davidaulloa/AmericanStories huggingface dataset:
Evening star., 1948-03-28
Curator Of Photography
The Smithsonian Institution

The Smithsonian Institution
as an establishing shot, scenes OF
mortar mixing, transfer of bricks
and mortar to the job, and finally,
the bricklayers at work. Decide on
the number of main sequences that
you will have to make to do a good
job. Then break these down into
the various scenes or shots that will
tell the story. Make up shooting
script, even If it is only series
of notes to guide you as you shoot
the story. Be sure to plan for lots
of closeups, pans, changes OF camera
angle, inserts, and even dolly shots
when possible. All this will add
to the dramatic interest Of the pic
ture.
Emphasize the Problems.
Every man at his work will have
his own particular problems, which
you should try to emphasize and
bring out in your story. If you see
that the bricklayer has a special
way to align the bricks, be sure to
get that in your film. Watch him as
he works and try for typical facial
expressions that will crop up now
and then as he performs certain
difficult operations. But don't let
your characters look at the camera
or indulge in horseplay for your
benefit. To get your subjects used
to the camera, it may be good plan
to run the camera empty for a while,
without their knowledge, until they
have overcome any unnatural awk-
wardness due to "stage fright" For
the best candid shots it may be pos
sible to set the camera up in hid
den position and shoot while unob-
served. Long focal length lenses
are also helpful, but as a rule you
will discover that almost any one
will cooperate with you on a project
of this kind as long as you appear
to know what you are about. ..t
On job of this kind look around
for signs that tell what sort of work
is being done and you will later
be able to use them to substitute
for titles that otherwise would take
up much footage.
AS it is not necessary to edit the
film in the camera or shoot in Sc
quence, plan your shooting for the
day according to lighting conditions.
Watch your shooting schedule
carefully and be sure that you have
all of the shots that are necessary
to tie the film together. If you make
mistake, go back and shoot the
scene over again until you are GER
tain that you have all that you
need. Next week there may be some
other workman on the job that you
covered and he probably won't do as
a substitute for previous character.
Try to get as many interesting
closeups as you possibly can. They
will add the punch" that will put
over the point of the story. Don't
miss out on any unusual or differ
ent" shots that you may come across
during the filming. For instance, on
Evening star., 1948-03-28
Camera Angles
Making the Documentary Film
nteresting By Alexander J. Wedderburn most larl
Film

most large construction jobs, con-
veyor belts or escalators are used
to transport materials up to the
higher levels Start sequence at
the bottom of the conveyor showing
the materials being loaded on the
belt buckets, using long, medium.
and closeup shots. Then, to add
the different" twist, take your
equipment to the top and make
your setup directly down the con-
veyor belt so that the entire opera
tion is shown from above. The
buckets will slowly approach the
lens and finally loom up, filling the
entire viewing field. This will be
quite effective when shown on the
screen.
The problem of focus can be han
died either by follow-focusing as
the subject approaches the camera
or by splitting the focus setting
between the camera position and
the farthest point of interest in the
scene. The follow-focus method is
the best, but will call for practice
before actually exposing aim. A
shot of this kind is really only a
dolly shot in reverse, with the sub
ject moving toward the camera
instead of the camera being moved
in on the subject. 1t goes without
saying that it is a waste Of time to
attempt procedure like this un-
less the camera is held firmly in
position by a tripod. If you have
to hand-hold the camera. use the
split focus method and hope for the
best.
Wherever your interests in the
field of motion picture photography
may lie, don't overlook the docu-
mentaries. They are useful and
should help you get used to the
idea OF telling a story whenever
you use your camera. If you need a
new playground for the children
in your neighborhood 60 out and
make a convincing film telling why
II you are about to complain abo,;t
factory smoke or other undesirable
conditions in your area, 60 to court
armed with documentary film that
will tell your story better than
words
Evening star., 1948-03-28
National Society
Shutter Clinic

The National Photographic Society
will conduct q shutter clinic" Wed.
nesday evening at 8:15 In the
Natural History Building Of the
Smithsonian Institution, Tenth street
and Constitution avenue.
Joseph n. Gibbons Of the repair
department Of Fuller & d'Albert
will talk on the subject Of shutter
service, shutters and cameras.
Equipment will be on hand to check
shutter speeds, etc.
Members newly inducted into the
society are: Allan Petrov, Bonnie B
Moore, Thomas A. Bedsworth, DR.
Louis Levinson, Ira Schwartz, s. A.
J. Mcdonnell, Rex. w. Crook, Will
liam G. McHenry and James B.
Smiley,
Evening star., 1948-03-28

