davidaulloa/AmericanStories huggingface dataset:
The Wilmington morning star., 1940-08-16
BALTIMORE POTATOES

BALTIMORE, Aug. 15.-R-Po-
tatoes: Truck - N. j. 100-lb sacks
cobblers, U. S. S, 80, few IS to
100; Md, Pa, Va, 100-lb sacks
cobblers and round whites, U. S.
is, rs to 80, mostly IS to 80.
Sweet potatoes: Jersey type US,
is, $50 to LIS. Others unchanged. 8
The Wilmington morning star., 1940-08-16
NEW YORK EGGS

ID o o,os YORK, Aug. 15.-R-Eggs
~ unsettled. Mixed colors:
Id s.'y TO extra fancy q IA to Is
fire., extras 20 Sd; storage packed
din,m 10: graded firsts II -; me.
nlns II 3-4 to Is; dirties No. /,
to > 10 80: average checks 10 10
The Wilmington morning star., 1940-08-16
COTTON

LIVERPOOL, Aug. 15-R-Mod
crate business in spot cotton.
prices 16 points higher; quotations
in pence: American, strict 6 o o {
iddling $40; good middling $3.50;
strit middling 8.24; middling 8.14;
strict low middling 8.04; low mid.
Ing 1884; strict good ordinary
7.39; good ordinary 7.04.
Futures closed S to 7 higher. Oc1
7.53; Jan. 7.21; Mich. 7.08; July
1854. :
The Wilmington morning star., 1940-08-16
BUTTER N EGGS

CHICAGO, Aug. 15.-R-Butter,
receipts 1904, 545: steady; cream
cry, 90 score q IA, 9 226 3-4; 9216
Ia, 80 26, 80 Is IL, SO Is, 80
centralized CARROTS 26 IA.
Eggs, receipts 10, 754; steady;
market unchanged 3
The Wilmington morning star., 1940-08-16
NAVAL STORES

SAVANNAH, Aug. 15.-R-Tur-
pentine firm % "a; offerings 5;
sales $50 gallons; receipts "a; ship
ments 1884; stock 13, 1850. Rosin firm
offerings 1913, all sold, receipts 467;
shipments none; stock 1926.
Quote: B1.15;, D1.22; ELSA; F
1.67; G., H, I, K, ITO; M It's;
N 1872; VIC 2.20; WV 2.35; x 2.40.
The Wilmington morning star., 1940-08-16
BUTTER

NEW YORK, Aug. 15.-R-But.
ter 967, 1871, easy. Creamery: high
er than extra u 3-4 to % IL; extra
(92 score) q IL; firsts (88 to 81
rs to q IA; seconds ga to 81 "a
IA to Is 1851. 3
The Wilmington morning star., 1940-08-16
COTTONSEED OIL

NEW ORLEANS, Aug. 15.-R-
Cottonseed oil closed steady
Bleachable prime summer yellow
5.65nom; prime crude 4.5 LIB.
Sep. 4.86b; Oct. 4.86b; Dec. 5.0b0;
Jan sob; Mich. 5.10b.
R-Rid
The Wilmington morning star., 1940-08-16
RALEIGH HOGS

RALEIGH, Aug. 15.-RH
NCDA)-Hog prices were steady
today, with tops of $50 at Rocky
Mount and CTS at Richmond, Va.
The Wilmington morning star., 1940-08-16
PEANUTS

pesuftf FOLK, Va. Aug. 15.-AH
4; h'us quotations: jumbos $50 to
ID Oancn 3 10 to $50; runners 3
firm 70 ) 3-S. Market continues
5
The Wilmington morning star., 1940-08-16
NEW ORLEANS T

NEW ORLEANS, Aug. 15.-R-
Trade buying and covering advanced
cotton futures here today. Closing
prices we're steady 1 point net higher.
The Wilmington morning star., 1940-08-16
N. O. SPOT

NEW ORLEANS, Aug. 15.-R
Spot cotton closed quiet and un-
changed. Sales 105; low middling
$50, middling $50; good. middling
1925; receipts 1921; stock 543,-
176.
The Wilmington morning star., 1940-08-16
CHARLOTTE COTTON
CHARLOTTE, N. c., Aug. 15.-H
cotton 1918.
LARD

CHICAGO, Aug. IS Up Lard
tierces 4.57; loose 4.40; bellies 6.s7.
The Wilmington morning star., 1940-08-16
NEW YORK

NEW YORK, Aug. 15.@R-Live
poultry, by freight, nominal; no
sales. 81
The Wilmington morning star., 1940-08-16
STOCKS IN THE SPOTLIGHT

