davidaulloa/AmericanStories huggingface dataset:
Henderson daily dispatch., 1945-10-20
Private Parrot WRITING
History Of His Regiment

Private Henry B. Parrott, Jr., so1
of Mr and Mrs. II. B. auott, o.
Route T. Henderson, has been ap-
pointed Il write The history oI the
lO4th Infantry Regiment, which l.
part of the American occupation
army stationed in SalzDurg, Austria,
in the Danube valley, in the foot
hills Of the Austrian Alps He j. p
miles from the Austrian city OF Linz.
The first chapter OF the history.
Private Parrot wrote IN letter ld5t
received by his parents already ha>
been published in the weekly bu.-
]etin. with the accompany ng his
tory inset. When complete. In" MS
tory will be issued in book form
The local soldier writes OF the IA
NOUS spa sulphur baths at Schaller-
bach, and says the men are quar-
tered in one of the resort hotels. Tie
is attached to headquarters. y stable
OF riing horses Is nearby. y group
of the men attended the final night
of opera at Salzburg, birthplace ot
Mozart and saw one Of the great
composers operas given.
Parrot wrote that the Alps tow
er much higher than the Blue Ridge
mountains around AsheVille. but
said he would still like to De back
III oal o'iia N..,,,.'7
as 10 'le ''iliS " W. ,.l, ,;,,
OF optimism. declaring There IS
much to look troWard to now. The
future is bursting upon us with all
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Evening star., 1945-11-18
WASH. GRAND OPERA

Censtitution Han. Dec. g, $3.50
Pagliacci d sfCaualleria"
MARTlNELLI. poREE. svEp, DUN
MING. REMINGTON, SIkAEoki. n. r.
co. $50.
rhs Hssit g. 81 S4ss wiiIsqd Il SA so ss7s
Magee'S, Bethesda, WI. 6666
Evening star., 1945-11-18
A Success for Fourth Time
By RoSaiind Shafer

i. So many people in the theater
do, you know"
Even after he had explained who
he was and that his father, Rudolph
Schildkraut, was a distinguished
actor, she introduced him to a
friend, saying, This is Joseph
Schildkraut. His father was a ia
nous actor"
A Complete. Education.
Schildkraut credits his wife with
the success of Uncle Harry" Only
IA few days before opening, he had
the play rewritten to follow her
advice. When he gets trif1e in
f1ated over a fiattering review she
brings him to earth with q few
amusing, but ego-puncturing re-
marks.
Schildkraut's career began with
an unusually complete European ed.
ucation. A graduate of the I'M
perial Academy of Music in Berlin
he plays the piano and violin. He
took general course in arts anc
letters at Mommson College in Ber.
lin and learned his theater craft
from his father in Vienna and the
Max Reinhardt Reportory Theate,
in Berlin and Vienna.
In 1921 he joined the Theatel
Guild In New York and made his
first hit in "Liliom," going into films
with D. w. Griffith not long after
ward. When things become dull
for him in Hollywood he goes back
to Broadway.
Producing films is his eventual
goal, he says. He believes he car
do a better job of getting across
his ideas on movie making that
way rather than as director.
Evening star., 1945-11-18
Stars Mothers Turn Actresses Themselves

time. She sent her pay check to .
charity. The thrill she got out Of
her first appearance before the
cameras was payment enough and
she is ready for more Of the same.
Greer Garson's mother, Nina, has
been signed to an acting contract
by MGM which decided q talented
daughter must take after . talented
mother.
just last week the jolly person.
|ality Of another established actors
mother was recognized. In casting
one Of the featured roles for his
Thanks, God, I'll Take 1t From
Here" Director Meryyn Leroy pre-
vailed on Mrs. Mabel Webb to take
the part. She appeared before the
cameras for the first time. Mrs.
Webb is the mother Of Clifton, who
first won fame as a Broadway dane
er, who now Is rated in screenland
as one Of its top character actors
as all who saw him in Laura" will
realize.
Most Of Hollywood has q high
opinion about the mammas of its
stars. This is a new side of the
mamma business in movietown-and
every one likes 1t better.
1 \ :
Evening star., 1945-11-18
HOLLYWOOD

