davidaulloa/AmericanStories huggingface dataset:
Telegraf. [volume] (Baltimore, Md.) 1909-1951, 1940-01-05
SENATOR TYDINGS B r
TIL Sc S PROTESTEM MA
KOMISARE PRISTEHOVA-
LECTVf.

4NA0 "a
LECTVf.
Pfistehovalecky komisaf
Houghteling odvolal jednoroc-
nj permit udeleny Batove obuv-
nj spolecnosti pro 62 z jeji "
zamestnancG, kterf byli prive-
zeni do teto zeme z Ceskoslo-
venska, ably pracovali v move
tovarne spolecnosti v Belcamp,
Md.
Soucasne uvedomil Jana Ba-
tn, pfedsedu spolecnosti, re po-
VIOLENT udelene drive importo-
vati dals1ch % zamestnancd z
Ceskoslovenska bylo odvolano.
Pristehovalecky Trad vydal
povolen1 spolecnosti importo-
vati 100 Cech1 z jeji tovaren v
Europe z toho duvodu, re =
jak Bata tvrdil - procesy W.
roby pouz1vane spolecnosti
"jsou tax jedinecneho razu, re
nezamestnan1 zkuseni americ-
tt obuvnict1 deln1ci nemohli by
provadeti vyrobnf operace bez
instrukc1 delnfkG, kteTf byli .jiz
vycviceni V Batovych meto-
dach."
Pfistehovalecky Trad pravi,
re zjistil, re tomu tax neni.
Houghteling uvedomil Batu,
re Dude mu dovoleno podrzeti
81 jenom deset re svych impor-
tovanych ceskych zamestnan-
Gu pc l. lednu. Ostatnf sc mu-
81 vratiti dom1.
Senator Tydings zaslal ostry
telegra *icky protest proti roz-
hodnut1 tomuto.
Robert H. Archer z Bel-Air.
pravnicky radce Batovych zaj-
MI odejel 80. prosince do Wa
shingtonu, ably tam radil Sc 5
komisafem o zrusenf vynosu.
Senator Tydings zadal O u
vazenf re strany vladnf a male
hal ma to, ably Batovym zaj-
MIN dano bylo ukazati ma tyr
dost vynosu proti Batovym
zajmGm. V telegram senator
zadal spolu komisaTe O den sly
Semi, ktery die jeho navrhu ko-
nan by Dyl tuto stredu We Wa
shingtonu odpoledne n6kolik
hodin pc zahajenf zasedanf
kongresu.
Maryland'ane pTipraveni jsou
ukazati, bylo-li by slysenf po-
voleno = re nynf jiz 800 delhi
XII zamestnano jest v podniku
tonic v Belcamp a re $50 DIAL
SIGH nynf do prace vzato byti
ma. Spolu ukazati chtej1, re
ienom hrstka instruktorG by
malo mohla ciniti We cviceni
nezkusenych zamestnancG pri
stroj1ch ma upravu obuvi.
Oznameno spolu, re Jan Ba-
ia hotov jest zrusiti sve plany
ohledne podniku vzdor tomu,
re do zacatkd jeho vlozil jiz
tax velike obnosy. Bata Tekl,
re jenom II Cech1 je v Bel
camp slouz1c1ch jake ucitele
celeho poctu zamestnancG V
Hartford okresu.
ga jsem Cech'', Tekl Bata,
"zcela pTirozene. Jsem ale ia
Ike slime Americanem veTiti V
to, re tato zeme by nezrusila
svoji vlru S kymkoliv timto
zpGsobem.
Jsou ovsem zeme ma druhe
strane more, kde mohli byste
ocekavati neco podobneho, ale
ne zde. Grady Tekly nam, re
mnzeme sem dopraviti sto &C.
ch1 ma dobu jednoho roku. To
je krasne. My dopravili sem
72. Ucinili jsme pT1pravy do
praviti sest dalsfch, ale tito ne
jsou jeste zde.
S dovolen1m Americke Via
dy - povazovali jsme to "a
slib = my sli v pred a pocali
staveti. Do stavby vlozili jsme
jiz znacny pocet penez. My
doufame, re Americka vlada
nezamysli zrusiti v1ru S nami."
Ukazano bylo, re Is procent
stroll zhotoveno bylo v Cesko-
slovensku a ne v Nemecku. Je-
nom asi pdl tuctu udelano bylo
V Nemecku, ponevac nemohly
koupeny byti jinde.
Baltimorske obchodn1 sdru-
zeni vstoupilo We stfedu v kon-
troversi Batovy spolecnosti S
Observation-Disclosures OdbOrem We
Telegraf. [volume] (Baltimore, Md.) 1909-1951, 1940-01-05

