davidaulloa/AmericanStories huggingface dataset:
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06

I'VE mere any more.
Blu, little did they think that
Shirley would soon have another
studio home and q hundred grand
each year with which 10 buy hair
ribbons. And that 10 the reason
she has come OF; Of retirement
after less than stEh; months Of
sixth grade work In q very select
but dull girls school.
rhs facts concerning little Miss
Temples rehabilitation" are these
Negotiations Ia put her
hark ~ tn movie scresss NJ
Awsersca hegss last oeteber.
an1 uhsn Der. ~ had passed
Into history M-G-M MA Shir-
Dey's new santa Clsoe. SUI
perior Court Judge Emmett d.
Wilses has approved ths con-
trAct and everything " sow In
order.
When YOU read the several I'M
usual clauses In the contract you
siil at once realize that the
Temples were far from the bread
line and that the little actress 10
stili good enough To write quite
soms ticket for herself.
IN tho first plses. her NAME
sAsm ~ speised ewf IN typo
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
Army Orders

WASHINGTON - The war depart
ment has ISSUED the following ordsrs
Lieut.. Coils. Carlton 1. vanosrboeet,
NC. Omaha, to Port Lsonard Wood.
Mo: Theodore =. r. Haley. "a, Co
,umens: O. 70 Camp sssursgsrd'
dan; M. 70 Port Rennins. Ga Marx
Fort Knox. Hobsr r.. Gay. ONO
Washington. to Fort BsnninE: John
r Langley. c. Of T.. Preside of San
Francisco. to Fort Sam Houston.
Kenneth Rowntree. GAG. Salem. Ore. !.
20 Camp clatsop. Ore: Philip y.
Richl. GAG. San Francisco. 20 Camp
Mcousoe. Calf Richard 4. Ander-
duty. Denver; Marhl WEIGH. DC.
Preside OF San Francisco, to River
aide. Calf: Georee Y. Hartman, ONO.
Washington, to Port Francis y. War
rem, Wyo.: Thomas r. kerschner
PA. Seattle. 70 San Antonio: Loyal
NJ Haynes. IA. Stockton. Calf. 20
San Antonio: Stanley Boardmsn wig
Washington.
Majors Hush Dewitt Butler. Spec
res Washington, 10 duty Wright
Field. Dayton. o.: Lloyd r. Wolfe
ONO. Washington. "a Fort Francis
=. warren. Robert X Elliott c. OF
= bonnsSiis. on<-s 10 rort bflsou
Va
csps. Perry W. Brown, PA. Port
Bragg. n C. 20 Port Richardson
Anchorass. Alaska. Frederick y
scheiffler. Gao. Olympia. wash. 20
Fort Worden. wash. William c. VIII
llama. MAC. u Peso. 70 santa Bar
bars. Calf. Georse T. Derby, c. OF
4, Port Drasg. n. c. 20 Camp Lv.
ingston. La: David W. Heimsn. G
of =. Port Sam houston. 20 Camp
Ivfneyton. orland 3. Peabody, re-
w,l,,.,. = - .isn guy sc wsses S rss
Calf, 20 Port Ord. Calf: Harm
Dryo<n Tsson Jr.. cws res. Biz
mtnsham. 20 PORT KnoK; Percissl
Clyde Wooters. Cd res. Richmond
70 cuts: LAcsrns. OHIO: Charlie. %
phia, 70 Aherdesn Proving Ground
Nd. rhaodore Charles Chart. Cd res
Scotia. y. r. 70 duty. Dover. u. J.
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
The Nen yeefer,

Charley Grspewin. veteran Of IS
years In the entertainment world.
divides his time between fishing
and making motion pictures
with fishing holding the upper
hand. As a matter Of fact.
Charley has been satisfied with hut
four pictures a year until the
role Of Jeeter Lester (of Tobacco
Road fame came along.
He wanted that role PRETTY
badly and WA willing 10 for
get the bass and the sunshine
for . few weeks N he could
make the grade In the screen
tesf.
Well D.. it's all set and Charley
will he Jeeter and the bass
will have 10 wait while he goes
trough neck" in what he considers
the greatest role of his long career
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
Women s I'd Term
Starting Wednesday

