davidaulloa/AmericanStories huggingface dataset:
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02

ko zivljenje, je govorila sama
pri sebi, sljudje zalostno pove-
sajo glave, &c pa posnemam JAZZ
ali kdorkoli prirodo o bog!
LIE poglej, kaj pocne . MIN po-
licija! Oko "a oko, zob "a zob,
tulijo vsi. Zakaj le? Tako bi 2
menoj ravnali, brez dvoma. To-
.da pocemu? Kaj sem jim pac
.storila? Ali sem nemara storila
komurkoli kaj zalega, razen edi-
no Antonu Jakobu? Nikomur!
Nasprotno. Precej jih je, ki Sc
zaradi njegove smrti muzajo.
"Zofija je 2 beleznico v roki
prehodila ze vso hiso, da bi Sc
+stavila zapisek stvari, XII bi jih
lahko rabila "a svojo majhno
vilo v Thunu. Felix's klepece 2
DIR. Schneelijem, brez dyoma Q
testamentu. Videla sem, kako
stikata glave. In vsi ostali So
rodniki s svojimi cd solz mokri-
mi robci! Zoprni so mi, &c jih
vidim, VISA njihova bridkost ne
bi napolnila niti prazne orehove
lupine. Kaj me briga Tonetov te-
stament? Kaj mi mari njegove
omare, njegove porcelanske po-
sode, njegova srebrnina? Cello
krsto, XII sem jo JAZZ narocila,
motrijo kriticnimi pogledi. All!
Vem! Cemu srebrne rozete? Ia.
kaj svilene blaine? Mrliske pr
te najboljse kakovosti? Zakaj
maj bi vse te drage stvari zgnile
pod zemljo? Bedaki! Bedaki
Kaj me briga, &c zgnije MIN
tudi vse njegovo bogastvo! Sa.
mo, da mi izgine spred oci, da
ga globoko zakopljejo! Stot tez
ko marnornato plosco ma ME
gov grob. Vrbo zalujko in roze
Da, mislim, da je mole custvt
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02

ali tam kak kratek, nemiren tre-
|nutek. zdaj je stala in pos1usa-
la. Poslusala je, neprestano je
poslusala. Use je bilo tho. Ali
pa je morda le sanjala? Use Sc
j je zdelo tako neresnicno. Po.
gledala je svojo posteljo, ki ni
bila ze tri dni postlana. Da, to
je bila postelja, Y katero je le-
gla devica in IL katere je vstala
morilka! Nihce nj vedel tega!
Nihce razen Gottfrieda, toda
Gottfried je bill del nje same. Da
je on vedel "a vse stvari, je bilo
brez pomona. S kom maj bi to-
rel racunala? S svetom? Svet
ne DO nikdar zvedel. Nasprot-
no, svet, XII nj MIC slutil, .jo be
pomiloval. ze jo vsakdo 'pomi.
luje, vsi so dobri z MO. Toda
kako nitro bi Sc lahko zgodilo
da hi sc isti svet obrnil proti Te.
rezi! All! Vedela je, kaj bi svet
pocel, &c bi poznal lie drobee
vsega! Ali nj zrasla v senci "a.
kona, ali Sc nj naucila sovraziti
zakon in policijo? Policija! ze
Oh sami besedi Sc je zgrozila
Bojazni meme mladosti SO sc
vracale. Uniforme, Sable, belez.
nice, roke, XII so surovo prize
male! Strasni ljudje! Raje ia.
koj rablja in vse je opravljeno
Toda ne! Zares nobenega razlo'
ga nina, da bi Sc bala policije
Anton Jakob je umrl "a srcno
kapjo. cesa maj Sc boji? Srcna
kap! Kdo We, &c ne hi bill umrl
tudi brez arzenika, "a resnicno
srcno kapjo? Nemara bi priroda
sama dan kasneje opravila istc
delo, &c ne bi ona posegla v ziv'
ljenje svojega moza. Ali pa te'
den dni ali mesec ali emo lete
kasneje? "Ce unici priroda ka
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02