dOILY WOOO.
Take a handful of spring onions,
fry them in bacon drippings. Take
six eggs, drop them on the onions,
cover them with thin slices of to-
mato, top them with a slice of liver
sausage, sprinkle a little grated
cheese on top, bake in a moderate
oven" And what have you got?
Breakfast la Mitchell Lessen, male
OF many trades, including yacht
owner, shop owner, apartment
owner, designer, cook. And as a
ideline-director of Paramount S
million-dollar technicolor pictures.
Il have 100000 worth of pic
lures waiting to be released" Mr.
Leisen, soothing sight in blues and
grays and tweeds, tells me at lunch,
which unfortunately is not of his
cooking. We are at the Savoy. He
offers me a cigarette from his beau-
tiful gold cigarette case-everything
buy and the most tasteful. Kitty,
which directed two years ago, with
Paulette Goddard and Ray Milland,
will be released this month";" says
Mitch. This $4,000 technicolor
job is expected to get several Acad-
|emy Awards for Paramount, and
|one for Lessen. Then I finished
Masquerade with Dorothy Lamour
six months ago. For this the direc-
tor designed the sets and the fabu-
lous clothes worn by Ann Dvorak
and Dorothy. And his latest picture,
ITO Each His own" has been sneak
previewed and will be released next
year in time to grab some more
Academy Awards.
Who Knows What's Good?
But" says the ace director, I'm
not interested in making pictures.
They leave me cold. I never get
hot and bothered about pictures the
way some do. I've never refused to
make a picture. The sillier they
are the more interesting to me. It
gives me something to work on. I
didn't like TO Each His own for
instance, and they tell me it's the
best picture I ever made. So how
can you judge what is good and
bad?"
If you really want to get Leisen
excited, you'll talk about the Shore
ham, the apartment house he bought
for $150,000, and on which he Is
spending another 100000 to make
the Il, apartments the most elegant
in California. Rents range from
$500 to $500 a month and the lay
outs really are beautiful. The one
now occupied by Olivia de Haviland,
for instance, has a color scheme Of
dirty pink and ivy green. Even the
bathroom shower is adorned with
yards and yards Of dirty pink organ
die-the dirty isn't dirty, if you
know what I mean-it's a term to
describe a pink that seemingly has
been around a little, as against a
garish bright new pink. Every
apartment is furnished with ex-
quisite silver and linen and when
the labor shortage eases, Mitch
plans a sort of call register Of
cooks-when you want to give din
ner party, you just call for cook
and she'll be there. Or Is this a
dream?
Evening star., 1945-11-18
HOLLYWOOD.

41o4JI VOoo.
Joseph SchildNaut, one of Holly
woods best known links with the
silent films, is enjoying his fourth
cycle of screen success.
In his early 40s, handsome and
courtly, Pepi, as his friends call him,
holds stars contract, but he well
comes freelance role as character
actor when a good part comes along.
He won an Academy Award a few
years ago as Capt. Dreyfuss in "The
Life of Emil Zola."
When I first met Schildkraut
years ago, he was cynical and some
what difhcult. Handsome though he
was, he was far from the enhancing
personality had imagined him from
his romantic roles with Lillian and
Dorothy Gish and others.
Today he's charming, witty, rea-
sonable, and contented with life,
with Broadway successes in Uncle
Harry" and "The Cherry Orchard"
not far behind and film popularity
at new high.
The key to the change seems to be
his second marriage. Though he's
been wed IA years to his present
wife, he says he counts the minutes
until he can return to her when he's
away from home. With Schildkraut's
emotional nature, a marriage is
either the height Of romance or
nothing at all.
Tells Stories on Self.
His wife, Marie, is a beautiful
English blond, a nonprofessional,
but with fair for the theatef. The
two live quietly, enjoy music and
their friends, prefer private parties
to night clubs and camping on the
desert to fashionable resorts. They
play tennis, go horseback riding and
are fond Of reading.
Schildkraut loves to tell stories
about his wife and doesn't mind at
all that in every one the laugh has
been on him. One concerns their first
meeting at a reception in London
for Ambassador Dawes. Mrs. Schild-
kraut came with her uncle, prom
1nent London magistrate, and the
actor was smitten at once.
After some conversation, he says,
she looked appraisingly at him and
said, you have a rather well-shaped
head. You should try to get into
the theater."
Schildkraut, thinking to over
whelm her with his not inconsider-
able stage and screen fame, an
swered, Madame, my name is
Schildkraut.
"Oh, that's all right" his future
wife consoled him, you can change
Evening star., 1945-11-18
Fake Trees Cheaper
Than Real Ones
Ey the Associated Press.

