRESS size $3.50 299S
MNERSPRING MATTRESS. double size 1850 s.sS
size :. ........ $3.50 sss
Size
TREssEs three-uuarter % size a ..'lA ' ~ $3.50 245s
{ SIMMONS FOSTER
4 BOX SPRINGS.
2sERTA SPRINGS, 4e.5 245o
Evening star., 1950-01-29

Guam. Description WAS NOW
i REGENCY OCCASIONAL CHAIR black frame. red
1 SOLID CHERRY WING CHAIR upholstered "a blue
SOLID CHERRY ROCKERS. upholstered in black
upholstered quality fabric 1888 ASS
j LOUNGE in
! BoUDOIR 4250 1880
brocatele ............ $3.50 1880
I LOUNGE CHAIR in
in
floral 1890 1880
leather seats a.. $3.50 ssse
with rose mohair upholstery o-' - $3.50 ass
cHATRs gold upholstery 7aso
tapestry upholstery asse 1859
q OCCASIONAL CHAIRS exceptional quality with
sseu,ns ssesn soD naoe apno''.., ss a
hosery
hostery nso
leather
hosey ~ $3.50
top grain green leather isoss
Evening star., 1950-01-29
STUDIO COUCHES, SOFA BEDS, ETC

Guam. Description WAS NOW
different
SOFA BED fine fabric 1880 $3.50
SIMMONS STUDIO CoUCHEs In green and gray SfEs
...,..... ..........., 1850
tapestry 256o0
PULLMAN SLEEPER, fine quality