davidaulloa/AmericanStories huggingface dataset:
Evening star., 1937-11-19

S. 0. S.
SCORES TO CHOOSE FROM
Al! Makes
All Sizes
All Body Styles
See Our Today's Bargains
Sterrett Operating Service, Inc
80 NJ ST NE Metropolitan O5O5
T r u C. S
Evening star., 1937-11-19

DODGE 1887 de luxe door touring sedan.
Drive this 3, around the block. you'll
marvel at It's nearly new condition and
performance. JUS nicely and rightly
bfoKen N for the new-car buyer, vet may
pc bought al great saving Beautiful
polSchromaUc ereen finish. all dual equip
!nehl. raclo, tailored seat covers. extremely
low mileage tires show hardly any wear
pncor ditionally guaranteed: >.o5 II, b
IearY Jr & Bros. 1871 14th st, NV.
Potomac 1900. Open evenings
Evening star., 1937-11-19

PLYMOUTHS t3D. 1874 ue luxe sedanS. all
finished IN gun metal tires. upholstery are
IN splendid condition. This is considered
Price. S3'?5. Also 81, 81 70 and -,
coupes and Sedans in Plymouths Call Joe
CookSey. Duke g. Otey Motor Co. :iti5
III q Ia e
Evening star., 1937-11-19

OLDSMOBILE 1887 5-passenger touring
sedan, cylinders. dark blue paint perfect
upholstery, excellent tires. de luxe radio;
mere Is one clean car, you cannot tiud
Detter value at SS.5. c. c. c. guaranty
Capitol Cadillac Co, l..., Ind ST. NV
Ma a1ional $500 Open Sun. and eve.
OLDSMOBILE 1885 5-pass. touring coupe
excellent sray paint. all good tires. clean
upholstery and splendid motor This
car Is priced low tor quick sale S:tIi
= e. Z; suaranty. CaplloI Cadillac Co
md 81. NV. Nat. $500. Open
Evening star., 1937-11-19

HEVROLET town sedan. 1883; like new
20. 1000 10Th st. Sc. AnacoStia. D. c.
I tlantir cb"1-I - -
Evening star., 1937-11-19

OLDSMOBILE 1885 5-passeneer tourlne
coupe, eXce!lent black paint. Spotless up
hoistery all 5000 tires. splendid motor
ihlS is certainly a Clean car and priced
low al si45. c. c. {. guaranty. Capitol
Cadillac Co. 1872. 23nd st. NV, Natl
$500. Open Sun. and eve
Evening star., 1937-11-19

PACKARD 1881 1-pasS. limousine. the
oriRlnal oWner turned this ca. IN in un-
usual condltion; black paint. 6 wheels, de
rae. ltAe equipment; s. -. c, c.. c. guaranty
SapIlot CaolIIac Co, l222:,, IND ST. NV
Natl. $500 Open Sun and ave
Evening star., 1937-11-19

PLYMOUTH 1924 sedan: economical trans
portaticn at low cost splendid family car
that's o. K. throughout; only S"91. Lee
n P,If1ar st
Evening star., 1937-11-19

PLYMOUTH 1898 .,-door sedan S"o5 600.
good paint and tires. motor perfect. Kear-
ney Motors, Inc, 4433 Conn. ave Clev
nSSS
Evening star., 1937-11-19

CHEVROLET 1892 coach. excellent paint.
lireS. upholstery; perfect mechanically;
acrihce: $50 90. II I ST. ne. Decatur
U3Hi. Miss RiVenbark
Evening star., 1937-11-19

DODGE 1896 5-passenger. .-door tonrinv
sedan: large trunk. excellent blue paint
al good tires. spotless upholstery splendid
motor. thlS car represents real value at
S4o5. c: c. c guaranty Capitol Cadillac
70. Ind ST. NV. Natl. $500
Oven Sun. and eve
Evening star., 1937-11-19

CHEVROLET 1881 coupe, excellent cond.
thIou2hout. eood motor, tires; sacrifice,
~" CASH Owner. Shepherd 1850.
CHEVROLET 1888 station wagon. perfect
Condltlon, cheap w. S. Domer Co. |
Dupont Cnlle I "
Evening star., 1937-11-19

