davidaulloa/AmericanStories huggingface dataset:
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

COLE bajonete. Kapitaisticka politicka vlada-
vina, kao sluskinja kapitalstcke klase, INA da
su fekeri sa postojecim junijama Cd neocenji
We vrednosti vladavini privatne svojine, jer da
niih nije, radnici bi bill organizovani dosad Il
svoje prave junije SociJallstlcke Indus
triialne Junije. kada bi njih nestle, tojest,
kada bi sc radnci okrenuli protiv "ugovora,"
liza koiih stoji "postena" rec fekera i posloda
vaca, ogromnom broju to bi znacilo da 81
oni gotov "a organizovanje Socijalistcke In
dustrijalne Junije, a to znaci vrli pocetak
stvarnog obaranja kapitalizma pocetak Pro-
leterske Revolucije. Da to ne desi kapitalis-
ticka politicka vladavina savetuje poslodavce
koii &c ga vrlo veselo primiti da ma tvornickim
zidovima obese krupne natpse: da &c Sc svi ne
pokorn radnici staviti crnoj listi sa "demo-
kratskim' blagoslovom!
I kapitalisticki apologicar imaju obraza
da nam jos govore da Sc oval rat protiv Hitlera
vodi radi ocuvanja kapitalistickih slobostna
celog stanovnistva, protiv kojeg Washingtonu
neprekidno kroje "straitjacket" Industrijal-
nog Feudaizma iii kmetskog ropstva!
Radnici Organzujmo Socijalistcku In
dustrijalnu Juniju sa kojom eemo staviti Geo
kapitalizam ma nasu crnu Estu i njom ga
swim ostalm crnilom duboko zakopajmo.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

poslanici treba da ma to pristanu.
Owl imaju pravo - saglasnO pa
ragrafama mos burzoaskog
parlamentarizma da protiv
uzurpatora povuku mac. Postu-
pivsi ovako, komunisti, kao "ma-
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

NINA, ustaju II odbranu prava
"veeine". Tako glasi logika.
Ali interesima, koje zastupa
III. 0. -, nije stale do apstraktne
logike; NINA nije stale nj do
prava g, ecine"; NINA je stale do
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
KROZ PARTIJU I FEDERACIJU.