Comdr. louis J. Kirn, who hasl
been reported selected to succeed
Comdr. Oscar Hagbcrg - head
coach q The Navy football team.
Photo Abowx him when he starred
feN the N.Y. u 1881. He viii taIEo
1Args 1ss year.
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02
StanOvanje

3 ali 4 sobami kopalnico, ze-
Ii dobiti v najem zakonski par.
Oba delata. Naslov Sc maj pusti
v uradu tega lista. -
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02

incl. Maj ljudje tulijo, maj naju
ubijejo kakor dve muhi!'
Oci so Sc 1nu svetile kakor
diva zareca oglja. Tereza ga je
prijela 2 obema rokama "a gla-
vo in ga stresla,
''Sinoci 81 trepetal v svoji po-
stelji! cennu me nisi zadrzal? ?
Nisi bill dovolj mocan. Poskusil
si! Toda dovolj energicno nisi
poskusil. Dopustil 81, da sem
opravila! Bal 81 Sc, da hi me
|izgubil! &c bi incl moe, bi mi
kljuboval, tidal bi vse svojemu
ocetu! Da!! Toda laze je bilo do
pustiti, da stori zena, kar sva
|oba zelela, in jo opazovati. Ubo-
Igi Gottfried! Tail 81, da je
Isploh vest ma svetu, in zdaj te
muci. Jezis Sc in pljujes vame!
Zanicujes me! In vendar bi
pred vsem svetom napravil rad
IL meme vlacugo in kaj vem Sc
kaj! q enim samim pogledom
ugovarjas vsem dejanjem prete-
klosti. Zrusil 81 Sc, Gottfried!
Oblezal 81. kakor vsi slabici, po-
vprecnezi in neznatnezi! All!
Pozabila sem, da 81 bill BE pred
nedavnim teolog! Vrni Sc k svo-
il teologiji! Daj, morda Sc DO
tvojemu ljubemu bogu posre-
clio in te bo> spet resil meme!
&c Sc mu - posreci, pridem tu-
di JAZZ k MENU"
Gottfrieda sc je polastil "a
molkel obcutek obupa.
mo, zgodilo Sc je,' je dejal.
"Prav mic ne koristi, &c Sc pric-
kava, kdo je bolj kriv, ii ali JAZZ.
Enake deleze tega zlocina bova
prenasala do maine poslednje
ure. Ne, nemara je moi delez
vecji. JAZZ sem bolj kriv. JAZZ
sem. In ii lahko mirno spiS, Te-
rezika!"
Ponosno Sc. je okrenila in sla
do vrat. Toda pred pragom !je
obstala. "Gottfried," je zamr-
mrala, ''do jutri zjutraj ne mo.
re nihce govoriti z menoj. Pro
sim te, da sprejmes Zofijo ir
Feliksa in tudi ostale, XII bodo
morebiti prisli.' ..,
"Vse to bonn storil,' je odvr.
nil sunkovito. mic ne skrbi."
Tereza ,je odsla dol in sc "a.
klenila.
V noci pred sredo so najbliz.
il sorodniki Antona Jakoba "a
sedli vsc ,prostore v hisi. Kljub
temu je bila globoka tisina. Dol.
ge svece, XII SO jih porazdelili pc
vsej hisi, so gorele mirno in no.
ben vetroven sunek jih nj mo.
til. Hisa je disala kakor cve-
tlicami potresena grobnica.
Anton Jakob je lezal sredi
svoje sobe v odprti krsti, XII je
bila narejena il rjavega lesa
in okrasena srebrnimi rozeta.
mi. Soba je bila prazna; poste-
ljo so odnesli; malostevilne po-
dobe so zakrivali crni pajcola.
nj in ma tleh sta Sc kopicili dive
piramidi vencev, ena pri vzglav.
ju, druga pri vznozju krste. sti-
ri velike svece so razsirjale svo-
jo medic, zvesto svetlobo preko
vse scene.
Ko je bila polnoc, Sc je v, ,kvo-
j sobi Tereza zgaqila. ze I'd So
bote zvecer nj spAla, razen tu
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02
(Nddal ljeUanje)