Spot nominal; middling (15-1l
inch) 1901.
The Wilmington morning star., 1940-08-16
MIDDLING COTTON

NEW ORLEANS, Aug. 15.-R-
The average price Of 'middling 10
16ths-inch cotton today at ten des-
ignated southern spot markets was
4 points lower at 9.97 cents a
pound; average for the past thirty
market days 1922 cents; middling
7-8ths-inch average 9.78 cents a
pound. l
The Wilmington morning star., 1940-08-16
STOCK AVERAGES

60.Stock Range Since 1920:
193s.3R 1932.36 1922
Evening star., 1940-03-10
By Harry MacArfhwr.

This week2is2an2important one, not
only because 1t Is the week you have
to make your peace with your Gov
eminent. This is an important week
also because the Ballet Russo de
Monte Carlo makes its fourth con-
secutive annual appearance In
Washington. The famed dance
group comes to Constitution Hall
Tuesday and Wednesday evenings
for two joint concerts with the Ma
tional Symphony Orchestra.
Interest in this years appearance
Of the Ballet Russo is perhaps keen
er than usual among the local
balletomanes, two of the seven bal
lets to be presented being new to
the groups repertory this year,
three more being new to Washing
ton. Only one, for that matter, was
seen last season when the Ballet
Russo came to town, this the "Gaite
Parisienne," in with he dancers also
went to town, startling the decorum
of the ballet with an enthusiastic
French can-can.
The two new ballets are Rouge
ct Noir," an abstract dance sym
bolizing mans ultimate conquest by
destiny, and "Capriccio Espagnol." !"
Leonide Massine, the Ballet Russe's
artistic director, created the chore-
ography for both, the latter In
collaboration with Argentinita, the
noted Spanish dancer.
The personnel Of the Ballet Russo
this year Is, with some few excep-
tions, the same as it was when the
group last appeared in Washington.
Massine continues, Of course, in the
role Of premier danseur in addi-
ton to his duties rs artistic di-
rector and choreographer.
Ballerinas with the company on
this tour are Alexandra Danilova,
Alica MArkova and Mia Slavenska; !;
soloists are Mini Thielade and Na-
talie Krassovska, and principal male
dancers are Igor Youskevitch, Fred
eric Franklin, Andre Eglescky, Ro-
land 0uerard, Marc splato6 and
George Zoritch.
! Missing hst seasnn 1eom. ~ ~,
Evening star., 1940-03-10
Doris Davenport
Is Liked by Fans

Audience reaction to Doris Daven-
port ut . sneak preview of Samuel
Goldvyn's newest picture. "The
Westerner." was 20 favorable that
Goldwyn decided to build up her part
and ordered three days Of added
scenes between Miss Davenport and
Gary Cooper. star of the picture.
William Wyler, director Of 'The
Westerner," Is currently on q West
Indies cruise and 50 the producer
engaged Lewis Milestone to handle
the added scenes. Milestone's last
directorial assignment was the film
version Of John Steinbeck's "Of Mice
and Men,.
THE Westerner" is q story Of the
old West In the days Of Judge Roy
Bean and Lily Langtry. The cast
includes Gary Cooper, Walter Bren-
nan, Doris Davenport, Fred Stone,
Forrest Tucker and many others.
Evening star., 1940-03-10
Coming Attractions
STAGE.

NAT1ONAL-Key Largo" the Maxwell Anderson
Paul Num- in the leading role q
night.
BMASCO5aint JOAN" with Luse Rainer
supported by cast Of Warrington Civic
tonight for weeks 4 benefit
war relief funds
Passage" arrives Friday Wind"
being scheduled Thursday night
leading role in the techncor nm adapted
Roberts' best seller.
EARE-case on the Hudson e castle being Sing sng with
cast boastng John Garfield, Meredith,
and Sheridan opens Friday stage show VIII be
Leap Year Flashes with number variety
the Roxyettes
CAPrToIIhe Man From Dakota" adventures
Yankee prisoner Of starring Wallace Bee Friday
There will be . stage bill, too.
KErTHs-Mystro attraction
attractions here Starting Thursday. The House
Cables with Margaret Lindsay and Vincent Price, and Back
Friday with Boris KaIod Bella LugoSi viii combine
the daynghts out Of you
METRoPoIITANDr Ehrchs Magic Bullet" dramatic biography
Of Of medicines notabes Friday Edward
Robinson Is Tn the leading role.
LlTTLEFfe Over Englandp tale Of Brians battles with the
Spanish Armada follows Ie Lion Wings Leading
are vven Legh, Laurence Olivier and Raymoud Masssg
Evening star., 1940-03-10