Poznato je da kapitalisticka kla-
sa trosi ogromnu kolicinu novca
ma propaganda Ia ocuvanje svog
sistema. Mi Moi "a to ne zane
ramo, jer to je u nienom Interest,"
ziveti Il udobnosti izobilju,
bez ikakvog korisnog rada, niie nj
kakvo cudo sto ona zeli nastoji
do ocuya takav zivot. Ali ako sc
nije cuditi kapitalistickoj klasi,
sto ona radi ma ocuvanju svog o.
miljenog joj sistema, koji joj pru-
ia takav udoban raskosan zivot,
cuditi Sc radnickoj klasi, koja
stvara sve udobnosti raskoSnos-
ii "a kapitalisticku klasu. dok ona
oskudeva svemu onome, StO bi
Sc navajo udobnim zivotom. Ia
ovo je odgovoran danaSnii drus-
tveni poredak. On je uzrok svih
zala u drustvu. A da bi Sc zala
otklonila IL drustya, sami uZrok Sc
mora otkloniti - kapitalisticki po-
redak.
Nekada je drustvo oskudevalo
zivotnim potrepstinama, "a koje
tadasnji drustveni poredak nije
bio odgovoran, poSto alati "a pro-
:zvodnju behu ma niskom stupnju
razvitka. Sa NINA drustvo nije
moglo izobiljno proizvesti posle-
dica je morala blti oskudica. Ali
danas ie sasma drukce stanje stva-
ri. Danas, naprotiv, vecina clano-
va drustva oskudeyaju Il potreb-
MIN stvarima "a zivot zbog toga,
sto su proizveli premnogo. Ovo je
drustvena kontradikcija, sa kojim
Sc zdravi razum ne moze pomlrl-
ii. Ovo ie wise nego kontradikcija,
ovo ie drustveni zlocin!
Da bi Sc drustyo resilo ovog
zla zavelo red, jednakost i prav-
du, ono mora IL korena da reor-
ganizuje stroj danasnjeg poretka.
Mesto privatnog vlasnistva mad
sredstvima "a proizv0dnju, ono
mora uvesti kolektivno ylasnistvo
- kolketivno posedovanje svih
zemaljskih industrija, pomocu ko-
iih da Sc kolektivno pro;zvodi "a
podmirenie potreba syih korisnih
clanova druStva. To je problem
pred danasnjim druStvom, kojeg
ina da resi-.
Rekli smo da je danasnji drus-
tveni poredak (kapitalizam) kriv
Ia sva postojeca zala drustvu,
kao Cd takvog mi ne mozemo
ocekivati da on resi- danaSnji pro-
blem zavede red izobilje drus-
tvu. Ia takav zadatak on nije pode-
san niti sposoban. Ako druStvo
(radnicka klasa) bude ocekivala
cd kapitalizma da resi- problem
besposlice. gladi. rata druge mno-
ge nevolje, svako takvo ocekiva-
ME druStvo bi odvelo konacnoj
propasti. Svako dalnje produzenje je
kapitalizma donece sve vece zlo i
nedace druStvu. Pa k d a bi
kapitalizam n a to javao svom
ozbiljnoscu da zavede red izobi-
lie u druStvu, on ne bi mogao. A
he bi mogao il prostog razlogac
poSto Sc on zasniva ma nejednakos-
ii nepravdi; ma pljacki i tirani-
il; Ma ubijanju i raZaranju. Ka-
pitalizam je preziveo svoju koris-
most "a druStvo postao smetnja
i zapreka "a dalnji progress, kao
takav on ina da Sc cisti drus-
tvene pozornice.
Samo je zlo u tome, sto on sam
nece da odlazi nakon sto je oba-
vic svoju istorijsku zadatu. Ma
protiv, on (kapitalizam) nastoji
swim svojim silama da sc odrzi po
svaku cenu ma racun silnih
zrtava radnog covecanstva. Ear
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

njihove svojine gospodstva. ko-
munisti su protiv toga. Vlada
ustaje protiv komunista. Time
ona stale ma stranu ekonomske
moci prvih. Time sc ona polka
zuje kao njihovo orudje. Zato oni
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