HOLLYWOOD.
Its cheaper to build an orange
tree than grow one or rent one, If
you happen to be a moviemaker
looking for the use of few orange
trees in picture. There is no OPA
ceiling on location rentals, and folks
around Fflmtown are money wise
and ask huge rentals of film troupes.
Some studios have their own trees
In tubs, but to get a good looking
crop of them requires expensive
spraying, intensive cultivation and
half the time the crop isn't ready
when a company wants to shoot q
scene with the coddled trees.
Prop man of "On the Carpet"
Abbott and Costello film, built an
orange grove. Trunks and branches
came from live oak trees, on the
studios back ranch. Sprayed with
heavy green enamel, they looked
more like orange trees than the
real ones. Patient workers wired a
few crates Of fruit on the limbs and
shooting began.
Evening star., 1945-11-18
Today's Schedules
CATHOLIC

CATHOLIC UNIVERSITY
THE Liar" $3.50 pm.
CAPITOL-"And Then There
Were None" 1:50, 4:35, 7:20
and 10 pm. Stage shows, /,
$3.50, 6:35 and 9:15 pm.
COLUMBIA-"The House on
92d Street." LAO, 3:35, 5:35,
1880 and $40 pm.
EARLE-"Love Letters" 12:45.
3, 5:10,s7:25 and 9:35 pm.
ACKNOWLEDGEMENTS
of Mr.. Flow" $3.50. Sis and
9:05 pm.
KEITH'S-"This Love of Ours"
l:20, 3:25. 5:as TAO and GAS
L11T1T1LE-"coionel til Blimp," /,
2:40. 4:20, 6. 7:50 and $40
METROPOLITAN - Mildred
Pierce" /. 3. sos. 7:25 and
9:40 pm.
PALACE-"Week End at the
Waldorf" l:30, 4:l0, $50 and
$3.50 pm.
PIX-"Alaska," las, 1855, $50
and 9:05 pm.
TRANS-LUX-News and shorts
continuous from pm.
Evening star., 1945-11-18
Music Replaces
Film Dialogue
By the Associated Press.

BY the AsSocAteo PreSs.
HOLLYWOOD.
Any one who remembers the old
silent films, with their sometimes
elaborate musical scores, knows the
terrific effect which can be produced
by music in heightening the mood
Of q scene.
In 1.-The House of Dracula," this
means is used in q scene showing
the transition of Martha ODriscoll
from her normal winsome role to
that Of a vampire. John Carradine.
as Count Dracula, casts the hyp-
motto spell ON Martha as she sits
playing Beethoven's Moonlight
Sonata" at the piano. Suddenly the
harmony modulates into q strange
discordant minor, sharp contrast to
the peaceful beauty of the original
composition and symbol Of the death
of her soul. No dialogue is used, only
the music, and the pantomime OF
the actors.
Evening star., 1945-11-18
Coming Attractions

NATIONAL-"The Late George
Apley," with Leo G. Carroll,
starting tomorrow night.
CAPITOL-"Our Vines Have
Tender Grapes" with Edward
G. Robinson, starting Thurs
day.
COLUMBIA-"The Dolly Sis
ters," with Betty Cradle, June
Haver, John Payne, starting
Thursday.
KEITH'S-"The Spanish Main,"
with Paul Henreid and Maui
reen OHara, starting We'd
neSday.
LITTLE Thousands Cheer"
with Gene Kelly and Kathryn
Grayson.
ME- ETROP OLTTAN-"George
Whites Scandals" with Joan
Davis and Jack Haley, start
ing Thursday.
PALACE-"What Next, Cor
poral Hargrove," with Robert
Walker.
PIX-"The Scarlet Clue" with
Sidney Toler. starting Tues
day.
Evening star., 1945-11-18
By Harold Hefsrnas

