davidaulloa/AmericanStories huggingface dataset:
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

that she disliked "bad women
parts. Louis Mayer wanted the film
to start at once. He thought this
nonsense had gone long enough
Without much ceremony he ordered
Greta to go to her dreSSmaker and
be fitted.
Greta did not go to the dress
maker. She went to her hotel and
got into bed. For a day or two she
sulked and would see no one. Then
she thought of John Gilbert, and
curiosity drove her back to the stu
dio.
Greta and Jack had met quite
casually. They knew little of each
other, but from the very start their
co-workers suspected a new ro-
nance.
The romance, however, was all on
Gilbert's side. He, who had been
married twice, and twice divorced
imagined he knew all about the
technique of love-making.
Il
UNEXPECTEDLY, Greta, how
" ever, proved by no means cold
toward Jack His vivacity and en-
thusiasm infected her. She liked
his fearless unconcern. So their
friendship awakened rapidly, and
warmed day by day.
The scenes of their love-making
in the film were the most realistic
Clarence Brown, the producer, had
encountered in the whole of his
career. Delighted, he fostered the
little romance by every means in
his power, eagerly registering the
rosy rapture with his cameras!
Jack took it all for true coinage.
In these days Mauritz Stiller was
busy with Hotel Imperial" Now
Pcla Negri played the part for
which Greta had been intended.
When Stiller was engaged in film,
he would let no one disturb him,
not even Greta.
Consequently, she was left much
to herself, and had every excuse for
accepting Gilbert's polite atten-
tions both in and out of the studio
Gladly, too, Greta accepted the
hospitality of his charming home.
Gilbert had just moved to his
new house in Beverly Hills. It's
fine, wide veranda, commanding a
magnificent view, it's beautiful gar
den, and, above ALL it's sheltered
swimming pool, where she could
plunge and splash to her hearts
content without becoming a spec
tacle for prying eyes, were con-
slant source of delight for Greta.
Fortunately for Greta, the John
Gilbert episode created a diversion
just at the right time. Although
she had given way in regard to her
part, her dispute with the manage
ment over the new contract was by
no means settled.
q q
GILBERT supported her in her
" determination to hold out
Nevertheless, he gave her good adj
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

Born into a musical family, Mr..
Reuter- attracted early attention as
a 10-year- old member of the St.
James Episcopal Boys Choir in
New York, and two years later as a
hoy wonder pianist. At IA, he was
organist at Bronx church, and the
following year was appointed choir
master. After a season of church
work and concertizing, he sailed for
Germany to continue his study.
Mr.. Reuters Berlin student life
was a varied one. He played violin
and kettledrums in the Royal Ger
man Academy orchestra, and some
times conducted the group. AS a
member of the school chorus, he
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

complication for Greta's peace of
mind.
And just about this time there
arrived in Hollywood an old friend
of Greta's from the Dramatic
School-Mona Martenson, who had
accompanied Greta on the tramcar
that first fateful morning when they
went to Stiller's studio to be cast for
parts in costa Berling" A Holly
wood offer had tempted Mona, too,
across the Atlantic.
But, as in the case of so many
young players the trip ended in dis
illusionment. For months Mona hung
around studios, but never a part
came her way.
Greta seemed to have lost all
memory of her existence.
Suddenly, however, there came a
summons which put an end to this
apparent neglect. Greta sent an
urgent note calling Mona to her.
The exact details of the interview
which followed, Mona would never
disclose, but it concerned John Gill
belt.
The Gilbert Carlo romance had
taken on pace too swift for COM
fort. Greta was bit scared. Jack
was growing impatient of Greta's
n-committal attitude. Greta felt
that Gilbert's ardor was beginning
to exceed the terms of friendship
CHE retired to her rooms, choosing
~ only Mona as her companion.
She would receive no visitors. She
would answer no telephone calls.
Jack, at wits end, was determined
not to be put off as easily as the
others.
Then Greta grew alarmed. Once
in desperation, she took refuge in
the garbage elevator.
After that, she turned more and
more to Mona for help, scarcely al
lowing her out of her sight. Jacks
ardor gradually cooled. He was not
in her next picture, and this, as it
happened, took her on sea voyage
to an island in the Pacific. While
she was away, Jack married Ina
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Player Makes News
in Turning to Opera