nasnji svetski pokolj? Da kapita-
lizam ne nastoji po svaku cenu da
Sc odrzi, danas ne bi bilo rata, jer
rat je posledica abnormalnog ka-
pitalistickog stanja.
Kapitalizam je imao da obavi
jednu korisnu zadacu progresu
druStvenog razvitka, razvije, kon-
cetriSe usavrSi alate "a proiz-
vodnju, tako da reorganizovan0
drustvo moze ma novoj bazi praoiz-
voditi Il izobilju sve potrebstine "a
sve Clanove drustva. Kapitalizam
je tai zadatak obav;o i sada je
vreme da ustupi mesto novom
drustvenom poretku. Tako je is
torija zaduzila radnicku klasu
da ona takodjer obavi jednu ko-
risnu i uzviSenu misiju u procesu
druStVenOg prOgreSa, feOfgdnlZu-
juci drustvo Ma novoj osnovi, po-
moGu koie &c druStvo zavesti jed
nakost, slobodu izobilje - So
cijalisticko Drustvo!
Nj odajemo priznanje kapitalis-
t;tkom poretku, da je on bio ne
kad progresivan i da je kapitalis
titka klasa bila progresivna re-
vOlucionarna klasa; da bez kapi-
talistickog nacina proizvodnje
raspodele, danasnjih modernih in
dustriia ne bi bilo, te prema tome.
bilo bi nemoguce uspostaviti So
cijalizam. Ali to je sve proslost,
jer je kapitalizam postao smetnja
i prepreka dalnjem progresu
uzrok swim postojecim zalima. On
lisava ogromnu vecinu korisnih
Clanova drustva udobnog j dostoJ-
nog zivota, dok i'm moderna tehni-
ka dale prilike "a takav zivot. Ia
to mi kazemo, KAPITALIZAM Sc
MORA RAZORITI.
Kada mi kazemo da sc kapita-
liam mora razoriti, mi ne misll-
mo da Sc razore moderne Zemalj-
ske industrije, nego mi mislimo ma
razaranie kapitalisti e SiStfna.
Prenasanie zemaljskih industrija
liz privatnog IL drustveno vlasnis-
two, to ie istorijska misija radnic-
Ike klasc: A da bi radnicka klasa
bila stt..-.iu .c.,,.vu misiju obaviti,
ona mora da Sc, saglasno zemalj-
skim industrijama, organizuje, jer
ako tako ne bi postupila, poku-
sala da uspostavo svoj poredak,
zavladao bi haos Il drustvu.
Nista Sc danas ne moze postici
drustvu bez organizovane akci-
ie. osobito izvrSiti renitu
promenu. Ia ovo je potrebna pre-
ciznO organzovana i disciplinova-
na akcija radnicke klase. Demon
straci;2 i ruljaske akcije samo
mogu da donesu anarhiju u drus-
two. Bilo je takvih pokusaja cd usi-
jano-glavaca, ciji su rezultati is
Ii IL prilog vladajute klasec a pro-
tiv radnickog oslobodjenja.
Zato S. L. P. stalno podvlaci
naglasuje. da ako radnicka klasa
hoce Ca jos kako hoce) da Sc os-
lobodi najamnih okova usposta-
vi svoi, drustveni poredak, ona
mora da Sc celishodno organizuje
kako ma politickom, tako i ma e.
konomskom polju, kako diktuju
same emaljske industrije. Zato
su Moi mnogi takozvani radnicki
pokreti pojedinci prebacivali, da
Sc ma takav nacin nete nikada
radnicka klasa organizovati niti
sebe osloboditi. Ali sama cinjeni-
ca da sc radnicka klasa jos nije
oslobodila kapitalizma, a bez da
Sc organizovala kako treba, jeste
dokaz da je ucenje S. L. P. tacno
i naucno.
Prema tome "a radnicku kla-
su postoji jedini izlaz il danaS-
Meg joj nepodnosljivog stanja, a
to ie oval: da Sc organizuje ma
politickom ekonomskom polju,
kako uci Socijalisticka Radnicka
Partija Amerike, da razori sistem
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Veliki piknik u Detroit. Mich.


satp
dnamenjn e konvnci BORBE
Sa auo
pis NiksmG L
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
IL zIVOTA FEDERACIJE.
Piknik II Lackawanna. N. Y.

pjuj
chard
aupanjeU kznha P
- automobile, {
atna
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Pirincin Meetings in Cleveland. O.

Public
during a M
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10

II
sciHstcke Ratke Prte
kvom
zmT oU
ntersim maadnl at
deatwra proetUaton tekuem
hproE
mrdnicmo
Puudzbn ubrouru
h nih
Cnanove ebrosuj i'm sranca prkladnu
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Piknik Ogranaka New York H0bOken.

Unedlm OgraniN
N p
IL New
Zsvos
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Polugodisnja sednica Cleveland. 0.

cevrtak IT, julia Oganak Cleveland odrzace voJu pougod
Borbe Umoavau svi clanov da bud
prrede svoe polugodsnje vestae L. Petrovlc org
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Piknik u Milwaukee, Wis.


W.
On
oslo vod brgu odor
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
Zaiednicki piknik u Cincinnati 0.

Skc zajedni pi
izne Mlfoda Route
miju
Milford ko pozi grada 1155 15
automobile ot
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-07-10
State picnic in Saint Paul, MINI.