Pan JOS. Svoboda, 2O3 N. Port
st. nalezl ma Novy Rok v Soko-
Iovne pTi divadelnfm pTedsta-
vent mosazny klfcek. Kdo no
ztratil pTihlas Sc o nej u p. Svo-
body.
Telegraf. [volume] (Baltimore, Md.) 1909-1951, 1940-01-05
DOPIS Z CSL. LECIf We
FRANCII.
Minuly tyden jsem obdrzel
tento dopis z Francie.
Mily Karle,

tentO dOplS z Francle.
Mily Karle,
Myslfm, re Sc AMI Includes
diviti, re dostavas dopis z Fran
Gle. Aniz by isl cetl podpis,
poznas cd koho je. Ano, Ease
VoJanclm. Tentokrat "a jinych
o%kolnost1, nez tehdy kdyz jsme
spolu sGrovali.
Ones je to jine. Rekl bych,
dnes vine pro co tn ,jsme. A
Ty take Wis proc. Slibovali
jsme NemcGm, re 81 to jednou
rozdame. Nenechali mas loni,
ale nikdo nam letos V tom ne
Dude zbranovat. Vine, re mno
by z mas tn padne. Vine, re
padneme Ia to, "a co umirali
pred 20ti lety nasi ma Sib1ri, ma
Plave a zde We Francii, ale my
vine, re nepadneme zbytecne.
Konecne to vSechno Wis. Jen
skoda, re tn nejsi mezi Mani.
Byvalo to jine ma vojne donna.
Umel by isl mas ma vojne obve-
selovat. A pax mel isl hodne
knfzek, ktere jsme vzdy radi
cltali spolu. Nam tn ia knfzka
a noviny schazf. Abych sci pri-
mo k veci, prosfm TIE, kdyby's
mi mohl nejakou tn kn1zku ne
DO noviny poslat byl bych ne
skonale vdecny.
Zpravy z domova tn nema-
me a Wis jak chuda je Francie
ma ceskou literaturu. Dostava-
me Size noviny, ktere Sc tisknou
u velitelstvf, ale je to malo. A
pax, Wy jste tam jinak zpravo-
vanf o svetove situaci. Vsich-
nj kluci Sc ma knlzku a casopis
jen tTesou.
Ones odvazeji postu a proto
budu koncit sv1j dopis. Snad
no nemecke ponorky n%epotopi.
Prosim TIE jeste jednou Ia
sebe a "a kluky kteTi TIE znaj1
z meho vypravovanf. At zije
lSvobodne Ceskoslovensko.
Pozdrav PAM Lidce a vSem
dobry1n Cechosolvakam V A.
merice.
Tvdj,
Pep1k BTezina,
LIE Camp do Formation
de L'Arme
TchecOSlOVaOue
Agde (Herault) France
Pts brzy!!!
Pc pTecteni tohoto dopisu
pfipadl jsem ma myslenku, re
bychom my zde V Baltimore
vsem tenn hochGm, kterl bojuj1
"a naSi vec, "a svobodu ceske-
no naroda, mohli zpr1jemniti
jejich tvrdy zivot sb1rkou ces-
kych knih, kterych zde name
dosti.
Pros1m proto vsechny ceske
spolky bez vyjfmek, ably pro-
heidi sve knihovny a knihy,
ktere mohou postradati, posla-
Ii nas1m hochum do Francie.
Potion prosim vsechny jedno-
tlivce, kterf mali knihy, ktere
pTecetli a nebo odeb1raj1 ceske
noviny a casopisy by tyto bud
primo poslali a nebo odevZdali
" Ceske Svobodomysln6 Skole
ma Ashland a Glover ulic v So
botu odpoledne a v pondeli O
4. iodine.
Ver1m, re nase ceska a slo-
venska srdce nebudou tax tyr
Ga, ably odepTela tuto prosbu.
Vzdyt je to nase krev, ktera
dobrovolne Sc obetuje pro
vlast, kterou vsichni tax milu-
.Ejeme. Nam, kterf jsme usetre-
nj tech hr1z a muk, pripada
povinnost jejich zivot zprfjem-
niti. Jiste, kazde dobre srdce
sc zachveje laskou k temto no.
ch1m a neodepre takovou ma
Iickost pro mas, ale tax velkou
utechu pro ne.
Jsou mezi ciz1mi a proto "a
hTejme svoj1 velikou laskou je-
jich uslechtile duse.
Jsou to budouci hrdinove ma
81 historic, proto je nikdy neo-
pust1me.
Karel Zahradka.
Evening star., 1940-02-04