comedy stars. In Hollywood, Mamma
Lupino has returned to acting on
her own. She has appeared in
Waterloo Bridge" and other pic
lures and between camera calls has
worked as a dialogue coach.
Leila Rogers showed her acting
talent as her daughters mother in
The Major and the Minor" but
thereafter switched to mov. pro-
duction work and has bee ne a
high priced executive.
Moyna Macgill won the praise of
the dramatic critics for her per-
formance in ''The Affair of Uncle
Harry" in which she played the
second feminine lead with Geraldine
Fitzgerald. Few of the fans knew
that she was the mother Of Angela
Lansbury, one of Hollywood's i'm
portations from England, who made
q resounding hit as the Cockney
maid In "Gaslight."
Just Likes the Work.
But the studio casting offices al
ready listed Miss Macgill as a highly
competent actress who had been
turning in outstanding character
bit jobs, as she did In her first pic
ture, "The Clock"
Mrs. Cooper has, of and on, been
taking small parts in pictures while
carefully avoiding trading on the
well-known name Of her sen. She
even turned down screen billing in
her latest role In tom Breneman's
Breakfast in Hollywood" in which
she plays herself. She just likes the
work and doesn't care to get the
honors, she says.
In that same picture, Mrs. lie
Sueur, also just being herself, tried
out her acting wings for the first
Evening star., 1945-11-18
Not Interested in Film-Making
Bv SheiIah Graham

II have one of the apartments, )"
Leisen tells me. I haven't seen it,
but I'm told it's something you
dream about. Il was sitting on the
patio the other night" he continues
dreamily, land I looked up at the
building and had more of a kick
out of this thing was building than
out of any movie have ever made. "
An exception to this could be Lady
in the Dark" with Ginger Rogers,
in which Leisen indulged in an orgy
of designing that had Ginger Rogers
dancing on top of sulphur cloud
and later clad in a mink fur dress
This flight of fancy set Paramount
back $4,000, 900, but you didn't hear
any grumbling on the lot.
Next to his apartment house,
Leisen loves best his yacht. Esca-
pade. II had it done over" he tells
me 'in bleached blond wood with
red fittings" Even the sheets are
bleached blond with red monograms
A crew of seven and four guests can
be accommodated. It's here that
Mitch yields to his craving for cook
ing and you get-if you are lucky
to be invited, the breakfast a la
Lejsen cooked by your host. And if
you don't like eggs mixed with liver
sausages and onions, you can have a
special treatment of corn on the
cob - Leisen's speciality. I went
crazy just listening to the boy de-
scribe his recipe.
And next to the yacht, Leisen is
interested in his mems wear shop in
Hollywood. Some of the best dress
ers in town get all clothes here
including Robert Montgomery, Fred
MacMurray-and, of course, LeiSen.
Women's clothes can also be had,
on a strictly tailored basis.
Was De Miles Art Director.
The job he enjoys least-direct-
ing-actually pays him the most
and makes some Of the other jobs
and hobbies possible. He has a
unique contract at Paramount. He
receives around 100000 q picture,
makes two year, sometimes three,
II came to Hollywood from Chi
cago shortly after the last war with
$50 in my pocket" says the now At
year-old millionaire. II was on va
cation from my job with firm of
architects then building the Drake
Hotel in Chicago. Cecil B. De Mile
asked me to design the dresses fol-
the Babylonian scene in Male and
Female" Cecil then gave him a jot
at $125 a week, and ne worked as
De Miles art director and SET
dresser, always contriving to spend
a lot of the firms dollars, which
landed him in the extra ranks dur
ing the depression movie years OF
the 30s. But you can't keep a good
spender down in Hollywood and
whenever there is an expensive
fancy picture to be made-like
"Frenchman's Creek"-they call Mr.
Leisen.
(Released BY North American Newspaper
Alliance, Inc.)
Evening star., 1945-11-18
Nature No Help
BY the Associated Press.