One of the most interesting
phases of motion picture photog-
rapf1y lies in the production of the
documentary film. The movie pho
tographer who wants to escape the
humdrum routine of making a
series of record shots should have
a try at the documentary.
Documentary films differ from the
run of the mill record shots usually
seen on amateur screens in that
they convey a message in con-
nected way and from some differ
ent slant or angle. The ordinary
newsreel is one type OF documentary
film. A better and more advanced
example, with the slant or angle,
would be the March of Time" Most
of the films that came back from
the war areas were of the docu-
mentary type. The big difference
between these and record shots Is
that the documentary tells the story
from a dramatic and unified stand
point.
There is no lack of subject mat
ter for documentary film, no mat
ter where you live. If you live in the
city, for instance, there are unlim-
tied possibilities at the water front
rstories of the oyster and fishing
boats that land their cargoes, stories
of the fish market or stories of the
boat yards. At the nearby school
you will be able to find much in
teresting material at hand in play
grounds. Down the block you may
find a building in the process of
construction. The country dweller
will not have to 60 further than
his own or his neighbor's barnyard
to find a wealth of material for in
teresting and informative films
which can be both entertaining and
instructive.
Requires Some Study.
A good documentary film Is not
shot on the spur of the moment.
Like any other well-done job 1t will
require a certain amount OF study
and preparation before the actual
filming begins. If you decide to
shoot the story of how bricks are
laid leave your camera at home the
first time you visit the construction
area, and spend as much time as
necessary to get the feel OF the
Job from the standpoint OF the
bricklayer. This will be your slant
or angle. Discover just what the
workman does from the start OF
the days work to its finish. Take
notes on what he does. Note the
lighting at different times Of day
at various scenes Of action where
your shooting will take place. Watch
carefully just how many steps are
necessary to mix the mortar, the
way that the bricks are conveyed
to the working area, how many
people are involved in the job and
so on, until you feel at home at
that type of work.
p Then work out shooting sched-
ule from your notes. After re-
viewing the days work you will prob
ably decide that you will want a
general view of the construction job
Evening star., 1948-03-28
Dodds Exhibit
Shows Animals
Of Character ;.

The Smithsonian Institutions
Photographic exhibit for the month
of April will feature the work of the
nationally known pictorialist, Jon
Delton Dodds, of Benton, KY. Mr..
Dodds, an associate Of both the
Royal Photographic Society and the
Photographic Society OF America, is
rated by the American Annual of
Photography as one of the most
prolific and able exhibitors in the
United States.
This one-man show is quite differ
ent from the usual run of photo
graphic exhibits in that it is straight
photography at its very best. OF
particular interest are Mr.. Dodds'
pictures of animals having that rare
quality of character" usually lack
ing in pictures of this kind. The
animal prints are particularly not
able for their excellence in light
ing and composition. The ver-
satility of the artist Is evident from
the wide variety Of subjects por-
trayed. The show includes land
scapes, portraits, still-life shots,
pictures of plant life, and a wide
range of other subjects that will be
of interest to both amateur and
professional photographers.
In his prints, Mr.. Dodds has
achieved the acme Of clarity and
detail through the use OF glossy
paper, which is also somewhat OF
departure from the usual method Of
pictorial presentation in exhibition
work.
The Dodds exhibit will be located
In the Northwest Gallery Of the
Arts and Industries Building, Ninth.
street at Jefferson drive S.W., and
will be open to the public Sum-
days and week days from 8 am. to
A.qn ~ m
Evening star., 1948-03-28
SWV Auxiliaries

Special notices:
Tuesday-Dewey Auxiliary, din
ner at Northeast Masonic Temple
Tickets may be purchased at the
door or from the president, Mrs.
Florence Babbitt, ALA Cottage ter
race, Cottage City, Md. Phone
Warfield 3710.
Wednesday-Capital City Fort No.
o. Daughters of '98 and William
Mckinley Camp, Sons of Spanish
War Veterans, evening of games,
the Embassy Club, 1921 K street
NV.
Saturday-The Military Order OF
Lizards, Pythian Temple, 1912 Ninth
street NV,
Evening star., 1948-03-28
Model Session

