The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-01-25
Widow From Monte Carlo
at Apo!Io-CirCIe Has
Another Face

several daring feats. The act is
billed as the Three Flames"
That smart little jackass, Uno. is
back again with his master, Red
Donohue. This donkey is one of
vaudeville's most intelligent per-
formers. He creates comedy situa-
tons equal to and surprising many
man made schemes.
His kicking is top-notch terpsi-
chore and he seems to like it. So
did the audience yesterday.
A bright spot on the program
comes with the stout Don Zelaya,
who also plays the piano. He makes
quite speech against jazz, and
plays Kreisler's Funeral March" in
nice jazz tempo arrangement.
Then he plays I'm in the Mood for
Love" as Mr.. Kreisler might have
written it.
The less said about the Lynn
Burno revue, the better. They don't
ever seem to get going with their
act of Indian dances, tap and So
prano singing.
"ANOTHER FACE"
That new menace, Brian Don
levy, gets his face lifted in Another
Face" at the Circle, and like no
smart crook, leaves a witness alive
and goes to Hollywood, trying to be
an actor. But like no intelligent
gangster we ever heard of, he lets
the most likely "squealer" walk right
out of his life. She, the nurse at
tending while his features were
Strengthened, proves his undoing.
A Hollywood press agent discov-
ers who this new actor really is and
decides to capture all the glory for
himself and his studio. That's
when Another Face" gets good.
And an excellent cast pulls this
story out of the fire. In fact, you
are going to be agreeably surprised
by the work of this particular group
of newcomers.
Phyllis Brooks, former artists
model is better than Bette Davis, as
the heroine. Wallace Ford gives an
other good performance as the press
agent, as does also Alan Hale, in
the role of the producer. Here is
dandy film entertainment.
Frank Bucks picture, Fang and
Claw" is not quite as gruesome as it
sounds, but it is one of the better
and more convincing ''bring 'em back
alive" pictures. It's pretty much
along the line of others of it's type.
'WIDOW FROM MONTE CARLO"
Dolores Del Rio can act-and
we'll. She shows it for the first time
in several months in "The Widow
From Monte Carlo" a natty piece of
screen comedy at the Apollo. War;
rem William stops being a lazy de-
tective long enough to be a hustling
sutton in this one. loss r..
Two old-timers, Louise FaZenda
and Herbert Mundin, lend froth to
the piece, even though Miss Fa-
Zenda turns out to be nasty old
villianness in the end.
Miss Del Rio plays the part of a
bored duchess engaged to a stuffy
fellow of high birth, who suffers
from liver trouble.
The duchess slips away from her
guardians and secretaries and has
several filings with Major Chepstow
(Williarn). But the social climber,
Mrs. Torrent, wife of the MARINA
lade king, sees the two together,
steals letter from the duchess to
Chepstow, and tries to blackmail
the duchess into coming to Mrs.
Torrents party.
Chepstow runs into an American
gangster on the loose, Dopey by
name, and Dopey regains the letter.
The duchess realizes she loves the
jaunty major, returns Eric's ring
and al is as it should be. Warren
~ n,el is at his best as the madcap
gangster who crashes a London
masquerade party in kits.
Miss Del Rio is dashingly beau
tiful and Mr.. William seems to en-
joy himsel, in picture for the first
time in year.