Mic ne skrbi zdaj. S srcem
sem ma tvoji strani in najbrze
mi bos ii tudi pomagal in sveto-
val, potreben sem tega. Sal
sem tudi JAZZ yes zbegan."
Gottfried nj nicesar odgovo-
Ri. q zdravo roko je pomagal
Rothlisbergergu, da mu je "a
veal crno ovratnico., .Ko je il
najvecje blizine pogledal mozu
v femme oci in je videl njegove
velike, koscene roke, XII SO Sc
neokretno trudile, da bi napra-
vile vocal, Sc ga je lotilo srdito,
nestrpno koprnenje, da bi bill
sam. In ko je bila navsezadnje
koneana njegova zalna toaleta,
je rekel: M
'Pojdi dol in sporoci ljudem,
da mi je zdaj nemogoee kogar-
koli sprejeti. Najbrze bodo po-
poldanskim vlakom prisli neka-
teri sorodniki. Poslji ma posta-
jo voz. Gospa doktor Naefova
in njen MOI bosta prisla goto-
vo."
Rothlisberger je odsel il sobe
in Sc po prstih splazil po stop
micah navzdol. Komaj je bill
, Gottfried sam, Sc je tezko spu-
still ma stol in 81 pokril obraz z
obema rokama. To je bill torej
vrh, do katerega je navsezadnje
priplezal, grozen vrhunec ME
govega zivljenja: Umor! Zdelo
Sc mu je, da prodira ma njego-
va usesa mracen hrup glasov
nestevilne in nevidne mnozice
"Strahopetec! Morilec! Ocemo-
rilec!" so mu kricali. "Za kaj 81
posodil svoje krvave roke! Zdaj
jih je povezal hudic, ii never
mix! Nevidni sodniki, XII te bodo
sodili, so ma poti! Trepetaj! Ire
petal! Noben dan ne bo odslej
minil, da te ne bi spominjal zlo-
Gina. Vecno 81 izgubljen!"
Gottfriedovo duso je napol-
nil mracen strah. Kakor povsem
skrusen clovek je sedel ma svo-
jem stolu, ura "a uro pa je mi
nevala.
Nenadoma SO Sc odprla vra-
ia. Pojavila Sc je Tereza. Oble-
cena je bila crno "a vratom
zaprto obleko. V obraz je bila
bleda in izmucena, njene oci so
Sc zdele dvakrat vecje kakor 81
GER. Postave je bila vecje, Wit
kejse, njen izraz je bill strahovi-
to resen. "Kaj sanjaris?" je
vprasala z globokim, tresocim
sc glasom. "Zbudi se!'
"Kaj mi hoces?"
"Nicesar ne pricakujem cd
tebe. Mnogo preslaboten, mnogo
prestrahopeten 81, da bi karko-
Ii storil. Vendar bi mi bill lah-
ko povedal, kaj je dejal doktor
Hauser."
"Bil sem MIN v tvoji sobi,
toda nemogoce je bilo, da hi S
teboj govorili."
cali je izrazil kakrsenkoli
sum-"
Gottfried Sc je ozrl vstran in
vlekel "a obvezo ma svoji roki.
"Doktor Hauser je rekel, da
bo prlsel, &c bo ootrebno, danes
zvecer Sc enkrat in te pogledal.
Pravi, da 81 potrebna nege."
"Jaz? Kaj pa misli, il cesa
sem narejena?"
ITEM bolje zate, &c tako mi
Sill"
"Vedeti hocem, kaj je rekel o
men, je zaklicala nestrpno.
cali ga je preiskal?'
''Niti ne. Niti presenetilo ga
nj. Rekel je, da je to pricako-
val, ker sc oce nj niti najmanj
zmenil "a zdravniske pasvete.
Bila je azolcna kolika in potem
srGna k ap zaradi prehudega
napora.' i
Tereza je "a trenutek zastr-
.mela v svojega ljubimca.
'Ali imas mrtvaski list"' je
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02
Mali oglasi'
George Tom'o,sir