By United Press
HOLLYWOOD, March Is. = Few
become excited now when a grand
opera star turns to motion pictures,
but when a film actress turns opera
diva that falls into the same news
classification as when men bites
dog film colony wits chuckled to-
day.
Pert Kelton, blond Coincidence, is
the screen actress who is to trill OPP
cratic arias. She has been signed
for leading roles in local outdoor
presentation of Aida" and Car
men,"
The actress has been studying
voice for more than two years. She
is to continue her motion picture
work while appearing in the operas.
Hope Hampton, silent screen star,
probably was the only film actress
to win fame as singer of classical
music.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

the Hobby Horses" started on q
merry-go-round of Broadway pro-
ducers. Brock Pemberton, Eddie
Bowling, Milton Shubert, Arthur
Hopkins and others looked it over.
granted that there was a grand
central idea but all wanted changes
and they didn't happen TO be
changes that Mr.. Holm thought
should be made.
What the play lacked was finally
supplied by George Abbott, who
came into the scene through Alex
Yokel, the producer who is now
reaping a box Office harvest with
the production.
Local audiences cheered the COM
edy when it was here in November.
The characters are obviously over
drawn for the sake of the humor
and although there are bawdy mo-
ments, Three Men on a Horse"
never gets out of hand.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

Mr.. Holm was playing III Helen
Hayes Mary of Scotland" last
season when he got the idea for this
comedy. During stopovers, between
scenes, he wrote and rewrote. He
called it Hobby Horses" and one
afternoon while Miss Hayes and
the cast relaxed in hotel room,
Mr.. Holm read his script to them.
Some clever member of the group
came through with a suggestion that
the title be changed to Three Men
on HORSE"
Miss Hayes was very favorably
impressed and when she becomes
impressed with new play she usu-
ally shows it to her playwright hus-
band, Charles Macarthur. He liked
it too, and he showed it to Jed Har-
ris, the producer.
Accepted Work
Mr.. Harris accepted the play but
wanted several revisions. Author
and producer could not agree and
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Strauss and
Wolf ReIive
in Program
George Newton in Recital
Closes His Survey of
German Music.
BY JAMES THRAsHER

In a concert of representative
songs by Hugo Wolf and Richard
Strauss. George Newton last eve
ming completed a comprehensive
survey Of German lieder, which in
five recitals have taken us from
Schubert. through Schumann and
Brahms, to the present day.
A program of Old English songs
also was heard in the otherwise
Teutonic series, and with another
evening OF English songs by Somer-
veil and Critics on April 81, the
singer will have concluded one of
the significant contributions to our
current musical season.
To an enthusiastic audience, and
one considerably larger than on
previous occasions, Mr.. Newton
again brought musical interpreta-
tions of the highest order, notable
for sincerity as we'll as for vocal
competence. This artist never
treats us to feats of vocalism per
Sc, but rather leaves his listeners
always free to contemplate the
songs musical content.
A singing actor of discernment,
he is able to make of his own per-
sonality crystalline substance
through which the undistorted
image of the composer is visible.
VOLTS Works Stand Out
In giving close attention to the
works of Wolf and Strauss heard
last night, few could fail TO be i'm
pressed by the pre-eminence of the
former. Mr.. Newton chose some of
the finest Strauss songs, and they
are nudeniably great, but the fer
vent intimacy of the true German
lied is less apparent than in the
highly artistic utterances of Wolf
VOLTS close study of Schumanns
songs and his devotion to Wagner
equally stand forth in his works
The piano accompaniments, CAPT
tally played last night by Walter
WhitWorth, are even more acutely
descriptive than Schumann's. Few
of even the greatest song writer's
have eXcelled Wolf in the delinea-
ton of mood and character. He
remains the logical successor to
Brahms in the field of German
song, despite his antipathy toward
that master
The artistic disintegration and
apparent creative death of the
composer Richard Strauss since the
beginning of this century is a
strange and sorrowful matter. But
in the years of his creative en-
deavor his musical contribution and
influence were immense. With his
greatest tone poems for orchestra
stand also some of his greatest
songs. Perhaps in these, as Mr..
Newton pointed out in his introduce
tory remarks, are to be found the
Strauss who will live.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Ohio TO Offer
I Midnight Films
Saturday Feature Is to Be
Added March 28.