an instructor in the Corcoran School
of Art, is holding special exhibi-
ton by invitation in the Corcoran
Gallery. This consists of Is water
colors and nine drawings made with
a photographic crayon, matted but
unframed and hung in the small
southeast corner room on the main
floor. The latter are rather stronger
than the former but are also perhaps
less individual.
Mr.. Stubbs has had an interesting
and varied career Born in the
southern part of Georgia in 1907, he
came to Washington when he was IL
years old. In 1927 he entered the
Corcoran School of Art and within
three years. had won two of the
much coveted first prizes. For the
past four years he has been a men,
ber of the faculty of this school,
teaching drawing and oil painting.
Meanwhile, he spent a summer
studying with Webster at Province
town, worked for two years with an
advertising agency in Detroit doing
transparencies: painted a mural in
a school in Michigan and assisted in
painting another here. At ODD times
he has worked in sign shops and
done theater posters-all of which
goes 10 show not only industry but
devotion to his profession.
Evening star., 1940-02-04
Bulletin of Current Exhibitions

THE CORCORAN GALLERY ART, Seventeenth street and
coors drawings and drypotS py
Nichols president Of the National to
exhibition of paintings and work In other meola py
Gacken February 49, Water coo and drawings by henne
Stubbs February 16.
Exhibition of water colors by Harry Old Conn.,
ington January IS to February
PHILLIPS MEMORIAL GALLERY 1900 Twenty first street
sTop Of paintings n by Ernest Lawson an' 'ne
PUBLIC LIBRARY Eighth and street NW-Exhibition OF
Alexander Clayton of Washington through February
LIBRARY OF CONGRESS- Division of Fine Ars-Recent
hographs by Joseph penne and prints by
collection from "Dumbarton Oaks master
pieces of prntmakng.
FREER GALLERY OF ART the Mall at sW-
Paintings by Whistler Oriental art Paintings by small
group of American painters.
MONDAYS Wednesdays and
% sess 80 By sss sstd once
UNIVERSITY ART Of paint
by artists of Philadelphia Laura Wheeler Warng
Samuel Brown Allen Freelon, February ! to ~.
STUDIO GALLERY, George Washington University 2lal G
berg, February a.
THE wHYTE GALLERY 1907 N.w.-ExhiOition Of
sculpture stone of animals and other subjects done from lie y
Cornea Chaplin February 4 to 2s
BooKsHoP GALLERY, GIG Seventeenth street NW-photo-
graphs agricultural districts showing erosion causing the Ame
under the auspices of Farm Security
Building. Tenth Constitution avenue NW-Lobby
Exhibition of patter pictures by Daisy Dunton Robert
NATIONAL MUSEUM Arts and Industries
Section prints reproduced in American Annual OF Photos
raphy" for 1910.
CHALET NoNPAREI1 Georgetown road Bethesda
Md-Water colors by HubertRobert Of
objects lent by the siames Minister and others
January % to March 3.
ALLEGATIONS GALLERY, District Works Projects Admins
Independence SWcent paintings and scup-
lures tax-supported institutions.
CHDRENs GALLERY. District Works Projects Adninistra-
on independence SWJunor Photographic Exhibition
January 10 to February II.
WESLEY HALL. 1903 street NW-Exhibtion paintings by
Oren Loudon January IA to February S.
MOUNT VERNON, VA-"Eary Views of Mount Vernon and
Prints Washington Family Jennings Memorial Exhibition
in Old Quarters, January % to February 29
MUSEUM OF THE DAUGHTERS OF THE AMERICAN REvO-
LUTION-Exhibiton antique snuff boxes to April l.
WOMENS CITY CLUB 736 jackson place N.W-Ols, water
prints Shefneld Kagy, February to g.
UNITED STATES OFFICE OF EDUCATION ART GALLERY,
Budng-Bck and white exhibition February and
March, regular Government ofnce hours
Evening star., 1940-02-04