HOLLYWOOD.
Gentle rain falling on the south
land may bring millions to the
ranchers hereabouts, but it's not
welcomed by companies filming out
door rain scenes. In fact. it only
messes things up. Moviemakers
much prefer their own parapher-
MALTA because they can control
homemade rain better. In Scandal
in Paris" George Sanders and Akin
Tamiroff were creeping up. a stone
wall of a chateau, under perfectly
satisfactory studio rain when the
real thing began to come down on
the outside set. The company moved
to cover. to await a clearer day to
make their rain scenes. Real rain
just doesn't photograph properly.
Evening star., 1945-11-18
Juliet
BY the Associated Press.

NEW YORK.
Harry Wagstaff Gribble, director
Of Anna Lucasta" and an active
theatrical craftsman for a couple
of Broadway decades, has started an
unusual Shakespearean project. He
will present Juliet's family as a
Moorish clan, in order to better
bring out the conflict of their fami-
lies over their children's love affair.
Gribble hasn't announced his cast,
but it is no secret that he plans to
use Hilda Simms of Anna Lucasta''
in the Juliet role.
Evening star., 1945-11-18
Character Consistency
By Jay Carmody

The most innocent of movie makers probably young
father aiming camera at the infant he has
fundamental rule by which must
move The sound basis Of the beoder
will follow the movement irrespective distractions which, course
reduced minimum
except for the Light the
so patiently sound that no intelligent
voice raised against
been long commonplace that
that all movies do which, imperative
leaves lot OF the screens potentially ncerest friends wetched dis
appointed.
Action Can Be Overdone.
hope day it will be generally
perceived by professionals at least that action take
ing basic element Of drama without
upon the dramatic force Of the production
rather excellent illustration that currently found in
the most innocent spectator that
rather sharply edited The exhibitor
the picture screened critics shortly opened
frank enough indeed add that
to show the ded portions original version the special
audience felt nadQuancy edited editing
ming time Of the screennlav which was ndeh, ond e h
American standard 1t had nothing
tain which Engands symbolic
colonel ncorrupbe would forgiven
for any misdeed short wanton murder
The result of the elimination sequences admittedly
dramatic the burden pictures continuity upon
Interpretation of the principal character
1t obviously quite evident
that the interrupted here and there by an
editorial scissors the colonel played Lesey
UnfailingIy Evident.
No seeing "Te Bimp" permitted any
doubt code
quired him bombas reactonary myopc in
more than little ridiculous occasion But
and lovabe than aughab
man and he was ready from youth pateany
to spill the last that
which he had inherited and others which compounded
his experience.
1t grateful role that fell highly competent
LVesey than most actors likely lifetime
many player could have mud the coongs
which quite elusive Lvesey performance
proved that arbitrary
None all
be more arbitrary than film editors
Another contemporary exhibit the local
a
That Weekend at the Waldorf much costly,
matcaly less ambitious effort begule the
pictures
Pattern Frequently Mishandled.
The construction of that film follows been
woef mishandled by Hollywood frequently
undertakes instance the
principals of which meet
nave In locale which
rupted while the other picked
The continuity Of each therefore left rather
abilities of the players
means the massive job that Lvesey Bmp"
ta they are stock types but happens often that
eice are played with sufficient inness to spoil simple
desired such
not however on this OCCASION which constitutes additional
oence that is likely to be admirable
cinema fare to realize that action thing attention.
you have nothing else and that
sutute a while. g.
Ohio Waisenfreund. [volume] (Pomeroy, O. [Ohio]) 1874-1953, 1945-01-17
80. Ser erfte Sd)ritt

lleberlaiien mir Die 8ei6reibung
Der beoeutungsboIlen @artenfete bonn
20. auguit Diff 4ittp Milforo, bic
slpor in oieiem 8ude feline tpeitere
Ohio Waisenfreund. [volume] (Pomeroy, O. [Ohio]) 1874-1953, 1945-01-17

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orud Die Herion in entipre9enoer So
ilette beroorbringen tpiir6e, 6as TAM
mani ii9 faum boritellen; mein Got
tpas miro oas merben, tpenn tie n6d
! ites Sabr na9 2onoon fontntl
Son Dem Womente an, als tie al,
Der S5ene eri6ien, NOR ber 8ann, De
ouf uns allen 1aitete, gebro9en. 81
tpeiBt, i6 lpre9e bon Dem ilnael