davidaulloa/AmericanStories huggingface dataset:
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
Nije ''promena politike," negt
vi ne Znate Sta gOvOrite

U "Slobodnoj Reel" cd 90 deem
bra, svojoj rubrici: "Zapazanja", pop
Drenovac pise:
'Za vreme trajanja rata izgledalo
je da politika saveznika nalazi tacku
sporazuma jedinstva po swim pita-
NINA posleratnog uredjenja sveta...
Medjutim stvari SUI uzele sasvim suprot-
nj pravac nakon svrsetka rata"
Ma oval nacin pseudokomunisti o.
pravdavaju njihovu raniju "zabludu",
kad su ma sva usta vikali da je "velikim
saveZnicima" zaista u interesu mir,
ne porobljavanje sveta, kako smo mi
tvrdili. Sada oni kazu da saveznici -
Amerika Britannia menjaju svoju
politiku.
Ovo ne samo da nije istina, nego
cak pseudokomunisti su znali vre-
me rata da stvar stoji obratno. Ova po-
ltika - peiHka. porobIavanja sveta
: Interest," kapitalisticke klase velikih
sila - bas jeste ia koja je odvela
rat; ma osnovu cega Sc vodio rat ma
osnovu cega Sc izgradjuje posleratni
"mir'
Nije tako pseudokomunisti, nisu
oni krivi! vi ste tako bezobrazno lagali
radnicima "miroljubivosti" "velike
troiice".
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27

- John - upade Monsieur Tiy bacivsi Sc pre-
Velikog Penzionera Holandije = Ii neces lei tam
Ia boga! Ii ne smes lei kastel - ia Gu tt kazd
Sve
- Oni SUI MEGA ubili! viknu John De Witt srcI
bolnm naglaskom. = Nesretni ia, oni SUI MEGA ubi1
Ne. odgovori Monsieur Tilly ocaju;
me- ia te osiguravam Cornelius nije mrtav!
Ovo osiguranje ublaz zestinu znatizeljnost JolI
De Vita Ali jos uvek posrtase pod udarcem njegovl
strasnog nasucenja, on Sc osecase da koena pod nil
klecaju, nasloni Sc ma okrajak astala, nesposobi
da rec izgovori Salaun Lebrenn njegov sin staja
prestrasenosti, plaseci neke velke nesrece, 81
Oahu Monsieur Tillya sa nestrplivom znatize|
nost dok Serbian rece njemu niskim glasom: - ID
Nazad jedan momenat John De Witt Sc osecase 81
kojan dvadesetak optuzaba protiv njegovog bra
ia smem njemu napomenuti bojaze koje 81 tt F
razio meni jutros.
Serbian prekide kada je cuo John De Vita |
rece Tillyu spokonm glasom: - Oprosti mojoj S
bosti prijateju moi. Ina neoeekivanih udaraca
coveka znenade obore dole Hvala Bogu, moi b
je JOS xiv. Govori, ia slusam.
Nastavice se)
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
NOVA GODINA = 1916.