CLDSMCB1LE l?3G business coupe. s cylin.
derS, perfect black paint. spotiess uphol-
stery, excellent tires. splendid motor; q
cle"r car in every respect; S515 G c C
guaranty. Capitol Cadillac Co. l"o', "nuc
Evening star., 1937-11-19

PLYMOUTH 1894 coupe P. F. de luxe. dark
blue finish. excellent condition: Soa5 90,
terms. Kearney Motors Inc, 4432 Conn
Evening star., 1937-11-19

PLYMOUTH lg3' de luxe coupe. must sell
Immediately: fawless condition through
out, motor Just overhauled; Sl35. Cleve-
Evening star., 1937-11-19

FORD 1888 convertible sedan, Ieht tan
finish radio. thoroughly reconditioned and
9uaranteed; $4,000. Warfield Motor Co,
DO sherman ave. NV. Adams 5000.
FORD 1898 de luxe Tudor the best buy
you can get for $3.50 Car No RS
Arcade Pontiac Co. 141a Irving ST. NV,
ADAMS no13 or used car lot At New York
Evening star., 1937-11-19

PACKARD 1898 J-pa ssenger coupe model
lool. u wire wheels black paint fine
clean upholstery: all good tires this car
certainly represents real value at $50.
C:C. {: guaranty. Capitol Cadillac Co.
l.,s', Ind ST. NV. Natl. $500. Open
Evening star., 1937-11-19

OLDSMOB1LE 1890 convertible coupe; top
new. , new tires. engine Al; private
owner cash, so. See Walter V. Bailey,
lSol Belmont rd. NV. after q pm 2l.
OLDSMOBILE 1896 go trunk sedan:
radio: $50. Lincoln 9S44 ol'
Evening star., 1937-11-19

PONTIAC 1888 de luxe coach: a perfect
car throughout; see 1t today. Ask for car
No. 694. Reduced to S1a5. Arcade Pom
tiac Co.. 1419 Irving st. NV. Adams 0575,
or our large used car lot at New York ave.
and Bladensburg rd ne. Lincoln 1922.
Evening star., 1937-11-19

DODGE 1896 sedan: driven very little.
neW-car condition and appearance in eyerv
detail; many fine, features including all
S.eei body. hydraulic brakes. floating power
enelne, etc real fine car at real low
Price; S359. L. P. Steuart. Inc. 1925
Evening star., 1937-11-19

FORD 1892 Tudor: real buv for only
n93; act quickly. Car No. R-"5. Arcade
%, or used car lot at New York ave.
and Bladensburg rd. ne. Lincoln s522.
Evening star., 1937-11-19
BARGAIN

Ford 1887 pickup red. 6 600 miles:
with fire theft. liability insurance 10
grease Jobs free. Small down payment.
Price. 1896. Gail Potomac 5SO5
Evening star., 1937-11-19

CHEVROLET 1884 master 4-door sedan:
hurry here for this fine Chevrolet; in best
OF condition mechanically and in appear
aance; worth at least $50 more: only $3Ib,
L. +. Steuart. Inc. 1925 14th st. NV.
CHEVROLET 1894 sedan perfect car for
only Sl95, a. P. c, guarantee. Car No.
NV. Adams o515, or used car lot at New
YORK ave; and Bladensburg I'd. ne. Lin
Evening star., 1937-11-19

FhChHRD IN3W trunk sedan: perfect
condition; guaranteed 30 days; $685.. Jer-
man-Chapln Motors Inc. A5,7 Ga ave
PACKARD 1897 t6i two-door trunk sedan.
AL. 10000 miles; private party must sell
Evening star., 1937-11-19

PLYMOUTH 1885 de luxe touring sedan
new tires low mileage; Sii5 National
of
Evening star., 1937-11-19

FORD 1882 Tudor; go h.p: Jet black fin
iSs, new low mliease; tires upholstery just like
new. motor perfect; new-car terms and
guarantee. e. Triangle Ford Dealers. No .
y: T. ave. NV. National 1882. Open sun
DAYS and evenings ~
Evening star., 1937-11-19