With the showing of Crooked
Circle" March %, the Ohio is to in
augurate its new policy of Saturday
midnight shows. to be held weekly
at 1870 in addition to the regular
double feature.
Designed for week-enders with
"night-owlish" inclinations, the new
plan is the first regular midnight
movie attraction to be adopted by a
local management. 1t has been done
successfully, however, in larger
cities.
Dark Angel" with Merle Oberon
Fredric March and Herbert Mar
shall, and Nevada" are announced
by Tom Muchmore, manager, for
regular showing with the new fea-
ture.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
WHERE, WHAT, WHEN

APOLLO
The Country Doctor" starring
the Dionne .ouintuplets, with Jean
Hersholt and Dorothy Peterson. at
l:l2. l;i6, 3:2S, 5:3i. 7.56. Gas.
CIRCLE
Follow the Fleet" with GINGER
Rogers and Fred Astaire, at II. llO.
$40, 5:25 1885. $50.
INDIANA
Desire" with Marlene Dietrich
and Gary Cooper. at le;4i. 3:47. 6:53.
Love On a Bet" with Gene Raw
mond and .wendy Barrie. at 1924.
2:So. $50. s;42.
The Hoosier schoolmaster," pre-
Sented by Federal Players under the
direction of Charles Berkell. This
adaptation Of the Eggleston novel by
DR.. Lee r. Norvelle
LoEw'S
wife Versus Secretary" with
Clark Gable. Jean Harlow AID Myrna
Loy. at 1880. i:s5, $40. 5:4s. 7:54.
LYRIC
Ben Lyon and Sebe Daniels on
stage with vaudeville. at /, 1858,
6:s6 and $50 Don't Get Personar'
with Jimmy Dunn and Sally Eikrs.
on screen. 81 ll;zi. 2:34. sat. $40
and 1913.
"Splendor" with Miriam Hopkins.
at 1857, AS. 7:06 and 9:55 Your
Uncle Dudley" with Edward Everett
Horton at 1890, 1851. s:ss, $50
and s:46.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
CARLO The Mysterious Her 5 54ok7
By ELISABETH Won CAUB

TT was the final blow. Greta
L would have liked to hide herself
away and see no one. Still, she had
to go on. The effort, however. took
heavy toll, and left traces on her
by no means robust constitution
traces from which it took her years
to recover.
The next picture for which Greta
was cast was Flesh and the Devil" +:
and this landed her into fresh trou-
bic.
Once more they pressed her to
make a five-year contract. Once
more she fell back on the argument
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

Claire, and put an end to Greta's
anxiety once and for all.
With the ending of the John Gill
bert episode, and her departure on
location, Greta lost sight of Mona,
too. After nine long months of
fruitless waiting, Mona decided to
go home. She is now playing in
genue parts in little stock COM
pany run on commonwealth lines
by Costa Ekman in Stockholm.
MEANWHILE, Stiller had gone
wi home.
When a wounded beast feels its
end approaching, they say it creeps
into its cave to die in peace. Stiller
was like that.
Already he bore distinct traces of
that dread disease which causes the
limbs to grow to elephantine pro-
portions and the features to assume
grotesque size.
He, who had always been so SEN
sitive to beauty, both in surround
ings and in people, was now con-
demned to watch in his own person
the creeping contamination of hui
man ugliness almost impossible to
describe.
Tomorrow: Home to Sweden.
Copyright, 1896. by United Feature
Gundicntn 1nc
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
BowIers on Screen