of
Paul Readers
Evening star., 1941-10-19

first saw the light of day, also in the
NipponeSe capital.
A British subject who has never
set foot on England's shores, Joan
represents an ideal cultural mixture
of the best in the Orient and the
Occident.
The daughter OF professor at the
Imperial University in Toxic, she
came to this country with her fam
lily when still an infant, and received
her early education in private
schools in San Francisco and Sara
toga. Then, returning to Toxic be-
cause of uncertain health, she COM
pleted her course of study at the
American School there
As a result, as an observer once
remarked, she manages to impart
just enough favor of the Orient to
make her more mysteriouSly and
attractively feminine than ought to
be allowed"
Certainly, it's q quality that pro-
jects itself most effectively from the
screen. So much SO, that she is
virtually deluged with amorous
epistles posted to Hollywood from
Moscow to Singapore.
The infatuated correspondents,
however, are doomed to bitter dis
appointment Because Joan is most
happily married to a fellow named
Brian Aherne.
Their meeting. incidentally, forms
one of Hollywood's classic anecdotes.
1t occurred, it seems. at a tea
party, at which Joan was in charge
of the serving table and Brian a
guest. Being a good hostess, Miss
Fontaine asked Mr.. Aherne to sit
down.
Knew What He Wanted.
Mr.. Aherne promptly sat down.
Whereupon. Miss Fontaine asked If
he'd like some tea.
Mr.. Aherne said no.
some cakeS?" asked Miss Fon-
taine. politely.
Once again, Mr.. Aherne declined
gently, but firmly.
well, asked his future wife, a
bit nettled, how about some choco-
late?"
Thank you. No chocolate" said
Mr.. Aherne.
Miss Fontaine transfixed him with
an icy stare. Mr.. Aherne stared
back-with interest.
Evening star., 1941-10-19
HOLLYWOOD Has Many Geniu but This One Can Prove 1t
Points, Eve Thoughts a

Then" she requested coldly,
"just what do you want?"
"A date" said Mr.. Aherne.
He got it,
Joan'S interest in dramatics stems
from physicians order four years
ago to spend less time at painting,
an art at which she showed con-
siderable aptitude and which for
many years consumed the better
part of her energies.
Seeking an outlet for her creative
feeling, she turned to amateur the
atricalS in Hollywood. where she
was then living Her first play was
Kind Lady" which went on the
boards amidst almost complete
apathy at nearby San Jose. Her
second role was in the Henry Duffy
production of Call 1t Day" which
was presented in Hollywood.
This, as far as Joan was con-
cerned, was a far more fortunate
enterprise. Two weeks later, hav-
ing been spotted by the inevitable
studio talent scout, she was under
contract to act for R-K-O Radio
Pictures, under whose aegis Sue
picion" was made. She made her
debut in Quality Street." which
starred Katharine Hepburn.
In the three years that followed,
she appeared in such films as You
Can't Beat Love-" The Man Who
Found Himself" "Damsel in Dis
treSs," the tremendously successful
"Gunga Din" and The Women"
Hitchcock then chose her to do the
becca." The film won the Acad-
emy Award and practically every
critics group on the continent picked
Miss Fontaine as the outstanding
actress of the year.
Evening star., 1941-10-19
He's Trying
ToOutguess
An Infant
BY the Associated Press.


HOLLYWOOD.
Mitchell Leisen thinks he's figured
out a way to outgueSs the bane OF
every director-an infant actor.
Babies have a universal way OF
crying at the wrong time, like when
a rich grandfather says "cootchy-
co.," Particularly do they cry on
movie sets, while frantic directors
watch talent costing thousands Of
dollars a day sit around idle.
Leisen is using Davy James.
months old, in The Lady Is WILL
ing and he's arranged with the
parents, Mr. and Mrs. Stewart
James, to spend all their time on
the set. That, Leisen theories, gets
Davy used to bright lights, excite
ment and strange faces.
Psychologists say babies forget so
quickly that mere day or two away
from a set makes everything seem
strange" he says.
With Davy, at least, It's working
out well. Mrs. James says he seems
to enjoy playing on the dressing
room-nursery floor as much as on
the one at home.
Evening star., 1941-10-19

internecine warfare. Professionally
there is little jealousy between the
sisters, despite sporadic efforts to
whoop it up along these lines in the
best interests of more widespread
publicity.
De Haviland, incidentally. is the
family name. Joan adopted the
pseudonym of Fontaine upon her
acting debut because I didn't want
to embarrass Livvy" That, at least.
is the official reason. Further mo-
tivating her action was the fact that.
being distinctly independent in
dividual, Joan was definitely averse
to trading in any manner upon
Olivias reputation.
The younger Of the De Haviland
sisters was born in Toxic. Japan, on
October %. 1917, a year after Olivia
Evening star., 1941-10-19
New Hollywood Battle
Is Waged by Writers
Continued From First Page.)

