davidaulloa/AmericanStories huggingface dataset:
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06

njerima vrhu kojima sto behu namolovane duse
na muGe u Ia koma idlase velik broi drugih domin
kanskih kaludera koji svolim glavama nosahu
lko srebrno raspece Kaudier nska glasa pojahu sle
deci tuzni psalam pokajanja:
"De profundis clamavi ad e, Domino;
Domino, exaudi vocem mean.
Fiant aures inendentes
In deprecationis meae!*
Dok povorka prolazase, svakog puta b znova pro-
iamaa krau pogrebne pojanije jeka zvoncadi cegr
tajki.
Najzad, pozadni djase jos jedan odred srelaca
povorkom idase odrpanih Judi zena, ci-
nicka cak lupeska ca gotovo sama nocna tumarala,
ako gore Owl drzahu jedno drugo ruke, poahu,
hrstahu vikahu:
"Sava Svetom Ocu!"
"On Sale opros tajna psma!'
IL zcminh lozivlh tebe Gospode O. Gospolc.
poslusa gs moi usi tvoie bile goove a siusau .s
mosa preklinjanja.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06
"Trebamo in"
"Neka je blagosloven :"

'lrebamO III.
'Neka ie blagosloven"'
kmedu tih uzvika behu izmen jivane CRUDE cak
bezobrazne posalice Ipak rua nosase utsak uverena
II ma ajzalosnje praznoverice. Nelik bro sanovnka ku
ca podgnuh mostu otvarahu svoe prozore pri pro-
lazu povorke neki cd ovih pobozno padahu ma koena
kod svojih prozora Posto povorka prodje sum uda
Krisjan ope zatvor prozor svoje sobe svoJoi
pruzi JOS tuznija glasa nego pre-:
= Vaj, zgeda mi da ova povorka zlo slut.
Ne razumem te priiatelju moi.
Bridget videla 81 sku ma provdu kola Sto in ii
kaudjer opkoliavahu. Ona predstavla duse cistsu.
kako prevjaju pamenu. Dominkanski kaluderi, ko
jma Papa poveri da prodaju pisma potpuno opposite
ME greba takodjer prodau otkup dusa bolu Svi koji
to veruu ubedjeni da posredom novca mogu ztrgnu
ii IL pamena cstilista bliske rodake iii prja
elje "a koje drze da podozen takvoi muci nego
ne koji su i'm srani. Ear mogase Herveda poms
sebi: asa zlatom sto ga ukradem cd svoga oca bcu
sanju da otkupim dvadeset dusa pedeset dusa IL els
tilista?"
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06