civilizations whose imagination
stirring skeletons still exist. But
Angkor simply vanished; yet 1t mus
have been tremendous. A stone
wall over 7 miles in length and
broad enough to have been a major
thoroughfare, which inclosed an
area of square miles, is still stand
ing IN the heart of jungle in
Cambodia. That wall was once
surrounded by a moat 100 yards
wide, filled with water and croco-
diles.
Less than a mile from Angkor
Thorn (the grand city') with its
million inhabitants, stood Angkor
Vat, the grand temple" and grand
it must have been-the supreme
Khmer monument. Yet for nearl.
six centuries, Angkor, worthy OF
kings, has been the home only of
bats and monkeys. What hap
pened? Did it fall prey to invaders?
Did a plague wipe out its million
souls? No one knows. A writer
whose name eludes us said simply,
THE people walked out and the
jungle walked in"
The Hubert-Robert water colorS
are supplemented with a loan ex-
hibition from various sources, Of
bronzes, wood carvings, dolls, tex
tiles and ceramics from Indo-C China,
Korea and other parts of the Orient.
His excellency the Minister from
Siam has lent hand-wrought silver,
a miniature dance mask, enamels
and other objects. An antique pot
terry vase and tile, excayated from
kings tomb in Southern Korea
and estimated to date from the 5th
century AID or earlier, are loans
from M. Folke Wennerberg of the
Legation Of Sweden. DR.. Ralph E.
Wheeler, who was the physician for
the Kelly Roosevelt Expedition of
Chicago's Field Museum, and Mrs.
Wheeler have lent many objects Sc
cured on that trip, including deco.
rations bestowed upon DR.. Wheeler
by the government of Siam. One
of these represents "a thousand ele-
plants and white parasol."
This exhibition will continue
! throughout February.
Evening star., 1940-02-04

setting behind the West Gloucester
hills and casting a farewell gleam
on the still waters of the harbor.
Subtle Treatment.
Not only has Mr. De Maine painted
the characteristic features OF this
part of our New England, but he
has Transcribed atmospheric effects,
mist and cloud, the quiet of evening
and the Elusive loveliness of early
dawn. In such renditions, he is at
his best, handling his medium with
extraordinary subtlety. In matter
of merit, his work is very even, but
some of his paintings carry at a
distance to better effect than do
others. For example, his rendition
of an apple tree on hillside-No. 3
in the catalogues particularly
colorful and decorative; less factual,
perhaps, than some of the others,
but very satisfying and alluring,
telling enough and not too much.
His treatment of rocks is excellent,
as seen in two outstanding instances
and especially lovely in his tran.
scription of Clouds Over Essex,
which quite lifts the beholder from
the mundane.
Not only do Mr.. De Names water
colors fill the gallery at the Arts
Club, but they overflow into ana
conc, set.ny occupy the walls OF the
dining room. For those who know
the North Shore" and love it, these
paintings will have great interest
and special charm. To all, they
must bring reinsurance OF the IN
exhaustible beauty to be found IN
nature.
Portraits in pastel by Edith NC
Cartney of this city also are to ot
seen at the Arts Club, being hung
In the reception room and entrance
hall. This artist has a particular
gift for portraits OF children, and
II is of such that the greater por-
tion of her exhibition Is composed.
In most instances, these are small
Just the head and shoulders, lie
size, or three quarter length, half
size. She has done in the latter
manner a portrait OF her own
daughter in profile, seated, with her
hands in muff, which is quantity
picturesque; while in the former,
outstanding are portraits of Paul
Whitaker Neal, son of DR.. and Mrs.
Paul Neal, and David Calkins Full
ton, son of Mr.. and Mrs. w. K.
Fulton, as well as the baby of Col.
and Mrs. H. G. Davidson and other
members of their family. Her touch
is light; with very little apparent
effort, she secures a vital and con-
vincing likeness. To the 10 or more
portraits shown are added couple
of flower studies, one Gala lilies ir
q tall vase, the other Of wisteria
both very pleasing.
Evening star., 1940-02-04