tude toward her. She was q bit
suspicious Of Brian Aherne in the
few months of his courtship of Joan,
but is now delighted to have what
she calls "a big brother"
Olivia has definite ideas about the
type Of man she would like to marry:
l. He must be a man she can respect.
2. He must be keenly interested in
whatever work he is doing. Olivia
would prefer that work to be bene-
fetal to mankind. (She has a strong
streak Of evangelism) 3. He does
not have to be rich now, but he must
be man with future. 4. He must
be 6 feet or taller. Olivia does not
like little men.
Olivia likes children, but will not
give up her career when and if she
marries Her current ambition
is to get dramatic picture roles-and
have a beautiful home She is a
good housewife, understands why
certain wines are good one year, bad
another She likes good food :.
drinks very little liquor smokes
little likes long walks-alone
sketches rather well-in gloomy,
heavy tones .. writes poetry, some
times waking up In the middle of
night with rhyme to be written,
and writes it down on the pad for
that purpose by her bedside She
is rather self-conscious and has to
force herself to walk into a room
where strangers are.
OHvia's health is not too robust
she is highly strung and loses weight
when she worries When she Is
sick she likes to sit in front of q
fire, her nightgown-clad figure
wrapped in large blanket, and hold
court with few intimate friends
Her attitude varies from fem
inine clinging to cynical independ-
ence Her favorite perfumes are
called Shocking" and my Sin" j..
She always falls in love with her
leading men-in strictly ethereal
way.
Olivia's first working intention
was to be q school teacher She
was bitten with the acting bug after
playing PUCK" in amateur theat-
ricals. A minor associate Of Max
Reinhardt's happened to see her per-
form. She asked him If she could
watch rehearsals for Reinhardt,s
Hollywood Bowl Midsummer Nights
Dream" She was made second un-
derstudy to Gloria Stuart's "Her-
mia" At the last hour Miss Stuart
had to make picture, first under
study Jean Rouverol was sick. And
Olivia was launched as an actress.
Here's hoping that the early prom
Use of her career will soon be full
filed.
tReleased BY the North. American
Newspaper Alliance, Inc.)
Evening star., 1940-03-10

are plans afoot for her to make .
aim based on Pavlowa's life.
Mini Thielade, . lovely and grace
full dancer, also is by far the most
intriguing racially Of the entire
troupe. She was born in Java Of
q Danish father and q mother in
whose veins flowed Polish, German
and Hindu blood. Her career in
cluded, among other things, term
as ballerina and choreographer for
Max Rhetnhardt's production Of "A
Midsummer Nights Dream"
Among the male dancers Frederic
Franklin Is the one you would have
been right about had you voted him
most likely to succeed when he
made his first appearance on this
side of the Atlantic ct the beginning
Of last season. Any one In Eng
land or on the continent could have
told you he was likely to succeed,
Of course.
Tuesday nights program Of the
Ballet Russo will include three of
the seven balletsE'Les Sylphides"
(the Fokine choreography to the
Chopin music), Rouge ct Noir" and
"6aite Parisieuns."
Wednesday night viii bring
'Carnaval," Fokine's choreographic
expression Of the ideas Of Schu-
manns well-nown piano compost
tions: IA Boutique Fantasque," q
Massine ballet to music by Rossini;
"Capriccio Espasnol" the other new
ballet, which Il set to Rimsky-Kor-
-sakov music, and The Bluebird.
This latter IL the popular pas de
detx," from "Aurora's Wedding, /"
presented this season as . short
advertisement, with choreo9raphy
after the original Petipa to Tschai-
kowsky music.
For al Of this program the Ma
tional Symphony viii provide the
music. DR.. Hans Kinder Win taxa
the baton for ''Capficcio Espagnol,
Efrem Kurtx and FRANK Alters shar-
Ing the conducting chore for thu
other ballets.
And II you can't wait you can "a
to Baltimore tomorrow night. But
you went have the National 0yn-
Evening star., 1940-03-10