Second term ~ the Women's
Training coure for Home Defense
will start at $50 p. m. Wednesday
at Beutel Business college.
Those women who have been
taking the course and others in
terested In attending are asked 10
be present FOR enrolment
The first aid class will meet
Wednesday evening at S. instead
Of $50.
Tacoma is the first city in the
u. s. TO launch a Womens Train
ing Corps for National Defense.
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
NOW PLAYING At
LOCAL ThEATERS

RONS-"Go West" featuring the
Marx Brothers. ~ so 2,4o. s4s
esb, n 90. also Jackie Cooper IN
Gallant SOM .o5. 40. T2o.
1880.
RIAITo--Jean Arthur and william
Holden IN Arizona. i2:os, 2ss.
$40. 7:bs. 1880
Nj SIC BON-Ths Ians Sisters and
Gale Page In Pour Mothers II 40.
23s, $40 $50. 1915. slso John
Garland In East Of the River. +"
iio. <:io. 7.2s. 1870.
RIVIERA - Joe Louis VS. Al Mccoy
fight films. ] IS. AS. J 40. 1910.
Rochelle Hudson and Bruce Cabot
$50. 1885, 10 as. also Boris Ksrloff
and Msris RiKon IN The Ape. .
~ 30, 3 as. 6.Ik. e.oS.
DifE NOusE-Alioe Pave and Betty
Crsbls in TIN Pan Alley" II so
i:se. . SO. $40, B.25 1910.
kEru.> SHOWING
BgsEkI y-Dorothv IAmour and
Preston Foster in Moon Over Bur
ms also Joe Y. Brown and France.
Robinson IN so You Won't Talk -
CAFfTOi--Jo< Penner AND Betty
orsbis IN The Day the Bookies
Mspt also James Newill in
t0Aon F1tght.
COMM >TT,-Erroi riynn and prsn-
"a Marshall In The sea Hswk".:
else csSslcade OF Academy
KAY sTkFET-virginis Bruce and
slso J. Carroll Mash snd Jean
Carney In Queen OF the Mob A"
LAKEWOOD - Jon Hall and Lynn
Bar In Kit Carson" also Victor
Mature ana Leo Garlic IN Cap
tain Caution
fAkk-clsrk Gable. cinunsttr Col
her;. Spencer Tracy and Bedy La
Mari In Boom Town also The
riss Speaks"
POO fOR-siones Toisr In Charlie
Chsnk MURDER Cruise slsc Nancy
Kelly snd Jon Hall in Sailors
kEAIARr-ksncy Kelly and Robert
CUMMINGS IN Private Affairs" also
Ann Sothefn and Lee Bowman IN
Gold Rush Msisls"
sEN-Boe Burns and Una Merkel in
Comm Round the Mountain a
Also RALPH Bethany and Jean Gag
ney In Queen OF the MOB
sHtll-Georre Raft and Humphrey
sossrt IN They Drive by Night .
oerclouc IN ~Hl-yo Silver"
81 Ne1-Pst OBrien snd Gale psge
~ knute Rockne-An American I"
also eH Cedric Hsrdwicke and
FREDDIE Bartholomew IN Tom
browns School Dsys"
TtMfIE-wEllscs B@erv .na Il.
Bowman IN Wyoming: slxo lev
Ayres and Lorraine Day IN Or. Kg-
DER Goes Home
LIBERTY. ru,siiup - Ann sothsrn
sno Lee Bowman IN ~Ooid Rush
7saft also Dsck Powell snd
sn DreS IN Christmas In july .
a.iEas. sumnsr-Richsrd DIE ana
rlorene Rice In -Cherok~> s,-t, =
el<c sidney Toier IN .Chariie
Chkns Murder Crulss
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06

kyser. deon OF the College OF
Muslcol Knowledge and stor-
ring in his second picture,
You'll Find Out. kyser S
new RKO Rodlo picture IS O
noystery-nirth-noelo dyrono / n
which the bond ond IT'S stor
soIoists ore featured with @ big
Hollywood cost. II opens Wed
nesdoy OF the Music Box olone
with I'm Still Alive.
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
Meeting Surprises
World War Puis