Cement Contractor
Izdeluje1n hodnike. dovo-
ze (drivewaYs). zidam kleti
in polozim tia v garazi
1888 ST. Clair Ave. HE 972l
Imamo 80 let izkusnje v tennu
. ~s delu
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02
IEREZA ETIENNE
JOHN KNITTED.

ia Zofija in Felix's in vidimo,
kaj bosta predlagala."
'Ti sam moras ukreniti, kaj
mai Sc zgodi! Krsta mora biti il
mehkega lesa, XII nitro zgnije,
tako da bo tea zemlje kmalu
zdrobila krsto y"
Gottfried je je gledal ma pol
zaeuden, ma pol v gr;ozi. Hudi-
eevo zaupanje Sc mu je splazilo
v srce. Tereza je bila seveda
bolj energiena, kakor je priea-
! koval. Zdelo Sc je, da je imela
vso hladno ostroumnost vlada-
jocega cloveka. Uganka je bila.
Potegnila ga je v ia zlocin, ne
resljivo mu je zvezala roki in
nogi, zvalila je sokrivdo ma ME-
gova ramena. Da, dodelila mu
je slabotnejso vlogo. Resnicno
- sal nj niti vedel, kako je sto-
rila to dejanje!
"Tereza," je rekel, "bojim sc
te."
Stopila je k MENU in mu po-
lozila roko ma teme.
"Bojis Sc me? To me veseli.
zdaj vem, da me hos ljubil. Kaj
je ljubezen brez strahu? Prav
tako, kakor bova drug drugega
ljubila, Sc bova drug drugega
bala. To je zelo dobro. Kakor
diva cloveka v enem cloveku, ta-
ko bova. In nikdar vec sc ne bo-
va mogla drug drugemu iznebi-
IT,"
Odtegnila je roko z njegove
glave.
Negotovo, skoraj uporno jo
je postrani pogledal. Strasn Q
sram ga je bio srcu. On, Gott-
fried, clovek duha, je padel ta-
ko globoko! Tho je sedel in mir
no poslusal zeno, XII je zastru-
pila njegovega oceta! Povesil je
glavo nazaj in zaprl oci. Tere-
"a je stala tam, motrila ga je
pazljivo ir z vzviseno brezbriz-
nostjo. Nenadoma je spet odprl
oci. :
"Ne bonn miren, dokler ne
bonn lezal pod zemljo,' je zamr.
mral.
Nato je vstal in stopil k
oknu. Po vseh udih sc je tresel,
"Hladno je," je rekel. "Vsak
zivec v svojem telesu cutim. -
Ostudno! Mrzlo! Ko mi je do
ktor Hauser uravnaval roko, mi
je bilo slabo. Ali je zdaj kdo
zdolaj?'
"Samo Nina. Lula je stekla
v trgovino, da mi bo prinesla
crepe de chine"
"Naroeil sem Rothlisberger-
ju, maj Sc pelje po Zofijo in Fe-
liksa ma postajo. LIE kako jima
bonn stopil pred oci? In kako
bonn kljuboval vsemu, kar zdaj
pride! Ma tucate ljudi bo pri-
koracilo in vsakdo bo buljil va
me. Kaksen sem? Poglej me,
Tereza! Poglej me! Ali sem Sc
kaj spremenil? Ali nisem taksen,
kakor kdorkoli izmed njih? Ali
mislis, da Sc tie bojim? Me-"
Zgrabil Sc je z zdravo roko
"a suknjlc in ga divje stresal
ter Sc tolkel po prsih. "Strah me
je tega prekletega cloveka tu
notri! Tega krvavega cloveka
Sc. bojim! Nikdar ne DO nasel
miru! Noe "a nocjo Sc bo kopal
v svoiem mrZlem znoiu! " spa-
nju bo krical!" = q
Sci je par korakov e m in
tia in Sc nato ustavil pred Te-
rezo. Pocasi je pridvignila oci.
In gledal je blede, lepe crte ME-
nih lie, memo trdo brado, njene
temne, kodraste lase in pogled
mu je zdrknil preko obrisov
njene crne, visece obleke. Pod
obleko je bio memo sneznobelo
telo, XII hi bilo zdaj lahko po-
polnoma njegova last! Vsaka
ped! Ia veene case priklenjena
ronii IN Ii ro - xorox;x, ;o1o
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02
PrOda Sc