Russian ballerina extant who
danced in Diaghilen's company just
before his death in 1929. Alicia
Markova was engaged by Diaghileff
for small roles when she was a
child, but Alicia Markova was born
in London Of an Irish mother and
an English father and therefore Is
no Russian ballerina.
She is, however, the young lady
who became England's first great
ballerina, and, like Mia Slavenska,
she too may show the ballet to mo-
ton picture audiences before long.
For, In addition to having inherited
many Of the great Pavlowa's roles,
Mile. Markova bears q resemblance
to her famed predecessor, and there
Evening star., 1940-03-10
First Shots
Attention
Openings of Films
Being Treated
With Novelty
HOLLYWOOD,

dOLLYWOOO.
Movie openings today are receiv-
ing the attention which scenarists
for years have been expending on
fadeouts. Novel hrst shots are COM
ing into vogue.
waterloo Bridge" starring Vi
wen Leigh and Robert Taylor, will
open on . murky fog without actors.
Suddenly, comes the voice Of . radio
announcer and 1t becomes apparent
this is . London blackout of today.
The fog clears slightly to- show q
loudspeaker over . shop door and
group Of strained faces listen
ing.
THE Grapes Of Wrath" opens
without music with Henry Fonda
walking toward the camera along q
dusty road. Gone With the Wind"
began with wind-blown letters across
a landscape. The fade-in for
Twenty Mule Team" vii! be q pano-
rama Of Death Valley with q tiny
pun Of dust looming in the dis
tance, q mule-drawn wagon gradual
ly drawing nearer.
Strange Cargo" begins with solid
blackness. A ray Of light penetrates
and picks up two eyes which come
forward until the dim, bewhiskered
face Of Clark Gable Is seen. "Lil-
liam Russell" opens on Abraham
Lincoln taking Office as President
Of the United States to establish
the fact Lillian was born In 1861,
the year Lincoln took ONCE.
Almost the entire 1rst reel of
"The Ghost Breakers" viii be played
in Q thunderstorm with the picture
opening on nothing more than
lightning flashes above an eerie SET
ting
Evening star., 1940-03-10
New Dances Eniven Ballet Russo Program This Week

and missed very much, was Mia
Slavenska. Mile. Slavenska, you re-
call, is the young lady who took
her art to q far wider audience
when she played the leading role
in the motion picture, "Ballerins,"
which ran weeks and weeks at the
Little locally.
The others are equally well known
TO the ever-increasing number of
ballet minded, at least, II ont to the
vast motion picture audience of
"Ballerina." Danilova, for instance,
is making her seventh consecutive
tour Of America with the Ballet
Russo. Another distinction she
claims is that Of being the only
Evening star., 1940-03-10
Don Ameche
Emerge
Victorious
If He Wins He Will
Be First to Beat
Studios in Years
HOLLYWOOD.

Studios have whipped insubordin-
alton almost 100 per cent In the
past few years, but it appears now
that Don Ameche will chalk up q
victory In his current battle with
Twentieth Century-Fox.
Ameche refused to accept q loan
out for what he charged was an
unsavory role and was promptly
taken of the salary list. Then the
studio discovered he was needed
badly for retakes on Lillian Rus
SELL" an important musical Don had
just finished before the quarrel.
Without Ameche's return 1t Is doubt
full whether the film can be re-
leased. Therefore a reconciliation
scene Is said to be definitely slated.
II Ameche gets his back pay,
escapes settlement on a 1000
damage claim made by Paramount
for his default" and is restored to
his old good graces on the lot 1t
will mark the first time In four
years or more that q studio has been
beaten in player alterations. Bette
Davis, Marlene Dietrich, George
Raft. John GARFIELD. Myrna 10y,
Hedy Lamar and Jimmy Cagney
are q few Of those who know.
But it wasn't always thus. In
the silent days the star ruled the
studio, and with an iron hand.
Gloria Swanson and Pola Negri
made life . nightmare for gents up
front and seldom issued an ulti-
matum that wasn't obeyed to the
letter.
In 1928 q million dollar picture
was jeopardized when an important
feminine star, Jealous Of the breaks
she thought . supporting player was
getting In the close-ups, walked out
in the midst of the production. The
studio was In an uproar as the star
packed up and fed to New York.
An anguished vice president SET OF
In hot pursuit and after two weeks
ofspleading and promising-with the
overhead raging at $40 900 a day-the
star consented to forgive all and
return. But when shooting was re-
sumed the stars salary had been
raised 20 per cent. Also they started
the film from scratch-with the
actress who had aroused her dis
favor removed from the cast.
In the past five years Hollywood
studios have successfully ganged up
on actor temperament and the
player who disobeys orders, walks
OF the lot or. otherwise incurs 'front.'
ONCE displeasure, has approximately
l chance in 50 Of making his argu-
ment stick. So Hollywood today is
full Of disgruntled players, mumbling
and threatening under their breaths
but holding their tongues In the
boss presence.
0sieased b. the North American
Newspaper Alliance. Me.)
Evening star., 1940-03-10
More Hardy Yarns