U sledeci utorak nastupa nova godina
1916. U ovo doba prosle godine besnio je
sveopsti rat koji je TEX pokazivao izvesne
make da Sc primice kraju. Znaci su bill jas
nj cinjenici da Sc zapazavalo totalno oslab-
ljenje nacistickih i japanskih sila, ma sa-
veznickoj strani, suprotno tome, moe VEGA
nego ikada ranije, zahvaljujuci cudotvornoj
proizvodnji kolosalnoj industriji Amerike.
Svi napredniji ljudi zeleli su da Sc rat
Trivede kraju Sto pre- Konacno do toga
je doslo Mir je ucinjen sa Nemackom jos
maju, a sa Japanom nekoliko meseci kasnije
- 2. septembra 1945 Tako SUI privremeno
privedene kraju nepamcene patnje covecan-
stva, koje nanosi direktni rat. Ali posledice
rata i-patnje koje su ration prouzroeene os-
tase dalje
I ako je postedjeno cd direktnih bonn
bardovanja krvoprolica covecanstvo Sc ma
lazilo, a i sad Sc nalazi ito nebrojeni milioni,
radnog naroda, Evropi, Aziji Africi,
ma ivici skoro sigurne snrti "a sebe
svoje bliznje. U swim trina ovim konti-
nentima hara nepamcena glad, pored pot
pune nemaStine u stanovima, odelu ogrevu,
medikalnim potrepStinama, kao sveopstoj
obnovi ekonomije. Opustosenje uniStenje je
tako veliko da nema izgleda "a ikakvo znat-
no oporavljenje, nj u iducoj godini, "a We
cinu zemalja kojim Sc vodio rat.
Ishranjivaeka organiaeeija - vNRRA -
trosi ma milijarde dolara ma "spasavanju"
umiruceg covecnstva. Sama ova zemlja Ia
ona je skoro jedina koja je stanju datD
dala je vec 81, zoe, 100000 tn svrhu koje je
TEX jedan postotak dvogodisnjeg proizvoda
njene industrije - 1943. i 1914. Kapitalisticki
svet ne cini ovo il Humanitarian razloga
- kako to prikazuje kapitalisticka klasa svih
nacija - nego il straha cd proleterske re-
volucije. Ona nastoji da sa ishranjivanjem
zrtava njene sopstvene anarhije, potkupi ug-
njetene mase sveta da spase njen pljackas-
XII sistem, koji pored svih drugih zala,
ratove proizvadja Pa ipak, dobro je sto je
rat bar privremeno zavrsen. Kazemo "pri-
vremeno", il razloga sto znamo da svet po-
deljen ma ekonomske kase, i narcotic ma
danasnjem stepenu industrijskog razvitka, ne
moze dugo postojati bez ratova. Sta wise, ra-
tovi Sc vode cak 'mirno" vreme.
Prosla godina je dala svetu jedno novo
otkrice = atomsku energiju. Ovo sredstvo
moze da Sc upotrebi u svrhu unistenja, CO.
vecanstva = u sveopsta razaranja putem ra-
tova mozda cak same zemlje svega sto
.je ma Moi. Ali ono Sc moze upotrebiti ma
nepojmljivo korisne svrhe. Ono bi moglo re-
volucionisati, ne samo celu proizvodnju, nego
i Geo zivot, primenjujuci ga ma pogonsku
snagu henijske procese, pretvaranja losijih
bolje predmete TeSko je ocekivati da &c
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27

zani, tn je drug TITO njegovo oko
vidovito Tu je vjecna slava narodnih
heroja i mucenika "a slobodu. Tu ie
golemo sunce, koje saw oval mrak pod
AZ prozdire. Tu je bratska ljubav, dru-
garstvo jedinstvo jednakost slobo-
da, tn je sreca radost neugasivi zivot.
Tu [jel sloga ne samo svih Juznih Sla-
vena, san, O kome su sanjali kroz IT,
suce godina svi najbolji najuceniji 81
novi majcice Slavic. San, koji nije wise
san, nego zbilja, cd koje drscu svi nasi
neprijatelji!"
To je zaista jednostrana "vaga".
'Vagac" je stavio sve ma jednu stra-
nu, ma drugu nista Sve vrline lepote
ovog sveta pripadaju Tit njegovom
'svidovitom oku".
A sto Sc tice "srece", "slobode''
"jednakosti'', "vagac" ie trebao pri-
cekati dok Sc malo pozestoci klasna
borba, koja &c sama doci liz nejednakos-
tt. Tada &c ''vagac'', ako Sc i sam ne
bude koristio cd sadasnjeg "vaganja",
ponovo premestiti sve ma drugu stranu
wage" pripisati sva zla danasnjim
vladarima, kapitalisticki poredak ma
kojem je ia jednostrana lama "vaga"
smestena nece nj tada osuditi.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
''Lisac," s1syetac" i "golac"