stavljao' rad drugi kapital. Svrha ovog no.
vog odbora bi bla da iskoristi u potpunosti
85 federalnih "izmiraca" rada kapitala IT,,
da spreci sve pretece strajkove. Radnici bi BIZ
Ii primorani da svoje tube protiv veceg nasr-
taJa kapitala podnesu ovom odboru, koji bi in
"uzeo" obzr i odlucio uvek Il korist kapta-
Istnke strane bacajuci dovolj1o prasne u c.
ci izrabljenih radaika da su te oduke dobli
odobrenje cd pet "predstavnika' rada tom
odboru Ako radnic ustanu protiv odluke Cd
bora, oni bi Sc progasili da su "izdajnici" de-
movine, rusitelji mira; fekeri ma vrhu ju-
Mia bi i'm oduze cartere drugi junijski ske-
bowl bi njihovo mesto zauzei, strajkuju-
ci radnici bi bill besposleni, a drzava in bi
moga kazniti G b m zatvoro o m. Ia
da bi oni tako "discipinovani," ako pojedi-
nacno nadu posla, bill vro mekani bi Sc po-
koravali odukama tog novog "posreduJuceg
odbora' Ovako iii onako burzoazija Sc trudi
da jos wise zarobi radnicku kasu jer mace ne
moze uspostaviti "ndustrijski mir Drugim
recima kapitaisticki "industrijski mir" znaGi
vece zaroblivanje radnicke kase cd strane
burzoazije, uz pomoc fekera iii sa zakonskim
naredbama.
L svetu u kojem besni rat, gde Sc svestra
no ljudska krv lie bogatstvo, proizvedeno sa
znojem ljudske patnje jer najamno ropstvo
jeste mucenje, rusi u svetu gde ma njego-
vol grbaci popela mala saka razbojnika sise
krv radnog naroda, u kojem je svo bogatstvo
u rukama plutokratije, u kojem je skoro svo
stanovnistvo ekonomski obespravljeno, ko-
jem milioni Skapavaju Cd postepene glad IL
sredini izobilja takvom drustvu njegov
recnik nepoznaje rec mir" Klasni rat inpe
rijalistitki ratovi jesu zivot, normalni zivot
vog abnormanog kapitalizma
Industrijski MIR sc moze uspostavit sano
tada. kada sa pozornce ljudskog zivota nesta~
ne izrabljivanja najamnog ropstva, proizvod-
ME "a profit, ne "a drustvenu korist - ka-
da Sc obori kapitalizam. poslednji predstavnik
vladavine privatne syojine, koii repotrebno
neopsivo muci cello covecanstvo, kada IA
njegovim rusevinama uspostavi Socijalstcka
Industrijana Republika Rada, koioj ce $40
bogatstvo prpadat posredom Socijalistickih
Industrijalnih Junija celom slobodnom cove
canstvu, kojoj &c jedini cilj prozvodnje biti
sto wise izoblja "a uzvanje svih korisnh cla-
nova druStya.
Vrlo lako mole uspostaviti pravi in
dustrijsk sociialni mir. Plan takvog mira
nalaz Sc II revolucionarnim principima tax
tkom Socijalsticke Radnicke Partiie ali bur
zoazija nece takav industrijski mir jer on bi
znacio njeno unistenje, ona prirodno trazl
onakav "industrijski mir koji ce znaciti mu-
fauia uniStenie radni6ka k1asa 2hor toua akn
Sc zasta zel sveopst mir, MEGA moze uspos-
taviti saro radnicka klasa uz pomoc saveta
vodstva marksstcke nauke uteloyljene duSl
i srcu Socijasticke Radnicke Partije.
L redove S. L. P. svi ljubitelii mira
radncke slobode.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06
TRAzE INDUSTRIJSKI MIR"

kao sto ie poznato, usuprot velike sovi-
nisticke propaganda, obvijene sd ray kanom
"naclonalnom odbranonl,' 81 koiom Sc kapita-
llstcka kiasa trudi da natera radnike da Sc
ne bune protiv veGe kaptaIisticke ekspl Data
ciJe, tojest. da ne straikuju, radnici, gde god
I'M Sc rkaze prilika, bore Sc protiv vece eks
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06

Rudarska. zeljeznicka, tkacka, gradjevi.
narska sve druge industrije: svaka cd Min
ce biti, bez obzra ma bivse politicke medic,
sastavn dec toga novog centralnog autorite-
ia, tija je brzorucna gradja ,podignuta prosle
nedelie Il Chicagu. Ode bude zasedayao Glavni
lzvrsni Odbor 1ndustrijalnih Radnika Sveta.
tamo ce biti prestonca naroda. Kao lake buGe
od karata, Sto III deca prave, tako &c Sc stro-
postatl postoJece pollticke uprave srez3ya.
drzava. pa i grada ma samoj reel Potomacu,
nJhova mesta zauzece centralni podlozni u
pravni organi industrija jalnih sila zemlje Oce-
vldno je, dakle. da ne 'sasray' politickog po-
kreta, nego sastav ekonomskog pokreta je do
rastao zadatku da ''uzme drzi' upravu mad
prolzvodnom delatnoscu zemie jedinom
stvarl. koju je vredno "uzeti drzati'
Daniel De Leon.
RadnicÌŒka borba = Workers' struggle. [volume] ([New York, N.Y.]) 1907-1970, 1941-03-06
Dxepna Biblija
ill
KRISTIJAN STAMPAR.