CLDsMOB1LES 1895 2-d6or touring sedan;
large trunk, motor in excellent condit ION
fine rubber. very clean interior: unusually
Ilne car for only SAB, Butler bonded y
Lee d. Butler, Inc. 1l31 18th ST. NV
Open evenings and SUNDAYS
Evening star., 1937-11-19

PACKARD l"0-B 4-door sedan. ly3f.
original black finish unmarked and tires
practically new show that this car has
new-car appearance and performance: any
aemonstratlon you desire. Butler Bonded
az N0ol. Lee D. Butler. | LIZ Nth 81 II W
Evening star., 1937-01-09
ORGANIST TO GIVE
RECITAL MONDAY

DIETRO YON, organist and music
director of st. Patrick's Cathedral,
New York City, will give an organ
recital at the Sacred Heart Church on
Monday at S:15 pm. under the aus
pices of the District of Columbia
Chapter of the American Guild OF
Organists
Mr.. Yon was born in Settimo Wit
tone piedmont, italy,. He was gradu-
ated from the Academy of st. Cecilia,
Rome, with full honors in organ, piano
and composition. and was awarded
the flrst-prize medal of the academy
and a special prize medal from the
Italian minister of public instruction.
Aside from his work as a composer
Mr.. Yon has won fame as a concert
organist throughout Europe and Amer
lea. For more than IS years he has
worked untiringly toward making the
organ known as concert instrument.
In selecting his programs he draws
only from the wealth of original Or
gan compositions. and yet his appeal
is not limited to the trained musician.
On Monday Mr.. Yon will play
Bach's Concerto No. q" Choral
Prelude in G Minor" prelude and
Fugue in A Minor" Franck's Piece
Heroique." Bossi's Ave Maria" his
own "Gesu Bambino," Echo" and
First Concert Study" and Guilmant's
First Sonata"
Evening star., 1937-01-09
InS tt tute
Of Music In
New Home
Building Is Occupied
and Artists Added
to the Faculty.

rLIMAXING four years Of steady
~ growth since merging with the
Institute of Musical Art. Inc, the
Washington Musical Institute, Inc,
has moved to new and permanent
location, 1880 Sixteenth street north
west.
The building to which the institute
goes is admirably suited to the needs
Of an all-music school. 1t will make
possible the extension of work in
many ways hampered in the previous
location. The studios are spacious and
a great hall of real beauty is splendidly
adaptable for recitals, lectures and
parties.
Weldon Carter, pianist. as president
and director. leads a faculty Of high
order. DR.. Edwin N c. Barnes. of note
in the field of public school music, is
dean.
Recent additions to the faculty in
clude Charles Davis, M. A, in piano
theory and cultural subjects; Paul
Simmons Of New York City in voice,
and, by afflliation, Marian Chace,
well known in Washington circles as
teacher and solo exponent of the
Denishawn technique.
The faculty comprises Weldon Car
ter, Louis Potter, Charles Davis, Ros-
lyn Carter Craven, Gertrude Dyre.
Marguerite Davis and Winifred Cham
berlain, in charge Of piano work;
DR.. Edwin N. c. Barnes, public school
music method and allied subjects:
Hendrix Essers and Marguerite Car
ter, violin and viola; Sidney Hamer,
cello: Edgar T. Paul, Paul Simmons.
Ruby Potter, Vera N. Ross. voice;
Paul Garrett, woodwinds: Sylvia
Meyer, harp; Karl Holer and Charles
Davis, theory; Rebecca Dial, express
sion; Walter Howe, percussion, traps,
xylophone; Marguerite Carter, Helen
Lyon and Charles Davis, appreciation
and history.
Announcements Of the opening re-
citas are being issued. A faculty.
artist program will open the series
Thursday at 8 pm. Hendrix Essers
of the faculty and Mary Paul Free
man graduate pupil of Weldon Car
teri will play. Edgar T. Paul will
present Margaret Hatfield (Baltimore)
and Paul Simmons will present Aimee
Ponchon New York City,.
Senior and Junior recitals will fol-
low. The last programs will be pre-
sented by pupils of the Marian Chace
School Of the Dance, formerly located
at 1712A street, now becoming affil-
lated with Washington Musical Insti-
tute. Miss Chace will present pupils
in solo and group numbers.
Evening star., 1937-01-09
SEGOVIA TO PLAY
IN ANNUAL RECITAL

