Detroit evening times. (Detroit, Mich) 1921-1958, 1941-06-22

'Nih ( ANti'' t'tH't me- N' 80
KAY felt rather dizzy Re-
member ycA. ."
d remember YOU. I recognized
yol the moment 1 saw you,
You're not the type Of girl a
man forCets." He was watching
hcr 3pprusncly now Three
years ago / spent the Summer
with Rosemary and her people IN
The house across the. bay where
simon Morley lives now. That's
how ! eot tins job. knew an the
channels
Dtmly apprehensive Kay re-
membcred back to a seventeen
year-old hoy with a homely face
and an infectious grin who used
20 tag around after Rosemary
and fish for white grunts off
lyor's pier
You, The boy with the fish
ing line and the red sail-boat.'
That's IT, He smiled, his
. teeth cleaning whittier than coral
IN the binding sunlight The
funny-looking kid with the red
sail-boat I guess l had funny
ideas too. often on moonlight
nights way back IN those days
when Ivor Drake was a bach
elor, l used 10 sail by here wish
tRg ! was rich and handsome like
him.
Sometimes ! used 10 see him
sitting alone on the terrace, al
ways with a glass of liquor IN
his hand, sometimes there were
parties with women in expensive
dresses and guitars playing so
you could hear them singing over
the water; and sometimes l saw
him alone with a beautiful girl
I supposed he was going to
marry
He paused "a beautiful girl
WHO turns out crazlly 10 be the
aunt Of another beautiful girl he
wants 10 marry"
KAY did not move Her eyes
~ were .rivetted TO that odd, rug
ged face which had so much
strength in 1t. SO he knows, she
told herself, And panic stirred
with the thought. II he knows,
then therell be others here who
know about Ivor and me.
AS If reading her thoughts, he
said Don't worry. I'm not go
ing 10 tell the Chilterns. But
I've got to find out why you've
come back What do you want ,"
What difference does it make
10 you ?"
The smile drained from his
face, leaving it hard. his lips
tight and pale. You can't
want that that swine for your
self again. You saw through
him. didn't you? You're about
the only woman that ever has.
But you can't want hins to marry
Elaine either"
He pulled her toward him and
grpped her roughly. That's
what I want TO know. Have you
come here to stop the wedding ?"
1t was fantastic that Ivor
brakes boatman should be talk
ing TO her this way But reason
seemed utterly remote then
There was only her underlined
dread and this magnetic proX-
unity of this young man with the
soft ruthless voice.
She blurted. Il don't know
what I'm going TO do yet. l
haven't decided
But you've got TO decide.
Flames your niece, she's part
Of you You can't let her be an
other Rosemary"
What what do you know
about Rosemary ."
4 know exactly what Ivor did
20 her when you were here, be-
fore he married her. And l know
he killed her after you walked
out on him and she was fool.
enough TO marry him" He gave
a husky laugh They tried TO
pretend it was an accident, that
she fell out Of that hotel window
by mistake You know that's a
lie You know she jumped that
she deliberately killed herself be-
cause she couldn't live through
the hell Of being married 90 Ivor
Drake any longer.
LIS figure seemed 20 absorb
u every inch OF her vision, blot
ting out the tamarisks and the
sunht sheet OF the bay, How
could he know that? How could
anyone but she, who had read
that little green leather diary,
know tho dreadful truth about
Rosemary?
10 YOU want that TO happen
10 Elaine You've got 90 tel,
me Because. If you don't stop
rt.. ,,.,,l.l0.,, -. ,.o;,e,r 20 r.,