davidaulloa/AmericanStories huggingface dataset:
Evening star., 1941-04-27

Mr.. Jameson is only 25, but he
has exceptional gift and is an in
duStrious worker. 1t was in 1867,
while working on easel painting
projects under the Treasury Art
Projects in Key West and in the
Virgin Islands. that his talent first
came to attention, although he had
previously received commendation
for work done as a pupil in the Alb
bott School More recently, Mr..
Jameson has painted murals for
post offices in Maryland under COM
mission from the Section of Fine
Arts, Public Buildings Administra-
ton. Not only have his paintings
won prizes in Washington exhibi-
tionS, but elsewhere. In a competi-
ton at the Museum of Modern Art,
New York, held by the newspaper
PM, he was awarded a prize of
500 for journalistic drawings. An
exhibition of his water colors was
held in the Corcoran Gallery of Art
within the year, and among those
who have purchased his paintings
are the President and Mrs. Roose-
velt and Secretary of the Treasury
and Mrs. Morganthau
The sketch submitted in the
Marian Anderson competition shows
a mixed throng at the foot of and
on the steps leading up to the me-
mortal. The building, with its sim
gle row of Doric columns, stands
high up to the left and is seen only
in part, glimpse being given of the
statue of Lincoln through the GEN.
trail aperture. Miss Anderson is a
tiny dark spot standing beside her
accompanist on the top platform,
whereas two-thirds of the canvas is
taken up by figures in the motley
crowd composing her audience.
The subject was difficult one to
handle. The scene was motivated
by the voice of the gifted singer and
stimulated by the consciousness that
she, the child of a once enslaved
race, was singing on the steps of
the memorial erected to the Great
Emancipator. Neither these facts
nor feeling could be represented
through the medium of paint. Also
another difficulty lay in the path
of the artist. To depict the throng,
it must be shown from the rear and
an aggregation of backs, even varied
in kind, could not be made pic
turesque or imposing. The last
difficulty Mr.. Jameson has solved
by facing about some of those in
attendance, and by posture and ar
rangement introducing variety. 1t
would not be fair to judge the final
result by the sketch given the
award, for countless changes may
be made before the work is finished.
Evening star., 1941-04-27
Mitchell Jameson Wins
Mural Competition

To Mitchell Jameson of this city
has been awarded the commission
for the mural commemorating the
concert given by Marian Anderson
on the steps of the Lincoln Memorial
on Easter Sunday 1889, before an
audience of approximately $4,000.
This mural, when completed, will
be feet 10 inches in width and II
feet inches in height and will be
installed on the west wall of the
first-floor corridor of the Interior
Department, which space has been
made available by Secretary of the
Interior Ickes, by whom the con-
cert was personally sponsored. The
cost of the work, $1,700, has been
met through subscriptions received
from various persons throughout the
country, the expense of the COM
petition being borne by the unofficial
committee of which Edward Bruce
was chairman, formed after the
concert was given for the purpose
of its commemoration.
One hundred and ,seventy-two
submissions were made by artists of
Washington and other cities, but
the jury of award consisting of
Duncan Phillips of the Phillips Gal
lery, Richmond Barthe, sculptor,
New York, and three painters-Gus-
tav Dalstrom, Chicago; Peppino
Mangravite and Isabel Biship, New
York-was unanimous in choosing
the winner.
Evening star., 1941-04-27
Is Mural Competitions
Announced by u. S.

In Bulletin %, recently issued by
the Section of Fine Arts, Public
Buildings Administration, Federal
Works Agency, 16 competitions for
mural paintings for new Federal
buildings are announced. These are
all regional competitions, limited to
painters in the vicinity of the city
wherein the building stands. In
some instances, the region may be
exceptionally wide, taking in two or
three States; but, even so, the COM
petitors must be acquainted with
the communities to be served
In this same issue of the Section
of Fine Arts Bulletin, announce
ment is made of the names of win
ners in the competition for 300
water colors at $50 each for marine
hospitals which attracted so much
attention just before Christmas. and
met with such overwhelming re-
sponse on the part of painters
10000 works being submitted at the
artists own expense. The roster Of
artists whose paintings were chosen
for acquisition by the jury of experts
includes 236 names. which obviously
means that, in some instances, COM
petitors were doubly fortunate.
These winning water colors, sent
from all over the country and, for
the most part, by artists little
known up to the present time, are
to be exhibited in gallery or gall
leries set aside for the display Of
contemporary work on the ground
floor of the National Gallery of Art
during May.
Evening star., 1941-04-27
Little Gallery Holds Spring Exhibition
Several Paintings Found in Happy Accord With
The Season in Subject Matter and Treatment
By Florence S. Bergman.