A NDRES SEGOVIA, the sensational
guitarist, who will arrive Janu-
ary 80 in the United States, for his
sixth American tour, will give his
third annual recital in Washington
on Wednesday, February 3, at 8:45
o'clock at the Willard Hotel. small
ball room, and introduce new COM
positions which have been dedicated
to him.
Technical difficulties do not exist
for Segovia; he can play on the
guitar the great violin masterpieces
from the repertoire of Kreisler and
Heifetz, or those from the repertoire
of Pablo Casals, the great cellist, upon
whose recommendation Andres Sego-
via was engaged for his first American
tour in 1928.
He played five concerts to crowded
halls in New York and IL in Boston,
returning the following year for a
coast-to-coast tour. Since then Sego-
via has been heard in all parts of the
world, travelling continuously 10
months Of each year. While on tour
there is hardly an hour during the
day that Segovia does not practice;
he invents new combinations of fln-
gerings, which are the secret of his
consummate mastery of the instru-
ment.
The concert will be under the man
agement of Concerts Intimes, Elena
de Sayn, director. Tickets are on
sale at the Talbert Ticket Agency, at
the Willard Hotel. at the studio Of
Sophocles Papas and at the May
flower Hotel.
Evening star., 1937-01-09

All-Russian Program
Is Choice of Symphony
Characteristic National Touch Is Given to
the Selections Made by Local Organi-
zation for Program of Tomorrow.

traits In the violin concerto Of Tchai-
kovsky which will be played by Ro-
man Totenberg, the young Polish vio-
linist. The work, at first considered
too difficult technically, now is part
of the repertoire of every great violin
virtuoso.
PROKOFIEFF is, to me, a conglom-
Grafton of all the different trends
in Russian music of today. A pupil
of Stravinsky, Partisan by adoption,
a cosmopolite in breeding and in fact,
at first regarded as strongly OF the
avant-garde in general, he also re-
mains Russian to the core. We will
play four excerpts from his opera,
The Love of the Three Oranges"
witty, splendidly made. brilliant
pieces in an idiom which Is years
ago was considered very modern"
and which were evidently inspired by
Stravinsky's Fire Bird" music. 1t
will be OF great interest to see which
works will yet come from the pen of
this extraordinarily prolific and
sometimes first-rate composer.
The three dances from the Nut
cracker" Suite (Arabian, Chinese and
Russian Dances need no particular
elucidation as they are among Tchai-
kovskys best. and best-known work
more objective. less full of self-com-
miseration than, for instance. his
symphonies. They are done with his
usual fair for instrumental color,
ability of creating. with slight means,
charming mood pictures and the per-
feet workmanship which betrays the
master.
But 1t Is in Moussorgsky's music
that the grand art of Russia has
reached its highest mark! Moussorgsky
is musical genius personified. Every
note he has written proves this. In
dividual, with depth and originality
such as Is rarely found even in the
greatest. he has not yet come into
the position which rightfully belongs
to him. His songs alone should give
him place with Schubert and Schu-
mann and Brahms and Hugo Wolff.
And his operas, and among those,
especially Boris" by rights make him
belong among the giantS of all music.
OF Boris" We play the evective
introduction, the coronation scene,
and the love episode, which he in
terpolated after the opera itself was
finished. They are among the high
points of this work of genius, and that
means all music as well.
Evening star., 1937-01-09