delight in these exquisite transcript
tions rendered in every instance
with the care and absorption that
an artist might give to single pro-
duction, not with self-conscious as
surance of pride, but the hope and
intent of achieving a masterpiece?
In his book entitled "a Collection
in the Making" Mr.. Phillips pays
Mr.. Lawson high tribute and char
acterizes him thus: "An artist who
is original without egotism and
without strain, who looks at COM
mon things in an uncommon way
and is genius"
Mr.. Lawson is represented in the
Corcoran Gallery of Art and in the
National Collection of Fine Arts, as
we'll as in numerous other art mu-
seums in this country, but nowhere
so fully as in the Phillips Gallery
and in the present exhibition. How
better can man be memorialized
than by his work?
The whole collection of ltho-
graphs by Daumier in the print
rooms of the Phillips Gallery has
been changed and now, instead of
the grim side of Partisan life, as
illustrated by this great-perhaps
greatest-satirist, we see its humor
and can laugh with him as he
laughed with those at whom he so
skillfully, with his crayon, poked
fun. This is side of Daunier and
his work with which the world at
large is not so familiar and one
well worth bringing to attention.
No wonder Shakespeare made Puck
exclaim, Lord, what fools these
mortals bel" But, after ALL what
a dull world it would be otherwise.
Daumier, in the Autographs now
on view, shows us a man declining
to buy picture because it is half
a cane narrower than it should be
for the space in which it is to be
hung, as well as the old gallant
paying court in courtesy to a
Wrlnkled old woman, and the long
married couple doing away an
evening in such pleasant compan-
lonship, to say nothing Of the absurd
ways people take to have good time
on a holiday and the foolish gravity
with which one regards ones self.
Glancing about the two rooms,
it seems, indeed, as if none ever did
anything that was other than
funny and foolish, and yet, save
in few instances, when Daumier's
power to sting appears, these draw
ings are all kindly in nature and
beneath the surface is an evident
friendlinesS for even the silliest.
Not SO, however, the drawing which
hangs over the mantel-a scene in
the law court, the man who is
speaking a dynamo, full of action
as he pours out words In this is
found the same dramatic power
which shows itself SO impressively
in Daumier's mastery painting,
"The Uprising" owned by the Phil
lips Gallery.
BY way of introduction to the ex-
hibition of Autographs by Daumier,
his amazing little painting, THE
Three Lawyers" has been tempo
rarily hung on the wall of the en-
trance hall, at the same time re-
minding that this illustrator, carica-
turist and satirist was also very
great painter.
Evening star., 1940-02-04

arrangement which the Japanese
have carried to such success. Also
she was at one time pupil of the
Chicago Art Institute.
Much interest is being shown in
the really remarkable miniature by
Juan de Dios Hoyos, which is still
on view on the main floor of the
National Museum in that section set
apart for the display of the National
Collection of Fine Arts. 1t is, it will
be recalled, of his deceased mother
and is almost miraculously hfelike
and vital
Mr.. Hoyos was born in Pachuca,
Mexico, and educated in the schools
and colleges of Puebla and Mexico
City. His studies were interrupted
by the death of his father but he
continued his course in architecture.
He is a very skillful craftsman. In
Europe he was much encouraged by
Scrolla, Anglada and other well
known Spanish painters. all of
whom advised him to specialize in
miniatures This work he is con-
tinuing, giving to it extraordinary
effort and care. His painting on
ivory is done with the side rather
than the point of the brush. The
face in the portrait of his mother
is completed but not the hair, as he
claims he has not yet mastered the
technique it requires. In previous
notice on this page of Mr.. Hoyos'
work it was enormously stated that
he had been in Spain during the
war, the mistake arising from ref
erence he had made to distin-
guished Mexican colleague who has
a wide reputation in this country
rather than to himself.
Evening star., 1940-02-04

the benefit of the New School Of
Social Research, New York, and
its graduate faculty. The date Of
their arrival in Washington has not
yet been fixed.
Also, there has been exhibited in
New York, under the auspices Of
the Art Students League, likewise
in the Fine Arts Building, IL murals
for the Rhinebeck IN. W post Of
flee by Olin Dows of Washington,
who was, it will be recalled, omcially
connected with the first Federal
Art Project, later head of the Treas
ury Relief Art Project. The series
of paintings that he has now COM
pleted illustrates life in the Rhine
beck country from the time of Henry
Hudson to the present day.
Evening star., 1940-02-04

