davidaulloa/AmericanStories huggingface dataset:
Evening star., 1943-01-26
Parents War Problem
Course 10 Be Opened

The District Congress OF Parents
and Teachers is cooperating with
George Washington University on a
special course on war problems of
parents.
Beginning February 18. any men,
Der of any parent-teacher aSsocia-
ton affiliated with the congress is
eligible to attend 10 am. classes in
the university's Hall Of Government
Continuing on Thursdays for 10
weeks, the classes Will be supervised
by DR.. James Harold Fox. dean OF
the university school of education.
Handling the registration for the
congress are Mrs. Y. D. Mathes, vice
president, and Miss Myrtle Moore,
chairman of the congress Parent
Education Committee.
Evening star., 1943-01-26

attained several fine effects in
Charpentier's familiar mum Der,
which. together with the Gaelic
'Kishmuls' Galley-A 'Bhirlirr Bhar-
rach,' of a more dramatic char
acter, showed the extent of her
range and talent for Interpretation
Bottesini's "Splendi, Erma Fa-
celia Duparc's "Chanson Triste,"
Tschaikowsky's Les Larmes." Fau-
res "Fleur Jetee," Gibbs To One
Who Passed Whistling in the
Night" Delius' Brasil" Glanville-
Hicks BE Still You Little Leaves"
and CUTTERS Loves Philosophy"
rounded out one of the most en-
joyable evenings in the schedule of
the Washington Music Teachers
meetings and was cordially ap-
plauded.
Evening star., 1943-01-26

by Owen LuSak and Jeno SeVely.
The violinists performed the con-
certo in good style. with a broad
stroke and a cantabile tone, espe-
cially lovely in the slow passages.
They displayed in this work posi-
bilities not always in evidence in
larger concerted forms.
English Singer in Debut.
A newcomer from across the At
lantic, Ann Moray. English soprano,
made her local debut at the Arts
Club last night under the auspices
of the Washington Music Teachers
Association. She brought with her
an interesting program containing
some relics of the past intersperSed
among familiar numbers. OF Spe-
cial interest were three tunes of the
Hebrides sung in Gaelic, arranged
for voice and piano by Marjory
Kennedy Fraser, the aCcOmpani-
ment lending to the voice spiritual
quality.
Miss Moray opened her program
with two groups of English tradi-
tional carols and songs of the 14th
and IS centuries. Of these "AngeluS
ad Virginem" belongs to the first TO
have been translated from the
Latin and sung in English, with the
original manuscript kept at the
British Museum. Her high, flexible
voice, lyric in timbre, is distinctive
for its lovely pianissimi. which she
can swell to a forte with ease and
security at command.
The singers French diction is
especially clear 1t gave her the
necessary freedom for the two
French arias prescnted-Charpen-
tiers "DepuiS lie jour- and Masse-
nets "Voyons, Manon," the latter
substituted for two arias from
Mozart's Die Zauberf1oete. She
Evening star., 1943-01-26
Swift Acting, and Saves
Big Money. Easily Mixed.

You'll be surprised how
quickly and easily you
can relieve coughs due
to colds. when you try
this splendid recipe,
mixed in your own
kitchen. 1t gives you
about fourtimes as much
cough syrup for your
Evening star., 1943-01-26
Asthma Sufferers
SIeep Fine When
Free From mufuS

l. Cnoklng, FsSpine, wheezing recurring at
tscks OF Bronchial Asthma ruin your sIeepI
ana rob your blood of vitally Important
lpNgeh because you can't get air in and outi
tonger necessary to suffer from these terri-I
PIE attacks without the beneft you nav re-
kelve from physicians prescription Called
henaaco. Within very short time afterl
Iihe nrst dose, Mendacc ingredients start cir
lsuiating thru the blood, thus reaching thet
sr,allest as well as the largest BronchiaII
kuoes where they usually quickly help lioue-
lmuous tphlegm). thereby promoting freerI
kreatning and more restfui sleep In fact
gaendaco has proved so successful in helpinp
Ispssrs of Bronchial Asthma that il is sold |
nnoer q guarantee of money back unless
l,ompietely satisfactory. So get Mendaco
From your druggist today
Evening star., 1943-01-26

money, and you'll find it wonderful.
Make a syrup by stirring cups of
granulated sugar and one cup of water
few moments, until dissolved. No
cooking needed-it's no trouble at all.
(You can use corn syrup or liquid
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24
Fifteen Minutes of Light
Dance Tunes Break Up That
Period of Inattention That
Sets i'm at $3.50.
BY ROBERT ID. POTTER,