grams OF the Draln CflllQTen VI SeIlluS.s
Yet for music that binds the hearers
together in special harmony, that
speaks with an intimate voice Of the
essence of beauty, nothing can compare
to chamber music. whether limited to
the usual four instruments, two violins,
viola and cello, or allowing the addi-
ton of blending tones Of other instru-
ments.
1t is encouraging to notice that the
idea that chamber music is the ne plus
ultra of music, and therefore only to be
really appreciated by the highly edu-
Gated in music, is rapidly losing ere
dence. Why such belief regarding the
music that was originally created for
intimate performances should have
gained ground is hard to understand.
Yet many music lovers, who will claim
appreciation of the great symphonic
works, still insist that chamber music
Is beyond their comprehension. AS a
matter of fact, the compositions of this
musical category had their basic in
ception in the elements which naturally
appeal to all people-melody and
rhythm.
MOT only the simplicity of design,
which is the rule in the majority
OF works written for string instru-
ments, particularly by the earlier
masters, but the fact that the small
number of players, in contrast to the
orchestra. considerably clarifies the
harmonic plan, so that it is read
lily grasped and in consequence
more thoroughly enjoyed, should
count for something. Whereas to
the musical amateur the confusion
of the orchestral voices in the
intricate material designed for them
may be responsible for the often
heard remark that Il do not
understand such music" the less
complicated form of chamber music
should give them the keen enjoyment
they seek.
The four string instruments that
are usual in chamber-muSic con-
certs represent the full range of tonal
color and are therefore capable of
the widest and deepest expression.
The sound is soft and harmonious,
serving to awaken responding chords
in the listeners soul, yet also a me-
dium for full dramatic effects. Cham
ber music is the very basis of the
highly developed musical forms of the
present time, the forerunner of the
great symphonies and of the noblest
creations for the piano. The great
masters of composition found in the
smaller compass of this form a per-
feet channel for the most poetic dis
course.
The picture that comes to mind of
the long-ago years when chamber
music was in truth played in a
salon is a charming one. The patrons
of music, noblemen of the realm,
were won't to gather select audi
ence in the coZy intimacy Of their
homes to listen to the four musicians
who were usually proteges of these
rich men. Continually in their serv-
ice the musicians were there to re-
spond at call when musical entertain
ment was desired. There was always
a birthday to be celebrated, an ami
versary of some kind or some social
event to be enlivened with music.
To the love Of music of these social
Evening star., 1937-01-09
In Local
Music Circles

nELPHINE DESIO, 'cellist with
Dorothy Todd, accompanist, will
play in Harrisburg, Pa, on Thurs
day. On Monday Miss Desio and
Mrs. Todd will take part on the pro-
gram to be presented at the January
meeting of the Washington Alumnae
Club of the Mu Phi Epsilon Music
Honor Sorority. On Wednesday
Delphine Desio, assisted by Rose
D'Amore. will play for the Felicia
Rybier Music Club.
The program for the music hour at
the Y. w. C. A. tomorrow at 5 o'clock
will be given by Winifred Howell Ar
taud, pianist. She will include in
her program the following: Cha
conne," Bach Busoni; Double
Etudes," Chopin; "Leibestraume, :"
Liszt. The public is cordially invited
to attend.
The pupils of Florence Vincent
Yeager were heard in their annual re-
cital during the holiday season at Mrs.
Yeager's home, 210 Jefferson street
northwest. Those taking part were
Carline, Virginia, Lillian Chandler;
Martha and Jack Jackson, Betty and
Billy Phillips, Mildred Beahm, Rose
mary Lennon, Dorothy Jean Decker,
Margaret Ann johnson, Betsy Lipp,
Nancy Repass, Seirlla Hinson, Harriet
Perry, Helen Miller, Charlotte Wenzel,
Norma Cruise and Martha Jane Orr.
Lilly Garrett, contralto; Susan Oil
yer, soprano. and Ann Farquher, cel-
list and pianist. will present the pro-
gram at the Friday Morning Music
Club on Friday, at 11.:30 am, Barker
Hall, Y. w. C. A.
John Tasker Howard, prominent
musician and author, will speak at
Trinity COLLEGE today.
Evening star., 1937-01-09