The Foto-Craft Club Of the
Twelfth Street YMCA will meet
Thursday at $3.50 pm. in the main
lounge of the Y, 1916 Twelfth street
NV, for a model session. A class
for Juniors and beginners in photog-
raphy will be held an hour earlier.
Evening star., 1948-03-28
American War Mothers

Meetings this week:
Allegiance Chapter-Thursday,
40, Washington Loan & Trust
Building.
Bi-Centennial Chapter-Saturday,
evening of games, 416. Washington
Loan g. Trust Building.
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
Americas PASIRUOSIMAS

KUOMET U. S. apsaugos sekretoria kreipes Senate
Komiteta prasydami uztvirtint 10 Xxi rs metu vyrQ
draftavma ir skirt IA blijonu dolaru apsaugos pas
ruosimams, svarbausias susirupnimas buvo del atom
niu bombu ir povandeninu karo aivu. Tai susirupin-
mas kad Amerika reika rupntis sutikti tuos pavous
is sovietu puses.
Apsaugos Sekretorius Forrestal tikrina kad Russia
dar neturi atomines bombos arba gaimybes ia pasda
ryti Tai yra gal drasus spejmas, tacau visiska uo
RENTS negalma Tikrenybeje tik keli aukstiei
vietu vadytoja Zinc ka istlro Russia tur arba kaip
greita j progresuoja link atomines bombos a1ba kitty
mirtnu ginklu gamnimos Bet NUNS yra zinoma kad
Russia turi ukstancius zymiu Vokeciu moksininku If
desimtis tukstanciu Vokieciu teknku drbanciu jems
Taigi butu nedovanotina klaida pavirsunai ziureti
Rusu ginklavimas
Baimnants tik atomine bomba ir povandeninias
sovietu aivais reikanga apszuret kad vsos kitos il
maza pavirsutine svarba tu1incios musu pasiruosmo
puses nebutu prazureta Amerika turi skubai didn't
kariuomenes ruosti karo medzagas ir visapusai
organzuots kad nebutu uzkupta dar besnekant if bes
gncjant kas daryt.
Visi mes turime zinoti kad sovietai ruosiasi rem
gasi ir jQ venatnis tiksas pult nukarauti Amerika
Tode tu kurie bjodam karo sake kad mes neprvaonle
gnkuotis r karu ruostis yra didziausa nesamone at
sisukti pavojaus, kurs gall uzklupt, r baisu bus
kai uzklups mus nepasrengusus.
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
kaip Sovietai Uzveisia
Amerika Snipais

Sovietai turf isteige Maskvo-
je savo centralini biura, kuris
turi rysius SUI placiu pasauliu,
10 zinioje veikia slapti agentai,
snipai, per j eina informacijos,
lsakymai, pinigai, ir net gink-
lai komunistams visose salysa.
Maskvos centralinis biuras
palaiko tiesioginius rysius ir
SUI sostinemis sovietu uzgrob-
tu Sally, kuriose prisodinta is
Rusijos atsiQstu MVD (buvu-
siQ NKVD) snipu. Tu snipQ
pareiga yra ziureti ir sekti vi
So veikima tQ pavergtu Sally
valdininkQ. Paveizdan, Lietu-
vote, nuo Paleckio zemyn, kick
vienam Lietuviui komisarui yra
pristatytas Kremliaus isbandy-
tas, istikimas MVD snipas, nuo
kurio priklauso visi darbai i1'
judejimai tokiu tautu vietiniq
komisaruku.
Tose salyse Kremlius puikiai
apsirupines savo snipais, galva-
zudziais ir teroristais, ir tose
salyse veikianti vietiniai komi-
sarai yra tik frontas, pastaty-
tas tos Sales zmonems matyti,
bet uz to fronto-vergo komisa-
70 uzpakalio stow ziaurus gall
vazudis Rusas ar kitokios tau
tybes Kremliaus patiketinis.
Tokiq galvazudziu Kremliui
reikalinga ir Amerikoje, ir ju
cia yra pakankamai. Prize kick
vieno is pacios Rusijos atsiQs-
to valdinino taip pat yra pri-
skirta toxic galvazudziai, kurie
seka vienas kito veikla ir ju-
dejimus.
Bet Maskvai to neuztenka, ir
kadangi Kremliui reikalinga
uzpildyti AmeriEa savo agen-
Observation-Disclosures ir re-
voliucijos rengeja1s, Kremlius
naudoja ir sekantl gudru buda,
kuri Amerika suseke:
Is kiekvienos sovietu okupuo-
tos ar komunistQ uzvaldytos
Sales Amerikon atsiunciama
ju taip vadinami diplomatiniai
atstovai. Pirmiausia, tie at
stovai turi butt istikimi Mask
val komunistai. Bet prie jQ
kiekvieno dar pristatoma is pat
Rusijos priskirtas MVD galva-
zudis Rusas, kurio pareiga yra
ir saugoti ta atstova, ir ju visu
isvien dirbti Amerikoje tarp
komunistu ir ne-komunistu di-
dziausi darba - ruosti komu-
nistini perversma Aperikoje.
Jie visi dirba dideliu isiuti-
mu perversmui sioje salyje pa
daryti, mes Xxi Amerika bus
pakankamai galinga prizes Ru-
sija laikytis tolei visame pa
saulyje komunizmui nesaugu.
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
Darbo Vadu Klaidinan-
ii Propaganda