Science Editor, The American Weekly.
80 INTO any OF a thousand key war
~ plants throughout the nation today and
<> YOU will see the men and women toiling
AT machines turning out the countless things
that the United States is using to beat Hitler,
Hrohito and Company
Sure, there's nothing strange in that It's
happening in hundred thousand other plants,
too
But what's something special about these
thousand key plants is that the workers
do their tasks 10 music that keeps them
popped up through the dragging periods that
come in every work day.
Sos what? So this
Scientific ostudies disclose that in terms
Of plant producton-in terms OF things pro-
duced 70 win the war-the output of these
plants is up from to IL per cent. Turn that
into tanks or ships or airplanes and it means
that for every 100 that built normally, an
extra are turned out by the workers in the
same time, because Of the music
And they're all for it, Survey after survey
in industry shows that and women will
ask to be transferred from a section where
there is no music TO one that takes off the
monotony Of repcttiye tasks by means Of
popular tunes. or martial Anchors Aweigh'
or melodic Alice Blue Gown"
1T peps me up" II don't feel so tired"
don't quit early any more"
These are just a few of the typical COM
ments you hear when you ask them how they
like this new-fangled scheme of music while
you work.
Such response TO music on the assembly
line may be only in the mind subjective, a
psychologist would call it-but it pays off in
the effort Happy workers work harder
and faster The day passes quicker and the
drudgery declines
In terms OF production output il all means
more tanks. and guns, and planes. And that's
the way the war will be won
In terms Of the individual workers il means
the difference between going home grouchy
and dead tired, and going home with buoyant
step and a hght-hearted greeting for the wife
and kids. And at the end Of the week the
increased production shows up in the old pay
envelope.
Putting music TO work n,industry isn't just
a question of Shaping in a couple OF corny
loudspeakers, buying up a batch Of half
wornout scratchy records and hiring somebody
TO spin the 'platters" heltcr-skelter at any old
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24

After lunch there are only two spots to
watch A pre-fatigue period from 2:3O to 2:45
p. m, and the real fatigue period from AS TO
about 40. Again music comes to the rescue
and follows the pattern of the morning.
And then at quitting time comes the band
music and martial airs, which take the work
ers off the shift with.a buoyant step and wake
up the new shift just coming on the job
One surprising thing about music in indus
try ffafp1u, IS mat one has a musical
hangover over the weekend. That is, pleasant
associations with ones job are carried over
Sunday. This is a big help in eliminating or
sharply decreasing, absenteeism on Mondays
Nowadays, with the workers earning more
money the Saturday night spree is not I'M
common, and it may go over into Sunday. too
Monday morning looms dark and dreary
The vision of the job at the factory just builds
up thoughts of staying in bed until noon and
sitting around the rest of the day.
However, if the workers like their jobs and
it is made pleasant by daily music, the boys
hop back on the job no matter how blue Mon
day may seem.
In a survey of one plant before and after
music was installed it was found that absen-
teeism fell from 22.15qs to only 1850 Scien-
lists were so surprised that they went back
and checked their whole survey and finally
concluded that music-and music alone-made
the difference.
Professor Harold Burris- Meyer of Stevens
Institute of Technology, assisted by Ray
mond N. Cardinell, has made one Of the most
careful of all surveys on music in industry
under grant from the Rockefeller Founda-
ton. Some of the charts shown on this page
have been prepared by Mr.. Cardinell.
The most revealing is probably the one on
average output before and after the installa-
ton Of music in plant. The solid, heavy line
shows the output with music The dotted line
gives the pattern of output without music
Notice how music can often turn dips and
valleys in the output curve into high noun
tains' of production.
The overall gain in output amounts to
about per cent.
Praising music in industry. Prof. Burris-
Meyer recently told the American Society of
Mechanical Engineers that the noticeable
gains made possible by music are only the be-
ginning, for the music written for the concert
hall the stage, or the night club is the only
kind now available for music in industry
Some day-and it may be soen-aleng will
come composer who will write music that
will make work really sing.
Then" says the Professor, 1--WE may well
have a musical idom which is something new
on the face Of the earth; and what industry
can do for music may be as important, when
the record of our civilization is written, as
anything music can do for industry"
The goth century may yet produce it's own
work songs that will-in the end-rival the
songs Of the Volga boatmen. or sea chanteys
or the beautiful music of the Negro on the
levee. Maybe songs like Rosie the Riveter''
are a step in that direction.
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24