join the American Opera Co., where
he sang the leading tenor roles.
The following Autumn he went to
Europe to make his debut in But
terf1y," at the Kroll Opera, in Berlin.
After several appearances in Berlin
he was engaged for the Vienna
Opera, coming from there to the
Metropolitan.
HnDA BURKE, young star Of the
- Metropolitan Opera Association,
was born in Baltimore and received
most of her musical education in her
native city. Her early successes were
achieved in Baltimore, where in 1924
she won the Municipal Civic Opera
contest, an honor which resulted in
her debut as Santuzza in "Caval-
leria Rusticana" with the De Fec
Opera Co.
The next year her big chance came,
when she was engaged as leading
member of the Chicago Opera, max
ing her debut in the production OF
aida" which opened the company's
new home.
Later Hilda Burke followed her
American triumphs with similar sue
cesses abroad, making her European
debut at the Royal Opera House Of
Liege, Belgium. The elimination Of
the singers brief but brilliant career
came last season, when, newcomer
to the Metropolitan Opera roster, she
was hailed in a variety of operas,
among them Butterfly" "Pagliacci"
and the English production Of "Gi-
ami Schicchi."
Evening star., 1937-01-09

leaders we owe the best that exists
of the earliest writings for a small
group by the composers whose names
are held in reverence today.
A T FIRST, the dances of the day
and the popular songs Of the
people were utilized as basic material
on which to create the instrumental
form. Gradually the scope Of the
form which Haydn had perfected
broadened until Beethoven and
Brahms forsook the old formula in
many instances to give vent to the
unceasing inspiration that needed a
wider scale of expression. With the
marvellous compositions for string in
struments that came from the pens of
these geniuses, the destiny Of cham
Der music enlarged to undreamed-of
proportions. From the small circle
Of musical devotees, who first en-
joyed the melodious and charming
works of the first writers of salon
music, the number has grown until
today a full concert hall is the rule
for chamber-music concerts.
Because of its beginning, chamber
music was long considered too deli
cate in volume to be heard to ad-
vantage in a large hall. This idea
has also undergone a change and
it is found that nothing is lost, except
the charm of surroundings. in pre-
senting four players in regular con-
cert hall. When any of the other
instruments that composers have de-
lighted to bring into the close circle
of string instruments. such as the
harpsichord, piano, horn and clarinet,
are used, the effect is sonorouS enough
for the largest hall.
CHAMBER music has always been
~ the delight of solo artists, and at
some time or other. publicly or pri-
vately. they have tried their hand
at it. In playing chamber music,
artists of the stringed instruments
do not lose their individuality, but
enhance it by the inspiration that
comes from the close association and
the mutual endeavor to present work
of art. Four minds must think as
one-in a quartet, for instance-yet
they are so independent that their
artistry stands revealed at every mo-
ment. One careless or inartistic
player can ruin the finest effects, but
four serious artists, realizing their in
dividual responsibility, taking pleasure
in emphasizing the beauty of phrase
in coming forward when given the
opportunity to draw attention to the
particular voice of their instrument
and at other times blending smoothly
and harmoniously in the color of the
whole, can provide treat not to be
equaled in the musical season.
Rather than placing chamber music
at the summit of musical achieve
ment. in an atmosphere of eruditior
and exclusiveness, it should be con-
sidered the first step in becoming
acquainted with great musical thought
and form. A community in which
chamber music concerts figure prom
inently and often in the musical
schedule will have found the shortest
road to a full appreciation and love
of the great and all-encompassing
art Of music.
Evening star., 1937-01-09

general single title of The Blond
Marie"
The music for this program was
written by Trudi's gifted musician
brother. Paul Schoop, and it will be
played on two pianos by Lothar Perl
and the composer-Paul Schoop. The
costumes were designed by Prof. Oscar
Schlemmer.
Reservations for this event can be
made at the box Office, National
Theater
Evening star., 1937-01-09

Dv RacnmanlnOu anu inspired Dy Lle
poem by the great American poet
Edgar Allan Poe-"The Bells" This
will be the premiere performance in
Washington of this work.
DR.. Harl McDonald'S. widely re-
nowned chorus of $50 voices-the Uni
versity of Pennsylvania Choral So
ciety-and three young singing soloists
Agnes Davis, soprano; Fritz Kruger,
tenor, and Elwood Hawkins, baritone
will assist the orchestra in presenting
this work.
The remainder of Tuesdays program
will be devoted to Rachmaninoff' s
Second Piano Concerto in G Minor
for Piano and Orchestra" with the
composer at the piano.
Reservations can be made at the
Smith Concert Bureau, 910 G street.