SPRINGFIELD. Mas. - World
War ouddies William W. Sample
and Andrew Mslewski met after
q wears when they registered as
veterans Of the I'd division. For
seven wears they had worked less
than 200 yards apart in two firms
without knowing IL
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
~ PAUL HARRISON


HOIIYWooD-An over the
lot.
A pre~ agent employed b. one
studio Rad occasion to call or the
Big hoes 81 another on some mat
ter involving borrowed actress
To his surprise. as 10 entered the
office the executive bsrked:
Let's figure you came IN here to
hi me FOR Job IS this eompsnys
advertising manager and head of
public relations. What would you
do What KIND of program have
You got
The visitor didn't fee like play
ing games. As ne hesitsted the
movie tycoon snapped Go ahead
and sell me Don't tell me you
haven't got a plan"
NO said the other. 7 haven I
got s,plsn. I take things a. they
come and don't seem TO find
much time for plans. I Just work.
And right now I want 10 ask you
about this other thing
Just the man exclaimed the
studio boss. For three months
I've been listening 10 guys tel me
how good they are and all about
their fancy programs. And all you
DO Is work. Nv boy, you're hired. -
They've decided in the east
that Producer Boris Morros is the
heaviest OF all Hollywood dialec-
ticisns. On his swing around the
country in behalf II Second
Chorus. horros was asked by one
reported what he thought about
taxes.
Taxes uff it, beamed the
producer. "Chust last week I vas
down dere; soch friendly people -
No. you misunderstood" said
the interviewer u meant taxes
You dollars
Sure" insisted Morros Dot,
we're L cbast come fron-Dollsrs
Taxes"
BETTE DOESN'T
PULL HER PUNCHES
For some daVs poxp a Storm has
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06
OLDEST
FILM IOR

A staff camera man at Para
mount. Dewey Wrigley. has vol
unteered for the oldest Job NJ
movie photography: He'll live in
specially constructed concrete
pillbox At the waters edge some
where in the Bahamas. and he'll
wait there for hurricane. Cecil
DeMille wants some color shots
~ a real hurricane for "Reap the
Wild Wind and he'll pay Wrig-
lev $1,000 for a DAYS work il a
big blow occurs within the next
few months.
The Tacoma times. [volume] (Tacoma, Wash.) 1903-1949, 1941-01-06

She r~ports 10 work Feb. Is
~ $500 . week. with 40
weeks work guaranteed.
And getting back TO the bread
line Shirley really doesn't need
the money. You see. when her con-
tract was cancelled last May u,
she had earned an estimated So
6o0. 900. half Of which IL IN a trust
fund. Twentieth century-Fox gave
her a $500, 600 bonus and had been
paying her $500 900 . year.
M-G-M reports that Shirley
viii work with Mickey Rooney
IN The Hard, Family" PIE
turp~.
Evening star., 1941-03-02

up the hope of going TO college and
go to work.
Nevertheless, they had many op-
portunities for art education, either
free or offered for merely nominal
fees. Moses Soyer won a travel
ing scholarship which enabled him
and his wife to spend nearly two
years in Europe. He and his BROTH
ers have all been employed at va
rious times on Government art prof.
ects. Hence one wonders why these
brighter aspects Of his life in this
country have not been reflected in
an occasional happier painting.
Evening star., 1941-03-02
Bulletin of Current Exhibitions