Mrs. Gates has captured the at
moSphere of sunshine and clear air.
Grace Barker's two miniature
wash drawings, Red Barns" and
"Haystacks,' simple and clear in
rendering, and Aida Conover's little
oil paintings, Along the Canal and
Self-Portrait. convince one that it
is a mistake to overlook works Of
small size.
OF three oil paintings by John
Gernand, only one seems to be fully
realized: The Day Lily and Bou-
quet," a small but ingratiating work,
in which the cOlorS of the flowers
are echoed in subtle passages III the
brOWniSh background.
Whether deliberately or not, Rob-
ert F. Gates has introduced an ON
inous atmosphere into his pen-and-
wash, The Hunter" who is seen in
a thick grove of barren autumn trees.
The sun shines but there are menac-
ing clouds in the sky.
In addition to landscape and flow
er paintings, which are in a ma
jority, there are several works in
Spired by the sea. Bernice Cross
"Fisherman's Daughter" zone of sew
eral fantasies she shows is unique
in its fairy-tale character, typical of
her work generally. Oke Nordgren,
on the other hand, has painted only
what he saw in Oyster Bay" with
its distant lighthouse. There, is a
matter-of-fact solidity about this
painting that is almost surreaistic.
Three paintings of docks, piers,
etc, by Edward Rosenfeld of Balti-
more barely reveal the forms
through the heavy gloom of the
acid-broWn color. Herman Maril,
another Baltimorean, also favors
brown color schemes. frequently
varied by passages of blue-gray, as
in his contribution to the present
show, Building the New Bridge, -
which is enliVened by vivid red &C
cent. From the standpoint of COM
position, this is one of the most in
tereSting paintings in the exhibition.
At first glance, it seems very simple,
group of buildings, and excavation
and derrick. But it has a scheme
of angles repeated like musical
theme. The observer will find it in
tereSting to study this painting. and
to note, for instance, how many
times the angle of derrick and shovel
Evening star., 1941-04-27

in the eye, as of one who sees at
great distance, even into the future.
The hair is bobbed in boyiSh fashion
and rumpled. The impression given
is that of blonde But more i'm
portant still is the evident thought
behind the mask. the look of courage
and eagerness for adventure with
cost fully reckoned. This face is one
to love as well as admire The re-
verse of the medal, when struck, will
bear brief inscription, lettered by
the sculptor, giving date and place
of birth, record of flights across the
Atlantic and the Pacific, receipt of
the Distinguished Flying Cross, and,
finally, the approximate cate of
death, July, 1887.
Evening star., 1941-04-27

A spring exhibition of paintings
opened at the Little Gallery, George
town, last Wednesday and will re-
main until May 9. Twenty-four
artists, most of them Washing
tonians, are represented, many of
whom had solo exhibitions at the
same gallery in the past two years.
More than go works in oil, gouache
and water color fill the gallery and
overflow onto the walls of the
Intimate Bookshop. Some are neces-
sarily "Skied," but most of them can
be seen without difficulty.
At first glance, one gets the i'm
preston of general brown-and-
slate-gray tonality in the group Of
paintings, the more forceful because
one rather expects (perhaps un-
reasonably that colors will be fresh
and light at this season.
But in examining individual paint
! ingS, one discovers that not a few
are in happy accord with spring in
both subject matter and treatment.
Among these is Alice Acheson's
"Polonia Tree" in full flower in a
rural setting. where a gardener
bends over his flower beds near
country house. 1t is typical of her
work, in having naturalistic forms,
/ which assume an abstract appear
ance with their heavy outlines, and
an all-over pattern effect. Similar
! in treatment is her "St. Fidele.
P. G." a picturesque village viewed
from height.
A small water color by Robert
Arner is a much simplified aspect
of an Ohio Landscape" with fresh,
clear colors-an engaging work
Mary Bradley shows two water
colors of flower sprays, the better
one being a decorative painting of
dogwood In contrast is her large
water color. West Virginia Swamp"
a competent work but melancholy
in mood, with its dead trees half
submerged in the murky water,
| framed by dark clouds and railroad
| tracks. 1t is a faithful likeness of
certain stretches of West Virginia
landscape in the mining country
along the KanaWha River.
| Margaret Gates two landscapes,
one in Vermont, the other, CAREERS
Farm, Virginia, are delightful in
their unpretentious freshness: the
scenes are lovely in themselves, and
Evening star., 1941-04-27

In the sketch the outskirts of a
crowd are we'll depicted, with certain
emphasis-undoubtedly correct-of
detached interest. But it is not this
which should be commemorated.
This event was not something in
passing" but rather an epoch-mark-
ing occasion. If the painting is to
fulfill its purpose this, in some way
not yet hit upon, must be made
plain. The composition, as it
stands. is excellent. Doubtless it
will grow even better as the painting
progresses.
Evening star., 1941-04-27

lately modelled in relief a most
charming portrait or Amelia Ear
hart, which, reduced in size, is to be
cast in bronze as a medal and issued
by the lately organized "Medal-of-
the-Month Club" to its innumer-
able child members.
Some years ago, Miss Putnam did
a portrait bust of Amelia Earhart
tthen the wife of George Palmer
Putnam, not asking sittingS of her,
but observing her in her home as
she came and went. and thus catch
ing her personality. 1t was un-
doubtedly this personal contact and
experience which made the vitality
of the newer portrait possible. In
it, the face is toward the light and
seen a trif1e more than in profile.
There is a slight tilt to the chin, a
smile about the lips, steady look
Evening star., 1941-04-27