Whirl the disks and let Tommy Dorsey
Kay Kyser or Benny Goodman go TO work
Mix up the stuff, but keep it popular and
dances and sings.
Fifteen minutes Of that and you are up
TO 10 a. m. and the dip in production in that
"pre-fatigue' period is pretty well ironed out
All goes well until 1O45 or 100. Then
you will find that real fatigue period sets in.
The shift has been at it since S. and that tired
feeling comes.
Workers begin to eye the clock. They get
up ito have a smoke" They want drink.
Their thoughts turn TO lunch The Mushrooms
become crowded. If you sit in the superin-
tendent's office you can see production fall off
and a downward dip occur in the output curve.
Into this breach in the war effort steps
music again.
Bring on the popular music. Start them
slower this time Some of the oldies like
alice Blue Gown" Beautiful Ohio" and
other songs of that vintage. That slower
tempo fits more into the actual fatigue feel
ngs of the workers. It's music about as lazy
and tired as they think they feel
Then drag them out of their mental rut by
increasing the tempo OF the music. Pep them
up with white Christmas" or 1T Had to BE
You" What Is This Thing Called Love ?"
Don't Sit Under the Apple Tree" =. there
are a thousand others.
And finally wind up on even pepper tunes,
such as Praise the Lord and Pass the Ammu-
nition," Jingle Jangle Jingle" and favorites
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24

Sends the War Worker Home
With "A Pleasant Musical
Hangover and Wakes Up the
New Shift Just Coming On.
like THE Jersey Bounce"
But beware of one song.
That's Deep in the Heart of
Texas"
It's a pepper-upper, all right.
But it's too good.
Everybody just has to get in
on that Clap-C lap-Clap accom-
paniment and they'll stop work
even TO do it.
At lunch time. during the
noon hour, the lid is off musi-
cally. Request selections, clas-
steal music, jitterbug stuff, fast
stepping polkas and all the rest
go into the dining rooms; any
thing that will prevent bore
dom.
Here scientists find that the
songs the workers want vary
with the age, group, sex, and
the nationality. You can even
work in Deep in the Heart Of
Texas" if you want to at lunch
time.
Here, too, government war
bond messages and other war
effort appeals are most effec-
tive. And each week there is a
chance to run off the "punctu-
atty" lottery for war bond
prizes.
These promptness lotteries
are doing lot in many plants
to prevent hardness, the curse
of much production loss.
At r. c. a. the time-clock
number OF every employee who
has not been late during the
week goes into a big drum.
Once a week several numbers
are drawn out by lot. The win.
ner gets a $50 War Bond and
second and third choices get
S25 bonds.
If you're late during the week
you have no chance to be en-
lraWing. EverVone tries his best
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24
Ausic|ndeedHas Charm-T0S PEED PRODUCTION

Putting Martial Airs.
Popular Tunes and
Swing to Work in
War Industry. Ex-
per+s Find. Wipes
OUT Inof+enfion and
Fd+igue. Means Less
Clock Wa re hin 9.
Fewer blue Mon
days" and More and
Better Tanks. Guns
and Planes Rolling
of Production Lines
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24


Feeling Il Gone.
time Of the day.
There's "A science 10 program
ming music in industry just as
there is in programming radio
broadcasts over the commercial
networks.
Here's what you have TO do
TO make music pay off in pro-
duction, says Dan Halpin, chair
man Of the industrial music
committee Of the r. c. A. Man
ufacturing Company at Cam
den, ~. ]
When the workers arrive for
The early shift, say 6 a. m. they
are grouchy and grumpy and
only half awake. They want TO
get 10 work but it ordinarily
would take them the best part
Of an hour TO get their eyes
really open and settle into their
stride.
What 10 do?
Open each shift with martial
music; stirring march tunes
and band music that viii clear
the cobwebs from their brains.
Spin the platters and let The
Star-Spangled Banner" The
Caissons Go Rolling Along"
THE Notre Dame Victory
Marcel" and such tunes go
swinging through the plant.
DO that for only IS minutes
and you get everybody on his
toes. II isn't as quick as a cold
shower, perhaps, but it's a lot
more workable.
Don't keep up the band music
pep stuff too long. Fifteen
minutes is sufficient. Then let
quiet reign.
But along about $50 a. m.
you'll find that the pen or wome
machines begin to'talk or viii
because the routine of the repet
beginning TO take its toll. A pre-
OF inattention sets in, say the 81
Again music comes to the r
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24

tered in this drawing. Everyone tries his best
to get on the job on time and become eligible,
It's grand way to cut hardness and get more
production.
Detroit evening times. (Detroit, Mich) 1921-1958, 1943-01-24