c"u ouOJo pliIlcao puoIIlcIlS
kaip sioje salyje veikia naujas
Taft-Hartley darbo istatymas.
Americas darbo organizaci-
jos vadas, William Green, pa
dare keista pareiskima, esq is
sipilde viskas ka darbo orga-
nizaciju vadai prizes t. istaty-
ma skelbe.
Keista. Niekas nemate dar-
bininkq rankas apkaltas rete-
ziais, niekas nemate darbinin-
kus prievarta varomus j darba,
kaip tai skelbe Green ir kiti
kurie ta istatyma perstate bu-
slant darbininku verguve.
Tikrenybeje, jokia darbinin-
kQ unija nenukenetejo nuo to
istatymo ir joke teiseti darbi-
ninku. veiksmai nebuvo uzdrau-
sti ar suvarzyti.
Paskiri darbininkai uniju ma
rial pilnai patyre kad jie nepa-
juto darbo salygu pabloginimo
nei algu sumazinimo ka jie ga
letu primesti tam naujam ista-
tymui, ir Xxi dabar visi darbi-
ninkai persitikrino kad propa-
ganda varyta prizes ta darbo u.s.
tatyma buvo klaidinga, jeigu
ne klastinga.
Tiesa, nekuriuos uniju virsi-
ninkus tas istatymas palette.
Daugelyje atveju komunistai
buvo priversti pasitraukti is
uniju virsininkq vietu.
Tas istatymas dave proga ir
patterns darbininkams ginti sa-
vo reikalus unijoje. Paveizdan,
vienos unijos nariai iskele tel
SINE byla prizes savo virsininkus
uz pasikelima sau algu be dar-
bininku sutikimo.
Jeigu Green ir kit aukstieji
unijQ vadai sakytu teisybe apie
ta istatyma, jie turetQ pripa-
zinti kad darbininkams jis yra
naudingas. Darbo unijos turf
teises atsikratyti kenksmingu
if lupikiskQ uniju virsininku,
gall isvyti komunistus is vado-
vybes, gall laikyti reguliarius
unijos virsininkq rinkimus, is
gauti is virsininkQ pilnas fl
nansines apyskaitas ir padeti
savo geras pastangas islaikyti
unijos sutartis SUI darbdaviais.
Tx komunistai, uniju rake
tieriai ir parazitai nukentejo
nuo to istatymo.
Dirbtuvese, kur dar nebuvo
unijQ, buvo pravesta laisvi rim
kimai, ir dideleje daugumoje
unijos laimejo. Niekas nedrau-
de. jokioje dirbtuveje unions
surengti rinkimus uz darbinin-
ky istojima j ia unija.
Ir unijos ir darbdaviai gale
jo ir iskele bylas uz neteisin-
ga pasielgima vienQ prizes XII
tus, Darbo Santikiu Taryboje.
Pirmiau, unijos galejo kelti vi
sokias nesamones, daryti ap-
kaltinimus darbdaviams, bet is
darbdavio jokiu skundQ nepri-
imdavo niekas, nors buvo uni
jos vadu neteisingai elgiamasl
su darbdaviu.
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
KENCIANCIAI MOTINAF
(Balys Augustinavicius- -Auginas)