Ssnaesta knjiba romano Eugene Sue-a 'Tajne narOda
iii "Istorja jedne proleterske porodice kroz vekove
rrica O Sesnaestom Stoecu. = dive knjge. knjga l.
S, orignanog fancuskog engleski: Daniel De Leon
Sa engleskog jugoslavenski: L. Petrovic.
Molite
"a duse II Cistilstu
Manastiru Sv. Dominika.
PraStanje &c
da podigne svoj presto
Moite darujte
"a siromasne duse
Cistlisu.
S jedne druge srane kola i'd iahu tetir kaludjera.
snabdevena dugm pozacenim drskama staklenim fe
Evening star., 1941-03-15
Variety to Honor
Rudolph Berger

Rudolph Berger, who has Just
completed 80 years in the motion
picture business in Washington, will
be honored by Variety Club at a
testimonial dinner at the Willard
Hotel April 7.
Mr.. Berger, former resident man.
ager Of the local Metro-G -Goldwyn-
Mayer exchange, was promoted to
the post of district manager several
months ago. He is a former chief
barker of Variety and for many
years has headed the clubs Wei
fare Committee. During his chair
manship the committee has, among
other activities, established an in
cubator station at Sibley Hospital
and equipped dental clinics at
Providence Hospital and Children's
Hospital.
Arrangements for the testimonial
dinner next month are being made
by a committee headed by Sidney
Lust. Entertainment for the affair
is being arranged by Carter Barron
and many film notables are expected
to attend. Mr.. Lust's vice chairmen
are Hardie Meakin, Varietys pres
ent chief barker, and A. E. LIGHT
man.
Evening star., 1941-03-15
Katie Tells the Story
Again and Again

There was time, not so long ago,
when it would have been madness
to mention the name of Katharine
Hepburn in the same paragraph
with Gone With the Wind" But
now it must be done. &c. w. T. W." :"
you know, set a sort of precedent,
lingering about town so long that
the number of words written about
it finally equalled the number of
words Margaret Mitchell wrote about
it, and the same thing seems to be
happening with Miss Hepburns an
tic portrait of a Philadelphia girl
entangled romantically. Mr. Philip
Barry's play, The Philadelphia
Story, was shorter than &c. w.
7. W." of course, but he has been
tied by the words written about the
film-not fit to be tied, because they
have all been nice words. It's in its
fifth week downtown, now at the
Columbia. H. M.
Evening star., 1941-03-15

back. I wonder if Connie was still
waiting? Since Linda Darnell's
salary increase to $3.50 a week, her
mother has been inundated with
photographs of beautiful houses
with swimming pools and tennis
courts, which the Darnells can
have for song" CA housing song
in Hollywood sings anything up to
$1,000 month"; But the Darnells
are staying in their s45-a-month
apartment, which sounds like good
Texas sense. A speedy way to have
nothing left at the end of film
career is to buy and live in a big
estate.
Artie Shaw is writing his memoirs.
A friend suggested a title like They
Say I'm Crazy" which Artie may
use. He is expected back here to
supply the music for a Walt Disney
feature Ia Stokowski Gail
Patrick and Eddie Lowe are piling
up a series of serious dates. I'VE
discuss education" SAYS Gail.
Myrna 10y likes to choose her
own hats for pictures. She picked
a big brimmer with a long tassel
for Love Crazy"
II can't see your face" the
cameraman told her. Myrna cut off
half the obstructing tassel. And I
can't see around you" said William
Powell. So she shipped the rest of
the tassel and some of the brim.
Now l don't like the hat" pro-
tested Myrna. The studio will pick
the new one.
Relessed by the North American
Newspaper Alliance, Inc)
Evening star., 1941-03-15