Ovako "Srbobran" cd 18. decembra
naziva indijskog vodju Mohandu K.
Gandhi-a U samim tim nazivima vidi
Sc neizmerni prezir prema oslobodjenju
indijskog naroda cd kolonijalnog rop-
stva Velikoj Britaniji.
C.. Gandhi trazi slobodu "a Bur-
mu, Indo-Kinu, Tajland (Sijam) celu
Indoneziju (Holandsku Indiju) ova
Gandhijeva beskrvna borba pretvorice
Sc vremenom vrlo krvavu straho-
vitu, ako Sc nadje ko da onim fanatic
MIN golacima doturi stogod cd oruzja
-. do JUICE oni mirni Himalajci re-
volucionari pokazuju cuda cd junastva
krvolocnosti -
"Srbobran" ne zeli da Sc oval ugnie-
teni narod otrgne cd svog vekovnog ug-
njetaca Britanije Holandije Zbog toga
III naziva "golacima", "iscima" ''sve-
cima", pa cak "krvolocima.'
To je kukavicko drzanje Ko takvo
drzanje sledi tai sam nema pravo ma
slobodu. To je ulizivanje velikoj sill,
Britaniji iii Britaniji America, kukavic-
kim ljubenjem skuta da bi i'm Owe pru~
zile ruku pomocnicu u borbi "a povra-
canje istrunule zardjale kraljeve kru-
ne ma prestolje Jugoslavije.
Pored toga sto je reakcionaran, "Sr-
bobran" je nedosledan, neodvazan
kukavicki!
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
kovaGev GekiG.
ill
SELJACKI ZAKON.

Sa originanog francuskog engles: Daniel De Leon
Sedamnaesta knjiga romano Eugene Sue-a: "Tajne
naroda" Ill Istorja jedne proeterske porodice kroz
uekove." Prica Vehkon, Monarhu.
Is.
Proziruei ozlojedjenje zabelezeno lieu Nom-
noea, John De Witt dodade
Rekao sam vam pred jedan minut narod je po-
gresan kada veruje da ia kriv zdaju ali greska
je oprostiva Moi postupc izgledau da svedoce protv
meme. Kada je Republika vdela meme, mog brata
mole pratelje da uazemo celu nasu moe da je zadob
jemo savez sa Louison XIV, pruzajuci jamcevinu
princeve dobre njegova obecanja Republka je
ulozla pouzdanje mas U savez koj mi zakljucsmo.
Danas, mi patimo cd posledica izdaje Louisa XIV.
John De Witt zastade "a momenat onda produzi:
Ali ma kaAo velka nepravda bla CHA sam
rtva ja, vi nenojte zaliti Moja savest je csta
ia znam da ja ziveo zvotom casnog Goveka
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
Lama "vaga"

Pseudokomunisticki "Narodni Glas-
mix" prestampao je clanak "Iz novine
'Slobodni Dom" pod naslovom "Vaga".
"Vaga" zapocinje po abecedi, "a" i "a
vrsuje sa "B" Evo kako pisac Uuka
Mikinovkin) 'vaze" situaciju u Jugo-
slaviji pod "B":
''Tu ma drugoj strani, tn SUI parti-
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27
Traze slObOdu sebi ali ne
drugima