(Balys Augustinavicius- -Auginas)
Ia gudzia nakti kauke vejas
1r krito dargana tamsiais lasais.
Gaisruose Teviske regejau,
Maciau, Mamyt, kaip Tu rankas grazai. :.
Regiu Tave, Mociut, didzia nasta palinkus,
Vienplauke = VETO tarsomais plaukais.
Ir budeliu minias ziauriais veidais aplinkui
Pesciom j Sibira bevarancia laukais = =
Tu pakeli axis - jose liepsnu liezuviai =
Tai degancios Tevynes atsvaistai = -
Jose matau ikima kenciancios Letuves,
Tavuju gniuztese randu Strides zaizdas.
Q buvo ten kadaise girios tankios, zalios,
Kvepejo duona zydinti tenai -
Nunai griuvesiai prie sodybos kelio =
Is gimto musu lizdo like pelenai ---
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
ARMIJoS DIENA

RALANDzIO visi iskelkit pagarbai Americas velia-
= va = tai ARMY DAY = atzymejimui kad gainga
Amerika bus taikos ir saugi Amerika
Iskemu veliavos SiOs SALES gyventOJai gall vlesal
ta dena sreiksti pagarba Americas kareiviu kas
jam priklauso uz atsekmus kare ir takoje.
Armijos Diena, Balandzio 6, yra vsuotina pagerbi-
mo sukaktis kurioe visuomenes demesys atkrepiamas
Reguares Armijos visa-pasaulnes parelgas; tai yra
dena kada sos sales geri piecia privalo prisimnt r
suprasti svarba koka p1skrta SALES zemyno apsaugos
irengimams kure apima tiktai A1mja, bet Naciona
le Gvardija Organizuota Rezervo Korpa, r Rezervni
Karininku Paruosmo Korpa.
81 dena yra priminimas If isaiskinimas Sales gy-
ventojams rekalngumo vyru jegQ ir kokia daugybe
progu ir karjeru suteikia Armija aunems tnkamiems
vaiknams klrie istoja tarnyba.
81 diena yra pagerbimui Americas kareviu praei-
ties r dabartie kure tap daug prisideo prie pasauo
GALINGA Amerika yra TAIKOS An1erika Arnli-
ia, didziausa paskira das Ginkuotu Pajegu yra SALES
apsaugos r apgynimo nugarkauis Stpr Armija, to-
del yra garantavmas stprlos Americas If ramios Ame-
rikos Tiktai stipr Amerika gall lost zymiausa role
slaikymui tarptautnes taikos.
U. S. Armija yra JUsQ Armija. Tai yra pilnai sa-
r supratma kiekvieno piliecio. Mes lasvanoru sise
veiks tikta prie pilnos visuomenines paramos
Kiekvienas Ameriketis prvalo suprasti Armijos
visapusskas svarbias aikos paregas ir atsako-
mybes. Armijos Denos proga bus padedama pastangu
supazindnti visuomene tomis musu kariuomenes uz
duotmis. JQ tarpe Na:
Okpuacijos pareigos Europoje ir Pacifike
Saugojimas visu islaukinu bazu
Palakymas rekmenu tiekimo liniju pasiekimui sa-
okupaciniu jegu ir bazu
Palaikymas Militarinu staigu cia pat mamie
Paruosimas tukstanciu jaunu vyrQ modernniu TEX
nisku darby
Vadovavimas svarbiu tyrnejimu ir istobulinmu
Atlkimu visu siu svarbiu pareigu mamie ir uzjury-
e, Armjos autorizuotas ddumas (nepriskaitant u S..
Orc Paegu) nustatyta is $4,000 vrsinnku ir kareviu
To skaciaus islakymui reikalinga kad kariuomene ISL
rasytu kas menes po $1,000 vylu. Sudarymas il pala
kyas vien k savanoriu Reguliares Armijos yra sunk
atsakomybe kura tur pasimt saves visi Americas
gyventojai
Armos Dienoje bus ivairu isklmiu ir apeigu, kali
bu ir pranesmu supazindnimui visuomenes sos die
kslais. Daugiausa valiu iskilniu bus atliekama
vietose miestuose ir mesteuose. Bus parada demon
stracijos aisvas ankymas Armijos postu stovyku If
irengmu ir Naconales Gvardijos vietovu.
sia Arnijos Diena mes matome savo Reguliare Ar
mia paregota pagebe statyti pastovia pasauyje tai
ka Jokia kita valsybe nedrysa pasimt tokios asako
mybes ant pilnai 1907 savanoriQ pagrndo - kas yra
Amerikos taikos meto tradicija.
Kaip tai buvo daroma 1923 metu A1mijos Die
vel bus pravedama taip vadinamo Military Order Of
the World Wars. Su uo kooperuoja kitos veeranu or
ganzacjos Ia diena pazymi sukakt Americas istoji-
mo Pirma Pasauini Kara
Dirva = Field. [volume] (Cleveland, Ohio) 1915-current, 1948-04-02
EKSTRA! 288 DAINV KNYGELE
LEISKIT ! TEVYNE
(Kiseninio didumo - 272 puslapiu)
kama SUI prisiuntimu S1.OO