1913 by american Weekly. Rights Reserved
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1943-02-17

mi takoj preskrbeti voz in od-
peljati me tia. Ubogajte me, to
je nujno 'potrebno.
- Prosim, milostiva gospa,
- je odgovoril vojak in znova
salutiral. - Cez pet minut bo
voz tuv dvema iskrima konjiee-
ma; bodite brez skrbi, ma to sc
dobro spoznam.
Obrnil Sc je ma petah in od-
Sci.
Sluga ritmojstra d. Alboiza
sc nj bahal, kajti cez piclih pet
minut je re stala pred hotelom
licna kocija in pred njo sta hr.
zala diva iskra konjica.
Huzar je zlezel ma kozla h ko.
cijazu.
Ripaultova smodnisnica stoji
blizu kraja Monts-sur-Indre
kjer je edna in zelo skromna
krcma.
Vojaki SO nastanjeni v majh.
mem poslopju, spadajocem k
smodnisnici, kamor ponoci nih.
&c ne. SINE in kamor pridejo tut.
ci eez dan zelo tezko. -,
Sluga je zaklical :koeijazu
maj ustavi pred kremo. Ocivi.
dino so v krcmi Sc bedeli, kajti
emo lokno je bilo Sc razsvetljeno
Gin je zaropotala pred hiso
koeija, Sc je pojavila pri oknu
senca; " naslednjem trenutku
Sc je razlegel kirk.
Skoraj istocasno so Sc z veil.
kim ropotom odprla vezna vrata
in ma pragu Sc je pojavil MOI
XII je prijel mlado zeno "a roko
in zasepetal:
- Carmen!
Prisel je krcmar, drzec v vsa-
XII roki sveco. Videc damo S
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1943-02-17

vec navaden huzar;; zazvenketal
je z ostrogami i'm salutiral.
- Prihajate cd gospoda d.
Alboiza? - je vprasala mlada
zena. - Gotovo ste njegov slu-
ga. z:.
Da, milostiya gospa, in po-
nosen sem ma to.
Ali mi prinasate odgovor
ma pismo, XII sem mu ga posla-
la? IT,. 49,
- Ne, milostiva gospa. :
- Povejte torej, kaj bi radi.
TO je zelo enostavno, milo
silva gospa. Gospoda ritmojstra
nj v Toursu. f. a.-..
- Gospoda d. Alboiza nj v
Toursu? ~
- Ne. Dobil je povelje .. :.
nujno, kakor pravimo pri vo-
jakih zelo vazno poslanstvo,
nanasajoce Sc ma preizkusnjo
novega smodnika, in cd vceraj
je v Ripautovi 'smodnisnici, cd
koder ne SINE oditi, kajti ME
gova naloga je nadzorovati noe
in dan izdeloyanje smodnika.
Vrne Sc sele Ijutri. Narocil mi
je, maj sporocim to damn, XII jo
je pricakoval has z vlakorn, s
katerim ste Sc pripeljai vi;
preprican sem, da ste ia DANA
vi. Narocil mi je tudi odvesti
vas ma stanovanje, kjer je VAN
dal pripraviti Isl. .,
Mlada zena je cutila, kako il
srce mocno utriplje. Kar jet
eastnik pisal, je bill torej res
njegov trden sklep.
Res je pricakoval svojo ljubi-
co. Racunal je tenn, da prispe,
da zapusti svojega moza in po-
begne z MIN.
. Men sklep lie bill storjen ta-
koj.
Je smodnisnica dalec - je|
vpraSala huzarja.
Ne, milostiva gospa j
stiri ali pet ur voznje, vec fle|
.bo.
No torei nrijatelj, naoratel
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1943-02-17