"A Sta bi Sc TEX Indiji dogodi!o
da Sc ona milijonska Gandhijeva vojska
docepa oruzja! Ovako "Srbobran" "a
vrsuje clancic "Mohandas Gandhi' u
rubrici, "Ogledalo' koju smo gore ci-
trail
Ovo je priznanje da su tn mnogi mi
lioni Indiji koji zude "a oslobodje-
MEM koje "Srbobran" ne zeli "a njih.
On takodjer rece da tai "golac" =
Gandhi - predvodi $3.50 milijona In
dusa" Ovo je jos jedno priznanje, da
skoro Geo indijski narod zudi "a oslo
bodjenjem, koje "Srbobran" nikako ne
odobrava.
Nema nj jedne novine ma svetu koja
tak6 redovhos i tako n1nogo place ma
rice "a s1obodom, kao ''Srbobran", i ako
Jugoslavija nije nicija nominalna kolo-
Mia Ia sebe svoje, kraljevce, reakcio-
mare bivse militariste on preklinje svo-
je "velike saveznike" da skinu "krvavu
diktaturu Tita," koja je nametnuta u
Jugoslaviji, ali "a 1850 milijona Indusa''
on odobrava eak kolonijalno ropstvo.
Ako je logicno da Sc media sloboda
Indusima, onda je logicno da Sc media
nj "srbobrancima" Sto je logicno "a
jedne treba da je logicno "a druge.
Ali ono Sto "Srbobran" trazi Jugo-
slaviji nije sloboda nego ropstvo - po-
vracanje one iste stare tiranije koju
smo ranije imali - slobodu "a ugnje-
tace radnicke klase
Ovo je on dokazao svojem po-
dupiranju tiranije koja je postojala u
Jugoslaviji predratnih dvadeset 60
dina.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1945-12-27

Wise vredi jedan najmanji clancic IL 'raci-
onalne ekonomije no sve bogoslavske knjige
Sto iii ma svetu ina. Vasa Pelagic.
Evening star., 1945-05-20
He Likes His Job Photographing Screen Beauties

When Carlo was the reigning
queen of MGM, Bull became inter
nationally famous for his oddly
lighted portrait studies of the Swed-
ish actress.
''She responded better to lights
than any actress I ever knew" said
Bull. Once I took striking picture
of iner with only a match for illumi-
nation. At another time we used
only single candle. And once We
obtained widely publicized still OF
her by using only an old-fashioned
kerosene lamp"
Bull chuckles indulgently when he
discusses the whims of the players
when they come in for sittings.
Again he observed that they were
just like little children.
Jeanette Macdonald always came
in f1anked by dozen friends from
makeup, wardrobe, hair dressing,
ETC." he said. otherwise she
couldn't relax. They kept up a
steady line of chatty conversation
with her during the sittings. Lana
Turner wants the phonograph turned
on all the time. Lucille Ball likes
the radio blaring, but singing COM
mercial will completely upset her,
often running a sitting. Yes, We must
be careful"
What does a Photographic genius
like Bull do for diversion and re-
taxation? Well. that's where the
rub comes in. Mrs. Bull is con-
firmed camera addict. She has won
nearly as many cups and trophies
as her husband. When Clarence
comes home from the studio al
night Mrs. Bull invariably has a
fresh stack of negatives for him tc
develop and criticize.
When we asked Mr.. Bull for q
nice photograph of himself to &C
company this article he was lost ir
thought for a moment or two.
That reminds me-" he said, 81
haven't sat for new picture In
II years. I'll call in the carpenter
and we'll shoot a new one for you.
| tReleased by the North American
Newspaper Alliance. Inc)
Evening star., 1945-05-20

thus have an instructive sympathy
for my problems as we'll as their
own. 1t is always wonderful to have
any Of the three come into a gallery
because they react to a camera like
a duck does to water All three
have facial structure distinctly diff
ferent that set them apart. They
are the photographer dream girls" "
Bull is the fastest man in the
business with his lighting arrange
ments. Players need little or no
makeup when they come into his
gallery because he knows how to
make his lights give the proper
shadings. If an actor has a bad
side he can fix that at moments
notice-through lights.
Bad Sides" a Myth.
Speaking of bad Sides" said Bull,
"it's mostly always a myth. More
feminine players have come in
warning me of their bad sides, etc,
when actually they were suffering
from pure imagination. Occasion
ally, you'll find an actress whose
profiles don't match and in that case
you want to watch out I have dis
covered that people with such faces
invariably harbor dual personalities
With all those q years experience
looking at movie faces, I figure I've
become something of a character
expert"
Evening star., 1945-05-20
By Harold Hefernan