little life Well the
this
big, have class, money
he Budge Ruins
A Good Story Idea
picture-wen you something out of the darkness
OF my life My collaboration
Wall night hooked the two together
with line story patched up buldup was script
okayed and set to shoot ready and everything Then they tell
have the pieces
we don't have the night club
So you get idea of what
Why right
Technicolor costs
the darkness they
move out into garden with fountains there and flowers and girls in
Movie Sometimes
Unaware Exst
We have listening
arguenohn Huston who used be actor and then writer and
since the
Wess Paul Jarrico who Harry:
who used to be
them get that general
among the movie makers that pictures stories told either
by producer director sometimes
with any such thing as writer to keep them company
following extraordinary
os themselves a reatis artists Th h nvand Du % 1
themselves of themselves that
to cutting out paper dolls to fit these personalities.
Directors Also Call
Themselves
majority
script
have given them
third to make the audience gets Instead directors regard
themselves creative artists and the refuse
allow the writer the set while his work being shot,
(3o The regard themselves
can't find why They themselves
than Informative
fight against enemies the art of is being
and their wives and relatives directors o censorship
the initiative
battle but the conservative opinion the
sides nkers
end.
public
his
mnd-no of the beautiful
sklu editor successful
industry producing
product.
Newspaper Alliance Inc
Evening star., 1941-10-19

she loves, Miss Fontaine takes every
advantage of the dramatic situation.
Off the screen. however, Joan
makes little attempt to impress the
fact of her rather remarkable quail
ties upon the people with whom she
comes into contact. Hollywood's
only official genius is still modestly
aware of the fact that until two
years ago she was known in Holly
wood as Olivia De Havilland's little
sister,
Today, of course, the situation is
If anything-just the reverse. Miss
De Haviland. under the new order,
is more frequently referred to as
Joan Fontaine's sister"
Distinctly Independent.
There is, however, sufficient glory
to go around without reSorting to
Evening star., 1941-10-19
Weary Of Fancy Raiment

, all your time worrying whether your
hem is straight or your neckline too
low" she argues.
Few women have matinee idols
for husbands. They prefer a man
who can get things done, not one
whose chief accomplishments are
slipping o'clock tea nicely or ex-
changing chit-chat with the hussy
next door"
The "get Young into gingham"
campaign hasn't borne fruit yet. She
has IA changes of costume in Bed
time Story" and spends half her
time on the set being fitted for
slinky satin and daring negligees.
Every time a new picture comes
along" she grieves, Il spend as
much time at the dress designers as
I do in front of the camera. I've
been stuck with more pins than a
seamstress' dummy. Worse, I can't
show the scars"
She was interrupted by q page
boy saying:
Wardrobe wants you for q fit-
ting, Miss Young"
There y'are," she grimaced. See
what I mean?"
Evening star., 1941-10-19
HOLLYWOOD.

Genius is word frequently be-
slowed too lightly in Hollywood,
ranking in connotation slightly
above the phrase super colossal.
But when bestowed upon talented
and lovely Joan Fontaine, it is en-
tirely in order. Because Miss FOn-
taine is moviedom's one and only
official genius!
Of all of filmdom's assorted genii,
Joan is the only one who can point
proudly to her recorded intelligence
quotient and say:
Look, I'm a genius!"
Rating for this rare appenation
is a score of $50 points in an I. G.
test. Miss Fontaine, submitting to
such an examination at Stanford
University. emerged with a tri-
umphant 160!
In all fairness, it must be stated
at this point that the aforesaid in
quiry into Joans intellectual Prov
ess took place when she was 3
years old. On the other hand, a
close examination of her current
accomplishments leaves no doubt
that the rating most definitely still
applies
Adequate Opportunity.
At the moment she is proving 1t
once again by a brilliantly define
ated bit of acting in R-K-O Radios
newest drama, suspicion" an AL
fred Hitchcock thriller in which she
is co-starred with suave Cary Grant
It's her first screen appearance since
her unforgettable performance in
"Rebecca."
This is the much -heralded sus-
pense opus based on Frances lies
novel, Before the Fact" which
provides genius with more than
adequate opportunity for full ex-
preston. And as Lima Aysgarth, a
woman obsessed with the fear that
she is to be murdered by the man
Evening star., 1941-10-19
Coming Attractions