pajcolanom, ki jo je drzal nje-
gov najemnik "a roko, je odprl
skromni salon, kjer je stala sa-
mo okrogla mia in nekaj Pile
tenth stolov.
V peel je Sc plapolal pole
majoci ogenj.
Postavil je sveco ma mizo in
Sc obrnil rekoc:
ce bo gospod ritmojster
kaj potreboval, maj me kar po-
klice, sal Sc ne grem spat. 4
Komaj je krcmar zaprl vrata
"a seboj, je mlada zena odgrnila
obraz.
- Gospa de Montlaur! - je
vzkliknil castnik preseneeeno in
prebledel cd groze.
- Da, = -je odgovorila z drh-
tecim glasom. Helena de
Montlaur, svakinja, vase ljubi-
ce, Helena de Montlaur, XII je
brez pomisleka zapustila svoj
dom in odpotovala sama ne bo-
jec Sc nobenih tezav ne nevar-
nosti, samo da resi- cast in NOR
da tudi zivljenje vsega obzalo-
vanja vredne nesrecnice in "a
slepljenega blazneza. .'
Stopila je k peel.
Srce mu je utripalo tako mo-
emo ,da mu je hotelo raznesti
prsa, njegovo grlo je bilo suho.
Uprla je vprasujoc pogled v
mladega castnika, skusajoc mai
ii ma njegovem obrazu zname-
ME made ali bolje receno, kot v
dvoboju, kraj, kjer bi mogla ra-
niti in poraziti svojega ma
'sprotnika.
70 je bill namrec resilni dvo-
boj: dvoboj dolznosti in strasti.
Helena da Montlaur je bila
namrec cudovita p1avolaska,
lahko bi rekli mlado dekle, to-
liko >naivne priprostosti in ne.
dolznosti je bilo v njenih mo-
drih oceh, toliko skrlatne otro.
! ske svezosti so bile ohranile ME
ne rdece ustne. Toda komaj
vidna CUBA ma njenem krasnem
celu, modrikasti kolobarji pod
njenimi ocmi in gubica v kotu
njenih ust, vse to je pricalo,
da je plakala, da je zena, da je
matt ;pricalo je bolje cd raz-
cveta njene krasne, gracijozna
postave in sramezljivo izboce-
nih nedrij pod skromno popot-
nj obleko.
Nasprotno je bill pa Robert d.
Alboize zares krasen V svoji
! moski, ponosni, vojaski in kava-
lirski. lepoti, XII je pri Franco
zih tako simpaticna.
CDalje prihodnjic)
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1943-02-17

yeti dalec cd svoje deteta?"
- Njegovo dete! - je sepe-
tala mlada zena drhtecim gla-
som. In v njenih velikih modrih
oceh, razisrjenih Sc v bolesti, so
Sc zalesketale solze.
- Amboise! Amboise!..
je zaklical sprevodnik.
Bila je zadnja postaja pred
Toursom. Potnica, nekoliko po-
mirjena, je citala dalje:
"Ti da bi odpotovala! Ali je
to mogoce?
Sal bi bila vendar lagala, "a
trjujoc mi, da me ljubis, da
ljubis najino dete. Bila bi zlo-
cinka bila bi podla .
Postal bi sodnik, a ii, Carmen,
dobro yes, da bi bill zmozen vse-
ga.
Toda oprosti mi, moja vroce
ljubljena. Sal sem re v zacetku
napisal, da blaznim blaznim
iz ljubezni do tebe, do najinega
angelcka =. All! Zakaj 81 Sc
seznanila S Saint-Hyrieixom
pred menoj? Zakaj 81 ga vzela ?
Toda pomisli Gotovo 81
re zvedela "a imenovanje svo-
jega moza. Zakaj me Sc nisi OBJ
vestila o tenn? .,..,
Prizadevam 81 ma vse nacine
pregnati to strasno misel. Ali bi
mogla sploh hoteti zapustiti ma
ju? :.
Cuj! Ia negotovost me
ubije. &c ne prides v dveh dneh
v Tours, da Sc sestaneva, sc pri-
peljem v Pariz Pomenim Sc
s tvojim mozem, vse mu povem.
Pokazem mu VISA tvoja pisma,
da bo vedel, da 81 moja, VISA mo-
ja! ..
In &c tie ne bo hotel prepusti-
tt meni, DO odlocilo med mama
orozje. &c me ubije, bonn vsaj
resen teh muk. &c pa postanes
vdova, sc mi ne bo treba vec ba-
ii, da te izgubim, da tie ukrade-
jo najinemu detetu."
Mlada zena je zamolklo kirk
nila.
- Storil bi to! Storil bi
to! ). O, boze, boze! Resi- mas!
In drhtecim glasom je ma
daljevala citanje pisma. Osta-
10 il je bilo samo Sc nekaj vr-
site.
"Prenehal sem "a hip, da sem
razmisljal. Zacenjam znova.
Zdaj govorim trezno. Vse sem
premislil, vse pretehtal. Odlocil
sem sc. Yes dobro, Carmen, da
sem bill vedno MOI beseda. Pri-
segam tt to ma svojo vojasko
cast, ma najino sreco. &c te do
pojutrisnjem ne bo, prispem v
Pariz, potem maj Sc pa zgodi,
kar je usojeno.
Robert d. Alboize."
Vlak je prisopihal ma tourski
kolodvor. Potnica je sedla v ko-
clio in Sc odpeljala v hotel de.
l'Univers. Najela je sobo,
spravila v red svojo toaleto, in
narocila vecerjo. 4
Potem je pa napisala ma list
papirja nekaj besed, zapecatila
pisemce in napisala naslov: Co
spodu ritmojstru d'Alboise, 16,
utica Royale.
Sluga je odnesel pismo. Kma-
lu je potrkal sluga ma vrata
mlade zene in il sporocil, da bi.
rad govoril 2 MO neki vojak.
Mlada zena je odgovorila, mai
vstopi. Pripravila Sc je, da bi
prenesla prvi castnikov pogled.
.Vstopil pa nj ritmojster, tenn
Enakopravnost. [volume] (Cleveland, O.[Ohio]) 1918-1957, 1943-02-17
P. DECOURCELLE:
! moo
LJUBEZNI
R'O M A NJ. DEL