Leading off the current week.
ly newsreel, the Indiana Thea
ter is featuring a series of
scenes taken at the American
Bowling Congress, now being
held at the Playground.
The sequence shows the
opening ceremonies in which
Gov. McNutt rolled the first
ball and also several of the star
bowlers executing trick rolls.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

OF GreCaS altered circumstances wa:
the fact that Louis Mayer himself
he who had mot been interested" ir
Stiller's unknown protege !-called
Greta into his Office and said he
would like to make a new contract
with her.
Greta, however, had learned eau
ton from her old master. She sale
she was satisfied with the contract
she had. She wanted to finish her
part first, and see how it turned out
SO there the matter was allowed to
rest.
When the quite untrumpeted re-
lease of THE Torrent" took place
no further doubt existed that Metro
Goldwyn-Mayer had discovered the
most alluring siren Hollywood hae
seen for many long day.
The agitation for new CONTRACT
started afresh. Mr.. Mayer wantec
to nail Greta down for five years
He pointed to the press notices anc
spoke of the vast sums that were
being spent in boosting Greta to the
heights of stardom.
She replied with great unconcerr
that she had no ambition whatever
to figure in publicity. She had al
ready suffered much at the hands
Of press agents and press photogra
pliers. When I am as famous as
Lillian Gish," she had been hearc
to remark, Il will never pose fol-
another press picture"
MIR. MAYER found the new star
AVA difficult to argue with. In her
broken English she could not say
much, but her logic was devastating
and her methods were singularly
direct. When driven into a corner
she would simply remark, 81 t'ink
go home now" and suit the action
to words.
The management deemed it wise
as a counter-move to her growing
discomfort, to place Mauritz Stiller
in charge of her next picture.
This was to be called THE
TemptreSs."
Greta did not like the role. She
objected to playing bad women
But conscientiously she did as she
was told, meekly and modestly, SC
that they could find no fault with
her. She felt that, bad as the part
was from the viewpoint of her nat
ural inclinations, she could draw
some comfort from the fact OF
working under Stiller once again.
But it was not to be. The mis-
understandings between Stiller anc
the company, which had really be-
gun before his arrival in America
/ grew more serious day by day. Work
on The Temptress' had scarcely
commenced when an impasse was
reached, and Fred Niblo was put
in over Stillers head to complete
the picture.
One can imagine Greta's feeling;
when this happened. Toe worn Out
to struggle any more, she let events
take their course, resignlng herself
as best she could to the altered
| circumstances.
THE Temptress" took six months
to make. They were months OF
nerve-racking discomfort for Greta
Meanwhile her sister Alva's illness
had taken a turn FOR the worse
Then came the news of Alva's
death.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Grown-Ups Use Shooters

Grown-ups' edition of children's
shooters are new fad in the stu
dios. Frances Langford used one
daily to dash the quarter-mile frcal
her dressing room to the sound
stages when she is working in WAL
ter Wanger's production, Palm
Springs"
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Chapter VII
GRETA GOES TO BED

A S time went on, the studio re-
IN ports became more and more
encouraging. Those who had been
privileges to see the "rushes" spoke
in excited whispers, and there was a
feeling abroad that something really
new had been discovered.
The subtle Carlo charm was be-
ginning to work. Monta Bell lost nc
time in exploiting the rich new find
that had been so providentially
thrust into his hands.
Perhaps the most prophetic sign
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Wins Paramount Honor

Frances Farmer, Paramount fea-
tured player, is the only girl in the
history of Paramount studio to
have the second picture in which
she will appear delayed in order
that she might enact the leading
role. It's Border Flight"
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Rudolph Reuter- to Play Piano
in Symptoms Closing Concert
Chicago Musician to Offer Beethovens Emperor; He
Has Concerzed, Taught in Three Countries.

teaching three countries the
Indianapolis
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18
Three Men on a Horse,
to Open Here Tomorrow
Made Hit It's First Night
Author Cecil Holm Was Playing With Helen Hayes When
He Conceived Plot; Story Deals With Funny Little
Man Who 'Dopes' Out Sure-Fire Race System.
BY Holm ny. THOMPS(

with funny little "doped'
betting,
Iom play opening at English night rstnight hit
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-18