7 years old when the photography
bug took its first nip.
Il was living in a little ranch
town in Montana" said the veteran
portrait artist, land my folks were
about to move into a new ranch
house, just being completed. My
aunt, who dabbled in amateur pho
Biography, took a snapshot of the
place I looked at the print and
noticed that ladder that had been
standing up against the house when
she took the picture was missing
She had touched it out. That in
trigued me. What had she done
with that darned ladder?
From that moment on I was
photographer in heart and soul, at
least. BY the time I was I had a
Saturday Evening Post route and
was dogging away furiously toward
that one dream premium the pub
fishers held out-a little Premo fold
ing camera that took post card size
pictures. I got that camera finally
and was off to the races. There was
no stopping me. I still have that
first camera-and actually took a
picture of Carlo with it once, just
for sentimental reasons"
Studied Banking Course.
When the boy photographer was
Is his family moved to Port Huron.
Mich, where he finished high school
and worked in local photo studios
He then went to the University of
Michigan at Ann Afbor and much
against his will was forced to take a
course III money and banking He
Squeaked through it somehow and
won his degree, but today Clarence
attributes the fact that he's got
money in the bank to an interest
taken in his hobby by the chemistry
professors. They sneaked him into
their experiments and he learned
more and more about the damper
regions of photography. Shortly
after graduation, he came on to
Hollywood and in no time at all was
pointing his lens at the greatest
stars of the silent days.
Favorite subjects? OF course,
Clarence Bull has them, but he's a
diplomat, too, so he refuses to stick
his chin out. A congenial fellow
himself and not easily disturbed,
Bull says he's never yet been obliged
to toss cantankerous player out
of his gallery. Most of them, he
declares, are little girls and boys
and if you pamper them just bit
so much the better.
Bull will go this far, however
He'll name Greta Garbo, Marlene
Dietrich and Katharine Hepburn as
the three most interesting" ac-
tresses he's ever photographed.
"All three are intelligent women,
far beyond the average" he ex-
plains. They have a keen knowl-
edge of Photographic values and
Evening star., 1945-05-20
Mamoulian Integrates Scenes
RrLamrence Perry

and actors. 1t should not be a pos
turing, leg-throWing, faceless mask.
The chorus, as well as principals,
should be individualized Action,
dialogue, music; all three elements
integrated-there you have the mu-
sical play in perfection. The music
comedy of conventional detached
pattern is outmoded.
Effect Was Improved.
The speechless prologue we have
just seen was. of course, daring
thing to attempt. Originally it was
not attempted. Throughout the
scene when it was produced in Bos-
ton all the company ad libbed, but
when we eliminated the chatter
and blended every one into the pan
tomime, we got a much better ef-
feet"
Mamoulian strongly debates the
belief that musical version spoils
good plays, that bad plays alone are
amenable to the music mode be-
! SduoC GllCy CdllIlOG NC S)OllSu.
That" he said, lis fallacy. Any
good play can be adapted to musi-
cal treatment. 1t depends upon how
the play appeals originally and who
translates it into musical drama"
Reminded that the application of
his theory of integration did not
save his adaptation of Rain" the
director admitted this was so, but
qualified the admission.
Many conditions, aside from the
merits of this musical-which did
not figure at all, I think-operated
to the disadvantage of this play, in
cluding the fact that Rain stands
in memory of playgoers, as in an
mails of the stage, as one of the high
lights of American drama, not for
getting the great actress who played
the leading role, Jeanne Eagels. If
you regard this failure in public ac-
ceptance as an exception you have
to consider it as an exception prov
ing a rule"
Could the Mamoulian theory of
integration be applied to the screen?
In the case of "Oklahoma," for in
stance?
Certainly" said the director.
For the camera, believe it or not,
is an actor, too. Changes from close
up to medium, to long shots can be
made to bear upon the general
rhythms-and, also, the use of
lights, just as on the stage, can
further convert say a chorus from a
detached unit into an integral part
of the whole
The director smiled and shrugged.
But why should the guild sell
gold mine to the movies"
(Released by North American Newspaper
Alliance.)
Evening star., 1945-05-20
HOLLYWOOD.