Sinclair Lewis, author Of Main
Street" and other outstanding novels
Of American life, has been signed
to write two original stories for
the Judge Hardy Family series. His
signing Is In keeping with the studios
policy to have stores for Americas
typical screen family written by out
standing authors Of Americana.
Katharine Brush Is engaged on an
othed story for the group.
Evening star., 1940-03-10
Keovy
Continued From First Page.)

have to be from some place other
than Hollywood"
Being tall and shapely and model
like, Doris got on as a model for .
year. The inevitable film scout saw
her and she got a test. One test led
to another and at last she returned
to Hollywood-a near-personality.
One picture seldom makes . star,
and Doris, having been around long
enough to realize this, is not begin
ming to wonder about deductions in
her 1941 income tax report. She's
still not accustomed enough to her
new station to forget about the hard
ships Of her six-year training Pc
riod," but she says she learned things
during that time which came In
Evening star., 1940-03-10
Irwin Shaw Signed
For Script Chore

Irwin Shaw, author Of BURY the
Dead" and ''The Gentle People," has
arrived In Hollywood to- begin activ-
ity on the forthcoming Loew-Lewin
production. Mothers and Sons.
This film is the third major produce
ton on the Loew-Lewin schedule for
United Artists release during the
coming season, the other two being
"Flotsam," by Erich Maria Re-
marque, and Might Music" by Clif-
ford Odets.
Evening star., 1940-03-10


them just before LaCava shot a scel
The picture is Primrose Path, /"
made for r. K. o. Radio, co-starring
His method was simplicity Itself
the participating players what he
called their tentative lines" He'd
ask them to think it over, then
make suggestions.
Two scripters and a stenographer
then would take notes on all that
was said. After the conference, La
Cava, the screen writer's and the
stenographers would retire to an
auto trailer parked outside the set
and redraft the dialogue and the
business"
I'm trying for a live picture with
real people in It," was LaCava's ex-
PLANTATION.
To his players, at the beginning,
LaCava impaired a general outline
Of the story of Primrose Path" It
revolves about the fortunes Of q
family living in sorry environment
on the wrong side of the tracks In .
California seaside town.
Characters include an aging
grandmother with vivid past
(Queenie Vassar) her daughter, who
gets along rs best she can In mans
world (Marjorie RambeauD; the lat
ter's husband, a no-account fallen
from aristocratic heights into the
depths Miles Mander) their daugh-
ter, badly handicapped In the battle
(Ginger Rogers, and the gas station
youth down on the waterfront with
whom she falls in love (Joel Nc
Crea).
you've got to live these parts"
said La Cava. you've got to think
them. I want you to give"
La Cava, who began as q news
paper cartoonist, has the inquiring
reporter in his blood. He wanted
his characters to speak in the idiom
Of their kind.
mo literary language" he said.
He looked over his two writer's.
Allan Scott, who carries the major
task of interminable rewriting and
polishing of dialogue, is an amiable-
looking gentleman with tumbled
hair, mustache and general archi-
tectural lines somewhat reminiscent
of Woollcott. Him La Cava ruled
out.
you're not the build for adven-
ture," he said. Anyhow, q woman
can get around better"
What he planned was to send q
writer, dressed for Summing, into
water front resorts of San Pedro,
the Los Angeles harbor district, and
Monterey, fishing port in the John
Steinbeck part of California. So he
gave the assignment to Winifred
Kay, chic, smart, eagle-eyed, with q
nose for news.
She returned after many weeks,
with fat notebooks crammed with
invaluable idiomatic language. You'll
hear the reverberations in the pic
ture.
Lean La Cava, with his humor-
some face and sharp eyes under
overhanging. heavy brows, kept up
his program right to the end. The
Evening star., 1940-03-10

handy when, Is . somebody instead
OF one Of the mob, she was given
the opportunity to emote.
AL can say" she concludes mod
estly and honestly, "is that I'm .
terribly, terribly lucky girl"
The Goldwyn folks quote their
master, when he learned this girl
changed her name and her occupa-
ton 50 she could come back to COM
mand some attention, as saying that
he picked her for her ability alone.
You'd better be good. Doris.
Evening star., 1940-03-10

last scene contained four short
speeches-two by Miss Rogers, two
by McCrea. They didn't know what
they'd be until La Cava handed them
their slips the morning he planned
to shoot.
And then the speeches came out
changed.
Miss Rogers made Q suggestion.
McCrea made another.
Swell" said La Cava - and
adopted both.
Evening star., 1940-03-10
Shooting From the Cuff
Gregory La Cava Films Picture
With No Dialogue Script
HOLLYWOOD.

