The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1936-03-04

The well-dressed woman, Mrs.
Elizabeth Prutzman, stylist, ex-
planned never is over dressed, but
is casual, comfortable and smart
appearing.
The style parade opened with a
"good-morning to spring'-a pastel
lowered negligee, sprayed with tu-
lips, roses and tiny buds.
Mrs. Harold Taylor appeared in
a suit for a morning round of shop
ping. Its midnight blue skirt Was
enlivened by tweed coat. striped
with fine red line. A glowing tone
was provided by accessories-a RED
kerchief tucked in pocket, a red
purse and blue hat banded in red.
Possibilities of the distinctiveness
of a plain blue suit were presented
by varieties of accessories. Colored
blouses, flowers, gloves, purses and
hats provided individuality to plain
suits, differing only slightly in style.
One Is Breath Taking
Another ensemble worn by Mrs.
Taylor was breath-ta taking because
of its color combination. A grey
wool two-piece dress, simply styled
was vitalized by a plum flannel coat
with grey fox collar. The blue hat
had a plum colored veil floating
over it, and the dress belt picked up
the contrasting color. The blouse
was distinctive with its layers of
elf-fringed bands.
A blue taffeta afternoon gown
to the audience. Beneath
the haring skirt was red and white
taffeta petticoat; its quaintness was
carried out by the mutton sleeves
and full peplum. The neat white
pique neck trim was a modern note.
Embroidered organizes were
shown as popular trims for after
noon and dinner clothes.
A blue and white figured after
noon dress was most attractive be-
cause of it's white embroidered Or
CANDY and lace sleeves. White mesh
gloves with organdy flares har-
A black poplin cocktail dress was
fashioned with white eyelet fitted
jacket.
Cotton for Evening
Cotton again is to be popular for
evening wear. A white waffle weave
pique gown fared full over the floor
and the navy blue pique jacket fit
ted snugly about the waistline. A
bouquet of bright flowers at
the neckline frightened the en-
semble.
For evening, frothy chiffons, nets,
and mousseline de sole float over
form-htting underslips of taffeta
and crepe to provide dramatic ef-
fects.
A black net gown swished with an
extremely full black net skirt, ap-
pliqued with red circles. The red
belt outlined the waistline and
strayed over the shoulders, very
frou-frou with huge puffs of nets
reaching to the elbows. The red
straw bag carried by the model was
trimmed with cherries.
Pastel blue and white bugle beads
were embroidered in floral pattern
on white organdy gown, form-flt-
ting to the knees, where it f1ared
full. Triple bands Of blue beads cir
cled the flare, the waistline and the
tight cuffs below the puff sleeves.
Wraps of Taffeta
Wraps were of taffeta-fitted and
full-sleeved. One of eggshell was
embroidered. A black taffeta coat
was collared in velvet and had red
placed on the collar in back.
The bridal party was gowned in
all white. Skirts of the bridesmaids
and maid of honors' gowns swept
the aisle in clouds of white tulle
floating over taffeta. Their short
tulle wells fell from coronets Of car
nations, matching the loosely ar
ranged carnation bouquets with long
green stems.
Mrs. John K. Ruckelshaus, as the
bride, wore white taffeta, full and
sweeping into train. A lei of velvet
flowers outlined the neckline, and a
tulle veil fell from halo of similar
flowers. She carried a prayer book