ards suggested for teleVlSion broad
cast stations, to determine when
television broadcasting shall be
placed upon a commercial basis, and
to afford all interested parties full
opportunity to be heard on all peril
nent problems related to the stand
ardization and commercialization OF
television broadcasting.
The present status OF televlslon
represents a compendium OF numer-
Gus scientific achievements. Many
of these have been of interest only
in the research laboratory; few have
made much of an impact on the
public consciousness. Outstanding
among these few, however, is the
first practical and complete full
color television system recently dis
closed by its inventor, DR.. Peter c.
Goldmark, chief television engineer
of the Columbia Broadcasting Sys-
TEN.
Within q few months, DR.. Gold
mark revealed a method for tele-
vising a still picture in color; then
he added motion to the picture and
televised that. Next he demonstrated
that color could be televised through
the air as we'll as over special cables.
And finally his process met the test
of live pickup, the televising OF real
peopIe and solid objects in their ma
tural colors.
Before this color system was
shown, television had been an in
genious substitute for the repre-
sentation of reality. With color, a
higher degree of reality was
achieved. and DR.. Goldmark is cred
tied with curing television of its
olor-blindness. Engineers had al
ways aspired to the transmission OF
color. They always had said it
could be done; but it presented
mathematical difficulties" DR..
Goldmark's system of color televl-
sion is accommodated on no wider
frequency than that occupied by
black and white.
The addition of color creates an
appearance of depth and thereby
produces a much more lifelike image.
Rotating color filters in the camera
and receiver are essentially all that
is needed to convert an ordinary
black white system to color.
Color in television means more
freedom for the program depart
ment Everything in front of the
televiSion camera (and the movie
camera has color, in costumes, in
backgrounds, in makeup.
The value of color in everyday life
is underestimated by those who are
not color blind from birth. The
average human being cannot even
visualize every one dressed from
head to foot in shades ranging from
black through gray to white. Or
imagine every one, always, walking
under a gray sky. or in gray rooms
in a gray building. What drab
world! A half-hour in such a world
would shock the least color-con-
scious into a truer concept of the
Importance of color.
With regard to televiSion pro-
grams, the sending and receiving
of visual images may be looked
upon as a new vehicle of art, edu-
cation and entertainment. 1t is
easier to name the fields in which
television will reproduce than those
in which it will create it's own ma
terial.
1t is likely that early programs
Evening star., 1941-03-15

suitable for televiSing are apparent,
it is too early to determine which
ones will prove most popular with
out first having an opportunity to
survey audience reac ion. And while
television is learning how TO adapt
the materials of other mediums and
how to please the public it will also
be learning how to create new kinds
of programs which are all-television.
Television is costly. An economical
system must be discovered so that
highly polished, eXpert-seeming pro-
grams can be produced at a cost
comparable to the return, whether
the return be in prestige or pur-
chaSeS.
To people in rural districts color
television will mean an opportunity
to appraise and appreciate the finer
arts thai rarely reach them today.
To the student it provides a medium
for obtaining information; to the
teacher it provides a medium for
disseminating it. The museum
lover can enjoy personally conducted
tours through galleries many miles
away The fisherman can learn
what kinds of colors fish prefer for
bait. The intimacy and immediacy
of news events as they happen can
be brought dramatically and real
istically into the home. The arm
chair football fan can watch his
favorite teams in the comfort of
his living room. In fact, no one
working in the field has yet dis
covered any social activity to which
color television cannot be adapted.
1t takes all human interest as its
province.
CReleased by the North American
Newspaper Alliance, Inc)
Evening star., 1941-03-15

days with her performance in the
leading role of John Golden's hit
production OF Rose Franken's new
play, Claudia"
And Miss Mcclure came up to 1t
through the hard and realistic road
that must be travelled by most all
those ambitious would-be actresses
who live in the dozens of theatrical
hotels off Broadway.
She got jobs by walking from one
producers Office to another, sitting
on benches in outer Offices for hours
and then going in and asking for
them. She played understudies
played bits and took the risk OF
quitting an assured job in a minor
role to 60 and ask for better role
in a job that wasn't assured. She
has quit jobs, been flred-but the
girl was determined to be an actress
when I left school in Boston, u
she said, It knew that I had to be
an actress, but l also realized that
it was going to. be hard job to
get a part that was really my own
such as l have in Claudia
"One of my first jobs was as
understudy to Martha Scott in Our
Town but that was always her part
and never mine even when played
1t when she left to go to Hollywood
But I played understudies and
I played bits and I walked from
benches in one managers office to
another's. And I lived in Broadway
hotels and argued with Chinese
laundrymen about when I could
pay my bill"
Then, one afternoon, Miss Nc
Guire walked into Golden's office
when he and Miss Franken were
discussing the casting of Claudia. u
Miss Franken, who also directed her
own play, had her read some of the
part, told her to change her hair
dress and to come along to her home
in the country and read the part
again over the week end.
At Miss Frankens country home
Miss MCGUIRE recovered from some
of her shyness, but when she was
signed for the role she became so
frightened again that they decided
to fire her. Then they decided to
let her go on for the frs two per-
formances in Wilmington and there
they discovered: A: That Miss Nc
Guire is an awkward actress in a
producers office; B: She is, as the
critical reviewers said, one of the
Evening star., 1941-03-15