Almost any fellow with the slight
est trace of red blood in his veins
would like to trade jobs with Clar-
ence Bull. Mr.. Bull is the man who
heads the portrait department at
the big MGM studio in Culver City
He can make or break a star with
the flick of light or shutter. The
stars know this. They are crazy
about Mr.. Bull
For the past q years, starting
with the Inflated Olive Thomas
then along to Joan Crawford, Greta
Garbo, Jean Harlow and nowadays
to the currently reigning favorite of
the lot, Lana Turner, Mr.. Bull has
been saying wet your lips" and
exposing his plates at the lady greats
of FINLAND.
All the important stars eventually
land on the MGM lot, for it's the
biggest in town, and they like to
have Bulls name stamped on the
back of their photographs. He has
reputation for knowing best and
fastest how to light a face and a
figure and his products have been
held up in the galleries as shining
examples of what magazine and
Irotogravure editors drool over.
He Started Early.
How does a fellow go about get
ting nice, congenial and profitable
work like this? We asked Mr.. Bull
just as he was finishing sitting OF
Esther Williams-a sitting, by the
uaV fiat nnarke6 tho eypoc,1re of
his -millionth negative Mr.
Bull looked a little owlish, dragged
thoughtfully at his pipe and then
| opined that fellow ought to start
early-very early. In his case he was
Evening star., 1945-05-20
Villain Roles in Demand
Bv Sheilah Graham

when so successfully scare little
children"
Fred MacMurray's future in films
was slightly dubious when Para
mount cast him for the murderer in
Double Indemnity" Fred had been
at the studio 10 years, and always
he had played a good boy. In the
last year his pictures had become
less important, and the final insult
had been when the immaculate
Fred was cast as an idiot in a hill
billy picture. But after Double
Indemnity" Fred was right back on
top again, and more in demand as a
leading man than ever before. It
certainly paid off for Fred, that lit
tie bit of cold -blooded killing.
The case Of Raymond Massey Is
proof that it pays to be bad on the
screen. After Massey appeared in
celluloid as President Lincoln, he
couldn't get another job here. So he
switched type and became villain,
and every studio has a picture for
him. Helmut Dantine got nowhere
fast when Warmers decided to make
him a romantic hero. Now, in
Shadow of Woman" he is back
where he started-in Mrs. Miniver"
as a heel. His latest piece of dev-
iltry has him trying to strangle An
drea King.
Zachary Scott started his Holly
wood career as bad man in The
Mask of Dimitrios. Then for one
picture he went good on us-in
Hold Autumn In Your Hand" He,
too, has returned to the role for
which he seems most fitted. He is
the villain in Danger Signal" with
Faye Emerson, incidentally playing
her first good-girl role.
NUM- Able Gangster.
Paul Mum made swell gangster
in "Scarface." I don't think I've
liked him as much in any succeeding
film. Humphrey Bogart started
on the path to fame and fortune
and Lauren Bacall-in his first
Hollywood picture, THE Petrified
Forest" George Raft was better
in the old days as an out-and-out
villain than today when he attempts
to play hero. :. Alan Ladd is al
ways fine as cold, ruthless killer.
.. And Charles Boyer was surpris-
ingly good as the man who tried to
drive Ingrid Bergman insane in
"Gaslight."
Boys like Karloff, LORE and
Greenstreet are inconceivable in any
roles but those reeking with villainy.
:. Every once in while they try
to make Vincent Price a good type
He's SO much better as villain!
Wait until you see him in his latest,
"Dragonwyck." Charles Laugh
ton, who likes to vary his roles
sometimes good, sometimes bad-is
Bladder than he's ever been as the
murderous Capt. Kidd, who is
hanged at the yard-arm in his
latest film.
! Even Van Johnson has caught the
prevailing mood. He's not exactly
villain in EARLY to Wed"-the
bobby soxers wouldn't go for that
But in several of the sequences he
appears as a phony.
i Don't overdo the villainy boys. A
world with villains only would be
just as dull as a world of only
: heroes
(Released by North American Newspaper
Aniance)