NATIoNAI-"The Bright" play by Edna Ferbe
weeks engagement tomorrow
prior Martha Sleeper
Barrymore, K. T. Hugh MaoWe and Arnold
Shaws the
translated
by Pascal opens Thursday. Wendy Hitler,
Robert Newton the cast
There will be a stage show,
of
Friday. Lupno
Elsa Manchester and Leland Hayward play the important roles
There will be variety bill the stage.
A. Power playing
the R. A. F. open Thursday. Betty Cradle is
Powers principal for being in the R. A F.
Disney
elephant who
learned he could fly the schedule probably arriving
Thursday.
Evening star., 1941-10-19

little life Well the story doesn't matter million
gong into this picture what
big, have class like
Evening star., 1941-10-19
By the Associated Press.

hosUtIdItU
HOLLYWOOD.
Loretta Young. one of the towns
better clothes horses, wants it 9TH
erwise.
She wants to dress like q simple
girl and play in simple picture
with a simple son of the soil, or
at least a herman.
Life is too complex if you spend
Detroit evening times. (Detroit, Mich) 1921-1958, 1941-06-01
Grooming
Film Actors
Is Big Job
By CHARLES GENTRY

A LMOST as efficient and as
IA thorough as army training
Is the course Hollywood adopts
for grooming It's coming stars.
Putting new talent through
fits PAGES is comparatively mild
way of stating the rigors and
hardships which all newcomers
undergo before they can actually
he called film players. In fact.
only Il small percentage survive
the series of steps which must
be taken and the obstacles
which must be overcome.
They arc too numerous 10
mention here. but since so much
has been Shghtingly told about
how the film colony takes youth
for granted and quickly losses
aside any who don I cfiCk imTnr-
diately. it might be a good idea
10 take look-and a good one.
too-at a couple of young ladies
who have been carefully
watched and cared for and who
are showing on two local screens
this week the result Of their in
tensivc study and hard work
under the aegis Of the best Hol-
lywOod direction.
Detroit evening times. (Detroit, Mich) 1921-1958, 1941-06-01
Templeion Solos

Classical considerations: For
sheer simplicity and flawless
beauty we are unable 10 think
Of any recent recording which
can touch IN esuperb transcript
tion Victor Babin has made Of
the Bach Organ Sonatas. Nos.
4 and ).
Originally written for cembal-
mo and pedale IN three-voice
invention, these Sonatas have
been ideally put in a setting for
two piano keyboardS. played by
Babin and his talented wife,
Nitya Nronski. There has been
no attempt 10 embellish or dec
crate the principal musical
ideas which Bach set forth but
rather an effort expended 10
preserve the original themes as
simply and naturally as possible
The result Is a beautiful cohe-
,siveness themaiic material Of
performance with two artists
playing as one unit.
OF the rare remaining works
played by the Berlin Philhar-
monte under Furtwangler (be-
fore Hitler you will be happy
10 know that Victor has now
made available a wonderful al
bum OF the Prelude and Good
Friday Spell from Wagners
"ParSifal." Although il is a
foreign recording has a wonder
full clarity and Furtwangler has
kept a sustained tone in hi
reading which gives perfect con
tlnuity TO the performance.
Detroit evening times. (Detroit, Mich) 1921-1958, 1941-06-01
Complete Change

She changed her name. She
lost weight. She dyed her hair.
She did everything the doctor
ordered and then a publicity boy
slugged her the oomph girl
and she gave out with seNy at
moSphere.
Today at tho Michigan in
Honeymoon for Three you
VIII find a poised and clever
young actress, who knows how
10 deliver lines smartly as well
rs wear the clothes 10 90 with
them and you'll realize that Hol-
lywood has done a superb job
on Ann Sheridan.
In the Technicolorful Blood
and Sand" at the Fox you'll see
Rita Hayworth. Three years ago
this skinny kid was dancing
around with her brother in small
beer garden floor shows, trading
on the name Of her famous par
ents, the Dancing CansinoS.