suggests 1T S ohehah OTAham'
Mr.. Cabot,s fault if he does not get
on we'll with Marlene. He might be
difficult, too, you know" Somehow
that had not occurred to me be-
fore. If Robert Taylor goes
through with his plan of buying a
ranch and raising cattle in Arizona
he and Barbara StanWyck will be
living in more houses than any one
else in the film business. They still
have the house in town and the two
ranches in the valley.
Norma Shearer at the Biltmore
Theater wears long green cape, and
her hands are inside muff, on
which repose seven white orchids.
When the fans ask her for her
autograph, Norma waves the muff
helpleSsly-and keeps her hands in
side. -. Bette Davis is popular with
good reason. She is never too busy
or important to help out the lesser
members of her pictures. Saying
few words in Bette's The Bride
Came C. o. D." is minor actress,
Lucia Carroll. Bette overheard the
gal say, Il wish I could get my
name on the screen" Players with
tiny roles don't often appear on the
credit list But Bette went to bat
for Miss Carroll, and she gets screen
credit. A small matter-but few
bigshots take the time out to do
things of this sort.
Gilbert Roland is playing tennis
at the Beverly Hills Tennis Club
and the steward tells him, Miss C.
Bennett on the phone" III finish
the next four games" Gilbert yells
Evening star., 1941-03-15
Films From Eritrea
At the Trans.Lux

Wide is the range of world tur-
moil covered by the news cameras
for the new bill at the Trans-Lux
The Greeks continue their advance
Australian troops mop up in Africa
preparedness here goes on apace
with girls drafted to dance with
draftees. There are some spectacu-
lar shots of the battle for Tobruk
too, and first pictures of the British
move into Eritrea.
Short subjects accompanying the
new news review include a travel
oeue visiting Panama. the republic
and the canal; new Screen Snap
shots, this with Bob Hope =:
"Feathers,' color film study of
rare birds, and a color cartoon,
H M.
Evening star., 1941-03-15

ability to turn out any concoction
from champagne to hair tonic.
The show. with a very ornamental
chorus that might be partly the
original so far as any one could
know, sets up very effectively on
Harry Anger'S stage. Moreover, in
spite of the fact that it has travelled
more tran little bit during the last
several months the costumes do not
have that worn and weary look that
might be expected.
When it is not being funny.
Streets of Paris" is being danced
and sung with an acceptable degree
of captivation. The three little
maids are the especially pleasing
vocal item in the music department.
The speciality dances are good, best
of them probably the toe jitterbug
thing done by girl whose name
was not on our program, darn it.
Evening star., 1941-03-15
Mr.. and Mrs. Smith
Stay Some More

Some of his more severe critics,
who are not really, very severe, may
feel that Alfred Hitchcock is not up
to his usual standard in Mr.. and
Mrs. Smith" That spicy, saucy tale
of domestic inf1eicity starring Rob-
ert Montgomery and Carole Lom-
bard is now in its third week at
Keith's.
1t must be significant of the fact
that .Hitchcock's severest critics are
not ss right in their judgment as
they might be. J.C.
Evening star., 1941-03-15