Tomorrow: Home to Sweden.
Copyright, 1886, by United Feature
Syndicate, Inc.)
Evening star., 1936-09-24
Boys Clothing

50 Boys Sweaters Crew, wee and Talon front
styles Broken sizes 80 to SO. Were $l69,
Friday
30 Boys Raincoats. Black leatherette in raglan
style with full belt Warmly interlined. Sizes
8 to 16 Specially priced for Friday------$l95
20 Boys Button-On Bouses. Tom Sawyer
tailored Slightly soiled. White. Sizes and 5.
Were 89c, Friday
40 Boys Wash Suits Blue broadcloth button-on
blouse with tie. Heavy, navy blue cotton shorts.
Sizes 5, 6, 8 and 10. Were $l09, Friday-----69c
S Boys Terry Cloth Bathrobes. Sizes IL, 16 and
l8. Were $295, Friday
Boys Serge Sailor Pants. Tom Sawyer
tailored. Size 10. Were $l95, Friday ------$l.29
10 Little Boys Blue Lumber Jackets Wool tweeds
and f1annels Tailored by Tom Sawyer. Size 6.
Were sass, Friday SO
Young Mems Two -Trouser Suits. Blue cheviot
in double breasted style with sports back. Sizes
IT to %. Were $24.50, Friday -----$l7.95
Boys Shop -. First Floor.
Evening star., 1936-09-24

Seamless fringed velvet rugs in Oriental
designs of rust, red and tan. Sizes feet
by II feet, and 8 feet inches by 10 feet
inches.
Gold Seal CongoIeum Rugs; small sizes in
variety of colors Sizes 3xS feet $l.29; size
3x41a feet, S9c; size 18x36 inches
Felt Base Floor Coverings cut from full rolls
in 8 choice designs. Square yard-----------2sc
Velvet Hall and Stair Carpets. in green rust
or taupe 27-inch width, yard 81. 22n inch
width,
Rass -. Fourth Floor.
Evening star., 1936-09-24
Chintz Draperies, pair $l.58

Chintz in beautiful colors and patterns,
to add gaiety to bed rooms or dinettes.
Rayon Tailored Curtains, Grown Tested" Hem
med, with headed tops, suitable for living or din
ing rooms. Regularly 81 .95, Friday, pair --$l.24
Curtain Marquisettes, Of good quality In an at
tractive cream shade. 40-inch width, l2c . yard
50-inch width,
50-inch Coorful Crash Cret0nnes, in Is attrac-
tive colors and patterns, heavy and serviceable.
50-inch width. regularly soc, Friday. yard----3Sc
DraberieS 4. . Second Floor.
Evening star., 1936-09-24
1000 Pairs Chiff fOn Hose SOC

Full-fashioned chiffon hose, silk to top,
with reinforced heels and toes, plated sole.
Business sheer weight
100 pairs Medium Service Weight Hose; Isle
welt and foot. Dark colors in a broken size
range. Friday
$50 pairs Knee-Length Hose; sheer chiffon
weight All sizes. mostly light shades. Friday.
pair
Hosiery ... First Floor.
Evening star., 1936-09-24
Infants Apparel

10 Boys Eton Suits; in blue-and-white or
broWn-and- checks. Sizes and 6
years. Were $l.79. Friday $1.19
Tots Sun Suits; in pastel shades. Sizes l to
years Were sl15 Friday
8 Tots Sweaters; in white and yellow. Sizes
l and years. Were $l.15, Friday $50
IL Bath Robes; in pink and white eiderdown.
Sizes and years. Were $l,29. Friday-----S9c
Is Little Colonel Jersey Sweaters; sizes 4 and
6la in red and navy blue. Were $l.95.
Friday
Infants AbbarsI Third Floor.
Evening star., 1936-09-24
Friday Only Mems
B. V. ID. Shirts and Shorts
3 for ST.
Regularly 39c each