hisa v slovenski naselbini, "side-
by-side," z vseami udobnostmi.
Hitremu kupcu Sc proda zelo po-
ceni, ker lastnik bi rad Sci izven
mesta. Ia nadaljna pojasnila po-
klicite DANIELS REALTY co.
AC 2471. r. - e
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1946-01-02


Pickle Crow
white $47 week. but
prefer actual cash.
Evening star., 1946-07-12
THE CAST,
By Horry Macarthur

Admirers of Olivia De Havilland
should be highly gratified with the
results of her excursion into the
deeply dramatic in ITO Each His
Own," the Earle's new photoplay.
This seems to be Miss De Havilland's
first cinema chore since her long
suspension and legal battle with the
Warner Bros. Cthough some earlier
films have just been set before the
public and it should establish her
in Hollywood eyes as young lady
to be sent for when an actress is
needed. 1t also should establish her
in the eyes of moviegoers as a star
whose cinematic talent promises
much more in the way of acting
than she was able to display in too
many OF those colorless ingenue
roles.
1t is a meaty part Miss De Havil-
land has to play in ITO Each His
Own"-that of a woman who
watches her son grow up as the
adopted child of neighbor couple
while she remains unable to make
her relationship with him known
publicly. The story's beginning
Though not the films, the flashback
technique being employed gener-
ously) is in World War I, when
the impressionable young pharma-
cists daughter played by Olivia falls
madly in love with young flying
hero John LundD. The result of this
brief and informal attachment is
the son, who accidentally, but ire
trievably, falls into the hands of the
young man who loved Olivia vainly
and his wife he married as second
choice phillip Terry and Mary
Anderson.
From this point things grow more
and more difficult for the woman
played by Miss De Havilland, as her
extravagant mother love drives her
in vain pursuit of her son from one
war to the next. She finally catches
up with Griggsy John Lund again
in the London of World War II,
where he turns up as a flying lieu
tenant on leave, to be suddenly
startled by the tender attention of
Evening star., 1946-07-12

Newest exhibit of the type is Cen
tennial Summer" which opened yes
terday at Loew's Capitol. Agleam
with Technicolor and such stars as
Jeanne Grain, Cornell Wilde, Linda
'Darnell, William Eythe and a bagful
of others, 1t obviously is 10th Gen.
tury-Fox's sequel to state Fair"
The major comparison between
the two pictures, on the score OF
their music, is not unf1attering to
Centennial Summer The late
Composer Kern may not have
jammed traffic on the hit parade
quite as much as Rodgers did in
"State Fair" but he did his usual
praiseworthy job. Clearly he Is a
man to be missed in the field of
Americas sentimental music. There
is testimony of that in several tunes
in the Capitols picture, most nota-
bly, in "All Through the Day" and
up With the Lark" The latter Is
the ensemble song, the equivalent
of Its a Grand Night for Singing"
in State Fair" 1t might in the
long run prove the more contagious.
Albert 4 Idell's novel motivates
the pretty people Hollywood has as
Isembled to narrate this spot OF
American life. 1t is conventional
tale, we'll enough suited to its pur-
pose, and adapted with good feel
ing for liveliness by Michael Kanin.
1t is Philadelphia centennial
summer, the one of 1876, which Is
dealt with in the Capitol's lush
looking musical AS Miss Grain and
the others recall it, there was GER
tain innocent humor about the
period, one funny item of which was
that stunning frocks could be had
for SIS.
The high light of that year. OF
course, was the Centennial Expo
Sition and the picture recounts its
effect upon the Rodgers family.
There were all kinds of Rodgers,
and their in-laws. The principal
one is daughter Julia miss Crain).
She is beautiful, romantically lonely,
quietly alluring and full OF family
loyalty. Sister Edith miss Dar-
nelD is the femme fatale type, and
quite a problem to stormy, muddle-
head pop (Walter Brennan and
simple-hearted mother dorothy
Gish).
There are other Rodgerses and all
are naturally excited about the ex-
position, the more SO when Aunt
Zenina Lascelles Constance Ben
nett) futters in from Europe with
her Partisan chic and fire and ac-
companied by Cornell Wilde, whC is
in charge of the Paris exhibit at the
centennial show. Eythe, who seems
to have been unaccounted for up
to this point, is the brusque young
Philadelphia male, daring fellow
who has hoped out of medical
school directly into obstetrical prac-
tice.
The main line of the story is COM
pletely summarized in the line about
June Dustin out all over. The Incl
dent which carries it along is GER
tainly not inspired, but 1t has been
handled with SUFFICIENT deftness to
keep it reasonably agreeable. The
hardest chore which Author Idell
left for Adapter Kanin-for every
one in the picture, for that matter
was doing anything to keep the mis-
understanding between Miss Grain
and Wilde from looking rather con-
stantly silly.
Since it always is leading up to
another tune by Mr.. Kern. however,
the misunderstanding is quite unim-
portant otherwise.
Besides there are always those
elaborate and diverting costumes
which are such a flashily lovely di-
version from the pictures first scene
to its happy fadeout.
The local openinp of Centennial
Evening star., 1946-07-12
By Chris Mothisen