Gallery
nue. collection OF American paintings and sculpture
bronzeS and prints
Club of Washington. 2O7 N.W.-Water colors by
eight college University
pastels by JaWne Allen to March 81.
Phillips Gallery Twenty first NW-Loan
exhibition illustrating THE Functions of Color in Painting to
March 23
Public Library Eighth and NW-American Indian
dHarnoncourt through
March
Library Congress- Division of Fine Autographs by Joseph
Penne etchngs and other contemporary pmakers
original Illustrations photographs OF early American architecture
Freer Gallery of Art the Mall at Twelfth street SWorienta
paintings sculpture bronze pottery Whistler paintings and
prints; Peacock room, American paintings.
NW.-Rugs tapestries
textiles of the Near and Mondays Wednesdays and
Fridays to Admission by card obtainable
Hewitt Myers, 73o Fifteenth NV.
National Museum, Natural History Building,
Constitution NW-Foyer National Collection
travelling
exhibition Photographic Society America Arlington
Club Annual Exhibition, through March
National Museum, of
Mall at Eighth street SWSecon of photography
socated Telephone Camera Clubs through March
Dumbaron Oaks Research Library and Collection Of Early
Christian
and Saturdays, 2-4:3o admission free
The Little Gallery 1908 NW-Painngs by Moses Soyer
to March s.
Memorial Continental
luton NW-Bedcovengs of early Amer
ica $50 to 4:30 weekdays $50 Saturdays
through March.
University Gallery NW-Portraits of
flowers by Antimo Benduce, through March April.
Whyte Gallery. 1707 street NW-Panngs ceramics by
w. P. A instructors to March g.
Chalet Nonparei 7lo3 Old Georgetown road Bethesda Md
Loan exhibition OF Chinese paintings and obes dart
Studio Gallery Washington University 23 G street
N.W.-Work by Aure Bessemer to March
place NW-Paintine bv Edith
Mccartney and Garnet Jex, through March.
Evening star., 1941-03-02

Square" showing the inside and
outside of his living room, is here
as well as charming Blake, Morn
ing Stars" and a romantic land
Scape, imaginatively conceived, by
Elizabeth Poe, which is thoroughly
in keeping
On the staircase there are three
panels by Augustus Vincent Tack,
which seem to illustrate both the
basic function of color and its most
skillful abstract use. These are
titled-as, for example, in one in
stance, "Storm"-but they speak for
themselves, and perhaps differently
to each who beholds them. Lovely
in color, they bring back memories
OF Nature which are unforgettable-
of sea and mountains and skies;
they are decorative, they are beau
tiful, they possess inexhaustible
stores of pleasure and recreation
With them is hung a purely alb
stract painting in unconventional
design by Klee which is labeled
Arab Song" and, in color, suggests
poetry and harmony, but aside from
all else, lends decorative charm.
There are still more paintings in
the print rooms In the basement
works by contemporary American
artists which epitomize the
theorems elsewhere variously pre-
sented, and fragments of art of the
far distant past, Coptic tapestries
Arab textiles, Greek vase-which
go to show that this new art is, per-
haps, not so new as it seems.
The exhibition will continue for
three weeks longer.
Evening star., 1941-03-02

Louvre; while on the left is seen
The Uprising" by Daumier, one of
the Phillips Gallery's most priced
possessions, with-and not to be
overlooked-Fantin Latour's delight
full study, "Manet in His Studio" All
these illustrate the function of
chiaroscuro as attained through use
of color and, in some instances,
forced lighting.
Prismatic Color.
Recrossing the hall to the galleries
on the south, one steps from SUBJ
dued light into full sunshine. Here
the paintings bear witness to the
possibility of reproducing the effect
of vibrant light through use of
prismatic color, which discovery, it
will be remembered, brought forth
the impressionists' school. headed by
Monet. The light which in this GAL
lery pours through open south win
dows, floods every inch of canvas
shown, thus challenging the painters
who respond bravely and well. Over
the mantel hangs Bonnard's large
canvas, The Palm" interpreting
decoratively, as we'll as literally, the
dazzling effect of warm sunlight on
objects as seen in Southern France
or on the Riviera To the right and
left hang the same painters smaller
'canvases, Grape Harvest and
woods in Summer" both little less
explicit in matters of form, but
luminous; while on the wall op-
posite are landscapes by Twacht-
man and Ernest Lawson, both Amer
leans, and the great Monet, all OF
which are in a high key, atmospheric
and lyrical. The Monet is especial
ly colorful, combining delicate rose
with grays and green's most effec-
lively. If one would know the in
herent charm in color here is most
convincing example. The Lawson
is charming, too; very subtle ir
feeling and with a beautiful surface
texture.
A painting by Marjorie Phillips
Evening star., 1941-03-02