trian of Queen Victoria and Lord
Melbourne, acquired by the Phillips
Gallery some years ago, and two
street scenes, "Ludovici Magma" and
Port st. Denis, Paris" just added
to the collection. There are other
interesting works by this well-knoWn
artist, as we'll; one a study of a
man, comfortably seated and taking
his ease, which was made for a
painting including a second figure
that of WOman-noW in the Tate
Gallery COR hidden away with other
treasures in bombproof vaults Also
one of two Womeny Les Veneti-
annes," sketchily rendered but
charming in color
In the center of the side wall in
the main gallery is to be found
well remembered "Self-Portrait, by
Orpen, the brilliant Irish painter,
which when shown in the Carnegie
International Exhibition of 1910 re-
ceived first prize and medal. In
that display, it was entitled Myself
and VenuS'-a cast OF a classical
work being seen standing on the
studio table against which he leans.
Both figures are reflected in a mir
ror and as against the light. Orpen
was bold painter, one who welded
the brush ruthlessly at times. but
he was we'll trained and fully COM
manded his medium. The dare
devil spirit manifested in his art
invariably had behind it a boyish
chuckle.
Augustus John is another of Brit
aims gifted painters. He is shown
in this exhibition by a very small
sketch of a little boy on cliff, lean
ing on stick, which by no means
adequately represents him, and by
portraits not his best.
A land and sea scape, "ArWell
Estuary" by Roger Fry, art critic
and connoisSeur, has certain charm
in itself-subtlety and evident emo
ton, as we'll as great interest as the
work of one who wrote much and
painted little, who was for time
prominently connected with the
Metropolitan Museum of Art and
who, having genius for friendship,
was greatly beloved on two CONT
nentS.
Typically English.
Duncan Grant. one of the younger
British painters, is well represented
by two still-life subjects-one, very
colorfuI. of gladioluses, and the other,
more modernistic in treatment, OF
green-goId grapes in glass bowl.
A typically English landscape is
"Under the Trees" by Wilson Steer,
in which figures are painted as part
of a woodland scene, strongly and
handsomely.
An unusual canvas and notable
one is that of city seen beyond
low, long bridge at twilight, the
work of the distinguished painter
etcher, Sir David Y. Cameron.
There is a painting of THE
Seine" by Desmond Harnsworth,
and one of a curving beach, Wall
Against the Sea-" by Paul Nash,
WIl1CIl dIC DOlIl I'll CIV III u
but reveal no new truth nor spe-
cial individuality. The relocated
soldiers on parade in Jean de Bot
tons picture of the coronation,
May II, 1887" lends CLINT OF
brightness without the shadow of
sad days to come. One the more
vague and modernistic works in
water color is not necessary to
dwell.
This exhibition will be open to
the public today from 2 to 6 pm.
and tomorrow, Tuesday and We'd
nesday from 10 am. to pm. At
$3.50 pm. Thursday, H. S. EIDE, for
mer curator OF the Tate Gallery,
London, will give an illustrated lee
ture on "One Hundred Years OF
Evening star., 1941-04-27

reappears in the other elements Of
the scene.
Among the figure paintings the
most amusing is Alice Acheson's
timely Opening of the National
Gallery" P view of the crowds in
one of the rooms, which is satire
on openings in general; the guests
are so absorbed in one another that
most of them have their backs TO
the paintings. This painting by
Acheson involves caTicatures of a
number of well-known Washingto-
mans, but they are mild in tone aLJ
not easily recognized
Evening star., 1941-04-27

ter is now located in the second of
these buildings, 1917 Fourth street
SW., and may be advantageously
visited at the same time as the
Barney exhibition.
Evening star., 1941-04-27

Display Reflects Trend Of
Painting in British Isles
At Start of World War
British Center
Co.operates in Showing
At Phillips Memorial
By Leila MechHn.

exhibition of contemporary British paintings in progress
Gallery
Halifax
The object of this exhibition through the
British painters induce subscriptions British relief
Evening star., 1941-04-27
Brenda Putnam Designs
Amelia Eorhort Medal

Brenda Putnam, daughter of DR..
Putnam, former librarian of Con-
gress, now librarian emeritus, has
Evening star., 1941-04-27

British Painting" to which those
especially interested are invited
without fee.
Evening star., 1941-04-27

lot easily recognized.
The chronicle-star. (Pascagoula, Miss.) 1920-1941, 1941-03-14
RADIO LISTENERS To
ENCOUNTER TROUBLES
THROUGHOUT COUNTRY


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Maehpelah Elects
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Tuesday Afternoon

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WOW. Camp Meets
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