There's a pun in the title; there
are names" in the cast; the plot
uses that familiar motivatien-an
effort to gain possession of an all
important article by anything short
of brute force. This, with air-con-
ditioning. should produce acceptable
box ONCE results in the summer,
Paramount decided, reasonably.
Thus comes The WeI-Groomed
Bride" to the Palace, presenting Ray
Milland as Navy lieutenant
ordered to find magnum of French
grape juice In San Francisco during
the war. The liquid is intended for
use in christening an aircraft car
rier, and James Gleason, her cap
tain-to-be, insists she rates q
magnum.
At the neighborhood winners,
Mr.. Milland literally runs into Olivia
de Havilland Chats under "Ac-
quainted, getting" in the upper left
hand drawer. Naturally, fair Olivia
also wants the largest bottle avail
able. Her Army lieutenant flance,
returning from the Aleutians, ex-
poets it. No magnums at the first
store, but there's one in the window
of the second. Olivia gets it, and
there's the situation.
Ray has his orders, and, If he
grows fond of Olivia in trying to
part the magnum from her, who's to
call it illogical? Somewhere along
the way, the young lady begins to
wonder whether she should marry
Sonny Tufts-he's the Army officer
Well, things rock along for a few
reels, and then the pictures over,
with the participants apparently
happy. Mr.. Milland doesn't get a
snort from the magnum.
Going through the motions of this
harmless foolishness could be called
a breather for Mr.. Milland. The
others find their chores well within
their capabilities. Percy Kilbride, as
Olivia's puzzled father. contributes
a major share of the chuckles, de-
spite his minor role.
Evening star., 1946-07-12
Where and When
Current Theoter Attractions
and Time Of Showing

SuIIeHt lHeoteI AttIoCtlonS
and Time Of Showing
Stage.
National-"Voice of the Turtle:
$50 pm.
Capitol Centennial Summer: ::
11:05 am, LAS, 4:25, ITO and $50
pm. Stage shows: LOS, 3:45, $50
and 9:10 pm.
Columbia-"Two Sisters From Bos-
tom; 10:45 am, 1855, sos, Sis,
TBS and 9:35 pm.
Earle-"To Each His Own; 1918
a.m., 1890, 2:45, S, 7:10 and $50 pm.
Hippodrome Grand Illusion;
SIS and 1885 pm.
Without Reservations:
11:55 am, 2:20, 4:45, tbs and $40
pm.
Little-"Laura";; 1l:20 am, 1:25,
3:25, 5:35, TAO and $50 pm.
Metropolitan-"Our Hearts Were
Growing Up; 1880 am, 1880, 3:35,
$40, TAO and 9:45 pm.
Palace-"The Well Groo o me d
Bride; HAS am, las, $50, $50,
7:55 and 9:55 pm.
outstanding Room Only; 1, 7
and 10 pm.
Trans-Lux News and shorts.
Continuous from 1915 am.
Evening star., 1946-07-12
Our Hearts Sequel
At METROPOLITAN