SHORTS of broadcloth in white, solid
colors and new Fall stripes Elastic or
Side-tie styles with full balloon seat. Sizes
80 to A.
SHIRTS OF fine combed cotton yarn in
plain or panel ribbed effect Made full
length with deep-cut armholes. Sizes "a
to 46.
Mems Velvet Robes l blue tan. Medium
size. Were 1895, Friday day--------$5
IS Mems Arrow Shorts. Novelty styles. Broken
sizes. Were Csc, Friday----------------3 for 81
20 Pairs Mems B. V. ID. Linn Craft Pajamas.
Short sleeves and knee-length legs. Sizes B, C,
D. Were 81 95, day-------9 CSC
80 Mems Twin Shirts. Two-tone combinations
for sports and outdoors. Brown, navy and ma
room. Small, medium and large sizes. Were
Jock Hutchinson Golf Balls. Durable and ac-
curate. Regularly 3 for 81, Friday, each----25c
IS Mems Shirts. Reduced because they are
slightly soied. Fancy patterns in colar-at-
tached style. Sizes 1872 to II in the group.
Were $l45,
MEMS Shop :. First Floor.
Evening star., 1936-09-24
New Autumn Frocks, S8.88
Regularly $IO.95 to $I3.95

Broken sizes and colors in the group, of
course, but really worthwhile bargains be-
cause they are new and smart. Clever
ideas of trimming here.
Prints and Crepes in broken sizes and colors, but
all Fall, 1886, dresses. Regularly S. 95, Friday,
S5.35.
Dresses Third Floor
Evening star., 1936-09-24
II Twin Sweater Sets, $3.50

l. Will OWCdtCI OCtS3 %HsOV
Regularly $2.95
Sizes "a to 38 in a variety of colors.
5 Shetland and Kasha Wool Skirts; in violet and
rose shades. Sizes 26 and 49, Regularly $395,
rTludy
Pastel Wool Skirts; sizes 20 to 80. Regularly
@L.So,
10 Batiste and Linen Bl0uses in white and violet.
Sizes "a to 3s. Regularly s295, Friday
Tucked Net Blouses in blue and flesh. Regu-
larry Sos friday $2.95
Net BIouses, with frlled front. Sizes 80 and
38, in blue and maize Regularly 1895, Fri
Gay -------------------------
Hand Fashioned Twin Sweater Sets, with wee
cardigans. Size 38. Regularly $685. Friday $3.50
Twin Sweater Set amethyst color; size &c. Reg
ularly $3.95, Friday
Sports Shop Third Floor.
Evening star., 1936-09-24

72x84 inch Blankets, pair $3.95
Regularly $4.95
100 pairs of these blankets; $50 wool,
bound with three-inch sateen. In attrac-
tive block designs.
Rayon Taffeta Bedspreads, double size Regu-
10 Tailored Celaness Bedspreads regularly $495
Friday
Is Bed Comforts washable and down filled
Regularly $685. Friday
Gray Camp Blankets. regularly $lss, Fri
10 Wool Auto Robes, regularly $495, Friday s3.95
Blankets . . Second Floor.
Evening star., 1936-09-24
Special Group Suits

rs'%'say i,S1s "sa !2s1S; iss9; Sl8.95
Single and double breasted styles with
plain and sports backs. Brown, blue
and gray. Sizes: Regular, 2/35, SO, 4'38
4/39, 2/40, 242; short, 1888; long, 1888;
stout, 1888, 2I39. 1/4O; short stout. 2/39.
Store for Men First Floor.
Evening star., 1936-09-24
Mems Clothing
q LynbrOOke Suits


Formerly COC 1S
S35 pA@''o
Single and double breasted styles with
plain or sports backs. Blue. brown and
gray. Sizes: Regular, 1875, 3/36, 2/37. 6|38,
3/39, 440, IA; long, 1886, 1888; stout, l39.
Evening star., 1936-09-24
Dark Handbags -49c

Regularly 81
An assortment of slightly counter worn
bags in red, brown, blue or black. Some
childrens bags included.
Leather Handbags in dark colors. Regularly $1.5e
Belts in light and dark colors. Regularly sec
ana VI rTluay
Leather Goods First Floor