manner, WIN, perhaps, JuSC enough
French sensitiveness thrown in to
increase its charm.
In England, for many years IVA
ter color" meant drawing in color
and adding transparent wash to q
composition in line to enhance ef-
feet. Obviously, that day is now
long past, but English water COL
orists still almost invariably key
their paintings to the white of their
paper and handle the medium with
delicacy as well as exceptional skill.
Rarely. if ever, does an English
water color jump at the eye, de-
claring on the instant its boldness
and brilliancy, as do some of those
by our American painters, but
rather holds its best in reserve and
thus creates intimacy of expression.
Mr. De Names paintings are of this
order-works with which one would
like to live. Also, Interestingly
enough, they have in some in
stances the lyrical quality of the
English landscape transferred to
America, and now and then that
feeling Of breadth and height which
is found in the paintings Of Con-
stable. So strong is the influence
exerted by environment and heri-
tage. And yet, subjectively, these
paintings are most typical of Amer
lea, for at least two-thirds of them,
If not more, were painted at Glou-
cester, or elsewhere on Cape Ann,
where artists of this country con-
gregate every summer seeking that
which is most paintable. Included
in this exhibition are pictures of
fishing schooners at their wharves,
of the surf on the rockbound coast
to the east-"Bass Rocks"-of the
tide creeping in across the salt
meadows of Annisquam, of the sun
Evening star., 1940-02-04

is currently shedding a ray Of light
on this remote place, in the form Of
an exhibition Qent by the Fedora
tom Of reproductions Of water
colors by a contemporary French
painter, Marius Hubert-Robert. The
color plates were printed in France
and appear to be faithful to the
original paintings, which are con-
servative and illustrative in char
acter. They are renderings such as
might be executed by an architect,
concerned only with obtaining a
close likeness of the exotic land
scape and its fantastic Ito us)
buildings The paintings were done
in a fairly high key; the prints are
infused with the naturally brilliant
color Of the country itself.
A lecture on Indo-China, by
Baron s. Baeyens of the French
Embassy, was a feature of the open
ing of this exhibition at the Chalet
Nonpareil Art Gallery last Sunday
afternoon. Baron Baeyens was a
representative of his nation in
Indo-China for several years and
gave personal impressions of the
country, as well as something of its
history. 1t is now union of sew
eral states, AMMAN, Cambodia
Cochin China, Laos and Tonkin.
He dealt with number of the pic
lures in the exhibition, which was
in its entirety, he stated, faithful
record of the country it portrayed
Baron Baeyens had been especially
charmed by the Bay of Along, which
is the subject of one of the most
beautiful paintings. This bay, COM
prising so square miles in the north
western part of Tonkin, is full o1
enormous rocks, some as high as
Gothic cathedrals, as shown in the
painting.
There are several views Of Angkol
in Cambodia, a dead" city which
is particularly intriguing because
its civilization was snuffed oui
when it must have been attaining
its height. We know how Egypt
Babylon and Rome passed away
after long-drawn-out periods of de.
cay. Indeed, we know much about
the passing of most of the ancient
Evening star., 1940-02-04
National Museum
Spatter Pictures by School
Teacher Are DISPLAYED.

Teacher Are Displayed.
A unique collection of spatter pic
lures by Daisy Dunton Roberts Of
Carpentersville, ILL.,, opened in the
north lobby of the National Mu-
scum, Constitution avenue at Tenth
street NV, on February to con-
tinue through the month. Mrs. Rob-
erts is a teacher of drawing in the
Chicago Junior School, Elgin, ILL.,,
and, seeking adventure for a class
of so boys, initiated them, and, Incl
dentally, herself a year and a half
ago into making spatter paintings or
prints. These are done through the
use of a stiff brush soaked with
water color and a piece Of wire
window screen. A design is made
of leaves or grasses or cutouts on
a sheet of paper, then the color is
evenly spattered over the entire ex-
panse. Part of the leaves or other
shapely units in the design may be
removed and the process repeated If
gradation or variety of color is de-
sired. Thus, very interesting and
surprising results can be and evi-
dently have been obtained. The best
of these are of leaves and flowers,
such as Japanese maple and dill,
Virginia creeper, evergreens, even
larkspur and violets. Obviously,
making the design or pattern is Of
chief Importance, but there must un-
doubtedly be considerable skill en-
ployed in spattering.
Mrs. Roberts has Travelled exten-
sively and lived for some time In
Japan, where in all probability. she
was influenced BY the art Of flower