OUR HEARTS WERE GROWING UP, ''
Paramount Picture with Gail Russell and
Diana Lynn. produced by Daniel Dare. di-
rected by william d. Russell, screenplay
| by Norman Panama and Melvin Frank
from an original story by Frank Waldman
At the Metropolitan
Evening star., 1946-07-12
Harmless Foolishness
And Name Cast in
alace Comedy

THE WELL CRoOMED BRIDE" q
Paramount picture with Olivia De Havil-
land, Ray MiIland, Sonny Tufts, produced
by Rred Kohlmar. directed by Sidney Dam
field. screenplay by. Claude Binyon and
Robert Russell, based on q story by Robert
Russell. At the Palace.
THE CAST
Evening star., 1946-07-12
|Olivia Proves
An Actress in
Earle Film

ITO EACH HIS OWN" Paramount
BY Charles Bracket, directed BY Mitchell
Leisen. screenplay by Charles Brackett and
jacques Thery from an original story by
Mr.. Bracket. At the Earle.
Evening star., 1946-07-12

v0RK Ga. Ave. & Quebec PI. NV.
RA. 400
Healthfully Aforementioned.
Today Only-HENRY FONDA. TY.
ROME POWER In JESSE JAMES"
1reissue). At z. a:25. Tomorrow
ROY ROGERS. DALE EVANS h
ALONG THE NAVAJO TRAIL"
Evening star., 1946-07-12
Ready for Release

Cloak and Dagger" new drama
starring Gary Cooper, has been
completed by United States Pic
lures, Inc. and is ready for release
through Warner Bros. The new
Ifilm, the initial production for United
States Pictures, is based upon the
wartime exploits Of the once of
Strategic Services.
Lilli Palmer, Robert Aida, j. Ed
ward Bromberg, Dan Seymour and
Vladimir Sokoloff play the leading
supporting roles in CLOAK and
Dagger"
Evening star., 1946-07-12

TAK0MA 4th 4 Butternvt Sis.
Last pay-CoNsTANcE sENNETT,
GRACIE FIELDS in PARIS UNDER
GROuND." At 6:15, 9:35. TOM
BRENEMAN. BONITA GRANVILLE in
anBREAKFAST IN HOLLYWOOD. At
CARAVAN TRAILS Gn color. LEO
GORCEY. BOBBY JORDAN in TN
FAST COMPANY
Evening star., 1946-07-12
ADJUSTMENTS

KENNEDY Kennedy Mr.. 4th NV.
| ."' RA. e6oo Mot | Pm.
Parking Space Available to Patron,
| Healthfully Aforementioned.
Today Only-RONALD COLMAN.
MADELEINE CARROLL in "PRIS-
| ONER OF ZENDA" (reissue). AT j,
BIO. 5:15. 7:20, $50. Tomorrow
| HENRY FONDA. GENE TIERNEY in
| RETURN OF FRANK JAMES"
Evening star., 1946-07-12

an ex-patriate American woman
who looks very much like, Olivia De
Havilland may look rs years from
now. These passing years are made
lighter for the audiences by some
bright glimpSes Of the varying
American scene and by some able
work on the part of the players in
volved. The most notable of these is
Evening star., 1946-07-12

A shuttle on a loom weaving car
pet Is feet wide travels more than
3 miles per hour making approx
imately 1000 one-way trips carrying
yarn across the width Of the loom,
Evening star., 1946-07-12

CENTENNIAL SUMMER" . Goth Gen.
Cornel wilde, produced and directed BY
Otto Preminger. screenplay by Michael
Kanin. based on the novel by Albert E.
Oscar Hammerstein H.. Leo Robin and
E. Y. Harburg. At the Capitol.