zagledala ma pokrajino, zalito z
zarki zahajajocega solnca.
Bill je caroben pogled.
Loira Sc je villa v daljavi Tiki
velika modra kaca cez pokra-
jino ,odeto v zeleno pomladno
odejo.
Desno in levo so svigali mimo
cerkveni zvoniki, moleci il buj-
mega zelenja, tn pa tam je uje-
10 oko gradic 2 velikim sencna-
tim parkom ali slamo krito
hisico, XII jo je zacelo krasiti
sveze zelenje ovijalk ali brslji-
ma.
Povsod, po vsej dolini je VIA
dala velika, neizmerna tisina. V
daljavi, zelo dalec je pei zvon
in njegov melodicni glas je
spremljal zvrgolenje krilatih
pevcev, pripravljajocih Sc k po-
Citku.
Bilo je jasno, da poslusa, ne
da bi slisala, da gleda, ne da bi
videla. Mehanicno so il priha-
jale v pretrganih stavkih ma je-
xix misli.
- VISA drhtim, - je sepeta-
la. - In vendar sem Sc odloci-
la Treba je najti razloge,
dokaze, besede, da z mimi pre-
govorim in prepricam tega mo-
"a.
Vojak, kakrsen je on, mora
uslisati prosnjo zene. On dobro
We, kaj je cast, rodbinska cast.
Razumel bo, da rodbinske ca
sti ne moreno poteptati ma lju-
DO gresni strasti, pa maj bo Sc
tako burma.
Toda &c me navZlic temu ne
bo hotel poslusati do konca . {.
Pod vplivom tie strasne misli
je segla z drhteco roko v Yep po
zmeckano pismo, XII ga je bila
nedvomno re veckrat precitala,
pa ga je citala vedno znova, ka-
kor bi hotela najti v MEM nov
pomen, novo misel, XII Sc je do
slej izmikala njeni pozornosti.
Pismo Sc je glasilo:
V Toursu, 25. marca 1880.
Blaznim, draga Carmen, blaz-
MIN cd bolesti.
Yes, kaj Sc je zgodilo? {.
Ali 81 zrtev ali sokriva tega,
kar Sc pripravlja? Tvoj MOI
odpotuje V posebni misiji v Gu
yanO. OdpelJe Sc ceZ Stlrl dnl.
In ii bos morala odpotovati z
MIN. Tako je bilo sklenjeno v
ministrstvu.
Toda tt prav mic ne pomis-
lias, O TEN sem trdno prepri-
can. Vem dobro, da 81 Sc ze odlo-
ella, da ne pojdes z MIN.
Ne zapustis me, meme, XII te
obozujem, meme, XII me ljubis in
XII bi me tvoj odhod ubil ;.
Preprican sem, da ne zapustis
najinega malega Marcia. Mar
hi nnop1a matt kakoy. g; RI ii