entitled Morning Walk" is here
also, rightly placed in this dis
tinguiShed company. 1t is a broad
landscape crossed by winding road
along which two figures, a woman
and child. followed by a sprightly
little dog, are seen leisurely making
their Way-a very simple scene given
characteristic implication. Stone
Breaker" a man with wheelbarrow
in the sun, by Seurat, and ''Veranda, -
woman on a sunny porch, by
Eilshemius, further exemplify the
particular function of color in this
field OF painting.
Natural Appearance.
Corot is thrice represented in the
adjacent gallery. Count Pecci-Blunt
has lent to this exhibition an in
terror with figure by this artist,
Woman Reading" and a land
scape, "Ville D'Avray," both extraor-
dinarily fine; and from the Museum
of Fine Arts, Boston, has come
"Rome-ile Et Pont San Bartolomeo, u
view of a town which is also out
of the ordinary. In the "Ville
DAvray" one misses the charac-
teristic little touch of red which
Corot so loved to add to a gray
green landscape to give accent to the
quiet melody which he so skillfully
and happily had created; but the
melody is here Notwithstanding
well as the illusion of natural ap-
pearance as instance of which all
the paintings in this gallery are
shown.
Near the lovely "Ville D'Avray''
hangs a small painting by Boudin
Beach Scene" which is one of the
gems of the Phillips Collection-a
charming composition, completely
naturaliStic but, at the same time
infinitely skillful in Interpretation
and supremely artistic. Like a violin
obligato, it charms and thrills those
who are receptive to its message
Again, the artist is forgotten in his
art, the interpreter in his interpreta-
ton. The figures in this picture are
small, but are painted with freedom
and vitality. The sea and the sky
take their place not merely as back.
ground, but as part of the compost.
ton. There is nothing Photographic
about this little painting which
possesses that truth which ha.
rightly been said to be truer thar
realism.
There are other masterpieces ir
this small gallery-a "Laughins
Boy" by Halls, done in full, direci
light, hence with little or no shadow
small Head of a Woman" by
Rembrandt, with related value,
rendered in oblique light without
however, strong demarkation o.
light and shade. Chardin's beau.
tifully painted still life, Bowl Witt
Plums,' is here, as are a head by
Manet of Victorine Meurand, direc
and simple in rendering; Eakins
hfe-size and well-remembered Dor.
trait of Miss Van Buren, an unex.
citing but admirable portrait
Degas' Ballet Rehearsal" very
characteristic, and, startlingly rea
TO the point of deception, a painting
entitled "Old Souvenirs" by al
American painter named Harnett
1t is difficult to keep to the straigh
and narrow path in art, as in othel
matters. Harnett would seem to e
of on one side, while painters lik,
Marin, in avoiding realism, ma,
step of on the other.
| The large gallery on the secon,
Evening star., 1941-03-02
Soyer's Paintings Shoevn at Little Gallery
Thirty Works of Noted Russian. Born Artist
Reflect Intimate knowledge of Labor
By Florence S. Bergman.

Dancer" a study in black, gray,
green and lemon yellow of young
blond girl in black tights, posed be-
side a Greek bust, and with her
head tilted in the same position as
the piece of sculpture.
Throughout the exhibition, one
will not find single smile Not
even the young dancer in THE
Costume" tan outstanding work
from the standpoint of composition
and color scheme) displays any
pleasure in wearing it, and the girls
in the background watch her
alphabetically, showing neither in
terest nor envy.
Although they lack happiness or
even artificial gayety, Mr.. Soyer's
models also lack self conscious
ness. One gets the feeling that the
artist was something of an caves
dropper when he painted them. for
they seem so preoccupied with their
melancholy meditations, their de-
spair and hopelessness, in some in
stances. The forlorn, wrinkied face
of The Old Actress" mockS her
flaming hair and brave lemon yel-
low blouse. Acceptance Of defeat
is written in the faces of several
wretched old mems portraits, "Ru-
dolph," Alone" Men of the Water
Front" and particularly in TOO
Late" a succinct bit OF genre; a
slouchy, middle-agSd man in a
frayed. overcoat emerges from a
door; one assumes, from his an
guished despair, that he has failed
to get hoped-for job.
About two years ago Mr.. Soyer
wrote an informal biography of his
two brothers, Raphael and Isaac,
and himself, which was published in
the Magazine of Art. Acquaintance
with some of the details of his life
may explain, to some degree, the
overtone of sadness in his work.
Before the boys reached their teens
their parents were expelled from
their native land. Russia, and came
to the United States, settling in the
lower East Bronx of New York.
They experienced the traditional
poverty of European immigrants
endeavoring to make living for
a large family in a strange land,
and Moses and Raphael had to give
Evening star., 1941-03-02