kama SUI prisiuntimu $1.OO
Dirva gavo Europoj naujai isleista knyga
ivairiu Lietuvisku liaudies dainu ir kitokiu
pavadinta - "LEISKIT I TEVYNE". Tai
nepaprasta knygele tiesiog didele knyga,
272 puslapiu didumo, ir joje telpa net 288
zinomq eilerasciq. Skubekit isigyti sau vic
ma Xxi jq turime. il suteiks jums didziau-
sio malonumo, mes rasite daugybe savo III
nomu dainQ, ir daug tokiu kurias turetumet
zinoti Isleido "Mintis", Vokietijoje.
Reikalaukit Dirv0je
Evening star., 1948-11-28
Prep Star
Prepares for
Pro Ball Career

St.. Ignatius In Chicago. The
backfield, he figured, would
be more fun. Coach Orrel
Mitchell needed only about
three days to see that young
Bidwil was not a blocking
back, but he also noted the
lads surprising speed. Bill
retained his backfield post.
but added ball carrying to the
blocking chores. Now he is
one of the outstanding
schoolboy players in this area.
Il like to block" said Bill.
"and I was surprised when
the coach decided to let me
run the ball. That's fun. too
especially when you gain"
The Bidwill boy is an aver
age student at Georgetown
Prep, where he Is known to
his teammates as Ace" He
likes chemistry and math-
ematics. two usually tough
subjects, but admits having
trouble with Spanish, sup
posedly a breeze" for bright
boys. He isn't sure what col
lege he'll attend. He leans
toward Villanova, but thinks
he might prefer a school in
Texas, where the football is
good and the weather warm.
4 don't like this cold
weather" he said.
That from a Chicagoan.
Evening star., 1948-11-28

A00s wv "a o. ss~AN AAAs'
And 'Polsy PHIL Handler
assistant col of the Car
dinals' taught me a lot about
football. sizing up players and
the problems that every team
has. We worked out a swell
scouting system-through it
we got players like Elmer
Angsman. Corwin Clatt. Ven-
ton .Yablonski and several
others.
Il learned how the football
draft works. got some idea
how to make deals to
strengthen the team, and. in
general, got a good education
in running a pro football
team. There's a lot to it,"
Bill goes to training camp
with the Cardinals every
summer. He unblushingly ad-
mits he likes to eat, and last
summer tipped the beam at
a rotund 220 pounds. They
got him down to 210 before
he returned to school. but he
Is sure he'll balloon up to the
former figure.
At Georgetown Prep he
decided to become a blocking
back. although he had played
center and guard In his first
two years of high school at
Evening star., 1948-11-28

Bill picks up yordoee on
an end run. Star STAFF Photos
by Gene Abbott.
By LEWIS F. ATCHISON
"SuRE u I'D LIKE to play
~ pro football, but I doubt
If I'll be good enough" said
Bill Bidwill, chunky George
town Prep star. But whether
I play or not, pro football is
going to be my business when
I'm through school"
Bill can be emphatically
certain of that. for he and
his brother. Charles (Stormy)
Bidwill. jr.. will inherit the
Chicago Cardinals on their
21st birthdays. In Bills case
that will be in July. 1852. No
youngster ever was better
prepared for his role in life.