Bllc SO4Ct VI -
homme fatale. If femmeS can be
fatale. why not hommes? He is
successful young author whose en-
thralled feminine readers identify
themselves with his herOlneS, and
trv their darndest to identify them
selves with the author himself. One
of them puts it over very hand
somely. much to the minor discom-
fort of Mr.. Brent and the more or
less major discomfort of Miss Sherl-
dan, who is his secretary and would
like to marry him to keep him out
OF mesSes.
There has been nothing like new
facade erected on this old founda-
ton, but the Epstein boys, julius
and Philip. have sought to freshen
1t I'D with their own particular type
of bright dialogue. What happens
goes something like this:
Brent: What town is this?"
Miss S: cleveland"
Brent: "It looks like Pittsburgh y
Miss S: mo, Pittsburgh has hills.
Brent: That's right, Pittsburgh
looks ike ClnclnnaLl.
Whimsies like that run all the
way through Honeymoon for
Three" which profits very much on
the comedy side by the presence in
1t of Charles Ruggles. The dead
pan Ruggles, husband of Brent's
Vis-a-vis and no end anxious to
palm her off on any one who would
take her, plays one of those we'll
tailored roles again. He gets deal
of merriment out of several quirks in
his nature, most fun out OF being
a colorless little guy who will go
Dutch at luncheon or cocktails with
any beautiful girl who will take him
on.
The best single bit of business in
Honeymoon for Three" is that
which traps Brent at two tables in
adjoining wings of roadside res
taurant. At one he is eating with
the errant wife; the other with her
husband 1t is the sort of thing that
could be overWorked, but somehow
is not. A nice restraint. 1t is one
of the several things which makes
one feel kindly disposed toward the
whole fragile bit of nonsense.
X X y
"Streets of Paris" turns out to be
one of those wacky revusicals which
lends itself nicely to tabloiding. The
edited version which runs about an
hour retains many of the best fea-
lures of the original. Among them
are Sid Marion and Cliff Hall, whose
burlesque gags and methods provide
q lot of amusement in the more
dignified precincts of the Earle, and
Think Drink Hoffman, who keeps
the audience in stitches with his
Evening star., 1941-03-15
Where and When
Current Theater Attractions
and Time of Showing

Stage.
National Twelfth Night" with
Helen Hayes and Maurice Evans:
2::30 and $50 pm.
Wardman Park - The Apple
Cart" produced by the Washington
Civic Theater: $50 pm.
Screen.
EarIe-"Honeymoon for Three" q"
which is a crowd, Ann Sheridan
and George Brent find: 10 am,
1920, 2:40. sos, 7:30 and $50 pm.
Stage shows: 11:25 am, 150, 4:10,
6:35, 9 and 11:20 pm.
Palace THE Great Dictator ~
Chaplin looks at today: 10:45 am,
1:25, 4:10, $50 and 9:35 pm.
Capitol - Rage in Heaven"
jealousy and madness mar a mar
riage: II am, l:45, 4:30, 7:05 and
9:55 pm. Stage shows: 1855, $40
6:25 and 9:10 pm.
Keith's-"Mr. and Mrs. Smith,
marital comedy with Carole Lom-
bard and Robert Montgomery: II
2:25. 4:50, 7:25 and 9:35 pm. March
of Time: 1875 a m, 2, 4:25. $50 and
9:l5 pm.
Little-"Night Train" melodra-
matte and comic British thriller
II am, 12:45, 230, 4:20, sos, 7:55
and $40 pm.
Metropolitan - THE Strawberry
Blond" romance Americana, circa
1900: 11:l0 am, lis, $40, 5:2s,
7:35 and 9:40 pm.
Colum 1a-"The Philadelphia
Story" Katharine Hepburn in wit
ty frolic: 11:50 am, 2:15, 4:40, Z
and 9:25 pm.
Trans-Lux-News and shorts; con-
tinuous from 10 am
Evening star., 1941-03-15
That Comic Script
Catches Caenev

Students of the movies who felt
that what Jimmy Cagney needed
was a good dose of comedy, and
vice versa, can see how it works out
at the Metropolitan this week. True.
in strawberry Blond" the new at
traction, Cagney goes in for an end
less amount of violence. He also
serves prison term. But these ia
millar elements of Cagney scripts
are not handled in the same re-
morseless fashion. They carry a
considerable overtone of comedy.
1t isn't very good comedy, al
though Olivia De Havilland gives It
few cute flllips now and then.
J. c.
Evening star., 1941-03-15
Mr.. G.. Goes to Town
On the DictatOrs

If any one has not heard, THE
Great Dictator" has returned to the
Palace at popular prices And,
should any one need to be reminded,
this latest effort of Charlie Chap
Inns is one more brilliant piece of
screencraft to be credited to him.
1t is not the usual Chaplin formula,
this satire on dictatorship, and its
humor is not sustained at the old
high level.
1t remains a must, nevertheless.
So few pictures are. &c
Evening star., 1941-03-15

anOtner o c c a
sion.
j h n Wayne
sides with the
lady in the Mar
! e ne Dietrich
B ruce Cabot
feud. When I
was told to work
with Marlene in
Seven Sinners,
I was terrified "
John tells me.
But I found her
wonderfully easy
to work with.
P er h a p S." he