Gregory finished picture producing
he farther than before shooting
his players script beyond
them just before LaCava shot
made for O. Radio costaring
His method simplicity hand
Ohio Waisenfreund. [volume] (Pomeroy, O. [Ohio]) 1874-1953, 1940-09-18

ititarier berpflidteten lire NaiigIieoer
freilib nidt oa5u. Hraftiib aber tp,,r-
De biefes @eliiboe audi bon bielen
Weitglieoern oieIes Orbens beobabtet.
europa mar fbpad unb burb inneren
Saoer gebilnoen. gs iab al, tpie Sal-
fenbe bon Gbriiteniflaben a,igr,1noe
ginget. als BortugaI, Spanien ,,no
Jranfreid in Den aiiitenseeenoen seit-
tpeiie ibren politiiden @influB aus-
bebnten, fonrten Srbensleute (aapu-
5i11er, Seiuiten, 5ran5isfaner) ben
i,t ben 8agnos (Sflabensefdnsniiien)
idmadtenoen gbriiten feeliorglide
Silfe brineen. Ser Sulton Mulep
Ohio Waisenfreund. [volume] (Pomeroy, O. [Ohio]) 1874-1953, 1940-09-18

Sie fran8oiiid)e &epol,ation, sic Sic
uMenidenrebte" auf ibr 8anner
ldrieb, itoppte oie @elobilfen fir sic
Gbrilteniflaben ab, na6oem bisber &C.
raoe 6as 5raufreid) zines Gin5en5 bon
SAUL 10 biele 0tittel fir sic @efon=
genen o,fgebrad)t bate. Sr Noro=
afrifa ielbit madten sic nerlen fran=
s0iii6en Standardization oem 8es
frei1,ngstperfe ser &ir6e oue m0gli=
den S6tpierigfeiten. Gs ipar Die
Gorfriiblinesbliite iener fran50iiiden
2aienpolitif, Sic inn Sobrbl,n0ert bon
1880 Bis 1880 Sen i6ma6pollen
3mang bes Observation-Disclosures
mus (@ufnabme bes Slams ais TO-
loniale Staatsrelieion 1lno s(usiiblng
ser Staatsmiliion 5ugllnltcn oes
Silam) 5eitiste.
@elde Geftenfir6e ooer ipelde &C.
ieui6aft bat ie cine iold) oufopferroe
Edtigfeit allm beiten ser Menl6beit
altf5l1tpeiien?
Ser eegenpdrtige 8olferfonflitt bat
neue @efabren beraufbeldmoren, bie
ben 8eitanb 1lno m0gli6ertpeiie Die
griiten5 bieler afrifaniiden Miiiionen
ernitli6 beoroben. 8ei Musbru6 bes
gegenpartisen &rieges in europa
in ben fronaofIden un6 eng
HIden &olonialeebieten Miiiionare
Ohio Waisenfreund. [volume] (Pomeroy, O. [Ohio]) 1874-1953, 1940-09-18

oelltfder Ibfunft tempordr ausge,pie.
fen uoer als Mnslanoer inboftiert.
uuroen aber fpdter ipieber freiseloi.
len nnb fonnten ,,neeltort ibrer ape-
itoliihen Gdtigfeit iid tpiomen.~ aber
bie namentlih aus Sranfreid uuo
8elgien suflteBenoen Miiiionseeloer
floiien tpdbrenb ser &dmpfe nnb I'm.
ruben in @eite,lropa immer iparlider
,,no baben faf gang aufgebort, iooab
oer Mangel an @elomitteln uno not.
tpenbi9en 3ufubrartifeIn foit gan3
allfgebort bat. 9ie grobte @efabr aber
brobt oem 9eltanoe Der Miiiiouen,
namentlid) 1T oen friibern oe,,tiden
&olonialgebieter, ipenn oieielbe na6
bem arieee in sic Sdnbe elmer Ste.
gierung geratcn iollten, bic I'M Mut.
terlonoe Heligion llno Stride pcrfolgt.
9os piiroe NIT cincm Sdlage bie
frl,btborelt, 1tntcr groBen Spfern er-
rlmgencu Niliionscrfolge olf lu1ab.
iebborc 3eit perritJtcn.