Moses Soyer demonstrates the
axiom that mans chief interest is
his fellow man. Every painting
in his exhibition of nearly 30 works
on view at The Little Gallery,
Georgetown, through next Wednes-
day, is portrait or figure subject.
Furthermore, his interest in humani-
ty is concentrated to large extent
upon the little people" the down.
and-out, the hard working, the for
lorn.
Intimate knowledge of the labor
ing classes and profund sympathy
with them are evident in his work.
Among his favorite subjects are
dancers. There are quite a few
ballet studies. In this connection
one finds a single feature of marked
similarity between Soyer and Degas
their realistic attitude toward the
hard-working dancers. The differ
ence between DegaS' delicate tinted
visions Of the ballet and Soyer's
somber sketches in blacks and
browns is simply the difference be-
tween reality in Paris rs years age
and that in New York today. Degas
dancers wore daintier, lighter cos
tunes than Soyer's wear. but they
were not themselves prettier or more
glamorous.
1t is related that at dinner party,
woman guest archly took Degas
to task about his work, inquiring
why do you paint women so ugly?"
The gruff old man replied, Be
cause they are ugly, madame"
One feels that Soyer studies his
dancers with the same truth-Seeking
gaze. In these paintings at The
Little Gallery he reports that the
dancing classes and ballet choruses
are filled with young girls scarcely
out of their childhood, thin to the
point of gauntness, and so fatigued
with their hard work that when
granted a rest period they drop
down wearily without a thought as
to graceful poses. Parents who wish
to discourage a stage-struck girl
would find much to assist them in
Mr.. Soyer's paintings.
Occasionally, of course, the artist
paints a decoration with no par
ticular social comment involved
Such is the case with Ballet
Evening star., 1941-03-02
Two Exhibitions Today

Water colors by eight members of
the faculty of the College of Fine
Arts of Syracuse University and
pastels by Jawne Allen of Washing
ton will constitute two exhibitions
opening at the Arts Club this after
noon and continuing to March 81.
Among the Syracuse painters who
will exhibit Is Marjorie Garfield,
whose work, through one-rnan
Evening star., 1941-03-02

and Girls, both SpaniardS; La FreS-
naye and Braque, both French; very
abstract, illustrating the use of color
shapes as symbols of structure in
nature and art. These are strongly
patterned and witness to the inf1u-
ence of cubism, which in passing left
its mark.
Gallery VI exemplifies dynamic
color so employed that it indicates
force and motion, tragedy and gay
ETY., the painters whose works are
used being Rouault, Marin, again
PicaSso and others.
Gallery VII, with works by Duffy,
Marin, Knaths, Kiee, Burchfield and
Klee, illustrates calligraphic color
and color in calligraphy, very SIM
ply and directly, and in such wise
that the one counter balances the
other.
Gallery VIII shows the use ol
color shapes functioning as symbols
of Natures forces and here are
found two very engaging sun pic
lures by Dove, one of the cool morn
ing sun fairly high in the sky, the
other of a hot, red, setting sun, in
dicated as revolving with almost
furious energy, both seen across
orderly patterned, cultivated fields
In this gallery, also, hangs the we'll
known painting by Van Gogh. Pub
lie Gardens at Aries" which con-
veys sense of motion, of heat and oi
sunshine; also, here is to be found
a new oil painting of the restless sea
by Marin, lately added to the Phil
lips collection.
Flights of Imagination.
Gallery TX takes the visitor intC
the realm of imagination, showing
the use of color symbols for imagi-
nary worlds. Here is vision oi
Tondaly's," by Hieronymus Bosch
painted over 400 years ago, and well
calculated to frighten sinners into
repentance, with, next to 1t on the
same wall, a picture of "The Peace
able Kingdom" in which the lamt
lies down with the lion. painted by
an American, Edward Hicks, before
1s49. Kantor's Might Uni o I